Why We Theater https://broadwaypodcastnetwork.com/podcast/why-we-theater/ en 147695 Social justice meets theatre in this podcast from Playbill’s former Executive Editor Ruthie Fierberg. Artists and experts unite for curated panels, using plays and musicals (Broadway, Off-Broadway, and works in development) as a jumping-off point to confront societal issues such as racism, colorism, voting rights, fake news, digital technology addiction, the school-to-prison pipeline, anti-Semitism, raising LGBTQIA+ kids, and more. We help listeners grapple with hard questions inside a play or musical in order to create change in our offstage lives. And don’t worry if you haven’t seen an individual episode’s show or if you’re not a theatre buff. Award-winning writers and directors of pieces like SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY and THE PROM break down the message inside their stories and how they created that story. Then, real-world experts in the corresponding field (like NSA Jake Sullivan or THIS AMERICAN LIFE’s Ira Glass) offer advice and action steps (thought patterns to monitor, petitions to sign, organizations to support, etc.) so we can manifest progress. “Theater” is not only a place or a presentation, it is an action. “To theater” is to engage with art presented onstage. Why we theater? We’re about to find out. https://megaphone.imgix.net/podcasts/25deb782-c092-11ea-b564-47c3824f4881/image/uploads_2F1594860715256-p3mtxop7cp-5f39c6382266c3c41a911f3aa11a234f_2FWWT1400.jpg?ixlib=rails-4.3.1&max-w=3000&max-h=3000&fit=crop&auto=format,compress Why We Theater https://broadwaypodcastnetwork.com/podcast/why-we-theater/ no episodic Social justice meets theatre in this podcast from Playbill’s former Executive Editor Ruthie Fierberg. Broadway Podcast Network Social justice meets theatre in this podcast from Playbill’s former Executive Editor Ruthie Fierberg. Artists and experts unite for curated panels, using plays and musicals (Broadway, Off-Broadway, and works in development) as a jumping-off point to confront societal issues such as racism, colorism, voting rights, fake news, digital technology addiction, the school-to-prison pipeline, anti-Semitism, raising LGBTQIA+ kids, and more. We help listeners grapple with hard questions inside a play or musical in order to create change in our offstage lives. And don’t worry if you haven’t seen an individual episode’s show or if you’re not a theatre buff. Award-winning writers and directors of pieces like SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY and THE PROM break down the message inside their stories and how they created that story. Then, real-world experts in the corresponding field (like NSA Jake Sullivan or THIS AMERICAN LIFE’s Ira Glass) offer advice and action steps (thought patterns to monitor, petitions to sign, organizations to support, etc.) so we can manifest progress. “Theater” is not only a place or a presentation, it is an action. “To theater” is to engage with art presented onstage. Why we theater? We’re about to find out. Social justice meets theatre in this podcast from Playbill’s former Executive Editor Ruthie Fierberg. Artists and experts unite for curated panels, using plays and musicals (Broadway, Off-Broadway, and works in development) as a jumping-off point to confront societal issues such as racism, colorism, voting rights, fake news, digital technology addiction, the school-to-prison pipeline, anti-Semitism, raising LGBTQIA+ kids, and more. We help listeners grapple with hard questions inside a play or musical in order to create change in our offstage lives. And don’t worry if you haven’t seen an individual episode’s show or if you’re not a theatre buff. Award-winning writers and directors of pieces like SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY and THE PROM break down the message inside their stories and how they created that story. Then, real-world experts in the corresponding field (like NSA Jake Sullivan or THIS AMERICAN LIFE’s Ira Glass) offer advice and action steps (thought patterns to monitor, petitions to sign, organizations to support, etc.) so we can manifest progress. “Theater” is not only a place or a presentation, it is an action. “To theater” is to engage with art presented onstage. Why we theater? We’re about to find out.

]]> Ruthie Fierberg & Broadway Podcast Network alan@broadwaypodcastnetwork.com Why We Theater Now: April 2022 https://broadwaypodcastnetwork.com/why-we-theater In this Season 2 finale, Ruthie recommends currently running Broadway and Off-Broadway shows that speak to Why We Theater. Paradise Square, now on Broadway Alex Edelman's Just For Us Ruthie Fierberg, Host Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices Sat, 09 Apr 2022 02:13:00 -0000 Why We Theater Now: April 2022 full 2 23 Broadway Podcast Network In this Season 2 finale, Ruthie recommends currently running Broadway and Off-Broadway shows that speak to Why We Theater. In this Season 2 finale, Ruthie recommends currently running Broadway and Off-Broadway shows that speak to Why We Theater. Paradise Square, now on Broadway Alex Edelman's Just For Us Ruthie Fierberg, Host Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices In this Season 2 finale, Ruthie recommends currently running Broadway and Off-Broadway shows that speak to Why We Theater.


Paradise Square, now on Broadway


Alex Edelman's Just For Us


Ruthie Fierberg, Host

Ruthiefierberg.com 

IG: @whywetheater / T: @whywetheater

IG: @ruthiefierceberg / T: @RuthiesATrain

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 727 no ADDRESSLESS meets Choose-Your-Own Activity https://broadwaypodcastnetwork.com/why-we-theater In this week’s mini-episode, Ruthie recommends books—some novels, some memoirs—and television episodes that tell stories about homelessness. Then, taking a page out of Addressless’ book, Ruthie offers guides listeners through three at-home activities to better emotionally comprehend what it means to be at risk for homelessness and to experience it. Organize a Sleep Out of your own. Try Covenant House's "What Would You Do?" Activity. Instructions for Losing Your Identity courtesy of Covenant House Instructions for Privilege For Sale courtesy of Covenant House Recommended Reads: My Abandonment by Peter Rock The Motel Life by Willy Vlautin Breaking Night: A Memoir of Forgiveness, Survival, and My Journey From Homeless to Harvard by Liz Murray From the Ashes by Jesse Thistle Find your local independent bookstore. Grey's Anatomy, Season 9, Ep 6 Station 19, Season 5, Ep 12 Create the change: Learn more at the National Alliance to End Homelessness (NAEH) View homelessness statistics by state Volunteer with or donate to Covenant House; Organize a Sleep Out in your community Tell Congress to fund Homeless Assistance Grants (Click to sign a letter) Read up on current legislation that would impact homelessness How do we deal with our legislators? Improve conditions in homeless shelters: Hire well-trained staff, and hire enough of them Bring mental health services to the shelters (i.e. have AA meetings on the premises, have mental health counselors on the premises) What 4 experts have to say Find a mentorship opportunity Make cards with contact info to promote nearby shelters to hand out to those who are in need and asking for help Donate clothes, especially socks, to nearby shelters Participate in your city’s point-in-time count (signups are generally in Nov/Dec for the upcoming year - Google to find the PIT in your neighborhood) Try rapid re-housing in your community Learn about permanent supportive housing Increase employment opportunities (adjust job applications so they do not require listing a permanent address) Read the obstacles to solving the homelessness crisis—then counter them Understand why homelessness is rising Directory of Homeless Service Organizations by state Sign up for Advocacy Alerts from the NAEH Ruthie Fierberg, Host Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 01 Apr 2022 01:30:01 -0000 ADDRESSLESS meets Choose-Your-Own Activity full 2 22 Broadway Podcast Network In this week’s mini-episode, Ruthie recommends books—some novels, some memoirs—and television episodes that tell stories about homelessness. Then, taking a page out of Addressless’ book, Ruthie offers guides listeners through three at-home activities to better emotionally comprehend what it means to be at risk for homelessness and to experience it. In this week’s mini-episode, Ruthie recommends books—some novels, some memoirs—and television episodes that tell stories about homelessness. Then, taking a page out of Addressless’ book, Ruthie offers guides listeners through three at-home activities to better emotionally comprehend what it means to be at risk for homelessness and to experience it. Organize a Sleep Out of your own. Try Covenant House's "What Would You Do?" Activity. Instructions for Losing Your Identity courtesy of Covenant House Instructions for Privilege For Sale courtesy of Covenant House Recommended Reads: My Abandonment by Peter Rock The Motel Life by Willy Vlautin Breaking Night: A Memoir of Forgiveness, Survival, and My Journey From Homeless to Harvard by Liz Murray From the Ashes by Jesse Thistle Find your local independent bookstore. Grey's Anatomy, Season 9, Ep 6 Station 19, Season 5, Ep 12 Create the change: Learn more at the National Alliance to End Homelessness (NAEH) View homelessness statistics by state Volunteer with or donate to Covenant House; Organize a Sleep Out in your community Tell Congress to fund Homeless Assistance Grants (Click to sign a letter) Read up on current legislation that would impact homelessness How do we deal with our legislators? Improve conditions in homeless shelters: Hire well-trained staff, and hire enough of them Bring mental health services to the shelters (i.e. have AA meetings on the premises, have mental health counselors on the premises) What 4 experts have to say Find a mentorship opportunity Make cards with contact info to promote nearby shelters to hand out to those who are in need and asking for help Donate clothes, especially socks, to nearby shelters Participate in your city’s point-in-time count (signups are generally in Nov/Dec for the upcoming year - Google to find the PIT in your neighborhood) Try rapid re-housing in your community Learn about permanent supportive housing Increase employment opportunities (adjust job applications so they do not require listing a permanent address) Read the obstacles to solving the homelessness crisis—then counter them Understand why homelessness is rising Directory of Homeless Service Organizations by state Sign up for Advocacy Alerts from the NAEH Ruthie Fierberg, Host Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices In this week’s mini-episode, Ruthie recommends books—some novels, some memoirs—and television episodes that tell stories about homelessness. Then, taking a page out of Addressless’ book, Ruthie offers guides listeners through three at-home activities to better emotionally comprehend what it means to be at risk for homelessness and to experience it.


Organize a Sleep Out of your own.


Try Covenant House's "What Would You Do?" Activity.


Instructions for Losing Your Identity courtesy of Covenant House


Instructions for Privilege For Sale courtesy of Covenant House


Recommended Reads:

My Abandonment by Peter Rock

The Motel Life by Willy Vlautin

Breaking Night: A Memoir of Forgiveness, Survival, and My Journey From Homeless to Harvard by Liz Murray

From the Ashes by Jesse Thistle


Find your local independent bookstore.


Grey's Anatomy, Season 9, Ep 6

Station 19, Season 5, Ep 12


Create the change:


Ruthie Fierberg, Host

Ruthiefierberg.com 

IG: @whywetheater / T: @whywetheater

IG: @ruthiefierceberg / T: @RuthiesATrain

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 1283 no ADDRESSLESS and Homelessness https://broadwaypodcastnetwork.com/why-we-theater ADDRESSLESS: A Walk in Our Shoes played Off-Broadway at Rattlestick Playwrights Theater in February 2022 as a virtual, interactive production. The play intimately and personally illustrated what it means to live homeless in New York City. Hungarian director Martin Boross and playwright Jonathan Payne explored this plight through three individuals living unhoused, each on a mission to acquire $1,500 while staying as healthy as they could. Experts Shams Da Baron (aka Da Homeless Hero), Covenant House International President Kevin Ryan, and playwright Jonathan Payne join host Ruthie Fierberg to dissect the play and offer answers to the solvable homelessness crisis in the U.S. View the Digital Program for ADDRESSLESS. Create the change: Learn more at the National Alliance to End Homelessness (NAEH) View homelessness statistics by state Volunteer with or donate to Covenant House; Organize a Sleep Out in your community Tell Congress to fund Homeless Assistance Grants (Click to sign a letter) Read up on current legislation that would impact homelessness Improve conditions in homeless shelters: Hire well-trained staff, and hire enough of them Bring mental health services to the shelters (i.e. have AA meetings on the premises, have mental health counselors on the premises) What 4 experts have to say Find a mentorship opportunity Make cards with contact info to promote nearby shelters to hand out to those who are in need and asking for help Donate clothes, especially socks, & personal hygience items to nearby shelters Participate in your city’s point-in-time count (signups are generally in Nov/Dec for the following year - Google to find the PIT in your neighborhood) Try rapid re-housing in your community Learn about permanent supportive housing Increase employment opportunities for those without housing (don't make a permanent address a requirement on job applications) Read: Obstacles to solving the homelessness crisis—then counter them Understand why homelessness is rising Directory of Homeless Service Organizations by state Sign up for Advocacy Alerts from the NAEH Referred to in this episode: What is StereoAKT? What is Covenant House? 2020 Point-in-Time Count About the foster care system What is a group home? Foster care vs. Group home What is transitional housing? Human trafficking and homelessness Privilege Sleep Out exercise Legislation for Wifi in all shelters Shams fact-check: Shams said, “In Harlem, 40% of the students that are in school here are, are in, are either homeless or housing or facing housing instability.” Reports show 1 in 10 NYC public school students is homeless, up to 1 in 5 depending on the area. Read more on homelessness of NYC public school students & CUNY students Greater risk of Black and brown, LGBTQ+ youth What is Community Access? How real estate development impacts homelessness How redlining impacts homelessness (more on redlining) What is the Lucerne and what was the controversy?  Addressless’ How Can I Help? Worksheet (items incorporated in CTT) The Childcare Tax Credit: How does it reduce child poverty? How does that help alleviate homelessness? What is the Poor People’s Movements? What are Public Assistance Programs? Open Hearts in NYC Does shelter living cost money? Short answer: YES. About Our Guests: Ruthie Fierberg, Host Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Jonathan Payne, Playwright @JPayneWrites Shams DaBaron, Performer/Script consultant, Activist @homeless_hero Kevin M. Ryan, President of Covenant House International @CovHousePrez Learn more about your ad choices. Visit megaphone.fm/adchoices Tue, 29 Mar 2022 20:19:25 -0000 ADDRESSLESS and Homelessness full 2 21 Broadway Podcast Network ADDRESSLESS: A Walk in Our Shoes played Off-Broadway at Rattlestick Playwrights Theater in February 2022 as a virtual, interactive production. The play intimately and personally illustrated what it means to live homeless in New York City. Hungarian director Martin Boross and playwright Jonathan explored this plight through three stories: Wallace, a middle-aged single father living unhoused with his son; Louis, a young veteran; and Josie, a non-binary adolescent. Each was on a mission to acquire $1,500 while staying as healthy as they could. The audience helped each of them with a series of decisions that consistently put their money and health at odds, mimicking the reality of homelessness today. Experts Shams Da Baron (aka Da Homeless Hero), Covenant House International President Kevin Ryan, and playwright Jonathan Payne join host Ruthie Fierberg to dissect the play and offer answers to the solvable homelessness crisis in the U.S. ADDRESSLESS: A Walk in Our Shoes played Off-Broadway at Rattlestick Playwrights Theater in February 2022 as a virtual, interactive production. The play intimately and personally illustrated what it means to live homeless in New York City. Hungarian director Martin Boross and playwright Jonathan Payne explored this plight through three individuals living unhoused, each on a mission to acquire $1,500 while staying as healthy as they could. Experts Shams Da Baron (aka Da Homeless Hero), Covenant House International President Kevin Ryan, and playwright Jonathan Payne join host Ruthie Fierberg to dissect the play and offer answers to the solvable homelessness crisis in the U.S. View the Digital Program for ADDRESSLESS. Create the change: Learn more at the National Alliance to End Homelessness (NAEH) View homelessness statistics by state Volunteer with or donate to Covenant House; Organize a Sleep Out in your community Tell Congress to fund Homeless Assistance Grants (Click to sign a letter) Read up on current legislation that would impact homelessness Improve conditions in homeless shelters: Hire well-trained staff, and hire enough of them Bring mental health services to the shelters (i.e. have AA meetings on the premises, have mental health counselors on the premises) What 4 experts have to say Find a mentorship opportunity Make cards with contact info to promote nearby shelters to hand out to those who are in need and asking for help Donate clothes, especially socks, & personal hygience items to nearby shelters Participate in your city’s point-in-time count (signups are generally in Nov/Dec for the following year - Google to find the PIT in your neighborhood) Try rapid re-housing in your community Learn about permanent supportive housing Increase employment opportunities for those without housing (don't make a permanent address a requirement on job applications) Read: Obstacles to solving the homelessness crisis—then counter them Understand why homelessness is rising Directory of Homeless Service Organizations by state Sign up for Advocacy Alerts from the NAEH Referred to in this episode: What is StereoAKT? What is Covenant House? 2020 Point-in-Time Count About the foster care system What is a group home? Foster care vs. Group home What is transitional housing? Human trafficking and homelessness Privilege Sleep Out exercise Legislation for Wifi in all shelters Shams fact-check: Shams said, “In Harlem, 40% of the students that are in school here are, are in, are either homeless or housing or facing housing instability.” Reports show 1 in 10 NYC public school students is homeless, up to 1 in 5 depending on the area. Read more on homelessness of NYC public school students & CUNY students Greater risk of Black and brown, LGBTQ+ youth What is Community Access? How real estate development impacts homelessness How redlining impacts homelessness (more on redlining) What is the Lucerne and what was the controversy?  Addressless’ How Can I Help? Worksheet (items incorporated in CTT) The Childcare Tax Credit: How does it reduce child poverty? How does that help alleviate homelessness? What is the Poor People’s Movements? What are Public Assistance Programs? Open Hearts in NYC Does shelter living cost money? Short answer: YES. About Our Guests: Ruthie Fierberg, Host Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Jonathan Payne, Playwright @JPayneWrites Shams DaBaron, Performer/Script consultant, Activist @homeless_hero Kevin M. Ryan, President of Covenant House International @CovHousePrez Learn more about your ad choices. Visit megaphone.fm/adchoices ADDRESSLESS: A Walk in Our Shoes played Off-Broadway at Rattlestick Playwrights Theater in February 2022 as a virtual, interactive production. The play intimately and personally illustrated what it means to live homeless in New York City. Hungarian director Martin Boross and playwright Jonathan Payne explored this plight through three individuals living unhoused, each on a mission to acquire $1,500 while staying as healthy as they could. Experts Shams Da Baron (aka Da Homeless Hero), Covenant House International President Kevin Ryan, and playwright Jonathan Payne join host Ruthie Fierberg to dissect the play and offer answers to the solvable homelessness crisis in the U.S.

View the Digital Program for ADDRESSLESS.


Create the change:


Referred to in this episode:


About Our Guests:

Ruthie Fierberg, Host

Ruthiefierberg.com 

IG: @whywetheater / T: @whywetheater

IG: @ruthiefierceberg / T: @RuthiesATrain


Jonathan Payne, Playwright @JPayneWrites

Shams DaBaron, Performer/Script consultant, Activist @homeless_hero

Kevin M. Ryan, President of Covenant House International @CovHousePrez

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 4512 DAVID BYRNE’S AMERICAN UTOPIA meets The Prophet https://broadwaypodcastnetwork.com/why-we-theater Last week, American Utopia performer Tendayi Kuumba and experts Drs. Vinoo Alluri and Alejandro Lleras helped host Ruthie Fierberg take step back and welcome a broader perspective to problem-solving, beyond “What are the next steps to create change?” to “How do we find the next steps to create change?”  The human brain is not a muscle, but it does need exercise—so to speak. To change the way we solve problems, we must change the way we approach problems. Change the very way we think. Actor and producer Salma Hayek had this same idea when she produced the 2014 animated film The Prophet, a movie adaptation of Kahlil Gibran’s 1923 eponymous book. Hayek also believed: “We need a new generation that goes into the unknown and finds solutions that we have not seen or heard.” So this week, Ruthie recommends The Prophet as the companion piece to American Utopia—currently on Broadway through April 3, 2022. Listen to David Byrne’s American Utopia on Spotify, YouTube, Apple Music. Get tickets to David Byrne’s American Utopia on Broadway. Watch David Byrne’s American Utopia on HBOMax. Watch the animated movie The Prophet. Purchase the book The Prophet from your local independent bookstore. Sign up for Ruthie’s monthly newsletter at ruthiefierberg.com. Referred to in this episode Read: Ways to help those in Ukraine Help refugees throughout the world Kahlil Gibran’s book The Prophet Ruthie’s Parents.com interview with Salma Hayek  Connect with your host! Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther.  Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Special thanks to Genesis Johnson, Leigh Silverman, Suzanne Chipkin, Wesley Birdsall, Elena Mayer, Patrick Taylor, and Dori Berinstein.  Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 18 Mar 2022 01:41:00 -0000 DAVID BYRNE’S AMERICAN UTOPIA meets The Prophet full 2 20 Broadway Podcast Network Last week, American Utopia performer Tendayi Kuumba and experts Drs. Vinoo Alluri and Alejandro Lleras helped host Ruthie Fierberg take step back and welcome a broader perspective to problem-solving, beyond “What are the next steps to create change?” to “How do we find the next steps to create change?” The human brain is not a muscle, but it does need exercise—so to speak. To change the way we solve problems, we must change the way we approach problems. Change the very way we think. Actor and producer Salma Hayek had this same idea when she produced the 2014 animated film The Prophet, a movie adaptation of Kahlil Gibran’s 1923 eponymous book. Hayek also believed: “We need a new generation that goes into the unknown and finds solutions that we have not seen or heard.” So this week, Ruthie recommends The Prophet as the companion piece to American Utopia—currently on Broadway through April 3, 2022. Last week, American Utopia performer Tendayi Kuumba and experts Drs. Vinoo Alluri and Alejandro Lleras helped host Ruthie Fierberg take step back and welcome a broader perspective to problem-solving, beyond “What are the next steps to create change?” to “How do we find the next steps to create change?”  The human brain is not a muscle, but it does need exercise—so to speak. To change the way we solve problems, we must change the way we approach problems. Change the very way we think. Actor and producer Salma Hayek had this same idea when she produced the 2014 animated film The Prophet, a movie adaptation of Kahlil Gibran’s 1923 eponymous book. Hayek also believed: “We need a new generation that goes into the unknown and finds solutions that we have not seen or heard.” So this week, Ruthie recommends The Prophet as the companion piece to American Utopia—currently on Broadway through April 3, 2022. Listen to David Byrne’s American Utopia on Spotify, YouTube, Apple Music. Get tickets to David Byrne’s American Utopia on Broadway. Watch David Byrne’s American Utopia on HBOMax. Watch the animated movie The Prophet. Purchase the book The Prophet from your local independent bookstore. Sign up for Ruthie’s monthly newsletter at ruthiefierberg.com. Referred to in this episode Read: Ways to help those in Ukraine Help refugees throughout the world Kahlil Gibran’s book The Prophet Ruthie’s Parents.com interview with Salma Hayek  Connect with your host! Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther.  Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Special thanks to Genesis Johnson, Leigh Silverman, Suzanne Chipkin, Wesley Birdsall, Elena Mayer, Patrick Taylor, and Dori Berinstein.  Learn more about your ad choices. Visit megaphone.fm/adchoices Last week, American Utopia performer Tendayi Kuumba and experts Drs. Vinoo Alluri and Alejandro Lleras helped host Ruthie Fierberg take step back and welcome a broader perspective to problem-solving, beyond “What are the next steps to create change?” to “How do we find the next steps to create change?” 


The human brain is not a muscle, but it does need exercise—so to speak. To change the way we solve problems, we must change the way we approach problems. Change the very way we think. Actor and producer Salma Hayek had this same idea when she produced the 2014 animated film The Prophet, a movie adaptation of Kahlil Gibran’s 1923 eponymous book. Hayek also believed: “We need a new generation that goes into the unknown and finds solutions that we have not seen or heard.” So this week, Ruthie recommends The Prophet as the companion piece to American Utopia—currently on Broadway through April 3, 2022.


Listen to David Byrne’s American Utopia on Spotify, YouTube, Apple Music.


Get tickets to David Byrne’s American Utopia on Broadway.


Watch David Byrne’s American Utopia on HBOMax.


Watch the animated movie The Prophet.


Purchase the book The Prophet from your local independent bookstore.


Sign up for Ruthie’s monthly newsletter at ruthiefierberg.com.


Referred to in this episode


Connect with your host!

Ruthiefierberg.com 

IG: @whywetheater / T: @whywetheater

IG: @ruthiefierceberg / T: @RuthiesATrain


Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther. 


Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.


Special thanks to Genesis Johnson, Leigh Silverman, Suzanne Chipkin, Wesley Birdsall, Elena Mayer, Patrick Taylor, and Dori Berinstein. 

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 652 DAVID BYRNE’S AMERICAN UTOPIA and Expanding Our Thinking to Solve Problems https://broadwaypodcastnetwork.com/why-we-theater You might think David Byrne’s American Utopia on Broadway is a concert. It’s not. Yet, it’s not exactly a play or a musical. It’s something else outside the box. The Talking Heads frontman— along with choreographer Annie-B Parsons’ and a band of international musicians, vocalists, and dancers—creates a show about exploring the unconventional, especially when it comes to unconventional thought and thought processes.  American Utopia made host Ruthie Fierberg wonder: How many solutions to society’s conflicts might we be overlooking because we think the way we have always thought? American Utopia performer Tendayi Kuumba and experts Dr. Vinoo Alluri and Dr. Alejandro Lleras join us to explore: What problems could we solve if we used more of our minds and used our minds differently? Could we achieve an American Utopia?  Listen to the album of David Byrne’s American Utopia. Watch David Byrne’s American Utopia on HBOMax. Create the Change Volunteer with Headcount to register voters at a performance of American Utopia Volunteer with Headcount in general Cultivate new and varied ways of thinking: Enhance your own synesthesia Try any of these “6 Ways to Rewire Your Brain” If your main way of processing and working is to sit in one spot and concentrate, try talking a walk, dancing, exercising to make your brain work differently by engaging different activity patterns in your brain. Develop your “openness” (one of the Big 5 personality traits) Read about how openness can help you see the world differently Read David Byrne’s How Music Works Listen to music outside of your normal playlist Dig into more research on music and cognition Listen to “happy” music to promote divergent thinking (which leads to increased creativity) Explore social justice through music, a curriculum Improve your allyship Referred to in this episode (in order of mention) Letter from David Byrne about American Utopia Listen to “Here” from American Utopia See American Utopia’s set and costumes Read about and watch Annie-B Parsons’ American Utopia choreography  Your brain on music Your brain listening to different genres of music Grooviness of music What is embodied cognition? What is embodied cognition to music? American Utopia’s partnership with Headcount Watch Janelle Monae’s official music video for “Hell You Talmbout” Your brain choreographed movement vs improvised movement Watch this video debunking the MYTH: “Humans use 10 percent of our brains.” What is pruning in the brain? Babies learning language What is synesthesia? Research by Berit Brogaard to unlock more of brain’s potential The truth about left brain vs. right brain What is dadaism? Listen to “I Zimbra” from American Utopia David Byrne Talks Being a Good Ally and American Utopia How making music can promote brain plasticity About Our Guests: Ruthie Fierberg, Host Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Tendayi Kuumba, Performer @whostendayi Dr. Vinoo Alluri PhD, musicologist and neuroscientist Dr. Alejandro Lleras PhD, psychologist Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 11 Mar 2022 01:18:00 -0000 DAVID BYRNE’S AMERICAN UTOPIA and Expanding Cognition to Solve Problems full 2 19 Broadway Podcast Network You might think David Byrne’s American Utopia on Broadway is a concert. It’s not. Yet, it’s not exactly a play or a musical. It’s something else outside the box. The Talking Heads frontman— along with choreographer Annie-B Parsons’ and a band of international musicians, vocalists, and dancers—creates a show about exploring the unconventional, especially when it comes to unconventional thought and thought processes. You might think David Byrne’s American Utopia on Broadway is a concert. It’s not. Yet, it’s not exactly a play or a musical. It’s something else outside the box. The Talking Heads frontman— along with choreographer Annie-B Parsons’ and a band of international musicians, vocalists, and dancers—creates a show about exploring the unconventional, especially when it comes to unconventional thought and thought processes.  American Utopia made host Ruthie Fierberg wonder: How many solutions to society’s conflicts might we be overlooking because we think the way we have always thought? American Utopia performer Tendayi Kuumba and experts Dr. Vinoo Alluri and Dr. Alejandro Lleras join us to explore: What problems could we solve if we used more of our minds and used our minds differently? Could we achieve an American Utopia?  Listen to the album of David Byrne’s American Utopia. Watch David Byrne’s American Utopia on HBOMax. Create the Change Volunteer with Headcount to register voters at a performance of American Utopia Volunteer with Headcount in general Cultivate new and varied ways of thinking: Enhance your own synesthesia Try any of these “6 Ways to Rewire Your Brain” If your main way of processing and working is to sit in one spot and concentrate, try talking a walk, dancing, exercising to make your brain work differently by engaging different activity patterns in your brain. Develop your “openness” (one of the Big 5 personality traits) Read about how openness can help you see the world differently Read David Byrne’s How Music Works Listen to music outside of your normal playlist Dig into more research on music and cognition Listen to “happy” music to promote divergent thinking (which leads to increased creativity) Explore social justice through music, a curriculum Improve your allyship Referred to in this episode (in order of mention) Letter from David Byrne about American Utopia Listen to “Here” from American Utopia See American Utopia’s set and costumes Read about and watch Annie-B Parsons’ American Utopia choreography  Your brain on music Your brain listening to different genres of music Grooviness of music What is embodied cognition? What is embodied cognition to music? American Utopia’s partnership with Headcount Watch Janelle Monae’s official music video for “Hell You Talmbout” Your brain choreographed movement vs improvised movement Watch this video debunking the MYTH: “Humans use 10 percent of our brains.” What is pruning in the brain? Babies learning language What is synesthesia? Research by Berit Brogaard to unlock more of brain’s potential The truth about left brain vs. right brain What is dadaism? Listen to “I Zimbra” from American Utopia David Byrne Talks Being a Good Ally and American Utopia How making music can promote brain plasticity About Our Guests: Ruthie Fierberg, Host Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Tendayi Kuumba, Performer @whostendayi Dr. Vinoo Alluri PhD, musicologist and neuroscientist Dr. Alejandro Lleras PhD, psychologist Learn more about your ad choices. Visit megaphone.fm/adchoices You might think David Byrne’s American Utopia on Broadway is a concert. It’s not. Yet, it’s not exactly a play or a musical. It’s something else outside the box. The Talking Heads frontman— along with choreographer Annie-B Parsons’ and a band of international musicians, vocalists, and dancers—creates a show about exploring the unconventional, especially when it comes to unconventional thought and thought processes. 


American Utopia made host Ruthie Fierberg wonder: How many solutions to society’s conflicts might we be overlooking because we think the way we have always thought? American Utopia performer Tendayi Kuumba and experts Dr. Vinoo Alluri and Dr. Alejandro Lleras join us to explore: What problems could we solve if we used more of our minds and used our minds differently? Could we achieve an American Utopia? 


Listen to the album of David Byrne’s American Utopia.


Watch David Byrne’s American Utopia on HBOMax.


Create the Change


Referred to in this episode (in order of mention)


About Our Guests:


Ruthie Fierberg, Host

Ruthiefierberg.com 

IG: @whywetheater / T: @whywetheater

IG: @ruthiefierceberg / T: @RuthiesATrain


Tendayi Kuumba, Performer @whostendayi


Dr. Vinoo Alluri PhD, musicologist and neuroscientist


Dr. Alejandro Lleras PhD, psychologist

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 4655 Re-Release: IF I FORGET and American Jews, Anti-Semitism, and Tribalism https://broadwaypodcastnetwork.com/podcast/why-we-theater/ With the recent controversy surrounding Whoopi Goldberg and her remarks about the Holocaust, with the recent hostage situation at a Texas synagogue, with generational trauma and anti-Semitism on the brain, Why We Theater re-releases this episode from Season 1 with a new intro and new context. Dig into Tony Award winner Steven Levenson's play IF I FORGET with Steven himself and experts Rabbi Shuli Passow (B'nai Jeshurun in New York City) and scholar Judah Isseroff. Watch IF I FORGET on BroadwayHD. Michael’s monologue, as performed by Tony Award nominee Jeremy Shamos, appears with the permission of Roundabout Theatre Company, which premiered IF I FORGET Off-Broadway in 2017, and Steven Levenson. Referred to in this new intro Watch: Whoopi Goldberg shares thoughts on the Holocaust on The View Debra Messing tweets a helpful response to Goldberg Banning of "Maus" in schools.... and the subsequent nationwide results Hostage situation at Texas synagogue Tree of Life Synagogue in Pittsburgh, PA What is Zionism? Referred to in this episode “The Rise of Social Orthodoxy: A Personal Account” by Jay P. Lefkowitz “The Problem with ‘Social Orthodoxy’” by Joshua R. Fattal, a critical response to Lefkowitz “What is the Talmud? Definition and Comprehensive Guide”, Yehuda Shurpin Who is Theodore Herzl? Who is David Ben-Gurion? Who is Sheldon Adelson? Who is “Adolf Eichmann”? Who is Hannah Arendt Neveragain.com Anti-Defamation League: Fighting Hate for Good What is Jerusalem Syndrome”?   Create the change Learn more about Judaism — knowledge facilitates compassion with “Introduction to Judaism” OR “The Basics of Judaism” Name anti-Semitic incidents as such, report them, and speak out against them Use Ten Ways to Fight Hate: A Community Response Guide Learn about The New Israel Fund, which envisions a Jewish and democratic state Fight for justice guided by Jewish values with Jews for Racial and Economic Justice (JFREJ) Be aware of your own bias — it’s evolutionarily built in us to be tribal and we need to self-examine our thoughts and introduce dissenting viewpoints If you are Jewish and looking for ways to become involved: Choose a small tradition and incorporate that into your home, like lighting candles on Friday night for Shabat or saying the “Shema” before bed each night Take inspiration from B’nai Jeshurun’s The Jewish Home Project In COVID, many synagogues have moved services online; explore to find a place that feels right to you   Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter. Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Our logo is by Christina Minopoli. See more at MinopoliDesign.com. Special thanks to Genesis Johnson, Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin.   Connect with Ruthie! RuthieFierberg.com Instagram: @ruthiefierceberg / @whywetheater Twitter: @RuthiesATrain / @whywetheater Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 17 Feb 2022 08:01:00 -0000 Re-Release: IF I FORGET and American Jews, Anti-Semitism, and Tribalism full 2 18 Broadway Podcast Network With the recent controversy surrounding Whoopi Goldberg and her remarks about the Holocaust, with the recent hostage situation at a Texas synagogue, with generational trauma and anti-Semitism on the brain, Why We Theater re-releases this episode from Season 1 with a new intro and new context. With the recent controversy surrounding Whoopi Goldberg and her remarks about the Holocaust, with the recent hostage situation at a Texas synagogue, with generational trauma and anti-Semitism on the brain, Why We Theater re-releases this episode from Season 1 with a new intro and new context. Dig into Tony Award winner Steven Levenson's play IF I FORGET with Steven himself and experts Rabbi Shuli Passow (B'nai Jeshurun in New York City) and scholar Judah Isseroff. Watch IF I FORGET on BroadwayHD. Michael’s monologue, as performed by Tony Award nominee Jeremy Shamos, appears with the permission of Roundabout Theatre Company, which premiered IF I FORGET Off-Broadway in 2017, and Steven Levenson. Referred to in this new intro Watch: Whoopi Goldberg shares thoughts on the Holocaust on The View Debra Messing tweets a helpful response to Goldberg Banning of "Maus" in schools.... and the subsequent nationwide results Hostage situation at Texas synagogue Tree of Life Synagogue in Pittsburgh, PA What is Zionism? Referred to in this episode “The Rise of Social Orthodoxy: A Personal Account” by Jay P. Lefkowitz “The Problem with ‘Social Orthodoxy’” by Joshua R. Fattal, a critical response to Lefkowitz “What is the Talmud? Definition and Comprehensive Guide”, Yehuda Shurpin Who is Theodore Herzl? Who is David Ben-Gurion? Who is Sheldon Adelson? Who is “Adolf Eichmann”? Who is Hannah Arendt Neveragain.com Anti-Defamation League: Fighting Hate for Good What is Jerusalem Syndrome”?   Create the change Learn more about Judaism — knowledge facilitates compassion with “Introduction to Judaism” OR “The Basics of Judaism” Name anti-Semitic incidents as such, report them, and speak out against them Use Ten Ways to Fight Hate: A Community Response Guide Learn about The New Israel Fund, which envisions a Jewish and democratic state Fight for justice guided by Jewish values with Jews for Racial and Economic Justice (JFREJ) Be aware of your own bias — it’s evolutionarily built in us to be tribal and we need to self-examine our thoughts and introduce dissenting viewpoints If you are Jewish and looking for ways to become involved: Choose a small tradition and incorporate that into your home, like lighting candles on Friday night for Shabat or saying the “Shema” before bed each night Take inspiration from B’nai Jeshurun’s The Jewish Home Project In COVID, many synagogues have moved services online; explore to find a place that feels right to you   Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter. Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Our logo is by Christina Minopoli. See more at MinopoliDesign.com. Special thanks to Genesis Johnson, Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin.   Connect with Ruthie! RuthieFierberg.com Instagram: @ruthiefierceberg / @whywetheater Twitter: @RuthiesATrain / @whywetheater Learn more about your ad choices. Visit megaphone.fm/adchoices With the recent controversy surrounding Whoopi Goldberg and her remarks about the Holocaust, with the recent hostage situation at a Texas synagogue, with generational trauma and anti-Semitism on the brain, Why We Theater re-releases this episode from Season 1 with a new intro and new context.

Dig into Tony Award winner Steven Levenson's play IF I FORGET with Steven himself and experts Rabbi Shuli Passow (B'nai Jeshurun in New York City) and scholar Judah Isseroff.


Watch IF I FORGET on BroadwayHD.

Michael’s monologue, as performed by Tony Award nominee Jeremy Shamos, appears with the permission of Roundabout Theatre Company, which premiered IF I FORGET Off-Broadway in 2017, and Steven Levenson.


Referred to in this new intro


Referred to in this episode

 

Create the change

 

Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales.

Follow us @whywetheater on Instagram & Twitter.

Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.

Our logo is by Christina Minopoli. See more at MinopoliDesign.com.

Special thanks to Genesis Johnson, Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin.

 

Connect with Ruthie!

RuthieFierberg.com

Instagram: @ruthiefierceberg / @whywetheater

Twitter: @RuthiesATrain / @whywetheater

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 5619 no THE COLOR PURPLE meets Prayer for the French Republic https://broadwaypodcastnetwork.com/podcast/why-we-theater/ Continuing our discussion about the musical The Color Purple (which is also about to become a movie musical starring Fantasia Barrino, Danielle Brooks, Colman Domingo, and Corey Hakwins), this week Ruthie recommends Joshua Harmon’s new Off-Broadway play Prayer for the French Republic.  The Color Purple—originally a novel by Alice Walker—was adapted into a musical and first opened on Broadway in 2005 and revived in 2015 and depicts the abusive relationship between Celie and Mister (among many other things). But is it as simple as “Mister is a bad guy?” Last week in “THE COLOR PURPLE and Generational Trauma,” we spoke about what it was like for actor Isaiah Johnson to play Mister—why he wanted to, how it was healing, and how it was challenging. Isaiah also pointed out that generational trauma is not unique to Black Americans and Prayer for the French Republic reminded me of that.   Prayer takes place in 2015-2016 Paris and 1945-1946 Paris, depicting multiple generations of French Jews in the same family. Rising anti-Semitism in Paris confronts the present-day Benhamou family, stoking fear and worry, and forcing them to wonder “When do you leave? When are the signs enough to tell you to leave? And where do you go? Where is safe?” Listen to this full episode for the connections between these two theatrical pieces, the communities they portray, and why you should run to see both. Buy tickets to Prayer for the French Republic at Manhattan Theatre Club. Visit the website of International Center for Multigenerational Legacies of Trauma Read the International Handbook of Multigenerational Legacies of Trauma Explore the work of Dr. Maria Yellow Horse Braveheart Read On Earth We’re Briefly Gorgeous by Ocean Vuong Connect with your host! Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther.  Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Special thanks to Genesis Johnson, Leigh Silverman, Suzanne Chipkin, Wesley Birdsall, Elena Mayer, Patrick Taylor, and Dori Berinstein.  Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 10 Feb 2022 08:01:00 -0000 THE COLOR PURPLE meets Prayer for the French Republic full 2 17 Broadway Podcast Network Continuing our discussion about the musical The Color Purple (which is also about to become a movie musical starring Fantasia Barrino, Danielle Brooks, Colman Domingo, and Corey Hakwins), this week Ruthie recommends Joshua Harmon’s new Off-Broadway play Prayer for the French Republic. Continuing our discussion about the musical The Color Purple (which is also about to become a movie musical starring Fantasia Barrino, Danielle Brooks, Colman Domingo, and Corey Hakwins), this week Ruthie recommends Joshua Harmon’s new Off-Broadway play Prayer for the French Republic.  The Color Purple—originally a novel by Alice Walker—was adapted into a musical and first opened on Broadway in 2005 and revived in 2015 and depicts the abusive relationship between Celie and Mister (among many other things). But is it as simple as “Mister is a bad guy?” Last week in “THE COLOR PURPLE and Generational Trauma,” we spoke about what it was like for actor Isaiah Johnson to play Mister—why he wanted to, how it was healing, and how it was challenging. Isaiah also pointed out that generational trauma is not unique to Black Americans and Prayer for the French Republic reminded me of that.   Prayer takes place in 2015-2016 Paris and 1945-1946 Paris, depicting multiple generations of French Jews in the same family. Rising anti-Semitism in Paris confronts the present-day Benhamou family, stoking fear and worry, and forcing them to wonder “When do you leave? When are the signs enough to tell you to leave? And where do you go? Where is safe?” Listen to this full episode for the connections between these two theatrical pieces, the communities they portray, and why you should run to see both. Buy tickets to Prayer for the French Republic at Manhattan Theatre Club. Visit the website of International Center for Multigenerational Legacies of Trauma Read the International Handbook of Multigenerational Legacies of Trauma Explore the work of Dr. Maria Yellow Horse Braveheart Read On Earth We’re Briefly Gorgeous by Ocean Vuong Connect with your host! Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther.  Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Special thanks to Genesis Johnson, Leigh Silverman, Suzanne Chipkin, Wesley Birdsall, Elena Mayer, Patrick Taylor, and Dori Berinstein.  Learn more about your ad choices. Visit megaphone.fm/adchoices Continuing our discussion about the musical The Color Purple (which is also about to become a movie musical starring Fantasia Barrino, Danielle Brooks, Colman Domingo, and Corey Hakwins), this week Ruthie recommends Joshua Harmon’s new Off-Broadway play Prayer for the French Republic. 


The Color Purple—originally a novel by Alice Walker—was adapted into a musical and first opened on Broadway in 2005 and revived in 2015 and depicts the abusive relationship between Celie and Mister (among many other things). But is it as simple as “Mister is a bad guy?” Last week in “THE COLOR PURPLE and Generational Trauma,” we spoke about what it was like for actor Isaiah Johnson to play Mister—why he wanted to, how it was healing, and how it was challenging. Isaiah also pointed out that generational trauma is not unique to Black Americans and Prayer for the French Republic reminded me of that.  


Prayer takes place in 2015-2016 Paris and 1945-1946 Paris, depicting multiple generations of French Jews in the same family. Rising anti-Semitism in Paris confronts the present-day Benhamou family, stoking fear and worry, and forcing them to wonder “When do you leave? When are the signs enough to tell you to leave? And where do you go? Where is safe?” Listen to this full episode for the connections between these two theatrical pieces, the communities they portray, and why you should run to see both.


Buy tickets to Prayer for the French Republic at Manhattan Theatre Club.



Visit the website of International Center for Multigenerational Legacies of Trauma


Read the International Handbook of Multigenerational Legacies of Trauma


Explore the work of Dr. Maria Yellow Horse Braveheart


Read On Earth We’re Briefly Gorgeous by Ocean Vuong


Connect with your host!

Ruthiefierberg.com 

IG: @whywetheater / T: @whywetheater

IG: @ruthiefierceberg / T: @RuthiesATrain


Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther. 


Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.


Special thanks to Genesis Johnson, Leigh Silverman, Suzanne Chipkin, Wesley Birdsall, Elena Mayer, Patrick Taylor, and Dori Berinstein. 

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 742 THE COLOR PURPLE and Generational Trauma https://broadwaypodcastnetwork.com/podcast/why-we-theater/ In all its forms, The Color Purple is a powerful account of generational trauma in the Black community. The novel by Alice Walker was published in 1982 and won the Pulitzer Prize for Fiction in 1983 before being adapted into a movie by Steven Spielberg starring Whoopi Goldberg and Oprah Winfrey. In 2005, the musical version opened on Broadway starring LaChanze with a book by Marsha Norman and a score by Brenda Russell, Allee Willis and Stephen Bray. Ten years later, the musical came back to Broadway in a 2015 revival and won the Tony for Best Revival of a Musical.  Actor Isaiah Johnson, who played the role of Mister in the original Broadway cast of the 2015 revival production, opposite Cynthia Erivo, joins us to discuss the musical as we look at the character of Mister and generational trauma. What does it mean to carry the trauma of your ancestors? How does this type of trauma affect people, specifically Black Americans? What tools are there to heal this trauma for those experiencing it? And how can non Black people support Black healing? Experts Curtis Smith, Cymone Fuller, and Dr. Schekeva Hall weigh in, as well. Create the Change Begin or deepen your mindfulness practice (resources from Moment of Mindfulness here) Seek out a therapist with cultural competency training Search Therapy for Black Girls, Psychology Today, Alma, etc. Consider a restorative justice process to heal pain and trauma in lieu of punitive justice For members of the Black community: Build relationships and unify Black people  Check out the youth organization Jack and Jill of America or any of the 10 on this list Discover the Black Feminist Project Tell your truths, your stories, express yourself For members of non-Black communities: LISTEN.  Read Dr. Yael Danieli’s book International Handbook of Multigenerational Legacies of Trauma Find more research on generational trauma via the International Center for Multigenerational Legacies of Trauma Read “Breaking the Chains of Generational Trauma” Learn more about generational trauma Explore the work of Dr. Joy DeGruy Referred to in this episode Michaela Angela Davis Clips from the Schomburg Center Color Purple panel “Lynching Memorial” aka The National Memorial for Peace and Justice in Montgomery, Alabama What is generational trauma? What is mindfulness? Moment of Mindfulness LLC What is restorative justice? Impact Justice Statistic: Children of Holocaust survivors over-represented 300 percent Generational Trauma in Indigenous communities and its impact Ruthie Fierberg, Host Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 03 Feb 2022 17:01:00 -0000 THE COLOR PURPLE and Generational Trauma full 2 16 Broadway Podcast Network In all its forms, The Color Purple is a powerful account of generational trauma in the Black community. The novel by Alice Walker was published in 1982 and won the Pulitzer Prize for Fiction in 1983 before being adapted into a movie by Steven Spielberg starring Whoopi Goldberg and Oprah Winfrey. In 2005, the musical version opened on Broadway starring LaChanze with a book by Marsha Norman and a score by Brenda Russell, Allee Willis and Stephen Bray. Ten years later, the musical came back to Broadway in a 2015 revival and won the Tony for Best Revival of a Musical. Actor Isaiah Johnson, who played the role of Mister in the original Broadway cast of the 2015 revival production, opposite Cynthia Erivo, joins us to discuss the musical as we look at the character of Mister and generational trauma. What does it mean to carry the trauma of your ancestors? How does this type of trauma affect people, specifically Black Americans? What tools are there to heal this trauma for those experiencing it? And how can non Black people support Black healing? Experts Curtis Smith, Cymone Fuller, and Dr. Schekeva Hall weigh in, as well. In all its forms, The Color Purple is a powerful account of generational trauma in the Black community. The novel by Alice Walker was published in 1982 and won the Pulitzer Prize for Fiction in 1983 before being adapted into a movie by Steven Spielberg starring Whoopi Goldberg and Oprah Winfrey. In 2005, the musical version opened on Broadway starring LaChanze with a book by Marsha Norman and a score by Brenda Russell, Allee Willis and Stephen Bray. Ten years later, the musical came back to Broadway in a 2015 revival and won the Tony for Best Revival of a Musical.  Actor Isaiah Johnson, who played the role of Mister in the original Broadway cast of the 2015 revival production, opposite Cynthia Erivo, joins us to discuss the musical as we look at the character of Mister and generational trauma. What does it mean to carry the trauma of your ancestors? How does this type of trauma affect people, specifically Black Americans? What tools are there to heal this trauma for those experiencing it? And how can non Black people support Black healing? Experts Curtis Smith, Cymone Fuller, and Dr. Schekeva Hall weigh in, as well. Create the Change Begin or deepen your mindfulness practice (resources from Moment of Mindfulness here) Seek out a therapist with cultural competency training Search Therapy for Black Girls, Psychology Today, Alma, etc. Consider a restorative justice process to heal pain and trauma in lieu of punitive justice For members of the Black community: Build relationships and unify Black people  Check out the youth organization Jack and Jill of America or any of the 10 on this list Discover the Black Feminist Project Tell your truths, your stories, express yourself For members of non-Black communities: LISTEN.  Read Dr. Yael Danieli’s book International Handbook of Multigenerational Legacies of Trauma Find more research on generational trauma via the International Center for Multigenerational Legacies of Trauma Read “Breaking the Chains of Generational Trauma” Learn more about generational trauma Explore the work of Dr. Joy DeGruy Referred to in this episode Michaela Angela Davis Clips from the Schomburg Center Color Purple panel “Lynching Memorial” aka The National Memorial for Peace and Justice in Montgomery, Alabama What is generational trauma? What is mindfulness? Moment of Mindfulness LLC What is restorative justice? Impact Justice Statistic: Children of Holocaust survivors over-represented 300 percent Generational Trauma in Indigenous communities and its impact Ruthie Fierberg, Host Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices In all its forms, The Color Purple is a powerful account of generational trauma in the Black community. The novel by Alice Walker was published in 1982 and won the Pulitzer Prize for Fiction in 1983 before being adapted into a movie by Steven Spielberg starring Whoopi Goldberg and Oprah Winfrey. In 2005, the musical version opened on Broadway starring LaChanze with a book by Marsha Norman and a score by Brenda Russell, Allee Willis and Stephen Bray. Ten years later, the musical came back to Broadway in a 2015 revival and won the Tony for Best Revival of a Musical. 


Actor Isaiah Johnson, who played the role of Mister in the original Broadway cast of the 2015 revival production, opposite Cynthia Erivo, joins us to discuss the musical as we look at the character of Mister and generational trauma. What does it mean to carry the trauma of your ancestors? How does this type of trauma affect people, specifically Black Americans? What tools are there to heal this trauma for those experiencing it? And how can non Black people support Black healing? Experts Curtis Smith, Cymone Fuller, and Dr. Schekeva Hall weigh in, as well.


Create the Change


Referred to in this episode



Ruthie Fierberg, Host

Ruthiefierberg.com 

IG: @whywetheater / T: @whywetheater

IG: @ruthiefierceberg / T: @RuthiesATrain

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 5123 no SANCTUARY CITY Meets The Sun Is Also A Star https://broadwaypodcastnetwork.com/podcast/why-we-theater/ Pulitzer Prize winner Martyna Majok writes the story of high-schoolers B & G in Sanctuary City. As undocumented teens, the two lean on each other. When G gets citizenship and B has to choose to stay in New Jersey or return with his mom to their country of origin, questions of identity, friendship, sacrifice, and love emerge. In Nicola Yoon’s New York Times bestseller The Sun is Also a Star, Natasha and Daniel are also from immigrant families—Daniel a first-generation Korean-American and Natasha an undocumented immigrant from Jamaica. This book is magical. It’s simultaneously a surprising love story, a philosophical exploration about our universe, and a very real fight to survive another day. Listen to find out why if one story intrigues you, so will the other. Read The Sun Is Also A Star by Nicola Yoon. Purchase the book from your local independent bookstore. Connect with your host! Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther.  Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Special thanks to Genesis Johnson, Leigh Silverman, Suzanne Chipkin, Wesley Birdsall, Elena Mayer, Patrick Taylor, and Dori Berinstein.  Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 27 Jan 2022 08:00:00 -0000 SANCTUARY CITY Meets The Sun Is Also A Star full 2 15 Broadway Podcast Network Pulitzer Prize winner Martyna Majok writes the story of high-schoolers B & G in Sanctuary City. As undocumented teens, the two lean on each other. When G gets citizenship and B has to choose to stay in New Jersey or return with his mom to their country of origin, questions of identity, friendship, sacrifice, and love emerge. In Nicola Yoon’s New York Times bestseller The Sun is Also a Star, Natasha and Daniel are also from immigrant families—Daniel a first-generation Korean-American and Natasha an undocumented immigrant from Jamaica. This book is magical. It’s simultaneously a surprising love story, a philosophical exploration about our universe, and a very real fight to survive another day. Listen to find out why if one story intrigues you, so will the other. Pulitzer Prize winner Martyna Majok writes the story of high-schoolers B & G in Sanctuary City. As undocumented teens, the two lean on each other. When G gets citizenship and B has to choose to stay in New Jersey or return with his mom to their country of origin, questions of identity, friendship, sacrifice, and love emerge. In Nicola Yoon’s New York Times bestseller The Sun is Also a Star, Natasha and Daniel are also from immigrant families—Daniel a first-generation Korean-American and Natasha an undocumented immigrant from Jamaica. This book is magical. It’s simultaneously a surprising love story, a philosophical exploration about our universe, and a very real fight to survive another day. Listen to find out why if one story intrigues you, so will the other. Read The Sun Is Also A Star by Nicola Yoon. Purchase the book from your local independent bookstore. Connect with your host! Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther.  Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Special thanks to Genesis Johnson, Leigh Silverman, Suzanne Chipkin, Wesley Birdsall, Elena Mayer, Patrick Taylor, and Dori Berinstein.  Learn more about your ad choices. Visit megaphone.fm/adchoices Pulitzer Prize winner Martyna Majok writes the story of high-schoolers B & G in Sanctuary City. As undocumented teens, the two lean on each other. When G gets citizenship and B has to choose to stay in New Jersey or return with his mom to their country of origin, questions of identity, friendship, sacrifice, and love emerge.


In Nicola Yoon’s New York Times bestseller The Sun is Also a Star, Natasha and Daniel are also from immigrant families—Daniel a first-generation Korean-American and Natasha an undocumented immigrant from Jamaica. This book is magical. It’s simultaneously a surprising love story, a philosophical exploration about our universe, and a very real fight to survive another day. Listen to find out why if one story intrigues you, so will the other.


Read The Sun Is Also A Star by Nicola Yoon.


Purchase the book from your local independent bookstore.


Connect with your host!

Ruthiefierberg.com 

IG: @whywetheater / T: @whywetheater

IG: @ruthiefierceberg / T: @RuthiesATrain


Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther. 


Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.


Special thanks to Genesis Johnson, Leigh Silverman, Suzanne Chipkin, Wesley Birdsall, Elena Mayer, Patrick Taylor, and Dori Berinstein. 

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 561 no SANCTUARY CITY and U.S. Immigration Reform https://broadwaypodcastnetwork.com/podcast/why-we-theater/ Pulitzer Prize-winning playwright Martyna Majok debuted her new play, Sanctuary City, Off-Broadway at New York Theatre Workshop in the fall of 2021. The drama follows B and G, two best friends, both undocumented immigrants. After 9/11, B’s mom decides to return to her country of origin, but the U.S. is the only home B has ever known. As he decides whether to stay or leave, G might be able to offer him a solution. How much are they each willing to sacrifice?  Sanctuary City puts U.S. immigration policy and the people it affects under a microscope and humanizes the stories behind the legalese. Host Ruthie Fierberg, along with Majok and experts Katherine Benton-Cohen (Author Inventing the Immigration Problem: The Dillingham Commission & Its Legacy), Carolina Canizales (Immigration Legal Resource Center), and Christian Pinochet-Paul (Presidents’ Alliance) discuss the evolution of immigration policy in the United States to present day, potential reforms to make policies more humane, where immigrants can find support, and more.  Create the change Support your local immigrant communities Create a warm and safe space at community centers Welcome them in the PTA and at school functions Become a patron of immigrant-owned businesses Assist in supporting refugees Dispel myths about immigrants (Read “The 14 Most Common Arguments Against Immigrants and Why They’re Wrong”) Donate to/partner with TheDream.US Donate to the International Rescue Committee Volunteer with/Join a campaign at United We Dream, the largest immigrant youth-led network Visit the State Policies map to see the policies of colleges & universities in every state Advocate for in-state tuition for all students with your state representatives If you work at a college or university, visit Presidents’ Alliance for resources, research, and tips to support international, immigrant, & undocumented students If you or someone you know is an immigrant, undocumented or otherwise, who needs support: Check your eligibility for DACA and apply (DACA toolbox) Apply for a National Scholarship or Opportunity Scholarship for higher education Seek support from United We Dream Reach out to Texas Organizing Project Contact the Workers Defense Project Find a Dream Center near you Referred to in this episode Timeline of U.S. immigration laws  What is DACA (Deferred Action for Childhood Arrivals)? What is DOMA (Defense of Marriage Act)? The Dillingham Commission Katie’s book Inventing the Immigration Problem: The Dillingham Commission & Its Legacy Chinese Exclusion Act 1907 Gentlemen's Agreement 1965 Hart-Celler Act What is the DREAM Act? Who are Dreamers? Paul Kramer TED Talk: “Our Immigration Conversation Is Broken” Section 1325 (Unlawful Entry….) and Section 1326 (Re-entry After Deportation) Business Insider article on inflation and immigration Presidents’ Alliance, Best Practices Gaby Pacheco scholarship (via TheDream.us) Julian Castro’s proposed immigration policies Libby Garland’s book After They Closed the Gates: Jewish Illegal Immigration to the United States, 1921-1965 The number of immigrants and undocumented immigrants in the U.S. About Our Guests: Ruthie Fierberg, Host Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Martyna Majok, playwright Twitter: @martynamajok Katherine Benton-Cohen, PhD, professor of history and author Twitter: @guprofbc  Carolina Canizales, Immigrant Legal Resource Center Twitter: @the_ILRC Christian Penichet-Paul, Presidents’ Alliance Twitter: @donchristian92 Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 20 Jan 2022 08:00:00 -0000 SANCTUARY CITY and U.S. Immigration Reform full 2 14 Broadway Podcast Network Pulitzer Prize-winning playwright Martyna Majok debuted her new play, Sanctuary City, Off-Broadway at New York Theatre Workshop in the fall of 2021. The drama follows B and G, two best friends, both undocumented immigrants. After 9/11, B’s mom decides to return to her country of origin, but the U.S. is the only home B has ever known. As he decides whether to stay or leave, G might be able to offer him a solution. How much are they each willing to sacrifice? Sanctuary City puts U.S. immigration policy and the people it affects under a microscope and humanizes the stories behind the legalese. Host Ruthie Fierberg, along with Majok and experts Katherine Benton-Cohen (Author Inventing the Immigration Problem: The Dillingham Commission & Its Legacy), Carolina Canizales (Immigration Legal Resource Center), and Christian Pinochet-Paul (Presidents’ Alliance) discuss the evolution of immigration policy in the United States to present day, potential reforms to make policies more humane, where immigrants can find support, and more. Pulitzer Prize-winning playwright Martyna Majok debuted her new play, Sanctuary City, Off-Broadway at New York Theatre Workshop in the fall of 2021. The drama follows B and G, two best friends, both undocumented immigrants. After 9/11, B’s mom decides to return to her country of origin, but the U.S. is the only home B has ever known. As he decides whether to stay or leave, G might be able to offer him a solution. How much are they each willing to sacrifice?  Sanctuary City puts U.S. immigration policy and the people it affects under a microscope and humanizes the stories behind the legalese. Host Ruthie Fierberg, along with Majok and experts Katherine Benton-Cohen (Author Inventing the Immigration Problem: The Dillingham Commission & Its Legacy), Carolina Canizales (Immigration Legal Resource Center), and Christian Pinochet-Paul (Presidents’ Alliance) discuss the evolution of immigration policy in the United States to present day, potential reforms to make policies more humane, where immigrants can find support, and more.  Create the change Support your local immigrant communities Create a warm and safe space at community centers Welcome them in the PTA and at school functions Become a patron of immigrant-owned businesses Assist in supporting refugees Dispel myths about immigrants (Read “The 14 Most Common Arguments Against Immigrants and Why They’re Wrong”) Donate to/partner with TheDream.US Donate to the International Rescue Committee Volunteer with/Join a campaign at United We Dream, the largest immigrant youth-led network Visit the State Policies map to see the policies of colleges & universities in every state Advocate for in-state tuition for all students with your state representatives If you work at a college or university, visit Presidents’ Alliance for resources, research, and tips to support international, immigrant, & undocumented students If you or someone you know is an immigrant, undocumented or otherwise, who needs support: Check your eligibility for DACA and apply (DACA toolbox) Apply for a National Scholarship or Opportunity Scholarship for higher education Seek support from United We Dream Reach out to Texas Organizing Project Contact the Workers Defense Project Find a Dream Center near you Referred to in this episode Timeline of U.S. immigration laws  What is DACA (Deferred Action for Childhood Arrivals)? What is DOMA (Defense of Marriage Act)? The Dillingham Commission Katie’s book Inventing the Immigration Problem: The Dillingham Commission & Its Legacy Chinese Exclusion Act 1907 Gentlemen's Agreement 1965 Hart-Celler Act What is the DREAM Act? Who are Dreamers? Paul Kramer TED Talk: “Our Immigration Conversation Is Broken” Section 1325 (Unlawful Entry….) and Section 1326 (Re-entry After Deportation) Business Insider article on inflation and immigration Presidents’ Alliance, Best Practices Gaby Pacheco scholarship (via TheDream.us) Julian Castro’s proposed immigration policies Libby Garland’s book After They Closed the Gates: Jewish Illegal Immigration to the United States, 1921-1965 The number of immigrants and undocumented immigrants in the U.S. About Our Guests: Ruthie Fierberg, Host Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Martyna Majok, playwright Twitter: @martynamajok Katherine Benton-Cohen, PhD, professor of history and author Twitter: @guprofbc  Carolina Canizales, Immigrant Legal Resource Center Twitter: @the_ILRC Christian Penichet-Paul, Presidents’ Alliance Twitter: @donchristian92 Learn more about your ad choices. Visit megaphone.fm/adchoices Pulitzer Prize-winning playwright Martyna Majok debuted her new play, Sanctuary City, Off-Broadway at New York Theatre Workshop in the fall of 2021. The drama follows B and G, two best friends, both undocumented immigrants. After 9/11, B’s mom decides to return to her country of origin, but the U.S. is the only home B has ever known. As he decides whether to stay or leave, G might be able to offer him a solution. How much are they each willing to sacrifice? 


Sanctuary City puts U.S. immigration policy and the people it affects under a microscope and humanizes the stories behind the legalese. Host Ruthie Fierberg, along with Majok and experts Katherine Benton-Cohen (Author Inventing the Immigration Problem: The Dillingham Commission & Its Legacy), Carolina Canizales (Immigration Legal Resource Center), and Christian Pinochet-Paul (Presidents’ Alliance) discuss the evolution of immigration policy in the United States to present day, potential reforms to make policies more humane, where immigrants can find support, and more. 


Create the change


Referred to in this episode



About Our Guests:

Ruthie Fierberg, Host

Ruthiefierberg.com 

IG: @whywetheater / T: @whywetheater

IG: @ruthiefierceberg / T: @RuthiesATrain



Martyna Majok, playwright

Twitter: @martynamajok


Katherine Benton-Cohen, PhD, professor of history and author

Twitter: @guprofbc 


Carolina Canizales, Immigrant Legal Resource Center

Twitter: @the_ILRC


Christian Penichet-Paul, Presidents’ Alliance

Twitter: @donchristian92

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 5141 no Why We Theater NOW: January 2022 https://broadwaypodcastnetwork.com/podcast/why-we-theater/ It can be a challenge to make an episode of Why We Theater in time for you to see every show while it’s running. So here are some recommendations for currently running Broadway and Off-Broadway shows that speak to Why We Theater and some incoming productions to keep an eye on. From Saturday Night Live’s Cecily Strong at The Shed to The Tonight Show’s Tariq Trotter and his new Off-Broadway musical, these are recommendations you’ll want to hear and tickets you’ll want to book. Nervous about going to the theatre? Learn about their safety protocols in this article from Ruthie. The Search for Signs of Intelligent Life in the Universe Now Off-Broadway at The Shed through Feb 6 Assassins  Now Off-Broadway at Classic Stage Company through January 29 David Byrne’s American Utopia Now on Broadway - on sale through April 3 Prayer for the French Republic Now Off-Broadway - on sale through February 27 Skeleton Crew Now on Broadway - on sale through February 20 Black No More Coming to Signature Theatre Company Off-Broadway January 18 Confederates Coming to Signature Theatre Company Off-Broadway February 22 English Coming to Atlantic Theatre Company Off-Broadway February 4 Ruthie Fierberg, Host Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 13 Jan 2022 08:00:00 -0000 Why We Theater NOW: January 2022 full 2 13 Broadway Podcast Network It can be a challenge to make an episode of Why We Theater in time for you to see every show while it’s running. So here are some recommendations for currently running Broadway and Off-Broadway shows that speak to Why We Theater and some incoming productions to keep an eye on. From Saturday Night Live’s Cecily Strong at The Shed to The Tonight Show’s Tariq Trotter and his new Off-Broadway musical, these are recommendations you’ll want to hear and tickets you’ll want to book. It can be a challenge to make an episode of Why We Theater in time for you to see every show while it’s running. So here are some recommendations for currently running Broadway and Off-Broadway shows that speak to Why We Theater and some incoming productions to keep an eye on. From Saturday Night Live’s Cecily Strong at The Shed to The Tonight Show’s Tariq Trotter and his new Off-Broadway musical, these are recommendations you’ll want to hear and tickets you’ll want to book. Nervous about going to the theatre? Learn about their safety protocols in this article from Ruthie. The Search for Signs of Intelligent Life in the Universe Now Off-Broadway at The Shed through Feb 6 Assassins  Now Off-Broadway at Classic Stage Company through January 29 David Byrne’s American Utopia Now on Broadway - on sale through April 3 Prayer for the French Republic Now Off-Broadway - on sale through February 27 Skeleton Crew Now on Broadway - on sale through February 20 Black No More Coming to Signature Theatre Company Off-Broadway January 18 Confederates Coming to Signature Theatre Company Off-Broadway February 22 English Coming to Atlantic Theatre Company Off-Broadway February 4 Ruthie Fierberg, Host Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices It can be a challenge to make an episode of Why We Theater in time for you to see every show while it’s running. So here are some recommendations for currently running Broadway and Off-Broadway shows that speak to Why We Theater and some incoming productions to keep an eye on.


From Saturday Night Live’s Cecily Strong at The Shed to The Tonight Show’s Tariq Trotter and his new Off-Broadway musical, these are recommendations you’ll want to hear and tickets you’ll want to book.


Nervous about going to the theatre? Learn about their safety protocols in this article from Ruthie.


The Search for Signs of Intelligent Life in the Universe

Now Off-Broadway at The Shed through Feb 6


Assassins 

Now Off-Broadway at Classic Stage Company through January 29


David Byrne’s American Utopia

Now on Broadway - on sale through April 3


Prayer for the French Republic

Now Off-Broadway - on sale through February 27


Skeleton Crew

Now on Broadway - on sale through February 20


Black No More

Coming to Signature Theatre Company Off-Broadway January 18


Confederates

Coming to Signature Theatre Company Off-Broadway February 22


English

Coming to Atlantic Theatre Company Off-Broadway February 4


Ruthie Fierberg, Host

Ruthiefierberg.com 

IG: @whywetheater / T: @whywetheater

IG: @ruthiefierceberg / T: @RuthiesATrain

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 1028 no THE KILLING OF KINGS meets The Prison Within https://broadwaypodcastnetwork.com/podcast/why-we-theater/ Building on our episodes about Nadira Simone’s The Killing of Kings, in this mini-episode, Ruthie recommends the documentary The Prison Within. The film reveals the stories of six incarcerated men—their upbringings, their crimes, their humanity—as we watch them go through a restorative justice process. It’s remarkable. A must-see.  In the U.S., 2.2 million people are incarcerated, which costs taxpayers $260 Billion per year. The Killing of Kings put these statistics in a human context for me. Filmmaker Katherin Hervey’s The Prison Within expanded that lens.  Watch The Prison Within Connect with your host! Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther.  Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Special thanks to Genesis Johnson, Leigh Silverman, Suzanne Chipkin, Wesley Birdsall, Elena Mayer, Patrick Taylor, and Dori Berinstein.  Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 06 Jan 2022 08:00:00 -0000 THE KILLING OF KINGS meets The Prison Within full 2 12 Broadway Podcast Network Building on our episodes about Nadira Simone’s The Killing of Kings, in this mini-episode, Ruthie recommends the documentary The Prison Within. The film reveals the stories of six incarcerated men—their upbringings, their crimes, their humanity—as we watch them go through a restorative justice process. It’s remarkable. A must-see. Building on our episodes about Nadira Simone’s The Killing of Kings, in this mini-episode, Ruthie recommends the documentary The Prison Within. The film reveals the stories of six incarcerated men—their upbringings, their crimes, their humanity—as we watch them go through a restorative justice process. It’s remarkable. A must-see.  In the U.S., 2.2 million people are incarcerated, which costs taxpayers $260 Billion per year. The Killing of Kings put these statistics in a human context for me. Filmmaker Katherin Hervey’s The Prison Within expanded that lens.  Watch The Prison Within Connect with your host! Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther.  Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Special thanks to Genesis Johnson, Leigh Silverman, Suzanne Chipkin, Wesley Birdsall, Elena Mayer, Patrick Taylor, and Dori Berinstein.  Learn more about your ad choices. Visit megaphone.fm/adchoices Building on our episodes about Nadira Simone’s The Killing of Kings, in this mini-episode, Ruthie recommends the documentary The Prison Within. The film reveals the stories of six incarcerated men—their upbringings, their crimes, their humanity—as we watch them go through a restorative justice process. It’s remarkable. A must-see. 


In the U.S., 2.2 million people are incarcerated, which costs taxpayers $260 Billion per year. The Killing of Kings put these statistics in a human context for me. Filmmaker Katherin Hervey’s The Prison Within expanded that lens. 


Watch The Prison Within


Connect with your host!

Ruthiefierberg.com 

IG: @whywetheater / T: @whywetheater

IG: @ruthiefierceberg / T: @RuthiesATrain


Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther. 


Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.


Special thanks to Genesis Johnson, Leigh Silverman, Suzanne Chipkin, Wesley Birdsall, Elena Mayer, Patrick Taylor, and Dori Berinstein. 

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 717 no BONUS: THE KILLING OF KINGS continued with Esther Matthews https://broadwaypodcastnetwork.com/podcast/why-we-theater/ Building upon last week’s episode “THE KILLING OF KINGS and the Transition of Incarcerated Persons From Prison,” host Ruthie Fierberg speaks one-on-one with expert Esther Matthews, PhD, about the practical steps to take to achieve the prison and transition reforms we spoke about in our main episode. As a professor of sociology and criminology with research expertise in re-entry solutions for formerly incarcerated people, Esther answers questions in four key areas: 1. Physical safety inside prisons, 2. Shifting prisons towards transformation and away from retribution, 3. Holding your Department of Corrections (DOC) accountable, and 4. Anti-Discrimination for transitioned citizens.  Create the Change: Physical safety inside prisons  Examine and lessen frequency of strip searches Make strip searches more private  Expand training for personnel who perform strip searches to require humane treatment Counseling and education—not punishment Shift your ideology to see inmates as people Amend training of correctional staff so that safety of the people inside (not the institution) is their protective priority Minimize force  Reach out to head of Department of Corrections—usually called the Secretary—or reach out to the Governor (who appoints the Secretary) Reach out to state legislators Find your federal and local representatives Hold the Department of Corrections and Bureau of Prisons accountable Through Secretary of DOC, who oversees DOC policies Reach out to superintendent or warden of local prison for implementation of those policies Know your Governor/gubernatorial candidates’ position as they appoint the head of the DOC Department of Justice appoints head of BOP policy in federal facilities Reach out to your U.S. Senator for federal facility concerns and state legislators for state facility concerns Anti-Discrimination Work Tighten policies: Reach out to state and local legislators because they implement laws like Ban-the-Box and state and federal agencies who enforce those laws Enforce laws that are already on the books (i.e. Ban-the-box) Contact the Equal Employment Opportunity Commission if you have been the victim of discrimination Move burden of proof to employer and landlord when trying to deny a job or housing (rather than burdening the person with the record to prove worthy)  Referred to in this episode Norway correctional staff training as mentors rather than custodians or officers (original study) How this can work in the U.S. North Dakota reforms corrections officer training Other U.S. states follow Norway’s model About Our Guests: Ruthie Fierberg, Host Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater Esther Matthews, PhD, Assistant Professor of Sociology & Criminology, Gonzaga University Esther earned her PhD in the Justice, Law and Criminology program from American University. She holds a Master of Science in Justice, Law and Criminology from American University, and a Bachelor of Science in Political Science from Oregon State University. Her research focuses on identifying and investigating successful re-entry solutions for returning citizens. She has a particular interest in how race, gender, poverty and mental health intersect, are criminalized and affect reentry efforts. Her research projects include: 1) a field experiment testing outcomes of ban-the-box policies, 2) detection of implicit bias against justice-involved individuals and determining if, and how, it can be altered, 3) ethnographic inquiry of restricted housing units and reentry programs in two Northeastern prisons and 4) qualitative examination of employment programs for returning citizens in the DC area. Esther has been published in the Journal of Offender Rehabilitation and has two book chapters scheduled for publication in the Routledge Handbook on American Prisons and Prisons and Community Corrections: Critical Issues and Emerging Controversies. Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 30 Dec 2021 05:00:00 -0000 BONUS: THE KILLING OF KINGS continued with Esther Matthews bonus 2 11 Broadway Podcast Network Building upon last week’s episode “THE KILLING OF KINGS and the Transition of Incarcerated Persons From Prison,” host Ruthie Fierberg speaks one-on-one with expert Esther Matthews, PhD, about the practical steps to take to achieve the prison and transition reforms we spoke about in our main episode. Building upon last week’s episode “THE KILLING OF KINGS and the Transition of Incarcerated Persons From Prison,” host Ruthie Fierberg speaks one-on-one with expert Esther Matthews, PhD, about the practical steps to take to achieve the prison and transition reforms we spoke about in our main episode. As a professor of sociology and criminology with research expertise in re-entry solutions for formerly incarcerated people, Esther answers questions in four key areas: 1. Physical safety inside prisons, 2. Shifting prisons towards transformation and away from retribution, 3. Holding your Department of Corrections (DOC) accountable, and 4. Anti-Discrimination for transitioned citizens.  Create the Change: Physical safety inside prisons  Examine and lessen frequency of strip searches Make strip searches more private  Expand training for personnel who perform strip searches to require humane treatment Counseling and education—not punishment Shift your ideology to see inmates as people Amend training of correctional staff so that safety of the people inside (not the institution) is their protective priority Minimize force  Reach out to head of Department of Corrections—usually called the Secretary—or reach out to the Governor (who appoints the Secretary) Reach out to state legislators Find your federal and local representatives Hold the Department of Corrections and Bureau of Prisons accountable Through Secretary of DOC, who oversees DOC policies Reach out to superintendent or warden of local prison for implementation of those policies Know your Governor/gubernatorial candidates’ position as they appoint the head of the DOC Department of Justice appoints head of BOP policy in federal facilities Reach out to your U.S. Senator for federal facility concerns and state legislators for state facility concerns Anti-Discrimination Work Tighten policies: Reach out to state and local legislators because they implement laws like Ban-the-Box and state and federal agencies who enforce those laws Enforce laws that are already on the books (i.e. Ban-the-box) Contact the Equal Employment Opportunity Commission if you have been the victim of discrimination Move burden of proof to employer and landlord when trying to deny a job or housing (rather than burdening the person with the record to prove worthy)  Referred to in this episode Norway correctional staff training as mentors rather than custodians or officers (original study) How this can work in the U.S. North Dakota reforms corrections officer training Other U.S. states follow Norway’s model About Our Guests: Ruthie Fierberg, Host Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater Esther Matthews, PhD, Assistant Professor of Sociology & Criminology, Gonzaga University Esther earned her PhD in the Justice, Law and Criminology program from American University. She holds a Master of Science in Justice, Law and Criminology from American University, and a Bachelor of Science in Political Science from Oregon State University. Her research focuses on identifying and investigating successful re-entry solutions for returning citizens. She has a particular interest in how race, gender, poverty and mental health intersect, are criminalized and affect reentry efforts. Her research projects include: 1) a field experiment testing outcomes of ban-the-box policies, 2) detection of implicit bias against justice-involved individuals and determining if, and how, it can be altered, 3) ethnographic inquiry of restricted housing units and reentry programs in two Northeastern prisons and 4) qualitative examination of employment programs for returning citizens in the DC area. Esther has been published in the Journal of Offender Rehabilitation and has two book chapters scheduled for publication in the Routledge Handbook on American Prisons and Prisons and Community Corrections: Critical Issues and Emerging Controversies. Learn more about your ad choices. Visit megaphone.fm/adchoices Building upon last week’s episode “THE KILLING OF KINGS and the Transition of Incarcerated Persons From Prison,” host Ruthie Fierberg speaks one-on-one with expert Esther Matthews, PhD, about the practical steps to take to achieve the prison and transition reforms we spoke about in our main episode.

As a professor of sociology and criminology with research expertise in re-entry solutions for formerly incarcerated people, Esther answers questions in four key areas: 1. Physical safety inside prisons, 2. Shifting prisons towards transformation and away from retribution, 3. Holding your Department of Corrections (DOC) accountable, and 4. Anti-Discrimination for transitioned citizens. 


Create the Change:

  • Physical safety inside prisons 
  • Examine and lessen frequency of strip searches
  • Make strip searches more private 
  • Expand training for personnel who perform strip searches to require humane treatment
  • Counseling and education—not punishment
  • Shift your ideology to see inmates as people
  • Amend training of correctional staff so that safety of the people inside (not the institution) is their protective priority
  • Minimize force 
  • Reach out to head of Department of Corrections—usually called the Secretary—or reach out to the Governor (who appoints the Secretary)
  • Reach out to state legislators
  • Find your federal and local representatives
  • Hold the Department of Corrections and Bureau of Prisons accountable
  • Through Secretary of DOC, who oversees DOC policies
  • Reach out to superintendent or warden of local prison for implementation of those policies
  • Know your Governor/gubernatorial candidates’ position as they appoint the head of the DOC
  • Department of Justice appoints head of BOP policy in federal facilities
  • Reach out to your U.S. Senator for federal facility concerns and state legislators for state facility concerns
  • Anti-Discrimination Work
  • Tighten policies: Reach out to state and local legislators because they implement laws like Ban-the-Box and state and federal agencies who enforce those laws
  • Enforce laws that are already on the books (i.e. Ban-the-box)
  • Contact the Equal Employment Opportunity Commission if you have been the victim of discrimination
  • Move burden of proof to employer and landlord when trying to deny a job or housing (rather than burdening the person with the record to prove worthy) 



Referred to in this episode



About Our Guests:

Ruthie Fierberg, Host

Ruthiefierberg.com 

IG: @whywetheater / T: @whywetheater


Esther Matthews, PhD, Assistant Professor of Sociology & Criminology, Gonzaga University

Esther earned her PhD in the Justice, Law and Criminology program from American University. She holds a Master of Science in Justice, Law and Criminology from American University, and a Bachelor of Science in Political Science from Oregon State University. Her research focuses on identifying and investigating successful re-entry solutions for returning citizens. She has a particular interest in how race, gender, poverty and mental health intersect, are criminalized and affect reentry efforts. Her research projects include: 1) a field experiment testing outcomes of ban-the-box policies, 2) detection of implicit bias against justice-involved individuals and determining if, and how, it can be altered, 3) ethnographic inquiry of restricted housing units and reentry programs in two Northeastern prisons and 4) qualitative examination of employment programs for returning citizens in the DC area. Esther has been published in the Journal of Offender Rehabilitation and has two book chapters scheduled for publication in the Routledge Handbook on American Prisons and Prisons and Community Corrections: Critical Issues and Emerging Controversies.

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 1009 no THE KILLING OF KINGS and the Transition of Incarcerated Persons From Prison https://broadwaypodcastnetwork.com/podcast/why-we-theater/ Today we welcome artist Nadira Simone, who wrote the breath-stealing new play The Killing of Kings. The drama weaves a tapestry of Black families in America dealing with mass incarceration and police brutality, grappling with Black Lives Matter, and surviving racism. Simone achieves this by homing in on the King family, as patriarch Patrick King returns home from a second stint in prison. But what kind of life awaits Patrick King now that he is out?  We dig into the struggles of transitioning out of incarceration. Experts Anthony Dixon of the Parole Preparation Project and Esther Matthews of Gonzaga University rewind to the conditions that lead to imprisonment and recidivism—the tendency of a formerly incarcerated person to become reincarcerated. We learn why words like “re-entry,” “rehabilitation,” and “reintegration” are inaccurate and counter-productive and reset terminology to use the word “transition.” Simone, Dixon, Matthews, and host Ruthie Fierberg discuss possible reforms inside prisons to transform residents and how we as the receiving communities can facilitate the transition for people who get out to become integrated members of society. Create the change Watch The Prison Within Question your own biases about incarcerated and formerly incarcerated persons Approach all people with compassion and humanity Advocate for prisons that help people change; not just lockup Support the use of Cognitive Behavior Therapy and peer support in prisons Find short-term, medium-term, and long-term proposals from Brookings Institute If you are an employer, consider “banning the box” - raise the bar for disqualification of employment If you are a landlord, raise the bar for disqualification of rentals Read The New Jim Crow by Michelle Alexander and Just Mercy by Bryan Stevenson Go to Brennan Center’s “End Mass Incarceration” > Click on an “Issue” > Click “Work & Resources” > Read “Policy Solutions” > Advocate for these, Vote for representatives who include these in their platforms Support and amplify the “Reverse Mass Incarceration Act” Read “A Federal Agenda to Reduce Mass Incarceration” What to look for in activists and candidates Improve physical conditions in prisons (the jurisdiction of each state’s Department of Corrections) Support Last Prisoner Project, reach out to them if you are in need Learn about HOPE for Prisoners Donate to Legal Services for Prisoners with Children Learn more about the War on Drugs and the number of people imprisoned for non-violent crimes (ACLU, AP, Brennan Center) Referred to in this episode Children’s Village in Dobbs Ferry, where Anthony spent time in his childhood Goshen Annex The War on Drugs and its effect on the Black community The Prison Within documentary Washington Post article by Esther Matthews 2.2 million people are incarcerated in the U.S., 40 % no public safety reason (Brennan Center stats) DOC: Department of Corrections Data on obstacles to transition (housing, employment, etc.) Reuben Miller’s book Halfway Home Megan Kurlycheck research (specifically Comparing the Distributional Properties of Arrest Risk Across Populations of Provisional Employees With and Without a Criminal Record) What is “Ban the Box”? Ruthie Fierberg, Host Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Learn more about our guests at bpn.fm/whywetheater. Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 23 Dec 2021 08:00:00 -0000 THE KILLING OF KINGS and the Transition of Incarcerated Persons From Prison full 2 10 Broadway Podcast Network Today we welcome artist Nadira Simone, who wrote the breath-stealing new play The Killing of Kings. The drama weaves a tapestry of Black families in America dealing with mass incarceration and police brutality, grappling with Black Lives Matter, and surviving racism. Simone achieves this by homing in on the King family, as patriarch Patrick King returns home from a second stint in prison. But what kind of life awaits Patrick King now that he is out? We dig into the struggles of transitioning out of incarceration. Experts Anthony Dixon of the Parole Preparation Project and Esther Matthews of Gonzaga University rewind to the conditions that lead to imprisonment and recidivism—the tendency of a formerly incarcerated person to become reincarcerated. We learn why words like “re-entry,” “rehabilitation,” and “reintegration” are inaccurate and counter-productive and reset terminology to use the word “transition.” Simone, Dixon, Matthews, and host Ruthie Fierberg discuss possible reforms inside prisons to transform residents and how we as the receiving communities can facilitate the transition for people who get out to become integrated members of society. Today we welcome artist Nadira Simone, who wrote the breath-stealing new play The Killing of Kings. The drama weaves a tapestry of Black families in America dealing with mass incarceration and police brutality, grappling with Black Lives Matter, and surviving racism. Simone achieves this by homing in on the King family, as patriarch Patrick King returns home from a second stint in prison. But what kind of life awaits Patrick King now that he is out?  We dig into the struggles of transitioning out of incarceration. Experts Anthony Dixon of the Parole Preparation Project and Esther Matthews of Gonzaga University rewind to the conditions that lead to imprisonment and recidivism—the tendency of a formerly incarcerated person to become reincarcerated. We learn why words like “re-entry,” “rehabilitation,” and “reintegration” are inaccurate and counter-productive and reset terminology to use the word “transition.” Simone, Dixon, Matthews, and host Ruthie Fierberg discuss possible reforms inside prisons to transform residents and how we as the receiving communities can facilitate the transition for people who get out to become integrated members of society. Create the change Watch The Prison Within Question your own biases about incarcerated and formerly incarcerated persons Approach all people with compassion and humanity Advocate for prisons that help people change; not just lockup Support the use of Cognitive Behavior Therapy and peer support in prisons Find short-term, medium-term, and long-term proposals from Brookings Institute If you are an employer, consider “banning the box” - raise the bar for disqualification of employment If you are a landlord, raise the bar for disqualification of rentals Read The New Jim Crow by Michelle Alexander and Just Mercy by Bryan Stevenson Go to Brennan Center’s “End Mass Incarceration” > Click on an “Issue” > Click “Work & Resources” > Read “Policy Solutions” > Advocate for these, Vote for representatives who include these in their platforms Support and amplify the “Reverse Mass Incarceration Act” Read “A Federal Agenda to Reduce Mass Incarceration” What to look for in activists and candidates Improve physical conditions in prisons (the jurisdiction of each state’s Department of Corrections) Support Last Prisoner Project, reach out to them if you are in need Learn about HOPE for Prisoners Donate to Legal Services for Prisoners with Children Learn more about the War on Drugs and the number of people imprisoned for non-violent crimes (ACLU, AP, Brennan Center) Referred to in this episode Children’s Village in Dobbs Ferry, where Anthony spent time in his childhood Goshen Annex The War on Drugs and its effect on the Black community The Prison Within documentary Washington Post article by Esther Matthews 2.2 million people are incarcerated in the U.S., 40 % no public safety reason (Brennan Center stats) DOC: Department of Corrections Data on obstacles to transition (housing, employment, etc.) Reuben Miller’s book Halfway Home Megan Kurlycheck research (specifically Comparing the Distributional Properties of Arrest Risk Across Populations of Provisional Employees With and Without a Criminal Record) What is “Ban the Box”? Ruthie Fierberg, Host Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Learn more about our guests at bpn.fm/whywetheater. Learn more about your ad choices. Visit megaphone.fm/adchoices Today we welcome artist Nadira Simone, who wrote the breath-stealing new play The Killing of Kings. The drama weaves a tapestry of Black families in America dealing with mass incarceration and police brutality, grappling with Black Lives Matter, and surviving racism. Simone achieves this by homing in on the King family, as patriarch Patrick King returns home from a second stint in prison. But what kind of life awaits Patrick King now that he is out? 


We dig into the struggles of transitioning out of incarceration. Experts Anthony Dixon of the Parole Preparation Project and Esther Matthews of Gonzaga University rewind to the conditions that lead to imprisonment and recidivism—the tendency of a formerly incarcerated person to become reincarcerated. We learn why words like “re-entry,” “rehabilitation,” and “reintegration” are inaccurate and counter-productive and reset terminology to use the word “transition.” Simone, Dixon, Matthews, and host Ruthie Fierberg discuss possible reforms inside prisons to transform residents and how we as the receiving communities can facilitate the transition for people who get out to become integrated members of society.


Create the change


Referred to in this episode


Ruthie Fierberg, Host

Ruthiefierberg.com 

IG: @whywetheater / T: @whywetheater

IG: @ruthiefierceberg / T: @RuthiesATrain


Learn more about our guests at bpn.fm/whywetheater.

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 4454 no INTERSTATE Meets Multiple Recommendations https://broadwaypodcastnetwork.com/podcast/why-we-theater/ Authenticity was the heart of our last episode “INTERSTATE and Authentic Trans, Queer, and Asian-American Representation.” Our discussion included artists Kit Yan and Melissa Lee and experts AC Dumlao of the Transgender Legal Defense and Education Fund and Sheena Brevig of the Center for Scholars and Storytellers. The quintet (including host Ruthie Fierberg) deliberated about how we ensure authentic representation and how we can get producers, theatres, and studios to greenlight projects that have non-white or non-male or non-straight or non-cis central characters. We just need more.  In every mini-episode, Ruthie recommends one piece of art that connects to the previous week’s larger themes. If you INTERSTATE or the conversation around it intrigued you, Ruthie recommends more stories you should explore. In the vein of “more, more, more,” Ruthie decided to offer multiple suggestions of art to put on your list, add to your queue, and place on your shelf. If I Was Your Girl by Meredith Russo The Crazy Rich Asians trilogy (Crazy Rich Asians, China Rich Girlfriend, Rich People Problems) by Kevin Kwan Amateur by Thomas Page McBee Find your nearest Independent Bookstore to purchase. Never Have I Ever, Netflix The Sex Lives of College Girls, HBOMax Connect with your host! Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther.  Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Special thanks to Genesis Johnson, Leigh Silverman, Suzanne Chipkin, Wesley Birdsall, Elena Mayer, Patrick Taylor, and Dori Berinstein.  Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 16 Dec 2021 16:00:00 -0000 INTERSTATE Meets Multiple Recommendations full 2 9 Broadway Podcast Network Authenticity was the heart of our last episode “INTERSTATE and Authentic Trans, Queer, and Asian-American Representation.” Our discussion included artists Kit Yan and Melissa Lee and experts AC Dumlao of the Transgender Legal Defense and Education Fund and Sheena Brevig of the Center for Scholars and Storytellers. The quintet (including host Ruthie Fierberg) deliberated about how we ensure authentic representation and how we can get producers, theatres, and studios to greenlight projects that have non-white or non-male or non-straight or non-cis central characters. We just need more. In every mini-episode, Ruthie recommends one piece of art that connects to the previous week’s larger themes. If you INTERSTATE or the conversation around it intrigued you, Ruthie recommends more stories you should explore. In the vein of “more, more, more,” Ruthie decided to offer multiple suggestions of art to put on your list, add to your queue, and place on your shelf. Authenticity was the heart of our last episode “INTERSTATE and Authentic Trans, Queer, and Asian-American Representation.” Our discussion included artists Kit Yan and Melissa Lee and experts AC Dumlao of the Transgender Legal Defense and Education Fund and Sheena Brevig of the Center for Scholars and Storytellers. The quintet (including host Ruthie Fierberg) deliberated about how we ensure authentic representation and how we can get producers, theatres, and studios to greenlight projects that have non-white or non-male or non-straight or non-cis central characters. We just need more.  In every mini-episode, Ruthie recommends one piece of art that connects to the previous week’s larger themes. If you INTERSTATE or the conversation around it intrigued you, Ruthie recommends more stories you should explore. In the vein of “more, more, more,” Ruthie decided to offer multiple suggestions of art to put on your list, add to your queue, and place on your shelf. If I Was Your Girl by Meredith Russo The Crazy Rich Asians trilogy (Crazy Rich Asians, China Rich Girlfriend, Rich People Problems) by Kevin Kwan Amateur by Thomas Page McBee Find your nearest Independent Bookstore to purchase. Never Have I Ever, Netflix The Sex Lives of College Girls, HBOMax Connect with your host! Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther.  Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Special thanks to Genesis Johnson, Leigh Silverman, Suzanne Chipkin, Wesley Birdsall, Elena Mayer, Patrick Taylor, and Dori Berinstein.  Learn more about your ad choices. Visit megaphone.fm/adchoices Authenticity was the heart of our last episode “INTERSTATE and Authentic Trans, Queer, and Asian-American Representation.” Our discussion included artists Kit Yan and Melissa Lee and experts AC Dumlao of the Transgender Legal Defense and Education Fund and Sheena Brevig of the Center for Scholars and Storytellers. The quintet (including host Ruthie Fierberg) deliberated about how we ensure authentic representation and how we can get producers, theatres, and studios to greenlight projects that have non-white or non-male or non-straight or non-cis central characters. We just need more. 


In every mini-episode, Ruthie recommends one piece of art that connects to the previous week’s larger themes. If you INTERSTATE or the conversation around it intrigued you, Ruthie recommends more stories you should explore. In the vein of “more, more, more,” Ruthie decided to offer multiple suggestions of art to put on your list, add to your queue, and place on your shelf.





Find your nearest Independent Bookstore to purchase.




Connect with your host!

Ruthiefierberg.com 

IG: @whywetheater / T: @whywetheater

IG: @ruthiefierceberg / T: @RuthiesATrain


Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther. 


Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.


Special thanks to Genesis Johnson, Leigh Silverman, Suzanne Chipkin, Wesley Birdsall, Elena Mayer, Patrick Taylor, and Dori Berinstein. 

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 992 INTERSTATE and Authentic Trans, Queer, and Asian-American Representation https://broadwaypodcastnetwork.com/podcast/why-we-theater/ Representation is the buzzword of the day. But mere presence means nothing if it isn’t accurate and genuine. Authentic representation in storytelling benefits not only members of historically excluded groups like Asian-Americans and trans people but members of every group, including the dominant culture. As of 2019, 69.1 percent of all film roles were white. How do we achieve a greater variety of stories, roles, and jobs in theatre, movies, and television? How do we ensure these stories and parts are written “authentically”? How do we get producers to greenlight projects? Interstate, a new musical by Kit Yan and Melissa Li, follows two Asian-American artists (one a lesbian and one a trans man) as they embark on a U.S. tour with their band Queer Malady. Meanwhile, trans teen Henry discovers QM’s music and finds his story in theirs. Kit & Melissa join host Ruthie Fierberg and experts Sheena Brevig of the Center for Scholars and Storytellers and AC Dumlao of the Transgender Legal Defense & Education Fund for this discussion about the importance and impact of authentic representation and how we can push for parity. Hear songs from INTERSTATE here. Create the change If you are a studio head, producer, director, greenlight stories about historically excluded characters AND make sure members of that community are part of the creative team. Use the Kilroys List—the annual industry survey of excellent new works by women, trans, and non-binary playwrights—to find quality stories by underrepresented artists to produce. Read These Numbers Show How More Diversity on TV Leads to Increased Viewership If you are an audience member, buy a ticket to a show/movie or watch a series about a community you are not a part of.  Download the Center for Scholars and Storytellers’ “AIR Tip Sheet for Race” to ensure authentic, inclusive representation across races. Read these storytelling tips to evolve the representation of boys and men. Enlist CSS to consult on a project or sign your team up for a CSS workshop. Get in touch with AC Dumlao and enroll in a workshop (i.e. Trans 101). Watch “Trans Literacy Project” videos from Honest Accomplice Theatre for their Trans 101 series. If you or someone you know needs help changing their name, visit TLDEF’s Name Change Project. If you or someone you know needs info about trans health services and access, visit TLDEF’s Trans Health Project. How to support TLDEF Follow TLDEF on social: @translegaldefense on IG, @TLDEF on FB and T. Read this article about the need for and benefits of authentic Asian-American representation. Read this discussion about trans roles for theater in American Theatre Magazine. See this graphic on Gender Parity in Children’s Television.  Referred to in this episode Ruthie’s Playbill interview with Kit and Melissa “On T” refers to taking testosterone hormone therapy, which some trans men choose this as part of their gender affirmation process “Het” abbreviation for heterosexual Transgender Legal Defense & Education Fund (TLDEF) Center for Scholars and Storytellers (CSS) CSS’ AIR Report The Vito Russo Test The Writers Guild of America 2020 Inclusion Report (statistical source) UCLA’s Hollywood Diversity Report 2020 (statistical source) Understand racial bias communicated via television nonverbal behavior Quote from CSS - “Many believed having a Black president…” LGBTQ+ lead characters in TV and film stats API 1 protagonist in top-grossing film Dr. Sheila Murphy’s study out of USC about the impact of narrative vs non-narrative film on public health outcomes for women. (Correction from the podcast: This study was published in 2015, not 2012.) DEI workshops through CSS About Our Guests: Ruthie Fierberg, Host IG: @whywetheater / T: @whywetheater Melissa Li www.melissali.com/ @melsaboo Kit Yan www.kityanpoet.com/ @kityanpoet Sheena Brevig @sheenamidori / CSS IG @scholarsandstorytellers AC Dumlao IG: @mx.acdumlao/ T: @mxacdumlao  Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 02 Dec 2021 05:53:13 -0000 INTERSTATE and Authentic Trans, Queer, and Asian-American Representation full 2 8 Broadway Podcast Network Interstate, a new musical by Kit Yan and Melissa Li, follows two Asian-American artists (one a lesbian and one a trans man) as they embark on a U.S. tour with their band Queer Malady. Meanwhile, trans teen Henry discovers QM’s music and finds his story in theirs. Kit & Melissa join host Ruthie Fierberg and experts Sheena Brevig of the Center for Scholars and Storytellers and AC Dumlao of the Transgender Legal Defense & Education Fund for this discussion about the importance and impact of authentic representation and how we can push for parity. Representation is the buzzword of the day. But mere presence means nothing if it isn’t accurate and genuine. Authentic representation in storytelling benefits not only members of historically excluded groups like Asian-Americans and trans people but members of every group, including the dominant culture. As of 2019, 69.1 percent of all film roles were white. How do we achieve a greater variety of stories, roles, and jobs in theatre, movies, and television? How do we ensure these stories and parts are written “authentically”? How do we get producers to greenlight projects? Interstate, a new musical by Kit Yan and Melissa Li, follows two Asian-American artists (one a lesbian and one a trans man) as they embark on a U.S. tour with their band Queer Malady. Meanwhile, trans teen Henry discovers QM’s music and finds his story in theirs. Kit & Melissa join host Ruthie Fierberg and experts Sheena Brevig of the Center for Scholars and Storytellers and AC Dumlao of the Transgender Legal Defense & Education Fund for this discussion about the importance and impact of authentic representation and how we can push for parity. Hear songs from INTERSTATE here. Create the change If you are a studio head, producer, director, greenlight stories about historically excluded characters AND make sure members of that community are part of the creative team. Use the Kilroys List—the annual industry survey of excellent new works by women, trans, and non-binary playwrights—to find quality stories by underrepresented artists to produce. Read These Numbers Show How More Diversity on TV Leads to Increased Viewership If you are an audience member, buy a ticket to a show/movie or watch a series about a community you are not a part of.  Download the Center for Scholars and Storytellers’ “AIR Tip Sheet for Race” to ensure authentic, inclusive representation across races. Read these storytelling tips to evolve the representation of boys and men. Enlist CSS to consult on a project or sign your team up for a CSS workshop. Get in touch with AC Dumlao and enroll in a workshop (i.e. Trans 101). Watch “Trans Literacy Project” videos from Honest Accomplice Theatre for their Trans 101 series. If you or someone you know needs help changing their name, visit TLDEF’s Name Change Project. If you or someone you know needs info about trans health services and access, visit TLDEF’s Trans Health Project. How to support TLDEF Follow TLDEF on social: @translegaldefense on IG, @TLDEF on FB and T. Read this article about the need for and benefits of authentic Asian-American representation. Read this discussion about trans roles for theater in American Theatre Magazine. See this graphic on Gender Parity in Children’s Television.  Referred to in this episode Ruthie’s Playbill interview with Kit and Melissa “On T” refers to taking testosterone hormone therapy, which some trans men choose this as part of their gender affirmation process “Het” abbreviation for heterosexual Transgender Legal Defense & Education Fund (TLDEF) Center for Scholars and Storytellers (CSS) CSS’ AIR Report The Vito Russo Test The Writers Guild of America 2020 Inclusion Report (statistical source) UCLA’s Hollywood Diversity Report 2020 (statistical source) Understand racial bias communicated via television nonverbal behavior Quote from CSS - “Many believed having a Black president…” LGBTQ+ lead characters in TV and film stats API 1 protagonist in top-grossing film Dr. Sheila Murphy’s study out of USC about the impact of narrative vs non-narrative film on public health outcomes for women. (Correction from the podcast: This study was published in 2015, not 2012.) DEI workshops through CSS About Our Guests: Ruthie Fierberg, Host IG: @whywetheater / T: @whywetheater Melissa Li www.melissali.com/ @melsaboo Kit Yan www.kityanpoet.com/ @kityanpoet Sheena Brevig @sheenamidori / CSS IG @scholarsandstorytellers AC Dumlao IG: @mx.acdumlao/ T: @mxacdumlao  Learn more about your ad choices. Visit megaphone.fm/adchoices Representation is the buzzword of the day. But mere presence means nothing if it isn’t accurate and genuine. Authentic representation in storytelling benefits not only members of historically excluded groups like Asian-Americans and trans people but members of every group, including the dominant culture. As of 2019, 69.1 percent of all film roles were white. How do we achieve a greater variety of stories, roles, and jobs in theatre, movies, and television? How do we ensure these stories and parts are written “authentically”? How do we get producers to greenlight projects?


Interstate, a new musical by Kit Yan and Melissa Li, follows two Asian-American artists (one a lesbian and one a trans man) as they embark on a U.S. tour with their band Queer Malady. Meanwhile, trans teen Henry discovers QM’s music and finds his story in theirs. Kit & Melissa join host Ruthie Fierberg and experts Sheena Brevig of the Center for Scholars and Storytellers and AC Dumlao of the Transgender Legal Defense & Education Fund for this discussion about the importance and impact of authentic representation and how we can push for parity.


Hear songs from INTERSTATE here.


Create the change


 Referred to in this episode


About Our Guests:

Ruthie Fierberg, Host

IG: @whywetheater / T: @whywetheater


Melissa Li

www.melissali.com/ @melsaboo


Kit Yan

www.kityanpoet.com/ @kityanpoet


Sheena Brevig

@sheenamidori / CSS IG @scholarsandstorytellers


AC Dumlao

IG: @mx.acdumlao/ T: @mxacdumlao 

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 4317 no Why We Theater NOW: November 2021 https://broadwaypodcastnetwork.com/podcast/why-we-theater/ Host Ruthie Fierberg recommends the most thought-provoking and moving pieces of New York theatre she’s seen to date. These plays and musicals bring to life issues in our society, which make them ripe for discussion. Each is further proof of why we theater. Some of these shows may become full episodes in the future. Some of them relate to past episodes. All of them will appeal to your taste if you love Why We Theater. Ruthie wants to be sure you have the opportunity to see them live onstage if you’re near New York or planning a visit, or that these titles are on your list if there happen to be streaming releases, a regional production, or tour that comes to a theatre near you. Kristina Wong, Sweatshop Overlord New York Theatre Workshop Off-Broadway Streaming through December 14, 2021 Buy a streaming pass here. Thoughts of a Colored Man Broadway Tickets on sale through March 20, 2022 Buy tickets here. Trouble In Mind Roundabout Theatre Company on Broadway Tickets on sale through January 9, 2022 Buy tickets here. The Trevor Musical Stage 42 Off-Broadway Tickets on sale through April 17, 2022 Buy tickets here. Get in touch with Ruthie! Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 25 Nov 2021 08:00:00 -0000 Why We Theater NOW: November 2021 full 2 7 Broadway Podcast Network Host Ruthie Fierberg recommends the most thought-provoking and moving pieces of New York theatre she’s seen to date. These plays and musicals bring to life issues in our society, which make them ripe for discussion. Each is further proof of why we theater. Some of these shows may become full episodes in the future. Some of them relate to past episodes. All of them will appeal to your taste if you love Why We Theater. Ruthie wants to be sure you have the opportunity to see them live onstage if you’re near New York or planning a visit, or that these titles are on your list if there happen to be streaming releases, a regional production, or tour that comes to a theatre near you. Host Ruthie Fierberg recommends the most thought-provoking and moving pieces of New York theatre she’s seen to date. These plays and musicals bring to life issues in our society, which make them ripe for discussion. Each is further proof of why we theater. Some of these shows may become full episodes in the future. Some of them relate to past episodes. All of them will appeal to your taste if you love Why We Theater. Ruthie wants to be sure you have the opportunity to see them live onstage if you’re near New York or planning a visit, or that these titles are on your list if there happen to be streaming releases, a regional production, or tour that comes to a theatre near you. Kristina Wong, Sweatshop Overlord New York Theatre Workshop Off-Broadway Streaming through December 14, 2021 Buy a streaming pass here. Thoughts of a Colored Man Broadway Tickets on sale through March 20, 2022 Buy tickets here. Trouble In Mind Roundabout Theatre Company on Broadway Tickets on sale through January 9, 2022 Buy tickets here. The Trevor Musical Stage 42 Off-Broadway Tickets on sale through April 17, 2022 Buy tickets here. Get in touch with Ruthie! Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices Host Ruthie Fierberg recommends the most thought-provoking and moving pieces of New York theatre she’s seen to date. These plays and musicals bring to life issues in our society, which make them ripe for discussion. Each is further proof of why we theater. Some of these shows may become full episodes in the future. Some of them relate to past episodes. All of them will appeal to your taste if you love Why We Theater. Ruthie wants to be sure you have the opportunity to see them live onstage if you’re near New York or planning a visit, or that these titles are on your list if there happen to be streaming releases, a regional production, or tour that comes to a theatre near you.


Kristina Wong, Sweatshop Overlord

New York Theatre Workshop Off-Broadway

Streaming through December 14, 2021

Buy a streaming pass here.


Thoughts of a Colored Man

Broadway

Tickets on sale through March 20, 2022

Buy tickets here.


Trouble In Mind

Roundabout Theatre Company on Broadway

Tickets on sale through January 9, 2022

Buy tickets here.


The Trevor Musical

Stage 42 Off-Broadway

Tickets on sale through April 17, 2022

Buy tickets here.



Get in touch with Ruthie!

Ruthiefierberg.com 

IG: @whywetheater / T: @whywetheater

IG: @ruthiefierceberg / T: @RuthiesATrain

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 1000 no RINSE, REPEAT meets Brave Girl Eating https://broadwaypodcastnetwork.com/podcast/why-we-theater/ Harriet Brown’s memoir Brave Girl Eating: A Family’s Struggle With Anorexia is a must-read for anyone looking to better understand eating disorders after last week’s episode “RINSE, REPEAT and Eating Disorders.”  The book serves as a fitting companion to Domenica Feraud’s Off-Broadway play Rinse, Repeat. Though the drama portrays a family’s struggle with this disease, the main perspective is Rachel’s. In our panel last episode, Domenica and expert Johanna Kandel shared personal experiences as people who have struggled with an eating disorder; Dr. Mae Lynn Reyes-Rodriguez offered the point of view of a researcher and clinician who specializes in eating disorders. In Brave Girl Eating, the perspective is that of a mother trying to help her daughter survive this mental illness. Hear more about the book and what you’ll glean from reading it. Read Rinse, Repeat here. Find a copy of Brave Girl Eating. About Our Guests: Ruthie Fierberg, Host Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther.  Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Special thanks to Genesis Johnson, Leigh Silverman, Suzanne Chipkin, Wesley Birdsall, Elena Mayer, Patrick Taylor, and Dori Berinstein.  Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 18 Nov 2021 08:00:00 -0000 RINSE, REPEAT meets Brave Girl Eating full 2 6 Broadway Podcast Network Harriet Brown’s memoir Brave Girl Eating: A Family’s Struggle With Anorexia is a must-read for anyone looking to better understand eating disorders after last week’s episode “RINSE, REPEAT and Eating Disorders.” Harriet Brown’s memoir Brave Girl Eating: A Family’s Struggle With Anorexia is a must-read for anyone looking to better understand eating disorders after last week’s episode “RINSE, REPEAT and Eating Disorders.”  The book serves as a fitting companion to Domenica Feraud’s Off-Broadway play Rinse, Repeat. Though the drama portrays a family’s struggle with this disease, the main perspective is Rachel’s. In our panel last episode, Domenica and expert Johanna Kandel shared personal experiences as people who have struggled with an eating disorder; Dr. Mae Lynn Reyes-Rodriguez offered the point of view of a researcher and clinician who specializes in eating disorders. In Brave Girl Eating, the perspective is that of a mother trying to help her daughter survive this mental illness. Hear more about the book and what you’ll glean from reading it. Read Rinse, Repeat here. Find a copy of Brave Girl Eating. About Our Guests: Ruthie Fierberg, Host Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther.  Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Special thanks to Genesis Johnson, Leigh Silverman, Suzanne Chipkin, Wesley Birdsall, Elena Mayer, Patrick Taylor, and Dori Berinstein.  Learn more about your ad choices. Visit megaphone.fm/adchoices Harriet Brown’s memoir Brave Girl Eating: A Family’s Struggle With Anorexia is a must-read for anyone looking to better understand eating disorders after last week’s episode “RINSE, REPEAT and Eating Disorders.” 


The book serves as a fitting companion to Domenica Feraud’s Off-Broadway play Rinse, Repeat. Though the drama portrays a family’s struggle with this disease, the main perspective is Rachel’s. In our panel last episode, Domenica and expert Johanna Kandel shared personal experiences as people who have struggled with an eating disorder; Dr. Mae Lynn Reyes-Rodriguez offered the point of view of a researcher and clinician who specializes in eating disorders. In Brave Girl Eating, the perspective is that of a mother trying to help her daughter survive this mental illness. Hear more about the book and what you’ll glean from reading it.


Read Rinse, Repeat here.


Find a copy of Brave Girl Eating.


About Our Guests:

Ruthie Fierberg, Host

Ruthiefierberg.com 

IG: @whywetheater / T: @whywetheater

IG: @ruthiefierceberg / T: @RuthiesATrain


Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther. 


Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.


Special thanks to Genesis Johnson, Leigh Silverman, Suzanne Chipkin, Wesley Birdsall, Elena Mayer, Patrick Taylor, and Dori Berinstein. 

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 639 no RINSE, REPEAT and Eating Disorders https://broadwaypodcastnetwork.com/podcast/why-we-theater/ Eating disorders affect 29 million Americans (9 percent of the population). Every 52 minutes, someone in the U.S. dies as a direct result of their eating disorder. Guided by Domenica Feraud’s rapturous play RINSE, REPEAT, this week we delve into eating disorders: anorexia nervosa, bulimia nervosa, binge eating disorder, orthorexia, and every eating disorder on the spectrum.  Host Ruthie Fierberg and Feraud unite with experts Dr. Mae Lynn Reyes-Rodriguez (researcher and clinical psychologist and fellow at the Academy for Eating Disorders) and Johanna Kandel (founder and CEO of The Alliance for Eating Disorders Awareness) to understand how to recognize if you or a loved one suffers from an ED; the stigma surrounding EDs; the true spectrum of EDs; the gaps in the medical system in treating EDs; EDs across cultures, particularly in the Latinx community; the economy and effects of diet culture; how and where you can find help for yourself or a loved ones; and legislation that will make ED treatment more accessible.  Read the play here. About Our Guests: Ruthie Fierberg, Host Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Domenica Feraud, playwright  domenicaferaud.com Dr. Mae Lynn Reyes-Rodriguez, PhD., FAED med.unc.edu Johanna Kandel, founder and CEO of The Alliance for Eating Disorders Awareness Follow her on Instagram: @johannakandel @allianceforeda Create the change Call The Alliance for Eating Disorders Awareness (866-622-1235 or click here). Join a free weekly clinician-led support group through the Alliance. Please do not comment on the way anybody looks. Do not label food “good” or “bad” or “junk”. All food in moderation. Listen when someone tells you they are struggling with eating, especially if you are a medical practitioner. Sign up for Action Alerts from the Eating Disorders Coalition (EDC) to easily sign petitions when legislation reaches Congress. Donate to the EDC. Support the bipartisan Nutrition CARE Act. (Learn more here.) Support the SERVE Act. (Learn more here.) Advocate for culturally sensitive treatment of eating disorders across cultures. Learn more about Health At Every Size. Referred to in this episode 2019 Playbill interview between Ruthie and Domenica Understanding the word “recovery” relating to EDs Statistics and research on eating disorders from National Eating Disorders Association (NEDA) Racial and ethnic bias in ED care, specifically for Latinx people Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 11 Nov 2021 08:00:00 -0000 RINSE, REPEAT and Eating Disorders full 2 5 Broadway Podcast Network Eating disorders affect 29 million Americans (9 percent of the population). Every 52 minutes, someone in the U.S. dies as a direct result of their eating disorder. Guided by Domenica Feraud’s rapturous play RINSE, REPEAT, this week we delve into eating disorders: anorexia nervosa, bulimia nervosa, binge eating disorder, orthorexia, and every eating disorder on the spectrum. Eating disorders affect 29 million Americans (9 percent of the population). Every 52 minutes, someone in the U.S. dies as a direct result of their eating disorder. Guided by Domenica Feraud’s rapturous play RINSE, REPEAT, this week we delve into eating disorders: anorexia nervosa, bulimia nervosa, binge eating disorder, orthorexia, and every eating disorder on the spectrum.  Host Ruthie Fierberg and Feraud unite with experts Dr. Mae Lynn Reyes-Rodriguez (researcher and clinical psychologist and fellow at the Academy for Eating Disorders) and Johanna Kandel (founder and CEO of The Alliance for Eating Disorders Awareness) to understand how to recognize if you or a loved one suffers from an ED; the stigma surrounding EDs; the true spectrum of EDs; the gaps in the medical system in treating EDs; EDs across cultures, particularly in the Latinx community; the economy and effects of diet culture; how and where you can find help for yourself or a loved ones; and legislation that will make ED treatment more accessible.  Read the play here. About Our Guests: Ruthie Fierberg, Host Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Domenica Feraud, playwright  domenicaferaud.com Dr. Mae Lynn Reyes-Rodriguez, PhD., FAED med.unc.edu Johanna Kandel, founder and CEO of The Alliance for Eating Disorders Awareness Follow her on Instagram: @johannakandel @allianceforeda Create the change Call The Alliance for Eating Disorders Awareness (866-622-1235 or click here). Join a free weekly clinician-led support group through the Alliance. Please do not comment on the way anybody looks. Do not label food “good” or “bad” or “junk”. All food in moderation. Listen when someone tells you they are struggling with eating, especially if you are a medical practitioner. Sign up for Action Alerts from the Eating Disorders Coalition (EDC) to easily sign petitions when legislation reaches Congress. Donate to the EDC. Support the bipartisan Nutrition CARE Act. (Learn more here.) Support the SERVE Act. (Learn more here.) Advocate for culturally sensitive treatment of eating disorders across cultures. Learn more about Health At Every Size. Referred to in this episode 2019 Playbill interview between Ruthie and Domenica Understanding the word “recovery” relating to EDs Statistics and research on eating disorders from National Eating Disorders Association (NEDA) Racial and ethnic bias in ED care, specifically for Latinx people Learn more about your ad choices. Visit megaphone.fm/adchoices Eating disorders affect 29 million Americans (9 percent of the population). Every 52 minutes, someone in the U.S. dies as a direct result of their eating disorder. Guided by Domenica Feraud’s rapturous play RINSE, REPEAT, this week we delve into eating disorders: anorexia nervosa, bulimia nervosa, binge eating disorder, orthorexia, and every eating disorder on the spectrum. 


Host Ruthie Fierberg and Feraud unite with experts Dr. Mae Lynn Reyes-Rodriguez (researcher and clinical psychologist and fellow at the Academy for Eating Disorders) and Johanna Kandel (founder and CEO of The Alliance for Eating Disorders Awareness) to understand how to recognize if you or a loved one suffers from an ED; the stigma surrounding EDs; the true spectrum of EDs; the gaps in the medical system in treating EDs; EDs across cultures, particularly in the Latinx community; the economy and effects of diet culture; how and where you can find help for yourself or a loved ones; and legislation that will make ED treatment more accessible. 


Read the play here.


About Our Guests:

Ruthie Fierberg, Host

Ruthiefierberg.com 

IG: @whywetheater / T: @whywetheater

IG: @ruthiefierceberg / T: @RuthiesATrain


Domenica Feraud, playwright 

domenicaferaud.com


Dr. Mae Lynn Reyes-Rodriguez, PhD., FAED

med.unc.edu


Johanna Kandel, founder and CEO of The Alliance for Eating Disorders Awareness

Follow her on Instagram: @johannakandel @allianceforeda


Create the change

  • Call The Alliance for Eating Disorders Awareness (866-622-1235 or click here).
  • Join a free weekly clinician-led support group through the Alliance.
  • Please do not comment on the way anybody looks.
  • Do not label food “good” or “bad” or “junk”. All food in moderation.
  • Listen when someone tells you they are struggling with eating, especially if you are a medical practitioner.
  • Sign up for Action Alerts from the Eating Disorders Coalition (EDC) to easily sign petitions when legislation reaches Congress.
  • Donate to the EDC.
  • Support the bipartisan Nutrition CARE Act. (Learn more here.)
  • Support the SERVE Act. (Learn more here.)
  • Advocate for culturally sensitive treatment of eating disorders across cultures.
  • Learn more about Health At Every Size.


Referred to in this episode

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 4398 no WITNESS UGANDA meets The Good Doctor https://broadwaypodcastnetwork.com/podcast/why-we-theater/ Beloved medical drama THE GOOD DOCTOR has a lot to teach us. Beyond its premise—following the evolution of Dr. Shaun Murphy, a physician on the autism spectrum, and the hospital and its employees around him—and beyond its weekly case, the ABC television series also demonstrates the use of the strengths model in foreign aid. Expert Ana Jiménez-Bautista taught us the definition and importance of the strengths model in last week’s episode “Witness Uganda and Ethical Foreign Aid.” So this week, we connect musical theatre to television, Witness Uganda to The Good Doctor. Witness Uganda creator Griffin Matthews also emphasized the importance of international travel during last episode’s discussion. In this mini-episode, we also look to Rick Steves for his decades-worth of thoughts on how traveling is a political act and the greatest weapon against hate. Watch The Good Doctor on ABC or Hulu. Read “Rick Steves Wants to Set You Free” by Sam Anderson. Listen to the full episode on “OSLO and the Israeli-Palestinian Conflict.” Connect with your host! Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther.  Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Special thanks to Leigh Silverman, Suzanne Chipkin, Wesley Birdsall, Elena Mayer, Patrick Taylor, and Dori Berinstein.  Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 04 Nov 2021 11:17:00 -0000 WITNESS UGANDA meets The Good Doctor full 2 4 Broadway Podcast Network Beloved medical drama THE GOOD DOCTOR has a lot to teach us. Beyond its premise—following the evolution of Dr. Shaun Murphy, a physician on the autism spectrum, and the hospital and its employees around him—and beyond its weekly case, the ABC television series also demonstrates the use of the strengths model in foreign aid. Expert Ana Jiménez-Bautista taught us the definition and importance of the strengths model in last week’s episode “Witness Uganda and Ethical Foreign Aid.” So this week, we connect musical theatre to television, Witness Uganda to The Good Doctor. Beloved medical drama THE GOOD DOCTOR has a lot to teach us. Beyond its premise—following the evolution of Dr. Shaun Murphy, a physician on the autism spectrum, and the hospital and its employees around him—and beyond its weekly case, the ABC television series also demonstrates the use of the strengths model in foreign aid. Expert Ana Jiménez-Bautista taught us the definition and importance of the strengths model in last week’s episode “Witness Uganda and Ethical Foreign Aid.” So this week, we connect musical theatre to television, Witness Uganda to The Good Doctor. Witness Uganda creator Griffin Matthews also emphasized the importance of international travel during last episode’s discussion. In this mini-episode, we also look to Rick Steves for his decades-worth of thoughts on how traveling is a political act and the greatest weapon against hate. Watch The Good Doctor on ABC or Hulu. Read “Rick Steves Wants to Set You Free” by Sam Anderson. Listen to the full episode on “OSLO and the Israeli-Palestinian Conflict.” Connect with your host! Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther.  Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Special thanks to Leigh Silverman, Suzanne Chipkin, Wesley Birdsall, Elena Mayer, Patrick Taylor, and Dori Berinstein.  Learn more about your ad choices. Visit megaphone.fm/adchoices Beloved medical drama THE GOOD DOCTOR has a lot to teach us. Beyond its premise—following the evolution of Dr. Shaun Murphy, a physician on the autism spectrum, and the hospital and its employees around him—and beyond its weekly case, the ABC television series also demonstrates the use of the strengths model in foreign aid. Expert Ana Jiménez-Bautista taught us the definition and importance of the strengths model in last week’s episode “Witness Uganda and Ethical Foreign Aid.” So this week, we connect musical theatre to television, Witness Uganda to The Good Doctor.


Witness Uganda creator Griffin Matthews also emphasized the importance of international travel during last episode’s discussion. In this mini-episode, we also look to Rick Steves for his decades-worth of thoughts on how traveling is a political act and the greatest weapon against hate.


Watch The Good Doctor on ABC or Hulu.


Read “Rick Steves Wants to Set You Free” by Sam Anderson.


Listen to the full episode on “OSLO and the Israeli-Palestinian Conflict.”


Connect with your host!

Ruthiefierberg.com 

IG: @whywetheater / T: @whywetheater

IG: @ruthiefierceberg / T: @RuthiesATrain


Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther. 


Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.


Special thanks to Leigh Silverman, Suzanne Chipkin, Wesley Birdsall, Elena Mayer, Patrick Taylor, and Dori Berinstein. 

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 766 no WITNESS UGANDA and Ethical Foreign Aid https://broadwaypodcastnetwork.com/podcast/why-we-theater/ Powerhouse theatre-writing duo Matt Gould and Griffin Matthews join us to talk about their moving and personal musical, Witness Uganda (previously known as Invisible Thread when it premiered Off-Broadway at Second Stage Theatre). Inspired by couple’s separate real-life experiences traveling to Africa—specifically Griffin’s trip to Uganda—the story follows the character Griffin as he meets and tries to help five Ugandan teens, first by teaching them himself and then by sponsoring their education when he returns to New York. But is this the kind of help they want or need?  The musical asks many questions about altruism, public health, voluntourism, and the ethics of foreign aid. What does it look like to offer aid, particularly from the United States to a developing nation? Experts Afam Onyema of the GEANCO Foundation—which is simultaneously based in the U.S. and Nigeria (where it serves local Afridans)—and Ana Jimenez-Bautista, the director of Field Practice at Columbia University Mailman School of Public Health, join us for this fascinating conversation about what it really means to help and how we can offer assistance in the most useful ways. Create the change Ask how to serve, rather than offering what you think is needed. Challenge your ideas of what education looks like. Get a passport and travel! Support local businesses while traveling. 6 Ways to Travel More Responsibly Learn more about the ethics of international volunteering. When choosing a volunteer program, you *want* to see these words: collaboration, cultural sensitivity, cultural integration, reflection. Pick up a copy of The Volunteer Traveler’s Handbook at your local independent bookstore. Donate to the GEANCO Foundation, or get in touch to offer other ways to serve. Read about volunteering and voluntourism. Find responsible travel guides here. Avoid poverty tourism. Read this article about ending colonialism in global health. Referred to in this episode Witness Uganda, keep track of the musical and its developments The Wallis Annenberg Center for the Performing Arts in Los Angeles, CA Columbia University Mailman School of Public Health Department of Field Practice What is cultural competence? The Ibo tribe in Nigeria Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 28 Oct 2021 07:00:00 -0000 WITNESS UGANDA and Ethical Foreign Aid full 2 3 Broadway Podcast Network Powerhouse theatre-writing duo Matt Gould and Griffin Matthews join us to talk about their moving and personal musical, Witness Uganda (previously known as Invisible Thread when it premiered Off-Broadway at Second Stage Theatre). Powerhouse theatre-writing duo Matt Gould and Griffin Matthews join us to talk about their moving and personal musical, Witness Uganda (previously known as Invisible Thread when it premiered Off-Broadway at Second Stage Theatre). Inspired by couple’s separate real-life experiences traveling to Africa—specifically Griffin’s trip to Uganda—the story follows the character Griffin as he meets and tries to help five Ugandan teens, first by teaching them himself and then by sponsoring their education when he returns to New York. But is this the kind of help they want or need?  The musical asks many questions about altruism, public health, voluntourism, and the ethics of foreign aid. What does it look like to offer aid, particularly from the United States to a developing nation? Experts Afam Onyema of the GEANCO Foundation—which is simultaneously based in the U.S. and Nigeria (where it serves local Afridans)—and Ana Jimenez-Bautista, the director of Field Practice at Columbia University Mailman School of Public Health, join us for this fascinating conversation about what it really means to help and how we can offer assistance in the most useful ways. Create the change Ask how to serve, rather than offering what you think is needed. Challenge your ideas of what education looks like. Get a passport and travel! Support local businesses while traveling. 6 Ways to Travel More Responsibly Learn more about the ethics of international volunteering. When choosing a volunteer program, you *want* to see these words: collaboration, cultural sensitivity, cultural integration, reflection. Pick up a copy of The Volunteer Traveler’s Handbook at your local independent bookstore. Donate to the GEANCO Foundation, or get in touch to offer other ways to serve. Read about volunteering and voluntourism. Find responsible travel guides here. Avoid poverty tourism. Read this article about ending colonialism in global health. Referred to in this episode Witness Uganda, keep track of the musical and its developments The Wallis Annenberg Center for the Performing Arts in Los Angeles, CA Columbia University Mailman School of Public Health Department of Field Practice What is cultural competence? The Ibo tribe in Nigeria Learn more about your ad choices. Visit megaphone.fm/adchoices Powerhouse theatre-writing duo Matt Gould and Griffin Matthews join us to talk about their moving and personal musical, Witness Uganda (previously known as Invisible Thread when it premiered Off-Broadway at Second Stage Theatre). Inspired by couple’s separate real-life experiences traveling to Africa—specifically Griffin’s trip to Uganda—the story follows the character Griffin as he meets and tries to help five Ugandan teens, first by teaching them himself and then by sponsoring their education when he returns to New York. But is this the kind of help they want or need? 


The musical asks many questions about altruism, public health, voluntourism, and the ethics of foreign aid. What does it look like to offer aid, particularly from the United States to a developing nation? Experts Afam Onyema of the GEANCO Foundation—which is simultaneously based in the U.S. and Nigeria (where it serves local Afridans)—and Ana Jimenez-Bautista, the director of Field Practice at Columbia University Mailman School of Public Health, join us for this fascinating conversation about what it really means to help and how we can offer assistance in the most useful ways.



Create the change



Referred to in this episode

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 4119 no OSLO meets Raya and the Last Dragon https://broadwaypodcastnetwork.com/podcast/why-we-theater/ Disney’s animated movie RAYA AND THE LAST DRAGON (starring Awkwafina, Kelly Marie Tran, and more) resonates deeply on the themes we discussed last week in our episode “OSLO and the Israeli-Palestinian Conflict,” inspired by Broadway’s Tony Award-winning Best Play OSLO (now also an HBO film). In Season 2, host Ruthie Fierberg releases a main panel episode every other week. In the off weeks (like this week), she drops mini-episodes in which she recommends another piece of art that relates to the previous week’s topic in an effort to broaden our thinking and encourage the consumption of great stories. This week, Ruthie draws the connections between OSLO and Disney’s RAYA AND THE LAST DRAGON.  Watch Raya and the Last Dragon on Disney+. Listen to the full episode on “OSLO and the Israeli-Palestinian Conflict.” Connect with your host! Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther.  Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Special thanks to Leigh Silverman, Suzanne Chipkin, Wesley Birdsall, Elena Mayer, Patrick Taylor, and Dori Berinstein.  Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 21 Oct 2021 07:00:00 -0000 OSLO meets Raya and the Last Dragon full 2 2 Broadway Podcast Network Disney’s animated movie RAYA AND THE LAST DRAGON (starring Awkwafina, Kelly Marie Tran, and more) resonates deeply on the themes we discussed last week in our episode “OSLO and the Israeli-Palestinian Conflict,” inspired by Broadway’s Tony Award-winning Best Play OSLO (now also an HBO film). Disney’s animated movie RAYA AND THE LAST DRAGON (starring Awkwafina, Kelly Marie Tran, and more) resonates deeply on the themes we discussed last week in our episode “OSLO and the Israeli-Palestinian Conflict,” inspired by Broadway’s Tony Award-winning Best Play OSLO (now also an HBO film). In Season 2, host Ruthie Fierberg releases a main panel episode every other week. In the off weeks (like this week), she drops mini-episodes in which she recommends another piece of art that relates to the previous week’s topic in an effort to broaden our thinking and encourage the consumption of great stories. This week, Ruthie draws the connections between OSLO and Disney’s RAYA AND THE LAST DRAGON.  Watch Raya and the Last Dragon on Disney+. Listen to the full episode on “OSLO and the Israeli-Palestinian Conflict.” Connect with your host! Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther.  Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Special thanks to Leigh Silverman, Suzanne Chipkin, Wesley Birdsall, Elena Mayer, Patrick Taylor, and Dori Berinstein.  Learn more about your ad choices. Visit megaphone.fm/adchoices Disney’s animated movie RAYA AND THE LAST DRAGON (starring Awkwafina, Kelly Marie Tran, and more) resonates deeply on the themes we discussed last week in our episode “OSLO and the Israeli-Palestinian Conflict,” inspired by Broadway’s Tony Award-winning Best Play OSLO (now also an HBO film).


In Season 2, host Ruthie Fierberg releases a main panel episode every other week. In the off weeks (like this week), she drops mini-episodes in which she recommends another piece of art that relates to the previous week’s topic in an effort to broaden our thinking and encourage the consumption of great stories. This week, Ruthie draws the connections between OSLO and Disney’s RAYA AND THE LAST DRAGON. 


Watch Raya and the Last Dragon on Disney+.


Listen to the full episode on “OSLO and the Israeli-Palestinian Conflict.”


Connect with your host!

Ruthiefierberg.com 

IG: @whywetheater / T: @whywetheater

IG: @ruthiefierceberg / T: @RuthiesATrain


Why We Theater is a product of the Broadway Podcast Network produced by Alan Seales and edited by Derek Gunther. 


Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.


Special thanks to Leigh Silverman, Suzanne Chipkin, Wesley Birdsall, Elena Mayer, Patrick Taylor, and Dori Berinstein. 

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 845 no OSLO and the Israeli-Palestinian Conflict https://broadwaypodcastnetwork.com/podcast/why-we-theater/ The conflict between Israelis and Palestinians in the Middle East erupted yet again in May 2021. The violence and fight for land and rights goes back thousands of years, though the State of Israel was established in 1948. Meanwhile, thousands have lost their lives and more continue to suffer. It’s considered the unsolvable conflict. But is peace in the Middle East truly impossible?  Tony Award winner J.T. Rogers, experts Aziz Abu Sarah (National Geographic Explorer, TED Fellow, peace-builder) and Libby Lenkinski (New Israel Fund) and host Ruthie Fierberg discuss the approach to peace in the context of Rogers’ play and HBO film Oslo, how things have changed since Oslo Peace Accords, possible solutions, and, most importantly, how to ease the suffering of Israelis and Palestinians now.   Read the play here. Watch the film adaptation here. Create the change Listen to the new podcast “Groundwork”, a collaboration between the NIF and AMEP, to hear current stories from the region and activism on the ground. Take a MEDJI tour. Read Aziz’s book “Crossing Boundaries - A Traveler’s Guide To World Peace” Listen to accounts from the Parents Circle and donate. Seek out Combatants for Peace and donate. Watch this discussion between an Israeli woman and Palestinian woman, who each lost a child in the conflict. Understand the conflict history rather than choosing sides based on religion, ethnicity, or preconceived notions. Read stories from multiple perspectives.  From Palestinian authors: Palestinian Walks by Raja Shehadeh The 100 Years War on Palestine by Rashid Khalidi Salt Houses by Hala Alyan Justice for Some: Law and the Question of Palestine by Noura Erakat Memory For Forgetfulness by Mahmoud Darwish From Israeli authors: All the Rivers by Dorit Rabinyan The Art of Leaving by Ayelet Tsabari Sadness is a White Bird by Moriel Rothman The Wall and the Gate by Michael Sfard To the End of the Land by David Grossman From non-Israeli/non-Palestinian authors: Kingdoms of Olive and Ash edited by Michael Chabon and Ayelet Waldman Apiergon by Colum McCann Dinner at the Center of the Earth by Nathan Englander Can We Talk About Israel? by Daniel Sokatch (out October 19) About Our Guests: Ruthie Fierberg, Host Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain J.T. Rogers, playwright JTRogerswriter.com / Twitter: @stagewriter Aziz Abu Sarah, guest expert Azizabusarah.com / @AzizAbuSarah  Libby Lenkinski, guest expert NIF.org / @libbylenkinski Read full bios here. Referred to in this episode “Everything You Need to Know About Israel-Palestine” via Vox.com Map of present-day Israel Who are Yitzhak Rabin and Yasser Arafat? What were the Intifadas? New Israel Fund National Geographic’s “The Conflict Zone” video series hosted by Aziz Abu Sarah The Elders South Africa’s Freedom Charter Aziz’s run for Mayor of Jerusalem Palestine Walks by Raja Shehadeh Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 14 Oct 2021 07:00:00 -0000 OSLO and the Israeli-Palestinian Conflict full 2 1 Broadway Podcast Network Tony Award winner J.T. Rogers, experts Aziz Abu Sarah (National Geographic Explorer, TED Fellow, peace-builder) and Libby Lenkinski (New Israel Fund) and host Ruthie Fierberg discuss the approach to peace in the context of Rogers’ play and HBO film Oslo, how things have changed since Oslo (the play and the event it dramatizes that led to the Oslo Peace Accords), possible solutions, and, most importantly, how to ease the suffering of Israelis and Palestinians now. The conflict between Israelis and Palestinians in the Middle East erupted yet again in May 2021. The violence and fight for land and rights goes back thousands of years, though the State of Israel was established in 1948. Meanwhile, thousands have lost their lives and more continue to suffer. It’s considered the unsolvable conflict. But is peace in the Middle East truly impossible?  Tony Award winner J.T. Rogers, experts Aziz Abu Sarah (National Geographic Explorer, TED Fellow, peace-builder) and Libby Lenkinski (New Israel Fund) and host Ruthie Fierberg discuss the approach to peace in the context of Rogers’ play and HBO film Oslo, how things have changed since Oslo Peace Accords, possible solutions, and, most importantly, how to ease the suffering of Israelis and Palestinians now.   Read the play here. Watch the film adaptation here. Create the change Listen to the new podcast “Groundwork”, a collaboration between the NIF and AMEP, to hear current stories from the region and activism on the ground. Take a MEDJI tour. Read Aziz’s book “Crossing Boundaries - A Traveler’s Guide To World Peace” Listen to accounts from the Parents Circle and donate. Seek out Combatants for Peace and donate. Watch this discussion between an Israeli woman and Palestinian woman, who each lost a child in the conflict. Understand the conflict history rather than choosing sides based on religion, ethnicity, or preconceived notions. Read stories from multiple perspectives.  From Palestinian authors: Palestinian Walks by Raja Shehadeh The 100 Years War on Palestine by Rashid Khalidi Salt Houses by Hala Alyan Justice for Some: Law and the Question of Palestine by Noura Erakat Memory For Forgetfulness by Mahmoud Darwish From Israeli authors: All the Rivers by Dorit Rabinyan The Art of Leaving by Ayelet Tsabari Sadness is a White Bird by Moriel Rothman The Wall and the Gate by Michael Sfard To the End of the Land by David Grossman From non-Israeli/non-Palestinian authors: Kingdoms of Olive and Ash edited by Michael Chabon and Ayelet Waldman Apiergon by Colum McCann Dinner at the Center of the Earth by Nathan Englander Can We Talk About Israel? by Daniel Sokatch (out October 19) About Our Guests: Ruthie Fierberg, Host Ruthiefierberg.com  IG: @whywetheater / T: @whywetheater IG: @ruthiefierceberg / T: @RuthiesATrain J.T. Rogers, playwright JTRogerswriter.com / Twitter: @stagewriter Aziz Abu Sarah, guest expert Azizabusarah.com / @AzizAbuSarah  Libby Lenkinski, guest expert NIF.org / @libbylenkinski Read full bios here. Referred to in this episode “Everything You Need to Know About Israel-Palestine” via Vox.com Map of present-day Israel Who are Yitzhak Rabin and Yasser Arafat? What were the Intifadas? New Israel Fund National Geographic’s “The Conflict Zone” video series hosted by Aziz Abu Sarah The Elders South Africa’s Freedom Charter Aziz’s run for Mayor of Jerusalem Palestine Walks by Raja Shehadeh Learn more about your ad choices. Visit megaphone.fm/adchoices The conflict between Israelis and Palestinians in the Middle East erupted yet again in May 2021. The violence and fight for land and rights goes back thousands of years, though the State of Israel was established in 1948. Meanwhile, thousands have lost their lives and more continue to suffer. It’s considered the unsolvable conflict. But is peace in the Middle East truly impossible? 


Tony Award winner J.T. Rogers, experts Aziz Abu Sarah (National Geographic Explorer, TED Fellow, peace-builder) and Libby Lenkinski (New Israel Fund) and host Ruthie Fierberg discuss the approach to peace in the context of Rogers’ play and HBO film Oslo, how things have changed since Oslo Peace Accords, possible solutions, and, most importantly, how to ease the suffering of Israelis and Palestinians now.  


Read the play here.


Watch the film adaptation here.


Create the change

From Palestinian authors:

  • Palestinian Walks by Raja Shehadeh
  • The 100 Years War on Palestine by Rashid Khalidi
  • Salt Houses by Hala Alyan
  • Justice for Some: Law and the Question of Palestine by Noura Erakat
  • Memory For Forgetfulness by Mahmoud Darwish

From Israeli authors:

  • All the Rivers by Dorit Rabinyan
  • The Art of Leaving by Ayelet Tsabari
  • Sadness is a White Bird by Moriel Rothman
  • The Wall and the Gate by Michael Sfard
  • To the End of the Land by David Grossman

From non-Israeli/non-Palestinian authors:

  • Kingdoms of Olive and Ash edited by Michael Chabon and Ayelet Waldman
  • Apiergon by Colum McCann
  • Dinner at the Center of the Earth by Nathan Englander
  • Can We Talk About Israel? by Daniel Sokatch (out October 19)


About Our Guests:


Ruthie Fierberg, Host

Ruthiefierberg.com 

IG: @whywetheater / T: @whywetheater

IG: @ruthiefierceberg / T: @RuthiesATrain


J.T. Rogers, playwright

JTRogerswriter.com / Twitter: @stagewriter


Aziz Abu Sarah, guest expert

Azizabusarah.com / @AzizAbuSarah 


Libby Lenkinski, guest expert

NIF.org / @libbylenkinski


Read full bios here.


Referred to in this episode

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 6013 Bonus EP: Bringing Theater Back Post-COVID https://broadwaypodcastnetwork.com/podcast/why-we-theater/ The audio version of Ruthie’s acclaimed Medium article: “What It Will Take for New York Theater to Come Back as the Industry and Community It Professes to Be.” Originally published March 23, 2021, the article includes quotes from 13 major industry leaders (Amber Iman, Bonnie Comley, Brian Pavilonis, Brandon Michael Nase, Clint Ramos, Damian Bazadona, Eric Ulloa, Gregory Kirsopp, Jess Burns, Jessica Paz, Terry Byrne, Sammi Cannold, and more), statements from Actors Equity and The Broadway League, and oodles of research about how we get Broadway and Off-Broadway (and theater at large) better than it was pre-pandemic. Plus, this exclusive audio version includes an Epilogue on where we are now in July 2021. Learn more about your ad choices. Visit megaphone.fm/adchoices Mon, 19 Jul 2021 18:00:00 -0000 Bringing Theater Back Post-COVID bonus 1 12 Broadway Podcast Network The audio version of Ruthie’s acclaimed Medium article: “What It Will Take for New York Theater to Come Back as the Industry and Community It Professes to Be.” The audio version of Ruthie’s acclaimed Medium article: “What It Will Take for New York Theater to Come Back as the Industry and Community It Professes to Be.” Originally published March 23, 2021, the article includes quotes from 13 major industry leaders (Amber Iman, Bonnie Comley, Brian Pavilonis, Brandon Michael Nase, Clint Ramos, Damian Bazadona, Eric Ulloa, Gregory Kirsopp, Jess Burns, Jessica Paz, Terry Byrne, Sammi Cannold, and more), statements from Actors Equity and The Broadway League, and oodles of research about how we get Broadway and Off-Broadway (and theater at large) better than it was pre-pandemic. Plus, this exclusive audio version includes an Epilogue on where we are now in July 2021. Learn more about your ad choices. Visit megaphone.fm/adchoices The audio version of Ruthie’s acclaimed Medium article: “What It Will Take for New York Theater to Come Back as the Industry and Community It Professes to Be.” Originally published March 23, 2021, the article includes quotes from 13 major industry leaders (Amber Iman, Bonnie Comley, Brian Pavilonis, Brandon Michael Nase, Clint Ramos, Damian Bazadona, Eric Ulloa, Gregory Kirsopp, Jess Burns, Jessica Paz, Terry Byrne, Sammi Cannold, and more), statements from Actors Equity and The Broadway League, and oodles of research about how we get Broadway and Off-Broadway (and theater at large) better than it was pre-pandemic. Plus, this exclusive audio version includes an Epilogue on where we are now in July 2021.

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 3915 no Bonus EP: "In the Heights" Exclusive Interviews! https://broadwaypodcastnetwork.com/podcast/why-we-theater/ Our BPN Podcasters bring you exclusive interviews with cast and creatives from In the Heights, in theaters on June 11 2021. Watch the video version of this event here: https://youtu.be/py3YLSt8MSo. Interview 1: Daphne Rubin-Vega, interviewed by Salisha Thomas http://bpn.fm/bhbl Interview 2: Olga Merediz and Jimmy Smitts, interviewed by Dori Berinstein http://bpn.fm/ddb Interview 3: Quiara Alegría Hudes (screenwriter), interviewed by Jesse McAnally http://bpn.fm/mwc Interview 4: Scott Sanders (producer), interviewed by Ruthie Fierberg http://bpn.fm/wwt Interview 5: Gregory Diaz, interviewed by Eli Tokash http://bpn.fm/takeabow Interview 6: Melissa Barrera, Corey Hawkins and Leslie Grace, interviewed by Alan Seales http://bpn.fm/ttp Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 21 May 2021 07:00:00 -0000 Bonus EP: "In the Heights" Exclusive Interviews! bonus 1 11 Broadway Podcast Network Our BPN Podcasters bring you exclusive interviews with cast and creatives from In the Heights, in theaters on June 11 2021 Our BPN Podcasters bring you exclusive interviews with cast and creatives from In the Heights, in theaters on June 11 2021. Watch the video version of this event here: https://youtu.be/py3YLSt8MSo. Interview 1: Daphne Rubin-Vega, interviewed by Salisha Thomas http://bpn.fm/bhbl Interview 2: Olga Merediz and Jimmy Smitts, interviewed by Dori Berinstein http://bpn.fm/ddb Interview 3: Quiara Alegría Hudes (screenwriter), interviewed by Jesse McAnally http://bpn.fm/mwc Interview 4: Scott Sanders (producer), interviewed by Ruthie Fierberg http://bpn.fm/wwt Interview 5: Gregory Diaz, interviewed by Eli Tokash http://bpn.fm/takeabow Interview 6: Melissa Barrera, Corey Hawkins and Leslie Grace, interviewed by Alan Seales http://bpn.fm/ttp Learn more about your ad choices. Visit megaphone.fm/adchoices Our BPN Podcasters bring you exclusive interviews with cast and creatives from In the Heights, in theaters on June 11 2021. Watch the video version of this event here: https://youtu.be/py3YLSt8MSo.


Interview 1: Daphne Rubin-Vega, interviewed by Salisha Thomas

http://bpn.fm/bhbl


Interview 2: Olga Merediz and Jimmy Smitts, interviewed by Dori Berinstein

http://bpn.fm/ddb


Interview 3: Quiara Alegría Hudes (screenwriter), interviewed by Jesse McAnally

http://bpn.fm/mwc


Interview 4: Scott Sanders (producer), interviewed by Ruthie Fierberg

http://bpn.fm/wwt


Interview 5: Gregory Diaz, interviewed by Eli Tokash

http://bpn.fm/takeabow


Interview 6: Melissa Barrera, Corey Hawkins and Leslie Grace, interviewed by Alan Seales

http://bpn.fm/ttp

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 3494 Season 1 Finale: Save the Arts and Arts Education https://broadwaypodcastnetwork.com/podcast/why-we-theater/ What is the current state of theatre? Right now, the theatre industry and the pipeline to it (a.k.a. arts education) needs change. What can you do to save Broadway and hundreds of theatres around the country right now? What can you do to ensure artists can afford stay artists? Why is it necessary for every person to take classes in the arts? (Yes, there is research that says this is vital for everyone.) Where can you study the arts right now? It’s all here in this wrap-up of Season 1. Referred to in this episode 6 Facts That Show the True Importance of the Arts 22 Online Resources to Learn Performing Arts at Home Proposed Legislation to Support Those Struggling Due to COVID-19 Learn a new skill: Sight-reading music Circus arts Dialect   Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter. Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Our logo is by Christina Minopoli. See more at MinopoliDesign.com. Special thanks to Genesis Johnson, Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin. Connect with Ruthie! Sign up for her newsletter at RuthieFierberg.com/contact Instagram: @ruthiefierceberg Twitter: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 06 Nov 2020 00:35:00 -0000 Season 1 Finale: Save the Arts and Arts Education full 1 10 Broadway Podcast Network What is the current state of theatre? The theatre industry and the pipeline to it needs change. What is the current state of theatre? Right now, the theatre industry and the pipeline to it (a.k.a. arts education) needs change. What can you do to save Broadway and hundreds of theatres around the country right now? What can you do to ensure artists can afford stay artists? Why is it necessary for every person to take classes in the arts? (Yes, there is research that says this is vital for everyone.) Where can you study the arts right now? It’s all here in this wrap-up of Season 1. Referred to in this episode 6 Facts That Show the True Importance of the Arts 22 Online Resources to Learn Performing Arts at Home Proposed Legislation to Support Those Struggling Due to COVID-19 Learn a new skill: Sight-reading music Circus arts Dialect   Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter. Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Our logo is by Christina Minopoli. See more at MinopoliDesign.com. Special thanks to Genesis Johnson, Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin. Connect with Ruthie! Sign up for her newsletter at RuthieFierberg.com/contact Instagram: @ruthiefierceberg Twitter: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices What is the current state of theatre? Right now, the theatre industry and the pipeline to it (a.k.a. arts education) needs change. What can you do to save Broadway and hundreds of theatres around the country right now? What can you do to ensure artists can afford stay artists? Why is it necessary for every person to take classes in the arts? (Yes, there is research that says this is vital for everyone.) Where can you study the arts right now? It’s all here in this wrap-up of Season 1.


Referred to in this episode

 

Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales.


Follow us @whywetheater on Instagram & Twitter.


Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.


Our logo is by Christina Minopoli. See more at MinopoliDesign.com.


Special thanks to Genesis Johnson, Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin.


Connect with Ruthie!

Sign up for her newsletter at RuthieFierberg.com/contact

Instagram: @ruthiefierceberg

Twitter: @RuthiesATrain

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 1198 no THE PROM and LGBTQIA+ Rights and the Well-Being of Our Queer Youth https://broadwaypodcastnetwork.com/podcast/why-we-theater/ Broadway’s THE PROM takes center stage in this raw discussion about LGBTQIA+ teens and the discrimination they often face. After opening on Broadway in the fall of 2018, the musical comedy earned five Tony nominations, including Best Musical, and will debut on Netflix in a musical movie adaptation December 11, 2020. Inspired by true stories, THE PROM spotlights Emma, an Indiana teenager banned from her prom for wanting to take her girlfriend. When aging Broadway stars Dee Dee Allen and Barry Glickman find out (and their show closes due to bad reviews), they decide to rehab their images by becoming celebrity activists and taking up the cause of this “LGBQ-teen.” THE PROM illuminates the issue about acceptance and identity of LGTBQ+ folx, especially youth. Whether you are queer, the parent of a queer child, or a queer ally, this conversation will offer guidance about self-love, the importance of affirming LGBTQIA+ folx, and how we do that.  Tony nominees co-book writer Bob Martin and co-book writer and lyricist Chad Beguelin to talk about the ins and outs of writing THE PROM for Broadway and adapting it for the screen. Plus, policy leader and advocate Jennifer Driver and mental health counselor Isaac Archuleta guide us on healthy and safe practices and policies to aid self-discovery in LGBTQ+ youth; what we can all do to make kids feel safe and loved, to help parents of LGBTQ+ youth respond more healthfully to their kids, and schools and communities embrace kids of all orientations and identities; and policies we need to support to create lasting change for our youth and queer communities of all ages. Listen to the cast album here! Watch the Netflix movie here! Referred to in this episode: Prom discrimination stories from all 50 states Prom discrimination in Buffalo, NY; French Settlement, LA; Sullivan, IN The 2011 study Isaac mentions about sexual differentiation in development That WEST WING scene about biblical hypocrisy Amaze, video series to teach sex education at all ages The Trevor Project educational resources SIECUS Community Action Toolkit: A Guide to Advancing Sex Education in Your Community Facts about suicide in LGBTQIA+ youth Create the Change: If you or someone you know is at risk of harming themselves, call The Trevor Project hotline 1-866-488-7386 How to recognize risk factors of self-harm or suicide; read the simple guide on how to talk about suicide and prevent it If you or someone you know is struggling with their sexual orientation and/or gender identity, watch this Lifeguard Workshop from The Trevor Project Understand what it means to come out Advocate for affirmative counseling Find a mental health professional specializing in LGBTQIA+ affirmative counseling Bookmark this guide on being an ally to transgender, non-binary youth   Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter. Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Our logo is by Christina Minopoli. See more at MinopoliDesign.com. Special thanks to Genesis Johnson, Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin.   Connect with Ruthie! RuthieFierberg.com Instagram: @ruthiefierceberg Twitter: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices Sat, 17 Oct 2020 00:30:00 -0000 THE PROM and LGBTQIA+ Rights and the Well-Being of Our Queer Youth full 1 9 Broadway Podcast Network Broadway’s THE PROM takes center stage in this raw discussion about LGBTQIA+ teens and the discrimination they often face. Broadway’s THE PROM takes center stage in this raw discussion about LGBTQIA+ teens and the discrimination they often face. After opening on Broadway in the fall of 2018, the musical comedy earned five Tony nominations, including Best Musical, and will debut on Netflix in a musical movie adaptation December 11, 2020. Inspired by true stories, THE PROM spotlights Emma, an Indiana teenager banned from her prom for wanting to take her girlfriend. When aging Broadway stars Dee Dee Allen and Barry Glickman find out (and their show closes due to bad reviews), they decide to rehab their images by becoming celebrity activists and taking up the cause of this “LGBQ-teen.” THE PROM illuminates the issue about acceptance and identity of LGTBQ+ folx, especially youth. Whether you are queer, the parent of a queer child, or a queer ally, this conversation will offer guidance about self-love, the importance of affirming LGBTQIA+ folx, and how we do that.  Tony nominees co-book writer Bob Martin and co-book writer and lyricist Chad Beguelin to talk about the ins and outs of writing THE PROM for Broadway and adapting it for the screen. Plus, policy leader and advocate Jennifer Driver and mental health counselor Isaac Archuleta guide us on healthy and safe practices and policies to aid self-discovery in LGBTQ+ youth; what we can all do to make kids feel safe and loved, to help parents of LGBTQ+ youth respond more healthfully to their kids, and schools and communities embrace kids of all orientations and identities; and policies we need to support to create lasting change for our youth and queer communities of all ages. Listen to the cast album here! Watch the Netflix movie here! Referred to in this episode: Prom discrimination stories from all 50 states Prom discrimination in Buffalo, NY; French Settlement, LA; Sullivan, IN The 2011 study Isaac mentions about sexual differentiation in development That WEST WING scene about biblical hypocrisy Amaze, video series to teach sex education at all ages The Trevor Project educational resources SIECUS Community Action Toolkit: A Guide to Advancing Sex Education in Your Community Facts about suicide in LGBTQIA+ youth Create the Change: If you or someone you know is at risk of harming themselves, call The Trevor Project hotline 1-866-488-7386 How to recognize risk factors of self-harm or suicide; read the simple guide on how to talk about suicide and prevent it If you or someone you know is struggling with their sexual orientation and/or gender identity, watch this Lifeguard Workshop from The Trevor Project Understand what it means to come out Advocate for affirmative counseling Find a mental health professional specializing in LGBTQIA+ affirmative counseling Bookmark this guide on being an ally to transgender, non-binary youth   Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter. Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Our logo is by Christina Minopoli. See more at MinopoliDesign.com. Special thanks to Genesis Johnson, Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin.   Connect with Ruthie! RuthieFierberg.com Instagram: @ruthiefierceberg Twitter: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices Broadway’s THE PROM takes center stage in this raw discussion about LGBTQIA+ teens and the discrimination they often face. After opening on Broadway in the fall of 2018, the musical comedy earned five Tony nominations, including Best Musical, and will debut on Netflix in a musical movie adaptation December 11, 2020. Inspired by true stories, THE PROM spotlights Emma, an Indiana teenager banned from her prom for wanting to take her girlfriend. When aging Broadway stars Dee Dee Allen and Barry Glickman find out (and their show closes due to bad reviews), they decide to rehab their images by becoming celebrity activists and taking up the cause of this “LGBQ-teen.” THE PROM illuminates the issue about acceptance and identity of LGTBQ+ folx, especially youth. Whether you are queer, the parent of a queer child, or a queer ally, this conversation will offer guidance about self-love, the importance of affirming LGBTQIA+ folx, and how we do that. 


Tony nominees co-book writer Bob Martin and co-book writer and lyricist Chad Beguelin to talk about the ins and outs of writing THE PROM for Broadway and adapting it for the screen. Plus, policy leader and advocate Jennifer Driver and mental health counselor Isaac Archuleta guide us on healthy and safe practices and policies to aid self-discovery in LGBTQ+ youth; what we can all do to make kids feel safe and loved, to help parents of LGBTQ+ youth respond more healthfully to their kids, and schools and communities embrace kids of all orientations and identities; and policies we need to support to create lasting change for our youth and queer communities of all ages.


Listen to the cast album here!

Watch the Netflix movie here!



Referred to in this episode:


Create the Change:

 

Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales.


Follow us @whywetheater on Instagram & Twitter.


Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.


Our logo is by Christina Minopoli. See more at MinopoliDesign.com.


Special thanks to Genesis Johnson, Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin.

 

Connect with Ruthie!

RuthieFierberg.com

Instagram: @ruthiefierceberg

Twitter: @RuthiesATrain

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 5944 no IF I FORGET and American Jews, Anti-Semitism, and Tribalism https://broadwaypodcastnetwork.com/podcast/why-we-theater/ Steven Levenson (DEAR EVAN HANSEN Tony winner) talks about his Off-Broadway play IF I FORGET. Set in 2000, the play focuses on a Jewish family as three adult children (Holly, Michael, and Sharon) return to their parents’ house in Maryland for their father Lou’s 75th birthday. Michael is a Jewish Studies professor who recently wrote a book called “Forgetting the Holocaust” about how Judaism has become a religion haunted by death and ghosts – unified by fear and the phrase “never forget” rather than religious ideals or customs. With experts Rabbi Shuli Passow and scholar Judah Isseroff, we discuss American Jewish identity, the rise of anti-Semitism and how to combat it, Israel and Zionism, and trends of tribalism. If you’ve ever been curious about Judaism or Jewish identity, if you want to learn more about the Holocaust and its impact on Jews today, if you want to explore what all people can learn from the tribalism that caused the Holocaust, this episode is for you. You can watch IF I FORGET on BroadwayHD. Michael’s monologue, as performed by Tony Award nominee Jeremy Shamos, appears with the permission of Roundabout Theatre Company, which premiered IF I FORGET Off-Broadway in 2017, and Steven Levenson. Referred to in this episode “The Rise of Social Orthodoxy: A Personal Account” by Jay P. Lefkowitz “The Problem with ‘Social Orthodoxy’” by Joshua R. Fattal, a critical response to Lefkowitz “What is the Talmud? Definition and Comprehensive Guide”, Yehuda Shurpin Who is Theodore Herzl? Who is David Ben-Gurion? Who is Sheldon Adelson? Who is “Adolf Eichmann”? Who is Hannah Arendt Neveragain.com Anti-Defamation League: Fighting Hate for Good What is Jerusalem Syndrome”?   Create the change Learn more about Judaism — knowledge facilitates compassion with “Introduction to Judaism” OR “The Basics of Judaism” Name anti-Semitic incidents as such, report them, and speak out against them Use Ten Ways to Fight Hate: A Community Response Guide Learn about The New Israel Fund, which envisions a Jewish and democratic state Fight for justice guided by Jewish values with Jews for Racial and Economic Justice (JFREJ) Be aware of your own bias — it’s evolutionarily built in us to be tribal and we need to self-examine our thoughts and introduce dissenting viewpoints If you are Jewish and looking for ways to become involved: Choose a small tradition and incorporate that into your home, like lighting candles on Friday night for Shabat or saying the “Shema” before bed each night Take inspiration from B’nai Jeshurun’s The Jewish Home Project In COVID, many synagogues have moved services online; explore to find a place that feels right to you   Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter. Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Our logo is by Christina Minopoli. See more at MinopoliDesign.com. Special thanks to Genesis Johnson, Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin.   Connect with Ruthie! RuthieFierberg.com Instagram: @ruthiefierceberg Twitter: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 02 Oct 2020 04:00:00 -0000 IF I FORGET and American Jews, Anti-Semitism, and Tribalism full 1 8 Broadway Podcast Network Steven Levenson (DEAR EVAN HANSEN Tony winner) talks about his Off-Broadway play IF I FORGET. Steven Levenson (DEAR EVAN HANSEN Tony winner) talks about his Off-Broadway play IF I FORGET. Set in 2000, the play focuses on a Jewish family as three adult children (Holly, Michael, and Sharon) return to their parents’ house in Maryland for their father Lou’s 75th birthday. Michael is a Jewish Studies professor who recently wrote a book called “Forgetting the Holocaust” about how Judaism has become a religion haunted by death and ghosts – unified by fear and the phrase “never forget” rather than religious ideals or customs. With experts Rabbi Shuli Passow and scholar Judah Isseroff, we discuss American Jewish identity, the rise of anti-Semitism and how to combat it, Israel and Zionism, and trends of tribalism. If you’ve ever been curious about Judaism or Jewish identity, if you want to learn more about the Holocaust and its impact on Jews today, if you want to explore what all people can learn from the tribalism that caused the Holocaust, this episode is for you. You can watch IF I FORGET on BroadwayHD. Michael’s monologue, as performed by Tony Award nominee Jeremy Shamos, appears with the permission of Roundabout Theatre Company, which premiered IF I FORGET Off-Broadway in 2017, and Steven Levenson. Referred to in this episode “The Rise of Social Orthodoxy: A Personal Account” by Jay P. Lefkowitz “The Problem with ‘Social Orthodoxy’” by Joshua R. Fattal, a critical response to Lefkowitz “What is the Talmud? Definition and Comprehensive Guide”, Yehuda Shurpin Who is Theodore Herzl? Who is David Ben-Gurion? Who is Sheldon Adelson? Who is “Adolf Eichmann”? Who is Hannah Arendt Neveragain.com Anti-Defamation League: Fighting Hate for Good What is Jerusalem Syndrome”?   Create the change Learn more about Judaism — knowledge facilitates compassion with “Introduction to Judaism” OR “The Basics of Judaism” Name anti-Semitic incidents as such, report them, and speak out against them Use Ten Ways to Fight Hate: A Community Response Guide Learn about The New Israel Fund, which envisions a Jewish and democratic state Fight for justice guided by Jewish values with Jews for Racial and Economic Justice (JFREJ) Be aware of your own bias — it’s evolutionarily built in us to be tribal and we need to self-examine our thoughts and introduce dissenting viewpoints If you are Jewish and looking for ways to become involved: Choose a small tradition and incorporate that into your home, like lighting candles on Friday night for Shabat or saying the “Shema” before bed each night Take inspiration from B’nai Jeshurun’s The Jewish Home Project In COVID, many synagogues have moved services online; explore to find a place that feels right to you   Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter. Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Our logo is by Christina Minopoli. See more at MinopoliDesign.com. Special thanks to Genesis Johnson, Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin.   Connect with Ruthie! RuthieFierberg.com Instagram: @ruthiefierceberg Twitter: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices Steven Levenson (DEAR EVAN HANSEN Tony winner) talks about his Off-Broadway play IF I FORGET. Set in 2000, the play focuses on a Jewish family as three adult children (Holly, Michael, and Sharon) return to their parents’ house in Maryland for their father Lou’s 75th birthday. Michael is a Jewish Studies professor who recently wrote a book called “Forgetting the Holocaust” about how Judaism has become a religion haunted by death and ghosts – unified by fear and the phrase “never forget” rather than religious ideals or customs. With experts Rabbi Shuli Passow and scholar Judah Isseroff, we discuss American Jewish identity, the rise of anti-Semitism and how to combat it, Israel and Zionism, and trends of tribalism. If you’ve ever been curious about Judaism or Jewish identity, if you want to learn more about the Holocaust and its impact on Jews today, if you want to explore what all people can learn from the tribalism that caused the Holocaust, this episode is for you.


You can watch IF I FORGET on BroadwayHD.


Michael’s monologue, as performed by Tony Award nominee Jeremy Shamos, appears with the permission of Roundabout Theatre Company, which premiered IF I FORGET Off-Broadway in 2017, and Steven Levenson.


Referred to in this episode

 

Create the change

 

Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales.

Follow us @whywetheater on Instagram & Twitter.

Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.

Our logo is by Christina Minopoli. See more at MinopoliDesign.com.

Special thanks to Genesis Johnson, Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin.

 

Connect with Ruthie!

RuthieFierberg.com

Instagram: @ruthiefierceberg

Twitter: @RuthiesATrain

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 5046 Usual Girls and Femme Sex and Sexuality, Part Two https://broadwaypodcastnetwork.com/podcast/why-we-theater/ Ming Peiffer and our four experts return for more of the unfettered, vulnerable conversation about what it means to be femme and sexual, inspired by the play USUAL GIRLS. The drama premiered in 2018 at Roundabout Underground for an extended, sold-out run. Catalyzed by the allegations against American Apparel’s Dov Charney, playwright Peiffer began to investigate the stories of women and the milestones in the sexual maturation of girls in America that can lead to a fraught and vulnerable relationship to one’s own sexuality. Peiffer put the patriarchy, rape culture, sexism, misogyny, and racism on trial in her professional debut work. How do we navigate the male gaze? Are women and femmes ready to claim their own pleasure? What are the sexual scripts we live by and who writes them? How do we teach and exercise consent? What does a healthy sex education curriculum look like? What is sex-positivity and sex-normativity? Peiffer, host Ruthie Fierberg, and experts Dr. Tracie Gilbert, a sex educator, writer, researcher, and consultant with over 25 years experience, specializing in work with Black communities; Professor Lisa Speidel, assistant professor and general faculty in the Gender and Sexuality department at the University of Virginia, and editor of The Edge of Sex; Professor Celine Parrenas Shimizu, Director of the School of Cinema, member of the graduate faculty of Sexuality Studies at San Francisco State University, filmmaker, and author; and Justine Ang Fonte, a disruptor in health education and Director of Health and Wellness at an NYC K-12 school, gather to discuss everything from pleasure to self-discovery, recovering from violence to self-defense and all the coming-of-age in between. Referred to in this episode Meet Ericka Hart Consent outside of sex The stats on sexual assault and rape CDC’s 16 critical topics in high school sex ed Music video: WAP Create the change Read Pleasure Activism by Adrienne Maree Brown Check out K-12 sex education resources from Advocates for Youth How to teach consent to kids at every age Practice enthusiastic collaborative consent Learn to set safe sexual boundaries Lesson Plan: How to teach accurate reproductive anatomy and physiology to kids Explore your own pleasure at stores geared towards female pleasure like Babeland or The Smitten Kitten Learn to know thyself from Audre Lorde Watch the documentary On The Record   Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter. Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Our logo is by Christina Minopoli. See more at MinopoliDesign.com. Special thanks to Genesis Johnson, Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin. Connect with Ruthie! RuthieFierberg.com Instagram: @ruthiefierceberg Twitter: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 18 Sep 2020 04:41:00 -0000 Usual Girls and Femme Sex and Sexuality, Part Two full 1 7 Broadway Podcast Network Ming Peiffer and our four experts return for more of the unfettered, vulnerable conversation about what it means to be femme and sexual, inspired by the play USUAL GIRLS. Ming Peiffer and our four experts return for more of the unfettered, vulnerable conversation about what it means to be femme and sexual, inspired by the play USUAL GIRLS. The drama premiered in 2018 at Roundabout Underground for an extended, sold-out run. Catalyzed by the allegations against American Apparel’s Dov Charney, playwright Peiffer began to investigate the stories of women and the milestones in the sexual maturation of girls in America that can lead to a fraught and vulnerable relationship to one’s own sexuality. Peiffer put the patriarchy, rape culture, sexism, misogyny, and racism on trial in her professional debut work. How do we navigate the male gaze? Are women and femmes ready to claim their own pleasure? What are the sexual scripts we live by and who writes them? How do we teach and exercise consent? What does a healthy sex education curriculum look like? What is sex-positivity and sex-normativity? Peiffer, host Ruthie Fierberg, and experts Dr. Tracie Gilbert, a sex educator, writer, researcher, and consultant with over 25 years experience, specializing in work with Black communities; Professor Lisa Speidel, assistant professor and general faculty in the Gender and Sexuality department at the University of Virginia, and editor of The Edge of Sex; Professor Celine Parrenas Shimizu, Director of the School of Cinema, member of the graduate faculty of Sexuality Studies at San Francisco State University, filmmaker, and author; and Justine Ang Fonte, a disruptor in health education and Director of Health and Wellness at an NYC K-12 school, gather to discuss everything from pleasure to self-discovery, recovering from violence to self-defense and all the coming-of-age in between. Referred to in this episode Meet Ericka Hart Consent outside of sex The stats on sexual assault and rape CDC’s 16 critical topics in high school sex ed Music video: WAP Create the change Read Pleasure Activism by Adrienne Maree Brown Check out K-12 sex education resources from Advocates for Youth How to teach consent to kids at every age Practice enthusiastic collaborative consent Learn to set safe sexual boundaries Lesson Plan: How to teach accurate reproductive anatomy and physiology to kids Explore your own pleasure at stores geared towards female pleasure like Babeland or The Smitten Kitten Learn to know thyself from Audre Lorde Watch the documentary On The Record   Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter. Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Our logo is by Christina Minopoli. See more at MinopoliDesign.com. Special thanks to Genesis Johnson, Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin. Connect with Ruthie! RuthieFierberg.com Instagram: @ruthiefierceberg Twitter: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices Ming Peiffer and our four experts return for more of the unfettered, vulnerable conversation about what it means to be femme and sexual, inspired by the play USUAL GIRLS. The drama premiered in 2018 at Roundabout Underground for an extended, sold-out run. Catalyzed by the allegations against American Apparel’s Dov Charney, playwright Peiffer began to investigate the stories of women and the milestones in the sexual maturation of girls in America that can lead to a fraught and vulnerable relationship to one’s own sexuality. Peiffer put the patriarchy, rape culture, sexism, misogyny, and racism on trial in her professional debut work.


How do we navigate the male gaze? Are women and femmes ready to claim their own pleasure? What are the sexual scripts we live by and who writes them? How do we teach and exercise consent? What does a healthy sex education curriculum look like? What is sex-positivity and sex-normativity?


Peiffer, host Ruthie Fierberg, and experts Dr. Tracie Gilbert, a sex educator, writer, researcher, and consultant with over 25 years experience, specializing in work with Black communities; Professor Lisa Speidel, assistant professor and general faculty in the Gender and Sexuality department at the University of Virginia, and editor of The Edge of Sex; Professor Celine Parrenas Shimizu, Director of the School of Cinema, member of the graduate faculty of Sexuality Studies at San Francisco State University, filmmaker, and author; and Justine Ang Fonte, a disruptor in health education and Director of Health and Wellness at an NYC K-12 school, gather to discuss everything from pleasure to self-discovery, recovering from violence to self-defense and all the coming-of-age in between.


Referred to in this episode


Create the change

 

Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales.


Follow us @whywetheater on Instagram & Twitter.


Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.


Our logo is by Christina Minopoli. See more at MinopoliDesign.com.


Special thanks to Genesis Johnson, Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin.


Connect with Ruthie!

RuthieFierberg.com

Instagram: @ruthiefierceberg

Twitter: @RuthiesATrain

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 3992 Usual Girls and Femme Sex and Sexuality, Part One https://broadwaypodcastnetwork.com/podcast/why-we-theater/ The first of a critical two-part discussion, this episode focuses on Ming Peiffer’s USUAL GIRLS. The play premiered in 2018 at Roundabout Underground for an extended, sold-out run. Catalyzed by the allegations against American Apparel’s Dov Charney, playwright Peiffer began to investigate the stories of women and the milestones in the sexual maturation of girls in America that can lead to a fraught and vulnerable relationship to one’s own sexuality. Peiffer put the patriarchy, rape culture, sexism, misogyny, and racism on trial in her professional debut work. What does healthy sexual development look like? How can femmes claim (or reclaim) their own sexuality? Is it possible to shed the culturally imposed shame and guilt and adopt an outlook of pleasure? What should effective sex education teach and when? What sexual stereotypes do we impose upon different communities, be it Black, Latinx, Asian, and how do we counter them? What are the consequences of teaching abstinence-only, medically inaccurate, or emotionally devoid sex ed? Peiffer, host Ruthie Fierberg, and experts Dr. Tracie Gilbert, a sex educator, writer, researcher, and consultant with over 25 years experience, specializing in work with Black communities; Professor Lisa Speidel, assistant professor and general faculty in the Gender and Sexuality department at the University of Virginia, and editor of The Edge of Sex; Professor Celine Parrenas Shimizu, Director of the School of Cinema, member of the graduate faculty of Sexuality Studies at San Francisco State University, filmmaker, and author; and Justine Ang Fonte, a disruptor in health education and Director of Health and Wellness at an NYC K-12 school, gather to discuss everything from pleasure to self-discovery, recovering from violence to self-defense and all the coming-of-age in between. Referred to in this episode Kinsey Institute What is a “comfort woman”? Who gets the most right-swipes on dating apps? Sexual stereotypes of Black communities and Asian communities Lesson Plan: How to teach accurate reproductive anatomy and physiology to kids Only 15 of 50 states required to be medically accurate; and other sex ed laws What is rape culture? As explained by Marshall University or Buzzfeed Children’s Book: SEX IS A FUNNY WORD Music video: WAP   Create the change Check out K-12 sex education resources from Advocates for Youth How to teach consent to kids at every age Explore your own pleasure at stores geared towards female pleasure like Babeland or The Smitten Kitten Watch Justine Fonte’s “Story” Read Emily Nagoski’s Come As You Are Read Celine Parrenas Shimizu’s The Hypersexuality of Race: Performing Asian American Women on Screen and Scene Read Shimizu’s The Feminist Porn Book: The Politics of Producing Pleasure Read Lisa Spiedel’s The Edge of Sex: Navigating aa Sexually Confusing Culture From the Margins   Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter. Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Our logo is by Christina Minopoli. See more at MinopoliDesign.com. Special thanks to Genesis Johnson, Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin. Connect with Ruthie! RuthieFierberg.com Instagram: @ruthiefierceberg Twitter: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 11 Sep 2020 04:00:00 -0000 Usual Girls and Femme Sex and Sexuality, Part One full 1 6 Broadway Podcast Network The first of a critical two-part discussion, this episode focuses on Ming Peiffer’s USUAL GIRLS. The play premiered in 2018 at Roundabout Underground for an extended, sold-out run. The first of a critical two-part discussion, this episode focuses on Ming Peiffer’s USUAL GIRLS. The play premiered in 2018 at Roundabout Underground for an extended, sold-out run. Catalyzed by the allegations against American Apparel’s Dov Charney, playwright Peiffer began to investigate the stories of women and the milestones in the sexual maturation of girls in America that can lead to a fraught and vulnerable relationship to one’s own sexuality. Peiffer put the patriarchy, rape culture, sexism, misogyny, and racism on trial in her professional debut work. What does healthy sexual development look like? How can femmes claim (or reclaim) their own sexuality? Is it possible to shed the culturally imposed shame and guilt and adopt an outlook of pleasure? What should effective sex education teach and when? What sexual stereotypes do we impose upon different communities, be it Black, Latinx, Asian, and how do we counter them? What are the consequences of teaching abstinence-only, medically inaccurate, or emotionally devoid sex ed? Peiffer, host Ruthie Fierberg, and experts Dr. Tracie Gilbert, a sex educator, writer, researcher, and consultant with over 25 years experience, specializing in work with Black communities; Professor Lisa Speidel, assistant professor and general faculty in the Gender and Sexuality department at the University of Virginia, and editor of The Edge of Sex; Professor Celine Parrenas Shimizu, Director of the School of Cinema, member of the graduate faculty of Sexuality Studies at San Francisco State University, filmmaker, and author; and Justine Ang Fonte, a disruptor in health education and Director of Health and Wellness at an NYC K-12 school, gather to discuss everything from pleasure to self-discovery, recovering from violence to self-defense and all the coming-of-age in between. Referred to in this episode Kinsey Institute What is a “comfort woman”? Who gets the most right-swipes on dating apps? Sexual stereotypes of Black communities and Asian communities Lesson Plan: How to teach accurate reproductive anatomy and physiology to kids Only 15 of 50 states required to be medically accurate; and other sex ed laws What is rape culture? As explained by Marshall University or Buzzfeed Children’s Book: SEX IS A FUNNY WORD Music video: WAP   Create the change Check out K-12 sex education resources from Advocates for Youth How to teach consent to kids at every age Explore your own pleasure at stores geared towards female pleasure like Babeland or The Smitten Kitten Watch Justine Fonte’s “Story” Read Emily Nagoski’s Come As You Are Read Celine Parrenas Shimizu’s The Hypersexuality of Race: Performing Asian American Women on Screen and Scene Read Shimizu’s The Feminist Porn Book: The Politics of Producing Pleasure Read Lisa Spiedel’s The Edge of Sex: Navigating aa Sexually Confusing Culture From the Margins   Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter. Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Our logo is by Christina Minopoli. See more at MinopoliDesign.com. Special thanks to Genesis Johnson, Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin. Connect with Ruthie! RuthieFierberg.com Instagram: @ruthiefierceberg Twitter: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices The first of a critical two-part discussion, this episode focuses on Ming Peiffer’s USUAL GIRLS. The play premiered in 2018 at Roundabout Underground for an extended, sold-out run. Catalyzed by the allegations against American Apparel’s Dov Charney, playwright Peiffer began to investigate the stories of women and the milestones in the sexual maturation of girls in America that can lead to a fraught and vulnerable relationship to one’s own sexuality. Peiffer put the patriarchy, rape culture, sexism, misogyny, and racism on trial in her professional debut work.


What does healthy sexual development look like? How can femmes claim (or reclaim) their own sexuality? Is it possible to shed the culturally imposed shame and guilt and adopt an outlook of pleasure? What should effective sex education teach and when? What sexual stereotypes do we impose upon different communities, be it Black, Latinx, Asian, and how do we counter them? What are the consequences of teaching abstinence-only, medically inaccurate, or emotionally devoid sex ed? Peiffer, host Ruthie Fierberg, and experts Dr. Tracie Gilbert, a sex educator, writer, researcher, and consultant with over 25 years experience, specializing in work with Black communities; Professor Lisa Speidel, assistant professor and general faculty in the Gender and Sexuality department at the University of Virginia, and editor of The Edge of Sex; Professor Celine Parrenas Shimizu, Director of the School of Cinema, member of the graduate faculty of Sexuality Studies at San Francisco State University, filmmaker, and author; and Justine Ang Fonte, a disruptor in health education and Director of Health and Wellness at an NYC K-12 school, gather to discuss everything from pleasure to self-discovery, recovering from violence to self-defense and all the coming-of-age in between.


Referred to in this episode

 

Create the change

 

Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales.


Follow us @whywetheater on Instagram & Twitter.


Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.


Our logo is by Christina Minopoli. See more at MinopoliDesign.com.


Special thanks to Genesis Johnson, Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin.


Connect with Ruthie!

RuthieFierberg.com

Instagram: @ruthiefierceberg

Twitter: @RuthiesATrain

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 3841 Soft Power and Democracy, U.S.-China Relations, and Asian-American Culture https://broadwaypodcastnetwork.com/podcast/why-we-theater/ David Henry Hwang, three-time Pulitzer Prize finalist and Tony-winning playwright, and director Leigh Silverman join former policy director for Hillary Clinton’s 2016 campaign, and U.S. policymaker and now NSA Jake Sullivan and journalist, media consultant, author, and “Asian Pop” columnist for the San Francisco Chronicle Jeff Yang to discuss the musical-within-a-play SOFT POWER. The show illuminates the merits and pitfalls of democracy, the American electoral system, the American campaign system, U.S.-China relations, cultural appropriation, racism and hate crimes in America, soft power itself, and more. This episode of WHY WE THEATER focuses on democracy, voting rights, and appreciating Asian-American perspectives and culture. Is democracy the best system of government? How do we improve our electoral system now? What must we keep in mind for the November 2020 Presidential Election and beyond? What is soft power and how do we wield it responsibly? Do Americans have a say in how we interact with foreign nations? How? Listen to find out. Referred to in this episode What Donald Trump and Dick Cheney Got Wrong About America by Jake Sullivan The Citizens United Supreme Court Case What Is Ranked Choice Voting? From FairVote.org What is the Single Transferable Vote? Why Was the Electoral College Created? by Dave Roos Jeff Yang’s podcast “They Call Us Bruce” (co-hosted by Phil Yu) What is the “model minority” myth? Building the Transcontinental Railroad: How 20,000 Some Chinese Immigrants Made it Happen by Lesley Kennedy The history of Asian American for Equality and the Asian American Movement of the 1960s   Create the change Research and support Automatic Voter Registration Check your voter registration status and deadlines for registration by zip code Research your what’s on your ballot and who your candidates are Contact your representative to support voter rights – SUPER easy with 5calls.org Watch “We’re Doing Elections Wrong” from Patriot Act With Hasan Minhaj Read Jeff Yang’s Op-Ed “Mr. President, you don’t speak for Asian Americans” Check out this interactive timeline to understand the history of the U.S. and China’s relations Read Cathy Park Hong’s poetry and writings on her experience as an Asian American: Minor Feelings: An Asian American Reckoning Read Peter N. Kiang’s “Understanding Our Perceptions of Asian Americans” Stop hate against Asian Americans and Pacific Islanders Watch panels from the Rise: Asian Pacific America digital conference   Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter. Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Our logo is by Christina Minopoli. See more at MinopoliDesign.com. Special thanks to Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin. Connect with Ruthie! RuthieFierberg.com Instagram: @ruthiefierceberg Twitter: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 13 Aug 2020 15:38:00 -0000 Soft Power and Democracy, U.S.-China Relations, and Asian-American Culture full 1 5 Broadway Podcast Network David Henry Hwang, three-time Pulitzer Prize finalist and Tony-winning playwright, and director Leigh Silverman join former policy director for Hillary Clinton’s 2016 campaign, and U.S. policymaker and now NSA Jake Sullivan and journalist, media consultant, author, and “Asian Pop” columnist for the San Francisco Chronicle Jeff Yang to discuss the musical-within-a-play SOFT POWER. David Henry Hwang, three-time Pulitzer Prize finalist and Tony-winning playwright, and director Leigh Silverman join former policy director for Hillary Clinton’s 2016 campaign, and U.S. policymaker and now NSA Jake Sullivan and journalist, media consultant, author, and “Asian Pop” columnist for the San Francisco Chronicle Jeff Yang to discuss the musical-within-a-play SOFT POWER. The show illuminates the merits and pitfalls of democracy, the American electoral system, the American campaign system, U.S.-China relations, cultural appropriation, racism and hate crimes in America, soft power itself, and more. This episode of WHY WE THEATER focuses on democracy, voting rights, and appreciating Asian-American perspectives and culture. Is democracy the best system of government? How do we improve our electoral system now? What must we keep in mind for the November 2020 Presidential Election and beyond? What is soft power and how do we wield it responsibly? Do Americans have a say in how we interact with foreign nations? How? Listen to find out. Referred to in this episode What Donald Trump and Dick Cheney Got Wrong About America by Jake Sullivan The Citizens United Supreme Court Case What Is Ranked Choice Voting? From FairVote.org What is the Single Transferable Vote? Why Was the Electoral College Created? by Dave Roos Jeff Yang’s podcast “They Call Us Bruce” (co-hosted by Phil Yu) What is the “model minority” myth? Building the Transcontinental Railroad: How 20,000 Some Chinese Immigrants Made it Happen by Lesley Kennedy The history of Asian American for Equality and the Asian American Movement of the 1960s   Create the change Research and support Automatic Voter Registration Check your voter registration status and deadlines for registration by zip code Research your what’s on your ballot and who your candidates are Contact your representative to support voter rights – SUPER easy with 5calls.org Watch “We’re Doing Elections Wrong” from Patriot Act With Hasan Minhaj Read Jeff Yang’s Op-Ed “Mr. President, you don’t speak for Asian Americans” Check out this interactive timeline to understand the history of the U.S. and China’s relations Read Cathy Park Hong’s poetry and writings on her experience as an Asian American: Minor Feelings: An Asian American Reckoning Read Peter N. Kiang’s “Understanding Our Perceptions of Asian Americans” Stop hate against Asian Americans and Pacific Islanders Watch panels from the Rise: Asian Pacific America digital conference   Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter. Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Our logo is by Christina Minopoli. See more at MinopoliDesign.com. Special thanks to Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin. Connect with Ruthie! RuthieFierberg.com Instagram: @ruthiefierceberg Twitter: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices David Henry Hwang, three-time Pulitzer Prize finalist and Tony-winning playwright, and director Leigh Silverman join former policy director for Hillary Clinton’s 2016 campaign, and U.S. policymaker and now NSA Jake Sullivan and journalist, media consultant, author, and “Asian Pop” columnist for the San Francisco Chronicle Jeff Yang to discuss the musical-within-a-play SOFT POWER. The show illuminates the merits and pitfalls of democracy, the American electoral system, the American campaign system, U.S.-China relations, cultural appropriation, racism and hate crimes in America, soft power itself, and more.


This episode of WHY WE THEATER focuses on democracy, voting rights, and appreciating Asian-American perspectives and culture. Is democracy the best system of government? How do we improve our electoral system now? What must we keep in mind for the November 2020 Presidential Election and beyond? What is soft power and how do we wield it responsibly? Do Americans have a say in how we interact with foreign nations? How? Listen to find out.


Referred to in this episode

 

Create the change

 

Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales.


Follow us @whywetheater on Instagram & Twitter.


Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.


Our logo is by Christina Minopoli. See more at MinopoliDesign.com.


Special thanks to Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin.


Connect with Ruthie!

RuthieFierberg.com

Instagram: @ruthiefierceberg

Twitter: @RuthiesATrain

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 5245 no Pipeline and Education Inequity and the School-to-Prison Pipeline https://broadwaypodcastnetwork.com/podcast/why-we-theater/ Tony nominee Dominique Morisseau (TV’s SHAMELESS, AIN’T TOO PROUD) discusses her groundbreaking play PIPELINE, named for the national crisis of the school-to-prison pipeline. The play follows, Omari, a Black high school student at a predominantly white prep school and his single mother, Nya, who teaches at the district public school. When Omari attacks his teacher in class, Nya’s fears for her son and his future push her to the edge and force audiences to question who is truly at fault. How and why did the school-to-prison pipeline begin? What problems does education inequity and inequality cause? How do we make education more equitable—across public and private institutions? How do we train teachers of all races to relate to students of all races? What is “culturally responsive education” and how can it improve our education crisis? How does this connect to Black Lives Matter, George Floyd, Michael Brown, Tamir Rice, Trayvon Martin, Breonna Taylor, and too many more? Listen to this fascinating and urgent discussion with playwright Morisseau and education experts Tyree Booker of Camelot Education and Matt Gonzales of NYU’s Metro Center. Purchase the play here. Referred to in this episode Watch PIPELINE now on BroadwayHD. (Option for free trial for new users.) Michael Brown’s murder in Ferguson, MO (Read up until “The Law” section, which sources speculative opinions) THE NEW JIM CROW by Michelle Alexander ACLU: “School-to-Prison Pipeline” Metropolitan Center for Research on Equity & the Transformation of Schools, where Gonzales works on education research and policy Camelot Education, where Booker serves as an Executive Director Morisseau’s op-ed “Why I Almost Slapped a Fellow Theatre Patron, and What That Says About Our Theatres” What is “Culturally Responsive Education”? NATIVE SON by Richard Wright – Buy it from your local Black-owned independent bookstore; find stores here or here. Hear poet Gwendolyn Brooks read her “We Real Cool” Key and Peele’s “If We Treated Teachers Like Pro Athletes” U.S. Department of Education School Discipline Snapshot 2017-2018 School Survey on Crime and Safey “Racial Disparity in School Discipline” Infographic   Create the change Stand up for Black lives Find one-page education reform resources at the EJ-ROC Policy Hub Read JUST MERCY by Bryan Stevenson; FIERCE CONVERSATIONS by Susan Scott; WHO MOVED MY CHEESE? By Spencer Johnson; THE MISEDUCATION OF THE NEGRO by Carter G. Woodson (Buy from a Black-owned independent bookstore; find stores here or here.) Follow @integratenyc @CEJNYC @TeensTakeCharge @AQE_NY @CACF Read i3’s (Integration and Innovation Initiative) plan to integrate NYC schools, take their cues to adapt the policies for your school district Learn what “defund the police” means Elect Board of Education reps who: Support universal early childhood education Advocate for culturally responsive-sustaining education Will divest from school policing Will decriminalize student behavior Will develop “sanctuary school” models to make school a space safe from police and ICE agents Provide a model for family engagement in education Opt for counseling and progressive discipline Reach out to and collaborate with the Anti-Racist Initiatve at NYU’s Metro Center   Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter. Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Our logo is by Christina Minopoli. See more at MinopoliDesign.com. Special thanks to Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin. Connect with Ruthie! RuthieFierberg.com Instagram: @ruthiefierceberg Twitter: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 07 Aug 2020 04:15:00 -0000 Pipeline and Education Inequity and the School-to-Prison Pipeline full 1 4 Broadway Podcast Network Tony nominee Dominique Morisseau (TV’s SHAMELESS, AIN’T TOO PROUD) discusses her groundbreaking play PIPELINE, named for the national crisis of the school-to-prison pipeline. Tony nominee Dominique Morisseau (TV’s SHAMELESS, AIN’T TOO PROUD) discusses her groundbreaking play PIPELINE, named for the national crisis of the school-to-prison pipeline. The play follows, Omari, a Black high school student at a predominantly white prep school and his single mother, Nya, who teaches at the district public school. When Omari attacks his teacher in class, Nya’s fears for her son and his future push her to the edge and force audiences to question who is truly at fault. How and why did the school-to-prison pipeline begin? What problems does education inequity and inequality cause? How do we make education more equitable—across public and private institutions? How do we train teachers of all races to relate to students of all races? What is “culturally responsive education” and how can it improve our education crisis? How does this connect to Black Lives Matter, George Floyd, Michael Brown, Tamir Rice, Trayvon Martin, Breonna Taylor, and too many more? Listen to this fascinating and urgent discussion with playwright Morisseau and education experts Tyree Booker of Camelot Education and Matt Gonzales of NYU’s Metro Center. Purchase the play here. Referred to in this episode Watch PIPELINE now on BroadwayHD. (Option for free trial for new users.) Michael Brown’s murder in Ferguson, MO (Read up until “The Law” section, which sources speculative opinions) THE NEW JIM CROW by Michelle Alexander ACLU: “School-to-Prison Pipeline” Metropolitan Center for Research on Equity & the Transformation of Schools, where Gonzales works on education research and policy Camelot Education, where Booker serves as an Executive Director Morisseau’s op-ed “Why I Almost Slapped a Fellow Theatre Patron, and What That Says About Our Theatres” What is “Culturally Responsive Education”? NATIVE SON by Richard Wright – Buy it from your local Black-owned independent bookstore; find stores here or here. Hear poet Gwendolyn Brooks read her “We Real Cool” Key and Peele’s “If We Treated Teachers Like Pro Athletes” U.S. Department of Education School Discipline Snapshot 2017-2018 School Survey on Crime and Safey “Racial Disparity in School Discipline” Infographic   Create the change Stand up for Black lives Find one-page education reform resources at the EJ-ROC Policy Hub Read JUST MERCY by Bryan Stevenson; FIERCE CONVERSATIONS by Susan Scott; WHO MOVED MY CHEESE? By Spencer Johnson; THE MISEDUCATION OF THE NEGRO by Carter G. Woodson (Buy from a Black-owned independent bookstore; find stores here or here.) Follow @integratenyc @CEJNYC @TeensTakeCharge @AQE_NY @CACF Read i3’s (Integration and Innovation Initiative) plan to integrate NYC schools, take their cues to adapt the policies for your school district Learn what “defund the police” means Elect Board of Education reps who: Support universal early childhood education Advocate for culturally responsive-sustaining education Will divest from school policing Will decriminalize student behavior Will develop “sanctuary school” models to make school a space safe from police and ICE agents Provide a model for family engagement in education Opt for counseling and progressive discipline Reach out to and collaborate with the Anti-Racist Initiatve at NYU’s Metro Center   Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter. Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Our logo is by Christina Minopoli. See more at MinopoliDesign.com. Special thanks to Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin. Connect with Ruthie! RuthieFierberg.com Instagram: @ruthiefierceberg Twitter: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices Tony nominee Dominique Morisseau (TV’s SHAMELESS, AIN’T TOO PROUD) discusses her groundbreaking play PIPELINE, named for the national crisis of the school-to-prison pipeline. The play follows, Omari, a Black high school student at a predominantly white prep school and his single mother, Nya, who teaches at the district public school. When Omari attacks his teacher in class, Nya’s fears for her son and his future push her to the edge and force audiences to question who is truly at fault.

How and why did the school-to-prison pipeline begin? What problems does education inequity and inequality cause? How do we make education more equitable—across public and private institutions? How do we train teachers of all races to relate to students of all races? What is “culturally responsive education” and how can it improve our education crisis? How does this connect to Black Lives Matter, George Floyd, Michael Brown, Tamir Rice, Trayvon Martin, Breonna Taylor, and too many more? Listen to this fascinating and urgent discussion with playwright Morisseau and education experts Tyree Booker of Camelot Education and Matt Gonzales of NYU’s Metro Center.


Purchase the play here.


Referred to in this episode

 

Create the change

 

Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales.


Follow us @whywetheater on Instagram & Twitter.


Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.


Our logo is by Christina Minopoli. See more at MinopoliDesign.com.


Special thanks to Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin.


Connect with Ruthie!

RuthieFierberg.com

Instagram: @ruthiefierceberg

Twitter: @RuthiesATrain

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 6226 The Lifespan of a Fact and Truth in Journalism https://broadwaypodcastnetwork.com/podcast/why-we-theater/ Ira Glass, Tony nominee Leigh Silverman, and Barbara Brandon-Croft debate fake news and more, inspired by Broadway’s THE LIFESPAN OF A FACT. Based on the book of the same name, THE LIFESPAN OF A FACT opened cold on Broadway at Studio 54 October 18, 2018, and immediately illuminated issues of journalistic integrity, art versus media, and what the word “truth” actually means. Jim Fingal is an intern at a literary magazine assigned to factcheck an essay by John D’Agata—the kind of piece that, according to editor-in-chief Emily Penrose could be “meaningful” and “pushes the envelope.” Inspired by Jim, John, and their real-life negotiation, the story follows Jim as he investigates every checkable fact in John’s article (excuse me, “essay”) as John fights to preserve the art of the story and the essence of truth. But are truth and facts the same? What about news and storytelling? Should there be a difference? When should a writer’s perspective surface, if ever? What facts are negotiable, if any? How do you know? In this episode, host Ruthie Fierberg digs into the origins of the play with Leigh Silverman—yielding a surprise twist—before opening up the discussion about facts and their negotiability, or lack thereof, with renowned content creator Ira Glass of THIS AMERICAN LIFE who says facts are black-and-white and Barbara Brandon-Croft, a fact-checker and research director at Parents magazine, who says situations like those portrayed in Lifespan are all too familiar. In the end, these artists and experts advise us all on how to consume reliable media and how to hold journalists and their outlets to ethical standards. Purchase the play here. Referred to in this episode John D’Agata’s story “What Happens Here” that inspired the book THE LIFESPAN OF A FACT, which inspired the play The July 25, 2008, episode of This American Life “Switched at Birth” The January 6, 20120, episode of This American Life “Mr. Daisey and the Apple Factory” and its subsequent retraction, titled “Retraction” released March 16, 2012 Read Ira’s 2012 letter about the retraction here Study: Distinguishing Between Factual and Opinion Statements in the News (How well can Americans tell the difference?) Quiz: How well can you tell factual from opinion statements?   Create the change Take the quiz to see if you know the difference between fact and opinion statements Learn the difference between fact and opinion statements with this one-sheet Dive deeper with this lesson plan from The Guardian Support your local radio station or local television news station Find your local radio station in one click Watch Hasan Minhaj explain the importance of local news on PATRIOT ACT Check the masthead (akin to a staff directory) of your magazines. Look for a “Research Director” or “Head of Research” and/or “Fact-checkers” on the EDITORIAL staff (NOT the Marketing/Sales/Publishing staff). Stay aware. Always check your sources. (Wikipedia is not a reliable source—though it may lead you to one.) Examples of reliable sources: government agencies, studies from a journal of repute, doctors and lawyers in their area of specialty, Nielsen and Pew Research Center   Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter. Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Our logo is by Christina Minopoli. See more at MinopoliDesign.com. Special thanks to Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin. Connect with Ruthie! RuthieFierberg.com Instagram: @ruthiefierceberg Twitter: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 30 Jul 2020 03:58:00 -0000 The Lifespan of a Fact and Truth in Journalism full 1 3 Broadway Podcast Network Ira Glass (THIS AMERICAN LIFE), Tony nominee Leigh Silverman, and Barbara Brandon-Croft debate fake news and more, inspired by Broadway’s THE LIFESPAN OF A FACT. Ira Glass, Tony nominee Leigh Silverman, and Barbara Brandon-Croft debate fake news and more, inspired by Broadway’s THE LIFESPAN OF A FACT. Based on the book of the same name, THE LIFESPAN OF A FACT opened cold on Broadway at Studio 54 October 18, 2018, and immediately illuminated issues of journalistic integrity, art versus media, and what the word “truth” actually means. Jim Fingal is an intern at a literary magazine assigned to factcheck an essay by John D’Agata—the kind of piece that, according to editor-in-chief Emily Penrose could be “meaningful” and “pushes the envelope.” Inspired by Jim, John, and their real-life negotiation, the story follows Jim as he investigates every checkable fact in John’s article (excuse me, “essay”) as John fights to preserve the art of the story and the essence of truth. But are truth and facts the same? What about news and storytelling? Should there be a difference? When should a writer’s perspective surface, if ever? What facts are negotiable, if any? How do you know? In this episode, host Ruthie Fierberg digs into the origins of the play with Leigh Silverman—yielding a surprise twist—before opening up the discussion about facts and their negotiability, or lack thereof, with renowned content creator Ira Glass of THIS AMERICAN LIFE who says facts are black-and-white and Barbara Brandon-Croft, a fact-checker and research director at Parents magazine, who says situations like those portrayed in Lifespan are all too familiar. In the end, these artists and experts advise us all on how to consume reliable media and how to hold journalists and their outlets to ethical standards. Purchase the play here. Referred to in this episode John D’Agata’s story “What Happens Here” that inspired the book THE LIFESPAN OF A FACT, which inspired the play The July 25, 2008, episode of This American Life “Switched at Birth” The January 6, 20120, episode of This American Life “Mr. Daisey and the Apple Factory” and its subsequent retraction, titled “Retraction” released March 16, 2012 Read Ira’s 2012 letter about the retraction here Study: Distinguishing Between Factual and Opinion Statements in the News (How well can Americans tell the difference?) Quiz: How well can you tell factual from opinion statements?   Create the change Take the quiz to see if you know the difference between fact and opinion statements Learn the difference between fact and opinion statements with this one-sheet Dive deeper with this lesson plan from The Guardian Support your local radio station or local television news station Find your local radio station in one click Watch Hasan Minhaj explain the importance of local news on PATRIOT ACT Check the masthead (akin to a staff directory) of your magazines. Look for a “Research Director” or “Head of Research” and/or “Fact-checkers” on the EDITORIAL staff (NOT the Marketing/Sales/Publishing staff). Stay aware. Always check your sources. (Wikipedia is not a reliable source—though it may lead you to one.) Examples of reliable sources: government agencies, studies from a journal of repute, doctors and lawyers in their area of specialty, Nielsen and Pew Research Center   Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter. Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Our logo is by Christina Minopoli. See more at MinopoliDesign.com. Special thanks to Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin. Connect with Ruthie! RuthieFierberg.com Instagram: @ruthiefierceberg Twitter: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices Ira Glass, Tony nominee Leigh Silverman, and Barbara Brandon-Croft debate fake news and more, inspired by Broadway’s THE LIFESPAN OF A FACT. Based on the book of the same name, THE LIFESPAN OF A FACT opened cold on Broadway at Studio 54 October 18, 2018, and immediately illuminated issues of journalistic integrity, art versus media, and what the word “truth” actually means. Jim Fingal is an intern at a literary magazine assigned to factcheck an essay by John D’Agata—the kind of piece that, according to editor-in-chief Emily Penrose could be “meaningful” and “pushes the envelope.” Inspired by Jim, John, and their real-life negotiation, the story follows Jim as he investigates every checkable fact in John’s article (excuse me, “essay”) as John fights to preserve the art of the story and the essence of truth.


But are truth and facts the same? What about news and storytelling? Should there be a difference? When should a writer’s perspective surface, if ever? What facts are negotiable, if any? How do you know? In this episode, host Ruthie Fierberg digs into the origins of the play with Leigh Silverman—yielding a surprise twist—before opening up the discussion about facts and their negotiability, or lack thereof, with renowned content creator Ira Glass of THIS AMERICAN LIFE who says facts are black-and-white and Barbara Brandon-Croft, a fact-checker and research director at Parents magazine, who says situations like those portrayed in Lifespan are all too familiar. In the end, these artists and experts advise us all on how to consume reliable media and how to hold journalists and their outlets to ethical standards.


Purchase the play here.


Referred to in this episode

 

Create the change

  • Take the quiz to see if you know the difference between fact and opinion statements
  • Learn the difference between fact and opinion statements with this one-sheet
  • Dive deeper with this lesson plan from The Guardian
  • Support your local radio station or local television news station
  • Find your local radio station in one click
  • Watch Hasan Minhaj explain the importance of local news on PATRIOT ACT
  • Check the masthead (akin to a staff directory) of your magazines. Look for a “Research Director” or “Head of Research” and/or “Fact-checkers” on the EDITORIAL staff (NOT the Marketing/Sales/Publishing staff).
  • Stay aware. Always check your sources. (Wikipedia is not a reliable source—though it may lead you to one.)
  • Examples of reliable sources: government agencies, studies from a journal of repute, doctors and lawyers in their area of specialty, Nielsen and Pew Research Center

 

Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter.

Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.

Our logo is by Christina Minopoli. See more at MinopoliDesign.com.

Special thanks to Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin.

Connect with Ruthie!

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 4829 Octet and Internet Addiction https://broadwaypodcastnetwork.com/podcast/why-we-theater/ Before Netflix’s THE SOCIAL DILEMMA, the 2019 musical OCTET tackled the harsh reality and trajectory of digital technology addiction and social media. Written by Dave Malloy (THE GREAT COMET) and directed by Annie Tippe, the a cappella chamber musical debuted Off-Broadway at the Signature Theatre Center and earned eight Drama Desk Award nominations. Staged as a sort-of AA meeting for tech addicts, each song serves as a share about a different manifestation of tech addiction. Are we all addicted to tech? How dangerous is it? Or, is it not necessarily the tools, but how we use them that can lead us to breakthroughs or breakdowns? Host Ruthie Fierberg delves into the origins of the musical and its roots in research with Tippe before opening up the discussion to three experts. Dr. Mary Helen Immordino-Yang offers the facts about technology’s effects on our brains and socialization; Dr. Hilarie Cash, who treats internet addiction, advises how to recognize true addiction and gives tips to establish a healthy media diet; and software engineer Daphne Larose proposes a new path for responsible tech development and the beneficial uses of software, the Internet, and games. Listen to the live album of OCTET here. Referred to in this episode Listen to the OCTET live album What are QAnon and 4chan? Research from Dr. Mary Helen Immordino-Yang Create the Change Go grayscale Turn off push notifications Never watch the next recommended video; choose your own content Check out the Center for Humane Technology Unplug: Go tech-free one day per week, one weekend per month, one week per year For educators read: The Brain Basis for Integrated Social, Emotional, and Academic Development Hold tech companies accountable If you feel concerned that you may have a more severe problem with digital technology, seek additional help. Substance Abuse and Mental Health Services Administration (SAMSHA) is a free national helpline for recovery resources and referrals; 1-800-622-HELP Find a therapist who specializes in Internet Addiction with this tool Consider treatment at reSTART Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter. Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Our logo is by Christina Minopoli. See more at MinopoliDesign.com. Special thanks to Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin. Connect with Ruthie! RuthieFierberg.com Instagram: @ruthiefierceberg Twitter: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 23 Jul 2020 04:00:00 -0000 Octet and Internet Addiction full 1 2 Broadway Podcast Network Learn how to combat internet and digital technology, inspired by the 2019 musical OCTET. Before Netflix’s THE SOCIAL DILEMMA, the 2019 musical OCTET tackled the harsh reality and trajectory of digital technology addiction and social media. Written by Dave Malloy (THE GREAT COMET) and directed by Annie Tippe, the a cappella chamber musical debuted Off-Broadway at the Signature Theatre Center and earned eight Drama Desk Award nominations. Staged as a sort-of AA meeting for tech addicts, each song serves as a share about a different manifestation of tech addiction. Are we all addicted to tech? How dangerous is it? Or, is it not necessarily the tools, but how we use them that can lead us to breakthroughs or breakdowns? Host Ruthie Fierberg delves into the origins of the musical and its roots in research with Tippe before opening up the discussion to three experts. Dr. Mary Helen Immordino-Yang offers the facts about technology’s effects on our brains and socialization; Dr. Hilarie Cash, who treats internet addiction, advises how to recognize true addiction and gives tips to establish a healthy media diet; and software engineer Daphne Larose proposes a new path for responsible tech development and the beneficial uses of software, the Internet, and games. Listen to the live album of OCTET here. Referred to in this episode Listen to the OCTET live album What are QAnon and 4chan? Research from Dr. Mary Helen Immordino-Yang Create the Change Go grayscale Turn off push notifications Never watch the next recommended video; choose your own content Check out the Center for Humane Technology Unplug: Go tech-free one day per week, one weekend per month, one week per year For educators read: The Brain Basis for Integrated Social, Emotional, and Academic Development Hold tech companies accountable If you feel concerned that you may have a more severe problem with digital technology, seek additional help. Substance Abuse and Mental Health Services Administration (SAMSHA) is a free national helpline for recovery resources and referrals; 1-800-622-HELP Find a therapist who specializes in Internet Addiction with this tool Consider treatment at reSTART Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter. Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Our logo is by Christina Minopoli. See more at MinopoliDesign.com. Special thanks to Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin. Connect with Ruthie! RuthieFierberg.com Instagram: @ruthiefierceberg Twitter: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices Before Netflix’s THE SOCIAL DILEMMA, the 2019 musical OCTET tackled the harsh reality and trajectory of digital technology addiction and social media. Written by Dave Malloy (THE GREAT COMET) and directed by Annie Tippe, the a cappella chamber musical debuted Off-Broadway at the Signature Theatre Center and earned eight Drama Desk Award nominations. Staged as a sort-of AA meeting for tech addicts, each song serves as a share about a different manifestation of tech addiction.

Are we all addicted to tech? How dangerous is it? Or, is it not necessarily the tools, but how we use them that can lead us to breakthroughs or breakdowns? Host Ruthie Fierberg delves into the origins of the musical and its roots in research with Tippe before opening up the discussion to three experts. Dr. Mary Helen Immordino-Yang offers the facts about technology’s effects on our brains and socialization; Dr. Hilarie Cash, who treats internet addiction, advises how to recognize true addiction and gives tips to establish a healthy media diet; and software engineer Daphne Larose proposes a new path for responsible tech development and the beneficial uses of software, the Internet, and games.

Listen to the live album of OCTET here.


Referred to in this episode


Create the Change


Why We Theater is a product of part of the Broadway Podcast Network, edited by Derek Gunther, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter.

Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.

Our logo is by Christina Minopoli. See more at MinopoliDesign.com.

Special thanks to Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montenieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin.


Connect with Ruthie!

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 4501 School Girls... and Colorism, Beauty, and Self-Esteem in Women, Girls, and Femmes https://broadwaypodcastnetwork.com/podcast/why-we-theater/ What is colorism, and how do we combat it? Who decides what is beautiful? Why are girls raised to compete with each other? Playwright Jocelyn Bioh and experts Afia Ofori-Mensa of Princeton University and Maryann Jacob Macias of National Crittenton join host Ruthie Fierberg to explore the questions raised about the roots of colorism and how to check your own bias, beauty standards and how to advocate for broader definitions of beauty, self-esteem and how to raise girls and women to know our own self-worth in this episode tied to Off-Broadway’s Lortel-winning and Drama Desk-nominated comedy SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY. Purchase the play here. When SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY first hit the stage at MCC Theater in 2017, we witnessed the birth of a new powerhouse voice in the theatre with playwright Jocelyn Bioh. Set in Ghana in 1986, SCHOOL GIRLS is “the African Mean Girls Play” for a reason. It’s got all the comedy and all of the hallway politics of Tina Fey’s MEAN GIRLS. As the five of girls of the in-crowd—led by beauty Paulina—prepare for the Miss Ghana pageant recruiter to scout at their boarding school, things get ugly. The arrival of bi-racial transfer student Ericka (a light-skinned girl who grew up in the States but whose father is Ghanaian) throws a wrench in Paulina’s plans. The recruiter, Eloise, must think about who (and what type of beauty) could elevate Ghana to the worldwide stage in the Miss Universe pageant. Listen for some real talk and actionable steps to create a world with more acceptance and support—because that’s WHY WE THEATER. Referred to in this episode: TikTok ‘tried to filter out videos from ugly, poor or disabled users’ Peggy Orenstein, watch her TED Talk tied to her book Girls & Sex The work of Dr. Susan Bordo Create the Change: Write letters to the publisher. Send letters, emails, tweets (as someone who worked for a magazine, yes we really do read it all) either to praise the diversity of people you see in their pages—editorial and advertising—or to point out the lack thereof and demand a change. Letters to the editor will also work. Put your money where your mouth is. Buy make-up from brands with a wide spectrum of shades—even if your shade is lighter. Buy from brands that support your ideals—and let your friends know who these businesses are so they can join you. Broaden the idea of the protagonist Read, borrow, and purchase books with protagonists of color. Expand your horizons while showing that the readership for these stories is wide. As this writer observes: Black Books Are for White Children, Too. Here are some lists to get you started: 10 Books With South Asian Characters You Should Read in 2020; Multicultural Book Recommendation for World Travel From the Safety of Home. Lift up women in front of other women. Compliment girls for things they’ve done, not how they look.   Why We Theater is part of the Broadway Podcast Network, edited by Derek Gunter, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter. Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Our logo is by Christina Minopoli. See more at MinopoliDesign.com. Special thanks to Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montinieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin. Connect with Ruthie! RuthieFierberg.com Instagram: @ruthiefierceberg Twitter: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices Wed, 15 Jul 2020 08:00:00 -0000 School Girls... and Colorism, Beauty, and Self-Esteem in Women, Girls, and Femmes full 1 1 Broadway Podcast Network Playwright Jocelyn Bioh and experts Afia Ofori-Mensa of Princeton University and Maryann Jacob Macias of National Crittenton join host Ruthie Fierberg to explore the questions raised about the roots of colorism and how to check your own bias, beauty standards and how to advocate for broader definitions of beauty, self-esteem and how to raise girls and women to know our own self-worth in this episode tied to Off-Broadway’s Lortel-winning and Drama Desk-nominated comedy School Girls; Or, the African Mean Girls Play. What is colorism, and how do we combat it? Who decides what is beautiful? Why are girls raised to compete with each other? Playwright Jocelyn Bioh and experts Afia Ofori-Mensa of Princeton University and Maryann Jacob Macias of National Crittenton join host Ruthie Fierberg to explore the questions raised about the roots of colorism and how to check your own bias, beauty standards and how to advocate for broader definitions of beauty, self-esteem and how to raise girls and women to know our own self-worth in this episode tied to Off-Broadway’s Lortel-winning and Drama Desk-nominated comedy SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY. Purchase the play here. When SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY first hit the stage at MCC Theater in 2017, we witnessed the birth of a new powerhouse voice in the theatre with playwright Jocelyn Bioh. Set in Ghana in 1986, SCHOOL GIRLS is “the African Mean Girls Play” for a reason. It’s got all the comedy and all of the hallway politics of Tina Fey’s MEAN GIRLS. As the five of girls of the in-crowd—led by beauty Paulina—prepare for the Miss Ghana pageant recruiter to scout at their boarding school, things get ugly. The arrival of bi-racial transfer student Ericka (a light-skinned girl who grew up in the States but whose father is Ghanaian) throws a wrench in Paulina’s plans. The recruiter, Eloise, must think about who (and what type of beauty) could elevate Ghana to the worldwide stage in the Miss Universe pageant. Listen for some real talk and actionable steps to create a world with more acceptance and support—because that’s WHY WE THEATER. Referred to in this episode: TikTok ‘tried to filter out videos from ugly, poor or disabled users’ Peggy Orenstein, watch her TED Talk tied to her book Girls & Sex The work of Dr. Susan Bordo Create the Change: Write letters to the publisher. Send letters, emails, tweets (as someone who worked for a magazine, yes we really do read it all) either to praise the diversity of people you see in their pages—editorial and advertising—or to point out the lack thereof and demand a change. Letters to the editor will also work. Put your money where your mouth is. Buy make-up from brands with a wide spectrum of shades—even if your shade is lighter. Buy from brands that support your ideals—and let your friends know who these businesses are so they can join you. Broaden the idea of the protagonist Read, borrow, and purchase books with protagonists of color. Expand your horizons while showing that the readership for these stories is wide. As this writer observes: Black Books Are for White Children, Too. Here are some lists to get you started: 10 Books With South Asian Characters You Should Read in 2020; Multicultural Book Recommendation for World Travel From the Safety of Home. Lift up women in front of other women. Compliment girls for things they’ve done, not how they look.   Why We Theater is part of the Broadway Podcast Network, edited by Derek Gunter, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter. Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com. Our logo is by Christina Minopoli. See more at MinopoliDesign.com. Special thanks to Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montinieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin. Connect with Ruthie! RuthieFierberg.com Instagram: @ruthiefierceberg Twitter: @RuthiesATrain Learn more about your ad choices. Visit megaphone.fm/adchoices What is colorism, and how do we combat it? Who decides what is beautiful? Why are girls raised to compete with each other? Playwright Jocelyn Bioh and experts Afia Ofori-Mensa of Princeton University and Maryann Jacob Macias of National Crittenton join host Ruthie Fierberg to explore the questions raised about the roots of colorism and how to check your own bias, beauty standards and how to advocate for broader definitions of beauty, self-esteem and how to raise girls and women to know our own self-worth in this episode tied to Off-Broadway’s Lortel-winning and Drama Desk-nominated comedy SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY.

Purchase the play here.

When SCHOOL GIRLS; OR, THE AFRICAN MEAN GIRLS PLAY first hit the stage at MCC Theater in 2017, we witnessed the birth of a new powerhouse voice in the theatre with playwright Jocelyn Bioh. Set in Ghana in 1986, SCHOOL GIRLS is “the African Mean Girls Play” for a reason. It’s got all the comedy and all of the hallway politics of Tina Fey’s MEAN GIRLS. As the five of girls of the in-crowd—led by beauty Paulina—prepare for the Miss Ghana pageant recruiter to scout at their boarding school, things get ugly. The arrival of bi-racial transfer student Ericka (a light-skinned girl who grew up in the States but whose father is Ghanaian) throws a wrench in Paulina’s plans. The recruiter, Eloise, must think about who (and what type of beauty) could elevate Ghana to the worldwide stage in the Miss Universe pageant.

Listen for some real talk and actionable steps to create a world with more acceptance and support—because that’s WHY WE THEATER.

Referred to in this episode:


Create the Change:

  • Write letters to the publisher.
  • Send letters, emails, tweets (as someone who worked for a magazine, yes we really do read it all) either to praise the diversity of people you see in their pages—editorial and advertising—or to point out the lack thereof and demand a change. Letters to the editor will also work.
  • Put your money where your mouth is.
  • Buy make-up from brands with a wide spectrum of shades—even if your shade is lighter.
  • Buy from brands that support your ideals—and let your friends know who these businesses are so they can join you.
  • Broaden the idea of the protagonist
  • Read, borrow, and purchase books with protagonists of color. Expand your horizons while showing that the readership for these stories is wide. As this writer observes: Black Books Are for White Children, Too. Here are some lists to get you started: 10 Books With South Asian Characters You Should Read in 2020; Multicultural Book Recommendation for World Travel From the Safety of Home.
  • Lift up women in front of other women.
  • Compliment girls for things they’ve done, not how they look.

 

Why We Theater is part of the Broadway Podcast Network, edited by Derek Gunter, and produced by Alan Seales. Follow us @whywetheater on Instagram & Twitter.

Our theme music is by Benjamin Velez. Hear more at BenjaminVelez.com.

Our logo is by Christina Minopoli. See more at MinopoliDesign.com.

Special thanks to Dori Berinstein, Leigh Silverman, Patrick Taylor, Tony Montinieri, Elena Mayer, Wesley Birdsall, and Suzanne Chipkin.

Connect with Ruthie!

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 3896 Welcome, to Why We Theater https://broadwaypodcastnetwork.com/podcast/why-we-theater/ Ayad Akhtar’s Pulitzer Prize–winning drama Disgraced changed Ruthie Fierberg’s life. In fact, it’s the whole reason this podcast exists. The play fused theatre and social justice for her. Theatre is not just a mirror to society, it’s a catalyst to change it. Listen to this 2-minute origin story. Part of the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Wed, 15 Jul 2020 04:00:00 -0000 Welcome, to Why We Theater trailer 1 Broadway Podcast Network Trailer Ayad Akhtar’s Pulitzer Prize–winning drama Disgraced changed Ruthie Fierberg’s life. In fact, it’s the whole reason this podcast exists. The play fused theatre and social justice for her. Theatre is not just a mirror to society, it’s a catalyst to change it. Listen to this 2-minute origin story. Part of the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Ayad Akhtar’s Pulitzer Prize–winning drama Disgraced changed Ruthie Fierberg’s life. In fact, it’s the whole reason this podcast exists. The play fused theatre and social justice for her. Theatre is not just a mirror to society, it’s a catalyst to change it. Listen to this 2-minute origin story.


Part of the Broadway Podcast Network.

Learn more about your ad choices. Visit megaphone.fm/adchoices

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