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    <title>The Band: A History</title>
    <link>www.thebandpodcast.com</link>
    <language>en</language>
    <copyright>The Band: A History</copyright>
    <description>Exploring the history of Canadian-American roots rock group, The Band.</description>
    <image>
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      <title>The Band: A History</title>
      <link>www.thebandpodcast.com</link>
    </image>
    <itunes:explicit>no</itunes:explicit>
    <itunes:type>episodic</itunes:type>
    <itunes:subtitle>Exploring the history of Canadian-American roots rock group, The Band. </itunes:subtitle>
    <itunes:author>The Band: A History</itunes:author>
    <itunes:summary>Exploring the history of Canadian-American roots rock group, The Band.</itunes:summary>
    <content:encoded>
      <![CDATA[<p>Exploring the history of Canadian-American roots rock group, The Band.</p>]]>
    </content:encoded>
    <itunes:owner>
      <itunes:name>Tyrell William Lisson</itunes:name>
      <itunes:email>thebandahistory@gmail.com</itunes:email>
    </itunes:owner>
    <itunes:image href="https://megaphone.imgix.net/podcasts/dbca7390-b258-11e9-8217-4bf6f6ddab64/image/uploads_2F1586536480643-6swfyfje3i4-ab2f895b94d1d09f8c549372da40a4f9_2FTheBandHistory.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
    <itunes:category text="Music">
      <itunes:category text="Music History"/>
      <itunes:category text="Music Commentary"/>
    </itunes:category>
    <item>
      <title>Jericho </title>
      <description>Jericho was the first Band studio album in sixteen years, and by the time it arrived a lot had changed. Richard Manuel was gone. Robbie Robertson was gone. What remained were Levon Helm, Rick Danko, and Garth Hudson, joined by Jim Weider, Randy Ciarlante, and Richard Bell, trying to figure out what The Band could still sound like in the 1990s.

In this episode, I take a look at how Jericho finally came together after years of touring, a failed attempt at a record, and more than a little loss along the way. We talk through the songs, the players who helped make the album, and what was happening around the band when they stepped back into the studio.

It’s not a return to the past. It’s a later chapter. A record made by musicians who had already lived through the legend and were still trying to keep the music going.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 08 Mar 2026 10:05:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/051917ee-18ad-11f1-9a1b-13c1e3fb2cae/image/a95ebf6dc989d37486e50e6ddb664320.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Jericho was the first Band studio album in sixteen years, and by the time it arrived a lot had changed. Richard Manuel was gone. Robbie Robertson was gone. What remained were Levon Helm, Rick Danko, and Garth Hudson, joined by Jim Weider, Randy Ciarlante, and Richard Bell, trying to figure out what The Band could still sound like in the 1990s.

In this episode, I take a look at how Jericho finally came together after years of touring, a failed attempt at a record, and more than a little loss along the way. We talk through the songs, the players who helped make the album, and what was happening around the band when they stepped back into the studio.

It’s not a return to the past. It’s a later chapter. A record made by musicians who had already lived through the legend and were still trying to keep the music going.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Jericho</em> was the first Band studio album in sixteen years, and by the time it arrived a lot had changed. Richard Manuel was gone. Robbie Robertson was gone. What remained were Levon Helm, Rick Danko, and Garth Hudson, joined by Jim Weider, Randy Ciarlante, and Richard Bell, trying to figure out what The Band could still sound like in the 1990s.</p>
<p>In this episode, I take a look at how <em>Jericho</em> finally came together after years of touring, a failed attempt at a record, and more than a little loss along the way. We talk through the songs, the players who helped make the album, and what was happening around the band when they stepped back into the studio.</p>
<p>It’s not a return to the past. It’s a later chapter. A record made by musicians who had already lived through the legend and were still trying to keep the music going.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3394</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[051917ee-18ad-11f1-9a1b-13c1e3fb2cae]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN2896236322.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Lost Album</title>
      <description>Before Jericho, there was Tombstone. 

In this episode, we examine the Band’s abandoned 1990 Sony sessions, recorded with Jules Shear and ultimately rejected by the label. 

Through the music and the context, we piece together what this project was meant to be and what it tells us about the Band’s struggle to redefine themselves in the early 1990s.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 22 Feb 2026 12:32:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/41241158-0e12-11f1-9177-cfe215f03e34/image/da76c104789af21b803eb937d6753b37.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Before Jericho, there was Tombstone. 

In this episode, we examine the Band’s abandoned 1990 Sony sessions, recorded with Jules Shear and ultimately rejected by the label. 

Through the music and the context, we piece together what this project was meant to be and what it tells us about the Band’s struggle to redefine themselves in the early 1990s.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Before <em>Jericho</em>, there was <em>Tombstone</em>. </p>
<p>In this episode, we examine the Band’s abandoned 1990 Sony sessions, recorded with Jules Shear and ultimately rejected by the label. </p>
<p>Through the music and the context, we piece together what this project was meant to be and what it tells us about the Band’s struggle to redefine themselves in the early 1990s.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2785</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[41241158-0e12-11f1-9177-cfe215f03e34]]></guid>
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    </item>
    <item>
      <title>Richard Manuel’s Final Chapter</title>
      <description>This episode traces the final years of Richard Manuel, from The Band’s relentless touring in 1984–86 to his last night in Winter Park, Florida. We follow the grind of the road, the pressures that built around him, and the moments of beauty still present in his late performances. This is the story of a brilliant singer living through the hardest years of his life, the night everything changed, and the music and tributes he left behind.


Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 03 Jan 2026 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/c2d8e796-d2d5-11f0-aa2b-e7711df738e7/image/2ed8a022dc55cfc02d15aba03226573f.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A clear, unflinching look at Richard Manuel’s final years, tracing the grind of the road, the strain he carried, and the night that brought his story to an end.</itunes:subtitle>
      <itunes:summary>This episode traces the final years of Richard Manuel, from The Band’s relentless touring in 1984–86 to his last night in Winter Park, Florida. We follow the grind of the road, the pressures that built around him, and the moments of beauty still present in his late performances. This is the story of a brilliant singer living through the hardest years of his life, the night everything changed, and the music and tributes he left behind.


Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode traces the final years of Richard Manuel, from The Band’s relentless touring in 1984–86 to his last night in Winter Park, Florida. We follow the grind of the road, the pressures that built around him, and the moments of beauty still present in his late performances. This is the story of a brilliant singer living through the hardest years of his life, the night everything changed, and the music and tributes he left behind.</p>
<p><br></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2297</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c2d8e796-d2d5-11f0-aa2b-e7711df738e7]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN1965048223.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jim Weider </title>
      <description>This episode follows guitarist Jim Weider, from growing up in Woodstock to finding his way onto the road with Levon, Rick, Richard, and Garth. We trace how he joined The Band in the mid-’80s, held things together through years of hard touring, helped shape their final studio records in the ’90s. 


Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 15 Dec 2025 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/57a35e3a-d833-11f0-82e1-d75134629f86/image/b959c3436d065244c7b96ba049b2688b.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>This episode follows guitarist Jim Weider, from growing up in Woodstock to finding his way onto the road with Levon, Rick, Richard, and Garth. We trace how he joined The Band in the mid-’80s, held things together through years of hard touring, helped shape their final studio records in the ’90s. 


Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode follows guitarist Jim Weider, from growing up in Woodstock to finding his way onto the road with Levon, Rick, Richard, and Garth. We trace how he joined The Band in the mid-’80s, held things together through years of hard touring, helped shape their final studio records in the ’90s. </p>
<p><br></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1472</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[57a35e3a-d833-11f0-82e1-d75134629f86]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN1780937599.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Review: Robbie Robertson's Insomnia </title>
      <description>In this mini episode, we dive into Robbie Robertson’s Insomnia — a vivid, late-life reflection from one of rock’s most self-mythologizing figures. Less a memoir and more a cinematic vignette, Insomnia captures the years between 1976 and 1980, when Robertson drifted through post-Band life alongside artists, filmmakers, and excess.



The song played during the episode is entitled "At Last" from Scorsese's Raging Bull, produced by Robertson and performed with his former bandmates Richard Manuel and Garth Hudson. 


Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 27 Oct 2025 13:30:00 -0000</pubDate>
      <itunes:episodeType>bonus</itunes:episodeType>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/7db35362-b1b6-11f0-a806-1f5d9b3504ce/image/15d2ad10f95b8c6f64717a34f148cdd3.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this mini episode, we dive into Robbie Robertson’s Insomnia — a vivid, late-life reflection from one of rock’s most self-mythologizing figures. Less a memoir and more a cinematic vignette, Insomnia captures the years between 1976 and 1980, when Robertson drifted through post-Band life alongside artists, filmmakers, and excess.



The song played during the episode is entitled "At Last" from Scorsese's Raging Bull, produced by Robertson and performed with his former bandmates Richard Manuel and Garth Hudson. 


Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this mini episode, we dive into Robbie Robertson’s <em>Insomnia</em> — a vivid, late-life reflection from one of rock’s most self-mythologizing figures. Less a memoir and more a cinematic vignette, <em>Insomnia</em> captures the years between 1976 and 1980, when Robertson drifted through post-<em>Band</em> life alongside artists, filmmakers, and excess.</p>
<p><br></p>
<p>The song played during the episode is entitled "At Last" from Scorsese's Raging Bull, produced by Robertson and performed with his former bandmates Richard Manuel and Garth Hudson. </p>
<p><br></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>668</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7db35362-b1b6-11f0-a806-1f5d9b3504ce]]></guid>
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    </item>
    <item>
      <title>The Band is Back!</title>
      <description>In this episode, we revisit The Band’s unexpected 1983 reunion six years after The Last Waltz. With Robbie Robertson absent, Levon Helm, Rick Danko, Richard Manuel, and Garth Hudson came together once again, proving their music still carried power and soul.

We trace their individual journeys in the late ’70s and early ’80s, the spark that brought them back, and the raw energy of their “The Band Is Back” tour. From theatre gigs and surprise Bob Dylan appearances to sold-out shows across Canada, Japan, and the U.S., this was more than a comeback, it was a second life.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 22 Sep 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/4914f83a-93df-11f0-bebb-c70fdb6aab88/image/bc6308f2cb8c5cf4a18c91222f6b08e7.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode, we revisit The Band’s unexpected 1983 reunion six years after The Last Waltz. With Robbie Robertson absent, Levon Helm, Rick Danko, Richard Manuel, and Garth Hudson came together once again, proving their music still carried power and soul.

We trace their individual journeys in the late ’70s and early ’80s, the spark that brought them back, and the raw energy of their “The Band Is Back” tour. From theatre gigs and surprise Bob Dylan appearances to sold-out shows across Canada, Japan, and the U.S., this was more than a comeback, it was a second life.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, we revisit <em>The Band’s</em> unexpected 1983 reunion six years after <em>The Last Waltz</em>. With Robbie Robertson absent, Levon Helm, Rick Danko, Richard Manuel, and Garth Hudson came together once again, proving their music still carried power and soul.</p>
<p>We trace their individual journeys in the late ’70s and early ’80s, the spark that brought them back, and the raw energy of their “The Band Is Back” tour. From theatre gigs and surprise Bob Dylan appearances to sold-out shows across Canada, Japan, and the U.S., this was more than a comeback, it was a second life.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1687</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4914f83a-93df-11f0-bebb-c70fdb6aab88]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN2477861781.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Cahoots Revisited</title>
      <description>On the 54th anniversary of Cahoots, we hear The Band’s most grown-up record. Less legend, more real life. We stay with six songs, “Life Is a Carnival,” “When I Paint My Masterpiece,” “Last of the Blacksmiths,” “Where Do We Go from Here?,” “The Moon Struck One,” and “The River Hymn.” Work, doubt, change, and faith said plainly.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 15 Sep 2025 19:49:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/23e5abc2-926d-11f0-98df-c780ea8b158c/image/fbc076646e7fb46647d71e9137a752d4.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>On the 54th anniversary of Cahoots, we hear The Band’s most grown-up record. Less legend, more real life. We stay with six songs, “Life Is a Carnival,” “When I Paint My Masterpiece,” “Last of the Blacksmiths,” “Where Do We Go from Here?,” “The Moon Struck One,” and “The River Hymn.” Work, doubt, change, and faith said plainly.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On the 54th anniversary of <em>Cahoots</em>, we hear The Band’s most grown-up record. Less legend, more real life. We stay with six songs, “Life Is a Carnival,” “When I Paint My Masterpiece,” “Last of the Blacksmiths,” “Where Do We Go from Here?,” “The Moon Struck One,” and “The River Hymn.” Work, doubt, change, and faith said plainly.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>794</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[23e5abc2-926d-11f0-98df-c780ea8b158c]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN5520220712.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Odds &amp; Ends: Get Up Jake </title>
      <description>In our series Odds &amp; Ends we dig into Band deep-cut, “Get Up Jake”.  You’ll hear how a scrappy LA studio outtake grew into a live showstopper on Rock of Ages, and even survives as a raw hotel-room demo. We’ll break down its driving groove, Helm’s backbeat, Danko’s bouncing bass and that shout-along chorus and compare the lean, two-minute studio take to the full-throttle live version and the stripped-down Calgary jam.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 16 Jul 2025 10:00:00 -0000</pubDate>
      <itunes:episodeType>bonus</itunes:episodeType>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8b1b12ce-6107-11f0-8169-a3d2875c0ece/image/f96e759e9f7f18242b5f443a76a0cffd.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In our series Odds &amp; Ends we dig into Band deep-cut, “Get Up Jake”.  You’ll hear how a scrappy LA studio outtake grew into a live showstopper on Rock of Ages, and even survives as a raw hotel-room demo. We’ll break down its driving groove, Helm’s backbeat, Danko’s bouncing bass and that shout-along chorus and compare the lean, two-minute studio take to the full-throttle live version and the stripped-down Calgary jam.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In our series <em>Odds &amp; Ends</em> we dig into Band deep-cut, “Get Up Jake”.  You’ll hear how a scrappy LA studio outtake grew into a live showstopper on <em>Rock of Ages</em>, and even survives as a raw hotel-room demo. We’ll break down its driving groove, Helm’s backbeat, Danko’s bouncing bass and that shout-along chorus and compare the lean, two-minute studio take to the full-throttle live version and the stripped-down Calgary jam.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1113</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8b1b12ce-6107-11f0-8169-a3d2875c0ece]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN8603388594.mp3?updated=1752534848" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Interview: Stephen Lewis Returns </title>
      <description>Stephen Lewis returns to explore his new book Richard Manuel: His Life and Music, from the Hawks and Bob Dylan to The Band. We explore the life and struggles of Richard Manuel, diving into his early years, his role in the Band, and the toll fame took on his confidence. We talk about the dual identity Richard held—as both a gifted performer and a deeply sensitive songwriter.

The conversation covers the highs and lows of Richard’s career: the creative energy he brought to the group, his battles with addiction, and the tensions that shaped the band’s relationships. They examine the challenges of collaboration, how personal issues affected the music, and the impact of the 1980s on artists like Richard.

Make sure you pre-order the book today.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 09 Jun 2025 10:00:00 -0000</pubDate>
      <itunes:title>Interview: Stephen Lewis Returns </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/7a0aa5b4-449a-11f0-a92b-936248511df8/image/0482b63662531b089dc8e3bd9b30d60d.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A discussion with Stephen Lewis, author of  Richard Manuel: His Life and Music, from the Hawks and Bob Dylan to The Band</itunes:subtitle>
      <itunes:summary>Stephen Lewis returns to explore his new book Richard Manuel: His Life and Music, from the Hawks and Bob Dylan to The Band. We explore the life and struggles of Richard Manuel, diving into his early years, his role in the Band, and the toll fame took on his confidence. We talk about the dual identity Richard held—as both a gifted performer and a deeply sensitive songwriter.

The conversation covers the highs and lows of Richard’s career: the creative energy he brought to the group, his battles with addiction, and the tensions that shaped the band’s relationships. They examine the challenges of collaboration, how personal issues affected the music, and the impact of the 1980s on artists like Richard.

Make sure you pre-order the book today.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Stephen Lewis returns to explore his new book <a href="https://talkfromtherockroom.com/"><strong>Richard Manuel: His Life and Music, from the Hawks and Bob Dylan to The Band</strong></a><strong>.</strong> We<strong> </strong>explore the life and struggles of Richard Manuel, diving into his early years, his role in the Band, and the toll fame took on his confidence. We talk about the dual identity Richard held—as both a gifted performer and a deeply sensitive songwriter.</p>
<p>The conversation covers the highs and lows of Richard’s career: the creative energy he brought to the group, his battles with addiction, and the tensions that shaped the band’s relationships. They examine the challenges of collaboration, how personal issues affected the music, and the impact of the 1980s on artists like Richard.</p>
<p>Make sure you<a href="https://talkfromtherockroom.com/"> pre-order</a> the book today.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4455</itunes:duration>
      <guid isPermaLink="false"><![CDATA[7a0aa5b4-449a-11f0-a92b-936248511df8]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN3670424057.mp3?updated=1749409515" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Levon Helm '82</title>
      <description>Levon Helm’s move to Capitol Records in the early '80s was his final shot at keeping his musical vision alive. His bold choice to record at the iconic Muscle Shoals Sound Studio represented his commitment to authentic Southern rock at a time when synth-pop and MTV hits dominated the airwaves. Featuring a remarkable lineup of musicians, his second solo album, simply titled "Levon Helm," embodied his dedication to musical honesty over commercial success. Songs like "You Can't Win 'Em All" and "Money" showcase Helm’s gritty realism and uncompromising style.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 22 Apr 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/d1dee408-1eb1-11f0-8c64-eff354fc46d1/image/587131b898cd24134860e451e1dd44a7.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Levon Helm’s move to Capitol Records in the early '80s was his final shot at keeping his musical vision alive. His bold choice to record at the iconic Muscle Shoals Sound Studio represented his commitment to authentic Southern rock at a time when synth-pop and MTV hits dominated the airwaves. Featuring a remarkable lineup of musicians, his second solo album, simply titled "Levon Helm," embodied his dedication to musical honesty over commercial success. Songs like "You Can't Win 'Em All" and "Money" showcase Helm’s gritty realism and uncompromising style.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Levon Helm’s move to Capitol Records in the early '80s was his final shot at keeping his musical vision alive. His bold choice to record at the iconic Muscle Shoals Sound Studio represented his commitment to authentic Southern rock at a time when synth-pop and MTV hits dominated the airwaves. Featuring a remarkable lineup of musicians, his second solo album, simply titled "Levon Helm," embodied his dedication to musical honesty over commercial success. Songs like "You Can't Win 'Em All" and "Money" showcase Helm’s gritty realism and uncompromising style.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3167</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d1dee408-1eb1-11f0-8c64-eff354fc46d1]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN9846924600.mp3?updated=1745241254" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Music for Our Lady Queen of the Angels</title>
      <description>This episode pays tribute to the late Garth Hudson, whose recent passing reminds us of his monumental impact on music and sound art. We explore his groundbreaking work, Music for Our Lady Queen of the Angels, created for the 1980 Los Angeles Bicentennial. A pioneer of experimental sound art that set the standard for generations, Hudson reshaped the possibilities of sound, leaving a truly unique legacy. Rest in peace, Garth Hudson.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 24 Jan 2025 11:00:00 -0000</pubDate>
      <itunes:title>Music for Our Lady Queen of the Angels</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>65</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/7a1fa8a6-da0a-11ef-a129-275716cf3d3e/image/f01e9d1fd2c3e4fbdd2893017d853ed3.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>This episode pays tribute to the late Garth Hudson, whose recent passing reminds us of his monumental impact on music and sound art.</itunes:subtitle>
      <itunes:summary>This episode pays tribute to the late Garth Hudson, whose recent passing reminds us of his monumental impact on music and sound art. We explore his groundbreaking work, Music for Our Lady Queen of the Angels, created for the 1980 Los Angeles Bicentennial. A pioneer of experimental sound art that set the standard for generations, Hudson reshaped the possibilities of sound, leaving a truly unique legacy. Rest in peace, Garth Hudson.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode pays tribute to the late Garth Hudson, whose recent passing reminds us of his monumental impact on music and sound art. We explore his groundbreaking work, <em>Music for Our Lady Queen of the Angels</em>, created for the 1980 Los Angeles Bicentennial. A pioneer of experimental sound art that set the standard for generations, Hudson reshaped the possibilities of sound, leaving a truly unique legacy. Rest in peace, Garth Hudson.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4472</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7a1fa8a6-da0a-11ef-a129-275716cf3d3e]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN9782310298.mp3?updated=1737692701" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rest in Peace Garth Hudson </title>
      <description>In this special episode, I pay tribute to the late Garth Hudson, a true legend in the music world. Known for his innovation, unparalleled creativity, and distinctive style, Garth was more than just a musician—he was a visionary who left a mark on the industry. I reflect on his extraordinary career, his contributions to iconic music moments, and the unique legacy he leaves behind.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 21 Jan 2025 15:03:00 -0000</pubDate>
      <itunes:title>Rest in Peace Garth Hudson </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ed059fdc-d808-11ef-a612-3795fd3503f9/image/8889128b307e342b904294a82f75b8d1.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>We mourn the loss of Garth Hudson, one of music's most innovative, intriguing, and truly unique figures.</itunes:subtitle>
      <itunes:summary>In this special episode, I pay tribute to the late Garth Hudson, a true legend in the music world. Known for his innovation, unparalleled creativity, and distinctive style, Garth was more than just a musician—he was a visionary who left a mark on the industry. I reflect on his extraordinary career, his contributions to iconic music moments, and the unique legacy he leaves behind.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this special episode, I pay tribute to the late Garth Hudson, a true legend in the music world. Known for his innovation, unparalleled creativity, and distinctive style, Garth was more than just a musician—he was a visionary who left a mark on the industry. I reflect on his extraordinary career, his contributions to iconic music moments, and the unique legacy he leaves behind.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>680</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ed059fdc-d808-11ef-a612-3795fd3503f9]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN9691887365.mp3?updated=1737472504" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Review: A Complete Unknown </title>
      <description>I break down James Mangold’s A Complete Unknown and Timothée Chalamet’s take on Bob Dylan. From the film’s beautiful portrayal of Greenwich Village to its underdeveloped characters and missed historical depth, I explore what works—and what doesn’t—in this ambitious biopic.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 27 Dec 2024 18:32:48 -0000</pubDate>
      <itunes:title>Review: A Complete Unknown </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>65</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/2a0482d0-c482-11ef-afe5-0750aa762439/image/9d6e50418e75c33077f2fd42141bc7f8.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A review of James Mangold’s A Complete Unknown and Timothée Chalamet’s take on Bob Dylan.</itunes:subtitle>
      <itunes:summary>I break down James Mangold’s A Complete Unknown and Timothée Chalamet’s take on Bob Dylan. From the film’s beautiful portrayal of Greenwich Village to its underdeveloped characters and missed historical depth, I explore what works—and what doesn’t—in this ambitious biopic.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>I break down James Mangold’s <em>A Complete Unknown</em> and Timothée Chalamet’s take on Bob Dylan. From the film’s beautiful portrayal of Greenwich Village to its underdeveloped characters and missed historical depth, I explore what works—and what doesn’t—in this ambitious biopic.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1158</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2a0482d0-c482-11ef-afe5-0750aa762439]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN7625865385.mp3?updated=1735325182" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Bonus Episode: Christmas Must Be Tonight </title>
      <description>This holiday season, we’re diving into The Band’s heartfelt Christmas track, Christmas Must Be Tonight. Written during their Northern Lights – Southern Cross sessions, the song blends timeless storytelling, soulful harmonies, and a fresh take on the Nativity. I explore its origins, musical brilliance, and why it’s a hidden gem that deserves a place on your Christmas playlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 23 Dec 2024 13:39:43 -0000</pubDate>
      <itunes:title>Bonus Episode: Christmas Must Be Tonight </itunes:title>
      <itunes:episodeType>bonus</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>60</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:subtitle>The Band's hidden gem Christmas Must Be tonight is a Christmas classic! </itunes:subtitle>
      <itunes:summary>This holiday season, we’re diving into The Band’s heartfelt Christmas track, Christmas Must Be Tonight. Written during their Northern Lights – Southern Cross sessions, the song blends timeless storytelling, soulful harmonies, and a fresh take on the Nativity. I explore its origins, musical brilliance, and why it’s a hidden gem that deserves a place on your Christmas playlist.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This holiday season, we’re diving into The Band’s heartfelt Christmas track, <em>Christmas Must Be Tonight</em>. Written during their <em>Northern Lights – Southern Cross</em> sessions, the song blends timeless storytelling, soulful harmonies, and a fresh take on the Nativity. I explore its origins, musical brilliance, and why it’s a hidden gem that deserves a place on your Christmas playlist.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>533</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1a7d686a-b63e-11ef-b4cb-d361bcb4f0e2]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN6282774528.mp3?updated=1733756633" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tears of Rage with Jerry Leger</title>
      <description>A Song With... returns featuring my friend and one of Canada's best songwriters, Jerry Leger. Jerry selected "Tears of Rage" from The Band's first album, Music From Big Pink. We delve into the song's significance, the songwriting collaboration between Richard Manuel and Bob Dylan and the various track versions.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 19 Dec 2024 16:04:43 -0000</pubDate>
      <itunes:title>Tears of Rage with Jerry Leger</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>62</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/cab45a0c-bd61-11ef-96f6-d75b4d377bd7/image/2c21443d23ad1af5814a9402e9551528.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Song With returns featuring Canadian singer-songwriter Jerry Leger</itunes:subtitle>
      <itunes:summary>A Song With... returns featuring my friend and one of Canada's best songwriters, Jerry Leger. Jerry selected "Tears of Rage" from The Band's first album, Music From Big Pink. We delve into the song's significance, the songwriting collaboration between Richard Manuel and Bob Dylan and the various track versions.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>A Song With...</em> returns featuring my friend and one of Canada's best songwriters, Jerry Leger. Jerry selected "Tears of Rage" from The Band's first album, <em>Music From Big Pink.</em> We delve into the song's significance, the songwriting collaboration between Richard Manuel and Bob Dylan and the various track versions.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3584</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cab45a0c-bd61-11ef-96f6-d75b4d377bd7]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN3117874174.mp3?updated=1734565693" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Robbie Robertson (Album) </title>
      <description>In this episode of The Band: A History, we explore Robbie Robertson's journey into crafting his debut solo album, influenced by his vision of "The Shadowland." After focusing on film scoring, Robertson returned to music in the mid-1980s, collaborating with key figures like producer Daniel Lanois to create an atmospheric, cinematic sound. We dive into the making of the album, Robertson’s strategic decisions, and partnerships with renowned musicians and producers.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 22 Oct 2024 11:00:00 -0000</pubDate>
      <itunes:title>Robbie Robertson (Album) </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>60</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/3288d0e6-9011-11ef-b461-23fc5148e865/image/e7ddc7f96fb4d5f4a194d5c878e3d631.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle> Robbie Robertson was ready to make music again. Teaming up with fellow Canadian Daniel Lanois, he entered the studio, driven by his vision of The Shadowland, to craft his first solo album since leaving The Band.</itunes:subtitle>
      <itunes:summary>In this episode of The Band: A History, we explore Robbie Robertson's journey into crafting his debut solo album, influenced by his vision of "The Shadowland." After focusing on film scoring, Robertson returned to music in the mid-1980s, collaborating with key figures like producer Daniel Lanois to create an atmospheric, cinematic sound. We dive into the making of the album, Robertson’s strategic decisions, and partnerships with renowned musicians and producers.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of <em>The Band: A History</em>, we explore Robbie Robertson's journey into crafting his debut solo album, influenced by his vision of "The Shadowland." After focusing on film scoring, Robertson returned to music in the mid-1980s, collaborating with key figures like producer Daniel Lanois to create an atmospheric, cinematic sound. We dive into the making of the album, Robertson’s strategic decisions, and partnerships with renowned musicians and producers.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3779</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3288d0e6-9011-11ef-b461-23fc5148e865]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN1652749236.mp3?updated=1730825440" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Interview: Stephen Lewis </title>
      <description>We're thrilled to welcome author Stephen Lewis to The Band: A History as we dive into his upcoming book, Richard Manuel: His Life and Music, from the Hawks and Bob Dylan to The Band, which will be released in May 2025.
In this episode, Stephen shares his journey in writing the book, his deep connection to The Band, and some never-before-heard stories about Richard Manuel. This is an episode you won't want to miss! You can pre-order the book now through the publisher's website or major retailers like Amazon and Barnes &amp; Noble.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 10 Sep 2024 04:00:00 -0000</pubDate>
      <itunes:title>Interview: Stephen Lewis </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>59</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/64b14cf8-6e36-11ef-9937-7b0888efe292/image/b58efd3cf625abc13029e1e4fdb8e15b.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>The Band: A History sits down with Stephen Lewis, author of the forthcoming book, Richard Manuel: His Life and Music, from the Hawks and Bob Dylan to The Band</itunes:subtitle>
      <itunes:summary>We're thrilled to welcome author Stephen Lewis to The Band: A History as we dive into his upcoming book, Richard Manuel: His Life and Music, from the Hawks and Bob Dylan to The Band, which will be released in May 2025.
In this episode, Stephen shares his journey in writing the book, his deep connection to The Band, and some never-before-heard stories about Richard Manuel. This is an episode you won't want to miss! You can pre-order the book now through the publisher's website or major retailers like Amazon and Barnes &amp; Noble.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We're thrilled to welcome author Stephen Lewis to <em>The Band: A History</em> as we dive into his upcoming book, <em>Richard Manuel: His Life and Music, from the Hawks and Bob Dylan to The Band</em>, which will be released in May 2025.</p><p>In this episode, Stephen shares his journey in writing the book, his deep connection to The Band, and some never-before-heard stories about Richard Manuel. This is an episode you won't want to miss! You can pre-order the book now through the <a href="https://schifferbooks.com/products/richard-manuel?_pos=1&amp;_sid=845891646&amp;_ss=r">publisher's website</a> or major retailers like Amazon and Barnes &amp; Noble.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4895</itunes:duration>
      <guid isPermaLink="false"><![CDATA[64b14cf8-6e36-11ef-9937-7b0888efe292]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN5753605215.mp3?updated=1730161044" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Woodstock '79</title>
      <description>By the end of the 1970s, Rick Danko found himself in an unexpected place. After the release of his first solo album on Arista Records didn’t sell well, and with management in flux, Arista dropped him.
Despite this, Danko continued to tour, collaborate, and perform in smaller, more intimate venues, showcasing his character and musicianship. Collaborations with former Beach Boy Blondie Chaplin, Richard Manuel, Paul Butterfield, and even actor Gary Busey highlighted his versatility. Woodstock ‘79, a smaller and less impactful event than the original, featured Danko performing with Butterfield.
This era also saw Danko contributing to Joe Cocker’s chaotic version of “I Heard It Through The Grapevine” and Larry Lee’s album “Marooned.” This period of triumph and tribulation is a testament to Danko’s enduring spirit and love for music.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 05 Aug 2024 11:00:00 -0000</pubDate>
      <itunes:title>Woodstock '79</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>58</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/32c339f2-4e08-11ef-98e7-4707ea8cf768/image/850c41b508b982308b5d5c3d02cd3702.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>By the end of the 1970s, Rick Danko found himself in an unexpected place. After the release of his first solo album on Arista Records didn’t sell well, and with management in flux, Arista dropped him.</itunes:subtitle>
      <itunes:summary>By the end of the 1970s, Rick Danko found himself in an unexpected place. After the release of his first solo album on Arista Records didn’t sell well, and with management in flux, Arista dropped him.
Despite this, Danko continued to tour, collaborate, and perform in smaller, more intimate venues, showcasing his character and musicianship. Collaborations with former Beach Boy Blondie Chaplin, Richard Manuel, Paul Butterfield, and even actor Gary Busey highlighted his versatility. Woodstock ‘79, a smaller and less impactful event than the original, featured Danko performing with Butterfield.
This era also saw Danko contributing to Joe Cocker’s chaotic version of “I Heard It Through The Grapevine” and Larry Lee’s album “Marooned.” This period of triumph and tribulation is a testament to Danko’s enduring spirit and love for music.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>By the end of the 1970s, Rick Danko found himself in an unexpected place. After the release of his first solo album on Arista Records didn’t sell well, and with management in flux, Arista dropped him.</p><p>Despite this, Danko continued to tour, collaborate, and perform in smaller, more intimate venues, showcasing his character and musicianship. Collaborations with former Beach Boy Blondie Chaplin, Richard Manuel, Paul Butterfield, and even actor Gary Busey highlighted his versatility. Woodstock ‘79, a smaller and less impactful event than the original, featured Danko performing with Butterfield.</p><p>This era also saw Danko contributing to Joe Cocker’s chaotic version of “I Heard It Through The Grapevine” and Larry Lee’s album “Marooned.” This period of triumph and tribulation is a testament to Danko’s enduring spirit and love for music.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1585</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[32c339f2-4e08-11ef-98e7-4707ea8cf768]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN9071614036.mp3?updated=1730160771" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Just Another Whistle Stop with Daniel Cervantes </title>
      <description>A Song With returns featuring my friend and Chest Fever bandleader, Daniel Cervantes. Dan selected "Just Another Whistle Stop" from The Band's third studio album, Stage Fright. We delve into the song's significance to him, Robbie Robertson's scorching lead guitar, Richard Manuel's captivating vocals, and the various interpretations of the lyrics and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 31 Jul 2024 11:00:00 -0000</pubDate>
      <itunes:title>Just Another Whistle Stop with Daniel Cervantes </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>57</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/fcd57410-4d33-11ef-a3b5-f754e658d403/image/5385a46cf60c4fecfd3d00392bdb3dd1.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Song With returns featuring my friend and Chest Fever bandleader, Daniel Cervantes.</itunes:subtitle>
      <itunes:summary>A Song With returns featuring my friend and Chest Fever bandleader, Daniel Cervantes. Dan selected "Just Another Whistle Stop" from The Band's third studio album, Stage Fright. We delve into the song's significance to him, Robbie Robertson's scorching lead guitar, Richard Manuel's captivating vocals, and the various interpretations of the lyrics and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>A Song With</em> returns featuring my friend and <a href="chestfeverofficial.com">Chest Fever</a> bandleader, Daniel Cervantes. Dan selected "Just Another Whistle Stop" from The Band's third studio album, <em>Stage Fright</em>. We delve into the song's significance to him, Robbie Robertson's scorching lead guitar, Richard Manuel's captivating vocals, and the various interpretations of the lyrics and music.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2432</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fcd57410-4d33-11ef-a3b5-f754e658d403]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN2463004210.mp3?updated=1730160889" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Breaking New Ground</title>
      <description>After navigating a tumultuous phase in his life marked by heavy drinking and the disbandment of The Band, Richard Manuel entered rehab, marking a pivotal step toward reclaiming his passion for music. In 1978, returned to the studio with old friend Happy Traum, contributing to Traum's debut solo album "Bright Morning Stars."
He also collaborated with musicians Terry Danko and Marty Grebb and reconnected with Gerry Goffin for songwriting. Manuel's musical revival included working with Bonnie Raitt on her critically acclaimed album "Greenlight" and joining Willie Nelson and Webb Pierce for a spirited session on "In The Jailhouse Now." This period marked a creative resurgence for Manuel, blending his soulful voice and piano mastery across diverse projects while reflecting on his enduring connection to The Band.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 21 May 2024 19:08:30 -0000</pubDate>
      <itunes:title>Breaking New Ground</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>56</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/824b312e-16b7-11ef-9ed7-93d04ee06a88/image/ad3ae904e8ddfbfd01e78f8e5080c3ef.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>After navigating a tumultuous phase in his life marked by heavy drinking and the disbandment of The Band, Richard Manuel entered rehab, marking a pivotal step toward reclaiming his passion for music.</itunes:subtitle>
      <itunes:summary>After navigating a tumultuous phase in his life marked by heavy drinking and the disbandment of The Band, Richard Manuel entered rehab, marking a pivotal step toward reclaiming his passion for music. In 1978, returned to the studio with old friend Happy Traum, contributing to Traum's debut solo album "Bright Morning Stars."
He also collaborated with musicians Terry Danko and Marty Grebb and reconnected with Gerry Goffin for songwriting. Manuel's musical revival included working with Bonnie Raitt on her critically acclaimed album "Greenlight" and joining Willie Nelson and Webb Pierce for a spirited session on "In The Jailhouse Now." This period marked a creative resurgence for Manuel, blending his soulful voice and piano mastery across diverse projects while reflecting on his enduring connection to The Band.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>After navigating a tumultuous phase in his life marked by heavy drinking and the disbandment of The Band, Richard Manuel entered rehab, marking a pivotal step toward reclaiming his passion for music. In 1978, returned to the studio with old friend Happy Traum, contributing to Traum's debut solo album "Bright Morning Stars."</p><p>He also collaborated with musicians Terry Danko and Marty Grebb and reconnected with Gerry Goffin for songwriting. Manuel's musical revival included working with Bonnie Raitt on her critically acclaimed album "Greenlight" and joining Willie Nelson and Webb Pierce for a spirited session on "In The Jailhouse Now." This period marked a creative resurgence for Manuel, blending his soulful voice and piano mastery across diverse projects while reflecting on his enduring connection to The Band.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2522</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[824b312e-16b7-11ef-9ed7-93d04ee06a88]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN7593196029.mp3?updated=1730160913" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ferdinand The Imposter with Luke C. Bowden</title>
      <description>A new episode of "A Song With," where I chat with guests about their chosen tracks from The Band and the stories woven within them. There are no constraints; it could be a passionate case for why a song reigns supreme in The Band's repertoire, a personal narrative or bond, or simply revelling in the joy of listening.
In this episode, Luke C. Bowden joins me. He is a music journalist, academic, and concert promoter. Luke's pick is "Ferdinand The Imposter," an outtake from the Music From Big Pink era. We delve into the various song versions, the musical and lyrical songwriting, and much more.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 24 Mar 2024 17:31:17 -0000</pubDate>
      <itunes:title>Ferdinand The Imposter with Luke C. Bowden</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>55</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/17de5e58-e8b1-11ee-817e-1f66257160cc/image/e2975a46e7602aba4304d039f82f685b.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>In this episode, Luke C. Bowden joins me. He is a music journalist, academic, and concert promoter. Luke's pick is "Ferdinand The Imposter," an outtake from the Music From Big Pink era.</itunes:subtitle>
      <itunes:summary>A new episode of "A Song With," where I chat with guests about their chosen tracks from The Band and the stories woven within them. There are no constraints; it could be a passionate case for why a song reigns supreme in The Band's repertoire, a personal narrative or bond, or simply revelling in the joy of listening.
In this episode, Luke C. Bowden joins me. He is a music journalist, academic, and concert promoter. Luke's pick is "Ferdinand The Imposter," an outtake from the Music From Big Pink era. We delve into the various song versions, the musical and lyrical songwriting, and much more.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A new episode of "A Song With," where I chat with guests about their chosen tracks from The Band and the stories woven within them. There are no constraints; it could be a passionate case for why a song reigns supreme in The Band's repertoire, a personal narrative or bond, or simply revelling in the joy of listening.</p><p>In this episode, Luke C. Bowden joins me. He is a music journalist, academic, and concert promoter. Luke's pick is "Ferdinand The Imposter," an outtake from the Music From Big Pink era. We delve into the various song versions, the musical and lyrical songwriting, and much more.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3057</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[17de5e58-e8b1-11ee-817e-1f66257160cc]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN1246649003.mp3?updated=1730160788" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>American Son </title>
      <description>"Levon's solo albums are pure, egalitarian magic and joy." - Matty Wishnow
After a dedicated grind in the late '70s, Helm ventured to Nashville, inspired by his role in the lauded film Coal Miner's Daughter. There, with the city's top session players, he created his seminal album, American Son, in 1980. Helm, almost forty, forged a path to new creative horizons, trying to position himself for a new musical renaissance.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 03 Mar 2024 05:00:00 -0000</pubDate>
      <itunes:title>American Son</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>54</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9519e644-d803-11ee-be01-bb5fa7c494c4/image/62e252f103f4ff4c08861a01f483eec0.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>“Levon’s solo albums are pure, egalitarian magic and joy.”</itunes:subtitle>
      <itunes:summary>"Levon's solo albums are pure, egalitarian magic and joy." - Matty Wishnow
After a dedicated grind in the late '70s, Helm ventured to Nashville, inspired by his role in the lauded film Coal Miner's Daughter. There, with the city's top session players, he created his seminal album, American Son, in 1980. Helm, almost forty, forged a path to new creative horizons, trying to position himself for a new musical renaissance.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>"Levon's solo albums are pure, egalitarian magic and joy." - </em>Matty Wishnow</p><p>After a dedicated grind in the late '70s, Helm ventured to Nashville, inspired by his role in the lauded film <em>Coal Miner's Daughter.</em> There, with the city's top session players, he created his seminal album, <em>American Son</em>, in 1980. Helm, almost forty, forged a path to new creative horizons, trying to position himself for a new musical renaissance.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3027</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9519e644-d803-11ee-be01-bb5fa7c494c4]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN1052351067.mp3?updated=1730160848" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Twilight with Michael Koehler </title>
      <description>Welcome to our series "A Song With," where I chat with guests about their chosen tracks from The Band and the stories woven within them. There are no constraints; it could be an impassioned case for why a song reigns supreme in The Band's repertoire, a personal narrative or bond, or simply revelling in the joy of listening.
In this episode, I'm joined by Michael Koelher,, a dear friend and show editor. Michael's pick is "Twilight," a non-album single from 1975. We delve into the various versions of the song, the songwriting, both musical and lyrical and much more.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 04 Feb 2024 12:00:00 -0000</pubDate>
      <itunes:title>Twilight with Michael Koehler </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>53</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/bd6d4ab4-c2cd-11ee-b3f1-43dcec0dc65b/image/457ba9.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>In this episode, I'm joined by Michael Koelher,, a dear friend and show editor. Michael's pick is "Twilight," a non-album single from 1975.</itunes:subtitle>
      <itunes:summary>Welcome to our series "A Song With," where I chat with guests about their chosen tracks from The Band and the stories woven within them. There are no constraints; it could be an impassioned case for why a song reigns supreme in The Band's repertoire, a personal narrative or bond, or simply revelling in the joy of listening.
In this episode, I'm joined by Michael Koelher,, a dear friend and show editor. Michael's pick is "Twilight," a non-album single from 1975. We delve into the various versions of the song, the songwriting, both musical and lyrical and much more.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Welcome to our series<em> "A Song With," </em>where I chat with guests about their chosen tracks from The Band and the stories woven within them. There are no constraints; it could be an impassioned case for why a song reigns supreme in The Band's repertoire, a personal narrative or bond, or simply revelling in the joy of listening.</p><p>In this episode, I'm joined by Michael Koelher,, a dear friend and show editor. Michael's pick is "Twilight," a non-album single from 1975. We delve into the various versions of the song, the songwriting, both musical and lyrical and much more.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3230</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bd6d4ab4-c2cd-11ee-b3f1-43dcec0dc65b]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN4256552774.mp3?updated=1730160955" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Odds &amp; Ends: Katie's Been Gone</title>
      <description>Welcome to another installment of Odds &amp; Ends, a series of mini-episodes that invites you to explore the hidden treasures within The Band's extensive musical library. This episode reveals the depths of Richard Manuel and Robbie Robertson's artistic collaboration within the 1967 composition "Katie's Been Gone."
From the exquisite composition to the speculated ties with Greenwich Village folk luminary Karen Dalton and the enigmatic drummer behind the scenes, this episode of Odds &amp; Ends is a comprehensive exploration of everything.

Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 27 Dec 2023 05:00:00 -0000</pubDate>
      <itunes:title>Odds &amp; Ends: Katie's Been Gone</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/3cb76aa0-977e-11ee-a142-e3c1c8886d48/image/8b7b9d.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Welcome to another installment of Odds &amp; Ends, this time we look at Katie's Been Gone.</itunes:subtitle>
      <itunes:summary>Welcome to another installment of Odds &amp; Ends, a series of mini-episodes that invites you to explore the hidden treasures within The Band's extensive musical library. This episode reveals the depths of Richard Manuel and Robbie Robertson's artistic collaboration within the 1967 composition "Katie's Been Gone."
From the exquisite composition to the speculated ties with Greenwich Village folk luminary Karen Dalton and the enigmatic drummer behind the scenes, this episode of Odds &amp; Ends is a comprehensive exploration of everything.

Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Welcome to another installment of <em>Odds &amp; Ends</em>, a series of mini-episodes that invites you to explore the hidden treasures within The Band's extensive musical library. This episode reveals the depths of Richard Manuel and Robbie Robertson's artistic collaboration within the 1967 composition "Katie's Been Gone."</p><p>From the exquisite composition to the speculated ties with Greenwich Village folk luminary Karen Dalton and the enigmatic drummer behind the scenes, this episode of <em>Odds &amp; Ends</em> is a comprehensive exploration of everything.</p><p><br></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>700</itunes:duration>
      <guid isPermaLink="false"><![CDATA[3cb76aa0-977e-11ee-a142-e3c1c8886d48]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN9849156977.mp3?updated=1730160675" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jawbone with Annie Burkhart</title>
      <description>Welcome to the premiere of our new series, "A Song With," where I chat with guests about their chosen tracks from The Band and the stories woven within them. There are no constraints; it could be an impassioned case for why a song reigns supreme in The Band's repertoire, a personal narrative or bond, or simply reveling in the joy of listening.
In our debut episode, I'm joined by the wonderful Annie Burkhart, a dear friend of the show and the force behind Manuel Mindset on Twitter. Annie's pick is "Jawbone," featured in The Band's eponymous second studio album. We delve into the intricate musical layers and the collaborative songwriting prowess of Richard Manuel and Robbie Robertson and even ponder its modest streaming figures.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 11 Dec 2023 12:00:00 -0000</pubDate>
      <itunes:title>Jawbone with Annie Burkhart</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>51</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/448bf054-9574-11ee-ac37-d30ed5de32cd/image/8486fd.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Welcome to the premiere of our new series, "A Song With," where I chat with guests about their chosen tracks from The Band and the stories woven within them. There are no constraints; it could be an impassioned case for why a song reigns supreme in The Band's repertoire, a personal narrative or bond, or simply reveling in the joy of listening.
In our debut episode, I'm joined by the wonderful Annie Burkhart, a dear friend of the show and the force behind Manuel Mindset on Twitter. Annie's pick is "Jawbone," featured in The Band's eponymous second studio album. We delve into the intricate musical layers and the collaborative songwriting prowess of Richard Manuel and Robbie Robertson and even ponder its modest streaming figures.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Welcome to the premiere of our new series,<em> "A Song With," </em>where I chat with guests about their chosen tracks from The Band and the stories woven within them. There are no constraints; it could be an impassioned case for why a song reigns supreme in The Band's repertoire, a personal narrative or bond, or simply reveling in the joy of listening.</p><p>In our debut episode, I'm joined by the wonderful Annie Burkhart, a dear friend of the show and the force behind <a href="https://twitter.com/manuelmindset">Manuel Mindset </a>on Twitter. Annie's pick is "Jawbone," featured in The Band's eponymous second studio album. We delve into the intricate musical layers and the collaborative songwriting prowess of Richard Manuel and Robbie Robertson and even ponder its modest streaming figures.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3285</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[448bf054-9574-11ee-ac37-d30ed5de32cd]]></guid>
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    </item>
    <item>
      <title>The Last Waltz At 45</title>
      <description>Today, I have the pleasure of sitting down with Breanna McCann and Teagan Lisson to dive deep into The Last Waltz at 45. This legendary film resonates with audiences, even after four and a half decades. As we gather to celebrate its forty-fifth birthday, we have a relaxed yet engaging conversation that encompasses various facets of this cinematic masterpiece.
We delve into the intricacies of the film itself, exploring its enduring allure and the genius behind Martin Scorsese's direction. Beyond the camera, we explore the remarkable journey of The Band and the profound cultural and musical impact the film has.
You can follow Teagan's podcast, Our Golden 20s, online and listen every Tuesday. You can also find Breanna McCann's work on Split Tooth Media, where she writes about music and film. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 09 Nov 2023 12:00:00 -0000</pubDate>
      <itunes:title>The Last Waltz At 45</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>50</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9bb798be-7dec-11ee-9681-0bb8effeae12/image/c012b0.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Today, I have the pleasure of sitting down with Breanna McCann and Teagan Lisson to dive deep into The Last Waltz at 45.</itunes:subtitle>
      <itunes:summary>Today, I have the pleasure of sitting down with Breanna McCann and Teagan Lisson to dive deep into The Last Waltz at 45. This legendary film resonates with audiences, even after four and a half decades. As we gather to celebrate its forty-fifth birthday, we have a relaxed yet engaging conversation that encompasses various facets of this cinematic masterpiece.
We delve into the intricacies of the film itself, exploring its enduring allure and the genius behind Martin Scorsese's direction. Beyond the camera, we explore the remarkable journey of The Band and the profound cultural and musical impact the film has.
You can follow Teagan's podcast, Our Golden 20s, online and listen every Tuesday. You can also find Breanna McCann's work on Split Tooth Media, where she writes about music and film. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today, I have the pleasure of sitting down with Breanna McCann and Teagan Lisson to dive deep into The Last Waltz at 45. This legendary film resonates with audiences, even after four and a half decades. As we gather to celebrate its forty-fifth birthday, we have a relaxed yet engaging conversation that encompasses various facets of this cinematic masterpiece.</p><p>We delve into the intricacies of the film itself, exploring its enduring allure and the genius behind Martin Scorsese's direction. Beyond the camera, we explore the remarkable journey of The Band and the profound cultural and musical impact the film has.</p><p><em>You can follow Teagan's podcast,</em><a href="https://www.instagram.com/ourgolden20s/"><em> Our Golden 20s</em></a><em>, online and listen every Tuesday. You can also find Breanna McCann's work on </em><a href="https://www.splittoothmedia.com/author/bmccann"><em>Split Tooth Media</em></a><em>, where she writes about music and film. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3902</itunes:duration>
      <guid isPermaLink="false"><![CDATA[9bb798be-7dec-11ee-9681-0bb8effeae12]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN4498698432.mp3?updated=1730160934" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Odds &amp; Ends: Orange Juice Blues</title>
      <description>Our inaugural episode delves into "Orange Juice Blues," a soul-stirring composition by Richard Manuel, crafted in 1967. This evocative song has a story over several decades, and in this episode, we shall examine its evolution and the profound resonance it holds.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 06 Nov 2023 05:00:00 -0000</pubDate>
      <itunes:title>Odds &amp; Ends: Orange Juice Blues</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9cd91fe4-7be7-11ee-94c3-cb4497db952a/image/e7ca7f.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A mini-series focused on The Band's outtakes, rarities and unreleased material</itunes:subtitle>
      <itunes:summary>Our inaugural episode delves into "Orange Juice Blues," a soul-stirring composition by Richard Manuel, crafted in 1967. This evocative song has a story over several decades, and in this episode, we shall examine its evolution and the profound resonance it holds.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Our inaugural episode delves into "Orange Juice Blues," a soul-stirring composition by Richard Manuel, crafted in 1967. This evocative song has a story over several decades, and in this episode, we shall examine its evolution and the profound resonance it holds.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>918</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9cd91fe4-7be7-11ee-94c3-cb4497db952a]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN8350855800.mp3?updated=1730160750" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Massey Hall </title>
      <description>In this unique episode, I intertwine history with engaging conversation. The Band made their inaugural appearance at Massey Hall in 1970, a highly anticipated hometown performance that critics hailed as nothing short of a "religious experience." Massey Hall holds a revered place in Toronto's cultural heritage, akin to the Ryman Auditorium, situated north of the border, and it has hosted some of the greatest performers in its hallowed halls.
On November 18, 2023, Chest Fever, who received the official seal of approval from Robbie Robertson before his passing, will bring their outstanding celebration of The Last Waltz to Massey Hall. Joining them will be an illustrious lineup of guest artists. I sit down with Chest Fever to explore their journey from the intimate confines of Toronto's Horseshoe Tavern to the grandeur of Massey Hall. We delve into their meticulous preparation, the mounting anticipation, and much more!
If you're interesting in attending the event, you can visit http://chestfeverofficial.com/thelastwaltz and use my promo code "thebandpodcast" for five dollars off.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 02 Oct 2023 11:00:00 -0000</pubDate>
      <itunes:title>Massey Hall</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>48</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/1feadb56-5ed4-11ee-b9b9-e7378e9d9cb7/image/81088b.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>The Band brought their music to Massey Hall in 1970. Now decades later, Chest Fever is bringing it back to the hallowed venue. </itunes:subtitle>
      <itunes:summary>In this unique episode, I intertwine history with engaging conversation. The Band made their inaugural appearance at Massey Hall in 1970, a highly anticipated hometown performance that critics hailed as nothing short of a "religious experience." Massey Hall holds a revered place in Toronto's cultural heritage, akin to the Ryman Auditorium, situated north of the border, and it has hosted some of the greatest performers in its hallowed halls.
On November 18, 2023, Chest Fever, who received the official seal of approval from Robbie Robertson before his passing, will bring their outstanding celebration of The Last Waltz to Massey Hall. Joining them will be an illustrious lineup of guest artists. I sit down with Chest Fever to explore their journey from the intimate confines of Toronto's Horseshoe Tavern to the grandeur of Massey Hall. We delve into their meticulous preparation, the mounting anticipation, and much more!
If you're interesting in attending the event, you can visit http://chestfeverofficial.com/thelastwaltz and use my promo code "thebandpodcast" for five dollars off.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this unique episode, I intertwine history with engaging conversation. The Band made their inaugural appearance at Massey Hall in 1970, a highly anticipated hometown performance that critics hailed as nothing short of a "<em>religious experience."</em> Massey Hall holds a revered place in Toronto's cultural heritage, akin to the Ryman Auditorium, situated north of the border, and it has hosted some of the greatest performers in its hallowed halls.</p><p>On November 18, 2023, Chest Fever, who received the official seal of approval from Robbie Robertson before his passing, will bring their outstanding celebration of <em>The Last Waltz</em> to Massey Hall. Joining them will be an illustrious lineup of guest artists. I sit down with Chest Fever to explore their journey from the intimate confines of Toronto's Horseshoe Tavern to the grandeur of Massey Hall. We delve into their meticulous preparation, the mounting anticipation, and much more!</p><p><em>If you're interesting in attending the event, you can visit http://chestfeverofficial.com/thelastwaltz and use my promo code "thebandpodcast" for five dollars off.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3864</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1feadb56-5ed4-11ee-b9b9-e7378e9d9cb7]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN4453074600.mp3?updated=1730160826" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Levon Helm '78</title>
      <description>Amidst the initial turbulence of his inaugural solo release and subsequent tour, Levon Helm and his ensemble found themselves grappling with an unfortunate dearth of problems. Plagued by undisclosed health adversities and the intricate orchestration of conflicting timetables, Helm sought solace within the confines of the studio, setting in motion the creation of yet another album. Mirroring the approach of his maiden endeavour, he enlisted the renowned Muscle Shoals Rhythm Section. In 1978, the fruits of his labour materialized in the form of his latest record, bearing the succinct name "Levon Helm. Determined, Helm tried to rekindle his solo career and finally garner the recognition he deserved.
If you're in Toronto or want to come up for a special evening, Chest Fever is doing a Last Waltz Celebration at the legendary Massey Hall on November 18, 2023. Buy tickets here. 
The Band: A History is produced, written and hosted by Tyrell William Lisson and post-production sound and editing by Michael Koehler.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 28 Aug 2023 11:00:00 -0000</pubDate>
      <itunes:title>Levon Helm '78</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>46</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/536fd5f0-3650-11ee-b346-e71cfdbbf4fb/image/aadef2.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Amidst the initial turbulence of his inaugural solo release and subsequent tour, Levon Helm and his ensemble found themselves grappling with an unfortunate dearth of problems. </itunes:subtitle>
      <itunes:summary>Amidst the initial turbulence of his inaugural solo release and subsequent tour, Levon Helm and his ensemble found themselves grappling with an unfortunate dearth of problems. Plagued by undisclosed health adversities and the intricate orchestration of conflicting timetables, Helm sought solace within the confines of the studio, setting in motion the creation of yet another album. Mirroring the approach of his maiden endeavour, he enlisted the renowned Muscle Shoals Rhythm Section. In 1978, the fruits of his labour materialized in the form of his latest record, bearing the succinct name "Levon Helm. Determined, Helm tried to rekindle his solo career and finally garner the recognition he deserved.
If you're in Toronto or want to come up for a special evening, Chest Fever is doing a Last Waltz Celebration at the legendary Massey Hall on November 18, 2023. Buy tickets here. 
The Band: A History is produced, written and hosted by Tyrell William Lisson and post-production sound and editing by Michael Koehler.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Amidst the initial turbulence of his inaugural solo release and subsequent tour, Levon Helm and his ensemble found themselves grappling with an unfortunate dearth of problems. Plagued by undisclosed health adversities and the intricate orchestration of conflicting timetables, Helm sought solace within the confines of the studio, setting in motion the creation of yet another album. Mirroring the approach of his maiden endeavour, he enlisted the renowned Muscle Shoals Rhythm Section. In 1978, the fruits of his labour materialized in the form of his latest record, bearing the succinct name "Levon Helm. Determined, Helm tried to rekindle his solo career and finally garner the recognition he deserved.</p><p>If you're in Toronto or want to come up for a special evening, Chest Fever is doing a Last Waltz Celebration at the legendary Massey Hall on November 18, 2023. Buy tickets <a href="https://masseyhall.mhrth.com/tickets/chest-fever-presents-the-last-waltz/">here</a>. </p><p><em>The Band: A History is produced, written and hosted by Tyrell William Lisson and post-production sound and editing by Michael Koehler.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2915</itunes:duration>
      <guid isPermaLink="false"><![CDATA[536fd5f0-3650-11ee-b346-e71cfdbbf4fb]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN8027928808.mp3?updated=1730160828" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rest In Peace Robbie Robertson</title>
      <description>I try and put a few words together to honour Robbie Robertson, a legendary guitarist and songwriter. In lieu of gifts, Robbie's family has asked for donations to the Woodland Cultural Centre here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 09 Aug 2023 22:54:00 -0000</pubDate>
      <itunes:title>Rest In Peace Robbie Robertson</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a504e97a-3707-11ee-91bf-43401131eedf/image/3c7edd.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>I try and put a few words together to honour Robbie Robertson, a legendary guitarist and songwriter. In lieu of gifts, Robbie's family has asked for donations to the Woodland Cultural Centre here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>I try and put a few words together to honour Robbie Robertson, a legendary guitarist and songwriter. In lieu of gifts, Robbie's family has asked for donations to the Woodland Cultural Centre <a href="https://woodlandculturalcentre.ca/">here</a>. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>521</itunes:duration>
      <guid isPermaLink="false"><![CDATA[a504e97a-3707-11ee-91bf-43401131eedf]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN3517887493.mp3?updated=1730160694" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title> Carny</title>
      <description>Following the triumphant launch of "The Last Waltz," Robbie Robertson redirected his ambitions toward carving a prominent niche in Hollywood. With a fervent desire to attain recognition as a distinguished producer and a rising star in the film industry, he set his sights on a captivating script known as "Carny." This enthralling tale delved into the dark and enigmatic world of travelling carnivals, promising numerous hurdles for the aspiring filmmaker – drug-induced debauchery, the inherent challenges of a novice filmmaker, and the lurking spectres of vanity. Undeterred by the daunting odds, Robertson embraced this opportunity as his pivotal moment to make an enduring mark on the cinematic landscape.
If you're in Toronto or want to come up for a special evening, Chest Fever is doing a Last Waltz Celebration at the legendary Massey Hall on November 18, 2023. Buy tickets here. 
The Band: A History is produced, written and hosted by Tyrell William Lisson and post-production sound and editing by Michael Koehler.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 07 Aug 2023 04:00:00 -0000</pubDate>
      <itunes:title>Carny</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>45</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a1ed2aa8-323f-11ee-8c4c-2b8d959e01da/image/930415.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Following the triumphant launch of "The Last Waltz," Robbie Robertson redirected his ambitions toward carving a prominent niche in Hollywood.</itunes:subtitle>
      <itunes:summary>Following the triumphant launch of "The Last Waltz," Robbie Robertson redirected his ambitions toward carving a prominent niche in Hollywood. With a fervent desire to attain recognition as a distinguished producer and a rising star in the film industry, he set his sights on a captivating script known as "Carny." This enthralling tale delved into the dark and enigmatic world of travelling carnivals, promising numerous hurdles for the aspiring filmmaker – drug-induced debauchery, the inherent challenges of a novice filmmaker, and the lurking spectres of vanity. Undeterred by the daunting odds, Robertson embraced this opportunity as his pivotal moment to make an enduring mark on the cinematic landscape.
If you're in Toronto or want to come up for a special evening, Chest Fever is doing a Last Waltz Celebration at the legendary Massey Hall on November 18, 2023. Buy tickets here. 
The Band: A History is produced, written and hosted by Tyrell William Lisson and post-production sound and editing by Michael Koehler.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Following the triumphant launch of "The Last Waltz," Robbie Robertson redirected his ambitions toward carving a prominent niche in Hollywood. With a fervent desire to attain recognition as a distinguished producer and a rising star in the film industry, he set his sights on a captivating script known as "Carny." This enthralling tale delved into the dark and enigmatic world of travelling carnivals, promising numerous hurdles for the aspiring filmmaker – drug-induced debauchery, the inherent challenges of a novice filmmaker, and the lurking spectres of vanity. Undeterred by the daunting odds, Robertson embraced this opportunity as his pivotal moment to make an enduring mark on the cinematic landscape.</p><p>If you're in Toronto or want to come up for a special evening, Chest Fever is doing a Last Waltz Celebration at the legendary Massey Hall on November 18, 2023. Buy tickets <a href="https://masseyhall.mhrth.com/tickets/chest-fever-presents-the-last-waltz/">here</a>. </p><p><em>The Band: A History is produced, written and hosted by Tyrell William Lisson and post-production sound and editing by Michael Koehler.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1901</itunes:duration>
      <guid isPermaLink="false"><![CDATA[a1ed2aa8-323f-11ee-8c4c-2b8d959e01da]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN3104860336.mp3?updated=1730160785" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Moondog Matinee Roundtable </title>
      <description>2023 marks the fiftieth anniversary of The Band's fifth studio album Moondog Matinee. A cover album with a mixed critical and audience appraisal, now fifty years later, The Band: A History is joined in a roundtable discussion by Michael Koehler and Annie Burkhart to dig into the album's merit.

If you're interested in following today's guests, you can follow Annie here and Micahel here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 12 Jun 2023 12:08:08 -0000</pubDate>
      <itunes:title>Moondog Matinee Roundtable </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>44</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/47f8a71c-05fc-11ee-999b-8f3c7dcc4f39/image/8cc6b8.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>The Band: A History is joined in a roundtable discussion by Michael Koehler and Annie Burkhart to dig into The Band's Moondog Matinee in it's fiftieth year of existence. </itunes:subtitle>
      <itunes:summary>2023 marks the fiftieth anniversary of The Band's fifth studio album Moondog Matinee. A cover album with a mixed critical and audience appraisal, now fifty years later, The Band: A History is joined in a roundtable discussion by Michael Koehler and Annie Burkhart to dig into the album's merit.

If you're interested in following today's guests, you can follow Annie here and Micahel here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>2023 marks the fiftieth anniversary of The Band's fifth studio album Moondog Matinee. A cover album with a mixed critical and audience appraisal, now fifty years later, The Band: A History is joined in a roundtable discussion by Michael Koehler and Annie Burkhart to dig into the album's merit.</p><p><br></p><p>If you're interested in following today's guests, you can follow Annie <a href="https://twitter.com/anniegetyourpun">here</a> and Micahel <a href="https://twitter.com/Killer_Koehler">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>6918</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[47f8a71c-05fc-11ee-999b-8f3c7dcc4f39]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN1242101816.mp3?updated=1730161036" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Beige Period </title>
      <description>The Band had moved bases in 1974 from the East Coast and the cozy colony of Woodstock to the West Coast colony shores of Malibu. Richard Manuel, struggling already with balancing the demands of his band, his family life was falling deeper into manic depression, which led to excessive alcohol and drug consumption. With his family fractured and his habits excessive, the reeling Manuel continued to tour with The Band and Bob Dylan, rent expensive beach houses and cycle through a series of girlfriends. In reflection, Manuel called this time his "Beige Period." The drug use, recording and touring life, and some exciting times spent with Joe Cocker and Eric Clapton ultimately led to Manuel finding himself without a place to go after The Last Waltz. Would he continue to let his mental health and addiction enthrall him, or would he manage to gain control?

This episode was produced, written and hosted by Tyrell William Lisson and edited and engineered by Michael Koehler.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 03 May 2023 11:49:00 -0000</pubDate>
      <itunes:title>The Beige Period</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>43</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/fcb5a562-e13d-11ed-a6ed-7f92ade72295/image/8cc093.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>“On the surface, it was all so beautiful and underneath, everything was so rotten.” – Libby Titus. </itunes:subtitle>
      <itunes:summary>The Band had moved bases in 1974 from the East Coast and the cozy colony of Woodstock to the West Coast colony shores of Malibu. Richard Manuel, struggling already with balancing the demands of his band, his family life was falling deeper into manic depression, which led to excessive alcohol and drug consumption. With his family fractured and his habits excessive, the reeling Manuel continued to tour with The Band and Bob Dylan, rent expensive beach houses and cycle through a series of girlfriends. In reflection, Manuel called this time his "Beige Period." The drug use, recording and touring life, and some exciting times spent with Joe Cocker and Eric Clapton ultimately led to Manuel finding himself without a place to go after The Last Waltz. Would he continue to let his mental health and addiction enthrall him, or would he manage to gain control?

This episode was produced, written and hosted by Tyrell William Lisson and edited and engineered by Michael Koehler.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Band had moved bases in 1974 from the East Coast and the cozy colony of Woodstock to the West Coast colony shores of Malibu. Richard Manuel, struggling already with balancing the demands of his band, his family life was falling deeper into manic depression, which led to excessive alcohol and drug consumption. With his family fractured and his habits excessive, the reeling Manuel continued to tour with The Band and Bob Dylan, rent expensive beach houses and cycle through a series of girlfriends. In reflection, Manuel called this time his "Beige Period." The drug use, recording and touring life, and some exciting times spent with Joe Cocker and Eric Clapton ultimately led to Manuel finding himself without a place to go after <em>The Last Waltz</em>. Would he continue to let his mental health and addiction enthrall him, or would he manage to gain control?</p><p><br></p><p><em>This episode was produced, written and hosted by Tyrell William Lisson and edited and engineered by Michael Koehler.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1475</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fcb5a562-e13d-11ed-a6ed-7f92ade72295]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN1418319646.mp3?updated=1730160847" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Honey Boy </title>
      <description>He is genuinely the most original, brilliant and moving keyboard players that has ever operated within rock ’n’ roll.” Author Barney Hoskyns noted in 1993 in his book Across The Great Divide.
Following The Last Waltz, Garth Hudson didn’t have much issue continuing to do what he loved doing – playing music. The industry and musicians were intrigued by Hudson, the quiet figure hunched behind a mountain of keys was always deemed the magic touch, the member that helped push The Band into a territory of its own, and everyone wanted a little of that magic on their records. 
The Band: A History is produced, written and hosted by Tyrell William Lisson and post-production sound and editing by Michael Koehler.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 19 Feb 2023 13:00:00 -0000</pubDate>
      <itunes:title>Honey Boy </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>42</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/55f4ed46-a3f3-11ed-aeb7-939c7d796baf/image/bf2cf5.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>He is genuinely the most original, brilliant and moving keyboard players that has ever operated within rock ’n’ roll.” </itunes:subtitle>
      <itunes:summary>He is genuinely the most original, brilliant and moving keyboard players that has ever operated within rock ’n’ roll.” Author Barney Hoskyns noted in 1993 in his book Across The Great Divide.
Following The Last Waltz, Garth Hudson didn’t have much issue continuing to do what he loved doing – playing music. The industry and musicians were intrigued by Hudson, the quiet figure hunched behind a mountain of keys was always deemed the magic touch, the member that helped push The Band into a territory of its own, and everyone wanted a little of that magic on their records. 
The Band: A History is produced, written and hosted by Tyrell William Lisson and post-production sound and editing by Michael Koehler.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>He is genuinely the most original, brilliant and moving keyboard players that has ever operated within rock ’n’ roll.”</em> Author Barney Hoskyns noted in 1993 in his book <em>Across The Great Divide.</em></p><p>Following <em>The Last Waltz</em>, Garth Hudson didn’t have much issue continuing to do what he loved doing – playing music. The industry and musicians were intrigued by Hudson, the quiet figure hunched behind a mountain of keys was always deemed the magic touch, the member that helped push The Band into a territory of its own, and everyone wanted a little of that magic on their records. </p><p><em>The Band: A History is produced, written and hosted by Tyrell William Lisson and post-production sound and editing by Michael Koehler.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1433</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[55f4ed46-a3f3-11ed-aeb7-939c7d796baf]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN2348930248.mp3?updated=1730160770" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Roxy </title>
      <description>“Sitting around my house in Malibu and walking around the beach. I’ve been doing that for a long time, and frankly, I’m tired of it.” 
Rick Danko’s quote in 1978 could accurately reflect the temperate of a few members of The Band as the end of the decade neared. A purgatory of sorts had settled over The Band. Following The Last Waltz in 1976, The Band lay dormant. Was it over? Well, not officially. Danko, Helm and Robertson all talked publicly about recording again, downplaying that they hadn’t been seen in the studio since The Last Waltz.
Levon and Rick had already set motion to their solo careers, Helm with the RCO All-Stars and Danko with his first album on Arista Records. Robbie hadn’t technically left the world of The Band, he kept steady with post-production on The Last Waltz with the film and album, and Garth Hudson was busy building his new life and session work. Manuel took things slower, struggling with his demons; he sought to fight them. 
1997 through 1978, continued the perplexing situation surrounding The Band was still lurking in the background. Robertson and Danko continued with heavy schedules throughout the year. Still, The Band members did overlap at various points throughout the year.
The Band: A History is produced, written and hosted by Tyrell William Lisson and post-production sound and editing by Michael Koehler.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 05 Feb 2023 13:00:00 -0000</pubDate>
      <itunes:title>The Roxy</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>41</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/61e8d410-9e7f-11ed-856d-2764b447909d/image/e46fd9.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>“Sitting around my house in Malibu and walking around the beach. I’ve been doing that for a long time, and frankly, I’m tired of it.” </itunes:subtitle>
      <itunes:summary>“Sitting around my house in Malibu and walking around the beach. I’ve been doing that for a long time, and frankly, I’m tired of it.” 
Rick Danko’s quote in 1978 could accurately reflect the temperate of a few members of The Band as the end of the decade neared. A purgatory of sorts had settled over The Band. Following The Last Waltz in 1976, The Band lay dormant. Was it over? Well, not officially. Danko, Helm and Robertson all talked publicly about recording again, downplaying that they hadn’t been seen in the studio since The Last Waltz.
Levon and Rick had already set motion to their solo careers, Helm with the RCO All-Stars and Danko with his first album on Arista Records. Robbie hadn’t technically left the world of The Band, he kept steady with post-production on The Last Waltz with the film and album, and Garth Hudson was busy building his new life and session work. Manuel took things slower, struggling with his demons; he sought to fight them. 
1997 through 1978, continued the perplexing situation surrounding The Band was still lurking in the background. Robertson and Danko continued with heavy schedules throughout the year. Still, The Band members did overlap at various points throughout the year.
The Band: A History is produced, written and hosted by Tyrell William Lisson and post-production sound and editing by Michael Koehler.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>“Sitting around my house in Malibu and walking around the beach. I’ve been doing that for a long time, and frankly, I’m tired of it.” </em></p><p>Rick Danko’s quote in 1978 could accurately reflect the temperate of a few members of The Band as the end of the decade neared. A purgatory of sorts had settled over The Band. Following The Last Waltz in 1976, The Band lay dormant. Was it over? Well, not officially. Danko, Helm and Robertson all talked publicly about recording again, downplaying that they hadn’t been seen in the studio since <em>The Last Waltz</em>.</p><p>Levon and Rick had already set motion to their solo careers, Helm with the RCO All-Stars and Danko with his first album on Arista Records. Robbie hadn’t technically left the world of The Band, he kept steady with post-production on The Last Waltz with the film and album, and Garth Hudson was busy building his new life and session work. Manuel took things slower, struggling with his demons; he sought to fight them. </p><p>1997 through 1978, continued the perplexing situation surrounding The Band was still lurking in the background. Robertson and Danko continued with heavy schedules throughout the year. Still, The Band members did overlap at various points throughout the year.</p><p><em>The Band: A History is produced, written and hosted by Tyrell William Lisson and post-production sound and editing by Michael Koehler.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1757</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[61e8d410-9e7f-11ed-856d-2764b447909d]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN3329058550.mp3?updated=1730160752" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Interview: Jude Warne</title>
      <description>The Band: A History sits down with writer, columnist and author Jude Warne to discuss her recent essay on The Band's 1970 studio album Stage Fright, which is part of a larger scholarly study of The Band entitled Rags and Bones: An Exploration of The Band published by the University Press of Mississippi.
You can find Rags and Bones: An Exploration of The Band here and visit Jude's website here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 02 Dec 2022 08:00:00 -0000</pubDate>
      <itunes:title>Interview: Jude Warne</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>41</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/d019afc8-906e-11ed-85d2-23d076129db0/image/a6cb1d.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>The Band: A History sits down with writer, columnist and author Jude Warne to discuss her recent essay on The Band's 1970 studio album Stage Fright, which is part of a larger scholarly study of The Band entitled Rags and Bones: An Exploration of The Band published by the University Press of Mississippi.  You can find Rags and Bones: An Exploration of The Band here and visit Jude's website here.</itunes:subtitle>
      <itunes:summary>The Band: A History sits down with writer, columnist and author Jude Warne to discuss her recent essay on The Band's 1970 studio album Stage Fright, which is part of a larger scholarly study of The Band entitled Rags and Bones: An Exploration of The Band published by the University Press of Mississippi.
You can find Rags and Bones: An Exploration of The Band here and visit Jude's website here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Band: A History sits down with writer, columnist and author Jude Warne to discuss her recent essay on The Band's 1970 studio album <em>Stage Fright</em>, which is part of a larger scholarly study of The Band entitled <em>Rags and Bones: An Exploration of The Ban</em>d published by the University Press of Mississippi.</p><p>You can find Rags and Bones: An Exploration of The Band <a href="https://www.upress.state.ms.us/Books/R/Rags-and-Bones">here</a> and visit Jude's website <a href="https://judewarne.com/">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4063</itunes:duration>
      <guid isPermaLink="false"><![CDATA[d019afc8-906e-11ed-85d2-23d076129db0]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN9821180589.mp3?updated=1730160745" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rick Danko (Album)</title>
      <description>“I was looking for a simpler, fresher routing... I really like this new group. I can go out and perform the record now.”
Rick Danko was now out on his own. Nearly two decades with The Band left him wanting more. More music, more touring and more control. He told Harvey Kubernick in 1978, “I’m the focal point on stage this time, and it doesn’t bother me. I put this new group together, I telephoned them all. I sought out personalities who could bus and fly together and continue to put up with each other. What I do is collect performances from everyone. I make quicker decisions in this position than when I am a member of the Band.”
Outro song by Ian James Bain, stream his music everywhere. 
The Band: A History is produced, written and hosted by Tyrell William Lisson and post-production sound and editing by Michael Koehler.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 07 Nov 2022 08:00:00 -0000</pubDate>
      <itunes:title>Rick Danko (Album)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>40</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9da45156-906e-11ed-b386-afa05a59e1ec/image/e8ff52.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>“I was looking for a simpler, fresher routing... But I really like this new group. I can go out and perform the record now.” Rick Danko was now out on his own. Nearly two decades with The Band left him wanting more. More music, more touring and more control. </itunes:subtitle>
      <itunes:summary>“I was looking for a simpler, fresher routing... I really like this new group. I can go out and perform the record now.”
Rick Danko was now out on his own. Nearly two decades with The Band left him wanting more. More music, more touring and more control. He told Harvey Kubernick in 1978, “I’m the focal point on stage this time, and it doesn’t bother me. I put this new group together, I telephoned them all. I sought out personalities who could bus and fly together and continue to put up with each other. What I do is collect performances from everyone. I make quicker decisions in this position than when I am a member of the Band.”
Outro song by Ian James Bain, stream his music everywhere. 
The Band: A History is produced, written and hosted by Tyrell William Lisson and post-production sound and editing by Michael Koehler.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>“I was looking for a simpler, fresher routing... I really like this new group. I can go out and perform the record now.”</em></p><p>Rick Danko was now out on his own. Nearly two decades with The Band left him wanting more. More music, more touring and more control. He told Harvey Kubernick in 1978, <em>“I’m the focal point on stage this time, and it doesn’t bother me. I put this new group together, I telephoned them all. I sought out personalities who could bus and fly together and continue to put up with each other. What I do is collect performances from everyone. I make quicker decisions in this position than when I am a member of the Band.”</em></p><p>Outro song by Ian James Bain, stream his music <a href="https://ditto.fm/where-i-wanna-be-ian-james-bain">everywhere</a>. </p><p><em>The Band: A History is produced, written and hosted by Tyrell William Lisson and post-production sound and editing by Michael Koehler.</em></p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3536</itunes:duration>
      <guid isPermaLink="false"><![CDATA[9da45156-906e-11ed-b386-afa05a59e1ec]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN9499084277.mp3?updated=1730160723" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Levon Helm &amp; The RCO All-Stars</title>
      <description>With the break-up of his band and his family, Levon Helm did what he knew best, make music. While The Band was all but extinct, Helm continued to tell journalists they’d keep making music. However, he started putting together a new band, and he moved back east to set up permanently. As he recalled, “I decided to remain in Woodstock. I loved the town and the people and the way of life too much to sell my house and relocate.” 
The Band: A History is produced, written and hosted by Tyrell William Lisson and post-production sound and editing by Michael Koehler.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 09 Sep 2022 14:57:00 -0000</pubDate>
      <itunes:title>Levon Helm &amp; The RCO All-Stars</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>39</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/4a7e121e-906e-11ed-a983-4f51e94e45db/image/105b38.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>With the break-up of his band and his family, Levon Helm did what he knew best, make music. While The Band was all but extinct, Helm continued to tell journalists they’d keep making music. However, he started putting together a new band, and he moved back east to set up permanently. As he recalled, “I decided to remain in Woodstock. I loved the town and the people and the way of life too much to sell my house and relocate.” </itunes:subtitle>
      <itunes:summary>With the break-up of his band and his family, Levon Helm did what he knew best, make music. While The Band was all but extinct, Helm continued to tell journalists they’d keep making music. However, he started putting together a new band, and he moved back east to set up permanently. As he recalled, “I decided to remain in Woodstock. I loved the town and the people and the way of life too much to sell my house and relocate.” 
The Band: A History is produced, written and hosted by Tyrell William Lisson and post-production sound and editing by Michael Koehler.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>With the break-up of his band and his family, Levon Helm did what he knew best, make music. While The Band was all but extinct, Helm continued to tell journalists they’d keep making music. However, he started putting together a new band, and he moved back east to set up permanently. As he recalled, “I decided to remain in Woodstock. I loved the town and the people and the way of life too much to sell my house and relocate.” </p><p><em>The Band: A History is produced, written and hosted by Tyrell William Lisson and post-production sound and editing by Michael Koehler.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3473</itunes:duration>
      <guid isPermaLink="false"><![CDATA[4a7e121e-906e-11ed-a983-4f51e94e45db]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN7585036647.mp3?updated=1730160702" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Interview: Chest Fever </title>
      <description>The Band: A History sits down with Chest Fever, the official revival of The Band. 
If you remember my interview a few months ago with Mrs. Henry, a great band from California. In that case, they are back with a new project, Chest Fever, a band that has been given the stamp of approval to carry on the musical legacy of The Band. They are taking their show on the road for the fiftieth anniversary of The Band's live album Rock of Ages, touring across the United States and Canada. I chat with them about how Chest Fever was created, the preparation for the tour and the balance of replicating The Band's sound and making the music their own. 
Find out more about Chest Fever and their tour dates on their official website: http://www.chestfeverofficial.com. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 27 Jul 2022 07:00:00 -0000</pubDate>
      <itunes:title>Interview: Chest Fever </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/1e15d810-906e-11ed-b7e9-fbdab4d9803b/image/d7ddae.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>The Band: A History sits down with Chest Fever, the official revival of The Band.</itunes:subtitle>
      <itunes:summary>The Band: A History sits down with Chest Fever, the official revival of The Band. 
If you remember my interview a few months ago with Mrs. Henry, a great band from California. In that case, they are back with a new project, Chest Fever, a band that has been given the stamp of approval to carry on the musical legacy of The Band. They are taking their show on the road for the fiftieth anniversary of The Band's live album Rock of Ages, touring across the United States and Canada. I chat with them about how Chest Fever was created, the preparation for the tour and the balance of replicating The Band's sound and making the music their own. 
Find out more about Chest Fever and their tour dates on their official website: http://www.chestfeverofficial.com. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Band: A History sits down with Chest Fever, the official revival of The Band. </p><p>If you remember my interview a few months ago with Mrs. Henry, a great band from California. In that case, they are back with a new project, Chest Fever, a band that has been given the stamp of approval to carry on the musical legacy of The Band. They are taking their show on the road for the fiftieth anniversary of The Band's live album Rock of Ages, touring across the United States and Canada. I chat with them about how Chest Fever was created, the preparation for the tour and the balance of replicating The Band's sound and making the music their own. </p><p>Find out more about Chest Fever and their tour dates on their official website: <a href="http://www.chestfeverofficial.com/">http://www.chestfeverofficial.com</a>. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>5350</itunes:duration>
      <guid isPermaLink="false"><![CDATA[1e15d810-906e-11ed-b7e9-fbdab4d9803b]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN9952915578.mp3?updated=1730160699" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Interview: Bob Clearmountain</title>
      <description>The Band: A History sits down with legendary recording engineer, mixer and record producer Bob Clearmountain, whose innovative approach has led him to work with industry-heavy-hitters like Bruce Springsteen, David Bowie, and The Rolling Stones. Having mixed Robbie Robertson’s first solo album in 1987 and sharing a working relationship since it made sense to bring him aboard when tackling the 50th anniversary of Music From Big Pink in 2018. Bob has been back, working on all subsequent anniversary releases by The Band, including the most recent, Cahoots. The Band: A History talks to him about his working relationship with Robertson, the challenges of re-mixing records from five decades ago and the new technology he brings to the remixes. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 11 Jul 2022 07:00:00 -0000</pubDate>
      <itunes:title>Interview: Bob Clearmountain</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e2a18a72-906d-11ed-a772-879a8f118dc5/image/4431c1.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>The Band: A History sits down with legendary recording engineer, mixer and record producer Bob Clearmountain. whose innovative approach has led him to work with industry-heavy-hitters like Bruce Springsteen, David Bowie, and The Rolling Stones. Tackling the 50th anniversary of Music From Big Pink in 2018. Bob has worked on all subsequent anniversary releases by The Band, including the most recent, Cahoots.</itunes:subtitle>
      <itunes:summary>The Band: A History sits down with legendary recording engineer, mixer and record producer Bob Clearmountain, whose innovative approach has led him to work with industry-heavy-hitters like Bruce Springsteen, David Bowie, and The Rolling Stones. Having mixed Robbie Robertson’s first solo album in 1987 and sharing a working relationship since it made sense to bring him aboard when tackling the 50th anniversary of Music From Big Pink in 2018. Bob has been back, working on all subsequent anniversary releases by The Band, including the most recent, Cahoots. The Band: A History talks to him about his working relationship with Robertson, the challenges of re-mixing records from five decades ago and the new technology he brings to the remixes. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Band: A History sits down with legendary recording engineer, mixer and record producer Bob Clearmountain, whose innovative approach has led him to work with industry-heavy-hitters like Bruce Springsteen, David Bowie, and The Rolling Stones. Having mixed Robbie Robertson’s first solo album in 1987 and sharing a working relationship since it made sense to bring him aboard when tackling the 50th anniversary of <em>Music From Big Pink</em> in 2018. Bob has been back, working on all subsequent anniversary releases by The Band, including the most recent, <em>Cahoots</em>. The Band: A History talks to him about his working relationship with Robertson, the challenges of re-mixing records from five decades ago and the new technology he brings to the remixes. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2743</itunes:duration>
      <guid isPermaLink="false"><![CDATA[e2a18a72-906d-11ed-a772-879a8f118dc5]]></guid>
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    </item>
    <item>
      <title>Islands</title>
      <description>Assembling in the studio at various points during 1976 through 1977, The Band put together a plan for Islands. It was described later by Robbie as being similar to The Who’s Odds &amp; Sods album. In essence, it was a hodgepodge of older recordings along with some newer cuts to complete their eight album record deal with Capitol.
Regardless of all of the exterior distractions, The Band were still professionals. They were incapable of putting out terrible music and they assembled ten tracks that while uneven still pack a serious punch. And with that, the original incarnation of The Band was done. It wasn’t executed perfectly but nothing ever truly is. As many fans, critics and peers have mentioned, The Band was one of the finest groups of musicians that ever played and while they may have not gone out exactly as planned, their influence was never diminished. 
The Band: A History is produced, written and hosted by Tyrell William Lisson with additional research and writing by Alex McGillivray and post-production sound and editing by Michael Koehler.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 12 Jun 2022 04:00:00 -0000</pubDate>
      <itunes:title>Islands</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>36</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/2ef7c610-d3d7-11ec-b3da-dbd02d83b40c/image/ISLANDS_CLEAN.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Assembling in the studio at various points during 1976 through 1977, The Band put together a plan for Islands. It was described later by Robbie as being similar to The Who’s Odds &amp; Sods album. In essence, it was a hodgepodge of older recordings along with some newer cuts to complete their eight album record deal with Capitol.</itunes:subtitle>
      <itunes:summary>Assembling in the studio at various points during 1976 through 1977, The Band put together a plan for Islands. It was described later by Robbie as being similar to The Who’s Odds &amp; Sods album. In essence, it was a hodgepodge of older recordings along with some newer cuts to complete their eight album record deal with Capitol.
Regardless of all of the exterior distractions, The Band were still professionals. They were incapable of putting out terrible music and they assembled ten tracks that while uneven still pack a serious punch. And with that, the original incarnation of The Band was done. It wasn’t executed perfectly but nothing ever truly is. As many fans, critics and peers have mentioned, The Band was one of the finest groups of musicians that ever played and while they may have not gone out exactly as planned, their influence was never diminished. 
The Band: A History is produced, written and hosted by Tyrell William Lisson with additional research and writing by Alex McGillivray and post-production sound and editing by Michael Koehler.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Assembling in the studio at various points during 1976 through 1977, The Band put together a plan for <em>Islands</em>. It was described later by Robbie as being similar to The Who’s <em>Odds &amp; Sods</em> album. In essence, it was a hodgepodge of older recordings along with some newer cuts to complete their eight album record deal with Capitol.</p><p>Regardless of all of the exterior distractions, The Band were still professionals. They were incapable of putting out terrible music and they assembled ten tracks that while uneven still pack a serious punch. And with that, the original incarnation of The Band was done. It wasn’t executed perfectly but nothing ever truly is. As many fans, critics and peers have mentioned, The Band was one of the finest groups of musicians that ever played and while they may have not gone out exactly as planned, their influence was never diminished. </p><p><em>The Band: A History is produced, written and hosted by Tyrell William Lisson with additional research and writing by Alex McGillivray and post-production sound and editing by Michael Koehler.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3492</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[2ef7c610-d3d7-11ec-b3da-dbd02d83b40c]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN9489551099.mp3?updated=1730160692" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Last Waltz - Part Six </title>
      <description>Full-on post-production of The Last Waltz took place over an eighteen-month period from the winter of 1977 through the spring of 1978. It was a monstrous undertaking with many moving pieces between the studio, producers, technicians, crews and the musicians.
Ultimately, the release of the film and soundtrack in April 1978 led Martin Scorsese and Robbie Robertson across the globe to promote their film. The Last Waltz, the imperfect masterpiece was a defining moment of their careers whether or not they knew it or wanted it to be. Forever on celluloid, one of the most important acts of the 1960s and 1970s was immortalized surrounded by their peers.
The Band: A History is produced, written and hosted by Tyrell William Lisson with additional research and writing by Alex McGillivray and post-production sound and editing by Michael Koehler.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 15 May 2022 11:00:00 -0000</pubDate>
      <itunes:title>The Last Waltz - Part Six </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>35</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/67ef704e-cfd6-11ec-832a-b3e8128596c7/image/EPISODE_SIX_CLEAN.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Full-on post-production of The Last Waltz took place over an eighteen-month period from the winter of 1977 through the spring of 1978. It was a monstrous undertaking with many moving pieces between the studio, producers, technicians, crews and the musicians. </itunes:subtitle>
      <itunes:summary>Full-on post-production of The Last Waltz took place over an eighteen-month period from the winter of 1977 through the spring of 1978. It was a monstrous undertaking with many moving pieces between the studio, producers, technicians, crews and the musicians.
Ultimately, the release of the film and soundtrack in April 1978 led Martin Scorsese and Robbie Robertson across the globe to promote their film. The Last Waltz, the imperfect masterpiece was a defining moment of their careers whether or not they knew it or wanted it to be. Forever on celluloid, one of the most important acts of the 1960s and 1970s was immortalized surrounded by their peers.
The Band: A History is produced, written and hosted by Tyrell William Lisson with additional research and writing by Alex McGillivray and post-production sound and editing by Michael Koehler.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Full-on post-production of <em>The Last Waltz</em> took place over an eighteen-month period from the winter of 1977 through the spring of 1978. It was a monstrous undertaking with many moving pieces between the studio, producers, technicians, crews and the musicians.</p><p>Ultimately, the release of the film and soundtrack in April 1978 led Martin Scorsese and Robbie Robertson across the globe to promote their film. The Last Waltz, the imperfect masterpiece was a defining moment of their careers whether or not they knew it or wanted it to be. Forever on celluloid, one of the most important acts of the 1960s and 1970s was immortalized surrounded by their peers.</p><p><em>The Band: A History is produced, written and hosted by Tyrell William Lisson with additional research and writing by Alex McGillivray and post-production sound and editing by Michael Koehler.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1801</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[67ef704e-cfd6-11ec-832a-b3e8128596c7]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN2306129031.mp3?updated=1730160762" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Last Waltz - Part Five </title>
      <link>https://thebandpodcast.com/</link>
      <description>At first, the viewer sees nothing but a blank screen and hears only the voices of Rick Danko, Martin Scorsese and another member of the film crew as they run through a first take, Danko manages to only utter one word "cutthroat" 
The Last Waltz dragged on. With the concert wrapped and filming complete at the MGM soundstage, Martin Scorsese wanted to now add a series of interviews to further contextualize the footage shot. With the go-ahead and more budget from the studio interviews were filmed.
Filming took place at The Band's clubhouse Shangri-La and most evenings didn't start until well after midnight. The goal was to reminisce about the “good old days” and play some instruments. It becomes quite evident through the various interviews littered between the concert footage, that much was being left unsaid. It’s no surprise at this point The Band minus Robertson was uneasy with the whole proposition. In exchange, we get a series of uneven interviews but enough to glean new information and explore the everchanging dynamics of The Band, their relationships with each other and the music.
Part of Panteon Podcasts
The Band: A History is produced, written and hosted by Tyrell William Lisson with additional research and writing by Alex McGillivray and post-production sound and editing by Michael Koehler.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 31 Mar 2022 11:30:00 -0000</pubDate>
      <itunes:title>The Last Waltz - Part Five </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>34</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e9d13df0-ab77-11ec-9e99-d3c9d43496f8/image/EMPTY.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>The Last Waltz dragged on. With the concert wrapped and filming complete at the MGM soundstage, Martin Scorsese wanted to now add a series of interviews to further contextualize the footage shot. With the go-ahead and more budget from the studio interviews were filmed.  </itunes:subtitle>
      <itunes:summary>At first, the viewer sees nothing but a blank screen and hears only the voices of Rick Danko, Martin Scorsese and another member of the film crew as they run through a first take, Danko manages to only utter one word "cutthroat" 
The Last Waltz dragged on. With the concert wrapped and filming complete at the MGM soundstage, Martin Scorsese wanted to now add a series of interviews to further contextualize the footage shot. With the go-ahead and more budget from the studio interviews were filmed.
Filming took place at The Band's clubhouse Shangri-La and most evenings didn't start until well after midnight. The goal was to reminisce about the “good old days” and play some instruments. It becomes quite evident through the various interviews littered between the concert footage, that much was being left unsaid. It’s no surprise at this point The Band minus Robertson was uneasy with the whole proposition. In exchange, we get a series of uneven interviews but enough to glean new information and explore the everchanging dynamics of The Band, their relationships with each other and the music.
Part of Panteon Podcasts
The Band: A History is produced, written and hosted by Tyrell William Lisson with additional research and writing by Alex McGillivray and post-production sound and editing by Michael Koehler.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>At first, the viewer sees nothing but a blank screen and hears only the voices of Rick Danko, Martin Scorsese and another member of the film crew as they run through a first take, Danko manages to only utter one word "cutthroat" </em></p><p>The Last Waltz dragged on. With the concert wrapped and filming complete at the MGM soundstage, Martin Scorsese wanted to now add a series of interviews to further contextualize the footage shot. With the go-ahead and more budget from the studio interviews were filmed.</p><p>Filming took place at The Band's clubhouse Shangri-La and most evenings didn't start until well after midnight. The goal was to reminisce about the “good old days” and play some instruments. It becomes quite evident through the various interviews littered between the concert footage, that much was being left unsaid. It’s no surprise at this point The Band minus Robertson was uneasy with the whole proposition. In exchange, we get a series of uneven interviews but enough to glean new information and explore the everchanging dynamics of The Band, their relationships with each other and the music.</p><p>Part of Panteon Podcasts</p><p><em>The Band: A History is produced, written and hosted by Tyrell William Lisson with additional research and writing by Alex McGillivray and post-production sound and editing by Michael Koehler.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3158</itunes:duration>
      <guid isPermaLink="false"><![CDATA[e9d13df0-ab77-11ec-9e99-d3c9d43496f8]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN2216267109.mp3?updated=1730160891" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Interview: Jim Weider </title>
      <description>The Band: A History sits down with former guitarist of The Band Jim Weider. Jim joined The Band in 1985 and remained their lead guitarist until the group dissolved in 2000 after Rick Danko's death. Known as one of the premiere Fender Telecaster players in the world, outside of The Band, Weider has played with Robbie Dupree, Dr. John, Graham Parker, Keith Richards, Scotty Moore and Bob Weir. Weider was also a member of the Levon Helm Band from 2009 until Levon's death in 2012 and has since created The Weight Band, which originated inside the barn of Levon Helm in 2012 when Jim Weider and Randy Ciarlante (former members of The Band), were performing "Songs of The Band" with Garth Hudson, Jimmy Vivino and Byron Isaacs. The Weight Band is getting ready to release their second album "Shines Like Gold" on April 1, 2022. You can find out more about the band, their music and their tour dates here: https://www.theweightband.com/
Part of Pantheon Podcasts
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 13 Mar 2022 12:00:00 -0000</pubDate>
      <itunes:title>Interview: Jim Weider </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>33</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/5d1dda7a-9ca0-11ec-958f-5f3a5302e910/image/WEIDER_EMPTY.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>The Band: A History sits down with former guitarist of The Band Jim Weider. </itunes:subtitle>
      <itunes:summary>The Band: A History sits down with former guitarist of The Band Jim Weider. Jim joined The Band in 1985 and remained their lead guitarist until the group dissolved in 2000 after Rick Danko's death. Known as one of the premiere Fender Telecaster players in the world, outside of The Band, Weider has played with Robbie Dupree, Dr. John, Graham Parker, Keith Richards, Scotty Moore and Bob Weir. Weider was also a member of the Levon Helm Band from 2009 until Levon's death in 2012 and has since created The Weight Band, which originated inside the barn of Levon Helm in 2012 when Jim Weider and Randy Ciarlante (former members of The Band), were performing "Songs of The Band" with Garth Hudson, Jimmy Vivino and Byron Isaacs. The Weight Band is getting ready to release their second album "Shines Like Gold" on April 1, 2022. You can find out more about the band, their music and their tour dates here: https://www.theweightband.com/
Part of Pantheon Podcasts
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Band: A History sits down with former guitarist of The Band Jim Weider. Jim joined The Band in 1985 and remained their lead guitarist until the group dissolved in 2000 after Rick Danko's death. Known as one of the premiere Fender Telecaster players in the world, outside of The Band, Weider has played with Robbie Dupree, Dr. John, Graham Parker, Keith Richards, Scotty Moore and Bob Weir. Weider was also a member of the Levon Helm Band from 2009 until Levon's death in 2012 and has since created The Weight Band, which originated inside the barn of Levon Helm in 2012 when Jim Weider and Randy Ciarlante (former members of The Band), were performing "Songs of The Band" with Garth Hudson, Jimmy Vivino and Byron Isaacs. The Weight Band is getting ready to release their second album "Shines Like Gold" on April 1, 2022. You can find out more about the band, their music and their tour dates here: https://www.theweightband.com/</p><p>Part of Pantheon Podcasts</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3361</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5d1dda7a-9ca0-11ec-958f-5f3a5302e910]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN5617924626.mp3?updated=1730160934" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Interview: Mrs. Henry </title>
      <description>The Band: A History sits down with Mrs. Henry, the California-based rock group who is heading out on the road with their show Music From The Band. Mrs. Henry first tackled The Band with their extensive rendition of The Last Waltz that later was pressed on vinyl. Since then, the group has continued to craft their own music and tour. Now, there are back with their Music From The Band Tour, featuring songs from The Band's entire career. During the interview, we talk about the band's inception, how COVID-19 struck them, their new tour plans and more.
If you want to learn more about Mrs. Henry's tour you can find information here: http://www.mrshenry.com/
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 04 Mar 2022 21:11:17 -0000</pubDate>
      <itunes:title>Interview: Mrs. Henry </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>31</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ca7aed10-9afc-11ec-ac88-6f21dba3698b/image/EPISODE_TEMPLATE2_.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>The Band: A History sits down with Mrs. Henry, the California-based rock group who is heading out on the road with their show Music From The Band. </itunes:subtitle>
      <itunes:summary>The Band: A History sits down with Mrs. Henry, the California-based rock group who is heading out on the road with their show Music From The Band. Mrs. Henry first tackled The Band with their extensive rendition of The Last Waltz that later was pressed on vinyl. Since then, the group has continued to craft their own music and tour. Now, there are back with their Music From The Band Tour, featuring songs from The Band's entire career. During the interview, we talk about the band's inception, how COVID-19 struck them, their new tour plans and more.
If you want to learn more about Mrs. Henry's tour you can find information here: http://www.mrshenry.com/
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Band: A History sits down with Mrs. Henry, the California-based rock group who is heading out on the road with their show Music From The Band. Mrs. Henry first tackled The Band with their extensive rendition of The Last Waltz that later was pressed on vinyl. Since then, the group has continued to craft their own music and tour. Now, there are back with their Music From The Band Tour, featuring songs from The Band's entire career. During the interview, we talk about the band's inception, how COVID-19 struck them, their new tour plans and more.</p><p>If you want to learn more about Mrs. Henry's tour you can find information here: <a href="http://www.mrshenry.com/">http://www.mrshenry.com/</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4288</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ca7aed10-9afc-11ec-ac88-6f21dba3698b]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN8132305685.mp3?updated=1730160869" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Last Waltz - Part Four</title>
      <link>https://thebandahistory.com/</link>
      <description>“It hadn’t really hit me that when the song was over, so was The Band.” Levon Helm later remembered as The Band stumbled from the Winterland stage at 3:00 AM following one of the biggest shows of their lives.
However, it wasn't over. After combining through footage it was determined they needed to film additional content. Thus, The Last Waltz Suite was born. A combination of live recordings on the MGM soundstage featuring The Staple Singers and Emmylou Harris and studio recordings including all-new material. 
It was a confusing time, a group that had at the very least said they were publically finished, kept working away on material but they were drifting apart. Each member began to work on various projects as if the band they had put over a decade into didn’t exist anymore. They rather neglect the elephant in the room rather than fully deal with band politics.
The Band: A History is produced, written and hosted by Tyrell William Lisson with additional research and writing by Alex McGillivray and post-production sound and editing by Michael Koehler.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 10 Feb 2022 13:00:00 -0000</pubDate>
      <itunes:title>The Last Waltz - Part Four</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>30</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/638337ac-8878-11ec-b514-9392d9a89bc3/image/POD_THUMB.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>“It hadn’t really hit me that when the song was over, so was The Band.” </itunes:subtitle>
      <itunes:summary>“It hadn’t really hit me that when the song was over, so was The Band.” Levon Helm later remembered as The Band stumbled from the Winterland stage at 3:00 AM following one of the biggest shows of their lives.
However, it wasn't over. After combining through footage it was determined they needed to film additional content. Thus, The Last Waltz Suite was born. A combination of live recordings on the MGM soundstage featuring The Staple Singers and Emmylou Harris and studio recordings including all-new material. 
It was a confusing time, a group that had at the very least said they were publically finished, kept working away on material but they were drifting apart. Each member began to work on various projects as if the band they had put over a decade into didn’t exist anymore. They rather neglect the elephant in the room rather than fully deal with band politics.
The Band: A History is produced, written and hosted by Tyrell William Lisson with additional research and writing by Alex McGillivray and post-production sound and editing by Michael Koehler.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>“It hadn’t really hit me that when the song was over, so was The Band.” </em>Levon Helm later remembered as The Band stumbled from the Winterland stage at 3:00 AM following one of the biggest shows of their lives.</p><p>However, it wasn't over. After combining through footage it was determined they needed to film additional content. Thus, The Last Waltz Suite was born. A combination of live recordings on the MGM soundstage featuring The Staple Singers and Emmylou Harris and studio recordings including all-new material. </p><p>It was a confusing time, a group that had at the very least said they were publically finished, kept working away on material but they were drifting apart. Each member began to work on various projects as if the band they had put over a decade into didn’t exist anymore. They rather neglect the elephant in the room rather than fully deal with band politics.</p><p><em>The Band: A History is produced, written and hosted by Tyrell William Lisson with additional research and writing by Alex McGillivray and post-production sound and editing by Michael Koehler.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2101</itunes:duration>
      <guid isPermaLink="false"><![CDATA[638337ac-8878-11ec-b514-9392d9a89bc3]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN1351237613.mp3?updated=1730160833" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Cahoots 50th Anniversary Reissue Roundtable </title>
      <description>The Band: A History is pleased to welcome The Manuel Archive's Breanna McCann and music journalist Allison Rapp to discuss the 50th anniversary reissue of The Band's fourth studio album "Cahoots". We talk about Bob Clearmountain's updated mix, the positive and negative changes, the tracklisting and bonus features.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 12 Dec 2021 16:00:00 -0000</pubDate>
      <itunes:title>Cahoots 50th Anniversary Reissue Roundtable </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>29</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:subtitle>The Band: A History, The Manuel Archive's Breanna McCann and music journalist Allison Rap discuss The Band's Cahoots 50th Anniversary Reissue</itunes:subtitle>
      <itunes:summary>The Band: A History is pleased to welcome The Manuel Archive's Breanna McCann and music journalist Allison Rapp to discuss the 50th anniversary reissue of The Band's fourth studio album "Cahoots". We talk about Bob Clearmountain's updated mix, the positive and negative changes, the tracklisting and bonus features.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Band: A History is pleased to welcome The Manuel Archive's <a href="twitter.com/themanuelarchive">Breanna McCann</a> and music journalist <a href="twitter.com/allisonrapp22">Allison Rapp</a> to discuss the 50th anniversary reissue of The Band's fourth studio album "Cahoots". We talk about Bob Clearmountain's updated mix, the positive and negative changes, the tracklisting and bonus features.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3337</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e892ed40-5afe-11ec-9168-1f95eada8839]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN7774247195.mp3?updated=1730160844" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Last Waltz - Part Three</title>
      <description>With the show underway and a plethora of performances next up included Neil Young, who had the unfortunate experience of sporting a massive cocaine booger in his nostril as he floated through his set of numbers before more performances took place including Joni Mitchell, a controversial Neil Diamond, the electrifying performance of Van Morrison, who almost got to scared to go on stage, a collection of performances from beatniks, Hells Angles and poets, and their old friend Bob Dylan who was being difficult the night of the Waltz and almost didn't appear.
At the close of the concert, the sudden rush of triumph and sadness washed over the exhausted group as they left the stage. Drenched in sweat, blood and tears, they had just completed the ultimate marathon, not only had they played over forty songs with their peers and friends, they had just completed the marathon that was their humble beginnings in Southern Ontario in 1957 when Robbie Robertson met Ronnie Hawkins and Levon Helm that eventually led to Levon Helm, Robbie Robertson, Rick Danko, Richard Manuel and Garth Hudson change the face of rock music.
The Band that left the stage wouldn’t perform live in the same iteration again, it was the end of an era, The Band, was the behemoth behind the curtain, never showy, never boastful, but always impactful. As the evening faded into the morning, the concert that was The Last Waltz was complete, but it was just the beginning of what it would become and what audiences today remember of the legendary moment of history.
Produced, hosted and edited by Tyrell William Lisson. Additional writing and research by Oscar Ashley.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 28 Nov 2021 13:00:00 -0000</pubDate>
      <itunes:title>The Last Waltz - Part Three</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>28</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/0c37bf64-4ccc-11ec-94dd-27fd7ac5099d/image/EPISODE_TEMPLATE.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>With the show underway and a plethora of performances next up included Neil Young, who had the unfortunate experience of sporting a massive cocaine booger in his nostril as he floated through his set of numbers before more performances took place including Joni Mitchell, a controversial Neil Diamond, the electrifying performance of Van Morrison, who almost got to scared to go on stage, a collection of performances from beatniks, Hells Angles and poets, and their old friend Bob Dylan who was being difficult the night of the Waltz and almost didn't appear.
At the close of the concert, the sudden rush of triumph and sadness washed over the exhausted group as they left the stage. Drenched in sweat, blood and tears, they had just completed the ultimate marathon, not only had they played over forty songs with their peers and friends, they had just completed the marathon that was their humble beginnings in Southern Ontario in 1957 when Robbie Robertson met Ronnie Hawkins and Levon Helm that eventually led to Levon Helm, Robbie Robertson, Rick Danko, Richard Manuel and Garth Hudson change the face of rock music.
The Band that left the stage wouldn’t perform live in the same iteration again, it was the end of an era, The Band, was the behemoth behind the curtain, never showy, never boastful, but always impactful. As the evening faded into the morning, the concert that was The Last Waltz was complete, but it was just the beginning of what it would become and what audiences today remember of the legendary moment of history.
Produced, hosted and edited by Tyrell William Lisson. Additional writing and research by Oscar Ashley.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>With the show underway and a plethora of performances next up included Neil Young, who had the unfortunate experience of sporting a massive cocaine booger in his nostril as he floated through his set of numbers before more performances took place including Joni Mitchell, a controversial Neil Diamond, the electrifying performance of Van Morrison, who almost got to scared to go on stage, a collection of performances from beatniks, Hells Angles and poets, and their old friend Bob Dylan who was being difficult the night of the Waltz and almost didn't appear.</p><p>At the close of the concert, the sudden rush of triumph and sadness washed over the exhausted group as they left the stage. Drenched in sweat, blood and tears, they had just completed the ultimate marathon, not only had they played over forty songs with their peers and friends, they had just completed the marathon that was their humble beginnings in Southern Ontario in 1957 when Robbie Robertson met Ronnie Hawkins and Levon Helm that eventually led to Levon Helm, Robbie Robertson, Rick Danko, Richard Manuel and Garth Hudson change the face of rock music.</p><p>The Band that left the stage wouldn’t perform live in the same iteration again, it was the end of an era, The Band, was the behemoth behind the curtain, never showy, never boastful, but always impactful. As the evening faded into the morning, the concert that was The Last Waltz was complete, but it was just the beginning of what it would become and what audiences today remember of the legendary moment of history.</p><p>Produced, hosted and edited by Tyrell William Lisson. Additional writing and research by Oscar Ashley.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4509</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0c37bf64-4ccc-11ec-94dd-27fd7ac5099d]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN6092270983.mp3?updated=1730160902" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Last Waltz - Part Two</title>
      <description>Backstage The Band were a mix of emotions. Robertson recalls an “anxious but ready” Scorsese, and that each member of the Band was calm and collected.
At around nine the The Berkeley Promenade Orchestra left stage and the house lights slowly dimmed. A large curtain of shimmering confetti lit from all sides was let down in front of the stage, chandeliers were then lowered to a position above the stage, increasing in glow as they descended.
Suddenly, in the darkness, a spotlight erupted on Levon Helm, who kicked things off at 9:07. "Good evening..."
Produced, hosted and edited by Tyrell William Lisson. Additional writing and research by Oscar Ashley.
The Band: A History is part of Pantheon Podcasts. Listen to The Band: A History and a variety of other great podcasts over on Pantheon.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 05 Oct 2021 12:00:00 -0000</pubDate>
      <itunes:title>The Last Waltz - Part Two</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>27</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/c8c42c20-251d-11ec-9a8e-fb9a80bf76c7/image/THUMBNAIl.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Suddenly, in the darkness, a spotlight erupted on Levon Helm, who kicked things off at 9:07. "Good evening..."</itunes:subtitle>
      <itunes:summary>Backstage The Band were a mix of emotions. Robertson recalls an “anxious but ready” Scorsese, and that each member of the Band was calm and collected.
At around nine the The Berkeley Promenade Orchestra left stage and the house lights slowly dimmed. A large curtain of shimmering confetti lit from all sides was let down in front of the stage, chandeliers were then lowered to a position above the stage, increasing in glow as they descended.
Suddenly, in the darkness, a spotlight erupted on Levon Helm, who kicked things off at 9:07. "Good evening..."
Produced, hosted and edited by Tyrell William Lisson. Additional writing and research by Oscar Ashley.
The Band: A History is part of Pantheon Podcasts. Listen to The Band: A History and a variety of other great podcasts over on Pantheon.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Backstage The Band were a mix of emotions. Robertson recalls an <em>“anxious but ready”</em> Scorsese, and that each member of the Band was calm and collected.</p><p>At around nine the The Berkeley Promenade Orchestra left stage and the house lights slowly dimmed. A large curtain of shimmering confetti lit from all sides was let down in front of the stage, chandeliers were then lowered to a position above the stage, increasing in glow as they descended.</p><p>Suddenly, in the darkness, a spotlight erupted on Levon Helm, who kicked things off at 9:07. <em>"Good evening..."</em></p><p>Produced, hosted and edited by Tyrell William Lisson. Additional writing and research by Oscar Ashley.</p><p>The Band: A History is part of <a href="http://www.pantheonpodcasts.com/">Pantheon Podcasts</a>. Listen to The Band: A History and a variety of other great podcasts over on Pantheon.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3387</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c8c42c20-251d-11ec-9a8e-fb9a80bf76c7]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN1013207464.mp3?updated=1730160894" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Interview: The Manuel Archive </title>
      <link>https://www.patreon.com/thebandahistory</link>
      <description>Originally released on The Band: A History's Patreon. We sit down and talk with Breanna McCann, the curator and archivist behind the new project The Manuel Archive. 
We discuss her love of The Band, and how it started with their song "Acadian Driftwood", her passion for sixties and seventies culture, film and music and what her motivation was for starting The Manuel Archive. Breanna also talks about her interest in Richard Manuel as well as her opinion on his portrayal from writers, critics and his own bandmates. 
It was a pleasure to talk about The Band and Richard with Breanna, anytime there is a new project that I come across that is related to The Band it gets me ecstatic. I encourage you all to follow The Manuel Archive on Twitter.
For those interested in the song playing in the intro and outro of the show that is a Richard penned, Band demo entitled "Words and Numbers". Written and demoed sometime in 1967. It was never released on an official Band studio album.
Part of Pantheon Podcasts
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 10 Sep 2021 17:48:00 -0000</pubDate>
      <itunes:title>Interview: The Manuel Archive </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>26</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/4c54bcfc-125f-11ec-a17f-dfd0d509b261/image/EPISODE_TEMPLATE.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>The Band: A History sits down with Breanna McCann creator and curator of The Manuel Archive. </itunes:subtitle>
      <itunes:summary>Originally released on The Band: A History's Patreon. We sit down and talk with Breanna McCann, the curator and archivist behind the new project The Manuel Archive. 
We discuss her love of The Band, and how it started with their song "Acadian Driftwood", her passion for sixties and seventies culture, film and music and what her motivation was for starting The Manuel Archive. Breanna also talks about her interest in Richard Manuel as well as her opinion on his portrayal from writers, critics and his own bandmates. 
It was a pleasure to talk about The Band and Richard with Breanna, anytime there is a new project that I come across that is related to The Band it gets me ecstatic. I encourage you all to follow The Manuel Archive on Twitter.
For those interested in the song playing in the intro and outro of the show that is a Richard penned, Band demo entitled "Words and Numbers". Written and demoed sometime in 1967. It was never released on an official Band studio album.
Part of Pantheon Podcasts
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Originally released on <a href="https://www.patreon.com/thebandahistory">The Band: A History's Patreon.</a> We sit down and talk with Breanna McCann, the curator and archivist behind the new project <a href="https://twitter.com/manuelarchive">The Manuel Archive</a>. </p><p>We discuss her love of The Band, and how it started with their song "Acadian Driftwood", her passion for sixties and seventies culture, film and music and what her motivation was for starting The Manuel Archive. Breanna also talks about her interest in Richard Manuel as well as her opinion on his portrayal from writers, critics and his own bandmates. </p><p>It was a pleasure to talk about The Band and Richard with Breanna, anytime there is a new project that I come across that is related to The Band it gets me ecstatic. I encourage you all to follow The Manuel Archive on Twitter.</p><p>For those interested in the song playing in the intro and outro of the show that is a Richard penned, Band demo entitled "Words and Numbers". Written and demoed sometime in 1967. It was never released on an official Band studio album.</p><p>Part of Pantheon Podcasts</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2350</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4c54bcfc-125f-11ec-a17f-dfd0d509b261]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN8179800871.mp3?updated=1730160794" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Interview: Joe Forno Jr</title>
      <description>This week we sit down and chat with Joe Forno. Forno was born in Woodstock, New York. His father an influential local and was friendly with The Band. Forno graduated Albany College of Pharmacy in 1973 and had a career as a pharmacist before assisting Richard Manuel and Levon Helm with their business dealings in 1983 that eventually lead to Forno managing The Band after Richard Manuel’s unfortunate death in 1986. 
We talk to Joe about his career managing The Band, his personal relationships with Richard, Rick, Garth and Levon and some large revelations about the group in his new book, Levon’s Man: The Death of Richard Manuel, And My Decade Managing The Band.
Part of Pantheon Podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 13 Aug 2021 13:00:00 -0000</pubDate>
      <itunes:title>Interview: Joe Forno Jr</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>25</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/712e5792-fa43-11eb-9755-1bd5bf3e0a7a/image/FORNO.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>This week we talk to Joe Forno Jr. the former manager of The Band.</itunes:subtitle>
      <itunes:summary>This week we sit down and chat with Joe Forno. Forno was born in Woodstock, New York. His father an influential local and was friendly with The Band. Forno graduated Albany College of Pharmacy in 1973 and had a career as a pharmacist before assisting Richard Manuel and Levon Helm with their business dealings in 1983 that eventually lead to Forno managing The Band after Richard Manuel’s unfortunate death in 1986. 
We talk to Joe about his career managing The Band, his personal relationships with Richard, Rick, Garth and Levon and some large revelations about the group in his new book, Levon’s Man: The Death of Richard Manuel, And My Decade Managing The Band.
Part of Pantheon Podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This week we sit down and chat with Joe Forno. Forno was born in Woodstock, New York. His father an influential local and was friendly with The Band. Forno graduated Albany College of Pharmacy in 1973 and had a career as a pharmacist before assisting Richard Manuel and Levon Helm with their business dealings in 1983 that eventually lead to Forno managing The Band after Richard Manuel’s unfortunate death in 1986. </p><p>We talk to Joe about his career managing The Band, his personal relationships with Richard, Rick, Garth and Levon and some large revelations about the group in his new book, <a href="https://www.amazon.com/Levons-Man-Woodstock-Richard-Managing/dp/B09BM8G74B/ref=sr_1_2?dchild=1&amp;keywords=joe+forno+jr&amp;qid=1628644437&amp;sr=8-2">Levon’s Man: The Death of Richard Manuel, And My Decade Managing The Band</a>.</p><p>Part of Pantheon Podcasts.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3740</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[712e5792-fa43-11eb-9755-1bd5bf3e0a7a]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN1212196433.mp3?updated=1730160879" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Last Waltz - Part One</title>
      <description>“None of us truly understood where we were headed, but we knew change was inevitable.”
The Band meant something, their music had spoken to many. Whether that meant flying from another continent, taking a train cross country, selling their worldly possessions or quitting a job, even the slightest hint that The Band could hang it up caused a reaction, a tidal wave. 
And while uncertainty hung in the air for everyone involved and feelings were mixed. The Last Waltz as it was titled, was about to become a defining moment for a group of four Canadians and one American that had spent the better of sixteen years making music together.
Certainly, it was unfathomable to think November 25, 1976 was about to become one of the defining music moments of the decade, let alone popular music history. The alchemy The Band concocted that evening with seventeen of music's biggest stars will forever be etched into history.
Produced, hosted and edited by Tyrell William Lisson. Additional writing and research by Oscar Ashley.
The Band: A History is part of Pantheon Podcasts. Listen to The Band: A History and a variety of other great podcasts over on Pantheon.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 21 Jul 2021 12:00:00 -0000</pubDate>
      <itunes:title>The Last Waltz - Part One</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>25</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:subtitle>“None of us truly understood where we were headed, but we knew change was inevitable”</itunes:subtitle>
      <itunes:summary>“None of us truly understood where we were headed, but we knew change was inevitable.”
The Band meant something, their music had spoken to many. Whether that meant flying from another continent, taking a train cross country, selling their worldly possessions or quitting a job, even the slightest hint that The Band could hang it up caused a reaction, a tidal wave. 
And while uncertainty hung in the air for everyone involved and feelings were mixed. The Last Waltz as it was titled, was about to become a defining moment for a group of four Canadians and one American that had spent the better of sixteen years making music together.
Certainly, it was unfathomable to think November 25, 1976 was about to become one of the defining music moments of the decade, let alone popular music history. The alchemy The Band concocted that evening with seventeen of music's biggest stars will forever be etched into history.
Produced, hosted and edited by Tyrell William Lisson. Additional writing and research by Oscar Ashley.
The Band: A History is part of Pantheon Podcasts. Listen to The Band: A History and a variety of other great podcasts over on Pantheon.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>“None of us truly understood where we were headed, but we knew change was inevitable.”</em></p><p>The Band meant something, their music had spoken to many. Whether that meant flying from another continent, taking a train cross country, selling their worldly possessions or quitting a job, even the slightest hint that The Band could hang it up caused a reaction, a tidal wave. </p><p>And while uncertainty hung in the air for everyone involved and feelings were mixed. The Last Waltz as it was titled, was about to become a defining moment for a group of four Canadians and one American that had spent the better of sixteen years making music together.</p><p>Certainly, it was unfathomable to think November 25, 1976 was about to become one of the defining music moments of the decade, let alone popular music history. The alchemy The Band concocted that evening with seventeen of music's biggest stars will forever be etched into history.</p><p>Produced, hosted and edited by Tyrell William Lisson. Additional writing and research by Oscar Ashley.</p><p>The Band: A History is part of <a href="http://www.pantheonpodcasts.com/">Pantheon Podcasts</a>. Listen to The Band: A History and a variety of other great podcasts over on Pantheon.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2472</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b2ab8eba-e99a-11eb-9201-7fb30098724a]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN6627049697.mp3?updated=1730160810" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>All Our Past Times</title>
      <description>The release of Northern Lights - Southern Cross seemed like a new beginning or a re-conquering of rock music for The Band, but that was all critical appraisal. Northern Lights - Southern Cross publicly and privately held very different truths. 
Deemed a comeback, and with that the expectation The Band resumed their mantle as kings of authentic rock music, The Band didn’t really see it that way on the inside. As critical praise mounted, starting with their massive tour with Dylan in 1974 through the release of a very solid album in Northern Lights - Southern Cross, the members of The Band were steadily declining. 
Thus begins the story again, confused, frustrated and angry, The Band took their talents to the works of Neil Diamond and Eric Clapton. However, this time it was a breaking point. They didn’t know it, or maybe they did, but it was only a matter of time before the glass house shattered. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 05 May 2021 13:00:00 -0000</pubDate>
      <itunes:title>All Our Past Times</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>24</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/34de7696-ab88-11eb-ae21-c3246f49d7fd/image/CLEAN.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>The release of Northern Lights - Southern Cross seemed like a new beginning or a re-conquering of rock music for The Band, but that was all critical appraisal. Northern Lights - Southern Cross publicly and privately held very different truths. </itunes:subtitle>
      <itunes:summary>The release of Northern Lights - Southern Cross seemed like a new beginning or a re-conquering of rock music for The Band, but that was all critical appraisal. Northern Lights - Southern Cross publicly and privately held very different truths. 
Deemed a comeback, and with that the expectation The Band resumed their mantle as kings of authentic rock music, The Band didn’t really see it that way on the inside. As critical praise mounted, starting with their massive tour with Dylan in 1974 through the release of a very solid album in Northern Lights - Southern Cross, the members of The Band were steadily declining. 
Thus begins the story again, confused, frustrated and angry, The Band took their talents to the works of Neil Diamond and Eric Clapton. However, this time it was a breaking point. They didn’t know it, or maybe they did, but it was only a matter of time before the glass house shattered. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The release of <em>Northern Lights - Southern Cross </em>seemed like a new beginning or a re-conquering of rock music for The Band, but that was all critical appraisal. <em>Northern Lights - Southern Cross</em> publicly and privately held very different truths. </p><p>Deemed a comeback, and with that the expectation The Band resumed their mantle as kings of authentic rock music, The Band didn’t really see it that way on the inside. As critical praise mounted, starting with their massive tour with Dylan in 1974 through the release of a very solid album in <em>Northern Lights - Southern Cross</em>, the members of The Band were steadily declining. </p><p>Thus begins the story again, confused, frustrated and angry, The Band took their talents to the works of Neil Diamond and Eric Clapton. However, this time it was a breaking point. They didn’t know it, or maybe they did, but it was only a matter of time before the glass house shattered. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2783</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[34de7696-ab88-11eb-ae21-c3246f49d7fd]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN6331124015.mp3?updated=1730160843" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Interview: Jonathan Taplin</title>
      <description>Fans of The Band may know Jonathan Taplin from his time as a road manger for The Band, but Jon’s career spans several decades in multiple industries. 
A Princeton grad who marched with Martin Luther King, he was drawn to folk music from people like Bob Dylan and Joan Baez and soon found himself working for Albert Grossman, Dylan’s manager.
Not long after he went on to work with The Band for several years during their seminal years making their second album, playing Woodstock, Isle of Wight and much more. He left The Band in 1971 to do a number of things from his time with the Rolling Stones, producing movies like Mean Streets with Martin Scorsese to coming back into the fold and producing The Last Waltz. 
Jonathan is now an academic and author and his latest book "The Magic Years: Scenes From A Rock N Roll Life" is coming out May 14. You can learn more and pre-order the book here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 12 Apr 2021 13:00:00 -0000</pubDate>
      <itunes:title>Interview: Jonathan Taplin</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>23</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/f1fb033e-9963-11eb-94d5-43742dc7162f/image/CLEAN.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>The Band: A History sits down road manger, producer, professor and author Jonathan Taplin. </itunes:subtitle>
      <itunes:summary>Fans of The Band may know Jonathan Taplin from his time as a road manger for The Band, but Jon’s career spans several decades in multiple industries. 
A Princeton grad who marched with Martin Luther King, he was drawn to folk music from people like Bob Dylan and Joan Baez and soon found himself working for Albert Grossman, Dylan’s manager.
Not long after he went on to work with The Band for several years during their seminal years making their second album, playing Woodstock, Isle of Wight and much more. He left The Band in 1971 to do a number of things from his time with the Rolling Stones, producing movies like Mean Streets with Martin Scorsese to coming back into the fold and producing The Last Waltz. 
Jonathan is now an academic and author and his latest book "The Magic Years: Scenes From A Rock N Roll Life" is coming out May 14. You can learn more and pre-order the book here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Fans of The Band may know Jonathan Taplin from his time as a road manger for The Band, but Jon’s career spans several decades in multiple industries. </p><p>A Princeton grad who marched with Martin Luther King, he was drawn to folk music from people like Bob Dylan and Joan Baez and soon found himself working for Albert Grossman, Dylan’s manager.</p><p>Not long after he went on to work with The Band for several years during their seminal years making their second album, playing Woodstock, Isle of Wight and much more. He left The Band in 1971 to do a number of things from his time with the Rolling Stones, producing movies like Mean Streets with Martin Scorsese to coming back into the fold and producing The Last Waltz. </p><p>Jonathan is now an academic and author and his latest book "The Magic Years: Scenes From A Rock N Roll Life" is coming out May 14. You can learn more and pre-order the book <a href="https://heydaybooks.com/catalog/the-magic-years-scenes-from-a-rock-and-roll-life/">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4196</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f1fb033e-9963-11eb-94d5-43742dc7162f]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN6240017042.mp3?updated=1730160919" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Interview: Jan Høiberg</title>
      <link>https://thebandpodcast.com/</link>
      <description>The Band: A History sits down with Jan Høiberg, the curator and owner of https://theband.hiof.no, the number one resource for all things Band related. Started in 1994, the website grew to become the official website of The Band. As years passed Jan became friendly with Band members Rick Danko, Levon Helm and Garth Hudson, travelling to Woodstock, New York on several occasions.
Høiberg has run the website from Norway for over twenty-seven years, and his obsession as an eighteen year old kid seeing The Last Waltz in 1980 has led to to creating one the finest resources on the web.
This show is a part of Pantheon Podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 15 Mar 2021 17:40:00 -0000</pubDate>
      <itunes:title>Interview: Jan Høiberg</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>22</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/5ceb450c-738d-11eb-8fc3-b3d2c383c4bf/image/uploads_2F1613833649189-vz5p3d1g6z-214649f9b451eec4135481df5689659a_2FJAN.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>The Band: A History Interviews Band Curator and Website Owner, Jan Høiberg. </itunes:subtitle>
      <itunes:summary>The Band: A History sits down with Jan Høiberg, the curator and owner of https://theband.hiof.no, the number one resource for all things Band related. Started in 1994, the website grew to become the official website of The Band. As years passed Jan became friendly with Band members Rick Danko, Levon Helm and Garth Hudson, travelling to Woodstock, New York on several occasions.
Høiberg has run the website from Norway for over twenty-seven years, and his obsession as an eighteen year old kid seeing The Last Waltz in 1980 has led to to creating one the finest resources on the web.
This show is a part of Pantheon Podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Band: A History sits down with Jan Høiberg, the curator and owner of <a href="https://theband.hiof.no%20">https://theband.hiof.no</a>, the number one resource for all things Band related. Started in 1994, the website grew to become the official website of The Band. As years passed Jan became friendly with Band members Rick Danko, Levon Helm and Garth Hudson, travelling to Woodstock, New York on several occasions.</p><p>Høiberg has run the website from Norway for over twenty-seven years, and his obsession as an eighteen year old kid seeing The Last Waltz in 1980 has led to to creating one the finest resources on the web.</p><p>This show is a part of Pantheon Podcasts.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2532</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5ceb450c-738d-11eb-8fc3-b3d2c383c4bf]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN6743695230.mp3?updated=1730160783" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Northern Lights - Southern Cross</title>
      <link>https://thebandpodcast.com/</link>
      <description>“It took us coming in there to get them all in the studio with one another because there was a lot of bitching” Clapton reminisces about The Band’s state of mind in 1975.⁠
For all the success The Band had, The group was never truly able to become that cohesive group that they once were. Like timeless other examples in other bands, priorities were different, opinions were divided and drugs and alcohol blurred the lines even further.⁠
⁠Would the group be able to put aside their differences momentarily to go into their new studio and put together an album? ⁠
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 17 Feb 2021 15:19:00 -0000</pubDate>
      <itunes:title>Northern Lights - Southern Cross</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>21</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ceebf38a-712c-11eb-9fa6-f7a13192124a/image/uploads_2F1613572186385-8s395licx8-00e4ae46cb553c667c253b0a99c31913_2FCLEAN.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>“It took us coming in there to get them all in the studio with one another because there was a lot of bitching” Clapton reminisces about The Band’s state of mind in 1975.⁠</itunes:subtitle>
      <itunes:summary>“It took us coming in there to get them all in the studio with one another because there was a lot of bitching” Clapton reminisces about The Band’s state of mind in 1975.⁠
For all the success The Band had, The group was never truly able to become that cohesive group that they once were. Like timeless other examples in other bands, priorities were different, opinions were divided and drugs and alcohol blurred the lines even further.⁠
⁠Would the group be able to put aside their differences momentarily to go into their new studio and put together an album? ⁠
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>“It took us coming in there to get them all in the studio with one another because there was a lot of bitching”</em> Clapton reminisces about The Band’s state of mind in 1975.⁠</p><p>For all the success The Band had, The group was never truly able to become that cohesive group that they once were. Like timeless other examples in other bands, priorities were different, opinions were divided and drugs and alcohol blurred the lines even further.⁠</p><p>⁠Would the group be able to put aside their differences momentarily to go into their new studio and put together an album? ⁠</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2849</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ceebf38a-712c-11eb-9fa6-f7a13192124a]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN1707775124.mp3?updated=1730160869" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Shangri-La</title>
      <description>“Nobody’s done what Bob Dylan’s done for us over the years. He helped Rick and Richard write those songs and was part of our workshop. Bob Dylan knew that The Band was not in great shape, and he wanted to help us out of the sense of goodness he felt for us.”
Pressure was mounting on The Band who hadn't put out a critically acclaimed album in some years, nor were they getting on personally like the once had. With the group calling California home, and setting up in Malibu they established a new clubhouse, Shangri-La, hoping to recreate some of the magic they once had in upstate New York. 
Tour problems were also mounting, the drugs and alcohol were becoming an issue again and The Band’s headlining gigs were not as successful as they had hoped. While The Band wasn’t having much personal success, on their own they were keeping busy. Rick and Levon worked with Neil Young on his album “On The Beach”, Robbie had a third child and Garth met his future wife. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 24 Dec 2020 19:54:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>19</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/043b371e-461f-11eb-8ff1-db436c2b272a/image/uploads_2F1608839366240-mjifzt05pag-159b5958d970c7ff39a07c7e8a1293e3_2FNo.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>“Nobody’s done what Bob Dylan’s done for us over the years. He helped Rick and Richard write those songs and was part of our workshop. Bob Dylan knew that The Band was not in great shape, and he wanted to help us out of the sense of goodness he felt for us.”
Pressure was mounting on The Band who hadn't put out a critically acclaimed album in some years, nor were they getting on personally like the once had. With the group calling California home, and setting up in Malibu they established a new clubhouse, Shangri-La, hoping to recreate some of the magic they once had in upstate New York. 
Tour problems were also mounting, the drugs and alcohol were becoming an issue again and The Band’s headlining gigs were not as successful as they had hoped. While The Band wasn’t having much personal success, on their own they were keeping busy. Rick and Levon worked with Neil Young on his album “On The Beach”, Robbie had a third child and Garth met his future wife. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>“Nobody’s done what Bob Dylan’s done for us over the years. He helped Rick and Richard write those songs and was part of our workshop. Bob Dylan knew that The Band was not in great shape, and he wanted to help us out of the sense of goodness he felt for us.”</em></p><p>Pressure was mounting on The Band who hadn't put out a critically acclaimed album in some years, nor were they getting on personally like the once had. With the group calling California home, and setting up in Malibu they established a new clubhouse, Shangri-La, hoping to recreate some of the magic they once had in upstate New York. </p><p>Tour problems were also mounting, the drugs and alcohol were becoming an issue again and The Band’s headlining gigs were not as successful as they had hoped. While The Band wasn’t having much personal success, on their own they were keeping busy. Rick and Levon worked with Neil Young on his album “On The Beach”, Robbie had a third child and Garth met his future wife. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2032</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[043b371e-461f-11eb-8ff1-db436c2b272a]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN2907753960.mp3?updated=1730160712" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>A Road Trip With The Band </title>
      <description>The Band: A History is joined by The Hippie Historian to talk about The Band's steeped history in Southern Ontario. We take you to some of the historic venues they played, the towns and areas in which they lived and much, much more.
Find out more about the road trip and support The Hippie Historian here.
Summer Garden Farewell 
The night is chill, the ballroom deserted The sound of dancing feet is gone The sound of music has faded away There is no sound of voices, they have disappeared There is no laughter Farewell, dear old lady Summer Garden. There are tears I cannot hide, so I smile and say as the flames die Smoke gets in my eyes… – Don Ivey, January 9, 1979
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 09 Nov 2020 02:00:00 -0000</pubDate>
      <itunes:title>A Road Trip With The Band </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>18</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/4b658e96-2117-11eb-9b6a-f732427a7942/image/uploads_2F1604806751742-4egrcuz9xnf-0e5f02398aed27b37c136ffa86d52ee3_2FSOCIAL.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Join The Band: A History and The Hippie Historian as we look at where The Band came from and where they played. </itunes:subtitle>
      <itunes:summary>The Band: A History is joined by The Hippie Historian to talk about The Band's steeped history in Southern Ontario. We take you to some of the historic venues they played, the towns and areas in which they lived and much, much more.
Find out more about the road trip and support The Hippie Historian here.
Summer Garden Farewell 
The night is chill, the ballroom deserted The sound of dancing feet is gone The sound of music has faded away There is no sound of voices, they have disappeared There is no laughter Farewell, dear old lady Summer Garden. There are tears I cannot hide, so I smile and say as the flames die Smoke gets in my eyes… – Don Ivey, January 9, 1979
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Band: A History is joined by <a href="https://www.hippiehistorian.com/">The Hippie Historian</a> to talk about The Band's steeped history in Southern Ontario. We take you to some of the historic venues they played, the towns and areas in which they lived and much, much more.</p><p>Find out more about the road trip and support The Hippie Historian <a href="https://www.hippiehistorian.com/post/an-ontario-road-trip-inspired-by-the-band-part-1">here</a>.</p><p><strong>Summer Garden Farewell </strong></p><p><em>The night is chill, the ballroom deserted The sound of dancing feet is gone The sound of music has faded away There is no sound of voices, they have disappeared There is no laughter Farewell, dear old lady Summer Garden. There are tears I cannot hide, so I smile and say as the flames die Smoke gets in my eyes… – Don Ivey, January 9, 1979</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2858</itunes:duration>
      <guid isPermaLink="false"><![CDATA[4b658e96-2117-11eb-9b6a-f732427a7942]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN4644978758.mp3?updated=1730160757" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Planet Waves </title>
      <description>Even after a few years of meaningless wandering, riddled with substance problems, creative problems The Band, unbeknownst to them, were about to embark on a two year journey that would elevate their profile to the largest they’d ever have. A new album with Dylan, a massive stadium sold out tour and much more. 
Was it something they expected, most certainly not, was it something they wanted, besides Robbie probably not, but it was a chance to play with their friend Bob Dylan again and catch some of that spark they once had. 
As with the change in status, came with a change in geography, The Band so synonymous with upstate New York, uprooted their families and headed west for the sunny shores of Los Angeles, California. 

Please Consider Following Us: 
Instagram
Twitter
Facebook
The Band: A History is part of Pantheon Podcasts. Listen to The Band: A History and a variety of other great podcasts over on Pantheon.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 28 Sep 2020 13:00:00 -0000</pubDate>
      <itunes:title>Planet Waves </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>17</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/83a18678-faae-11ea-b1f4-6b7a668eb0fe/image/uploads_2F1600544312878-2r2e1mpnk1p-032edc9423ad1275e0f6728df623f4dc_2FEPISODE+13+PLAIN.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Even after a few years of meaningless wandering, riddled with substance problems, creative problems The Band, unbeknownst to them, were about to embark on a two year journey that would elevate their profile to the largest they’d ever have. </itunes:subtitle>
      <itunes:summary>Even after a few years of meaningless wandering, riddled with substance problems, creative problems The Band, unbeknownst to them, were about to embark on a two year journey that would elevate their profile to the largest they’d ever have. A new album with Dylan, a massive stadium sold out tour and much more. 
Was it something they expected, most certainly not, was it something they wanted, besides Robbie probably not, but it was a chance to play with their friend Bob Dylan again and catch some of that spark they once had. 
As with the change in status, came with a change in geography, The Band so synonymous with upstate New York, uprooted their families and headed west for the sunny shores of Los Angeles, California. 

Please Consider Following Us: 
Instagram
Twitter
Facebook
The Band: A History is part of Pantheon Podcasts. Listen to The Band: A History and a variety of other great podcasts over on Pantheon.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Even after a few years of meaningless wandering, riddled with substance problems, creative problems The Band, unbeknownst to them, were about to embark on a two year journey that would elevate their profile to the largest they’d ever have. A new album with Dylan, a massive stadium sold out tour and much more. </p><p>Was it something they expected, most certainly not, was it something they wanted, besides Robbie probably not, but it was a chance to play with their friend Bob Dylan again and catch some of that spark they once had. </p><p>As with the change in status, came with a change in geography, The Band so synonymous with upstate New York, uprooted their families and headed west for the sunny shores of Los Angeles, California. </p><p><br></p><p><strong>Please Consider Following Us: </strong></p><p><a href="https://cms.megaphone.fm/organizations/fab391b2-4fcd-11e9-9502-43fb46d5b18a/podcasts/dbca7390-b258-11e9-8217-4bf6f6ddab64/episodes/e022a53c-8bd0-11ea-b04f-6fccdb4adad2/Instagram.com/thebandpodcast"><strong>Instagram</strong></a></p><p><a href="https://cms.megaphone.fm/organizations/fab391b2-4fcd-11e9-9502-43fb46d5b18a/podcasts/dbca7390-b258-11e9-8217-4bf6f6ddab64/episodes/e022a53c-8bd0-11ea-b04f-6fccdb4adad2/Twitter.com/thebandpodcast"><strong>Twitter</strong></a></p><p><a href="https://www.facebook.com/TheBandPodcast/"><strong>Facebook</strong></a></p><p>The Band: A History is part of <a href="http://www.pantheonpodcasts.com/">Pantheon Podcasts</a>. Listen to The Band: A History and a variety of other great podcasts over on Pantheon.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2607</itunes:duration>
      <guid isPermaLink="false"><![CDATA[83a18678-faae-11ea-b1f4-6b7a668eb0fe]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN3049534260.mp3?updated=1730160809" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Interview: Sandra Tooze </title>
      <description>The Band: A History interviews author Sandra Tooze about her new book Levon Helm: From Down in the Delta to the Birth of The Band and Beyond. Sandra is author of the acclaimed book Muddy Waters: The Mojo Man where she originally interviewed Levon Helm. We discuss Levon's career, spanning his early years, through The Band era and the post-Band era of The Barnburners, Midnight Rambles and more.
Sandra's book comes out August 25, 2020 and you can order is online now.

Please Consider Following Us: 
Instagram
Twitter
Facebook
The Band: A History is part of Pantheon Podcasts. Listen to The Band: A History and a variety of other great podcasts over on Pantheon.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 14 Aug 2020 13:00:00 -0000</pubDate>
      <itunes:title>Interview: Sandra Tooze </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>16</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b0e6488a-ddb7-11ea-8bf3-4b0c989fdd4a/image/uploads_2F1597359511011-v35h1ckuagd-79e1af1abcc43e9db8bced7637a0bdc8_2FCELAN.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>The Band: A History interview author Sandra Tooze about her new book Levon Helm: From Down in the Delta to the Birth of The Band and Beyond.</itunes:subtitle>
      <itunes:summary>The Band: A History interviews author Sandra Tooze about her new book Levon Helm: From Down in the Delta to the Birth of The Band and Beyond. Sandra is author of the acclaimed book Muddy Waters: The Mojo Man where she originally interviewed Levon Helm. We discuss Levon's career, spanning his early years, through The Band era and the post-Band era of The Barnburners, Midnight Rambles and more.
Sandra's book comes out August 25, 2020 and you can order is online now.

Please Consider Following Us: 
Instagram
Twitter
Facebook
The Band: A History is part of Pantheon Podcasts. Listen to The Band: A History and a variety of other great podcasts over on Pantheon.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Band: A History interviews author Sandra Tooze about her new book <em>Levon Helm: From Down in the Delta to the Birth of The Band and Beyond</em>. Sandra is author of the acclaimed book <em>Muddy Waters: The Mojo Man </em>where she originally interviewed Levon Helm. We discuss Levon's career, spanning his early years, through The Band era and the post-Band era of The Barnburners, Midnight Rambles and more.</p><p>Sandra's book comes out August 25, 2020 and you can order is online now.</p><p><br></p><p><strong>Please Consider Following Us: </strong></p><p><a href="https://cms.megaphone.fm/organizations/fab391b2-4fcd-11e9-9502-43fb46d5b18a/podcasts/dbca7390-b258-11e9-8217-4bf6f6ddab64/episodes/e022a53c-8bd0-11ea-b04f-6fccdb4adad2/Instagram.com/thebandpodcast"><strong>Instagram</strong></a></p><p><a href="https://cms.megaphone.fm/organizations/fab391b2-4fcd-11e9-9502-43fb46d5b18a/podcasts/dbca7390-b258-11e9-8217-4bf6f6ddab64/episodes/e022a53c-8bd0-11ea-b04f-6fccdb4adad2/Twitter.com/thebandpodcast"><strong>Twitter</strong></a></p><p><a href="https://www.facebook.com/TheBandPodcast/"><strong>Facebook</strong></a></p><p><strong>The Band: A History is part of </strong><a href="http://www.pantheonpodcasts.com/">Pantheon Podcasts</a>. Listen to The Band: A History and a variety of other great podcasts over on Pantheon.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1906</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b0e6488a-ddb7-11ea-8bf3-4b0c989fdd4a]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN7108115206.mp3?updated=1730160765" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Interview: Garth Hudson</title>
      <description>Something from the vault! We interviewed Garth Hudson a few years back. This interview mainly details a project I was working on about Richard Manuel, meaning most of the questions pertain to Garth's experiences with Richard Manuel.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 17 Jul 2020 13:00:00 -0000</pubDate>
      <itunes:title>Interview: Garth Hudson</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>15</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/17c3732c-c5f6-11ea-a270-93c1077c018c/image/940d3f.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An Interview Conducted with The Band's Garth Hudson. </itunes:subtitle>
      <itunes:summary>Something from the vault! We interviewed Garth Hudson a few years back. This interview mainly details a project I was working on about Richard Manuel, meaning most of the questions pertain to Garth's experiences with Richard Manuel.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Something from the vault! We interviewed Garth Hudson a few years back. This interview mainly details a project I was working on about Richard Manuel, meaning most of the questions pertain to Garth's experiences with Richard Manuel.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1503</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[17c3732c-c5f6-11ea-a270-93c1077c018c]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN4009647203.mp3?updated=1730160747" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Moondog Matinee - Part Two</title>
      <description>When The Band entered the studio to continue to record Moondog Matinee, they switched locations. This time they flew out to Capitol Studios in Los Angeles, California, to finish the last few songs. Los Angeles had been pulling The Band westward for some time. With the rest of the album to finish, The Band couldn't turn down a request from George Harrison and Ringo Starr to help them record in the studio as well.
"Levons Barn" song provided by Adam Traum (https://www.adamtraumguitar.com/)
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 31 May 2020 13:00:00 -0000</pubDate>
      <itunes:title>Moondog Matinee: Part Two</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>14</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e022a53c-8bd0-11ea-b04f-6fccdb4adad2/image/9c6658.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>The Band took themselves westward to Los Angeles, California to wrap up their fifth studio album Moondog Matinee.</itunes:subtitle>
      <itunes:summary>When The Band entered the studio to continue to record Moondog Matinee, they switched locations. This time they flew out to Capitol Studios in Los Angeles, California, to finish the last few songs. Los Angeles had been pulling The Band westward for some time. With the rest of the album to finish, The Band couldn't turn down a request from George Harrison and Ringo Starr to help them record in the studio as well.
"Levons Barn" song provided by Adam Traum (https://www.adamtraumguitar.com/)
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When The Band entered the studio to continue to record Moondog Matinee, they switched locations. This time they flew out to Capitol Studios in Los Angeles, California, to finish the last few songs. Los Angeles had been pulling The Band westward for some time. With the rest of the album to finish, The Band couldn't turn down a request from George Harrison and Ringo Starr to help them record in the studio as well.</p><p>"Levons Barn" song provided by Adam Traum (<a href="https://www.adamtraumguitar.com/">https://www.adamtraumguitar.com/</a>)</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2073</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e022a53c-8bd0-11ea-b04f-6fccdb4adad2]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN4468329449.mp3?updated=1730160893" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Moondog Matinee - Part One</title>
      <link>https://thebandpodcast.com/</link>
      <description>"That was all we could do at the time. We couldn't get along—we all knew that fairness was a bunch of shit. We all knew we were getting screwed, so we couldn't sit down and create no more music. 'Up on Cripple Creek' and all that stuff was over—all that collaboration was over, and that” said Levon reflecting on the period just before the recording of "Moondog Matinee".
In 1971, "Rock of Ages" led to an unofficial hiatus for The Band. Independently, The Band worked on various projects separately, whether it was producing, writing or performing. There were also attempts at getting The Band back together to work on their next studio album. Though, none of those attempts led to anything fruitful. Richard hadn’t written a song or at least presented a song to the group in some time, and Robbie wasn’t offering up much either since he was hitting some serious writer’s block. 
Eventually, The Band came out of touring retirement in 1973, which led to a legendary performance at Watkins Glen with The Grateful Dead and The Allman Brothers. Feeding off the energy of their live performances and feeling like more of a collective again, and hoping to revive the creative juices needed to keep on producing albums for Capitol Records, it was decided that an album of covers eventually led to "Moondog Matinee".
Check out my recent appearance on Love That Album here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 01 May 2020 13:00:00 -0000</pubDate>
      <itunes:title>Moondog Matinee: Part One </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>13</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/886a6cc2-3d78-11ea-82f6-1740ec6c9f02/image/f7b9f3.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>We couldn't get along—we all knew that fairness was a bunch of shit. We all knew we were getting screwed, so we couldn't sit down and create no more music. 'Up on Cripple Creek' and all that stuff was over—all that collaboration was over, and that”</itunes:subtitle>
      <itunes:summary>"That was all we could do at the time. We couldn't get along—we all knew that fairness was a bunch of shit. We all knew we were getting screwed, so we couldn't sit down and create no more music. 'Up on Cripple Creek' and all that stuff was over—all that collaboration was over, and that” said Levon reflecting on the period just before the recording of "Moondog Matinee".
In 1971, "Rock of Ages" led to an unofficial hiatus for The Band. Independently, The Band worked on various projects separately, whether it was producing, writing or performing. There were also attempts at getting The Band back together to work on their next studio album. Though, none of those attempts led to anything fruitful. Richard hadn’t written a song or at least presented a song to the group in some time, and Robbie wasn’t offering up much either since he was hitting some serious writer’s block. 
Eventually, The Band came out of touring retirement in 1973, which led to a legendary performance at Watkins Glen with The Grateful Dead and The Allman Brothers. Feeding off the energy of their live performances and feeling like more of a collective again, and hoping to revive the creative juices needed to keep on producing albums for Capitol Records, it was decided that an album of covers eventually led to "Moondog Matinee".
Check out my recent appearance on Love That Album here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>"That was all we could do at the time. We couldn't get along—we all knew that fairness was a bunch of shit. We all knew we were getting screwed, so we couldn't sit down and create no more music. 'Up on Cripple Creek' and all that stuff was over—all that collaboration was over, and that” </em>said Levon reflecting on the period just before the recording of "Moondog Matinee".</p><p>In 1971, "Rock of Ages" led to an unofficial hiatus for The Band. Independently, The Band worked on various projects separately, whether it was producing, writing or performing. There were also attempts at getting The Band back together to work on their next studio album. Though, none of those attempts led to anything fruitful. Richard hadn’t written a song or at least presented a song to the group in some time, and Robbie wasn’t offering up much either since he was hitting some serious writer’s block. </p><p>Eventually, The Band came out of touring retirement in 1973, which led to a legendary performance at Watkins Glen with The Grateful Dead and The Allman Brothers. Feeding off the energy of their live performances and feeling like more of a collective again, and hoping to revive the creative juices needed to keep on producing albums for Capitol Records, it was decided that an album of covers eventually led to "Moondog Matinee".</p><p>Check out my recent appearance on Love That Album <a href="https://cms.megaphone.fm/channel/lovethatalbum?selected=PAN5600424786">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2455</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[886a6cc2-3d78-11ea-82f6-1740ec6c9f02]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN3742120097.mp3?updated=1730160895" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Interview: Elliott Landy </title>
      <description>The Band: A History sits down with famed photographer Elliott Landy to discuss his lengthy career in photography and the time he spent with The Band in their formative years. Landy has since gone on to publish a number of books including his second book about The Band entitled "Contacting The Band" which is currently being crowdfunded.
You can find information about "Contacting The Band" and support the campaign here.

Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 22 Mar 2020 20:54:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>12</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/0d5453ec-6634-11ea-b9f9-7f66cd81d3a3/image/c5de21.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Famed photographer of The Band, Elliott Landy joins the podcast to discuss his latest crowdsourced project Contacting The Band.</itunes:subtitle>
      <itunes:summary>The Band: A History sits down with famed photographer Elliott Landy to discuss his lengthy career in photography and the time he spent with The Band in their formative years. Landy has since gone on to publish a number of books including his second book about The Band entitled "Contacting The Band" which is currently being crowdfunded.
You can find information about "Contacting The Band" and support the campaign here.

Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><strong>The Band: A History</strong> sits down with famed photographer Elliott Landy to discuss his lengthy career in photography and the time he spent with The Band in their formative years. Landy has since gone on to publish a number of books including his second book about The Band entitled "Contacting The Band" which is currently being crowdfunded.</p><p>You can find information about "Contacting The Band" and support the campaign <a href="https://www.kickstarter.com/projects/thebandbook2/elliott-landy-contacting-the-band">here</a>.</p><p><br></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4516</itunes:duration>
      <guid isPermaLink="false"><![CDATA[0d5453ec-6634-11ea-b9f9-7f66cd81d3a3]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN3834687300.mp3?updated=1730160890" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rock of Ages</title>
      <link>http://thebandpodcast.com/</link>
      <description>“Everybody had been so easily satisfied before and then it got harder to do what we did at ease… The feeling that the group had become what we’d rebelled against… that’s what a lot of the music after The Band was about.''  Robbie Robertson reflected in 1982 on the Rock of Ages period in The Band's history.
It had felt like a while since The Band actually felt like a well-oiled unit. Truth be told, The Band’s success was like a mousetrap, it had finally sprung, and they were now stuck in more ways than one. Each group member was going through their own personal struggles in one way or another. Each member had their own life with their wives, children and friends. It seems like they didn’t know how to communicate or to stop the ever-moving freight train from taking a second to slow down and come up with a plan on how to move forward in their new environment. 
After “Cahoots,” there was a momentary sigh of relief. It was a desperate attempt at keeping it all together. Collectively, The Band’s two leaders, Levon and Robbie, realized that it was finally time to put a stop to it. Their success led them to take more lead in directing their career. To help and maybe try and reclaim what they had felt what they had when they were making music alone in the mountains of Woodstock with the world not caring about them making music. But they wouldn’t go out with a whimper but with a bang. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 24 Feb 2020 14:04:00 -0000</pubDate>
      <itunes:title>Rock of Ages </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>11</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ede18184-3c98-11ea-984b-a3cfc238586a/image/3490e1.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>“Everybody had been so easily satisfied before and then it got harder to do what we did at ease… The feeling that the group had become what we’d rebelled against… that’s what a lot of the music after The Band was about.''  Robbie Robertson reflected in 1982 on the Rock of Ages period in The Band's history.</itunes:subtitle>
      <itunes:summary>“Everybody had been so easily satisfied before and then it got harder to do what we did at ease… The feeling that the group had become what we’d rebelled against… that’s what a lot of the music after The Band was about.''  Robbie Robertson reflected in 1982 on the Rock of Ages period in The Band's history.
It had felt like a while since The Band actually felt like a well-oiled unit. Truth be told, The Band’s success was like a mousetrap, it had finally sprung, and they were now stuck in more ways than one. Each group member was going through their own personal struggles in one way or another. Each member had their own life with their wives, children and friends. It seems like they didn’t know how to communicate or to stop the ever-moving freight train from taking a second to slow down and come up with a plan on how to move forward in their new environment. 
After “Cahoots,” there was a momentary sigh of relief. It was a desperate attempt at keeping it all together. Collectively, The Band’s two leaders, Levon and Robbie, realized that it was finally time to put a stop to it. Their success led them to take more lead in directing their career. To help and maybe try and reclaim what they had felt what they had when they were making music alone in the mountains of Woodstock with the world not caring about them making music. But they wouldn’t go out with a whimper but with a bang. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>“Everybody had been so easily satisfied before and then it got harder to do what we did at ease… The feeling that the group had become what we’d rebelled against… that’s what a lot of the music after The Band was about.'' </em> Robbie Robertson reflected in 1982 on the Rock of Ages period in The Band's history.</p><p>It had felt like a while since The Band actually felt like a well-oiled unit. Truth be told, The Band’s success was like a mousetrap, it had finally sprung, and they were now stuck in more ways than one. Each group member was going through their own personal struggles in one way or another. Each member had their own life with their wives, children and friends. It seems like they didn’t know how to communicate or to stop the ever-moving freight train from taking a second to slow down and come up with a plan on how to move forward in their new environment. </p><p>After “Cahoots,” there was a momentary sigh of relief. It was a desperate attempt at keeping it all together. Collectively, The Band’s two leaders, Levon and Robbie, realized that it was finally time to put a stop to it. Their success led them to take more lead in directing their career. To help and maybe try and reclaim what they had felt what they had when they were making music alone in the mountains of Woodstock with the world not caring about them making music. But they wouldn’t go out with a whimper but with a bang. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2293</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ede18184-3c98-11ea-984b-a3cfc238586a]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN4754807145.mp3?updated=1730160848" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Cahoots</title>
      <link>http://thebandpodcast.com</link>
      <description>In 1993 Rick Danko told The News-Star: "I think we shipped a million copies of that second album and that changed a lot of people’s lives — in particular, the Band’s. After that, we were only getting together once a year, for a couple of months, to record. It was like we were too decadent to play.”
1970 was a hard year, but it wouldn't get any easier in 1971. Having struggled through "Stage Fright" and taking on the disastrous Festival Express music festival, The Band was burnt out and in a dark space. However, it was back into the studio to record a new album, even if they didn't want to. From the exterior, The Band was the perfect group. They were pretty universally loved by their fans, their critics and their peers. The opposite was true for the five guys in the group; once, a group of tight-knit brothers was shattering. Creative droughts, drugs and alcohol continued to plague them deeply. "Cahoots" is a manifestation of the period. The songs crafted for the album don't do anything to hide it.
Now, with "Cahoots" their fourth studio album released to the world in 1971, The Band's shiny veneer was fading. The public started to sense The Band wasn't in a happy place, and The Band didn't know how much longer they were going to be able to keep it up.
"Levons Barn" song provided by Adam Traum (https://www.adamtraumguitar.com/)
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 20 Jan 2020 01:38:00 -0000</pubDate>
      <itunes:title>Cahoots</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>10</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b1db6424-38a7-11ea-b7ad-73db0c130d33/image/0d330a.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>In 1993 Rick Danko told The News-Star: "I think we shipped a million copies of that second album and that changed a lot of people’s lives — in particular, the Band’s. After that, we were only getting together once a year, for a couple of months, to record. It was like we were too decadent to play.”</itunes:subtitle>
      <itunes:summary>In 1993 Rick Danko told The News-Star: "I think we shipped a million copies of that second album and that changed a lot of people’s lives — in particular, the Band’s. After that, we were only getting together once a year, for a couple of months, to record. It was like we were too decadent to play.”
1970 was a hard year, but it wouldn't get any easier in 1971. Having struggled through "Stage Fright" and taking on the disastrous Festival Express music festival, The Band was burnt out and in a dark space. However, it was back into the studio to record a new album, even if they didn't want to. From the exterior, The Band was the perfect group. They were pretty universally loved by their fans, their critics and their peers. The opposite was true for the five guys in the group; once, a group of tight-knit brothers was shattering. Creative droughts, drugs and alcohol continued to plague them deeply. "Cahoots" is a manifestation of the period. The songs crafted for the album don't do anything to hide it.
Now, with "Cahoots" their fourth studio album released to the world in 1971, The Band's shiny veneer was fading. The public started to sense The Band wasn't in a happy place, and The Band didn't know how much longer they were going to be able to keep it up.
"Levons Barn" song provided by Adam Traum (https://www.adamtraumguitar.com/)
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1993 Rick Danko told The News-Star: <em>"I think we shipped a million copies of that second album and that changed a lot of people’s lives — in particular, the Band’s. After that, we were only getting together once a year, for a couple of months, to record. It was like we were too decadent to play.”</em></p><p>1970 was a hard year, but it wouldn't get any easier in 1971. Having struggled through <a href="https://en.wikipedia.org/wiki/Stage_Fright_(album)">"Stage Fright" </a>and taking on the disastrous <a href="https://en.wikipedia.org/wiki/Festival_Express">Festival Express</a> music festival, <a href="https://en.wikipedia.org/wiki/The_Band">The Band</a> was burnt out and in a dark space. However, it was back into the studio to record a new album, even if they didn't want to. From the exterior, The Band was the perfect group. They were pretty universally loved by their fans, their critics and their peers. The opposite was true for the five guys in the group; once, a group of tight-knit brothers was shattering. Creative droughts, drugs and alcohol continued to plague them deeply. "Cahoots" is a manifestation of the period. The songs crafted for the album don't do anything to hide it.</p><p>Now, with <a href="https://en.wikipedia.org/wiki/Cahoots_(album)">"Cahoots"</a> their fourth studio album released to the world in 1971, The Band's shiny veneer was fading. The public started to sense The Band wasn't in a happy place, and The Band didn't know how much longer they were going to be able to keep it up.</p><p>"Levons Barn" song provided by Adam Traum (<a href="https://www.adamtraumguitar.com/">https://www.adamtraumguitar.com/</a>)</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3862</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b1db6424-38a7-11ea-b7ad-73db0c130d33]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN2956310223.mp3?updated=1730161039" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Interview: Daniel Roher </title>
      <description>The Band: A History sits down with Once Were Brothers: Robbie Robertson and The Band filmmaker Daniel Roher to discuss the making of his documentary on Robbie Robertson. We discuss Roher's career in the Canadian documentary world, elevating his craft, the luck of landing "Once Were Brothers" and all that went into making the film, from star-studded interviews, Robbie and Levon's feud, Garth's exclusion and much, much more.
You can find information about "Once Were Brothers" and where it is screening here. You can also find Daniel Roher on Instagram here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 25 Nov 2019 12:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>9</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/0755417e-0e5d-11ea-99bf-67be844356c1/image/ab14b8.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>The Band: A History sits down with Once Were Brothers: Robbie Robertson and The Band director Daniel Roher. </itunes:subtitle>
      <itunes:summary>The Band: A History sits down with Once Were Brothers: Robbie Robertson and The Band filmmaker Daniel Roher to discuss the making of his documentary on Robbie Robertson. We discuss Roher's career in the Canadian documentary world, elevating his craft, the luck of landing "Once Were Brothers" and all that went into making the film, from star-studded interviews, Robbie and Levon's feud, Garth's exclusion and much, much more.
You can find information about "Once Were Brothers" and where it is screening here. You can also find Daniel Roher on Instagram here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><strong>The Band: A History</strong> sits down with <em>Once Were Brothers: Robbie Robertson and The Band </em>filmmaker Daniel Roher to discuss the making of his documentary on Robbie Robertson. We discuss Roher's career in the Canadian documentary world, elevating his craft, the luck of landing "Once Were Brothers" and all that went into making the film, from star-studded interviews, Robbie and Levon's feud, Garth's exclusion and much, much more.</p><p>You can find information about "Once Were Brothers" and where it is screening <a href="https://www.whitepinepictures.com/once-were-brothers-robbie-robertson-the-band">here</a>. You can also find Daniel Roher on Instagram <a href="https://www.instagram.com/daniel_roher/?hl=en">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3786</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0755417e-0e5d-11ea-99bf-67be844356c1]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN6853426735.mp3?updated=1730160813" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Stage Fright</title>
      <link>http://thebandpodcast.com</link>
      <description>Rick Danko stated once: “Those first royalty checks we got almost killed some of us”. 
By 1970, The Band started to reap the rewards of their first two albums. Remember, it has only been two years since the release of “Music From Big Pink”. It may feel like an elongated period of time, but The Band was a workhorse powering through producing an album yearly while also staying busy on other projects. They were now receiving millions of dollars for the songs they wrote and performed.
Frustrating from multiple avenues were starting to creep into what The Band had established. Drugs, alcohol, money, etc., were all working towards destroying what The Band had built. With little time and a label to keep happy, as well as an attempt to push all the issues aside, The Band went back into the studio to record their third album, "Stage Fright". ⁣
⁣However, it wouldn't be as easy this time. "Stage Fright" tested the group and pushed The Band to its limits. ⁣
"Levons Barn" song provided by Adam Traum (https://www.adamtraumguitar.com/)
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 03 Nov 2019 14:11:00 -0000</pubDate>
      <itunes:title>Stage Fright</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>8</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/009571f8-fd94-11e9-b0a9-2362b114bef2/image/a3d4cf.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Everything was looking uncertain for The Band at the turn of the decade. The 1970s were about to get a whole lot more difficult. </itunes:subtitle>
      <itunes:summary>Rick Danko stated once: “Those first royalty checks we got almost killed some of us”. 
By 1970, The Band started to reap the rewards of their first two albums. Remember, it has only been two years since the release of “Music From Big Pink”. It may feel like an elongated period of time, but The Band was a workhorse powering through producing an album yearly while also staying busy on other projects. They were now receiving millions of dollars for the songs they wrote and performed.
Frustrating from multiple avenues were starting to creep into what The Band had established. Drugs, alcohol, money, etc., were all working towards destroying what The Band had built. With little time and a label to keep happy, as well as an attempt to push all the issues aside, The Band went back into the studio to record their third album, "Stage Fright". ⁣
⁣However, it wouldn't be as easy this time. "Stage Fright" tested the group and pushed The Band to its limits. ⁣
"Levons Barn" song provided by Adam Traum (https://www.adamtraumguitar.com/)
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Rick Danko stated once: <em>“Those first royalty checks we got almost killed some of us”. </em></p><p>By 1970, The Band started to reap the rewards of their first two albums. Remember, it has only been two years since the release of <em>“Music From Big Pink”</em>. It may feel like an elongated period of time, but The Band was a workhorse powering through producing an album yearly while also staying busy on other projects. They were now receiving millions of dollars for the songs they wrote and performed.</p><p>Frustrating from multiple avenues were starting to creep into what The Band had established. Drugs, alcohol, money, etc., were all working towards destroying what The Band had built. With little time and a label to keep happy, as well as an attempt to push all the issues aside, The Band went back into the studio to record their third album,<em> "Stage Fright". ⁣</em></p><p>⁣However, it wouldn't be as easy this time. "Stage Fright" tested the group and pushed The Band to its limits. ⁣</p><p>"Levons Barn" song provided by Adam Traum (<a href="https://www.adamtraumguitar.com/">https://www.adamtraumguitar.com/</a>)</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3782</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[009571f8-fd94-11e9-b0a9-2362b114bef2]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN2770443226.mp3?updated=1730160849" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Divide &amp; Conquer </title>
      <description>The Band's follow-up self-titled album "The Band" was a success and bigger than their first effort. You'd think they'd slow down and smell the roses, but they didn't. The Band never followed the same path as everyone else and continued to dive deep into recording. Oftentimes as individuals rather than a group, each member spent serious time in 1969 and 1970 working on their friend's projects, including work for John Martyn, Todd Rundgren, Jesse Winchester and John Simon. 
However, with success came the demands of a fanbase and a label. The Band spent time on the road in 1969 for the first time in an extended capacity. The success opened the door to a new lifestyle, a place where everyone wanted to be their friend, and everyone had a party. With touring also came press in a meaningful way. The Band broke ground being the first American band in TIME magazine. The Band was also re-introduced to the press with a very spicy interview given by Ronnie Hawkins and much, much more.
The Band embraced this lifestyle, but it would just be a matter of time before it all began to break down. With a label expecting more albums, The Band would be back in the studio in 1970, creating their third album. Time will tell if it will all pay off for The Band.
"Levons Barn" song provided by Adam Traum (https://www.adamtraumguitar.com/)
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 08 Sep 2019 14:00:00 -0000</pubDate>
      <itunes:title>Divide &amp; Conquer </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>7</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a14e067a-cde5-11e9-a4d9-d3dd6680a61b/image/0fffc6.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>With two albums under their belt it was time for a little shake up. The Band spent the last year of the 1960s touring and doing session work. </itunes:subtitle>
      <itunes:summary>The Band's follow-up self-titled album "The Band" was a success and bigger than their first effort. You'd think they'd slow down and smell the roses, but they didn't. The Band never followed the same path as everyone else and continued to dive deep into recording. Oftentimes as individuals rather than a group, each member spent serious time in 1969 and 1970 working on their friend's projects, including work for John Martyn, Todd Rundgren, Jesse Winchester and John Simon. 
However, with success came the demands of a fanbase and a label. The Band spent time on the road in 1969 for the first time in an extended capacity. The success opened the door to a new lifestyle, a place where everyone wanted to be their friend, and everyone had a party. With touring also came press in a meaningful way. The Band broke ground being the first American band in TIME magazine. The Band was also re-introduced to the press with a very spicy interview given by Ronnie Hawkins and much, much more.
The Band embraced this lifestyle, but it would just be a matter of time before it all began to break down. With a label expecting more albums, The Band would be back in the studio in 1970, creating their third album. Time will tell if it will all pay off for The Band.
"Levons Barn" song provided by Adam Traum (https://www.adamtraumguitar.com/)
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Band's follow-up self-titled album <em>"The Band"</em> was a success and bigger than their first effort. You'd think they'd slow down and smell the roses, but they didn't. The Band never followed the same path as everyone else and continued to dive deep into recording. Oftentimes as individuals rather than a group, each member spent serious time in 1969 and 1970 working on their friend's projects, including work for <strong>John Martyn, Todd Rundgren, Jesse Winchester</strong> and<strong> John Simon. </strong></p><p>However, with success came the demands of a fanbase and a label. The Band spent time on the road in 1969 for the first time in an extended capacity. The success opened the door to a new lifestyle, a place where everyone wanted to be their friend, and everyone had a party. With touring also came press in a meaningful way. The Band broke ground being the first American band in <strong>TIME magazine. </strong>The Band was also re-introduced to the press with a very spicy interview given by<strong> Ronnie Hawkins</strong> and much, much more.</p><p>The Band embraced this lifestyle, but it would just be a matter of time before it all began to break down. With a label expecting more albums, The Band would be back in the studio in 1970, creating their third album. Time will tell if it will all pay off for The Band.</p><p>"Levons Barn" song provided by Adam Traum (<a href="https://www.adamtraumguitar.com/">https://www.adamtraumguitar.com/</a>)</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2934</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a14e067a-cde5-11e9-a4d9-d3dd6680a61b]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN9922071258.mp3?updated=1730160952" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Brown Album</title>
      <description>While The Band had critical success on their first studio effort in 1968's "Music From Big Pink" they didn't waste any time before getting back into the studio to make their follow-up. The Band was now respected in their own right apart from Ronnie Hawkins and Bob Dylan. They had the support of a growing fanbase, critics and most importantly musicians like George Harrison and Eric Clapton.
However, The Band were enjoying the frills of a now more luxurious lifestyle that didn't impede on their music-making. Their self-titled second album later referred to as "The Brown Album" pushed them even further in the music cultural zeitgeist. The approach is similar to what they had done with their first album. This time holing themselves up in a homemade studio in the Hollywood Hills as opposed to the mountain wilderness of the Catskills in upstate New York.
The Brown album went on to produce some of The Band's most well-known songs like "The Night They Drove Old Dixie Down", "Rag Mamma Rag", "Whispering Pines" and "King Harvest (Has Surely Come" and further cemented their influence in the creation of the Americana genre of back to basics. Their sophomore album was also their own unique commentary on America from the perspective of the now increasingly forgotten peoples: the farmers, the truck drivers and even the drunkards!
Moreover, The Band began to play live again for the first time in years, taking part in some of the most important festivals in music history like the Toronto Pop Festival, Woodstock and the Isle of Wight all in 1969. While also playing historic stints at Bill Graham's Winterland in San Fransisco and Fillmore East in New York. The Band was nearing its peak, their reach was growing, their influence looming large and they were able to make the music they had yearned to create for over a decade.
"Levons Barn" song provided by Adam Traum (https://www.adamtraumguitar.com/)
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 04 Aug 2019 15:00:00 -0000</pubDate>
      <itunes:title>The Brown Album</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>6</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/f5d3752c-b5a3-11e9-8e3d-bbab32663814/image/95587d.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>While The Band had critical success on their first studio effort in 1968's "Music From Big Pink" they didn't waste any time before getting back into the studio to make their follow-up.</itunes:subtitle>
      <itunes:summary>While The Band had critical success on their first studio effort in 1968's "Music From Big Pink" they didn't waste any time before getting back into the studio to make their follow-up. The Band was now respected in their own right apart from Ronnie Hawkins and Bob Dylan. They had the support of a growing fanbase, critics and most importantly musicians like George Harrison and Eric Clapton.
However, The Band were enjoying the frills of a now more luxurious lifestyle that didn't impede on their music-making. Their self-titled second album later referred to as "The Brown Album" pushed them even further in the music cultural zeitgeist. The approach is similar to what they had done with their first album. This time holing themselves up in a homemade studio in the Hollywood Hills as opposed to the mountain wilderness of the Catskills in upstate New York.
The Brown album went on to produce some of The Band's most well-known songs like "The Night They Drove Old Dixie Down", "Rag Mamma Rag", "Whispering Pines" and "King Harvest (Has Surely Come" and further cemented their influence in the creation of the Americana genre of back to basics. Their sophomore album was also their own unique commentary on America from the perspective of the now increasingly forgotten peoples: the farmers, the truck drivers and even the drunkards!
Moreover, The Band began to play live again for the first time in years, taking part in some of the most important festivals in music history like the Toronto Pop Festival, Woodstock and the Isle of Wight all in 1969. While also playing historic stints at Bill Graham's Winterland in San Fransisco and Fillmore East in New York. The Band was nearing its peak, their reach was growing, their influence looming large and they were able to make the music they had yearned to create for over a decade.
"Levons Barn" song provided by Adam Traum (https://www.adamtraumguitar.com/)
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While The Band had critical success on their first studio effort in 1968's <em>"Music From Big Pink" </em>they didn't waste any time before getting back into the studio to make their follow-up. The Band was now respected in their own right apart from Ronnie Hawkins and Bob Dylan. They had the support of a growing fanbase, critics and most importantly musicians like George Harrison and Eric Clapton.</p><p>However, The Band were enjoying the frills of a now more luxurious lifestyle that didn't impede on their music-making. Their self-titled second album later referred to as "<em>The Brown Album" </em>pushed them even further in the music cultural zeitgeist. The approach is similar to what they had done with their first album. This time holing themselves up in a homemade studio in the Hollywood Hills as opposed to the mountain wilderness of the Catskills in upstate New York.</p><p>The Brown album went on to produce some of The Band's most well-known songs like "The Night They Drove Old Dixie Down", "Rag Mamma Rag", "Whispering Pines" and "King Harvest (Has Surely Come" and further cemented their influence in the creation of the Americana genre of back to basics. Their sophomore album was also their own unique commentary on America from the perspective of the now increasingly forgotten peoples: the farmers, the truck drivers and even the drunkards!</p><p>Moreover, The Band began to play live again for the first time in years, taking part in some of the most important festivals in music history like the Toronto Pop Festival, Woodstock and the Isle of Wight all in 1969. While also playing historic stints at Bill Graham's Winterland in San Fransisco and Fillmore East in New York. The Band was nearing its peak, their reach was growing, their influence looming large and they were able to make the music they had yearned to create for over a decade.</p><p>"Levons Barn" song provided by Adam Traum (<a href="https://www.adamtraumguitar.com/">https://www.adamtraumguitar.com/</a>)</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4190</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f5d3752c-b5a3-11e9-8e3d-bbab32663814]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN1810817709.mp3?updated=1730161137" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Music From Big Pink</title>
      <description>The mythical proportion that has graced "Music From Big Pink" has been there since the beginning. By the late sixties, everyone was buzzing about what Dylan and The Band were doing in upstate New York. 
"Music From Pink" quaked the music world, and its profound impact changed the perspective of the largest artists of the day. George Harrison was obsessed, and Eric Clapton famously quit Cream and wanted to join The Band. . In an era saturated by fuzzy blues, acid rock and psychedelia, the authentic, raw and roots music of The Band was fresh air. 
In this episode, we will go through The Band’s collective process for creating arguably their best album, the album that skyrocketed them to fame. 
Check out Adam Traum who provided the track "Levon's Barn" for this episode. 
http://www.adamtraumguitar.com
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 11 Jun 2019 23:57:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>5</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/dc760746-b258-11e9-aa3e-0b627d0e98bd/image/3f531e.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>The mythical proportion that has graced  "Music From Big Pink" has been there since the beginning. By the late sixties, everyone was buzzing about what Dylan and The Band were doing in upstate New York. </itunes:subtitle>
      <itunes:summary>The mythical proportion that has graced "Music From Big Pink" has been there since the beginning. By the late sixties, everyone was buzzing about what Dylan and The Band were doing in upstate New York. 
"Music From Pink" quaked the music world, and its profound impact changed the perspective of the largest artists of the day. George Harrison was obsessed, and Eric Clapton famously quit Cream and wanted to join The Band. . In an era saturated by fuzzy blues, acid rock and psychedelia, the authentic, raw and roots music of The Band was fresh air. 
In this episode, we will go through The Band’s collective process for creating arguably their best album, the album that skyrocketed them to fame. 
Check out Adam Traum who provided the track "Levon's Barn" for this episode. 
http://www.adamtraumguitar.com
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The mythical proportion that has graced "Music From Big Pink" has been there since the beginning. By the late sixties, everyone was buzzing about what Dylan and The Band were doing in upstate New York. </p><p>"Music From Pink" quaked the music world, and its profound impact changed the perspective of the largest artists of the day. George Harrison was obsessed, and Eric Clapton famously quit Cream and wanted to join The Band. . In an era saturated by fuzzy blues, acid rock and psychedelia, the authentic, raw and roots music of The Band was fresh air. </p><p>In this episode, we will go through The Band’s collective process for creating arguably their best album, the album that skyrocketed them to fame. </p><p>Check out Adam Traum who provided the track "Levon's Barn" for this episode. </p><p>http://www.adamtraumguitar.com</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2275</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3cd61442-925d-2fa7-8732-431308c63a3e]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN4711343164.mp3?updated=1730160832" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Basement Tapes </title>
      <description>This week we dive deeper into the legendary roots-rock group, The Band, as they move up to join Bob Dylan after he recovers from his motorcycle accident. Excited to spend some time off the road, they took the opportunity to write and record some music. They started to rent the famous clubhouse they called "Big Pink". The Basement Tapes became the legacy of over a year of creating and making music in the basement of Big Pink.  
Check out Adam Traum who provided the track "Levon's Barn" for this episode. 
http://www.adamtraumguitar.com
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 05 May 2019 21:29:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/dcc171cc-b258-11e9-aa3e-3b7f16fc647e/image/5794ee.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>This week we dive deeper into the legendary roots-rock group, The Band as they move up to join Bob Dylan after he recovers from his motorcycle accident. Excited to send some time off the road they took the opportunity to write and record some music</itunes:subtitle>
      <itunes:summary>This week we dive deeper into the legendary roots-rock group, The Band, as they move up to join Bob Dylan after he recovers from his motorcycle accident. Excited to spend some time off the road, they took the opportunity to write and record some music. They started to rent the famous clubhouse they called "Big Pink". The Basement Tapes became the legacy of over a year of creating and making music in the basement of Big Pink.  
Check out Adam Traum who provided the track "Levon's Barn" for this episode. 
http://www.adamtraumguitar.com
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This week we dive deeper into the legendary roots-rock group, The Band, as they move up to join Bob Dylan after he recovers from his motorcycle accident. Excited to spend some time off the road, they took the opportunity to write and record some music. They started to rent the famous clubhouse they called "Big Pink". The Basement Tapes became the legacy of over a year of creating and making music in the basement of Big Pink.  </p><p>Check out Adam Traum who provided the track "Levon's Barn" for this episode. </p><p>http://www.adamtraumguitar.com</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1689</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[130aa907-7ce9-1eb1-e73a-1069235c0a81]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/pdst.fm/e/pscrb.fm/rss/p/traffic.megaphone.fm/PAN6460985596.mp3?updated=1730160778" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Dylan Years </title>
      <description>This week we dive deeper into the legendary roots-rock group, The Band, as they join Dylan. Detailing the years between 1964 through 1966, we take a look at the group as they get to see the world: private jets, A-list celebrities, turmoil and more. The Hawks got to experience the very best of music and the very worst. From seeing how a master like Bob Dylan writes and performs to having crowds of thousands hate your guts. This episode of The Band: A History packs a punch. 
"Levons Barn" song provided by Adam Traum (https://www.adamtraumguitar.com/)
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 08 Apr 2019 03:23:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/dd034610-b258-11e9-aa3e-5336b3faa9a0/image/988092.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>This week we dive deeper into the legendary roots-rock group, The Band as they join Dylan. Detailing the years between 1964 through 1966, we take a look at the group as they get to see the world. Private jets, A-list celebrities, turmoil and more</itunes:subtitle>
      <itunes:summary>This week we dive deeper into the legendary roots-rock group, The Band, as they join Dylan. Detailing the years between 1964 through 1966, we take a look at the group as they get to see the world: private jets, A-list celebrities, turmoil and more. The Hawks got to experience the very best of music and the very worst. From seeing how a master like Bob Dylan writes and performs to having crowds of thousands hate your guts. This episode of The Band: A History packs a punch. 
"Levons Barn" song provided by Adam Traum (https://www.adamtraumguitar.com/)
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This week we dive deeper into the legendary roots-rock group, The Band, as they join Dylan. Detailing the years between 1964 through 1966, we take a look at the group as they get to see the world: private jets, A-list celebrities, turmoil and more. The Hawks got to experience the very best of music and the very worst. From seeing how a master like Bob Dylan writes and performs to having crowds of thousands hate your guts. This episode of The Band: A History packs a punch. </p><p>"Levons Barn" song provided by Adam Traum (<a href="https://www.adamtraumguitar.com/">https://www.adamtraumguitar.com/</a>)</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2457</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>The Hawks After Hawkins </title>
      <description>This week we dive deeper into the legendary roots-rock group, The Band, after they left Ronnie Hawkins. Detailing the years between 1964 into 1965, we take a look at a group of young musicians who were experimenting with their sound. From their relentless touring across Eastern Canada in through the Southern states of the United States of America, we are exposed to a very interesting period of time in The Band's history. From session work with John Hammond Jr. to jamming with Sonny Boy Williamson to drugs and arrests, this episode of The Band: A History packs a punch. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 10 Mar 2019 23:56:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/dd4423ec-b258-11e9-aa3e-732de971e143/image/31cfe2.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>This week we dive deeper into the legendary roots-rock group, The Band, after they left Ronnie Hawkins. Detailing the years between 1964 into 1965, we take a look at a group of young musicians who were experimenting with their sound.</itunes:subtitle>
      <itunes:summary>This week we dive deeper into the legendary roots-rock group, The Band, after they left Ronnie Hawkins. Detailing the years between 1964 into 1965, we take a look at a group of young musicians who were experimenting with their sound. From their relentless touring across Eastern Canada in through the Southern states of the United States of America, we are exposed to a very interesting period of time in The Band's history. From session work with John Hammond Jr. to jamming with Sonny Boy Williamson to drugs and arrests, this episode of The Band: A History packs a punch. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This week we dive deeper into the legendary roots-rock group, The Band, after they left Ronnie Hawkins. Detailing the years between 1964 into 1965, we take a look at a group of young musicians who were experimenting with their sound. From their relentless touring across Eastern Canada in through the Southern states of the United States of America, we are exposed to a very interesting period of time in The Band's history. From session work with John Hammond Jr. to jamming with Sonny Boy Williamson to drugs and arrests, this episode of The Band: A History packs a punch. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1811</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Ronnie "The Hawk" Hawkins</title>
      <description>Ronnie "The Hawk" Hawkins recounts the legendary singer from Arkansas's role in music history, specifically rockabilly and his role in developing the sound in Canada through Canadian musicians. Moreover, the episode looks at how Hawkins put together a group of musicians that later became the legendary roots-rock group, The Band. 

Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 09 Feb 2019 04:36:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>The Band: A History</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/de08c33c-b258-11e9-aa3e-07d454d58973/image/cae8f7.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Ronnie "The Hawk" Hawkins recounts the legendary singer from Arkansas's role in music history, specifically rockabilly and his role in developing the sound in Canada through Canadian musicians. Moreover, the episode looks at how Hawkins put together a group of musicians that later became the legendary roots-rock group, The Band. </itunes:subtitle>
      <itunes:summary>Ronnie "The Hawk" Hawkins recounts the legendary singer from Arkansas's role in music history, specifically rockabilly and his role in developing the sound in Canada through Canadian musicians. Moreover, the episode looks at how Hawkins put together a group of musicians that later became the legendary roots-rock group, The Band. 

Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ronnie "The Hawk" Hawkins recounts the legendary singer from Arkansas's role in music history, specifically rockabilly and his role in developing the sound in Canada through Canadian musicians. Moreover, the episode looks at how Hawkins put together a group of musicians that later became the legendary roots-rock group, The Band. </p><p><br></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1331</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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