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    <title>Dialogues: The David Zwirner Podcast</title>
    <link>https://cms.megaphone.fm/channel/dialogues</link>
    <language>en</language>
    <copyright></copyright>
    <description>What we talk about when we talk about art. Exceptional makers and thinkers across art, literature, film, fashion, music, and more come together to talk about what it means to make things today.</description>
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      <title>Dialogues: The David Zwirner Podcast</title>
      <link>https://cms.megaphone.fm/channel/dialogues</link>
    </image>
    <itunes:type>episodic</itunes:type>
    <itunes:subtitle>Art, artists, and the creative process.</itunes:subtitle>
    <itunes:author>David Zwirner</itunes:author>
    <itunes:summary>What we talk about when we talk about art. Exceptional makers and thinkers across art, literature, film, fashion, music, and more come together to talk about what it means to make things today.</itunes:summary>
    <content:encoded>
      <![CDATA[<p>What we talk about when we talk about art. Exceptional makers and thinkers across art, literature, film, fashion, music, and more come together to talk about what it means to make things today.</p>]]>
    </content:encoded>
    <itunes:owner>
      <itunes:name>David Zwirner</itunes:name>
      <itunes:email>podcasts@davidzwirner.com</itunes:email>
    </itunes:owner>
    <itunes:image href="https://megaphone.imgix.net/podcasts/d102f36c-73eb-11e8-8e69-17630339e6c1/image/e3ab8235964765112d08cde031efb930.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
    <itunes:category text="Society &amp; Culture">
    </itunes:category>
    <itunes:category text="Arts">
      <itunes:category text="Visual Arts"/>
    </itunes:category>
    <item>
      <title>Bonus Episode | Anni Albers: A Life | Live with Nicholas Fox Weber</title>
      <description>In this bonus live episode, Lucas Zwirner returns to the mic for an interview with Nicholas Fox Weber, the director of the Josef &amp; Anni Albers Foundation, on the occasion of Weber’s new biography Anni Albers: A Life. Over the course of the exchange, Weber opens up about the writing process behind this major new biography and shares some rare anecdotes from a lifetime spent working closely with the Alberses.

Anni Albers: A Life is out now from Yale University Press. Learn more about the book: https://yalebooks.yale.edu/book/9780300269376/anni-albers/ </description>
      <pubDate>Tue, 12 May 2026 23:54:00 -0000</pubDate>
      <itunes:episodeType>bonus</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/d95c5f9c-4e55-11f1-b719-43f78f02ed3d/image/7432a15ba5646a9be446abfe724df394.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this bonus live episode, Lucas Zwirner returns to the mic for an interview with Nicholas Fox Weber, the director of the Josef &amp; Anni Albers Foundation, on the occasion of Weber’s new biography Anni Albers: A Life. Over the course of the exchange, Weber opens up about the writing process behind this major new biography and shares some rare anecdotes from a lifetime spent working closely with the Alberses.

Anni Albers: A Life is out now from Yale University Press. Learn more about the book: https://yalebooks.yale.edu/book/9780300269376/anni-albers/ </itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this bonus live episode, Lucas Zwirner returns to the mic for an interview with Nicholas Fox Weber, the director of the Josef &amp; Anni Albers Foundation, on the occasion of Weber’s new biography <em>Anni Albers: A Life</em>. Over the course of the exchange, Weber opens up about the writing process behind this major new biography and shares some rare anecdotes from a lifetime spent working closely with the Alberses.</p>
<p><em>Anni Albers: A Life</em> is out now from Yale University Press. Learn more about the book: https://yalebooks.yale.edu/book/9780300269376/anni-albers/ </p>
<p><br></p>]]>
      </content:encoded>
      <itunes:duration>1418</itunes:duration>
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    <item>
      <title>Benjamin H. D. Buchloh on Gerhard Richter (Re-run)</title>
      <description>This special episode with Helen Molesworth and Benjamin H. D. Buchloh was taped in front of a live audience at David Zwirner New York for a 2023 exhibition of Gerhard Richter’s final paintings.

A new exhibition of Richter’s celebrated photorealist landscape paintings from the 1960s to the 2000s, Gerhard Richter: Landschaften, is now on view at our 20th Street gallery in New York.

The illuminating conversation draws on Buchloh’s decades of scholarly work on Richter, including a discussion of the art historian’s landmark 2022 study Gerhard Richter: Painting after the Subject of History. 

Learn more about the exhibition Landschaften: https://www.davidzwirner.com/exhibitions/2026/gerhard-richter-landschaftenLearn more about Gerhard Richter: Painting after the Subject of History: https://mitpress.mit.edu/9780262543538/gerhard-richter/</description>
      <pubDate>Wed, 06 May 2026 16:31:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>This special episode with Helen Molesworth and Benjamin H. D. Buchloh was taped in front of a live audience at David Zwirner New York for a 2023 exhibition of Gerhard Richter’s final paintings.

A new exhibition of Richter’s celebrated photorealist landscape paintings from the 1960s to the 2000s, Gerhard Richter: Landschaften, is now on view at our 20th Street gallery in New York.

The illuminating conversation draws on Buchloh’s decades of scholarly work on Richter, including a discussion of the art historian’s landmark 2022 study Gerhard Richter: Painting after the Subject of History. 

Learn more about the exhibition Landschaften: https://www.davidzwirner.com/exhibitions/2026/gerhard-richter-landschaftenLearn more about Gerhard Richter: Painting after the Subject of History: https://mitpress.mit.edu/9780262543538/gerhard-richter/</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This special episode with Helen Molesworth and Benjamin H. D. Buchloh was taped in front of a live audience at David Zwirner New York for a 2023 exhibition of Gerhard Richter’s final paintings.</p>
<p>A new exhibition of Richter’s celebrated photorealist landscape paintings from the 1960s to the 2000s, <em>Gerhard Richter: Landschaften</em>, is now on view at our 20th Street gallery in New York.</p>
<p>The illuminating conversation draws on Buchloh’s decades of scholarly work on Richter, including a discussion of the art historian’s landmark 2022 study <a href="https://mitpress.mit.edu/9780262543538/gerhard-richter/"><em>Gerhard Richter: Painting after the Subject of History</em></a><em>. </em></p>
<p>Learn more about the exhibition <em>Landschaften</em>: <a href="https://www.davidzwirner.com/exhibitions/2026/gerhard-richter-landschaften"><u>https://www.davidzwirner.com/exhibitions/2026/gerhard-richter-landschaften</u></a><br>Learn more about <em>Gerhard Richter: Painting after the Subject of History</em>: <a href="https://mitpress.mit.edu/9780262543538/gerhard-richter/"><u>https://mitpress.mit.edu/9780262543538/gerhard-richter/</u></a></p>]]>
      </content:encoded>
      <itunes:duration>4002</itunes:duration>
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    <item>
      <title>Michael Armitage</title>
      <description>An interview with Michael Armitage about his unique use of material and color, and his singular approach to narrative on the occasion of his major retrospective at the Palazzo Grassi in Venice. Titled The Promise of Change, the show is presented concurrently with the 61st International Art Exhibition of the Venice Biennale and on view through January 10, 2027.

Armitage is also the founder of the Nairobi Contemporary Art Institute, a non-profit visual art space dedicated to the growth and preservation of contemporary art in East Africa and a participant in In Minor Keys at the 61st International Art Exhibition of the Venice Biennale, on view through November 22, 2026.

Learn more at the Palazzo Grassi website: https://www.pinaultcollection.com/palazzograssi/en/michael-armitage-promise-change

Image: Michael Armitage, Don’t Worry There Will Be More, 2024 (detail) 

© Michael Armitage</description>
      <pubDate>Tue, 28 Apr 2026 23:44:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>10</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e1e4f426-435b-11f1-abca-fff4835b924f/image/9319ea846ce70fc624bc97ee06518762.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>An interview with Michael Armitage about his unique use of material and color, and his singular approach to narrative on the occasion of his major retrospective at the Palazzo Grassi in Venice. Titled The Promise of Change, the show is presented concurrently with the 61st International Art Exhibition of the Venice Biennale and on view through January 10, 2027.

Armitage is also the founder of the Nairobi Contemporary Art Institute, a non-profit visual art space dedicated to the growth and preservation of contemporary art in East Africa and a participant in In Minor Keys at the 61st International Art Exhibition of the Venice Biennale, on view through November 22, 2026.

Learn more at the Palazzo Grassi website: https://www.pinaultcollection.com/palazzograssi/en/michael-armitage-promise-change

Image: Michael Armitage, Don’t Worry There Will Be More, 2024 (detail) 

© Michael Armitage</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An interview with Michael Armitage about his unique use of material and color, and his singular approach to narrative on the occasion of his major retrospective at the Palazzo Grassi in Venice. Titled <em>The Promise of Change, </em>the show is presented concurrently with the 61st International Art Exhibition of the Venice Biennale and on view through January 10, 2027.</p>
<p>Armitage is also the founder of the Nairobi Contemporary Art Institute, a non-profit visual art space dedicated to the growth and preservation of contemporary art in East Africa and a participant in <em>In Minor Keys</em> at the 61st International Art Exhibition of the Venice Biennale, on view through November 22, 2026.</p>
<p>Learn more at the Palazzo Grassi website: <a href="https://www.pinaultcollection.com/palazzograssi/en/michael-armitage-promise-change">https://www.pinaultcollection.com/palazzograssi/en/michael-armitage-promise-change</a></p>
<p>Image: Michael Armitage<em>, Don’t Worry There Will Be More, </em>2024 (detail) </p>
<p>© Michael Armitage</p>
<p><br></p>]]>
      </content:encoded>
      <itunes:duration>2227</itunes:duration>
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    <item>
      <title>Marcel Duchamp: An Artist, a Rumor, a Series of Questions Without Answers | With Rachel Harrison and Alex Kitnick</title>
      <description>A conversation with artist Rachel Harrison and art historian Alex Kitnick on the occasion of a once-in-a-generation retrospective of Marcel Duchamp at the Museum of Modern Art in New York.

Alex Kitnick teaches art history at Bard College in Annandale-on-Hudson, New York. 

Rachel Harrison is a Brooklyn-based artist.

Learn more about the exhibition at MoMA.org.</description>
      <pubDate>Tue, 21 Apr 2026 23:58:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>10</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/113fb838-3dde-11f1-9fb7-e32c01b403c3/image/73349d68ce7fe0aae1ecf10844af507c.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A conversation with artist Rachel Harrison and art historian Alex Kitnick on the occasion of a once-in-a-generation retrospective of Marcel Duchamp at the Museum of Modern Art in New York.

Alex Kitnick teaches art history at Bard College in Annandale-on-Hudson, New York. 

Rachel Harrison is a Brooklyn-based artist.

Learn more about the exhibition at MoMA.org.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A conversation with artist Rachel Harrison and art historian Alex Kitnick on the occasion of a once-in-a-generation retrospective of Marcel Duchamp at the Museum of Modern Art in New York.</p>
<p>Alex Kitnick teaches art history at Bard College in Annandale-on-Hudson, New York. </p>
<p>Rachel Harrison is a Brooklyn-based artist.</p>
<p>Learn more about the exhibition at <a href="https://www.moma.org/calendar/exhibitions/5820"><u>MoMA.org</u></a>.</p>
<p><br></p>]]>
      </content:encoded>
      <itunes:duration>2595</itunes:duration>
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    </item>
    <item>
      <title>The Story of Walter Benjamin’s Final Days and His Cherished Paul Klee Drawing</title>
      <description>Art historian Lisa Saltzman discusses Walter Benjamin’s final days in Paris before his suicide in 1940 and the network of intellectuals who saved his most prized possessions from World War II, including the Paul Klee drawing that inspired one of his most famous and trenchant texts, the Theses on the Philosophy of History. 

The exhibition Paul Klee: Other Possible Worlds is on view at the Jewish Museum in New York through July 26, 2026. It traces the Swiss-German artist’s departure from the Bauhaus and his experience throughout the political upheaval of the 1930s prior to his death in 1940, providing a new basis for understanding his sociopolitical perspective and commitment to artistic freedom. 



Lisa Saltzman is the inaugural Emily Rauh Pulitzer '55 Chair of Modern and Contemporary Art at Bryn Mawr College. Her current book project, To Make Whole What Has Been Smashed, explores how one prescient passage from Walter Benjamin’s posthumously published writings came to transform his most cherished possession—an idiosyncratic little Paul Klee drawing of an angel—into the "angel of history," a postwar icon of impotent witness to historical catastrophe.</description>
      <pubDate>Wed, 18 Mar 2026 00:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>10</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/0996e348-2256-11f1-82b9-57b0c1c66632/image/29772c83dcaf36743e7355d8ebe3afe9.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Art historian Lisa Saltzman discusses Walter Benjamin’s final days in Paris before his suicide in 1940 and the network of intellectuals who saved his most prized possessions from World War II, including the Paul Klee drawing that inspired one of his most famous and trenchant texts, the Theses on the Philosophy of History. 

The exhibition Paul Klee: Other Possible Worlds is on view at the Jewish Museum in New York through July 26, 2026. It traces the Swiss-German artist’s departure from the Bauhaus and his experience throughout the political upheaval of the 1930s prior to his death in 1940, providing a new basis for understanding his sociopolitical perspective and commitment to artistic freedom. 



Lisa Saltzman is the inaugural Emily Rauh Pulitzer '55 Chair of Modern and Contemporary Art at Bryn Mawr College. Her current book project, To Make Whole What Has Been Smashed, explores how one prescient passage from Walter Benjamin’s posthumously published writings came to transform his most cherished possession—an idiosyncratic little Paul Klee drawing of an angel—into the "angel of history," a postwar icon of impotent witness to historical catastrophe.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Art historian Lisa Saltzman discusses Walter Benjamin’s final days in Paris before his suicide in 1940 and the network of intellectuals who saved his most prized possessions from World War II, including the Paul Klee drawing that inspired one of his most famous and trenchant texts, the <em>Theses on the Philosophy of History.</em> </p>
<p>The exhibition <em>Paul Klee: Other Possible Worlds </em>is on view at the Jewish Museum in New York through July 26, 2026. It traces the Swiss-German artist’s departure from the Bauhaus and his experience throughout the political upheaval of the 1930s prior to his death in 1940, providing a new basis for understanding his sociopolitical perspective and commitment to artistic freedom. </p>
<p><br></p>
<p><br>Lisa Saltzman is the inaugural Emily Rauh Pulitzer '55 Chair of Modern and Contemporary Art at Bryn Mawr College. Her current book project, <em>To Make Whole What Has Been Smashed</em>, explores how one prescient passage from Walter Benjamin’s posthumously published writings came to transform his most cherished possession—an idiosyncratic little Paul Klee drawing of an angel—into the "angel of history," a postwar icon of impotent witness to historical catastrophe.</p>]]>
      </content:encoded>
      <itunes:duration>1992</itunes:duration>
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    <item>
      <title>The Difficulty of Critiquing Black Artists | With Rachel Hunter Himes</title>
      <description>Helen speaks to Rachel Hunter Himes, author of the essay “Black Block” in Triple Canopy, about the long history of black artists underserved by white critics, museums’ moral and political responsibility to the public, and more.

Rachel Hunter Himes is an art writer, museum educator, and PhD candidate at Columbia University. 

Read “Black Block” here: https://canopycanopycanopy.com/contents/black-block?ui.header=true</description>
      <pubDate>Wed, 11 Mar 2026 00:09:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>12</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/87ed6424-1cde-11f1-927f-e792f8e5bac4/image/e3ab8235964765112d08cde031efb930.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Helen speaks to Rachel Hunter Himes, author of the essay “Black Block” in Triple Canopy, about the long history of black artists underserved by white critics, museums’ moral and political responsibility to the public, and more.

Rachel Hunter Himes is an art writer, museum educator, and PhD candidate at Columbia University. 

Read “Black Block” here: https://canopycanopycanopy.com/contents/black-block?ui.header=true</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Helen speaks to Rachel Hunter Himes, author of the essay “<a href="https://canopycanopycanopy.com/contents/black-block?ui.header=true">Black Block</a>” in Triple Canopy, about the long history of black artists underserved by white critics, museums’ moral and political responsibility to the public, and more.

Rachel Hunter Himes is an art writer, museum educator, and PhD candidate at Columbia University. 

Read “Black Block” here: <a href="https://canopycanopycanopy.com/contents/black-block?ui.header=true">https://canopycanopycanopy.com/contents/black-block?ui.header=true</a></p>
<p><br></p>]]>
      </content:encoded>
      <itunes:duration>2538</itunes:duration>
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      <enclosure url="https://traffic.megaphone.fm/DZI8084339067.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Todd Haynes x Christine Vachon</title>
      <description>Award-winning filmaker Todd Haynes and his longtime collaborator, film producer Christine Vachon, discuss their thirty-year creative partnership, from the emergence of the new queer cinema to the culture wars of the nineties. 

In 1987, Haynes directed the short film Superstar: The Karen Carpenter Story. His first feature film, Poison, won the Grand Jury Prize at Sundance. After Safe, which featured Julianne Moore in a breakthrough role, he conjured David Bowie in Velvet Goldmine, then paid homage to German director Douglas Sirk in Far from Heaven. Haynes had six actors play Bob Dylan in I’m Not There. He directed the TV miniseries Mildred Pierce, then returned to feature films with Carol, Wonderstruck, Dark Waters, and the documentary The Velvet Underground, followed by the feature film May December. 

Christine Vachon is an Independent Spirit Award and Gotham Award winner who co-founded the powerhouse Killer Films with partner Pamela Koffler in 1995. Over three decades, the company has produced more than one hundred films, including some of the most celebrated and important American independent features. Recent releases include Todd Haynes’s May December (Netflix), starring Natalie Portman and Julianne Moore, and Celine Song’s Past Lives (A24), which marks her first Oscar nomination in the Best Picture category.</description>
      <pubDate>Wed, 04 Mar 2026 14:47:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>10</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/11857538-17d9-11f1-9c7f-5fdf3bc12ae3/image/3e5bf506abaf108d8ab2d07000a605c6.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Award-winning filmaker Todd Haynes and his longtime collaborator, film producer Christine Vachon, discuss their thirty-year creative partnership, from the emergence of the new queer cinema to the culture wars of the nineties. 

In 1987, Haynes directed the short film Superstar: The Karen Carpenter Story. His first feature film, Poison, won the Grand Jury Prize at Sundance. After Safe, which featured Julianne Moore in a breakthrough role, he conjured David Bowie in Velvet Goldmine, then paid homage to German director Douglas Sirk in Far from Heaven. Haynes had six actors play Bob Dylan in I’m Not There. He directed the TV miniseries Mildred Pierce, then returned to feature films with Carol, Wonderstruck, Dark Waters, and the documentary The Velvet Underground, followed by the feature film May December. 

Christine Vachon is an Independent Spirit Award and Gotham Award winner who co-founded the powerhouse Killer Films with partner Pamela Koffler in 1995. Over three decades, the company has produced more than one hundred films, including some of the most celebrated and important American independent features. Recent releases include Todd Haynes’s May December (Netflix), starring Natalie Portman and Julianne Moore, and Celine Song’s Past Lives (A24), which marks her first Oscar nomination in the Best Picture category.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Award-winning filmaker Todd Haynes and his longtime collaborator, film producer Christine Vachon, discuss their thirty-year creative partnership, from the emergence of the new queer cinema to the culture wars of the nineties. </p>
<p>In 1987, Haynes directed the short film <em>Superstar: The Karen Carpenter Story. </em>His first feature film, <em>Poison</em>, won the Grand Jury Prize at Sundance. After<em> Safe</em>, which featured Julianne Moore in a breakthrough role, he conjured David Bowie in<em> Velvet Goldmine</em>, then paid homage to German director Douglas Sirk in <em>Far from Heaven</em>. Haynes had six actors play Bob Dylan in <em>I’m Not There</em>. He directed the TV miniseries <em>Mildred Pierce</em>, then returned to feature films with <em>Carol</em>, <em>Wonderstruck</em>,<em> Dark Waters</em>, and the documentary <em>The Velvet Underground</em>, followed by the feature film <em>May December.</em> </p>
<p><br>Christine Vachon is an Independent Spirit Award and Gotham Award winner who co-founded the powerhouse Killer Films with partner Pamela Koffler in 1995. Over three decades, the company has produced more than one hundred films, including some of the most celebrated and important American independent features. Recent releases include Todd Haynes’s <em>May December </em>(Netflix), starring Natalie Portman and Julianne Moore, and Celine Song’s <em>Past Lives</em> (A24), which marks her first Oscar nomination in the Best Picture category.</p>]]>
      </content:encoded>
      <itunes:duration>1944</itunes:duration>
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    <item>
      <title>Rose Wylie x Russell Tovey (re-release)</title>
      <description>We revisit a conversation from the first season of Dialogues with critically acclaimed painter Rose Wylie, OBE RA, and actor Russell Tovey. 

Rose Wylie is the subject of a major retrospective at the Royal Academy of Arts, London, on view from February 28–April 19, 2026.Wylie, an admirer of cinema, and Tovey, a fan and collector of Wylie’s work, en</description>
      <pubDate>Wed, 25 Feb 2026 04:15:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a7e7f412-1200-11f1-82a5-0fcc4b1cd5ef/image/195f7ca8cc7d33fe677f95a753019341.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We revisit a conversation from the first season of Dialogues with critically acclaimed painter Rose Wylie, OBE RA, and actor Russell Tovey. 

Rose Wylie is the subject of a major retrospective at the Royal Academy of Arts, London, on view from February 28–April 19, 2026.Wylie, an admirer of cinema, and Tovey, a fan and collector of Wylie’s work, en</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We revisit a conversation from the first season of <em>Dialogues</em> with critically acclaimed painter Rose Wylie, OBE RA, and actor Russell Tovey. </p>
<p>Rose Wylie is the subject of a major retrospective at the Royal Academy of Arts, London, on view from February 28–April 19, 2026.<br>Wylie, an admirer of cinema, and Tovey, a fan and collector of Wylie’s work, en</p>
<p><br></p>]]>
      </content:encoded>
      <itunes:duration>1739</itunes:duration>
      <guid isPermaLink="false"><![CDATA[a7e7f412-1200-11f1-82a5-0fcc4b1cd5ef]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI6321354702.mp3?updated=1772000336" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Art of Installation with Amy Sillman and Donna De Salvo</title>
      <description>Acclaimed artist Amy Sillman and curator Donna De Salvo join Helen Molesworth for a deep dive into how an art exhibition comes to life.

Amy Sillman is widely recognized as one of the most significant painters of her generation. Amy Sillman: Oh, Clock!, the artist’s first major institutional solo exhibition in Europe, was presented at Kunstmuseum Bern in 2024, before traveling to Ludwig Forum Aachen the following year. Amy Sillman: Alternate Side (Permutations #1–32) is currently on view at Dia Bridgehampton through June 2026.

Donna De Salvo is a senior adjunct curator at Dia Art Foundation and previously served as the chief curator at the Whitney Museum of American Art in New York. Recent projects include Steve McQueen at Dia Chelsea and Dia Beacon, featuring the immersive installation Bass (2024), co-commissioned with the Laurenz Foundation, Basel; Roni Horn at Dia Beacon; Walter De Maria: The Singular Experience, Gagosian, Paris; and the forthcoming This Land: Considering the American Landscape, cocurated with Seph Rodney for The Church, Sag Harbor. </description>
      <pubDate>Wed, 18 Feb 2026 01:53:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>7</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8fa74edc-0c6c-11f1-bab7-d35a37415ec8/image/6d02948f8a4c77b25fe8d06b2062e845.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Acclaimed artist Amy Sillman and curator Donna De Salvo join Helen Molesworth for a deep dive into how an art exhibition comes to life.

Amy Sillman is widely recognized as one of the most significant painters of her generation. Amy Sillman: Oh, Clock!, the artist’s first major institutional solo exhibition in Europe, was presented at Kunstmuseum Bern in 2024, before traveling to Ludwig Forum Aachen the following year. Amy Sillman: Alternate Side (Permutations #1–32) is currently on view at Dia Bridgehampton through June 2026.

Donna De Salvo is a senior adjunct curator at Dia Art Foundation and previously served as the chief curator at the Whitney Museum of American Art in New York. Recent projects include Steve McQueen at Dia Chelsea and Dia Beacon, featuring the immersive installation Bass (2024), co-commissioned with the Laurenz Foundation, Basel; Roni Horn at Dia Beacon; Walter De Maria: The Singular Experience, Gagosian, Paris; and the forthcoming This Land: Considering the American Landscape, cocurated with Seph Rodney for The Church, Sag Harbor. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>Acclaimed artist Amy Sillman and curator Donna De Salvo join Helen Molesworth for a deep dive into how an art exhibition comes to life.</p>
<p>Amy Sillman is widely recognized as one of the most significant painters of her generation. <em>Amy Sillman: Oh, Clock!</em>, the artist’s first major institutional solo exhibition in Europe, was presented at Kunstmuseum Bern in 2024, before traveling to Ludwig Forum Aachen the following year. <em>Amy Sillman: Alternate Side (Permutations #1–32) </em>is currently on view at Dia Bridgehampton through June 2026.</p>
<p>Donna De Salvo is a senior adjunct curator at Dia Art Foundation and previously served as the chief curator at the<strong> </strong>Whitney Museum of American Art in New York. Recent projects include <em>Steve McQueen</em> at Dia Chelsea and Dia Beacon, featuring the immersive installation <em>Bass </em>(2024)<em>,</em> co-commissioned with the Laurenz Foundation, Basel;<em> Roni Horn </em>at Dia Beacon; <em>Walter De Maria: The Singular Experience</em>, Gagosian, Paris; and the forthcoming<em> This Land: Considering the American Landscape</em>, cocurated with Seph Rodney for The Church, Sag Harbor. </p>
<p><br></p>]]>
      </content:encoded>
      <itunes:duration>2104</itunes:duration>
      <guid isPermaLink="false"><![CDATA[8fa74edc-0c6c-11f1-bab7-d35a37415ec8]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI9040831949.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How Pee-wee Herman Brought the Avant-Garde to TV | with Matt Wolf  </title>
      <description>Emmy Award–winning filmmaker and producer Matt Wolf joins Helen Molesworth to discuss his latest documentary series, Pee-wee as Himself, a revelatory documentary about the late Paul Reubens.  

The HBO original two-part documentary Pee-wee as Himself is available to stream now on HBO Max. </description>
      <pubDate>Wed, 11 Feb 2026 01:26:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>10</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/c12e6348-06e8-11f1-8f62-8f4540500207/image/33eb842c51da8b19a59d567c65ea1b1e.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Emmy Award–winning filmmaker and producer Matt Wolf joins Helen Molesworth to discuss his latest documentary series, Pee-wee as Himself, a revelatory documentary about the late Paul Reubens.  

The HBO original two-part documentary Pee-wee as Himself is available to stream now on HBO Max. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>Emmy Award–winning filmmaker and producer Matt Wolf joins Helen Molesworth to discuss his latest documentary series, <em>Pee-wee as Himself, </em>a revelatory documentary about the late Paul Reubens<strong>.  </strong></p>
<p>The HBO original two-part documentary <em>Pee-wee as Himself</em> is available to stream now on HBO Max. </p>
<p><br></p>]]>
      </content:encoded>
      <itunes:duration>1974</itunes:duration>
      <guid isPermaLink="false"><![CDATA[c12e6348-06e8-11f1-8f62-8f4540500207]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI7360024471.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Myth of da Vinci</title>
      <description>Every era has its own version of Leonardo da Vinci, according to art historian Stephen J. Campbell. Campbell joins Helen Molesworth to unpack the 21st century myth of the tech genius that surrounds the Renaissance artist. 

Stephen J. Campbell is the Henry and Elizabeth Wiesenfeld Professor in the Department of the History of Art at Johns Hopkins University. His books include Andrea Mantegna: Humanist Aesthetics, Faith, and the Force of Images and The Endless Periphery: Toward a Geopolitics of Art in Lorenzo Lotto’s Italy.</description>
      <pubDate>Wed, 04 Feb 2026 01:13:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>10</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/fafc010c-0166-11f1-b480-873865848b0c/image/653a69a05a6c76eed789ed5bc69e8079.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Every era has its own version of Leonardo da Vinci, according to art historian Stephen J. Campbell. Campbell joins Helen Molesworth to unpack the 21st century myth of the tech genius that surrounds the Renaissance artist. 

Stephen J. Campbell is the Henry and Elizabeth Wiesenfeld Professor in the Department of the History of Art at Johns Hopkins University. His books include Andrea Mantegna: Humanist Aesthetics, Faith, and the Force of Images and The Endless Periphery: Toward a Geopolitics of Art in Lorenzo Lotto’s Italy.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Every era has its own version of Leonardo da Vinci, according to art historian Stephen J. Campbell. Campbell joins Helen Molesworth to unpack the 21st century myth of the tech genius that surrounds the Renaissance artist. </p>
<p>Stephen J. Campbell is the Henry and Elizabeth Wiesenfeld Professor in the Department of the History of Art at Johns Hopkins University. His books include <em>Andrea Mantegna: Humanist Aesthetics, Faith, and the Force of Images</em> and <em>The Endless Periphery: Toward a Geopolitics of Art in Lorenzo Lotto’s Italy</em>.</p>
<p><br></p>]]>
      </content:encoded>
      <itunes:duration>2103</itunes:duration>
      <guid isPermaLink="false"><![CDATA[fafc010c-0166-11f1-b480-873865848b0c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI2746503737.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How Museums are Funded, and Why They’re Vulnerable</title>
      <description>Last week the Trump administration sharply escalated its impossible demands on the Smithsonian Institution. It's hard not to wonder when, rather than if this administration will come for the rest of our museums. With this in mind, Helen Molesworth invited Jill Medvedow, the former director of the ICA/Boston, for an explainer on how museums are funded, with the hopes of arming listeners with a deeper understanding of how it all works.

Jill Medvedow is director emerita at the ICA/Boston and a fellow at the Harvard Divinity School. </description>
      <pubDate>Thu, 15 Jan 2026 01:16:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Last week the Trump administration sharply escalated its impossible demands on the Smithsonian Institution. It's hard not to wonder when, rather than if this administration will come for the rest of our museums. With this in mind, Helen Molesworth invited Jill Medvedow, the former director of the ICA/Boston, for an explainer on how museums are funded, with the hopes of arming listeners with a deeper understanding of how it all works.

Jill Medvedow is director emerita at the ICA/Boston and a fellow at the Harvard Divinity School. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>Last week the Trump administration sharply escalated its impossible demands on the Smithsonian Institution. It's hard not to wonder <em>when,</em> rather than <em>if</em> this administration will come for the rest of our museums. With this in mind, Helen Molesworth invited Jill Medvedow, the former director of the ICA/Boston, for an explainer on how museums are funded, with the hopes of arming listeners with a deeper understanding of how it all works.</p>
<p>Jill Medvedow is director emerita at the ICA/Boston and a fellow at the Harvard Divinity School. </p>]]>
      </content:encoded>
      <itunes:duration>1616</itunes:duration>
      <guid isPermaLink="false"><![CDATA[e29f1388-f194-11f0-ab38-339fcefc2e8c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI6352574647.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Best Art Exhibitions of 2025</title>
      <description>Helen Molesworth and Steve Locke sort through the many exhibitions of the last year to highlight their favorites, from Jack Whitten at MoMA and Stanley Whitney at the ICA/Boston, to Bo Bartlett and Lisa Yuskavage. </description>
      <pubDate>Wed, 10 Dec 2025 01:56:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Helen Molesworth and Steve Locke sort through the many exhibitions of the last year to highlight their favorites, from Jack Whitten at MoMA and Stanley Whitney at the ICA/Boston, to Bo Bartlett and Lisa Yuskavage. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>Helen Molesworth and Steve Locke sort through the many exhibitions of the last year to highlight their favorites, from Jack Whitten at MoMA and Stanley Whitney at the ICA/Boston, to Bo Bartlett and Lisa Yuskavage. </p>
<p><br></p>]]>
      </content:encoded>
      <itunes:duration>1779</itunes:duration>
      <guid isPermaLink="false"><![CDATA[65fc6866-d56b-11f0-8e4d-37c8712fb066]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI2255150591.mp3?updated=1765393725" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title> Kerry James Marshall, Modern Master</title>
      <description>Helen Molesworth invites curator Mark Godfrey and artists Arthur Jafa and Steve Locke to discuss the work of Kerry James Marshall on the occasion of his acclaimed survey exhibition at the Royal Academy of Arts, London.

Kerry James Marshall: The Histories is on view through January 18, 2026 and will travel next to the Kunsthaus Zürich in Zurich, Switzerland, and the Musée d’art Moderne in Paris, France.

Mark Godfrey is the curator of Kerry James Marshall: The Histories at the Royal Academy of Arts. He is co-director of New Curators, a one-year curatorial training program for international curators from lower socio-economic backgrounds. He was Senior Curator, International Art at Tate Modern from 2007-2021.

Arthur Jafa is an artist and filmmaker whose practice comprises films, artefacts and happenings that reference and question the universal and specific articulations of Black being. 

Steve Locke is a contemporary artist and educator based in Brooklyn, New York.</description>
      <pubDate>Mon, 24 Nov 2025 03:53:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Helen Molesworth invites curator Mark Godfrey and artists Arthur Jafa and Steve Locke to discuss the work of Kerry James Marshall on the occasion of his acclaimed survey exhibition at the Royal Academy of Arts, London.

Kerry James Marshall: The Histories is on view through January 18, 2026 and will travel next to the Kunsthaus Zürich in Zurich, Switzerland, and the Musée d’art Moderne in Paris, France.

Mark Godfrey is the curator of Kerry James Marshall: The Histories at the Royal Academy of Arts. He is co-director of New Curators, a one-year curatorial training program for international curators from lower socio-economic backgrounds. He was Senior Curator, International Art at Tate Modern from 2007-2021.

Arthur Jafa is an artist and filmmaker whose practice comprises films, artefacts and happenings that reference and question the universal and specific articulations of Black being. 

Steve Locke is a contemporary artist and educator based in Brooklyn, New York.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Helen Molesworth invites curator Mark Godfrey and artists Arthur Jafa and Steve Locke to discuss the work of Kerry James Marshall on the occasion of his acclaimed survey exhibition at the Royal Academy of Arts, London.</p>
<p><em>Kerry James Marshall: The Histories</em> is on view through January 18, 2026 and will travel next to the Kunsthaus Zürich in Zurich, Switzerland, and the Musée d’art Moderne in Paris, France.</p>
<p>Mark Godfrey is the curator of <em>Kerry James Marshall: The Histories</em> at the Royal Academy of Arts. He is co-director of New Curators, a one-year curatorial training program for international curators from lower socio-economic backgrounds. He was Senior Curator, International Art at Tate Modern from 2007-2021.</p>
<p>Arthur Jafa is an artist and filmmaker whose practice comprises films, artefacts and happenings that reference and question the universal and specific articulations of Black being. </p>
<p>Steve Locke is a contemporary artist and educator based in Brooklyn, New York.</p>
<p><br></p>]]>
      </content:encoded>
      <itunes:duration>3110</itunes:duration>
      <guid isPermaLink="false"><![CDATA[21fa91f8-c8e9-11f0-8102-03e3c30c86d6]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI9048022326.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Special Episode | On Diane Arbus with Francine Prose, David Salle, and Neil Selkirk</title>
      <description>Helen is joined by writer Francine Prose, artist David Salle, and photographer Neil Selkirk for a conversation about Arbus’s singular importance.

Francine Prose’s new novel, Five Weeks in the Country, will be published in May.

David Salle is a painter and essayist living in New York.

Neil Selkirk is a photographer and filmmaker and the only person to print the photographs of Diane Arbus other than the photographer herself.

Visit two exhibitions of Arbus on view this fall: Diane Arbus: Konstellationen is on view at Gropius Bau in Berlin, Germany through January 18, 2026 and Diane Arbus: Sanctum Sanctorum is on view at David Zwirner London through December 20, 2025. </description>
      <pubDate>Wed, 19 Nov 2025 02:52:00 -0000</pubDate>
      <itunes:title>On Diane Arbus with Francine Prose, David Salle, and Neil Selkirk</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Helen is joined by writer Francine Prose, artist David Salle, and photographer Neil Selkirk for a conversation about Arbus’s singular importance.

Francine Prose’s new novel, Five Weeks in the Country, will be published in May.

David Salle is a painter and essayist living in New York.

Neil Selkirk is a photographer and filmmaker and the only person to print the photographs of Diane Arbus other than the photographer herself.

Visit two exhibitions of Arbus on view this fall: Diane Arbus: Konstellationen is on view at Gropius Bau in Berlin, Germany through January 18, 2026 and Diane Arbus: Sanctum Sanctorum is on view at David Zwirner London through December 20, 2025. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>Helen is joined by writer Francine Prose, artist David Salle, and photographer Neil Selkirk for a conversation about Arbus’s singular importance.</p>
<p>Francine Prose’s new novel, <em>Five Weeks in the Country</em>, will be published in May.</p>
<p>David Salle is a painter and essayist living in New York.</p>
<p>Neil Selkirk is a photographer and filmmaker and the only person to print the photographs of Diane Arbus other than the photographer herself.</p>
<p>Visit two exhibitions of Arbus on view this fall: <em>Diane Arbus: Konstellationen </em>is on view at Gropius Bau in Berlin, Germany through January 18, 2026 and <em>Diane Arbus: Sanctum Sanctorum </em>is on view at David Zwirner London through December 20, 2025. </p>
<p><br></p>]]>
      </content:encoded>
      <itunes:duration>2421</itunes:duration>
      <guid isPermaLink="false"><![CDATA[d6e447bc-c4f2-11f0-b17a-df974a1744f1]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI2915145199.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Infinite Yayoi Kusama </title>
      <description>An episode dedicated to Yayoi Kusama: arguably the most famous artist in the world and yet among the most indefinable, elusive, and transformative. Helen Molesworth is joined by scholar Jennifer DeVere Brody, art critic Johanna Fateman, and curator Catherine Taft to unpack the many versions of Yayoi Kusama—and her singular importance in 20th and 21st century art.

A global travelling retrospective of Yayoi Kusama opens at the Fondation Beyeler in Switzerland in October 2025; it will travel to the Museum Ludwig in Cologne in Spring 2026, and the Stedelijk Museum in Amsterdam in Fall 2026.

Jennifer DeVere Brody is Professor of Theater &amp; Performance studies, and, by courtesy, African &amp; African American Studies at Stanford University. A Guggenheim Fellowship in Fine Arts Research supported her forthcoming book, Moving Stones: About the Art of Edmonia Lewis (Duke UPress, 2026). 

Johanna Fateman is a writer, co-chief art critic at Cultured Mag, and a member of the band Le Tigre. 

Catherine Taft is a writer and curator and deputy director of The Brick, a non-profit exhibition space in Los Angeles.</description>
      <pubDate>Wed, 28 May 2025 00:55:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>9</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/2529e14e-3b5e-11f0-9d32-0fb9f7b14dc1/image/ace7431cf599a8c9e53b47a643c0de49.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>An episode dedicated to Yayoi Kusama: arguably the most famous artist in the world and yet among the most indefinable, elusive, and transformative. Helen Molesworth is joined by scholar Jennifer DeVere Brody, art critic Johanna Fateman, and curator Catherine Taft to unpack the many versions of Yayoi Kusama—and her singular importance in 20th and 21st century art.

A global travelling retrospective of Yayoi Kusama opens at the Fondation Beyeler in Switzerland in October 2025; it will travel to the Museum Ludwig in Cologne in Spring 2026, and the Stedelijk Museum in Amsterdam in Fall 2026.

Jennifer DeVere Brody is Professor of Theater &amp; Performance studies, and, by courtesy, African &amp; African American Studies at Stanford University. A Guggenheim Fellowship in Fine Arts Research supported her forthcoming book, Moving Stones: About the Art of Edmonia Lewis (Duke UPress, 2026). 

Johanna Fateman is a writer, co-chief art critic at Cultured Mag, and a member of the band Le Tigre. 

Catherine Taft is a writer and curator and deputy director of The Brick, a non-profit exhibition space in Los Angeles.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An episode dedicated to Yayoi Kusama: arguably the most famous artist in the world and yet among the most indefinable, elusive, and transformative. Helen Molesworth is joined by scholar Jennifer DeVere Brody, art critic Johanna Fateman, and curator Catherine Taft to unpack the many versions of Yayoi Kusama—and her singular importance in 20th and 21st century art.</p>
<p>A global travelling retrospective of Yayoi Kusama opens at the Fondation Beyeler in Switzerland in October 2025; it will travel to the Museum Ludwig in Cologne in Spring 2026, and the Stedelijk Museum in Amsterdam in Fall 2026.</p>
<p><strong>Jennifer DeVere Brody</strong> is Professor of Theater &amp; Performance studies, and, by courtesy, African &amp; African American Studies at Stanford University. A Guggenheim Fellowship in Fine Arts Research supported her forthcoming book, <em>Moving Stones: About the Art of Edmonia Lewis </em>(Duke UPress, 2026). </p>
<p><strong>Johanna Fateman</strong> is a writer, co-chief art critic at <em>Cultured Mag</em>,<em> </em>and a member of the band Le Tigre. </p>
<p><strong>Catherine Taft</strong> is a writer and curator and deputy director of The Brick, a non-profit exhibition space in Los Angeles.</p>
<p><br></p>]]>
      </content:encoded>
      <itunes:duration>2254</itunes:duration>
      <guid isPermaLink="false"><![CDATA[2529e14e-3b5e-11f0-9d32-0fb9f7b14dc1]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI1476484457.mp3?updated=1748627192" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>An Art Historian’s View of How We Got Here with Jonathan Crary</title>
      <description>Helen Molesworth speaks to art historian and culture critic Jonathan Crary, whose recent books Scorched Earth and 24/7 constitute both a polemic against what he calls the “internet complex”—and a diagnosis of where society is now.



Jonathan Crary is Meyer Schapiro Professor of Modern Art and Theory at Columbia University and is a founding coeditor of Zone Books.</description>
      <pubDate>Wed, 21 May 2025 05:52:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>9</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8caf1548-3607-11f0-98f2-972abcb02ee6/image/0310e5c742f9aeaf023435bd4eca000c.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Helen Molesworth speaks to art historian and culture critic Jonathan Crary, whose recent books Scorched Earth and 24/7 constitute both a polemic against what he calls the “internet complex”—and a diagnosis of where society is now.



Jonathan Crary is Meyer Schapiro Professor of Modern Art and Theory at Columbia University and is a founding coeditor of Zone Books.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Helen Molesworth speaks to art historian and culture critic Jonathan Crary, whose recent books <em>Scorched Earth </em>and <em>24/7 </em>constitute both a polemic against what he calls the “internet complex”—and a diagnosis of where society is now.</p>
<p><br></p>
<p>Jonathan Crary is Meyer Schapiro Professor of Modern Art and Theory at Columbia University and is a founding coeditor of Zone Books. </p>
<p><br></p>]]>
      </content:encoded>
      <itunes:duration>1968</itunes:duration>
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    </item>
    <item>
      <title> Dispatch from a Humanities Field in Crisis | with Darby English</title>
      <description>With higher education facing existential threat under the current administration, Helen Molesworth speaks to art historian, critic, and educator Darby English about the difficulties of understanding this precise moment and the importance of discourse, independent thought, and history.

Darby English is the Carl Darling Buck Professor of Art History at University of Chicago and the author of numerous books, including Among Others: Blackness at MoMA (2019), 1971: A Year in the Life of Color  (2016) and How to See a Work of Art in Total Darkness (2007).</description>
      <pubDate>Fri, 02 May 2025 12:35:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>9</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/0eb571e2-2751-11f0-9874-0fc454249e7d/image/b9fd545678099d4da4fc12f6f1710ac4.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>With higher education facing existential threat under the current administration, Helen Molesworth speaks to art historian, critic, and educator Darby English about the difficulties of understanding this precise moment and the importance of discourse, independent thought, and history.

Darby English is the Carl Darling Buck Professor of Art History at University of Chicago and the author of numerous books, including Among Others: Blackness at MoMA (2019), 1971: A Year in the Life of Color  (2016) and How to See a Work of Art in Total Darkness (2007).</itunes:summary>
      <content:encoded>
        <![CDATA[<p>With higher education facing existential threat under the current administration, Helen Molesworth speaks to art historian, critic, and educator Darby English about the difficulties of understanding this precise moment and the importance of discourse, independent thought, and history.</p>
<p><br>Darby English is the Carl Darling Buck Professor of Art History at University of Chicago and the author of numerous books, including<em> Among Others: Blackness at MoMA </em>(2019), <em>1971: A Year in the Life of Color  </em>(2016) and <em>How to See a Work of Art in Total Darkness </em>(2007).</p>]]>
      </content:encoded>
      <itunes:duration>2388</itunes:duration>
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    <item>
      <title>Joan Mitchell at 100 with Julie Mehretu and Eileen Myles</title>
      <description>On the occasion of Joan Mitchell’s centennial year, Helen Molesworth speaks to artist Julie Mehretu and poet Eileen Myles about what Mitchell’s life and work means to them. 

Julie Mehretu, (b. 1970, Addis Ababa, Ethiopia) is an artist who lives and works in New York City. Mehretu is the recipient of numerous awards, including the Officer of the Ordre des Arts et des Lettres by the French Ministry of Culture in 2025, the MacArthur Fellowship in 2005, and the U.S. Department of State Medal of Arts Award in 2015.

Eileen Myles (they/them, b. 1949) is a poet, novelist and art journalist whose practice of vernacular first-person writing has made them one of the most recognized writers of their generation. Pathetic Literature (anthology) and a “Working Life” (poems) are their most recent books. They live in New York &amp; in Marfa, Texas.

Visit the Joan Mitchell Foundation to learn more about their global centennial programming. 


Corrections: 

At 17:21 Helen Molesworth mentions the writer Jen Quilter; the correct name is Jenni Quitler.
At 22:53, it should note that Joan Mitchell used a device she called a "diminishing glass" to get a visual sense of works as if seen from a greater distance.

Explore Joan Mitchell (Yale University Press, 2021) for further research and reference.</description>
      <pubDate>Wed, 23 Apr 2025 00:22:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>9</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/3d58d75e-1fd7-11f0-a2cf-ef2824ecb530/image/09629e565143caaa55110e433c3f6e9d.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>On the occasion of Joan Mitchell’s centennial year, Helen Molesworth speaks to artist Julie Mehretu and poet Eileen Myles about what Mitchell’s life and work means to them. </itunes:subtitle>
      <itunes:summary>On the occasion of Joan Mitchell’s centennial year, Helen Molesworth speaks to artist Julie Mehretu and poet Eileen Myles about what Mitchell’s life and work means to them. 

Julie Mehretu, (b. 1970, Addis Ababa, Ethiopia) is an artist who lives and works in New York City. Mehretu is the recipient of numerous awards, including the Officer of the Ordre des Arts et des Lettres by the French Ministry of Culture in 2025, the MacArthur Fellowship in 2005, and the U.S. Department of State Medal of Arts Award in 2015.

Eileen Myles (they/them, b. 1949) is a poet, novelist and art journalist whose practice of vernacular first-person writing has made them one of the most recognized writers of their generation. Pathetic Literature (anthology) and a “Working Life” (poems) are their most recent books. They live in New York &amp; in Marfa, Texas.

Visit the Joan Mitchell Foundation to learn more about their global centennial programming. 


Corrections: 

At 17:21 Helen Molesworth mentions the writer Jen Quilter; the correct name is Jenni Quitler.
At 22:53, it should note that Joan Mitchell used a device she called a "diminishing glass" to get a visual sense of works as if seen from a greater distance.

Explore Joan Mitchell (Yale University Press, 2021) for further research and reference.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On the occasion of Joan Mitchell’s centennial year, Helen Molesworth speaks to artist Julie Mehretu and poet Eileen Myles about what Mitchell’s life and work means to them. </p><p><br></p><p>Julie Mehretu, (b. 1970, Addis Ababa, Ethiopia) is an artist who lives and works in New York City. Mehretu is the recipient of numerous awards, including the Officer of the Ordre des Arts et des Lettres by the French Ministry of Culture in 2025, the MacArthur Fellowship in 2005, and the U.S. Department of State Medal of Arts Award in 2015.</p><p><br></p><p>Eileen Myles (they/them, b. 1949) is a poet, novelist and art journalist whose practice of vernacular first-person writing has made them one of the most recognized writers of their generation. <em>Pathetic Literature (anthology) and</em> <em>a “Working Life” (poems) are their most recent books</em>. They live in New York &amp; in Marfa, Texas.</p><p><br></p><p>Visit the<a href="https://www.joanmitchellfoundation.org/journal/events-and-activities-to-celebrate-mitchells-centennial-in-2025"> Joan Mitchell Foundation</a> to learn more about their global centennial programming. </p><p><br></p><p><br></p><p><em>Corrections: </em></p><p><br></p><p><em>At 17:21 Helen Molesworth mentions the writer Jen Quilter; the correct name is Jenni Quitler.</em></p><p><em>At 22:53, it should note that Joan Mitchell used a device she called a "diminishing glass" to get a visual sense of works as if seen from a greater distance.</em></p><p><br></p><p>Explore <a href="https://www.davidzwirner.com/collect/joan-mitchell-yale-book"><em>Joan Mitchell</em></a> (Yale University Press, 2021) for further research and reference.</p>]]>
      </content:encoded>
      <itunes:duration>1876</itunes:duration>
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    <item>
      <title>Julianne Moore</title>
      <description>Academy award-winning actor and writer Julianne Moore goes in depth on her craft, the art of filmmaking, and passion for design. 

Julianne Moore has starred in numerous award-winning films since the 1990s, most recently in Pedro Almodóvar’s The Room Next Door.  </description>
      <pubDate>Wed, 16 Apr 2025 00:28:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>9</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/fa041352-1a58-11f0-b123-a35022f72b52/image/b0cce46240293895a7a597be5e40ad58.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Academy award-winning actor and writer Julianne Moore goes in depth on her craft, the art of filmmaking, and passion for design. 

Julianne Moore has starred in numerous award-winning films since the 1990s, most recently in Pedro Almodóvar’s The Room Next Door.  </itunes:summary>
      <content:encoded>
        <![CDATA[<p>Academy award-winning actor and writer Julianne Moore goes in depth on her craft, the art of filmmaking, and passion for design. </p><p><br></p><p>Julianne Moore has starred in numerous award-winning films since the 1990s, most recently in Pedro Almodóvar’s <em>The Room Next Door.</em>   </p>]]>
      </content:encoded>
      <itunes:duration>2049</itunes:duration>
      <guid isPermaLink="false"><![CDATA[fa041352-1a58-11f0-b123-a35022f72b52]]></guid>
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    </item>
    <item>
      <title>Annabelle Selldorf, Architect to Artists </title>
      <description>Celebrated architect Annabelle Selldorf on her life and work, which includes numerous cultural spaces, from commercial galleries to major museums. 

Selldorf Architects's most recent project, a critically acclaimed expansion of the Frick Collection in New York, opens to the public on April 17, 2025.

David Zwirner’s new Chelsea building at 533 West 19th Street, also designed by Selldorf Architects, will open May 8 with a solo exhibition by Michael Armitage.</description>
      <pubDate>Wed, 09 Apr 2025 00:17:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>9</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b632ce2a-14d1-11f0-bf75-f7370b0a8355/image/4a74b9a7b3b3cff5b0f4c0c6cf35fe44.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Celebrated architect Annabelle Selldorf on her life and work, which includes numerous cultural spaces, from commercial galleries to major museums. 

Selldorf Architects's most recent project, a critically acclaimed expansion of the Frick Collection in New York, opens to the public on April 17, 2025.

David Zwirner’s new Chelsea building at 533 West 19th Street, also designed by Selldorf Architects, will open May 8 with a solo exhibition by Michael Armitage.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Celebrated architect Annabelle Selldorf on her life and work, which includes numerous cultural spaces, from commercial galleries to major museums. </p><p><br></p><p>Selldorf Architects's most recent project, a critically acclaimed expansion of the Frick Collection in New York, opens to the public on April 17, 2025.</p><p><br></p><p>David Zwirner’s new Chelsea building at 533 West 19th Street, also designed by Selldorf Architects, will open May 8 with a solo exhibition by Michael Armitage.</p>]]>
      </content:encoded>
      <itunes:duration>1879</itunes:duration>
      <guid isPermaLink="false"><![CDATA[b632ce2a-14d1-11f0-bf75-f7370b0a8355]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI3309449780.mp3?updated=1745866944" length="0" type="audio/mpeg"/>
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    <item>
      <title>Re-release: The Legacy of Ruth Asawa</title>
      <description>Helen Molesworth invited artists EJ Hill and Sarah Sze to listen to archival audio interviews with Ruth Asawa and discuss her ideas and art.

Ruth Asawa: Retrospective, the first major posthumous retrospective of the artist, will be on view at SFMOMA from April 5–September 2, 2025 before travelling on to the Museum of Modern Art in New York, to the Guggenheim Bilbao in Spain, and to the Fondation Beyeler in Switzerland.

Ruth Asawa (1926-2013) was a sculptor, educator, and arts activist who challenged conventional notions of material and form through her emphasis on lightness and transparency. Her work has been exhibited widely throughout the world since the early 1950s.

Ruth Asawa: Retrospective is on view at SFMOMA from April 5, 2025-September 2, 2025.
EJ Hill is a visual artist who lives and works in Los Angeles. His show Brake Run Helix is on view at MASS MoCA through January 2024.

Sarah Sze is an artist based in New York. Her solo exhibition Timelapse just closed at the Solomon R. Guggenheim Museum and her show Metronome will open in November at OGR Torino, and at Aarhus, Denmark in 2024; she also has a forthcoming solo show opening at the Nasher Sculpture Center in 2024.</description>
      <pubDate>Wed, 02 Apr 2025 00:32:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b525183a-0f59-11f0-b830-6f622d204897/image/fc77981cb6f5c2a5545c7e4bd97cdcab.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Helen Molesworth invited artists EJ Hill and Sarah Sze to listen to archival audio interviews with Ruth Asawa and discuss her ideas and art.

Ruth Asawa: Retrospective, the first major posthumous retrospective of the artist, will be on view at SFMOMA from April 5–September 2, 2025 before travelling on to the Museum of Modern Art in New York, to the Guggenheim Bilbao in Spain, and to the Fondation Beyeler in Switzerland.

Ruth Asawa (1926-2013) was a sculptor, educator, and arts activist who challenged conventional notions of material and form through her emphasis on lightness and transparency. Her work has been exhibited widely throughout the world since the early 1950s.

Ruth Asawa: Retrospective is on view at SFMOMA from April 5, 2025-September 2, 2025.
EJ Hill is a visual artist who lives and works in Los Angeles. His show Brake Run Helix is on view at MASS MoCA through January 2024.

Sarah Sze is an artist based in New York. Her solo exhibition Timelapse just closed at the Solomon R. Guggenheim Museum and her show Metronome will open in November at OGR Torino, and at Aarhus, Denmark in 2024; she also has a forthcoming solo show opening at the Nasher Sculpture Center in 2024.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Helen Molesworth invited artists EJ Hill and Sarah Sze to listen to archival audio interviews with Ruth Asawa and discuss her ideas and art.</p><p><br></p><p><em>Ruth Asawa: Retrospective, </em>the first major posthumous retrospective of the artist,<em> </em>will be on view at SFMOMA from April 5–September 2, 2025 before travelling on to the Museum of Modern Art in New York, to the Guggenheim Bilbao in Spain, and to the Fondation Beyeler in Switzerland.</p><p><br></p><p>Ruth Asawa (1926-2013) was a sculptor, educator, and arts activist who challenged conventional notions of material and form through her emphasis on lightness and transparency. Her work has been exhibited widely throughout the world since the early 1950s.</p><p><br></p><p>Ruth Asawa: Retrospective is on view at SFMOMA from April 5, 2025-September 2, 2025.</p><p>EJ Hill is a visual artist who lives and works in Los Angeles. His show Brake Run Helix is on view at MASS MoCA through January 2024.</p><p><br></p><p>Sarah Sze is an artist based in New York. Her solo exhibition Timelapse just closed at the Solomon R. Guggenheim Museum and her show Metronome will open in November at OGR Torino, and at Aarhus, Denmark in 2024; she also has a forthcoming solo show opening at the Nasher Sculpture Center in 2024.</p>]]>
      </content:encoded>
      <itunes:duration>2808</itunes:duration>
      <guid isPermaLink="false"><![CDATA[b525183a-0f59-11f0-b830-6f622d204897]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI8966890141.mp3?updated=1743554524" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Candy Darling, More Than a Warhol Superstar</title>
      <description>A revealing look into the real life behind the icon and Warhol Superstar Candy Darling. Cynthia Carr, author of the acclaimed Fire in the Belly: The Life and Times of David Wojnarowicz discusses her newest biography: Candy Darling: Dreamer, Icon, Superstar. Carr is joined by MacArthur Fellow, singer-songwriter, and actor Vivian Bond, who narrated the audiobook.

Cynthia Carr is a New York-based writer and author of Fire in the Belly: The Life and Times of David Wojnarowicz and Candy Darling: Dreamer, Icon, Superstar. 

Vivian Bond is the recipient of an Obie, a Bessie, The Lambda Literary award for best transgender non-fiction for their memoir “Tango: My Childhood Backwards and in High Heels,” a Tony nomination for “Kiki and Herb: Alive on Broadway,”and was recently awarded a 2024 MacArthur Fellowship. Bond has a series of upcoming shows May 6-11 at Joe’s Pub.</description>
      <pubDate>Wed, 26 Mar 2025 00:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>9</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/2f30a33a-09c2-11f0-9bb1-8b8c91a5ccea/image/09875ccdc35fcc00dd5370841b185827.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A revealing look into the real life behind the icon and Warhol Superstar Candy Darling. Cynthia Carr, author of the acclaimed Fire in the Belly: The Life and Times of David Wojnarowicz discusses her newest biography: Candy Darling: Dreamer, Icon, Superstar. Carr is joined by MacArthur Fellow, singer-songwriter, and actor Vivian Bond, who narrated the audiobook.

Cynthia Carr is a New York-based writer and author of Fire in the Belly: The Life and Times of David Wojnarowicz and Candy Darling: Dreamer, Icon, Superstar. 

Vivian Bond is the recipient of an Obie, a Bessie, The Lambda Literary award for best transgender non-fiction for their memoir “Tango: My Childhood Backwards and in High Heels,” a Tony nomination for “Kiki and Herb: Alive on Broadway,”and was recently awarded a 2024 MacArthur Fellowship. Bond has a series of upcoming shows May 6-11 at Joe’s Pub.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A revealing look into the real life behind the icon and Warhol Superstar Candy Darling. Cynthia Carr, author of the acclaimed <em>Fire in the Belly: The Life and Times of David Wojnarowicz</em> discusses her newest biography: <em>Candy Darling: Dreamer, Icon, Superstar. </em>Carr is joined by MacArthur Fellow, singer-songwriter, and actor Vivian Bond, who narrated the audiobook.</p><p><br></p><p>Cynthia Carr is a New York-based writer and author of<em> Fire in the Belly: The Life and Times of David Wojnarowicz</em> and<em> Candy Darling: Dreamer, Icon, Superstar. </em></p><p><br></p><p>Vivian Bond is the recipient of an Obie, a Bessie, The Lambda Literary award for best transgender non-fiction for their memoir “Tango: My Childhood Backwards and in High Heels,” a Tony nomination for “Kiki and Herb: Alive on Broadway,”and was recently awarded a 2024 MacArthur Fellowship. Bond has a series of upcoming shows May 6-11 at Joe’s Pub. </p><p><br></p>]]>
      </content:encoded>
      <itunes:duration>1566</itunes:duration>
      <guid isPermaLink="false"><![CDATA[2f30a33a-09c2-11f0-9bb1-8b8c91a5ccea]]></guid>
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    </item>
    <item>
      <title>The Untold Story of Black Mountain College </title>
      <description>The history of a radical cooperative farm at Black Mountain College that defined both daily life and pedagogy at the birthplace of American art education. David Silver, an expert on the farm at Black Mountain college, tells the story of how Black Mountain students collaborated in order to survive. 

David Silver is a professor of environmental studies and urban agriculture at the University of San Francisco and the author of the newly released book, The Farm at Black Mountain College.</description>
      <pubDate>Wed, 19 Mar 2025 00:14:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>9</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/c78b22e8-0456-11f0-ab12-87e1f890ca33/image/fcf615b02d6ad5ac26d840213b3c9e3b.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The history of a radical cooperative farm at Black Mountain College that defined both daily life and pedagogy at the birthplace of American art education. David Silver, an expert on the farm at Black Mountain college, tells the story of how Black Mountain students collaborated in order to survive. 

David Silver is a professor of environmental studies and urban agriculture at the University of San Francisco and the author of the newly released book, The Farm at Black Mountain College.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The history of a radical cooperative farm at Black Mountain College that defined both daily life and pedagogy at the birthplace of American art education. David Silver, an expert on the farm at Black Mountain college, tells the story of how Black Mountain students collaborated in order to survive. </p><p><br></p><p>David Silver is a professor of environmental studies and urban agriculture at the University of San Francisco and the author of the newly released book, <em>The Farm at Black Mountain College</em>.</p>]]>
      </content:encoded>
      <itunes:duration>1588</itunes:duration>
      <guid isPermaLink="false"><![CDATA[c78b22e8-0456-11f0-ab12-87e1f890ca33]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI5546559798.mp3?updated=1742343613" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anni Albers: Her Life, Her Work, Her Words</title>
      <description>Helen Molesworth explores the life and work of Anni Albers in the artist’s own words, with rare archival interviews with Albers and insights from artists Kristine Woods and Diedrick Bracken and art historian Julia Bryan-Wilson.
 
Affinities: Anni Albers, Josef Albers, Paul Klee, a group show curated by Nicholas Fox Weber, director of the Josef and Anni Albers Foundation, will be on view at David Zwirner 20th street gallery in New York from March 13–April 19. Weber is also the author of a biography on Anni Albers, forthcoming from Yale University Press in early 2026.

Kirstine Woods is an artist based in Brooklyn and professor at the Maryland Institute College of Art.

Diedrick Brackens is an artist based in Los Angeles, known for his woven tapestries that explore allegory and narrative through the artist’s autobiography, broader themes of African American and queer identity, and American history.

Julia Bryan-Wilson is Professor of Art History and LGBTQ Studies at Columbia University.  She is organizing an exhibition called GUTSY: On Feminist Infrastructure that will open in November 2025 at the Museum of Modern Art, Warsaw, Poland. </description>
      <pubDate>Tue, 11 Mar 2025 19:13:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>9</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/442e6e82-feac-11ef-85e2-038bd31e236f/image/f4f6414bb70df1dee588593bf0e3b484.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Helen Molesworth explores the life and work of Anni Albers in the artist’s own words, with rare archival interviews with Albers and insights from artists Kristine Woods and Diedrick Bracken and art historian Julia Bryan-Wilson.
 
Affinities: Anni Albers, Josef Albers, Paul Klee, a group show curated by Nicholas Fox Weber, director of the Josef and Anni Albers Foundation, will be on view at David Zwirner 20th street gallery in New York from March 13–April 19. Weber is also the author of a biography on Anni Albers, forthcoming from Yale University Press in early 2026.

Kirstine Woods is an artist based in Brooklyn and professor at the Maryland Institute College of Art.

Diedrick Brackens is an artist based in Los Angeles, known for his woven tapestries that explore allegory and narrative through the artist’s autobiography, broader themes of African American and queer identity, and American history.

Julia Bryan-Wilson is Professor of Art History and LGBTQ Studies at Columbia University.  She is organizing an exhibition called GUTSY: On Feminist Infrastructure that will open in November 2025 at the Museum of Modern Art, Warsaw, Poland. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>Helen Molesworth explores the life and work of Anni Albers in the artist’s own words, with rare archival interviews with Albers and insights from artists Kristine Woods and Diedrick Bracken and art historian Julia Bryan-Wilson.</p><p> </p><p><em>Affinities: Anni Albers, Josef Albers, Paul Klee,</em> a group show curated by Nicholas Fox Weber, director of the Josef and Anni Albers Foundation, will be on view at David Zwirner 20th street gallery in New York from March 13–April 19. Weber is also the author of a biography on Anni Albers<em>, </em>forthcoming from Yale University Press in early 2026.</p><p><br></p><p>Kirstine Woods is an artist based in Brooklyn and professor at the Maryland Institute College of Art.</p><p><br></p><p>Diedrick Brackens is an artist based in Los Angeles, known for his woven tapestries that explore allegory and narrative through the artist’s autobiography, broader themes of African American and queer identity, and American history.</p><p><br></p><p>Julia Bryan-Wilson is Professor of Art History and LGBTQ Studies at Columbia University.  She is organizing an exhibition called <em>GUTSY: On Feminist Infrastructure</em> that will open in November 2025 at the Museum of Modern Art, Warsaw, Poland.  </p>]]>
      </content:encoded>
      <itunes:duration>2892</itunes:duration>
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    </item>
    <item>
      <title>From DAS MINSK: The Sound of Noah Davis</title>
      <description>A conversation about the late artist Noah Davis, the sounds he left behind, and the ones he imagined. 

Join podcaster and curator Helen Molesworth, professor and writer Tina M. Campt, pianist and artist Jason Moran, and director and curator Paola Malavassi for a mix of sound, music, and ideas inspired by Davis’s paintings.

The Sound of Noah Davis was commissioned by DAS MINSK Kunsthaus in Potsdam and produced by Besyv and FilmTone on the occasion of the exhibition Noah Davis. Special thanks to Karon Davis and the Estate of Noah Davis.

The exhibition Noah Davis, originally on view at DAS MINSK, Potsdam in Fall 2024, is currently on view at the Hammer Museum, Los Angeles.



Credits: 

With: Helen Molesworth, Tina M. Campt, Jason Moran, and Paola Malavassi

A podcast commissioned by DAS MINSK Kunsthaus in Potsdam on the occasion of the exhibition Noah Davis, 2024–25

Idea: Paola Malavassi and Helen Molesworth

Production: Besyv and FilmTone, Denmark

Producer: Mathilde Schytz Marvit

Interviews: Mathilde Schytz Marvit, Alexandra Kristjansen, and Bobby Salomon Hess

Editor: Alexandra Kristjansen

Sound Design: Bobby Salomon Hess

Music: Sofia Rønde Storck, Jonas Yagoubi, and Laurits Quist Bilén

Archival Audio: Noah Davis, lecture at the Corcoran School of the Arts and Design, 2011

Piano: Jason Moran live in his studio

Thanks to: Karon Davis and the Estate of Noah Davis</description>
      <pubDate>Wed, 05 Mar 2025 01:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A conversation about the late artist Noah Davis, the sounds he left behind, and the ones he imagined. 

Join podcaster and curator Helen Molesworth, professor and writer Tina M. Campt, pianist and artist Jason Moran, and director and curator Paola Malavassi for a mix of sound, music, and ideas inspired by Davis’s paintings.

The Sound of Noah Davis was commissioned by DAS MINSK Kunsthaus in Potsdam and produced by Besyv and FilmTone on the occasion of the exhibition Noah Davis. Special thanks to Karon Davis and the Estate of Noah Davis.

The exhibition Noah Davis, originally on view at DAS MINSK, Potsdam in Fall 2024, is currently on view at the Hammer Museum, Los Angeles.



Credits: 

With: Helen Molesworth, Tina M. Campt, Jason Moran, and Paola Malavassi

A podcast commissioned by DAS MINSK Kunsthaus in Potsdam on the occasion of the exhibition Noah Davis, 2024–25

Idea: Paola Malavassi and Helen Molesworth

Production: Besyv and FilmTone, Denmark

Producer: Mathilde Schytz Marvit

Interviews: Mathilde Schytz Marvit, Alexandra Kristjansen, and Bobby Salomon Hess

Editor: Alexandra Kristjansen

Sound Design: Bobby Salomon Hess

Music: Sofia Rønde Storck, Jonas Yagoubi, and Laurits Quist Bilén

Archival Audio: Noah Davis, lecture at the Corcoran School of the Arts and Design, 2011

Piano: Jason Moran live in his studio

Thanks to: Karon Davis and the Estate of Noah Davis</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A conversation about the late artist Noah Davis, the sounds he left behind, and the ones he imagined. </p>
<p>Join podcaster and curator Helen Molesworth, professor and writer Tina M. Campt, pianist and artist Jason Moran, and director and curator Paola Malavassi for a mix of sound, music, and ideas inspired by Davis’s paintings.</p>
<p><em>The Sound of Noah Davis </em>was commissioned by DAS MINSK Kunsthaus in Potsdam and produced by Besyv and FilmTone on the occasion of the exhibition <em>Noah Davis</em>. Special thanks to Karon Davis and the Estate of Noah Davis.</p>
<p>The exhibition <a href="https://www.barbican.org.uk/whats-on/2025/event/noah-davis"><em>Noah Davis,</em></a><em> </em>originally on view at DAS MINSK, Potsdam in Fall 2024, is currently on view at the Hammer Museum, Los Angeles.</p>
<p><br></p>
<p><strong>Credits: </strong></p>
<p>With: Helen Molesworth, Tina M. Campt, Jason Moran, and Paola Malavassi</p>
<p>A podcast commissioned by DAS MINSK Kunsthaus in Potsdam on the occasion of the exhibition Noah Davis, 2024–25</p>
<p>Idea: Paola Malavassi and Helen Molesworth</p>
<p>Production: Besyv and FilmTone, Denmark</p>
<p>Producer: Mathilde Schytz Marvit</p>
<p>Interviews: Mathilde Schytz Marvit, Alexandra Kristjansen, and Bobby Salomon Hess</p>
<p>Editor: Alexandra Kristjansen</p>
<p>Sound Design: Bobby Salomon Hess</p>
<p>Music: Sofia Rønde Storck, Jonas Yagoubi, and Laurits Quist Bilén</p>
<p>Archival Audio: Noah Davis, lecture at the Corcoran School of the Arts and Design, 2011</p>
<p>Piano: Jason Moran live in his studio</p>
<p>Thanks to: Karon Davis and the Estate of Noah Davis</p>]]>
      </content:encoded>
      <itunes:duration>2360</itunes:duration>
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    </item>
    <item>
      <title>The Art of Rivalry with Wesley Morris</title>
      <description>Pulitzer Prize-winning New York Times critic Wesley Morris comes on the podcast to unpack the long history and current state of artistic rivalries, from Leonardo daVinci and Michelangelo to Drake and Kendrick Lamar.</description>
      <pubDate>Wed, 26 Feb 2025 00:56:55 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Pulitzer Prize-winning New York Times critic Wesley Morris comes on the podcast to unpack the long history and current state of artistic rivalries, from Leonardo daVinci and Michelangelo to Drake and Kendrick Lamar.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Pulitzer Prize-winning <em>New York Times</em> critic Wesley Morris comes on the podcast to unpack the long history and current state of artistic rivalries, from Leonardo daVinci and Michelangelo to Drake and Kendrick Lamar.</p>]]>
      </content:encoded>
      <itunes:duration>2671</itunes:duration>
      <guid isPermaLink="false"><![CDATA[6d2b8c78-f3d2-11ef-8eb2-eb42b0666462]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI4676000119.mp3?updated=1740532008" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Unconstitutional War on Trans People</title>
      <description>Helen Molesworth hosts a special episode, starting with a conversation with leading ACLU lawyer Chase Strangio and followed by an interview with artist Laurie Simmons and activist Maryhope Howland.
Chase Strangio is the Co-Director of the LGBTQ &amp; HIV Project at the American Civil Liberties Union (ACLU). 
Laurie Simmons is an artist and filmmaker who lives and works in Connecticut and New York City and a member of Families United for Trans Rights.
Maryhope Howland is a social psychologist, design researcher, and co-founder of Families United for Trans Rights.
Families United for Trans Rights (FUTR, www.ourfutr.org) is a volunteer-run organization dedicated to securing the rights of trans Americans.</description>
      <pubDate>Wed, 19 Feb 2025 01:02:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Helen Molesworth hosts a special episode, starting with a conversation with leading ACLU lawyer Chase Strangio and followed by an interview with artist Laurie Simmons and activist Maryhope Howland.
Chase Strangio is the Co-Director of the LGBTQ &amp; HIV Project at the American Civil Liberties Union (ACLU). 
Laurie Simmons is an artist and filmmaker who lives and works in Connecticut and New York City and a member of Families United for Trans Rights.
Maryhope Howland is a social psychologist, design researcher, and co-founder of Families United for Trans Rights.
Families United for Trans Rights (FUTR, www.ourfutr.org) is a volunteer-run organization dedicated to securing the rights of trans Americans.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Helen Molesworth hosts a special episode, starting with a conversation with leading ACLU lawyer Chase Strangio and followed by an interview with artist Laurie Simmons and activist Maryhope Howland.</p><p>Chase Strangio is the Co-Director of the LGBTQ &amp; HIV Project at the American Civil Liberties Union (ACLU). </p><p>Laurie Simmons is an artist and filmmaker who lives and works in Connecticut and New York City and a member of Families United for Trans Rights.</p><p>Maryhope Howland is a social psychologist, design researcher, and co-founder of Families United for Trans Rights.</p><p>Families United for Trans Rights (FUTR, <a href="http://www.ourfutr.org/">www.ourfutr.org</a>) is a volunteer-run organization dedicated to securing the rights of trans Americans.</p>]]>
      </content:encoded>
      <itunes:duration>2278</itunes:duration>
      <guid isPermaLink="false"><![CDATA[df6afd80-ee5c-11ef-a419-43399b3dd6ce]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI1554853646.mp3?updated=1740003774" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Best Art Exhibitions of The Century (So Far) | with Steve Locke</title>
      <description>As we turn the page on a quarter century, Helen Molesworth and the artist Steve Locke look back with a highly opinionated list of their favorite art shows of the last 25 years.</description>
      <pubDate>Wed, 18 Dec 2024 01:35:27 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>As we turn the page on a quarter century, Helen Molesworth and the artist Steve Locke look back with a highly opinionated list of their favorite art shows of the last 25 years.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As we turn the page on a quarter century, Helen Molesworth and the artist Steve Locke look back with a highly opinionated list of their favorite art shows of the last 25 years.</p><p><br></p>]]>
      </content:encoded>
      <itunes:duration>2449</itunes:duration>
      <guid isPermaLink="false"><![CDATA[0ba92392-bcdd-11ef-a536-17ebdec669a8]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI2093000807.mp3?updated=1736366472" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Has Contemporary Art Lost Its Edge? | With Dean Kissick</title>
      <description>Helen Molesworth speaks to Dean Kissick, author of The Painted Protest, a polemic piece on the state of contemporary art in this month’s Harper’s Magazine that has had a lot in the art world talking.
Dean Kissick is a writer, contributing editor of Spike Art Magazine, and a director of Earth.</description>
      <pubDate>Wed, 04 Dec 2024 13:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Helen Molesworth speaks to Dean Kissick, author of The Painted Protest, a polemic piece on the state of contemporary art in this month’s Harper’s Magazine that has had a lot in the art world talking.
Dean Kissick is a writer, contributing editor of Spike Art Magazine, and a director of Earth.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Helen Molesworth speaks to Dean Kissick, author of <a href="https://harpers.org/archive/2024/12/the-painted-protest-dean-kissick-contemporary-art/"><em>The Painted Protest</em></a><em>, </em>a polemic piece on the state of contemporary art in this month’s <em>Harper’s Magazine </em>that has had a lot in the art world talking.</p><p>Dean Kissick is a writer, contributing editor of<em> Spike Art Magazine</em>, and a director of Earth.</p>]]>
      </content:encoded>
      <itunes:duration>2802</itunes:duration>
      <guid isPermaLink="false"><![CDATA[ea7fb1d8-b23f-11ef-8ba2-9b2262d61082]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI5713304021.mp3?updated=1736366446" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Special Episode | On Richard Serra with Hal Foster</title>
      <description>Art historian and critic Hal Foster joins Helen for a live conversation on Richard Serra (1938–2024) at David Zwirner New York. They discuss Foster’s decades-long engagement with Serra’s work and the artist’s enduring legacy.
This conversation was taped in Every Which Way, a major Richard Serra installation from 2015, on view at David Zwirner’s 20th Street gallery in New York from November 8–December 14, 2024.</description>
      <pubDate>Thu, 21 Nov 2024 12:54:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/eb3c4358-a807-11ef-9bef-f7862b21115f/image/6a39ace7b2915bff4a0f931d41aafaf8.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Art historian and critic Hal Foster joins Helen for a live conversation on Richard Serra (1938–2024) at David Zwirner New York. They discuss Foster’s decades-long engagement with Serra’s work and the artist’s enduring legacy.
This conversation was taped in Every Which Way, a major Richard Serra installation from 2015, on view at David Zwirner’s 20th Street gallery in New York from November 8–December 14, 2024.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Art historian and critic Hal Foster joins Helen for a live conversation on Richard Serra (1938–2024) at David Zwirner New York. They discuss Foster’s decades-long engagement with Serra’s work and the artist’s enduring legacy.</p><p>This conversation was taped in <em>Every Which Way,</em> a major Richard Serra installation from 2015, on view at David Zwirner’s 20th Street gallery in New York from November 8–December 14, 2024.</p>]]>
      </content:encoded>
      <itunes:duration>3417</itunes:duration>
      <guid isPermaLink="false"><![CDATA[eb3c4358-a807-11ef-9bef-f7862b21115f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI8243441467.mp3?updated=1736366430" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Re-release | Luc Tuymans and Timothy Snyder</title>
      <description>We revisit an episode from Season 5, a conversation between artist Luc Tuymans and the eminent Yale Historian Timothy Snyder. The two discuss history, truth, and lies, and art’s singular ability to live between them all. Timothy Snyder is the author of the books On Tyranny and The Road to Unfreedom, among others, and Luc Tuymans is an artist who has been interrogating the power of images for decades. Tuymans is also the subject of a major solo retrospective, called The Past, on view at the UCCA Center for Contemporary Art in Beijing through February 16, 2025.</description>
      <pubDate>Fri, 15 Nov 2024 01:42:00 -0000</pubDate>
      <itunes:title>Re-release | Luc Tuymans and Timothy Snyder</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We revisit an episode from Season 5, a conversation between artist Luc Tuymans and the eminent Yale Historian Timothy Snyder. The two discuss history, truth, and lies, and art’s singular ability to live between them all. Timothy Snyder is the author of the books On Tyranny and The Road to Unfreedom, among others, and Luc Tuymans is an artist who has been interrogating the power of images for decades. Tuymans is also the subject of a major solo retrospective, called The Past, on view at the UCCA Center for Contemporary Art in Beijing through February 16, 2025.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We revisit an episode from Season 5, a conversation between artist Luc Tuymans and the eminent Yale Historian Timothy Snyder. The two discuss history, truth, and lies, and art’s singular ability to live between them all. Timothy Snyder is the author of the books <em>On Tyranny</em> and <em>The Road to Unfreedom</em>, among others, and Luc Tuymans is an artist who has been interrogating the power of images for decades. Tuymans is also the subject of a major solo retrospective, called <em>The Past, </em>on view at the UCCA Center for Contemporary Art in Beijing through February 16, 2025.</p>]]>
      </content:encoded>
      <itunes:duration>2779</itunes:duration>
      <guid isPermaLink="false"><![CDATA[d693a24e-a2f2-11ef-a1d5-8fb4bbc4e19d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI8685413404.mp3?updated=1736366508" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Problem of Taste: On the Late, Great Dave Hickey with Jarrett Earnest</title>
      <description>Writer, curator, and editor Jarrett Earnest joins Helen to discuss his most recent edited volume of writings by the iconoclastic, enduring art critic Dave Hickey, titled Feint of Heart: Art Writings, 1982-2002. Out now from David Zwirner Books, wherever books are sold.</description>
      <pubDate>Wed, 16 Oct 2024 01:18:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/164d267a-8b5c-11ef-aa8e-af26695febcb/image/e9320a09df640d300d1265f58bbb3b8f.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Writer, curator, and editor Jarrett Earnest joins Helen to discuss his most recent edited volume of writings by the iconoclastic, enduring art critic Dave Hickey, titled Feint of Heart: Art Writings, 1982-2002. Out now from David Zwirner Books, wherever books are sold.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Writer, curator, and editor Jarrett Earnest joins Helen to discuss his most recent edited volume of writings by the iconoclastic, enduring art critic Dave Hickey, titled <a href="https://www.davidzwirner.com/collect/feint-of-heart-art-writings-book"><em>Feint of Heart: Art Writings, 1982-2002</em></a><em>. </em>Out now from David Zwirner Books, wherever books are sold. </p>]]>
      </content:encoded>
      <itunes:duration>1851</itunes:duration>
      <guid isPermaLink="false"><![CDATA[164d267a-8b5c-11ef-aa8e-af26695febcb]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI8617627481.mp3?updated=1729185449" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Special Episode | Alice Neel in the Queer World with Hilton Als</title>
      <description>New Yorker critic Hilton Als joins Helen to discuss his exhibition, Alice Neel in the Queer World, on view at our Los Angeles Gallery through November 2nd, 2024.

Alice Neel in the Queer World is accompanied by a fully illustrated catalogue, edited and with a text by Als, as well as newly commissioned scholarship by Alex Fialho, Evan Garza, and Wayne Koestenbaum.</description>
      <pubDate>Wed, 25 Sep 2024 00:39:00 -0000</pubDate>
      <itunes:title>Alice Neel in the Queer World with Hilton Als</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/133f66a2-7abb-11ef-8602-9b27b575d79e/image/f68c5172453d2d9efe396dc12561dc7a.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>New Yorker critic Hilton Als joins Helen to discuss his exhibition, Alice Neel in the Queer World, on view at our Los Angeles Gallery through November 2nd, 2024.

Alice Neel in the Queer World is accompanied by a fully illustrated catalogue, edited and with a text by Als, as well as newly commissioned scholarship by Alex Fialho, Evan Garza, and Wayne Koestenbaum.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>New Yorker </em>critic Hilton Als joins Helen to discuss his exhibition,<a href="https://www.davidzwirner.com/exhibitions/2024/at-home-alice-neel-in-the-queer-world"> <em>Alice Neel in the Queer World</em></a>, on view at our Los Angeles Gallery through November 2nd, 2024.</p><p><br></p><p><em>Alice Neel in the Queer World</em> is accompanied by a fully illustrated <a href="https://www.davidzwirner.com/collect/at-home-alice-neel-in-the-queer-world-book">catalogue</a>, edited and with a text by Als, as well as newly commissioned scholarship by Alex Fialho, Evan Garza, and Wayne Koestenbaum.</p>]]>
      </content:encoded>
      <itunes:duration>2135</itunes:duration>
      <guid isPermaLink="false"><![CDATA[133f66a2-7abb-11ef-8602-9b27b575d79e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI4818271817.mp3?updated=1727281910" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Luca Guadagnino and Michaël Borremans (Re-run from Season 7)</title>
      <description>A conversation between the Academy award-nominated writer, producer, and director Luca Guadagnino and the Belgian painter Michaël Borremans on the relationship between painting and film. They muse on the specificity of light to their mediums, the role of the uncanny, and paintings and films as a mirror of who we imagine ourselves to be.
Luca Guadagnino's latest film, Challengers (2024) is currently in theaters. Michaël Borremans's eighth solo exhibition with David Zwirner gallery, The Monkey, will be on view at our London location through July 26, 2024.</description>
      <pubDate>Tue, 04 Jun 2024 23:43:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A conversation between the Academy award-nominated writer, producer, and director Luca Guadagnino and the Belgian painter Michaël Borremans on the relationship between painting and film. They muse on the specificity of light to their mediums, the role of the uncanny, and paintings and films as a mirror of who we imagine ourselves to be.
Luca Guadagnino's latest film, Challengers (2024) is currently in theaters. Michaël Borremans's eighth solo exhibition with David Zwirner gallery, The Monkey, will be on view at our London location through July 26, 2024.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A conversation between the Academy award-nominated writer, producer, and director Luca Guadagnino and the Belgian painter Michaël Borremans on the relationship between painting and film. They muse on the specificity of light to their mediums, the role of the uncanny, and paintings and films as a mirror of who we imagine ourselves to be.</p><p>Luca Guadagnino's latest film, <em>Challengers </em>(2024)<em> </em>is currently in theaters. Michaël Borremans's eighth solo exhibition with David Zwirner gallery, <em>The Monkey</em>, will be on view at our London location through July 26, 2024.</p>]]>
      </content:encoded>
      <itunes:duration>2790</itunes:duration>
      <guid isPermaLink="false"><![CDATA[37655dbc-22cc-11ef-9ac5-970c4346c407]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI7951354323.mp3?updated=1727216131" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Episode 67 | Grace Wales Bonner and Horace Ballard</title>
      <description>Acclaimed fashion designer and curator Grace Wales Bonner is joined by the scholar and curator Horace D. Ballard. In a wide ranging conversation on art and fashion, they unpack the nuances of style, medium, and intentionality in art.
In addition to her brand Wales Bonner, Grace Wales Bonner’s curatorial exhibitions include A Time For New Dreams, Serpentine Galleries London (2019) and Artist’s Choice - Spirit Movers at the Museum of Modern Art, New York (2023) with accompanying publication Dream in the Rhythm: Visions of Sound and Spirit in the MoMA Collection (2023). Grace is currently leading a four-year research project, titled Between Critique and Hope, at the University of Applied Arts Vienna. 
Horace D. Ballard is the Theodore E. Stebbins Curator of American Art at the Harvard Art Museums, where their work investigates the art, ideas, and visual cultures of the United States and the Americas. They are the author of numerous publications, most recently Mary Ann Unger: To Shape a Moon from Bone (Williams College Museum of Art, 2022), and “Wet-into-Wet: Passages of Time and Tradition before 1880,” in Into the Light: American Watercolors, 1880-1990 (2023) edited by Hoffman, Grasselli, and Stewart for Harvard Art Museums.</description>
      <pubDate>Tue, 23 Apr 2024 23:54:00 -0000</pubDate>
      <itunes:title>Grace Wales Bonner and Horace Ballard</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>8</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Acclaimed fashion designer and curator Grace Wales Bonner is joined by the scholar and curator Horace D. Ballard. In a wide ranging conversation on art and fashion, they unpack the nuances of style, medium, and intentionality in art.
In addition to her brand Wales Bonner, Grace Wales Bonner’s curatorial exhibitions include A Time For New Dreams, Serpentine Galleries London (2019) and Artist’s Choice - Spirit Movers at the Museum of Modern Art, New York (2023) with accompanying publication Dream in the Rhythm: Visions of Sound and Spirit in the MoMA Collection (2023). Grace is currently leading a four-year research project, titled Between Critique and Hope, at the University of Applied Arts Vienna. 
Horace D. Ballard is the Theodore E. Stebbins Curator of American Art at the Harvard Art Museums, where their work investigates the art, ideas, and visual cultures of the United States and the Americas. They are the author of numerous publications, most recently Mary Ann Unger: To Shape a Moon from Bone (Williams College Museum of Art, 2022), and “Wet-into-Wet: Passages of Time and Tradition before 1880,” in Into the Light: American Watercolors, 1880-1990 (2023) edited by Hoffman, Grasselli, and Stewart for Harvard Art Museums.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Acclaimed fashion designer and curator Grace Wales Bonner is joined by the scholar and curator Horace D. Ballard. In a wide ranging conversation on art and fashion, they unpack the nuances of style, medium, and intentionality in art.</p><p>In addition to her brand Wales Bonner, Grace Wales Bonner’s curatorial exhibitions include<em> A Time For New Dreams, Serpentine Galleries London</em> (2019) and<em> Artist’s Choice - Spirit Movers </em>at the Museum of Modern Art, New York (2023) with accompanying publication<em> Dream in the Rhythm: Visions of Sound and Spirit in the MoMA Collection</em> (2023). Grace is currently leading a four-year research project, titled <em>Between Critique and Hope,</em> at the University of Applied Arts Vienna. </p><p>Horace D. Ballard is the Theodore E. Stebbins Curator of American Art at the Harvard Art Museums, where their work investigates the art, ideas, and visual cultures of the United States and the Americas. They are the author of numerous publications, most recently <a href="https://www.artbook.com/9781646570263.html"><em>Mary Ann Unger: To Shape a Moon from Bone</em></a><em> </em>(Williams College Museum of Art, 2022), and <a href="https://shop.harvardartmuseums.org/products/american-watercolors-1880-1990-into-the-light">“Wet-into-Wet: Passages of Time and Tradition before 1880,” in<em> Into the Light: American Watercolors, 1880-1990 (2023)</em></a><em> e</em>dited by Hoffman, Grasselli, and Stewart for Harvard Art Museums.</p>]]>
      </content:encoded>
      <itunes:duration>2052</itunes:duration>
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    <item>
      <title>Episode 66 | R. Crumb’s Radio Music Hour</title>
      <description>In this very special episode, artist and legendary record collector R. Crumb visits his friends and fellow rare music enthusiasts John Heneghan and Eden Brower to listen to 78 records from Heneghan’s sprawling collection. 
John Heneghan is a musician, podcast host, record collector. He and his wife, Eden R. Brower, play in Eden &amp; John’s East River String Band with R. Crumb and Ernesto Gomez. Tune into John’s Old Time Radio Show to hear more 78 record collectors spin discs from their collections 
For over four decades, R. Crumb has used the popular medium of the comic book to address the absurdity of social conventions, political disillusionment, irony, racial and gender stereotypes, sexual fantasies, and fetishes. Explore his available titles at David Zwirner books.</description>
      <pubDate>Wed, 27 Mar 2024 00:03:00 -0000</pubDate>
      <itunes:title>R. Crumb’s Radio Music Hour</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>8</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this very special episode, artist and legendary record collector R. Crumb visits his friends and fellow rare music enthusiasts John Heneghan and Eden Brower to listen to 78 records from Heneghan’s sprawling collection. 
John Heneghan is a musician, podcast host, record collector. He and his wife, Eden R. Brower, play in Eden &amp; John’s East River String Band with R. Crumb and Ernesto Gomez. Tune into John’s Old Time Radio Show to hear more 78 record collectors spin discs from their collections 
For over four decades, R. Crumb has used the popular medium of the comic book to address the absurdity of social conventions, political disillusionment, irony, racial and gender stereotypes, sexual fantasies, and fetishes. Explore his available titles at David Zwirner books.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this very special episode, artist and legendary record collector R. Crumb visits his friends and fellow rare music enthusiasts John Heneghan and Eden Brower to listen to 78 records from Heneghan’s sprawling collection. </p><p>John Heneghan is a musician, podcast host, record collector. He and his wife, Eden R. Brower, play in <a href="https://eastriverstringband.com/">Eden &amp; John’s East River String Band</a> with R. Crumb and Ernesto Gomez. Tune into<a href="https://eastriverstringband.com/radioshow/"><strong> </strong>John’s Old Time Radio Show </a>to hear more 78 record collectors spin discs from their collections </p><p>For over four decades, R. Crumb has used the popular medium of the comic book to address the absurdity of social conventions, political disillusionment, irony, racial and gender stereotypes, sexual fantasies, and fetishes. Explore his available titles at <a href="https://www.davidzwirnerbooks.com/artists/artist/r-crumb?_gl=1*1yjmu16*_ga*NzY2MjgzMTIyLjE3MDQ0OTAzNDQ.*_ga_253J732CDG*MTcxMTQ3MzYzNS4yNDQuMC4xNzExNDczNjM1LjAuMC4xMDgyOTI2MDM2*_fplc*NFBBWXBzMk5nMTM4b0RoUWlyNDBSemYxR1BCcVliV3ZNVlQ1QVIlMkZEenFjUHlZOGQ1MSUyRlZoRzNSMHQ3TkJ5eGFNMVVZUmExZSUyQnR5b0w1TmxwJTJCcGxlTDR1YiUyQjNseFA1Q3pFUHRQdGRhbnZsMUglMkZKUWpNZnFUOHFKYjZmcWV3JTNEJTNE">David Zwirner books.</a></p>]]>
      </content:encoded>
      <itunes:duration>2666</itunes:duration>
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      <title>Episode 65 | John McCracken and Minimalism Now with Cauleen Smith and Michael Govan</title>
      <description>Artist Cauleen Smith and Michael Govan, Director of the Los Angeles County Museum of Art, join Helen for a live conversation in the garden at David Zwirner Los Angeles. Held on the occasion of the exhibition John McCracken, they explore the influence of Minimalism, a quintessential and often negated 20th century art movement.
John McCracken will be on view at David Zwirner Los Angeles through March 30, 2024.
Cauleen Smith is an artist who makes films, installations, and objects. Most recently, her exhibition, The Wanda Coleman Songbook, was on view at 52 Walker, York, from January 19–March 16, 2024.
Michael Govan is the CEO and Wallis Annenberg Director of the Los Angeles County Museum of Art (LACMA).</description>
      <pubDate>Wed, 20 Mar 2024 07:38:00 -0000</pubDate>
      <itunes:title>John McCracken and Minimalism Now with Cauleen Smith and Michael Govan</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>8</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Artist Cauleen Smith and Michael Govan, Director of the Los Angeles County Museum of Art, join Helen for a live conversation in the garden at David Zwirner Los Angeles. Held on the occasion of the exhibition John McCracken, they explore the influence of Minimalism, a quintessential and often negated 20th century art movement.
John McCracken will be on view at David Zwirner Los Angeles through March 30, 2024.
Cauleen Smith is an artist who makes films, installations, and objects. Most recently, her exhibition, The Wanda Coleman Songbook, was on view at 52 Walker, York, from January 19–March 16, 2024.
Michael Govan is the CEO and Wallis Annenberg Director of the Los Angeles County Museum of Art (LACMA).</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Artist Cauleen Smith and Michael Govan, Director of the Los Angeles County Museum of Art, join Helen for a live conversation in the garden at David Zwirner Los Angeles. Held on the occasion of the exhibition <em>John McCracken,</em> they explore the influence of Minimalism, a quintessential and often negated 20th century art movement.</p><p><a href="https://www.davidzwirner.com/exhibitions/2024/john-mccracken"><em>John McCracken</em></a><em> </em>will be on view at David Zwirner Los Angeles through March 30, 2024.</p><p>Cauleen Smith is an artist who makes films, installations, and objects. Most recently, her exhibition, <a href="https://www.52walker.com/exhibitions/the-wanda-coleman-songbook"><em>The Wanda Coleman Songbook</em></a>, was on view at 52 Walker, York, from January 19–March 16, 2024.</p><p>Michael Govan is the CEO and Wallis Annenberg Director of the Los Angeles County Museum of Art (LACMA). </p>]]>
      </content:encoded>
      <itunes:duration>2471</itunes:duration>
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      <title>Episode 64 | On Hilma af Klint with Julia Voss and Briony Fer   </title>
      <description>An episode on the art and life of Hilma af Klint featuring art historian Briony Fer and af Klint’s biographer, Julia Voss.
Briony Fer is an art historian and professor at University College, London, and curator of the 2023 exhibition Hilma af Klint &amp; Piet Mondrian: Forms of Life. 
Julia Voss is a curator, art critic, and professor and author of Hilma af Klint: A Biography. She is the co-curator, along with Daniel Birnbaum, of Hilma af Klint and Wassily Kandinsky Dreams of the Future, on view at the Kunstsammlung Nordrhein-Westfalen from March 16–August 11, 2024.</description>
      <pubDate>Wed, 06 Mar 2024 01:27:00 -0000</pubDate>
      <itunes:title>On Hilma af Klint with Julia Voss and Briony Fer   </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>8</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>An episode on the art and life of Hilma af Klint featuring art historian Briony Fer and af Klint’s biographer, Julia Voss.
Briony Fer is an art historian and professor at University College, London, and curator of the 2023 exhibition Hilma af Klint &amp; Piet Mondrian: Forms of Life. 
Julia Voss is a curator, art critic, and professor and author of Hilma af Klint: A Biography. She is the co-curator, along with Daniel Birnbaum, of Hilma af Klint and Wassily Kandinsky Dreams of the Future, on view at the Kunstsammlung Nordrhein-Westfalen from March 16–August 11, 2024.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An episode on the art and life of Hilma af Klint featuring art historian Briony Fer and af Klint’s biographer, Julia Voss.</p><p>Briony Fer is an art historian and professor at University College, London, and curator of the 2023 exhibition <a href="https://www.tate.org.uk/whats-on/tate-modern/hilma-af-klint-piet-mondrian"><em>Hilma af Klint &amp; Piet Mondrian: Forms of Life</em></a><em>. </em></p><p>Julia Voss is a curator, art critic, and professor and author of<a href="https://www.simonandschuster.com/authors/Julia-Voss/190002709"> <em>Hilma af Klint: A Biography</em></a>. She is the co-curator, along with Daniel Birnbaum, of <a href="https://www.kunstsammlung.de/en/exhibitions/hilma-af-klint-und-wassily-kandinsky-en"><em>Hilma af Klint and Wassily Kandinsky Dreams of the Future</em></a><em>, </em>on view at the Kunstsammlung Nordrhein-Westfalen from March 16–August 11, 2024.</p>]]>
      </content:encoded>
      <itunes:duration>2748</itunes:duration>
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    <item>
      <title>Episode 63 | Claire Messud and James Wood</title>
      <description>For the third interview in her series with creative couples, Helen spoke to the first couple of American fiction: literary critic James Wood and award-winning novelist Claire Messud.</description>
      <pubDate>Wed, 28 Feb 2024 01:27:00 -0000</pubDate>
      <itunes:title>Claire Messud and James Wood</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>8</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>For the third interview in her series with creative couples, Helen spoke to the first couple of American fiction: literary critic James Wood and award-winning novelist Claire Messud.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For the third interview in her series with creative couples, Helen spoke to the first couple of American fiction: literary critic James Wood and award-winning novelist Claire Messud.</p>]]>
      </content:encoded>
      <itunes:duration>2320</itunes:duration>
      <guid isPermaLink="false"><![CDATA[94ba80dc-d59c-11ee-8275-07574102c39c]]></guid>
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    <item>
      <title>Episode 62 | Hua Hsu</title>
      <description>Writer and critic Hua Hsu received the Pulitzer Prize for his 2022 memoir Stay True. Helen and Hua discuss the challenges of writing about the past as it was experienced as your younger self, and how writing itself is an act of remembering.</description>
      <pubDate>Wed, 21 Feb 2024 01:24:00 -0000</pubDate>
      <itunes:title>Hua Hsu</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>8</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Writer and critic Hua Hsu received the Pulitzer Prize for his 2022 memoir Stay True. Helen and Hua discuss the challenges of writing about the past as it was experienced as your younger self, and how writing itself is an act of remembering.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Writer and critic Hua Hsu received the Pulitzer Prize for his 2022 memoir<em> </em><a href="https://www.amazon.com/Stay-True-Memoir-Hua-Hsu/dp/0385547773"><em>Stay True</em></a><em>. </em>Helen and Hua discuss the challenges of writing about the past as it was experienced as your younger self, and how writing itself is an act of remembering.</p>]]>
      </content:encoded>
      <itunes:duration>2009</itunes:duration>
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    <item>
      <title>Episode 61 | Hank Willis Thomas and Rujeko Hockley</title>
      <description>In the second episode in Helen’s interview series with creative couples, the artist Hank Willis Thomas and curator Rujeko Hockley get intimate about the unique challenges and rewards of being married and working in the same field.</description>
      <pubDate>Wed, 14 Feb 2024 01:51:00 -0000</pubDate>
      <itunes:title>Hank Willis Thomas and Rujeko Hockley</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>8</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In the second episode in Helen’s interview series with creative couples, the artist Hank Willis Thomas and curator Rujeko Hockley get intimate about the unique challenges and rewards of being married and working in the same field.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the second episode in Helen’s interview series with creative couples, the artist Hank Willis Thomas and curator Rujeko Hockley get intimate about the unique challenges and rewards of being married and working in the same field.</p>]]>
      </content:encoded>
      <itunes:duration>1783</itunes:duration>
      <guid isPermaLink="false"><![CDATA[f2677398-ca8e-11ee-b524-633ed56b99aa]]></guid>
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    <item>
      <title>Episode 60 | On Vermeer</title>
      <description>Was Vermeer really the artist behind some of his most well-known works? The question has lingered at the margins of art history for years and was resurfaced during the Dutch master's blockbuster retrospective at the Rijksmuseum in 2023.
Helen invited writer Lawrence Weschler and art historian Claudia Swan to interrogate what is at stake—politically, financially, and art historically—in reattributing works by the old master.
Claudia Swan is a scholar of northern European art, whose recent books include Rarities of these Lands: Art, Trade and Diplomacy in the Dutch Republic and of Conchophilia. Shells, Art, and Curiosity in Early Modern Europe.
Lawrence Weschler is the author of numerous works of non-fiction, including the National Book Critics Circle Award finalist, Mr. Wilson's Cabinet of Wonder. His recent writings can be found at Wondercabinet.</description>
      <pubDate>Wed, 07 Feb 2024 00:48:00 -0000</pubDate>
      <itunes:title>On Vermeer</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>8</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Was Vermeer really the artist behind some of his most well-known works? The question has lingered at the margins of art history for years and was resurfaced during the Dutch master's blockbuster retrospective at the Rijksmuseum in 2023.
Helen invited writer Lawrence Weschler and art historian Claudia Swan to interrogate what is at stake—politically, financially, and art historically—in reattributing works by the old master.
Claudia Swan is a scholar of northern European art, whose recent books include Rarities of these Lands: Art, Trade and Diplomacy in the Dutch Republic and of Conchophilia. Shells, Art, and Curiosity in Early Modern Europe.
Lawrence Weschler is the author of numerous works of non-fiction, including the National Book Critics Circle Award finalist, Mr. Wilson's Cabinet of Wonder. His recent writings can be found at Wondercabinet.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Was Vermeer really the artist behind some of his most well-known works? The question has lingered at the margins of art history for years and <a href="https://www.theatlantic.com/culture/archive/2023/03/vermeer-rijksmuseum-amsterdam-exhibit-girl-pearl-earring/673406/">was resurfaced</a> during the Dutch master's blockbuster retrospective at the Rijksmuseum in 2023.</p><p>Helen invited writer Lawrence Weschler and art historian Claudia Swan to interrogate what is at stake—politically, financially, and art historically—in reattributing works by the old master.</p><p>Claudia Swan is a scholar of northern European art, whose recent books include <a href="https://press.princeton.edu/books/hardcover/9780691207964/rarities-of-these-lands"><em>Rarities of these Lands: Art, Trade and Diplomacy in the Dutch Republic</em></a> and of <a href="https://press.princeton.edu/books/hardcover/9780691215761/conchophilia"><em>Conchophilia. Shells, Art, and Curiosity in Early Modern Europe</em></a><em>.</em></p><p>Lawrence Weschler is the author of numerous works of non-fiction, including the National Book Critics Circle Award finalist, <a href="https://www.penguinrandomhouse.com/books/188935/mr-wilsons-cabinet-of-wonder-by-lawrence-weschler/"><em>Mr. Wilson's Cabinet of Wonder</em></a><em>. </em>His recent writings can be found at <a href="https://lawrenceweschler.substack.com/">Wondercabinet.</a></p>]]>
      </content:encoded>
      <itunes:duration>2170</itunes:duration>
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      <title>Episode 59 | Ira Sachs</title>
      <description>Ira Sachs's 2023 film Passages won wide acclaim for its portrayal of human desire. Helen goes deep with the filmmaker on the psychology of his finely wrought characters and the many influences that inform his work.</description>
      <pubDate>Wed, 31 Jan 2024 01:57:00 -0000</pubDate>
      <itunes:title>Ira Sachs</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>8</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Ira Sachs's 2023 film Passages won wide acclaim for its portrayal of human desire. Helen goes deep with the filmmaker on the psychology of his finely wrought characters and the many influences that inform his work.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ira Sachs's 2023 film Passages won wide acclaim for its portrayal of human desire. Helen goes deep with the filmmaker on the psychology of his finely wrought characters and the many influences that inform his work.</p>]]>
      </content:encoded>
      <itunes:duration>1667</itunes:duration>
      <guid isPermaLink="false"><![CDATA[c6492008-bfdb-11ee-8ac7-9b971ab09582]]></guid>
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    <item>
      <title>Episode 58 | Laurie Simmons and Carroll Dunham</title>
      <description>In the first episode of Helen’s series of interviews with creative couples, artists Laurie Simmons and Carroll Dunham give an unvarnished look into nearly five decades of partnership. The veteran artworld pair share how they’ve managed it all, from raising a family together to maintaining independent creative practices.</description>
      <pubDate>Wed, 24 Jan 2024 01:26:00 -0000</pubDate>
      <itunes:title>Laurie Simmons and Carroll Dunham</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>8</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In the first episode of Helen’s series of interviews with creative couples, artists Laurie Simmons and Carroll Dunham give an unvarnished look into nearly five decades of partnership. The veteran artworld pair share how they’ve managed it all, from raising a family together to maintaining independent creative practices.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the first episode of Helen’s series of interviews with creative couples, artists Laurie Simmons and Carroll Dunham give an unvarnished look into nearly five decades of partnership. The veteran artworld pair share how they’ve managed it all, from raising a family together to maintaining independent creative practices.</p>]]>
      </content:encoded>
      <itunes:duration>2461</itunes:duration>
      <guid isPermaLink="false"><![CDATA[dd6e7b62-ba58-11ee-a605-3799fac50fa2]]></guid>
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    <item>
      <title>Episode 57 | George Clinton and Lauren Halsey</title>
      <description>Artist Lauren Halsey and George Clinton of Parliament-Funkadelic open up about their friendship, from their first meeting to ongoing and fruitful collaborations since. They discuss metaphor, the collective, and of course, the power of the funk.</description>
      <pubDate>Wed, 17 Jan 2024 01:05:00 -0000</pubDate>
      <itunes:title>George Clinton and Lauren Halsey</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>8</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Artist Lauren Halsey and George Clinton of Parliament-Funkadelic open up about their friendship, from their first meeting to ongoing and fruitful collaborations since. They discuss metaphor, the collective, and of course, the power of the funk.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Artist Lauren Halsey and George Clinton of Parliament-Funkadelic open up about their friendship, from their first meeting to ongoing and fruitful collaborations since. They discuss metaphor, the collective, and of course, the power of the funk.</p>]]>
      </content:encoded>
      <itunes:duration>1753</itunes:duration>
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    <item>
      <title>The Best Art of 2023</title>
      <description>Helen and Steve Locke discuss the best—and most unexpected-–art shows they saw in 2023, from global exhibitions to gallery shows in New York.</description>
      <pubDate>Wed, 13 Dec 2023 01:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Helen and Steve Locke discuss the best—and most unexpected-–art shows they saw in 2023, from global exhibitions to gallery shows in New York.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Helen and Steve Locke discuss the best—and most unexpected-–art shows they saw in 2023, from global exhibitions to gallery shows in New York.</p>]]>
      </content:encoded>
      <itunes:duration>1465</itunes:duration>
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    <item>
      <title>Manet's 'Olympia' Comes to New York </title>
      <description>What does it mean to a painter of modern life? Helen &amp; Steve Locke discuss artistic rivalry, leisure, and labor politics in Manet/Degas, a historic exhibition pairing two giants of the 19th century, on view at the Metropolitan Museum of Art through January 7, 2024.</description>
      <pubDate>Wed, 22 Nov 2023 01:55:00 -0000</pubDate>
      <itunes:title>Manet's 'Olympia' Comes to New York </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What does it mean to a painter of modern life? Helen &amp; Steve Locke discuss artistic rivalry, leisure, and labor politics in Manet/Degas, a historic exhibition pairing two giants of the 19th century, on view at the Metropolitan Museum of Art through January 7, 2024.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>What does it mean to a painter of modern life? Helen &amp; Steve Locke discuss artistic rivalry, leisure, and labor politics in </em><a href="https://www.metmuseum.org/exhibitions/manet-degas?utm_source=google&amp;utm_medium=cpc&amp;utm_campaign=&amp;utm_term=&amp;utm_content=39536&amp;mkwid=s&amp;pcrid=610449093567&amp;pmt=&amp;pkw=&amp;pdv=c&amp;slid=&amp;product=&amp;gad_source=1&amp;gclid=CjwKCAiAx_GqBhBQEiwAlDNAZudz8PY7gVcsdAiOUwpN30RehCt3OCw5ogdy_vBpvUnFbG3yKWAYTRoCstUQAvD_BwE"><em>Manet/Degas</em></a><em>, a historic exhibition pairing two giants of the 19th century, on view at the Metropolitan Museum of Art through January 7, 2024.</em></p>]]>
      </content:encoded>
      <itunes:duration>1577</itunes:duration>
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    <item>
      <title>Criticism for Difficult Times | With Helen Molesworth</title>
      <description>In dark times, reading criticism can be a ballast. In this mini-episode, Helen and Steve Locke return to some of their favorite texts and writers, from Walter Benjamin to W.E.B. DuBois.</description>
      <pubDate>Wed, 08 Nov 2023 11:11:14 -0000</pubDate>
      <itunes:title>Criticism for Difficult Times</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In dark times, reading criticism can be a ballast. In this mini-episode, Helen and Steve Locke return to some of their favorite texts and writers, from Walter Benjamin to W.E.B. DuBois.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In dark times, reading criticism can be a ballast. In this<strong> </strong>mini-episode<strong>,</strong> Helen and Steve Locke return to some of their favorite texts and writers, from Walter Benjamin to W.E.B. DuBois.</p>]]>
      </content:encoded>
      <itunes:duration>1485</itunes:duration>
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    <item>
      <title>The Legacy of Ruth Asawa | Special Episode</title>
      <description>On the occasion of Ruth Asawa’s solo exhibition at the Whitney Museum of American Art, artists EJ Hill and Sarah Sze talk with Helen Molesworth about Asawa’s legacy. This episode features the late artist’s voice, courtesy of audio from the Archives of American Art, Smithsonian Institution and the California State University, Sacramento. 
Ruth Asawa (1926-2013) was a sculptor, educator, and arts activist who challenged conventional notions of material and form through her emphasis on lightness and transparency. Her work has been exhibited widely throughout the world since the early 1950s.
Ruth Asawa Through Line is on view at the Whitney Museum of American Art through January 15, 2024.
EJ Hill is a visual artist who lives and works in Los Angeles. His show Brake Run Helix is on view at MASS MoCA through January 2024.
Sarah Sze is an artist based in New York. Her solo exhibition Timelapse just closed at the Solomon R. Guggenheim Museum and her show Metronome will open in November at OGR Torino, and at Aarhus, Denmark in 2024; she also has a forthcoming solo show opening at the Nasher Sculpture Center in 2024.
Featured audio: Oral history interview with Ruth Asawa and Albert Lanier, 2002 June 21-July 5. Archives of American Art, Smithsonian Institution and Japanese American Archival Collection, JA 70 [Florin JACL Oral History Project.] Donald &amp; Beverly Gerth Special Collections &amp; University Archives. California State University, Sacramento.</description>
      <pubDate>Wed, 27 Sep 2023 00:00:00 -0000</pubDate>
      <itunes:title>The Legacy of Ruth Asawa</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>On the occasion of Ruth Asawa’s solo exhibition at the Whitney Museum of American Art, artists EJ Hill and Sarah Sze talk with Helen Molesworth about Asawa’s legacy. </itunes:subtitle>
      <itunes:summary>On the occasion of Ruth Asawa’s solo exhibition at the Whitney Museum of American Art, artists EJ Hill and Sarah Sze talk with Helen Molesworth about Asawa’s legacy. This episode features the late artist’s voice, courtesy of audio from the Archives of American Art, Smithsonian Institution and the California State University, Sacramento. 
Ruth Asawa (1926-2013) was a sculptor, educator, and arts activist who challenged conventional notions of material and form through her emphasis on lightness and transparency. Her work has been exhibited widely throughout the world since the early 1950s.
Ruth Asawa Through Line is on view at the Whitney Museum of American Art through January 15, 2024.
EJ Hill is a visual artist who lives and works in Los Angeles. His show Brake Run Helix is on view at MASS MoCA through January 2024.
Sarah Sze is an artist based in New York. Her solo exhibition Timelapse just closed at the Solomon R. Guggenheim Museum and her show Metronome will open in November at OGR Torino, and at Aarhus, Denmark in 2024; she also has a forthcoming solo show opening at the Nasher Sculpture Center in 2024.
Featured audio: Oral history interview with Ruth Asawa and Albert Lanier, 2002 June 21-July 5. Archives of American Art, Smithsonian Institution and Japanese American Archival Collection, JA 70 [Florin JACL Oral History Project.] Donald &amp; Beverly Gerth Special Collections &amp; University Archives. California State University, Sacramento.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On the occasion of Ruth Asawa’s solo exhibition at the Whitney Museum of American Art, artists EJ Hill and Sarah Sze talk with Helen Molesworth about Asawa’s legacy. This episode features the late artist’s voice, courtesy of audio from the Archives of American Art, Smithsonian Institution and the California State University, Sacramento. </p><p>Ruth Asawa (1926-2013) was a sculptor, educator, and arts activist who challenged conventional notions of material and form through her emphasis on lightness and transparency. Her work has been exhibited widely throughout the world since the early 1950s.</p><p><a href="https://whitney.org/exhibitions/ruth-asawa-through-line"><em>Ruth Asawa Through Line</em></a><em> </em>is on view at the Whitney Museum of American Art through January 15, 2024<em>.</em></p><p>EJ Hill is a visual artist who lives and works in Los Angeles. His show <a href="https://massmoca.org/event/ej-hill/"><em>Brake Run Helix</em> </a>is on view at MASS MoCA through January 2024.</p><p>Sarah Sze is an artist based in New York. Her solo exhibition <a href="https://www.guggenheim.org/exhibition/sarah-sze-timelapse">Timelapse</a> just closed at the Solomon R. Guggenheim Museum and her show <a href="https://ogrtorino.it/en/events/sarah-sze-alle-ogr-torino">Metronome </a>will open in November at OGR Torino, and at Aarhus, Denmark in 2024; she also has a forthcoming solo show opening at the Nasher Sculpture Center in 2024.</p><p>Featured audio: Oral history interview with Ruth Asawa and Albert Lanier, 2002 June 21-July 5. Archives of American Art, Smithsonian Institution and Japanese American Archival Collection, JA 70 [Florin JACL Oral History Project.] Donald &amp; Beverly Gerth Special Collections &amp; University Archives. California State University, Sacramento.</p>]]>
      </content:encoded>
      <itunes:duration>2789</itunes:duration>
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    <item>
      <title>Njideka Akunyili Crosby and Helen Molesworth | Special Episode</title>
      <description>A special live episode hosted by Helen Molesworth, recorded in July at David Zwirner Los Angeles during Njideka Akunyili Crosby: Coming Back to See Through, Again. Her first solo exhibition with the gallery, the presentation is now on view at David Zwirner New York through October 28th.</description>
      <pubDate>Wed, 13 Sep 2023 10:54:00 -0000</pubDate>
      <itunes:title>Helen Molesworth and Njideka Akunyili Crosby</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A special live episode hosted by Helen Molesworth, recorded in July at David Zwirner Los Angeles during Njideka Akunyili Crosby: Coming Back to See Through, Again. Her first solo exhibition with the gallery, the presentation is now on view at David Zwirner New York through October 28th.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A special live episode hosted by Helen Molesworth, recorded in July at David Zwirner Los Angeles during <a href="https://www.davidzwirner.com/exhibitions/2023/njideka-akunyili-crosby-new-york">Njideka Akunyili Crosby: Coming Back to See Through, Again</a>. Her first solo exhibition with the gallery, the presentation is now on view at David Zwirner New York through October 28th.</p>]]>
      </content:encoded>
      <itunes:duration>2448</itunes:duration>
      <guid isPermaLink="false"><![CDATA[792a09bc-5196-11ee-b4bd-bb7ca90c202c]]></guid>
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    <item>
      <title>The Yayoi Kusama Phenomenon (Re-run from Season 2)</title>
      <description>On the occasion of Yayoi Kusama’s new exhibition at David Zwirner New York, we revisit a conversation on the legendary artist’s effect on culture at large with two experts on art in the digital landscape: Jia Jia Fei, a digital strategist for the art world, and Christian Luiten, founder of the popular digital platform Avant Arte.
I Spend Each Day Embracing Flowers will be on view at 535 and 519 West 19th street through July 21st, 2023.</description>
      <pubDate>Wed, 10 May 2023 12:12:00 -0000</pubDate>
      <itunes:title>The Yayoi Kusama Phenomenon (Re-run from Season 2)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>On the occasion of Yayoi Kusama’s new exhibition at David Zwirner New York, we revisit a conversation on the legendary artist’s effect on culture at large with two experts on art in the digital landscape: Jia Jia Fei, a digital strategist for the art world, and Christian Luiten, founder of the popular digital platform Avant Arte.
I Spend Each Day Embracing Flowers will be on view at 535 and 519 West 19th street through July 21st, 2023.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On the occasion of Yayoi Kusama’s new exhibition at David Zwirner New York, we revisit a conversation on the legendary artist’s effect on culture at large with two experts on art in the digital landscape: Jia Jia Fei, a digital strategist for the art world, and Christian Luiten, founder of the popular digital platform Avant Arte.</p><p><a href="https://www.davidzwirner.com/exhibitions/2023/yayoi-kusama-i-spend-each-day-embracing-flowers"><em>I Spend Each Day Embracing Flowers</em></a> will be on view at 535 and 519 West 19th street through July 21st, 2023.</p>]]>
      </content:encoded>
      <itunes:duration>1392</itunes:duration>
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    <item>
      <title>Benjamin H.D. Buchloh and Helen Molesworth on Gerhard Richter | Special Episode</title>
      <description>In this live episode, Helen and Benjamin H.D. Buchloh discuss his new book, Gerhard Richter: Painting After the Subject of History. This conversation was recorded in the exhibition Gerhard Richter, on view at David Zwirner through April 29th.
Gerhard Richter: Painting After the Subject of History is now available wherever books are sold.</description>
      <pubDate>Mon, 24 Apr 2023 01:01:00 -0000</pubDate>
      <itunes:title>Helen Molesworth and Benjamin H.D. Buchloh on Gerhard Richter</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this live episode, Helen and Benjamin H.D. Buchloh discuss his new book, Gerhard Richter: Painting After the Subject of History. This conversation was recorded in the exhibition Gerhard Richter, on view at David Zwirner through April 29th.
Gerhard Richter: Painting After the Subject of History is now available wherever books are sold.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this live episode, Helen and Benjamin H.D. Buchloh discuss his new book, <em>Gerhard Richter: Painting After the Subject of History</em>. This conversation was recorded in the exhibition<em> Gerhard Richter,</em> on view at David Zwirner through April 29th.</p><p><a href="https://mitpress.mit.edu/9780262543538/gerhard-richter/"><em>Gerhard Richter: Painting After the Subject of History</em></a> is now available wherever books are sold.</p>]]>
      </content:encoded>
      <itunes:duration>3985</itunes:duration>
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    </item>
    <item>
      <title>How Picasso Was Sold to America | Special Episode</title>
      <description>On the 50th anniversary of Pablo Picasso’s death, Helen speaks to the writer Hugh Eakin about his new book, Picasso’s War: How Modern Art Came to America, a behind-the-scenes look at the dealers, writers, and curators who helped bring the artist—and Modernism—into the mainstream.</description>
      <pubDate>Wed, 12 Apr 2023 00:10:00 -0000</pubDate>
      <itunes:title>How Picasso Was Sold to America</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>On the 50th anniversary of Pablo Picasso’s death, Helen speaks to the writer Hugh Eakin about his new book, Picasso’s War: How Modern Art Came to America, a behind-the-scenes look at the dealers, writers, and curators who helped bring the artist—and Modernism—into the mainstream.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On the 50th anniversary of Pablo Picasso’s death, Helen speaks to the writer Hugh Eakin about his new book, <em>Picasso’s War: How Modern Art Came to America</em>, a behind-the-scenes look at the dealers, writers, and curators who helped bring the artist—and Modernism—into the mainstream.</p>]]>
      </content:encoded>
      <itunes:duration>2369</itunes:duration>
      <guid isPermaLink="false"><![CDATA[412be896-d8b0-11ed-8933-37ac7158a358]]></guid>
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    <item>
      <title>Episode 56 | Barbara Smith and Meg Onli</title>
      <description>Helen speaks to the legendary Black lesbian feminist scholar Barbara Smith and Meg Onli, co-curator of the 2024 Whitney Biennial, about identity politics in the art world today, the role of criticism, and questions of cultural appropriation.
Barbara Smith is the 2022-23 Robert L. Hess Scholar-in-Residence at Brooklyn College, and you can donate to her work at The Smith Caring Circle.
Meg Onli is the curator of Carolyn Lazard: Long Take, on view at the ICA Philadelphia until July 9th, and the co-curator of Ulysses Jenkins: Without Your Interpretation, on view at the Julia Stoschek Foundation in Berlin through July 30th.</description>
      <pubDate>Wed, 22 Mar 2023 00:32:17 -0000</pubDate>
      <itunes:title>Barbara Smith and Meg Onli</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>7</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>Helen speaks to the legendary Black lesbian feminist scholar Barbara Smith and Meg Onli, co-curator of the 2024 Whitney Biennial, about identity politics in the art world today, the role of criticism, and questions of cultural appropriation.</itunes:subtitle>
      <itunes:summary>Helen speaks to the legendary Black lesbian feminist scholar Barbara Smith and Meg Onli, co-curator of the 2024 Whitney Biennial, about identity politics in the art world today, the role of criticism, and questions of cultural appropriation.
Barbara Smith is the 2022-23 Robert L. Hess Scholar-in-Residence at Brooklyn College, and you can donate to her work at The Smith Caring Circle.
Meg Onli is the curator of Carolyn Lazard: Long Take, on view at the ICA Philadelphia until July 9th, and the co-curator of Ulysses Jenkins: Without Your Interpretation, on view at the Julia Stoschek Foundation in Berlin through July 30th.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Helen speaks to the legendary Black lesbian feminist scholar Barbara Smith and Meg Onli, co-curator of the 2024 Whitney Biennial, about identity politics in the art world today, the role of criticism, and questions of cultural appropriation.</p><p>Barbara Smith is the 2022-23 Robert L. Hess Scholar-in-Residence at Brooklyn College, and you can donate to her work at <a href="https://www.patreon.com/smithcaringcircle">The Smith Caring Circle</a>.</p><p>Meg Onli is the curator of Carolyn Lazard: Long Take, on view at the ICA Philadelphia until July 9th, and the co-curator of Ulysses Jenkins: Without Your Interpretation, on view at the Julia Stoschek Foundation in Berlin through July 30th.</p>]]>
      </content:encoded>
      <itunes:duration>3771</itunes:duration>
      <guid isPermaLink="false"><![CDATA[f3fcc37a-c846-11ed-b9b2-47c34d24b40b]]></guid>
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    <item>
      <title>Episode 55 | Nicholson Baker</title>
      <description>Helen talks to writer Nicholson Baker about how history is written, and the continued relevance of his World War II book Human Smoke (2008). Baker is the author of numerous books, including Vox (1992) and The Mezzanine (1988) and was the recipient of the National Book Critics Circle Award in 2001.</description>
      <pubDate>Wed, 15 Mar 2023 00:35:46 -0000</pubDate>
      <itunes:title>Nicholson Baker</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>7</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Helen talks to writer Nicholson Baker about how history is written, and the continued relevance of his World War II book Human Smoke (2008). Baker is the author of numerous books, including Vox (1992) and The Mezzanine (1988) and was the recipient of the National Book Critics Circle Award in 2001.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Helen talks to writer Nicholson Baker about how history is written, and the continued relevance of his World War II book <em>Human Smoke </em>(2008)<em>.</em> Baker is the author of numerous books, including <em>Vox </em>(1992) and <em>The Mezzanine </em>(1988) and was the recipient of the National Book Critics Circle Award in 2001.</p>]]>
      </content:encoded>
      <itunes:duration>2974</itunes:duration>
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    <item>
      <title>Rirkrit Tiravanija and Elizabeth Peyton (Re-run from Season 6)</title>
      <description>We revisit one of the most popular episodes of Season 6, a conversation with the artists Rirkrit Tiravanija and Elizabeth Petyon, on the occasion of their recently announced solo debuts with the gallery. Rirkrit’s show The Shop opens at David Zwirner Hong Kong March 20th, 2023, and Elizabeth’s show Angel opens at David Zwirner London on June 7th, 2023</description>
      <pubDate>Wed, 08 Mar 2023 00:54:50 -0000</pubDate>
      <itunes:title>Rirkrit Tiravanija and Elizabeth Peyton (Re-run from Season 6)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We revisit one of the most popular episodes of Season 6, a conversation with the artists Rirkrit Tiravanija and Elizabeth Petyon, on the occasion of their recently announced solo debuts with the gallery. Rirkrit’s show The Shop opens at David Zwirner Hong Kong March 20th, 2023, and Elizabeth’s show Angel opens at David Zwirner London on June 7th, 2023</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We revisit one of the most popular episodes of Season 6, a conversation with the artists Rirkrit Tiravanija and Elizabeth Petyon, on the occasion of their recently announced solo debuts with the gallery. Rirkrit’s show <em>The Shop</em> opens at David Zwirner Hong Kong March 20th, 2023, and Elizabeth’s show <em>Angel</em> opens at David Zwirner London on June 7th, 2023</p>]]>
      </content:encoded>
      <itunes:duration>2801</itunes:duration>
      <guid isPermaLink="false"><![CDATA[afeee420-bd4b-11ed-96be-5bbdd60ffe5e]]></guid>
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      <title>Episode 54 | Jonathan Anderson</title>
      <description>Creative Director of LOEWE and founder of JW Anderson, Jonathan Anderson, speaks with Helen about his innovative approach to fashion, from collections that are equal parts cultural commentary and artistic play, to pushing gender boundaries and materiality, to redefining the word “luxury.” Jonathan and Helen sit down to break open the divisions between craft and art, creation and appropriation, and high and low culture.</description>
      <pubDate>Wed, 01 Mar 2023 00:40:48 -0000</pubDate>
      <itunes:title>Jonathan Anderson</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>7</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Creative Director of LOEWE and founder of JW Anderson, Jonathan Anderson, speaks with Helen about his innovative approach to fashion, from collections that are equal parts cultural commentary and artistic play, to pushing gender boundaries and materiality, to redefining the word “luxury.” Jonathan and Helen sit down to break open the divisions between craft and art, creation and appropriation, and high and low culture.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Creative Director of LOEWE and founder of JW Anderson, Jonathan Anderson, speaks with Helen about his innovative approach to fashion, from collections that are equal parts cultural commentary and artistic play, to pushing gender boundaries and materiality, to redefining the word “luxury.” Jonathan and Helen sit down to break open the divisions between craft and art, creation and appropriation, and high and low culture.</p>]]>
      </content:encoded>
      <itunes:duration>2596</itunes:duration>
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      <title>Episode 53 | Cecilia Alemani</title>
      <description>A post-mortem on the 59th Venice Biennale, The Milk of Dreams, with curator Cecilia Alemani. Cecilia and Helen Molesworth discuss the unique challenges of mounting an exhibition at scale in the COVID era and what it was like being the first Italian woman to curate a Biennale.</description>
      <pubDate>Wed, 22 Feb 2023 02:40:00 -0000</pubDate>
      <itunes:title>Cecilia Alemani</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>7</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A post-mortem on the 59th Venice Biennale, The Milk of Dreams, with curator Cecilia Alemani. Cecilia and Helen Molesworth discuss the unique challenges of mounting an exhibition at scale in the COVID era and what it was like being the first Italian woman to curate a Biennale.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A post-mortem on the 59th Venice Biennale,<em> The Milk of Dreams,</em> with curator Cecilia Alemani. Cecilia and Helen Molesworth discuss the unique challenges of mounting an exhibition at scale in the COVID era and what it was like being the first Italian woman to curate a Biennale.</p>]]>
      </content:encoded>
      <itunes:duration>2745</itunes:duration>
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    <item>
      <title>Episode 52 | Sarah Schulman</title>
      <description>The novelist, playwright, activist, and AIDS historian Sarah Schulman discusses her most recent book, Let the Record Show, A Political History of ACT UP New York [1987-1993], a landmark document of the activist response to the AIDS crisis. Schulman describes the triumphs, challenges, and simultaneous histories of ACT UP, and what they teach us about movements in general. </description>
      <pubDate>Wed, 15 Feb 2023 00:57:08 -0000</pubDate>
      <itunes:title>Sarah Schulman</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>7</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The novelist, playwright, activist, and AIDS historian Sarah Schulman discusses her most recent book, Let the Record Show, A Political History of ACT UP New York [1987-1993], a landmark document of the activist response to the AIDS crisis. Schulman describes the triumphs, challenges, and simultaneous histories of ACT UP, and what they teach us about movements in general. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>The novelist, playwright, activist, and AIDS historian Sarah Schulman discusses her most recent book, <em>Let the Record Show, A Political History of ACT UP New York </em>[1987-1993], a landmark document of the activist response to the AIDS crisis. Schulman describes the triumphs, challenges, and simultaneous histories of ACT UP, and what they teach us about movements in general. </p>]]>
      </content:encoded>
      <itunes:duration>2652</itunes:duration>
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    </item>
    <item>
      <title>Episode 51 | Jon Gray (Ghetto Gastro)</title>
      <description>Jon Gray, co-founder of the Bronx-based collective Ghetto Gastro, talks to Helen Molesworth about the collective’s work at the intersection of the culinary world, hip-hop, fashion, art, activism, and community building.</description>
      <pubDate>Wed, 08 Feb 2023 02:55:54 -0000</pubDate>
      <itunes:title>Jon Gray (Ghetto Gastro)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>7</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Jon Gray, co-founder of the Bronx-based collective Ghetto Gastro, talks to Helen Molesworth about the collective’s work at the intersection of the culinary world, hip-hop, fashion, art, activism, and community building.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jon Gray, co-founder of the Bronx-based collective Ghetto Gastro, talks to Helen Molesworth about the collective’s work at the intersection of the culinary world, hip-hop, fashion, art, activism, and community building.</p>]]>
      </content:encoded>
      <itunes:duration>1835</itunes:duration>
      <guid isPermaLink="false"><![CDATA[1db9e686-a75c-11ed-bb96-3306f8ec0a31]]></guid>
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    </item>
    <item>
      <title>Episode 50 | Why You Do What You Do with Brendan Dugan, Johanna Fateman and Ebony L. Haynes</title>
      <description>Host Helen Molesworth calls art writer Johanna Fateman (Le Tigre), gallerist Brendan Dugan (Karma Gallery) and the curator,and writer Ebony L. Haynes (Senior Director of 52 Walker) to discuss how they carved their unique paths in the art world and what continues to inspire them.</description>
      <pubDate>Wed, 01 Feb 2023 00:39:00 -0000</pubDate>
      <itunes:title>Why You Do What You Do with Brendan Dugan, Johanna Fateman and Ebony L. Haynes</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>7</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Host Helen Molesworth calls art writer Johanna Fateman (Le Tigre), gallerist Brendan Dugan (Karma Gallery) and the curator,and writer Ebony L. Haynes (Senior Director of 52 Walker) to discuss how they carved their unique paths in the art world and what continues to inspire them.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Host Helen Molesworth calls art writer Johanna Fateman (Le Tigre), gallerist Brendan Dugan (Karma Gallery) and the curator,and writer Ebony L. Haynes (Senior Director of 52 Walker) to discuss how they carved their unique paths in the art world and what continues to inspire them.</p>]]>
      </content:encoded>
      <itunes:duration>2554</itunes:duration>
      <guid isPermaLink="false"><![CDATA[438eef3a-a191-11ed-823b-73f07e313ac5]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI3726555502.mp3?updated=1675789725" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Episode 49 | Luca Guadagnino and Michaël Borremans</title>
      <description>A conversation between the Academy award-nominated writer, producer, and director Luca Guadagnino and the Belgian painter Michaël Borremans on the relationship between painting and film. They muse on the specificity of light to their mediums, the role of the uncanny, and paintings and films as a mirror of who we imagine ourselves to be.
﻿Guadagnino’s most recent film Bones and All debuted to critical acclaim last Fall. Michaël Borremans held his seventh solo exhibition at David Zwirner, The Acrobat, in Spring of 2022.</description>
      <pubDate>Wed, 25 Jan 2023 01:06:00 -0000</pubDate>
      <itunes:title>Luca Guadagnino and Michaël Borremans</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>7</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A conversation between the Academy award-nominated writer, producer, and director Luca Guadagnino and the Belgian painter Michaël Borremans on the relationship between painting and film. They muse on the specificity of light to their mediums, the role of the uncanny, and paintings and films as a mirror of who we imagine ourselves to be.
﻿Guadagnino’s most recent film Bones and All debuted to critical acclaim last Fall. Michaël Borremans held his seventh solo exhibition at David Zwirner, The Acrobat, in Spring of 2022.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A conversation between the Academy award-nominated writer, producer, and director Luca Guadagnino and the Belgian painter Michaël Borremans on the relationship between painting and film. They muse on the specificity of light to their mediums, the role of the uncanny, and paintings and films as a mirror of who we imagine ourselves to be.</p><p>﻿Guadagnino’s most recent film <em>Bones and All </em>debuted to critical acclaim last Fall. Michaël Borremans held his seventh solo exhibition at David Zwirner, <em>The Acrobat,</em> in Spring of 2022.</p>]]>
      </content:encoded>
      <itunes:duration>2755</itunes:duration>
      <guid isPermaLink="false"><![CDATA[d58b452e-9b50-11ed-a619-1beae1c3a384]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI9166814490.mp3?updated=1674609890" length="0" type="audio/mpeg"/>
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    <item>
      <title>Best of 2022 | With Helen Molesworth</title>
      <description>As we close out the year, Helen calls up her dear friend Steve Locke to carry on the tried and true tradition of end-of-year lists. It turns out there was a lot to love in 2022.
Mentions: 
-Lynne Tillman, Mothercare 
-Craig Drennen at Freight and Volume
-Marlene Dumas at the Palazzo Grassi in Venice 
-Bob Thompson at Colby College and the Hammer Museum
-Milk of Dreams (Venice Biennale)
-Mira Schor's instagram account
-Ruth Erickson’s A Place for Me at the ICA Boston
-Cauleen Smith at Moran Moran gallery in LA</description>
      <pubDate>Wed, 14 Dec 2022 14:15:00 -0000</pubDate>
      <itunes:title>Best of 2022 | With Helen Molesworth</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>As we close out the year, Helen calls up her dear friend Steve Locke to carry on the tried and true tradition of end-of-year lists. It turns out there was a lot to love in 2022.</itunes:subtitle>
      <itunes:summary>As we close out the year, Helen calls up her dear friend Steve Locke to carry on the tried and true tradition of end-of-year lists. It turns out there was a lot to love in 2022.
Mentions: 
-Lynne Tillman, Mothercare 
-Craig Drennen at Freight and Volume
-Marlene Dumas at the Palazzo Grassi in Venice 
-Bob Thompson at Colby College and the Hammer Museum
-Milk of Dreams (Venice Biennale)
-Mira Schor's instagram account
-Ruth Erickson’s A Place for Me at the ICA Boston
-Cauleen Smith at Moran Moran gallery in LA</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As we close out the year, Helen calls up her dear friend Steve Locke to carry on the tried and true tradition of end-of-year lists. It turns out there was a lot to love in 2022.</p><p>Mentions: </p><p>-<a href="https://softskull.com/dd-product/mothercare/">Lynne Tillman, <em>Mothercare </em></a></p><p>-<a href="http://www.freightandvolume.com/exhibitions/craig-drennen/selected-works?view=thumbnails">Craig Drennen at Freight and Volume</a></p><p>-<a href="https://www.palazzograssi.it/en/exhibitions/current/open-end-marlene-dumas/">Marlene Dumas at the Palazzo Grassi in Venice </a></p><p>-Bob Thompson at<a href="https://museum-exhibitions.colby.edu/exhibition/bob-thompson-this-house-is-mine/"> Colby College </a>and the <a href="https://hammer.ucla.edu/exhibitions/2022/bob-thompson-house-mine">Hammer Museum</a></p><p>-<a href="https://www.labiennale.org/en/news/biennale-arte-2022-milk-dreams">Milk of Dreams (Venice Biennale)</a></p><p>-<a href="https://www.instagram.com/mira_schor/?hl=en">Mira Schor's instagram account</a></p><p>-Ruth Erickson’s <a href="https://www.icaboston.org/exhibitions/place-me-figurative-painting-now">A Place for Me at the ICA Boston</a></p><p>-<a href="https://moranmorangallery.com/artists/cauleen-smith/">Cauleen Smith at Moran Moran gallery in LA</a></p>]]>
      </content:encoded>
      <itunes:duration>3112</itunes:duration>
      <guid isPermaLink="false"><![CDATA[6b8a0ad4-7b2a-11ed-bae4-1b01041541da]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI8730476879.mp3?updated=1671121061" length="0" type="audio/mpeg"/>
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    <item>
      <title>What Does Art Have to Do with Climate Change? | With Helen Molesworth </title>
      <description>In this episode, Helen Molesworth calls an old friend, the painter Alexis Rockman, to try and understand the art world’s reaction to recent acts of museum vandalism perpetrated by Just Stop Oil, putting them in context with theories on environmental activism and the harsh reality of the climate crisis. 
Alexis Rockman is a painter whose realist landscapes imagine the future effects of the anthropocene on the natural world, and was one of the first artists to investigate global warming in his work.
Stay tuned for Helen’s next episode, which takes stock of the very best art exhibitions of 2022.
Mentions:
-Just Stop Oil on Instagram
-Climate Emergency Fund
-Alexis Rockman, Manifest Destiny in the Smithsonian Museum 
-Reluctant Radical by Ken Ward</description>
      <pubDate>Wed, 07 Dec 2022 12:22:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode, Helen Molesworth calls an old friend, the painter Alexis Rockman, to try and understand the art world’s reaction to recent acts of museum vandalism perpetrated by Just Stop Oil, putting them in context with theories on environmental activism and the harsh reality of the climate crisis. 
Alexis Rockman is a painter whose realist landscapes imagine the future effects of the anthropocene on the natural world, and was one of the first artists to investigate global warming in his work.
Stay tuned for Helen’s next episode, which takes stock of the very best art exhibitions of 2022.
Mentions:
-Just Stop Oil on Instagram
-Climate Emergency Fund
-Alexis Rockman, Manifest Destiny in the Smithsonian Museum 
-Reluctant Radical by Ken Ward</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, Helen Molesworth calls an old friend, the painter Alexis Rockman, to try and understand the art world’s reaction to recent acts of museum vandalism perpetrated by Just Stop Oil, putting them in context with theories on environmental activism and the harsh reality of the climate crisis. </p><p>Alexis Rockman is a painter whose realist landscapes imagine the future effects of the anthropocene on the natural world, and was one of the first artists to investigate global warming in his work.</p><p>Stay tuned for Helen’s next episode, which takes stock of the very best art exhibitions of 2022.</p><p>Mentions:</p><p>-<a href="https://www.instagram.com/just.stopoil/?hl=en">Just Stop Oil on Instagram</a></p><p>-<a href="https://www.climateemergencyfund.org/">Climate Emergency Fund</a></p><p><a href="https://americanart.si.edu/artwork/manifest-destiny-80072#:~:text=While%20Rockman%20has%20always%20dealt,hundred%20years%20in%20the%20future.">-Alexis Rockman, <em>Manifest Destiny</em> in the Smithsonian Museum </a></p><p>-<a href="https://www.thereluctantradicalmovie.com/">Reluctant Radical by Ken Ward</a></p>]]>
      </content:encoded>
      <itunes:duration>2145</itunes:duration>
      <guid isPermaLink="false"><![CDATA[1771c00a-75a2-11ed-8bdd-6b7f6fa607d0]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI9237620735.mp3?updated=1671477021" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>On Art and Poetics</title>
      <description>Lucas Zwirner returns as host for a conversation with the MacArthur award-winning poet and translator Peter Cole and the renowned critic and scholar of avant-garde poetry, Marjorie Perloff. On the occasion of Peter’s new book of poetry, Draw Me After, which is inspired by the work of Terry Winters and Agnes Martin, they come together for a state of the union of art and poetry. 
Draw Me After: Poems is available now. </description>
      <pubDate>Wed, 30 Nov 2022 15:17:00 -0000</pubDate>
      <itunes:title>On Art and Poetics</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Lucas Zwirner returns as host for a conversation with the MacArthur award-winning poet and translator Peter Cole and the renowned critic and scholar of avant-garde poetry, Marjorie Perloff. On the occasion of Peter’s new book of poetry, Draw Me After, which is inspired by the work of Terry Winters and Agnes Martin, they come together for a state of the union of art and poetry. 
Draw Me After: Poems is available now. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>Lucas Zwirner returns as host for a conversation with the MacArthur award-winning poet and translator Peter Cole and the renowned critic and scholar of avant-garde poetry, Marjorie Perloff. On the occasion of Peter’s new book of poetry, <em>Draw Me After</em>, which is inspired by the work of Terry Winters and Agnes Martin, they come together for a state of the union of art and poetry. </p><p><a href="https://us.macmillan.com/books/9780374605360/drawmeafter"><em>Draw Me After: Poems</em></a><em> </em>is available now. </p>]]>
      </content:encoded>
      <itunes:duration>2499</itunes:duration>
      <guid isPermaLink="false"><![CDATA[813f8df8-7031-11ed-a300-f7d6360501b5]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI5770160041.mp3?updated=1669821727" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Let’s Talk About Appropriation | With Helen Molesworth</title>
      <description>Following recent controversies in the art and fashion worlds, host Helen Molesworth and the artist Steve Locke, a returning guest, sit down to talk about a subject that has been thorny for as long as there have been arguments about art. So, appropriation: When is it strategy and when is it theft? Who gets to claim authorship of what? And what is actually original nowadays?</description>
      <pubDate>Wed, 16 Nov 2022 15:22:32 -0000</pubDate>
      <itunes:title>Let’s Talk About Appropriation | With Helen Molesworth</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Following recent controversies in the art and fashion worlds, host Helen Molesworth and the artist Steve Locke, a returning guest, sit down to talk about a subject that has been thorny for as long as there have been arguments about art. So, appropriation: When is it strategy and when is it theft? Who gets to claim authorship of what? And what is actually original nowadays?</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Following recent controversies in the art and fashion worlds, host Helen Molesworth and the artist Steve Locke, a returning guest, sit down to talk about a subject that has been thorny for as long as there have been arguments about art. So, appropriation: When is it strategy and when is it theft? Who gets to claim authorship of what? And what is actually original nowadays?</p>]]>
      </content:encoded>
      <itunes:duration>2241</itunes:duration>
      <guid isPermaLink="false"><![CDATA[1507719e-6534-11ed-be99-2726dc252654]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI7980988729.mp3?updated=1668612408" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Seeing the 90’s Everywhere Right Now | With Helen Molesworth</title>
      <description>In the premiere episode of a new series hosted by Helen Molesworth, the curator and writer talks with her friend the artist Steve Locke about the re-emergence of art and culture of the 90’s, and why certain ideas, obsessions, and artists of the era—from Wolfgang Tillmans to Marlon Riggs to Friends—are bubbling back up into the mainstream now. 
This fall, Helen will be hosting regular episodes of the podcast that react to the shifting news and ideas in the art world and culture at large. Please follow Dialogues so you don’t miss an episode. 
This episode’s guest, the artist Steve Locke, currently has a solo exhibition at Alexander Gray Associates in New York, open through December 17, 2022.</description>
      <pubDate>Wed, 02 Nov 2022 01:39:48 -0000</pubDate>
      <itunes:title>Seeing the 90’s Everywhere Right Now | With Helen Molesworth</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In the premiere episode of a new series hosted by Helen Molesworth, the curator and writer talks with her friend the artist Steve Locke about the re-emergence of art and culture of the 90’s, and why certain ideas, obsessions, and artists of the era—from Wolfgang Tillmans to Marlon Riggs to Friends—are bubbling back up into the mainstream now. 
This fall, Helen will be hosting regular episodes of the podcast that react to the shifting news and ideas in the art world and culture at large. Please follow Dialogues so you don’t miss an episode. 
This episode’s guest, the artist Steve Locke, currently has a solo exhibition at Alexander Gray Associates in New York, open through December 17, 2022.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the premiere episode of a new series hosted by Helen Molesworth, the curator and writer talks with her friend the artist Steve Locke about the re-emergence of art and culture of the 90’s, and why certain ideas, obsessions, and artists of the era—from Wolfgang Tillmans to Marlon Riggs to <em>Friends</em>—are bubbling back up into the mainstream now. </p><p>This fall, Helen will be hosting regular episodes of the podcast that react to the shifting news and ideas in the art world and culture at large. Please follow Dialogues so you don’t miss an episode. </p><p>This episode’s guest, the artist Steve Locke, currently has <a href="https://www.alexandergray.com/exhibitions/steve-locke3">a solo exhibition</a> at Alexander Gray Associates in New York, open through December 17, 2022.</p>]]>
      </content:encoded>
      <itunes:duration>1215</itunes:duration>
      <guid isPermaLink="false"><![CDATA[80ec148c-5a4e-11ed-a1dc-4b0e8162e407]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI6872313858.mp3?updated=1667353478" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Inside ‘The Red Studio’: Ann Temkin with 6 Artists on Matisse | Special Episode</title>
      <description>In this special episode produced and hosted by the painter Lisa Yuskavage, six artists—Joe Bradley, Carroll Dunham, Rashid Johnson, David Reed, Sarah Sze, and Charline von Heyl—give Ann Temkin, Chief Curator of Painting and Sculpture at the Museum of Modern Art in New York, their insights on Matisse’s Red Studio (1911) and the elusive nature of creativity. It was inspired by the recent exhibition Matisse: The Red Studio at MoMA, now on view at the SMK Denmark through February 26, 2023.
Dialogues is returning soon with new episodes hosted by the writer and curator Helen Molesworth, please stay tuned to this feed.</description>
      <pubDate>Tue, 25 Oct 2022 12:02:00 -0000</pubDate>
      <itunes:title>Inside ‘The Red Studio’: Ann Temkin with 6 Artists on Matisse | Special Episode</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>In this special episode produced and hosted by the painter Lisa Yuskavage, six artists—Joe Bradley, Carroll Dunham, Rashid Johnson, David Reed, Sarah Sze, and Charline von Heyl—give Ann Temkin, Chief Curator of Painting and Sculpture at the Museum of Modern Art in New York, their insights on Matisse’s Red Studio (1911) and the elusive nature of creativity. </itunes:subtitle>
      <itunes:summary>In this special episode produced and hosted by the painter Lisa Yuskavage, six artists—Joe Bradley, Carroll Dunham, Rashid Johnson, David Reed, Sarah Sze, and Charline von Heyl—give Ann Temkin, Chief Curator of Painting and Sculpture at the Museum of Modern Art in New York, their insights on Matisse’s Red Studio (1911) and the elusive nature of creativity. It was inspired by the recent exhibition Matisse: The Red Studio at MoMA, now on view at the SMK Denmark through February 26, 2023.
Dialogues is returning soon with new episodes hosted by the writer and curator Helen Molesworth, please stay tuned to this feed.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this special episode produced and hosted by the painter Lisa Yuskavage, six artists—Joe Bradley, Carroll Dunham, Rashid Johnson, David Reed, Sarah Sze, and Charline von Heyl—give Ann Temkin, Chief Curator of Painting and Sculpture at the Museum of Modern Art in New York, their insights on Matisse’s <em>Red Studio </em>(1911) and the elusive nature of creativity. It was inspired by the recent exhibition <a href="https://www.moma.org/calendar/exhibitions/5344"><em>Matisse: The Red Studio</em></a> at MoMA, now on view <a href="https://www.smk.dk/en/">at the SMK Denmark</a> through February 26, 2023.</p><p><em>Dialogues</em> is returning soon with new episodes hosted by the writer and curator Helen Molesworth, please stay tuned to this feed.</p>]]>
      </content:encoded>
      <itunes:duration>4329</itunes:duration>
      <guid isPermaLink="false"><![CDATA[5c327330-53cc-11ed-a65c-c70a5d3978e0]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI8176996381.mp3?updated=1667004114" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Death of an Artist: The Ana Mendieta and Carl Andre Story | Special Episode</title>
      <description>A special preview of a new podcast miniseries, Death of an Artist, hosted by the curator and art historian Helen Molesworth, who will also be hosting new episodes of Dialogues, coming very, very soon. 
For more than 35 years, accusations of murder shrouded one of the art world’s most storied couples: Was the famous sculptor Carl Andre involved in the death of his wife, the rising star artist Ana Mendieta? Helen revisits the question of Mendieta’s death, takes a closer look at the incident in which she fell from the window of their 34th floor New York apartment, and interrogates both the silence and protest that have followed this infamous story since 1985. You can hear the full episode and all of Death of an Artist here. 
Stay tuned to Dialogues for new episodes hosted by Helen Molesworth coming next month.</description>
      <pubDate>Fri, 23 Sep 2022 12:40:08 -0000</pubDate>
      <itunes:title>Death of an Artist: The Ana Mendieta and Carl Andre Story</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>A special preview of a new podcast miniseries, Death of an Artist, hosted by the curator and art historian Helen Molesworth, who will also be hosting new episodes of Dialogues, coming very, very soon. </itunes:subtitle>
      <itunes:summary>A special preview of a new podcast miniseries, Death of an Artist, hosted by the curator and art historian Helen Molesworth, who will also be hosting new episodes of Dialogues, coming very, very soon. 
For more than 35 years, accusations of murder shrouded one of the art world’s most storied couples: Was the famous sculptor Carl Andre involved in the death of his wife, the rising star artist Ana Mendieta? Helen revisits the question of Mendieta’s death, takes a closer look at the incident in which she fell from the window of their 34th floor New York apartment, and interrogates both the silence and protest that have followed this infamous story since 1985. You can hear the full episode and all of Death of an Artist here. 
Stay tuned to Dialogues for new episodes hosted by Helen Molesworth coming next month.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A special preview of a new podcast miniseries,<a href="https://podcasts.pushkin.fm/artist?sid=dialogues"> Death of an Artist</a>, hosted by the curator and art historian Helen Molesworth, who will also be hosting new episodes of Dialogues, coming very, very soon. </p><p>For more than 35 years, accusations of murder shrouded one of the art world’s most storied couples: Was the famous sculptor Carl Andre involved in the death of his wife, the rising star artist Ana Mendieta? Helen revisits the question of Mendieta’s death, takes a closer look at the incident in which she fell from the window of their 34th floor New York apartment, and interrogates both the silence and protest that have followed this infamous story since 1985. You can hear the full episode and <a href="https://podcasts.pushkin.fm/artist?sid=dialogues">all of Death of an Artist here</a>. </p><p>Stay tuned to Dialogues for new episodes hosted by Helen Molesworth coming next month.</p>]]>
      </content:encoded>
      <itunes:duration>714</itunes:duration>
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    <item>
      <title>Episode 48 | Rirkrit Tiravanija and Elizabeth Peyton</title>
      <description>The artists and former partners on what it means to be an artist now—and what it meant when they emerged in the New York art world of the 1990s. Tiravanija, who will have his first exhibition with the gallery in Hong Kong later this year, is renowned for participatory installations that have a living, social dimension to them. Peyton is one of her generation’s best-known painters, recognized for her intimate paintings of people.</description>
      <pubDate>Wed, 30 Mar 2022 00:25:00 -0000</pubDate>
      <itunes:title>Rirkrit Tiravanija and Elizabeth Peyton</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The artists and former partners on what it means to be an artist now—and what it meant when they emerged in the New York art world of the 1990s. Tiravanija, who will have his first exhibition with the gallery in Hong Kong later this year, is renowned for participatory installations that have a living, social dimension to them. Peyton is one of her generation’s best-known painters, recognized for her intimate paintings of people.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The artists and former partners on what it means to be an artist now—and what it meant when they emerged in the New York art world of the 1990s. Tiravanija, who will have his first exhibition with the gallery in Hong Kong later this year, is renowned for participatory installations that have a living, social dimension to them. Peyton is one of her generation’s best-known painters, recognized for her intimate paintings of people.</p>]]>
      </content:encoded>
      <itunes:duration>2769</itunes:duration>
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    <item>
      <title>Episode 47 | Edwin Frank</title>
      <description>The editorial director of New York Review Books and editor of NYRB Classics explains the origins and cult status of the incredibly popular series. Since its founding by Frank in 1999, NYRB Classics’s mission has been to reintroduce out-of-print gems to a new audience, everything from Walt Whitman’s Drum Taps to a Janet Malcolm work of journalism. Combined with a simple and magnetic design, this model inspired David Zwirner Books’s own ekphrasis series, which focuses on writing about art, and which just celebrated its 20th edition with the publication of Virginia Woolf’s Oh to Be a Painter!.  
Oh to Be a Painter!, the most accessible collection of Woolf’s writing on art, is available through David Zwirner Books. The entire ekphrasis series is now available as a special collection. </description>
      <pubDate>Thu, 24 Mar 2022 14:47:00 -0000</pubDate>
      <itunes:title>Edwin Frank</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The editorial director of New York Review Books and editor of NYRB Classics explains the origins and cult status of the incredibly popular series. Since its founding by Frank in 1999, NYRB Classics’s mission has been to reintroduce out-of-print gems to a new audience, everything from Walt Whitman’s Drum Taps to a Janet Malcolm work of journalism. Combined with a simple and magnetic design, this model inspired David Zwirner Books’s own ekphrasis series, which focuses on writing about art, and which just celebrated its 20th edition with the publication of Virginia Woolf’s Oh to Be a Painter!.  
Oh to Be a Painter!, the most accessible collection of Woolf’s writing on art, is available through David Zwirner Books. The entire ekphrasis series is now available as a special collection. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>The editorial director of New York Review Books and editor of <a href="https://www.nyrb.com/collections/classics">NYRB Classics</a> explains the origins and cult status of the incredibly popular series. Since its founding by Frank in 1999, NYRB Classics’s mission has been to reintroduce out-of-print gems to a new audience, everything from Walt Whitman’s <em>Drum Taps</em> to a Janet Malcolm work of journalism. Combined with a simple and magnetic design, this model inspired David Zwirner Books’s own <a href="https://www.davidzwirnerbooks.com/catalog/series/ekphrasis"><em>ekphrasis</em> series</a>, which focuses on writing about art, and which just celebrated its 20th edition with the publication of Virginia Woolf’s <em>Oh to Be a Painter!</em>.  </p><p><em>Oh to Be a Painter!</em>, the most accessible collection of Woolf’s writing on art, <a href="https://www.davidzwirnerbooks.com/product/oh-to-be-a-painter">is available</a> through David Zwirner Books. The entire <em>ekphrasis </em>series is now available as <a href="https://www.davidzwirnerbooks.com/catalog/series/~/link.aspx?_id=DDECB2AA4F70401B8C640102C281E1F5&amp;_z=z">a special collection</a>. </p>]]>
      </content:encoded>
      <itunes:duration>1871</itunes:duration>
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    <item>
      <title>Episode 46 | Jed Perl and Joshua Cohen</title>
      <description>A conversation that parses the nuances of the question: Does art have to be political to be important right now? With the art critic Jed Perl, who just published Authority and Freedom: A Defense of the Arts, and the novelist Johsua Cohen, author of the acclaimed The Netanyahus: An Account of a Minor and Ultimately Even Negligible Episode in the History of a Very Famous Family, which fictionalizes the Israeli family in ways comic and serious. </description>
      <pubDate>Wed, 16 Mar 2022 00:50:00 -0000</pubDate>
      <itunes:title>Jed Perl and Joshua Cohen</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A conversation that parses the nuances of the question: Does art have to be political to be important right now? With the art critic Jed Perl, who just published Authority and Freedom: A Defense of the Arts, and the novelist Johsua Cohen, author of the acclaimed The Netanyahus: An Account of a Minor and Ultimately Even Negligible Episode in the History of a Very Famous Family, which fictionalizes the Israeli family in ways comic and serious. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>A conversation that parses the nuances of the question: Does art have to be political to be important right now? With the art critic Jed Perl, who just published <a href="https://www.penguinrandomhouse.com/books/673724/authority-and-freedom-by-jed-perl/"><em>Authority and Freedom: A Defense of the Arts</em></a>, and the novelist Johsua Cohen, author of the acclaimed <a href="https://www.penguinrandomhouse.com/books/688239/the-netanyahus-by-joshua-cohen/"><em>The Netanyahus: An Account of a Minor and Ultimately Even Negligible Episode in the History of a Very Famous Family</em></a><em>, </em>which fictionalizes the Israeli family in ways comic and serious. </p>]]>
      </content:encoded>
      <itunes:duration>2779</itunes:duration>
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    <item>
      <title>Episode 45 | Jerry Saltz and Ellie Rines</title>
      <description>A conversation about the art of looking. The Pulitzer Prize-winning art critic and author Jerry Saltz, of New York magazine and the bestselling How to Be an Artist, and the influential young gallerist Ellie Rines, of New York’s 56 Henry, on doing their jobs in unorthodox ways—and how to look at the endlessly proliferating and increasingly uncategorizable art in the world today.
And a warning to our listeners: This episode briefly mentions suicide, so please listen with caution or skip 44:34-45:30.</description>
      <pubDate>Wed, 09 Mar 2022 11:50:00 -0000</pubDate>
      <itunes:title>Jerry Saltz and Ellie Rines</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A conversation about the art of looking. The Pulitzer Prize-winning art critic and author Jerry Saltz, of New York magazine and the bestselling How to Be an Artist, and the influential young gallerist Ellie Rines, of New York’s 56 Henry, on doing their jobs in unorthodox ways—and how to look at the endlessly proliferating and increasingly uncategorizable art in the world today.
And a warning to our listeners: This episode briefly mentions suicide, so please listen with caution or skip 44:34-45:30.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A conversation about the art of looking. The Pulitzer Prize-winning art critic and author Jerry Saltz, of New York magazine and the bestselling <a href="https://www.penguinrandomhouse.com/books/612484/how-to-be-an-artist-by-jerry-saltz/">How to Be an Artist</a>, and the influential young gallerist Ellie Rines, of New York’s <a href="https://56henry.nyc/">56 Henry</a>, on doing their jobs in unorthodox ways—and how to look at the endlessly proliferating and increasingly uncategorizable art in the world today.</p><p><em>And a warning to our listeners: This episode briefly mentions suicide, so please listen with caution or skip 44:34-45:30.</em></p>]]>
      </content:encoded>
      <itunes:duration>3218</itunes:duration>
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    <item>
      <title>Episode 44 | Amy Sillman </title>
      <description>The celebrated artist on the role of art criticism today, and how she probes and ultimately goes beyond the limitations of her painting in her other practice as a writer. This episode with Sillman, who in 2020 published Faux Pas, a new collection of her writings, is guest-hosted by Jarrett Earnest, and is the last of his three-part miniseries on serious artists who are also serious writers. 

Amy Sillman: Faux Pas is available here. Her work will be featured in the 2022 Venice Biennale, and was recently on view in Toni Morrison’s Black Book, an exhibition curated by Hilton Als at David Zwirner’s 19th Street gallery in New York.</description>
      <pubDate>Wed, 02 Mar 2022 13:22:08 -0000</pubDate>
      <itunes:title>Amy Sillman </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The celebrated artist on the role of art criticism today, and how she probes and ultimately goes beyond the limitations of her painting in her other practice as a writer. This episode with Sillman, who in 2020 published Faux Pas, a new collection of her writings, is guest-hosted by Jarrett Earnest, and is the last of his three-part miniseries on serious artists who are also serious writers. 

Amy Sillman: Faux Pas is available here. Her work will be featured in the 2022 Venice Biennale, and was recently on view in Toni Morrison’s Black Book, an exhibition curated by Hilton Als at David Zwirner’s 19th Street gallery in New York.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The celebrated artist on the role of art criticism today, and how she probes and ultimately goes beyond the limitations of her painting in her other practice as a writer. This episode with Sillman, who in 2020 published <em>Faux Pas,</em> a new collection of her writings, is guest-hosted by Jarrett Earnest, and is the last of his three-part miniseries on serious artists who are also serious writers. </p><p><br></p><p><em>Amy Sillman: Faux Pas </em>is <a href="https://www.artbook.com/9782955948651.html">available here</a>. Her work will be featured in the 2022 Venice Biennale, and was recently on view in <a href="https://www.davidzwirner.com/exhibitions/2022/toni-morrisons-black-book"><em>Toni Morrison’s Black Book</em></a>, an exhibition curated by Hilton Als at David Zwirner’s 19th Street gallery in New York.</p>]]>
      </content:encoded>
      <itunes:duration>2130</itunes:duration>
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    <item>
      <title>Episode 43 | A Scientific Theory of the Art World</title>
      <description>What does evolutionary science have to do with the art world? A fascinating conversation with Richard Prum, a leading thinker in evolutionary ornithology who has developed a theory that impacts how we think about artistic genius, radicality, and the art world at large.</description>
      <pubDate>Wed, 23 Feb 2022 01:33:42 -0000</pubDate>
      <itunes:title>A Scientific Theory of the Art World</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>A fascinating conversation with Richard Prum, a leading thinker in evolutionary ornithology</itunes:subtitle>
      <itunes:summary>What does evolutionary science have to do with the art world? A fascinating conversation with Richard Prum, a leading thinker in evolutionary ornithology who has developed a theory that impacts how we think about artistic genius, radicality, and the art world at large.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does evolutionary science have to do with the art world? A fascinating conversation with Richard Prum, a leading thinker in evolutionary ornithology who has developed a theory that impacts how we think about artistic genius, radicality, and the art world at large.</p>]]>
      </content:encoded>
      <itunes:duration>2641</itunes:duration>
      <guid isPermaLink="false"><![CDATA[86ae8b38-9448-11ec-aa9a-b3de21bd6e98]]></guid>
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      <title>Episode 42 | Amalia Ulman and Maggie Lee</title>
      <description>A conversation with two exciting artists taking their multimedia practices onto the movie screen. Ulman, whose work combines video, performance, and the Internet in fluid ways, recently released her critically-acclaimed first feature film, El Planeta. A hit at the Sundance Film Festival, it features Ulman and her mother as a pair of mother-and-daughter grifters in Gijon, Spain, their hometown. And Lee, who works across all manner of media, also made a standout film that draws from her own life: Mommy is a resonant profile of her mother following her devastating death that, like El Planeta, fuses the visual language of video and Net Art with that of Hollywood. </description>
      <pubDate>Wed, 16 Feb 2022 01:33:13 -0000</pubDate>
      <itunes:title>Amalia Ulman and Maggie Lee</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>A conversation with two exciting artists taking their multimedia practices onto the movie screen.</itunes:subtitle>
      <itunes:summary>A conversation with two exciting artists taking their multimedia practices onto the movie screen. Ulman, whose work combines video, performance, and the Internet in fluid ways, recently released her critically-acclaimed first feature film, El Planeta. A hit at the Sundance Film Festival, it features Ulman and her mother as a pair of mother-and-daughter grifters in Gijon, Spain, their hometown. And Lee, who works across all manner of media, also made a standout film that draws from her own life: Mommy is a resonant profile of her mother following her devastating death that, like El Planeta, fuses the visual language of video and Net Art with that of Hollywood. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>A conversation with two exciting artists taking their multimedia practices onto the movie screen. Ulman, whose work combines video, performance, and the Internet <a href="https://www.newmuseum.org/exhibitions/view/amalia-ulman-excellences-perfections">in fluid ways</a>, recently released her critically-acclaimed first feature film, <a href="https://elplaneta.info/"><em>El Planeta</em></a>. A hit at the Sundance Film Festival, it features Ulman and her mother as a pair of mother-and-daughter grifters in Gijon, Spain, their hometown. And Lee, who works across all manner of media, also made a standout film that draws from her own life: <a href="http://mommyfilm.us/"><em>Mommy</em></a> is a resonant profile of her mother following her devastating death that, like <em>El Planeta</em>, fuses the visual language of video and Net Art with that of Hollywood. </p>]]>
      </content:encoded>
      <itunes:duration>1586</itunes:duration>
      <guid isPermaLink="false"><![CDATA[2cb5d8dc-8ec8-11ec-8f66-87eead6f0d64]]></guid>
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    <item>
      <title>Episode 41 | Angela Davis and Hilton Als</title>
      <description>The activist and author Angela Davis and the Pulitzer Prize-winning critic and curator Hilton Als in conversation about one of their favorite subjects and dearest friends: Toni Morrison. Early on in her career, Morrison worked as a kind of activist editor at Random House, where she helped change the landscape of publishing—including her effort to bring Davis’s landmark political autobiography to the public in 1974. (It was just republished in its third edition.) Recently, Als curated Toni Morrison’s Black Book at David Zwirner’s 19th Street gallery in New York, a group exhibition that draws astonishing connections between Morrison’s life and words and works by Beverly Buchanan, Robert Gober, Julie Mehretu, Kerry James Marshall, and many more. 
Toni Morrison’s Black Book, curated by Hilton Als, is on view through February 26, 2022. 
Angela Davis: An Autobiography was republished in its third edition in January 2022, featuring an expansive new introduction by the author.</description>
      <pubDate>Wed, 02 Feb 2022 01:48:29 -0000</pubDate>
      <itunes:title>Angela Davis and Hilton Als</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The activist and author Angela Davis and the Pulitzer Prize-winning critic and curator Hilton Als in conversation about one of their favorite subjects and dearest friends: Toni Morrison. Early on in her career, Morrison worked as a kind of activist editor at Random House, where she helped change the landscape of publishing—including her effort to bring Davis’s landmark political autobiography to the public in 1974. (It was just republished in its third edition.) Recently, Als curated Toni Morrison’s Black Book at David Zwirner’s 19th Street gallery in New York, a group exhibition that draws astonishing connections between Morrison’s life and words and works by Beverly Buchanan, Robert Gober, Julie Mehretu, Kerry James Marshall, and many more. 
Toni Morrison’s Black Book, curated by Hilton Als, is on view through February 26, 2022. 
Angela Davis: An Autobiography was republished in its third edition in January 2022, featuring an expansive new introduction by the author.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The activist and author Angela Davis and the Pulitzer Prize-winning critic and curator Hilton Als in conversation about one of their favorite subjects and dearest friends: Toni Morrison. Early on in her career, Morrison worked as a kind of activist editor at Random House, where she helped change the landscape of publishing—including her effort to bring Davis’s landmark political autobiography to the public in 1974. (It was just republished in its third edition.) Recently, Als curated <em>Toni Morrison’s Black Book </em>at David Zwirner’s 19th Street gallery in New York, a group exhibition that draws astonishing connections between Morrison’s life and words and works by Beverly Buchanan, Robert Gober, Julie Mehretu, Kerry James Marshall, and many more. </p><p><a href="https://www.davidzwirner.com/exhibitions/2022/toni-morrisons-black-book"><em>Toni Morrison’s Black Book</em></a>, curated by Hilton Als, is on view through February 26, 2022. </p><p><a href="https://www.haymarketbooks.org/books/1741-angela-davis"><em>Angela Davis: An Autobiography</em></a><em> </em>was republished in its third edition in January 2022, featuring an expansive new introduction by the author.</p>]]>
      </content:encoded>
      <itunes:duration>2884</itunes:duration>
      <guid isPermaLink="false"><![CDATA[69a9d372-83a8-11ec-8305-677002bf7530]]></guid>
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    <item>
      <title>Episode 40 | Luc Tuymans and Timothy Snyder</title>
      <description>A conversation about the slippery slope from Donald Trump’s lies to the extinction of American democracy—and art’s ability to break through fascist monoliths. The eminent Yale historian Timothy Snyder is the author of On Tyranny, The Road to Unfreedom, and “The American Abyss,” a widely circulated New York Times essay published following the January 6 storming of the Capitol. The essay caught the eye of Luc Tuymans, himself a kind of historian. In the paintings he’s made throughout his career, Tuymans has examined the power of images in not only depicting historical trauma, but also their ability to cover up and reveal things about ourselves.</description>
      <pubDate>Wed, 14 Jul 2021 00:25:53 -0000</pubDate>
      <itunes:title>Luc Tuymans and Timothy Snyder</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A conversation about the slippery slope from Donald Trump’s lies to the extinction of American democracy—and art’s ability to break through fascist monoliths. The eminent Yale historian Timothy Snyder is the author of On Tyranny, The Road to Unfreedom, and “The American Abyss,” a widely circulated New York Times essay published following the January 6 storming of the Capitol. The essay caught the eye of Luc Tuymans, himself a kind of historian. In the paintings he’s made throughout his career, Tuymans has examined the power of images in not only depicting historical trauma, but also their ability to cover up and reveal things about ourselves.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A conversation about the slippery slope from Donald Trump’s lies to the extinction of American democracy—and art’s ability to break through fascist monoliths. The eminent Yale historian Timothy Snyder is the author of <em>On Tyranny</em>, <em>The Road to Unfreedom</em>, and “<a href="https://www.nytimes.com/2021/01/09/magazine/trump-coup.html">The American Abyss</a>,” a widely circulated <em>New York Times</em> essay published following the January 6 storming of the Capitol. The essay caught the eye of Luc Tuymans, himself a kind of historian. In the paintings he’s made throughout his career, Tuymans has examined the power of images in not only depicting historical trauma, but also their ability to cover up and reveal things about ourselves.</p>]]>
      </content:encoded>
      <itunes:duration>2792</itunes:duration>
      <guid isPermaLink="false"><![CDATA[4efcb6d0-e438-11eb-98b8-5f6f40792499]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI2348913784.mp3?updated=1626222658" length="0" type="audio/mpeg"/>
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    <item>
      <title>Episode 39 | David Byrne and Marcel Dzama</title>
      <description>Two of the most playful, expressive artists we have on their creative process, trying new things, and the art of being a great collaborator. The former lead singer of the Talking Heads, Byrne is an artistic polymath, making stage plays, performances, films, and now even drawings, which he recently showed with Pace. His Broadway hit, American Utopia, also became a streaming hit when Spike Lee turned it into a film for HBO; it was also recently adapted by Byrne into a book with illustrations by Maira Kalman. Marcel Dzama—who has been showing with the gallery for many years, and who has, like Byrne, worked on the stage (most notably with the New York City Ballet)—also just published a new book, an edition of Shakespeare’s A Midsummer Night’s Dream full of his beautiful new drawings. 
David Byrne is represented by Pace Gallery. American Utopia returns to Broadway in fall 2021; the film can be streamed on HBO Max; and the book is available now.
Marcel Dzama’s illustrated edition of A Midsummer Night’s Dream is available now. His next exhibition with the gallery opens September 8, 2021 at our 69th Street space.</description>
      <pubDate>Wed, 07 Jul 2021 16:18:00 -0000</pubDate>
      <itunes:title>David Byrne and Marcel Dzama</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Two of the most playful, expressive artists we have on their creative process, trying new things, and the art of being a great collaborator. The former lead singer of the Talking Heads, Byrne is an artistic polymath, making stage plays, performances, films, and now even drawings, which he recently showed with Pace. His Broadway hit, American Utopia, also became a streaming hit when Spike Lee turned it into a film for HBO; it was also recently adapted by Byrne into a book with illustrations by Maira Kalman. Marcel Dzama—who has been showing with the gallery for many years, and who has, like Byrne, worked on the stage (most notably with the New York City Ballet)—also just published a new book, an edition of Shakespeare’s A Midsummer Night’s Dream full of his beautiful new drawings. 
David Byrne is represented by Pace Gallery. American Utopia returns to Broadway in fall 2021; the film can be streamed on HBO Max; and the book is available now.
Marcel Dzama’s illustrated edition of A Midsummer Night’s Dream is available now. His next exhibition with the gallery opens September 8, 2021 at our 69th Street space.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Two of the most playful, expressive artists we have on their creative process, trying new things, and the art of being a great collaborator. The former lead singer of the Talking Heads, Byrne is an artistic polymath, making stage plays, performances, films, and now even drawings, which he recently showed with Pace. His Broadway hit, <em>American Utopia</em>, also became a streaming hit when Spike Lee turned it into a film for HBO; it was also recently adapted by Byrne into a book with illustrations by Maira Kalman. Marcel Dzama—who has been showing with the gallery for many years, and who has, like Byrne, worked on the stage (most notably with the New York City Ballet)—also just published a new book, an edition of Shakespeare’s <em>A Midsummer Night’s Dream </em>full of his beautiful new drawings. </p><p>David Byrne is represented by Pace Gallery. <em>American Utopia </em><a href="https://americanutopiabroadway.com/">returns to Broadway</a> in fall 2021; the film can be <a href="https://play.hbomax.com/feature/urn:hbo:feature:GXz_UiQLm9UehuQEAAAJa">streamed on HBO Max</a>; and the book <a href="https://www.bloomsbury.com/us/american-utopia-9781635576689/">is available now</a>.</p><p>Marcel Dzama’s illustrated edition of <em>A Midsummer Night’s Dream </em><a href="https://www.davidzwirnerbooks.com/product/william-shakespeare--marcel-dzama-a-midsummer-nights-dream">is available now</a>. His next exhibition with the gallery opens September 8, 2021 at our 69th Street space.</p>]]>
      </content:encoded>
      <itunes:duration>2829</itunes:duration>
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    <item>
      <title>Episode 38 | What Does Figuration Smell Like? </title>
      <description>A conversation about the art of scents with the perfumer Frederic Malle. The latest in a storied French fragrance family, Malle—whose grandfather launched Christian Dior’s fragrance line, and whose uncle is the great filmmaker Louis Malle—had ambitions of being an art dealer before he took up the family trade, and his unique brand of of scent-making combines science, psychology, marketing wizardry, and (most importantly) art history.</description>
      <pubDate>Wed, 23 Jun 2021 00:18:36 -0000</pubDate>
      <itunes:title>What Does Figuration Smell Like? </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A conversation about the art of scents with the perfumer Frederic Malle. The latest in a storied French fragrance family, Malle—whose grandfather launched Christian Dior’s fragrance line, and whose uncle is the great filmmaker Louis Malle—had ambitions of being an art dealer before he took up the family trade, and his unique brand of of scent-making combines science, psychology, marketing wizardry, and (most importantly) art history.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A conversation about the art of scents with the perfumer Frederic Malle. The latest in a storied French fragrance family, Malle—whose grandfather launched Christian Dior’s fragrance line, and whose uncle is the great filmmaker Louis Malle—had ambitions of being an art dealer before he took up the family trade, and his unique brand of of scent-making combines science, psychology, marketing wizardry, and (most importantly) art history.</p>]]>
      </content:encoded>
      <itunes:duration>1499</itunes:duration>
      <guid isPermaLink="false"><![CDATA[0ecfbb92-d3b8-11eb-966b-2390da99ba1d]]></guid>
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    <item>
      <title>Episode 37 | Lorraine O’Grady</title>
      <description>The 86-year-old legend gets personal about a lifetime translating her singular voice to the world. While the major retrospective of her work currently at the Brooklyn Museum has cemented her reputation, Lorraine O’Grady did not discover herself as an artist until her 40s. Here, she traces her unlikely journey to becoming a conceptual and performance artist with a pioneering Black feminist sensibility—including stints along the way as a rock critic, novelist, and translator. 
Guest-hosted by Jarrett Earnest, this episode is the second of three on a topic the critic is deeply invested in: serious artists who are also serious writers. 
Lorraine O’Grady: Both/And is on view at the Brooklyn Museum through July 18, 2021. Her new anthology of writings, Writing in Space, 1973–2019, is available here.</description>
      <pubDate>Wed, 16 Jun 2021 00:24:00 -0000</pubDate>
      <itunes:title>Lorraine O’Grady</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The 86-year-old legend gets personal about a lifetime translating her singular voice to the world. While the major retrospective of her work currently at the Brooklyn Museum has cemented her reputation, Lorraine O’Grady did not discover herself as an artist until her 40s. Here, she traces her unlikely journey to becoming a conceptual and performance artist with a pioneering Black feminist sensibility—including stints along the way as a rock critic, novelist, and translator. 
Guest-hosted by Jarrett Earnest, this episode is the second of three on a topic the critic is deeply invested in: serious artists who are also serious writers. 
Lorraine O’Grady: Both/And is on view at the Brooklyn Museum through July 18, 2021. Her new anthology of writings, Writing in Space, 1973–2019, is available here.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The 86-year-old legend gets personal about a lifetime translating her singular voice to the world. While the major retrospective of her work currently at the Brooklyn Museum has cemented her reputation, Lorraine O’Grady did not discover herself as an artist until her 40s. Here, she traces her unlikely journey to becoming a conceptual and performance artist with a pioneering Black feminist sensibility—including stints along the way as a rock critic, novelist, and translator. </p><p>Guest-hosted by Jarrett Earnest, this episode is the second of three on a topic the critic is deeply invested in: serious artists who are also serious writers. </p><p><em>Lorraine O’Grady: Both/And </em><a href="https://www.brooklynmuseum.org/exhibitions/lorraine_ogrady">is on view</a> at the Brooklyn Museum through July 18, 2021. Her new anthology of writings, <em>Writing in Space, 1973–2019</em>, <a href="https://www.dukeupress.edu/writing-in-space-1973-2019">is available here</a>.</p>]]>
      </content:encoded>
      <itunes:duration>3274</itunes:duration>
      <guid isPermaLink="false"><![CDATA[ec1e86e0-ce40-11eb-aa31-37c72b207ca7]]></guid>
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    <item>
      <title>Episode 36 | Kate Zambreno</title>
      <description>How does an artwork change as the person looking at it does? Kate Zambreno, a 2021 Guggenheim Fellow in Nonfiction and the author of the acclaimed 2020 novel Drifts, details the pleasures and discovery of returning to an artist or artwork over and over again—in her case, the likes of Sarah Charlesworth, Chantal Akerman, and Albrecht Durer. She speaks and writes about their lives and work with humor and personal insight born of longtime obsession. 
Drifts: A Novel, named a Best Book of the Year by The Paris Review, is out now on paperback. Zambreno’s latest book, To Write as if Already Dead, was published in June 2021.</description>
      <pubDate>Wed, 09 Jun 2021 00:24:59 -0000</pubDate>
      <itunes:title>Kate Zambreno</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>How does an artwork change as the person looking at it does? Kate Zambreno, a 2021 Guggenheim Fellow in Nonfiction and the author of the acclaimed 2020 novel Drifts, details the pleasures and discovery of returning to an artist or artwork over and over again—in her case, the likes of Sarah Charlesworth, Chantal Akerman, and Albrecht Durer. She speaks and writes about their lives and work with humor and personal insight born of longtime obsession. 
Drifts: A Novel, named a Best Book of the Year by The Paris Review, is out now on paperback. Zambreno’s latest book, To Write as if Already Dead, was published in June 2021.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does an artwork change as the person looking at it does? Kate Zambreno, a 2021 Guggenheim Fellow in Nonfiction and the author of the acclaimed 2020 novel <em>Drifts</em>, details the pleasures and discovery of returning to an artist or artwork over and over again—in her case, the likes of Sarah Charlesworth, Chantal Akerman, and Albrecht Durer. She speaks and writes about their lives and work with humor and personal insight born of longtime obsession. </p><p><em>Drifts: A Novel</em>, named a Best Book of the Year by <em>The Paris Review</em>, <a href="https://bookshop.org/books/drifts/9780593087213">is out now on paperback</a>. Zambreno’s latest book, <a href="https://bookshop.org/books/to-write-as-if-already-dead-9780231188456/9780231188456"><em>To Write as if Already Dead</em></a><em>, </em>was published in June 2021.</p>]]>
      </content:encoded>
      <itunes:duration>2005</itunes:duration>
      <guid isPermaLink="false"><![CDATA[ef87a1aa-c8b8-11eb-bdd0-23fab39c6224]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI6125615762.mp3?updated=1623198518" length="0" type="audio/mpeg"/>
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    <item>
      <title>Episode 35 | Simphiwe Ndzube and Zakes Mda</title>
      <description>A conversation about the art of telling stories with the South African artist Simphiwe Ndzube, who works between Cape Town and Los Angeles and whose first solo US museum exhibition opens this month at the Denver Art Museum, and the renowned writer Zakes Mda, whose novels are widely read throughout South Africa and beyond. The two dissect their magical realist stories of post-apartheid South Africa and their experiences of America on the page and on canvas—and try to locate the source of their own magic. 

This episode is guest-hosted by Kyla McMillan, a director at David Zwirner.

Ndzube’s solo exhibition at the Denver Art Museum, Oracles of the Pink Universe, runs from June 13 to October 10, 2021. Learn more about it here.</description>
      <pubDate>Wed, 02 Jun 2021 01:42:27 -0000</pubDate>
      <itunes:title>Simphiwe Ndzube and Zakes Mda</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A conversation about the art of telling stories with the South African artist Simphiwe Ndzube, who works between Cape Town and Los Angeles and whose first solo US museum exhibition opens this month at the Denver Art Museum, and the renowned writer Zakes Mda, whose novels are widely read throughout South Africa and beyond. The two dissect their magical realist stories of post-apartheid South Africa and their experiences of America on the page and on canvas—and try to locate the source of their own magic. 

This episode is guest-hosted by Kyla McMillan, a director at David Zwirner.

Ndzube’s solo exhibition at the Denver Art Museum, Oracles of the Pink Universe, runs from June 13 to October 10, 2021. Learn more about it here.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A conversation about the art of telling stories with the South African artist Simphiwe Ndzube, who works between Cape Town and Los Angeles and whose first solo US museum exhibition opens this month at the Denver Art Museum, and the renowned writer Zakes Mda, whose novels are widely read throughout South Africa and beyond. The two dissect their magical realist stories of post-apartheid South Africa and their experiences of America on the page and on canvas—and try to locate the source of their own magic. </p><p><br></p><p>This episode is guest-hosted by Kyla McMillan, a director at David Zwirner.</p><p><br></p><p>Ndzube’s solo exhibition at the Denver Art Museum, <em>Oracles of the Pink Universe</em>,<em> </em>runs from June 13 to October 10, 2021. <a href="https://www.denverartmuseum.org/en/exhibitions/simphiwe-ndzube">Learn more about it here</a>.</p>]]>
      </content:encoded>
      <itunes:duration>2854</itunes:duration>
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      <enclosure url="https://traffic.megaphone.fm/DZI5478557016.mp3?updated=1622597320" length="0" type="audio/mpeg"/>
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    <item>
      <title>Episode 34 | Rachel Kushner</title>
      <description>A conversation about life as art with the author of The Flamethrowers. Few merge writing about art and writing about life the way Rachel Kushner does. A former editor at Artforum and Bomb, she’s deeply interested in memorializing the culture around the art—the conversations, the characters, the tall tales. In her 2013 novel The Flamethrowers, a National Book Award finalist, the New York art world of the 70s was brought to scintillating life; and in her new collection of essays, The Hard Crowd, she writes about Richard Prince, Raymond Pettibon, and Jeff Koons as vividly as she writes about her deep personal passion for motorcycles and muscle cars.

You can order The Hard Crowd now.</description>
      <pubDate>Wed, 26 May 2021 01:38:55 -0000</pubDate>
      <itunes:title>Rachel Kushner</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A conversation about life as art with the author of The Flamethrowers. Few merge writing about art and writing about life the way Rachel Kushner does. A former editor at Artforum and Bomb, she’s deeply interested in memorializing the culture around the art—the conversations, the characters, the tall tales. In her 2013 novel The Flamethrowers, a National Book Award finalist, the New York art world of the 70s was brought to scintillating life; and in her new collection of essays, The Hard Crowd, she writes about Richard Prince, Raymond Pettibon, and Jeff Koons as vividly as she writes about her deep personal passion for motorcycles and muscle cars.

You can order The Hard Crowd now.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A conversation about life as art with the author of <em>The Flamethrowers</em>. Few merge writing about art and writing about life the way Rachel Kushner does. A former editor at <em>Artforum </em>and <em>Bomb</em>, she’s deeply interested in memorializing the culture around the art—the conversations, the characters, the tall tales. In her 2013 novel <em>The Flamethrowers, </em>a National Book Award finalist, the New York art world of the 70s was brought to scintillating life; and in her new collection of essays, <em>The Hard Crowd, </em>she writes about Richard Prince, Raymond Pettibon, and Jeff Koons as vividly as she writes about her deep personal passion for motorcycles and muscle cars.</p><p><br></p><p>You can order <a href="https://www.simonandschuster.com/books/The-Hard-Crowd/Rachel-Kushner/9781982157692"><em>The Hard Crowd</em></a><em> </em>now.</p>]]>
      </content:encoded>
      <itunes:duration>2613</itunes:duration>
      <guid isPermaLink="false"><![CDATA[ce2d8476-bdbd-11eb-8d57-8b0ce5e6d1a5]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI4068833718.mp3?updated=1621994063" length="0" type="audio/mpeg"/>
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    <item>
      <title>Episode 33 | The Queering of Ray Johnson feat. Nayland Blake</title>
      <description>Guest hosted by Jarrett Earnest, this conversation with the artist, curator, and critic Nayland Blake reflects on Blake’s own coming-of-age as an artist and writer—and their shared obsession and long history with the great artist Ray Johnson. Prompted by an Johnson exhibition curated by Earnest at David Zwirner in New York that reexamines and reframes the artist’s life and work through a queer lens, this episode is the first of three hosted by Earnest on a topic the critic is deeply invested in: serious artists who are also serious writers.
Ray Johnson: WHAT A DUMP, curated by Earnest, is on view at David Zwirner’s 19th Street gallery in New York through May 22, 2021. 
No Wrong Holes: Thirty Years of Nayland Blake, a comprehensive survey of their art practice, recently closed at the MIT List Visual Arts Center.</description>
      <pubDate>Wed, 19 May 2021 01:04:44 -0000</pubDate>
      <itunes:title>The Queering of Ray Johnson feat. Nayland Blake</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Guest hosted by Jarrett Earnest, this conversation with the artist, curator, and critic Nayland Blake reflects on Blake’s own coming-of-age as an artist and writer—and their shared obsession and long history with the great artist Ray Johnson. Prompted by an Johnson exhibition curated by Earnest at David Zwirner in New York that reexamines and reframes the artist’s life and work through a queer lens, this episode is the first of three hosted by Earnest on a topic the critic is deeply invested in: serious artists who are also serious writers.
Ray Johnson: WHAT A DUMP, curated by Earnest, is on view at David Zwirner’s 19th Street gallery in New York through May 22, 2021. 
No Wrong Holes: Thirty Years of Nayland Blake, a comprehensive survey of their art practice, recently closed at the MIT List Visual Arts Center.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Guest hosted by Jarrett Earnest, this conversation with the artist, curator, and critic Nayland Blake reflects on Blake’s own coming-of-age as an artist and writer—and their shared obsession and long history with the great artist Ray Johnson. Prompted by an Johnson exhibition curated by Earnest at David Zwirner in New York that reexamines and reframes the artist’s life and work through a queer lens, this episode is the first of three hosted by Earnest on a topic the critic is deeply invested in: serious artists who are also serious writers.</p><p><a href="https://www.davidzwirner.com/exhibitions/2021/ray-johnson-what-a-dump"><em>Ray Johnson: WHAT A DUMP</em></a>, curated by Earnest, is on view at David Zwirner’s 19th Street gallery in New York through May 22, 2021. </p><p><a href="https://listart.mit.edu/exhibitions/no-wrong-holes-thirty-years-nayland-blake"><em>No Wrong Holes: Thirty Years of Nayland Blake</em></a>, a comprehensive survey of their art practice, recently closed at the MIT List Visual Arts Center.</p>]]>
      </content:encoded>
      <itunes:duration>3474</itunes:duration>
      <guid isPermaLink="false"><![CDATA[32ab01f2-b83d-11eb-94f1-cf6aaf052d9e]]></guid>
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    <item>
      <title>Episode 32 | Beeple and Jordan Wolfson</title>
      <description>When Mike Winkelmann, now widely known as the digital artist Beeple, sold an artwork at Christie’s for $69 million in March 2021, it shocked the art world—and created an escalating interest in and market for NFTs, digital art using blockchain technology that allows the work of digital artists like Beeple to be collected for the very first time. But the high-stakes prices also brought two parallel art worlds—the traditional one of galleries and museums, and the growing online community of digital artists—crashing into each other. In this provocative conversation, Beeple and Jordan Wolfson hash out the relationship between the two and ask: Where do we go from here?</description>
      <pubDate>Thu, 06 May 2021 02:40:00 -0000</pubDate>
      <itunes:title>Beeple and Jordan Wolfson</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>When Mike Winkelmann, now widely known as the digital artist Beeple, sold an artwork at Christie’s for $69 million in March 2021, it shocked the art world</itunes:subtitle>
      <itunes:summary>When Mike Winkelmann, now widely known as the digital artist Beeple, sold an artwork at Christie’s for $69 million in March 2021, it shocked the art world—and created an escalating interest in and market for NFTs, digital art using blockchain technology that allows the work of digital artists like Beeple to be collected for the very first time. But the high-stakes prices also brought two parallel art worlds—the traditional one of galleries and museums, and the growing online community of digital artists—crashing into each other. In this provocative conversation, Beeple and Jordan Wolfson hash out the relationship between the two and ask: Where do we go from here?</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When Mike Winkelmann, now widely known as the digital artist Beeple, sold an artwork at Christie’s for $69 million in March 2021, it shocked the art world—and created an escalating interest in and market for NFTs, digital art using blockchain technology that allows the work of digital artists like Beeple to be collected for the very first time. But the high-stakes prices also brought two parallel art worlds—the traditional one of galleries and museums, and the growing online community of digital artists—crashing into each other. In this provocative conversation, Beeple and Jordan Wolfson hash out the relationship between the two and ask: Where do we go from here?</p>]]>
      </content:encoded>
      <itunes:duration>4912</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[68ebce9e-ae11-11eb-bf6a-5f1ad80ec523]]></guid>
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    <item>
      <title>Episode 31 | The Bauhaus Episode</title>
      <description>A conversation about the influence of the Bauhaus today, and its evolution from a seminal early-twentieth-century school of thought into popular shorthand for an aesthetic style that—like minimalism—is used for everything from furniture to smartphones. With guest Nicholas Fox Weber, the executive director of The Josef and Anni Albers Foundation, and the author of iBauhaus: The iPhone as the Embodiment of Bauhaus Ideals and Design. 

iBauhaus is available now in bookstores and online.</description>
      <pubDate>Wed, 06 Jan 2021 14:35:14 -0000</pubDate>
      <itunes:title>The Bauhaus Episode</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>Nicholas Fox Weber is the author of iBauhaus</itunes:subtitle>
      <itunes:summary>A conversation about the influence of the Bauhaus today, and its evolution from a seminal early-twentieth-century school of thought into popular shorthand for an aesthetic style that—like minimalism—is used for everything from furniture to smartphones. With guest Nicholas Fox Weber, the executive director of The Josef and Anni Albers Foundation, and the author of iBauhaus: The iPhone as the Embodiment of Bauhaus Ideals and Design. 

iBauhaus is available now in bookstores and online.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A conversation about the influence of the Bauhaus today, and its evolution from a seminal early-twentieth-century school of thought into popular shorthand for an aesthetic style that—like minimalism—is used for everything from furniture to smartphones. With guest Nicholas Fox Weber, the executive director of The Josef and Anni Albers Foundation, and the author of <em>iBauhaus: The iPhone as the Embodiment of Bauhaus Ideals and Design</em>. </p><p><br></p><p><a href="https://www.penguinrandomhouse.com/books/611685/ibauhaus-by-nicholas-fox-weber/"><em>iBauhaus </em>is available now</a> in bookstores and online.</p>]]>
      </content:encoded>
      <itunes:duration>2035</itunes:duration>
      <guid isPermaLink="false"><![CDATA[0e0f679e-502c-11eb-a0b9-2303d69d449a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI6810936752.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>On Noah Davis: Revisited</title>
      <description>To close a tumultuous year, we’re revisiting one of its high points: a conversation that celebrates the life and work of the artist Noah Davis. With the curator Helen Molesworth, the filmmaker (and Noah’s brother) Kahlil Joseph, and the artist (and Noah’s wife) Karon Davis. 

Dialogues will return with new episodes in 2021, please stay tuned. </description>
      <pubDate>Wed, 30 Dec 2020 16:01:00 -0000</pubDate>
      <itunes:title>On Noah Davis: Revisited</itunes:title>
      <itunes:episodeType>bonus</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>A conversation that celebrates the life and work of the artist Noah Davis</itunes:subtitle>
      <itunes:summary>To close a tumultuous year, we’re revisiting one of its high points: a conversation that celebrates the life and work of the artist Noah Davis. With the curator Helen Molesworth, the filmmaker (and Noah’s brother) Kahlil Joseph, and the artist (and Noah’s wife) Karon Davis. 

Dialogues will return with new episodes in 2021, please stay tuned. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>To close a tumultuous year, we’re revisiting one of its high points: a conversation that celebrates the life and work of the artist Noah Davis. With the curator Helen Molesworth, the filmmaker (and Noah’s brother) Kahlil Joseph, and the artist (and Noah’s wife) Karon Davis. </p><p><br></p><p>Dialogues will return with new episodes in 2021, please stay tuned. </p>]]>
      </content:encoded>
      <itunes:duration>3072</itunes:duration>
      <guid isPermaLink="false"><![CDATA[21b1c4aa-4ab8-11eb-b90d-f3627d6c236c]]></guid>
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    <item>
      <title>Episode 30 | Olivia Laing</title>
      <description>A conversation about art criticism that is deeply engaged with the lives of the artists. Olivia Laing’s work regularly appears in The Guardian, Financial Times, and Frieze. Her latest book, Funny Weather: Art in an Emergency, examines the more complicated parts of life through the biographies and art of Agnes Martin, David Hockney, Andy Warhol, and Joseph Cornell, among other artists. This acclaimed collection of essays presents art as an antidote to what ails us—loneliness, alcoholism, our bodies—and a fitting way to write about art right now. 

Funny Weather is available now in bookstores and online.</description>
      <pubDate>Tue, 15 Dec 2020 01:04:20 -0000</pubDate>
      <itunes:title>Olivia Laing</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>A conversation with Olivia Laing about art criticism that is deeply engaged with the lives of the artists.</itunes:subtitle>
      <itunes:summary>A conversation about art criticism that is deeply engaged with the lives of the artists. Olivia Laing’s work regularly appears in The Guardian, Financial Times, and Frieze. Her latest book, Funny Weather: Art in an Emergency, examines the more complicated parts of life through the biographies and art of Agnes Martin, David Hockney, Andy Warhol, and Joseph Cornell, among other artists. This acclaimed collection of essays presents art as an antidote to what ails us—loneliness, alcoholism, our bodies—and a fitting way to write about art right now. 

Funny Weather is available now in bookstores and online.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A conversation about art criticism that is deeply engaged with the lives of the artists. Olivia Laing’s work regularly appears in <em>The Guardian</em>,<em> Financial Times</em>,<em> </em>and <em>Frieze</em>. Her latest book, <em>Funny Weather: Art in an Emergency</em>, examines the more complicated parts of life through the biographies and art of Agnes Martin, David Hockney, Andy Warhol, and Joseph Cornell, among other artists. This acclaimed collection of essays presents art as an antidote to what ails us—loneliness, alcoholism, our bodies—and a fitting way to write about art right now. </p><p><br></p><p><a href="http://olivialaing.co.uk/funny-weather"><em>Funny Weather</em></a><em> </em>is available now in bookstores and online.</p>]]>
      </content:encoded>
      <itunes:duration>1902</itunes:duration>
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    <item>
      <title>Episode 29 | David Levi Strauss and Michael Taussig</title>
      <description>Is seeing believing? In an era of surveillance and “deepfakes” and camera phones, images are more powerful—and fraught—than they’ve ever been. The poet and writer David Levi Strauss, an authority on photography and its effect in society, and the renowned anthropologist Michael Taussig investigate this timely question, spurred by Strauss’s new book, Photography and Belief. 

Photography and Belief is available now through David Zwirner Books.</description>
      <pubDate>Wed, 09 Dec 2020 13:42:20 -0000</pubDate>
      <itunes:title>David Levi Strauss and Michael Taussig</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>Poet and writer David Levi Strauss and anthropologist Michael Taussig on whether seeing is believing</itunes:subtitle>
      <itunes:summary>Is seeing believing? In an era of surveillance and “deepfakes” and camera phones, images are more powerful—and fraught—than they’ve ever been. The poet and writer David Levi Strauss, an authority on photography and its effect in society, and the renowned anthropologist Michael Taussig investigate this timely question, spurred by Strauss’s new book, Photography and Belief. 

Photography and Belief is available now through David Zwirner Books.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Is seeing believing? In an era of surveillance and “deepfakes” and camera phones, images are more powerful—and fraught—than they’ve ever been. The poet and writer David Levi Strauss, an authority on photography and its effect in society, and the renowned anthropologist Michael Taussig investigate this timely question, spurred by Strauss’s new book, <em>Photography and Belief</em>. </p><p><br></p><p><em>Photography and Belief </em><a href="https://davidzwirnerbooks.com/product/photography-and-belief">is available now</a> through David Zwirner Books.</p>]]>
      </content:encoded>
      <itunes:duration>2400</itunes:duration>
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    </item>
    <item>
      <title>Episode 28 | Sofia Coppola and Rainer Judd</title>
      <description>An intimate conversation between old friends who’ve leaned on each other creatively since they were teenagers. Rainer Judd, a filmmaker, artist, and president of Judd Foundation, and the Oscar-winning filmmaker Sofia Coppola talk about growing up with larger-than-life fathers in Donald Judd and Francis Ford Coppola, the necessity of creative “puttering,” and Coppola’s new film On the Rocks, featuring an art world bon vivant played by Bill Murray. 

You can watch On the Rocks now on Apple TV+. And you can visit Artworks: 1970–1994, a survey exhibition devoted to Donald Judd, at our 19th Street gallery in New York through December 12.</description>
      <pubDate>Wed, 02 Dec 2020 15:48:31 -0000</pubDate>
      <itunes:title>Sofia Coppola and Rainer Judd</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>An intimate conversation between old friends who’ve leaned on each other creatively since they were teenagers.</itunes:subtitle>
      <itunes:summary>An intimate conversation between old friends who’ve leaned on each other creatively since they were teenagers. Rainer Judd, a filmmaker, artist, and president of Judd Foundation, and the Oscar-winning filmmaker Sofia Coppola talk about growing up with larger-than-life fathers in Donald Judd and Francis Ford Coppola, the necessity of creative “puttering,” and Coppola’s new film On the Rocks, featuring an art world bon vivant played by Bill Murray. 

You can watch On the Rocks now on Apple TV+. And you can visit Artworks: 1970–1994, a survey exhibition devoted to Donald Judd, at our 19th Street gallery in New York through December 12.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An intimate conversation between old friends who’ve leaned on each other creatively since they were teenagers. Rainer Judd, a filmmaker, artist, and president of Judd Foundation, and the Oscar-winning filmmaker Sofia Coppola talk about growing up with larger-than-life fathers in Donald Judd and Francis Ford Coppola, the necessity of creative “puttering,” and Coppola’s new film On the Rocks, featuring an art world bon vivant played by Bill Murray. </p><p><br></p><p>You can <a href="https://tv.apple.com/us/movie/on-the-rocks/umc.cmc.1mydlea6wicrm013138speg6m">watch On the Rocks</a> now on Apple TV+. And you can <a href="https://www.davidzwirner.com/exhibitions/donald-judd-artworks-1970-to-1994">visit <em>Artworks: 1970–1994</em>,</a> a survey exhibition devoted to Donald Judd, at our 19th Street gallery in New York through December 12.</p>]]>
      </content:encoded>
      <itunes:duration>2255</itunes:duration>
      <guid isPermaLink="false"><![CDATA[98497f4a-34b5-11eb-bff6-b7415884813b]]></guid>
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    <item>
      <title>Episode 27 | KAWS</title>
      <description>The artist KAWS’s output has been both wide-ranging and radically democratic, from toys to fashion to street art to museum exhibitions. In this conversation, he explains the vision behind one of his latest ventures, an experiment in augmented reality art making in collaboration with the curator Daniel Birnbaum, which both brings his work to a wider public and offers ideas for an especially timely problem: how to present art virtually. 
KAWS AR artworks are viewable through the Acute Art app.</description>
      <pubDate>Tue, 24 Nov 2020 22:43:37 -0000</pubDate>
      <itunes:title>KAWS</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>The artist KAWS’s output has been both wide-ranging and radically democratic,</itunes:subtitle>
      <itunes:summary>The artist KAWS’s output has been both wide-ranging and radically democratic, from toys to fashion to street art to museum exhibitions. In this conversation, he explains the vision behind one of his latest ventures, an experiment in augmented reality art making in collaboration with the curator Daniel Birnbaum, which both brings his work to a wider public and offers ideas for an especially timely problem: how to present art virtually. 
KAWS AR artworks are viewable through the Acute Art app.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The artist KAWS’s output has been both wide-ranging and radically democratic, from toys to fashion to street art to museum exhibitions. In this conversation, he explains the vision behind one of his latest ventures, an experiment in augmented reality art making in collaboration with the curator Daniel Birnbaum, which both brings his work to a wider public and offers ideas for an especially timely problem: how to present art virtually. </p><p>KAWS AR artworks are viewable through <a href="https://acuteart.com/artist/kaws/">the Acute Art app</a>.</p>]]>
      </content:encoded>
      <itunes:duration>1676</itunes:duration>
      <guid isPermaLink="false"><![CDATA[412d16fa-2e7e-11eb-819f-c70c2a914f0d]]></guid>
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    <item>
      <title>Episode 26 | Doon Arbus and Barbara Epler</title>
      <link>https://www.davidzwirner.com/podcast#/doon-arbus-and-barbara-epler--podcast-a865d810-a1cc-413b-9e99-22cfbc8b7339</link>
      <description>A conversation about the power of editors and curators, and all that happens behind the scenes. Doon Arbus, the author of the new novel The Caretaker, and her editor Barbara Epler, the head of the famed publisher New Directions, tell the origin stories of Arbus’s debut novel about the caretaker of an eccentric museum, and the tiny literary house that became the first American publisher of Neruda, Bolaño, W.G. Sebald, Anne Carson, and many more.

The Caretaker is available now.</description>
      <pubDate>Wed, 18 Nov 2020 14:08:00 -0000</pubDate>
      <itunes:title>Doon Arbus and Barbara Epler</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle> Doon Arbus is the author of 'The Caretaker' and her editor Barbara Epler is the head of the publisher New Directions</itunes:subtitle>
      <itunes:summary>A conversation about the power of editors and curators, and all that happens behind the scenes. Doon Arbus, the author of the new novel The Caretaker, and her editor Barbara Epler, the head of the famed publisher New Directions, tell the origin stories of Arbus’s debut novel about the caretaker of an eccentric museum, and the tiny literary house that became the first American publisher of Neruda, Bolaño, W.G. Sebald, Anne Carson, and many more.

The Caretaker is available now.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A conversation about the power of editors and curators, and all that happens behind the scenes. Doon Arbus, the author of the new novel <em>The Caretaker</em>, and her editor Barbara Epler, the head of the famed publisher New Directions, tell the origin stories of Arbus’s debut novel about the caretaker of an eccentric museum, and the tiny literary house that became the first American publisher of Neruda, Bolaño, W.G. Sebald, Anne Carson, and many more.</p><p><br></p><p><em>The Caretaker </em>is<a href="https://www.ndbooks.com/book/the-caretaker/#/"> available now</a>.</p>]]>
      </content:encoded>
      <itunes:duration>1845</itunes:duration>
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    <item>
      <title>Episode 25 | Njideka Akunyili Crosby and Tsitsi Dangarembga</title>
      <description>A moving, complicated, and at times ecstatic conversation between two groundbreaking women. The artist Njideka Akunyili Crosby, who was raised in Nigeria and now lives in Los Angeles, and the Booker Prize-nominated writer and filmmaker Tsitsi Dangarembga, who was born in Zimbabwe and educated in England, examine their personal experiences with protest, government corruption, Trump’s America, the erosion of indigenous culture, and ongoing missions to center their African and immigrant stories in their art.
Dangarembga’s new novel, This Mournable Body, was recently shortlisted for a 2020 Booker Prize. In July, Dangarembga was arrested in Zimbabwe, protesting government corruption. She’s currently out on bail, but her trial is still pending.</description>
      <pubDate>Thu, 12 Nov 2020 02:52:00 -0000</pubDate>
      <itunes:title>Njideka Akunyili Crosby and Tsitsi Dangarembga</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>The artist Njideka Akunyili Crosby and the Booker Prize-nominated writer and filmmaker Tsitsi Dangarembga.</itunes:subtitle>
      <itunes:summary>A moving, complicated, and at times ecstatic conversation between two groundbreaking women. The artist Njideka Akunyili Crosby, who was raised in Nigeria and now lives in Los Angeles, and the Booker Prize-nominated writer and filmmaker Tsitsi Dangarembga, who was born in Zimbabwe and educated in England, examine their personal experiences with protest, government corruption, Trump’s America, the erosion of indigenous culture, and ongoing missions to center their African and immigrant stories in their art.
Dangarembga’s new novel, This Mournable Body, was recently shortlisted for a 2020 Booker Prize. In July, Dangarembga was arrested in Zimbabwe, protesting government corruption. She’s currently out on bail, but her trial is still pending.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A moving, complicated, and at times ecstatic conversation between two groundbreaking women. The artist Njideka Akunyili Crosby, who was raised in Nigeria and now lives in Los Angeles, and the Booker Prize-nominated writer and filmmaker Tsitsi Dangarembga, who was born in Zimbabwe and educated in England, examine their personal experiences with protest, government corruption, Trump’s America, the erosion of indigenous culture, and ongoing missions to center their African and immigrant stories in their art.</p><p>Dangarembga’s new novel, <em>This Mournable Body</em>, was recently <a href="https://thebookerprizes.com/books/mournable-body-by-tsitsi-dangarembga">shortlisted for a 2020 Booker Prize</a>. In July, Dangarembga was arrested in Zimbabwe, protesting government corruption. She’s currently out on bail, but her trial is still pending.</p>]]>
      </content:encoded>
      <itunes:duration>4697</itunes:duration>
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    <item>
      <title>Episode 24 | R. Crumb and Art Spiegelman</title>
      <description>Two icons of the comics world—and old friends—tell their cartoonist origin stories, from the psychedelics-fueled breakthroughs of the 1960s to finding their singular styles and the generational divide among the comics cognoscenti today. R. Crumb is one of the founding fathers of the alternative comics movement, and Art Spiegelman is equally influential, having authored the Pulitzer Prize-winning graphic novel Maus. </description>
      <pubDate>Thu, 21 May 2020 02:02:00 -0000</pubDate>
      <itunes:title>R. Crumb and Art Spiegelman</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>Two icons of the comics world—and old friends—tell their cartoonist origin stories</itunes:subtitle>
      <itunes:summary>Two icons of the comics world—and old friends—tell their cartoonist origin stories, from the psychedelics-fueled breakthroughs of the 1960s to finding their singular styles and the generational divide among the comics cognoscenti today. R. Crumb is one of the founding fathers of the alternative comics movement, and Art Spiegelman is equally influential, having authored the Pulitzer Prize-winning graphic novel Maus. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>Two icons of the comics world—and old friends—tell their cartoonist origin stories, from the psychedelics-fueled breakthroughs of the 1960s to finding their singular styles and the generational divide among the comics cognoscenti today. R. Crumb is one of the founding fathers of the alternative comics movement, and Art Spiegelman is equally influential, having authored the Pulitzer Prize-winning graphic novel <em>Maus</em>. </p>]]>
      </content:encoded>
      <itunes:duration>1770</itunes:duration>
      <guid isPermaLink="false"><![CDATA[bf5698ae-9b07-11ea-8e36-c3c5a7d75e3f]]></guid>
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    <item>
      <title>Episode 23 | P. Staff and Julie Tolentino</title>
      <description>A conversation between two dynamic artists and good friends, P. Staff and Julie Tolentino, whose work feels especially urgent now. Staff, who recently had a solo exhibition at the Serpentine Galleries in London, uses video and other mediums to comment on body politics from a queer and trans perspective. Tolentino also addresses issues facing marginalized groups, through performance that combines her dance background with social exchange. Always integral to their practices, these concerns are only heightened in the current moment. Here, they discuss contagion, toxicity, anxiety, the “leaky body,” and art during the pandemic. 

P. Staff’s work is currently on view as part of Platform: Los Angeles, an online exhibition featuring thirteen Los Angeles-based galleries hosted on David Zwirner Online. You can learn more about Julie Tolentino’s work via the gallery Commonwealth and Council. </description>
      <pubDate>Wed, 13 May 2020 13:41:00 -0000</pubDate>
      <itunes:title>P. Staff and Julie Tolentino</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>A conversation between two dynamic artists and good friends, Patrick Staff and Julie Tolentino, </itunes:subtitle>
      <itunes:summary>A conversation between two dynamic artists and good friends, P. Staff and Julie Tolentino, whose work feels especially urgent now. Staff, who recently had a solo exhibition at the Serpentine Galleries in London, uses video and other mediums to comment on body politics from a queer and trans perspective. Tolentino also addresses issues facing marginalized groups, through performance that combines her dance background with social exchange. Always integral to their practices, these concerns are only heightened in the current moment. Here, they discuss contagion, toxicity, anxiety, the “leaky body,” and art during the pandemic. 

P. Staff’s work is currently on view as part of Platform: Los Angeles, an online exhibition featuring thirteen Los Angeles-based galleries hosted on David Zwirner Online. You can learn more about Julie Tolentino’s work via the gallery Commonwealth and Council. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>A conversation between two dynamic artists and good friends, P. Staff and Julie Tolentino, whose work feels especially urgent now. Staff, who recently had a solo exhibition at the Serpentine Galleries in London, uses video and other mediums to comment on body politics from a queer and trans perspective. Tolentino also addresses issues facing marginalized groups, through performance that combines her dance background with social exchange. Always integral to their practices, these concerns are only heightened in the current moment. Here, they discuss contagion, toxicity, anxiety, the “leaky body,” and art during the pandemic. </p><p><br></p><p>P. Staff’s work is currently on view as part of <a href="https://www.davidzwirner.com/viewing-room/platform-los-angeles"><em>Platform: Los Angeles</em></a>, an online exhibition featuring thirteen Los Angeles-based galleries hosted on <a href="https://www.davidzwirner.com/viewing-room">David Zwirner Online</a>. You can learn more about Julie Tolentino’s work via the gallery <a href="http://commonwealthandcouncil.com/together">Commonwealth and Council</a>. </p>]]>
      </content:encoded>
      <itunes:duration>2244</itunes:duration>
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    <item>
      <title>Episode 22 | To Venice and Rome</title>
      <description>A conversation with the acclaimed poet and New Yorker writer Cynthia Zarin that transports us to two of her favorite cities, Venice and Rome, in a celebration of Italy as the country begins to loosen the longest coronavirus-related lockdown in Europe. The episode features evocative readings from her forthcoming book,Two Cities, which captures the meditative yet constantly surprising nature of travel from a deeply personal point of view. 
Learn more about Two Cities here. </description>
      <pubDate>Wed, 06 May 2020 13:43:52 -0000</pubDate>
      <itunes:title>To Venice and Rome</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>A conversation with the acclaimed poet and New Yorker writer Cynthia Zarin </itunes:subtitle>
      <itunes:summary>A conversation with the acclaimed poet and New Yorker writer Cynthia Zarin that transports us to two of her favorite cities, Venice and Rome, in a celebration of Italy as the country begins to loosen the longest coronavirus-related lockdown in Europe. The episode features evocative readings from her forthcoming book,Two Cities, which captures the meditative yet constantly surprising nature of travel from a deeply personal point of view. 
Learn more about Two Cities here. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>A conversation with the acclaimed poet and <em>New Yorker </em>writer Cynthia Zarin that transports us to two of her favorite cities, Venice and Rome, in a celebration of Italy as the country begins to loosen the longest coronavirus-related lockdown in Europe. The episode features evocative readings from her forthcoming book,<em>Two Cities</em>, which captures the meditative yet constantly surprising nature of travel from a deeply personal point of view. </p><p>Learn more about <em>Two Cities </em><a href="https://davidzwirnerbooks.com/product/two-cities">here</a>. </p>]]>
      </content:encoded>
      <itunes:duration>1607</itunes:duration>
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    <item>
      <title>Episode 21 | Diana Thater and Rachel Rose</title>
      <description>Artists Diana Thater, a leading pioneer of video and installation and major figure in the L.A. art community since the early 1990s, and Rachel Rose, a defining new voice of the medium, discuss the rapid evolution of video art and its limitless possibilities—including, for both of them, its ability to reckon with personal trauma and threats to the environment.</description>
      <pubDate>Fri, 24 Apr 2020 16:17:00 -0000</pubDate>
      <itunes:title>Diana Thater and Rachel Rose</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>Diana Thater and Rachel Rose discuss the rapid evolution of video art and its limitless possibilities</itunes:subtitle>
      <itunes:summary>Artists Diana Thater, a leading pioneer of video and installation and major figure in the L.A. art community since the early 1990s, and Rachel Rose, a defining new voice of the medium, discuss the rapid evolution of video art and its limitless possibilities—including, for both of them, its ability to reckon with personal trauma and threats to the environment.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Artists Diana Thater, a leading pioneer of video and installation and major figure in the L.A. art community since the early 1990s, and Rachel Rose, a defining new voice of the medium, discuss the rapid evolution of video art and its limitless possibilities—including, for both of them, its ability to reckon with personal trauma and threats to the environment.</p>]]>
      </content:encoded>
      <itunes:duration>2411</itunes:duration>
      <guid isPermaLink="false"><![CDATA[ee082eea-8646-11ea-aa96-d31b9159aca5]]></guid>
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      <title>Episode 20 | Minimalism Today</title>
      <description>A timely conversation with the art critic Kyle Chayka, author of The Longing for Less: Living with Minimalism, on how minimalism went from radical 1960s art movement to, ironically, a hyper-commercialized lifestyle adopted by luxury brands and millennials everywhere—and where Marie Kondo and Agnes Martin overlap, if at all. 

During this time, we’re evolving to give you even more to listen to, with one-on-one episodes with the people—and on the subjects—we find compelling now. Please stay tuned.

You can buy Chayka’s book here. </description>
      <pubDate>Tue, 14 Apr 2020 23:36:08 -0000</pubDate>
      <itunes:title>Minimalism Today</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>A conversation with the art critic Kyle Chayka,</itunes:subtitle>
      <itunes:summary>A timely conversation with the art critic Kyle Chayka, author of The Longing for Less: Living with Minimalism, on how minimalism went from radical 1960s art movement to, ironically, a hyper-commercialized lifestyle adopted by luxury brands and millennials everywhere—and where Marie Kondo and Agnes Martin overlap, if at all. 

During this time, we’re evolving to give you even more to listen to, with one-on-one episodes with the people—and on the subjects—we find compelling now. Please stay tuned.

You can buy Chayka’s book here. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>A timely conversation with the art critic Kyle Chayka, author of <em>The Longing for Less: Living with Minimalism, </em>on how minimalism went from radical 1960s art movement to, ironically, a hyper-commercialized lifestyle adopted by luxury brands and millennials everywhere—and where Marie Kondo and Agnes Martin overlap, if at all. </p><p><br></p><p>During this time, we’re evolving to give you even more to listen to, with one-on-one episodes with the people—and on the subjects—we find compelling now. Please stay tuned.</p><p><br></p><p><em>You can buy Chayka’s book </em><a href="https://www.amazon.com/Longing-Less-Living-Minimalism/dp/163557210X"><em>here</em></a>. </p><p><br></p>]]>
      </content:encoded>
      <itunes:duration>1748</itunes:duration>
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    <item>
      <title>Episode 19 | Antwaun Sargent and Tyler Mitchell</title>
      <description>Photographer Tyler Mitchell and critic/curator Antwaun Sargent on the radical power shift from gatekeepers to artists, the breakdown of barriers between fashion and art photography, cautionary tales of social media groupthink and overexposure, and historical artists who made the new black vanguard possible.</description>
      <pubDate>Tue, 07 Apr 2020 23:45:00 -0000</pubDate>
      <itunes:title>Antwaun Sargent and Tyler Mitchell</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>Photographer Tyler Mitchell and critic/curator Antwaun Sargent on the new black vanguard</itunes:subtitle>
      <itunes:summary>Photographer Tyler Mitchell and critic/curator Antwaun Sargent on the radical power shift from gatekeepers to artists, the breakdown of barriers between fashion and art photography, cautionary tales of social media groupthink and overexposure, and historical artists who made the new black vanguard possible.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Photographer Tyler Mitchell and critic/curator Antwaun Sargent on the radical power shift from gatekeepers to artists, the breakdown of barriers between fashion and art photography, cautionary tales of social media groupthink and overexposure, and historical artists who made the new black vanguard possible.</p>]]>
      </content:encoded>
      <itunes:duration>2691</itunes:duration>
      <guid isPermaLink="false"><![CDATA[54d764ae-7929-11ea-a907-4702075d9185]]></guid>
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    </item>
    <item>
      <title>Episode 18 | On Noah Davis: Helen Molesworth, Kahlil Joseph, and Karon Davis</title>
      <description>A special episode dedicated to the late artist Noah Davis, with some of the the people who knew him best. The curator Helen Molesworth, his brother, the filmmaker Kahlil Joseph, and his wife, the artist Karon Davis, remember Davis, whose legacy continues to grow—through his paintings, which depict everyday life with emotional and formal ambition; The Underground Museum, the space he founded in Los Angeles that combines many different worlds; and the family, literal and figurative, that coalesced around the magnetism of his personality.
You can learn more about Davis here.</description>
      <pubDate>Wed, 01 Apr 2020 00:05:00 -0000</pubDate>
      <itunes:title>On Noah Davis: Helen Molesworth, Kahlil Joseph, and Karon Davis</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>A special episode dedicated to the late artist Noah Davis</itunes:subtitle>
      <itunes:summary>A special episode dedicated to the late artist Noah Davis, with some of the the people who knew him best. The curator Helen Molesworth, his brother, the filmmaker Kahlil Joseph, and his wife, the artist Karon Davis, remember Davis, whose legacy continues to grow—through his paintings, which depict everyday life with emotional and formal ambition; The Underground Museum, the space he founded in Los Angeles that combines many different worlds; and the family, literal and figurative, that coalesced around the magnetism of his personality.
You can learn more about Davis here.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A special episode dedicated to the late artist Noah Davis, with some of the the people who knew him best. The curator Helen Molesworth, his brother, the filmmaker Kahlil Joseph, and his wife, the artist Karon Davis, remember Davis, whose legacy continues to grow—through his paintings, which depict everyday life with emotional and formal ambition; The Underground Museum, the space he founded in Los Angeles that combines many different worlds; and the family, literal and figurative, that coalesced around the magnetism of his personality.</p><p>You can learn more about Davis <a href="https://www.https://www.davidzwirner.com/artists/noah-davis">here</a>.</p>]]>
      </content:encoded>
      <itunes:duration>3066</itunes:duration>
      <guid isPermaLink="false"><![CDATA[71f292d0-73a1-11ea-9eed-739724b5377f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI4138132087.mp3?updated=1585706179" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Episode 17 | Mamma Andersson and Jockum Nordström</title>
      <description>A rare conversation between artists who have stayed together for over three decades. The Swedish artist Karin “Mamma” Andersson and her husband Jockum Nordström’s story—of two young artists leaning on each other as their family grew; of uncertainty and insecurity and figuring out how to be different but together; of the pleasure of getting completely lost in one’s work—feels especially potent in these uncertain times.

Andersson’s recent exhibition at David Zwirner’s New York gallery, The Lost Paradise, was cut short due to the escalating spread of COVID-19, but you can explore the show here.</description>
      <pubDate>Wed, 25 Mar 2020 01:31:41 -0000</pubDate>
      <itunes:title>Mamma Andersson and Jockum Nordström</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>A conversation between the Swedish artist Karin “Mamma” Andersson and her husband the artist Jockum Nordström</itunes:subtitle>
      <itunes:summary>A rare conversation between artists who have stayed together for over three decades. The Swedish artist Karin “Mamma” Andersson and her husband Jockum Nordström’s story—of two young artists leaning on each other as their family grew; of uncertainty and insecurity and figuring out how to be different but together; of the pleasure of getting completely lost in one’s work—feels especially potent in these uncertain times.

Andersson’s recent exhibition at David Zwirner’s New York gallery, The Lost Paradise, was cut short due to the escalating spread of COVID-19, but you can explore the show here.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A rare conversation between artists who have stayed together for over three decades. The Swedish artist Karin “Mamma” Andersson and her husband Jockum Nordström’s story—of two young artists leaning on each other as their family grew; of uncertainty and insecurity and figuring out how to be different but together; of the pleasure of getting completely lost in one’s work—feels especially potent in these uncertain times.</p><p><br></p><p>Andersson’s recent exhibition at David Zwirner’s New York gallery, <em>The Lost Paradise</em>, was cut short due to the escalating spread of COVID-19, but you can explore the show <a href="https://www.davidzwirner.com/exhibitions/mamma-andersson-the-lost-paradise-2020">here</a>.</p>]]>
      </content:encoded>
      <itunes:duration>2803</itunes:duration>
      <guid isPermaLink="false"><![CDATA[b8202f7c-6e30-11ea-946a-579ac75a791c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI1187162450.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jeff Koons Redux</title>
      <description>In uncertain and even scary times, host Lucas Zwirner revisits the first episode of Dialogues, in which Jeff Koons and the curator Luke Syson turn to art as a way of connecting and communicating through making something—an ethos that feels even more important now. 

Soon Dialogues will return with even more episodes to stay in touch with our audience. Stay tuned for much more. </description>
      <pubDate>Thu, 19 Mar 2020 02:48:00 -0000</pubDate>
      <itunes:title>Jeff Koons Redux</itunes:title>
      <itunes:episodeType>bonus</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>A rerun of the first episode of Dialogues with Jeff Koons and curator Luke Syson</itunes:subtitle>
      <itunes:summary>In uncertain and even scary times, host Lucas Zwirner revisits the first episode of Dialogues, in which Jeff Koons and the curator Luke Syson turn to art as a way of connecting and communicating through making something—an ethos that feels even more important now. 

Soon Dialogues will return with even more episodes to stay in touch with our audience. Stay tuned for much more. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>In uncertain and even scary times, host Lucas Zwirner revisits the first episode of Dialogues, in which Jeff Koons and the curator Luke Syson turn to art as a way of connecting and communicating through making something—an ethos that feels even more important now. </p><p><br></p><p>Soon Dialogues will return with even more episodes to stay in touch with our audience. Stay tuned for much more. </p>]]>
      </content:encoded>
      <itunes:duration>1803</itunes:duration>
      <guid isPermaLink="false"><![CDATA[ff8a6232-698b-11ea-ac5a-47e38f6d0af2]]></guid>
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    <item>
      <title>Episode 16 | Doug Wheeler and Vija Celmins</title>
      <description>In this episode, the artists Doug Wheeler and Vija Celmins revisit their years in Venice Beach, California in the late 1960s, a scene crowded with figures like Charles Bukowski, Allen Ginsberg, Robert Irwin, and James Turrell. Wheeler and Celmins—old friends and visionaries of their medium—gossip, rehash, map, and even correct this vital piece of art history, while tackling a central question of art along the way: How to impress your sensibility upon the world through your work.
Vija Celmins was the subject of a recent, critically-beloved retrospective at the Met Breuer and SFMOMA. Doug Wheeler currently has an exhibition at David Zwirner in New York through March 21, 2020; a definitive monograph of his career was recently published.</description>
      <pubDate>Wed, 26 Feb 2020 00:56:00 -0000</pubDate>
      <itunes:title>Doug Wheeler and Vija Celmins</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>Doug Wheeler and Vija Celmins revisit being artists in Venice Beach, California in the 1960s</itunes:subtitle>
      <itunes:summary>In this episode, the artists Doug Wheeler and Vija Celmins revisit their years in Venice Beach, California in the late 1960s, a scene crowded with figures like Charles Bukowski, Allen Ginsberg, Robert Irwin, and James Turrell. Wheeler and Celmins—old friends and visionaries of their medium—gossip, rehash, map, and even correct this vital piece of art history, while tackling a central question of art along the way: How to impress your sensibility upon the world through your work.
Vija Celmins was the subject of a recent, critically-beloved retrospective at the Met Breuer and SFMOMA. Doug Wheeler currently has an exhibition at David Zwirner in New York through March 21, 2020; a definitive monograph of his career was recently published.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, the artists Doug Wheeler and Vija Celmins revisit their years in Venice Beach, California in the late 1960s, a scene crowded with figures like Charles Bukowski, Allen Ginsberg, Robert Irwin, and James Turrell. Wheeler and Celmins—old friends and visionaries of their medium—gossip, rehash, map, and even correct this vital piece of art history, while tackling a central question of art along the way: How to impress your sensibility upon the world through your work.</p><p>Vija Celmins was the subject of a recent, critically-beloved retrospective at the Met Breuer and SFMOMA. Doug Wheeler currently has <a href="https://www.davidzwirner.com/exhibitions/doug-wheeler-2020">an exhibition at David Zwirner</a> in New York through March 21, 2020; <a href="http://davidzwirnerbooks.com/product/doug-wheeler-1">a definitive monograph of his career</a> was recently published.</p>]]>
      </content:encoded>
      <itunes:duration>1756</itunes:duration>
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    </item>
    <item>
      <title>Dialogues Trailer</title>
      <description>Dialogues is a podcast from David Zwirner Gallery and has included guests like Doug Wheeler, Vija Celmins, Tyler Mitchell, Helen Molesworth, Kahlil Joseph, R. Crumb, and Luc Tuymans.</description>
      <pubDate>Wed, 19 Feb 2020 15:10:00 -0000</pubDate>
      <itunes:episodeType>trailer</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>Dialogues is a podcast from David Zwirner Gallery</itunes:subtitle>
      <itunes:summary>Dialogues is a podcast from David Zwirner Gallery and has included guests like Doug Wheeler, Vija Celmins, Tyler Mitchell, Helen Molesworth, Kahlil Joseph, R. Crumb, and Luc Tuymans.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dialogues is a podcast from David Zwirner Gallery and has included guests like Doug Wheeler, Vija Celmins, Tyler Mitchell, Helen Molesworth, Kahlil Joseph, R. Crumb, and Luc Tuymans.</p>]]>
      </content:encoded>
      <itunes:duration>29</itunes:duration>
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    </item>
    <item>
      <title>Episode 15 | Thom Browne and Michael Glover</title>
      <description>The designer Thom Browne and the poet and critic Michael Glover talk about the history of the codpiece in art. Glover has written a book (Thrust) on the topic and Browne's collections often include codpieces.

Show Notes:

Thom Browne


Thrust: A Spasmodic Pictorial History of the Codpiece in Art (Michael Glover, David Zwirner Books)

Attachments area


 </description>
      <pubDate>Thu, 12 Dec 2019 01:06:00 -0000</pubDate>
      <itunes:title>Thom Browne and Michael Glover</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>Designer Thom Browne talks to writer Michael Glover about codpieces</itunes:subtitle>
      <itunes:summary>The designer Thom Browne and the poet and critic Michael Glover talk about the history of the codpiece in art. Glover has written a book (Thrust) on the topic and Browne's collections often include codpieces.

Show Notes:

Thom Browne


Thrust: A Spasmodic Pictorial History of the Codpiece in Art (Michael Glover, David Zwirner Books)

Attachments area


 </itunes:summary>
      <content:encoded>
        <![CDATA[<p>The designer Thom Browne and the poet and critic Michael Glover talk about the history of the codpiece in art. Glover has written a book (<em>Thrust) </em>on the topic and Browne's collections often include codpieces.</p><p><br></p><p>Show Notes:</p><ol>
<li><a href="https://www.thombrowne.com/us">Thom Browne</a></li>
<li>
<a href="https://davidzwirnerbooks.com/product/thrust-a-spasmodic-pictorial-history-of-the-codpiece"><em>Thrust: A Spasmodic Pictorial History of the Codpiece in Ar</em></a><em>t </em>(Michael Glover, David Zwirner Books)</li>
</ol><p>Attachments area</p><p><br></p><p><br></p><p> </p>]]>
      </content:encoded>
      <itunes:duration>2091</itunes:duration>
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    <item>
      <title>Episode 14 | Eileen Myles and Flavin Judd</title>
      <description>Eileen Myles talks to Flavin Judd about Marfa past and present, a "mammoth" new novel, and Donald Judd's life and work.
Show Notes


Donald Judd Interviews (David Zwirner Books, 2019, edited by Flavin Judd and Caitlin Murray)

"MoMA Announces Donald Judd Retrospective" (March 1 -July 11, 2020 at the Museum of Modern Art)

Judd Foundation</description>
      <pubDate>Wed, 04 Dec 2019 01:11:00 -0000</pubDate>
      <itunes:title>Eileen Myles and Flavin Judd</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>Poet Eileen Myles talks to curator Flavin Judd about Marfa past and present, a "mammoth" new novel, and Donald Judd's life and work.</itunes:subtitle>
      <itunes:summary>Eileen Myles talks to Flavin Judd about Marfa past and present, a "mammoth" new novel, and Donald Judd's life and work.
Show Notes


Donald Judd Interviews (David Zwirner Books, 2019, edited by Flavin Judd and Caitlin Murray)

"MoMA Announces Donald Judd Retrospective" (March 1 -July 11, 2020 at the Museum of Modern Art)

Judd Foundation</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Eileen Myles talks to Flavin Judd about Marfa past and present, a "mammoth" new novel, and Donald Judd's life and work.</p><p><strong>Show Notes</strong></p><ul>
<li>
<a href="https://davidzwirnerbooks.com/product/donald-judd-interviews"><em>Donald Judd Interviews</em></a> (David Zwirner Books, 2019, edited by Flavin Judd and Caitlin Murray)</li>
<li>"<a href="https://www.davidzwirner.com/news/moma-announces-donald-judd-retrospective">MoMA Announces Donald Judd Retrospective</a>" (March 1 -July 11, 2020 at the Museum of Modern Art)</li>
<li><a href="https://juddfoundation.org/">Judd Foundation</a></li>
</ul>]]>
      </content:encoded>
      <itunes:duration>2038</itunes:duration>
      <guid isPermaLink="false"><![CDATA[80f9c932-1632-11ea-9661-6740f2e4acd9]]></guid>
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    </item>
    <item>
      <title>Episode 13 | Oscar Murillo and Charles Henry Rowell</title>
      <description>This episode pairs artist Oscar Murillo with the editor Charles Henry Rowell for a conversation about class, race, art, and the African cultural diaspora that is one part history lesson and one part personal history. 

Murillo is short-listed for the 2019 Turner Prize and Rowell is the founder and editor of Callalloo, the longest continuously running African-American literary journal. 

The Turner Prize exhibition runs through January 12, 2020, at Turner Contemporary in Margate, UK. (The winner will be announced on December 3.) Read more about Callaloo here. </description>
      <pubDate>Wed, 20 Nov 2019 01:06:00 -0000</pubDate>
      <itunes:title>Oscar Murillo and Charles Henry Rowell</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>The artist Oscar Murillo and the editor Charles Henry Rowell</itunes:subtitle>
      <itunes:summary>This episode pairs artist Oscar Murillo with the editor Charles Henry Rowell for a conversation about class, race, art, and the African cultural diaspora that is one part history lesson and one part personal history. 

Murillo is short-listed for the 2019 Turner Prize and Rowell is the founder and editor of Callalloo, the longest continuously running African-American literary journal. 

The Turner Prize exhibition runs through January 12, 2020, at Turner Contemporary in Margate, UK. (The winner will be announced on December 3.) Read more about Callaloo here. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode pairs artist Oscar Murillo with the editor Charles Henry Rowell for a conversation about class, race, art, and the African cultural diaspora that is one part history lesson and one part personal history. </p><p><br></p><p>Murillo is short-listed for the 2019 Turner Prize and Rowell is the founder and editor of Callalloo, the longest continuously running African-American literary journal. </p><p><br></p><p><a href="https://turnercontemporary.org/whats-on/turner-prize-2019/">The Turner Prize exhibition</a> runs through January 12, 2020, at Turner Contemporary in Margate, UK. (The winner will be announced on December 3.) Read more about <em>Callaloo </em><a href="https://callaloo.tamu.edu/">here</a>. </p>]]>
      </content:encoded>
      <itunes:duration>2114</itunes:duration>
      <guid isPermaLink="false"><![CDATA[cf5fe014-0b08-11ea-8077-43762da308b9]]></guid>
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    <item>
      <title>Episode 12 |  The Yayoi Kusama Phenomenon</title>
      <description>This episode is all about Yayoi Kusama and art in the Instagram age. JiaJia Fei, a digital guru for institutions like the Jewish Museum and the Guggenheim, and Christian Luiten, founder of the popular digital art platform Avant Arte, come together to talk authenticity vs. influence, high vs. low, art vs. accessibility, narrative vs. myth—and to diagnose the unabating online fanaticism for all things Kusama, an Instagram icon who isn’t on Instagram. </description>
      <pubDate>Thu, 07 Nov 2019 01:10:00 -0000</pubDate>
      <itunes:title>The Yayoi Kusama Phenomenon</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>JiaJia Fei and Christian Luiten</itunes:subtitle>
      <itunes:summary>This episode is all about Yayoi Kusama and art in the Instagram age. JiaJia Fei, a digital guru for institutions like the Jewish Museum and the Guggenheim, and Christian Luiten, founder of the popular digital art platform Avant Arte, come together to talk authenticity vs. influence, high vs. low, art vs. accessibility, narrative vs. myth—and to diagnose the unabating online fanaticism for all things Kusama, an Instagram icon who isn’t on Instagram. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode is all about Yayoi Kusama and art in the Instagram age. JiaJia Fei, a digital guru for institutions like the Jewish Museum and the Guggenheim, and Christian Luiten, founder of the popular digital art platform Avant Arte, come together to talk authenticity vs. influence, high vs. low, art vs. accessibility, narrative vs. myth—and to diagnose the unabating online fanaticism for all things Kusama, an Instagram icon who isn’t on Instagram. </p>]]>
      </content:encoded>
      <itunes:duration>1367</itunes:duration>
      <guid isPermaLink="false"><![CDATA[21ae8b06-00ee-11ea-ab56-038d3086abfc]]></guid>
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    </item>
    <item>
      <title>Episode 11 | Chris Ofili and Emily Wilson</title>
      <description>An epic live episode of Dialogues. In journeying deep into Homer’s Odyssey in front of an audience at David Zwirner’s 69th Street gallery in New York, artist Chris Ofili and classicist Emily Wilson encounter religion, art, personal history, gender issues, Trinidad, Greece, truth, lies. Featuring a live reading from Wilson, the first woman to translate The Odyssey into English and a 2019 MacArthur Fellow</description>
      <pubDate>Wed, 23 Oct 2019 00:36:00 -0000</pubDate>
      <itunes:title>Chris Ofili and Emily Wilson</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>A live episode with artist Chris Ofili and classicist Emily Wilson </itunes:subtitle>
      <itunes:summary>An epic live episode of Dialogues. In journeying deep into Homer’s Odyssey in front of an audience at David Zwirner’s 69th Street gallery in New York, artist Chris Ofili and classicist Emily Wilson encounter religion, art, personal history, gender issues, Trinidad, Greece, truth, lies. Featuring a live reading from Wilson, the first woman to translate The Odyssey into English and a 2019 MacArthur Fellow</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An epic live episode of Dialogues. In journeying deep into Homer’s <em>Odyssey </em>in front of an audience at David Zwirner’s 69th Street gallery in New York, artist Chris Ofili and classicist Emily Wilson encounter religion, art, personal history, gender issues, Trinidad, Greece, truth, lies. Featuring a live reading from Wilson, the first woman to translate <em>The Odyssey </em>into English and a 2019 MacArthur Fellow</p>]]>
      </content:encoded>
      <itunes:duration>1486</itunes:duration>
      <guid isPermaLink="false"><![CDATA[a3001fbc-f52c-11e9-bbad-6750a307846c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/DZI2390574581.mp3?updated=1574276540" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Episode 10 | Alex Da Corte and Charlie Fox</title>
      <description>When the artist Alex Da Corte and the writer Charlie Fox talk about Edward Scissorhands, Frankenstein, Hercules, Michael Myers, A Clockwork Orange, Scar from The Lion King, they’re also talking about beauty and body anxiety and disability and sexual attraction and queerness—the anxieties of existing physically in the world every day. Da Corte, whose elaborate videos, sculptures, and installations critically re-stage pop culture, art history, and his own life, and Fox, whose recent book This Young Monster celebrates beautiful misfits and freaks across all walks of culture, go deep on how they live—in their minds and in their work—far from what they call normative behavior. 
Visit Da Corte’s solo exhibition in New York at Karma through November 3 and his work at the Venice Biennale through November 24, in the main exhibition May You Live in Interesting Times. Buy Fox’s book This Young Monster here. </description>
      <pubDate>Wed, 09 Oct 2019 01:27:01 -0000</pubDate>
      <itunes:title>Alex Da Corte and Charlie Fox</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>Artist Alex Da Corte, whose work features in the 2019 Venice Biennale, talks to writer Charlie Fox, author of This Young Monster.</itunes:subtitle>
      <itunes:summary>When the artist Alex Da Corte and the writer Charlie Fox talk about Edward Scissorhands, Frankenstein, Hercules, Michael Myers, A Clockwork Orange, Scar from The Lion King, they’re also talking about beauty and body anxiety and disability and sexual attraction and queerness—the anxieties of existing physically in the world every day. Da Corte, whose elaborate videos, sculptures, and installations critically re-stage pop culture, art history, and his own life, and Fox, whose recent book This Young Monster celebrates beautiful misfits and freaks across all walks of culture, go deep on how they live—in their minds and in their work—far from what they call normative behavior. 
Visit Da Corte’s solo exhibition in New York at Karma through November 3 and his work at the Venice Biennale through November 24, in the main exhibition May You Live in Interesting Times. Buy Fox’s book This Young Monster here. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>When the artist Alex Da Corte and the writer Charlie Fox talk about Edward Scissorhands, Frankenstein, Hercules, Michael Myers, <em>A Clockwork Orange, </em>Scar from <em>The Lion King</em>, they’re also talking about beauty and body anxiety and disability and sexual attraction and queerness—the anxieties of existing physically in the world every day. Da Corte, whose elaborate videos, sculptures, and installations critically re-stage pop culture, art history, and his own life, and Fox, whose recent book <em>This Young Monster </em>celebrates beautiful misfits and freaks across all walks of culture, go deep on how they live—in their minds and in their work—far from what they call normative behavior. </p><p>Visit Da Corte’s solo exhibition in New York <a href="https://karmakarma.org/exhibitions/alex-da-corte-marigolds/">at Karma</a> through November 3 and his work at the Venice Biennale through November 24, in the main exhibition <em>May You Live in Interesting Times. </em>Buy Fox’s book <em>This Young Monster</em> <a href="https://fitzcarraldoeditions.com/books/this-young-monster">here</a>. </p>]]>
      </content:encoded>
      <itunes:duration>2743</itunes:duration>
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    <item>
      <title>Episode 9 | Jordan Wolfson and Jeremy O. Harris</title>
      <description>When the artist Jordan Wolfson and the playwright Jeremy O. Harris get together, sparks fly. Wolfson’s art confronts intimacy, violence, and desire with sometimes shocking honesty. Likewise, O. Harris, whose buzzed-about and radical Slave Play comes to Broadway this fall, uses music and bodies to complicate themes of violence and sex—and perhaps most powerfully of all, race and history. O. Harris is able to dip in and out of absurdity even at his most serious, something that Wolfson has also mastered in his mysterious narratives. Here, they debate and cover everything from suppression and transgression, sexuality, Lady Gaga, porn, and more.
Get tickets to Jeremy O. Harris’s Slave Play at the Golden Theatre on Broadway here.</description>
      <pubDate>Wed, 25 Sep 2019 02:13:00 -0000</pubDate>
      <itunes:title>Jordan Wolfson and Jeremy O. Harris</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>In this premiere episode of season two of Dialogues, artist Jordan Wolfson talks to award-winning playwright—and his friend—Jeremy O. Harris, whose Slave Play debuts on Broadway this Fall. </itunes:subtitle>
      <itunes:summary>When the artist Jordan Wolfson and the playwright Jeremy O. Harris get together, sparks fly. Wolfson’s art confronts intimacy, violence, and desire with sometimes shocking honesty. Likewise, O. Harris, whose buzzed-about and radical Slave Play comes to Broadway this fall, uses music and bodies to complicate themes of violence and sex—and perhaps most powerfully of all, race and history. O. Harris is able to dip in and out of absurdity even at his most serious, something that Wolfson has also mastered in his mysterious narratives. Here, they debate and cover everything from suppression and transgression, sexuality, Lady Gaga, porn, and more.
Get tickets to Jeremy O. Harris’s Slave Play at the Golden Theatre on Broadway here.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When<a href="https://www.davidzwirner.com/artists/jordan-wolfson"> the artist Jordan Wolfson</a> and<a href="https://jeremyoharris.me/"> the playwright Jeremy O. Harris</a> get together, sparks fly. Wolfson’s art confronts intimacy, violence, and desire with sometimes shocking honesty. Likewise, O. Harris, whose buzzed-about and radical <em>Slave Play</em> comes to Broadway this fall, uses music and bodies to complicate themes of violence and sex—and perhaps most powerfully of all, race and history. O. Harris is able to dip in and out of absurdity even at his most serious, something that Wolfson has also mastered in his mysterious narratives. Here, they debate and cover everything from suppression and transgression, sexuality, Lady Gaga, porn, and more.</p><p>Get tickets to Jeremy O. Harris’s <em>Slave Play </em>at the Golden Theatre on Broadway <a href="https://www.broadway.com/shows/slave-play/">here</a>.</p>]]>
      </content:encoded>
      <itunes:duration>4398</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
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      <title>Episode 8 | Hilton Als and Thelma Golden</title>
      <description>A revealing conversation about the life and teachings of James Baldwin that draws on Beauford Delaney, the pivotal role of invested teachers, and how the writer shaped the racial and cultural landscape in America.
In this episode of Dialogues, Pulitzer Prize winning cultural critic Hilton Als is joined in conversation by friend, collaborator, and thought partner Thelma Golden of The Studio Museum in Harlem for a conversation on Baldwin that traces back to their very first meeting at The Odeon. Brought together on the occasion of the exhibition God Made My Face: A Collective Portrait of James Baldwin curated by Als, the duo examine the legacy of Baldwin and his impact on both their own work and today’s culture.
God Made My Face: A Collective Portrait of James Baldwin is on view at David Zwirner, New York, through 2 PM Saturday, February 16, 2019.
For more of what’s to come on Dialogues, listen to our trailer or visit davidzwirner.com/podcast.</description>
      <pubDate>Thu, 14 Feb 2019 22:18:00 -0000</pubDate>
      <itunes:title>Hilton Als and Thelma Golden</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>In this episode of Dialogues: The David Zwirner Podcast, award-winning writer and curator Hilton Als is joined in conversation by Thelma Golden, Director and Chief Curator of The Studio Museum in Harlem.</itunes:subtitle>
      <itunes:summary>A revealing conversation about the life and teachings of James Baldwin that draws on Beauford Delaney, the pivotal role of invested teachers, and how the writer shaped the racial and cultural landscape in America.
In this episode of Dialogues, Pulitzer Prize winning cultural critic Hilton Als is joined in conversation by friend, collaborator, and thought partner Thelma Golden of The Studio Museum in Harlem for a conversation on Baldwin that traces back to their very first meeting at The Odeon. Brought together on the occasion of the exhibition God Made My Face: A Collective Portrait of James Baldwin curated by Als, the duo examine the legacy of Baldwin and his impact on both their own work and today’s culture.
God Made My Face: A Collective Portrait of James Baldwin is on view at David Zwirner, New York, through 2 PM Saturday, February 16, 2019.
For more of what’s to come on Dialogues, listen to our trailer or visit davidzwirner.com/podcast.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A revealing conversation about the life and teachings of James Baldwin that draws on Beauford Delaney, the pivotal role of invested teachers, and how the writer shaped the racial and cultural landscape in America.</p><p>In this episode of <em>Dialogues, </em>Pulitzer Prize winning cultural critic Hilton Als is joined in conversation by friend, collaborator, and thought partner Thelma Golden of The Studio Museum in Harlem for a conversation on Baldwin that traces back to their very first meeting at The Odeon. Brought together on the occasion of the exhibition <em>God Made My Face: A Collective Portrait of James Baldwin </em>curated by Als, the duo examine the legacy of Baldwin and his impact on both their own work and today’s culture.</p><p><em>God Made My Face: A Collective Portrait of James Baldwin </em>is on view at David Zwirner, New York, through 2 PM Saturday, February 16, 2019.</p><p>For more of what’s to come on <em>Dialogues</em>, listen to our trailer or visit<a href="http://davidzwirner.com/podcast"> davidzwirner.com/podcast</a>.</p>]]>
      </content:encoded>
      <itunes:duration>1797</itunes:duration>
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    <item>
      <title>Episode 7 | Nicholas Fox Weber and Paul Smith</title>
      <description>A conversation about clothing, instinct, and finding high art in everyday life that touches on Jackie O, Kandinsky, and the Bauhaus.
In this episode of Dialogues,Nicholas Fox Weber—cultural historian and executive director of The Josef and Anni Albers Foundation—is paired with acclaimed British fashion designer Sir Paul Smith. The two are brought together on the occasion of a major retrospective of Anni Albers’s work, currently on view at Tate Modern, London, to discuss Smith’s new knitwear collection inspired by her textiles. Their shared admiration for the art of Anni and Josef Albers drives an eclectic conversation about abstraction, aesthetics, and the tactile nature of design.
Anni Albers is on view at Tate Modern, London, through January 27, 2019.
Listen to Paul Smith discuss his interest in the life and work of Anni Albers at Tate Modern on Saturday, November 17, at 3 PM. For more information, visit tate.org.uk/whats-on/tate-modern/exhibition/anni-albers/paul-smith-on-anni-albers.
For more of what’s to come on Dialogues, listen to our trailer or visit davidzwirner.com/podcast.</description>
      <pubDate>Wed, 14 Nov 2018 05:00:00 -0000</pubDate>
      <itunes:title>Nicholas Fox Weber and Paul Smith</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>The seventh episode of Dialogues: The David Zwirner Podcast features Nicholas Fox Weber, executive director of The Josef and Anni Albers Foundation, in conversation with fashion designer Paul Smith</itunes:subtitle>
      <itunes:summary>A conversation about clothing, instinct, and finding high art in everyday life that touches on Jackie O, Kandinsky, and the Bauhaus.
In this episode of Dialogues,Nicholas Fox Weber—cultural historian and executive director of The Josef and Anni Albers Foundation—is paired with acclaimed British fashion designer Sir Paul Smith. The two are brought together on the occasion of a major retrospective of Anni Albers’s work, currently on view at Tate Modern, London, to discuss Smith’s new knitwear collection inspired by her textiles. Their shared admiration for the art of Anni and Josef Albers drives an eclectic conversation about abstraction, aesthetics, and the tactile nature of design.
Anni Albers is on view at Tate Modern, London, through January 27, 2019.
Listen to Paul Smith discuss his interest in the life and work of Anni Albers at Tate Modern on Saturday, November 17, at 3 PM. For more information, visit tate.org.uk/whats-on/tate-modern/exhibition/anni-albers/paul-smith-on-anni-albers.
For more of what’s to come on Dialogues, listen to our trailer or visit davidzwirner.com/podcast.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A conversation about clothing, instinct, and finding high art in everyday life that touches on Jackie O, Kandinsky, and the Bauhaus.</p><p>In this episode of <em>Dialogues</em>,Nicholas Fox Weber—cultural historian and executive director of The Josef and Anni Albers Foundation—is paired with acclaimed British fashion designer Sir Paul Smith. The two are brought together on the occasion of a major retrospective of Anni Albers’s work, currently on view at Tate Modern, London, to discuss Smith’s new knitwear collection inspired by her textiles. Their shared admiration for the art of Anni and Josef Albers drives an eclectic conversation about abstraction, aesthetics, and the tactile nature of design.</p><p><em>Anni Albers </em>is on view at Tate Modern, London, through January 27, 2019.</p><p>Listen to Paul Smith discuss his interest in the life and work of Anni Albers at Tate Modern on Saturday, November 17, at 3 PM. For more information, visit tate.org.uk/whats-on/tate-modern/exhibition/anni-albers/paul-smith-on-anni-albers.</p><p>For more of what’s to come on <em>Dialogues</em>, listen to our trailer or visit davidzwirner.com/podcast.</p>]]>
      </content:encoded>
      <itunes:duration>1991</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4922d900-e392-11e8-9727-93b9bb172af1]]></guid>
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    <item>
      <title>Episode 6 | Jarrett Earnest and Peter Schjeldahl</title>
      <description>A conversation about the intersection of art and language that grapples with loneliness, religion, and our visceral reactions in the presence of powerful art. 
In the sixth episode of Dialogues, Jarrett Earnest—author of the unprecedented overview of American art writing, What it Means to Write About Art: Interviews with art critics, just out from David Zwirner Books—converses with Peter Schjeldahl, award-winning art critic and esteemed writer for The New Yorker. Touching on Piero della Francesca, Gatsby, and autodidacticism, the two examine the depths of language, the anxiety that accompanies writing, and the value of maintaining a lighthearted approach.
See Jarrett Earnest in conversation with Peter Schjeldahl and Paul Chaat Smith on What it Means to Write About Art at the Strand Book Store on Thursday, November 1, at 7:30 PM. For tickets and more information, visit strandbooks.com/event/jarrett-earnest-what-it-means.
For more of what’s to come on Dialogues, listen to our trailer or visit davidzwirner.com/podcast.</description>
      <pubDate>Wed, 17 Oct 2018 04:00:00 -0000</pubDate>
      <itunes:title>Jarrett Earnest and Peter Schjeldahl</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>The sixth episode of Dialogues: The David Zwirner Podcast features avid writer and conversationalist Jarrett Earnest in discussion with distinguished art critic Peter Schjeldahl.</itunes:subtitle>
      <itunes:summary>A conversation about the intersection of art and language that grapples with loneliness, religion, and our visceral reactions in the presence of powerful art. 
In the sixth episode of Dialogues, Jarrett Earnest—author of the unprecedented overview of American art writing, What it Means to Write About Art: Interviews with art critics, just out from David Zwirner Books—converses with Peter Schjeldahl, award-winning art critic and esteemed writer for The New Yorker. Touching on Piero della Francesca, Gatsby, and autodidacticism, the two examine the depths of language, the anxiety that accompanies writing, and the value of maintaining a lighthearted approach.
See Jarrett Earnest in conversation with Peter Schjeldahl and Paul Chaat Smith on What it Means to Write About Art at the Strand Book Store on Thursday, November 1, at 7:30 PM. For tickets and more information, visit strandbooks.com/event/jarrett-earnest-what-it-means.
For more of what’s to come on Dialogues, listen to our trailer or visit davidzwirner.com/podcast.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A conversation about the intersection of art and language that grapples with loneliness, religion, and our visceral reactions in the presence of powerful art. </p><p>In the sixth episode of <em>Dialogues</em>, Jarrett Earnest—author of the unprecedented overview of American art writing, <em>What it Means to Write About Art: Interviews with art critics</em>, just out from David Zwirner Books—converses with Peter Schjeldahl, award-winning art critic and esteemed writer for <em>The New Yorker</em>. Touching on Piero della Francesca, Gatsby, and autodidacticism, the two examine the depths of language, the anxiety that accompanies writing, and the value of maintaining a lighthearted approach.</p><p>See Jarrett Earnest in conversation with Peter Schjeldahl and Paul Chaat Smith on <em>What it Means to Write About Art </em>at the Strand Book Store on Thursday, November 1, at 7:30 PM. For tickets and more information, visit <a href="https://www.strandbooks.com/event/jarrett-earnest-what-it-means">strandbooks.com/event/jarrett-earnest-what-it-means</a>.</p><p>For more of what’s to come on <em>Dialogues</em>, listen to our trailer or visit <a href="http://davidzwirner.com/podcast">davidzwirner.com/podcast</a>.</p>]]>
      </content:encoded>
      <itunes:duration>1642</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c14fc300-d188-11e8-ad1f-1340db1a8c6b]]></guid>
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    <item>
      <title>Episode 5 | Marcel Dzama and Will Butler</title>
      <description>A conversation about instinct in creative practice that nods to punk rock, fatherhood, and the ethics of artistic expression.
In the fifth episode of Dialogues, artist Marcel Dzama—known for his whimsical style, distinctive color palette, and varying mediums that include drawing, sculpture, film, and costume design—is paired with musician and composer Will Butler, a key member of the indie-rock band Arcade Fire. Recounting influences from their upbringings that range from Duchamp to biker culture, Vikings to variety shows, the duo discuss the role of art as a form of revolution in the current political climate. 
See Dzama’s work in the exhibition Marcel Dzama: A Jester’s Dance on view at the University of Michigan Museum of Art in Ann Arbor through September 23, 2018.
Watch Will Butler perform live in Arcade Fire, currently on tour through North America. Visit everythingnow.com for tour dates and more information.
For more of what’s to come on Dialogues, listen to our trailer or visit davidzwirner.com/podcast.</description>
      <pubDate>Wed, 29 Aug 2018 04:00:00 -0000</pubDate>
      <itunes:title>Marcel Dzama and Will Butler</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>The fifth episode of Dialogues: The David Zwirner Podcast features artist Marcel Dzama in conversation with musician, singer, and songwriter Will Butler</itunes:subtitle>
      <itunes:summary>A conversation about instinct in creative practice that nods to punk rock, fatherhood, and the ethics of artistic expression.
In the fifth episode of Dialogues, artist Marcel Dzama—known for his whimsical style, distinctive color palette, and varying mediums that include drawing, sculpture, film, and costume design—is paired with musician and composer Will Butler, a key member of the indie-rock band Arcade Fire. Recounting influences from their upbringings that range from Duchamp to biker culture, Vikings to variety shows, the duo discuss the role of art as a form of revolution in the current political climate. 
See Dzama’s work in the exhibition Marcel Dzama: A Jester’s Dance on view at the University of Michigan Museum of Art in Ann Arbor through September 23, 2018.
Watch Will Butler perform live in Arcade Fire, currently on tour through North America. Visit everythingnow.com for tour dates and more information.
For more of what’s to come on Dialogues, listen to our trailer or visit davidzwirner.com/podcast.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A conversation about instinct in creative practice that nods to punk rock, fatherhood, and the ethics of artistic expression.</p><p>In the fifth episode of <em>Dialogues</em>, artist Marcel Dzama—known for his whimsical style, distinctive color palette, and varying mediums that include drawing, sculpture, film, and costume design—is paired with musician and composer Will Butler, a key member of the indie-rock band Arcade Fire. Recounting influences from their upbringings that range from Duchamp to biker culture, Vikings to variety shows, the duo discuss the role of art as a form of revolution in the current political climate. </p><p>See Dzama’s work in the exhibition <em>Marcel Dzama: A Jester’s Dance</em> on view at the University of Michigan Museum of Art in Ann Arbor through September 23, 2018.</p><p>Watch Will Butler perform live in Arcade Fire, currently on tour through North America. Visit <a href="http://everythingnow.com/">everythingnow.com</a> for tour dates and more information.</p><p>For more of what’s to come on <em>Dialogues</em>, listen to our trailer or visit <a href="http://davidzwirner.com/podcast">davidzwirner.com/podcast</a>.</p>]]>
      </content:encoded>
      <itunes:duration>1734</itunes:duration>
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      <title>Episode 4 | Lisa Yuskavage and Tamara Jenkins</title>
      <description>A conversation about giving a voice to untold stories that draws on Jane Campion, Philip Guston, and the raw authenticity of human emotion.
The fourth episode of Dialogues: The David Zwirner Podcast features painter Lisa Yuskavage—known for her masterful portraits of nude figures and her skillful control of color—in conversation with widely celebrated screenwriter and film director Tamara Jenkins. Counterparts and close friends, Yuskavage and Jenkins discuss how personal experiences inform their creativity—touching on dark comedy, eroticism, and the importance of trusting your own vision.
View new large-scale canvases and a survey of small-scale paintings by Lisa Yuskavage in her forthcoming exhibitions, opening this November, at David Zwirner’s Chelsea and Upper East Side locations.
Watch Tamara Jenkins’s newest film, Private Life, in theaters this October.
This podcast is a partnership between David Zwirner and Slate Studios.</description>
      <pubDate>Wed, 08 Aug 2018 04:00:00 -0000</pubDate>
      <itunes:title>Lisa Yuskavage and Tamara Jenkins</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>Painter Lisa Yuskavage is paired with screenwriter and film director Tamara Jenkins</itunes:subtitle>
      <itunes:summary>A conversation about giving a voice to untold stories that draws on Jane Campion, Philip Guston, and the raw authenticity of human emotion.
The fourth episode of Dialogues: The David Zwirner Podcast features painter Lisa Yuskavage—known for her masterful portraits of nude figures and her skillful control of color—in conversation with widely celebrated screenwriter and film director Tamara Jenkins. Counterparts and close friends, Yuskavage and Jenkins discuss how personal experiences inform their creativity—touching on dark comedy, eroticism, and the importance of trusting your own vision.
View new large-scale canvases and a survey of small-scale paintings by Lisa Yuskavage in her forthcoming exhibitions, opening this November, at David Zwirner’s Chelsea and Upper East Side locations.
Watch Tamara Jenkins’s newest film, Private Life, in theaters this October.
This podcast is a partnership between David Zwirner and Slate Studios.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A conversation about giving a voice to untold stories that draws on Jane Campion, Philip Guston, and the raw authenticity of human emotion.</p><p>The fourth episode of <em>Dialogues: The David Zwirner Podcast </em>features painter Lisa Yuskavage—known for her masterful portraits of nude figures and her skillful control of color—in conversation with widely celebrated screenwriter and film director Tamara Jenkins. Counterparts and close friends, Yuskavage and Jenkins discuss how personal experiences inform their creativity—touching on dark comedy, eroticism, and the importance of trusting your own vision.</p><p>View new large-scale canvases and a survey of small-scale paintings by Lisa Yuskavage in her forthcoming exhibitions, opening this November, at David Zwirner’s Chelsea and Upper East Side locations.</p><p>Watch Tamara Jenkins’s newest film, <em>Private Life</em>, in theaters this October.</p><p>This podcast is a partnership between David Zwirner and Slate Studios.</p>]]>
      </content:encoded>
      <itunes:duration>1895</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[83cafe42-9a73-11e8-b9d7-6348af0d16b0]]></guid>
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    <item>
      <title>Episode 3 | Stan Douglas and Jason Moran</title>
      <description>A conversation about collaboration and the obsessive power of good music—touching on Netflix, Kendrick Lamar, and what it’s like to play with Miles Davis. 
In the third episode of Dialogues: The David Zwirner Podcast, photographer and multimedia artist Stan Douglas speaks with MacArthur Award–winning pianist and composer Jason Moran—currently Artistic Director for Jazz at the Kennedy Center—about making and experiencing art. These longtime friends and collaborators discuss what it means to awaken ideas through the language of improvisation and exceed viewer expectations.
See Douglas’s work in Shape of Light: 100 Years of Photography and Abstract Art at Tate Modern, London, and I Was Raised on the Internet at the Museum of Contemporary Art Chicago, both on view through October 14, 2018.
Watch Jason Moran perform with saxophonist Charles Lloyd on August 4 and 5 at the Newport Jazz Festival in Rhode Island. For tickets and more information visit newportjazz.org.</description>
      <pubDate>Wed, 25 Jul 2018 04:00:00 -0000</pubDate>
      <itunes:title>Stan Douglas and Jason Moran</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>Photographer Stan Douglas in conversation with composer and pianist Jason Moran.</itunes:subtitle>
      <itunes:summary>A conversation about collaboration and the obsessive power of good music—touching on Netflix, Kendrick Lamar, and what it’s like to play with Miles Davis. 
In the third episode of Dialogues: The David Zwirner Podcast, photographer and multimedia artist Stan Douglas speaks with MacArthur Award–winning pianist and composer Jason Moran—currently Artistic Director for Jazz at the Kennedy Center—about making and experiencing art. These longtime friends and collaborators discuss what it means to awaken ideas through the language of improvisation and exceed viewer expectations.
See Douglas’s work in Shape of Light: 100 Years of Photography and Abstract Art at Tate Modern, London, and I Was Raised on the Internet at the Museum of Contemporary Art Chicago, both on view through October 14, 2018.
Watch Jason Moran perform with saxophonist Charles Lloyd on August 4 and 5 at the Newport Jazz Festival in Rhode Island. For tickets and more information visit newportjazz.org.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A conversation about collaboration and the obsessive power of good music—touching on Netflix, Kendrick Lamar, and what it’s like to play with Miles Davis. </p><p>In the third episode of <em>Dialogues: The David Zwirner Podcast</em>, photographer and multimedia artist Stan Douglas speaks with MacArthur Award–winning pianist and composer Jason Moran—currently Artistic Director for Jazz at the Kennedy Center—about making and experiencing art. These longtime friends and collaborators discuss what it means to awaken ideas through the language of improvisation and exceed viewer expectations.</p><p>See Douglas’s work in <em>Shape of Light: 100 Years of Photography and Abstract Art</em> at Tate Modern, London, and <em>I Was Raised on the Internet</em> at the Museum of Contemporary Art Chicago, both on view through October 14, 2018.</p><p>Watch Jason Moran perform with saxophonist Charles Lloyd on August 4 and 5 at the Newport Jazz Festival in Rhode Island. For tickets and more information visit <a href="http://www.newportjazz.org/">newportjazz.org</a>.</p>]]>
      </content:encoded>
      <itunes:duration>1588</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Episode 2 | Rose Wylie and Russell Tovey</title>
      <description>A conversation about the importance of character, the value of mistakes, and painting from film.
In the second pairing in David Zwirner’s Dialogues series, the critically-acclaimed painter—and recent recipient of the Queen’s OBE award—Rose Wylie talks with the actor Russell Tovey from BBC’s Being Human and HBO’s Looking. Wylie, an admirer of cinema, and Tovey, a fan and collector of Wylie’s work, engage in a conversation about improvisation, instincts, and creative influences that T Magazine describes as “charmingly off-the-cuff.”
You can view Rose Wylie: Hullo, Hullo . . . at the Centro de Arte Contemporáneo in Málaga, Spain through September 9 and Rose Wylie: History Painting at Newlyn Art Gallery &amp; The Exchange through September 15, 2018.</description>
      <pubDate>Wed, 11 Jul 2018 04:00:00 -0000</pubDate>
      <itunes:title>Rose Wylie and Russell Tovey</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>The artist Rose Wylie in conversation with actor Russell Tovey</itunes:subtitle>
      <itunes:summary>A conversation about the importance of character, the value of mistakes, and painting from film.
In the second pairing in David Zwirner’s Dialogues series, the critically-acclaimed painter—and recent recipient of the Queen’s OBE award—Rose Wylie talks with the actor Russell Tovey from BBC’s Being Human and HBO’s Looking. Wylie, an admirer of cinema, and Tovey, a fan and collector of Wylie’s work, engage in a conversation about improvisation, instincts, and creative influences that T Magazine describes as “charmingly off-the-cuff.”
You can view Rose Wylie: Hullo, Hullo . . . at the Centro de Arte Contemporáneo in Málaga, Spain through September 9 and Rose Wylie: History Painting at Newlyn Art Gallery &amp; The Exchange through September 15, 2018.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A conversation about the importance of character, the value of mistakes, and painting from film.</p><p>In the second pairing in David Zwirner’s Dialogues series, the critically-acclaimed painter—and recent recipient of the Queen’s OBE award—Rose Wylie talks with the actor Russell Tovey from BBC’s <em>Being Human</em> and HBO’s <em>Looking</em>. Wylie, an admirer of cinema, and Tovey, a fan and collector of Wylie’s work, engage in a conversation about improvisation, instincts, and creative influences that <em>T Magazine</em> describes as “charmingly off-the-cuff.”</p><p>You can view <em>Rose Wylie: Hullo, Hullo . . . </em>at the Centro de Arte Contemporáneo in Málaga, Spain through September 9 and <em>Rose Wylie: History Painting </em>at Newlyn Art Gallery &amp; The Exchange through September 15, 2018.</p>]]>
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      <itunes:duration>1749</itunes:duration>
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      <title>Episode 1 | Jeff Koons and Luke Syson</title>
      <description>A conversation about Duchamp, Michael Jackson, the allure of the Renaissance in the age of Instagram, and more.
In the debut episode of David Zwirner’s new podcast, world-renowned artist Jeff Koons talks with Luke Syson, Chairman of European Sculpture and Decorative Arts at The Metropolitan Museum of Art. Their far-ranging exchange touches on creative impulse and resisting elitism; polychromy and Pop culture; Plato’s cave and the iPhone; evolution and reality TV.
View Koons’s work at the Met Breuer, New York in “Like Life: Sculpture, Color, and the Body (1300–Now),” curated by Syson and Sheena Wagstaff, Leonard A. Lauder Chairman of Modern and Contemporary Art at the Metropolitan Museum of Art, through July 22, 2018.</description>
      <pubDate>Wed, 27 Jun 2018 04:00:00 -0000</pubDate>
      <itunes:title>Jeff Koons and Luke Syson</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:author>David Zwirner</itunes:author>
      <itunes:subtitle>Listen to the inaugural episode of Dialogues: The David Zwirner Podcast, featuring artist Jeff Koons and curator Luke Syson.</itunes:subtitle>
      <itunes:summary>A conversation about Duchamp, Michael Jackson, the allure of the Renaissance in the age of Instagram, and more.
In the debut episode of David Zwirner’s new podcast, world-renowned artist Jeff Koons talks with Luke Syson, Chairman of European Sculpture and Decorative Arts at The Metropolitan Museum of Art. Their far-ranging exchange touches on creative impulse and resisting elitism; polychromy and Pop culture; Plato’s cave and the iPhone; evolution and reality TV.
View Koons’s work at the Met Breuer, New York in “Like Life: Sculpture, Color, and the Body (1300–Now),” curated by Syson and Sheena Wagstaff, Leonard A. Lauder Chairman of Modern and Contemporary Art at the Metropolitan Museum of Art, through July 22, 2018.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A conversation about Duchamp, Michael Jackson, the allure of the Renaissance in the age of Instagram, and more.</p><p>In the debut episode of David Zwirner’s new podcast, world-renowned artist Jeff Koons talks with Luke Syson, Chairman of European Sculpture and Decorative Arts at The Metropolitan Museum of Art. Their far-ranging exchange touches on creative impulse and resisting elitism; polychromy and Pop culture; Plato’s cave and the iPhone; evolution and reality TV.</p><p>View Koons’s work at the Met Breuer, New York in “<em>Like Life: Sculpture, Color, and the Body (1300–Now)</em>,<a href="https://www.metmuseum.org/exhibitions/listings/2018/like-life">”</a> curated by Syson and Sheena Wagstaff, Leonard A. Lauder Chairman of Modern and Contemporary Art at the Metropolitan Museum of Art, through July 22, 2018.</p><p><br></p>]]>
      </content:encoded>
      <itunes:duration>1783</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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