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    <title>Cinemakers</title>
    <link>https://www.cageclub.me</link>
    <language>en-us</language>
    <copyright>℗ &amp; © 2017 The CageClub Podcast Network</copyright>
    <description>Cinemakers steps behind the camera to follow directors through their careers from their start to the present. Presented by the CageClub Podcast Network.</description>
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      <title>Cinemakers</title>
      <link>https://www.cageclub.me</link>
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    <itunes:explicit>yes</itunes:explicit>
    <itunes:type>episodic</itunes:type>
    <itunes:subtitle>Director by director. Film by film.</itunes:subtitle>
    <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
    <itunes:summary>Cinemakers steps behind the camera to follow directors through their careers from their start to the present. Presented by the CageClub Podcast Network.</itunes:summary>
    <content:encoded>
      <![CDATA[<p>Cinemakers steps behind the camera to follow directors through their careers from their start to the present. Presented by the CageClub Podcast Network.</p>]]>
    </content:encoded>
    <itunes:owner>
      <itunes:name>Joey Lewandowski and Mike Manzi</itunes:name>
      <itunes:email>joey@cageclub.me</itunes:email>
    </itunes:owner>
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    <itunes:category text="TV &amp; Film">
    </itunes:category>
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      <title>057 High Flying Bird (2018)</title>
      <description>It’s been a while since we covered a Steven Soderbergh movie on Cinemakers, but he’s been busy! Today, we’re talking about High Flying Bird. Like Unsane, Soderbergh shot the entire thing on an iPhone. We discuss whether or not this works, what we think of his use of natural lighting, and what other ways he may try to shake up Hollywood. We also talk about Soderbergh’s return to the American Dream as narrative fuel, and wonder if any other directors would ever make a movie about basketball with virtually no basketball. Also, stay tuned for an updated/revised schedule for Cinemakers! If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</description>
      <pubDate>Mon, 03 Jun 2019 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>34</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/de5fa44e-ac18-11ea-820d-0b1f9d0caff1/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>"How do you show a man that you matter to him?"</itunes:subtitle>
      <itunes:summary>It’s been a while since we covered a Steven Soderbergh movie on Cinemakers, but he’s been busy! Today, we’re talking about High Flying Bird. Like Unsane, Soderbergh shot the entire thing on an iPhone. We discuss whether or not this works, what we think of his use of natural lighting, and what other ways he may try to shake up Hollywood. We also talk about Soderbergh’s return to the American Dream as narrative fuel, and wonder if any other directors would ever make a movie about basketball with virtually no basketball. Also, stay tuned for an updated/revised schedule for Cinemakers! If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s been a while since we covered a Steven Soderbergh movie on Cinemakers, but he’s been busy! Today, we’re talking about High Flying Bird. Like Unsane, Soderbergh shot the entire thing on an iPhone. We discuss whether or not this works, what we think of his use of natural lighting, and what other ways he may try to shake up Hollywood. We also talk about Soderbergh’s return to the American Dream as narrative fuel, and wonder if any other directors would ever make a movie about basketball with virtually no basketball. Also, stay tuned for an updated/revised schedule for Cinemakers! If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</p>]]>
      </content:encoded>
      <itunes:duration>2472</itunes:duration>
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      <title>056 Matt Stuertz: RWD (2015) and Tonight She Comes (2016) + Director Interview!</title>
      <description>Before we begin our next Cinemakers series, we're taking a quick detour for another one-shot and some catch-up. In this episode, Mike and Joey talk about RWD and Tonight She Comes, then welcome in director Matt Stuertz for an interview and chat! We break down the found footage film RWD, then Matt's blood-soaked (and disgusting) follow-up, Tonight She Comes. How did Matt's filmmaking evolve from one film to the next? What was shooting the films like? What's he got coming next? Stay tuned to find out all of these answers, plus what's in store for the near future of Cinemakers! If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</description>
      <pubDate>Mon, 06 May 2019 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/de9da44c-ac18-11ea-820d-db8a41536d99/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Kill your past. Rewind your future.</itunes:subtitle>
      <itunes:summary>Before we begin our next Cinemakers series, we're taking a quick detour for another one-shot and some catch-up. In this episode, Mike and Joey talk about RWD and Tonight She Comes, then welcome in director Matt Stuertz for an interview and chat! We break down the found footage film RWD, then Matt's blood-soaked (and disgusting) follow-up, Tonight She Comes. How did Matt's filmmaking evolve from one film to the next? What was shooting the films like? What's he got coming next? Stay tuned to find out all of these answers, plus what's in store for the near future of Cinemakers! If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Before we begin our next Cinemakers series, we're taking a quick detour for another one-shot and some catch-up. In this episode, Mike and Joey talk about RWD and Tonight She Comes, then welcome in director Matt Stuertz for an interview and chat! We break down the found footage film RWD, then Matt's blood-soaked (and disgusting) follow-up, Tonight She Comes. How did Matt's filmmaking evolve from one film to the next? What was shooting the films like? What's he got coming next? Stay tuned to find out all of these answers, plus what's in store for the near future of Cinemakers! If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</p>]]>
      </content:encoded>
      <itunes:duration>5428</itunes:duration>
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      <title>055 Amy Heckerling: Red Oaks (2014-2017)</title>
      <description>We're closing out the Amy Heckerling of Cinemakers by chatting about the six episodes of the Amazon original series Red Oaks that she directed. In this episode, we talk about the significance and importance of her six episodes within the show's run, the show's evolution within its three seasons, and why it feels like this is the perfect show for her to flex her creativity and specific sensibilities. We also reflect back on the 10 episodes within this run of Cinemakers and offer a look ahead to what's coming next. If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</description>
      <pubDate>Mon, 21 Jan 2019 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>10</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
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      <itunes:subtitle>Kampai!</itunes:subtitle>
      <itunes:summary>We're closing out the Amy Heckerling of Cinemakers by chatting about the six episodes of the Amazon original series Red Oaks that she directed. In this episode, we talk about the significance and importance of her six episodes within the show's run, the show's evolution within its three seasons, and why it feels like this is the perfect show for her to flex her creativity and specific sensibilities. We also reflect back on the 10 episodes within this run of Cinemakers and offer a look ahead to what's coming next. If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We're closing out the Amy Heckerling of Cinemakers by chatting about the six episodes of the Amazon original series Red Oaks that she directed. In this episode, we talk about the significance and importance of her six episodes within the show's run, the show's evolution within its three seasons, and why it feels like this is the perfect show for her to flex her creativity and specific sensibilities. We also reflect back on the 10 episodes within this run of Cinemakers and offer a look ahead to what's coming next. If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</p>]]>
      </content:encoded>
      <itunes:duration>4776</itunes:duration>
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      <title>054 Amy Heckerling: Vamps (2012)</title>
      <description>Talking about Vamps is a bit of a bittersweet moment for this run of Cinemakers. It's Amy Heckerling's last movie (for now, anyway), but at least we manage to go out on a high note! Before we close out her official filmography next week with her run of episodes on Red Oaks, we pop out of our coffins and talk about a couple of vampire BFFs who love the 80s and don't dig on drinking human blood. In this episode, we talk about the enduring friendship between Alicia Silverstone and Krysten Ritter's characters, we admire the way Amy Heckerling is able to add new elements to the age-old vampire genre, and Cara (once again) declares that an Amy Heckerling movie to possibly be her favorite of all-time. If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</description>
      <pubDate>Mon, 14 Jan 2019 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>9</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/df0dd9ec-ac18-11ea-820d-4bcbcc6575df/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Undead is not unfeeling.</itunes:subtitle>
      <itunes:summary>Talking about Vamps is a bit of a bittersweet moment for this run of Cinemakers. It's Amy Heckerling's last movie (for now, anyway), but at least we manage to go out on a high note! Before we close out her official filmography next week with her run of episodes on Red Oaks, we pop out of our coffins and talk about a couple of vampire BFFs who love the 80s and don't dig on drinking human blood. In this episode, we talk about the enduring friendship between Alicia Silverstone and Krysten Ritter's characters, we admire the way Amy Heckerling is able to add new elements to the age-old vampire genre, and Cara (once again) declares that an Amy Heckerling movie to possibly be her favorite of all-time. If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Talking about Vamps is a bit of a bittersweet moment for this run of Cinemakers. It's Amy Heckerling's last movie (for now, anyway), but at least we manage to go out on a high note! Before we close out her official filmography next week with her run of episodes on Red Oaks, we pop out of our coffins and talk about a couple of vampire BFFs who love the 80s and don't dig on drinking human blood. In this episode, we talk about the enduring friendship between Alicia Silverstone and Krysten Ritter's characters, we admire the way Amy Heckerling is able to add new elements to the age-old vampire genre, and Cara (once again) declares that an Amy Heckerling movie to possibly be her favorite of all-time. If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</p>]]>
      </content:encoded>
      <itunes:duration>3134</itunes:duration>
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      <title>053 Amy Heckerling: I Could Never Be Your Woman (2007)</title>
      <description>While the Amy Heckerling run of Cinemakers has had its ups and downs, here's some good news: I Could Never Be Your Woman is another one of the good ones! Modeled after Amy Heckerling's experiences making the Clueless TV series, I Could Never Be Your Woman follows Michelle Pfeiffer's life as TV producer, mother to the incredible Saoirse Ronan (in her first role!), and fledgling paramour to the ever-charming Paul Rudd (even if his character is deeply flawed and often ethically unchecked). This is exactly the kind of movie we were hoping for with only one more movie (Vamps) and a short run of TV directing appearances (on Red Oaks) to go before closing out this series of Cinemakers, and while it's far from perfect, it's proof (yet again) that Amy Heckerling should have the ability to make whatever kind of movie she wants! If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</description>
      <pubDate>Mon, 07 Jan 2019 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>8</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/df5a1758-ac18-11ea-820d-1f7655906d7d/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Isn't it moronic? Don't you think?</itunes:subtitle>
      <itunes:summary>While the Amy Heckerling run of Cinemakers has had its ups and downs, here's some good news: I Could Never Be Your Woman is another one of the good ones! Modeled after Amy Heckerling's experiences making the Clueless TV series, I Could Never Be Your Woman follows Michelle Pfeiffer's life as TV producer, mother to the incredible Saoirse Ronan (in her first role!), and fledgling paramour to the ever-charming Paul Rudd (even if his character is deeply flawed and often ethically unchecked). This is exactly the kind of movie we were hoping for with only one more movie (Vamps) and a short run of TV directing appearances (on Red Oaks) to go before closing out this series of Cinemakers, and while it's far from perfect, it's proof (yet again) that Amy Heckerling should have the ability to make whatever kind of movie she wants! If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While the Amy Heckerling run of Cinemakers has had its ups and downs, here's some good news: I Could Never Be Your Woman is another one of the good ones! Modeled after Amy Heckerling's experiences making the Clueless TV series, I Could Never Be Your Woman follows Michelle Pfeiffer's life as TV producer, mother to the incredible Saoirse Ronan (in her first role!), and fledgling paramour to the ever-charming Paul Rudd (even if his character is deeply flawed and often ethically unchecked). This is exactly the kind of movie we were hoping for with only one more movie (Vamps) and a short run of TV directing appearances (on Red Oaks) to go before closing out this series of Cinemakers, and while it's far from perfect, it's proof (yet again) that Amy Heckerling should have the ability to make whatever kind of movie she wants! If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</p>]]>
      </content:encoded>
      <itunes:duration>3298</itunes:duration>
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    <item>
      <title>052 Amy Heckerling: Loser (2000)</title>
      <description>Loser is not a good movie, but it isn't Amy Heckerling's fault. How could anyone but a meddling studio be blamed for this mess? According to Heckerling, new studio execs forced her to turn her R-rated comedy into a PG-13... sort of (but not really) movie that could, in theory, be filed under "comedy." This movie's kind of a mess from start to finish, but does it have any redeeming qualities? Let's see if we can find one or two... If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</description>
      <pubDate>Mon, 31 Dec 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>7</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/df8c1a3c-ac18-11ea-820d-4f5a902917d5/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Dare to be different.</itunes:subtitle>
      <itunes:summary>Loser is not a good movie, but it isn't Amy Heckerling's fault. How could anyone but a meddling studio be blamed for this mess? According to Heckerling, new studio execs forced her to turn her R-rated comedy into a PG-13... sort of (but not really) movie that could, in theory, be filed under "comedy." This movie's kind of a mess from start to finish, but does it have any redeeming qualities? Let's see if we can find one or two... If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Loser is not a good movie, but it isn't Amy Heckerling's fault. How could anyone but a meddling studio be blamed for this mess? According to Heckerling, new studio execs forced her to turn her R-rated comedy into a PG-13... sort of (but not really) movie that could, in theory, be filed under "comedy." This movie's kind of a mess from start to finish, but does it have any redeeming qualities? Let's see if we can find one or two... If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</p>]]>
      </content:encoded>
      <itunes:duration>2552</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CM052.mp3]]></guid>
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    <item>
      <title>051 Amy Heckerling: Clueless (1995)</title>
      <description>The Amy Heckerling run of Cinemakers started off at a great height with Fast Times at Ridgemont High, but there's no higher high than 1995's Clueless. (Except maybe coke. "You guys got Coke here?" Yeah, this is America.) Armed with a shared love of the movie and an entire book's worth of knowledge in Cara's head, we dive deep into the world of Clueless to discuss exactly what makes this movie so magical. (Spoiler: it's just about everything.) Join us as we rent Spar-at-a-cus, play matchmaker, and take on the Messiah of the DMV. If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</description>
      <pubDate>Mon, 24 Dec 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>6</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/dfd41b70-ac18-11ea-820d-83983fbc4cff/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>As if!</itunes:subtitle>
      <itunes:summary>The Amy Heckerling run of Cinemakers started off at a great height with Fast Times at Ridgemont High, but there's no higher high than 1995's Clueless. (Except maybe coke. "You guys got Coke here?" Yeah, this is America.) Armed with a shared love of the movie and an entire book's worth of knowledge in Cara's head, we dive deep into the world of Clueless to discuss exactly what makes this movie so magical. (Spoiler: it's just about everything.) Join us as we rent Spar-at-a-cus, play matchmaker, and take on the Messiah of the DMV. If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Amy Heckerling run of Cinemakers started off at a great height with Fast Times at Ridgemont High, but there's no higher high than 1995's Clueless. (Except maybe coke. "You guys got Coke here?" Yeah, this is America.) Armed with a shared love of the movie and an entire book's worth of knowledge in Cara's head, we dive deep into the world of Clueless to discuss exactly what makes this movie so magical. (Spoiler: it's just about everything.) Join us as we rent Spar-at-a-cus, play matchmaker, and take on the Messiah of the DMV. If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</p>]]>
      </content:encoded>
      <itunes:duration>5925</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CM051.mp3]]></guid>
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    <item>
      <title>050 Amy Heckerling: Look Who's Talking Too (1990)</title>
      <description>Look Who's Talking Too is the first of two sequels to the smash hit (and surprise delight) Look Who's Talking. But with Amy Heckerling feeling like she told the full story in the first one, where do we go from here? It turns out that the answer is a mixture of some new ideas, some retreads, and an overall darker tone than the first movie. The good news: the gang's all here, with John Travolta and Kirstie Alley and Bruce Willis all reprising their roles from the first one. The bad news: it doesn't feel like there's much of a reason for this movie to exist. In this episode, we talk about whether or not the movie is a worthy sequel, what jokes work (and what jokes didn't), and why this movie seems so intent on trying to kill its babies! If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</description>
      <pubDate>Mon, 17 Dec 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>5</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e02180d6-ac18-11ea-820d-d7653c2328ca/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Now there's TOO of them!</itunes:subtitle>
      <itunes:summary>Look Who's Talking Too is the first of two sequels to the smash hit (and surprise delight) Look Who's Talking. But with Amy Heckerling feeling like she told the full story in the first one, where do we go from here? It turns out that the answer is a mixture of some new ideas, some retreads, and an overall darker tone than the first movie. The good news: the gang's all here, with John Travolta and Kirstie Alley and Bruce Willis all reprising their roles from the first one. The bad news: it doesn't feel like there's much of a reason for this movie to exist. In this episode, we talk about whether or not the movie is a worthy sequel, what jokes work (and what jokes didn't), and why this movie seems so intent on trying to kill its babies! If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Look Who's Talking Too is the first of two sequels to the smash hit (and surprise delight) Look Who's Talking. But with Amy Heckerling feeling like she told the full story in the first one, where do we go from here? It turns out that the answer is a mixture of some new ideas, some retreads, and an overall darker tone than the first movie. The good news: the gang's all here, with John Travolta and Kirstie Alley and Bruce Willis all reprising their roles from the first one. The bad news: it doesn't feel like there's much of a reason for this movie to exist. In this episode, we talk about whether or not the movie is a worthy sequel, what jokes work (and what jokes didn't), and why this movie seems so intent on trying to kill its babies! If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</p>]]>
      </content:encoded>
      <itunes:duration>2197</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CM050.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN6656837359.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>049 Amy Heckerling: Look Who's Talking (1989)</title>
      <description>After struggling through our last two movies, Look Who's Talking is a breath of fresh air. It's also one of the weirdest movies we've talked about on a podcast in recent memory. Featuring a surprisingly likeable (or maybe not so surprising) duo in Kirstie Alley and John Travolta (plus Bruce Willis as the voice of the most wise beyond his years baby in history), Look Who's Talking is a complete and total about-face from the last two movies in Heckerling's filmography. If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</description>
      <pubDate>Mon, 10 Dec 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e0a285d2-ac18-11ea-820d-836eeb442467/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>He's hip, he's cool, and he's only 3 months old.</itunes:subtitle>
      <itunes:summary>After struggling through our last two movies, Look Who's Talking is a breath of fresh air. It's also one of the weirdest movies we've talked about on a podcast in recent memory. Featuring a surprisingly likeable (or maybe not so surprising) duo in Kirstie Alley and John Travolta (plus Bruce Willis as the voice of the most wise beyond his years baby in history), Look Who's Talking is a complete and total about-face from the last two movies in Heckerling's filmography. If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</itunes:summary>
      <content:encoded>
        <![CDATA[<p>After struggling through our last two movies, Look Who's Talking is a breath of fresh air. It's also one of the weirdest movies we've talked about on a podcast in recent memory. Featuring a surprisingly likeable (or maybe not so surprising) duo in Kirstie Alley and John Travolta (plus Bruce Willis as the voice of the most wise beyond his years baby in history), Look Who's Talking is a complete and total about-face from the last two movies in Heckerling's filmography. If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</p>]]>
      </content:encoded>
      <itunes:duration>4181</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CM049.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN3524763600.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>048 Amy Heckerling: National Lampoon's European Vacation (1985)</title>
      <description>Our tumble down the rabbit hole of Amy Heckerling's career continues as we cover National Lampoon's European Vacation. How naive we were to think that last week's movie was rough! Little did we know just how much we'd all collectively dislike our journey abroad. While Heckerling helped Robert Klane write the screenplay, the good news is that this is the final movie we're covering in this run that Heckerling does not have a writing credit on. From here on out, everything is hers (and hers alone, presumably), which will bring this series right in line with the heart and spirit of Cinemakers. In this episode, we cover this curs'd production (both on-screen and off) but quickly stray into a conversation about nostalgia and memory. It's a good chat! If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</description>
      <pubDate>Mon, 03 Dec 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e0e6751c-ac18-11ea-820d-7f6640cc2ea3/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Oink oink, my good man!</itunes:subtitle>
      <itunes:summary>Our tumble down the rabbit hole of Amy Heckerling's career continues as we cover National Lampoon's European Vacation. How naive we were to think that last week's movie was rough! Little did we know just how much we'd all collectively dislike our journey abroad. While Heckerling helped Robert Klane write the screenplay, the good news is that this is the final movie we're covering in this run that Heckerling does not have a writing credit on. From here on out, everything is hers (and hers alone, presumably), which will bring this series right in line with the heart and spirit of Cinemakers. In this episode, we cover this curs'd production (both on-screen and off) but quickly stray into a conversation about nostalgia and memory. It's a good chat! If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Our tumble down the rabbit hole of Amy Heckerling's career continues as we cover National Lampoon's European Vacation. How naive we were to think that last week's movie was rough! Little did we know just how much we'd all collectively dislike our journey abroad. While Heckerling helped Robert Klane write the screenplay, the good news is that this is the final movie we're covering in this run that Heckerling does not have a writing credit on. From here on out, everything is hers (and hers alone, presumably), which will bring this series right in line with the heart and spirit of Cinemakers. In this episode, we cover this curs'd production (both on-screen and off) but quickly stray into a conversation about nostalgia and memory. It's a good chat! If you'd like to become a member and support us on Patreon, head to patreon.com/cageclub</p>]]>
      </content:encoded>
      <itunes:duration>2652</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CM048.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN9912532756.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>047 Amy Heckerling: Johnny Dangerously (1984)</title>
      <description>Johnny Dangerously marks the second installment in our journey through Amy Heckerling's filmography. Can it live up to the wonder that was Fast Times at Ridgemont High? We dive deep (well, as deep as we can) into this movie to see which jokes landed; whether the film worked as an homage, spoof, or satire; and whether or not we just were way out of our depth by a movie set 80 years in the past. Will Amy Heckerling continue her streak of greatness or will she endure a sophomore slump? Listen to this episode of Cinemakers and find out for yourself!</description>
      <pubDate>Mon, 26 Nov 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e12692be-ac18-11ea-820d-5f71f0c824d2/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Did you know your last name's an adverb?</itunes:subtitle>
      <itunes:summary>Johnny Dangerously marks the second installment in our journey through Amy Heckerling's filmography. Can it live up to the wonder that was Fast Times at Ridgemont High? We dive deep (well, as deep as we can) into this movie to see which jokes landed; whether the film worked as an homage, spoof, or satire; and whether or not we just were way out of our depth by a movie set 80 years in the past. Will Amy Heckerling continue her streak of greatness or will she endure a sophomore slump? Listen to this episode of Cinemakers and find out for yourself!</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Johnny Dangerously marks the second installment in our journey through Amy Heckerling's filmography. Can it live up to the wonder that was Fast Times at Ridgemont High? We dive deep (well, as deep as we can) into this movie to see which jokes landed; whether the film worked as an homage, spoof, or satire; and whether or not we just were way out of our depth by a movie set 80 years in the past. Will Amy Heckerling continue her streak of greatness or will she endure a sophomore slump? Listen to this episode of Cinemakers and find out for yourself!</p>]]>
      </content:encoded>
      <itunes:duration>2239</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CM047.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN3882950804.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>046 Amy Heckerling: Fast Times at Ridgemont High (1982)</title>
      <description>Aside from critical and commercial success, Amy Heckerling shares something in common with both Steven Soderbergh and Christopher Nolan (the two previous directors we've covered on Cinemakers): her first film is one of her best. Fast Times at Ridgemont High is an incredible debut and one of the greatest (and funniest) high school films ever made. (It also marked the feature film debut of a certain actor we're pretty fond of around these parts.) We're thrilled to welcome in Cara of the Wistful Thinking podcast to talk about this run of Cinemakers, which is our first season to examine a female director's filmography. Fast Times set the tone for Amy Heckerling's career and, oh, what a way to begin!</description>
      <pubDate>Mon, 19 Nov 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e154c3b4-ac18-11ea-820d-afbf5a097a52/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Hey bud, let's party!</itunes:subtitle>
      <itunes:summary>Aside from critical and commercial success, Amy Heckerling shares something in common with both Steven Soderbergh and Christopher Nolan (the two previous directors we've covered on Cinemakers): her first film is one of her best. Fast Times at Ridgemont High is an incredible debut and one of the greatest (and funniest) high school films ever made. (It also marked the feature film debut of a certain actor we're pretty fond of around these parts.) We're thrilled to welcome in Cara of the Wistful Thinking podcast to talk about this run of Cinemakers, which is our first season to examine a female director's filmography. Fast Times set the tone for Amy Heckerling's career and, oh, what a way to begin!</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Aside from critical and commercial success, Amy Heckerling shares something in common with both Steven Soderbergh and Christopher Nolan (the two previous directors we've covered on Cinemakers): her first film is one of her best. Fast Times at Ridgemont High is an incredible debut and one of the greatest (and funniest) high school films ever made. (It also marked the feature film debut of a certain actor we're pretty fond of around these parts.) We're thrilled to welcome in Cara of the Wistful Thinking podcast to talk about this run of Cinemakers, which is our first season to examine a female director's filmography. Fast Times set the tone for Amy Heckerling's career and, oh, what a way to begin!</p>]]>
      </content:encoded>
      <itunes:duration>4651</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CM046.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN8736325238.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>045 The RKSS Collective: Turbo Kid (2015) and Summer of 84 (2018)</title>
      <description>Now that we've finished out our Cinemakers season of Christopher Nolan movies, it's time for another quick detour/one-off episode to cover two films by a trio of up-and-coming filmmakers: the RKSS Collective. Both Turbo Kid and Summer of 84 rely very heavily on nostalgia for the 1980s, but do they hold up as films or do they buckle under the overabundance of references and allusions? To answer this question, we welcome Nick Jenkins of the Reel Bad podcast, to help us break down both movies and figure out what works, what doesn't, and what might come next.</description>
      <pubDate>Fri, 19 Oct 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e1d6baea-ac18-11ea-820d-934d55283c75/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>The apocalypse has left the future in a permanent nuclear winter. The year is 1997.</itunes:subtitle>
      <itunes:summary>Now that we've finished out our Cinemakers season of Christopher Nolan movies, it's time for another quick detour/one-off episode to cover two films by a trio of up-and-coming filmmakers: the RKSS Collective. Both Turbo Kid and Summer of 84 rely very heavily on nostalgia for the 1980s, but do they hold up as films or do they buckle under the overabundance of references and allusions? To answer this question, we welcome Nick Jenkins of the Reel Bad podcast, to help us break down both movies and figure out what works, what doesn't, and what might come next.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Now that we've finished out our Cinemakers season of Christopher Nolan movies, it's time for another quick detour/one-off episode to cover two films by a trio of up-and-coming filmmakers: the RKSS Collective. Both Turbo Kid and Summer of 84 rely very heavily on nostalgia for the 1980s, but do they hold up as films or do they buckle under the overabundance of references and allusions? To answer this question, we welcome Nick Jenkins of the Reel Bad podcast, to help us break down both movies and figure out what works, what doesn't, and what might come next.</p>]]>
      </content:encoded>
      <itunes:duration>4754</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CM045.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN2001437921.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>044 Christopher Nolan: Dunkirk (2017)</title>
      <description>After ten short weeks, we've made it to the shores of Dunkirk and to the end of the Cinemakers run for Christopher Nolan. Past Cinemakers co-host Tobin Addington says Dunkirk is the only Christopher Nolan movie he loves (but he loves it enough for ten movies' worth). While your humble hosts disagree with his take on the rest of Nolan's filmography, will they agree with his take opinion of Dunkirk?</description>
      <pubDate>Mon, 17 Sep 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>10</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e2073710-ac18-11ea-820d-538f56bdd0ae/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Well done, lads. Well done.</itunes:subtitle>
      <itunes:summary>After ten short weeks, we've made it to the shores of Dunkirk and to the end of the Cinemakers run for Christopher Nolan. Past Cinemakers co-host Tobin Addington says Dunkirk is the only Christopher Nolan movie he loves (but he loves it enough for ten movies' worth). While your humble hosts disagree with his take on the rest of Nolan's filmography, will they agree with his take opinion of Dunkirk?</itunes:summary>
      <content:encoded>
        <![CDATA[<p>After ten short weeks, we've made it to the shores of Dunkirk and to the end of the Cinemakers run for Christopher Nolan. Past Cinemakers co-host Tobin Addington says Dunkirk is the only Christopher Nolan movie he loves (but he loves it enough for ten movies' worth). While your humble hosts disagree with his take on the rest of Nolan's filmography, will they agree with his take opinion of Dunkirk?</p>]]>
      </content:encoded>
      <itunes:duration>2985</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CM044.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN2737662345.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>043 Christopher Nolan: Interstellar (2014)</title>
      <description>Is Interstellar one of Christopher Nolan's best films, or is it emotionally manipulative and narratively shallow? It turns out... it depends who you ask! We're nearing the end of this run of Cinemakers (with only Dunkirk to go), and this week's episode covers Christopher Nolan's (possible) magnum opus. A sprawling nearly three-hour epic with Academy Award winners as far as the eye can see, Interstellar interwaves stories of love, loss, and outer space. Also, TARS is here, and TARS is the best.</description>
      <pubDate>Mon, 10 Sep 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>9</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e24028f4-ac18-11ea-820d-8fbb62a4f94e/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>We used to look up at the sky and wonder at our place in the stars. Now we just look down, and worry about our place in the dirt. </itunes:subtitle>
      <itunes:summary>Is Interstellar one of Christopher Nolan's best films, or is it emotionally manipulative and narratively shallow? It turns out... it depends who you ask! We're nearing the end of this run of Cinemakers (with only Dunkirk to go), and this week's episode covers Christopher Nolan's (possible) magnum opus. A sprawling nearly three-hour epic with Academy Award winners as far as the eye can see, Interstellar interwaves stories of love, loss, and outer space. Also, TARS is here, and TARS is the best.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Is Interstellar one of Christopher Nolan's best films, or is it emotionally manipulative and narratively shallow? It turns out... it depends who you ask! We're nearing the end of this run of Cinemakers (with only Dunkirk to go), and this week's episode covers Christopher Nolan's (possible) magnum opus. A sprawling nearly three-hour epic with Academy Award winners as far as the eye can see, Interstellar interwaves stories of love, loss, and outer space. Also, TARS is here, and TARS is the best.</p>]]>
      </content:encoded>
      <itunes:duration>4621</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CM043.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN4060888569.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>042 Christopher Nolan: The Dark Knight Rises (2012)</title>
      <description>The Dark Knight Rises caps off Christopher Nolan's Dark Knight trilogy -- or at least Batman/Bruce Wayne's narratives -- in spectacular fashion. While each of Nolan's three Batman movies stands alone, the journey of Bruce Wayne from scared boy to Gotham's Knight encapsulates one of the greatest superhero arcs in cinematic history. While this movie may be a little long, there's no question that it wraps up this Batman story in appropriately epic style. Also, Anne Hathaway is in this movie and she's the absolute best and we gush about her a whole lot. Side note: today's episode of The Reel Bad Podcast is also taking on The Dark Knight Rises, and I'm sure that episode will play out a little bit differently than this one...</description>
      <pubDate>Mon, 03 Sep 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>8</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e2706bd6-ac18-11ea-820d-57471ee1c9ba/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>There's a storm coming, Mr. Wayne.</itunes:subtitle>
      <itunes:summary>The Dark Knight Rises caps off Christopher Nolan's Dark Knight trilogy -- or at least Batman/Bruce Wayne's narratives -- in spectacular fashion. While each of Nolan's three Batman movies stands alone, the journey of Bruce Wayne from scared boy to Gotham's Knight encapsulates one of the greatest superhero arcs in cinematic history. While this movie may be a little long, there's no question that it wraps up this Batman story in appropriately epic style. Also, Anne Hathaway is in this movie and she's the absolute best and we gush about her a whole lot. Side note: today's episode of The Reel Bad Podcast is also taking on The Dark Knight Rises, and I'm sure that episode will play out a little bit differently than this one...</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Dark Knight Rises caps off Christopher Nolan's Dark Knight trilogy -- or at least Batman/Bruce Wayne's narratives -- in spectacular fashion. While each of Nolan's three Batman movies stands alone, the journey of Bruce Wayne from scared boy to Gotham's Knight encapsulates one of the greatest superhero arcs in cinematic history. While this movie may be a little long, there's no question that it wraps up this Batman story in appropriately epic style. Also, Anne Hathaway is in this movie and she's the absolute best and we gush about her a whole lot. Side note: today's episode of The Reel Bad Podcast is also taking on The Dark Knight Rises, and I'm sure that episode will play out a little bit differently than this one...</p>]]>
      </content:encoded>
      <itunes:duration>5649</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CM042.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN7118241756.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>041 Christopher Nolan: Inception (2010)</title>
      <description>Inception is Christopher Nolan's first wholly original film since Following, and perhaps his most mind-bending film in a career full of them. Sandwiched between the Dark Knight films, Inception is the culmination of a 10-year script process that Christopher Nolan had worked on since Insomnia wrapped. But with double the audience surrogates and 399 (!!!) questions asked by characters in the film, did things get a bit too complicated?</description>
      <pubDate>Mon, 27 Aug 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>7</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e2d8ee68-ac18-11ea-820d-6fa1526402c8/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>You mustn't be afraid to dream a little bigger, darling.</itunes:subtitle>
      <itunes:summary>Inception is Christopher Nolan's first wholly original film since Following, and perhaps his most mind-bending film in a career full of them. Sandwiched between the Dark Knight films, Inception is the culmination of a 10-year script process that Christopher Nolan had worked on since Insomnia wrapped. But with double the audience surrogates and 399 (!!!) questions asked by characters in the film, did things get a bit too complicated?</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Inception is Christopher Nolan's first wholly original film since Following, and perhaps his most mind-bending film in a career full of them. Sandwiched between the Dark Knight films, Inception is the culmination of a 10-year script process that Christopher Nolan had worked on since Insomnia wrapped. But with double the audience surrogates and 399 (!!!) questions asked by characters in the film, did things get a bit too complicated?</p>]]>
      </content:encoded>
      <itunes:duration>3320</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CM041.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN8661424526.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>040 Christopher Nolan: The Dark Knight (2008)</title>
      <description>The Dark Knight changed the game for comic book movies and ushered in a new type of superhero film. But you already knew that. What's left to say about The Dark Knight? Nothing that hasn't already been talked about ad nauseam, but that didn't stop us from running our traps for two hours to effuse praise on the movie, the trilogy, and (of course) Heath Ledger's performance. While The Dark Knight isn't perfect and isn't necessarily Nolan's best movie -- watching all of Nolan's films in order makes you realize that the guy's made a ton of really, really good movies... who knew?! -- it's ludicrously fun and well-made.</description>
      <pubDate>Mon, 20 Aug 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>6</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e30b731a-ac18-11ea-820d-af6b6f12d4d4/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>I'm a dog chasing cars. I wouldn't know what to do with one if I caught it! You know, I just... *do* things.</itunes:subtitle>
      <itunes:summary>The Dark Knight changed the game for comic book movies and ushered in a new type of superhero film. But you already knew that. What's left to say about The Dark Knight? Nothing that hasn't already been talked about ad nauseam, but that didn't stop us from running our traps for two hours to effuse praise on the movie, the trilogy, and (of course) Heath Ledger's performance. While The Dark Knight isn't perfect and isn't necessarily Nolan's best movie -- watching all of Nolan's films in order makes you realize that the guy's made a ton of really, really good movies... who knew?! -- it's ludicrously fun and well-made.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Dark Knight changed the game for comic book movies and ushered in a new type of superhero film. But you already knew that. What's left to say about The Dark Knight? Nothing that hasn't already been talked about ad nauseam, but that didn't stop us from running our traps for two hours to effuse praise on the movie, the trilogy, and (of course) Heath Ledger's performance. While The Dark Knight isn't perfect and isn't necessarily Nolan's best movie -- watching all of Nolan's films in order makes you realize that the guy's made a ton of really, really good movies... who knew?! -- it's ludicrously fun and well-made.</p>]]>
      </content:encoded>
      <itunes:duration>5876</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CM040.mp3]]></guid>
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    <item>
      <title>039 Christopher Nolan: The Prestige (2006)</title>
      <description>What's more impressive: that Christopher Nolan made the masterpiece that is The Prestige, or that he did it between Batman movies? Sandwiched between Batman Begins and The Dark Knight, The Prestige has Batman and Wolverine square off in a head-to-head magic showdown that will ruin both characters' lives forever... and make us all watch in awe and wonder. It's yet another movie in which Nolan uses time and non-linear storytelling to amplify the narrative, and though it's not baked into the story (as it is in Memento), it's core to the narrative structure of the film. Alternating between the present and various pasts, The Prestige shows us it has nothing up its sleeves, nothing in its hands, yet executes its story with such a masterstroke that you'll be convinced magic exists. The only question: Are you paying attention?</description>
      <pubDate>Mon, 13 Aug 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>5</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e33d699c-ac18-11ea-820d-b7ba79beebef/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Are you paying attention?</itunes:subtitle>
      <itunes:summary>What's more impressive: that Christopher Nolan made the masterpiece that is The Prestige, or that he did it between Batman movies? Sandwiched between Batman Begins and The Dark Knight, The Prestige has Batman and Wolverine square off in a head-to-head magic showdown that will ruin both characters' lives forever... and make us all watch in awe and wonder. It's yet another movie in which Nolan uses time and non-linear storytelling to amplify the narrative, and though it's not baked into the story (as it is in Memento), it's core to the narrative structure of the film. Alternating between the present and various pasts, The Prestige shows us it has nothing up its sleeves, nothing in its hands, yet executes its story with such a masterstroke that you'll be convinced magic exists. The only question: Are you paying attention?</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What's more impressive: that Christopher Nolan made the masterpiece that is The Prestige, or that he did it between Batman movies? Sandwiched between Batman Begins and The Dark Knight, The Prestige has Batman and Wolverine square off in a head-to-head magic showdown that will ruin both characters' lives forever... and make us all watch in awe and wonder. It's yet another movie in which Nolan uses time and non-linear storytelling to amplify the narrative, and though it's not baked into the story (as it is in Memento), it's core to the narrative structure of the film. Alternating between the present and various pasts, The Prestige shows us it has nothing up its sleeves, nothing in its hands, yet executes its story with such a masterstroke that you'll be convinced magic exists. The only question: Are you paying attention?</p>]]>
      </content:encoded>
      <itunes:duration>3981</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CM039.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN7975954739.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>038 Christopher Nolan: Batman Begins (2005)</title>
      <description>It's time for BATMAN! While we've covered Batman-related films on this podcast network before (and again, and again), this is the first time that we've gotten a Batman film proper, and it delivers. Batman Begins is an absolute masterpiece of a film (Sound familiar? This Christopher Nolan guy seems pretty good at making movies) and marks one of the best superhero origin stories of all-time. It's also fun as heck. As we discuss in the episode, this movie feels like the perfect alchemy of a bunch of separate visions all coalescing in a beautiful way (as they all rebel against where Batman Forever and Batman &amp; Robin left us).</description>
      <pubDate>Mon, 06 Aug 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e37188ee-ac18-11ea-820d-435bcb66c664/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>It’s not who I am underneath, but what I do that defines me.</itunes:subtitle>
      <itunes:summary>It's time for BATMAN! While we've covered Batman-related films on this podcast network before (and again, and again), this is the first time that we've gotten a Batman film proper, and it delivers. Batman Begins is an absolute masterpiece of a film (Sound familiar? This Christopher Nolan guy seems pretty good at making movies) and marks one of the best superhero origin stories of all-time. It's also fun as heck. As we discuss in the episode, this movie feels like the perfect alchemy of a bunch of separate visions all coalescing in a beautiful way (as they all rebel against where Batman Forever and Batman &amp; Robin left us).</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It's time for BATMAN! While we've covered Batman-related films on this podcast network before (and again, and again), this is the first time that we've gotten a Batman film proper, and it delivers. Batman Begins is an absolute masterpiece of a film (Sound familiar? This Christopher Nolan guy seems pretty good at making movies) and marks one of the best superhero origin stories of all-time. It's also fun as heck. As we discuss in the episode, this movie feels like the perfect alchemy of a bunch of separate visions all coalescing in a beautiful way (as they all rebel against where Batman Forever and Batman &amp; Robin left us).</p>]]>
      </content:encoded>
      <itunes:duration>5597</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CM038.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN9518730429.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>037 Christopher Nolan: Insomnia (2002)</title>
      <description>Combining Robin Williams (in the "serious" era of his career) with, perhaps, the last great performance (so far, anyway) given by Al Pacino, Insomnia is a well-made version of a movie you feel like you've seen before. Add in some references that make you feel like you're watching Twin Peaks (or a David Fincher movie) and there isn't much to not like. Considering the next movie we're getting in this journey is Batman Begins, this is (far and away) the "smallest" Nolan will get for a long, long time.</description>
      <pubDate>Mon, 30 Jul 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e3ac704e-ac18-11ea-820d-3341f7d28514/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>I guess it's about what you thought was right at the time. Then, what you're willing to live with.</itunes:subtitle>
      <itunes:summary>Combining Robin Williams (in the "serious" era of his career) with, perhaps, the last great performance (so far, anyway) given by Al Pacino, Insomnia is a well-made version of a movie you feel like you've seen before. Add in some references that make you feel like you're watching Twin Peaks (or a David Fincher movie) and there isn't much to not like. Considering the next movie we're getting in this journey is Batman Begins, this is (far and away) the "smallest" Nolan will get for a long, long time.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Combining Robin Williams (in the "serious" era of his career) with, perhaps, the last great performance (so far, anyway) given by Al Pacino, Insomnia is a well-made version of a movie you feel like you've seen before. Add in some references that make you feel like you're watching Twin Peaks (or a David Fincher movie) and there isn't much to not like. Considering the next movie we're getting in this journey is Batman Begins, this is (far and away) the "smallest" Nolan will get for a long, long time.</p>]]>
      </content:encoded>
      <itunes:duration>2922</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CM037.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN5295283077.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>036 Christopher Nolan: Memento (2000)</title>
      <description>Just two short years after the promising (but somewhat underwhelming) Following, Christopher Nolan released Memento, a masterpiece of a film and possibly the best movie he's ever made. Toying with narrative structure in the way he did in Following -- but with far more panache -- Memento is a wild ride through the mind of a man with no short-term memory who constantly finds himself unsure who he can trust.</description>
      <pubDate>Mon, 23 Jul 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e3f4489c-ac18-11ea-820d-bb2fb72b007e/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Can I just forget what you told me?</itunes:subtitle>
      <itunes:summary>Just two short years after the promising (but somewhat underwhelming) Following, Christopher Nolan released Memento, a masterpiece of a film and possibly the best movie he's ever made. Toying with narrative structure in the way he did in Following -- but with far more panache -- Memento is a wild ride through the mind of a man with no short-term memory who constantly finds himself unsure who he can trust.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Just two short years after the promising (but somewhat underwhelming) Following, Christopher Nolan released Memento, a masterpiece of a film and possibly the best movie he's ever made. Toying with narrative structure in the way he did in Following -- but with far more panache -- Memento is a wild ride through the mind of a man with no short-term memory who constantly finds himself unsure who he can trust.</p>]]>
      </content:encoded>
      <itunes:duration>3935</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CM036.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN6638774271.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>035 Christopher Nolan: Following (1998) + Doodlebug (1997)</title>
      <description>Welcome to a new season of Cinemakers! We've caught up on Steven Soderbergh, so now is the time to begin our journey through Christopher Nolan's filmography. First on the docket is following, the black-and-white feature that Nolan made for a mere $6,000. While Following is a far cry from the movies Nolan will soon make, there are more than a few glimpses of the techniques, themes, and styles he'll use throughout his career.</description>
      <pubDate>Mon, 16 Jul 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e42c0e58-ac18-11ea-820d-3f76f39df857/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>You take it away... to show them what they had.</itunes:subtitle>
      <itunes:summary>Welcome to a new season of Cinemakers! We've caught up on Steven Soderbergh, so now is the time to begin our journey through Christopher Nolan's filmography. First on the docket is following, the black-and-white feature that Nolan made for a mere $6,000. While Following is a far cry from the movies Nolan will soon make, there are more than a few glimpses of the techniques, themes, and styles he'll use throughout his career.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Welcome to a new season of Cinemakers! We've caught up on Steven Soderbergh, so now is the time to begin our journey through Christopher Nolan's filmography. First on the docket is following, the black-and-white feature that Nolan made for a mere $6,000. While Following is a far cry from the movies Nolan will soon make, there are more than a few glimpses of the techniques, themes, and styles he'll use throughout his career.</p>]]>
      </content:encoded>
      <itunes:duration>3036</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CM035.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN7554512335.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>034 Steven Soderbergh: Unsane (2018)</title>
      <description>In this episode, we dive into the world of horror to go deep inside the mind of Claire Foy in Unsane! Shot entirely on an iPhone 7 Plus with an app that cost $14.99, Soderbergh and Unsane prove anyone can make a movie that makes you feel icky all over. Is Claire Foy's character unsane, or is she really being pursued? Does the ambiguity work or could it be improved upon? And why do people keep letting Matt Damon show up and crash movie sets? (Just kidding; we love Matt Damon!)</description>
      <pubDate>Mon, 11 Jun 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>33</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e46a870a-ac18-11ea-820d-479ce6a8adfb/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Just because you're paranoid doesn't mean they aren't after you.</itunes:subtitle>
      <itunes:summary>In this episode, we dive into the world of horror to go deep inside the mind of Claire Foy in Unsane! Shot entirely on an iPhone 7 Plus with an app that cost $14.99, Soderbergh and Unsane prove anyone can make a movie that makes you feel icky all over. Is Claire Foy's character unsane, or is she really being pursued? Does the ambiguity work or could it be improved upon? And why do people keep letting Matt Damon show up and crash movie sets? (Just kidding; we love Matt Damon!)</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, we dive into the world of horror to go deep inside the mind of Claire Foy in Unsane! Shot entirely on an iPhone 7 Plus with an app that cost $14.99, Soderbergh and Unsane prove anyone can make a movie that makes you feel icky all over. Is Claire Foy's character unsane, or is she really being pursued? Does the ambiguity work or could it be improved upon? And why do people keep letting Matt Damon show up and crash movie sets? (Just kidding; we love Matt Damon!)</p>]]>
      </content:encoded>
      <itunes:duration>2637</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CM034.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN5901484259.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>033 Fede Alvarez: Evil Dead (2013) and Don't Breathe (2016)</title>
      <description>When we first envisioned Cinemakers, we saw it as a combination of two types of episodes: ongoing series about prolific directors and one-off episodes about directors who only have a few feature films under their belt. With the Reel Bad podcast taking on The Evil Dead and Evil Dead II, we were inspired to bring in Reel Bad's Nick Jenkins to talk about the Evil Dead remake, as well as the other major film of Fede Alvarez: Don't Breathe. Please note: Both of these films (and our discussion) feature depictions of sexual assault and violence against women, and both are far darker than the normal movies we cover. Viewer and listener discretion advised.</description>
      <pubDate>Wed, 30 May 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e4bfa320-ac18-11ea-820d-8fb07e01eade/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Just because he's blind doesn't mean he's a saint, bro. </itunes:subtitle>
      <itunes:summary>When we first envisioned Cinemakers, we saw it as a combination of two types of episodes: ongoing series about prolific directors and one-off episodes about directors who only have a few feature films under their belt. With the Reel Bad podcast taking on The Evil Dead and Evil Dead II, we were inspired to bring in Reel Bad's Nick Jenkins to talk about the Evil Dead remake, as well as the other major film of Fede Alvarez: Don't Breathe. Please note: Both of these films (and our discussion) feature depictions of sexual assault and violence against women, and both are far darker than the normal movies we cover. Viewer and listener discretion advised.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When we first envisioned Cinemakers, we saw it as a combination of two types of episodes: ongoing series about prolific directors and one-off episodes about directors who only have a few feature films under their belt. With the Reel Bad podcast taking on The Evil Dead and Evil Dead II, we were inspired to bring in Reel Bad's Nick Jenkins to talk about the Evil Dead remake, as well as the other major film of Fede Alvarez: Don't Breathe. Please note: Both of these films (and our discussion) feature depictions of sexual assault and violence against women, and both are far darker than the normal movies we cover. Viewer and listener discretion advised.</p>]]>
      </content:encoded>
      <itunes:duration>4247</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CM033.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN1320737349.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>032 Steven Soderbergh: Mosaic (2017/2018)</title>
      <description>Mosaic marks yet another innovation from the mind of Steven Soderbergh: a whodunnit mystery that you can experience through an interactive app or through a traditional TV season. Which way is better? How should you watch? Should you even bother? The short answers: yes, watch it, but do it through the app. All caught up? Good!</description>
      <pubDate>Mon, 23 Apr 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>32</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e5088a2c-ac18-11ea-820d-43eb0ceec2aa/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Whodunnit?</itunes:subtitle>
      <itunes:summary>Mosaic marks yet another innovation from the mind of Steven Soderbergh: a whodunnit mystery that you can experience through an interactive app or through a traditional TV season. Which way is better? How should you watch? Should you even bother? The short answers: yes, watch it, but do it through the app. All caught up? Good!</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Mosaic marks yet another innovation from the mind of Steven Soderbergh: a whodunnit mystery that you can experience through an interactive app or through a traditional TV season. Which way is better? How should you watch? Should you even bother? The short answers: yes, watch it, but do it through the app. All caught up? Good!</p>]]>
      </content:encoded>
      <itunes:duration>3307</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS032.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN9553150766.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>031 Steven Soderbergh: Logan Lucky (2017)</title>
      <description>Whether you call it "Ocean's 7-11" or "The Hillbilly Heist," the central robbery of Logan Lucky is Soderbergh's best since Ocean's Twelve. This guy just can't stay retired, which is good news for all of us who love movies about the American Dream, or movies starring Channing Tatum and Riley Keough. (Yes, this pretty much sums Joey up to a tee.) This movie effectively marks the beginning of the second phase... of the first phase... of Cinemakers, as it's the first Soderbergh work released since we began. What a time to be alive!</description>
      <pubDate>Mon, 16 Apr 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>31</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e53ca212-ac18-11ea-820d-bbdaadaf59fb/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Cauliflower.</itunes:subtitle>
      <itunes:summary>Whether you call it "Ocean's 7-11" or "The Hillbilly Heist," the central robbery of Logan Lucky is Soderbergh's best since Ocean's Twelve. This guy just can't stay retired, which is good news for all of us who love movies about the American Dream, or movies starring Channing Tatum and Riley Keough. (Yes, this pretty much sums Joey up to a tee.) This movie effectively marks the beginning of the second phase... of the first phase... of Cinemakers, as it's the first Soderbergh work released since we began. What a time to be alive!</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Whether you call it "Ocean's 7-11" or "The Hillbilly Heist," the central robbery of Logan Lucky is Soderbergh's best since Ocean's Twelve. This guy just can't stay retired, which is good news for all of us who love movies about the American Dream, or movies starring Channing Tatum and Riley Keough. (Yes, this pretty much sums Joey up to a tee.) This movie effectively marks the beginning of the second phase... of the first phase... of Cinemakers, as it's the first Soderbergh work released since we began. What a time to be alive!</p>]]>
      </content:encoded>
      <itunes:duration>3527</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS031.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN4460269315.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>030 Steven Soderbergh: The Knick: The Complete Second Season (2015)</title>
      <description>The Knick ended after two seasons and 20 episodes, but it was always the plan for Soderbergh (and Clive Owen) to leave at that point. The Knick's second season expands the world of the show a bit, bringing more characters into a deeper focus and straying a bit from the central fixation on Thackery. Does it work, or is it too sprawling? Are the new stories a welcome addition, or do they stray too far from the world of The Knickerbocker? Can Soderbergh continue his streak and pull off his signature magic again? With his self-imposed retirement looming following this season's conclusion (though we know he'll be back in two years for Logan Lucky, Mosaic, Unsane, and more), where does The Knick leave things for Soderbergh? All we know: "This is it. This is all we are."</description>
      <pubDate>Mon, 09 Apr 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>30</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e5702dee-ac18-11ea-820d-9f1890b2c570/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>The Knick's second season expands the world of the show a bit, bringing more characters into a deeper focus and straying a bit from the central fixation on Thackery.</itunes:subtitle>
      <itunes:summary>The Knick ended after two seasons and 20 episodes, but it was always the plan for Soderbergh (and Clive Owen) to leave at that point. The Knick's second season expands the world of the show a bit, bringing more characters into a deeper focus and straying a bit from the central fixation on Thackery. Does it work, or is it too sprawling? Are the new stories a welcome addition, or do they stray too far from the world of The Knickerbocker? Can Soderbergh continue his streak and pull off his signature magic again? With his self-imposed retirement looming following this season's conclusion (though we know he'll be back in two years for Logan Lucky, Mosaic, Unsane, and more), where does The Knick leave things for Soderbergh? All we know: "This is it. This is all we are."</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Knick ended after two seasons and 20 episodes, but it was always the plan for Soderbergh (and Clive Owen) to leave at that point. The Knick's second season expands the world of the show a bit, bringing more characters into a deeper focus and straying a bit from the central fixation on Thackery. Does it work, or is it too sprawling? Are the new stories a welcome addition, or do they stray too far from the world of The Knickerbocker? Can Soderbergh continue his streak and pull off his signature magic again? With his self-imposed retirement looming following this season's conclusion (though we know he'll be back in two years for Logan Lucky, Mosaic, Unsane, and more), where does The Knick leave things for Soderbergh? All we know: "This is it. This is all we are."</p>]]>
      </content:encoded>
      <itunes:duration>4385</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS030.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN5489460686.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>029 Steven Soderbergh: The Knick: The Complete First Season (2014)</title>
      <description>After a string of (mostly) knock-out films, The Knick continues Steven Soderbergh's hot streak as he transitions from film to prestige TV. This episode covers the complete first season (with talk about season two coming next week), as we're introduced to our key players and the world of The Knick at the turn of the century. Everyone is at the absolute peak of their powers in this show, from Soderbergh to Clive Owen to Cliff Martinez (who did the score). The Knick might not be as perfect as a film like Out of Sight or Ocean's Eleven, but it may just be the best thing Soderbergh has ever made.</description>
      <pubDate>Mon, 02 Apr 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>29</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e5a7f71a-ac18-11ea-820d-9767526a119c/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Everyone is at the absolute peak of their powers in this show, from Soderbergh to Clive Owen to Cliff Martinez.</itunes:subtitle>
      <itunes:summary>After a string of (mostly) knock-out films, The Knick continues Steven Soderbergh's hot streak as he transitions from film to prestige TV. This episode covers the complete first season (with talk about season two coming next week), as we're introduced to our key players and the world of The Knick at the turn of the century. Everyone is at the absolute peak of their powers in this show, from Soderbergh to Clive Owen to Cliff Martinez (who did the score). The Knick might not be as perfect as a film like Out of Sight or Ocean's Eleven, but it may just be the best thing Soderbergh has ever made.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>After a string of (mostly) knock-out films, The Knick continues Steven Soderbergh's hot streak as he transitions from film to prestige TV. This episode covers the complete first season (with talk about season two coming next week), as we're introduced to our key players and the world of The Knick at the turn of the century. Everyone is at the absolute peak of their powers in this show, from Soderbergh to Clive Owen to Cliff Martinez (who did the score). The Knick might not be as perfect as a film like Out of Sight or Ocean's Eleven, but it may just be the best thing Soderbergh has ever made.</p>]]>
      </content:encoded>
      <itunes:duration>4247</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS029.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN4980932737.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>028 Steven Soderbergh: Behind the Candelabra (2013)</title>
      <description>Behind the Candelabra was deemed "too gay" by major Hollywood studios, so Soderbergh headed to HBO for his last feature film before his "retirement." Anchored by two strong lead performances, can Soderbergh and company elevate the biopic genre and a shockingly muddled/average script to something more? Listen and find out! (Spoiler: no.)</description>
      <pubDate>Mon, 26 Mar 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>28</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e5ea14f6-ac18-11ea-820d-17b82d7083a5/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Can Soderbergh and company elevate the biopic genre and a muddled script to something more?</itunes:subtitle>
      <itunes:summary>Behind the Candelabra was deemed "too gay" by major Hollywood studios, so Soderbergh headed to HBO for his last feature film before his "retirement." Anchored by two strong lead performances, can Soderbergh and company elevate the biopic genre and a shockingly muddled/average script to something more? Listen and find out! (Spoiler: no.)</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Behind the Candelabra was deemed "too gay" by major Hollywood studios, so Soderbergh headed to HBO for his last feature film before his "retirement." Anchored by two strong lead performances, can Soderbergh and company elevate the biopic genre and a shockingly muddled/average script to something more? Listen and find out! (Spoiler: no.)</p>]]>
      </content:encoded>
      <itunes:duration>2385</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS028.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN2370735685.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>027 Steven Soderbergh: Side Effects (2013)</title>
      <description>Side Effects -- once billed as Soderbergh's last film -- may be one of his most complicated and twisting narratives. Nothing is what it seems as the story continues to unravel and unfold, revealing more twists and turns at every step of the way. Soderbergh is truly firing on all cylinders at this point in his career, and this is yet another instance of a master filmmaker in his prime.</description>
      <pubDate>Mon, 19 Mar 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>27</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e6350c72-ac18-11ea-820d-6b08d9153839/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Side Effects -- once billed as Soderbergh's last film -- may be one of his most complicated and twisting narratives.</itunes:subtitle>
      <itunes:summary>Side Effects -- once billed as Soderbergh's last film -- may be one of his most complicated and twisting narratives. Nothing is what it seems as the story continues to unravel and unfold, revealing more twists and turns at every step of the way. Soderbergh is truly firing on all cylinders at this point in his career, and this is yet another instance of a master filmmaker in his prime.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Side Effects -- once billed as Soderbergh's last film -- may be one of his most complicated and twisting narratives. Nothing is what it seems as the story continues to unravel and unfold, revealing more twists and turns at every step of the way. Soderbergh is truly firing on all cylinders at this point in his career, and this is yet another instance of a master filmmaker in his prime.</p>]]>
      </content:encoded>
      <itunes:duration>3766</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS027.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN3055063385.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>026 Steven Soderbergh: Magic Mike (2012)</title>
      <description>Magic Mike may be a disappointment to people looking for a movies where hot guys dance for two hours. Sure, there's a lot of that on display here -- including all dancing scenes played back-to-back as a special features on the DVD -- but in what world does a movie like that have a 10 minute scene where its lead tries to get a small business loan application approved? When looking at this movie from the guise of Cinemakers and within the framing of Steven Soderbergh's career, however, it's clear that this film may be a masterpiece that discusses the American Dream and the difficulty of starting your own business, and does so with remarkable insight on a level that rivals any of Soderbergh's other work. Also: hot guys get naked and dance.</description>
      <pubDate>Mon, 12 Mar 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>26</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e67a0a52-ac18-11ea-820d-e3bafad84aef/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Whether you're looking for a terrific film about the American Dream or you're looking for hot guys getting naked and dancing, this one's for you.</itunes:subtitle>
      <itunes:summary>Magic Mike may be a disappointment to people looking for a movies where hot guys dance for two hours. Sure, there's a lot of that on display here -- including all dancing scenes played back-to-back as a special features on the DVD -- but in what world does a movie like that have a 10 minute scene where its lead tries to get a small business loan application approved? When looking at this movie from the guise of Cinemakers and within the framing of Steven Soderbergh's career, however, it's clear that this film may be a masterpiece that discusses the American Dream and the difficulty of starting your own business, and does so with remarkable insight on a level that rivals any of Soderbergh's other work. Also: hot guys get naked and dance.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Magic Mike may be a disappointment to people looking for a movies where hot guys dance for two hours. Sure, there's a lot of that on display here -- including all dancing scenes played back-to-back as a special features on the DVD -- but in what world does a movie like that have a 10 minute scene where its lead tries to get a small business loan application approved? When looking at this movie from the guise of Cinemakers and within the framing of Steven Soderbergh's career, however, it's clear that this film may be a masterpiece that discusses the American Dream and the difficulty of starting your own business, and does so with remarkable insight on a level that rivals any of Soderbergh's other work. Also: hot guys get naked and dance.</p>]]>
      </content:encoded>
      <itunes:duration>3720</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS026.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN2193521138.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>025 Steven Soderbergh: Haywire (2011)</title>
      <description>Haywire reunites Steven Soderbergh with Lem Dobbs in a tale of revenge on par with The Limey, one of their previous team-ups. Anchored by a badass leading character, Haywire brings Gina Carano on a roaring rampage of revenge after she discovers she's been set up. As we learned from Snake Eyes, you need five for a conspiracy, which means she has a lot of names to take and a lot of asses to kick. What I'm trying to say, you guys, is this movie is great.</description>
      <pubDate>Mon, 05 Mar 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>25</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e6bf3c62-ac18-11ea-820d-3ba30af22774/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>This movie is great. That's all you need to know.</itunes:subtitle>
      <itunes:summary>Haywire reunites Steven Soderbergh with Lem Dobbs in a tale of revenge on par with The Limey, one of their previous team-ups. Anchored by a badass leading character, Haywire brings Gina Carano on a roaring rampage of revenge after she discovers she's been set up. As we learned from Snake Eyes, you need five for a conspiracy, which means she has a lot of names to take and a lot of asses to kick. What I'm trying to say, you guys, is this movie is great.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Haywire reunites Steven Soderbergh with Lem Dobbs in a tale of revenge on par with The Limey, one of their previous team-ups. Anchored by a badass leading character, Haywire brings Gina Carano on a roaring rampage of revenge after she discovers she's been set up. As we learned from Snake Eyes, you need five for a conspiracy, which means she has a lot of names to take and a lot of asses to kick. What I'm trying to say, you guys, is this movie is great.</p>]]>
      </content:encoded>
      <itunes:duration>3901</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS025.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN2890443970.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>024 Steven Soderbergh: Contagion (2011) + And Everything is Going Fine (2010)</title>
      <description>Contagion may be one of Steven Soderbergh's best films in just about every regard. This sprawling narrative features a star-studded cast and editing/cinematography that will leave you terrified to touch your face. Also! We talk about And Everything is Going Fine, the posthumous Spalding Gray documentary Soderbergh released in 2010.</description>
      <pubDate>Mon, 26 Feb 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>24</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e6fe13c4-ac18-11ea-820d-a3b28fe2e7c3/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Contagion may be one of Steven Soderbergh's best films in just about every regard.</itunes:subtitle>
      <itunes:summary>Contagion may be one of Steven Soderbergh's best films in just about every regard. This sprawling narrative features a star-studded cast and editing/cinematography that will leave you terrified to touch your face. Also! We talk about And Everything is Going Fine, the posthumous Spalding Gray documentary Soderbergh released in 2010.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Contagion may be one of Steven Soderbergh's best films in just about every regard. This sprawling narrative features a star-studded cast and editing/cinematography that will leave you terrified to touch your face. Also! We talk about And Everything is Going Fine, the posthumous Spalding Gray documentary Soderbergh released in 2010.</p>]]>
      </content:encoded>
      <itunes:duration>4009</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS024.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN5037614459.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>023 Steven Soderbergh: The Informant! (2009)</title>
      <description>The Informant! is a movie that could have gone wrong in so many ways. Somehow, Steven Soderbergh threaded the needle to create one of the most singularly unique and oddly funny movies in recent memory.</description>
      <pubDate>Mon, 19 Feb 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>23</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e73f1e00-ac18-11ea-820d-3b0c44e680fe/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>The Informant! is a movie that could have gone wrong in so many ways. Somehow, Steven Soderbergh threaded the needle.</itunes:subtitle>
      <itunes:summary>The Informant! is a movie that could have gone wrong in so many ways. Somehow, Steven Soderbergh threaded the needle to create one of the most singularly unique and oddly funny movies in recent memory.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Informant! is a movie that could have gone wrong in so many ways. Somehow, Steven Soderbergh threaded the needle to create one of the most singularly unique and oddly funny movies in recent memory.</p>]]>
      </content:encoded>
      <itunes:duration>2964</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS023.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN7528547228.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>022 Steven Soderbergh: The Girlfriend Experience (2009)</title>
      <description></description>
      <pubDate>Mon, 12 Feb 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>22</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e78fc166-ac18-11ea-820d-57b1f480becf/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>The Girlfriend Experience is an experimental Soderbergh film that examines the hustle and grind of making money, however you can. Sensing a pattern yet?</itunes:subtitle>
      <itunes:summary></itunes:summary>
      <content:encoded>
        <![CDATA[<p><br></p>]]>
      </content:encoded>
      <itunes:duration>3075</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS022.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN3372415555.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>021 Steven Soderbergh: Che (2008)</title>
      <description></description>
      <pubDate>Mon, 05 Feb 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>21</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e7d81f2e-ac18-11ea-820d-53983e4082a2/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Che is a sprawling epic, covering two uprisings over two films and nearly four-and-a-half hours. Are you ready for it?</itunes:subtitle>
      <itunes:summary></itunes:summary>
      <content:encoded>
        <![CDATA[<p><br></p>]]>
      </content:encoded>
      <itunes:duration>2393</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS021.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN4021093084.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>020 Steven Soderbergh: Ocean's Thirteen (2007)</title>
      <description>Ocean's Thirteen closes out the Danny Ocean chapter of Soderbergh's career with a return to Vegas. Also: it's the third trilogy we've covered on the #CageClub Podcast Network... a trilogy trifecta!</description>
      <pubDate>Mon, 29 Jan 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>20</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e8150d76-ac18-11ea-820d-b7eb95801dd6/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Ocean's Thirteen is the third trilogy we've covered on the #CageClub Podcast Network... a trilogy trifecta!</itunes:subtitle>
      <itunes:summary>Ocean's Thirteen closes out the Danny Ocean chapter of Soderbergh's career with a return to Vegas. Also: it's the third trilogy we've covered on the #CageClub Podcast Network... a trilogy trifecta!</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ocean's Thirteen closes out the Danny Ocean chapter of Soderbergh's career with a return to Vegas. Also: it's the third trilogy we've covered on the #CageClub Podcast Network... a trilogy trifecta!</p>]]>
      </content:encoded>
      <itunes:duration>3812</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS020.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN6187707553.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>019 Steven Soderbergh: The Good German (2006)</title>
      <description>The Good German is a blend of two Soderberghs: Hollywood Star Soderbergh and Doing Crazy Film Things Soderbergh. Does it work, or does it fall flat?</description>
      <pubDate>Mon, 22 Jan 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>19</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e861c314-ac18-11ea-820d-778da9a07259/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>The Good German is a blend of two Soderberghs: Hollywood Star Soderbergh and Doing Crazy Film Things Soderbergh.</itunes:subtitle>
      <itunes:summary>The Good German is a blend of two Soderberghs: Hollywood Star Soderbergh and Doing Crazy Film Things Soderbergh. Does it work, or does it fall flat?</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Good German is a blend of two Soderberghs: Hollywood Star Soderbergh and Doing Crazy Film Things Soderbergh. Does it work, or does it fall flat?</p>]]>
      </content:encoded>
      <itunes:duration>2238</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS019.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN4270820386.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>018 Steven Soderbergh: Bubble (2005)</title>
      <description>Made for almost no money with no known actors, Bubble shifted the movie release paradigm, but does it tell a story worth watching?</description>
      <pubDate>Mon, 15 Jan 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>18</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e8c80962-ac18-11ea-820d-af76725e2e22/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Made for almost no money with no known actors, Bubble shifted the movie release paradigm.</itunes:subtitle>
      <itunes:summary>Made for almost no money with no known actors, Bubble shifted the movie release paradigm, but does it tell a story worth watching?</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Made for almost no money with no known actors, Bubble shifted the movie release paradigm, but does it tell a story worth watching?</p>]]>
      </content:encoded>
      <itunes:duration>2254</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS018.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN2570018927.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>017 Steven Soderbergh: Ocean's Twelve (2004)</title>
      <description>It's time for our first sequel in Cinemakers, and a return to big budget Soderbergh. We're headed to Europe and getting the band back together for Ocean's Twelve!</description>
      <pubDate>Mon, 08 Jan 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>17</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e91a71c0-ac18-11ea-820d-2b09ca7b686a/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>It's time for our first sequel in Cinemakers, and a return to big budget Soderbergh.</itunes:subtitle>
      <itunes:summary>It's time for our first sequel in Cinemakers, and a return to big budget Soderbergh. We're headed to Europe and getting the band back together for Ocean's Twelve!</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It's time for our first sequel in Cinemakers, and a return to big budget Soderbergh. We're headed to Europe and getting the band back together for Ocean's Twelve!</p>]]>
      </content:encoded>
      <itunes:duration>2945</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS017.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN3496596197.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>016 Steven Soderbergh: Eros (2004)</title>
      <description>Eros is more of a detour than a full stop on our Cinemakers: Steven Soderbergh journey. Let's chat about Inception-style storytelling devices, a pre-Iron Man Robert Downey Jr., and Alan Arkin with a hairpiece!</description>
      <pubDate>Mon, 01 Jan 2018 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>16</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e95ba988-ac18-11ea-820d-dbaefab58d7c/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Eros is more of a detour than a full stop on our Cinemakers: Steven Soderbergh journey.</itunes:subtitle>
      <itunes:summary>Eros is more of a detour than a full stop on our Cinemakers: Steven Soderbergh journey. Let's chat about Inception-style storytelling devices, a pre-Iron Man Robert Downey Jr., and Alan Arkin with a hairpiece!</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Eros is more of a detour than a full stop on our Cinemakers: Steven Soderbergh journey. Let's chat about Inception-style storytelling devices, a pre-Iron Man Robert Downey Jr., and Alan Arkin with a hairpiece!</p>]]>
      </content:encoded>
      <itunes:duration>1022</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS016.mp3]]></guid>
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    <item>
      <title>015 Steven Soderbergh: K Street (2003)</title>
      <description>K Street is a unique political drama from the early 2000s that's shot, chopped, and released dirty, quickly, and with style. Does it hold up or is it a relic? OPINIONS ABOUND.</description>
      <pubDate>Mon, 25 Dec 2017 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>15</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e9df8ec4-ac18-11ea-820d-4762a50ceac8/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>K Street is a unique political drama from the early 2000s that's shot, chopped, and released dirty, quickly, and with style.</itunes:subtitle>
      <itunes:summary>K Street is a unique political drama from the early 2000s that's shot, chopped, and released dirty, quickly, and with style. Does it hold up or is it a relic? OPINIONS ABOUND.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>K Street is a unique political drama from the early 2000s that's shot, chopped, and released dirty, quickly, and with style. Does it hold up or is it a relic? OPINIONS ABOUND.</p>]]>
      </content:encoded>
      <itunes:duration>2432</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS015.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN3200439971.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>014 Steven Soderbergh: Solaris (2002)</title>
      <description>Solaris is yet another remake in a mini-run of them in Soderbergh's career, once again featuring his favorite leading man: George Clooney. It's hard to pin down exactly what this movie is, but looking at it through the lens of a ghost story may open it up to be a more enjoyable experience. No matter how you view it, it's undeniable that Solaris is an odd, slow, dreamy film. Also, if you're looking for a movie with tons of George Clooney butt, look no further.</description>
      <pubDate>Mon, 18 Dec 2017 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>14</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ea41526c-ac18-11ea-820d-47141f51cbf5/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Solaris is yet another remake in a mini-run of them in Soderbergh's career, once again featuring his favorite leading man: George Clooney.</itunes:subtitle>
      <itunes:summary>Solaris is yet another remake in a mini-run of them in Soderbergh's career, once again featuring his favorite leading man: George Clooney. It's hard to pin down exactly what this movie is, but looking at it through the lens of a ghost story may open it up to be a more enjoyable experience. No matter how you view it, it's undeniable that Solaris is an odd, slow, dreamy film. Also, if you're looking for a movie with tons of George Clooney butt, look no further.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Solaris is yet another remake in a mini-run of them in Soderbergh's career, once again featuring his favorite leading man: George Clooney. It's hard to pin down exactly what this movie is, but looking at it through the lens of a ghost story may open it up to be a more enjoyable experience. No matter how you view it, it's undeniable that Solaris is an odd, slow, dreamy film. Also, if you're looking for a movie with tons of George Clooney butt, look no further.</p>]]>
      </content:encoded>
      <itunes:duration>2503</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS014.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN3587145542.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>013 Steven Soderbergh: Full Frontal (2002)</title>
      <description></description>
      <pubDate>Mon, 11 Dec 2017 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>13</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ea785cda-ac18-11ea-820d-673d8f7decf1/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Only Steven Soderbergh would follow up Ocean's Eleven with a movie like Full Frontal.</itunes:subtitle>
      <itunes:summary></itunes:summary>
      <content:encoded>
        <![CDATA[<p><br></p>]]>
      </content:encoded>
      <itunes:duration>2369</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS013.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN5890415437.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>012 Steven Soderbergh: Ocean's Eleven (2001)</title>
      <description>Ocean's Eleven may be Soderbergh's highest-profile film to date, one of his best films, and definitely the most fun. Not only that, but it's a crossroads of actors he's worked with and actors he'll work with again -- and just about every single one of them is likeable. Soderbergh says he'll probably never make a superhero film, and that this is his take on that genre. You know what? We can't complain!</description>
      <pubDate>Mon, 04 Dec 2017 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>12</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/eab828ce-ac18-11ea-820d-db4825b4b77d/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Ocean's Eleven may be Soderbergh's highest-profile film to date, one of his best films, and definitely the most fun.</itunes:subtitle>
      <itunes:summary>Ocean's Eleven may be Soderbergh's highest-profile film to date, one of his best films, and definitely the most fun. Not only that, but it's a crossroads of actors he's worked with and actors he'll work with again -- and just about every single one of them is likeable. Soderbergh says he'll probably never make a superhero film, and that this is his take on that genre. You know what? We can't complain!</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ocean's Eleven may be Soderbergh's highest-profile film to date, one of his best films, and definitely the most fun. Not only that, but it's a crossroads of actors he's worked with and actors he'll work with again -- and just about every single one of them is likeable. Soderbergh says he'll probably never make a superhero film, and that this is his take on that genre. You know what? We can't complain!</p>]]>
      </content:encoded>
      <itunes:duration>4013</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS012.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN6230552651.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>011 Steven Soderbergh: Traffic (2000)</title>
      <description></description>
      <pubDate>Mon, 27 Nov 2017 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>11</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/eaf4ba96-ac18-11ea-820d-bb2c48421fad/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Traffic is, by far, Soderbergh's most sweeping and widespread film to date, spanning 135 characters, 110 locations, and 8 cities. It also landed him his first (and only, so far) Best Director Oscar!</itunes:subtitle>
      <itunes:summary></itunes:summary>
      <content:encoded>
        <![CDATA[<p><br></p>]]>
      </content:encoded>
      <itunes:duration>3406</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS011.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN5615222995.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>010 Steven Soderbergh: Erin Brockovich (2000)</title>
      <description></description>
      <pubDate>Mon, 20 Nov 2017 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>10</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/eb4800d4-ac18-11ea-820d-03d779b06474/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Erin Brockovich is a tour de force for Julia Roberts, Aaron Eckhart, and Steven Soderbergh. It's the most decorated film in Soderbergh's filmography to date -- and for good reason!</itunes:subtitle>
      <itunes:summary></itunes:summary>
      <content:encoded>
        <![CDATA[<p><br></p>]]>
      </content:encoded>
      <itunes:duration>3101</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS010.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN6231937107.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>009 Steven Soderbergh: The Limey (1999)</title>
      <description></description>
      <pubDate>Mon, 13 Nov 2017 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>9</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/eb8d4180-ac18-11ea-820d-cb4dfd494225/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>The Limey might be "the most Soderbergh" any of Soderbergh's movies have been to date. Terrence Stamp is one man you do not want to cross.</itunes:subtitle>
      <itunes:summary></itunes:summary>
      <content:encoded>
        <![CDATA[<p><br></p>]]>
      </content:encoded>
      <itunes:duration>2913</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS009.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN5807504974.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>008 Steven Soderbergh: Out of Sight (1998)</title>
      <description>Out of Sight is a perfect movie and there's nothing you're going to say that will dissuade us from thinking that. Prepare yourself for an hour-long love fest to the best film in the careers of Steven Soderbergh, George Clooney, and Jennifer Lopez. (Yes, really; she's GREAT in this!)</description>
      <pubDate>Mon, 06 Nov 2017 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>8</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ebd1f0dc-ac18-11ea-820d-db314edc3ec1/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Out of Sight is a perfect movie and there's nothing you're going to say that will dissuade us from thinking that.</itunes:subtitle>
      <itunes:summary>Out of Sight is a perfect movie and there's nothing you're going to say that will dissuade us from thinking that. Prepare yourself for an hour-long love fest to the best film in the careers of Steven Soderbergh, George Clooney, and Jennifer Lopez. (Yes, really; she's GREAT in this!)</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Out of Sight is a perfect movie and there's nothing you're going to say that will dissuade us from thinking that. Prepare yourself for an hour-long love fest to the best film in the careers of Steven Soderbergh, George Clooney, and Jennifer Lopez. (Yes, really; she's GREAT in this!)</p>]]>
      </content:encoded>
      <itunes:duration>3506</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS008.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN9344911679.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>007 Steven Soderbergh: Gray's Anatomy (1996)</title>
      <description></description>
      <pubDate>Mon, 30 Oct 2017 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>7</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ec11999e-ac18-11ea-820d-db933591c348/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Gray's Anatomy marks yet another wild variation for Soderbergh, as this film brings Spalding Gray's stage play to the big screen. If you're sensitive about eyes, you might want to skip this one.</itunes:subtitle>
      <itunes:summary></itunes:summary>
      <content:encoded>
        <![CDATA[<p><br></p>]]>
      </content:encoded>
      <itunes:duration>2117</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS007.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN1226840582.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>006 Steven Soderbergh: Schizopolis (1996)</title>
      <description></description>
      <pubDate>Mon, 23 Oct 2017 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>6</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ec64bd9a-ac18-11ea-820d-03b334d8eeee/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>The craziest thing about Schizopolis is that it was the movie Soderbergh was daydreaming of while filming The Underneath. The other craziest thing? The rest of the film.</itunes:subtitle>
      <itunes:summary></itunes:summary>
      <content:encoded>
        <![CDATA[<p><br></p>]]>
      </content:encoded>
      <itunes:duration>3200</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS006.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN3047152385.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>005 Steven Soderbergh: The Underneath (1995)</title>
      <description></description>
      <pubDate>Mon, 16 Oct 2017 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>5</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ec9ee740-ac18-11ea-820d-57b929ad1bf7/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Not even Steven Soderbergh is happy with The Underneath.</itunes:subtitle>
      <itunes:summary></itunes:summary>
      <content:encoded>
        <![CDATA[<p><br></p>]]>
      </content:encoded>
      <itunes:duration>2898</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS005.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN7056040797.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>004 Steven Soderbergh: Fallen Angels: "The Quiet Room" (1993)</title>
      <description></description>
      <pubDate>Mon, 09 Oct 2017 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ecdeca9a-ac18-11ea-820d-e78510385e07/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A noir story as forgettable as it is brief, "The Quiet Room" is an episode of the short-lived Showtime TV series Fallen Angels.</itunes:subtitle>
      <itunes:summary></itunes:summary>
      <content:encoded>
        <![CDATA[<p><br></p>]]>
      </content:encoded>
      <itunes:duration>1382</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS004.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN9934393238.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>003 Steven Soderbergh: King of the Hill (1993)</title>
      <description></description>
      <pubDate>Mon, 02 Oct 2017 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ed224ba8-ac18-11ea-820d-872b8877d7ba/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A simple coming-of-age tale executed with the flourish that only someone like Soderbergh can, King of the Hill brings us back to the sweaty days of the early 20th Century where the world just didn't quite make sense to kids.</itunes:subtitle>
      <itunes:summary></itunes:summary>
      <content:encoded>
        <![CDATA[<p><br></p>]]>
      </content:encoded>
      <itunes:duration>3720</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS003.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN2006998866.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>002 Steven Soderbergh: Kafka (1991)</title>
      <description>Coming off the enormous success of sex, lies, and videotape, Soderbergh returns with one of his weirdest films ever -- the black and white, semi-biographical tale of Kafka!</description>
      <pubDate>Mon, 25 Sep 2017 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ed642672-ac18-11ea-820d-7b30e85216d3/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Coming off the enormous success of sex, lies, and videotape, Soderbergh returns with one of his weirdest films ever: the black and white, semi-biographical tale of Kafka!</itunes:subtitle>
      <itunes:summary>Coming off the enormous success of sex, lies, and videotape, Soderbergh returns with one of his weirdest films ever -- the black and white, semi-biographical tale of Kafka!</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Coming off the enormous success of sex, lies, and videotape, Soderbergh returns with one of his weirdest films ever -- the black and white, semi-biographical tale of Kafka!</p>]]>
      </content:encoded>
      <itunes:duration>3175</itunes:duration>
      <guid isPermaLink="false"><![CDATA[http://cageclub.me/podcasts/CMSS002.mp3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/CCPN2340925738.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>001 Steven Soderbergh: sex, lies, and videotape (1989)</title>
      <description>Welcome to Cinemakers! We'll take you through the filmography of today's best directors on a weekly basis. We're kicking things off with Steven Soderbergh and his 1989 debut, sex, lies, and videotape, which won the Palme d'Or at Cannes. Sit back, strap on your headphones, and enjoy the ride -- Soderbergh is a master filmmaker and we're happy to dive in.</description>
      <pubDate>Mon, 18 Sep 2017 04:01:00 -0000</pubDate>
      <itunes:title>sex, lies, and videotape (1989)</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/edab2fe0-ac18-11ea-820d-eb97548cc2f7/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Welcome to Cinemakers! We'll take you through the filmography of today's best directors on a weekly basis.</itunes:subtitle>
      <itunes:summary>Welcome to Cinemakers! We'll take you through the filmography of today's best directors on a weekly basis. We're kicking things off with Steven Soderbergh and his 1989 debut, sex, lies, and videotape, which won the Palme d'Or at Cannes. Sit back, strap on your headphones, and enjoy the ride -- Soderbergh is a master filmmaker and we're happy to dive in.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Welcome to Cinemakers! We'll take you through the filmography of today's best directors on a weekly basis. We're kicking things off with Steven Soderbergh and his 1989 debut, sex, lies, and videotape, which won the Palme d'Or at Cannes. Sit back, strap on your headphones, and enjoy the ride -- Soderbergh is a master filmmaker and we're happy to dive in.</p>]]>
      </content:encoded>
      <itunes:duration>3903</itunes:duration>
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      <title>Introducing Cinemakers!</title>
      <description>Here at the CageClub Podcast Network, we've gone deep into the careers of Nicolas Cage, Keanu Reeves, Zac Efron and more. Now, we're taking a step behind the camera and following a director, rather than an actor, through his career. Cinemakers is a brand new show that will follow directors through their careers from their start to the present.</description>
      <pubDate>Thu, 13 Jul 2017 04:01:00 -0000</pubDate>
      <itunes:episodeType>trailer</itunes:episodeType>
      <itunes:author>Joey Lewandowski and Mike Manzi</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ede5e5fe-ac18-11ea-820d-438cc634d194/image/cinemakerscover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Director by director. Film by film.</itunes:subtitle>
      <itunes:summary>Here at the CageClub Podcast Network, we've gone deep into the careers of Nicolas Cage, Keanu Reeves, Zac Efron and more. Now, we're taking a step behind the camera and following a director, rather than an actor, through his career. Cinemakers is a brand new show that will follow directors through their careers from their start to the present.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Here at the CageClub Podcast Network, we've gone deep into the careers of Nicolas Cage, Keanu Reeves, Zac Efron and more. Now, we're taking a step behind the camera and following a director, rather than an actor, through his career. Cinemakers is a brand new show that will follow directors through their careers from their start to the present.</p>]]>
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      <itunes:duration>146</itunes:duration>
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