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    <title>Beltline to Broadway</title>
    <link>http://www.beltlinetobroadway.org</link>
    <language>en</language>
    <copyright>Copyright 2025 </copyright>
    <description>The Beltline to Broadway podcast blends behind-the-scenes insights, fascinating interviews, and stories from the stage. From the vibrant stages of Raleigh, North Carolina's Beltline to the iconic theaters of Broadway, this show celebrates the magic of live performance, the talent that powers it, and the passion that fuels it all. </description>
    <image>
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      <title>Beltline to Broadway</title>
      <link>http://www.beltlinetobroadway.org</link>
    </image>
    <itunes:explicit>no</itunes:explicit>
    <itunes:type>episodic</itunes:type>
    <itunes:subtitle>Stage Talk. Not Small Talk.</itunes:subtitle>
    <itunes:author>Lauren Van Hemert</itunes:author>
    <itunes:summary>The Beltline to Broadway podcast blends behind-the-scenes insights, fascinating interviews, and stories from the stage. From the vibrant stages of Raleigh, North Carolina's Beltline to the iconic theaters of Broadway, this show celebrates the magic of live performance, the talent that powers it, and the passion that fuels it all. </itunes:summary>
    <content:encoded>
      <![CDATA[<p>The <em>Beltline to Broadway</em> podcast blends behind-the-scenes insights, fascinating interviews, and stories from the stage. From the vibrant stages of Raleigh, North Carolina's Beltline to the iconic theaters of Broadway, this show celebrates the magic of live performance, the talent that powers it, and the passion that fuels it all. </p>]]>
    </content:encoded>
    <itunes:owner>
      <itunes:name>Lauren Van Hemert</itunes:name>
      <itunes:email>beltlinetobroadway@gmail.com</itunes:email>
    </itunes:owner>
    <itunes:image href="https://megaphone.imgix.net/podcasts/9ab453a4-d74a-11ef-ad77-2378a6fedcc5/image/9f4ac5a52d89c1f5054392a4a4315b62.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
    <itunes:category text="Arts">
      <itunes:category text="Performing Arts"/>
    </itunes:category>
    <itunes:category text="Music">
      <itunes:category text="Music Interviews"/>
    </itunes:category>
    <item>
      <title>Tony Awards 2026 Predictions: An Insider's Guide to Broadway's Biggest Night</title>
      <description>In this episode, Lauren Van Hemert sits down with Eric Woodall, Producing Artistic Director of Theatre Raleigh and former Tony Awards voter, for an insider's look at Broadway's biggest night. Drawing on his eight years as a Tony voter, Eric demystifies the nomination and voting process, explains how winners are selected, and shares what really goes on behind the scenes during the final weeks leading up to the Tony Awards. Together, they break down this year's most talked-about plays and musicals, discuss standout performances, and offer predictions for the season's biggest categories. Whether you're a devoted theater fan or simply curious about the awards race, this episode offers thoughtful analysis, insider perspective, and plenty of enthusiasm for the magic of live theater.


Eric Woodall is the Producing Artistic Director of Theatre Raleigh, where he has helped establish the company as one of the Southeast's premier professional theater organizations. A nationally respected theater leader, director, and casting professional, Eric spent many years working at the highest levels of the Broadway industry, casting productions in New York and helping shape the careers of countless performers. His extensive experience spans commercial theater, regional theater, and arts leadership, giving him a unique perspective on both the creative and business sides of the industry.

Known for his passion for developing artists and creating exceptional theatrical experiences, Eric remains deeply connected to the national theater community while championing the growth of professional theater in North Carolina. Through his work, he continues to foster new talent, celebrate the power of live performance, and connect audiences with world-class storytelling.


Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 04 Jun 2026 13:59:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode, Lauren Van Hemert sits down with Eric Woodall, Producing Artistic Director of Theatre Raleigh and former Tony Awards voter, for an insider's look at Broadway's biggest night. Drawing on his eight years as a Tony voter, Eric demystifies the nomination and voting process, explains how winners are selected, and shares what really goes on behind the scenes during the final weeks leading up to the Tony Awards. Together, they break down this year's most talked-about plays and musicals, discuss standout performances, and offer predictions for the season's biggest categories. Whether you're a devoted theater fan or simply curious about the awards race, this episode offers thoughtful analysis, insider perspective, and plenty of enthusiasm for the magic of live theater.


Eric Woodall is the Producing Artistic Director of Theatre Raleigh, where he has helped establish the company as one of the Southeast's premier professional theater organizations. A nationally respected theater leader, director, and casting professional, Eric spent many years working at the highest levels of the Broadway industry, casting productions in New York and helping shape the careers of countless performers. His extensive experience spans commercial theater, regional theater, and arts leadership, giving him a unique perspective on both the creative and business sides of the industry.

Known for his passion for developing artists and creating exceptional theatrical experiences, Eric remains deeply connected to the national theater community while championing the growth of professional theater in North Carolina. Through his work, he continues to foster new talent, celebrate the power of live performance, and connect audiences with world-class storytelling.


Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, Lauren Van Hemert sits down with <strong>Eric Woodall</strong>, Producing Artistic Director of Theatre Raleigh and former Tony Awards voter, for an insider's look at Broadway's biggest night. Drawing on his eight years as a Tony voter, Eric demystifies the nomination and voting process, explains how winners are selected, and shares what really goes on behind the scenes during the final weeks leading up to the Tony Awards. Together, they break down this year's most talked-about plays and musicals, discuss standout performances, and offer predictions for the season's biggest categories. Whether you're a devoted theater fan or simply curious about the awards race, this episode offers thoughtful analysis, insider perspective, and plenty of enthusiasm for the magic of live theater.
</p>
<p><strong>Eric Woodall</strong> is the Producing Artistic Director of <strong>Theatre Raleigh</strong>, where he has helped establish the company as one of the Southeast's premier professional theater organizations. A nationally respected theater leader, director, and casting professional, Eric spent many years working at the highest levels of the Broadway industry, casting productions in New York and helping shape the careers of countless performers. His extensive experience spans commercial theater, regional theater, and arts leadership, giving him a unique perspective on both the creative and business sides of the industry.</p>
<p>Known for his passion for developing artists and creating exceptional theatrical experiences, Eric remains deeply connected to the national theater community while championing the growth of professional theater in North Carolina. Through his work, he continues to foster new talent, celebrate the power of live performance, and connect audiences with world-class storytelling.</p>
<p><br></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2020</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>From Passion to Performance: How MJ's Melvin Gray Jr. Went from Scrubs to the Stage</title>
      <description>How does an aspiring doctor make the leap to the stage and step into the role of the Michael Jackson alternate in the national tour of MJ the Musical?  In this episode, we sit down with Melvin Gray Jr., who shares what it takes to embody one of history's most iconic performers. It’s a conversation about pivots, purpose, and what happens when you allow your path to evolve beyond the original plan.


About the Guest

Melvin Gray Jr. -- Tours: Ain’t Too Proud (Swing/Dance Captain). Regional: Bull Durham, Smokey Joe’s Cafe, Songs for a New World, The Scottsboro Boys, Newsies. Film/TV: “Killer Beat”, “Medicating &amp; Healing”, “Hype”. Writer/producer: The Witch’s Book. 













Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 26 Feb 2026 17:56:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>How does an aspiring doctor make the leap to the stage and step into the role of the Michael Jackson alternate in the national tour of MJ the Musical?  In this episode, we sit down with Melvin Gray Jr., who shares what it takes to embody one of history's most iconic performers. It’s a conversation about pivots, purpose, and what happens when you allow your path to evolve beyond the original plan.


About the Guest

Melvin Gray Jr. -- Tours: Ain’t Too Proud (Swing/Dance Captain). Regional: Bull Durham, Smokey Joe’s Cafe, Songs for a New World, The Scottsboro Boys, Newsies. Film/TV: “Killer Beat”, “Medicating &amp; Healing”, “Hype”. Writer/producer: The Witch’s Book. 













Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does an aspiring doctor make the leap to the stage and step into the role of the Michael Jackson alternate in the national tour of MJ the Musical?  In this episode, we sit down with Melvin Gray Jr., who shares what it takes to embody one of history's most iconic performers. It’s a conversation about pivots, purpose, and what happens when you allow your path to evolve beyond the original plan.</p>
<p>
<strong>About the Guest</strong></p>
<p>Melvin Gray Jr. -- Tours: <em>Ain’t Too Proud</em> (Swing/Dance Captain). Regional: <em>Bull Durham</em>, <em>Smokey Joe’s Cafe</em>, <em>Songs for a New World</em>, <em>The Scottsboro Boys</em>, <em>Newsies</em>. Film/TV: “Killer Beat”, “Medicating &amp; Healing”, “Hype”. Writer/producer: <em>The Witch’s Book</em>. 


</p>
<p>







</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2324</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Kennedy Caughell on Alicia Keys, Carole King &amp; Manifesting Dreams with Faith and Intention</title>
      <description>Kennedy Caughell—currently starring as Jersey in the national tour of Hell’s Kitchen— joins the pod squad to share her journey from growing up on a small Oklahoma farm to building a career on Broadway, reflecting on the faith, visualization, and relentless discipline that fueled her dreams. Kennedy also discusses the profound influence of Carole King and Alicia Keys on her artistry, leadership, and upcoming music projects, while exploring how Hell’s Kitchen speaks to today’s divided cultural moment—reminding listeners that community, creativity, and collective action remain powerful forces for healing and hope.


Kennedy has captivated audiences nationwide with her powerhouse vocals and magnetic stage presence. She was most recently seen as Jenna in Waitress and has starred in iconic roles such as Carole King in the national tour of Beautiful: The Carole King Musical, Elphaba in Wicked, and Elsa in Frozen. Broadway credits include Paradise Square, Beautiful, and Natasha, Pierre &amp; The Great Comet of 1812. Kennedy made her Carnegie Hall debut in the leading role of Super You, returning just a month later to star in Mozart: Her Story – The New Musical. Other favorite regional credits: MTWichita, NLB, 9 to 5 at the Fulton (Judy), Tick, Tick… Boom! at the Kennedy Center (dir. Neil Patrick Harris), and Great Comet at PCLO (Sonya). On screen, she’s appeared in Law &amp; Order: SVU, Parked for Love, and The Outlier. Beyond the stage, Kennedy is preparing to release her debut album, Just the Beginning, and is a passionate educator, offering master classes and private coaching across the country. BFA in Music Theater from Elon University. 




Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 17 Feb 2026 11:06:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Kennedy Caughell—currently starring as Jersey in the national tour of Hell’s Kitchen— joins the pod squad to share her journey from growing up on a small Oklahoma farm to building a career on Broadway, reflecting on the faith, visualization, and relentless discipline that fueled her dreams. Kennedy also discusses the profound influence of Carole King and Alicia Keys on her artistry, leadership, and upcoming music projects, while exploring how Hell’s Kitchen speaks to today’s divided cultural moment—reminding listeners that community, creativity, and collective action remain powerful forces for healing and hope.


Kennedy has captivated audiences nationwide with her powerhouse vocals and magnetic stage presence. She was most recently seen as Jenna in Waitress and has starred in iconic roles such as Carole King in the national tour of Beautiful: The Carole King Musical, Elphaba in Wicked, and Elsa in Frozen. Broadway credits include Paradise Square, Beautiful, and Natasha, Pierre &amp; The Great Comet of 1812. Kennedy made her Carnegie Hall debut in the leading role of Super You, returning just a month later to star in Mozart: Her Story – The New Musical. Other favorite regional credits: MTWichita, NLB, 9 to 5 at the Fulton (Judy), Tick, Tick… Boom! at the Kennedy Center (dir. Neil Patrick Harris), and Great Comet at PCLO (Sonya). On screen, she’s appeared in Law &amp; Order: SVU, Parked for Love, and The Outlier. Beyond the stage, Kennedy is preparing to release her debut album, Just the Beginning, and is a passionate educator, offering master classes and private coaching across the country. BFA in Music Theater from Elon University. 




Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kennedy Caughell—currently starring as Jersey in the national tour of <em>Hell’s Kitchen</em>— joins the pod squad to share her journey from growing up on a small Oklahoma farm to building a career on Broadway, reflecting on the faith, visualization, and relentless discipline that fueled her dreams. Kennedy also discusses the profound influence of Carole King and Alicia Keys on her artistry, leadership, and upcoming music projects, while exploring how <em>Hell’s Kitchen</em> speaks to today’s divided cultural moment—reminding listeners that community, creativity, and collective action remain powerful forces for healing and hope.</p>
<p>
Kennedy has captivated audiences nationwide with her powerhouse vocals and magnetic stage presence. She was most recently seen as Jenna in <em>Waitress</em> and has starred in iconic roles such as Carole King in the national tour of <em>Beautiful: The Carole King Musical</em>, Elphaba in <em>Wicked</em>, and Elsa in <em>Frozen</em>. Broadway credits include <em>Paradise Square</em>, <em>Beautiful</em>, and <em>Natasha, Pierre &amp; The Great Comet of 1812</em>. Kennedy made her Carnegie Hall debut in the leading role of <em>Super You</em>, returning just a month later to star in <em>Mozart: Her Story – The New Musical</em>. Other favorite regional credits: MTWichita, NLB, <em>9 to 5</em> at the Fulton (Judy), <em>Tick, Tick… Boom!</em> at the Kennedy Center (dir. Neil Patrick Harris), and <em>Great Comet</em> at PCLO (Sonya). On screen, she’s appeared in <em>Law &amp; Order: SVU</em>, <em>Parked for Love</em>, and <em>The Outlier</em>. Beyond the stage, Kennedy is preparing to release her debut album, <em>Just the Beginning</em>, and is a passionate educator, offering master classes and private coaching across the country. BFA in Music Theater from Elon University. 



</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2462</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Owning the Stage at Any Age</title>
      <description>This episode is a powerful, joy-filled conversation about saying yes to yourself—no matter your age, body, or past doubts. First, Christina Wells, who shares how discovering confidence later in life transformed her career, her sense of worth, and her mission to inspire others. From her breakout moment on America’s Got Talent to championing community, Christina reflects on resilience, representation, and the freedom that comes with embracing your authentic self. Then, learn how Music Theater International's senior editions of classic musicals are impacting communities and how Dancing Man Productions is putting performers ages 55 and over center stage at Raleigh Little Theatre. It’s a moving reminder that it’s never too late to step into the spotlight—or your second act. 

Christina Wells is a nurse, singer, actress, and motivational speaker from Houston, Texas. After years of caring for othersas a Registered Nurse, and single mother to her two incredible sons, Christina embarked upon a journey of self-discovery that would lead her to national recognition. While in her 40s, she shifted focus toward her passion for singing and performance and found herself auditioning for America’s Got Talent. She not only landed a spot in the competition but was a semifinalist earning praise from the infamous Simon Cowell while winning over the hearts of America. Follow Christina on social media @christinawellsofficial or visit christinawells.com.

Mark Steward and Freddie Lee Heath (Dancing Man Productions): Heath holds a BS in Dance from East Carolina University and a Masters in School Administration from North Carolina State University.  He worked for Wake County Public Schools in Raleigh, NC since 1992 having taught dance to all levels K-12.  Recently retired, he served the district as Director of Arts Education in this position he based his work firmly on an equity based practice that arts for all combined with rigor and relevance daily as he guided the work of 650 arts educators. Freddie Lee was one of the first dance educators in the country to achieve National Board Certification; now, he mentors others through this process.  In 2010, he served as president of North Carolina Alliance for Athletics, Health, Physical Education, Recreation and Dance where he has the distinction of being only the 2nd dance educator to serve in the 122 year history of the organization.  Heath has received numerous awards based on his teaching including “Dance Teacher” Magazine’s 2008 K-12 National Teacher of the Year and National Dance Association’s 2010 National K-12 Teacher of the Year.  For more information visit dancingmanproductions.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 10 Feb 2026 14:45:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>This episode is a powerful, joy-filled conversation about saying yes to yourself—no matter your age, body, or past doubts. First, Christina Wells, who shares how discovering confidence later in life transformed her career, her sense of worth, and her mission to inspire others. From her breakout moment on America’s Got Talent to championing community, Christina reflects on resilience, representation, and the freedom that comes with embracing your authentic self. Then, learn how Music Theater International's senior editions of classic musicals are impacting communities and how Dancing Man Productions is putting performers ages 55 and over center stage at Raleigh Little Theatre. It’s a moving reminder that it’s never too late to step into the spotlight—or your second act. 

Christina Wells is a nurse, singer, actress, and motivational speaker from Houston, Texas. After years of caring for othersas a Registered Nurse, and single mother to her two incredible sons, Christina embarked upon a journey of self-discovery that would lead her to national recognition. While in her 40s, she shifted focus toward her passion for singing and performance and found herself auditioning for America’s Got Talent. She not only landed a spot in the competition but was a semifinalist earning praise from the infamous Simon Cowell while winning over the hearts of America. Follow Christina on social media @christinawellsofficial or visit christinawells.com.

Mark Steward and Freddie Lee Heath (Dancing Man Productions): Heath holds a BS in Dance from East Carolina University and a Masters in School Administration from North Carolina State University.  He worked for Wake County Public Schools in Raleigh, NC since 1992 having taught dance to all levels K-12.  Recently retired, he served the district as Director of Arts Education in this position he based his work firmly on an equity based practice that arts for all combined with rigor and relevance daily as he guided the work of 650 arts educators. Freddie Lee was one of the first dance educators in the country to achieve National Board Certification; now, he mentors others through this process.  In 2010, he served as president of North Carolina Alliance for Athletics, Health, Physical Education, Recreation and Dance where he has the distinction of being only the 2nd dance educator to serve in the 122 year history of the organization.  Heath has received numerous awards based on his teaching including “Dance Teacher” Magazine’s 2008 K-12 National Teacher of the Year and National Dance Association’s 2010 National K-12 Teacher of the Year.  For more information visit dancingmanproductions.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode is a powerful, joy-filled conversation about saying yes to yourself—no matter your age, body, or past doubts. First, Christina Wells, who shares how discovering confidence later in life transformed her career, her sense of worth, and her mission to inspire others. From her breakout moment on <em>America’s Got Talent</em> to championing community, Christina reflects on resilience, representation, and the freedom that comes with embracing your authentic self. Then, learn how Music Theater International's senior editions of classic musicals are impacting communities and how Dancing Man Productions is putting performers ages 55 and over center stage at Raleigh Little Theatre. It’s a moving reminder that it’s never too late to step into the spotlight—or your second act. </p>
<p>Christina Wells is a nurse, singer, actress, and motivational speaker from Houston, Texas. After years of caring for othersas a Registered Nurse, and single mother to her two incredible sons, Christina embarked upon a journey of self-discovery that would lead her to national recognition. While in her 40s, she shifted focus toward her passion for singing and performance and found herself auditioning for America’s Got Talent. She not only landed a spot in the competition but was a semifinalist earning praise from the infamous Simon Cowell while winning over the hearts of America. Follow Christina on social media @christinawellsofficial or visit christinawells.com.</p>
<p>Mark Steward and Freddie Lee Heath (Dancing Man Productions): Heath holds a BS in Dance from East Carolina University and a Masters in School Administration from North Carolina State University.  He worked for Wake County Public Schools in Raleigh, NC since 1992 having taught dance to all levels K-12.  Recently retired, he served the district as Director of Arts Education in this position he based his work firmly on an equity based practice that arts for all combined with rigor and relevance daily as he guided the work of 650 arts educators. Freddie Lee was one of the first dance educators in the country to achieve National Board Certification; now, he mentors others through this process.  In 2010, he served as president of North Carolina Alliance for Athletics, Health, Physical Education, Recreation and Dance where he has the distinction of being only the 2nd dance educator to serve in the 122 year history of the organization.  Heath has received numerous awards based on his teaching including “Dance Teacher” Magazine’s 2008 K-12 National Teacher of the Year and National Dance Association’s 2010 National K-12 Teacher of the Year.  For more information visit dancingmanproductions.com.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2610</itunes:duration>
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    </item>
    <item>
      <title>From Broadway to Belonging: A Conversation with Spelling Bee's NJ Agwuna</title>
      <description>This episode of Beltline to Broadway features a thoughtful conversation with director and artist N.J. Agwuna, exploring her journey through Broadway, off-Broadway, and regional theater, including her work on Moulin Rouge, The 25th Annual Putnam County Spelling Bee, and the Pulitzer Prize–winning play Primary Trust. Agwuna reflects on lessons in leadership, collaboration, and community, particularly the importance of honoring individuality within established productions and creating welcoming spaces for artists. She discusses the inequities faced by Black women in theater, the value of mentorship and peer networks, and how community sustains artists and audiences.


NJ Agwuna is a director and theater artist whose work spans Broadway, off-Broadway, and regional stages, with a focus on collaborative storytelling, emotional clarity, and ensemble-driven work. She has served as an assistant director on productions including Moulin Rouge! The Musical on Broadway and national tour, as well as the current off-Broadway revival of The 25th Annual Putnam County Spelling Bee. 
Working with companies such as Third Rail Productions and Punch Drunk has given her new insight into how to affect audiences in ways that make them ask tough questions, connect with characters in new ways, and grow, shift, and change their ideas about what theatre is and their experience of it.  She approaches theatre with curiosity and wonder, believing that theatre can not only heal us, but also show us all the possibilities of the world that we inhabit. She has worked on a national and international scale, continuing to explore classic texts, develop new plays, and devise and investigate new ways to explore trauma and mental illness through theatre.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 09 Feb 2026 13:35:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>This episode of Beltline to Broadway features a thoughtful conversation with director and artist N.J. Agwuna, exploring her journey through Broadway, off-Broadway, and regional theater, including her work on Moulin Rouge, The 25th Annual Putnam County Spelling Bee, and the Pulitzer Prize–winning play Primary Trust. Agwuna reflects on lessons in leadership, collaboration, and community, particularly the importance of honoring individuality within established productions and creating welcoming spaces for artists. She discusses the inequities faced by Black women in theater, the value of mentorship and peer networks, and how community sustains artists and audiences.


NJ Agwuna is a director and theater artist whose work spans Broadway, off-Broadway, and regional stages, with a focus on collaborative storytelling, emotional clarity, and ensemble-driven work. She has served as an assistant director on productions including Moulin Rouge! The Musical on Broadway and national tour, as well as the current off-Broadway revival of The 25th Annual Putnam County Spelling Bee. 
Working with companies such as Third Rail Productions and Punch Drunk has given her new insight into how to affect audiences in ways that make them ask tough questions, connect with characters in new ways, and grow, shift, and change their ideas about what theatre is and their experience of it.  She approaches theatre with curiosity and wonder, believing that theatre can not only heal us, but also show us all the possibilities of the world that we inhabit. She has worked on a national and international scale, continuing to explore classic texts, develop new plays, and devise and investigate new ways to explore trauma and mental illness through theatre.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode of <em>Beltline to Broadway</em> features a thoughtful conversation with director and artist N.J. Agwuna, exploring her journey through Broadway, off-Broadway, and regional theater, including her work on <em>Moulin Rouge</em>, <em>The 25th Annual Putnam County Spelling Bee</em>, and the Pulitzer Prize–winning play <em>Primary Trust</em>. Agwuna reflects on lessons in leadership, collaboration, and community, particularly the importance of honoring individuality within established productions and creating welcoming spaces for artists. She discusses the inequities faced by Black women in theater, the value of mentorship and peer networks, and how community sustains artists and audiences.
</p>
<p>NJ Agwuna is a director and theater artist whose work spans Broadway, off-Broadway, and regional stages, with a focus on collaborative storytelling, emotional clarity, and ensemble-driven work. She has served as an assistant director on productions including <em>Moulin Rouge! The Musical</em> on Broadway and national tour, as well as the current off-Broadway revival of <em>The 25th Annual Putnam County Spelling Bee</em>. 
Working with companies such as Third Rail Productions and Punch Drunk has given her new insight into how to affect audiences in ways that make them ask tough questions, connect with characters in new ways, and grow, shift, and change their ideas about what theatre is and their experience of it.  She approaches theatre with curiosity and wonder, believing that theatre can not only heal us, but also show us all the possibilities of the world that we inhabit. She has worked on a national and international scale, continuing to explore classic texts, develop new plays, and devise and investigate new ways to explore trauma and mental illness through theatre.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1222</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8c8ed10e-05b2-11f1-9200-93d4ba5c11f0]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET9041640740.mp3?updated=1770644529" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Frankly Speaking with  Jersey Boy Dominic Scaglione Jr.</title>
      <description>Raised on the music of Sinatra and Frankie Valli, Dominic Scaglione Jr. reflects on Sinatra’s torch songs, the magic of playing Frankie Valli in Jersey Boys and returning to the stage with Amanda Kloots in The Sarafinas, My Way at Theatre Raleigh. 

About The Guest

Dominic Scaglione Jr. played the role of Four Seasons frontman Frankie Valli in the Chicago and Las Vegas companies of the Tony Award-winning Jersey Boys before joining the Broadway company in 2013. Eschewing college or theater training, the Belleville, New Jersey native wanted to be a singer and toured with major music acts like Destiny’s Child and Christina Aguilera before committing to theater. 


Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 04 Feb 2026 02:06:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Raised on the music of Sinatra and Frankie Valli, Dominic Scaglione Jr. reflects on Sinatra’s torch songs, the magic of playing Frankie Valli in Jersey Boys and returning to the stage with Amanda Kloots in The Sarafinas, My Way at Theatre Raleigh. 

About The Guest

Dominic Scaglione Jr. played the role of Four Seasons frontman Frankie Valli in the Chicago and Las Vegas companies of the Tony Award-winning Jersey Boys before joining the Broadway company in 2013. Eschewing college or theater training, the Belleville, New Jersey native wanted to be a singer and toured with major music acts like Destiny’s Child and Christina Aguilera before committing to theater. 


Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Raised on the music of Sinatra and Frankie Valli, Dominic Scaglione Jr. reflects on Sinatra’s torch songs, the magic of playing Frankie Valli in <em>Jersey Boys</em> and returning to the stage with Amanda Kloots in The Sarafinas, My Way at Theatre Raleigh. </p>
<p><strong>About The Guest</strong></p>
<p>Dominic Scaglione Jr. played the role of Four Seasons frontman Frankie Valli in the Chicago and Las Vegas companies of the Tony Award-winning <em>Jersey Boys</em> before joining the Broadway company in 2013. Eschewing college or theater training, the Belleville, New Jersey native wanted to be a singer and toured with major music acts like Destiny’s Child and Christina Aguilera before committing to theater. 

</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1138</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[280cf532-016e-11f1-b1aa-53d2bee193af]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET3518006839.mp3?updated=1770171250" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>From Mindfulness to Mincemeat, Gerianne Perez Shares Her Journey to Broadway's Biggest Hits</title>
      <description>Gerianne Perez (Operation Mincemeat) joins the pod squad to talk about her journey from singing in her high school's show choir to Broadway.  Hear what she has to say about the importance of representation in theater, the quiet confidence learned from working with powerhouse women, and the performer mindset that helps overcome nerves.

Gerianne Perez is a powerhouse performer known for her soaring vocals, emotional depth, and commanding stage presence. A proud New Yorker of Puerto Rican descent, she has built a dynamic career spanning Broadway and several national tours.

She made her Broadway debut in the groundbreaking a cappella musical In Transit and went on to appear in Waitress, where her vocal strength and heartfelt performance left a lasting mark. Most recently, she is standing by for the tour de force role of Montagu in the U.S. premiere of the West End hit Operation Mincemeat, earning praise for her comedic brilliance and versatility in one of the most buzzed-about new musicals of the season.

Her national tour credits include Vocalosity, Waitress, and the original U.S. Boleyn Tour company of SIX, where she originated the role of Catherine of Aragon. Gerianne has also worked extensively in regional theatre, bringing warmth, wit, and vocal fire to both classic and contemporary roles. For more information visit www.gerianneperez.com.

Be sure to follow Beltline to Broadway on social media @beltlinetobroadway OR visit us online at www.beltlinetobroadway.org.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 30 Sep 2025 12:21:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Gerianne Perez (Operation Mincemeat) joins the pod squad to talk about her journey from singing in her high school's show choir to Broadway.  Hear what she has to say about the importance of representation in theater, the quiet confidence learned from working with powerhouse women, and the performer mindset that helps overcome nerves.

Gerianne Perez is a powerhouse performer known for her soaring vocals, emotional depth, and commanding stage presence. A proud New Yorker of Puerto Rican descent, she has built a dynamic career spanning Broadway and several national tours.

She made her Broadway debut in the groundbreaking a cappella musical In Transit and went on to appear in Waitress, where her vocal strength and heartfelt performance left a lasting mark. Most recently, she is standing by for the tour de force role of Montagu in the U.S. premiere of the West End hit Operation Mincemeat, earning praise for her comedic brilliance and versatility in one of the most buzzed-about new musicals of the season.

Her national tour credits include Vocalosity, Waitress, and the original U.S. Boleyn Tour company of SIX, where she originated the role of Catherine of Aragon. Gerianne has also worked extensively in regional theatre, bringing warmth, wit, and vocal fire to both classic and contemporary roles. For more information visit www.gerianneperez.com.

Be sure to follow Beltline to Broadway on social media @beltlinetobroadway OR visit us online at www.beltlinetobroadway.org.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Gerianne Perez (Operation Mincemeat) joins the pod squad to talk about her journey from singing in her high school's show choir to Broadway.  Hear what she has to say about the importance of representation in theater, the quiet confidence learned from working with powerhouse women, and the performer mindset that helps overcome nerves.</p>
<p>Gerianne Perez is a powerhouse performer known for her soaring vocals, emotional depth, and commanding stage presence. A proud New Yorker of Puerto Rican descent, she has built a dynamic career spanning Broadway and several national tours.</p>
<p>She made her Broadway debut in the groundbreaking a cappella musical <em>In Transit </em>and went on to appear in <em>Waitress</em>, where her vocal strength and heartfelt performance left a lasting mark. Most recently, she is standing by for the tour de force role of Montagu in the U.S. premiere of the West End hit <em>Operation Mincemeat</em>, earning praise for her comedic brilliance and versatility in one of the most buzzed-about new musicals of the season.</p>
<p>Her national tour credits include <em>Vocalosity</em>, <em>Waitress</em>, and the original U.S. Boleyn Tour company of <em>SIX</em>, where she originated the role of Catherine of Aragon. Gerianne has also worked extensively in regional theatre, bringing warmth, wit, and vocal fire to both classic and contemporary roles. For more information visit www.gerianneperez.com.</p>
<p>Be sure to follow Beltline to Broadway on social media @beltlinetobroadway OR visit us online at www.beltlinetobroadway.org.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2769</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9a90594e-9df7-11f0-ad4b-ab96e4508c2a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET3733202693.mp3?updated=1759235738" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep. 63. Racism, Friendship and Banned Books</title>
      <description>This episode dives into the play Native and the independent film adaptation The Problem of the Hero, both of which explore the relationship and ideological conflict between literary figures Richard Wright and Paul Green. The conversation delves into themes of racism, patriotism, artistic integrity, censorship, and the role of art in driving social change.


David zum Brunnen is a seasoned actor, director, and theater-maker with decades of experience in both classical and contemporary work.  
He is widely recognized for his portrayal of Paul Green in Native and The Problem of the Hero, roles that reflect his longstanding interest in the life and legacy of the Pulitzer Prize-winning playwright. In addition to acting, zum Brunnen is also a respected educator and producer, known for fostering collaborative ensemble work and promoting historically significant narratives.


J. Mardrice Henderson is an accomplished actor and storyteller known for his dynamic stage presence and thoughtful portrayals of complex characters. A classically trained performer with a passion for social justice and truth-telling through art, Henderson first came to prominence through his role as Richard Wright in the stage play Native, later reprising the role in the award-winning independent film The Problem of the Hero. His performance earned acclaim for its emotional depth and fierce authenticity. Outside of acting, Henderson is an educator and advocate for equity in the arts, often lending his voice to discussions around representation and cultural integrity in storytelling.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 15 Jul 2025 18:10:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>This episode dives into the play Native and the independent film adaptation The Problem of the Hero, both of which explore the relationship and ideological conflict between literary figures Richard Wright and Paul Green. The conversation delves into themes of racism, patriotism, artistic integrity, censorship, and the role of art in driving social change.


David zum Brunnen is a seasoned actor, director, and theater-maker with decades of experience in both classical and contemporary work.  
He is widely recognized for his portrayal of Paul Green in Native and The Problem of the Hero, roles that reflect his longstanding interest in the life and legacy of the Pulitzer Prize-winning playwright. In addition to acting, zum Brunnen is also a respected educator and producer, known for fostering collaborative ensemble work and promoting historically significant narratives.


J. Mardrice Henderson is an accomplished actor and storyteller known for his dynamic stage presence and thoughtful portrayals of complex characters. A classically trained performer with a passion for social justice and truth-telling through art, Henderson first came to prominence through his role as Richard Wright in the stage play Native, later reprising the role in the award-winning independent film The Problem of the Hero. His performance earned acclaim for its emotional depth and fierce authenticity. Outside of acting, Henderson is an educator and advocate for equity in the arts, often lending his voice to discussions around representation and cultural integrity in storytelling.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>
This episode dives into the play <em>Native</em> and the independent film adaptation <em>The Problem of the Hero</em>, both of which explore the relationship and ideological conflict between literary figures <strong>Richard Wright</strong> and <strong>Paul Green</strong>. The conversation delves into themes of racism, patriotism, artistic integrity, censorship, and the role of art in driving social change.</p>
<p>
<strong>David zum Brunnen</strong> is a seasoned actor, director, and theater-maker with decades of experience in both classical and contemporary work.  
He is widely recognized for his portrayal of Paul Gree<em>n</em> in <em>Native</em> and <em>The Problem of the Hero</em>, roles that reflect his longstanding interest in the life and legacy of the Pulitzer Prize-winning playwright. In addition to acting, zum Brunnen is also a respected educator and producer, known for fostering collaborative ensemble work and promoting historically significant narratives.</p>
<p>
<strong>J. Mardrice Henderson</strong> is an accomplished actor and storyteller known for his dynamic stage presence and thoughtful portrayals of complex characters. A classically trained performer with a passion for social justice and truth-telling through art, Henderson first came to prominence through his role as Richard Wright in the stage play <em>Native</em>, later reprising the role in the award-winning independent film <em>The Problem of the Hero</em>. His performance earned acclaim for its emotional depth and fierce authenticity. Outside of acting, Henderson is an educator and advocate for equity in the arts, often lending his voice to discussions around representation and cultural integrity in storytelling.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3001</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a79d0280-61a3-11f0-b0c4-17df1b9c7232]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET9389752408.mp3?updated=1752603863" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep. 62: Big Hair and Big Behind-the-Scenes Stories from Broadway to Hairspray Live</title>
      <description>This episode of the Beltline to Broadway podcast, hosted by Lauren Van Hemert, spotlights a new production of Hairspray at Thalian Hall in Wilmington, NC. What makes this production unique is its powerful blend of Broadway alumni, live TV experience, and hair-raising (literally) design, brought together by the Opera House Theatre Company.



Melissa VanPelt is a native of Memphis TN and a graduate of AMDA(The American Musical and Dramatic Academy) in NYC. Theater credits include Hairspray on Broadway, Hairspray National Tour, Once On this Island,  Ain’t Misbehavin', Purlie and Fame. Live Entertainment credits include Hairspray with The Indianapolis Symphony Orchestra, Royal Caribbean Cruises, Spirit cruises, Cedar Point, Libertyland, and The USO Show Troupe.


Rhon Saunders is a dynamic performer and choreographer whose career bridges the worlds of stage and screen. A featured dancer in NBC’s Hairspray Live!, Rhon’s high-energy performance and deep understanding of the show's iconic choreography brought him national attention and solidified his connection to the Hairspray legacy. With over a decade of professional dance experience, Rhon has worked across theater, television, and live entertainment, bringing both charisma and precision to every project he touches. As co-choreographer for the Opera House Theatre Company’s production of Hairspray, Rhon combines his lived experience in the show with a thoughtful, inclusive approach to storytelling through movement.

Erin Sullivan is a seasoned performer and wig designer whose connection to Hairspray spans decades and roles. She starred as Amber Von Tussle in the national tour from 2008 to 2010 and now returns to the stage as Velma, bringing full-circle flair and fierce comedic timing to the Opera House Theatre Company’s production. A true multi-hyphenate, Erin also serves as the show's wig supervisor, drawing on her deep knowledge of character transformation and period styling. Her passion for theatrical storytelling—both onstage and backstage—makes her an invaluable part of the Hairspray legacy and a beloved mentor to rising performers.

Links:

Opera House Theatre Company

Thalian Hall Center for the Performing Arts











Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 24 Jun 2025 08:52:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>This episode of the Beltline to Broadway podcast, hosted by Lauren Van Hemert, spotlights a new production of Hairspray at Thalian Hall in Wilmington, NC. What makes this production unique is its powerful blend of Broadway alumni, live TV experience, and hair-raising (literally) design, brought together by the Opera House Theatre Company.



Melissa VanPelt is a native of Memphis TN and a graduate of AMDA(The American Musical and Dramatic Academy) in NYC. Theater credits include Hairspray on Broadway, Hairspray National Tour, Once On this Island,  Ain’t Misbehavin', Purlie and Fame. Live Entertainment credits include Hairspray with The Indianapolis Symphony Orchestra, Royal Caribbean Cruises, Spirit cruises, Cedar Point, Libertyland, and The USO Show Troupe.


Rhon Saunders is a dynamic performer and choreographer whose career bridges the worlds of stage and screen. A featured dancer in NBC’s Hairspray Live!, Rhon’s high-energy performance and deep understanding of the show's iconic choreography brought him national attention and solidified his connection to the Hairspray legacy. With over a decade of professional dance experience, Rhon has worked across theater, television, and live entertainment, bringing both charisma and precision to every project he touches. As co-choreographer for the Opera House Theatre Company’s production of Hairspray, Rhon combines his lived experience in the show with a thoughtful, inclusive approach to storytelling through movement.

Erin Sullivan is a seasoned performer and wig designer whose connection to Hairspray spans decades and roles. She starred as Amber Von Tussle in the national tour from 2008 to 2010 and now returns to the stage as Velma, bringing full-circle flair and fierce comedic timing to the Opera House Theatre Company’s production. A true multi-hyphenate, Erin also serves as the show's wig supervisor, drawing on her deep knowledge of character transformation and period styling. Her passion for theatrical storytelling—both onstage and backstage—makes her an invaluable part of the Hairspray legacy and a beloved mentor to rising performers.

Links:

Opera House Theatre Company

Thalian Hall Center for the Performing Arts











Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>
This episode of the <em>Beltline to Broadway</em> podcast, hosted by Lauren Van Hemert, spotlights a new production of <em>Hairspray</em> at Thalian Hall in Wilmington, NC. What makes this production unique is its powerful blend of Broadway alumni, live TV experience, and hair-raising (literally) design, brought together by the Opera House Theatre Company.</p>
<p><br></p>
<p><strong>Melissa VanPelt</strong> is a native of Memphis TN and a graduate of AMDA(The American Musical and Dramatic Academy) in NYC. Theater credits include Hairspray on Broadway, Hairspray National Tour, Once On this Island,  Ain’t Misbehavin', Purlie and Fame. Live Entertainment credits include Hairspray with The Indianapolis Symphony Orchestra, Royal Caribbean Cruises, Spirit cruises, Cedar Point, Libertyland, and The USO Show Troupe.
</p>
<p><strong>Rhon Saunders</strong> is a dynamic performer and choreographer whose career bridges the worlds of stage and screen. A featured dancer in NBC’s <em>Hairspray Live!</em>, Rhon’s high-energy performance and deep understanding of the show's iconic choreography brought him national attention and solidified his connection to the <em>Hairspray</em> legacy. With over a decade of professional dance experience, Rhon has worked across theater, television, and live entertainment, bringing both charisma and precision to every project he touches. As co-choreographer for the Opera House Theatre Company’s production of <em>Hairspray</em>, Rhon combines his lived experience in the show with a thoughtful, inclusive approach to storytelling through movement.

<strong>Erin Sullivan</strong> is a seasoned performer and wig designer whose connection to <em>Hairspray</em> spans decades and roles. She starred as <em>Amber Von Tussle</em> in the national tour from 2008 to 2010 and now returns to the stage as <em>Velma</em>, bringing full-circle flair and fierce comedic timing to the Opera House Theatre Company’s production. A true multi-hyphenate, Erin also serves as the show's wig supervisor, drawing on her deep knowledge of character transformation and period styling. Her passion for theatrical storytelling—both onstage and backstage—makes her an invaluable part of the <em>Hairspray</em> legacy and a beloved mentor to rising performers.

<strong>Links:</strong></p>
<p><a href="https://www.operahousetheatrecompany.org/2025-season">Opera House Theatre Company</a></p>
<p><a href="https://www.thalianhall.org/">Thalian Hall Center for the Performing Arts</a>
</p>
<p>

</p>
<p><br></p>
<p>

</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1475</itunes:duration>
      <guid isPermaLink="false"><![CDATA[d0057470-50d5-11f0-beac-eb17faccfbfa]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET1636915331.mp3?updated=1750757097" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep. 61: Tony Predictions, Trends, and Snubs</title>
      <description>Eric Woodall joins the pod squad to discuss the 2025 Tony Awards season, with reflections on Broadway trends, productions, performers, and predictions across various categories.



Eric Woodall is a nationally respected theater director, casting professional, and arts leader with deep roots in both Broadway and regional theater. Currently serving as the Producing Artistic Director of Theatre Raleigh, Eric is known for his visionary leadership, dynamic productions, and unwavering commitment to artistic excellence.

Before returning to North Carolina, Eric spent over a decade as a casting director for Broadway and national tours with Tara Rubin Casting in New York City. His casting credits include blockbuster productions such as The Phantom of the Opera, Les Misérables, Billy Elliot, and Mamma Mia!.

A former Tony Awards voter, Eric brings an insider's perspective to the Broadway industry, blending a love for new works with a reverence for classic storytelling. His creative lens is marked by innovation, inclusivity, and an enduring passion for reimagining beloved works—traits evident in his acclaimed regional productions of Gypsy, Parade, August: Osage County, and Ragtime.






Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 06 Jun 2025 07:29:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Eric Woodall joins the pod squad to discuss the 2025 Tony Awards season, with reflections on Broadway trends, productions, performers, and predictions across various categories.



Eric Woodall is a nationally respected theater director, casting professional, and arts leader with deep roots in both Broadway and regional theater. Currently serving as the Producing Artistic Director of Theatre Raleigh, Eric is known for his visionary leadership, dynamic productions, and unwavering commitment to artistic excellence.

Before returning to North Carolina, Eric spent over a decade as a casting director for Broadway and national tours with Tara Rubin Casting in New York City. His casting credits include blockbuster productions such as The Phantom of the Opera, Les Misérables, Billy Elliot, and Mamma Mia!.

A former Tony Awards voter, Eric brings an insider's perspective to the Broadway industry, blending a love for new works with a reverence for classic storytelling. His creative lens is marked by innovation, inclusivity, and an enduring passion for reimagining beloved works—traits evident in his acclaimed regional productions of Gypsy, Parade, August: Osage County, and Ragtime.






Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Eric Woodall joins the pod squad to discuss the 2025 <strong>Tony Awards</strong> season, with reflections on Broadway trends, productions, performers, and predictions across various categories.</p>
<p><br></p>
<p><strong>Eric Woodall</strong> is a nationally respected theater director, casting professional, and arts leader with deep roots in both Broadway and regional theater. Currently serving as the Producing Artistic Director of <strong>Theatre Raleigh</strong>, Eric is known for his visionary leadership, dynamic productions, and unwavering commitment to artistic excellence.</p>
<p>Before returning to North Carolina, Eric spent over a decade as a <strong>casting director for Broadway and national tours</strong> with Tara Rubin Casting in New York City. His casting credits include blockbuster productions such as <em>The Phantom of the Opera</em>, <em>Les Misérables</em>, <em>Billy Elliot</em>, and <em>Mamma Mia!</em>.</p>
<p>A former <strong>Tony Awards voter</strong>, Eric brings an insider's perspective to the Broadway industry, blending a love for new works with a reverence for classic storytelling. His creative lens is marked by innovation, inclusivity, and an enduring passion for reimagining beloved works—traits evident in his acclaimed regional productions of <em>Gypsy</em>, <em>Parade</em>, <em>August: Osage County</em>, and <em>Ragtime</em>.</p>
<p>



</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2663</itunes:duration>
      <guid isPermaLink="false"><![CDATA[ee89f0ce-42a7-11f0-9d69-1ff2be9b73eb]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET8358380825.mp3?updated=1749196320" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep. 60 :Baldwin, Broadway, and the Power of Maybe with Brandon Victor Dixon</title>
      <description>In this thoughtful and heartfelt episode, host Lauren Van Hemert sits down with acclaimed actor, producer, and musician Brandon Victor Dixon to discuss his artistic journey, advocacy, and newly released single, "Maybe." Known for roles in Hamilton and The Color Purple, Dixon opens up about the soulfulness behind his music, the importance of civic engagement, and the power of storytelling in creating social change. 
The episode serves as both an inspiring dialogue and a wake-up call—reminding listeners that allyship and anti-racism are continuous commitments. Lauren reflects on her own biases, thanking Dixon for challenging her perspective and deepening the conversation.

Brandon Victor Dixon is a Tony, Emmy, and Grammy-nominated performer, producer, and activist best known for his unforgettable performances in Broadway hits like Hamilton, The Color Purple, and Shuffle Along. A graduate of Columbia University, Dixon has built a celebrated career defined by versatility and purpose. He originated the role of Harpo in The Color Purple, earned critical acclaim as Aaron Burr in Hamilton, and captivated television audiences as Judas in NBC’s Jesus Christ Superstar Live in Concert. His dynamic talents extend behind the scenes as well—he is a co-founder of WalkRunFly Productions, a company committed to developing socially conscious theater and amplifying diverse voices.

Beyond the spotlight, Dixon is a passionate advocate for equity, civic engagement, and social justice. He’s used his platform to speak out on issues ranging from voting rights to arts accessibility and is widely recognized for his bold 2016 message to then-Vice President Mike Pence during a Hamilton curtain call. Most recently, Dixon released his soul-stirring single “Maybe,” a musical meditation on collective responsibility and hope, inspired in part by James Baldwin. With every performance and project, Dixon continues to challenge, uplift, and inspire audiences through the intersection of art and activism.














Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 27 May 2025 03:27:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this thoughtful and heartfelt episode, host Lauren Van Hemert sits down with acclaimed actor, producer, and musician Brandon Victor Dixon to discuss his artistic journey, advocacy, and newly released single, "Maybe." Known for roles in Hamilton and The Color Purple, Dixon opens up about the soulfulness behind his music, the importance of civic engagement, and the power of storytelling in creating social change. 
The episode serves as both an inspiring dialogue and a wake-up call—reminding listeners that allyship and anti-racism are continuous commitments. Lauren reflects on her own biases, thanking Dixon for challenging her perspective and deepening the conversation.

Brandon Victor Dixon is a Tony, Emmy, and Grammy-nominated performer, producer, and activist best known for his unforgettable performances in Broadway hits like Hamilton, The Color Purple, and Shuffle Along. A graduate of Columbia University, Dixon has built a celebrated career defined by versatility and purpose. He originated the role of Harpo in The Color Purple, earned critical acclaim as Aaron Burr in Hamilton, and captivated television audiences as Judas in NBC’s Jesus Christ Superstar Live in Concert. His dynamic talents extend behind the scenes as well—he is a co-founder of WalkRunFly Productions, a company committed to developing socially conscious theater and amplifying diverse voices.

Beyond the spotlight, Dixon is a passionate advocate for equity, civic engagement, and social justice. He’s used his platform to speak out on issues ranging from voting rights to arts accessibility and is widely recognized for his bold 2016 message to then-Vice President Mike Pence during a Hamilton curtain call. Most recently, Dixon released his soul-stirring single “Maybe,” a musical meditation on collective responsibility and hope, inspired in part by James Baldwin. With every performance and project, Dixon continues to challenge, uplift, and inspire audiences through the intersection of art and activism.














Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this thoughtful and heartfelt episode, host Lauren Van Hemert sits down with acclaimed actor, producer, and musician <strong>Brandon Victor Dixon</strong> to discuss his artistic journey, advocacy, and newly released single, <strong>"Maybe."</strong> Known for roles in <em>Hamilton</em> and <em>The Color Purple</em>, Dixon opens up about the soulfulness behind his music, the importance of civic engagement, and the power of storytelling in creating social change. 
The episode serves as both an inspiring dialogue and a wake-up call—reminding listeners that allyship and anti-racism are continuous commitments. Lauren reflects on her own biases, thanking Dixon for challenging her perspective and deepening the conversation.</p>
<p><strong>Brandon Victor Dixon</strong> is a Tony, Emmy, and Grammy-nominated performer, producer, and activist best known for his unforgettable performances in Broadway hits like <em>Hamilton</em>, <em>The Color Purple</em>, and <em>Shuffle Along</em>. A graduate of Columbia University, Dixon has built a celebrated career defined by versatility and purpose. He originated the role of Harpo in <em>The Color Purple</em>, earned critical acclaim as Aaron Burr in <em>Hamilton</em>, and captivated television audiences as Judas in NBC’s <em>Jesus Christ Superstar Live in Concert</em>. His dynamic talents extend behind the scenes as well—he is a co-founder of WalkRunFly Productions, a company committed to developing socially conscious theater and amplifying diverse voices.</p>
<p>Beyond the spotlight, Dixon is a passionate advocate for equity, civic engagement, and social justice. He’s used his platform to speak out on issues ranging from voting rights to arts accessibility and is widely recognized for his bold 2016 message to then-Vice President Mike Pence during a <em>Hamilton</em> curtain call. Most recently, Dixon released his soul-stirring single “Maybe,” a musical meditation on collective responsibility and hope, inspired in part by James Baldwin. With every performance and project, Dixon continues to challenge, uplift, and inspire audiences through the intersection of art and activism.</p>
<p>

</p>
<p><br></p>
<p><br></p>
<p>



</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1437</itunes:duration>
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    </item>
    <item>
      <title>Ep. 59: From Glee to Oklahoma, Tony Award-winner Ali Stroker Reveals Her Greatest Role</title>
      <description>Ali Stroker joins the pod squad for an honest, inspiring conversation about breaking barriers on Broadway and beyond. From her historic win for Oklahoma! to navigating an industry not always built for inclusivity, Ali shares how she turned challenges into opportunities.




Ali Stroker is a Tony Award-winning actress, singer, and advocate who has made history as a trailblazer for performers with disabilities.  In 2015, she broke new ground as the first actor in a wheelchair to appear on Broadway, starring in Deaf West Theatre’s acclaimed revival of Spring Awakening. 
er portrayal of Ado Annie in the 2019 Broadway revival of Oklahoma! earned her a Tony Award for Best Featured Actress in a Musical, marking another historic first.  Beyond the stage, she has appeared in television series such as Only Murders in the Building, Ozark, and Echoes.  Committed to advocacy, Stroker co-founded Be More Heroic, an anti-bullying campaign, and has led theater workshops for women and children affected by HIV/AIDS in South Africa.  Her motto, "Turning Your Limitations Into Your Opportunities," reflects her dedication to empowering others through the arts.










Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 14 May 2025 14:30:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Ali Stroker joins the pod squad for an honest, inspiring conversation about breaking barriers on Broadway and beyond. From her historic win for Oklahoma! to navigating an industry not always built for inclusivity, Ali shares how she turned challenges into opportunities.




Ali Stroker is a Tony Award-winning actress, singer, and advocate who has made history as a trailblazer for performers with disabilities.  In 2015, she broke new ground as the first actor in a wheelchair to appear on Broadway, starring in Deaf West Theatre’s acclaimed revival of Spring Awakening. 
er portrayal of Ado Annie in the 2019 Broadway revival of Oklahoma! earned her a Tony Award for Best Featured Actress in a Musical, marking another historic first.  Beyond the stage, she has appeared in television series such as Only Murders in the Building, Ozark, and Echoes.  Committed to advocacy, Stroker co-founded Be More Heroic, an anti-bullying campaign, and has led theater workshops for women and children affected by HIV/AIDS in South Africa.  Her motto, "Turning Your Limitations Into Your Opportunities," reflects her dedication to empowering others through the arts.










Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><strong>Ali Stroker</strong> joins the pod squad for an honest, inspiring conversation about breaking barriers on Broadway and beyond. From her historic win for <em>Oklahoma!</em> to navigating an industry not always built for inclusivity, Ali shares how she turned challenges into opportunities.</p>
<p><br></p>
<p>
<strong>Ali Stroker</strong> is a Tony Award-winning actress, singer, and advocate who has made history as a trailblazer for performers with disabilities.  In 2015, she broke new ground as the first actor in a wheelchair to appear on Broadway, starring in Deaf West Theatre’s acclaimed revival of <em>Spring Awakening</em>. 
er portrayal of Ado Annie in the 2019 Broadway revival of <em>Oklahoma!</em> earned her a Tony Award for Best Featured Actress in a Musical, marking another historic first.  Beyond the stage, she has appeared in television series such as <em>Only Murders in the Building</em>, <em>Ozark</em>, and <em>Echoes</em>.  Committed to advocacy, Stroker co-founded Be More Heroic, an anti-bullying campaign, and has led theater workshops for women and children affected by HIV/AIDS in South Africa.  Her motto, "Turning Your Limitations Into Your Opportunities," reflects her dedication to empowering others through the arts.



</p>
<p><br></p>
<p>

</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1835</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Ep58. Carmen Cusack on Defying Musical Genres and Conventions</title>
      <description>The incomparable Carmen Cusack—Tony-nominated star of Bright Star, Wicked, and Flying Over Sunset joins the pod squad. She shares the fascinating arc of her career, from training as an opera singer to finding her authentic voice in roles that defy genre conventions. She also offers a behind-the-scenes look at her artistic process as she prepares for an immersive concert at Theatre Raleigh. With humor, honesty, and soul, Carmen Cusack reminds us why she's one of the most compelling performers working today.


Carmen Cusack is a Tony-nominated actress and singer best known for originating the role of Alice Murphy in Bright Star, for which she received critical acclaim. With a rich background in opera, gospel, and contemporary music, she has brought powerhouse performances to the stage in roles like Elphaba in Wicked, Clare Boothe Luce in Flying Over Sunset, and Nellie Forbush in South Pacific. A genre-defying artist, Carmen continues to forge new paths as a musician, storyteller, and collaborator in both musical theater and original music projects.




Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 30 Apr 2025 21:31:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>58</itunes:episode>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The incomparable Carmen Cusack—Tony-nominated star of Bright Star, Wicked, and Flying Over Sunset joins the pod squad. She shares the fascinating arc of her career, from training as an opera singer to finding her authentic voice in roles that defy genre conventions. She also offers a behind-the-scenes look at her artistic process as she prepares for an immersive concert at Theatre Raleigh. With humor, honesty, and soul, Carmen Cusack reminds us why she's one of the most compelling performers working today.


Carmen Cusack is a Tony-nominated actress and singer best known for originating the role of Alice Murphy in Bright Star, for which she received critical acclaim. With a rich background in opera, gospel, and contemporary music, she has brought powerhouse performances to the stage in roles like Elphaba in Wicked, Clare Boothe Luce in Flying Over Sunset, and Nellie Forbush in South Pacific. A genre-defying artist, Carmen continues to forge new paths as a musician, storyteller, and collaborator in both musical theater and original music projects.




Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The incomparable <strong>Carmen Cusack</strong>—Tony-nominated star of <em>Bright Star</em>, <em>Wicked</em>, and <em>Flying Over Sunset </em>joins the pod squad. She shares the fascinating arc of her career, from training as an opera singer to finding her authentic voice in roles that defy genre conventions. She also offers a behind-the-scenes look at her artistic process as she prepares for an immersive concert at Theatre Raleigh. With humor, honesty, and soul, Carmen Cusack reminds us why she's one of the most compelling performers working today.</p>
<p>
<strong>Carmen Cusack</strong> is a Tony-nominated actress and singer best known for originating the role of Alice Murphy in <em>Bright Star</em>, for which she received critical acclaim. With a rich background in opera, gospel, and contemporary music, she has brought powerhouse performances to the stage in roles like Elphaba in <em>Wicked</em>, Clare Boothe Luce in <em>Flying Over Sunset</em>, and Nellie Forbush in <em>South Pacific</em>. A genre-defying artist, Carmen continues to forge new paths as a musician, storyteller, and collaborator in both musical theater and original music projects.

</p>
<p><br></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1905</itunes:duration>
      <guid isPermaLink="false"><![CDATA[5e4f3744-260a-11f0-8ed1-a710418fa729]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET1099723174.mp3?updated=1746049818" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep57. From Daytime Drama to Courtroom Drama</title>
      <description>Whether in soap operas or stage work, it’s all about honoring the craft, respecting the audience, and telling stories that matter. Hear what John Wesley Shipp and David A. Gregory say about their journey from meeting on One Life to Live to facing off in the courtroom drama, Caine Mutiny Court-Martial.

John Wesley Shipp is a veteran actor best known for his dynamic range across television and stage. He originated the role of The Flash in the 1990s CBS series and later returned to the modern CW version in multiple iconic roles, including Barry Allen’s father. Shipp also made a major mark in daytime television, earning two Daytime Emmy Awards for his performances on As the World Turns and Santa Barbara. Beyond his screen presence, he’s a passionate stage performer with deep ties to theatrical storytelling and a loyal fan base spanning generations.

David Gregory is a seasoned actor recognized for his compelling work in television, film, and theater. He’s best known for his role as Robert Ford on the long-running soap opera One Life to Live, where he became a fan favorite for his emotionally complex portrayal. Off the screen, Gregory has built a strong reputation in regional and off-Broadway theater, often gravitating toward powerful, language-driven plays. He brings a thoughtful, grounded approach to every role and is deeply engaged in conversations around storytelling, ethics, and the impact of live performance.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 05:57:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Whether in soap operas or stage work, it’s all about honoring the craft, respecting the audience, and telling stories that matter. Hear what John Wesley Shipp and David A. Gregory say about their journey from meeting on One Life to Live to facing off in the courtroom drama, Caine Mutiny Court-Martial.

John Wesley Shipp is a veteran actor best known for his dynamic range across television and stage. He originated the role of The Flash in the 1990s CBS series and later returned to the modern CW version in multiple iconic roles, including Barry Allen’s father. Shipp also made a major mark in daytime television, earning two Daytime Emmy Awards for his performances on As the World Turns and Santa Barbara. Beyond his screen presence, he’s a passionate stage performer with deep ties to theatrical storytelling and a loyal fan base spanning generations.

David Gregory is a seasoned actor recognized for his compelling work in television, film, and theater. He’s best known for his role as Robert Ford on the long-running soap opera One Life to Live, where he became a fan favorite for his emotionally complex portrayal. Off the screen, Gregory has built a strong reputation in regional and off-Broadway theater, often gravitating toward powerful, language-driven plays. He brings a thoughtful, grounded approach to every role and is deeply engaged in conversations around storytelling, ethics, and the impact of live performance.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Whether in soap operas or stage work, it’s all about honoring the craft, respecting the audience, and telling stories that matter. Hear what John Wesley Shipp and David A. Gregory say about their journey from meeting on One Life to Live to facing off in the courtroom drama, <em>Caine Mutiny Court-Martial</em>.</p><p><br></p><p>John Wesley Shipp is a veteran actor best known for his dynamic range across television and stage. He originated the role of <em>The Flash</em> in the 1990s CBS series and later returned to the modern CW version in multiple iconic roles, including Barry Allen’s father. Shipp also made a major mark in daytime television, earning two Daytime Emmy Awards for his performances on <em>As the World Turns</em> and <em>Santa Barbara</em>. Beyond his screen presence, he’s a passionate stage performer with deep ties to theatrical storytelling and a loyal fan base spanning generations.</p><p><br></p><p>David Gregory is a seasoned actor recognized for his compelling work in television, film, and theater. He’s best known for his role as Robert Ford on the long-running soap opera <em>One Life to Live</em>, where he became a fan favorite for his emotionally complex portrayal. Off the screen, Gregory has built a strong reputation in regional and off-Broadway theater, often gravitating toward powerful, language-driven plays. He brings a thoughtful, grounded approach to every role and is deeply engaged in conversations around storytelling, ethics, and the impact of live performance.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1211</itunes:duration>
      <guid isPermaLink="false"><![CDATA[d0377eb2-1b50-11f0-ab40-77ed874629d3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET2690139187.mp3?updated=1744871409" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep56. Hamilton, Heritage &amp; Horror: A Theater Deep Dive with Robert Ariza and Maya Jacobson</title>
      <description>Robert Ariza (Hamilton, Spring Awakening) and Maya Jacobson (Fiddler on the Roof) join the podsquad to discuss how even quirky cult musicals like Little Shop carry deeper critiques of capitalism and power. While early in their careers, both actors bring insight into how the stage can be a space for healing, rebellion, and storytelling that transcends language and background. 

Robert Ariza is a dynamic and versatile stage actor known for his work in boundary-breaking productions that blend artistry with activism. A proud alum of the groundbreaking Spring Awakening revival by Deaf West Theatre, Robert stepped into a unique role as a swing, learning American Sign Language from scratch to help bring an inclusive and visually stunning production to life on Broadway. His work reflects a deep commitment to storytelling that empowers marginalized voices and pushes the boundaries of traditional theater.
Robert’s journey has also led him to the national tours of Hamilton (Chicago), Les Misérables (North America), Natasha, Pierre &amp; The Great Comet of 1812 (Shanghai).

Best known for her role in the acclaimed Yiddish Fiddler on the Roof, Maya Jacobson brought powerful emotional nuance to a production that not only celebrated Jewish heritage but also honored her own family's Holocaust history. Regionally, she has been seen in Beautiful: The Carole King Musical (Asolo Repertory Theatre), A Crucible 001 (Bard), Fiddler on the Roof (Paper Mill Playhouse), Fun Home (Studio Theatre), Fiddler on the Roof (The Lyric Opera of Chicago), A Walk on the Moon (George Street Playhouse).

Follow Beltline to Broadway on Instagram, Facebook, Bluesky or TikTok @beltlinetobroadway.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 08 Apr 2025 05:17:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Robert Ariza (Hamilton, Spring Awakening) and Maya Jacobson (Fiddler on the Roof) join the podsquad to discuss how even quirky cult musicals like Little Shop carry deeper critiques of capitalism and power. While early in their careers, both actors bring insight into how the stage can be a space for healing, rebellion, and storytelling that transcends language and background. 

Robert Ariza is a dynamic and versatile stage actor known for his work in boundary-breaking productions that blend artistry with activism. A proud alum of the groundbreaking Spring Awakening revival by Deaf West Theatre, Robert stepped into a unique role as a swing, learning American Sign Language from scratch to help bring an inclusive and visually stunning production to life on Broadway. His work reflects a deep commitment to storytelling that empowers marginalized voices and pushes the boundaries of traditional theater.
Robert’s journey has also led him to the national tours of Hamilton (Chicago), Les Misérables (North America), Natasha, Pierre &amp; The Great Comet of 1812 (Shanghai).

Best known for her role in the acclaimed Yiddish Fiddler on the Roof, Maya Jacobson brought powerful emotional nuance to a production that not only celebrated Jewish heritage but also honored her own family's Holocaust history. Regionally, she has been seen in Beautiful: The Carole King Musical (Asolo Repertory Theatre), A Crucible 001 (Bard), Fiddler on the Roof (Paper Mill Playhouse), Fun Home (Studio Theatre), Fiddler on the Roof (The Lyric Opera of Chicago), A Walk on the Moon (George Street Playhouse).

Follow Beltline to Broadway on Instagram, Facebook, Bluesky or TikTok @beltlinetobroadway.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Robert Ariza (Hamilton, Spring Awakening) and Maya Jacobson (Fiddler on the Roof) join the podsquad to discuss how even quirky cult musicals like <em>Little Shop</em> carry deeper critiques of capitalism and power. While early in their careers, both actors bring insight into how the stage can be a space for healing, rebellion, and storytelling that transcends language and background. </p><p><br></p><p>Robert Ariza is a dynamic and versatile stage actor known for his work in boundary-breaking productions that blend artistry with activism. A proud alum of the groundbreaking <em>Spring Awakening</em> revival by Deaf West Theatre, Robert stepped into a unique role as a swing, learning American Sign Language from scratch to help bring an inclusive and visually stunning production to life on Broadway. His work reflects a deep commitment to storytelling that empowers marginalized voices and pushes the boundaries of traditional theater.</p><p>Robert’s journey has also led him to the national tours of <em>Hamilton</em> (Chicago), <em>Les Misérables</em> (North America), <em>Natasha, Pierre &amp; The Great Comet of 1812</em> (Shanghai).</p><p><br></p><p>Best known for her role in the acclaimed <em>Yiddish Fiddler on the Roof</em>, Maya Jacobson brought powerful emotional nuance to a production that not only celebrated Jewish heritage but also honored her own family's Holocaust history. Regionally, she has been seen in <em>Beautiful: The Carole King Musical </em>(Asolo Repertory Theatre), <em>A Crucible 001 </em>(Bard), <em>Fiddler on the Roof</em> (Paper Mill Playhouse), <em>Fun Home</em> (Studio Theatre), <em>Fiddler on the Roof</em> (The Lyric Opera of Chicago),<em> A Walk on the Moon</em> (George Street Playhouse).</p><p><br></p><p>Follow Beltline to Broadway on Instagram, Facebook, Bluesky or TikTok @beltlinetobroadway.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1443</itunes:duration>
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    <item>
      <title>Ep55. Guiding Light's Kim Zimmer on Healing Fully, Acting Boldly, and Finding Bountiful</title>
      <description>In this heartfelt episode of Beltline to Broadway, host Lauren Van Hemert sits down with four-time Emmy Award-winning actress Kim Zimmer to discuss her latest role in The Trip to Bountiful at Theater Raleigh. Kim also opens up about her personal journey with breast cancer, the resilience required to work in daytime television, and what it's like to portray complex women on stage and screen.

Kim Zimmer is best known for her iconic role as Reva Shayne on the long-running soap opera Guiding Light, for which she received critical acclaim and a devoted fanbase. With a career spanning decades, Kim has brought dynamic characters to life on both television and the stage, including roles in Wicked and Six Dance Lessons in Six Weeks. A passionate advocate for live theater and mature storytelling, she continues to inspire audiences with her authenticity, emotional depth, and enduring talent.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 04 Apr 2025 07:30:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this heartfelt episode of Beltline to Broadway, host Lauren Van Hemert sits down with four-time Emmy Award-winning actress Kim Zimmer to discuss her latest role in The Trip to Bountiful at Theater Raleigh. Kim also opens up about her personal journey with breast cancer, the resilience required to work in daytime television, and what it's like to portray complex women on stage and screen.

Kim Zimmer is best known for her iconic role as Reva Shayne on the long-running soap opera Guiding Light, for which she received critical acclaim and a devoted fanbase. With a career spanning decades, Kim has brought dynamic characters to life on both television and the stage, including roles in Wicked and Six Dance Lessons in Six Weeks. A passionate advocate for live theater and mature storytelling, she continues to inspire audiences with her authenticity, emotional depth, and enduring talent.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this heartfelt episode of <em>Beltline to Broadway</em>, host Lauren Van Hemert sits down with four-time Emmy Award-winning actress <strong>Kim Zimmer</strong> to discuss her latest role in <em>The Trip to Bountiful</em> at Theater Raleigh. Kim also opens up about her personal journey with breast cancer, the resilience required to work in daytime television, and what it's like to portray complex women on stage and screen.</p><p><br></p><p>Kim Zimmer is best known for her iconic role as <strong>Reva Shayne</strong> on the long-running soap opera <em>Guiding Light</em>, for which she received critical acclaim and a devoted fanbase. With a career spanning decades, Kim has brought dynamic characters to life on both television and the stage, including roles in <em>Wicked</em> and <em>Six Dance Lessons in Six Weeks</em>. A passionate advocate for live theater and mature storytelling, she continues to inspire audiences with her authenticity, emotional depth, and enduring talent.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1355</itunes:duration>
      <guid isPermaLink="false"><![CDATA[51d692fa-1124-11f0-80b9-c3428cacdbe4]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET6568612506.mp3?updated=1743754096" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep54: How Suffs Changed Dana Costello’s Approach to Acting and Storytelling</title>
      <description>Dana Costello joins the pod squad to discuss how performing in Suffs built her confidence on and off the stage, the importance of regional theater, and her long-running involvement with the upcoming musical Joy. Dana is performing in the Theatre Raleigh production of The Trip to Bountiful alongside four-time Emmy Award-winner Kim Zimmer.

Dana Costello is a talented actress and vocalist known for her work in theater, television, and digital media. She has appeared on Broadway in Jekyll &amp; Hyde, Finding Neverland, and Suffs and has starred in numerous regional theater productions, including Miss Saigon, Little Women, and RENT. Costello has also made television appearances, notably in Law &amp; Order, and participated in digital projects like A Killer Party: A Murder Mystery Musical. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 25 Mar 2025 08:02:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Dana Costello joins the pod squad to discuss how performing in Suffs built her confidence on and off the stage, the importance of regional theater, and her long-running involvement with the upcoming musical Joy. Dana is performing in the Theatre Raleigh production of The Trip to Bountiful alongside four-time Emmy Award-winner Kim Zimmer.

Dana Costello is a talented actress and vocalist known for her work in theater, television, and digital media. She has appeared on Broadway in Jekyll &amp; Hyde, Finding Neverland, and Suffs and has starred in numerous regional theater productions, including Miss Saigon, Little Women, and RENT. Costello has also made television appearances, notably in Law &amp; Order, and participated in digital projects like A Killer Party: A Murder Mystery Musical. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dana Costello joins the pod squad to discuss how performing in <em>Suffs </em>built her confidence on and off the stage, the importance of regional theater, and her long-running involvement with the upcoming musical <em>Joy</em>. Dana is performing in the Theatre Raleigh production of<em> The Trip to Bountiful</em> alongside four-time Emmy Award-winner Kim Zimmer.</p><p><br></p><p>Dana Costello is a talented actress and vocalist known for her work in theater, television, and digital media. She has appeared on Broadway in <em>Jekyll &amp; Hyde</em>, <em>Finding Neverland</em>, and <em>Suffs</em> and has starred in numerous regional theater productions, including <em>Miss Saigon</em>, <em>Little Women</em>, and <em>RENT</em>. Costello has also made television appearances, notably in <em>Law &amp; Order</em>, and participated in digital projects like <em>A Killer Party: A Murder Mystery Musical</em>. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1363</itunes:duration>
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    <item>
      <title>Ep53: Behind the Stripes, Megan McGinnis Reflects on Bringing Barbara and Beetlejuice to Life</title>
      <description>Megan McGinnis joins the pod squad to reflect on her dual career as an actor and director, her experience touring, and the challenges of performing opposite a demon with issues on the national tour of Beetlejuice. Whether you're a longtime Beetlejuice fan or new to the musical, this conversation offers a heartfelt and entertaining glimpse behind the scenes.

Megan McGinnis is a talented actress and singer currently touring with the national production of Beetlejuice. Best known for her acclaimed performance as Eponine in Les Misérables and her Drama Desk-nominated role in Daddy Long Legs, McGinnis has an extensive Broadway and touring resume, including roles in Little Women, Beauty and the Beast, and Thoroughly Modern Millie. With her powerful vocals and heartfelt performances, she continues to captivate audiences nationwide.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 20 Mar 2025 18:54:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Megan McGinnis joins the pod squad to reflect on her dual career as an actor and director, her experience touring, and the challenges of performing opposite a demon with issues on the national tour of Beetlejuice. Whether you're a longtime Beetlejuice fan or new to the musical, this conversation offers a heartfelt and entertaining glimpse behind the scenes.

Megan McGinnis is a talented actress and singer currently touring with the national production of Beetlejuice. Best known for her acclaimed performance as Eponine in Les Misérables and her Drama Desk-nominated role in Daddy Long Legs, McGinnis has an extensive Broadway and touring resume, including roles in Little Women, Beauty and the Beast, and Thoroughly Modern Millie. With her powerful vocals and heartfelt performances, she continues to captivate audiences nationwide.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Megan McGinnis joins the pod squad to reflect on her dual career as an actor and director, her experience touring, and the challenges of performing opposite a demon with issues on the national tour of<em> Beetlejuice</em>. Whether you're a longtime <em>Beetlejuice</em> fan or new to the musical, this conversation offers a heartfelt and entertaining glimpse behind the scenes.</p><p><br></p><p>Megan McGinnis is a talented actress and singer currently touring with the national production of <em>Beetlejuice</em>. Best known for her acclaimed performance as Eponine in <em>Les Misérables</em> and her Drama Desk-nominated role in <em>Daddy Long Legs</em>, McGinnis has an extensive Broadway and touring resume, including roles in <em>Little Women</em>, <em>Beauty and the Beast</em>, and <em>Thoroughly Modern Millie</em>. With her powerful vocals and heartfelt performances, she continues to captivate audiences nationwide.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1247</itunes:duration>
      <guid isPermaLink="false"><![CDATA[7d796496-05bc-11f0-9555-bb38e4317610]]></guid>
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    </item>
    <item>
      <title>Ep52:   Miki Abraham on Authenticity, Identity, and Creating Space for Queer and Non-Binary Voices</title>
      <description>Miki Abraham joins the pod squadd to share their journey with Shucked, from its early days as The Hee Haw Musical to Broadway and beyond. They discuss the evolution of the production, the creative team's commitment to adapting the show to its performers, and the empowering experience of playing Lulu. We also explore deeper themes of identity, representation, and the importance of showing up authentically in the theater industry. Plus, Mickey reflects on the impact of their performance on audiences across the country and the importance of creating space for queer and non-binary voices in the arts.


Miki Abraham They/them. Broadway: Shucked(OBC), Off-Broadway: A Sign Of The Times at New World Stages. National Tour: Once On This Island, and Beautiful. Beyond the stage they are the owner of Castle In The Sky Self-Esteem and Career Coaching, sharing joy and empowerment through transparency and tough love. They live by a life and business motto of "The most important story you will ever tell is the one you tell yourself about yourself”@mikiabraham_
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 11 Mar 2025 20:35:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Miki Abraham joins the pod squadd to share their journey with Shucked, from its early days as The Hee Haw Musical to Broadway and beyond. They discuss the evolution of the production, the creative team's commitment to adapting the show to its performers, and the empowering experience of playing Lulu. We also explore deeper themes of identity, representation, and the importance of showing up authentically in the theater industry. Plus, Mickey reflects on the impact of their performance on audiences across the country and the importance of creating space for queer and non-binary voices in the arts.


Miki Abraham They/them. Broadway: Shucked(OBC), Off-Broadway: A Sign Of The Times at New World Stages. National Tour: Once On This Island, and Beautiful. Beyond the stage they are the owner of Castle In The Sky Self-Esteem and Career Coaching, sharing joy and empowerment through transparency and tough love. They live by a life and business motto of "The most important story you will ever tell is the one you tell yourself about yourself”@mikiabraham_
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Miki Abraham joins the pod squadd to share their journey with Shucked, from its early days as <em>The Hee Haw Musical</em> to Broadway and beyond. They discuss the evolution of the production, the creative team's commitment to adapting the show to its performers, and the empowering experience of playing Lulu. We also explore deeper themes of identity, representation, and the importance of showing up authentically in the theater industry. Plus, Mickey reflects on the impact of their performance on audiences across the country and the importance of creating space for queer and non-binary voices in the arts.</p><p><br></p><p><br></p><p><strong>Miki Abraham </strong>They/them. Broadway: Shucked(OBC), Off-Broadway: A Sign Of The Times at New World Stages. National Tour: Once On This Island, and Beautiful. Beyond the stage they are the owner of Castle In The Sky Self-Esteem and Career Coaching, sharing joy and empowerment through transparency and tough love. They live by a life and business motto of "The most important story you will ever tell is the one you tell yourself about yourself”@mikiabraham_</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1159</itunes:duration>
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    <item>
      <title>Ep51. Norbert Leo Butz &amp; Lauren Kennedy on Theater, Trust, and The Last Five Years</title>
      <description>Norbert Leo Butz and Lauren Kennedy reunite to reflect on their journey as the original Cathy and Jamie in The Last Five Years. They share behind-the-scenes stories about the show's development, including how Jason Robert Brown shaped the music around their performances. The conversation explores the challenges of performing such an emotionally intense two-person musical, the struggles of engaging audiences with its unconventional structure, and how the show deeply influenced their personal and professional lives. 

Norbert Leo Butz is a two-time Tony Award-winning actor known for his powerhouse performances in Dirty Rotten Scoundrels, Catch Me If You Can, and My Fair Lady. A versatile performer across stage and screen, he has appeared in TV series such as Bloodline, Fosse/Verdon, and Debris. Lauren Kennedy, a celebrated Broadway actress, is known for her roles in Sunset Boulevard, Side Show, and Spamalot. Beyond performing, she has made a name for herself as a producer and director, shaping the next generation of theater artists.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 05 Mar 2025 01:49:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>51</itunes:episode>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Norbert Leo Butz and Lauren Kennedy reunite to reflect on their journey as the original Cathy and Jamie in The Last Five Years. They share behind-the-scenes stories about the show's development, including how Jason Robert Brown shaped the music around their performances. The conversation explores the challenges of performing such an emotionally intense two-person musical, the struggles of engaging audiences with its unconventional structure, and how the show deeply influenced their personal and professional lives. 

Norbert Leo Butz is a two-time Tony Award-winning actor known for his powerhouse performances in Dirty Rotten Scoundrels, Catch Me If You Can, and My Fair Lady. A versatile performer across stage and screen, he has appeared in TV series such as Bloodline, Fosse/Verdon, and Debris. Lauren Kennedy, a celebrated Broadway actress, is known for her roles in Sunset Boulevard, Side Show, and Spamalot. Beyond performing, she has made a name for herself as a producer and director, shaping the next generation of theater artists.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Norbert Leo Butz and Lauren Kennedy reunite to reflect on their journey as the original Cathy and Jamie in <em>The Last Five Years</em>. They share behind-the-scenes stories about the show's development, including how Jason Robert Brown shaped the music around their performances. The conversation explores the challenges of performing such an emotionally intense two-person musical, the struggles of engaging audiences with its unconventional structure, and how the show deeply influenced their personal and professional lives. </p><p><br></p><p>Norbert Leo Butz is a two-time Tony Award-winning actor known for his powerhouse performances in <em>Dirty Rotten Scoundrels</em>, <em>Catch Me If You Can</em>, and <em>My Fair Lady</em>. A versatile performer across stage and screen, he has appeared in TV series such as <em>Bloodline</em>, <em>Fosse/Verdon</em>, and <em>Debris</em>. Lauren Kennedy, a celebrated Broadway actress, is known for her roles in <em>Sunset Boulevard</em>, <em>Side Show</em>, and <em>Spamalot</em>. Beyond performing, she has made a name for herself as a producer and director, shaping the next generation of theater artists.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1588</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6941ba38-f963-11ef-9f35-fb26053c29fe]]></guid>
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    </item>
    <item>
      <title>Ep50: From Creative Clashes to Creative Genius, How 'Pippin' Became a Broadway Classic</title>
      <description>Author Carol de Giere (Defying Gravity) joins the podcast to explore the fascinating history and unsung stories behind Pippin. Hear how Stephen Schwartz developed the show as a student at Carnegie Mellon, about his creative clashes with legendary director Bob Fosse, and how the 2013 revival reimagined the production (and ending) for a new generation. Carol also shares insights into Schwartz’s songwriting process, his musical influences—from Carole King to Paul Simon—and why Pippin remains timeless over 50 years after its premiere.

Carol de Giere is the author of Defying Gravity: The Creative Career of Stephen Schwartz, from Godspell to Wicked, an in-depth biography chronicling the life and work of the legendary composer. Through extensive interviews with Schwartz and his collaborators, she provides a rare behind-the-scenes look at the creative process behind iconic musicals like Godspell, Pippin, and Wicked. Carol is also the creator of The Schwartz Scene, an online newsletter dedicated to fans of Stephen Schwartz’s work.

Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit https://beltlinetobroadway.org/register-2/  to join our theater fam.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 25 Feb 2025 11:49:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Author Carol de Giere (Defying Gravity) joins the podcast to explore the fascinating history and unsung stories behind Pippin. Hear how Stephen Schwartz developed the show as a student at Carnegie Mellon, about his creative clashes with legendary director Bob Fosse, and how the 2013 revival reimagined the production (and ending) for a new generation. Carol also shares insights into Schwartz’s songwriting process, his musical influences—from Carole King to Paul Simon—and why Pippin remains timeless over 50 years after its premiere.

Carol de Giere is the author of Defying Gravity: The Creative Career of Stephen Schwartz, from Godspell to Wicked, an in-depth biography chronicling the life and work of the legendary composer. Through extensive interviews with Schwartz and his collaborators, she provides a rare behind-the-scenes look at the creative process behind iconic musicals like Godspell, Pippin, and Wicked. Carol is also the creator of The Schwartz Scene, an online newsletter dedicated to fans of Stephen Schwartz’s work.

Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit https://beltlinetobroadway.org/register-2/  to join our theater fam.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Author Carol de Giere (<u>Defying Gravity</u>) joins the podcast to explore the fascinating history and unsung stories behind <em>Pippin. Hear </em>how Stephen Schwartz developed the show as a student at Carnegie Mellon, about his creative clashes with legendary director Bob Fosse, and how the 2013 revival reimagined the production (and ending) for a new generation. Carol also shares insights into Schwartz’s songwriting process, his musical influences—from Carole King to Paul Simon—and why <em>Pippin</em> remains timeless over 50 years after its premiere.</p><p><br></p><p>Carol de Giere is the author of <em>Defying Gravity: The Creative Career of Stephen Schwartz, from Godspell to Wicked</em>, an in-depth biography chronicling the life and work of the legendary composer. Through extensive interviews with Schwartz and his collaborators, she provides a rare behind-the-scenes look at the creative process behind iconic musicals like <em>Godspell</em>, <em>Pippin</em>, and <em>Wicked</em>. Carol is also the creator of <em>The Schwartz Scene</em>, an online newsletter dedicated to fans of Stephen Schwartz’s work.</p><p><br></p><p>Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit <a href="https://beltlinetobroadway.org/register-2/%20">https://beltlinetobroadway.org/register-2/ </a> to join our theater fam.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1407</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f29fa80f-e2be-4880-97a0-ef2558dde50c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET8198317610.mp3?updated=1740777205" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep49: Reel Talk with Jason Robert Brown on the Art of Adaptation</title>
      <description>Jason Robert Brown joins the podcast to discuss the complexities of adapting books and movies into musicals, the differences between stage and screen storytelling, and the evolving landscape of Broadway. He also reflects on his musical influences, his collaboration with Theatre Raleigh's Lauren Kennedy, and the creative process behind his eclectic body of work.

Jason Robert Brown is an acclaimed composer and lyricist known for his unique blend of musical styles, ranging from folk and gospel to rock and pop. He has won multiple Tony Awards for his work on Parade and The Bridges of Madison County and is widely recognized for his groundbreaking shows, including The Last Five Years, Songs for a New World, and 13. Beyond musical theater, Brown is also a performer and recording artist, regularly debuting new works in concert settings. His contributions to the theater world have made him one of the most influential voices in contemporary musical storytelling.

Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit https://beltlinetobroadway.org/register-2/  to join our theater fam.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 18 Feb 2025 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Jason Robert Brown joins the podcast to discuss the complexities of adapting books and movies into musicals, the differences between stage and screen storytelling, and the evolving landscape of Broadway. He also reflects on his musical influences, his collaboration with Theatre Raleigh's Lauren Kennedy, and the creative process behind his eclectic body of work.

Jason Robert Brown is an acclaimed composer and lyricist known for his unique blend of musical styles, ranging from folk and gospel to rock and pop. He has won multiple Tony Awards for his work on Parade and The Bridges of Madison County and is widely recognized for his groundbreaking shows, including The Last Five Years, Songs for a New World, and 13. Beyond musical theater, Brown is also a performer and recording artist, regularly debuting new works in concert settings. His contributions to the theater world have made him one of the most influential voices in contemporary musical storytelling.

Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit https://beltlinetobroadway.org/register-2/  to join our theater fam.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jason Robert Brown joins the podcast to discuss the complexities of adapting books and movies into musicals, the differences between stage and screen storytelling, and the evolving landscape of Broadway. He also reflects on his musical influences, his collaboration with Theatre Raleigh's Lauren Kennedy, and the creative process behind his eclectic body of work.</p><p><br></p><p>Jason Robert Brown is an acclaimed composer and lyricist known for his unique blend of musical styles, ranging from folk and gospel to rock and pop. He has won multiple Tony Awards for his work on <em>Parade</em> and <em>The Bridges of Madison County</em> and is widely recognized for his groundbreaking shows, including <em>The Last Five Years</em>, <em>Songs for a New World</em>, and <em>13</em>. Beyond musical theater, Brown is also a performer and recording artist, regularly debuting new works in concert settings. His contributions to the theater world have made him one of the most influential voices in contemporary musical storytelling.</p><p><br></p><p>Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit <a href="https://beltlinetobroadway.org/register-2/">https://beltlinetobroadway.org/register-2/ </a> to join our theater fam.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1125</itunes:duration>
      <guid isPermaLink="false"><![CDATA[50916562-ed40-11ef-90a0-57c7dfc2c0ac]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET9957080537.mp3?updated=1740777188" length="0" type="audio/mpeg"/>
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    <item>
      <title>Ep48: The Art of Portrayal, Erin Sullivan Talks Art, Identity, and the Legacy of Marilyn Monroe</title>
      <description>Multihyphenate Erin Sullivan joins the podcast to discuss the historical weight of Marilyn Monroe, the challenges of portraying such a beloved and complex figure, and the personal and artistic risks taken to keep her one-woman show, With Love, Marilyn, fresh for international audiences.

Erin Sullivan is a seasoned actress, singer, and writer with a career spanning over 30 years in theater. Originally trained in musical theater, she has performed nationwide but found a deep personal connection in bringing Marilyn Monroe’s story to life. After originating the role of Marilyn in Mark Medoff’s Marilee and Baby Lamb, she was inspired to create With Love Marilyn, which debuted in London last month.

﻿Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit https://beltlinetobroadway.org/register-2/  to join our theater fam.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 11 Feb 2025 09:06:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle>Erin Sullivan on With Love, Marilyn</itunes:subtitle>
      <itunes:summary>Multihyphenate Erin Sullivan joins the podcast to discuss the historical weight of Marilyn Monroe, the challenges of portraying such a beloved and complex figure, and the personal and artistic risks taken to keep her one-woman show, With Love, Marilyn, fresh for international audiences.

Erin Sullivan is a seasoned actress, singer, and writer with a career spanning over 30 years in theater. Originally trained in musical theater, she has performed nationwide but found a deep personal connection in bringing Marilyn Monroe’s story to life. After originating the role of Marilyn in Mark Medoff’s Marilee and Baby Lamb, she was inspired to create With Love Marilyn, which debuted in London last month.

﻿Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit https://beltlinetobroadway.org/register-2/  to join our theater fam.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Multihyphenate Erin Sullivan joins the podcast to discuss the historical weight of Marilyn Monroe, the challenges of portraying such a beloved and complex figure, and the personal and artistic risks taken to keep her one-woman show, <em>With Love, Marilyn</em>, fresh for international audiences.</p><p><br></p><p>Erin Sullivan is a seasoned actress, singer, and writer with a career spanning over 30 years in theater. Originally trained in musical theater, she has performed nationwide but found a deep personal connection in bringing Marilyn Monroe’s story to life. After originating the role of Marilyn in Mark Medoff’s <em>Marilee and Baby Lamb</em>, she was inspired to create <em>With Love Marilyn, </em>which debuted in London last month<em>.</em></p><p><br></p><p>﻿Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit <a href="https://beltlinetobroadway.org/register-2/">https://beltlinetobroadway.org/register-2/ </a> to join our theater fam.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1801</itunes:duration>
      <guid isPermaLink="false"><![CDATA[d505480e-e84f-11ef-8ac5-5749c5ef1bc6]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET5459957356.mp3?updated=1740777166" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep47: Broadway, Baseball, and Breaking Barriers with Nik Walker</title>
      <description>Nik Waker joins the pod squad to discuss the importance of representation in theater, the impact of ADHD on his creative process, and the power of storytelling as a grounding force. From his early days finding solace in the stage to starring in Broadway hits like Hamilton and Spamalot, Walker shares candid insights into his experiences. He also discusses his latest role in Theatre Raleigh's Bull Durham: The Musical.

Nik Walker is an accomplished actor, writer, and educator known for his dynamic performances on Broadway and beyond. He made a name for himself as Aaron Burr in Hamilton and has since appeared in Spamalot, Motown: The Musical, and more. Beyond the stage, Walker is a passionate advocate for diversity and inclusion in the arts, as well as an adjunct professor at NYU, where he mentors the next generation of performers. A self-proclaimed film fanatic and lifelong storyteller, he continues to push boundaries in the entertainment industry, bringing authenticity and depth to every role he takes on.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 28 Aug 2024 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Nik Waker joins the pod squad to discuss the importance of representation in theater, the impact of ADHD on his creative process, and the power of storytelling as a grounding force. From his early days finding solace in the stage to starring in Broadway hits like Hamilton and Spamalot, Walker shares candid insights into his experiences. He also discusses his latest role in Theatre Raleigh's Bull Durham: The Musical.

Nik Walker is an accomplished actor, writer, and educator known for his dynamic performances on Broadway and beyond. He made a name for himself as Aaron Burr in Hamilton and has since appeared in Spamalot, Motown: The Musical, and more. Beyond the stage, Walker is a passionate advocate for diversity and inclusion in the arts, as well as an adjunct professor at NYU, where he mentors the next generation of performers. A self-proclaimed film fanatic and lifelong storyteller, he continues to push boundaries in the entertainment industry, bringing authenticity and depth to every role he takes on.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Nik Waker joins the pod squad to discuss the importance of representation in theater, the impact of ADHD on his creative process, and the power of storytelling as a grounding force. From his early days finding solace in the stage to starring in Broadway hits like <em>Hamilton</em> and <em>Spamalot</em>, Walker shares candid insights into his experiences. He also discusses his latest role in Theatre Raleigh's <em>Bull Durham: The Musical.</em></p><p><br></p><p>Nik Walker is an accomplished actor, writer, and educator known for his dynamic performances on Broadway and beyond. He made a name for himself as Aaron Burr in <em>Hamilton</em> and has since appeared in <em>Spamalot</em>, <em>Motown: The Musical</em>, and more. Beyond the stage, Walker is a passionate advocate for diversity and inclusion in the arts, as well as an adjunct professor at NYU, where he mentors the next generation of performers. A self-proclaimed film fanatic and lifelong storyteller, he continues to push boundaries in the entertainment industry, bringing authenticity and depth to every role he takes on.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2692</itunes:duration>
      <guid isPermaLink="false"><![CDATA[a3c46c22-f608-11ef-b819-077e4455140e]]></guid>
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    </item>
    <item>
      <title>Ep46: From Rejection to Standing Ovations, Julie Benko on Why Every Artist Should Start Creating Now</title>
      <description>Julie Benko joins the pod squad to discuss her career trajectory from understudy to Broadway star and her take on Jane Eyre. From being overlooked at her showcase to starring on Broadway, she highlights the unpredictable nature of success in theater. 

Julie Benko is an award-winning actress, singer, and writer known for her breakout role as Fanny Brice in Funny Girl and her work in Harmony, Les Misérables, and Fiddler on the Roof. A lifelong performer, Julie holds a master’s degree in acting and has spent years honing her craft as an understudy, eventually stepping into the spotlight in a career-defining moment. Beyond the stage, she is a passionate advocate for Jewish causes, an emerging writer and composer, and a champion of the hardworking understudies and swings who keep Broadway running.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 01 May 2024 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Julie Benko joins the pod squad to discuss her career trajectory from understudy to Broadway star and her take on Jane Eyre. From being overlooked at her showcase to starring on Broadway, she highlights the unpredictable nature of success in theater. 

Julie Benko is an award-winning actress, singer, and writer known for her breakout role as Fanny Brice in Funny Girl and her work in Harmony, Les Misérables, and Fiddler on the Roof. A lifelong performer, Julie holds a master’s degree in acting and has spent years honing her craft as an understudy, eventually stepping into the spotlight in a career-defining moment. Beyond the stage, she is a passionate advocate for Jewish causes, an emerging writer and composer, and a champion of the hardworking understudies and swings who keep Broadway running.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Julie Benko joins the pod squad to discuss her career trajectory from understudy to Broadway star and her take on Jane Eyre. From being overlooked at her showcase to starring on Broadway, she highlights the unpredictable nature of success in theater. </p><p><br></p><p>Julie Benko is an award-winning actress, singer, and writer known for her breakout role as Fanny Brice in <em>Funny Girl and</em> her work in <em>Harmony</em>, <em>Les Misérables</em>, and <em>Fiddler on the Roof</em>. A lifelong performer, Julie holds a master’s degree in acting and has spent years honing her craft as an understudy, eventually stepping into the spotlight in a career-defining moment. Beyond the stage, she is a passionate advocate for Jewish causes, an emerging writer and composer, and a champion of the hardworking understudies and swings who keep Broadway running.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2144</itunes:duration>
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    <item>
      <title>Ep45: Reimagining The Notebook, Bekah Brunstetter Navigates Creative Freedom and Industry Criticism.</title>
      <description>Bekah Brunstetter, the book writer behind Broadway’s highly anticipated musical The Notebook, joins the pod squad to dive into the creative process of adapting Nicholas Sparks’ beloved novel for the stage. Hear what she says about the intersection of theater and video games, the challenges of writing for Broadway versus regional theater, and how artists navigate creative freedom while handling industry criticism.

Bekah Brunstetter is an award-winning playwright and television writer known for her ability to craft deeply emotional and thought-provoking stories. In addition to writing The Notebook musical, she has worked as a writer and producer on hit TV shows like This Is Us and American Gods. A graduate of UNC-Chapel Hill and The New School, Becca’s plays—including The Cake and Miss Lilly Gets Boned—have been produced nationwide. With a keen eye for blending humor and heart, her work often explores themes of love, memory, and human connection.

Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit https://beltlinetobroadway.org/register-2/  to join our theater fam.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 12 Apr 2024 15:26:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9b585c92-d74a-11ef-9284-4be8881fb30f/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Bekah Brunstetter, the book writer behind Broadway’s highly anticipated musical The Notebook, joins the pod squad to dive into the creative process of adapting Nicholas Sparks’ beloved novel for the stage. Hear what she says about the intersection of theater and video games, the challenges of writing for Broadway versus regional theater, and how artists navigate creative freedom while handling industry criticism.

Bekah Brunstetter is an award-winning playwright and television writer known for her ability to craft deeply emotional and thought-provoking stories. In addition to writing The Notebook musical, she has worked as a writer and producer on hit TV shows like This Is Us and American Gods. A graduate of UNC-Chapel Hill and The New School, Becca’s plays—including The Cake and Miss Lilly Gets Boned—have been produced nationwide. With a keen eye for blending humor and heart, her work often explores themes of love, memory, and human connection.

Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit https://beltlinetobroadway.org/register-2/  to join our theater fam.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Bekah Brunstetter, the book writer behind Broadway’s highly anticipated musical <em>The Notebook, </em>joins the pod squad to dive into the creative process of adapting Nicholas Sparks’ beloved novel for the stage. Hear what she says about the intersection of theater and video games, the challenges of writing for Broadway versus regional theater, and how artists navigate creative freedom while handling industry criticism.</p><p><br></p><p>Bekah Brunstetter is an award-winning playwright and television writer known for her ability to craft deeply emotional and thought-provoking stories. In addition to writing <em>The Notebook</em> musical, she has worked as a writer and producer on hit TV shows like <em>This Is Us</em> and <em>American Gods</em>. A graduate of UNC-Chapel Hill and The New School, Becca’s plays—including <em>The Cake</em> and <em>Miss Lilly Gets Boned</em>—have been produced nationwide. With a keen eye for blending humor and heart, her work often explores themes of love, memory, and human connection.</p><p><br></p><p>Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit <a href="https://beltlinetobroadway.org/register-2/">https://beltlinetobroadway.org/register-2/ </a> to join our theater fam.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1326</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://api.spreaker.com/episode/59439327]]></guid>
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    <item>
      <title>Ep44: Broadway, Belonging, and Breaking Barriers,  A Conversation with Sammi Cannold</title>
      <description>Sammi Cannold joins the pod squad to discuss disability representation in theater, the creative process behind adapting the documentary into a stage production, and the broader impact of inclusive storytelling in the industry. 

Sammi Cannold is an acclaimed theater director known for her innovative and immersive storytelling. A rising star in the industry, she has been recognized for her work on productions that push the boundaries of traditional theater. She made her Broadway directorial debut with How to Dance in Ohio, a groundbreaking musical featuring an autistic cast, based on the award-winning documentary of the same name.

Cannold is a Forbes 30 Under 30 honoree in Hollywood &amp; Entertainment and has directed major productions at institutions like New York City Center, American Repertory Theater, and the Kennedy Center. She is also known for her site-specific productions, including Evita in Argentina and Ragtime on Ellis Island.

Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit https://beltlinetobroadway.org/register-2/  to join our theater fam.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 05 Feb 2024 07:51:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9bc35eb6-d74a-11ef-9284-8b2f94f574b0/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Hear what Director Sammi Cannold (How to Dance in Ohio) has to say about the show, the process, and the future of Broadway. 

How to Dance in Ohio will play its final performance on Feburary 11. For more infromation visit...</itunes:subtitle>
      <itunes:summary>Sammi Cannold joins the pod squad to discuss disability representation in theater, the creative process behind adapting the documentary into a stage production, and the broader impact of inclusive storytelling in the industry. 

Sammi Cannold is an acclaimed theater director known for her innovative and immersive storytelling. A rising star in the industry, she has been recognized for her work on productions that push the boundaries of traditional theater. She made her Broadway directorial debut with How to Dance in Ohio, a groundbreaking musical featuring an autistic cast, based on the award-winning documentary of the same name.

Cannold is a Forbes 30 Under 30 honoree in Hollywood &amp; Entertainment and has directed major productions at institutions like New York City Center, American Repertory Theater, and the Kennedy Center. She is also known for her site-specific productions, including Evita in Argentina and Ragtime on Ellis Island.

Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit https://beltlinetobroadway.org/register-2/  to join our theater fam.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sammi Cannold joins the pod squad to discuss disability representation in theater, the creative process behind adapting the documentary into a stage production, and the broader impact of inclusive storytelling in the industry. </p><p><br></p><p><strong>Sammi Cannold</strong> is an acclaimed theater director known for her innovative and immersive storytelling. A rising star in the industry, she has been recognized for her work on productions that push the boundaries of traditional theater. She made her Broadway directorial debut with <em>How to Dance in Ohio</em>, a groundbreaking musical featuring an autistic cast, based on the award-winning documentary of the same name.</p><p><br></p><p>Cannold is a <strong>Forbes 30 Under 30 honoree</strong> in Hollywood &amp; Entertainment and has directed major productions at institutions like <strong>New York City Center, American Repertory Theater, and the Kennedy Center</strong>. She is also known for her site-specific productions, including <em>Evita</em> in Argentina and <em>Ragtime on Ellis Island</em>.</p><p><br></p><p>Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit <a href="https://beltlinetobroadway.org/register-2/">https://beltlinetobroadway.org/register-2/ </a> to join our theater fam.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1296</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://api.spreaker.com/episode/58570448]]></guid>
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    <item>
      <title>Ep43: From Dream Role to Nightmare, Sean Hayden Speaks Out The Emotional Toll of Acting Without Measures</title>
      <description>Actor, lawyer, and advocate Sean Hayden joins the pod squad to open up about how landing a dream role in Billy Elliot led to a full-blown mental health crisis. Through his podcast Stage Combat: A Mental Health Story, he aims to spark a larger conversation about how theaters can better protect and support their artists.

Sean Hayden is a multi-talented performer, attorney, and mental health advocate whose career spans Broadway, television, and law. After training as an actor and building a successful career on stage, Sean’s personal experiences with workplace trauma in the theater industry led him to become a vocal advocate for mental health awareness. His podcast, Stage Combat, explores his personal journey while shedding light on systemic issues within the performing arts. Through storytelling, advocacy, and legal expertise, Sean is working to create a safer and more supportive environment for artists everywhere.

If you need immediate care, call or text 988 to reach a 24-hour crisis center, text 741741, call 911, or go to the nearest emergency room. Please take care of yourself and each other. For additional resources visit https://www.mentalhealthfirstaid.org/mental-health-resources/.

For more information on Sean Hayden or Stage Combat: A Mental Health Story, visit https://stagecombatthepodcast.com/.

Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit https://beltlinetobroadway.org/register-2/  to join our theater fam.

Connect with Beltline to Broadway:

Facebook/TikTok/Instagram: @beltlinetobroadway
Website: www.beltlinetobroadway.org
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 14 Aug 2023 23:43:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9c1fd0f6-d74a-11ef-9284-cb941b50dfbd/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Actor, lawyer, and advocate Sean Hayden joins the pod squad to open up about how landing a dream role in Billy Elliot led to a full-blown mental health crisis. Through his podcast Stage Combat: A Mental Health Story, he aims to spark a larger conversation about how theaters can better protect and support their artists.

Sean Hayden is a multi-talented performer, attorney, and mental health advocate whose career spans Broadway, television, and law. After training as an actor and building a successful career on stage, Sean’s personal experiences with workplace trauma in the theater industry led him to become a vocal advocate for mental health awareness. His podcast, Stage Combat, explores his personal journey while shedding light on systemic issues within the performing arts. Through storytelling, advocacy, and legal expertise, Sean is working to create a safer and more supportive environment for artists everywhere.

If you need immediate care, call or text 988 to reach a 24-hour crisis center, text 741741, call 911, or go to the nearest emergency room. Please take care of yourself and each other. For additional resources visit https://www.mentalhealthfirstaid.org/mental-health-resources/.

For more information on Sean Hayden or Stage Combat: A Mental Health Story, visit https://stagecombatthepodcast.com/.

Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit https://beltlinetobroadway.org/register-2/  to join our theater fam.

Connect with Beltline to Broadway:

Facebook/TikTok/Instagram: @beltlinetobroadway
Website: www.beltlinetobroadway.org
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Actor, lawyer, and advocate Sean Hayden joins the pod squad to open up about how landing a dream role in <em>Billy Elliot</em> led to a full-blown mental health crisis. Through his podcast <em>Stage Combat: A Mental Health Story</em>, he aims to spark a larger conversation about how theaters can better protect and support their artists.</p><p><br></p><p>Sean Hayden is a multi-talented performer, attorney, and mental health advocate whose career spans Broadway, television, and law. After training as an actor and building a successful career on stage, Sean’s personal experiences with workplace trauma in the theater industry led him to become a vocal advocate for mental health awareness. His podcast, <em>Stage Combat</em>, explores his personal journey while shedding light on systemic issues within the performing arts. Through storytelling, advocacy, and legal expertise, Sean is working to create a safer and more supportive environment for artists everywhere.</p><p><br></p><p>If you need immediate care, call or text 988 to reach a 24-hour crisis center, text 741741, call 911, or go to the nearest emergency room. Please take care of yourself and each other. For additional resources visit <a href="https://www.mentalhealthfirstaid.org/mental-health-resources/">https://www.mentalhealthfirstaid.org/mental-health-resources/</a>.</p><p><br></p><p>For more information on Sean Hayden or Stage Combat: A Mental Health Story, visit <a href="https://stagecombatthepodcast.com/">https://stagecombatthepodcast.com/</a>.</p><p><br></p><p>Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit <a href="https://beltlinetobroadway.org/register-2/">https://beltlinetobroadway.org/register-2/ </a> to join our theater fam.</p><p><br></p><p>Connect with Beltline to Broadway:</p><p><br></p><p>Facebook/TikTok/Instagram: @beltlinetobroadway</p><p>Website: <a href="http://www.beltlinetobroadway.org">www.beltlinetobroadway.org</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2013</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://api.spreaker.com/episode/56467259]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET2752650172.mp3?updated=1740777039" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep42: From Rent to Rock of Ages, A Conversation with Amy Spanger</title>
      <description>Broadway powerhouse Amy Spanger joins the pod squad to discuss her incredible journey from community theater to starring on Broadway. Hear how Amy took a leap of faith to pursue her dreams and moved to New York with no plan but a clear vision of making it to the big stage. They explore her experiences originating roles in Elf, Rock of Ages, and The Wedding Singer, as well as her work in Tick, Tick… Boom! and Rent, the importance of regional and community theaters, and why supporting the arts is more crucial than ever.

Amy Spanger is a celebrated Broadway actress known for her dynamic performances and ability to bring heart and humor to every role she takes on. With a career spanning decades, she has become a beloved figure in the theater community, working alongside top creatives and originating unforgettable roles. Amy’s career is a testament to her talent and dedication to the craft, from starring in hit Broadway musicals to shaping powerful off-Broadway productions. Beyond performing, she is passionate about using theater as a platform for storytelling that inspires change, from LGBTQ+ representation in Rent and The Prom to deeply personal narratives like Next to Normal. In this episode, she shares her experiences, challenges, and the profound impact of theater on both audiences and artists.

Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit https://beltlinetobroadway.org/register-2/  to join our theater fam.


Links

Amy Spanger's Website
Theatre Raleigh Website

Connect with Us

Facebook/TikTok / IG @beltlinetobroadway
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 02 Aug 2023 20:43:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9c7df014-d74a-11ef-9284-1bedd5ad234d/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Broadway powerhouse Amy Spanger joins the pod squad to discuss her incredible journey from community theater to starring on Broadway. Hear how Amy took a leap of faith to pursue her dreams and moved to New York with no plan but a clear vision of making it to the big stage. They explore her experiences originating roles in Elf, Rock of Ages, and The Wedding Singer, as well as her work in Tick, Tick… Boom! and Rent, the importance of regional and community theaters, and why supporting the arts is more crucial than ever.

Amy Spanger is a celebrated Broadway actress known for her dynamic performances and ability to bring heart and humor to every role she takes on. With a career spanning decades, she has become a beloved figure in the theater community, working alongside top creatives and originating unforgettable roles. Amy’s career is a testament to her talent and dedication to the craft, from starring in hit Broadway musicals to shaping powerful off-Broadway productions. Beyond performing, she is passionate about using theater as a platform for storytelling that inspires change, from LGBTQ+ representation in Rent and The Prom to deeply personal narratives like Next to Normal. In this episode, she shares her experiences, challenges, and the profound impact of theater on both audiences and artists.

Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit https://beltlinetobroadway.org/register-2/  to join our theater fam.


Links

Amy Spanger's Website
Theatre Raleigh Website

Connect with Us

Facebook/TikTok / IG @beltlinetobroadway
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Broadway powerhouse <strong>Amy Spanger</strong> joins the pod squad to discuss her incredible journey from community theater to starring on Broadway. Hear how Amy took a leap of faith to pursue her dreams and moved to New York with no plan but a clear vision of making it to the big stage. They explore her experiences originating roles in <em>Elf, Rock of Ages,</em> and <em>The Wedding Singer</em>, as well as her work in <em>Tick, Tick… Boom!</em> and <em>Rent, </em>the importance of regional and community theaters, and why supporting the arts is more crucial than ever.</p><p><br></p><p>Amy Spanger is a celebrated Broadway actress known for her dynamic performances and ability to bring heart and humor to every role she takes on. With a career spanning decades, she has become a beloved figure in the theater community, working alongside top creatives and originating unforgettable roles. Amy’s career is a testament to her talent and dedication to the craft, from starring in hit Broadway musicals to shaping powerful off-Broadway productions. Beyond performing, she is passionate about using theater as a platform for storytelling that inspires change, from LGBTQ+ representation in <em>Rent</em> and <em>The Prom</em> to deeply personal narratives like <em>Next to Normal</em>. In this episode, she shares her experiences, challenges, and the profound impact of theater on both audiences and artists.</p><p><br></p><p>Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit <a href="https://beltlinetobroadway.org/register-2/">https://beltlinetobroadway.org/register-2/ </a> to join our theater fam.</p><p><br></p><p><br></p><p>Links</p><p><br></p><p><a href="https://www.amyspanger.com/">Amy Spanger's Website</a></p><p><a href="https://theatreraleigh.com/">Theatre Raleigh Website</a></p><p><br></p><p>Connect with Us</p><p><br></p><p>Facebook/TikTok / IG @beltlinetobroadway</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1023</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://api.spreaker.com/episode/56348789]]></guid>
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    </item>
    <item>
      <title>Ep41: Theater, Family, and Finding the Magic, A Conversation with Kara Lindsay and Kevin Massey</title>
      <description>Kara Lindsay and Kevin Massey join the pod squad to discuss the importance of live theater in a world increasingly dominated by screens and the magic of performing in regional theaters. 

Kara Lindsay is best known for her Broadway performances as Katherine Plumber in Newsies, Glinda in Wicked, and Cynthia Weil in Beautiful: The Carole King Musical. Her husband, Kevin Massey, has starred in A Gentleman’s Guide to Love and Murder, Tarzan, and the national tour of Big River. Both have had extensive careers on regional stages and bring a wealth of experience to their roles in Mary Poppins. In this episode, they open up about their personal and professional journeys, the impact of theater on audiences young and old, and the joy of sharing the stage together as a family.

Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit https://beltlinetobroadway.org/register-2/  to join our theater fam.

Connect with Us

Facebook/Instagram/Twitter @beltlilnetobroadway
Website: www.beltlinetobroadway.org
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 18 Jul 2023 19:37:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9cd9dca8-d74a-11ef-9284-9f2ef30ae7fb/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Kara Lindsay and Kevin Massey join the pod squad to discuss the importance of live theater in a world increasingly dominated by screens and the magic of performing in regional theaters. 

Kara Lindsay is best known for her Broadway performances as Katherine Plumber in Newsies, Glinda in Wicked, and Cynthia Weil in Beautiful: The Carole King Musical. Her husband, Kevin Massey, has starred in A Gentleman’s Guide to Love and Murder, Tarzan, and the national tour of Big River. Both have had extensive careers on regional stages and bring a wealth of experience to their roles in Mary Poppins. In this episode, they open up about their personal and professional journeys, the impact of theater on audiences young and old, and the joy of sharing the stage together as a family.

Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit https://beltlinetobroadway.org/register-2/  to join our theater fam.

Connect with Us

Facebook/Instagram/Twitter @beltlilnetobroadway
Website: www.beltlinetobroadway.org
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kara Lindsay and Kevin Massey join the pod squad to discuss the importance of live theater in a world increasingly dominated by screens and the magic of performing in regional theaters. </p><p><br></p><p><strong>Kara Lindsay</strong> is best known for her Broadway performances as Katherine Plumber in <em>Newsies</em>, Glinda in <em>Wicked</em>, and Cynthia Weil in <em>Beautiful: The Carole King Musical</em>. Her husband, <strong>Kevin Massey</strong>, has starred in <em>A Gentleman’s Guide to Love and Murder</em>, <em>Tarzan</em>, and the national tour of <em>Big River</em>. Both have had extensive careers on regional stages and bring a wealth of experience to their roles in <em>Mary Poppins</em>. In this episode, they open up about their personal and professional journeys, the impact of theater on audiences young and old, and the joy of sharing the stage together as a family.</p><p><br></p><p>Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit <a href="https://beltlinetobroadway.org/register-2/">https://beltlinetobroadway.org/register-2/ </a> to join our theater fam.</p><p><br></p><p>Connect with Us</p><p><br></p><p>Facebook/Instagram/Twitter @beltlilnetobroadway</p><p>Website: <a href="https://www.beltlinetobroadway.org">www.beltlinetobroadway.org</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1450</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://api.spreaker.com/episode/56139749]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET5800923365.mp3?updated=1740776972" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep40: Why Rachel Bay Jones Almost Left Broadway, Why She Came Back, and What's Next</title>
      <description>Tony, Grammy, and Emmy Award-winning actress Rachel Bay Jones joins the pod squad to discuss the unexpected path that led her to the stage—from dreaming of becoming a marine biologist to finding her voice in theater. She reflects on the evolving industry, the struggles actors face, and why she once left the business entirely. They also discuss the emotional weight of portraying complex mothers on stage, the impact of live theater on audiences, and the importance of fostering a healthier, more supportive arts community. 

About the Guest

Rachel Bay Jones is best known for originating the role of ‘Heidi Hansen’ in the Original Broadway Cast of Dear Evan Hansen, and she received a Tony Award, Emmy Award, Grammy Award, Lucille Lortel Award, and a Drama League nod for her performance.
An actress acclaimed for her versatile ability to bring life to comedic, dramatic, and character roles, she has garnered praise for her performances in Diane Paulus’ Tony Award-Winning Revivals of Pippin and Hair, went on for Patti Lupone in the Original Broadway production of Women on the Verge of a Nervous Breakdown, wowed New York audiences in the critically acclaimed productions of Michael John LaChiusa’s First Daughter Suite and Hello Again, and received rave reviews for her performance as ‘Diana’ in The Kennedy Center’s revival production of Next to Normal, directed by Michael Grief. She can be seen on television in major on CBS’ “Young Sheldon,” “The United States of Al,” ABC’s “The Good Doctor,” Amazon’s “Panic,” “Why Women Kill” on Paramount+, ABC’s “Modern Family” &amp; CBS’ “God Friended Me.” On Film, she starred in “Ben Is Back,” opposite Julia Roberts, and in “Critical Thinking,” directed by and opposite John Leguizamo.

Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit https://beltlinetobroadway.org/register-2/  to join our theater fam.

Connect with Beltline to Broadway
Facebook/TikTok/Instagram @beltlinetobroadway
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 03 Jul 2023 06:03:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9d376206-d74a-11ef-9284-ef0fb9a905f5/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Tony, Grammy, and Emmy Award-winning actress Rachel Bay Jones joins the pod squad to discuss the unexpected path that led her to the stage—from dreaming of becoming a marine biologist to finding her voice in theater. She reflects on the evolving industry, the struggles actors face, and why she once left the business entirely. They also discuss the emotional weight of portraying complex mothers on stage, the impact of live theater on audiences, and the importance of fostering a healthier, more supportive arts community. 

About the Guest

Rachel Bay Jones is best known for originating the role of ‘Heidi Hansen’ in the Original Broadway Cast of Dear Evan Hansen, and she received a Tony Award, Emmy Award, Grammy Award, Lucille Lortel Award, and a Drama League nod for her performance.
An actress acclaimed for her versatile ability to bring life to comedic, dramatic, and character roles, she has garnered praise for her performances in Diane Paulus’ Tony Award-Winning Revivals of Pippin and Hair, went on for Patti Lupone in the Original Broadway production of Women on the Verge of a Nervous Breakdown, wowed New York audiences in the critically acclaimed productions of Michael John LaChiusa’s First Daughter Suite and Hello Again, and received rave reviews for her performance as ‘Diana’ in The Kennedy Center’s revival production of Next to Normal, directed by Michael Grief. She can be seen on television in major on CBS’ “Young Sheldon,” “The United States of Al,” ABC’s “The Good Doctor,” Amazon’s “Panic,” “Why Women Kill” on Paramount+, ABC’s “Modern Family” &amp; CBS’ “God Friended Me.” On Film, she starred in “Ben Is Back,” opposite Julia Roberts, and in “Critical Thinking,” directed by and opposite John Leguizamo.

Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit https://beltlinetobroadway.org/register-2/  to join our theater fam.

Connect with Beltline to Broadway
Facebook/TikTok/Instagram @beltlinetobroadway
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Tony, Grammy, and Emmy Award-winning actress Rachel Bay Jones joins the pod squad to discuss the unexpected path that led her to the stage—from dreaming of becoming a marine biologist to finding her voice in theater. She reflects on the evolving industry, the struggles actors face, and why she once left the business entirely. They also discuss the emotional weight of portraying complex mothers on stage, the impact of live theater on audiences, and the importance of fostering a healthier, more supportive arts community. </p><p><br></p><p>About the Guest</p><p><br></p><p>Rachel Bay Jones is best known for originating the role of ‘Heidi Hansen’ in the Original Broadway Cast of Dear Evan Hansen, and she received a Tony Award, Emmy Award, Grammy Award, Lucille Lortel Award, and a Drama League nod for her performance.</p><p>An actress acclaimed for her versatile ability to bring life to comedic, dramatic, and character roles, she has garnered praise for her performances in Diane Paulus’ Tony Award-Winning Revivals of Pippin and Hair, went on for Patti Lupone in the Original Broadway production of Women on the Verge of a Nervous Breakdown, wowed New York audiences in the critically acclaimed productions of Michael John LaChiusa’s First Daughter Suite and Hello Again, and received rave reviews for her performance as ‘Diana’ in The Kennedy Center’s revival production of Next to Normal, directed by Michael Grief. She can be seen on television in major on CBS’ “Young Sheldon,” “The United States of Al,” ABC’s “The Good Doctor,” Amazon’s “Panic,” “Why Women Kill” on Paramount+, ABC’s “Modern Family” &amp; CBS’ “God Friended Me.” On Film, she starred in “Ben Is Back,” opposite Julia Roberts, and in “Critical Thinking,” directed by and opposite John Leguizamo.</p><p><br></p><p>Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit <a href="https://beltlinetobroadway.org/register-2/">https://beltlinetobroadway.org/register-2/ </a> to join our theater fam.</p><p><br></p><p>Connect with Beltline to Broadway</p><p>Facebook/TikTok/Instagram @beltlinetobroadway</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1396</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://api.spreaker.com/episode/55806055]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET2374227278.mp3?updated=1740776944" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep39: Katy Sullivan on Acting, Advocacy, and Redefining Inclusion</title>
      <description>Tony-nominated actress and Paralympian Katy Sullivan joins the pod squad for an insightful conversation about representation, accessibility, and breaking barriers in the entertainment industry. She opens up about the challenges of navigating the industry as a performer with a disability, including the changes made at the  Tony Awards, and why creating truly inclusive spaces should be a priority across the industry.

Katy Sullivan is a groundbreaking performer, athlete, and advocate. She made history as the first actor who is a double above-the-knee amputee to star on Broadway, earning a Tony nomination for her role in Cost of Living. Before her acting career took off, she was a world-class Paralympic sprinter, competing in the 2012 London Paralympics. Beyond her work on stage, Katy is a fierce advocate for authentic disability representation in the arts and media, pushing for change in front of and behind the curtain.

Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit https://beltlinetobroadway.org/register-2/  to join our theater fam.

Let's Get Social

Facebook/Instagram/TikTok @beltlinetobroadway
Web www.beltlinetobroadway.org
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 19 Jun 2023 16:37:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9d936434-d74a-11ef-9284-53ff6e4d6db5/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Tony-nominated actress and Paralympian Katy Sullivan joins the pod squad for an insightful conversation about representation, accessibility, and breaking barriers in the entertainment industry. She opens up about the challenges of navigating the industry as a performer with a disability, including the changes made at the  Tony Awards, and why creating truly inclusive spaces should be a priority across the industry.

Katy Sullivan is a groundbreaking performer, athlete, and advocate. She made history as the first actor who is a double above-the-knee amputee to star on Broadway, earning a Tony nomination for her role in Cost of Living. Before her acting career took off, she was a world-class Paralympic sprinter, competing in the 2012 London Paralympics. Beyond her work on stage, Katy is a fierce advocate for authentic disability representation in the arts and media, pushing for change in front of and behind the curtain.

Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit https://beltlinetobroadway.org/register-2/  to join our theater fam.

Let's Get Social

Facebook/Instagram/TikTok @beltlinetobroadway
Web www.beltlinetobroadway.org
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Tony-nominated actress and Paralympian Katy Sullivan joins the pod squad for an insightful conversation about representation, accessibility, and breaking barriers in the entertainment industry. She opens up about the challenges of navigating the industry as a performer with a disability, including the changes made at the  Tony Awards, and why creating truly inclusive spaces should be a priority across the industry.</p><p><br></p><p><strong>Katy Sullivan</strong> is a groundbreaking performer, athlete, and advocate. She made history as the first actor who is a double above-the-knee amputee to star on Broadway, earning a <strong>Tony nomination</strong> for her role in <em>Cost of Living</em>. Before her acting career took off, she was a world-class Paralympic sprinter, competing in the <strong>2012 London Paralympics</strong>. Beyond her work on stage, Katy is a fierce advocate for authentic disability representation in the arts and media, pushing for change in front of and behind the curtain.</p><p><br></p><p>Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit <a href="https://beltlinetobroadway.org/register-2/">https://beltlinetobroadway.org/register-2/ </a> to join our theater fam.</p><p><br></p><p>Let's Get Social</p><p><br></p><p>Facebook/Instagram/TikTok @beltlinetobroadway</p><p>Web www.beltlinetobroadway.org</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2838</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://api.spreaker.com/episode/54523347]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET3650824778.mp3?updated=1740776927" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep38: The Multi-Hyphenate Mindset, Michael Kushner on  How to Succeed in a Changing Industry</title>
      <description>Michael Kushner joins the pod squad to discuss how his lifelong passion for storytelling—sparked by an early obsession with Titanic—led him to embrace multiple artistic roles. He dives into what it truly means to be a multi-hyphenate in the entertainment industry, offering insights from his new book, How to Be a Multi-Hyphenate in the Theatre Business, which aims to dismantle industry gatekeeping and empower artists to take control of their careers. 

Michael Kushner is one of New York City’s leading multi-hyphenates, best known for his work as a Broadway photographer, capturing iconic headshots and portraits of theater’s brightest stars. He is also the host of Dear Multi-Hyphenate on the Broadway Podcast Network, a show dedicated to helping artists navigate careers beyond a single discipline. With a deep passion for mentorship, Michael teaches at NYU and travels nationwide, speaking on the importance of artistic identity and career sustainability. 

Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit https://beltlinetobroadway.org/register-2/  to join our theater fam.

Links

Michael Kushner's Website
Dear Multi-Hyphenate Website

Connect with Us
@beltlinetobroadway
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 13 Jun 2023 03:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9e4cb63c-d74a-11ef-9284-23d7495485fe/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Michael Kushner joins the pod squad to discuss how his lifelong passion for storytelling—sparked by an early obsession with Titanic—led him to embrace multiple artistic roles. He dives into what it truly means to be a multi-hyphenate in the entertainment industry, offering insights from his new book, How to Be a Multi-Hyphenate in the Theatre Business, which aims to dismantle industry gatekeeping and empower artists to take control of their careers. 

Michael Kushner is one of New York City’s leading multi-hyphenates, best known for his work as a Broadway photographer, capturing iconic headshots and portraits of theater’s brightest stars. He is also the host of Dear Multi-Hyphenate on the Broadway Podcast Network, a show dedicated to helping artists navigate careers beyond a single discipline. With a deep passion for mentorship, Michael teaches at NYU and travels nationwide, speaking on the importance of artistic identity and career sustainability. 

Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit https://beltlinetobroadway.org/register-2/  to join our theater fam.

Links

Michael Kushner's Website
Dear Multi-Hyphenate Website

Connect with Us
@beltlinetobroadway
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Michael Kushner joins the pod squad to discuss how his lifelong passion for storytelling—sparked by an early obsession with <em>Titanic</em>—led him to embrace multiple artistic roles. He dives into what it truly means to be a multi-hyphenate in the entertainment industry, offering insights from his new book, <em>How to Be a Multi-Hyphenate in the Theatre Business</em>, which aims to dismantle industry gatekeeping and empower artists to take control of their careers. </p><p><br></p><p><strong>Michael Kushner</strong> is one of New York City’s leading multi-hyphenates, best known for his work as a Broadway photographer, capturing iconic headshots and portraits of theater’s brightest stars. He is also the host of <em>Dear Multi-Hyphenate</em> on the Broadway Podcast Network, a show dedicated to helping artists navigate careers beyond a single discipline. With a deep passion for mentorship, Michael teaches at NYU and travels nationwide, speaking on the importance of artistic identity and career sustainability. </p><p><br></p><p>Love what you hear on the podcast? Join the pod squad by joining our online community! Dive deeper into the episodes, share your thoughts, ask questions, and connect with fellow listeners. Visit <a href="https://beltlinetobroadway.org/register-2/">https://beltlinetobroadway.org/register-2/ </a> to join our theater fam.</p><p><br></p><p>Links</p><p><br></p><p><a href="https://www.michaelkushneronline.com/">Michael Kushner's Website</a></p><p><a href="https://www.dearmultihyphenate.com/">Dear Multi-Hyphenate Website</a></p><p><br></p><p>Connect with Us</p><p>@beltlinetobroadway</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1536</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://api.spreaker.com/episode/54311203]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET1579246993.mp3?updated=1740776328" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep37: Preserving Broadway’s Legacy, Diane Nicoletti on Why Broadway Needs a Museum</title>
      <link>https://beltlinetobroadway.org/a-conversation-with-the-museum-of-broadways-diane-nicoletti/</link>
      <description>Diane Nicoletti joins the pod squad to discuss the importance of preserving theater history, the advocacy work the Museum of Broadway is doing for the arts, and how theater lovers of all ages can engage with the magic of Broadway first hand. 

Diane Nicoletti is an expert in experiential entertainment, having created immersive fan experiences for major brands, from Game of Thrones to Frozen to Comic-Con. As the co-founder of the Museum of Broadway, she has applied her expertise to crafting a one-of-a-kind space that celebrates the artistry, innovation, and history of the theater industry. Passionate about making the arts accessible and engaging, she has helped shape the museum into a hub for education, storytelling, and advocacy.


Links
Museum of Broadway

Let's connect:
Instagram @beltlinetobroadway
Facebook @beltlinetobroadway
TikTok @beltlinetobroadway
Twitter @beltlinetobway
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 18 May 2023 08:07:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9efab2aa-d74a-11ef-9284-8b742ffbad76/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Diane Nicoletti joins the pod squad to discuss the importance of preserving theater history, the advocacy work the Museum of Broadway is doing for the arts, and how theater lovers of all ages can engage with the magic of Broadway first hand. 

Diane Nicoletti is an expert in experiential entertainment, having created immersive fan experiences for major brands, from Game of Thrones to Frozen to Comic-Con. As the co-founder of the Museum of Broadway, she has applied her expertise to crafting a one-of-a-kind space that celebrates the artistry, innovation, and history of the theater industry. Passionate about making the arts accessible and engaging, she has helped shape the museum into a hub for education, storytelling, and advocacy.


Links
Museum of Broadway

Let's connect:
Instagram @beltlinetobroadway
Facebook @beltlinetobroadway
TikTok @beltlinetobroadway
Twitter @beltlinetobway
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Diane Nicoletti joins the pod squad to discuss the importance of preserving theater history, the advocacy work the Museum of Broadway is doing for the arts, and how theater lovers of all ages can engage with the magic of Broadway first hand. </p><p><br></p><p><strong>Diane Nicoletti</strong> is an expert in experiential entertainment, having created immersive fan experiences for major brands, from <em>Game of Thrones</em> to <em>Frozen</em> to <em>Comic-Con</em>. As the co-founder of the <strong>Museum of Broadway</strong>, she has applied her expertise to crafting a one-of-a-kind space that celebrates the artistry, innovation, and history of the theater industry. Passionate about making the arts accessible and engaging, she has helped shape the museum into a hub for education, storytelling, and advocacy.</p><p><br></p><p><br></p><p>Links</p><p><a href="https://www.themuseumofbroadway.com/">Museum of Broadway</a></p><p><br></p><p>Let's connect:</p><p>Instagram @beltlinetobroadway</p><p>Facebook @beltlinetobroadway</p><p>TikTok @beltlinetobroadway</p><p>Twitter @beltlinetobway</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1039</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://api.spreaker.com/episode/53913880]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET3949109094.mp3?updated=1740776308" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep36: How Playing Bob Gaudio Changed Rob Marnell’s Perspective on Music &amp; Theater</title>
      <link>https://www.spreaker.com/episode/a-conversation-with-jersey-boy-rob-marnell--53503348</link>
      <description>Rob Marnell joins the pod squad to discuss the power of storytelling in jukebox musicals, his deep roots in the Raleigh theater scene, and how Bob Gaudio changed his perspective. 

Rob Marnell is a Broadway and television actor known for his work in Beautiful: The Carole King Musical, Tina: The Tina Turner Musical, and Jersey Boys. A graduate of Elon University, Rob has performed on stages across the country and appeared on screen in projects like Clint Eastwood’s Jersey Boys film. Beyond his professional career, he has a deep personal connection to the theater, having met his wife, actress Laurel Harris, while performing in Cinderella at Raleigh Little Theatre. 

Links

Theatre Raleigh

Rob Marnell's Website


Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 11 Apr 2023 16:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>137</itunes:episode>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9f55eff8-d74a-11ef-9284-07987d461e58/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Hear what Rob Marnell (TINA, BEAUTIFUL) has to say about reprising his role of Bob Gaudio in the Theatre Raleigh production of JERSEY BOYS and returning home.

Links

- https://theatreraleigh.com/
- https://www.robmarnell.com/</itunes:subtitle>
      <itunes:summary>Rob Marnell joins the pod squad to discuss the power of storytelling in jukebox musicals, his deep roots in the Raleigh theater scene, and how Bob Gaudio changed his perspective. 

Rob Marnell is a Broadway and television actor known for his work in Beautiful: The Carole King Musical, Tina: The Tina Turner Musical, and Jersey Boys. A graduate of Elon University, Rob has performed on stages across the country and appeared on screen in projects like Clint Eastwood’s Jersey Boys film. Beyond his professional career, he has a deep personal connection to the theater, having met his wife, actress Laurel Harris, while performing in Cinderella at Raleigh Little Theatre. 

Links

Theatre Raleigh

Rob Marnell's Website


Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Rob Marnell joins the pod squad to discuss the power of storytelling in jukebox musicals, his deep roots in the Raleigh theater scene, and how Bob Gaudio changed his perspective. </p><p><br></p><p><strong>Rob Marnell</strong> is a Broadway and television actor known for his work in <em>Beautiful: The Carole King Musical</em>, <em>Tina: The Tina Turner Musical</em>, and <em>Jersey Boys</em>. A graduate of Elon University, Rob has performed on stages across the country and appeared on screen in projects like Clint Eastwood’s <em>Jersey Boys</em> film. Beyond his professional career, he has a deep personal connection to the theater, having met his wife, actress Laurel Harris, while performing in <em>Cinderella</em> at Raleigh Little Theatre. </p><p><br></p><p>Links</p><ul>
<li><a href="https://theatreraleigh.com/">Theatre Raleigh</a></li>
<li><a href="https://www.robmarnell.com/">Rob Marnell's Website</a></li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1159</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://api.spreaker.com/episode/53503348]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET8318503899.mp3?updated=1740776270" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep35: Michael Abels on Scoring Jordan Peele’s Films &amp; Composing Omar</title>
      <link>https://www.spreaker.com/episode/in-conversation-with-playwright-and-performing-artist-tristan-andre-and-film-composer-michael-abels--52786701</link>
      <description>This episode explores two powerful new works that bring history to life through theater and opera. First, Tristan André talks about They Do Not Know Harlem, a deeply personal multimedia piece inspired by James Baldwin. André reflects on how Baldwin’s legacy as a Black queer artist shaped his journey and how the work serves as a love letter to marginalized communities. Then, Lauren chats with acclaimed composer Michael Abels, best known for scoring Jordan Peele’s films Get Out and Nope, about his new opera Omar, which tells the story of Omar Ibn Said, a Muslim scholar enslaved in the U.S. Abels shares insights into the process of composing opera versus film scores, the importance of diversifying the operatic canon, and why Omar is a quintessentially American story.

Tristan André is an actor, playwright, and activist whose work blends performance and social justice to amplify Black and queer voices. His play They Do Not Know Harlem explores identity, resilience, and the ongoing fight for liberation. 

Michael Abels is a composer known for his genre-defying music, spanning classical, hip-hop, folk, and film scores. His recent opera Omar was co-written with Rhiannon Giddens and has been hailed as a groundbreaking piece in contemporary American opera. 


Follow Beltlilne to Broadway:

Facebook, Instagram, TikTok @beltlinetobroadway
Twitter @beltlinetobway
YouTube @beltinetobroadway
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 20 Feb 2023 08:10:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9faee22a-d74a-11ef-9284-43d51bbf1409/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>This episode of the podcast is an exploration of two works inspired by two different historical figures, one of whom you may not know fully and one you may not have heard of at all. 

For more information visit:

- https://playmakersrep.org/
-...</itunes:subtitle>
      <itunes:summary>This episode explores two powerful new works that bring history to life through theater and opera. First, Tristan André talks about They Do Not Know Harlem, a deeply personal multimedia piece inspired by James Baldwin. André reflects on how Baldwin’s legacy as a Black queer artist shaped his journey and how the work serves as a love letter to marginalized communities. Then, Lauren chats with acclaimed composer Michael Abels, best known for scoring Jordan Peele’s films Get Out and Nope, about his new opera Omar, which tells the story of Omar Ibn Said, a Muslim scholar enslaved in the U.S. Abels shares insights into the process of composing opera versus film scores, the importance of diversifying the operatic canon, and why Omar is a quintessentially American story.

Tristan André is an actor, playwright, and activist whose work blends performance and social justice to amplify Black and queer voices. His play They Do Not Know Harlem explores identity, resilience, and the ongoing fight for liberation. 

Michael Abels is a composer known for his genre-defying music, spanning classical, hip-hop, folk, and film scores. His recent opera Omar was co-written with Rhiannon Giddens and has been hailed as a groundbreaking piece in contemporary American opera. 


Follow Beltlilne to Broadway:

Facebook, Instagram, TikTok @beltlinetobroadway
Twitter @beltlinetobway
YouTube @beltinetobroadway
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode explores two powerful new works that bring history to life through theater and opera. First, Tristan André<strong> </strong>talks about <em>They Do Not Know Harlem</em>, a deeply personal multimedia piece inspired by James Baldwin. André reflects on how Baldwin’s legacy as a Black queer artist shaped his journey and how the work serves as a love letter to marginalized communities. Then, Lauren chats with acclaimed composer <strong>Michael Abels</strong>, best known for scoring Jordan Peele’s films <em>Get Out</em> and <em>Nope</em>, about his new opera <em>Omar</em>, which tells the story of Omar Ibn Said, a Muslim scholar enslaved in the U.S. Abels shares insights into the process of composing opera versus film scores, the importance of diversifying the operatic canon, and why <em>Omar</em> is a quintessentially American story.</p><p><br></p><p><strong>Tristan André</strong> is an actor, playwright, and activist whose work blends performance and social justice to amplify Black and queer voices. His play <em>They Do Not Know Harlem</em> explores identity, resilience, and the ongoing fight for liberation. </p><p><br></p><p><strong>Michael Abels</strong> is a composer known for his genre-defying music, spanning classical, hip-hop, folk, and film scores. His recent opera <em>Omar</em> was co-written with Rhiannon Giddens and has been hailed as a groundbreaking piece in contemporary American opera. </p><p><br></p><p><br></p><p>Follow Beltlilne to Broadway:</p><p><br></p><p>Facebook, Instagram, TikTok @beltlinetobroadway</p><p>Twitter @beltlinetobway</p><p>YouTube @beltinetobroadway</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3031</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://api.spreaker.com/episode/52786701]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET5451488230.mp3?updated=1740776234" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep34: From Fred &amp; Ginger to La La Land, How Movie Musicals Shape Pop Culture</title>
      <link>https://www.spreaker.com/episode/tcm-s-dave-karger-on-musical-matinees--51894845</link>
      <description>Turner Classic Movie's Dave Karger joins the pod squad to discuss the cultural significance of musicals, whether we're entering a new era of film musicals, and how contemporary audiences are embracing (or resisting) the genre.

Dave Karger is an award-winning entertainment journalist, Turner Classic Movies host, and a leading expert in film history. A longtime red carpet correspondent and Oscars insider, Dave has interviewed some of the biggest names in Hollywood. His deep passion for classic cinema and musicals led him to create Musical Matinee, a Saturday series on TCM that curates and celebrates the best of the genre. A Duke University graduate, Dave’s love for film began in college, where he discovered the rich history of Hollywood. Today, he continues to share his expertise and enthusiasm for film with audiences worldwide.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 15 Nov 2022 06:46:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>131</itunes:episode>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a1afd20a-d74a-11ef-9284-23c92d91c28f/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Hear what Dave Karger, host of Turner Classic Movies' Musical Matinee franchise has to say about the significance of movie musicals in film's golden age and today.</itunes:subtitle>
      <itunes:summary>Turner Classic Movie's Dave Karger joins the pod squad to discuss the cultural significance of musicals, whether we're entering a new era of film musicals, and how contemporary audiences are embracing (or resisting) the genre.

Dave Karger is an award-winning entertainment journalist, Turner Classic Movies host, and a leading expert in film history. A longtime red carpet correspondent and Oscars insider, Dave has interviewed some of the biggest names in Hollywood. His deep passion for classic cinema and musicals led him to create Musical Matinee, a Saturday series on TCM that curates and celebrates the best of the genre. A Duke University graduate, Dave’s love for film began in college, where he discovered the rich history of Hollywood. Today, he continues to share his expertise and enthusiasm for film with audiences worldwide.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Turner Classic Movie's Dave Karger joins the pod squad to discuss the cultural significance of musicals, whether we're entering a new era of film musicals, and how contemporary audiences are embracing (or resisting) the genre.</p><p><br></p><p><strong>Dave Karger</strong> is an award-winning entertainment journalist, Turner Classic Movies host, and a leading expert in film history. A longtime red carpet correspondent and Oscars insider, Dave has interviewed some of the biggest names in Hollywood. His deep passion for classic cinema and musicals led him to create <em>Musical Matinee</em>, a Saturday series on TCM that curates and celebrates the best of the genre. A Duke University graduate, Dave’s love for film began in college, where he discovered the rich history of Hollywood. Today, he continues to share his expertise and enthusiasm for film with audiences worldwide.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1063</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://api.spreaker.com/episode/51894845]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET2379882198.mp3?updated=1740776211" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep33: Big, Black, and Beautiful, Challenging Industry Norms with Black Stage Everything's Shae Marie</title>
      <link>https://www.spreaker.com/episode/a-conversation-with-black-stage-everything-s-shae-marie--51304668</link>
      <description>Shae Marie Tolbut (Black Stage Everything) joins the pod squad to discuss her journey from stage management to playwriting, the challenges of creating space for plus-size Black performers, and why she’s passionate about centering Black joy on stage. 

Shae Marie Tolbut is a writer, director, and co-founder of Black Stage Everything, a platform dedicated to amplifying Black voices in theater. With a background in stage management and poetry, she has transitioned into playwriting, creating works that center plus-size Black women without reducing them to stereotypes. She is currently developing her play Blue and Green, a groundbreaking production that challenges industry norms by focusing on fully realized Black characters beyond their size. A fierce advocate for representation and inclusion, Shay Marie continues to push boundaries and uplift marginalized voices in the arts.

Connect with Beltline to Broadway

Facebook/Instagram @beltlinetobroadway
Twitter @beltlinetobway
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 19 Sep 2022 06:05:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a32bf2a8-d74a-11ef-9284-83293f580801/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Hear what Black Stage Everything's Shae Marie has to say about representation in theater, Tyler Perry, and creating opportunities for BIPOC artists.

Follow Shae Marie on Instagram @blackstageeverythingg or visit her website at...</itunes:subtitle>
      <itunes:summary>Shae Marie Tolbut (Black Stage Everything) joins the pod squad to discuss her journey from stage management to playwriting, the challenges of creating space for plus-size Black performers, and why she’s passionate about centering Black joy on stage. 

Shae Marie Tolbut is a writer, director, and co-founder of Black Stage Everything, a platform dedicated to amplifying Black voices in theater. With a background in stage management and poetry, she has transitioned into playwriting, creating works that center plus-size Black women without reducing them to stereotypes. She is currently developing her play Blue and Green, a groundbreaking production that challenges industry norms by focusing on fully realized Black characters beyond their size. A fierce advocate for representation and inclusion, Shay Marie continues to push boundaries and uplift marginalized voices in the arts.

Connect with Beltline to Broadway

Facebook/Instagram @beltlinetobroadway
Twitter @beltlinetobway
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Shae Marie Tolbut (Black Stage Everything) joins the pod squad to discuss her journey from stage management to playwriting, the challenges of creating space for plus-size Black performers, and why she’s passionate about centering Black joy on stage. </p><p><br></p><p><strong>Shae Marie Tolbut</strong> is a writer, director, and co-founder of <em>Black Stage Everything</em>, a platform dedicated to amplifying Black voices in theater. With a background in stage management and poetry, she has transitioned into playwriting, creating works that center plus-size Black women without reducing them to stereotypes. She is currently developing her play <em>Blue and Green</em>, a groundbreaking production that challenges industry norms by focusing on fully realized Black characters beyond their size. A fierce advocate for representation and inclusion, Shay Marie continues to push boundaries and uplift marginalized voices in the arts.</p><p><br></p><p>Connect with Beltline to Broadway</p><p><br></p><p>Facebook/Instagram @beltlinetobroadway</p><p>Twitter @beltlinetobway</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1704</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://api.spreaker.com/episode/51304668]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET9103858140.mp3?updated=1740776188" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep32: Body Neutrality in the Arts, Libby Parker on Fueling a Healthier Approach for Performers</title>
      <link>https://www.spreaker.com/episode/back-to-school-with-broadway-dietitian-libby-parker--50991148</link>
      <description>Libby Parker (aka The Broadway Dietician) joins the pod squad to discuss the challenges theater artists face when it comes to body image, the pressures of casting expectations, and how the industry can be more inclusive. She also offers tips on how performers can fuel the body for performance and avoid diet culture pitfalls.

Libby Parker is a registered dietitian specializing in eating disorder recovery and nutrition for performers. Passionate about dismantling harmful industry norms, she educates artists on maintaining a healthy relationship with food and their bodies. She is the author of Permission to Eat and an upcoming textbook for BFA programs that promotes a weight-neutral approach to health. Libby frequently speaks at conferences and offers coaching services through her websites, The Broadway Dietitian and Not Your Average Nutritionist. Her mission is to empower performers to prioritize their well-being while pursuing their artistic dreams.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 22 Aug 2022 04:30:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a4d684ce-d74a-11ef-9284-23c50638858c/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Live from BroadwayCon, a candid conversation with Libby Parker (aka The Broadway Dietitian) about disordered eating.</itunes:subtitle>
      <itunes:summary>Libby Parker (aka The Broadway Dietician) joins the pod squad to discuss the challenges theater artists face when it comes to body image, the pressures of casting expectations, and how the industry can be more inclusive. She also offers tips on how performers can fuel the body for performance and avoid diet culture pitfalls.

Libby Parker is a registered dietitian specializing in eating disorder recovery and nutrition for performers. Passionate about dismantling harmful industry norms, she educates artists on maintaining a healthy relationship with food and their bodies. She is the author of Permission to Eat and an upcoming textbook for BFA programs that promotes a weight-neutral approach to health. Libby frequently speaks at conferences and offers coaching services through her websites, The Broadway Dietitian and Not Your Average Nutritionist. Her mission is to empower performers to prioritize their well-being while pursuing their artistic dreams.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Libby Parker (aka The Broadway Dietician) joins the pod squad to discuss the challenges theater artists face when it comes to body image, the pressures of casting expectations, and how the industry can be more inclusive. She also offers tips on how performers can fuel the body for performance and avoid diet culture pitfalls.</p><p><br></p><p><strong>Libby Parker</strong> is a registered dietitian specializing in eating disorder recovery and nutrition for performers. Passionate about dismantling harmful industry norms, she educates artists on maintaining a healthy relationship with food and their bodies. She is the author of <em>Permission to Eat</em> and an upcoming textbook for BFA programs that promotes a weight-neutral approach to health. Libby frequently speaks at conferences and offers coaching services through her websites, <em>The Broadway Dietitian</em> and <em>Not Your Average Nutritionist</em>. Her mission is to empower performers to prioritize their well-being while pursuing their artistic dreams.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1141</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://api.spreaker.com/episode/50991148]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET2986836531.mp3?updated=1740776163" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep31: From Fanboy to Broadway, A Conversation with Aaron Simon Gross (13, the Musical)</title>
      <link>https://www.spreaker.com/episode/a-conversation-with-aaron-simon-gross-13-the-musical--50964153</link>
      <description>Actor, director, and lifelong theater fan Aaron Simon Gross joins the pod squad to discuss how his early passion for musical theater shaped his career, the importance of audience engagement in modern theater, and why collaborating with playwrights on new works thrills him. 

Aaron Simon Gross is a multi-talented actor, director, and creative mind with deep roots in the theater world. He made his Broadway debut in 13, where he worked closely with Jason Robert Brown, and has since carved out a unique career that blends performing, directing, and developing new works. Passionate about bringing fresh voices to the stage, Aaron frequently collaborates with emerging playwrights and has been involved in numerous workshops and productions. Recently, he directed a show for North Carolina Theatre Conservatory, and he’s now pursuing a master's degree in journalism in New York—further proof that his love for storytelling extends beyond the stage.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 15 Aug 2022 07:15:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a52f0d92-d74a-11ef-9284-839ef75e00c9/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Hear what Aaron Simon Gross has to say about working on the musical 13 (original Broadway cast), the theater, and more.</itunes:subtitle>
      <itunes:summary>Actor, director, and lifelong theater fan Aaron Simon Gross joins the pod squad to discuss how his early passion for musical theater shaped his career, the importance of audience engagement in modern theater, and why collaborating with playwrights on new works thrills him. 

Aaron Simon Gross is a multi-talented actor, director, and creative mind with deep roots in the theater world. He made his Broadway debut in 13, where he worked closely with Jason Robert Brown, and has since carved out a unique career that blends performing, directing, and developing new works. Passionate about bringing fresh voices to the stage, Aaron frequently collaborates with emerging playwrights and has been involved in numerous workshops and productions. Recently, he directed a show for North Carolina Theatre Conservatory, and he’s now pursuing a master's degree in journalism in New York—further proof that his love for storytelling extends beyond the stage.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Actor, director, and lifelong theater fan <strong>Aaron Simon Gross</strong> joins the pod squad to discuss how his early passion for musical theater shaped his career, the importance of audience engagement in modern theater, and why collaborating with playwrights on new works thrills him. </p><p><br></p><p>Aaron Simon Gross is a multi-talented actor, director, and creative mind with deep roots in the theater world. He made his Broadway debut in <em>13</em>, where he worked closely with Jason Robert Brown, and has since carved out a unique career that blends performing, directing, and developing new works. Passionate about bringing fresh voices to the stage, Aaron frequently collaborates with emerging playwrights and has been involved in numerous workshops and productions. Recently, he directed a show for North Carolina Theatre Conservatory, and he’s now pursuing a master's degree in journalism in New York—further proof that his love for storytelling extends beyond the stage.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1201</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d8f82879-fe29-4c5a-9093-c1c70494fdb4]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET5228325442.mp3?updated=1740776135" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep30: Gun Reform, Theater, and Community, The Church and State Effect</title>
      <link>https://www.spreaker.com/episode/gun-sense-art-and-activism-with-jason-odell-williams--50964170</link>
      <description>Playwright Jason Odell Williams joins the pod squad to discuss the intersection of theater, activism, and gun sense legislation. They discuss the impact of Williams' play Church and State, a thought-provoking drama that has become a vehicle for community conversations on gun violence. With reflections on past productions, audience reactions, and the evolving dialogue around gun reform, this episode highlights the vital role of storytelling in addressing urgent social issues.

Jason Odell Williams is an award-winning playwright, screenwriter, and novelist whose works blend humor, politics, and social commentary. His play Church and State has had over 60 productions nationwide, sparking critical discussions on gun violence and political accountability. Williams has also written for television and is known for his ability to craft compelling narratives that engage audiences on important issues. A passionate advocate for using theater as a platform for change, he continues to create work that resonNextates with contemporary audiences and challenges the status quo.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 24 Jun 2022 06:33:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a71851b8-d74a-11ef-9284-83231b1c4c0a/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Hear what Playwright Jason Odell Williams, along with North Raleigh Arts and Creative Theatre's Yvonne Belsanti Anderson and Moms Demand Action's Madhavi Krevat have to say about gun sense, art, and activism.</itunes:subtitle>
      <itunes:summary>Playwright Jason Odell Williams joins the pod squad to discuss the intersection of theater, activism, and gun sense legislation. They discuss the impact of Williams' play Church and State, a thought-provoking drama that has become a vehicle for community conversations on gun violence. With reflections on past productions, audience reactions, and the evolving dialogue around gun reform, this episode highlights the vital role of storytelling in addressing urgent social issues.

Jason Odell Williams is an award-winning playwright, screenwriter, and novelist whose works blend humor, politics, and social commentary. His play Church and State has had over 60 productions nationwide, sparking critical discussions on gun violence and political accountability. Williams has also written for television and is known for his ability to craft compelling narratives that engage audiences on important issues. A passionate advocate for using theater as a platform for change, he continues to create work that resonNextates with contemporary audiences and challenges the status quo.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Playwright <strong>Jason Odell Williams </strong>joins the pod squad to discuss the intersection of theater, activism, and gun sense legislation. They discuss the impact of Williams' play <em>Church and State</em>, a thought-provoking drama that has become a vehicle for community conversations on gun violence. With reflections on past productions, audience reactions, and the evolving dialogue around gun reform, this episode highlights the vital role of storytelling in addressing urgent social issues.</p><p><br></p><p>Jason Odell Williams is an award-winning playwright, screenwriter, and novelist whose works blend humor, politics, and social commentary. His play <em>Church and State</em> has had over 60 productions nationwide, sparking critical discussions on gun violence and political accountability. Williams has also written for television and is known for his ability to craft compelling narratives that engage audiences on important issues. A passionate advocate for using theater as a platform for change, he continues to create work that reson<a href="https://cms.megaphone.fm/organizations/f89a5506-9c0c-11e9-9358-8f8cd3e7b012/podcasts/9ab453a4-d74a-11ef-ad77-2378a6fedcc5/episodes/a71851b8-d74a-11ef-9284-83231b1c4c0a/edit#publish">Next</a>ates with contemporary audiences and challenges the status quo.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2178</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5bca9222-bbe2-4a95-b34a-12257db6323c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET4649158014.mp3?updated=1740776113" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep29: Agrabah to Activist, The Many Sides of Telly Leung</title>
      <link>https://www.spreaker.com/episode/a-conversation-with-telly-leung--50964160</link>
      <description>Telly Leung joins the pod squad to discuss the deeply personal journey of his immigrant parents, their harrowing escape from communist China, and how their sacrifices shaped his artistic path. The conversation then delves into the power of storytelling and the ongoing fight for Asian American representation in theater.

Telly Leung is an American actor, singer, and songwriter. He is known for his work in musical theatre on Broadway and his role as Wes, a member of the Dalton Academy Warblers on the Fox comedy-drama series Glee. In 2011, he starred in the Broadway revival of Godspell at the Circle in the Square Theatre. Leung was named one of 12 Faces to Watch in 2012: Dance, Theater, Architecture, and Art by the Los Angeles Times.

Links

https://www.tellyleung.com/ (Telly Leung Website)
http://www.aapacnyc.org/ (Asian American Performers Action Coalition)


Connect with Us
Facebook @beltlinetbroadway
Twitter @beltlinetobway
Instagram @beltlinetobroadway
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 15 Jun 2022 14:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a777399e-d74a-11ef-9284-378389546505/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>About the Guest
Telly Leung is an American actor, singer and songwriter. He is known for his work in musical theatre on Broadway and for his role as Wes, a member of the Dalton Academy Warblers on the Fox comedy-drama series Glee. In 2011, he starred...</itunes:subtitle>
      <itunes:summary>Telly Leung joins the pod squad to discuss the deeply personal journey of his immigrant parents, their harrowing escape from communist China, and how their sacrifices shaped his artistic path. The conversation then delves into the power of storytelling and the ongoing fight for Asian American representation in theater.

Telly Leung is an American actor, singer, and songwriter. He is known for his work in musical theatre on Broadway and his role as Wes, a member of the Dalton Academy Warblers on the Fox comedy-drama series Glee. In 2011, he starred in the Broadway revival of Godspell at the Circle in the Square Theatre. Leung was named one of 12 Faces to Watch in 2012: Dance, Theater, Architecture, and Art by the Los Angeles Times.

Links

https://www.tellyleung.com/ (Telly Leung Website)
http://www.aapacnyc.org/ (Asian American Performers Action Coalition)


Connect with Us
Facebook @beltlinetbroadway
Twitter @beltlinetobway
Instagram @beltlinetobroadway
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Telly Leung joins the pod squad to discuss the deeply personal journey of his immigrant parents, their harrowing escape from communist China, and how their sacrifices shaped his artistic path. The conversation then delves into the power of storytelling and the ongoing fight for Asian American representation in theater.</p><p><br></p><p>Telly Leung is an American actor, singer, and songwriter. He is known for his work in musical theatre on Broadway and his role as Wes, a member of the Dalton Academy Warblers on the Fox comedy-drama series Glee. In 2011, he starred in the Broadway revival of Godspell at the Circle in the Square Theatre. Leung was named one of 12 Faces to Watch in 2012: Dance, Theater, Architecture, and Art by the Los Angeles Times.</p><p><br></p><p>Links</p><p><br></p><p><a href="https://www.tellyleung.com/">https://www.tellyleung.com/</a> (Telly Leung Website)</p><p><a href="http://www.aapacnyc.org/">http://www.aapacnyc.org/</a> (Asian American Performers Action Coalition)</p><p><br></p><p><br></p><p>Connect with Us</p><p>Facebook @beltlinetbroadway</p><p>Twitter @beltlinetobway</p><p>Instagram @beltlinetobroadway</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2210</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a0788f03-c690-431e-8a3d-0290ba407c16]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET6655235807.mp3?updated=1740776084" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep28: Serendipity and Showbiz, A Conversation with Randy Redd</title>
      <link>https://www.spreaker.com/episode/a-conversation-with-randy-redd--50964156</link>
      <description>Randy Redd joins the pod squad to share stories from his experiences working on Parade with the legendary Hal Prince, his serendipitous audition for Ring of Fire, and deep influence of Johnny Cash and Jason Robert Brown.

Randy Redd made his Broadway debut in PARADE at Lincoln Center directed by Harold Prince. Broadway and Off-Broadway credits include MAY WE ALL, Max Vernon's THE VIEW UPSTAIRS, ALLEGRO at Classic Stage Company directed by John Doyle, Alain Boublil’s MANHATTAN PARISIENNE directed by Graciela Daniele, and PUMP BOYS and DINETTES at City Center Encores. Other credits include MILLION DOLLAR QUARTET, RING OF FIRE directed by Richard Maltby, Jr., Randy Newman’s FAUST, THE BURNT PART BOYS, Terrence McNally's SOME MEN, the American premiere of Andrew Lloyd Webber's BY JEEVES directed by Alan Ayckbourn, David Greig's MIDSUMMER, LUCKY STIFF, ONE MAN BAND with James Lecesne, and SMOKE ON THE MOUNTAIN. Film and TV credits include https://www.youtube.com/watch?v=L1HQ5OP9E8c (“Beautiful Creatures”) and “The Last 5 Years” directed by Richard LaGravenese, https://www.youtube.com/watch?v=iJjmpO8k9m0 (“After The Storm”) directed by Hilla Medalia, "Kinsey" directed by Bill Condon, “From Broadway With Love” (PBS), “All-American New Years” (FOX), "The Wright Verdicts", Good Morning America, the Today Show, the Tony Awards, the Macy's Thanksgiving Day Parade with Wynonna Judd, and Show Biz After Hours with Frank DiLella, a monthly variety show at Birdland. He has worked as an actor, writer, musician, and director at Manhattan Theater Club, Lincoln Center Theater, Classic Stage Company, Tectonic Theater, Atlantic Theater Company, Naked Angels, Second Stage, New York Musical Theater Festival, The Kennedy Center, Goodspeed, Geffen Playhouse, Primary Stages, York Theater, Emelin Theater, City Theatre, Cincinnati Playhouse In The Park, New Stage Theatre, Pittsburgh CLO, Charlotte Repertory Theater, the Flat Rock Playhouse, the Coconut Grove Playhouse, Stamford Center For The Arts, the Arden Theater, New World Stages, the Cape Playhouse, the Actor's Playhouse, and more. Recordings: https://itunes.apple.com/us/album/showfolk/id305047066 (SHOWFOLK) with Tony Award-winner Rachel Bay Jones, Robin Skye's https://itunes.apple.com/us/artist/robin-skye/id383949971 (HOUSE OF LOVE), LUCKY STIFF, NEO, Jason Robert Brown's WEARING SOMEONE ELSE’S CLOTHES and the Original Cast Recordings of PARADE, RING OF FIRE, THE BURNT PART BOYS and THE VIEW UPSTAIRS. In concert: Carnegie Hall, Jazz at Lincoln Center, Town Hall, Symphony Space, Cooper Union, St. John the Divine, Feinstein’s, Ars Nova, Birdland and Joe's Pub.

http://www.randy-redd.com/ (Randy Redd's Website)

Connect with Us
Facebook @beltlinetbroadway
Twitter @beltlinetobway
Instagram @beltlinetobroadway
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 02 May 2022 19:06:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a7d23286-d74a-11ef-9284-47a3b375505e/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>About the Guest
Randy Redd made his Broadway debut in PARADE at Lincoln Center directed by Harold Prince. Broadway and Off-Broadway credits include MAY WE ALL, Max Vernon's THE VIEW UPSTAIRS, ALLEGRO at Classic Stage Company directed by John Doyle,...</itunes:subtitle>
      <itunes:summary>Randy Redd joins the pod squad to share stories from his experiences working on Parade with the legendary Hal Prince, his serendipitous audition for Ring of Fire, and deep influence of Johnny Cash and Jason Robert Brown.

Randy Redd made his Broadway debut in PARADE at Lincoln Center directed by Harold Prince. Broadway and Off-Broadway credits include MAY WE ALL, Max Vernon's THE VIEW UPSTAIRS, ALLEGRO at Classic Stage Company directed by John Doyle, Alain Boublil’s MANHATTAN PARISIENNE directed by Graciela Daniele, and PUMP BOYS and DINETTES at City Center Encores. Other credits include MILLION DOLLAR QUARTET, RING OF FIRE directed by Richard Maltby, Jr., Randy Newman’s FAUST, THE BURNT PART BOYS, Terrence McNally's SOME MEN, the American premiere of Andrew Lloyd Webber's BY JEEVES directed by Alan Ayckbourn, David Greig's MIDSUMMER, LUCKY STIFF, ONE MAN BAND with James Lecesne, and SMOKE ON THE MOUNTAIN. Film and TV credits include https://www.youtube.com/watch?v=L1HQ5OP9E8c (“Beautiful Creatures”) and “The Last 5 Years” directed by Richard LaGravenese, https://www.youtube.com/watch?v=iJjmpO8k9m0 (“After The Storm”) directed by Hilla Medalia, "Kinsey" directed by Bill Condon, “From Broadway With Love” (PBS), “All-American New Years” (FOX), "The Wright Verdicts", Good Morning America, the Today Show, the Tony Awards, the Macy's Thanksgiving Day Parade with Wynonna Judd, and Show Biz After Hours with Frank DiLella, a monthly variety show at Birdland. He has worked as an actor, writer, musician, and director at Manhattan Theater Club, Lincoln Center Theater, Classic Stage Company, Tectonic Theater, Atlantic Theater Company, Naked Angels, Second Stage, New York Musical Theater Festival, The Kennedy Center, Goodspeed, Geffen Playhouse, Primary Stages, York Theater, Emelin Theater, City Theatre, Cincinnati Playhouse In The Park, New Stage Theatre, Pittsburgh CLO, Charlotte Repertory Theater, the Flat Rock Playhouse, the Coconut Grove Playhouse, Stamford Center For The Arts, the Arden Theater, New World Stages, the Cape Playhouse, the Actor's Playhouse, and more. Recordings: https://itunes.apple.com/us/album/showfolk/id305047066 (SHOWFOLK) with Tony Award-winner Rachel Bay Jones, Robin Skye's https://itunes.apple.com/us/artist/robin-skye/id383949971 (HOUSE OF LOVE), LUCKY STIFF, NEO, Jason Robert Brown's WEARING SOMEONE ELSE’S CLOTHES and the Original Cast Recordings of PARADE, RING OF FIRE, THE BURNT PART BOYS and THE VIEW UPSTAIRS. In concert: Carnegie Hall, Jazz at Lincoln Center, Town Hall, Symphony Space, Cooper Union, St. John the Divine, Feinstein’s, Ars Nova, Birdland and Joe's Pub.

http://www.randy-redd.com/ (Randy Redd's Website)

Connect with Us
Facebook @beltlinetbroadway
Twitter @beltlinetobway
Instagram @beltlinetobroadway
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Randy Redd joins the pod squad to share stories from his experiences working on <em>Parade</em> with the legendary Hal Prince, his serendipitous audition for <em>Ring of Fire</em>, and deep influence of Johnny Cash and Jason Robert Brown.</p><p><br></p><p>Randy Redd made his Broadway debut in PARADE at Lincoln Center directed by Harold Prince. Broadway and Off-Broadway credits include MAY WE ALL, Max Vernon's THE VIEW UPSTAIRS, ALLEGRO at Classic Stage Company directed by John Doyle, Alain Boublil’s MANHATTAN PARISIENNE directed by Graciela Daniele, and PUMP BOYS and DINETTES at City Center Encores. Other credits include MILLION DOLLAR QUARTET, RING OF FIRE directed by Richard Maltby, Jr., Randy Newman’s FAUST, THE BURNT PART BOYS, Terrence McNally's SOME MEN, the American premiere of Andrew Lloyd Webber's BY JEEVES directed by Alan Ayckbourn, David Greig's MIDSUMMER, LUCKY STIFF, ONE MAN BAND with James Lecesne, and SMOKE ON THE MOUNTAIN. Film and TV credits include <a href="https://www.youtube.com/watch?v=L1HQ5OP9E8c">https://www.youtube.com/watch?v=L1HQ5OP9E8c</a> (“Beautiful Creatures”) and “The Last 5 Years” directed by Richard LaGravenese, <a href="https://www.youtube.com/watch?v=iJjmpO8k9m0">https://www.youtube.com/watch?v=iJjmpO8k9m0</a> (“After The Storm”) directed by Hilla Medalia, "Kinsey" directed by Bill Condon, “From Broadway With Love” (PBS), “All-American New Years” (FOX), "The Wright Verdicts", Good Morning America, the Today Show, the Tony Awards, the Macy's Thanksgiving Day Parade with Wynonna Judd, and Show Biz After Hours with Frank DiLella, a monthly variety show at Birdland. He has worked as an actor, writer, musician, and director at Manhattan Theater Club, Lincoln Center Theater, Classic Stage Company, Tectonic Theater, Atlantic Theater Company, Naked Angels, Second Stage, New York Musical Theater Festival, The Kennedy Center, Goodspeed, Geffen Playhouse, Primary Stages, York Theater, Emelin Theater, City Theatre, Cincinnati Playhouse In The Park, New Stage Theatre, Pittsburgh CLO, Charlotte Repertory Theater, the Flat Rock Playhouse, the Coconut Grove Playhouse, Stamford Center For The Arts, the Arden Theater, New World Stages, the Cape Playhouse, the Actor's Playhouse, and more. Recordings: <a href="https://itunes.apple.com/us/album/showfolk/id305047066">https://itunes.apple.com/us/album/showfolk/id305047066</a> (SHOWFOLK) with Tony Award-winner Rachel Bay Jones, Robin Skye's <a href="https://itunes.apple.com/us/artist/robin-skye/id383949971">https://itunes.apple.com/us/artist/robin-skye/id383949971</a> (HOUSE OF LOVE), LUCKY STIFF, NEO, Jason Robert Brown's WEARING SOMEONE ELSE’S CLOTHES and the Original Cast Recordings of PARADE, RING OF FIRE, THE BURNT PART BOYS and THE VIEW UPSTAIRS. In concert: Carnegie Hall, Jazz at Lincoln Center, Town Hall, Symphony Space, Cooper Union, St. John the Divine, Feinstein’s, Ars Nova, Birdland and Joe's Pub.</p><p><br></p><p><a href="http://www.randy-redd.com/">http://www.randy-redd.com/</a> (Randy Redd's Website)</p><p><br></p><p>Connect with Us</p><p>Facebook @beltlinetbroadway</p><p>Twitter @beltlinetobway</p><p>Instagram @beltlinetobroadway</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1998</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a8d063dd-7871-4f03-86fe-521a1db01c91]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET5174851317.mp3?updated=1740776055" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep27: Oklahoma to Iran, How Two Playwrights Confront Censorship &amp; Change</title>
      <link>https://www.spreaker.com/episode/dear-performer-a-conversation-with-two-playwrights--50964171</link>
      <description>In this episode,  host Lauren Van Heemert speaks with two playwrights using theater as a tool for social change. David Blakely discusses his adaptation of Enemy of the People, which modernizes Henrik Ibsen’s classic play, tackling environmental and political corruption in Oklahoma. He reflects on the role of theater in exposing uncomfortable truths, his approach to writing non-binary characters, and the evolving landscape of representation on stage. Later, Iranian playwright Nassim Soleimanpour shares insights into his globally acclaimed play White Rabbit, Red Rabbit, which strips away traditional theatrical elements to create a raw and interactive audience experience. He talks about growing up in Iran, writing under censorship, and how his work challenges passive spectatorship by making every audience member an active participant in the story.

David Blakely is an award-winning playwright whose works often explore political and social justice themes. His adaptation of Enemy of the People has been staged across the U.S., igniting important conversations about media suppression and environmental responsibility. Nassim Soleimanpour is an internationally recognized playwright best known for White Rabbit, Red Rabbit, a play designed to be performed without rehearsal, direction, or set. His works have been produced worldwide, including in Broadway and West End venues. With an experimental approach to storytelling, Soleimanpour continues to push the boundaries of theatrical form, making audiences think, engage, and react in real-time.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 21 Apr 2022 05:27:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a8315004-d74a-11ef-9284-4311b0342b3e/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A conversation with David Blakely (Enemy of the People) and Nassim Soleimanpour (White Rabbit, Red Rabbit).</itunes:subtitle>
      <itunes:summary>In this episode,  host Lauren Van Heemert speaks with two playwrights using theater as a tool for social change. David Blakely discusses his adaptation of Enemy of the People, which modernizes Henrik Ibsen’s classic play, tackling environmental and political corruption in Oklahoma. He reflects on the role of theater in exposing uncomfortable truths, his approach to writing non-binary characters, and the evolving landscape of representation on stage. Later, Iranian playwright Nassim Soleimanpour shares insights into his globally acclaimed play White Rabbit, Red Rabbit, which strips away traditional theatrical elements to create a raw and interactive audience experience. He talks about growing up in Iran, writing under censorship, and how his work challenges passive spectatorship by making every audience member an active participant in the story.

David Blakely is an award-winning playwright whose works often explore political and social justice themes. His adaptation of Enemy of the People has been staged across the U.S., igniting important conversations about media suppression and environmental responsibility. Nassim Soleimanpour is an internationally recognized playwright best known for White Rabbit, Red Rabbit, a play designed to be performed without rehearsal, direction, or set. His works have been produced worldwide, including in Broadway and West End venues. With an experimental approach to storytelling, Soleimanpour continues to push the boundaries of theatrical form, making audiences think, engage, and react in real-time.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode,  host Lauren Van Heemert speaks with two playwrights using theater as a tool for social change. David Blakely discusses his adaptation of <em>Enemy of the People</em>, which modernizes Henrik Ibsen’s classic play, tackling environmental and political corruption in Oklahoma. He reflects on the role of theater in exposing uncomfortable truths, his approach to writing non-binary characters, and the evolving landscape of representation on stage. Later, Iranian playwright Nassim Soleimanpour shares insights into his globally acclaimed play <em>White Rabbit, Red Rabbit</em>, which strips away traditional theatrical elements to create a raw and interactive audience experience. He talks about growing up in Iran, writing under censorship, and how his work challenges passive spectatorship by making every audience member an active participant in the story.</p><p><br></p><p>David Blakely is an award-winning playwright whose works often explore political and social justice themes. His adaptation of <em>Enemy of the People</em> has been staged across the U.S., igniting important conversations about media suppression and environmental responsibility. Nassim Soleimanpour is an internationally recognized playwright best known for <em>White Rabbit, Red Rabbit</em>, a play designed to be performed without rehearsal, direction, or set. His works have been produced worldwide, including in Broadway and West End venues. With an experimental approach to storytelling, Soleimanpour continues to push the boundaries of theatrical form, making audiences think, engage, and react in real-time.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2662</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[421f6446-03ff-4b6a-85d4-8f6eb3e7be59]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET3758332838.mp3?updated=1740775969" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep26: Music, Memory, and Merrily, David Loud Faces the Music</title>
      <link>https://www.spreaker.com/episode/a-conversation-with-music-man-david-loud--50964174</link>
      <description>David Loud joins the pod squad to share captivating stories from his career, including working with Stephen Sondheim on Merrily We Roll Along, collaborating with Kander and Ebb, and conducting iconic productions like Ragtime, Curtains, and The Scottsboro Boys. He reflects on the power of musical storytelling, the challenges of shaping a Broadway show, and how his Parkinson’s diagnosis reshaped his artistic journey. 

David Loud is one of Broadway’s most respected music directors, arrangers, and performers. He made his Broadway debut as an actor in Merrily We Roll Along before transitioning to music direction, working on acclaimed shows such as Ragtime, She Loves Me, and Sondheim on Sondheim. His extensive career has included collaborations with industry greats like Harold Prince, Stephen Sondheim, and Kander and Ebb. Now a teacher at Manhattan School of Music, Loud continues to inspire the next generation of musical theater artists. His memoir, Facing the Music, offers a candid look at his journey, from Broadway’s golden years to his ongoing battle with Parkinson’s disease.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 12 Apr 2022 05:34:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a88c6b38-d74a-11ef-9284-e318640bd0ae/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A candid conversation with renowned Broadway music director and arranger David Loud.</itunes:subtitle>
      <itunes:summary>David Loud joins the pod squad to share captivating stories from his career, including working with Stephen Sondheim on Merrily We Roll Along, collaborating with Kander and Ebb, and conducting iconic productions like Ragtime, Curtains, and The Scottsboro Boys. He reflects on the power of musical storytelling, the challenges of shaping a Broadway show, and how his Parkinson’s diagnosis reshaped his artistic journey. 

David Loud is one of Broadway’s most respected music directors, arrangers, and performers. He made his Broadway debut as an actor in Merrily We Roll Along before transitioning to music direction, working on acclaimed shows such as Ragtime, She Loves Me, and Sondheim on Sondheim. His extensive career has included collaborations with industry greats like Harold Prince, Stephen Sondheim, and Kander and Ebb. Now a teacher at Manhattan School of Music, Loud continues to inspire the next generation of musical theater artists. His memoir, Facing the Music, offers a candid look at his journey, from Broadway’s golden years to his ongoing battle with Parkinson’s disease.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>David Loud joins the pod squad to share captivating stories from his career, including working with Stephen Sondheim on <em>Merrily We Roll Along</em>, collaborating with Kander and Ebb, and conducting iconic productions like <em>Ragtime</em>, <em>Curtains</em>, and <em>The Scottsboro Boys</em>. He reflects on the power of musical storytelling, the challenges of shaping a Broadway show, and how his Parkinson’s diagnosis reshaped his artistic journey. </p><p><br></p><p>David Loud is one of Broadway’s most respected music directors, arrangers, and performers. He made his Broadway debut as an actor in <em>Merrily We Roll Along</em> before transitioning to music direction, working on acclaimed shows such as <em>Ragtime</em>, <em>She Loves Me</em>, and <em>Sondheim on Sondheim</em>. His extensive career has included collaborations with industry greats like Harold Prince, Stephen Sondheim, and Kander and Ebb. Now a teacher at Manhattan School of Music, Loud continues to inspire the next generation of musical theater artists. His memoir, <em>Facing the Music</em>, offers a candid look at his journey, from Broadway’s golden years to his ongoing battle with Parkinson’s disease.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1970</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[79eaebb3-5f42-4745-8c87-02888d368793]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET4666690803.mp3?updated=1740775946" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep25: Me, Myself &amp; Shirley, Remembering TV Icon Cindy Williams</title>
      <link>https://www.spreaker.com/episode/in-conversation-with-cindy-williams--50964182</link>
      <description>Cindy Williams joined the pod squad to share stories from her early days in Hollywood, working with icons like Gene Kelly and Ron Howard, and how a chance meeting with Penny Marshall—and a blessing from Little Richard—led to Laverne &amp; Shirley. 

Cindy Williams is best known for her role as Shirley Feeney in the hit sitcom Laverne &amp; Shirley, one of the most successful television shows of its time. She has also starred in films like American Graffiti and The Conversation, both recognized as cinematic classics. Over the years, Cindy performed across stage and screen, embracing her comedic roots while captivating audiences with her storytelling. Williams died in 2023, a year after this interview was recorded.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 05 Apr 2022 07:04:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a8f340c4-d74a-11ef-9284-1326cbc9988a/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Hear what TV icon Cindy Williams has to say about Laverne and Shirley, American Graffiti, and taking her show on the road.</itunes:subtitle>
      <itunes:summary>Cindy Williams joined the pod squad to share stories from her early days in Hollywood, working with icons like Gene Kelly and Ron Howard, and how a chance meeting with Penny Marshall—and a blessing from Little Richard—led to Laverne &amp; Shirley. 

Cindy Williams is best known for her role as Shirley Feeney in the hit sitcom Laverne &amp; Shirley, one of the most successful television shows of its time. She has also starred in films like American Graffiti and The Conversation, both recognized as cinematic classics. Over the years, Cindy performed across stage and screen, embracing her comedic roots while captivating audiences with her storytelling. Williams died in 2023, a year after this interview was recorded.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Cindy Williams joined the pod squad to share stories from her early days in Hollywood, working with icons like Gene Kelly and Ron Howard, and how a chance meeting with Penny Marshall—and a blessing from Little Richard—led to <em>Laverne &amp; Shirley</em>. </p><p><br></p><p>Cindy Williams is best known for her role as Shirley Feeney in the hit sitcom <em>Laverne &amp; Shirley</em>, one of the most successful television shows of its time. She has also starred in films like <em>American Graffiti</em> and <em>The Conversation</em>, both recognized as cinematic classics. Over the years, Cindy performed across stage and screen, embracing her comedic roots while captivating audiences with her storytelling. Williams died in 2023, a year after this interview was recorded.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1659</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8759b779-0d3c-4f67-87bb-029bc5be2451]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET2020716575.mp3?updated=1740775915" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep24: From Broadway to Beyoncé, The Many Sides of Glynn Turman</title>
      <link>https://www.spreaker.com/episode/a-conversation-with-glynn-turman--50964161</link>
      <description>Legendary actor Glynn Turman joins the pod squad to reflect on his extraordinary career spanning theater, television, and film. Glynn shares personal stories about his friendship with Jay-Z and Beyoncé, his passion for horseback riding, and his dedication to mentoring young people through his Camp Giddy Up program. He also speaks candidly about the evolution of representation in entertainment and whether real progress has been made.

Glynn Turman is an Emmy-winning actor, director, writer, and producer with over 50 years in the industry. From groundbreaking television roles to critically acclaimed performances on stage and screen, he has become a beloved and respected figure in Hollywood. He has appeared in Fargo, Ma Rainey’s Black Bottom, and Queen Sugar, while also dedicating his time to advocating for Black storytelling and youth mentorship. A true Renaissance man, Turman’s legacy extends beyond acting—his love for horseback riding and his work with inner-city kids through Camp Giddy Up showcase his passion for uplifting and inspiring future generations.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 08 Feb 2022 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/aad6787a-d74a-11ef-9284-934b7881f461/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Hear what award-winning actor Glynn Turman has to say about his storied television, film, and stage career.</itunes:subtitle>
      <itunes:summary>Legendary actor Glynn Turman joins the pod squad to reflect on his extraordinary career spanning theater, television, and film. Glynn shares personal stories about his friendship with Jay-Z and Beyoncé, his passion for horseback riding, and his dedication to mentoring young people through his Camp Giddy Up program. He also speaks candidly about the evolution of representation in entertainment and whether real progress has been made.

Glynn Turman is an Emmy-winning actor, director, writer, and producer with over 50 years in the industry. From groundbreaking television roles to critically acclaimed performances on stage and screen, he has become a beloved and respected figure in Hollywood. He has appeared in Fargo, Ma Rainey’s Black Bottom, and Queen Sugar, while also dedicating his time to advocating for Black storytelling and youth mentorship. A true Renaissance man, Turman’s legacy extends beyond acting—his love for horseback riding and his work with inner-city kids through Camp Giddy Up showcase his passion for uplifting and inspiring future generations.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Legendary actor Glynn Turman joins the pod squad to reflect on his extraordinary career spanning theater, television, and film. Glynn shares personal stories about his friendship with Jay-Z and Beyoncé, his passion for horseback riding, and his dedication to mentoring young people through his Camp Giddy Up program. He also speaks candidly about the evolution of representation in entertainment and whether real progress has been made.</p><p><br></p><p>Glynn Turman is an Emmy-winning actor, director, writer, and producer with over 50 years in the industry. From groundbreaking television roles to critically acclaimed performances on stage and screen, he has become a beloved and respected figure in Hollywood. He has appeared in <em>Fargo</em>, <em>Ma Rainey’s Black Bottom</em>, and <em>Queen Sugar</em>, while also dedicating his time to advocating for Black storytelling and youth mentorship. A true Renaissance man, Turman’s legacy extends beyond acting—his love for horseback riding and his work with inner-city kids through Camp Giddy Up showcase his passion for uplifting and inspiring future generations.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1441</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[352e878a-8b62-440d-a0a3-ce210890cecc]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET6146118728.mp3?updated=1740775891" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep23: From Hadestown to Aladdin: Ken Cerniglia on How Dramaturgs Shape the Stage</title>
      <link>https://www.spreaker.com/episode/a-conversation-with-dramaturg-ken-cerniglia-hadestown--50964177</link>
      <description>Dramaturg and literary manager Ken Cerniglia joins the pod squad to discuss dramaturgy's crucial role in theater. en shares insights from his work on Hadestown and Disney Theatrical’s Aladdin and The Lion King, reflecting on how storytelling evolves with time. The conversation also delves into theater criticism, audience engagement, and the evolving role of dramaturgy in today’s industry.

Ken Cerniglia is dramaturg and literary manager for Disney Theatrical Group, where he has developed over fifty shows for professional, amateur, and school productions, including Freaky Friday, Aladdin, The Hunchback of Notre Dame, Peter and the Starcatcher, Newsies, High School Musical, Tarzan, and The Little Mermaid. Recent freelance projects include Hadestown (New York Theatre Workshop), Bud, Not Buddy (Kennedy Center), Passion Trilogy (Fisher Ensemble), and Bridges (Berkeley Playhouse). Ken holds a PhD in drama from the University of Washington and is president of Literary Managers and Dramaturgs of the Americas.

Links
https://hadestown.com/ (Hadestown Website)
https://www.nycgo.com/broadway-week/ (NYC Broadway Week)

Connect with Us
Facebook @beltlinetbroadway
Twitter @beltlinetobway
Instagram @beltlinetobroadway
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 18 Jan 2022 08:15:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ab31a150-d74a-11ef-9284-9f3e41e8a5c2/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>About the Guest
Ken Cerniglia is dramaturg and literary manager for Disney Theatrical Group, where he has developed over fifty shows for professional, amateur, and school productions, including Freaky Friday, Aladdin, The Hunchback of Notre Dame,...</itunes:subtitle>
      <itunes:summary>Dramaturg and literary manager Ken Cerniglia joins the pod squad to discuss dramaturgy's crucial role in theater. en shares insights from his work on Hadestown and Disney Theatrical’s Aladdin and The Lion King, reflecting on how storytelling evolves with time. The conversation also delves into theater criticism, audience engagement, and the evolving role of dramaturgy in today’s industry.

Ken Cerniglia is dramaturg and literary manager for Disney Theatrical Group, where he has developed over fifty shows for professional, amateur, and school productions, including Freaky Friday, Aladdin, The Hunchback of Notre Dame, Peter and the Starcatcher, Newsies, High School Musical, Tarzan, and The Little Mermaid. Recent freelance projects include Hadestown (New York Theatre Workshop), Bud, Not Buddy (Kennedy Center), Passion Trilogy (Fisher Ensemble), and Bridges (Berkeley Playhouse). Ken holds a PhD in drama from the University of Washington and is president of Literary Managers and Dramaturgs of the Americas.

Links
https://hadestown.com/ (Hadestown Website)
https://www.nycgo.com/broadway-week/ (NYC Broadway Week)

Connect with Us
Facebook @beltlinetbroadway
Twitter @beltlinetobway
Instagram @beltlinetobroadway
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dramaturg and literary manager Ken Cerniglia joins the pod squad to discuss dramaturgy's crucial role in theater. en shares insights from his work on <em>Hadestown</em> and Disney Theatrical’s <em>Aladdin</em> and <em>The Lion King</em>, reflecting on how storytelling evolves with time. The conversation also delves into theater criticism, audience engagement, and the evolving role of dramaturgy in today’s industry.</p><p><br></p><p>Ken Cerniglia is dramaturg and literary manager for Disney Theatrical Group, where he has developed over fifty shows for professional, amateur, and school productions, including Freaky Friday, Aladdin, The Hunchback of Notre Dame, Peter and the Starcatcher, Newsies, High School Musical, Tarzan, and The Little Mermaid. Recent freelance projects include Hadestown (New York Theatre Workshop), Bud, Not Buddy (Kennedy Center), Passion Trilogy (Fisher Ensemble), and Bridges (Berkeley Playhouse). Ken holds a PhD in drama from the University of Washington and is president of Literary Managers and Dramaturgs of the Americas.</p><p><br></p><p>Links</p><p><a href="https://hadestown.com/">https://hadestown.com/</a> (Hadestown Website)</p><p><a href="https://www.nycgo.com/broadway-week/">https://www.nycgo.com/broadway-week/</a> (NYC Broadway Week)</p><p><br></p><p>Connect with Us</p><p>Facebook @beltlinetbroadway</p><p>Twitter @beltlinetobway</p><p>Instagram @beltlinetobroadway</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1220</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e829a640-a438-43af-b732-bb799e7c3b8b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET6122236201.mp3?updated=1740775858" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep22: Allyship and Advocacy in Theater, What Needs to Change</title>
      <link>https://www.spreaker.com/episode/dr-alisa-hurwitz-on-transgender-representation-in-theater--50964188</link>
      <description>Dr. Alisa Hurwitz, known as Dr. Drama, joins the pod squad to discuss the impact of media representation on perceptions of gender identity.  From analyzing Broadway’s approach to inclusion to dissecting the controversy surrounding Dave Chappelle’s comedy special, this thought-provoking discussion challenges listeners to reconsider the narratives we consume and their real-world consequences.

Dr. Alisa Hurwitz is a clinical psychologist specializing in theater and mental health. Through her platform, Dr. Drama, she provides insight into the psychological aspects of storytelling, offering a deeper understanding of the ways media shapes public perception. In addition to her work as a therapist, she has collaborated with various theater productions to promote more accurate and inclusive representations of gender and mental health. Dr. Hurwitz also hosts Brain Lab, an online series that explores the intersection of psychology and performance, making her a leading voice in the conversation around equity and representation in entertainment.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 01 Nov 2021 13:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/acdc0fe0-d74a-11ef-9284-ffd40b1d21e5/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A candid conversation with Dr. Alisa Hurwitz about transgender representation in theater and how to debunk "the man in the dress" trope.</itunes:subtitle>
      <itunes:summary>Dr. Alisa Hurwitz, known as Dr. Drama, joins the pod squad to discuss the impact of media representation on perceptions of gender identity.  From analyzing Broadway’s approach to inclusion to dissecting the controversy surrounding Dave Chappelle’s comedy special, this thought-provoking discussion challenges listeners to reconsider the narratives we consume and their real-world consequences.

Dr. Alisa Hurwitz is a clinical psychologist specializing in theater and mental health. Through her platform, Dr. Drama, she provides insight into the psychological aspects of storytelling, offering a deeper understanding of the ways media shapes public perception. In addition to her work as a therapist, she has collaborated with various theater productions to promote more accurate and inclusive representations of gender and mental health. Dr. Hurwitz also hosts Brain Lab, an online series that explores the intersection of psychology and performance, making her a leading voice in the conversation around equity and representation in entertainment.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dr. Alisa Hurwitz, known as Dr. Drama, joins the pod squad to discuss the impact of media representation on perceptions of gender identity.  From analyzing Broadway’s approach to inclusion to dissecting the controversy surrounding Dave Chappelle’s comedy special, this thought-provoking discussion challenges listeners to reconsider the narratives we consume and their real-world consequences.</p><p><br></p><p>Dr. Alisa Hurwitz is a clinical psychologist specializing in theater and mental health. Through her platform, <em>Dr. Drama</em>, she provides insight into the psychological aspects of storytelling, offering a deeper understanding of the ways media shapes public perception. In addition to her work as a therapist, she has collaborated with various theater productions to promote more accurate and inclusive representations of gender and mental health. Dr. Hurwitz also hosts <em>Brain Lab</em>, an online series that explores the intersection of psychology and performance, making her a leading voice in the conversation around equity and representation in entertainment.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2037</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e2aa70bb-2adf-43ad-a88b-1183d233abe9]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET4033365598.mp3?updated=1740775838" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep21: What Come From Away Got Right, A Conversation with Kevin Tuerff</title>
      <description>Kevin Tuerff joins the pod squad to discuss the remarkable generosity of the Gander community and how the kindness he experienced following 9/11 forever changed his outlook on the world.  

Kevin Tuerff is an author, speaker, and social entrepreneur whose experience in Gander led him to create Pay It Forward 9/11, an initiative that encourages acts of kindness in honor of the lives lost on September 11. His book, Channel of Peace: Stranded in Gander on 9/11, recounts his journey and the lessons he learned from the people of Newfoundland. Kevin now dedicates his life to advocacy work, supporting refugees and promoting environmental sustainability, all while sharing the message that small acts of kindness can have a profound impact on the world.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 12 Sep 2021 13:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ad9debd8-d74a-11ef-9284-eb71929e6c81/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Kevin Tuerff joins the pod squad to discuss the remarkable generosity of the Gander community and how the kindness he experienced following 9/11 forever changed his outlook on the world.  

Kevin Tuerff is an author, speaker, and social entrepreneur whose experience in Gander led him to create Pay It Forward 9/11, an initiative that encourages acts of kindness in honor of the lives lost on September 11. His book, Channel of Peace: Stranded in Gander on 9/11, recounts his journey and the lessons he learned from the people of Newfoundland. Kevin now dedicates his life to advocacy work, supporting refugees and promoting environmental sustainability, all while sharing the message that small acts of kindness can have a profound impact on the world.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kevin Tuerff joins the pod squad to discuss the remarkable generosity of the Gander community and how the kindness he experienced following 9/11 forever changed his outlook on the world.  </p><p><br></p><p><strong>Kevin Tuerff</strong> is an author, speaker, and social entrepreneur whose experience in Gander led him to create <em>Pay It Forward 9/11</em>, an initiative that encourages acts of kindness in honor of the lives lost on September 11. His book, <em>Channel of Peace: Stranded in Gander on 9/11</em>, recounts his journey and the lessons he learned from the people of Newfoundland. Kevin now dedicates his life to advocacy work, supporting refugees and promoting environmental sustainability, all while sharing the message that small acts of kindness can have a profound impact on the world.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1885</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e590a676-53cc-4c56-b601-b6131c447d6c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET7387269644.mp3?updated=1740775810" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep20: Bear Bellinger and Matt DaSilva Break Down the Actors Equity and Open Access Policy</title>
      <description>Bear Bellinger and Matt DaSilva join the pod squad to discuss the history of Equity membership, how the new Open Access policy aims to create a more inclusive industry, and why some theater professionals are skeptical. 

Bear Bellinger is a central principal counselor for Actors’ Equity, working to advocate for fair policies and increased access for underrepresented artists. Matt De Silva, a delegate to the Actors’ Equity convention, is passionate about labor rights and the importance of union solidarity. Both are committed to fostering equity, diversity, and inclusion within the theater industry, ensuring that the next generation of performers and stage managers have more agency and protection in their careers.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 30 Aug 2021 17:12:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/adf90c66-d74a-11ef-9284-838746aa024a/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Bear Bellinger and Matt DaSilva join the pod squad to discuss the history of Equity membership, how the new Open Access policy aims to create a more inclusive industry, and why some theater professionals are skeptical. 

Bear Bellinger is a central principal counselor for Actors’ Equity, working to advocate for fair policies and increased access for underrepresented artists. Matt De Silva, a delegate to the Actors’ Equity convention, is passionate about labor rights and the importance of union solidarity. Both are committed to fostering equity, diversity, and inclusion within the theater industry, ensuring that the next generation of performers and stage managers have more agency and protection in their careers.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Bear Bellinger and Matt DaSilva join the pod squad to discuss the history of Equity membership, how the new Open Access policy aims to create a more inclusive industry, and why some theater professionals are skeptical. </p><p><br></p><p><strong>Bear Bellinger</strong> is a central principal counselor for Actors’ Equity, working to advocate for fair policies and increased access for underrepresented artists. <strong>Matt De Silva</strong>, a delegate to the Actors’ Equity convention, is passionate about labor rights and the importance of union solidarity. Both are committed to fostering equity, diversity, and inclusion within the theater industry, ensuring that the next generation of performers and stage managers have more agency and protection in their careers.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2300</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d43c0853-9905-4a6f-9045-cebdf5226d99]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET5057070039.mp3?updated=1740775776" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep19: From Mary Poppins to Bumble Scratch, The Legacy of the Sherman Family</title>
      <description>Robert J. Sherman joins the pod squad to discuss his family's incredible contributions to film and theater -- from Mary Poppins and Chitty Chitty Bang Bang to The Parent Trap -- and how Walt Disney’s keen eye for talent shaped their careers.He shares personal stories of growing up in a musical dynasty, his father’s experiences in World War II, and the origins of classics like Feed the Birds. The conversation also explores the future of musical theater, the evolving landscape of licensing and streaming, and his work to preserve and expand the family’s legacy.

Robert J. Sherman is a celebrated songwriter, producer, and playwright continuing the Sherman family’s century-long tradition of creating timeless music. As the head of Sherman Theatrical Entertainment, he spearheads new projects while reviving lesser-known works by his father, uncle, and grandfather. His original musical Bumble Scratch has received critical acclaim, and he produced the UK tour of A Spoonful of Sherman, a revue celebrating his family’s incredible musical legacy. With a passion for storytelling and a vision for the future, Robert ensures that the Sherman name continues to inspire audiences worldwide.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 11 Aug 2021 04:15:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ae52b388-d74a-11ef-9284-23473d06c45b/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Robert J. Sherman joins the pod squad to discuss his family's incredible contributions to film and theater -- from Mary Poppins and Chitty Chitty Bang Bang to The Parent Trap -- and how Walt Disney’s keen eye for talent shaped their careers.He shares personal stories of growing up in a musical dynasty, his father’s experiences in World War II, and the origins of classics like Feed the Birds. The conversation also explores the future of musical theater, the evolving landscape of licensing and streaming, and his work to preserve and expand the family’s legacy.

Robert J. Sherman is a celebrated songwriter, producer, and playwright continuing the Sherman family’s century-long tradition of creating timeless music. As the head of Sherman Theatrical Entertainment, he spearheads new projects while reviving lesser-known works by his father, uncle, and grandfather. His original musical Bumble Scratch has received critical acclaim, and he produced the UK tour of A Spoonful of Sherman, a revue celebrating his family’s incredible musical legacy. With a passion for storytelling and a vision for the future, Robert ensures that the Sherman name continues to inspire audiences worldwide.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Robert J. Sherman joins the pod squad to discuss his family's incredible contributions to film and theater -- from <em>Mary Poppins</em> and <em>Chitty Chitty Bang Bang</em> to <em>The Parent Trap -- </em>and how Walt Disney’s keen eye for talent shaped their careers.He shares personal stories of growing up in a musical dynasty, his father’s experiences in World War II, and the origins of classics like <em>Feed the Birds</em>. The conversation also explores the future of musical theater, the evolving landscape of licensing and streaming, and his work to preserve and expand the family’s legacy.</p><p><br></p><p><strong>Robert J. Sherman</strong> is a celebrated songwriter, producer, and playwright continuing the Sherman family’s century-long tradition of creating timeless music. As the head of <strong>Sherman Theatrical Entertainment</strong>, he spearheads new projects while reviving lesser-known works by his father, uncle, and grandfather. His original musical <em>Bumble Scratch</em> has received critical acclaim, and he produced the UK tour of <em>A Spoonful of Sherman</em>, a revue celebrating his family’s incredible musical legacy. With a passion for storytelling and a vision for the future, Robert ensures that the Sherman name continues to inspire audiences worldwide.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1994</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1aec9e5e-241c-4368-9cc6-a35bea803255]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET5742174728.mp3?updated=1740775756" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep18: Suddenly Aaron! Aaron Harrington on Faith, Perseverance, and Becoming Audrey II</title>
      <description>Aaron Harrington joins the pod squad to discuss his journey from North Carolina to performing alongside stars like Jeremy Jordan, Skylar Astin, and Rob McClure. He offers behind-the-scenes insights into the puppetry magic of Audrey II, what it’s like adapting his performance to different Seymour actors, and why Little Shop continues to captivate audiences of all ages.

Aaron Harrington is a powerhouse performer known for his deep, commanding vocals and stage presence. A Durham, North Carolina native, he made his professional debut in the Rent 20th Anniversary Tour before landing the role of Audrey II in Little Shop of Horrors. With a background in both musical theater and live performance, Aaron has made a name for himself in the industry through his dedication, versatility, and passion for storytelling.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 28 Jun 2021 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/af6666b6-d74a-11ef-9284-bff8beb874b5/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Aaron Harrington joins the pod squad to discuss his journey from North Carolina to performing alongside stars like Jeremy Jordan, Skylar Astin, and Rob McClure. He offers behind-the-scenes insights into the puppetry magic of Audrey II, what it’s like adapting his performance to different Seymour actors, and why Little Shop continues to captivate audiences of all ages.

Aaron Harrington is a powerhouse performer known for his deep, commanding vocals and stage presence. A Durham, North Carolina native, he made his professional debut in the Rent 20th Anniversary Tour before landing the role of Audrey II in Little Shop of Horrors. With a background in both musical theater and live performance, Aaron has made a name for himself in the industry through his dedication, versatility, and passion for storytelling.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Aaron Harrington joins the pod squad to discuss his journey from North Carolina to performing alongside stars like Jeremy Jordan, Skylar Astin, and Rob McClure. He offers behind-the-scenes insights into the puppetry magic of Audrey II, what it’s like adapting his performance to different Seymour actors, and why <em>Little Shop</em> continues to captivate audiences of all ages.</p><p><br></p><p>Aaron Harrington is a powerhouse performer known for his deep, commanding vocals and stage presence. A Durham, North Carolina native, he made his professional debut in the <em>Rent</em> 20th Anniversary Tour before landing the role of Audrey II in <em>Little Shop of Horrors</em>. With a background in both musical theater and live performance, Aaron has made a name for himself in the industry through his dedication, versatility, and passion for storytelling.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1872</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[80367092-599f-4622-9b34-81ffc9740b59]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET4596903318.mp3?updated=1740775726" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep17: Equity, Inclusion, and Diana</title>
      <description>André Jordan joins the pod squad to discuss his journey to Broadway, the unexpected challenges of the pandemic shutdown, and how the cast of Diana: The Musical took an active role in advocating for diversity, equity, and inclusion. He also opens up about the challenges of body image and fatphobia in theater, his experience in Legally Blonde, and the broader cultural shift happening in the arts.

André Jordan is a rising star in the theater world, best known for his role in Diana: The Musical. A versatile performer with a passion for advocacy, he has been vocal about the need for systemic change in the industry, from racial equity to body inclusivity. His credits also include Legally Blonde and The Lion King, and he continues to use his platform to push for safer, more inclusive spaces in theater. With a deep love for the craft and a commitment to progress, André is helping shape the future of Broadway for the next generation of artists.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 01 Jun 2021 18:40:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b0894810-d74a-11ef-9284-c7b10b92632d/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>André Jordan joins the pod squad to discuss his journey to Broadway, the unexpected challenges of the pandemic shutdown, and how the cast of Diana: The Musical took an active role in advocating for diversity, equity, and inclusion. He also opens up about the challenges of body image and fatphobia in theater, his experience in Legally Blonde, and the broader cultural shift happening in the arts.

André Jordan is a rising star in the theater world, best known for his role in Diana: The Musical. A versatile performer with a passion for advocacy, he has been vocal about the need for systemic change in the industry, from racial equity to body inclusivity. His credits also include Legally Blonde and The Lion King, and he continues to use his platform to push for safer, more inclusive spaces in theater. With a deep love for the craft and a commitment to progress, André is helping shape the future of Broadway for the next generation of artists.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><strong>André Jordan </strong>joins the pod squad to discuss his journey to Broadway, the unexpected challenges of the pandemic shutdown, and how the cast of <em>Diana: The Musical</em> took an active role in advocating for diversity, equity, and inclusion. He also opens up about the challenges of body image and fatphobia in theater, his experience in <em>Legally Blonde</em>, and the broader cultural shift happening in the arts.</p><p><br></p><p><strong>André Jordan</strong> is a rising star in the theater world, best known for his role in <em>Diana: The Musical</em>. A versatile performer with a passion for advocacy, he has been vocal about the need for systemic change in the industry, from racial equity to body inclusivity. His credits also include <em>Legally Blonde</em> and <em>The Lion King</em>, and he continues to use his platform to push for safer, more inclusive spaces in theater. With a deep love for the craft and a commitment to progress, André is helping shape the future of Broadway for the next generation of artists.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2211</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8cc13101-2e5f-4c10-8e27-3990a24d4958]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET2904789736.mp3?updated=1740775701" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep16: A Godspell Reunion Show 50 Years in the Making, How a Church Service Sparked One of Broadway’s Most Beloved Shows</title>
      <description>Peggy Gordon, Robin Lamont, and Stephen Nathan join the pod squad to discuss the  history, impact, and enduring legacy of Godspell. Hear behind-the-scenes stories about the collaborative creative process, the evolution of the music, and the use of clown makeup as a storytelling device, and how Godspell continues to inspire new generations of performers and audiences alike.

Peggy Gordon is an original cast member of Godspell and co-writer of the beloved song “By My Side”, the only song from the early Godspell workshop that remained in the final production. She originated her role at Cafe La MaMa, then performed in the off-Broadway, Broadway, and touring productions. Beyond Godspell, Gordon has worked as a singer, songwriter, and educator, contributing to musical theater and performing arts.

Robin Lamont is an actress, singer, and author who was part of the very first Godspell cast at Carnegie Mellon University and went on to star in its off-Broadway, Broadway, and film adaptations. She is best known for singing the iconic hit “Day by Day”, which became a chart-topping single. After her acting career, Lamont became a private investigator and later a novelist, writing award-winning mystery books with social justice themes.

Stephen Nathan is an actor, writer, and producer who originated the role of Jesus in the off-Broadway production of Godspell. After his theater success, he transitioned into television, becoming a writer and executive producer for hit shows like Bones, Joan of Arcadia, and Family Law. His career spans multiple decades, blending his background in performance with a prolific screenwriting career in Hollywood.

https://caroldegiere.com/the-godspell-experience/ (The Godspell Experience (Carol de Giere))
https://www.youtube.com/user/larkluster (Peggy Gordon's  YouTube Channel)

Connect with Beltline to Broadway
Facebook – @beltlinetobroadway
Twitter – @beltlinetobroadway
Instagram – @beltlinetobroadway
Web http://www.rduonstage.com/ (www.beltlinetobroadway.com)
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 19 May 2021 21:25:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b144c3ec-d74a-11ef-9284-1f946a58f7fc/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Peggy Gordon, Robin Lamont, and Stephen Nathan join the pod squad to discuss the  history, impact, and enduring legacy of Godspell. Hear behind-the-scenes stories about the collaborative creative process, the evolution of the music, and the use of clown makeup as a storytelling device, and how Godspell continues to inspire new generations of performers and audiences alike.

Peggy Gordon is an original cast member of Godspell and co-writer of the beloved song “By My Side”, the only song from the early Godspell workshop that remained in the final production. She originated her role at Cafe La MaMa, then performed in the off-Broadway, Broadway, and touring productions. Beyond Godspell, Gordon has worked as a singer, songwriter, and educator, contributing to musical theater and performing arts.

Robin Lamont is an actress, singer, and author who was part of the very first Godspell cast at Carnegie Mellon University and went on to star in its off-Broadway, Broadway, and film adaptations. She is best known for singing the iconic hit “Day by Day”, which became a chart-topping single. After her acting career, Lamont became a private investigator and later a novelist, writing award-winning mystery books with social justice themes.

Stephen Nathan is an actor, writer, and producer who originated the role of Jesus in the off-Broadway production of Godspell. After his theater success, he transitioned into television, becoming a writer and executive producer for hit shows like Bones, Joan of Arcadia, and Family Law. His career spans multiple decades, blending his background in performance with a prolific screenwriting career in Hollywood.

https://caroldegiere.com/the-godspell-experience/ (The Godspell Experience (Carol de Giere))
https://www.youtube.com/user/larkluster (Peggy Gordon's  YouTube Channel)

Connect with Beltline to Broadway
Facebook – @beltlinetobroadway
Twitter – @beltlinetobroadway
Instagram – @beltlinetobroadway
Web http://www.rduonstage.com/ (www.beltlinetobroadway.com)
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><strong>Peggy Gordon, Robin Lamont, and Stephen Nathan </strong>join the pod squad to discuss the  history, impact, and enduring legacy of <em>Godspell</em>. Hear behind-the-scenes stories about the collaborative creative process, the evolution of the music, and the use of clown makeup as a storytelling device, and how <em>Godspell</em> continues to inspire new generations of performers and audiences alike.</p><p><br></p><p>Peggy Gordon is an <strong>original cast member of <em>Godspell</em></strong> and co-writer of the beloved song <strong>“By My Side”</strong>, the only song from the early <em>Godspell</em> workshop that remained in the final production. She originated her role at <strong>Cafe La MaMa</strong>, then performed in the <strong>off-Broadway, Broadway, and touring productions</strong>. Beyond <em>Godspell</em>, Gordon has worked as a singer, songwriter, and educator, contributing to musical theater and performing arts.</p><p><br></p><p>Robin Lamont is an actress, singer, and author who was part of the <strong>very first <em>Godspell</em> cast at Carnegie Mellon University</strong> and went on to star in its <strong>off-Broadway, Broadway, and film adaptations</strong>. She is best known for singing the iconic hit <strong>“Day by Day”</strong>, which became a chart-topping single. After her acting career, Lamont became a <strong>private investigator and later a novelist</strong>, writing award-winning mystery books with social justice themes.</p><p><br></p><p>Stephen Nathan is an actor, writer, and producer who originated the role of <strong>Jesus in the off-Broadway production of <em>Godspell</em></strong>. After his theater success, he transitioned into television, becoming a <strong>writer and executive producer</strong> for hit shows like <em>Bones</em>, <em>Joan of Arcadia</em>, and <em>Family Law</em>. His career spans multiple decades, blending his background in performance with a prolific screenwriting career in Hollywood.</p><p><br></p><p><a href="https://caroldegiere.com/the-godspell-experience/">https://caroldegiere.com/the-godspell-experience/</a> (The Godspell Experience (Carol de Giere))</p><p><a href="https://www.youtube.com/user/larkluster">https://www.youtube.com/user/larkluster</a> (Peggy Gordon's  YouTube Channel)</p><p><br></p><p>Connect with Beltline to Broadway</p><p>Facebook – @beltlinetobroadway</p><p>Twitter – @beltlinetobroadway</p><p>Instagram – @beltlinetobroadway</p><p>Web <a href="http://www.rduonstage.com/">http://www.rduonstage.com/</a> (<a href="http://www.beltlinetobroadway.com">www.beltlinetobroadway.com</a>)</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1489</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c3a15536-1ead-4eff-8bd3-2d3d7100cdaa]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET1602780657.mp3?updated=1740775678" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep15: Live, Virtual, or Hybrid? The Future of Theater Sound</title>
      <description>Tony Award-winning sound designer Rob Kaplowitz joins the pod squad to explore the evolution of theatrical sound design. Kaplowitz, best known for his groundbreaking work on Fela!, shares insights into how sound shapes storytelling, the challenges of installing a state-of-the-art system at Cape Fear Regional Theater, and why acoustic design should be tailored to the dramaturgy of each production.

Rob Kaplowitz is an award-winning sound designer, composer, and audio engineer whose work spans Broadway, opera, film, and immersive theater. He won a Tony Award for Best Sound Design for Fela! and has worked on numerous acclaimed productions, including Fun Home, The Laramie Project, and The Brother/Sister Plays. With a career dedicated to pushing the boundaries of theatrical sound, Kaplowitz is also an advocate for sound accessibility, technology-driven storytelling, and the integration of dramaturgy into design. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 10 May 2021 21:56:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b1a0403c-d74a-11ef-9284-ff029805e07b/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Tony Award-winning sound designer Rob Kaplowitz joins the pod squad to explore the evolution of theatrical sound design. Kaplowitz, best known for his groundbreaking work on Fela!, shares insights into how sound shapes storytelling, the challenges of installing a state-of-the-art system at Cape Fear Regional Theater, and why acoustic design should be tailored to the dramaturgy of each production.

Rob Kaplowitz is an award-winning sound designer, composer, and audio engineer whose work spans Broadway, opera, film, and immersive theater. He won a Tony Award for Best Sound Design for Fela! and has worked on numerous acclaimed productions, including Fun Home, The Laramie Project, and The Brother/Sister Plays. With a career dedicated to pushing the boundaries of theatrical sound, Kaplowitz is also an advocate for sound accessibility, technology-driven storytelling, and the integration of dramaturgy into design. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><strong>Tony Award-winning sound designer Rob Kaplowitz </strong>joins the pod squad to explore the evolution of theatrical sound design. Kaplowitz, best known for his groundbreaking work on <em>Fela!</em>, shares insights into how sound shapes storytelling, the challenges of installing a state-of-the-art system at Cape Fear Regional Theater, and why acoustic design should be tailored to the dramaturgy of each production.</p><p><br></p><p><strong>Rob Kaplowitz</strong> is an <strong>award-winning sound designer, composer, and audio engineer</strong> whose work spans Broadway, opera, film, and immersive theater. He won a <strong>Tony Award for Best Sound Design</strong> for <em>Fela!</em> and has worked on numerous acclaimed productions, including <em>Fun Home</em>, <em>The Laramie Project</em>, and <em>The Brother/Sister Plays</em>. With a career dedicated to pushing the boundaries of theatrical sound, Kaplowitz is also an advocate for <strong>sound accessibility, technology-driven storytelling, and the integration of dramaturgy into design</strong>. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1708</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0f4e9035-4ea5-4ce3-a454-b2148cf5275d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET9870030441.mp3?updated=1740775651" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep14: Art, Healing &amp; Memory, Five Holocaust Survivors Speak Out</title>
      <description>For many of us, it is difficult to comprehend the overwhelming enormity of the Holocaust and the 6-million Jews who were murdered by the Nazi regime during WWII. The historical trauma that impacted generations of displaced people and their families following the Holocaust, is the subject of the film WHERE CAN I GO? executive produced by Raleigh-Cary Jewish Family Services in partnership with The Justice Theater Project. The film is the culmination of a year-long program, Kesher, which utilized creative arts therapy to improve mental health and reduce the social isolation of five Holocaust survivors living in North Carolina and sheltered in place during the pandemic. Collectively, they teach us the importance of connecting, understanding, and remembering.

Tobi Dicker was born in a displaced person camp in Furth, Bavaria, Germany on May 3 1947, to two survivors of the Holocaust awaiting quota from the Hebrew Immigrant Aid Society (HIAS) to send them to Israel. Unfortunately, Tobi became ill and needed hospitalization which caused them to miss their quota. After 15 months of recovery and waiting they received new orders to go to the United States, where they arrived in May of 1950. Tobi grew up in New York and moved to North Carolina in 1994. North Carolina is Tobi’s home, her love. She always strives to remind people of the atrocities of the world. The Kesher program is a wonderful vehicle for which she feels a lot of gratitude. Tobi hopes by viewing this film you will keep in the forefront of your mind we can never be complacent or believe catastrophes can never happen again in the form of discrimination, anti-Semitism, and other forms of hatred.

Marianna Miller was born in Presov, Czechoslovakia on August 8, 1925. She was brought to England at the start of the war to keep her safe. Both her parents were killed by the end in Banksa Bystirica where there is now a memorial for those who were murdered. Marianna came to the United States in 1954 and had a successful career as a social worker working with families. Marianna moved to North Carolina a few years ago to be closer to her daughter. She enjoys the climate and beautiful landscape as well as the people and their new perspectives. She hopes by viewing this film people will understand her experience and connect it to how we treat refugees and children. She wants people to understand what can happen if we are less than decent to each other.

Harry Rubinstein was born on December 19, 1930, in Cologne, Germany. His family was split up by Nazi immigration rules just before the war. In September 1939, with the help of a special U.S. visa, he gained passage to America with his family. After a successful career as Dean of Graduate School of the University of Massachusetts in Lowell, he moved with his wife to North Carolina and spend retirement closer to their children. Living in North Carolina has allowed them to be part of a vibrant Jewish community and participate in the lives of their children. Harry is a member of the JFS Kesher group and he wants people to see this film to understand the impact of national socialism and Nazism on European Jewish life.

Judy Stevens was born in Gyöngyös, Hungary on June 22, 1946. Before her birth, her mother was in Auschwitz and her father in a labor command in Siberia. Most family members did not survive the war. In fear of another wave of anti-Semitic persecution during the 1956 Hungarian Uprising, Judy and her parents escaped the country as refugees to Vienna, England, and then finally to Canada. Judy came to the United States in 1988 and moved to North Carolina in 2017. Living in North Carolina allows Judy to be closer to her daughter and grandchildren. She is an active member of her synagogue and within the Wake County Jewish community. Until the pandemic, she participated as an active volunteer in the community teaching students who were learning English as a second language. The Kesher program...
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 26 Apr 2021 04:45:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b1fe6d9c-d74a-11ef-9284-db77f72202c8/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>For many of us, it is difficult to comprehend the overwhelming enormity of the Holocaust and the 6-million Jews who were murdered by the Nazi regime during WWII. The historical trauma that impacted generations of displaced people and their families following the Holocaust, is the subject of the film WHERE CAN I GO? executive produced by Raleigh-Cary Jewish Family Services in partnership with The Justice Theater Project. The film is the culmination of a year-long program, Kesher, which utilized creative arts therapy to improve mental health and reduce the social isolation of five Holocaust survivors living in North Carolina and sheltered in place during the pandemic. Collectively, they teach us the importance of connecting, understanding, and remembering.

Tobi Dicker was born in a displaced person camp in Furth, Bavaria, Germany on May 3 1947, to two survivors of the Holocaust awaiting quota from the Hebrew Immigrant Aid Society (HIAS) to send them to Israel. Unfortunately, Tobi became ill and needed hospitalization which caused them to miss their quota. After 15 months of recovery and waiting they received new orders to go to the United States, where they arrived in May of 1950. Tobi grew up in New York and moved to North Carolina in 1994. North Carolina is Tobi’s home, her love. She always strives to remind people of the atrocities of the world. The Kesher program is a wonderful vehicle for which she feels a lot of gratitude. Tobi hopes by viewing this film you will keep in the forefront of your mind we can never be complacent or believe catastrophes can never happen again in the form of discrimination, anti-Semitism, and other forms of hatred.

Marianna Miller was born in Presov, Czechoslovakia on August 8, 1925. She was brought to England at the start of the war to keep her safe. Both her parents were killed by the end in Banksa Bystirica where there is now a memorial for those who were murdered. Marianna came to the United States in 1954 and had a successful career as a social worker working with families. Marianna moved to North Carolina a few years ago to be closer to her daughter. She enjoys the climate and beautiful landscape as well as the people and their new perspectives. She hopes by viewing this film people will understand her experience and connect it to how we treat refugees and children. She wants people to understand what can happen if we are less than decent to each other.

Harry Rubinstein was born on December 19, 1930, in Cologne, Germany. His family was split up by Nazi immigration rules just before the war. In September 1939, with the help of a special U.S. visa, he gained passage to America with his family. After a successful career as Dean of Graduate School of the University of Massachusetts in Lowell, he moved with his wife to North Carolina and spend retirement closer to their children. Living in North Carolina has allowed them to be part of a vibrant Jewish community and participate in the lives of their children. Harry is a member of the JFS Kesher group and he wants people to see this film to understand the impact of national socialism and Nazism on European Jewish life.

Judy Stevens was born in Gyöngyös, Hungary on June 22, 1946. Before her birth, her mother was in Auschwitz and her father in a labor command in Siberia. Most family members did not survive the war. In fear of another wave of anti-Semitic persecution during the 1956 Hungarian Uprising, Judy and her parents escaped the country as refugees to Vienna, England, and then finally to Canada. Judy came to the United States in 1988 and moved to North Carolina in 2017. Living in North Carolina allows Judy to be closer to her daughter and grandchildren. She is an active member of her synagogue and within the Wake County Jewish community. Until the pandemic, she participated as an active volunteer in the community teaching students who were learning English as a second language. The Kesher program...
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For many of us, it is difficult to comprehend the overwhelming enormity of the Holocaust and the 6-million Jews who were murdered by the Nazi regime during WWII. The historical trauma that impacted generations of displaced people and their families following the Holocaust, is the subject of the film WHERE CAN I GO? executive produced by Raleigh-Cary Jewish Family Services in partnership with The Justice Theater Project. The film is the culmination of a year-long program, Kesher, which utilized creative arts therapy to improve mental health and reduce the social isolation of five Holocaust survivors living in North Carolina and sheltered in place during the pandemic. Collectively, they teach us the importance of connecting, understanding, and remembering.</p><p><br></p><p>Tobi Dicker was born in a displaced person camp in Furth, Bavaria, Germany on May 3 1947, to two survivors of the Holocaust awaiting quota from the Hebrew Immigrant Aid Society (HIAS) to send them to Israel. Unfortunately, Tobi became ill and needed hospitalization which caused them to miss their quota. After 15 months of recovery and waiting they received new orders to go to the United States, where they arrived in May of 1950. Tobi grew up in New York and moved to North Carolina in 1994. North Carolina is Tobi’s home, her love. She always strives to remind people of the atrocities of the world. The Kesher program is a wonderful vehicle for which she feels a lot of gratitude. Tobi hopes by viewing this film you will keep in the forefront of your mind we can never be complacent or believe catastrophes can never happen again in the form of discrimination, anti-Semitism, and other forms of hatred.</p><p><br></p><p>Marianna Miller was born in Presov, Czechoslovakia on August 8, 1925. She was brought to England at the start of the war to keep her safe. Both her parents were killed by the end in Banksa Bystirica where there is now a memorial for those who were murdered. Marianna came to the United States in 1954 and had a successful career as a social worker working with families. Marianna moved to North Carolina a few years ago to be closer to her daughter. She enjoys the climate and beautiful landscape as well as the people and their new perspectives. She hopes by viewing this film people will understand her experience and connect it to how we treat refugees and children. She wants people to understand what can happen if we are less than decent to each other.</p><p><br></p><p>Harry Rubinstein was born on December 19, 1930, in Cologne, Germany. His family was split up by Nazi immigration rules just before the war. In September 1939, with the help of a special U.S. visa, he gained passage to America with his family. After a successful career as Dean of Graduate School of the University of Massachusetts in Lowell, he moved with his wife to North Carolina and spend retirement closer to their children. Living in North Carolina has allowed them to be part of a vibrant Jewish community and participate in the lives of their children. Harry is a member of the JFS Kesher group and he wants people to see this film to understand the impact of national socialism and Nazism on European Jewish life.</p><p><br></p><p>Judy Stevens was born in Gyöngyös, Hungary on June 22, 1946. Before her birth, her mother was in Auschwitz and her father in a labor command in Siberia. Most family members did not survive the war. In fear of another wave of anti-Semitic persecution during the 1956 Hungarian Uprising, Judy and her parents escaped the country as refugees to Vienna, England, and then finally to Canada. Judy came to the United States in 1988 and moved to North Carolina in 2017. Living in North Carolina allows Judy to be closer to her daughter and grandchildren. She is an active member of her synagogue and within the Wake County Jewish community. Until the pandemic, she participated as an active volunteer in the community teaching students who were learning English as a second language. The Kesher program...</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1699</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5e7e8738-a24f-444b-a2e3-1fc407ad7287]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET2456171869.mp3?updated=1740775609" length="0" type="audio/mpeg"/>
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    <item>
      <title>Ep13: More Than a Monolith, AAPI Stories On Stage</title>
      <description>Thao Nguyen joins the pod squad to discuss Asian representation in the performing arts, the impact of racial violence, and the coded language that still persists in the entertainment industry.

Thao Nguyen is a multi-talented performer who recently appeared off-Broadway in the English world premiere of Tropical Angels with Musical Theater Factory and the Taipei Cultural Center in Taiwan. As an advocate for diversity in the arts, he has spoken on panels about racial equity in theater and continues to push for more opportunities for Asian-American artists. With experience in opera, musical theater, and teaching, Thao brings a unique perspective to discussions about representation, systemic racism in casting, and the need for more authentic Asian stories on stage and screen. His passion for social change and commitment to challenging outdated industry norms make him a powerful voice in the ongoing fight for equity in the arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 04 Apr 2021 19:15:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b2c07f90-d74a-11ef-9284-a3b106ee2375/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Thao Nguyen joins the pod squad to discuss Asian representation in the performing arts, the impact of racial violence, and the coded language that still persists in the entertainment industry.

Thao Nguyen is a multi-talented performer who recently appeared off-Broadway in the English world premiere of Tropical Angels with Musical Theater Factory and the Taipei Cultural Center in Taiwan. As an advocate for diversity in the arts, he has spoken on panels about racial equity in theater and continues to push for more opportunities for Asian-American artists. With experience in opera, musical theater, and teaching, Thao brings a unique perspective to discussions about representation, systemic racism in casting, and the need for more authentic Asian stories on stage and screen. His passion for social change and commitment to challenging outdated industry norms make him a powerful voice in the ongoing fight for equity in the arts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><strong>Thao Nguyen</strong> joins the pod squad to discuss Asian representation in the performing arts, the impact of racial violence, and the coded language that still persists in the entertainment industry.</p><p><br></p><p><strong>Thao Nguyen</strong> is a multi-talented performer who recently appeared off-Broadway in the English world premiere of <em>Tropical Angels</em> with Musical Theater Factory and the Taipei Cultural Center in Taiwan. As an advocate for diversity in the arts, he has spoken on panels about racial equity in theater and continues to push for more opportunities for Asian-American artists. With experience in opera, musical theater, and teaching, Thao brings a unique perspective to discussions about representation, systemic racism in casting, and the need for more authentic Asian stories on stage and screen. His passion for social change and commitment to challenging outdated industry norms make him a powerful voice in the ongoing fight for equity in the arts.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2283</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[78084e90-3484-4b01-bf4e-66abaa0070b3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET7934104893.mp3?updated=1740775576" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep12: From Behind the Bar to Bestseller, Mike Anthony Reveals Hamilton's Hidden Stories</title>
      <description>Mike Anthony, longtime bartender at the Richard Rodgers Theatre, joins the pod squad to share behind-the-scenes stories from Hamilton. Mike offers a rare perspective on Broadway life, from unforgettable audience moments to eerie ghost stories.

Mike Anthony is an actor, writer, and bartender who has spent over 14 years working at the Richard Rodgers Theatre, where he served drinks to Broadway audiences while witnessing history unfold. His memoir, Life at Hamilton, chronicles his time behind the bar, from hilarious celebrity encounters to powerful moments with theatergoers. His stories have gone viral, resonating with fans worldwide as he shares the magic, emotion, and community of Broadway.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 15 Mar 2021 20:39:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b3aa6fe2-d74a-11ef-9284-9b159682fe6d/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Mike Anthony, longtime bartender at the Richard Rodgers Theatre, joins the pod squad to share behind-the-scenes stories from Hamilton. Mike offers a rare perspective on Broadway life, from unforgettable audience moments to eerie ghost stories.

Mike Anthony is an actor, writer, and bartender who has spent over 14 years working at the Richard Rodgers Theatre, where he served drinks to Broadway audiences while witnessing history unfold. His memoir, Life at Hamilton, chronicles his time behind the bar, from hilarious celebrity encounters to powerful moments with theatergoers. His stories have gone viral, resonating with fans worldwide as he shares the magic, emotion, and community of Broadway.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Mike Anthony, longtime bartender at the Richard Rodgers Theatre, joins the pod squad to share behind-the-scenes stories from <em>Hamilton</em>. Mike offers a rare perspective on Broadway life, from unforgettable audience moments to eerie ghost stories.</p><p><br></p><p>Mike Anthony is an actor, writer, and bartender who has spent over 14 years working at the Richard Rodgers Theatre, where he served drinks to Broadway audiences while witnessing history unfold. His memoir, <em>Life at Hamilton</em>, chronicles his time behind the bar, from hilarious celebrity encounters to powerful moments with theatergoers. His stories have gone viral, resonating with fans worldwide as he shares the magic, emotion, and community of Broadway.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2426</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7fab6eda-b5b3-470f-b882-3908ac14547d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET8470798501.mp3?updated=1740775538" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep11: Carlita Victoria on Darkness Rising, Mental Health, and More</title>
      <description>Carlita Victoria joins the pod squad to discuss  the intersection of mental health and the performing arts, Carlita’s personal journey with anxiety, depression, and PTSD, and the challenges that many Black and Brown communities face when seeking mental health resources.

Carlita Victoria is a Raleigh, North Carolina native, she attended The University of NC at Greensboro (BFA Dance Performance and Choreography, K-12 Dance Education). A committed mental health advocate, Carlita founded https://www.darknessrisingproject.org/ (Darkness Rising) Nonprofit for Black mental health to create a safe space and mental health resources for the Black community. Carlita has performed nationally and internationally with Chuck Davis and The African American Dance Ensemble, Madagascar Live: China, Circus Conelli Switzerland, The Glee Project Promo featuring Darren Criss, Off-Broadway with Broad Comedy, as well various regional shows. Carlita’s heart is always with North Carolina Theatre, where she’s performed in Jesus Christ Superstar, Hairspray, In The Heights, and Kinky Boots! Carlita is an active performer, certified personal fitness instructor, and mental health advocate.


Facebook – @beltlinetobroadway
Twitter – @beltlinetobway
Instagram – @beltlinetobroadway
Web www.beltlinetobroadway.org
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 08 Mar 2021 15:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b41225c4-d74a-11ef-9284-4bfb0c76f674/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Carlita Victoria joins the pod squad to discuss  the intersection of mental health and the performing arts, Carlita’s personal journey with anxiety, depression, and PTSD, and the challenges that many Black and Brown communities face when seeking mental health resources.

Carlita Victoria is a Raleigh, North Carolina native, she attended The University of NC at Greensboro (BFA Dance Performance and Choreography, K-12 Dance Education). A committed mental health advocate, Carlita founded https://www.darknessrisingproject.org/ (Darkness Rising) Nonprofit for Black mental health to create a safe space and mental health resources for the Black community. Carlita has performed nationally and internationally with Chuck Davis and The African American Dance Ensemble, Madagascar Live: China, Circus Conelli Switzerland, The Glee Project Promo featuring Darren Criss, Off-Broadway with Broad Comedy, as well various regional shows. Carlita’s heart is always with North Carolina Theatre, where she’s performed in Jesus Christ Superstar, Hairspray, In The Heights, and Kinky Boots! Carlita is an active performer, certified personal fitness instructor, and mental health advocate.


Facebook – @beltlinetobroadway
Twitter – @beltlinetobway
Instagram – @beltlinetobroadway
Web www.beltlinetobroadway.org
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Carlita Victoria joins the pod squad to discuss  the intersection of mental health and the performing arts, Carlita’s personal journey with anxiety, depression, and PTSD, and the challenges that many Black and Brown communities face when seeking mental health resources.</p><p><br></p><p>Carlita Victoria is a Raleigh, North Carolina native, she attended The University of NC at Greensboro (BFA Dance Performance and Choreography, K-12 Dance Education). A committed mental health advocate, Carlita founded <a href="https://www.darknessrisingproject.org/">https://www.darknessrisingproject.org/</a> (Darkness Rising) Nonprofit for Black mental health to create a safe space and mental health resources for the Black community. Carlita has performed nationally and internationally with Chuck Davis and The African American Dance Ensemble, Madagascar Live: China, Circus Conelli Switzerland, The Glee Project Promo featuring Darren Criss, Off-Broadway with Broad Comedy, as well various regional shows. Carlita’s heart is always with North Carolina Theatre, where she’s performed in Jesus Christ Superstar, Hairspray, In The Heights, and Kinky Boots! Carlita is an active performer, certified personal fitness instructor, and mental health advocate.</p><p><br></p><p><br></p><p>Facebook – @beltlinetobroadway</p><p>Twitter – @beltlinetobway</p><p>Instagram – @beltlinetobroadway</p><p>Web <a href="http://www.beltlinetobroadway.org">www.beltlinetobroadway.org</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2301</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b0ea609b-4b8d-4406-aeae-4160d5a7b4ad]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET5701583183.mp3?updated=1740775510" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep10: Owning the Dream - Robert Hartwell Traces His Roots From Raleigh to Great Barrington</title>
      <description>Robert Hartwell joins the pod squad to discuss his early inspirations, how his first professional theater experience at age 12 shaped his career, and why representation and access are key to fostering the next generation of artists.

Robert Hartwell is a Broadway actor, director, and educator who has appeared in Hello, Dolly! with Bette Midler, Motown the Musical, Cinderella, Nice Work If You Can Get It, and Memphis. He is the founder and artistic director of The Broadway Collective, a premier training program for aspiring theater professionals, and was recently named an associate artist at North Carolina Theatre. Passionate about arts education, equity, and representation, Hartwell is dedicated to shaping the future of Broadway while honoring the legacy of those who came before him.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 01 Mar 2021 04:15:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b470d218-d74a-11ef-9284-13ec21d79f59/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Robert Hartwell joins the pod squad to discuss his early inspirations, how his first professional theater experience at age 12 shaped his career, and why representation and access are key to fostering the next generation of artists.

Robert Hartwell is a Broadway actor, director, and educator who has appeared in Hello, Dolly! with Bette Midler, Motown the Musical, Cinderella, Nice Work If You Can Get It, and Memphis. He is the founder and artistic director of The Broadway Collective, a premier training program for aspiring theater professionals, and was recently named an associate artist at North Carolina Theatre. Passionate about arts education, equity, and representation, Hartwell is dedicated to shaping the future of Broadway while honoring the legacy of those who came before him.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Robert Hartwell joins the pod squad to discuss his early inspirations, how his first professional theater experience at age 12 shaped his career, and why representation and access are key to fostering the next generation of artists.</p><p><br></p><p>Robert Hartwell is a Broadway actor, director, and educator who has appeared in <em>Hello, Dolly!</em> with Bette Midler, <em>Motown the Musical</em>, <em>Cinderella</em>, <em>Nice Work If You Can Get It</em>, and <em>Memphis</em>. He is the founder and artistic director of The Broadway Collective, a premier training program for aspiring theater professionals, and was recently named an associate artist at North Carolina Theatre. Passionate about arts education, equity, and representation, Hartwell is dedicated to shaping the future of Broadway while honoring the legacy of those who came before him.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1552</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[82183851-575b-4a98-a308-04aa250b0e5f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET9412454750.mp3?updated=1740775485" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep9: Finding Sobriety and Strength On Stage</title>
      <description>Brian Westbrook joins the pod squad to discuss the connection between addiction and the performing arts, the challenges of navigating sobriety in an industry where social drinking is common, and the impact of isolation on those in recovery. 

Brian Westbrook is a North Carolina-based actor and advocate for addiction recovery. With a passion for both performance and service, he has used his own experience with addiction to help others seeking sobriety. A dedicated member of the theater community, Westbrook is committed to using storytelling as a tool for connection, healing, and breaking the stigma surrounding substance abuse. His work both on stage and in recovery spaces highlights the power of resilience, empathy, and second chances.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 15 Feb 2021 20:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b4ca0234-d74a-11ef-9284-cb1cca2696ae/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Brian Westbrook joins the pod squad to discuss the connection between addiction and the performing arts, the challenges of navigating sobriety in an industry where social drinking is common, and the impact of isolation on those in recovery. 

Brian Westbrook is a North Carolina-based actor and advocate for addiction recovery. With a passion for both performance and service, he has used his own experience with addiction to help others seeking sobriety. A dedicated member of the theater community, Westbrook is committed to using storytelling as a tool for connection, healing, and breaking the stigma surrounding substance abuse. His work both on stage and in recovery spaces highlights the power of resilience, empathy, and second chances.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Brian Westbrook joins the pod squad to discuss the connection between addiction and the performing arts, the challenges of navigating sobriety in an industry where social drinking is common, and the impact of isolation on those in recovery. </p><p><br></p><p>Brian Westbrook is a North Carolina-based actor and advocate for addiction recovery. With a passion for both performance and service, he has used his own experience with addiction to help others seeking sobriety. A dedicated member of the theater community, Westbrook is committed to using storytelling as a tool for connection, healing, and breaking the stigma surrounding substance abuse. His work both on stage and in recovery spaces highlights the power of resilience, empathy, and second chances.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2121</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0c5b746b-42b9-4804-83bc-70a20f9436cf]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET2634955961.mp3?updated=1740775461" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep8: Falls, Fights, and Firearms</title>
      <description>Jeff A.R. Jones joins the pod squad to dive into the importance of emotional safety in rehearsal spaces, the evolving role of fight direction in storytelling, and how violence on stage can be used to spark meaningful conversations rather than glorify conflict. 

Jeff A.R. Jones is a veteran fight choreographer with over 20 years of experience staging fights for ballet, theater, opera, film, and TV. As a certified teacher with the Society of American Fight Directors, he has trained some of the industry's top fight directors and performers. Jones is passionate about educating actors and directors on the intricacies of stage combat, ensuring that fight choreography enhances storytelling while prioritizing safety. His expertise has made him a sought-after consultant and educator in the performing arts world.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 27 Jan 2021 19:59:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b58946c6-d74a-11ef-9284-0b24955efe97/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Jeff A.R. Jones joins the pod squad to dive into the importance of emotional safety in rehearsal spaces, the evolving role of fight direction in storytelling, and how violence on stage can be used to spark meaningful conversations rather than glorify conflict. 

Jeff A.R. Jones is a veteran fight choreographer with over 20 years of experience staging fights for ballet, theater, opera, film, and TV. As a certified teacher with the Society of American Fight Directors, he has trained some of the industry's top fight directors and performers. Jones is passionate about educating actors and directors on the intricacies of stage combat, ensuring that fight choreography enhances storytelling while prioritizing safety. His expertise has made him a sought-after consultant and educator in the performing arts world.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jeff A.R. Jones joins the pod squad to dive into the importance of emotional safety in rehearsal spaces, the evolving role of fight direction in storytelling, and how violence on stage can be used to spark meaningful conversations rather than glorify conflict. </p><p><br></p><p>Jeff A.R. Jones is a veteran fight choreographer with over 20 years of experience staging fights for ballet, theater, opera, film, and TV. As a certified teacher with the Society of American Fight Directors, he has trained some of the industry's top fight directors and performers. Jones is passionate about educating actors and directors on the intricacies of stage combat, ensuring that fight choreography enhances storytelling while prioritizing safety. His expertise has made him a sought-after consultant and educator in the performing arts world.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1796</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[129ec219-06eb-4597-8bff-74556e7a691d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET4551939593.mp3?updated=1740775432" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep7: From Up to Elf, A Conversation with TV Icon Ed Asner</title>
      <description>Ed Asner joined the pod squad for one of his last interviews to reflect on the audition that landed him the role on The Mary Tyler Moore Show, the show's impact on television history, and his thoughts on journalism today. Hear his candid thoughts on the entertainment industry, politics, and what he hoped his legacy will be.

Ed Asner was a seven-time Emmy Award-winning actor, best known for his portrayal of Lou Grant, making him one of the most celebrated television actors of all time. Beyond TV, he was a passionate activist, lending his voice to causes ranging from workers' rights to autism awareness. His career spanned decades, with standout roles in Roots, Rich Man, Poor Man, and Elf, as well as a celebrated turn as Carl Fredricksen in Pixar's Up. Asner’s impact went far beyond the screen—his work in advocacy and his dedication to the craft of acting cemented his place as a true Hollywood icon.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 07 Jan 2021 13:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b6467de0-d74a-11ef-9284-832b8e908140/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Ed Asner joined the pod squad for one of his last interviews to reflect on the audition that landed him the role on The Mary Tyler Moore Show, the show's impact on television history, and his thoughts on journalism today. Hear his candid thoughts on the entertainment industry, politics, and what he hoped his legacy will be.

Ed Asner was a seven-time Emmy Award-winning actor, best known for his portrayal of Lou Grant, making him one of the most celebrated television actors of all time. Beyond TV, he was a passionate activist, lending his voice to causes ranging from workers' rights to autism awareness. His career spanned decades, with standout roles in Roots, Rich Man, Poor Man, and Elf, as well as a celebrated turn as Carl Fredricksen in Pixar's Up. Asner’s impact went far beyond the screen—his work in advocacy and his dedication to the craft of acting cemented his place as a true Hollywood icon.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ed Asner joined the pod squad for one of his last interviews to reflect on the audition that landed him the role on <em>The Mary Tyler Moore Sho</em>w, the show's impact on television history, and his thoughts on journalism today. Hear his candid thoughts on the entertainment industry, politics, and what he hoped his legacy will be.</p><p><br></p><p>Ed Asner was a seven-time Emmy Award-winning actor, best known for his portrayal of Lou Grant, making him one of the most celebrated television actors of all time. Beyond TV, he was a passionate activist, lending his voice to causes ranging from workers' rights to autism awareness. His career spanned decades, with standout roles in <em>Roots, Rich Man, Poor Man,</em> and <em>Elf,</em> as well as a celebrated turn as Carl Fredricksen in Pixar's <em>Up.</em> Asner’s impact went far beyond the screen—his work in advocacy and his dedication to the craft of acting cemented his place as a true Hollywood icon.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1498</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f5aecefe-f1c9-4a52-a3d5-621e00ef8568]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET4802486667.mp3?updated=1740775408" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep6: Sitcoms, Stage Lights, and Sunset Boulevard - Alan Campbell Reflects on His 40-Year Career</title>
      <description>Tony Award nominee Alan Caampbell joins the pod squad to discuss the evolution of television, the differences between sitcoms and dramatic series, and how digital technology has changed the industry. The conversation also dives into Alan’s transition to Broadway, his experience starring opposite Glenn Close in Sunset Boulevard, and the joys and challenges of live theater.

Alan Campbell is a versatile stage and screen actor with a career spanning over four decades. He is best known for his starring roles in the TV series Three’s a Crowd and Jake and the Fatman and his Tony-nominated performance in Andrew Lloyd Webber’s Sunset Boulevard. A lifelong lover of live performance, Alan has appeared in numerous Broadway and regional productions, including Mamma Mia! and Rock and Roll Man. His passion for storytelling and deep respect for the craft make him a beloved figure in television and theater.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 10 Nov 2019 13:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Tony Award nominee Alan Caampbell joins the pod squad to discuss the evolution of television, the differences between sitcoms and dramatic series, and how digital technology has changed the industry. The conversation also dives into Alan’s transition to Broadway, his experience starring opposite Glenn Close in Sunset Boulevard, and the joys and challenges of live theater.

Alan Campbell is a versatile stage and screen actor with a career spanning over four decades. He is best known for his starring roles in the TV series Three’s a Crowd and Jake and the Fatman and his Tony-nominated performance in Andrew Lloyd Webber’s Sunset Boulevard. A lifelong lover of live performance, Alan has appeared in numerous Broadway and regional productions, including Mamma Mia! and Rock and Roll Man. His passion for storytelling and deep respect for the craft make him a beloved figure in television and theater.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Tony Award nominee Alan Caampbell joins the pod squad to discuss the evolution of television, the differences between sitcoms and dramatic series, and how digital technology has changed the industry. The conversation also dives into Alan’s transition to Broadway, his experience starring opposite <strong>Glenn Close in <em>Sunset Boulevard</em></strong>, and the joys and challenges of live theater.</p><p><br></p><p><strong>Alan Campbell</strong> is a versatile stage and screen actor with a career spanning over four decades. He is best known for his starring roles in the <strong>TV series <em>Three’s a Crowd</em> and <em>Jake and the Fatman and</em></strong> his Tony-nominated performance in <strong>Andrew Lloyd Webber’s <em>Sunset Boulevard</em></strong>. A lifelong lover of live performance, Alan has appeared in numerous Broadway and regional productions, including <em>Mamma Mia!</em> and <em>Rock and Roll Man</em>. His passion for storytelling and deep respect for the craft make him a beloved figure in television and theater.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1721</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[087ca94d-978f-4f1c-a531-1461268b0c7f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/BPNET3946485004.mp3?updated=1740775377" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep5: Confronting Racism - How a Black Activist and a Klansman Found Common Ground</title>
      <description>Osha Gray Davidson joins the pod squad to discuss the unlikely friendship between Anne Atwater, a Black community activist, and C.P. Ellis, a former Ku Klux Klan leader, as they worked together on the desegregation of Durham, North Carolina's public schools in 1971. 

Osha Gray Davidson is an American journalist, author, and historian known for his work on civil rights, environmental issues, and social justice. His writing often explores race, inequality, and transformation themes in American society. His book, The Best of Enemies: Race and Redemption in the New South (1996), chronicles the true story of an unlikely friendship between Black activist Anne Atwater and former Ku Klux Klan leader C.P. Ellis in Durham, North Carolina. The book was adapted into a play by Mark St. Germain and later into the 2019 film The Best of Enemies, starring Taraji P. Henson and Sam Rockwell.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 12 Oct 2019 13:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/c5f71b3c-d74a-11ef-9284-872462754aa7/image/101583a30771ce55cb5bda60a87629b1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Osha Gray Davidson joins the pod squad to discuss the unlikely friendship between Anne Atwater, a Black community activist, and C.P. Ellis, a former Ku Klux Klan leader, as they worked together on the desegregation of Durham, North Carolina's public schools in 1971. 

Osha Gray Davidson is an American journalist, author, and historian known for his work on civil rights, environmental issues, and social justice. His writing often explores race, inequality, and transformation themes in American society. His book, The Best of Enemies: Race and Redemption in the New South (1996), chronicles the true story of an unlikely friendship between Black activist Anne Atwater and former Ku Klux Klan leader C.P. Ellis in Durham, North Carolina. The book was adapted into a play by Mark St. Germain and later into the 2019 film The Best of Enemies, starring Taraji P. Henson and Sam Rockwell.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Osha Gray Davidson joins the pod squad to discuss the unlikely friendship between Anne Atwater, a Black community activist, and C.P. Ellis, a former Ku Klux Klan leader, as they worked together on the desegregation of Durham, North Carolina's public schools in 1971. </p><p><br></p><p>Osha Gray Davidson is an American journalist, author, and historian known for his work on civil rights, environmental issues, and social justice. His writing often explores race, inequality, and transformation themes in American society. His book, <strong>The Best of Enemies: Race and Redemption in the New South (1996), </strong>chronicles the true story of an unlikely friendship between Black activist Anne Atwater and former Ku Klux Klan leader C.P. Ellis in Durham, North Carolina. The book was adapted into a play by Mark St. Germain and later into the 2019 film <em>The Best of Enemies</em>, starring Taraji P. Henson and Sam Rockwell.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1313</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Ep4: Survival &amp; Success in Showbiz - One Singular Sensational Episode with Karen Ziemba</title>
      <link>https://www.spreaker.com/episode/ep-27-tony-award-winner-karen-ziemba-talks-north-carolina-theatre-annie-a-chorus-line-and-more--50964246</link>
      <description>Karen Ziemba joins the pod squad to share behind-the-scenes insights on how A Chorus Line became a cultural phenomenon, how dance on Broadway has evolved over the decades, and what it takes to have a lasting career in the industry.

Karen Ziemba is an accomplished performer with an extensive career spanning Broadway, television, and regional theater. From earning a Tony Award to starring in some of Broadway’s most iconic productions, they have captivated audiences with their talent and versatility. With a background in dance and a passion for storytelling, Karen Ziemba has continually reinvented themselves while staying true to their artistic roots. Their insights into longevity in the industry make this episode a must-listen for aspiring performers and theater lovers alike.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 07 Jul 2019 13:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle>Candid conversation with Tony Award-winner Karen Ziemba.</itunes:subtitle>
      <itunes:summary>Karen Ziemba joins the pod squad to share behind-the-scenes insights on how A Chorus Line became a cultural phenomenon, how dance on Broadway has evolved over the decades, and what it takes to have a lasting career in the industry.

Karen Ziemba is an accomplished performer with an extensive career spanning Broadway, television, and regional theater. From earning a Tony Award to starring in some of Broadway’s most iconic productions, they have captivated audiences with their talent and versatility. With a background in dance and a passion for storytelling, Karen Ziemba has continually reinvented themselves while staying true to their artistic roots. Their insights into longevity in the industry make this episode a must-listen for aspiring performers and theater lovers alike.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Karen Ziemba joins the pod squad to share behind-the-scenes insights on how <em>A Chorus Line</em> became a cultural phenomenon, how dance on Broadway has evolved over the decades, and what it takes to have a lasting career in the industry.</p><p><br></p><p>Karen Ziemba is an accomplished performer with an extensive career spanning Broadway, television, and regional theater. From earning a Tony Award to starring in some of Broadway’s most iconic productions, they have captivated audiences with their talent and versatility. With a background in dance and a passion for storytelling, Karen Ziemba has continually reinvented themselves while staying true to their artistic roots. Their insights into longevity in the industry make this episode a must-listen for aspiring performers and theater lovers alike.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>799</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/BPNET9698221914.mp3?updated=1740775296" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ep3: Make Them Hear You: One Man's Quest to Resurrect Erased History</title>
      <description>Playwright and performer Mike Wiley joins the pod squad to discuss how storytelling can illuminate history, challenge societal narratives, and foster deeper conversations about race and justice. 

Mike Wiley is a celebrated playwright, performer, and educator known for using solo theater as a means of social activism. With a career spanning nearly two decades, they have dedicated their work to telling the untold stories of marginalized communities, shedding light on historical injustices, and engaging audiences in meaningful discussions. Through their innovative performances, they invite people to see beyond the headlines, question assumptions, and reexamine history with fresh eyes. Their work has been featured in theaters and schools nationwide, sparking important dialogues about race, privilege, and justice.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 16 Feb 2019 13:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Playwright and performer Mike Wiley joins the pod squad to discuss how storytelling can illuminate history, challenge societal narratives, and foster deeper conversations about race and justice. 

Mike Wiley is a celebrated playwright, performer, and educator known for using solo theater as a means of social activism. With a career spanning nearly two decades, they have dedicated their work to telling the untold stories of marginalized communities, shedding light on historical injustices, and engaging audiences in meaningful discussions. Through their innovative performances, they invite people to see beyond the headlines, question assumptions, and reexamine history with fresh eyes. Their work has been featured in theaters and schools nationwide, sparking important dialogues about race, privilege, and justice.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Playwright and performer Mike Wiley joins the pod squad to discuss how storytelling can illuminate history, challenge societal narratives, and foster deeper conversations about race and justice. </p><p><br></p><p>Mike Wiley is a celebrated playwright, performer, and educator known for using solo theater as a means of social activism. With a career spanning nearly two decades, they have dedicated their work to telling the untold stories of marginalized communities, shedding light on historical injustices, and engaging audiences in meaningful discussions. Through their innovative performances, they invite people to see beyond the headlines, question assumptions, and reexamine history with fresh eyes. Their work has been featured in theaters and schools nationwide, sparking important dialogues about race, privilege, and justice.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1870</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/BPNET7702667155.mp3?updated=1740775255" length="0" type="audio/mpeg"/>
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    <item>
      <title>Ep2: Theater as a Playground: A Visit to Evan Rachel Wood's Childhood Home with Ira David Wood III</title>
      <description>Ira David Wood III joins the pod squad to discuss the power of live performance and the challenges of making a life in the arts. The discussion also highlights his children, including Evan Rachel Wood and Ira David Wood IV, their experiences growing up in the theater, and the challenges and rewards of pursuing a life in the arts. 

A North Carolina theater icon, Ira David Wood III is the founder and executive director of Theater in the Park, where he has directed and performed in countless productions over the past five decades. He is best known for his long-running portrayal of Scrooge in A Christmas Carol, a beloved Raleigh tradition. His son, Ira David Wood IV, has followed in his father’s footsteps, establishing his own successful career in acting and theater. Together, they discuss their family’s deep-rooted passion for the stage, the lessons passed down through generations, and the future of Theater in the Park.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 03 Feb 2019 13:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Ira David Wood III joins the pod squad to discuss the power of live performance and the challenges of making a life in the arts. The discussion also highlights his children, including Evan Rachel Wood and Ira David Wood IV, their experiences growing up in the theater, and the challenges and rewards of pursuing a life in the arts. 

A North Carolina theater icon, Ira David Wood III is the founder and executive director of Theater in the Park, where he has directed and performed in countless productions over the past five decades. He is best known for his long-running portrayal of Scrooge in A Christmas Carol, a beloved Raleigh tradition. His son, Ira David Wood IV, has followed in his father’s footsteps, establishing his own successful career in acting and theater. Together, they discuss their family’s deep-rooted passion for the stage, the lessons passed down through generations, and the future of Theater in the Park.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ira David Wood III joins the pod squad to discuss the power of live performance and the challenges of making a life in the arts. The discussion also highlights his children, including <strong>Evan Rachel Wood</strong> and <strong>Ira David Wood IV</strong>, their experiences growing up in the theater, and the challenges and rewards of pursuing a life in the arts. </p><p><br></p><p>A North Carolina theater icon, <strong>Ira David Wood III</strong> is the founder and executive director of <em>Theater in the Park</em>, where he has directed and performed in countless productions over the past five decades. He is best known for his long-running portrayal of Scrooge in <em>A Christmas Carol</em>, a beloved Raleigh tradition. His son, <strong>Ira David Wood IV</strong>, has followed in his father’s footsteps, establishing his own successful career in acting and theater. Together, they discuss their family’s deep-rooted passion for the stage, the lessons passed down through generations, and the future of <em>Theater in the Park</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1777</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Ep1: How Raleigh Became a Hub for Bold and Independent Theater</title>
      <description>Roy Dicks joins the pod squad to discuss the rich history of the Triangle’s performing arts scene. From the early days of the Raleigh Little Theatre to the rise of alternative performance spaces, Dix shares fascinating insights into how local theater has evolved over the decades. 

Roy Dix is a respected theater critic and historian who spent nearly two decades writing for The News &amp; Observer, covering the evolution of theater in North Carolina. A lifelong advocate for the performing arts, he co-founded Raleigh Ensemble Players in 1982, helping to introduce cutting-edge, Off-Broadway-style productions to the region. With an extensive knowledge of theater history and an insider’s perspective on the local arts community, Dix continues to be a passionate voice for fostering innovative and thought-provoking storytelling on stage.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 01 Feb 2019 13:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Lauren Van Hemert</itunes:author>
      <itunes:subtitle>47 Years of North Carolina Theater History</itunes:subtitle>
      <itunes:summary>Roy Dicks joins the pod squad to discuss the rich history of the Triangle’s performing arts scene. From the early days of the Raleigh Little Theatre to the rise of alternative performance spaces, Dix shares fascinating insights into how local theater has evolved over the decades. 

Roy Dix is a respected theater critic and historian who spent nearly two decades writing for The News &amp; Observer, covering the evolution of theater in North Carolina. A lifelong advocate for the performing arts, he co-founded Raleigh Ensemble Players in 1982, helping to introduce cutting-edge, Off-Broadway-style productions to the region. With an extensive knowledge of theater history and an insider’s perspective on the local arts community, Dix continues to be a passionate voice for fostering innovative and thought-provoking storytelling on stage.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Roy Dicks joins the pod squad to discuss the rich history of the Triangle’s performing arts scene. From the early days of the Raleigh Little Theatre to the rise of alternative performance spaces, Dix shares fascinating insights into how local theater has evolved over the decades. </p><p><br></p><p>Roy Dix is a respected theater critic and historian who spent nearly two decades writing for <em>The News &amp; Observer</em>, covering the evolution of theater in North Carolina. A lifelong advocate for the performing arts, he co-founded <em>Raleigh Ensemble Players</em> in 1982, helping to introduce cutting-edge, Off-Broadway-style productions to the region. With an extensive knowledge of theater history and an insider’s perspective on the local arts community, Dix continues to be a passionate voice for fostering innovative and thought-provoking storytelling on stage.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1557</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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