Extraordinary Creatives

When Life Changes You and the Work Has to Change Too

Thu, 16 Apr 2026 00:00:00 -0000

In the last episode, we talked about rhythm.

About what happens when life knocks you sideways and you walk back into the studio feeling foggy, brittle, or slightly foreign to yourself. We spoke about regulation, about re-entry, about restarting the engine gently instead of demanding brilliance on command.

But there’s something else that often happens after the dust settles. Something quieter. More destabilising.

Sometimes it isn’t only your creative rhythm that’s been interrupted.

It’s you - You’ve changed.

And that’s where things get complicated.

You go through something significant. An illness that forces you to slow down. A divorce that reshapes how you understand intimacy. Redundancy after years in the same role. Children leaving home and the house suddenly carrying a different kind of silence.

You step back into your studio, and something feels slightly off. The work you were making before isn’t wrong, it isn’t bad, but it doesn’t quite sit the same way in your body. It feels like clothes that used to fit and now don’t.

We're taught that consistency matters, that we should maintain our voice, that we should build a recognisable trajectory, so people know what they're looking at. So, when something internal shifts, panic sets in.

That can be deeply unsettling. Yet, as you will see, it is actually something to be welcomed, embraced and used as fuel.

KEY TAKEAWAYS

After big life events (illness, divorce, kids leaving, etc.), your old work can feel like clothes that no longer fit, not because it’s bad, but because you are different now. Life changes you - it should.
If you are different, the work must reflect that difference, or you will begin to feel like an imposter inside your own practice.
Instead of asking how to recover your old voice, a more honest question is, Who am I now? What occupies my thoughts when I wake up? What feels tender in me? Those recurring thoughts are not distractions. They're signals. They point towards the seam that wants to be mined next.

BEST MOMENTS

“You're not meant to return to who you were. You're meant to create from who you're becoming, life will change you. It should.”

“If your work never shifts, if your questions never deepen, if your textures never evolve, something is probably stuck.”

“So perhaps this week, instead of trying to replicate what once worked, you sit with a quieter question, what wants to be made now?”

HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

https://cerihand.com/membership/

Unlock Your Artworld Network Self Study Course

Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today.

https://cerihand.com/courses/unlock_your_artworld_network/

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

What Performance Art Holds That White Cube Spaces Can’t with Wet Mess

Mon, 13 Apr 2026 00:00:00 -0000

In this episode I’m joined by the extraordinary Wet Mess - performer, shapeshifter, and maker of work that sits right on the ecstatic fault line between desire, politics, embodiment, confusion, and joy.

We centre the conversation around their solo show Testo that’s been touring over the past year. It’s a work born from a live, personal question: whether or not to take testosterone, and what that decision means socially, physically, psychologically.

We talk about how you can stretch a reveal across an hour. How pacing and punctuation shape tension. How repetition changes meaning depending on the intention you bring to it. How the same action can land differently in different cities and how trans experience is heard through different filters.

We dig into training - how Wet Mess conditions both body and mind to hold euphoria, anger, and absurdity without collapsing under it. How they choreograph points of view. How entertainment spaces have taught them things the art world did not. And how stepping into cabaret felt, at one point, like a liberation and even a rejection of fine art’s constraints.

There are real insights here about what performance can hold that white cube spaces sometimes struggle to contain. About how spectacle and seriousness are not opposites. About what you learn by attending to the same process over and over again until it deepens.

And alongside the artistic revelations, we also speak candidly about touring, sustainability, hiring a producer, stacking the finances so the work can travel, and how to prepare and decompress when your body is the medium.

I hope you enjoy it as much as I did!

KEY TAKEAWAYS

Spectacle isn’t a distraction from seriousness; it’s one of the few containers big enough to hold euphoria, rage, and politics at the same time.
When your body is the medium, sustainability isn’t a luxury add‑on. Training and decompression are part of the choreography, or the work doesn’t last.
Testo doesn’t resolve whether to take testosterone; it lets us sit inside the risk, desire, and possibility of not yet knowing.

BEST MOMENTS

“A lot of the process of performing is caring so much about what the audience receive, and then also letting go of that, because you can never fully control it.”

“I got really interested in what it means to reveal, how you can stretch that out over an hour-long show taking off layers of costume, of self, and kind of getting deeper and showing different layers of oneself or possibilities.”

RESOURCES

https://wetmesswetmess.com/

https://www.instagram.com/wet_mess

HOST BIO

https://cerihand.com/membership/

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

When Life Breaks the Creative Rhythm

Thu, 09 Apr 2026 00:00:00 -0000

You know that strange moment when you walk back into your office or studio after something big has happened……and it feels unfamiliar. The light’s the same. The table’s where you left it. Your brushes are exactly as you abandoned them. But you’re not.

That’s the bit no one prepares you for. I was speaking to an artist recently who had just come back from caring for a parent after a sudden bereavement. She said, “I’m desperate to get back into my practice. I need it. But I can’t seem to think."

That sentence, that tension, stayed with me – I need it, but I can´t.

Because when life throws something heavy at you - death, illness, divorce, redundancy, even something that looks positive but is destabilising - your system shifts. You go into care mode. Logistics mode. Survival mode.

You become vigilant. You are tracking hospital updates. Or legal emails. Or financial spreadsheets. Or your child’s temperature at 3am.

Vigilance is not the same state as creativity. Creativity asks you to soften. To wander. To sit with uncertainty without solving it.

After shock, your body doesn´t want to wander. It wants to secure. And then we stand in the studio and say to ourselves, “Right. Back to it. Let’s make something extraordinary.” – no wonder it doesn´t work.

I explore why flow disappears after life shocks, what your nervous system is actually doing, and how to return to your work without bullying yourself.

KEY TAKEAWAYS

After a death, redundancy, illness, divorce, or any major life shift, creativity doesn’t just snap back into place. You don't restart at full speed. You idle the engine.
Often, what we call lack of focus is actually grief that hasn't fully moved through. Grief doesn't always look like crying. Sometimes it looks like distraction, fog, a strange flatness.
Creativity is a downstream of regulation. If the river is in flood, you don't shout at it. You wait for the waters to settle -You're not behind. You're rebuilding rhythm. Rhythm is different from output. Rhythm is showing up in small, contained ways, until your body trusts the space again.

BEST MOMENTS

“You can't out discipline a dysregulated body. You can't bully yourself back into flow. Flow requires safety, not perfection, not control, but safety.”

“When athletes recover from injury, they don't return by running a marathon, they rebuild muscle memory. Creative practice is no different.”

“Returning after shock is one thing - creating after you've changed is another.”

HOST BIO

https://cerihand.com/membership/

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Inside The Artist’s Way: Simple Tools That Sustain Brave Creativity with Julia Cameron

Mon, 06 Apr 2026 00:00:00 -0000

Today’s guest has shaped the creative lives of millions.

Julia Cameron has been called “The Queen of Change” by The New York Times, and whether you’ve done Morning Pages for decades or only heard of The Artist’s Way in passing, you’ve felt her influence ripple through contemporary culture.

What struck me most in this conversation was her devotion to simplicity and trying.

Her tools are not complicated. They are repetitive. Ordinary. Almost deceptively so. Three pages. A walk. A date with yourself. And yet — they ask for something many creatives resist: discipline without drama. Practice without novelty. Showing up without fireworks.

We like complexity. We like newness. We like to overthink. Julia invites us back to something far braver - consistency.

We talk about trusting internal wisdom, or what she describes as seeking guidance both inwardly and outwardly. We explore the stream of consciousness as something different from a diary, different from a sketchbook — a way of accessing the subcutaneous layers of knowing that we’ve often been trained to ignore.

Decades on, she is still delighted. Still open. Still curious. Still learning from the community her work has helped to grow. She does not cling to authorship as ownership. She sees herself as a vehicle. The work belongs to the people who practise it.

There is something quietly radical about that.

This conversation is an invitation to return to the basics. To stop waiting for the breakthrough and instead build the ritual. To trust that the simplest tools, repeated, can change a life.

KEY TAKEAWAYS

Morning pages, walks, and artist dates aren’t self-help chores; they’re how you quietly outlast trends, algorithms, and your own boredom. Those simple tools become radically effective, especially when you are using them decades in.
Julia Cameron doesn’t banish her critic. She calls him Nigel. Thanks him. And keeps creating anyway. Trust your inner wisdom, even when it´s messy.
If you’ve been waiting for a breakthrough, maybe the breakthrough is repetition.

BEST MOMENTS

“I think procrastination is actually fear in a fancy dress.”

“A believing mirror is somebody who reflects back to your strength and your promise.”

“Fear can be present, and we continue. Criticism can speak, and we continue. Doubt can whisper, and we continue. Not because we’ve eliminated those voices. But because we’ve built a practice strong enough to hold them.”

EPISODE RESOURCES

https://juliacameronlive.com

HOST BIO

https://cerihand.com/membership/

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

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Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Stop Funding Your Own Burnout: Designing Commissions That Don’t Drain You

Thu, 02 Apr 2026 00:00:00 -0000

You don’t get a medal for exhausting yourself in the name of community.

A brilliant artist in my world recently asked a question that so many of you will recognise. Let’s call them Kenny.

Kenny runs socially engaged projects. They work with communities over weeks, sometimes months. Workshops turn into conversations. Conversations turn into drawings. Drawings become objects. Objects evolve into sound pieces. Eventually, it all lands as an installation with sculpture and layered audio. It is rich. It is generous. It is complex.

And the budget never quite matches the reality.

Kenny finds themselves topping up production costs. Paying for extra studio time. Covering additional fabrication. Giving more hours than were funded. Holding the emotional labour that was never costed.

They asked me, should I scale up to bigger institutions with bigger budgets, or should I reduce what I deliver?

If this sounds familiar, you are not alone.

Here is what is really happening.

If you’ve ever felt stretched thin by a commission that looked generous on paper but drained you in reality, this one will land.

I break down how to design modular versions of your practice, how to cost invisible labour properly, and how to stop reflex over-delivering just to secure the opportunity.

KEY TAKEAWAYS

Many artists, especially socially engaged artists, end up producing three projects under one fee - Community workshops. Research and relationship-building. Drawings, objects, sound, sculpture. Installation. Coordination. Care – And when the budget only stretches for one strand of that work, they quietly top it up themselves. - More hours. More energy.
Design the project to fit the budget, not the other way round. Always pay yourself properly, and if the full ecosystem of your practice costs more than the fee use one of the 3 options Ceri shares to bring balance back and avoid burnout.
Designing modular versions of your practice means you stop pouring the whole symphony into every commission and instead offer clear tiers that match the budget, so the work stays true without draining you.

BEST MOMENTS

“When you consistently top up a commission with your own time and money, you are not being noble. You are subsidising someone else’s remit with your personal capacity.”

“What you can't do is quietly over deliver and hope someone notices.”

“Open your last project, calculate how many unpaid hours you gave, multiply that by your day rate, look at the number, then ask yourself, would I agree to that again knowingly?”

HOST BIO

https://cerihand.com/membership/

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

How to Build Creative Worlds That Last with Jenn Ellis

Mon, 30 Mar 2026 00:00:00 -0000

In today’s episode of Extraordinary Creatives, I’m joined by Jenn Ellis, founder of APSARA Studio and a curator whose work moves between institutions, vineyards, churches, theatres, and digital space with remarkable fluidity.

Jenn grew up in a family of theoretical particle physicists, studied law, and then pivoted into art history. That background shows. Her approach to art feels investigative, architectural, and deeply relational. She thinks about time not as something measured by clocks, but as something lived, layered, and tested.

In this conversation, we talk about long-term commitment to artists, the power of positive disagreement inside collaboration, and why site matters as much as concept. We explore Terra, her exhibition across UNESCO heritage vineyards in Burgundy. We unpack AORA, the digital sensory world she built during lockdown. And we speak candidly about contracts, rate cards, negotiation, ego, Instagram performance, and what it really means to care for artists inside complex systems.

Jenn is rigorous, warm, and clear-eyed. She understands budgets as well as beauty. She believes in boundaries. And she asks one of the most important questions a creative can ask: how is this bigger than you?

If you are building a practice that needs both imagination and structure, I hope this episode will land with you.

KEY TAKEAWAYS

To curate is to care - sometimes care means challenging, tweaking. Testing. Pushing for something stronger. The absence of disagreement doesn’t mean the work is good. It might mean no one felt safe enough to question it.
In a culture that rewards visibility over substance, the real work is shifting our focus from credit to contribution. When we stop performing for the headline and start caring about what’s genuinely built between people, the work gets deeper and is far more likely to outlive the moment.

BEST MOMENTS

“You might like the work, but if it's not a personality match, then it's going to be a very long upward hill…. Ask, can I make it sing? And can I make it sing with you?”

“Long standing relationships often have healthy friction. Action where two people are trying to get to the best outcome.”

“Professionalism is not the enemy of creativity. Contracts protect care. Rate cards protect energy. Boundaries protect longevity. These are not cold tools. They are scaffolding.”

EPISODE RESOURCES

https://apsarastudio.co.uk

https://www.instagram.com/jenncellis

https://www.instagram.com/apsara.studio

HOST BIO

https://cerihand.com/membership/

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Why Do I Keep Building Empires When I Just Want to Make Art

Thu, 26 Mar 2026 00:00:00 -0000

Do you ever ask yourself, why do I keep inventing massive projects when all I really want to do is make my own art? Why do I keep building infrastructures for other people when what I actually crave is to be in the studio, in rehearsal, on a stage? And why, at the end of these enormous, impressive undertakings, do I feel quietly resentful?

If this lands in your chest, stay with Ceri and learn how to avoid this trap

KEY TAKEAWAYS

Impressive collaborative projects can be draining. Yet they feel far safer than standing there with one vulnerable artwork and saying, “This is enough.” - Empire projects offer access, validation, funding, titles - a sense of being legit.
When you're the organ grinder, the monkey, the organ and the music, something shifts. You stop making decisions based on creativity. You start making decisions consciously or unconsciously based on compliance.
It’s not that big structures are bad - some people are meant to build institutions. If you are not one of them, ask - If there were no funders, partners, or applause, what would I still make and what would I stop building altogether? – then, create the pieces you really want to make.

BEST MOMENTS

“Maybe the next bold move is not another empire. Maybe it's a small, precise, unapologetic piece of work, one performance, one painting, one body of work, one show. No Empire required.”

“If you grew up believing art alone couldn't sustain you, building an infrastructure can feel like the sensible compromise.”

“Collaboration can be electric. Working with people at your level or beyond, can sharpen you, stretch you make you braver.”

“There's a difference between building something because it genuinely expands you and building something because you're trying to fill a gap.”

PODCAST HOST BIO

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https://cerihand.com/membership/

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Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

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Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Living Inside the Fourth Wall: Space, Colour and Care with Eddie Peake

Mon, 23 Mar 2026 00:00:00 -0000

Before we begin, a gentle note: in this episode we speak about death, grief, psychosis and depression. If you’re feeling tender, you might want to pause and come back when the time feels right. It will be worth it. Today, I am joined by the extraordinary artist Eddie Peake.

Eddie builds exhibitions the way some artists use paint. Space, for him, is a material. He constructs environments that place you inside the liminal fourth wall, that charged threshold between viewer and viewed, between participation and observation, between ecstasy and horror. In his shows, the audience becomes a protagonist.

We talk about masculinity stretched to breaking point, about desire and shame, about the theatre of intimacy and the politics shaping our cultural moment. Eddie pushes back on what the art world calls authenticity, questioning whether expression itself has become a learned, conservative language dressed up as radical. In an age of populist politics and market-ready aesthetics, he asks what it really means to resist.

If you’re an artist wrestling with identity, politics, envy, burnout, or the fear that your work is either too much or not enough, this conversation will resonate.

I hope it moves you as much as it moved me.

KEY TAKEAWAYS

· The fourth wall isn’t just a boundary; it’s a live material. Treating space as something you can sculpt, like Eddie does, lets the viewer become a character inside the work, not a distant observer.

· Fluorescent colour can carry psychic weight. What looks euphoric on the surface can also signal overload, instability, and states of mind that don’t sit neatly in polite language.

BEST MOMENTS

“This is your reminder that creative life is not linear. There are seasons of immersion and seasons of withdrawal”

“I really believe it's important to take Our time and not to feel a sort of outside pressure to be moving at 7000 million miles per hour at all times.”

RESOURCES

https://www.instagram.com/eddie_peake

HOST BIO

https://cerihand.com/membership/

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

When Your Brain Says, “I Don’t Know How” (It’s Lying)

Thu, 19 Mar 2026 00:00:00 -0000

When your brain says - I don’t know who would buy this, I don’t know where to find them. I don’t know how this would ever work, it is lying to you.

What if “I don’t know how” isn’t a fact. What if its anxiety dressed up as logic. What if your brain is quietly converting uncertainty into impossibility.

Once that story settles, you stop try. You don´t need to test formats. You don´t need to ask different questions. You don´t need to risk being wrong. If this sounds familiar, you are not alone.

In this episode, I unpack why “I don’t know how” is rarely a business verdict and more often a nervous system response.

If your practice feels “hard to sell,” this one’s for you.

KEY TAKEAWAYS

“I don´t know how” is not a verdict, it's a skill gap. There are countless things you once didn't know how to do, invoice, negotiate, install, work, apply for funding, price confidently.
Your brain doesn't predict your competence. It predicts your danger. Anxiety confuses unfamiliar with unsafe.
Turn “I don’t know how” into a research brief. Instead of spiralling, ask: What exactly do I not know? Is it pricing? Editioning? Finding aligned collectors? Be precise, then fill those gaps - Ceri shares exactly how.
Accept that certainty is a fantasy. No artist has a guaranteed buyer before they begin. They build belief alongside action.

BEST MOMENTS

“When your brain says, I don't know, it's often trying to protect you from visibility, rejection, or financial disappointment. It's not offering a business forecast.”

“Instead of asking, how might this translate for me? Your mind asks, how can I prove this does not apply to me? - That’s anxiety trying to maintain control.”

“Study their CVs. Look at collections listed, public and private. Screenshot it. Create a folder called Proof. You are not allowed to catastrophise without data.”

“Test one price point. Anxiety hates experiments because experiments create reality.”

PODCAST HOST BIO

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https://cerihand.com/membership/

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Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

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Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Building a Visual Language of Colour and Symbols with Sarah Boris

Mon, 16 Mar 2026 00:00:00 -0000

Today I’m in conversation with the extraordinary Sarah Boris, an artist who treats symbols like building blocks and colour like architecture.

Her practice moves between sculpture, drawing, printmaking, painting, and bookmaking, yet everything she makes feels connected by a rigorous, playful logic. You migaht know her Fragile UK Flag, a reimagined Union Jack made from delicate tape and paper, exhibited at the Design Museum in London and now held in major public collections including the Stedelijk Museum in Amsterdam and the Bibliothèque Nationale de France

A national emblem made vulnerable. A bold gesture made breakable.

But this conversation is less about icons and more about expansion. We dive into her modular works, a vast body of over one hundred drawings that evolved into nesting sculptures, furniture modules, and her largest sculpture to date. We talk about scale not as ego, but as curiosity. And then there is Time for Peace, a conceptual clock that quietly marks the peace symbol four times a day. No grand spectacle. Just a subtle interruption in the rhythm of time.

This episode is about systems and softness. About building something precise without losing play. About committing to a visual language so fully that it begins to grow its own architecture.

KEY TAKEAWAYS

Nothing is fixed. Elements can shift, nest, expand, contract. A drawing can become a sculpture. A book can become a building. A word can hold two languages at once.
Let your smaller works teach you how to build bigger ones. Let your practice evolve in modules rather than leaps. If you’ve been sitting on an idea that feels too playful, too colourful, too structural, or too ambitious - test it, stack it, and see what it becomes.
There is quiet power in artists championing one another.
If someone can’t find you, they can’t commission you. If they can’t commission you, they can’t support your ideas.

BEST MOMENTS

“Being in a different place, with different light, different language, different constraints, can unlock entirely new bodies of work - a reminder that context is not a backdrop. It’s a collaborator.”

“If I hadn't had the website, this beautiful story wouldn't have happened.”

“She handles cultural signs with care, but she isn’t afraid to rework them.”

“I was self-sabotaging in so many areas.”

EPISODE RESOURCES

https://sarahboris.com

https://www.instagram.com/sarahboris_ldn

PODCAST HOST BIO

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https://cerihand.com/membership/

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Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

How Artist Websites Quietly Lead to Sales, Enquiries and Opportunities

Thu, 12 Mar 2026 00:00:00 -0000

If you’ve listened to the last couple of shorty episodes, you’ll know we’ve been talking about structure. What should be on your website. What can go. And how clarity does far more work than cleverness.

So today, I want to talk about what often happens next. Once your website is clear, calm, and coherent, something interesting starts to happen. Sales begin to trickle in. Enquiries land in your inbox. Commissioners get in touch. Brands reach out. Often quietly, often weeks or months after someone first visited your site.

Your website is always working in the background, even when you don´t think anything is happening.

KEY TAKEAWAYS

Curators, collectors, commissioners, art advisors. They don't always announce themselves when they're browsing, but they browse repeatedly, and your website is where momentum turns into confidence
Most people don't land on your website necessarily ready to buy. They arrive curious. Your website's job at that moment is not to persuade it's to reduce friction, clear work, clear information, clear invitations enable people to find out more.
When a public art commissioner lands on your site, they’re not just thinking “Is this interesting?”—they’re scanning for proof you can deliver at scale: images that show your work in the world, a handful of clearly documented projects, and obvious next steps to contact you.
Available works pages often outperform full e commerce shops. They feel human. They feel conversational. They invite inquiry rather than demanding commitment.

BEST MOMENTS

“Your website is not just selling artwork, it's selling readiness, readiness to be commissioned, readiness to work at scale, readiness to collaborate with brands or institutions.”

“If someone has to hunt for how to engage you, they often won't, not because they're not interested, but because friction kills intent.”

“If you are open to collaborations, say so.”

EPISODE RESOURCES

1st episode of the Artist´s website series - https://podcasts.apple.com/gb/podcast/why-artist-websites-still-matter-and-how-to-make/id1709105337?i=1000751657709

Lakwena episode - https://podcasts.apple.com/gb/podcast/in-between-worlds-lakwena-maciver-s-journey-through/id1709105337?i=1000739050767

Marianna Simnett episode - https://podcasts.apple.com/gb/podcast/embracing-the-unconventional-marianna-simnett-on/id1709105337?i=1000658388496

HOST BIO

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https://cerihand.com/membership/

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Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

Making Ambitious Work is Never Just About Ideas with Alexandra Daisy Ginsberg

Mon, 09 Mar 2026 00:00:00 -0000

In today’s episode of the Extraordinary Creatives podcast, I’m joined by the inspiring Alexandra Daisy Ginsberg, whose work sits at the intersection of art, ecology, and emerging technologies.

Daisy’s work explores the politics, value systems, and assumptions that shape how humans relate to the natural world. Her projects range from algorithmically designed gardens created for pollinators, to resurrecting the smell of extinct flowers, and translating living systems into materials such as tapestry and bronze.

In our conversation, Daisy shares how working closely with scientists and researchers has refined her relationship to failure. What might be a dead end in scientific research can become, for her, the starting point for an artwork that asks better questions. We dig into Pollinator Pathmaker, shaped by insect vision rather than human taste, and her new public sculpture commission, The Length of a Moment, where the invisible movement of moths becomes permanent form.

This episode is an invitation to think differently about how we apply our creativity, who we learn from, and the kinds of worlds our work helps to shape. I am certain you’ll be inspired, so please let me know if anything touches you.

KEY TAKEAWAYS

Making ambitious work is never just about ideas. It’s about labour, time, care, and responsibility. About how teams are treated, how boundaries are held, and how ethics show up not as statements, but as daily decisions.
When you approach a project as a collaborator who is willing to learn how an organization works, you create the psychological safety needed to pull off truly ambitious, experimental work.
Hold the line on your professional boundaries. Clarity is kindness, it’s not about being "difficult" - it's being precise.

BEST MOMENTS

“The flower looks red to us, but a bee can’t see red. They can see ultraviolet. So suddenly you realise that the way we think the world looks isn’t how it looks at all.”

“Her methodologies show us what becomes possible when artists invite in knowledge from academics, technologists, children, and global perspective.”

EPISODE RESOURCES

https://www.daisyginsberg.com

https://www.instagram.com/daisyginsberg

https://pollinator.art

HOST BIO

https://cerihand.com/membership/

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

What Should Definitely Be on Your Artist Website

Thu, 05 Mar 2026 00:00:00 -0000

Today, Ceri moves to the next step of the artist website journey. Once you’ve selected the work and gathered the words, the question becomes: what should definitely be on the website? And just as importantly, what should not.

Most artist websites don’t fail because they’re missing things; they fail because they’re overloaded with too many pages, projects, and text and no clear entry point.

Your website is not a storage unit - it’s a guided experience. You are leading someone through your work, whether you realise it or not, and the clearer that journey is, the more confident your website feels.

Listen in to learn how to create a structure that supports your practice rather than draining it.

KEY TAKEAWAYS

If your website feels overwhelming, remove before you add. Take anything off your site you wouldn’t actively send a curator to today, such as old projects you’ve outgrown or sections you feel you have to apologise for.
Navigation is your backbone. If the menu is messy, everything else feels messy. Ceri shares a simple menu that works.
Give people a "front door" to each body of work. Instead of an endless scroll, group your work by year, medium, or series to provide an entry point that lets the work do the persuading before the language does.
Consider how movement affects attention . Moving sideways through work slows the encounter down and deepens the relationship, while vertical scrolling carries the muscle memory of "doom scrolling" so people absorb less.
Use text as an invitation. Strangers don't want to wade through long paragraphs before seeing images. Keep text short, place it after the work, and use it to orient the viewer toward your thinking or materials.

BEST MOMENTS

"Volume doesn’t build trust. Structure builds trust."

"Your website gets stronger every time you remove something that no longer represents you."

"Home is the doorway. Work is where they fall in. About is where they trust you. Contact is where they act."

“I worked with an artist who had hundreds of images with no grouping. They thought it made them look prolific. Instead, it made the viewer do all the work.”

EPISODDE RESOURCES

Episode 122 - https://podcasts.apple.com/us/podcast/should-you-start-a-newsletter-as-an-artist/id1709105337?i=1000717594617

https://claire-morgan.co.uk

HOST BIO

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https://cerihand.com/courses/unlock_your_artworld_network/

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Building a Creative Career That Doesn’t Burn You Out with Rob Lowe (aka Supermundane)

Mon, 02 Mar 2026 00:00:00 -0000

Today’s guest is Rob Lowe, also known as Supermundane, an artist, illustrator, writer, and public speaker whose work uses geometric shapes, colour, pattern, and words to create playful, philosophical, and deeply generous work.

With a background in graphic design and over 30 years working across the creative world, Rob has moved fluidly between indie magazine design, publishing, murals, community-led projects, and major global commissions, including designing the influential magazines Anorak and Fire & Knives and creating the visual identity for the Champions League London Final. Whether he’s working at the scale of a print, a rug, a classroom, or city walls, his focus is the same: making work that feels rooted in shared human experience.

He’s also the author of Lost Ordinary Magic, a book of “simple things in a complicated world,” which feels like a neat distillation of his wider practice.

In this conversation, we talk about how to make accessible work without flattening it, how projects grow through trust rather than ego, and what it really takes to build a sustainable creative career that protects both your voice and your energy.

KEY TAKEAWAYS

Caring about the people, the context and the conditions of the work isn’t extra; it’s the strategy that makes the work deeper, more trusted, and more sustainable.
Big commissions don’t require a different version of you. They require the same thinking, just at a different volume. Scale doesn’t have to mean compromise.
You don’t have to contort yourself to be legible. You don’t have to overproduce to be relevant. You don’t have to disappear inside other people’s frameworks to make meaningful work.

BEST MOMENTS

“You can work at the scale of a kid with scissors and glue, and also the scale of a city, and still be doing the same work, just with different volume.”

“I work hard, but I don't like stress … I work within what I'm good at, so I'm always working with my strengths, rather than trying to force myself to do something that I think I should be.”

“There is obviously a recognisable style, but it's more about how I work and how I think and… I have a certain way of looking and seeing the world.”

EPISODE RESOURCES

www.supermundane.com

www.instagram.com/supermundane

PODCAST HOST BIO

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To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

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Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Why Artist Websites Still Matter and How to Make Yours Work Harder

Thu, 26 Feb 2026 00:00:00 -0000

Despite what we’re told, websites are not obsolete. Curators still look at them. Gallerists still look at them. Collectors still look at them. Commissioners still look at them.

Quietly. Carefully. Often before they ever contact you. Your website is where people go when they’re deciding whether to take you seriously. Social media shows momentum. Websites show coherence.

If your website feels overwhelming, messy, neglected, or like a project you keep putting off, that doesn’t mean you’re behind. It usually means you’ve skipped a step.

Most artists jump straight to design. Templates. Platforms. Fonts. Colours. And they do it before they’ve made the harder, quieter decisions. What actually belongs on here? What am I ready to stand behind? What story am I telling now, not five years ago?

So, today´s episode isn’t about redesigning your website. It’s about preparing for it.

KEY TAKEAWAYS

Artist websites still matter - curators, gallerists, commissioners, and collectors actually use them.
Your website isn’t dead. It’s quietly doing its job when the right people are paying attention.
Your website is not a performance space, but a catalogue of your strongest thinking. It is not an archive. This is a selection of your best work - If someone only ever saw this work, they should understand the kind of artist you are.
I don't want anyone landing on your site and thinking, well, now what? So, decide before you design how people can connect with you.
This episode is about deciding what needs to be included on your site. The next one is about shaping.

BEST MOMENTS

“Ask yourself something important - if someone only saw these pieces, would they understand what kind of artist I am?”

“Have a portrait image of yourself, ideally in your studio or somewhere that feels human. Smiley helps, warm helps, approachable helps. People want to know who they're connecting with. They don't need mystery here.”

“A blank contact page with just an email address or an Instagram handle doesn't feel welcoming. It feels like a closed door.”

PODCAST HOST BIO

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Unlock Your Artworld Network Self Study Course

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Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

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Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

An Invitation to Work Relationally, Make Space For Complexity and Trust That Your Questions Matter with Filipa Ramos

Mon, 23 Feb 2026 00:00:00 -0000

What if artists aren’t here to fix the world, but to reveal what’s really going on inside it.

In this episode of Extraordinary Creatives, I’m joined by Filipa Ramos, a curator, writer, and educator whose work reframes art not as commentary on ecology, but as an ecological practice in itself.

Filipa is Artistic Director of LOOP Festival Barcelona, Lecturer at the Academy of Art and Design in Basel, and the author of The Artist as Ecologist, Contemporary Art, and the Environment.

In this conversation, Filipa shares vivid examples of inspiring artists and artworks that help us think differently about our relationship with animals and nature. We talk about why artists are often better at raising problems than offering fixes. Why responsibility can immobilise creativity. How beauty, affect, and emotion still matter. And how working relationally, slowly, and collaboratively can be a powerful alternative to extractive, spectacle-driven models of success.

This conversation is for artists who feel the weight of responsibility and expectation. For anyone worried their work isn’t doing enough - for those searching for ways to make art that is rigorous, ethical, and deeply alive.

KEY TAKEAWAYS

Art does not need to rush toward answers. Your work does not need to explain itself in a single sentence to be valid; it’s allowed to be complex, relational, and full of questions that unfold over time.
Ecology isn’t a theme you illustrate; it’s a way of relating – letting the places you move through, and the animals and people you share them with, reshape what you notice and how you see it.
The promise of big institutions can be hollow. Often, real agency comes through the platforms you build with others, not the ones that “choose” you.

BEST MOMENTS

“Artists are not here to provide solutions, but to complicate the story. To expose fragility. To create space for shared sensing, shared listening, shared not knowing.”

“That’s why art is so important. It’s not trying to remediate. It’s not trying to provide a simple answer. It’s attempting to find alternatives.”

“The most meaningful, long-lasting work often happens outside the biggest institutions, through collaboration, care, and time.”

EPISODE RESOURCES

https://www.instagram.com/filipaaaaaaaaaaa

https://loop-barcelona.com

https://www.fhnw.ch/de/personen/filipa-ramos

PODCAST HOST BIO

https://cerihand.com/membership/

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

How to Get the Things You’re Avoiding Done

Thu, 19 Feb 2026 00:00:00 -0000

Today, Ceri talks to those of you who know exactly what they need to do but still can’t quite bring themselves to do it. Not because you don’t care. Not because you’re incapable. But because the task feels loaded.

It might be an email you keep rewriting. A proposal you keep circling. A conversation you know you need to have.

You stay busy. You prepare. You research. You tweak. And somehow the hardest thing never quite gets done.

It’s a common experience for so many of the artists Ceri works with. So, you only need to listen in to find out how to get the things you´re avoiding done.

KEY TAKEAWAYS

We tend to think prioritising is a logical skill. Decide what matters most. Do that first - In real life, especially in creative work, prioritisation is emotional. When a task carries emotional weight, the brain treats it differently.
When you avoid a task, it’s rarely about laziness - it’s your nervous system protecting you from something that feels risky.
You don’t need more discipline; you need systems that fit your brain: visible time slots, clear steps, templates, and processes to follow. The fewer decisions you have to make, the better.
Separating thinking from doing and working alongside others makes emotionally heavy tasks feel doable, not overwhelming.

BEST MOMENTS

“Difficulty prioritising isn't about knowing what matters. It's about regulation. Attention, emotion, and effort are linked.”

“Make time visible. Short defined time blocks with a timer help counter the feeling that a task is endless. When time is visible, the brain can relax.”

“Separate thinking from doing.”

“Use a shared presence, working alongside someone else, even silently, helps many people stay anchored. This is often called body doubling.”

PODCAST HOST BIO

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To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

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Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Creative Longevity, Instinct and Building a Practice That Remains True with Francesca Gavin and Seana Gavin

Mon, 16 Feb 2026 00:00:00 -0000

Today’s episode brings together two extraordinary creatives whose work has helped shape contemporary culture through a shared commitment to curiosity, counterculture, and championing unique voices.

Ceri is joined by sisters Francesca Gavin and Seana Gavin, each working across different mediums but united by a belief in following instinct and staying close to what feels urgent and alive.

Francesca is one of the most influential figures shaping how contemporary art is written about and presented today. She is Director of Visual Arts at Murmur, Editor-in-Chief of EPOCH, and a regular contributor to publications including the Financial Times. Her curatorial work spans major international contexts, from co-curating Manifesta 11 in Zurich to exhibitions at institutions such as Somerset House and the Palais de Tokyo. She is the author of eleven books on art and visual culture and has hosted Rough Version on NTS Radio for the past nine years, exploring the intersections of art and music.

Seana is a London-based artist working primarily in collage, creating dreamlike worlds from vintage photographic material where past and future collide. Her work has been exhibited internationally, from Somerset House and the Serralves Foundation to the Nobel Prize Museum in Stockholm, with solo shows in Paris and London. Alongside this, her work features in major publications, brand collaborations, and collections including Soho House worldwide. Her photography monograph Spiralled, published by IDEA Books, is now in its fourth edition.

In this conversation, they talk about creative longevity, instinct, and how to build a practice that remains porous, rigorous, and true over time.

KEY TAKEAWAYS

Creative longevity isn’t about having a perfect plan. It’s about staying close to what you’re genuinely curious about, paying attention to what keeps returning in your life, and trusting those repetitions enough to follow them.
Work becomes more resilient when different strands feed one another - writing into curating, music into thinking, collage into archives, archives back into books and shows.

BEST MOMENTS

“For me, personally, originality is that unique point of view or something fresh that they're saying - there's often a spirit in there that you can sense in the way something's been made.”

““It’s very intuitive. It’s almost like I’m going into a meditative state… I gather up lots of material that might fit in with that imaginary world… and then something starts to happen.”

RESOURCES

https://www.presentfuture.be

https://www.francescagavin.com

https://www.instagram.com/seanagavin

https://murmur.earth

HOST BIO

Unlock Your Artworld Network Self Study Course

Our self-study video course offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world.

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Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

Selling From One-Off Events: Designing Afterlives for Ephemeral Work

Thu, 12 Feb 2026 00:00:00 -0000

There is something quietly brutal about making work that only exists for a day. You build it. You rehearse it. You hold your nerve. The room fills. The moment happens -

And then everyone goes home. You are left standing in the afterglow asking a question most artists feel ashamed to ask.

How does something this ephemeral actually support my life?

Not just my reputation. Not just my sense of meaning. My ability to keep making work. Today, Ceri talks about how one-off events, performances, and live moments can generate income and momentum without turning your practice into merch, without exhausting your audience, and without betraying the integrity of the work.

This is about designing afterlives.

KEY TAKEAWAYS

Artists can sell from one-off events without cheapening the work, overpromoting, or burning out. They can design afterlives for ephemeral work, where income, integrity, and longevity can sit side by side.
Think about the entire life cycle of a one-off event and where sales can happen quietly, intelligently and with integrity before and during the event. - You're not selling the event; you're selling what the event activates.
You only need a small, aligned audience, 10–30 people who genuinely understand and care about your work, combined with simple release windows after an event, to sustain an ephemeral practice.

BEST MOMENTS

“You don't want to flatten something complex into a product, but you also can't afford for every major piece of work to disappear without trace.”

“Many artists miss a trick because they think selling only happens after the applause. It doesn't. Before the event, the work is already alive in other forms.”

“If an event cannot produce anything that can be held, shared or lived with afterwards, institutions can't sustain it, and collectors can't support it.”

EPISODE RESOURCES

Ep 166 - https://podcasts.apple.com/gb/podcast/the-why-and-what-of-hosting-your-own-artist/id1709105337?i=1000741761586

Ep 167 - https://podcasts.apple.com/gb/podcast/planning-the-how-turning-intention-into-a/id1709105337?i=1000742246860

Ep 168 - https://podcasts.apple.com/gb/podcast/what-happens-after-turning-one-evening-into-long-term/id1709105337?i=1000742648123

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Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

What It Takes to Build an Art World Artists Can Survive and Thrive In with Marcel Baettig

Mon, 09 Feb 2026 00:00:00 -0000

Today, I am joined by Marcel Baettig, artist, cultural leader, and founder and CEO of Bow Arts, one of London’s most influential arts and education charities. Over three decades, Marcel has quietly built a values-led social enterprise that provides affordable studios and housing for artists, reaches tens of thousands of young people, and continually reinvests in local communities.

This conversation isn’t just about scale or success. It´s about precarity, why artists need infrastructure as much as inspiration, and how Marcel’s own experience of working as an artist shaped Bow Arts. We explore leadership without ego, the long game of cultural change, and why we need to stop treating artists as an afterthought in regeneration.

This episode is for anyone who’s ever felt the system is stacked against them - and wondered what it looks like to build a different one.

KEY TAKEAWAYS

We need to stop accepting scarcity as inevitable, to question who systems are really designed for - building a better art world is not a theoretical exercise. It’s a daily practice.
Sustainable creative lives are built through shared responsibility and leaders who remember what it feels like to be at the kitchen table wondering how the rent will get paid and still choosing to make the work.
If we want artists to survive, we must design practical, long-term infrastructure - affordable space, stable income pathways, and owned assets, not just offer prestige moments or short-term opportunities.

BEST MOMENTS

“Artists thrive when they are trusted, resourced, and rooted in their communities.”

“Artists don’t just need opportunities. They need conditions. Time. Space. Stability and a sense their contribution to society is not decorative, but essential.”

THE GUEST

Marcel Baettig is the Founder and CEO of Bow Arts, a pioneering London charity providing affordable, sustainable spaces for artists to live and work while contributing to their local communities. Originally trained as an artist, he founded Bow Arts in 1994, and it now supports over 1,100 artists across London, runs a major learning programme that reaches tens of thousands of young people, and reinvests significant funds into local cultural life. He is also a founding director of the National Federation of Artist Studio Providers and has advised bodies including the Mayor of London, Arts Council England, and DCMS on creative workspace and cultural regeneration.

https://www.linkedin.com/company/1639152

https://www.facebook.com/bowarts/?locale=en_GB

https://bowarts.org/

HOST BIO

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Should You Quit Your Job to Be an Artist?

Thu, 05 Feb 2026 00:00:00 -0000

Welcome to episode 179 of the Extraordinary Creatives podcast - Should You Quit Your Job to Be an Artist?

There’s a moment every artist fantasises about. The email sent. The notice handed in. The clean break. Finally, time, headspace, freedom.

But more time doesn’t automatically mean better work. Sometimes it means more fear.

So, Should you give up your full-time job to pursue your art?

Not in theory. Not in Instagram-caption wisdom. But in real life, with real nervous systems, real rent, real doubt, and real ambition. This episode was sparked by a conversation inside her Artist Mastermind Circle.

An artist who’d built a successful business alongside his practice. Financially stable. Thoughtful. Clear-eyed. And still asking himself the hardest question of all. Is now the moment to make a clean break?

KEY TAKEAWAYS

Quitting your job won’t magically fix your practice. It might give you space.It might also give you anxiety, comparison, and a nervous system in overdrive. Before you burn the bridge, build the baton. Steady the work. Strengthen the support. Then decide.
Anxiety has a way of shrinking creativity. It narrows risk. It softens ambition. It pushes you towards safer work, not braver work. That's not a moral failure, that's biology.
Before you quit, make sure your work is strong, you’re truly committed to sharing it and ready for the time and energy doing that takes. Ensure your inner world is steady, you’re supported, and you’ve tested that your art can actually sustain you. Don’t jump; build the bridge.

BEST MOMENTS

“More time doesn't automatically mean better work. Sometimes it means more fear.”

“A sustainable creative career isn't built on bravery alone. It's built on emotional regulation. Your thoughts affect your feelings. Your feelings affect your actions. Your actions create your results.”

“Can you manage your inner weather when doubt hits? Do you have tools to regulate yourself, or do you collapse into self, judgement and comparison and shrink?”

“The lone, brave warrior fantasy is seductive. And dangerous. It's bullsh**t. No artist gets there alone.”

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Discover Your Extraordinary Creativity

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This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Trust Yourself - Do The Work First, Worry About Explaining It Later with Eva Sajovic

Mon, 02 Feb 2026 00:00:00 -0000

Today’s episode is with the extraordinary Eva Sajovic, an artist whose art works provoke questions about labour, value, and exchange. We talk about how growing up with her grandma in the countryside in Slovenia shapes not just what she makes, but how she makes it and how that early encounter with political rupture still informs her resistance to spectacle, speed, and extractive systems.

We unpack the emotional, ethical, and practical labour beneath participatory work, and talk candidly about teaching, money, sustainability, and authorship. Eva shares what shifted during her British School at Rome fellowship, and what it takes to build a practice that can hold complexity without collapsing. She also reflects on joining the Artist Mastermind Circle, and why vulnerability is essential to getting the work into the world.

KEY TAKEAWAYS

Eva´s childhood experiences of scarcity and playing in freedom taught her to explore and be resourceful and that “makeshift” muscle is still at the core of her work.
When you move out of your body and into your head to “solve” the work, it tends to die. Instead let materials, repetition, instinct and sensation lead. Often, the images and ideas are already in your body, waiting for the right process to draw them out.
If you work with people, factor in the emotional and ethical labour as part of the project, not an add-on. Build in support, debrief time, and clear roles.

BEST MOMENTS

“Art is really about deep care and attention. About what you offer and what you are willing to hold.”

“The images are in my body, not somewhere else. They are inside and they come out.”

EPISODE RESOURCES

https://www.evasajovic.co.uk

https://www.instagram.com/eva_sajovic

https://www.arts.ac.uk/whats-on/eva-sajovic-rise-and-fall-of-a-temple

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The Artist Mastermind Circle: Ready to stop second-guessing and start building next level momentum in your art career? Applications are now open for the Artist Mastermind Circle—a six-month coaching programme for 25 mid-career artists serious about growing their income, network, opportunities, and confidence.

Register by 6pm Monday 2nd February: Artist Mastermind Circle Application and take the next bold step. (https://docs.google.com/forms/d/e/1FAIpQLSf6hXd1YpO5MvUq2oRqW3qyqte7BBn5CSkgHG76dXzBMbT66Q/viewform)

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Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Working Towards Co-representation - Things to Aim For, Avoid and Know

Thu, 29 Jan 2026 00:00:00 -0000

Today we’re getting into co-representation, the realities of working with more than one gallery, and how to navigate it without damaging the relationships you’ve worked so hard to build.

You’ve built a body of work that has momentum. You’ve shown commitment to your gallery. You’ve done the shows, the fairs, the dinners, the follow-ups. And now you feel ready to build internationally. Not as a vanity move. Not because you’re bored. But because your work feels ready to travel, and because you understand that long-term sustainability often requires more than one market.

So, you raise the question with your gallery. And instead of traction, you get drag. The response isn’t hostile. It’s not a no. It’s just… slow.

This is where many artists start to doubt themselves. Or worse, start making moves quietly, without support, because waiting feels unbearable.

This episode is for that moment.

KEY TAKEAWAYS

Wanting to expand internationally does not make you impatient or ungrateful, but moving without strategy, clarity or the consent and co-operation of your existing gallery can undo years of careful relationship building.
Co-signing you into another territory carries real reputational risk for your gallery and for you and introduces complexity.
Instead of quietly scrambling behind your gallery’s back, ask for a focused meeting, lay out why this territory and why now, and work with them to define clear criteria, a realistic timeline and a small pilot so co-representation becomes a shared, strategic project rather than a secret escape plan. Use the scripts Ceri shares to help you.

BEST MOMENTS

“Joint representation only works when there is deep trust, transparency and aligned strategy.”

“Your primary gallery should lead on sales strategy and pricing coherence… This coherence is what builds confidence and protects your long-term value.

“If the gallery is not acting, you need clarity, not patience without end. So, step one, ask for a decision, not a discussion.”

HOST BIO

Register by 6pm Monday 2nd February: Artist Mastermind Circle Application and take the next bold step https://docs.google.com/forms/d/e/1FAIpQLSf6hXd1YpO5MvUq2oRqW3qyqte7BBn5CSkgHG76dXzBMbT66Q/viewform

https://cerihand.com/membership/

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

Art Beyond Identity and Authorship with David Horvitz

Mon, 26 Jan 2026 00:00:00 -0000

This week’s podcast guest is the extraordinary David Horvitz, an artist whose work has been exhibited at and collected by major institutions around the world.

Witty, poetic, and nomadic, David’s work traverses photography, artist books, performance, mail art, sound, the internet, food, and natural environments, engaging systems of language, time, and networks.

We talk about why artists should resist being burdened by identity or authorship, what it means to let work travel without you, why erasure can be as generative as making, and how attention, patience and trust shape a long creative life.

This is an invitation to rethink how art moves, how ideas land, and why not everything needs to be planned and held tightly to matter. It’s juicy, so I hope you enjoy it!

KEY TAKEAWAYS

You don’t need a tidy label or style. Let your work move across mediums. Consistency of spirit matters more than a fixed “brand.” Protect your ability to change direction, even if it risks sales.
Stop over managing meaning. Allow your work to circulate, mutate, and find its own audiences in its own time. Trust that small gestures, made with intention, can ripple far beyond what we can see.
David reminds us that nerves and doubt aren’t problems to fix, but raw material: use that nervous energy, bounce half-formed ideas off people, and let that call-and-response sharpen what the work really wants to be.

BEST MOMENTS

“You don't have to be burdened by the image you've created of yourself. You could start over.”

“Artists need to be inconsistently consistent, if you like, in order to have freedom to kind of roam and be like a free-range chicken.”

“Once the work leaves your hands, you don’t get to control how it’s held.”

EPISODE RESOURCES

http://www.davidhorvitz.com/

https://www.instagram.com/davidhorvitz/?hl=en

PODCAST HOST BIO

****

https://cerihand.com/membership/

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Regulation Is a Creative Skill: Why anxiety keeps artists busy but stops them finishing

Thu, 22 Jan 2026 00:00:00 -0000

Regulation is a creative skill - Anxiety keeps artists busy but stops them finishing. In the last episode, Ceri talked about the fact that you can't make work from a dysregulated life, that no amount of studio time will compensate for exhaustion, financial stress, unresolved anxiety, or a nervous system that never properly settles. Today, she goes a level deeper explaining why even when life is relatively stable, dysregulation still shows up inside the work itself, which is where a lot of artists get stuck.

Ceri demonstrates why artists need to stop waiting to relax after the work is done and instead regulate their emotional state before they step into the studio and shares how to do that.

KEY TAKEAWAYS

When your nervous system is dysregulated, your brain becomes conservative. It narrows options, avoids risk, and favours movement over resolution. So, starting something new feels safer than staying with something unfinished.
Finishing means deciding, committing, being seen - For an anxious nervous system, which feels like danger.
Your job as an artist is to walk into uncertainty on purpose and stay there long enough for something real to emerge. That’s emotional agility: the capacity to feel threat, doubt, visibility, and not bolt.

BEST MOMENTS

“Anxiety doesn't always stop you working. Sometimes it keeps you working endlessly so you never have to finish.”

“Regulation is not the reward for creative work. It's the capacity that determines what kind of work you're able to make in the first place.”

HOST BIO

Join our free webinar on Wednesday 21st January 6.30pm GMT where we introduce you to the coaching programme, walk you through the online hub, coach live, and answer your questions: Register here. https://us02web.zoom.us/meeting/register/KVucmw1WRd2bsBWgPEfn1g#/registration

https://cerihand.com/membership/

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

How Collectors Really Make Decisions with Beth Greenacre

Mon, 19 Jan 2026 00:00:00 -0000

Today I’m joined by the brilliant Beth Greenacre, a curator, advisor, and art consultant whose career has unfolded quietly but powerfully at the centre of the art world. Beth began working with David Bowie in her twenties and went on to oversee the care, exhibition, and eventual sale of his collection, revealing a deeply personal way of looking, collecting and living with art.

Since then, she’s built a long-term, trust-led portfolio career advising private collectors, working with artists and estates, and curating exhibitions.

In this conversation, we talk about how collectors really make decisions, how intuition is really deeply embodied knowledge and why holding work back can be an act of integrity.

This is a rare, generous look inside how the art world actually works, I hope you enjoy it as much as I did!

KEY TAKEAWAYS

Be present. Build relationships patiently. Share your work carefully. Trust that confidence is learned, not bestowed.
Quality reveals itself over time, through deep looking, honest editing, and the courage to hold work back until it is ready to speak. Artists are not failing when recognition comes slowly. They’re building something with roots.
Working with David Bowie taught Beth that confidence isn’t about hierarchy or bravado. It’s about shared commitment, deep listening, and respect for the work.

BEST MOMENTS

“My purpose is to acknowledge, celebrate and give space to the power of art to change people's perspectives.”

“Nothing meaningful in the art world is built quickly. Not confidence. Not collections. Not trust.”

EPISODE RESOURCES

https://www.bethgreenacre.com

https://www.instagram.com/bethgreenacre_london

PODCAST HOST BIO

Register by 6pm Monday 2nd February: Artist Mastermind Circle Application and take the next bold step. https://docs.google.com/forms/d/e/1FAIpQLSf6hXd1YpO5MvUq2oRqW3qyqte7BBn5CSkgHG76dXzBMbT66Q/viewform

Join our free webinar on Wednesday 21st January 6.30pm GMT where we introduce you to the coaching programme, walk you through the online hub, coach live, and answer your questions: https://us02web.zoom.us/meeting/register/KVucmw1WRd2bsBWgPEfn1g#/registration

https://cerihand.com/membership/

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

The Studio Won’t Save You: You Can’t Make Deep Work from a Dysregulated Life

Thu, 15 Jan 2026 00:00:00 -0000

There’s a romantic idea that if you just shut the door, block the world out, and push through, the work will save you. That you can white-knuckle your way through exhaustion, anxiety, financial stress, hangovers, through everything else falling apart. For a while, maybe you can - willpower is powerful, but it is not infinite.

Ceri regularly see artists trying to dominate their minds instead of supporting their nervous systems. Trying to overpower negative thoughts instead of changing the conditions that generate them. Eventually, something gives, leading to work that feels thinner than it used to and burnout.

The studio doesn’t magically neutralise what you haven’t dealt with outside it. Your body, your mind, your fears come with you.

In this episode, Ceri unpacks why being in the studio only works when the rest of your life is set up to support the quality of thinking your work actually needs.

KEY TAKEAWAYS

The studio won't save you if your life is dysregulated, but when your life supports your nervous system, your thinking deepens, your work sharpens, and finishing becomes possible.

Work of depth, originality, risk and resonance doesn't come from distraction, so you do need long stretches alone. But every artist who has the capacity to go deep has support from others in their lives.

BEST MOMENTS

“Capacity doesn´t come from chaos.”

“Making your best work is not about heroic effort. It's about building conditions that allow you to finish.”

“Finishing our work is a good habit to develop. It boosts confidence.”

HOST BIO

The Artist Mastermind Circle: Ready to stop second-guessing and start building next level momentum in your art career? Applications are now open for the Artist Mastermind Circle—a six-month coaching programme for 25 mid-career artists serious about growing their income, network, opportunities and confidence.

Join our free webinar on Wednesday 21st January 6.30pm GMT where we introduce you to the coaching programme, walk you through the online hub, coach live, and answer your questions: Register here. (https://us02web.zoom.us/meeting/register/KVucmw1WRd2bsBWgPEfn1g#/registration)

Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today!

https://cerihand.com/membership/

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Enchantment as Practice: Making Slow Work in a Fast World with Sophie Coryndon

Mon, 12 Jan 2026 00:00:00 -0000

Sophie Coryndon learned early that craft is not decoration, but devotion, time, patience, skill, and care. Her work sits confidently outside conventional categories, moving between art and craft, history, and contemporary imagination.

This conversation is about enchantment in a disenchanted world, about beauty as a serious subject, about what it means to make work slowly with your hands, at a time when speed and visibility are rewarded above all else. We also talk openly about Sophie's experience of being part of the artist's mastermind circle, where she felt stuck before joining, and how having a space to think more expansively has shaped her work and decisions.

KEY TAKEAWAYS

· We're not separate from the natural world. We are of it. When we remember that, we start to see the magic in everything and capture it.

· The art world is far more varied than it first appears. You don’t have to conquer it all

· Don´t be afraid to make slowly, to create work that needs privacy, darkness, and time before it is ready to be seen.

BEST MOMENTS

“What's in the way, is you - always. We are all holding ourselves back.”

“Craft is a form of language. When someone takes the time to make something carefully that care travels - even across centuries.”

RESOURCES

https://www.sophiecoryndon.co.uk/contact

https://www.instagram.com/sophiecoryndon

HOST BIO

Register by 6pm Monday 2nd February and take the next bold step - https://docs.google.com/forms/d/e/1FAIpQLSf6hXd1YpO5MvUq2oRqW3qyqte7BBn5CSkgHG76dXzBMbT66Q/viewform
Join our free webinar on Wednesday 21st January 6.30pm GMT where we introduce you to the coaching programme, walk you through the online hub, coach live, and answer your questions https://us02web.zoom.us/meeting/register/KVucmw1WRd2bsBWgPEfn1g#/registration

https://cerihand.com/membership/

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

You Can’t Build a Creative Life on Evasion

Thu, 08 Jan 2026 00:00:00 -0000

In this episode, Ceri explores the uncomfortable truth at the heart of a sustainable creative life - good mental health doesn’t come from avoiding hard things, but from learning how to move through them. It comes from learning how to deal with them, from building confidence, so that when life feels awkward, lonely, stressful, or uncertain, you won't fall apart or abandon yourself.

Yet so many artists quietly organise their entire creative lives around avoiding discomfort. They avoid awkward conversations; they avoid going to private viewings alone. They avoid putting editing dates in the diary. They avoid following up. They avoid staying with work when it feels unresolved. Telling themselves that they're protecting their wellbeing, but often they're doing the opposite – shrinking their capacity.

Ceri demonstrates why discomfort is the price of admission to a meaningful life, especially for artists and shares how to accept and embrace this fact and use it to build the career you really want.

KEY TAKEAWAYS

Avoidance of stressful situations feels like self-care. But over time, it shrinks your capacity - You can´t build a creative life on evasion.

If you avoid the stress of editing, the stress grows. If you avoid the stress of being seen, it compounds. If you avoid the stress of committing to a direction, everything stays harder for longer.

Most artists think confidence comes first -Then they’ll go to the show. Then they’ll talk to new people. It doesn’t. Confidence is built after you stay with the discomfort. After you walk into the room anyway. After you sit with unfinished work.

BEST MOMENTS

“Discomfort is the price of admission to a meaningful life - not a side effect, not a failure, the price. And if you're an artist, that price shows up everywhere.”

“Here's the problem, the things she's avoiding are the very things that will build her confidence.”

“Avoiding stress increases stress. Learning how to cope with stress makes us more resilient, and that applies directly to creative lives.”

If you’re muddling through the art world on your own, you already know the cost. Lost time. Avoidable mistakes. Weeks stuck on something that could have been solved in minutes with the right support.

Inside the Ceri Hand Coaching Membership, you don’t have to do it alone. Each week you can bring whatever you’re facing, and I’ll help you cut through it fast. Creative blocks, pricing, pitches, confidence dips, applications, all of it.

You’ll find clarity, and an international artist community, and real guidance from people who understand your world.

Join for £10 per month. Cancel anytime. And stop losing years to guesswork.

Just sign up here: http://cerihand.com/membership

HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network

Book a Discovery Call

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

The Year You Stop Hiding From the Thing You Want Most

Thu, 01 Jan 2026 00:00:00 -0000

I don’t know about you but for me, a new year holds up a mirror. Not the soft one that flatters, but the honest one. The one that shows you the thing you want most and the exact shape of the fear wrapped around it. Today is for artists who are done pretending they don’t know what they want. This is the year you stop hiding from the thing you want most.

Let’s make this practical, emotional, and real. Not a manifesto. Not a vision board. A lived year. A designed year. A year where confidence becomes something you build on purpose, not something you hope to stumble into.

And since artists always want to know where to begin, I’ll tell you. You start with one question.

What is the thing you want most but have been quietly avoiding?

If you can answer that honestly, the year will write itself.

Most artists are guessing their way through and staying stuck far longer than they need to.

Inside Ceri Hand´s Coaching Membership, you get straight answers and real support through live sessions, portfolio reviews, virtual studio visits, monthly art world experts and community to help you cut through fast. Ceri covers everything.

Right now, you can join or gift a full year for £99 - our only discount of the year, available until the first of January. Please join here - http://cerihand.com/membership/

KEY TAKEAWAYS

Start with one question, what's the thing you want most, but have been quietly avoiding – If you can answer that honestly, the year will write itself.

You know what the one important thing you have been avoiding is because you feel it in your stomach. A flicker of longing and a flicker of dread at the same time. Follow that. It never lies.

Your Year begins with one honest decision, one place where your confidence is thin, one skill you avoid, one action you know would change everything, but you never quite take that's your focus for the year.

BEST MOMENTS

"Readiness is a myth artists use to avoid taking themselves seriously. Start before you're ready. That's what readiness actually looks like."

"Confidence is not a feeling. Confidence is a practice. It grows exactly where you feel resistance. It grows in the doorway You've been avoiding. It grows when you stop circling the perimeter of your life, and step directly into the centre."

"Identify the thing you want most. Name the fear that sits beside it. Make it the focus of the year. Choose one tiny weekly action that touches it. Repeat until you no longer flinch. Let that momentum bleed into the rest of your life."

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

The Courage, You Forgot You Had

Mon, 29 Dec 2025 00:00:00 -0000

I wanted to end this year with a simple thing. A thank you. A real one. The kind that comes from the ribs.

Because you might not realise how often I think about you when I sit down to plan these episodes. I think about what you’re navigating, what might help, what could spark a shift, or soften a blow, or give you a way through a knotty day. And I’m grateful that you’re here, listening, building a creative life alongside me.

It’s been a challenging year for so many of us. We’ve ridden wave after wave in the social, political, economic, and arts climates. It’s been loud out there. Overwhelming at times. And artists, more than most, have a knack for turning all of that noise into blame. Blame for what we didn’t finish. For what we haven’t achieved yet. Blame for the mythical future selves we think we should already be.

My brain does that too. Ambition is a beautiful engine, but it forgets to look back at the road travelled. It forgets the courage it’s taken to get here. It forgets what we’ve survived, created, learned, and quietly carried.

So instead of listing everything I’ve done this year, I wanted to talk about something I rely on every single day. Gratitude. Not the glossy version. The real, grounded, neuroscience-backed kind. The kind that keeps you upright when the world tilts.

Most artists are guessing their way through and staying stuck far longer than they need to.

Inside Ceri Hand´s Coaching Membership, you get straight answers and real support through live sessions, portfolio reviews, virtual studio visits, monthly art world experts, and community to help you cut through fast. Ceri covers everything.

Right now, you can join or gift a full year for £99 - our only discount of the year, available until the first of January. Please join here - http://cerihand.com/membership/

KEY TAKEAWAYS

We’re so quick to measure ourselves against the version of us we think we should already be. The one who’s achieved more, finished more, ticked more boxes. But we forget the person who got us through this year. The one who kept showing up when life was heavy or heartbreaking or just plain hard.

A new year won’t transform your life if you carry last year’s avoidance into it.

If you’re an artist standing at the edge of something important, let this be the year you stop walking around the perimeter of your life and finally step in.

BEST MOMENTS

“I want to invite you to pause and notice what you're grateful for, not the obvious wins - the quieter things, the things you did for yourself, the things you did for others, the things you survived, the moments of courage no one else saw.”

“Confidence doesn’t arrive first. Courage does - And courage usually shows up exactly where you feel the wobble.”

HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

What Happens After - Turning One Evening into Long-Term Momentum - Episode 3 of 3

Thu, 25 Dec 2025 00:00:00 -0000

If you’ve been listening to this festive-season mini-series, you’ll know that in Episode 1 Ceri laid the foundations. The why. The what. The who. The purpose of staging your own event. And in Episode 2 we stepped into the how. The planning. The invitations. The rehearsal. The feedback. The choreography of the night itself.

Today, we’re entering the part artists often ignore. The after.

Because what happens after your event is often far more important than the event itself. The room empties. The fairy lights cool. The paint smell settles. The cushions slump. The adrenaline fades. And there you are, standing in your studio, wondering what it all meant.

Did it work?

Did it matter?

Was it worth it?

What comes next?

This is the moment artists often mis-handle. They either spring into frantic action or retreat into silence. But the truth lies somewhere in the middle. Slow, steady, intentional follow up. Gentle momentum. Small moves done consistently.

Most artists are guessing their way through and staying stuck far longer than they need to.

Right now, you can join or gift a full year for £99 - our only discount of the year, available until the first of January. Please join here - http://cerihand.com/membership/

KEY TAKEAWAYS

The after is where 90% of the opportunity sits. The event is only the beginning. The reflection and follow up is the bridge to your future.

Hosting your own event is not about grandeur, it's not about numbers. Is not about applause. It's about agency, clarity, community, practice, becoming the artist who leads rather than waits.

Plan with intention. Invite with care, host with presence. Follow up with warmth, reflect with honesty, and build with steadiness, and in time, your work will move outward into the world with a stronger pulse.

Use your event as a catalyst not a climax.

BEST MOMENTS

“The first hour after everyone leaves is emotional. Everything feels tender. Your self-worth is loud, your exhaustion is louder.”

“She tracks which price points people reached for, she jots down which pieces felt alive in the space and which pieces she'd not show next time.”

“This is the moment that artists begin to think like both makers and professionals, where they have agency, where they take control of their own creative careers.”

HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Planning the How - Turning Intention into a Structured, Soulful Artist-Led Event - Episode 2 of 3

Mon, 22 Dec 2025 00:00:00 -0000

Welcome to the second part in Ceri¨s three part miniseries on planning an artist led event. This one's called planning the how turning intention into a structured, soulful artist led event. If you listened to Episode 1, you will remember that everything begins with clarity. The why. The what. Who it is for. What you want to learn. What you want to feel. That foundation changes everything. Without it, an artist-led event becomes a swirl of worry and last-minute decisions. With it, the whole thing becomes a living part of your practice.

Today, we are stepping into the how. How to plan. How to prepare. How to build momentum. How to invite people. How to rehearse the event. How to gather feedback. How to set yourself up for sales if that is part of your goal. How to hold the energy of the night.

We will continue following our two artists, Maya and Eli, because between them they cover so many of the scenarios that artists face. Performance plus sculpture. Painting plus small works on paper. Feedback plus sales. Ambition plus nerves. Limited budgets. Shared studios. Bigger dreams.

Most artists are guessing their way through and staying stuck far longer than they need to.

Right now, you can join or gift a full year for £99 - our only discount of the year, available until the first of January. Please join here - http://cerihand.com/membership/

KEY TAKEAWAYS

You can´t roll straight from the studio into the event. Your work needs a staging environment, a context, a point of view.

When planning and preparing an event you need to protect your energy. Block out time to relax as well as time for the event. These blocks create momentum.

Holding a room is not about performance. It's about hospitality, and hospitality is an art in itself.

BEST MOMENTS

“Artists underestimate the mental load of planning. Something I teach all of my artist clients, to create a planning container.”

“The order in which you invite people matters. So, step one, warm your warmest people. These are the people who are most likely to say yes.”

“For Ellie, her feedback comes in the form of behaviour, which paintings people stand longest in front of which works on paper people touch which price points get interest.”

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

The Why and What of Hosting Your Own Artist-Led Event Episode 1 of 3

Thu, 18 Dec 2025 00:00:00 -0000

For those of you who are new to the podcast, and for those of you who’ve been listening for a while, thank you for being here. As we reach the edge of the festive season, I wanted to offer you something special. A small gift to carry into the new year. A mini-series on hosting your own events as an artist. Not because the world is begging you to. Not because someone has given you the green light. But because your practice deserves oxygen. Visibility. Conversation. Agency. And because too many artists are waiting for someone else to make the first move.

If you’ve worked with me, you’ll know I’m a firm believer in not waiting for permission. And I’ve seen too many artists twist themselves into knots wondering whether it’s worth doing something self-initiated. Whether it looks desperate. Whether it’s allowed. Whether someone else might quietly judge them. Whether it’s pointless unless it’s blessed by an institution.

But in reality, artists at every stage host their own events. The big names do it with teams and budgets. The early career artists do it with hustle, charm and borrowed gear. Everyone else sits somewhere in the middle.

Today’s episode is all about the foundation. The why and the what. Why host your own event. What to show. What you’re trying to learn. What you’re trying to provoke. What you’re building toward.

Most artists are guessing their way through and staying stuck far longer than they need to.

Right now, you can join or gift a full year for £99 - our only discount of the year, available until the first of January. Please join here - http://cerihand.com/membership/

KEY TAKEAWAYS

Start planning ideally, six months out, at minimum. Why six months? - because momentum in the art world drips rather than gushes.

Every decision you make when building your event must flow from a high level of clarity. Otherwise, the event becomes a blur. Too much labour, not enough purpose. Too many hopes, not enough design.

When you’re clear on why you’re holding your event, you’re not just “putting on something,” you’re designing an experience that has a job to do.

BEST MOMENTS

“I’ve seen too many artists twist themselves into knots, wondering whether it's worth doing something self-initiated.”

“The three-month window is your sweet spot. Enough time for people to make space in their diaries, but not so far in advance that they forget.”

“Both events are small, both events are intentional, and both events are entirely designed around their aims.”

HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network

Book a Discovery Call

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, email us at hello@cerihand.com

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Design Your £40K Year Building Sustainable Art Income

Mon, 15 Dec 2025 00:00:00 -0000

This is the time of year when the studio hopefully gets a little quieter, inboxes slow down, and we start to take stock. For many artists, that pause comes with a mix of reflection and panic. The question that hangs in the air is: what will next year look like? How will I make it work — not just creatively, but financially?

If that thought makes your stomach tighten, you’re not alone. Most artists were never taught how to plan income. We were taught to plan projects. But the truth is, when you take charge of your numbers, you take charge of your freedom.

So, today I want to walk you through a simple way to design your own £40K year — not as a fantasy figure, but as a structure you can actually build towards. It’s not about making 40K exactly, if you need to earn more or less; it’s about giving yourself a clear base to make informed choices and stop relying on luck or last-minute opportunities.

KEY TAKEAWAYS

You can design your own £40K year by mapping your current income streams, sketching your "ideal" income wheel, and using the gap between them as your roadmap for the year ahead. Ceri shares exactly how to do this.

Clarity beats hustle. When you identify and break your goals into quarterly, monthly, and even daily targets, and choose one 90-day focus with specific actions, you create momentum without burning out.

When Ceri's student Jenny stopped trying to do everything and instead doubled down on two key levers—direct collector sales and small group workshops—she didn’t double her workload, she doubled her clarity, and that’s what took her from £22K to £40K in a year.

BEST MOMENTS

“We're working on compounding your actions over time, not going all in, then having to lie down for a month because you've exhausted yourself.”

“This isn't just an exercise. It's an act of self-leadership, because the truth is, no one is coming to plan your career for you.”

“£40k might sound big, but when you break it into four quarters or 10 collectors or 15 commissions, it's suddenly human sized.”

For support with creating and delivering your own £40k+ year, get on the waitlist for Ceri Hand´s Artist Mastermind Circle. Join here - https://cerihand.com/artist-mastermind-circle/

HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel cand achieve your goals.

https://cerihand.com/membership

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

How to Set Goals That Actually Work for You

Thu, 11 Dec 2025 00:00:00 -0000

It's that time of year again when we start reflecting on what we've achieved in the year and start thinking and planning for the year ahead. So, I wanted to record something for you on how to set goals that actually work for you.

Most artists I know aren’t short on ideas — they’re short on direction. It’s not about working harder; it’s about knowing where your effort will actually count.

Every January, or halfway through the year when things start to slide, I hear the same refrain: “I just need to be more disciplined.”

But discipline isn’t the issue. The problem is that most of us set goals that belong to someone else’s version of success.

We look at what others are achieving — the residencies, the launches, the awards — and think, I should be doing that too.

But if your goals don’t match your values, energy, and current reality, they’ll drain you before they ever develop you.

Today, I want to help you create goals that work for you — goals that are practical, measurable, and motivating, not punishing, that won´t slip away.

KEY TAKEAWAYS

Make your goals specific, time-bound and identify the benefits of achieving those goals. Establish where you are now, work out what could derail you and how you will handle that.

Visualise success - Picture the outcome. What does the room look like when those works hang together?

The overview of the Seven Essential Steps to Achieving Your Goals framework shared here is the same one Ceri teaches in her Artist Mastermind Circle - a tried, tested and highly effective way to turn vague hopes into a clear creative plan.

BEST MOMENTS

“Goal setting isn’t about doing more. It’s about doing what matters most.”

“Chaos says, “I must do everything.,” Momentum says, “I’ll focus on what creates real movement.”

“Commit to the process. Not perfection — persistence. Progress happens through consistent, imperfect action.”

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

https://cerihand.com/membership

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Sculpting Sound, Shaping Data: Memo Akten and the Art of the Techno-Lifestyle

Mon, 08 Dec 2025 00:00:00 -0000

Today, Ceri speaks the extraordinary Memo Akten — artist, researcher, computer scientist. For more than a decade, he has worked with emerging technologies, AI, Big Data, and our Collective Consciousness as scraped and shaped by the internet, to explore consciousness, perception, ecology and the politics of our techno-lifestyles.

He won the Golden Nica at Prix Ars Electronica, became Google’s first artist-in-residence in their Artists & Machine Intelligence programme, and has exhibited at the Venice Biennale, Tribeca, the Barbican, ACMI, Mori Art Museum, and the Academy Museum in LA. His collaborations span U2, Lenny Kravitz, Depeche Mode, Max Cooper, Richard Dawkins, Google, Apple and McLaren.

KEY TAKEAWAYS

Technology is never neutral. It shapes us as much as we shape it. Memo reminds us that behind every dataset is a culture, behind every model is a worldview, and behind every technological leap is a chain of ecological, political and emotional consequences.

The world can only meet your ideas if you let them out of hiding. Memo’s story is a masterclass in releasing the work before you feel ready.

If you are wrestling your way through a project remember - the destination is just the documentary still. Gathering the threads that eventually become something whole is where the real art is.

BEST MOMENTS

“We can use technology to understand ourselves more deeply, to pay attention to the world more carefully, and to ask bigger, braver questions.”

“I very rarely begin a project with an end goal of this is what it should look like, in mind. I usually begin with this is how I want it to behave.”

AN UNMISSABLE OFFER

If the art world feels confusing, you’re not imagining it. Most artists are guessing their way through it and staying stuck far longer than they need to.

Inside the Ceri Hand Coaching Membership, you get straight answers and real support.

Each week, I run live sessions where you can bring any problem and I’ll help you cut through it fast — creative blocks, pitches, pricing, all of it.

You’ll get coaching with me, the chance to host or attend a virtual studio visit, portfolio reviews, monthly art world experts, and a community who genuinely get it. It’s the kind of guidance most artists wish they’d had years ago.

Right now, you can join or gift a full year for £99, our only discount of the year, available until the first of January.

Join the Membership, or gift it to someone who needs it. We’ll get there faster together. Just click here: cerihand.com/membership.

EPISODE RESOURCES

https://www.memo.tv

https://www.instagram.com/memo_akten

HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

Artworld Network Self Study Course

Our self-study video course, 'Unlock Your Artworld Network', offers a straightforward

5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world

today.

https://cerihand.com/courses/unlock_your_artworld_network/

Book a Discovery Call

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

This Podcast has been brought to you by Disruptive Media

https://disruptivemedia.co.uk/

Stop Waiting for the Show and Start Making One

Thu, 04 Dec 2025 00:00:00 -0000

Some artists wait for the perfect show to appear, as if the universe will tap them on the shoulder and whisper that it is finally time to finish the work. But the longer you wait, the further away it drifts. Because unfinished work is safe. It stays in potential, where nothing is at risk and everything is still possible. And waiting feels easier than deciding.

But waiting is not how shows happen. Finishing is. Ceri explains how to get unstuck, finish your work and finally show it.

Most artists are guessing their way through and staying stuck far longer than they need to.

Right now, you can join or gift a full year for £99 - our only discount of the year, available until the first of January. Please join here - http://cerihand.com/membership/

KEY TAKEAWAYS

There is the quiet belief that if you never finish, you never fail, but you also never get seen. You can't wait for a show to begin. You have to build the show from where you are.

Finish the work. Completion builds confidence. Confidence builds momentum. Momentum builds opportunity.

If you want to show, you have to practice building one in your studio. Now, regularly.

BEST MOMENTS

“The shift comes when you decide that a work is the best you can make for this particular moment in your life, that this alone is enough reason to finish it.”

“When you don't trust your authority, you fill the space with quantity. You make more instead of choosing better. You wait for a show instead of becoming the person a show makes sense for - opportunities come when you behave as if they already exist.”

“Photograph it, sit with it, invite someone you trust to see it, but only after you've formed your own view. If you ask too early, you lose the chance to hear your own voice.”

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

https://cerihand.com/membership

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

In Between Worlds: Lakwena Maciver ’s Journey Through Art, Identity, and Staying True

Mon, 01 Dec 2025 00:00:00 -0000

Today I’m speaking with artist Lakwena Maciver, whose glorious work has wrapped electrical substations, transformed the Bowery Wall, brought hope into a juvenile detention centre in Arkansas, transformed Tate Modern and handbags for Dior.

All of this stemmed from a child drawing her own name to anchor a shifting sense of identity. Those early gestures became a life’s work centred on hope, connection and the courage to speak into public space without dilution.

If you’ve ever felt torn between ambition and intuition, visibility and vulnerability, or the expectation to deliver versus the instinct to stay true to yourself, this one’s for you.

KEY TAKEAWAYS

Embrace your unique journey. Use what you have, stay true to your path and don´t worry about what others are doing or have.
Art in public spaces can have a transformative impact - fostering hope, connection, and a sense of belonging.
Balancing ambition versus intuition, visibility versus vulnerability, and expectation versus authenticity is ongoing for any creative person.
Moving beyond “solo” creation into collaborative and community-focused work renews your creative energy and deepens your impact.

BEST MOMENTS

“I think I started making work from a place of displacement. So, I started drawing and making artwork as a way of trying to empower myself and speak hope to myself.”

“What we protect ourselves from is often exactly where the breakthrough waits - letting something in is sometimes the bravest part of creative life.”

“Try and stay in your lane. Use what you have in your hand. Don't worry about what you haven't got and what other people have.”

AN UNMISSABLE OFFER

If the art world feels confusing, you’re not imagining it. Most artists are guessing their way through it and staying stuck far longer than they need to.

Inside the Ceri Hand Coaching Membership, you get straight answers and real support.

Each week, I run live sessions where you can bring any problem and I’ll help you cut through it fast.

You’ll get coaching with me, the chance to host or attend a virtual studio visit, portfolio reviews, monthly art world experts, and a community who genuinely get it.

Right now, you can join or gift a full year for £99, our only discount of the year, available until the first of January.

Join the Membership, or gift it to someone who needs it. Just click here: cerihand.com/membership.

EPISODE RESOURCES

https://www.lakwena.com

https://www.instagram.com/lakwena

Lakwena´s newsletter: https://shop.lakwena.com

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci.

****

https://cerihand.com/membership

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

The Approval Trap Why Seeking Validation Shrinks Your Power

Thu, 27 Nov 2025 00:00:00 -0000

You can’t build a big, brave, creative life if you’re still waiting for permission.

In this episode, Ceri talks about the quiet poison of approval seeking, which keeps you performing instead of creating, editing yourself to fit in and please people who might never have seen your work. Or if they do, are too entangled in their own insecurities to applaud it anyway.

Ceri explains why so many artists fall into the approval trap and how to get out of it should you be stuck there.

KEY TAKEAWAYS

Most of the artists you’re trying to impress are doing the exact same thing —comparing themselves to someone else, chasing a nod from their own invisible panel of gatekeepers.
You don’t need to earn respect. You’re already part of a living, breathing ecosystem of creativity. The system only works because each of us contributes our vision, our labour, our risk, our weirdness.
If you’ve caught yourself editing your words or watering down your wins to fit in – use the simple exercise Ceri shares to reset how you view yourself, your work and how it is received, so you can stop seeking validation.

BEST MOMENTS

“In rooms full of artists, she admired, she shrank. She apologised for her success. She made her language more intellectual to prove she belonged. ”

“It’s a pyramid scheme of validation. Nobody ever feels they’ve reached the top.”

“Respect isn’t a prize handed down; it’s a by-product of contribution and participation.”

“Respect flows horizontally, not hierarchically. And the moment you stop trying to earn it, you start embodying it.”

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

https://cerihand.com/membership

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Building a Creative Life: Andrew Sabin & Laura Ford on Art, Risk, and Matt Black Barn

Mon, 24 Nov 2025 00:00:00 -0000

What happens when two sculptors build not just a life together, but a living artwork?

In this week’s episode of Extraordinary Creatives, I’m joined by Laura Ford and Andrew Sabin—partners in art and in life—whose decades-long dialogue between material, imagination, and place has produced some of the most distinctive sculpture in Britain today.

Their story is one of instinct, invention, and fearless making. Laura’s work teems with humour, vulnerability, and human emotion—anthropomorphic creatures who hold a mirror to our tenderness and absurdity—while Andrew’s practice has moved from experimental casting to vast public works and the immersive environments of Matt Black Barn, the art-education complex they built from scratch in rural England.

Together, they’ve navigated family, teaching, commissions, resistance, renewal, and the long game of sustaining creative momentum.

This conversation is a love letter to material thinking, to risk-taking, and to building a world big enough to hold it all.

KEY TAKEAWAYS

The art doesn’t stop at the sculpture. It continues in the structures Laura and Andrew build, the people they invite in, and the courage to keep creating a life on their own terms.

When you make bold or controversial work, the reception is unpredictable, so you have to accept that staying true to your convictions may sometimes cost you opportunities.

For Andrew and Laura, sharing their work, through open studios, educational initiatives, and public engagements is central to their philosophy. They believe feedback and interpretation from others are vital for growth, even when it surprises or challenges them

BEST MOMENTS

“I remember Jenny Lomax coming in and saying, ‘Laura, I love this work, but I’d lose all my funding if I ever showed it’ - which was fair.”

“The monthly fee from the gallery was nice, but it sort of ate into me…I'd find myself making decisions that I just hated myself for.”

“Art and life are never separate—they’re intertwined, negotiated, rebuilt, and reimagined daily.”

EPISODE RESOURCES

https://www.mattblackbarn.co.uk

https://www.instagram.com/mattblackbarn

https://www.instagram.com/laura_ford_sculpture

https://www.instagram.com/andrewsabinsculpture

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

https://cerihand.com/membership

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

How to Make the Most of Participating in an Art Fair

Thu, 20 Nov 2025 00:00:00 -0000

Today, Ceri answers a question from one of her members that is likely to benefit every artist that sends their work to or attends art fairs. The question is - how to make the most of participating in an art fair? Some of the tips Ceri shares may surprise you.

KEY TAKEAWAYS

Prepare your work – it needs to be robust, stable, easy to handle, pack and ship. Fragile works, sharp edges, or delicate surfaces are not your friend in an art fair environment.

When you’re choosing what to show, think about what will hold attention. Large or bold works might attract people in, but quiet, subtle works can still hold them, if there’s something intriguing that rewards a second look.

Collectors love stories, they don’t just buy what they see. They buy what they understand and feel. Give your gallerist what they need to do their job well. A short blurb about the work - the inspiration, the materials, why it matters.

Art fairs aren’t just about shifting work; they're about building community and champions for your practice.

BEST MOMENTS

“People at art fairs can be unpredictable. They touch things they shouldn’t. They bring buggies into booths. They lean in close and forget their elbows exist.. make sure it is fair-ready.”

“Follow up within 24 hours, send PDF images or thank yous while the spark is still warm, people make decisions emotionally and quickly.”

“Don’t just post “Delighted to show at X Fair.” Share the journey. The packing. The travel. The install. The booth. The moment the work goes up. Invite people into the process.”

“If you're celebrating, maybe stop at one glass of Prosecco instead of three. I've done plenty of hungover fares, and it's not my top recommendation.”

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

https://cerihand.com/membership

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

The Art of Relationship: The NıCOLETTı Formula for a Vibrant, Collaborative Gallery

Mon, 17 Nov 2025 00:00:00 -0000

What happens when two people with very different beginnings—one raised in an artist family, the other hairdressing and DJing before turning to curating—come together to build a gallery that’s now shaping the future of contemporary art in London?

Today, I speak with Oswaldo Nicoletti and Camille Houzé, the duo behind NıCOLETTı. Founded as a curatorial project in 2018, the gallery has grown into a permanent space in Shoreditch, recently redesigned by JAM, the architecture collective formed out of Turner Prize winning studio Assemble. Over the years, NıCOLETTı has become known for offering emerging artists their first UK solo shows, many of whom have gone on to biennials and major institutions.

We trace their origin stories—from philosophy books and family studios to hair salons and record labels—and how those threads wove into a shared vision of a gallery that privileges singular practices, conceptual rigour, and a deep belief in collaboration. We talk about what it really means to support artists over the long term, how to think about selling without selling out, and the lessons learned from fairs and friendships along the way.

If you’ve ever wondered how a gallery decides who to represent, what makes work “resonate,” or how you actually sustain trust between artists, collectors, and audiences, this conversation pulls back the curtain.

KEY TAKEAWAYS

The galleries that thrive are those who stand beside artists they truly believe in.

Artwork resonates when it’s singular, honest, and sparks a visceral connection. Sometimes it’s the story, sometimes it’s the mystery, but it’s always about care, context, and the courage to champion new perspectives.

Trust in the art world is built on open dialogue, collaboration and commitment. When gallerists, artists, and audiences show up for each other, the ecosystem flourishes.

BEST MOMENTS

“A gallery is not only a space with walls, it’s a relationship. Between gallerist and artist, between artwork and audience, between risk and resilience.”

“We are still trying to be a gallery that operates as little as possible as a gallery. So, always artistic quality and exhibitions first, then, business unfolds from that.”

EPISODE RESOURCES

https://nicoletticontemporary.com

https://www.instagram.com/nicoletticontemporary

HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

https://cerihand.com/membership

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Why You Should Make Peace With Being Consistently Inconsistent

Thu, 13 Nov 2025 00:00:00 -0000

Artists spend so much time worrying about being consistent. But what if that’s not the point? What if your inconsistency is proof that you’re alive in your practice?

I know you look at other artists — the ones who seem to stay in one lane — and you think, maybe I’m doing it wrong. Maybe people won’t get it. Maybe the market only rewards repetition.

And yet, deep down, you know that sameness suffocates you. You didn’t become an artist to repeat yourself. You became an artist to explore. To experiment. To see what else is possible.

We humans like certainty — patterns, predictability, knowing what’s what. But artists are wired for curiosity. You thrive on the unknown, the risk, the mess of it all. You love the feeling of falling forward.

So when you see others who appear to be consistent, remember you might just be comparing your evolution to their edit.

It´s time to make peace with being consistently inconsistent – listen in and let Ceri show you how.

KEY TAKEAWAYS

Consistency isn’t sameness. Consistency is commitment. It’s showing up for the work, again and again, in whatever form it needs.

Most successful artists Ceri has met aren’t driven by style — they’re driven by a question. One that won’t leave them alone. Louise Bourgeois had it, Tracey Emin, Frida Kahlo - their forms changed, but the question stayed. They kept circling the same core.

Stop trying to make your work look the same. Start making it feel true to the same enquiry.

Ask yourself: what do I keep coming back to? What keeps tugging at my sleeve? What am I still trying to understand? That´s your North Star, follow it.

BEST MOMENTS

“The market might appear to love sameness, but the artists who last are those who stay faithful to their inquiry. They don't bend to the zeitgeist, they don't make to order, they don't chase trends.”

“ Some people won't get it, some people won't like it, but you can't be a brilliant artist and a people pleaser.”

“Authenticity is showing up for what matters, even when it's unfashionable.”

“Avoiding your true voice by copying others or chasing what sells keeps you stuck.”

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

https://cerihand.com/membership

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

The Art of Going Deeper with Ekow Eshun

Mon, 10 Nov 2025 00:00:00 -0000

What happens when you treat each artwork as a proposition of a world—when exhibitions become acts of empathy, and books become vessels for collective memory?

This week, Ceri welcomes back the brilliant Ekow Eshun—writer, curator, and cultural polymath—who has just been appointed curator of the British Art Show 10, opening in September 2026.

Ekow’s trajectory is extraordinary. The first Black editor of Arena magazine, the first Black director of London’s ICA, now Chair of the Fourth Plinth Commissioning Group—and a curator whose exhibitions, from In the Black Fantastic to Black Earth Rising, have redefined how we think about identity, myth, and belonging. His recent books, The Strangers and Black Earth Rising, extend that work on the page, blending rigorous history with poetic imagination.

In this conversation, they celebrate his new chapter and explore what Ekow hopes to achieve with BAS10: creating space for artists who can bring us closer—to ourselves, to one another, and to the mystery of the world we inhabit. They discuss the “strangeness” that fuels his research, the empathy at the heart of his practice, and what it means to keep going deeper as a writer and curator.

KEY TAKEAWAYS

Ekow shows us how strangeness and curiosity open up new spaces for discovery, empathy, and connection.

Art is a powerful force for reshaping collective memory. Artists use memory not just to preserve the past, but to rewrite the maps of the present.

Exhibitions aren’t about neat lessons they are about fostering real encounters, the courage to go deeper and see the world from multiple perspectives.

BEST MOMENTS

“The role of the curator isn’t to dictate meaning but to create space for discovery, and that the real power of art lies in shifting how we see, each other, ourselves, and the fragile world we share.”

“I just try and set myself as a goal, with everything, with writing, putting together an exhibition - Let's go deeper, there's always another layer.”

“If you start a project, you have to start from a radical unknown, where everything is up for discovery.”

EPISODE RESOURCES

https://www.ekoweshun.co.uk

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

https://cerihand.com/membership

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

How to Create an Artist PDF Catalogue

Thu, 06 Nov 2025 00:00:00 -0000

How you share your work with others does a lot of heavy lifting for you.

Despite the myriad ways you can show what you make—through social media, websites, private viewing links, or even WhatsApp screenshots—curators, collectors, commissioners, and gallerists still rely on one timeless format - the curated artist portfolio.

So, in today’s episode, Ceri walks you through how to create an artist PDF catalogue—a portable, compelling visual story that does justice to your work.

She looks at what it is, why it matters, what to include, and how to make it feel unmistakably you.

KEY TAKEAWAYS

Think of your PDF as your practice in portable form. It should do three things - show what you make - show why it matters and make it easy to connect with you and your work.

Your portfolio should feel like an extension of your practice. But don´t try and shove everything in like an overstuffed sofa. Instead, curate your best pieces. Start with a hero image, and choose others that help you to tell your story.

PDFs can circulate offline, be printed or saved to desktops. They travel further than you can. Sometimes landing in rooms you didn't even know you were being discussed in

Your portfolio isn't a tombstone it's a living document. It should evolve as you do and should flow like a story. During the episode, Ceri shares full details of her recommended order and formatting, for each page.

BEST MOMENTS

“How you share your work with others does a lot of heavy lifting for you.”

“Your PDF is your story distilled. It's your visual CV, artist statement and show reel all in one.”

“Your portfolio should feel like an extension of your practice, whether your work is bold, tender, chaotic or refined, let that inform your visual choices, typeface, colour, accents, pacing, even a handwritten note or sketch can help communicate tone.”

“Think art magazine, not PowerPoint. Let the work lead. Minimal doesn't mean boring. It means confident.”

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

https://cerihand.com/membership

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Pregnant Then Screwed: Lessons in Activism, Burnout, and New Beginnings with Joeli Brearley

Mon, 03 Nov 2025 00:00:00 -0000

What happens when anger becomes fuel, and one woman’s story grows into a movement that changes the law?

Cei is joined by Joeli Brearley—activist, author, speaker, podcast host and founder of Pregnant Then Screwed. Before stepping into the spotlight as one of the UK’s most influential campaigners, Joeli worked in the arts, producing digital festivals and cultural projects that honed her gift for turning complex ideas into relatable language. A skill that helped her stand in front of Parliament and win.

Over the past decade, she’s supported over a million women experiencing pregnancy and maternity discrimination, driven a £5.2 billion investment in childcare, and helped secure reforms to flexible working and redundancy protections. She was named one of British Vogue’s 25 Most Influential Women and awarded an MBE in 2025. She co-hosts the podcast To Be A Boy, exploring how to raise happy, kind, and healthy boys in today´s society.

Joeli shares how being sacked by voicemail while pregnant became the catalyst for a national movement, what it really takes to withstand the haters, and why campaigning is less about perfection and more about persistence, community, and clarity. She also reflects on the cost of leadership, the lessons she’s carrying into her new venture GrowthSpurt, and why she believes rest and presence—not relentless graft—are the real markers of success.

KEY TAKEAWAYS

Lasting change is less about perfection and more about persistence, clarity, and community. True progress comes when we support each other, challenge the status quo, and redefine success not by relentless hustle, but by our ability to be present and lift others along the way.

The importance of rest and self-care is universal and vital for artists who often pour themselves into their craft.

BEST MOMENTS

“I was sacked by voicemail when I told my boss I was pregnant.”

“Perfection is the enemy of the good. Sometimes you’ve just got to throw shit at a wall and see what sticks.”

“It’s a reminder to all of us working in creative fields that our ability to communicate, to reframe, to connect—is political power too.”

RESOURCES

https://growth-spurt.uk

https://www.joelibrearley.com

To Be a Boy Podcast

Instagram

HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

https://cerihand.com/membership

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

How to Write an Artist Statement That Sounds Like You

Thu, 30 Oct 2025 00:00:00 -0000

Have you ever sat in front of a blank screen, trying to describe your work, and felt like every word made it sound flatter? Or worse—like it belonged to someone else entirely? You’re not alone.

Writing about your art can feel like trying to bottle smoke. You know what you mean when you make it—you can feel it in your hands, your gut, your bones—but the minute you try to put it into words, something vanishes.

Maybe you start to overthink it. Maybe you feel the pressure to sound impressive. Or maybe you freeze, because the idea of summing up everything you’ve ever made in a paragraph feels impossible.

In this episode, we’re going to change that.

We’ll explore what a good artist statement actually does, why most of them fall flat, and how to write one that sounds like you—clear, alive, and true.

By the end, you’ll have a simple framework to follow, some real-world examples to learn from, and practical steps to help you write a statement that connects your work to the people who encounter it.

KEY TAKEAWAYS

Most artists were never taught to talk about their work, so it feels like “trying to bottle smoke”. Fear and jargon tend to take over.

Think of your artist statement as a key rather than a summary; it gives your viewer something to hold on to, or an entry point into your work. It offers vivid clues, images, textures, emotions that invite curiosity. It says, Come on in there's something here for you."

Ceri´s CLEAR method will help you to write an artist statement that actually sounds like you. It's all laid out in the episode.

BEST MOMENTS

“Writing about your work can feel like trying to bottle smoke. You know what you mean when you make it of course, you can feel it in your hands, your gut, your bones. But the minute you try to put it into words, something vanishes.”

“Your artist statement isn't about proving you're clever. It's about helping people see what's already there.”

“The goal isn't perfection, it's connection. When you can articulate your practice clearly, you can stop apologising for it”

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

https://cerihand.com/membership

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Crafting a Creative Legacy with Humans Since 1982

Mon, 27 Oct 2025 00:00:00 -0000

How do two students experimenting with clocks in Gothenburg end up creating million-euro artworks collected by celebrities and installed in airports and institutions across the world? This week, Ceri is joined by Bastian Bischoff and Per Emanuelson, the co-founders of Humans Since 1982 a Stockholm based studio where art, design and technology collide.

Together with engineer David Cox and a team of international specialists, they've built a practice that re-imagines the simplest of objects, transforming time itself into spectacle. Their kinetic sculptures, ClockClock and A Million Times are now icons of contemporary design and art, hypnotic systems that mesmerise audiences while commanding extraordinary markets.

Behind the headlines lies a story of risk, resilience, and relentless curiosity. Bastion and Per share the discipline of editing ideas down to their purest form, the challenges of building a collective, and the balance between entrepreneurial drive and artistic freedom. I hope you find it as inspiring as I did.

KEY TAKEAWAYS

Bastian and Per seamlessly combine conceptual rigour with entrepreneurial ambition. Humans since 1982 didn’t wait for permission. A prototype posted online caught the attention of galleries, collectors, and the press, catapulting them into the global design-art market almost overnight.

Humans Since 1982 built a studio where precision and play coexist, a place to break the rules. Complex engineering is distilled into simplicity, and each piece is designed to outlive its makers, cared for across generations.

Surround yourself with people who share your drive and values. But don´t shy away from a multi-disciplinary approach. That is where the magic happens.

BEST MOMENTS

“Within two years, we’d gone from students to selling work to celebrities.”

“You don't have to choose between being commercially powerful and creatively uncompromising.”

“We always talk about people having to bring some sort of entrepreneurial thinking and drive - the spirit to create something, to move forward and bring something to the market.”

“Beauty, intellect and business can thrive together”

EPISODE RESOURCES

https://www.humanssince1982.com

https://www.instagram.com/humanssince1982

You can subscribe to their newsletter from there.

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

https://cerihand.com/membership

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Authority Beyond the Studio: How to Build Confidence in Every Part of Your Creative Life

Thu, 23 Oct 2025 00:00:00 -0000

Today´s episode is about developing a sense of authority not just in the work you make, but also in all the other moving parts of being an artist. Including writing that dreaded artist statement, submitting for an exhibition you’re not sure you’re ready for, grant applications, open calls, sitting across from a curator and talking about your work. All vital tasks that fill many artists with dread.

The feeling of authority doesn’t just appear one day in the studio and spread everywhere else. It has to be practised, over and over, in different contexts to be fully acquired. In the same way you build confidence in making—through trial, error, repetition, embodiment—you can build confidence in applying, pitching, choosing, and communicating. It’s not a different skill set. It’s the same muscle, exercised in a new way. Ceri shares how.

KEY TAKEAWAYS

Choose one hard thing to practice on purpose. Don’t wait for the perfect opportunity. Maybe it’s submitting to one open call a month. Maybe it’s rewriting your bio every quarter. The point isn’t the outcome; it’s the repetition and the practice.

Reframe mistakes as rehearsal. Nobody expects your first sculpture to be perfect. So why expect your first application to be flawless?

Apply your creative strengths to tasks you struggle with. Use qualities you embody in the studio, such as persistence, playfulness, and problem-solving.

BEST MOMENTS

“Practice being the kind of person who can handle things, who can figure things out, who can do hard things, because authority isn't just about making extraordinary work, it's about trusting yourself to carry that work into the world.”

“Each attempt is a sketch, a draft, a rehearsal. Over time, those rehearsals create flow.”

“If there's a genuine learning opportunity and the only thing holding you back is, I don't know how, try saying yes. Authority grows through doing, not waiting.”

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

https://cerihand.com/membership

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

From Sauna to Gallery: Designing Spaces for Creative Connection with Ryan Noon

Mon, 20 Oct 2025 00:00:00 -0000

What happens when you follow your instincts all the way from a boat-building town in New England to Alexander McQueen’s studio, through the forests of Oregon, to a sunlit gallery in LA? This week, Ceri is joined by the remarkable Ryan Noon—creative director, curator, gallerist, and founder of NOON Projects. His journey weaves together fashion, art, and everyday alchemy that turns felt experience into form.

They talk about sewing shells onto garments in a childhood basement, launching a label at fifteen, and building Nike’s Blue Ribbon Studio from scratch—a space that redefined how over 1,200 creatives found their flow. Ryan doesn’t protect his creativity—he gives it away, trusting that the more he pours into others, the more returns through collaboration and care. They explore burnout, beauty, the lure of shoulds and what happens when you build a garden by the sea instead of chasing the next launch.

This is for anyone who’s ever tried to bottle the magic before it vanished—or better yet, learned to stay still and let it bloom.

KEY TAKEAWAYS

While some guard their creativity like a secret recipe, Ryan pours his out, he doesn´t hoard. Generosity isn’t weakness—it’s a creative strategy. But you can´t be so generous that you don´t look after your wellbeing too.

Ryan curates atmosphere as much as art—inviting guests to experience his multisensory gallery like a sauna, where scent, texture, and care guide them slowly into creativity.

The best kind of art world is a place where the alchemy is less about gold and more about grounding and discovery, where artists are encouraged to stop, stretch and stay curious together.

BEST MOMENTS

“I think of creativity as like an endless spring. I purposely try to give as much away, to make room for new.”

“Ryan measures success by whether an artist or a student felt seen, whether the gallery smelt right, whether the artist grew. That kind of bar setting isn't glamorous, but it's holy.”

“Having a quarter acre garden of vegetables was really like my pivotal shift to be able to listen to myself and work from a different source.”

EPISODE RESOURCES

https://noon-projects.com/About

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

https://cerihand.com/membership

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk

How to Deal with Unfavourable Feedback

Thu, 16 Oct 2025 00:00:00 -0000

In today´s episode, Ceri explores how to deal with unfavourable feedback, something that every artist she has ever worked with has experienced. No doubt you too have felt that same sting, at some point. That moment when unfavourable feedback cuts closer than you’d like. And while it’s incredibly common, that doesn’t make it feel any less raw when it happens to you.

Yet, feedback is fuel. Even when it stings, there’s often a nugget of insight there if we choose to use it. Ceri explains how to deal with feedback in a way that builds resilience rather than shutting you down.

KEY TAKEAWAYS

Part of our job as artists is putting ourselves in the best possible state to share work and hear feedback. Not just from people who love us, but from strangers, panellists, curators, critics—people with their own stories and filters.

You´re human, you are sensitive. Build resilience by inviting feedback in low-stakes situations, with people you feel safe with. In that process, you’re training your brain. You’re getting used to hearing other perspectives without spiralling.

Be curious. When someone offers feedback, instead of hearing it as a verdict, you can lean in and ask, “Tell me more”.

BEST MOMENTS

“Here’s the trap: we prepare for the logistics—the suitcase, the schedule, the people we need to call—but we forget to prepare our brains.”

“I’ll practice on my partner, Roger, who has a very analytical brain—totally different from mine. I’ve learned that if I want his feedback to be useful, I need to give him a clear invitation.”

“Sometimes, let’s be real, their opinion just doesn’t matter. Not every comment deserves equal weight.”

“Practice asking for feedback on purpose. Frame it so it’s useful. Prepare your brain and body—eat, sleep, breathe and journal before you go into high-stakes settings.”

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

https://cerihand.com/membership

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Bending Reality: The Wild Art and Ambition of Alex Chinneck

Mon, 13 Oct 2025 00:00:00 -0000

What happens when a building unzips or a canal boat loops the loop mid-air? This week, Ceri is joined by the extraordinary Alex Chinneck, the British artist known for bending reality one brick at a time, dubbed arts master illusionist by The Guardian, Alex has carved out a global reputation for his large-scale public artworks that melt, slide, hover and ripple through the urban landscape.

They discuss how a childhood love of painting and a no-nonsense art teacher set him on a path to sculpting the surreal from cross-country running to cross-disciplinary collaboration, Alex shares how stamina, curiosity and sheer force of will underpin his most ambitious illusions. He reveals how a derelict Hackney warehouse became the site of his first major breakthrough, how he persuaded a wax factory to donate 11 tonnes of leg wax, and how he ended up installing a twisted phone box just metres from number 10. This episode is about ambition without arrogance, spectacle with substance and the messy, exhilarating art of pulling it off.

KEY TAKEAWAYS

Ambition isn’t about ego or spectacle; it’s about the courage to bring big ideas to life, to invite others in, and to create work that resonates far beyond the art world.

Bold ideas come to life through grit, creative problem-solving, relentless negotiation, and the courage to turn resistance into opportunity; real innovation is forged in the face of challenge.

When you put your work out into the public, you never know how it will be received. Often, the courage to share your true vision sparks excitement far beyond your expectations.

BEST MOMENTS

“You don't have to wait for permission to make ambitious work. Start with the idea, then learn how to pull it off. One door, one brick, one yes at a time.”

“Sometimes the most radical thing an artist can do is make people smile.”

“Public art isn't just about scale, it’s about context, community and commitment.”

“Coaching clears out the noise so that people have better thoughts in which to help them do better work, while building up their tools of resilience.”

EPISODE RESOURCES

https://www.alexchinneck.com

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

https://cerihand.com/membership

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

What to Do When You´re Afraid to Make the Work You´re Supposed to Be Making

Thu, 09 Oct 2025 00:00:00 -0000

Have you been circling something in your practice for years? Maybe you know there’s more to say, a seam you haven’t mined, a truth you keep sidestepping. The work is there, waiting. But you’re afraid. Today, Ceri talks about the fear of making the work you’re supposed to be making—and what it takes to finally face it, explaining, how to name it, drag it into the daylight, re-address it, and then turn it into creative fuel.

From Ceri´s experience of working with 1000s of artists over 35 years, every great work, whether tightly conceptual, minimal or wildly expressive, begins with an artist willing to face themselves. The question isn't only what you make, but whether you're able to be with yourself long enough sitting in the uncomfortable valley of knowing and not knowing to let the work be born.

KEY TAKEAWAYS

Fear is the border guard of your best work. But fear is also data, and for the artists who dare to name it, fear often points directly to where the gold is buried.

Sidestepping your fears is counter-productive. The very strategies you use to survive are the ones that eventually hold you back.

Real creative freedom comes thru facing your fears head on by using honest self-reflection, safe support and creative rituals to process difficult experiences through your art. Ceri shares several practical examples of how she has helped artists work with their fears to create stunning work.

BEST MOMENTS

“What if the work you’re meant to be making is the work you’re most afraid of?”

“By first drawing, then making with bits of shite left around the studio, as if he were responding directly to that moment, he shifted the power dynamic. The work gained a bite.”

“Sit with your journal, sketchbook, or a voice memo and finish this sentence three times: “When I think of fear, I remember…” Don’t censor. Let it pour out. ”

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

https://cerihand.com/membership

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Step into Collaborations with Clarity, Openness and Curiosity - Francesca Du Brock

Mon, 06 Oct 2025 00:00:00 -0000

What happens when an artist, educator, curator, returns to the wilds that raised her and dares to reimagine what a museum could be? Francesca de Brock is the extraordinary chief curator at the Anchorage Museum in Alaska. Her work braids together social practice, environmental justice, a fierce commitment to care, and a deep understanding of what artists need to thrive.

KEY TAKEAWAYS

Growing up in Alaska, the wildness of the place and problem-solving in a challenging environment shaped Francesca´s creativity and approach to art.

Francesca is committed to climate-conscious exhibitions, artist access, onboarding, and amplifying community voices.

Leadership is about asking better questions and inviting others into the process, rather than having all the answers.

BEST MOMENTS

“Our mission is to be a museum of people, place, planet and potential in service of a sustainable and equitable north, with creativity and imagination for what is possible.”

“Exhibitions are ephemeral, but the ripple effects on institutions, audiences and relationships can be lasting and transformative.”

Francesca Du Brock

www.anchoragemuseum.org

https://www.instagram.com/fdubrock

Francesca Du Brock is Chief Curator at the Anchorage Museum. Her work is informed by her background as an artist and educator and is grounded in social engagement, place-based storytelling, environmental justice, and experimental museum practice. Recent projects including Dog Show (2025), How to Survive (2023), Black Lives in Alaska: Journey, Justice, Joy (2021), and Extra Tough: Women of the North (2020), which focus on topics of care, climate, interdependence, representation, Northern feminisms, and immigration. In 2020, she established the Museum’s Virtual Artist Residency program, which continues to provide unrestricted support to artists, sharing process and behind-the-scenes insights into their lives and practices. She is currently a fellow at the Center for Curatorial Leadership and is the recipient of the 2025 Marica Vilcek Prize in Art History from the Vilcek Foundation. Born and raised on Dena'ina Ełnena in Anchorage, Alaska, she holds an MFA and M.Ed and brings experience living and working across the US and Latin America to her current role.

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

https://cerihand.com/membership

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media https://disruptivemedia.co.uk

Dealing With Rejection

Thu, 02 Oct 2025 00:00:00 -0000

Today, Ceri talks about rejection. Something that is a part of every artist’s life - Applications declined. Emails ignored. Opportunities missed. And let’s be honest—it stings. For many artists, especially those who are neurodivergent, it doesn’t just sting. It burns.

There’s even a name for this: Rejection Sensitivity. It’s more than hurt feelings—it can feel like an existential threat, a collapse, a shame spiral. Maybe you’ve avoided applying. Withdrawn from people. Overreacted to feedback. If so, you’re not alone.

But here’s the good news: you’re not broken. This is a common pattern, and you can learn ways to soften its impact. In this episode, Ceri walks you through some steps and reflections to help you notice rejection, reframe it, and keep creating.

KEY TAKEAWAYS

• Unchecked rejection sensitivity quietly shapes careers. It can hold you back from applying, make you quit too soon and keep you isolated. Or you may overcompensate, work twice as hard, say yes to everything and people-please your way into exhaustion.

• Ceri shares 10 steps for dealing with rejection in a healthy way, so you can recognise, reflect on, reframe and learn from rejection and carry on creating.

• If you have a rejection that you are still hanging onto, reframe it today. Release yourself from the negativity that surrounds rejection. You don´t have to let it continue to hold you back. You can choose to release yourself.

BEST MOMENTS

“Rejection is not proof you don’t belong. It’s proof you’re showing up.”

“Rejection isn’t the enemy. Silence isn’t the enemy. Avoidance is. Not showing up is. And you—you’re already showing up. That’s where the magic begins.”

“Step one is to recognise the pattern. First you have to notice it. Rejection shows up in emotions, the stories we tell ourselves and in the body - a tight chest, a racing heart, a stomach drop.”

EPISODE RESOURCES

If you prefer reading over listening? Ceri shares a short version of every episode in her Beat the Block newsletter—delivered to your inbox every Friday. Sign up at www.cerihand.com/subscribe

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

https://cerihand.com/membership

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

The Next Art History is Being Written - Georg Bak is One of its Scribes

Mon, 29 Sep 2025 00:00:00 -0000

Today, Ceri is joined by a man who doesn’t just witness the future of art, he builds the infrastructure for it. Georg Bak is a pioneering digital art advisor and curator who’s spent over two decades bridging the traditional and the digital. He has advised major collectors and museums, helped shape curatorial boards, and placed historically significant works into collections that matter.

Georg is the co-founder of NFT Art Day and The Digital Art Mile, a boutique digital art fair that champions new ideas and new communities. He has curated landmark exhibitions, including the first-ever CryptoPunks show, and collaborated with Sotheby’s, Phillips, and The Vancouver Biennale.

Whether you’re AI-averse or blockchain-curious, this episode’s for the thinkers and deeply curious.

KEY TAKEAWAYS

Digital art does not replace traditional art; it is a powerful expansion of it that builds on the existing foundations. When collectors recognise that true innovation comes from artists who challenge perceptions and provoke thought instead of simply following trends, the art world thrives.

Success in digital art is deeply connected to building and engaging with communities and network effects. Building lasting trust and relationships, educating and going deeper on fewer pieces of work is leading to success.

AI is opening up possibilities that are comparable in impact to the Renaissance. AI-driven tools are not only expanding artistic expression but also challenging traditional boundaries, making this a pivotal era for both artists and collectors.

BEST MOMENTS

“I think what makes maybe the difference is that the success of an artist is based on this community… The bigger the network behind an artist the more successful they are going to be.”

“I would inspire everyone to open their eyes and be curious, instead of being against everything that's new.”

“The most interesting artworks, they're not easy to understand in the beginning.”

“Art isn’t static, it’s a system, a signal, a story still unfolding.”

EPISODE RESOURCES

https://www.linkedin.com/in/georgbak

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

https://cerihand.com/membership

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Grief, the Studio Companion (Part Two)

Thu, 25 Sep 2025 00:00:00 -0000

Last week Ceri shared something different in her episode - Grief, the Technicolour Rattlesnake - and many of her listeners wrote in to say that they recognised it instantly. That rattlesnake is still with many of us. So today, Ceri shares how you can keep making, and functioning creatively, whilst grief moves through you.

Ceri provides an alternative to trying to outrun grief by overworking, deadlines and filling every waking hour so there's no space for feeling. Or swinging the other way by hiding from the world and becoming convinced you've lost it.

If you’re moving through grief right now, you might want to come back to this episode when you don’t feel so raw.

KEY TAKEAWAYS

We mourn, not just for the loved one, but for the person we were, in relation to them and to ourselves. It can feel like the ground has fallen away completely. Grief rewires us.

Grief is a non-linear process that involves oscillating between loss and restoration, and it’s normal for emotions and productivity to fluctuate during this time.

Creative expression during grief doesn’t have to meet previous standards. Small, honest acts of making can be both healing and meaningful, even if they feel insignificant at first.

Supporting yourself through grief includes caring for your body, mind, and creativity. Movement, mindful breathing, creating micro works and finding safe rituals can all help.

BEST MOMENTS

"Grief rewires us … it is labour. It's your brain, body and heart rewriting the world without your person in it.”

"Exhaustion isn't weakness, it's biology, which is why beating yourself up for not being productive is the cruellest trick of all."

"Find your own strange scaffolding, the thing that makes you feel safe or gives your brain a rest, and don't underestimate the power of ritual."

EPISODE RESOURCES

https://cerihand.com/podcasts/personal-experience-and-artistic-expression-with-emma-talbot

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

https://cerihand.com/membership

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Building Community, Shaping the Art World: The Fountainhead Arts Story

Mon, 22 Sep 2025 00:00:00 -0000

Today, Ceri sits down with Kathryn and Dan Mikesell, the powerhouse duo behind one of the world’s most respected artist residencies - Fountainhead Arts - a game-changing residency in Miami that’s not only shaping artists’ lives but reshaping the art world itself. They support artists in building sustainable, thriving practices and to build an art ecosystem that’s equitable, global, and deeply personal.

This conversation is rich in wisdom for artists, curators, collectors, and funders alike. Kathryn and Dan share the radical generosity, strategy, and structure behind the residency’s success; why they’re committed to buying emerging work directly from artists and never flipping it; how they create chemistry between residents; and the importance of building genuine relationships that go far beyond the transaction.

KEY TAKEAWAYS

Kathryn and Dan have hosted 600+ artists, from 50 countries, turning their home into a launchpad for creative careers.

Supporting fellow artists is essential for building a thriving, sustainable art community. Generosity, mentorship, and reciprocity create a culture where opportunities, knowledge, and encouragement are shared, while also strengthening your career.

Stay top of mind by regularly touching base with people and sharing your authentic self-e.g. Personal details like what books you are reading helps people to connect with you on a personal level and continue to support you.

BEST MOMENTS

“You have to put yourself out there. If you don’t naturally have that confidence, you have to push yourself to build it .”

“Generosity and reciprocity are really the most important parts of building the kind of community that you want around you.”

“Confidence is a muscle. Success looks different for everyone. Building your world begins by showing up, again and again, with authenticity and curiosity.”

EPISODE RESOURCES

https://www.fountainheadarts.org

https://www.instagram.com/fountainheadarts

dan@fountainheadarts.org

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

https://cerihand.com/membership

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Grief, the Technicolour Rattlesnake

Thu, 18 Sep 2025 00:00:00 -0000

Not long ago, Ceri asked one of her favourite artists if there was a subject they’d like her to write about in her weekly Beat the Block newsletter. They said, “making through grief.” When she shared the question on Instagram, a surprising number of you asked for the same thing. Having learned a lot about grief: through losing her own family and friends, through study, and through supporting clients as they navigate it - Ceri decided to tackle the subject.

But instead of diving into science and tools, she found herself writing about how grief actually feels. At first she thought it might be too naff, weird, or c*p to share. But she had written it, sincerely, for you, so decided to take the risk and share it, just as you do daily.

If you’re too raw at the mo, you may want to skip it and come back to it, but if you listen and it lands with you, please let Ceri know.

KEY TAKEAWAYS

The experience of grief is deeply personal and often invisible to others, yet it profoundly shapes artistic expression.

Grief can become a constant, unpredictable presence in the creative process. It can both stifle and fuel creativity, making the act of creation feel risky but also necessary.

Even in the depths of grief, noticing and appreciating small, everyday moments of beauty can offer inspiration and help you reconnect with your creativity.

BEST MOMENTS

“Grief is the unwelcome guest in the studio, a technicolour rattlesnake, hypnotic, terrifying, distracting, poisonous. You can't ignore it.”

“Grief doesn't just strip you bare. It also hones your vision. It makes the random sacred. It reminds you to notice, to hold close, to find magic in the everyday, to be braver, to care.”

“This is grief my friend. I too have a technicolour rattlesnake of grief. Its bite floored me too, but here I am with you. We'll dance with yours together until you are both ready for it to shed its skin.”

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

https://cerihand.com/membership/

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Artists Hold The Keys To How We See and Live with Ben Luke

Mon, 15 Sep 2025 00:00:00 -0000

This week, Ceri is delighted to introduce you to the extraordinary Ben Luke, who has spent three decades at the heart of the art world, his voice shaping how we hear from artists—now it’s his turn to share what shaped him. A writer, broadcaster and host of A Brush With… and The Week in Art, his new book What is Art For?, published by HENI, gathers 25 conversations with established international artists including Michael Armitage, Phyllida Barlow, Jeremy Deller, Ellen Gallagher, Theaster Gates, Julie Mehretu and Doris Salcedo.

You’ll hear about his early life in suburban Kent, how drama classes shaped his voice, why Warhol and Dalí obsessed him as a teenager, the critics and pop stars who influenced his style, and the moments that pushed him to stop painting and start writing.

Most of all, they unpack what drives and motivates him after 30 years in the art world—and why he believes artists hold the keys to how we see and live.

KEY TAKEAWAYS

Encounters with Warhol, Dalí, Bowie and Eno, changed Ben´s outlook and sparked his imagination. They inspired him to embrace creativity and explore new ideas.

Ben’s parents nurtured his creative ambitions and never curtailed his dreams, while his father’s strong political values instilled in him a sense of curiosity, openness, and commitment that shaped his path as a writer and critic.

Criticism doesn't have to come from cynicism. It can come from love. Interviews can be collaborations rather than interrogations.

The true measure of art is whether it helps us see differently, feel differently. So keep following the references and going down the rabbit holes, because art, as Ben suggests, isn't just for looking, it's for living.

BEST MOMENTS

“I remember everybody I ever liked being described as pretentious, so I saw people being called pretentious as being a badge of honour.”

“Fund culture. It makes us better. It makes us more human. It makes us more alive. It makes us understand each other better.”

“The responsibility of the critic is to engage as deeply as possible with the work before writing about it.”

GUEST RESOURCES

Ben´s Book - published by HENI - https://heni.com/shop/books/what-is-art-for

https://www.theartnewspaper.com

https://podcasts.apple.com/gt/podcast/a-brush-with/id1525997434

https://podcasts.apple.com/gb/podcast/the-week-in-art/id1280469178

HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

https://cerihand.com/membership

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media https://disruptivemedia.co.uk

The One Skill That Changed My Life: How to Negotiate with Confidence and Clarity

Thu, 11 Sep 2025 00:00:00 -0000

Today, Ceri talks about the one skill that completely changed her life. Not a new app, not a productivity hack, but negotiation. As a recovering people-pleaser, Ceri used to dread negotiating with challenging people. She´d avoid it, overgive, or undercharge.

When Ceri faced a challenging experience with a narcissist that nearly overwhelmed her, she learned from negotiation expert Kwame Christian. Since then, negotiation has empowered her to get paid fairly, build healthier collaborations, and stand her ground—even in tough situations.

Whether you’re selling a piece of work, applying for a commission, or setting the terms for a group show—you are negotiating. So, let Ceri get you ready to do it with confidence and care.

KEY TAKEAWAYS

Before negotiating know what you want and why, learn about who you’re negotiating with, and acknowledge your feelings.

Preparation is crucial—ask yourself questions to clarify goals, needs, and possible barriers. Research the other person.

Stick to your values and boundaries.

BEST MOMENTS

“Negotiation has become a superpower. It´s helped me get paid properly, build healthier collaborations and feel more grounded even in tricky situations.”

“No is not failure. Your time, energy and sanity have got value, and sometimes walking away is the wisest decision.”

“Practice makes powerful. Practice your negotiation skills in low-risk settings first.”

EPISODE RESOURCES

Kwame Christian - https://negotiateanything.com

HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

The Artist Mastermind Circle: Ready to stop second-guessing and start building momentum in your art career? Applications are now open for the next Artist Mastermind Circle—a six-month coaching programme for mid-career artists who are serious about growing their confidence, income, and opportunities.

Apply by September 15th, 2025, at https://cerihand.com/artist-mastermind-circle

and take the next bold step.

https://cerihand.com/membership

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Trusting the Thread: Holly Stevenson on Creative Instincts and Artistic Integrity

Mon, 08 Sep 2025 00:00:00 -0000

For the British artist Holly Stevenson clay, memory and psychoanalysis intertwine in hauntingly playful sculptures. This conversation traces Holly’s extraordinary journey—from her Russian grandmother’s concentration camp survival and the inspiration a Chilean refugee provided, to set design in Rome and motherhood, all the way to her groundbreaking residency at the Freud Museum. Discover how Holly’s fiercely independent spirit, and fascination with what hides in plain sight have shaped her visceral, intimate works.

KEY TAKEAWAYS

Holly´s work is heavily influenced by psychoanalysis, both in subject matter and in approach.

Holly finds beauty and meaning in everyday materials like clay, wood, paper, and even bed sheets.

The creative path is rarely linear, but it can be deeply coherent if we learn to trust our instincts and follow the thread of our own obsessions.

BEST MOMENTS

“Holly makes the invisible visible - emotionally, materially and economically.”

“I wanted to see something or hear something affirmative. But it's not about that, is it? It's about process. It's about accumulation. It's about one mark plus one mark, plus three marks plus 5000 marks, makes a drawing.”

“Clay, like life, demands presence and patience. It cracks, resists, warps and still invites you back.”

EPISODE RESOURCES

https://www.holly-stevenson.co.uk

https://www.instagram.com/holly__stevenson

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

The Artist Mastermind Circle: Ready to stop second-guessing and start building momentum in your art career? Applications are now open for the next Artist Mastermind Circle—a six-month coaching programme for mid-career artists who are serious about growing their confidence, income, and opportunities.

Apply by September 15th 2025 at https://cerihand.com/artist-mastermind-circle/ and take the next bold step.

https://cerihand.com/membership/

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

How to Find Your Artworld Champions

Thu, 04 Sep 2025 00:00:00 -0000

To grow your art career, you don’t need one gatekeeper, you need a creative ecosystem. Nobody´s career can grow in isolation, everyone needs champions - Curators, Writers, Collectors, Funders, Peers, Producers, Family and Friends. People who give feedback, open doors, and say your name in the right room.

Ceri shares how to spot your artworld champions in the wild, connect with them and start building your own support network today.

Ready to take action? Start the Unlock Your Artworld Network self-paced course today and learn how to build the connections that will sustain your art and your career - https://cerihand.com/courses/unlock_your_artworld_network/

KEY TAKEAWAYS

Your champions are the people who help you move forward. They're not always famous or powerful, but they do offer guidance, feedback, introductions and advocacy.

Amira found new champions and opportunities by mapping out who supported and wrote about artists she admired, then reaching out to them herself, in a genuine, thoughtful way.

Map out your current champions, who's helped you so far, who's in your corner, who you've been meaning to reconnect with Choose three areas you want to grow in and let your champions help you to do that.

BEST MOMENTS

“Let's get into the nuts and bolts, because this is how the art world really works, and how your work gets seen, shared and supported.”

“ When one door's stuck shut, a champion might just crack open a window.”

“Think of your networks as your ecosystem. They don't have to be fancy or formal. They can be a group of artists visiting shows together, a creative co-working space, a book group, an online course or coaching membership like mine.”

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

Apply by September 15th 2025 at https://cerihand.com/artist-mastermind-circle/ and take the next bold step.

https://cerihand.com/membership/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Photography That Blends Memory and Fantasy with Josh Aronson

Mon, 01 Sep 2025 00:00:00 -0000

Josh Aronson doesn’t just take photos—he builds scenes that blur memory and fantasy, tenderness and tension. Josh creates emotionally charged photographic tableaux that reimagine the Southern landscape and masculinity. He shares his journey from curating Facebook albums of high school parties to staging cinematic shoots in Florida’s swamps and springs.

Josh explains how skipping art school became a creative advantage and why he prefers staging photos over capturing candid moments. Even with clients like Chanel and work in Vogue Italia and Dazed, Josh still manages to keep his independent, honest voice.

If you’ve ever felt like an outsider or struggled to explain your artistic path, this episode is for you.

KEY TAKEAWAYS

Stay positive, embrace authenticity, uncertainty and spontaneity. Tune into and use the chemistry you have with your subjects.
Explore relationships and the interplay between individuals and their environment in your work.
You don´t need permission to begin, you just need curiosity and a camera. It's okay not to know what you're trying to say at first. The message reveals itself as you create.

BEST MOMENTS

“The location is like a character alongside your other cast of characters, and you're in there too.”

“Making art isn't always about capturing the truth. It's often about inventing it.”

“Lean into your longing, to stage the stories that feel unfinished, and to stop waiting for perfect conditions or someone else's validation. “

RESOURCES

https://www.instagram.com/jda.usa

HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

Apply by September 15th, 2025, at https://cerihand.com/artist-mastermind-circle

and take the next bold step.

https://cerihand.com/membership

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk

Exploring New Ways To Combine The Elements Of Our Visual World with Pari Ehsan

Thu, 28 Aug 2025 11:05:00 -0000

Today, Ceri is joined by the brilliant and boundary-breaking Pari Ehsan, artist, curator and founder of the platform Pari Dust. She weaves transcultural aesthetics, fashion, architecture and contemporary art into rich, immersive images and experiences. A former architect and polymathic image maker, she has collaborated with institutions like MoMA, Tate Modern and brands like Chanel and Loewe.

KEY TAKEAWAYS

Pari shows us how intuition can be a research method and how beauty, far from being frivolous, is a site of inquiry, emotion and connection.

There's a generosity in Pari´s way of working, a desire not just to witness but to translate, to honour the artists she engages with, while also inviting new audiences in.

Artists often undervalue their take on the world, their knowledge. The value is not just in the finished work; it's in the research and the curiosity adventures the artist goes on to create it.

BEST MOMENTS

“Let Pari's work be a provocation to get closer, to stay curious, to make your own strange and luminous mark on the world.”

"The idea that beauty is that cookie cutter image or something that really can be replicated, I don't think that's true. Beauty can come in moments and disappear, it´s ephemeral."

“It's possible to create work that is both emotionally resonant and intellectually sharp. Care can be your compass, even when you're breaking new ground.”

EPISODE RESOURCES

https://www.paridust.com

https://www.instagram.com/paridust

https://www.tiktok.com/@paridust

HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

Apply by September 15th, 2025, at https://cerihand.com/artist-mastermind-circle and take the next bold step.

https://cerihand.com/membership

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk

Who Are Your Art World Champions (And Why You Need at Least 10 of Them)

Thu, 28 Aug 2025 00:00:00 -0000

In this episode, Ceri asks - Do you really need a commercial gallery to thrive as an artist? - The answer is no, not necessarily. Instead of relying solely on a commercial gallery, you need a team - a constellation of supporters, a circle of artistic champions. People who open doors, amplify your voice, provide feedback and help build momentum around your practice.

Listen in to learn the basics of how to build an art world network that will transform your career.

Then, if you like what you hear, sign up for Ceri´s Unlock Your Artworld Network Self Study Course to access a straightforward 5-step framework that will enable you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today.

https://cerihand.com/courses/unlock_your_artworld_network

KEY TAKEAWAYS

A successful art career relies on a diverse team of curators, producers, commissioners, writers, collectors, mentors, peers, and supporters. Each plays a unique role in amplifying your work, providing opportunities, and sustaining your creative growth.
Don´t wait to be discovered. Proactively build relationships by reaching out with clarity, confidence, and genuine interest.
Focus on nurturing diverse, reciprocal connections rooted in authenticity and care, rather than relying on a single gatekeeper.

BEST MOMENTS

“A thriving art career isn't built on one person saying yes, it's built on many people believing in your work, advocating for you and helping you to grow.”

“Aim to build and nurture at least 10 meaningful relationships across this ecosystem and make it your mission to plug into at least two supportive networks every single year.”

“This is about taking ownership, making your own map, and choosing connection over passivity.”

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

Apply by September 15th, 2025, at https://cerihand.com/artist-mastermind-circle

and take the next bold step.

https://cerihand.com/membership

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk

Do You Really Need a Commercial Gallery to Thrive as an Artist?

Thu, 21 Aug 2025 00:00:00 -0000

Today, Ceri answers the age-old question – Do You Really Need a Commercial Gallery to Thrive as an Artist? Ceri has run her own commercial galleries in Liverpool and London, worked for the blue-chip Simon Lee Gallery, attended art fairs across the world, and sold work to major museums and private collectors—seen this industry from the inside out, so she has a lot to say on the subject, some of which may surprise you.

KEY TAKEAWAYS

Increasingly, insiders are walking away from their galleries, because the system has stopped making sense, including Tim Blum.
Many successful artists start by being shown in artist-led spaces, having their work reviewed by independent art blogs and being active in studio groups, residencies and mentoring schemes.
If you are already represented, ask your gallery what you can do to help both of you succeed.

BEST MOMENTS

“The honest truth, most artists don't actually know what a gallery does or what they need from you to make it work, or what it costs them and you.”

“Within a year, she sold a piece to a regional museum collection through one of those curator connections. No big break, no golden ticket, just consistent, strategic, intentional action.”

“If you're seeking representation, start with research. Which galleries feel aligned with your values and your voice?”

Ep 49 - https://podcasts.apple.com/gb/podcast/an-artists-guide-to-working-with-commercial-art/id1709105337?i=1000664980028

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

Apply by September 15th, 2025, at https://cerihand.com/artist-mastermind-circle

and take the next bold step.

https://cerihand.com/membership

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk

Art As A Catalyst for Change with Peter Kennard

Mon, 18 Aug 2025 00:00:00 -0000

Peter Kennard is one of the most uncompromising, clear eyed political artists of our time, a pioneer of photomontage. His work rips through the surface of state power, war, capitalism and environmental destruction, and lays bare what those systems try to obscure - the human cost. Peter has created fiercely political images that have travelled far beyond the gallery wall, into newspapers, onto placards, pasted on street corners and burned into the minds of generations.

His work for the Campaign for Nuclear Disarmament, the stop the war coalition and his unflinching responses to Gaza and Ukraine are just a few examples. Peter and Ceri discuss the people and moments that shaped him, how he´s sustained prolific output without losing his fire, and why getting the work out into the world has always been just as important as making it.

KEY TAKEAWAYS

For over 50 years, Peter has used photo montage to speak truth to power, fusing activism with artistry.

Peter doesn´t make work about politics, he makes it for political change.

It is important to make art that communicates directly and inspires social change, despite the challenges of a corporate art world.

BEST MOMENTS

“Peter doesn't just make art. He dissects the very machinery of war, power and propaganda - one torn photograph at a time.”

“It's not about being liked, it's about making work that matters, work that outlives trends. Speaks across generations and refuses to look away.”

EPISODE RESOURCES

https://www.peterkennard.com

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

Apply by September 15th 2025 at https://cerihand.com/artist-mastermind-circle/ and take the next bold step.

https://cerihand.com/membership/

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

You´re Not Meant to Fit in - You´re Meant to Resonate

Thu, 14 Aug 2025 00:00:00 -0000

Today, Ceri answers a question she is asked every single day - "How do I find a gallery where I fit in, a curator who fits my kind of work, how do I fit in?”

This episode is a rallying cry for creatives who are done playing small. It totally blows up the myth that success as an artist means conforming to someone else's vision.

KEY TAKEAWAYS

Your mission is not to find a gallery owner-shaped hole and contort yourself into it. That's not a strategy. That's shapeshifting into Blandsville.

Tune into people who spark ideas in your bones, who make you say "Yes, I want more of that!" Real opportunities arise from authentic connections, not desperate conformity.

Your real power comes from finding your creative tribe. Share others' work, love their orbit, connect as whole humans. Don't approach with an agenda, instead do so with genuine passion and curiosity.

BEST MOMENTS

“Please stop trying to fit in. It's not your job to fit in as an artist, a creative and arts professional. Your job is to find the thing that you love, doing what only you can do, that lives in your marrow, ”

“Once you’re resonating at the right frequency as yourself, with no edits, your job becomes finding other people who are excited by ideas, theirs and yours.”

“You're not designed to slide neatly into someone else's filing system. You're here to chart a course, to be a bit disruptive, to be misunderstood, temporarily, gloriously, unavoidably.”

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

Apply by September 15th 2025 at https://cerihand.com/artist-mastermind-circle/ and take the next bold step.

https://cerihand.com/membership/

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

A Story of Friendship, Fraud and Fine Art with Orlando Whitfield

Mon, 11 Aug 2025 00:00:00 -0000

What happens when the art world’s golden boy vanishes—and leaves behind a trail of deception, millions in missing artwork, and a best friend caught in the blast radius? Today Ceri speaks with Orlando Whitfield: writer, former art dealer, and the author of All That Glitters—a blisteringly honest memoir of ambition, illusion and the cost of loyalty in a world where value is often just a well-told story.

Orlando pulls back the velvet curtain on how the art world really works: the emotional mechanics of value, the seduction of proximity, and the fine line between friendship and coercion. We talk about breakdowns, betrayals, and the kind of care that doesn’t come with a price tag.

KEY TAKEAWAYS

Story telling lands sales.

Galleries might promise the world, but often it’s the small teams—the ones who see you clearly, who care—that hold the real value.

The only work worth doing is the work you’d still want to make when nobody’s watching.

BEST MOMENTS

“Most artworks have no intrinsic value whatsoever… emotion becomes economics.”

"Writing a memoir is a sort of shockingly lonely experience, because you're having to live your life again as it were in your head, without anybody else there."

“Art was ruined for me by the money side of it.”

EPISODE RESOURCES

https://www.instagram.com/orlando_whitfield_writer

All That Glitters - https://www.amazon.co.uk/All-That-Glitters-Story-Friendship-ebook/dp/B0CGFTCW5X

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

Apply by September 15th, 2025, at https://cerihand.com/artist-mastermind-circle and take the next bold step.

https://cerihand.com/membership

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media https://disruptivemedia.co.uk/

The Case For Ugly, Challenging, Unsellable Art

Thu, 07 Aug 2025 00:00:00 -0000

Many artists feel their work is too dark, too ugly or challenging to sell. As someone who has sold paintings of infamous murderers, photographs of a drag queen dressed up as Van Gogh, missing ear and all, a portrait of a man mid ugly cry, a drawing made from fake tan and a sculpture of a dying lamp post with a flickering light, Ceri politely calls bulls**t on that belief.

KEY TAKEAWAYS

Artists are often the worst judges of their own saleability. If you've softened, reshaped or avoided making something out of fear it won't sell, stop - you're probably wrong. Don´t 2nd guess the market. Markets shift, don´t chase the trend.

You attract people by making work that feels true to you and bringing people into it, not the other way round.

Pour your energy into being in alignment with the people who see you, who light up at your work.

BEST MOMENTS

“If your gut´s telling you not to compromise, to stick with the hard stuff, the weird stuff, the work that gnaws at you, then don't bend.”

“Sometimes that impossible to sell work ends up in a Miami collection, gets a residency and boom, everyone wants one. The art market isn't run on logic or formulas. It runs on story. ”

“If you're making feminist witchy art with plaster cast body parts, gold cobwebs and a death metal soundtrack, you don't need the approval of a minimalist, leaning septuagenarian collector. He's not your guy”

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

Apply by September 15th 2025 at https://cerihand.com/artist-mastermind-circle/ and take the next bold step.

https://cerihand.com/membership/

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

A Masterclass in Curating As Care Infrastructure and Expansive Thinking with Dr. Livia Alexander

Mon, 04 Aug 2025 00:00:00 -0000

Today, Ceri is joined by Dr Livia Alexander a Brooklyn based curator, writer and professor of Visual Studies at Montclair State University whose curatorial work bridges continents, disciplines and philosophies. Her work lives at the intersection of contemporary art, film and expanded media with a focus on artists and practices from Southwest Asia and North Africa.

She is co-founder of Arte East and has contributed to and supported curatorial programmes for the Museum of Modern Art, Tate Modern, the Brooklyn Museum and the digital screen programme at Moynihan train station in New York.

Livia reminds us that visionary work often happens out of sight, slow, durational and deeply relational. This episode is a master class in curating as care infrastructure and expansive thinking.

KEY TAKEAWAYS

Livia´s use of diverse mediums and explorative, nuanced approach uncovers the quietly radical and overlooked perspectives. By prioritizing thoughtful exploration over spectacle, Livia enables us to engage more meaningfully with the world and its challenges.
Be true to your values but know when to let go. Have humility, recognise that your perspective is just one of many, and be open to other possibilities.
Explore interactive media and gaming, they have great potential and allow audiences to interact with stories in new ways.

BEST MOMENTS

“We need to create those spaces to have conversations between unusual suspects - between the banker and the artist.”

“Creativity isn't just about output. It's about asking better questions, slower ones, ones that resist spectacle and lean into complexity.”

“Livia´s work makes space for friction, for paradox, for multiplicity. She invites us to listen across disciplines, across cultures, across power structures, without rushing to resolution.”

RESOURCES

https://www.livalex.net

@liviajalexander

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

Apply by September 15th 2025 at https://cerihand.com/artist-mastermind-circle/ and take the next bold step.

https://cerihand.com/membership/

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Which Option is Best, Solo, Duo or Group Exhibition?

Thu, 31 Jul 2025 00:00:00 -0000

For this episode, Ceri provides a comprehensive answer to an important question that many of her artists have – which is best? A solo, duo or group exhibition? She shares how to assess each opportunity to enable you to identify which option is right for you at each point of your artistic journey.

Ceri explains how to apply the six filters that matter when making your decision - new work, feedback, new contacts, new opportunities, press and sales.

KEY TAKEAWAYS

Each show format has its own pros and cons. Ceri provides a comprehensive explanation of what they are for solo, duo or group exhibitions.

Which show format is best depends on what you're hoping to get from that opportunity. Asking yourself what each option realistically offers enables you to assess the real return on investment of your time, energy and resources.

If you choose wisely, you can expect each exhibition to benefit you in 6 ways. To generate - new work, feedback, new contacts, new opportunities, press and sales. Or, failing that, at least four of these six things.

BEST MOMENTS

“It's worth asking, What does this exhibition realistically offer you, not just in theory or hope or fantasy, but in evidence? ”

“A solo show is a lot of work, but it can pay off the most and be more strategic. A group show isn't necessarily easier. It can be just as much work with more or less return. A duo show isn't a compromise; it can be an opportunity.”

“There's no best choice across the board, only what's best for you now, if you're unsure which will move your needle, deepen your network, or spark your next big opportunity, subscribe to my free “Beat The Block” newsletter.”

Join Ceri´s Coaching Community for only £10 a month - https://cerihand.com/membership

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

Apply by September 15th 2025 at https://cerihand.com/artist-mastermind-circle/ and take the next bold step.

https://cerihand.com/membership/

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Insights into Playing the Long Game as an Artist with Shezad Dawood

Mon, 28 Jul 2025 10:42:00 -0000

Today, Ceri sits down with the brilliant Shezad Dawood, whose expansive practice spans painting, textile, sculpture, film and digital media. He weaves stories, realities and symbolism to create richly layered worlds, and exhibits at leading institutions worldwide, from MoMA and the ICA to the Venice Biennale, Guangzhou Triennial and Manifesta. His works are held in major collections including the Guggenheim, Tate, LACMA, the National Gallery of Canada, and the British Museum.

Shezad unpacks the inspiration behind his work. He shares why he always proposes the most ambitious, even bonkers ideas, how he maximises every project and why he stays clear of social media. Whether you're early in your career or looking to push your work further, this conversation is packed with insight from playing the long game as an artist.

KEY TAKEAWAYS

Your artistic voice emerges from a willingness to play, to fail, and to continuously reimagine your practice. It's less about perfection, and more about persistent, passionate inquiry.

The intersection of artistic vision and community engagement is where the real magic happens. Shezad's approach to public art is revolutionary: it's not about imposing a vision, but creating a generous, collaborative dialogue.

Your intuition is what will lead you to the right place.

BEST MOMENTS

"He was a really tough critic and teacher who would question every brush mark. It just gave me this real sort of critical kind of eye and voice on my own work.”

“Stay with your practice. Keep developing, keep working at it. Don't be easily dissuaded, deterred, distracted or pushed into an avenue you don't want to go down."

“Engage with people. You might have a coffee with somebody, they say something, and you think “Oh, that´s the missing thing that I was sort of looking for.”

EPISODE RESOURCES

https://shezaddawood.com

PODCAST HOST BIO

With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

****

Apply by September 15th 2025 at https://cerihand.com/artist-mastermind-circle/ and take the next bold step.

https://cerihand.com/membership/

****

Unlock Your Artworld Network Self Study Course

https://cerihand.com/courses/unlock_your_artworld_network/

****

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

****

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Are We There Yet?

Thu, 24 Jul 2025 00:00:00 -0000

Have you ever walked into a gallery opening, heart pounding, and thought, “What am I doing here? Everyone else looks like they belong”. You're not alone. That voice in your head telling you you're not enough, it's not the truth. It's a glitch in the system. Today, Ceri explains how to reframe how you show up and who you think you are when you do.

Your overachieving brain whispering, “You don't belong here”, does not make it true. It's your inner critic trying to keep you safe. But safe is not where art happens. Safe is not where connection happens. And safe is definitely not where you get to grow. So, you really do need to learn to stand up to your inner critic and reframe things, which is exactly what Ceri teaches you to do, in this episode.

KEY TAKEAWAYS

Before you even leave the house, do a little thought housekeeping. Remind yourself your presence is enough. You don't need to earn your place. You already have it.

Put on some emotional armour. Visualise kindness. Imagine a friend or studio mate, welcoming you with warmth, delighted to see you.

Walk into a room with purpose, not pressure. Ditch your performance mindset. Instead of pitching, seek out three people and make them feel seen, heard and valued. Opportunities materialise when you connect, not when you push.

BEST MOMENTS

“Assume generosity, that stranger you're nervous about, they're probably more worried about themselves than judging you. Most people are kinder than your inner critic.”

“It's about being present, because the more curious you are, the less space there is for comparison, and the more generous you are, the more generous the room becomes. .”

“"Next time that inner voice says, 'Are we there yet?' Smile, nod, tell it we're already there love - and we've only just begun.”

PODCAST HOST BIO

With over 30 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals.

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https://cerihand.com/courses/unlock_your_artworld_network/

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Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

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Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Asking For Help Is Not Weakness - It Is How You Will Be Successful with Danielle Krysa

Mon, 21 Jul 2025 17:46:00 -0000

For this episode, Ceri is joined by Danielle Krysa, host of "The Jealous Curator" podcast, author and a highly successful mixed media artist. Danielle shares her very rocky artistic journey, including why she stopped creating art for 20 years and how she rediscovered her creative voice through therapy, mentorship, and self-acceptance.

Apply by 21 July at https://cerihand.com/artist-mastermind-circle/ and take the next bold step.

KEY TAKEAWAYS

Every successful person recognises when they need help and seeks that help.

The right therapy frees up a huge amount of mental and emotional energy to use for your art.

Consistent practice is key, even when it is hard.

Rituals and processes will keep you in the creative groove.

When you create what you want and tap into your personal narrative you produce your most powerful work.

Take the meanest thing your inner critic says and flip it into a positive statement.

Choose not to care about negativity.

BEST MOMENTS

“If you aren't letting who you are come through in your work, it's just porridge - it's just gonna look like other´s work.”

“I thought I was the only one with that voice in your head telling you that you suck. I did not realise that is a human condition.”

“By going to therapy (EMDR) and getting yourself a mentor, you've given yourself that gift of actually rewriting the story for yourself.”

“It's 20 chapters, and each chapter is about a lie, the bulls**t that artists have to navigate. ”

EPISODE RESOURCES

https://www.instagram.com/daniellekrysaart

https://www.audible.com/author/Danielle-Krysa/B00GI8TC0M

PODCAST HOST BIO

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Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

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Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Should You Start a Newsletter as an Artist?

Fri, 18 Jul 2025 08:18:00 -0000

Is it really worthwhile for an artist to start a newsletter, these days? Ceri’s answer is - yes. She explains why, even in the age of AI, endless algorithm tweaks and dopamine-driven social scrolls, newsletters are still the most effective way to generate sales.

Ceri concisely explains how to start your own artist newsletter and shares 4 real world examples.

Apply by 21 July at https://cerihand.com/artist-mastermind-circle/ and take the next bold step.

KEY TAKEAWAYS

Stats don´t lie – artists make more sales via email than they do any social media channel. A newsletter invites people to give you their email address.

Newsletters are an effective way to build trust.

With newsletters, there are no algorithms to get past.

Newsletters help new audiences engage with your previously published work.

Frequency is the key to trust. If you ghost your audience they will disappear.

Gentle CTAs work best.

Be you, don´t worry about perfect grammar.

BEST MOMENTS

“Newsletters can feel quaint, like carrier pigeons in the age of drones, but here's my argument: Yes, it's worth it.”

“Artists consistently get more traction, more commissions and more sales through email than any other channel.”

“Social media might get the likes, but newsletters get the buys.”

“You don't need to be perfect; you just need to be consistent. It's not a megaphone, it's a magnet.”

EPISODE RESOURCES

https://libbyheaney.co.uk

https://evanifekoya.substack.com

https://www.helenbooth.com/subscribe

https://richellerich.substack.com

Subscribe to Ceri´s Beat The Block Newsletter here - https://cerihand.com/subscribe

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Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Chewing Gum and Cinematic Truths – A Rebellious Filmmaker’s Journey with John Smith

Mon, 14 Jul 2025 00:00:00 -0000

In this episode Ceri is joined by the incomparable John Smith—artist-filmmaker, mischievous narrator, cinematic magician. Over the past five decades, John has created more than 60 award-winning films, videos and installations that have screened in cinemas and museums around the world, from MoMA in New York to Tate Modern, and earned him honours including the Jarman Award and a Paul Hamlyn Foundation Award for Artists.

Often funny, always astute, his work reshapes how we see and hear the world. In this conversation, John shares how growing up in East London in the 50s and 60s fuelled his anti-authoritarian streak, how he stumbled into art school via psychedelic paintings and audacity, and how humour became his Trojan horse for smuggling serious ideas into unsuspecting minds.

KEY TAKEAWAYS

Being rebellious is fuel for creativity.

Humour is a great way to break down barriers, including artistic ones.

When you connect with your audience your confidence and creativity grows.

Art is about communication.

Your old work can resonate with new audiences, so use it.

Working through illness, if you can physically do it, is hard but rewarding.

Be true to yourself in your work. Integrity beats commercialism.

At times you will work within limitations, embrace those situations. You will learn a lot.

BEST MOMENTS

“The power of language and storytelling is so strong that when we are told something we can’t help but half believe it.”

“That film was made in the context of people making work, which was anti illusionistic, was which had its intention to undermine the illusion of cinema and make us realise that that that cinema is manipulating us.”

“Humour absolutely is a survival mechanism.”

“The market is a fickle beast…so, you have to make work you love, regardless.”

EPISODE RESOURCES

https://johnsmithfilms.com

https://www.instagram.com/theotherjohnsmith

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Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Why You Feel Drained After a Big Show (And What to Do About It)

Thu, 10 Jul 2025 00:00:00 -0000

In this episode, Ceri looks at why so many artists feel completely drained after a big show. She explains why this is a natural part of the creative cycle, how to build up your resilience before a show so the drop in energy you feel is less drastic, and the practical things you can do to enable yourself to recover faster and ignite your creative spark again.

Apply by 21 July at https://cerihand.com/artist-mastermind-circle/ and take the next bold step.

KEY TAKEAWAYS

It's natural to feel drained after a big show.

The adrenaline and cortisol that kicks in to get you ready for and through a show disappears once it is over, leaving you feeling flat.

Your body can only produce and run on adrenaline in short bursts. Expecting your body to do it for back-to-back shows leads to burnout.

That after-show crash is predictable, so you can plan for it, which will greatly benefit your work.

Build your resilience in advance.

Schedule time to decompress and recharge after a show.

Subscribe to Ceri´s free Beat The Block weekly newsletter to learn more about managing your creative energy - https://cerihand.com/subscribe/

BEST MOMENTS

“These hormones keep you sharp and focused, but they're meant for short sprints, not months long endurance. ”

“Create a music playlist that lifts your mood, buy food that nourishes, build in the rituals that remind your body and your brain that this pressure is temporary.”

“The creative crash is part of the cycle. Plan for it. Meet it with grace, and your creativity won't just survive. It will grow stronger, steadier, wiser.”

PODCAST HOST BIO

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To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

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Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Using the Art of Story Telling to Connect and Resonate with Hunter Braithwaite

Mon, 07 Jul 2025 00:00:00 -0000

Today, Ceri is joined by Hunter Braithwaite, an artist, writer, editor, and cultural strategist who is Senior Vice President of Cultural Counsel and has led strategic communications for the Chicago Architecture Biennial, Hyundai Artlab and the Ford Foundation. Hunter shares how to craft powerful narratives that tell your story and engage decision makers and how to use your creativity to connect with others and be an agent for change.

Apply by 21 July at https://cerihand.com/artist-mastermind-circle/ and take the next bold step.

KEY TAKEAWAYS

Authentic story telling is at the core of being able to gain attention.

Tell your story – if you don’t, someone else will and it might not reflect who you really are or what you stand for.

Your work and voice can make a difference for others. Don´t feel guilty about being paid.

Ask for feedback – it gets you out of your own head.

Keep in touch with those who you work for/with.

Understand how systems work so you can move through them with clarity, care and agency.

BEST MOMENTS

“Storytelling isn't just PR or promotion, it's how we shape perception, create resonance and invite people into our worlds”

“I live within a story; I am genetically coded to gravitate towards stories as are you.”

“It's the individual stories that contribute to a collective change.”

“What do you want to change? - you have the power to change it.”

“There are multiple art worlds, and the art market is different from the art world.”

EPISODE RESOURCES

https://www.hunter-braithwaite.com

https://www.instagram.com/hunterbraithwaite

https://culturalcounsel.com

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Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

How to Rekindle an Old Artworld Contact (Without Making it Weird)

Thu, 03 Jul 2025 00:00:00 -0000

Today, Ceri talks about reaching out to someone you haven't spoken to in years. Most artists dread speaking to that curator, collector, collaborator, who once loved their work, got their vision, maybe even worked with them, but who they over time lost touch with to the point where contacting them again feels kind of awkward.

Ceri shares 4 simple ways to reach out that cut through all of that awkwardness and really work.

Artist Networking Course - If you want the scripts, the tools and the confidence to reach out, network and reconnect, they're all inside Ceri´s Unlock My Art World Network course. There's templates, prompts, message, checklists, even a what to say when it's been 10 plus years guide.

Sign up at https://cerihand.com/courses/networking-course-for-artists and start building relationships that get your art seen, shared and bought.

It´s an invaluable, yet low-cost, course that pays for itself very quickly.

KEY TAKEAWAYS

People love to be remembered, so will be pleased to hear from you again.

Genuinely reconnect before you try to sell anything.

A warm email or DM is always welcome.

Simply saying hello at events easily breaks the ice.

Don´t overthink things and don´t wait for the perfect moment.

BEST MOMENTS

"People don't mind being remembered. They mind being forgotten.

“People are far more likely to ignore you if you slide in trying to sell yourself than if you show up human, generous and real."

"Relationship building is the art around your art. If you want more shows, support and opportunities, you don't need a miracle. You need a message."

"You don't need to apologize for time passing. You don't need to over explain. You just need to show up as someone who remembers and values them and has dared to reach out."

"The art world is built on brave nudges."

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Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media https://disruptivemedia.co.uk/

Creative Courage, Grit and the Benefits of Sharing Your Process with Chris Do

Mon, 30 Jun 2025 00:00:00 -0000

In this episode, Ceri is joined by the dynamic Chris Do—designer, entrepreneur, educator, and founder of The Futur. Chris shares his journey from refugee to renowned creative force. He and Ceri discuss the power of inner narratives, building confidence through action, and why you should share your process.

If you suffer from imposter syndrome, are unsure of how to grow your creative career, or stuck waiting for permission - this episode is ideal for you.

Apply by 21 July at https://cerihand.com/artist-mastermind-circle/ and take the next bold step.

KEY TAKEAWAYS

Doubt immobilises you. Remove it by telling yourself you are just going to try, then do it.

You don’t need to wait for permission; give it to yourself and take action.

Clients aren’t always great at expressing what they want. Spend plenty of time with them asking the right questions.

Your uniqueness is your brand.

Manufacture your own hype.

Documenting and sharing your process invites people into your world.

BEST MOMENTS

“If you want to change how you create, change the tools you use.”

“Words shape worlds. We have to be very mindful and intentional about how we communicate with ourselves.”

“Your mind is a fertile garden. It grows whatever you plant.”

“Hone your unique vision, craft it and find out what makes it unique to the world."

“Craftsmanship or craft is the new luxury, doing things slowly, that's what people want now.”

EPISODE RESOURCES

https://www.linkedin.com/in/thechrisdo

https://thefutur.com

@chrisdo

https://www.youtube.com/thefuturishere

PODCAST HOST BIO

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To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

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Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

The 5 Types of Confidence Every Artist Needs (And How to Build Them)

Thu, 26 Jun 2025 00:00:00 -0000

Today, Ceri talks about something that causes more anxiety than almost anything else in an artist's career - confidence. She demonstrates that confidence is not a single magical personality trait that you either have or you don't, it is actually a toolkit of slightly different skills that any artist can learn.

Artists need to develop 5 types of confidence, Ceri explains what they are and how to build each of them. She also provides you with a simple coaching exercise you can use to start doing this immediately.

Apply by 21 July at https://cerihand.com/artist-mastermind-circle/ and take the next bold step.

KEY TAKEAWAYS

• Artists need to develop 5 core types of confidence.

• Creative confidence comes when you trust your ideas and explore new materials and ways of working.

• It’s not enough to make the work—you have to talk about it at openings, in applications, to curators, collectors and peers.

• Recognising your worth is at the root of building the confidence to ask for the price you want.

• Start building networking confidence by taking small steps.

• Build the confidence to say no.

• Build your confidence toolkit using the coaching exercise Ceri shares.

BEST MOMENTS

“Confidence isn’t a trait. It’s a toolkit.”

“Abandon safe paths, make the “weird” work that excites you but terrifies you.”

“Pricing confidence starts by understanding your worth is not determined by what someone else is “willing” to pay.”

“Action creates clarity, and clarity builds confidence. You don't need to wait to feel confident before you act.”

PODCAST HOST BIO

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To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

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Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Finding Inspiration Everywhere, Persevering and Staying True to Yourself with Laleh Khorramian

Mon, 23 Jun 2025 00:00:00 -0000

Today, Ceri is joined by Laleh Khorramian, painter, printmaker, animator and textile artist, whose work spans drawing, light, costume and collage. Laleh reveals the roots of her creative life, from drawing under duress to discovering Van Gogh in Costco. Laleh shares how growing up between cultures shaped a dual sense of self that still informs her work.

She explains how she rebuilt her practice and sense of self after cancer diagnoses and found her way back when the work felt lost. Whether you are building a sustainable practice, navigating reinvention or reclaiming your identity in your work, this episode is for you.

The Artist Mastermind Circle: Ready to stop second-guessing and start building momentum in your art career? Apply for the next Artist Mastermind Circle a six-month coaching programme for mid-career artists who are serious about growing their confidence, income, and opportunities.
Apply by 21 July at https://cerihand.com/artist-mastermind-circle/ to take the next bold step.

KEY TAKEAWAYS

· Take notice of what you see, feel and dream, they are what you are destined to create.

· Let go of shame about the things you get wrong and accept support.

BEST MOMENTS

“I became aware of that. It was okay, if it reflected me, it's okay. Actually, this is I'm, I'm the artist. It's that that work is what it is because of me, because I made it, and there's my voice in particular is important to what's happening there.”

“you have to sometimes become something very outside yourself. You have to create skills that you didn't know you had or think you could summon, including acceptance.”

“So you make something in response to a person or a character. Yeah, very often it's not someone I know it's, very often it's, it's a, it's a character, it's a, it's a, I think there's all constantly an ongoing opera in my mind.”

ABOUT LALEH

Laleh Khorramian (b. Tehran, raised in Florida) is multi-award-winning artist with degrees from RISD, SAIC, and Columbia University. Her work spans animation, painting, lighting, and textile art.

She exhibits internationally including at MoMA PS1, Times Square and the Saatchi Gallery. Her awards include the Vasseur Artists’ Award and the Pollock Krasner Foundation Grant.

Laleh created LALOON - an ongoing project of hand-painted garments, gowns and costumes in NY.

https://www.lalehkhorramian.com

https://www.instagram.com/lalehkhorramian

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Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly and build the confidence you need to create new opportunities and thrive in the art world today.

https://cerihand.com/courses/unlock_your_artworld_network

Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Stuck is Normal - Staying Stuck is Optional

Wed, 18 Jun 2025 23:00:00 -0000

In this episode, Ceri talks about something every artist faces – getting stuck. That moment where everything grinds to a halt, you feel overwhelmed and unable to make progress. Ceri has helped all kinds of artists overcome this issue, everyone from emerging artists, mid-career artists, even artists with solo shows at major institutions, so she will help you too.

Stuck happens to everyone, but staying stuck, that part´s optional.

KEY TAKEAWAYS

Getting stuck is normal, part of the normal creative rhythm.
Having too many choices, burnout, a perfectionist mindset, being isolated or avoidance are usually at the root of your paralysis.
If you feel overwhelmed, break the mountain into pebbles, then take one action at a time.
Taking small steps, getting one thing done at a time creates the steady momentum you need to get unstuck.

BEST MOMENTS

“The key is not to attach shame to being stuck. You're not broken, you're not behind, you're human and you're not alone.”

“Stuck is a normal part of the creative rhythm. It's not failure, it's feedback.”

“Being stuck is not a character flaw, it's a signpost. It tells you it's time to pause, reassess and adjust. The worst thing you can do is retreat into silence.”

“Sketch, one idea, call one curator - progress returned.”

“Isolation magnifies stuckness, community dissolves it.”

“You don't have to untangle the whole knot at once. Just start pulling on one thread. Movement generates momentum. Momentum generates confidence.”

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To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

Discover Your Extraordinary Creativity

Leveraging the System to Create Attention Grabbing Subversive Art with Jeremy Hutchison

Sun, 15 Jun 2025 23:00:00 -0000

For this compelling episode, Ceri is joined by artist Jeremy Hutchison, whose subversive, multi-disciplinary practice spans performance, sculpture, video and text. They cover essential takeaways for artists today: how to subvert the aesthetics of capitalist spectacle without shame, how humour disruption and wrong-headed commercialism can be radical tools for change; and why artists must stop waiting for permission and instead beg forgiveness, push edges and find their co-conspirators.

KEY TAKEAWAYS

Don´t ask for permission, push the boundaries and embrace risk. Beg forgiveness afterwards.
Nonsense and humour are powerful - they make people pause and question.
Leverage the systems you are critiquing to reach more people.
Working with others, movements and communities fuels your creativity and increases reach.
Notice small detail they can be catalysts for impactful art.
If you want a sustainable practice, regularly take time to recharge. You need good mental and physical health.

BEST MOMENTS

“You don't need 700 people. You only need about 7 or 10 champions.”

“Sometimes in the midst of a political or cultural crisis, the risks that artists have to take set them apart from the tribe.”

“I often begin with a tiny thing that pops out of the great sea of life, and it will somehow express the full weirdness of the greater thing.”

EPISODE RESOURCES

https://jeremyhutchison.com

https://www.instagram.com/jeremyhutchison

PODCAST HOST BIO

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Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

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Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

You´ve Achieved More Than You Think

Wed, 11 Jun 2025 23:00:00 -0000

In this empowering episode, Ceri dismantles the myth that you are not achieving enough as an artist. Something that virtually every artist that comes to her for coaching tells her is true of them. Ceri explains how to use honest reflection, and mindset shifts to put things into perspective, fully appreciate your achievements and celebrate your wins.

This episode will enable you to reclaim your confidence and progress with renewed clarity and enthusiasm.

KEY TAKEAWAYS

Cultivating the right mindset is key.
Notice the micro wins and celebrate them - track progress to help you.
Consistency is what sets successful artists apart.
Comparing yourself to other artists is a trap.
The art world puts a lot of unnecessary pressure on artists.
Don´t wait for institutions or gatekeepers to validate your work. Just keep creating.

BEST MOMENTS

“The art world loves fashion and labels. I say, Forget it. What matters is consistent contribution.”

“Train yourself to expect good things. Wire your brain to notice the progress you're already making. Success builds more success. Momentum attracts more momentum.”

“Write down every single action you've already taken to move your career forward.”

“There is no hierarchy. There is no right combination. There is only your unique self-made path.”

“When you see it in black and white, you'll realize you're much further ahead than you ever allowed yourself to believe.”

“You've already proven your resilience, your commitment and your contribution stand in that. Let it lift you.”

HOST BIO

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Book a Discovery Call Today

To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

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Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Invisible Worlds, Creative Resilience & Letting Go Of Perfectionism with Andy J. Pizza

Sun, 08 Jun 2025 23:00:00 -0000

Today, Ceri sits down with prolific author, illustrator and podcaster, Andy J. Pizza. They discuss how each part of you fuels creativity, and why staying true to your weirdest self produces meaningful work.

Andy shares the evolution of his acclaimed book Invisible Things (co-created with his spouse Sophie Miller). He opens up about collaboration, resilience, letting go of perfection and advocating for yourself when working with clients.

KEY TAKEAWAYS

Andy is a prolific creator. His secret is not being afraid of imperfection.
Bittersweet feelings and melancholy can be powerful creative fuel.
Friction is part of the creative process. But recognise the difference between good and bad friction.
Your personal work is your most powerful creative compass—trust it.
Don't underestimate the importance of advocating for yourself in client work.
Openness to experience is the bedrock of creativity – but respect your limits.
Collaborating with a partner requires honouring different values and creative processes.

BEST MOMENTS

“ Advocating and talking about money is an essential part of a creative practice.”

“There's real magic in our universe; it is so freaking weird. There's a hidden realm and I pulled at that thread.”

“If creativity was a pie, it's a mud pie, it´s the dirt that makes it what it is. It is the struggle or the imperfection.”

EPISODE RESOURCES

https://andyjpizza.substack.com

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Discover Your Extraordinary Creativity

Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

When You Know, You Know: Heartbreak, Art and Learning to Trust Yourself

Wed, 04 Jun 2025 23:00:00 -0000

Today, Ceri shares a personal story that she rarely talks about. It´s messy and painful, but ultimately hopeful. Ceri is sharing this story to help you reflect on the times that you have ignored your inner knowing, your instincts, and carried on working for a gallery or client that was draining you or stayed in a bad relationship.

This episode will help you find a little more courage to trust yourself next time. Enabling you to be true to yourself and your work so you can grow your art practice.

KEY TAKEAWAYS

The unknown feels scarier than a guaranteed slow death of the soul - Most artists stick with a safe job despite it draining them.
Breaking free from creative relationships that don´t serve you is essential.
Some artists sabotage themselves because they fear rejection.
Listen to your knowing. Learn to recognise the signs, e.g. your body tensing.
When you know something isn´t right, act. The longer you leave it the more painful it becomes.

BEST MOMENTS

“Stop staying too long with what you know deep down isn't working. Stop saying yes to commissions, galleries, collaborations that drain your soul. ”

“In life and in art, we always know. Our gut whispers, our body tenses, we delay, we rationalise, but deep down, we know.”

“Some of you sabotage your art for the same reason - you fear the rejection, so you reject yourself first.”

“When you know you know, the longer you ignore it, the more painful it becomes.”

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Discover Your Extraordinary Creativity

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This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Making Art That Glows: Autumn Casey on Intuition, Grit, and Building a Creative Life

Sun, 01 Jun 2025 23:00:00 -0000

Today, Ceri chats with Miami-based artist Autumn Casey, whose work dances across sculpture, performance, video, and sound—from solo screams at Art Basel to directing a lo-fi Snoop Dogg video. Autumn transforms the everyday into something enchanted, uncanny, and joyfully offbeat. Her luminous sculptures now light up the design world.

She shares the real story behind sustaining a creative life: the grit, the glamour, the grounding force of good collaborators, and the unexpected magic of saying your dreams out loud.

KEY TAKEAWAYS

Repetition, practice and discipline enable you to create more and prevent burnout.
Trust your intuition, even if you are not on trend.
Talk about your work, share your enthusiasm. It creates opportunities.
When you speak up for what you want, help comes.
Pay attention to the details.
Taking care of your physical and mental health enables you to show up fuels your ability to work.

BEST MOMENTS

“All it takes is just visibility and for one person to see you somewhere.”

“I do love having something to react to, it is like one of the best impetuses for me to start creating something.”

“It's crazy how much boundaries or limitations can give you freedom. I really keep to my schedule.”

“A lot of it is really intuitive, and so I let myself respond to the work as I'm making it, and kind of like see where I want it to go. There is that playfulness and discovery.”

EPISODE RESOURCES

https://www.instagram.com/freaky_friday_fragile

https://autumncasey.com

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https://cerihand.com/courses/unlock_your_artworld_network/

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Discover Your Extraordinary Creativity

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This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

How to Build Confidence—Without Faking It

Wed, 28 May 2025 23:00:00 -0000

If confidence feels elusive for you and this is holding you back, this episode will be especially helpful for you. Confidence is not a gift, it is a habit, something you can learn and use until you reach the point where getting out there pitching, applying and connecting is something you feel comfortable doing and are good at.

To help you to do this Ceri shares the real-world journey of a member of her Artist Mastermind Circle, along with a simple confidence building exercise for you to do this week.

KEY TAKEAWAYS

Confidence grows with clarity. Knowing what you want stops you feeling uncertain.
Confidence doesn´t come first, action does. Once you´ve acted, done something you found hard but achieved the result you wanted, your confidence starts to grow.
Fear has a significant impact on how effective the actions you take are. It makes it hard to think clearly, to deliver a good pitch and not feel overwhelmed.
When you recognise, acknowledge and learn how to gain better control over your fear your confidence levels automatically improve.
Before each contact, go for a short walk or take a few deep breaths to free your body of tension, which helps the fear flow away.
The support of your peers helps tremendously. They have been where you are now, so provide practical advice e.g. help you to test email formats.
Your first pitch will feel daunting. Make things easier for yourself by choosing someone who has already shown an interest in you and your work, someone you respect.
Breaking things down into smaller steps takes a lot of pressure off. Pitch to one person at a time, instead of a list of 10 people.

BEST MOMENTS

“Confidence isn´t a gift, it´s a habit. It's built one decision at a time in a space where it's safe to try.”

“Move fear through your body, not just your brain. Five minutes before any moment of contact, a short walk, a stretch, four deep breaths. Confidence comes through repetition, through movement.”

“Before you hit send, move your body, breathe, shake off the noise.”

“Confidence isn't the thing you need before you act. It's the thing you earn by showing up.”

“That's what we offer in the artist mastermind circle: not perfection, but a space to try things before the world sees them, to ask for help.”

“You don’t need to shout louder; you just need to be heard by the right people.”

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Discover Your Extraordinary Creativity

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This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

How to Keep Evolving When the Art World Wants Consistency with Peter Gronquist

Sun, 25 May 2025 23:00:00 -0000

Today, Ceri introduces you to the extraordinary artist Peter Gronquist. Peter grew up surrounded by creative energy and unconventional thinkers. His work is rooted in resilience, experimentation, and emotional connection to the natural world.

Peter and Ceri discuss his artistic journey, the importance of persistence, parenting, and the messy beauty of making work that defies categories. If you’ve ever wondered how to stay true to yourself while navigating the sometimes-maddening art world, this episode is for you.

KEY TAKEAWAYS

Being surrounded by creative people is inspirational, but a quiet space to create is essential.
Start anywhere – Peter started with coffee shops.
Consistency and structure enable you to sustain creative output over years and facilitates a balanced family life.
Work with dealers who back you while experimenting and evolving.
Be persistent – continue to create through dry spells and uncertainty.
Without reinvention, creativity dies. Don´t allow commercial success to trap you.
Writing about your work fuels your creativity.

BEST MOMENTS

“Whenever I have a new series and it starts doing very well, I feel that's when I need to get out.”

“Almost every day I'll write something in my notes, a stream of consciousness, almost. Later, they're invaluable.”

“I can get them to school, work all day, and then go home and pick them up, make dinner, all the normal balance of life things.”

EPISODE RESOURCES

https://www.petergronquist.com

https://www.instagram.com/petergronquist

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Discover Your Extraordinary Creativity

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This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

The Artists Making Progress Do This First

Wed, 21 May 2025 23:00:00 -0000

This week's shorty is about one simple but powerful shift: getting clear on your goals, what you really want, and how to start getting there. Not just in theory, but in practice, with examples from artists who've done it inside The Artist's Mastermind Circle.

There is a difference between working and progressing. You can be busy every day, posting, planning, painting, and still feel like nothing's actually moving. If that sounds familiar to you, this episode is definitely going to help you to break free.

KEY TAKEAWAYS

Getting clear on your goals is essential.
Set 3 big goals in 3 different areas of your work, e.g. creative, financial, relationships and visibility.
When you define your goals out loud, momentum starts to build.
Creative goals don't have to be tied to external validation.
Goals need to stretch you enough to energise you.
Set a financial goal that you can actually measure.
Working out the steps you need to take to achieve each goal, prevents overwhelm and provides you with a full road map to follow.

BEST MOMENTS

“These (goals) aren't vague hopes. They're specific, time-bound and slightly scary.”

“Name a creative goal that actually motivates you.”

“Write down a number, then ask, ‘Where could that income realistically come from without overextending myself or compromising my values?’”

“Apply now, and within six months, you won't just feel clearer, you will be moving ahead.”

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This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

The Transformative Effect of Saying Yes to the Painting Within You with Erika B Hess

Sun, 18 May 2025 23:00:00 -0000

For this episode, Ceri is joined by the fiercely honest, endlessly generous Erika B Hess, a painter, the artistic director of Chautauqua Visual Arts and host of two brilliant podcasts. She's exhibited nationally and internationally, curates shows and publications and has helped build an entire support system for artists.

Erika shares her artist journey, including the moment her paintings stopped being something she controlled and became something she listened to. She talks about learning to say no, building a life with intention and the magic that happens when you let go of good to make space for great. If you're juggling a creative life with caregiving, craving more time in your studio, or learning how to say yes to what truly matters, this episode is for you.

KEY TAKEAWAYS

Early on, Erika learned to pivot, which enabled her to pursue her passion as an artist.
It took Erika nearly 20 years to completely trust her work and produce work that is 100% hers.
Be honest in your work. People respond to authenticity.
Don´t hesitate to hire help.
Say yes to rest, schedule your downtime.
Talk about your work in an accessible way.
When your career takes off, saying no and getting in the studio more is essential.
Don´t be a slave to social media. Use it to showcase your work and keep it up to date.

BEST MOMENTS

“That was the turning point… having to be brutally honest with myself.”

“This kind of success is actually a new space to navigate.”

“Say yes to the painting waiting inside you.”

“You can't make room for new, wonderful, beautiful things if you don't let go of the other behind you.”

EPISODE RESOURCES

https://www.erikabhess.com

https://www.ilikeyourworkpodcast.com/submitwork

https://www.instagram.com/erikabhess

https://www.amazon.co.uk/Field-Guide-Getting-Lost-Canons-ebook/dp/B002VM7FYO

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Discover Your Extraordinary Creativity

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This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

Stop Waiting - 4 Ways to Start Earning from Your Art

Wed, 14 May 2025 23:00:00 -0000

If you are waiting for the right moment, gallery or person to make your art career click, you could be waiting forever. In this episode, Ceri shares four powerful ways to start earning from your art. Not someday, not once you feel ready, but today….right now.

The strategies Ceri shares are insights that come from the real-world experience of Zawadi, an exceptional artist who had great networking skills and plenty of shows but was still not earning. Then, she joined The Artist Mastermind Circle, the peer support, coaching, forums and masterclasses, shifted everything and enabled Zawadi to take things to the next level and start earning.

KEY TAKEAWAYS

Understand what it really takes to be sales and commission ready.
Ceri´s provides a masterclass to give you a full understanding of how commercial galleries, agents and art advisors really work.
Prepare the groundwork to make it easy for potential buyers to say yes.
Maximise the advocates you already have. Re-connect with buyers and people you have worked with or for in the past.
Don´t let fear and the avoidance behaviours that result from that fear continue to hold you back.
Group coaching is a powerful way to open up, recognise what is holding you back and find the support you need to take the right action, break through and earn.
Coaching doesn't just give you answers, it shows you how.
Registration for the next The Artist Mastermind Circle starts on 13th May.

BEST MOMENTS

“If you're stuck in a loop, waiting to feel ready, wondering when your time will come, let this be the sign - your time is now.”

“Join The Artist Mastermind Circle to get real-time feedback, insight and care from myself and artists like you.”

“She wasn’t quite ready to sell, not because her work wasn´t strong, but because her systems were missing.”

“That shift from feeling like an outsider to realising she had something valuable to offer was seismic.”

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Discover Your Extraordinary Creativity

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How Creativity Activism is Tackling Climate Change with John Kenneth Paranada

Sun, 11 May 2025 23:00:00 -0000

For this episode, Ceri is joined by British Filipino curator, writer and researcher John Kenneth Paranada. He bridges the worlds of art, science and other disciplines to shape global conversations around sustainability, resilience and regenerative practices. They unpack his journey and explore how art is mobilising change and the role institutions like the Sainsbury Centre can play in shaping climate consciousness.

Get ready for an inspiring conversation about creativity activism and the courage to take a stand.

KEY TAKEAWAYS

The language of art is powerful, globally understood and moves people on an emotional level.
Every city or art space has its own brand and language, but in all of them art touches people, inspires and exposes them to new ideas and makes them think differently.
Art is inspiring experts from different disciplines to work together to solve climate change.
We all need to take a clear stand to protect the climate, despite the risks. Be respectful and polite but be effective.
The Sainsbury centre takes an innovative approach and looks at things holistically.
The materials and mediums used for A World of Water are deliberately varied to attract people with a wide range of interests. Ken shares examples.
We need to reduce carbon emissions for exhibitions e.g. loaning locally.
Artists can play a role by using more sustainable and waste materials.

BEST MOMENTS

“The climate-culture conversation needs to be bridged, needs to be unpacked.”

“The power of art is that it gives you an image, it gives you a particular kind of interface for understanding complexity.”

“Art can unpack the kinds of emotions in us that mobilise us to want to make change.”

“Museums will be very important in creating hope for our public to fight climate change.”

“Should we actually continue making sculptures out of bronze?....”

EPISODE RESOURCES

https://www.linkedin.com/in/john-kenneth-paranada

https://www.sainsburycentre.ac.uk/

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Discover Your Extraordinary Creativity

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This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

You're Not Lazy – You're Afraid (And Here´s What Helps)

Wed, 07 May 2025 23:00:00 -0000

In this episode, Ceri explains how to recognise when fear is holding you back, particularly fear of what others think or of rejection. If you are constantly telling yourself you are not ready or good enough to take the next step in your creative journey, in all likelihood it is fear that is holding you back.

Ceri shares some simple strategies any artist can use to recognise, face and overcome their fears.

KEY TAKEAWAYS

Most of the artists Ceri works with do not lack talent, motivation, skill or ideas, yet they struggle to make progress. Usually, it is fear that is holding them back.
Being afraid is normal, it´s human, so there is no need to be ashamed of feeling that way.
If you are avoiding something you need to do to make progress, name it. Say it out loud. Fear thrives in silence.
Sharing your fears with other artists, especially in person, is incredibly powerful. It demonstrates to you that others feel the exact same fear you do, yet many have conquered it, which means you can too.
Stop using unproductive tasks as a way to avoid the things you fear doing. Ceri shares a simple strategy you can implement immediately.
Action beats perfectionism.
Surround yourself with other artists and share your fears openly with them. They truly understand how you feel so you can draw on their support and experience to take action and conquer those fears.

BEST MOMENTS

“You´re not lazy, you’re not unmotivated, and you certainly are not lacking talent, but you might be afraid.”

“I’ve been avoiding pitching for a public commission I really want. I tell myself I’m not ready. But really—I’m scared they’ll say no, or worse…yes.”

“Turn that big shadowy monster into something small enough to hold…name the thing you´ve been avoiding.”

“Fear loves to dress up as perfectionism.”

“You don’t need a bigger network; you need a braver one.”

“Being in a group of artists who are generous, smart and real, changes how you see yourself.”

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Discover Your Extraordinary Creativity

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The Creative Power in Uncertainty with Margaret Heffernan

Sun, 04 May 2025 23:00:00 -0000

Ceri speaks with author and former CEO Margaret Heffernan about embracing uncertainty as a creative tool. From her journey through theatre, BBC production, tech leadership, to becoming a bestselling author, she shares how uncertainty isn't something to fear but a space where possibility thrives. Her latest book also explores how artists navigate and flourish in unpredictability and how in uncertainty lies choice, freedom, opportunity, exploration and adventure.

KEY TAKEAWAYS

Margaret embodies creative flexibility and has in her career, from theatre to BBC producer to tech CEO to acclaimed author, proved creative thinking transcends industries and can lead to unexpected opportunities.
Uncertainty contains freedom, choice, and opportunity. If we eliminated it life would turn into a mere to-do list. Artists inherently understand this and demonstrate how to thrive within ambiguity.
Heffernan tests ideas by asking: "If I ignore it, will it go away?" The ideas that persist (whether for businesses or books) are the ones worth pursuing, her creative instincts can guide important decisions.
For emerging artists, the intrinsic reward of creating meaningful work often outweighs financial stability and many choose creative uncertainty over predictable comfort because the satisfaction exceeds anything else they could do.
When faced with rejection or indifference to your ideas, instead of being crushed, consider that you might just need to explain it better. Persistence and refinement are essential creative skills.
Perfectionism cripples creativity, experimentation and being willing to try different approaches when stuck can help you as an artist. Success often comes through iteration rather than getting it right the first time.
Storytelling is central to communicating complex ideas effectively, Margaret structures her talks and writing around "tentpole stories" that support her arguments, making abstract concepts accessible and memorable.

BEST MOMENTS

"I'm quite startlingly comfortable with uncertainty. I remember the very last startup I ran, I ended up closing down because I could not find a path to profitability. I just had a real confidence that at some point it would become clear. And at some point it did."

"The hard boiled business person is going to say, look at the mess we're in, and you're saying we need more art? Are you out of your mind? The mess that got us here isn't gonna get us out. We need a very profound mindset shift."

"In uncertainty lies choice. In uncertainty lies freedom. In uncertainty lies opportunity, exploration, adventure. Most people don't wanna know what they're getting for their birthday."

"I use the test: if I ignore the idea, will it go away? The businesses I ended up running were ideas that wouldn't go away and I used pretty much the same test for books."

"For all that I was strongly advised not to write Embracing Uncertainty, regardless of how it does, I would've been very unhappy if I'd wimped out."

"Instead of getting crushed by indifference, I thought, actually I just need to explain it better. That's actually such a brilliantly inspiring take on taking responsibility for how we're communicating our ideas."

"We are not fated to be one thing or another. It's up to us.”

"When I talk to people about eliminating uncertainty, I'm only about halfway through the story when they suddenly realise, wow, this is not what we want. This is not what anyone wants in their life."

EPISODE RESOURCES

Guest Links:

https://www.mheffernan.com/

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To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com

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Discover Your Extraordinary Creativity
Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

How I Know You’re an Extraordinary Creative (Spoiler: It's not about awards, followers, or fancy studios.)

Wed, 30 Apr 2025 23:00:00 -0000

Welcome to the 100th episode of Extraordinary Creatives! One hundred thousand listeners, nineteen months and now ranked in the top 1.5% of podcasts and in this episode, Ceri wants to remind you what being an extraordinary creative is all about.

KEY TAKEAWAYS

You keep showing up, even when it’s messy.
You sit with the dualities.
You know risk, failure, and mistakes are part of the deal.
You ask curious questions. You stay open.
You feel deeply, and it all goes into the work.

BEST MOMENTS

"You know that consistency doesn’t mean doing it perfectly. It means turning up with curiosity, with vulnerability, and with the willingness to try again, even if yesterday felt like a failure.”

“You make because you have to, not for applause, not for approval but because there is something in you that refuses to be silenced.”

“You’re not trying to make safe work, you’re trying to make true work and there’s nothing more courageous than that.”

“You know that the clues to your best work are usually hidden in your foundations, in the early obsessions, the weird childhood drawings, the thing you couldn’t stop doing when no one was watching.”

“You don’t need to be louder. Or quicker. Or more polished. You just need to keep choosing creativity in a world that’s constantly nudging you to quit. You’re not behind, you’re becoming and we’re lucky to witness it.”

EPISODE RESOURCES

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Discover Your Extraordinary Creativity
Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

The Secrets Behind Successful Public Art with Sherry Dobbin

Sun, 27 Apr 2025 23:00:00 -0000

Ceri interviews Sherry Dobbin, a cultural strategist whose work spans continents and iconic spaces. From starting in theatre to transforming Times Square, Sherry shares how she crafts meaningful cultural experiences that change how we engage with public spaces. She reveals the secrets behind successful public art, innovative funding models and her approach to helping people engage and not feel intimidated by public art.

KEY TAKEAWAYS

Sherry's journey began in theatre, where she learned to embody multiple perspectives through mask work, establishing her passion for crafting environments where people can explore and connect.
Successful public art needs three levels of engagement: aesthetic appeal that draws in the casual observer, deeper resonance for those knowledgeable about art and dialogue with important contemporary issues.
Creating clear frames or visual cues in public spaces helps people understand how to engage with art, allowing them to feel confident rather than confused or intimidated.
Sherry advocates for meeting people where they are by providing simple instructions about what to do rather than what not to do, giving audiences the confidence to engage with even the most challenging art.
Developing cultural spaces in commercial developments can work when both parties understand value beyond direct financial transactions, arts organisations bring people, energy and identity to developments.
Cultural organisations should rethink funding models by considering their total operational needs rather than focusing on rigid categories, opening up to partnerships where both parties maintain integrity while addressing shared interests.
When developing cultural spaces, look to the youngest creators to understand future trends, focus on how artists create rather than what they create to anticipate evolving needs.
Embracing ‘healthy naivete’ allows for innovation, asking questions and trying approaches that go against expectations can lead to breakthroughs when done with respect and genuine curiosity.

BEST MOMENTS

"That early understanding of occupying different spaces and identities has shaped her lifelong passion for crafting environments where people can explore, question and connect."

"I was much better at taking really great directors and artists and helping them to push themselves, to think further, or how to support the work, or how to come up with solutions for them."

"Being able to find alternative realities is how we can help to see solutions to problems."

"It's this delicate balance between something being finite enough and clear enough you can focus on it, but it still allows this infinite number of ways in which it can be interpreted."

"A lot of it is about giving instructions about what you want people to do. Don't put up don'ts. Everything can turn into an invitation."

"Don't assume old sponsorship models anymore, people are really looking towards this matchmaking idea."

"Cultural organisations are not the only entities that get free rent in commercial properties. So stop apologising for it and start understanding how you bring something to them."

EPISODE RESOURCES

Guest Links:

https://sherrydobbin.com/

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6 Fixes for Stuck Artists: Real-World Ways to Get Your Work Noticed, Valued & Moving Again

Wed, 23 Apr 2025 23:00:00 -0000

Have you ever sat staring at your work, wondering why it’s not resonating? In this episode, Ceri talks about why you might be stuck in how you are being seen, or not seen and why this doesn’t mean you are failing. She shares six real-world strategies to help you shift gears and make your creative practice feel energised, intentional, and visible again.

KEY TAKEAWAYS

Share the real reason behind your work. Most artists can describe what their work looks like, but that is only surface level. Reveal what drives you to create meaningful connections.
Stop hiding behind your artist statement. Authenticity matters, you need to sound human to build a connection and when people know what you care about, they will remember you and refer you.
Speak clearly about your process, most people will first encounter your work online and being able to picture and imagine your process counts.
Use your titles as an emotional hook. This is often forgotten, but it is a quick win.
Make your work relevant to the now. Art isn’t separate from the world, so make sure people understand how your work connects with the world today.
Be specific about what you want. Start with one goal and share it everywhere you are, including your bio and newsletters.

BEST MOMENTS

“Being stuck doesn’t mean you’re failing, it often means you’re ready to evolve.”

“People don’t just connect with aesthetics, they connect with story. With purpose. With the why.”

“Make your artist statement human, not academic.”

“Clarity creates movement, it helps you focus your energy and opens doors because others can see exactly what you’re aiming for.”

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Creating Engaging and Inclusive Public Art with Curator & Artist Chantelle Purcell

Sun, 20 Apr 2025 23:00:00 -0000

Ceri speaks with Chantelle Purcell, a curator, producer, and visual artist who co-founded Hive Curates and Other Landz. Chantelle shares her experiences, from grassroots creative spaces to large public art projects, discussing how she manages the balance between community engagement, inclusive spaces and the art. With a passion for creating inclusive spaces and championing culturally diverse artists, Chantelle discusses her approach to curating with care at its centre. Ceri and Chantelle also discuss securing funding, building meaningful collaborations and creating a lasting legacy in public spaces.

KEY TAKEAWAYS

Creating inclusive environments in the arts means challenging traditional models, through initiatives like Other Landz and Hive Curates, Chantelle builds platforms that specifically support culturally diverse artists and those who haven't had opportunities to create work in public spaces.
The power of 'meanwhile spaces' lies in their flexibility and community impact, Chantelle's BroadWorks project transformed a disused building in Liverpool Street into a vibrant cultural hub, supporting over 300 creatives and attracting more than 10,000 visitors in 18 months.
The etymology of curate is rooted in care, which should extend to artist development, community engagement and creating accessible spaces that honour local contexts and heritage.
Chantelle's work with Enfield Winter Lights and Light Up Kilburn shows how Light festivals can create community engagement. These types of events can change perceptions of public spaces and create platforms for showcasing underrepresented artists.
Building relationships with local authorities and developers requires understanding their priorities. You should research cultural policies, understand community demographics and begin engagement 6-9 months before events to build meaningful connections.
The role of curator includes both curation and production. Beyond selecting artworks, curators must understand fabrication, planning permissions, community engagement and the entire ecosystem of networks that support public art projects.
Chantelle shares that project management fees typically run about 20-25% of total budgets, with artist fees guided by industry standards, ensuring resources flow back into local communities.
Chantelle began with a passion project that evolved into a sustainable business, demonstrating how creatives can test concepts, iterate, and develop their unique approach over time and create their own opportunities.

BEST MOMENTS

"I was always passionate about creativity from a really early age. I was lucky that I had the support of my mum, I was raised by a single parent, but she always encouraged fine art and creativity."

"Often we don't think of curation as being about care, if you think about the etymology of the words and the idea of care, I think we often forget this."

"For me, curation has evolved. It's changed. When I was working in a commercial context, it was more about curating a body of works for an exhibition. Now it's really about creating legacy and working with local communities."

"We realised that the physical interaction or encounter could happen in the public realm and so that's when we started to pivot."

"My idea of curation is challenged by the context in which I'm working in."

"It's being able to work with an artist, to give them all of the funding, perhaps the tools that they need to fabricate something that they have never fabricated before, to be part of that process

EPISODE RESOURCES

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How Museums Decide What Art to Collect (And How You Can Help Them Choose Yours)

Wed, 16 Apr 2025 23:00:00 -0000

In this solo episode, Ceri talks about how museums decide what art to collect and how you can get your work chosen. She reveals the strategic thinking behind how museums select artwork, from collection policies to board decisions and gives advice for artists looking to get their work into prestigious collections. Ceri explains that successful museum acquisitions happen when artists help institutions understand the storytelling within their work and shares why building authentic relationships is the foundation of a sustainable creative career.

KEY TAKEAWAYS

Museum curators follow collecting policies approved by the institution and board, focusing on works that connect past collections with contemporary dialogues, unlock new stories, and address current social issues like climate justice.
Successful museum acquisitions require artworks with multiple layers of storytelling that can work across various platforms, like exhibition spaces, press materials and learning resources.
Artists should provide ’jumping off points’ rather than interpretations for their work, giving audiences different entry levels through Q&As, videos, quotes, or other ways that reveal process and motivation.
Museums typically request a 20-25% discount when acquiring work due to the significant long term costs of preservation, storage, insurance and potential technological updates for digital works.
Building your network effectively means focusing on 10-15 core champions rather than spreading yourself too thin, as quality relationships matter more than quantity.
When reaching out to curators or artists you admire, reflect their work back to them first, show genuine enthusiasm and avoid tentative language, be direct about what you're proposing.
For networking across multiple art worlds (animation, galleries, street art, etc.), start with one area, research and chunk your approach into manageable pieces rather than trying to tackle everything at once.
Everyone in the art world regardless of their success level, experiences doubt and appreciates genuine recognition so sharing specific observations about what you value in someone's work creates a meaningful connection.

BEST MOMENTS

"Museums are the custodians of art for future generations and for the zeitgeist, they're thinking about how to share ideas of our time with future generations and unlock stories in the existing collection."

"The works that generally get bought are works that have multiple layers of storytelling, not just within the process, but within the image itself, because that image then gets distributed across press, archives, internal communications."

"Don't be shy and distant and aloof and just hope that the work does all the magic for you because that's putting a lot of responsibility on the artwork and assuming that everybody is literate in your language."

"It only takes 10 to 15 core champions in order to have a sustainable, creative career. So when we think about less is more, it's better to go deep with a few people than to try and hit a ton of people all at the same time."

"When we hesitate, it gives people an out. Instead, say 'I know we would have a brilliant conversation because I know there are amazing people not just in my network, but I know that you would resonate with some of the things that I'm thinking about.'"

"Sometimes a curator and an artist work magic together and together they do extraordinary things. They come up with new ideas, so it doesn't look like the same curator and art partnership because they bring out the best in each other."

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Rejecting Convention & Keeping Artistic Integrity with Richard Malone

Sun, 13 Apr 2025 23:00:00 -0000

Ceri is joined by Richard Malone, a groundbreaking Irish artist whose work has been commissioned for the Metropolitan Museum of Art's Permanent Collection and is held in MoMA. Coming from a working class background in Ireland, Malone talks about forging a unique creative path, rejecting conventional systems, embracing being an outsider and keeping artistic integrity despite opportunities for commercial success.

KEY TAKEAWAYS

The colours and materials in Richard's work connect directly to his experiences on building sites and his grandmother's textile work.
Despite not following traditional paths, Richard's commitment to making work on his own terms has led to significant recognition, including being the first Irish artist commissioned for the Metropolitan Museum's Permanent Collection.
Richard believes in maintaining complete creative control, rejecting commercial opportunities (including creative director positions) that would compromise his artistic integrity.
For Richard, success means having the daily privilege to create in his studio rather than external validation, fame, or financial reward, which helps him maintain perspective.
Richard views trust as essential to the creative process, crediting collaborators who created psychological safety for his most successful projects, including his Royal Academy installation.
Coming from a working class background in Ireland has given Richard a different perspective on institutions like the Royal Academy, allowing him to approach them with both respect and necessary irreverence.
Richard believes artists need to become comfortable with failure and rejection and accept things when they don’t happen the way you would like or expect.

BEST MOMENTS

"The further that you get from where you started, the more you realise the importance of those things in constructing who you end up becoming."

"I think there is a part of me that really resists that art market in the way that I resisted the fashion system because it doesn't feel right to me.”

"The real luxury and the real joy, which I don't think a lot of people understand now, is that I get to come and sit in a studio and make whatever I want in a day. That is unbelievable to me from where I have come from."

"Like it reads immaculately, award, award, award, show, show, show, institution, institution, institution. But like, none of that was planned. And there's so much shit that's in between."

"I've been rejected for everything at least once. And I think now when I get rejected for something, it means nothing. It means absolutely nothing to me. I'm just like, oh, it's just not in my path.”

"Get off social media. It's not real and stop looking sideways."

EPISODE RESOURCES

Guest Links:

https://www.richard-malone.com/

Instagram: https://www.instagram.com/richardmalone/?hl=en

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Self-Made Is a Myth: Why You Should Accept Help Without Shame

Wed, 09 Apr 2025 23:00:00 -0000

Ceri talks about why many artists feel guilty about receiving support. Whether it’s financial, emotional backing or practical help, many struggle with feelings of guilt after asking for or receiving help. Ceri talks about how to shift from guilt to gratitude and embrace support as a fundamental part of the creative process. She also shares how to use reciprocity in a way that feels good for you and those who support you. Ceri ends the episode with a short exercise to help you reframe your mindset and truly own the support you receive.

KEY TAKEAWAYS

Support is not charity, it’s an investment. People believe in your work and its potential to make an impact. Your creative work deserves investment, in the same way businesses would find investors and scientists source funding for research.
When you feel guilt from accepting help you aren’t allowing yourself and those who believe in you to grow.
Artists work hard to help others make sense of life. They challenge perceptions and expand our understanding. They improve every aspect of our lives, often asking for nothing or very little in return.
Another reason artists can feel guilt is because of unspoken expectations, be clear and define any reciprocation or expectations with those who support you.
Money and creativity have a complicated relationship. Many of us internalise the idea that making money from art taints it or financial support means we’re not independent. But thriving in your creative practice often means finding a healthy relationship with money.
Write down three instances where you’ve received support. It could be financial help, encouragement, mentorship or a practical hand with something related to your creative work. Then think about why you felt guilty about accepting it, what story you were telling yourself at the time and think of a reframed perspective, that acknowledges why the support was given and why you deserved it.

BEST MOMENTS

“Why do we feel guilty about getting support? So often, it’s because society loves the story of the self-made genius who did it all on their own.”

“Whether it’s financial help, emotional backing, or practical assistance, many of us feel like we’re somehow on the backfoot or even a bit of a scrounger when people step in to help.”

“Artists enrich culture, challenge norms, and hold up a mirror to society, often without the recognition or compensation that matches the profound impact they have. Your creative practice has value, your work is vital and those who support you are investing in something that helps move humanity forward.”

“Often the person offering support isn’t looking for anything extravagant, they just want to feel appreciated and involved.”

“Instead of apologising for being supported, embrace it as part of your creative ecosystem.”

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Reality is Overrated: Embracing the Unknown for True Creativity with Filmmaker Halina Dyrschka

Sun, 06 Apr 2025 23:00:00 -0000

Ceri interviews award winning filmmaker Halina Dyrschka, whose documentary "Beyond the Visible: Hilma af Klint" brought worldwide attention to the pioneer of abstract art. Halina shares her creative experiences, from acting and classical singing to filmmaking, the challenges of securing funding for her documentary and her battle against institutional gatekeeping in the art world. She also talks about how artists can embrace true creativity by recognising the essentialness of exploration and that reality is often overrated!

KEY TAKEAWAYS

Halina's creative journey began in acting and classical singing, but frustration with the narrow minded theatre system led her to filmmaking, to maintain creative independence and tell stories that matter to her.
When first seeing Hilma af Klint's work, Halina experienced an immediate emotional connection and became angry at how institutions had overlooked such powerful art, revealing systemic problems in museum culture.
The art world often operates on institutional thinking rather than individual vision, people in museums across different countries think similarly because they prioritise career and success over the true purpose of art.
Creating great work requires collaborating with people who will challenge you; Halina values working with editors and composers who bring different strengths and aren't afraid to push back when something isn't working.
Funding is a major challenge for independent filmmakers, but Halina emphasises the importance of starting projects through self-funded research and following your enthusiasm before securing complete financing.
After winning film prizes, Halina realised the happiness didn’t last and that what matters most is the inner journey and connecting with even one person who understands your work.
Halina is drawn to extraordinary, overlooked biographies like Maria Sibylla Merian, a 17th-century female scientist and artist who travelled to South America to study insects when people were still burning witches in Europe.
True creativity often emerges from spiritual exploration; both Hilma af Klint and James Howell (subjects of Halina's documentaries) were interested in spiritual questions.

BEST MOMENTS

"Reality is highly overrated. Especially as an artist.”

"It would have been a completely different film if we had gotten funding immediately. It took me quite a long time, five years for the research and doing it. But those were important years because even in the last half year, things were discovered."

"When my film was finished, I was refused from festivals for weeks, over months. Then I had an interesting moment; I felt that if I could just reach one person with it, that would be a huge success."

"If you put yourself alongside people who you are happy to be challenged by, I think that's a really great and exciting creative environment, where someone can playfully tease you into another way of thinking."

"The ego is the biggest problem for all of us. It's something we really have to get rid of, hopefully in this life."

"If it happens, it happens. If it should be, it will be. And if not, it does not. You have to trust life a bit, always trust life."

"The most important thing is that you trust yourself because then other people can trust you as well."

EPISODE RESOURCES

Guest Resources:

https://ambrosiafilm.de/en/film/jenseits-des-sichtbaren-hilma-af-klint/

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How to Spot Your Best Work: A Guide to Seeing Your Art Objectively

Wed, 02 Apr 2025 23:00:00 -0000

Ceri talks about something that’s essential for every artist, how to spot your best work and see it objectively. She talks about why it is so important for your artistic career and how you can learn to make choices about your work, from submitting your work to group exhibitions.

KEY TAKEAWAYS

Step back and create distance. If you are too close to your work then you will never be able to see it objectively. Time separation is a great way to practice this, put your work away for days or even weeks before you look at it again. You can also separate yourself by creating distance, hanging it up for example or seeing it in a different context.
Look at your work as an image first. View your work as an image on a screen as in most cases this will be the first way people will see your work.
Flip the question, what is the work trying to do? Ask yourself, What’s it really about? Where does the energy sit, where do your eyes go first? Does it surprise you, or does it feel predictable?
Are you holding onto this piece because it’s genuinely strong, or just because it was a nightmare to make?
Get clear on your core line of enquiry. If your work doesn’t align with what you care about most, it’s probably not your best!
Ask for feedback and be realistic about it. Don’t just ask friends or people you know already like your work, ask people who will give honest and real feedback you can work with.
Use your own best work to compare with. Stop comparing yourself to other artists. Your goal should be to keep pushing your own boundaries, rather than measuring up to someone else.
Trust your body’s response, your instincts often know more than your rational brain, so don’t ignore them

BEST MOMENTS

"When you’re too close to your work, it’s impossible to see it objectively.”

“People are seeing your art as a digital image before they ever encounter it in person”

“If your work is driven by rage at the destruction of nature but it comes across as calm and decorative, it’s not hitting the mark.”

“You don’t need endless opinions that send you round in circles. But you do need to be prepared to hear something that challenges your assumptions.”

“Be ruthless with yourself, not in a self-critical way, but in a strategic way. You’re not just making work to tick boxes; you’re making work to move your practice somewhere new, somewhere you haven’t been before. That’s where the real progress happens.”

“Your body doesn’t lie. Even when your brain is trying to rationalise and talk you into liking something, your body’s reaction cuts straight through that noise.”

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How Artists Can Create Innovation Through Collaboration with Rodolfo Groenewoud

Sun, 30 Mar 2025 23:00:00 -0000

Ceri interviews Rodolfo Groenewoud, co-founder of In4Art an institute pioneering art driven innovation. Rodolfo has secured funding for over 75 experimental projects, working between art and the sciences and industry. Rodolfo talks about how artists function as influential researchers, capable of changing businesses and scientific breakthroughs through their unique thought processes. He demonstrates how collaboration creates innovation when artists are given the psychological safety to experiment. If you want to know how to connect your creative work to industries beyond the arts and find new ways to secure funding, you won’t want to miss this episode.

KEY TAKEAWAYS

Rodolfo discovered artists were natural innovators during his honeymoon in Cuba, realising their studios weren't just creative spaces but laboratories of research and experimentation. This led him to establish In4Art to bridge artistic approaches with business and scientific innovation.
Traditional innovation follows linear thinking, while art driven innovation allows for ‘meandering’, letting creators explore unexpected pathways that businesses typically avoid, resulting in breakthrough solutions when properly facilitated and protected.
In4Art develops interdisciplinary partnerships between artists, scientists and businesses through an iterative process, beginning with small scale exploration phases before securing larger funding opportunities, ensuring all participants receive value regardless of project completion.
Artists applying for collaborative opportunities should focus on communicating their motivation and vision rather than detailed project proposals. Showing genuine interest in collaboration and the subject matter is more compelling than technical details.
Successful collaborative projects require psychological safety, with Rodolfo serving as a translator between corporate timelines and artistic processes, helping companies understand that apparent lack of progress often masks profound development happening.
The most successful projects achieve recognition across multiple domains, appearing simultaneously in museums as artwork, at scientific conferences as research as well as in businesses as practical applications.
Emerging artists should align their financial needs with their preferred working style, working out realistic income requirements before targeting opportunities, rather than applying to every available funding source.
Art driven innovation creates more responsible and sustainable technology by encouraging reflection, questioning and testing. It also demystifies complex innovations like AI. Artists are essential collaborators in any development process.

BEST MOMENTS

"I wasn't just entering places where artists were being creative or painting or sculpting. I was entering places of research and experimentation and prototyping, very similar to the laboratories and companies I'd been working with."

"The main word and how it differs is meandering. It's allowing for the possibility of meandering. Artists can go from step one to step four and then decide they want to spend two weeks thinking about step two B in order to reach step six afterward."

"We slice up potential long term collaborations into phases and try to be open. We have this amount of money so we can get it to there, we'll search for more. If we have it, we can take the next step."

"Artists are one of the most important groups we have that can help with testing, experimentation, questioning, and demystifying. For that alone, they should be a normal party in any innovation process."

"When entering artist studios, I realised these were places of research and experimentation, similar to business laboratories I'd worked with - just smaller, often centred around one person or team."

"I know of many organisations who are very restless and want to see results quickly. The biggest advice I have, give it a year or a year and a half. Don't try to judge too much what goes on in between."

"My special sauce is that I'm an easy collaborator. I can easily work with people from very different walks of life, understanding just enough about every topic to avoid asking stupid questions."

"Instead of going for everything, think about why it should be you to go for this opportunity. Most of the time, we can pick out the applications that have spent time thinking about their fit."

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Want to Sell More Art? Fix This First

Thu, 27 Mar 2025 00:00:00 -0000

What if the biggest thing stopping you from selling your art is the way you think about selling? Join Ceri in this short solo episode as she talks about how you can fix your mindset around sales and sell more of your art.

KEY TAKEAWAYS

Selling your art isn’t selling out but about backing yourself. You will keep finding reasons you can’t sell if you are holding onto this idea.

BEST MOMENTS

"Selling your art isn’t about selling out”

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The True Cost of Art with Art Collectors Darryl de Prez and Victoria Thomas

Mon, 24 Mar 2025 00:00:00 -0000

Ceri speaks to art collectors Darryl de Prez and Victoria Thomas about their art collection, their approach to collecting and their views on why the art world needs to start recognising the true cost of art. They share their 30 year journey from meeting at the Courtauld Institute to building a stunning contemporary art collection. They talk about how their home has become an intimate evolving gallery, reflecting their commitment to supporting artists and living with art in a very personal way.

KEY TAKEAWAYS
Art collecting for Darryl de Prez and Victoria Thomas isn't about investment or status but about supporting artists' practices and living with work that continues to reveal new meanings over time. They've never sold a piece and loan works freely to exhibitions.
The couple prioritises work with layers beyond aesthetics, pieces that intrigue, unsettle and challenge them. They're drawn to art that feels slightly sinister or mysterious, with an absence of humanity that creates a space for potential.
Their collection evolved organically from individual purchases to collaborative decisions. They often recognise instantly when a piece speaks to them both, sometimes watching video works repeatedly before deciding to acquire them.
Gallery relationships are crucial to their collecting. They value gallerists who educate them about artists and provide insight into practices, acknowledging galleries' vital role in supporting artists.
They buy work regardless of medium, from paintings to video installations. They embrace artists who work across different disciplines. They respect artists' evolving practices, believing an artist's distinctness remains recognisable even as their medium changes.
When hanging work in their home, they initially placed pieces wherever space allowed but now arrange more thoughtfully, discovering that works naturally develop relationships and conversations with each other across themes and concepts.
Budget constraints shape their collecting, typically spending under £5,000 per piece and relying on galleries' payment plans. They've noticed financial barriers can prevent artists from continuing their careers.
The couple wishes the art world would recognise the true cost of creating art and compensate artists fairly. They advocate for supporting artists' ‘thinking time’ and value art for its own sake, not just for economic benefit.

BEST MOMENTS

"We're attracted to work where aesthetics are important, but there needs to be something behind it, something that intrigues, that takes you further than the surface image."

"I spent a lot of time exploring all these items and creating a fantasy world around them. I think that's why with art, I'm very interested in things that are speculative narratives and realities."

"The joy of living with art is that you can experience it in a way you can't if you're looking at it in a museum. Works change with the light, they change with the time of day, they change with my mood."

"When Adham thanked us for buying his work because it enabled him to do further work, that got rid of all my bourgeois guilt about acquiring art."

"We find it incredibly moving to know that our interest in someone's work has enabled them to further develop ideas and make work they otherwise wouldn't have been able to do."

"The collection starts to have a mind of its own and it kind of dictates what you buy. We can see a work and think, 'we really love this,' but it wouldn't work with the other work we have."

"I think artists should be realistic about what the true costs are for presenting art to the public in a way that is wonderful and serious and meaningful."

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Why You Shouldn’t Wait for Funding Before You Start

Thu, 20 Mar 2025 00:00:00 -0000

In this solo episode, Ceri talks about a common thing that holds artists and creatives back, waiting for funding, permission or the perfect time to get started. She shares why there is never a perfect time to start and how to succeed as an artist in any field, is just to begin and make things happen.

KEY TAKEAWAYS

The Work Comes Before the Money: Funding follows momentum, funders, collectors, commissioners want to back projects, not just ideas.
The ‘Right Conditions’ Are a Myth: There’s this common belief that you need the perfect time, space, or set of skills before you can really commit to your work. But there is no perfect time.
Exploration Leads to Evolution: No amount of planning can replace doing. Once you actually start, you learn what works, what excites you, and what you really need and the more you create, the more momentum builds.

BEST MOMENTS

“If your project only exists in your head, it’s incredibly difficult for anyone else to get excited about it.”

“You don’t need ideal conditions, you just need to begin.”

“Even just saying out loud what you’re working on makes it more real. Don’t let funders, gatekeepers, or circumstances dictate your creative momentum.”

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Why Change Can be the Ultimate Creative Tool with Pixies Bassist & Painter Emma Richardson

Mon, 17 Mar 2025 00:00:00 -0000

Ceri welcomes Emma Richardson, a polymath creative who seamlessly navigates music and visual art. Currently the bassist and vocalist for Pixies while maintaining her painting career, Emma talks about creative courage and change. She shares her experience with Band of Skulls, her pivot towards painting during lockdown and her unexpected invitation to join one of rock's most influential bands. Emma's story shows the power of following your creative instincts, even when the path forward isn't clear.

KEY TAKEAWAYS

Emma credits her early art teacher Mr. Malin for introducing her to diverse art forms and her tutor Clunie Reid for providing philosophical reading that expanded her artistic vision.
The music industry and art world require different approaches but similar courage. Emma describes how transitioning from an established band to pursuing painting full time meant "being back to square one" but allowed her to reconnect with her original passion.
The creative states of music and visual art have distinctly different energies. While performing music provides an immediate collective energy exchange with audiences, painting offers a private, contemplative flow state where Emma can explore deeper themes and take different kinds of creative risks.
Performance involves a specific kind of energy management. Emma evolved from using alcohol to manage performance anxiety to developing much better self care including exercise and proper sleep, to be in the right headspace and have the right energy.
Finding your creative community transforms solo practice. After reconnecting with painting through the Turps correspondence course and Ceri Hand Rocket Booster course, Emma discovered an essential group of fellow artists who provided both inspiration and practical support for her renewed career direction.
Emma learned that passion alone isn't enough, understanding promotion, sales, and professional relationships is essential for building a sustainable creative career in any discipline.
Saying "yes" to unexpected opportunities can lead to extraordinary growth. When invited to join Pixies, Emma embraced the challenge of learning their extensive catalogue and stepping into a legendary band, demonstrating how preparation meets opportunity in creative careers.

BEST MOMENTS

"Being given a book at school with Georgia O'Keeffe's work just really resonated with me, there was a feeling about her work that I got, which I loved."

"At college, just learning different skill sets of drawing from life, drawing from still life... the thrill of that, being able to draw from life and make something appear out of nowhere, which looked actually real."

"Being on tour is quite an intense experience. Early days, everything's new, you're seeing new countries and cities for the first time. There's usually quite a lot of alcohol involved for nerves. You have this sort of come up and then come down."

"With painting, it's very much still a performance but because it's solo and you're on your own in a space and no one's watching you, you can get lost a bit easier and feel a flow in a sense."

"When you're starting a different aspect of your creative practice, where you feel like you're at a different stage, it's those early stages of 'How do I promote myself? How do I sustain my practice? How do I sell work? How do I get shows?'"

"It's being brave enough to go out and ask for help sometimes, or ask for knowledge, or to be able to understand the business side of the art world a bit more. You want to create, but earning and living from it is another beast."

"I think from what you were saying earlier, that sort of delight when the gallerist invited you to be in the show. There's a shared commitment to sharing the work with a wider public, that that's something that you desire."

"Sometimes to wait for great, we have to say goodbye to good. It can be tough to walk away from people, projects, or careers we love in order to explore what's truly possible for us."

EPISODE RESOURCES

Emma Richardson
Website: emmarichardsonart.com
Instagram: @elrpainting

Band of Skulls – I Know What I Am (Official Music Video), featuring Emma Richardson’s painting as a stunning animated backdrop, seamlessly blending her visual and musical worlds.

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Success Isn’t What You Think: Why Artists Need a New Definition

Thu, 13 Mar 2025 00:00:00 -0000

In this solo episode, Ceri talks about a truth many artists and creatives struggle with: Success won’t change your life. We’re told that success is the finish line, but this is far from the truth, success is fleeting and life carries on afterwards. Ceri talks about what success really means for creatives and artists and how changing your mindset around it can help you build and live a more fulfilling life and creative career.

KEY TAKEAWAYS

Success isn’t about reaching a final goalpost but about continuous growth. When you start measuring your progress by how much you’re evolving, rather than just ticking off achievements, everything changes.
Most artists and creatives underestimate the power of slow-building momentum. You’re not just working toward some distant finish line; you’re constantly growing in ways you might not even notice.
If you want to build a creative life that lasts, stop waiting for success to validate you. Instead:

- Redefine success – What does progress look like for you?
- Follow your curiosity – Chase ideas, not approval.
- Celebrate small wins – Acknowledge every step forward.
- Track your progress – Keep a journal, document your journey, and reflect on how far you’ve come.
- Give yourself permission to change – Your creative path isn’t fixed. It’s fluid, and that’s a good thing.

BEST MOMENTS

“That external validation wasn’t the most important part, the real reward was in the process”

"But the real joy? It comes from holding these goals like a roadmap, not a rigid itinerary. The destination helps plot the most scenic route, where you’ll meet incredible, funny, and inspiring people along the way.”

“Have you had a conversation recently that sparked a new idea? Have you experimented with a technique or approach that felt exciting? Have you shared your work with someone and received valuable feedback? These are growth moments. And they matter just as much as a big career milestone.”

EPISODE RESOURCES

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Discover Your Extraordinary Creativity
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Creating A Sustainable and Inclusive Art World with Curator Marcelle Joseph

Mon, 10 Mar 2025 00:00:00 -0000

Ceri is joined by Marcelle Joseph, an American independent curator and collector based in the UK whose collection champions female identifying and queer artists. Marcelle talks about her journey from corporate lawyer to art world innovator, revealing how early influences in material culture shaped her curatorial vision. With over 50 exhibitions curated since 2011, she discusses her feminist focused collection and her GIRLPOWER residency in France and gives advice for emerging artists.

KEY TAKEAWAYS

Marcelle's journey into art began with material culture influences from her grandmother's textile work and her father's entrepreneurial spirit. This now manifests in her current collecting of ceramics and textiles from female identifying and non binary artists.
After leaving a successful corporate law career, Marcelle reinvented herself through a degree at Christie's Education and founded Marcelle Joseph Projects in 2011, eventually curating over 50 exhibitions that explore feminist theory and the performativity of gender.
Studio visits are crucial exchanges where Marcelle connects with artists' influences and processes. She recommends artists prepare thoughtfully, demonstrating their practice range and sharing their theoretical inspirations.
For new artists looking for opportunities, Marcelle advises maintaining a professional Instagram and comprehensive website showcasing at least five years of work, being selective with networking events as well as persistently applying for residencies and grants.
Marcelle established a unique 50/50 collecting partnership with Kimberly Morris called the GIRLPOWER Collection, which expanded into a residency program in France that offers stipends, materials budgets and exhibition opportunities to three artists annually.
The contemporary art market faces serious challenges, particularly for small to mid size galleries. Marcelle highlights Hauser & Wirth's model of offering small galleries a commission when signing their artists as a potential sustainability solution.
Institutional governance work has been central to Marcelle's impact, including
a former trustee

at Matt's Gallery, Ambassador for the Royal Academy Schools, and Vice Chair at Mimosa House,
which she values for championing marginalised voices.
Marcelle's dream retirement project is to create a foundation in her hometown in upstate New York to introduce contemporary art to young people while offering artist residencies, giving back to the community that shaped her.

BEST MOMENTS

"I've adopted a lot of my father's mentality in my own career journey about deciding that I want to do something that's really brave and sort of outside of my comfort zone and just attacking it and making it happen."

"I'm all about platforming those artists who have been marginalised or written out of the traditional Western art canon by the patriarchy."

"I like supporting early career artists because it’s the most pivotal part of their career in my opinion. If they can’t get past being an early career artist, they’re not going to be an artist."

"I often call my collection a collection of conversations, because almost all of the artwork is by artists that I know, that I've worked with, written about, done a studio visit with."

"Don't be afraid to approach your heroes. What's the worst thing that can possibly happen? They turn around and walk away, right?"

"I know websites are going out of fashion, but I find them so incredibly important to do my initial research on artists. A holding page is not enough. I like to see at least five years of their work."

"Curating is all about caring for the artwork, but it's also about caring for the artist. That's really important to me."

"Life is short so you shouldn't let any opportunity go by."

EPISODE RESOURCES

https://marcellejoseph.com

@marcelle.joseph

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Defining Your Ideal Client – Attracting People Who Truly Get Your Work

Thu, 06 Mar 2025 00:00:00 -0000

Tired of shouting into the void? In this episode Ceri reveals how creators can find their perfect audience without compromising artistic integrity. Using climate crisis art as a case study, Ceri demonstrates how identifying ideal clients can transform creative careers. Rather than changing your work to please others, it's about strategically connecting with those who already resonate with your message and using this in all aspects of your work, from creating to marketing.

KEY TAKEAWAYS

Defining your ideal client isn’t about changing your work or selling out. It’s about assessing what you already create, what you’re passionate about, and finding the people who care about the same things.
Consider your clients demographics such as age, location and income.
Psychographics are also important, things like their interests, values and beliefs and aspirations.
Be as specific as possible, when you’re specific, you can tailor your marketing, your social media content and your pitches to speak directly to your ideal clients.

BEST MOMENTS

"You don’t need to change what you create. You just need to find the people who are already aligned with it.”

“Who is most likely to resonate with your work? Think about age, occupation, lifestyle, and location.”

“This isn’t about exclusion, it’s about making meaningful connections.”

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Discover Your Extraordinary Creativity
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Can Art Drive Social Justice with Rosalie Schweiker

Mon, 03 Mar 2025 00:00:00 -0000

Ceri is joined by Rosalie Schweiker, a South German artist and cultural organiser reimagining how art can drive social justice. As co-director at Migrants in Culture, Rosalie shares her journey from EU citizen to confronting the UK's hostile immigration system and how this transformed her creativity. The conversation explores motherhood's impact on creativity, building collective driven organisations and dismantling oppressive systems while designing joyful alternatives.

KEY TAKEAWAYS

Rosalie structures her week meticulously since becoming a mother: two days of childcare, two days at Migrants in Culture and one day for "mopping up" life admin. This routine provides space for her creative process.
Migrants in Culture operates as a design agency that creates capacity for organisers to imagine a world without borders, following design justice principles while ensuring their processes align with their values around migration justice.
The traditional commissioning model for socially engaged artists often places them in an impossible position, expected to deliver transformative work with minimal resources while bearing all responsibility and getting paid less than everyone else involved.
Building a collective helps shift from the unsustainable model of the individual artist to a more accountable, transparent system where decisions are made together, resources are shared and relationships are less disposable.
Artists shouldn't view themselves as special or separate from broader societal pressures, instead recognising they are workers within a system helps adjust expectations and create more sustainable practices.
Challenging the romanticised view of the artist, Rosalie suggests the system is intentionally designed to keep artists precarious while serving as "lightning rods" for organisational processes that otherwise can't be fixed.
Motherhood has shifted Rosalie's artistic practice to focus on drawing as documentation and processing, showing how creativity adapts to life circumstances rather than requiring ideal conditions.
The concept of "submerging" is as important as "emerging" for artists. Sometimes withdrawing from visibility to reflect, recharge, and develop work away from external pressures is essential to creative sustainability.

BEST MOMENTS

"I guess you find your people by just constantly showing up in a way. It wasn't like I had this as a vision for myself."

“The art world can do whatever it wants to do. I am not here to fix that mess.”

"When we make a report for an organisation or if we do graphic design and people are excited about it, you get quite direct feedback."

"The system is designed to work. People, especially when they're first engaged with immigration, they're like, 'Surely that must be a mistake,' but if this mistake keeps reappearing all the time, we can assume that this is structural, and this is intended."

"I really struggle with attributing value to what I do as an artist, as a person. I can only do that when other people are in conversation with me for some reason."

"That idea of continuing the status quo by trying to fix it, solve it, work hard, graft, overcome it, is such a familiar story to so many of us listeners, I'm sure."

"Submerging is as important as emerging, I would say."

EPISODE RESOURCES

www.RosalieSchweiker.info

https://www.instagram.com/rosalieschweiker/

https://www.migrantsinculture.com/

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Hacking Your Money Mindset: Elevate Your Earnings in 2025 (in 15 minutes… or a little longer, but totally worth it)

Thu, 27 Feb 2025 00:00:00 -0000

Ready to stop waiting for that elusive cash fairy and actually make 2025 the year your bank account catches up with your creative talents? Ceri explains how artists and creatives can rewire their financial mindsets to elevate their earnings in 2025. Ceri reveals practical accountability frameworks, goal setting techniques and mindset shifts that turn vague money hopes into tangible results. This episode delivers the financial reality check creative souls desperately need and teaches you how to hack your money mindset.

KEY TAKEAWAYS

Rewire Your Money Mindset. Say these out loud to yourself: "I can earn money." " I earn money." "I have money." "I spend money." Try saying these out loud every morning for a week. Notice what thoughts come up. Challenge them.
Find a ‘Money Mark’. So a friend, colleague or mentor who’s also ready to level up. Here’s how to make it work: Set a financial goal for the year and share it. Meet monthly (or fortnightly) to check in, swap ideas, and keep each other motivated. Call out each other’s limiting beliefs. Use your collective brainpower to spot opportunities, collaborations, and new income streams.
Set a Financial Goal and Actually Track It. Be specific, Define Your Number. Identify Your Income Streams the Sh*t Work – If it’s time-consuming, joyless, and underpaid, ditch it. Use a System to track your progress.
Set Deadlines and Stay Accountable. Money goals only work if they have deadlines. Break it down like this: Annual goal. Quarterly check-ins. Monthly Milestones. Regular Money Mark meetings.
Know Your Worth and Price Accordingly. Your prices should reflect the value you bring, not just the hours you put in. Charging properly doesn’t make you greedy, it makes you sustainable. The right people will pay your rates.
Stop Hoping and Start Practising. Here’s the truth: getting better at making money is just like getting better at your creative work, it takes practice.

BEST MOMENTS

Most of us in the arts have been trained to believe that making money is for other people. That success stories are anomalies. That talking about cash is a bit icky.

Money goals only work if they have deadlines. Otherwise, you’ll still be thinking about them in December 2025, wondering where the time went.

"Your prices should reflect the value you bring. Price confidently, and your clients will recognise the worth of your offerings."

“You’re not bad with money. You just haven’t trained yourself to think about it differently.”

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How Museums Can Shape the Future with Seb Chan of ACMI

Mon, 24 Feb 2025 00:00:00 -0000

Ceri explores the future of cultural spaces with Seb Chan, the director & CEO of ACMI, where he is redefining how museums connect with their audiences. Seb talks about his evolution from experimental music producer to museum innovator and reveals how his background in creating immersive musical experiences has shaped his approach to museum design. Seb’s unique experiences and professional knowledge give a unique perspective on how museums can shape the future.

KEY TAKEAWAYS

Drawing from his experimental music background, Seb discovered that museums should move beyond traditional education to spark curiosity.
His experience in underground music scenes taught him how to create environments where people feel empowered to explore the unfamiliar.
Going from tech consultant to museum CEO, Seb developed a future focused philosophy. He now insists cultural institutions must be designed for the future, considering not just technology but also the skills future generations will need.
Leading multiple international institutions taught Seb the importance of acknowledging diverse cultural contexts. His experiences across New Zealand, Australia, and America shaped his understanding of how museums can create inclusive spaces that transcend shared assumptions.
Physical tools can enhance digital experiences. Seb’s work with these technologies revealed solutions for maintaining visitor focus in our distraction prone lives.
Through years of visitor research and practical application, Seb developed strategic principles for creating memorable museum experiences. His approach integrates multisensory engagement with thoughtful space utilisation.
Witnessing the erosion of societal trust, Seb recognises why cultural institutions are vital spaces for rebuilding connections. His leadership philosophy emphasises fostering genuine dialogue and understanding across communities.
Despite facing resource constraints and pandemic exhaustion, Seb maintains his commitment to experimentation; continuous innovation is crucial for addressing complex societal challenges.
Based on his transformative work at ACMI, Seb changed how they measure success. He shifted focus from traditional visitor counts to deeper engagement indicators, fundamentally changing how museums evaluate their impact.

BEST MOMENTS

"For me, music has a particular ability to transcend cultures and time and space too, it gives you a different sense of time. Going to a gig or going out to an event, that sort of sense of time shifts and time stretches and makes me think about things in other ways."

"In the world we live in, where all our social relations and communities are run through media, museums have a vital role in helping people make sense of that complexity."

"You can design spaces to change behaviour and to change people's openness and when you design them well, they work. I know a lot of artists are sort of thinking about this sort of stuff too."

"Niche interests and the platforms that media is distributed on, and the way those platforms monetise attention as well is based on fragmentation and driving difference amongst that. And that can be very interesting and positive and also politically, it can be very destructive as well as we're seeing play out in various parts of the world."

"Focus is hard now. I think people find there's lots of things vying for their focus. But again, using those design principles, I think you can design for focus."

"We need to find ways to disagree about things... there was an ability to disagree without it becoming, your house getting swatted."

"It's very easy to get someone interested in music that they didn't think they liked and it's probably the easiest art form to get someone interested in because it's so multisensory."

"People are interested in lots and lots of different things and they're very up for things they're not familiar with if you don't make them feel like idiots."

EPISODE RESOURCES

GUEST LINKS:

www.acmi.net.au

IG: @acmionline

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Engineering Your Creative Career One P at a Time

Thu, 20 Feb 2025 00:00:00 -0000

Moving beyond the myth that bigger is always better, Ceri reveals what actually works: intentional, strategic, and well placed moves. Building the right relationships, choosing the right projects and being open to unexpected opportunities. In this short episode, Ceri shares the power of the "3P Exercise" (Possibility, Person, Place) and talks through how you can maximise your effort in the right way.

KEY TAKEAWAYS

Possibility: What’s One Move That Could Make a Real Difference? Write down one opportunity that could move things forward for you right now.
Person: Who Could Help Expand Your View? Write down the name of one person you’d love to connect with. Someone who inspires you, whose work you admire, or who you think could provide a fresh perspective.
Place: Where Inspires You? Think of one place, it could be a gallery, publisher, agency, festival, or organisation, that excites you. Somewhere you’d love to be part of.

BEST MOMENTS

"Smart moves aren't about cutting corners; they're about maximising your effort in the right way."

"I committed to getting started rather than waiting until I was 'ready.' Now, here we are."

"No ask, no agenda, just a genuine expression of interest. The result? We're now hatching a plan to work together."

"The more deliberate your actions, the bigger the impact."

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Why Authenticity is Essential in Building a Sustainable Art Career with Claire Luxton

Mon, 17 Feb 2025 00:00:00 -0000

Ceri speaks with Claire Luxton, a British artist who is revolutionising the art world through her multidisciplinary approach. From self portraiture to large public installations, Claire shares her thoughts on pricing artwork, building authentic brand collaborations and maintaining creative integrity while achieving commercial success.

KEY TAKEAWAYS

Claire has developed a distinctive artistic process that merges performance and photography, choosing to capture everything in camera using a Hasselblad medium format camera rather than relying on AI, reflecting her commitment to authenticity in an increasingly digital world.
Through her journey with brand collaborations, Claire has learned to evaluate opportunities by asking "Would future Claire say yes?" a self filtering approach that helps maintain her artistic integrity while building commercial success.
Claire approaches every project with extensive research and preparation, believing that understanding context deeply enables her to create more meaningful and impactful work.
Claire’s public art installation approach begins with historical research, allowing her to uncover and tell forgotten stories of each location, from decommissioned lighthouses to power stations, creating work that resonates with both place and community.
Her experience with MTR Agency has changed how she views artist collector relationships, moving away from the traditional gallery model of separation to embrace direct connections with collectors, leading to more meaningful artistic dialogue.
Claire's social media strategy evolved from posting frequently to carefully curating content that authentically represents her artistic vision, prioritising meaningful engagement over algorithmic success.
After leaving exclusive gallery representation, Claire found her voice by exploring different creative avenues before ultimately returning to fine art with a clearer vision and stronger boundaries.
She structures her editions thoughtfully, offering one off pieces for largest works and editions of three for smaller sizes, a strategy that reflects the value of her work and her desire to maintain its specialness.

BEST MOMENTS

"At the time, that was incredibly exciting and I was very green and fresh and I didn't really have any experience, any experience that I had was self generated, as both of my parents were secondary school teachers, so I had zero connections in the art world."

"I want to make the art as true conversation and then there to be the by product of money from that."

"Would future Claire say yes? So this future me that I picture, would I say yes to this in two years time, in five years time? Would I be happy that I did this?"

"So many collectors are invested in not only the piece, but in yourself and having conversations with collectors about why they were interested in the piece in the first place is so incredibly valuable."

"If something has a lot of conversations, to say there are a lot of comments and a lot of people having conversations, I feel like that's helpful and informative because it means that it's struck a chord."

"Only you can do what you do. I know that there's lots of other people who can do similar things, but only you can do you."

"Art is about problem solving so when you're given certain parameters, you then can fit your practice within those parameters and it kind of pushes you in different directions."

"I want to make the art as true conversation and then there to be the by product of money from that. It's a difficult space to navigate, but I think at the core it's about finding those key values within your practice that really resonate with your voice and kind of sticking to your guns."

EPISODE RESOURCES

Guest Links:

www.claireluxtonart.com

@claireluxtonart

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Creativity Hacks: How to Be Bolder, Braver, and Weirder in Your Art

Thu, 13 Feb 2025 00:00:00 -0000

Ceri examines how to liberate creative authenticity by offering ideas for artists who feel creatively blocked. She shares five actionable methods to escape creative paralysis and embrace your unique artistic voice. Ceri also provides examples from pioneering artists like Lindsey Mendick and Laure Prouvost, who dared to be different, and suggests exercises for practising these five ways to be bolder, braver, and weirder in your art.

KEY TAKEAWAYS

Bland is Boring – Stop Playing It Safe. If you don’t take risks, your work blends into the wallpaper of creative mediocrity. Push the thing that makes you
Absurdity Unlocks Confidence. You don't have to make absurd, bonkers work but you do have to let yourself be surprised. Injecting a bit of the unexpected forces you into fresh territory—and that's where your best expression is waiting.
Authenticity Attracts Your People. Stop second-guessing whether people will “like” your work. That’s not the goal. The goal is to make something only you could make.
Embracing Mistakes Enhances Creativity. The fear of making mistakes is far more dangerous to your creativity than any actual mistake. If you’re constantly trying to avoid failure, you’ll never push your work into truly interesting, original territory.
Trust Your Intuition. Overanalysing kills creative momentum.

BEST MOMENTS

“With AI churning out generic mush and tech pushing us towards sameness, what we need now is your gloriously weird, hyper-specific, totally you take on things.”

“Playing it safe leads to forgettable work”

“You don’t need everyone to love your work. You need your people to love it. The ones who get it.”

“Your intuition is always talking to you. The trick is learning to hear and, more importantly, learning to trust it.”

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Discover Your Extraordinary Creativity
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Understanding Creative Vulnerability with Erica Eyres

Mon, 10 Feb 2025 00:00:00 -0000

Ceri speaks with artist Erica Eyres, whose work masterfully balances on the edge of discomfort and revelation. Erica shares her creative process, including how she transforms found images into haunting portraits and creates ceramic replicas of mundane objects. The conversation explores the delicate dance between artistic freedom and commercial success and how understanding and overcoming your creative vulnerability shapes you as an artist.

KEY TAKEAWAYS

Erica embraces her compulsive need to make art constantly, choosing to produce abundantly and edit later rather than limiting her output.
Her unique approach to video work requires complete solitude. She plays all characters herself and can only perform when entirely alone, highlighting how some artists need specific conditions to access their creative depths.
Through her international exhibition experience, Erica has observed how cultural context dramatically shapes audience reception, particularly noting how her work dealing with childhood themes received starkly different reactions in Denmark versus Glasgow.
She views gallery relationships as having organic lifecycles, similar to dating, and has learned to navigate these professional partnerships with both commitment and acceptance of their natural evolution.
Experience has taught her to be strategic with social media, sometimes keeping new work private until ready for specific exhibitions, maintaining a careful balance between visibility and preserving work for shows.
Teaching at university level has become both a financial anchor and creative stimulus for Erica, keeping her connected to emerging perspectives while forcing efficient use of studio time.
Her journey has shown her that success in art isn't about dramatic breakthroughs but rather sustained practice through inevitable ups and downs.

BEST MOMENTS

"I've definitely had people tell me that I make too much work... but I've sort of also tried to just accept that this is just how I work, is to make quite a lot of work and then eventually edit it down."

"It's almost compulsive, I suppose. I really just have this need to make stuff and I've always had that."

"I think everyone has a time where things are going really well, like you see really successful artists that have downtimes as well."

"The art world is so complicated and I still feel like I'm learning about it and all the kind of idiosyncrasies of it."

"Most galleries want to show the best work that an artist could possibly make. That's what they're really looking for."

"You never know who's looking... but it also doesn't matter. Do you love what you do enough whether someone's looking or not?"

EPISODE RESOURCES

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Discover Your Extraordinary Creativity
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How to Create More Time To Do What You Love as a Creative

Thu, 06 Feb 2025 01:00:00 -0000

Join Ceri for a short solo episode where she details how you can create more time to do what you love as a creative.

KEY TAKEAWAYS

Conduct a time audit: Where is your time actually being spent currently? Track your time in 30 minute chunks for 3 days and see where your time is going.
Categorise your time and look at how you can prioritise differently and amend to free up more time for creativity.
Use time blocking and be strict with this, schedule your creative time. You can even set certain days for creative time and ring fence this from admin tasks.
Systemising and automating can save you time and effort, for example using templates for contracts and emails.

BEST MOMENTS

"There’s so much admin, so many side gigs and a never ending to do list”

“We all think we’re busy but are we spending time doing the right things?”

“Clients of mine realised they were spending more time responding to enquiries and invoices than actually painting”

EPISODE RESOURCES

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Discover Your Extraordinary Creativity
Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

Introducing Beat the Block Podcast Shorties – Your Weekly Creative Kickstart

Mon, 03 Feb 2025 15:30:00 -0000

I’ve been thinking a lot about how I can help more of you be braver, create the work you truly want to make, and stop second-guessing yourself. It feels urgent. So, I’m launching a new weekly short podcast episode called Beat the Block – a no-nonsense, straight-to-the-point shot of creative support.

Each week, I’ll share three tips drawn from Donkey's years in the arts – learned from the incredible arts and business people I’ve worked with, interviewed, and coached, to the burning questions that come up daily inside my mastermind circles, membership and coaching sessions with artists and arts professionals worldwide.

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Discover Your Extraordinary Creativity
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Authentic Leadership & Cultural Innovation with Tarek Iskander of Battersea Arts Centre

Mon, 03 Feb 2025 00:00:00 -0000

From growing up in the Middle East where theatre was banned to leading one of London's most innovative cultural spaces, Tarek Iskander's journey is a masterclass in transformative leadership. In this candid conversation, he reveals how his NHS background shapes his mission driven approach at Battersea Arts Centre, championing bold, experimental work while making art accessible through initiatives like "pay-what-you-can" ticketing. His insights on nurturing youth creativity, navigating institutional challenges, and reimagining the arts sector's future offer invaluable lessons for anyone interested in cultural leadership and social impact.

KEY TAKEAWAYS

Tarek had to radically shift his natural coaching leadership style during COVID-19. He took on more direct control to protect his team from difficult decisions, showing how crisis management can push leaders outside their comfort zones.
Through Battersea Arts Centre youth programs, Tarek discovered that having staff who came from local communities mattered more than architectural changes or pricing strategies. His street teams of young people recruiting other young people proved more effective than traditional outreach.
Having grown up where the theatre was banned, Tarek's conviction about art's vital role in society led him to transform BAC into a vaccine hub during lockdown while maintaining creative programming - demonstrating how arts venues can serve multiple community needs.
Coming from outside the traditional theatre world, Tarek leveraged his outsider perspective to restructure BAC's financial model, generating 50% of income from private business while making performances accessible through pay-what-you-can ticketing.
When faced with pressure to post black squares during Black Lives Matter, Tarek chose to commission Black artists to respond creatively instead of making performative gestures. This was a decision that initially received pushback but was later vindicated.
Despite ticking only two of the ten criteria for the Arts Council job, Tarek spent a week preparing intensively for the interview, demonstrating his belief that hard work can overcome perceived qualification gaps.
Rather than trying to do everything, Tarek made tough decisions to stop running BAC's museum and co-working space to focus on the core missions of supporting creativity in young people and artists.
As someone who describes himself as "incredibly shy," Tarek had to overcome significant self-doubt to take on public-facing leadership roles, learning that internal demons often pose bigger challenges than external ones.

BEST MOMENTS

"Growing up in the Middle East where pretty much most of theatre or live performance was banned for most of my childhood... I had very little exposure to the arts."

"I think we never think of our next gen or youth programs as an end to something else... If you believe that the world can be a better place, those new creative ideas are going to come from that next generation."

"The biggest obstacles ahead of us are the ones we put up ourselves."

"BAC is small enough to be naughty and not have to play by the rules necessarily, but maybe big enough that people often take notice when something happens."

"I'm very allergic to things that feel performative or just words.”

"Art and performance is so vital that keeping it going and supporting artists and audiences and young people to engage in those ways feels like really critical work."

"Don't let the barriers up yourself. Let other people put them up for you."

"Sometimes the demons within are probably much tougher than the demons without."

EPISODE RESOURCES

Instagram: @batterseaartscentre

Facebook: @BatterseaArtsCentre

bac.org.uk

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The Feminist Laugh: Althea Greenan on Archives, Art, and Activism

Mon, 27 Jan 2025 00:00:00 -0000

Join Ceri as she speaks with Althea Greenan, curator of the Women's Art Library at Goldsmiths. From slide libraries to digital archives, Althea shares her experiences and activism through preserving and championing women's art for over 30 years. This episode is an exploration of how archives can be living, breathing spaces that inspire movements and create change. Through personal anecdotes and revolutionary projects, Althea reveals how small acts of documentation can spark massive cultural shifts and why archives are not just about the past, but about building feminist futures.

KEY TAKEAWAYS

The Women's Art Library began as a slide collection, where artists could submit documentation of their work for £8 per year, creating a democratic, non-hierarchical approach to archiving women's art.
Throughout her career, Althea has maintained that archives should remain non-hierarchical and accessible, keeping the Women's Art Library's original mission of being open to all researchers, whether academic or independent.
Through decades of work, Althea has witnessed how a single image or document can spark significant cultural change, proving that archives are not passive repositories but active agents of transformation.
The transition from analogue to digital hasn't diminished the importance of physical archives; the tactile nature of slides, posters, and documents carries important historical and emotional context.
Self-archiving was a revolutionary act for female artists in the 1980s and 90s, creating visibility and professional opportunities outside traditional art world structures.
Contemporary artists and researchers continue to find new ways to activate and interpret the archive, proving its ongoing relevance to current artistic practice.
The concept of "des oeuvre" suggests that artists' work extends beyond traditional studio practice to include teaching, curating, and institutional change.
The power of feminist archives lies in their ability to create intimate encounters with ideas and spark movements, even through small scale interactions.

BEST MOMENTS

"Archives are living entities, sparking connection, care, and joy."

"A lot of the labour and the care and the personal evidence of inscription that artists very carefully made on these slide mounts is not evident in collections that are digitised."

"It's hard to be a thinker, a maker and be on the edges of society sometimes."

"Sometimes all it takes is one person to say, 'Hey, I think you might like this,' to spark curiosity and shift someone's entire worldview."

"When do you stop being an artist is the question and how much of this work that you're doing really should be seen as part of your artistic practice."

EPISODE RESOURCES

https://www.gold.ac.uk/make/

https://sites.gold.ac.uk/animatingarchives/

Yes to the Work!: The Women's Art Library https://www.art360foundation.org.uk/media
- film by Holly Antrum commissioned by the Art360 Foundation

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Pushing The Boundaries of Photography & Film with Catherine Yass

Mon, 20 Jan 2025 00:00:00 -0000

Ceri interviews internationally acclaimed artist Catherine Yass, whose groundbreaking lens-based work pushes the boundaries of photography and film. The conversation explores her innovative techniques, including her distinctive method of layering negatives and positives, her relationship with architectural spaces, and her thoughts on time, failure, and resistance in art. This episode offers a fascinating glimpse into the mind of a Turner Prize nominee who continues to challenge conventional perspectives in contemporary art.

KEY TAKEAWAYS

Catherine discovered her signature blue colour through mistakes while learning to use a 5x4 camera, leading her to deliberately overlay negative and positive images to challenge the idea that photographs must represent reality exactly as we see it.
Her early experiences cycling around a deteriorating swimming pool in Tower Hamlets while watching Canary Wharf being built shaped her understanding of architectural power dynamics and social inequality in London.
Catherine views her deliberately slow working process with cumbersome equipment as a form of resistance, noting how the industrial revolution transformed time into a commodity that must be used efficiently.
For the NHS Swimmers, she asked healthcare workers to perform the same swimming movements twice, creating a temporal doubling that she felt was crucial to avoid the work looking like an advertisement in a public space.
Through her High Wire project, Catherine came to value the importance of failure when the performer couldn't complete the walk, realising that sometimes dreams are more valuable than their achievement.
Having started by photographing rhinoceros at the zoo, Catherine's fascination with weight, structure and gravity has remained consistent throughout her career, from early sculpture to recent film works.
She maintains her artistic freedom by teaching just enough to fund her studio, allowing her to pursue projects without complete dependence on art sales, which she's found can fluctuate dramatically.
Her transition from making physical interventions in architecture to photographing spaces emerged from the practical reality that installations are temporary, leading her to document them with photography which then became its own form.

BEST MOMENTS

"The camera is very big player in it... It's quite like a third character in the room with you before you even start making."

"I think through teaching you keep reading... there's a whole process of discussion and learning going on all the time, which is really rich."

"Freedom isn't freedom if it treads on somebody else's freedom. So you have to protect people's freedoms."

"I was interested in the idea of the subject not being whole, not being sort of complete or reliable or steady."

"Slowing things down can be quite a resistance... working with that big camera makes you work in a very organised way."

EPISODE RESOURCES

Guest Links:

https://www.catherineyass.co.uk/

Instagram @catherine.yass

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Discover Your Extraordinary Creativity
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Creating Inclusive Cultural Spaces: How Salma Tuqan is Transforming Arts Institution Leadership

Mon, 13 Jan 2025 00:00:00 -0000

In this episode, Ceri talks about cultural curation with Salma Tuqan, Director of Nottingham Contemporary. From her early days at Art Dubai to influential roles at the V&A and beyond, Salma shares her views on how cultural institutions can evolve, adapt, and remain relevant in challenging times. Salma explores everything from collection strategies to institutional sustainability while highlighting the importance of collective effort and generosity in creating inclusive cultural spaces.

KEY TAKEAWAYS

Salma's leadership philosophy focuses on building collective effort, demonstrated through her work at Nottingham Contemporary where she leads a team of 70, prioritising collaborative decision making and community input.
Throughout her career at the V&A, Salma challenged traditional museum structures by working to integrate Middle Eastern art across departments rather than isolating it, showing her commitment to breaking down institutional silos.
Drawing from her Palestinian heritage and early exposure to diverse cultural practices, Salma approaches curation with an understanding that Western categorisations of art aren't universal.
In her role at the Delfina Foundation, Salma developed innovative funding models for under resourced regions, creating pools of resources from multiple small contributions to support artists from areas like Central America.
At Nottingham Contemporary, Salma prioritises long term artist relationships over one off exhibitions, allowing creative partnerships to evolve naturally from small collaborations to major shows.
Rather than arriving with preset plans at new institutions, Salma's approach is to first listen and understand the existing ecosystem before developing strategies collaboratively.
Through projects like "While We Wait," Salma demonstrates her commitment to considering the afterlife of exhibitions and ensuring local communities can access the art they inspire.
As a director facing multiple contemporary challenges, Salma emphasises the importance of maintaining joy as a form of resistance while building solidarity networks with other cultural leaders.

BEST MOMENTS

"I'm a big believer in collectively working, and that's a big part of the ethos of my leadership style as well. I believe that things happen with people."

"When we look around the world and with everything that's at stake, there's never been a moment where the role of institutions is as important as it is."

"There's a lot of focus around the public facing aspect of institutions, particularly thinking about the artistic program and what does that mean when you're platforming artists who are talking about labour issues and simultaneously cutting the hours of the lowest paid workers."

"I think joy is also a key form of resistance too."

"The V&A is a huge entity, a huge institution, and I spent a lot of time developing relationships first and listening to people."

"I really believe that the best work happens and is developed collectively."

EPISODE RESOURCES

Guest Links:

www.salmatuqan.com

Instagram: @stuqan

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Building Authentic Artist Dealer Relationships with Lisa Cooley

Mon, 06 Jan 2025 00:00:00 -0000

Ceri talks with Lisa Cooley, a former New York gallerist turned art advisor. Lisa shares how she went from being an accidental gallery worker to running her own acclaimed Lower East Side gallery for nine years. With remarkable honesty, she discusses the challenges of managing a gallery through a recession, the toll on mental and physical health, and the complexities of artist-dealer relationships. Now working as an art advisor and launching a new podcast called Oko, Lisa gives her experiences and thoughts on relationship building, collecting, and navigating the art world's unspoken rules.

KEY TAKEAWAYS

Throughout her career, Lisa discovered that running a gallery wasn't just about selling art; it required building genuine human connections that couldn't be scaled or rushed, even as the art world grew increasingly commercial.
Lisa developed a unique approach to evaluating artwork, insisting on both an intellectual response and visceral visual pleasure, refusing to compromise on either aspect when choosing artists to represent.
After closing her gallery, Lisa learned that being honest about failures and challenges - though often discouraged in the art world - ultimately led to deeper, more meaningful professional relationships.
Through difficult experiences with artists, Lisa came to understand that gallery-artist relationships work best when treated as business partnerships, allowing for clearer boundaries and communication.
Lisa's experience running her gallery during the 2008 recession taught her that sometimes working harder isn't the answer.
When Lisa's health began suffering from overwork, she made the difficult but necessary decision to close her gallery, learning that physical and mental wellbeing must take precedence over art world pressures.
As an art advisor, Lisa discovered that building collector relationships requires a 4-6 month period that's less about art education and more about understanding how people communicate and make decisions.
Lisa found that small, thoughtful gestures, from handwritten notes to carefully chosen chocolates, often proved more effective in building lasting business relationships than grand gestures or aggressive sales tactics.

BEST MOMENTS

"Being candid is highly, highly punished, and I think it's only now with a lot of distance where I really feel comfortable trying to share as much as possible."

"The gallerist-artist relationship is not a marriage. It is not family. It is a business relationship... A marriage is very different. It's reciprocal. And gallery-artist relationships are frequently not reciprocal."

"Sometimes galleries just aren't that supportive..."

"You can scale everything in the art world... but you can't scale the human relationships. That's impossible to scale."

EPISODE RESOURCES

IG @lisacooleynyc

www.lisacooley.com

www.ask-oko.com

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The Artist Mastermind Circle is a focused group coaching programme for mid-career contemporary artists ready to take their practice and career to the next level. You’ve built a solid foundation, and now it’s time to refine your strategies, increase your income, and tackle new challenges with confidence. This exclusive, application-only programme provides expert guidance from Ceri Hand and the support of a trusted community to help you achieve greater recognition and expand your opportunities.
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How to Thrive in 2025: Your Questions Answered

Mon, 30 Dec 2024 00:00:00 -0000

In this special end of year solo episode, Ceri answers questions from her mastermind community members. From exhibition planning and pricing artwork to connecting with collectors and maintaining social media boundaries, she gives her expert advice from her extensive experience in the art world.

KEY TAKEAWAYS

When planning exhibitions, start with self-reflection about your goals and desired outcomes before engaging with collaborators or institutions. Consider what you want to optimise for, press coverage, commissions, or collector engagement?
Price artwork based on market research and ecosystem participation rather than production costs or time invested. Research comparable works and understand that value in art is based on perceived worth within the social system.
Building relationships with collectors requires authentic connection rather than direct pitching. Research their interests and engage naturally through shared networks and events.
When updating your website during a practice transition, focus on quality over quantity. Edit work to show your best pieces that reflect your current direction while maintaining coherency with past work.
Create psychological safety in professional relationships by showing genuine interest before making any asks. Start with appreciation and sharing relevant content before discussing your own work.
Exhibition planning needs adequate time for idea development before production. Avoid rushing into execution without proper conceptual exploration with collaborators.
Social media should be approached strategically as a tool for community building rather than passive consumption. Set specific goals for engagement and research.
Documentation and legacy planning are crucial for exhibitions - ensure high-quality photography and materials that can continue generating opportunities after the show closes.

BEST MOMENTS

"The art market is such an unusual thing because it's all based on perceived value. It's not like we're breaking down the costs, say with coffee... when it comes to art, the market really is dependent on how many people want that thing."

"The worst thing you can do as an artist is to squirrel yourself away in a cupboard and come out with an idea like, ta-da. What do you think? It's really about you having the idea to the best of your ability to a point and then opening up."

"Sometimes less is more. So I love asking myself this question: What's the simplest thing I could do that would give me the biggest return on my time invested?"

"If you want to be collected by serious collectors who are participating in that ecosystem, then I would encourage you to evaluate what else is being sold at a similar price that you think your work may be being sold at."

"Every exhibition is a publishing moment. It's not the only moment, but it's the start of another opportunity coming down the pipeline."

"Put the social back into social media, which is really about you being deliberate with what your goals are whilst you're there."

"If you want some love, you have to show the love first."

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Becoming a Fearless and Authentic Creative with Louise Gray

Mon, 23 Dec 2024 00:00:00 -0000

Ceri speaks with polymath Louise Gray, whose creative career spans textiles, fashion, costume, sound, and writing. Louise shares her experiences in fashion, textile design, and education, discussing her bold aesthetic choices, fearless approach to creativity, and commitment to authenticity. Her journey from establishing her own fashion label to teaching at Central Saint Martins, and currently venturing into new creative areas, provides insightful guidance for anyone on their own artistic journey. This discussion explores sustainability, the significance of creative freedom, and the necessity of staying authentic to your own values.

KEY TAKEAWAYS

Having grown up in rural Scotland, Louise learned to see extreme colours in nature, which later influenced her distinctive colour palette in fashion, combining contrasting hues that both clash and complement
She deliberately kept her fashion label small and focused on high-quality, handcrafted pieces rather than bending to industry pressure to make more commercial products or use digital printing
Louise views collaboration as essential for creative growth, seeking out artists and creators who challenge her while still maintaining her unique vision and voice
Rather than trying to please everyone, Louise focused on creating work that excited her personally, knowing that authenticity would attract the right audience who truly connected with her aesthetic
When teaching at Central Saint Martins, Louise rewrote the MA Fashion curriculum to emphasise sustainability and encouraged students to deeply question their identity and values as designers
After closing her fashion label, Louise took delivery jobs to fund her creative work, choosing financial freedom over prestige to make art on her own terms
She approaches textiles as a feminist practice, seeing it as a way to amplify historically overlooked women's work while pushing boundaries of what textile art can be
Louise has learned to separate her sense of self-worth from her creative work, leading to more artistic freedom and joy in the making process

BEST MOMENTS

"I'm not trying to be you, I'm trying to be me. I'm interested in creating something that I know will talk to other people, because it's interesting."

"I've had to really detach my sense of value from my work because I thought that they were the same thing, and since I've detached them, there's so much more lightness to the work that I do."

"Joy is about connecting with other people, like true joy is always about other people.”

"I'm so grateful that I have chosen a creative path. It is not easy. I didn't need it to be easy. I haven't learned from easy."

"I liked making things which had multiple technique fabrics. I wasn't trying to make it accessible to people, I was trying to make the most beautiful things that I could dream of."

"Sometimes just saying this is who I am and this is how I want to do it is good."

"If you can make work that makes somebody feel something, you've won."

EPISODE RESOURCES

www.iamlouisegray.com
@louisegray__

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Lady Skollie: Modern Cave Painter Redefining South African Art

Mon, 16 Dec 2024 00:00:00 -0000

Ceri speaks with Lady Skollie, a bold South African artist who fearlessly challenges artistic conventions. From her early days at a specialist art school to becoming an internationally acclaimed painter, Lady Skollie shares her journey as a modern day cave painter and gives her experiences of gallery relationships, motherhood, and maintaining artistic integrity. Her original perspectives on the art world, cultural identity, and creative authenticity make this the perfect episode for anyone interested in the intersection of art, culture, and personal truth.

KEY TAKEAWAYS

Lady Skollie maintains creative freedom by creating physical distance from city centres and setting clear boundaries with galleries, emphasising the importance of separation between artists and collectors.
Her work is deeply rooted in her identity as a descendant of the indigenous people of South Africa, reimagining traditional cave paintings on a larger scale.
Success in the art world for her, came through strategic support, including a partner who gave her two years to focus solely on art, leading to international gallery representation.
Lady Skollie has found that physical fitness and consistent creative practice have been crucial elements for maintaining artistic productivity and mental well being.
She challenges the modern trend of artist accessibility, advocating for maintaining mystery and separation between artists and collectors.
Her perspective on showing work internationally reveals how art is received differently across cultures, particularly regarding themes of sexuality and cultural identity.
She approaches commercial work by comparing potential earnings to what she could make painting, ensuring her time is valued appropriately.
Lady Skollie also emphasises the importance of having freedom from financial pressure to maintain artistic integrity and make authentic work.

BEST MOMENTS

"I've always wanted to be an artist."

"If you're going to go for white money, you should go for very old white money."

"I'm not someone who draws all the time, but I consistently create... I constantly think about art."

"I'm of the opinion if you're not based in a place like South Africa, it's really hard to understand what drives people here."

"Sometimes pressure makes diamonds. But I think for me, it just makes lunacy. I need freedom."

"Back in the day, I used to be known as the pawpaw and penis girl because I would just paint pawpaws and penises."

"I consider myself a modern day cave painter."

"If you don't like something, then just look away from it, but you cannot control how other people experience something."

EPISODE RESOURCES

Guest Links:

Instagram:

@LadySkollie

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Why Artists Can't Hide Their DNA and Need Community to Thrive with Jennifer Higgie

Mon, 02 Dec 2024 00:00:00 -0000

In this episode, Ceri speaks with Jennifer Higgie, whose evolution from painting lemons to shaping Frieze magazine spans more than two decades. She opens up about the realities of the art world, the necessity of creative discipline, and her mission to respect artists' work with authenticity. Through her shift from art critic to author uncovering hidden women artists in art history, Jennifer demonstrates what it takes to build and sustain a creative life. Her thoughts and experience of writing's emotional toll and the exposure of sharing creative work resonate deeply, while her practical experience serves as both a roadmap and reminder for other creatives.

KEY TAKEAWAYS

Jennifer developed her disciplined approach to writing through 23 years at Frieze, treating it like a ‘normal’ job with strict deadlines and word counts while learning the importance of stopping at the right time to maintain quality
She deliberately positioned herself as an "enthusiast" rather than a critic, choosing to write primarily about work she felt passionate about rather than producing negative criticism
To sustain her writing career, she worked as a waitress for 15 years, preferring this to desk jobs as it didn't interfere with her creative headspace
She built and maintained vital creative networks across London, Berlin and Australia that have supported her throughout her career transitions
After experiencing burnout and anxiety, she sought CBT support, which helped her learn to distinguish between real and hypothetical anxieties
Her research into overlooked women artists led her to discover how much messier and more inclusive art history is than she was taught
As reviews editor at Frieze, she developed a systematic approach to balance coverage between established institutions, emerging artists and everything in between.
Her experience taught her that writing requires accepting that most work goes into a void of silence, with rare but meaningful moments of connection with readers

BEST MOMENTS

"Writing is very much like dropping a pebble into a very deep pool or well, and very occasionally you hear a faint splash, and that's about it"

"The idea of super bohemian artists going wild and drinking or taking lots of drugs... you can't last very long if you do that"

"Paintings are like portals, you look in, you look into them, and you go into them, and then you travel around a bit, and you come out again"

"Everyone has a story...and it's your responsibility to find out what that story is"

"Art history was for too long taught as if it was carved in stone"

"I'm infuriated by the idea that history was written as if it was all about white male achievement"

EPISODE RESOURCES

Guest Links:

https://www.jenniferhiggie.com/

Instagram @jennifer_higgie

Book Link:

https://www.weidenfeldandnicolson.co.uk/titles/jennifer-higgie/the-other-side/9781474623322/

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Discover Your Extraordinary Creativity
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Bringing Large Scale Public Art to Life with Artist Producer Lexi Zelda Stevens and Artists Megan Broadmeadow & Angela Davies

Mon, 25 Nov 2024 00:00:00 -0000

Ceri brings together three artists who transformed the Green Man Festival into a magical artistic playground. Lexi Zelda Stevens, Megan Broadmeadow, and Angela Davies share their experiences of creating ambitious installations in challenging outdoor environments. From holographic fans in the woods to midnight performances on rafts, they reveal the intricate dance of artistic vision, technical expertise, and weather management. The trio and Ceri give practical advice and inspiration about producing large scale public art and talk about the importance of building strong support teams.

KEY TAKEAWAYS

Lexi believes the key to successful festival art programming is having meticulous contingency plans while giving artists complete creative freedom to lead their vision
Megan discovered that having triple the expected technical support proved crucial when personal emergencies arose during installation of her holographic installation
Transforming her gallery work for an outdoor festival context opened up new possibilities for Angela's performance and audience engagement.
Producing festival art requires creating a calm, supportive environment amid chaos, focusing on safety while letting artists maintain creative control.
Festival audiences interact with art differently than gallery visitors - some prefer to simply observe, while others want to understand the technical details.
Angela realised that staging work next to water created unexpected opportunities for reflection, both literally and metaphorically, in her practice.
Lexi's experience showed her that the best commissioned work comes from trusting artists who haven't worked outdoors before rather than playing it safe.
Through her midnight performance, Angela discovered that festivals can create intimate, quiet moments of connection even within a busy event environment.

BEST MOMENTS

"Being a producer is kind of like saying sorry and thank you a lot. And maybe I hear you as well in there."

"Don't work alone. You're going to need some friends. You're going to need support. Use people's expertise."

"I was laying on this body of water where the film was projecting kind of beyond me... it was quite magical."

"Creating imagery that transcends the festival... and forgetting that you're even at a festival, that was really powerful."

"Just dream big"

"Don't try and make the art. My role is very clear in that I'm leading on safety and passing over audience experience."

"The opportunity to make something potentially super large scale that sat next to this body of water, this pond, on the estate... it was really incredible."

EPISODE RESOURCES

https://www.greenman.net

Guest links:

Angela Davies

https://www.angeladaviesartist.co.uk/

@angeladaviesartist

Lexi Zelda Stevens:

https://www.lexizeldastevens.com/

@helpingartistsmakework (producing)

@LexiZeldastevens (own practice)

Megan Broadmeadow

https://meganbroadmeadow.com/

https://www.instagram.com/meganbroadmeadow_artist/

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Building Inclusive Cultural Spaces with Dhikshana Turakhia Pering Head of Creative Programmes at London Museum

Mon, 18 Nov 2024 01:00:00 -0000

Ceri speaks with Dhikshana Turakhia Pering, who has over 18 years of experience in museums, galleries and the wider cultural and creative world. As Head of Creative Programmes at London Museum, Dhikshana talks to Ceri about her journey from Science Museum explainer to cultural leader and reveals how her neurodiversity shaped her approach to leadership. She discusses the importance of joy and hope in creative programming, authentic leadership and making culture accessible to all. Throughout the episode, it is clear that Dhikshana’s mission is closely aligned with her own experiences and upbringing, giving her authentic passion in everything she does.

KEY TAKEAWAYS

Dhikshana manages her neurodiversity through good preparation, practising presentations three times, detailed scripting, and developing organisational systems that help her lead effectively while maintaining high standards
Throughout her career, Dhikshana has developed programming based on starting from a place of empathy and respect, actively listening to communities, and ensuring representation becomes embedded in institutional structures
Her leadership style evolved from recognising that being authentic means maintaining consistency across all interactions while learning to set boundaries between her professional and personal life
She created the "triangle model" framework at London Museum, focusing on intellectual depth, lived experience, and universal themes to build strong creative programmes that resonate with diverse audiences
Her involvement with Museum Detox has shown her the vital importance of professional networks in providing support, solidarity, and advocacy for diversity in cultural institutions
Dhikshana's career transitions were guided by listening to her gut instinct while building support systems that allowed her to make bold moves when necessary
At London Museum, she combines programming that sparks joy and hope while addressing serious social issues and civic action, drawing from her personal experiences growing up in Camden
Her approach to team leadership focuses on creating psychological safety while maintaining clear structures, drawing from both positive and challenging experiences throughout her career journey

BEST MOMENTS

"If you can hold the attention of 14 year old boys while you're on stage delivering a show about digestion, where you're talking about poo, like you can pretty much hold the attention of anyone."

"I'm glad we're in a world now where 12 year old me right now somewhere would find out they were dyslexic and be like, cool. Like, what do I need? How do I do it?"

"I was told I would never be a leader because I smile too much...The smile is a big thing. It makes people feel welcome and comfortable with me. And then they tell me lots of stuff that's really helpful."

"Being your authentic self means being genuine to everyone around you...They know, they meet you, they hear you, they hear what you're interested in and how you're going to do this."

"The way I am, my empathy, the way I love chatting to people, the way that I can listen to someone and then retain loads of information is really important."

EPISODE RESOURCES

Guest Resources:

https://www.londonmuseum.org.uk/

https://uk.linkedin.com/in/dtpering

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Artist Curator Gavin Wade: How Eastside Projects is Changing Birmingham's Art Scene

Mon, 11 Nov 2024 00:00:00 -0000

Ceri interviews Gavin Wade, the visionary artist curator behind Eastside Projects and Senior Research Fellow at Birmingham City University. From his early love of comics to founding one of the UK's most innovative art spaces, Gavin talks to Ceri about transforming the art world through collaborative practices. His story of creating a new kind of gallery space, winning a £120 million market redevelopment project, and maintaining artistic integrity while pushing boundaries is both inspiring and practical for anyone interested in making their creative mark.

KEY TAKEAWAYS

Gavin's approach to artist collaboration shows how repeated engagements over time create deeper, more meaningful projects - rather than rushing one off exhibitions, he builds lasting relationships that allow ideas to naturally evolve into innovative work.
Through establishing Eastside Projects, Gavin demonstrated how to create a new kind of art space by selectively adopting elements from commercial galleries, museums and artist run spaces while rejecting conventional limitations.
His early immersion in comics and DIY culture shaped his understanding of self publishing and community building, providing foundational principles that continue to influence his approach to art making and curation.
Gavin's success with Eastside Projects stems from his ability to balance ambitious international programming with local artist development, he recognised that both elements are essential for meaningful impact.
His revolutionary perspective on gallery spaces rejects the notion of neutral containers, instead treating them as living artworks that continuously evolve through each exhibition and intervention.
Gavin built his confidence in the art world through consistent action. Each successfully organised show and new connection strengthened his position and opened up fresh opportunities.
His involvement in the Smithfield Market project demonstrates how artists can meaningfully influence city development when they're involved in early planning stages rather than being brought in as an afterthought.
Gavin maintains creative sustainability through clear boundaries - implementing regular working hours, extending installation periods, and prioritising family time, proving that balance enhances rather than diminishes artistic output.

BEST MOMENTS

"As soon as I was on my degree, I just thought, well, I'm an artist, I might not be as good yet, but I'm trying."

"There is no such thing as an individual artwork. There is always a relationship between the artwork and its environment and other artworks and other things that have appeared in that space in the past or will appear in the future."

"I didn't even know what a sculptor was particularly at that point. There was a little bit of modelling, like clay modelling and stuff, which felt a little bit boring, like I could do it, but it wasn't that exciting."

"The art world is about supporting artists and careers and trying to come up with ideas, but to do it, it needs to reinforce societal status quos that are very aristocratic."

EPISODE RESOURCES

Artist Links:

Eastside Projects, Birmingham

https://eastsideprojects.org/

Instagram: @eprjcts

Gavin Wade

Instagram: @gavin_wade_

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Innovating Sound Design with Sound Artist Nick Ryan

Mon, 11 Nov 2024 00:00:00 -0000

Ceri speaks with Nick Ryan, an Emmy and BAFTA award-winning sound artist who has revolutionised how we experience sound. From his early days experimenting in his garden shed to creating interactive radio dramas and transforming public spaces with sound installations, Nick's journey is all about creative evolution. Nick talks to Ceri about confidence, collaboration, and the importance of asking for help. The conversation reveals how his personal experiences, including early loss and bullying, shaped his innovative approach to sound art and his understanding of human connection through audio experiences.

KEY TAKEAWAYS

· Early experiences with materiality and experimentation, encouraged by his grandmother and science teacher, laid the foundation for Nick's creative approach to sound design

· The transition from visual art to sound happened organically through fashion show soundtracks, leading to Nick’s pioneering work in interactive audio

· Public realm sound art can transform spaces and experiences in ways that traditional urban planning doesn't consider

· Confidence issues are universal among creatives - even those who appear most confident often struggle the most

· The importance of asking for help and being vulnerable can lead to unexpected opportunities and support for all creatives.

· Nick’s technical innovation in sound has created new ways of storytelling and audience engagement

· Sound art is unique in that it's always a collaboration between the artist and the listener's internal experience

· The value of working with supportive people and learning to recognise when a collaboration isn't the right fit!

BEST MOMENTS

"Everyone's got confidence issues and the people that don't seem to have confidence issues, with a few exceptions, are generally the people that have the most issue with confidence."

"No one ever says no if you ask for advice."

"If you're trying to make something for other people that's a recipe for disaster. It's just about being true to yourself."

"The atmosphere outside the listener is only one half and the other half is the atmosphere inside the listener."

"Don't work with people you don't like. Something else will come along.”

"As a sound artist, you can never author more than 50 percent of the experience."

EPISODE RESOURCES

Guest Links:

https://www.nickryanmusic.com/

https://www.instagram.com/nickryanmusic/

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Technology in Art: Rafael Lozano-Hemmer on Large Scale Interactive Installations

Mon, 04 Nov 2024 00:00:00 -0000

Technology meets art as Ceri is joined by Mexican-Canadian media artist Rafael Lozano-Hemmer, whose works are in collections worldwide such as MoMA, Guggenheim, TATE, Reina Sofía, and Hirshhorn. He shares his journey from nightclub owner's son to internationally acclaimed artist and how it shaped his unique approach to creating participatory experiences. From transforming the US-Mexico border to making climate change audible through 481 speakers, Rafael gives his thoughts about managing ADHD, building a successful studio, and the delicate balance of working with major brands while maintaining artistic integrity.

KEY TAKEAWAYS

Early exposure to nightclub culture and theatrical environments influenced Rafael's approach to creating participatory art installations that come alive only when people engage with them.
The democratisation of technology has transformed media art from being institution dependent to being more accessible, leading to an explosion of digital creation worldwide.
Managing ADHD has been both a challenge and an asset for Rafael; he credits his condition for helping him work under pressure and maintain the necessary denial to tackle seemingly impossible projects.
The artist's studio operates like a theatrical production, with Rafael as director rather than a solitary creator, involving specialists from 10 different countries.
Environmental consciousness has become central to his practice, including scientific collaboration to minimise the impact on migratory birds and transition to more sustainable technologies.
Rafael uses three key filters for project selection: intellectual/philosophical interest, time investment required, and economics, maintaining about 20% of work as non-profit.
The relationship between art and corporate sponsorship requires careful navigation to maintain artistic legitimacy while ensuring financial sustainability.
Art institutions face a tension between meaningful engagement with digital art and the temptation to use technology merely for spectacle and attendance numbers.

BEST MOMENTS

"My talent is more in getting teams together. And there is a name for this, it's like a theatrical director... there's still a vision, it's the director's vision, that is followed."

"Ultimately what I'm interested in art is in creating a good party, it is only when people come in that the party really begins, it really is dependent on participation."

"I got off of Ritalin so that I could continue a life of denial because it's the only way to lie to yourself that these things can actually be accomplished."

"I am not interested in growth. I want de-growth...I don't want to become a massive company, but what I do want is not to grow in personnel or space. I want to grow in time."

"The genius artist who did something and then out of this one idea created a career doesn't exist. It's the perseverance."

"You'll never be satisfied. You'll always think that the next artwork is better than anything you've done in the past."

EPISODE RESOURCES

@lozanohemmer

https://www.lozano-hemmer.com/

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Why Art Needs Enthusiasm and How to Represent Artists in 2024 with Marine Tanguy

Mon, 28 Oct 2024 00:00:00 -0000

Ceri is joined by Marine Tanguy, the pioneering founder of MTArt Agency. From managing a gallery at 21 to founding the art world's first talent agency at 25, Marine shares her journey of revolutionising how artists are represented and supported. Ceri and Marine talk about building resilience, visual literacy, and creating new opportunities for artists. Marine also opens up about overcoming personal challenges, including a public hate campaign while pregnant, and shares her innovative approach to artist representation.

KEY TAKEAWAYS

Marine built MTArt Agency on a philosophical foundation first, establishing clear manifestos about the future relationship with the arts and the alignment of medium and concept before focusing on business applications
At 25, Marine created a new business model in the art world by shifting focus from gallery spaces to a service based agency, enabling broader opportunities for artists beyond traditional art sales
Marine's experience of managing a hate campaign while pregnant led her to find strength in ballet, demonstrating how physical practice can help manage the mental challenges of leadership
Coming from a teaching family background, Marine approached her financial education systematically, surrounding herself with knowledgeable investors who could contribute expertise beyond just funding
Marine's approach to talent spotting comes from genuine enthusiasm - she describes herself as someone who rushes back to the office excited to champion new artists she's discovered and thinks that much of the art world today is lacking this type of enthusiasm.
As one of the first B Corp certified companies in the art world, Marine used this framework to create measurable accountability in an industry that traditionally lacks formal regulation.
Despite managing 50 artists and over 300 projects, Marine maintains a "log in, log out" approach to social media.
Marine's company has grown to a £35 million valuation by creating opportunities across multiple sectors from public art to brand partnerships, whilst many more traditional galleries are struggling in the current market.

BEST MOMENTS

"We are in the art world where being enthusiastic is something that's actually quite rare. It's seen as either quite young or naive or too keen to a degree. But I love my enthusiasm."

"The traditional way is really being challenged as we speak."

"I haven't studied finance, but I was aware it was something that therefore I was not knowledgeable in, so I made a point of becoming knowledgeable in it."

"I think realistically with talent, it's really a balance of hard work, ethics and research, but it's also a question of talent."

"You just know when an entrepreneur walk into a room versus someone that has put a deck together with a few clever facts versus someone that has really walked in and you know that they can deliver what they're saying."

"Making sure that they diversify, that they reach out as much to public art commissioners, to brands, to digital partners, like they really think outside the box."

"Ballet is also muting your brain for an hour and a half, which is really good for your anxiety."

EPISODE RESOURCES

Marine is represented by United Talent Agency for her writing and TV career.

Instagram: @marinetanguyart

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The Art of Digital Leadership with Tom Higham Creative Director and Founder of Mediale

Sun, 20 Oct 2024 23:00:00 -0000

Ceri explores the world of digital art and creative leadership with Tom Higham, Creative Director and founder of Mediale. Tom shares his knowledge and experience, from film festivals to cutting-edge digital projects, and gives his thoughts on artist development, community engagement, and the challenges of running a creative organisation. Ceri and Tom also talk about personal health, leadership styles, and share their visions for the future of arts and technology.

KEY TAKEAWAYS

Tom's career highlights the importance of networking and seizing opportunities in the arts, from volunteering to leadership roles.
Effective creative leadership involves balancing artistic vision with practical considerations like funding, stakeholder management, and team dynamics.
Community engagement in arts projects requires a genuine interest in people's stories and a collaborative approach between artists and local groups.
The digital art sector is very international, presenting both opportunities and challenges for UK based organisations and artists.
Successful arts organisations need to adapt their leadership and project approaches based on the specific context and scale of each initiative.
Tom stresses the importance of clear communication and boundary setting in leadership, while maintaining flexibility and empathy to be successful.
Personal health management, including addressing invisible disabilities is essential in sustainable creative leadership.
The arts sector should critically examine the impact and sustainability of large scale cultural events versus ongoing, community focused initiatives and what they can alternatively offer.

BEST MOMENTS

"I always found I would tend to let the work expand to fill the time I give it."

"Talking, communicating to different people outside of your inner sphere is quite a skill and there aren't that many people in the arts who do that well, I don't think."

"You have to build the trust to be able to take that risk, I think that's really important, but also to build that trust, you have to tell a compelling story."

"The hardest stuff about being an arts leader is probably, I'm imagining, similar to the hardest stuff about being a leader in the energy sector or in the retail sector. It's people."

"I think you've clearly done so well over your career is actually that trust and that deep love that you have for the artists and their idea, but then finding the language and the synergy, those kinds of moments of alignment with somebody else."

"Clarity is kindness, you know, and sometimes that means even if you're saying clearly, actually, no, that doesn't work for me, it actually helps people to understand and take action accordingly."

"I would suggest to artists that you have to figure out what you want to pursue and figure out how to talk about it."

EPISODE RESOURCES

Connect with Tom Higham:

Instagram: @tomhigham14
LinkedIn: Tom Higham
Website: tomhigham.net

For more information about his work with Mediale, visit mediale.org.uk or follow @mediale_uk on Instagram.

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Personal Experience and Artistic Expression with Emma Talbot

Sun, 13 Oct 2024 23:00:00 -0000

Join Ceri as she interviews acclaimed artist Emma Talbot. From her childhood drawings to art installations, Emma shares her experiences of finding her authentic voice, transforming personal experiences into universal art, and creating without external validation.

KEY TAKEAWAYS

Emma's early drawings were a form of escape and freedom during a challenging childhood, highlighting art's therapeutic potential and laying the groundwork for her artistic path.
Art school and early career struggles masked Emma's authentic voice, which she only then discovered after experiencing profound personal loss.
Abandoning the pressure to be an "artist" led to Emma's creative breakthrough.
Witnessing her partner's death inspired Emma to explore consciousness and shared human experiences in her work.
Navigating institutional collaborations and budget negotiations became crucial skills in creating Emma's ambitious projects.
Managing multiple international exhibitions requires Emma to focus on the interconnectedness of her work and adopt a methodical approach.
Embracing her true artistic identity and interests liberated Emma's creativity, making her work more enjoyable and authentic.

BEST MOMENTS

"Drawing is, can be, a kind of avoidance, it's like a space you can go into, where it's like everything else disappears, and you, you get to invent what you want."

"All we have is this period of time of consciousness and all we do is share the experience with one another."

"I don't feel uncertain about my work at all. Because I know what it's doing is just doing what it's doing."

"Finding joy is a choice. It sounds so corny to say it out loud, but it is, it is, and you can, and I find that I'm able to do that."

"Each person tailors the work to themselves. You know, the work has to be something that suits you."

"I think for me a big part of understanding my work was just accepting who I am."

"Emma's story is a powerful reminder that creativity is not only a tool for self expression, but also a way to process profound personal experiences

"Art is not just about what you make, but about the connections you foster with those who experience it."

EPISODE RESOURCES

Artist Links:

https://www.emmatalbot.org.uk

Instagram @talbot.emma

Gallery representation:

Gallery Onrust, Amsterdam https://www.galerieonrust.nl/artists/emma-talbot

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Connal Orton: Author, TV Producer, and Theatre Director on the Power of Mucking About and Flying by the Seat of Your Pants

Sun, 06 Oct 2024 23:00:00 -0000

Ceri explores the dynamic creative journey of Connal Orton, a versatile talent who's traversed theatre, television, and psychological thrillers. Connal shares his knowledge and personal experiences of creative leadership, embracing risk, and finding joy in the process. From directing plays to executive producing hit TV shows and now crafting gripping novels, Connal's story is a masterclass in adaptability and creative evolution.

KEY TAKEAWAYS

Embrace serendipity and be open to unexpected opportunities. Many of Connal's career-defining moments came from chance encounters and being willing to try new things.
Creative leadership involves articulating the big picture while allowing team members the freedom to handle details, fostering a collaborative environment.
Building a loyal audience is crucial. Try to focus on creating emotional connections rather than chasing numbers or trying to appeal to everyone.
Feedback is essential, but timing is key, seek input at the right stages and from trusted sources to refine your work effectively.
Authenticity in your creative voice and marketing approach can help you stand out and build a dedicated fan base.
Playfulness and pushing boundaries can lead to innovative ideas; don't be afraid to be cheeky or irreverent in your work.
Transitioning between creative fields can be advantageous, allowing you to apply skills and experiences in fresh ways.
Surrounding yourself with talented people and fostering a supportive creative community can elevate your work and open new opportunities.

BEST MOMENTS

"I often think of the stuff on the wall as being like my sort of holiday photos, which is that they remind me a bit of my own kind of journey."

"I want to write something that I think lots of people are going to read and I want those people to find it and love it."

"Be your authentic self, if you're going to fail, fail on your own terms and at least believe in the stuff that you're making."

"You can't make comedy without enjoying yourself. It's like you don't know whether a joke's funny unless you're laughing at it or not."

"Your job very often is to articulate the big stages and let other people look after the detail."

"I think what I've kind of learned is...you can be really risqué with things if you do it in the right way and with real confidence."

EPISODE RESOURCES

@calebcroweauthor @connalo @inkubatorbooks
https://www.calebcrowe.com/

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Unmasking the Imposter: Empowering Your Creative Confidence

Sun, 29 Sep 2024 23:00:00 -0000

This special episode is an audio version of a talk Ceri gave the brilliant Working Class Creatives Database in collaboration with Second Act Gallery funded by Arts Council England. Ceri talks all about the pervasive issue of imposter syndrome among creative professionals. Drawing from her extensive experience in the arts, Ceri offers practical help and ideas to overcome self doubt and build creative confidence. From reframing negative thoughts to embracing your own unique perspective, Ceri gives proven advice to help artists and creatives thrive in their careers, tackling imposter syndrome head on.

KEY TAKEAWAYS

Imposter syndrome is common among creatives, affecting even highly successful individuals. Recognising these feelings as normal is the first step to overcoming them.
Separate feelings from facts. Feeling inadequate doesn't mean you are. Practice reframing negative thoughts with positive, empowering ones.
Visualise your success and practice power poses to boost confidence. These techniques can reduce performance related stress and enhance self assurance.
Focus on finding your tribe, 10 to 12 champions who genuinely appreciate your work can significantly boost your career and confidence.
Embrace your unique perspective and creativity. Don't try to fit into spaces that don't align with your values or artistic vision.
Prepare thoroughly for challenging situations, but also learn to improvise. Confidence is built through taking action and learning from experiences.
Practice self compassion and celebrate your achievements, learn to acknowledge and reward yourself for your accomplishments.
Surround yourself with supportive people who are excited by your talent and want you to succeed. Your wellbeing and confidence are paramount.

BEST MOMENTS

"The difference between those who experience imposter syndrome and those who don't is their mindset during triggering situations. They think different thoughts, which is encouraging because it means we can learn to think like a non-impostor."

"Perfectionism has its place. Caring deeply about your work is good. Strive for excellence when it matters most, but don't dwell on routine tasks and forgive yourself for mistakes."

"View this as a skill, not a sign of ineptness. The essence of 'fake it till you make it' is to act confidently, take risks, and let your behaviour build your confidence over time."

"Confidence is a process, not an end game. Sometimes you have to improvise."

"Every single one of you has got something important and useful and gorgeous to contribute in the art world and beyond in society. You are our thinkers, our makers, our see-ers."

"If you want more love, you have to give more love. It's really that simple. That goes with increasing your network, increasing your connections with people."

"Life is 50/50, right? None of us get out of here alive. So we go through good times, we go through bad times and success for me means that I can deliberately choose on purpose when I get to enjoy the moment."

"You deserve to be in the meeting, in the show, at the private view, and your contributions are important."

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In Partnership with Working-Class Creative Database and Second Act Gallery

The Working-Class Creatives Database (WCCD) CIC is a volunteer-led in-person and online community for working-class creatives in the UK. It was founded in 2021 to provide a platform for working-class creatives, to establish a strong community between working-class artists and tackle classism within the arts.

@workingclasscreativesdatabase https://www.workingclasscreativesdatabase.co.uk/

Funded by Arts Council England @acegrams

THE SECOND ACT is a young contemporary gallery with roots in the North of England and East London.

@second_act_gallery https://www.secondactgallery.co.uk/

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Does AI Have a Place in Poetry? Ana Maria Caballero's Innovative and Controversial Creativity

Sun, 22 Sep 2024 23:00:00 -0000

Ceri speaks to Ana Maria Caballero, a Colombian-born literary artist who is breaking boundaries in the world of poetry. From selling a poem at Sotheby's to collaborating with AI, Ana Maria's journey reflects the power of persistence and innovation. She talks about balancing creativity with practicality, embracing collaboration, and reimagining classic literature for new generations, to inspire creatives across all disciplines.

KEY TAKEAWAYS

Ana Maria balances creative growth with practicality, starting in finance before moving onto journalism and working for the Colombian vice president.
Her experience in the press office built resilience and taught her the value of feedback, crucial for her development as a writer.
She emphasises the importance of maintaining a beginner's mindset in creative practice and embracing the personal as a gateway to the universal.
You have to be resilient as a creative, Ana submitted her work to 50 publishers before winning a poetry prize!
She explores the translation of ideas across different mediums, from traditional poetry to digital art and AI collaborations.
Ana Maria advocates for reimagining classic literature through technology to engage new generations beyond traditional educational methods.
There are challenges and opportunities of being a pioneer in merging poetry with new media and blockchain technology. This can be seen as quite controversial in the creative world.
Ana Maria emphasises the importance of honest self-expression in writing, using her work as a means of self-preservation and connection with readers.

BEST MOMENTS

"I'm very truthful. I really try to be honest. Thank you. And I let myself write the hard truth and let it be there and not delete it, not edit it."

"There is a difficulty sometimes as a writer to allow someone else to mess with your writing. And I have found that the best work that I've really put out there has been Much of it, beside an editor who understands, respects, but also, you know, is willing to cut what you've done."

"I wanted my work to have this pulse beyond the page, and I've really been able to find that by engaging with new media because the new media community is a vibrant, thriving community."

"I think that ripping apart attacks, playing with it, cutting and pasting and putting into stable diffusion, turning it into an artwork to really connect with one single text in a very meaningful way is so much more important than to read... You know, 10 books in a semester and write five paragraph essays on them."

"I submitted it probably 50 different places until it finally won a National Poetry Prize."

"I started writing this book when I was pregnant with my daughter who's turning nine next week actually. So it's been a long, long process."

"I really do see my work as a, as a means of self preservation. So it's like I save myself and regain my centre by writing them."

EPISODE RESOURCES

Ana María Caballero:

Twitter: @CaballeroAnaMa

Instagram: @anamariacaballero

Website: anamariacaballero.com

theVERSEverse (Digital Poetry Gallery):

Website: theVERSEverse

Poetry Society of America:

Website: Poetry Society of America

Ashmolean Museum:

Twitter: @AshmoleanMuseum

Instagram: @ashmoleanmuseum

Gazelli Art House:

Instagram: @gazelliarthouse

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Cracking the Code: How to Discover and Connect with the Right Art Collector

Sun, 15 Sep 2024 23:00:00 -0000

In this episode, Ceri talks about the art of connecting with art collectors. She breaks down the three main types of collectors, offers strategies for engaging each, and shares her knowledge on building genuine relationships in the art world. Ceri gives tips and examples as she decodes the complex world of art collecting, making it accessible and actionable for creatives at any stage of their career.

KEY TAKEAWAYS

Understanding the three main types of art collectors: casual, serious, and institutional, is essential for tailoring your approach and marketing strategies.
Casual collectors are driven by personal enjoyment and aesthetic pleasure, often seeking affordable pieces that resonate emotionally or complement their lifestyle.
Serious collectors are connoisseurs who strategically build curated collections, often becoming influential figures in the art world and supporting artists' careers long-term.
Institutional collectors, such as museums and corporations, acquire art aligned with their mission, often guided by specific policies and multiple stakeholders.
Building relationships with all three types of collectors is possible but requires a strategic approach tailored to each group's unique motivations and preferences.
Engaging storytelling and consistent online presence are more effective than cold pitching, fostering genuine connections and demonstrating the value of your work over time.
Successful artists often maintain a presence in both high-end art markets and broader consumer markets, offering a range of works that cater to different collector types.
Research and understand potential collectors' interests before reaching out, enabling more targeted and meaningful engagement that can lead to productive interactions and opportunities.

BEST MOMENTS

"Casual collectors are driven by a desire for personal enjoyment and aesthetic pleasure. They seek artworks that resonate with them on an emotional level, often drawn to pieces based on factors such as colour, materiality and scale."

"Serious collectors approach acquisitions with a strategic mindset. Often setting or following trends while conducting thorough research, they frequently consult with art advisors, curators, gallerists and museum directors to refine their choices."

"Institutional collectors purchases are typically guided by limited budgets, staff resources, curatorial decisions, long term value and alignment with their existing collection or institutional goals."

"Cold pitching often fails because it lacks the personal touch needed to build a meaningful connection. Engaging storytelling on social media and on your website allows potential collectors, institutions and art professionals to get to know you and your work over time, fostering genuine relationships."

"By sharing your journey, your inspirations and behind the scenes content, you create a narrative that resonates with an audience, making it more likely they'll remember you and engage with your work."

"Regularly updating your social media and website with engaging content helps keep your work in the public eye, increasing visibility and maintaining interest."

"Engaging storytelling and consistent content creation fosters long term relationships rather than short term gains. By investing in building a robust online presence, you establish a foundation for online connections of future opportunities."

EPISODE RESOURCES

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Understanding How Contemporary Art Prices Are Determined Factors and Influences

Sun, 08 Sep 2024 23:00:00 -0000

Join Ceri as she explores the multifaceted factors that determine an artwork's value. From artist reputation to market dynamics, Ceri demystifies the art world's pricing mechanisms, offering invaluable knowledge for artists, collectors, and art enthusiasts alike.

If you'd like this episode in written form, subscribe to receive this week's Beat the Block for the full transcript: https://cerihand.com/subscribe/.

KEY TAKEAWAYS

Artist reputation, biography, and CV significantly impact artwork value, with factors like education, exhibitions, and awards playing crucial roles.
The artwork's intrinsic qualities, including subject matter, medium, scale, and quality of execution, contribute substantially to its price.
Market dynamics, such as supply and demand, rarity, and the artwork's "freshness" in the market, influence valuation.
Provenance, or the artwork's ownership history, can dramatically affect its value, especially if associated with notable collectors or institutions.
The primary and secondary art markets operate differently, with artists benefiting directly only from primary market sales.
An artwork's historical context and its creator's place in art history can significantly enhance its value.
The time-related aspects of an artwork, including its age and the period of the artist's career it represents, impact its worth.
Networking and championing by influential figures in the art world can boost an artist's career and the value of their work.

BEST MOMENTS

"Generally speaking, demand determines price. However, the art market is an economic model with more variables than just supply and demand."

"A market is developed for an artwork and artist if their contribution to the contemporary art world or creative community becomes recognised by curators, collectors, press, artists and writers."

"The truth is, we really do get there quicker together. Sharing knowledge, skills, contacts, resources, all help an artist's visibility with their peers."

"Bigger doesn't necessarily mean better when it comes to price, as not everybody wants to live with, ship or store large works of art."

"Collectors and curators are often introduced to new artists through the Artist Network."

"When a unique work is scarce, its desirability increases, leading to a higher price."

"Provenance is more than just a record of ownership. It's a critical component that affects an artwork's value, authenticity and significance."

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The Rebel Painter Eleanor Moreton | The Hidden Taboo of Beautiful Art

Sun, 01 Sep 2024 23:00:00 -0000

Ceri Hand interviews painter Eleanor Moreton, exploring her artistic journey from childhood to her current practice. Eleanor's rebel spirit, unique approach to creativity, and commitment to her craft shine through as she discusses her influences, challenges, and success. From navigating art school to finding her stride in painting, Eleanor's story is both inspiring and realistic, offering valuable lessons for artists at any stage of their career.

KEY TAKEAWAYS

Eleanor's upbringing in a suburban environment significantly influenced her artistic themes, particularly her interest in family life and the 1950s-60s era.
Eleanor compares her artistic process to "herding a swarm of bees," juggling various ideas and influences until they coalesce into a cohesive work.
Embracing beauty in her paintings was a decades-long process for Eleanor, overcoming the art school taboo against creating beautiful work.
Collaboration with poet John Hegley provides Eleanor with a different creative outlet, balancing her solitary studio practice with performance and music.
The year 2007-2008 marked a significant turning point in Eleanor's career, with multiple achievements affirming her place in the art world.
Don't underestimate the importance of artists identifying their ideal audience and platform for showcasing their work.
Eleanor stresses the value of showing up consistently to work, even during challenging periods or creative droughts!
Artists need to view themselves as custodians of their work, responsible for sharing it with the world rather than focusing on personal ego.

BEST MOMENTS

"My mind is always alert to new things that will come in and there's some kind of detector that will, you know, detect something, even when I don't know why or where it fits with other things."

"There isn't one art world, there are many. And I think it's in a quite practical sense to say, where would I like to show, who would I like to show my work to?"

"Freedom is incredibly important to me, particularly mental freedom and I get quite irritated when gallerists or people who visit the studio sort of frown and say that something doesn't connect to something else."

"It's not called a practice for nothing. You know, you do it over and over”

"I love Eleanor's rebel spirit and her willingness to embrace discomfort, pushing both her practice and life."

EPISODE RESOURCES

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Painting Time with Martyn Cross

Sun, 25 Aug 2024 23:00:00 -0000

Ceri speaks with artist Martyn Cross, who shares his journey from a small-town upbringing to international gallery representation. Martyn talks about his artistic evolution, the importance of community, and how navigating the art world offers invaluable lessons for creatives at all stages. His unique approach to time, colour, and artistic integrity will no doubt inspire you to embrace your creative path with renewed passion and authenticity.

KEY TAKEAWAYS

Martyn's work often explores the concept of time, attempting to condense long periods into his paintings through his use of colour and technique.
He creates paintings that have an otherworldly, timeless quality, intentionally making them difficult to place in a specific era. Martyn's process involves starting with intuitive drawings that he then translates into paintings.
Martyn's work is influenced by his small-town upbringing, which he initially wanted to escape but now draws inspiration from.
Build genuine relationships in the art community. It's crucial for mutual support, dialogue, and inspiration in your career.
Be honest and transparent when working with galleries. It fosters trust and leads to long-term success in our partnerships.
Maintain a consistent studio practice, even during difficult times. It's essential for your artistic growth and career development.
Use social media as a powerful tool to connect with galleries and collectors, but always remember to be authentic in your interactions.
When moving from self-representation to gallery representation, take your time and consider your options carefully. Patience is key.
Martyn's approach involves embracing chaos and taking risks in his artistic process, allowing for surprises and more discovery.

BEST MOMENTS

"I suppose in my work, I'm trying to discover something about contemporary life in a way, by making something that is not real and it is fake."

"If you can pose questions that don't have any answers, then it allows the viewer as a human to question themselves and question their own existence."

"I think colour for me is…it's a battle with time and that sounds bizarre, but it's about time. That sounds so stupid to say that, but I'm basically putting down colour to condense time."

"Embrace the chaos. What a wonderful way to end our conversation."

EPISODE RESOURCES

Artist links:

https://halesgallery.com/artists/165-martyn-cross/overview/

https://marianneboeskygallery.com/artists/454-martyn-cross/biography/

@martyncross @halesgallery @marianneboeskygallery

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What it Takes to be a Successful Artist & Curator with Garth Gratrix

Sun, 18 Aug 2024 23:00:00 -0000

Ceri interviews Garth Gratrix, a visionary artist, curator, and founder of Abingdon Studios. Garth shares his journey from Blackpool to becoming an internationally recognised artist, discussing his recent solo exhibition "Flamboyant Flamingos" and his experiences in curating groundbreaking shows.

KEY TAKEAWAYS

Garth talks about establishing your own space for experimentation and why risk taking is crucial for artists, especially in smaller towns or coastal areas.
Successful artist-curator relationships are built on clear communication, mutual respect, and understanding one another's needs and ambitions.
Balancing multiple roles (artist, curator, studio founder) requires careful time management and setting boundaries, something Garth has learnt throughout his career.
Incorporating personal experiences, such as grief, into artwork can lead to more impactful and authentic creations.
By presenting bold, ambitious projects to unexpected galleries Garth has been able to create exciting opportunities and collaborations for himself.
Any artist needs to learn to understand the importance of pace in the art sector, including periods of intense work and necessary downtime.
Transparency about fees and budgets in the art world is crucial for fostering fairness and supporting emerging artists.
Building a supportive network and maintaining mental and physical health are essential for long-term success in the arts.

BEST MOMENTS

"I throw all my ideas, all my interest in minimal, abstract and formal work and aesthetics in a scrabble bag, throw it around and then carefully place those letters in some way that reads to relevance, curiosity, gut instinct for me."

"Even when we're asking for pay, it's to embed downtime in that pay. Your day rate is about considering yourself as a business. It's considering that other people have sick pay if they need it."

"I really like working in abundance until I know I have to slow down. It’s talking about pace, thinking about pace, writing about pace as a research subject is about knowing that you have to find the gaps."

"I'm incredibly proud of just setting about doing that off my own back and working with the Whitaker Museum and Art Gallery, who then have happily ran forwards into an NPO ambition with this as its summer show opening."

"I just really fucking love installing work. I love being in a gallery and taking the things that have been in my mind and the fabrication of those and putting them in a space and moving them and changing them."

"I really want our listeners to know that actually, there is no shame in saying these things out loud, because I think you are living proof, Garth, of actually articulating your dreams and helping other people to do and to deliver on theirs too."

EPISODE RESOURCES

https://garthgratrix.com/

Instagram: @garth.gratrix

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An Artist's Guide to Working with Commercial Art Galleries | How to Get Represented and Maintain the Relationship

Mon, 12 Aug 2024 00:00:00 -0000

As an artist, how can you get noticed and represented by art galleries? In this episode, Ceri talks all about the intricacies of securing and maintaining a relationship with a commercial art gallery. She offers a behind the scenes look at what galleries seek in artists, what they offer, and how artists can position themselves for success. If you are an artist considering gallery representation, this episode will give you a great overview and give you practical advice for navigating the complex world of commercial art galleries.

KEY TAKEAWAYS

Commercial art galleries seek artists who actively engage with the art world, not just those who create great work. Participation in exhibitions, events, and networking is crucial.
Gallery representation is not the only path to success. Artists can create their own opportunities and build a fan base independently, especially in the digital age.
The gallery/artist relationship is a partnership. Both parties need to contribute actively to make it successful, with clear communication and mutual support.
Galleries offer comprehensive support, including administration, advocacy, and networking opportunities. However, they expect transparency, regular new work, and active participation from artists in return.
Building a relationship with a gallery takes time. Artists should research galleries, attend their events, and focus on creating connections rather than pitching themselves directly.
Artists should focus on creating outstanding work, documenting it professionally, and organising their inventory. This preparation is crucial for attracting gallery representation.
Being aware of common gallery issues can help artists prepare, such as misalignment in sales strategies and communication problems.
Before seeking gallery representation, artists should develop key champions of their work and build diverse audience connections. This can help them get noticed by galleries over time.

BEST MOMENTS

"Gone are the days when artists could just hide away in their studios. Nowadays, success often means engaging in live interviews, hosting studio visits for collectors, attending dinners and responding to invitations for group shows, biennials and art fairs."

"Selecting an artist for their roster is like a marriage. It's not something to be rushed into lightly, and there has to be chemistry."

"The art world wouldn't exist without artists, but many artists feel that the gallery holds all the power and as a result don't ask enough questions before entering into a partnership or whilst they're working together."

"Even if you evolve your style or explore different mediums, the gallery values a commitment to the ongoing artistic journey."

"Remember, a successful relationship with a commercial gallery is a two-way street. By actively engaging and contributing, you not only enhance your own artistic career, but also strengthen the gallery's position in the art world."

"Don't project what you hope to be the case and ignore warning signals or your gut instinct. If something feels off, it probably is."

"Artists often tell themselves the unhelpful story that they have failed if they're not represented by a major gallery. This is simply not true."

"Research the programs of the galleries you want to connect with, see if your work resonates with their roster and identify what makes you excited and why."

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The Interdependency of Curator and Artist with Inês Geraldes Cardoso

Sun, 04 Aug 2024 23:00:00 -0000

Ceri speaks to Inês Geraldes Cardoso, an assistant curator at the Barbican. Inês shares her experience in curating, her fascination with Frida Kahlo, and her recent work on Francis Alÿs' exhibition "Ricochet." Discover the intricacies of curating, the importance of play in art, and the evolving role of curator and artist.

KEY TAKEAWAYS

Inês' multicultural background and early exposure to diverse art forms shaped her curatorial approach, emphasising an omnivorous curiosity and openness to various cultural expressions.
The curator's role extends beyond exhibition planning, involving research, interpretation, catalogue production, and collaborative projects with artists and local communities.
Studio visits play a crucial role in exhibition development, allowing curators to discover new works and engage in dialogue that shapes the final presentation.
Curating is increasingly seen as a relational practice, focusing on dialogue, collaboration, and the ability to expand the resonance of artists' work.
Inês stresses the interdependence of artists and curators, encouraging ongoing relationships and experimentation beyond specific projects.
Francis Alÿs' "Children's Games" series explores the universal nature of play while highlighting site-specific contexts, bridging macro and micro perspectives on human experience.
The Barbican exhibition of Alÿs' work included new films shot in London, showcasing local children's games and expanding the artist's ongoing exploration of play.
The exhibition aims to highlight the urgency of creating spaces for children to play, especially in urban environments with diminishing public spaces.
BEST MOMENTS

"I grew up in a very multicultural environment... so that's really from a very young age contributed to my understanding of culture as a multifarious, diverse, open thing."

"Frida Kahlo was an artist that really made me want to be close to artists, understand the way they work and understand the ways in which the kind of completely left field sort of way of seeing and interpreting the world could shatter the way we think about gender, the way we think about love, the way we think about relationships, the way we think about politics."

"I'm drawn to artists who are kind of deeply committed to research but also artists who have relational practices, who have socially, socially engaged practices."

"There's this real sense of a kind of community in the, in the studio that kind of comes together."

"Curating is, I think, first and foremost, a kind of relational practice, you know, it's about the kind of relationships that you have with, with artists and about, again, this idea of dialogue and a kind of act of almost radical listening."

"Being an artist, being a curator, they're never independent practices. They're completely interdependent."

"We really wanted, you know, play and children to be a central part of the show, not kind of a sort of add on."

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Championing Diversity in Art: Gemma Rolls-Bentley's Curatorial Approach

Sun, 28 Jul 2024 23:00:00 -0000

Ceri interviews Gemma Rolls-Bentley, a curator and art advisor focused on LGBTQIA+ art and artists. From life in Sheffield to curating global exhibitions and authoring a groundbreaking book on queer art, Gemma shares invaluable insights on navigating the art world, building a portfolio career, and championing diversity in the creative industry. This episode is a must listen for artists, curators, and art enthusiasts seeking inspiration and practical advice on making their mark in the contemporary art scene.

KEY TAKEAWAYS

Building a portfolio career in the arts requires adaptability, diverse skills, and a willingness to take on various roles from curation to consulting and teaching.
Social media, particularly Instagram, has become a crucial tool for artists to connect with curators and collectors, serving as a digital portfolio.
When commissioning independent curators, it's essential to be clear about project goals, provide fair compensation, and consider all aspects of the curator's involvement.
Gemma stresses the importance of having clear criteria for accepting projects, balancing factors like brand impact, financial reward, personal passion, and learning opportunities.
The art world needs urgent attention to funding issues, with a call for unlocking new sources of support and making art more relevant to potential donors and businesses.
Tokenistic representation of marginalised groups in the art world remains a problem, with a need for more meaningful, year-round inclusion and fair compensation for diverse voices.
Gemma's book "Queer Art: From Canvas to Club and the Spaces Between" fills a gap in art literature, offering a comprehensive global survey of LGBTQIA+ art over the past 50 years.

BEST MOMENTS

"I wanted people within the queer community who don't know about art or aren't in the art world to be able to pick up this book and see that there is art about us that speaks to our experience."

"I think social media is a great tool that we didn't have 10 years ago. So I think leaning into that as annoying as it can seem, you know, I definitely have a love hate relationship with social media, mostly hate."

"I think part of it is having the confidence and like knowing that you should just try and apply for stuff and whether you sort of tick all the boxes or not, I think that's definitely a gendered thing as well."

"I love to hear you speak and talk about wanting and knowing that you're capable of doing something. It's so brilliant to hear women say that."

"Pay them properly and be really clear and honest with yourself about what your goals are for the project before you write the brief."

"I think it's for a curator as well to know that those are the things to ask and, and outline and be really, really clear on."

"I think at the moment something I'm just thinking about a lot is funding, you know, I think with our new government in the UK, you know, potentially is going to look a bit better in terms of public funding."

EPISODE RESOURCES

"Queer Art: From Canvas to Club and the Spaces Between" by Gemma Rolls-Bentley

Instagram @gemmarollsbentley

www.gemmaRollsBentley.com

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From Goldsmiths to Nick Cave: Creative Collaboration in Art and Film with Iain Forsyth and Jane Pollard

Sun, 21 Jul 2024 23:00:00 -0000

Ceri is joined in conversation with Iain Forsyth and Jane Pollard, artists and BAFTA-nominated directors who've collaborated for over 30 years. From their early days at Goldsmiths to working with music icons like Nick Cave, this episode reveals their unique approach to art, film, TV and performance. Learn how they navigate the art world, balance ambition with pragmatism, and find magic in the spaces between truth and fiction. Their candid insights and inspiring advice make this a must-listen for creatives seeking to carve their own path!

KEY TAKEAWAYS

Embrace collaboration and find partners who complement your strengths, as Iain and Jane have done for over three decades.
Don't be afraid to ask questions and be the beginner in the room – it can lead to innovative approaches and unexpected opportunities.
Aim high in your creative ambitions, even if you fall short, you'll still achieve more than if you hadn't set big goals.
Cultivate relationships with mentors and champions who believe in your work and can support you during challenging times.
Be willing to let go of ideas that aren't working and adapt quickly, especially when working on time-sensitive projects.
Focus on the day-to-day aspects of your creative life, as they form 99% of your experience, rather than fixating on big moments.
Look for the "magic" that happens in the space between authenticity and performance, truth and fiction.
Enjoy the journey and successes while they're happening, rather than only appreciating them in retrospect.

BEST MOMENTS

"We very rarely back down. So ideas are often pushed somewhere pretty extreme, pretty quickly."

"The best moments in 20,000 Days for us, artistically, are these tiny bits of archive footage of Nick performing from over the 30 odd years he's been performing that are cut into a performance of him performing at Sydney Opera House."

"We often give our crews kind of pep talks about, you know, don't fear the speed, ride it, like let's pretend we're on a roller coaster, go with it."

"Stop thinking about the bigger picture and work on project by project. Always challenge yourself, always make it new and fresh."

"Be so aware that the day to day, the way in which you spend your time, and the people with which you spend it with, is ultimately 99 percent of your creative life."

"I wish I'd enjoyed it whilst I was there, and I think that's a really powerful piece of advice to actually enjoy it whilst you're there."

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Meet Ceri Hand, the driving force behind countless creative success stories. A creative coach, entrepreneur, and dynamic speaker, she's committed to empowering creatives to realise their dreams and make a meaningful impact through her creative coaching, mentoring and training company. With three decades in the arts under her belt, Ceri has ridden the highs, the lows, and everything in between. Now, she's here to help you achieve your goals, your way.

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Hannah Perry: From DIY Spaces to Major Gallery Shows

Sun, 14 Jul 2024 23:00:00 -0000

Ceri talks with artist Hannah Perry as she shares her journey from a working-class background to becoming a renowned contemporary artist. Hannah discusses her major solo exhibition at Baltic Gallery, navigating the art world, and balancing creativity with motherhood. Her insights on resilience, collaboration, and staying true to oneself offer invaluable lessons for artists at any stage of their career.

KEY TAKEAWAYS

Hannah's working-class background and dyslexia diagnosis led her to pursue art, finding her voice through identity-based work at Goldsmiths University.
Collaborating with diverse creatives in DIY spaces and warehouse living fostered Hannah's interdisciplinary approach and artistic growth.
The Royal Academy provided Hannah with practical skills, nurturing support, and valuable connections in the art world.
Hannah emphasises the importance of maintaining long-term relationships with supporters and collaborators throughout one's artistic career.
Balancing commercial work with experimental projects can help sustain an artist's practice financially while allowing creative freedom.
Hannah's process for developing major exhibitions involves extensive research, collaboration with curators, and adapting to unexpected life changes.
Self-care strategies, such as exercise and maintaining personal relationships, are crucial for managing the emotional highs and lows of an artistic career.
Hannah advises artists to take action and seize opportunities, rather than becoming paralysed by overthinking or fear of failure.

BEST MOMENTS

"I ended up going to like a vocational college to do a-levels alongside, like potentially a vocational subject, but I couldn't really find my space, there I found out I was dyslexic"

"I think what Goldsmiths gave me was like a thinker's degree, if that makes sense."

"I try and counteract is that I always try and like, get up and do like, a training program, go for a run, cycle into the studio, just do anything to just get up and get moving"

"I think from my perspective, I've always found it useful to just go for every opportunity that is possible, rather than kind of thinking too much about, like, you know, potential risks or potential problems."

"When you sort of find something that you really excel in when you sort of struggled in a lot of areas, you know it's the right place for you to be."

"You ignored the advice, you applied and you got in."

"It's always probably going to be a thing of like figuring out how to best, how to make something work, essentially, with what you've got, and that takes a lot of time."

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Artist Links

https://www.hannahperry.com/

Currently on show at Baltic Centre for Contemporary Art

https://baltic.art/

Public Art Revolution: Mark Davy on Cultural Placemaking Strategies

Sun, 07 Jul 2024 23:00:00 -0000

Ceri explores the world of cultural placemaking as she is joined by Mark Davy, founder of Future City. This episode uncovers how art transforms urban spaces, the challenges of large-scale public art projects, and the delicate balance between artists, developers, and communities. Mark's journey from artist to industry pioneer offers invaluable insights for creatives looking to make their mark in the public realm. Prepare to be inspired by his passion for art, cities, and causing the right kind of trouble!

KEY TAKEAWAYS

Cultural placemaking involves integrating art into urban development from the early stages, creating meaningful spaces that reflect local identity and include and engage communities.
Future City operates as a bridge between artists, developers, and communities, advocating for art's inclusion in major projects and ensuring fair compensation for artists.
Public art projects often involve complex negotiations, technical challenges, and long timelines, requiring patience, flexibility, and strong project management skills.
Successful public art often emerges from multidisciplinary collaborations, combining diverse skills and perspectives to create innovative, site-specific works.
Artists should be proactive in seeking opportunities, forming collaborations, and asserting their value in non-traditional spaces to expand their reach and impact.
The selection process for public art commissions typically involves long-listing, short-listing, and paid proposal stages, with diverse advisory panels making final decisions.
Public art can significantly enhance a development's appeal and value, as demonstrated by projects like Clare Woods' work at Grosvenor Waterside.
Effective leadership in the cultural sector involves fostering a collaborative, non-hierarchical environment, valuing diverse perspectives, and maintaining enthusiasm for new ideas.

BEST MOMENTS

"If you want to solve a problem, ask an artist."

"Cause trouble, go and cause trouble. Throw a rock in the pond and create a ripple or stir the muddy puddle with a stick."

"Artists are always at the end of the queue. Why aren't artists, you know, we should be inside there. We're clever, we've got great ideas, we've got imagination and passion."

"I'm always looking for that partnership and most of the projects actually that I've done almost all of them involve some form of multidisciplinary relationship."

"Being professional doesn't mean rounding off your edges. It doesn't mean aping what it is to be an artist or following the suit of somebody else."

"Money is not a dirty word. It's crucial for creative sustainability."

PODCAST HOST BIO

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Book Your Personal Consultation or Explore Group Coaching Options
To schedule a personalised 1-2-1 session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com.

Guest links:

https://futurecity.co.uk
@futurecityblog
@markfuturecity

Mastering Studio Visits Part 2: Insights for Artists, Curators, Collectors and Commissioners Part 2

Sun, 30 Jun 2024 23:00:00 -0000

Join Ceri for her second instalment around the crucial art of studio visits. Drawing from three decades of experience and feedback from thousands of artists, Ceri offers invaluable insights for curators, collectors, producers, writers, and artists themselves. She emphasises the importance of frequent studio visits and provides a comprehensive guide on being an excellent studio guest. From planning and preparation to active listening and follow-up, Ceri covers all aspects of creating rewarding experiences that leave artists inspired and supported.

KEY TAKEAWAYS

Studio visits provide an irreplaceable first-hand experience of art, allowing for a deeper understanding of scale, texture, and context.
Personal connections formed during studio visits lead to stronger relationships and better collaboration in future projects.
Thorough preparation before a studio visit is crucial, including clear communication about intentions and expectations.
Active listening and genuine curiosity during the visit can lead to new ideas, opportunities, and collaborations.
Bringing a thoughtful gift demonstrates respect for the artist's time and work.
Clear articulation of potential projects, including budgets and timelines, helps artists understand opportunities better.
Following up after the visit with a thank you note and any promised information is essential for maintaining positive relationships.
Frequent studio visits contribute to building a supportive art community and can provide mutual benefits for both artists and visitors.

BEST MOMENTS

"The difference between a great studio visit and a bad one is within our control."

"If you're in the art world, then you'll know that artists are the most important people in it, hands down."

"Nothing beats seeing art up close and personal than in an artist's studio. Seeing the site of origin provides a deeper understanding and fresh perspectives on the artist and their work."

"Clarity is kindness and therefore better preparation for such meetings is kind."

"Time in the studio is invaluable to an artist, so regardless of whether you form a bond by the end of the visit, bringing a gift demonstrates respect."

"Whatever you do, don't stay silent. This is confusing and unsettling and will be perceived as you not liking them or their work."

"By preparing effectively and listening actively, you can make the most out of a studio visit, fostering meaningful dialogue and building a stronger connection with the artist."

"Be mindful of the impact you have on the artist and their practice. Strive to leave a positive impression."

PODCAST HOST BIO

For more exclusive, in-depth support, join our upcoming live online masterclass led by Ceri:

MASTER THE ART OF STUDIO VISITS
🗓️ 11 September, 6-8pm (GMT)

Don't miss this opportunity to elevate your skills. Book your spot here.

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Book Your Personal Consultation or Explore Group Coaching Options
To schedule a discovery call, personalised 1-2-1 strategy session with Ceri or explore our group coaching options, email us at hello@cerihand.com.

Mastering Studio Visits Part 1: Insights for Artists, Curators, Collectors and Commissioners Part 1

Sun, 23 Jun 2024 23:00:00 -0000

This episode is part 1 of 2 special solo episodes into one of the most overlooked but crucial practices that can completely transform how you contribute to the arts; studio visits. Ceri outlines what she's learned from 1000s of studio visits over the years, both from her own experience and that of others, and shares what you can do to get the most out of your visits.

This episode is focused on artists. From the correct etiquette to creating and maintaining connections, Ceri tells you everything you need to know about how to make your studio visits successful and mutually beneficial.

KEY TAKEAWAYS

For a sustainable art career you have to prioritise studio visits, both in person and in online.
You don’t need to be perfect, in your work or how you present, you just need to tell people about your processes and decisions in producing the work.
Studio visits are about meaningful discussions about your work, it’s a fact-finding educational experience, the actual location is irrelevant.
Try and invite your guest with an open mind, if you invite someone with a specific outcome in mind you can inadvertently go into ‘pitch mode’ and put them off.
Set time aside in your year to arrange and carry out studio visits, ensures you are creating champions and opportunities all year round, not just when the project has launched.
Galleries and curators are looking for different things. For curators focus on work in progress, your methods and potential expansion of ideas. For galleries, showcasing your consistency as an artist with past and current work is important.
Ask and seek recommendations from friends and peers for people who may want to visit your studio.
Identify common interests with your ideal studio visitor, find themes and ideas that resonate with both of you and the potential connections that you want to invite into the studio, selecting the right examples for your work to fit in with this.
In preparation, research your guest. Find out their likes and experience not only for discussion points but also to curate your work and how you shape invitation to them.
Ensure your visitor will be comfortable on their visit, provide snacks, drinks and ensure your studio is the right temperature and simple things like clean seating and a place to put their bag down.
It is especially important to send over a PDF of past and current work when conducting a virtual studio visit.
When it comes to sales less is more. Instead of showcasing every piece you've ever made focus on showing your best works, think about everything you have out and displayed.
Ensure every studio visit ends positively, summarise what has been discussed and express your interest in maintaining contact and connection.

BEST MOMENTS

"A well conducted studio visit can be one of the most rewarding, educational and life-afforming experiences”

“Location should not be a barrier”

“Curators enjoy seeing work in progress and supporting the potential expansion of your ideas”

“Understand their career paths and networks of similar artists, study their work, analyse their style, themes and key achievements for inspiration of who to invite”

“Less is more and it’s important you have considered the visitor in advance”

“Help them feel seen and heard”

“Too many choices can overwhelm buyers making it harder for them to make a decision”

PODCAST HOST BIO

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For more exclusive, in-depth support, join our upcoming live online masterclass led by Ceri:

MASTER THE ART OF STUDIO VISITS
🗓️ 27 June, 6-8pm (GMT)

Don't miss this opportunity to elevate your skills. Book your spot now!

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Book a Discovery Call
To schedule a personalised 1-2-1 session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com.

Cultivating Curiosity: Creative Resourcefulness in a Global Art World with Alessio Antoniolli

Sun, 16 Jun 2024 23:00:00 -0000

Alessio Antoniolli, the visionary behind Triangle Network joins Ceri in this episode. Alessio shares his thrilling journey working with artists from every corner of the globe, revealing the trials, triumphs, and transformative lessons that have shaped his remarkable career. Prepare to be inspired and discover how embracing curiosity, resourcefulness, and a fearless approach to challenges can unlock your own creative potential.

KEY TAKEAWAYS

Immersing yourself in a community of artists can feed your passion and inspire you to pursue your work with unwavering dedication.
Resourcefulness and a "yes, I can do that" spirit are crucial when figuring things out as you go, and reimagining possibilities with artists.
Embrace trial and error alongside friends and peers, learning from mistakes and building resilience through tough love and honesty.
Surround yourself with enablers who encourage you to take action without overthinking, and don't hesitate to ask for help when needed.
Dream big and wish for more; with enough determination, those wishes can become reality.
View every challenge as an opportunity for transformation, and keep an open mind when encountering art that you don't immediately understand.
Stay true to your practice and be motivated by your own research, other artists, and the process of making, rather than solely focusing on financial outcomes.
Embrace the fear and discomfort that comes with transitioning to new roles or seasons in your life, as it allows you to redefine who you are and explore new possibilities.

BEST MOMENTS

"I realised pretty quickly that what I enjoyed and where I got such satisfaction and my curiosity was fulfilled was to be around artists.”

"I think the artists that in my mind are thriving and doing a very solid in their practice are those that don't stop being curious and don't stop thinking about process because, of course, the pressures of the market and the glory that comes out of the, you know, everybody needs to be paid properly."

"I am very interested in artists that kind of through their work open new paths for different ways of living. Whether it's your response to the environment, whether it's, which of course it's a massive urgency, whether it's your response to politics, whether it's your, uh, response to gender and sexuality, whether it's your response to identity."

"I genuinely value it. And I know that I'm not alone in this. So, if I can continue in some way, in a very small way to keep opening doors, then I'd feel I've fed myself, but I've also given something to something that is bigger than me."

"I think the beauty for me of working with artists is that you start to unpick it and you start to have, ‘oh, here's an example of how you can think about yourself, here's an example of how you can think about that’."

"I'm also trying to kind of keep a little time to feel the fear of who am I and and see if I can start giving different answers to it."

PODCAST HOST BIO

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Book Your Personal Consultation or Explore Group Coaching Options
To schedule a personalised 1-2-1 session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com.

Artist links

https://www.instagram.com/trianglenetwork

https://www.instagram.com/fondazionememmo

https://www.gasworks.org.uk/

https://www.instagram.com/gasworkslondon/

Embracing the Unconventional: Marianna Simnett on Staying True to Your Artistic Path

Sun, 09 Jun 2024 23:00:00 -0000

British Croatian artist and musician Marianna Simnett joins Ceri in this episode. Based in Berlin, Marianna is a multidisciplinary artist known for her provocative works that often address themes of sex, death, dreams, and violence. She shares her unique journey, the challenges she's faced, and the importance of staying true to one's vision. Marianna offers valuable advice for creatives and talks about the need for persistence and self-belief.

KEY TAKEAWAYS

Marianna’s artistic journey began at a young age, driven by an innate need to express herself through drawing, painting, and performance.
She learned the importance of investing in her work and not compromising her artistic vision, even when faced with financial challenges.
Collaboration and teamwork are essential to Marianna’s creative process, as she values the contributions of her colleagues and the sense of camaraderie on set.
She emphasises the significance of balancing confidence and shyness, as well as the need to take breaks and engage in activities outside the studio.
She encourages artists to stay on their path, understand their purpose, and not let others sway them from their goals.
Persistence is key; if an artist keeps creating consistently, people will eventually listen and recognise their work.

BEST MOMENTS

"I just could dive in undisturbed for many hours at a time and lose myself in it and find myself like, I guess it was the best toy that there was out there because I never got bored of it."

"I remember being younger and remember thinking, God, if I only had confidence and clarity, the world would be, my world would be, okay. And I didn't have it."

"If you just keep, keep, keep doing it, doggedly, day in, day out, it will happen."

"Trailblazing and standing apart though isn't easy and it takes time. Some people will understand your journey and some won't and that's okay. Focus on those who do. They will uplift you and make the journey worthwhile."

PODCAST HOST BIO

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Book Your Personal Consultation or Explore Group Coaching Options
To schedule a personalised 1-2-1 session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com.

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Artist links

Artist website: https://mariannasimnett.com/

SOCIÉTÉ gallery website: https://societeberlin.com/artists/marianna-simnett/

Instagram: @mariannasimnett

Feeling Crap? Try this! | What to do as a creative when you feel rubbish

Sun, 02 Jun 2024 23:00:00 -0000

This short episode is inspired by a question Ceri had from one of her favourite artists. What do you do when you feel crap? Everyone feels bad sometimes, it’s part of being human but there are ways of dealing with it that are better than others. As a creative coach, Ceri knows how to make herself and her clients feel better. Listen to this episode to hear practical tips for when you are feeling rubbish including how you can plan for ‘the crap’ and how to deal with it with Ceri’s creation: ‘The Crap Manifesto’!

KEY TAKEAWAYS

After a major milestone, it’s easy to feel a bit down and rubbish. It can feel unfair after striving to create and achieve such great things but this is the effects of creative exhaustion.
We have to lean into this exhaustion and burnout and make the right choices to make ourselves start to feel better
Being creative means riding the rollercoaster of emotions, from doubt about the work your making and wondering if you’re good enough and have what it takes.
Plan for the crap, get out of the house and make plans that you know will improve your mood.
Introduce your own ‘Crap Manifesto’. Outline the things you will not do when you feel crap, such as doom scrolling and list the things you will do instead that will help you recover and feel better, such as self-care tasks.

BEST MOMENTS

"Bounce back quicker to being the extraordinary creative you are”

“As a creative coach, I know how to make myself and my clients feel better”

“It’s bonkers what our brains throw at us instead of letting us rest or sleep”

“Get out of your house and out of your mind”

PODCAST HOST BIO

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Book Your Personal Consultation or Explore Group Coaching Options
To schedule a personalised 1-2-1 session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com.

Creativity, Community, and Resilience: Insights from Sally Shaw

Sun, 26 May 2024 23:00:00 -0000

Ceri interviews Sally Shaw, the trailblazing director of Firstsite contemporary art gallery. Sally shares her remarkable journey from humble beginnings to leading an award-winning institution, offering invaluable insights on leadership, collaboration, and the power of creativity.

KEY TAKEAWAYS

Embracing a spirit of adventure and curiosity can lead to life-changing experiences and a broader worldview, ultimately fuelling one's creative vision.
Leaders can emerge from any position within an organisation by demonstrating initiative, empathy, and a commitment to positive change.
Collaborating with community partners and actively listening to their needs can help create innovative, impactful programs that resonate with audiences.
Balancing long-term planning with flexibility allows art institutions to remain responsive to emerging opportunities and maintain a sense of experimentation.
Cultivating a supportive, transparent, and inclusive work environment encourages staff to contribute ideas and take ownership of the organisation's mission.
Representing diverse artists and perspectives in programming not only promotes equity but also attracts a broader, more engaged audience.
Adapting to financial challenges requires creative problem-solving, leveraging social capital, and advocating for the value of art and culture in society.
Embracing vulnerability, resilience, and a solutions-oriented mindset can help artists navigate obstacles and emerge stronger.

BEST MOMENTS

"I've always felt like you can be a leader wherever you are, whatever job you're in, you don't have to be the boss to be a leader."

"It's about listening to what it is that someone is really trying to realise and where that motivation comes from, and then again, thinking about that place and the limitations of that place and what you can achieve."

"In the heart of every problem lies the solution. And it's such a beautiful comment. It's like, there's a real economics to that. It's like, yes, it's awful, but look at the type of awfulness that you've got, take it apart and something will show itself to you and that will be how you get out of it."

"You should go into an art gallery and you should feel like this is a place of experimentation. If you can't feel that there, where is that going to happen? Anywhere?"

"There's nothing more brilliant than being in a tube station at 2am in the morning talking to a guy that's wearing like a paper hazmat suit about why Tracey Emin is amazing."

"It's really about listening to what it is that someone is really trying to realise and where that motivation comes from."

"There's always a solution. There just is. It might not be what you expected, but there's always a solution."

PODCAST HOST BIO

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Book Your Personal Coaching Session or Explore Group Coaching Options
To schedule a personalised 1-2-1 creative coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com.

Join "Unlock Your Artworld Network" Online Art Course
Are you sick of waiting to be discovered? Learn how to connect authentically and generate more studio visits, increase commissions and boost sales, effortlessly!
https://cerihand.com/courses/unlock_your_artworld_network/

Accessibility & Authenticity: Kiera & Holly Blakey's Approach to Creativity

Sun, 19 May 2024 23:00:00 -0000

Choreographer Holly Blakey and curator Kiera Blakey candidly discuss their paths to becoming creative leaders. Despite challenges, they've fearlessly carved unique artistic careers by taking risks, collaborating, and staying true to their values. In this conversation with Ceri, discover how they inspire others while making the arts more accessible.

KEY TAKEAWAYS

Embrace light and shade in your creative work, discomfort can lead to the most impactful art.
Take the less travelled path and trust your creative vision, even if it doesn't fit the status quo.
Setbacks and "wrong turns" are catalysts for growth that help you discover your authentic creative voice. They are necessary to evolve as a true artist.
A strong work ethic and support network are crucial for navigating challenges in creative careers.
Push for diversity and inclusion, creating art that is accessible to a wider range of people
Acknowledge your achievements and contributions; celebrate how far you've come with gratitude.
Creative siblings can be a source of mutual inspiration, encouragement and perspective!
Messy, difficult experiences often plant seeds for the most meaningful creative work later on.

BEST MOMENTS

“There's a kind of unrelenting refusal to accept the confines of how dance is taught."

"I want it to encapsulate all of those things - the pleasure, rhythm, feeling immersed in a moment or feeling full of memories."

"It's more interesting to me to have a challenge. I like to work really hard.”

"There's no mistakes Mom, it's just always learning."

"We've spent time feeling like we're outside of something, so the journey of getting inside was really hard."

"I'm so proud of what my sister's achieved, but also what she stands for - truth in your own conviction and belief in yourself."

"You don't follow a status quo. You say, this is it, I'm presenting this. You know exactly what it is."

"It's important to acknowledge how far you've come and what you've contributed together with others for others."

PODCAST HOST BIO

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Book Your Personal Consultation or Explore Group Coaching Options
To schedule a personalised 1-2-1 session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com.

Embracing Authenticity: Benoit Swan Pouffer on Crafting a Unique Artistic Voice

Sun, 12 May 2024 23:00:00 -0000

Ceri is joined by the remarkable visionary Artistic Director of Rambert, Benoit Swan Pouffer. From his early days in Paris to his ground breaking work with Alvin Ailey American Dance Theatre and Cedar Lake Contemporary Ballet, Benoit shares invaluable insights on leadership, mentorship, and the power of dance to inspire change. This episode is a must-listen for anyone seeking to unleash their creative potential and make a lasting impact!

KEY TAKEAWAYS

Embrace your unique story and use it to create a distinctive artistic style that goes beyond technical proficiency.
Seek out mentors who challenge you, expand your horizons, and help you grow both personally and professionally.
Cultivate a leadership style that nurtures individual talents, fosters growth, and encourages open communication.
Be willing to take risks and pursue radical excellence, even if it means stepping away from comfort zones.
Recognise the importance of living in the present while also planning for the future.
Surround yourself with supportive people who believe in your potential and push you to be your best.
Use your art to connect with audiences, provoke thought, and inspire change in the world.
Continuously challenge yourself and others to reach new heights, while maintaining a balance between criticism and encouragement.

BEST MOMENTS

"Dance changed my life, made me learn another language, made me be able to live with my art."

"I believe that you are unique and no one can clone you, no one can be you, because you're you."

"If you think you need to go left, go left. You should listen to your instincts because you are a unique individual."

"I'm hoping that they do the same for others. So, it's translating the knowledge, translating the philosophy of what we are as artists."

"I love the idea to be able to get you out of your routine, your daily life. And then for an hour, an hour and a half, you can escape."

"...what interests me the most is the individual, because I believe that you are unique and no one can clone you, no one can be you, because you're you."

"Live in the present, because we, as an artistic director, right now I'm talking about 2027, 2028 as well. So, it's, it's a way of, I wish I would have been more living in the present and appreciate the accomplishments."

PODCAST HOST BIO

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Book Your Personal Consultation or Explore Group Coaching Options
To schedule a personalised 1-2-1 session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com.

The Power of Collective Creativity: Juneau Projects on Embracing Collaboration and Community

Sun, 05 May 2024 23:00:00 -0000

In this episode, Ceri explores the world of Juneau Projects, the dynamic artist duo consisting of Phil Duckworth and Ben Sadler. With over two decades of collaboration, they share invaluable insights on navigating the art world, sustaining a successful partnership, and the importance of embracing creativity in all its forms. This episode is a must-listen for anyone seeking inspiration and practical advice on pursuing a fulfilling creative career.

KEY TAKEAWAYS

Collaboration is at the heart of Juneau Projects, with a focus on creating frameworks that allow participants to shape their own contributions while maintaining a shared language and vision.
Embracing doubt and questioning what constitutes a meaningful collaboration leads to more thorough and impactful projects.
Compromise is not a negative aspect; it can lead to inventive solutions and strengthen the work when all parties are working towards the same goal.
Building trust with commissioners and being open to adapting projects is key to delivering the best results.
Persistence and realistic expectations are crucial when applying for opportunities, with an understanding that success rates may be low but each application is a chance to showcase your work.
Collaboration can provide support, encouragement, and perspective during challenging moments, helping to push through worries and overthinking.
Celebrating creativity in all its forms and embracing a non-hierarchical approach to art can lead to more interesting and impactful projects.
Artists have the power to make a lasting impact on the people they work with, from curators to commissioners, and should recognise the value of these relationships.

BEST MOMENTS

"We became friends because we had, do have, really similar interests but very different ways of approaching it."

"Compromise isn't really a negative thing and I think kind of seeing the people you're working with, trying to have a sense that you're all a team and you're all working towards the same end, I think has been helpful for us."

"You can achieve so much just with people and I think yeah, it's kind of essential really to doing anything is to just realise you're part of a much bigger picture."

"Artists who commit or work with people and give it their best shot, it stays with those people. You know, it's like having the most beautiful afterimage on your mind, you know, on your retina."

"Just try to enjoy it, is the main thing...you can get very bugged down in all the stuff around it, but I think just returning to that impulse of why you like making things, can be just all the fuel you need really to keep going."

PODCAST HOST BIO

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Book Your Personal Consultation or Explore Group Coaching Options
To schedule a personalised 1-2-1 session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com.

From Print to Passion: 50-Year Journey in Art and Creativity with Bob Pain

Sun, 28 Apr 2024 23:00:00 -0000

Join us for a captivating journey through the world of print and art as we celebrate Bob Pain’s remarkable 50-year career. From his early days in advertising to his ground breaking collaborations with renowned artists, Bob shares his passion for creativity, problem-solving, and pushing artistic boundaries. Discover the pivotal moments that ignited his dedication to the arts and the lessons he's learned along the way.

KEY TAKEAWAYS

Nurturing collaborative relationships with clients, artists, and suppliers is crucial for mutual benefit and success in the creative industry.
Embracing constraints, adaptability, and contingency planning are essential for sustainable progress and overcoming challenges.
Utilising technology and modern tools can amplify creativity and push artistic boundaries, but being an early adopter comes with risks.
Understanding clients' needs, delivering consistently, and being transparent is key to building trust and long-lasting relationships.
Passion, enjoyment, and alignment with market demands are vital for a successful creative business.
Quality relationships and quality work are the foundation of long-term success in the creative industry.
Steady, organic growth within your limits as an artist is more sustainable than rapid, unhinged expansion.
Supporting and contributing to the arts can lead to reciprocal benefits and personal fulfilment.

BEST MOMENTS

"I think with the artists, once you gain their trust and they know that you're kind of straight, it's great fun, you know, it's difficult. It's a lot of head scratching going on, but you kind of working out problems together."

"A bit of a cliche, but kind of follow your passion, you know, enjoy it. I think and if that's aligned with what the market wants, then you're onto something, you know?"

"Omni's always been just a steady growth, you know, not kind of overnight sensations, you know? So you can always work within your limits."

"It's weird how horse racing sort of took me into it in a way. You know, it was reading about it in the racing post. Sort of led to this point, you know, very odd”

EPISODE RESOURCES

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Join "Unlock Your Artworld Network"
Embark on your journey to success in the artworld! Enrol in our 5-step self-study video course, "Unlock Your Artworld Network," and gain the tools and confidence to build a powerful network that opens doors for you. https://cerihand.com/courses/unlock_your_artworld_network/

Discover How We Empower Creative Excellence
Unlock your full creative potential with our tailored support. Visit www.cerihand.com to learn more about how we can help you become an extraordinary creative.

Building Creative Communities and Embracing Change: Paddy Johnson

Sun, 21 Apr 2024 23:00:00 -0000

In this episode, Ceri speaks to writer, critic, artist coach Paddy Johnson, founder of Netvvrk, a membership that enables artists to broaden their professional opportunities. Paddy shares her journey from rural Canada to the heart of the New York art world, offering invaluable insights on navigating the creative industry, building communities, and defining success on one's own terms. This episode is a must-listen for anyone seeking inspiration and practical advice for their creative journey.

KEY TAKEAWAYS

Building genuine friendships and a supportive creative community is crucial for navigating the challenges of the art world and finding your way through periods of feeling creatively lost.
Tough feedback and provocations from mentors can help artists identify what they don't want and make choices that are right for them.
Quitting projects or styles can be necessary for growth, even when your own identity is entangled with them.
Understanding your audience and where you fit within the art industry is key to effective communication and decision-making.
Clear communication and asking for what you need, are essential professional skills that demonstrate professionalism rather than weakness.
Success is ultimately about having agency over your own time and the ability to choose when to experience stress and when to rest.
Writing helps artists think and learn, even though the process can be challenging.
Having a viable business structure allows for the sustainability and continuity of creative efforts.

BEST MOMENTS

"I always consider the blog commenters to be the editors of the blog because when I started, I didn't have an editor."

"Writing helps us think. It helps us learn, and that's why writing sucks so badly. It's really, really hard to do."

"Quitting allows you to do the things that you're meant to do when you're meant to do them."

"The fact that you don't know something and are asking about it gives you more information and shows you to be a professional. It does not reveal you to be not professional."

"A successful life is really being able to choose when you experience that stress."

"It's possible to not find your way. I've seen that happen."

"Artists are not fundamentally bad at writing. They just need support."

"If I was writing about something that already existed, it was not that hard to have an idea about it."

EPISODE RESOURCES

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Book Your Personal Consultation or Explore Group Coaching Options
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PODCAST GUEST LINKS

www.vvrkshop.art

@vvrkshop.art

How to Navigate the Art Industry Like a Pro | Why Authenticity Matters with Louise Chignac & Will Jarvis

Sun, 14 Apr 2024 23:00:00 -0000

Join Ceri as she speaks to visionary entrepreneurs Louise Chignac, co-founder of Canopy Collections, and Will Jarvis, CEO of Gertrude. Together, they share their innovative approaches to revolutionising the art world, making it more transparent and accessible. Discover the secrets behind their successful collaboration and gain valuable insights for artists, collectors, and entrepreneurs alike in this must-listen episode.

KEY TAKEAWAYS

Embrace the unknown and treat building a business as a living, creative process that evolves based on feedback and growth opportunities.
Collaborate with individuals who genuinely understand and believe in your work, and foster a support network within the art world.
Prioritise creating authentic, high-quality content and resist generic social media trends that may not align with your unique artistic identity.
Understand the hierarchies within the art world and focus on finding the right context or gallery to showcase your work effectively.
Adapt your language and approach to cater to both established art world figures and new, eager audiences.
Recognise that investment conversations typically arise later in the art world journey, and focus on connecting with buyers who genuinely appreciate and resonate with the artwork.
Embrace your unique identity and lean into being a "weirdo" if that's who you are, as the best artists are often strange and interesting people.
Cultivate a professional practice that reflects your authentic self, rather than adhering to perceived notions of success or projecting a false image.

BEST MOMENTS

"If you know what is ahead of you, you're not going to do it because you'll know it's going to be awful, like a big swing and it's going to be really hard. And you won't do it. So you need to be a bit of a fool to like get stuck in."

"If you're a weirdo, lean into being a weirdo. It's fucking brilliant. We love it. Some of the best artists are strange, interesting people."

"Always work with people who understand and like your work to start with. Cause I hear a lot of artists out there working with gallerists or agents that don't actually believe in the work."

"It's innate. It's so in us. It's always been in us. I don't know why there's so few people actually engaging with it. I think something's been allowed to happen. But, like, we can open those doors and, like, tons more people can engage with art and can have it enrich their lives, increase their mental wellbeing, you know, and in turn support a broader range of artist views in the world."

"If you adapt to every shift or every desire...you lose self, you lose identity. So you still have to mediate and know like, what's my bigger agenda."

"Find the people around you that, that will nurture you and look after you and help you and just believe in you."

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Sorcha Dallas | From Artist to Archivist: The Power of Community and Collaboration in Creativity

Sun, 07 Apr 2024 23:00:00 -0000

Ceri is joined by Sorcha Dallas, custodian of the Alasdair Gray Archive in Glasgow, Scotland in this episode. Sorcha shares her path from artist to commercial gallerist and the invaluable lessons learned along the way. Discover how Sorcha’s resilience, honesty, and collaboration have shaped her creative career and her current role in preserving Alasdair Gray's legacy.

KEY TAKEAWAYS

Sorcha’s creative journey was influenced by her supportive art teacher, access to free cultural spaces in Glasgow, and her time at the Glasgow School of Art.
Running Switchspace, a peripatetic gallery in domestic and semi-derelict spaces, taught Sorcha the importance of community, peer support, and taking risks.
Sorcha’s experience as a commercial gallerist highlighted the challenges of the art market and the need for authenticity and direct impact on people's lives.
Meeting Alasdair Gray and working with him on various projects, including his retrospective, inspired Sorcha to focus on non-hierarchical models, community work, and being hopeful.
Sorcha’s role as custodian of the Alasdair Gray Archive involves fundraising, setting up as a charity, and creating a non-hierarchical organisation that embeds Alasdair's ethics and approach to making.
The archive focuses on public engagement, education, and creative commissioning to keep Alasdair's work generative and prove its value to different people.
Sorcha's new learnings include the importance of facilitative leadership, relinquishing control, and allowing others to support and grow the archive.
Alasdair Gray's legacy of hopefulness, despite life's challenges, is a central message Sorcha wants to pass on.

BEST MOMENTS

"I'd lost a lot of hope, I think, in the commercial art world, and that kind of dovetailed with me leaving it and starting my own family. And I think children are really hopeful and people would talk about Alistair being kind of childlike, and I think that's what they mean."

"I think the older you get, the more jaded you get with life and what's going on more widely in the world, but to remain hopeful about people, about the next encounter, about the next situation is really the best that you can do."

"I feel hugely privileged to kind of hold this space for others and I'm learning kind of every day from the many different people that I work alongside, and through the archive too."

"If you create a kind of horizontal model, the kind of personal growth for you and for others is huge. But that's about relinquishing control and about genuinely allowing others to help support and grow that."

"I think it's about being a good teacher, it's about noticing people, it's about people feeling that they can contribute and bring their own lived experience into that. And that's a really central thing to what we create here."

EPISODE RESOURCES

https://thealasdairgrayarchive.org

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Ceri's Mini Pep Talk

Sun, 31 Mar 2024 23:00:00 -0000

In this special short episode, Ceri dives into the challenges and triumphs of being a creative individual. If you've ever felt the strain of trying to make amazing work, earn a living, and be seen and heard, this episode is for you. She explores the courage and grit it takes to be a creative, and why embracing your uniqueness is the key to unlocking your potential. Get ready to be inspired and motivated to let your creativity shine!

KEY TAKEAWAYS

Embrace your uniqueness and stop trying to hide or fit in, as your difference is what makes you special and valuable to the world.
Use your creative gift every day, without relying on others for validation or approval.
Focus on the creative process rather than the outcome, as the process itself is the point.
Recognise the courage, commitment, and sacrifices you make to pursue your passion, despite the challenges you encounter.
Shine your light into the world, as the world needs your creativity.
Remember that you are brilliant, doing your best, and are enough just as you are.
Acknowledge the emotional turmoil that creative people often face, such as feeling different, undervalued, or misunderstood by others.

BEST MOMENTS

"Being creative takes commitment, it takes courage, grit, graft, gumption, gusto."

"You carry it around like a lead balloon in your gut"

"As outliers, it's our job to throw light into the shade, to show people what's really possible, how to make the most of our thoughts, of each other, of the world we inhabit."

"You are bursting with potential. So stop hiding in plain sight and show yourself."

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How To Go from Good to Great with Dance Artist Ivan Michael Blackstock

Mon, 25 Mar 2024 00:00:00 -0000

Join Ceri as she speaks to Ivan Michael Blackstock, a South London-born creative powerhouse. From early adversity to ground-breaking productions and collaborations with icons, Ivan shares insights on creative risk taking, letting go of ego, and the transformative power of resilience and self-belief. Listen in and learn how he ignites creativity, pushes boundaries, and pursues excellence.

KEY TAKEAWAYS

Embrace your unique vision and develop a creative language that's truly your own, drawing from personal experiences and influences.
Hold space for others' lightness and darkness, fostering trust and vulnerability to help them channel their best selves.
Reframe creativity as an abundant force in all aspects of life, not just a career path or measure of success.
Learn to let go of good for great, editing ideas and backing what truly resonates in the moment.
Understand the importance of research and development in the creative industry, and the need for funders and programmers to invest in diverse, impactful works.
Recognise when an opportunity isn't right for you, despite external validation, and trust your instincts.
Find restoration and balance through practices like breathwork, meditation, and stepping away when needed.
Cultivate a strong inner compass and warrior spirit to navigate challenges and setbacks on your creative journey.

BEST MOMENTS

"I have to believe I'm the best. And I think that like, sometimes it dips, but like, there's this thing that like, I'm the best”

"I'm still figuring it out. It's like, no, man, let's be real. We're all figuring it out, you know?"

"It's not always just about numbers. It's not about numbers, sometimes it's about impact."

"I think we need to reframe creativity is because I think we sometimes put it into this career idea and this success. And, you know, I feel like I've achieved some things and it's not what I thought was going to be like, if I'm being honest."

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5 Tips to Unlock Your Artworld Network

Mon, 18 Mar 2024 00:00:00 -0000

Welcome to this special episode with Ceri. Ceri tackles the questions inundating her inbox daily from artists and creatives. She will be dishing out insights gleaned from the results she has facilitated in coaching sessions, talks, and workshops. Brace yourselves—it's time to confront that dreaded word we all love to hate: networking!

KEY TAKEAWAYS

5 Essential Tips to Unlock Your Art World Network

Define clear relationship goals

Reflect on your objectives before connecting to focus your efforts and approach networking authentically
Identify the types of relationships you want to build (e.g., mentorship, collaborative partnerships)
Use journal prompts to gain clarity on your goals and how connections can contribute to your artistic journey

2. Research your ideal connections thoroughly

Assess your own work, track record, champions, and consistency of achievements
Identify commercial galleries whose programs resonate with you and engage with their work
Attend previews, art fairs, and events hosted by these galleries to familiarise yourself with their artists and practices
Invite artists represented by the gallery for studio visits or engage with gallery team members for valuable insights

3. Overcome shyness or anxiety when networking using self-coaching strategies

Practice self-reflection by journaling about challenging networking situations and identifying areas for improvement
Engage in inner dialogue to become aware of limiting beliefs and their impact on your behavior
Ask yourself open-ended "what" or "how" questions to focus on actionable steps and problem-solving strategies
Explore models, exercises, and strategies to get comfortable with trying new things related to networking

4. Connect with people authentically by adding value and tailoring communication

Focus on adding value to others rather than pitching or convincing them
Tailor your communication to each individual, highlighting why you admire their achievements and what resonates with you about their work
Be genuine and communicate without any expectation of a return, letting go of the outcome
Commit to speaking to 3 new people at each event to expand your network
Use open-ended questions, active listening, and find common ground to initiate conversations

5. Follow up after an initial connection to maintain relationships

Maintain relationships through consistent communication and personalised interactions
Attend art events, engage on social media, and offer assistance or collaborate to stay engaged
Send follow-up emails expressing gratitude for previous encounters and reiterating your interest in further engagement
Demonstrate genuine interest and commitment to building meaningful connections through thoughtful and personalised follow-up communication

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From crafting the perfect email to attending events with confidence, this course will give you invaluable insights and simple, practical strategies to forge and maintain meaningful connections in the artworld.

For just £75, you'll have lifetime access to:

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Breaking Barriers: Paul Hedge on Championing Underrepresented Artists in the 90s and Beyond

Mon, 11 Mar 2024 00:00:00 -0000

In this episode, Ceri is joined by Paul Hedge, the founder and owner of Hales Gallery, which was established in 1992 in a Deptford café. Paul shares his inspiring journey from a working-class background to becoming an established figure in the art scene. With passion and dedication, he has been a pioneer of inclusivity since long before the term became widely used.

Paul discusses the artists who have had the most significant impact on him throughout his career and challenges the perceptions many people have about art galleries and artist representation. He also shares the unique ways he built his profile as an art dealer and how he found success by simply being himself through the power of traditional networking and never letting a lack of knowledge hold him back!

KEY TAKEAWAYS

Paul grew up in a council house in Stevenage, and his parents moved there from East London after the war.
As a child, Paul noticed paintings in his grandparents' house and began questioning them at a young age. He also developed an interest in art books in his school library.
In the 60s and 70s, career advice was centred around following in one's father's footsteps, and art was rarely discussed as a career option.
Paul attended Goldsmiths Art College, where he was tutored by renowned artists such as John Bellamy, Richard Wentworth, and feminist artist Mary Kelly. It was during this time that he started his first gallery.
Exhibitions appealed to Paul as they allowed him to showcase other people's work and share his thoughts, opinions, and art knowledge with others.
Before finding success in the art world, Paul worked as a postman, delivering mail to notable figures like Michael Caine and Harold Wilson. This experience allowed him to visit commercial art galleries in London and ask questions to artists and owners.
Paul and his business partner set up a café to help fund the gallery, enabling them to make a living while creating a space for art. The café's success allowed them to run a programme and eventually establish the gallery in its own right.
The gallery's foundation was built on giving artists a voice and listening to their ideas, including those of women, which was not as common in the 90s. One of their early successes was Japanese artist Tomoko Takahashi.
For Paul, style was never a driving factor; instead, race, gender, and class have always been at the forefront of the gallery's mission.
Paul has consistently utilised his enthusiasm and creativity to find ways to get things done and succeed, even when faced with challenges or a lack of knowledge in certain areas.

BEST MOMENTS

"Everything you thought was changed, everything you believed was changed”

“When I think about our shows, they were quite out there”

“Wow a curtain pole from Harold Wilson, you’re not going to say no”

“I’ve never been short of ambition”

“We managed to get some money from the Tories, they gave us some money because we were enterprising”

“Parallel to the café being a success, the gallery also became quite successful quite quickly”

“Richard Woods, we did an early show with him”

“I think punk and growing up in an environment where anything could happen made me think in a particular way”

“The odder the better that’s my cup of tea”

“People's worst nightmare is a working-class bloke with money”

“You didn’t let the fact that you didn’t know stand in the way of your figuring some way”

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**** NEW COURSE AVAILABLE - UNLOCK YOUR ARTWORLD NETWORK ****

Are you an artist or creative professional longing to take your career to the next level?

Relationships are the key to success in the art world, and it only takes 10 to 15 of the right connections to build a thriving career. You just need to know how to find them.

For just £75, you'll have lifetime access to:

5 x Guidance Videos
5 x Exercise Videos
11 x Worksheets & Journal prompts

Work your way through the materials at your own pace, in as little as 5 hours.

cerihand.com/courses

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The Brave Creative Habit with Todd Henry

Mon, 04 Mar 2024 00:00:00 -0000

Ceri interviews acclaimed author and creativity expert Todd Henry about maintaining creativity and bravery in uncertain times. Todd shares insights from his latest book "The Brave Habit" on how to cultivate daily courage through an optimistic vision, personal agency, and intentional action. Todd offers inspiration to creatives facing disruption from AI, economic instability, and evolving workplace dynamics. His framework of BRAVE - blocking time for self-reflection, focusing on agency, visioning, and expressing intent - provides takeaways for professional and personal growth.

KEY TAKEAWAYS

Creativity requires nurturing practices and habits to sustain brilliance when solving problems.
Todd reinvented his podcast to weave stories and voices into entertaining, binge-worthy episodes.
Collaboration multiplied the quality and uniqueness of the new Daily Creative podcast.
Reaching out to past collaborators you've worked well with can ease uncertainty.
Bravery arises from an optimistic vision of the future and a sense of personal agency.
The "BRAVE" framework involves self-reflection, focusing on influence, positive envisioning, and stating intent.
Boldness differs from bravery which acts on behalf of others or principles.
Creatives can apply bravery learned through art to other areas by connecting to their purpose.

BEST MOMENTS

"My job is to equip creative professionals to be very focused and brilliant in their life and their work."

"People were listening to media very differently now. I think that they, yeah, they want to be educated, but I think also they want to be entertained."

"When people retreat into cowardice...it's usually because either I can't see a positive vision of the future or...I don't believe I have agency to act."

"Bravery is always on behalf of the other whether...a principle or an idea or a relationship."

"Most of us are talking about... 'Oh, I want to have this uncomfortable conversation with a potential client.'"

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Inside the Mind of Radical Artist Kim Noble

Mon, 26 Feb 2024 00:00:00 -0000

Ceri invites playfully provocative artist Kim Noble to speak candidly about his unique and multifaceted work. Kim shares funny and poignant stories about lessons from art school, making experimental comedy and theatre, living with foxes, and pushing creative boundaries. He shares challenges like monetising his art, overcoming self-doubt, and managing perfectionism. Kim offers rare insights into an artist’s psyche, revealing the intense commitment and vulnerability required behind all the absurdity and humour he brings to his work.

KEY TAKEAWAYS

Kim sometimes struggles to introduce and define the breadth of his work, a common issue for interdisciplinary artists
A drunken conversation with his rebellious artistic brother directed Kim firmly onto the path of fine art instead of graphic design
A transformational art college tutorial with visiting artist Lucy Gunning unlocked Kim’s understanding of his practice
Comedy audiences were an unlikely but welcoming testbed for Kim’s early performance pieces
Creative partnerships provide vital mirrors and feedback, though require careful navigation as both artists evolve
Ruthless editing is crucial to condense years of artistic “research” into a potent one-hour theatre show
Teaching and directing offer respite from creating his own work
Financial stability is a perpetual worry for artists like Kim without stable galleries or institutions supporting their work

BEST MOMENTS

"He was like you f*cking c*nt. You're not a f*cking graphic designer. Are you? Proper artists go to art school.”

“Sometimes I lose a sense of that thing that my tutor said - remember these other things, the things that might be a bit shit or gonna be a bit shit for a day.”

"Just getting my knob out and showing it to people on a, on a theatre stage...again, it comes back to just enjoying poking things slightly."

"When I got to art school, it was the first time I thought I'm not an artist...It taught me how to not be an artist."

"I realised that...I wasn’t very good at being human."

"Sometimes I forget that those times are important and not being creative is important and being okay with not being creative."

"Can I call myself an artist? And if I'm not an artist, then I'm f*cked.”

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**** NEW COURSE - UNLOCK YOUR ARTWORLD NETWORK ****

Are you an artist or creative professional longing to take your career to the next level?

Relationships are the key to success in the art world, and it only takes 10 to 15 of the right connections to build a thriving career. You just need to know how to find them.

And quick! Subscribe to our mailing list today to receive our EXCLUSIVE LAUNCH OFFER of 20% discount between 11th and 18th of March.

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Behind The Scenes: Crafting Captivating Theatrical Worlds with Stage Designer Chloe Lamford

Mon, 19 Feb 2024 00:00:00 -0000

Ceri is in conversation with ingenious stage designer Chloe Lamford, recognised for crafting unexpected performance spaces that captivate audiences. Learn Chloe's insights on cross-cultural collaboration, overcoming creative burnout, and carefully considering the audience experience. Hear how she creates emotional spaces by colliding references and objects, and her shift towards more precise, architectural designs. Chloe also shares her criteria for selecting projects and her commitment to boundaries for self-care.

KEY TAKEAWAYS

Chloe creates emotional performance spaces by bringing together eclectic references and objects.
She has shifted towards more precise, architectural set designs in recent years.
Scenery and staging choices shape the audience's perception of time passing.
Cross-cultural collaborations provide rich opportunities for learning.
Chloe overcame creative burnout by establishing clearer boundaries.
She has insightful criteria for selecting which projects to work on.
Past mentors like Vicki Featherstone taught her to focus on the art rather than reviews.
Chloe remains open to exciting new creative adventures across disciplines.

BEST MOMENTS

"I create feeling spaces or emotional spaces."

"I think I'm really good at [collaboration]. It doesn't sound ridiculous to say that. I think it would be my superpower."

"Just go to bed. Stop and go to bed and you'll feel loads better the next day."

"I can talk to a scenic pace and I can be using all these kind of squishy, brilliant English words."

"I'm very reliant on other people."

"I try really hard to be joyful in a lot of situations because it's called a play."

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How Collaboration And Play Shape Artistic Work with Paul Kindersley

Mon, 12 Feb 2024 00:00:00 -0000

Join Ceri as she speaks to artist Paul Kindersley, whose multimedia work spans drawing, performance, film, and ceramics. With painted faces and elaborate costumes, Paul creates absurd, poetic pieces that teeter between the beautiful and grotesque. He discusses merging art with daily life, embracing playfulness in his process, and establishing frameworks for creative collaboration. Discover in this episode how Paul pushes boundaries with discipline, translating concepts between mediums, and figuring out how different modes of communication can uncover new creative possibilities.

KEY TAKEAWAYS

Paul views all his work, across mediums, as part of one interconnected story that is ever-evolving.
Constraints like limited space and found materials guide Paul's process and help him focus on creativity.
Silliness and play get Paul out of his head so he can tap into intuition and generate unexpected outcomes.
Paul works collaboratively to introduce new interpretations, then relinquishes a degree of control to enable unplanned magic.
Translating ideas between mediums like drawing, film, and ceramics fuels Paul’s process and sparks new directions.
Paul paints figures ambiguously so they convey myriad meanings that shift from different vantage points.
Paul establishes frameworks so he can trust spontaneity to yield something exciting and unanticipated.
Communicating visually resonates more powerfully for Paul than verbal expression.

BEST MOMENTS

"I initially didn't like the name artist because...so much pressure comes in, but then I changed my mind that artist was such a great word because it means absolutely everything and nothing."

"The key to my artwork and artwork in general is often storytelling so I often explain my artwork in...parameters of a storyteller."

"Having different ways of communicating...often verbal communication maybe isn’t the best way of communicating with people...that's why lots of art is so powerful to me."

"I put in all the framework and working hard on all of that so you can build those exciting things that you’re not expecting."

"Being awkwardly balanced in between these things is always where I like things to be."

"I'm bringing absolutely everything to it at that situation...everything up to that moment has led to that thing."

"Words almost being these lies, but very beautiful ones and the same with all art...It’s like a very beautiful lie and like what’s hiding behind it."

"Having the equipment on your hands and valuing the equipment...just need to do it."

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Prototype Your Artistic Evolution with Lucy McRae

Mon, 05 Feb 2024 00:00:00 -0000

Join Ceri as she interviews artist and designer Lucy McRae, recognised by Fast Company as a pioneer who's shaping the future. We get a behind-the-scenes glimpse into Lucy's artistic process as she creates conceptual sculptures, films, and wearables, exploring the impacts of emerging technologies on the human body. Tapping into her unique childhood and ballet training, Lucy explains how constantly adapting led her to approach spaces and materials as malleable.

KEY TAKEAWAYS

Lucy's work investigates how technologies could alter human evolution, using fashion, film, and sculpture to spark ethical discussions.
She transforms familiar materials to envision unfamiliar futures, helping people emotionally relate to new developments in science, technology and the natural world.
Lucy uses her body as an experimental canvas, prototype and barometer.
As an outsider, she learned how to adapt to new environments and situations quickly.
She practices radical candour in collaborations, while protecting her vision.
Rest is resistance - Lucy seeks productivity without burnout and advocates for every artist to do the same.
She views the studio itself as her biggest ongoing creative project.
Lucy aims to bring science to street level through creativity.

BEST MOMENTS

"I use the camera as a microscope to determine what is working or what needs to be changed."

"Honesty is a great starting point - saying how I'm feeling, whether I'm tired or not feeling a project."

"The process of making...you should put in another two weeks as a kind of antechamber for what came before."

"I learned to exist on that edge and that sense of being an outsider became a natural habitat for me."

"Discomfort and that darkness helps you grow, even though it's unpleasant."

"My body is a barometer...when I take something on, it kind of goes through me."

"I'm only one person...that platform for belonging and experimentation is where I'm putting my energy."

"I'm trying to bring science to street level through conceptual fashion, short film and sculpture."

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Neurodivergence in Art | Disrupting Shame with Claire Morgan

Mon, 29 Jan 2024 01:00:00 -0000

Ceri interviews internationally acclaimed artist Claire Morgan, who faced challenges growing up in Northern Ireland with undiagnosed Tourette's and autism. Claire shares how recent diagnoses in her 30s and 40s have shaped her life, confirming her unique strengths that enable ambitious, impactful artwork and a sustainable career. She provides insights on how the art world could better support neurodivergent artists and reflects on advice she'd give her younger self. Claire also talks about her creative process, use of potent materials, collaborating with a live model, risk-taking with new work, reactions to her raw, bold exhibitions, and more.

KEY TAKEAWAYS

Diagnoses in her 30s/40s helped Claire understand her skills and "superpowers" that drive her prolific artwork
Claire thinks the art world could provide more transparency about needs/offerings to better support neurodivergent artists
She works across public commissions and commercial gallery representation to sustain her practice
Her process involves extensive drawing, writing, connecting words and shapes, and playing with new materials
Collaborating with a live model enabled emotive drawings conveying fragility and vulnerability
Recent liberating exhibitions with challenging themes prompted strong reactions confirming her direction
She would advise her younger self to reject shame, realise her differences are assets, and that ideas come through living, not forcing

BEST MOMENTS

"I had such intense messaging as a kid and a neurodivergent girl, that I was wrong or broken, which in hindsight I think is bullshit."

"If I presented a really small drawing in an atrium space of a museum, it probably wouldn’t really work."

"Whenever I get into a project or a body of work, I do kind of switch off completely everything else."

"I felt like I was going to be sick before they opened it and it was awful."

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Embracing Absurdity and Humour with Artist Rosie Gibbens

Mon, 22 Jan 2024 00:00:00 -0000

Ceri interviews performance artist Rosie Gibbens, who creates provocative and humorous artworks using her own body. Rosie shares her creative journey, from making animal sculptures out of toilet rolls as a child to pushing boundaries at art school with bold performances. She discusses what drives her interest in gender, sexuality, labour, and consumer desire, and the unusual yet thoughtful logic behind her work. Rosie opens up about formative relationships and learning experiences that still inform her practice today. She also offers advice to aspiring artists on practicalities like asking for what you need and not having to live up to the 'tortured artist' stereotype to make great work.

KEY TAKEAWAYS

Rosie creates performances, sculptures, videos using her own body to explore identity, gender assumptions, and problematic desires.
She builds fictional worlds with their own internal logic as a structure for absurd, humorous artworks that invite deeper reflection.
Early experiences made her question ideas of femininity, sexuality and the male gaze, which still drives her practice.
Studying under different performance artists showed her the value of playfulness alongside intensity and confrontation.
Rosie has learned to ask directly for what she needs to produce her best work and manage conflict better.
She advises aspiring artists you can have a practical creative life alongside other jobs.
Her aesthetic combines the handmade and human with technology to highlight our fraught relationship with progress.
Rosie demonstrates a commitment to fully execute her vision, however bizarre, while keeping tight control.

BEST MOMENTS

"I had a relationship with a much older person at the time...I was kind of trying to imagine myself as an older woman and what a sexualized women what that kind of looked like to me."

"I was kind of playing with the dynamic a little bit between audience and performer and there were some things I did which I felt like I didn’t have the control in the situation."

"I always want to have the control.”

"...there's some element of like maybe harm going on, but it’s also simultaneously a kind of joy that I have in the making of these contraptions."

"I think that talks about the kind of cognitive dissonance that we have in terms of the things that we desire, that we know are kind of problematic or that might harm us, but there’s still like a conditioned understanding."

"I think humour is really important in my work. In fact, it’s kind of a mindset that’s brought me through most of my creative career."

" I just didn’t really see it as risky, because I think within my work there’s a real internal logic...even though it might not seem very, like, rational from the outside..."

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Do you love making art and long to make more money from your work?

If the answer is yes, we have exciting news for you!

Ceri Hand's transformative course ‘How To Price And Sell Your Art’ is now available for a very special price, only for the month of January.

This course offers an incredibly rare opportunity to take part in monthly group coaching calls with Ceri herself. Alongside these unique sessions, you'll receive self-study course materials packed with insider intel, guidance and advice, teaching you all you need to know to understand the commercial art world and make more money doing what you love.

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How to Sustain Creativity, Nurture Diversity and Generate Talent with Titania Altius

Mon, 15 Jan 2024 00:00:00 -0000

Ceri is joined in this episode by Titania Altius, a creative trailblazer with over 20 years in the music and creative industry. Learn Titania's invaluable insights on how artists can sustain thriving careers and the pivotal elements for successfully sharing creative work. Hear Titania's experiences in championing musicians, unlocking funding and enabling artists to turn passions into purpose. Discover who Titania considers true creative leaders and role models. Plus find out the change Titania intends to spark within the industry regarding opportunity and equality.

KEY TAKEAWAYS

Music licensing ensures musicians get fairly paid when their work gets used, providing long-term income streams
Artists should focus both on the now and on building future revenue foundations
The industry landscape can be confusing for artists - connect with licensing bodies for support
Collaboration across creative disciplines like music, dance and visual arts can be very powerful
Funders want to back compelling projects but need artists to articulate their vision and goals
Networks, mentors and teams are invaluable for progress
Ask yourself what's missing and address gaps impeding your ambitions
Diversity requires more than just hiring - ongoing nurturing of rising talent is key

BEST MOMENTS

"If you don't attend to that creative itch, you're no use to anyone. Sometimes you've just got to stop and go and just do something creative for yourself."

"I want to see people come together, create their own communities, whether it's a network or it's an event. It is beautiful."

"Don't just bring someone in and plonk them in...It's about building so that when opportunities arise, that person you're looking for is ready."

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Do you love making art and long to make more money from your work?

If the answer is yes, we have exciting news for you!

Ceri Hand's transformative course ‘How To Price And Sell Your Art’ is now available for a very special price, only for the month of January.

What are you waiting for?

https://www.cerihand.com/price-and-sell-your-art/

hello@cerihand.com

@cerihand

Paula Orrell | The Artist-Curator Shaping the Arts Nationally

Mon, 08 Jan 2024 00:00:00 -0000

Ceri interviews artist and curator Paula Orrell, Director of the Contemporary Visual Arts Network England, about making the arts more equitable. Paula shares how artists can be effective leaders in creating change, gives advice for creatives on using tools like programming and art writing to build community, and makes recommendations on advocating for the arts. She discusses key skills needed today like lateral thinking, holding complexity, and "deeper listening" across differences. Paula also opens up about managing dyslexia and finding the courage to influence government ministers on the value of contemporary art.

KEY TAKEAWAYS

Contemporary art questions ideas, transforms people's lives and serves a public purpose even if not everyone visits galleries. Its value must be reimagined.
Funding cuts over decades are severely impacting artists and arts organisations; we likely won't see change for 5+ years.
Connect with those working toward equity like Migrants in Culture to exchange ideas. Break boundaries between arts institutions.
Centre artists' positions and insights to understand what society needs now. Policymakers must listen more deeply.
Develop thick skin yet retain ethical passion. Influence happens through relationships, not just facts and figures.
Create visual systems to manage tasks and shake off worries so you can think clearly. Go outdoors.
Show courage by continually learning history and discussing issues, even when uncomfortable.
Success includes substantively tackling ableism and racism through staff roles focused on equity.

BEST MOMENTS

"It's about creating, curating exhibitions in a way to talk about things happening in the world."

"I have to communicate the distinction between a museum and an artist-led project in a studio."

"I've seen it transform people's lives...That opportunity often isn't there for people to see art as a career."

"Taking our egos out of it is important, to really think about others and listen, even if you don't agree."

"I knew nothing about Palestine's history. Why weren't we talking about this at university?"

"I use sticky notes because I see that word and it reminds me, I need to do that."

"If I can create a new job focused on equity, that would be an incredible success."

PODCAST HOST BIO

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Do you love making art and long to make more money from your work?

If the answer is yes, we have exciting news for you!

Ceri Hand's transformative course ‘How To Price And Sell Your Art’ is now available for a very special price, only for the month of January.

What are you waiting for?

https://www.cerihand.com/price-and-sell-your-art/

hello@cerihand.com

@cerihand

Insights from 30 Years Collaborating with Extraordinary Creatives

Mon, 18 Dec 2023 01:00:00 -0000

As we say goodbye to 2023, Ceri shares decades' worth of wisdom on creativity, distilling it into her 5Cs Framework she draws on when coaching artists and arts professionals: 1. Create 2. Communicate 3. Community 4. Confidence 5. Cash.

Listen in as she dives deep into the first and most vital C - Create. Learn Ceri’s top tips on finding your rhythm, defining your space, producing prolific work, understanding your process and editing often. Gain insight on pivotal decisions like discerning when a piece is finished and finding the medium that amplifies your voice.

KEY TAKEAWAYS

Establish a consistent creative routine and regular practice to stay in flow.
Select or build an inspiring space tailored to your process to get in the zone quicker.
Make lots of work and edit often to increase your chances of creating something great.
Articulate your unique process, subject matter and medium to enrich meaning.
Continuously refine and review work over time to track progress.
Work on your ability to determine the precise final touch that completes a piece.
Committing to a medium builds confidence but stay open to experimenting.
Authentic self-expression aligned to your beliefs makes the biggest impact.

BEST MOMENTS

"Maintaining a rhythm aids your brain in swiftly re-engaging and elaborating on ideas."

"It ensures a process of steady, cumulative progress and moves you from a boom or bust way of working."

"The pathway to greatness often means creating a ton of mediocre work."

"Art doesn’t necessarily need to be political with a big P, but it should be personal, accessible, authentic, and delivered with deliberate intention."

"Building a body of work is like making a series of gorgeous film stills with the right set, lighting, props, actors, costumes, all compelling on their own."

"Identify what makes your work unique to you. What’s your story? What are the recurring themes, concepts, motifs and mediums?"

"Even if you occasionally step outside your personal lens while creating. Your unique experiences and perspectives inevitably shape your artistic expression."

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Designing Work Around Your Strengths with Dave Stachowiak

Mon, 11 Dec 2023 01:00:00 -0000

Ceri interviews long-time podcast host Dave Stachowiak about his journey of building Coaching for Leaders from scratch. They discuss what motivates him, how he transformed it from a side project into a full-time pursuit, his approach as an introverted leader, and key insights on leadership, collaboration, and unlocking creative potential. Dave shares the story behind his "aha" moment with powerful listening and the questions that open people up.

KEY TAKEAWAYS

Dave started the podcast out of boredom driving in LA traffic, and saw a gap for a consistently released, high-quality leadership show.
He then quit his part-time teaching gig he loved, to focus fully on the podcast and coaching work as it gained traction.
As an introvert, Dave designs work around his introverted strengths and finds people to complement the skills he lacks.
Success is finding the sweet spot of the intersection of several things you are good at - for Dave it's academic expertise, tech/communications, and practitioner experience.
Involve others early when you are facing decisions or feel stuck, then test and iterate quickly to combat procrastination tendencies.
Your engaged audience can give you clues to how you develop your content; for Dave it's his Academy members who shape the show by sharing real struggles, making content resonate widely.
Working directly with clients fuels Dave’s podcast topics and keeps him connected and grounded.

BEST MOMENTS

"I wish I could tell you I had some grand plan of how all this was going to work. But the reality was, I was bored, driving around Los Angeles."

"If I'm going to do this job, which I had committed to do both to myself and others, I'm going to have to figure out a better way, because I could knock door to door. It's not that I couldn't do it...it's just that this is not going to work well for me."

"Just asking a question like that to invite someone to say more...don't worry about (like) getting better at everything. Just ask one more question..."

"When that happens and when that comes together and someone says. 'Hey, this episode you just aired or this conversation or this expert you had on helped me to have a tough conversation or work through something that I'd really been struggling with'. Wow. That's so much joy."

"You having shown up to create this space for the people you work with, I think is like so wonderful and beautiful that you've done this and the people who've come together and have found community in your work. I'm so in awe of what you've done and your bravery in creating this."

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Explore our website and discover how we can help you live your best creative life: https://www.cerihand.com/

Keri Elmsly on Reshaping Creative Institutions

Mon, 04 Dec 2023 01:00:00 -0000

Ceri Hand interviews Keri Elmsly, the Executive Director of Programming at ACMI (Australia's national museum of screen culture). Keri takes us on her remarkable journey from the underground London rave scene to staging groundbreaking immersive art experiences worldwide. She shares insights from working with pioneering artists like UVA, Mira Calix, and Memo Akten to reshape cultural institutions. Together, they explore Keri's approach to fostering ambitious collaborative artworks, from aligning infrastructure to handle complex projects to ensuring artists are properly compensated. Keri offers invaluable advice for creative professionals and shares her extensive knowledge and experience in this episode.

KEY TAKEAWAYS

Keri was drawn in by the vibrant DIY creative ethos of the 90s underground rave scene in London, learning the power of transformative collective experiences.
She observed that artists who kept up consistent creative practice no matter their environment produced the strongest, most refined work.
As a producer, Keri sees her role as the "hero" for the artist - achieving the impossible together, not just facilitating.
When commissioning artists in her experience, paying them to prototype ambitious ideas leads to the best outcomes.
Keri believes cultural institutions like museums must become more invitational and move at the speed of contemporary culture to stay relevant.
For museums, she feels improving organisational infrastructure is crucial so operations don't paralyse programming ambition and flexibility.
Keri encourages creatives to remember they likely have more supporters and backers than they realise and to simply reach out and connect.

BEST MOMENTS

"I left home on my last day of school to go on the road."

"The people who had the most output were the most refined and dedicated. And when I look at where their careers are now, they’re still artists."

"I was like, well, I don’t know what Second Story is. I’ve never even heard of them. And then, my son was like, mom, I’m really tired of being poor."

"I think the encouragement is you have more backers than you think you do...just say hi to people that you haven’t chatted to for a while."

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Curating Social Meaning: Christian Viveros-Fauné on Art as Change

Mon, 27 Nov 2023 01:00:00 -0000

Ceri interviews Christian Viveros-Fauné, a Chilean curator and writer based in New York. Christian shares insights from his prolific career curating major biennials and writing for renowned publications. Christian offers a behind-the-scenes look at the challenges of curating a citywide exhibition, from fundraising and gaining stakeholder buy-in to selecting impactful artists and works. He also discusses his personal creative drive, his approach to art criticism, and key artists who have influenced his perspective. Christian also talks about his next curatorial risk - a new book tackling the provocative themes of regulation and experimentation in the art world.

KEY TAKEAWAYS

Political turmoil in Chile as a child shaped Christian's view of art as a powerful tool for social commentary.
When curating a major exhibition, you must convince stakeholders it's a team effort they have a stake in.
Christian seeks art that innovates on recurring humanist themes like war and love.
He's committed to working in fledgling contexts and pushing institutions to grow.
Christian values art's "figural" meaning beyond words, the way it visually engages society.
He aims to translate complex ideas about art accessibly as a writer and curator.
When writing criticism, Christian's established voice means he rarely tailors pieces now.
His next book explores provocative themes of regulation and experimentation in art.

BEST MOMENTS

"I wanted to convince people that it's a team operation, that there's a stake in it for them as well as for you and the organisation you're representing."

"I'm a firm believer in the larger field of humanity."

"The fact that we get [big ideas] in new envelopes when they're effective, I think that's where the magic happens."

"My interest has remained in this notion of figural thought and the way meaning spills over."

"You never do know when you touch somebody in their hour of need."

"Keep being prepared to put yourself in the midst of those new, strange contexts to help us see the world differently."

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Rebel Spirit: Activism Through Arts Leadership with Zerritha Brown

Mon, 20 Nov 2023 00:00:00 -0000

Ceri interviews Zerritha Brown, Head of Culture at London's Camden Council, about how her Jamaican roots fuel her rebel spirit to drive grassroots activism. Zerritha shares how she brings that spirit into institutional settings through relationship-building and empowering others. She provides insight on how institutions need to understand their communities, not just co-produce content. Zerritha also discusses her soft yet deep listening leadership style and how she’s paving the way for the next generation.

KEY TAKEAWAYS

Zerritha’s Jamaican heritage and music instilled a rebel spirit in her to create access and open doors in the arts for underrepresented communities.
She builds relationships with institutions to create change from within, like bringing a sound system into the British Museum.
Institutions need artists and community members working at all levels, not just co-producing content.
Zerritha’s approach involves collaborating with the same artists long-term to actively shape communities.
Her listening leadership style achieves remarkable results by empowering others.
She believes in succession planning to pave the way for the next generation of diverse arts leaders.
Dance and movement energise and inspire Zerritha to keep growing as a leader.
Despite challenges, she learned to lead as her authentic self rather than fit a typical leadership stereotype.

BEST MOMENTS
"That rebel attitude, being Jamaican, from Kingston, Jamaica, music as well, particularly reggae was becoming quite politicised at that time. My dad always carried that warrior, fighter, rebel, rebellious spirit, which was ingrained in me and my siblings."

"The spaces that we have in our control are the public realm. So how do we start to use that public realm and our role as connectors and conveners, bringing people into public space through cultural intervention?"

“They've been able to come in and really connect with us with what is going on in the ground, what needs to happen, where we're doing things wrong, where we're not listening. But also feed that into some of the partners that they're working with. I've seen a real shift change.

"I think also just being me as well and, and just being that, you know, I find, as I said, listening is a real skill…I don't think I can do my job if I don't listen."

PODCAST HOST BIO
Meet Ceri Hand, the driving force behind countless creative success stories. A creative coach, entrepreneur, and dynamic speaker, she's committed to empowering creatives to realise their dreams and make a meaningful impact through her creative coaching, mentoring and training company. With three decades in the arts under her belt, Ceri has ridden the highs, the lows, and everything in between. Now, she's here to help you achieve your goals, your way.

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The Accidental Activist: Soheila Sokhanvari

Mon, 13 Nov 2023 00:00:00 -0000

Join Ceri as she explores the captivating story behind multimedia artist Soheila Sokhanvari's work. Discover how art saved Soheila from depression as a scientist and fuelled her true calling. Hear how Soheila overcame deep challenges arriving in the UK as a teen and sacrificed family time to follow her artistic path. This moving episode unpacks Soheila's drive to spotlight pre-revolutionary Iran and honour exiled female performers through her portrait work.

KEY TAKEAWAYS

Love empowers us to cherish our creativity and ourselves. Self-love forms the bedrock for life and work.
Embracing failure enables growth and learning - a key to achieving our version of success.
Discomfort brings genuine expansion. Diving into the deep end helps us thrive.
Soheila uses beauty and colour to draw people close to difficult narratives in her art.
Her scientific background taught Soheila to embrace failure and find order in chaos.
Why Soheila became an unlikely activist, spotlighting oppressed Iranian women.
Her solo exhibition at the Barbican, London, coincided with protests, providing her a crucial platform.

BEST MOMENTS
"I can't help but love the person eventually, or at least I need to love them before I start."

"I make my life very difficult. I like that frisson between the vision and the materiality."

"I was just thrilled and happy to be there, but utterly out of my depth."

"To me, success is when you get up in the morning and until night, you do what you really love."

"I want to become a voice for Iranian women because if I don't, my silence would be too heavy."

"I'm making a rubbish public speaker, but I've become a reluctant yet vital activist."

"When I'm not in my comfort zone, when I'm pushed to the brink, some order comes."

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JOIN OUR UPCOMING COURSE: Become A Master Mentor

November 17th, 18th, and 24th

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Creativity Has No Rules: Julie Verhoeven on Embracing Discomfort and Doubt as an Artist

Mon, 06 Nov 2023 01:00:00 -0000

Join artist, designer, and educator Julie Verhoeven in this episode as she shares her creative journey. From hating school and struggling to get into art college, to working with notorious fashion designers John Galliano and Martine Sitbon, Julie has forged her own unique path. She opens up about the imposter syndrome she faced early on, how being different fuels her creativity, and why she didn’t consider herself an “artist” until later in her career. Listen in for her honest take on being an artist and creative as well as tips and advice for emerging creatives looking to chart their own course.

KEY TAKEAWAYS

Not getting into art college lit a fire in Julie to pursue fashion design. She developed a strong mindset and willpower which then propelled her successful career.
Julie has always felt like an outsider and struggled with shyness but has learned to channel those feelings into her creative expression and individualism.
Deep connections are more important to Julie than large social circles, often forming a creative partnership with just one other person.
Julie thrives under fast-paced environments with intense schedules and tight deadlines that force decisive action.
Though she resisted the "artist" label for a long time, Julie now embraces making work just to please herself without fear of judgement.
She gathers inspiration from her vibrant neighbourhood, reality TV, music, and other multisensory sources.
Julie urges creatives to fill time so doubts can't creep in, commit fully to their work, and push past discomfort towards change.

BEST MOMENTS

"It was like a revelation. It was just the best thing ever...I felt absolute freedom when I got there."

"I find it unattractive, the thought of being an artist...this sort of self-centred, all about me."

"I try and create work [knowing] that nobody really cares, nobody's really looking."

"I don't allow space in my brain for doubt or fear."

"There are no rules”

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Find out how we can support you to become extraordinary here: https://linktr.ee/cerihand

JOIN OUR UPCOMING COURSE: Become A Master Mentor

November 17th, 18th, and 24th

9:30 am to 5:30 pm (BST)

Unlock your full potential as a creative mentor with our 3-day online course.

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Apply now!

https://www.cerihand.com/become-a-master-mentor

Creative Risks and Relentless Curiosity with Normski

Mon, 30 Oct 2023 00:00:00 -0000

Ceri talks to legendary photographer and TV host Normski. He shares his extraordinary journey from capturing the burgeoning hip-hop scene in the 1980s to becoming Britain's foremost youth presenter. Normski lifts the lid on his creative obsessions, the hustle behind his lens, and key lessons like following your passion, surrounding yourself with a supportive tribe, and having the courage to take creative risks.

KEY TAKEAWAYS

Follow your gut instincts and believe in your vision, don't listen to the naysayers.
Treat each project like it's the most important, even if it's just 5 minutes you should always give it your all.
Build relationships and community, they will lift you up during challenging times.
Allow yourself different creative seasons, learn to try new things and reinvent yourself.
Create work you love and the love from others will come. Integrity and authenticity shine through when your work is created with them.
Lift others up and help inspire those coming up behind you.
Stay curious, take creative risks and be willing to fail, that's always where the magic happens.

BEST MOMENTS

"I was obsessed with getting back to develop the film, hoping I didn't let any light in to bleed it out - reliving that shot was everything."

"It's about being willing to be shit in those moments. Even if you're not willing, you have to be prepared for it to be really crap."

"How is anyone going to be completely sure? If you have a feeling, follow it through."

"If it's not made with love, it probably won't be received with love. It might make you money, but I'm not sure it will have the shelf life."

"I find joy in showing people what's possible, photographs can inspire."

"There's something about you lifting the stone and looking at what's underneath - you're a bit nosy, curious."

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Find out how we can support you to become extraordinary here: https://linktr.ee/cerihand

JOIN OUR UPCOMING COURSE: Become A Master Mentor

November 17th, 18th, and 24th

9:30 am to 5:30 pm (BST)

Unlock your full potential as a creative mentor with our 3-day online course.

Don't miss out on this chance to elevate your mentoring skills.

Apply now!

https://www.cerihand.com/become-a-master-mentor

The Intentional Editor: How Sharmaine Lovegrove Curates Inclusive Narratives

Sun, 22 Oct 2023 23:00:00 -0000

Publisher and editor Sharmaine Lovegrove joins Ceri in this week's episode of the Extraordinary Creatives podcast. Despite dealing with dyslexia and homelessness and as a teen, Sharmaine has beaten the odds to become an award-winning MD, publisher and editor. She shares how books were her safe haven growing up and discusses her unique journey to the top of the publishing world. Sharmaine offers incredible, inspiring advice to aspiring creatives and reveals her secret to keeping her creative cup full (hint: it's not PG!). Tune in to hear this remarkable woman's story.

KEY TAKEAWAYS

Sharmaine turned to books as an escape in response to feeling like an outsider growing up in a multicultural London. Reading gave her confidence and perspective.
She became a truth seeker due to experiencing trauma growing up – she now uses that skill to help authors excavate stories and ideas.
Sharmaine doesn't want to be the protagonist in every situation, instead finding confidence in supporting others’ brilliance shine rather than having to be centre stage.
Deciding to move to Berlin gave Sharmaine space, time with family, and more focus on editing - staying connected to the heart of publishing while avoiding the noise.
Modelling psychological safety as a leader helps Sharmaine ensure that her team feels comfortable stretching themselves, failing, and growing together.
Sharmaine is committed to pleasure and joy which help keep her creative cup full, she always makes time for sex, food, and Arsenal football!

BEST MOMENTS

"Being an immigrant Mom in Germany showed me I didn't grow up in an immigrant household - it taught me the difference between ethnic minority and immigrant."

"A lot of sex, watching football and eating food - indulgent things that take focus. That's where humans have always connected."

"Know yourself, be intentional and unapologetic, but also listen and grow. Look for gaps where you can make a difference."

"Keep going. I'm really proud of you. You did what you needed to do and you were right."

"I don't have the same story as James Baldwin or Dr. Maya Angelou. That gave me confidence - it could be so much worse."

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Find out how we can support you to become extraordinary here: https://linktr.ee/cerihand

Wide-Eyed Creation: Crafting Your World, From Page to Stage with John Hegley

Sun, 15 Oct 2023 23:00:00 -0000

Ceri is joined by poet, comedian and musician John Hegley. From busking to the big stage, John reflects on finding inspiration in everyday objects, overcoming challenges of fame, and the importance of mental well-being. He opens up about his own battles with depression and how connecting and creativity aided his recovery. Listen in to this episode as he unpacks evolving creative pursuits - from visual art to lyrical translation aimed at forging a human connection and even gives an exclusive musical performance on mandolin to finish!

KEY TAKEAWAYS

Creativity can be found in humble everyday items - inspiration is all around us.
Busking and street performing built confidence and taught adaptability.
Fame and visibility bring mental health challenges that require active care.
Finding your tribe and connecting creatively is deeply healing.
Staying open to learning new skills keeps creativity fresh.
Collaboration with others brings great artistic joy.
Gratitude for creativity's gifts is just as important as the output.

BEST MOMENTS

"Science doesn’t need things to be true, just adequate."

"I think I've had a playful ability, an ability to play with words since I was young, I think."

"I was doing a talk to midwives and I said, one of the things that we have in common, myself and you, is that we try to make people feel better."

“There’s a love of the absurd, I’ve always really loved that about your work… and sometimes there’s a tinge of melancholy in some of the work you perform”

“The moment that changed things was having the John Peel session”

“After all these years you still have those little niggles, it’s the creative in you”

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Find out how we can support you to become extraordinary here: https://linktr.ee/cerihand

The Non-Binary Multiverse: Libby Heaney on Quantum, Magic, and Slime

Sun, 08 Oct 2023 23:00:00 -0000

Ceri interviews quantum artist Libby Heaney, an award-winning British visual artist with a PhD in quantum physics. Libby shares her inspirational journey navigating classism and sexism as a working-class woman in elite academic institutions. She finds solace in art, eventually pursuing it full-time after earning enough money in science. Libby discusses entangling quantum computing with digital art, creating magical, sensual experiences that question reality. A courageous and candid conversation on processing grief after her sister's suicide through vulnerable artworks. Libby reminds us that connection and hope can transcend life's challenges.

KEY TAKEAWAYS

Libby was bullied and felt like an outsider as a working-class "gobby clever one" in an elite physics program, finding refuge in art studios after a turbulent home life.
She persevered in physics to fund her art school dreams but still felt patronised as the only woman in Oxford labs with unprofessional male academics.
Libby pioneered art interrogating biases in AI systems, including classism, through projects like Lady Chatterley's Tinderbot.
She creates multi-sensory quantum artworks using code she writes to entangle ideas of fluid identity and the magical realities beneath surface perceptions.
Processing her grief over her sister's suicide through paintings and VR, Libby vulnerably explores transcendence and hope within devastation.
Sharing quantum physics concepts with the public, Libby wants to spread the queer, non-binary nature of the microscopic world.
Despite obstacles, Libby encourages persistence in finding your passion and community, taking care of your whole self.

BEST MOMENTS

"I'd say, like, keep going, then it will be all right, like, but I think I knew that deep in me as well. I knew what I wanted to do."

"I'm really interested in embodiment and affect and sensation. Cause I think the technical details of quantum are quite hard."

"If you know what you want to do, just keep going”

"I had so many dead ends, which we haven't really spoken about, but that's, to be really clear, I've had so many times things haven't worked out for me, and I've had to go back and try again."

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Find out how we can support you to become extraordinary here: https://linktr.ee/cerihand

Creating Space: Ekow Eshun's Impact on the Cultural Landscape

Sun, 01 Oct 2023 23:06:00 -0000

Ceri sat down with Ekow Eshun, a creative director, writer, curator, and broadcaster, to discuss his personal journey and creative purpose. Ekow's story of growing up in Ghana and returning to a racially charged Britain in the 1970s is a testament to the power of perseverance and determination. He talks the importance of studying politics and history, and shares the publication that had a profound impact on his life. Ekow's candid discussion of the emotional ability and confidence required to speak and question his own thoughts is truly inspiring. He also talks about his current work as a curator, including an upcoming exhibition at the National Portrait Gallery. Ekow reflects on the satisfaction and joy he finds in following his curiosity and providing spaces for black artists to be seen and heard.

KEY TAKEAWAYS

Ekow's creative purpose stems from his early experiences of living in Ghana and returning to 1970s Britain, where he witnessed the marginalization and dismissal of people of colour.
Ekow's choice to study politics and history at the London School of Economics was a strategic move to stay in London and be part of the exciting cultural scene of the late 1980s.
Ekow's confidence and ability to have a public opinion and speak on various platforms comes from his extensive research and reading, which allows him to have a well-informed perspective on different topics.
Ekow's curatorial work, such as the upcoming exhibition "The Time is Always Now, Artists Reframe the Black Figure," focuses on black figuration and aims to shift the perspective from objectification to subjectivity, inviting viewers to see through the eyes of the artists and their subjects.
Ekow finds joy and fulfilment in his creative career by following his curiosity, connecting different aspects of his interests, and using his work as a way to navigate and challenge societal norms and expectations.

BEST MOMENTS

"I felt very strongly from an early age that unless I found a way to make my own voice heard, then all you're doing is living within someone else's definition of who you are."
"The joy, therefore, is to follow the threads backwards to unravel that thing and to see also where else it can lead you."
"I'm interested in artists of all kinds who begin from a presumption that sit within and without that… They're trying to both interrogate the world and offer another way of seeing the world."
"So Noah Davis' 1975, it's a blissful painting, but it sits on Ford Proud… Many of the things I do follow on from each other."
"The first piece I wrote for The Face magazine… It was about these particular shoes that had kind of returned to popularity… It gave me this kind of validation that you could walk down the street, see something, sell a story on that basis."

ABOUT THE HOST

Meet Ceri Hand, the driving force behind countless creative success stories. A creative coach, entrepreneur, and dynamic speaker, she's committed to empowering creatives to realise their dreams and make a meaningful impact through her creative coaching, mentoring and training company www.cerihand.com. With three decades in the arts under her belt, Ceri has ridden the highs, the lows, and everything in between. Now, she's here to help you achieve your goals, your way.

Find out how we can support you to become extraordinary here: https://linktr.ee/cerihand

Transforming Mental Health: Tim A. Shaw's Creative Vision for Change

Sun, 01 Oct 2023 23:05:00 -0000

Ceri interviews artist Tim A. Shaw, co-founder of the Hospital Rooms charity that focuses on arts and mental health. During the interview, Tim talks about his journey as an artist and how his work has transformed inpatient mental health units. He shares the challenges and rewards of collaborating with artists in these settings, emphasising the importance of selecting those who can see the potential in these spaces. Tim also reflects on the emotional and psychological impacts of working in such contexts and the support provided to artists. He shares insights into the motivation behind starting Hospital Rooms and the process of convincing hospitals to collaborate. Tim's passion for art and mental health shines through as he discusses the power of creativity to bring hope and change to individuals in these challenging environments.

KEY TAKEAWAYS

Hospital Rooms is an arts and mental health charity that commissions artists to transform inpatient mental health units. They also run workshops and a digital art school.
The selection of artists for projects is based on their ability to create stimulating and thought-provoking work, as well as their willingness to problem-solve and adapt to the unique challenges of working in mental health settings.
Working in mental health settings can be emotionally and psychologically challenging for artists. Hospital Rooms provides support and creates a safe environment for artists to navigate these challenges.
The organisation uses creative methods for gathering feedback and evaluation, such as visual matrix workshops and non-traditional feedback forms, to ensure a more engaging and meaningful process.
Tim A. Shaw, the artist and co-founder of Hospital Rooms, has transitioned from creating large-scale installations to smaller, more intimate paintings. His work often explores themes of mental health and parenthood

BEST MOMENTS

"We commission extraordinary artists to transform inpatient mental health units around the country."
"We're very present on a working ward for a number of months… our team are really amazing at making the artists feel safe while also making their best work."
"I think most of us have… been sectioned… so going into an inpatient ward that might be very similar to the one that they were in, or they visited someone in, can be very challenging and quite triggering."
"I think the work we do in Hospital Rooms, we feel like we have a responsibility for some of that work to be quite transformative, to really change the way you think and feel when you're in that space."
"You know, everyone can experience it and we should all have the right to experience it. And, you know, the service users we work with, there's so many creative ways of thinking."

ABOUT THE HOST

Meet Ceri Hand, the driving force behind countless creative success stories. A creative coach, entrepreneur, and dynamic speaker, she's committed to empowering creatives to realise their dreams and make a meaningful impact through her creative coaching, mentoring and training company www.cerihand.com. With three decades in the arts under her belt, Ceri has ridden the highs, the lows, and everything in between. Now, she's here to help you achieve your goals, your way.

Find out how we can support you to become extraordinary here: https://linktr.ee/cerihand

Horror, Hedonism, and Queer World-Building: Jenkin van Zyl's Creative Journey

Sun, 01 Oct 2023 23:04:00 -0000

In this episode of the Extraordinary Creatives Podcast, Ceri Hand speaks with visionary artist Jenkin van Zyl about his journey from suburban life to the vibrant club and squat party culture of London. Jenkin is a multi-talented artist who creates immersive worlds that challenge binary oppositions and celebrate otherness. He shares the challenges he has faced in funding and managing large-scale projects, and offers valuable advice to emerging artists. He also talks about his experience exhibiting at the prestigious Hayward Gallery and how artists can embrace their unique worldview to live differently. Jenkin's new project explores the intersection of fantasy, horror, and contemporary politics. This inspiring conversation is not to be missed!

KEY TAKEAWAYS

Jenkin van Zyl describes his style as a fusion of artistry and intensity, drawing inspiration from theatrical ballet and horror elements.
Jenkin's creative journey started in London squat parties and queer club culture, where he explored and expressed complex ideas about masculinity and identity through unique costuming.
Jenkin emphasizes the importance of discovering your authentic voice and surrounding yourself with honest, supportive confidants who can provide straightforward guidance.
Jenkin's work is characterized by its expansive creativity, incorporating filmmaking, sculptural works, drawings, performance, and writing, often presented in installation and world-building contexts.
Jenkin faces challenges in funding and developing the scale of his projects, as well as balancing the multifaceted demands of being an artist, including project management, marketing, and navigating the art industry's underfunding and limited resources.

BEST MOMENTS

"I describe myself as a filmmaker, but that kind of inevitably spills out into kind of sculptural works, drawings, performance, writing."
"I think there is a sense of otherness that is applied onto queer bodies and the otherness of monsters that has been emphasised over the years, I think is interesting."
"I think it's about having kind of confidence in your worldview and nurturing the parts of that that are like super unique and necessary."
"I think it's about going and making sure that I was doing as much stuff that had like physical material to kind of refresh and recharge."
"I think it's really important at points in the work that we make to kind of not focus on the overwhelming state of crisis, but to apply CPR to the embers of things that are really important to salvage the world of humanity."

ABOUT THE HOST

Meet Ceri Hand, the driving force behind countless creative success stories. A creative coach, entrepreneur, and dynamic speaker, she's committed to empowering creatives to realise their dreams and make a meaningful impact through her creative coaching, mentoring and training company www.cerihand.com. With three decades in the arts under her belt, Ceri has ridden the highs, the lows, and everything in between. Now, she's here to help you achieve your goals, your way.

Find out how we can support you to become extraordinary here: https://linktr.ee/cerihand

The Power of Permission: Beth Bate's Impactful Leadership in the Arts

Sun, 01 Oct 2023 23:03:00 -0000

Ceri welcomes Beth Bate, Director of the Dundee Contemporary Arts Centre in Scotland. Beth shares her inspiring story of overcoming childhood bullying to find her place in the arts world. Beth shares the importance of finding your tribe, or surrounding yourself with people who appreciate your uniqueness. Beth's leadership in championing diversity and inclusion is admirable, and she is helping other creatives thrive. Reminder to embrace your creativity and chart your own path. If you're looking for some inspiration, Beth has it all!

KEY TAKEAWAYS

Overcoming challenges: Beth's journey from childhood bullying and health challenges to thriving in the arts is a testament to endurance and resilience.
Finding your champions: Beth emphasizes the importance of finding a community of people who support and champion your creative endeavors, whether it's through youth theater or professional networks.
Embracing your inner spark: Beth encourages embracing your unique identity and expressing yourself authentically, even if it means standing out from the mainstream.
Learning from impactful mentors: Beth highlights the influence of mentors like Mark Ball and Sylvia King, who taught her about leadership, community engagement, and the power of creating meaningful connections.
Saying no and setting boundaries: Beth mentions the importance of recognizing your strengths and weaknesses and surrounding yourself with a team that complements your skills. She also emphasizes the need to make tough decisions, even if they are unpopular, in order to create a positive and effective work environment.

BEST MOMENTS

"There was something in being able to recognize your community and recognize who your supporters are."
"I think being involved in arts and culture in whatever form, there's so many ways to do that, your theatre is just but one."
"I think there is something about being attracted and drawn to things which were perhaps slightly outside of the mainstream."
"I learned an enormous amount from Mark in terms of taking huge responsibility for the voice and the power and the role that you can have."
"There is something remarkable about creating connection and being radical in all of its senses, but also about thinking about having fun, thinking about how we create a fun community that does brilliant things together."

ABOUT THE HOST

Meet Ceri Hand, the driving force behind countless creative success stories. A creative coach, entrepreneur, and dynamic speaker, she's committed to empowering creatives to realise their dreams and make a meaningful impact through her creative coaching, mentoring and training company www.cerihand.com. With three decades in the arts under her belt, Ceri has ridden the highs, the lows, and everything in between. Now, she's here to help you achieve your goals, your way.

Find out how we can support you to become extraordinary here: https://linktr.ee/cerihand

Curating Chaos: The Artistic Collaborations of John Marchant

Sun, 01 Oct 2023 23:02:00 -0000

If you're looking for some creative inspiration, today's guest John Marchant shares his unique journey as a curator, gallerist, and artist collaborator. He's worked with some big names in the industry, such as Body Map and Jamie Reid, and he discusses how he balances the artist's vision with the expectations of galleries and audiences. John also talks about his current project, a large-scale installation in a field that combines art, spirituality, and a political message. His story is all about curiosity, resilience, and the transformative power of art.

KEY TAKEAWAYS

Embrace opportunities: John's pivotal moment came when he saw a spread of photographs in a magazine that inspired him to pursue a different path. He encourages others to seize opportunities, even if they seem unconventional or risky.
Curiosity and openness: John's curiosity led him to work with a diverse range of artists and explore different creative scenes. He was drawn to politically active artists and those who pushed boundaries, allowing him to learn and grow in his role as a curator.
Navigating different perspectives: As a curator, John had to navigate the space between the artist's vision and the expectations of funders and galleries. He learned to wear different hats and see from multiple perspectives to create cohesive and meaningful exhibitions.
Demand the impossible: Jamie Reid's iconic artwork often carried political messages and challenged the status quo. John learned the power of demanding the impossible and pushing boundaries through art, which resonated with audiences and sparked conversations.
Resilience and adaptability: John's experiences, from working in construction to curating exhibitions, taught him resilience and adaptability. He learned to navigate challenging situations, work with limited resources, and find creative solutions to bring artists' visions to life.

BEST MOMENTS

"I opened a very, very early copy of ID magazine…this massive thing was clanging in my head saying, you do not have to conform to what you're being raised for."
"Jamie Reid…the artwork for the Pistols was actually a political action in itself."
"Demand the impossible…people love that still."
"We proposed this thing with a whole series of festivals around the year…and they said, Yeah, we'll do that. That seems great."
"We're standing there in this field with the local chapter of the Druid Order, kids brought in by the Sensory Trust, various people…that was one of the maddest things that we actually did together."

ABOUT THE HOST

Meet Ceri Hand, the driving force behind countless creative success stories. A creative coach, entrepreneur, and dynamic speaker, she's committed to empowering creatives to realise their dreams and make a meaningful impact through her creative coaching, mentoring and training company www.cerihand.com. With three decades in the arts under her belt, Ceri has ridden the highs, the lows, and everything in between. Now, she's here to help you achieve your goals, your way.

Find out how we can support you to become extraordinary here: https://linktr.ee/cerihand

From Acid Trips to Artistic Obsessions: Sue Webster's Journey to Creative Freedom

Sun, 01 Oct 2023 23:01:00 -0000

Ceri Hand interviews Sue about her creative journey, from her humble beginnings in a non-artistic family to her fascination with LSD and Americana. Sue's unwavering passion and unique approach to art have led her to remarkable success despite facing rejection. She also shares the hilarious story of how Charles Saatchi purchased her work. Sue's authenticity and determination to follow her own path serve as an inspiration for anyone seeking a meaningful creative life.

KEY TAKEAWAYS

Sue Webster's creative journey was not initially encouraged or supported by her family. Despite this, she pursued her passion for art and found her own unique path.
LSD played a significant role in expanding Sue's creativity and opening her mind to new possibilities. It instilled in her the confidence to explore different mediums and techniques in her artwork.
Sue's collaboration with Tim Noble, her future husband, was born out of their shared interest in pushing the boundaries of art. They experimented with assemblages made from found objects and developed their own DIY aesthetic.
Sue's obsession with Americana and customization influenced her artwork, particularly in her use of chrome, flashing lights, and references to 1950s design. She drew inspiration from car shows and the visual impact of hot rods.
Moving to Bradford and later Halifax provided Sue with affordable studio spaces and opportunities to exhibit her work. These experiences in the art community helped shape her confidence and determination to push the boundaries of her creativity.

BEST MOMENTS

"I guess I always considered it to be a burden, having this sort of creative part of you that you have to exercise a demon I guess you have to get some stuff out your system and it was never encouraged when I grew up."
"I was very much drawn together on that. And then once we graduated, there was somebody came along, you know, and said, oh, I've got a studio complex up in Bradford in Yorkshire, which I'm opening up and I'm looking, I can give you a free studio if you want to move up."
"I just thought, God, I don't want to be one of them people. I just want to leave."
"I was very lucky and had a massive space and then Tim moved down to sculpture not long afterwards and there was no room so he just had a curtain under the stairs."
"I just thought, you know what, I'm going to move from painting to sculpture department as soon as I can, and you know, I went first."

ABOUT THE HOST

Meet Ceri Hand, the driving force behind countless creative success stories. A creative coach, entrepreneur, and dynamic speaker, she's committed to empowering creatives to realise their dreams and make a meaningful impact through her creative coaching, mentoring and training company www.cerihand.com. With three decades in the arts under her belt, Ceri has ridden the highs, the lows, and everything in between. Now, she's here to help you achieve your goals, your way.

Find out how we can support you to become extraordinary here: https://linktr.ee/cerihand

Unleashing Creative Potential: Ceri's Extraordinary Journey

Sun, 01 Oct 2023 23:00:00 -0000

How do we know when our life calls for profound change? Ceri Hand’s journey of resilience and transformation began in the aftermath of a life-altering brush with death. In this episode, Ceri shares her empowering story of overcoming a relentless storm of challenges and rediscovering herself, highlighting the transformative power of self-care along the way. Hear how Ceri made the difficult decision to leave behind a job she loved in search of a more balanced life, embarking on a journey of deep reflection, courage, and self-discovery.

KEY TAKEAWAYS

Prioritising self-care and setting boundaries is crucial for maintaining a healthy and fulfilling creative life. Ceri's wake-up call incident served as a reminder to take care of ourselves and make necessary changes.
Mentoring and coaching can be powerful tools for overcoming fears and challenges, making progress in creative endeavours, and achieving personal and professional goals. Ceri's experience as a Creative Coach showed the positive impact it had on their clients' lives.
Addressing negative and limiting beliefs is essential for unlocking creative potential. By managing thoughts and developing a positive mindset, creatives can experience more freedom and opportunities.
Being in service to others and building a supportive creative community can lead to personal growth and empowerment.
Creativity is a key factor in achieving success and making a meaningful impact in the world. The podcast aims to inspire listeners to embrace their creativity, be adventurous, create brilliant work, and connect with others.

BEST MOMENTS

"I was lucky. Another 30 seconds and the train might have sped off, ending my life."
"It wasn't just about changing jobs or cities. It was about changing myself."
"Feeling like we're alone, we're an outsider, like we don't belong, don't deserve success, don't understand the rules and don't know who our tribe is, are common thoughts for creatives."
"I learned how to develop a positive mindset that would enable more creative freedom and opportunities."
"At the core of this podcast lies the belief that creativity is the key to success."

ABOUT THE HOST

Meet Ceri Hand, the driving force behind countless creative success stories. A creative coach, entrepreneur, and dynamic speaker, she's committed to empowering artists and creatives to realise their dreams and make a meaningful impact through her creative coaching, mentoring and training company www.cerihand.com. With three decades in the contemporary arts under her belt, Ceri has ridden the highs, the lows, and everything in between. Now, she's here to help you achieve your goals, your way.

Find out how we can support you to become extraordinary here: https://linktr.ee/cerihand