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    <title>New Books in Taiwan Studies</title>
    <link>https://newbooksnetwork.com</link>
    <language>en</language>
    <copyright>New Books Network</copyright>
    <description>This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.

Discover our 150+ channels and browse our 28,000+ episodes on our website: ⁠newbooksnetwork.com⁠

Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: ⁠https://newbooksnetwork.substack.com/⁠

Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork</description>
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      <title>New Books in Taiwan Studies</title>
      <link>https://newbooksnetwork.com</link>
    </image>
    <itunes:type>episodic</itunes:type>
    <itunes:subtitle></itunes:subtitle>
    <itunes:author>New Books Network</itunes:author>
    <itunes:summary>This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.

Discover our 150+ channels and browse our 28,000+ episodes on our website: ⁠newbooksnetwork.com⁠

Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: ⁠https://newbooksnetwork.substack.com/⁠

Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork</itunes:summary>
    <content:encoded>
      <![CDATA[<p>This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.</p>
<p>Discover our 150+ channels and browse our 28,000+ episodes on our website: <a href="http://newbooksnetwork.com">⁠<u>newbooksnetwork.com</u>⁠</a></p>
<p>Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: <a href="https://newbooksnetwork.substack.com/">⁠<u>https://newbooksnetwork.substack.com/</u>⁠</a></p>
<p>Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetwork</p>]]>
    </content:encoded>
    <itunes:owner>
      <itunes:name>New Books Network</itunes:name>
      <itunes:email>marshallpoe@newbooksnetwork.com</itunes:email>
    </itunes:owner>
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    <itunes:category text="History">
    </itunes:category>
    <itunes:category text="News">
      <itunes:category text="Politics"/>
    </itunes:category>
    <itunes:category text="Arts">
      <itunes:category text="Books"/>
    </itunes:category>
    <item>
      <title>Terao Tetsuya and translated by Kevin Wang, "Spent Bullets" (HarperVia, 2025)</title>
      <description>With Taiwan Travelogue winning the 2026 International Booker Prize, Taiwanese literature in translation has achieved new heights of visibility in the Anglosphere.

In this episode of the New Books Network, we chat with writer and translator Kevin Wang about his English language rendition of Spent Bullets (HarperCollins, 2025), another Taiwanese novel that Taiwan Travelogue’s translator Lin King herself recommended to English-language readers.

Written by a former Google engineer using the pen name Terao Tetsuya, Spent Bullets contains nine interconnected stories about a group of Taiwanese men as they journey through Taiwan’s most prestigious schools to Silicon Valley’s hottest tech companies.

Despite being the “elite”, these characters find themselves mired in a swamp of nihilism, resorting to suicide attempts and sadomasochism as outlets for their constantly oppressed psyches. The novel represents a darkly humorous take on Taiwan’s omnipresent achievement culture, as well as another critically celebrated example of the island’s burgeoning body of queer literature.

Other works that Kevin mentions in the podcast:


  
Kink: Stories — by R.O. Kwan and Garth Greenwell



  
Overfitting — by Terao Tetsuya, still pending translation



  
Mobu’s Diary —by Kathy Lam, translated by Kevin Wang and Cindy Ko



  
Kevin's recent interview by Michelle Kuo and Albert Wu, in which he discusses communities in Taipei in greater detail




Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 03 Jun 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>With Taiwan Travelogue winning the 2026 International Booker Prize, Taiwanese literature in translation has achieved new heights of visibility in the Anglosphere.

In this episode of the New Books Network, we chat with writer and translator Kevin Wang about his English language rendition of Spent Bullets (HarperCollins, 2025), another Taiwanese novel that Taiwan Travelogue’s translator Lin King herself recommended to English-language readers.

Written by a former Google engineer using the pen name Terao Tetsuya, Spent Bullets contains nine interconnected stories about a group of Taiwanese men as they journey through Taiwan’s most prestigious schools to Silicon Valley’s hottest tech companies.

Despite being the “elite”, these characters find themselves mired in a swamp of nihilism, resorting to suicide attempts and sadomasochism as outlets for their constantly oppressed psyches. The novel represents a darkly humorous take on Taiwan’s omnipresent achievement culture, as well as another critically celebrated example of the island’s burgeoning body of queer literature.

Other works that Kevin mentions in the podcast:


  
Kink: Stories — by R.O. Kwan and Garth Greenwell



  
Overfitting — by Terao Tetsuya, still pending translation



  
Mobu’s Diary —by Kathy Lam, translated by Kevin Wang and Cindy Ko



  
Kevin's recent interview by Michelle Kuo and Albert Wu, in which he discusses communities in Taipei in greater detail




Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>With <em>Taiwan Travelogue</em> winning the 2026 International Booker Prize, Taiwanese literature in translation has achieved new heights of visibility in the Anglosphere.</p>
<p>In this episode of the New Books Network, we chat with writer and translator <strong>Kevin Wang</strong> about his English language rendition of <em><strong>Spent Bullets </strong></em>(HarperCollins, 2025), another Taiwanese novel that <em>Taiwan Travelogue</em>’s translator Lin King herself recommended to English-language readers.</p>
<p>Written by a former Google engineer using the pen name <strong>Terao Tetsuya</strong>, <em>Spent Bullets</em> contains nine interconnected stories about a group of Taiwanese men as they journey through Taiwan’s most prestigious schools to Silicon Valley’s hottest tech companies.</p>
<p>Despite being the “elite”, these characters find themselves mired in a swamp of nihilism, resorting to suicide attempts and sadomasochism as outlets for their constantly oppressed psyches. The novel represents a darkly humorous take on Taiwan’s omnipresent achievement culture, as well as another critically celebrated example of the island’s burgeoning body of queer literature.</p>
<p><strong>Other works that Kevin mentions in the podcast:</strong></p>
<ol>
  <li>
<p><a href="https://ro-kwon.com/kink">Kink: Stories</a> — by R.O. Kwan and Garth Greenwell</p>
</li>
  <li>
<p><a href="https://booksfromtaiwan.moc.gov.tw/images/books_img/68fa21a85639c3.54951551.pdf"><em>Overfitting </em></a>— by Terao Tetsuya, still pending translation</p>
</li>
  <li>
<p><a href="https://www.simonandschuster.com/books/Mobus-Diary/Kathy-Lam/9798881610456"><em>Mobu’s Diary</em></a> —by Kathy Lam, translated by Kevin Wang and Cindy Ko</p>
</li>
  <li>
<p>Kevin's recent <a href="https://ampleroad.substack.com/p/an-interview-with-translator-kevin">interview</a> by Michelle Kuo and Albert Wu, in which he discusses communities in Taipei in greater detail</p>
</li>
</ol>
<p><a href="https://www.anthonykao.org/"><em>Anthony Kao</em></a><em> is a writer who intersects international affairs and cultural criticism. He founded/edits </em><a href="https://www.cinemaescapist.com/"><em>Cinema Escapist</em></a><em>—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3534</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK6624806055.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Evan N. Dawley, "Taiwan: A People′s History" (Reaktion Books, 2026)</title>
      <description>While most English-language histories of Taiwan focus on its geopolitical role, Taiwan: A People’s History (Reaktion, 2026) by Dr. Evan N. Dawley centres on the people of Taiwan themselves and explores how they have formed a unique polity, telling the story of the Indigenous Taiwanese, the Hoklo and Hakka who came from China before the twentieth century, Japanese colonialism and the Chinese who arrived after 1945.

Dr. Dawley describes how successive waves of immigration changed Taiwan and how these diverse groups of Indigenous tribes and settlers interacted economically and culturally, creating new Taiwanese identities in the process. Over the last century Taiwan has developed from an authoritarian state to one of the world’s most vibrant democracies and advanced economies. It is a successful independent society, albeit one whose existence remains under a shadow.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 18 May 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>While most English-language histories of Taiwan focus on its geopolitical role, Taiwan: A People’s History (Reaktion, 2026) by Dr. Evan N. Dawley centres on the people of Taiwan themselves and explores how they have formed a unique polity, telling the story of the Indigenous Taiwanese, the Hoklo and Hakka who came from China before the twentieth century, Japanese colonialism and the Chinese who arrived after 1945.

Dr. Dawley describes how successive waves of immigration changed Taiwan and how these diverse groups of Indigenous tribes and settlers interacted economically and culturally, creating new Taiwanese identities in the process. Over the last century Taiwan has developed from an authoritarian state to one of the world’s most vibrant democracies and advanced economies. It is a successful independent society, albeit one whose existence remains under a shadow.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While most English-language histories of Taiwan focus on its geopolitical role, <a href="https://bookshop.org/a/12343/9781836391784">Taiwan: A People’s History</a> (Reaktion, 2026) by Dr. Evan N. Dawley centres on the people of Taiwan themselves and explores how they have formed a unique polity, telling the story of the Indigenous Taiwanese, the Hoklo and Hakka who came from China before the twentieth century, Japanese colonialism and the Chinese who arrived after 1945.</p>
<p>Dr. Dawley describes how successive waves of immigration changed Taiwan and how these diverse groups of Indigenous tribes and settlers interacted economically and culturally, creating new Taiwanese identities in the process. Over the last century Taiwan has developed from an authoritarian state to one of the world’s most vibrant democracies and advanced economies. It is a successful independent society, albeit one whose existence remains under a shadow.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4365</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4fb443c6-5126-11f1-a577-7bc144390d2c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4552205681.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>J. Michael Cole, "The Taiwan Tinderbox: The Island-Nation at the Centre of the New Cold War" (Polity, 2025)</title>
      <description>J. Michael Cole is a Taipei-based security analyst and writer who has spent over two decades documenting Taiwan’s political and security landscape. A former analyst with the Canadian Security Intelligence Service (CSIS), he is a Research Fellow and Executive Editor with the Prospect Foundation in Taiwan, and advises various private and governmental actors. He is also a Senior Non-Resident Fellow with the Global Taiwan Institute in Washington, D.C., the Macdonald-Laurier Institute in Ottawa, and the University of Nottingham’s Taiwan Hub.

In this episode of the New Books Network, we chat with Cole about his latest book, The Taiwan Tinderbox: The Island-Nation at the Centre of the New Cold War (Polity, 2025).

Starting with the Sunflower Student Movement and rise of Xi Jinping, the book explores why the Taiwan Strait has become such a “tinderbox”, and surveys various tactics that the People’s Republic of China has used to destabilize Taiwan. With the Ukraine War’s shadow looming, Cole also examines the prospects of conflict between Taiwan and China, and discusses various means through which Taiwan and its liberal democratic allies can build resilience and interconnection.

Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 06 May 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>J. Michael Cole is a Taipei-based security analyst and writer who has spent over two decades documenting Taiwan’s political and security landscape. A former analyst with the Canadian Security Intelligence Service (CSIS), he is a Research Fellow and Executive Editor with the Prospect Foundation in Taiwan, and advises various private and governmental actors. He is also a Senior Non-Resident Fellow with the Global Taiwan Institute in Washington, D.C., the Macdonald-Laurier Institute in Ottawa, and the University of Nottingham’s Taiwan Hub.

In this episode of the New Books Network, we chat with Cole about his latest book, The Taiwan Tinderbox: The Island-Nation at the Centre of the New Cold War (Polity, 2025).

Starting with the Sunflower Student Movement and rise of Xi Jinping, the book explores why the Taiwan Strait has become such a “tinderbox”, and surveys various tactics that the People’s Republic of China has used to destabilize Taiwan. With the Ukraine War’s shadow looming, Cole also examines the prospects of conflict between Taiwan and China, and discusses various means through which Taiwan and its liberal democratic allies can build resilience and interconnection.

Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>J. Michael Cole is a Taipei-based security analyst and writer who has spent over two decades documenting Taiwan’s political and security landscape. A former analyst with the Canadian Security Intelligence Service (CSIS), he is a Research Fellow and Executive Editor with the Prospect Foundation in Taiwan, and advises various private and governmental actors. He is also a Senior Non-Resident Fellow with the Global Taiwan Institute in Washington, D.C., the Macdonald-Laurier Institute in Ottawa, and the University of Nottingham’s Taiwan Hub.</p>
<p>In this episode of the New Books Network, we chat with Cole about his latest book, <a href="https://bookshop.org/a/12343/9781509568062"><em>The Taiwan Tinderbox: The Island-Nation at the Centre of the New Cold War</em> </a>(Polity, 2025).</p>
<p>Starting with the Sunflower Student Movement and rise of Xi Jinping, the book explores why the Taiwan Strait has become such a “tinderbox”, and surveys various tactics that the People’s Republic of China has used to destabilize Taiwan. With the Ukraine War’s shadow looming, Cole also examines the prospects of conflict between Taiwan and China, and discusses various means through which Taiwan and its liberal democratic allies can build resilience and interconnection.</p>
<p><a href="https://www.anthonykao.org/"><em>Anthony Kao</em></a><em> is a writer who intersects international affairs and cultural criticism. He founded/edits </em><a href="https://www.cinemaescapist.com/"><em>Cinema Escapist</em></a><em>—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3317</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK7970135939.mp3?updated=1777954688" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Through the Lens of Taiwan: Film, History, and Identity</title>
      <description>This podcast episode is hosted by Mart Tšernjuk, the Taiwan Coordinator at the University of Tartu Asia who is talking to Prof. Robert Chen, a leading scholar of Taiwanese cinema, discussing the relationship between film, history, and identity in Taiwan.

Drawing on Chen’s teaching experience at the University of Tartu, he highlights how Estonian students engage deeply with Taiwanese films, particularly due to shared historical experiences of colonisation and political repression. This common ground allows students to connect emotionally with themes such as trauma and national identity, especially in films addressing the White Terror period.

Chen emphasises that understanding Taiwan’s cinema requires strong historical awareness, as film history closely mirrors Taiwan’s broader political and social development. Unlike other East Asian film industries, Taiwan’s cinematic identity is shaped by its complex colonial past, multicultural society, and ongoing geopolitical tensions. Language also plays a crucial role, reflecting shifts in identity from a China-centred perspective toward a distinctly Taiwanese consciousness.

Aesthetically, Taiwanese cinema, especially the New Cinema movement, is characterised by realism, long takes, and a contemplative style that resonates globally. Directors like Hou Hsiao-Hsien create stories with universal themes, allowing international audiences to relate to Taiwanese experiences.

Chen also discusses King Hu’s films, which blend action with Buddhist philosophy, emphasising harmony with nature and the concept of emptiness. In contrast, films about the White Terror demonstrate how cinema helps process collective trauma and educate younger generations. While earlier films treated these topics with gravity, newer filmmakers approach them more lightly, making them more accessible.

Ultimately, Chen suggests that films such as Dust in the Wind capture the essence of Taiwan through universal coming-of-age narratives, offering an accessible entry point into understanding Taiwanese culture and cinema.

Robert Chen (陳儒修) is a Professor at the Department of Radio and Television at National Chengchi University in Taipei. He earned his PhD in Cinema-Studies from the University of Southern California (USC) and is a prolific author, known for foundational works such as Historical Memory and National Identity in Taiwan Cinema. Throughout his career, he has taught and researched extensively on how national identity and historical trauma are projected onto the silver screen. Robert is currently visiting University of Tartu as the Taiwan Chair. He is teaching a course "Culture and Politics in Taiwan Cinema".

Mart Tšernjuk is the Taiwan Coordinator at the University of Tartu Asia Centre. He is also a lecturer in Chinese language and culture at the Institute of Foreign Languages and Cultures, and President of the Estonian Academic Oriental Society. He has lived and studied in Hong Kong and Taiwan.

---

Chen’s selection of films for introducing yourself to the history of Taiwan cinema:


  The Mountain (1962) depicts young people living under a repressive atmosphere.

  Raining in the Mountain (by King Hu, 1979)

  Super Citizen Ko (by Wan Jen, 1995)

  Dust in the Wind (by Hou Hsiao-hsien, 1986)

  The Skywalk Is Gone (2003) explores modernity and urban alienation and shows how Taiwan undergoes similar modernisation processes as Estonia and other developed countries.

  The Electric Princess House (2007) brings the focus back to Taiwanese cinema itself and connects to the shared experience of watching films in theatres.

  As well as Raining in the Mountain (by King Hu, 1979); Super Citizen Ko (by Wan Jen, 1995); Dust in the Wind (by Hou Hsiao-hsien, 1986)


Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 30 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>This podcast episode is hosted by Mart Tšernjuk, the Taiwan Coordinator at the University of Tartu Asia who is talking to Prof. Robert Chen, a leading scholar of Taiwanese cinema, discussing the relationship between film, history, and identity in Taiwan.

Drawing on Chen’s teaching experience at the University of Tartu, he highlights how Estonian students engage deeply with Taiwanese films, particularly due to shared historical experiences of colonisation and political repression. This common ground allows students to connect emotionally with themes such as trauma and national identity, especially in films addressing the White Terror period.

Chen emphasises that understanding Taiwan’s cinema requires strong historical awareness, as film history closely mirrors Taiwan’s broader political and social development. Unlike other East Asian film industries, Taiwan’s cinematic identity is shaped by its complex colonial past, multicultural society, and ongoing geopolitical tensions. Language also plays a crucial role, reflecting shifts in identity from a China-centred perspective toward a distinctly Taiwanese consciousness.

Aesthetically, Taiwanese cinema, especially the New Cinema movement, is characterised by realism, long takes, and a contemplative style that resonates globally. Directors like Hou Hsiao-Hsien create stories with universal themes, allowing international audiences to relate to Taiwanese experiences.

Chen also discusses King Hu’s films, which blend action with Buddhist philosophy, emphasising harmony with nature and the concept of emptiness. In contrast, films about the White Terror demonstrate how cinema helps process collective trauma and educate younger generations. While earlier films treated these topics with gravity, newer filmmakers approach them more lightly, making them more accessible.

Ultimately, Chen suggests that films such as Dust in the Wind capture the essence of Taiwan through universal coming-of-age narratives, offering an accessible entry point into understanding Taiwanese culture and cinema.

Robert Chen (陳儒修) is a Professor at the Department of Radio and Television at National Chengchi University in Taipei. He earned his PhD in Cinema-Studies from the University of Southern California (USC) and is a prolific author, known for foundational works such as Historical Memory and National Identity in Taiwan Cinema. Throughout his career, he has taught and researched extensively on how national identity and historical trauma are projected onto the silver screen. Robert is currently visiting University of Tartu as the Taiwan Chair. He is teaching a course "Culture and Politics in Taiwan Cinema".

Mart Tšernjuk is the Taiwan Coordinator at the University of Tartu Asia Centre. He is also a lecturer in Chinese language and culture at the Institute of Foreign Languages and Cultures, and President of the Estonian Academic Oriental Society. He has lived and studied in Hong Kong and Taiwan.

---

Chen’s selection of films for introducing yourself to the history of Taiwan cinema:


  The Mountain (1962) depicts young people living under a repressive atmosphere.

  Raining in the Mountain (by King Hu, 1979)

  Super Citizen Ko (by Wan Jen, 1995)

  Dust in the Wind (by Hou Hsiao-hsien, 1986)

  The Skywalk Is Gone (2003) explores modernity and urban alienation and shows how Taiwan undergoes similar modernisation processes as Estonia and other developed countries.

  The Electric Princess House (2007) brings the focus back to Taiwanese cinema itself and connects to the shared experience of watching films in theatres.

  As well as Raining in the Mountain (by King Hu, 1979); Super Citizen Ko (by Wan Jen, 1995); Dust in the Wind (by Hou Hsiao-hsien, 1986)


Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This podcast episode is hosted by Mart Tšernjuk, the Taiwan Coordinator at the University of Tartu Asia who is talking to Prof. Robert Chen, a leading scholar of Taiwanese cinema, discussing the relationship between film, history, and identity in Taiwan.</p>
<p>Drawing on Chen’s teaching experience at the University of Tartu, he highlights how Estonian students engage deeply with Taiwanese films, particularly due to shared historical experiences of colonisation and political repression. This common ground allows students to connect emotionally with themes such as trauma and national identity, especially in films addressing the White Terror period.</p>
<p>Chen emphasises that understanding Taiwan’s cinema requires strong historical awareness, as film history closely mirrors Taiwan’s broader political and social development. Unlike other East Asian film industries, Taiwan’s cinematic identity is shaped by its complex colonial past, multicultural society, and ongoing geopolitical tensions. Language also plays a crucial role, reflecting shifts in identity from a China-centred perspective toward a distinctly Taiwanese consciousness.</p>
<p>Aesthetically, Taiwanese cinema, especially the New Cinema movement, is characterised by realism, long takes, and a contemplative style that resonates globally. Directors like Hou Hsiao-Hsien create stories with universal themes, allowing international audiences to relate to Taiwanese experiences.</p>
<p>Chen also discusses King Hu’s films, which blend action with Buddhist philosophy, emphasising harmony with nature and the concept of emptiness. In contrast, films about the White Terror demonstrate how cinema helps process collective trauma and educate younger generations. While earlier films treated these topics with gravity, newer filmmakers approach them more lightly, making them more accessible.</p>
<p>Ultimately, Chen suggests that films such as Dust in the Wind capture the essence of Taiwan through universal coming-of-age narratives, offering an accessible entry point into understanding Taiwanese culture and cinema.</p>
<p>Robert Chen (陳儒修) is a Professor at the Department of Radio and Television at National Chengchi University in Taipei. He earned his PhD in Cinema-Studies from the University of Southern California (USC) and is a prolific author, known for foundational works such as <em>Historical Memory and National Identity in Taiwan Cinema</em>. Throughout his career, he has taught and researched extensively on how national identity and historical trauma are projected onto the silver screen. Robert is currently visiting University of Tartu as the Taiwan Chair. He is teaching a course "Culture and Politics in Taiwan Cinema".</p>
<p>Mart Tšernjuk is the Taiwan Coordinator at the University of Tartu Asia Centre. He is also a lecturer in Chinese language and culture at the Institute of Foreign Languages and Cultures, and President of the Estonian Academic Oriental Society. He has lived and studied in Hong Kong and Taiwan.</p>
<p>---</p>
<p>Chen’s selection of films for introducing yourself to the history of Taiwan cinema:</p>
<ul>
  <li>The Mountain (1962) depicts young people living under a repressive atmosphere.</li>
  <li>Raining in the Mountain (by King Hu, 1979)</li>
  <li>Super Citizen Ko (by Wan Jen, 1995)</li>
  <li>Dust in the Wind (by Hou Hsiao-hsien, 1986)</li>
  <li>The Skywalk Is Gone (2003) explores modernity and urban alienation and shows how Taiwan undergoes similar modernisation processes as Estonia and other developed countries.</li>
  <li>The Electric Princess House (2007) brings the focus back to Taiwanese cinema itself and connects to the shared experience of watching films in theatres.</li>
  <li>As well as Raining in the Mountain (by King Hu, 1979); Super Citizen Ko (by Wan Jen, 1995); Dust in the Wind (by Hou Hsiao-hsien, 1986)</li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
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      <enclosure url="https://traffic.megaphone.fm/NBNK1692785117.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>New Book Releases 2026 on Japan, Taiwan</title>
      <description>This episode of the Books on Asia podcast introduces new fiction and non-fiction on Japan to be published this year, 2026, along with two upcoming books on Taiwan. Books are presented in the order they appear on the podcast. Listen to the episode for more information on each title:


  
Phantom Paradise: Escape from Manchuria, by Kay Enokido (Bold Story Press, January 13, 2026)

  
Kokun: The Girl from the West, by Nahoko Uehashi (transl. Cathy Hirano) (Europa Editions, January 13, 2026)

  
When the Museum Is Closed, by Emi Yagi (transl. Yuki Tejima) (Soft Skull Press, January 27, 2026)

  
Hooked: A Novel of Obsession, by Asako Yuzuki (transl. Polly Barton) (HarperVia, March 17, 2026)

  
Sisters in Yellow, by Mieko Kawakami (transl. Laurel Taylor and Hitomi Yoshio) (Knopf, March 31, 2026)

  
Hollow Inside, by Asako Otani (transl. Ginny Tapley Takemori) (Pushkin Press, May 5, 2026)

  
Japan’s Anime Revolution!: Twenty Animated Films That Changed the World, by Jonathan Clements (Tuttle Publishing, May 12, 2026)

  
Troubled Waters, by Ichiyō Higuchi (transl. Bryan Karetnyk) (Pushkin Press Classics, May 26, 2026)

  
Taiwan 22: Travels in Paradox, by Tyrel Eskelson (Plum Rain Press, TBA)

  
Hidden Formosa: Life and Travels in Rural Taiwan, an anthology edited by John Ross(Plum Rain Press, TBA)


Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 17 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>This episode of the Books on Asia podcast introduces new fiction and non-fiction on Japan to be published this year, 2026, along with two upcoming books on Taiwan. Books are presented in the order they appear on the podcast. Listen to the episode for more information on each title:


  
Phantom Paradise: Escape from Manchuria, by Kay Enokido (Bold Story Press, January 13, 2026)

  
Kokun: The Girl from the West, by Nahoko Uehashi (transl. Cathy Hirano) (Europa Editions, January 13, 2026)

  
When the Museum Is Closed, by Emi Yagi (transl. Yuki Tejima) (Soft Skull Press, January 27, 2026)

  
Hooked: A Novel of Obsession, by Asako Yuzuki (transl. Polly Barton) (HarperVia, March 17, 2026)

  
Sisters in Yellow, by Mieko Kawakami (transl. Laurel Taylor and Hitomi Yoshio) (Knopf, March 31, 2026)

  
Hollow Inside, by Asako Otani (transl. Ginny Tapley Takemori) (Pushkin Press, May 5, 2026)

  
Japan’s Anime Revolution!: Twenty Animated Films That Changed the World, by Jonathan Clements (Tuttle Publishing, May 12, 2026)

  
Troubled Waters, by Ichiyō Higuchi (transl. Bryan Karetnyk) (Pushkin Press Classics, May 26, 2026)

  
Taiwan 22: Travels in Paradox, by Tyrel Eskelson (Plum Rain Press, TBA)

  
Hidden Formosa: Life and Travels in Rural Taiwan, an anthology edited by John Ross(Plum Rain Press, TBA)


Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode of the Books on Asia podcast introduces new fiction and non-fiction on Japan to be published this year, 2026, along with two upcoming books on Taiwan. Books are presented in the order they appear on the podcast. Listen to the episode for more information on each title:</p>
<ul>
  <li>
<a href="https://bookshop.org/a/574/9781954805927">Phantom Paradise: Escape from Manchuria</a>, by Kay Enokido (Bold Story Press, January 13, 2026)</li>
  <li>
<a href="https://bookshop.org/a/574/9798889661580">Kokun: The Girl from the West</a>, by Nahoko Uehashi (transl. Cathy Hirano) (Europa Editions, January 13, 2026)</li>
  <li>
<a href="https://bookshop.org/a/574/9781593768270">When the Museum Is Closed</a>, by Emi Yagi (transl. Yuki Tejima) (Soft Skull Press, January 27, 2026)</li>
  <li>
<a href="https://bookshop.org/a/574/9780063442412">Hooked: A Novel of Obsession</a>, by Asako Yuzuki (transl. Polly Barton) (HarperVia, March 17, 2026)</li>
  <li>
<a href="https://bookshop.org/a/574/9780593537732">Sisters in Yellow, by Mieko Kawakami</a> (transl. Laurel Taylor and Hitomi Yoshio) (Knopf, March 31, 2026)</li>
  <li>
<a href="https://bookshop.org/a/574/9781805680017">Hollow Inside</a>, by Asako Otani (transl. Ginny Tapley Takemori) (Pushkin Press, May 5, 2026)</li>
  <li>
<a href="https://bookshop.org/a/574/9784805319246"><em>Japan’s Anime Revolution!: Twenty Animated Films That Changed the World</em></a>, by Jonathan Clements (Tuttle Publishing, May 12, 2026)</li>
  <li>
<a href="https://bookshop.org/a/574/9781805332725">Troubled Waters</a>, by Ichiyō Higuchi (transl. Bryan Karetnyk) (Pushkin Press Classics, May 26, 2026)</li>
  <li>
<em>Taiwan 22: Travels in Paradox</em>, by Tyrel Eskelson (Plum Rain Press, TBA)</li>
  <li>
<em>Hidden Formosa: Life and Travels in Rural Taiwan</em>, an anthology edited by John Ross<br>(Plum Rain Press, TBA)</li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1092</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK5232611937.mp3?updated=1776246904" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jeffrey Wasserstrom, "Everything You Wanted to Know about China*: * But Were Afraid to Ask" (Brixton Ink, 2025)</title>
      <description>What does Xi Jinping share with Mao Zedong? Why is Confucius still central to a communist state? What really happened in Tiananmen Square—and why is it still a taboo?In this accessible and politically astute primer ﻿Everything You Wanted to Know about China*: * But Were Afraid to Ask ﻿(Bui ﻿Jones Books, 2026) acclaimed historian Jeffrey Wasserstrom tackles the questions many are afraid to ask about China. Drawing on decades of research and first-hand experience in Beijing, Shanghai, and Hong Kong, Wasserstrom offers clear, unflinching answers to topics often shrouded in cliché, censorship, or moral panic.From personality cults and protest movements to censorship, soft power, and trade wars, Everything You Wanted to Know About China (But Were Afraid to Ask) demystifies the People’s Republic without exoticising it—offering a vital starting point for understanding one of the most powerful and misunderstood countries in the world.Structured as a series of conversational questions and answers—edited from an extended dialogue and reframed around key themes in History, Politics, and Culture— this is a necessary book for anyone seeking to cut through the noise.

Jeffrey Wasserstrom is Chancellor's Professor of History at the University of California, Irvine.

Lucas Tse is Examination Fellow at All Souls College, Oxford.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 31 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What does Xi Jinping share with Mao Zedong? Why is Confucius still central to a communist state? What really happened in Tiananmen Square—and why is it still a taboo?In this accessible and politically astute primer ﻿Everything You Wanted to Know about China*: * But Were Afraid to Ask ﻿(Bui ﻿Jones Books, 2026) acclaimed historian Jeffrey Wasserstrom tackles the questions many are afraid to ask about China. Drawing on decades of research and first-hand experience in Beijing, Shanghai, and Hong Kong, Wasserstrom offers clear, unflinching answers to topics often shrouded in cliché, censorship, or moral panic.From personality cults and protest movements to censorship, soft power, and trade wars, Everything You Wanted to Know About China (But Were Afraid to Ask) demystifies the People’s Republic without exoticising it—offering a vital starting point for understanding one of the most powerful and misunderstood countries in the world.Structured as a series of conversational questions and answers—edited from an extended dialogue and reframed around key themes in History, Politics, and Culture— this is a necessary book for anyone seeking to cut through the noise.

Jeffrey Wasserstrom is Chancellor's Professor of History at the University of California, Irvine.

Lucas Tse is Examination Fellow at All Souls College, Oxford.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does Xi Jinping share with Mao Zedong? Why is Confucius still central to a communist state? What really happened in Tiananmen Square—and why is it still a taboo?<br>In this accessible and politically astute primer ﻿<a href="https://buijones.com/books/everything-you-wanted-to-know-about-china/">Everything You Wanted to Know about China*: * But Were Afraid to Ask</a><em> </em>﻿(Bui ﻿Jones Books, 2026) acclaimed historian Jeffrey Wasserstrom tackles the questions many are afraid to ask about China. Drawing on decades of research and first-hand experience in Beijing, Shanghai, and Hong Kong, Wasserstrom offers clear, unflinching answers to topics often shrouded in cliché, censorship, or moral panic.<br>From personality cults and protest movements to censorship, soft power, and trade wars, Everything You Wanted to Know About China (But Were Afraid to Ask) demystifies the People’s Republic without exoticising it—offering a vital starting point for understanding one of the most powerful and misunderstood countries in the world.<br>Structured as a series of conversational questions and answers—edited from an extended dialogue and reframed around key themes in History, Politics, and Culture— this is a necessary book for anyone seeking to cut through the noise.</p>
<p>Jeffrey Wasserstrom is Chancellor's Professor of History at the University of California, Irvine.</p>
<p>Lucas Tse is Examination Fellow at All Souls College, Oxford.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4839</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK9854654220.mp3?updated=1774858065" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>James Lin, "The Global Vanguard: Agrarian Development and the Making of Modern Taiwan" (U California Press, 2025)</title>
      <description>What does it mean for a small state to imagine itself as a model for the developing world? And how were these visions of agrarian development received on the ground?

In The Global Vanguard: Agrarian Development and the Making of Modern Taiwan (U California Press, 2025), James Lin examines these questions through the example of Taiwan. In the first half of the twentieth century, Taiwan transformed from an agricultural colony into an economic power, and it then attempted to export its agrarian success — the “Taiwan model” — to rural communities across Africa and Southeast Asia. The book looks at how these development missions portrayed Taiwan, both at home and abroad, and shows how agriculture, domestic politics, and development politics were deeply intertwined.

Rather than treating Taiwan’s postwar development as a self-contained success story, Lin reframes it as a global project shaped by Cold War geopolitics and international development regimes. As the book shows, the “Taiwan model” was actively constructed and promoted through overseas missions, beginning with early efforts such as the 1959 agricultural mission to South Vietnam and expanding through large-scale initiatives like “Operation Vanguard” in Africa. In these encounters, Taiwanese experts worked directly with rural communities, and the model itself was reshaped in local contexts. At the same time, these missions were deeply significant domestically, serving as a way for the Taiwanese state to project national strength and legitimacy in the context of diplomatic isolation.

Drawing on extensive archival research and oral histories, Lin places Taiwan at the center of global development history and offers a new way of thinking about how models of modernization travel, as well as how “development” itself came to be understood as a technical and scientific enterprise. As such, this book will appeal to readers interested in Taiwan studies, global history, and development studies.

A free ebook version of this title is also available through Luminos, the University of California Press’s Open Access publishing program.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 25 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What does it mean for a small state to imagine itself as a model for the developing world? And how were these visions of agrarian development received on the ground?

In The Global Vanguard: Agrarian Development and the Making of Modern Taiwan (U California Press, 2025), James Lin examines these questions through the example of Taiwan. In the first half of the twentieth century, Taiwan transformed from an agricultural colony into an economic power, and it then attempted to export its agrarian success — the “Taiwan model” — to rural communities across Africa and Southeast Asia. The book looks at how these development missions portrayed Taiwan, both at home and abroad, and shows how agriculture, domestic politics, and development politics were deeply intertwined.

Rather than treating Taiwan’s postwar development as a self-contained success story, Lin reframes it as a global project shaped by Cold War geopolitics and international development regimes. As the book shows, the “Taiwan model” was actively constructed and promoted through overseas missions, beginning with early efforts such as the 1959 agricultural mission to South Vietnam and expanding through large-scale initiatives like “Operation Vanguard” in Africa. In these encounters, Taiwanese experts worked directly with rural communities, and the model itself was reshaped in local contexts. At the same time, these missions were deeply significant domestically, serving as a way for the Taiwanese state to project national strength and legitimacy in the context of diplomatic isolation.

Drawing on extensive archival research and oral histories, Lin places Taiwan at the center of global development history and offers a new way of thinking about how models of modernization travel, as well as how “development” itself came to be understood as a technical and scientific enterprise. As such, this book will appeal to readers interested in Taiwan studies, global history, and development studies.

A free ebook version of this title is also available through Luminos, the University of California Press’s Open Access publishing program.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does it mean for a small state to imagine itself as a model for the developing world? And how were these visions of agrarian development received on the ground?</p>
<p>In <a href="https://bookshop.org/a/12343/9780520398665">The Global Vanguard: Agrarian Development and the Making of Modern Taiwan</a> (U California Press, 2025), <a href="https://ocf.io/jameslin">James Lin</a> examines these questions through the example of Taiwan. In the first half of the twentieth century, Taiwan transformed from an agricultural colony into an economic power, and it then attempted to export its agrarian success — the “Taiwan model” — to rural communities across Africa and Southeast Asia. The book looks at how these development missions portrayed Taiwan, both at home and abroad, and shows how agriculture, domestic politics, and development politics were deeply intertwined.</p>
<p>Rather than treating Taiwan’s postwar development as a self-contained success story, Lin reframes it as a global project shaped by Cold War geopolitics and international development regimes. As the book shows, the “Taiwan model” was actively constructed and promoted through overseas missions, beginning with early efforts such as the 1959 agricultural mission to South Vietnam and expanding through large-scale initiatives like “Operation Vanguard” in Africa. In these encounters, Taiwanese experts worked directly with rural communities, and the model itself was reshaped in local contexts. At the same time, these missions were deeply significant domestically, serving as a way for the Taiwanese state to project national strength and legitimacy in the context of diplomatic isolation.</p>
<p>Drawing on extensive archival research and oral histories, Lin places Taiwan at the center of global development history and offers a new way of thinking about how models of modernization travel, as well as how “development” itself came to be understood as a technical and scientific enterprise. As such, this book will appeal to readers interested in Taiwan studies, global history, and development studies.</p>
<p>A<a href="https://www.ucpress.edu/books/in-the-global-vanguard/epub-pdf"> free ebook version of this title</a> is also available through Luminos, the University of California Press’s Open Access publishing program.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3446</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK2090009519.mp3?updated=1774342434" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Honghong Tinn, "Island Tinkerers: Innovation and Transformation in the Making of Taiwan's Computing Industry" (MIT Press, 2024)</title>
      <description>How Taiwan rose to global prominence in high tech manufacturing, from computer maker to the world's leading chip manufacturer. How did Taiwan, a former Japanese colony and the last fortress of the defeated Chinese Nationalists, ascend to such heights in high-tech manufacturing? In Island Tinkerers: Innovation and Transformation in the Making of Taiwan's Computing Industry (MIT Press, 2024), Honghong Tinn tells the critical history of how hobbyists and enthusiasts in Taiwan, including engineers, technologists, technocrats, computer users, and engineers-turned-entrepreneurs, helped transform the country with their hands-on engagement with computers. Rather than engaging in wholesale imitation of US sources, she explains, these technologists tinkered with imported computing technology and experimented with manufacturing their own versions, resulting in their own brand of successful innovation.

Defying the stereotype of “the West innovates, and the East imitates,” Tinn tells the story of Taiwanese technologists' efforts over the past six decades. Beginning in the 1960s, they grappled with the “black-boxed” computers that were newly available through international technical-aid programs. Shortly after, multinational corporations that outsourced transistor and integrated circuit assembly overseas began employing Taiwanese engineers and factory workers. Island tinkerers developed strategies to adapt, modify, assemble, and work with computers in an inventive manner. It was through this creative and ingenious tinkering with computers that they were able to gain a better understanding of the technology, opening the door to future manufacturing endeavors that now include Acer, Foxconn, Asus, and Taiwan Semiconductor Manufacturing Company (TSMC).

Honghong Tinn﻿ is Assistant Professor in the Program in the History of Science, Technology, and Medicine and the Department of Electrical and Computer Engineering at the University of Minnesota, Twin Cities.

Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Li-Ping’s NBN episodes on Taiwan Studies are supported by the Chun and Jane Chiu Family Foundation Taiwan Studies Program at Oregon State University.

Relevant Links:﻿


  Open Access for Island Tinkerers here


  ﻿﻿Island Tinkerers’ Book Talk with Honghong Tinn here


  Chinese language translation of Island Tinkerers 科技造浪者: 一部奇蹟般的台灣科技產業史，揭開全球都想知道的人脈網絡 here﻿﻿

  
Fly up with Love (1978) here


  “Labour and (De)Industrialisation in East Asia” in Gateway To Global China Podcast here﻿﻿


Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 26 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>How Taiwan rose to global prominence in high tech manufacturing, from computer maker to the world's leading chip manufacturer. How did Taiwan, a former Japanese colony and the last fortress of the defeated Chinese Nationalists, ascend to such heights in high-tech manufacturing? In Island Tinkerers: Innovation and Transformation in the Making of Taiwan's Computing Industry (MIT Press, 2024), Honghong Tinn tells the critical history of how hobbyists and enthusiasts in Taiwan, including engineers, technologists, technocrats, computer users, and engineers-turned-entrepreneurs, helped transform the country with their hands-on engagement with computers. Rather than engaging in wholesale imitation of US sources, she explains, these technologists tinkered with imported computing technology and experimented with manufacturing their own versions, resulting in their own brand of successful innovation.

Defying the stereotype of “the West innovates, and the East imitates,” Tinn tells the story of Taiwanese technologists' efforts over the past six decades. Beginning in the 1960s, they grappled with the “black-boxed” computers that were newly available through international technical-aid programs. Shortly after, multinational corporations that outsourced transistor and integrated circuit assembly overseas began employing Taiwanese engineers and factory workers. Island tinkerers developed strategies to adapt, modify, assemble, and work with computers in an inventive manner. It was through this creative and ingenious tinkering with computers that they were able to gain a better understanding of the technology, opening the door to future manufacturing endeavors that now include Acer, Foxconn, Asus, and Taiwan Semiconductor Manufacturing Company (TSMC).

Honghong Tinn﻿ is Assistant Professor in the Program in the History of Science, Technology, and Medicine and the Department of Electrical and Computer Engineering at the University of Minnesota, Twin Cities.

Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Li-Ping’s NBN episodes on Taiwan Studies are supported by the Chun and Jane Chiu Family Foundation Taiwan Studies Program at Oregon State University.

Relevant Links:﻿


  Open Access for Island Tinkerers here


  ﻿﻿Island Tinkerers’ Book Talk with Honghong Tinn here


  Chinese language translation of Island Tinkerers 科技造浪者: 一部奇蹟般的台灣科技產業史，揭開全球都想知道的人脈網絡 here﻿﻿

  
Fly up with Love (1978) here


  “Labour and (De)Industrialisation in East Asia” in Gateway To Global China Podcast here﻿﻿


Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How Taiwan rose to global prominence in high tech manufacturing, from computer maker to the world's leading chip manufacturer. How did Taiwan, a former Japanese colony and the last fortress of the defeated Chinese Nationalists, ascend to such heights in high-tech manufacturing? In <a href="https://bookshop.org/a/12343/9780262549387">Island Tinkerers: Innovation and Transformation in the Making of Taiwan's Computing Industry </a>(MIT Press, 2024), Honghong Tinn tells the critical history of how hobbyists and enthusiasts in Taiwan, including engineers, technologists, technocrats, computer users, and engineers-turned-entrepreneurs, helped transform the country with their hands-on engagement with computers. Rather than engaging in wholesale imitation of US sources, she explains, these technologists tinkered with imported computing technology and experimented with manufacturing their own versions, resulting in their own brand of successful innovation.</p>
<p>Defying the stereotype of “the West innovates, and the East imitates,” Tinn tells the story of Taiwanese technologists' efforts over the past six decades. Beginning in the 1960s, they grappled with the “black-boxed” computers that were newly available through international technical-aid programs. Shortly after, multinational corporations that outsourced transistor and integrated circuit assembly overseas began employing Taiwanese engineers and factory workers. Island tinkerers developed strategies to adapt, modify, assemble, and work with computers in an inventive manner. It was through this creative and ingenious tinkering with computers that they were able to gain a better understanding of the technology, opening the door to future manufacturing endeavors that now include Acer, Foxconn, Asus, and Taiwan Semiconductor Manufacturing Company (TSMC).</p>
<p><a href="https://cse.umn.edu/hstm/honghong-tinn">Honghong Tinn</a>﻿ is Assistant Professor in the Program in the History of Science, Technology, and Medicine and the Department of Electrical and Computer Engineering at the University of Minnesota, Twin Cities.</p>
<p><a href="https://lipingchen.com/index.html">Li-Ping Chen</a> is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts. Li-Ping’s NBN episodes on Taiwan Studies are supported by the Chun and Jane Chiu Family Foundation Taiwan Studies Program at Oregon State University.</p>
<p>Relevant Links:﻿<br></p>
<ul>
  <li>Open Access for <em>Island Tinkerers </em><a href="https://direct.mit.edu/books/oa-monograph/5889/Island-TinkerersInnovation-and-Transfo">here</a>
</li>
  <li>﻿﻿<em>Island Tinkerers</em>’ Book Talk with Honghong Tinn <a href="https://www.youtube.com/watch?v=zMLy90S5Ll4">here</a>
</li>
  <li>Chinese language translation of <em>Island Tinkerers </em>科技造浪者: 一部奇蹟般的台灣科技產業史，揭開全球都想知道的人脈網絡 <a href="https://play.google.com/store/books/details/%E9%84%AD%E8%8A%B3%E8%8A%B3_">here</a><em>﻿</em>﻿</li>
  <li>
<em>Fly up with Love</em> (1978) <a href="https://www.imdb.com/title/tt1854380/">here</a>
</li>
  <li>“Labour and (De)Industrialisation in East Asia” in<em> Gateway To Global China Podcast </em><a href="https://madeinchinajournal.com/2025/10/27/episode-5-labour-and-deindustrialisation-in-e">here</a>﻿﻿</li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4323</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK9722528632.mp3?updated=1771923599" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Natasha Heller, "Literature for Little Bodhisattvas: Making Buddhist Families in Modern Taiwan" (U Hawai'i Press, 2025)</title>
      <description>In Literature for Little Bodhisattvas: Making Buddhist Families in Modern Taiwan ﻿(U Hawai'i Press, 2025), Natasha Heller makes two key interventions: first, she argues that picturebooks are a new genre of Buddhist writing, and second, she calls attention to an emergent family Buddhism in Taiwan that fashions children as religious subjects through shared attention with adult readers.

Surveying Taiwanese Buddhism from the ground up, Heller explores the changing family dynamics that have made children into a crucial audience for Buddhist education and the home a key site for Buddhist cultivation. By taking picturebooks seriously as part of the Buddhist textual tradition, Heller demonstrates their engagement with canonical sources alongside innovations formodern audiences. Close readings analyzing both text and image trace narrative themes aboutBuddhist figures, and connect representations of buddhas and bodhisattvas to a visual culturewhere new values such as cuteness are articulated. Heller shows that picturebooks have becomean integral part of a contemporary Buddhist education that equips children with strategies tointerpret everyday life in Buddhist ways and provides religious models for action in the modern world.

﻿Literature for Little Bodhisattvas is a pathbreaking work revealing how contemporary picturebooks reframe Buddhism and offer fresh perspectives on its teachings and ideals of family for both children and adults.

Natasha Heller is associate professor in the Department of Religious Studies at the University of Virginia. She is a cultural historian of Chinese Buddhism with research interests spanning the premodern period (primarily 10th through 14th c.) and the contemporary era. Illusory Abiding: The Cultural Construction of the Chan Monk Zhongfeng Mingben, her first book, is a study of an eminent monk of the Yuan dynasty using poetry, calligraphy, and gong’an commentary to explore the social and cultural dimensions of Chan Buddhism.

Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 26 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Literature for Little Bodhisattvas: Making Buddhist Families in Modern Taiwan ﻿(U Hawai'i Press, 2025), Natasha Heller makes two key interventions: first, she argues that picturebooks are a new genre of Buddhist writing, and second, she calls attention to an emergent family Buddhism in Taiwan that fashions children as religious subjects through shared attention with adult readers.

Surveying Taiwanese Buddhism from the ground up, Heller explores the changing family dynamics that have made children into a crucial audience for Buddhist education and the home a key site for Buddhist cultivation. By taking picturebooks seriously as part of the Buddhist textual tradition, Heller demonstrates their engagement with canonical sources alongside innovations formodern audiences. Close readings analyzing both text and image trace narrative themes aboutBuddhist figures, and connect representations of buddhas and bodhisattvas to a visual culturewhere new values such as cuteness are articulated. Heller shows that picturebooks have becomean integral part of a contemporary Buddhist education that equips children with strategies tointerpret everyday life in Buddhist ways and provides religious models for action in the modern world.

﻿Literature for Little Bodhisattvas is a pathbreaking work revealing how contemporary picturebooks reframe Buddhism and offer fresh perspectives on its teachings and ideals of family for both children and adults.

Natasha Heller is associate professor in the Department of Religious Studies at the University of Virginia. She is a cultural historian of Chinese Buddhism with research interests spanning the premodern period (primarily 10th through 14th c.) and the contemporary era. Illusory Abiding: The Cultural Construction of the Chan Monk Zhongfeng Mingben, her first book, is a study of an eminent monk of the Yuan dynasty using poetry, calligraphy, and gong’an commentary to explore the social and cultural dimensions of Chan Buddhism.

Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780824897642">Literature for Little Bodhisattvas: Making Buddhist Families in Modern Taiwan</a><em> </em>﻿(U Hawai'i Press, 2025), Natasha Heller makes two key interventions: first, she argues that picturebooks are a new genre of Buddhist writing, and second, she calls attention to an emergent family Buddhism in Taiwan that fashions children as religious subjects through shared attention with adult readers.</p>
<p>Surveying Taiwanese Buddhism from the ground up, Heller explores the changing family dynamics that have made children into a crucial audience for Buddhist education and the home a key site for Buddhist cultivation. By taking picturebooks seriously as part of the Buddhist textual tradition, Heller demonstrates their engagement with canonical sources alongside innovations formodern audiences. Close readings analyzing both text and image trace narrative themes aboutBuddhist figures, and connect representations of buddhas and bodhisattvas to a visual culturewhere new values such as cuteness are articulated. Heller shows that picturebooks have becomean integral part of a contemporary Buddhist education that equips children with strategies tointerpret everyday life in Buddhist ways and provides religious models for action in the modern world.</p>
<p><em>﻿Literature for Little Bodhisattvas</em> is a pathbreaking work revealing how contemporary picturebooks reframe Buddhism and offer fresh perspectives on its teachings and ideals of family for both children and adults.</p>
<p>Natasha Heller is associate professor in the Department of Religious Studies at the University of Virginia. She is a cultural historian of Chinese Buddhism with research interests spanning the premodern period (primarily 10th through 14th c.) and the contemporary era. Illusory Abiding: The Cultural Construction of the Chan Monk Zhongfeng Mingben, her first book, is a study of an eminent monk of the Yuan dynasty using poetry, calligraphy, and gong’an commentary to explore the social and cultural dimensions of Chan Buddhism.</p>
<p>Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <itunes:duration>4035</itunes:duration>
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    </item>
    <item>
      <title>Cross-Border Intimacies: Affect and Emotions in Marriage Migration Between China and Taiwan</title>
      <description>Transnational marriage migration is among the many features of cross-border mobility that characterise the globalised world. This is also the case in the Taiwan Strait, where the complicated political situation between Taiwan and the Chinese mainland adds a unique dimension to the phenomenon. In this episode, we talk to Dr. Lara Momesso, whose new book Cross-Border Intimacies: Affect and Emotions in Marriage Migration Between China and Taiwan﻿ (﻿Manchester, 2025) ﻿builds on fifteen years of research and fieldwork to examine the complexities and political entanglements of family formation across the Taiwan Strait.

Dr. Lara Momesso is an Honorary Research Fellow at the University of Lancashire and is also affiliated with the European Research Centre of Contemporary Taiwan and the Centre of Taiwan Studies at SOAS. She is also an editor-in-chief of the Asia Pacific Viewpoint and hosts the podcasts Taiwan on Air and Voices of Lancashire.

Ari-Joonas Pitkänen is a Doctoral Researcher at the Centre for East Asian Studies, University of Turku.

The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia), Asian studies, University of Helsinki (Finland), Centre for Asian Studies, Vytautas Magnus University (Lithuania), Centre for East Asian Studies, University of Turku (Finland), Centre for East and South-East Asian Studies, Lund University (Sweden) and Centre for South Asian Democracy, University of Oslo (Norway).

We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 23 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Transnational marriage migration is among the many features of cross-border mobility that characterise the globalised world. This is also the case in the Taiwan Strait, where the complicated political situation between Taiwan and the Chinese mainland adds a unique dimension to the phenomenon. In this episode, we talk to Dr. Lara Momesso, whose new book Cross-Border Intimacies: Affect and Emotions in Marriage Migration Between China and Taiwan﻿ (﻿Manchester, 2025) ﻿builds on fifteen years of research and fieldwork to examine the complexities and political entanglements of family formation across the Taiwan Strait.

Dr. Lara Momesso is an Honorary Research Fellow at the University of Lancashire and is also affiliated with the European Research Centre of Contemporary Taiwan and the Centre of Taiwan Studies at SOAS. She is also an editor-in-chief of the Asia Pacific Viewpoint and hosts the podcasts Taiwan on Air and Voices of Lancashire.

Ari-Joonas Pitkänen is a Doctoral Researcher at the Centre for East Asian Studies, University of Turku.

The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia), Asian studies, University of Helsinki (Finland), Centre for Asian Studies, Vytautas Magnus University (Lithuania), Centre for East Asian Studies, University of Turku (Finland), Centre for East and South-East Asian Studies, Lund University (Sweden) and Centre for South Asian Democracy, University of Oslo (Norway).

We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Transnational marriage migration is among the many features of cross-border mobility that characterise the globalised world. This is also the case in the Taiwan Strait, where the complicated political situation between Taiwan and the Chinese mainland adds a unique dimension to the phenomenon. In this episode, we talk to Dr. Lara Momesso, whose new book <a href="https://bookshop.org/a/12343/9781526189530">Cross-Border Intimacies: Affect and Emotions in Marriage Migration Between China and Taiwan</a><em>﻿</em> (﻿Manchester, 2025) ﻿builds on fifteen years of research and fieldwork to examine the complexities and political entanglements of family formation across the Taiwan Strait.</p>
<p><a href="https://www.lancashire.ac.uk/academics/lara-momesso">Dr. Lara Momesso</a> is an Honorary Research Fellow at the University of Lancashire and is also affiliated with the European Research Centre of Contemporary Taiwan and the Centre of Taiwan Studies at SOAS. She is also an editor-in-chief of the Asia Pacific Viewpoint and hosts the podcasts <a href="https://newbooksnetwork.com/category/up-partners/taiwan-on-air">Taiwan on Air</a> and <a href="https://saspod.com/voicesoflancashire/112">Voices of Lancashire</a>.</p>
<p><a href="https://www.utu.fi/en/people/ari-joonas-pitkanen">Ari-Joonas Pitkänen</a> is a Doctoral Researcher at the Centre for East Asian Studies, University of Turku.</p>
<p>The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the following academic partners: Asia Centre, University of Tartu (Estonia), Asian studies, University of Helsinki (Finland), Centre for Asian Studies, Vytautas Magnus University (Lithuania), Centre for East Asian Studies, University of Turku (Finland), Centre for East and South-East Asian Studies, Lund University (Sweden) and Centre for South Asian Democracy, University of Oslo (Norway).</p>
<p>We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1981</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK2946186028.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Fang Yu Hu, "Good Wife, Wise Mother: Educating Han Taiwanese Girls Under Japanese Rule" (U Washington Press, 2024)</title>
      <description>In ﻿Good Wife, Wise Mother: Educating Han Taiwanese Girls Under Japanese Rule (U Washington Press, 2024), female education and citizenship serve as a lens through which to examine Taiwan’s uniqueness as a colonial crossroads between Chinese and Japanese ideas and practices. A latecomer to the age of imperialism, Japan used modernization efforts in Taiwan to cast itself as a benevolent force among its colonial subjects and imperial competitors. In contrast to most European colonies, where only elites received an education, in Taiwan Japan built elementary schools intended for the entire population, including girls. In 1897 it developed a program known as “Good Wife, Wise Mother” that sought to transform Han Taiwanese girls into modern Japanese female citizens. Drawing on Japanese and Chinese newspapers, textbooks, oral interviews, and fiction, Fang Yu Hu illustrates how this seemingly progressive project advanced a particular Japanese vision of modernity, womanhood, and citizenship, to which the colonized Han Taiwanese people responded with varying degrees of collaboration, resistance, adaptation, and adoption. Hu also assesses the program’s impact on Taiwan’s class structure, male-female interactions, and political identity both during and after the end of Japanese occupation in 1945. Good Wife, Wise Mother expands the study of Taiwanese history by contributing important gendered and nonelite perspectives. It will be of interest to any historian concerned with questions of modernity, hybridity, and colonial nostalgia.

Fang Yu Hu is assistant professor of History at the California State Polytechnic University, Pomona who specializes in modern East Asian history, with a focus on Taiwan, gender, colonialism, and cross-border flows. She has published in the journals ERAS of Monash University and Twentieth-Century China. Her current research focuses on Taiwanese migrants to mainland China and Southeast Asia in the first half of the 20th century.

Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.

Relevant Link:


  NBN interview for Indoctrinating the Youth: Secondary Education in Wartime China and Postwar Taiwan, 1937-1960



Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 06 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In ﻿Good Wife, Wise Mother: Educating Han Taiwanese Girls Under Japanese Rule (U Washington Press, 2024), female education and citizenship serve as a lens through which to examine Taiwan’s uniqueness as a colonial crossroads between Chinese and Japanese ideas and practices. A latecomer to the age of imperialism, Japan used modernization efforts in Taiwan to cast itself as a benevolent force among its colonial subjects and imperial competitors. In contrast to most European colonies, where only elites received an education, in Taiwan Japan built elementary schools intended for the entire population, including girls. In 1897 it developed a program known as “Good Wife, Wise Mother” that sought to transform Han Taiwanese girls into modern Japanese female citizens. Drawing on Japanese and Chinese newspapers, textbooks, oral interviews, and fiction, Fang Yu Hu illustrates how this seemingly progressive project advanced a particular Japanese vision of modernity, womanhood, and citizenship, to which the colonized Han Taiwanese people responded with varying degrees of collaboration, resistance, adaptation, and adoption. Hu also assesses the program’s impact on Taiwan’s class structure, male-female interactions, and political identity both during and after the end of Japanese occupation in 1945. Good Wife, Wise Mother expands the study of Taiwanese history by contributing important gendered and nonelite perspectives. It will be of interest to any historian concerned with questions of modernity, hybridity, and colonial nostalgia.

Fang Yu Hu is assistant professor of History at the California State Polytechnic University, Pomona who specializes in modern East Asian history, with a focus on Taiwan, gender, colonialism, and cross-border flows. She has published in the journals ERAS of Monash University and Twentieth-Century China. Her current research focuses on Taiwanese migrants to mainland China and Southeast Asia in the first half of the 20th century.

Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.

Relevant Link:


  NBN interview for Indoctrinating the Youth: Secondary Education in Wartime China and Postwar Taiwan, 1937-1960



Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <em>﻿</em><a href="https://bookshop.org/a/12343/9780295752648">Good Wife, Wise Mother: Educating Han Taiwanese Girls Under Japanese Rule</a> (U Washington Press, 2024), female education and citizenship serve as a lens through which to examine Taiwan’s uniqueness as a colonial crossroads between Chinese and Japanese ideas and practices. A latecomer to the age of imperialism, Japan used modernization efforts in Taiwan to cast itself as a benevolent force among its colonial subjects and imperial competitors. In contrast to most European colonies, where only elites received an education, in Taiwan Japan built elementary schools intended for the entire population, including girls. In 1897 it developed a program known as “Good Wife, Wise Mother” that sought to transform Han Taiwanese girls into modern Japanese female citizens. Drawing on Japanese and Chinese newspapers, textbooks, oral interviews, and fiction, Fang Yu Hu illustrates how this seemingly progressive project advanced a particular Japanese vision of modernity, womanhood, and citizenship, to which the colonized Han Taiwanese people responded with varying degrees of collaboration, resistance, adaptation, and adoption. Hu also assesses the program’s impact on Taiwan’s class structure, male-female interactions, and political identity both during and after the end of Japanese occupation in 1945. Good Wife, Wise Mother expands the study of Taiwanese history by contributing important gendered and nonelite perspectives. It will be of interest to any historian concerned with questions of modernity, hybridity, and colonial nostalgia.</p>
<p>Fang Yu Hu is assistant professor of History at the California State Polytechnic University, Pomona who specializes in modern East Asian history, with a focus on Taiwan, gender, colonialism, and cross-border flows. She has published in the journals ERAS of Monash University and Twentieth-Century China. Her current research focuses on Taiwanese migrants to mainland China and Southeast Asia in the first half of the 20th century.</p>
<p>Li-Ping Chen is a visiting scholar in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.</p>
<p>Relevant Link:</p>
<ul>
  <li>NBN interview for <a href="https://newbooksnetwork.com/indoctrinating-the-youth">Indoctrinating the Youth: Secondary Education in Wartime China and </a><a href="https://newbooksnetwork.com/indoctrinating-the-youth">Postwar Taiwan, 1937-1960</a>
</li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3677</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e49c1ca8-bebd-11f0-8041-e7137403aae0]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5334035079.mp3?updated=1762405993" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christopher Joby, "Christian Mission in Seventeenth-Century Taiwan: A Reception History of Texts, Beliefs, and Practices" (Brill, 2025)</title>
      <description>How do new ideas and beliefs take root when they cross cultural and linguistic borders? In seventeenth-century Taiwan, both Dutch and Spanish missionaries tried to replace Indigenous gods, practices, and laws with their own Christian traditions. Christopher Joby’s ﻿Christian Mission in Seventeenth-Century Taiwan﻿: A Reception History of Texts, Beliefs, and Practices (Brill, 2025) explores this moment in history through a new lens: reception. Rather than focusing only on what missionaries brought, he looks at how Indigenous communities responded. Central to the story are experiments in translation and text-making, including ministers creating prayers and catechisms in local languages, and the invention of new scripts. 

The legacy of these efforts stretched far beyond the seventeenth century, too. Some texts continued to shape religious practice in Taiwan after the Dutch were expelled in 1662, while others circulated in Europe, informing how outsiders imagined the island. By tracing these journeys, Joby shows how Taiwan’s early missions were not just local episodes but part of a much larger global history of translation, improvisation, and exchange. This book will be of particular interest to scholars of early modern Taiwan, the history of Christian missions, and the global circulation of texts and ideas.

And if you are interested in learning more about his work, you can listen to Joby's earlier appearance on the New Books Network to talk about an earlier book, The Dutch Language in Japan (1600-1900), here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 19 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>How do new ideas and beliefs take root when they cross cultural and linguistic borders? In seventeenth-century Taiwan, both Dutch and Spanish missionaries tried to replace Indigenous gods, practices, and laws with their own Christian traditions. Christopher Joby’s ﻿Christian Mission in Seventeenth-Century Taiwan﻿: A Reception History of Texts, Beliefs, and Practices (Brill, 2025) explores this moment in history through a new lens: reception. Rather than focusing only on what missionaries brought, he looks at how Indigenous communities responded. Central to the story are experiments in translation and text-making, including ministers creating prayers and catechisms in local languages, and the invention of new scripts. 

The legacy of these efforts stretched far beyond the seventeenth century, too. Some texts continued to shape religious practice in Taiwan after the Dutch were expelled in 1662, while others circulated in Europe, informing how outsiders imagined the island. By tracing these journeys, Joby shows how Taiwan’s early missions were not just local episodes but part of a much larger global history of translation, improvisation, and exchange. This book will be of particular interest to scholars of early modern Taiwan, the history of Christian missions, and the global circulation of texts and ideas.

And if you are interested in learning more about his work, you can listen to Joby's earlier appearance on the New Books Network to talk about an earlier book, The Dutch Language in Japan (1600-1900), here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do new ideas and beliefs take root when they cross cultural and linguistic borders? In seventeenth-century Taiwan, both Dutch and Spanish missionaries tried to replace Indigenous gods, practices, and laws with their own Christian traditions. Christopher Joby’s <a href="https://bookshop.org/a/12343/9789004716346">﻿Christian Mission in Seventeenth-Century Taiwan﻿: A Reception History of Texts, Beliefs, and Practices</a> (Brill, 2025) explores this moment in history through a new lens: <em>reception</em>. Rather than focusing only on what missionaries brought, he looks at how Indigenous communities responded. Central to the story are experiments in translation and text-making, including ministers creating prayers and catechisms in local languages, and the invention of new scripts. </p>
<p>The legacy of these efforts stretched far beyond the seventeenth century, too. Some texts continued to shape religious practice in Taiwan after the Dutch were expelled in 1662, while others circulated in Europe, informing how outsiders imagined the island. By tracing these journeys, Joby shows how Taiwan’s early missions were not just local episodes but part of a much larger global history of translation, improvisation, and exchange. This book will be of particular interest to scholars of early modern Taiwan, the history of Christian missions, and the global circulation of texts and ideas.</p>
<p>And if you are interested in learning more about his work, you can listen to Joby's earlier appearance on the New Books Network to talk about an earlier book, <em>The Dutch Language in Japan (1600-1900)</em>, <a href="https://newbooksnetwork.com/the-dutch-language-in-japan-1600-1900#entry:47287@1:url">here</a>. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3647</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dce09688-bebd-11f0-95c2-db2f9d133c01]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2005399972.mp3?updated=1758167971" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Zach Fredman and Judd Kinzley eds., "Uneasy Allies: Sino-American Relations at the Grassroots, 1937–1949" (Cambridge UP, 2024)</title>
      <description>This timely collection of essays examines Sino-American relations during the Second World War, the Chinese Civil War and the opening of the Cold War. Drawing on new sources uncovered in China, Taiwan, the UK and the US, the authors demonstrate how 'grassroots' engagements - not just elite diplomacy - established the trans-Pacific networks that both shaped the postwar order in Asia, and continue to influence Sino-US relations today. In these crucial years, servicemen, scientists, students, businesspeople, activists, bureaucrats and many others travelled between the US and China. In every chapter, this innovative volume's approach uncovers their stories using both Chinese and English language sources. By examining interactions among various Chinese and American actors in the dynamic wartime environment, Uneasy Allies: Sino-American Relations at the Grassroots, 1937–1949 (Cambridge UP, 2024) reveals a new perspective on the foundations of American power, the brittle nature of the Sino-American relationship, and the early formation of the institutions that shaped the Cold War Pacific.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 16 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>This timely collection of essays examines Sino-American relations during the Second World War, the Chinese Civil War and the opening of the Cold War. Drawing on new sources uncovered in China, Taiwan, the UK and the US, the authors demonstrate how 'grassroots' engagements - not just elite diplomacy - established the trans-Pacific networks that both shaped the postwar order in Asia, and continue to influence Sino-US relations today. In these crucial years, servicemen, scientists, students, businesspeople, activists, bureaucrats and many others travelled between the US and China. In every chapter, this innovative volume's approach uncovers their stories using both Chinese and English language sources. By examining interactions among various Chinese and American actors in the dynamic wartime environment, Uneasy Allies: Sino-American Relations at the Grassroots, 1937–1949 (Cambridge UP, 2024) reveals a new perspective on the foundations of American power, the brittle nature of the Sino-American relationship, and the early formation of the institutions that shaped the Cold War Pacific.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This timely collection of essays examines Sino-American relations during the Second World War, the Chinese Civil War and the opening of the Cold War. Drawing on new sources uncovered in China, Taiwan, the UK and the US, the authors demonstrate how 'grassroots' engagements - not just elite diplomacy - established the trans-Pacific networks that both shaped the postwar order in Asia, and continue to influence Sino-US relations today. In these crucial years, servicemen, scientists, students, businesspeople, activists, bureaucrats and many others travelled between the US and China. In every chapter, this innovative volume's approach uncovers their stories using both Chinese and English language sources. By examining interactions among various Chinese and American actors in the dynamic wartime environment,<a href="https://bookshop.org/a/12343/9781009534949"> Uneasy Allies: Sino-American Relations at the Grassroots, 1937–1949</a> (Cambridge UP, 2024) reveals a new perspective on the foundations of American power, the brittle nature of the Sino-American relationship, and the early formation of the institutions that shaped the Cold War Pacific.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2013</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK9271013686.mp3?updated=1757922823" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dan Wang, "Breakneck: China’s Quest to Engineer the Future" (Norton, 2025)</title>
      <description>Dan Wang is a research fellow at Stanford University’s Hoover History Lab, and previously a fellow at Yale Law School’s Paul Tsai China Center. Before that, he was an analyst focused on China’s technology capabilities at Gavekal Dragonomics, based across Hong Kong, Beijing, and Shanghai. Dan is perhaps best known for a series of annual letters, published between 2017-2023, which encapsulate his reflections on Chinese society; his writing has also appeared in other outlets including Foreign Affairs, The Atlantic, The New York Times, and beyond.

In this New Books Network Episode, Dan discusses his debut book Breakneck: China’s Quest to Engineer the Future (Norton, 2025). Styled as an aggregation of seven of his famed annual letters, Breakneck presents a dichotomy of China and the US as an “engineering state” and "lawyerly society” respectively, and traces how China’s “engineering state” has shaped Chinese society over the last decade. 

Breakneck is now available for purchase online and in physical bookstores.

Show notes:


  
Dan’s website



  
Dan’s annual letters: 2023, 2022, 2021, 2020, 2019, 2018, 2017



  
Dan’s blogpost about Breakneck, which we reference several times in the episode



  
China-related English books that Dan mentions: The Halls of Uselessness (Simon Leys), Other Rivers (Peter Hessler), Invitation to a Banquet (Fuchsia Dunlop)



  
Chinese-language movies from 2017+ that Anthony recommends for illustrating a diverse spectrum of sociopolitical noteworthiness: Wolf Warrior 2 (for China's nationalistic/geopolitical narrative), Upstream (for China's tech industry/labor market), Detention (for Taiwanese popular memory on authoritarianism); plus two additional movies not mentioned in the episode — Ne Zha 2 (for China's soft power potential) and Limbo (for a dark taste of Hong Kong's contemporary malaise). 



  Chinese-language movies that Dan recommendations: Caught by the Tides (Jia Zhangke), One Second (Zhang Yimou)


Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 26 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Dan Wang is a research fellow at Stanford University’s Hoover History Lab, and previously a fellow at Yale Law School’s Paul Tsai China Center. Before that, he was an analyst focused on China’s technology capabilities at Gavekal Dragonomics, based across Hong Kong, Beijing, and Shanghai. Dan is perhaps best known for a series of annual letters, published between 2017-2023, which encapsulate his reflections on Chinese society; his writing has also appeared in other outlets including Foreign Affairs, The Atlantic, The New York Times, and beyond.

In this New Books Network Episode, Dan discusses his debut book Breakneck: China’s Quest to Engineer the Future (Norton, 2025). Styled as an aggregation of seven of his famed annual letters, Breakneck presents a dichotomy of China and the US as an “engineering state” and "lawyerly society” respectively, and traces how China’s “engineering state” has shaped Chinese society over the last decade. 

Breakneck is now available for purchase online and in physical bookstores.

Show notes:


  
Dan’s website



  
Dan’s annual letters: 2023, 2022, 2021, 2020, 2019, 2018, 2017



  
Dan’s blogpost about Breakneck, which we reference several times in the episode



  
China-related English books that Dan mentions: The Halls of Uselessness (Simon Leys), Other Rivers (Peter Hessler), Invitation to a Banquet (Fuchsia Dunlop)



  
Chinese-language movies from 2017+ that Anthony recommends for illustrating a diverse spectrum of sociopolitical noteworthiness: Wolf Warrior 2 (for China's nationalistic/geopolitical narrative), Upstream (for China's tech industry/labor market), Detention (for Taiwanese popular memory on authoritarianism); plus two additional movies not mentioned in the episode — Ne Zha 2 (for China's soft power potential) and Limbo (for a dark taste of Hong Kong's contemporary malaise). 



  Chinese-language movies that Dan recommendations: Caught by the Tides (Jia Zhangke), One Second (Zhang Yimou)


Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://danwang.co/"><strong>Dan Wang</strong></a> is a research fellow at Stanford University’s Hoover History Lab, and previously a fellow at Yale Law School’s Paul Tsai China Center. Before that, he was an analyst focused on China’s technology capabilities at Gavekal Dragonomics, based across Hong Kong, Beijing, and Shanghai. Dan is perhaps best known for a series of annual letters, published between 2017-2023, which encapsulate his reflections on Chinese society; his writing has also appeared in other outlets including <em>Foreign Affairs</em>, <em>The Atlantic</em>, <em>The New York Times</em>, and beyond.</p>
<p>In this New Books Network Episode, Dan discusses his debut book <a href="https://bookshop.org/a/12343/9781324106036">Breakneck: China’s Quest to Engineer the Future</a><em> </em>(Norton, 2025)<strong>. </strong>Styled as an aggregation of seven of his famed annual letters, <em>Breakneck</em> presents a dichotomy of China and the US as an “engineering state” and "lawyerly society” respectively, and traces how China’s “engineering state” has shaped Chinese society over the last decade. </p>
<p><em>Breakneck</em> is now available for purchase online and in physical bookstores.<br></p>
<p><strong>Show notes:</strong></p>
<ol>
  <li>
<p><a href="https://danwang.co/">Dan’s website</a></p>
</li>
  <li>
<p>Dan’s annual letters: <a href="https://danwang.co/2023-letter/">2023</a>, <a href="https://danwang.co/2022-letter/">2022</a>, <a href="https://danwang.co/2021-letter/">2021</a>, <a href="https://danwang.co/2020-letter/">2020</a>, <a href="https://danwang.co/2019-letter/">2019</a>, <a href="https://danwang.co/2018-letter/">2018</a>, <a href="https://danwang.co/2017-letter/">2017</a></p>
</li>
  <li>
<p><a href="https://danwang.co/breakneck/">Dan’s blogpost about <em>Breakneck</em>,</a> which we reference several times in the episode</p>
</li>
  <li>
<p>China-related English books that Dan mentions: <a href="https://www.penguinrandomhouse.com/books/221287/the-hall-of-uselessness-by-simon-leys-with-a-foreword-by-the-author/"><em>The Halls of Uselessness</em></a> (Simon Leys), <a href="https://www.peterhessler.net/other-rivers-a-chinese-education/"><em>Other Rivers</em></a> (Peter Hessler), <a href="http://www.fuchsiadunlop.com/books/invitation-to-a-banquet-the-story-of-chinese-food/"><em>Invitation to a Banquet</em></a> (Fuchsia Dunlop)</p>
</li>
  <li>
<p>Chinese-language movies from 2017+ that Anthony recommends for illustrating a diverse spectrum of sociopolitical noteworthiness: <a href="https://www.cinemaescapist.com/2017/08/wolf-warrior-2-chinese-patriotism-overseas/"><em>Wolf Warrior 2</em></a> (for China's nationalistic/geopolitical narrative)<em>, </em><a href="https://www.cinemaescapist.com/2024/09/review-upstream-china-movie/"><em>Upstream</em></a> (for China's tech industry/labor market), <a href="https://www.cinemaescapist.com/2019/12/review-detention-taiwan-movie/"><em>Detention</em></a> (for Taiwanese popular memory on authoritarianism); plus two additional movies not mentioned in the episode — <a href="https://www.youtube.com/watch?v=gsiAYjyiIBM">Ne Zha 2</a> (for China's soft power potential) and <a href="https://www.cinemaescapist.com/2022/07/review-limbo-hong-kong-movie/">Limbo</a><em> </em>(for a dark taste of Hong Kong's contemporary malaise). </p>
</li>
  <li>Chinese-language movies that Dan recommendations: <a href="https://www.youtube.com/watch?v=ZbsAxSWwgd4"><em>Caught by the Tides</em></a> (Jia Zhangke), <a href="https://www.youtube.com/watch?v=j4MtPVoOFDU"><em>One Second</em></a> (Zhang Yimou)</li>
</ol>
<p><a href="https://www.anthonykao.org/"><em>Anthony Kao</em></a><em> is a writer who intersects international affairs and cultural criticism. He founded/edits </em><a href="https://www.cinemaescapist.com/"><em>Cinema Escapist</em></a><em>—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3770</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK3306563510.mp3?updated=1756094176" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Professional Chat: Home, Migrant Workers, and Decent Work in Supply Chains, with Bonny Ling</title>
      <description>This episode’s host, Adina Zemanek, invited Dr. Bonny Ling, executive director of Work Better Innovations, to talk about Taiwan as a home for migrant workers, and decent work in supply chains. After a brief overview of key risks in this area, we touched upon Taiwan’s major legislation to date in a global context, and addressed the importance of economic diplomacy for Taiwan – being seen as a responsible global actor in business and human rights. Drawing on our guest’s experience as a practitioner, we then explored how Taiwanese suppliers see their role as leaders in improving labour standards. Countering stereotypical associations between businesses and human rights abuses, we investigated the possibilities, limitations and responsibilities that firms perceive for themselves in transitioning to a fairer model of labour recruitment and protection, as well as the role of the 2020 National Action Plan in setting this transition in motion. Finally, we used a regional (Asian) framework of reference to discuss the need for Taiwan’s government to provide clear guidelines that could help Taiwanese companies bridge the knowledge gap between existing local legal frameworks and international human rights standards.


Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 06 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>27</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>This episode’s host, Adina Zemanek, invited Dr. Bonny Ling, executive director of Work Better Innovations, to talk about Taiwan as a home for migrant workers, and decent work in supply chains. After a brief overview of key risks in this area, we touched upon Taiwan’s major legislation to date in a global context, and addressed the importance of economic diplomacy for Taiwan – being seen as a responsible global actor in business and human rights. Drawing on our guest’s experience as a practitioner, we then explored how Taiwanese suppliers see their role as leaders in improving labour standards. Countering stereotypical associations between businesses and human rights abuses, we investigated the possibilities, limitations and responsibilities that firms perceive for themselves in transitioning to a fairer model of labour recruitment and protection, as well as the role of the 2020 National Action Plan in setting this transition in motion. Finally, we used a regional (Asian) framework of reference to discuss the need for Taiwan’s government to provide clear guidelines that could help Taiwanese companies bridge the knowledge gap between existing local legal frameworks and international human rights standards.


Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode’s host, Adina Zemanek, invited Dr. Bonny Ling, executive director of Work Better Innovations, to talk about Taiwan as a home for migrant workers, and decent work in supply chains. After a brief overview of key risks in this area, we touched upon Taiwan’s major legislation to date in a global context, and addressed the importance of economic diplomacy for Taiwan – being seen as a responsible global actor in business and human rights. Drawing on our guest’s experience as a practitioner, we then explored how Taiwanese suppliers see their role as leaders in improving labour standards. Countering stereotypical associations between businesses and human rights abuses, we investigated the possibilities, limitations and responsibilities that firms perceive for themselves in transitioning to a fairer model of labour recruitment and protection, as well as the role of the 2020 National Action Plan in setting this transition in motion. Finally, we used a regional (Asian) framework of reference to discuss the need for Taiwan’s government to provide clear guidelines that could help Taiwanese companies bridge the knowledge gap between existing local legal frameworks and international human rights standards.</p>
<p><br></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2789</itunes:duration>
      <guid isPermaLink="false"><![CDATA[e988add8-bebf-11f0-a15c-431d8d406040]]></guid>
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    </item>
    <item>
      <title>Dan Reiter, "Untied Hands: How States Avoid the Wrong Wars" (Cambridge UP, 2025)</title>
      <description>How do states advance their national security interests? Conventional wisdom holds that states must court the risk of catastrophic war by “tying their hands” to credibly protect their interests. Dan Reiter overturns this perspective with the compelling argument that states craft flexible foreign policies to avoid unwanted wars. Through a comprehensive analysis of key international crises, including the Berlin, Taiwan Straits, and Cuban Missile Crises, and the Korean and Vietnam Wars, Reiter provides new perspectives on the causes of wars, the role of international alliances, foreign troop deployments, leader madness, and the impact of AI on international relations. With critical insights into contemporary foreign policy challenges, such as America’s role in NATO, the risks of war with China, containing a resurgent Russia, and the dangers of nuclear war, Untied Hands: How States Avoid the Wrong Wars (Cambridge University Press, 2025) is essential reading for anyone interested in understanding how states can effectively manage international crises while avoiding the wrong wars.

Dan Reiter is Samuel Candler Dobbs Professor of Political Science at Emory University.

Leo Bader is a senior at Wesleyan University studying political theory and history.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 03 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>How do states advance their national security interests? Conventional wisdom holds that states must court the risk of catastrophic war by “tying their hands” to credibly protect their interests. Dan Reiter overturns this perspective with the compelling argument that states craft flexible foreign policies to avoid unwanted wars. Through a comprehensive analysis of key international crises, including the Berlin, Taiwan Straits, and Cuban Missile Crises, and the Korean and Vietnam Wars, Reiter provides new perspectives on the causes of wars, the role of international alliances, foreign troop deployments, leader madness, and the impact of AI on international relations. With critical insights into contemporary foreign policy challenges, such as America’s role in NATO, the risks of war with China, containing a resurgent Russia, and the dangers of nuclear war, Untied Hands: How States Avoid the Wrong Wars (Cambridge University Press, 2025) is essential reading for anyone interested in understanding how states can effectively manage international crises while avoiding the wrong wars.

Dan Reiter is Samuel Candler Dobbs Professor of Political Science at Emory University.

Leo Bader is a senior at Wesleyan University studying political theory and history.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do states advance their national security interests? Conventional wisdom holds that states must court the risk of catastrophic war by “tying their hands” to credibly protect their interests. Dan Reiter overturns this perspective with the compelling argument that states craft flexible foreign policies to avoid unwanted wars. Through a comprehensive analysis of key international crises, including the Berlin, Taiwan Straits, and Cuban Missile Crises, and the Korean and Vietnam Wars, Reiter provides new perspectives on the causes of wars, the role of international alliances, foreign troop deployments, leader madness, and the impact of AI on international relations. With critical insights into contemporary foreign policy challenges, such as America’s role in NATO, the risks of war with China, containing a resurgent Russia, and the dangers of nuclear war, <a href="https://bookshop.org/a/12343/9781009596077">Untied Hands: How States Avoid the Wrong Wars</a><em> (</em>Cambridge University Press, 2025) is essential reading for anyone interested in understanding how states can effectively manage international crises while avoiding the wrong wars.</p>
<p>Dan Reiter is Samuel Candler Dobbs Professor of Political Science at Emory University.</p>
<p><em>Leo Bader is a senior at Wesleyan University studying political theory and history.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2637</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0bcdd2d4-bebf-11f0-83b1-63cf7506092f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6852876997.mp3?updated=1754079208" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ketian Zhang, "China's Gambit: The Calculus of Coercion" (Cambridge UP, 2023)</title>
      <description>Emerging from an award-winning article in International Security, China's Gambit examines when, why, and how China attempts to coerce states over perceived threats to its national security. Since 1990, China has used coercion for territorial disputes and issues related to Taiwan and Tibet, yet China is curiously selective in the timing, target, and tools of coercion. This book offers a new and generalizable cost-balancing theory to explain states' coercion decisions. It demonstrates that China does not coerce frequently and uses military coercion less when it becomes stronger, resorting primarily to non-militarized tools. Leveraging rich empirical evidence, including primary Chinese documents and interviews with Chinese and foreign officials, this book explains how contemporary rising powers translate their power into influence and offers a new framework for explaining states' coercion decisions in an era of economic interdependence, particularly how contemporary global economic interdependence affects rising powers' foreign security policies.

﻿Nomeh Anthony Kanayo, Ph.D. Candidate in International Relations at Florida International University, with research interest in Africa's diaspora relations, African-China relations, great power rivalry and IR theories.

Check out my new article https://doi.org/10.1016/j.sciaf.2025.e02699
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      <pubDate>Mon, 21 Jul 2025 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>114</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Emerging from an award-winning article in International Security, China's Gambit examines when, why, and how China attempts to coerce states over perceived threats to its national security. Since 1990, China has used coercion for territorial disputes and issues related to Taiwan and Tibet, yet China is curiously selective in the timing, target, and tools of coercion. This book offers a new and generalizable cost-balancing theory to explain states' coercion decisions. It demonstrates that China does not coerce frequently and uses military coercion less when it becomes stronger, resorting primarily to non-militarized tools. Leveraging rich empirical evidence, including primary Chinese documents and interviews with Chinese and foreign officials, this book explains how contemporary rising powers translate their power into influence and offers a new framework for explaining states' coercion decisions in an era of economic interdependence, particularly how contemporary global economic interdependence affects rising powers' foreign security policies.

﻿Nomeh Anthony Kanayo, Ph.D. Candidate in International Relations at Florida International University, with research interest in Africa's diaspora relations, African-China relations, great power rivalry and IR theories.

Check out my new article https://doi.org/10.1016/j.sciaf.2025.e02699
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Emerging from an award-winning article in International Security, <em>China's Gambit</em> examines when, why, and how China attempts to coerce states over perceived threats to its national security. Since 1990, China has used coercion for territorial disputes and issues related to Taiwan and Tibet, yet China is curiously selective in the timing, target, and tools of coercion. This book offers a new and generalizable cost-balancing theory to explain states' coercion decisions. It demonstrates that China does not coerce frequently and uses military coercion less when it becomes stronger, resorting primarily to non-militarized tools. Leveraging rich empirical evidence, including primary Chinese documents and interviews with Chinese and foreign officials, this book explains how contemporary rising powers translate their power into influence and offers a new framework for explaining states' coercion decisions in an era of economic interdependence, particularly how contemporary global economic interdependence affects rising powers' foreign security policies.</p>
<p>﻿Nomeh Anthony Kanayo, Ph.D. Candidate in International Relations at Florida International University, with research interest in Africa's diaspora relations, African-China relations, great power rivalry and IR theories.</p>
<p>Check out my new article <a href="https://doi.org/10.1016/j.sciaf.2025.e02699">https://doi.org/10.1016/j.sciaf.2025.e02699</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4317</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[91e50bc4-bebc-11f0-b7f4-f39b8e0dd07b]]></guid>
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    </item>
    <item>
      <title>Chris Horton, "Ghost Nation: The Story of Taiwan and Its Struggle for Survival" (MacMillan, 2025)</title>
      <description>Chris Horton is a freelance journalist who has been based in Taiwan since 2015, before many Western publications had any dedicated presence on the island. Over the last decade, he has contributed to the New York Times, Bloomberg, The Atlantic, and numerous other publications regarding Taiwan-related topics.

In this episode of the New Books Network, we chat with Chris about his debut book, Ghost Nation: The Story of Taiwan and Its Struggle for Survival (Pan Macmillan, 2025). Ghost Nation weaves together figures and events from across Taiwan’s present and history to provide an approachable narrative about how Taiwan came to be the vibrant island nation it is today, and the challenges that it faces amidst an increasingly assertive China.

Tune in as we chat with Chris about everything from stinky tofu, Chris’ go-to rechao stir-fry restaurant in Taipei (Eight Immortals Grill), how one of Taiwan’s former Presidents tried to “Make Taiwan China Again” (and sparked a protest movement in the process), and why democratic countries ought to stand in solidarity with the “Ghost Nation” of Taiwan.

Ghost Nation will be released on July 17, 2025, and is available for pre-order today. 

Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 19 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Chris Horton is a freelance journalist who has been based in Taiwan since 2015, before many Western publications had any dedicated presence on the island. Over the last decade, he has contributed to the New York Times, Bloomberg, The Atlantic, and numerous other publications regarding Taiwan-related topics.

In this episode of the New Books Network, we chat with Chris about his debut book, Ghost Nation: The Story of Taiwan and Its Struggle for Survival (Pan Macmillan, 2025). Ghost Nation weaves together figures and events from across Taiwan’s present and history to provide an approachable narrative about how Taiwan came to be the vibrant island nation it is today, and the challenges that it faces amidst an increasingly assertive China.

Tune in as we chat with Chris about everything from stinky tofu, Chris’ go-to rechao stir-fry restaurant in Taipei (Eight Immortals Grill), how one of Taiwan’s former Presidents tried to “Make Taiwan China Again” (and sparked a protest movement in the process), and why democratic countries ought to stand in solidarity with the “Ghost Nation” of Taiwan.

Ghost Nation will be released on July 17, 2025, and is available for pre-order today. 

Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://chrishortonwriter.com/"><strong>Chris Horton</strong></a> is a freelance journalist who has been based in Taiwan since 2015, before many Western publications had any dedicated presence on the island. Over the last decade, he has contributed to the <em>New York Times</em>, <em>Bloomberg</em>, <em>The Atlantic</em>, and numerous other publications regarding Taiwan-related topics.</p>
<p>In this episode of the New Books Network, we chat with Chris about his debut book, <em><strong>Ghost Nation: The Story of Taiwan and Its Struggle for Survival</strong></em> (Pan Macmillan, 2025). <em>Ghost Nation</em> weaves together figures and events from across Taiwan’s present and history to provide an approachable narrative about how Taiwan came to be the vibrant island nation it is today, and the challenges that it faces amidst an increasingly assertive China.</p>
<p>Tune in as we chat with Chris about everything from <a href="https://www.nytimes.com/2017/11/19/world/asia/taiwan-stinky-tofu-taipei.html">stinky tofu</a>, Chris’ go-to <a href="https://asia.nikkei.com/Life-Arts/Life/Taiwanese-cuisine-s-delicious-secret-set-to-emerge"><em>rechao</em> stir-fry restaurant</a> in Taipei (<a href="https://maps.app.goo.gl/sHghn6dSmFQT8a1eA">Eight Immortals Grill</a>), how one of Taiwan’s former Presidents tried to “Make Taiwan China Again” (and sparked a <a href="https://carnegieendowment.org/research/2018/08/the-activist-legacy-of-taiwans-sunflower-movement?lang=en">protest movement</a> in the process), and why democratic countries ought to stand in solidarity with the “Ghost Nation” of Taiwan.</p>
<p><em>Ghost Nation</em> will be released on July 17, 2025, and is <a href="https://www.panmacmillan.com/authors/chris-horton/ghost-nation/9781035034024">available for pre-order</a> today. </p>
<p><a href="https://www.anthonykao.org/"><em>Anthony Kao</em></a><em> is a writer who intersects international affairs and cultural criticism. He founded/edits </em><a href="https://www.cinemaescapist.com/"><em>Cinema Escapist</em></a><em>—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3640</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Kai Shmushko, "Multiple Liminalities of Lay Buddhism in Contemporary China: Modalities, Material Culture, and Politics" (Leiden UP, 2024)</title>
      <description>In the past decades, various forms of Buddhism have emerged in-between, above, and beyond conventional conceptions of religious and spiritual life in China. Multiple Liminalities of Lay Buddhism in Contemporary China: Modalities, Material Culture, and Politics (Leiden UP, 2024) is a qualitative study exploring manifestations of the massive revival of Buddhism among non-monastic people and communities. The book wishes to answer the central question: How do Chinese groups and individuals practice Buddhism under the socio-political and cultural circumstances of contemporary China? 

This inquiry is based on a sample of case studies from the People’s Republic of China (PRC) and the Republic of China (Taiwan, ROC), exploring Buddhist communities, individual practitioners, materials, spaces, practice modalities and relationships. Each chapter examines a significant paradigm that plays a role in the revival of Buddhism in China, highlighting how lay practitioners negotiate their spaces, resources, moral and ethical beliefs, and values, in the face of rapid societal changes. The research reveals how state policies, economic shifts, local trends, and global developments, such as environmental concerns and technological advances impact and transform older Buddhist traditions. Overall, the author argues for the concept of multiple liminalities as a framework to describe the contemporary predicament of lay Buddhism in Chinese societies. Accordingly, lay Buddhist actors occupy liminal positions or operate across ambiguous boundaries where realms of in-betweenness, serve as avenues for religious responses to the complex challenges Buddhism in China faces.

Dr. Tiatemsu Longkumer is a faculty in the Dept. of Anthropology at Royal Thimphu College, Bhutan. His academic pursuits center on the fields of Anthropology and the Philosophy of Religion.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 19 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>142</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Kai Shmushko</itunes:subtitle>
      <itunes:summary>In the past decades, various forms of Buddhism have emerged in-between, above, and beyond conventional conceptions of religious and spiritual life in China. Multiple Liminalities of Lay Buddhism in Contemporary China: Modalities, Material Culture, and Politics (Leiden UP, 2024) is a qualitative study exploring manifestations of the massive revival of Buddhism among non-monastic people and communities. The book wishes to answer the central question: How do Chinese groups and individuals practice Buddhism under the socio-political and cultural circumstances of contemporary China? 

This inquiry is based on a sample of case studies from the People’s Republic of China (PRC) and the Republic of China (Taiwan, ROC), exploring Buddhist communities, individual practitioners, materials, spaces, practice modalities and relationships. Each chapter examines a significant paradigm that plays a role in the revival of Buddhism in China, highlighting how lay practitioners negotiate their spaces, resources, moral and ethical beliefs, and values, in the face of rapid societal changes. The research reveals how state policies, economic shifts, local trends, and global developments, such as environmental concerns and technological advances impact and transform older Buddhist traditions. Overall, the author argues for the concept of multiple liminalities as a framework to describe the contemporary predicament of lay Buddhism in Chinese societies. Accordingly, lay Buddhist actors occupy liminal positions or operate across ambiguous boundaries where realms of in-betweenness, serve as avenues for religious responses to the complex challenges Buddhism in China faces.

Dr. Tiatemsu Longkumer is a faculty in the Dept. of Anthropology at Royal Thimphu College, Bhutan. His academic pursuits center on the fields of Anthropology and the Philosophy of Religion.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the past decades, various forms of Buddhism have emerged in-between, above, and beyond conventional conceptions of religious and spiritual life in China. <a href="https://bookshop.org/a/12343/9789087284565">Multiple Liminalities of Lay Buddhism in Contemporary China: Modalities, Material Culture, and Politics</a> (Leiden UP, 2024) is a qualitative study exploring manifestations of the massive revival of Buddhism among non-monastic people and communities. The book wishes to answer the central question: How do Chinese groups and individuals practice Buddhism under the socio-political and cultural circumstances of contemporary China? </p>
<p>This inquiry is based on a sample of case studies from the People’s Republic of China (PRC) and the Republic of China (Taiwan, ROC), exploring Buddhist communities, individual practitioners, materials, spaces, practice modalities and relationships. Each chapter examines a significant paradigm that plays a role in the revival of Buddhism in China, highlighting how lay practitioners negotiate their spaces, resources, moral and ethical beliefs, and values, in the face of rapid societal changes. The research reveals how state policies, economic shifts, local trends, and global developments, such as environmental concerns and technological advances impact and transform older Buddhist traditions. Overall, the author argues for the concept of multiple liminalities as a framework to describe the contemporary predicament of lay Buddhism in Chinese societies. Accordingly, lay Buddhist actors occupy liminal positions or operate across ambiguous boundaries where realms of in-betweenness, serve as avenues for religious responses to the complex challenges Buddhism in China faces.</p>
<p><a href="https://rub-ovc.academia.edu/TiatemsuLongkumer">Dr. Tiatemsu Longkumer</a> is a faculty in the Dept. of Anthropology at Royal Thimphu College, Bhutan. His academic pursuits center on the fields of Anthropology and the Philosophy of Religion.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3664</itunes:duration>
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    <item>
      <title>Lines of Control: India’s Foreign Policy and China</title>
      <description>This podcast episode, hosted by Kikee Doma Bhutia from the University of Tartu, features journalist and analyst Aadil Brar discussing India's foreign policy amidst rising global tensions. The conversation focuses on India’s balancing act between the US, China, and its own strategic autonomy in a contested Indo-Pacific region.

Key topics include India’s evolving role as a middle power, responding to China's assertiveness along the India-China border and in the Indo-Pacific, while maintaining its traditional non-alignment stance. India’s foreign policy is at a crossroads, shaped by five tense years since the Galwan Valley clash with China. Despite rounds of talks, the border remains uneasy and trust is scarce. Today, China’s assertiveness drives nearly every major Indian strategic decision-from military deployments and Quad partnerships to concerns over Beijing’s mega-dams on the Brahmaputra. Meanwhile, the US sees India as a key counterweight to China in the Indo-Pacific, but Delhi is determined to maintain its independence and avoid being boxed into alliances. As India watches China’s moves from the Himalayas to Taiwan, the question is clear: Are we witnessing a true pivot in Indian foreign policy, or simply a sharp recalibration to meet new realities? The answer will shape Asia’s balance of power for years to come.

The podcast was brought to you by host Dr. Kikee Doma Bhutia a Research Fellow and India Coordinator at the Asia Centre, University of Tartu, Estonia. Her current research combines folkloristics, international relations and Asian studies, focusing on the role of religion and culture in times of crisis, national and regional identities, and geopolitics conflict between India and China.

The podcast guest speaker Aadil Brar is a journalist and international affairs analyst based in Taipei, currently a Reporter at TaiwanPlus News. His reporting focuses on international security, U.S.-China relations, and East Asian security. Previously, he was a China news reporter for Newsweek and has contributed to the BBC World Service, The Print India, and National Geographic. In 2023, he was a Taiwan Ministry of Foreign Affairs Fellow and a visiting scholar at National Chengchi University in Taipei. Brar holds a B.A. in Anthropology from the University of British Columbia and an MSc. in International Politics from the School of Oriental and African Studies, University of London. ​
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 17 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>245</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>A Discussion with Aadil Brar</itunes:subtitle>
      <itunes:summary>This podcast episode, hosted by Kikee Doma Bhutia from the University of Tartu, features journalist and analyst Aadil Brar discussing India's foreign policy amidst rising global tensions. The conversation focuses on India’s balancing act between the US, China, and its own strategic autonomy in a contested Indo-Pacific region.

Key topics include India’s evolving role as a middle power, responding to China's assertiveness along the India-China border and in the Indo-Pacific, while maintaining its traditional non-alignment stance. India’s foreign policy is at a crossroads, shaped by five tense years since the Galwan Valley clash with China. Despite rounds of talks, the border remains uneasy and trust is scarce. Today, China’s assertiveness drives nearly every major Indian strategic decision-from military deployments and Quad partnerships to concerns over Beijing’s mega-dams on the Brahmaputra. Meanwhile, the US sees India as a key counterweight to China in the Indo-Pacific, but Delhi is determined to maintain its independence and avoid being boxed into alliances. As India watches China’s moves from the Himalayas to Taiwan, the question is clear: Are we witnessing a true pivot in Indian foreign policy, or simply a sharp recalibration to meet new realities? The answer will shape Asia’s balance of power for years to come.

The podcast was brought to you by host Dr. Kikee Doma Bhutia a Research Fellow and India Coordinator at the Asia Centre, University of Tartu, Estonia. Her current research combines folkloristics, international relations and Asian studies, focusing on the role of religion and culture in times of crisis, national and regional identities, and geopolitics conflict between India and China.

The podcast guest speaker Aadil Brar is a journalist and international affairs analyst based in Taipei, currently a Reporter at TaiwanPlus News. His reporting focuses on international security, U.S.-China relations, and East Asian security. Previously, he was a China news reporter for Newsweek and has contributed to the BBC World Service, The Print India, and National Geographic. In 2023, he was a Taiwan Ministry of Foreign Affairs Fellow and a visiting scholar at National Chengchi University in Taipei. Brar holds a B.A. in Anthropology from the University of British Columbia and an MSc. in International Politics from the School of Oriental and African Studies, University of London. ​
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This podcast episode, hosted by Kikee Doma Bhutia from the University of Tartu, features journalist and analyst Aadil Brar discussing India's foreign policy amidst rising global tensions. The conversation focuses on India’s balancing act between the US, China, and its own strategic autonomy in a contested Indo-Pacific region.</p>
<p>Key topics include India’s evolving role as a middle power, responding to China's assertiveness along the India-China border and in the Indo-Pacific, while maintaining its traditional non-alignment stance. India’s foreign policy is at a crossroads, shaped by five tense years since the Galwan Valley clash with China. Despite rounds of talks, the border remains uneasy and trust is scarce. Today, China’s assertiveness drives nearly every major Indian strategic decision-from military deployments and Quad partnerships to concerns over Beijing’s mega-dams on the Brahmaputra. Meanwhile, the US sees India as a key counterweight to China in the Indo-Pacific, but Delhi is determined to maintain its independence and avoid being boxed into alliances. As India watches China’s moves from the Himalayas to Taiwan, the question is clear: Are we witnessing a true pivot in Indian foreign policy, or simply a sharp recalibration to meet new realities? The answer will shape Asia’s balance of power for years to come.</p>
<p>The podcast was brought to you by host <strong>Dr. Kikee Doma Bhutia</strong> a Research Fellow and India Coordinator at the Asia Centre, University of Tartu, Estonia. Her current research combines folkloristics, international relations and Asian studies, focusing on the role of religion and culture in times of crisis, national and regional identities, and geopolitics conflict between India and China.</p>
<p>The podcast guest speaker <strong>Aadil Brar</strong> is a journalist and international affairs analyst based in Taipei, currently a Reporter at TaiwanPlus News. His reporting focuses on international security, U.S.-China relations, and East Asian security. Previously, he was a China news reporter for Newsweek and has contributed to the BBC World Service, The Print India, and National Geographic. In 2023, he was a Taiwan Ministry of Foreign Affairs Fellow and a visiting scholar at National Chengchi University in Taipei. Brar holds a B.A. in Anthropology from the University of British Columbia and an MSc. in International Politics from the School of Oriental and African Studies, University of London. ​</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2291</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Howard Chiang, "After Eunuchs: Science, Medicine, and the Transformation of Sex in Modern China" (Columbia UP, 2018)</title>
      <description>Howard Chiang’s new book is a masterful study of the relationship between sexual knowledge and Chinese modernity. After Eunuchs: Science, Medicine, and the Transformation of Sex in Modern China (Columbia University Press, 2018) guides readers through the history of eunuchs in the late 19th and early 20th centuries, the techniques of visualization that helped establish the conditions that produced sex as an object of empirical knowledge, the rise of sexology in the 1920s, the discourse of “sex change” in the press from the 1920s to the 1940s, and a famous case of the “first” Chinese transsexual in 1950s Taiwan. It is a must-read for anyone interested in the history of sexuality in China, and will be of special interest for readers who are interested in bringing Foucault-inspired analyses to the craft of history.
Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 23 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>180</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Howard Chiang’s new book is a masterful study of the relationship between sexual knowledge and Chinese modernity...</itunes:subtitle>
      <itunes:summary>Howard Chiang’s new book is a masterful study of the relationship between sexual knowledge and Chinese modernity. After Eunuchs: Science, Medicine, and the Transformation of Sex in Modern China (Columbia University Press, 2018) guides readers through the history of eunuchs in the late 19th and early 20th centuries, the techniques of visualization that helped establish the conditions that produced sex as an object of empirical knowledge, the rise of sexology in the 1920s, the discourse of “sex change” in the press from the 1920s to the 1940s, and a famous case of the “first” Chinese transsexual in 1950s Taiwan. It is a must-read for anyone interested in the history of sexuality in China, and will be of special interest for readers who are interested in bringing Foucault-inspired analyses to the craft of history.
Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://history.ucdavis.edu/people/hhchiang">Howard Chiang</a>’s new book is a masterful study of the relationship between sexual knowledge and Chinese modernity. <a href="https://aax-us-east.amazon-adsystem.com/x/c/QhPc_YxMqFyrPVA0fxNHsI4AAAFnopujcgEAAAFKAf-7MVw/https://www.amazon.com/dp/0231185782/?creativeASIN=0231185782&amp;linkCode=w61&amp;imprToken=qI6S3hI6b5IbzhX.xxbkBQ&amp;slotNum=0&amp;tag=newbooinhis-20"><em>After Eunuchs: Science, Medicine, and the Transformation of Sex in Modern China </em></a>(Columbia University Press, 2018) guides readers through the history of eunuchs in the late 19th and early 20th centuries, the techniques of visualization that helped establish the conditions that produced sex as an object of empirical knowledge, the rise of sexology in the 1920s, the discourse of “sex change” in the press from the 1920s to the 1940s, and a famous case of the “first” Chinese transsexual in 1950s Taiwan. It is a must-read for anyone interested in the history of sexuality in China, and will be of special interest for readers who are interested in bringing Foucault-inspired analyses to the craft of history.</p><p><em>Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work </em><a href="https://carlanappi.com/"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4247</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Tadashi Ishikawa, "Geographies of Gender: Family and Law in Imperial Japan and Colonial Taiwan" (Cambridge UP., 2024)</title>
      <description>In Geographies of Gender: Family and Law in Imperial Japan and Colonial Taiwan (Cambridge University Press, 2024) Dr. Tadashi Ishikawa traces perceptions and practices of gender in the Japanese empire on the occasion of Japan's colonisation of Taiwan from 1895. In the 1910s, metropolitan and colonial authorities attempted social reform in ways which particularly impacted on family traditions and, therefore, gender relations, paving the way for the politics of comparison within and beyond the empire. In Geographies of Gender, Dr. Ishikawa delves into a variety of diplomatic issues, colonial and anticolonial discourses, and judicial cases, finding marriage gifts, daughter adoption, and premarital sexual relationships to be sites of tension between norms and ideals among both elite and ordinary men and women. He explores how the Japanese empire became a gendered space from the 1910s through the outbreak of the Second Sino-Japanese War in 1937, arguing that gender norms were both unsettled and reinforced in ways which highlight the instability of metropole-colony relations.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word.

Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter.

150 million lifetime downloads. Advertise on the New Books Network. Watch our promotional video.

Learn how to make the most of our library.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 23 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>170</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Tadashi Ishikawa</itunes:subtitle>
      <itunes:summary>In Geographies of Gender: Family and Law in Imperial Japan and Colonial Taiwan (Cambridge University Press, 2024) Dr. Tadashi Ishikawa traces perceptions and practices of gender in the Japanese empire on the occasion of Japan's colonisation of Taiwan from 1895. In the 1910s, metropolitan and colonial authorities attempted social reform in ways which particularly impacted on family traditions and, therefore, gender relations, paving the way for the politics of comparison within and beyond the empire. In Geographies of Gender, Dr. Ishikawa delves into a variety of diplomatic issues, colonial and anticolonial discourses, and judicial cases, finding marriage gifts, daughter adoption, and premarital sexual relationships to be sites of tension between norms and ideals among both elite and ordinary men and women. He explores how the Japanese empire became a gendered space from the 1910s through the outbreak of the Second Sino-Japanese War in 1937, arguing that gender norms were both unsettled and reinforced in ways which highlight the instability of metropole-colony relations.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download this poster here to spread the word.

Please share this interview on Instagram, LinkedIn, or Bluesky. Don't forget to subscribe to our Substack here to receive our weekly newsletter.

150 million lifetime downloads. Advertise on the New Books Network. Watch our promotional video.

Learn how to make the most of our library.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781009534178"><em>Geographies of Gender: Family and Law in Imperial Japan and Colonial Taiwan</em></a> (Cambridge University Press, 2024) Dr. Tadashi Ishikawa traces perceptions and practices of gender in the Japanese empire on the occasion of Japan's colonisation of Taiwan from 1895. In the 1910s, metropolitan and colonial authorities attempted social reform in ways which particularly impacted on family traditions and, therefore, gender relations, paving the way for the politics of comparison within and beyond the empire. In <em>Geographies of Gender</em>, Dr. Ishikawa delves into a variety of diplomatic issues, colonial and anticolonial discourses, and judicial cases, finding marriage gifts, daughter adoption, and premarital sexual relationships to be sites of tension between norms and ideals among both elite and ordinary men and women. He explores how the Japanese empire became a gendered space from the 1910s through the outbreak of the Second Sino-Japanese War in 1937, arguing that gender norms were both unsettled and reinforced in ways which highlight the instability of metropole-colony relations.</p><p>This interview was conducted by Dr. Miranda Melcher whose<a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"> book</a> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on <a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher">New Books with Miranda Melcher</a>, wherever you get your podcasts.</p><p><br></p><p><em>Let's face it, most of the popular podcasts out there are dumb. NBN features scholars (like you!), providing an enriching alternative to students. We partner with presses like Oxford, Princeton, and Cambridge to make academic research accessible to all. Please consider sharing the New Books Network with your students. Download </em><a href="https://drive.google.com/file/d/18YFnB006Nb1ON9_LF2tKvDJjir4d6lLB/view?usp=sharing"><em>this poster here</em></a><em> to spread the word.</em></p><p><br></p><p><em>Please share this interview on </em><a href="https://www.instagram.com/newbooksnetwork"><em>Instagram</em></a><em>, </em><a href="https://www.linkedin.com/company/new-books-network/"><em>LinkedIn</em></a><em>, or </em><a href="https://bsky.app/profile/newbooksnetwork.bsky.social"><em>Bluesky</em></a><em>. Don't forget to subscribe to our Substack </em><a href="https://newbooksnetwork.substack.com/"><em>here</em></a><em> to receive our weekly newsletter.</em></p><p><br></p><p><em>150 million lifetime downloads. Advertise on the New Books Network. Watch our </em><a href="https://www.youtube.com/watch?v=XHIutaAFfOY"><em>promotional video</em></a><em>.</em></p><p><br></p><p><em>Learn how to </em><a href="https://www.youtube.com/watch?v=Bt7amE3ojGs&amp;t=2s"><em>make the most of our library</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3815</itunes:duration>
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      <title>Chiara Calzana and Valentina Gamberi, "Haunting Ruins: Ethnographies of Ruination and Decay" (Berghahn Books, 2025)</title>
      <description>In the contemporary world, ruins, rubble, and decaying material have become increasingly iconic landscapes. They can foster a more layered theory of time, change and memory. The seven ethnographic case studies in Haunting Ruins (Berghahn Books, 2025) trace human engagements with the temporal forces of ruins, which can trace the past and transform the present. Conjuring environmental humanities, the anthropology of history, memory studies, and archaeology, this fascinating new edited volume delves into the complex influence of the past on the present and the future and urges scholars to consider ruins as things to think with.
Valentina Gamberi is a MSCA-CZ Postdoctoral Fellow at the Palacký University Olomouc. She is an anthropologist focusing on material culture studies, museum and heritage studies, with a foundation in religious studies and material religion. She has conducted fieldwork in several European museums and, since 2017, in Taiwan. Orcid: https://orcid.org/0000-0003-0857-2233 Email: valentina.gamberi@upol.cz
Chiara Calzana is a Postdoctoral Research Fellow at the University of Turin and an Adjunct Lecturer at the University of Milano-Bicocca. Her research interests lie in the fields of historical anthropology and memory studies. She conducted ethnographic fieldwork and historical research in the Vajont disaster area (Italian Alps), focusing on memorialization and monumentalization practices. Since 2023, she has been a member of the research team of the ERC Project ‘The World Behind a Word. An Anthropological Exploration of Fascist Practices and Meanings among European Youth (F-WORD)’. E-mail: chiara.calzana@unito.it
Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, medical anthropology, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 08 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>359</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Chiara Calzana and Valentina Gamberi</itunes:subtitle>
      <itunes:summary>In the contemporary world, ruins, rubble, and decaying material have become increasingly iconic landscapes. They can foster a more layered theory of time, change and memory. The seven ethnographic case studies in Haunting Ruins (Berghahn Books, 2025) trace human engagements with the temporal forces of ruins, which can trace the past and transform the present. Conjuring environmental humanities, the anthropology of history, memory studies, and archaeology, this fascinating new edited volume delves into the complex influence of the past on the present and the future and urges scholars to consider ruins as things to think with.
Valentina Gamberi is a MSCA-CZ Postdoctoral Fellow at the Palacký University Olomouc. She is an anthropologist focusing on material culture studies, museum and heritage studies, with a foundation in religious studies and material religion. She has conducted fieldwork in several European museums and, since 2017, in Taiwan. Orcid: https://orcid.org/0000-0003-0857-2233 Email: valentina.gamberi@upol.cz
Chiara Calzana is a Postdoctoral Research Fellow at the University of Turin and an Adjunct Lecturer at the University of Milano-Bicocca. Her research interests lie in the fields of historical anthropology and memory studies. She conducted ethnographic fieldwork and historical research in the Vajont disaster area (Italian Alps), focusing on memorialization and monumentalization practices. Since 2023, she has been a member of the research team of the ERC Project ‘The World Behind a Word. An Anthropological Exploration of Fascist Practices and Meanings among European Youth (F-WORD)’. E-mail: chiara.calzana@unito.it
Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, medical anthropology, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the contemporary world, ruins, rubble, and decaying material have become increasingly iconic landscapes. They can foster a more layered theory of time, change and memory. The seven ethnographic case studies in <a href="https://bookshop.org/a/12343/9781805398851"><em>Haunting Ruins</em></a> (Berghahn Books, 2025) trace human engagements with the temporal forces of ruins, which can trace the past and transform the present. Conjuring environmental humanities, the anthropology of history, memory studies, and archaeology, this fascinating new edited volume delves into the complex influence of the past on the present and the future and urges scholars to consider ruins as things to think with.</p><p>Valentina Gamberi is a MSCA-CZ Postdoctoral Fellow at the Palacký University Olomouc. She is an anthropologist focusing on material culture studies, museum and heritage studies, with a foundation in religious studies and material religion. She has conducted fieldwork in several European museums and, since 2017, in Taiwan. Orcid: <a href="https://orcid.org/0000-0003-0857-2233">https://orcid.org/0000-0003-0857-2233</a> Email: <a href="mailto:valentina.gamberi@upol.cz">valentina.gamberi@upol.cz</a></p><p>Chiara Calzana is a Postdoctoral Research Fellow at the University of Turin and an Adjunct Lecturer at the University of Milano-Bicocca. Her research interests lie in the fields of historical anthropology and memory studies. She conducted ethnographic fieldwork and historical research in the Vajont disaster area (Italian Alps), focusing on memorialization and monumentalization practices. Since 2023, she has been a member of the research team of the ERC Project ‘The World Behind a Word. An Anthropological Exploration of Fascist Practices and Meanings among European Youth (F-WORD)’. E-mail: <a href="mailto:chiara.calzana@unito.it">chiara.calzana@unito.it</a></p><p>Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, medical anthropology, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found <a href="https://liberalarts.tulane.edu/anthropology/people/graduate-students/yadong-li">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2719</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK3549197313.mp3?updated=1744050064" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Book Chat: "A Taiwanese Eco-Literature Reader" with Ian Rowen</title>
      <description>In this episode, our host, Ti-han, invited one of her co-editors, Dr Ian Rowen, to talk about their forthcoming book publication, A Taiwanese Eco-literature Reader, soon to be published by Columbia University Press. This anthology brings together translations of nine compelling stories from Taiwan, examining Taiwan’s most vibrant literary genre and its resonance to the theme of HOME. While this podcast series has featured interviews with some of the anthology’s authors, Ian speaks from the perspective as an editor, showing why it is critical to work on translating Taiwanese eco-literature for global readers. On a personal note, Ian also reflects his own sense of belonging, and the evolving sense of HOME, and how Taiwan has played a key role in that journey.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 20 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>TOA: Home Series</itunes:subtitle>
      <itunes:summary>In this episode, our host, Ti-han, invited one of her co-editors, Dr Ian Rowen, to talk about their forthcoming book publication, A Taiwanese Eco-literature Reader, soon to be published by Columbia University Press. This anthology brings together translations of nine compelling stories from Taiwan, examining Taiwan’s most vibrant literary genre and its resonance to the theme of HOME. While this podcast series has featured interviews with some of the anthology’s authors, Ian speaks from the perspective as an editor, showing why it is critical to work on translating Taiwanese eco-literature for global readers. On a personal note, Ian also reflects his own sense of belonging, and the evolving sense of HOME, and how Taiwan has played a key role in that journey.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, our host, Ti-han, invited one of her co-editors, Dr Ian Rowen, to talk about their forthcoming book publication, A <em>Taiwanese Eco-literature Reader</em>, soon to be published by Columbia University Press. This anthology brings together translations of nine compelling stories from Taiwan, examining Taiwan’s most vibrant literary genre and its resonance to the theme of HOME. While this podcast series has featured interviews with some of the anthology’s authors, Ian speaks from the perspective as an editor, showing why it is critical to work on translating Taiwanese eco-literature for global readers. On a personal note, Ian also reflects his own sense of belonging, and the evolving sense of HOME, and how Taiwan has played a key role in that journey.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1430</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e21d03fa-bebf-11f0-8a12-bf24f75dbd73]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3403779078.mp3?updated=1742404782" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Brendan A. Galipeau, "Crafting a Tibetan Terroir: Winemaking in Shangri-La" (U Washington Press, 2025)</title>
      <description>Aiming to explore the Sino-Tibetan border region, which is renamed “Shangri-La” by the Chinese government for tourism promotion, Crafting a Tibetan Terroir (U Washington Press, 2025) examines how the deployment of the French notion of terroir creates new forms of ethno-regional identities and village landscapes through the production of Tibetan wine as a commodity. In Shangri-La, a rapidly developing international ethno-travel destination, European histories and global capitalism are being reestablished and reformulated through viticulture, which has altered landscapes and livelihoods.
From the introduction of vineyards by nineteenth-century French and Swiss Catholic missionaries to make sacramental wine to twenty-first century commercialization, this ethnography documents the ways Tibetans are indigenizing modernity in the context of economic development on their own terms. It provides timely insight into China's rapid entry into the global wine market, highlighting the localized impacts of this emergent industry, which include transformation from subsistence agriculture to monocropping and intensified agrochemical use. It also addresses larger issues of international trade, suggesting that certain commodities - stimulants and intoxicants in particular - have long connected Europe and the Asia Pacific region, and that these connections are now being reconceived in fashioning new industries and identities.
Brendan A. Galipeau is a Lecturer in Binghamton University’s Environmental Studies program. He is the author of Crafting a Tibetan Terroir: Winemaking in Shangri-La (University of Washington Press, 2025). His research and publications broadly focus on environmental and social change and human relations with nature in southwest China and Taiwan.
Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, medical anthropology, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 06 Mar 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>350</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Brendan A. Galipeau</itunes:subtitle>
      <itunes:summary>Aiming to explore the Sino-Tibetan border region, which is renamed “Shangri-La” by the Chinese government for tourism promotion, Crafting a Tibetan Terroir (U Washington Press, 2025) examines how the deployment of the French notion of terroir creates new forms of ethno-regional identities and village landscapes through the production of Tibetan wine as a commodity. In Shangri-La, a rapidly developing international ethno-travel destination, European histories and global capitalism are being reestablished and reformulated through viticulture, which has altered landscapes and livelihoods.
From the introduction of vineyards by nineteenth-century French and Swiss Catholic missionaries to make sacramental wine to twenty-first century commercialization, this ethnography documents the ways Tibetans are indigenizing modernity in the context of economic development on their own terms. It provides timely insight into China's rapid entry into the global wine market, highlighting the localized impacts of this emergent industry, which include transformation from subsistence agriculture to monocropping and intensified agrochemical use. It also addresses larger issues of international trade, suggesting that certain commodities - stimulants and intoxicants in particular - have long connected Europe and the Asia Pacific region, and that these connections are now being reconceived in fashioning new industries and identities.
Brendan A. Galipeau is a Lecturer in Binghamton University’s Environmental Studies program. He is the author of Crafting a Tibetan Terroir: Winemaking in Shangri-La (University of Washington Press, 2025). His research and publications broadly focus on environmental and social change and human relations with nature in southwest China and Taiwan.
Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, medical anthropology, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Aiming to explore the Sino-Tibetan border region, which is renamed “Shangri-La” by the Chinese government for tourism promotion, <a href="https://bookshop.org/a/12343/9780295753362"><em>Crafting a Tibetan Terroir</em></a> (U Washington Press, 2025) examines how the deployment of the French notion of <em>terroir</em> creates new forms of ethno-regional identities and village landscapes through the production of Tibetan wine as a commodity. In Shangri-La, a rapidly developing international ethno-travel destination, European histories and global capitalism are being reestablished and reformulated through viticulture, which has altered landscapes and livelihoods.</p><p>From the introduction of vineyards by nineteenth-century French and Swiss Catholic missionaries to make sacramental wine to twenty-first century commercialization, this ethnography documents the ways Tibetans are indigenizing modernity in the context of economic development on their own terms. It provides timely insight into China's rapid entry into the global wine market, highlighting the localized impacts of this emergent industry, which include transformation from subsistence agriculture to monocropping and intensified agrochemical use. It also addresses larger issues of international trade, suggesting that certain commodities - stimulants and intoxicants in particular - have long connected Europe and the Asia Pacific region, and that these connections are now being reconceived in fashioning new industries and identities.</p><p>Brendan A. Galipeau is a Lecturer in Binghamton University’s Environmental Studies program. He is the author of <em>Crafting a Tibetan Terroir: Winemaking in Shangri-La </em>(University of Washington Press, 2025). His research and publications broadly focus on environmental and social change and human relations with nature in southwest China and Taiwan.</p><p>Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, medical anthropology, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found <a href="https://liberalarts.tulane.edu/anthropology/people/graduate-students/yadong-li">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4580</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK6388924447.mp3?updated=1741038849" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Art Chat: Home and Cetacean Photography, with Ray Chin</title>
      <description>In this episode, our host, Ti-han, invited Ray Chin金磊, a Taiwanese wildlife photographer who pioneered in the field of underwater and cetacean photography. In the last two decades, Ray has travelled from Taiwan to the Pacific islands, then to the Galapagos islands and the Nordic seas to capture breathtaking photos of whales and dolphins. Today, not only he is passionate about marine wildlife photography, but also very committed in using art and photography as a medium to raise awareness for educating the younger generation about our ocean home. In this episode, we freely chatted about how Ray started his journey of photography, and how he perceives cetaceans as the neighbours of our Home, Taiwan.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 28 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>25</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode, our host, Ti-han, invited Ray Chin金磊, a Taiwanese wildlife photographer who pioneered in the field of underwater and cetacean photography. In the last two decades, Ray has travelled from Taiwan to the Pacific islands, then to the Galapagos islands and the Nordic seas to capture breathtaking photos of whales and dolphins. Today, not only he is passionate about marine wildlife photography, but also very committed in using art and photography as a medium to raise awareness for educating the younger generation about our ocean home. In this episode, we freely chatted about how Ray started his journey of photography, and how he perceives cetaceans as the neighbours of our Home, Taiwan.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, our host, Ti-han, invited Ray Chin金磊, a Taiwanese wildlife photographer who pioneered in the field of underwater and cetacean photography. In the last two decades, Ray has travelled from Taiwan to the Pacific islands, then to the Galapagos islands and the Nordic seas to capture breathtaking photos of whales and dolphins. Today, not only he is passionate about marine wildlife photography, but also very committed in using art and photography as a medium to raise awareness for educating the younger generation about our ocean home. In this episode, we freely chatted about how Ray started his journey of photography, and how he perceives cetaceans as the neighbours of our Home, Taiwan.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2017</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[db04ad02-bebf-11f0-becd-d3ec7b8cd51a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4287565397.mp3?updated=1740575253" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Catherine Lila Chou and Mark Harrison, "Revolutionary Taiwan: Making Nationhood in a Changing World Order" (Cambria Press, 2024)</title>
      <description>Popular English-language discourse about Taiwan often contains tropes like how “Taiwan is the real China” or how Taiwan “split with China in 1949”. Catherine Lila Chou and Mark Harrison’s book Revolutionary Taiwan: Making Nationhood in a Changing World Order (Cambria, 2024) argues that such tropes dangerously oversimplify Taiwan’s national narrative, especially after its democratization in the late 1980s/early 1990s. 
Through chapters centered around examples easily accessible to layperson audiences, Revolutionary Taiwan aims to help readers understand how Taiwanese people conceptualize their self-identity, and why Taiwan’s democratization process encompasses a series of “revolutionary” transformations.
Catherine Lila Chou is an Assistant Professor of World History at National Chengchi University in Taiwan. She previously taught at Grinnell College in Iowa and, besides writing about Taiwan, has a background in early modern British and European history.
Mark Harrison is a Senior Lecturer at the University of Tasmania, and specializes in Taiwanese politics and society. He is also an expert associate of the National Security College at the Australian National University, and also works with the Australian Strategic Policy Institute on Taiwan-related issues.
Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 23 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>557</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Catherine Lila Chou and Mark Harrison</itunes:subtitle>
      <itunes:summary>Popular English-language discourse about Taiwan often contains tropes like how “Taiwan is the real China” or how Taiwan “split with China in 1949”. Catherine Lila Chou and Mark Harrison’s book Revolutionary Taiwan: Making Nationhood in a Changing World Order (Cambria, 2024) argues that such tropes dangerously oversimplify Taiwan’s national narrative, especially after its democratization in the late 1980s/early 1990s. 
Through chapters centered around examples easily accessible to layperson audiences, Revolutionary Taiwan aims to help readers understand how Taiwanese people conceptualize their self-identity, and why Taiwan’s democratization process encompasses a series of “revolutionary” transformations.
Catherine Lila Chou is an Assistant Professor of World History at National Chengchi University in Taiwan. She previously taught at Grinnell College in Iowa and, besides writing about Taiwan, has a background in early modern British and European history.
Mark Harrison is a Senior Lecturer at the University of Tasmania, and specializes in Taiwanese politics and society. He is also an expert associate of the National Security College at the Australian National University, and also works with the Australian Strategic Policy Institute on Taiwan-related issues.
Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Popular English-language discourse about Taiwan often contains tropes like how “Taiwan is the real China” or how Taiwan “split with China in 1949”. Catherine Lila Chou and Mark Harrison’s book <a href="https://bookshop.org/a/12343/9781638573227"><em>Revolutionary Taiwan: Making Nationhood in a Changing World Order</em></a> (Cambria, 2024) argues that such tropes dangerously oversimplify Taiwan’s national narrative, especially after its democratization in the late 1980s/early 1990s. </p><p>Through chapters centered around examples easily accessible to layperson audiences, <em>Revolutionary Taiwan</em> aims to help readers understand how Taiwanese people conceptualize their self-identity, and why Taiwan’s democratization process encompasses a series of “revolutionary” transformations.</p><p><strong>Catherine Lila Chou</strong> is an Assistant Professor of World History at National Chengchi University in Taiwan. She previously taught at Grinnell College in Iowa and, besides writing about Taiwan, has a background in early modern British and European history.</p><p><strong>Mark Harrison</strong> is a Senior Lecturer at the University of Tasmania, and specializes in Taiwanese politics and society. He is also an expert associate of the National Security College at the Australian National University, and also works with the Australian Strategic Policy Institute on Taiwan-related issues.</p><p><a href="https://www.anthonykao.org/"><em>Anthony Kao</em></a><em> is a writer who intersects international affairs and cultural criticism. He founded/edits </em><a href="https://www.cinemaescapist.com/"><em>Cinema Escapist</em></a><em>—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3381</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK5574080920.mp3?updated=1740148857" length="0" type="audio/mpeg"/>
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    <item>
      <title>Book Chat: The Life Story of Father Nguyễn, a Vietnamese Refugee Who Migrated to Taiwan, with Lin Shu-fen </title>
      <description>In this podcast, the host, Lara Momesso, introduces a book she co-edited with Dr Polina Ivanova (University of Bremen) titled Refugees and Asylum Seekers in East Asia: Perspective from Japan and Taiwan (Palgrave MacMillan, 2024), and she interviews one of the authors of the book, Dr Shu-fen Lin, at National Yang Ming Chiao Tung University. In this chat, Shu-fen Lin explores the life story of a Vietnamese refugee, Father Nguyễn Văn Hùng, who escaped Vietnam via boat in the late 1970s and arrived in Japan, and then went to Australia and, eventually, Taiwan. The story of Father Nguyễn Văn Hùng intersects with the immigration and refugee policies of Japan, Australia and Taiwan, his fight for justice in Taiwan as well as Vietnam, and his future ambitions and goals.
For those who are interested to know more about this conversation, here you can find the link of the book and here the link of the specific chapter. The book is available open access, so feel free to share it with your network!
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 26 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>21</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>A Discussion with Lin Shu-fen</itunes:subtitle>
      <itunes:summary>In this podcast, the host, Lara Momesso, introduces a book she co-edited with Dr Polina Ivanova (University of Bremen) titled Refugees and Asylum Seekers in East Asia: Perspective from Japan and Taiwan (Palgrave MacMillan, 2024), and she interviews one of the authors of the book, Dr Shu-fen Lin, at National Yang Ming Chiao Tung University. In this chat, Shu-fen Lin explores the life story of a Vietnamese refugee, Father Nguyễn Văn Hùng, who escaped Vietnam via boat in the late 1970s and arrived in Japan, and then went to Australia and, eventually, Taiwan. The story of Father Nguyễn Văn Hùng intersects with the immigration and refugee policies of Japan, Australia and Taiwan, his fight for justice in Taiwan as well as Vietnam, and his future ambitions and goals.
For those who are interested to know more about this conversation, here you can find the link of the book and here the link of the specific chapter. The book is available open access, so feel free to share it with your network!
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this podcast, the host, Lara Momesso, introduces a book she co-edited with Dr Polina Ivanova (University of Bremen) titled <a href="https://bookshop.org/a/12343/9789819728664"><em>Refugees and Asylum Seekers in East Asia: Perspective from Japan and Taiwan</em></a> (Palgrave MacMillan, 2024), and she interviews one of the authors of the book, Dr Shu-fen Lin, at National Yang Ming Chiao Tung University. In this chat, Shu-fen Lin explores the life story of a Vietnamese refugee, Father Nguyễn Văn Hùng, who escaped Vietnam via boat in the late 1970s and arrived in Japan, and then went to Australia and, eventually, Taiwan. The story of Father Nguyễn Văn Hùng intersects with the immigration and refugee policies of Japan, Australia and Taiwan, his fight for justice in Taiwan as well as Vietnam, and his future ambitions and goals.</p><p>For those who are interested to know more about this conversation, <a href="https://link.springer.com/book/10.1007/978-981-97-2867-1">here</a> you can find the link of the book and <a href="https://link.springer.com/chapter/10.1007/978-981-97-2867-1_12">here</a> the link of the specific chapter. The book is available open access, so feel free to share it with your network!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2085</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Brian Hioe, "Taipei at Daybreak" (Repeater, 2025)</title>
      <description>Brian Hioe is a Taipei-based writer, editor, translator, activist, and DJ who is best known for his journalism regarding Taiwan’s social and political landscape. Much of his work appears in New Bloom Magazine, an online magazine that he helped establish in 2014 to cover activism and youth politics in Taiwan and the Asia Pacific at large.
In this episode of the New Books Network, we talk with Brian about his debut fictional novel, Taipei at Daybreak (Repeater Books, 2025).
Taipei at Daybreak is a work of autofiction that draws heavy inspiration from Brian’s experiences with activist movements including not just Taiwan’s Sunflower Movement, but also Occupy Wall Street in the US and post-Fukushima disaster anti-nuclear protests in Japan.
Atop this undercurrent of activism, the novel dives into its protagonist's inner turmoil and coming-of-age, giving readers a highly personal insight into the nature of 2010s-era social movements.
Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 23 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>551</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Brian Hioe</itunes:subtitle>
      <itunes:summary>Brian Hioe is a Taipei-based writer, editor, translator, activist, and DJ who is best known for his journalism regarding Taiwan’s social and political landscape. Much of his work appears in New Bloom Magazine, an online magazine that he helped establish in 2014 to cover activism and youth politics in Taiwan and the Asia Pacific at large.
In this episode of the New Books Network, we talk with Brian about his debut fictional novel, Taipei at Daybreak (Repeater Books, 2025).
Taipei at Daybreak is a work of autofiction that draws heavy inspiration from Brian’s experiences with activist movements including not just Taiwan’s Sunflower Movement, but also Occupy Wall Street in the US and post-Fukushima disaster anti-nuclear protests in Japan.
Atop this undercurrent of activism, the novel dives into its protagonist's inner turmoil and coming-of-age, giving readers a highly personal insight into the nature of 2010s-era social movements.
Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://brianhioe.info/"><strong>Brian Hioe</strong></a> is a Taipei-based writer, editor, translator, activist, and DJ who is best known for his journalism regarding Taiwan’s social and political landscape. Much of his work appears in <a href="https://newbloommag.net/"><em>New Bloom Magazine</em></a>, an online magazine that he helped establish in 2014 to cover activism and youth politics in Taiwan and the Asia Pacific at large.</p><p>In this episode of the New Books Network, we talk with Brian about his debut fictional novel, <a href="https://bookshop.org/a/12343/9781915672537"><strong><em>Taipei at Daybreak</em></strong> </a>(Repeater Books, 2025).</p><p><em>Taipei at Daybreak</em> is a work of autofiction that draws heavy inspiration from Brian’s experiences with activist movements including not just Taiwan’s Sunflower Movement, but also Occupy Wall Street in the US and post-Fukushima disaster anti-nuclear protests in Japan.</p><p>Atop this undercurrent of activism, the novel dives into its protagonist's inner turmoil and coming-of-age, giving readers a highly personal insight into the nature of 2010s-era social movements.</p><p><a href="https://www.anthonykao.org/"><em>Anthony Kao</em></a><em> is a writer who intersects international affairs and cultural criticism. He founded/edits </em><a href="https://www.cinemaescapist.com/"><em>Cinema Escapist</em></a><em>—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2093</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Jing Xu, "'Unruly' Children: Historical Fieldnotes and Learning Morality in a Taiwan Village" (Cambridge UP, 2024)</title>
      <description>How do we become moral persons? What about children’s active learning in contrast to parenting? What can children teach us about knowledge-making more broadly? Answer these questions by delving into the groundbreaking ethnographic fieldwork conducted by anthropologists Arthur and Margery Wolf in a martial law era Taiwanese village (1958-60), marking the first-ever study of ethnic Han children. 
Jing Xu skillfully reinterprets the Wolfs’ extensive fieldnotes, employing a unique blend of humanistic interpretation, natural language processing, and machine-learning techniques. Through a lens of social cognition, Unruly' Children: Historical Fieldnotes and Learning Morality in a Taiwan Village (Cambridge UP, 2024) unravels the complexities of children’s moral growth, exposing instances of disobedience, negotiation, and peer dynamics. Writing through and about fieldnotes, the author connects the two themes, learning morality and making ethnography, in light of social cognition, and invites all of us to take children seriously. This book is ideal for graduate and undergraduate students of anthropology and educational studies.
Throughout the interview, the term “Chinese” is used in the broad sense of cultural heritage.
Jing Xu is a research scientist at the Department of Anthropology, University of Washington, Seattle. She holds a B.A. and M.A. from Tsinghua University, China, a Ph.D. in anthropology from Washington University in St. Louis, and received postdoctoral training in developmental psychology at the University of Washington. She pursues interdisciplinary research, bringing together anthropological and psychological perspectives to study how humans become moral persons. She is the author of two monographs: The Good Child: Moral Development in a Chinese Preschool (Stanford U Press, 2017) and “Unruly” Children: Historical Fieldnotes and Learning Morality in a Taiwan Village (Cambridge U Press, 2024).
Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, medical anthropology, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 22 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>341</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Jing Xu</itunes:subtitle>
      <itunes:summary>How do we become moral persons? What about children’s active learning in contrast to parenting? What can children teach us about knowledge-making more broadly? Answer these questions by delving into the groundbreaking ethnographic fieldwork conducted by anthropologists Arthur and Margery Wolf in a martial law era Taiwanese village (1958-60), marking the first-ever study of ethnic Han children. 
Jing Xu skillfully reinterprets the Wolfs’ extensive fieldnotes, employing a unique blend of humanistic interpretation, natural language processing, and machine-learning techniques. Through a lens of social cognition, Unruly' Children: Historical Fieldnotes and Learning Morality in a Taiwan Village (Cambridge UP, 2024) unravels the complexities of children’s moral growth, exposing instances of disobedience, negotiation, and peer dynamics. Writing through and about fieldnotes, the author connects the two themes, learning morality and making ethnography, in light of social cognition, and invites all of us to take children seriously. This book is ideal for graduate and undergraduate students of anthropology and educational studies.
Throughout the interview, the term “Chinese” is used in the broad sense of cultural heritage.
Jing Xu is a research scientist at the Department of Anthropology, University of Washington, Seattle. She holds a B.A. and M.A. from Tsinghua University, China, a Ph.D. in anthropology from Washington University in St. Louis, and received postdoctoral training in developmental psychology at the University of Washington. She pursues interdisciplinary research, bringing together anthropological and psychological perspectives to study how humans become moral persons. She is the author of two monographs: The Good Child: Moral Development in a Chinese Preschool (Stanford U Press, 2017) and “Unruly” Children: Historical Fieldnotes and Learning Morality in a Taiwan Village (Cambridge U Press, 2024).
Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, medical anthropology, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do we become moral persons? What about children’s active learning in contrast to parenting? What can children teach us about knowledge-making more broadly? Answer these questions by delving into the groundbreaking ethnographic fieldwork conducted by anthropologists Arthur and Margery Wolf in a martial law era Taiwanese village (1958-60), marking the first-ever study of ethnic Han children. </p><p>Jing Xu skillfully reinterprets the Wolfs’ extensive fieldnotes, employing a unique blend of humanistic interpretation, natural language processing, and machine-learning techniques. Through a lens of social cognition, <a href="https://bookshop.org/a/12343/9781009416252"><em>Unruly' Children: Historical Fieldnotes and Learning Morality in a Taiwan Village</em> </a>(Cambridge UP, 2024) unravels the complexities of children’s moral growth, exposing instances of disobedience, negotiation, and peer dynamics. Writing through and about fieldnotes, the author connects the two themes, learning morality and making ethnography, in light of social cognition, and invites all of us to take children seriously. This book is ideal for graduate and undergraduate students of anthropology and educational studies.</p><p>Throughout the interview, the term “Chinese” is used in the broad sense of cultural heritage.</p><p>Jing Xu is a research scientist at the Department of Anthropology, University of Washington, Seattle. She holds a B.A. and M.A. from Tsinghua University, China, a Ph.D. in anthropology from Washington University in St. Louis, and received postdoctoral training in developmental psychology at the University of Washington. She pursues interdisciplinary research, bringing together anthropological and psychological perspectives to study how humans become moral persons. She is the author of two monographs: <em>The Good Child: Moral Development in a Chinese Preschool</em> (Stanford U Press, 2017) and <em>“Unruly” Children: Historical Fieldnotes and Learning Morality in a Taiwan Village</em> (Cambridge U Press, 2024).</p><p>Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of economic anthropology, medical anthropology, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found <a href="https://liberalarts.tulane.edu/anthropology/people/graduate-students/yadong-li">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>5872</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK1634372138.mp3?updated=1737388962" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Robin Visser, "Questioning Borders: Ecoliteratures of China and Taiwan" (Columbia UP, 2023)</title>
      <description>Indigenous knowledge of local ecosystems often challenges settler-colonial cosmologies that naturalize resource extraction and the relocation of nomadic, hunting, foraging, or fishing peoples. Questioning Borders: Ecoliteratures of China and Taiwan (Columbia UP, 2023) explores recent ecoliterature by Han and non-Han Indigenous writers of China and Taiwan, analyzing relations among humans, animals, ecosystems, and the cosmos in search of alternative possibilities for creativity and consciousness.
Informed by extensive field research, Robin Visser compares literary works by Bai, Bunun, Kazakh, Mongol, Tao, Tibetan, Uyghur, Wa, Yi, and Han Chinese writers set in Xinjiang, Tibet, Inner Mongolia, Southwest China, and Taiwan, sites of extensive development, migration, and climate change impacts. Visser contrasts the dominant Han Chinese cosmology of center and periphery that informs what she calls “Beijing Westerns” with Indigenous and hybridized ways of relating to the world that challenge borders, binaries, and hierarchies.
By centering Indigenous cosmologies, this book aims to decolonize approaches to ecocriticism, comparative literature, and Chinese and Sinophone studies as well as to inspire new modes of sustainable flourishing in the Anthropocene.
Robin Visser is professor and associate chair of the Department of Asian and Middle Eastern Studies at the University of North Carolina at Chapel Hill. She is the author of Cities Surround the Countryside: Urban Aesthetics in Postsocialist China (2010).
Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 18 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>550</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Robin Visser</itunes:subtitle>
      <itunes:summary>Indigenous knowledge of local ecosystems often challenges settler-colonial cosmologies that naturalize resource extraction and the relocation of nomadic, hunting, foraging, or fishing peoples. Questioning Borders: Ecoliteratures of China and Taiwan (Columbia UP, 2023) explores recent ecoliterature by Han and non-Han Indigenous writers of China and Taiwan, analyzing relations among humans, animals, ecosystems, and the cosmos in search of alternative possibilities for creativity and consciousness.
Informed by extensive field research, Robin Visser compares literary works by Bai, Bunun, Kazakh, Mongol, Tao, Tibetan, Uyghur, Wa, Yi, and Han Chinese writers set in Xinjiang, Tibet, Inner Mongolia, Southwest China, and Taiwan, sites of extensive development, migration, and climate change impacts. Visser contrasts the dominant Han Chinese cosmology of center and periphery that informs what she calls “Beijing Westerns” with Indigenous and hybridized ways of relating to the world that challenge borders, binaries, and hierarchies.
By centering Indigenous cosmologies, this book aims to decolonize approaches to ecocriticism, comparative literature, and Chinese and Sinophone studies as well as to inspire new modes of sustainable flourishing in the Anthropocene.
Robin Visser is professor and associate chair of the Department of Asian and Middle Eastern Studies at the University of North Carolina at Chapel Hill. She is the author of Cities Surround the Countryside: Urban Aesthetics in Postsocialist China (2010).
Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Indigenous knowledge of local ecosystems often challenges settler-colonial cosmologies that naturalize resource extraction and the relocation of nomadic, hunting, foraging, or fishing peoples. <a href="https://bookshop.org/a/12343/9780231199810"><em>Questioning Borders: Ecoliteratures of China and Taiwan</em></a><em> </em>(Columbia UP, 2023) explores recent ecoliterature by Han and non-Han Indigenous writers of China and Taiwan, analyzing relations among humans, animals, ecosystems, and the cosmos in search of alternative possibilities for creativity and consciousness.</p><p>Informed by extensive field research, Robin Visser compares literary works by Bai, Bunun, Kazakh, Mongol, Tao, Tibetan, Uyghur, Wa, Yi, and Han Chinese writers set in Xinjiang, Tibet, Inner Mongolia, Southwest China, and Taiwan, sites of extensive development, migration, and climate change impacts. Visser contrasts the dominant Han Chinese cosmology of center and periphery that informs what she calls “Beijing Westerns” with Indigenous and hybridized ways of relating to the world that challenge borders, binaries, and hierarchies.</p><p>By centering Indigenous cosmologies, this book aims to decolonize approaches to ecocriticism, comparative literature, and Chinese and Sinophone studies as well as to inspire new modes of sustainable flourishing in the Anthropocene.</p><p><a href="https://asianstudies.unc.edu/faculty/visser-robin-2/">Robin Visser</a> is professor and associate chair of the Department of Asian and Middle Eastern Studies at the University of North Carolina at Chapel Hill. She is the author of <em>Cities Surround the Countryside: Urban Aesthetics in Postsocialist China</em> (2010).</p><p><a href="https://lipingchen.com/index.html"><em>Li-Ping Chen</em></a><em> is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3365</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Christina L. Davis, "Discriminatory Clubs: The Geopolitics of International Organizations" (Princeton UP, 2023)</title>
      <description>Member selection is one of the defining elements of social organization, imposing categories on who we are and what we do. Discriminatory Clubs: The Geopolitics of International Organizations (Princeton UP, 2023) shows how international organizations are like social clubs, ones in which institutional rules and informal practices enable states to favor friends while excluding rivals.
Where race or socioeconomic status may be a basis for discrimination by social clubs, geopolitical alignment determines who gets into the room to make the rules of global governance. Christina Davis brings together a wealth of data on membership provisions for more than three hundred organizations to reveal the prevalence of club-style selection on the world stage. States join organizations to deepen their association with a particular group of states—most often their allies—and for the gains from policy coordination. Even organizations that claim to be universal, to target narrow issues, or to cover geographic regions use club-style admission criteria. Davis demonstrates that when it comes to the most important decision of cooperation—who belongs to the club and who doesn’t—geopolitical alignment can matter more than the merits or policies of potential members.
With illuminating case studies ranging from nineteenth-century Japan to contemporary Palestine and Taiwan, Discriminatory Clubs sheds light on how, for global and regional organizations such as the WTO and the EU, alliance ties and shared foreign-policy positions form the basis of cooperation.
Christina L. Davis is the Edwin O. Reischauer Professor of Japanese Politics in the Department of Government at Harvard University. She is the author of Why Adjudicate? and Food Fights over Free Trade (both Princeton).
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 17 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>117</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Christina L. Davis</itunes:subtitle>
      <itunes:summary>Member selection is one of the defining elements of social organization, imposing categories on who we are and what we do. Discriminatory Clubs: The Geopolitics of International Organizations (Princeton UP, 2023) shows how international organizations are like social clubs, ones in which institutional rules and informal practices enable states to favor friends while excluding rivals.
Where race or socioeconomic status may be a basis for discrimination by social clubs, geopolitical alignment determines who gets into the room to make the rules of global governance. Christina Davis brings together a wealth of data on membership provisions for more than three hundred organizations to reveal the prevalence of club-style selection on the world stage. States join organizations to deepen their association with a particular group of states—most often their allies—and for the gains from policy coordination. Even organizations that claim to be universal, to target narrow issues, or to cover geographic regions use club-style admission criteria. Davis demonstrates that when it comes to the most important decision of cooperation—who belongs to the club and who doesn’t—geopolitical alignment can matter more than the merits or policies of potential members.
With illuminating case studies ranging from nineteenth-century Japan to contemporary Palestine and Taiwan, Discriminatory Clubs sheds light on how, for global and regional organizations such as the WTO and the EU, alliance ties and shared foreign-policy positions form the basis of cooperation.
Christina L. Davis is the Edwin O. Reischauer Professor of Japanese Politics in the Department of Government at Harvard University. She is the author of Why Adjudicate? and Food Fights over Free Trade (both Princeton).
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Member selection is one of the defining elements of social organization, imposing categories on who we are and what we do. <a href="https://bookshop.org/a/12343/9780691247793"><em>Discriminatory Clubs: The Geopolitics of International Organizations</em></a><em> </em>(Princeton UP, 2023) shows how international organizations are like social clubs, ones in which institutional rules and informal practices enable states to favor friends while excluding rivals.</p><p>Where race or socioeconomic status may be a basis for discrimination by social clubs, geopolitical alignment determines who gets into the room to make the rules of global governance. Christina Davis brings together a wealth of data on membership provisions for more than three hundred organizations to reveal the prevalence of club-style selection on the world stage. States join organizations to deepen their association with a particular group of states—most often their allies—and for the gains from policy coordination. Even organizations that claim to be universal, to target narrow issues, or to cover geographic regions use club-style admission criteria. Davis demonstrates that when it comes to the most important decision of cooperation—who belongs to the club and who doesn’t—geopolitical alignment can matter more than the merits or policies of potential members.</p><p>With illuminating case studies ranging from nineteenth-century Japan to contemporary Palestine and Taiwan, <em>Discriminatory Clubs</em> sheds light on how, for global and regional organizations such as the WTO and the EU, alliance ties and shared foreign-policy positions form the basis of cooperation.</p><p><strong>Christina L. Davis</strong> is the Edwin O. Reischauer Professor of Japanese Politics in the Department of Government at Harvard University. She is the author of <em>Why Adjudicate?</em> and <em>Food Fights over Free Trade</em> (both Princeton).</p><p><a href="https://www.youtube.com/user/a48266/videos">Morteza Hajizadeh</a> is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. <a href="https://www.youtube.com/user/a48266/videos">YouTube channel</a>. <a href="https://twitter.com/TalkArtCulture">Twitter</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2776</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Jami Nakamura Lin, "The Night Parade: A Speculative Memoir" (Mariner Books, 2023)</title>
      <description>Jami Nakamura Lin spent much of her life feeling monstrous for reasons outside of her control. As a young woman with undiagnosed bipolar disorder, much of her adolescence was marked by periods of extreme rage and an array of psychiatric treatments, and her relationships suffered as a result, especially as her father's cancer grasped hold of their family. As she grew older and learned to better manage her episodes, Lin grew frustrated with the familiar pattern she found in mental illness and grief narratives, and their focus on recovery. She sought comfort in the stories she'd loved as a child -- tales of ghostly creatures known to terrify in the night. Through the lens of the yokai and other figures from Japanese, Taiwanese, and Okinawan legend, she set out to interrogate the very notion of recovery and the myriad ways fear of difference shapes who we are as a people. 
Featuring stunning illustrations by her sister, Cori Nakamura Lin, and divided into the four acts of a traditional Japanese narrative structure, The Night Parade: A Speculative Memoir (Mariner Books, 2023) is a genre-bending and deeply emotional memoir that mirrors the sensation of being caught between realms. Braiding her experience of mental illness, the death of her father, the grieving process, and other haunted topics with storytelling tradition, Jami Nakamura Lin shines a light into dark corners, driven by a question: How do we learn to live with the things that haunt us?

Below, please find links to more information about specific sources Jami and Cori mention in the interview:
1) Risako Sakai on Okinawan corals and marine conservation
2) The Ichiriba Choodee Podcast of Okinawan voices and stories, created by Mariko Middleton, Erica Kunihisa, and Tori Toguchi
3)  Magical/Realism: Essays on Music, Memory, Fantasy, and Borders by Vanessa Angélica Villarreal
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 12 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>452</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Jami Nakamura Lin and Cori Nakamura Lin</itunes:subtitle>
      <itunes:summary>Jami Nakamura Lin spent much of her life feeling monstrous for reasons outside of her control. As a young woman with undiagnosed bipolar disorder, much of her adolescence was marked by periods of extreme rage and an array of psychiatric treatments, and her relationships suffered as a result, especially as her father's cancer grasped hold of their family. As she grew older and learned to better manage her episodes, Lin grew frustrated with the familiar pattern she found in mental illness and grief narratives, and their focus on recovery. She sought comfort in the stories she'd loved as a child -- tales of ghostly creatures known to terrify in the night. Through the lens of the yokai and other figures from Japanese, Taiwanese, and Okinawan legend, she set out to interrogate the very notion of recovery and the myriad ways fear of difference shapes who we are as a people. 
Featuring stunning illustrations by her sister, Cori Nakamura Lin, and divided into the four acts of a traditional Japanese narrative structure, The Night Parade: A Speculative Memoir (Mariner Books, 2023) is a genre-bending and deeply emotional memoir that mirrors the sensation of being caught between realms. Braiding her experience of mental illness, the death of her father, the grieving process, and other haunted topics with storytelling tradition, Jami Nakamura Lin shines a light into dark corners, driven by a question: How do we learn to live with the things that haunt us?

Below, please find links to more information about specific sources Jami and Cori mention in the interview:
1) Risako Sakai on Okinawan corals and marine conservation
2) The Ichiriba Choodee Podcast of Okinawan voices and stories, created by Mariko Middleton, Erica Kunihisa, and Tori Toguchi
3)  Magical/Realism: Essays on Music, Memory, Fantasy, and Borders by Vanessa Angélica Villarreal
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jami Nakamura Lin spent much of her life feeling monstrous for reasons outside of her control. As a young woman with undiagnosed bipolar disorder, much of her adolescence was marked by periods of extreme rage and an array of psychiatric treatments, and her relationships suffered as a result, especially as her father's cancer grasped hold of their family. As she grew older and learned to better manage her episodes, Lin grew frustrated with the familiar pattern she found in mental illness and grief narratives, and their focus on recovery. She sought comfort in the stories she'd loved as a child -- tales of ghostly creatures known to terrify in the night. Through the lens of the yokai and other figures from Japanese, Taiwanese, and Okinawan legend, she set out to interrogate the very notion of recovery and the myriad ways fear of difference shapes who we are as a people. </p><p>Featuring stunning illustrations by her sister, Cori Nakamura Lin, and divided into the four acts of a traditional Japanese narrative structure, <em>The Night Parade: A Speculative Memoir </em>(Mariner Books, 2023) is a genre-bending and deeply emotional memoir that mirrors the sensation of being caught between realms. Braiding her experience of mental illness, the death of her father, the grieving process, and other haunted topics with storytelling tradition, Jami Nakamura Lin shines a light into dark corners, driven by a question: How do we learn to live with the things that haunt us?</p><p><br></p><p>Below, please find links to more information about specific sources Jami and Cori mention in the interview:</p><p>1) <a href="https://risakosakai.wixsite.com/uchinainaguscholar">Risako Sakai on Okinawan corals and marine conservation</a></p><p>2) <a href="https://www.shimanchupodcast.com/">The Ichiriba Choodee Podcast of Okinawan voices and stories, created by Mariko Middleton, Erica Kunihisa, and Tori Toguchi</a></p><p>3) <em> </em><a href="https://www.penguinrandomhouse.com/books/704670/magicalrealism-by-vanessa-angelica-villarreal/"><em>Magical/Realism: Essays on Music, Memory, Fantasy, and Borders </em>by Vanessa Angélica Villarreal</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3422</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[838fb810-bebe-11f0-bfc5-c79a7ec5648d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5294370704.mp3?updated=1736711644" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Professional Chat – Working with the most marginalised people in Taiwan, AIDS/HIV and undocumented migrants, with Yi-Fan Feng</title>
      <description>In this episode, our host Lara Momesso interviews Yi-Fan Feng (馮一凡), the Deputy Chief Executive at Harmony Home Taiwan, to discuss the work that Harmony Home has done with some of the most marginalised people in Taiwan: people living with HIV/AIDS and undocumented residents and their children. In this chat, Lara and Yi-Fan explore how more than 40 years of activities by Harmony Home have contributed not only to help people living with HIV/AIDS and undocumented residents but also to change the way the Taiwanese government and society approached these groups.
If you want to know more about Harmony Home, what they do and how to support it, follow this link: www.twhhf.org
If you want to watch the documentary movie mentioned in the interview, Mimi’s Utopia, follow this link: www.youtube.com/watch?v=qjVfVEl58WU
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 10 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>23</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Yi-Fan Feng</itunes:subtitle>
      <itunes:summary>In this episode, our host Lara Momesso interviews Yi-Fan Feng (馮一凡), the Deputy Chief Executive at Harmony Home Taiwan, to discuss the work that Harmony Home has done with some of the most marginalised people in Taiwan: people living with HIV/AIDS and undocumented residents and their children. In this chat, Lara and Yi-Fan explore how more than 40 years of activities by Harmony Home have contributed not only to help people living with HIV/AIDS and undocumented residents but also to change the way the Taiwanese government and society approached these groups.
If you want to know more about Harmony Home, what they do and how to support it, follow this link: www.twhhf.org
If you want to watch the documentary movie mentioned in the interview, Mimi’s Utopia, follow this link: www.youtube.com/watch?v=qjVfVEl58WU
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, our host Lara Momesso interviews Yi-Fan Feng (馮一凡), the Deputy Chief Executive at Harmony Home Taiwan, to discuss the work that Harmony Home has done with some of the most marginalised people in Taiwan: people living with HIV/AIDS and undocumented residents and their children. In this chat, Lara and Yi-Fan explore how more than 40 years of activities by Harmony Home have contributed not only to help people living with HIV/AIDS and undocumented residents but also to change the way the Taiwanese government and society approached these groups.</p><p>If you want to know more about Harmony Home, what they do and how to support it, follow this link: <a href="http://www.twhhf.org/">www.twhhf.org</a></p><p>If you want to watch the documentary movie mentioned in the interview, Mimi’s Utopia, follow this link: <a href="http://www.youtube.com/watch?v=qjVfVEl58WU">www.youtube.com/watch?v=qjVfVEl58WU</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2288</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cc17f77c-bebf-11f0-9ff9-4b5fdf3839af]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9739914426.mp3?updated=1736441308" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Book Chat: Home and Island Writing in "Bubble War" with Kao Yi-feng</title>
      <description>In this episode, our host, Ti-han, invited a renown Taiwanese sci-fi writer, Kao Yi-feng, to talk about his fictional writings. Yi-feng is known for his way of combining elements of fantasy and magical realism with specific “linguistic features” of Hakka. In our conversation, Yi-feng recounts how his background of living in a Hakka-speaking community influences his lifelong creativity, and how spatial and bodily movement also allows him to shape and reshape the sense of “home” in his own novels. The podcast interview focussed in part on his work, Bubble War 泡沬戰爭 (2014), but it also links with how Yi-feng conceives Island Writing for Taiwan today!
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 31 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>22</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode, our host, Ti-han, invited a renown Taiwanese sci-fi writer, Kao Yi-feng, to talk about his fictional writings. Yi-feng is known for his way of combining elements of fantasy and magical realism with specific “linguistic features” of Hakka. In our conversation, Yi-feng recounts how his background of living in a Hakka-speaking community influences his lifelong creativity, and how spatial and bodily movement also allows him to shape and reshape the sense of “home” in his own novels. The podcast interview focussed in part on his work, Bubble War 泡沬戰爭 (2014), but it also links with how Yi-feng conceives Island Writing for Taiwan today!
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, our host, Ti-han, invited a renown Taiwanese sci-fi writer, Kao Yi-feng, to talk about his fictional writings. Yi-feng is known for his way of combining elements of fantasy and magical realism with specific “linguistic features” of Hakka. In our conversation, Yi-feng recounts how his background of living in a Hakka-speaking community influences his lifelong creativity, and how spatial and bodily movement also allows him to shape and reshape the sense of “home” in his own novels. The podcast interview focussed in part on his work, <em>Bubble War</em> 泡沬戰爭 (2014), but it also links with how Yi-feng conceives Island Writing for Taiwan today!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2534</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c1c50918-bebf-11f0-a409-d3a81d674b77]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4960662266.mp3?updated=1735417596" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ellen Chang-Richardson, "Blood Belies" (Wolsak and Wynn, 2024)</title>
      <description>Ellen Chang-Richardson’s breathtaking poetry collection, Blood/Belies, was released in spring 2024 by Wolsak &amp; Wynn and was a third bestseller in nonfiction in Calgary, Alberta.
Chang-Richardson writes of race, of injury and of belonging in stunning poems that fade in and out of the page. History swirls through this collection like a summer storm, as they bring their father’s, and their own, stories to light, writing against the background of the institutional racism of Canada, the Chinese Exclusion Act, the head tax and more. From Taiwan in the early 1990s to Oakville in the late 1990s, Toronto in the 2010s, Cambodia in the mid-1970s and Ottawa in the 2020s, Blood Belies takes the reader through time, asking them what it means to look the way we do? To carry scars? To persevere? To hope?
About Ellen Chang-Richardson:
Ellen Chang-Richardson is an award-winning poet of Taiwanese and Chinese Cambodian descent whose multi-genre writing has appeared in Augur, The Ex-Puritan, The Fiddlehead, Grain, third coast magazine, Vallum Contemporary, Watch Your Head and more.
Born in Toronto, Ontario, they were raised in Oakville, Ontario and São Paulo, Brazil, and spent their most formative years growing up in Shanghai, China. A third culture kid at heart, Ellen's writing is informed by their love of contemporary art, their concern with the climate crisis, and their experience moving through the world as they are.
The co-founder of Riverbed Reading Series, an editor for Room and long con magazine, and a member of the poetry collective VII, Ellen is currently based in Ottawa, Canada, on the unceded territory of the Algonquin Nation. You can usually find them baking sourdough bread from their starter, Bubbles, or biking the riverside trails on their single-speed.
About Hollay Ghadery:
Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League’s BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 28 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>148</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Ellen Chang-Richardson</itunes:subtitle>
      <itunes:summary>Ellen Chang-Richardson’s breathtaking poetry collection, Blood/Belies, was released in spring 2024 by Wolsak &amp; Wynn and was a third bestseller in nonfiction in Calgary, Alberta.
Chang-Richardson writes of race, of injury and of belonging in stunning poems that fade in and out of the page. History swirls through this collection like a summer storm, as they bring their father’s, and their own, stories to light, writing against the background of the institutional racism of Canada, the Chinese Exclusion Act, the head tax and more. From Taiwan in the early 1990s to Oakville in the late 1990s, Toronto in the 2010s, Cambodia in the mid-1970s and Ottawa in the 2020s, Blood Belies takes the reader through time, asking them what it means to look the way we do? To carry scars? To persevere? To hope?
About Ellen Chang-Richardson:
Ellen Chang-Richardson is an award-winning poet of Taiwanese and Chinese Cambodian descent whose multi-genre writing has appeared in Augur, The Ex-Puritan, The Fiddlehead, Grain, third coast magazine, Vallum Contemporary, Watch Your Head and more.
Born in Toronto, Ontario, they were raised in Oakville, Ontario and São Paulo, Brazil, and spent their most formative years growing up in Shanghai, China. A third culture kid at heart, Ellen's writing is informed by their love of contemporary art, their concern with the climate crisis, and their experience moving through the world as they are.
The co-founder of Riverbed Reading Series, an editor for Room and long con magazine, and a member of the poetry collective VII, Ellen is currently based in Ottawa, Canada, on the unceded territory of the Algonquin Nation. You can usually find them baking sourdough bread from their starter, Bubbles, or biking the riverside trails on their single-speed.
About Hollay Ghadery:
Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, Rebellion Box was released by Radiant Press in 2023, and her collection of short fiction, Widow Fantasies, was released with Gordon Hill Press in fall 2024. Her debut novel, The Unraveling of Ou, is due out with Palimpsest Press in 2026, and her children’s book, Being with the Birds, with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League’s BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ellen Chang-Richardson’s breathtaking poetry collection,<em> </em><a href="https://bookshop.org/a/12343/9781989496879"><em>Blood/Belies</em></a>, was released in spring 2024 by Wolsak &amp; Wynn and was a third bestseller in nonfiction in Calgary, Alberta.</p><p>Chang-Richardson writes of race, of injury and of belonging in stunning poems that fade in and out of the page. History swirls through this collection like a summer storm, as they bring their father’s, and their own, stories to light, writing against the background of the institutional racism of Canada, the Chinese Exclusion Act, the head tax and more. From Taiwan in the early 1990s to Oakville in the late 1990s, Toronto in the 2010s, Cambodia in the mid-1970s and Ottawa in the 2020s, <em>Blood Belies </em>takes the reader through time, asking them what it means to look the way we do? To carry scars? To persevere? To hope?</p><p><strong>About Ellen Chang-Richardson:</strong></p><p>Ellen Chang-Richardson is an award-winning poet of Taiwanese and Chinese Cambodian descent whose multi-genre writing has appeared in <em>Augur, The Ex-Puritan, The Fiddlehead, Grain, third coast magazine, Vallum Contemporary, Watch Your Head</em> and more.</p><p>Born in Toronto, Ontario, they were raised in Oakville, Ontario and São Paulo, Brazil, and spent their most formative years growing up in Shanghai, China. A third culture kid at heart, Ellen's writing is informed by their love of contemporary art, their concern with the climate crisis, and their experience moving through the world as they are.</p><p>The co-founder of Riverbed Reading Series, an editor for Room and long con magazine, and a member of the poetry collective VII, Ellen is currently based in Ottawa, Canada, on the unceded territory of the Algonquin Nation. You can usually find them baking sourdough bread from their starter, Bubbles, or biking the riverside trails on their single-speed.</p><p><strong>About Hollay Ghadery:</strong></p><p>Hollay Ghadery is an Iranian-Canadian multi-genre writer living in Ontario on Anishinaabe land. She has her MFA in Creative Writing from the University of Guelph. Fuse, her memoir of mixed-race identity and mental health, was released by Guernica Editions in 2021 and won the 2023 Canadian Bookclub Award for Nonfiction/Memoir. Her collection of poetry, <em>Rebellion Box </em>was released by Radiant Press in 2023, and her collection of short fiction,<em> Widow Fantasies,</em> was released with Gordon Hill Press in fall 2024. Her debut novel, T<em>he Unraveling of Ou</em>, is due out with Palimpsest Press in 2026, and her children’s book, <em>Being with the Birds, </em>with Guernica Editions in 2027. Hollay is the host of the 105.5 FM Bookclub, as well as a co-host on HOWL on CIUT 89.5 FM. She is also a book publicist, the Regional Chair of the League of Canadian Poets and a co-chair of the League’s BIPOC committee, as well as the Poet Laureate of Scugog Township. Learn more about Hollay at www.hollayghadery.com.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2432</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[013919aa-bebf-11f0-aec7-f3e7096fd615]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7910727217.mp3?updated=1735225622" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Academic Chat – From Academic Work to Social Impact: A Scholar’s Commitment to Raise Awareness on Migrant Experiences in Taiwan</title>
      <description>In this episode, our host Lara Momesso interviews Dr Isabelle Cockel, an academic based in the UK, to discuss the wider impact of her academic work. Isabelle’s extensive research on marriage and labour migrants in Taiwan has evolved into efforts to raise awareness of migrant issues beyond the academic sphere both in Asia and Europe. She has written blogs featuring migrant voices, translated and promoted films about migrants, and, whenever possible, she has worked to assist migrants in Taiwan.
For those who are interested to know more about Isabelle’s work, here you can find some links:

University of Portsmouth profile


Migrant Biographies, series on the Blog at Leiden University: 


Movie translation: The Lovable Strangers by Tsung-Lung Tsai and Nguyễn Kim Hồng 


Taiwan Insight at the University of Nottingham


Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 20 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>21</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>A Discussion with Isabelle Cockel</itunes:subtitle>
      <itunes:summary>In this episode, our host Lara Momesso interviews Dr Isabelle Cockel, an academic based in the UK, to discuss the wider impact of her academic work. Isabelle’s extensive research on marriage and labour migrants in Taiwan has evolved into efforts to raise awareness of migrant issues beyond the academic sphere both in Asia and Europe. She has written blogs featuring migrant voices, translated and promoted films about migrants, and, whenever possible, she has worked to assist migrants in Taiwan.
For those who are interested to know more about Isabelle’s work, here you can find some links:

University of Portsmouth profile


Migrant Biographies, series on the Blog at Leiden University: 


Movie translation: The Lovable Strangers by Tsung-Lung Tsai and Nguyễn Kim Hồng 


Taiwan Insight at the University of Nottingham


Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, our host Lara Momesso interviews Dr Isabelle Cockel, an academic based in the UK, to discuss the wider impact of her academic work. Isabelle’s extensive research on marriage and labour migrants in Taiwan has evolved into efforts to raise awareness of migrant issues beyond the academic sphere both in Asia and Europe. She has written blogs featuring migrant voices, translated and promoted films about migrants, and, whenever possible, she has worked to assist migrants in Taiwan.</p><p>For those who are interested to know more about Isabelle’s work, here you can find some links:</p><ul>
<li><a href="https://www.port.ac.uk/about-us/structure-and-governance/our-people/our-staff/isabelle-cockel">University of Portsmouth profile</a></li>
<li>
<a href="https://blog.iias.asia/migrants-biographies">Migrant Biographies</a>, series on the Blog at Leiden University: </li>
<li>
<a href="https://www.youtube.com/watch?v=LPmvaLfE_k4">Movie translation</a>: The Lovable Strangers by Tsung-Lung Tsai and Nguyễn Kim Hồng </li>
<li>
<a href="https://taiwaninsight.org/category/regular-contributors/isabelle-cheng/">Taiwan Insight </a>at the University of Nottingham</li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3105</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bad7548a-bebf-11f0-9538-933dde3c7bc4]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4429353015.mp3?updated=1734467360" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Taiwan Lives: A Social and Political History</title>
      <description>What do we get if we combine stories about a merchant, an exile, an activist, a pop star, a doctor, and a president together into one book? Dr. Niki J. P. Alsford, Professor of Asia Pacific studies and head of Asia Pacific Institutes at the University of Central Lancashire, did exactly that and more with his most recent book Taiwan Lives: A Social and Political History (University of Washington Press, 2024).
In his book Niki J. P. Alsford explores Taiwan's historical journey from Japanese colonization in 1895 to its modern political and social developments under President Tsai Ing-wen. The book uniquely presents Taiwan’s history through the narratives of 24 individuals, offering a diverse perspective on significant events, social transitions, and the island's evolving identity. This approach provides readers with a humanized and nuanced understanding of Taiwan's past and present, making the work both informative and engaging for those interested in Taiwanese history and its contemporary affairs.
The episode is hosted by Assoc. Prof. Linas Didvalis from Vytautas Magnus University's Centre for Asian Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 06 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>232</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>A Talk with Niki J. P. Alsford about his Recent Book</itunes:subtitle>
      <itunes:summary>What do we get if we combine stories about a merchant, an exile, an activist, a pop star, a doctor, and a president together into one book? Dr. Niki J. P. Alsford, Professor of Asia Pacific studies and head of Asia Pacific Institutes at the University of Central Lancashire, did exactly that and more with his most recent book Taiwan Lives: A Social and Political History (University of Washington Press, 2024).
In his book Niki J. P. Alsford explores Taiwan's historical journey from Japanese colonization in 1895 to its modern political and social developments under President Tsai Ing-wen. The book uniquely presents Taiwan’s history through the narratives of 24 individuals, offering a diverse perspective on significant events, social transitions, and the island's evolving identity. This approach provides readers with a humanized and nuanced understanding of Taiwan's past and present, making the work both informative and engaging for those interested in Taiwanese history and its contemporary affairs.
The episode is hosted by Assoc. Prof. Linas Didvalis from Vytautas Magnus University's Centre for Asian Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What do we get if we combine stories about a merchant, an exile, an activist, a pop star, a doctor, and a president together into one book? Dr. Niki J. P. Alsford, Professor of Asia Pacific studies and head of Asia Pacific Institutes at the University of Central Lancashire, did exactly that and more with his most recent book <a href="https://bookshop.org/a/12343/9780295752150"><em>Taiwan Lives: A Social and Political History</em></a><em> (</em>University of Washington Press, 2024).</p><p>In his book Niki J. P. Alsford explores Taiwan's historical journey from Japanese colonization in 1895 to its modern political and social developments under President Tsai Ing-wen. The book uniquely presents Taiwan’s history through the narratives of 24 individuals, offering a diverse perspective on significant events, social transitions, and the island's evolving identity. This approach provides readers with a humanized and nuanced understanding of Taiwan's past and present, making the work both informative and engaging for those interested in Taiwanese history and its contemporary affairs.</p><p>The episode is hosted by Assoc. Prof. Linas Didvalis from Vytautas Magnus University's Centre for Asian Studies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1909</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[de00e8be-bebe-11f0-856e-4be5df692302]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1298919535.mp3?updated=1733412879" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Book Chat: Home &amp; Queer Writing – "Ghost Town," with Kevin Chen </title>
      <description>In this episode, our host, Ti-han, invited Taiwanese Queer author, Kevin Chen, to talk about his LGBTQ novel, Ghost Town (Europa Editions, 2022) 鬼地方 and its fever worldwide. In our conversation, Kevin shared with us how he first “come out” as a gay writer in Taiwan in the 90s, and how his writings was influenced by key Taiwanese LGBTQ authors and continue to be shaped by his migratory experiences in Berlin. He also told us how he thinks translation and the transability of a literary work can be useful in terms of authors’ impacts on society. If you’re a fan of Kevin’s writing, you certainly can’t miss this episode!
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 03 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>20</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode, our host, Ti-han, invited Taiwanese Queer author, Kevin Chen, to talk about his LGBTQ novel, Ghost Town (Europa Editions, 2022) 鬼地方 and its fever worldwide. In our conversation, Kevin shared with us how he first “come out” as a gay writer in Taiwan in the 90s, and how his writings was influenced by key Taiwanese LGBTQ authors and continue to be shaped by his migratory experiences in Berlin. He also told us how he thinks translation and the transability of a literary work can be useful in terms of authors’ impacts on society. If you’re a fan of Kevin’s writing, you certainly can’t miss this episode!
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, our host, Ti-han, invited Taiwanese Queer author, Kevin Chen, to talk about his LGBTQ novel, <a href="https://bookshop.org/a/12343/9781609457983"><em>Ghost Town</em></a> (Europa Editions, 2022) 鬼地方 and its fever worldwide. In our conversation, Kevin shared with us how he first “come out” as a gay writer in Taiwan in the 90s, and how his writings was influenced by key Taiwanese LGBTQ authors and continue to be shaped by his migratory experiences in Berlin. He also told us how he thinks translation and the transability of a literary work can be useful in terms of authors’ impacts on society. If you’re a fan of Kevin’s writing, you certainly can’t miss this episode!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2000</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK7131634496.mp3?updated=1733158456" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Chris Berry et al., "Taiwanese-Language Cinema: Rediscovered and Reconsidered" (Edinburgh UP, 2024)</title>
      <description>Taiwanese-Language Cinema: Rediscovered and Reconsidered (Edinburgh UP, 2024), edited by Chris Berry, Wafa Ghermani, Corrado Neri, and Ming-yeh T. Rawnsley, is a landmark contribution to studying Taiwanese cinema. The book revisits Taiyupian, a thriving yet overlooked segment of Taiwan’s cinematic history produced between the 1950s and 1970s in the Minnanhua dialect commonly used by the local Hoklo.
This volume arrives at a pivotal moment when many of these films are being restored, subtitled, and critically revisited. By bringing together essays from Taiwanese and non-Taiwanese scholars, the book offers a robust framework for understanding Taiyupian’s cultural, social, and industrial dimensions. It challenges the traditional dominance of Mandarin and Japanese influences in Taiwan’s cinematic narrative, advocating for a broader, more inclusive history.
The editors skilfully blend historical analysis with cultural theory, offering insights into the socio-political context that gave rise to these films and their eventual decline. The inclusion of translated Taiwanese scholarship is particularly commendable, as it ensures a dialogue between local and global perspectives.
Reading this book is an eye-opening experience, especially for those unfamiliar with Taiyupian’s rich legacy. The book effectively positions these films not as relics but as dynamic cultural artefacts that continue to shape Taiwan’s cinematic and cultural identity. The writing, while scholarly, is engaging, particularly in chapters that explore Taiyupian's aesthetic and emotional resonance. The visuals and archival materials referenced throughout enhance its value as a resource for both academic and personal exploration.
I wholeheartedly recommend this book to anyone interested in Taiwanese cinema, East Asian cultural studies, or the intersection of language and identity in film. Its insights resonate far beyond the specific era it examines, offering a model for how neglected histories can be rediscovered and celebrated.
Dr Ming-Yeh Tsai Rawnsley is a Taiwanese media scholar, writer, and former journalist and TV screenwriter. Since 2013, she has been a Research Associate at the Centre of Taiwan Studies, SOAS University of London. She is also a Non-Resident Senior Fellow at the China Policy Institute, University of Nottingham (2014–present), a Research Fellow at the European Research Centre on Contemporary Taiwan (ERCCT), University of Tübingen (2015–present), and Research Associate at Academia Sinica, Taiwan (2018–present). M-Y T. Rawnsley is the Editor-in-Chief of the International Journal of Taiwan Studies (2018–present) and associate editor of the East Asian Journal of Popular Culture (2013–present).
Bing Wang receives her PhD at the University of Leeds in 2020. Her research interests include the exploration of overseas Chinese cultural identity and critical heritage studies. She is also a freelance translator.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 27 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>546</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Ming-yeh T. Rawnsley</itunes:subtitle>
      <itunes:summary>Taiwanese-Language Cinema: Rediscovered and Reconsidered (Edinburgh UP, 2024), edited by Chris Berry, Wafa Ghermani, Corrado Neri, and Ming-yeh T. Rawnsley, is a landmark contribution to studying Taiwanese cinema. The book revisits Taiyupian, a thriving yet overlooked segment of Taiwan’s cinematic history produced between the 1950s and 1970s in the Minnanhua dialect commonly used by the local Hoklo.
This volume arrives at a pivotal moment when many of these films are being restored, subtitled, and critically revisited. By bringing together essays from Taiwanese and non-Taiwanese scholars, the book offers a robust framework for understanding Taiyupian’s cultural, social, and industrial dimensions. It challenges the traditional dominance of Mandarin and Japanese influences in Taiwan’s cinematic narrative, advocating for a broader, more inclusive history.
The editors skilfully blend historical analysis with cultural theory, offering insights into the socio-political context that gave rise to these films and their eventual decline. The inclusion of translated Taiwanese scholarship is particularly commendable, as it ensures a dialogue between local and global perspectives.
Reading this book is an eye-opening experience, especially for those unfamiliar with Taiyupian’s rich legacy. The book effectively positions these films not as relics but as dynamic cultural artefacts that continue to shape Taiwan’s cinematic and cultural identity. The writing, while scholarly, is engaging, particularly in chapters that explore Taiyupian's aesthetic and emotional resonance. The visuals and archival materials referenced throughout enhance its value as a resource for both academic and personal exploration.
I wholeheartedly recommend this book to anyone interested in Taiwanese cinema, East Asian cultural studies, or the intersection of language and identity in film. Its insights resonate far beyond the specific era it examines, offering a model for how neglected histories can be rediscovered and celebrated.
Dr Ming-Yeh Tsai Rawnsley is a Taiwanese media scholar, writer, and former journalist and TV screenwriter. Since 2013, she has been a Research Associate at the Centre of Taiwan Studies, SOAS University of London. She is also a Non-Resident Senior Fellow at the China Policy Institute, University of Nottingham (2014–present), a Research Fellow at the European Research Centre on Contemporary Taiwan (ERCCT), University of Tübingen (2015–present), and Research Associate at Academia Sinica, Taiwan (2018–present). M-Y T. Rawnsley is the Editor-in-Chief of the International Journal of Taiwan Studies (2018–present) and associate editor of the East Asian Journal of Popular Culture (2013–present).
Bing Wang receives her PhD at the University of Leeds in 2020. Her research interests include the exploration of overseas Chinese cultural identity and critical heritage studies. She is also a freelance translator.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781399527880"><em>Taiwanese-Language Cinema: Rediscovered and Reconsidered</em> </a>(Edinburgh UP, 2024), edited by Chris Berry, Wafa Ghermani, Corrado Neri, and Ming-yeh T. Rawnsley, is a landmark contribution to studying Taiwanese cinema. The book revisits Taiyupian, a thriving yet overlooked segment of Taiwan’s cinematic history produced between the 1950s and 1970s in the Minnanhua dialect commonly used by the local Hoklo.</p><p>This volume arrives at a pivotal moment when many of these films are being restored, subtitled, and critically revisited. By bringing together essays from Taiwanese and non-Taiwanese scholars, the book offers a robust framework for understanding Taiyupian’s cultural, social, and industrial dimensions. It challenges the traditional dominance of Mandarin and Japanese influences in Taiwan’s cinematic narrative, advocating for a broader, more inclusive history.</p><p>The editors skilfully blend historical analysis with cultural theory, offering insights into the socio-political context that gave rise to these films and their eventual decline. The inclusion of translated Taiwanese scholarship is particularly commendable, as it ensures a dialogue between local and global perspectives.</p><p>Reading this book is an eye-opening experience, especially for those unfamiliar with Taiyupian’s rich legacy. The book effectively positions these films not as relics but as dynamic cultural artefacts that continue to shape Taiwan’s cinematic and cultural identity. The writing, while scholarly, is engaging, particularly in chapters that explore Taiyupian's aesthetic and emotional resonance. The visuals and archival materials referenced throughout enhance its value as a resource for both academic and personal exploration.</p><p>I wholeheartedly recommend this book to anyone interested in Taiwanese cinema, East Asian cultural studies, or the intersection of language and identity in film. Its insights resonate far beyond the specific era it examines, offering a model for how neglected histories can be rediscovered and celebrated.</p><p>Dr Ming-Yeh Tsai Rawnsley is a Taiwanese media scholar, writer, and former journalist and TV screenwriter. Since 2013, she has been a Research Associate at the Centre of Taiwan Studies, SOAS University of London. She is also a Non-Resident Senior Fellow at the China Policy Institute, University of Nottingham (2014–present), a Research Fellow at the European Research Centre on Contemporary Taiwan (ERCCT), University of Tübingen (2015–present), and Research Associate at Academia Sinica, Taiwan (2018–present). M-Y T. Rawnsley is the Editor-in-Chief of the International Journal of Taiwan Studies (2018–present) and associate editor of the East Asian Journal of Popular Culture (2013–present).</p><p>Bing Wang receives her PhD at the University of Leeds in 2020. Her research interests include the exploration of overseas Chinese cultural identity and critical heritage studies. She is also a freelance translator.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2614</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK8905591585.mp3?updated=1732472194" length="0" type="audio/mpeg"/>
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    <item>
      <title>Book Chat: Home, Folk Religion and Indigeneity in “Zebra Finch Rain" 斑雀雨”and "New Gods" 新神 單車失竊記,</title>
      <description>In this episode, our host, Ti-han, invited Taiwanese author, Chiou Charng-ting, to talk about her novel writing, which blends in elements of religious folklore and indigenous mythologies. In our conversation, Charng-ting told us how her hometown, Taitung, inspired her with its amazing sceneries and cultural landscapes. She further shared with us how folk and mythological tales can be powerful means in shaping an author’s creativity.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 19 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>19</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Chiou Charng-ting</itunes:subtitle>
      <itunes:summary>In this episode, our host, Ti-han, invited Taiwanese author, Chiou Charng-ting, to talk about her novel writing, which blends in elements of religious folklore and indigenous mythologies. In our conversation, Charng-ting told us how her hometown, Taitung, inspired her with its amazing sceneries and cultural landscapes. She further shared with us how folk and mythological tales can be powerful means in shaping an author’s creativity.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, our host, Ti-han, invited Taiwanese author, Chiou Charng-ting, to talk about her novel writing, which blends in elements of religious folklore and indigenous mythologies. In our conversation, Charng-ting told us how her hometown, Taitung, inspired her with its amazing sceneries and cultural landscapes. She further shared with us how folk and mythological tales can be powerful means in shaping an author’s creativity.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2457</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK9536311119.mp3?updated=1731864105" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Why Taiwan Matters: A Short History of a Small Island That Will Dictate Our Future</title>
      <description>Why should we focus on Taiwan to understand the future risks facing the world? Professor Kerry Brown, Professor of Chinese Studies and Director of the Lau China Institute at King's College London, presents a compelling case for this in his latest book, Why Taiwan Matters: A Short History of a Small Island That Will Dictate Our Future, published by St. Martin's Press.
Why Taiwan Matters provides critical insights into the factors behind today's tense geopolitical climate. Brown examines how Taiwan navigates its position at the center of a dangerous international standoff and how the global community can better understand the tensions in the Taiwan Strait. Set for release in January 2025, this book serves as an essential guide for anyone looking to understand Taiwan's unique story.
The episode is hosted by PhD candidate Jiabin Song from Vytautas Magnus University's Centre for Asian Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 25 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>231</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Kerry Brown</itunes:subtitle>
      <itunes:summary>Why should we focus on Taiwan to understand the future risks facing the world? Professor Kerry Brown, Professor of Chinese Studies and Director of the Lau China Institute at King's College London, presents a compelling case for this in his latest book, Why Taiwan Matters: A Short History of a Small Island That Will Dictate Our Future, published by St. Martin's Press.
Why Taiwan Matters provides critical insights into the factors behind today's tense geopolitical climate. Brown examines how Taiwan navigates its position at the center of a dangerous international standoff and how the global community can better understand the tensions in the Taiwan Strait. Set for release in January 2025, this book serves as an essential guide for anyone looking to understand Taiwan's unique story.
The episode is hosted by PhD candidate Jiabin Song from Vytautas Magnus University's Centre for Asian Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why should we focus on Taiwan to understand the future risks facing the world? Professor Kerry Brown, Professor of Chinese Studies and Director of the Lau China Institute at King's College London, presents a compelling case for this in his latest book, <a href="https://us.macmillan.com/books/9781250362094/whytaiwanmatters"><em>Why Taiwan Matters: A Short History of a Small Island That Will Dictate Our Future</em></a>, published by St. Martin's Press.</p><p><em>Why Taiwan Matters</em> provides critical insights into the factors behind today's tense geopolitical climate. Brown examines how Taiwan navigates its position at the center of a dangerous international standoff and how the global community can better understand the tensions in the Taiwan Strait. Set for release in January 2025, this book serves as an essential guide for anyone looking to understand Taiwan's unique story.</p><p>The episode is hosted by PhD candidate Jiabin Song from Vytautas Magnus University's Centre for Asian Studies.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1051</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK2398084509.mp3?updated=1729706516" length="0" type="audio/mpeg"/>
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    <item>
      <title>S4E9 The Fragility of China: A Conversation with Dennis Unkovic</title>
      <description>In this episode of Madison's Notes, we sit down with Dennis Unkovic to discuss his latest book, The Fragility of China (Encounter Books, 2024). Unkovic delves into the complex forces shaping China's political, economic, and social landscape. From the country's rising internal challenges to its evolving role on the global stage, Unkovic offers a nuanced perspective on why China's future may be more uncertain than it appears. He unpacks the key themes of his book, including economic instability, demographic shifts, and geopolitical tensions, while offering insights into what these trends mean for the rest of the world.
Dennis Unkovic is an international attorney with decades of experience advising global businesses on trade, investment, and international relations. He is a prolific author and speaker, known for his expertise in U.S.-Asia relations. In addition to The Fragility of China, Unkovic has authored several books and articles on global trade and economic issues.
Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and Institutions.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 09 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>122</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Dennis Unkovic</itunes:subtitle>
      <itunes:summary>In this episode of Madison's Notes, we sit down with Dennis Unkovic to discuss his latest book, The Fragility of China (Encounter Books, 2024). Unkovic delves into the complex forces shaping China's political, economic, and social landscape. From the country's rising internal challenges to its evolving role on the global stage, Unkovic offers a nuanced perspective on why China's future may be more uncertain than it appears. He unpacks the key themes of his book, including economic instability, demographic shifts, and geopolitical tensions, while offering insights into what these trends mean for the rest of the world.
Dennis Unkovic is an international attorney with decades of experience advising global businesses on trade, investment, and international relations. He is a prolific author and speaker, known for his expertise in U.S.-Asia relations. In addition to The Fragility of China, Unkovic has authored several books and articles on global trade and economic issues.
Madison’s Notes is the podcast of Princeton University’s James Madison Program in American Ideals and Institutions.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of <em>Madison's Notes</em>, we sit down with Dennis Unkovic to discuss his latest book, <a href="https://bookshop.org/a/12343/9781641773911"><em>The Fragility of China</em></a><em> </em>(Encounter Books, 2024). Unkovic delves into the complex forces shaping China's political, economic, and social landscape. From the country's rising internal challenges to its evolving role on the global stage, Unkovic offers a nuanced perspective on why China's future may be more uncertain than it appears. He unpacks the key themes of his book, including economic instability, demographic shifts, and geopolitical tensions, while offering insights into what these trends mean for the rest of the world.</p><p>Dennis Unkovic is an international attorney with decades of experience advising global businesses on trade, investment, and international relations. He is a prolific author and speaker, known for his expertise in U.S.-Asia relations. In addition to <em>The Fragility of China</em>, Unkovic has authored several books and articles on global trade and economic issues.</p><p><a href="https://jmp.princeton.edu/podcast"><em>Madison’s Notes</em></a> is the podcast of Princeton <a href="https://jmp.princeton.edu/"><em>University’s James Madison Program in American Ideals and Institutions</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3445</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Christopher Brown, "Mapping Taiwanese Cinema, 2008-2020: Environments, Poetics, Practice" (Edinburgh UP, 2024)</title>
      <description>Accounting for the unique characteristics of Taiwan’s cinema from 2008 to 2020, Mapping Taiwanese Cinema, 2008-2020: Environments, Poetics, Practice (Edinburgh UP, 2024) examines how filmmakers have depicted and imagined the island’s diverse environments. Drawing on cinema, cartography, and cultural studies, Christopher Brown argues that by refocusing attention on how films are shaped through a process of construction, the tradition of film poetics enables us to think about Taiwanese cinema differently: as a form of mapping. Wide-ranging in scope and drawing on original interviews with contemporary filmmakers, the analysis appraises case studies including works of popular entertainment, genre cinema such as comedies and horror, films about indigenous communities, LGBTQ+ cinema, and arthouse work. By asking what it means to map an environment onscreen, the book offers new insights into a critically neglected, yet creatively dynamic, period in Taiwan’s film history.
Christopher Brown is Senior Lecturer (Associate Professor) in Filmmaking at the University of Sussex. He has written and directed several short films including “Remission” (2015), “Soap” (2015), and “Coccolith" (2018). As a researcher, Chris has written on contemporary Taiwanese film, practice-based research, and American cinema. His research has appeared in journals such as the Quarterly Review of Film &amp; Video, Asian Cinema, Film Criticism, Film International, Performance Matters, Bright Lights Film Journal, Media Practice &amp; Education, East Asian Journal of Popular Culture, and Senses of Cinema.
Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 27 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>541</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Christopher Brown</itunes:subtitle>
      <itunes:summary>Accounting for the unique characteristics of Taiwan’s cinema from 2008 to 2020, Mapping Taiwanese Cinema, 2008-2020: Environments, Poetics, Practice (Edinburgh UP, 2024) examines how filmmakers have depicted and imagined the island’s diverse environments. Drawing on cinema, cartography, and cultural studies, Christopher Brown argues that by refocusing attention on how films are shaped through a process of construction, the tradition of film poetics enables us to think about Taiwanese cinema differently: as a form of mapping. Wide-ranging in scope and drawing on original interviews with contemporary filmmakers, the analysis appraises case studies including works of popular entertainment, genre cinema such as comedies and horror, films about indigenous communities, LGBTQ+ cinema, and arthouse work. By asking what it means to map an environment onscreen, the book offers new insights into a critically neglected, yet creatively dynamic, period in Taiwan’s film history.
Christopher Brown is Senior Lecturer (Associate Professor) in Filmmaking at the University of Sussex. He has written and directed several short films including “Remission” (2015), “Soap” (2015), and “Coccolith" (2018). As a researcher, Chris has written on contemporary Taiwanese film, practice-based research, and American cinema. His research has appeared in journals such as the Quarterly Review of Film &amp; Video, Asian Cinema, Film Criticism, Film International, Performance Matters, Bright Lights Film Journal, Media Practice &amp; Education, East Asian Journal of Popular Culture, and Senses of Cinema.
Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Accounting for the unique characteristics of Taiwan’s cinema from 2008 to 2020,<a href="https://bookshop.org/a/12343/9781474478274"><em> Mapping Taiwanese Cinema, 2008-2020: Environments, Poetics, Practice</em></a> (Edinburgh UP, 2024) examines how filmmakers have depicted and imagined the island’s diverse environments. Drawing on cinema, cartography, and cultural studies, Christopher Brown argues that by refocusing attention on how films are shaped through a process of construction, the tradition of film poetics enables us to think about Taiwanese cinema differently: as a form of mapping. Wide-ranging in scope and drawing on original interviews with contemporary filmmakers, the analysis appraises case studies including works of popular entertainment, genre cinema such as comedies and horror, films about indigenous communities, LGBTQ+ cinema, and arthouse work. By asking what it means to map an environment onscreen, the book offers new insights into a critically neglected, yet creatively dynamic, period in Taiwan’s film history.</p><p>Christopher Brown is Senior Lecturer (Associate Professor) in Filmmaking at the University of Sussex. He has written and directed several short films including “Remission” (2015), “Soap” (2015), and “Coccolith" (2018). As a researcher, Chris has written on contemporary Taiwanese film, practice-based research, and American cinema. His research has appeared in journals such as the <em>Quarterly Review of Film &amp; Video</em>, <em>Asian Cinema</em>, <em>Film Criticism</em>, <em>Film International</em>, <em>Performance Matters</em>, <em>Bright Lights Film Journal</em>, <em>Media Practice &amp; Education</em>, <em>East Asian Journal of Popular Culture</em>, and <em>Senses of Cinema</em>.</p><p>Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4787</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Jeremy Black, "Rethinking Geopolitics" (Indiana UP, 2024)</title>
      <description>Amid the bloody Russian invasion of Ukraine in 2021 and the escalating tensions across the Taiwan Strait, the geopolitical balance of power has changed significantly in a very short period. If current trends continue, we may be witnessing a tectonic realignment unseen in more than a century.
In 1904, Halford Mackinder delivered a seminal lecture entitled "The Geographical Pivot of History" to a packed house at the Royal Geographical Society in London about the historic changes then taking place on the world stage. Britain was the great power of that historical moment, but its political, military, and economic primacy was under serious challenge from the United States, Germany, and Russia. Mackinder predicted that the "heartland" of Eastern Europe held the key to global hegemony and that the struggle for control over this region would be the next great conflict. Ten years later, when an assassin's bullet in Sarajevo launched the world into a calamitous war, Mackinder's analysis proved prescient.
As esteemed historian Jeremy Black argues in Rethinking Geopolitics (Indiana UP, 2024), the 2020s may be history's next great pivot point. The continued volatility of the global system in the wake of a deadly pandemic exacerbates these pressures. At the same time, the American public remains divided by the question of engagement with the outside world, testing the limits of US postwar hegemony. The time has come for a reconsideration of the 120 years from Mackinder's lecture to now, as well as geopolitics of the present and of the future.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 17 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>102</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Jeremy Black</itunes:subtitle>
      <itunes:summary>Amid the bloody Russian invasion of Ukraine in 2021 and the escalating tensions across the Taiwan Strait, the geopolitical balance of power has changed significantly in a very short period. If current trends continue, we may be witnessing a tectonic realignment unseen in more than a century.
In 1904, Halford Mackinder delivered a seminal lecture entitled "The Geographical Pivot of History" to a packed house at the Royal Geographical Society in London about the historic changes then taking place on the world stage. Britain was the great power of that historical moment, but its political, military, and economic primacy was under serious challenge from the United States, Germany, and Russia. Mackinder predicted that the "heartland" of Eastern Europe held the key to global hegemony and that the struggle for control over this region would be the next great conflict. Ten years later, when an assassin's bullet in Sarajevo launched the world into a calamitous war, Mackinder's analysis proved prescient.
As esteemed historian Jeremy Black argues in Rethinking Geopolitics (Indiana UP, 2024), the 2020s may be history's next great pivot point. The continued volatility of the global system in the wake of a deadly pandemic exacerbates these pressures. At the same time, the American public remains divided by the question of engagement with the outside world, testing the limits of US postwar hegemony. The time has come for a reconsideration of the 120 years from Mackinder's lecture to now, as well as geopolitics of the present and of the future.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Amid the bloody Russian invasion of Ukraine in 2021 and the escalating tensions across the Taiwan Strait, the geopolitical balance of power has changed significantly in a very short period. If current trends continue, we may be witnessing a tectonic realignment unseen in more than a century.</p><p>In 1904, Halford Mackinder delivered a seminal lecture entitled "The Geographical Pivot of History" to a packed house at the Royal Geographical Society in London about the historic changes then taking place on the world stage. Britain was the great power of that historical moment, but its political, military, and economic primacy was under serious challenge from the United States, Germany, and Russia. Mackinder predicted that the "heartland" of Eastern Europe held the key to global hegemony and that the struggle for control over this region would be the next great conflict. Ten years later, when an assassin's bullet in Sarajevo launched the world into a calamitous war, Mackinder's analysis proved prescient.</p><p>As esteemed historian Jeremy Black argues in <a href="https://bookshop.org/a/12343/9780253071613"><em>Rethinking Geopolitics </em></a>(Indiana UP, 2024), the 2020s may be history's next great pivot point. The continued volatility of the global system in the wake of a deadly pandemic exacerbates these pressures. At the same time, the American public remains divided by the question of engagement with the outside world, testing the limits of US postwar hegemony. The time has come for a reconsideration of the 120 years from Mackinder's lecture to now, as well as geopolitics of the present and of the future.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2377</itunes:duration>
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    <item>
      <title>Na'ou Liu, "Urban Scenes" (Cambria Press, 2023)</title>
      <description>"In this tango palace everything was swaying rhythmically to and fro, bodies of men and women, beams of colored light, brilliant wine glasses, red and green liquids, slender fingers, pomegranate-colored lips, and feverish eyes. Tables and chairs, together with the crowd of people, cast their reflections on the center of the shiny floor. Everyone was under a powerful magical spell and lost in this enchanted palace." 
Enigmatic, mesmerizing, and frenetic, Urban Scenes (Cambria, 2023) takes readers into the dazzling world of Shanghai in the 1920s. This collection of short fiction by Liu Na’ou (1905–1940) — a Taiwanese-born modernist writer — contains stories that take place in cinemas, art studios, and nightclubs. Touching on issues of modernity, social change, and shifting ideas of love, romance, and beauty, these tantalizing stories are accompanied by a thoughtful Introduction and helpful notes by the translators, Yaohua Shi and Judith Amory. 
This collection is sure to appeal to those interested in modernist literature and Sinophone fiction, as well as anyone who is looking for stories that feature perplexing narrators to analyze with their students. Interested readers should also check out the other titles in the Cambria Sinophone Translation Series. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 07 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>540</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with  Yaohua Shi and Judith Amory</itunes:subtitle>
      <itunes:summary>"In this tango palace everything was swaying rhythmically to and fro, bodies of men and women, beams of colored light, brilliant wine glasses, red and green liquids, slender fingers, pomegranate-colored lips, and feverish eyes. Tables and chairs, together with the crowd of people, cast their reflections on the center of the shiny floor. Everyone was under a powerful magical spell and lost in this enchanted palace." 
Enigmatic, mesmerizing, and frenetic, Urban Scenes (Cambria, 2023) takes readers into the dazzling world of Shanghai in the 1920s. This collection of short fiction by Liu Na’ou (1905–1940) — a Taiwanese-born modernist writer — contains stories that take place in cinemas, art studios, and nightclubs. Touching on issues of modernity, social change, and shifting ideas of love, romance, and beauty, these tantalizing stories are accompanied by a thoughtful Introduction and helpful notes by the translators, Yaohua Shi and Judith Amory. 
This collection is sure to appeal to those interested in modernist literature and Sinophone fiction, as well as anyone who is looking for stories that feature perplexing narrators to analyze with their students. Interested readers should also check out the other titles in the Cambria Sinophone Translation Series. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>"In this tango palace everything was swaying rhythmically to and fro, bodies of men and women, beams of colored light, brilliant wine glasses, red and green liquids, slender fingers, pomegranate-colored lips, and feverish eyes. Tables and chairs, together with the crowd of people, cast their reflections on the center of the shiny floor. Everyone was under a powerful magical spell and lost in this enchanted palace." </em></p><p>Enigmatic, mesmerizing, and frenetic, <a href="https://www.cambriapress.com/pub.cfm?bid=1047"><em>Urban Scenes</em></a><em> </em>(Cambria, 2023) takes readers into the dazzling world of Shanghai in the 1920s. This collection of short fiction by Liu Na’ou (1905–1940) — a Taiwanese-born modernist writer — contains stories that take place in cinemas, art studios, and nightclubs. Touching on issues of modernity, social change, and shifting ideas of love, romance, and beauty, these tantalizing stories are accompanied by a thoughtful Introduction and helpful notes by the translators, <a href="https://ealc.wfu.edu/yaohua-shi/">Yaohua Shi</a> and Judith Amory. </p><p>This collection is sure to appeal to those interested in modernist literature and Sinophone fiction, as well as anyone who is looking for stories that feature perplexing narrators to analyze with their students. Interested readers should also check out the other titles in the <a href="https://www.cambriapress.com/cstsbooks.cfm">Cambria Sinophone Translation Series</a>. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3548</itunes:duration>
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      <title>Christopher T. Fan, "Asian American Fiction After 1965: Transnational Fantasies of Economic Mobility" (Columbia UP, 2024)</title>
      <description>After the 1965 Immigration and Nationality Act loosened discriminatory restrictions, people from Northeast Asian countries such as South Korea, Taiwan, Japan, and eventually China immigrated to the United States in large numbers. Highly skilled Asian immigrants flocked to professional-managerial occupations, especially in science, technology, engineering, and math. Asian American literature is now overwhelmingly defined by this generation’s children, who often struggled with parental and social expectations that they would pursue lucrative careers on their way to becoming writers.
In Asian American Fiction After 1965: Transnational Fantasies of Economic Mobility (Columbia UP, 2024), Christopher T. Fan offers a new way to understand Asian American fiction through the lens of the class and race formations that shaped its authors both in the United States and in Northeast Asia. In readings of writers including Ted Chiang, Chang-rae Lee, Ken Liu, Ling Ma, Ruth Ozeki, Kathy Wang, and Charles Yu, he examines how Asian American fiction maps the immigrant narrative of intergenerational conflict onto the “two cultures” conflict between the arts and sciences. Fan argues that the self-consciousness found in these writers’ works is a legacy of Japanese and American modernization projects that emphasized technical and scientific skills in service of rapid industrialization. He considers Asian American writers’ attraction to science fiction, the figure of the engineer and notions of the “postracial,” modernization theory and time travel, and what happens when the dream of a stable professional identity encounters the realities of deprofessionalization and proletarianization. Through a transnational and historical-materialist approach, this groundbreaking book illuminates what makes texts and authors “Asian American.”
Christopher T. Fan is an assistant professor at the University of California, Irvine, in the Departments of English, Asian American Studies, and East Asian Studies. He is a cofounder and senior editor of Hyphen magazine.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 29 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>84</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Christopher T. Fan</itunes:subtitle>
      <itunes:summary>After the 1965 Immigration and Nationality Act loosened discriminatory restrictions, people from Northeast Asian countries such as South Korea, Taiwan, Japan, and eventually China immigrated to the United States in large numbers. Highly skilled Asian immigrants flocked to professional-managerial occupations, especially in science, technology, engineering, and math. Asian American literature is now overwhelmingly defined by this generation’s children, who often struggled with parental and social expectations that they would pursue lucrative careers on their way to becoming writers.
In Asian American Fiction After 1965: Transnational Fantasies of Economic Mobility (Columbia UP, 2024), Christopher T. Fan offers a new way to understand Asian American fiction through the lens of the class and race formations that shaped its authors both in the United States and in Northeast Asia. In readings of writers including Ted Chiang, Chang-rae Lee, Ken Liu, Ling Ma, Ruth Ozeki, Kathy Wang, and Charles Yu, he examines how Asian American fiction maps the immigrant narrative of intergenerational conflict onto the “two cultures” conflict between the arts and sciences. Fan argues that the self-consciousness found in these writers’ works is a legacy of Japanese and American modernization projects that emphasized technical and scientific skills in service of rapid industrialization. He considers Asian American writers’ attraction to science fiction, the figure of the engineer and notions of the “postracial,” modernization theory and time travel, and what happens when the dream of a stable professional identity encounters the realities of deprofessionalization and proletarianization. Through a transnational and historical-materialist approach, this groundbreaking book illuminates what makes texts and authors “Asian American.”
Christopher T. Fan is an assistant professor at the University of California, Irvine, in the Departments of English, Asian American Studies, and East Asian Studies. He is a cofounder and senior editor of Hyphen magazine.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>After the 1965 Immigration and Nationality Act loosened discriminatory restrictions, people from Northeast Asian countries such as South Korea, Taiwan, Japan, and eventually China immigrated to the United States in large numbers. Highly skilled Asian immigrants flocked to professional-managerial occupations, especially in science, technology, engineering, and math. Asian American literature is now overwhelmingly defined by this generation’s children, who often struggled with parental and social expectations that they would pursue lucrative careers on their way to becoming writers.</p><p>In <a href="https://bookshop.org/a/12343/9780231213233"><em>Asian American Fiction After 1965: Transnational Fantasies of Economic Mobility</em></a> (Columbia UP, 2024), Christopher T. Fan offers a new way to understand Asian American fiction through the lens of the class and race formations that shaped its authors both in the United States and in Northeast Asia. In readings of writers including Ted Chiang, Chang-rae Lee, Ken Liu, Ling Ma, Ruth Ozeki, Kathy Wang, and Charles Yu, he examines how Asian American fiction maps the immigrant narrative of intergenerational conflict onto the “two cultures” conflict between the arts and sciences. Fan argues that the self-consciousness found in these writers’ works is a legacy of Japanese and American modernization projects that emphasized technical and scientific skills in service of rapid industrialization. He considers Asian American writers’ attraction to science fiction, the figure of the engineer and notions of the “postracial,” modernization theory and time travel, and what happens when the dream of a stable professional identity encounters the realities of deprofessionalization and proletarianization. Through a transnational and historical-materialist approach, this groundbreaking book illuminates what makes texts and authors “<em>Asian</em> American.”</p><p>Christopher T. Fan is an assistant professor at the University of California, Irvine, in the Departments of English, Asian American Studies, and East Asian Studies. He is a cofounder and senior editor of <em>Hyphen</em> magazine.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>6499</itunes:duration>
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      <title>Kate McDonald on Asian Mobility History as Labor History</title>
      <description>Peoples &amp; Things host, Lee Vinsel, talks to Kate McDonald, Associate Professor of History at University of California, Santa Barbara, about her fascinating research on the history of mobility in Asia and how it looks different when we approach it as a history of work and labor. The pair traverse McDonald’s career from her current project, The Rickshaw and the Railroad: Human-Powered Transport in the Age of the Machine, to her first book, Placing Empire: Travel and the Social Imagination in Imperial Japan (U California Press, 2017) to digital humanities projects she has helped lead. Along the way, they talk about the craft of historical research and what we can learn by revisiting classic texts with mobility and the work of transportation in mind.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 29 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>77</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Peoples &amp; Things host, Lee Vinsel, talks to Kate McDonald, Associate Professor of History at University of California, Santa Barbara, about her fascinating research on the history of mobility in Asia and how it looks different when we approach it as a history of work and labor. The pair traverse McDonald’s career from her current project, The Rickshaw and the Railroad: Human-Powered Transport in the Age of the Machine, to her first book, Placing Empire: Travel and the Social Imagination in Imperial Japan (U California Press, 2017) to digital humanities projects she has helped lead. Along the way, they talk about the craft of historical research and what we can learn by revisiting classic texts with mobility and the work of transportation in mind.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Peoples &amp; Things host, Lee Vinsel, talks to Kate McDonald, Associate Professor of History at University of California, Santa Barbara, about her fascinating research on the history of mobility in Asia and how it looks different when we approach it as a history of work and labor. The pair traverse McDonald’s career from her current project, <em>The Rickshaw and the Railroad: Human-Powered Transport in the Age of the Machine</em>, to her first book,<a href="https://bookshop.org/a/12343/9780520293915"> <em>Placing Empire: Travel and the Social Imagination in Imperial Japan</em></a> (U California Press, 2017) to digital humanities projects she has helped lead. Along the way, they talk about the craft of historical research and what we can learn by revisiting classic texts with mobility and the work of transportation in mind.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4293</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Christina Yi et al., "Passing, Posing, Persuasion: Cultural Production and Coloniality in Japan's East Asian Empire" (U Hawaii Press, 2023)</title>
      <description>Passing, Posing, Persuasion: Cultural Production and Coloniality in Japan's East Asian Empire (U Hawaii Press, 2023) interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan’s East Asian empire (1895–1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial subjects to identify with the empire while simultaneously maintaining the distinctions that subjugated them and marking their attempts to self-identify as Japanese as inauthentic, illegitimate forms of “passing” or “posing.” Visions of inclusion encouraged assimilation but also threatened to disrupt the very logic of imperialism itself: If there was no immutable difference between Taiwanese and Japanese subjects, for example, then what justified the subordination of the former to the latter? The chapters emphasize the plurality and heterogeneity of empire, together with the contradictions and tensions of its ideologies of race, nation, and ethnicity.
The paradoxes of passing, posing, and persuasion opened up unique opportunities for colonial contestation and negotiation in the arenas of cultural production, including theater, fiction, film, magazines, and other media of entertainment and propaganda consumed by audiences in mainland Japan and its colonies. From Meiji adaptations of Shakespeare and interwar mass media and colonial fiction to wartime propaganda films, competing narratives sought to shape how ambiguous identities were performed and read. All empires necessarily engender multiple kinds of border crossings and transgressions; in the case of Japan, the policing and blurring of boundaries often pivoted on the outer markers of ethno-national identification. This book showcases how actors—in multiple senses of the word—from all parts of the empire were able to move in and out of different performative identities, thus troubling its ontological boundaries.
Christina Yi is associate professor of modern Japanese literature at the University of British Columbia. Her research field is modern and contemporary Japanese literature, with a particular focus on issues of postcoloniality, language politics, genre, and cultural studies. Yi’s first monograph, Colonizing Language: Cultural Production and Language Politics in Modern Japan and Korea, was published by Columbia University Press in 2018.
Andre Haag is associate professor of Japanese literature and culture at the University of Hawai‘i at Mānoa. His research explores how the insecurities and terrors of colonialism attendant to the annexation of Korea and internalization of the “Korea Problem” were inscribed within the literature, culture, and vocabularies that circulated within the Japanese imperial metropole.
Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 27 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>538</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Christina Yi and Andre Haag</itunes:subtitle>
      <itunes:summary>Passing, Posing, Persuasion: Cultural Production and Coloniality in Japan's East Asian Empire (U Hawaii Press, 2023) interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan’s East Asian empire (1895–1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial subjects to identify with the empire while simultaneously maintaining the distinctions that subjugated them and marking their attempts to self-identify as Japanese as inauthentic, illegitimate forms of “passing” or “posing.” Visions of inclusion encouraged assimilation but also threatened to disrupt the very logic of imperialism itself: If there was no immutable difference between Taiwanese and Japanese subjects, for example, then what justified the subordination of the former to the latter? The chapters emphasize the plurality and heterogeneity of empire, together with the contradictions and tensions of its ideologies of race, nation, and ethnicity.
The paradoxes of passing, posing, and persuasion opened up unique opportunities for colonial contestation and negotiation in the arenas of cultural production, including theater, fiction, film, magazines, and other media of entertainment and propaganda consumed by audiences in mainland Japan and its colonies. From Meiji adaptations of Shakespeare and interwar mass media and colonial fiction to wartime propaganda films, competing narratives sought to shape how ambiguous identities were performed and read. All empires necessarily engender multiple kinds of border crossings and transgressions; in the case of Japan, the policing and blurring of boundaries often pivoted on the outer markers of ethno-national identification. This book showcases how actors—in multiple senses of the word—from all parts of the empire were able to move in and out of different performative identities, thus troubling its ontological boundaries.
Christina Yi is associate professor of modern Japanese literature at the University of British Columbia. Her research field is modern and contemporary Japanese literature, with a particular focus on issues of postcoloniality, language politics, genre, and cultural studies. Yi’s first monograph, Colonizing Language: Cultural Production and Language Politics in Modern Japan and Korea, was published by Columbia University Press in 2018.
Andre Haag is associate professor of Japanese literature and culture at the University of Hawai‘i at Mānoa. His research explores how the insecurities and terrors of colonialism attendant to the annexation of Korea and internalization of the “Korea Problem” were inscribed within the literature, culture, and vocabularies that circulated within the Japanese imperial metropole.
Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780824895228"><em>Passing, Posing, Persuasion: Cultural Production and Coloniality in Japan's East Asian Empire</em></a><em> </em>(U Hawaii Press, 2023)<em> </em>interrogates the intersections between cultural production, identity, and persuasive messaging that idealized inclusion and unity across Japan’s East Asian empire (1895–1945). Japanese propagandists drew on a pan-Asian rhetoric that sought to persuade colonial subjects to identify with the empire while simultaneously maintaining the distinctions that subjugated them and marking their attempts to self-identify as Japanese as inauthentic, illegitimate forms of “passing” or “posing.” Visions of inclusion encouraged assimilation but also threatened to disrupt the very logic of imperialism itself: If there was no immutable difference between Taiwanese and Japanese subjects, for example, then what justified the subordination of the former to the latter? The chapters emphasize the plurality and heterogeneity of empire, together with the contradictions and tensions of its ideologies of race, nation, and ethnicity.</p><p>The paradoxes of passing, posing, and persuasion opened up unique opportunities for colonial contestation and negotiation in the arenas of cultural production, including theater, fiction, film, magazines, and other media of entertainment and propaganda consumed by audiences in mainland Japan and its colonies. From Meiji adaptations of Shakespeare and interwar mass media and colonial fiction to wartime propaganda films, competing narratives sought to shape how ambiguous identities were performed and read. All empires necessarily engender multiple kinds of border crossings and transgressions; in the case of Japan, the policing and blurring of boundaries often pivoted on the outer markers of ethno-national identification. This book showcases how actors—in multiple senses of the word—from all parts of the empire were able to move in and out of different performative identities, thus troubling its ontological boundaries.</p><p>Christina Yi is associate professor of modern Japanese literature at the University of British Columbia. Her research field is modern and contemporary Japanese literature, with a particular focus on issues of postcoloniality, language politics, genre, and cultural studies. Yi’s first monograph, <em>Colonizing Language: Cultural Production and Language Politics in Modern Japan and Korea</em>, was published by Columbia University Press in 2018.</p><p>Andre Haag is associate professor of Japanese literature and culture at the University of Hawai‘i at Mānoa. His research explores how the insecurities and terrors of colonialism attendant to the annexation of Korea and internalization of the “Korea Problem” were inscribed within the literature, culture, and vocabularies that circulated within the Japanese imperial metropole.</p><p>Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4475</itunes:duration>
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      <title>Eve J. Chung, "Daughters of Shandong" (Berkley Books, 2024)</title>
      <description>Daughters of Shandong (Berkley Books, 2024), the author’s first and based on the life of her grandmother, follows the fortunes of a mother and three daughters abandoned by their wealthy family in soon-to-be Communist China. It is 1948, and Chairman Mao’s forces have moved into Shandong Province, driving the Nationalist Army into retreat. Although the town of Zhucheng is small and rural, the Ang family owns a palatial estate, built by generations of government officials and scholars.
Even before the war turns against them, the family has little use for its eldest daughter-in-law, Chiang-Yue, who has produced three daughters but no sons. The family lives by the ancient Chinese proverb “Value men and belittle women,” so even though its second son does have a male heir, that child’s existence cannot redeem Chiang-Yue in her in-laws’ eyes.
When the Communists approach, the other family members, including the girls’ father, flee. The narrator, Li-Hai, stays behind with her mother and sisters—ostensibly to keep either the People’s Army or impoverished local farmers from confiscating the Angs’ palatial home. Of course, this doesn’t work. Soldiers take over the estate the first day. They haul Li-Hai, only thirteen, before an impromptu tribunal as a stand-in for her missing male relatives. She barely escapes with her life. Only Chiang-Yue’s history of treating the villagers kindly saves her and her daughters—first from execution, then from starvation.
Despite the family’s cruel treatment, Chiang-Yue insists that duty requires her to rejoin her husband. Thus begins their trek across China, from Zhucheng to the local hub of Qingdao, then south to Guangzhou (Hong Kong), and eventually across the strait to Taiwan. Hiding in the bushes, scrounging homeless in the streets, surviving a refugee camp—the Ang women and girls are, in their own stubborn way, relentless. And I swear, you will root for them every step of the way.
Eve J. Chung is a Taiwanese American lawyer and women’s human rights specialist. She has worked on a range of issues, including torture, sexual violence, contemporary forms of slavery, and discriminatory legislation. Her writing is inspired by social justice movements and the continued struggle for equality and fundamental freedoms worldwide. She currently lives in New York with her husband, two children, and two dogs. Daughters of Shandong is her debut novel.
C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and four other novels, including The Merchant’s Tale, cowritten with P.K. Adams. Her next novel, Song of the Steadfast, is due early in 2025.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 08 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>181</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Eve J. Chung</itunes:subtitle>
      <itunes:summary>Daughters of Shandong (Berkley Books, 2024), the author’s first and based on the life of her grandmother, follows the fortunes of a mother and three daughters abandoned by their wealthy family in soon-to-be Communist China. It is 1948, and Chairman Mao’s forces have moved into Shandong Province, driving the Nationalist Army into retreat. Although the town of Zhucheng is small and rural, the Ang family owns a palatial estate, built by generations of government officials and scholars.
Even before the war turns against them, the family has little use for its eldest daughter-in-law, Chiang-Yue, who has produced three daughters but no sons. The family lives by the ancient Chinese proverb “Value men and belittle women,” so even though its second son does have a male heir, that child’s existence cannot redeem Chiang-Yue in her in-laws’ eyes.
When the Communists approach, the other family members, including the girls’ father, flee. The narrator, Li-Hai, stays behind with her mother and sisters—ostensibly to keep either the People’s Army or impoverished local farmers from confiscating the Angs’ palatial home. Of course, this doesn’t work. Soldiers take over the estate the first day. They haul Li-Hai, only thirteen, before an impromptu tribunal as a stand-in for her missing male relatives. She barely escapes with her life. Only Chiang-Yue’s history of treating the villagers kindly saves her and her daughters—first from execution, then from starvation.
Despite the family’s cruel treatment, Chiang-Yue insists that duty requires her to rejoin her husband. Thus begins their trek across China, from Zhucheng to the local hub of Qingdao, then south to Guangzhou (Hong Kong), and eventually across the strait to Taiwan. Hiding in the bushes, scrounging homeless in the streets, surviving a refugee camp—the Ang women and girls are, in their own stubborn way, relentless. And I swear, you will root for them every step of the way.
Eve J. Chung is a Taiwanese American lawyer and women’s human rights specialist. She has worked on a range of issues, including torture, sexual violence, contemporary forms of slavery, and discriminatory legislation. Her writing is inspired by social justice movements and the continued struggle for equality and fundamental freedoms worldwide. She currently lives in New York with her husband, two children, and two dogs. Daughters of Shandong is her debut novel.
C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and four other novels, including The Merchant’s Tale, cowritten with P.K. Adams. Her next novel, Song of the Steadfast, is due early in 2025.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780593640531"><em>Daughters of Shandong</em></a> (Berkley Books, 2024), the author’s first and based on the life of her grandmother, follows the fortunes of a mother and three daughters abandoned by their wealthy family in soon-to-be Communist China. It is 1948, and Chairman Mao’s forces have moved into Shandong Province, driving the Nationalist Army into retreat. Although the town of Zhucheng is small and rural, the Ang family owns a palatial estate, built by generations of government officials and scholars.</p><p>Even before the war turns against them, the family has little use for its eldest daughter-in-law, Chiang-Yue, who has produced three daughters but no sons. The family lives by the ancient Chinese proverb “Value men and belittle women,” so even though its second son does have a male heir, that child’s existence cannot redeem Chiang-Yue in her in-laws’ eyes.</p><p>When the Communists approach, the other family members, including the girls’ father, flee. The narrator, Li-Hai, stays behind with her mother and sisters—ostensibly to keep either the People’s Army or impoverished local farmers from confiscating the Angs’ palatial home. Of course, this doesn’t work. Soldiers take over the estate the first day. They haul Li-Hai, only thirteen, before an impromptu tribunal as a stand-in for her missing male relatives. She barely escapes with her life. Only Chiang-Yue’s history of treating the villagers kindly saves her and her daughters—first from execution, then from starvation.</p><p>Despite the family’s cruel treatment, Chiang-Yue insists that duty requires her to rejoin her husband. Thus begins their trek across China, from Zhucheng to the local hub of Qingdao, then south to Guangzhou (Hong Kong), and eventually across the strait to Taiwan. Hiding in the bushes, scrounging homeless in the streets, surviving a refugee camp—the Ang women and girls are, in their own stubborn way, relentless. And I swear, you will root for them every step of the way.</p><p>Eve J. Chung is a Taiwanese American lawyer and women’s human rights specialist. She has worked on a range of issues, including torture, sexual violence, contemporary forms of slavery, and discriminatory legislation. Her writing is inspired by social justice movements and the continued struggle for equality and fundamental freedoms worldwide. She currently lives in New York with her husband, two children, and two dogs. <em>Daughters of Shandong</em> is her debut novel.</p><p>C. P. Lesley is the author of two historical fiction series set during the childhood of Ivan the Terrible and four other novels, including <em>The Merchant’s Tale</em>, cowritten with P.K. Adams. Her next novel, <em>Song of the Steadfast</em>, is due early in 2025.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2311</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK4352945832.mp3?updated=1720274545" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michelle T. King, "Chop Fry Watch Learn: Fu Pei-Mei and the Making of Modern Chinese Food" (Norton, 2024)</title>
      <description>In 1971, the New York Times called the Taiwanese-Chinese chef, Fu Pei-Mei, the “the Julia Child of Chinese cooking.”
But, as Michelle T. King notes in her book Chop Fry Watch Learn: Fu Pei-Mei and the Making of Modern Chinese Food (Norton, 2024), the inverse–that Julia Child was the Fu Pei-Mei of French cuisine–might be more appropriate. Fu spent decades on Taiwanese television, wrote three seminal cookbooks on Chinese cuisine, ran a famous cooking academy and even provided important culinary advice to those making packaged food and airline meals.
And this all starts from humble beginnings, when she was an amateur–and not very good–home cook arriving in Taiwan from mainland China.
In this interview, Michelle and I talk about Fu Pei-Mei, her humble beginnings and rise to the heights of Chinese cooking, and what Fu’s work tells us about Chinese cuisine.
Michelle T. King is an associate professor at the University of North Carolina at Chapel Hill, where she specializes in modern Chinese gender and food history. She can be followed on Instagram at @michtking.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Chop Fry Watch Learn. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 04 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>193</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Michelle T. King</itunes:subtitle>
      <itunes:summary>In 1971, the New York Times called the Taiwanese-Chinese chef, Fu Pei-Mei, the “the Julia Child of Chinese cooking.”
But, as Michelle T. King notes in her book Chop Fry Watch Learn: Fu Pei-Mei and the Making of Modern Chinese Food (Norton, 2024), the inverse–that Julia Child was the Fu Pei-Mei of French cuisine–might be more appropriate. Fu spent decades on Taiwanese television, wrote three seminal cookbooks on Chinese cuisine, ran a famous cooking academy and even provided important culinary advice to those making packaged food and airline meals.
And this all starts from humble beginnings, when she was an amateur–and not very good–home cook arriving in Taiwan from mainland China.
In this interview, Michelle and I talk about Fu Pei-Mei, her humble beginnings and rise to the heights of Chinese cooking, and what Fu’s work tells us about Chinese cuisine.
Michelle T. King is an associate professor at the University of North Carolina at Chapel Hill, where she specializes in modern Chinese gender and food history. She can be followed on Instagram at @michtking.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Chop Fry Watch Learn. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at@nickrigordon.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1971, the <em>New York Times </em>called the Taiwanese-Chinese chef, Fu Pei-Mei, the “the Julia Child of Chinese cooking.”</p><p>But, as Michelle T. King notes in her book <a href="https://bookshop.org/a/12343/9781324021285"><em>Chop Fry Watch Learn: Fu Pei-Mei and the Making of Modern Chinese Food</em></a><em> </em>(Norton, 2024), the inverse–that Julia Child was the Fu Pei-Mei of French cuisine–might be more appropriate. Fu spent decades on Taiwanese television, wrote three seminal cookbooks on Chinese cuisine, ran a famous cooking academy and even provided important culinary advice to those making packaged food and airline meals.</p><p>And this all starts from humble beginnings, when she was an amateur–and not very good–home cook arriving in Taiwan from mainland China.</p><p>In this interview, Michelle and I talk about Fu Pei-Mei, her humble beginnings and rise to the heights of Chinese cooking, and what Fu’s work tells us about Chinese cuisine.</p><p><a href="https://michelletking.com/">Michelle T. King</a> is an associate professor at the University of North Carolina at Chapel Hill, where she specializes in modern Chinese gender and food history. She can be followed on Instagram at <a href="https://www.instagram.com/michtking/">@michtking</a>.</p><p><em>You can find more reviews, excerpts, interviews, and essays at</em><a href="https://asianreviewofbooks.com/"> <em>The Asian Review of Books</em></a><em>, </em>including its review of <a href="https://asianreviewofbooks.com/content/chop-fry-watch-learn-fu-pei-mei-and-the-making-of-modern-chinese-food-by-michelle-t-king/"><em>Chop Fry Watch Learn</em></a><em>. Follow on Twitter at</em><a href="https://twitter.com/BookReviewsAsia"> <em>@BookReviewsAsia</em></a><em>.</em></p><p><em>Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at</em><a href="https://twitter.com/nickrigordon?lang=en"><em>@nickrigordon</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2741</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK7747088433.mp3?updated=1719927739" length="0" type="audio/mpeg"/>
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    <item>
      <title>Feng-Mei Heberer, "Asians on Demand: Mediating Race in Video Art and Activism" (U Minnesota Press, 2023)</title>
      <description>Asians on Demand: Mediating Race in Video Art and Activism (University of Minnesota Press, 2023) explores a multilingual archive of contemporary queer and feminist videos by Asian diasporans in North America, Europe, and East Asia. It grapples with the pressing question of how media representation can critique and advance social justice for racialized minorities in the wake of today’s unprecedented rise of onscreen diversity.
Feng-Mei Heberer is an Assistant Professor in the Department of Cinema Studies at New York University. She is also a faculty affiliate of the department’s Asian Film and Media Initiative. Her research interests lie at the junctures of labor, transnational migration, and Asian diaspora, and her work draws heavily on the insights of ethnic studies, queer studies, feminist studies, and critical area studies. In addition, she researches and works in film curation and community arts and culture organizing.
Ailin Zhou is a PhD student in Film &amp; Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 02 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>200</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Feng-Mei Heberer</itunes:subtitle>
      <itunes:summary>Asians on Demand: Mediating Race in Video Art and Activism (University of Minnesota Press, 2023) explores a multilingual archive of contemporary queer and feminist videos by Asian diasporans in North America, Europe, and East Asia. It grapples with the pressing question of how media representation can critique and advance social justice for racialized minorities in the wake of today’s unprecedented rise of onscreen diversity.
Feng-Mei Heberer is an Assistant Professor in the Department of Cinema Studies at New York University. She is also a faculty affiliate of the department’s Asian Film and Media Initiative. Her research interests lie at the junctures of labor, transnational migration, and Asian diaspora, and her work draws heavily on the insights of ethnic studies, queer studies, feminist studies, and critical area studies. In addition, she researches and works in film curation and community arts and culture organizing.
Ailin Zhou is a PhD student in Film &amp; Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781517914813"><em>Asians on Demand: Mediating Race in Video Art and Activism</em></a> (University of Minnesota Press, 2023) explores a multilingual archive of contemporary queer and feminist videos by Asian diasporans in North America, Europe, and East Asia. It grapples with the pressing question of how media representation can critique and advance social justice for racialized minorities in the wake of today’s unprecedented rise of onscreen diversity.</p><p><a href="https://tisch.nyu.edu/about/directory/cinema-studies/97348122">Feng-Mei Heberer</a> is an Assistant Professor in the Department of Cinema Studies at New York University. She is also a faculty affiliate of the department’s Asian Film and Media Initiative. Her research interests lie at the junctures of labor, transnational migration, and Asian diaspora, and her work draws heavily on the insights of ethnic studies, queer studies, feminist studies, and critical area studies. In addition, she researches and works in film curation and community arts and culture organizing.</p><p><em>Ailin Zhou is a PhD student in Film &amp; Digital Media at University of California, Santa Cruz. Her research interests include transnational Chinese cinema, Asian diasporic visual culture, contemporary art, and feminist and queer theories.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3564</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK5908513328.mp3?updated=1719768109" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>J. Megan Greene, "Building a Nation at War: Building a Nation at War: Transnational Knowledge Networks and the Development of China during and after World War II" (Harvard UP, 2022)</title>
      <description>Building a Nation at War: Transnational Knowledge Networks and the Development of China during and after World War II (Harvard UP, 2022) argues that the Chinese Nationalist government’s retreat inland during the Sino-Japanese War (1937–1945), its consequent need for inland resources, and its participation in new scientific and technical relationships with the United States led to fundamental changes in how the Nationalists engaged with science and technology as tools to promote development.

The war catalyzed an emphasis on applied sciences, comprehensive economic planning, and development of scientific and technical human resources—all of which served the Nationalists’ immediate and long-term goals. It created an opportunity for the Nationalists to extend control over inland China and over education and industry. It also provided opportunities for China to mobilize transnational networks of Chinese-Americans, Chinese in America, and the American government and businesses. These groups provided technical advice, ran training programs, and helped the Nationalists acquire manufactured goods and tools. J. Megan Greene shows how the Nationalists worked these programs to their advantage, even in situations where their American counterparts clearly had the upper hand. Finally, this book shows how, although American advisers and diplomats criticized China for harboring resources rather than putting them into winning the war against Japan, US industrial consultants were also strongly motivated by postwar goals.

J. Megan Greene is Professor of History at the University of Kansas. Her field of study is the history of the Republic of China under the KMT both in China and on Taiwan. She is also the author of The Origins of the Developmental State in Taiwan: Science Policy and the Quest for Modernization (Harvard University Press, 2008), a study of industrial science policy in China and Taiwan under the KMT.

Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 27 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>533</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with J. Megan Greene</itunes:subtitle>
      <itunes:summary>Building a Nation at War: Transnational Knowledge Networks and the Development of China during and after World War II (Harvard UP, 2022) argues that the Chinese Nationalist government’s retreat inland during the Sino-Japanese War (1937–1945), its consequent need for inland resources, and its participation in new scientific and technical relationships with the United States led to fundamental changes in how the Nationalists engaged with science and technology as tools to promote development.

The war catalyzed an emphasis on applied sciences, comprehensive economic planning, and development of scientific and technical human resources—all of which served the Nationalists’ immediate and long-term goals. It created an opportunity for the Nationalists to extend control over inland China and over education and industry. It also provided opportunities for China to mobilize transnational networks of Chinese-Americans, Chinese in America, and the American government and businesses. These groups provided technical advice, ran training programs, and helped the Nationalists acquire manufactured goods and tools. J. Megan Greene shows how the Nationalists worked these programs to their advantage, even in situations where their American counterparts clearly had the upper hand. Finally, this book shows how, although American advisers and diplomats criticized China for harboring resources rather than putting them into winning the war against Japan, US industrial consultants were also strongly motivated by postwar goals.

J. Megan Greene is Professor of History at the University of Kansas. Her field of study is the history of the Republic of China under the KMT both in China and on Taiwan. She is also the author of The Origins of the Developmental State in Taiwan: Science Policy and the Quest for Modernization (Harvard University Press, 2008), a study of industrial science policy in China and Taiwan under the KMT.

Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780674278318"><em>Building a Nation at War: Transnational Knowledge Networks and the Development of China during and after World War II </em></a>(Harvard UP, 2022) argues that the Chinese Nationalist government’s retreat inland during the Sino-Japanese War (1937–1945), its consequent need for inland resources, and its participation in new scientific and technical relationships with the United States led to fundamental changes in how the Nationalists engaged with science and technology as tools to promote development.</p>
<p>The war catalyzed an emphasis on applied sciences, comprehensive economic planning, and development of scientific and technical human resources—all of which served the Nationalists’ immediate and long-term goals. It created an opportunity for the Nationalists to extend control over inland China and over education and industry. It also provided opportunities for China to mobilize transnational networks of Chinese-Americans, Chinese in America, and the American government and businesses. These groups provided technical advice, ran training programs, and helped the Nationalists acquire manufactured goods and tools. J. Megan Greene shows how the Nationalists worked these programs to their advantage, even in situations where their American counterparts clearly had the upper hand. Finally, this book shows how, although American advisers and diplomats criticized China for harboring resources rather than putting them into winning the war against Japan, US industrial consultants were also strongly motivated by postwar goals.</p>
<p><a href="https://history.ku.edu/people/j-megan-greene">J. Megan Greene</a> is Professor of History at the University of Kansas. Her field of study is the history of the Republic of China under the KMT both in China and on Taiwan. She is also the author of<em> The Origins of the Developmental State in Taiwan: Science Policy and the Quest for Modernization</em> (Harvard University Press, 2008), a study of industrial science policy in China and Taiwan under the KMT.</p>
<p><a href="https://lipingchen.com/index.html"><em>Li-Ping Chen</em></a><em> is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4802</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK4168596991.mp3?updated=1719249295" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Andreas Fulda, "Germany and China: How Entanglement Undermines Freedom, Prosperity and Security" (Bloombury, 2024)</title>
      <description>Germany and China: How Entanglement Undermines Freedom, Prosperity and Security (Bloomsbury, 2024) is a groundbreaking book, of which the findings have significant implications both for German-China relations and also in understanding the rising influence of autocratic China on liberal democracies globally. In today's interview, Associate Professor Andreas Fulda and I spoke about Germany's entanglement with China, and the extent of Germany's dependancies on China in terms of economics, technology, politics and academia. We spoke about the blind spots of policy makers and academics have, and the way that China policy is constructed and interpreted as a result. We also spoke about the implications for national security and German sovereignty, and the way that Germany entanglement with China is a warning sign for democratic states everywhere. 
Dr Fulda is a political scientist and China scholar with a keen interest in the philosophy of science. You can listen to an interview about his previous book, The Struggle for Democracy in Mainland China, Taiwan and Hong KongSharp Power and its Discontents (Routledge: 2019) here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 22 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>223</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Andreas Fulda</itunes:subtitle>
      <itunes:summary>Germany and China: How Entanglement Undermines Freedom, Prosperity and Security (Bloomsbury, 2024) is a groundbreaking book, of which the findings have significant implications both for German-China relations and also in understanding the rising influence of autocratic China on liberal democracies globally. In today's interview, Associate Professor Andreas Fulda and I spoke about Germany's entanglement with China, and the extent of Germany's dependancies on China in terms of economics, technology, politics and academia. We spoke about the blind spots of policy makers and academics have, and the way that China policy is constructed and interpreted as a result. We also spoke about the implications for national security and German sovereignty, and the way that Germany entanglement with China is a warning sign for democratic states everywhere. 
Dr Fulda is a political scientist and China scholar with a keen interest in the philosophy of science. You can listen to an interview about his previous book, The Struggle for Democracy in Mainland China, Taiwan and Hong KongSharp Power and its Discontents (Routledge: 2019) here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781350357013"><em>Germany and China: How Entanglement Undermines Freedom, Prosperity and Security</em></a> (Bloomsbury, 2024) is a groundbreaking book, of which the findings have significant implications both for German-China relations and also in understanding the rising influence of autocratic China on liberal democracies globally. In today's interview, Associate <a href="https://www.nottingham.ac.uk/politics/people/andreas.fulda">Professor Andreas Fulda</a> and I spoke about Germany's entanglement with China, and the extent of Germany's dependancies on China in terms of economics, technology, politics and academia. We spoke about the blind spots of policy makers and academics have, and the way that China policy is constructed and interpreted as a result. We also spoke about the implications for national security and German sovereignty, and the way that Germany entanglement with China is a warning sign for democratic states everywhere. </p><p>Dr Fulda is a political scientist and China scholar with a keen interest in the philosophy of science. You can listen to an interview about his previous book, <a href="https://www.routledge.com/The-Struggle-for-Democracy-in-Mainland-China-Taiwan-and-Hong-Kong-Sharp/Fulda/p/book/9780367334901"><em>The Struggle for Democracy in Mainland China, Taiwan and Hong KongSharp Power and its Discontents</em></a> (Routledge: 2019) <a href="https://newbooksnetwork.com/andreas-fulda-the-struggle-for-democracy-in-mainland-china-taiwan-and-hong-kong-routledge-2020#entry:31105@1:url">here</a>. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3595</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK1418854523.mp3?updated=1718817011" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Religious Landscape of Taiwan: A Discussion with Yushuang Yao</title>
      <description>How is Buddhism seen and practiced in Taiwan? And how do neighbouring countries influence Taiwanese Buddhism? In this episode we explore the religious landscape of Taiwan in conversation with Dr. Yushuang Yao, a leading expert on religion in contemporary Taiwan.
Yushuang Yao is an Associate Professor at Fo Guang University, Taiwan, specializing in contemporary religions of Taiwan. She is also a research fellow at Oxford Centre for Buddhist Studies, and currently professorial fellow at the University of Tartu with "Taiwan Studies Programme”.
Heidi Maiberg, the host of the episode, is the Head of Communication at the University of Tartu Asia Centre.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 21 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>222</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>How is Buddhism seen and practiced in Taiwan? And how do neighbouring countries influence Taiwanese Buddhism? In this episode we explore the religious landscape of Taiwan in conversation with Dr. Yushuang Yao, a leading expert on religion in contemporary Taiwan.
Yushuang Yao is an Associate Professor at Fo Guang University, Taiwan, specializing in contemporary religions of Taiwan. She is also a research fellow at Oxford Centre for Buddhist Studies, and currently professorial fellow at the University of Tartu with "Taiwan Studies Programme”.
Heidi Maiberg, the host of the episode, is the Head of Communication at the University of Tartu Asia Centre.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How is Buddhism seen and practiced in Taiwan? And how do neighbouring countries influence Taiwanese Buddhism? In this episode we explore the religious landscape of Taiwan in conversation with Dr. Yushuang Yao, a leading expert on religion in contemporary Taiwan.</p><p>Yushuang Yao is an Associate Professor at Fo Guang University, Taiwan, specializing in contemporary religions of Taiwan. She is also a research fellow at Oxford Centre for Buddhist Studies, and currently professorial fellow at the University of Tartu with "Taiwan Studies Programme”.</p><p>Heidi Maiberg, the host of the episode, is the Head of Communication at the University of Tartu Asia Centre.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3340</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK6147905447.mp3?updated=1718455219" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Yi-Han Lin, "Fang Si-Chi's First Love Paradise" (HarperVia, 2024)</title>
      <description>In this episode, Jenna Tang shares with us her translation of Lin Yi-Han's Fang Si-Chi's First Love Paradise: A Novel (HarperVia, 2024), one of the most iconic works of Taiwan's #MeToo movement.
Thirteen-year-old Fang Si-Chi lives with her family in an upscale apartment complex in Taiwan, a tightknit community of strict yet doting parents and privileged children raised to be ambitious, dutiful, and virtuous. She and her neighbor Liu Yi-Ting bond over their love of learning and books, devouring classic works--Proust, Gabriel García Márquez, the very best Chinese writers. Yet, it is their lack of real-world education that makes them true kindred spirits. Si-Chi's innocence is irresistible to Lee Guo-hua, a revered cram literature teacher and serial predator who lives in her building. When he offers to tutor the academic-minded girls for free, their parents--unaware of Lee's true nature--happily accept. While Yi-Ting's studies with Lee are straightforward, Si-Chi learns about things no one teaches them in school--lessons about sex and love that will change the course of her life. Confused and uncertain, Si-Chi turns to her beloved books for guidance. But literature tells her nothing honest about rape or how to cope with the trauma of abuse. For her own salvation, the young girl begins to think of her personal hell as her "first love paradise," where the power of love, no matter how twisted, gives her the strength to survive. 
One of the biggest books to come out of Taiwan in the last decade, Fang Si-Chi's First Love Paradise is a chilling tale of grooming and its lingering trauma, and the power structures that allow it to flourish. Insightful, unsettling, emotionally raw, it is a staggering work of literature that reverberates across cultures and forces us to confront painful truths about the vulnerability and strength of women and those who use and hurt them.
Jenna Tang is a Taiwanese writer, educator, and translator who translates between Mandarin Chinese, Spanish, French, and English. She received her MFA in Creative Writing from The New School. Her translations and essays are published in The Paris Review, Latin American Literature Today, AAWW, Catapult, Mcsweeney’s, and elsewhere. She translated Lin Yi-Han’s novel, Fang Si-Chi's First Love Paradise.
Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 31 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>532</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with translator Jenna Tang</itunes:subtitle>
      <itunes:summary>In this episode, Jenna Tang shares with us her translation of Lin Yi-Han's Fang Si-Chi's First Love Paradise: A Novel (HarperVia, 2024), one of the most iconic works of Taiwan's #MeToo movement.
Thirteen-year-old Fang Si-Chi lives with her family in an upscale apartment complex in Taiwan, a tightknit community of strict yet doting parents and privileged children raised to be ambitious, dutiful, and virtuous. She and her neighbor Liu Yi-Ting bond over their love of learning and books, devouring classic works--Proust, Gabriel García Márquez, the very best Chinese writers. Yet, it is their lack of real-world education that makes them true kindred spirits. Si-Chi's innocence is irresistible to Lee Guo-hua, a revered cram literature teacher and serial predator who lives in her building. When he offers to tutor the academic-minded girls for free, their parents--unaware of Lee's true nature--happily accept. While Yi-Ting's studies with Lee are straightforward, Si-Chi learns about things no one teaches them in school--lessons about sex and love that will change the course of her life. Confused and uncertain, Si-Chi turns to her beloved books for guidance. But literature tells her nothing honest about rape or how to cope with the trauma of abuse. For her own salvation, the young girl begins to think of her personal hell as her "first love paradise," where the power of love, no matter how twisted, gives her the strength to survive. 
One of the biggest books to come out of Taiwan in the last decade, Fang Si-Chi's First Love Paradise is a chilling tale of grooming and its lingering trauma, and the power structures that allow it to flourish. Insightful, unsettling, emotionally raw, it is a staggering work of literature that reverberates across cultures and forces us to confront painful truths about the vulnerability and strength of women and those who use and hurt them.
Jenna Tang is a Taiwanese writer, educator, and translator who translates between Mandarin Chinese, Spanish, French, and English. She received her MFA in Creative Writing from The New School. Her translations and essays are published in The Paris Review, Latin American Literature Today, AAWW, Catapult, Mcsweeney’s, and elsewhere. She translated Lin Yi-Han’s novel, Fang Si-Chi's First Love Paradise.
Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, Jenna Tang shares with us her translation of Lin Yi-Han's <a href="https://bookshop.org/a/12343/9780063319431"><em>Fang Si-Chi's First Love Paradise: A Novel</em> </a>(HarperVia, 2024), one of the most iconic works of Taiwan's #MeToo movement.</p><p>Thirteen-year-old Fang Si-Chi lives with her family in an upscale apartment complex in Taiwan, a tightknit community of strict yet doting parents and privileged children raised to be ambitious, dutiful, and virtuous. She and her neighbor Liu Yi-Ting bond over their love of learning and books, devouring classic works--Proust, Gabriel García Márquez, the very best Chinese writers. Yet, it is their lack of real-world education that makes them true kindred spirits. Si-Chi's innocence is irresistible to Lee Guo-hua, a revered cram literature teacher and serial predator who lives in her building. When he offers to tutor the academic-minded girls for free, their parents--unaware of Lee's true nature--happily accept. While Yi-Ting's studies with Lee are straightforward, Si-Chi learns about things no one teaches them in school--lessons about sex and love that will change the course of her life. Confused and uncertain, Si-Chi turns to her beloved books for guidance. But literature tells her nothing honest about rape or how to cope with the trauma of abuse. For her own salvation, the young girl begins to think of her personal hell as her "first love paradise," where the power of love, no matter how twisted, gives her the strength to survive. </p><p>One of the biggest books to come out of Taiwan in the last decade, Fang Si-Chi's First Love Paradise is a chilling tale of grooming and its lingering trauma, and the power structures that allow it to flourish. Insightful, unsettling, emotionally raw, it is a staggering work of literature that reverberates across cultures and forces us to confront painful truths about the vulnerability and strength of women and those who use and hurt them.</p><p>Jenna Tang is a Taiwanese writer, educator, and translator who translates between Mandarin Chinese, Spanish, French, and English. She received her MFA in Creative Writing from The New School. Her translations and essays are published in <em>The Paris Review</em>, <em>Latin American Literature Today</em>, <em>AAWW</em>, <em>Catapult</em>, <em>Mcsweeney’s</em>, and elsewhere. She translated Lin Yi-Han’s novel, <em>Fang Si-Chi's First Love Paradise</em>.</p><p><em>Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2430</itunes:duration>
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      <title>Rebecca Copeland, "Handbook of Modern and Contemporary Japanese Women Writers" (Amsterdam UP, 2023)</title>
      <description>The Handbook of Modern and Contemporary Japanese Women Writers (MHM Limited and Amsterdam University Press, 2022) offers a comprehensive overview of women writers in Japan, from the late 19th century to the early 21st. Featuring 24 newly written contributions from scholars in the field—representing expertise from North America, Europe, Japan, and Australia—the Handbook introduces and analyzes works by modern and contemporary women writers that coalesce loosely around common themes, tropes, and genres. Putting writers from different generations in conversation with one another reveals the diverse ways they have responded to similar subjects. Whereas women writers may have shared concerns—the pressure to conform to gendered expectation, the tension between family responsibility and individual interests, the quest for self-affirmation—each writer invents her own approach. As readers will see, we have writers who turn to memoir and autobiography, while others prefer to imagine fabulous fictional worlds. Some engage with the literary classics—whether Japanese, Chinese, or European—and invest their works with rich intertextual allusions. Other writers grapple with colonialism, militarism, nationalism, and industrialization. This Handbook builds a foundation which invites readers to launch their own investigations into women’s writing in Japan.
Professor Rebecca Copeland is a professor of Japanese literature at Washington University in St. Louis. Professor Copeland’s research and teaching interests include modern and contemporary women’s writing in Japan, modern literature and material culture, and translation studies. She is the author of The Sound of the Wind: The Life and Works of Uno Chiyo (1992) and Lost Leaves: Women Writers of Meiji Japan (2000), the latter of which was named a Choice Outstanding Academic Title for 2001. She is the editor of Woman Critiqued: Translated Essays on Japanese Women's Writing (2006) and co-editor of The Father-Daughter Plot: Japanese Literary Women and the Law of the Father (2001) and Modern Murasaki: Writing by Women of Meiji Japan (2006), and Diva Nation: Female Icons from Japanese Cultural History (2018). Professor Copeland also translates one of the most well-known Japanese woman writer, Kirino Natsuo’s Grotesque (2007) and Joshinki (The Goddess Chronicles, 2012). The Goddess Chronicles won the 2014-15 Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature. Professor Copeland is also a creative writer and her debut novel, The Kimono Tattoo, was published in 2021.
Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Her primary research project focuses on female writers’ war experiences and memories of the Asia-Pacific War, entitled Women Writing War Memories. Her second research project explores how queerness is performed in Sinophone queer cultural productions. She has published articles about gender studies and queer studies in literature and culture as well as translations of scholarly and popular works in Chinese and English. She has been making a podcast named Gleaners with her friends for more than ten years and she is also a host of the East Asian Studies channel for the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 29 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>531</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Rebecca Copeland</itunes:subtitle>
      <itunes:summary>The Handbook of Modern and Contemporary Japanese Women Writers (MHM Limited and Amsterdam University Press, 2022) offers a comprehensive overview of women writers in Japan, from the late 19th century to the early 21st. Featuring 24 newly written contributions from scholars in the field—representing expertise from North America, Europe, Japan, and Australia—the Handbook introduces and analyzes works by modern and contemporary women writers that coalesce loosely around common themes, tropes, and genres. Putting writers from different generations in conversation with one another reveals the diverse ways they have responded to similar subjects. Whereas women writers may have shared concerns—the pressure to conform to gendered expectation, the tension between family responsibility and individual interests, the quest for self-affirmation—each writer invents her own approach. As readers will see, we have writers who turn to memoir and autobiography, while others prefer to imagine fabulous fictional worlds. Some engage with the literary classics—whether Japanese, Chinese, or European—and invest their works with rich intertextual allusions. Other writers grapple with colonialism, militarism, nationalism, and industrialization. This Handbook builds a foundation which invites readers to launch their own investigations into women’s writing in Japan.
Professor Rebecca Copeland is a professor of Japanese literature at Washington University in St. Louis. Professor Copeland’s research and teaching interests include modern and contemporary women’s writing in Japan, modern literature and material culture, and translation studies. She is the author of The Sound of the Wind: The Life and Works of Uno Chiyo (1992) and Lost Leaves: Women Writers of Meiji Japan (2000), the latter of which was named a Choice Outstanding Academic Title for 2001. She is the editor of Woman Critiqued: Translated Essays on Japanese Women's Writing (2006) and co-editor of The Father-Daughter Plot: Japanese Literary Women and the Law of the Father (2001) and Modern Murasaki: Writing by Women of Meiji Japan (2006), and Diva Nation: Female Icons from Japanese Cultural History (2018). Professor Copeland also translates one of the most well-known Japanese woman writer, Kirino Natsuo’s Grotesque (2007) and Joshinki (The Goddess Chronicles, 2012). The Goddess Chronicles won the 2014-15 Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature. Professor Copeland is also a creative writer and her debut novel, The Kimono Tattoo, was published in 2021.
Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Her primary research project focuses on female writers’ war experiences and memories of the Asia-Pacific War, entitled Women Writing War Memories. Her second research project explores how queerness is performed in Sinophone queer cultural productions. She has published articles about gender studies and queer studies in literature and culture as well as translations of scholarly and popular works in Chinese and English. She has been making a podcast named Gleaners with her friends for more than ten years and she is also a host of the East Asian Studies channel for the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>T</em><a href="https://bookshop.org/a/12343/9789048558353"><em>he Handbook of Modern and Contemporary Japanese Women Writers</em></a> (MHM Limited and Amsterdam University Press, 2022) offers a comprehensive overview of women writers in Japan, from the late 19th century to the early 21st. Featuring 24 newly written contributions from scholars in the field—representing expertise from North America, Europe, Japan, and Australia—the Handbook introduces and analyzes works by modern and contemporary women writers that coalesce loosely around common themes, tropes, and genres. Putting writers from different generations in conversation with one another reveals the diverse ways they have responded to similar subjects. Whereas women writers may have shared concerns—the pressure to conform to gendered expectation, the tension between family responsibility and individual interests, the quest for self-affirmation—each writer invents her own approach. As readers will see, we have writers who turn to memoir and autobiography, while others prefer to imagine fabulous fictional worlds. Some engage with the literary classics—whether Japanese, Chinese, or European—and invest their works with rich intertextual allusions. Other writers grapple with colonialism, militarism, nationalism, and industrialization. This Handbook builds a foundation which invites readers to launch their own investigations into women’s writing in Japan.</p><p>Professor Rebecca Copeland is a professor of Japanese literature at Washington University in St. Louis. Professor Copeland’s research and teaching interests include modern and contemporary women’s writing in Japan, modern literature and material culture, and translation studies. She is the author of <em>The Sound of the Wind: The Life and Works of Uno Chiyo</em> (1992) and <em>Lost Leaves: Women Writers of Meiji Japan</em> (2000), the latter of which was named a Choice Outstanding Academic Title for 2001. She is the editor of Woman Critiqued: Translated Essays on Japanese Women's Writing (2006) and co-editor of The Father-Daughter Plot: Japanese Literary Women and the Law of the Father (2001) and Modern Murasaki: Writing by Women of Meiji Japan (2006), and Diva Nation: Female Icons from Japanese Cultural History (2018). Professor Copeland also translates one of the most well-known Japanese woman writer, Kirino Natsuo’s <em>Grotesque</em> (2007) and <em>Joshinki </em>(The Goddess Chronicles, 2012). <em>The Goddess Chronicles</em> won the 2014-15 Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature. Professor Copeland is also a creative writer and her debut novel, <em>The Kimono Tattoo</em>, was published in 2021.</p><p>Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies. Her primary research project focuses on female writers’ war experiences and memories of the Asia-Pacific War, entitled <em>Women Writing War Memories</em>. Her second research project explores how queerness is performed in Sinophone queer cultural productions. She has published articles about gender studies and queer studies in literature and culture as well as translations of scholarly and popular works in Chinese and English. She has been making a podcast named <em>Gleaners</em> with her friends for more than ten years and she is also a host of the East Asian Studies channel for the New Books Network.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2679</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Peter Harmsen, "Bernhard Sindberg: The Schindler of Nanjing" (Casemate, 2024)</title>
      <description>In December 1937, Bernhard Sindberg arrives at a cement factory outside of Nanjing. He’s one of just two foreigners, and he gets there just weeks before the Japanese invade and commit the now infamous atrocities in the Chinese city.
As the writer Peter Harmsen notes, Bernhard’s background isn’t particularly compelling: He’s bounced from job to job, and is known for butting heads with his colleagues and superiors. But as Harmsen explains in his book Bernhard Sindberg: The Schindler of Nanjing (Casemate: 2024), the Danish man ends up doing something extraordinary: Setting up a refugee camp and using every ounce of political capital and sheer bullheadedness to protect tens of thousands of Chinese trying to escape the fighting.
In this interview, Peter and I talk about Bernhard, his less-than-illustrious path to China, and what his deeds in Nanjing tell us about the nature of heroism.
Peter Harmsen is the author of Shanghai 1937: Stalingrad on the Yangtze (Casemate: 2015) and Nanjing 1937: Battle for a Doomed City (Casemate: 2015), as well as the War in the Far East trilogy. He studied history at National Taiwan University and has been a foreign correspondent in East Asia for more than two decades.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bernhard Sindberg. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 23 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>188</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Peter Harmsen</itunes:subtitle>
      <itunes:summary>In December 1937, Bernhard Sindberg arrives at a cement factory outside of Nanjing. He’s one of just two foreigners, and he gets there just weeks before the Japanese invade and commit the now infamous atrocities in the Chinese city.
As the writer Peter Harmsen notes, Bernhard’s background isn’t particularly compelling: He’s bounced from job to job, and is known for butting heads with his colleagues and superiors. But as Harmsen explains in his book Bernhard Sindberg: The Schindler of Nanjing (Casemate: 2024), the Danish man ends up doing something extraordinary: Setting up a refugee camp and using every ounce of political capital and sheer bullheadedness to protect tens of thousands of Chinese trying to escape the fighting.
In this interview, Peter and I talk about Bernhard, his less-than-illustrious path to China, and what his deeds in Nanjing tell us about the nature of heroism.
Peter Harmsen is the author of Shanghai 1937: Stalingrad on the Yangtze (Casemate: 2015) and Nanjing 1937: Battle for a Doomed City (Casemate: 2015), as well as the War in the Far East trilogy. He studied history at National Taiwan University and has been a foreign correspondent in East Asia for more than two decades.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bernhard Sindberg. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In December 1937, Bernhard Sindberg arrives at a cement factory outside of Nanjing. He’s one of just two foreigners, and he gets there just weeks before the Japanese invade and commit the now infamous atrocities in the Chinese city.</p><p>As the writer Peter Harmsen notes, Bernhard’s background isn’t particularly compelling: He’s bounced from job to job, and is known for butting heads with his colleagues and superiors. But as Harmsen explains in his book <a href="https://bookshop.org/a/12343/9781636243313"><em>Bernhard Sindberg: The Schindler of Nanjing</em></a><em> </em>(Casemate: 2024)<em>, </em>the Danish man ends up doing something extraordinary: Setting up a refugee camp and using every ounce of political capital and sheer bullheadedness to protect tens of thousands of Chinese trying to escape the fighting.</p><p>In this interview, Peter and I talk about Bernhard, his less-than-illustrious path to China, and what his deeds in Nanjing tell us about the nature of heroism.</p><p>Peter Harmsen is the author of <em>Shanghai 1937: Stalingrad on the Yangtze </em>(Casemate: 2015) and <em>Nanjing 1937: Battle for a Doomed City </em>(Casemate: 2015), as well as the War in the Far East trilogy. He studied history at National Taiwan University and has been a foreign correspondent in East Asia for more than two decades.</p><p><em>You can find more reviews, excerpts, interviews, and essays at</em><a href="https://asianreviewofbooks.com/"> <em>The Asian Review of Books</em></a><em>, </em>including its review of <a href="https://asianreviewofbooks.com/content/bernhard-sindberg-the-schindler-of-nanjing-by-peter-harmsen/"><em>Bernhard Sindberg</em></a><em>. Follow on Twitter at</em><a href="https://twitter.com/BookReviewsAsia"> <em>@BookReviewsAsia</em></a><em>.</em></p><p><em>Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at</em><a href="https://twitter.com/nickrigordon?lang=en"> <em>@nickrigordon</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2199</itunes:duration>
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    <item>
      <title>The Translator's Daughter: A Discussion with Grace Loh Prasad</title>
      <description>Today’s book is: The Translator’s Daughter: A Memoir (Mad Creek Books, 2024), by Grace Loh Prasad, which is a unique immigration story about the loneliness of living in a diaspora, the search for belonging, and the meaning of home. Born in Taiwan, Grace Loh Prasad was two years old when the threat of political persecution under Chiang Kai-shek’s dictatorship drove her family to the United States, setting her up to become an “accidental immigrant.” The family did not know when they would be able to go home again. This exile lasted long enough for Prasad to forget her native Taiwanese language and grow up American. Having multilingual parents—including a father who worked as a translator—meant she never had to develop the fluency to navigate Taiwan on visits. But when her parents moved back to Taiwan permanently when she was in college and her mother was diagnosed with Alzheimer’s, she recognized the urgency of forging a stronger connection with her birthplace before it was too late. As she recounts her journey to reclaim her heritage in The Translator’s Daughter, Prasad unfurls themes of memory, dislocation, and loss in all their rich complexity.
Our guest is: Grace Loh Prasad, a finalist for the Louise Meriwether First Book prize. Grace writes frequently on the topics of diaspora and belonging. You can find her work in many publications including The New York Times, Longreads, Catapult, Jellyfish Review, Blood Orange Review, KHÔRA, and Cha: An Asian Literary Journal. Grace received her MFA in Creative Writing from Mills College, and has attended workshops at Tin House and VONA, and residencies at Hedgebrook and Ragdale. She is a member of The Writers Grotto and Seventeen Syllables, an Asian American Pacific Islander writers collective. She is the author of The Translator’s Daughter: A Memoir.
Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Listeners may also enjoy these Academic Life episodes:

The Things We Didn't Know

Secret Harvests

Where is home?

The Names of All the Flowers

Who gets believed?


Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 23 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>215</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Today’s book is: The Translator’s Daughter: A Memoir (Mad Creek Books, 2024), by Grace Loh Prasad, which is a unique immigration story about the loneliness of living in a diaspora, the search for belonging, and the meaning of home. Born in Taiwan, Grace Loh Prasad was two years old when the threat of political persecution under Chiang Kai-shek’s dictatorship drove her family to the United States, setting her up to become an “accidental immigrant.” The family did not know when they would be able to go home again. This exile lasted long enough for Prasad to forget her native Taiwanese language and grow up American. Having multilingual parents—including a father who worked as a translator—meant she never had to develop the fluency to navigate Taiwan on visits. But when her parents moved back to Taiwan permanently when she was in college and her mother was diagnosed with Alzheimer’s, she recognized the urgency of forging a stronger connection with her birthplace before it was too late. As she recounts her journey to reclaim her heritage in The Translator’s Daughter, Prasad unfurls themes of memory, dislocation, and loss in all their rich complexity.
Our guest is: Grace Loh Prasad, a finalist for the Louise Meriwether First Book prize. Grace writes frequently on the topics of diaspora and belonging. You can find her work in many publications including The New York Times, Longreads, Catapult, Jellyfish Review, Blood Orange Review, KHÔRA, and Cha: An Asian Literary Journal. Grace received her MFA in Creative Writing from Mills College, and has attended workshops at Tin House and VONA, and residencies at Hedgebrook and Ragdale. She is a member of The Writers Grotto and Seventeen Syllables, an Asian American Pacific Islander writers collective. She is the author of The Translator’s Daughter: A Memoir.
Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Listeners may also enjoy these Academic Life episodes:

The Things We Didn't Know

Secret Harvests

Where is home?

The Names of All the Flowers

Who gets believed?


Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today’s book is: <a href="https://bookshop.org/a/12343/9780814258972"><em>The Translator’s Daughter: A Memoir</em></a><em> </em>(Mad Creek Books, 2024), by Grace Loh Prasad, which is a unique immigration story about the loneliness of living in a diaspora, the search for belonging, and the meaning of home. Born in Taiwan, Grace Loh Prasad was two years old when the threat of political persecution under Chiang Kai-shek’s dictatorship drove her family to the United States, setting her up to become an “accidental immigrant.” The family did not know when they would be able to go home again. This exile lasted long enough for Prasad to forget her native Taiwanese language and grow up American. Having multilingual parents—including a father who worked as a translator—meant she never had to develop the fluency to navigate Taiwan on visits. But when her parents moved back to Taiwan permanently when she was in college and her mother was diagnosed with Alzheimer’s, she recognized the urgency of forging a stronger connection with her birthplace before it was too late. As she recounts her journey to reclaim her heritage in <em>The Translator’s Daughter,</em> Prasad unfurls themes of memory, dislocation, and loss in all their rich complexity.</p><p>Our guest is: Grace Loh Prasad, a finalist for the Louise Meriwether First Book prize. Grace writes frequently on the topics of diaspora and belonging. You can find her work in many publications including <a href="https://www.nytimes.com/2021/07/26/style/pandemic-origami-cranes.html">The New York Times</a>, <a href="https://longreads.com/2019/03/25/uncertain-ground/">Longreads</a>, <a href="https://catapult.co/stories/family-heirloom-feather-from-home#https://catapult.co/stories/family-heirloom-feather-from-home">Catapult</a>, <a href="https://jellyfishreview.wordpress.com/2018/09/30/mooncake-by-grace-loh-prasad/">Jellyfish Review</a>, <a href="https://archive.bloodorangereview.com/Grace-Loh-Prasad/last-time-in-bangkok/">Blood Orange Review</a>, <a href="https://www.corporealkhora.com/issue/4/unfinished-translation">KHÔRA</a>, and <a href="https://www.asiancha.com/content/view/3088/666/">Cha: An Asian Literary Journal</a>. Grace received her MFA in Creative Writing from Mills College, and has attended workshops at Tin House and VONA, and residencies at Hedgebrook and Ragdale. She is a member of The Writers Grotto and <a href="https://syllables.substack.com/">Seventeen Syllables</a>, an Asian American Pacific Islander writers collective. She is the author of <em>The Translator’s Daughter: A Memoir</em>.</p><p>Our host is: <a href="https://christinagessler.com/">Dr. Christina Gessler</a>, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.</p><p>Listeners may also enjoy these Academic Life episodes:</p><ul>
<li><a href="https://newbooksnetwork.com/the-things-we-didnt-know#entry:305222@1:url">The Things We Didn't Know</a></li>
<li><a href="https://newbooksnetwork.com/secret-harvests#entry:297964@1:url">Secret Harvests</a></li>
<li><a href="https://newbooksnetwork.com/where-is-home#entry:289487@1:url">Where is home?</a></li>
<li><a href="https://newbooksnetwork.com/getting-an-mfa-and-memoir-writing#entry:39424@1:url">The Names of All the Flowers</a></li>
<li><a href="https://newbooksnetwork.com/who-gets-believed#entry:215454@1:url">Who gets believed?</a></li>
</ul><p><br></p><p>Welcome to Academic Life, the podcast for your academic journey—and beyond! Join us again to learn from more experts inside and outside the academy, and around the world.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3201</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Jennifer Liu, "Indoctrinating the Youth: Secondary Education in Wartime China and Postwar Taiwan, 1937-1960" (U Hawaii Press, 2024)</title>
      <description>Indoctrinating the Youth: Secondary Education in Wartime China and Postwar Taiwan, 1937-1960 (U Hawaii Press, 2024) examines how the Guomindang (GMD or Nationalists) sought to maintain control of middle-school students and cultivate their political loyalty over the trajectory of the Second Sino-Japanese War, Chinese Civil War, and postwar Taiwan. During the Sino-Japanese War the Nationalists managed middle-school refugee students by merging schools, publishing and distributing updated textbooks, and assisting students as they migrated to the interior with their principals and teachers. In Taiwan, the China Youth Corps (CYC) became a symbol of the regime’s successful establishment. Tracing Nationalist efforts to indoctrinate ideology and martial spirit, Jennifer Liu investigates how GMD leaders Chiang Kai-shek and his son Chiang Ching-kuo tried to build support among young people in their efforts to stabilize Taiwanese society under their rule. By comparing two key youth organizations—the Three People’s Principles Youth Corps in China, and the CYC on Taiwan—Liu uses education as a lens to analyze state-building in modern China.
Liu’s careful analysis of the inner workings of GMD youth organizations also illuminates the day-to-day operations of military training in gender-segregated upper-middle schools—including how the government selected instructors and the skills taught to students. According to Liu, mandatory military training contributed to preventing major protest against the government but the policy was not without critics. Intellectuals, parents, and students voiced their dissent at what they perceived as excessive control by a repressive government and a waste of resources interfering with academics. The government-mandated civics curriculum, including government-approved textbooks and standards, reveals the characteristics and duties GMD officials believed modern citizens of the next generation should possess. Through provisions for refugee students, youth organizations, military training, and civics classes, GMD secondary education policy played a critical role in the process of state building in both modern China and Taiwan.
Skillfully combining archival work in Nanjing and Taipei, along with oral interviews with former students and CYC administrators, instructors, and members, Liu offers a unique perspective toward a balanced assessment of Nationalist Party rule.
Jennifer Liu is associate professor of East Asian history at Central Michigan University. She specializes in the political and social history of twentieth-century China, particularly education, youth culture, studen​t protest, and ethnic identity.
Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 18 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>530</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Jennifer Liu</itunes:subtitle>
      <itunes:summary>Indoctrinating the Youth: Secondary Education in Wartime China and Postwar Taiwan, 1937-1960 (U Hawaii Press, 2024) examines how the Guomindang (GMD or Nationalists) sought to maintain control of middle-school students and cultivate their political loyalty over the trajectory of the Second Sino-Japanese War, Chinese Civil War, and postwar Taiwan. During the Sino-Japanese War the Nationalists managed middle-school refugee students by merging schools, publishing and distributing updated textbooks, and assisting students as they migrated to the interior with their principals and teachers. In Taiwan, the China Youth Corps (CYC) became a symbol of the regime’s successful establishment. Tracing Nationalist efforts to indoctrinate ideology and martial spirit, Jennifer Liu investigates how GMD leaders Chiang Kai-shek and his son Chiang Ching-kuo tried to build support among young people in their efforts to stabilize Taiwanese society under their rule. By comparing two key youth organizations—the Three People’s Principles Youth Corps in China, and the CYC on Taiwan—Liu uses education as a lens to analyze state-building in modern China.
Liu’s careful analysis of the inner workings of GMD youth organizations also illuminates the day-to-day operations of military training in gender-segregated upper-middle schools—including how the government selected instructors and the skills taught to students. According to Liu, mandatory military training contributed to preventing major protest against the government but the policy was not without critics. Intellectuals, parents, and students voiced their dissent at what they perceived as excessive control by a repressive government and a waste of resources interfering with academics. The government-mandated civics curriculum, including government-approved textbooks and standards, reveals the characteristics and duties GMD officials believed modern citizens of the next generation should possess. Through provisions for refugee students, youth organizations, military training, and civics classes, GMD secondary education policy played a critical role in the process of state building in both modern China and Taiwan.
Skillfully combining archival work in Nanjing and Taipei, along with oral interviews with former students and CYC administrators, instructors, and members, Liu offers a unique perspective toward a balanced assessment of Nationalist Party rule.
Jennifer Liu is associate professor of East Asian history at Central Michigan University. She specializes in the political and social history of twentieth-century China, particularly education, youth culture, studen​t protest, and ethnic identity.
Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780824895570"><em>Indoctrinating the Youth: Secondary Education in Wartime China and Postwar Taiwan, 1937-1960</em></a><em> </em>(U Hawaii Press, 2024) examines how the Guomindang (GMD or Nationalists) sought to maintain control of middle-school students and cultivate their political loyalty over the trajectory of the Second Sino-Japanese War, Chinese Civil War, and postwar Taiwan. During the Sino-Japanese War the Nationalists managed middle-school refugee students by merging schools, publishing and distributing updated textbooks, and assisting students as they migrated to the interior with their principals and teachers. In Taiwan, the China Youth Corps (CYC) became a symbol of the regime’s successful establishment. Tracing Nationalist efforts to indoctrinate ideology and martial spirit, Jennifer Liu investigates how GMD leaders Chiang Kai-shek and his son Chiang Ching-kuo tried to build support among young people in their efforts to stabilize Taiwanese society under their rule. By comparing two key youth organizations—the Three People’s Principles Youth Corps in China, and the CYC on Taiwan—Liu uses education as a lens to analyze state-building in modern China.</p><p>Liu’s careful analysis of the inner workings of GMD youth organizations also illuminates the day-to-day operations of military training in gender-segregated upper-middle schools—including how the government selected instructors and the skills taught to students. According to Liu, mandatory military training contributed to preventing major protest against the government but the policy was not without critics. Intellectuals, parents, and students voiced their dissent at what they perceived as excessive control by a repressive government and a waste of resources interfering with academics. The government-mandated civics curriculum, including government-approved textbooks and standards, reveals the characteristics and duties GMD officials believed modern citizens of the next generation should possess. Through provisions for refugee students, youth organizations, military training, and civics classes, GMD secondary education policy played a critical role in the process of state building in both modern China and Taiwan.</p><p>Skillfully combining archival work in Nanjing and Taipei, along with oral interviews with former students and CYC administrators, instructors, and members, Liu offers a unique perspective toward a balanced assessment of Nationalist Party rule.</p><p><a href="https://www.cmich.edu/people/JENNIFER-LIU-DEMAS">Jennifer Liu</a> is associate professor of East Asian history at Central Michigan University. She specializes in the political and social history of twentieth-century China, particularly education, youth culture, studen​t protest, and ethnic identity.</p><p><a href="https://lipingchen.com/index.html"><em>Li-Ping Chen</em></a><em> is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4200</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Inter-Asia Seminar Series: Cold War and Asia Modernity</title>
      <description>While many today use Cold War 2.0 to refer to the standoff between U.S. and China, it is worth remembering that the first Cold War never ended in Asia, as evidenced by the political situation on the Korean Peninsula and that surrounding the Taiwan Strait. How has Cold War figured into the (controversial) modernisation process of East and Southeast Asia as well as the various (critical) imaginaries of modernity across the regions? As discussions of decolonisation often predicate on the dichotomy of global North vs. global South, how should scholars of Asia position themselves in their conscious effort to reconfigure knowledge production?
Join experts Dr. Seung-Ook Lee, Prof. Nianshen Song, and Chelsea Ngoc Minh Nguyen as they unravel the complexities of Cold War legacies, from the establishment of Special Economic Zones to urban and political geography. Challenge prevailing notions of modernity and decolonization as we redefine Asia's position in global narratives.
This podcast is part of LSE Saw Swee Hock Southeast Asia Centre Events. Please find out more by checking our website https://www.lse.ac.uk/SEAC and following us on Twitter, LinkedIn, Facebook and Instagram.
Thanks to Jonas from Pixabay for the intro music.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 08 May 2024 13:59:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>2</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/adf25164-bebc-11f0-b7f4-3f468139e347/image/7b07bea1092790a5e87d1057a564305b.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>A Discussion with  Seung-Ook Lee, Nianshen Song, and Chelsea Ngoc Minh Nguyen </itunes:subtitle>
      <itunes:summary>While many today use Cold War 2.0 to refer to the standoff between U.S. and China, it is worth remembering that the first Cold War never ended in Asia, as evidenced by the political situation on the Korean Peninsula and that surrounding the Taiwan Strait. How has Cold War figured into the (controversial) modernisation process of East and Southeast Asia as well as the various (critical) imaginaries of modernity across the regions? As discussions of decolonisation often predicate on the dichotomy of global North vs. global South, how should scholars of Asia position themselves in their conscious effort to reconfigure knowledge production?
Join experts Dr. Seung-Ook Lee, Prof. Nianshen Song, and Chelsea Ngoc Minh Nguyen as they unravel the complexities of Cold War legacies, from the establishment of Special Economic Zones to urban and political geography. Challenge prevailing notions of modernity and decolonization as we redefine Asia's position in global narratives.
This podcast is part of LSE Saw Swee Hock Southeast Asia Centre Events. Please find out more by checking our website https://www.lse.ac.uk/SEAC and following us on Twitter, LinkedIn, Facebook and Instagram.
Thanks to Jonas from Pixabay for the intro music.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While many today use Cold War 2.0 to refer to the standoff between U.S. and China, it is worth remembering that the first Cold War never ended in Asia, as evidenced by the political situation on the Korean Peninsula and that surrounding the Taiwan Strait. How has Cold War figured into the (controversial) modernisation process of East and Southeast Asia as well as the various (critical) imaginaries of modernity across the regions? As discussions of decolonisation often predicate on the dichotomy of global North vs. global South, how should scholars of Asia position themselves in their conscious effort to reconfigure knowledge production?</p><p>Join experts <strong>Dr. Seung-Ook Lee, Prof. Nianshen Song, </strong>and<strong> Chelsea Ngoc Minh Nguyen</strong> as they unravel the complexities of Cold War legacies, from the establishment of Special Economic Zones to urban and political geography. Challenge prevailing notions of modernity and decolonization as we redefine Asia's position in global narratives.</p><p>This podcast is part of LSE Saw Swee Hock Southeast Asia Centre Events. Please find out more by checking our website <a href="https://www.lse.ac.uk/SEAC">https://www.lse.ac.uk/SEAC</a> and following us on Twitter, LinkedIn, Facebook and Instagram.</p><p>Thanks to Jonas from Pixabay for the intro music.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4533</itunes:duration>
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    <item>
      <title>Melody Yunzi Li, "Transpacific Cartographies: Narrating the Contemporary Chinese Diaspora in the United States" (Rutgers UP, 2023)</title>
      <description>Transpacific Cartographies: Narrating the Contemporary Chinese Diaspora in the U.S. (Rutgers University Press, 2023) examines how contemporary Chinese diasporic narratives address the existential loss of home for immigrant communities at a time of global precarity and amid rising Sino-US tensions. Focusing on cultural productions of the Chinese diaspora from the 1990s to the present -- including novels by the Sinophone writers Yan Geling (The Criminal Lu Yanshi), Shi Yu (New York Lover), Chen Qian (Listen to the Caged Bird Sing), and Rong Rong (Notes of a Couple), as well as by the Anglophone writer Ha Jin (A Free Life; A Map of Betrayal), selected TV shows (Beijinger in New York; The Way We Were), and online literature – Dr. Melody Yunzi Li argues that the characters in these stories create multilayered maps that transcend the territorial boundaries that make finding a home in a foreign land a seemingly impossible task. In doing so, these “maps” outline a transpacific landscape that reflects the psycho-geography of homemaking for diasporic communities. Intersecting with and bridging Sinophone studies, Chinese American studies, and diaspora studies and drawing on theories of literary cartography, Transpacific Cartographies demonstrates how these “maps” offer their readers different paths for finding a sense of home no matter where they are.
Dr. Melody Yunzi Li is an assistant professor of Chinese Studies in the Department of Modern and Classical Languages at the University of Houston. Her research interests include Asian diaspora literature, modern Chinese literature and culture, migration studies, translation studies, cultural identities and performance studies. She is the author of Transpacific Cartographies: Narrating the Contemporary Chinese Diaspora in the U.S. (New Brunswick: Rutgers University Press, 2023) and the co-editor of Remapping the Homeland: Affective Geographies and Cultures of the Chinese Diaspora. (London: Palgrave McMillan, 2022). She has published in various journals including Pacific Coast Philology, Telos and others. Besides her specialty in Chinese literature, Dr. Li is also a Chinese dancer and translator.
Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 30 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>524</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Melody Yunzi Li</itunes:subtitle>
      <itunes:summary>Transpacific Cartographies: Narrating the Contemporary Chinese Diaspora in the U.S. (Rutgers University Press, 2023) examines how contemporary Chinese diasporic narratives address the existential loss of home for immigrant communities at a time of global precarity and amid rising Sino-US tensions. Focusing on cultural productions of the Chinese diaspora from the 1990s to the present -- including novels by the Sinophone writers Yan Geling (The Criminal Lu Yanshi), Shi Yu (New York Lover), Chen Qian (Listen to the Caged Bird Sing), and Rong Rong (Notes of a Couple), as well as by the Anglophone writer Ha Jin (A Free Life; A Map of Betrayal), selected TV shows (Beijinger in New York; The Way We Were), and online literature – Dr. Melody Yunzi Li argues that the characters in these stories create multilayered maps that transcend the territorial boundaries that make finding a home in a foreign land a seemingly impossible task. In doing so, these “maps” outline a transpacific landscape that reflects the psycho-geography of homemaking for diasporic communities. Intersecting with and bridging Sinophone studies, Chinese American studies, and diaspora studies and drawing on theories of literary cartography, Transpacific Cartographies demonstrates how these “maps” offer their readers different paths for finding a sense of home no matter where they are.
Dr. Melody Yunzi Li is an assistant professor of Chinese Studies in the Department of Modern and Classical Languages at the University of Houston. Her research interests include Asian diaspora literature, modern Chinese literature and culture, migration studies, translation studies, cultural identities and performance studies. She is the author of Transpacific Cartographies: Narrating the Contemporary Chinese Diaspora in the U.S. (New Brunswick: Rutgers University Press, 2023) and the co-editor of Remapping the Homeland: Affective Geographies and Cultures of the Chinese Diaspora. (London: Palgrave McMillan, 2022). She has published in various journals including Pacific Coast Philology, Telos and others. Besides her specialty in Chinese literature, Dr. Li is also a Chinese dancer and translator.
Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781978829336"><em>Transpacific Cartographies: Narrating the Contemporary Chinese Diaspora in the U.S.</em> </a>(Rutgers University Press, 2023) examines how contemporary Chinese diasporic narratives address the existential loss of home for immigrant communities at a time of global precarity and amid rising Sino-US tensions. Focusing on cultural productions of the Chinese diaspora from the 1990s to the present -- including novels by the Sinophone writers Yan Geling (<em>The Criminal Lu Yanshi</em>), Shi Yu (<em>New York Lover</em>), Chen Qian (<em>Listen to the Caged Bird Sing</em>), and Rong Rong (<em>Notes of a Couple</em>), as well as by the Anglophone writer Ha Jin (<em>A Free Life</em>; <em>A Map of Betrayal</em>), selected TV shows (<em>Beijinger in New York</em>; <em>The Way We Were</em>), and online literature – Dr. Melody Yunzi Li argues that the characters in these stories create multilayered maps that transcend the territorial boundaries that make finding a home in a foreign land a seemingly impossible task. In doing so, these “maps” outline a transpacific landscape that reflects the psycho-geography of homemaking for diasporic communities. Intersecting with and bridging Sinophone studies, Chinese American studies, and diaspora studies and drawing on theories of literary cartography, <em>Transpacific Cartographies</em> demonstrates how these “maps” offer their readers different paths for finding a sense of home no matter where they are.</p><p><a href="https://www.uh.edu/class/mcl/faculty/li_melody/">Dr. Melody Yunzi Li</a> is an assistant professor of Chinese Studies in the Department of Modern and Classical Languages at the University of Houston. Her research interests include Asian diaspora literature, modern Chinese literature and culture, migration studies, translation studies, cultural identities and performance studies. She is the author of <a href="https://bookshop.org/a/12343/9781978829336"><em>Transpacific Cartographies: Narrating the Contemporary Chinese Diaspora in the U.S.</em></a> (New Brunswick: Rutgers University Press, 2023) and the co-editor of <a href="https://link.springer.com/book/10.1007/978-3-031-10157-1"><em>Remapping the Homeland: Affective Geographies and Cultures of the Chinese Diaspora</em></a>. (London: Palgrave McMillan, 2022). She has published in various journals including <em>Pacific Coast Philology</em>, <em>Telos</em> and others. Besides her specialty in Chinese literature, Dr. Li is also a Chinese dancer and translator.</p><p><a href="https://linshanjiang623822271.wordpress.com/"><em>Linshan Jiang</em></a><em> is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2541</itunes:duration>
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      <title>Robin Visser, "Questioning Borders: Ecoliteratures of China and Taiwan" (Columbia UP, 2023)</title>
      <description>Indigenous knowledge of local ecosystems often challenges settler-colonial cosmologies that naturalize resource extraction and the relocation of nomadic, hunting, foraging, or fishing peoples. Questioning Borders: Ecoliteratures of China and Taiwan (Columbia UP, 2023) explores recent ecoliterature by Han and non-Han Indigenous writers of China and Taiwan, analyzing relations among humans, animals, ecosystems, and the cosmos in search of alternative possibilities for creativity and consciousness.
Informed by extensive field research, Robin Visser compares literary works by Bai, Bunun, Kazakh, Mongol, Tao, Tibetan, Uyghur, Wa, Yi, and Han Chinese writers set in Xinjiang, Tibet, Inner Mongolia, Southwest China, and Taiwan, sites of extensive development, migration, and climate change impacts. Visser contrasts the dominant Han Chinese cosmology of center and periphery that informs what she calls “Beijing Westerns” with Indigenous and hybridized ways of relating to the world that challenge borders, binaries, and hierarchies.
By centering Indigenous cosmologies, this book aims to decolonize approaches to ecocriticism, comparative literature, and Chinese and Sinophone studies as well as to inspire new modes of sustainable flourishing in the Anthropocene.
Robin Visser is professor and associate chair of the Department of Asian and Middle Eastern Studies at the University of North Carolina at Chapel Hill. She is the author of Cities Surround the Countryside: Urban Aesthetics in Postsocialist China (2010).
Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 18 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>522</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Robin Visser</itunes:subtitle>
      <itunes:summary>Indigenous knowledge of local ecosystems often challenges settler-colonial cosmologies that naturalize resource extraction and the relocation of nomadic, hunting, foraging, or fishing peoples. Questioning Borders: Ecoliteratures of China and Taiwan (Columbia UP, 2023) explores recent ecoliterature by Han and non-Han Indigenous writers of China and Taiwan, analyzing relations among humans, animals, ecosystems, and the cosmos in search of alternative possibilities for creativity and consciousness.
Informed by extensive field research, Robin Visser compares literary works by Bai, Bunun, Kazakh, Mongol, Tao, Tibetan, Uyghur, Wa, Yi, and Han Chinese writers set in Xinjiang, Tibet, Inner Mongolia, Southwest China, and Taiwan, sites of extensive development, migration, and climate change impacts. Visser contrasts the dominant Han Chinese cosmology of center and periphery that informs what she calls “Beijing Westerns” with Indigenous and hybridized ways of relating to the world that challenge borders, binaries, and hierarchies.
By centering Indigenous cosmologies, this book aims to decolonize approaches to ecocriticism, comparative literature, and Chinese and Sinophone studies as well as to inspire new modes of sustainable flourishing in the Anthropocene.
Robin Visser is professor and associate chair of the Department of Asian and Middle Eastern Studies at the University of North Carolina at Chapel Hill. She is the author of Cities Surround the Countryside: Urban Aesthetics in Postsocialist China (2010).
Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Indigenous knowledge of local ecosystems often challenges settler-colonial cosmologies that naturalize resource extraction and the relocation of nomadic, hunting, foraging, or fishing peoples. <a href="https://bookshop.org/a/12343/9780231199810"><em>Questioning Borders: Ecoliteratures of China and Taiwan</em></a><em> </em>(Columbia UP, 2023) explores recent ecoliterature by Han and non-Han Indigenous writers of China and Taiwan, analyzing relations among humans, animals, ecosystems, and the cosmos in search of alternative possibilities for creativity and consciousness.</p><p>Informed by extensive field research, Robin Visser compares literary works by Bai, Bunun, Kazakh, Mongol, Tao, Tibetan, Uyghur, Wa, Yi, and Han Chinese writers set in Xinjiang, Tibet, Inner Mongolia, Southwest China, and Taiwan, sites of extensive development, migration, and climate change impacts. Visser contrasts the dominant Han Chinese cosmology of center and periphery that informs what she calls “Beijing Westerns” with Indigenous and hybridized ways of relating to the world that challenge borders, binaries, and hierarchies.</p><p>By centering Indigenous cosmologies, this book aims to decolonize approaches to ecocriticism, comparative literature, and Chinese and Sinophone studies as well as to inspire new modes of sustainable flourishing in the Anthropocene.</p><p><a href="https://asianstudies.unc.edu/faculty/visser-robin-2/">Robin Visser</a> is professor and associate chair of the Department of Asian and Middle Eastern Studies at the University of North Carolina at Chapel Hill. She is the author of <em>Cities Surround the Countryside: Urban Aesthetics in Postsocialist China</em> (2010).</p><p><a href="https://lipingchen.com/index.html"><em>Li-Ping Chen</em></a><em> is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>Cathy Yue Wang, "Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy" (Wayne State UP, 2023)</title>
      <description>Contemporary Chinese film and literature often draw on time-honored fantastical texts and tales which were founded in the milieu of patriarchy, parental authority, heteronormativity, nationalism, and anthropocentrism. Cathy Yue Wang's Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy (Wayne State University Press, 2023) examines the processes by which modern authors and filmmakers reshape these traditional tales to develop new narratives that interrogate the ingrained patriarchal paradigm. Through a rigorous analysis, Wang delineates changes in both content and narrative that allow contemporary interpretations to reimagine the gender politics and contexts of the tales retold. With a broad transmedia approach and a nuanced understanding of intertextuality, this work contributes to the ongoing negotiation in academic and popular discourse between past and present, traditional and contemporary, and text and reality in a globalized and postmodern world. Snake Sisters and Ghost Daughters offers an engaging interdisciplinary investigation of issues at the heart of these traditional tales such as gender and status hierarchy, marriage and family life, and in-group/out-group distinction. Beyond the content of these individual stories, Wang ties these narratives together across time using cognitive literary criticism, especially affective narratology, to shed new light on the adaptation of literary and cultural texts and their sociopolitical contexts.
Dr. Cathy Yue Wang is a lecturer in Department of Chinese Language and Literature, School of Humanities, Shanghai Normal University in China. She received her PhD from Macquarie University in Australia. She is particularly interested in applying feminist and queer perspectives into examinations of adaptation and retelling, children and young adult literature, as well as boys’ love subculture and fandom in the East Asian context. She is the author of Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy (Wayne State University Press, 2023) and editor of Catching Chen Qing Ling: The Untamed and Adaptation, Production, and Reception in Transcultural Contexts (Peter Lang, forthcoming).
Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 17 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>521</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Cathy Yue Wang</itunes:subtitle>
      <itunes:summary>Contemporary Chinese film and literature often draw on time-honored fantastical texts and tales which were founded in the milieu of patriarchy, parental authority, heteronormativity, nationalism, and anthropocentrism. Cathy Yue Wang's Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy (Wayne State University Press, 2023) examines the processes by which modern authors and filmmakers reshape these traditional tales to develop new narratives that interrogate the ingrained patriarchal paradigm. Through a rigorous analysis, Wang delineates changes in both content and narrative that allow contemporary interpretations to reimagine the gender politics and contexts of the tales retold. With a broad transmedia approach and a nuanced understanding of intertextuality, this work contributes to the ongoing negotiation in academic and popular discourse between past and present, traditional and contemporary, and text and reality in a globalized and postmodern world. Snake Sisters and Ghost Daughters offers an engaging interdisciplinary investigation of issues at the heart of these traditional tales such as gender and status hierarchy, marriage and family life, and in-group/out-group distinction. Beyond the content of these individual stories, Wang ties these narratives together across time using cognitive literary criticism, especially affective narratology, to shed new light on the adaptation of literary and cultural texts and their sociopolitical contexts.
Dr. Cathy Yue Wang is a lecturer in Department of Chinese Language and Literature, School of Humanities, Shanghai Normal University in China. She received her PhD from Macquarie University in Australia. She is particularly interested in applying feminist and queer perspectives into examinations of adaptation and retelling, children and young adult literature, as well as boys’ love subculture and fandom in the East Asian context. She is the author of Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy (Wayne State University Press, 2023) and editor of Catching Chen Qing Ling: The Untamed and Adaptation, Production, and Reception in Transcultural Contexts (Peter Lang, forthcoming).
Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Contemporary Chinese film and literature often draw on time-honored fantastical texts and tales which were founded in the milieu of patriarchy, parental authority, heteronormativity, nationalism, and anthropocentrism. Cathy Yue Wang's <a href="https://bookshop.org/a/12343/9780814348635"><em>Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy</em></a><em> </em>(Wayne State University Press, 2023) examines the processes by which modern authors and filmmakers reshape these traditional tales to develop new narratives that interrogate the ingrained patriarchal paradigm. Through a rigorous analysis, Wang delineates changes in both content and narrative that allow contemporary interpretations to reimagine the gender politics and contexts of the tales retold. With a broad transmedia approach and a nuanced understanding of intertextuality, this work contributes to the ongoing negotiation in academic and popular discourse between past and present, traditional and contemporary, and text and reality in a globalized and postmodern world. <em>Snake Sisters and Ghost Daughters </em>offers an engaging interdisciplinary investigation of issues at the heart of these traditional tales such as gender and status hierarchy, marriage and family life, and in-group/out-group distinction. Beyond the content of these individual stories, Wang ties these narratives together across time using cognitive literary criticism, especially affective narratology, to shed new light on the adaptation of literary and cultural texts and their sociopolitical contexts.</p><p>Dr. Cathy Yue Wang is a lecturer in Department of Chinese Language and Literature, School of Humanities, Shanghai Normal University in China. She received her PhD from Macquarie University in Australia. She is particularly interested in applying feminist and queer perspectives into examinations of adaptation and retelling, children and young adult literature, as well as boys’ love subculture and fandom in the East Asian context. She is the author of <em>Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy</em> (Wayne State University Press, 2023) and editor of <em>Catching Chen Qing Ling: The Untamed and Adaptation, Production, and Reception in Transcultural Contexts </em>(Peter Lang, forthcoming).</p><p><em>Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>Thomas S. Mullaney, "The Chinese Computer: A Global History of the Information Age" (MIT Press, 2024)</title>
      <description>The fascinating, untold story of how the Chinese language overcame unparalleled challenges and revolutionized the world of computing. A standard QWERTY keyboard has a few dozen keys. How can Chinese—a language with tens of thousands of characters and no alphabet—be input on such a device? 
In The Chinese Computer: A Global History of the Information Age (MIT Press, 2024), Thomas Mullaney sets out to resolve this paradox, and in doing so, discovers that the key to this seemingly impossible riddle has given rise to a new epoch in the history of writing—a form of writing he calls “hypography.” Based on fifteen years of research, this pathbreaking history of the Chinese language charts the beginnings of electronic Chinese technology in the wake of World War II up through to its many iterations in the present day. Mullaney takes the reader back through the history and evolution of Chinese language computing technology, showing the development of electronic Chinese input methods—software programs that enable Chinese characters to be produced using alphanumeric symbols—and the profound impact they have had on the way Chinese is written. Along the way, Mullaney introduces a cast of brilliant and eccentric personalities drawn from the ranks of IBM, MIT, the CIA, the Pentagon, the Taiwanese military, and the highest rungs of mainland Chinese establishment, to name a few, and the unexpected roles they played in developing Chinese language computing. Finally, he shows how China and the non-Western world—because of the hypographic technologies they had to invent in order to join the personal computing revolution—“saved” the Western computer from its deep biases, enabling it to achieve a meaningful presence in markets outside of the Americas and Europe. An eminently engaging and artfully told history, The Chinese Computer is a must-read for anyone interested in how culture informs computing and how computing, in turn, shapes culture.
Thomas S. Mullaney is Professor of Chinese History at Stanford University and a Guggenheim Fellow.
Caleb Zakarin is Editor at the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 29 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>90</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Thomas S. Mullaney</itunes:subtitle>
      <itunes:summary>The fascinating, untold story of how the Chinese language overcame unparalleled challenges and revolutionized the world of computing. A standard QWERTY keyboard has a few dozen keys. How can Chinese—a language with tens of thousands of characters and no alphabet—be input on such a device? 
In The Chinese Computer: A Global History of the Information Age (MIT Press, 2024), Thomas Mullaney sets out to resolve this paradox, and in doing so, discovers that the key to this seemingly impossible riddle has given rise to a new epoch in the history of writing—a form of writing he calls “hypography.” Based on fifteen years of research, this pathbreaking history of the Chinese language charts the beginnings of electronic Chinese technology in the wake of World War II up through to its many iterations in the present day. Mullaney takes the reader back through the history and evolution of Chinese language computing technology, showing the development of electronic Chinese input methods—software programs that enable Chinese characters to be produced using alphanumeric symbols—and the profound impact they have had on the way Chinese is written. Along the way, Mullaney introduces a cast of brilliant and eccentric personalities drawn from the ranks of IBM, MIT, the CIA, the Pentagon, the Taiwanese military, and the highest rungs of mainland Chinese establishment, to name a few, and the unexpected roles they played in developing Chinese language computing. Finally, he shows how China and the non-Western world—because of the hypographic technologies they had to invent in order to join the personal computing revolution—“saved” the Western computer from its deep biases, enabling it to achieve a meaningful presence in markets outside of the Americas and Europe. An eminently engaging and artfully told history, The Chinese Computer is a must-read for anyone interested in how culture informs computing and how computing, in turn, shapes culture.
Thomas S. Mullaney is Professor of Chinese History at Stanford University and a Guggenheim Fellow.
Caleb Zakarin is Editor at the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The fascinating, untold story of how the Chinese language overcame unparalleled challenges and revolutionized the world of computing. A standard QWERTY keyboard has a few dozen keys. How can Chinese—a language with tens of thousands of characters and no alphabet—be input on such a device? </p><p>In <a href="https://bookshop.org/a/12343/9780262047517"><em>The Chinese Computer: A Global History of the Information Age</em></a> (MIT Press, 2024), Thomas Mullaney sets out to resolve this paradox, and in doing so, discovers that the key to this seemingly impossible riddle has given rise to a new epoch in the history of writing—a form of writing he calls “hypography.” Based on fifteen years of research, this pathbreaking history of the Chinese language charts the beginnings of electronic Chinese technology in the wake of World War II up through to its many iterations in the present day. Mullaney takes the reader back through the history and evolution of Chinese language computing technology, showing the development of electronic Chinese input methods—software programs that enable Chinese characters to be produced using alphanumeric symbols—and the profound impact they have had on the way Chinese is written. Along the way, Mullaney introduces a cast of brilliant and eccentric personalities drawn from the ranks of IBM, MIT, the CIA, the Pentagon, the Taiwanese military, and the highest rungs of mainland Chinese establishment, to name a few, and the unexpected roles they played in developing Chinese language computing. Finally, he shows how China and the non-Western world—because of the hypographic technologies they had to invent in order to join the personal computing revolution—“saved” the Western computer from its deep biases, enabling it to achieve a meaningful presence in markets outside of the Americas and Europe. An eminently engaging and artfully told history, The Chinese Computer is a must-read for anyone interested in how culture informs computing and how computing, in turn, shapes culture.</p><p>Thomas S. Mullaney is Professor of Chinese History at Stanford University and a Guggenheim Fellow.</p><p>Caleb Zakarin is Editor at the New Books Network.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>George S. Takach, "Cold War 2.0: Artificial Intelligence in the New Battle between China, Russia, and America" (Pegasus Book, 2024)</title>
      <description>A vivid, thoughtful examination of how technological innovation—especially AI—is shaping the tensions between democracy and autocracy during the new Cold War. 
So much of what we hear about China and Russia today likens the relationship between these two autocracies and the West to a “rivalry” or a “great-power competition.” Some might consider it alarmist to say we are in the midst of a second Cold War, but that may be the only responsible way to describe today’s state of affairs. What’s more, we have come a long way from Mao Zedong’s infamous observation that “political power grows out of the barrel of a gun.” Now we live in an age more aptly described by Vladimir Putin’s cryptic prophecy that “artificial intelligence is the future not only of Russia, but of all mankind, and whoever becomes the leader in this sphere will become ruler of the world.” 
George S. Takach’s incisive and meticulously researched new volume, Cold War 2.0: Artificial Intelligence in the New Battle between China, Russia, and America (Pegasus Book, 2024), is the book we need to thoroughly understand these frightening and perilous times. In the geopolitical sphere, there are no more pressing issues than the appalling mechanizations of a surveillance state in China, Russia’s brazen attempt to assert its autocratic model in Ukraine, and China’s increasingly likely plans to do the same in Taiwan. But the key here, Takach argues, is that our new Cold War is not only ideological but technological: the side that prevails in Cold War 2.0 will be the one that bests the other in mastering the greatest innovations of our time. Artificial intelligence sits in our pockets every day—but what about AI that coordinates military operations and missile defense systems? Or the highly sophisticated semiconductor chips and quantum computers that power those missiles and a host of other weapons? And, where recently we have seen remarkable feats of bio-engineering to produce vaccines at record speed, shouldn’t we be concerned how catastrophic it would be if bio-engineering were co-opted for nefarious purposes? Takach thoroughly examines how each of these innovations will shape the tension between democracy and autocracy, and how each will play a central role in this second Cold War. Finally, he crafts a precise blueprint for how Western democracies should handle these innovations to respond to the looming threat of autocracy—and ultimately prevail over it.
﻿AJ Woodhams hosts the "War Books" podcast. You can subscribe on Apple here and on Spotify here. War Books is on YouTube, Facebook and Instagram.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 24 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>229</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with George S. Takach</itunes:subtitle>
      <itunes:summary>A vivid, thoughtful examination of how technological innovation—especially AI—is shaping the tensions between democracy and autocracy during the new Cold War. 
So much of what we hear about China and Russia today likens the relationship between these two autocracies and the West to a “rivalry” or a “great-power competition.” Some might consider it alarmist to say we are in the midst of a second Cold War, but that may be the only responsible way to describe today’s state of affairs. What’s more, we have come a long way from Mao Zedong’s infamous observation that “political power grows out of the barrel of a gun.” Now we live in an age more aptly described by Vladimir Putin’s cryptic prophecy that “artificial intelligence is the future not only of Russia, but of all mankind, and whoever becomes the leader in this sphere will become ruler of the world.” 
George S. Takach’s incisive and meticulously researched new volume, Cold War 2.0: Artificial Intelligence in the New Battle between China, Russia, and America (Pegasus Book, 2024), is the book we need to thoroughly understand these frightening and perilous times. In the geopolitical sphere, there are no more pressing issues than the appalling mechanizations of a surveillance state in China, Russia’s brazen attempt to assert its autocratic model in Ukraine, and China’s increasingly likely plans to do the same in Taiwan. But the key here, Takach argues, is that our new Cold War is not only ideological but technological: the side that prevails in Cold War 2.0 will be the one that bests the other in mastering the greatest innovations of our time. Artificial intelligence sits in our pockets every day—but what about AI that coordinates military operations and missile defense systems? Or the highly sophisticated semiconductor chips and quantum computers that power those missiles and a host of other weapons? And, where recently we have seen remarkable feats of bio-engineering to produce vaccines at record speed, shouldn’t we be concerned how catastrophic it would be if bio-engineering were co-opted for nefarious purposes? Takach thoroughly examines how each of these innovations will shape the tension between democracy and autocracy, and how each will play a central role in this second Cold War. Finally, he crafts a precise blueprint for how Western democracies should handle these innovations to respond to the looming threat of autocracy—and ultimately prevail over it.
﻿AJ Woodhams hosts the "War Books" podcast. You can subscribe on Apple here and on Spotify here. War Books is on YouTube, Facebook and Instagram.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A vivid, thoughtful examination of how technological innovation—especially AI—is shaping the tensions between democracy and autocracy during the new Cold War. </p><p>So much of what we hear about China and Russia today likens the relationship between these two autocracies and the West to a “rivalry” or a “great-power competition.” Some might consider it alarmist to say we are in the midst of a second Cold War, but that may be the only responsible way to describe today’s state of affairs. What’s more, we have come a long way from Mao Zedong’s infamous observation that “political power grows out of the barrel of a gun.” Now we live in an age more aptly described by Vladimir Putin’s cryptic prophecy that “artificial intelligence is the future not only of Russia, but of all mankind, and whoever becomes the leader in this sphere will become ruler of the world.” </p><p>George S. Takach’s incisive and meticulously researched new volume, <a href="https://bookshop.org/a/12343/9781639365630"><em>Cold War 2.0: Artificial Intelligence in the New Battle between China, Russia, and America</em></a> (Pegasus Book, 2024), is the book we need to thoroughly understand these frightening and perilous times. In the geopolitical sphere, there are no more pressing issues than the appalling mechanizations of a surveillance state in China, Russia’s brazen attempt to assert its autocratic model in Ukraine, and China’s increasingly likely plans to do the same in Taiwan. But the key here, Takach argues, is that our new Cold War is not only ideological but technological: the side that prevails in Cold War 2.0 will be the one that bests the other in mastering the greatest innovations of our time. Artificial intelligence sits in our pockets every day—but what about AI that coordinates military operations and missile defense systems? Or the highly sophisticated semiconductor chips and quantum computers that power those missiles and a host of other weapons? And, where recently we have seen remarkable feats of bio-engineering to produce vaccines at record speed, shouldn’t we be concerned how catastrophic it would be if bio-engineering were co-opted for nefarious purposes? Takach thoroughly examines how each of these innovations will shape the tension between democracy and autocracy, and how each will play a central role in this second Cold War. Finally, he crafts a precise blueprint for how Western democracies should handle these innovations to respond to the looming threat of autocracy—and ultimately prevail over it.</p><p><em>﻿</em><a href="https://ajwoodhams.com/"><em>AJ Woodhams</em></a><em> hosts the "</em><a href="https://ajwoodhams.com/warbookspodcast/"><em>War Books</em></a><em>" podcast. You can subscribe on Apple </em><a href="http://bit.ly/3ZCL0du"><em>here</em></a><em> and on Spotify </em><a href="https://spoti.fi/3kP9scZ"><em>here</em></a><em>. War Books is on </em><a href="https://www.youtube.com/@warbookspodcast/"><em>YouTube</em></a><em>, </em><a href="https://www.facebook.com/warbookspodcast"><em>Facebook</em></a><em> and </em><a href="https://www.instagram.com/warbookspodcast/"><em>Instagram</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>Fran Martin, "Dreams of Flight: The Lives of Chinese Women Students in the West" (Duke UP, 2021)</title>
      <description>Dreams of Flight: The Lives of Chinese Women Students in the West (Duke UP, 2021) explores the significance of transnational educational mobility in the life aspirations of young, middle-class Chinese women. Based on extensive, long-term ethnographic research, Fran Martin explores how young Chinese women negotiate competing pressures on their identity while studying abroad. On one hand, unmarried middle-class women in the single-child generations are encouraged to develop themselves as professional human capital through international education, molding themselves into independent, cosmopolitan, career-oriented individuals. On the other, strong neo-traditionalist state, social, and familial pressures of the post-Mao era push them back toward marriage and family by age thirty. Martin examines these women’s motivations for studying in Australia and traces their embodied and emotional experiences of urban life, social media worlds, work in low-skilled and professional jobs, romantic relationships, religion, Chinese patriotism, and changed self-understanding after study abroad. Martin illustrates how emerging forms of gender, class, and mobility fundamentally transform the basis of identity for a whole generation of Chinese women.
Fran Martin is Professor of Cultural Studies at the University of Melbourne. Her research focuses on television, film, literature and other forms of cultural production in contemporary transnational China (The PRC, Taiwan, and Hong Kong), with a specialization in transnational flows and representations and cultures of gender and sexuality.
Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.
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      <pubDate>Wed, 20 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>290</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Fran Martin</itunes:subtitle>
      <itunes:summary>Dreams of Flight: The Lives of Chinese Women Students in the West (Duke UP, 2021) explores the significance of transnational educational mobility in the life aspirations of young, middle-class Chinese women. Based on extensive, long-term ethnographic research, Fran Martin explores how young Chinese women negotiate competing pressures on their identity while studying abroad. On one hand, unmarried middle-class women in the single-child generations are encouraged to develop themselves as professional human capital through international education, molding themselves into independent, cosmopolitan, career-oriented individuals. On the other, strong neo-traditionalist state, social, and familial pressures of the post-Mao era push them back toward marriage and family by age thirty. Martin examines these women’s motivations for studying in Australia and traces their embodied and emotional experiences of urban life, social media worlds, work in low-skilled and professional jobs, romantic relationships, religion, Chinese patriotism, and changed self-understanding after study abroad. Martin illustrates how emerging forms of gender, class, and mobility fundamentally transform the basis of identity for a whole generation of Chinese women.
Fran Martin is Professor of Cultural Studies at the University of Melbourne. Her research focuses on television, film, literature and other forms of cultural production in contemporary transnational China (The PRC, Taiwan, and Hong Kong), with a specialization in transnational flows and representations and cultures of gender and sexuality.
Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.
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      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781478017615"><em>Dreams of Flight: The Lives of Chinese Women Students in the West </em></a>(Duke UP, 2021) explores the significance of transnational educational mobility in the life aspirations of young, middle-class Chinese women. Based on extensive, long-term ethnographic research, Fran Martin explores how young Chinese women negotiate competing pressures on their identity while studying abroad. On one hand, unmarried middle-class women in the single-child generations are encouraged to develop themselves as professional human capital through international education, molding themselves into independent, cosmopolitan, career-oriented individuals. On the other, strong neo-traditionalist state, social, and familial pressures of the post-Mao era push them back toward marriage and family by age thirty. Martin examines these women’s motivations for studying in Australia and traces their embodied and emotional experiences of urban life, social media worlds, work in low-skilled and professional jobs, romantic relationships, religion, Chinese patriotism, and changed self-understanding after study abroad. Martin illustrates how emerging forms of gender, class, and mobility fundamentally transform the basis of identity for a whole generation of Chinese women.</p><p>Fran Martin is Professor of Cultural Studies at the University of Melbourne. Her research focuses on television, film, literature and other forms of cultural production in contemporary transnational China (The PRC, Taiwan, and Hong Kong), with a specialization in transnational flows and representations and cultures of gender and sexuality.</p><p>Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found <a href="https://liberalarts.tulane.edu/departments/anthropology/people/graduate-students/yadong-li">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>5517</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Niki J. P. Alsford, "Taiwan Lives: A Social and Political History" (U Washington Press, 2024)</title>
      <description>As Taiwan gains prominence on international headlines, often framed in terms of conflict with China, it’s easy to neglect the island nation’s human stories and nuances. Niki Alsford’s book Taiwan Lives: A Social and Political History (University of Washington Press, March 2024) aims to provide a more nuanced counterweight to the sensationalism and soundbites that come up in Anglophone discourse about Taiwan today.
Through a carefully curated selection of 24 biographies — stretching across social divides and time periods, featuring everyone from priests to pop stars to presidents — Taiwan Lives tries to make Taiwan’s multilayered colonial history more accessible to English-language readers. Alsford, who’s a Professor in Asia Pacific Studies at the University of Central Lancashire, draws upon his background in historical anthropology and extensive Taiwan-related experience to highlight the shifts and shades of Taiwanese identity across the past few centuries. 
Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.
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      <pubDate>Tue, 19 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>518</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Niki J. P. Alsford</itunes:subtitle>
      <itunes:summary>As Taiwan gains prominence on international headlines, often framed in terms of conflict with China, it’s easy to neglect the island nation’s human stories and nuances. Niki Alsford’s book Taiwan Lives: A Social and Political History (University of Washington Press, March 2024) aims to provide a more nuanced counterweight to the sensationalism and soundbites that come up in Anglophone discourse about Taiwan today.
Through a carefully curated selection of 24 biographies — stretching across social divides and time periods, featuring everyone from priests to pop stars to presidents — Taiwan Lives tries to make Taiwan’s multilayered colonial history more accessible to English-language readers. Alsford, who’s a Professor in Asia Pacific Studies at the University of Central Lancashire, draws upon his background in historical anthropology and extensive Taiwan-related experience to highlight the shifts and shades of Taiwanese identity across the past few centuries. 
Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As Taiwan gains prominence on international headlines, often framed in terms of conflict with China, it’s easy to neglect the island nation’s human stories and nuances. Niki Alsford’s book <a href="https://bookshop.org/a/12343/9780295752150"><em>Taiwan Lives: A Social and Political History</em> </a>(University of Washington Press, March 2024) aims to provide a more nuanced counterweight to the sensationalism and soundbites that come up in Anglophone discourse about Taiwan today.</p><p>Through a carefully curated selection of 24 biographies — stretching across social divides and time periods, featuring everyone from priests to pop stars to presidents — <em>Taiwan Lives</em> tries to make Taiwan’s multilayered colonial history more accessible to English-language readers. Alsford, who’s a Professor in Asia Pacific Studies at the University of Central Lancashire, draws upon his background in historical anthropology and extensive Taiwan-related experience to highlight the shifts and shades of Taiwanese identity across the past few centuries. </p><p><a href="https://www.anthonykao.org/"><em>Anthony Kao</em></a><em> is a writer who intersects international affairs and cultural criticism. He founded/edits </em><a href="https://www.cinemaescapist.com/"><em>Cinema Escapist</em></a><em>—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>914</itunes:duration>
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      <title>Charles B. Jones, "Chinese Pure Land Buddhism: Understanding a Tradition of Practice" (U Hawaii Press, 2019)</title>
      <description>Today’s guest is Charles B. Jones, Associate Professor and Director of the Religion and Culture graduate program in the School of Theology and Religious Studies at the Catholic University of America. He will be speaking with us about his new book Chinese Pure Land Buddhism: Understanding a Tradition of Practice, just published in the Pure Land Buddhist Studies series with University of Hawaiʻi Press.
Jones is the author is several articles and books, including Buddhism in Taiwan: Religion and the State 1660-1990, which was a foundational work in the field and the first history of its type to be published in any language. Now, Jones is once again breaking new ground with this study of Chinese Pure Land Buddhism, which is the first book in any western language to provide a comprehensive overview of the Chinese Pure Land tradition, a notably understudied area in western-language Buddhist Studies scholarship.
In this work, Jones explores many of the core doctrines, practices and controversies of Chinese Pure Land Buddhism, situating them historically and in the modern period, drawing on a wealth of previously unexamined primary sources, many of which he is making available to readers in English translation for the first time. This book challenges readers to rethink many longstanding assumptions about Chinese Pure Land Buddhism, including the nuanced relation of self-power and other-power as conceived in the Chinese tradition, the notion of Pure Land as a so-called “easy” path appealing to non-elite practitioners, debates about the nature of the Pure Land itself and how it is thought to exist in the world, the multifaceted practice of nian fo (念佛, nembutsu in Japanese or “buddha-recollection”), as well as the deeply fraught question of the historical development of the lineage of Pure Land “patriarchs”. This work will be of interest to all scholars of Buddhist Studies, and a valuable classroom resource for teaching Pure Land Buddhism, Buddhist Studies and Chinese Religions.
Lina Verchery is a PhD candidate in Buddhist Studies at Harvard University. She specializes in the study of modern Chinese Buddhist monasticism, with a secondary focus in Religion and Film. She can be reached at linaverchery@fas.harvard.edu or via her website www.linaverchery.com.
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      <pubDate>Mon, 26 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>60</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Charles B. Jones</itunes:subtitle>
      <itunes:summary>Today’s guest is Charles B. Jones, Associate Professor and Director of the Religion and Culture graduate program in the School of Theology and Religious Studies at the Catholic University of America. He will be speaking with us about his new book Chinese Pure Land Buddhism: Understanding a Tradition of Practice, just published in the Pure Land Buddhist Studies series with University of Hawaiʻi Press.
Jones is the author is several articles and books, including Buddhism in Taiwan: Religion and the State 1660-1990, which was a foundational work in the field and the first history of its type to be published in any language. Now, Jones is once again breaking new ground with this study of Chinese Pure Land Buddhism, which is the first book in any western language to provide a comprehensive overview of the Chinese Pure Land tradition, a notably understudied area in western-language Buddhist Studies scholarship.
In this work, Jones explores many of the core doctrines, practices and controversies of Chinese Pure Land Buddhism, situating them historically and in the modern period, drawing on a wealth of previously unexamined primary sources, many of which he is making available to readers in English translation for the first time. This book challenges readers to rethink many longstanding assumptions about Chinese Pure Land Buddhism, including the nuanced relation of self-power and other-power as conceived in the Chinese tradition, the notion of Pure Land as a so-called “easy” path appealing to non-elite practitioners, debates about the nature of the Pure Land itself and how it is thought to exist in the world, the multifaceted practice of nian fo (念佛, nembutsu in Japanese or “buddha-recollection”), as well as the deeply fraught question of the historical development of the lineage of Pure Land “patriarchs”. This work will be of interest to all scholars of Buddhist Studies, and a valuable classroom resource for teaching Pure Land Buddhism, Buddhist Studies and Chinese Religions.
Lina Verchery is a PhD candidate in Buddhist Studies at Harvard University. She specializes in the study of modern Chinese Buddhist monasticism, with a secondary focus in Religion and Film. She can be reached at linaverchery@fas.harvard.edu or via her website www.linaverchery.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today’s guest is <a href="https://trs.catholic.edu/faculty-and-research/faculty-profiles/jones-charles/index.html">Charles B. Jones</a>, Associate Professor and Director of the Religion and Culture graduate program in the School of Theology and Religious Studies at the Catholic University of America. He will be speaking with us about his new book <a href="http://www.amazon.com/dp/0824879716/?tag=newbooinhis-20"><em>Chinese Pure Land Buddhism: Understanding a Tradition of Practice</em></a>, just published in the Pure Land Buddhist Studies series with University of Hawaiʻi Press.</p><p>Jones is the author is several articles and books, including Buddhism in Taiwan: Religion and the State 1660-1990, which was a foundational work in the field and the first history of its type to be published in any language. Now, Jones is once again breaking new ground with this study of Chinese Pure Land Buddhism, which is the first book in any western language to provide a comprehensive overview of the Chinese Pure Land tradition, a notably understudied area in western-language Buddhist Studies scholarship.</p><p>In this work, Jones explores many of the core doctrines, practices and controversies of Chinese Pure Land Buddhism, situating them historically and in the modern period, drawing on a wealth of previously unexamined primary sources, many of which he is making available to readers in English translation for the first time. This book challenges readers to rethink many longstanding assumptions about Chinese Pure Land Buddhism, including the nuanced relation of self-power and other-power as conceived in the Chinese tradition, the notion of Pure Land as a so-called “easy” path appealing to non-elite practitioners, debates about the nature of the Pure Land itself and how it is thought to exist in the world, the multifaceted practice of nian fo (念佛, nembutsu in Japanese or “buddha-recollection”), as well as the deeply fraught question of the historical development of the lineage of Pure Land “patriarchs”. This work will be of interest to all scholars of Buddhist Studies, and a valuable classroom resource for teaching Pure Land Buddhism, Buddhist Studies and Chinese Religions.</p><p><em>Lina Verchery is a PhD candidate in Buddhist Studies at Harvard University. She specializes in the study of modern Chinese Buddhist monasticism, with a secondary focus in Religion and Film. She can be reached at </em><a href="mailto:linaverchery@fas.harvard.edu"><em>linaverchery@fas.harvard.edu</em></a><em> or via her website </em><a href="https://www.linaverchery.com/"><em>www.linaverchery.com</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4534</itunes:duration>
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      <title>Neil Lee, "Innovation for the Masses: How to Share the Benefits of the High-Tech Economy" (U California Press, 2024)</title>
      <description>How can we build a more equal economy? In Innovation for the Masses: How to Share the Benefits of the High-Tech Economy (U California Press, 2024), Neil Lee, a Professor of Economic Geography at the London School of Economics, explores the question of how societies have fostered and supported innovation. The book challenges conventional assumptions that innovative economies must be unequal. Drawing on 4 detailed, and critical, case studies- Switzerland, Austria, Taiwan and Sweden, the book shows how Europe has good models of innovation; how the state matters; and how innovation and shared prosperity policies are mutually reinforcing. Accessible and clearly written, the book will be essential reading across social sciences and public policy, as well as anyone wanting a blueprint for equitable economic development,
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      <pubDate>Wed, 21 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>436</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Neil Lee</itunes:subtitle>
      <itunes:summary>How can we build a more equal economy? In Innovation for the Masses: How to Share the Benefits of the High-Tech Economy (U California Press, 2024), Neil Lee, a Professor of Economic Geography at the London School of Economics, explores the question of how societies have fostered and supported innovation. The book challenges conventional assumptions that innovative economies must be unequal. Drawing on 4 detailed, and critical, case studies- Switzerland, Austria, Taiwan and Sweden, the book shows how Europe has good models of innovation; how the state matters; and how innovation and shared prosperity policies are mutually reinforcing. Accessible and clearly written, the book will be essential reading across social sciences and public policy, as well as anyone wanting a blueprint for equitable economic development,
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can we build a more equal economy? In<em> </em><a href="https://bookshop.org/a/12343/9780520394889"><em>Innovation for the Masses: How to Share the Benefits of the High-Tech Economy</em></a> (U California Press, 2024), <a href="https://twitter.com/ndrlee">Neil Lee,</a> a <a href="https://www.lse.ac.uk/geography-and-environment/people/academic-staff/neil-lee">Professor of Economic Geography at the London School of Economics</a>, explores the question of how societies have fostered and supported innovation. The book challenges conventional assumptions that innovative economies must be unequal. Drawing on 4 detailed, and critical, case studies- Switzerland, Austria, Taiwan and Sweden, the book shows how Europe has good models of innovation; how the state matters; and how innovation and shared prosperity policies are mutually reinforcing. Accessible and clearly written, the book will be essential reading across social sciences and public policy, as well as anyone wanting a blueprint for equitable economic development,</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2232</itunes:duration>
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      <title>Garnett Kilberg Cohen, "Cravings" (U Wisconsin Press, 2024)</title>
      <description>Garnett Kilberg Cohen’s fourth short story collection, Cravings (University of Wisconsin Press, 2024), contains twelve beautifully-written tales. They each start simply before delving into universal human struggles of love, aging, repercussions, and community. Characters mull over or confront decisions and recognize or bemoan past mistakes. A little girl’s life changes while she’s sneaking olives from the pantry, a woman is plunged back in time while attending the book release of her ex, parents of a disabled child struggle as their marriage frays, the daughter of an ex appears on television, and a woman destroys the reputation of her only friend. The collection is about cravings of one kind or another, but also covers a range of complex emotions that arise over the course of a lifetime.
Garnett Kilberg Cohen was born and raised in Ohio and feels a strong connection to the Midwest, a place in her memory that is replete with farms, small towns, car factories and fields of corn and purple clover. As a child, she was paid one cent for every five dandelions she ripped by the roots from her family’s yard. Her favorite drink was a cherry phosphate sipped while twirling on a stool at the marble counter of the village drug store. Yet, she was aware of the secrets and trauma often just below the surface. Cravings is Cohen’s fourth collection of short stories. She has also published a poetry chapbook, Passion Tour and multiple essays in such places as Rumpus, Antioch Review, The New Yorker online and Michigan Quarterly Review. Her honors include The Crazyhorse Fiction Prize, four awards from the Illinois Arts Council, and two Notable Essay citations from Best American Essays. In addition to writing and reading, she enjoys drawing, taking long walks, theater, museums and travel. In recent years, she has been fortunate to travel to far-flung places such as Taiwan, Australia, Laos, Tanzania, Iceland and Mexico. She believes that observation is often the key to understanding and inspiration for writing—even if the travel is just to a new neighborhood in the city where she now lives, Chicago.
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      <pubDate>Tue, 13 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>390</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Garnett Kilberg Cohen</itunes:subtitle>
      <itunes:summary>Garnett Kilberg Cohen’s fourth short story collection, Cravings (University of Wisconsin Press, 2024), contains twelve beautifully-written tales. They each start simply before delving into universal human struggles of love, aging, repercussions, and community. Characters mull over or confront decisions and recognize or bemoan past mistakes. A little girl’s life changes while she’s sneaking olives from the pantry, a woman is plunged back in time while attending the book release of her ex, parents of a disabled child struggle as their marriage frays, the daughter of an ex appears on television, and a woman destroys the reputation of her only friend. The collection is about cravings of one kind or another, but also covers a range of complex emotions that arise over the course of a lifetime.
Garnett Kilberg Cohen was born and raised in Ohio and feels a strong connection to the Midwest, a place in her memory that is replete with farms, small towns, car factories and fields of corn and purple clover. As a child, she was paid one cent for every five dandelions she ripped by the roots from her family’s yard. Her favorite drink was a cherry phosphate sipped while twirling on a stool at the marble counter of the village drug store. Yet, she was aware of the secrets and trauma often just below the surface. Cravings is Cohen’s fourth collection of short stories. She has also published a poetry chapbook, Passion Tour and multiple essays in such places as Rumpus, Antioch Review, The New Yorker online and Michigan Quarterly Review. Her honors include The Crazyhorse Fiction Prize, four awards from the Illinois Arts Council, and two Notable Essay citations from Best American Essays. In addition to writing and reading, she enjoys drawing, taking long walks, theater, museums and travel. In recent years, she has been fortunate to travel to far-flung places such as Taiwan, Australia, Laos, Tanzania, Iceland and Mexico. She believes that observation is often the key to understanding and inspiration for writing—even if the travel is just to a new neighborhood in the city where she now lives, Chicago.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Garnett Kilberg Cohen’s fourth short story collection, <a href="https://bookshop.org/a/12343/9780299345242"><em>Cravings</em></a><em> (</em>University of Wisconsin Press, 2024), contains twelve beautifully-written tales. They each start simply before delving into universal human struggles of love, aging, repercussions, and community. Characters mull over or confront decisions and recognize or bemoan past mistakes. A little girl’s life changes while she’s sneaking olives from the pantry, a woman is plunged back in time while attending the book release of her ex, parents of a disabled child struggle as their marriage frays, the daughter of an ex appears on television, and a woman destroys the reputation of her only friend. The collection is about cravings of one kind or another, but also covers a range of complex emotions that arise over the course of a lifetime.</p><p>Garnett Kilberg Cohen was born and raised in Ohio and feels a strong connection to the Midwest, a place in her memory that is replete with farms, small towns, car factories and fields of corn and purple clover. As a child, she was paid one cent for every five dandelions she ripped by the roots from her family’s yard. Her favorite drink was a cherry phosphate sipped while twirling on a stool at the marble counter of the village drug store. Yet, she was aware of the secrets and trauma often just below the surface. <em>Cravings</em> is Cohen’s fourth collection of short stories. She has also published a poetry chapbook, <em>Passion Tour</em> and multiple essays in such places as <em>Rumpus, Antioch Review, The New Yorker </em>online and <em>Michigan Quarterly Review</em>. Her honors include The <em>Crazyhorse</em> Fiction Prize, four awards from the Illinois Arts Council, and two Notable Essay citations from <em>Best American Essays</em>. In addition to writing and reading, she enjoys drawing, taking long walks, theater, museums and travel. In recent years, she has been fortunate to travel to far-flung places such as Taiwan, Australia, Laos, Tanzania, Iceland and Mexico. She believes that observation is often the key to understanding and inspiration for writing—even if the travel is just to a new neighborhood in the city where she now lives, Chicago.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
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      <title>Cheow Thia Chan, "Malaysian Crossings: Place and Language in the Worlding of Modern Chinese Literature" (Columbia UP, 2022)</title>
      <description>Malaysian Chinese (Mahua) literature is marginalized on several fronts. In the international literary space, which privileges the West, Malaysia is considered remote. The institutions of modern Chinese literature favor mainland China, Taiwan, and Hong Kong. Within Malaysia, only texts in Malay, the national language, are considered national literature by the state. However, Mahua authors have produced creative and thought-provoking works that have won growing critical recognition, showing Malaysia to be a laboratory for imaginative Chinese writing.
Highlighting Mahua literature’s distinctive mode of evolution, Cheow Thia Chan demonstrates that authors’ grasp of their marginality in the world-Chinese literary space has been the impetus for—rather than a barrier to—aesthetic inventiveness. He foregrounds the historical links between Malaysia and other Chinese-speaking regions, tracing how Mahua writers engage in the “worlding” of modern Chinese literature by navigating interconnected literary spaces. Focusing on writers including Lin Cantian, Han Suyin, Wang Anyi, and Li Yongping, whose works craft signature literary languages, Chan examines narrative representations of multilingual social realities and authorial reflections on colonial Malaya or independent Malaysia as valid literary terrain. Delineating the inter-Asian “crossings” of Mahua literary production—physical journeys, interactions among social groups, and mindset shifts—from the 1930s to the 2000s, he contends that new perspectives from the periphery are essential to understanding the globalization of modern Chinese literature. By emphasizing the inner diversities and connected histories in the margins, Malaysian Crossings: Place and Language in the Worlding of Modern Chinese Literature (Columbia UP, 2022) offers a powerful argument for remapping global Chinese literature and world literature.
Cheow Thia Chan is assistant professor of Chinese studies at the National University of Singapore. His research interests include modern Chinese literature, Singapore and Malaysian Chinese Literature, Southeast Asian Chinese Studies, Diaspora Studies, and Urban Studies.
Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 10 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>515</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Cheow Thia Chan</itunes:subtitle>
      <itunes:summary>Malaysian Chinese (Mahua) literature is marginalized on several fronts. In the international literary space, which privileges the West, Malaysia is considered remote. The institutions of modern Chinese literature favor mainland China, Taiwan, and Hong Kong. Within Malaysia, only texts in Malay, the national language, are considered national literature by the state. However, Mahua authors have produced creative and thought-provoking works that have won growing critical recognition, showing Malaysia to be a laboratory for imaginative Chinese writing.
Highlighting Mahua literature’s distinctive mode of evolution, Cheow Thia Chan demonstrates that authors’ grasp of their marginality in the world-Chinese literary space has been the impetus for—rather than a barrier to—aesthetic inventiveness. He foregrounds the historical links between Malaysia and other Chinese-speaking regions, tracing how Mahua writers engage in the “worlding” of modern Chinese literature by navigating interconnected literary spaces. Focusing on writers including Lin Cantian, Han Suyin, Wang Anyi, and Li Yongping, whose works craft signature literary languages, Chan examines narrative representations of multilingual social realities and authorial reflections on colonial Malaya or independent Malaysia as valid literary terrain. Delineating the inter-Asian “crossings” of Mahua literary production—physical journeys, interactions among social groups, and mindset shifts—from the 1930s to the 2000s, he contends that new perspectives from the periphery are essential to understanding the globalization of modern Chinese literature. By emphasizing the inner diversities and connected histories in the margins, Malaysian Crossings: Place and Language in the Worlding of Modern Chinese Literature (Columbia UP, 2022) offers a powerful argument for remapping global Chinese literature and world literature.
Cheow Thia Chan is assistant professor of Chinese studies at the National University of Singapore. His research interests include modern Chinese literature, Singapore and Malaysian Chinese Literature, Southeast Asian Chinese Studies, Diaspora Studies, and Urban Studies.
Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Malaysian Chinese (Mahua) literature is marginalized on several fronts. In the international literary space, which privileges the West, Malaysia is considered remote. The institutions of modern Chinese literature favor mainland China, Taiwan, and Hong Kong. Within Malaysia, only texts in Malay, the national language, are considered national literature by the state. However, Mahua authors have produced creative and thought-provoking works that have won growing critical recognition, showing Malaysia to be a laboratory for imaginative Chinese writing.</p><p>Highlighting Mahua literature’s distinctive mode of evolution, Cheow Thia Chan demonstrates that authors’ grasp of their marginality in the world-Chinese literary space has been the impetus for—rather than a barrier to—aesthetic inventiveness. He foregrounds the historical links between Malaysia and other Chinese-speaking regions, tracing how Mahua writers engage in the “worlding” of modern Chinese literature by navigating interconnected literary spaces. Focusing on writers including Lin Cantian, Han Suyin, Wang Anyi, and Li Yongping, whose works craft signature literary languages, Chan examines narrative representations of multilingual social realities and authorial reflections on colonial Malaya or independent Malaysia as valid literary terrain. Delineating the inter-Asian “crossings” of Mahua literary production—physical journeys, interactions among social groups, and mindset shifts—from the 1930s to the 2000s, he contends that new perspectives from the periphery are essential to understanding the globalization of modern Chinese literature. By emphasizing the inner diversities and connected histories in the margins, <a href="https://bookshop.org/a/12343/9780231203395"><em>Malaysian Crossings: Place and Language in the Worlding of Modern Chinese Literature</em></a><em> </em>(Columbia UP, 2022) offers a powerful argument for remapping global Chinese literature and world literature.</p><p>Cheow Thia Chan is assistant professor of Chinese studies at the National University of Singapore. His research interests include modern Chinese literature, Singapore and Malaysian Chinese Literature, Southeast Asian Chinese Studies, Diaspora Studies, and Urban Studies.</p><p><em>Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4131</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK9627481692.mp3?updated=1707583317" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anru Lee, "Haunted Modernities: Gender, Memory, and Placemaking in Postindustrial Taiwan" (U Hawaii Press, 2023)</title>
      <description>On the podcast today, I am joined by Professor Anru Lee, who is professor of anthropology at John Jay College, the City University of New York. Anru will be talking about her new book, Haunted Modernities: Gender, Memory and Placemaking in Postindustrial Taiwan, which was published just last year in 2023 by University of Hawai’i Press.
Haunted Modernities interrogates the nature of shared expressions of history, sentiment and memory as it investigates the role of the tragic death of twenty-five unwed women who drowned in a ferry accident on their way to work in factories in Taiwan’s Kaohsiung Export Processing Zone. By exploring the ways in which the deceased young women were perceived to “haunt” the living and the diverse renovations recommended, Professor Anru Lee illuminates how women workers in Taiwan have been conceptualized in the last several decades. In their proposals to renovate a memorial tomb in honor of their death, the interested parties forged specific accounts of history, transforming the collective burial site according to varying definitions of “heritage” as Taiwan shifted to a postindustrial economy, where factory jobs were no longer the main source of employment. Their plans engaged with acts of remembering—communal and individual—to create new ways of understanding the present. Haunted Modernities is a beautiful piece of scholar work that elucidates how “history” and “memory” are not simply about the past but part of a forward-looking process that emerges from the social, political, and economic needs of the present, legitimized and validated through its associations with the past.
﻿Dr. Suvi Rautio is an anthropologist of China.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 09 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>84</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Anru Lee</itunes:subtitle>
      <itunes:summary>On the podcast today, I am joined by Professor Anru Lee, who is professor of anthropology at John Jay College, the City University of New York. Anru will be talking about her new book, Haunted Modernities: Gender, Memory and Placemaking in Postindustrial Taiwan, which was published just last year in 2023 by University of Hawai’i Press.
Haunted Modernities interrogates the nature of shared expressions of history, sentiment and memory as it investigates the role of the tragic death of twenty-five unwed women who drowned in a ferry accident on their way to work in factories in Taiwan’s Kaohsiung Export Processing Zone. By exploring the ways in which the deceased young women were perceived to “haunt” the living and the diverse renovations recommended, Professor Anru Lee illuminates how women workers in Taiwan have been conceptualized in the last several decades. In their proposals to renovate a memorial tomb in honor of their death, the interested parties forged specific accounts of history, transforming the collective burial site according to varying definitions of “heritage” as Taiwan shifted to a postindustrial economy, where factory jobs were no longer the main source of employment. Their plans engaged with acts of remembering—communal and individual—to create new ways of understanding the present. Haunted Modernities is a beautiful piece of scholar work that elucidates how “history” and “memory” are not simply about the past but part of a forward-looking process that emerges from the social, political, and economic needs of the present, legitimized and validated through its associations with the past.
﻿Dr. Suvi Rautio is an anthropologist of China.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On the podcast today, I am joined by Professor Anru Lee, who is professor of anthropology at John Jay College, the City University of New York. Anru will be talking about her new book, <a href="https://bookshop.org/a/12343/9780824895549"><em>Haunted Modernities: Gender, Memory and Placemaking in Postindustrial Taiwan</em></a><em>, </em>which was published just last year in 2023 by University of Hawai’i Press.</p><p><em>Haunted Modernities </em>interrogates the nature of shared expressions of history, sentiment and memory as it investigates the role of the tragic death of twenty-five unwed women who drowned in a ferry accident on their way to work in factories in Taiwan’s Kaohsiung Export Processing Zone. By exploring the ways in which the deceased young women were perceived to “haunt” the living and the diverse renovations recommended, Professor Anru Lee illuminates how women workers in Taiwan have been conceptualized in the last several decades. In their proposals to renovate a memorial tomb in honor of their death, the interested parties forged specific accounts of history, transforming the collective burial site according to varying definitions of “heritage” as Taiwan shifted to a postindustrial economy, where factory jobs were no longer the main source of employment. Their plans engaged with acts of remembering—communal and individual—to create new ways of understanding the present. <em>Haunted Modernities</em> is a beautiful piece of scholar work that elucidates how “history” and “memory” are not simply about the past but part of a forward-looking process that emerges from the social, political, and economic needs of the present, legitimized and validated through its associations with the past.</p><p><em>﻿</em><a href="https://www.linkedin.com/in/suvi-rautio-63ab9324/"><em>Dr. Suvi Rautio</em></a><em> is an anthropologist of China.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>6131</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK2597912706.mp3?updated=1707428148" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Wendy Cheng, "Island X: Taiwanese Student Migrants, Campus Spies, and Cold War Activism" (U Washington Press, 2023)</title>
      <description>This episode, which is co-hosted with Tandee Wang, features a conversation with Dr. Wendy Cheng, author of Island X: Taiwanese Student Migrants, Campus Spies, and Cold War Activism. Published in November 2023 by the University of Washington Press, Island X delves into the compelling political lives of Taiwanese migrants who came to the United States as students from the 1960s through the 1980s.
Often depicted as compliant model minorities, Island X reveals that many Taiwanese students were deeply political, shaped by Taiwan's colonial history, and influenced by the global social movements of their times. As activists, they fought to make Taiwanese people visible as subjects of injustice and deserving of self-determination. Under the distorting shadows of Cold War geopolitics, the Kuomintang regime and collaborators across US campuses attempted to control Taiwanese in the diaspora through extralegal surveillance and violence, including harassment, blacklisting, imprisonment, and even murder. Drawing on interviews with student activists and extensive archival research, Cheng documents how Taiwanese Americans developed tight-knit social networks as infrastructures for identity formation, consciousness development, and anticolonial activism. They fought for Taiwanese independence, opposed state persecution and oppression, and participated in global political movements.
Raising questions about historical memory and Cold War circuits of power, Island X is a testament to the lives and advocacy of a generation of Taiwanese American activists. Our conversation today focuses on contextualizing Taiwanese student activism during the Cold War to provide greater nuance to existing frameworks of Asian American activism within Asian American studies.
Donna Doan Anderson (she/her) is a PhD candidate in History and Asian American Studies at the University of California, Santa Barbara. Tandee Wang (he/him) is a PhD student in History and Asian American Studies at the University of California, Santa Barbara.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 08 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>77</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Wendy Cheng</itunes:subtitle>
      <itunes:summary>This episode, which is co-hosted with Tandee Wang, features a conversation with Dr. Wendy Cheng, author of Island X: Taiwanese Student Migrants, Campus Spies, and Cold War Activism. Published in November 2023 by the University of Washington Press, Island X delves into the compelling political lives of Taiwanese migrants who came to the United States as students from the 1960s through the 1980s.
Often depicted as compliant model minorities, Island X reveals that many Taiwanese students were deeply political, shaped by Taiwan's colonial history, and influenced by the global social movements of their times. As activists, they fought to make Taiwanese people visible as subjects of injustice and deserving of self-determination. Under the distorting shadows of Cold War geopolitics, the Kuomintang regime and collaborators across US campuses attempted to control Taiwanese in the diaspora through extralegal surveillance and violence, including harassment, blacklisting, imprisonment, and even murder. Drawing on interviews with student activists and extensive archival research, Cheng documents how Taiwanese Americans developed tight-knit social networks as infrastructures for identity formation, consciousness development, and anticolonial activism. They fought for Taiwanese independence, opposed state persecution and oppression, and participated in global political movements.
Raising questions about historical memory and Cold War circuits of power, Island X is a testament to the lives and advocacy of a generation of Taiwanese American activists. Our conversation today focuses on contextualizing Taiwanese student activism during the Cold War to provide greater nuance to existing frameworks of Asian American activism within Asian American studies.
Donna Doan Anderson (she/her) is a PhD candidate in History and Asian American Studies at the University of California, Santa Barbara. Tandee Wang (he/him) is a PhD student in History and Asian American Studies at the University of California, Santa Barbara.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode, which is co-hosted with Tandee Wang, features a conversation with Dr. Wendy Cheng, author of <a href="https://bookshop.org/a/12343/9780295752051"><em>Island X: Taiwanese Student Migrants, Campus Spies, and Cold War Activism</em></a>. Published in November 2023 by the University of Washington Press, <em>Island X</em> delves into the compelling political lives of Taiwanese migrants who came to the United States as students from the 1960s through the 1980s.</p><p>Often depicted as compliant model minorities, <em>Island X</em> reveals that many Taiwanese students were deeply political, shaped by Taiwan's colonial history, and influenced by the global social movements of their times. As activists, they fought to make Taiwanese people visible as subjects of injustice and deserving of self-determination. Under the distorting shadows of Cold War geopolitics, the Kuomintang regime and collaborators across US campuses attempted to control Taiwanese in the diaspora through extralegal surveillance and violence, including harassment, blacklisting, imprisonment, and even murder. Drawing on interviews with student activists and extensive archival research, Cheng documents how Taiwanese Americans developed tight-knit social networks as infrastructures for identity formation, consciousness development, and anticolonial activism. They fought for Taiwanese independence, opposed state persecution and oppression, and participated in global political movements.</p><p>Raising questions about historical memory and Cold War circuits of power, <em>Island X</em> is a testament to the lives and advocacy of a generation of Taiwanese American activists. Our conversation today focuses on contextualizing Taiwanese student activism during the Cold War to provide greater nuance to existing frameworks of Asian American activism within Asian American studies.</p><p><em>Donna Doan Anderson (she/her) is a PhD candidate in History and Asian American Studies at the University of California, Santa Barbara. Tandee Wang (he/him) is a PhD student in History and Asian American Studies at the University of California, Santa Barbara.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3262</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Paul D. Barclay, "Kondo the Barbarian: A Japanese Adventurer and Indigenous Taiwan's Bloodiest Uprising" (Eastbridge Books, 2023)</title>
      <description>Kondo the Barbarian: A Japanese Adventurer and Indigenous Taiwan's Bloodiest Uprising (Eastbridge Books, 2023) is a gripping and revealing account of the colonial Japanese era in Taiwan, focusing on the Musha Rebellion and its brutal suppression by the Japanese military. The book presents the translated account of Kondō Katsusaburō, a Japanese adventurer who married into an indigenous Taiwanese family. Kondō's journals offer an intimate and personal perspective on the events, though they can also be unreliable and prone to sensationalism.
To help readers navigate Kondō's account, Barclay has provided a deeply-researched introduction, extensive notes, and context essential to understanding what really happened during the Musha Rebellion. The book sheds light on the cultural clashes and sporadic violence that characterized Taiwan during this period. Through the writing of Kondō, interpreted and contextualized by Barclay, readers gain insight into the complexities of colonialism, imperialism, and indigenous resistance.
The Musha Rebellion was a pivotal moment in the relationship between the indigenous people and the Japanese colonial government. In 1930, after years of oppression, the Seediq people of central Taiwan, led by Mona Rudao, attacked a gathering of Japanese people at a local school, slaughtering over one hundred men, women, and children. The Japanese military responded with overwhelming force, employing tactics including poison gas, artillery, and aerial bombardment to quell the rebellion.
Barclay's book offers a fresh and engaging perspective on a tragic chapter in Taiwan's past, and the notes and context provided help readers understand the complexities of the events. The book is an important addition to the growing body of literature on Taiwan's history, and it underscores the power of personal narratives to illuminate broader historical themes. Kondo the Barbarian is a must-read for anyone interested in the history of Taiwan, the contradictions of colonialism, and the challenges of interpreting personal accounts of historical events.
﻿Ran Zwigenberg is an associate professor at Pennsylvania State University.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 22 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>145</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Paul D. Barclay</itunes:subtitle>
      <itunes:summary>Kondo the Barbarian: A Japanese Adventurer and Indigenous Taiwan's Bloodiest Uprising (Eastbridge Books, 2023) is a gripping and revealing account of the colonial Japanese era in Taiwan, focusing on the Musha Rebellion and its brutal suppression by the Japanese military. The book presents the translated account of Kondō Katsusaburō, a Japanese adventurer who married into an indigenous Taiwanese family. Kondō's journals offer an intimate and personal perspective on the events, though they can also be unreliable and prone to sensationalism.
To help readers navigate Kondō's account, Barclay has provided a deeply-researched introduction, extensive notes, and context essential to understanding what really happened during the Musha Rebellion. The book sheds light on the cultural clashes and sporadic violence that characterized Taiwan during this period. Through the writing of Kondō, interpreted and contextualized by Barclay, readers gain insight into the complexities of colonialism, imperialism, and indigenous resistance.
The Musha Rebellion was a pivotal moment in the relationship between the indigenous people and the Japanese colonial government. In 1930, after years of oppression, the Seediq people of central Taiwan, led by Mona Rudao, attacked a gathering of Japanese people at a local school, slaughtering over one hundred men, women, and children. The Japanese military responded with overwhelming force, employing tactics including poison gas, artillery, and aerial bombardment to quell the rebellion.
Barclay's book offers a fresh and engaging perspective on a tragic chapter in Taiwan's past, and the notes and context provided help readers understand the complexities of the events. The book is an important addition to the growing body of literature on Taiwan's history, and it underscores the power of personal narratives to illuminate broader historical themes. Kondo the Barbarian is a must-read for anyone interested in the history of Taiwan, the contradictions of colonialism, and the challenges of interpreting personal accounts of historical events.
﻿Ran Zwigenberg is an associate professor at Pennsylvania State University.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781788692823"><em>Kondo the Barbarian: A Japanese Adventurer and Indigenous Taiwan's Bloodiest Uprising</em> </a>(Eastbridge Books, 2023) is a gripping and revealing account of the colonial Japanese era in Taiwan, focusing on the Musha Rebellion and its brutal suppression by the Japanese military. The book presents the translated account of Kondō Katsusaburō, a Japanese adventurer who married into an indigenous Taiwanese family. Kondō's journals offer an intimate and personal perspective on the events, though they can also be unreliable and prone to sensationalism.</p><p>To help readers navigate Kondō's account, Barclay has provided a deeply-researched introduction, extensive notes, and context essential to understanding what really happened during the Musha Rebellion. The book sheds light on the cultural clashes and sporadic violence that characterized Taiwan during this period. Through the writing of Kondō, interpreted and contextualized by Barclay, readers gain insight into the complexities of colonialism, imperialism, and indigenous resistance.</p><p>The Musha Rebellion was a pivotal moment in the relationship between the indigenous people and the Japanese colonial government. In 1930, after years of oppression, the Seediq people of central Taiwan, led by Mona Rudao, attacked a gathering of Japanese people at a local school, slaughtering over one hundred men, women, and children. The Japanese military responded with overwhelming force, employing tactics including poison gas, artillery, and aerial bombardment to quell the rebellion.</p><p>Barclay's book offers a fresh and engaging perspective on a tragic chapter in Taiwan's past, and the notes and context provided help readers understand the complexities of the events. The book is an important addition to the growing body of literature on Taiwan's history, and it underscores the power of personal narratives to illuminate broader historical themes. <em>Kondo the Barbarian</em> is a must-read for anyone interested in the history of Taiwan, the contradictions of colonialism, and the challenges of interpreting personal accounts of historical events.</p><p><em>﻿</em><a href="https://sites.psu.edu/zwigenberg/"><em>Ran Zwigenberg</em></a><em> is an associate professor at Pennsylvania State University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3550</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Comics Journalism in Taiwan: The Reporter File</title>
      <description>This episode’s host, Adina Zemanek, invited Sherry Lee, Chief Operating Officer and Deputy CEO of the non-profit, independent media organization The Reporter, for a conversation on a recent graphic journalism series, The Reporter File. We talked about what inspired the inauguration of this series and its role alongside traditional news reporting, the characteristics of these graphic narratives, pathways for establishing collaboration with the publisher of the print edition and with comics artists, other works of comics journalism published by The Reporter, and further plans.
The two graphic narratives can be accessed at the following links: 留學黑工/Study Abroad Illegal Workers (volume 1, 2022) and 神木下的罪行/Crime Under the Sacred Trees (volume 2, 2023).
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 13 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>18</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>A Book Chat with Sherry Lee</itunes:subtitle>
      <itunes:summary>This episode’s host, Adina Zemanek, invited Sherry Lee, Chief Operating Officer and Deputy CEO of the non-profit, independent media organization The Reporter, for a conversation on a recent graphic journalism series, The Reporter File. We talked about what inspired the inauguration of this series and its role alongside traditional news reporting, the characteristics of these graphic narratives, pathways for establishing collaboration with the publisher of the print edition and with comics artists, other works of comics journalism published by The Reporter, and further plans.
The two graphic narratives can be accessed at the following links: 留學黑工/Study Abroad Illegal Workers (volume 1, 2022) and 神木下的罪行/Crime Under the Sacred Trees (volume 2, 2023).
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode’s host, Adina Zemanek, invited Sherry Lee, Chief Operating Officer and Deputy CEO of the non-profit, independent media organization The Reporter, for a conversation on a recent graphic journalism series, <a href="https://www.twreporter.org/a/bookreview-the-reporter-file-1"><em>The Reporter File</em></a>. We talked about what inspired the inauguration of this series and its role alongside traditional news reporting, the characteristics of these graphic narratives, pathways for establishing collaboration with the publisher of the print edition and with comics artists, other works of comics journalism published by The Reporter, and further plans.</p><p>The two graphic narratives can be accessed at the following links: <a href="https://www.twreporter.org/a/uganda-students-in-taiwan-become-cheap-labors-comic">留學黑工/<em>Study Abroad Illegal Workers</em></a> (volume 1, 2022) and <a href="https://www.twreporter.org/a/illegal-logging-comic">神木下的罪行/<em>Crime Under the Sacred Trees</em></a> (volume 2, 2023).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1885</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Wayne Soon, "Global Medicine in China: A Diasporic History" (Stanford UP, 2020)</title>
      <description>Today I talked to Wayne Soon about his book Global Medicine in China: A Diasporic History (Stanford UP, 2020).
In 1938, one year into the Second Sino-Japanese War, the Chinese military found itself in dire medical straits. Soldiers were suffering from deadly illnesses, and were unable to receive blood transfusions for their wounds. The urgent need for medical assistance prompted an unprecedented flowering of scientific knowledge in China and Taiwan throughout the twentieth century. Wayne Soon draws on archives from three continents to argue that Overseas Chinese were key to this development, utilizing their global connections and diasporic links to procure much-needed money, supplies, and medical expertise. The remarkable expansion of care and education that they spurred saved more than four million lives and trained more than fifteen thousand medical personnel. Moreover, the introduction of military medicine shifted biomedicine out of elite, urban civilian institutions and laboratories and transformed it into an adaptive field-based practice for all. Universal care, practical medical education, and mobile medicine are all lasting legacies of this effort.
Wayne Soon is an Associate Professor in the Program of the History of Medicine in the Department of Surgery and the Program of History of Science, Medicine, and Technology at the University of Minnesota. Dr. Soon is a historian of medicine as well as modern China and Taiwan, with an interest in how international ideas and practices of medicine, institutional building, and diaspora have shaped Chinese East Asia’s interaction with its people and the world in the twentieth century. He has published scholarly articles in Bulletin of the History of Medicine, Twentieth Century China, American Journal of Chinese Studies, and East Asian Science, Technology and Society: An International Journal.
Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 19 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>510</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Wayne Soon</itunes:subtitle>
      <itunes:summary>Today I talked to Wayne Soon about his book Global Medicine in China: A Diasporic History (Stanford UP, 2020).
In 1938, one year into the Second Sino-Japanese War, the Chinese military found itself in dire medical straits. Soldiers were suffering from deadly illnesses, and were unable to receive blood transfusions for their wounds. The urgent need for medical assistance prompted an unprecedented flowering of scientific knowledge in China and Taiwan throughout the twentieth century. Wayne Soon draws on archives from three continents to argue that Overseas Chinese were key to this development, utilizing their global connections and diasporic links to procure much-needed money, supplies, and medical expertise. The remarkable expansion of care and education that they spurred saved more than four million lives and trained more than fifteen thousand medical personnel. Moreover, the introduction of military medicine shifted biomedicine out of elite, urban civilian institutions and laboratories and transformed it into an adaptive field-based practice for all. Universal care, practical medical education, and mobile medicine are all lasting legacies of this effort.
Wayne Soon is an Associate Professor in the Program of the History of Medicine in the Department of Surgery and the Program of History of Science, Medicine, and Technology at the University of Minnesota. Dr. Soon is a historian of medicine as well as modern China and Taiwan, with an interest in how international ideas and practices of medicine, institutional building, and diaspora have shaped Chinese East Asia’s interaction with its people and the world in the twentieth century. He has published scholarly articles in Bulletin of the History of Medicine, Twentieth Century China, American Journal of Chinese Studies, and East Asian Science, Technology and Society: An International Journal.
Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Wayne Soon about his book <a href="https://bookshop.org/a/12343/9781503614000"><em>Global Medicine in China: A Diasporic History</em></a> (Stanford UP, 2020).</p><p>In 1938, one year into the Second Sino-Japanese War, the Chinese military found itself in dire medical straits. Soldiers were suffering from deadly illnesses, and were unable to receive blood transfusions for their wounds. The urgent need for medical assistance prompted an unprecedented flowering of scientific knowledge in China and Taiwan throughout the twentieth century. Wayne Soon draws on archives from three continents to argue that Overseas Chinese were key to this development, utilizing their global connections and diasporic links to procure much-needed money, supplies, and medical expertise. The remarkable expansion of care and education that they spurred saved more than four million lives and trained more than fifteen thousand medical personnel. Moreover, the introduction of military medicine shifted biomedicine out of elite, urban civilian institutions and laboratories and transformed it into an adaptive field-based practice for all. Universal care, practical medical education, and mobile medicine are all lasting legacies of this effort.</p><p><a href="https://cse.umn.edu/hstm/wayne-soon">Wayne Soon</a> is an Associate Professor in the Program of the History of Medicine in the Department of Surgery and the Program of History of Science, Medicine, and Technology at the University of Minnesota. Dr. Soon is a historian of medicine as well as modern China and Taiwan, with an interest in how international ideas and practices of medicine, institutional building, and diaspora have shaped Chinese East Asia’s interaction with its people and the world in the twentieth century. He has published scholarly articles in <em>Bulletin of the History of Medicine</em>, <em>Twentieth Century China</em>, <em>American Journal of Chinese Studies</em>, and <em>East Asian Science, Technology and Society: An International Journal</em>.</p><p><a href="https://lipingchen.com/index.html"><em>Li-Ping Chen</em></a><em> is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3911</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Tristan G. Brown, "Laws of the Land: Fengshui and the State in Qing Dynasty China" (Princeton UP, 2023)</title>
      <description>Welcome to another episode of New Books in Chinese Studies. I am your host, Julia Keblinska, and I am speaking today to Prof. Tristan Brown about his book, Laws of the Land: Fengshui and the State in Qing Dynasty China (Princeton UP, 2023). Brown’s book considers fengshui, that is, the knowledge of orienting structures, such as graves and houses, in accordance with well-established cosmological principles, as an administrative technology and language of power that was intrinsic to governance through the Qing legal code. Fengshui has long been dismissed as a “superstition” whose historical significance is limited to its obstruction of (narrowly) infrastructural development and (broadly) modernization. Laws of the Land instead pushes us to understand fengshui as a form of knowledge production that allowed the state to govern in an era of increasing resource scarcity and crisis. 
The book covers cases related to land use (and misuse) in relation to graves, examination success, and mining concerns. It introduces readers to a cast of claimants, defendants, and legal “experts,” including clerks who meticulously mapped conflicted landscapes and geomancers who gave evidence in court. In his analysis of fengshui and Qing dynastic collapse, Brown builds upon the work of other scholars who reject narratives of Chinese “reaction” to Western influence and incursion; he posits instead the legal system’s entanglement with fengshui shows a vibrant interaction of various epistemological systems. I am very much looking forward to my conversation with Prof. Brown about the “life and death of Qing landscape.”
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 11 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>79</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Tristan G. Brown</itunes:subtitle>
      <itunes:summary>Welcome to another episode of New Books in Chinese Studies. I am your host, Julia Keblinska, and I am speaking today to Prof. Tristan Brown about his book, Laws of the Land: Fengshui and the State in Qing Dynasty China (Princeton UP, 2023). Brown’s book considers fengshui, that is, the knowledge of orienting structures, such as graves and houses, in accordance with well-established cosmological principles, as an administrative technology and language of power that was intrinsic to governance through the Qing legal code. Fengshui has long been dismissed as a “superstition” whose historical significance is limited to its obstruction of (narrowly) infrastructural development and (broadly) modernization. Laws of the Land instead pushes us to understand fengshui as a form of knowledge production that allowed the state to govern in an era of increasing resource scarcity and crisis. 
The book covers cases related to land use (and misuse) in relation to graves, examination success, and mining concerns. It introduces readers to a cast of claimants, defendants, and legal “experts,” including clerks who meticulously mapped conflicted landscapes and geomancers who gave evidence in court. In his analysis of fengshui and Qing dynastic collapse, Brown builds upon the work of other scholars who reject narratives of Chinese “reaction” to Western influence and incursion; he posits instead the legal system’s entanglement with fengshui shows a vibrant interaction of various epistemological systems. I am very much looking forward to my conversation with Prof. Brown about the “life and death of Qing landscape.”
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Welcome to another episode of New Books in Chinese Studies. I am your host, Julia Keblinska, and I am speaking today to Prof. Tristan Brown about his book, <a href="https://bookshop.org/a/12343/9780691246734"><em>Laws of the Land: Fengshui and the State in Qing Dynasty China</em></a><em> </em>(Princeton UP, 2023). Brown’s book considers fengshui, that is, the knowledge of orienting structures, such as graves and houses, in accordance with well-established cosmological principles, as an administrative technology and language of power that was intrinsic to governance through the Qing legal code. Fengshui has long been dismissed as a “superstition” whose historical significance is limited to its obstruction of (narrowly) infrastructural development and (broadly) modernization. <em>Laws of the Land</em> instead pushes us to understand fengshui as a form of knowledge production that allowed the state to govern in an era of increasing resource scarcity and crisis. </p><p>The book covers cases related to land use (and misuse) in relation to graves, examination success, and mining concerns. It introduces readers to a cast of claimants, defendants, and legal “experts,” including clerks who meticulously mapped conflicted landscapes and geomancers who gave evidence in court. In his analysis of fengshui and Qing dynastic collapse, Brown builds upon the work of other scholars who reject narratives of Chinese “reaction” to Western influence and incursion; he posits instead the legal system’s entanglement with fengshui shows a vibrant interaction of various epistemological systems. I am very much looking forward to my conversation with Prof. Brown about the “life and death of Qing landscape.”</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3463</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Humanitarian Issues of Immigration in Japan: From Historical Background to Current Policies</title>
      <description>Japan has historically maintained extended periods of isolationist policies and continues to uphold some of the strictest immigration laws in the world today. The country has also long had a tumultuous relationship with non-ethnic Japanese residents, including Taiwanese and Korean nationals who were first forced to become Japanese citizens under imperialist rule, only to be deprived of their statuses after Japan formally lost its colonies. More recently, foreign nationals seeking employment and residency have been effectively disallowed from acquiring long-term working visas, while many others have unsuccessfully sought asylum, with tragic consequences. 
Listen to Dr. Sara Park and Dr. Yoko Demelius discuss the historical background and current developments that have shaped the current state of immigration policies in Japan. While difficulties faced by the diverse group of non-ethnic Japanese immigrants and residents vary, the researchers make clear that they are treated with a persistent and pervasive lack of humanitarian consideration by the Japanese state.
Dr. Yoko Demelius is a senior researcher at the Centre for East Asian Studies at the University of Turku. Dr. Sara Park is a university lecturer at the Department of Cultures in the Faculty of Arts at the University of Helsinki.
The film mentioned in the episode is “We are Humans!” (2022) directed by Ko Chan-yoo.
The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo.
We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 08 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>206</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An discussion with Yoko Demelius and Sara Park</itunes:subtitle>
      <itunes:summary>Japan has historically maintained extended periods of isolationist policies and continues to uphold some of the strictest immigration laws in the world today. The country has also long had a tumultuous relationship with non-ethnic Japanese residents, including Taiwanese and Korean nationals who were first forced to become Japanese citizens under imperialist rule, only to be deprived of their statuses after Japan formally lost its colonies. More recently, foreign nationals seeking employment and residency have been effectively disallowed from acquiring long-term working visas, while many others have unsuccessfully sought asylum, with tragic consequences. 
Listen to Dr. Sara Park and Dr. Yoko Demelius discuss the historical background and current developments that have shaped the current state of immigration policies in Japan. While difficulties faced by the diverse group of non-ethnic Japanese immigrants and residents vary, the researchers make clear that they are treated with a persistent and pervasive lack of humanitarian consideration by the Japanese state.
Dr. Yoko Demelius is a senior researcher at the Centre for East Asian Studies at the University of Turku. Dr. Sara Park is a university lecturer at the Department of Cultures in the Faculty of Arts at the University of Helsinki.
The film mentioned in the episode is “We are Humans!” (2022) directed by Ko Chan-yoo.
The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo.
We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Japan has historically maintained extended periods of isolationist policies and continues to uphold some of the strictest immigration laws in the world today. The country has also long had a tumultuous relationship with non-ethnic Japanese residents, including Taiwanese and Korean nationals who were first forced to become Japanese citizens under imperialist rule, only to be deprived of their statuses after Japan formally lost its colonies. More recently, foreign nationals seeking employment and residency have been effectively disallowed from acquiring long-term working visas, while many others have unsuccessfully sought asylum, with tragic consequences. </p><p>Listen to Dr. Sara Park and Dr. Yoko Demelius discuss the historical background and current developments that have shaped the current state of immigration policies in Japan. While difficulties faced by the diverse group of non-ethnic Japanese immigrants and residents vary, the researchers make clear that they are treated with a persistent and pervasive lack of humanitarian consideration by the Japanese state.</p><p>Dr. Yoko Demelius is a senior researcher at the Centre for East Asian Studies at the University of Turku. Dr. Sara Park is a university lecturer at the Department of Cultures in the Faculty of Arts at the University of Helsinki.</p><p>The film mentioned in the episode is “We are Humans!” (2022) directed by Ko Chan-yoo.</p><p>The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo.</p><p>We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1648</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Book Chat: Eco-translation from Taiwan and Wu Ming-yi’s The Stolen Bicycle 單車失竊記, with Darryl Sterk</title>
      <description>In this episode, our host, Ti-han, invited Dr Darryl Sterk, a Canadian eco-translator who is now based in Lingnan University in Hong Kong and dedicated his work in Taiwanese eco-literature and translation. In our conversation, Darryl told us how he ends up choosing a career path for eco-translation and how he defines “eco-translation” in his own way. He also shared with us his translation experience more in details by drawing reference to Wu Ming-yi’s The Stolen Bicycle. Furthermore, facing challenges of AI (artificial intelligence) in the field of translation, Darryl also chatted with us what kind of unique feature that human translators can offer but a machine is unable to provide so far.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 02 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode, our host, Ti-han, invited Dr Darryl Sterk, a Canadian eco-translator who is now based in Lingnan University in Hong Kong and dedicated his work in Taiwanese eco-literature and translation. In our conversation, Darryl told us how he ends up choosing a career path for eco-translation and how he defines “eco-translation” in his own way. He also shared with us his translation experience more in details by drawing reference to Wu Ming-yi’s The Stolen Bicycle. Furthermore, facing challenges of AI (artificial intelligence) in the field of translation, Darryl also chatted with us what kind of unique feature that human translators can offer but a machine is unable to provide so far.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, our host, Ti-han, invited Dr Darryl Sterk, a Canadian eco-translator who is now based in Lingnan University in Hong Kong and dedicated his work in Taiwanese eco-literature and translation. In our conversation, Darryl told us how he ends up choosing a career path for eco-translation and how he defines “eco-translation” in his own way. He also shared with us his translation experience more in details by drawing reference to Wu Ming-yi’s <a href="https://www.amazon.com/Stolen-Bicycle-Ming-Yi-Wu/dp/1925498557"><em>The Stolen Bicycle</em></a>. Furthermore, facing challenges of AI (artificial intelligence) in the field of translation, Darryl also chatted with us what kind of unique feature that human translators can offer but a machine is unable to provide so far.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1933</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9389a0e0-bebf-11f0-9482-835744ed3574]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5000550801.mp3?updated=1701461655" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The Future of Crucial Materials: A Discussion with Ed Conway</title>
      <description>Sand, salt, iron, copper, oil, and lithium. These fundamental materials have created empires, razed civilizations, and fed our ingenuity and greed for thousands of years. Without them, our modern world would not exist, and the battle to control them will determine our future.
The fiber-optic cables that weave the World Wide Web, the copper veins of our electric grids, the silicon chips and lithium batteries that power our phones and cars: though it can feel like we now live in a weightless world of information—what Ed Conway, author of Material World: The Six Raw Materials That Shape Modern Civilization (Knopf, 2023)--calls “the ethereal world”—our twenty-first-century lives are still very much rooted in the material. Listen to him in conversation with Owen Bennett-Jones. 
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 09 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>85</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Sand, salt, iron, copper, oil, and lithium. These fundamental materials have created empires, razed civilizations, and fed our ingenuity and greed for thousands of years. Without them, our modern world would not exist, and the battle to control them will determine our future.
The fiber-optic cables that weave the World Wide Web, the copper veins of our electric grids, the silicon chips and lithium batteries that power our phones and cars: though it can feel like we now live in a weightless world of information—what Ed Conway, author of Material World: The Six Raw Materials That Shape Modern Civilization (Knopf, 2023)--calls “the ethereal world”—our twenty-first-century lives are still very much rooted in the material. Listen to him in conversation with Owen Bennett-Jones. 
Owen Bennett-Jones is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sand, salt, iron, copper, oil, and lithium. These fundamental materials have created empires, razed civilizations, and fed our ingenuity and greed for thousands of years. Without them, our modern world would not exist, and the battle to control them will determine our future.</p><p>The fiber-optic cables that weave the World Wide Web, the copper veins of our electric grids, the silicon chips and lithium batteries that power our phones and cars: though it can feel like we now live in a weightless world of information—what Ed Conway, author of <a href="https://bookshop.org/a/12343/9780593534342"><em>Material World: The Six Raw Materials That Shape Modern Civilization</em></a> (Knopf, 2023)--calls “the ethereal world”—our twenty-first-century lives are still very much rooted in the material. Listen to him in conversation with Owen Bennett-Jones. </p><p><a href="https://owenbennettjones.com/about/"><em>Owen Bennett-Jones</em></a><em> is a freelance journalist and writer. A former BBC correspondent and presenter he has been a resident foreign correspondent in Bucharest, Geneva, Islamabad, Hanoi and Beirut. He is recently wrote a history of the Bhutto dynasty which was published by Yale University Press.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2966</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Wu Jieh-min, "Rival Partners: How Taiwanese Entrepreneurs and Guangdong Officials Forged the China Development Model" (Harvard UP, 2022)</title>
      <description>Taiwan has been depicted as an island facing the incessant threat of forcible unification with the People’s Republic of China. Why, then, has Taiwan spent more than three decades pouring capital and talent into China?
In Rival Partners: How Taiwanese Entrepreneurs and Guangdong Officials Forged the China Development Model (Harvard UP, 2022), Wu Jieh-min follows the development of Taiwanese enterprises in China over twenty-five years and provides fresh insights. The geopolitical shift in Asia beginning in the 1970s and the global restructuring of value chains since the 1980s created strong incentives for Taiwanese entrepreneurs to rush into China despite high political risks and insecure property rights. Taiwanese investment, in conjunction with Hong Kong capital, laid the foundation for the world’s factory to flourish in the southern province of Guangdong, but official Chinese narratives play down Taiwan’s vital contribution. It is hard to imagine the Guangdong model without Taiwanese investment, and, without the Guangdong model, China’s rise could not have occurred.
Going beyond the received wisdom of the “China miracle” and “Taiwan factor,” Wu delineates how Taiwanese businesspeople, with the cooperation of local officials, ushered global capitalism into China. By partnering with its political archrival, Taiwan has benefited enormously, while helping to cultivate an economic superpower that increasingly exerts its influence around the world.
This book is the winner of 2023 Global and Transnational Sociology Best Publication (Book) by an International Scholar Award, the American Sociological Association, 國科會111年度(2022) 傑出研究獎, 2020年第九屆中央研究院人文及社會科學學術性專書獎, 科技部2020最具影響 力研究專書(人文及社會科學領域), 2019年孫運璿學術獎最佳書籍.
Wu Jieh-min is a research fellow at the Institute of Sociology, Academia Sinica, Taiwan. Stacy Mosher is a translator and editor based in Brooklyn.
Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 09 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>507</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Wu Jieh-min</itunes:subtitle>
      <itunes:summary>Taiwan has been depicted as an island facing the incessant threat of forcible unification with the People’s Republic of China. Why, then, has Taiwan spent more than three decades pouring capital and talent into China?
In Rival Partners: How Taiwanese Entrepreneurs and Guangdong Officials Forged the China Development Model (Harvard UP, 2022), Wu Jieh-min follows the development of Taiwanese enterprises in China over twenty-five years and provides fresh insights. The geopolitical shift in Asia beginning in the 1970s and the global restructuring of value chains since the 1980s created strong incentives for Taiwanese entrepreneurs to rush into China despite high political risks and insecure property rights. Taiwanese investment, in conjunction with Hong Kong capital, laid the foundation for the world’s factory to flourish in the southern province of Guangdong, but official Chinese narratives play down Taiwan’s vital contribution. It is hard to imagine the Guangdong model without Taiwanese investment, and, without the Guangdong model, China’s rise could not have occurred.
Going beyond the received wisdom of the “China miracle” and “Taiwan factor,” Wu delineates how Taiwanese businesspeople, with the cooperation of local officials, ushered global capitalism into China. By partnering with its political archrival, Taiwan has benefited enormously, while helping to cultivate an economic superpower that increasingly exerts its influence around the world.
This book is the winner of 2023 Global and Transnational Sociology Best Publication (Book) by an International Scholar Award, the American Sociological Association, 國科會111年度(2022) 傑出研究獎, 2020年第九屆中央研究院人文及社會科學學術性專書獎, 科技部2020最具影響 力研究專書(人文及社會科學領域), 2019年孫運璿學術獎最佳書籍.
Wu Jieh-min is a research fellow at the Institute of Sociology, Academia Sinica, Taiwan. Stacy Mosher is a translator and editor based in Brooklyn.
Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Taiwan has been depicted as an island facing the incessant threat of forcible unification with the People’s Republic of China. Why, then, has Taiwan spent more than three decades pouring capital and talent into China?</p><p>In<em> </em><a href="https://bookshop.org/a/12343/9780674278226"><em>Rival Partners: How Taiwanese Entrepreneurs and Guangdong Officials Forged the China Development Model</em> </a>(Harvard UP, 2022), Wu Jieh-min follows the development of Taiwanese enterprises in China over twenty-five years and provides fresh insights. The geopolitical shift in Asia beginning in the 1970s and the global restructuring of value chains since the 1980s created strong incentives for Taiwanese entrepreneurs to rush into China despite high political risks and insecure property rights. Taiwanese investment, in conjunction with Hong Kong capital, laid the foundation for the world’s factory to flourish in the southern province of Guangdong, but official Chinese narratives play down Taiwan’s vital contribution. It is hard to imagine the Guangdong model without Taiwanese investment, and, without the Guangdong model, China’s rise could not have occurred.</p><p>Going beyond the received wisdom of the “China miracle” and “Taiwan factor,” Wu delineates how Taiwanese businesspeople, with the cooperation of local officials, ushered global capitalism into China. By partnering with its political archrival, Taiwan has benefited enormously, while helping to cultivate an economic superpower that increasingly exerts its influence around the world.</p><p>This book is the winner of 2023 Global and Transnational Sociology Best Publication (Book) by an International Scholar Award, the American Sociological Association, 國科會111年度(2022) 傑出研究獎, 2020年第九屆中央研究院人文及社會科學學術性專書獎, 科技部2020最具影響 力研究專書(人文及社會科學領域), 2019年孫運璿學術獎最佳書籍.</p><p>Wu Jieh-min is a research fellow at the Institute of Sociology, Academia Sinica, Taiwan. Stacy Mosher is a translator and editor based in Brooklyn.</p><p><a href="https://lipingchen.com/index.html"><em>Li-Ping Chen</em></a><em> is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>Parks M. Coble, "The Collapse of Nationalist China: How Chiang Kai-shek Lost China's Civil War" (Cambridge UP, 2023)</title>
      <description>Parks M. Coble's book The Collapse of Nationalist China: How Chiang Kai-shek Lost China's Civil War (Cambridge UP, 2023) revisits one of the most stunning political collapses of the twentieth century. When Japan surrendered in September 1945, Chiang Kai-shek seemed triumphant—one of the Big Four Allied leaders of the war and head of a government firmly allied with the United States. Yet less than four years later he would be forced into a humiliating exile in Taiwan. It has long been recognized that hyperinflation was a critical factor in this collapse. As revenues plummeted during the war against Japan, Chiang’s government simply printed currency to cover its debts resulting in rapid inflation. When World War II ended it was assumed that with eastern China returned, ports opened, and financial support from the U.S. assured, the currency could be stabilized. But in fact, Chiang was obsessed with defeating the communists and the printing presses accelerated the production of banknotes which rapidly lost value.
Why didn’t the nationalist government tackle the issue of hyperinflation before it was too late? The fundamental flaw of the Chiang government was that he centralized all authority in his own hands and established overlapping and competing agencies. This approach fostered bureaucratic infighting which he alone could resolve. In the financial realm the competing elements were within his wife’s family, her brother T. V. Soong (Song Ziwen) and brother-in-law H. H Kung (Kong Xiangxi). The new archival records reveal a bitter and often very petty rivalry between the two men that started in the 1930s and continued even after they were in exile in the United States after 1949.
The tragedy for China was that both men ultimately bent to Chiang’s wishes to provide money and suppressed any effort to alter the policy. T. V. Soong especially recognized the dangers of the inflationary policy, but his ambition and jealousy of his brother-in-law led him to cave when under pressure to produce more currency. Records in the Hoover Archives show how little understanding Chiang had of finance and how little interest he had dealing with it. The structure of the Chiang government meant that almost nothing could be done without sustained attention from the leader. Thus in 1947 when the collapse of the fabi (legal tender) currency was imminent, Chiang waited a year before authorizing a replacement currency, the disastrous gold yuan. My study suggests that the most important factor in the collapse of the Chiang government was its organization as an authoritarian system designed for control but ineffective at getting things done.
Parks M. Coble is the James L. Sellers Professor of History at the University of Nebraska-Lincoln.
Dong Wang is collection editor of Asian Studies books at Lived Places Publishing (New York &amp; the UK), H-Diplo review editor, incoming visiting fellow at Freie Universität Berlin, research associate at Harvard Fairbank Center (since 2002), a member of the Royal Institute of International Affairs, director of the Wellington Koo Institute for Modern China in World History (Germany &amp; USA), and an elected Fellow of the Royal Asiatic Society of Great Britain and Ireland.
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      <pubDate>Sat, 14 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>72</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Parks M. Coble</itunes:subtitle>
      <itunes:summary>Parks M. Coble's book The Collapse of Nationalist China: How Chiang Kai-shek Lost China's Civil War (Cambridge UP, 2023) revisits one of the most stunning political collapses of the twentieth century. When Japan surrendered in September 1945, Chiang Kai-shek seemed triumphant—one of the Big Four Allied leaders of the war and head of a government firmly allied with the United States. Yet less than four years later he would be forced into a humiliating exile in Taiwan. It has long been recognized that hyperinflation was a critical factor in this collapse. As revenues plummeted during the war against Japan, Chiang’s government simply printed currency to cover its debts resulting in rapid inflation. When World War II ended it was assumed that with eastern China returned, ports opened, and financial support from the U.S. assured, the currency could be stabilized. But in fact, Chiang was obsessed with defeating the communists and the printing presses accelerated the production of banknotes which rapidly lost value.
Why didn’t the nationalist government tackle the issue of hyperinflation before it was too late? The fundamental flaw of the Chiang government was that he centralized all authority in his own hands and established overlapping and competing agencies. This approach fostered bureaucratic infighting which he alone could resolve. In the financial realm the competing elements were within his wife’s family, her brother T. V. Soong (Song Ziwen) and brother-in-law H. H Kung (Kong Xiangxi). The new archival records reveal a bitter and often very petty rivalry between the two men that started in the 1930s and continued even after they were in exile in the United States after 1949.
The tragedy for China was that both men ultimately bent to Chiang’s wishes to provide money and suppressed any effort to alter the policy. T. V. Soong especially recognized the dangers of the inflationary policy, but his ambition and jealousy of his brother-in-law led him to cave when under pressure to produce more currency. Records in the Hoover Archives show how little understanding Chiang had of finance and how little interest he had dealing with it. The structure of the Chiang government meant that almost nothing could be done without sustained attention from the leader. Thus in 1947 when the collapse of the fabi (legal tender) currency was imminent, Chiang waited a year before authorizing a replacement currency, the disastrous gold yuan. My study suggests that the most important factor in the collapse of the Chiang government was its organization as an authoritarian system designed for control but ineffective at getting things done.
Parks M. Coble is the James L. Sellers Professor of History at the University of Nebraska-Lincoln.
Dong Wang is collection editor of Asian Studies books at Lived Places Publishing (New York &amp; the UK), H-Diplo review editor, incoming visiting fellow at Freie Universität Berlin, research associate at Harvard Fairbank Center (since 2002), a member of the Royal Institute of International Affairs, director of the Wellington Koo Institute for Modern China in World History (Germany &amp; USA), and an elected Fellow of the Royal Asiatic Society of Great Britain and Ireland.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Parks M. Coble's book<em> </em><a href="https://bookshop.org/a/12343/9781009297615"><em>The Collapse of Nationalist China: How Chiang Kai-shek Lost China's Civil War</em></a> (Cambridge UP, 2023) revisits one of the most stunning political collapses of the twentieth century. When Japan surrendered in September 1945, Chiang Kai-shek seemed triumphant—one of the Big Four Allied leaders of the war and head of a government firmly allied with the United States. Yet less than four years later he would be forced into a humiliating exile in Taiwan. It has long been recognized that hyperinflation was a critical factor in this collapse. As revenues plummeted during the war against Japan, Chiang’s government simply printed currency to cover its debts resulting in rapid inflation. When World War II ended it was assumed that with eastern China returned, ports opened, and financial support from the U.S. assured, the currency could be stabilized. But in fact, Chiang was obsessed with defeating the communists and the printing presses accelerated the production of banknotes which rapidly lost value.</p><p>Why didn’t the nationalist government tackle the issue of hyperinflation before it was too late? The fundamental flaw of the Chiang government was that he centralized all authority in his own hands and established overlapping and competing agencies. This approach fostered bureaucratic infighting which he alone could resolve. In the financial realm the competing elements were within his wife’s family, her brother T. V. Soong (Song Ziwen) and brother-in-law H. H Kung (Kong Xiangxi). The new archival records reveal a bitter and often very petty rivalry between the two men that started in the 1930s and continued even after they were in exile in the United States after 1949.</p><p>The tragedy for China was that both men ultimately bent to Chiang’s wishes to provide money and suppressed any effort to alter the policy. T. V. Soong especially recognized the dangers of the inflationary policy, but his ambition and jealousy of his brother-in-law led him to cave when under pressure to produce more currency. Records in the Hoover Archives show how little understanding Chiang had of finance and how little interest he had dealing with it. The structure of the Chiang government meant that almost nothing could be done without sustained attention from the leader. Thus in 1947 when the collapse of the fabi (legal tender) currency was imminent, Chiang waited a year before authorizing a replacement currency, the disastrous gold yuan. My study suggests that the most important factor in the collapse of the Chiang government was its organization as an authoritarian system designed for control but ineffective at getting things done.</p><p><a href="https://history.unl.edu/parks-coble">Parks M. Coble</a> is the James L. Sellers Professor of History at the University of Nebraska-Lincoln.</p><p><em>Dong Wang is collection editor of Asian Studies books at </em><a href="https://livedplacespublishing.com/page/asian-studies"><em>Lived Places Publishing</em></a><em> (New York &amp; the UK), H-Diplo review editor, incoming visiting fellow at Freie Universität Berlin, research associate at Harvard Fairbank Center (since 2002), a member of the Royal Institute of International Affairs, director of the Wellington Koo Institute for Modern China in World History (Germany &amp; USA), and an elected Fellow of the Royal Asiatic Society of Great Britain and Ireland.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>Angelina Chin, "Unsettling Exiles: Chinese Migrants in Hong Kong and the Southern Periphery During the Cold War" (Columbia UP, 2023)</title>
      <description>The conventional story of Hong Kong celebrates the people who fled the mainland in the wake of the establishment of the People’s Republic of China in 1949. In this telling, migrants thrived under British colonial rule, transforming Hong Kong into a cosmopolitan city and an industrial and financial hub. Unsettling Exiles: Chinese Migrants in Hong Kong and the Southern Periphery During the Cold War (Columbia UP, 2023) recasts identity formation in Hong Kong, demonstrating that the complexities of crossing borders shaped the city’s uneasy place in the Sinophone world.
Angelina Y. Chin foregrounds the experiences of the many people who passed through Hong Kong without settling down or finding a sense of belonging, including refugees, deportees, “undesirable” residents, and members of sea communities. She emphasizes that flows of people did not stop at Hong Kong’s borders but also bled into neighboring territories such as Taiwan and Macau. Chin develops the concept of the “Southern Periphery”—the region along the southern frontier of the PRC, outside its administrative control yet closely tied to its political space. Both the PRC and governments in the Southern Periphery implemented strict migration and deportation policies in pursuit of border control, with profound consequences for people in transit. Chin argues that Hong Kong identity emerged from the collective trauma of exile and dislocation, as well as a sense of being on the margins of both the Communist and Nationalist Chinese regimes during the Cold War. Drawing on wide-ranging research, Unsettling Exiles sheds new light on Hong Kong’s ambivalent relationship to the mainland, its role in the global Cold War, and the origins of today’s political currents.
Angelina Y. Chin is associate professor of history at Pomona College. She is the author of Bound to Emancipate: Working Women and Urban Citizenship in Early Twentieth-Century China and Hong Kong (2012).
Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 05 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>505</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Angelina Chin</itunes:subtitle>
      <itunes:summary>The conventional story of Hong Kong celebrates the people who fled the mainland in the wake of the establishment of the People’s Republic of China in 1949. In this telling, migrants thrived under British colonial rule, transforming Hong Kong into a cosmopolitan city and an industrial and financial hub. Unsettling Exiles: Chinese Migrants in Hong Kong and the Southern Periphery During the Cold War (Columbia UP, 2023) recasts identity formation in Hong Kong, demonstrating that the complexities of crossing borders shaped the city’s uneasy place in the Sinophone world.
Angelina Y. Chin foregrounds the experiences of the many people who passed through Hong Kong without settling down or finding a sense of belonging, including refugees, deportees, “undesirable” residents, and members of sea communities. She emphasizes that flows of people did not stop at Hong Kong’s borders but also bled into neighboring territories such as Taiwan and Macau. Chin develops the concept of the “Southern Periphery”—the region along the southern frontier of the PRC, outside its administrative control yet closely tied to its political space. Both the PRC and governments in the Southern Periphery implemented strict migration and deportation policies in pursuit of border control, with profound consequences for people in transit. Chin argues that Hong Kong identity emerged from the collective trauma of exile and dislocation, as well as a sense of being on the margins of both the Communist and Nationalist Chinese regimes during the Cold War. Drawing on wide-ranging research, Unsettling Exiles sheds new light on Hong Kong’s ambivalent relationship to the mainland, its role in the global Cold War, and the origins of today’s political currents.
Angelina Y. Chin is associate professor of history at Pomona College. She is the author of Bound to Emancipate: Working Women and Urban Citizenship in Early Twentieth-Century China and Hong Kong (2012).
Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The conventional story of Hong Kong celebrates the people who fled the mainland in the wake of the establishment of the People’s Republic of China in 1949. In this telling, migrants thrived under British colonial rule, transforming Hong Kong into a cosmopolitan city and an industrial and financial hub. <a href="https://bookshop.org/a/12343/9780231209991"><em>Unsettling Exiles: Chinese Migrants in Hong Kong and the Southern Periphery During the Cold War</em></a><em> </em>(Columbia UP, 2023) recasts identity formation in Hong Kong, demonstrating that the complexities of crossing borders shaped the city’s uneasy place in the Sinophone world.</p><p>Angelina Y. Chin foregrounds the experiences of the many people who passed through Hong Kong without settling down or finding a sense of belonging, including refugees, deportees, “undesirable” residents, and members of sea communities. She emphasizes that flows of people did not stop at Hong Kong’s borders but also bled into neighboring territories such as Taiwan and Macau. Chin develops the concept of the “Southern Periphery”—the region along the southern frontier of the PRC, outside its administrative control yet closely tied to its political space. Both the PRC and governments in the Southern Periphery implemented strict migration and deportation policies in pursuit of border control, with profound consequences for people in transit. Chin argues that Hong Kong identity emerged from the collective trauma of exile and dislocation, as well as a sense of being on the margins of both the Communist and Nationalist Chinese regimes during the Cold War. Drawing on wide-ranging research, <em>Unsettling Exiles </em>sheds new light on Hong Kong’s ambivalent relationship to the mainland, its role in the global Cold War, and the origins of today’s political currents.</p><p>Angelina Y. Chin is associate professor of history at Pomona College. She is the author of <em>Bound to Emancipate: Working Women and Urban Citizenship in Early Twentieth-Century China and Hong Kong </em>(2012).</p><p><em>Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>Tingting Hu, "Victims, Perpetrators and Professionals: The Representation of Women in Chinese Crime Films" (Liverpool UP, 2021)</title>
      <description>How are women represented in Chinese crime films? In what ways do the representation reflect traditional Chinese values and contemporary Chinese social-cultural norms? How did boys’ love culture emerge in China? What is the role of the Chinese state in queer media production and queer culture in China? In a conversation with Joanne Kuai, PhD candidate at Karlstad University, Sweden, and an affiliated PhD student at NIAS, Tingting Hu talked about her book Victims, Perpetrators and Professionals: The Representation of Women in Chinese Crime Films and her latest research on A Transmedia ‘Third’ Space: The Counterculture of Chinese Boys’ Love Audio Dramas.
Tingting Hu is an Assistant Professor at the Department of Media and Communication, Xi’an Jiaotong Liverpool University. Her research interest lies in the articulation of film, media and cultural studies with feminist theories, and transmedia studies in various social and cultural contexts. You can connect with Tingting at tingting.hu_academic@hotmail.com.
Victims, Perpetrators and Professionals examines the representation of women in relation to violence in Chinese crime films made on the mainland, and in Hong Kong and Taiwan. It introduces a new trajectory in the investigation of the cinematic representation of female figures in relation to gender issues by interweaving Western feminist and postfeminist critiques with traditional Chinese sociocultural discourse.
The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University. We aim to produce timely, topical, and well-edited discussions of new research and developments about Asia.
About NIAS: http://www.nias.ku.dk/
Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 09 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>197</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Tingting Hu</itunes:subtitle>
      <itunes:summary>How are women represented in Chinese crime films? In what ways do the representation reflect traditional Chinese values and contemporary Chinese social-cultural norms? How did boys’ love culture emerge in China? What is the role of the Chinese state in queer media production and queer culture in China? In a conversation with Joanne Kuai, PhD candidate at Karlstad University, Sweden, and an affiliated PhD student at NIAS, Tingting Hu talked about her book Victims, Perpetrators and Professionals: The Representation of Women in Chinese Crime Films and her latest research on A Transmedia ‘Third’ Space: The Counterculture of Chinese Boys’ Love Audio Dramas.
Tingting Hu is an Assistant Professor at the Department of Media and Communication, Xi’an Jiaotong Liverpool University. Her research interest lies in the articulation of film, media and cultural studies with feminist theories, and transmedia studies in various social and cultural contexts. You can connect with Tingting at tingting.hu_academic@hotmail.com.
Victims, Perpetrators and Professionals examines the representation of women in relation to violence in Chinese crime films made on the mainland, and in Hong Kong and Taiwan. It introduces a new trajectory in the investigation of the cinematic representation of female figures in relation to gender issues by interweaving Western feminist and postfeminist critiques with traditional Chinese sociocultural discourse.
The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University. We aim to produce timely, topical, and well-edited discussions of new research and developments about Asia.
About NIAS: http://www.nias.ku.dk/
Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How are women represented in Chinese crime films? In what ways do the representation reflect traditional Chinese values and contemporary Chinese social-cultural norms? How did boys’ love culture emerge in China? What is the role of the Chinese state in queer media production and queer culture in China? In a conversation with <a href="https://www.kau.se/en/researchers/joanne-kuai">Joanne Kuai</a>, PhD candidate at Karlstad University, Sweden, and an affiliated PhD student at NIAS, <a href="https://www.xjtlu.edu.cn/zh/study/departments/academic-departments/media-and-communication/department-staff/academic-staff/staff/tingting-hu">Tingting Hu</a> talked about her book <a href="https://www.liverpooluniversitypress.co.uk/doi/book/10.3828/9781789760927"><em>Victims, Perpetrators and Professionals: The Representation of Women in Chinese Crime Films</em></a> and her latest research on <a href="https://www.tandfonline.com/doi/abs/10.1080/10357823.2023.2211223"><em>A Transmedia ‘Third’ Space: The Counterculture of Chinese Boys’ Love Audio Dramas</em></a><em>.</em></p><p>Tingting Hu is an Assistant Professor at the Department of Media and Communication, Xi’an Jiaotong Liverpool University. Her research interest lies in the articulation of film, media and cultural studies with feminist theories, and transmedia studies in various social and cultural contexts. You can connect with Tingting at <a href="mailto:tingting.hu_academic@hotmail.com">tingting.hu_academic@hotmail.com</a>.</p><p><em>Victims, Perpetrators and Professionals</em> examines the representation of women in relation to violence in Chinese crime films made on the mainland, and in Hong Kong and Taiwan. It introduces a new trajectory in the investigation of the cinematic representation of female figures in relation to gender issues by interweaving Western feminist and postfeminist critiques with traditional Chinese sociocultural discourse.</p><p>The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, Asianettverket at the University of Oslo, and the Stockholm Centre for Global Asia at Stockholm University. We aim to produce timely, topical, and well-edited discussions of new research and developments about Asia.</p><p>About NIAS: <a href="http://www.nias.ku.dk/">http://www.nias.ku.dk/</a></p><p>Transcripts of the Nordic Asia Podcasts: <a href="http://www.nias.ku.dk/nordic-asia-podcast">http://www.nias.ku.dk/nordic-asia-podcast</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1987</itunes:duration>
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      <title>Beth Tsai, "Taiwan New Cinema at Film Festivals" (Edinburgh UP, 2023)</title>
      <description>Taiwan New Cinema (first wave, 1982–1989; second wave, 1990 onward) has a unique history regarding film festivals, particularly in the way these films are circulated at major European film festivals. It shares a common formalist concern about cinematic modernism with its Western counterparts, departing from previous modes of filmmaking that were preoccupied with nostalgically romanticizing China’s image.
Through utilising in-depth case studies of films by Taiwan-based directors: Tsai Ming-liang, Zhao Deyin and Hou Hsiao-hsien, Tsai discusses how Taiwan New Cinema represents a struggling configuration of the ‘nation’, brought forth by Taiwan’s multilayered colonial and postcolonial histories. Taiwan New Cinema at Film Festivals (Edinburgh UP, 2023) presents the conditions that have led to the production of a national cinema, branding the auteur, and examines shifting representations of cultural identity in the context of globalization.
Beth Tsai is Visiting Assistant Professor in Film Studies at the University at Albany–State University of New York. Her research focuses primarily on the cinema of Taiwan, film festivals, and transnational film theory. She has published in the International Journal of Asia Pacific Studies, Quarterly Review of Film and Video, Journal of Asian Cinema, and Oxford Bibliographies.
Li-Ping Chen is Dornsife Teaching Fellow in General Education in Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 28 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>503</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Beth Tsai</itunes:subtitle>
      <itunes:summary>Taiwan New Cinema (first wave, 1982–1989; second wave, 1990 onward) has a unique history regarding film festivals, particularly in the way these films are circulated at major European film festivals. It shares a common formalist concern about cinematic modernism with its Western counterparts, departing from previous modes of filmmaking that were preoccupied with nostalgically romanticizing China’s image.
Through utilising in-depth case studies of films by Taiwan-based directors: Tsai Ming-liang, Zhao Deyin and Hou Hsiao-hsien, Tsai discusses how Taiwan New Cinema represents a struggling configuration of the ‘nation’, brought forth by Taiwan’s multilayered colonial and postcolonial histories. Taiwan New Cinema at Film Festivals (Edinburgh UP, 2023) presents the conditions that have led to the production of a national cinema, branding the auteur, and examines shifting representations of cultural identity in the context of globalization.
Beth Tsai is Visiting Assistant Professor in Film Studies at the University at Albany–State University of New York. Her research focuses primarily on the cinema of Taiwan, film festivals, and transnational film theory. She has published in the International Journal of Asia Pacific Studies, Quarterly Review of Film and Video, Journal of Asian Cinema, and Oxford Bibliographies.
Li-Ping Chen is Dornsife Teaching Fellow in General Education in Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Taiwan New Cinema (first wave, 1982–1989; second wave, 1990 onward) has a unique history regarding film festivals, particularly in the way these films are circulated at major European film festivals. It shares a common formalist concern about cinematic modernism with its Western counterparts, departing from previous modes of filmmaking that were preoccupied with nostalgically romanticizing China’s image.</p><p>Through utilising in-depth case studies of films by Taiwan-based directors: Tsai Ming-liang, Zhao Deyin and Hou Hsiao-hsien, Tsai discusses how Taiwan New Cinema represents a struggling configuration of the ‘nation’, brought forth by Taiwan’s multilayered colonial and postcolonial histories. <a href="https://bookshop.org/a/12343/9781474496919"><em>Taiwan New Cinema at Film Festivals</em></a><em> </em>(Edinburgh UP, 2023) presents the conditions that have led to the production of a national cinema, branding the auteur, and examines shifting representations of cultural identity in the context of globalization.</p><p>Beth Tsai is Visiting Assistant Professor in Film Studies at the University at Albany–State University of New York. Her research focuses primarily on the cinema of Taiwan, film festivals, and transnational film theory. She has published in the <em>International Journal of Asia Pacific Studies</em>, <em>Quarterly Review of Film and Video</em>, <em>Journal of Asian Cinema</em>, and <em>Oxford Bibliographies</em>.</p><p><a href="https://lipingchen.com/"><em>Li-Ping Chen</em></a><em> is Dornsife Teaching Fellow in General Education in Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>Book Chat: Literature in the Age of the Anthropocene: An Ecocritical Study of the Taiwanese Writer Wu Ming-yi</title>
      <description>Hello everyone. This is Ti-han 張迪涵_, one of the hosts of our Taiwan On-Air podcast series, sponsored by the European Association of Taiwan Studies and today we are here for a Book Chat.
Our guest today is a rising-star French scholar who specialised in Taiwanese and Chinese literary studies and translation,  Professor Gwennaël Gaffric from Université Lyon 3 Jean Moulin.
Both Gwennael and I studied at the University of Lyon 3 as doctoral students back in early 2010s. First time we met was because I required some help from a native French speaker to help me revise my poorly written doctoral proposal and application in French at the time. Although Gwenn had never met me before, he was very kind to lend me a hand to review my application together. And since then, he had always been a great help and a true friend, and of course a wonderful colleague to work with throughout these years.
Many of our Francophone colleagues who work on Taiwan studies also know Gwenn through his great works of fiction translation. As a doctoral student, he started with translating Wu Ming-yi’s 睡眠的航線 [Routes in a Dream], and subsequently translated also Wu’s 複眼人[The Man with the Compound Eyes] and 天穚上的魔術師 [The Magician on the Skywalk], as well as other Taiwanese novelists and poets such as Chi Ta-wei, Kao Yi-feng, Xia Yu and Walis Nokan. In recent years, his translation also goes beyond Taiwan, further including other Chinese best-selling eco sci-fi such as the Three-Body Problem from Liu Cixin and The Waste Tide by Chen Qiufan. Gaffric’s research today crosses between science fiction, ecocriticism,, and Sinohpone literary translation.
And of course, he also plays a key role in the promotion of Taiwan literature and culture to the French-speaking world, as he is not only in charge as the director of Taiwan Fiction Collection Series in the Asiathèque, but he also collaborates with Ministry of Culture文化部 and Centre Culturel de Taïwan à Paris 巴文中心 to bring authors and poets to the Francophone readers.
Today, however, we are not here to quiz Gwenn about his literary translation, but more about his scholarly research and his monograph, The Literature in the Age of Anthropocene: An Ecocritical Study of the Taiwanese writer Wu Ming-yi [La Littérature à l’ère de l’anthropocene: Une étude écocritique autour des oeuvres de l’écrivain taïwanaise Wu Ming-yi] which is recently translated into Chinese by his wife, Hsu Ya-wen, and published in Taiwan by Xinjindian Publishing. This is a book that based on Gwennaël’s doctoral thesis and with adapted revisions. In the book, readers are able to go more in depth on Gaffric’s own critical interpretation and analysis of Wu Ming-yi’s works across different periods as well as his theoretical understanding and worldview contextualised in the era of Anthropocene.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 13 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>16</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>A Discussion with Gwennaël Gaffric</itunes:subtitle>
      <itunes:summary>Hello everyone. This is Ti-han 張迪涵_, one of the hosts of our Taiwan On-Air podcast series, sponsored by the European Association of Taiwan Studies and today we are here for a Book Chat.
Our guest today is a rising-star French scholar who specialised in Taiwanese and Chinese literary studies and translation,  Professor Gwennaël Gaffric from Université Lyon 3 Jean Moulin.
Both Gwennael and I studied at the University of Lyon 3 as doctoral students back in early 2010s. First time we met was because I required some help from a native French speaker to help me revise my poorly written doctoral proposal and application in French at the time. Although Gwenn had never met me before, he was very kind to lend me a hand to review my application together. And since then, he had always been a great help and a true friend, and of course a wonderful colleague to work with throughout these years.
Many of our Francophone colleagues who work on Taiwan studies also know Gwenn through his great works of fiction translation. As a doctoral student, he started with translating Wu Ming-yi’s 睡眠的航線 [Routes in a Dream], and subsequently translated also Wu’s 複眼人[The Man with the Compound Eyes] and 天穚上的魔術師 [The Magician on the Skywalk], as well as other Taiwanese novelists and poets such as Chi Ta-wei, Kao Yi-feng, Xia Yu and Walis Nokan. In recent years, his translation also goes beyond Taiwan, further including other Chinese best-selling eco sci-fi such as the Three-Body Problem from Liu Cixin and The Waste Tide by Chen Qiufan. Gaffric’s research today crosses between science fiction, ecocriticism,, and Sinohpone literary translation.
And of course, he also plays a key role in the promotion of Taiwan literature and culture to the French-speaking world, as he is not only in charge as the director of Taiwan Fiction Collection Series in the Asiathèque, but he also collaborates with Ministry of Culture文化部 and Centre Culturel de Taïwan à Paris 巴文中心 to bring authors and poets to the Francophone readers.
Today, however, we are not here to quiz Gwenn about his literary translation, but more about his scholarly research and his monograph, The Literature in the Age of Anthropocene: An Ecocritical Study of the Taiwanese writer Wu Ming-yi [La Littérature à l’ère de l’anthropocene: Une étude écocritique autour des oeuvres de l’écrivain taïwanaise Wu Ming-yi] which is recently translated into Chinese by his wife, Hsu Ya-wen, and published in Taiwan by Xinjindian Publishing. This is a book that based on Gwennaël’s doctoral thesis and with adapted revisions. In the book, readers are able to go more in depth on Gaffric’s own critical interpretation and analysis of Wu Ming-yi’s works across different periods as well as his theoretical understanding and worldview contextualised in the era of Anthropocene.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Hello everyone. This is Ti-han 張迪涵_, one of the hosts of our Taiwan On-Air podcast series, sponsored by the European Association of Taiwan Studies and today we are here for a Book Chat.</p><p>Our guest today is a rising-star French scholar who specialised in Taiwanese and Chinese literary studies and translation,  Professor Gwennaël Gaffric from Université Lyon 3 Jean Moulin.</p><p>Both Gwennael and I studied at the University of Lyon 3 as doctoral students back in early 2010s. First time we met was because I required some help from a native French speaker to help me revise my poorly written doctoral proposal and application in French at the time. Although Gwenn had never met me before, he was very kind to lend me a hand to review my application together. And since then, he had always been a great help and a true friend, and of course a wonderful colleague to work with throughout these years.</p><p>Many of our Francophone colleagues who work on Taiwan studies also know Gwenn through his great works of fiction translation. As a doctoral student, he started with translating Wu Ming-yi’s 睡眠的航線 [Routes in a Dream], and subsequently translated also Wu’s 複眼人[The Man with the Compound Eyes] and 天穚上的魔術師 [The Magician on the Skywalk], as well as other Taiwanese novelists and poets such as Chi Ta-wei, Kao Yi-feng, Xia Yu and Walis Nokan. In recent years, his translation also goes beyond Taiwan, further including other Chinese best-selling eco sci-fi such as the <em>Three-Body Problem</em> from Liu Cixin and <em>The Waste Tide</em> by Chen Qiufan. Gaffric’s research today crosses between science fiction, ecocriticism,, and Sinohpone literary translation.</p><p>And of course, he also plays a key role in the promotion of Taiwan literature and culture to the French-speaking world, as he is not only in charge as the director of Taiwan Fiction Collection Series in the Asiathèque, but he also collaborates with Ministry of Culture文化部 and Centre Culturel de Taïwan à Paris 巴文中心 to bring authors and poets to the Francophone readers.</p><p>Today, however, we are not here to quiz Gwenn about his literary translation, but more about his scholarly research and his monograph, The Literature in the Age of Anthropocene: An Ecocritical Study of the Taiwanese writer Wu Ming-yi [La Littérature à l’ère de l’anthropocene: Une étude écocritique autour des oeuvres de l’écrivain taïwanaise Wu Ming-yi] which is recently translated into Chinese by his wife, Hsu Ya-wen, and published in Taiwan by Xinjindian Publishing. This is a book that based on Gwennaël’s doctoral thesis and with adapted revisions. In the book, readers are able to go more in depth on Gaffric’s own critical interpretation and analysis of Wu Ming-yi’s works across different periods as well as his theoretical understanding and worldview contextualised in the era of Anthropocene.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1899</itunes:duration>
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      <title>Film Chat: Hsin-Chien Huang on VR Film in Taiwan</title>
      <description>The host was Adina Zemanek, in conversation with Hsin-Chien Huang, a new media creator with a background in art, design and digital entertainment, whose works have been exhibited and won awards at many renowned international venues. We talked about his experience in creating immersive films, major themes his works have addressed, the role of immersive film in expanding our field of vision and its particularities in terms of storytelling strategies, as well as Taiwan as an environment for producing VR film.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 30 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>15</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Hsin-Chien Huang</itunes:subtitle>
      <itunes:summary>The host was Adina Zemanek, in conversation with Hsin-Chien Huang, a new media creator with a background in art, design and digital entertainment, whose works have been exhibited and won awards at many renowned international venues. We talked about his experience in creating immersive films, major themes his works have addressed, the role of immersive film in expanding our field of vision and its particularities in terms of storytelling strategies, as well as Taiwan as an environment for producing VR film.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The host was Adina Zemanek, in conversation with Hsin-Chien Huang, a new media creator with a background in art, design and digital entertainment, whose works have been exhibited and won awards at many renowned international venues. We talked about his experience in creating immersive films, major themes his works have addressed, the role of immersive film in expanding our field of vision and its particularities in terms of storytelling strategies, as well as Taiwan as an environment for producing VR film.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2161</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK9161977740.mp3?updated=1690633903" length="0" type="audio/mpeg"/>
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    <item>
      <title>Miya Qiong Xie, "Territorializing Manchuria: The Transnational Frontier and Literatures of East Asia" (Harvard UP, 2023)</title>
      <description>Xiao Hong, Yom Sang-sop, Abe Kobo, and Zhong Lihe—these iconic literary figures from China, Korea, Japan, and Taiwan all described Manchuria extensively in their literary works. Now China’s Northeast—but a contested frontier in the first half of the twentieth century—Manchuria has inspired writers from all over East Asia to claim it as their own, employing novel themes and forms for engaging nation and empire in modern literature. Many of these works have been canonized as quintessential examples of national or nationalist literature—even though they also problematize the imagined boundedness and homogeneity of nation and national literature at its core.
Through the theoretical lens of literary territorialization, Miya Xie's Territorializing Manchuria: The Transnational Frontier and Literatures of East Asia (Harvard UP, 2023) reconceptualizes modern Manchuria as a critical site for making and unmaking national literatures in East Asia. Xie ventures into hitherto uncharted territory by comparing East Asian literatures in three different languages and analyzing their close connections in the transnational frontier. By revealing how writers of different nationalities constantly enlisted transnational elements within a nation-centered body of literature, Territorializing Manchuria uncovers a history of literary co-formation at the very site of division and may offer insights for future reconciliation in the region.
Miya Qiong Xie is Associate Professor of Chinese and Comparative East Asian Literature at Dartmouth College. Her research involves modern Chinese, Korean and Japanese literatures. Broadly, she is interested in how people from the margins – geographical or metaphorical – gain power, find identity, and establish connections through transcultural negotiation and co-formation.
Linshan Jiang is Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. Her research interests are modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 28 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>500</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Miya Qiong Xie</itunes:subtitle>
      <itunes:summary>Xiao Hong, Yom Sang-sop, Abe Kobo, and Zhong Lihe—these iconic literary figures from China, Korea, Japan, and Taiwan all described Manchuria extensively in their literary works. Now China’s Northeast—but a contested frontier in the first half of the twentieth century—Manchuria has inspired writers from all over East Asia to claim it as their own, employing novel themes and forms for engaging nation and empire in modern literature. Many of these works have been canonized as quintessential examples of national or nationalist literature—even though they also problematize the imagined boundedness and homogeneity of nation and national literature at its core.
Through the theoretical lens of literary territorialization, Miya Xie's Territorializing Manchuria: The Transnational Frontier and Literatures of East Asia (Harvard UP, 2023) reconceptualizes modern Manchuria as a critical site for making and unmaking national literatures in East Asia. Xie ventures into hitherto uncharted territory by comparing East Asian literatures in three different languages and analyzing their close connections in the transnational frontier. By revealing how writers of different nationalities constantly enlisted transnational elements within a nation-centered body of literature, Territorializing Manchuria uncovers a history of literary co-formation at the very site of division and may offer insights for future reconciliation in the region.
Miya Qiong Xie is Associate Professor of Chinese and Comparative East Asian Literature at Dartmouth College. Her research involves modern Chinese, Korean and Japanese literatures. Broadly, she is interested in how people from the margins – geographical or metaphorical – gain power, find identity, and establish connections through transcultural negotiation and co-formation.
Linshan Jiang is Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. Her research interests are modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Xiao Hong, Yom Sang-sop, Abe Kobo, and Zhong Lihe—these iconic literary figures from China, Korea, Japan, and Taiwan all described Manchuria extensively in their literary works. Now China’s Northeast—but a contested frontier in the first half of the twentieth century—Manchuria has inspired writers from all over East Asia to claim it as their own, employing novel themes and forms for engaging nation and empire in modern literature. Many of these works have been canonized as quintessential examples of national or nationalist literature—even though they also problematize the imagined boundedness and homogeneity of nation and national literature at its core.</p><p>Through the theoretical lens of literary territorialization, Miya Xie's <a href="https://bookshop.org/a/12343/9780674278301"><em>Territorializing Manchuria: The Transnational Frontier and Literatures of East Asia</em></a> (Harvard UP, 2023) reconceptualizes modern Manchuria as a critical site for making and unmaking national literatures in East Asia. Xie ventures into hitherto uncharted territory by comparing East Asian literatures in three different languages and analyzing their close connections in the transnational frontier. By revealing how writers of different nationalities constantly enlisted transnational elements within a nation-centered body of literature, <em>Territorializing Manchuria</em> uncovers a history of literary co-formation at the very site of division and may offer insights for future reconciliation in the region.</p><p><a href="https://faculty-directory.dartmouth.edu/miya-qiong-xie">Miya Qiong Xie</a> is Associate Professor of Chinese and Comparative East Asian Literature at Dartmouth College. Her research involves modern Chinese, Korean and Japanese literatures. Broadly, she is interested in how people from the margins – geographical or metaphorical – gain power, find identity, and establish connections through transcultural negotiation and co-formation.</p><p><a href="https://linshanjiang.com/"><em>Linshan Jiang</em></a><em> is Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. Her research interests are modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <itunes:duration>3462</itunes:duration>
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      <title>Po-Shek Fu, "Hong Kong Media and Asia's Cold War" (Oxford UP, 2023)</title>
      <description>British Hong Kong was a historical anomaly in the Cold War. It experienced no "hot war" or organized movement for independence, and yet it was a key battlefield of Asia's cultural Cold War thanks largely to its unique location right next to Mao's China. The large influx of filmmakers, writers, and intellectuals from the mainland after 1948-1949 made the colony a hub of mass entertainment and popular publications in the region. 
Po-Shek Fu’s book Hong Kong Media and Asia’s Cold War (Oxford University Press, 2023) is the first systematic study of Hong Kong's cultural Cold War. Based on untapped archival materials, contemporary sources, and numerous interviews with filmmakers, magazine editors and student activists, this book sheds lights on the contest between Communist China, Nationalist Taiwan, and the US to mobilize the colony's cinema and print media to win the hearts and minds of ethnic Chinese in Southeast Asia and around the world. At the front and centre of this propaganda and psychological warfare was the emigre media industry. British Hong Kong was, in fact, a crossroads in the Cold War where the global, the regional, and the local intersected.
Dr. Fu is a Professor of History, Asian American Studies, Global Studies, where he has taught since 1995. He has also been a Distinguished Visiting Professor at Chinese University of Hong Kong and a Visiting Zijiang Professor of Humanities at East China Normal University, Shanghai. He earned his Ph.D. at Stanford. Professor Fu has been the author, editor, or co-editor of many books, including: The Cold War and Asia Cinemas (Routlege, 2019), China Forever: Shaw Brothers and the Making of A Diasporic Cinema (University of Illinois Press, 2008), Between Shanghai and Hong Kong: The Politics of Chinese Cinemas (Stanford University Press, 2003), and Passivity, Resistance, and Collaboration: Intellectual Choices in Occupied Shanghai, 1937-1945 (Stanford University Press, 1993). He has also published many articles and won major awards, including an Institute for Advanced Studies Fellowship, Fulbright Research Scholar award, a Mellon Faculty Grant, and a John D. and Catherine MacArthur Fellowship.
﻿Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 26 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1340</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Po-Shek Fu</itunes:subtitle>
      <itunes:summary>British Hong Kong was a historical anomaly in the Cold War. It experienced no "hot war" or organized movement for independence, and yet it was a key battlefield of Asia's cultural Cold War thanks largely to its unique location right next to Mao's China. The large influx of filmmakers, writers, and intellectuals from the mainland after 1948-1949 made the colony a hub of mass entertainment and popular publications in the region. 
Po-Shek Fu’s book Hong Kong Media and Asia’s Cold War (Oxford University Press, 2023) is the first systematic study of Hong Kong's cultural Cold War. Based on untapped archival materials, contemporary sources, and numerous interviews with filmmakers, magazine editors and student activists, this book sheds lights on the contest between Communist China, Nationalist Taiwan, and the US to mobilize the colony's cinema and print media to win the hearts and minds of ethnic Chinese in Southeast Asia and around the world. At the front and centre of this propaganda and psychological warfare was the emigre media industry. British Hong Kong was, in fact, a crossroads in the Cold War where the global, the regional, and the local intersected.
Dr. Fu is a Professor of History, Asian American Studies, Global Studies, where he has taught since 1995. He has also been a Distinguished Visiting Professor at Chinese University of Hong Kong and a Visiting Zijiang Professor of Humanities at East China Normal University, Shanghai. He earned his Ph.D. at Stanford. Professor Fu has been the author, editor, or co-editor of many books, including: The Cold War and Asia Cinemas (Routlege, 2019), China Forever: Shaw Brothers and the Making of A Diasporic Cinema (University of Illinois Press, 2008), Between Shanghai and Hong Kong: The Politics of Chinese Cinemas (Stanford University Press, 2003), and Passivity, Resistance, and Collaboration: Intellectual Choices in Occupied Shanghai, 1937-1945 (Stanford University Press, 1993). He has also published many articles and won major awards, including an Institute for Advanced Studies Fellowship, Fulbright Research Scholar award, a Mellon Faculty Grant, and a John D. and Catherine MacArthur Fellowship.
﻿Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>British Hong Kong was a historical anomaly in the Cold War. It experienced no "hot war" or organized movement for independence, and yet it was a key battlefield of Asia's cultural Cold War thanks largely to its unique location right next to Mao's China. The large influx of filmmakers, writers, and intellectuals from the mainland after 1948-1949 made the colony a hub of mass entertainment and popular publications in the region. </p><p>Po-Shek Fu’s book <a href="https://bookshop.org/a/12343/9780190073770"><em>Hong Kong Media and Asia’s Cold War</em></a> (Oxford University Press, 2023) is the first systematic study of Hong Kong's cultural Cold War. Based on untapped archival materials, contemporary sources, and numerous interviews with filmmakers, magazine editors and student activists, this book sheds lights on the contest between Communist China, Nationalist Taiwan, and the US to mobilize the colony's cinema and print media to win the hearts and minds of ethnic Chinese in Southeast Asia and around the world. At the front and centre of this propaganda and psychological warfare was the emigre media industry. British Hong Kong was, in fact, a crossroads in the Cold War where the global, the regional, and the local intersected.</p><p>Dr. Fu is a Professor of History, Asian American Studies, Global Studies, where he has taught since 1995. He has also been a Distinguished Visiting Professor at Chinese University of Hong Kong and a Visiting Zijiang Professor of Humanities at East China Normal University, Shanghai. He earned his Ph.D. at Stanford. Professor Fu has been the author, editor, or co-editor of many books, including: <em>The Cold War and Asia Cinemas</em> (Routlege, 2019), <em>China Forever: Shaw Brothers and the Making of A Diasporic Cinema</em> (University of Illinois Press, 2008), <em>Between Shanghai and Hong Kong: The Politics of Chinese Cinemas</em> (Stanford University Press, 2003), and <em>Passivity, Resistance, and Collaboration: Intellectual Choices in Occupied Shanghai, 1937-1945</em> (Stanford University Press, 1993). He has also published many articles and won major awards, including an Institute for Advanced Studies Fellowship, Fulbright Research Scholar award, a Mellon Faculty Grant, and a John D. and Catherine MacArthur Fellowship.</p><p><em>﻿</em><a href="https://michaelvann.academia.edu/"><em>Michael G. Vann</em></a><em> is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of </em><a href="https://global.oup.com/ushe/product/the-great-hanoi-rat-hunt-9780190602697?cc=us&amp;lang=en&amp;"><em>The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam</em></a><em> (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>7044</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Yi-Tang Lin, "Statistics and the Language of Global Health: Institutions and Experts in China, Taiwan, and the World, 1917-1960" (Cambridge UP, 2022)</title>
      <description>Yi-Tang Lin received her BA in sociology at National Taiwan University and MA in MA Interdisciplinary Practices of Humanities and Social Sciences, École des Hautes Études en Sciences Sociales (EHESS) and École Normale Supériorie (ENS), France. She completed her PhD at the University of Lausanne. After spending several years at the University of Geneva for her postdoc research on "Rockefeller Fellows as Heralds of Globalization (1917-1970), she is now PRIMA Professor at University of Zurich, Switzerland.
Yi-Tang’s research focuses on the transnational history of science, technology and medicine. She is the author of Statistics and the Language of Global Health: Institutions and Experts in China, Taiwan and the World, 1917–1960 (Cambridge University Press, 2022). In this book, she traces the the historical process by which statistics became the language of global health for local and international health organizations. Currently, she is conducting a research project funded by the Swiss National Science Foundation, aiming to decentralize historical accounts of the Cold War-era “Green Revolution” by studying exchange pathways between Asia and Africa and challenging the notion of two regions considered only the recipients instead of actors in these exchanges.
Harry Yi-Jui Wu is Associate Professor jointly appointed by Cross College Elite Program and Department of Medical Humanities and Social Medicine, National Cheng Kung University (Taiwan). He is the author of Mad by the Millions: Mental Disorders and the Early Years of the World Health Organization (MIT Press, 2021).
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 21 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Yi-Tang Lin</itunes:subtitle>
      <itunes:summary>Yi-Tang Lin received her BA in sociology at National Taiwan University and MA in MA Interdisciplinary Practices of Humanities and Social Sciences, École des Hautes Études en Sciences Sociales (EHESS) and École Normale Supériorie (ENS), France. She completed her PhD at the University of Lausanne. After spending several years at the University of Geneva for her postdoc research on "Rockefeller Fellows as Heralds of Globalization (1917-1970), she is now PRIMA Professor at University of Zurich, Switzerland.
Yi-Tang’s research focuses on the transnational history of science, technology and medicine. She is the author of Statistics and the Language of Global Health: Institutions and Experts in China, Taiwan and the World, 1917–1960 (Cambridge University Press, 2022). In this book, she traces the the historical process by which statistics became the language of global health for local and international health organizations. Currently, she is conducting a research project funded by the Swiss National Science Foundation, aiming to decentralize historical accounts of the Cold War-era “Green Revolution” by studying exchange pathways between Asia and Africa and challenging the notion of two regions considered only the recipients instead of actors in these exchanges.
Harry Yi-Jui Wu is Associate Professor jointly appointed by Cross College Elite Program and Department of Medical Humanities and Social Medicine, National Cheng Kung University (Taiwan). He is the author of Mad by the Millions: Mental Disorders and the Early Years of the World Health Organization (MIT Press, 2021).
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Yi-Tang Lin received her BA in sociology at National Taiwan University and MA in MA Interdisciplinary Practices of Humanities and Social Sciences, École des Hautes Études en Sciences Sociales (EHESS) and École Normale Supériorie (ENS), France. She completed her PhD at the University of Lausanne. After spending several years at the University of Geneva for her postdoc research on "Rockefeller Fellows as Heralds of Globalization (1917-1970), she is now PRIMA Professor at University of Zurich, Switzerland.</p><p>Yi-Tang’s research focuses on the transnational history of science, technology and medicine. She is the author of<em> </em><a href="https://bookshop.org/a/12343/9781108845922"><em>Statistics and the Language of Global Health: Institutions and Experts in China, Taiwan and the World, 1917–1960</em></a><em> </em>(Cambridge University Press, 2022). In this book, she traces the the historical process by which statistics became the language of global health for local and international health organizations. Currently, she is conducting a research project funded by the Swiss National Science Foundation, aiming to decentralize historical accounts of the Cold War-era “Green Revolution” by studying exchange pathways between Asia and Africa and challenging the notion of two regions considered only the recipients instead of actors in these exchanges.</p><p><a href="http://www.harry-yj-wu.com/"><em>Harry Yi-Jui Wu</em></a><em> is Associate Professor jointly appointed by Cross College Elite Program and Department of Medical Humanities and Social Medicine, National Cheng Kung University (Taiwan). He is the author of Mad by the Millions: Mental Disorders and the Early Years of the World Health Organization (MIT Press, 2021).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2992</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Scott E. Simon, "Truly Human: Indigeneity and Indigenous Resurgence on Formosa" (U Toronto Press, 2023)</title>
      <description>Similar to countries like the US and Canada, Taiwan also has indigenous peoples who've existed before the arrival of colonizers, and continue to grapple with the legacy of colonialism to this day. Scott Simon's Truly Human: Indigeneity and Indigenous Resurgence on Formosa (U Toronto Press, 2023) explores lifeworlds, traditions, and political relationships in two of Taiwan's indigenous communities—the Sediq and Truku. 
Simon is a Professor of Sociological and Anthropological Studies at the University of Ottawa, where he is also the Chair of Taiwan studies. Truly Human is the result of nearly two decades of field research and interactions among the Sediq and Truku; the book provides a deep yet accessible dive into matters such as hunting practices, belief systems, electoral politics, historical narratives, and how Taiwan's geopolitical status may affect the island's indigenous communities. 
As Taiwan becomes ever-more-prominent in international headlines, Truly Human helps readers draw parallels with indigenous peoples in other parts of the world, and learn about a dimension of Taiwanese and Austronesian society that often gets lost in discussions centered on conflict.
Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 20 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>499</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Scott E. Simon</itunes:subtitle>
      <itunes:summary>Similar to countries like the US and Canada, Taiwan also has indigenous peoples who've existed before the arrival of colonizers, and continue to grapple with the legacy of colonialism to this day. Scott Simon's Truly Human: Indigeneity and Indigenous Resurgence on Formosa (U Toronto Press, 2023) explores lifeworlds, traditions, and political relationships in two of Taiwan's indigenous communities—the Sediq and Truku. 
Simon is a Professor of Sociological and Anthropological Studies at the University of Ottawa, where he is also the Chair of Taiwan studies. Truly Human is the result of nearly two decades of field research and interactions among the Sediq and Truku; the book provides a deep yet accessible dive into matters such as hunting practices, belief systems, electoral politics, historical narratives, and how Taiwan's geopolitical status may affect the island's indigenous communities. 
As Taiwan becomes ever-more-prominent in international headlines, Truly Human helps readers draw parallels with indigenous peoples in other parts of the world, and learn about a dimension of Taiwanese and Austronesian society that often gets lost in discussions centered on conflict.
Anthony Kao is a writer who intersects international affairs and cultural criticism. He founded/edits Cinema Escapist—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Similar to countries like the US and Canada, Taiwan also has indigenous peoples who've existed before the arrival of colonizers, and continue to grapple with the legacy of colonialism to this day. Scott Simon's <a href="https://bookshop.org/a/12343/9781487545864"><em>Truly Human: Indigeneity and Indigenous Resurgence on Formosa</em></a><em> </em>(U Toronto Press, 2023) explores lifeworlds, traditions, and political relationships in two of Taiwan's indigenous communities—the Sediq and Truku. </p><p><a href="https://www.uottawa.ca/research-innovation/hrrec/people/simon-scott">Simon</a> is a Professor of Sociological and Anthropological Studies at the University of Ottawa, where he is also the Chair of Taiwan studies. <em>Truly Human</em> is the result of nearly two decades of field research and interactions among the Sediq and Truku; the book provides a deep yet accessible dive into matters such as hunting practices, belief systems, electoral politics, historical narratives, and how Taiwan's geopolitical status may affect the island's indigenous communities. </p><p>As Taiwan becomes ever-more-prominent in international headlines, <em>Truly Human</em> helps readers draw parallels with indigenous peoples in other parts of the world, and learn about a dimension of Taiwanese and Austronesian society that often gets lost in discussions centered on conflict.</p><p><a href="https://www.anthonykao.org/"><em>Anthony Kao</em></a><em> is a writer who intersects international affairs and cultural criticism. He founded/edits </em><a href="https://www.cinemaescapist.com/"><em>Cinema Escapist</em></a><em>—a publication exploring the sociopolitical context behind global film and television—and also writes for outlets like The Guardian, Al Jazeera, The Diplomat, and Eater.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2664</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK4452296357.mp3?updated=1689793464" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Yi-Lin Chiang, "Study Gods: How the New Chinese Elite Prepare for Global Competition" (Princeton UP, 2022)</title>
      <description>We understand very little about how elite individuals and families operate in everyday life to maintain their privileged statuses, as many of these status-maintaining activities are conducted out of the sight of the public, in private family settings, exclusive schools, and through privileged services. 
Yi-Lin Chiang’s new book, Study Gods: How the New Chinese Elite Prepare for Global Competition (Princeton University Press, 2022), offers a rare look into this issue in the context of contemporary China. Based on solid, long-term ethnographic research, Study Gods documents the educational journeys of elite Chinese adolescents, some of whom were named “study gods” by their peers because of their effortless abilities to achieve high academic performance. Employing vivid descriptions and sophisticated analyses, Chiang has shown how these young people achieve and maintain elite status by absorbing and complying with the rules surrounding status.
In this episode, I talked with Yi-Lin Chiang about her new book, Studying Gods. You will hear not only her fascinating findings about the young generation of Chinese elite, but also behind-the-scene stories and reflections from a seasoned ethnographer, from how she interacted with these elite youths to what differs the younger generation of Chinese elites from the older ones, and why she thinks it is important to understand their elite world.
Yi-Lin Chiang is assistant professor of sociology at National Chengchi University in Taiwan. Chiang’s research focuses on educational stratification and intergenerational status transmission in greater China.
About the host: Pengfei Zhao is a critical researcher and qualitative research methodologist based at the University of Florida. She is currently working on a book manuscript studying the coming-of-age experience of rural Chinese youth during and right after the Cultural Revolution.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 11 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>203</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Yi-Lin Chiang</itunes:subtitle>
      <itunes:summary>We understand very little about how elite individuals and families operate in everyday life to maintain their privileged statuses, as many of these status-maintaining activities are conducted out of the sight of the public, in private family settings, exclusive schools, and through privileged services. 
Yi-Lin Chiang’s new book, Study Gods: How the New Chinese Elite Prepare for Global Competition (Princeton University Press, 2022), offers a rare look into this issue in the context of contemporary China. Based on solid, long-term ethnographic research, Study Gods documents the educational journeys of elite Chinese adolescents, some of whom were named “study gods” by their peers because of their effortless abilities to achieve high academic performance. Employing vivid descriptions and sophisticated analyses, Chiang has shown how these young people achieve and maintain elite status by absorbing and complying with the rules surrounding status.
In this episode, I talked with Yi-Lin Chiang about her new book, Studying Gods. You will hear not only her fascinating findings about the young generation of Chinese elite, but also behind-the-scene stories and reflections from a seasoned ethnographer, from how she interacted with these elite youths to what differs the younger generation of Chinese elites from the older ones, and why she thinks it is important to understand their elite world.
Yi-Lin Chiang is assistant professor of sociology at National Chengchi University in Taiwan. Chiang’s research focuses on educational stratification and intergenerational status transmission in greater China.
About the host: Pengfei Zhao is a critical researcher and qualitative research methodologist based at the University of Florida. She is currently working on a book manuscript studying the coming-of-age experience of rural Chinese youth during and right after the Cultural Revolution.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We understand very little about how elite individuals and families operate in everyday life to maintain their privileged statuses, as many of these status-maintaining activities are conducted out of the sight of the public, in private family settings, exclusive schools, and through privileged services. </p><p>Yi-Lin Chiang’s new book, <a href="https://bookshop.org/a/12343/9780691210483"><em>Study Gods: How the New Chinese Elite Prepare for Global Competition</em></a> (Princeton University Press, 2022), offers a rare look into this issue in the context of contemporary China. Based on solid, long-term ethnographic research, <em>Study Gods</em> documents the educational journeys of elite Chinese adolescents, some of whom were named “study gods” by their peers because of their effortless abilities to achieve high academic performance. Employing vivid descriptions and sophisticated analyses, Chiang has shown how these young people achieve and maintain elite status by absorbing and complying with the rules surrounding status.</p><p>In this episode, I talked with Yi-Lin Chiang about her new book, <em>Studying Gods</em>. You will hear not only her fascinating findings about the young generation of Chinese elite, but also behind-the-scene stories and reflections from a seasoned ethnographer, from how she interacted with these elite youths to what differs the younger generation of Chinese elites from the older ones, and why she thinks it is important to understand their elite world.</p><p><a href="https://sociology.nccu.edu.tw/PageStaffing/Detail?fid=588&amp;id=778">Yi-Lin Chiang</a> is assistant professor of sociology at National Chengchi University in Taiwan. Chiang’s research focuses on educational stratification and intergenerational status transmission in greater China.</p><p><em>About the host: </em><a href="https://education.ufl.edu/faculty/zhao-pengfei/"><em>Pengfei Zhao</em></a><em> is a critical researcher and qualitative research methodologist based at the University of Florida. She is currently working on a book manuscript studying the coming-of-age experience of rural Chinese youth during and right after the Cultural Revolution.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3935</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f067557a-bebd-11f0-baa0-3b36829c9042]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7941787154.mp3?updated=1688925636" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Academic Chat: "Detention" and Other Horror Videogames: Avatars, Memory and Trauma</title>
      <description>The host of this episode, Adina Zemanek, interviewed Chee-Hann Wu, who obtained her PhD in Drama and Theatre from the University of California, Irvine and UC San Diego. They talked about the following themes: horror videogames in Taiwan and historical trauma; the potential roles of such games for local and international audiences, and thus for Taiwan's cultural diplomacy; traditional puppetry and avatars; and recent state support for local game production.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 24 Jun 2023 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>14</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Chee-Hann Wu</itunes:subtitle>
      <itunes:summary>The host of this episode, Adina Zemanek, interviewed Chee-Hann Wu, who obtained her PhD in Drama and Theatre from the University of California, Irvine and UC San Diego. They talked about the following themes: horror videogames in Taiwan and historical trauma; the potential roles of such games for local and international audiences, and thus for Taiwan's cultural diplomacy; traditional puppetry and avatars; and recent state support for local game production.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The host of this episode, Adina Zemanek, interviewed Chee-Hann Wu, who obtained her PhD in Drama and Theatre from the University of California, Irvine and UC San Diego. They talked about the following themes: horror videogames in Taiwan and historical trauma; the potential roles of such games for local and international audiences, and thus for Taiwan's cultural diplomacy; traditional puppetry and avatars; and recent state support for local game production.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2138</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7a1a1cde-bebf-11f0-8a23-9ffec769589e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3597301024.mp3?updated=1687524555" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ellen Meiser on Taipei’s Daytime Street Markets</title>
      <description>What is the social value of a daytime street market? In this episode, sociologist Ellen Meiser talks with Gastronomica’s Dan Bender about the meaning and value of Taiwan’s caishichang. Drawing on her early memories of these vegetable street markets and her participant observations of the same lively streets in the contemporary moment, Ellen explains the important roles that caishichang play in the local food system and in social, economic, and political life. Listeners can learn more about caishichang in Ellen’s photo essay, featured in Gastronomica’s newest issue (23.2).

Photo by Ellen Meiser
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 05 Jun 2023 13:38:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>32</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/33abcc26-bebe-11f0-b485-af57f56191eb/image/033ab32f6b191ba2a5992672602de660.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What is the social value of a daytime street market? In this episode, sociologist Ellen Meiser talks with Gastronomica’s Dan Bender about the meaning and value of Taiwan’s caishichang. Drawing on her early memories of these vegetable street markets and her participant observations of the same lively streets in the contemporary moment, Ellen explains the important roles that caishichang play in the local food system and in social, economic, and political life. Listeners can learn more about caishichang in Ellen’s photo essay, featured in Gastronomica’s newest issue (23.2).

Photo by Ellen Meiser
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the social value of a daytime street market? In this episode, sociologist Ellen Meiser talks with Gastronomica’s Dan Bender about the meaning and value of Taiwan’s caishichang. Drawing on her early memories of these vegetable street markets and her participant observations of the same lively streets in the contemporary moment, Ellen explains the important roles that caishichang play in the local food system and in social, economic, and political life. Listeners can learn more about caishichang in Ellen’s photo essay, featured in <a href="https://gastronomica.org/category/issues/">Gastronomica’s newest issue</a> (23.2).</p>
<p>Photo by Ellen Meiser</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2416</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[af6d13ce-a059-4812-8899-33edeab5fdad]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4634188268.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Book Chat: "The Suspended Island: Taiwan and the Balance of the World" (LUISS UP, 2022)</title>
      <description>In this podcast, the host, Lara Momesso, interviews Dr Stefano Pelaggi, Adjunct Professor at Sapienza University in Rome. The two discuss Dr Pelaggi’s most recent book, L’Isola Sospesa. Taiwan e Gli Equilibri del Mondo (The Suspended Island: Taiwan and the Balance of the World) published by LUISS University Press in 2022. In this engaging chat, Dr Pelaggi shares with the audience how he decided to write a book on Taiwan in Italian language, how we selected the main themes of the chapters, and his views on the future of Taiwan. This podcast is for anyone interested in publications on Taiwan in other languages than English and in familiarising with the specificity of the debate on Taiwan in Italy.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 02 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>13</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Stefano Pelaggi</itunes:subtitle>
      <itunes:summary>In this podcast, the host, Lara Momesso, interviews Dr Stefano Pelaggi, Adjunct Professor at Sapienza University in Rome. The two discuss Dr Pelaggi’s most recent book, L’Isola Sospesa. Taiwan e Gli Equilibri del Mondo (The Suspended Island: Taiwan and the Balance of the World) published by LUISS University Press in 2022. In this engaging chat, Dr Pelaggi shares with the audience how he decided to write a book on Taiwan in Italian language, how we selected the main themes of the chapters, and his views on the future of Taiwan. This podcast is for anyone interested in publications on Taiwan in other languages than English and in familiarising with the specificity of the debate on Taiwan in Italy.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this podcast, the host, Lara Momesso, interviews Dr Stefano Pelaggi, Adjunct Professor at Sapienza University in Rome. The two discuss Dr Pelaggi’s most recent book,<a href="https://luissuniversitypress.it/pubblicazioni/lisola-sospesa/"> <em>L’Isola Sospesa. Taiwan e Gli Equilibri del Mondo</em></a> (<em>The Suspended Island: Taiwan and the Balance of the World</em>) published by LUISS University Press in 2022. In this engaging chat, Dr Pelaggi shares with the audience how he decided to write a book on Taiwan in Italian language, how we selected the main themes of the chapters, and his views on the future of Taiwan. This podcast is for anyone interested in publications on Taiwan in other languages than English and in familiarising with the specificity of the debate on Taiwan in Italy.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2033</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Chia-rong Wu and Ming-ju Fan, "Taiwan Literature in the 21st Century: A Critical Reader" (Springer, 2023)</title>
      <description>Taiwan Literature in the 21st Century: A Critical Reader (Springer, 2023) is an anthology of research co-edited by Dr. Chia-rong Wu (University of Canterbury) and Professor Ming-ju Fan (National Chengchi University). This collection of original essays integrates and expands research on Taiwan literature because it includes both established and young writers. It not only engages with the evolving trends of literary Taiwan, but also promotes the translocal consciousness and cultural diversity of the island state and beyond. Focusing on the new directions and trends of Taiwan literature, this edited book fits into Taiwan studies, Sinophone studies, and Asian studies.
Chia-rong Wu is an Associate Professor in the Department of Global, Cultural and Language Studies at the University of Canterbury in New Zealand. Dr. Wu received his Ph.D. in Comparative Literature from the University of Illinois at Urbana-Champaign, USA. He specializes in Sinophone literature and film through the lens of postcolonial theories, indigenous studies, diaspora, and ecocriticism. Dr. Wu is the author of Supernatural Sinophone Taiwan and Beyond (Cambria Press, 2016) and Remapping the Contested Sinosphere: The Cross-cultural Landscape and Ethnoscape of Taiwan (Cambria Press, 2020) and has published in such academic journals as the British Journal of Chinese Studies, Sun Yat-sen Journal of Humanities, Journal of Chinese Cinemas, and American Journal of Chinese Studies.
Ming-ju Fan is a Distinguished Professor of Graduate Institute of Taiwanese Literature at the National Chengchi University in Taiwan. She is the author of Spatial/Textual/Politics, Literary Geography: Spatial Reading of Taiwanese Fiction, Chronological Searches of Taiwanese Women’s Fiction and Critic Artisan, Like a Box of Chocolate: Criticism on Contemporary Literature and Culture; Co-Editor of The Columbia Sourcebook of Literary Taiwan.
Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 16 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>494</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Chia-rong Wu and Ming-ju Fan</itunes:subtitle>
      <itunes:summary>Taiwan Literature in the 21st Century: A Critical Reader (Springer, 2023) is an anthology of research co-edited by Dr. Chia-rong Wu (University of Canterbury) and Professor Ming-ju Fan (National Chengchi University). This collection of original essays integrates and expands research on Taiwan literature because it includes both established and young writers. It not only engages with the evolving trends of literary Taiwan, but also promotes the translocal consciousness and cultural diversity of the island state and beyond. Focusing on the new directions and trends of Taiwan literature, this edited book fits into Taiwan studies, Sinophone studies, and Asian studies.
Chia-rong Wu is an Associate Professor in the Department of Global, Cultural and Language Studies at the University of Canterbury in New Zealand. Dr. Wu received his Ph.D. in Comparative Literature from the University of Illinois at Urbana-Champaign, USA. He specializes in Sinophone literature and film through the lens of postcolonial theories, indigenous studies, diaspora, and ecocriticism. Dr. Wu is the author of Supernatural Sinophone Taiwan and Beyond (Cambria Press, 2016) and Remapping the Contested Sinosphere: The Cross-cultural Landscape and Ethnoscape of Taiwan (Cambria Press, 2020) and has published in such academic journals as the British Journal of Chinese Studies, Sun Yat-sen Journal of Humanities, Journal of Chinese Cinemas, and American Journal of Chinese Studies.
Ming-ju Fan is a Distinguished Professor of Graduate Institute of Taiwanese Literature at the National Chengchi University in Taiwan. She is the author of Spatial/Textual/Politics, Literary Geography: Spatial Reading of Taiwanese Fiction, Chronological Searches of Taiwanese Women’s Fiction and Critic Artisan, Like a Box of Chocolate: Criticism on Contemporary Literature and Culture; Co-Editor of The Columbia Sourcebook of Literary Taiwan.
Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9789811983795"><em>Taiwan Literature in the 21st Century: A Critical Reader </em></a>(Springer, 2023) is an anthology of research co-edited by Dr. Chia-rong Wu (University of Canterbury) and Professor Ming-ju Fan (National Chengchi University). This collection of original essays integrates and expands research on Taiwan literature because it includes both established and young writers. It not only engages with the evolving trends of literary Taiwan, but also promotes the translocal consciousness and cultural diversity of the island state and beyond. Focusing on the new directions and trends of Taiwan literature, this edited book fits into Taiwan studies, Sinophone studies, and Asian studies.</p><p>Chia-rong Wu is an Associate Professor in the Department of Global, Cultural and Language Studies at the University of Canterbury in New Zealand. Dr. Wu received his Ph.D. in Comparative Literature from the University of Illinois at Urbana-Champaign, USA. He specializes in Sinophone literature and film through the lens of postcolonial theories, indigenous studies, diaspora, and ecocriticism. Dr. Wu is the author of <em>Supernatural Sinophone Taiwan and Beyond </em>(Cambria Press, 2016) and <em>Remapping the Contested Sinosphere: The Cross-cultural Landscape and Ethnoscape of Taiwan </em>(Cambria Press, 2020) and has published in such academic journals as the <em>British Journal of Chinese Studies</em>, <em>Sun Yat-sen Journal of Humanities</em>, <em>Journal of Chinese Cinemas</em>, and <em>American Journal of Chinese Studies</em>.</p><p>Ming-ju Fan is a Distinguished Professor of Graduate Institute of Taiwanese Literature at the National Chengchi University in Taiwan. She is the author of <em>Spatial/Textual/Politics</em>, <em>Literary Geography: Spatial Reading of Taiwanese Fiction</em>, <em>Chronological Searches of Taiwanese Women’s Fiction and Critic Artisan</em>, <em>Like a Box of Chocolate: Criticism on Contemporary Literature and Culture</em>; Co-Editor of <em>The Columbia Sourcebook of Literary Taiwan</em>.</p><p><em>Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3401</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Global Asia</title>
      <description>Cheryl Narumi Naruse talks about the transformation of Singapore over the past decades into a site of postcolonial promise, with economic prosperity and cultural soft power. She discusses a range of texts ranging from official state documents to the immensely popular book and movie adaptation of Crazy Rich Asians, which bear witness to and contribute to this change.
Cheryl Narumi Naruse (nah-roo-seh) is Assistant Professor of English and the Andrew W. Mellon Assistant Professor of the Humanities at Tulane University. Her research and teaching interests include contemporary Anglophone literatures and cultures (particularly those from Southeast Asia and the Pacific Islands), diasporic Asian and Asian American literature, postcolonial theory, cultures of capitalism, and genre studies. Her first book, Becoming Global Asia: Contemporary Genres of Postcolonial Capitalism in Singapore is forthcoming from University of California Press in 2023. She is also working on a second monograph which explores the illegibility of Singapore/Malaysia—as the comparatively “cold” Southeast nations in the context of the Vietnam War—in Asian American and postcolonial studies. 
Image: © 2023 Saronik Bosu
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 12 May 2023 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>117</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/3b2b406c-bebe-11f0-a508-1b5cd843de3f/image/a405a5f03bf4cb8a17df82d859e71dd0.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Cheryl Narumi Naruse</itunes:subtitle>
      <itunes:summary>Cheryl Narumi Naruse talks about the transformation of Singapore over the past decades into a site of postcolonial promise, with economic prosperity and cultural soft power. She discusses a range of texts ranging from official state documents to the immensely popular book and movie adaptation of Crazy Rich Asians, which bear witness to and contribute to this change.
Cheryl Narumi Naruse (nah-roo-seh) is Assistant Professor of English and the Andrew W. Mellon Assistant Professor of the Humanities at Tulane University. Her research and teaching interests include contemporary Anglophone literatures and cultures (particularly those from Southeast Asia and the Pacific Islands), diasporic Asian and Asian American literature, postcolonial theory, cultures of capitalism, and genre studies. Her first book, Becoming Global Asia: Contemporary Genres of Postcolonial Capitalism in Singapore is forthcoming from University of California Press in 2023. She is also working on a second monograph which explores the illegibility of Singapore/Malaysia—as the comparatively “cold” Southeast nations in the context of the Vietnam War—in Asian American and postcolonial studies. 
Image: © 2023 Saronik Bosu
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Cheryl Narumi Naruse talks about the transformation of Singapore over the past decades into a site of postcolonial promise, with economic prosperity and cultural soft power. She discusses a range of texts ranging from official state documents to the immensely popular book and movie adaptation of <em>Crazy Rich Asians</em>, which bear witness to and contribute to this change.</p><p><a href="https://liberalarts.tulane.edu/departments/english/people/faculty-staff/cheryl-naruse">Cheryl Narumi Naruse</a> (nah-roo-seh) is Assistant Professor of English and the Andrew W. Mellon Assistant Professor of the Humanities at Tulane University. Her research and teaching interests include contemporary Anglophone literatures and cultures (particularly those from Southeast Asia and the Pacific Islands), diasporic Asian and Asian American literature, postcolonial theory, cultures of capitalism, and genre studies. Her first book, <a href="https://nam11.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.ucpress.edu%2Fbook%2F9780520396661%2Fbecoming-global-asia&amp;data=05%7C01%7Camccullough1%40tulane.edu%7Cb327a32976fe48c0f52208db40735dfd%7C9de9818325d94b139fc34de5489c1f3b%7C0%7C0%7C638174636460684503%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C3000%7C%7C%7C&amp;sdata=WxjPKnLUlQASJFJxXtniiSHAzS918VM5jw44oR6fXAI%3D&amp;reserved=0"><em>Becoming Global Asia: Contemporary Genres of Postcolonial Capitalism in Singapore</em></a> is forthcoming from University of California Press in 2023. She is also working on a second monograph which explores the illegibility of Singapore/Malaysia—as the comparatively “cold” Southeast nations in the context of the Vietnam War—in Asian American and postcolonial studies. </p><p>Image: © 2023 Saronik Bosu</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1092</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Andrew Small, "No Limits: The Inside Story of China's War with the West" (Melville House, 2022)</title>
      <description>Today I talked to Andrew Small about his book No Limits: The Inside Story of China's War with the West (Melville House, 2022).
Winston Churchill famously described Russia in 1939 as “a riddle, wrapped in a mystery, inside an enigma.” But as Andrew Small correctly argues here, China’s path forward has often been laid out quite explicitly by its authoritarian leader Xi Jinping in speeches to the Community Party and elsewhere. The totality of those proclamations is that a real battle lies ahead, perhaps even in military terms. Will China continue to back Russia? Will China ultimately invade Taiwan? Why should Western companies be singularly allowed to decide whether to share their advanced technology with China? Where to draw the line between economic reward and risk in a global economy that is nevertheless splintering in significant ways. Those and more topics get covered here by a guest who is currently based in Berlin but has spent considerable amounts of time in Beijing.
Andrew Small is a senior transatlantic fellow with the Asia program at the German Marshall Fund of the United States. His previous book, The China-Pakistan Axis, received broad praise from the likes of the New York Review of Books, The Economist, and Foreign Affairs.
Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). His latest two books are Blah Blah Blah: A Snarky Guide to Office Lingo and Emotionomics 2.0: The Emotional Dynamics Underlying Key Business Goals.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 04 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>137</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Andrew Small</itunes:subtitle>
      <itunes:summary>Today I talked to Andrew Small about his book No Limits: The Inside Story of China's War with the West (Melville House, 2022).
Winston Churchill famously described Russia in 1939 as “a riddle, wrapped in a mystery, inside an enigma.” But as Andrew Small correctly argues here, China’s path forward has often been laid out quite explicitly by its authoritarian leader Xi Jinping in speeches to the Community Party and elsewhere. The totality of those proclamations is that a real battle lies ahead, perhaps even in military terms. Will China continue to back Russia? Will China ultimately invade Taiwan? Why should Western companies be singularly allowed to decide whether to share their advanced technology with China? Where to draw the line between economic reward and risk in a global economy that is nevertheless splintering in significant ways. Those and more topics get covered here by a guest who is currently based in Berlin but has spent considerable amounts of time in Beijing.
Andrew Small is a senior transatlantic fellow with the Asia program at the German Marshall Fund of the United States. His previous book, The China-Pakistan Axis, received broad praise from the likes of the New York Review of Books, The Economist, and Foreign Affairs.
Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. (https://www.sensorylogic.com). His latest two books are Blah Blah Blah: A Snarky Guide to Office Lingo and Emotionomics 2.0: The Emotional Dynamics Underlying Key Business Goals.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Andrew Small about his book <a href="https://bookshop.org/a/12343/9781685890193"><em>No Limits: The Inside Story of China's War with the West</em></a> (Melville House, 2022).</p><p>Winston Churchill famously described Russia in 1939 as “a riddle, wrapped in a mystery, inside an enigma.” But as Andrew Small correctly argues here, China’s path forward has often been laid out quite explicitly by its authoritarian leader Xi Jinping in speeches to the Community Party and elsewhere. The totality of those proclamations is that a real battle lies ahead, perhaps even in military terms. Will China continue to back Russia? Will China ultimately invade Taiwan? Why should Western companies be singularly allowed to decide whether to share their advanced technology with China? Where to draw the line between economic reward and risk in a global economy that is nevertheless splintering in significant ways. Those and more topics get covered here by a guest who is currently based in Berlin but has spent considerable amounts of time in Beijing.</p><p>Andrew Small is a senior transatlantic fellow with the Asia program at the German Marshall Fund of the United States. His previous book, <em>The China-Pakistan Axis</em>, received broad praise from the likes of the <em>New York Review of Books</em>, <em>The Economist</em>, and <em>Foreign Affairs</em>.</p><p><em>Dan Hill, PhD, is the author of ten books and leads Sensory Logic, Inc. (</em><a href="https://www.sensorylogic.com/"><em>https://www.sensorylogic.com</em></a><em>). His latest two books are Blah Blah Blah: A Snarky Guide to Office Lingo and Emotionomics 2.0: The Emotional Dynamics Underlying Key Business Goals.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1621</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Li-Chun Hsiao, "The Soldier-Writer, the Expatriate, and Cold War Modernism in Taiwan" (Lexington Books, 2022)</title>
      <description>The Soldier-Writer, the Expatriate, and Cold War Modernism in Taiwan: Freedom in the Trenches (Lexington Books, 2022) argues that what appeared to be a “genesis” of new literature engendered by the modernist movement in postwar Taiwan was made possible only through the “splendid isolation” within the Cold War world order sustaining the bubble in which “Free China” lived on borrowed time. The book explores the trenches of freedom in whose confines the soldier-poets’ were surrealistically acquiesced to roam free under the aegis of “pure literature” and the buffer zone created by the US presence in Taiwan—and the modernists’ expatriate writing from America—that aided their moderated deviance from the official line. It critically examines the anti-establishment character and gesture in the movement phase in terms of its entanglements with the state apparatus and the US-aided literary establishment. Taiwan’s modernists counterbalance their retrospectively perceived excess and nuanced forms of exit with a series of spiritual as well as actual returns, upon which earlier traditionalist undercurrents would surface. This modernism’s mixed legacies, with its aesthetic avant-gardism marrying politically moderate or conservative penchants, date back to its bifurcated mode of existence and operation of separating the realm of the aesthetic from everything else in life during the Cold War.
Li-Chun Hsiao is professor at Waseda University in Tokyo, teaching at its School of International Liberal Studies, as well as its Graduate School of International Culture and Communication Studies. Hsiao is also the author of the monograph The Indivisible Globe, the Indissoluble Nation: Universality, Postcoloniality, and Nationalism in the Age of Globalization (ibidem Press, 2021).
Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 18 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>490</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Li-Chun Hsiao</itunes:subtitle>
      <itunes:summary>The Soldier-Writer, the Expatriate, and Cold War Modernism in Taiwan: Freedom in the Trenches (Lexington Books, 2022) argues that what appeared to be a “genesis” of new literature engendered by the modernist movement in postwar Taiwan was made possible only through the “splendid isolation” within the Cold War world order sustaining the bubble in which “Free China” lived on borrowed time. The book explores the trenches of freedom in whose confines the soldier-poets’ were surrealistically acquiesced to roam free under the aegis of “pure literature” and the buffer zone created by the US presence in Taiwan—and the modernists’ expatriate writing from America—that aided their moderated deviance from the official line. It critically examines the anti-establishment character and gesture in the movement phase in terms of its entanglements with the state apparatus and the US-aided literary establishment. Taiwan’s modernists counterbalance their retrospectively perceived excess and nuanced forms of exit with a series of spiritual as well as actual returns, upon which earlier traditionalist undercurrents would surface. This modernism’s mixed legacies, with its aesthetic avant-gardism marrying politically moderate or conservative penchants, date back to its bifurcated mode of existence and operation of separating the realm of the aesthetic from everything else in life during the Cold War.
Li-Chun Hsiao is professor at Waseda University in Tokyo, teaching at its School of International Liberal Studies, as well as its Graduate School of International Culture and Communication Studies. Hsiao is also the author of the monograph The Indivisible Globe, the Indissoluble Nation: Universality, Postcoloniality, and Nationalism in the Age of Globalization (ibidem Press, 2021).
Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781498569095"><em>The Soldier-Writer, the Expatriate, and Cold War Modernism in Taiwan: Freedom in the Trenches</em> </a>(Lexington Books, 2022) argues that what appeared to be a “genesis” of new literature engendered by the modernist movement in postwar Taiwan was made possible only through the “splendid isolation” within the Cold War world order sustaining the bubble in which “Free China” lived on borrowed time. The book explores the trenches of freedom in whose confines the soldier-poets’ were surrealistically acquiesced to roam free under the aegis of “pure literature” and the buffer zone created by the US presence in Taiwan—and the modernists’ expatriate writing from America—that aided their moderated deviance from the official line. It critically examines the anti-establishment character and gesture in the movement phase in terms of its entanglements with the state apparatus and the US-aided literary establishment. Taiwan’s modernists counterbalance their retrospectively perceived excess and nuanced forms of exit with a series of spiritual as well as actual returns, upon which earlier traditionalist undercurrents would surface. This modernism’s mixed legacies, with its aesthetic avant-gardism marrying politically moderate or conservative penchants, date back to its bifurcated mode of existence and operation of separating the realm of the aesthetic from everything else in life during the Cold War.</p><p>Li-Chun Hsiao is professor at Waseda University in Tokyo, teaching at its School of International Liberal Studies, as well as its Graduate School of International Culture and Communication Studies. Hsiao is also the author of the monograph <em>The Indivisible Globe, the Indissoluble Nation: Universality, Postcoloniality, and Nationalism in the Age of Globalization </em>(ibidem Press, 2021).</p><p><em>Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>5640</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Carolyn Woods Eisenberg, "Fire and Rain: Nixon, Kissinger, and the Wars in Southeast Asia" (Oxford UP, 2023)</title>
      <description>Fire and Rain: Nixon, Kissinger, and the Wars in Southeast Asia (Oxford UP, 2023) is a compelling, meticulous narrative of the way national security decisions formed at the highest levels of government affect the lives of individuals at home and abroad. By drawing these connections, Carolyn Woods Eisenberg brings to life policy decisions about Vietnam, Laos, and Cambodia, conveying their significance to a new generation of readers. She breaks fresh ground in contextualizing Richard Nixon and Henry Kissinger's decisions within a wider institutional and societal framework. While recognizing the distinctive personalities and ideas of these two men, this study more broadly conveys the competing roles and impact of the professional military, the Congress, and a mobilized peace movement.
Drawing upon a vast collection of declassified documents, Eisenberg presents an important re-interpretation of the Nixon Administration's relations with the Soviet Union and China vis a vis the war in Southeast Asia. She argues that in their desperate effort to overcome, or at least overshadow, their failure in Vietnam, Nixon and Kissinger made major concessions to both nations in the field of arms control, their response to the India-Pakistan war, and the diplomacy surrounding Taiwan--much of this secret. Despite policymakers' claims that the Vietnam War was a "national security" necessity that would demonstrate American strength to the communist superpowers and "credibility" to friendly governments, the historical record suggests a different reality.
A half-century after the Paris Peace Conference marking the withdrawal of US troops and advisors from Vietnam and foreign troops from Laos and Cambodia, Fire and Rain is a dramatic account of geopolitical decision making, civil society, and the human toll of the war on the people of Southeast Asia.
﻿AJ Woodhams hosts the "War Books" podcast. You can subscribe on Apple here and on Spotify here. War Books is on YouTube, Facebook and Instagram.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 05 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>145</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Carolyn Woods Eisenberg</itunes:subtitle>
      <itunes:summary>Fire and Rain: Nixon, Kissinger, and the Wars in Southeast Asia (Oxford UP, 2023) is a compelling, meticulous narrative of the way national security decisions formed at the highest levels of government affect the lives of individuals at home and abroad. By drawing these connections, Carolyn Woods Eisenberg brings to life policy decisions about Vietnam, Laos, and Cambodia, conveying their significance to a new generation of readers. She breaks fresh ground in contextualizing Richard Nixon and Henry Kissinger's decisions within a wider institutional and societal framework. While recognizing the distinctive personalities and ideas of these two men, this study more broadly conveys the competing roles and impact of the professional military, the Congress, and a mobilized peace movement.
Drawing upon a vast collection of declassified documents, Eisenberg presents an important re-interpretation of the Nixon Administration's relations with the Soviet Union and China vis a vis the war in Southeast Asia. She argues that in their desperate effort to overcome, or at least overshadow, their failure in Vietnam, Nixon and Kissinger made major concessions to both nations in the field of arms control, their response to the India-Pakistan war, and the diplomacy surrounding Taiwan--much of this secret. Despite policymakers' claims that the Vietnam War was a "national security" necessity that would demonstrate American strength to the communist superpowers and "credibility" to friendly governments, the historical record suggests a different reality.
A half-century after the Paris Peace Conference marking the withdrawal of US troops and advisors from Vietnam and foreign troops from Laos and Cambodia, Fire and Rain is a dramatic account of geopolitical decision making, civil society, and the human toll of the war on the people of Southeast Asia.
﻿AJ Woodhams hosts the "War Books" podcast. You can subscribe on Apple here and on Spotify here. War Books is on YouTube, Facebook and Instagram.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780197639061"><em>Fire and Rain: Nixon, Kissinger, and the Wars in Southeast Asia</em></a><em> </em>(Oxford UP, 2023) is a compelling, meticulous narrative of the way national security decisions formed at the highest levels of government affect the lives of individuals at home and abroad. By drawing these connections, Carolyn Woods Eisenberg brings to life policy decisions about Vietnam, Laos, and Cambodia, conveying their significance to a new generation of readers. She breaks fresh ground in contextualizing Richard Nixon and Henry Kissinger's decisions within a wider institutional and societal framework. While recognizing the distinctive personalities and ideas of these two men, this study more broadly conveys the competing roles and impact of the professional military, the Congress, and a mobilized peace movement.</p><p>Drawing upon a vast collection of declassified documents, Eisenberg presents an important re-interpretation of the Nixon Administration's relations with the Soviet Union and China vis a vis the war in Southeast Asia. She argues that in their desperate effort to overcome, or at least overshadow, their failure in Vietnam, Nixon and Kissinger made major concessions to both nations in the field of arms control, their response to the India-Pakistan war, and the diplomacy surrounding Taiwan--much of this secret. Despite policymakers' claims that the Vietnam War was a "national security" necessity that would demonstrate American strength to the communist superpowers and "credibility" to friendly governments, the historical record suggests a different reality.</p><p>A half-century after the Paris Peace Conference marking the withdrawal of US troops and advisors from Vietnam and foreign troops from Laos and Cambodia, <em>Fire and Rain</em> is a dramatic account of geopolitical decision making, civil society, and the human toll of the war on the people of Southeast Asia.</p><p><em>﻿</em><a href="https://ajwoodhams.com/"><em>AJ Woodhams</em></a><em> hosts the "</em><a href="https://ajwoodhams.com/warbookspodcast/"><em>War Books</em></a><em>" podcast. You can subscribe on Apple </em><a href="http://bit.ly/3ZCL0du"><em>here</em></a><em> and on Spotify </em><a href="https://spoti.fi/3kP9scZ"><em>here</em></a><em>. War Books is on </em><a href="https://www.youtube.com/@warbookspodcast/"><em>YouTube</em></a><em>, </em><a href="https://www.facebook.com/warbookspodcast"><em>Facebook</em></a><em> and </em><a href="https://www.instagram.com/warbookspodcast/"><em>Instagram</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3242</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[979c300e-bebe-11f0-b884-a7659742a73a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7411300827.mp3?updated=1680283165" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Academic Chat: Reflecting on Hu Tai-li’s Indigenous Ethnographic Work in Taiwan</title>
      <description>In this episode, our host, Niki Alsford, invites Prof Scott Simon, the Chair of Taiwan Studies at the University of Ottawa, to share his thoughts and reflections on Prof Hu Tai-li 胡台麗, who pioneered documentary ethnography in Taiwan. Prof Simon talks about how he considers Hu's contributions and influence in academia, especially on the subject of ethnic relations in Taiwan. He further shares his insights on Hu’s documentary, The Voices of Orchid Island, and he further addresses the nuclear waste and over-tourism issues beyond what the viewers see in the documentary. In the second part of the interview, Prof Simon talks about his personal research path and how he turns to work on socio-anthropological research of the indigenous people in Taiwan. He also briefly introduces his current research project, “Austronesian Worlds: Human-animal Entanglements in the Pacific Anthropocene”. If you’re one of those who are passionate about socio-anthropological research of Taiwanese indigenous like Prof Simon and our host, Niki, then you will definitely enjoy this brief exchange amongst the two Taiwan specialists.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 17 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>12</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/73095cca-bebf-11f0-ad9e-ab7dc0b6b7f0/image/24d100a62394727821a62f75310b6b2f.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Scott Simon</itunes:subtitle>
      <itunes:summary>In this episode, our host, Niki Alsford, invites Prof Scott Simon, the Chair of Taiwan Studies at the University of Ottawa, to share his thoughts and reflections on Prof Hu Tai-li 胡台麗, who pioneered documentary ethnography in Taiwan. Prof Simon talks about how he considers Hu's contributions and influence in academia, especially on the subject of ethnic relations in Taiwan. He further shares his insights on Hu’s documentary, The Voices of Orchid Island, and he further addresses the nuclear waste and over-tourism issues beyond what the viewers see in the documentary. In the second part of the interview, Prof Simon talks about his personal research path and how he turns to work on socio-anthropological research of the indigenous people in Taiwan. He also briefly introduces his current research project, “Austronesian Worlds: Human-animal Entanglements in the Pacific Anthropocene”. If you’re one of those who are passionate about socio-anthropological research of Taiwanese indigenous like Prof Simon and our host, Niki, then you will definitely enjoy this brief exchange amongst the two Taiwan specialists.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, our host, Niki Alsford, invites Prof Scott Simon, the Chair of Taiwan Studies at the University of Ottawa, to share his thoughts and reflections on Prof Hu Tai-li 胡台麗, who pioneered documentary ethnography in Taiwan. Prof Simon talks about how he considers Hu's contributions and influence in academia, especially on the subject of ethnic relations in Taiwan. He further shares his insights on Hu’s documentary, <em>The Voices of Orchid Island</em>, and he further addresses the nuclear waste and over-tourism issues beyond what the viewers see in the documentary. In the second part of the interview, Prof Simon talks about his personal research path and how he turns to work on socio-anthropological research of the indigenous people in Taiwan. He also briefly introduces his current research project, “Austronesian Worlds: Human-animal Entanglements in the Pacific Anthropocene”. If you’re one of those who are passionate about socio-anthropological research of Taiwanese indigenous like Prof Simon and our host, Niki, then you will definitely enjoy this brief exchange amongst the two Taiwan specialists.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>709</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ae560092-0095-4509-ae68-c7989c795362]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4825135710.mp3?updated=1677534913" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ian Rowen, "One China, Many Taiwans: The Geopolitics of Cross-Strait Tourism" (Cornell UP, 2023)</title>
      <description>One China, Many Taiwans: The Geopolitics of Cross-Strait Tourism (Cornell UP, 2023) shows how tourism performs and transforms territory. In 2008, as the People’s Republic of China pointed over a thousand missiles across the Taiwan Strait, it sent millions of tourists in the same direction with the encouragement of Taiwan’s politicians and businesspeople. Contrary to the PRC’s efforts to use tourism to incorporate Taiwan into an imaginary “One China,” tourism aggravated tensions between the two polities, polarized Taiwanese society, and pushed Taiwanese popular sentiment farther toward support for national self-determination.
Consequently, Taiwan was performed as a part of China for Chinese group tourists versus experienced as a place of everyday life. Taiwan’s national identity grew increasingly plural, such that not just one or two, but many Taiwans coexisted, even as it faced an existential military threat. Ian Rowen’s treatment of tourism as a political technology provides a new theoretical lens for social scientists to examine the impacts of tourism in the region and worldwide.
Ian Rowen is Associate Professor at National Taiwan Normal University. He is the editor of Transitions in Taiwan. Follow him on Twitter @iirowen.
Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 17 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>487</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Ian Rowen</itunes:subtitle>
      <itunes:summary>One China, Many Taiwans: The Geopolitics of Cross-Strait Tourism (Cornell UP, 2023) shows how tourism performs and transforms territory. In 2008, as the People’s Republic of China pointed over a thousand missiles across the Taiwan Strait, it sent millions of tourists in the same direction with the encouragement of Taiwan’s politicians and businesspeople. Contrary to the PRC’s efforts to use tourism to incorporate Taiwan into an imaginary “One China,” tourism aggravated tensions between the two polities, polarized Taiwanese society, and pushed Taiwanese popular sentiment farther toward support for national self-determination.
Consequently, Taiwan was performed as a part of China for Chinese group tourists versus experienced as a place of everyday life. Taiwan’s national identity grew increasingly plural, such that not just one or two, but many Taiwans coexisted, even as it faced an existential military threat. Ian Rowen’s treatment of tourism as a political technology provides a new theoretical lens for social scientists to examine the impacts of tourism in the region and worldwide.
Ian Rowen is Associate Professor at National Taiwan Normal University. He is the editor of Transitions in Taiwan. Follow him on Twitter @iirowen.
Li-Ping Chen is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781501767692"><em>One China, Many Taiwans: The Geopolitics of Cross-Strait Tourism</em></a><em> </em>(Cornell UP, 2023) shows how tourism performs and transforms territory. In 2008, as the People’s Republic of China pointed over a thousand missiles across the Taiwan Strait, it sent millions of tourists in the same direction with the encouragement of Taiwan’s politicians and businesspeople. Contrary to the PRC’s efforts to use tourism to incorporate Taiwan into an imaginary “One China,” tourism aggravated tensions between the two polities, polarized Taiwanese society, and pushed Taiwanese popular sentiment farther toward support for national self-determination.</p><p>Consequently, Taiwan was performed as a part of China for Chinese group tourists versus experienced as a place of everyday life. Taiwan’s national identity grew increasingly plural, such that not just one or two, but many Taiwans coexisted, even as it faced an existential military threat. Ian Rowen’s treatment of tourism as a political technology provides a new theoretical lens for social scientists to examine the impacts of tourism in the region and worldwide.</p><p><a href="https://www.ianrowen.com/">Ian Rowen</a> is Associate Professor at National Taiwan Normal University. He is the editor of<em> Transitions in Taiwan</em>. Follow him on Twitter @iirowen.</p><p><a href="https://lipingchen.com/index.html"><em>Li-Ping Chen</em></a><em> is Postdoctoral Scholar and Teaching Fellow in the East Asian Studies Center at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>5642</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c9fc8c08-bebc-11f0-8552-9327da23964e]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7650629884.mp3?updated=1678481723" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Book Chat: "Human Glitches" (2020)</title>
      <description>In this episode, our podcast host, Ti-han Chang, invited Ms Lin Hsin-hui, a bourgeoning Taiwanese Sci-fi writer to talk about her award-winning short story collection, Human Glitches. Lin comments on our transforming process as cyborgs. For Lin, sci-fi no longer represents futuristic imagination, but the very reflection of our technologically conditioned hyperreality. We chat about her fascination with the notion of "borders", including borders between humans and machines, men and women, normality and abnormality..., and how these borders can be translated into themes for her fictional creation. Finally, Lin also tells us how literary and philosophical theories such as posthumanism, queer theory, cultural constructivism, inspired and influenced her creative writings.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 16 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>11</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/690ff922-bebf-11f0-bd2c-63b10ec2cc15/image/24d100a62394727821a62f75310b6b2f.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Lin Hsin-hui</itunes:subtitle>
      <itunes:summary>In this episode, our podcast host, Ti-han Chang, invited Ms Lin Hsin-hui, a bourgeoning Taiwanese Sci-fi writer to talk about her award-winning short story collection, Human Glitches. Lin comments on our transforming process as cyborgs. For Lin, sci-fi no longer represents futuristic imagination, but the very reflection of our technologically conditioned hyperreality. We chat about her fascination with the notion of "borders", including borders between humans and machines, men and women, normality and abnormality..., and how these borders can be translated into themes for her fictional creation. Finally, Lin also tells us how literary and philosophical theories such as posthumanism, queer theory, cultural constructivism, inspired and influenced her creative writings.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, our podcast host, Ti-han Chang, invited Ms Lin Hsin-hui, a bourgeoning Taiwanese Sci-fi writer to talk about her award-winning short story collection, <em>Human Glitches</em>. Lin comments on <em>our</em> transforming process as cyborgs. For Lin, sci-fi no longer represents futuristic imagination, but the very reflection of our technologically conditioned hyperreality. We chat about her fascination with the notion of "borders", including borders between humans and machines, men and women, normality and abnormality..., and how these borders can be translated into themes for her fictional creation. Finally, Lin also tells us how literary and philosophical theories such as posthumanism, queer theory, cultural constructivism, inspired and influenced her creative writings.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2088</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a9d4e638-6dfd-4b41-a01e-99d9e4b1166f]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4607805374.mp3?updated=1677534336" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Book Chat: "Taiwan’s Green Parties. Alternative Politics in Taiwan" (Routledge, 2021)</title>
      <description>In this podcast, the host, Lara Momesso, interviews Prof Dafydd Fell, Director of the Centre of Taiwan Studies at the School of Oriental and African Studies in London. The two discuss Prof Fell’s most recent book, “Taiwan’s Green Parties. Alternative Politics in Taiwan” published by Routledge in 2021. In this engaging chat, Prof Fell shares with the audience how he decided to write a book on green parties in Taiwan, the relevance that alternative and small parties may have on the overall evolution of the political debate in Taiwan, and the results of the recent local elections in Taiwan. This podcast is for lovers of Taiwan politics and for anyone interested to know the role of small parties in the broader political process of many countries around the world.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 15 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>10</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/6052a186-bebf-11f0-b699-63dbb968b336/image/24d100a62394727821a62f75310b6b2f.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Dafydd Fell</itunes:subtitle>
      <itunes:summary>In this podcast, the host, Lara Momesso, interviews Prof Dafydd Fell, Director of the Centre of Taiwan Studies at the School of Oriental and African Studies in London. The two discuss Prof Fell’s most recent book, “Taiwan’s Green Parties. Alternative Politics in Taiwan” published by Routledge in 2021. In this engaging chat, Prof Fell shares with the audience how he decided to write a book on green parties in Taiwan, the relevance that alternative and small parties may have on the overall evolution of the political debate in Taiwan, and the results of the recent local elections in Taiwan. This podcast is for lovers of Taiwan politics and for anyone interested to know the role of small parties in the broader political process of many countries around the world.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this podcast, the host, Lara Momesso, interviews Prof Dafydd Fell, Director of the Centre of Taiwan Studies at the School of Oriental and African Studies in London. The two discuss Prof Fell’s most recent book, “Taiwan’s Green Parties. Alternative Politics in Taiwan” published by Routledge in 2021. In this engaging chat, Prof Fell shares with the audience how he decided to write a book on green parties in Taiwan, the relevance that alternative and small parties may have on the overall evolution of the political debate in Taiwan, and the results of the recent local elections in Taiwan. This podcast is for lovers of Taiwan politics and for anyone interested to know the role of small parties in the broader political process of many countries around the world.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1740</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1a34020b-67d1-4163-89eb-f8820fa1d892]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4567207997.mp3?updated=1677533832" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Film Chat: Vietnamese Refugee Camps in Penghu</title>
      <description>In this podcast, the host, Lara Momesso, interviews the Taiwanese movie director Asio Liu on his most recent movie project on the Vietnamese refugee camps in Penghu. Many of us are familiar with the inexorable flow of Vietnamese boat people right after the end of the war in Vietnam. Though, very few know that some of the Vietnamese boat people landed in Penghu, in the Taiwan Strait, just off the west coast of Taiwan and they ended up living there until they were resettled. The Penghu refugee camps were destroyed at the beginning of the 2000s. By revealing the process of discovering the refugee camps in Penghu and connecting with the refugees who have been there, Asio discusses personal and collective aspects of a phenomenon that brings together global, regional and local issues and which has become the subject of a 20 year-long project.
For those who are interested to know more about this issue, here you can find some links:

Asio Liu asio.liu@gmail.com


Instagram: The Chiangmei Refugee Archive (CRAA)

Facebook: @澎湖難民營三部曲 Penghu Refugee Camps Trilogy at the Taiwan Strait


Twitter: @CRAA_Chiangmei



Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 14 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>9</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/597834d4-bebf-11f0-8416-5f59ca8076f8/image/24d100a62394727821a62f75310b6b2f.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Asio Liu</itunes:subtitle>
      <itunes:summary>In this podcast, the host, Lara Momesso, interviews the Taiwanese movie director Asio Liu on his most recent movie project on the Vietnamese refugee camps in Penghu. Many of us are familiar with the inexorable flow of Vietnamese boat people right after the end of the war in Vietnam. Though, very few know that some of the Vietnamese boat people landed in Penghu, in the Taiwan Strait, just off the west coast of Taiwan and they ended up living there until they were resettled. The Penghu refugee camps were destroyed at the beginning of the 2000s. By revealing the process of discovering the refugee camps in Penghu and connecting with the refugees who have been there, Asio discusses personal and collective aspects of a phenomenon that brings together global, regional and local issues and which has become the subject of a 20 year-long project.
For those who are interested to know more about this issue, here you can find some links:

Asio Liu asio.liu@gmail.com


Instagram: The Chiangmei Refugee Archive (CRAA)

Facebook: @澎湖難民營三部曲 Penghu Refugee Camps Trilogy at the Taiwan Strait


Twitter: @CRAA_Chiangmei



Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this podcast, the host, Lara Momesso, interviews the Taiwanese movie director Asio Liu on his most recent movie project on the Vietnamese refugee camps in Penghu. Many of us are familiar with the inexorable flow of Vietnamese boat people right after the end of the war in Vietnam. Though, very few know that some of the Vietnamese boat people landed in Penghu, in the Taiwan Strait, just off the west coast of Taiwan and they ended up living there until they were resettled. The Penghu refugee camps were destroyed at the beginning of the 2000s. By revealing the process of discovering the refugee camps in Penghu and connecting with the refugees who have been there, Asio discusses personal and collective aspects of a phenomenon that brings together global, regional and local issues and which has become the subject of a 20 year-long project.</p><p>For those who are interested to know more about this issue, here you can find some links:</p><ul>
<li>Asio Liu <a href="mailto:asio.liu@gmail.com">asio.liu@gmail.com</a>
</li>
<li>Instagram: <a href="https://www.instagram.com/chiangmei.archive/">The Chiangmei Refugee Archive</a> (CRAA)</li>
<li>Facebook: @澎湖難民營三部曲 <a href="https://www.facebook.com/penghu.refugee.camps">Penghu Refugee Camps Trilogy at the Taiwan Strait</a>
</li>
<li>Twitter: <a href="https://twitter.com/CRAA_Chiangmei">@CRAA_Chiangmei</a>
</li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1758</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[139c3e03-1e93-47d1-aa07-c4d6b4f7448a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8269169147.mp3?updated=1677533353" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Book Chat: Comics in Taiwan</title>
      <description>For this installment, we had the pleasure of hosting Norbert Danysz, a PhD candidate at Université Lumière Lyon 2. We chatted about recent developments related to comics in Taiwan – the definition of “Taiwan comics”, their typology, and state promotion of this medium with the aim of building Taiwan’s soft power.
To find out more about niche and mainstream comics, who reads them, how and for whom they are significant, please listen to this episode!
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 13 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>8</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/4f424d56-bebf-11f0-aa61-d746da6adbde/image/24d100a62394727821a62f75310b6b2f.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Norbert Danysz</itunes:subtitle>
      <itunes:summary>For this installment, we had the pleasure of hosting Norbert Danysz, a PhD candidate at Université Lumière Lyon 2. We chatted about recent developments related to comics in Taiwan – the definition of “Taiwan comics”, their typology, and state promotion of this medium with the aim of building Taiwan’s soft power.
To find out more about niche and mainstream comics, who reads them, how and for whom they are significant, please listen to this episode!
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For this installment, we had the pleasure of hosting Norbert Danysz, a PhD candidate at Université Lumière Lyon 2. We chatted about recent developments related to comics in Taiwan – the definition of “Taiwan comics”, their typology, and state promotion of this medium with the aim of building Taiwan’s soft power.</p><p>To find out more about niche and mainstream comics, who reads them, how and for whom they are significant, please listen to this episode!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2525</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[182e3be0-3d72-497d-bd6e-dfc0bf9bded3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3105939278.mp3?updated=1677533098" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Book Chat: Queering the Anthropocene in Taiwan Sci-Fi</title>
      <description>In this episode, we have the pleasure to have Mr Chi Ta-wei, a renowned Taiwanese writer, talk about his acclaimed LGBTQ+ novel, The Membranes. Chi reviews this work which was published in the 90s and provides his reflection on how to re-read the novel in the context of the Anthropocene. We also chat about the influence of Japanese manga and anime on his Sci-fi world-creating and his view on contemporary speculative fiction. Chi further shares with us his thoughts on the next generation of Taiwanese sci-fi novelists. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 12 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>7</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/45b5574c-bebf-11f0-9a7c-276bf6ce4fa7/image/24d100a62394727821a62f75310b6b2f.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Chi Ta-wei</itunes:subtitle>
      <itunes:summary>In this episode, we have the pleasure to have Mr Chi Ta-wei, a renowned Taiwanese writer, talk about his acclaimed LGBTQ+ novel, The Membranes. Chi reviews this work which was published in the 90s and provides his reflection on how to re-read the novel in the context of the Anthropocene. We also chat about the influence of Japanese manga and anime on his Sci-fi world-creating and his view on contemporary speculative fiction. Chi further shares with us his thoughts on the next generation of Taiwanese sci-fi novelists. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, we have the pleasure to have Mr Chi Ta-wei, a renowned Taiwanese writer, talk about his acclaimed LGBTQ+ novel, <em>The Membranes</em>. Chi reviews this work which was published in the 90s and provides his reflection on how to re-read the novel in the context of the Anthropocene. We also chat about the influence of Japanese manga and anime on his Sci-fi world-creating and his view on contemporary speculative fiction. Chi further shares with us his thoughts on the next generation of Taiwanese sci-fi novelists. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2055</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK6021604407.mp3?updated=1677532453" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Film Chat: Queer, Sci-Fi and the Family</title>
      <description>For this installment, we had the pleasure of hosting Maja Korbecka, a PhD candidate at Freie Universitat Berlin. We chatted about five East Asian films released between 2016 and 2022, and the topics of queer, sci-fi and the family.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 11 Mar 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>6</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/3e1f1798-bebf-11f0-ab7c-1750c54b8e2e/image/24d100a62394727821a62f75310b6b2f.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Maja Korbecka</itunes:subtitle>
      <itunes:summary>For this installment, we had the pleasure of hosting Maja Korbecka, a PhD candidate at Freie Universitat Berlin. We chatted about five East Asian films released between 2016 and 2022, and the topics of queer, sci-fi and the family.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For this installment, we had the pleasure of hosting Maja Korbecka, a PhD candidate at Freie Universitat Berlin. We chatted about five East Asian films released between 2016 and 2022, and the topics of queer, sci-fi and the family.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2308</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK3989709552.mp3?updated=1677531965" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Book Chat: "Puppets, Gods and Brands. Theorizing the Age of Animation from Taiwan" (U Hawaii Press, 2019)</title>
      <description>For this instalment, we had the pleasure of hosting Teri Silvio, who works as Research Fellow at the Academia Sinica Institute of Ethnology. We chatted about Teri’s recently published book, Puppets, Gods and Brands. Theorizing the Age of Animation from Taiwan (2019), her previous work and current projects.
To find out more about performance and animation, a Taiwan-centered mode of animation (ang-a), cute gods and designer toys, please listen to this episode!
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 10 Mar 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>5</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/2d451f80-bebf-11f0-a329-3733874c2c24/image/f7a5103d7b2cfd12c98b698bbc6511ec.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>An interview with Teri Silvio</itunes:subtitle>
      <itunes:summary>For this instalment, we had the pleasure of hosting Teri Silvio, who works as Research Fellow at the Academia Sinica Institute of Ethnology. We chatted about Teri’s recently published book, Puppets, Gods and Brands. Theorizing the Age of Animation from Taiwan (2019), her previous work and current projects.
To find out more about performance and animation, a Taiwan-centered mode of animation (ang-a), cute gods and designer toys, please listen to this episode!
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For this instalment, we had the pleasure of hosting Teri Silvio, who works as Research Fellow at the Academia Sinica Institute of Ethnology. We chatted about Teri’s recently published book, <em>Puppets, Gods and Brands. Theorizing the Age of Animation from Taiwan</em> (2019), her previous work and current projects.</p><p>To find out more about performance and animation, a Taiwan-centered mode of animation (<em>ang-a</em>), cute gods and designer toys, please listen to this episode!</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3384</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[029b8f2b-8ef3-45d3-8374-a4317dc5657c]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8060448707.mp3?updated=1677531272" length="0" type="audio/mpeg"/>
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