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    <title>The University of Arizona Press Podcast</title>
    <link>https://newbooksnetwork.com/</link>
    <language>en</language>
    <copyright>New Books Network</copyright>
    <description>Interviews with authors of the University of Arizona Press books.</description>
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      <title>The University of Arizona Press Podcast</title>
      <link>https://newbooksnetwork.com/</link>
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    <itunes:author>New Books Network</itunes:author>
    <itunes:summary>Interviews with authors of the University of Arizona Press books.</itunes:summary>
    <content:encoded>
      <![CDATA[<p>Interviews with authors of the University of Arizona Press books.</p>]]>
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    <itunes:owner>
      <itunes:name>New Books Network</itunes:name>
      <itunes:email>marshallpoe@newbooksnetwork.com</itunes:email>
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      <itunes:category text="Books"/>
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    <itunes:category text="History">
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    <item>
      <title>Kasey Jernigan, "Commod Bods: Embodied Heritage, Foodways, and Indigeneity" (U Arizona Press, 2026)</title>
      <description>The term "commod bod" is used with humor and affection. It also offers a critical way to describe bodies shaped by long-term reliance on U.S. federal commodity food programs.

In Commod Bods: Embodied Heritage, Foodways, and Indigeneity (University of Arizona Press, 2026), Kasey Jernigan shares her ongoing collaborative research with Choctaw women and describes the ways that shifting patterns of participation in food and nutrition assistance programs (commodity foods) have shaped foodways; how these foodways are linked to bodies and health, particularly "obesity" and related conditions; and how foodways and bodies are intertwined with settler colonialism and experiences of structural violence, identity making, and heritage in the Choctaw Nation of Oklahoma.

Organized thematically, the book moves from a critical history of obesity and health in Indian Country to narratives of Choctaw women navigating food, memory, and belonging. Chapters such as "Food and Fellowship" and "Heritage, Embodied" center personal stories that show how food is not only sustenance but also a site of connection, resistance, and meaning making.

Food is critical to cultural survival and affirmation. For Choctaw people, the intentional demise of traditional foodways and dependence on federal food programs are specific experiences that inform part of what it means to be Choctaw today.

Kasey Jernigan is an assistant professor of American studies and anthropology at the University of Virginia, where she also co-directs the Black and Indigenous Feminist Futures Institute. She is a citizen of the Choctaw Nation of Oklahoma.

Caleb Zakarin is the CEO and Publisher of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 19 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The term "commod bod" is used with humor and affection. It also offers a critical way to describe bodies shaped by long-term reliance on U.S. federal commodity food programs.

In Commod Bods: Embodied Heritage, Foodways, and Indigeneity (University of Arizona Press, 2026), Kasey Jernigan shares her ongoing collaborative research with Choctaw women and describes the ways that shifting patterns of participation in food and nutrition assistance programs (commodity foods) have shaped foodways; how these foodways are linked to bodies and health, particularly "obesity" and related conditions; and how foodways and bodies are intertwined with settler colonialism and experiences of structural violence, identity making, and heritage in the Choctaw Nation of Oklahoma.

Organized thematically, the book moves from a critical history of obesity and health in Indian Country to narratives of Choctaw women navigating food, memory, and belonging. Chapters such as "Food and Fellowship" and "Heritage, Embodied" center personal stories that show how food is not only sustenance but also a site of connection, resistance, and meaning making.

Food is critical to cultural survival and affirmation. For Choctaw people, the intentional demise of traditional foodways and dependence on federal food programs are specific experiences that inform part of what it means to be Choctaw today.

Kasey Jernigan is an assistant professor of American studies and anthropology at the University of Virginia, where she also co-directs the Black and Indigenous Feminist Futures Institute. She is a citizen of the Choctaw Nation of Oklahoma.

Caleb Zakarin is the CEO and Publisher of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The term "commod bod" is used with humor and affection. It also offers a critical way to describe bodies shaped by long-term reliance on U.S. federal commodity food programs.</p>
<p>In <a href="https://bookshop.org/a/12343/9780816556212">Commod Bods: Embodied Heritage, Foodways, and Indigeneity</a><em> </em>(University of Arizona Press, 2026)<em>, </em>Kasey Jernigan shares her ongoing collaborative research with Choctaw women and describes the ways that shifting patterns of participation in food and nutrition assistance programs (commodity foods) have shaped foodways; how these foodways are linked to bodies and health, particularly "obesity" and related conditions; and how foodways and bodies are intertwined with settler colonialism and experiences of structural violence, identity making, and heritage in the Choctaw Nation of Oklahoma.</p>
<p>Organized thematically, the book moves from a critical history of obesity and health in Indian Country to narratives of Choctaw women navigating food, memory, and belonging. Chapters such as "Food and Fellowship" and "Heritage, Embodied" center personal stories that show how food is not only sustenance but also a site of connection, resistance, and meaning making.</p>
<p>Food is critical to cultural survival and affirmation. For Choctaw people, the intentional demise of traditional foodways and dependence on federal food programs are specific experiences that inform part of what it means to be Choctaw today.</p>
<p>Kasey Jernigan is an assistant professor of American studies and anthropology at the University of Virginia, where she also co-directs the Black and Indigenous Feminist Futures Institute. She is a citizen of the Choctaw Nation of Oklahoma.</p>
<p><em>Caleb Zakarin is the CEO and Publisher of the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <itunes:duration>3206</itunes:duration>
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    <item>
      <title>Gabriel S. Estrada, "Queer Indigenous Cinemas: Sovereign Genders from Seven Directions" (U Arizona Press, 2026)</title>
      <description>In Queer Indigenous Cinemas, scholar Gabriel S. Estrada offers an analysis of queer Indigenous media from the Americas, the Pacific, and the Caribbean. This groundbreaking work uses Indigenous directional space and sovereign mapping methods to uncover the emotional, spiritual, and cultural dimensions of queer Indigenous lives. The book's seven chapters--each one of the directions--look closely at media such as cinema and streaming videos that draw on Indigenous concepts from diverse nations such as Diné, Caxcan, Kanaka Maoli, and Nehiyawak.

Gabriel S. Estrada is a Caxcan/Xicanx professor in religious studies at California State University Long Beach, where ze teaches queer spirituality, Indigenous graduate classes, and Nahuatl literature.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 13 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Queer Indigenous Cinemas, scholar Gabriel S. Estrada offers an analysis of queer Indigenous media from the Americas, the Pacific, and the Caribbean. This groundbreaking work uses Indigenous directional space and sovereign mapping methods to uncover the emotional, spiritual, and cultural dimensions of queer Indigenous lives. The book's seven chapters--each one of the directions--look closely at media such as cinema and streaming videos that draw on Indigenous concepts from diverse nations such as Diné, Caxcan, Kanaka Maoli, and Nehiyawak.

Gabriel S. Estrada is a Caxcan/Xicanx professor in religious studies at California State University Long Beach, where ze teaches queer spirituality, Indigenous graduate classes, and Nahuatl literature.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <em>Queer Indigenous Cinemas</em>, scholar Gabriel S. Estrada offers an analysis of queer Indigenous media from the Americas, the Pacific, and the Caribbean. This groundbreaking work uses Indigenous directional space and sovereign mapping methods to uncover the emotional, spiritual, and cultural dimensions of queer Indigenous lives. The book's seven chapters--each one of the directions--look closely at media such as cinema and streaming videos that draw on Indigenous concepts from diverse nations such as Diné, Caxcan, Kanaka Maoli, and Nehiyawak.</p>
<p>Gabriel S. Estrada is a Caxcan/Xicanx professor in religious studies at California State University Long Beach, where ze teaches queer spirituality, Indigenous graduate classes, and Nahuatl literature.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>5643</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Manuel Iris, "The Whole Earth Is a Garden of Monsters / Toda la Tierra Es Un Jardín de Monstruos" (U Arizona Press, 2026)</title>
      <description>This award-winning bilingual collection intertwines the lives of a Renaissance painter and a modern migrant worker, offering a fresh perspective on art and migration.

In this highly imaginative work, the lives of the northern Renaissance painter Hieronymus Bosch (1450-1516) and an imagined contemporary migrant worker named Juan Coyoc, later known as Juan Domínguez, run in parallel as they mirror each other across languages, time, and continents.

By comparing and at times intertwining these two poetic narratives, the book explores themes of art, migration, narco-violence, family, spirituality, and the idea that every human being represents all humanity at any moment in history. Both Hieronymus Bosch and Juan Domínguez become relatable and intimate figures, part of our own story.

Written in simple, sharp language, the book employs surprising imagery and a novel structure to blur the boundaries between reality and fiction, while examining the intricacies of the human condition--from the life of Saint Anthony to the violent acts of narcos across Central America and the U.S.-Mexico border. With formal sophistication and philosophical depth, this work enriches the tradition of poetry about both migration and art, contributing to the literary heritage of Mexico and the United States over the past several decades.

Manuel Iris is a Mexican-born American poet who has served as poet laureate of Cincinnati, Ohio. Iris is the author of five poetry collections, including The Disguises of Fire [Los disfraces del fuego].

Kevin C. McHugh is book editor and former writer and editor for international branding studios. He taught writing for thirty-one years.

Caleb Zakarin is CEO and Publisher of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 16 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>This award-winning bilingual collection intertwines the lives of a Renaissance painter and a modern migrant worker, offering a fresh perspective on art and migration.

In this highly imaginative work, the lives of the northern Renaissance painter Hieronymus Bosch (1450-1516) and an imagined contemporary migrant worker named Juan Coyoc, later known as Juan Domínguez, run in parallel as they mirror each other across languages, time, and continents.

By comparing and at times intertwining these two poetic narratives, the book explores themes of art, migration, narco-violence, family, spirituality, and the idea that every human being represents all humanity at any moment in history. Both Hieronymus Bosch and Juan Domínguez become relatable and intimate figures, part of our own story.

Written in simple, sharp language, the book employs surprising imagery and a novel structure to blur the boundaries between reality and fiction, while examining the intricacies of the human condition--from the life of Saint Anthony to the violent acts of narcos across Central America and the U.S.-Mexico border. With formal sophistication and philosophical depth, this work enriches the tradition of poetry about both migration and art, contributing to the literary heritage of Mexico and the United States over the past several decades.

Manuel Iris is a Mexican-born American poet who has served as poet laureate of Cincinnati, Ohio. Iris is the author of five poetry collections, including The Disguises of Fire [Los disfraces del fuego].

Kevin C. McHugh is book editor and former writer and editor for international branding studios. He taught writing for thirty-one years.

Caleb Zakarin is CEO and Publisher of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This award-winning bilingual collection intertwines the lives of a Renaissance painter and a modern migrant worker, offering a fresh perspective on art and migration.</p>
<p>In this highly imaginative work, the lives of the northern Renaissance painter Hieronymus Bosch (1450-1516) and an imagined contemporary migrant worker named Juan Coyoc, later known as Juan Domínguez, run in parallel as they mirror each other across languages, time, and continents.</p>
<p>By comparing and at times intertwining these two poetic narratives, the book explores themes of art, migration, narco-violence, family, spirituality, and the idea that every human being represents all humanity at any moment in history. Both Hieronymus Bosch and Juan Domínguez become relatable and intimate figures, part of our own story.</p>
<p>Written in simple, sharp language, the book employs surprising imagery and a novel structure to blur the boundaries between reality and fiction, while examining the intricacies of the human condition--from the life of Saint Anthony to the violent acts of narcos across Central America and the U.S.-Mexico border. With formal sophistication and philosophical depth, this work enriches the tradition of poetry about both migration and art, contributing to the literary heritage of Mexico and the United States over the past several decades.</p>
<p>Manuel Iris is a Mexican-born American poet who has served as poet laureate of Cincinnati, Ohio. Iris is the author of five poetry collections, including The Disguises of Fire [Los disfraces del fuego].</p>
<p>Kevin C. McHugh is book editor and former writer and editor for international branding studios. He taught writing for thirty-one years.</p>
<p><em>Caleb Zakarin is CEO and Publisher of the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2307</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Anne W. Johnson, "Mexico in Space: From La Raza Cósmica to the Space Race" (U Arizona Press, 2026)</title>
      <description>From Aztec sun stones to satellite launches, from muralist visions to dark sky parks, Mexico's engagement with outer space is fundamental to its identity. Mexico in Space: From La Raza Cósmica to the Space Race (University of Arizona Press, 2026) offers a groundbreaking look at how the country has navigated the tensions between technological dependence and sovereign dreams.

Anthropologist Anne W. Johnson reveals Mexico's unique relationship with outer space, describing Indigenous knowledge, nationalist projects, artistic visions, and community practices. Through rich ethnographic detail and historical insight, Johnson challenges the notion that space is for everyone and shows whose voices truly shape the world's cosmic futures. Johnson introduces us to satellite engineers, community astronomers, space generation youth, and artists imagining Mars, each crafting alternative cosmic futures.

As space exploration increasingly becomes the domain of billionaires and superpowers, this book offers a compelling counternarrative, demonstrating how Mexican cosmic engagements suggest more just, inclusive ways of inhabiting Earth and beyond and providing vital lessons for reimagining humanity's place in the cosmos.

Anne W. Johnson is a professor in the graduate program in social anthropology in the Department of Social and Political Science at the Universidad Iberoamericana in Mexico City.

Caleb Zakarin is the CEO and Publisher of the New Books Network. He lives in New York City.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 12 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>From Aztec sun stones to satellite launches, from muralist visions to dark sky parks, Mexico's engagement with outer space is fundamental to its identity. Mexico in Space: From La Raza Cósmica to the Space Race (University of Arizona Press, 2026) offers a groundbreaking look at how the country has navigated the tensions between technological dependence and sovereign dreams.

Anthropologist Anne W. Johnson reveals Mexico's unique relationship with outer space, describing Indigenous knowledge, nationalist projects, artistic visions, and community practices. Through rich ethnographic detail and historical insight, Johnson challenges the notion that space is for everyone and shows whose voices truly shape the world's cosmic futures. Johnson introduces us to satellite engineers, community astronomers, space generation youth, and artists imagining Mars, each crafting alternative cosmic futures.

As space exploration increasingly becomes the domain of billionaires and superpowers, this book offers a compelling counternarrative, demonstrating how Mexican cosmic engagements suggest more just, inclusive ways of inhabiting Earth and beyond and providing vital lessons for reimagining humanity's place in the cosmos.

Anne W. Johnson is a professor in the graduate program in social anthropology in the Department of Social and Political Science at the Universidad Iberoamericana in Mexico City.

Caleb Zakarin is the CEO and Publisher of the New Books Network. He lives in New York City.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From Aztec sun stones to satellite launches, from muralist visions to dark sky parks, Mexico's engagement with outer space is fundamental to its identity. <a href="https://bookshop.org/a/12343/9780816554836">Mexico in Space: From La Raza Cósmica to the Space Race</a><em> </em>(University of Arizona Press, 2026) offers a groundbreaking look at how the country has navigated the tensions between technological dependence and sovereign dreams.</p>
<p>Anthropologist Anne W. Johnson reveals Mexico's unique relationship with outer space, describing Indigenous knowledge, nationalist projects, artistic visions, and community practices. Through rich ethnographic detail and historical insight, Johnson challenges the notion that space is for everyone and shows whose voices truly shape the world's cosmic futures. Johnson introduces us to satellite engineers, community astronomers, space generation youth, and artists imagining Mars, each crafting alternative cosmic futures.</p>
<p>As space exploration increasingly becomes the domain of billionaires and superpowers, this book offers a compelling counternarrative, demonstrating how Mexican cosmic engagements suggest more just, inclusive ways of inhabiting Earth and beyond and providing vital lessons for reimagining humanity's place in the cosmos.</p>
<p>Anne W. Johnson is a professor in the graduate program in social anthropology in the Department of Social and Political Science at the Universidad Iberoamericana in Mexico City.</p>
<p><em>Caleb Zakarin is the CEO and Publisher of the New Books Network. He lives in New York City.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3153</itunes:duration>
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    <item>
      <title>Pablo Zavala, "Forging a Mexican People: Collective Subjectivities in Postrevolutionary Print Culture, 1917-1968" (U Arizona Press, 2026)</title>
      <description>Forging a Mexican People: Collective Subjectivities in Postrevolutionary Print Culture, 1917–1968 (University of Arizona Press, 2026) shows how illustrated print culture helped to construct and deconstruct versions of “a people” in postrevolutionary Mexico.

Through meticulous research, Dr. Pablo Zavala uncovers the ways photographers, graphic artists, writers, and activists used print culture to challenge hegemonic conceptions of state-guided narratives and forge alternative collective subjectivities. This book offers a fresh perspective on the sociopolitical landscape of postrevolutionary Mexico, revealing how cultural artifacts simultaneously crafted and reflected the people vis-à-vis different political and social categories. By examining print culture, editorial practices, and related processes such as the creation, consumption, and distribution of said culture, Dr. Zavala’s research contributes to scholarship that has recently reexamined the construction of nationalism by moving away from the focus on state formation and addressing the horizontal and aesthetic dimensions in products by cultural producers from nonstate and grassroots political sectors.

Dr. Zavala examines the conceptual parameters of el pueblo by analyzing El Universal Ilustrado, El Machete, the Taller de Gráfica Popular, the protest graphic art used in Mexico City’s 1968 popular student movement, and graphic art used in California’s Chicano farmworkers’ struggle. Based on in-depth archival research, the work includes primary sources that have never been digitized, offering readers unique insights into the visual manifestations of Mexico’s postrevolutionary identity and their enduring significance.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 10 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Forging a Mexican People: Collective Subjectivities in Postrevolutionary Print Culture, 1917–1968 (University of Arizona Press, 2026) shows how illustrated print culture helped to construct and deconstruct versions of “a people” in postrevolutionary Mexico.

Through meticulous research, Dr. Pablo Zavala uncovers the ways photographers, graphic artists, writers, and activists used print culture to challenge hegemonic conceptions of state-guided narratives and forge alternative collective subjectivities. This book offers a fresh perspective on the sociopolitical landscape of postrevolutionary Mexico, revealing how cultural artifacts simultaneously crafted and reflected the people vis-à-vis different political and social categories. By examining print culture, editorial practices, and related processes such as the creation, consumption, and distribution of said culture, Dr. Zavala’s research contributes to scholarship that has recently reexamined the construction of nationalism by moving away from the focus on state formation and addressing the horizontal and aesthetic dimensions in products by cultural producers from nonstate and grassroots political sectors.

Dr. Zavala examines the conceptual parameters of el pueblo by analyzing El Universal Ilustrado, El Machete, the Taller de Gráfica Popular, the protest graphic art used in Mexico City’s 1968 popular student movement, and graphic art used in California’s Chicano farmworkers’ struggle. Based on in-depth archival research, the work includes primary sources that have never been digitized, offering readers unique insights into the visual manifestations of Mexico’s postrevolutionary identity and their enduring significance.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780816553464">Forging a Mexican People: Collective Subjectivities in Postrevolutionary Print Culture, 1917–1968</a> (University of Arizona Press, 2026) shows how illustrated print culture helped to construct and deconstruct versions of “a people” in postrevolutionary Mexico.</p>
<p>Through meticulous research, Dr. Pablo Zavala uncovers the ways photographers, graphic artists, writers, and activists used print culture to challenge hegemonic conceptions of state-guided narratives and forge alternative collective subjectivities. This book offers a fresh perspective on the sociopolitical landscape of postrevolutionary Mexico, revealing how cultural artifacts simultaneously crafted and reflected the people vis-à-vis different political and social categories. By examining print culture, editorial practices, and related processes such as the creation, consumption, and distribution of said culture, Dr. Zavala’s research contributes to scholarship that has recently reexamined the construction of nationalism by moving away from the focus on state formation and addressing the horizontal and aesthetic dimensions in products by cultural producers from nonstate and grassroots political sectors.</p>
<p>Dr. Zavala examines the conceptual parameters of el pueblo by analyzing El Universal Ilustrado, El Machete, the Taller de Gráfica Popular, the protest graphic art used in Mexico City’s 1968 popular student movement, and graphic art used in California’s Chicano farmworkers’ struggle. Based on in-depth archival research, the work includes primary sources that have never been digitized, offering readers unique insights into the visual manifestations of Mexico’s postrevolutionary identity and their enduring significance.</p>
<p>This interview was conducted by Dr. Miranda Melcher whose<a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"> book</a> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on <a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher">New Books with Miranda Melcher</a>, wherever you get your podcasts.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3909</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Dorothy Denetclaw and Matt Fitzsimons, "The Sons of Gunshooter:  A Navajo Resistance Story" (U Arizona Press, 2026)</title>
      <description>In 1919, the brother of one of the West’s most famous Indian traders was shot to death in a remote corner of the Navajo Nation.Part history, part true crime, The Sons of Gunshooter: A Navajo Resistance Story ﻿(U Arizona Press, 2026) reexamines the killing and subsequent murder trial, while simultaneously embedding the story in a much larger saga of colonization and resistance. The result is a book that’s sweeping in its scope and surgical in its approach. Rewinding the clock to 1868, the authors follow the intertwining paths of two families to offer a riveting, deeply personal account that has been hailed as “a new way of doing historiography.”One of the authors is a descendant of participants in the case; the other is an investigative journalist. By merging Diné oral traditions with archival evidence, they succeed in upending one false narrative after another.

This interview was conducted by Mary Reynolds, publicity manager for the University of Arizona Press. Her book, The Quake That Drained the Desert (forthcoming in 2026) investigates the 1887 borderlands earthquake that changed surface water and groundwater in Arizona and Sonora, Mexico.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 26 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In 1919, the brother of one of the West’s most famous Indian traders was shot to death in a remote corner of the Navajo Nation.Part history, part true crime, The Sons of Gunshooter: A Navajo Resistance Story ﻿(U Arizona Press, 2026) reexamines the killing and subsequent murder trial, while simultaneously embedding the story in a much larger saga of colonization and resistance. The result is a book that’s sweeping in its scope and surgical in its approach. Rewinding the clock to 1868, the authors follow the intertwining paths of two families to offer a riveting, deeply personal account that has been hailed as “a new way of doing historiography.”One of the authors is a descendant of participants in the case; the other is an investigative journalist. By merging Diné oral traditions with archival evidence, they succeed in upending one false narrative after another.

This interview was conducted by Mary Reynolds, publicity manager for the University of Arizona Press. Her book, The Quake That Drained the Desert (forthcoming in 2026) investigates the 1887 borderlands earthquake that changed surface water and groundwater in Arizona and Sonora, Mexico.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1919, the brother of one of the West’s most famous Indian traders was shot to death in a remote corner of the Navajo Nation.<br>Part history, part true crime, <a href="https://bookshop.org/a/12343/9780816556168">The Sons of Gunshooter: A Navajo Resistance Story</a><em> ﻿(</em>U Arizona Press, 2026) reexamines the killing and subsequent murder trial, while simultaneously embedding the story in a much larger saga of colonization and resistance. The result is a book that’s sweeping in its scope and surgical in its approach. Rewinding the clock to 1868, the authors follow the intertwining paths of two families to offer a riveting, deeply personal account that has been hailed as “a new way of doing historiography.”<br>One of the authors is a descendant of participants in the case; the other is an investigative journalist. By merging Diné oral traditions with archival evidence, they succeed in upending one false narrative after another.</p>
<p>This interview was conducted by Mary Reynolds, publicity manager for the <a href="https://uapress.arizona.edu/">University of Arizona Press</a>. Her book, <a href="https://www.nebraskapress.unl.edu/bison-books/9781496240415/the-quake-that-drained-the-desert/"><em>The Quake That Drained the Desert</em></a> (forthcoming in 2026) investigates the 1887 borderlands earthquake that changed surface water and groundwater in Arizona and Sonora, Mexico.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1772</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8f4dce3e-115d-11f1-92f7-9f2e9b77f24c]]></guid>
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    <item>
      <title>Jason Roberts, "We Stay the Same: Subsistence, Logging, and Enduring Hopes for Development in Papua New Guinea" (U Arizona Press, 2024)</title>
      <description>An ethnography of indigenous lives amidst subsistence labor, large-scale logging, and unrealized schemes, We Stay the Same: Subsistence, Logging, and Enduring Hopes for Development in Papua New Guinea (U Arizona Press, 2024) traces how hopes for development in New Hanover, Papua New Guinea, are cultivated, frustrated, and yet continually renewed.

On New Hanover Island in Papua New Guinea, Lavongai communities have long pursued transformative development through logging and large-scale agroforestry projects, only to see forests disappear and livelihoods deteriorate. In We Stay the Same, Jason S. Roberts follows the various Lavongai encounters with multinational special agricultural and business leases that promised sustainable growth but instead deepened inequality and risk. Blending ethnographic and ecological research, Roberts traces how Lavongai people navigate subsistence, dispossession, and what he calls a “political ecology of hope,” showing how aspirations for a better life are continually cultivated, disappointed, and yet never fully abandoned.

Jason S. Roberts is a practicing anthropologist who currently works on subsistence policy and natural resource management issues in Alaska. He completed his PhD at the University of Texas at San Antonio and previously served as a visiting assistant professor of anthropology at Drew University. His work and research engages interests in development, sustainability, climate change, hope, and environmental justice.

Yadong Li is an anthropologist-in-training. He is a PhD candidate of Socio-cultural Anthropology at Tulane University. More details about his scholarship and research interests can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 02 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>An ethnography of indigenous lives amidst subsistence labor, large-scale logging, and unrealized schemes, We Stay the Same: Subsistence, Logging, and Enduring Hopes for Development in Papua New Guinea (U Arizona Press, 2024) traces how hopes for development in New Hanover, Papua New Guinea, are cultivated, frustrated, and yet continually renewed.

On New Hanover Island in Papua New Guinea, Lavongai communities have long pursued transformative development through logging and large-scale agroforestry projects, only to see forests disappear and livelihoods deteriorate. In We Stay the Same, Jason S. Roberts follows the various Lavongai encounters with multinational special agricultural and business leases that promised sustainable growth but instead deepened inequality and risk. Blending ethnographic and ecological research, Roberts traces how Lavongai people navigate subsistence, dispossession, and what he calls a “political ecology of hope,” showing how aspirations for a better life are continually cultivated, disappointed, and yet never fully abandoned.

Jason S. Roberts is a practicing anthropologist who currently works on subsistence policy and natural resource management issues in Alaska. He completed his PhD at the University of Texas at San Antonio and previously served as a visiting assistant professor of anthropology at Drew University. His work and research engages interests in development, sustainability, climate change, hope, and environmental justice.

Yadong Li is an anthropologist-in-training. He is a PhD candidate of Socio-cultural Anthropology at Tulane University. More details about his scholarship and research interests can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An ethnography of indigenous lives amidst subsistence labor, large-scale logging, and unrealized schemes, <a href="https://bookshop.org/a/12343/9780816548149">We Stay the Same: Subsistence, Logging, and Enduring Hopes for Development in Papua New Guinea</a> (U Arizona Press, 2024) traces how hopes for development in New Hanover, Papua New Guinea, are cultivated, frustrated, and yet continually renewed.</p>
<p>On New Hanover Island in Papua New Guinea, Lavongai communities have long pursued transformative development through logging and large-scale agroforestry projects, only to see forests disappear and livelihoods deteriorate. In We Stay the Same, Jason S. Roberts follows the various Lavongai encounters with multinational special agricultural and business leases that promised sustainable growth but instead deepened inequality and risk. Blending ethnographic and ecological research, Roberts traces how Lavongai people navigate subsistence, dispossession, and what he calls a “political ecology of hope,” showing how aspirations for a better life are continually cultivated, disappointed, and yet never fully abandoned.</p>
<p>Jason S. Roberts is a practicing anthropologist who currently works on subsistence policy and natural resource management issues in Alaska. He completed his PhD at the University of Texas at San Antonio and previously served as a visiting assistant professor of anthropology at Drew University. His work and research engages interests in development, sustainability, climate change, hope, and environmental justice.</p>
<p>Yadong Li is an anthropologist-in-training. He is a PhD candidate of Socio-cultural Anthropology at Tulane University. More details about his scholarship and research interests can be found <a href="https://liberalarts.tulane.edu/anthropology/people/graduate-students/yadong-li">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3785</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Allison Caine, "Restless Ecologies: Climate Change and Socioecological Futures in the Peruvian Highlands" (U Arizona Press, 2025)</title>
      <description>In the high Andean grasslands 4,500 meters above sea level, Quechua alpaca herders live on the edges of glaciers that have retreated more rapidly in the past fifty years than at any point in the previous six millennia. Women are the primary herders, and their specialized knowledge and skill is vital to the ability of high-elevation communities to survive in changing climatic conditions. In the past decade, however, these herders and their animals have traversed a rapidly shifting terrain.

Drawing on the Quechua concept of k'ita, or restlessness, Restless Ecologies: Climate Change and Socioecological Futures in the Peruvian Highlands (University of Arizona Press, 2025) explores how herders in the community of Chillca in the Cordillera Vilcanota mountain range of the southeastern Peruvian Andes sense and make sense of changing conditions. Capricious mountains, distracted alpacas, and wayward children deviate from their expected spatial and temporal trajectories. When practices of sociality start to fall apart--when animals no longer listen to herders' whistles, children no longer visit their parents, and humans no longer communicate with mountains--these failures signal a broader ecological instability that threatens the viability of the herder's world.

For more than two years, the author herded alongside the women of the Cordillera Vilcanota, observing them and talking with them about their interactions with their animals, landscapes, and neighbors. Emphasizing the importance of Indigenous knowledge and traditional ecological practices, Caine argues that Quechua understandings of restlessness align with and challenge broader theoretical understandings of what it is to be vulnerable in a time of planetary crisis.

Allison Caine is an environmental anthropologist and an assistant professor of anthropology at the University of Wyoming.

Caleb Zakarin is CEO and Publisher of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 02 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In the high Andean grasslands 4,500 meters above sea level, Quechua alpaca herders live on the edges of glaciers that have retreated more rapidly in the past fifty years than at any point in the previous six millennia. Women are the primary herders, and their specialized knowledge and skill is vital to the ability of high-elevation communities to survive in changing climatic conditions. In the past decade, however, these herders and their animals have traversed a rapidly shifting terrain.

Drawing on the Quechua concept of k'ita, or restlessness, Restless Ecologies: Climate Change and Socioecological Futures in the Peruvian Highlands (University of Arizona Press, 2025) explores how herders in the community of Chillca in the Cordillera Vilcanota mountain range of the southeastern Peruvian Andes sense and make sense of changing conditions. Capricious mountains, distracted alpacas, and wayward children deviate from their expected spatial and temporal trajectories. When practices of sociality start to fall apart--when animals no longer listen to herders' whistles, children no longer visit their parents, and humans no longer communicate with mountains--these failures signal a broader ecological instability that threatens the viability of the herder's world.

For more than two years, the author herded alongside the women of the Cordillera Vilcanota, observing them and talking with them about their interactions with their animals, landscapes, and neighbors. Emphasizing the importance of Indigenous knowledge and traditional ecological practices, Caine argues that Quechua understandings of restlessness align with and challenge broader theoretical understandings of what it is to be vulnerable in a time of planetary crisis.

Allison Caine is an environmental anthropologist and an assistant professor of anthropology at the University of Wyoming.

Caleb Zakarin is CEO and Publisher of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the high Andean grasslands 4,500 meters above sea level, Quechua alpaca herders live on the edges of glaciers that have retreated more rapidly in the past fifty years than at any point in the previous six millennia. Women are the primary herders, and their specialized knowledge and skill is vital to the ability of high-elevation communities to survive in changing climatic conditions. In the past decade, however, these herders and their animals have traversed a rapidly shifting terrain.</p>
<p>Drawing on the Quechua concept of k'ita, or restlessness, <a href="https://bookshop.org/a/12343/9780816554164">Restless Ecologies: Climate Change and Socioecological Futures in the Peruvian Highlands</a> (University of Arizona Press, 2025) explores how herders in the community of Chillca in the Cordillera Vilcanota mountain range of the southeastern Peruvian Andes sense and make sense of changing conditions. Capricious mountains, distracted alpacas, and wayward children deviate from their expected spatial and temporal trajectories. When practices of sociality start to fall apart--when animals no longer listen to herders' whistles, children no longer visit their parents, and humans no longer communicate with mountains--these failures signal a broader ecological instability that threatens the viability of the herder's world.</p>
<p>For more than two years, the author herded alongside the women of the Cordillera Vilcanota, observing them and talking with them about their interactions with their animals, landscapes, and neighbors. Emphasizing the importance of Indigenous knowledge and traditional ecological practices, Caine argues that Quechua understandings of restlessness align with and challenge broader theoretical understandings of what it is to be vulnerable in a time of planetary crisis.</p>
<p>Allison Caine is an environmental anthropologist and an assistant professor of anthropology at the University of Wyoming.</p>
<p><em>Caleb Zakarin is CEO and Publisher of the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2977</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK1686650612.mp3?updated=1769973034" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ana Patricia Rodríguez, "Avocado Dreams: Remaking Salvadoran Life and Art in the Washington, D.C. Metro Area" (University of Arizona Press, 2025)</title>
      <description>For more than four generations, Salvadorans have made themselves at home in the greater Washington, D.C. metropolitan area and have transformed the region, contributing their labor, ingenuity, and culture to the making of a thriving but highly neglected and overlooked community. In this episode, we sit down with Ana Patricia Rodríguez, author of Avocado Dreams: Remaking Salvadoran Life and Art in the Washington, D.C. Metro Area (U Arizona Press, 2025). In In Avocado Dreams, Rodríguez draws from her own positionality as a Salvadoran transplant to examine the construction of the unique Salvadoran cultural imaginary made in the greater D.C. area. Through a careful reading of the creative works of local writers, performers, artists, and artivists, Rodríguez demonstrates how the people have remade themselves in relation to the cultural, ethnoracial, and sociolinguistic diversity of the area. She discusses how Salvadoran people have developed unique, intergenerational Salvadoreñidades, manifested in particular speech and symbolic acts, ethnoracial embodiments, and local identity formations in relation to the diverse communities, most notably Black Washingtonians, who co-inhabit the region.This timely and relevant work not only enriches our understanding of Salvadoran diasporic experiences but also contributes significantly to broader discussions on migration, identity, and cultural production in the United States.

This interview was conducted by Mary Reynolds, publicity manager for the University of Arizona Press. Her book, The Quake That Drained the Desert (forthcoming in 2026) investigates the 1887 borderlands earthquake that changed surface water and groundwater in Arizona and Sonora, Mexico.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 20 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>For more than four generations, Salvadorans have made themselves at home in the greater Washington, D.C. metropolitan area and have transformed the region, contributing their labor, ingenuity, and culture to the making of a thriving but highly neglected and overlooked community. In this episode, we sit down with Ana Patricia Rodríguez, author of Avocado Dreams: Remaking Salvadoran Life and Art in the Washington, D.C. Metro Area (U Arizona Press, 2025). In In Avocado Dreams, Rodríguez draws from her own positionality as a Salvadoran transplant to examine the construction of the unique Salvadoran cultural imaginary made in the greater D.C. area. Through a careful reading of the creative works of local writers, performers, artists, and artivists, Rodríguez demonstrates how the people have remade themselves in relation to the cultural, ethnoracial, and sociolinguistic diversity of the area. She discusses how Salvadoran people have developed unique, intergenerational Salvadoreñidades, manifested in particular speech and symbolic acts, ethnoracial embodiments, and local identity formations in relation to the diverse communities, most notably Black Washingtonians, who co-inhabit the region.This timely and relevant work not only enriches our understanding of Salvadoran diasporic experiences but also contributes significantly to broader discussions on migration, identity, and cultural production in the United States.

This interview was conducted by Mary Reynolds, publicity manager for the University of Arizona Press. Her book, The Quake That Drained the Desert (forthcoming in 2026) investigates the 1887 borderlands earthquake that changed surface water and groundwater in Arizona and Sonora, Mexico.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For more than four generations, Salvadorans have made themselves at home in the greater Washington, D.C. metropolitan area and have transformed the region, contributing their labor, ingenuity, and culture to the making of a thriving but highly neglected and overlooked community. In this episode, we sit down with Ana Patricia Rodríguez, author of <a href="https://bookshop.org/a/12343/9780816546428">Avocado Dreams: Remaking Salvadoran Life and Art in the Washington, D.C. Metro Area</a> (U Arizona Press, 2025). In In <em>Avocado Dreams, </em>Rodríguez draws from her own positionality as a Salvadoran transplant to examine the construction of the unique Salvadoran cultural imaginary made in the greater D.C. area. Through a careful reading of the creative works of local writers, performers, artists, and artivists, Rodríguez demonstrates how the people have remade themselves in relation to the cultural, ethnoracial, and sociolinguistic diversity of the area. She discusses how Salvadoran people have developed unique, intergenerational Salvadoreñidades, manifested in particular speech and symbolic acts, ethnoracial embodiments, and local identity formations in relation to the diverse communities, most notably Black Washingtonians, who co-inhabit the region.<br>This timely and relevant work not only enriches our understanding of Salvadoran diasporic experiences but also contributes significantly to broader discussions on migration, identity, and cultural production in the United States.</p>
<p><em>This interview was conducted by Mary Reynolds, publicity manager for the </em><a href="https://uapress.arizona.edu/"><em>University of Arizona Press</em></a><em>. Her book, </em>The Quake That Drained the Desert<em> (forthcoming in 2026) investigates the 1887 borderlands earthquake that changed surface water and groundwater in Arizona and Sonora, Mexico.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1983</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK6639655159.mp3?updated=1763540926" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rick A López, "Rooted in Place: Botany, Indigeneity, and Art in the Construction of Mexican Nature, 1570-1914" (U Arizona Press, 2025)</title>
      <description>Since the first moment of conquest, colonizers and the colonized alike in Mexico confronted questions about what it meant to be from this place, what natural resources it offered, and who had the right to control those resources and on what basis.

Focusing on the ways people, environment, and policies have been affected by political boundaries, in Rooted in Place: Botany, Indigeneity, and Art in the Construction of Mexican Nature, 1570–1914 (University of Arizona Press, 2025) historian Dr. Rick A. López explores the historical connections between political identities and the natural world. Dr. López analyzes how scientific intellectuals laid claim to nature within Mexico, first on behalf of the Spanish Empire and then in the name of the republic, during three transformative moments: the Hernández expedition of the late sixteenth century; the Royal Botanical Expedition of the late eighteenth century; and the heyday of scientific societies such as the Sociedad Mexicana de Historia Natural of the late nineteenth century.

This work traces how scientific intellectuals studied and debated what it meant to know and claim the flora that sprang from Mexican soil—ranging from individual plants to forests and vegetated landscapes—and the importance they placed on indigeneity. It also points to the short- and long-term consequences of these efforts. Dr. López draws on archival and published sources produced from the sixteenth century through the start of the twentieth century and gives special attention to the use of visual images such as scientific illustrations and landscape art. López employs the term “visualization” in recognition of the degree to which officials, botanists, and draftsmen produced imagery and also how they and others viewed nature.

Rooted in Place reveals how scientific endeavors were not just about cataloging flora but were deeply intertwined with the construction of identity and the political landscape at three pivotal moments in Mexican history.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 28 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>235</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Since the first moment of conquest, colonizers and the colonized alike in Mexico confronted questions about what it meant to be from this place, what natural resources it offered, and who had the right to control those resources and on what basis.

Focusing on the ways people, environment, and policies have been affected by political boundaries, in Rooted in Place: Botany, Indigeneity, and Art in the Construction of Mexican Nature, 1570–1914 (University of Arizona Press, 2025) historian Dr. Rick A. López explores the historical connections between political identities and the natural world. Dr. López analyzes how scientific intellectuals laid claim to nature within Mexico, first on behalf of the Spanish Empire and then in the name of the republic, during three transformative moments: the Hernández expedition of the late sixteenth century; the Royal Botanical Expedition of the late eighteenth century; and the heyday of scientific societies such as the Sociedad Mexicana de Historia Natural of the late nineteenth century.

This work traces how scientific intellectuals studied and debated what it meant to know and claim the flora that sprang from Mexican soil—ranging from individual plants to forests and vegetated landscapes—and the importance they placed on indigeneity. It also points to the short- and long-term consequences of these efforts. Dr. López draws on archival and published sources produced from the sixteenth century through the start of the twentieth century and gives special attention to the use of visual images such as scientific illustrations and landscape art. López employs the term “visualization” in recognition of the degree to which officials, botanists, and draftsmen produced imagery and also how they and others viewed nature.

Rooted in Place reveals how scientific endeavors were not just about cataloging flora but were deeply intertwined with the construction of identity and the political landscape at three pivotal moments in Mexican history.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since the first moment of conquest, colonizers and the colonized alike in Mexico confronted questions about what it meant to be from this place, what natural resources it offered, and who had the right to control those resources and on what basis.</p>
<p>Focusing on the ways people, environment, and policies have been affected by political boundaries, in <em>Rooted in Place: Botany, Indigeneity, and Art in the Construction of Mexican Nature, 1570–1914</em> (University of Arizona Press, 2025) historian Dr. Rick A. López explores the historical connections between political identities and the natural world. Dr. López analyzes how scientific intellectuals laid claim to nature within Mexico, first on behalf of the Spanish Empire and then in the name of the republic, during three transformative moments: the Hernández expedition of the late sixteenth century; the Royal Botanical Expedition of the late eighteenth century; and the heyday of scientific societies such as the Sociedad Mexicana de Historia Natural of the late nineteenth century.</p>
<p>This work traces how scientific intellectuals studied and debated what it meant to know and claim the flora that sprang from Mexican soil—ranging from individual plants to forests and vegetated landscapes—and the importance they placed on indigeneity. It also points to the short- and long-term consequences of these efforts. Dr. López draws on archival and published sources produced from the sixteenth century through the start of the twentieth century and gives special attention to the use of visual images such as scientific illustrations and landscape art. López employs the term “visualization” in recognition of the degree to which officials, botanists, and draftsmen produced imagery and also how they and others viewed nature.</p>
<p><em>Rooted in Place</em> reveals how scientific endeavors were not just about cataloging flora but were deeply intertwined with the construction of identity and the political landscape at three pivotal moments in Mexican history.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3026</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>A Song for the Horses: Musical Heritage for More-than-Human Futures in Mongolia</title>
      <description>As permafrost in Siberia continues to melt and the steppe in the Gobi turns to desert, people in Mongolia are faced with overlapping climate crises. Some nomadic herders describe climate change as the end of a world. They are quick to add that the world has ended before for Indigenous people in North Asia, as waves of colonialism have left the steppe with a complicated web of apocalypses. A Song for the Horses by K. G. Hutchins examines cases in which people respond to the pressures of climate change by drawing on cultural heritage to foster social resiliency. In this episode, K. G. joins me to discuss his research on the morin khuur, or “horse fiddle,” in Mongolia, and how Mongolians use the traditional instrument to express and envision human and more-than-human futures against the backdrop of anthropogenic climate change.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 27 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>46</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>As permafrost in Siberia continues to melt and the steppe in the Gobi turns to desert, people in Mongolia are faced with overlapping climate crises. Some nomadic herders describe climate change as the end of a world. They are quick to add that the world has ended before for Indigenous people in North Asia, as waves of colonialism have left the steppe with a complicated web of apocalypses. A Song for the Horses by K. G. Hutchins examines cases in which people respond to the pressures of climate change by drawing on cultural heritage to foster social resiliency. In this episode, K. G. joins me to discuss his research on the morin khuur, or “horse fiddle,” in Mongolia, and how Mongolians use the traditional instrument to express and envision human and more-than-human futures against the backdrop of anthropogenic climate change.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As permafrost in Siberia continues to melt and the steppe in the Gobi turns to desert, people in Mongolia are faced with overlapping climate crises. Some nomadic herders describe climate change as the end of a world. They are quick to add that the world has ended before for Indigenous people in North Asia, as waves of colonialism have left the steppe with a complicated web of apocalypses. A Song for the Horses by K. G. Hutchins examines cases in which people respond to the pressures of climate change by drawing on cultural heritage to foster social resiliency. In this episode, K. G. joins me to discuss his research on the morin khuur, or “horse fiddle,” in Mongolia, and how Mongolians use the traditional instrument to express and envision human and more-than-human futures against the backdrop of anthropogenic climate change.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3814</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fba3fc64-b9c6-11f0-bc90-2fa6ea97668d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1932241353.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joe Watkins, "Indigenizing Japan: Ainu Past, Present, and Future" (U Arizona Press, 2025)</title>
      <description>In Indigenizing Japan: Ainu Past, Present, and Future (University of Arizona Press, 2025), archaeologist Joe E. Watkins provides a comprehensive look at the rich history and cultural resilience of the Ainu, the Indigenous people of Hokkaido, Japan, tracing their journey from ancient times to their contemporary struggles for recognition.

Relaying the deep history of the islands of Japan, Watkins tells the archaeological story from the earliest arrivals some 40,000 years ago to 16,000 years ago when local cultures began utilizing pottery and stone tools. About 2,300 years ago, another group of people immigrated from the Korean peninsula into the Japanese archipelago, bringing wet rice agriculture with them. They intermarried with the people who were there, forming the basis of the contemporary Japanese majority culture. As the Japanese state developed on the central Islands of Honshu, Ryukyu, and Shikoku, the people of Hokkaido continued developing along a different trajectory with minimal interaction with the mainland until colonization in the mid-nineteenth century, when the people known as the Ainu came under Japanese governmental policy.

Watkins's insightful analysis highlights the Ainu's enduring spirit and their resurgence as part of the global Indigenous movement. Key events such as the 1997 Nibutani Dam case and the 2007 recognition of the Ainu as Japan's Indigenous people are explored in depth, showcasing the Ainu's ongoing fight for cultural preservation and self-determination. By situating the Ainu's experiences within broader global colonial histories, Indigenizing Japan underscores the shared struggles and resilience of Indigenous communities worldwide.

Joe E. Watkins is a senior consultant for Archaeological and Cultural Education Consultants (ACE Consultants), based in Tucson, Arizona. His study interests concern the ethical practice of anthropology and anthropology's relationships with descendant communities and populations on a global scale.

Caleb Zakarin is editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 26 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Indigenizing Japan: Ainu Past, Present, and Future (University of Arizona Press, 2025), archaeologist Joe E. Watkins provides a comprehensive look at the rich history and cultural resilience of the Ainu, the Indigenous people of Hokkaido, Japan, tracing their journey from ancient times to their contemporary struggles for recognition.

Relaying the deep history of the islands of Japan, Watkins tells the archaeological story from the earliest arrivals some 40,000 years ago to 16,000 years ago when local cultures began utilizing pottery and stone tools. About 2,300 years ago, another group of people immigrated from the Korean peninsula into the Japanese archipelago, bringing wet rice agriculture with them. They intermarried with the people who were there, forming the basis of the contemporary Japanese majority culture. As the Japanese state developed on the central Islands of Honshu, Ryukyu, and Shikoku, the people of Hokkaido continued developing along a different trajectory with minimal interaction with the mainland until colonization in the mid-nineteenth century, when the people known as the Ainu came under Japanese governmental policy.

Watkins's insightful analysis highlights the Ainu's enduring spirit and their resurgence as part of the global Indigenous movement. Key events such as the 1997 Nibutani Dam case and the 2007 recognition of the Ainu as Japan's Indigenous people are explored in depth, showcasing the Ainu's ongoing fight for cultural preservation and self-determination. By situating the Ainu's experiences within broader global colonial histories, Indigenizing Japan underscores the shared struggles and resilience of Indigenous communities worldwide.

Joe E. Watkins is a senior consultant for Archaeological and Cultural Education Consultants (ACE Consultants), based in Tucson, Arizona. His study interests concern the ethical practice of anthropology and anthropology's relationships with descendant communities and populations on a global scale.

Caleb Zakarin is editor of the New Books Network.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780816555970">Indigenizing Japan: Ainu Past, Present, and Future</a><em> </em>(University of Arizona Press, 2025)<em>, </em>archaeologist Joe E. Watkins provides a comprehensive look at the rich history and cultural resilience of the Ainu, the Indigenous people of Hokkaido, Japan, tracing their journey from ancient times to their contemporary struggles for recognition.</p>
<p>Relaying the deep history of the islands of Japan, Watkins tells the archaeological story from the earliest arrivals some 40,000 years ago to 16,000 years ago when local cultures began utilizing pottery and stone tools. About 2,300 years ago, another group of people immigrated from the Korean peninsula into the Japanese archipelago, bringing wet rice agriculture with them. They intermarried with the people who were there, forming the basis of the contemporary Japanese majority culture. As the Japanese state developed on the central Islands of Honshu, Ryukyu, and Shikoku, the people of Hokkaido continued developing along a different trajectory with minimal interaction with the mainland until colonization in the mid-nineteenth century, when the people known as the Ainu came under Japanese governmental policy.</p>
<p>Watkins's insightful analysis highlights the Ainu's enduring spirit and their resurgence as part of the global Indigenous movement. Key events such as the 1997 Nibutani Dam case and the 2007 recognition of the Ainu as Japan's Indigenous people are explored in depth, showcasing the Ainu's ongoing fight for cultural preservation and self-determination. By situating the Ainu's experiences within broader global colonial histories, Indigenizing Japan underscores the shared struggles and resilience of Indigenous communities worldwide.</p>
<p>Joe E. Watkins is a senior consultant for Archaeological and Cultural Education Consultants (ACE Consultants), based in Tucson, Arizona. His study interests concern the ethical practice of anthropology and anthropology's relationships with descendant communities and populations on a global scale.</p>
<p><em>Caleb Zakarin is editor of the New Books Network.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2646</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK9253871262.mp3?updated=1761343436" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Vanessa Fonseca-Chávez and Anita Huízar-Hernández eds., "meXicana Roots and Routes: Listening to People, Places, and Pasts" (U Arizona Press, 2025)</title>
      <description>Community voices are often an underrepresented aspect of our historical and cultural knowledge of the U.S. Southwest. In this episode, we sit down with Vanessa Fonseca-Chávez and Anita Huízar-Hernández, editors of meXicana Roots and Routes: Listening to People, Places, and Pasts (U Arizona Press, 2025). In this collection, established and emerging scholars draw upon their rootedness in the U.S. Southwest and U.S.-Mexico borderlands. The meXicana contributors use personal and scholarly inquiry to discuss what it means to cultivate spaces of belonging, navigate language policies, and explore and excavate silences in various spaces, among other important themes.From the recruitment of Latinas for the U.S. Benito Juárez Squadron in World War II, to the early twentieth-century development of bilingual education in Arizona, to new and insightful analyses of Bracero Program participants and their families, the book details little-known oral histories and archival material to present a rich account of lives along the border with emphasis on women and the working class.As the inaugural publication of the Arizona Crossroads series, readers will find Arizona featured as a central node of borderlands roots and routes. Each section of the book intentionally centers Arizona within broader comparative and cross-state dialogues. Throughout, this volume highlights the ways in which personal experience, community building, and scholarly perspectives can provide a powerful space for community voices.Contributors:


  ﻿Vanessa Fonseca-Chávez

  Lillian Gorman

  Gloria Holguín Cuádraz

  Anita Huízar-Hernández

  Christine Marin

  Valerie A. Martínez

  Alina R. Méndez

  Karen R. Roybal

  Yvette J. Saavedra

  Liliana Toledo-Guzmán

  Andrea Tovar


Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 30 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Community voices are often an underrepresented aspect of our historical and cultural knowledge of the U.S. Southwest. In this episode, we sit down with Vanessa Fonseca-Chávez and Anita Huízar-Hernández, editors of meXicana Roots and Routes: Listening to People, Places, and Pasts (U Arizona Press, 2025). In this collection, established and emerging scholars draw upon their rootedness in the U.S. Southwest and U.S.-Mexico borderlands. The meXicana contributors use personal and scholarly inquiry to discuss what it means to cultivate spaces of belonging, navigate language policies, and explore and excavate silences in various spaces, among other important themes.From the recruitment of Latinas for the U.S. Benito Juárez Squadron in World War II, to the early twentieth-century development of bilingual education in Arizona, to new and insightful analyses of Bracero Program participants and their families, the book details little-known oral histories and archival material to present a rich account of lives along the border with emphasis on women and the working class.As the inaugural publication of the Arizona Crossroads series, readers will find Arizona featured as a central node of borderlands roots and routes. Each section of the book intentionally centers Arizona within broader comparative and cross-state dialogues. Throughout, this volume highlights the ways in which personal experience, community building, and scholarly perspectives can provide a powerful space for community voices.Contributors:


  ﻿Vanessa Fonseca-Chávez

  Lillian Gorman

  Gloria Holguín Cuádraz

  Anita Huízar-Hernández

  Christine Marin

  Valerie A. Martínez

  Alina R. Méndez

  Karen R. Roybal

  Yvette J. Saavedra

  Liliana Toledo-Guzmán

  Andrea Tovar


Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Community voices are often an underrepresented aspect of our historical and cultural knowledge of the U.S. Southwest. In this episode, we sit down with Vanessa Fonseca-Chávez and Anita Huízar-Hernández, editors of <a href="https://bookshop.org/a/12343/9780816555130">meXicana Roots and Routes: Listening to People, Places, and Pasts</a> (U Arizona Press, 2025). In this collection, established and emerging scholars draw upon their rootedness in the U.S. Southwest and U.S.-Mexico borderlands. The meXicana contributors use personal and scholarly inquiry to discuss what it means to cultivate spaces of belonging, navigate language policies, and explore and excavate silences in various spaces, among other important themes.<br>From the recruitment of Latinas for the U.S. Benito Juárez Squadron in World War II, to the early twentieth-century development of bilingual education in Arizona, to new and insightful analyses of Bracero Program participants and their families, the book details little-known oral histories and archival material to present a rich account of lives along the border with emphasis on women and the working class.<br>As the inaugural publication of the Arizona Crossroads series, readers will find Arizona featured as a central node of borderlands roots and routes. Each section of the book intentionally centers Arizona within broader comparative and cross-state dialogues. Throughout, this volume highlights the ways in which personal experience, community building, and scholarly perspectives can provide a powerful space for community voices.<br>Contributors:<br></p>
<ul>
  <li>﻿Vanessa Fonseca-Chávez</li>
  <li>Lillian Gorman</li>
  <li>Gloria Holguín Cuádraz</li>
  <li>Anita Huízar-Hernández</li>
  <li>Christine Marin</li>
  <li>Valerie A. Martínez</li>
  <li>Alina R. Méndez</li>
  <li>Karen R. Roybal</li>
  <li>Yvette J. Saavedra</li>
  <li>Liliana Toledo-Guzmán</li>
  <li>Andrea Tovar</li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1320</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d2147962-9d0d-11f0-97a7-e3fb97505b1e]]></guid>
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    <item>
      <title>Enrique C. Ochoa, "México Between Feast and Famine: Food, Corporate Power, and Inequality" (U Arizona Press, 2025)</title>
      <description>As the birthplace of maize and a celebrated culinary destination, Mexico stands at the crossroads of gastronomic richness and stark social disparities. In México Between Feast and Famine: Food, Corporate Power, and Inequality (University of Arizona Press, 2025), Dr. Enrique C. Ochoa unveils the historical and contemporary forces behind Mexico’s polarized food systems.
México Between Feast and Famine provides one of the first comprehensive analyses of Mexico’s food systems and how they reflect the contradictions and inequalities at the heart of Mexico. Ochoa examines the historical roots and contemporary manifestations of neoliberal policies that have reshaped food production, distribution, and consumption in Mexico. Dr. Ochoa analyzes the histories of Mexico’s mega food companies, including GRUMA, Bimbo, Oxxo, Aurrera/Walmex, and reveals how corporations have captured the food system at the same time that diet-related diseases have soared. The author not only examines the economic and political dimensions of food production but also interrogates the social and cultural impacts.
As debates around food sovereignty, globalization, and sustainable development intensify globally, México Between Feast and Famine provides a timely analysis that counters conventional narratives about Mexican cuisine. Even as it looks back, this work looks to the future, where more equitable and sustainable food systems prioritize social justice and community well-being.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 07 May 2025 00:35:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>9</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Enrique C. Ochoa</itunes:subtitle>
      <itunes:summary>As the birthplace of maize and a celebrated culinary destination, Mexico stands at the crossroads of gastronomic richness and stark social disparities. In México Between Feast and Famine: Food, Corporate Power, and Inequality (University of Arizona Press, 2025), Dr. Enrique C. Ochoa unveils the historical and contemporary forces behind Mexico’s polarized food systems.
México Between Feast and Famine provides one of the first comprehensive analyses of Mexico’s food systems and how they reflect the contradictions and inequalities at the heart of Mexico. Ochoa examines the historical roots and contemporary manifestations of neoliberal policies that have reshaped food production, distribution, and consumption in Mexico. Dr. Ochoa analyzes the histories of Mexico’s mega food companies, including GRUMA, Bimbo, Oxxo, Aurrera/Walmex, and reveals how corporations have captured the food system at the same time that diet-related diseases have soared. The author not only examines the economic and political dimensions of food production but also interrogates the social and cultural impacts.
As debates around food sovereignty, globalization, and sustainable development intensify globally, México Between Feast and Famine provides a timely analysis that counters conventional narratives about Mexican cuisine. Even as it looks back, this work looks to the future, where more equitable and sustainable food systems prioritize social justice and community well-being.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As the birthplace of maize and a celebrated culinary destination, Mexico stands at the crossroads of gastronomic richness and stark social disparities. In <a href="https://bookshop.org/a/12343/9780816552214"><em>México Between Feast and Famine: Food, Corporate Power, and Inequality</em></a> (University of Arizona Press, 2025), Dr. Enrique C. Ochoa unveils the historical and contemporary forces behind Mexico’s polarized food systems.</p><p><em>México Between Feast and Famine</em> provides one of the first comprehensive analyses of Mexico’s food systems and how they reflect the contradictions and inequalities at the heart of Mexico. Ochoa examines the historical roots and contemporary manifestations of neoliberal policies that have reshaped food production, distribution, and consumption in Mexico. Dr. Ochoa analyzes the histories of Mexico’s mega food companies, including GRUMA, Bimbo, Oxxo, Aurrera/Walmex, and reveals how corporations have captured the food system at the same time that diet-related diseases have soared. The author not only examines the economic and political dimensions of food production but also interrogates the social and cultural impacts.</p><p>As debates around food sovereignty, globalization, and sustainable development intensify globally, <em>México Between Feast and Famine</em> provides a timely analysis that counters conventional narratives about Mexican cuisine. Even as it looks back, this work looks to the future, where more equitable and sustainable food systems prioritize social justice and community well-being.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4048</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK1958274907.mp3?updated=1744987462" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Radio Broadcasting Along Mexico's Northern Border, 1930-1950</title>
      <description>Sonia Robles, an assistant professor of history at the University of Delaware, talks about her book, Mexican Waves: Radio Broadcasting Along Mexico’s Northern Border, 1930-1950 (University of Arizona Press, 2019), with Peoples &amp; Things host, Lee Vinsel. Mexican Waves tells the fascinating history of radio stations entrepreneurs set up along the Mexican side of the Mexico-USA border, primarily to reach laborers working in the United States. Robles covers fascinating dimensions of the radio broadcasting industry, including advertisements that played over the airwaves, how regulation shaped the behavior of radio station owners, and how radio fit into the lives of touring performers. Robles and Vinsel also discuss recent efforts of historians to capture the history of local radio stations throughout North America.
Lee Vinsel is an associate professor in the Department of Science, Technology and Society at Virginia Tech. He studies human life with technology, with particular focus on the relationship between government, business, and technological change. His first book, Moving Violations: Automobiles, Experts, and Regulations in the United States, was published by Johns Hopkins University Press in July 2019.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:13:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>43</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>A Conversation with Sonia Robles</itunes:subtitle>
      <itunes:summary>Sonia Robles, an assistant professor of history at the University of Delaware, talks about her book, Mexican Waves: Radio Broadcasting Along Mexico’s Northern Border, 1930-1950 (University of Arizona Press, 2019), with Peoples &amp; Things host, Lee Vinsel. Mexican Waves tells the fascinating history of radio stations entrepreneurs set up along the Mexican side of the Mexico-USA border, primarily to reach laborers working in the United States. Robles covers fascinating dimensions of the radio broadcasting industry, including advertisements that played over the airwaves, how regulation shaped the behavior of radio station owners, and how radio fit into the lives of touring performers. Robles and Vinsel also discuss recent efforts of historians to capture the history of local radio stations throughout North America.
Lee Vinsel is an associate professor in the Department of Science, Technology and Society at Virginia Tech. He studies human life with technology, with particular focus on the relationship between government, business, and technological change. His first book, Moving Violations: Automobiles, Experts, and Regulations in the United States, was published by Johns Hopkins University Press in July 2019.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sonia Robles, an assistant professor of history at the University of Delaware, talks about her book, <a href="https://uapress.arizona.edu/book/mexican-waves"><em>Mexican Waves: Radio Broadcasting Along Mexico’s Northern Border, 1930-1950</em></a><em> </em>(University of Arizona Press, 2019), with Peoples &amp; Things host, Lee Vinsel. <em>Mexican Waves</em> tells the fascinating history of radio stations entrepreneurs set up along the Mexican side of the Mexico-USA border, primarily to reach laborers working in the United States. Robles covers fascinating dimensions of the radio broadcasting industry, including advertisements that played over the airwaves, how regulation shaped the behavior of radio station owners, and how radio fit into the lives of touring performers. Robles and Vinsel also discuss recent efforts of historians to capture the history of local radio stations throughout North America.</p><p><a href="https://liberalarts.vt.edu/departments-and-schools/department-of-science-technology-and-society/faculty/lee-vinsel.html"><em>Lee Vinsel</em></a><em> is an associate professor in the Department of Science, Technology and Society at Virginia Tech. He studies human life with technology, with particular focus on the relationship between government, business, and technological change. His first book, </em><a href="https://bookshop.org/a/12343/9781421429656"><em>Moving Violations: Automobiles, Experts, and Regulations in the United States</em></a><em>, was published by Johns Hopkins University Press in July 2019.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4576</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5162bd9e-1b42-11f0-a621-33f50e014172]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6206309492.mp3?updated=1677000685" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Natasha Varner, "La Raza Cosmética: Beauty, Identity, and Settler Colonialism in Postrevolutionary Mexico" (U Arizona Press, 2020)</title>
      <description>A close friend and muse of many of postrevolutionary Mexico's greatest artists, Luz Jiménez's likeness appears across Mexico City in the form of painting, photography, and sculpture. Jiménez's ubiquity has earned her the titles of "the most painted woman in all of Mexico" and "the archetype of Indigenous Mexican woman." And yet the details of her complex life as an Indigenous woman at mid century have long remained shrouded by artistic depictions of her face and body. Jiménez's experience of hypervisibility and simultaneous erasure in postrevolutionary Mexico is no anomaly; during the early to mid-twentieth century, Indigenous women were idealized and objectified as relics of Mexico's past as cultural elites sought to manufacture a distinctly mestizo future. The experiences of modern Indigenous women constitute the focus of Natasha Varner's new book, La Raza Cosmética: Beauty, Identity, and Settler Colonialism in Postrevolutionary Mexico (University of Arizona Press, 2020), a vivid recovery of the intersections of settler colonialism, gender, visual culture, and modernity.
Varner employs methods from the fields of Native American and Indigenous Studies and settler colonial studies in an innovative new study of postrevolutionary Mexican visual culture. Drawing upon a range of midcentury media - including newspapers, photography, film, postcards and tourism materials, and more - Varner weaves together narratives of visibility, erasure, survivance, dispossession, and identity that ultimately center upon on Indigenous women's experiences and livelihoods. Despite efforts to erase Indigenous women from Mexico's future, La Raza Cosmética impresses upon us a powerful reminder of Indigenous women's persistence in Mexico - at midcentury as well as in the present.
Annabel LaBrecque is a PhD student in the Department of History at UC Berkeley. You can find her on Twitter @labrcq.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:12:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Natasha Varner</itunes:subtitle>
      <itunes:summary>A close friend and muse of many of postrevolutionary Mexico's greatest artists, Luz Jiménez's likeness appears across Mexico City in the form of painting, photography, and sculpture. Jiménez's ubiquity has earned her the titles of "the most painted woman in all of Mexico" and "the archetype of Indigenous Mexican woman." And yet the details of her complex life as an Indigenous woman at mid century have long remained shrouded by artistic depictions of her face and body. Jiménez's experience of hypervisibility and simultaneous erasure in postrevolutionary Mexico is no anomaly; during the early to mid-twentieth century, Indigenous women were idealized and objectified as relics of Mexico's past as cultural elites sought to manufacture a distinctly mestizo future. The experiences of modern Indigenous women constitute the focus of Natasha Varner's new book, La Raza Cosmética: Beauty, Identity, and Settler Colonialism in Postrevolutionary Mexico (University of Arizona Press, 2020), a vivid recovery of the intersections of settler colonialism, gender, visual culture, and modernity.
Varner employs methods from the fields of Native American and Indigenous Studies and settler colonial studies in an innovative new study of postrevolutionary Mexican visual culture. Drawing upon a range of midcentury media - including newspapers, photography, film, postcards and tourism materials, and more - Varner weaves together narratives of visibility, erasure, survivance, dispossession, and identity that ultimately center upon on Indigenous women's experiences and livelihoods. Despite efforts to erase Indigenous women from Mexico's future, La Raza Cosmética impresses upon us a powerful reminder of Indigenous women's persistence in Mexico - at midcentury as well as in the present.
Annabel LaBrecque is a PhD student in the Department of History at UC Berkeley. You can find her on Twitter @labrcq.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A close friend and muse of many of postrevolutionary Mexico's greatest artists, Luz Jiménez's likeness appears across Mexico City in the form of painting, photography, and sculpture. Jiménez's ubiquity has earned her the titles of "the most painted woman in all of Mexico" and "the archetype of Indigenous Mexican woman." And yet the details of her complex life as an Indigenous woman at mid century have long remained shrouded by artistic depictions of her face and body. Jiménez's experience of hypervisibility and simultaneous erasure in postrevolutionary Mexico is no anomaly; during the early to mid-twentieth century, Indigenous women were idealized and objectified as relics of Mexico's past as cultural elites sought to manufacture a distinctly mestizo future. The experiences of modern Indigenous women constitute the focus of Natasha Varner's new book,<a href="https://bookshop.org/a/12343/9780816537150"> <em>La Raza Cosmética: Beauty, Identity, and Settler Colonialism in Postrevolutionary Mexico</em></a> (University of Arizona Press, 2020), a vivid recovery of the intersections of settler colonialism, gender, visual culture, and modernity.</p><p>Varner employs methods from the fields of Native American and Indigenous Studies and settler colonial studies in an innovative new study of postrevolutionary Mexican visual culture. Drawing upon a range of midcentury media - including newspapers, photography, film, postcards and tourism materials, and more - Varner weaves together narratives of visibility, erasure, survivance, dispossession, and identity that ultimately center upon on Indigenous women's experiences and livelihoods. Despite efforts to erase Indigenous women from Mexico's future, La Raza Cosmética impresses upon us a powerful reminder of Indigenous women's persistence in Mexico - at midcentury as well as in the present.</p><p><em>Annabel LaBrecque is a PhD student in the Department of History at UC Berkeley. You can find her on Twitter @labrcq.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2461</itunes:duration>
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      <title>Andrew Canessa and Manuela Lavinas Picq, "Savages and Citizens: How Indigeneity Shapes the State" (U Arizona Press, 2025)</title>
      <description>Although Indigenous peoples are often perceived as standing outside political modernity, Savages and Citizens: How Indigeneity Shapes the State (University of Arizona Press, 2025) by Dr. Andrew Canessa &amp; Dr. Manuela Lavinas Picq takes the provocative view that Indigenous people have been fundamental to how contemporary state sovereignty was imagined, theorized, and practiced.
Delving into European political philosophy, comparative politics, and contemporary international law, this open-access book shows how the concept of indigeneity has shaped the development of the modern state. The exclusion of Indigenous people was not a collateral byproduct; it was a political project in its own right. The book argues that indigeneity is a political identity relational to modern nation-states and that Indigenous politics, although marking the boundary of the state, are co-constitutive of colonial processes of state-making. In showing how indigeneity is central to how the international system of states operates, the book forefronts Indigenous peoples as political actors to reject essentializing views that reduce them to cultural “survivors” rooted in the past.
With insights drawn from diverse global contexts and empirical research from Bolivia and Ecuador, this work advocates for the relevance of Indigenous studies within political science and argues for an ethnography of sovereignty in anthropology. Savages and Citizens makes a compelling case for the centrality of Indigenous perspectives to understand the modern state from political theory to international studies.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:12:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>128</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Andrew Canessa and Manuela Lavinas Picq</itunes:subtitle>
      <itunes:summary>Although Indigenous peoples are often perceived as standing outside political modernity, Savages and Citizens: How Indigeneity Shapes the State (University of Arizona Press, 2025) by Dr. Andrew Canessa &amp; Dr. Manuela Lavinas Picq takes the provocative view that Indigenous people have been fundamental to how contemporary state sovereignty was imagined, theorized, and practiced.
Delving into European political philosophy, comparative politics, and contemporary international law, this open-access book shows how the concept of indigeneity has shaped the development of the modern state. The exclusion of Indigenous people was not a collateral byproduct; it was a political project in its own right. The book argues that indigeneity is a political identity relational to modern nation-states and that Indigenous politics, although marking the boundary of the state, are co-constitutive of colonial processes of state-making. In showing how indigeneity is central to how the international system of states operates, the book forefronts Indigenous peoples as political actors to reject essentializing views that reduce them to cultural “survivors” rooted in the past.
With insights drawn from diverse global contexts and empirical research from Bolivia and Ecuador, this work advocates for the relevance of Indigenous studies within political science and argues for an ethnography of sovereignty in anthropology. Savages and Citizens makes a compelling case for the centrality of Indigenous perspectives to understand the modern state from political theory to international studies.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Although Indigenous peoples are often perceived as standing outside political modernity, <a href="https://bookshop.org/a/12343/9780816553969"><em>Savages and Citizens: How Indigeneity Shapes the State</em></a> (University of Arizona Press, 2025) by Dr. Andrew Canessa &amp; Dr. Manuela Lavinas Picq takes the provocative view that Indigenous people have been fundamental to how contemporary state sovereignty was imagined, theorized, and practiced.</p><p>Delving into European political philosophy, comparative politics, and contemporary international law, this open-access book shows how the concept of indigeneity has shaped the development of the modern state. The exclusion of Indigenous people was not a collateral byproduct; it was a political project in its own right. The book argues that indigeneity is a political identity relational to modern nation-states and that Indigenous politics, although marking the boundary of the state, are co-constitutive of colonial processes of state-making. In showing how indigeneity is central to how the international system of states operates, the book forefronts Indigenous peoples as political actors to reject essentializing views that reduce them to cultural “survivors” rooted in the past.</p><p>With insights drawn from diverse global contexts and empirical research from Bolivia and Ecuador, this work advocates for the relevance of Indigenous studies within political science and argues for an ethnography of sovereignty in anthropology. <em>Savages and Citizens</em> makes a compelling case for the centrality of Indigenous perspectives to understand the modern state from political theory to international studies.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3491</itunes:duration>
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      <title>Erica Prussing, “White Man’s Water: The Politics of Sobriety in a Native American Community” (University of Arizona Press, 2011)</title>
      <description>For the past half century, Alcoholics Anonymous and its 12-step recovery program has been the dominant method for treating alcohol abuse in the United States. Reservation communities have been no exception. But as Erica Prussing vividly describes in her new book,White Man’s Water: The Politics of Sobriety in a Native American Community (University of Arizona Press, 2011), a one-size-fits-all approach to treatment does not, in fact, fit all.
An assistant professor of anthropology and community and behavior health at the University of Iowa, Prussing lived for three years on the Northern Cheyenne Reservation in Montana, working with community organizations, building long-lasting relationships, and gathering testimonies of alcohols’ often disruptive impacts on the lives of many Northern Cheyenne. While many young women have embraced the 12-step program, others – particularly of the older generation – find its moral assumptions foreign and unhelpful. What emerges from Prussing’s account is not a reductive and totalizing “Cheyenne culture” but rather a complex negotiation of tradition, community, and recovery in the face of persistent colonial challenges. This nuance and attention to detail makes Prussing’s call for indigenous self-determination in health care all the more powerful.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:11:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>For the past half century, Alcoholics Anonymous and its 12-step recovery program has been the dominant method for treating alcohol abuse in the United States. Reservation communities have been no exception.</itunes:subtitle>
      <itunes:summary>For the past half century, Alcoholics Anonymous and its 12-step recovery program has been the dominant method for treating alcohol abuse in the United States. Reservation communities have been no exception. But as Erica Prussing vividly describes in her new book,White Man’s Water: The Politics of Sobriety in a Native American Community (University of Arizona Press, 2011), a one-size-fits-all approach to treatment does not, in fact, fit all.
An assistant professor of anthropology and community and behavior health at the University of Iowa, Prussing lived for three years on the Northern Cheyenne Reservation in Montana, working with community organizations, building long-lasting relationships, and gathering testimonies of alcohols’ often disruptive impacts on the lives of many Northern Cheyenne. While many young women have embraced the 12-step program, others – particularly of the older generation – find its moral assumptions foreign and unhelpful. What emerges from Prussing’s account is not a reductive and totalizing “Cheyenne culture” but rather a complex negotiation of tradition, community, and recovery in the face of persistent colonial challenges. This nuance and attention to detail makes Prussing’s call for indigenous self-determination in health care all the more powerful.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For the past half century, Alcoholics Anonymous and its 12-step recovery program has been the dominant method for treating alcohol abuse in the United States. Reservation communities have been no exception. But as <a href="http://www.uiowa.edu/~anthro/prussing.shtml">Erica Prussing </a>vividly describes in her new book,<a href="http://www.amazon.com/dp/0816529434/?tag=newbooinhis-20">White Man’s Water: The Politics of Sobriety in a Native American Community</a> (University of Arizona Press, 2011), a one-size-fits-all approach to treatment does not, in fact, fit all.</p><p>An assistant professor of anthropology and community and behavior health at the University of Iowa, Prussing lived for three years on the Northern Cheyenne Reservation in Montana, working with community organizations, building long-lasting relationships, and gathering testimonies of alcohols’ often disruptive impacts on the lives of many Northern Cheyenne. While many young women have embraced the 12-step program, others – particularly of the older generation – find its moral assumptions foreign and unhelpful. What emerges from Prussing’s account is not a reductive and totalizing “Cheyenne culture” but rather a complex negotiation of tradition, community, and recovery in the face of persistent colonial challenges. This nuance and attention to detail makes Prussing’s call for indigenous self-determination in health care all the more powerful.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3024</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/nativeamericanstudies/?p=99]]></guid>
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      <title>Gregory McNamee, “The Only One Living to Tell: The Autobiography of a Yavapai Indian” (University of Arizona Press, 2012)</title>
      <description>Late in 1872, as the United States sought to clear the newly incorporated Southwest of its indigenous inhabitants, a company under Capt. James Burns came upon an encampment of Kwevkepayas (a branch of Yavapais) sheltering in the shadow of rock overhang above the Salt River Canyon. The soldiers wasted no time on the formalities of battle. They rained down fire, bullets ricocheting from the roof the cave, felling the refugees below. They even pushed down boulders. None survived.
Well, almost none. A few days prior, the advancing soldiers had come across a young boy of eight or nine looking for a missing horse. “They made a rush for me,” Hoomothya would later write. “They pulled me over rocks and bushes. The men didn’t care whether I got hurt or not.” But unlike Burns’ Kwevkepaya siblings, aunts, uncles, cousins, and grandfather, the invaders did not kill him. In fact, the man responsible for his family’s extermination would adopt the young Hoomothya as something between a son and a servant, renaming him Mike Burns.
Over a century later, the prolific writer and editor Gregory McNamee has brought us Burns’ remarkable story. In The Only One Living to Tell: The Autobiography of a Yavapai Indian (University of Arizona Press, 2012), Burns recounts his survival of the massacre, his time as a scout for the U.S. military on the campaign against Geronimo, his education n white schools, and eventual reconnection with his Yavapai community. “Mike Burns lived in two worlds,” McNamee tell us, “and he was at home in neither.” But his intelligence, humor and compassion illuminates both in profound and unexpected ways.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:11:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Late in 1872, as the United States sought to clear the newly incorporated Southwest of its indigenous inhabitants, a company under Capt. James Burns came upon an encampment of Kwevkepayas (a branch of Yavapais) sheltering in the shadow of rock overhang...</itunes:subtitle>
      <itunes:summary>Late in 1872, as the United States sought to clear the newly incorporated Southwest of its indigenous inhabitants, a company under Capt. James Burns came upon an encampment of Kwevkepayas (a branch of Yavapais) sheltering in the shadow of rock overhang above the Salt River Canyon. The soldiers wasted no time on the formalities of battle. They rained down fire, bullets ricocheting from the roof the cave, felling the refugees below. They even pushed down boulders. None survived.
Well, almost none. A few days prior, the advancing soldiers had come across a young boy of eight or nine looking for a missing horse. “They made a rush for me,” Hoomothya would later write. “They pulled me over rocks and bushes. The men didn’t care whether I got hurt or not.” But unlike Burns’ Kwevkepaya siblings, aunts, uncles, cousins, and grandfather, the invaders did not kill him. In fact, the man responsible for his family’s extermination would adopt the young Hoomothya as something between a son and a servant, renaming him Mike Burns.
Over a century later, the prolific writer and editor Gregory McNamee has brought us Burns’ remarkable story. In The Only One Living to Tell: The Autobiography of a Yavapai Indian (University of Arizona Press, 2012), Burns recounts his survival of the massacre, his time as a scout for the U.S. military on the campaign against Geronimo, his education n white schools, and eventual reconnection with his Yavapai community. “Mike Burns lived in two worlds,” McNamee tell us, “and he was at home in neither.” But his intelligence, humor and compassion illuminates both in profound and unexpected ways.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Late in 1872, as the United States sought to clear the newly incorporated Southwest of its indigenous inhabitants, a company under Capt. James Burns came upon an encampment of Kwevkepayas (a branch of Yavapais) sheltering in the shadow of rock overhang above the Salt River Canyon. The soldiers wasted no time on the formalities of battle. They rained down fire, bullets ricocheting from the roof the cave, felling the refugees below. They even pushed down boulders. None survived.</p><p>Well, almost none. A few days prior, the advancing soldiers had come across a young boy of eight or nine looking for a missing horse. “They made a rush for me,” Hoomothya would later write. “They pulled me over rocks and bushes. The men didn’t care whether I got hurt or not.” But unlike Burns’ Kwevkepaya siblings, aunts, uncles, cousins, and grandfather, the invaders did not kill him. In fact, the man responsible for his family’s extermination would adopt the young Hoomothya as something between a son and a servant, renaming him Mike Burns.</p><p>Over a century later, the prolific writer and editor <a href="http://www.gregorymcnamee.com/">Gregory McNamee </a>has brought us Burns’ remarkable story. In <a href="http://www.amazon.com/dp/0816501203/?tag=newbooinhis-20">The Only One Living to Tell: The Autobiography of a Yavapai Indian </a>(University of Arizona Press, 2012), Burns recounts his survival of the massacre, his time as a scout for the U.S. military on the campaign against Geronimo, his education n white schools, and eventual reconnection with his Yavapai community. “Mike Burns lived in two worlds,” McNamee tell us, “and he was at home in neither.” But his intelligence, humor and compassion illuminates both in profound and unexpected ways.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2959</itunes:duration>
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      <title>Kathleen Hull and John Douglass, "Forging Communities in Colonial Alta California" (U Arizona Press, 2018)</title>
      <description>Between 1769 and 1834, an influx of Spanish, Russian, and then American colonists streamed into Alta California seeking new opportunities. Their arrival brought the imposition of foreign beliefs, practices, and constraints on Indigenous peoples.
Edited by Kathleen Hull and John Douglass, Forging Communities in Colonial Alta California (University of Arizona Press, 2018), reorients understandings of this dynamic period, which challenged both Native and non-Native people to reimagine communities not only in different places and spaces but also in novel forms and practices. The contributors draw on archaeological and historical archival sources to analyze the generative processes and nature of communities of belonging in the face of rapid demographic change and perceived or enforced difference. Contributors provide important historical background on the effects that colonialism, missions, and lives lived beyond mission walls had on Indigenous settlement, marriage patterns, trade, and interactions. They also show the agency with which Indigenous peoples make their own decisions as they construct and reconstruct their communities. With nine different case studies and an insightful epilogue, this book offers analyses that can be applied broadly across the Americas, deepening our understanding of colonialism and community.
________________________________________________________________________
Ryan Tripp (Ph.D., History) is currently an adjunct in History at Los Medanos Community College and Southern New Hampshire University
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:11:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Between 1769 and 1834, an influx of Spanish, Russian, and then American colonists streamed into Alta California seeking new opportunities. Their arrival brought the imposition of foreign beliefs, practices, and constraints on Indigenous peoples.
Edited by Kathleen Hull and John Douglass, Forging Communities in Colonial Alta California (University of Arizona Press, 2018), reorients understandings of this dynamic period, which challenged both Native and non-Native people to reimagine communities not only in different places and spaces but also in novel forms and practices. The contributors draw on archaeological and historical archival sources to analyze the generative processes and nature of communities of belonging in the face of rapid demographic change and perceived or enforced difference. Contributors provide important historical background on the effects that colonialism, missions, and lives lived beyond mission walls had on Indigenous settlement, marriage patterns, trade, and interactions. They also show the agency with which Indigenous peoples make their own decisions as they construct and reconstruct their communities. With nine different case studies and an insightful epilogue, this book offers analyses that can be applied broadly across the Americas, deepening our understanding of colonialism and community.
________________________________________________________________________
Ryan Tripp (Ph.D., History) is currently an adjunct in History at Los Medanos Community College and Southern New Hampshire University
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Between 1769 and 1834, an influx of Spanish, Russian, and then American colonists streamed into Alta California seeking new opportunities. Their arrival brought the imposition of foreign beliefs, practices, and constraints on Indigenous peoples.</p><p>Edited by <a href="http://faculty.ucmerced.edu/khull3/index.html">Kathleen Hull</a> and <a href="http://www.sricrm.com/about/bio_jdouglass.html">John Douglass</a>, <a href="https://aax-us-east.amazon-adsystem.com/x/c/QqNRZqY6LDiOewmk0_bfX3YAAAFnNmp27QEAAAFKAb--UnU/https://www.amazon.com/dp/0816537364/ref=as_at?creativeASIN=0816537364&amp;linkCode=w61&amp;imprToken=UQ57Z10OIS5IsB2Rsau3FA&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Forging Communities in Colonial Alta California</em></a> (University of Arizona Press, 2018), reorients understandings of this dynamic period, which challenged both Native and non-Native people to reimagine communities not only in different places and spaces but also in novel forms and practices. The contributors draw on archaeological and historical archival sources to analyze the generative processes and nature of communities of belonging in the face of rapid demographic change and perceived or enforced difference. Contributors provide important historical background on the effects that colonialism, missions, and lives lived beyond mission walls had on Indigenous settlement, marriage patterns, trade, and interactions. They also show the agency with which Indigenous peoples make their own decisions as they construct and reconstruct their communities. With nine different case studies and an insightful epilogue, this book offers analyses that can be applied broadly across the Americas, deepening our understanding of colonialism and community.</p><p>________________________________________________________________________</p><p><em>Ryan Tripp (Ph.D., History) is currently an adjunct in History at Los Medanos Community College and Southern New Hampshire University</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <itunes:duration>4613</itunes:duration>
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      <title>Carwil Bjork-James, "The Sovereign Street: Making Revolution in Urban Bolivia" (U Arizona Press, 2020)</title>
      <description>In the early twenty-first century Bolivian social movements made streets, plazas, and highways into the decisively important spaces for acting politically, rivaling and at times exceeding voting booths and halls of government. The Sovereign Street documents this important period, showing how indigenous-led mass movements reconfigured the politics and racial order of Bolivia from 1999 to 2011. 
Drawing on interviews with protest participants, on-the-ground observation, and documentary research, activist and scholar Carwil Bjork-James provides an up-close history of the indigenous-led protests that changed Bolivia. At the heart of the study is a new approach to the interaction between protest actions and the parts of the urban landscape they claim. These “space-claiming protests” both communicate a message and exercise practical control over the city. Bjork-James interrogates both protest tactics—as experiences and as tools—and meaning-laden spaces, where meaning is part of the racial and political geography of the city. 
Taking the streets of Cochabamba, Sucre, and La Paz as its vantage point, The Sovereign Street: Making Revolution in Urban Bolivia (U Arizona Press, 2020) offers a rare look at political revolution as it happens. It documents a critical period in Latin American history, when protests made headlines worldwide, where a generation of pro-globalization policies were called into question, and where the indigenous majority stepped into government power for the first time in five centuries.
Brad Wright is a historian of Latin America specializing in postrevolutionary Mexico. He teach world history at Kennesaw State University currently. PhD in Public History with specialization in oral history.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:10:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>177</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Carwil Bjork-James</itunes:subtitle>
      <itunes:summary>In the early twenty-first century Bolivian social movements made streets, plazas, and highways into the decisively important spaces for acting politically, rivaling and at times exceeding voting booths and halls of government. The Sovereign Street documents this important period, showing how indigenous-led mass movements reconfigured the politics and racial order of Bolivia from 1999 to 2011. 
Drawing on interviews with protest participants, on-the-ground observation, and documentary research, activist and scholar Carwil Bjork-James provides an up-close history of the indigenous-led protests that changed Bolivia. At the heart of the study is a new approach to the interaction between protest actions and the parts of the urban landscape they claim. These “space-claiming protests” both communicate a message and exercise practical control over the city. Bjork-James interrogates both protest tactics—as experiences and as tools—and meaning-laden spaces, where meaning is part of the racial and political geography of the city. 
Taking the streets of Cochabamba, Sucre, and La Paz as its vantage point, The Sovereign Street: Making Revolution in Urban Bolivia (U Arizona Press, 2020) offers a rare look at political revolution as it happens. It documents a critical period in Latin American history, when protests made headlines worldwide, where a generation of pro-globalization policies were called into question, and where the indigenous majority stepped into government power for the first time in five centuries.
Brad Wright is a historian of Latin America specializing in postrevolutionary Mexico. He teach world history at Kennesaw State University currently. PhD in Public History with specialization in oral history.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the early twenty-first century Bolivian social movements made streets, plazas, and highways into the decisively important spaces for acting politically, rivaling and at times exceeding voting booths and halls of government. <em>The Sovereign Street</em> documents this important period, showing how indigenous-led mass movements reconfigured the politics and racial order of Bolivia from 1999 to 2011. </p><p>Drawing on interviews with protest participants, on-the-ground observation, and documentary research, activist and scholar Carwil Bjork-James provides an up-close history of the indigenous-led protests that changed Bolivia. At the heart of the study is a new approach to the interaction between protest actions and the parts of the urban landscape they claim. These “space-claiming protests” both communicate a message and exercise practical control over the city. Bjork-James interrogates both protest tactics—as experiences and as tools—and meaning-laden spaces, where meaning is part of the racial and political geography of the city. </p><p>Taking the streets of Cochabamba, Sucre, and La Paz as its vantage point, <a href="https://bookshop.org/a/12343/9780816540150"><em>The Sovereign Street: Making Revolution in Urban Bolivia</em></a><em> </em>(U Arizona Press, 2020) offers a rare look at political revolution as it happens. It documents a critical period in Latin American history, when protests made headlines worldwide, where a generation of pro-globalization policies were called into question, and where the indigenous majority stepped into government power for the first time in five centuries.</p><p><a href="https://kennesaw.academia.edu/BradWright/CurriculumVitae"><em>Brad Wright</em></a><em> is a historian of Latin America specializing in postrevolutionary Mexico. He teach world history at Kennesaw State University currently. PhD in Public History with specialization in oral history.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
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      <title>Nathaniel Morris, "Soldiers, Saints, and Shamans: Indigenous Communities and the Revolutionary State in Mexico's Gran Nayar, 1910-1940" (U Arizona Press, 2020)</title>
      <description>The Mexican Revolution gave rise to the Mexican nation-state as we know it today. Rural revolutionaries took up arms against the Díaz dictatorship in support of agrarian reform, in defense of their political autonomy, or inspired by a nationalist desire to forge a new Mexico. However, in the Gran Nayar, a rugged expanse of mountains and canyons, the story was more complex, as the region's four Indigenous peoples fought both for and against the revolution and the radical changes it bought to their homeland.
To make sense of this complex history, Nathaniel Morris offers the first systematic understanding of the participation of the Náayari, Wixárika, O'dam, and Mexicanero peoples in the Mexican Revolution. They are known for being among the least "assimilated" of all Mexico's Indigenous peoples. It's often been assumed that they were stuck up in their mountain homeland--"the Gran Nayar"--with no knowledge of the uprisings, civil wars, military coups, and political upheaval that convulsed the rest of Mexico between 1910 and 1940.
Based on extensive archival research and years of fieldwork in the rugged and remote Gran Nayar, Soldiers, Saints, and Shamans: Indigenous Communities and the Revolutionary State in Mexico's Gran Nayar, 1910-1940 (U Arizona Press, 2020) shows that the Náayari, Wixárika, O'dam, and Mexicanero peoples were actively involved in the armed phase of the revolution. This participation led to serious clashes between an expansionist, "rationalist" revolutionary state and the highly autonomous communities and heterodox cultural and religious practices of the Gran Nayar's inhabitants. Morris documents confrontations between practitioners of subsistence agriculture and promoters of capitalist development, between rival Indian generations and political factions, and between opposing visions of the world, of religion, and of daily life. These clashes produced some of the most severe defeats that the government's state-building programs suffered during the entire revolutionary era, with significant and often counterintuitive consequences both for local people and for the Mexican nation as a whole.
Geert Slabbekoorn works as an analyst in the field of public security. In addition he has published on different aspects of dark web drug trade in Belgium. Find him on twitter, tweeting all things drug related @GeertJS.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:10:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>132</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Nathaniel Morris</itunes:subtitle>
      <itunes:summary>The Mexican Revolution gave rise to the Mexican nation-state as we know it today. Rural revolutionaries took up arms against the Díaz dictatorship in support of agrarian reform, in defense of their political autonomy, or inspired by a nationalist desire to forge a new Mexico. However, in the Gran Nayar, a rugged expanse of mountains and canyons, the story was more complex, as the region's four Indigenous peoples fought both for and against the revolution and the radical changes it bought to their homeland.
To make sense of this complex history, Nathaniel Morris offers the first systematic understanding of the participation of the Náayari, Wixárika, O'dam, and Mexicanero peoples in the Mexican Revolution. They are known for being among the least "assimilated" of all Mexico's Indigenous peoples. It's often been assumed that they were stuck up in their mountain homeland--"the Gran Nayar"--with no knowledge of the uprisings, civil wars, military coups, and political upheaval that convulsed the rest of Mexico between 1910 and 1940.
Based on extensive archival research and years of fieldwork in the rugged and remote Gran Nayar, Soldiers, Saints, and Shamans: Indigenous Communities and the Revolutionary State in Mexico's Gran Nayar, 1910-1940 (U Arizona Press, 2020) shows that the Náayari, Wixárika, O'dam, and Mexicanero peoples were actively involved in the armed phase of the revolution. This participation led to serious clashes between an expansionist, "rationalist" revolutionary state and the highly autonomous communities and heterodox cultural and religious practices of the Gran Nayar's inhabitants. Morris documents confrontations between practitioners of subsistence agriculture and promoters of capitalist development, between rival Indian generations and political factions, and between opposing visions of the world, of religion, and of daily life. These clashes produced some of the most severe defeats that the government's state-building programs suffered during the entire revolutionary era, with significant and often counterintuitive consequences both for local people and for the Mexican nation as a whole.
Geert Slabbekoorn works as an analyst in the field of public security. In addition he has published on different aspects of dark web drug trade in Belgium. Find him on twitter, tweeting all things drug related @GeertJS.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Mexican Revolution gave rise to the Mexican nation-state as we know it today. Rural revolutionaries took up arms against the Díaz dictatorship in support of agrarian reform, in defense of their political autonomy, or inspired by a nationalist desire to forge a new Mexico. However, in the Gran Nayar, a rugged expanse of mountains and canyons, the story was more complex, as the region's four Indigenous peoples fought both for and against the revolution and the radical changes it bought to their homeland.</p><p>To make sense of this complex history, Nathaniel Morris offers the first systematic understanding of the participation of the Náayari, Wixárika, O'dam, and Mexicanero peoples in the Mexican Revolution. They are known for being among the least "assimilated" of all Mexico's Indigenous peoples. It's often been assumed that they were stuck up in their mountain homeland--"the Gran Nayar"--with no knowledge of the uprisings, civil wars, military coups, and political upheaval that convulsed the rest of Mexico between 1910 and 1940.</p><p>Based on extensive archival research and years of fieldwork in the rugged and remote Gran Nayar, <a href="https://bookshop.org/a/12343/9780816541027"><em>Soldiers, Saints, and Shamans: Indigenous Communities and the Revolutionary State in Mexico's Gran Nayar, 1910-1940</em></a> (U Arizona Press, 2020) shows that the Náayari, Wixárika, O'dam, and Mexicanero peoples were actively involved in the armed phase of the revolution. This participation led to serious clashes between an expansionist, "rationalist" revolutionary state and the highly autonomous communities and heterodox cultural and religious practices of the Gran Nayar's inhabitants. Morris documents confrontations between practitioners of subsistence agriculture and promoters of capitalist development, between rival Indian generations and political factions, and between opposing visions of the world, of religion, and of daily life. These clashes produced some of the most severe defeats that the government's state-building programs suffered during the entire revolutionary era, with significant and often counterintuitive consequences both for local people and for the Mexican nation as a whole.</p><p><em>Geert Slabbekoorn works as an analyst in the field of public security. In addition he has published on different aspects of dark web drug trade in Belgium. Find him on twitter, tweeting all things drug related @GeertJS.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <itunes:duration>3858</itunes:duration>
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      <title>Claudia Leal, "Landscapes of Freedom: Building a Postemancipation Society in the Rainforests of Western Colombia" (U Arizona Press, 2018)</title>
      <description>Claudia Leal’s Landscapes of Freedom: Building a Postemancipation Society in the Rainforests of Western Colombia (University of Arizona Press, 2018), narrates the unknown history of the transition from slavery to freedom in the Pacific lowlands of Colombia. Not only does Leal centers a region long neglected in histories of Colombia—and more generally in histories of slavery and manumission in Latin America—but she also asks us to use this case to understand the centrality of the environment in any historical account. According to Leal, the particularities of the environment of the Pacific lowlands in Colombia explains the formation of a black peasantry that was able to attain high levels of freedom and autonomy. Here we hear about the importance of rainforests, of minerals, of vegetable ivory, and we learn that through extractive practices black Colombians were able to carve and maintain degrees of freedom perhaps only comparable to the maroons of Surinam.
This history, however, does not start in 1851 with the total abolition of slavery in Colombia, for Leal goes back to the colonial period in order to explain why a political economy of extraction was established in the first place. In fact, Leal tracks how blacks appropriated an environment that originally didn’t belong to them, how they negotiated with whites their access to resources and power, and how even in moments in which mining companies challenged their autonomy, they nonetheless found ways to maintain their hard-won freedom. Paradoxically, even if blacks of the Pacific lowlands fulfilled one of the main values of the republican order of the Colombian national state (freedom!), they were not recognized as contributors to the national project. Quite to the contrary, white elites equated them to an environment deemed unhealthy, and allegedly suitable only for savages. The pacific lowlands, and its recently created cities of Tumaco and Quibdó, were thus built as racialized landscapes; geographies plagued by ideologies of racism and biological determinism. Whites’ project to control and “civilize” the territory was ultimately a failed one, for black culture crept into cities and forests. Eventually, with the advent of the 1991 Colombian constitution, black ethnicity became a part and asset of the nation as Colombia entered the era of multiculturalism.
Lisette Varon-Carvajal is a graduate student in history at Rutger’s University.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:09:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>59</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Leal narrates the unknown history of the transition from slavery to freedom in the Pacific lowlands of Colombia...</itunes:subtitle>
      <itunes:summary>Claudia Leal’s Landscapes of Freedom: Building a Postemancipation Society in the Rainforests of Western Colombia (University of Arizona Press, 2018), narrates the unknown history of the transition from slavery to freedom in the Pacific lowlands of Colombia. Not only does Leal centers a region long neglected in histories of Colombia—and more generally in histories of slavery and manumission in Latin America—but she also asks us to use this case to understand the centrality of the environment in any historical account. According to Leal, the particularities of the environment of the Pacific lowlands in Colombia explains the formation of a black peasantry that was able to attain high levels of freedom and autonomy. Here we hear about the importance of rainforests, of minerals, of vegetable ivory, and we learn that through extractive practices black Colombians were able to carve and maintain degrees of freedom perhaps only comparable to the maroons of Surinam.
This history, however, does not start in 1851 with the total abolition of slavery in Colombia, for Leal goes back to the colonial period in order to explain why a political economy of extraction was established in the first place. In fact, Leal tracks how blacks appropriated an environment that originally didn’t belong to them, how they negotiated with whites their access to resources and power, and how even in moments in which mining companies challenged their autonomy, they nonetheless found ways to maintain their hard-won freedom. Paradoxically, even if blacks of the Pacific lowlands fulfilled one of the main values of the republican order of the Colombian national state (freedom!), they were not recognized as contributors to the national project. Quite to the contrary, white elites equated them to an environment deemed unhealthy, and allegedly suitable only for savages. The pacific lowlands, and its recently created cities of Tumaco and Quibdó, were thus built as racialized landscapes; geographies plagued by ideologies of racism and biological determinism. Whites’ project to control and “civilize” the territory was ultimately a failed one, for black culture crept into cities and forests. Eventually, with the advent of the 1991 Colombian constitution, black ethnicity became a part and asset of the nation as Colombia entered the era of multiculturalism.
Lisette Varon-Carvajal is a graduate student in history at Rutger’s University.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://uniandes.academia.edu/ClaudiaLeal">Claudia Leal</a>’s <a href="http://www.amazon.com/dp/0816536740/?tag=newbooinhis-20"><em>Landscapes of Freedom: Building a Postemancipation Society in the Rainforests of Western Colombia</em></a> (University of Arizona Press, 2018), narrates the unknown history of the transition from slavery to freedom in the Pacific lowlands of Colombia. Not only does Leal centers a region long neglected in histories of Colombia—and more generally in histories of slavery and manumission in Latin America—but she also asks us to use this case to understand the centrality of the environment in any historical account. According to Leal, the particularities of the environment of the Pacific lowlands in Colombia explains the formation of a black peasantry that was able to attain high levels of freedom and autonomy. Here we hear about the importance of rainforests, of minerals, of vegetable ivory, and we learn that through extractive practices black Colombians were able to carve and maintain degrees of freedom perhaps only comparable to the maroons of Surinam.</p><p>This history, however, does not start in 1851 with the total abolition of slavery in Colombia, for Leal goes back to the colonial period in order to explain why a political economy of extraction was established in the first place. In fact, Leal tracks how blacks appropriated an environment that originally didn’t belong to them, how they negotiated with whites their access to resources and power, and how even in moments in which mining companies challenged their autonomy, they nonetheless found ways to maintain their hard-won freedom. Paradoxically, even if blacks of the Pacific lowlands fulfilled one of the main values of the republican order of the Colombian national state (freedom!), they were not recognized as contributors to the national project. Quite to the contrary, white elites equated them to an environment deemed unhealthy, and allegedly suitable only for savages. The pacific lowlands, and its recently created cities of Tumaco and Quibdó, were thus built as racialized landscapes; geographies plagued by ideologies of racism and biological determinism. Whites’ project to control and “civilize” the territory was ultimately a failed one, for black culture crept into cities and forests. Eventually, with the advent of the 1991 Colombian constitution, black ethnicity became a part and asset of the nation as Colombia entered the era of multiculturalism.</p><p><a href="https://history.rutgers.edu/people/graduate-students/grad-student/1048-varon-carvajal-lisette"><em>Lisette Varon-Carvajal</em></a><em> is a graduate student in history at Rutger’s University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3999</itunes:duration>
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      <title>Salvador Salinas, "Land, Liberty, and Water: Morelos After Zapata, 1920-1940" (U Arizona Press, 2018)</title>
      <description>In Land, Liberty, and Water: Morelos After Zapata, 1920-1940 (University of Arizona Press, 2018), Salvador Salinas fills an important gap in the history of the Zapatista Revolution in Morelos - namely, what happened after 1920. In this meticulously researched account of everyday life between 1920 and 1940, Salinas shows that many of the democratic and economic gains Zapatistas made only came after the death of their famous general. Using ejidos, municipal authorities and water administration, Mexicans were able to win access to the land and water of the state.
Ethan Fredrick is a graduate student in history at the University of Minnesota.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:09:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>68</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Salinas fills an important gap in the history of the Zapatista Revolution in Morelos - namely, what happened after 1920...</itunes:subtitle>
      <itunes:summary>In Land, Liberty, and Water: Morelos After Zapata, 1920-1940 (University of Arizona Press, 2018), Salvador Salinas fills an important gap in the history of the Zapatista Revolution in Morelos - namely, what happened after 1920. In this meticulously researched account of everyday life between 1920 and 1940, Salinas shows that many of the democratic and economic gains Zapatistas made only came after the death of their famous general. Using ejidos, municipal authorities and water administration, Mexicans were able to win access to the land and water of the state.
Ethan Fredrick is a graduate student in history at the University of Minnesota.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/0816537208/?tag=newbooinhis-20"><em>Land, Liberty, and Water: Morelos After Zapata, 1920-1940</em></a> (University of Arizona Press, 2018), <a href="https://www.uhd.edu/academics/humanities/undergraduate-programs/history/Pages/bios-Salvador-Salinas.aspx">Salvador Salinas</a> fills an important gap in the history of the Zapatista Revolution in Morelos - namely, what happened after 1920. In this meticulously researched account of everyday life between 1920 and 1940, Salinas shows that many of the democratic and economic gains Zapatistas made only came after the death of their famous general. Using ejidos, municipal authorities and water administration, Mexicans were able to win access to the land and water of the state.</p><p><a href="https://cla.umn.edu/about/directory/profile/fredr381"><em>Ethan Fredrick</em></a><em> is a graduate student in history at the University of Minnesota.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2634</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Gonzalo Lamana, "How 'Indians' Think: Colonial Indigenous Intellectuals and the Question of Critical Race Theory" (U Arizona Press, 2019)</title>
      <description>In his new book, How “Indians” Think: Colonial Indigenous Intellectuals and the Question of Critical Race Theory (University of Arizona Press, 2019), Dr. Gonzalo Lamana carefully investigates the writings of Indigenous intellectuals of the Andean region during Spanish colonialism. By delving into and reinterpreting the work of Guaman Poma de Ayala and Garcilaso de la Vega, Lamana effectively articulates the development of critical race theory from its outset in colonial Latin America. By sharing these centuries old texts, Lamana gives important context to today's social climate while reinvigorating voices from the past. As Lamana points out, “Indians” lived in an upside down world - a world of lies that Indigenous intellectuals were unable to expose. Through the work of Lamana and others, that lie is finally being exposed.
Gonzalo Lamana is an associate professor in the Department of Hispanic Languages and Literatures at the University of Pittsburgh. His teaching and research explores themes of subalternity and indigeneity, race and theology, and meaning-making in the colonial period through a comparative, cross-area and time study of colonial and postcolonial dynamics. Some of his previous publications include Domination without Dominance. Inca-Spanish Encounters in Early Colonial Peru and Pensamiento colonial crítico.
Colin Mustful is the author of four historical novels about Minnesota’s settlement and Native history. He holds an MA in history and an MFA in creative writing. He is the founder and editor of a small independent press called History Through Fiction. You can learn more about Colin and his work at colinmustful.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:08:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>678</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Lamana carefully investigates the writings of Indigenous intellectuals of the Andean region during Spanish colonialism...</itunes:subtitle>
      <itunes:summary>In his new book, How “Indians” Think: Colonial Indigenous Intellectuals and the Question of Critical Race Theory (University of Arizona Press, 2019), Dr. Gonzalo Lamana carefully investigates the writings of Indigenous intellectuals of the Andean region during Spanish colonialism. By delving into and reinterpreting the work of Guaman Poma de Ayala and Garcilaso de la Vega, Lamana effectively articulates the development of critical race theory from its outset in colonial Latin America. By sharing these centuries old texts, Lamana gives important context to today's social climate while reinvigorating voices from the past. As Lamana points out, “Indians” lived in an upside down world - a world of lies that Indigenous intellectuals were unable to expose. Through the work of Lamana and others, that lie is finally being exposed.
Gonzalo Lamana is an associate professor in the Department of Hispanic Languages and Literatures at the University of Pittsburgh. His teaching and research explores themes of subalternity and indigeneity, race and theology, and meaning-making in the colonial period through a comparative, cross-area and time study of colonial and postcolonial dynamics. Some of his previous publications include Domination without Dominance. Inca-Spanish Encounters in Early Colonial Peru and Pensamiento colonial crítico.
Colin Mustful is the author of four historical novels about Minnesota’s settlement and Native history. He holds an MA in history and an MFA in creative writing. He is the founder and editor of a small independent press called History Through Fiction. You can learn more about Colin and his work at colinmustful.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his new book, <a href="http://www.amazon.com/dp/0816539669/?tag=newbooinhis-20"><em>How “Indians” Think: Colonial Indigenous Intellectuals and the Question of Critical Race Theory</em></a> (University of Arizona Press, 2019), Dr. Gonzalo Lamana carefully investigates the writings of Indigenous intellectuals of the Andean region during Spanish colonialism. By delving into and reinterpreting the work of Guaman Poma de Ayala and Garcilaso de la Vega, Lamana effectively articulates the development of critical race theory from its outset in colonial Latin America. By sharing these centuries old texts, Lamana gives important context to today's social climate while reinvigorating voices from the past. As Lamana points out, “Indians” lived in an upside down world - a world of lies that Indigenous intellectuals were unable to expose. Through the work of Lamana and others, that lie is finally being exposed.</p><p><a href="https://www.hispanic.pitt.edu/person/gonzalo-lamana">Gonzalo Lamana</a> is an associate professor in the Department of Hispanic Languages and Literatures at the University of Pittsburgh. His teaching and research explores themes of subalternity and indigeneity, race and theology, and meaning-making in the colonial period through a comparative, cross-area and time study of colonial and postcolonial dynamics. Some of his previous publications include <em>Domination without Dominance. Inca-Spanish Encounters in Early Colonial Peru</em> and <em>Pensamiento colonial crítico.</em></p><p><em>Colin Mustful is the author of four historical novels about Minnesota’s settlement and Native history. He holds an MA in history and an MFA in creative writing. He is the founder and editor of a small independent press called History Through Fiction. You can learn more about Colin and his work at </em><a href="http://www.colinmustful.com/"><em>colinmustful.com.</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2939</itunes:duration>
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      <title>P. L. Caballero and A. Acevedo-Rodrigo, "Beyond Alterity: Destabilizing the Indigenous Other in Mexico" (U Arizona Press, 2018)</title>
      <description>What happens when scholars approach the category of “indigenous” without presupposing its otherness? Edited by Paula López Caballero and Ariadna Acevedo-Rodrigo, Beyond Alterity: Destabilizing the Indigenous Other in Mexico (University of Arizona Press, 2018) is an interdisciplinary collection of essays that take such an approach to studying indigenous communities and the concept of indigeneity. As the editors explain in the podcast, the indigenous subject has been often assumed to be defined by difference, so scholars tend to overlook the existence of practices, ideas, and politics that do not align with preconceived, essentialized ideas about indigenous alterity. This book examines, on the one hand, the range of lived experiences within indigenous communities, and on the other, the ongoing construction of the category of “indigenous.” Its first section uncovers ways in which indigenous communities’ practices and politics were more similar to than distinct from those of their nonindigenous counterparts. In the podcast, Acevedo-Rodrigo discusses her chapter on the role of Spanish-language schools in indigenous towns during the Porfiriato. The second section explores the changing, debated meanings of “the indigenous” in Mexico in various fields of scientific inquiry. López Caballero synthesizes her findings on anthropological debates on what constituted the indigenous in the 1940s. The editors also make reference to the other contributions to this edited volume on topics from property rights to genomic research.
Rachel Grace Newman is joining Smith College in July 2019 as Lecturer in the History of the Global South. She has a Ph.D. in History from Columbia University, and her dissertation was titled “Transnational Ambitions: Student Migrants and the Making of a National Future in Twentieth-Century Mexico.” She is also the author of a book on a binational program for migrant children whose families divided their time between Michoacán, Mexico and Watsonville, California. She is on Twitter (@rachelgnew).
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:08:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>49</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>"Beyond Alterity" is an interdisciplinary collection of essays that take such an approach to studying indigenous communities and the concept of indigeneity...</itunes:subtitle>
      <itunes:summary>What happens when scholars approach the category of “indigenous” without presupposing its otherness? Edited by Paula López Caballero and Ariadna Acevedo-Rodrigo, Beyond Alterity: Destabilizing the Indigenous Other in Mexico (University of Arizona Press, 2018) is an interdisciplinary collection of essays that take such an approach to studying indigenous communities and the concept of indigeneity. As the editors explain in the podcast, the indigenous subject has been often assumed to be defined by difference, so scholars tend to overlook the existence of practices, ideas, and politics that do not align with preconceived, essentialized ideas about indigenous alterity. This book examines, on the one hand, the range of lived experiences within indigenous communities, and on the other, the ongoing construction of the category of “indigenous.” Its first section uncovers ways in which indigenous communities’ practices and politics were more similar to than distinct from those of their nonindigenous counterparts. In the podcast, Acevedo-Rodrigo discusses her chapter on the role of Spanish-language schools in indigenous towns during the Porfiriato. The second section explores the changing, debated meanings of “the indigenous” in Mexico in various fields of scientific inquiry. López Caballero synthesizes her findings on anthropological debates on what constituted the indigenous in the 1940s. The editors also make reference to the other contributions to this edited volume on topics from property rights to genomic research.
Rachel Grace Newman is joining Smith College in July 2019 as Lecturer in the History of the Global South. She has a Ph.D. in History from Columbia University, and her dissertation was titled “Transnational Ambitions: Student Migrants and the Making of a National Future in Twentieth-Century Mexico.” She is also the author of a book on a binational program for migrant children whose families divided their time between Michoacán, Mexico and Watsonville, California. She is on Twitter (@rachelgnew).
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What happens when scholars approach the category of “indigenous” without presupposing its otherness? Edited by <a href="https://unam.academia.edu/PaulaL%C3%B3pezCaballero">Paula López Caballero</a> and <a href="https://www.die.cinvestav.mx/Personal-Academico/Dra-Ariadna-Acevedo-Rodrigo">Ariadna Acevedo-Rodrigo</a>, <a href="http://www.amazon.com/dp/0816535469/?tag=newbooinhis-20"><em>Beyond Alterity: Destabilizing the Indigenous Other in Mexico </em></a>(University of Arizona Press, 2018) is an interdisciplinary collection of essays that take such an approach to studying indigenous communities and the concept of indigeneity. As the editors explain in the podcast, the indigenous subject has been often assumed to be defined by difference, so scholars tend to overlook the existence of practices, ideas, and politics that do not align with preconceived, essentialized ideas about indigenous alterity. This book examines, on the one hand, the range of lived experiences within indigenous communities, and on the other, the ongoing construction of the category of “indigenous.” Its first section uncovers ways in which indigenous communities’ practices and politics were more similar to than distinct from those of their nonindigenous counterparts. In the podcast, Acevedo-Rodrigo discusses her chapter on the role of Spanish-language schools in indigenous towns during the Porfiriato. The second section explores the changing, debated meanings of “the indigenous” in Mexico in various fields of scientific inquiry. López Caballero synthesizes her findings on anthropological debates on what constituted the indigenous in the 1940s. The editors also make reference to the other contributions to this edited volume on topics from property rights to genomic research.</p><p><a href="https://rachelgnewman.com/"><em>Rachel Grace Newman</em></a><em> is joining Smith College in July 2019 as Lecturer in the History of the Global South. She has a Ph.D. in History from Columbia University, and her dissertation was titled “Transnational Ambitions: Student Migrants and the Making of a National Future in Twentieth-Century Mexico.” She is also the author of a </em><a href="https://www.worldcat.org/title/ninos-migrantes-entre-michoacan-y-california-pertenencia-estado-nacion-y-educacion-1976-1987/oclc/900268592"><em>book</em></a><em> on a binational program for migrant children whose families divided their time between Michoacán, Mexico and Watsonville, California. She is on Twitter (@rachelgnew).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4999</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[aa644378-1b41-11f0-9ee7-8b19a7ea45d3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3441196028.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Cynthia Radding, "Bountiful Deserts: Sustaining Indigenous Worlds in Northern New Spain" (U Arizona Press, 2022)</title>
      <description>Common understandings drawn from biblical references, literature, and art portray deserts as barren places that are far from God and spiritual sustenance. In our own time, attention focuses on the rigors of climate change in arid lands and the perils of the desert in the northern Mexican borderlands for migrants seeking shelter and a new life.
Bountiful Deserts: Sustaining Indigenous Worlds in Northern New Spain (U Arizona Press, 2022) foregrounds the knowledge of Indigenous peoples in the arid lands of northwestern Mexico, for whom the desert was anything but barren or empty. Instead, they nurtured and harvested the desert as a bountiful and sacred space. Drawing together historical texts and oral testimonies, archaeology, and natural history, author Cynthia Radding develops the relationships between people and plants and the ways that Indigenous people sustained their worlds before European contact through the changes set in motion by Spanish encounters, highlighting the long process of colonial conflicts and adaptations over more than two centuries. This work reveals the spiritual power of deserts by weaving together the cultural practices of historical peoples and contemporary living communities, centered especially on the Yaqui/Yoeme and Mayo/Yoreme.
Radding uses the tools of history, anthropology, geography, and ecology to paint an expansive picture of Indigenous worlds before and during colonial encounters. She re-creates the Indigenous worlds in both their spiritual and material realms, bringing together the analytical dimension of scientific research and the wisdom of oral traditions in its exploration of different kinds of knowledge about the natural world.
Published in cooperation with the William P. Clements Center for Southwest Studies, Southern Methodist University.
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      <pubDate>Thu, 17 Apr 2025 04:07:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1288</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Cynthia Radding</itunes:subtitle>
      <itunes:summary>Common understandings drawn from biblical references, literature, and art portray deserts as barren places that are far from God and spiritual sustenance. In our own time, attention focuses on the rigors of climate change in arid lands and the perils of the desert in the northern Mexican borderlands for migrants seeking shelter and a new life.
Bountiful Deserts: Sustaining Indigenous Worlds in Northern New Spain (U Arizona Press, 2022) foregrounds the knowledge of Indigenous peoples in the arid lands of northwestern Mexico, for whom the desert was anything but barren or empty. Instead, they nurtured and harvested the desert as a bountiful and sacred space. Drawing together historical texts and oral testimonies, archaeology, and natural history, author Cynthia Radding develops the relationships between people and plants and the ways that Indigenous people sustained their worlds before European contact through the changes set in motion by Spanish encounters, highlighting the long process of colonial conflicts and adaptations over more than two centuries. This work reveals the spiritual power of deserts by weaving together the cultural practices of historical peoples and contemporary living communities, centered especially on the Yaqui/Yoeme and Mayo/Yoreme.
Radding uses the tools of history, anthropology, geography, and ecology to paint an expansive picture of Indigenous worlds before and during colonial encounters. She re-creates the Indigenous worlds in both their spiritual and material realms, bringing together the analytical dimension of scientific research and the wisdom of oral traditions in its exploration of different kinds of knowledge about the natural world.
Published in cooperation with the William P. Clements Center for Southwest Studies, Southern Methodist University.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Common understandings drawn from biblical references, literature, and art portray deserts as barren places that are far from God and spiritual sustenance. In our own time, attention focuses on the rigors of climate change in arid lands and the perils of the desert in the northern Mexican borderlands for migrants seeking shelter and a new life.</p><p><a href="https://bookshop.org/a/12343/9780816546923"><em>Bountiful Deserts: Sustaining Indigenous Worlds in Northern New Spain</em></a><em> </em>(U Arizona Press, 2022) foregrounds the knowledge of Indigenous peoples in the arid lands of northwestern Mexico, for whom the desert was anything but barren or empty. Instead, they nurtured and harvested the desert as a bountiful and sacred space. Drawing together historical texts and oral testimonies, archaeology, and natural history, author Cynthia Radding develops the relationships between people and plants and the ways that Indigenous people sustained their worlds before European contact through the changes set in motion by Spanish encounters, highlighting the long process of colonial conflicts and adaptations over more than two centuries. This work reveals the spiritual power of deserts by weaving together the cultural practices of historical peoples and contemporary living communities, centered especially on the Yaqui/Yoeme and Mayo/Yoreme.</p><p>Radding uses the tools of history, anthropology, geography, and ecology to paint an expansive picture of Indigenous worlds before and during colonial encounters. She re-creates the Indigenous worlds in both their spiritual and material realms, bringing together the analytical dimension of scientific research and the wisdom of oral traditions in its exploration of different kinds of knowledge about the natural world.</p><p>Published in cooperation with the William P. Clements Center for Southwest Studies, Southern Methodist University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3476</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK4228728099.mp3?updated=1670786973" length="0" type="audio/mpeg"/>
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    <item>
      <title>Ronald L. Trosper, "Indigenous Economics: Sustaining Peoples and Their Lands" (U Arizona Press, 2022)</title>
      <description>What does “development” mean for Indigenous peoples? Indigenous Economics: Sustaining Peoples and Their Lands (U Arizona Press, 2022) lays out an alternative path showing that conscious attention to relationships among humans and the natural world creates flourishing social-ecological economies. 
Economist Ronald L. Trosper draws on examples from North and South America, Aotearoa/New Zealand, and Australia to argue that Indigenous worldviews centering care and good relationships provide critical and sustainable economic models in a world under increasing pressure from biodiversity loss and climate change. He explains the structure of relational Indigenous economic theory, providing principles based on his own and others’ work with tribal nations and Indigenous communities. Trosper explains how sustainability is created at every level when relational Indigenous economic theory is applied—micro, meso, and macro. Good relationships support personal and community autonomy, replacing the individualism/collectivism dichotomy with relational leadership and entrepreneurship. Basing economies on relationships requires changing governance from the top-down approaches of nation-states and international corporations; instead, each community creates its own territorial relationships, creating plurinational relational states. This book offers an important alternative to classic economic theory. In Indigenous Economics, support for Indigenous communities’ development and Indigenous peoples’ well-being go hand-in-hand.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:07:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>88</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Ronald L. Trosper</itunes:subtitle>
      <itunes:summary>What does “development” mean for Indigenous peoples? Indigenous Economics: Sustaining Peoples and Their Lands (U Arizona Press, 2022) lays out an alternative path showing that conscious attention to relationships among humans and the natural world creates flourishing social-ecological economies. 
Economist Ronald L. Trosper draws on examples from North and South America, Aotearoa/New Zealand, and Australia to argue that Indigenous worldviews centering care and good relationships provide critical and sustainable economic models in a world under increasing pressure from biodiversity loss and climate change. He explains the structure of relational Indigenous economic theory, providing principles based on his own and others’ work with tribal nations and Indigenous communities. Trosper explains how sustainability is created at every level when relational Indigenous economic theory is applied—micro, meso, and macro. Good relationships support personal and community autonomy, replacing the individualism/collectivism dichotomy with relational leadership and entrepreneurship. Basing economies on relationships requires changing governance from the top-down approaches of nation-states and international corporations; instead, each community creates its own territorial relationships, creating plurinational relational states. This book offers an important alternative to classic economic theory. In Indigenous Economics, support for Indigenous communities’ development and Indigenous peoples’ well-being go hand-in-hand.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does “development” mean for Indigenous peoples? <a href="https://bookshop.org/a/12343/9780816533459"><em>Indigenous Economics: Sustaining Peoples and Their Lands</em></a> (U Arizona Press, 2022) lays out an alternative path showing that conscious attention to relationships among humans and the natural world creates flourishing social-ecological economies. </p><p>Economist Ronald L. Trosper draws on examples from North and South America, Aotearoa/New Zealand, and Australia to argue that Indigenous worldviews centering care and good relationships provide critical and sustainable economic models in a world under increasing pressure from biodiversity loss and climate change. He explains the structure of relational Indigenous economic theory, providing principles based on his own and others’ work with tribal nations and Indigenous communities. Trosper explains how sustainability is created at every level when relational Indigenous economic theory is applied—micro, meso, and macro. Good relationships support personal and community autonomy, replacing the individualism/collectivism dichotomy with relational leadership and entrepreneurship. Basing economies on relationships requires changing governance from the top-down approaches of nation-states and international corporations; instead, each community creates its own territorial relationships, creating plurinational relational states. This book offers an important alternative to classic economic theory. In <em>Indigenous Economics</em>, support for Indigenous communities’ development and Indigenous peoples’ well-being go hand-in-hand.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2881</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[73b72502-1b41-11f0-a250-6f92d26399f6]]></guid>
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    <item>
      <title>William Beezley, “Mexican National Identity: Memory, Innuendo and Popular Culture” (University of Arizona Press, 2008)</title>
      <description>The question of how we come to understand who we are–nationality-wise–is a thorny one. In a widely-read book, Benedict Anderson said we got nationality, inter alia, by reading about it in books. William Beezley‘s got a different, though complementary, thesis regarding Mexicans of the 19th century: they were shown nationality in things like puppet shows. That’s right. Puppet shows. In his excellent Mexican National Identity. Memory, Innuendo and Popular Culture (University of Arizona Press, 2008) he explores how Mexicans were taught Mexican nationality through a variety of popular performances, games, carnivals, holidays, and household items. “Taught” might be a little too strong, as the point of each of these folk enterprises was, well, enterprise and entertainment. In any event, Mexican nationality seems to have came from the bottom up, not the top down. Seems about right to me. I learned I was American by reading a comic book called “Sergeant Rock.”
Please become a fan of “New Books in History” on Facebook if you haven’t already.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:07:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>The question of how we come to understand who we are–nationality-wise–is a thorny one. In a widely-read book, Benedict Anderson said we got nationality, inter alia, by reading about it in books. William Beezley‘s got a different, though complementary,</itunes:subtitle>
      <itunes:summary>The question of how we come to understand who we are–nationality-wise–is a thorny one. In a widely-read book, Benedict Anderson said we got nationality, inter alia, by reading about it in books. William Beezley‘s got a different, though complementary, thesis regarding Mexicans of the 19th century: they were shown nationality in things like puppet shows. That’s right. Puppet shows. In his excellent Mexican National Identity. Memory, Innuendo and Popular Culture (University of Arizona Press, 2008) he explores how Mexicans were taught Mexican nationality through a variety of popular performances, games, carnivals, holidays, and household items. “Taught” might be a little too strong, as the point of each of these folk enterprises was, well, enterprise and entertainment. In any event, Mexican nationality seems to have came from the bottom up, not the top down. Seems about right to me. I learned I was American by reading a comic book called “Sergeant Rock.”
Please become a fan of “New Books in History” on Facebook if you haven’t already.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The question of how we come to understand who we are–nationality-wise–is a thorny one. In a widely-read book, Benedict Anderson said we got nationality, inter alia, by reading about it in books. <a href="http://history.arizona.edu/faculty/faculty.php?id=183">William Beezley</a>‘s got a different, though complementary, thesis regarding Mexicans of the 19th century: they were shown nationality in things like puppet shows. That’s right. Puppet shows. In his excellent <a href="http://www.amazon.com/dp/0816526907/?tag=newbooinhis-20">Mexican National Identity. Memory, Innuendo and Popular Culture</a> (University of Arizona Press, 2008) he explores how Mexicans were taught Mexican nationality through a variety of popular performances, games, carnivals, holidays, and household items. “Taught” might be a little too strong, as the point of each of these folk enterprises was, well, enterprise and entertainment. In any event, Mexican nationality seems to have came from the bottom up, not the top down. Seems about right to me. I learned I was American by reading a comic book called “<a href="http://en.wikipedia.org/wiki/Sgt._Rock_(comics)">Sergeant Rock</a>.”</p><p>Please become a fan of “New Books in History” on <a href="http://www.facebook.com/profile.php?id=1361072270#/pages/New-Books-In-History/23393718791?ref=ts">Facebook</a> if you haven’t already.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3846</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksinhistory.com/?p=73]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4077978955.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Andrew Curley, "Carbon Sovereignty: Coal, Development, and Energy Transition in the Navajo Nation" (U Arizona Press, 2023)</title>
      <description>For almost fifty years, coal dominated the Navajo economy. But in 2019 one of the Navajo Nation’s largest coal plants closed.
This comprehensive new work offers a deep dive into the complex inner workings of energy shift in the Navajo Nation. In Carbon Sovereignty: Coal, Development, and Energy Transition in the Navajo Nation (University of Arizona Press, 2023) geographer Andrew Curley, a member of the Navajo Nation, examines the history of coal development within the Navajo Nation, including why some Diné supported coal and the consequences of doing so. He explains the Navajo Nation’s strategic choices to use the coal industry to support its sovereignty as a path forward in the face of ongoing colonialism. Carbon Sovereignty demonstrates the mechanism of capitalism through colonialism and the construction of resource sovereignty, in both the Navajo Nation’s embrace and its rejection of a coal economy.
For the people of the Navajo Nation, energy sovereignty is dire and personal. Thanks to on-the-ground interviews with Diné coal workers, environmental activists, and politicians, Curley documents the real consequences of change as they happened. While some Navajo actors have doubled down for coal, others have moved toward transition. Curley argues that political struggles ultimately shape how we should understand coal, capitalism, and climate change. The rise and fall of coal magnify the nuance and complexity of change. Historical and contemporary issues intermingle in everyday life with lasting consequences.
Andrew Curley is a member of the Navajo Nation and an assistant professor in the School of Geography, Development &amp; Environment at the University of Arizona. Twitter.
Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:06:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>148</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Andrew Curley</itunes:subtitle>
      <itunes:summary>For almost fifty years, coal dominated the Navajo economy. But in 2019 one of the Navajo Nation’s largest coal plants closed.
This comprehensive new work offers a deep dive into the complex inner workings of energy shift in the Navajo Nation. In Carbon Sovereignty: Coal, Development, and Energy Transition in the Navajo Nation (University of Arizona Press, 2023) geographer Andrew Curley, a member of the Navajo Nation, examines the history of coal development within the Navajo Nation, including why some Diné supported coal and the consequences of doing so. He explains the Navajo Nation’s strategic choices to use the coal industry to support its sovereignty as a path forward in the face of ongoing colonialism. Carbon Sovereignty demonstrates the mechanism of capitalism through colonialism and the construction of resource sovereignty, in both the Navajo Nation’s embrace and its rejection of a coal economy.
For the people of the Navajo Nation, energy sovereignty is dire and personal. Thanks to on-the-ground interviews with Diné coal workers, environmental activists, and politicians, Curley documents the real consequences of change as they happened. While some Navajo actors have doubled down for coal, others have moved toward transition. Curley argues that political struggles ultimately shape how we should understand coal, capitalism, and climate change. The rise and fall of coal magnify the nuance and complexity of change. Historical and contemporary issues intermingle in everyday life with lasting consequences.
Andrew Curley is a member of the Navajo Nation and an assistant professor in the School of Geography, Development &amp; Environment at the University of Arizona. Twitter.
Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For almost fifty years, coal dominated the Navajo economy. But in 2019 one of the Navajo Nation’s largest coal plants closed.</p><p>This comprehensive new work offers a deep dive into the complex inner workings of energy shift in the Navajo Nation. In <a href="https://bookshop.org/a/12343/9780816539604"><em>Carbon Sovereignty: Coal, Development, and Energy Transition in the Navajo Nation</em></a><em> </em>(University of Arizona Press, 2023) geographer Andrew Curley, a member of the Navajo Nation, examines the history of coal development within the Navajo Nation, including why some Diné supported coal and the consequences of doing so. He explains the Navajo Nation’s strategic choices to use the coal industry to support its sovereignty as a path forward in the face of ongoing colonialism. <em>Carbon Sovereignty</em> demonstrates the mechanism of capitalism through colonialism and the construction of resource sovereignty, in both the Navajo Nation’s embrace and its rejection of a coal economy.</p><p>For the people of the Navajo Nation, energy sovereignty is dire and personal. Thanks to on-the-ground interviews with Diné coal workers, environmental activists, and politicians, Curley documents the real consequences of change as they happened. While some Navajo actors have doubled down for coal, others have moved toward transition. Curley argues that political struggles ultimately shape how we should understand coal, capitalism, and climate change. The rise and fall of coal magnify the nuance and complexity of change. Historical and contemporary issues intermingle in everyday life with lasting consequences.</p><p>Andrew Curley is a member of the Navajo Nation and an assistant professor in the School of Geography, Development &amp; Environment at the University of Arizona. <a href="https://twitter.com/wahgraphy">Twitter</a>.</p><p><em>Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. </em><a href="http://twitter.com/brianfhamilton"><em>Twitter</em></a><em>. </em><a href="http://brian-hamilton.org/"><em>Website</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3095</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Andrew Flachs, "Cultivating Knowledge: Biotechnology, Sustainability, and the Human Cost of Cotton Capitalism in India" (U Arizona Press, 2019)</title>
      <description>Cultivating Knowledge: Biotechnology, Sustainability and the Human Cost of Cotton Capitalism in India by Andrew Flachs (University of Arizona Press, 2019) tells a story of how farmers in rural south India evaluate agricultural success through shifting calculations of social meaning, performance, and economic aspirations. Navigating multiple avenues of incentives, Dr. Flachs moves beyond the hidden links of consumption and production to concerns about how people engage with global change on the level of the farm field. By choosing to plant either genetically modified or certified organic cotton seeds, farmers risk their livelihoods by participating in diverging courses of sustainable agriculture. The farmer’s choice of seed reflects a performance of transformation regarding knowledge and agrarian sensibilities within rapidly changing socioeconomic and material realities that are influenced by both a colonial past and the neoliberal present. As Andrew put it, “a seed is a choice that cannot be taken back.(3)”
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:06:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>71</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Cultivating Knowledge: Biotechnology, Sustainability and the Human Cost of Cotton Capitalism in India by Andrew Flachs (University of Arizona Press, 2019) tells a story of how farmers in rural south India evaluate agricultural success through shifting calculations of social meaning, performance, and economic aspirations. Navigating multiple avenues of incentives, Dr. Flachs moves beyond the hidden links of consumption and production to concerns about how people engage with global change on the level of the farm field. By choosing to plant either genetically modified or certified organic cotton seeds, farmers risk their livelihoods by participating in diverging courses of sustainable agriculture. The farmer’s choice of seed reflects a performance of transformation regarding knowledge and agrarian sensibilities within rapidly changing socioeconomic and material realities that are influenced by both a colonial past and the neoliberal present. As Andrew put it, “a seed is a choice that cannot be taken back.(3)”
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780816539635"><em>Cultivating Knowledge: Biotechnology, Sustainability and the Human Cost of Cotton Capitalism in India</em></a><em> </em>by Andrew Flachs (University of Arizona Press, 2019) tells a story of how farmers in rural south India evaluate agricultural success through shifting calculations of social meaning, performance, and economic aspirations. Navigating multiple avenues of incentives, Dr. Flachs moves beyond the hidden links of consumption and production to concerns about how people engage with global change on the level of the farm field. By choosing to plant either genetically modified or certified organic cotton seeds, farmers risk their livelihoods by participating in diverging courses of sustainable agriculture. The farmer’s choice of seed reflects a performance of transformation regarding knowledge and agrarian sensibilities within rapidly changing socioeconomic and material realities that are influenced by both a colonial past and the neoliberal present. As Andrew put it, “a seed is a choice that cannot be taken back.(3)”</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3504</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[46a5535e-1b41-11f0-a078-9343e51be930]]></guid>
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    <item>
      <title>Sarah Milne, "Corporate Nature: An Insider's Ethnography of Global Conservation" (U Arizona Press, 2022)</title>
      <description>In 2012, Cambodia’s most prominent environmental activist was brutally murdered in a high-profile conservation area in the Cardamom Mountains. Tragic and terrible, this event magnifies a crisis in humanity’s efforts to save nature: failure of the very tools and systems at hand for advancing global environmental action. Sarah Milne spent more than a decade working for and observing global conservation projects in Cambodia. During this time, she saw how big environmental NGOs can operate rather like corporations. Their core practice involves rolling out appealing and deceptively simple policy ideas, like Payments for Ecosystem Services (PES). Yet, as policy ideas prove hard to implement, NGOs must also carefully curate evidence from the field to give the impression of success and effectiveness.
In Corporate Nature: An Insider's Ethnography of Global Conservation (U Arizona Press, 2022), Milne delves inside the black box of mainstream global conservation. She reveals how big international NGOs struggle in the face of complexity—especially in settings where corruption and political violence prevail. She uses the case of Conservation International’s work in Cambodia to illustrate how apparently powerful NGOs can stumble in practice: policy ideas are transformed on the ground, while perverse side effects arise, like augmented authoritarian power, illegal logging, and Indigenous dispossession. The real power of global conservation NGOs is therefore not in their capacity to control what happens in the field but in their capacity to ignore or conceal failings. Milne argues that this produces an undesirable form of socionature, called corporate nature, that values organizational success over diverse knowledges and ethical conduct.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:06:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>80</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Sarah Milne</itunes:subtitle>
      <itunes:summary>In 2012, Cambodia’s most prominent environmental activist was brutally murdered in a high-profile conservation area in the Cardamom Mountains. Tragic and terrible, this event magnifies a crisis in humanity’s efforts to save nature: failure of the very tools and systems at hand for advancing global environmental action. Sarah Milne spent more than a decade working for and observing global conservation projects in Cambodia. During this time, she saw how big environmental NGOs can operate rather like corporations. Their core practice involves rolling out appealing and deceptively simple policy ideas, like Payments for Ecosystem Services (PES). Yet, as policy ideas prove hard to implement, NGOs must also carefully curate evidence from the field to give the impression of success and effectiveness.
In Corporate Nature: An Insider's Ethnography of Global Conservation (U Arizona Press, 2022), Milne delves inside the black box of mainstream global conservation. She reveals how big international NGOs struggle in the face of complexity—especially in settings where corruption and political violence prevail. She uses the case of Conservation International’s work in Cambodia to illustrate how apparently powerful NGOs can stumble in practice: policy ideas are transformed on the ground, while perverse side effects arise, like augmented authoritarian power, illegal logging, and Indigenous dispossession. The real power of global conservation NGOs is therefore not in their capacity to control what happens in the field but in their capacity to ignore or conceal failings. Milne argues that this produces an undesirable form of socionature, called corporate nature, that values organizational success over diverse knowledges and ethical conduct.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 2012, Cambodia’s most prominent environmental activist was brutally murdered in a high-profile conservation area in the Cardamom Mountains. Tragic and terrible, this event magnifies a crisis in humanity’s efforts to save nature: failure of the very tools and systems at hand for advancing global environmental action. Sarah Milne spent more than a decade working for and observing global conservation projects in Cambodia. During this time, she saw how big environmental NGOs can operate rather like corporations. Their core practice involves rolling out appealing and deceptively simple policy ideas, like Payments for Ecosystem Services (PES). Yet, as policy ideas prove hard to implement, NGOs must also carefully curate evidence from the field to give the impression of success and effectiveness.</p><p>In <a href="https://bookshop.org/a/12343/9780816547005"><em>Corporate Nature: An Insider's Ethnography of Global Conservation</em></a><em> </em>(U Arizona Press, 2022), Milne delves inside the black box of mainstream global conservation. She reveals how big international NGOs struggle in the face of complexity—especially in settings where corruption and political violence prevail. She uses the case of Conservation International’s work in Cambodia to illustrate how apparently powerful NGOs can stumble in practice: policy ideas are transformed on the ground, while perverse side effects arise, like augmented authoritarian power, illegal logging, and Indigenous dispossession. The real power of global conservation NGOs is therefore not in their capacity to control what happens in the field but in their capacity to ignore or conceal failings. Milne argues that this produces an undesirable form of socionature, called corporate nature, that values organizational success over diverse knowledges and ethical conduct.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3116</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK5103306290.mp3?updated=1670679202" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Christopher Chávez, "The Sound of Exclusion: NPR and the Latinx Public" (U Arizona Press, 2021)</title>
      <description>How is power enacted in everyday broadcast practices? National Public Radio has a “rhetoric of impartiality” but this obscures the ideological work done by the network.” In The Sound of Exclusion: NPR and the Latinx Public (U Arizona Press, 2021), Dr. Christopher Chávez interrogates how NPR determines what it means to be American and what is deemed American news. NPR’s original mandate included engaging listeners in civic discourses and representing the diversity of the nation. Yet Chavez argues that NPR has created a "white public space" that pushes Latinx listeners to the periphery. As a result, NPR promotes the cultural logic that Latinx identity is separate from national identity – hindering Latinx participation in civic discourses. But Chavez maintains that the shared act of listening might facilitate the ways in which Latinx listeners negotiate and resist norms of what it means to belong, also known as sonic citizenship. He writes that through the act of listening, "... those without sustained access to political power might imagine alternative political possibilities in which they are included."
Dr. Christopher Chávez is an Associate Professor in the School of Journalism and Communication at the University of Oregon where he also directs the Center for Latina/o and Latin American Studies. His publications include a previous book Reinventing the Latino Television Viewer: Language, Ideology, and Practice (Lexington Books, 2015).
Daniella Campos served as editorial assistant for this podcast.
 Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:06:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>581</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Christopher Chávez</itunes:subtitle>
      <itunes:summary>How is power enacted in everyday broadcast practices? National Public Radio has a “rhetoric of impartiality” but this obscures the ideological work done by the network.” In The Sound of Exclusion: NPR and the Latinx Public (U Arizona Press, 2021), Dr. Christopher Chávez interrogates how NPR determines what it means to be American and what is deemed American news. NPR’s original mandate included engaging listeners in civic discourses and representing the diversity of the nation. Yet Chavez argues that NPR has created a "white public space" that pushes Latinx listeners to the periphery. As a result, NPR promotes the cultural logic that Latinx identity is separate from national identity – hindering Latinx participation in civic discourses. But Chavez maintains that the shared act of listening might facilitate the ways in which Latinx listeners negotiate and resist norms of what it means to belong, also known as sonic citizenship. He writes that through the act of listening, "... those without sustained access to political power might imagine alternative political possibilities in which they are included."
Dr. Christopher Chávez is an Associate Professor in the School of Journalism and Communication at the University of Oregon where he also directs the Center for Latina/o and Latin American Studies. His publications include a previous book Reinventing the Latino Television Viewer: Language, Ideology, and Practice (Lexington Books, 2015).
Daniella Campos served as editorial assistant for this podcast.
 Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How is power enacted in everyday broadcast practices? National Public Radio has a “rhetoric of impartiality” but this obscures the ideological work done by the network.” In <a href="https://bookshop.org/a/12343/9780816542765"><em>The Sound of Exclusion: NPR and the Latinx Public</em></a><em> </em>(U Arizona Press, 2021), Dr. Christopher Chávez interrogates how NPR determines what it means to be American and what is deemed American news. NPR’s original mandate included engaging listeners in civic discourses and representing the diversity of the nation. Yet Chavez argues that NPR has created a "white public space" that pushes Latinx listeners to the periphery. As a result, NPR promotes the cultural logic that Latinx identity is separate from national identity – hindering Latinx participation in civic discourses. But Chavez maintains that the shared act of listening might facilitate the ways in which Latinx listeners negotiate and resist norms of what it means to belong, also known as sonic citizenship. He writes that through the act of listening, "... those without sustained access to political power might imagine alternative political possibilities in which they are included."</p><p><a href="https://journalism.uoregon.edu/directory/directory-eugene/all/cchavez4">Dr. Christopher Chávez</a> is an Associate Professor in the School of Journalism and Communication at the University of Oregon where he also directs the Center for Latina/o and Latin American Studies. His publications include a previous book <a href="https://bookshop.org/books/reinventing-the-latino-television-viewer-language-ideology-and-practice/9781498506632"><em>Reinventing the Latino Television Viewer: Language, Ideology, and Practice</em></a> (Lexington Books, 2015).</p><p>Daniella Campos served as editorial assistant for this podcast.</p><p><em> </em><a href="https://www.sju.edu/faculty/susan-liebell#_ga=2.125106634.1318472952.1578330950-502593983.1578330950"><em>Susan Liebell </em></a><em>is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3259</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK9048429617.mp3?updated=1644269114" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anne García-Romero, "The Fornes Frame" (U Arizona Press, 2016)</title>
      <description>In The Fornes Frame: Contemporary Latina Playwrights and the Legacy of Maria Irene Fornes (University of Arizona Press, 2016) playwright and theatre scholar Anne García-Romero traces the career and legacy of Maria Irene Fornes.
Fornes was one of the most significant American playwrights of the twentieth century, and her legacy is evident in the dozens of playwrights she mentored over the course of her long career. García-Romero shows how her unique pedagogy and her example as a successful Latina experimental playwright continue to inspire playwrights like Caridad Svich, Cusi Cram, Elaine Romero, Quiara Alegría Hudes, and Karen Zacarías.
Anne García-Romero is a playwright and theatre studies scholar.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:05:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>28</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Playwright and theatre scholar Anne García-Romero traces the career and legacy of Maria Irene Fornes.</itunes:subtitle>
      <itunes:summary>In The Fornes Frame: Contemporary Latina Playwrights and the Legacy of Maria Irene Fornes (University of Arizona Press, 2016) playwright and theatre scholar Anne García-Romero traces the career and legacy of Maria Irene Fornes.
Fornes was one of the most significant American playwrights of the twentieth century, and her legacy is evident in the dozens of playwrights she mentored over the course of her long career. García-Romero shows how her unique pedagogy and her example as a successful Latina experimental playwright continue to inspire playwrights like Caridad Svich, Cusi Cram, Elaine Romero, Quiara Alegría Hudes, and Karen Zacarías.
Anne García-Romero is a playwright and theatre studies scholar.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780816531448"><em>The Fornes Frame: Contemporary Latina Playwrights and the Legacy of Maria Irene Fornes</em></a> (University of Arizona Press, 2016) playwright and theatre scholar Anne García-Romero traces the career and legacy of Maria Irene Fornes.</p><p>Fornes was one of the most significant American playwrights of the twentieth century, and her legacy is evident in the dozens of playwrights she mentored over the course of her long career. García-Romero shows how her unique pedagogy and her example as a successful Latina experimental playwright continue to inspire playwrights like Caridad Svich, Cusi Cram, Elaine Romero, Quiara Alegría Hudes, and Karen Zacarías.</p><p><a href="https://en.wikipedia.org/wiki/Anne_Garc%C3%ADa-Romero">Anne García-Romero</a> is a playwright and theatre studies scholar.</p><p><em>Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is </em><a href="http://andyjboyd.com/"><em>AndyJBoyd.com</em></a><em>, and he can be reached at andyjamesboyd@gmail.com.</em></p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3271</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK7947804570.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Silviana Wood, "Barrio Dreams: Selected Plays" (U Arizona Press, 2016)</title>
      <description>Silviana Wood is a legend of Chicano theatre. Through her involvement with Teatro Libertad, Teatro Chicano, and El Teatro Nacional de Atzlán she has created plays where working class Chicanos are center stage. Despite her insistence that she is “a storyteller, not an activist,” her plays reflect her deep connection to the Movimiento Chicano. They are also funny, imaginative, and heartbreaking, sometimes all in the same scene. Her book Barrio Dreams (University of Arizona Press 2016) collects five of her plays.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:05:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>29</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Silviana Wood is a legend of Chicano theatre...</itunes:subtitle>
      <itunes:summary>Silviana Wood is a legend of Chicano theatre. Through her involvement with Teatro Libertad, Teatro Chicano, and El Teatro Nacional de Atzlán she has created plays where working class Chicanos are center stage. Despite her insistence that she is “a storyteller, not an activist,” her plays reflect her deep connection to the Movimiento Chicano. They are also funny, imaginative, and heartbreaking, sometimes all in the same scene. Her book Barrio Dreams (University of Arizona Press 2016) collects five of her plays.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Silviana Wood is a legend of Chicano theatre. Through her involvement with Teatro Libertad, Teatro Chicano, and El Teatro Nacional de Atzlán she has created plays where working class Chicanos are center stage. Despite her insistence that she is “a storyteller, not an activist,” her plays reflect her deep connection to the Movimiento Chicano. They are also funny, imaginative, and heartbreaking, sometimes all in the same scene. Her book <a href="https://bookshop.org/a/12343/9780816532476"><em>Barrio Dreams</em></a> (University of Arizona Press 2016) collects five of her plays.</p><p><em>Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2687</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[33c6630e-1b41-11f0-abbe-97c5505ad11b]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6671875250.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Stephen J. Pyne, "Pyrocene Park: A Journey Into the Fire History of Yosemite National Park" (U Arizona Press, 2023)</title>
      <description>How is Yosemite National Park a microcosm for our warming, fire-driven, world? 
Arizona State University emeritus professor Stephen Pyne answers that question in Pyrocene Park: A Journey Into the Fire History of Yosemite National Park (U Arizona Press, 2023). Pyne frames the fire history of Yosemite National Park around a three day hike he and a team of researchers took into the park's backcountry as part of a program examining the effects of changing fire regimes over the last several decades. 
In the process, Pyne explains how and why the human abolition - and reignition - of fires in the park have had dramatic effects on a place which is 95% wilderness. People, Pyne argues, have a strange relationship with fire, at once keeping the elemental process at arm's length while simultaneously being intertwined culturally and even physically with fire and its effects. As fires grow and the planet warms, Pyne asks readers to consider Yosemite as both a warning about the dangers of misunderstanding fire, and an example of how to respect fire as the ecological necessity it has always been.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:04:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>165</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Stephen J. Pyne</itunes:subtitle>
      <itunes:summary>How is Yosemite National Park a microcosm for our warming, fire-driven, world? 
Arizona State University emeritus professor Stephen Pyne answers that question in Pyrocene Park: A Journey Into the Fire History of Yosemite National Park (U Arizona Press, 2023). Pyne frames the fire history of Yosemite National Park around a three day hike he and a team of researchers took into the park's backcountry as part of a program examining the effects of changing fire regimes over the last several decades. 
In the process, Pyne explains how and why the human abolition - and reignition - of fires in the park have had dramatic effects on a place which is 95% wilderness. People, Pyne argues, have a strange relationship with fire, at once keeping the elemental process at arm's length while simultaneously being intertwined culturally and even physically with fire and its effects. As fires grow and the planet warms, Pyne asks readers to consider Yosemite as both a warning about the dangers of misunderstanding fire, and an example of how to respect fire as the ecological necessity it has always been.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How is Yosemite National Park a microcosm for our warming, fire-driven, world? </p><p>Arizona State University emeritus professor Stephen Pyne answers that question in <a href="https://bookshop.org/a/12343/9780816549238"><em>Pyrocene Park: A Journey Into the Fire History of Yosemite National Park</em></a> (U Arizona Press, 2023). Pyne frames the fire history of Yosemite National Park around a three day hike he and a team of researchers took into the park's backcountry as part of a program examining the effects of changing fire regimes over the last several decades. </p><p>In the process, Pyne explains how and why the human abolition - and reignition - of fires in the park have had dramatic effects on a place which is 95% wilderness. People, Pyne argues, have a strange relationship with fire, at once keeping the elemental process at arm's length while simultaneously being intertwined culturally and even physically with fire and its effects. As fires grow and the planet warms, Pyne asks readers to consider Yosemite as both a warning about the dangers of misunderstanding fire, and an example of how to respect fire as the ecological necessity it has always been.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4057</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0174ba54-1b41-11f0-bad7-478d1a6a4eaa]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3567111489.mp3?updated=1722284176" length="0" type="audio/mpeg"/>
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    <item>
      <title>Ricardo Quintana-Vallejo, "Growing Up in the Gutter: Diaspora and Comics" (U Arizona Press, 2024)</title>
      <description>Growing Up in the Gutter: Diaspora and Comics (U Arizona Press, 2024) by Dr. Ricardo Quintana-Vallejo offers new understandings of contemporary graphic coming-of-age narratives by looking at the genre’s growth in stories by and for young BIPOC, LGBTQ+, and diasporic readers. Through a careful examination of the genre, Dr. Quintana-Vallejo analyses the complex identity formation of first- and subsequent-generation migrant protagonists in globalised rural and urban environments and dissects the implications that these diasporic formative processes have for a growing and popular genre.
While the most traditional iteration of the bildungsroman—the coming-of-age story—follows middle-class male heroes who forge their identities in a process of complex introspection, contemporary graphic coming-of-age narratives represent formative processes that fit into, resist, or even disregard narratives of socialisation under capitalism, of citizenship, and of nationhood.
Dr. Quintana-Vallejo delves into several important themes: how the coming-of-age genre can be used to study adulthood, how displacement and international or global heritage are fundamental experiences, how multi-diasporic approaches foreground lived experiences, and how queerness opens narratives of development to the study of adulthood as fundamentally diverse and nonconforming to social norms. Dr. Quintana-Vallejo shows how openness enables belonging among chosen families and, perhaps most importantly, freedom to disidentify. And, finally, how contemporary authors writing for the instruction of BIPOC children (and children otherwise affected by diaspora and displacement) use the didactic power of the coming-of-age genre, combined with the hybrid language of graphic narratives, to teach difficult topics in accessible ways.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:04:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Ricardo Quintana-Vallejo</itunes:subtitle>
      <itunes:summary>Growing Up in the Gutter: Diaspora and Comics (U Arizona Press, 2024) by Dr. Ricardo Quintana-Vallejo offers new understandings of contemporary graphic coming-of-age narratives by looking at the genre’s growth in stories by and for young BIPOC, LGBTQ+, and diasporic readers. Through a careful examination of the genre, Dr. Quintana-Vallejo analyses the complex identity formation of first- and subsequent-generation migrant protagonists in globalised rural and urban environments and dissects the implications that these diasporic formative processes have for a growing and popular genre.
While the most traditional iteration of the bildungsroman—the coming-of-age story—follows middle-class male heroes who forge their identities in a process of complex introspection, contemporary graphic coming-of-age narratives represent formative processes that fit into, resist, or even disregard narratives of socialisation under capitalism, of citizenship, and of nationhood.
Dr. Quintana-Vallejo delves into several important themes: how the coming-of-age genre can be used to study adulthood, how displacement and international or global heritage are fundamental experiences, how multi-diasporic approaches foreground lived experiences, and how queerness opens narratives of development to the study of adulthood as fundamentally diverse and nonconforming to social norms. Dr. Quintana-Vallejo shows how openness enables belonging among chosen families and, perhaps most importantly, freedom to disidentify. And, finally, how contemporary authors writing for the instruction of BIPOC children (and children otherwise affected by diaspora and displacement) use the didactic power of the coming-of-age genre, combined with the hybrid language of graphic narratives, to teach difficult topics in accessible ways.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780816553310"><em>Growing Up in the Gutter: Diaspora and Comics</em></a> (U Arizona Press, 2024) by Dr. Ricardo Quintana-Vallejo offers new understandings of contemporary graphic coming-of-age narratives by looking at the genre’s growth in stories by and for young BIPOC, LGBTQ+, and diasporic readers. Through a careful examination of the genre, Dr. Quintana-Vallejo analyses the complex identity formation of first- and subsequent-generation migrant protagonists in globalised rural and urban environments and dissects the implications that these diasporic formative processes have for a growing and popular genre.</p><p>While the most traditional iteration of the bildungsroman—the coming-of-age story—follows middle-class male heroes who forge their identities in a process of complex introspection, contemporary graphic coming-of-age narratives represent formative processes that fit into, resist, or even disregard narratives of socialisation under capitalism, of citizenship, and of nationhood.</p><p>Dr. Quintana-Vallejo delves into several important themes: how the coming-of-age genre can be used to study adulthood, how displacement and international or global heritage are fundamental experiences, how multi-diasporic approaches foreground lived experiences, and how queerness opens narratives of development to the study of adulthood as fundamentally diverse and nonconforming to social norms. Dr. Quintana-Vallejo shows how openness enables belonging among chosen families and, perhaps most importantly, freedom to disidentify. And, finally, how contemporary authors writing for the instruction of BIPOC children (and children otherwise affected by diaspora and displacement) use the didactic power of the coming-of-age genre, combined with the hybrid language of graphic narratives, to teach difficult topics in accessible ways.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3151</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Tom Zoellner, "Rim to River: Looking Into the Heart of Arizona" (U Arizona Press, 2023)</title>
      <description>Tom Zoellner walked across the length of Arizona to come to terms with his home state. But the trip revealed more mountains behind the mountains.
Rim to River: Looking Into the Heart of Arizona (U Arizona Press, 2023) is the story of this extraordinary journey through redrock country, down canyons, up mesas, and across desert plains to the obscure valley in Mexico that gave the state its enigmatic name. The trek is interspersed with incisive essays that pick apart the distinctive cultural landscape of Arizona: the wine-colored pinnacles and complex spirituality of Navajoland, the mind-numbing stucco suburbs, desperate border crossings, legislative skullduggery, extreme politics, billion-dollar copper ventures, dehydrating rivers, retirement kingdoms, old-time foodways, ghosts of old wars, honky-tonk dreamers, murder mysteries, and magical Grand Canyon reveries.
In Rim to River, Zoellner does for Arizona what Larry McMurtry did for Texas in In a Narrow Grave and what Wallace Stegner did for Utah in Mormon Country: paint an enduring portrait of a misunderstood American state. An indictment, a love letter, and a homecoming story all at once.
Tom Zoellner is an American author and journalist. His book Island on Fire: The Revolt that Ended Slavery in the British Empire, won the National Book Critics Circle Award for the best nonfiction book of 2020 and was a finalist for the Bancroft Prize and the California Book Award. His writing has appeared in The Atlantic, Harper’s, The American Scholar, The Oxford American, Time, Foreign Policy, Men’s Health, Slate, Scientific American, Audubon, Sierra, The Los Angeles Times, The New York Times, The Texas Observer, The Wall Street Journal, and many other publications. Tom is a former staff writer for The Arizona Republic and the San Francisco Chronicle, and the recipient of fellowships from the National Endowment for the Humanities and the Lannan Foundation. He teaches at Chapman University and Dartmouth College.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics (Twitter @15MinFilm).
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:03:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>125</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Tom Zoellner</itunes:subtitle>
      <itunes:summary>Tom Zoellner walked across the length of Arizona to come to terms with his home state. But the trip revealed more mountains behind the mountains.
Rim to River: Looking Into the Heart of Arizona (U Arizona Press, 2023) is the story of this extraordinary journey through redrock country, down canyons, up mesas, and across desert plains to the obscure valley in Mexico that gave the state its enigmatic name. The trek is interspersed with incisive essays that pick apart the distinctive cultural landscape of Arizona: the wine-colored pinnacles and complex spirituality of Navajoland, the mind-numbing stucco suburbs, desperate border crossings, legislative skullduggery, extreme politics, billion-dollar copper ventures, dehydrating rivers, retirement kingdoms, old-time foodways, ghosts of old wars, honky-tonk dreamers, murder mysteries, and magical Grand Canyon reveries.
In Rim to River, Zoellner does for Arizona what Larry McMurtry did for Texas in In a Narrow Grave and what Wallace Stegner did for Utah in Mormon Country: paint an enduring portrait of a misunderstood American state. An indictment, a love letter, and a homecoming story all at once.
Tom Zoellner is an American author and journalist. His book Island on Fire: The Revolt that Ended Slavery in the British Empire, won the National Book Critics Circle Award for the best nonfiction book of 2020 and was a finalist for the Bancroft Prize and the California Book Award. His writing has appeared in The Atlantic, Harper’s, The American Scholar, The Oxford American, Time, Foreign Policy, Men’s Health, Slate, Scientific American, Audubon, Sierra, The Los Angeles Times, The New York Times, The Texas Observer, The Wall Street Journal, and many other publications. Tom is a former staff writer for The Arizona Republic and the San Francisco Chronicle, and the recipient of fellowships from the National Endowment for the Humanities and the Lannan Foundation. He teaches at Chapman University and Dartmouth College.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics (Twitter @15MinFilm).
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Tom Zoellner walked across the length of Arizona to come to terms with his home state. But the trip revealed more mountains behind the mountains.</p><p><a href="https://bookshop.org/a/12343/9780816540020"><em>Rim to River: Looking Into the Heart of Arizona</em></a><em> </em>(U Arizona Press, 2023) is the story of this extraordinary journey through redrock country, down canyons, up mesas, and across desert plains to the obscure valley in Mexico that gave the state its enigmatic name. The trek is interspersed with incisive essays that pick apart the distinctive cultural landscape of Arizona: the wine-colored pinnacles and complex spirituality of Navajoland, the mind-numbing stucco suburbs, desperate border crossings, legislative skullduggery, extreme politics, billion-dollar copper ventures, dehydrating rivers, retirement kingdoms, old-time foodways, ghosts of old wars, honky-tonk dreamers, murder mysteries, and magical Grand Canyon reveries.</p><p>In <em>Rim to River</em>, Zoellner does for Arizona what Larry McMurtry did for Texas in <em>In a Narrow Grave</em> and what Wallace Stegner did for Utah in <em>Mormon Country</em>: paint an enduring portrait of a misunderstood American state. An indictment, a love letter, and a homecoming story all at once.</p><p>Tom Zoellner is an American author and journalist. His book <em>Island on Fire: The Revolt that Ended Slavery in the British Empire</em>, won the National Book Critics Circle Award for the best nonfiction book of 2020 and was a finalist for the Bancroft Prize and the California Book Award. His writing has appeared in <em>The Atlantic, Harper’s, The American Scholar, The Oxford American, Time, Foreign Policy, Men’s Health, Slate, Scientific American, Audubon, Sierra, The Los Angeles Times, The New York Times, The Texas Observer, The Wall Street Journal</em>, and many other publications. Tom is a former staff writer for The Arizona Republic and the San Francisco Chronicle, and the recipient of fellowships from the National Endowment for the Humanities and the Lannan Foundation. He teaches at Chapman University and Dartmouth College.</p><p><em>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast </em><a href="https://fifteenminutefilm.podbean.com/"><em>Fifteen-Minute Film Fanatics</em></a><em> (Twitter @15MinFilm).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3621</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>William L. Bird, "In the Arms of Saguaros: Iconography of the Giant Cactus" (U Arizona Press, 2023)</title>
      <description>An essential—and monumental—member of the Sonoran Desert ecosystem, the saguaro cactus has become the quintessential icon of the American West.
In the Arms of Saguaros: Iconography of the Giant Cactus (U Arizona Press, 2023) shows how, from the botanical explorers of the nineteenth century to the tourism boosters in our own time, saguaros and their images have fulfilled attention-getting needs and expectations. Through text and lavish images, this work explores the saguaro’s growth into a western icon from the early days of the American railroad to the years bracketing World War II, when Sun Belt boosterism hit its zenith and proponents of tourism succeed in moving the saguaro to the center of the promotional frame.
This book explores how the growth of tourism brought the saguaro to ever-larger audiences through the proliferation of western-themed imagery on the American roadside. The history of the saguaro’s popular and highly imaginative range points to the current moment in which the saguaro touches us as a global icon in art, fashion, and entertainment.
William L. Bird, Jr. is Curator Emeritus of the National Museum of American History–Smithsonian Institution. He is the author of several books and curator of exhibits, including American Television from the Fair to the Family, 1939-1989; Vote: The Machinery of Democracy; Paint by Number: Accounting for Taste in the 1950s; Holidays on Display; America's Doll House: The Miniature World of Faith Bradford; and Souvenir Nation: Relics, Keepsakes and Curios from the Smithsonian's National Museum of American History.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:03:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>152</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with William L. Bird</itunes:subtitle>
      <itunes:summary>An essential—and monumental—member of the Sonoran Desert ecosystem, the saguaro cactus has become the quintessential icon of the American West.
In the Arms of Saguaros: Iconography of the Giant Cactus (U Arizona Press, 2023) shows how, from the botanical explorers of the nineteenth century to the tourism boosters in our own time, saguaros and their images have fulfilled attention-getting needs and expectations. Through text and lavish images, this work explores the saguaro’s growth into a western icon from the early days of the American railroad to the years bracketing World War II, when Sun Belt boosterism hit its zenith and proponents of tourism succeed in moving the saguaro to the center of the promotional frame.
This book explores how the growth of tourism brought the saguaro to ever-larger audiences through the proliferation of western-themed imagery on the American roadside. The history of the saguaro’s popular and highly imaginative range points to the current moment in which the saguaro touches us as a global icon in art, fashion, and entertainment.
William L. Bird, Jr. is Curator Emeritus of the National Museum of American History–Smithsonian Institution. He is the author of several books and curator of exhibits, including American Television from the Fair to the Family, 1939-1989; Vote: The Machinery of Democracy; Paint by Number: Accounting for Taste in the 1950s; Holidays on Display; America's Doll House: The Miniature World of Faith Bradford; and Souvenir Nation: Relics, Keepsakes and Curios from the Smithsonian's National Museum of American History.
Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An essential—and monumental—member of the Sonoran Desert ecosystem, the saguaro cactus has become the quintessential icon of the American West.</p><p><a href="https://bookshop.org/a/12343/9780816552832"><em>In the Arms of Saguaros: Iconography of the Giant Cactus</em></a><em> </em>(U Arizona Press, 2023) shows how, from the botanical explorers of the nineteenth century to the tourism boosters in our own time, saguaros and their images have fulfilled attention-getting needs and expectations. Through text and lavish images, this work explores the saguaro’s growth into a western icon from the early days of the American railroad to the years bracketing World War II, when Sun Belt boosterism hit its zenith and proponents of tourism succeed in moving the saguaro to the center of the promotional frame.</p><p>This book explores how the growth of tourism brought the saguaro to ever-larger audiences through the proliferation of western-themed imagery on the American roadside. The history of the saguaro’s popular and highly imaginative range points to the current moment in which the saguaro touches us as a global icon in art, fashion, and entertainment.</p><p>William L. Bird, Jr. is Curator Emeritus of the National Museum of American History–Smithsonian Institution. He is the author of several books and curator of exhibits, including <em>American Television from the Fair to the Family, 1939-1989; Vote: The Machinery of Democracy; Paint by Number: Accounting for Taste in the 1950s; Holidays on Display; America's Doll House: The Miniature World of Faith Bradford; </em>and<em> Souvenir Nation: Relics, Keepsakes and Curios from the Smithsonian's National Museum of American History.</em></p><p><em>Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found </em><a href="https://newbooksnetwork.com/category/academic-partners/fifteen-minute-film-fanatics"><em>here</em></a><em> on the New Books Network and on </em><a href="https://twitter.com/15minfilm"><em>X</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2887</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Martha Few, “For All Humanity: Mesoamerican and Colonial Medicine in Enlightenment Guatemala” (U Arizona Press, 2015)</title>
      <description>Professor Martha Few’s For All Humanity: Mesoamerican and Colonial Medicine in Enlightenment Guatemala (University of Arizona Press, 2015) describes the implementation of public health reforms in late eighteenth-century Guatemala and the diverse ways that indigenous communities engaged and resisted these programs.  Contrary to expectations, colonists were often ahead of administrators in Spain in adopting new medical methods, such as inoculating patients against smallpox.  But bringing these to rural communities, some with a significant degree of autonomy, required adaptation and compromise; and if resistance was stiff, medical officers reacted with the persecution of indigenous practices in ways that mirrored the church’s anti-idolatry purges.  By bringing Guatemala and its native residents into the networks of Atlantic medicine in the eighteenth century, For All Humanity illuminates the plurality of medical cultures that interacted in the production of the Enlightenment.
Martha Few is Professor of Latin American History and Gender, Women’s, and Sexuality Studies at Penn State University.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:03:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Professor Martha Few’s For All Humanity: Mesoamerican and Colonial Medicine in Enlightenment Guatemala (University of Arizona Press, 2015) describes the implementation of public health reforms in late eighteenth-century Guatemala and the diverse ways t...</itunes:subtitle>
      <itunes:summary>Professor Martha Few’s For All Humanity: Mesoamerican and Colonial Medicine in Enlightenment Guatemala (University of Arizona Press, 2015) describes the implementation of public health reforms in late eighteenth-century Guatemala and the diverse ways that indigenous communities engaged and resisted these programs.  Contrary to expectations, colonists were often ahead of administrators in Spain in adopting new medical methods, such as inoculating patients against smallpox.  But bringing these to rural communities, some with a significant degree of autonomy, required adaptation and compromise; and if resistance was stiff, medical officers reacted with the persecution of indigenous practices in ways that mirrored the church’s anti-idolatry purges.  By bringing Guatemala and its native residents into the networks of Atlantic medicine in the eighteenth century, For All Humanity illuminates the plurality of medical cultures that interacted in the production of the Enlightenment.
Martha Few is Professor of Latin American History and Gender, Women’s, and Sexuality Studies at Penn State University.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Professor <a href="http://history.psu.edu/directory/mzf52">Martha Few</a>’s <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qk8KW2FlehvXRsiwtpAkGcoAAAFjb1RyQwEAAAFKAQAPWQ4/http://www.amazon.com/dp/0816531870/ref=as_at?creativeASIN=0816531870&amp;linkCode=w61&amp;imprToken=GIlQmA2Wt1mWw1kiQB5fZw&amp;slotNum=0&amp;tag=newbooinhis-20">For All Humanity: Mesoamerican and Colonial Medicine in Enlightenment Guatemala</a> (University of Arizona Press, 2015) describes the implementation of public health reforms in late eighteenth-century Guatemala and the diverse ways that indigenous communities engaged and resisted these programs.  Contrary to expectations, colonists were often ahead of administrators in Spain in adopting new medical methods, such as inoculating patients against smallpox.  But bringing these to rural communities, some with a significant degree of autonomy, required adaptation and compromise; and if resistance was stiff, medical officers reacted with the persecution of indigenous practices in ways that mirrored the church’s anti-idolatry purges.  By bringing Guatemala and its native residents into the networks of Atlantic medicine in the eighteenth century, For All Humanity illuminates the plurality of medical cultures that interacted in the production of the Enlightenment.</p><p>Martha Few is Professor of Latin American History and Gender, Women’s, and Sexuality Studies at Penn State University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3899</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=73666]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1372862548.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Michelle Téllez, "Border Women and the Community of Maclovio Rojas: Autonomy in the Spaces of Neoliberal Neglect" (U Arizona Press, 2021)</title>
      <description>Near Tijuana, Baja California, the autonomous community of Maclovio Rojas demonstrates what is possible for urban place-based political movements. More than a community, Maclovio Rojas is a women-led social movement that works for economic and political autonomy to address issues of health, education, housing, nutrition, and security.
Border Women and the Community of Maclovio Rojas: Autonomy in the Spaces of Neoliberal Neglect (U Arizona Press, 2021) tells the story of the community’s struggle to carve out space for survival and thriving in the shadows of the U.S.-Mexico geopolitical border. This ethnography by Michelle Téllez demonstrates the state’s neglect in providing social services and local infrastructure. This neglect exacerbates the structural violence endemic to the border region—a continuation of colonial systems of power on the urban, rural, and racialized poor. Téllez shows that in creating the community of Maclovio Rojas, residents have challenged prescriptive notions of nation and belonging. Through women’s active participation and leadership, a women’s political subjectivity has emerged—Maclovianas. These border women both contest and invoke their citizenship as they struggle to have their land rights recognized, and they transform traditional political roles into that of agency and responsibility.
This book highlights the U.S.-Mexico borderlands as a space of resistance, conviviality, agency, and creative community building where transformative politics can take place. It shows hope, struggle, and possibility in the context of gendered violences of racial capitalism on the Mexican side of the U.S.-Mexico border.
David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:02:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>87</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Michelle Téllez</itunes:subtitle>
      <itunes:summary>Near Tijuana, Baja California, the autonomous community of Maclovio Rojas demonstrates what is possible for urban place-based political movements. More than a community, Maclovio Rojas is a women-led social movement that works for economic and political autonomy to address issues of health, education, housing, nutrition, and security.
Border Women and the Community of Maclovio Rojas: Autonomy in the Spaces of Neoliberal Neglect (U Arizona Press, 2021) tells the story of the community’s struggle to carve out space for survival and thriving in the shadows of the U.S.-Mexico geopolitical border. This ethnography by Michelle Téllez demonstrates the state’s neglect in providing social services and local infrastructure. This neglect exacerbates the structural violence endemic to the border region—a continuation of colonial systems of power on the urban, rural, and racialized poor. Téllez shows that in creating the community of Maclovio Rojas, residents have challenged prescriptive notions of nation and belonging. Through women’s active participation and leadership, a women’s political subjectivity has emerged—Maclovianas. These border women both contest and invoke their citizenship as they struggle to have their land rights recognized, and they transform traditional political roles into that of agency and responsibility.
This book highlights the U.S.-Mexico borderlands as a space of resistance, conviviality, agency, and creative community building where transformative politics can take place. It shows hope, struggle, and possibility in the context of gendered violences of racial capitalism on the Mexican side of the U.S.-Mexico border.
David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Near Tijuana, Baja California, the autonomous community of Maclovio Rojas demonstrates what is possible for urban place-based political movements. More than a community, Maclovio Rojas is a women-led social movement that works for economic and political autonomy to address issues of health, education, housing, nutrition, and security.</p><p><a href="https://bookshop.org/a/12343/9780816542475"><em>Border Women and the Community of Maclovio Rojas: Autonomy in the Spaces of Neoliberal Neglect</em></a><em> </em>(U Arizona Press, 2021) tells the story of the community’s struggle to carve out space for survival and thriving in the shadows of the U.S.-Mexico geopolitical border. This ethnography by Michelle Téllez demonstrates the state’s neglect in providing social services and local infrastructure. This neglect exacerbates the structural violence endemic to the border region—a continuation of colonial systems of power on the urban, rural, and racialized poor. Téllez shows that in creating the community of Maclovio Rojas, residents have challenged prescriptive notions of nation and belonging. Through women’s active participation and leadership, a women’s political subjectivity has emerged—Maclovianas. These border women both contest and invoke their citizenship as they struggle to have their land rights recognized, and they transform traditional political roles into that of agency and responsibility.</p><p>This book highlights the U.S.-Mexico borderlands as a space of resistance, conviviality, agency, and creative community building where transformative politics can take place. It shows hope, struggle, and possibility in the context of gendered violences of racial capitalism on the Mexican side of the U.S.-Mexico border.</p><p><a href="https://history.byu.edu/directory/david-james-gonzales"><em>David-James Gonzales</em></a><em> (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <itunes:duration>3687</itunes:duration>
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    <item>
      <title>Cecilia Caballero et al. "The Chicana M(other)work Anthology: Porque Sin Madres No Hay Revolucion" (U Arizona Press, 2019)</title>
      <description>In The Chicana M(other)work Anthology: Porque Sin Madres No Hay Revolucion (University of Arizona Press, 2019) editors Cecilia Caballero, Yvette Martinez-Vu, Judith Perez-Torres, Michelle Tellez, and Christine Vega, bring together a diverse collective of Women of Color Mother-Scholars to end the silence experienced by Mothers of Color in academia. In this expansive collection of research, testimonios, and essays, the authors share the networks, tools, and strategies created by working-class Women of Color as they confront and overcome societal and institutional barriers to pursuing higher education and advancing in the professorate. Chicana M(other)work, the editors explain, is “care work that includes the care provided in homes, classrooms, communities, and selves.” As such, this labor permeates and informs the praxis performed by Mothers of Color in their overlapping spheres of influence. As part of the larger Chicana M(other)work Project, which includes managing a website, blog, podcast, and engaging in grassroots activism, this anthology serves as a rallying call and platform for Mothers of Color seeking to transform communities, universities, and societal institutions from the bottom-up.
David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of the U.S.-Mexico Borderlands, the development of multi-ethnic/racial cities, and the evolution of Latina/o identity and politics. His research centers on the relationship between Latina/o politics and the metropolitan development of Orange County, CA throughout the 20th century. You may follow him on Twitter @djgonzoPhD.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>52</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>The editors bring together a diverse collective of Women of Color Mother-Scholars to end the silence experienced by Mothers of Color in academia....</itunes:subtitle>
      <itunes:summary>In The Chicana M(other)work Anthology: Porque Sin Madres No Hay Revolucion (University of Arizona Press, 2019) editors Cecilia Caballero, Yvette Martinez-Vu, Judith Perez-Torres, Michelle Tellez, and Christine Vega, bring together a diverse collective of Women of Color Mother-Scholars to end the silence experienced by Mothers of Color in academia. In this expansive collection of research, testimonios, and essays, the authors share the networks, tools, and strategies created by working-class Women of Color as they confront and overcome societal and institutional barriers to pursuing higher education and advancing in the professorate. Chicana M(other)work, the editors explain, is “care work that includes the care provided in homes, classrooms, communities, and selves.” As such, this labor permeates and informs the praxis performed by Mothers of Color in their overlapping spheres of influence. As part of the larger Chicana M(other)work Project, which includes managing a website, blog, podcast, and engaging in grassroots activism, this anthology serves as a rallying call and platform for Mothers of Color seeking to transform communities, universities, and societal institutions from the bottom-up.
David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of the U.S.-Mexico Borderlands, the development of multi-ethnic/racial cities, and the evolution of Latina/o identity and politics. His research centers on the relationship between Latina/o politics and the metropolitan development of Orange County, CA throughout the 20th century. You may follow him on Twitter @djgonzoPhD.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/Chicana-Motherwork-Anthology-Feminist-Books/dp/0816537992/ref=sr_1_1?crid=30LR8FP2O61JU&amp;keywords=chicana+motherwork+anthology&amp;qid=1565983529&amp;s=gateway&amp;sprefix=chicana+motherwork%2Caps%2C168&amp;sr=8-1"><em>The Chicana M(other)work Anthology: Porque Sin Madres No Hay Revolucion</em></a> (University of Arizona Press, 2019) editors <a href="https://www.chicanamotherwork.com/about_us">Cecilia Caballero, Yvette Martinez-Vu, Judith Perez-Torres, Michelle Tellez, and Christine Vega</a>, bring together a diverse collective of Women of Color Mother-Scholars to end the silence experienced by Mothers of Color in academia. In this expansive collection of research, <em>testimonios</em>, and essays, the authors share the networks, tools, and strategies created by working-class Women of Color as they confront and overcome societal and institutional barriers to pursuing higher education and advancing in the professorate. Chicana M(other)work, the editors explain, is “care work that includes the care provided in homes, classrooms, communities, and selves.” As such, this labor permeates and informs the praxis performed by Mothers of Color in their overlapping spheres of influence. As part of the larger Chicana M(other)work Project, which includes managing a website, blog, podcast, and engaging in grassroots activism, this anthology serves as a rallying call and platform for Mothers of Color seeking to transform communities, universities, and societal institutions from the bottom-up.</p><p><a href="https://fhssfaculty.byu.edu/FacultyPage/djgonzo"><em>David-James Gonzales</em></a><em> (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of the U.S.-Mexico Borderlands, the development of multi-ethnic/racial cities, and the evolution of Latina/o identity and politics. His research centers on the relationship between Latina/o politics and the metropolitan development of Orange County, CA throughout the 20th century. You may follow him on </em><a href="https://twitter.com/djgonzophd?lang=en"><em>Twitter @djgonzoPhD</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>Frederick Luis Aldama, "Decolonizing Latinx Masculinities" (U Arizona Press, 2020)</title>
      <description>An early wave of research helped make visible the complex dynamics of sexuality and gender norms in Latino life, but a new generation of scholars is bringing renewed energy and curiosity to this field of inquiry. In this episode we sit down with Frederick Luis Aldama, Distinguished University Professor at the Ohio State University and co-editor of Decolonizing Latinx Masculinities (University of Arizona Press), to discuss some of the cutting-edge research in this new edited volume.
This rich collection of work from eighteen contributors approaches the topic of masculinities from a diversity of perspectives and methodologies. With special emphasis on the plurality of Latinx masculinities, the essays reveal the divergent manifestations of masculinity across a broad spectrum including politics, social movements, literature, media, popular culture, personal experience, and other analytical angles. The pernicious effect of stereotypes and toxic Latinx masculinity is laid bare throughout the text in chapters that challenge the derogatory performances and reification of machismo in mainstream U.S. culture and society.
At the same time, other essays look to how Latinx masculinities are being reclaimed and remade. Rejecting the inherited legacy of colonial thinking and heteronormative labels, authors outline the creation of new masculinities, new ways of being and coexisting. In this way, Decolonizing Latinx Masculinities shows that masculinities are not simply violent and traumatic, but also healing and affirming.
Jaime Sánchez, Jr. is a Ph.D. Candidate in the Department of History at Princeton University and a scholar of U.S. politics and Latino studies. He is currently writing an institutional history of the Democratic National Committee and partisan coalition politics in the twentieth century. You can follow him on Twitter @Jaime_SanchezJr.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 04:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>72</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Frederick Luis Aldama</itunes:subtitle>
      <itunes:summary>An early wave of research helped make visible the complex dynamics of sexuality and gender norms in Latino life, but a new generation of scholars is bringing renewed energy and curiosity to this field of inquiry. In this episode we sit down with Frederick Luis Aldama, Distinguished University Professor at the Ohio State University and co-editor of Decolonizing Latinx Masculinities (University of Arizona Press), to discuss some of the cutting-edge research in this new edited volume.
This rich collection of work from eighteen contributors approaches the topic of masculinities from a diversity of perspectives and methodologies. With special emphasis on the plurality of Latinx masculinities, the essays reveal the divergent manifestations of masculinity across a broad spectrum including politics, social movements, literature, media, popular culture, personal experience, and other analytical angles. The pernicious effect of stereotypes and toxic Latinx masculinity is laid bare throughout the text in chapters that challenge the derogatory performances and reification of machismo in mainstream U.S. culture and society.
At the same time, other essays look to how Latinx masculinities are being reclaimed and remade. Rejecting the inherited legacy of colonial thinking and heteronormative labels, authors outline the creation of new masculinities, new ways of being and coexisting. In this way, Decolonizing Latinx Masculinities shows that masculinities are not simply violent and traumatic, but also healing and affirming.
Jaime Sánchez, Jr. is a Ph.D. Candidate in the Department of History at Princeton University and a scholar of U.S. politics and Latino studies. He is currently writing an institutional history of the Democratic National Committee and partisan coalition politics in the twentieth century. You can follow him on Twitter @Jaime_SanchezJr.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An early wave of research helped make visible the complex dynamics of sexuality and gender norms in Latino life, but a new generation of scholars is bringing renewed energy and curiosity to this field of inquiry. In this episode we sit down with <a href="https://english.osu.edu/people/aldama.1">Frederick Luis Aldama</a>, Distinguished University Professor at the Ohio State University and co-editor of <a href="https://bookshop.org/a/12343/9780816539369"><em>Decolonizing Latinx Masculinities</em></a> (University of Arizona Press), to discuss some of the cutting-edge research in this new edited volume.</p><p>This rich collection of work from eighteen contributors approaches the topic of masculinities from a diversity of perspectives and methodologies. With special emphasis on the plurality of Latinx masculinities, the essays reveal the divergent manifestations of masculinity across a broad spectrum including politics, social movements, literature, media, popular culture, personal experience, and other analytical angles. The pernicious effect of stereotypes and toxic Latinx masculinity is laid bare throughout the text in chapters that challenge the derogatory performances and reification of machismo in mainstream U.S. culture and society.</p><p>At the same time, other essays look to how Latinx masculinities are being reclaimed and remade. Rejecting the inherited legacy of colonial thinking and heteronormative labels, authors outline the creation of new masculinities, new ways of being and coexisting. In this way, <em>Decolonizing Latinx Masculinities</em> shows that masculinities are not simply violent and traumatic, but also healing and affirming.</p><p><a href="https://scholar.princeton.edu/jaimesanchezjr"><em>Jaime Sánchez, Jr.</em></a><em> is a Ph.D. Candidate in the Department of History at Princeton University and a scholar of U.S. politics and Latino studies. He is currently writing an institutional history of the Democratic National Committee and partisan coalition politics in the twentieth century. You can follow him on Twitter</em><a href="https://twitter.com/Jaime_SanchezJr"><em> @Jaime_SanchezJr</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>Karina O. Alvarado et al, “U.S. Central Americans: Reconstructing Memories, Struggles, and Communities of Resistance” (U of Arizona Press, 2017)</title>
      <description>In U.S. Central Americans: Reconstructing Memories, Struggles, and Communities of Resistance (University of Arizona Press, 2017) editors Karina O. Alvarado, Alicia Ivonne Estrada, and Ester E. Hernandez have produced the first anthology to focus on the scholarship and experiences of 1.5 and second -generation Central American migrants to the United States. Consisting of nine interdisciplinary essays, the volume challenges and complicates the ever-budding field of Latina/o Studies by disrupting chronologies, theories, and narratives that fail to account for the diverse experiences of isthmian migrants. Analyzing oral history, cultural celebrations, literature, art, and the use of public space, the contributors explore the intersecting themes of memory, culture, struggle, and resistance, while giving voice to Central American migrants (primarily from the Northern Triangle—Guatemala, Honduras, and El Salvador) as essential actors in the history and future of the Americas. Addressing the erasure and assumed silence of central-americanos within both the U.S. nation-state and U.S. Latinidad, this timely and trailblazing anthology challenges scholars and educators to reconsider the attention paid to the experiences and subjectivities of migrantes de Guatemala, Belice, Honduras, El Salvador, Nicaragua, Costa Rica, y Panama.
David-James Gonzales (DJ) is a Postdoctoral Scholar and Teaching Fellow in the Dornsife College of Letters, Arts, and Sciences at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, the development of multi-ethnic/racial cities, and the evolution of Latina/o identity and politics. His research centers on the intersection of Latina/o civic engagement and politics on the metropolitan development of Orange County, CA throughout the twentieth century. You may follow him on Twitter @djgonzoPhD.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Apr 2025 03:58:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>In U.S. Central Americans: Reconstructing Memories, Struggles, and Communities of Resistance (University of Arizona Press, 2017) editors Karina O. Alvarado, Alicia Ivonne Estrada, and Ester E. Hernandez have produced the first anthology to focus on the...</itunes:subtitle>
      <itunes:summary>In U.S. Central Americans: Reconstructing Memories, Struggles, and Communities of Resistance (University of Arizona Press, 2017) editors Karina O. Alvarado, Alicia Ivonne Estrada, and Ester E. Hernandez have produced the first anthology to focus on the scholarship and experiences of 1.5 and second -generation Central American migrants to the United States. Consisting of nine interdisciplinary essays, the volume challenges and complicates the ever-budding field of Latina/o Studies by disrupting chronologies, theories, and narratives that fail to account for the diverse experiences of isthmian migrants. Analyzing oral history, cultural celebrations, literature, art, and the use of public space, the contributors explore the intersecting themes of memory, culture, struggle, and resistance, while giving voice to Central American migrants (primarily from the Northern Triangle—Guatemala, Honduras, and El Salvador) as essential actors in the history and future of the Americas. Addressing the erasure and assumed silence of central-americanos within both the U.S. nation-state and U.S. Latinidad, this timely and trailblazing anthology challenges scholars and educators to reconsider the attention paid to the experiences and subjectivities of migrantes de Guatemala, Belice, Honduras, El Salvador, Nicaragua, Costa Rica, y Panama.
David-James Gonzales (DJ) is a Postdoctoral Scholar and Teaching Fellow in the Dornsife College of Letters, Arts, and Sciences at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, the development of multi-ethnic/racial cities, and the evolution of Latina/o identity and politics. His research centers on the intersection of Latina/o civic engagement and politics on the metropolitan development of Orange County, CA throughout the twentieth century. You may follow him on Twitter @djgonzoPhD.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
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        <![CDATA[<p>In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QpPn2orx2pY-zOq_zjWvVYYAAAFiKkiQLwEAAAFKAR3P4Ck/http://www.amazon.com/dp/0816534063/ref=as_at?creativeASIN=0816534063&amp;linkCode=w61&amp;imprToken=ddxJ2Br82ZKjRWruDVaYLw&amp;slotNum=0&amp;tag=newbooinhis-20">U.S. Central Americans: Reconstructing Memories, Struggles, and Communities of Resistance</a> (University of Arizona Press, 2017) editors <a href="http://www.chavez.ucla.edu/content/karina-oliva-alvarado">Karina O. Alvarado</a>, <a href="https://www.csun.edu/humanities/chicana-chicano-studies/alicia_estrada">Alicia Ivonne Estrada</a>, and <a href="https://www.calstatela.edu/academic/cls/faculty-staff">Ester E. Hernandez</a> have produced the first anthology to focus on the scholarship and experiences of 1.5 and second -generation Central American migrants to the United States. Consisting of nine interdisciplinary essays, the volume challenges and complicates the ever-budding field of Latina/o Studies by disrupting chronologies, theories, and narratives that fail to account for the diverse experiences of isthmian migrants. Analyzing oral history, cultural celebrations, literature, art, and the use of public space, the contributors explore the intersecting themes of memory, culture, struggle, and resistance, while giving voice to Central American migrants (primarily from the Northern Triangle—Guatemala, Honduras, and El Salvador) as essential actors in the history and future of the Americas. Addressing the erasure and assumed silence of central-americanos within both the U.S. nation-state and U.S. Latinidad, this timely and trailblazing anthology challenges scholars and educators to reconsider the attention paid to the experiences and subjectivities of migrantes de Guatemala, Belice, Honduras, El Salvador, Nicaragua, Costa Rica, y Panama.</p><p><a href="https://usc.academia.edu/DavidJamesDJGonzales">David-James Gonzales</a> (DJ) is a Postdoctoral Scholar and Teaching Fellow in the Dornsife College of Letters, Arts, and Sciences at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, the development of multi-ethnic/racial cities, and the evolution of Latina/o identity and politics. His research centers on the intersection of Latina/o civic engagement and politics on the metropolitan development of Orange County, CA throughout the twentieth century. You may follow him on Twitter @djgonzoPhD.</p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <itunes:duration>3493</itunes:duration>
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