The Death and Life of Chinese Civil Society examines how a group of Chinese intellectual elites referred to as the liberals or ziyou pai edified the civil society project beginning in the 1990s to build an independent space to constrain state power, increase political participation, and promote China’s democratization. In the early 2000s, activists in movements such as the environmental and the AIDS movements identified with the liberals and regarded their activism as part of the project of building civil society. However, since the late 2000s the liberals’ influence has gradually declined. In prominent social movements in the 2010s such as the labor and feminist movements, activists have openly criticized the liberal interpretation of civil society and regarded liberals’ civil society agenda as irrelevant.

In the book, Mujun Zhou employs the concept of interstitial space, or the space where the exercise of power has not been fully institutionalized, to examine the history of the civil society project over the past three decades and its changing relationship with other social movements. Zhou suggests that by advocating for civil society the liberals gained allies and thematized many social problems rising during China’s economic reform; however, liberals’ activism also produced new forms of power inequalities.

Mujun Zhou is a cultural-political sociologist. She is currently Associate Professor of Sociology at Zhejiang University. Her major research interests lie in issues in political culture and social change.

Yadong Li is an anthropologist-in-training. He is a PhD candidate of Socio-cultural Anthropology at Tulane University. More details about his scholarship and research interests can be found here.

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Drawing on urban, heritage, and tourism studies, visual and memory studies, and environmental psychology, Icon Dresden examines Dresden’s history, identity, visual representations, and rebuilding decisions. It exposes the narratives that define its place in German and international memory and how, paradoxically, they support both Dresden’s current image as a symbol of peace and reconciliation and its backing of nativist and far-right movements. The book is available Open Access.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Pedro Thiago Ramos Bassoe is Assistant Professor of Japanese at Purdue University.

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From Star Wars-scope blockbusters and Hollywood coming-of-age comedies to independent horror productions, Naish draws out the ways these movies shape, and are shaped by, their audience's own dissatisfactions. In his discussion of the Star Wars franchise, Naish highlights a conflict between internet discussion-fueled fandom vs the Disney Empire that shares features with the ongoing rebellions depicted in the films themselves. A passionate fan base who can now voice their discontent via the internet is feeding back into the studio's agenda and criticizing the actions of characters within the film and the actors alike. Chapters on the super-heroes genre and disaster movies draw out the climate-based social tensions these reflect. Depictions of masculinity ("Men on the Verge of a Nervous Breakdown") on screens large and small bleed into discussions of the work and presence of Nicholas Cage, David Lynch, and Dennis Hopper -- with a side-excursion into Valerie Solanas's strikingly prescient SCUM Manifesto. Stephen Lee Naish's Screen Captures adds a sharpening filter to the film-goer's experience on the big and little screen.

Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.

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Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here.

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Through an autoethnography of becoming a K-pop deokhu, Jeong connects their experiences to generations of K-pop fans, showing simultaneously how fandom practices have shifted over time and the intricacies of fan labor participation. This personal connection paved the way for participant-observation and co-performer witnessing methodologies in the study, which crucially allowed for collaborating with fans whose communal pursuits have been stigmatized by dominant discourses that denigrate their activities as solely addictive, uncritical, and wasteful. Jeong’s genre-spanning corpus of fan activities and analyzing its contexts and contents represents an important contribution to the making of a fan archive that is also an archive of affective labor.

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Dr. Gonzales argues that the cruise ship experience is deliberately crafted to deliver the best immersive performance by its workers. However, the workers never leave the theater, they merely move below deck—and like ships' stewards and cooks from previous centuries, they work within an imaginary where Global Majority people are envisioned as servants. By utilizing ethnography and archival materials to illustrate ship workers' experiences on contemporary cruise ships, and then contrasting those circumstances with the personal accounts of workers on historical merchant ships, Shipping Out illuminates how workers' presence on ships complicates notions of freedom and enslavement, home and journey, place and space.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Great Lake is a comprehensive survey of the manifold ways Americans, from the first Native American communities to the present age, have abused, nurtured, loved, and neglected this massive freshwater resource. Extending 307 miles from north to south, the lake cuts across climatic, environmental, and physiographic zones, from the prairies of Illinois to the boreal forests of the north. Bordered by large cities like Chicago and Milwaukee as well as smaller Wisconsin resorts and northern Michigan mines and mill towns, the lake touches people in urban centers and countryside. Thus, the history of Lake Michigan combines the history of frontier resource extraction, agricultural abundance, industrialization, and dense urbanization in the American heartland. Great Lake is the story of the ever-escalating and divergent demands Americans have placed on Lake Michigan, how the lake's ecosystem responded to those changes, and how together they have shaped the modern American Midwest.

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Megha Anwer is a theorist of literature and visual culture. Her research areas include contemporary postcolonial literature, global cinema, Victorian literature and visual culture.

Anupama Arora is a professor of English and Communication, and Women’s and Gender Studies, at the University of Massachusetts, Dartmouth.

Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on https://x.com/PriyamSinha

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Samuel Moore is the Scholarly Communication Specialist at Cambridge University Libraries, Associate Lecturer at Cambridge Digital Humanities, and College Research Associate at King's College, Cambridge.

In his book, Sam argues that the move to open access should focus less on the free accessibility of research outputs and more on who controls the publications and infrastructures for scholarly communication. By deploying theoretical literature on science and technology studies, care ethics, and the commons, the book critically interrogates open access and reimagines a more ethical future for researcher-led publishing. A case study of Plan S – the multi-funder European policy for open access publishing – explores its tendency to rehearse all the failures of commercialisation. Through critical engagement with the open access landscape, the book reveals the shortcomings of market-centric and policy-based approaches to open access book and journal publishing, particularly their tendency to reinforce conservatism, commercialism, and private control of publishing.

Going forward, the book explores the importance of collectivity and democratic governance within the transition to open access publishing. It suggests that developing a commons-based, scholar-led publishing landscape through a series of presses that are each managed by working academics could offer a productive counterpoint to marketised systems of open access and subscription publishing. In weaving themselves together in order to "scale small" these publishing initiatives would act as a counter-hegemonic project based on mutual reliance and care. By illustrating how these projects build toward a commons-based publishing future, and how they may complement other approaches to publishing within university presses and libraries, the book culminates in an argument for the infrastructures, policies, and forms of governance needed to nurture such a collective vision.

Sam’s book, which I am glad to say is available as an open-access ebook alongside the paperback, is the subject of our conversation.

Stephen Pinfield is Professor of Information Services Management at the University of Sheffield, UK, and Senior Research Fellow at the Research on Research Institute (RoRI).

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Not only does Delgadillo offer a rare extended analysis of Black Latinidades in Chicanx literature and theory, but she also considers over a century’s worth of literary, cinematic, and performative texts to support her argument about the significance of these cultural sites and overlaps. Chapters illuminate the significance of Toña La Negra in the Golden Age of Mexican cinema, reconsider feminist theorist Gloria Anzaldúa’s work in revising exclusionary Latin American ideologies of mestizaje, delve into the racial and gender frameworks Sandra Cisneros attempts to rewrite, unpack encounters between African Americans and Black Puerto Ricans in texts by James Baldwin and Marta Moreno Vega, explore the African diaspora in colonial and contemporary Peru through Daniel Alarcón’s literature and the documentary Soy Andina, and revisit the centrality of Black power in ending colonialism in Cuban narratives. Geographies of Relation demonstrates the long histories of networks and exchanges across the Americas as well as the interrelationships among Indigenous, Black, African American, mestizx, Chicanx, and Latinx peoples. It offers a compelling argument that geographies of relation are as significant as national frameworks in structuring cultural formation and change in this hemisphere.

Theresa Delgadillo is a Vilas Distinguished Professor of English and Chicanx/e and Latinx/e Studies at the University of Wisconsin-Madison, where she is also Director of the Chicanx/e and Latinx/e Studies Program. She is a founder and editor for the online publication Latinx Talk.

Shodona Kettle is a PhD candidate at the Institute of the Americas, University College London. Website here

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When historians focus only on performers and plays with artistic “merit,” what communities, perspectives, and cultural trends remain invisible? How did men like Watkins advance themselves professionally, despite their mediocrity? Why did men like Watkins embrace and perpetuate myths like the American Dream, the “self-made man,” and meritocracy, and how have these ideals shaped casting, producing, and celebrity worship in today’s US entertainment industry?

Ultimately, Dr. Hughes reveals how this actor’s tale illuminates the widespread tendency to ignore, deny, and forgive White male mediocrity in US culture, and how a deeper understanding of people like Watkins can transform our understanding of the past—and our understanding of ourselves.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Yanqiu Zheng’s In Search of Admiration and Respect: Chinese Cultural Diplomacy in the United States, 1875–1974 (U Michigan Press, 2024) traces how China attempted to reshape its international image across a century marked by imperialism, political upheaval, civil war, and Cold War realignments. Beginning in the late Qing, when China’s reputation was battered by foreign domination, Yanqiu examines the painstaking emergence of cultural diplomacy as a long-term pedagogical project, one that sought to teach America about China through art, opera, exhibitions, lectures, and even reconstructed rickshaws. Drawing on archives in the United States, Taiwan, and mainland China, Zheng reconstructs how institutions such as the China Institution navigated competing agendas, the often-chaotic world of philanthropy, and geopolitical crises to present China on a global stage. 

Throughout, In Search of Admiration and Respect asks questions that are still relevant today: How do countries cultivate cultural authority? What happens when narratives of refinement collide with Orientalist imaginaries? And how to institutions such as government ministries, nonprofits, and museums shape the ways nations hope to be seen?

This book will interest readers of modern Chinese history, U.S.–China relations, museum and exhibition history, and anyone curious about how culture intertwines with politics of the global stage.

Listeners of the episode might also want to check out an article that Yanqiu mentions over the course of our conversation: "Chinese Tofu in Cold War Taiwan: Gendered Cosmopolitanism and Contested Chineseness," available here. 

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Movable Londons: Performance and the Modern City (U Michigan Press, 2025) by Dr. Julia Fawcett looks to the Restoration theater to understand how the dispossessed made London into a modern city after the Great Fire of 1666 and how the introduction of changeable scenery in theaters altered how Londoners conceptualized the city. Dr. Fawcett makes a claim for the centrality of unplanned spaces and the role of the Restoration theater in articulating those spaces as the modern city emerged and argues that movable scenery revolutionized London’s public theaters, inviting audiences to observe how the performers—many of them hailing from the same communities as their characters—navigated the stage.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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While By Touch Alone features the writing and ideas of an understudied community of nineteenth-century blind authors, innovators, and activists, it also engages the work of sighted authors such as George Eliot and Rudyard Kipling to explore the culture-wide effects of reading by touch. The emergence of a new category of readers who did not rely on sight to read prompted sighted people to reimagine blindness and adopt more progressive attitudes toward blind people. In our own era, one characterized by the increasing digitization of our reading lives, Vanessa Warne’s exploration positions scholars and blind readers to navigate present-day developments and shape the future of their reading lives. A carefully contextualized study of how reading by touch shaped Victorian culture, By Touch Alone adds new chapters to the history of disability and reading.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcast

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                                                                                                                   – Matthew Benjamin Cole, NBN interview 2025

After centuries of contemplating utopias, late nineteenth- and early twentieth-century writers began to warn of dystopian futures. Yet these fears extended beyond the canonical texts of dystopian fiction into post-war discourses on totalitarianism, mass society, and technology, as well as subsequent political theories of freedom and domination. Fear the Future: Dystopia and Political Imagination in the Twentieth Century (U of Michigan Press, 2025) demonstrates the centrality of dystopian thinking to twentieth century political thought, showing the pervasiveness of dystopian images, themes, and anxieties. Offering a novel reading of major themes and thinkers, Fear the Future explores visions of the future from literary figures such as Yevgeny Zamyatin, Aldous Huxley, and George Orwell; political theorists such as Max Weber, Hannah Arendt, Herbert Marcuse, Jürgen Habermas, and Michel Foucault; and mid-century social scientists such as Erich Fromm, Max Horkheimer, Theodor Adorno, David Reisman, C. Wright Mills, and Jacques Ellul. It offers a comparative analysis of distinct intellectual and literary traditions, including modern utopianism and anti-utopianism, mid-century social science, Frankfurt School critical theory, and continental political philosophy. With detailed case studies of key thinkers from the Enlightenment to the late twentieth century, the book synthesizes secondary literature and research from a range of disciplinary areas, including in political theory, intellectual history, literary studies, and utopian studies. This wide-ranging reconstruction shows that while dystopian thinking has illustrated the dangers of domination and dehumanization, it has also illuminated new possibilities for freedom.

Professor Cole published his book with the University of Michigan Press as Open Access: find the detailed insights and arguments that Matthew discusses in our interview here as an online publication with downloadable options.

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Under the Campus, the Land: Anishinaabe Futuring, Colonial Non-Memory, and the Origin of the University of Michigan (University of Michigan Press, 2025) by Dr. Andrew Herscher narrates the University of Michigan’s place in both Anishinaabe and settler history, tracing the university’s participation in the colonization of Anishinaabe homelands, Anishinaabe efforts to claim their right to an education, and the university’s history of disavowing, marginalizing, and minimizing its responsibilities and obligations to Anishinaabe people. Continuing the public conversations of the same name on U-M’s campus in 2023, Under the Campus, the Land provides a new perspective on the relationship between universities and settler colonialism in the US. Members of the U-M community, scholars of Midwest history, and those interested in Indigenous studies will find this book compelling.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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By engaging with subjects, the book not only enhances our understanding of intervention, but also uncovers the limitations of the concept. Dr. Kušić argues that the concept limits what we can observe and theorize, and it prevents researchers from engaging with the people living in spaces of intervention as coeval political subjects. As an alternative, she proposes to foreground improvement over “intervention.” This reorientation enables researchers to trace hierarchies beyond the local/international dichotomy, expands fields of visibility beyond those prescribed by interventions themselves, and seriously considers the contradictions at the heart of liberalism.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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M. Myrta Leslie Santana is Assistant Professor of Music at the University of California San Diego.

Katie Coldiron is the Outreach Program Manager for the Digital Library of the Caribbean (dLOC) and PhD student in History at Florida International University.

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The project addresses how different communities choose to commemorate historical figures, events, and places through art--whether performance, oratory, song, statuary, or portraiture--and in particular, Black US American counter-memorial practices that address histories of slavery. Advancing the theory of oscillation as Black aesthetic praxis, author Ariel Nereson celebrates Bill T. Jones as a public intellectual whose practice has contributed to the project of understanding America's relationship to its troubled past. The book features materials from Bill T. Jones/Arnie Zane Company's largely unexplored archive, interviews with artists, and photos that document this critical stage of Jones's career as it explores how aesthetics, as ideas in action, can imagine more just and equitable social formations.

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In this episode, Ibrahim Fawzy chats with Brendan Haug about the relationship between people, water, and the environment in Egypt’s Fayyūm.

Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.

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In The International Politics of Communication: Representing Community in a Globalizing World (University of Michigan Press, 2025) by Dr. Alan Chong examines this informational dimension of international politics, investigating how information is generated, conveyed through channels, and directed specifically at audiences. While citizens are often portrayed as faithfully loyal supporters and beneficiaries of the modern nation-state—a fiction supported by passports, identification papers, and other notarized credentials—they are subject to the pulls of loyalty from transnational tribal affiliations, mythological and historical narratives of ethnicity, as well as the transcendental claims of religion and philosophy. Increasingly, social media also enchants non-state individuals, providing new virtual communities as the center of loyalties rather than national affiliations. By reinterpreting taken-for-granted concepts in journalism, media, political economy, nationalism, development, and propaganda as information politics, this book prepares serious-minded scholars, citizens, politicians, and social activists everywhere to understand the power plays in international communication and use alternatives to begin transforming power relations.

 This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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In addition to being a wonderfully rich and careful introduction to Treasury, this book highlights how education in the Qing was complex, eclectic, and anything but focused exclusively on rote learning. Unlocking the Treasury should be of interest to scholars of China, historians of the early modern world, but also anyone interested in the history of education, pedagogy, and different ways of learning.

Unlocking the Treasury is also available as an Open Access ebook here.

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This innovative book blends historical narratives with personal narratives, creating an “imaginary museum” where the stories of these women are brought to life. Author Xian Wang employs this imaginary museum to create a conceptual space mirroring an actual museum that juxtaposes historical narratives with countermemories of Chinese female revolutionaries, such as the prominent writer Ding Ling. Exploring Ding’s experiences with martyrdom and the commemoration of female revolutionary martyrs associated with her, the book provides a compelling argument that female revolutionary martyrdom reinforces, rather than rejects, the traditional concept of female chastity martyrdom. Narratives that challenge established gender norms, particularly those surrounding female chastity, have often been silenced or overlooked in the collective memory of these female revolutionary martyrs. By delving into these countermemories, Wang provides fresh insights into gendered violence, memories, and politics in modern Chinese literature and culture.

Dr. Xian Wang is Assistant Professor of East Asian Languages and Cultures at the University of Notre Dame.

Dr. Linshan Jiang is a Visiting Assistant Professor of East Asian history and culture at Colby College.

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Opera for Everyone: The Industry’s Experiments with American Opera in the Digital Age (University of Michigan Press, 2024) by Megan Steigerwald Ille examines one of the most disruptive opera companies in the United States. The Los Angeles-based company, The Industry, wants to make opera for everyone by breaking down hierarchies, undermining the expectations of both audiences and performers, and confronting how opera is part of harmful systems of exclusion and marginalization. Rather than simply analyzing some operas and interviewing a handful of key players in the company, Steigerwald Ille spent years observing rehearsals and interviewing many of the participants in the Industry’s productions. Focusing on the period between 2012 and 2020, her ethnographic work yields a thorough and nuanced analysis of the company and its operas and the many ways they challenge the conventions of Western classical music.

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Revolutionary Stagecraft should be of interest to those who are familiar with Chinese history, but also those who are interested in global theater, material culture, and the history of technology, as well as anyone who wants to know just how difficult it is to make fog appear on the stage (for the answer, see Chapter 2). Written in a clear and accessible way, Revolutionary Stagecraft is available both in print and as an Open Access ebook.  

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Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry’s challenges in the wake of the Great Depression.

Kyle Barnett is Associate Professor of Media Studies in the Department of Communication at Bellarmine University.

Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “Johnny Rotten, My Mom, and Me.”

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To learn more, we speak with Carolyn Holmes, an assistant professor of political science at the University of Tennessee, Knoxville. She is an expert on South African politics and the author of The Black and White Rainbow: Reconciliation, Opposition, and Nation-Building in Democratic South Africa (U Michigan Press, 2020).

Find the books, links, and articles we mentioned in this episode on our website, ufahamuafrica.com.

Books, Links, & Articles:

• The Black and White Rainbow by Carolyn E. Holmes
• “Family of American caught up in Congo failed coup says their son went to Africa on vacation.” by Hannah Schoenbaum and Jessica Donati
• “The Politics of “Non-Political” Activism in Democratic South Africa.” by Carolyn E. Holmes

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By using original subnational protest event datasets, government publications, oral interviews, and publications from labour and student movement organisations, Dr. Cho takes a long view of democratisation that incorporates the decades before and after South Korea’s democratic transition. She demonstrates that Korea’s democratisation resulted from a combination of factors from below and from above, and that authoritarian development itself was a hidden root cause of democratic development in South Korea. Seeds of Mobilization shows how socioeconomic development did not create a steady pressure toward democracy but acted as a “double-edged sword” that initially stabilised autocratic regimes before destabilising them over time.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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With Barack Obama, Ben Carson, Kamala Harris, and Donald Trump as case studies, Tracks on the Trail: Popular Music, Race, and the US Presidency (U Michigan Press, 2023) sheds light on the factors that motivate candidates and constituents alike to articulate race through music on the campaign trail and shows how the racialization of sound intersects with other markers of difference and ultimately shapes the public discourse surrounding candidates, popular music, and the meanings attached to race in the 21st century. Gorzelany-Mostak explores musical engagement broadly, including official music in the form of candidate playlists and launch event setlists, as well as unofficial music in the form of newly composed campaign songs, mashups, parodies, and remixes.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Mobilizing the Metropolis: How the Port Authority Built New York (U Michigan Press, 2023), by Philip Mark Plotch and Jen Nelles, aims to fill this gap in public knowledge with a history of the Port Authority. Spanning 100 years, Mobilizing the Metropolis closely charts the evolution of the Port Authority as it went from improving rail freight around New York Harbor to building bridges and managing real estate. At the same time, the book explores the evolution of the authority’s internal culture in the face of actions by elected officials in New York and New Jersey that have reduced the agency’s autonomy and affected its operations. Mobilizing the Metropolis also extracts from the history of the Port Authority useful lessons about how organizations charged with solving governmental problems can win support and engage opposition.

Robert W. Snyder is Manhattan Borough Historian professor emeritus of Journalism and American Studies at Rutgers University. He is completing an oral history of the COVID-19 pandemic in New York City for Cornell University Press. He can be reached at rwsnyder@rutgers.edu.

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The ethnography provides a nuanced account of the diverse experiences and views of a range of groups involved in shaping, and being shaped, by the urban renewal process - local residents, migrant workers, preservationists, planners, and government officials - foregrounding the voices and experiences of marginal groups, such as migrants in the city. Unpacking structural reasons for urban developmental impasses, it paints a nuanced local picture of urban governance and political practice in contemporary urban China. The book also weighs the positives and negatives of heritage preservation and scrutinizes the meanings and effects of “preservation” on diverse social actors. By zeroing in on the seemingly contradictory yet coexisting processes of urban stagnation and urban destruction, Seeking a Future for the Past reveals the multifaceted challenges that China faces in reforming its urbanization practices and, ultimately, in managing its urban future.

Philipp Demgenski is Assistant Professor in Anthropology within the Department of Sociology at Zhejiang University, China, and a Senior Research Fellow at Max Planck Institute for Social Anthropology, Germany. His research interests include intangible cultural heritage, the politics of space and place, memory, and urban redevelopment.

Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.

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In Righteous Revolutionaries: Morality, Mobilization, and Violence in the Making of the Chinese State (U Michigan Press, 2022), Javed illustrates how states appeal to popular morality—shared understandings of right and wrong—to forge new group identities and mobilize violence against perceived threats to their authority. Javed examines the Chinese Communist Party’s mass mobilization of violence during its land reform campaign in the early 1950s, one of the most violent and successful state-building efforts in history. Using an array of novel archival, documentary, and quantitative historical data, this book illustrates that China’s land reform campaign was not just about economic redistribution but rather part of a larger, brutally violent state-building effort to delegitimize the new party-state’s internal rivals and establish its moral authority. 

Righteous Revolutionaries argues that the Chinese Party-state simultaneously removed perceived threats to its authority at the grassroots and bolstered its legitimacy through a process called moral mobilization. This mobilization process created a moral boundary that designated a virtuous ingroup of “the masses” and a demonized outgroup of “class enemies,” mobilized the masses to participate in violence against this broadly defined outgroup, and strengthened this symbolic boundary by making the masses complicit in state violence. This book shows how we can find traces of moral mobilization in China today under Xi’s rule.

Jeffrey Javed received his PhD from the Department of Government at Harvard University. Before moving to tech, he was a Research Fellow and Research Director at the Weiser Center for Emerging Democracies and a Postdoctoral Fellow at the Lieberthal-Rogel Center for Chinese Studies at the University of Michigan, where he studied mobilization, violence, and the role of morality in politics. He is currently a Staff Product Growth Researcher at Apollo.io.

Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.

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The Bodies of Others: Drag Dances and Their Afterlives (University of Michigan Press, 2019) covers four decades of drag dances, exploring the politics of gender in motion. From drag ballerinas to faux queens, and from butoh divas to the club mothers of modern dance, the book delves into four decades of drag dances. It takes us beyond glittery one-liners and into the spaces between gender norms. In these backstage histories, dancers give their bodies over to other selves, opening up the category of realness. The book maps out a drag politics of embodiment, connecting drag dances to queer hope, memory, and mourning. Drawing on queer theory, dance history, and the embodied practices of dancers themselves, The Bodies of Others examines the ways in which drag dances undertake the work of a shared queer and trans politics.

Isabel Machado is a cultural historian whose work often crosses national and disciplinary boundaries.

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Ofer Ashkenazi is an Associate Professor of History and the Director of the Richard Koebner-Minerva Center for German History at the Hebrew University of Jerusalem. He published monographs and articles on various topics in modern German and German-Jewish history, including Weimar visual culture, the German antiwar movement, and the German memory of Nazism and the Holocaust. His current project considers photographs that were taken by Jews to document their daily life in Nazi Germany.

Amir Engel is currently a visiting professor at the faculty of theology at the Humboldt University in Berlin. He is also the chair at the German department at the Hebrew University. Engel studied philosophy, literature, and culture studies at the Hebrew University and completed his PhD. in the German Studies department at Stanford University. He is the author of Grshom Scholem: an Intellectual biography that came out in Chicago in 2017. He also published works on, among others, Jacob Taubes, Hannah Arendt, and Hans Jonas. He is currently working on a book titled "The German Spirit from its Jewish Sources: The History of Jewish-German Occultism". The project proposes a new approach to German intellectual history by highlighting marginalized connections between German Occultism, its Christian sources notwithstanding, and Jewish sources, especially the Jewish mystical tradition.

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All non-English text and quotes are translated, with the original languages given alongside the translation or in the endnotes.

Reyes Bertolin is a professor of Classics at the University of Calgary.

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Focusing on mainstream Bombay cinema, Sundar identifies singing, listening, and speaking as key sites in which gendered notions of identity and difference take form. Charting new paths through seven decades of film, media, and cultural history, Sundar identifies key shifts in women's playback voices and the Islamicate genre of the qawwali. She also conceptualizes spoken language as sound, and turns up the volume on a capacious, multilingual politics of belonging that scholarly and popular accounts of nation typically render silent. All in all, Listening with a Feminist Ear offers a critical sonic sensibility that reinvigorates debates about the gendering of voice and body in cinema, and the role of sound and media in conjuring community.

Khadeeja Amenda is a PhD candidate in the Department of Communication and New Media at the National University of Singapore, Singapore. @KhadeejaAmenda.

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In The Currency of Truth, Emily H. C. Chua argues that news in China works less as a medium of mass communication than as a kind of currency as industry players make and use news articles to create agreements, build connections, and protect and advance their positions against one another. Looking at the ethical and professional principles that well-intentioned and civically minded journalists strive to uphold, and the challenges and doubts that they grapple with in the process, Chua brings her findings into conversation around “post-truth” news and the “crisis” of professional journalism in the West. The book encourages readers to set out from the preexisting assumption that news works either to inform or deceive its public(s). It also suggests researchers further explore the “post-public” social and political imaginaries emerging among today’s newsmakers and remaking the terms of their practice.

Emily Chua is Assistant Professor in the Department of Sociology and Anthropology at the National University of Singapore, working at the intersections of digital technology, media, capital and authoritarian state politics in China and Singapore. Her articles are published in journals including JRAI, Ethnography, Science, Technology and Society, Asian Studies Review, and China Quarterly.

Yadong Li is a PhD student in anthropology at Tulane University. He conducts ethnography among ufologists in China. His research interests lie at the intersection of the anthropology of the paranormal, hope studies, and post-structural philosophy. More details about his scholarship and research interests can be found here.

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Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.

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Drawing on a five-year-long ethnography among city planners, architects, street-level bureaucrats, politicians, market and bank representatives, community leaders, and past, present, and future beneficiaries, Moisés Kopper tells the story of how a group of grassroots housing activists rose from oblivion to build a model community. He explores the strategies set forth by housing activists as they waited and hoped for—and eventually secured—homeownership through Minha Casa Minha Vida’s public-private infrastructure. By showing how these efforts coalesced in Porto Alegre—Brazil’s once progressive hotspot—he interrogates the value systems and novel arrangements of power and market that underlie the country’s post-neoliberal project of modern and inclusive development.

By chronicling the making and remaking of material hope in the aftermath of Minha Casa Minha Vida, Architectures of Hope reopens the future as a powerful venue for ethnographic inquiry and urban development.

Moisés Kopper is Research Professor at the Institute of Development Policy, University of Antwerp.

Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University and an incoming Assistant Professor of Anthropology at CUNY—City College, focusing on urban life, futurity, care, and migration. You can find her on Twitter @alizearican.

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Anthony B. Sanders' book Baby Ninth Amendments: How Americans Embraced Unenumerated Rights and Why It Matters (U Michigan Press, 2023) is the story of how the "Baby Ninths" came to be and what they mean. Unlike the controversy surrounding the Ninth Amendment, the meaning of the Baby Ninths is straightforward: they protect individual rights that are not otherwise enumerated. They are an "etcetera, etcetera" at the end of a bill of rights. This book argues that state judges should do their duty and live up to their own constitutions to protect the rights "retained by the people" that these "etcetera clauses" are designed to guarantee. The fact that Americans have adopted these provisions so many times in so many states demonstrates that unenumerated rights are not only protected by state constitutions, but that they are popular. Unenumerated rights are not a weird exception to American constitutional law. They are at the center of it. We should start treating constitutions accordingly.

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Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.

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Rachael Cayley : "You should have an Introduction, and I believe strongly that you should write the Introduction first. But you shouldn't polish an Introduction first. A student of mine — after I'd explained this — said that it sounded like making an IKEA table. So, you don't want to tighten the first leg of the table too much before you've started tightening the other legs, because you need all the connections in place first before you can flip the thing over and have a stable structure. Well, it's the same with an Introduction: you tighten a little bit here, and you move to the next part and tighten there, and so on, gradually round and round that part of your text, until you've got something solid."

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Daniel E. Agbiboa is Assistant Professor of African and African American Studies at Harvard University. Professor Agbiboa’s research and teaching focus on how state and nonstate forms of order and authority interpenetrate and shape each other, and the spatialization and materialization of mobility, power, and politics in contemporary African cities.

Sidney Michelini is a PhD student at the Potsdam Institute for Climate Impact Research with the FutureLab - Security, Ethnic Conflicts and Migration. His work focuses on how climate, climate shocks, and climate change impact conflicts of different types.

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Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo.

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Amanda Apgar's book The Disabled Child: Memoirs of a Normal Future (U Michigan Press, 2023) tracks the narratives that have emerged from the community of parent-memoirists who, since the 1980s, have written in resistance of their children's exclusion from culture. Though the disabilities represented in the genre are diverse, the memoirs share a number of remarkable similarities; they are generally written by white, heterosexual, middle or upper-middle class, ablebodied parents, and they depict narratives in which the disabled child overcomes barriers to a normal childhood and adulthood. Apgar demonstrates that in the process of telling these stories, which recuperate their children as productive members of society, parental memoirists write their children into dominant cultural narratives about gender, race, and class. By reinforcing and buying into these norms, Apgar argues, "special needs" parental memoirs reinforce ableism at the same time that they're writing against it.

Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio. On Twitter: @slissw.

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The Scent of Ancient Magic (University of Michigan Press, 2022) by Dr. Britta Ager explores the complex interconnection of scent and magic in the Greco-Roman world between 800 BCE and CE 600, drawing on ancient literature and the modern study of the senses to examine the sensory depth and richness of ancient magic. Dr. Ager looks at how ancient magicians used scents as part of their spells, to put themselves in the right mindset for an encounter with a god or to attack their enemies through scent. She also examines the magicians who appear in ancient fiction, like Medea and Circe, and the more metaphorical ways in which their spells are confused with perfumes and herbs. This book brings together recent scholarship on ancient magic from classical studies and on scent from the interdisciplinary field of sensory studies in order to examine how practicing ancient magicians used scents for ritual purposes, how scent and magic were conceptually related in ancient literature and culture, and how the assumption that strong scents convey powerful effects of various sorts was also found in related areas like ancient medical practices and normative religious ritual.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Palmer-Rubin spent significant time doing field work in a variety of rural locations, interviewing individuals, political and party actors, members of different kinds of associations, and government officials. This research fleshes out the examples and case studies at the center of the research. There have been improvements in politics and economics in Mexico since the 1990s, and this period of transition provides the historical context to explore both the patronage and the programmatic models that have evolved over the decades following the transition period. Evading the Patronage Trap focuses on the differences between rural organizations that often represent individual farms and farmers, and mid-level business organizations that represent economic and business interests. These differing types of organizations also align, a bit, with the various political parties in Mexico. The research explores how organizations and associations sustain collective action, mobilize their respective members, and how they interact with, sometimes collaboratively, sometimes antagonistically, political parties and governmental institutions in efforts to breakdown structural and economic inequities.

Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.

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Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.

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Dan DiPiero is a musician and Visiting Assistant Professor of Musicology at Ithaca College, soon-to-be Assistant Professor of Music Studies, UMKC Conservatory.

Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds.

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Nicole Coleman is Associate Professor of German at Wayne State University. She tweets @drnicoleman.

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In Queer Voices in Hip Hop: Cultures, Communities, and Contemporary Performance (University of Michigan Press, 2022), Lauron J. Kehrer turns our attention to openly queer and trans rappers and presents an alternative and more inclusive narrative about the development of hip hop that includes the contributions of queer people throughout the history of the genre. They consider the role of disco, house music, and the ballroom scene in New York City to demonstrate how these different communities and networks played and continue to play a role in hip hop. Kehrer also explores Bounce, a regional form of hip hop with deep roots in New Orleans and its queer communities that has recently entered national circulation. By centering the performances of openly queer and trans artists of color, Queer Voices in Hip Hop reclaims their work as essential to the development and persistence of hip hop in the United States as it tells the story of the queer roots of hip hop.

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I very much enjoyed having Dr. Salvador Santino F. Regilme Jr. back on the show; the discussion was enriching and will challenge human rights scholars to move beyond their comfort zone to seek ways to better protect human rights at risk. You can listen to our previous interview, about his book, Aid Imperium: United States Foreign Policy and Human Rights in Post-Cold War Southeast Asia, here. 

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The book illustrates why disability must be assessed within a particular society’s social, political, and medical context, and also the importance of bringing medical history into conversation with cultural history. A Euro-American-centric disability studies perspective that focuses on disability and oppression, the author contends, risks overlooking the unique situation in a non-Western society like Japan in which disability was constructed to enhance blind people’s power. He explores what it meant to be blind in Japan at that time, and what it says about current frameworks for understanding disability.

Glossary of foreign words/names:

• Zatōichi (a blind fictional hero)
• Kyokutei Bakin (a writer/author)
• Heike (a genre) 
• Biwa (a musical instrument)
• Koto< (a musical instrument) 
• Shamisen (a musical instrument)
• Ogino Chiichi (a blind musician)

Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.

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Nicholas R. Micinski is Libra Assistant Professor of Political Science and International Affairs at the University of Maine. His research focuses on global governance, particularly how states and international organizations respond to refugees, migration, climate change, and peacebuilding. Micinski is the author of two books: Delegating Responsibility: International Cooperation on Migration in the European Union (University of Michigan Press, 2022) and UN Global Compacts: Governing Migrants and Refugees (Routledge, 2021). Previously, Micinski was postdoctoral fellow at Université Laval, ISA James N. Rosenau Postdoctoral Fellow, and visiting researcher at the Center for the Study of Europe, Boston University. Before academia, he worked in the NGO sector in London for five years on refugee policy and service delivery. Micinski received his Ph.D. in Political Science from the Graduate Center at the City University of New York (CUNY).

Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu or tweet to @LAbdelaaty.

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Exploring the direct impacts of media consumption on the lives of four key informants who frequent the district's gay bars in search of community, fun and romance, Regimes of Desire reveals the complexity of Tokyo's most popular "gay town" and intervenes in debates over the changing nature of masculinity in contemporary Japan.

Alexandra Hambleton is an assistant professor at Tsuda University in Tokyo, Japan. I write on media, gender, and sexuality in contemporary Japan with a particular interest in pornography and sex-positive feminism.

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But the evidence from ancient Athens, which is one of the best-documented societies in the premodern world, tells a very different story: one of progress, innovation, and rational economic strategies. Making Money in Ancient Athens (U Michigan Press, 2021) examines in the most comprehensive manner possible the voluminous source material that has survived from Athens in inscriptions, private lawsuit speeches, and the works of philosophers like Aristotle and Plato. Inheritance cases that detail estate composition and investment choices, and maritime trade deals gone wrong, provide unparalleled glimpses into the specific factors that influenced Athenians at the level of the economic decision-making process itself, and the motivations that guided the specific economic transactions attested in the source material. Armed with some of the most thoroughly documented case studies and the richest variety of source material from the ancient Greek world, Michael Leese argues that the evidence overwhelmingly demonstrates that ancient Athenians achieved the type of long-term profit and wealth maximization and continuous reinvestment of profits into additional productive enterprise that have been argued as unique to (and therefore responsible for) the modern industrial-capitalist system.

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Sibel Oktay's book Governing Abroad: Coalition Politics and Foreign Policy in Europe (U Michigan Press, 2022) unpacks the little-known world of coalition governments to find out. Oktay argues that the specific constellation of parties in government explains why some coalitions can make more assertive foreign policy decisions than others. Building on the rich literature in political science on coalitions, legislatures, and voting behavior, the book weaves together sophisticated statistical analyses of foreign policy events across thirty European countries alongside in-depth case studies from Denmark, the Netherlands, and Finland. It brings political parties back into the study of foreign policy, demonstrating that the size of the coalition, the ideological proximity of the governing parties, and their relationship with the parliamentary opposition together influence the government’s ability to act in the international arena. This book challenges our existing perceptions about the constraints and weaknesses of coalition governments. It sheds new light on the conditions that allow them to act decisively abroad.

Sibel Oktay is associate professor of political science at the University of Illinois at Springfield and a nonresident senior fellow at the Chicago Council on Global Affairs. Her research focuses on the interaction between domestic politics and foreign policy, and how leaders influence those relationships. She has published in the European Journal of Political Research, British Journal of Politics and International Affairs, and European Security, among others. She has also written for outlets including War On The Rocks, The Hill, and Responsible Statecraft. She is a 2022-2023 recipient of the Jefferson Science Fellowship from the U.S. Department of State.

Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu or tweet to @LAbdelaaty.

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Theater historian Dr. Essin offers clear and evocative descriptions of this invaluable labor, based on her archival research and interviews with more than 100 backstage technicians, members of the New York locals of the International Alliance of Theatrical Stage Employees. A former theater technician herself, Dr. Essin provides readers with an insider’s view of the Broadway stage, from the suspended lighting bridge of electricians operating followspots for A Chorus Line; the automation deck where carpenters move the massive scenic towers for Newsies; the makeup process in the dressing room for The Lion King; the offstage wings of Matilda the Musical, where guardians guide child actors to entrances and exits.

Working Backstage makes a significant contribution to theater studies and also to labor studies, exploring the politics of the unions that serve backstage professionals, protecting their rights and insuring safe working conditions. Illuminating the history of this typically hidden workforce, the book provides uncommon insights into the business of Broadway and its backstage working relationships among cast and crew members.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Torture, Humiliate, Kill: Inside the Bosnian Serb Camp System (U Michigan Press, 2022) develops the author’s collective traumatization theory, which contends that the concentration camps set up by the Bosnian Serb authorities had the primary purpose of inflicting collective trauma on the non-Serb population of Bosnia and Herzegovina. This collective traumatization consisted of excessive use of torture, sexual abuse, humiliation, and killing. The physical and psychological suffering imposed by these methods were seen as a quick and efficient means to establish the Serb “living space.” Karčić argues that this trauma was deliberately intended to deter non-Serbs from ever returning to their pre-war homes. The book centers on multiple examples of experiences at concentration camps in four towns operated by Bosnian Serbs during the war: Prijedor, Bijeljina, Višegrad, and Bileća. Chosen according to their political and geographical position, Karčić demonstrates that these camps were used as tools for the ethno-religious genocidal campaign against non-Serbs. Torture, Humiliate, Kill is a thorough and definitive resource for understanding the function and operation of camps during the Bosnian genocide.

You can find Paweł Starzec's series of photos capturing the legacy of the camps here.

Christopher P. Davey is Visiting Assistant Professor at Clark University's Strassler Center for Holocaust and Genocide Studies.

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Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.

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Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.

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While the social effects of such algorithmic logics seem new and newly urgent to consider, Collecting Lives: Critical Data Narrative as Modernist Aesthetic in Early Twentieth-Century Us Literatures (U Michigan Press, 2022) looks to the late nineteenth and early twentieth century U.S. to provide an instructive prehistory to the underlying question of the relationship between data, life, and narrative. Rodrigues contextualizes the application of data collection to human selfhood in order to uncover a modernist aesthetic of data that offers an alternative to the algorithmic logic pervading our sense of data's revelatory potential. Examining the work of W. E. B. Du Bois, Henry Adams, Gertrude Stein, and Ida B. Wells-Barnett, Rodrigues asks how each of these authors draw from their work in sociology, history, psychology, and journalism to formulate a critical data aesthetic as they attempt to answer questions of identity around race, gender, and nation both in their research and their life writing. These data-driven modernists not only tell different life stories with data, they tell life stories differently because of data.

This book is available open access here. 

Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.

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Yana Stainova is an Assistant Professor in the Department of Anthropology at McMaster University. 

Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.

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Nigel Caplan : "And this sort of brings us to an important point about knowledge and expertise in a discipline. The great genre scholar Doreen Starke-Meyerring said that academic writing tends to be transparent to experts in the discipline, and they forget how opaque it is to novices. So, if you study engineering, biology, philosophy, whatever it is, and you're immersed in that world all the time, it's very easy to believe that that is the only way of writing, because that's the only type of writing you have done for decades. And it quickly becomes, 'Well, that's obviously good writing.' And the idea is, 'Anything else is bad writing.' But experts don't realize what we see as English teachers, especially as teachers in English for Academic Purposes, where we work with students across the disciplines — what we see is that each discipline does have its own way of creating knowledge and communicating that knowledge. But that can be very opaque to a novice. And I think what novices need are the tools to crack open that opacity, and what experts need is a little reminder now and then that good writing is actually not transparent. It is highly contextual, it is something that needs to be learned, it is not natural in any sense. It is not automatically good writing just because you like it and it works in your field."

Visit the Michigan Series in English for Academic and Professional Purposes here. Visit and join the Consortium on Graduate Communication here.

Watch Daniel edit your science here. Contact Daniel at writeyourresearch@gmail.com.

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See the book's companion site here. 

Dr. Charles Hiroshi Garrett is Professor of Musicology at the University of Michigan and Dr. Carol J. Oja is William Powell Mason Professor of Music and Professor of American Studies at Harvard University. Learn more about the Eileen Southern Initiative, for which Dr. Oja is co-director, here. 

Emily Ruth Allen (@emmyru91) holds a Ph.D. in musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama's carnival. 

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Filtering Histories: The Photographic Bureaucracy in Mozambique, 1960 to Recent Times (U Michigan Press, 2021) tells a history of photography alongside state formation to understand the process of decolonization and state development after colonial rule. At the center of analysis are an array of photographic and illustrated materials from Mozambique, South Africa, Portugal, and Italy. Thompson recreates through oral histories and archival research the procedures and regulations that engulfed the practice and circulation of photography. If photographers and media bureaucracy were proactive in placing images of Mozambique in international news, Mozambicans were agents of self-representation, especially when it came to appearing or disappearing before the camera lens. Drawing attention to the multiple images that one published photograph may conceal, Filtering Histories introduces the popular and material formations of portraiture and photojournalism that informed photography's production, circulation, and archiving in a place like Mozambique. The book reveals how the use of photography by the colonial state and the liberation movement overlapped, and the role that photography played in the transition of power from colonialism to independence.

Dr. Thompson is currently an Associate Professor of Contemporary Art History and Visual Culture at Ryerson University’s School of Image Arts. In January he’ll join the Bard Graduate Center and Bard College an Associate Professor of Visual Culture and Black Studies.

Sara Katz is a postdoctoral associate in the history department at Duke University.

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Prismatic Performances: Queer South Africa and the Fragmentation of the Rainbow Nation (U Michigan Press, 2020) on the queer embodiments that both reveal and animate the gaps between South Africa's self-image and its lived realities. It argues that performance has become a key location where contradictions inherent to South Africa's post-apartheid identity are negotiated. The book spans 30 years of cultural production and numerous social locations and includes: a team of black lesbian soccer players who reveal and redefine the gendered and sexed limitations of racialized "Africanness;" white gay performers who use drag and gender subversion to work through questions of racial and societal transformation; black artists across the arts who have developed aesthetics that place on display their audiences' complicity in the problem of sexual violence; and a primarily heterosexual panAfrican online soap opera fandom community who, by combining new virtual spaces with old melodramatic tropes allow for extended deliberation and new paradigms through which African same-sex relationships are acceptable. Prismatic Performances contends that when explicitly queer bodies emerge onto public stages, audiences are made intimately aware of their own bodies' identifications and desires. As the sheen of the New South Africa began to fade, these performances revealed the inadequacy and, indeed, the violence, of the Rainbow Nation as an aspirational metaphor. Simultaneously they created space for imagining new radical configurations of belonging.

Dr. April Sizemore-Barber is Associate Professor of the Practice in Women’s and Gender Studies at Georgetown University.

Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg.

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Dr. Kemi Adeyemi is assistant professor of gender, women, and sexuality studies and director of The Black Embodiments Studio at the University of Washington.

Dr. Kareem Khubchandani is the Mellon Bridge assistant professor in theater, dance, and performance studies, and women’s, gender, and sexuality studies at Tufts University.

Dr. Ramón Rivera-Servera is Dean of the College of Fine Arts and Professor of Theatre and Dance at the University of Texas at Austin.

Isabel Machado is Research Associate with the SARChI Chair in South African Art and Visual Culture hosted by the Faculty of Art, Design & Architecture at the University of Johannesburg.

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Panayotis League is Assistant Professor of Ethnomusicology and Director of the Center for Music of the Americas at Florida State University.

Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.

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SherAli Tareen is Associate Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His book Defending Muhammad in Modernity (University of Notre Dame Press, 2020) received the American Institute of Pakistan Studies 2020 Book Prize and was selected as a finalist for the 2021 American Academy of Religion Book Award. His other academic publications are available here. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome.

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The Global White Snake uncovers how the White Snake legend often acts as an unsettling narrative of radical tolerance for hybrid sexualities, loving across traditional boundaries, subverting authority, and valuing the strange and the uncanny. A timely mediation and reflection on our contemporary moment of continued struggle for minority rights and social justice, The Global White Snake revives the radical anti-authoritarian spirit slithering under the tales of monsters and demons, love and lust, and reminds us of the power of the fantastic and the fabulous in inspiring and empowering personal and social transformations.

Huiying Chen is a Ph.D. candidate at University of Illinois at Chicago. She studies the history of travel in eighteenth-century China. She can be reached at hchen87 AT uic.edu

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Dr. Lawrence La Fountain-Stokes is Professor of American Culture, Romance Languages and Literatures, and Women's and Gender Studies at the University of Michigan.

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In The Politics of Herding Cats: When Congressional Leaders Fail (U Michigan Press, 2021), Political Scientist John Lovett leads us into these processes and assumptions and unpacks the ways that congressional leaders are far less able to exert control over their caucuses because of the ways that individual members are able to pursue attention through the changing media landscape. While Lovett provides a coda at the end of the book indicating that social media, especially Twitter, has an outsized role in the ways that individual members can capture attention, the focus of the book is to look more closely at heritage media, especially The Washington Post, and trace the ways that members are able to work outside and around party and congressional leaders. By accessing media attention on their own, individual members can exercise power and have the capacity to essentially ignore the demands and requests of the party leadership within Congress.

Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.

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In this lively conversation, Aim Sinpeng – senior lecturer in comparative politics at the University of Sydney – discusses these topics with Duncan McCargo, director of the Nordic Institute of Asian Studies and professor of political science at the University of Copenhagen. She explains how many of her family, friends and neighbours took part in the yellow shirt protests, and argues for a more nuanced understanding of these movements, one that goes beyond the caricature of conservative royalists blinded by their overweening faith in monarchy.

Aim Sinpeng is a prolific scholar of Thailand’s politics, who has been at the forefront of recent work on the growing salience on online political participation in Southeast Asia. She is the author of Opposing Democracy in the Digital Age: The Yellow Shirts in Thailand (U Michigan Press, 2021). Sinpeng tweets at @aimsinpeng.

For Aim’s latest (Open Access) Critical Asian Studies article on Thailand’s 2020 student protests, see here.

Like this interview? If so, you might be interested in an earlier Nordic Asia podcast with Aim on the Future Forward Party here. Or some recent Southeast Asian Studies channel podcasts on Thai politics here and here. 

Duncan McCargo is an eclectic, internationalist political scientist and literature buff: his day job is directing the Nordic Institute of Asian Studies at the University of Copenhagen. Learn more here, here, here, and here.

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Rather than pursue a common methodology, the authors take diverse approaches to this topic that open up fruitful avenues for further exploration. Most of the essays in this volume are by Japanese scholars; their inclusion here provides either an introduction to their work or the opportunity to explore their scholarship further. Because women are often invisible in historical documentation, the authors use a range of sources (such as diaries, letters, and legal documents) to reconstruct the familial, neighborhood, religious, political, work, and travel networks that women maintained, constructed, or found themselves in, sometimes against their will. In so doing, most but not all of the authors try to decenter historical narratives built on men’s activities and men’s occupational and status-based networks, and instead recover women’s activities in more localized groupings and personal associations.

Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.

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Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.

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Holmes pulls together a variety of sources for her research—but most impressive are the interviews she was able to do in order to get at the idea of identity in South Africa and what this idea means to a variety of South African citizens. These interviews also posed complexities for Holmes, in terms of the answers she received and some she did not, when subjects of her interviews cut her off. The structure of the interviews, the questions asked, and how the interviewer exists in that space and context were also considered in terms of the information and the analysis of the responses. This is a multi-layered analysis that brings together political science as a framework for the investigation, but also integrates ethnography and sociology to help deepen the analysis and the understanding that comes from these interviews. The Black and White Rainbow: Reconciliation, Opposition, and Nation-Building in Democratic South Africa is a fascinating interrogation of nation-building in South Africa, and what this means for the country and for the citizens within it as they continue to struggle to live together in a democratic state. At the very center of this struggle is the question of identity, which itself is not a new concept, but is the focus of so much research and analysis in many different countries.

Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.

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Normalizing Corruption: Failures of Accountability in Ukraine contributes to the study of the development of democratic practices in the states whose political history is closely connected with totalitarianism and authoritarianism.

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The Truth Machines: Policing, Violence, and Scientific Interrogations in India (University of Michigan Press, 2020) examines the emergence and use of these three scientific techniques to analyze two primary themes. First, the book questions whether existing theoretical frameworks for understanding state power and legal violence are adequate to explain constant innovations of the state. Second, it explores the workings of law, science, and policing in the everyday context to generate a theory of state power and legal violence, challenging the monolithic frameworks about this relationship, based on a study of both state and non-state actors.

Jinee Lokaneeta argues that the attempt to replace physical torture with truth machines in India fails because it relies on a confessional paradigm that is contiguous with torture. Her work also provides insights into a police institution that is founded and refounded in its everyday interactions between state and non-state actors. Theorizing a concept of Contingent State, this book demonstrates the disaggregated, and decentered nature of state power and legal violence, creating possible sites of critique and intervention.

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Elizabeth Son is Associate Professor and the Director of the Interdisciplinary PhD in Theatre and Drama (IPTD) Program at Northwestern University. She was an inaugural Mellon/ACLS Scholars & Society fellow, and was a scholar-in-residence at KAN-WIN: Empowering Women in the Asian American Community. She continues to partner with KAN-WIN as a crisis hotline volunteer and co-founding member of their “comfort women” justice advocacy team.

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Despite these realities, negative political rhetoric around Muslim Americans persists. The findings suggest that the policies designed to keep America safe from terrorist attacks may have eroded one of law enforcement’s greatest assets in the fight against violent extremism—a relationship of trust and goodwill between the Muslim American community and the U.S. government. Gillum argues for policies and law enforcement tactics that will bring nuanced understandings of this diverse category of Americans and build trust, rather than alienate Muslim communities.

Beth Windisch is a national security practitioner. You can tweet her @bethwindisch.

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Barnett also engages the early recording industry as entertainment media, considering the ways in which sound recording, radio, and film converge in the late 1920s. Record Cultures explores Gennett Records and jazz; race records, with a focus on the African American-owned Black Swan Records, as well as the white-owned Paramount Records; the origins of old-time music as a category that will become country; the growth of radio; the intersections of music and film; and the recording industry’s challenges in the wake of the Great Depression.

Kyle Barnett is Associate Professor of Media Studies in the Department of Communication at Bellarmine University.

Kimberly Mack holds a Ph.D. in English from UCLA, and she is an Assistant Professor of African-American literature at the University of Toledo in Ohio. Her book, Fictional Blues: Narrative Self-Invention from Bessie Smith to Jack White, is forthcoming from the University of Massachusetts Press in December 2020. Mack is also a music critic who has contributed her work to national and international publications, including Music Connection, Relix, Village Voice, PopMatters, and Hot Press. She published a 2019 essay for Longreads titled “Johnny Rotten, My Mom, and Me.”

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Employing a social science lens and employing three distinct theoretical frameworks, Merry seeks to understand how and why actors, specifically interest groups, distort narratives. By analyzing “67,000 communications by 15 national gun policy groups between 2000 and 2017 collected from blogs, emails, Facebook posts, and press releases” Merry documents the ways both sides over emphasize and omit crucial aspects of the gun policy debate, ironically resulting in negative consequences and failure for both sides. She combines three powerful theoretical lenses – Narrative Policy Framework, Social Construction of Target Populations, and Critical Race Theory – to reveal the structure and strategy of narratives of gun rights and safety. Both sides focus on atypical characters and settings – and both manipulate racial stereotypes.

Warped Narratives: Distortion in the Framing of Gun Policy is a systematic analysis of the gun policy debate providing important groundwork for understanding how specific actors distort and polarize public debate as well as a reflection on the greater implications this has for the future of public policy.

Bernadette Crehan assisted with this podcast.

Susan Liebell is associate professor of political science at Saint Joseph’s University in Philadelphia. She is the author of Democracy, Intelligent Design, and Evolution: Science for Citizenship (Routledge, 2013) and, most recently, “Retreat from the Rule of Law: Locke and the Perils of Stand Your Ground” in the Journal of Politics (August 2020).

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Drawing upon history, political science, gender studies, and feminist epistemologies, the book examines how formally educated women sought to protect the cultural values and the self-determination of the Anglophone Cameroonian state as Francophone Cameroon prepared to dismantle the federal republic.

The book defines and uses the concept of embodied nationalism to illustrate the political importance of women’s everyday behavior—the clothes they wore, the foods they cooked, whether they gossiped, and their deference to their husbands. The result, in this fascinating approach, reveals that West Cameroon, which included English-speaking areas, was a progressive and autonomous nation.

The author’s sources include oral interviews and archival records such as women’s newspaper advice columns, Cameroon’s first cooking book, and the first novel published by an Anglophone Cameroonian woman.

Jacqueline-Bethel Tchouta Mougoué is an Assistant Professor of African Cultural Studies at the University of Wisconsin-Madison. Her book was awarded the 2020 Frances Richardson Keller-Sierra Prize from the Western Association of Women Historians.

Madina Thiam is a PhD candidate in History at UCLA.

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Carrie Lane is a Professor of American Studies at California State University, Fullerton and author of A Company of One: Insecurity, Independence, and the New World of White-Collar Unemployment. Her research concerns the changing nature of work in the contemporary U.S. She is currently writing a book on the professional organizing industry. To contact her or to suggest a recent title, email clane@fullerton.edu.

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Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012).

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Matthew Hitt has written Inconsistency and Indecision in the United States Supreme Court (University of Michigan Press, 2019) to answer this question. Hitt is assistant professor of political science at Colorado State University.

In Inconsistency and Indecision in the United States Supreme Court, Hitt demonstrates that over time, institutional changes have substantially reduced unreasoned judgments in the Court’s output, coinciding with a reduction in the Court’s caseload. As such, though the Supreme Court historically emphasized dispute resolution, it has evolved into a Court that prioritizes the goal of logically consistent doctrine. Consequently, the Court today fails to resolve more underlying questions in law and society in order to minimize criticism of its output from other elites.

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Through several case studies, Lantis shows how some of the freshest faces on Capitol Hill are advocating for change. From Elizabeth Warren to Tom Cotton, Michelle Bachman to Carlos Curbelo, members of Congress are staking out bold foreign policy stances on everything from trade to climate change. Lantis’ book weaves these cases together into a meaningful account of the contemporary Congress.

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This book is available open access here.

Lilly J. Goren is Professor of Political Science at Carroll University in Waukesha, WI.

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Joshua Dyck and Edward Lascher take on these questions in Initiatives without Engagement: A Realistic Appraisal of Direct Democracy’s Secondary Effects (University of Michigan Press 2019). Dyck is Associate Professor of Political Science and Co-Director of the Center for Public Opinion at the University of Massachusetts Lowell; Lascher, Jr is Professor of Public Policy and Administration at California State University, Sacramento.

Initiatives without Engagement challenges what democratic reformers have thought about the initiative process since the Progressive Era. The findings suggest that ballot initiatives lead to higher voter turnout but not to higher political interest. There is also a partisan dimension to the findings. Independents are the least mobilized by ballot initiatives, while Republicans and Democrats are more likely to register to vote, possibly explained by the incentives of ideological political entrepreneurs who sponsor initiatives.

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Carrie Lane is a Professor of American Studies at California State University, Fullerton and author of A Company of One: Insecurity, Independence, and the New World of White-Collar Unemployment (Cornell University Press, 2011). Her research concerns the changing nature of work in the contemporary U.S. She is currently writing a book on the professional organizing industry. To contact her or to suggest a recent title, email clane@fullerton.edu.

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Yaron Peleg is the Kennedy-Leigh Reader in Modern Hebrew Studies at the University of Cambridge. His most recent book is Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016).

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In the book, Rouse and Ross discover the political and policy beliefs of Millenials through extensive survey and focus group research. They discover a generation deeply concerned about social issues, such as LGBTQ rights and drug legalization. On other issues, the findings suggest a moderate view on economic issues and a preference for a middle-ground approach by government on spending and taxation.

Rouse is associate professor of government and politics and director of the Center for American Politics and Citizenship at the University of Maryland; Ross is assistant professor in the Department of Marine Sciences and a fellow with the Center for Texas Beaches & Shores at Texas A&M University at Galveston.

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Undertaking a comprehensive analysis of a wide range of texts, from Charlotte Bronte’s Villette and Mary Shelley’s Frankenstein to Andy Warhol’s autobiographical writings, Rodas unpacks the unique signifiers of autistic language and explores how autism can be articulated textually. In doing so, Autistic Disturbances seeks to uncover the autistic voice in familiar literary works, emphasising the often overlooked aesthetic and cultural value of autistic modes of communication. In this highly original analysis, Rodas maintains that the aesthetic qualities regularly praised by critics when they manifest in literary texts – repetition, cataloguing, highly-detailed description – are often found in autistic expression, where they are marginalised by clinicians and educators. Rodas, however, demonstrates that these features of autistic expression, these unique cognitive and communicative practices, have also played a major role in shaping some of Western culture’s most treasured literary artifacts.

Over the course of a fascinating interview, Professor Rodas speaks to me about the history of autism, the unique qualities of autistic expression and the intriguing manner in which these expressive forms have manifested in numerous canonical literary texts. Prof. Rodas also discusses the impetus for this revolutionary project and explains how working on this book has shaped not only her research, but also impacted her teaching practice.

Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture HERE and can also be found on Twitter.

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In Gendered Vulnerability: How Women Work Harder to Stay in Office (University of Michigan Press, 2018), Jeffrey Lazarus and Amy Steigerwalt say that they work harder. Lazarus is associate professor of political science at Georgia State University; Steigerwalt is professor of political science at Georgia State University.

Lazarus and Steigerwalt show that in a number of areas, women members of Congress simply do more. They introduce more bills and bring more money back to their districts. They spend more time on constituent services than men and are more responsive to their constituents’ policy preferences. The authors attribute this in part to the disproportionate level of vulnerability that women legislators feel.

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Kerry Wallach is Chair and Associate Professor of German Studies at Gettysburg College. She is also an affiliate of their Judaic Studies and Women, Gender, and Sexuality Studies programs, and serves on the editorial board of Indiana University Press German-Jewish Cultures book series.

Robin Buller is a PhD Candidate in History at the University of North Carolina, Chapel Hill.

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Julia Fawcett is Assistant Professor in the Theatre Dance and Performance Studies Department at the University of California, Berkeley. Her research interests include Restoration and eighteenth-century theatre and performance, performance historiography, the intersections between literature and performance, autobiographical performance, urban space, celebrity, gender, and disability studies. She received her PhD in English Literature from Yale University, and has published essays in PMLA, The Eighteenth Century: Theory and Interpretation, and Modern Drama. Fawcett is currently working on her next book, Unmapping London: Performance and Urbanization after the Great Fire.

Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017).

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Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au.

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Scott Moranda is Associate Director of History at SUNY Cortland.

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Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska, Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu.

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American Homesoffers ontological conundra (“A Door is not a Door when Ajar.”) It offers sage statistical insights (the Front Door “…accumulates more Annual Knuckle Precipitation than both the Back Door and Side Door combined.”) It offers its own literary criticism, of itself (“The Porch Swing is a Post-Cynical literary device… It is also the symbol of freedom in the book American Homes.”)

But maybe “What category?” is the wrong question. Updike wrote, and was later quoted by Ryan Ridge in his book, American Homes: “What art offers is space.” And what Ryan Ridge does with the spaces his art allows him to explore, and substantiate, is unexpected, bright, and often, funny. What you slowly begin to suspect as you read, is that American homes are not just American homes.

As for the book, American Homes, there is at least what Ridge himself defines it as. “American Homes is targeted at affluent women with a flair for the unconventional. American Homes is aimed at men who are comfortable with their feelings about their feelings. American Homes is feeling much better. American Homes is never worse. American Homes is an obstacle course. American Homes is between shopping centers and the skeletons of factories. American Homes is distinctly American.”

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Who will best carry out the policy goals of the President? Appointed officials or White House advisors? Vaughn and Villalobos track 40 years of Presidents deciding that advisors – czars – can best oversee drug policy, AIDS policy, and energy policy. They find considerable variation in how effectively each president’s czars have served in the role, ranging from powerful individuals, such as Richard Nixon’s energy czar, William Simon, to largely ineffective ones, such as Adolfo Carrion, President Obama’s urban policy czar.

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Last week, Frank Baumgartner came on the podcast to talk about his newest book on policy process theory at the national level of US government. Haider-Markel and Taylor’s new edited volume draws on similar literature, but applies it to state and local politics. They also have collected up an array of excellent research on an understudied issue: transgender politics. Chapters by Anthony Nownes on transgender interest groups and Mitchell Sellers and Rod Colvin on how local governments have adopted transgender policies are particularly noteworthy.

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Goss challenges the conventional wisdom about women’s group with new congressional hearing data. Rather than ebbing-and-flowing like waves, Goss suggests that the women’s groups have not always diminished in influence following a major policy success. The Paradox of Gender Equality should have a wide audience among interest group, gender studies, and social movement scholars.

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This is a big book that covers long and complex histories of numerous groups in the United States. The authors link the arrival and integration of Latino Americans and Asian Americans to evolving group identities and developing political institutions. They draw interesting comparisons between the legacies of the African American social movements of the Civil Rights era and immigrant protests in other ethnic communities. They conclude with a mixed assessment about where the US now stands in terms of immigrant politics. Gains have been made, but immigrants remain largely shut out of traditional forms of political representation and often lack entre into politics.

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Karch has written Early Start: Preschool Politics in the United States (University of Michigan Press, 2013), a deep narrative history and assessment of the policy development behind early childhood education policy. Karch is associate professor of political science at the University of Minnesota and has focused much of his research agenda on state policy and federalism. In his new book, he weaves together theories from the study of public policy with an intricate story of early childhood education. The tactical lessons advocates could learn from this book make it a must-read inside and outside of the academy. Ideas like venue shopping and coalition building animate many of the critical junctures studied in the book.

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Please, listen in to the discussion.

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