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    <title>Rutgers University Press Podcast</title>
    <link>https://newbooksnetwork.com</link>
    <language>en</language>
    <copyright>New Books Network</copyright>
    <description>Interviews with authors of Rutgers University Press books.</description>
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      <title>Rutgers University Press Podcast</title>
      <link>https://newbooksnetwork.com</link>
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    <itunes:author>New Books Network</itunes:author>
    <itunes:summary>Interviews with authors of Rutgers University Press books.</itunes:summary>
    <content:encoded>
      <![CDATA[<p>Interviews with authors of Rutgers University Press books.</p>]]>
    </content:encoded>
    <itunes:owner>
      <itunes:name>New Books Network</itunes:name>
      <itunes:email>marshallpoe@newbooksnetwork.com</itunes:email>
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    <itunes:category text="Arts">
      <itunes:category text="Books"/>
    </itunes:category>
    <itunes:category text="History">
    </itunes:category>
    <item>
      <title>Sharon Zukin, "Loft Living: Culture and Capital in Urban Change" (Rutgers UP, 2014)</title>
      <description>Since its initial publication, Loft Living: Culture and Capital in Urban Change (Rutgers UP, 2014) has become the classic analysis of the emergence of artists as a force of gentrification and the related rise of "creative city" policies around the world. This 25th anniversary edition, with a new introduction, illustrates how loft living has spread around the world and that artists' districts--trailing the success of SoHo in New York--have become a global tourist attraction. Sharon Zukin reveals the economic shifts and cultural transformations that brought widespread attention to artists as lifestyle models and agents of urban change, and explains their role in attracting investors and developers to the derelict loft districts where they made their home. Prescient and dramatic, Loft Living shows how a declining downtown Manhattan became a popular "scene," how loft apartments became hot commodities for the middle class, and how investors, corporations, and rich elites profited from deindustrializing the city's factory districts and turning them into trendy venues for art galleries, artisanal restaurants, and bars. However, this edition points out that the artists who led the trend are now priced out of the loft market. Even in New York, where the loft living market was born, artists have no legal claim on loft districts, nor do they get any preferential treatment in the harsh real estate market. From the story of SoHo in Lower Manhattan to SoWa in Boston and SoMa in San Francisco, Zukin explains how once-edgy districts are transformed into high-price neighborhoods, and how no city can restrain the juggernaut of rising property values.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 08 May 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Since its initial publication, Loft Living: Culture and Capital in Urban Change (Rutgers UP, 2014) has become the classic analysis of the emergence of artists as a force of gentrification and the related rise of "creative city" policies around the world. This 25th anniversary edition, with a new introduction, illustrates how loft living has spread around the world and that artists' districts--trailing the success of SoHo in New York--have become a global tourist attraction. Sharon Zukin reveals the economic shifts and cultural transformations that brought widespread attention to artists as lifestyle models and agents of urban change, and explains their role in attracting investors and developers to the derelict loft districts where they made their home. Prescient and dramatic, Loft Living shows how a declining downtown Manhattan became a popular "scene," how loft apartments became hot commodities for the middle class, and how investors, corporations, and rich elites profited from deindustrializing the city's factory districts and turning them into trendy venues for art galleries, artisanal restaurants, and bars. However, this edition points out that the artists who led the trend are now priced out of the loft market. Even in New York, where the loft living market was born, artists have no legal claim on loft districts, nor do they get any preferential treatment in the harsh real estate market. From the story of SoHo in Lower Manhattan to SoWa in Boston and SoMa in San Francisco, Zukin explains how once-edgy districts are transformed into high-price neighborhoods, and how no city can restrain the juggernaut of rising property values.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since its initial publication, <a href="https://bookshop.org/a/12343/9780813570976">Loft Living: Culture and Capital in Urban Change</a> (Rutgers UP, 2014) has become the classic analysis of the emergence of artists as a force of gentrification and the related rise of "creative city" policies around the world. This 25th anniversary edition, with a new introduction, illustrates how loft living has spread around the world and that artists' districts--trailing the success of SoHo in New York--have become a global tourist attraction. Sharon Zukin reveals the economic shifts and cultural transformations that brought widespread attention to artists as lifestyle models and agents of urban change, and explains their role in attracting investors and developers to the derelict loft districts where they made their home. Prescient and dramatic, Loft Living shows how a declining downtown Manhattan became a popular "scene," how loft apartments became hot commodities for the middle class, and how investors, corporations, and rich elites profited from deindustrializing the city's factory districts and turning them into trendy venues for art galleries, artisanal restaurants, and bars. However, this edition points out that the artists who led the trend are now priced out of the loft market. Even in New York, where the loft living market was born, artists have no legal claim on loft districts, nor do they get any preferential treatment in the harsh real estate market. From the story of SoHo in Lower Manhattan to SoWa in Boston and SoMa in San Francisco, Zukin explains how once-edgy districts are transformed into high-price neighborhoods, and how no city can restrain the juggernaut of rising property values.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1960</itunes:duration>
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      <title>Piergiorgio Di Giminiani et al. eds., "The Futures of Reparations in Latin America: Imagination, Translation, and Belonging" (Rutgers UP, 2026)</title>
      <description>Over the last thirty years, Latin America has undergone an unprecedented wave of reparations targeting victims of political violence during military regimes, Indigenous and Afro-Latin groups affected by historical processes of dispossession, and citizens suffering from environmental harm. Reparations prompt us to face uncomfortable pasts and in so doing, create conditions for imagination of multiple futures. In representing the experiences and hopes of those affected by political violence in El Salvador and Argentina, environmental harm in Guatemala and Peru, and colonial dispossession in Chile and Bolivia, reparations are built upon conflictive forms of future imagination, translation of harm and new forms of belonging to and beyond the nation state, which reifies as much as challenges state authority over the promises of actual repair. In today’s Latin American political debate, hopes for justice and democracy remain anchored to the question of the kinds of future that can be imagined through and after reparation. Piergiorgio Di Giminiani, Helene Risør, and Karine Vanthuyne discuss their edited volume, The Futures of Reparations in Latin America: Imagination, Translation, and Belonging (Rutgers UP, 2026)

Piergiorgio Di Giminiani is an associate professor in anthropology at the Pontificia Universidad Católica de Chile. He is the author of Sentient Lands: Indigeneity, Property, and Political Imagination in Neoliberal Chile and co-editor of Theorizing Relations in Indigenous South America.

Helene Risør is a teaching associate professor in anthropology and visiting research fellow at Copenhagen University. Professor Risør is also a senior researcher at the Millennium Institute for Research on Violence and Democracy based in Chile.

Professor Karine Vanthuyne is professor in Anthropology at the University of Ottawa. Professor Vanthuyne is the author of La presence d’un passé de violences: mémoires et identités autochtones dans le Guatemala postgénocide, as well as co-editor of Power through Testimony: Residential schools in the age of reconciliation in Canada.

Shodona Kettle is a PhD candidate at the Institute of the Americas, University College London. Her research explores demands for reparations in Latin America and the Caribbean. Website here
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      <pubDate>Fri, 20 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Over the last thirty years, Latin America has undergone an unprecedented wave of reparations targeting victims of political violence during military regimes, Indigenous and Afro-Latin groups affected by historical processes of dispossession, and citizens suffering from environmental harm. Reparations prompt us to face uncomfortable pasts and in so doing, create conditions for imagination of multiple futures. In representing the experiences and hopes of those affected by political violence in El Salvador and Argentina, environmental harm in Guatemala and Peru, and colonial dispossession in Chile and Bolivia, reparations are built upon conflictive forms of future imagination, translation of harm and new forms of belonging to and beyond the nation state, which reifies as much as challenges state authority over the promises of actual repair. In today’s Latin American political debate, hopes for justice and democracy remain anchored to the question of the kinds of future that can be imagined through and after reparation. Piergiorgio Di Giminiani, Helene Risør, and Karine Vanthuyne discuss their edited volume, The Futures of Reparations in Latin America: Imagination, Translation, and Belonging (Rutgers UP, 2026)

Piergiorgio Di Giminiani is an associate professor in anthropology at the Pontificia Universidad Católica de Chile. He is the author of Sentient Lands: Indigeneity, Property, and Political Imagination in Neoliberal Chile and co-editor of Theorizing Relations in Indigenous South America.

Helene Risør is a teaching associate professor in anthropology and visiting research fellow at Copenhagen University. Professor Risør is also a senior researcher at the Millennium Institute for Research on Violence and Democracy based in Chile.

Professor Karine Vanthuyne is professor in Anthropology at the University of Ottawa. Professor Vanthuyne is the author of La presence d’un passé de violences: mémoires et identités autochtones dans le Guatemala postgénocide, as well as co-editor of Power through Testimony: Residential schools in the age of reconciliation in Canada.

Shodona Kettle is a PhD candidate at the Institute of the Americas, University College London. Her research explores demands for reparations in Latin America and the Caribbean. Website here
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Over the last thirty years, Latin America has undergone an unprecedented wave of reparations targeting victims of political violence during military regimes, Indigenous and Afro-Latin groups affected by historical processes of dispossession, and citizens suffering from environmental harm. Reparations prompt us to face uncomfortable pasts and in so doing, create conditions for imagination of multiple futures. In representing the experiences and hopes of those affected by political violence in El Salvador and Argentina, environmental harm in Guatemala and Peru, and colonial dispossession in Chile and Bolivia, reparations are built upon conflictive forms of future imagination, translation of harm and new forms of belonging to and beyond the nation state, which reifies as much as challenges state authority over the promises of actual repair. In today’s Latin American political debate, hopes for justice and democracy remain anchored to the question of the kinds of future that can be imagined through and after reparation. Piergiorgio Di Giminiani, Helene Risør, and Karine Vanthuyne discuss their edited volume, <a href="https://bookshop.org/a/12343/9781978844384">The Futures of Reparations in Latin America: Imagination, Translation, and Belonging </a>(Rutgers UP, 2026)</p>
<p>Piergiorgio Di Giminiani is an associate professor in anthropology at the Pontificia Universidad Católica de Chile. He is the author of Sentient Lands: Indigeneity, Property, and Political Imagination in Neoliberal Chile and co-editor of Theorizing Relations in Indigenous South America.</p>
<p>Helene Risør is a teaching associate professor in anthropology and visiting research fellow at Copenhagen University. Professor Risør is also a senior researcher at the Millennium Institute for Research on Violence and Democracy based in Chile.</p>
<p>Professor Karine Vanthuyne is professor in Anthropology at the University of Ottawa. Professor Vanthuyne is the author of <em>La presence d’un passé de violences: mémoires et identités autochtones dans le Guatemala postgénocide</em>, as well as co-editor of <em>Power through Testimony: Residential schools in the age of reconciliation in Canada</em>.</p>
<p>Shodona Kettle is a PhD candidate at the Institute of the Americas, University College London. Her research explores demands for reparations in Latin America and the Caribbean. Website <a href="https://www.ucl.ac.uk/social-historical-sciences/americas/research/research-students/shodona-kettle">here</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4419</itunes:duration>
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      <title>Jennifer Boum Make, "Decolonial Care: Reimagining Caregiving in the French Caribbean" (Rutgers UP, 2025) </title>
      <description>Decolonial Care: Reimagining Caregiving in the French Caribbean (Rutgers UP, 2025) examines the relationship between the legacies of colonialism and the dynamics of caregiving that have emerged from the French Caribbean. Putting in dialogue postcolonial studies and care studies, this book elucidates how caring and uncaring have been historically shaped by colonialism and shows how media and narratives help develop decolonial approaches to care that sustain human life and livable environments.

Guest Jennifer Boum-Maké is Associate Professor of French and Francophone Studies at Georgetown University. In addition to her monograph, she has co-edited 2025’s Graphic Narratives of Resistance: Advocating for Representation and Social Justice in French-Language Bandes Dessinées. In addition to many journal articles and contributions to collected volumes, she serves on a number of editorial boards and is one of the founders of Kwazman vwa: New Paths in Caribbean literature, an online series hosting conversations with ultracontemporary Caribbean writers.

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 04 Mar 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Decolonial Care: Reimagining Caregiving in the French Caribbean (Rutgers UP, 2025) examines the relationship between the legacies of colonialism and the dynamics of caregiving that have emerged from the French Caribbean. Putting in dialogue postcolonial studies and care studies, this book elucidates how caring and uncaring have been historically shaped by colonialism and shows how media and narratives help develop decolonial approaches to care that sustain human life and livable environments.

Guest Jennifer Boum-Maké is Associate Professor of French and Francophone Studies at Georgetown University. In addition to her monograph, she has co-edited 2025’s Graphic Narratives of Resistance: Advocating for Representation and Social Justice in French-Language Bandes Dessinées. In addition to many journal articles and contributions to collected volumes, she serves on a number of editorial boards and is one of the founders of Kwazman vwa: New Paths in Caribbean literature, an online series hosting conversations with ultracontemporary Caribbean writers.

Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781978840447">Decolonial Care: Reimagining Caregiving in the French Caribbean</a> (Rutgers UP, 2025) examines the relationship between the legacies of colonialism and the dynamics of caregiving that have emerged from the French Caribbean. Putting in dialogue postcolonial studies and care studies, this book elucidates how caring and uncaring have been historically shaped by colonialism and shows how media and narratives help develop decolonial approaches to care that sustain human life and livable environments.</p>
<p>Guest Jennifer Boum-Maké is Associate Professor of French and Francophone Studies at Georgetown University. In addition to her monograph, she has co-edited 2025’s <em>Graphic Narratives of Resistance: Advocating for Representation and Social Justice in French-Language Bandes Dessinées</em>. In addition to many journal articles and contributions to collected volumes, she serves on a number of editorial boards and is one of the founders of <em>Kwazman vwa</em>: New Paths in Caribbean literature, an online series hosting conversations with ultracontemporary Caribbean writers.</p>
<p>Host Gina Stamm is Associate Professor of French at The University of Alabama, with research concentrated on the environmental humanities and speculative literatures of the 20th and 21st centuries, from Surrealism to contemporary science fiction and feminist utopias, in Metropolitan France and the francophone Caribbean, with a book manuscript in progress on posthumanist ecological engagement in the surrealist movement.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <itunes:duration>3007</itunes:duration>
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    <item>
      <title>Ofer Idels, "Embodying the Revolution: The Hebrew Experience and the Globalization of Modern Sports in Interwar Palestine" (Rutgers UP, 2025)</title>
      <description>Join Rabbi Marc Katz for a powerful and unexpected conversation with historian Ofer Idels author of Embodying the Revolution: The Hebrew Experience and the Globalization of Modern Sports in Interwar Palestine ﻿(Rutgers UP, 2025).

This episode dives into a fascinating paradox at the heart of modern Jewish history:Why did Zionism—especially during the era of “muscular Judaism”—remain deeply ambivalent about sports?

Drawing on rich archival research and contemporary theory, Idels reveals a surprising story of Mandate Palestine, where athletes rarely became national heroes and sports never fully transformed into symbols of collective pride. This is more than a history of sports—it’s a conversation about selfhood, revolution, ideology, and the compromises embedded in every national dream. If you care about Zionism, Jewish culture, modern identity, or the meaning of revolution, this is an episode you won’t want to miss.

Ofer Idels is the Jenny Belzberg Postdoctoral Fellow at the University of Calgary, Canada. He is the author of Zionism: Emotions, Language and Experience.

Rabbi Marc Katz is the author of Yochanan's Gamble: Judaism's Pragmatic Approach to Life.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 04 Mar 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Join Rabbi Marc Katz for a powerful and unexpected conversation with historian Ofer Idels author of Embodying the Revolution: The Hebrew Experience and the Globalization of Modern Sports in Interwar Palestine ﻿(Rutgers UP, 2025).

This episode dives into a fascinating paradox at the heart of modern Jewish history:Why did Zionism—especially during the era of “muscular Judaism”—remain deeply ambivalent about sports?

Drawing on rich archival research and contemporary theory, Idels reveals a surprising story of Mandate Palestine, where athletes rarely became national heroes and sports never fully transformed into symbols of collective pride. This is more than a history of sports—it’s a conversation about selfhood, revolution, ideology, and the compromises embedded in every national dream. If you care about Zionism, Jewish culture, modern identity, or the meaning of revolution, this is an episode you won’t want to miss.

Ofer Idels is the Jenny Belzberg Postdoctoral Fellow at the University of Calgary, Canada. He is the author of Zionism: Emotions, Language and Experience.

Rabbi Marc Katz is the author of Yochanan's Gamble: Judaism's Pragmatic Approach to Life.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Join Rabbi Marc Katz for a powerful and unexpected conversation with historian Ofer Idels author of <a href="https://bookshop.org/a/12343/9781978844469">Embodying the Revolution: The Hebrew Experience and the Globalization of Modern Sports in Interwar Palestine</a><em> ﻿</em>(Rutgers UP, 2025).</p>
<p>This episode dives into a fascinating paradox at the heart of modern Jewish history:<br>Why did Zionism—especially during the era of “muscular Judaism”—remain deeply ambivalent about sports?</p>
<p>Drawing on rich archival research and contemporary theory, Idels reveals a surprising story of Mandate Palestine, where athletes rarely became national heroes and sports never fully transformed into symbols of collective pride. This is more than a history of sports—it’s a conversation about selfhood, revolution, ideology, and the compromises embedded in every national dream. If you care about Zionism, Jewish culture, modern identity, or the meaning of revolution, this is an episode you won’t want to miss.</p>
<p>Ofer Idels is the Jenny Belzberg Postdoctoral Fellow at the University of Calgary, Canada. He is the author of <em>Zionism: Emotions, Language and Experience.</em></p>
<p>Rabbi Marc Katz is the author of Yochanan's Gamble: Judaism's Pragmatic Approach to Life.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2612</itunes:duration>
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      <title>Darién J. Davis, "'Black Orpheus' and the Globalization of Afro-Brazilian Culture" (Rutgers UP, 2026)</title>
      <description>“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie’s success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D’Apparecida.

Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese.

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 18 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>“Black Orpheus” and the Globalization of Afro-Brazilian Culture (Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film Black Orpheus and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie’s success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D’Apparecida.

Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese.

Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781978844148">“Black Orpheus” and the Globalization of Afro-Brazilian Culture </a>(Rutgers UP, 2026) is the first historical study in English to examine the development, production, and reception of the 1958 film <em>Black Orpheus</em> and its legacy in the 1960s and 1970s. It focuses on the making of the film and the trajectories of the major actors and musicians who helped construct an image of Black Brazil and provides an analysis of the globalization of Afro-Brazilian images and music in France and the United States in the wake of the movie’s success. Using archival sources, interviews, and the secondary literature from France, Brazil, and the United States, this book reveals information about the cultural histories of all three countries and gives readers new insight into the trajectories of diverse actors such as Breno Mello, Marpessa Dawn, and Léa Garcia and performers such as Agostinho dos Santos, Baden Powell, and Maria D’Apparecida.</p>
<p>Darién J. Davis is a professor and the chair of Africana studies at Rutgers University–Newark. He is the author of four books, three edited volumes, and more than forty essays and articles in English, Spanish, and Portuguese.</p>
<p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <itunes:duration>3342</itunes:duration>
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      <enclosure url="https://traffic.megaphone.fm/NBNK7759197533.mp3?updated=1771227326" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jenny Banh, "Fantasies of Hong Kong Disneyland: Attempted Indigenizations of Space, Labor, and Consumption" (Rutgers UP, 2025)</title>
      <description>Fantasies of Hong Kong Disneyland: Attempted Indigenizations of Space, Labor, and Consumption (Rutgers UP, 2025) examines the attempt to transplant Disney's "happiest place on Earth" ethos to Hong Kong—with unhappy results. Focusing on the attempted localization and indigenization of this idea in a globalized transnational park, the book delves into the three-way dynamics of an American culture-corporation's intentions, China's government investment, and Hong Kong. The triple actors introduce an especially complex case as two of the world's most powerful entities, the nominally Communist state of China and corporate behemoth Disney, come together for a project in the third space of Hong Kong. The situation poses special challenges for Disney's efforts to manage space, labor, and consumption to achieve local adaptation and business success.

Jenny Banh is a keynote speaker, curriculum developer, and professor of Asian American Studies and Anthropology at California State University, Fresno. Her current research examines the barriers/bridges to Southeast Asian American students, Asian Foodways, and a Hong Kong corporation. In her community work, she has conducted, coded, and transcribed over 40 oral histories of Southeast Asian Americans who live in California’s Central Valley. She donated all the oral histories to the school’s library to create the Central Valley Southeast Asian American Successful Voices Archive. Recently, she helped to co-create the ASAM-Asian Major, nineteen new Asian American studies courses, and three certificates. She has been awarded two teaching awards and four service awards.

Donna Doan Anderson is the Mellon research assistant professor in U.S. Law and Race at the University of Nebraska-Lincoln.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 25 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Fantasies of Hong Kong Disneyland: Attempted Indigenizations of Space, Labor, and Consumption (Rutgers UP, 2025) examines the attempt to transplant Disney's "happiest place on Earth" ethos to Hong Kong—with unhappy results. Focusing on the attempted localization and indigenization of this idea in a globalized transnational park, the book delves into the three-way dynamics of an American culture-corporation's intentions, China's government investment, and Hong Kong. The triple actors introduce an especially complex case as two of the world's most powerful entities, the nominally Communist state of China and corporate behemoth Disney, come together for a project in the third space of Hong Kong. The situation poses special challenges for Disney's efforts to manage space, labor, and consumption to achieve local adaptation and business success.

Jenny Banh is a keynote speaker, curriculum developer, and professor of Asian American Studies and Anthropology at California State University, Fresno. Her current research examines the barriers/bridges to Southeast Asian American students, Asian Foodways, and a Hong Kong corporation. In her community work, she has conducted, coded, and transcribed over 40 oral histories of Southeast Asian Americans who live in California’s Central Valley. She donated all the oral histories to the school’s library to create the Central Valley Southeast Asian American Successful Voices Archive. Recently, she helped to co-create the ASAM-Asian Major, nineteen new Asian American studies courses, and three certificates. She has been awarded two teaching awards and four service awards.

Donna Doan Anderson is the Mellon research assistant professor in U.S. Law and Race at the University of Nebraska-Lincoln.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780813593449"><em>Fantasies of Hong Kong Disneyland: Attempted Indigenizations of Space, Labor, and Consumption</em> </a>(Rutgers UP, 2025) examines the attempt to transplant Disney's "happiest place on Earth" ethos to Hong Kong—with unhappy results. Focusing on the attempted localization and indigenization of this idea in a globalized transnational park, the book delves into the three-way dynamics of an American culture-corporation's intentions, China's government investment, and Hong Kong. The triple actors introduce an especially complex case as two of the world's most powerful entities, the nominally Communist state of China and corporate behemoth Disney, come together for a project in the third space of Hong Kong. The situation poses special challenges for Disney's efforts to manage space, labor, and consumption to achieve local adaptation and business success.</p>
<p>Jenny Banh is a keynote speaker, curriculum developer, and professor of Asian American Studies and Anthropology at California State University, Fresno. Her current research examines the barriers/bridges to Southeast Asian American students, Asian Foodways, and a Hong Kong corporation. In her community work, she has conducted, coded, and transcribed over 40 oral histories of Southeast Asian Americans who live in California’s Central Valley. She donated all the oral histories to the school’s library to create the Central Valley Southeast Asian American Successful Voices Archive. Recently, she helped to co-create the ASAM-Asian Major, nineteen new Asian American studies courses, and three certificates. She has been awarded two teaching awards and four service awards.</p>
<p>Donna Doan Anderson is the Mellon research assistant professor in U.S. Law and Race at the University of Nebraska-Lincoln.<br></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3327</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK3054115324.mp3?updated=1769152368" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Min Joo Lee, "Finding Mr. Perfect: K-Drama, Pop Culture, Romance, and Race" (Rutgers UP, 2025)</title>
      <description>Finding Mr. Perfect: K-Drama, Pop Culture, Romance, and Race (Rutgers UP, 2025) by Dr. Min Joo Lee explores the romantic relationships between Korean men and women who were inspired by romantic Korean televisual depictions of Korean masculinity to travel to Korea as tourists. Dr. Lee argues that disparate racialized erotic desires of Korean pop culture fans, foreign tourists to Korea, Korean men, and the Korean nation converge to configure the interracial and transnational relationships between these tourists and Korean men. Lee observes how racial prejudices are developed and manifested through interracial and transnational intimate desires and encounters. This book is the first to examine the interracial relationships between Hallyu tourists and Korean men. Furthermore, it is the first to analyze Korea as a popular romance tourist destination for heterosexual women. Finding Mr. Perfect illuminates South Korean popular culture’s transnational fandom and tourism as a global phenomenon where fantasies and realities converge to have a tangible impact on individual lives.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 18 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Finding Mr. Perfect: K-Drama, Pop Culture, Romance, and Race (Rutgers UP, 2025) by Dr. Min Joo Lee explores the romantic relationships between Korean men and women who were inspired by romantic Korean televisual depictions of Korean masculinity to travel to Korea as tourists. Dr. Lee argues that disparate racialized erotic desires of Korean pop culture fans, foreign tourists to Korea, Korean men, and the Korean nation converge to configure the interracial and transnational relationships between these tourists and Korean men. Lee observes how racial prejudices are developed and manifested through interracial and transnational intimate desires and encounters. This book is the first to examine the interracial relationships between Hallyu tourists and Korean men. Furthermore, it is the first to analyze Korea as a popular romance tourist destination for heterosexual women. Finding Mr. Perfect illuminates South Korean popular culture’s transnational fandom and tourism as a global phenomenon where fantasies and realities converge to have a tangible impact on individual lives.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781978841567">Finding Mr. Perfect: K-Drama, Pop Culture, Romance, and Race</a> (Rutgers UP, 2025) by Dr. Min Joo Lee explores the romantic relationships between Korean men and women who were inspired by romantic Korean televisual depictions of Korean masculinity to travel to Korea as tourists. Dr. Lee argues that disparate racialized erotic desires of Korean pop culture fans, foreign tourists to Korea, Korean men, and the Korean nation converge to configure the interracial and transnational relationships between these tourists and Korean men. Lee observes how racial prejudices are developed and manifested through interracial and transnational intimate desires and encounters. This book is the first to examine the interracial relationships between Hallyu tourists and Korean men. Furthermore, it is the first to analyze Korea as a popular romance tourist destination for heterosexual women. <em>Finding Mr. Perfect</em> illuminates South Korean popular culture’s transnational fandom and tourism as a global phenomenon where fantasies and realities converge to have a tangible impact on individual lives.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1844</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bbeba1f4-f291-11f0-b711-af45ba0de7a6]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4470165864.mp3?updated=1768536829" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Julia H. Meszaros, "Economies of Gender: Masculinity, "Mail Order Brides," and Women’s Labor" (Rutgers UP, 2025)</title>
      <description>Economies of Gender: Masculinity, "Mail Order Brides," and Women's Labor (Rutgers University Press, 2025) by Dr. Julia Meszaros offers a provocative exploration of the international dating industry, challenging simplistic narratives of human trafficking and scams while shedding light on the economic dynamics of gender. Through twelve years of fieldwork, the book delves into the motivations and experiences of men who seek relationships abroad, driven by dissatisfaction with Western women who, they believe, no longer embody traditional femininity.

By examining romantic tourism hotspots such as Ukraine, Colombia, and the Philippines, Economies of Gender reveals how these international settings serve as "intimate frontiers," where men seek to extract femininity capital and bolster their status. It illuminates the often-unseen economic underpinnings of relationships and questions how global gender dynamics shape desires, fantasies, and intimate markets. Through its compelling analysis, the book broadens the conversation on gender, power, and the commodification of intimacy in a globalized world.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 12 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Economies of Gender: Masculinity, "Mail Order Brides," and Women's Labor (Rutgers University Press, 2025) by Dr. Julia Meszaros offers a provocative exploration of the international dating industry, challenging simplistic narratives of human trafficking and scams while shedding light on the economic dynamics of gender. Through twelve years of fieldwork, the book delves into the motivations and experiences of men who seek relationships abroad, driven by dissatisfaction with Western women who, they believe, no longer embody traditional femininity.

By examining romantic tourism hotspots such as Ukraine, Colombia, and the Philippines, Economies of Gender reveals how these international settings serve as "intimate frontiers," where men seek to extract femininity capital and bolster their status. It illuminates the often-unseen economic underpinnings of relationships and questions how global gender dynamics shape desires, fantasies, and intimate markets. Through its compelling analysis, the book broadens the conversation on gender, power, and the commodification of intimacy in a globalized world.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781978842779">Economies of Gender: Masculinity, "Mail Order Brides," and Women's Labor</a><em> </em>(Rutgers University Press, 2025) by Dr. Julia Meszaros offers a provocative exploration of the international dating industry, challenging simplistic narratives of human trafficking and scams while shedding light on the economic dynamics of gender. Through twelve years of fieldwork, the book delves into the motivations and experiences of men who seek relationships abroad, driven by dissatisfaction with Western women who, they believe, no longer embody traditional femininity.</p>
<p>By examining romantic tourism hotspots such as Ukraine, Colombia, and the Philippines, <em>Economies of Gender</em> reveals how these international settings serve as "intimate frontiers," where men seek to extract femininity capital and bolster their status. It illuminates the often-unseen economic underpinnings of relationships and questions how global gender dynamics shape desires, fantasies, and intimate markets. Through its compelling analysis, the book broadens the conversation on gender, power, and the commodification of intimacy in a globalized world.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2409</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c8e530e8-ef06-11f0-af8c-f7205eb54a66]]></guid>
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    </item>
    <item>
      <title>Barbara Jane Brickman, "Suffering Sappho! Lesbian Camp in American Popular Culture" (Rutgers UP, 2023)</title>
      <description>An ever-expanding and panicked Wonder Woman lurches through a city skyline begging Steve to stop her. A twisted queen of sorority row crashes her convertible trying to escape her queer shame. A suave butch emcee introduces the sequined and feathered stars of the era’s most celebrated drag revue. For an unsettled and retrenching postwar America, these startling figures betrayed the failure of promised consensus and appeasing conformity. They could also be cruel, painful, and disciplinary jokes. It turns out that an obsession with managing gender and female sexuality after the war would hardly contain them. On the contrary, it spread their campy manifestations throughout mainstream culture. Offering the first major consideration of lesbian camp in American popular culture, Suffering Sappho! traces a larger-than-life lesbian menace across midcentury media forms to propose five prototypical queer icons—the sicko, the monster, the spinster, the Amazon, and the rebel. On the pages of comics and sensational pulp fiction and the dramas of television and drive-in movies, Barbara Jane Brickman discovers evidence not just of campy sexual deviants but of troubling female performers, whose failures could be epic but whose subversive potential could inspire.

In this episode Dr. Barbara Jane Brickman (University of Alabama) and Leah Cargin (University of Oklahoma and Journal of Women’s History) discuss Suffering Sappho! First, Brickman introduces the listeners to lesbian camp and then we discuss the many storied characters in the monograph. We share the zingers and one liners of actress Tallulah Bankhead and giggle about the camp antics of Superwoman’s sidekick, Etta Candy.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 08 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>142</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>An ever-expanding and panicked Wonder Woman lurches through a city skyline begging Steve to stop her. A twisted queen of sorority row crashes her convertible trying to escape her queer shame. A suave butch emcee introduces the sequined and feathered stars of the era’s most celebrated drag revue. For an unsettled and retrenching postwar America, these startling figures betrayed the failure of promised consensus and appeasing conformity. They could also be cruel, painful, and disciplinary jokes. It turns out that an obsession with managing gender and female sexuality after the war would hardly contain them. On the contrary, it spread their campy manifestations throughout mainstream culture. Offering the first major consideration of lesbian camp in American popular culture, Suffering Sappho! traces a larger-than-life lesbian menace across midcentury media forms to propose five prototypical queer icons—the sicko, the monster, the spinster, the Amazon, and the rebel. On the pages of comics and sensational pulp fiction and the dramas of television and drive-in movies, Barbara Jane Brickman discovers evidence not just of campy sexual deviants but of troubling female performers, whose failures could be epic but whose subversive potential could inspire.

In this episode Dr. Barbara Jane Brickman (University of Alabama) and Leah Cargin (University of Oklahoma and Journal of Women’s History) discuss Suffering Sappho! First, Brickman introduces the listeners to lesbian camp and then we discuss the many storied characters in the monograph. We share the zingers and one liners of actress Tallulah Bankhead and giggle about the camp antics of Superwoman’s sidekick, Etta Candy.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An ever-expanding and panicked Wonder Woman lurches through a city skyline begging Steve to stop her. A twisted queen of sorority row crashes her convertible trying to escape her queer shame. A suave butch emcee introduces the sequined and feathered stars of the era’s most celebrated drag revue. For an unsettled and retrenching postwar America, these startling figures betrayed the failure of promised consensus and appeasing conformity. They could also be cruel, painful, and disciplinary jokes. It turns out that an obsession with managing gender and female sexuality after the war would hardly contain them. On the contrary, it spread their campy manifestations throughout mainstream culture. Offering the first major consideration of lesbian camp in American popular culture, <em>Suffering Sappho!</em> traces a larger-than-life lesbian menace across midcentury media forms to propose five prototypical queer icons—the sicko, the monster, the spinster, the Amazon, and the rebel. On the pages of comics and sensational pulp fiction and the dramas of television and drive-in movies, Barbara Jane Brickman discovers evidence not just of campy sexual deviants but of troubling female performers, whose failures could be epic but whose subversive potential could inspire.</p>
<p>In this episode Dr. Barbara Jane Brickman (University of Alabama) and Leah Cargin (University of Oklahoma and <em>Journal of Women’s History</em>) discuss <em>Suffering Sappho! </em>First, Brickman introduces the listeners to lesbian camp and then we discuss the many storied characters in the monograph. We share the zingers and one liners of actress Tallulah Bankhead and giggle about the camp antics of Superwoman’s sidekick, Etta Candy.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4563</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Andrea Gevurtz Arai ed., "Spaces of Creative Resistance: Social Change Projects in Twenty-First-Century East Asia" (Rutgers UP, 2025)</title>
      <description>An exciting collection of stories of change that most people don’t usually hear from the bottom up, from the grassroots, about what’s happening in East Asia.

Spaces of Creative Resistance: Social Change Projects in Twenty-First-Century East Asia (Rutgers UP, 2025) brings together an exciting cross-regional interdisciplinary group of scholars, scholar activists, artists, and others for a collection that addresses the last two decades' hollowing out of social connections, socioeconomic income gaps, and general precarity of life in East Asian societies.

Written by authors from China, Japan, South Korea, Taiwan, and Hong Kong, each chapter is focused on people making a difference together in socially sustainable ways, particularly in the areas of gender, labor, and environments - both built and natural. These projects all constitute acts of creative resistance to neoliberal development, and each act of creative resistance demonstrates how individuals and communities across East Asia are making new worlds and lifeways in the small and everyday. Taking on larger political and economic forces that affect their lives and communities, each project and group of individuals featured here is focused on making more liveable presents and more possible futures.

Andrea Gevurtz Arai is a cultural anthropologist and Acting Assistant Professor in the Jackson School of International Studies at the University of Washington. She is the author of The Strange Child: Education and the Psychology of Patriotism in Recessionary Japan (2016), co-editor of Spaces of Possibility: Korea and Japan (2016) and Global Futures in East Asia (2013). Arai is completing a second book, The 3.11 Generation: Changing the Subjects of Gender, Labor and Environment in Trans-Local Japan and co-editing Ultra low birth societies in East Asia: Crisis Discourse and Collaborative Responses.

Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of political ecology, critical development studies, and the anthropology of time. More details about his scholarship and research interests can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 27 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>An exciting collection of stories of change that most people don’t usually hear from the bottom up, from the grassroots, about what’s happening in East Asia.

Spaces of Creative Resistance: Social Change Projects in Twenty-First-Century East Asia (Rutgers UP, 2025) brings together an exciting cross-regional interdisciplinary group of scholars, scholar activists, artists, and others for a collection that addresses the last two decades' hollowing out of social connections, socioeconomic income gaps, and general precarity of life in East Asian societies.

Written by authors from China, Japan, South Korea, Taiwan, and Hong Kong, each chapter is focused on people making a difference together in socially sustainable ways, particularly in the areas of gender, labor, and environments - both built and natural. These projects all constitute acts of creative resistance to neoliberal development, and each act of creative resistance demonstrates how individuals and communities across East Asia are making new worlds and lifeways in the small and everyday. Taking on larger political and economic forces that affect their lives and communities, each project and group of individuals featured here is focused on making more liveable presents and more possible futures.

Andrea Gevurtz Arai is a cultural anthropologist and Acting Assistant Professor in the Jackson School of International Studies at the University of Washington. She is the author of The Strange Child: Education and the Psychology of Patriotism in Recessionary Japan (2016), co-editor of Spaces of Possibility: Korea and Japan (2016) and Global Futures in East Asia (2013). Arai is completing a second book, The 3.11 Generation: Changing the Subjects of Gender, Labor and Environment in Trans-Local Japan and co-editing Ultra low birth societies in East Asia: Crisis Discourse and Collaborative Responses.

Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of political ecology, critical development studies, and the anthropology of time. More details about his scholarship and research interests can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>An exciting collection of stories of change that most people don’t usually hear from the bottom up, from the grassroots, about what’s happening in East Asia.</p>
<p><a href="https://bookshop.org/a/12343/9781978842502">Spaces of Creative Resistance: Social Change Projects in Twenty-First-Century East Asia</a> (Rutgers UP, 2025) brings together an exciting cross-regional interdisciplinary group of scholars, scholar activists, artists, and others for a collection that addresses the last two decades' hollowing out of social connections, socioeconomic income gaps, and general precarity of life in East Asian societies.</p>
<p>Written by authors from China, Japan, South Korea, Taiwan, and Hong Kong, each chapter is focused on people making a difference together in socially sustainable ways, particularly in the areas of gender, labor, and environments - both built and natural. These projects all constitute acts of creative resistance to neoliberal development, and each act of creative resistance demonstrates how individuals and communities across East Asia are making new worlds and lifeways in the small and everyday. Taking on larger political and economic forces that affect their lives and communities, each project and group of individuals featured here is focused on making more liveable presents and more possible futures.</p>
<p>Andrea Gevurtz Arai is a cultural anthropologist and Acting Assistant Professor in the Jackson School of International Studies at the University of Washington. She is the author of <em>The Strange Child: Education and the Psychology of Patriotism in Recessionary Japan</em> (2016), co-editor of <em>Spaces of Possibility: Korea and Japan</em> (2016) and <em>Global Futures in East Asia </em>(2013). Arai is completing a second book, <em>The 3.11 Generation: Changing the Subjects of Gender, Labor and Environment in Trans-Local Japan</em> and co-editing <em>Ultra low birth societies in East Asia: Crisis Discourse and Collaborative Responses</em>.</p>
<p>Yadong Li is a socio-cultural anthropologist-in-training. He is registered as a PhD student at Tulane University. His research interests lie at the intersection of political ecology, critical development studies, and the anthropology of time. More details about his scholarship and research interests can be found <a href="https://liberalarts.tulane.edu/anthropology/people/graduate-students/yadong-li">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4965</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[057e513a-dfce-11f0-964f-0f75bfb1ccfa]]></guid>
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    </item>
    <item>
      <title>Jeffrey Kroessler, "Rural County, Urban Borough: A History of Queens" (Rutgers UP, 2025) This</title>
      <description>﻿The borough of Queens is the largest of New York City’s five boroughs. It holds more people than Chicago or Los Angeles. And thanks to immigration, it is today home to a population of extraordinary ethnic, religious and linguistic diversity.﻿ Queens is also the subject of a new book by Jeffrey Kroessler, Rural County, Urban Borough: A History of Queens, published by Rutgers University Press.

Kroessler, an expert on the history and preservation of Queens, was working on the final edits for Rural County, Urban Borough when he died in 2023. His wife, the architect Laura Heim, took up the work of moving the book through the publication process. She selected and placed the images in the book and wrote its Preface and Acknowledgements.

Rural County, Urban Borough is a history with a strong sense of place. Covering the the history of Queens from European settlement to the present, Kroessler charts centuries of change in the landscape. He shows how politics, industry, transportation, government and real estate interests all shaped the borough. Linking Queens to New York City and the wider world, Kroessler illuminates important elements of American metropolitan history.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 19 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>﻿The borough of Queens is the largest of New York City’s five boroughs. It holds more people than Chicago or Los Angeles. And thanks to immigration, it is today home to a population of extraordinary ethnic, religious and linguistic diversity.﻿ Queens is also the subject of a new book by Jeffrey Kroessler, Rural County, Urban Borough: A History of Queens, published by Rutgers University Press.

Kroessler, an expert on the history and preservation of Queens, was working on the final edits for Rural County, Urban Borough when he died in 2023. His wife, the architect Laura Heim, took up the work of moving the book through the publication process. She selected and placed the images in the book and wrote its Preface and Acknowledgements.

Rural County, Urban Borough is a history with a strong sense of place. Covering the the history of Queens from European settlement to the present, Kroessler charts centuries of change in the landscape. He shows how politics, industry, transportation, government and real estate interests all shaped the borough. Linking Queens to New York City and the wider world, Kroessler illuminates important elements of American metropolitan history.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>﻿The borough of Queens is the largest of New York City’s five boroughs. It holds more people than Chicago or Los Angeles. And thanks to immigration, it is today home to a population of extraordinary ethnic, religious and linguistic diversity.﻿ Queens is also the subject of a new book by Jeffrey Kroessler, <a href="https://bookshop.org/a/12343/9781978837812">Rural County, Urban Borough: A History of Queens,</a> published by Rutgers University Press.</p>
<p>Kroessler, an expert on the history and preservation of Queens, was working on the final edits for <em>Rural County, Urban Borough </em>when he died in 2023. His wife, the architect Laura Heim, took up the work of moving the book through the publication process. She selected and placed the images in the book and wrote its Preface and Acknowledgements.</p>
<p><em>Rural County, Urban Borough</em> is a history with a strong sense of place. Covering the the history of Queens from European settlement to the present, Kroessler charts centuries of change in the landscape. He shows how politics, industry, transportation, government and real estate interests all shaped the borough. Linking Queens to New York City and the wider world, Kroessler illuminates important elements of American metropolitan history.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1106</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Jim Cullen, "1980: America's Pivotal Year" (Rutgers UP, 2022)</title>
      <description>1980 was a turning point in American history. When the year began, it was still very much the 1970s, with Jimmy Carter in the White House, a sluggish economy marked by high inflation, and the disco still riding the airwaves. When it ended, Ronald Reagan won the presidency in a landslide, inaugurating a rightward turn in American politics and culture. We still feel the effects of this tectonic shift today, as even subsequent Democratic administrations have offered neoliberal economic and social policies that owe more to Reagan than to FDR or LBJ. To understand what the American public was thinking during this pivotal year, we need to examine what they were reading, listening to, and watching.
1980: America's Pivotal Year (Rutgers UP, 2022) puts the news events of the era—everything from the Iran hostage crisis to the rise of televangelism—into conversation with the year’s popular culture. Separate chapters focus on the movies, television shows, songs, and books that Americans were talking about that year, including both the biggest hits and some notable flops that failed to capture the shifting zeitgeist. As he looks at the events that had Americans glued to their screens, from the Miracle on Ice to the mystery of Who Shot JR, cultural historian Jim Cullen garners surprising insights about how Americans’ attitudes were changing as they entered the 1980s.
Jim Cullen is the author of numerous books, including The American Dream: A Short History of an Idea that Shaped a Nation, Those Were the Days: Why ‘All in the Family’ Still Matters, and From Memory to History: Television Versions of the Twentieth Century. He teaches history at the newly-founded upper division of Greenwich Country Day School.
Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at jtreinhardt1997@gmail.com and follow him on Twitter @JTRhardt
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 23 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>196</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Jim Cullen</itunes:subtitle>
      <itunes:summary>1980 was a turning point in American history. When the year began, it was still very much the 1970s, with Jimmy Carter in the White House, a sluggish economy marked by high inflation, and the disco still riding the airwaves. When it ended, Ronald Reagan won the presidency in a landslide, inaugurating a rightward turn in American politics and culture. We still feel the effects of this tectonic shift today, as even subsequent Democratic administrations have offered neoliberal economic and social policies that owe more to Reagan than to FDR or LBJ. To understand what the American public was thinking during this pivotal year, we need to examine what they were reading, listening to, and watching.
1980: America's Pivotal Year (Rutgers UP, 2022) puts the news events of the era—everything from the Iran hostage crisis to the rise of televangelism—into conversation with the year’s popular culture. Separate chapters focus on the movies, television shows, songs, and books that Americans were talking about that year, including both the biggest hits and some notable flops that failed to capture the shifting zeitgeist. As he looks at the events that had Americans glued to their screens, from the Miracle on Ice to the mystery of Who Shot JR, cultural historian Jim Cullen garners surprising insights about how Americans’ attitudes were changing as they entered the 1980s.
Jim Cullen is the author of numerous books, including The American Dream: A Short History of an Idea that Shaped a Nation, Those Were the Days: Why ‘All in the Family’ Still Matters, and From Memory to History: Television Versions of the Twentieth Century. He teaches history at the newly-founded upper division of Greenwich Country Day School.
Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at jtreinhardt1997@gmail.com and follow him on Twitter @JTRhardt
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>1980 was a turning point in American history. When the year began, it was still very much the 1970s, with Jimmy Carter in the White House, a sluggish economy marked by high inflation, and the disco still riding the airwaves. When it ended, Ronald Reagan won the presidency in a landslide, inaugurating a rightward turn in American politics and culture. We still feel the effects of this tectonic shift today, as even subsequent Democratic administrations have offered neoliberal economic and social policies that owe more to Reagan than to FDR or LBJ. To understand what the American public was thinking during this pivotal year, we need to examine what they were reading, listening to, and watching.</p><p><a href="https://bookshop.org/a/12343/9781978831179"><em>1980: America's Pivotal Year</em></a><em> </em>(Rutgers UP, 2022) puts the news events of the era—everything from the Iran hostage crisis to the rise of televangelism—into conversation with the year’s popular culture. Separate chapters focus on the movies, television shows, songs, and books that Americans were talking about that year, including both the biggest hits and some notable flops that failed to capture the shifting zeitgeist. As he looks at the events that had Americans glued to their screens, from the Miracle on Ice to the mystery of Who Shot JR, cultural historian Jim Cullen garners surprising insights about how Americans’ attitudes were changing as they entered the 1980s.</p><p>Jim Cullen is the author of numerous books, including <em>The American Dream: A Short History of an Idea that Shaped a Nation</em>, <em>Those Were the Days: Why ‘All in the Family’ Still Matters</em>, and <em>From Memory to History: Television Versions of the Twentieth Century. </em>He teaches history at the newly-founded upper division of Greenwich Country Day School.</p><p><em>Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at jtreinhardt1997@gmail.com and follow him on Twitter @JTRhardt</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2504</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Nayma Qayum, "Village Ties: Women, NGOs, and Informal Institutions in Rural Bangladesh" (Rutgers UP, 2021)</title>
      <description>Across the global South, poor women’s lives are embedded in their social relationships and governed not just by formal institutions – rules that exist on paper – but by informal norms and practices. Village Ties: Women, NGOs, and Informal Institutions in Rural Bangladesh (Rutgers UP, 2021) takes the reader to Bangladesh, a country that has risen from the ashes of war, natural disaster, and decades of resource drain to become a development miracle. The book argues that grassroots women’s mobilization programs can empower women to challenge informal institutions when such programs are anti-oppression, deliberative, and embedded in their communities. Qayum dives into the work of Polli Shomaj (PS), a program of the development organization BRAC to show how the women of PS negotiate with state and society to alter the rules of the game, changing how poor people access resources including safety nets, the law, and governing spaces. These women create a complex and rapidly transforming world where multiple overlapping institutions exist – formal and informal, old and new, desirable and undesirable. In actively challenging power structures around them, these women defy stereotypes of poor Muslim women as backward, subservient, oppressed, and in need of saving.
Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 16 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>196</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Nayma Qayum</itunes:subtitle>
      <itunes:summary>Across the global South, poor women’s lives are embedded in their social relationships and governed not just by formal institutions – rules that exist on paper – but by informal norms and practices. Village Ties: Women, NGOs, and Informal Institutions in Rural Bangladesh (Rutgers UP, 2021) takes the reader to Bangladesh, a country that has risen from the ashes of war, natural disaster, and decades of resource drain to become a development miracle. The book argues that grassroots women’s mobilization programs can empower women to challenge informal institutions when such programs are anti-oppression, deliberative, and embedded in their communities. Qayum dives into the work of Polli Shomaj (PS), a program of the development organization BRAC to show how the women of PS negotiate with state and society to alter the rules of the game, changing how poor people access resources including safety nets, the law, and governing spaces. These women create a complex and rapidly transforming world where multiple overlapping institutions exist – formal and informal, old and new, desirable and undesirable. In actively challenging power structures around them, these women defy stereotypes of poor Muslim women as backward, subservient, oppressed, and in need of saving.
Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Across the global South, poor women’s lives are embedded in their social relationships and governed not just by formal institutions – rules that exist on paper – but by informal norms and practices.<em> </em><a href="https://bookshop.org/a/12343/9781978816442"><em>Village Ties: Women, NGOs, and Informal Institutions in Rural Bangladesh</em></a><em> </em>(Rutgers UP, 2021) takes the reader to Bangladesh, a country that has risen from the ashes of war, natural disaster, and decades of resource drain to become a development miracle. The book argues that grassroots women’s mobilization programs can empower women to challenge informal institutions when such programs are anti-oppression, deliberative, and embedded in their communities. Qayum dives into the work of Polli Shomaj (PS), a program of the development organization BRAC to show how the women of PS negotiate with state and society to alter the rules of the game, changing how poor people access resources including safety nets, the law, and governing spaces. These women create a complex and rapidly transforming world where multiple overlapping institutions exist – formal and informal, old and new, desirable and undesirable. In actively challenging power structures around them, these women defy stereotypes of poor Muslim women as backward, subservient, oppressed, and in need of saving.</p><p><em>Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3766</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Vania Smith-Oka, "Becoming Gods: Medical Training in Mexican Hospitals" (Rutgers UP, 2021)</title>
      <description>In Becoming Gods: Medical Training in Mexican Hospitals (Rutgers University Press, 2021), Vania Smith-Oka follows a cohort of interns throughout their year of medical training in hospitals to understand how medical students become medical doctors. She ethnographically tracks their engagements with one another, interactions with patients, experiences with doctors, and presentations of cases to show how medical students undergo a nuanced process of accumulating knowledge and practical experience in shaping their medical selves. Smith-Oka illuminates the gendered aspects of this process, whereby the medical interns’ gender informs the kind of treatment they receive from other doctors and the kinds of possibilities they imagine for their careers and areas of medical practice. She documents the lives of the interns during which time they develop their medical selves and come to understand the tacit values of medical practice. The book is full of descriptive vignettes and ethnographic details that make it accessible to undergraduate students. It would be of interest to those in medical anthropology, hospital ethnography, medical education as well as people interested in how expertise is acquired and developed. The book examines medical interns’ transformations through ordinary and extraordinary moments, through active and passive learning where they not only acquire new knowledge but also new ways of being.
Vania Smith-Oka is an associate professor in the Department of Anthropology at the University of Notre Dame in Indiana. She is the Director of the Health, Humanities, and Society Program at the John J. Reilly Center.
Reighan Gillam is an assistant professor in the Department of Anthropology at the University of Southern California.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 08 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>127</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Vania Smith-Oka</itunes:subtitle>
      <itunes:summary>In Becoming Gods: Medical Training in Mexican Hospitals (Rutgers University Press, 2021), Vania Smith-Oka follows a cohort of interns throughout their year of medical training in hospitals to understand how medical students become medical doctors. She ethnographically tracks their engagements with one another, interactions with patients, experiences with doctors, and presentations of cases to show how medical students undergo a nuanced process of accumulating knowledge and practical experience in shaping their medical selves. Smith-Oka illuminates the gendered aspects of this process, whereby the medical interns’ gender informs the kind of treatment they receive from other doctors and the kinds of possibilities they imagine for their careers and areas of medical practice. She documents the lives of the interns during which time they develop their medical selves and come to understand the tacit values of medical practice. The book is full of descriptive vignettes and ethnographic details that make it accessible to undergraduate students. It would be of interest to those in medical anthropology, hospital ethnography, medical education as well as people interested in how expertise is acquired and developed. The book examines medical interns’ transformations through ordinary and extraordinary moments, through active and passive learning where they not only acquire new knowledge but also new ways of being.
Vania Smith-Oka is an associate professor in the Department of Anthropology at the University of Notre Dame in Indiana. She is the Director of the Health, Humanities, and Society Program at the John J. Reilly Center.
Reighan Gillam is an assistant professor in the Department of Anthropology at the University of Southern California.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781978819658"><em>Becoming Gods: Medical Training in Mexican Hospitals</em></a> (Rutgers University Press, 2021), Vania Smith-Oka follows a cohort of interns throughout their year of medical training in hospitals to understand how medical students become medical doctors. She ethnographically tracks their engagements with one another, interactions with patients, experiences with doctors, and presentations of cases to show how medical students undergo a nuanced process of accumulating knowledge and practical experience in shaping their medical selves. Smith-Oka illuminates the gendered aspects of this process, whereby the medical interns’ gender informs the kind of treatment they receive from other doctors and the kinds of possibilities they imagine for their careers and areas of medical practice. She documents the lives of the interns during which time they develop their medical selves and come to understand the tacit values of medical practice. The book is full of descriptive vignettes and ethnographic details that make it accessible to undergraduate students. It would be of interest to those in medical anthropology, hospital ethnography, medical education as well as people interested in how expertise is acquired and developed. The book examines medical interns’ transformations through ordinary and extraordinary moments, through active and passive learning where they not only acquire new knowledge but also new ways of being.</p><p>Vania Smith-Oka is an associate professor in the Department of Anthropology at the University of Notre Dame in Indiana. She is the Director of the Health, Humanities, and Society Program at the John J. Reilly Center.</p><p><a href="https://dornsife.usc.edu/cf/anth/faculty_display.cfm?person_id=1080560"><em>Reighan Gillam</em></a><em> is an assistant professor in the Department of Anthropology at the University of Southern California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2945</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Amy Shea, "Too Poor to Die: The Hidden Realities of Dying in the Margins" (Rutgers UP, 2025)</title>
      <description>Death is the great equalizer, but not all deaths are created equal. In recent years, there has been an increased interest and advocacy concerning end-of-life and after-death care. An increasing number of individuals and organizations from health care to the funeral and death care industries are working to promote and encourage people to consider their end-of-life wishes. Yet, there are limits to who these efforts reach and who can access such resources. These conversations come from a place of good intentions, but also from a place of privilege. Too Poor to Die: The Hidden Realities of Dying in the Margins ﻿(Rutgers UP, 2025), is a collection of closely connected essays, takes the reader on a journey into what happens to those who die while experiencing homelessness or who end up indigent or unclaimed at the end of life. Too Poor to Die bears witness to the disparities in death and dying faced by some of society's most vulnerable and marginalized and asks the reader to consider their own end-of-life and disposition plans within the larger context of how privilege and access plays a role in what we want versus what we get in death.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 24 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Death is the great equalizer, but not all deaths are created equal. In recent years, there has been an increased interest and advocacy concerning end-of-life and after-death care. An increasing number of individuals and organizations from health care to the funeral and death care industries are working to promote and encourage people to consider their end-of-life wishes. Yet, there are limits to who these efforts reach and who can access such resources. These conversations come from a place of good intentions, but also from a place of privilege. Too Poor to Die: The Hidden Realities of Dying in the Margins ﻿(Rutgers UP, 2025), is a collection of closely connected essays, takes the reader on a journey into what happens to those who die while experiencing homelessness or who end up indigent or unclaimed at the end of life. Too Poor to Die bears witness to the disparities in death and dying faced by some of society's most vulnerable and marginalized and asks the reader to consider their own end-of-life and disposition plans within the larger context of how privilege and access plays a role in what we want versus what we get in death.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Death is the great equalizer, but not all deaths are created equal. In recent years, there has been an increased interest and advocacy concerning end-of-life and after-death care. An increasing number of individuals and organizations from health care to the funeral and death care industries are working to promote and encourage people to consider their end-of-life wishes. Yet, there are limits to who these efforts reach and who can access such resources. These conversations come from a place of good intentions, but also from a place of privilege. <a href="https://bookshop.org/a/12343/9781978843981">Too Poor to Die: The Hidden Realities of Dying in the Margins</a><em> ﻿</em>(Rutgers UP, 2025), is a collection of closely connected essays, takes the reader on a journey into what happens to those who die while experiencing homelessness or who end up indigent or unclaimed at the end of life. Too Poor to Die bears witness to the disparities in death and dying faced by some of society's most vulnerable and marginalized and asks the reader to consider their own end-of-life and disposition plans within the larger context of how privilege and access plays a role in what we want versus what we get in death.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1833</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Debra Michals, "She's the Boss: The Rise of Women’s Entrepreneurship since World War II" (Rutgers UP, 2025)</title>
      <description>In the years after World War II, as women were being pushed from wartime jobs for returning soldiers, government and business leaders—and women themselves—saw small business ownership as a viable economic solution. In just five years, US women owned nearly a million of the nation’s businesses. In the decades since, women have moved increasingly into business ownership, often outpacing male start-ups so that today, they own more than fourteen million businesses, 40 percent of all US companies.

She's the Boss: The Rise of Women’s Entrepreneurship since World War II (Rutgers UP, 2025) by Dr. Debra Michals chronicles the forces that made entrepreneurship attractive to women. In rich detail, Dr. Michals shares the stories of the countless women of all races, ethnicities, genders, and abilities who contributed to this important history. The book also explores the intersection of women’s personal choices within changing social, political, and economic factors, such as the rising divorce rates of the 1960s and 1970s, ongoing workplace and credit discrimination, civil and women’s rights activism and activist entrepreneurs, the 1970s recession and 1980s “Reagan Revolution,” and more recently, the internet, crowd-funding, and social entrepreneurship.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 25 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In the years after World War II, as women were being pushed from wartime jobs for returning soldiers, government and business leaders—and women themselves—saw small business ownership as a viable economic solution. In just five years, US women owned nearly a million of the nation’s businesses. In the decades since, women have moved increasingly into business ownership, often outpacing male start-ups so that today, they own more than fourteen million businesses, 40 percent of all US companies.

She's the Boss: The Rise of Women’s Entrepreneurship since World War II (Rutgers UP, 2025) by Dr. Debra Michals chronicles the forces that made entrepreneurship attractive to women. In rich detail, Dr. Michals shares the stories of the countless women of all races, ethnicities, genders, and abilities who contributed to this important history. The book also explores the intersection of women’s personal choices within changing social, political, and economic factors, such as the rising divorce rates of the 1960s and 1970s, ongoing workplace and credit discrimination, civil and women’s rights activism and activist entrepreneurs, the 1970s recession and 1980s “Reagan Revolution,” and more recently, the internet, crowd-funding, and social entrepreneurship.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the years after World War II, as women were being pushed from wartime jobs for returning soldiers, government and business leaders—and women themselves—saw small business ownership as a viable economic solution. In just five years, US women owned nearly a million of the nation’s businesses. In the decades since, women have moved increasingly into business ownership, often outpacing male start-ups so that today, they own more than fourteen million businesses, 40 percent of all US companies.</p>
<p><a href="https://bookshop.org/a/12343/9781978818163">She's the Boss: The Rise of Women’s Entrepreneurship since World War II</a><em> </em>(Rutgers UP, 2025) by Dr. Debra Michals chronicles the forces that made entrepreneurship attractive to women. In rich detail, Dr. Michals shares the stories of the countless women of all races, ethnicities, genders, and abilities who contributed to this important history. The book also explores the intersection of women’s personal choices within changing social, political, and economic factors, such as the rising divorce rates of the 1960s and 1970s, ongoing workplace and credit discrimination, civil and women’s rights activism and activist entrepreneurs, the 1970s recession and 1980s “Reagan Revolution,” and more recently, the internet, crowd-funding, and social entrepreneurship.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2635</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Alfred L. Martin Jr. and Taylor Cole Miller eds., "The Golden Girls: Tales from the Lanai" (Rutgers UP, 2025)</title>
      <description>The Golden Girls: Tales from the Lanai (Rutgers UP, 2025) is an accessible collection that explores the cultural, industrial, and historical impact of that beloved American sitcom. Edited by Taylor Cole Miller and Alfred L. Martin, Jr., this anthology brings together a diverse range of voices that model different media studies approaches to researching and critically analyzing television texts. The Golden Girls reclaims the production history and development of the show, opens new conversations about audiences–especially Black, queer, and female audiences–and provides new insight into the meteoric rise in popularity of The Golden Girls as a 2020s cultural phenomenon. With twelve original chapters and extensive original interviews offering readers rare insights behind the scenes, the book is a long day’s journey into the marinara of The Golden Girls–an immersive, engaging opportunity for readers to learn more about the show. It truly is the golden age of The Golden Girls.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 10 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The Golden Girls: Tales from the Lanai (Rutgers UP, 2025) is an accessible collection that explores the cultural, industrial, and historical impact of that beloved American sitcom. Edited by Taylor Cole Miller and Alfred L. Martin, Jr., this anthology brings together a diverse range of voices that model different media studies approaches to researching and critically analyzing television texts. The Golden Girls reclaims the production history and development of the show, opens new conversations about audiences–especially Black, queer, and female audiences–and provides new insight into the meteoric rise in popularity of The Golden Girls as a 2020s cultural phenomenon. With twelve original chapters and extensive original interviews offering readers rare insights behind the scenes, the book is a long day’s journey into the marinara of The Golden Girls–an immersive, engaging opportunity for readers to learn more about the show. It truly is the golden age of The Golden Girls.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781978836846">The Golden Girls: Tales from the Lanai </a>(Rutgers UP, 2025) is an accessible collection that explores the cultural, industrial, and historical impact of that beloved American sitcom. Edited by Taylor Cole Miller and Alfred L. Martin, Jr., this anthology brings together a diverse range of voices that model different media studies approaches to researching and critically analyzing television texts. <em>The Golden Girls</em> reclaims the production history and development of the show, opens new conversations about audiences–especially Black, queer, and female audiences–and provides new insight into the meteoric rise in popularity of <em>The Golden Girls </em>as a 2020s cultural phenomenon. With twelve original chapters and extensive original interviews offering readers rare insights behind the scenes, the book is a long day’s journey into the marinara of <em>The Golden Girls</em>–an immersive, engaging opportunity for readers to learn more about the show. It truly is the golden age of <em>The Golden Girls</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4329</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK7329189002.mp3?updated=1757390060" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Aliyah Khan, "Far From Mecca: Globalizing the Muslim Caribbean" (Rutgers UP, 2020)</title>
      <description>Muslims have lived in the Caribbean for centuries. Far From Mecca: Globalizing the Muslim Caribbean (Rutgers University Press, 2020) examines the archive of autobiography, literature, music and public celebrations in Guyana and Trinidad, offering an analysis of the ways Islam became integral to the Caribbean, and the ways the Caribbean shaped Islamic practices.
Aliyah Khan recovers stories that have been there all along, though they have received little scholarly attention.
The interdisciplinary approach takes on big questions about creolization, gender, politics and cultural change, but it does so with precision and attention to detail.
Aliyah Khan is an assistant professor of English and Afroamerican and African studies at the University of Michigan, Ann Arbor.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 31 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>59</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Muslims have lived in the Caribbean for centuries...</itunes:subtitle>
      <itunes:summary>Muslims have lived in the Caribbean for centuries. Far From Mecca: Globalizing the Muslim Caribbean (Rutgers University Press, 2020) examines the archive of autobiography, literature, music and public celebrations in Guyana and Trinidad, offering an analysis of the ways Islam became integral to the Caribbean, and the ways the Caribbean shaped Islamic practices.
Aliyah Khan recovers stories that have been there all along, though they have received little scholarly attention.
The interdisciplinary approach takes on big questions about creolization, gender, politics and cultural change, but it does so with precision and attention to detail.
Aliyah Khan is an assistant professor of English and Afroamerican and African studies at the University of Michigan, Ann Arbor.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Muslims have lived in the Caribbean for centuries. <a href="https://www.amazon.com/Far-Mecca-Globalizing-Caribbean-Critical/dp/1978806647/?tag=newbooinhis-20"><em>Far From Mecca: Globalizing the Muslim Caribbean</em></a> (Rutgers University Press, 2020) examines the archive of autobiography, literature, music and public celebrations in Guyana and Trinidad, offering an analysis of the ways Islam became integral to the Caribbean, and the ways the Caribbean shaped Islamic practices.</p><p>Aliyah Khan recovers stories that have been there all along, though they have received little scholarly attention.</p><p>The interdisciplinary approach takes on big questions about creolization, gender, politics and cultural change, but it does so with precision and attention to detail.</p><p><a href="https://lsa.umich.edu/daas/people/core-faculty/aliyrhan.html">Aliyah Khan</a> is an assistant professor of English and Afroamerican and African studies at the University of Michigan, Ann Arbor.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2703</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[102c1438-8460-11f0-b4cd-4ffed9fc1a70]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4576257369.mp3?updated=1756420930" length="0" type="audio/mpeg"/>
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    <item>
      <title>Lucas F. W. Wilson, "At Home with the Holocaust: Postmemory, Domestic Space, and Second-Generation Holocaust Narratives" (Rutgers UP, 2025)</title>
      <description>At Home with the Holocaust: Postmemory, Domestic Space, and Second-Generation Holocaust Narratives (Rutgers UP, 2025) examines the relationship between intergenerational trauma and domestic space, focusing on how Holocaust survivors’ homes became extensions of their traumatized psyches that their children “inhabited.” Analyzing second- and third-generation Holocaust literature—such as Art Spiegelman's Maus, Jonathan Safran Foer's Everything Is Illuminated, Sonia Pilcer's The Holocaust Kid, and Elizabeth Rosner's The Speed of Light—as well as oral histories of children of survivors, Lucas F. W. Wilson's study reveals how the material conditions of survivor-family homes, along with household practices and belongings, rendered these homes as spaces of traumatic transference. As survivors’ traumas became imbued in the very space of the domestic, their homes functioned as material archives of their Holocaust pasts, creating environments that, not uncommonly, second-handedly wounded their children. As survivor-family homes were imaginatively transformed by survivors’ children into the sites of their parents’ traumas, like concentration camps and ghettos, their homes catalyzed the transmission of these traumas.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 18 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>At Home with the Holocaust: Postmemory, Domestic Space, and Second-Generation Holocaust Narratives (Rutgers UP, 2025) examines the relationship between intergenerational trauma and domestic space, focusing on how Holocaust survivors’ homes became extensions of their traumatized psyches that their children “inhabited.” Analyzing second- and third-generation Holocaust literature—such as Art Spiegelman's Maus, Jonathan Safran Foer's Everything Is Illuminated, Sonia Pilcer's The Holocaust Kid, and Elizabeth Rosner's The Speed of Light—as well as oral histories of children of survivors, Lucas F. W. Wilson's study reveals how the material conditions of survivor-family homes, along with household practices and belongings, rendered these homes as spaces of traumatic transference. As survivors’ traumas became imbued in the very space of the domestic, their homes functioned as material archives of their Holocaust pasts, creating environments that, not uncommonly, second-handedly wounded their children. As survivor-family homes were imaginatively transformed by survivors’ children into the sites of their parents’ traumas, like concentration camps and ghettos, their homes catalyzed the transmission of these traumas.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781978839816">At Home with the Holocaust: Postmemory, Domestic Space, and Second-Generation Holocaust Narratives</a><em> </em>(Rutgers UP, 2025) examines the relationship between intergenerational trauma and domestic space, focusing on how Holocaust survivors’ homes became extensions of their traumatized psyches that their children “inhabited.” Analyzing second- and third-generation Holocaust literature—such as Art Spiegelman's <em>Maus</em>, Jonathan Safran Foer's <em>Everything Is Illuminated, </em>Sonia Pilcer's <em>The Holocaust Kid</em>, and Elizabeth Rosner's <em>The Speed of Light</em>—as well as oral histories of children of survivors, Lucas F. W. Wilson's study reveals how the material conditions of survivor-family homes, along with household practices and belongings, rendered these homes as spaces of traumatic transference. As survivors’ traumas became imbued in the very space of the domestic, their homes functioned as material archives of their Holocaust pasts, creating environments that, not uncommonly, second-handedly wounded their children. As survivor-family homes were imaginatively transformed by survivors’ children into the sites of their parents’ traumas, like concentration camps and ghettos, their homes catalyzed the transmission of these traumas.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2798</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4a75615a-62e9-11f0-89a2-836fcd248159]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7565692355.mp3?updated=1753920928" length="0" type="audio/mpeg"/>
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    <item>
      <title>Daniel Karpowitz, "College in Prison: Reading in an Age of Mass Incarceration" (Rutgers UP, 2017)</title>
      <description>Over the years, American colleges and universities have made various efforts to provide prisoners with access to education. However, few of these outreach programs presume that incarcerated men and women can rise to the challenge of a truly rigorous college curriculum. The Bard Prison Initiative is different.In his book, College in Prison: Reading in an Age of Mass Incarceration (Rutgers University Press, 2017), Daniel Karpowitz chronicles how, since 2001, Bard College has provided hundreds of incarcerated men and women across the country access to a high-quality liberal arts education. Earning degrees in subjects ranging from Mandarin to advanced mathematics, graduates have, upon release, gone on to rewarding careers and elite graduate and professional programs. Yet this is more than just a story of exceptional individuals triumphing against the odds. It is a study in how the liberal arts can alter the landscape of some of our most important public institutions giving people from all walks of life a chance to enrich their minds and expand their opportunities.Drawing on fifteen years of experience as a director of and teacher within the Bard Prison Initiative, Daniel Karpowitz tells the story of BPI’s development from a small pilot project to a nationwide network. At the same time, he recounts dramatic scenes from in and around college-in-prison classrooms pinpointing the contested meanings that emerge in moments of highly-charged reading, writing, and public speaking. Through examining the transformative encounter between two characteristically American institutions—the undergraduate college and the modern penitentiary—College in Prison makes a powerful case for why liberal arts education is still vital to the future of democracy in the United States.

Interviewee: Daniel Karpowitz has worked on public and private sector systems change for over twenty-five years. He is the former director of policy and academics for the Bard Prison Initiative and the cofounder of the Consortium for the Liberal Arts in Prison, an organization that launches and cultivates college-in-prison programs across the country.

Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 01 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Over the years, American colleges and universities have made various efforts to provide prisoners with access to education. However, few of these outreach programs presume that incarcerated men and women can rise to the challenge of a truly rigorous college curriculum. The Bard Prison Initiative is different.In his book, College in Prison: Reading in an Age of Mass Incarceration (Rutgers University Press, 2017), Daniel Karpowitz chronicles how, since 2001, Bard College has provided hundreds of incarcerated men and women across the country access to a high-quality liberal arts education. Earning degrees in subjects ranging from Mandarin to advanced mathematics, graduates have, upon release, gone on to rewarding careers and elite graduate and professional programs. Yet this is more than just a story of exceptional individuals triumphing against the odds. It is a study in how the liberal arts can alter the landscape of some of our most important public institutions giving people from all walks of life a chance to enrich their minds and expand their opportunities.Drawing on fifteen years of experience as a director of and teacher within the Bard Prison Initiative, Daniel Karpowitz tells the story of BPI’s development from a small pilot project to a nationwide network. At the same time, he recounts dramatic scenes from in and around college-in-prison classrooms pinpointing the contested meanings that emerge in moments of highly-charged reading, writing, and public speaking. Through examining the transformative encounter between two characteristically American institutions—the undergraduate college and the modern penitentiary—College in Prison makes a powerful case for why liberal arts education is still vital to the future of democracy in the United States.

Interviewee: Daniel Karpowitz has worked on public and private sector systems change for over twenty-five years. He is the former director of policy and academics for the Bard Prison Initiative and the cofounder of the Consortium for the Liberal Arts in Prison, an organization that launches and cultivates college-in-prison programs across the country.

Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Over the years, American colleges and universities have made various efforts to provide prisoners with access to education. However, few of these outreach programs presume that incarcerated men and women can rise to the challenge of a truly rigorous college curriculum. The Bard Prison Initiative is different.<br>In his book, <a href="https://bookshop.org/a/12343/9780813584126"><em>College in Prison: Reading in an Age of Mass Incarceration</em> </a>(Rutgers University Press, 2017), Daniel Karpowitz chronicles how, since 2001, Bard College has provided hundreds of incarcerated men and women across the country access to a high-quality liberal arts education. Earning degrees in subjects ranging from Mandarin to advanced mathematics, graduates have, upon release, gone on to rewarding careers and elite graduate and professional programs. Yet this is more than just a story of exceptional individuals triumphing against the odds. It is a study in how the liberal arts can alter the landscape of some of our most important public institutions giving people from all walks of life a chance to enrich their minds and expand their opportunities.<br>Drawing on fifteen years of experience as a director of and teacher within the Bard Prison Initiative, Daniel Karpowitz tells the story of BPI’s development from a small pilot project to a nationwide network. At the same time, he recounts dramatic scenes from in and around college-in-prison classrooms pinpointing the contested meanings that emerge in moments of highly-charged reading, writing, and public speaking. Through examining the transformative encounter between two characteristically American institutions—the undergraduate college and the modern penitentiary—College in Prison makes a powerful case for why liberal arts education is still vital to the future of democracy in the United States.</p>
<p>Interviewee: Daniel Karpowitz has worked on public and private sector systems change for over twenty-five years. He is the former director of policy and academics for the Bard Prison Initiative and the cofounder of the Consortium for the Liberal Arts in Prison, an organization that launches and cultivates college-in-prison programs across the country.</p>
<p>Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4390</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c83bf0d0-3d06-11f0-9d58-c3d275cd8dbe]]></guid>
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    <item>
      <title>Nao Tomabechi, "Supervillains: The Significance of Evil in Superhero Comics" (Rutgers UP, 2025)</title>
      <description>Alongside superheroes, supervillains, too, have become one of today’s most popular and globally recognizable figures. However, it is not merely their popularity that marks their significance. Supervillains are also central to superhero storytelling to the extent that the superhero genre cannot survive without supervillains.

Bringing together different approaches and critical perspectives across disciplines, in Supervillains: The Significance of Evil in Superhero Comics (Rutgers University Press, 2025) Dr. Nao Tomabechi troubles overly hero-centered works in comics studies to reconsider the modern American myths of the superheroes. Considering the likes of Lex Luthor, the Joker, Catwoman, Harley Quinn, Loki, Venom, and more, Supervillians explores themes such as gender and sexuality, disability, and many forms of Otherness in relation to the notion of evil as it appears in the superhero genre. The book investigates how supervillains uphold and, at times, trouble dominant ideals expressed by the heroism of our superheroes.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 29 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Alongside superheroes, supervillains, too, have become one of today’s most popular and globally recognizable figures. However, it is not merely their popularity that marks their significance. Supervillains are also central to superhero storytelling to the extent that the superhero genre cannot survive without supervillains.

Bringing together different approaches and critical perspectives across disciplines, in Supervillains: The Significance of Evil in Superhero Comics (Rutgers University Press, 2025) Dr. Nao Tomabechi troubles overly hero-centered works in comics studies to reconsider the modern American myths of the superheroes. Considering the likes of Lex Luthor, the Joker, Catwoman, Harley Quinn, Loki, Venom, and more, Supervillians explores themes such as gender and sexuality, disability, and many forms of Otherness in relation to the notion of evil as it appears in the superhero genre. The book investigates how supervillains uphold and, at times, trouble dominant ideals expressed by the heroism of our superheroes.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Alongside superheroes, supervillains, too, have become one of today’s most popular and globally recognizable figures. However, it is not merely their popularity that marks their significance. Supervillains are also central to superhero storytelling to the extent that the superhero genre cannot survive without supervillains.</p>
<p>Bringing together different approaches and critical perspectives across disciplines, in <a href="https://bookshop.org/a/12343/9781978839373">Supervillains: The Significance of Evil in Superhero Comics</a> (Rutgers University Press, 2025) Dr. Nao Tomabechi troubles overly hero-centered works in comics studies to reconsider the modern American myths of the superheroes. Considering the likes of Lex Luthor, the Joker, Catwoman, Harley Quinn, Loki, Venom, and more, <em>Supervillians</em> explores themes such as gender and sexuality, disability, and many forms of Otherness in relation to the notion of evil as it appears in the superhero genre. The book investigates how supervillains uphold and, at times, trouble dominant ideals expressed by the heroism of our superheroes.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2500</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[90b27560-3be6-11f0-b6fc-0b94e2b891c1]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7900702542.mp3?updated=1748452263" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Hye Seung Chung, "Cinema Under National Reconstruction: State Censorship and South Korea's Cold War Film Culture" (Rutgers UP, 2024)</title>
      <description>Cinema under National Reconstruction (Rutgers UP, 2024) calls for a revisionist understanding of state film censorship during successive Cold War military regimes in South Korea (1961-1988). Drawing upon primary documents from the Korean Film Archive's digitized database and framing South Korean film censorship from a transnational perspective, Hye Seung Chung makes the case that, while political oppression/repression existed inside and outside the film industry during this period, film censorship was not simply a tool for authoritarian dictatorship. Through such case studies as Yu Hyun-mok's The Stray Bullet (1961), Ha Kil-jong's The March of the Fools (1975), and Yi Chang-ho's Declaration of Fools (1983), the author defines censorship as a dialogical process of cultural negotiations wherein the state, the film industry, and the public fight out a battle over the definitions and functions of national cinema. In the context of Cold War Korea, one cannot fully understand or construct film history without reassessing censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 12 Mar 2025 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>14</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Hye Seung Chung</itunes:subtitle>
      <itunes:summary>Cinema under National Reconstruction (Rutgers UP, 2024) calls for a revisionist understanding of state film censorship during successive Cold War military regimes in South Korea (1961-1988). Drawing upon primary documents from the Korean Film Archive's digitized database and framing South Korean film censorship from a transnational perspective, Hye Seung Chung makes the case that, while political oppression/repression existed inside and outside the film industry during this period, film censorship was not simply a tool for authoritarian dictatorship. Through such case studies as Yu Hyun-mok's The Stray Bullet (1961), Ha Kil-jong's The March of the Fools (1975), and Yi Chang-ho's Declaration of Fools (1983), the author defines censorship as a dialogical process of cultural negotiations wherein the state, the film industry, and the public fight out a battle over the definitions and functions of national cinema. In the context of Cold War Korea, one cannot fully understand or construct film history without reassessing censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781978838710"><em>Cinema under National Reconstruction</em></a> (Rutgers UP, 2024) calls for a revisionist understanding of state film censorship during successive Cold War military regimes in South Korea (1961-1988). Drawing upon primary documents from the Korean Film Archive's digitized database and framing South Korean film censorship from a transnational perspective, Hye Seung Chung makes the case that, while political oppression/repression existed inside and outside the film industry during this period, film censorship was not simply a tool for authoritarian dictatorship. Through such case studies as Yu Hyun-mok's <em>The Stray Bullet</em> (1961), Ha Kil-jong's <em>The March of the Fools</em> (1975), and Yi Chang-ho's <em>Declaration of Fools</em> (1983), the author defines censorship as a dialogical process of cultural negotiations wherein the state, the film industry, and the public fight out a battle over the definitions and functions of national cinema. In the context of Cold War Korea, one cannot fully understand or construct film history without reassessing censorship as a productive feedback system where both state regulators and filmmakers played active roles in shaping the new narrative or sentiment of the nation on the big screen.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2847</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[006187be-fea4-11ef-bd6b-7f791b48c277]]></guid>
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    <item>
      <title>Patricia A. Roos, "Surviving Alex: A Mother's Story of Love, Loss, and Addiction" (Rutgers UP, 2024)</title>
      <description>In 2015, Patricia Roos’s twenty-five-year-old son Alex died of a heroin overdose. Turning her grief into action, Roos, a professor of sociology at Rutgers University, began to research the social factors and institutional failures that contributed to his death. Surviving Alex: A Mother's Story of Love, Loss, and Addiction (Rutgers UP, 2024) tells her moving story—and argues for a more compassionate and effective approach to addiction treatment.
Weaving together a personal narrative and a sociological perspective, Surviving Alex describes how people become addicted. She highlights the toll that addiction took on Alex and all members of a family. Drawing from interviews with Alex’s friends, family members, therapists, teachers, and police officers—as well as files from his stays in hospitals, rehab facilities, and jails—Roos paints a compelling portrait of a young man whose life veered between happiness, anxiety, success, and despair. The book is part memoir, part sociological case study, and part policy proposal because it provides a strong challenge to extant treatment and policy options. As she explores how a punitive system failed her son, Dr. Roos calls for a community of action that would improve care for substance users and reduce addiction, realigning public health policy to address the overdose crisis.
Dr. PATRICIA ROOS is a Professor emerita of sociology at Rutgers University. Among her many publications are the books Job Queues, Gender Queues: Explaining Women's Inroads into Male Occupations (coauthored with Barbara Reskin) from Temple University Press and Gender and Work: A Comparative Analysis of Industrial Societies from University of Albany Press. After her son's death, Dr. Roos realigned her research and advocacy interests to explore mental health and substance use disorders, turning her grief into activism.
Mentioned:

David Herzberg’s White Market Drugs: Big Pharma and the Hidden History of Addiction in America from University of Chicago Press.

Pat Roos on Hunter Biden, Hunter Biden addiction: Joe, Jill continue to show compassion



Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 03 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>755</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Patricia A. Roos</itunes:subtitle>
      <itunes:summary>In 2015, Patricia Roos’s twenty-five-year-old son Alex died of a heroin overdose. Turning her grief into action, Roos, a professor of sociology at Rutgers University, began to research the social factors and institutional failures that contributed to his death. Surviving Alex: A Mother's Story of Love, Loss, and Addiction (Rutgers UP, 2024) tells her moving story—and argues for a more compassionate and effective approach to addiction treatment.
Weaving together a personal narrative and a sociological perspective, Surviving Alex describes how people become addicted. She highlights the toll that addiction took on Alex and all members of a family. Drawing from interviews with Alex’s friends, family members, therapists, teachers, and police officers—as well as files from his stays in hospitals, rehab facilities, and jails—Roos paints a compelling portrait of a young man whose life veered between happiness, anxiety, success, and despair. The book is part memoir, part sociological case study, and part policy proposal because it provides a strong challenge to extant treatment and policy options. As she explores how a punitive system failed her son, Dr. Roos calls for a community of action that would improve care for substance users and reduce addiction, realigning public health policy to address the overdose crisis.
Dr. PATRICIA ROOS is a Professor emerita of sociology at Rutgers University. Among her many publications are the books Job Queues, Gender Queues: Explaining Women's Inroads into Male Occupations (coauthored with Barbara Reskin) from Temple University Press and Gender and Work: A Comparative Analysis of Industrial Societies from University of Albany Press. After her son's death, Dr. Roos realigned her research and advocacy interests to explore mental health and substance use disorders, turning her grief into activism.
Mentioned:

David Herzberg’s White Market Drugs: Big Pharma and the Hidden History of Addiction in America from University of Chicago Press.

Pat Roos on Hunter Biden, Hunter Biden addiction: Joe, Jill continue to show compassion



Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 2015, Patricia Roos’s twenty-five-year-old son Alex died of a heroin overdose. Turning her grief into action, Roos, a professor of sociology at Rutgers University, began to research the social factors and institutional failures that contributed to his death. <a href="https://bookshop.org/a/12343/9781978837027"><em>Surviving Alex: A Mother's Story of Love, Loss, and Addiction</em></a><em> </em>(Rutgers UP, 2024) tells her moving story—and argues for a more compassionate and effective approach to addiction treatment.</p><p>Weaving together a personal narrative and a sociological perspective, S<em>urviving Alex</em> describes how people become addicted. She highlights the toll that addiction took on Alex and all members of a family. Drawing from interviews with Alex’s friends, family members, therapists, teachers, and police officers—as well as files from his stays in hospitals, rehab facilities, and jails—Roos paints a compelling portrait of a young man whose life veered between happiness, anxiety, success, and despair. The book is part memoir, part sociological case study, and part policy proposal because it provides a strong challenge to extant treatment and policy options. As she explores how a punitive system failed her son, Dr. Roos calls for a <em>community of action</em> that would improve care for substance users and reduce addiction, realigning public health policy to address the overdose crisis.</p><p>Dr. PATRICIA ROOS is a Professor emerita of sociology at Rutgers University. Among her many publications are the books <a href="https://bookshop.org/p/books/job-queues-gender-queues-explaining-women-s-inroads-into-male-occupations-barbara-reskin/7336145?ean=9780877227441&amp;next=t&amp;next=t"><em>Job Queues, Gender Queues: Explaining Women's Inroads into Male Occupations</em></a> (coauthored with Barbara Reskin) from Temple University Press and <a href="https://sociology.rutgers.edu/research/faculty-bookshelf/faculty-bookshelf-list/849-gender-work-a-comparative-analysis-of-industrial-societies">Gender and Work: A Comparative Analysis of Industrial Societies</a> from University of Albany Press. After her son's death, Dr. Roos realigned her research and advocacy interests to explore mental health and substance use disorders, turning her grief into activism.</p><p>Mentioned:</p><ul>
<li>David Herzberg’s <a href="https://bookshop.org/p/books/white-market-drugs-big-pharma-and-the-hidden-history-of-addiction-in-america-david-herzberg/14487101?ean=9780226731889&amp;next=t&amp;next=t"><em>White Market Drugs: Big Pharma and the Hidden History of Addiction in America</em></a> from University of Chicago Press.</li>
<li>Pat Roos on Hunter Biden, <a href="https://www.northjersey.com/story/opinion/2024/07/02/hunter-biden-addiction-joe-jill-continue-to-show-compassion/74233475007/">Hunter Biden addiction: Joe, Jill continue to show compassion</a>
</li>
</ul><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4392</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Ellen T. Meiser, "Making It: Success in the Commercial Kitchen" (Rutgers UP, 2024)</title>
      <description>The restaurant industry is one of the few places in America where workers from lower-class backgrounds can rise to positions of power and prestige. Yet with over four million cooks and food-preparation workers employed in America’s restaurants, not everyone makes it to the high-status position of chef. What factors determine who rises the ranks in this fiercely competitive pressure-cooker environment?
In Making It: Success in the Commercial Kitchen (Rutgers University Press, 2024), Ellen T. Meiser explores how the career path of restaurant workers depends on their accumulation of kitchen capital, a cultural asset based not only on their ability to cook but also on how well they can fit into the workplace culture and negotiate its hierarchical structures. After spending 120 hours working in a restaurant kitchen and interviewing fifty chefs and cooks from fine-dining establishments and greasy-spoon diners across the country, sociologist Ellen Meiser discovers many strategies for accumulating kitchen capital. For some, it involves education and the performance of expertise; others climb the ranks by controlling their own emotions or exerting control over coworkers. Making It offers a close and personal look at how knowledge, power, and interpersonal skills come together to determine who succeeds and who fails in the high-pressure world of the restaurant kitchen.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of built-environment, experience, identity, and place. He is currently conducting research on how architectural designers, builders, and community planners negotiate a sense of identity and place for residents of newly constructed neighborhoods. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 29 Jan 2025 21:47:32 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>384</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Ellen T. Meiser</itunes:subtitle>
      <itunes:summary>The restaurant industry is one of the few places in America where workers from lower-class backgrounds can rise to positions of power and prestige. Yet with over four million cooks and food-preparation workers employed in America’s restaurants, not everyone makes it to the high-status position of chef. What factors determine who rises the ranks in this fiercely competitive pressure-cooker environment?
In Making It: Success in the Commercial Kitchen (Rutgers University Press, 2024), Ellen T. Meiser explores how the career path of restaurant workers depends on their accumulation of kitchen capital, a cultural asset based not only on their ability to cook but also on how well they can fit into the workplace culture and negotiate its hierarchical structures. After spending 120 hours working in a restaurant kitchen and interviewing fifty chefs and cooks from fine-dining establishments and greasy-spoon diners across the country, sociologist Ellen Meiser discovers many strategies for accumulating kitchen capital. For some, it involves education and the performance of expertise; others climb the ranks by controlling their own emotions or exerting control over coworkers. Making It offers a close and personal look at how knowledge, power, and interpersonal skills come together to determine who succeeds and who fails in the high-pressure world of the restaurant kitchen.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of built-environment, experience, identity, and place. He is currently conducting research on how architectural designers, builders, and community planners negotiate a sense of identity and place for residents of newly constructed neighborhoods. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The restaurant industry is one of the few places in America where workers from lower-class backgrounds can rise to positions of power and prestige. Yet with over four million cooks and food-preparation workers employed in America’s restaurants, not everyone makes it to the high-status position of chef. What factors determine who rises the ranks in this fiercely competitive pressure-cooker environment?</p><p>In <a href="https://bookshop.org/a/12343/9781978840126"><em>Making It: Success in the Commercial Kitchen</em></a> (Rutgers University Press, 2024), <a href="https://www.ellenmeiserlau.com/">Ellen T. Meiser</a> explores how the career path of restaurant workers depends on their accumulation of kitchen capital, a cultural asset based not only on their ability to cook but also on how well they can fit into the workplace culture and negotiate its hierarchical structures. After spending 120 hours working in a restaurant kitchen and interviewing fifty chefs and cooks from fine-dining establishments and greasy-spoon diners across the country, sociologist Ellen Meiser discovers many strategies for accumulating kitchen capital. For some, it involves education and the performance of expertise; others climb the ranks by controlling their own emotions or exerting control over coworkers. Making It offers a close and personal look at how knowledge, power, and interpersonal skills come together to determine who succeeds and who fails in the high-pressure world of the restaurant kitchen.</p><p><strong>Michael O. Johnston, Ph.D.</strong> is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of built-environment, experience, identity, and place. He is currently conducting research on how architectural designers, builders, and community planners negotiate a sense of identity and place for residents of newly constructed neighborhoods. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2694</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Casey Golomski, "God's Waiting Room: Racial Reckoning at Life's End" (Rutgers UP, 2024)</title>
      <description>Can older racists change their tune, or will they haunt us further once they're gone? Rich in mystery and life's lessons, God's Waiting Room: Racial Reckoning at Life's End (Rutgers University Press, 2024) considers what matters in the end for older white adults and the younger Black nurses who care for them. An innovation in creative nonfiction, Casey Golomski's story of his years of immersive research at a nursing home in South Africa, thirty years after the end of apartheid, is narrated as a one-day, room-by-room tour. The story is told in breathtakingly intimate and witty conversations with the home's residents and nurses, including the untold story of Nelson Mandela's Robben Island prison nurse, and readers learn how ageism, sexism, and racism intersect and impact health care both in South Africa and in the United States, as well as create conditions in which people primed to be enemies find grace despite the odds.
Casey Golomski is an associate professor of anthropology and women's and gender studies at the University of New Hampshire in Durham and lives in Medford, Massachusetts. He is the author of Funeral Culture: AIDS, Work, and Cultural Change in an African Kingdom.
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 22 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>342</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Casey Golomski</itunes:subtitle>
      <itunes:summary>Can older racists change their tune, or will they haunt us further once they're gone? Rich in mystery and life's lessons, God's Waiting Room: Racial Reckoning at Life's End (Rutgers University Press, 2024) considers what matters in the end for older white adults and the younger Black nurses who care for them. An innovation in creative nonfiction, Casey Golomski's story of his years of immersive research at a nursing home in South Africa, thirty years after the end of apartheid, is narrated as a one-day, room-by-room tour. The story is told in breathtakingly intimate and witty conversations with the home's residents and nurses, including the untold story of Nelson Mandela's Robben Island prison nurse, and readers learn how ageism, sexism, and racism intersect and impact health care both in South Africa and in the United States, as well as create conditions in which people primed to be enemies find grace despite the odds.
Casey Golomski is an associate professor of anthropology and women's and gender studies at the University of New Hampshire in Durham and lives in Medford, Massachusetts. He is the author of Funeral Culture: AIDS, Work, and Cultural Change in an African Kingdom.
Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Can older racists change their tune, or will they haunt us further once they're gone? Rich in mystery and life's lessons, <a href="https://bookshop.org/a/12343/9781978840607"><em>God's Waiting Room: Racial Reckoning at Life's End</em></a><em> </em>(Rutgers University Press, 2024)<em> </em>considers what matters in the end for older white adults and the younger Black nurses who care for them. An innovation in creative nonfiction, Casey Golomski's story of his years of immersive research at a nursing home in South Africa, thirty years after the end of apartheid, is narrated as a one-day, room-by-room tour. The story is told in breathtakingly intimate and witty conversations with the home's residents and nurses, including the untold story of Nelson Mandela's Robben Island prison nurse, and readers learn how ageism, sexism, and racism intersect and impact health care both in South Africa and in the United States, as well as create conditions in which people primed to be enemies find grace despite the odds.</p><p>Casey Golomski is an associate professor of anthropology and women's and gender studies at the University of New Hampshire in Durham and lives in Medford, Massachusetts. He is the author of <em>Funeral Culture: AIDS, Work, and Cultural Change in an African Kingdom</em>.</p><p><em>Reighan Gillam</em> <em>is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4172</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Christopher Bell, "Walking East Harlem: A Neighborhood Experience" (Rutgers UP, 2024)</title>
      <description>They call it Spanish Harlem or sometimes just El Barrio. But for over a century, East Harlem has been a melting pot of many ethnic groups, including Puerto Rican, Dominican, Cuban, and Mexican immigrants, as well as Italian, Jewish, and African American communities. Though gentrification is rapidly changing the face of this section of upper Manhattan, it is still full of sites that attest to its rich cultural heritage.
Now East Harlem native Christopher Bell takes you on a tour of his beloved neighborhood. He takes you on three separate walking tours, each visiting a different part of East Harlem and each full of stories about its theaters, museums, art spaces, schools, community centers, churches, mosques, and synagogues. You'll also learn about the famous people who lived in El Barrio, such as actress Cecily Tyson, opera singer Marian Anderson, portrait artist Alice Neel, incomparable poet Julia De Burgos, and King of Latin Music Tito Puente.
Lavishly illustrated with over fifty photos, Walking East Harlem: A Neighborhood Experience ﻿(Rutgers University Press, 2024) points out not only the many architectural and cultural landmarks in the neighborhood but also the historical buildings that have since been demolished. Whether you are a tourist or a resident, this guide will give you a new appreciation for El Barrio's exciting history, cultural diversity, and continued artistic vibrancy.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 20 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>37</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Christopher Bell</itunes:subtitle>
      <itunes:summary>They call it Spanish Harlem or sometimes just El Barrio. But for over a century, East Harlem has been a melting pot of many ethnic groups, including Puerto Rican, Dominican, Cuban, and Mexican immigrants, as well as Italian, Jewish, and African American communities. Though gentrification is rapidly changing the face of this section of upper Manhattan, it is still full of sites that attest to its rich cultural heritage.
Now East Harlem native Christopher Bell takes you on a tour of his beloved neighborhood. He takes you on three separate walking tours, each visiting a different part of East Harlem and each full of stories about its theaters, museums, art spaces, schools, community centers, churches, mosques, and synagogues. You'll also learn about the famous people who lived in El Barrio, such as actress Cecily Tyson, opera singer Marian Anderson, portrait artist Alice Neel, incomparable poet Julia De Burgos, and King of Latin Music Tito Puente.
Lavishly illustrated with over fifty photos, Walking East Harlem: A Neighborhood Experience ﻿(Rutgers University Press, 2024) points out not only the many architectural and cultural landmarks in the neighborhood but also the historical buildings that have since been demolished. Whether you are a tourist or a resident, this guide will give you a new appreciation for El Barrio's exciting history, cultural diversity, and continued artistic vibrancy.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>They call it Spanish Harlem or sometimes just El Barrio. But for over a century, East Harlem has been a melting pot of many ethnic groups, including Puerto Rican, Dominican, Cuban, and Mexican immigrants, as well as Italian, Jewish, and African American communities. Though gentrification is rapidly changing the face of this section of upper Manhattan, it is still full of sites that attest to its rich cultural heritage.</p><p>Now East Harlem native Christopher Bell takes you on a tour of his beloved neighborhood. He takes you on three separate walking tours, each visiting a different part of East Harlem and each full of stories about its theaters, museums, art spaces, schools, community centers, churches, mosques, and synagogues. You'll also learn about the famous people who lived in El Barrio, such as actress Cecily Tyson, opera singer Marian Anderson, portrait artist Alice Neel, incomparable poet Julia De Burgos, and King of Latin Music Tito Puente.</p><p>Lavishly illustrated with over fifty photos, <a href="https://bookshop.org/a/12343/9781978836532"><em>Walking East Harlem: A Neighborhood Experience</em></a><em> </em>﻿(Rutgers University Press, 2024) points out not only the many architectural and cultural landmarks in the neighborhood but also the historical buildings that have since been demolished. Whether you are a tourist or a resident, this guide will give you a new appreciation for El Barrio's exciting history, cultural diversity, and continued artistic vibrancy.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2148</itunes:duration>
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      <title>Elia Powers, "Performing the News: Identity, Authority, and the Myth of Neutrality" (Rutgers UP, 2024)</title>
      <description>Elia Powers' book Performing the News: Identity, Authority, and the Myth of Neutrality (Rutgers UP, 2024) explores how journalists from historically marginalized groups have long felt pressure to conform when performing for audiences. Many speak with a flat, “neutral” accent, modify their delivery to hide distinctive vocal attributes, dress conventionally to appeal to the “average” viewer, and maintain a consistent appearance to avoid unwanted attention. Their aim is what author Elia Powers refers to as performance neutrality—presentation that is deemed unobjectionable, reveals little about journalists’ social identity, and supposedly does not detract from their message. Increasingly, journalists are challenging restrictive, purportedly neutral forms of self-presentation. This book argues that performance neutrality is a myth that reinforces the status quo, limits on-air diversity, and hinders efforts to make newsrooms more inclusive. Through in-depth interviews with journalists in broadcasting and podcasting, and those who shape their performance, the author suggests ways to make journalism more inclusive and representative of diverse audiences.
Cory Barker is a faculty member in the Donald P. Bellisario College of Communications at Penn State University, where he teaches courses on film, television, and digital culture. Twitter. Newsletter. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 06 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>140</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Elia Powers</itunes:subtitle>
      <itunes:summary>Elia Powers' book Performing the News: Identity, Authority, and the Myth of Neutrality (Rutgers UP, 2024) explores how journalists from historically marginalized groups have long felt pressure to conform when performing for audiences. Many speak with a flat, “neutral” accent, modify their delivery to hide distinctive vocal attributes, dress conventionally to appeal to the “average” viewer, and maintain a consistent appearance to avoid unwanted attention. Their aim is what author Elia Powers refers to as performance neutrality—presentation that is deemed unobjectionable, reveals little about journalists’ social identity, and supposedly does not detract from their message. Increasingly, journalists are challenging restrictive, purportedly neutral forms of self-presentation. This book argues that performance neutrality is a myth that reinforces the status quo, limits on-air diversity, and hinders efforts to make newsrooms more inclusive. Through in-depth interviews with journalists in broadcasting and podcasting, and those who shape their performance, the author suggests ways to make journalism more inclusive and representative of diverse audiences.
Cory Barker is a faculty member in the Donald P. Bellisario College of Communications at Penn State University, where he teaches courses on film, television, and digital culture. Twitter. Newsletter. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Elia Powers' book <a href="https://bookshop.org/a/12343/9781978836679"><em>Performing the News: Identity, Authority, and the Myth of Neutrality</em></a> (Rutgers UP, 2024) explores how journalists from historically marginalized groups have long felt pressure to conform when performing for audiences. Many speak with a flat, “neutral” accent, modify their delivery to hide distinctive vocal attributes, dress conventionally to appeal to the “average” viewer, and maintain a consistent appearance to avoid unwanted attention. Their aim is what author Elia Powers refers to as performance neutrality—presentation that is deemed unobjectionable, reveals little about journalists’ social identity, and supposedly does not detract from their message. Increasingly, journalists are challenging restrictive, purportedly neutral forms of self-presentation. This book argues that performance neutrality is a myth that reinforces the status quo, limits on-air diversity, and hinders efforts to make newsrooms more inclusive. Through in-depth interviews with journalists in broadcasting and podcasting, and those who shape their performance, the author suggests ways to make journalism more inclusive and representative of diverse audiences.</p><p><a href="https://www.bellisario.psu.edu/people/individual/cory-barker">Cory Barker</a> is a faculty member in the Donald P. Bellisario College of Communications at Penn State University, where he teaches courses on film, television, and digital culture. <a href="https://x.com/corybarker">Twitter</a>. <a href="https://tvplus.substack.com/">Newsletter</a>. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3443</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Andrew R. Basso, "Destroy Them Gradually: Displacement as Atrocity" (Rutgers UP, 2024)</title>
      <description>Perpetrators of mass atrocities have used displacement to transport victims to killing sites or extermination camps to transfer victims to sites of forced labor and attrition, to ethnically homogenize regions by moving victims out of their homes and lands, and to destroy populations by depriving them of vital daily needs. 
Displacement has been treated as a corollary practice to crimes committed, not a central aspect of their perpetration. Destroy Them Gradually: Displacement as Atrocity (Rutgers UP, 2024) examines four cases that illuminate why perpetrators have destroyed populations using displacement policies: Germany’s genocide of the Herero (1904–1908); Ottoman genocides of Christian minorities (1914–1925); expulsions of Germans from East/Central Europe (1943–1952); and climate violence (twenty-first century). Because displacement has been typically framed as a secondary aspect of mass atrocities, existing scholarship overlooks how perpetrators use it as a means of executing destruction rather than a vehicle for moving people to a specific location to commit atrocities.
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      <pubDate>Tue, 13 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>211</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Andrew R. Basso</itunes:subtitle>
      <itunes:summary>Perpetrators of mass atrocities have used displacement to transport victims to killing sites or extermination camps to transfer victims to sites of forced labor and attrition, to ethnically homogenize regions by moving victims out of their homes and lands, and to destroy populations by depriving them of vital daily needs. 
Displacement has been treated as a corollary practice to crimes committed, not a central aspect of their perpetration. Destroy Them Gradually: Displacement as Atrocity (Rutgers UP, 2024) examines four cases that illuminate why perpetrators have destroyed populations using displacement policies: Germany’s genocide of the Herero (1904–1908); Ottoman genocides of Christian minorities (1914–1925); expulsions of Germans from East/Central Europe (1943–1952); and climate violence (twenty-first century). Because displacement has been typically framed as a secondary aspect of mass atrocities, existing scholarship overlooks how perpetrators use it as a means of executing destruction rather than a vehicle for moving people to a specific location to commit atrocities.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Perpetrators of mass atrocities have used displacement to transport victims to killing sites or extermination camps to transfer victims to sites of forced labor and attrition, to ethnically homogenize regions by moving victims out of their homes and lands, and to destroy populations by depriving them of vital daily needs. </p><p>Displacement has been treated as a corollary practice to crimes committed, not a central aspect of their perpetration. <a href="https://bookshop.org/a/12343/9781978831285"><em>Destroy Them Gradually: Displacement as Atrocity</em></a><em> </em>(Rutgers UP, 2024) examines four cases that illuminate why perpetrators have destroyed populations using displacement policies: Germany’s genocide of the Herero (1904–1908); Ottoman genocides of Christian minorities (1914–1925); expulsions of Germans from East/Central Europe (1943–1952); and climate violence (twenty-first century). Because displacement has been typically framed as a secondary aspect of mass atrocities, existing scholarship overlooks how perpetrators use it as a means of executing destruction rather than a vehicle for moving people to a specific location to commit atrocities.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4267</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Rachel Z. Feldman, "Messianic Zionism in the Digital Age: Jews, Noahides, and the Third Temple Imaginary" (Rutgers UP, 2024)</title>
      <description>Judaism in the twenty-first century has seen the rise of the messianic Third Temple movement, as religious activists based in Israel have worked to realize biblical prophecies, including the restoration of a Jewish theocracy and the construction of the third and final Temple on Jerusalem’s Temple Mount. Through groundbreaking ethnographic research, Messianic Zionism in the Digital Age: Jews, Noahides, and the Third Temple Imaginary (Rutgers University Press, 2024), Rachel Z. Feldman details how Third Temple visions have gained considerable momentum and political support in Israel and abroad.
The role of technology in this movement’s globalization has been critical. Feldman highlights the ways in which the internet and social media have contributed to the movement's growth beyond the streets of Jerusalem into communities of former Christians around the world who now identify as the Children of Noah (Bnei Noah). She documents the intimate effects of political theologies in motion and the birth of a new transnational Judaic faith.
Interviewee: Rachel Feldman is an assistant professor of religious studies at Dartmouth College.
Host: Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 09 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>527</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Rachel Z. Feldman</itunes:subtitle>
      <itunes:summary>Judaism in the twenty-first century has seen the rise of the messianic Third Temple movement, as religious activists based in Israel have worked to realize biblical prophecies, including the restoration of a Jewish theocracy and the construction of the third and final Temple on Jerusalem’s Temple Mount. Through groundbreaking ethnographic research, Messianic Zionism in the Digital Age: Jews, Noahides, and the Third Temple Imaginary (Rutgers University Press, 2024), Rachel Z. Feldman details how Third Temple visions have gained considerable momentum and political support in Israel and abroad.
The role of technology in this movement’s globalization has been critical. Feldman highlights the ways in which the internet and social media have contributed to the movement's growth beyond the streets of Jerusalem into communities of former Christians around the world who now identify as the Children of Noah (Bnei Noah). She documents the intimate effects of political theologies in motion and the birth of a new transnational Judaic faith.
Interviewee: Rachel Feldman is an assistant professor of religious studies at Dartmouth College.
Host: Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Judaism in the twenty-first century has seen the rise of the messianic Third Temple movement, as religious activists based in Israel have worked to realize biblical prophecies, including the restoration of a Jewish theocracy and the construction of the third and final Temple on Jerusalem’s Temple Mount. Through groundbreaking ethnographic research, <a href="https://bookshop.org/a/12343/9781978828179"><em>Messianic Zionism in the Digital Age: Jews, Noahides, and the Third Temple Imaginary</em></a> (Rutgers University Press, 2024), Rachel Z. Feldman details how Third Temple visions have gained considerable momentum and political support in Israel and abroad.</p><p>The role of technology in this movement’s globalization has been critical. Feldman highlights the ways in which the internet and social media have contributed to the movement's growth beyond the streets of Jerusalem into communities of former Christians around the world who now identify as the Children of Noah (Bnei Noah). She documents the intimate effects of political theologies in motion and the birth of a new transnational Judaic faith.</p><p>Interviewee: Rachel Feldman is an assistant professor of religious studies at Dartmouth College.</p><p><em>Host: Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3928</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Kim Nelson, "Making History Move: Five Principles of the Historical Film" (Rutgers UP, 2024)</title>
      <description>Making History Move: Five Principles of the Historical Film (Rutgers UP, 2024) builds upon decades of scholarship investigating history in visual culture by proposing a methodology of five principles to analyze history in moving images in the digital age. It charts a path to understanding the form of history with the most significant impact on public perceptions of the past. The book develops insights across these fields, including philosophical considerations of film and history, to clarify the form and function of history in moving images. It addresses the implications of the historical film on public historical consciousness, presenting criteria to engage and assess the truth status of depictions of the past. Each chapter offers a detailed aspect of this methodology for analyzing history in moving images. Together, they propose five principles to organize past and future scholarship in this vital, interdisciplinary field of study.
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      <pubDate>Tue, 25 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>198</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Kim Nelson</itunes:subtitle>
      <itunes:summary>Making History Move: Five Principles of the Historical Film (Rutgers UP, 2024) builds upon decades of scholarship investigating history in visual culture by proposing a methodology of five principles to analyze history in moving images in the digital age. It charts a path to understanding the form of history with the most significant impact on public perceptions of the past. The book develops insights across these fields, including philosophical considerations of film and history, to clarify the form and function of history in moving images. It addresses the implications of the historical film on public historical consciousness, presenting criteria to engage and assess the truth status of depictions of the past. Each chapter offers a detailed aspect of this methodology for analyzing history in moving images. Together, they propose five principles to organize past and future scholarship in this vital, interdisciplinary field of study.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781978829787"><em>Making History Move: Five Principles of the Historical</em> <em>Film</em></a> (Rutgers UP, 2024) builds upon decades of scholarship investigating history in visual culture by proposing a methodology of five principles to analyze history in moving images in the digital age. It charts a path to understanding the form of history with the most significant impact on public perceptions of the past. The book develops insights across these fields, including philosophical considerations of film and history, to clarify the form and function of history in moving images. It addresses the implications of the historical film on public historical consciousness, presenting criteria to engage and assess the truth status of depictions of the past. Each chapter offers a detailed aspect of this methodology for analyzing history in moving images. Together, they propose five principles to organize past and future scholarship in this vital, interdisciplinary field of study.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1620</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Keja L. Valens, "Culinary Colonialism, Caribbean Cookbooks, and Recipes for National Independence" (Rutgers UP, 2024)</title>
      <description>Women across the Caribbean have been writing, reading, and exchanging cookbooks since at least the turn of the nineteenth century. These cookbooks are about much more than cooking. Through cookbooks, Caribbean women, and a few men, have shaped, embedded, and contested colonial and domestic orders, delineated the contours of independent national cultures, and transformed tastes for independence into flavours of domestic autonomy.
Culinary Colonialism, Caribbean Cookbooks, and Recipes for National Independence (Rutgers University Press, 2024) by Dr. Keja Valens integrates new documents into the Caribbean archive and presents them in a rare pan-Caribbean perspective. The first book-length consideration of Caribbean cookbooks, Culinary Colonialism joins a growing body of work in Caribbean studies and food studies that considers the intersections of food writing, race, class, gender, and nationality. A selection of recipes, culled from the archive that Culinary Colonialism assembles, allows readers to savour the confluence of culinary traditions and local specifications that connect and distinguish national cuisines in the Caribbean.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 22 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>112</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Keja L. Valens</itunes:subtitle>
      <itunes:summary>Women across the Caribbean have been writing, reading, and exchanging cookbooks since at least the turn of the nineteenth century. These cookbooks are about much more than cooking. Through cookbooks, Caribbean women, and a few men, have shaped, embedded, and contested colonial and domestic orders, delineated the contours of independent national cultures, and transformed tastes for independence into flavours of domestic autonomy.
Culinary Colonialism, Caribbean Cookbooks, and Recipes for National Independence (Rutgers University Press, 2024) by Dr. Keja Valens integrates new documents into the Caribbean archive and presents them in a rare pan-Caribbean perspective. The first book-length consideration of Caribbean cookbooks, Culinary Colonialism joins a growing body of work in Caribbean studies and food studies that considers the intersections of food writing, race, class, gender, and nationality. A selection of recipes, culled from the archive that Culinary Colonialism assembles, allows readers to savour the confluence of culinary traditions and local specifications that connect and distinguish national cuisines in the Caribbean.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Women across the Caribbean have been writing, reading, and exchanging cookbooks since at least the turn of the nineteenth century. These cookbooks are about much more than cooking. Through cookbooks, Caribbean women, and a few men, have shaped, embedded, and contested colonial and domestic orders, delineated the contours of independent national cultures, and transformed tastes for independence into flavours of domestic autonomy.</p><p><a href="https://bookshop.org/a/12343/9781978829541"><em>Culinary Colonialism, Caribbean Cookbooks, and Recipes for National Independence</em></a> (Rutgers University Press, 2024) by Dr. Keja Valens integrates new documents into the Caribbean archive and presents them in a rare pan-Caribbean perspective. The first book-length consideration of Caribbean cookbooks, <em>Culinary Colonialism</em> joins a growing body of work in Caribbean studies and food studies that considers the intersections of food writing, race, class, gender, and nationality. A selection of recipes, culled from the archive that Culinary Colonialism assembles, allows readers to savour the confluence of culinary traditions and local specifications that connect and distinguish national cuisines in the Caribbean.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3880</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Casey James Miller, "Inside the Circle: Queer Culture and Activism in Northwest China" (Rutgers UP, 2023)</title>
      <description>After the end of the Maoist era in the People's Republic of China, the rise of queer communities and non-governmental organizations (NGOs) has generated growing public and academic attention. Drawing on over a decade of ethnographic fieldwork in northwest China, Casey James Miller offers a novel, compelling, and intimately personal perspective on Chinese queer culture and activism. 
In Inside the Circle: Queer Culture and Activism in Northwest China (Rutgers UP, 2023), Miller tells the stories of two courageous and dedicated groups of queer activists in the city of Xi’an: a grassroots gay men’s HIV/AIDS organization called Tong’ai and a lesbian women’s group named UNITE. Taking inspiration from “the circle,” a term used to imagine local, national, and global queer communities, Miller shows how everyday people in northwest China are taking part in queer culture and activism while also striving to lead traditionally moral lives in a rapidly changing society. The queer stories in this book broaden our understandings of gender and sexuality in contemporary China and show how taking global queer diversity seriously requires us to de-center Western cultural values, historical experiences, and theoretical perspectives.
Casey James Miller is Assistant Professor of anthropology at Muhlenberg College in Allentown, Pennsylvania. He receives his PhD degree in anthropology from Brandeis University. His work focuses on the intersections between queer anthropology, medical anthropology, and the anthropology of Chinese culture and society.
Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 11 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>307</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Casey James Miller</itunes:subtitle>
      <itunes:summary>After the end of the Maoist era in the People's Republic of China, the rise of queer communities and non-governmental organizations (NGOs) has generated growing public and academic attention. Drawing on over a decade of ethnographic fieldwork in northwest China, Casey James Miller offers a novel, compelling, and intimately personal perspective on Chinese queer culture and activism. 
In Inside the Circle: Queer Culture and Activism in Northwest China (Rutgers UP, 2023), Miller tells the stories of two courageous and dedicated groups of queer activists in the city of Xi’an: a grassroots gay men’s HIV/AIDS organization called Tong’ai and a lesbian women’s group named UNITE. Taking inspiration from “the circle,” a term used to imagine local, national, and global queer communities, Miller shows how everyday people in northwest China are taking part in queer culture and activism while also striving to lead traditionally moral lives in a rapidly changing society. The queer stories in this book broaden our understandings of gender and sexuality in contemporary China and show how taking global queer diversity seriously requires us to de-center Western cultural values, historical experiences, and theoretical perspectives.
Casey James Miller is Assistant Professor of anthropology at Muhlenberg College in Allentown, Pennsylvania. He receives his PhD degree in anthropology from Brandeis University. His work focuses on the intersections between queer anthropology, medical anthropology, and the anthropology of Chinese culture and society.
Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>After the end of the Maoist era in the People's Republic of China, the rise of queer communities and non-governmental organizations (NGOs) has generated growing public and academic attention. Drawing on over a decade of ethnographic fieldwork in northwest China, Casey James Miller offers a novel, compelling, and intimately personal perspective on Chinese queer culture and activism. </p><p>In<a href="https://bookshop.org/a/12343/9781978835368"> <em>Inside the Circle: Queer Culture and Activism in Northwest China</em></a><em> </em>(Rutgers UP, 2023), Miller tells the stories of two courageous and dedicated groups of queer activists in the city of Xi’an: a grassroots gay men’s HIV/AIDS organization called Tong’ai and a lesbian women’s group named UNITE. Taking inspiration from “the circle,” a term used to imagine local, national, and global queer communities, Miller shows how everyday people in northwest China are taking part in queer culture and activism while also striving to lead traditionally moral lives in a rapidly changing society. The queer stories in this book broaden our understandings of gender and sexuality in contemporary China and show how taking global queer diversity seriously requires us to de-center Western cultural values, historical experiences, and theoretical perspectives.</p><p>Casey James Miller is Assistant Professor of anthropology at Muhlenberg College in Allentown, Pennsylvania. He receives his PhD degree in anthropology from Brandeis University. His work focuses on the intersections between queer anthropology, medical anthropology, and the anthropology of Chinese culture and society.</p><p><em>Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found </em><a href="https://liberalarts.tulane.edu/departments/anthropology/people/graduate-students/yadong-li"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4871</itunes:duration>
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      <title>Jan Baetens, "Rebuilding Story Worlds: The Obscure Cities by Schuiten and Peeters" (Rutgers UP, 2020)</title>
      <description>Rebuilding Story Worlds: The Obscure Cities by Schuiten and Peeters (Rutgers UP, 2020) examines The Obscure Cities, one of the few comics series to achieve massive popularity while remaining highly experimental in form and content. Set in a parallel world, full of architecturally distinctive city-states, The Obscure Cities also represents one of the most impressive pieces of world-building in any form of literature.
Rebuilding Story Worlds offers the first full-length study of this seminal series, exploring both the artistic traditions from which it emerges and the innovative ways it plays with genre, gender, and urban space. Comics scholar Jan Baetens examines how Schuiten’s work as an architectural designer informs the series’ concerns with the preservation of historic buildings. He also includes an original interview with Peeters, which reveals how poststructuralist critical theory influenced their construction of a rhizomatic fictional world, one which has made space for fan contributions through the Alta Plana website.
Synthesizing cutting-edge approaches from both literary and visual studies, Rebuilding Story Worlds will give readers a new appreciation for both the aesthetic ingenuity of The Obscure Cities and its nuanced conception of politics.
Jan Baetens is a Professor Emeritus at the Faculty of Arts of the KU Leuven. His main research interests and areas of expertise include: contemporary French poetry and popular culture (among many other topics).
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 26 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>15</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Jan Baetens</itunes:subtitle>
      <itunes:summary>Rebuilding Story Worlds: The Obscure Cities by Schuiten and Peeters (Rutgers UP, 2020) examines The Obscure Cities, one of the few comics series to achieve massive popularity while remaining highly experimental in form and content. Set in a parallel world, full of architecturally distinctive city-states, The Obscure Cities also represents one of the most impressive pieces of world-building in any form of literature.
Rebuilding Story Worlds offers the first full-length study of this seminal series, exploring both the artistic traditions from which it emerges and the innovative ways it plays with genre, gender, and urban space. Comics scholar Jan Baetens examines how Schuiten’s work as an architectural designer informs the series’ concerns with the preservation of historic buildings. He also includes an original interview with Peeters, which reveals how poststructuralist critical theory influenced their construction of a rhizomatic fictional world, one which has made space for fan contributions through the Alta Plana website.
Synthesizing cutting-edge approaches from both literary and visual studies, Rebuilding Story Worlds will give readers a new appreciation for both the aesthetic ingenuity of The Obscure Cities and its nuanced conception of politics.
Jan Baetens is a Professor Emeritus at the Faculty of Arts of the KU Leuven. His main research interests and areas of expertise include: contemporary French poetry and popular culture (among many other topics).
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781978808478"><em>Rebuilding Story Worlds: The Obscure Cities by Schuiten and Peeters</em></a><em> </em>(Rutgers UP, 2020) examines <em>The Obscure Cities</em>, one of the few comics series to achieve massive popularity while remaining highly experimental in form and content. Set in a parallel world, full of architecturally distinctive city-states, <em>The Obscure Cities</em> also represents one of the most impressive pieces of world-building in any form of literature.</p><p><em>Rebuilding Story Worlds</em> offers the first full-length study of this seminal series, exploring both the artistic traditions from which it emerges and the innovative ways it plays with genre, gender, and urban space. Comics scholar Jan Baetens examines how Schuiten’s work as an architectural designer informs the series’ concerns with the preservation of historic buildings. He also includes an original interview with Peeters, which reveals how poststructuralist critical theory influenced their construction of a rhizomatic fictional world, one which has made space for fan contributions through the Alta Plana website.</p><p>Synthesizing cutting-edge approaches from both literary and visual studies, <em>Rebuilding Story Worlds </em>will give readers a new appreciation for both the aesthetic ingenuity of <em>The Obscure Cities </em>and its nuanced conception of politics.</p><p><a href="https://www.arts.kuleuven.be/english/our-staff/emeritus-professors/janbaetens">Jan Baetens</a> is a Professor Emeritus at the Faculty of Arts of the KU Leuven. His main research interests and areas of expertise include: contemporary French poetry and popular culture (among many other topics).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <itunes:duration>3551</itunes:duration>
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      <title>Fumilayo Showers, "Migrants Who Care: West Africans Working and Building Lives in U.S. Health Care" (Rutgers UP, 2023)</title>
      <description>As the U.S. population ages and as health care needs become more complex, demand for paid care workers in home and institutional settings has increased. This book draws attention to the reserve of immigrant labour that is called on to meet this need. 
Migrants Who Care: West Africans Working and Building Lives in U.S. Health Care (Rutgers University Press, 2023) by Dr. Fumilayo Showers tells the little-known story of a group of English-speaking West African immigrants who have become central to the U.S. health and long-term care systems. With high human capital and middle-class pre-migration backgrounds, these immigrants - hailing from countries as diverse as Cameroon, Sierra Leone, Ghana, Nigeria, and Liberia - encounter blocked opportunities in the U.S. labour market. They then work in the United States, as home health aides, certified nursing assistants, qualified disability support professionals, and licensed practical and registered nurses.
This book reveals the global, political, social, and economic factors that have facilitated the entry of West African women and men into the health care labour force (home and institutional care for older adults and individuals with physical and intellectual disabilities; and skilled nursing). It highlights these immigrants’ role as labour brokers who tap into their local ethnic and immigrant communities to channel co-ethnics to meet this labour demand. It illustrates how West African care workers understand their work across various occupational settings and segments in the healthcare industry. This book reveals the transformative processes migrants undergo as they become produced, repackaged, and deployed as health care workers after migration.
Ultimately, this book tells the very real and human story of an immigrant group surmounting tremendous obstacles to carve out a labour market niche in health care, providing some of the most essential and intimate aspects of care labour to the most vulnerable members of society.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 21 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>217</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Fumilayo Showers</itunes:subtitle>
      <itunes:summary>As the U.S. population ages and as health care needs become more complex, demand for paid care workers in home and institutional settings has increased. This book draws attention to the reserve of immigrant labour that is called on to meet this need. 
Migrants Who Care: West Africans Working and Building Lives in U.S. Health Care (Rutgers University Press, 2023) by Dr. Fumilayo Showers tells the little-known story of a group of English-speaking West African immigrants who have become central to the U.S. health and long-term care systems. With high human capital and middle-class pre-migration backgrounds, these immigrants - hailing from countries as diverse as Cameroon, Sierra Leone, Ghana, Nigeria, and Liberia - encounter blocked opportunities in the U.S. labour market. They then work in the United States, as home health aides, certified nursing assistants, qualified disability support professionals, and licensed practical and registered nurses.
This book reveals the global, political, social, and economic factors that have facilitated the entry of West African women and men into the health care labour force (home and institutional care for older adults and individuals with physical and intellectual disabilities; and skilled nursing). It highlights these immigrants’ role as labour brokers who tap into their local ethnic and immigrant communities to channel co-ethnics to meet this labour demand. It illustrates how West African care workers understand their work across various occupational settings and segments in the healthcare industry. This book reveals the transformative processes migrants undergo as they become produced, repackaged, and deployed as health care workers after migration.
Ultimately, this book tells the very real and human story of an immigrant group surmounting tremendous obstacles to carve out a labour market niche in health care, providing some of the most essential and intimate aspects of care labour to the most vulnerable members of society.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As the U.S. population ages and as health care needs become more complex, demand for paid care workers in home and institutional settings has increased. This book draws attention to the reserve of immigrant labour that is called on to meet this need. </p><p><a href="https://bookshop.org/a/12343/9781978828988"><em>Migrants Who Care: West Africans Working and Building Lives in U.S. Health Care</em></a> (Rutgers University Press, 2023) by Dr. Fumilayo Showers tells the little-known story of a group of English-speaking West African immigrants who have become central to the U.S. health and long-term care systems. With high human capital and middle-class pre-migration backgrounds, these immigrants - hailing from countries as diverse as Cameroon, Sierra Leone, Ghana, Nigeria, and Liberia - encounter blocked opportunities in the U.S. labour market. They then work in the United States, as home health aides, certified nursing assistants, qualified disability support professionals, and licensed practical and registered nurses.</p><p>This book reveals the global, political, social, and economic factors that have facilitated the entry of West African women and men into the health care labour force (home and institutional care for older adults and individuals with physical and intellectual disabilities; and skilled nursing). It highlights these immigrants’ role as labour brokers who tap into their local ethnic and immigrant communities to channel co-ethnics to meet this labour demand. It illustrates how West African care workers understand their work across various occupational settings and segments in the healthcare industry. This book reveals the transformative processes migrants undergo as they become produced, repackaged, and deployed as health care workers after migration.</p><p>Ultimately, this book tells the very real and human story of an immigrant group surmounting tremendous obstacles to carve out a labour market niche in health care, providing some of the most essential and intimate aspects of care labour to the most vulnerable members of society.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3777</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Diana Leon-Boys, "Elena, Princesa of the Periphery: Disney’s Flexible Latina Girl" (Rutgers UP, 2023)</title>
      <description>In the summer of 2016, Disney introduced its first Latina princess, Elena of Avalor. Elena, Princess of the Periphery: Disney’s Flexible Latina Girl (Rutgers University Press, 2023) by Dr. Diana Leon-Boys explores this Disney property using multiple case studies to understand its approach to girlhood and Latinidad. Following the circuit of culture model, Dr. Leon-Boys teases out moments of complex negotiations by Disney, producers, and audiences as they navigate Elena’s circulation. Case studies highlight how a flexible Latinidad is deployed through corporate materials, social media pages, theme park experiences, and the television series to create a princess who is both marginal to Disney’s normative vision of princesshood and central to Disney’s claims of diversification.
This multi-layered analysis of Disney’s mediated Latina girlhood interrogates the complex relationship between the U.S.’s largest ethnic minority and a global conglomerate that stands in for the U.S. on the global stage.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 19 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>113</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Diana Leon-Boys</itunes:subtitle>
      <itunes:summary>In the summer of 2016, Disney introduced its first Latina princess, Elena of Avalor. Elena, Princess of the Periphery: Disney’s Flexible Latina Girl (Rutgers University Press, 2023) by Dr. Diana Leon-Boys explores this Disney property using multiple case studies to understand its approach to girlhood and Latinidad. Following the circuit of culture model, Dr. Leon-Boys teases out moments of complex negotiations by Disney, producers, and audiences as they navigate Elena’s circulation. Case studies highlight how a flexible Latinidad is deployed through corporate materials, social media pages, theme park experiences, and the television series to create a princess who is both marginal to Disney’s normative vision of princesshood and central to Disney’s claims of diversification.
This multi-layered analysis of Disney’s mediated Latina girlhood interrogates the complex relationship between the U.S.’s largest ethnic minority and a global conglomerate that stands in for the U.S. on the global stage.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the summer of 2016, Disney introduced its first Latina princess, Elena of Avalor.<a href="https://bookshop.org/a/12343/9781978830172"> <em>Elena, Princess of the Periphery: Disney’s Flexible Latina Girl</em> </a>(Rutgers University Press, 2023) by Dr. Diana Leon-Boys explores this Disney property using multiple case studies to understand its approach to girlhood and Latinidad. Following the circuit of culture model, Dr. Leon-Boys teases out moments of complex negotiations by Disney, producers, and audiences as they navigate Elena’s circulation. Case studies highlight how a flexible Latinidad is deployed through corporate materials, social media pages, theme park experiences, and the television series to create a princess who is both marginal to Disney’s normative vision of princesshood and central to Disney’s claims of diversification.</p><p>This multi-layered analysis of Disney’s mediated Latina girlhood interrogates the complex relationship between the U.S.’s largest ethnic minority and a global conglomerate that stands in for the U.S. on the global stage.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3678</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Eva van Roekel, "Phenomenal Justice: Violence and Morality in Argentina" (Rutgers UP, 2020)</title>
      <description>In Phenomenal Justice: Violence and Morality in Argentina (Rutgers University Press, 2020), Eva van Roekel grounds her research in phenomenological anthropology and the anthropology of emotion to offer readers a novel and compelling perspective on justice proceedings in the aftermath of historical crimes against humanity. Van Roekel approaches the question: how do survivors, victims, and perpetrators of political violence experience justice on their own terms? Focusing on the reopened trials in Argentina for crimes against humanity committed by the military junta that ruled from 1976 to 1983, Phenomenal Justice is a powerful ethnography that establishes a new theoretical basis that remains faithful to the uncertainties of justice and truth in the aftermath of human rights violations. Phenomenal Justice, thus, makes significant contributions to understanding justice beyond what is commonly referred to as transitional justice, and to better understanding of the military dictatorship in Argentina and its aftermath.
Jeff Bachman is a Lecturer in Human Rights at American University’s School of International Service in Washington, DC. He is the author of The United States and Genocide: (Re)Defining the Relationship and editor of the volume Cultural Genocide: Law, Politics, and Global Manifestations. He is currently working on a new book, The Politics of Genocide: From the Genocide Convention to the Responsibility to Protect, contracted by Rutgers University Press for its Genocide, Political Violence, Human Rights series.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 11 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>111</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Eva van Roekel</itunes:subtitle>
      <itunes:summary>In Phenomenal Justice: Violence and Morality in Argentina (Rutgers University Press, 2020), Eva van Roekel grounds her research in phenomenological anthropology and the anthropology of emotion to offer readers a novel and compelling perspective on justice proceedings in the aftermath of historical crimes against humanity. Van Roekel approaches the question: how do survivors, victims, and perpetrators of political violence experience justice on their own terms? Focusing on the reopened trials in Argentina for crimes against humanity committed by the military junta that ruled from 1976 to 1983, Phenomenal Justice is a powerful ethnography that establishes a new theoretical basis that remains faithful to the uncertainties of justice and truth in the aftermath of human rights violations. Phenomenal Justice, thus, makes significant contributions to understanding justice beyond what is commonly referred to as transitional justice, and to better understanding of the military dictatorship in Argentina and its aftermath.
Jeff Bachman is a Lecturer in Human Rights at American University’s School of International Service in Washington, DC. He is the author of The United States and Genocide: (Re)Defining the Relationship and editor of the volume Cultural Genocide: Law, Politics, and Global Manifestations. He is currently working on a new book, The Politics of Genocide: From the Genocide Convention to the Responsibility to Protect, contracted by Rutgers University Press for its Genocide, Political Violence, Human Rights series.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/1978800274/?tag=newbooinhis-20"><em>Phenomenal Justice: Violence and Morality in Argentina</em></a><em> </em>(Rutgers University Press, 2020), <a href="https://research.vu.nl/en/persons/eva-van-roekel">Eva van Roekel</a> grounds her research in phenomenological anthropology and the anthropology of emotion to offer readers a novel and compelling perspective on justice proceedings in the aftermath of historical crimes against humanity. Van Roekel approaches the question: how do survivors, victims, and perpetrators of political violence experience justice on their own terms? Focusing on the reopened trials in Argentina for crimes against humanity committed by the military junta that ruled from 1976 to 1983, <em>Phenomenal Justice</em> is a powerful ethnography that establishes a new theoretical basis that remains faithful to the uncertainties of justice and truth in the aftermath of human rights violations. <em>Phenomenal Justice</em>, thus, makes significant contributions to understanding justice beyond what is commonly referred to as transitional justice, and to better understanding of the military dictatorship in Argentina and its aftermath.</p><p><a href="https://www.american.edu/sis/faculty/bachman.cfm"><em>Jeff Bachman</em></a><em> is a Lecturer in Human Rights at American University’s School of International Service in Washington, DC. He is the author of </em>The United States and Genocide: (Re)Defining the Relationship<em> and editor of the volume </em>Cultural Genocide: Law, Politics, and Global Manifestations<em>. He is currently working on a new book, </em>The Politics of Genocide: From the Genocide Convention to the Responsibility to Protect<em>, contracted by Rutgers University Press for its Genocide, Political Violence, Human Rights series.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3984</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK8568028437.mp3?updated=1704923695" length="0" type="audio/mpeg"/>
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    <item>
      <title>Cristina A. Pop, "The Cancer Within: Reproduction, Cultural Transformation, and Health Care in Romania" (Rutgers UP, 2022)</title>
      <description>In The Cancer Within: Reproduction, Cultural Transformation, and Health Care in Romania (Rutgers UP, 2022), Cristina Pop examines cervical cancer in Romania as a point of entry into an anthropological reflection on contemporary health care, especially in the post-communist context. Cervical cancer prevention reveals the inner workings of emerging post-communist medicine, which aligns the state and the market, public and private health care providers, policy makers, and ordinary women. Fashioned by patriarchal relations, lived religion, and the historical trauma of pronatalism, Romanian women’s responses to reproductive medicine and cervical cancer prevention are complicated by neoliberal reforms to medical care. Cervical cancer prevention – and especially the HPV vaccination – provided Romanians a legitimate instance to express their conflicting views of post-communist medicine. What sets Romania apart is that pronatalism, patriarchy, lived religion, medical reforms, and moral contestation of preventive medicine bring into line systemic contingencies that expose the historical, social, and cultural trajectories of cervical cancer.
Cristina A. Pop is an assistant professor of medical anthropology and medical humanities at Creighton University. Her research interests are reproductive health and healthcare, reproductive governance, vaccination hesitancy, post-Communism, discourse analysis, and ethnographic fiction. She has published in Medical Anthropology Quarterly, Medical Anthropology, Culture, Health and Sexuality, and Journal of Religion and Health. Cristina is the author of The Cancer Within: Reproduction, Cultural Transformation and Health Care in Romania, published in 2022 with Rutgers University Press in the series “Medical Anthropology: Health, Inequality, and Social Justice.”
Yadong Li is a PhD student in anthropology at Tulane University. He conducts ethnography among ufologists in China. His research interests lie at the intersection of the anthropology of the paranormal, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 17 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>272</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Cristina A. Pop</itunes:subtitle>
      <itunes:summary>In The Cancer Within: Reproduction, Cultural Transformation, and Health Care in Romania (Rutgers UP, 2022), Cristina Pop examines cervical cancer in Romania as a point of entry into an anthropological reflection on contemporary health care, especially in the post-communist context. Cervical cancer prevention reveals the inner workings of emerging post-communist medicine, which aligns the state and the market, public and private health care providers, policy makers, and ordinary women. Fashioned by patriarchal relations, lived religion, and the historical trauma of pronatalism, Romanian women’s responses to reproductive medicine and cervical cancer prevention are complicated by neoliberal reforms to medical care. Cervical cancer prevention – and especially the HPV vaccination – provided Romanians a legitimate instance to express their conflicting views of post-communist medicine. What sets Romania apart is that pronatalism, patriarchy, lived religion, medical reforms, and moral contestation of preventive medicine bring into line systemic contingencies that expose the historical, social, and cultural trajectories of cervical cancer.
Cristina A. Pop is an assistant professor of medical anthropology and medical humanities at Creighton University. Her research interests are reproductive health and healthcare, reproductive governance, vaccination hesitancy, post-Communism, discourse analysis, and ethnographic fiction. She has published in Medical Anthropology Quarterly, Medical Anthropology, Culture, Health and Sexuality, and Journal of Religion and Health. Cristina is the author of The Cancer Within: Reproduction, Cultural Transformation and Health Care in Romania, published in 2022 with Rutgers University Press in the series “Medical Anthropology: Health, Inequality, and Social Justice.”
Yadong Li is a PhD student in anthropology at Tulane University. He conducts ethnography among ufologists in China. His research interests lie at the intersection of the anthropology of the paranormal, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781978829596"><em>The Cancer Within: Reproduction, Cultural Transformation, and Health Care in Romania</em></a><em> </em>(Rutgers UP, 2022), Cristina Pop examines cervical cancer in Romania as a point of entry into an anthropological reflection on contemporary health care, especially in the post-communist context. Cervical cancer prevention reveals the inner workings of emerging post-communist medicine, which aligns the state and the market, public and private health care providers, policy makers, and ordinary women. Fashioned by patriarchal relations, lived religion, and the historical trauma of pronatalism, Romanian women’s responses to reproductive medicine and cervical cancer prevention are complicated by neoliberal reforms to medical care. Cervical cancer prevention – and especially the HPV vaccination – provided Romanians a legitimate instance to express their conflicting views of post-communist medicine. What sets Romania apart is that pronatalism, patriarchy, lived religion, medical reforms, and moral contestation of preventive medicine bring into line systemic contingencies that expose the historical, social, and cultural trajectories of cervical cancer.</p><p>Cristina A. Pop is an assistant professor of medical anthropology and medical humanities at Creighton University. Her research interests are reproductive health and healthcare, reproductive governance, vaccination hesitancy, post-Communism, discourse analysis, and ethnographic fiction. She has published in <em>Medical Anthropology Quarterly</em>, <em>Medical Anthropology</em>, <em>Culture, Health and Sexuality</em>, and <em>Journal of Religion and Health</em>. Cristina is the author of <em>The Cancer Within: Reproduction, Cultural Transformation and Health Care in Romania</em>, published in 2022 with Rutgers University Press in the series “Medical Anthropology: Health, Inequality, and Social Justice.”</p><p><em>Yadong Li is a PhD student in anthropology at Tulane University. He conducts ethnography among ufologists in China. His research interests lie at the intersection of the anthropology of the paranormal, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found </em><a href="https://liberalarts.tulane.edu/departments/anthropology/people/graduate-students/yadong-li"><em>here</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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    <item>
      <title>Gregory J. Goalwin, "Borders of Belief: Religious Nationalism and the Formation of Identity in Ireland and Turkey" (Rutgers UP, 2022)</title>
      <description>Despite theories to the contrary, religious nationalism, and the use of religion to determine membership in the national community, has continued to play a role in processes of identification in societies all around the globe ... and such processes seems likely to continue to structure the ways in which communities view themselves even in today’s globalized and seemingly secularized world.
– Gregory Goalwin, Borders of Belief: Religious Nationalism and the Formation of Identity in Ireland and Turkey (Rutgers UP, 2022)
Religion and nationalism are two of the most powerful forces in the world. And as powerful as they are separately, humans throughout history have fused religious beliefs and nationalist politics to develop religious nationalism, which uses religious identity to define membership in the national community. But why and how have modern nationalists built religious identity as the foundational signifier of national identity in what sociologists have predicted would be a more secular world? This book takes two cases - nationalism in both Ireland and Turkey in the 20th century - as a foundation to advance a new theory of religious nationalism. By comparing cases, Goalwin emphasizes how modern political actors deploy religious identity as a boundary that differentiates national groups. This theory argues that religious nationalism is not a knee-jerk reaction to secular modernization, but a powerful movement developed as a tool that forges new and independent national identities.
"In an age where religious nationalisms and populisms are on the rise, Goalwin's comparative-historical work is a welcome contribution for comprehending how religious identities and politics interact. A valuable source for social scientists as well as non-specialists who are interested in this complex phenomenon."
– Efe Peker, co-author, Challenging Neoliberalism at Turkey’s Gezi Park: From Private Discontent to Collective Action
Gregory Goalwin is an assistant professor of sociology at Aurora University in Illinois. His research has been published in journals including Social Science History, Patterns of Prejudice, Studies in Ethnicity and Nationalism, Nationalities Papers, and the Journal of Historical Sociology.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 07 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>215</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Gregory J. Goalwin</itunes:subtitle>
      <itunes:summary>Despite theories to the contrary, religious nationalism, and the use of religion to determine membership in the national community, has continued to play a role in processes of identification in societies all around the globe ... and such processes seems likely to continue to structure the ways in which communities view themselves even in today’s globalized and seemingly secularized world.
– Gregory Goalwin, Borders of Belief: Religious Nationalism and the Formation of Identity in Ireland and Turkey (Rutgers UP, 2022)
Religion and nationalism are two of the most powerful forces in the world. And as powerful as they are separately, humans throughout history have fused religious beliefs and nationalist politics to develop religious nationalism, which uses religious identity to define membership in the national community. But why and how have modern nationalists built religious identity as the foundational signifier of national identity in what sociologists have predicted would be a more secular world? This book takes two cases - nationalism in both Ireland and Turkey in the 20th century - as a foundation to advance a new theory of religious nationalism. By comparing cases, Goalwin emphasizes how modern political actors deploy religious identity as a boundary that differentiates national groups. This theory argues that religious nationalism is not a knee-jerk reaction to secular modernization, but a powerful movement developed as a tool that forges new and independent national identities.
"In an age where religious nationalisms and populisms are on the rise, Goalwin's comparative-historical work is a welcome contribution for comprehending how religious identities and politics interact. A valuable source for social scientists as well as non-specialists who are interested in this complex phenomenon."
– Efe Peker, co-author, Challenging Neoliberalism at Turkey’s Gezi Park: From Private Discontent to Collective Action
Gregory Goalwin is an assistant professor of sociology at Aurora University in Illinois. His research has been published in journals including Social Science History, Patterns of Prejudice, Studies in Ethnicity and Nationalism, Nationalities Papers, and the Journal of Historical Sociology.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Despite theories to the contrary, religious nationalism, and the use of religion to determine membership in the national community, has continued to play a role in processes of identification in societies all around the globe ... and such processes seems likely to continue to structure the ways in which communities view themselves even in today’s globalized and seemingly secularized world.</em></p><p>– Gregory Goalwin, <a href="https://bookshop.org/a/12343/9781978826496"><em>Borders of Belief: Religious Nationalism and the Formation of Identity in Ireland and Turkey</em></a><em> </em>(Rutgers UP, 2022)</p><p>Religion and nationalism are two of the most powerful forces in the world. And as powerful as they are separately, humans throughout history have fused religious beliefs and nationalist politics to develop religious nationalism, which uses <em>religious </em>identity to define membership in the <em>national</em> community. But why and how have modern nationalists built religious identity as the foundational signifier of national identity in what sociologists have predicted would be a more secular world? This book takes two cases - nationalism in both Ireland and Turkey in the 20th century - as a foundation to advance a new theory of religious nationalism. By comparing cases, Goalwin emphasizes how modern political actors deploy religious identity as a boundary that differentiates national groups. This theory argues that religious nationalism is <em>not</em> a knee-jerk reaction to secular modernization, but a powerful movement developed as a tool that forges new and independent national identities.</p><p>"In an age where religious nationalisms and populisms are on the rise, Goalwin's comparative-historical work is a welcome contribution for comprehending how religious identities and politics interact. A valuable source for social scientists as well as non-specialists who are interested in this complex phenomenon."</p><p>– Efe Peker, co-author, <em>Challenging Neoliberalism at Turkey’s Gezi Park: From Private Discontent to Collective Action</em></p><p>Gregory Goalwin is an assistant professor of sociology at Aurora University in Illinois. His research has been published in journals including <em>Social Science History</em>,<em> Patterns of Prejudice, Studies in Ethnicity and Nationalism</em>, <em>Nationalities Papers</em>, and the <em>Journal of Historical Sociology</em>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>5944</itunes:duration>
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      <title>Leontina Hormel, "Trailer Park America: Reimagining Working-Class Communities" (Rutgers UP, 2023)</title>
      <description>In rural northern Idaho in the winter of 2013-2014, Syringa Mobile Home Park’s water system was contaminated by sewage, resulting in residents’ water being shut off for 93 days. By summer 2018 Syringa had closed, forcing residents to relocate or face homelessness. 
In Trailer Park America: Reimagining Working-Class Communities (Rutgers UP, 2023), Dr. Leontina Hormel chronicles how residents dealt with regulatory agencies, frequent boil order notices, threats of closure, and class-based social stigma over this period. Despite all this, what was seen as a dysfunctional, ‘disorderly’ community by outsiders was instead a refuge where veterans, women heads of households, and people with disabilities or substance use disorders were supported and understood. The embattled Syringa community also organized to defend the rights and dignity of residents and served as a site for negotiating with local government, culminating in a class-action lawsuit that reached the federal level. The experiences Syringa residents faced in this conservative, predominately white region of the United States are emblematic of the growing national and global crisis in affordable housing and home ownership, with declining work conditions and incomes for the working-class.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 24 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>326</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Leontina Hormel</itunes:subtitle>
      <itunes:summary>In rural northern Idaho in the winter of 2013-2014, Syringa Mobile Home Park’s water system was contaminated by sewage, resulting in residents’ water being shut off for 93 days. By summer 2018 Syringa had closed, forcing residents to relocate or face homelessness. 
In Trailer Park America: Reimagining Working-Class Communities (Rutgers UP, 2023), Dr. Leontina Hormel chronicles how residents dealt with regulatory agencies, frequent boil order notices, threats of closure, and class-based social stigma over this period. Despite all this, what was seen as a dysfunctional, ‘disorderly’ community by outsiders was instead a refuge where veterans, women heads of households, and people with disabilities or substance use disorders were supported and understood. The embattled Syringa community also organized to defend the rights and dignity of residents and served as a site for negotiating with local government, culminating in a class-action lawsuit that reached the federal level. The experiences Syringa residents faced in this conservative, predominately white region of the United States are emblematic of the growing national and global crisis in affordable housing and home ownership, with declining work conditions and incomes for the working-class.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In rural northern Idaho in the winter of 2013-2014, Syringa Mobile Home Park’s water system was contaminated by sewage, resulting in residents’ water being shut off for 93 days. By summer 2018 Syringa had closed, forcing residents to relocate or face homelessness. </p><p>In <a href="https://bookshop.org/a/12343/9781978829466"><em>Trailer Park America: Reimagining Working-Class Communities </em></a>(Rutgers UP, 2023), <a href="https://www.uidaho.edu/class/csj/people/leontina-hormel">Dr. Leontina Hormel</a> chronicles how residents dealt with regulatory agencies, frequent boil order notices, threats of closure, and class-based social stigma over this period. Despite all this, what was seen as a dysfunctional, ‘disorderly’ community by outsiders was instead a refuge where veterans, women heads of households, and people with disabilities or substance use disorders were supported and understood. The embattled Syringa community also organized to defend the rights and dignity of residents and served as a site for negotiating with local government, culminating in a class-action lawsuit that reached the federal level. The experiences Syringa residents faced in this conservative, predominately white region of the United States are emblematic of the growing national and global crisis in affordable housing and home ownership, with declining work conditions and incomes for the working-class.</p><p><strong><em>Michael O. Johnston, Ph.D.</em></strong><em> is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his </em><a href="https://profjohnston.weebly.com/"><em>website</em></a><em>, </em><a href="https://scholar.google.com/citations?user=2RfJ6FMAAAAJ&amp;hl=en"><em>Google Scholar</em></a><em>, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3174</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Huping Ling, "Chinese Americans in the Heartland: Migration, Work, and Community" (Rutgers UP, 2022)</title>
      <description>This episode features a conversation with Dr. Huping Ling on her two latest books, Chinese Americans in the Heartland: Migration, Work, and Community and Asian American History, both published by Rutgers University Press in 2022 and 2023, respectively. We begin our conversation with Asian American History, a comprehensive survey text that places Asian immigration to America in international and domestic contexts. In this text, Ling uses the histories of ethnic groups spanning from East, Southeast, South, and West Asia to explore the significant elements that define Asian America, such as imperialism, global capitalist expansion, transnationalism, labor, immigration, exclusion, family, community, and gender roles. The second part of the conversation is dedicated to Chinese Americans in the Heartland. The book draws upon rich evidence from various government records, personal stories, interviews, and media reports to shed light on the commonalities and uniqueness of the region, as compared to the Asian American communities on the East and West Coast, as well as Hawaii.
An internationally renowned historian and award-winning writer, Huping Ling is a Professor of History, the founder of the Asian/Asian American Studies Program, and the past department chair at Truman State University. She is a Visiting Fellow of the Hoover Institution at Stanford University and is also affiliated with many programs studying overseas Chinese including serving as the Changjiang (Yangtze River) Scholar Chair Professor of the Chinese Ministry of Education. She is the founding and inaugural book series editor for Asian American Studies Today with Rutgers University Press and former editor-in-chief for the Journal of Asian American Studies. She has authored or edited 34 books and published over 200 articles in Asian American studies.
Donna Doan Anderson (she/her) is a PhD candidate in History and Asian American Studies at the University of California, Santa Barbara.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 16 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>72</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Huping Ling</itunes:subtitle>
      <itunes:summary>This episode features a conversation with Dr. Huping Ling on her two latest books, Chinese Americans in the Heartland: Migration, Work, and Community and Asian American History, both published by Rutgers University Press in 2022 and 2023, respectively. We begin our conversation with Asian American History, a comprehensive survey text that places Asian immigration to America in international and domestic contexts. In this text, Ling uses the histories of ethnic groups spanning from East, Southeast, South, and West Asia to explore the significant elements that define Asian America, such as imperialism, global capitalist expansion, transnationalism, labor, immigration, exclusion, family, community, and gender roles. The second part of the conversation is dedicated to Chinese Americans in the Heartland. The book draws upon rich evidence from various government records, personal stories, interviews, and media reports to shed light on the commonalities and uniqueness of the region, as compared to the Asian American communities on the East and West Coast, as well as Hawaii.
An internationally renowned historian and award-winning writer, Huping Ling is a Professor of History, the founder of the Asian/Asian American Studies Program, and the past department chair at Truman State University. She is a Visiting Fellow of the Hoover Institution at Stanford University and is also affiliated with many programs studying overseas Chinese including serving as the Changjiang (Yangtze River) Scholar Chair Professor of the Chinese Ministry of Education. She is the founding and inaugural book series editor for Asian American Studies Today with Rutgers University Press and former editor-in-chief for the Journal of Asian American Studies. She has authored or edited 34 books and published over 200 articles in Asian American studies.
Donna Doan Anderson (she/her) is a PhD candidate in History and Asian American Studies at the University of California, Santa Barbara.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode features a conversation with Dr. Huping Ling on her two latest books, <a href="https://bookshop.org/a/12343/9781978826281"><em>Chinese Americans in the Heartland: Migration, Work, and Community</em></a> and <a href="https://bookshop.org/a/12343/9781978826236"><em>Asian American History</em></a>, both published by Rutgers University Press in 2022 and 2023, respectively. We begin our conversation with <em>Asian American History</em>, a comprehensive survey text that places Asian immigration to America in international and domestic contexts. In this text, Ling uses the histories of ethnic groups spanning from East, Southeast, South, and West Asia to explore the significant elements that define Asian America, such as imperialism, global capitalist expansion, transnationalism, labor, immigration, exclusion, family, community, and gender roles. The second part of the conversation is dedicated to <em>Chinese Americans in the Heartland</em>. The book draws upon rich evidence from various government records, personal stories, interviews, and media reports to shed light on the commonalities and uniqueness of the region, as compared to the Asian American communities on the East and West Coast, as well as Hawaii.</p><p>An internationally renowned historian and award-winning writer, Huping Ling is a Professor of History, the founder of the Asian/Asian American Studies Program, and the past department chair at Truman State University. She is a Visiting Fellow of the Hoover Institution at Stanford University and is also affiliated with many programs studying overseas Chinese including serving as the Changjiang (Yangtze River) Scholar Chair Professor of the Chinese Ministry of Education. She is the founding and inaugural book series editor for Asian American Studies Today with Rutgers University Press and former editor-in-chief for the<em> Journal of Asian American Studies</em>. She has authored or edited 34 books and published over 200 articles in Asian American studies.</p><p><a href="https://www.donnadanderson.com/"><em>Donna Doan Anderson</em></a><em> (she/her) is a PhD candidate in History and Asian American Studies at the University of California, Santa Barbara.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3163</itunes:duration>
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    <item>
      <title>Adrien Sebro, "Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions" (Rutgers UP, 2023)</title>
      <description>The 1970s was a golden age for representations of African American life on TV sitcoms: Sanford &amp; Son, Good Times, The Jeffersons. Surprisingly, nearly all the decade’s notable Black sitcoms were made by a single company, Tandem Productions. Founded by two white men, the successful team behind All in the Family, writer Norman Lear and director Bud Yorkin, Tandem gave unprecedented opportunities to Black actors, writers, and producers to break into the television industry. However, these Black auteurs also struggled to get the economic privileges and creative autonomy regularly granted to their white counterparts.
Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions (Rutgers UP, 2023) discovers surprising parallels between the behind-the-scenes drama at Tandem and the plotlines that aired on their sitcoms, as both real and fictional African Americans devised various strategies for getting their fair share out of systems prone to exploiting their labor. The media scholar Adrien Sebro describes these tactics as a form of “hustle economics,” and he pays special attention to the ways that Black women—including actresses like LaWanda Page, Isabel Sanford, and Esther Rolle—had to hustle for recognition. Exploring Tandem’s complex legacy, including its hit racially mixed sitcom Diff’rent Strokes, he showcases the Black talent whose creative agency and labor resilience helped to transform the television industry.
Adrien Sebro is an assistant professor of media studies at the University of Texas at Austin. He specializes in critical media studies at the intersections of comedy, gender, and Black popular culture.
﻿Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 12 Nov 2023 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>114</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Adrien Sebro</itunes:subtitle>
      <itunes:summary>The 1970s was a golden age for representations of African American life on TV sitcoms: Sanford &amp; Son, Good Times, The Jeffersons. Surprisingly, nearly all the decade’s notable Black sitcoms were made by a single company, Tandem Productions. Founded by two white men, the successful team behind All in the Family, writer Norman Lear and director Bud Yorkin, Tandem gave unprecedented opportunities to Black actors, writers, and producers to break into the television industry. However, these Black auteurs also struggled to get the economic privileges and creative autonomy regularly granted to their white counterparts.
Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions (Rutgers UP, 2023) discovers surprising parallels between the behind-the-scenes drama at Tandem and the plotlines that aired on their sitcoms, as both real and fictional African Americans devised various strategies for getting their fair share out of systems prone to exploiting their labor. The media scholar Adrien Sebro describes these tactics as a form of “hustle economics,” and he pays special attention to the ways that Black women—including actresses like LaWanda Page, Isabel Sanford, and Esther Rolle—had to hustle for recognition. Exploring Tandem’s complex legacy, including its hit racially mixed sitcom Diff’rent Strokes, he showcases the Black talent whose creative agency and labor resilience helped to transform the television industry.
Adrien Sebro is an assistant professor of media studies at the University of Texas at Austin. He specializes in critical media studies at the intersections of comedy, gender, and Black popular culture.
﻿Peter C. Kunze is a visiting assistant professor of communication at Tulane University.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The 1970s was a golden age for representations of African American life on TV sitcoms: <em>Sanford &amp; Son</em>, <em>Good Times</em>, <em>The Jeffersons</em>. Surprisingly, nearly all the decade’s notable Black sitcoms were made by a single company, Tandem Productions. Founded by two white men, the successful team behind <em>All in the Family</em>, writer Norman Lear and director Bud Yorkin, Tandem gave unprecedented opportunities to Black actors, writers, and producers to break into the television industry. However, these Black auteurs also struggled to get the economic privileges and creative autonomy regularly granted to their white counterparts.</p><p><a href="https://bookshop.org/a/12343/9781978834835"><em>Scratchin' and Survivin': Hustle Economics and the Black Sitcoms of Tandem Productions</em></a><em> </em>(Rutgers UP, 2023) discovers surprising parallels between the behind-the-scenes drama at Tandem and the plotlines that aired on their sitcoms, as both real and fictional African Americans devised various strategies for getting their fair share out of systems prone to exploiting their labor. The media scholar Adrien Sebro describes these tactics as a form of “hustle economics,” and he pays special attention to the ways that Black women—including actresses like LaWanda Page, Isabel Sanford, and Esther Rolle—had to hustle for recognition. Exploring Tandem’s complex legacy, including its hit racially mixed sitcom <em>Diff’rent Strokes</em>, he showcases the Black talent whose creative agency and labor resilience helped to transform the television industry.</p><p>Adrien Sebro is an assistant professor of media studies at the University of Texas at Austin. He specializes in critical media studies at the intersections of comedy, gender, and Black popular culture.</p><p><em>﻿</em><a href="https://tulane.academia.edu/kunze"><em>Peter C. Kunze</em></a><em> is a visiting assistant professor of communication at Tulane University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4891</itunes:duration>
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      <title>Sébastien Tutenges, "Intoxication: An Ethnography of Effervescent Revelry" (Rutgers UP, 2022)</title>
      <description>For two decades, Sébastien Tutenges has conducted research in bars, nightclubs, festivals, drug dens, nightlife resorts, and underground dance parties in a quest to answer a fundamental question: Why do people across cultures gather regularly to intoxicate themselves?
Vivid and at times deeply personal, Intoxication: An Ethnography of Effervescent Revelry (Rutgers UP, 2022) offers new insights into a wide variety of intoxicating experiences, from the intimate feeling of connection among concertgoers to the adrenaline-fueled rush of a fight, to the thrill of jumping off a balcony into a swimming pool. Tutenges shows what it means and feels to move beyond the ordinary into altered states in which the transgressive, spectacular, and unexpected take place.
He argues that the primary aim of group intoxication is the religious experience that Émile Durkheim calls collective effervescence, the essence of which is a sense of connecting with other people and being part of a larger whole. This experience is empowering and emboldening and may lead to crime and deviance, but it is at the same time vital to our humanity because it strengthens social bonds and solidarity.
The book fills important gaps in Durkheim’s social theory and contributes to current debates in micro-sociology as well as cultural criminology and cultural sociology. Here, for the first time, readers will discover a detailed account of collective effervescence in contemporary society that includes: an explanation of what collective effervescence is; a description of the conditions that generate collective effervescence; a typology of the varieties of collective effervescence; a discussion of how collective effervescence manifests in the realm of nightlife, politics, sports, and religion; and an analysis of how commercial forces amplify and capitalize on the universal human need for intoxication.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 19 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>315</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Sébastien Tutenges</itunes:subtitle>
      <itunes:summary>For two decades, Sébastien Tutenges has conducted research in bars, nightclubs, festivals, drug dens, nightlife resorts, and underground dance parties in a quest to answer a fundamental question: Why do people across cultures gather regularly to intoxicate themselves?
Vivid and at times deeply personal, Intoxication: An Ethnography of Effervescent Revelry (Rutgers UP, 2022) offers new insights into a wide variety of intoxicating experiences, from the intimate feeling of connection among concertgoers to the adrenaline-fueled rush of a fight, to the thrill of jumping off a balcony into a swimming pool. Tutenges shows what it means and feels to move beyond the ordinary into altered states in which the transgressive, spectacular, and unexpected take place.
He argues that the primary aim of group intoxication is the religious experience that Émile Durkheim calls collective effervescence, the essence of which is a sense of connecting with other people and being part of a larger whole. This experience is empowering and emboldening and may lead to crime and deviance, but it is at the same time vital to our humanity because it strengthens social bonds and solidarity.
The book fills important gaps in Durkheim’s social theory and contributes to current debates in micro-sociology as well as cultural criminology and cultural sociology. Here, for the first time, readers will discover a detailed account of collective effervescence in contemporary society that includes: an explanation of what collective effervescence is; a description of the conditions that generate collective effervescence; a typology of the varieties of collective effervescence; a discussion of how collective effervescence manifests in the realm of nightlife, politics, sports, and religion; and an analysis of how commercial forces amplify and capitalize on the universal human need for intoxication.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For two decades, <a href="https://www.soc.lu.se/en/sebastien-tutenges">Sébastien Tutenges</a> has conducted research in bars, nightclubs, festivals, drug dens, nightlife resorts, and underground dance parties in a quest to answer a fundamental question: Why do people across cultures gather regularly to intoxicate themselves?</p><p>Vivid and at times deeply personal,<em> </em><a href="https://bookshop.org/a/12343/9781978831209"><em>Intoxication: An Ethnography of Effervescent Revelry</em></a> (Rutgers UP, 2022) offers new insights into a wide variety of intoxicating experiences, from the intimate feeling of connection among concertgoers to the adrenaline-fueled rush of a fight, to the thrill of jumping off a balcony into a swimming pool. Tutenges shows what it means and feels to move beyond the ordinary into altered states in which the transgressive, spectacular, and unexpected take place.</p><p>He argues that the primary aim of group intoxication is the religious experience that Émile Durkheim calls collective effervescence, the essence of which is a sense of connecting with other people and being part of a larger whole. This experience is empowering and emboldening and may lead to crime and deviance, but it is at the same time vital to our humanity because it strengthens social bonds and solidarity.</p><p>The book fills important gaps in Durkheim’s social theory and contributes to current debates in micro-sociology as well as cultural criminology and cultural sociology. Here, for the first time, readers will discover a detailed account of collective effervescence in contemporary society that includes: an explanation of what collective effervescence is; a description of the conditions that generate collective effervescence; a typology of the varieties of collective effervescence; a discussion of how collective effervescence manifests in the realm of nightlife, politics, sports, and religion; and an analysis of how commercial forces amplify and capitalize on the universal human need for intoxication.</p><p><a href="https://newbooksnetwork.com/hosts/profile/af43960f-eb1c-452b-a784-ba3dae90949f"><em>Michael O. Johnston, Ph.D.</em></a><em> is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is about the construction of identity and place. He is currently conducting research for his next project that looks at nightlife and the emotional labor that is performed by bouncers at bars and nightclubs. To learn more about Michael O. Johnston you can go to his </em><a href="https://profjohnston.weebly.com/"><em>website</em></a><em>, </em><a href="https://scholar.google.com/citations?user=2RfJ6FMAAAAJ&amp;hl=en"><em>Google Scholar</em></a><em>, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <itunes:duration>2793</itunes:duration>
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      <title>Chesya Burke, "Hero Me Not: The Containment of the Most Powerful Black, Female Superhero" (Rutgers UP, 2023)</title>
      <description>First introduced in the pages of X-Men, Storm is probably the most recognized Black female superhero. She is also one of the most powerful characters in the Marvel Universe, with abilities that allow her to control the weather itself. Yet that power is almost always deployed in the service of White characters, and Storm is rarely treated as an authority figure.
Hero Me Not: The Containment of the Most Powerful Black, Female Superhero (Rutgers UP, 2023) offers an in-depth look at this fascinating yet often frustrating character through all her manifestations in comics, animation, and films. Chesya Burke examines the coding of Storm as racially “exotic,” an African woman who nonetheless has bright white hair and blue eyes and was portrayed onscreen by biracial actresses Halle Berry and Alexandra Shipp. She shows how Storm, created by White writers and artists, was an amalgam of various Black stereotypes, from the Mammy and the Jezebel to the Magical Negro, resulting in a new stereotype she terms the Negro Spiritual Woman.
With chapters focusing on the history, transmedia representation, and racial politics of Storm, Burke offers a very personal account of what it means to be a Black female comics fan searching popular culture for positive images of powerful women who look like you.
Katrina Anderson is a doctoral candidate at the University of Delaware.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 25 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>394</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Chesya Burke</itunes:subtitle>
      <itunes:summary>First introduced in the pages of X-Men, Storm is probably the most recognized Black female superhero. She is also one of the most powerful characters in the Marvel Universe, with abilities that allow her to control the weather itself. Yet that power is almost always deployed in the service of White characters, and Storm is rarely treated as an authority figure.
Hero Me Not: The Containment of the Most Powerful Black, Female Superhero (Rutgers UP, 2023) offers an in-depth look at this fascinating yet often frustrating character through all her manifestations in comics, animation, and films. Chesya Burke examines the coding of Storm as racially “exotic,” an African woman who nonetheless has bright white hair and blue eyes and was portrayed onscreen by biracial actresses Halle Berry and Alexandra Shipp. She shows how Storm, created by White writers and artists, was an amalgam of various Black stereotypes, from the Mammy and the Jezebel to the Magical Negro, resulting in a new stereotype she terms the Negro Spiritual Woman.
With chapters focusing on the history, transmedia representation, and racial politics of Storm, Burke offers a very personal account of what it means to be a Black female comics fan searching popular culture for positive images of powerful women who look like you.
Katrina Anderson is a doctoral candidate at the University of Delaware.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>First introduced in the pages of <em>X-Men</em>, Storm is probably the most recognized Black female superhero. She is also one of the most powerful characters in the Marvel Universe, with abilities that allow her to control the weather itself. Yet that power is almost always deployed in the service of White characters, and Storm is rarely treated as an authority figure.</p><p><a href="https://bookshop.org/a/12343/9781978821057"><em>Hero Me Not: The Containment of the Most Powerful Black, Female Superhero</em></a> (Rutgers UP, 2023) offers an in-depth look at this fascinating yet often frustrating character through all her manifestations in comics, animation, and films. Chesya Burke examines the coding of Storm as racially “exotic,” an African woman who nonetheless has bright white hair and blue eyes and was portrayed onscreen by biracial actresses Halle Berry and Alexandra Shipp. She shows how Storm, created by White writers and artists, was an amalgam of various Black stereotypes, from the Mammy and the Jezebel to the Magical Negro, resulting in a new stereotype she terms the Negro Spiritual Woman.</p><p>With chapters focusing on the history, transmedia representation, and racial politics of Storm, Burke offers a very personal account of what it means to be a Black female comics fan searching popular culture for positive images of powerful women who look like you.</p><p><em>Katrina Anderson is a doctoral candidate at the University of Delaware.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3311</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Romit Chowdhury, "City of Men: Masculinities and Everyday Morality on Public Transport" (Rutgers UP, 2023)</title>
      <description>In South Asian urban landscapes, men are everywhere. And yet we do not seem to know very much about precisely what men do in the city as men. How do men experience gender in city spaces? What are the interactional dynamics between different groups of men on city streets? How do men adjudicate between good and bad conduct in urban spaces? 
Through ethnographic descriptions of copresence on public transport in Kolkata, India, Romit Chowdhury's City of Men: Masculinities and Everyday Morality on Public Transport (Rutgers UP, 2023) brings into sight the gendered logics of cooperation and everyday morality through which masculinities take up space in cities. It follows the labour geographies of auto-rickshaw and taxi operators and their interactions with traffic police and commuters to argue that the gendered fabric of urban life needs to be understood as a product of situational forms of cooperation between different social groups. Such an orientation sheds light on the part played by everyday morality and provisional support in upholding male privilege in the city.
Rituparna Patgiri is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 22 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>306</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Romit Chowdhury</itunes:subtitle>
      <itunes:summary>In South Asian urban landscapes, men are everywhere. And yet we do not seem to know very much about precisely what men do in the city as men. How do men experience gender in city spaces? What are the interactional dynamics between different groups of men on city streets? How do men adjudicate between good and bad conduct in urban spaces? 
Through ethnographic descriptions of copresence on public transport in Kolkata, India, Romit Chowdhury's City of Men: Masculinities and Everyday Morality on Public Transport (Rutgers UP, 2023) brings into sight the gendered logics of cooperation and everyday morality through which masculinities take up space in cities. It follows the labour geographies of auto-rickshaw and taxi operators and their interactions with traffic police and commuters to argue that the gendered fabric of urban life needs to be understood as a product of situational forms of cooperation between different social groups. Such an orientation sheds light on the part played by everyday morality and provisional support in upholding male privilege in the city.
Rituparna Patgiri is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In South Asian urban landscapes, men are everywhere. And yet we do not seem to know very much about precisely what men do in the city as men. How do men experience gender in city spaces? What are the interactional dynamics between different groups of men on city streets? How do men adjudicate between good and bad conduct in urban spaces? </p><p>Through ethnographic descriptions of copresence on public transport in Kolkata, India, Romit Chowdhury's <a href="https://bookshop.org/a/12343/9781978829510"><em>City of Men: Masculinities and Everyday Morality on Public Transport</em></a> (Rutgers UP, 2023) brings into sight the gendered logics of cooperation and everyday morality through which masculinities take up space in cities. It follows the labour geographies of auto-rickshaw and taxi operators and their interactions with traffic police and commuters to argue that the gendered fabric of urban life needs to be understood as a product of situational forms of cooperation between different social groups. Such an orientation sheds light on the part played by everyday morality and provisional support in upholding male privilege in the city.</p><p><em>Rituparna Patgiri is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of </em><a href="https://doingsociology.org/"><em>Doing Sociology</em></a><em>. Patgiri can be reached at @Rituparna37 on Twitter.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2492</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK1592220734.mp3?updated=1692637797" length="0" type="audio/mpeg"/>
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    <item>
      <title>Erin Raffety, "From Inclusion to Justice: Disability, Ministry, and Congregational Leadership" (Baylor UP, 2022)</title>
      <description>American Christianity tends to view disabled persons as problems to be solved rather than people with experiences and gifts that enrich the church. Churches have generated policies, programs, and curricula geared toward "including" disabled people while still maintaining "able-bodied" theologies, ministries, care, and leadership. Ableism―not a lack of ramps, finances, or accessible worship―is the biggest obstacle for disabled ministry in America. 
In From Inclusion to Justice: Disability, Ministry, and Congregational Leadership (Baylor UP, 2022), Erin Raffety argues that what our churches need is not more programs for disabled people but rather the pastoral tools to repent of able-bodied theologies and practices, listen to people with disabilities, lament ableism and injustice, and be transformed by God’s ministry through disabled leadership. Without a paradigm shift from ministries of inclusion to ministries of justice, our practical theology falls short.
Drawing on ethnographic research with congregations and families, pastoral experience with disabled people, teaching in theological education, and parenting a disabled child, Raffety, an able-bodied Christian writing to able-bodied churches, confesses her struggle to repent from ableism in hopes of convincing others to do the same. At the same time, Raffety draws on her interactions with disabled Christian leaders to testify to what God is still doing in the pews and the pulpit, uplifting and amplifying the ministry and leadership of people with disabilities as a vision toward justice in the kingdom of God.
﻿Bingwan Tian is a Ph.D. student at the University at Buffalo interested in the study of special education and citizenship education.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 22 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>27</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Erin Raffety</itunes:subtitle>
      <itunes:summary>American Christianity tends to view disabled persons as problems to be solved rather than people with experiences and gifts that enrich the church. Churches have generated policies, programs, and curricula geared toward "including" disabled people while still maintaining "able-bodied" theologies, ministries, care, and leadership. Ableism―not a lack of ramps, finances, or accessible worship―is the biggest obstacle for disabled ministry in America. 
In From Inclusion to Justice: Disability, Ministry, and Congregational Leadership (Baylor UP, 2022), Erin Raffety argues that what our churches need is not more programs for disabled people but rather the pastoral tools to repent of able-bodied theologies and practices, listen to people with disabilities, lament ableism and injustice, and be transformed by God’s ministry through disabled leadership. Without a paradigm shift from ministries of inclusion to ministries of justice, our practical theology falls short.
Drawing on ethnographic research with congregations and families, pastoral experience with disabled people, teaching in theological education, and parenting a disabled child, Raffety, an able-bodied Christian writing to able-bodied churches, confesses her struggle to repent from ableism in hopes of convincing others to do the same. At the same time, Raffety draws on her interactions with disabled Christian leaders to testify to what God is still doing in the pews and the pulpit, uplifting and amplifying the ministry and leadership of people with disabilities as a vision toward justice in the kingdom of God.
﻿Bingwan Tian is a Ph.D. student at the University at Buffalo interested in the study of special education and citizenship education.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>American Christianity tends to view disabled persons as problems to be solved rather than people with experiences and gifts that enrich the church. Churches have generated policies, programs, and curricula geared toward "including" disabled people while still maintaining "able-bodied" theologies, ministries, care, and leadership. Ableism―not a lack of ramps, finances, or accessible worship―is the biggest obstacle for disabled ministry in America. </p><p>In <a href="https://bookshop.org/a/12343/9781481316941"><em>From Inclusion to Justice: Disability, Ministry, and Congregational Leadership</em></a> (Baylor UP, 2022), Erin Raffety argues that what our churches need is not more programs for disabled people but rather the pastoral tools to repent of able-bodied theologies and practices, listen to people with disabilities, lament ableism and injustice, and be transformed by God’s ministry through disabled leadership. Without a paradigm shift from ministries of inclusion to ministries of justice, our practical theology falls short.</p><p>Drawing on ethnographic research with congregations and families, pastoral experience with disabled people, teaching in theological education, and parenting a disabled child, Raffety, an able-bodied Christian writing to able-bodied churches, confesses her struggle to repent from ableism in hopes of convincing others to do the same. At the same time, Raffety draws on her interactions with disabled Christian leaders to testify to what God is still doing in the pews and the pulpit, uplifting and amplifying the ministry and leadership of people with disabilities as a vision toward justice in the kingdom of God.</p><p><em>﻿Bingwan Tian is a Ph.D. student at the University at Buffalo interested in the study of special education and citizenship education.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2346</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Sophie Bjork-James, "The Divine Institution: White Evangelicalism's Politics of the Family" (Rutgers UP, 2021)</title>
      <description>The Divine Institution: White Evangelicalism's Politics of the Family (Rutgers University Press, 2021) provides an account of how a theology of the family came to dominate a white evangelical tradition in the post-civil rights movement United States, providing a theological corollary to Religious Right politics. This tradition inherently enforces racial inequality in that it draws moral, religious, and political attention away from problems of racial and economic structural oppression, explaining all social problems as a failure of the individual to achieve the strong gender and sexual identities that ground the nuclear family. The consequences of this theology are both personal suffering for individuals who cannot measure up to prescribed gender and sexual roles, and political support for conservative government policies. Exposure to experiences that undermine the idea that an emphasis on the family is the solution to all social problems is causing a younger generation of white evangelicals to shift away from this narrow theological emphasis and toward a more social justice-oriented theology. The material and political effects of this shift remain to be seen.
Sophie Bjork-James is an Assistant Professor of Anthropology at Vanderbilt University. She has over ten years of experience researching both the US based Religious Right and the white nationalist movements.
She is the author of The Divine Institution: White Evangelicalism’s Politics of the Family (Rutgers 2021, winner of the the Anne Bolin &amp; Gil Herdt Book Prize from the Human Sexuality and Anthropology Interest Group (HSAIG)) and the co-editor of Beyond Populism: Angry Politics and the Twilight of Neoliberalism (2020). Her work has appeared recently in American Anthropologist, Oxford Bibliographies, the Journal of the American Academy of Religion, Feminist Anthropology, and Transforming Anthropology. She has been interviewed on the NBC Nightly News, NPR’s All Things Considered, BBC Radio 4’s Today, and in the New York Times. She has published op-eds in the LA Times, Religious Dispatches, and the Conversation among others. She is a senior fellow with the Centre for the Analysis of the Radical Right and a fellow with the Institute for Research on Male Supremacism and a board member for the Society for the Anthropology of Religion.

Joseph Gaines can be reached at jgaines1091@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 12 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>247</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Sophie Bjork-James</itunes:subtitle>
      <itunes:summary>The Divine Institution: White Evangelicalism's Politics of the Family (Rutgers University Press, 2021) provides an account of how a theology of the family came to dominate a white evangelical tradition in the post-civil rights movement United States, providing a theological corollary to Religious Right politics. This tradition inherently enforces racial inequality in that it draws moral, religious, and political attention away from problems of racial and economic structural oppression, explaining all social problems as a failure of the individual to achieve the strong gender and sexual identities that ground the nuclear family. The consequences of this theology are both personal suffering for individuals who cannot measure up to prescribed gender and sexual roles, and political support for conservative government policies. Exposure to experiences that undermine the idea that an emphasis on the family is the solution to all social problems is causing a younger generation of white evangelicals to shift away from this narrow theological emphasis and toward a more social justice-oriented theology. The material and political effects of this shift remain to be seen.
Sophie Bjork-James is an Assistant Professor of Anthropology at Vanderbilt University. She has over ten years of experience researching both the US based Religious Right and the white nationalist movements.
She is the author of The Divine Institution: White Evangelicalism’s Politics of the Family (Rutgers 2021, winner of the the Anne Bolin &amp; Gil Herdt Book Prize from the Human Sexuality and Anthropology Interest Group (HSAIG)) and the co-editor of Beyond Populism: Angry Politics and the Twilight of Neoliberalism (2020). Her work has appeared recently in American Anthropologist, Oxford Bibliographies, the Journal of the American Academy of Religion, Feminist Anthropology, and Transforming Anthropology. She has been interviewed on the NBC Nightly News, NPR’s All Things Considered, BBC Radio 4’s Today, and in the New York Times. She has published op-eds in the LA Times, Religious Dispatches, and the Conversation among others. She is a senior fellow with the Centre for the Analysis of the Radical Right and a fellow with the Institute for Research on Male Supremacism and a board member for the Society for the Anthropology of Religion.

Joseph Gaines can be reached at jgaines1091@gmail.com
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781978821859"><em>The Divine Institution: White Evangelicalism's Politics of the Family</em> </a>(Rutgers University Press, 2021) provides an account of how a theology of the family came to dominate a white evangelical tradition in the post-civil rights movement United States, providing a theological corollary to Religious Right politics. This tradition inherently enforces racial inequality in that it draws moral, religious, and political attention away from problems of racial and economic structural oppression, explaining all social problems as a failure of the individual to achieve the strong gender and sexual identities that ground the nuclear family. The consequences of this theology are both personal suffering for individuals who cannot measure up to prescribed gender and sexual roles, and political support for conservative government policies. Exposure to experiences that undermine the idea that an emphasis on the family is the solution to all social problems is causing a younger generation of white evangelicals to shift away from this narrow theological emphasis and toward a more social justice-oriented theology. The material and political effects of this shift remain to be seen.</p><p>Sophie Bjork-James is an Assistant Professor of Anthropology at Vanderbilt University. She has over ten years of experience researching both the US based Religious Right and the white nationalist movements.</p><p>She is the author of <em>The Divine Institution:</em> <em>White Evangelicalism’s Politics of the Family </em>(Rutgers 2021, winner of the the Anne Bolin &amp; Gil Herdt Book Prize from the Human Sexuality and Anthropology Interest Group (HSAIG)) and the co-editor of <em>Beyond Populism: Angry Politics and the Twilight of Neoliberalism </em>(2020). Her work has appeared recently in <em>American Anthropologist, Oxford Bibliographies, </em>the <em>Journal of the American Academy of Religion, Feminist Anthropology, </em>and <em>Transforming Anthropology. </em>She has been interviewed on the NBC <em>Nightly News,</em> NPR’s <em>All Things Considered, </em>BBC Radio 4’s <em>Today, </em>and in the <em>New York Times</em>. She has published op-eds in the <em>LA Times, Religious Dispatches, </em>and the <em>Conversation </em>among others<em>. </em>She is a senior fellow with the Centre for the Analysis of the Radical Right and a fellow with the Institute for Research on Male Supremacism and a board member for the Society for the Anthropology of Religion.</p><p><br></p><p>Joseph Gaines can be reached at jgaines1091@gmail.com</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3163</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Nour Halabi, "Radical Hospitality: American Policy, Media, and Immigration" (Rutgers UP, 2022)</title>
      <description>How should we understand contemporary migration policy? In Radical Hospitality: American Policy, Media, and Immigration (Rutgers UP, 2022), Nour Halabi, an Interdisciplinary Fellow at the University of Aberdeen, explores this question by blending history, media studies, and a range of critical theory to introduce the idea of radical hospitality. Using detailed historical and contemporary case studies- from the 1880s and the Chinese Exclusion Act, through the 1920s and the National Origins Act, up to the 2000s and the Muslim travel ban- the book offers both a rethink of the history of immigration as well as a radical call for a new approach. Rich in detail and broad in scope, the book is essential reading for anyone wishing to see a better world for migrants everywhere.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 13 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>393</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Nour Halabi</itunes:subtitle>
      <itunes:summary>How should we understand contemporary migration policy? In Radical Hospitality: American Policy, Media, and Immigration (Rutgers UP, 2022), Nour Halabi, an Interdisciplinary Fellow at the University of Aberdeen, explores this question by blending history, media studies, and a range of critical theory to introduce the idea of radical hospitality. Using detailed historical and contemporary case studies- from the 1880s and the Chinese Exclusion Act, through the 1920s and the National Origins Act, up to the 2000s and the Muslim travel ban- the book offers both a rethink of the history of immigration as well as a radical call for a new approach. Rich in detail and broad in scope, the book is essential reading for anyone wishing to see a better world for migrants everywhere.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How should we understand contemporary migration policy? In <a href="https://bookshop.org/a/12343/9781978827721"><em>Radical Hospitality: American Policy, Media, and Immigration</em></a><em> </em>(Rutgers UP, 2022),<em> </em><a href="https://twitter.com/noor_halabi">Nour Halabi,</a> <a href="https://abdn.pure.elsevier.com/en/persons/nour-halabi">an Interdisciplinary Fellow at the University of Aberdeen</a>, explores this question by blending history, media studies, and a range of critical theory to introduce the idea of radical hospitality. Using detailed historical and contemporary case studies- from the 1880s and the Chinese Exclusion Act, through the 1920s and the National Origins Act, up to the 2000s and the Muslim travel ban- the book offers both a rethink of the history of immigration as well as a radical call for a new approach. Rich in detail and broad in scope, the book is essential reading for anyone wishing to see a better world for migrants everywhere.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2341</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c41c78c8-f124-11ee-abf6-27aa6ac108ef]]></guid>
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    <item>
      <title>Randall Patnode, "The Synchronized Society: Time and Control From Broadcasting to the Internet" (Rutgers UP, 2023)</title>
      <description>The Synchronized Society: Time and Control From Broadcasting to the Internet (Rutgers University Press, 2023) by Dr. Randall Patnode traces the history of the synchronous broadcast experience of the twentieth century and the transition to the asynchronous media that dominate today. Broadcasting grew out of the latent desire by nineteenth-century industrialists, political thinkers, and social reformers to tame an unruly society by controlling how people used their time.
The idea manifested itself in the form of the broadcast schedule, a managed flow of information and entertainment that required audiences to be in a particular place – usually the home – at a particular time and helped to create “water cooler” moments, as audiences reflected on their shared media texts. Audiences began disconnecting from the broadcast schedule at the end of the twentieth century, but promoters of social media and television services still kept audiences under control, replacing the schedule with surveillance of media use.
Dr. Randall Patnode offers compelling new insights into the intermingled roles of broadcasting and industrial/post-industrial work and how Americans spend their time.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 12 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>107</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Randall Patnode</itunes:subtitle>
      <itunes:summary>The Synchronized Society: Time and Control From Broadcasting to the Internet (Rutgers University Press, 2023) by Dr. Randall Patnode traces the history of the synchronous broadcast experience of the twentieth century and the transition to the asynchronous media that dominate today. Broadcasting grew out of the latent desire by nineteenth-century industrialists, political thinkers, and social reformers to tame an unruly society by controlling how people used their time.
The idea manifested itself in the form of the broadcast schedule, a managed flow of information and entertainment that required audiences to be in a particular place – usually the home – at a particular time and helped to create “water cooler” moments, as audiences reflected on their shared media texts. Audiences began disconnecting from the broadcast schedule at the end of the twentieth century, but promoters of social media and television services still kept audiences under control, replacing the schedule with surveillance of media use.
Dr. Randall Patnode offers compelling new insights into the intermingled roles of broadcasting and industrial/post-industrial work and how Americans spend their time.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781978820098"><em>The Synchronized Society: Time and Control From Broadcasting to the Internet</em></a> (Rutgers University Press, 2023) by Dr. Randall Patnode traces the history of the synchronous broadcast experience of the twentieth century and the transition to the asynchronous media that dominate today. Broadcasting grew out of the latent desire by nineteenth-century industrialists, political thinkers, and social reformers to tame an unruly society by controlling how people used their time.</p><p>The idea manifested itself in the form of the broadcast schedule, a managed flow of information and entertainment that required audiences to be in a particular place – usually the home – at a particular time and helped to create “water cooler” moments, as audiences reflected on their shared media texts. Audiences began disconnecting from the broadcast schedule at the end of the twentieth century, but promoters of social media and television services still kept audiences under control, replacing the schedule with surveillance of media use.</p><p>Dr. Randall Patnode offers compelling new insights into the intermingled roles of broadcasting and industrial/post-industrial work and how Americans spend their time.</p><p>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3136</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Eliyana R. Adler and Katerina Capková, "Jewish and Romani Families in the Holocaust and its Aftermath" (Rutgers UP, 2020)</title>
      <description>Diaries, testimonies and memoirs of the Holocaust often include at least as much on the family as on the individual. Victims of the Nazi regime experienced oppression and made decisions embedded within families. Even after the war, sole survivors often described their losses and rebuilt their lives with a distinct focus on family. Yet this perspective is lacking in academic analyses.
In Eliyana R. Adler and Katerina Capková's edited volume Jewish and Romani Families in the Holocaust and its Aftermath (Rutgers UP, 2020), scholars from the United States, Israel, and across Europe bring a variety of backgrounds and disciplines to their study of the Holocaust and its aftermath from the family perspective. Drawing on research from Belarus to Great Britain, and examining both Jewish and Romani families, they demonstrate the importance of recognizing how people continued to function within family units--broadly defined--throughout the war and afterward.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 04 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>407</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Eliyana R. Adler and Katerina Capková</itunes:subtitle>
      <itunes:summary>Diaries, testimonies and memoirs of the Holocaust often include at least as much on the family as on the individual. Victims of the Nazi regime experienced oppression and made decisions embedded within families. Even after the war, sole survivors often described their losses and rebuilt their lives with a distinct focus on family. Yet this perspective is lacking in academic analyses.
In Eliyana R. Adler and Katerina Capková's edited volume Jewish and Romani Families in the Holocaust and its Aftermath (Rutgers UP, 2020), scholars from the United States, Israel, and across Europe bring a variety of backgrounds and disciplines to their study of the Holocaust and its aftermath from the family perspective. Drawing on research from Belarus to Great Britain, and examining both Jewish and Romani families, they demonstrate the importance of recognizing how people continued to function within family units--broadly defined--throughout the war and afterward.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Diaries, testimonies and memoirs of the Holocaust often include at least as much on the family as on the individual. Victims of the Nazi regime experienced oppression and made decisions embedded within families. Even after the war, sole survivors often described their losses and rebuilt their lives with a distinct focus on family. Yet this perspective is lacking in academic analyses.</p><p>In Eliyana R. Adler and Katerina Capková's edited volume <a href="https://bookshop.org/a/12343/9781978819504"><em>Jewish and Romani Families in the Holocaust and its Aftermath</em></a> (Rutgers UP, 2020), scholars from the United States, Israel, and across Europe bring a variety of backgrounds and disciplines to their study of the Holocaust and its aftermath from the family perspective. Drawing on research from Belarus to Great Britain, and examining both Jewish and Romani families, they demonstrate the importance of recognizing how people continued to function within family units--broadly defined--throughout the war and afterward.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3409</itunes:duration>
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      <title>Yang Va Lor, "Unequal Choices: How Social Class Shapes Where High-Achieving Students Apply to College" (Rutgers UP, 2023)</title>
      <description>High-achieving students from socioeconomically disadvantaged backgrounds are more likely to end up at less selective institutions compared to their socioeconomically advantaged peers with similar academic qualifications. A key reason for this is that few highly able, socioeconomically disadvantaged students apply to selective institutions in the first place.
In Unequal Choices: How Social Class Shapes Where High-Achieving Students Apply to College (Rutgers University Press, 2023), Dr. Yang Va Lor examines the college application choices of high-achieving students, looking closely at the ways the larger contexts of family, school, and community influence their decisions. For students today, contexts like high schools and college preparation programs shape the type of colleges that they deem appropriate, while family upbringing and personal experiences influence how far from home students imagine they can apply to college. Additionally, several mechanisms reinforce the reproduction of social inequality, showing how institutions and families of the middle and upper-middle class work to procure advantages by cultivating dispositions among their children for specific types of higher education opportunities.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 30 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>65</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Yang Va Lor</itunes:subtitle>
      <itunes:summary>High-achieving students from socioeconomically disadvantaged backgrounds are more likely to end up at less selective institutions compared to their socioeconomically advantaged peers with similar academic qualifications. A key reason for this is that few highly able, socioeconomically disadvantaged students apply to selective institutions in the first place.
In Unequal Choices: How Social Class Shapes Where High-Achieving Students Apply to College (Rutgers University Press, 2023), Dr. Yang Va Lor examines the college application choices of high-achieving students, looking closely at the ways the larger contexts of family, school, and community influence their decisions. For students today, contexts like high schools and college preparation programs shape the type of colleges that they deem appropriate, while family upbringing and personal experiences influence how far from home students imagine they can apply to college. Additionally, several mechanisms reinforce the reproduction of social inequality, showing how institutions and families of the middle and upper-middle class work to procure advantages by cultivating dispositions among their children for specific types of higher education opportunities.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>High-achieving students from socioeconomically disadvantaged backgrounds are more likely to end up at less selective institutions compared to their socioeconomically advantaged peers with similar academic qualifications. A key reason for this is that few highly able, socioeconomically disadvantaged students apply to selective institutions in the first place.</p><p>In<a href="https://bookshop.org/a/12343/9781350073838"> <em>Unequal Choices: How Social Class Shapes Where High-Achieving Students Apply to College</em></a> (Rutgers University Press, 2023), Dr. Yang Va Lor examines the college application choices of high-achieving students, looking closely at the ways the larger contexts of family, school, and community influence their decisions. For students today, contexts like high schools and college preparation programs shape the type of colleges that they deem appropriate, while family upbringing and personal experiences influence how far from home students imagine they can apply to college. Additionally, several mechanisms reinforce the reproduction of social inequality, showing how institutions and families of the middle and upper-middle class work to procure advantages by cultivating dispositions among their children for specific types of higher education opportunities.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3369</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>A. J. Faas, "In the Shadow of Tungurahua: Disaster Politics in Highland Ecuador" (Rutgers UP, 2023)</title>
      <description>In the Shadow of Tungurahua: Disaster Politics in Highland Ecuador (Rutgers University Press, 2023) relates the stories of the people of Penipe, Ecuador living in and between several villages around the volcano Tungurahua and two resettlement communities built for people displaced by government operations following volcanic eruptions in 1999 and 2006. The stories take shape in ways that influence prevailing ideas about how disasters are produced and reproduced, in this case by shifting assemblages of the state first formed during Spanish colonialism attempting to settle (make “legible”) and govern Indigenous and campesino populations and places. The disasters unfolding around Tungurahua at the turn of the 21st century also provide lessons in the humanitarian politics of disaster—questions of deservingness, reproducing inequality, and the reproduction of bare life. But this is also a story of how people responded to confront hardships and craft new futures, about forms of cooperation to cope with and adapt to disaster, and the potential for locally derived disaster recovery projects and politics.
A.J. Faas (PhD, Anthropology, University of South Florida) is an Associate Professor and Graduate Coordinator at San Jose State University in California, where he studies disasters, environmental crises, and displacement and resettlement. He focuses on the anthropology of the state, postcolonialism, cooperation and reciprocity, economic anthropology, organizations and bureaucracy, and the politics of nature, culture, and memory.
Aleem Mahabir is a PhD candidate in Geography at the University of the West Indies, Mona, Jamaica. His research interests lie at the intersection of Urban Geography, Social Exclusion and Psychology. His dissertation research focuses on the link among negative psychosocial dispositions, exclusion, and under-development among marginalized communities in Port of Spain, Trinidad and Tobago. You can find him on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 18 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>223</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with A. J. Faas</itunes:subtitle>
      <itunes:summary>In the Shadow of Tungurahua: Disaster Politics in Highland Ecuador (Rutgers University Press, 2023) relates the stories of the people of Penipe, Ecuador living in and between several villages around the volcano Tungurahua and two resettlement communities built for people displaced by government operations following volcanic eruptions in 1999 and 2006. The stories take shape in ways that influence prevailing ideas about how disasters are produced and reproduced, in this case by shifting assemblages of the state first formed during Spanish colonialism attempting to settle (make “legible”) and govern Indigenous and campesino populations and places. The disasters unfolding around Tungurahua at the turn of the 21st century also provide lessons in the humanitarian politics of disaster—questions of deservingness, reproducing inequality, and the reproduction of bare life. But this is also a story of how people responded to confront hardships and craft new futures, about forms of cooperation to cope with and adapt to disaster, and the potential for locally derived disaster recovery projects and politics.
A.J. Faas (PhD, Anthropology, University of South Florida) is an Associate Professor and Graduate Coordinator at San Jose State University in California, where he studies disasters, environmental crises, and displacement and resettlement. He focuses on the anthropology of the state, postcolonialism, cooperation and reciprocity, economic anthropology, organizations and bureaucracy, and the politics of nature, culture, and memory.
Aleem Mahabir is a PhD candidate in Geography at the University of the West Indies, Mona, Jamaica. His research interests lie at the intersection of Urban Geography, Social Exclusion and Psychology. His dissertation research focuses on the link among negative psychosocial dispositions, exclusion, and under-development among marginalized communities in Port of Spain, Trinidad and Tobago. You can find him on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781978831568"><em>In the Shadow of Tungurahua: Disaster Politics in Highland Ecuador</em></a> (Rutgers University Press, 2023) relates the stories of the people of Penipe, Ecuador living in and between several villages around the volcano Tungurahua and two resettlement communities built for people displaced by government operations following volcanic eruptions in 1999 and 2006. The stories take shape in ways that influence prevailing ideas about how disasters are produced and reproduced, in this case by shifting assemblages of the state first formed during Spanish colonialism attempting to settle (make “legible”) and govern Indigenous and campesino populations and places. The disasters unfolding around Tungurahua at the turn of the 21st century also provide lessons in the humanitarian politics of disaster—questions of deservingness, reproducing inequality, and the reproduction of bare life. But this is also a story of how people responded to confront hardships and craft new futures, about forms of cooperation to cope with and adapt to disaster, and the potential for locally derived disaster recovery projects and politics.</p><p><a href="https://www.sjsu.edu/anthropology/about-us/people/faculty/Faas.php">A.J. Faas</a> (PhD, Anthropology, University of South Florida) is an Associate Professor and Graduate Coordinator at San Jose State University in California, where he studies disasters, environmental crises, and displacement and resettlement. He focuses on the anthropology of the state, postcolonialism, cooperation and reciprocity, economic anthropology, organizations and bureaucracy, and the politics of nature, culture, and memory.</p><p><em>Aleem Mahabir is a PhD candidate in Geography at the University of the West Indies, Mona, Jamaica. His research interests lie at the intersection of Urban Geography, Social Exclusion and Psychology. His dissertation research focuses on the link among negative psychosocial dispositions, exclusion, and under-development among marginalized communities in Port of Spain, Trinidad and Tobago. You can find him on </em><a href="https://twitter.com/AleemMahabir"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>Jason Bruner, "How to Study Global Christianity: A Short Guide for Students" (Palgrave MacMillan, 2022)</title>
      <description>Jason Bruner's How to Study Global Christianity: A Short Guide for Students (Palgrave MacMillan, 2022) provides students with an accessible–yet critically oriented–introduction to the foundational methods and themes in Global Christianity scholarship over the past 40 years. While the field of Global Christianity is itself interdisciplinary, it largely has not reflected upon the various disciplines of which it is comprised. In addressing different methods that have constituted this field of scholarship, Jason Bruner draws students’ attention to the ways in which these elements have worked together, and what the implications for their use have been in the past and might be in the future. In addition to identifying themes within the discourse, this book offers a survey of where the field has been, what its analytical priorities are, and how future scholars might develop new research projects and trajectories in light of the its history.
﻿Byung Ho Choi is a Ph.D. candidate in the Department of History and Ecumenics, with a concentration in World Christianity and history of religions at Princeton Theological Seminary.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 28 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>19</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Jason Bruner</itunes:subtitle>
      <itunes:summary>Jason Bruner's How to Study Global Christianity: A Short Guide for Students (Palgrave MacMillan, 2022) provides students with an accessible–yet critically oriented–introduction to the foundational methods and themes in Global Christianity scholarship over the past 40 years. While the field of Global Christianity is itself interdisciplinary, it largely has not reflected upon the various disciplines of which it is comprised. In addressing different methods that have constituted this field of scholarship, Jason Bruner draws students’ attention to the ways in which these elements have worked together, and what the implications for their use have been in the past and might be in the future. In addition to identifying themes within the discourse, this book offers a survey of where the field has been, what its analytical priorities are, and how future scholars might develop new research projects and trajectories in light of the its history.
﻿Byung Ho Choi is a Ph.D. candidate in the Department of History and Ecumenics, with a concentration in World Christianity and history of religions at Princeton Theological Seminary.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jason Bruner's <a href="https://bookshop.org/a/12343/9783031128103"><em>How to Study Global Christianity: A Short Guide for Students</em></a> (Palgrave MacMillan, 2022) provides students with an accessible–yet critically oriented–introduction to the foundational methods and themes in Global Christianity scholarship over the past 40 years. While the field of Global Christianity is itself interdisciplinary, it largely has not reflected upon the various disciplines of which it is comprised. In addressing different methods that have constituted this field of scholarship, Jason Bruner draws students’ attention to the ways in which these elements have worked together, and what the implications for their use have been in the past and might be in the future. In addition to identifying themes within the discourse, this book offers a survey of where the field has been, what its analytical priorities are, and how future scholars might develop new research projects and trajectories in light of the its history.</p><p><em>﻿Byung Ho Choi is a Ph.D. candidate in the Department of History and Ecumenics, with a concentration in World Christianity and history of religions at Princeton Theological Seminary.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>6174</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Jeffrey S. Bachman, "The Politics of Genocide: From the Genocide Convention to the Responsibility to Protect" (Rutgers UP, 2022)</title>
      <description>Why have the founding members of the United Nations (the P5) evaded accountability for their crimes of genocide?
Jeff Bachman, of the American University School of International Service, provides an answer in his book, The Politics of Genocide: From the Genocide Convention to the Responsibility to Protect (Rutgers UP, 2022). It starts with an analysis of the processes that led to the adoption of the United Nations’ Convention on the Prevention and Punishment of the Crime of Genocide in December 1948. It ends with a call of the “self-perpetuating” implications of Western impunity for genocidal violence, at home and abroad. Bachman narrows in on the five permanent members of the UN Security Council to highlight the structural inequality baked into the Genocide Convention. The result is a cogent and devastating evaluation of the ways in which the Western powers of the P5 -- the US in particular -- are assumed to act in good faith when it comes to preventing and punishing acts of genocide.
Susan Thomson is an Associate Professor of Peace and Conflict Studies at Colgate University. I like to interview pretenure scholars about their research. I am particularly keen on their method and methodology, as well as the process of producing academic knowledge about African places and people.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 24 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>176</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Jeffrey S. Bachman</itunes:subtitle>
      <itunes:summary>Why have the founding members of the United Nations (the P5) evaded accountability for their crimes of genocide?
Jeff Bachman, of the American University School of International Service, provides an answer in his book, The Politics of Genocide: From the Genocide Convention to the Responsibility to Protect (Rutgers UP, 2022). It starts with an analysis of the processes that led to the adoption of the United Nations’ Convention on the Prevention and Punishment of the Crime of Genocide in December 1948. It ends with a call of the “self-perpetuating” implications of Western impunity for genocidal violence, at home and abroad. Bachman narrows in on the five permanent members of the UN Security Council to highlight the structural inequality baked into the Genocide Convention. The result is a cogent and devastating evaluation of the ways in which the Western powers of the P5 -- the US in particular -- are assumed to act in good faith when it comes to preventing and punishing acts of genocide.
Susan Thomson is an Associate Professor of Peace and Conflict Studies at Colgate University. I like to interview pretenure scholars about their research. I am particularly keen on their method and methodology, as well as the process of producing academic knowledge about African places and people.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why have the founding members of the United Nations (the P5) evaded accountability for their crimes of genocide?</p><p>Jeff Bachman, of the American University School of International Service, provides an answer in his book, <a href="https://bookshop.org/a/12343/9781978821507"><em>The Politics of Genocide: From the Genocide Convention to the Responsibility to Protect</em></a> (Rutgers UP, 2022). It starts with an analysis of the processes that led to the adoption of the United Nations’ Convention on the Prevention and Punishment of the Crime of Genocide in December 1948. It ends with a call of the “self-perpetuating” implications of Western impunity for genocidal violence, at home and abroad. Bachman narrows in on the five permanent members of the UN Security Council to highlight the structural inequality baked into the Genocide Convention. The result is a cogent and devastating evaluation of the ways in which the Western powers of the P5 -- the US in particular -- are assumed to act in good faith when it comes to preventing and punishing acts of genocide.</p><p><a href="https://www.colgate.edu/about/directory/sthomson"><em>Susan Thomson</em></a><em> is an Associate Professor of Peace and Conflict Studies at Colgate University. I like to interview pretenure scholars about their research. I am particularly keen on their method and methodology, as well as the process of producing academic knowledge about African places and people.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2819</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Patricia Saldarriaga and Emy Manini, "Infected Empires: Decolonizing Zombies" (Rutgers UP, 2022)</title>
      <description>Let’s talk about zombies! Scholars Patricia Saldarriaga and Emy Manini have produced an engaging and important analysis of the idea of zombies, and how and why these particular monsters are omnipresent in American popular culture, especially these days. Zombies both represent and present ideas about the world in which we live, and Infected Empires: Decolonizing Zombies (Rutgers UP, 2022) examines these connections, helping us consider our relationship to this vision of the “undead” and why these monsters are indigenous to the Americas.
Zombies reflect the colonial experience in the Americas, not only those who settled in both North and South America, but also in the approach taken to labor and those who labored. Saldarriaga and Manini examine the zombie as a representation of chattel slavery, which used the human body as a commodity like the other exploited resources in “the new world.” Those who were enslaved were essentially dead labor, according to Marxian conceptions, and the continued exploitation and disposability of workers continues this idea of the use of the undead in the modern world. Zombies as a concept can be seen within neoliberalism as corpses made into commodities, just as other commodities are valued or devalued based on supply and demand.
Another avenue of exploration is how zombies live in an ablest world where they have very limited abilities—thus making us consider our own toggling between ableism and disability. In a sense, zombies push on the idea that disability itself is the norm. They represent the way that bodies should not look, with all the insides missing, or on the outside. They also reproduce in rather unique ways—not in the biologically expected way, but in the consumption of others to create more zombies. Thus, in a world with zombies, the patriarchal form of reproduction is replaced, erasing binary sex roles along the way. While we usually consider zombies as horror staples, they are, in fact, science fiction entities, since they are really a kind of futurity.
Infected Empires: Decolonizing Zombies explores these myriad ways that zombies are symbolic of so much of what surrounds us in our everyday lives, but also what scares us. Zombies, if we think of them as a future, cause us a great deal of anxiety, since they demonstrate a post-human existence. Zombies regularly show us how we are literally eating ourselves. With the existential threat of global climate change, and the antagonism between humans and the nature world, zombies as metaphor and popular culture trope highlight our fears about the future as well as the long shadow of a colonial and enslaving past. Saldarriaga and Manini systematically explore the many dimensions of why zombies are so entrenched in our imaginaries and what these monsters are teaching us about ourselves and our fears and anxieties.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 23 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>638</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Patricia Saldarriaga and Emy Manini</itunes:subtitle>
      <itunes:summary>Let’s talk about zombies! Scholars Patricia Saldarriaga and Emy Manini have produced an engaging and important analysis of the idea of zombies, and how and why these particular monsters are omnipresent in American popular culture, especially these days. Zombies both represent and present ideas about the world in which we live, and Infected Empires: Decolonizing Zombies (Rutgers UP, 2022) examines these connections, helping us consider our relationship to this vision of the “undead” and why these monsters are indigenous to the Americas.
Zombies reflect the colonial experience in the Americas, not only those who settled in both North and South America, but also in the approach taken to labor and those who labored. Saldarriaga and Manini examine the zombie as a representation of chattel slavery, which used the human body as a commodity like the other exploited resources in “the new world.” Those who were enslaved were essentially dead labor, according to Marxian conceptions, and the continued exploitation and disposability of workers continues this idea of the use of the undead in the modern world. Zombies as a concept can be seen within neoliberalism as corpses made into commodities, just as other commodities are valued or devalued based on supply and demand.
Another avenue of exploration is how zombies live in an ablest world where they have very limited abilities—thus making us consider our own toggling between ableism and disability. In a sense, zombies push on the idea that disability itself is the norm. They represent the way that bodies should not look, with all the insides missing, or on the outside. They also reproduce in rather unique ways—not in the biologically expected way, but in the consumption of others to create more zombies. Thus, in a world with zombies, the patriarchal form of reproduction is replaced, erasing binary sex roles along the way. While we usually consider zombies as horror staples, they are, in fact, science fiction entities, since they are really a kind of futurity.
Infected Empires: Decolonizing Zombies explores these myriad ways that zombies are symbolic of so much of what surrounds us in our everyday lives, but also what scares us. Zombies, if we think of them as a future, cause us a great deal of anxiety, since they demonstrate a post-human existence. Zombies regularly show us how we are literally eating ourselves. With the existential threat of global climate change, and the antagonism between humans and the nature world, zombies as metaphor and popular culture trope highlight our fears about the future as well as the long shadow of a colonial and enslaving past. Saldarriaga and Manini systematically explore the many dimensions of why zombies are so entrenched in our imaginaries and what these monsters are teaching us about ourselves and our fears and anxieties.
Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of The Politics of the Marvel Cinematic Universe (University Press of Kansas, 2022), as well as co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Let’s talk about zombies! Scholars Patricia Saldarriaga and Emy Manini have produced an engaging and important analysis of the idea of zombies, and how and why these particular monsters are omnipresent in American popular culture, especially these days. Zombies both represent and present ideas about the world in which we live, and <a href="https://bookshop.org/a/12343/9781978826786"><em>Infected Empires: Decolonizing Zombies</em></a><em> </em>(Rutgers UP, 2022) examines these connections, helping us consider our relationship to this vision of the “undead” and why these monsters are indigenous to the Americas.</p><p>Zombies reflect the colonial experience in the Americas, not only those who settled in both North and South America, but also in the approach taken to labor and those who labored. Saldarriaga and Manini examine the zombie as a representation of chattel slavery, which used the human body as a commodity like the other exploited resources in “the new world.” Those who were enslaved were essentially <em>dead</em> labor, according to Marxian conceptions, and the continued exploitation and disposability of workers continues this idea of the use of the undead in the modern world. Zombies as a concept can be seen within neoliberalism as corpses made into commodities, just as other commodities are valued or devalued based on supply and demand.</p><p>Another avenue of exploration is how zombies live in an ablest world where they have very limited abilities—thus making us consider our own toggling between ableism and disability. In a sense, zombies push on the idea that disability itself is the norm. They represent the way that bodies should <em>not</em> look, with all the insides missing, or on the outside. They also reproduce in rather unique ways—not in the biologically expected way, but in the consumption of others to create more zombies. Thus, in a world with zombies, the patriarchal form of reproduction is replaced, erasing binary sex roles along the way. While we usually consider zombies as horror staples, they are, in fact, science fiction entities, since they are really a kind of futurity.</p><p><em>Infected Empires: Decolonizing Zombies</em> explores these myriad ways that zombies are symbolic of so much of what surrounds us in our everyday lives, but also what scares us. Zombies, if we think of them as a future, cause us a great deal of anxiety, since they demonstrate a post-human existence. Zombies regularly show us how we are literally eating ourselves. With the existential threat of global climate change, and the antagonism between humans and the nature world, zombies as metaphor and popular culture trope highlight our fears about the future as well as the long shadow of a colonial and enslaving past. Saldarriaga and Manini systematically explore the many dimensions of why zombies are so entrenched in our imaginaries and what these monsters are teaching us about ourselves and our fears and anxieties.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of </em><a href="https://kansaspress.ku.edu/9780700633883/the-politics-of-the-marvel-cinematic-universe/"><em>The Politics of the Marvel Cinematic Universe</em></a><em> (University Press of Kansas, 2022), as well as co-editor of the award winning book,</em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0"> <em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012), Email her comments at lgoren@carrollu.edu or tweet to</em><a href="https://twitter.com/gorenlj"> <em>@gorenlj</em></a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3028</itunes:duration>
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      <title>Salvador Santino F. Regilme and Irene Hadiprayitno, "Human Rights at Risk: Global Governance, American Power, and the Future of Dignity" (Rutgers UP, 2022)</title>
      <description>Human Rights at Risk: Global Governance, American Power, and the Future of Dignity (Rutgers University Press, 2022) is a fascinating book that brings together social scientists, legal scholars, and humanities scholars from both the Global North and Global South to provide a challenge to understandings about normative and empirical claims to human rights. Salvador Santino F. Regilme Jr. and Irene Hadiprayitno's edited collection questions the effectiveness of international human rights institutions, identifying thematic blind spots and providing fresh analysis for a way forward in the Post-Trump era. 
I very much enjoyed having Dr. Salvador Santino F. Regilme Jr. back on the show; the discussion was enriching and will challenge human rights scholars to move beyond their comfort zone to seek ways to better protect human rights at risk. You can listen to our previous interview, about his book, Aid Imperium: United States Foreign Policy and Human Rights in Post-Cold War Southeast Asia, here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 07 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>175</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Salvador Santino F. Regilme Jr.</itunes:subtitle>
      <itunes:summary>Human Rights at Risk: Global Governance, American Power, and the Future of Dignity (Rutgers University Press, 2022) is a fascinating book that brings together social scientists, legal scholars, and humanities scholars from both the Global North and Global South to provide a challenge to understandings about normative and empirical claims to human rights. Salvador Santino F. Regilme Jr. and Irene Hadiprayitno's edited collection questions the effectiveness of international human rights institutions, identifying thematic blind spots and providing fresh analysis for a way forward in the Post-Trump era. 
I very much enjoyed having Dr. Salvador Santino F. Regilme Jr. back on the show; the discussion was enriching and will challenge human rights scholars to move beyond their comfort zone to seek ways to better protect human rights at risk. You can listen to our previous interview, about his book, Aid Imperium: United States Foreign Policy and Human Rights in Post-Cold War Southeast Asia, here. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781250838049"><em>Human Rights at Risk: Global Governance, American Power, and the Future of Dignity</em></a><em> </em>(Rutgers University Press, 2022) is a fascinating book that brings together social scientists, legal scholars, and humanities scholars from both the Global North and Global South to provide a challenge to understandings about normative and empirical claims to human rights. <a href="https://www.universiteitleiden.nl/en/staffmembers/salvador-santino-regilme#tab-1">Salvador Santino F. Regilme Jr</a>. and <a href="https://www.universiteitleiden.nl/en/staffmembers/irene-hadiprayitno#tab-1">Irene Hadiprayitno's</a> edited collection questions the effectiveness of international human rights institutions, identifying thematic blind spots and providing fresh analysis for a way forward in the Post-Trump era. </p><p>I very much enjoyed having <a href="http://santinoregilme.weebly.com/">Dr. Salvador Santino F. Regilme Jr</a>. back on the show; the discussion was enriching and will challenge human rights scholars to move beyond their comfort zone to seek ways to better protect human rights at risk. You can listen to our previous interview, about his book, <em>Aid Imperium: United States Foreign Policy and Human Rights in Post-Cold War Southeast Asia</em>, <a href="https://newbooksnetwork.com/salvador-santino-f-regilme-jr-aid-imperium-united-states-foreign-policy-and-human-rights-in-post-cold-war-southeast-asia-u-michigan-press-2021#entry:48196@1:url">here</a>. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2597</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Virginia R. Dominguez and Brigittine M. French, "Anthropological Lives: An Introduction to the Profession of Anthropology" (Rutgers UP, 2020)</title>
      <description>Anthropological Lives: An Introduction to the Profession of Anthropology (Rutgers UP, 2020) introduces readers to what it is like to be a professional anthropologist. It focuses on the work anthropologists do, the passions they have, the way that being an anthropologist affects the kind of life they lead. The book draws heavily on the experiences of twenty anthropologists interviewed by Virginia R. Dominguez and Brigittine M. French, as well as on the experiences of the two coauthors. Many different kinds of anthropologists are represented, and the book makes a point of discussing their commonalities as well as their differences. Some of the anthropologists included work in the academy, some work outside the academy, and some work in institutions like museums. Included are cultural anthropologists, linguistic anthropologists, medical anthropologists, biological anthropologists, practicing anthropologists, and anthropological archaeologists. A fascinating look behind the curtain, the stories in Anthropological Lives will inform anyone who has ever wondered what you do with a degree in anthropology.
Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.
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      <pubDate>Wed, 07 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>24</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Brigittine M. French</itunes:subtitle>
      <itunes:summary>Anthropological Lives: An Introduction to the Profession of Anthropology (Rutgers UP, 2020) introduces readers to what it is like to be a professional anthropologist. It focuses on the work anthropologists do, the passions they have, the way that being an anthropologist affects the kind of life they lead. The book draws heavily on the experiences of twenty anthropologists interviewed by Virginia R. Dominguez and Brigittine M. French, as well as on the experiences of the two coauthors. Many different kinds of anthropologists are represented, and the book makes a point of discussing their commonalities as well as their differences. Some of the anthropologists included work in the academy, some work outside the academy, and some work in institutions like museums. Included are cultural anthropologists, linguistic anthropologists, medical anthropologists, biological anthropologists, practicing anthropologists, and anthropological archaeologists. A fascinating look behind the curtain, the stories in Anthropological Lives will inform anyone who has ever wondered what you do with a degree in anthropology.
Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780813597386"><em>Anthropological Lives: An Introduction to the Profession of Anthropology</em></a> (Rutgers UP, 2020) introduces readers to what it is like to be a professional anthropologist. It focuses on the work anthropologists do, the passions they have, the way that being an anthropologist affects the kind of life they lead. The book draws heavily on the experiences of twenty anthropologists interviewed by <a href="https://anthro.illinois.edu/directory/profile/vdomingu">Virginia R. Dominguez</a> and <a href="https://www.grinnell.edu/user/frenchb">Brigittine M. French</a>, as well as on the experiences of the two coauthors. Many different kinds of anthropologists are represented, and the book makes a point of discussing their commonalities as well as their differences. Some of the anthropologists included work in the academy, some work outside the academy, and some work in institutions like museums. Included are cultural anthropologists, linguistic anthropologists, medical anthropologists, biological anthropologists, practicing anthropologists, and anthropological archaeologists. A fascinating look behind the curtain, the stories in Anthropological Lives will inform anyone who has ever wondered what you do with a degree in anthropology.</p><p><em>Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2929</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Andrew Fiss, "Performing Math: A History of Communication and Anxiety in the American Mathematics Classroom" (Rutgers UP, 2020)</title>
      <description>Performing Math: A History of Communication and Anxiety in the American Mathematics Classroom (Rutgers University Press, 2020) by Dr. Andrew Fiss tells the history of expectations for math communication—and the conversations about math hatred and math anxiety that occurred in response.
Focusing on nineteenth-century American colleges, this book analyzes foundational tools and techniques of math communication: the textbooks that supported reading aloud, the burnings that mimicked pedagogical speech, the blackboards that accompanied oral presentations, the plays that proclaimed performers’ identities as math students, and the written tests that redefined “student performance.” Math communication and math anxiety went hand in hand as new rules for oral communication at the blackboard inspired student revolt and as frameworks for testing student performance inspired performance anxiety.
With unusual primary sources from over a dozen educational archives, Performing Math argues for a new, performance-oriented history of American math education, one that can explain contemporary math attitudes and provide a way forward to reframing the problem of math anxiety.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 09 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>79</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Andrew Fiss</itunes:subtitle>
      <itunes:summary>Performing Math: A History of Communication and Anxiety in the American Mathematics Classroom (Rutgers University Press, 2020) by Dr. Andrew Fiss tells the history of expectations for math communication—and the conversations about math hatred and math anxiety that occurred in response.
Focusing on nineteenth-century American colleges, this book analyzes foundational tools and techniques of math communication: the textbooks that supported reading aloud, the burnings that mimicked pedagogical speech, the blackboards that accompanied oral presentations, the plays that proclaimed performers’ identities as math students, and the written tests that redefined “student performance.” Math communication and math anxiety went hand in hand as new rules for oral communication at the blackboard inspired student revolt and as frameworks for testing student performance inspired performance anxiety.
With unusual primary sources from over a dozen educational archives, Performing Math argues for a new, performance-oriented history of American math education, one that can explain contemporary math attitudes and provide a way forward to reframing the problem of math anxiety.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781978820203"><em>Performing Math: A History of Communication and Anxiety in the American Mathematics Classroom</em></a><em> </em>(Rutgers University Press, 2020) by Dr. Andrew Fiss tells the history of expectations for math communication—and the conversations about math hatred and math anxiety that occurred in response.</p><p>Focusing on nineteenth-century American colleges, this book analyzes foundational tools and techniques of math communication: the textbooks that supported reading aloud, the burnings that mimicked pedagogical speech, the blackboards that accompanied oral presentations, the plays that proclaimed performers’ identities as math students, and the written tests that redefined “student performance.” Math communication and math anxiety went hand in hand as new rules for oral communication at the blackboard inspired student revolt and as frameworks for testing student performance inspired performance anxiety.</p><p>With unusual primary sources from over a dozen educational archives, Performing Math argues for a new, performance-oriented history of American math education, one that can explain contemporary math attitudes and provide a way forward to reframing the problem of math anxiety.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2626</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Bree Akesson and Andrew R. Basso, "From Bureaucracy to Bullets: Extreme Domicide and the Right to Home" (Rutgers UP, 2022)</title>
      <description>There are currently a record-setting number of forcibly displaced persons in the world. This number continues to rise as solutions to alleviate humanitarian catastrophes of large-scale violence and displacement continue to fail. The likelihood of the displaced returning to their homes is becoming increasingly unlikely. In many cases, their homes have been destroyed as the result of violence.
Why are the homes of certain populations targeted for destruction? What are the impacts of loss of home upon children, adults, families, communities, and societies? If having a home is a fundamental human right, then why is the destruction of home not viewed as a rights violation and punished accordingly?
From Bureaucracy to Bullets: Extreme Domicide and the Right to Home (Rutgers University Press, 2022) by Dr. Bree Akesson &amp; Dr. Andrew Basso answers these questions and more by focusing on the violent practice of extreme domicide, or the intentional destruction of the home, as a central and overlooked human rights issue. They present a typology of extreme domicide and investigate a number of historical and contemporary case studies: the Mau Mau Uprising in Kenya (1952-1960), domicide in Cyprus (1974), domicide and the Cherokee Trail of Tears (1838-1839), the occupation of Palestine (1945-present), Chechnya’s generations of domicide (1944-2009), domicide in Bosnia (1992-1995), the Syrian War (2011-present), and the Rohingya in Myanmar (2012-present).
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 04 Nov 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>168</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Bree Akesson and Andrew R. Basso</itunes:subtitle>
      <itunes:summary>There are currently a record-setting number of forcibly displaced persons in the world. This number continues to rise as solutions to alleviate humanitarian catastrophes of large-scale violence and displacement continue to fail. The likelihood of the displaced returning to their homes is becoming increasingly unlikely. In many cases, their homes have been destroyed as the result of violence.
Why are the homes of certain populations targeted for destruction? What are the impacts of loss of home upon children, adults, families, communities, and societies? If having a home is a fundamental human right, then why is the destruction of home not viewed as a rights violation and punished accordingly?
From Bureaucracy to Bullets: Extreme Domicide and the Right to Home (Rutgers University Press, 2022) by Dr. Bree Akesson &amp; Dr. Andrew Basso answers these questions and more by focusing on the violent practice of extreme domicide, or the intentional destruction of the home, as a central and overlooked human rights issue. They present a typology of extreme domicide and investigate a number of historical and contemporary case studies: the Mau Mau Uprising in Kenya (1952-1960), domicide in Cyprus (1974), domicide and the Cherokee Trail of Tears (1838-1839), the occupation of Palestine (1945-present), Chechnya’s generations of domicide (1944-2009), domicide in Bosnia (1992-1995), the Syrian War (2011-present), and the Rohingya in Myanmar (2012-present).
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>There are currently a record-setting number of forcibly displaced persons in the world. This number continues to rise as solutions to alleviate humanitarian catastrophes of large-scale violence and displacement continue to fail. The likelihood of the displaced returning to their homes is becoming increasingly unlikely. In many cases, their homes have been destroyed as the result of violence.</p><p>Why are the homes of certain populations targeted for destruction? What are the impacts of loss of home upon children, adults, families, communities, and societies? If having a home is a fundamental human right, then why is the destruction of home not viewed as a rights violation and punished accordingly?</p><p><a href="https://bookshop.org/a/12343/9781978802711"><em>From Bureaucracy to Bullets: Extreme Domicide and the Right to Home</em></a> (Rutgers University Press, 2022) by Dr. Bree Akesson &amp; Dr. Andrew Basso answers these questions and more by focusing on the violent practice of extreme domicide, or the intentional destruction of the home, as a central and overlooked human rights issue. They present a typology of extreme domicide and investigate a number of historical and contemporary case studies: the Mau Mau Uprising in Kenya (1952-1960), domicide in Cyprus (1974), domicide and the Cherokee Trail of Tears (1838-1839), the occupation of Palestine (1945-present), Chechnya’s generations of domicide (1944-2009), domicide in Bosnia (1992-1995), the Syrian War (2011-present), and the Rohingya in Myanmar (2012-present).</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4010</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Gwen Shuni D'Arcangelis, "Bio-Imperialism: Disease, Terror, and the Construction of National Fragility" (Rutgers UP, 2020)</title>
      <description>Gwen Shuni D'Arcangelis's book Bio-Imperialism: Disease, Terror, and the Construction of National Fragility (Rutgers UP, 2020) focuses on an understudied dimension of the war on terror: the fight against bioterrorism. This component of the war enlisted the biosciences and public health fields to build up the U.S. biodefense industry and U.S. global disease control. The book argues that U.S. imperial ambitions drove these shifts in focus, aided by gendered and racialized discourses on terrorism, disease, and science. These narratives helped rationalize American research expansion into dangerous germs and bioweapons in the name of biodefense and bolstered the U.S. rationale for increased interference in the disease control decisions of Global South nations. Bio-Imperialism is a sobering look at how the war on terror impacted the world in ways that we are only just starting to grapple with.
Rachel Pagones is an acupuncturist, educator, and author. Before moving to the UK in 2021 she was chair of the doctoral program in acupuncture and Chinese medicine at Pacific College of Health and Science in San Diego.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 21 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>174</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Gwen Shuni D'Arcangelis</itunes:subtitle>
      <itunes:summary>Gwen Shuni D'Arcangelis's book Bio-Imperialism: Disease, Terror, and the Construction of National Fragility (Rutgers UP, 2020) focuses on an understudied dimension of the war on terror: the fight against bioterrorism. This component of the war enlisted the biosciences and public health fields to build up the U.S. biodefense industry and U.S. global disease control. The book argues that U.S. imperial ambitions drove these shifts in focus, aided by gendered and racialized discourses on terrorism, disease, and science. These narratives helped rationalize American research expansion into dangerous germs and bioweapons in the name of biodefense and bolstered the U.S. rationale for increased interference in the disease control decisions of Global South nations. Bio-Imperialism is a sobering look at how the war on terror impacted the world in ways that we are only just starting to grapple with.
Rachel Pagones is an acupuncturist, educator, and author. Before moving to the UK in 2021 she was chair of the doctoral program in acupuncture and Chinese medicine at Pacific College of Health and Science in San Diego.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Gwen Shuni D'Arcangelis's book<a href="https://bookshop.org/a/12343/9781978814790"> <em>Bio-Imperialism: Disease, Terror, and the Construction of National Fragility </em></a>(Rutgers UP, 2020) focuses on an understudied dimension of the war on terror: the fight against bioterrorism. This component of the war enlisted the biosciences and public health fields to build up the U.S. biodefense industry and U.S. global disease control. The book argues that U.S. imperial ambitions drove these shifts in focus, aided by gendered and racialized discourses on terrorism, disease, and science. These narratives helped rationalize American research expansion into dangerous germs and bioweapons in the name of biodefense and bolstered the U.S. rationale for increased interference in the disease control decisions of Global South nations. <em>Bio-Imperialism</em> is a sobering look at how the war on terror impacted the world in ways that we are only just starting to grapple with.</p><p><em>Rachel Pagones is an acupuncturist, educator, and author. Before moving to the UK in 2021 she was chair of the doctoral program in acupuncture and Chinese medicine at Pacific College of Health and Science in San Diego.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3736</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Eran Kaplan, "Projecting the Nation: History and Ideology on the Israeli Screen" (Rutgers UP, 2020)</title>
      <description>Eran Kaplan's book Projecting the Nation: History and Ideology on the Israeli Screen (Rutgers UP, 2020) is a wide-ranging history of over seven decades of Israeli cinema. The only book in English to offer this type of historical scope was Ella Shohat's Israeli Cinema: East West and the Politics of Representation from 1989. Since 1989, however, Israeli cinema and Israeli society have undergone some crucial transformations and, moreover, Shohat's book offered a single framework through which to judge Israeli cinema: a critique of orientalism. Projecting the Nation contends that Israeli cinema offers much richer historical and ideological perspectives that expose the complexity of the Israeli project. By analyzing Israeli films which address such issues as the Arab-Israeli conflict, the Ashkenazi-Mizrahi divide, the kibbutz and urban life, the rise of religion in Israeli public life and more, the book explores the way cinema has represented and also shaped our understanding of the history of modern Israel as it evolved from a collectivist society to a society where individualism and adherence to local identities is the dominant ideology.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 11 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>46</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Eran Kaplan</itunes:subtitle>
      <itunes:summary>Eran Kaplan's book Projecting the Nation: History and Ideology on the Israeli Screen (Rutgers UP, 2020) is a wide-ranging history of over seven decades of Israeli cinema. The only book in English to offer this type of historical scope was Ella Shohat's Israeli Cinema: East West and the Politics of Representation from 1989. Since 1989, however, Israeli cinema and Israeli society have undergone some crucial transformations and, moreover, Shohat's book offered a single framework through which to judge Israeli cinema: a critique of orientalism. Projecting the Nation contends that Israeli cinema offers much richer historical and ideological perspectives that expose the complexity of the Israeli project. By analyzing Israeli films which address such issues as the Arab-Israeli conflict, the Ashkenazi-Mizrahi divide, the kibbutz and urban life, the rise of religion in Israeli public life and more, the book explores the way cinema has represented and also shaped our understanding of the history of modern Israel as it evolved from a collectivist society to a society where individualism and adherence to local identities is the dominant ideology.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Eran Kaplan's book <a href="https://bookshop.org/a/12343/9781978813380"><em>Projecting the Nation: History and Ideology on the Israeli Screen</em></a><em> </em>(Rutgers UP, 2020) is a wide-ranging history of over seven decades of Israeli cinema. The only book in English to offer this type of historical scope was Ella Shohat's <em>Israeli Cinema: East West and the Politics of Representation</em> from 1989. Since 1989, however, Israeli cinema and Israeli society have undergone some crucial transformations and, moreover, Shohat's book offered a single framework through which to judge Israeli cinema: a critique of orientalism. <em>Projecting the Nation</em> contends that Israeli cinema offers much richer historical and ideological perspectives that expose the complexity of the Israeli project. By analyzing Israeli films which address such issues as the Arab-Israeli conflict, the Ashkenazi-Mizrahi divide, the kibbutz and urban life, the rise of religion in Israeli public life and more, the book explores the way cinema has represented and also shaped our understanding of the history of modern Israel as it evolved from a collectivist society to a society where individualism and adherence to local identities is the dominant ideology.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3625</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Jim Cullen, "1980: America's Pivotal Year" (Rutgers UP, 2022)</title>
      <description>1980 was a turning point in American history. When the year began, it was still very much the 1970s, with Jimmy Carter in the White House, a sluggish economy marked by high inflation, and the disco still riding the airwaves. When it ended, Ronald Reagan won the presidency in a landslide, inaugurating a rightward turn in American politics and culture. We still feel the effects of this tectonic shift today, as even subsequent Democratic administrations have offered neoliberal economic and social policies that owe more to Reagan than to FDR or LBJ. To understand what the American public was thinking during this pivotal year, we need to examine what they were reading, listening to, and watching.
1980: America's Pivotal Year (Rutgers UP, 2022) puts the news events of the era—everything from the Iran hostage crisis to the rise of televangelism—into conversation with the year’s popular culture. Separate chapters focus on the movies, television shows, songs, and books that Americans were talking about that year, including both the biggest hits and some notable flops that failed to capture the shifting zeitgeist. As he looks at the events that had Americans glued to their screens, from the Miracle on Ice to the mystery of Who Shot JR, cultural historian Jim Cullen garners surprising insights about how Americans’ attitudes were changing as they entered the 1980s.
Jim Cullen is the author of numerous books, including The American Dream: A Short History of an Idea that Shaped a Nation, Those Were the Days: Why ‘All in the Family’ Still Matters, and From Memory to History: Television Versions of the Twentieth Century. He teaches history at the newly-founded upper division of Greenwich Country Day School.
Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at jtreinhardt1997@gmail.com and follow him on Twitter @JTRhardt
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 26 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>196</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Jim Cullen</itunes:subtitle>
      <itunes:summary>1980 was a turning point in American history. When the year began, it was still very much the 1970s, with Jimmy Carter in the White House, a sluggish economy marked by high inflation, and the disco still riding the airwaves. When it ended, Ronald Reagan won the presidency in a landslide, inaugurating a rightward turn in American politics and culture. We still feel the effects of this tectonic shift today, as even subsequent Democratic administrations have offered neoliberal economic and social policies that owe more to Reagan than to FDR or LBJ. To understand what the American public was thinking during this pivotal year, we need to examine what they were reading, listening to, and watching.
1980: America's Pivotal Year (Rutgers UP, 2022) puts the news events of the era—everything from the Iran hostage crisis to the rise of televangelism—into conversation with the year’s popular culture. Separate chapters focus on the movies, television shows, songs, and books that Americans were talking about that year, including both the biggest hits and some notable flops that failed to capture the shifting zeitgeist. As he looks at the events that had Americans glued to their screens, from the Miracle on Ice to the mystery of Who Shot JR, cultural historian Jim Cullen garners surprising insights about how Americans’ attitudes were changing as they entered the 1980s.
Jim Cullen is the author of numerous books, including The American Dream: A Short History of an Idea that Shaped a Nation, Those Were the Days: Why ‘All in the Family’ Still Matters, and From Memory to History: Television Versions of the Twentieth Century. He teaches history at the newly-founded upper division of Greenwich Country Day School.
Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at jtreinhardt1997@gmail.com and follow him on Twitter @JTRhardt
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>1980 was a turning point in American history. When the year began, it was still very much the 1970s, with Jimmy Carter in the White House, a sluggish economy marked by high inflation, and the disco still riding the airwaves. When it ended, Ronald Reagan won the presidency in a landslide, inaugurating a rightward turn in American politics and culture. We still feel the effects of this tectonic shift today, as even subsequent Democratic administrations have offered neoliberal economic and social policies that owe more to Reagan than to FDR or LBJ. To understand what the American public was thinking during this pivotal year, we need to examine what they were reading, listening to, and watching.</p><p><a href="https://bookshop.org/a/12343/9781978831179"><em>1980: America's Pivotal Year</em></a><em> </em>(Rutgers UP, 2022) puts the news events of the era—everything from the Iran hostage crisis to the rise of televangelism—into conversation with the year’s popular culture. Separate chapters focus on the movies, television shows, songs, and books that Americans were talking about that year, including both the biggest hits and some notable flops that failed to capture the shifting zeitgeist. As he looks at the events that had Americans glued to their screens, from the Miracle on Ice to the mystery of Who Shot JR, cultural historian Jim Cullen garners surprising insights about how Americans’ attitudes were changing as they entered the 1980s.</p><p>Jim Cullen is the author of numerous books, including <em>The American Dream: A Short History of an Idea that Shaped a Nation</em>, <em>Those Were the Days: Why ‘All in the Family’ Still Matters</em>, and <em>From Memory to History: Television Versions of the Twentieth Century. </em>He teaches history at the newly-founded upper division of Greenwich Country Day School.</p><p><em>Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at jtreinhardt1997@gmail.com and follow him on Twitter @JTRhardt</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2339</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Timothy Williams, "The Complexity of Evil: Perpetration and Genocide" (Rutgers UP, 2020)</title>
      <description>Why do people participate in genocide? In The Complexity of Evil: Perpetration and Genocide (Rutgers UP, 2020), Timothy Williams presents an interdisciplinary model that shows how complex and diverse, but also how ordinary and mundane most motivations for participating in genocide are. The book draws on empirical examples from the Holocaust and Rwanda and introduces new data from interviews with perpetrators of genocide in Cambodia. On my latest episode, we discuss all this and more.
Jeff Bachman is Senior Lecturer in Human Rights at American University’s School of International Service in Washington, DC.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 22 Sep 2022 19:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>140</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Timothy Williams</itunes:subtitle>
      <itunes:summary>Why do people participate in genocide? In The Complexity of Evil: Perpetration and Genocide (Rutgers UP, 2020), Timothy Williams presents an interdisciplinary model that shows how complex and diverse, but also how ordinary and mundane most motivations for participating in genocide are. The book draws on empirical examples from the Holocaust and Rwanda and introduces new data from interviews with perpetrators of genocide in Cambodia. On my latest episode, we discuss all this and more.
Jeff Bachman is Senior Lecturer in Human Rights at American University’s School of International Service in Washington, DC.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why do people participate in genocide? In <a href="https://bookshop.org/a/12343/9781978814295"><em>The Complexity of Evil: Perpetration and Genocide</em></a> (Rutgers UP, 2020), Timothy Williams presents an interdisciplinary model that shows how complex and diverse, but also how ordinary and mundane most motivations for participating in genocide are. The book draws on empirical examples from the Holocaust and Rwanda and introduces new data from interviews with perpetrators of genocide in Cambodia. On my latest episode, we discuss all this and more.</p><p><a href="https://www.american.edu/sis/faculty/bachman.cfm"><em>Jeff Bachman</em></a><em> is Senior Lecturer in Human Rights at American University’s School of International Service in Washington, DC.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3569</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4871810c-f127-11ee-be82-27bd65bd8362]]></guid>
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    <item>
      <title>Ethan Czuy Levine, "Rape by the Numbers: Producing and Contesting Scientific Knowledge about Sexual Violence" (Rutgers UP, 2021)</title>
      <description>Science plays a substantial, though under-acknowledged, role in shaping popular understandings of rape. Statistical figures like “1 in 4 women have experienced completed or attempted rape” are central for raising awareness. Yet such scientific facts often become points of controversy, particularly as conservative scholars and public figures attempt to discredit feminist activists.
Rape by the Numbers: Producing and Contesting Scientific Knowledge about Sexual Violence (Rutgers University Press, 2021) by Dr. Ethan Czuy Levine explores scientists’ approaches to studying rape over more than forty years in the United States and Canada. In addition to investigating how scientists come to know the scope, causes, and consequences of rape, this book delves into the politics of rape research. Scholars who study rape often face a range of social pressures and resource constraints, including some that are unique to feminized and politicized fields of inquiry. Collectively, these matters have far-reaching consequences. Scientific projects may determine who counts as a potential victim/survivor or aggressor in a range of contexts, shaping research agendas as well as state policy, anti-violence programming and services, and public perceptions. Social processes within the study of rape determine which knowledges count as credible science, and thus who may count as an expert in academic and public contexts.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 13 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>31</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Ethan Czuy Levine</itunes:subtitle>
      <itunes:summary>Science plays a substantial, though under-acknowledged, role in shaping popular understandings of rape. Statistical figures like “1 in 4 women have experienced completed or attempted rape” are central for raising awareness. Yet such scientific facts often become points of controversy, particularly as conservative scholars and public figures attempt to discredit feminist activists.
Rape by the Numbers: Producing and Contesting Scientific Knowledge about Sexual Violence (Rutgers University Press, 2021) by Dr. Ethan Czuy Levine explores scientists’ approaches to studying rape over more than forty years in the United States and Canada. In addition to investigating how scientists come to know the scope, causes, and consequences of rape, this book delves into the politics of rape research. Scholars who study rape often face a range of social pressures and resource constraints, including some that are unique to feminized and politicized fields of inquiry. Collectively, these matters have far-reaching consequences. Scientific projects may determine who counts as a potential victim/survivor or aggressor in a range of contexts, shaping research agendas as well as state policy, anti-violence programming and services, and public perceptions. Social processes within the study of rape determine which knowledges count as credible science, and thus who may count as an expert in academic and public contexts.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Science plays a substantial, though under-acknowledged, role in shaping popular understandings of rape. Statistical figures like “1 in 4 women have experienced completed or attempted rape” are central for raising awareness. Yet such scientific facts often become points of controversy, particularly as conservative scholars and public figures attempt to discredit feminist activists.</p><p><a href="https://bookshop.org/a/12343/9781978823631"><em>Rape by the Numbers: Producing and Contesting Scientific Knowledge about Sexual Violence</em></a> (Rutgers University Press, 2021) by Dr. Ethan Czuy Levine explores scientists’ approaches to studying rape over more than forty years in the United States and Canada. In addition to investigating how scientists come to know the scope, causes, and consequences of rape, this book delves into the politics of rape research. Scholars who study rape often face a range of social pressures and resource constraints, including some that are unique to feminized and politicized fields of inquiry. Collectively, these matters have far-reaching consequences. Scientific projects may determine who counts as a potential victim/survivor or aggressor in a range of contexts, shaping research agendas as well as state policy, anti-violence programming and services, and public perceptions. Social processes within the study of rape determine which knowledges count as credible science, and thus who may count as an expert in academic and public contexts.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3506</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Sarah Lamb, "Successful Aging as a Contemporary Obsession" (Rutgers UP, 2017)</title>
      <description>In recent decades, the North American public has pursued an inspirational vision of successful aging—striving through medical technique and individual effort to eradicate the declines, vulnerabilities, and dependencies previously commonly associated with old age. On the face of it, this bold new vision of successful, healthy, and active aging is highly appealing. But it also rests on a deep cultural discomfort with aging and being old.
The contributors to Sarah Lamb's Successful Aging as a Contemporary Obsession (Rutgers UP, 2017) explore how the successful aging movement is playing out across five continents. Their chapters investigate a variety of people, including Catholic nuns in the United States; Hindu ashram dwellers; older American women seeking plastic surgery; aging African-American lesbians and gay men in the District of Columbia; Chicago home health care workers and their aging clients; Mexican men foregoing Viagra; dementia and Alzheimer sufferers in the United States and Brazil; and aging policies in Denmark, Poland, India, China, Japan, and Uganda. This book offers a fresh look at a major cultural and public health movement of our time, questioning what has become for many a taken-for-granted goal—aging in a way that almost denies aging itself.
Rachel Pagones is an acupuncturist, educator, and author based in Cambridge, England. Her book, Acupuncture as Revolution: Suffering, Liberation, and Love (Brevis Press) was published in 2021.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 09 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>171</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Sarah Lamb</itunes:subtitle>
      <itunes:summary>In recent decades, the North American public has pursued an inspirational vision of successful aging—striving through medical technique and individual effort to eradicate the declines, vulnerabilities, and dependencies previously commonly associated with old age. On the face of it, this bold new vision of successful, healthy, and active aging is highly appealing. But it also rests on a deep cultural discomfort with aging and being old.
The contributors to Sarah Lamb's Successful Aging as a Contemporary Obsession (Rutgers UP, 2017) explore how the successful aging movement is playing out across five continents. Their chapters investigate a variety of people, including Catholic nuns in the United States; Hindu ashram dwellers; older American women seeking plastic surgery; aging African-American lesbians and gay men in the District of Columbia; Chicago home health care workers and their aging clients; Mexican men foregoing Viagra; dementia and Alzheimer sufferers in the United States and Brazil; and aging policies in Denmark, Poland, India, China, Japan, and Uganda. This book offers a fresh look at a major cultural and public health movement of our time, questioning what has become for many a taken-for-granted goal—aging in a way that almost denies aging itself.
Rachel Pagones is an acupuncturist, educator, and author based in Cambridge, England. Her book, Acupuncture as Revolution: Suffering, Liberation, and Love (Brevis Press) was published in 2021.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In recent decades, the North American public has pursued an inspirational vision of successful aging—striving through medical technique and individual effort to eradicate the declines, vulnerabilities, and dependencies previously commonly associated with old age. On the face of it, this bold new vision of successful, healthy, and active aging is highly appealing. But it also rests on a deep cultural discomfort with aging and being old.</p><p>The contributors to Sarah Lamb's<em> </em><a href="https://bookshop.org/a/12343/9780813585338"><em>Successful Aging as a Contemporary Obsession</em></a><em> (</em>Rutgers UP, 2017) explore how the successful aging movement is playing out across five continents. Their chapters investigate a variety of people, including Catholic nuns in the United States; Hindu ashram dwellers; older American women seeking plastic surgery; aging African-American lesbians and gay men in the District of Columbia; Chicago home health care workers and their aging clients; Mexican men foregoing Viagra; dementia and Alzheimer sufferers in the United States and Brazil; and aging policies in Denmark, Poland, India, China, Japan, and Uganda. This book offers a fresh look at a major cultural and public health movement of our time, questioning what has become for many a taken-for-granted goal—aging in a way that almost denies aging itself.</p><p><em>Rachel Pagones is an acupuncturist, educator, and author based in Cambridge, England. Her book, Acupuncture as Revolution: Suffering, Liberation, and Love (Brevis Press) was published in 2021.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3416</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Julia Margaret Zulver, "High-Risk Feminism in Colombia: Women's Mobilization in Violent Contexts" (Rutgers UP, 2022)</title>
      <description>In High-Risk Feminism in Colombia: Women's Mobilization in Violent Contexts (Rutgers University Press, 2022), Dr. Julia Zulver documents the experiences of grassroots women’s organizations that united to demand gender justice during and in the aftermath of Colombia’s armed conflict. In doing so, she illustrates a little-studied phenomenon: women whose experiences with violence catalyze them to mobilize and resist as feminists, even in the face of grave danger. Despite a well-established tradition of studying women in war, we tend to focus on their roles as mothers or carers, as peacemakers, or sometimes as revolutionaries.
This book explains the gendered underpinnings of why women engage in feminist mobilization, even when this takes place in a ‘domain of losses’ that exposes them to high levels of risk. It follows four women’s organizations who break with traditional gender norms and defy armed groups’ social and territorial control, exposing them to retributive punishment. Dr. Zulver provides rich evidence to document how women are able to surmount the barriers to mobilization when they frame their actions in terms of resistance, rather than fear.
High-Risk Feminism in Colombia has also been translated and released in Spanish! Dr. Zulver discusses the book in Spanish here.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 08 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>171</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Julia Margaret Zulver</itunes:subtitle>
      <itunes:summary>In High-Risk Feminism in Colombia: Women's Mobilization in Violent Contexts (Rutgers University Press, 2022), Dr. Julia Zulver documents the experiences of grassroots women’s organizations that united to demand gender justice during and in the aftermath of Colombia’s armed conflict. In doing so, she illustrates a little-studied phenomenon: women whose experiences with violence catalyze them to mobilize and resist as feminists, even in the face of grave danger. Despite a well-established tradition of studying women in war, we tend to focus on their roles as mothers or carers, as peacemakers, or sometimes as revolutionaries.
This book explains the gendered underpinnings of why women engage in feminist mobilization, even when this takes place in a ‘domain of losses’ that exposes them to high levels of risk. It follows four women’s organizations who break with traditional gender norms and defy armed groups’ social and territorial control, exposing them to retributive punishment. Dr. Zulver provides rich evidence to document how women are able to surmount the barriers to mobilization when they frame their actions in terms of resistance, rather than fear.
High-Risk Feminism in Colombia has also been translated and released in Spanish! Dr. Zulver discusses the book in Spanish here.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781978827103"><em>High-Risk Feminism in Colombia: Women's Mobilization in Violent Contexts</em></a> (Rutgers University Press, 2022), Dr. Julia Zulver documents the experiences of grassroots women’s organizations that united to demand gender justice during and in the aftermath of Colombia’s armed conflict. In doing so, she illustrates a little-studied phenomenon: women whose experiences with violence catalyze them to mobilize and resist as feminists, even in the face of grave danger. Despite a well-established tradition of studying women in war, we tend to focus on their roles as mothers or carers, as peacemakers, or sometimes as revolutionaries.</p><p>This book explains the gendered underpinnings of why women engage in feminist mobilization, even when this takes place in a ‘domain of losses’ that exposes them to high levels of risk. It follows four women’s organizations who break with traditional gender norms and defy armed groups’ social and territorial control, exposing them to retributive punishment. Dr. Zulver provides rich evidence to document how women are able to surmount the barriers to mobilization when they frame their actions in terms of resistance, rather than fear.</p><p><em>High-Risk Feminism in Colombia </em>has also been translated and released in Spanish! Dr. Zulver discusses the book in Spanish <a href="https://open.spotify.com/episode/6XpebZTYQYEu9kubnP1dUN?si=t-RrWRonTZiVEnkPgBDwbA&amp;nd=1">here</a>.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3508</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Andrew M. Guest, "Soccer in Mind: A Thinking Fan's Guide to the Global Game" (Rutgers UP, 2021)</title>
      <description>Today we are joined by Andrew Guest, Professor of Psychology and Sociology at the University of Portland, where he also serves as Director of the Core Curriculum. He is also the author of Soccer in Mind: A Thinking Fan’s Guide to the Global Game (Rutgers University Press, 2022). In our conversation we discussed the possibilities of thinking fandom, soccer as a glocal phenomenon, and whether sport builds character and provides a social good.
In Soccer in Mind, Guest uses thematic chapters to address some of the biggest questions in sports studies: why do sports seem so central to many people’s identities, what is the right way to develop player talent, what is the future of sports psychology, and most importantly how can athletes and fans engage in sport in a more critical and socially conscious way?
His careful approach to think about and through soccer mixes different analytical lenses including sociology, psychology, and auto-ethnography. He strives to make the familiar things in soccer strange, and the strange things in soccer more familiar. His work moves comfortably between discussions of fan culture in England, women’s football in Portland, and witchcraft in Malawi to identify the ways that aesthetics, emotion and rationality work together to shape popular engagement with the global game.
He also considers the sport from the top-down and the bottom-up. His interlocutors and interview subjects range from elite women’s footballers in the US, Zanzibari soccer players called the “Women Fighters,” and disabled children in Angola. Many of his chapters are cross comparative. For example, in his chapter on player development, he looks at the influence of the technocratic Dutch model of top player development, the Ghanaian romantic model of grassroots soccer, and what he calls the Icelandic humanistic model that prioritizes broad human and social development through sport over elite access.
Throughout Soccer in Mind, Guest’s work challenges easy assumptions about soccer and sports more generally. While many works challenge the value of mega-events, Guest argues that soccer might only provide a social good when we use the sport to do so attentively and intentionally. His chapter on global development initiatives shows how even well-meaning soccer NGOs can cause negative feedback loops. Participation in sports might not even encourage fair play and sportsmanship unless athletes, coaches, and fans provide a broader social basis for it.
Guest’s very readable work – clearly of interest to people involved in sports studies, sports sociology and sports psychology – also has broad appeal and will prove useful in classrooms and boardrooms.
﻿Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 18 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>224</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Andrew M. Guest</itunes:subtitle>
      <itunes:summary>Today we are joined by Andrew Guest, Professor of Psychology and Sociology at the University of Portland, where he also serves as Director of the Core Curriculum. He is also the author of Soccer in Mind: A Thinking Fan’s Guide to the Global Game (Rutgers University Press, 2022). In our conversation we discussed the possibilities of thinking fandom, soccer as a glocal phenomenon, and whether sport builds character and provides a social good.
In Soccer in Mind, Guest uses thematic chapters to address some of the biggest questions in sports studies: why do sports seem so central to many people’s identities, what is the right way to develop player talent, what is the future of sports psychology, and most importantly how can athletes and fans engage in sport in a more critical and socially conscious way?
His careful approach to think about and through soccer mixes different analytical lenses including sociology, psychology, and auto-ethnography. He strives to make the familiar things in soccer strange, and the strange things in soccer more familiar. His work moves comfortably between discussions of fan culture in England, women’s football in Portland, and witchcraft in Malawi to identify the ways that aesthetics, emotion and rationality work together to shape popular engagement with the global game.
He also considers the sport from the top-down and the bottom-up. His interlocutors and interview subjects range from elite women’s footballers in the US, Zanzibari soccer players called the “Women Fighters,” and disabled children in Angola. Many of his chapters are cross comparative. For example, in his chapter on player development, he looks at the influence of the technocratic Dutch model of top player development, the Ghanaian romantic model of grassroots soccer, and what he calls the Icelandic humanistic model that prioritizes broad human and social development through sport over elite access.
Throughout Soccer in Mind, Guest’s work challenges easy assumptions about soccer and sports more generally. While many works challenge the value of mega-events, Guest argues that soccer might only provide a social good when we use the sport to do so attentively and intentionally. His chapter on global development initiatives shows how even well-meaning soccer NGOs can cause negative feedback loops. Participation in sports might not even encourage fair play and sportsmanship unless athletes, coaches, and fans provide a broader social basis for it.
Guest’s very readable work – clearly of interest to people involved in sports studies, sports sociology and sports psychology – also has broad appeal and will prove useful in classrooms and boardrooms.
﻿Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by Andrew Guest, Professor of Psychology and Sociology at the University of Portland, where he also serves as Director of the Core Curriculum. He is also the author of <a href="https://bookshop.org/a/12343/9781978817319"><em>Soccer in Mind: A Thinking Fan’s Guide to the Global Game</em></a><em> </em>(Rutgers University Press, 2022). In our conversation we discussed the possibilities of thinking fandom, soccer as a glocal phenomenon, and whether sport builds character and provides a social good.</p><p>In <em>Soccer in Mind, </em>Guest uses thematic chapters to address some of the biggest questions in sports studies: why do sports seem so central to many people’s identities, what is the right way to develop player talent, what is the future of sports psychology, and most importantly how can athletes and fans engage in sport in a more critical and socially conscious way?</p><p>His careful approach to think about and through soccer mixes different analytical lenses including sociology, psychology, and auto-ethnography. He strives to make the familiar things in soccer strange, and the strange things in soccer more familiar. His work moves comfortably between discussions of fan culture in England, women’s football in Portland, and witchcraft in Malawi to identify the ways that aesthetics, emotion and rationality work together to shape popular engagement with the global game.</p><p>He also considers the sport from the top-down and the bottom-up. His interlocutors and interview subjects range from elite women’s footballers in the US, Zanzibari soccer players called the “Women Fighters,” and disabled children in Angola. Many of his chapters are cross comparative. For example, in his chapter on player development, he looks at the influence of the technocratic Dutch model of top player development, the Ghanaian romantic model of grassroots soccer, and what he calls the Icelandic humanistic model that prioritizes broad human and social development through sport over elite access.</p><p>Throughout <em>Soccer in Mind, </em>Guest’s work challenges easy assumptions about soccer and sports more generally. While many works challenge the value of mega-events, Guest argues that soccer might only provide a social good when we use the sport to do so attentively and intentionally. His chapter on global development initiatives shows how even well-meaning soccer NGOs can cause negative feedback loops. Participation in sports might not even encourage fair play and sportsmanship unless athletes, coaches, and fans provide a broader social basis for it.</p><p>Guest’s very readable work – clearly of interest to people involved in sports studies, sports sociology and sports psychology – also has broad appeal and will prove useful in classrooms and boardrooms.</p><p><em>﻿</em><a href="https://www.mq.edu.au/about_us/faculties_and_departments/faculty_of_arts/mhpir/staff/staff/dr_keith_rathbone/"><em>Keith Rathbone</em></a><em> is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4103</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Charlie Jeffries, "Teenage Dreams: Girlhood Sexualities in the U.S. Culture Wars" (Rutgers UP, 2022)</title>
      <description>Utilizing a breadth of archival sources from activists, artists, and policymakers, Charlie Jeffries' Teenage Dreams: Girlhood Sexualities in the U.S. Culture Wars (Rutgers UP, 2022) examines the race- and class-inflected battles over adolescent women’s sexual and reproductive lives in the late twentieth and early twenty-first century United States. Charlie Jeffries finds that most adults in this period hesitated to advocate for adolescent sexual and reproductive rights, revealing a new culture war altogether--one between adults of various political stripes in the cultural mainstream who prioritized the desire to delay girlhood sexual experience at all costs, and adults who remained culturally underground in their support for teenagers’ access to frank sexual information, and who would dare to advocate for this in public. The book tells the story of how the latter group of adults fought alongside teenagers themselves, who constituted a large and increasingly visible part of this activism. The history of the debates over teenage sexual behavior reveals unexpected alliances in American political battles, and sheds new light on the resurgence of the right in the US in recent years.
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 03 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>124</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Charlie Jeffries</itunes:subtitle>
      <itunes:summary>Utilizing a breadth of archival sources from activists, artists, and policymakers, Charlie Jeffries' Teenage Dreams: Girlhood Sexualities in the U.S. Culture Wars (Rutgers UP, 2022) examines the race- and class-inflected battles over adolescent women’s sexual and reproductive lives in the late twentieth and early twenty-first century United States. Charlie Jeffries finds that most adults in this period hesitated to advocate for adolescent sexual and reproductive rights, revealing a new culture war altogether--one between adults of various political stripes in the cultural mainstream who prioritized the desire to delay girlhood sexual experience at all costs, and adults who remained culturally underground in their support for teenagers’ access to frank sexual information, and who would dare to advocate for this in public. The book tells the story of how the latter group of adults fought alongside teenagers themselves, who constituted a large and increasingly visible part of this activism. The history of the debates over teenage sexual behavior reveals unexpected alliances in American political battles, and sheds new light on the resurgence of the right in the US in recent years.
﻿Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Utilizing a breadth of archival sources from activists, artists, and policymakers, Charlie Jeffries' <a href="https://bookshop.org/a/12343/9781978806795"><em>Teenage Dreams: Girlhood Sexualities in the U.S. Culture Wars</em></a> (Rutgers UP, 2022) examines the race- and class-inflected battles over adolescent women’s sexual and reproductive lives in the late twentieth and early twenty-first century United States. Charlie Jeffries finds that most adults in this period hesitated to advocate for adolescent sexual and reproductive rights, revealing a new culture war altogether--one between adults of various political stripes in the cultural mainstream who prioritized the desire to delay girlhood sexual experience at all costs, and adults who remained culturally underground in their support for teenagers’ access to frank sexual information, and who would dare to advocate for this in public. The book tells the story of how the latter group of adults fought alongside teenagers themselves, who constituted a large and increasingly visible part of this activism. The history of the debates over teenage sexual behavior reveals unexpected alliances in American political battles, and sheds new light on the resurgence of the right in the US in recent years.</p><p><em>﻿</em><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3670</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Carolyn J. Eichner, "The Paris Commune: A Brief History" (Rutgers UP, 2022)</title>
      <description>Carolyn Eichner's new book, The Paris Commune: A Brief History (Rutgers University Press, 2022) was published on March 18th, the anniversary of the eruption of Paris Commune of 1871. In this accessible history of the 72-day uprising during which the working-class people of Paris established their own government; experimented with forms of radical democracy and social change; and resisted the forces of the French state and military, Eichner explores the Commune within the context of nineteenth-century political, economic, and cultural history in France and beyond its borders. Structured in three parts/chapters that take up the metaphorics of illumination, fluorescence, and explosion, the book follows the lives, ideas, and actions of Communards who sought to bring about a new society, and were ultimately crushed in their efforts. After two and a half months, the French government under the leadership of Adolphe Thiers crushed the Commune during the "Bloody Week" of May 21st-28th. Thousands of Communards met their violent ends in the streets of Paris while others were arrested, tried,  and deported.
The book is short and rich, clear and dramatic, an excellent resource for students, readers academic and non, anyone interested in a smart, clear introduction to these events and figures with such mythological status in the histories of popular resistance and revolution. It is also a fascinating account for those more familiar with the Commune. Attentive to the role of women and gender throughout, and interested in understanding the Commune's achievements as well as its limitations, Eichner's account revisits some of the long-standing debates about the Commune's course, and its legacies. Bonne lecture!
﻿Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca).
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 18 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>96</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Carolyn J. Eichner</itunes:subtitle>
      <itunes:summary>Carolyn Eichner's new book, The Paris Commune: A Brief History (Rutgers University Press, 2022) was published on March 18th, the anniversary of the eruption of Paris Commune of 1871. In this accessible history of the 72-day uprising during which the working-class people of Paris established their own government; experimented with forms of radical democracy and social change; and resisted the forces of the French state and military, Eichner explores the Commune within the context of nineteenth-century political, economic, and cultural history in France and beyond its borders. Structured in three parts/chapters that take up the metaphorics of illumination, fluorescence, and explosion, the book follows the lives, ideas, and actions of Communards who sought to bring about a new society, and were ultimately crushed in their efforts. After two and a half months, the French government under the leadership of Adolphe Thiers crushed the Commune during the "Bloody Week" of May 21st-28th. Thousands of Communards met their violent ends in the streets of Paris while others were arrested, tried,  and deported.
The book is short and rich, clear and dramatic, an excellent resource for students, readers academic and non, anyone interested in a smart, clear introduction to these events and figures with such mythological status in the histories of popular resistance and revolution. It is also a fascinating account for those more familiar with the Commune. Attentive to the role of women and gender throughout, and interested in understanding the Commune's achievements as well as its limitations, Eichner's account revisits some of the long-standing debates about the Commune's course, and its legacies. Bonne lecture!
﻿Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca).
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Carolyn Eichner's new book, <a href="https://bookshop.org/a/12343/9781978827684"><em>The Paris Commune: A Brief History</em></a> (Rutgers University Press, 2022) was published on March 18th, the anniversary of the eruption of Paris Commune of 1871. In this accessible history of the 72-day uprising during which the working-class people of Paris established their own government; experimented with forms of radical democracy and social change; and resisted the forces of the French state and military, Eichner explores the Commune within the context of nineteenth-century political, economic, and cultural history in France and beyond its borders. Structured in three parts/chapters that take up the metaphorics of illumination, fluorescence, and explosion, the book follows the lives, ideas, and actions of Communards who sought to bring about a new society, and were ultimately crushed in their efforts. After two and a half months, the French government under the leadership of Adolphe Thiers crushed the Commune during the "Bloody Week" of May 21st-28th. Thousands of Communards met their violent ends in the streets of Paris while others were arrested, tried,  and deported.</p><p>The book is short and rich, clear and dramatic, an excellent resource for students, readers academic and non, anyone interested in a smart, clear introduction to these events and figures with such mythological status in the histories of popular resistance and revolution. It is also a fascinating account for those more familiar with the Commune. Attentive to the role of women and gender throughout, and interested in understanding the Commune's achievements as well as its limitations, Eichner's account revisits some of the long-standing debates about the Commune's course, and its legacies. Bonne lecture!</p><p><em>﻿Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3689</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Stephanie A. Malin and Meghan E. Kallman, "Building Something Better: Environmental Crises and the Promise of Community Change" (Rutgers UP, 2022)</title>
      <description>As the turmoil of interlinked crises unfolds across the world—from climate change to growing inequality to the rise of authoritarian governments—social scientists examine what is happening and why. Can communities devise alternatives to the systems that are doing so much harm to the planet and people?
Sociologists Stephanie A. Malin and Meghan Elizabeth Kallman offer a clear, accessible volume that demonstrates the ways that communities adapt in the face of crises and explains that sociology can help us understand how and why they do this challenging work. Tackling neoliberalism head-on, these communities are making big changes by crafting distributive and regenerative systems that depart from capitalist approaches. The vivid case studies presented range from activist water protectors to hemp farmers to renewable energy cooperatives led by Indigenous peoples and nations. Alongside these studies, Malin and Kallman present incisive critiques of colonialism, extractive capitalism, and neoliberalism, while demonstrating how sociology’s own disciplinary traditions have been complicit with those ideologies—and must expand beyond them.
Showing that it is possible to challenge social inequality and environmental degradation by refusing to continue business-as-usual, Building Something Better: Environmental Crises and the Promise of Community Change (Rutgers UP, 2022) offers both a call to action and a dose of hope in a time of crises.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 05 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>58</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Stephanie A. Malin and Meghan E. Kallman</itunes:subtitle>
      <itunes:summary>As the turmoil of interlinked crises unfolds across the world—from climate change to growing inequality to the rise of authoritarian governments—social scientists examine what is happening and why. Can communities devise alternatives to the systems that are doing so much harm to the planet and people?
Sociologists Stephanie A. Malin and Meghan Elizabeth Kallman offer a clear, accessible volume that demonstrates the ways that communities adapt in the face of crises and explains that sociology can help us understand how and why they do this challenging work. Tackling neoliberalism head-on, these communities are making big changes by crafting distributive and regenerative systems that depart from capitalist approaches. The vivid case studies presented range from activist water protectors to hemp farmers to renewable energy cooperatives led by Indigenous peoples and nations. Alongside these studies, Malin and Kallman present incisive critiques of colonialism, extractive capitalism, and neoliberalism, while demonstrating how sociology’s own disciplinary traditions have been complicit with those ideologies—and must expand beyond them.
Showing that it is possible to challenge social inequality and environmental degradation by refusing to continue business-as-usual, Building Something Better: Environmental Crises and the Promise of Community Change (Rutgers UP, 2022) offers both a call to action and a dose of hope in a time of crises.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As the turmoil of interlinked crises unfolds across the world—from climate change to growing inequality to the rise of authoritarian governments—social scientists examine what is happening and why. Can communities devise alternatives to the systems that are doing so much harm to the planet and people?</p><p>Sociologists Stephanie A. Malin and Meghan Elizabeth Kallman offer a clear, accessible volume that demonstrates the ways that communities adapt in the face of crises and explains that sociology can help us understand how and why they do this challenging work. Tackling neoliberalism head-on, these communities are making big changes by crafting distributive and regenerative systems that depart from capitalist approaches. The vivid case studies presented range from activist water protectors to hemp farmers to renewable energy cooperatives led by Indigenous peoples and nations. Alongside these studies, Malin and Kallman present incisive critiques of colonialism, extractive capitalism, and neoliberalism, while demonstrating how sociology’s own disciplinary traditions have been complicit with those ideologies—and must expand beyond them.</p><p>Showing that it is possible to challenge social inequality and environmental degradation by refusing to continue business-as-usual, <a href="https://bookshop.org/a/12343/9781978823686"><em>Building Something Better: Environmental Crises and the Promise of Community Change</em></a><em> </em>(Rutgers UP, 2022) offers both a call to action and a dose of hope in a time of crises.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1965</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[936517b4-f127-11ee-b884-1783557421ff]]></guid>
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    <item>
      <title>Brandon J. Manning, "Played Out: The Race Man in 21st Century Satire" (Rutgers UP, 2022)</title>
      <description>In this episode, Dr. Brandon J. Manning talks about his most recent book, Played Out: The Race Man in 21st Century Satire (Rutgers UP, 2022). Here's a short description: through contemporary examples, including the work of Kendrick Lamar, Key and Peele and the presidency of Barack Obama and many others, Played Out: The Race Man in 21st Century Satire examines how Black satirists create vulnerability to highlight the inner emotional lives of Black men.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 12 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>291</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Brandon J. Manning</itunes:subtitle>
      <itunes:summary>In this episode, Dr. Brandon J. Manning talks about his most recent book, Played Out: The Race Man in 21st Century Satire (Rutgers UP, 2022). Here's a short description: through contemporary examples, including the work of Kendrick Lamar, Key and Peele and the presidency of Barack Obama and many others, Played Out: The Race Man in 21st Century Satire examines how Black satirists create vulnerability to highlight the inner emotional lives of Black men.
Brittney Edmonds is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, Dr. Brandon J. Manning talks about his most recent book, <a href="https://bookshop.org/a/12343/9781978824249"><em>Played Out: The Race Man in 21st Century Satire</em></a> (Rutgers UP, 2022). Here's a short description: through contemporary examples, including the work of Kendrick Lamar, Key and Peele and the presidency of Barack Obama and many others, Played Out: The Race Man in 21st Century Satire examines how Black satirists create vulnerability to highlight the inner emotional lives of Black men.</p><p><a href="https://brittneymichelleedmonds.com/"><em>Brittney Edmonds</em></a><em> is an Assistant Professor of Afro-American Studies at UW-Madison. I specialize in 20th and 21st century African American Literature and Culture with a special interest in Black Humor Studies. Read more about my work at brittneymichelleedmonds.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4067</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8ed94808-f11f-11ee-9c4c-07f23fa22225]]></guid>
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    <item>
      <title>Yveline Alexis, "Haiti Fights Back: The Life and Legacy of Charlemagne Péralte" (Rutgers UP, 2021)</title>
      <description>Haiti Fights Back: The Life and Legacy of Charlemagne Péralte (Rutgers University Press, 2021), by Yveline Alexis is the first US study of the politician and caco leader (guerrilla fighter) who fought against the US occupation of Haiti from 1915-1934. Alexis locates rare multilingual sources from both nations and documents Péralte's political movement and citizens' protests. The interdisciplinary work offers a new approach to studies of the US invasion period by documenting how Caribbean people fought back.
Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean &amp; U.S. Latino Studies at SUNY, Albany.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 11 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>80</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Yveline Alexis</itunes:subtitle>
      <itunes:summary>Haiti Fights Back: The Life and Legacy of Charlemagne Péralte (Rutgers University Press, 2021), by Yveline Alexis is the first US study of the politician and caco leader (guerrilla fighter) who fought against the US occupation of Haiti from 1915-1934. Alexis locates rare multilingual sources from both nations and documents Péralte's political movement and citizens' protests. The interdisciplinary work offers a new approach to studies of the US invasion period by documenting how Caribbean people fought back.
Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean &amp; U.S. Latino Studies at SUNY, Albany.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781978815407"><em>Haiti Fights Back: The Life and Legacy of Charlemagne Péralte</em></a> (Rutgers University Press, 2021), by Yveline Alexis is the first US study of the politician and caco leader (guerrilla fighter) who fought against the US occupation of Haiti from 1915-1934. Alexis locates rare multilingual sources from both nations and documents Péralte's political movement and citizens' protests. The interdisciplinary work offers a new approach to studies of the US invasion period by documenting how Caribbean people fought back.</p><p><a href="https://www.albany.edu/lacs/faculty/alejandra-bronfman"><em>Alejandra Bronfman</em></a><em> is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean &amp; U.S. Latino Studies at SUNY, Albany.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2795</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Rama Srinivasan, "Courting Desire: Litigating for Love in North India" (Rutgers UP, 2020)</title>
      <description>Inquiries into marital patterns can serve as an effective lens to analyze social structures and material cultures not only on the question of sexuality, but also on the nature of a private citizen’s engagement with state and law. Through ethnographic research in courtrooms, community, and kinship spaces, Rama Srinivasan outlines the transformations in material culture and political economy that have led to renewed negotiations on the institution of marriage in North India, especially in legal spaces. Tracing organically evolving notions of sexual consent and legal subjectivity, Courting Desire: Litigating for Love in North India (Rutgers UP, 2020) underlines how non-normative decisions regarding marriage become possible in a region otherwise known for high instances of honor killings and rigid kinship structures. Aspirations for consensual relationships have led to a tentative attempt to forge relationships that are non-normative but grudgingly approved after state intervention. The book traces this nascent and under-explored trend in the North Indian landscape.
Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 31 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>198</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Rama Srinivasan</itunes:subtitle>
      <itunes:summary>Inquiries into marital patterns can serve as an effective lens to analyze social structures and material cultures not only on the question of sexuality, but also on the nature of a private citizen’s engagement with state and law. Through ethnographic research in courtrooms, community, and kinship spaces, Rama Srinivasan outlines the transformations in material culture and political economy that have led to renewed negotiations on the institution of marriage in North India, especially in legal spaces. Tracing organically evolving notions of sexual consent and legal subjectivity, Courting Desire: Litigating for Love in North India (Rutgers UP, 2020) underlines how non-normative decisions regarding marriage become possible in a region otherwise known for high instances of honor killings and rigid kinship structures. Aspirations for consensual relationships have led to a tentative attempt to forge relationships that are non-normative but grudgingly approved after state intervention. The book traces this nascent and under-explored trend in the North Indian landscape.
Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Inquiries into marital patterns can serve as an effective lens to analyze social structures and material cultures not only on the question of sexuality, but also on the nature of a private citizen’s engagement with state and law. Through ethnographic research in courtrooms, community, and kinship spaces, Rama Srinivasan outlines the transformations in material culture and political economy that have led to renewed negotiations on the institution of marriage in North India, especially in legal spaces. Tracing organically evolving notions of sexual consent and legal subjectivity, <a href="https://bookshop.org/a/12343/9781978803534"><em>Courting Desire: Litigating for Love in North India</em></a> (Rutgers UP, 2020) underlines how non-normative decisions regarding marriage become possible in a region otherwise known for high instances of honor killings and rigid kinship structures. Aspirations for consensual relationships have led to a tentative attempt to forge relationships that are non-normative but grudgingly approved after state intervention. The book traces this nascent and under-explored trend in the North Indian landscape.</p><p><em>Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3907</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[75ddad48-f125-11ee-9851-774841de6432]]></guid>
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    <item>
      <title>Alison Donnell, "Creolized Sexualities: Undoing Heteronormativity in the Literary Imagination of the Anglo-Caribbean" (Rutgers UP, 2021)</title>
      <description>By showing how a wide, and surprising, range of Caribbean writers have contributed to the crafting of a supple and inclusive erotic repertoire across the second half of the twentieth century, the readings in Creolized Sexualities: Undoing Heteronormativity in the Literary Imagination of the Anglo-Caribbean (Rutgers University Press, 2021) aim to demonstrate that a recognition of creolized and pluralized sexualities already exists within the literary imagination. Professor Alison Donnell and I talk about her writing process and inspiration, the importance of place, and the ways this book might help us rethink the queer Caribbean. 
Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean &amp; U.S. Latino Studies at SUNY, Albany.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 30 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>79</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Alison Donnell</itunes:subtitle>
      <itunes:summary>By showing how a wide, and surprising, range of Caribbean writers have contributed to the crafting of a supple and inclusive erotic repertoire across the second half of the twentieth century, the readings in Creolized Sexualities: Undoing Heteronormativity in the Literary Imagination of the Anglo-Caribbean (Rutgers University Press, 2021) aim to demonstrate that a recognition of creolized and pluralized sexualities already exists within the literary imagination. Professor Alison Donnell and I talk about her writing process and inspiration, the importance of place, and the ways this book might help us rethink the queer Caribbean. 
Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean &amp; U.S. Latino Studies at SUNY, Albany.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>By showing how a wide, and surprising, range of Caribbean writers have contributed to the crafting of a supple and inclusive erotic repertoire across the second half of the twentieth century, the readings in <a href="https://bookshop.org/a/12343/9781978818118"><em>Creolized Sexualities: Undoing Heteronormativity in the Literary Imagination of the Anglo-Caribbean</em></a> (Rutgers University Press, 2021) aim to demonstrate that a recognition of creolized and pluralized sexualities already exists within the literary imagination. Professor Alison Donnell and I talk about her writing process and inspiration, the importance of place, and the ways this book might help us rethink the queer Caribbean. </p><p><a href="https://www.albany.edu/lacs/faculty/alejandra-bronfman"><em>Alejandra Bronfman</em></a><em> is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean &amp; U.S. Latino Studies at SUNY, Albany.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1550</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Robert P. Kolker, "Triumph Over Containment: American Film in the 1950s" (Rutgers UP, 2021)</title>
      <description>The long 1950s, which extend back to the early postwar period and forward into the early 1960s, were a period of “containment culture” in America, as the media worked to reinforce traditional family values and suspected communist sympathizers were blacklisted from the entertainment industry. Yet some brave filmmakers and actors still challenged the status quo to produce indelible and imaginative work that delivered uncomfortable truths to Cold War audiences.
Triumph Over Containment: American Film in the 1950s (Rutgers University Press, 2021) offers an uncompromising look at some of the era’s greatest films and directors, from household names like Alfred Hitchcock and Stanley Kubrick to lesser-known iconoclasts like Samuel Fuller and Ida Lupino. Taking in everything from The Thing from Another World (1951) to Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), acclaimed film scholar Robert P. Kolker scours a variety of different genres to find pockets of resistance to the repressive and oppressive norms of Cold War culture. He devotes special attention to two quintessential 1950s genres—the melodrama and the science fiction film—that might seem like polar opposites, but each offered pointed responses to containment culture.
This book takes a fresh look at such directors as Nicholas Ray, John Ford, and Orson Welles, while giving readers a new appreciation for the depth and artistry of 1950s Hollywood films.
Nathan Abrams is a professor of film at Bangor University in Wales [https://research.bangor.ac.uk/portal/en/researchers/nathan-abrams(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [https://oxford.universitypressscholarship.com/view/10.1093/oso/9780190678029.001.0001/oso-9780190678029]. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 25 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>114</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Robert P. Kolker</itunes:subtitle>
      <itunes:summary>The long 1950s, which extend back to the early postwar period and forward into the early 1960s, were a period of “containment culture” in America, as the media worked to reinforce traditional family values and suspected communist sympathizers were blacklisted from the entertainment industry. Yet some brave filmmakers and actors still challenged the status quo to produce indelible and imaginative work that delivered uncomfortable truths to Cold War audiences.
Triumph Over Containment: American Film in the 1950s (Rutgers University Press, 2021) offers an uncompromising look at some of the era’s greatest films and directors, from household names like Alfred Hitchcock and Stanley Kubrick to lesser-known iconoclasts like Samuel Fuller and Ida Lupino. Taking in everything from The Thing from Another World (1951) to Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964), acclaimed film scholar Robert P. Kolker scours a variety of different genres to find pockets of resistance to the repressive and oppressive norms of Cold War culture. He devotes special attention to two quintessential 1950s genres—the melodrama and the science fiction film—that might seem like polar opposites, but each offered pointed responses to containment culture.
This book takes a fresh look at such directors as Nicholas Ray, John Ford, and Orson Welles, while giving readers a new appreciation for the depth and artistry of 1950s Hollywood films.
Nathan Abrams is a professor of film at Bangor University in Wales [https://research.bangor.ac.uk/portal/en/researchers/nathan-abrams(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [https://oxford.universitypressscholarship.com/view/10.1093/oso/9780190678029.001.0001/oso-9780190678029]. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The long 1950s, which extend back to the early postwar period and forward into the early 1960s, were a period of “containment culture” in America, as the media worked to reinforce traditional family values and suspected communist sympathizers were blacklisted from the entertainment industry. Yet some brave filmmakers and actors still challenged the status quo to produce indelible and imaginative work that delivered uncomfortable truths to Cold War audiences.</p><p><a href="https://bookshop.org/a/12343/9781978820920"><em>Triumph Over Containment: American Film in the 1950s</em></a><em> </em>(Rutgers University Press, 2021) offers an uncompromising look at some of the era’s greatest films and directors, from household names like Alfred Hitchcock and Stanley Kubrick to lesser-known iconoclasts like Samuel Fuller and Ida Lupino. Taking in everything from <em>The Thing from Another World</em> (1951) to <em>Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb</em> (1964), acclaimed film scholar Robert P. Kolker scours a variety of different genres to find pockets of resistance to the repressive and oppressive norms of Cold War culture. He devotes special attention to two quintessential 1950s genres—the melodrama and the science fiction film—that might seem like polar opposites, but each offered pointed responses to containment culture.</p><p>This book takes a fresh look at such directors as Nicholas Ray, John Ford, and Orson Welles, while giving readers a new appreciation for the depth and artistry of 1950s Hollywood films.</p><p><em>Nathan Abrams is a professor of film at Bangor University in Wales [https://research.bangor.ac.uk/portal/en/researchers/nathan-abrams(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [https://oxford.universitypressscholarship.com/view/10.1093/oso/9780190678029.001.0001/oso-9780190678029]. To discuss and propose a book for interview you can reach him at </em><a href="mailto:n.abrams@bangor.ac.uk"><em>n.abrams@bangor.ac.uk</em></a><em>. Twitter: @ndabrams</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2157</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Liz Clarke, "The American Girl Goes to War: Women and National Identity in US Silent Film" (Rutgers UP, 2022)</title>
      <description>During the 1910s, films about war often featured a female protagonist. The films portrayed women as spies, cross-dressing soldiers, and athletic defenders of their homes--roles typically reserved for men and that contradicted gendered-expectations of home-front women waiting for their husbands, sons, and brothers to return from battle. The representation of American martial spirit--particularly in the form of heroines--has a rich history in film in the years just prior to the American entry into World War I. The American Girl Goes to War: Women and National Identity in US Silent Film (Rutgers UP, 2022) demonstrates the predominance of heroic female characters in in early narrative films about war from 1908 to 1919. American Girls were filled with the military spirit of their forefathers and became one of the major ways that American women's changing political involvement, independence, and active natures were contained by and subsumed into pre-existing American ideologies.
Jane Scimeca is Professor of History at Brookdale Community College.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 23 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>14</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Liz Clarke</itunes:subtitle>
      <itunes:summary>During the 1910s, films about war often featured a female protagonist. The films portrayed women as spies, cross-dressing soldiers, and athletic defenders of their homes--roles typically reserved for men and that contradicted gendered-expectations of home-front women waiting for their husbands, sons, and brothers to return from battle. The representation of American martial spirit--particularly in the form of heroines--has a rich history in film in the years just prior to the American entry into World War I. The American Girl Goes to War: Women and National Identity in US Silent Film (Rutgers UP, 2022) demonstrates the predominance of heroic female characters in in early narrative films about war from 1908 to 1919. American Girls were filled with the military spirit of their forefathers and became one of the major ways that American women's changing political involvement, independence, and active natures were contained by and subsumed into pre-existing American ideologies.
Jane Scimeca is Professor of History at Brookdale Community College.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>During the 1910s, films about war often featured a female protagonist. The films portrayed women as spies, cross-dressing soldiers, and athletic defenders of their homes--roles typically reserved for men and that contradicted gendered-expectations of home-front women waiting for their husbands, sons, and brothers to return from battle. The representation of American martial spirit--particularly in the form of heroines--has a rich history in film in the years just prior to the American entry into World War I. <a href="https://bookshop.org/a/12343/9781978810150"><em>The American Girl Goes to War: Women and National Identity in US Silent Film</em></a> (Rutgers UP, 2022) demonstrates the predominance of heroic female characters in in early narrative films about war from 1908 to 1919. American Girls were filled with the military spirit of their forefathers and became one of the major ways that American women's changing political involvement, independence, and active natures were contained by and subsumed into pre-existing American ideologies.</p><p><a href="https://www.brookdalecc.edu/academic-institutes-and-departments/business-social-sciences/history/history-faculty/jane-scimeca/">Jane Scimeca</a> is Professor of History at Brookdale Community College.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4332</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f6ce49ea-f12e-11ee-93a5-8790361583a2]]></guid>
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    <item>
      <title>Nayma Qayum, "Village Ties: Women, NGOs, and Informal Institutions in Rural Bangladesh" (Rutgers UP, 2021)</title>
      <description>Across the global South, poor women’s lives are embedded in their social relationships and governed not just by formal institutions – rules that exist on paper – but by informal norms and practices. Village Ties: Women, NGOs, and Informal Institutions in Rural Bangladesh (Rutgers UP, 2021) takes the reader to Bangladesh, a country that has risen from the ashes of war, natural disaster, and decades of resource drain to become a development miracle. The book argues that grassroots women’s mobilization programs can empower women to challenge informal institutions when such programs are anti-oppression, deliberative, and embedded in their communities. Qayum dives into the work of Polli Shomaj (PS), a program of the development organization BRAC to show how the women of PS negotiate with state and society to alter the rules of the game, changing how poor people access resources including safety nets, the law, and governing spaces. These women create a complex and rapidly transforming world where multiple overlapping institutions exist – formal and informal, old and new, desirable and undesirable. In actively challenging power structures around them, these women defy stereotypes of poor Muslim women as backward, subservient, oppressed, and in need of saving.
Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 21 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>196</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Nayma Qayum</itunes:subtitle>
      <itunes:summary>Across the global South, poor women’s lives are embedded in their social relationships and governed not just by formal institutions – rules that exist on paper – but by informal norms and practices. Village Ties: Women, NGOs, and Informal Institutions in Rural Bangladesh (Rutgers UP, 2021) takes the reader to Bangladesh, a country that has risen from the ashes of war, natural disaster, and decades of resource drain to become a development miracle. The book argues that grassroots women’s mobilization programs can empower women to challenge informal institutions when such programs are anti-oppression, deliberative, and embedded in their communities. Qayum dives into the work of Polli Shomaj (PS), a program of the development organization BRAC to show how the women of PS negotiate with state and society to alter the rules of the game, changing how poor people access resources including safety nets, the law, and governing spaces. These women create a complex and rapidly transforming world where multiple overlapping institutions exist – formal and informal, old and new, desirable and undesirable. In actively challenging power structures around them, these women defy stereotypes of poor Muslim women as backward, subservient, oppressed, and in need of saving.
Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Across the global South, poor women’s lives are embedded in their social relationships and governed not just by formal institutions – rules that exist on paper – but by informal norms and practices.<em> </em><a href="https://bookshop.org/a/12343/9781978816442"><em>Village Ties: Women, NGOs, and Informal Institutions in Rural Bangladesh</em></a><em> </em>(Rutgers UP, 2021) takes the reader to Bangladesh, a country that has risen from the ashes of war, natural disaster, and decades of resource drain to become a development miracle. The book argues that grassroots women’s mobilization programs can empower women to challenge informal institutions when such programs are anti-oppression, deliberative, and embedded in their communities. Qayum dives into the work of Polli Shomaj (PS), a program of the development organization BRAC to show how the women of PS negotiate with state and society to alter the rules of the game, changing how poor people access resources including safety nets, the law, and governing spaces. These women create a complex and rapidly transforming world where multiple overlapping institutions exist – formal and informal, old and new, desirable and undesirable. In actively challenging power structures around them, these women defy stereotypes of poor Muslim women as backward, subservient, oppressed, and in need of saving.</p><p><em>Shraddha Chatterjee is a doctoral candidate at York University, Toronto, and author of Queer Politics in India: Towards Sexual Subaltern Subjects (Routledge, 2018).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3766</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Valerie Chepp, "Speaking Truths: Young Adults, Identity, and Spoken Word Activism" (Rutgers UP, 2022)</title>
      <description>In Speaking Truths: Young Adults, Identity, and Spoken Word Activism (Rutgers UP, 2022), sociologist Valerie Chepp goes behind-the-scenes to uncover how spoken word poetry--and young people's participation in it--contributes to a broader understanding of contemporary social justice activism, including this generation's attention to the political importance of identity, well-being, and love. Drawing upon detailed observations and in-depth interviews, Chepp tells the story of a diverse group of young adults from Washington, D.C. who use spoken word to create a more just and equitable world. Outlining the contours of this approach, she interrogates spoken word activism's emphasis on personal storytelling and "truth," the strategic uses of aesthetics and emotions to politically engage across difference, and the significance of healing in sustainable movements for change. 
Weaving together their poetry and personally told stories, Chepp shows how poets tap into the beautiful, emotional, personal, and therapeutic features of spoken word to empathically connect with others, advance intersectional and systemic analyses of inequality, and make social justice messages relatable across a diverse public. By creating allies and forging connections based on friendship, professional commitments, lived experiences, emotions, artistic kinship, and political views, this activist approach is highly integrated into the everyday lives of its practitioners, online and face-to-face. Chepp argues that spoken word activism is a product of, and a call to action against, the neoliberal era in which poets have come of age, characterized by widening structural inequalities and increasing economic and social vulnerability. She illustrates how this deeply personal and intimate activist approach borrows from, builds upon, and diverges from previous social movement paradigms. Spotlighting the complexity and mutual influence of modern-day activism and the world in which it unfolds, Speaking Truths contributes to our understanding of contemporary social change-making and how neoliberalism has shaped this political generation's experiences with social injustice.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 16 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>113</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Valerie Chepp</itunes:subtitle>
      <itunes:summary>In Speaking Truths: Young Adults, Identity, and Spoken Word Activism (Rutgers UP, 2022), sociologist Valerie Chepp goes behind-the-scenes to uncover how spoken word poetry--and young people's participation in it--contributes to a broader understanding of contemporary social justice activism, including this generation's attention to the political importance of identity, well-being, and love. Drawing upon detailed observations and in-depth interviews, Chepp tells the story of a diverse group of young adults from Washington, D.C. who use spoken word to create a more just and equitable world. Outlining the contours of this approach, she interrogates spoken word activism's emphasis on personal storytelling and "truth," the strategic uses of aesthetics and emotions to politically engage across difference, and the significance of healing in sustainable movements for change. 
Weaving together their poetry and personally told stories, Chepp shows how poets tap into the beautiful, emotional, personal, and therapeutic features of spoken word to empathically connect with others, advance intersectional and systemic analyses of inequality, and make social justice messages relatable across a diverse public. By creating allies and forging connections based on friendship, professional commitments, lived experiences, emotions, artistic kinship, and political views, this activist approach is highly integrated into the everyday lives of its practitioners, online and face-to-face. Chepp argues that spoken word activism is a product of, and a call to action against, the neoliberal era in which poets have come of age, characterized by widening structural inequalities and increasing economic and social vulnerability. She illustrates how this deeply personal and intimate activist approach borrows from, builds upon, and diverges from previous social movement paradigms. Spotlighting the complexity and mutual influence of modern-day activism and the world in which it unfolds, Speaking Truths contributes to our understanding of contemporary social change-making and how neoliberalism has shaped this political generation's experiences with social injustice.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781978801103"><em>Speaking Truths: Young Adults, Identity, and Spoken Word Activism</em></a> (Rutgers UP, 2022), sociologist <a href="https://www.thesociologicalcinema.com/valerie-chepp.html">Valerie Chepp</a> goes behind-the-scenes to uncover how spoken word poetry--and young people's participation in it--contributes to a broader understanding of contemporary social justice activism, including this generation's attention to the political importance of identity, well-being, and love. Drawing upon detailed observations and in-depth interviews, Chepp tells the story of a diverse group of young adults from Washington, D.C. who use spoken word to create a more just and equitable world. Outlining the contours of this approach, she interrogates spoken word activism's emphasis on personal storytelling and "truth," the strategic uses of aesthetics and emotions to politically engage across difference, and the significance of healing in sustainable movements for change. </p><p>Weaving together their poetry and personally told stories, Chepp shows how poets tap into the beautiful, emotional, personal, and therapeutic features of spoken word to empathically connect with others, advance intersectional and systemic analyses of inequality, and make social justice messages relatable across a diverse public. By creating allies and forging connections based on friendship, professional commitments, lived experiences, emotions, artistic kinship, and political views, this activist approach is highly integrated into the everyday lives of its practitioners, online and face-to-face. Chepp argues that spoken word activism is a product of, and a call to action against, the neoliberal era in which poets have come of age, characterized by widening structural inequalities and increasing economic and social vulnerability. She illustrates how this deeply personal and intimate activist approach borrows from, builds upon, and diverges from previous social movement paradigms. Spotlighting the complexity and mutual influence of modern-day activism and the world in which it unfolds, Speaking Truths contributes to our understanding of contemporary social change-making and how neoliberalism has shaped this political generation's experiences with social injustice.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3623</itunes:duration>
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    <item>
      <title>Helene Meyers, "Movie-Made Jews: An American Tradition" (Rutgers UP, 2021)</title>
      <description>Movie-Made Jews: An American Tradition (Rutgers University Press, 2021) focuses on a rich, usable American Jewish cinematic tradition. This tradition includes fiction and documentary films that make Jews through antisemitism, Holocaust indirection, and discontent with assimilation. It prominently features the unapologetic assertion of Jewishness, queerness, and alliances across race and religion. Author Helene Meyers shows that as we go to our local theater, attend a Jewish film festival, play a DVD, watch streaming videos, Jewishness becomes part of the multicultural mosaic rather than collapsing into a generic whiteness or being represented as a life apart. This engagingly written book demonstrates that a Jewish movie is neither just a movie nor for Jews only.
With incisive analysis, Movie-Made Jews challenges the assumption that American Jewish cinema is a cinema of impoverishment and assimilation. While it’s a truism that Jews make movies, this book brings into focus the diverse ways movies make Jews. 
Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 11 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>275</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Helene Meyers</itunes:subtitle>
      <itunes:summary>Movie-Made Jews: An American Tradition (Rutgers University Press, 2021) focuses on a rich, usable American Jewish cinematic tradition. This tradition includes fiction and documentary films that make Jews through antisemitism, Holocaust indirection, and discontent with assimilation. It prominently features the unapologetic assertion of Jewishness, queerness, and alliances across race and religion. Author Helene Meyers shows that as we go to our local theater, attend a Jewish film festival, play a DVD, watch streaming videos, Jewishness becomes part of the multicultural mosaic rather than collapsing into a generic whiteness or being represented as a life apart. This engagingly written book demonstrates that a Jewish movie is neither just a movie nor for Jews only.
With incisive analysis, Movie-Made Jews challenges the assumption that American Jewish cinema is a cinema of impoverishment and assimilation. While it’s a truism that Jews make movies, this book brings into focus the diverse ways movies make Jews. 
Nathan Abrams is a professor of film at Bangor University in Wales. His most recent work is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781978821880"><em>Movie-Made Jews: An American Tradition </em></a>(Rutgers University Press, 2021) focuses on a rich, usable American Jewish cinematic tradition. This tradition includes fiction and documentary films that make Jews through antisemitism, Holocaust indirection, and discontent with assimilation. It prominently features the unapologetic assertion of Jewishness, queerness, and alliances across race and religion. Author Helene Meyers shows that as we go to our local theater, attend a Jewish film festival, play a DVD, watch streaming videos, Jewishness becomes part of the multicultural mosaic rather than collapsing into a generic whiteness or being represented as a life apart. This engagingly written book demonstrates that a Jewish movie is neither just a movie nor for Jews only.</p><p>With incisive analysis, <em>Movie-Made Jews</em> challenges the assumption that American Jewish cinema is a cinema of impoverishment and assimilation. While it’s a truism that Jews make movies, this book brings into focus the diverse ways movies make Jews. </p><p><a href="https://research.bangor.ac.uk/portal/en/researchers/nathan-abrams(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html"><em>Nathan Abrams</em></a><em> is a professor of film at Bangor University in Wales. </em><a href="https://oxford.universitypressscholarship.com/view/10.1093/oso/9780190678029.001.0001/oso-9780190678029"><em>His most recent work</em></a><em> is on film director Stanley Kubrick. To discuss and propose a book for interview you can reach him at </em><a href="mailto:n.abrams@bangor.ac.uk"><em>n.abrams@bangor.ac.uk</em></a><em>. Twitter: @ndabrams</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2928</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Dahlia Schweitzer, "Haunted Homes" (Rutgers UP, 2021)</title>
      <description>In her new book, Haunted Homes (Rutgers University Press, 2022), Dahlia Schweitzer explores the ways in which the trope of the haunted house in horror signifies the anxieties, traumas, and terrors of suburban American life. Comprehensive and readable, this slim volume establishes beyond a doubt that in movies and television series from The Conjuring to The Haunting of Hill House, "home is where the horror is." Haunted Homes is unique in its focus on what Schweitzer calls the "suburban gothic." Scholarly studies of the supernatural in horror cinema tend to be decidedly ahistorical, suggesting that contemporary films about haunted houses tap into the same fear of the uncanny evoked by eighteenth and nineteenth-century works of European gothic literature. Schweitzer, however, argues that these films are distinctly modern and American, framing them as a dark reflection of suburban life since the 1950s and particularly in the decade following the economic collapse of 2008. Schweitzer undertakes an in-depth examination of the history of suburbia in the United States as well, offering a detailed and informed account of its origins and development. This is a fresh and original approach. It opens up a new way of seeing haunted homes in recent horror cinema and television, setting her book apart from others on the topic. This is consequently a book that will appeal to a wide range of readers, from film scholars and students to fans of the horror genre.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 10 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>111</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Dahlia Schweitzer</itunes:subtitle>
      <itunes:summary>In her new book, Haunted Homes (Rutgers University Press, 2022), Dahlia Schweitzer explores the ways in which the trope of the haunted house in horror signifies the anxieties, traumas, and terrors of suburban American life. Comprehensive and readable, this slim volume establishes beyond a doubt that in movies and television series from The Conjuring to The Haunting of Hill House, "home is where the horror is." Haunted Homes is unique in its focus on what Schweitzer calls the "suburban gothic." Scholarly studies of the supernatural in horror cinema tend to be decidedly ahistorical, suggesting that contemporary films about haunted houses tap into the same fear of the uncanny evoked by eighteenth and nineteenth-century works of European gothic literature. Schweitzer, however, argues that these films are distinctly modern and American, framing them as a dark reflection of suburban life since the 1950s and particularly in the decade following the economic collapse of 2008. Schweitzer undertakes an in-depth examination of the history of suburbia in the United States as well, offering a detailed and informed account of its origins and development. This is a fresh and original approach. It opens up a new way of seeing haunted homes in recent horror cinema and television, setting her book apart from others on the topic. This is consequently a book that will appeal to a wide range of readers, from film scholars and students to fans of the horror genre.
Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her new book, <a href="https://bookshop.org/a/12343/9781978807730"><em>Haunted Homes</em></a> (Rutgers University Press, 2022), <a href="https://www.thisisdahlia.com/">Dahlia Schweitzer</a> explores the ways in which the trope of the haunted house in horror signifies the anxieties, traumas, and terrors of suburban American life. Comprehensive and readable, this slim volume establishes beyond a doubt that in movies and television series from <em>The Conjuring </em>to <em>The Haunting of Hill House</em>, "home is where the horror is." <em>Haunted Homes</em> is unique in its focus on what Schweitzer calls the "suburban gothic." Scholarly studies of the supernatural in horror cinema tend to be decidedly ahistorical, suggesting that contemporary films about haunted houses tap into the same fear of the uncanny evoked by eighteenth and nineteenth-century works of European gothic literature. Schweitzer, however, argues that these films are distinctly modern and American, framing them as a dark reflection of suburban life since the 1950s and particularly in the decade following the economic collapse of 2008. Schweitzer undertakes an in-depth examination of the history of suburbia in the United States as well, offering a detailed and informed account of its origins and development. This is a fresh and original approach. It opens up a new way of seeing haunted homes in recent horror cinema and television, setting her book apart from others on the topic. This is consequently a book that will appeal to a wide range of readers, from film scholars and students to fans of the horror genre.</p><p><a href="https://rebekahjbuchanan.com/"><em>Rebekah Buchanan</em></a><em> is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3032</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Joanna Sliwa, "Jewish Childhood in Kraków: A Microhistory of the Holocaust" (Rutgers UP, 2021)</title>
      <description>Jewish Childhood in Kraków: A Microhistory of the Holocaust (Rutgers UP, 2021) is the first book to tell the history of Kraków in the second World War through the lens of Jewish children's experiences. Here, children assume center stage as historical actors whose recollections and experiences deserve to be told, analyzed, and treated seriously.
Sliwa scours archives to tell their story, gleaning evidence from the records of the German authorities, Polish neighbors, Jewish community and family, and the children themselves to explore the Holocaust in German-occupied Poland and in Kraków in particular. A microhistory of a place, a people, and daily life, this book plumbs the decisions and behaviors of ordinary people in extraordinary times.
Offering a window onto human relations and ethnic tensions in times of rampant violence, Jewish Childhood in Kraków is an effort both to understand the past and to reflect on the position of young people during humanitarian crises.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 25 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>272</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Joanna Sliwa</itunes:subtitle>
      <itunes:summary>Jewish Childhood in Kraków: A Microhistory of the Holocaust (Rutgers UP, 2021) is the first book to tell the history of Kraków in the second World War through the lens of Jewish children's experiences. Here, children assume center stage as historical actors whose recollections and experiences deserve to be told, analyzed, and treated seriously.
Sliwa scours archives to tell their story, gleaning evidence from the records of the German authorities, Polish neighbors, Jewish community and family, and the children themselves to explore the Holocaust in German-occupied Poland and in Kraków in particular. A microhistory of a place, a people, and daily life, this book plumbs the decisions and behaviors of ordinary people in extraordinary times.
Offering a window onto human relations and ethnic tensions in times of rampant violence, Jewish Childhood in Kraków is an effort both to understand the past and to reflect on the position of young people during humanitarian crises.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781978822931"><em>Jewish Childhood in Kraków: A Microhistory of the Holocaust</em></a><em> </em>(Rutgers UP, 2021) is the first book to tell the history of Kraków in the second World War through the lens of Jewish children's experiences. Here, children assume center stage as historical actors whose recollections and experiences deserve to be told, analyzed, and treated seriously.</p><p>Sliwa scours archives to tell their story, gleaning evidence from the records of the German authorities, Polish neighbors, Jewish community and family, and the children themselves to explore the Holocaust in German-occupied Poland and in Kraków in particular. A microhistory of a place, a people, and daily life, this book plumbs the decisions and behaviors of ordinary people in extraordinary times.</p><p>Offering a window onto human relations and ethnic tensions in times of rampant violence, <em>Jewish Childhood in Kraków</em> is an effort both to understand the past and to reflect on the position of young people during humanitarian crises.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4955</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Kathryn Millard, "Double Exposure: How Social Psychology Fell in Love with the Movies" (Rutgers UP, 2022)</title>
      <description>Double Exposure: How Social Psychology Fell in Love with the Movies (Rutgers University Press, 2022) examines the role of film in shaping social psychology’s landmark postwar experiments. Dr. Kathryn Millard shares that we are told that most of us will inflict electric shocks on a fellow citizen when ordered to do so. Act as a brutal prison guard when we put on a uniform. Walk on by when we see a stranger in need. But there is more to the story. Documentaries that investigators claimed as evidence were central to capturing the public imagination.
Did they provide an alibi for twentieth century humanity? Millard examines dramaturgy, staging and filming of these experiments, including Milgram's Obedience Experiments, the Stanford Prison Experiment and many more to recover a new set of narratives.
Kathryn Millard is a writer, independent filmmaker and an honorary professor of screen and creative arts at Macquarie University, Sydney, Australia. She is the author of Screenwriting in a Digital Era.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent research, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant,” was published in Gender Issues Journal. He researches culture, social identity, placemaking, and media representations of social life at festivals and celebrations. He is currently working on a book titled Tug Villages: Community Media Representations of Place and Identity at a Tug of War Festival. You can learn more about Dr. Johnston on his website, Google Scholar, on Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 17 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>212</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Kathryn Millard</itunes:subtitle>
      <itunes:summary>Double Exposure: How Social Psychology Fell in Love with the Movies (Rutgers University Press, 2022) examines the role of film in shaping social psychology’s landmark postwar experiments. Dr. Kathryn Millard shares that we are told that most of us will inflict electric shocks on a fellow citizen when ordered to do so. Act as a brutal prison guard when we put on a uniform. Walk on by when we see a stranger in need. But there is more to the story. Documentaries that investigators claimed as evidence were central to capturing the public imagination.
Did they provide an alibi for twentieth century humanity? Millard examines dramaturgy, staging and filming of these experiments, including Milgram's Obedience Experiments, the Stanford Prison Experiment and many more to recover a new set of narratives.
Kathryn Millard is a writer, independent filmmaker and an honorary professor of screen and creative arts at Macquarie University, Sydney, Australia. She is the author of Screenwriting in a Digital Era.
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent research, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant,” was published in Gender Issues Journal. He researches culture, social identity, placemaking, and media representations of social life at festivals and celebrations. He is currently working on a book titled Tug Villages: Community Media Representations of Place and Identity at a Tug of War Festival. You can learn more about Dr. Johnston on his website, Google Scholar, on Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781978809451"><em>Double Exposure: How Social Psychology Fell in Love with the Movies</em></a><em> </em>(Rutgers University Press, 2022)<em> </em>examines the role of film in shaping social psychology’s landmark postwar experiments. <a href="https://researchers.mq.edu.au/en/persons/kathryn-millard">Dr. Kathryn Millard</a> shares that we are told that most of us will inflict electric shocks on a fellow citizen when ordered to do so. Act as a brutal prison guard when we put on a uniform. Walk on by when we see a stranger in need. But there is more to the story. Documentaries that investigators claimed as evidence were central to capturing the public imagination.</p><p>Did they provide an alibi for twentieth century humanity? Millard examines dramaturgy, staging and filming of these experiments, including Milgram's Obedience Experiments, the Stanford Prison Experiment and many more to recover a new set of narratives.</p><p>Kathryn Millard is a writer, independent filmmaker and an honorary professor of screen and creative arts at Macquarie University, Sydney, Australia. She is the author of <em>Screenwriting in a Digital Era</em>.</p><p><em>Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent research, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant,” was published in Gender Issues Journal. He researches culture, social identity, placemaking, and media representations of social life at festivals and celebrations. He is currently working on a book titled Tug Villages: Community Media Representations of Place and Identity at a Tug of War Festival. You can learn more about Dr. Johnston on his website, Google Scholar, on Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3459</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Vincent Joos, "Urban Dwellings, Haitian Citizenships: Housing, Memory, and Daily Life in Haiti" (Rutgers UP, 2021)</title>
      <description>Vincent Joos' book Urban Dwellings, Haitian Citizenships: Housing, Memory, and Daily Life in Haiti (Rutgers UP, 2021) explores the failed international reconstruction of Port-au-Prince after the devastating 2010 earthquake. It describes how, in the meantime, people from various backgrounds use, transform, and create vibrant urban spaces and economies that enable them to rebuild their lives. By exploring how the state, international organizations, and everyday people transform the environment, the book reflects on the possibilities of dwelling in post-disaster landscapes.
Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean &amp; U.S. Latino Studies at SUNY, Albany.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 04 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>76</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Vincent Joos</itunes:subtitle>
      <itunes:summary>Vincent Joos' book Urban Dwellings, Haitian Citizenships: Housing, Memory, and Daily Life in Haiti (Rutgers UP, 2021) explores the failed international reconstruction of Port-au-Prince after the devastating 2010 earthquake. It describes how, in the meantime, people from various backgrounds use, transform, and create vibrant urban spaces and economies that enable them to rebuild their lives. By exploring how the state, international organizations, and everyday people transform the environment, the book reflects on the possibilities of dwelling in post-disaster landscapes.
Alejandra Bronfman is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean &amp; U.S. Latino Studies at SUNY, Albany.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Vincent Joos' book <a href="https://bookshop.org/a/12343/9781978820586"><em>Urban Dwellings, Haitian Citizenships: Housing, Memory, and Daily Life in Haiti</em></a> (Rutgers UP, 2021) explores the failed international reconstruction of Port-au-Prince after the devastating 2010 earthquake. It describes how, in the meantime, people from various backgrounds use, transform, and create vibrant urban spaces and economies that enable them to rebuild their lives. By exploring how the state, international organizations, and everyday people transform the environment, the book reflects on the possibilities of dwelling in post-disaster landscapes.</p><p><a href="https://www.albany.edu/lacs/faculty/alejandra-bronfman"><em>Alejandra Bronfman</em></a><em> is Associate Professor and Director of Undergraduate Studies Latin American, Caribbean &amp; U.S. Latino Studies at SUNY, Albany.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3640</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Baker A. Rogers, "King of Hearts: Drag Kings in the American South" (Rutgers UP, 2021)</title>
      <description>In this episode of the Queer Voices of the South podcast, John Marszalek interviews author Baker A. Rogers about their research on drag kings in the South and about their own experience performing as a drag king.
While drag subcultures have gained mainstream media attention in recent years, the main focus has been on female impersonators. Equally lively, however, is the community of drag kings: cis women, trans men, and non-binary people who perform exaggerated masculine personas onstage under such names as Adonis Black, Papi Chulo, and Oliver Clothesoff.
King of Hearts: Drag Kings in the American South (Rutgers UP, 2021) shows how drag king performers are thriving in an unlikely location: Southern Bible Belt states like Tennessee, Georgia, and South Carolina. Based on observations and interviews with sixty Southern drag kings, this study reveals how they are challenging the region’s gender norms while creating a unique community with its own distinctive Southern flair. Reflecting the region’s racial diversity, it profiles not only white drag kings, but also those who are African American, multiracial, and Hispanic.
The Queer Voices of the South podcast encouragers listeners to suggest authors they would like to hear us interview. Follow us on Twitter @voices_south or in the public group Queer Voices of the South on Facebook or email us at queervoicesofthesouth@gmail.com
Baker A. Rogers is an associate professor of sociology at Georgia Southern University in Statesboro. Baker is the author of Conditionally Accepted: Christians’ Perspectives on Sexuality and Gay and Lesbian Civil Rights (Rutgers University Press) and Trans Men in the South: Becoming Men.
John Marszalek III is author of Coming Out of the Magnolia Closet: Same-Sex Couples in Mississippi (2020, University Press of Mississippi). He is clinical faculty of the Clinical Mental Health Counseling Program at Southern New Hampshire University. Website: Johnmarszalek3.com Twitter: @marsjf3
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 31 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>31</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Baker A. Rogers</itunes:subtitle>
      <itunes:summary>In this episode of the Queer Voices of the South podcast, John Marszalek interviews author Baker A. Rogers about their research on drag kings in the South and about their own experience performing as a drag king.
While drag subcultures have gained mainstream media attention in recent years, the main focus has been on female impersonators. Equally lively, however, is the community of drag kings: cis women, trans men, and non-binary people who perform exaggerated masculine personas onstage under such names as Adonis Black, Papi Chulo, and Oliver Clothesoff.
King of Hearts: Drag Kings in the American South (Rutgers UP, 2021) shows how drag king performers are thriving in an unlikely location: Southern Bible Belt states like Tennessee, Georgia, and South Carolina. Based on observations and interviews with sixty Southern drag kings, this study reveals how they are challenging the region’s gender norms while creating a unique community with its own distinctive Southern flair. Reflecting the region’s racial diversity, it profiles not only white drag kings, but also those who are African American, multiracial, and Hispanic.
The Queer Voices of the South podcast encouragers listeners to suggest authors they would like to hear us interview. Follow us on Twitter @voices_south or in the public group Queer Voices of the South on Facebook or email us at queervoicesofthesouth@gmail.com
Baker A. Rogers is an associate professor of sociology at Georgia Southern University in Statesboro. Baker is the author of Conditionally Accepted: Christians’ Perspectives on Sexuality and Gay and Lesbian Civil Rights (Rutgers University Press) and Trans Men in the South: Becoming Men.
John Marszalek III is author of Coming Out of the Magnolia Closet: Same-Sex Couples in Mississippi (2020, University Press of Mississippi). He is clinical faculty of the Clinical Mental Health Counseling Program at Southern New Hampshire University. Website: Johnmarszalek3.com Twitter: @marsjf3
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of the Queer Voices of the South podcast, John Marszalek interviews author Baker A. Rogers about their research on drag kings in the South and about their own experience performing as a drag king.</p><p>While drag subcultures have gained mainstream media attention in recent years, the main focus has been on female impersonators. Equally lively, however, is the community of drag kings: cis women, trans men, and non-binary people who perform exaggerated masculine personas onstage under such names as Adonis Black, Papi Chulo, and Oliver Clothesoff.</p><p><a href="https://bookshop.org/a/12343/9781978820531"><em>King of Hearts: Drag Kings in the American South</em></a> (Rutgers UP, 2021) shows how drag king performers are thriving in an unlikely location: Southern Bible Belt states like Tennessee, Georgia, and South Carolina. Based on observations and interviews with sixty Southern drag kings, this study reveals how they are challenging the region’s gender norms while creating a unique community with its own distinctive Southern flair. Reflecting the region’s racial diversity, it profiles not only white drag kings, but also those who are African American, multiracial, and Hispanic.</p><p>The Queer Voices of the South podcast encouragers listeners to suggest authors they would like to hear us interview. Follow us on <em>Twitter @voices_south or in the public group Queer Voices of the South on Facebook or email us at queervoicesofthesouth@gmail.com</em></p><p>Baker A. Rogers is an associate professor of sociology at Georgia Southern University in Statesboro. Baker is the author of <em>Conditionally Accepted: Christians’ Perspectives on Sexuality and Gay and Lesbian Civil Rights</em> (Rutgers University Press) and <em>Trans Men in the South: Becoming Men</em>.</p><p><em>John Marszalek III is author of Coming Out of the Magnolia Closet: Same-Sex Couples in Mississippi (2020, University Press of Mississippi). He is clinical faculty of the Clinical Mental Health Counseling Program at Southern New Hampshire University. Website: Johnmarszalek3.com Twitter: @marsjf3</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2318</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e6443e3a-f12a-11ee-8885-1ff2f3007484]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9916305075.mp3?updated=1642863390" length="0" type="audio/mpeg"/>
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    <item>
      <title>Mir Yarfitz, "Impure Migration: Jews and Sex Work in Golden Age Argentina" (Rutgers UP, 2019)</title>
      <description>Impure Migration: Jews and Sex Work in Golden Age Argentina (Rutgers UP, 2019) investigates the period from the 1890s until the 1930s, when prostitution was a legal institution in Argentina and the international community knew its capital city Buenos Aires as the center of the sex industry. At the same time, pogroms and anti-Semitic discrimination left thousands of Eastern European Jews displaced, without the resources required to immigrate. For many Jewish women, participation in prostitution was one of very few ways they could escape the limited options in their home countries, and Jewish men facilitated their transit and the organization of their work and social lives. Instead of marginalizing this story or reading it as a degrading chapter in Latin American Jewish history, Impure Migration interrogates a complicated social landscape to reveal that sex work is in fact a critical part of the histories of migration, labor, race, and sexuality.
Mir Yarfitz has lived in each of the four corners of the country as well as South and Central America. His enthusiasm for Latin America grew from his college study abroad experience in Nicaragua; his time as a Fulbright School in Argentina; and his work with migrant farmworker labor unions in Washington, Oregon, and Georgia. Teaching and research interests include US-Latin American relations, cultural production, social movements, dictatorship and resistance, racial hierarchies, migration, gender, sexuality, masculinity, and transgender studies. 
Makena Mezistrano is the Assistant Director of the Sephardic Studies Program in the Stroum Center for Jewish Studies at the University of Washington. She holds an MA in Biblical and Talmudic studies from Yeshiva University.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 28 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>265</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Mir Yarfitz</itunes:subtitle>
      <itunes:summary>Impure Migration: Jews and Sex Work in Golden Age Argentina (Rutgers UP, 2019) investigates the period from the 1890s until the 1930s, when prostitution was a legal institution in Argentina and the international community knew its capital city Buenos Aires as the center of the sex industry. At the same time, pogroms and anti-Semitic discrimination left thousands of Eastern European Jews displaced, without the resources required to immigrate. For many Jewish women, participation in prostitution was one of very few ways they could escape the limited options in their home countries, and Jewish men facilitated their transit and the organization of their work and social lives. Instead of marginalizing this story or reading it as a degrading chapter in Latin American Jewish history, Impure Migration interrogates a complicated social landscape to reveal that sex work is in fact a critical part of the histories of migration, labor, race, and sexuality.
Mir Yarfitz has lived in each of the four corners of the country as well as South and Central America. His enthusiasm for Latin America grew from his college study abroad experience in Nicaragua; his time as a Fulbright School in Argentina; and his work with migrant farmworker labor unions in Washington, Oregon, and Georgia. Teaching and research interests include US-Latin American relations, cultural production, social movements, dictatorship and resistance, racial hierarchies, migration, gender, sexuality, masculinity, and transgender studies. 
Makena Mezistrano is the Assistant Director of the Sephardic Studies Program in the Stroum Center for Jewish Studies at the University of Washington. She holds an MA in Biblical and Talmudic studies from Yeshiva University.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780813598154"><em>Impure Migration: Jews and Sex Work in Golden Age Argentina</em></a> (Rutgers UP, 2019) investigates the period from the 1890s until the 1930s, when prostitution was a legal institution in Argentina and the international community knew its capital city Buenos Aires as the center of the sex industry. At the same time, pogroms and anti-Semitic discrimination left thousands of Eastern European Jews displaced, without the resources required to immigrate. For many Jewish women, participation in prostitution was one of very few ways they could escape the limited options in their home countries, and Jewish men facilitated their transit and the organization of their work and social lives. Instead of marginalizing this story or reading it as a degrading chapter in Latin American Jewish history, <em>Impure Migration</em> interrogates a complicated social landscape to reveal that sex work is in fact a critical part of the histories of migration, labor, race, and sexuality.</p><p><a href="https://history.wfu.edu/people/yarfitmh">Mir Yarfitz</a> has lived in each of the four corners of the country as well as South and Central America. His enthusiasm for Latin America grew from his college study abroad experience in Nicaragua; his time as a Fulbright School in Argentina; and his work with migrant farmworker labor unions in Washington, Oregon, and Georgia. Teaching and research interests include US-Latin American relations, cultural production, social movements, dictatorship and resistance, racial hierarchies, migration, gender, sexuality, masculinity, and transgender studies. </p><p><a href="https://jewishstudies.washington.edu/author/makena-mezistrano/"><em>Makena Mezistrano</em></a><em> is the Assistant Director of the Sephardic Studies Program in the Stroum Center for Jewish Studies at the University of Washington. She holds an MA in Biblical and Talmudic studies from Yeshiva University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4220</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK8000468713.mp3?updated=1642782005" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Marion Thompson, "The Marion Thompson Wright Reader" (Rutgers UP, 2021)</title>
      <description>The Marion Thompson Wright Reader, edited by Graham Russell Gao Hodges, the George Dorland Langdon, Jr. Professor of History and Africana and Latin American Studies at Colgate University, and the author of Black New Jersey: 1664 to the Present Day (Rutgers University Press, 2019), is the first book-length text on Marion Thompson Wright—the first African American woman to earn a PhD in history from a U.S. college or university. This Reader includes a seventy plus page biographical essay on Wright, a reviews and notes section, essays and Wright’s The Education of Negroes in New Jersey first published by Columbia University Press in 1941. Hodges utilizes a set of letters written by Wright to friends and family members as well as never published before images of Dr. Wright with family members; including photos of her children. There exists no more comprehensive a text on Wright in terms of the bibliographic sketch contained in this book and coupled with the writings of one of the foremost historians of the early twentieth century: Marion Thompson Wright.
Wright was a prolific writer and scholar. Her dissertation advisor was famed historian Merle Curti with whom she kept up a life-long correspondence. She published widely in the Journal of Negro Education and the Journal of Negro History (now the Journal of African American History) as evidenced with some of the essays in this Reader and was respected as a leading scholar of the history of African Americans and segregation in the public school system—the subject of her dissertation at Columbia. In his autobiographical sketch of Wright, Hodges does not shy away from the more personal aspects of her life including the fact that she lost custody of her children to her first husband after she chose to pursue her academic career and the fact that she suffered from depression, and eventually ended her own life. This book is a powerful and necessary text in the field of Black women’s intellectual history given Wright’s monumental impact on social work, historical studies, education and higher education counseling.
Hettie V. Williams Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 18 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>132</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Graham Russell Gao Hodges</itunes:subtitle>
      <itunes:summary>The Marion Thompson Wright Reader, edited by Graham Russell Gao Hodges, the George Dorland Langdon, Jr. Professor of History and Africana and Latin American Studies at Colgate University, and the author of Black New Jersey: 1664 to the Present Day (Rutgers University Press, 2019), is the first book-length text on Marion Thompson Wright—the first African American woman to earn a PhD in history from a U.S. college or university. This Reader includes a seventy plus page biographical essay on Wright, a reviews and notes section, essays and Wright’s The Education of Negroes in New Jersey first published by Columbia University Press in 1941. Hodges utilizes a set of letters written by Wright to friends and family members as well as never published before images of Dr. Wright with family members; including photos of her children. There exists no more comprehensive a text on Wright in terms of the bibliographic sketch contained in this book and coupled with the writings of one of the foremost historians of the early twentieth century: Marion Thompson Wright.
Wright was a prolific writer and scholar. Her dissertation advisor was famed historian Merle Curti with whom she kept up a life-long correspondence. She published widely in the Journal of Negro Education and the Journal of Negro History (now the Journal of African American History) as evidenced with some of the essays in this Reader and was respected as a leading scholar of the history of African Americans and segregation in the public school system—the subject of her dissertation at Columbia. In his autobiographical sketch of Wright, Hodges does not shy away from the more personal aspects of her life including the fact that she lost custody of her children to her first husband after she chose to pursue her academic career and the fact that she suffered from depression, and eventually ended her own life. This book is a powerful and necessary text in the field of Black women’s intellectual history given Wright’s monumental impact on social work, historical studies, education and higher education counseling.
Hettie V. Williams Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781978805361"><em>The Marion Thompson Wright Reader</em></a><em>, </em>edited by Graham Russell Gao Hodges, the George Dorland Langdon, Jr. Professor of History and Africana and Latin American Studies at Colgate University, and the author of <em>Black New Jersey: 1664 to the Present Day</em> (Rutgers University Press, 2019), is the first book-length text on Marion Thompson Wright—the first African American woman to earn a PhD in history from a U.S. college or university. This <em>Reader </em>includes a seventy plus page biographical essay on Wright, a reviews and notes section, essays and Wright’s <em>The Education of Negroes in New Jersey</em> first published by Columbia University Press in 1941. Hodges utilizes a set of letters written by Wright to friends and family members as well as never published before images of Dr. Wright with family members; including photos of her children. There exists no more comprehensive a text on Wright in terms of the bibliographic sketch contained in this book and coupled with the writings of one of the foremost historians of the early twentieth century: Marion Thompson Wright.</p><p>Wright was a prolific writer and scholar. Her dissertation advisor was famed historian Merle Curti with whom she kept up a life-long correspondence. She published widely in the <em>Journal of Negro Education</em> and the <em>Journal of Negro History</em> (now the <em>Journal of African American History</em>) as evidenced with some of the essays in this <em>Reader</em> and was respected as a leading scholar of the history of African Americans and segregation in the public school system—the subject of her dissertation at Columbia. In his autobiographical sketch of Wright, Hodges does not shy away from the more personal aspects of her life including the fact that she lost custody of her children to her first husband after she chose to pursue her academic career and the fact that she suffered from depression, and eventually ended her own life. This book is a powerful and necessary text in the field of Black women’s intellectual history given Wright’s monumental impact on social work, historical studies, education and higher education counseling.</p><p><a href="http://hettiewilliams.com/"><em>Hettie V. Williams</em></a><em> Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2747</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Andrew J. Kunka, "The Life and Comics of Howard Cruse: Taking Risks in the Service of Truth" (Rutgers UP, 2021)</title>
      <description>In this episode of QUEER VOICES OF THE SOUTH, I talk with ANDREW J. KUNKA, who is a professor of English and division chair at the University of South Carolina Sumter. He is the author of the book Autobiographical Comics and has also published articles and book chapters on Will Eisner, Kyle Baker, Doug Moench, Jack Katz, and Dell Comics.
The Life and Comics of Howard Cruse: Taking Risks in the Service of Truth (Rutgers UP, 2021) tells the remarkable story of how a self-described “preacher’s kid” from Birmingham, Alabama, became the so-called “Godfather of Gay Comics.” This study showcases a remarkable fifty-year career that included working in the 1970s underground comics scene, becoming founding editor of the groundbreaking anthology series Gay Comix, and publishing the graphic novel Stuck Rubber Baby, partially based on his own experience of coming of age in the Civil Rights era.
Through his exploration of Cruse’s life and work, Andrew J. Kunka also chronicles the dramatic ways that gay culture changed over the course of Cruse’s lifetime, from Cold War-era homophobia to the gay liberation movement to the AIDS crisis to the legalization of gay marriage. Highlighting Cruse’s skills as a trenchant satirist and social commentator, Kunka explores how he cast a queer look at American politics, mainstream comics culture, and the gay community’s own norms.
Lavishly illustrated with a broad selection of comics from Cruse’s career, this study serves as a perfect introduction to this pioneering cartoonist, as well as an insightful read for fans who already love how his work sketched a new vision of gay life.
Morris Ardoin is the author of Stone Motel – Memoirs of a Cajun Boy (2020, University Press of Mississippi), which was optioned for TV/film development in 2021. A communications leader in health care, immigration and asylum, and higher education, his work has appeared in national and international media. He divides his time between New York City and Cornwallville, New York, where he does most of his writing. His blog, “Parenthetically Speaking,” which focuses on life as a writer, home cook, and Cajun New Yorker, can be found at www.morrisardoin.com. Twitter: @morrisardoin Instagram: morrisardoin.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 12 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>30</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Andrew J. Kunka</itunes:subtitle>
      <itunes:summary>In this episode of QUEER VOICES OF THE SOUTH, I talk with ANDREW J. KUNKA, who is a professor of English and division chair at the University of South Carolina Sumter. He is the author of the book Autobiographical Comics and has also published articles and book chapters on Will Eisner, Kyle Baker, Doug Moench, Jack Katz, and Dell Comics.
The Life and Comics of Howard Cruse: Taking Risks in the Service of Truth (Rutgers UP, 2021) tells the remarkable story of how a self-described “preacher’s kid” from Birmingham, Alabama, became the so-called “Godfather of Gay Comics.” This study showcases a remarkable fifty-year career that included working in the 1970s underground comics scene, becoming founding editor of the groundbreaking anthology series Gay Comix, and publishing the graphic novel Stuck Rubber Baby, partially based on his own experience of coming of age in the Civil Rights era.
Through his exploration of Cruse’s life and work, Andrew J. Kunka also chronicles the dramatic ways that gay culture changed over the course of Cruse’s lifetime, from Cold War-era homophobia to the gay liberation movement to the AIDS crisis to the legalization of gay marriage. Highlighting Cruse’s skills as a trenchant satirist and social commentator, Kunka explores how he cast a queer look at American politics, mainstream comics culture, and the gay community’s own norms.
Lavishly illustrated with a broad selection of comics from Cruse’s career, this study serves as a perfect introduction to this pioneering cartoonist, as well as an insightful read for fans who already love how his work sketched a new vision of gay life.
Morris Ardoin is the author of Stone Motel – Memoirs of a Cajun Boy (2020, University Press of Mississippi), which was optioned for TV/film development in 2021. A communications leader in health care, immigration and asylum, and higher education, his work has appeared in national and international media. He divides his time between New York City and Cornwallville, New York, where he does most of his writing. His blog, “Parenthetically Speaking,” which focuses on life as a writer, home cook, and Cajun New Yorker, can be found at www.morrisardoin.com. Twitter: @morrisardoin Instagram: morrisardoin.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of QUEER VOICES OF THE SOUTH, I talk with ANDREW J. KUNKA, who is a professor of English and division chair at the University of South Carolina Sumter. He is the author of the book <em>Autobiographical Comics</em> and has also published articles and book chapters on Will Eisner, Kyle Baker, Doug Moench, Jack Katz, and Dell Comics.</p><p><a href="https://bookshop.org/a/12343/9781978818859"><em>The Life and Comics of Howard Cruse: Taking Risks in the Service of Truth</em></a> (Rutgers UP, 2021) tells the remarkable story of how a self-described “preacher’s kid” from Birmingham, Alabama, became the so-called “Godfather of Gay Comics.” This study showcases a remarkable fifty-year career that included working in the 1970s underground comics scene, becoming founding editor of the groundbreaking anthology series <em>Gay Comix</em>, and publishing the graphic novel <em>Stuck Rubber Baby,</em> partially based on his own experience of coming of age in the Civil Rights era.</p><p>Through his exploration of Cruse’s life and work, Andrew J. Kunka also chronicles the dramatic ways that gay culture changed over the course of Cruse’s lifetime, from Cold War-era homophobia to the gay liberation movement to the AIDS crisis to the legalization of gay marriage. Highlighting Cruse’s skills as a trenchant satirist and social commentator, Kunka explores how he cast a queer look at American politics, mainstream comics culture, and the gay community’s own norms.</p><p>Lavishly illustrated with a broad selection of comics from Cruse’s career, this study serves as a perfect introduction to this pioneering cartoonist, as well as an insightful read for fans who already love how his work sketched a new vision of gay life.</p><p><em>Morris Ardoin is the author of Stone Motel – Memoirs of a Cajun Boy (2020, University Press of Mississippi), which was optioned for TV/film development in 2021. A communications leader in health care, immigration and asylum, and higher education, his work has appeared in national and international media. He divides his time between New York City and Cornwallville, New York, where he does most of his writing. His blog, “Parenthetically Speaking,” which focuses on life as a writer, home cook, and Cajun New Yorker, can be found at </em><a href="http://www.morrisardoin.com/"><em>www.morrisardoin.com</em></a><em>. Twitter: @morrisardoin Instagram: morrisardoin.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2772</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Viktoriya Kim et al. "The Politics of International Marriage in Japan" (Rutgers UP, 2021)</title>
      <description>Viktoriya Kim, Nelia Balgoa, and Beverley Anne Yamamoto's book The Politics of International Marriage in Japan (Rutgers UP, 2021) provides an in-depth exploration and analysis of marriages between Japanese nationals and migrants from three broad ethnic/cultural groups - spouses from the former Soviet Union countries, the Philippines, and Western countries. It reveals how the marriage migrants navigate the intricacies and trajectories of their marriages with Japanese people while living in Japan. Seen from the lens of ‘gendered geographies of power’, the book explores how state-level politics and policies towards marriage, migration, and gender affect the personal power politics in operation within the relationships of these international couples. Overall, the book discusses how ethnic identity intersects with gender in the negotiation of spaces and power relations between and amongst couples; and the role states and structural inequalities play in these processes, resulting in a reconfiguration of our notions of what international marriages are and how powerful gender and the state are in understanding the power relations in these unions.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 03 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>65</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Viktoriya Kim</itunes:subtitle>
      <itunes:summary>Viktoriya Kim, Nelia Balgoa, and Beverley Anne Yamamoto's book The Politics of International Marriage in Japan (Rutgers UP, 2021) provides an in-depth exploration and analysis of marriages between Japanese nationals and migrants from three broad ethnic/cultural groups - spouses from the former Soviet Union countries, the Philippines, and Western countries. It reveals how the marriage migrants navigate the intricacies and trajectories of their marriages with Japanese people while living in Japan. Seen from the lens of ‘gendered geographies of power’, the book explores how state-level politics and policies towards marriage, migration, and gender affect the personal power politics in operation within the relationships of these international couples. Overall, the book discusses how ethnic identity intersects with gender in the negotiation of spaces and power relations between and amongst couples; and the role states and structural inequalities play in these processes, resulting in a reconfiguration of our notions of what international marriages are and how powerful gender and the state are in understanding the power relations in these unions.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Viktoriya Kim, Nelia Balgoa, and Beverley Anne Yamamoto's book <a href="https://bookshop.org/a/12343/9781978809017"><em>The Politics of International Marriage in Japan</em></a> (Rutgers UP, 2021) provides an in-depth exploration and analysis of marriages between Japanese nationals and migrants from three broad ethnic/cultural groups - spouses from the former Soviet Union countries, the Philippines, and Western countries. It reveals how the marriage migrants navigate the intricacies and trajectories of their marriages with Japanese people while living in Japan. Seen from the lens of ‘gendered geographies of power’, the book explores how state-level politics and policies towards marriage, migration, and gender affect the personal power politics in operation within the relationships of these international couples. Overall, the book discusses how ethnic identity intersects with gender in the negotiation of spaces and power relations between and amongst couples; and the role states and structural inequalities play in these processes, resulting in a reconfiguration of our notions of what international marriages are and how powerful gender and the state are in understanding the power relations in these unions.</p><p><a href="https://eas.arizona.edu/people/jingyili"><em>Jingyi Li</em></a><em> is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3069</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Eike Exner, "Comics and the Origins of Manga: A Revisionist History" (Rutgers UP, 2021)</title>
      <description>Japanese comics, commonly known as manga, are a global sensation. Critics, scholars, and everyday readers have often viewed this artform through an Orientalist framework, treating manga as the exotic antithesis to American and European comics. In reality, the history of manga is deeply intertwined with Japan’s avid importation of Western technology and popular culture in the early twentieth century.
Comics and the Origins of Manga: A Revisionist History (Rutgers UP, 2021) reveals how popular U.S. comics characters like Jiggs and Maggie, the Katzenjammer Kids, Felix the Cat, and Popeye achieved immense fame in Japan during the 1920s and 1930s. Modern comics had earlier developed in the United States in response to new technologies like motion pictures and sound recording, which revolutionized visual storytelling by prompting the invention of devices like speed lines and speech balloons. As audiovisual entertainment like movies and record players spread through Japan, comics followed suit. Their immediate popularity quickly encouraged Japanese editors and cartoonists to enthusiastically embrace the foreign medium and make it their own, paving the way for manga as we know it today.
By challenging the conventional wisdom that manga evolved from centuries of prior Japanese art and explaining why manga and other comics around the world share the same origin story, Comics and the Origins of Manga offers a new understanding of this increasingly influential artform.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 15 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>58</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Eike Exner</itunes:subtitle>
      <itunes:summary>Japanese comics, commonly known as manga, are a global sensation. Critics, scholars, and everyday readers have often viewed this artform through an Orientalist framework, treating manga as the exotic antithesis to American and European comics. In reality, the history of manga is deeply intertwined with Japan’s avid importation of Western technology and popular culture in the early twentieth century.
Comics and the Origins of Manga: A Revisionist History (Rutgers UP, 2021) reveals how popular U.S. comics characters like Jiggs and Maggie, the Katzenjammer Kids, Felix the Cat, and Popeye achieved immense fame in Japan during the 1920s and 1930s. Modern comics had earlier developed in the United States in response to new technologies like motion pictures and sound recording, which revolutionized visual storytelling by prompting the invention of devices like speed lines and speech balloons. As audiovisual entertainment like movies and record players spread through Japan, comics followed suit. Their immediate popularity quickly encouraged Japanese editors and cartoonists to enthusiastically embrace the foreign medium and make it their own, paving the way for manga as we know it today.
By challenging the conventional wisdom that manga evolved from centuries of prior Japanese art and explaining why manga and other comics around the world share the same origin story, Comics and the Origins of Manga offers a new understanding of this increasingly influential artform.
Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Japanese comics, commonly known as manga, are a global sensation. Critics, scholars, and everyday readers have often viewed this artform through an Orientalist framework, treating manga as the exotic antithesis to American and European comics. In reality, the history of manga is deeply intertwined with Japan’s avid importation of Western technology and popular culture in the early twentieth century.</p><p><a href="https://bookshop.org/a/12343/9781978827226"><em>Comics and the Origins of Manga: A Revisionist History</em></a><em> </em>(Rutgers UP, 2021) reveals how popular U.S. comics characters like Jiggs and Maggie, the Katzenjammer Kids, Felix the Cat, and Popeye achieved immense fame in Japan during the 1920s and 1930s. Modern comics had earlier developed in the United States in response to new technologies like motion pictures and sound recording, which revolutionized visual storytelling by prompting the invention of devices like speed lines and speech balloons. As audiovisual entertainment like movies and record players spread through Japan, comics followed suit. Their immediate popularity quickly encouraged Japanese editors and cartoonists to enthusiastically embrace the foreign medium and make it their own, paving the way for manga as we know it today.</p><p>By challenging the conventional wisdom that manga evolved from centuries of prior Japanese art and explaining why manga and other comics around the world share the same origin story, <em>Comics and the Origins of Manga</em> offers a new understanding of this increasingly influential artform.</p><p><a href="https://eas.arizona.edu/people/jingyili"><em>Jingyi Li</em></a><em> is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2674</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Joseph P. Feldman, "Memories Before the State: Postwar Peru and the Place of Memory, Tolerance, and Social Inclusion" (Rutgers UP, 2021)</title>
      <description>In this episode of the New Books in Latin America Podcast, Kenneth Sánchez talked to Joe Feldman about his wonderful book Memories before the State: Postwar Peru and the Place of Memory, Tolerance and Social Inclusion published in 2021 by Rutgers University Press.
Memories before the State examines the discussions and debates surrounding the creation of the Place of Memory, Tolerance, and Social Inclusion, a national museum in Peru that memorializes the country's internal armed conflict of the 1980s and 1990s. Joseph P. Feldman analyzes forms of authority that emerge as an official institution seeks to incorporate and manage diverse perspectives on recent violence.
It is a very valuable book and an important contribution to memory, museum, and Peruvian studies and debates on those fields.
Joseph P. Feldman is currently a postdoctoral fellow at the Martin Institute and the Idaho Society of Fellows at the University of Idaho. Between 2016 and 2020 he was an assistant professor in the School of Anthropology at the Pontificia Universidad Católica de Chile and an affiliated researcher at the Center for Intercultural and Indigenous Research.
Kenneth Sanchez is a Peruvian journalist that currently works as a freelance journalist and as a multi-platform content curator for the Peruvian media outlet Comité de Lectura. He also hosts the New Books in Latin American Studies podcast and the movies &amp; entertainment podcast Segundo Plano.
He holds a master degree in Latin American Politics from University College London (UCL), is a Centre for Investigative Journalism masterclass alumni and is part of the 6th generation of Young Journalists of #LaRedLatam of Distintas Latitudes. He has won several awards including the prestigious Amnesty Media Award given out by Amnesty International UK.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 08 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>137</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Joseph P. Feldman</itunes:subtitle>
      <itunes:summary>In this episode of the New Books in Latin America Podcast, Kenneth Sánchez talked to Joe Feldman about his wonderful book Memories before the State: Postwar Peru and the Place of Memory, Tolerance and Social Inclusion published in 2021 by Rutgers University Press.
Memories before the State examines the discussions and debates surrounding the creation of the Place of Memory, Tolerance, and Social Inclusion, a national museum in Peru that memorializes the country's internal armed conflict of the 1980s and 1990s. Joseph P. Feldman analyzes forms of authority that emerge as an official institution seeks to incorporate and manage diverse perspectives on recent violence.
It is a very valuable book and an important contribution to memory, museum, and Peruvian studies and debates on those fields.
Joseph P. Feldman is currently a postdoctoral fellow at the Martin Institute and the Idaho Society of Fellows at the University of Idaho. Between 2016 and 2020 he was an assistant professor in the School of Anthropology at the Pontificia Universidad Católica de Chile and an affiliated researcher at the Center for Intercultural and Indigenous Research.
Kenneth Sanchez is a Peruvian journalist that currently works as a freelance journalist and as a multi-platform content curator for the Peruvian media outlet Comité de Lectura. He also hosts the New Books in Latin American Studies podcast and the movies &amp; entertainment podcast Segundo Plano.
He holds a master degree in Latin American Politics from University College London (UCL), is a Centre for Investigative Journalism masterclass alumni and is part of the 6th generation of Young Journalists of #LaRedLatam of Distintas Latitudes. He has won several awards including the prestigious Amnesty Media Award given out by Amnesty International UK.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of the New Books in Latin America Podcast, Kenneth Sánchez talked to Joe Feldman about his wonderful book <a href="https://bookshop.org/a/12343/9781978809512"><em>Memories before the State: Postwar Peru and the Place of Memory, Tolerance and Social Inclusion</em></a> published in 2021 by Rutgers University Press.</p><p>Memories before the State examines the discussions and debates surrounding the creation of the Place of Memory, Tolerance, and Social Inclusion, a national museum in Peru that memorializes the country's internal armed conflict of the 1980s and 1990s. Joseph P. Feldman analyzes forms of authority that emerge as an official institution seeks to incorporate and manage diverse perspectives on recent violence.</p><p>It is a very valuable book and an important contribution to memory, museum, and Peruvian studies and debates on those fields.</p><p>Joseph P. Feldman is currently a postdoctoral fellow at the Martin Institute and the Idaho Society of Fellows at the University of Idaho. Between 2016 and 2020 he was an assistant professor in the School of Anthropology at the Pontificia Universidad Católica de Chile and an affiliated researcher at the Center for Intercultural and Indigenous Research.</p><p>Kenneth Sanchez is a Peruvian journalist that currently works as a freelance journalist and as a multi-platform content curator for the Peruvian media outlet Comité de Lectura. He also hosts the New Books in Latin American Studies podcast and the movies &amp; entertainment podcast Segundo Plano.</p><p>He holds a master degree in Latin American Politics from University College London (UCL), is a Centre for Investigative Journalism masterclass alumni and is part of the 6th generation of Young Journalists of #LaRedLatam of Distintas Latitudes. He has won several awards including the prestigious Amnesty Media Award given out by Amnesty International UK.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>5492</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Amy Sodaro, "Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence" (Rutgers UP, 2018)</title>
      <description>Today, nearly any group or nation with violence in its past has constructed or is planning a memorial museum as a mechanism for confronting past trauma, often together with truth commissions, trials, and/or other symbolic or material reparations. In Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence (Rutgers University Press, 2018), Amy Sodaro documents the emergence of the memorial museum as a new cultural form of commemoration, and analyzes its use in efforts to come to terms with past political violence and to promote democracy and human rights.
Through a global comparative approach, Sodaro uses in-depth case studies of five exemplary memorial museums that commemorate a range of violent pasts and allow for a chronological and global examination of the trend: the U.S. Holocaust Memorial Museum in Washington, DC; the House of Terror in Budapest, Hungary; the Kigali Genocide Memorial Centre in Rwanda; the Museum of Memory and Human Rights in Santiago, Chile; and the National September 11 Memorial Museum in New York. Together, these case studies illustrate the historical emergence and global spread of the memorial museum and show how this new cultural form of commemoration is intended to be used in contemporary societies around the world.
Amy Sodaro is an associate professor of sociology at the Borough of Manhattan Community College, The City University of New York.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 04 Nov 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>249</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Amy Sodaro</itunes:subtitle>
      <itunes:summary>Today, nearly any group or nation with violence in its past has constructed or is planning a memorial museum as a mechanism for confronting past trauma, often together with truth commissions, trials, and/or other symbolic or material reparations. In Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence (Rutgers University Press, 2018), Amy Sodaro documents the emergence of the memorial museum as a new cultural form of commemoration, and analyzes its use in efforts to come to terms with past political violence and to promote democracy and human rights.
Through a global comparative approach, Sodaro uses in-depth case studies of five exemplary memorial museums that commemorate a range of violent pasts and allow for a chronological and global examination of the trend: the U.S. Holocaust Memorial Museum in Washington, DC; the House of Terror in Budapest, Hungary; the Kigali Genocide Memorial Centre in Rwanda; the Museum of Memory and Human Rights in Santiago, Chile; and the National September 11 Memorial Museum in New York. Together, these case studies illustrate the historical emergence and global spread of the memorial museum and show how this new cultural form of commemoration is intended to be used in contemporary societies around the world.
Amy Sodaro is an associate professor of sociology at the Borough of Manhattan Community College, The City University of New York.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today, nearly any group or nation with violence in its past has constructed or is planning a memorial museum as a mechanism for confronting past trauma, often together with truth commissions, trials, and/or other symbolic or material reparations. In <a href="https://bookshop.org/a/12343/9780813592138"><em>Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence</em></a> (Rutgers University Press, 2018), Amy Sodaro documents the emergence of the memorial museum as a new cultural form of commemoration, and analyzes its use in efforts to come to terms with past political violence and to promote democracy and human rights.</p><p>Through a global comparative approach, Sodaro uses in-depth case studies of five exemplary memorial museums that commemorate a range of violent pasts and allow for a chronological and global examination of the trend: the U.S. Holocaust Memorial Museum in Washington, DC; the House of Terror in Budapest, Hungary; the Kigali Genocide Memorial Centre in Rwanda; the Museum of Memory and Human Rights in Santiago, Chile; and the National September 11 Memorial Museum in New York. Together, these case studies illustrate the historical emergence and global spread of the memorial museum and show how this new cultural form of commemoration is intended to be used in contemporary societies around the world.</p><p>Amy Sodaro is an associate professor of sociology at the Borough of Manhattan Community College, The City University of New York.</p><p><em>Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3626</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Vania Smith-Oka, "Becoming Gods: Medical Training in Mexican Hospitals" (Rutgers UP, 2021)</title>
      <description>In Becoming Gods: Medical Training in Mexican Hospitals (Rutgers University Press, 2021), Vania Smith-Oka follows a cohort of interns throughout their year of medical training in hospitals to understand how medical students become medical doctors. She ethnographically tracks their engagements with one another, interactions with patients, experiences with doctors, and presentations of cases to show how medical students undergo a nuanced process of accumulating knowledge and practical experience in shaping their medical selves. Smith-Oka illuminates the gendered aspects of this process, whereby the medical interns’ gender informs the kind of treatment they receive from other doctors and the kinds of possibilities they imagine for their careers and areas of medical practice. She documents the lives of the interns during which time they develop their medical selves and come to understand the tacit values of medical practice. The book is full of descriptive vignettes and ethnographic details that make it accessible to undergraduate students. It would be of interest to those in medical anthropology, hospital ethnography, medical education as well as people interested in how expertise is acquired and developed. The book examines medical interns’ transformations through ordinary and extraordinary moments, through active and passive learning where they not only acquire new knowledge but also new ways of being.
Vania Smith-Oka is an associate professor in the Department of Anthropology at the University of Notre Dame in Indiana. She is the Director of the Health, Humanities, and Society Program at the John J. Reilly Center.
Reighan Gillam is an assistant professor in the Department of Anthropology at the University of Southern California.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 01 Nov 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>127</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Vania Smith-Oka</itunes:subtitle>
      <itunes:summary>In Becoming Gods: Medical Training in Mexican Hospitals (Rutgers University Press, 2021), Vania Smith-Oka follows a cohort of interns throughout their year of medical training in hospitals to understand how medical students become medical doctors. She ethnographically tracks their engagements with one another, interactions with patients, experiences with doctors, and presentations of cases to show how medical students undergo a nuanced process of accumulating knowledge and practical experience in shaping their medical selves. Smith-Oka illuminates the gendered aspects of this process, whereby the medical interns’ gender informs the kind of treatment they receive from other doctors and the kinds of possibilities they imagine for their careers and areas of medical practice. She documents the lives of the interns during which time they develop their medical selves and come to understand the tacit values of medical practice. The book is full of descriptive vignettes and ethnographic details that make it accessible to undergraduate students. It would be of interest to those in medical anthropology, hospital ethnography, medical education as well as people interested in how expertise is acquired and developed. The book examines medical interns’ transformations through ordinary and extraordinary moments, through active and passive learning where they not only acquire new knowledge but also new ways of being.
Vania Smith-Oka is an associate professor in the Department of Anthropology at the University of Notre Dame in Indiana. She is the Director of the Health, Humanities, and Society Program at the John J. Reilly Center.
Reighan Gillam is an assistant professor in the Department of Anthropology at the University of Southern California.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781978819658"><em>Becoming Gods: Medical Training in Mexican Hospitals</em></a> (Rutgers University Press, 2021), Vania Smith-Oka follows a cohort of interns throughout their year of medical training in hospitals to understand how medical students become medical doctors. She ethnographically tracks their engagements with one another, interactions with patients, experiences with doctors, and presentations of cases to show how medical students undergo a nuanced process of accumulating knowledge and practical experience in shaping their medical selves. Smith-Oka illuminates the gendered aspects of this process, whereby the medical interns’ gender informs the kind of treatment they receive from other doctors and the kinds of possibilities they imagine for their careers and areas of medical practice. She documents the lives of the interns during which time they develop their medical selves and come to understand the tacit values of medical practice. The book is full of descriptive vignettes and ethnographic details that make it accessible to undergraduate students. It would be of interest to those in medical anthropology, hospital ethnography, medical education as well as people interested in how expertise is acquired and developed. The book examines medical interns’ transformations through ordinary and extraordinary moments, through active and passive learning where they not only acquire new knowledge but also new ways of being.</p><p>Vania Smith-Oka is an associate professor in the Department of Anthropology at the University of Notre Dame in Indiana. She is the Director of the Health, Humanities, and Society Program at the John J. Reilly Center.</p><p><a href="https://dornsife.usc.edu/cf/anth/faculty_display.cfm?person_id=1080560"><em>Reighan Gillam</em></a><em> is an assistant professor in the Department of Anthropology at the University of Southern California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2945</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Esther De Dauw, "Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic" (Rutgers UP, 2021)</title>
      <description>Superman, Batman, Captain America, and Iron Man are names that are often connected to the expansive superhero genre, including the multi-billion-dollar film and television franchises. But these characters are older and have been woven into American popular culture since their inception in the early days of comic books. The history of these comic book heroes are histories that include bulging muscles, flashy fight scenes, four-color panels, and heroic rescues of damsels in distress. Esther De Dauw’s new book,
Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic (Rutgers UP, 2021),analyzes these characters with a critical lens to explore what exactly these figures teach the readers and the public about identity, embodiment, and sexuality. De Dauw, a comics scholar, focuses her research on the intersectionality of race and gender in comic books.
Hot Pants and Spandex Suits takes the audience through the 80-year evolution of comic books to discuss the changes in identity and culture, and explore what these heroes say about and to the American people. As an expert in Comic Studies and Cultural Studies, De Dauw uses theories of structural power relations to explain the disenfranchisement of women, LGBTQIA+, and the Black community in comics. As she notes, superheroes are often metaphors for the concerns of the dominant culture, and are informed by the dominant gender ideology and the American cultural landscape. Hot Pants and Spandex Suits unpacks superhero actions to examine who these heroes are serving, how, and what this has to say about American culture and identity. These questions frame the discussion throughout the book as De Dauw traces the changing perceptions of identity, cultural, and historical shifts through comic books and their many different heroes. A significant avenue of analysis focuses on the fragility of white masculinity, and how the superheroes essentially became an antidote to the cultural sense that white men were “losing” in American society. With a fascinating tour of the history of comic books, De Dauw welcomes both the academic community and comic-book lovers to venture through this analysis to better understand the role of superheroes within our culture and our politics.
Shaina Boldt assisted with this podcast.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 21 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>551</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Esther De Dauw</itunes:subtitle>
      <itunes:summary>Superman, Batman, Captain America, and Iron Man are names that are often connected to the expansive superhero genre, including the multi-billion-dollar film and television franchises. But these characters are older and have been woven into American popular culture since their inception in the early days of comic books. The history of these comic book heroes are histories that include bulging muscles, flashy fight scenes, four-color panels, and heroic rescues of damsels in distress. Esther De Dauw’s new book,
Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic (Rutgers UP, 2021),analyzes these characters with a critical lens to explore what exactly these figures teach the readers and the public about identity, embodiment, and sexuality. De Dauw, a comics scholar, focuses her research on the intersectionality of race and gender in comic books.
Hot Pants and Spandex Suits takes the audience through the 80-year evolution of comic books to discuss the changes in identity and culture, and explore what these heroes say about and to the American people. As an expert in Comic Studies and Cultural Studies, De Dauw uses theories of structural power relations to explain the disenfranchisement of women, LGBTQIA+, and the Black community in comics. As she notes, superheroes are often metaphors for the concerns of the dominant culture, and are informed by the dominant gender ideology and the American cultural landscape. Hot Pants and Spandex Suits unpacks superhero actions to examine who these heroes are serving, how, and what this has to say about American culture and identity. These questions frame the discussion throughout the book as De Dauw traces the changing perceptions of identity, cultural, and historical shifts through comic books and their many different heroes. A significant avenue of analysis focuses on the fragility of white masculinity, and how the superheroes essentially became an antidote to the cultural sense that white men were “losing” in American society. With a fascinating tour of the history of comic books, De Dauw welcomes both the academic community and comic-book lovers to venture through this analysis to better understand the role of superheroes within our culture and our politics.
Shaina Boldt assisted with this podcast.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Superman, Batman, Captain America, and Iron Man are names that are often connected to the expansive superhero genre, including the multi-billion-dollar film and television franchises. But these characters are older and have been woven into American popular culture since their inception in the early days of comic books. The history of these comic book heroes are histories that include bulging muscles, flashy fight scenes, four-color panels, and heroic rescues of damsels in distress. Esther De Dauw’s new book,</p><p><a href="https://bookshop.org/a/12343/9781978806030"><em>Hot Pants and Spandex Suits: Gender Representation in American Superhero Comic</em></a> (Rutgers UP, 2021),analyzes these characters with a critical lens to explore what exactly these figures teach the readers and the public about identity, embodiment, and sexuality. De Dauw, a comics scholar, focuses her research on the intersectionality of race and gender in comic books.</p><p><em>Hot Pants and Spandex Suits </em>takes the audience through the 80-year evolution of comic books to discuss the changes in identity and culture, and explore what these heroes say about and to the American people. As an expert in Comic Studies and Cultural Studies, De Dauw uses theories of structural power relations to explain the disenfranchisement of women, LGBTQIA+, and the Black community in comics. As she notes, superheroes are often metaphors for the concerns of the dominant culture, and are informed by the dominant gender ideology and the American cultural landscape. <em>Hot Pants and Spandex Suits</em> unpacks superhero actions to examine who these heroes are serving, how, and what this has to say about American culture and identity. These questions frame the discussion throughout the book as De Dauw traces the changing perceptions of identity, cultural, and historical shifts through comic books and their many different heroes. A significant avenue of analysis focuses on the fragility of white masculinity, and how the superheroes essentially became an antidote to the cultural sense that white men were “losing” in American society. With a fascinating tour of the history of comic books, De Dauw welcomes both the academic community and comic-book lovers to venture through this analysis to better understand the role of superheroes within our culture and our politics.</p><p>Shaina Boldt assisted with this podcast.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book,</em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0"> <em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012), as well as co-editor of</em><a href="https://www.bloomsbury.com/us/mad-men-and-politics-9781501306358/"> <em>Mad Men and Politics: Nostalgia and the Remaking of Modern America</em></a><em> (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to</em><a href="https://twitter.com/gorenlj"> <em>@gorenlj</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3429</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Katherine Chandler, "Unmanning: How Humans, Machines and Media Perform Drone Warfare" (Rutgers UP, 2020)</title>
      <description>Katherine Chandler's Unmanning: How Humans, Machines and Media Perform Drone Warfare (Rutgers UP, 2020) studies the conditions that create unmanned platforms in the United States through a genealogy of experimental, pilotless planes flown between 1936 and 1992. Characteristics often attributed to the drone--including machine-like control, enmity and remoteness--are achieved by displacements between humans and machines that shape a mediated theater of war. Rather than primarily treating the drone as a result of the war on terror, this book examines contemporary targeted killing through a series of failed experiments to develop unmanned flight in the twentieth century. The human, machine and media parts of drone aircraft are organized to make an ostensibly not human framework for war that disavows its political underpinnings as technological advance. These experiments are tied to histories of global control, cybernetics, racism and colonialism. Drone crashes and failures call attention to the significance of human action in making technopolitics that comes to be opposed to "man" and the paradoxes at their basis.
 Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 19 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>94</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Katherine Chandler</itunes:subtitle>
      <itunes:summary>Katherine Chandler's Unmanning: How Humans, Machines and Media Perform Drone Warfare (Rutgers UP, 2020) studies the conditions that create unmanned platforms in the United States through a genealogy of experimental, pilotless planes flown between 1936 and 1992. Characteristics often attributed to the drone--including machine-like control, enmity and remoteness--are achieved by displacements between humans and machines that shape a mediated theater of war. Rather than primarily treating the drone as a result of the war on terror, this book examines contemporary targeted killing through a series of failed experiments to develop unmanned flight in the twentieth century. The human, machine and media parts of drone aircraft are organized to make an ostensibly not human framework for war that disavows its political underpinnings as technological advance. These experiments are tied to histories of global control, cybernetics, racism and colonialism. Drone crashes and failures call attention to the significance of human action in making technopolitics that comes to be opposed to "man" and the paradoxes at their basis.
 Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Katherine Chandler's <a href="https://bookshop.org/a/12343/9781978809741"><em>Unmanning: How Humans, Machines and Media Perform Drone Warfare</em></a> (Rutgers UP, 2020) studies the conditions that create unmanned platforms in the United States through a genealogy of experimental, pilotless planes flown between 1936 and 1992. Characteristics often attributed to the drone--including machine-like control, enmity and remoteness--are achieved by displacements between humans and machines that shape a mediated theater of war. Rather than primarily treating the drone as a result of the war on terror, this book examines contemporary targeted killing through a series of failed experiments to develop unmanned flight in the twentieth century. The human, machine and media parts of drone aircraft are organized to make an ostensibly not human framework for war that disavows its political underpinnings as technological advance. These experiments are tied to histories of global control, cybernetics, racism and colonialism. Drone crashes and failures call attention to the significance of human action in making technopolitics that comes to be opposed to "man" and the paradoxes at their basis.</p><p><em> Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at </em><a href="mailto:galina.limorenko@epfl.ch"><em>galina.limorenko@epfl.ch</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3363</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Leslie Barnes and Joseph Mai, "The Cinema of Rithy Panh: Everything Has a Soul" (Rutgers UP, 2021)</title>
      <description>In this episode I chatted with Leslie Barnes and Joseph Mai, two scholars of film, about their new anthology The Cinema of Rithy Panh: Everything Has a Soul out with Rutgers University Press, 2021. As a child Rithy Panh survived the Khmer Rouge regime yet lost his immediate family during those awful years. He was fortunate enough to emigrate to France where he studied film and became a prolific director. Rithy Panh is now the most important film maker in Cambodia and in the Khmer diaspora. Committed to mentoring a new generation of Cambodian storytellers, he helped found the Bophana Audiovisual Resource Center which trains young Khmer film makers. The essays in The Cinema of Rithy Panh: Everything Has a Soul cover his diverse offerings but focus on the memory of the disaster of the Khmer Rouge years, as well as the 1976-1975 civil war and the Vietnamese occupation of the 1980s. Rithy Panh also engages the history of French colonialism and the explores social difficulties of workers caught in neo-liberal development projects.
Leslie Barnes is a Senior Lecturer in French Studies in the School of Literature, Languages and Linguistics at Australian National University. Dr. Barnes has written Vietnam and the Colonial Condition of French Literature (University of Nebraska Press, 2014). Joseph Mai is an Associate Professor of French at Clemson University. Dr. Mai has published Robert Gay dig e on Guédiguian (Manchester University Press, 2017) and Jean-Pierre and Luc Dardenne (University of Illinois Press, 2010).
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 15 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1084</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Leslie Barnes and Joseph Mai</itunes:subtitle>
      <itunes:summary>In this episode I chatted with Leslie Barnes and Joseph Mai, two scholars of film, about their new anthology The Cinema of Rithy Panh: Everything Has a Soul out with Rutgers University Press, 2021. As a child Rithy Panh survived the Khmer Rouge regime yet lost his immediate family during those awful years. He was fortunate enough to emigrate to France where he studied film and became a prolific director. Rithy Panh is now the most important film maker in Cambodia and in the Khmer diaspora. Committed to mentoring a new generation of Cambodian storytellers, he helped found the Bophana Audiovisual Resource Center which trains young Khmer film makers. The essays in The Cinema of Rithy Panh: Everything Has a Soul cover his diverse offerings but focus on the memory of the disaster of the Khmer Rouge years, as well as the 1976-1975 civil war and the Vietnamese occupation of the 1980s. Rithy Panh also engages the history of French colonialism and the explores social difficulties of workers caught in neo-liberal development projects.
Leslie Barnes is a Senior Lecturer in French Studies in the School of Literature, Languages and Linguistics at Australian National University. Dr. Barnes has written Vietnam and the Colonial Condition of French Literature (University of Nebraska Press, 2014). Joseph Mai is an Associate Professor of French at Clemson University. Dr. Mai has published Robert Gay dig e on Guédiguian (Manchester University Press, 2017) and Jean-Pierre and Luc Dardenne (University of Illinois Press, 2010).
Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode I chatted with Leslie Barnes and Joseph Mai, two scholars of film, about their new anthology <em>The Cinema of Rithy Panh: Everything Has a Soul</em> out with Rutgers University Press, 2021. As a child Rithy Panh survived the Khmer Rouge regime yet lost his immediate family during those awful years. He was fortunate enough to emigrate to France where he studied film and became a prolific director. Rithy Panh is now the most important film maker in Cambodia and in the Khmer diaspora. Committed to mentoring a new generation of Cambodian storytellers, he helped found the Bophana Audiovisual Resource Center which trains young Khmer film makers. The essays in <em>The Cinema of Rithy Panh: Everything Has a Soul</em> cover his diverse offerings but focus on the memory of the disaster of the Khmer Rouge years, as well as the 1976-1975 civil war and the Vietnamese occupation of the 1980s. Rithy Panh also engages the history of French colonialism and the explores social difficulties of workers caught in neo-liberal development projects.</p><p>Leslie Barnes is a Senior Lecturer in French Studies in the School of Literature, Languages and Linguistics at Australian National University. Dr. Barnes has written <em>Vietnam and the Colonial Condition of French Literature</em> (University of Nebraska Press, 2014<strong>). </strong>Joseph Mai is an Associate Professor of French at Clemson University. Dr. Mai has published <em>Robert Gay dig e on Guédiguian</em> (Manchester University Press, 2017) and <em>Jean-Pierre and Luc Dardenne</em> (University of Illinois Press, 2010).</p><p><a href="https://michaelvann.academia.edu/"><em>Michael G. Vann</em></a><em> is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of </em><a href="https://global.oup.com/ushe/product/the-great-hanoi-rat-hunt-9780190602697?cc=us&amp;lang=en&amp;"><em>The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam</em></a><em> (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>6041</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Sarah Bunin Benor et al., "Hebrew Infusion: Language and Community at American Jewish Summer Camps" (Rutgers UP, 2020)</title>
      <description>Each summer, tens of thousands of American Jews attend residential camps, where they may see Hebrew signs, sing and dance to Hebrew songs, and hear a camp-specific hybrid language register called Camp Hebraized English, as in: “Let’s hear some ruach (spirit) in this chadar ochel (dining hall)!” Using historical and sociolinguistic methods, Hebrew Infusion: Language and Community at American Jewish Summer Camps, by Sarah Bunin Benor, Jonathan Krasner, and Sharon Avni (Rutgers University Press, 2020), explains how camp directors and staff came to infuse Hebrew in creative ways and how their rationales and practices have evolved from the early 20th century to today.
Some Jewish leaders worry that Camp Hebraized English impedes Hebrew acquisition, while others recognize its power to strengthen campers’ bonds with Israel, Judaism, and the Jewish people. Hebrew Infusion explores these conflicting ideologies, showing how hybrid language can serve a formative role in fostering religious, diasporic communities. The insightful analysis and engaging descriptions of camp life will appeal to anyone interested in language, education, or American Jewish culture.
Interviewees:
Sarah Bunin Benor is Professor of Contemporary Jewish Studies at Hebrew Union College and courtesy Professor of Linguistics at the University of Southern California.
Jonathan Krasner is the Jack, Joseph and Morton Mandel Associate Professor of Jewish Education Research at Brandeis University.
Sharon Avni is Professor of Literacy and Linguistics at Borough of Manhattan Community College, City University of New York, and a Research Associate at the Research Institute for the Study of Language in Urban Society at the CUNY Graduate Center.
Host: Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 02 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>240</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Sarah Bunin Benor, Jonathan Krasner, and Sharon Avni</itunes:subtitle>
      <itunes:summary>Each summer, tens of thousands of American Jews attend residential camps, where they may see Hebrew signs, sing and dance to Hebrew songs, and hear a camp-specific hybrid language register called Camp Hebraized English, as in: “Let’s hear some ruach (spirit) in this chadar ochel (dining hall)!” Using historical and sociolinguistic methods, Hebrew Infusion: Language and Community at American Jewish Summer Camps, by Sarah Bunin Benor, Jonathan Krasner, and Sharon Avni (Rutgers University Press, 2020), explains how camp directors and staff came to infuse Hebrew in creative ways and how their rationales and practices have evolved from the early 20th century to today.
Some Jewish leaders worry that Camp Hebraized English impedes Hebrew acquisition, while others recognize its power to strengthen campers’ bonds with Israel, Judaism, and the Jewish people. Hebrew Infusion explores these conflicting ideologies, showing how hybrid language can serve a formative role in fostering religious, diasporic communities. The insightful analysis and engaging descriptions of camp life will appeal to anyone interested in language, education, or American Jewish culture.
Interviewees:
Sarah Bunin Benor is Professor of Contemporary Jewish Studies at Hebrew Union College and courtesy Professor of Linguistics at the University of Southern California.
Jonathan Krasner is the Jack, Joseph and Morton Mandel Associate Professor of Jewish Education Research at Brandeis University.
Sharon Avni is Professor of Literacy and Linguistics at Borough of Manhattan Community College, City University of New York, and a Research Associate at the Research Institute for the Study of Language in Urban Society at the CUNY Graduate Center.
Host: Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Each summer, tens of thousands of American Jews attend residential camps, where they may see Hebrew signs, sing and dance to Hebrew songs, and hear a camp-specific hybrid language register called Camp Hebraized English, as in: “Let’s hear some ruach (spirit) in this chadar ochel (dining hall)!” Using historical and sociolinguistic methods, <a href="https://bookshop.org/a/12343/9780813588735"><em>Hebrew Infusion: Language and Community at American Jewish Summer Camps</em></a>, by Sarah Bunin Benor, Jonathan Krasner, and Sharon Avni (Rutgers University Press, 2020), explains how camp directors and staff came to infuse Hebrew in creative ways and how their rationales and practices have evolved from the early 20th century to today.</p><p>Some Jewish leaders worry that Camp Hebraized English impedes Hebrew acquisition, while others recognize its power to strengthen campers’ bonds with Israel, Judaism, and the Jewish people. <em>Hebrew Infusion</em> explores these conflicting ideologies, showing how hybrid language can serve a formative role in fostering religious, diasporic communities. The insightful analysis and engaging descriptions of camp life will appeal to anyone interested in language, education, or American Jewish culture.</p><p><strong>Interviewees:</strong></p><p>Sarah Bunin Benor is Professor of Contemporary Jewish Studies at Hebrew Union College and courtesy Professor of Linguistics at the University of Southern California.</p><p>Jonathan Krasner is the Jack, Joseph and Morton Mandel Associate Professor of Jewish Education Research at Brandeis University.</p><p>Sharon Avni is Professor of Literacy and Linguistics at Borough of Manhattan Community College, City University of New York, and a Research Associate at the Research Institute for the Study of Language in Urban Society at the CUNY Graduate Center.</p><p><strong><em>Host:</em></strong><em> Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3911</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Megan Goodwin, "Abusing Religion: Literary Persecution, Sex Scandals, and American Minority Religions" (Rutgers UP, 2020)</title>
      <description>Sex abuse happens in all communities, but American minority religions often face disproportionate allegations of sexual abuse. Why, in a country that consistently fails to acknowledge—much less address—the sexual abuse of women and children, do American religious outsiders so often face allegations of sexual misconduct? Why does the American public presume to know “what’s really going on” in minority religious communities? Why are sex abuse allegations such an effective way to discredit people on America’s religious margins? What makes Americans so willing, so eager to identify religion as the cause of sex abuse? In Abusing Religion: Literary Persecution, Sex Scandals, and American Minority Religions (Rutgers UP, 2020), Megan Goodwin argues that sex abuse in minority religious communities is an American problem, not (merely) a religious one.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 09 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>156</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Megan Goodwin</itunes:subtitle>
      <itunes:summary>Sex abuse happens in all communities, but American minority religions often face disproportionate allegations of sexual abuse. Why, in a country that consistently fails to acknowledge—much less address—the sexual abuse of women and children, do American religious outsiders so often face allegations of sexual misconduct? Why does the American public presume to know “what’s really going on” in minority religious communities? Why are sex abuse allegations such an effective way to discredit people on America’s religious margins? What makes Americans so willing, so eager to identify religion as the cause of sex abuse? In Abusing Religion: Literary Persecution, Sex Scandals, and American Minority Religions (Rutgers UP, 2020), Megan Goodwin argues that sex abuse in minority religious communities is an American problem, not (merely) a religious one.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sex abuse happens in all communities, but American minority religions often face disproportionate allegations of sexual abuse. Why, in a country that consistently fails to acknowledge—much less address—the sexual abuse of women and children, do American religious outsiders so often face allegations of sexual misconduct? Why does the American public presume to know “what’s really going on” in minority religious communities? Why are sex abuse allegations such an effective way to discredit people on America’s religious margins? What makes Americans so willing, so eager to identify religion as the cause of sex abuse? In <a href="https://bookshop.org/a/12343/9781978807785"><em>Abusing Religion: Literary Persecution, Sex Scandals, and American Minority Religions</em></a> (Rutgers UP, 2020)<em>,</em> Megan Goodwin argues that sex abuse in minority religious communities is an American problem, not (merely) a religious one.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3308</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d8e75b1c-f12c-11ee-892b-cfb07a940031]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2409627577.mp3?updated=1627415931" length="0" type="audio/mpeg"/>
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    <item>
      <title>Laura Moran, "Belonging and Becoming in a Multicultural World: Refugee Youth and the Pursuit of Identity" (Rutgers UP, 2019)</title>
      <description>Children and youth are front and center in the context of global mass migration and the social discord around questions of multicultural inclusion that it often ignites. Imprecise portrayals of their inclination to either embrace diversity or to incite racism are used to exemplify both the success and failures of the multicultural project. In the context of young people’s heightened politicization, Belonging and Becoming in a Multicultural World: Refugee Youth and the Pursuit of Identity (Rutgers UP, 2019) shifts the focus to a group of Sudanese and Karen refugee youth’s own insights, explanations and practices as they attempt to create a sense of identity and belonging in Australia. These young people engage race, racism and national identity in creative and unexpected ways as they are confronted with the social and moral implications of multiculturalism.
Laura Moran is a cultural anthropologist who researches issues of youth and identity, race and ethnicity, the refugee experience, and multicultural inclusion. She lives in the northeastern United States.
Fulya Pinar is a PhD candidate in the department of Anthropology at Rutgers University. Her work focuses on alternative economies, refugee care, and migration in Turkey.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 03 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>106</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Laura Moran</itunes:subtitle>
      <itunes:summary>Children and youth are front and center in the context of global mass migration and the social discord around questions of multicultural inclusion that it often ignites. Imprecise portrayals of their inclination to either embrace diversity or to incite racism are used to exemplify both the success and failures of the multicultural project. In the context of young people’s heightened politicization, Belonging and Becoming in a Multicultural World: Refugee Youth and the Pursuit of Identity (Rutgers UP, 2019) shifts the focus to a group of Sudanese and Karen refugee youth’s own insights, explanations and practices as they attempt to create a sense of identity and belonging in Australia. These young people engage race, racism and national identity in creative and unexpected ways as they are confronted with the social and moral implications of multiculturalism.
Laura Moran is a cultural anthropologist who researches issues of youth and identity, race and ethnicity, the refugee experience, and multicultural inclusion. She lives in the northeastern United States.
Fulya Pinar is a PhD candidate in the department of Anthropology at Rutgers University. Her work focuses on alternative economies, refugee care, and migration in Turkey.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Children and youth are front and center in the context of global mass migration and the social discord around questions of multicultural inclusion that it often ignites. Imprecise portrayals of their inclination to either embrace diversity or to incite racism are used to exemplify both the success and failures of the multicultural project. In the context of young people’s heightened politicization, <a href="https://bookshop.org/a/12343/9781978803053"><em>Belonging and Becoming in a Multicultural World: Refugee Youth and the Pursuit of Identity</em></a> (Rutgers UP, 2019) shifts the focus to a group of Sudanese and Karen refugee youth’s own insights, explanations and practices as they attempt to create a sense of identity and belonging in Australia. These young people engage race, racism and national identity in creative and unexpected ways as they are confronted with the social and moral implications of multiculturalism.</p><p><a href="https://emmanuel.academia.edu/LauraMoran">Laura Moran</a> is a cultural anthropologist who researches issues of youth and identity, race and ethnicity, the refugee experience, and multicultural inclusion. She lives in the northeastern United States.</p><p><em>Fulya Pinar is a PhD candidate in the department of Anthropology at Rutgers University. Her work focuses on alternative economies, refugee care, and migration in Turkey.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3049</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>S. Garnett Russell, "Becoming Rwandan: Education, Reconciliation, and the Making of a Post-Genocide Citizen" (Rutgers UP, 2020)</title>
      <description>In Becoming Rwandan: Education, Reconciliation and the Making of a Post-Genocide Citizen (Rutgers UP, 2020), S. Garnett Russell argues that although the Rwandan government makes use of global discourses in national policy documents, the way in which teachers and students engage with these global models distorts the curricular intentions of the government, resulting in unintended consequences and an undermining of sustainable peace. She is assistant professor of international and comparative education and the director of the George Clement Bond Center for African Education at Teacher’s College, Columbia University.
Susan Thomson is an Associate Professor of Peace and Conflict Studies at Colgate University. I like to interview pretenure scholars about their research. I am particularly keen on their method and methodology, as well as the process of producing academic knowledge about African places and people.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 12 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>99</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with S. Garnett Russell</itunes:subtitle>
      <itunes:summary>In Becoming Rwandan: Education, Reconciliation and the Making of a Post-Genocide Citizen (Rutgers UP, 2020), S. Garnett Russell argues that although the Rwandan government makes use of global discourses in national policy documents, the way in which teachers and students engage with these global models distorts the curricular intentions of the government, resulting in unintended consequences and an undermining of sustainable peace. She is assistant professor of international and comparative education and the director of the George Clement Bond Center for African Education at Teacher’s College, Columbia University.
Susan Thomson is an Associate Professor of Peace and Conflict Studies at Colgate University. I like to interview pretenure scholars about their research. I am particularly keen on their method and methodology, as well as the process of producing academic knowledge about African places and people.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781978802865"><em>Becoming Rwandan: Education, Reconciliation and the Making of a Post-Genocide Citizen</em></a><em> </em>(Rutgers UP, 2020)<em>, </em>S. Garnett Russell argues that although the Rwandan government makes use of global discourses in national policy documents, the way in which teachers and students engage with these global models distorts the curricular intentions of the government, resulting in unintended consequences and an undermining of sustainable peace. She is assistant professor of international and comparative education and the director of the George Clement Bond Center for African Education at Teacher’s College, Columbia University.</p><p><a href="https://www.colgate.edu/about/directory/sthomson"><em>Susan Thomson</em></a><em> is an Associate Professor of Peace and Conflict Studies at Colgate University. I like to interview pretenure scholars about their research. I am particularly keen on their method and methodology, as well as the process of producing academic knowledge about African places and people.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2317</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Pallavi Guha, "Hear #metoo in India: News, Social Media, and Anti-Rape and Sexual Harassment Activism" (Rutgers UP, 2021)</title>
      <description>Hello Everyone, and welcome to New Books in Gender and Sexuality, a channel on the New Books Network. I’m your host, Jana Byars, and I’m here today with Pallavi Guha, assistant professor in the Department of Mass Communication at Towson University in Towson, MD, to talk to her about her new book, Hear #MeToo in India: News, Social Media, and Anti-Rape and Sexual Harassment Activism, out this year, 2021 with Rutgers University Press.
This book examines the role media platforms play in anti-rape and sexual harassment activism in India. Including 75 interviews with feminist activists and journalists working across India, it proposes a framework of agenda-building and establishes a theoretical framework to examine media coverage of issues in the digitally emerging Global South.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 07 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>162</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Pallavi Guha</itunes:subtitle>
      <itunes:summary>Hello Everyone, and welcome to New Books in Gender and Sexuality, a channel on the New Books Network. I’m your host, Jana Byars, and I’m here today with Pallavi Guha, assistant professor in the Department of Mass Communication at Towson University in Towson, MD, to talk to her about her new book, Hear #MeToo in India: News, Social Media, and Anti-Rape and Sexual Harassment Activism, out this year, 2021 with Rutgers University Press.
This book examines the role media platforms play in anti-rape and sexual harassment activism in India. Including 75 interviews with feminist activists and journalists working across India, it proposes a framework of agenda-building and establishes a theoretical framework to examine media coverage of issues in the digitally emerging Global South.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Hello Everyone, and welcome to New Books in Gender and Sexuality, a channel on the New Books Network. I’m your host, Jana Byars, and I’m here today with <a href="https://www.pallaviguha.com/">Pallavi Guha</a>, assistant professor in the Department of Mass Communication at Towson University in Towson, MD, to talk to her about her new book, <a href="https://bookshop.org/a/12343/9781978805729"><em>Hear #MeToo in India: News, Social Media, and Anti-Rape and Sexual Harassment Activism</em></a><em>, </em>out this year, 2021 with Rutgers University Press.</p><p>This book examines the role media platforms play in anti-rape and sexual harassment activism in India. Including 75 interviews with feminist activists and journalists working across India, it proposes a framework of agenda-building and establishes a theoretical framework to examine media coverage of issues in the digitally emerging Global South.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3298</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[984a1dbc-f125-11ee-9755-630a156f8dcc]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3924831988.mp3?updated=1619027943" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>M. Vollman Makris and M. Gatta, "Gentrification Down the Shore" (Rutgers UP, 2020)</title>
      <description>In Gentrification Down the Shore (Rutgers University Press, 2020), Molly Vollman Makris and Mary Gatta engage in a rich ethnographic investigation of Asbury Park to better understand the connection between jobs and seasonal gentrification and the experiences of longtime residents in this beach-community city. They demonstrate how the racial inequality in the founding of Asbury Park is reverberating a century later. This book tells an important and nuanced tale of gentrification using an intersectional lens to examine the history of race relations, the too often overlooked history of the postindustrial city, the role of the LGBTQ population, barriers to employment and access to amenities, and the role of developers as the city rapidly changes. Makris and Gatta draw on in-depth interviews, focus groups, ethnographic observation, as well as data analysis to tell the reader a story of life on the West Side of Asbury Park as the East Side prospers and to point to a potential path forward.
Molly Vollman Makris is Associate Professor and Program Coordinator of Urban Studies at Guttman Community College, City University of New York.
Mary Gatta is as an Associate Professor of Sociology at Guttman Community College, City University of New York.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 06 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>180</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Molly Vollman Makris and Mary Gatta</itunes:subtitle>
      <itunes:summary>In Gentrification Down the Shore (Rutgers University Press, 2020), Molly Vollman Makris and Mary Gatta engage in a rich ethnographic investigation of Asbury Park to better understand the connection between jobs and seasonal gentrification and the experiences of longtime residents in this beach-community city. They demonstrate how the racial inequality in the founding of Asbury Park is reverberating a century later. This book tells an important and nuanced tale of gentrification using an intersectional lens to examine the history of race relations, the too often overlooked history of the postindustrial city, the role of the LGBTQ population, barriers to employment and access to amenities, and the role of developers as the city rapidly changes. Makris and Gatta draw on in-depth interviews, focus groups, ethnographic observation, as well as data analysis to tell the reader a story of life on the West Side of Asbury Park as the East Side prospers and to point to a potential path forward.
Molly Vollman Makris is Associate Professor and Program Coordinator of Urban Studies at Guttman Community College, City University of New York.
Mary Gatta is as an Associate Professor of Sociology at Guttman Community College, City University of New York.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781978813618"><em>Gentrification Down the Shore</em> </a>(Rutgers University Press, 2020), Molly Vollman Makris and Mary Gatta engage in a rich ethnographic investigation of Asbury Park to better understand the connection between jobs and seasonal gentrification and the experiences of longtime residents in this beach-community city. They demonstrate how the racial inequality in the founding of Asbury Park is reverberating a century later. This book tells an important and nuanced tale of gentrification using an intersectional lens to examine the history of race relations, the too often overlooked history of the postindustrial city, the role of the LGBTQ population, barriers to employment and access to amenities, and the role of developers as the city rapidly changes. Makris and Gatta draw on in-depth interviews, focus groups, ethnographic observation, as well as data analysis to tell the reader a story of life on the West Side of Asbury Park as the East Side prospers and to point to a potential path forward.</p><p>Molly Vollman Makris is Associate Professor and Program Coordinator of Urban Studies at Guttman Community College, City University of New York.</p><p>Mary Gatta is as an Associate Professor of Sociology at Guttman Community College, City University of New York.</p><p><em>Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of </em>Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism<em> (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3226</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Saher Selod, "Forever Suspect: Racialized Surveillance of Muslim Americans in the War on Terror" (Rutgers UP, 2018)</title>
      <description>How does a specific American religious identity acquire racial meaning? What happens when we move beyond phenotypes and include clothing, names, and behaviors to the characteristics that inform ethnoracial categorization? Forever Suspect, Racialized Surveillance of Muslim Americans in the War on Terror (Rutgers University Press, 2018) provides a nuanced portrayal of the experiences of South Asian and Arab Muslims in post 9/11 America and the role of racialized state and private citizen surveillance in shaping Muslim lived experiences. 
Saher Selod, an Associate Professor of Sociology at Simmons University, shares with us her story of growing up in Kansas and Texas and how writing this book helped her reclaim her own racialized experiences as the children of Pakistani immigrants to the US. Saher first began this project as a doctoral student at the University of Texas at Austin. As she returned to the dissertation to craft it into a book, she realized that beyond just race, racism and racialization, surveillance was a key recurring theme for the interview respondents. 
In today’s conversation, we explore the nuances of gender, race and surveillance, what it means to “Fly while Muslim”, and the harmful consequences of institutional surveillance laws like “Countering Violent Extremism” (CVE) that came about during the Obama Administration. We also touch on limitations of the book, including the exclusion of Black Muslims from this specific project. Saher’s openness with which she shares how her thinking has evolved over the years since this project first began leads us to discuss the ways in which non-Black Muslim immigrants and American born Muslims enact and maintain white supremacist structures. 
Forever Suspect provides an important and eye opening lens for us to consider how racialized surveillance, in all dimensions and forms, the War on Terror and U.S. Empire building continues to impact Muslim communities in the U.S.
Nafeesa Andrabi is a 4th year Sociology PhD student at UNC-Chapel Hill, a Biosocial Fellow at Carolina Population Center and a National Science Foundation Graduate Research Fellow.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 29 Mar 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>175</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Saher Selod</itunes:subtitle>
      <itunes:summary>How does a specific American religious identity acquire racial meaning? What happens when we move beyond phenotypes and include clothing, names, and behaviors to the characteristics that inform ethnoracial categorization? Forever Suspect, Racialized Surveillance of Muslim Americans in the War on Terror (Rutgers University Press, 2018) provides a nuanced portrayal of the experiences of South Asian and Arab Muslims in post 9/11 America and the role of racialized state and private citizen surveillance in shaping Muslim lived experiences. 
Saher Selod, an Associate Professor of Sociology at Simmons University, shares with us her story of growing up in Kansas and Texas and how writing this book helped her reclaim her own racialized experiences as the children of Pakistani immigrants to the US. Saher first began this project as a doctoral student at the University of Texas at Austin. As she returned to the dissertation to craft it into a book, she realized that beyond just race, racism and racialization, surveillance was a key recurring theme for the interview respondents. 
In today’s conversation, we explore the nuances of gender, race and surveillance, what it means to “Fly while Muslim”, and the harmful consequences of institutional surveillance laws like “Countering Violent Extremism” (CVE) that came about during the Obama Administration. We also touch on limitations of the book, including the exclusion of Black Muslims from this specific project. Saher’s openness with which she shares how her thinking has evolved over the years since this project first began leads us to discuss the ways in which non-Black Muslim immigrants and American born Muslims enact and maintain white supremacist structures. 
Forever Suspect provides an important and eye opening lens for us to consider how racialized surveillance, in all dimensions and forms, the War on Terror and U.S. Empire building continues to impact Muslim communities in the U.S.
Nafeesa Andrabi is a 4th year Sociology PhD student at UNC-Chapel Hill, a Biosocial Fellow at Carolina Population Center and a National Science Foundation Graduate Research Fellow.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does a specific American religious identity acquire racial meaning? What happens when we move beyond phenotypes and include clothing, names, and behaviors to the characteristics that inform ethnoracial categorization? <a href="https://bookshop.org/a/12343/9780813588346"><em>Forever Suspect, Racialized Surveillance of Muslim Americans in the War on Terror</em></a> (Rutgers University Press, 2018) provides a nuanced portrayal of the experiences of South Asian and Arab Muslims in post 9/11 America and the role of racialized state and private citizen surveillance in shaping Muslim lived experiences. </p><p><a href="https://www.simmons.edu/academics/faculty/saher-selod">Saher Selod</a>, an Associate Professor of Sociology at Simmons University, shares with us her story of growing up in Kansas and Texas and how writing this book helped her reclaim her own racialized experiences as the children of Pakistani immigrants to the US. Saher first began this project as a doctoral student at the University of Texas at Austin. As she returned to the dissertation to craft it into a book, she realized that beyond just race, racism and racialization, surveillance was a key recurring theme for the interview respondents. </p><p>In today’s conversation, we explore the nuances of gender, race and surveillance, what it means to “Fly while Muslim”, and the harmful consequences of institutional surveillance laws like “Countering Violent Extremism” (CVE) that came about during the Obama Administration. We also touch on limitations of the book, including the exclusion of Black Muslims from this specific project. Saher’s openness with which she shares how her thinking has evolved over the years since this project first began leads us to discuss the ways in which non-Black Muslim immigrants and American born Muslims enact and maintain white supremacist structures. </p><p><em>Forever Suspect</em> provides an important and eye opening lens for us to consider how racialized surveillance, in all dimensions and forms, the War on Terror and U.S. Empire building continues to impact Muslim communities in the U.S.</p><p><a href="https://www.cpc.unc.edu/people/predoctoral-trainees/nafeesa-andrabi/"><em>Nafeesa Andrabi</em></a><em> is a 4th year Sociology PhD student at UNC-Chapel Hill, a Biosocial Fellow at Carolina Population Center and a National Science Foundation Graduate Research Fellow.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3932</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Courtney E. Thompson, "An Organ of Murder: Crime, Violence, and Phrenology in Nineteenth-Century America" (Rutgers UP, 2021)</title>
      <description>An Organ of Murder: Crime, Violence, and Phrenology in Nineteenth-Century America (Rutgers UP, 2021) explores the origins of both popular and elite theories of criminality in the nineteenth-century United States, focusing in particular on the influence of phrenology. In the United States, phrenology shaped the production of medico-legal knowledge around crime, the treatment of the criminal within prisons and in public discourse, and sociocultural expectations about the causes of crime. The criminal was phrenology’s ideal research and demonstration subject, and the courtroom and the prison were essential spaces for the staging of scientific expertise. In particular, phrenology constructed ways of looking as well as a language for identifying, understanding, and analyzing criminals and their actions. This work traces the long-lasting influence of phrenological visual culture and language in American culture, law, and medicine, as well as the practical uses of phrenology in courts, prisons, and daily life.
Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 19 Mar 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>117</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Courtney E. Thompson</itunes:subtitle>
      <itunes:summary>An Organ of Murder: Crime, Violence, and Phrenology in Nineteenth-Century America (Rutgers UP, 2021) explores the origins of both popular and elite theories of criminality in the nineteenth-century United States, focusing in particular on the influence of phrenology. In the United States, phrenology shaped the production of medico-legal knowledge around crime, the treatment of the criminal within prisons and in public discourse, and sociocultural expectations about the causes of crime. The criminal was phrenology’s ideal research and demonstration subject, and the courtroom and the prison were essential spaces for the staging of scientific expertise. In particular, phrenology constructed ways of looking as well as a language for identifying, understanding, and analyzing criminals and their actions. This work traces the long-lasting influence of phrenological visual culture and language in American culture, law, and medicine, as well as the practical uses of phrenology in courts, prisons, and daily life.
Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781978813069"><em>An Organ of Murder: Crime, Violence, and Phrenology in Nineteenth-Century America</em></a> (Rutgers UP, 2021) explores the origins of both popular and elite theories of criminality in the nineteenth-century United States, focusing in particular on the influence of phrenology. In the United States, phrenology shaped the production of medico-legal knowledge around crime, the treatment of the criminal within prisons and in public discourse, and sociocultural expectations about the causes of crime. The criminal was phrenology’s ideal research and demonstration subject, and the courtroom and the prison were essential spaces for the staging of scientific expertise. In particular, phrenology constructed ways of looking as well as a language for identifying, understanding, and analyzing criminals and their actions. This work traces the long-lasting influence of phrenological visual culture and language in American culture, law, and medicine, as well as the practical uses of phrenology in courts, prisons, and daily life.</p><p><a href="http://www.clairedclark.com/"><em>Claire Clark</em></a><em> is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2884</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d571f56a-f12b-11ee-8196-db67854b840c]]></guid>
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    <item>
      <title>Ana-Maurine Lara, "Streetwalking: LGBTQ Lives and Protest in the Dominican Republic" (Rutgers UP, 2020)</title>
      <description>In Streetwalking: LGBTQ Lives and Protest in the Dominican Republic (Rutgers University Press, 2020), Dr. Ana-Maurine Lara examines the dominant modes of power that seek to suppress LGBTQ lives and identities as well as the ways in which these communities and individuals push back. Lara details how Catholicism and Christianity attempt to delegitimize LGBTQ lives through an insistence on gender binaries and heteronormativity through power it yields in political and domestic life. LGBTQ people and groups enact Streetwalking , which Lara theorizes as the actions of LGBTQ people, such as walking in the street or hanging out in public, as a means to disrupt the Christian colonial gender and sexual order. Streetwalking includes different practices of resistance such as confratación, flipping the script, and cuentos, which people deploy to transform silence into power. Lara walks us through the strategies and tactics LGBTQ people employ to both assert their power and insist on their right to exist.
Ana-Maurine Lara is an Assistant Professor in the Department of Women’s, Gender and Sexuality Studies at the University of Oregon.
Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 22 Feb 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>96</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Ana-Maurine Lara</itunes:subtitle>
      <itunes:summary>In Streetwalking: LGBTQ Lives and Protest in the Dominican Republic (Rutgers University Press, 2020), Dr. Ana-Maurine Lara examines the dominant modes of power that seek to suppress LGBTQ lives and identities as well as the ways in which these communities and individuals push back. Lara details how Catholicism and Christianity attempt to delegitimize LGBTQ lives through an insistence on gender binaries and heteronormativity through power it yields in political and domestic life. LGBTQ people and groups enact Streetwalking , which Lara theorizes as the actions of LGBTQ people, such as walking in the street or hanging out in public, as a means to disrupt the Christian colonial gender and sexual order. Streetwalking includes different practices of resistance such as confratación, flipping the script, and cuentos, which people deploy to transform silence into power. Lara walks us through the strategies and tactics LGBTQ people employ to both assert their power and insist on their right to exist.
Ana-Maurine Lara is an Assistant Professor in the Department of Women’s, Gender and Sexuality Studies at the University of Oregon.
Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781978816497"><em>Streetwalking: LGBTQ Lives and Protest in the Dominican Republic</em></a> (Rutgers University Press, 2020), Dr. Ana-Maurine Lara examines the dominant modes of power that seek to suppress LGBTQ lives and identities as well as the ways in which these communities and individuals push back. Lara details how Catholicism and Christianity attempt to delegitimize LGBTQ lives through an insistence on gender binaries and heteronormativity through power it yields in political and domestic life. LGBTQ people and groups enact Streetwalking , which Lara theorizes as the actions of LGBTQ people, such as walking in the street or hanging out in public, as a means to disrupt the Christian colonial gender and sexual order. Streetwalking includes different practices of resistance such as confratación, flipping the script, and cuentos, which people deploy to transform silence into power. Lara walks us through the strategies and tactics LGBTQ people employ to both assert their power and insist on their right to exist.</p><p>Ana-Maurine Lara is an Assistant Professor in the Department of Women’s, Gender and Sexuality Studies at the University of Oregon.</p><p><em>Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3797</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Natasha Zaretsky, "Acts of Repair: Justice, Truth, and the Politics of Memory in Argentina" (Rutgers UP, 2021)</title>
      <description>Acts of Repair: Justice, Truth, and the Politics of Memory in Argentina (Rutgers UP, 2021) explores how ordinary people grapple with political violence in Argentina, a nation home to survivors of multiple genocides and periods of violence, including the Holocaust, the political repression of the 1976-1983 dictatorship, and the 1994 AMIA bombing. Despite efforts for accountability, the terrain of justice has been uneven and, in many cases, impunity remains. How can citizens respond to such ongoing trauma? Within frameworks of transitional justice, what does this tell us about the possibility of recovery and repair? Turning to the lived experience of survivors and family members of victims of genocide and violence, Natasha Zaretsky argues for the ongoing significance of cultural memory as a response to trauma and injustice, as revealed through testimonies and public protests. Even if such repair may be inevitably liminal and incomplete, their acts seeking such repair also yield spaces for transformation and agency critical to personal and political recovery.
Jeff Bachman is Senior Lecturer in Human Rights at American University’s School of International Service in Washington, DC.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 22 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Natasha Zaretsky</itunes:subtitle>
      <itunes:summary>Acts of Repair: Justice, Truth, and the Politics of Memory in Argentina (Rutgers UP, 2021) explores how ordinary people grapple with political violence in Argentina, a nation home to survivors of multiple genocides and periods of violence, including the Holocaust, the political repression of the 1976-1983 dictatorship, and the 1994 AMIA bombing. Despite efforts for accountability, the terrain of justice has been uneven and, in many cases, impunity remains. How can citizens respond to such ongoing trauma? Within frameworks of transitional justice, what does this tell us about the possibility of recovery and repair? Turning to the lived experience of survivors and family members of victims of genocide and violence, Natasha Zaretsky argues for the ongoing significance of cultural memory as a response to trauma and injustice, as revealed through testimonies and public protests. Even if such repair may be inevitably liminal and incomplete, their acts seeking such repair also yield spaces for transformation and agency critical to personal and political recovery.
Jeff Bachman is Senior Lecturer in Human Rights at American University’s School of International Service in Washington, DC.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9781978807426"><em>Acts of Repair: Justice, Truth, and the Politics of Memory in Argentina</em></a><em> </em>(Rutgers UP, 2021) explores how ordinary people grapple with political violence in Argentina, a nation home to survivors of multiple genocides and periods of violence, including the Holocaust, the political repression of the 1976-1983 dictatorship, and the 1994 AMIA bombing. Despite efforts for accountability, the terrain of justice has been uneven and, in many cases, impunity remains. How can citizens respond to such ongoing trauma? Within frameworks of transitional justice, what does this tell us about the possibility of recovery and repair? Turning to the lived experience of survivors and family members of victims of genocide and violence, Natasha Zaretsky argues for the ongoing significance of cultural memory as a response to trauma and injustice, as revealed through testimonies and public protests. Even if such repair may be inevitably liminal and incomplete, their acts seeking such repair also yield spaces for transformation and agency critical to personal and political recovery.</p><p><a href="https://www.american.edu/sis/faculty/bachman.cfm"><em>Jeff Bachman</em></a><em> is Senior Lecturer in Human Rights at American University’s School of International Service in Washington, DC.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4418</itunes:duration>
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    <item>
      <title>David C. Lane, "Other End of the Needle: Continuity and Change Among Tattoo Workers" (Rutgers UP, 2020)</title>
      <description>In The Other End of the Needle (Rutgers University Press, 2020), David C. Lane, Ph.D. investigates the intricacies of the tattoo industry. Particularly, Lane found that tattooing is more complex than simply the tattoos that people wear. Using qualitative data and an accessible writing style, Lane explains the complexity of tattoo work as a type of social activity. His central argument is that tattooing is a social world, where people must be socialized, manage a system of stratification, create spaces conducive for labor, develop sets of beliefs and values, struggle to retain control over their tools, and contend with changes that in turn affect their labor. Earlier research has examined tattoos and their meanings.
Yet, Lane notes, prior research has focused almost exclusively on the tattoos—the outcome of an intricate social process—and have ignored the significance of tattoo workers themselves. "Tattooists," as Lane dubs them, make decisions, but they work within a social world that constrains and shapes the outcome of their labor—the tattoo. The goal of this book is to help readers understand the world of tattoo work as an intricate and nuanced form of work. Lane ultimately asks new questions about the social processes occurring prior to the tattoo’s existence.
David C. Lane is currently recruiting participants for his next study on identity management and past trauma experienced by people who have tattoos. The goal of this study is to understand how tattoos are used by people to develop their own identity. If you are interested in participating please go to http://tattoostudyisu.com.   
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent study, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant”, was published in Gender Issues Journal. His interests include the sociology of art and culture, sociology of death and dying, and sociology of sex and gender. He is currently working on a research project about obituary writing as an art world. More can be found about Michael O. Johnston, Ph.D. by going to his website, Google Scholar, following him on Twitter @ProfessorJohnst, or emailing him at johnstonmo at wmpenn dot edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 19 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>169</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with David C. Lane</itunes:subtitle>
      <itunes:summary>In The Other End of the Needle (Rutgers University Press, 2020), David C. Lane, Ph.D. investigates the intricacies of the tattoo industry. Particularly, Lane found that tattooing is more complex than simply the tattoos that people wear. Using qualitative data and an accessible writing style, Lane explains the complexity of tattoo work as a type of social activity. His central argument is that tattooing is a social world, where people must be socialized, manage a system of stratification, create spaces conducive for labor, develop sets of beliefs and values, struggle to retain control over their tools, and contend with changes that in turn affect their labor. Earlier research has examined tattoos and their meanings.
Yet, Lane notes, prior research has focused almost exclusively on the tattoos—the outcome of an intricate social process—and have ignored the significance of tattoo workers themselves. "Tattooists," as Lane dubs them, make decisions, but they work within a social world that constrains and shapes the outcome of their labor—the tattoo. The goal of this book is to help readers understand the world of tattoo work as an intricate and nuanced form of work. Lane ultimately asks new questions about the social processes occurring prior to the tattoo’s existence.
David C. Lane is currently recruiting participants for his next study on identity management and past trauma experienced by people who have tattoos. The goal of this study is to understand how tattoos are used by people to develop their own identity. If you are interested in participating please go to http://tattoostudyisu.com.   
Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent study, “The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant”, was published in Gender Issues Journal. His interests include the sociology of art and culture, sociology of death and dying, and sociology of sex and gender. He is currently working on a research project about obituary writing as an art world. More can be found about Michael O. Johnston, Ph.D. by going to his website, Google Scholar, following him on Twitter @ProfessorJohnst, or emailing him at johnstonmo at wmpenn dot edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/books/the-other-end-of-the-needle-continuity-and-change-among-tattoo-workers/9781978807471"><em>The Other End of the Needle</em></a><em> </em>(Rutgers University Press, 2020), <a href="https://criminaljustice.illinoisstate.edu/faculty_staff/profile.php?ulid=dclane1">David C. Lane, Ph.D.</a> investigates the intricacies of the tattoo industry. Particularly, Lane found that tattooing is more complex than simply the tattoos that people wear. Using qualitative data and an accessible writing style, Lane explains the complexity of tattoo work as a type of social activity. His central argument is that tattooing is a social world, where people must be socialized, manage a system of stratification, create spaces conducive for labor, develop sets of beliefs and values, struggle to retain control over their tools, and contend with changes that in turn affect their labor. Earlier research has examined tattoos and their meanings.</p><p>Yet, Lane notes, prior research has focused almost exclusively on the tattoos—the outcome of an intricate social process—and have ignored the significance of tattoo workers themselves. "Tattooists," as Lane dubs them, make decisions, but they work within a social world that constrains and shapes the outcome of their labor—the tattoo. The goal of this book is to help readers understand the world of tattoo work as an intricate and nuanced form of work. Lane ultimately asks new questions about the social processes occurring prior to the tattoo’s existence.</p><p>David C. Lane is currently recruiting participants for his next study on identity management and past trauma experienced by people who have tattoos. The goal of this study is to understand how tattoos are used by people to develop their own identity. If you are interested in participating please go to <a href="http://tattoostudyisu.com/">http://tattoostudyisu.com</a>.   </p><p><em>Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. His most recent study, “</em><a href="https://link.springer.com/article/10.1007/s12147-020-09266-z"><em>The Queen and Her Royal Court: A Content Analysis of Doing Gender at a Tulip Queen Pageant</em></a><em>”, was published in Gender Issues Journal. His interests include the sociology of art and culture, sociology of death and dying, and sociology of sex and gender. He is currently working on a research project about obituary writing as an art world. More can be found about Michael O. Johnston, Ph.D. by going to his </em><a href="https://www.wmpenn.edu/person/michael-o-johnston-ph-d/"><em>website</em></a><em>, </em><a href="https://scholar.google.com/citations?user=2RfJ6FMAAAAJ&amp;hl=en"><em>Google Scholar</em></a><em>, following him on Twitter </em><a href="https://twitter.com/professorjohnst?lang=en"><em>@ProfessorJohnst</em></a><em>, or emailing him at johnstonmo at wmpenn dot edu.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2781</itunes:duration>
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    <item>
      <title>Lessie Jo Frazier, "Desired States: Sex, Gender, and Political Culture in Chile" (Rutgers UP, 2020)</title>
      <description>Sarah Hines (Assistant Professor, Department of History, University of Oklahoma) and James Cane-Carrasco (Associate Professor, Departments of History and International &amp; Area Studies, University of Oklahoma) speak with Lessie Jo Frazier (Professor, Departments of Gender Studies and American Studies, Indiana University-Bloomington) about her new book,  Desired States: Sex, Gender, and Political Culture in Chile (Rutgers UP, 2020).
In a powerful refutation to scholars who relegate gendered social order and sexuality to the private sphere, Lessie Jo Frazier contends that desire played a central role in the political culture of the modern Chilean state. In four chapters and an epilogue that span 1913 to 2019, Prof. Frazier documents how public debates over sexuality—including those over working women’s behavior, the vulnerability of male prisoners of war, and socialist masculinities—have long shaped the body politic. Frazier unites ethnographic fieldwork, cultural criticism, and extensive archival research to highlight how states and political movements conjure or condemn people’s desires for institutional purposes. Join us for a conversation about the serendipity that brought her to research in Chile, and the diverse influences that shaped this book.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 07 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>152</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Lessie Jo Frazier contends that desire played a central role in the political culture of the modern Chilean state.,,,</itunes:subtitle>
      <itunes:summary>Sarah Hines (Assistant Professor, Department of History, University of Oklahoma) and James Cane-Carrasco (Associate Professor, Departments of History and International &amp; Area Studies, University of Oklahoma) speak with Lessie Jo Frazier (Professor, Departments of Gender Studies and American Studies, Indiana University-Bloomington) about her new book,  Desired States: Sex, Gender, and Political Culture in Chile (Rutgers UP, 2020).
In a powerful refutation to scholars who relegate gendered social order and sexuality to the private sphere, Lessie Jo Frazier contends that desire played a central role in the political culture of the modern Chilean state. In four chapters and an epilogue that span 1913 to 2019, Prof. Frazier documents how public debates over sexuality—including those over working women’s behavior, the vulnerability of male prisoners of war, and socialist masculinities—have long shaped the body politic. Frazier unites ethnographic fieldwork, cultural criticism, and extensive archival research to highlight how states and political movements conjure or condemn people’s desires for institutional purposes. Join us for a conversation about the serendipity that brought her to research in Chile, and the diverse influences that shaped this book.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sarah Hines (Assistant Professor, Department of History, University of Oklahoma) and James Cane-Carrasco (Associate Professor, Departments of History and International &amp; Area Studies, University of Oklahoma) speak with Lessie Jo Frazier (Professor, Departments of Gender Studies and American Studies, Indiana University-Bloomington) about her new book,  <a href="https://bookshop.org/a/12343/9780813597218"><em>Desired States: Sex, Gender, and Political Culture in Chile</em></a> (Rutgers UP, 2020).</p><p>In a powerful refutation to scholars who relegate gendered social order and sexuality to the private sphere, Lessie Jo Frazier contends that desire played a central role in the political culture of the modern Chilean state. In four chapters and an epilogue that span 1913 to 2019, Prof. Frazier documents how public debates over sexuality—including those over working women’s behavior, the vulnerability of male prisoners of war, and socialist masculinities—have long shaped the body politic. Frazier unites ethnographic fieldwork, cultural criticism, and extensive archival research to highlight how states and political movements conjure or condemn people’s desires for institutional purposes. Join us for a conversation about the serendipity that brought her to research in Chile, and the diverse influences that shaped this book.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4541</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>M. T. Mulder and G. Marti, "The Glass Church: Robert H. Schuller, the Crystal Cathedral, and the Strain of Megachurch Ministry" (Rutgers UP, 2020)</title>
      <description>In The Glass Church: Robert H. Schuller, the Crystal Cathedral, and the Strain of Megachurch Ministry (Rutgers UP, 2020), Mark Mulder and Gerardo Marti offer a compelling look at the rise and fall of one of the most popular and influential Christian evangelists of the twentieth century, Robert H. Schuller. From Midwestern beginnings in the Reformed Church of America, Schuller was sent to California where he started a "drive-in" church that immediately appealed to the car-crazy, white, middle class Protestant culture that dominated Orange County and the Los Angeles suburbs of the mid-twentieth century. Schuller soon built the "Crystal Cathedral," a landmark church building and, by the 1970s and 80s, was broadcast weekly into millions of homes through the "Hour of Power" television program. Schuller would directly influence some of the twenty-first centuries most successful megachurch pastors, including Rick Warren, Bill Hybels, and Joel Osteen.
Using archival research and sociological insights, Mulder and Marti argue that Schuller's ministry was built upon a unique dynamic of constituency, charisma, and capital. Using the dynamics of late twentieth-century capitalism, Schuller's ministry continually expanded to meet the needs of its growing constituency until, by 2008, the growth outpaced the ability of Schuller's personal charisma. This fascinating story of growth and decline will appeal to scholars and students in a variety of disciplines, from sociology, to American religious history, to scholars of Christian ministry and theology.
Lane Davis is a doctoral candidate in the Graduate Program in Religious Studies at Southern Methodist University where he studies American religious history. Find him on Twitter @TheeLaneDavis
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      <pubDate>Wed, 02 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>115</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Mulder and Marti offer a compelling look at the rise and fall of one of the most popular and influential Christian evangelists of the twentieth century,..</itunes:subtitle>
      <itunes:summary>In The Glass Church: Robert H. Schuller, the Crystal Cathedral, and the Strain of Megachurch Ministry (Rutgers UP, 2020), Mark Mulder and Gerardo Marti offer a compelling look at the rise and fall of one of the most popular and influential Christian evangelists of the twentieth century, Robert H. Schuller. From Midwestern beginnings in the Reformed Church of America, Schuller was sent to California where he started a "drive-in" church that immediately appealed to the car-crazy, white, middle class Protestant culture that dominated Orange County and the Los Angeles suburbs of the mid-twentieth century. Schuller soon built the "Crystal Cathedral," a landmark church building and, by the 1970s and 80s, was broadcast weekly into millions of homes through the "Hour of Power" television program. Schuller would directly influence some of the twenty-first centuries most successful megachurch pastors, including Rick Warren, Bill Hybels, and Joel Osteen.
Using archival research and sociological insights, Mulder and Marti argue that Schuller's ministry was built upon a unique dynamic of constituency, charisma, and capital. Using the dynamics of late twentieth-century capitalism, Schuller's ministry continually expanded to meet the needs of its growing constituency until, by 2008, the growth outpaced the ability of Schuller's personal charisma. This fascinating story of growth and decline will appeal to scholars and students in a variety of disciplines, from sociology, to American religious history, to scholars of Christian ministry and theology.
Lane Davis is a doctoral candidate in the Graduate Program in Religious Studies at Southern Methodist University where he studies American religious history. Find him on Twitter @TheeLaneDavis
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780813589053"><em>The Glass Church: Robert H. Schuller, the Crystal Cathedral, and the Strain of Megachurch Ministry</em></a><em> </em>(Rutgers UP, 2020), Mark Mulder and Gerardo Marti offer a compelling look at the rise and fall of one of the most popular and influential Christian evangelists of the twentieth century, Robert H. Schuller. From Midwestern beginnings in the Reformed Church of America, Schuller was sent to California where he started a "drive-in" church that immediately appealed to the car-crazy, white, middle class Protestant culture that dominated Orange County and the Los Angeles suburbs of the mid-twentieth century. Schuller soon built the "Crystal Cathedral," a landmark church building and, by the 1970s and 80s, was broadcast weekly into millions of homes through the "Hour of Power" television program. Schuller would directly influence some of the twenty-first centuries most successful megachurch pastors, including Rick Warren, Bill Hybels, and Joel Osteen.</p><p>Using archival research and sociological insights, Mulder and Marti argue that Schuller's ministry was built upon a unique dynamic of constituency, charisma, and capital. Using the dynamics of late twentieth-century capitalism, Schuller's ministry continually expanded to meet the needs of its growing constituency until, by 2008, the growth outpaced the ability of Schuller's personal charisma. This fascinating story of growth and decline will appeal to scholars and students in a variety of disciplines, from sociology, to American religious history, to scholars of Christian ministry and theology.</p><p><em>Lane Davis is a doctoral candidate in the Graduate Program in Religious Studies at Southern Methodist University where he studies American religious history. Find him on Twitter @TheeLaneDavis</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3188</itunes:duration>
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      <title>Warren Hoffman, "The Great White Way: Race and the Broadway Musical", 2nd edition (Rutgers UP, 2020)</title>
      <description>Warren Hoffman’s The Great White Way: Race and the Broadway Musical, 2nd edition (Rutgers UP, 2020) explores the ways that race and racism have shaped the American musical from Show Boat to Hamilton. Perhaps surprisingly, Hoffman’s analysis isn’t limited to shows with characters of color like West Side Story; he writes about how the assumption of whiteness shapes apparently race-free musicals like The Music Man and Oklahoma! His book also includes a fascinating discussion of how diverse casting has created both opportunity and controversy, from an all-black Hello, Dolly! to Book of Mormon. This is a book equally valuable to theatre scholars and to fans of the Broadway musical who want to engage more critically with this rich and multi-faceted art form.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 28 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>37</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Hoffman explores the ways that race and racism have shaped the American musical from Show Boat to Hamilton....</itunes:subtitle>
      <itunes:summary>Warren Hoffman’s The Great White Way: Race and the Broadway Musical, 2nd edition (Rutgers UP, 2020) explores the ways that race and racism have shaped the American musical from Show Boat to Hamilton. Perhaps surprisingly, Hoffman’s analysis isn’t limited to shows with characters of color like West Side Story; he writes about how the assumption of whiteness shapes apparently race-free musicals like The Music Man and Oklahoma! His book also includes a fascinating discussion of how diverse casting has created both opportunity and controversy, from an all-black Hello, Dolly! to Book of Mormon. This is a book equally valuable to theatre scholars and to fans of the Broadway musical who want to engage more critically with this rich and multi-faceted art form.
Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Warren Hoffman’s <a href="https://bookshop.org/a/12343/9781978807112"><em>The Great White Way: Race and the Broadway Musical</em></a>, 2nd edition (Rutgers UP, 2020) explores the ways that race and racism have shaped the American musical from <em>Show Boat</em> to <em>Hamilton</em>. Perhaps surprisingly, Hoffman’s analysis isn’t limited to shows with characters of color like <em>West Side Story</em>; he writes about how the assumption of whiteness shapes apparently race-free musicals like <em>The Music Man</em> and <em>Oklahoma! </em>His book also includes a fascinating discussion of how diverse casting has created both opportunity and controversy, from an all-black <em>Hello, Dolly!</em> to <em>Book of Mormon</em>. This is a book equally valuable to theatre scholars and to fans of the Broadway musical who want to engage more critically with this rich and multi-faceted art form.</p><p><em>Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA program at Columbia University, Harvard University, and the Arizona School for the Arts. His plays have been produced, developed, or presented at IRT, Pipeline Theatre Company, The Gingold Group, Dixon Place, Roundabout Theatre, Epic Theatre Company, Out Loud Theatre, Naked Theatre Company, Contemporary Theatre of Rhode Island, and The Trunk Space. He is currently working on a series of 50 plays about the 50 U.S. states. His website is AndyJBoyd.com, and he can be reached at andyjamesboyd@gmail.com.</em></p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <itunes:duration>3361</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Jennifer Lisa Koslow, "Exhibiting Health: Public Health Displays in the Progressive Era" (Rutgers UP, 2020)</title>
      <description>In the early twentieth century, public health reformers approached the task of ameliorating unsanitary conditions and preventing epidemic diseases with optimism. Using exhibits, they believed they could make systemic issues visual to masses of people. Embedded within these visual displays were messages about individual action. In some cases, this meant changing hygienic practices. In other situations, this meant taking up action to inform public policy. Reformers and officials hoped that exhibits would energize America's populace to invest in protecting the public's health. Exhibiting Health is an analysis of the logic of the production and the consumption of this technique for popular public health education between 1900 and 1930. It examines the power and limits of using visual displays to support public health initiatives.
Jennifer Lisa Koslow is an associate professor of history and director of the Historical Administration and Public History program at Florida State University in Tallahassee. She is the author of Cultivating Health: Los Angeles Women and Public Health Reform (Rutgers University Press).
Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 05 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>93</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>In the early twentieth century, public health reformers approached the task of ameliorating unsanitary conditions and preventing epidemic diseases with optimism...</itunes:subtitle>
      <itunes:summary>In the early twentieth century, public health reformers approached the task of ameliorating unsanitary conditions and preventing epidemic diseases with optimism. Using exhibits, they believed they could make systemic issues visual to masses of people. Embedded within these visual displays were messages about individual action. In some cases, this meant changing hygienic practices. In other situations, this meant taking up action to inform public policy. Reformers and officials hoped that exhibits would energize America's populace to invest in protecting the public's health. Exhibiting Health is an analysis of the logic of the production and the consumption of this technique for popular public health education between 1900 and 1930. It examines the power and limits of using visual displays to support public health initiatives.
Jennifer Lisa Koslow is an associate professor of history and director of the Historical Administration and Public History program at Florida State University in Tallahassee. She is the author of Cultivating Health: Los Angeles Women and Public Health Reform (Rutgers University Press).
Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the early twentieth century, public health reformers approached the task of ameliorating unsanitary conditions and preventing epidemic diseases with optimism. Using exhibits, they believed they could make systemic issues visual to masses of people. Embedded within these visual displays were messages about individual action. In some cases, this meant changing hygienic practices. In other situations, this meant taking up action to inform public policy. Reformers and officials hoped that exhibits would energize America's populace to invest in protecting the public's health. Exhibiting Health is an analysis of the logic of the production and the consumption of this technique for popular public health education between 1900 and 1930. It examines the power and limits of using visual displays to support public health initiatives.</p><p><a href="https://history.fsu.edu/person/jennifer-l-koslow">Jennifer Lisa Koslow</a> is an associate professor of history and director of the Historical Administration and Public History program at Florida State University in Tallahassee. She is the author of <em>Cultivating Health: Los Angeles Women and Public Health Reform </em>(Rutgers University Press).</p><p><a href="http://www.clairedclark.com/"><em>Claire Clark</em></a><em> is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2752</itunes:duration>
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      <title>Karen E. H. Skinazi, "Women of Valor: Orthodox Jewish Troll Fighters, Crime Writers, and Rock Stars in Contemporary Literature and Culture" (Rutgers UP, 2018)</title>
      <description>Media portrayals of Orthodox Jewish women frequently depict powerless, silent individuals who are at best naive to live an Orthodox lifestyle, and who are at worst, coerced into it. In Women of Valor: Orthodox Jewish Troll Fighters, Crime Writers, and Rock Stars in Contemporary Literature and Culture (Rutgers University Press, 2018), Karen E. H. Skinazi delves beyond this stereotype to identify a powerful tradition of feminist literary portrayals of Orthodox women, often created by Orthodox women themselves.
She examines Orthodox women as they appear in memoirs, comics, novels, and movies, and speaks with the authors, filmmakers, and musicians who create these representations. Throughout the work, Skinazi threads lines from the poem “Eshes Chayil,” the Biblical description of an Orthodox “Woman of Valor.” This proverb unites Orthodoxy and feminism in a complex relationship, where Orthodox women continuously question, challenge, and negotiate Orthodox and feminist values.
Ultimately, these women create paths that unite their work, passions, and families under the framework of an “Eshes Chayil,” a woman who situates religious conviction within her own power.
Dr. Karen E. H. Skinazi is a Senior Lecturer (associate professor) and the Director of Liberal Arts at the University of Bristol in the UK. She published a critical edition of the 1916 novel Marion: The Story of an Artist’s Model (McGill-Queen’s UP, 2012) by Winnifred Eaton/Onoto Watanna, the first Asian North American novelist. She is currently working on a project examining the productive interface between Muslim and Jewish women’s lives, literature, and activism.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism. Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 21 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>198</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Skinazi delves beyond this stereotype to identify a powerful tradition of feminist literary portrayals of Orthodox women, often created by Orthodox women themselves...</itunes:subtitle>
      <itunes:summary>Media portrayals of Orthodox Jewish women frequently depict powerless, silent individuals who are at best naive to live an Orthodox lifestyle, and who are at worst, coerced into it. In Women of Valor: Orthodox Jewish Troll Fighters, Crime Writers, and Rock Stars in Contemporary Literature and Culture (Rutgers University Press, 2018), Karen E. H. Skinazi delves beyond this stereotype to identify a powerful tradition of feminist literary portrayals of Orthodox women, often created by Orthodox women themselves.
She examines Orthodox women as they appear in memoirs, comics, novels, and movies, and speaks with the authors, filmmakers, and musicians who create these representations. Throughout the work, Skinazi threads lines from the poem “Eshes Chayil,” the Biblical description of an Orthodox “Woman of Valor.” This proverb unites Orthodoxy and feminism in a complex relationship, where Orthodox women continuously question, challenge, and negotiate Orthodox and feminist values.
Ultimately, these women create paths that unite their work, passions, and families under the framework of an “Eshes Chayil,” a woman who situates religious conviction within her own power.
Dr. Karen E. H. Skinazi is a Senior Lecturer (associate professor) and the Director of Liberal Arts at the University of Bristol in the UK. She published a critical edition of the 1916 novel Marion: The Story of an Artist’s Model (McGill-Queen’s UP, 2012) by Winnifred Eaton/Onoto Watanna, the first Asian North American novelist. She is currently working on a project examining the productive interface between Muslim and Jewish women’s lives, literature, and activism.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism. Visit him online at ZalmanNewfield.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Media portrayals of Orthodox Jewish women frequently depict powerless, silent individuals who are at best naive to live an Orthodox lifestyle, and who are at worst, coerced into it. In <a href="https://bookshop.org/a/12343/9780813596013"><em>Women of Valor: Orthodox Jewish Troll Fighters, Crime Writers, and Rock Stars in Contemporary Literature and Culture</em></a> (Rutgers University Press, 2018), Karen E. H. Skinazi delves beyond this stereotype to identify a powerful tradition of feminist literary portrayals of Orthodox women, often created by Orthodox women themselves.</p><p>She examines Orthodox women as they appear in memoirs, comics, novels, and movies, and speaks with the authors, filmmakers, and musicians who create these representations. Throughout the work, Skinazi threads lines from the poem “Eshes Chayil,” the Biblical description of an Orthodox “Woman of Valor.” This proverb unites Orthodoxy and feminism in a complex relationship, where Orthodox women continuously question, challenge, and negotiate Orthodox and feminist values.</p><p>Ultimately, these women create paths that unite their work, passions, and families under the framework of an “Eshes Chayil,” a woman who situates religious conviction within her own power.</p><p>Dr. <a href="https://research-information.bris.ac.uk/en/persons/karen-skinazi">Karen E. H. Skinazi</a> is a Senior Lecturer (associate professor) and the Director of Liberal Arts at the University of Bristol in the UK. She published a critical edition of the 1916 novel <em>Marion: The Story of an Artist’s Model</em> (McGill-Queen’s UP, 2012) by Winnifred Eaton/Onoto Watanna, the first Asian North American novelist. She is currently working on a project examining the productive interface between Muslim and Jewish women’s lives, literature, and activism.</p><p><em>Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of </em><a href="https://bookshop.org/a/12343/9781439918951"><em>Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism</em></a><em>. Visit him online at </em><a href="http://ZalmanNewfield.com"><em>ZalmanNewfield.com</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3664</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Dana M. Malone, "From Single to Serious: Relationships, Gender, and Sexuality on American Evangelical Campuses" (Rutgers UP, 2018)</title>
      <description>College students hook up and have sex. That is what many students expect to happen during their time at university—it is part of growing up and navigating the relationship scene on most American campuses today. But what do you do when you’re a student at an evangelical university?
Students at these schools must negotiate a barrage of religiously imbued undercurrents that impact how they think about relationships, in addition to how they experience and evaluate them. As they work to form successful unions, students at evangelical colleges balance sacred ideologies of purity, holiness, and godliness, while also dealing with more mainstream notions of popularity, the online world, and the appeal of sexual intimacy.
In From Single to Serious: Relationships, Gender, and Sexuality on American Evangelical Campuses (Rutgers University Press), Dana M. Malone shines a light on friendship, dating, and, sexuality, in both the ideals and the practical experiences of heterosexual students at U. S. evangelical colleges. She examines the struggles they have in balancing their gendered and religious presentations of self, the expectations of their campus community, and their desire to find meaningful romantic relationships.
Dana Malone is an independent scholar and consultant in the Philadelphia area.
Dr. Christina Gessler in an independent scholar, with a background in American women’s history, and literature. She specializes in the diaries written by rural American women in the 19th century. In seeking the extraordinary in the ordinary, Gessler writes the histories of largely unknown women, poems about small relatable moments, and takes many, many photos in nature.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 09 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>142</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Malone shines a light on friendship, dating, and, sexuality, in both the ideals and the practical experiences of heterosexual students at U. S. evangelical colleges....</itunes:subtitle>
      <itunes:summary>College students hook up and have sex. That is what many students expect to happen during their time at university—it is part of growing up and navigating the relationship scene on most American campuses today. But what do you do when you’re a student at an evangelical university?
Students at these schools must negotiate a barrage of religiously imbued undercurrents that impact how they think about relationships, in addition to how they experience and evaluate them. As they work to form successful unions, students at evangelical colleges balance sacred ideologies of purity, holiness, and godliness, while also dealing with more mainstream notions of popularity, the online world, and the appeal of sexual intimacy.
In From Single to Serious: Relationships, Gender, and Sexuality on American Evangelical Campuses (Rutgers University Press), Dana M. Malone shines a light on friendship, dating, and, sexuality, in both the ideals and the practical experiences of heterosexual students at U. S. evangelical colleges. She examines the struggles they have in balancing their gendered and religious presentations of self, the expectations of their campus community, and their desire to find meaningful romantic relationships.
Dana Malone is an independent scholar and consultant in the Philadelphia area.
Dr. Christina Gessler in an independent scholar, with a background in American women’s history, and literature. She specializes in the diaries written by rural American women in the 19th century. In seeking the extraordinary in the ordinary, Gessler writes the histories of largely unknown women, poems about small relatable moments, and takes many, many photos in nature.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>College students hook up and have sex. That is what many students expect to happen during their time at university—it is part of growing up and navigating the relationship scene on most American campuses today. But what do you do when you’re a student at an evangelical university?</p><p>Students at these schools must negotiate a barrage of religiously imbued undercurrents that impact how they think about relationships, in addition to how they experience and evaluate them. As they work to form successful unions, students at evangelical colleges balance sacred ideologies of purity, holiness, and godliness, while also dealing with more mainstream notions of popularity, the online world, and the appeal of sexual intimacy.</p><p>In <a href="https://bookshop.org/a/12343/9780813587882"><em>From Single to Serious: Relationships, Gender, and Sexuality on American Evangelical Campuses</em></a> (Rutgers University Press), Dana M. Malone shines a light on friendship, dating, and, sexuality, in both the ideals and the practical experiences of heterosexual students at U. S. evangelical colleges. She examines the struggles they have in balancing their gendered and religious presentations of self, the expectations of their campus community, and their desire to find meaningful romantic relationships.</p><p><a href="https://www.rutgersuniversitypress.org/search-list/?contributor=dana-m-malone">Dana Malone</a> is an independent scholar and consultant in the Philadelphia area.</p><p><em>Dr. Christina Gessler in an independent scholar, with a background in American women’s history, and literature. She specializes in the diaries written by rural American women in the 19th century. In seeking the extraordinary in the ordinary, Gessler writes the histories of largely unknown women, poems about small relatable moments, and takes many, many photos in nature.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4411</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Ellyn Lem, "Gray Matters: Finding Meaning in the Stories of Later Life" (Rutgers UP, 2020)</title>
      <description>As Baby Boomers reach the tipping point of aging into later life, the record numbers of seniors int the 65 and over crowd generates greater interest and in aging and its representation. Gray Matters: Finding Meaning in the Stories of Later Life (Rutgers University Press) draws upon diverse cultural representation from movies, films, books, and art, and juxtaposes these narratives of aging with surveys from over 200 seniors aged 65 and over from around the United States to explore questions of meaning in older life.
Topics include transitions in family relationships, work and retirement, intimacy and sexuality, memory and memory loss, health and finances, and choices about the end of life.
Through the interplay of cultural representations and real-life experiences of older life emerges an acknowledgment of the diversity and complexity of experiences in older life. It is a thought piece that examines the personal experiences of older life in the context of how those experiences are often represented in various cultures, and in the ways that older life is structured through our social institutions.
A theme throughout Gray Matters is the foregrounding of the voices of seniors to tell their own stories. Even in selecting research and literature, this book maintains a focus on the experiences of those who are 65 and older rather than allowing other perspectives to overshadow them. By presenting experiences as well as depictions of aging and research on aging, this book brings forth rich conversation to many of the assumptions and stereotypes about aging that often go unquestioned.
The result is an intimate experience that very consciously complicates ideas of aging, expanding the stories of over-65 experiences beyond a binary of “successful” aging or not, and questioning the cultural and socioeconomic assumptions that underlie such oversimplifications.
Gray Matters allows a richer story to emerge, creating space in which common fears associated with aging are explored from those who are experiencing them, which produces some surprises and some reasons for hope without being reductionist. If you are interested in a contemplation of authentic and diverse experiences of aging and older life you will enjoy this book.
Ellyn Lem is a professor of English and gender studies at the University of Wisconsin-Milwaukee at Waukesha.
Michelle Newhart, PhD, is a sociologist and author whose work focuses on medical sociology, aging and the life course, and research methods. She teaches at University of La Verne and Mt. San Antonio College.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 27 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>157</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Lem draws upon diverse cultural representation from movies, films, books, and art, and juxtaposes these narratives of aging with surveys from over 200 seniors aged 65 and over from around the United States to explore questions of meaning in older life...</itunes:subtitle>
      <itunes:summary>As Baby Boomers reach the tipping point of aging into later life, the record numbers of seniors int the 65 and over crowd generates greater interest and in aging and its representation. Gray Matters: Finding Meaning in the Stories of Later Life (Rutgers University Press) draws upon diverse cultural representation from movies, films, books, and art, and juxtaposes these narratives of aging with surveys from over 200 seniors aged 65 and over from around the United States to explore questions of meaning in older life.
Topics include transitions in family relationships, work and retirement, intimacy and sexuality, memory and memory loss, health and finances, and choices about the end of life.
Through the interplay of cultural representations and real-life experiences of older life emerges an acknowledgment of the diversity and complexity of experiences in older life. It is a thought piece that examines the personal experiences of older life in the context of how those experiences are often represented in various cultures, and in the ways that older life is structured through our social institutions.
A theme throughout Gray Matters is the foregrounding of the voices of seniors to tell their own stories. Even in selecting research and literature, this book maintains a focus on the experiences of those who are 65 and older rather than allowing other perspectives to overshadow them. By presenting experiences as well as depictions of aging and research on aging, this book brings forth rich conversation to many of the assumptions and stereotypes about aging that often go unquestioned.
The result is an intimate experience that very consciously complicates ideas of aging, expanding the stories of over-65 experiences beyond a binary of “successful” aging or not, and questioning the cultural and socioeconomic assumptions that underlie such oversimplifications.
Gray Matters allows a richer story to emerge, creating space in which common fears associated with aging are explored from those who are experiencing them, which produces some surprises and some reasons for hope without being reductionist. If you are interested in a contemplation of authentic and diverse experiences of aging and older life you will enjoy this book.
Ellyn Lem is a professor of English and gender studies at the University of Wisconsin-Milwaukee at Waukesha.
Michelle Newhart, PhD, is a sociologist and author whose work focuses on medical sociology, aging and the life course, and research methods. She teaches at University of La Verne and Mt. San Antonio College.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As Baby Boomers reach the tipping point of aging into later life, the record numbers of seniors int the 65 and over crowd generates greater interest and in aging and its representation. <a href="https://bookshop.org/a/12343/9781978806320"><em>Gray Matters: Finding Meaning in the Stories of Later Life</em></a> (Rutgers University Press) draws upon diverse cultural representation from movies, films, books, and art, and juxtaposes these narratives of aging with surveys from over 200 seniors aged 65 and over from around the United States to explore questions of meaning in older life.</p><p>Topics include transitions in family relationships, work and retirement, intimacy and sexuality, memory and memory loss, health and finances, and choices about the end of life.</p><p>Through the interplay of cultural representations and real-life experiences of older life emerges an acknowledgment of the diversity and complexity of experiences in older life. It is a thought piece that examines the personal experiences of older life in the context of how those experiences are often represented in various cultures, and in the ways that older life is structured through our social institutions.</p><p>A theme throughout <em>Gray Matters</em> is the foregrounding of the voices of seniors to tell their own stories. Even in selecting research and literature, this book maintains a focus on the experiences of those who are 65 and older rather than allowing other perspectives to overshadow them. By presenting experiences as well as depictions of aging and research on aging, this book brings forth rich conversation to many of the assumptions and stereotypes about aging that often go unquestioned.</p><p>The result is an intimate experience that very consciously complicates ideas of aging, expanding the stories of over-65 experiences beyond a binary of “successful” aging or not, and questioning the cultural and socioeconomic assumptions that underlie such oversimplifications.</p><p><em>Gray Matters</em> allows a richer story to emerge, creating space in which common fears associated with aging are explored from those who are experiencing them, which produces some surprises and some reasons for hope without being reductionist. If you are interested in a contemplation of authentic and diverse experiences of aging and older life you will enjoy this book.</p><p>Ellyn Lem is a professor of English and gender studies at the University of Wisconsin-Milwaukee at Waukesha.</p><p><em>Michelle Newhart, PhD, is a sociologist and author whose work focuses on medical sociology, aging and the life course, and research methods. She teaches at University of La Verne and Mt. San Antonio College.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2947</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>José Alamillo, "Deportes: The Making of a Sporting Mexican Diaspora" (Rutgers UP, 2020)</title>
      <description>In Deportes: The Making of a Sporting Mexican Diaspora (Rutgers University Press, 2020), Professor José Alamillo, a specialist in Chicana/o Studies, Labor, and Sports history, examines the powerful way Mexican Americans have used sports to build transnational networks for personal and community empowerment across the United States and Mexico before the 1960s.
In this meticulously researched book, Alamillo illustrates how sports intersect in the making of a Latina/o identity, civil rights activities, and community. A crucial part of the work centers on the term “Mexican Diaspora” to demonstrate how people of Mexican descent have maintained their cultural identity through sport. Alamillo finds that a sporting Mexican diaspora served as a transnational sporting network, a gendered sporting experiencing, a racial project, a system of displacement, and a consciousness embedded in hybrid sporting identities.
This work is not just a study of boxing, baseball, tennis, or softball. It is a pathbreaking study that connects labor, gender, and sport to demonstrate how Mexican-origin people and the sports industry engaged national conversations of immigration, civil rights, and nationalism. For listeners interested in learning more about the power of sports in shaping the lived experience, they will not be disappointed in Deportes: The Making of a Sporting Mexican Diaspora.
Tiffany Jasmin González, Ph.D. is the Postdoctoral Fellow in Women’s History at the Newcomb Institute of Tulane University. You can follow Tiffany on Twitter @T_J_Gonzalez
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 07 Aug 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>67</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Alamillo illustrates how sports intersect in the making of a Latina/o identity, civil rights activities, and community...</itunes:subtitle>
      <itunes:summary>In Deportes: The Making of a Sporting Mexican Diaspora (Rutgers University Press, 2020), Professor José Alamillo, a specialist in Chicana/o Studies, Labor, and Sports history, examines the powerful way Mexican Americans have used sports to build transnational networks for personal and community empowerment across the United States and Mexico before the 1960s.
In this meticulously researched book, Alamillo illustrates how sports intersect in the making of a Latina/o identity, civil rights activities, and community. A crucial part of the work centers on the term “Mexican Diaspora” to demonstrate how people of Mexican descent have maintained their cultural identity through sport. Alamillo finds that a sporting Mexican diaspora served as a transnational sporting network, a gendered sporting experiencing, a racial project, a system of displacement, and a consciousness embedded in hybrid sporting identities.
This work is not just a study of boxing, baseball, tennis, or softball. It is a pathbreaking study that connects labor, gender, and sport to demonstrate how Mexican-origin people and the sports industry engaged national conversations of immigration, civil rights, and nationalism. For listeners interested in learning more about the power of sports in shaping the lived experience, they will not be disappointed in Deportes: The Making of a Sporting Mexican Diaspora.
Tiffany Jasmin González, Ph.D. is the Postdoctoral Fellow in Women’s History at the Newcomb Institute of Tulane University. You can follow Tiffany on Twitter @T_J_Gonzalez
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/Deportes-Sporting-Diaspora-Latinidad-Transnational/dp/197881366X/?tag=newbooinhis-20"><em>Deportes: The Making of a Sporting Mexican Diaspora</em></a><em> </em>(Rutgers University Press, 2020), Professor <a href="https://ciapps.csuci.edu/FacultyBiographies/jose.alamillo">José Alamillo</a>, a specialist in Chicana/o Studies, Labor, and Sports history, examines the powerful way Mexican Americans have used sports to build transnational networks for personal and community empowerment across the United States and Mexico before the 1960s.</p><p>In this meticulously researched book, Alamillo illustrates how sports intersect in the making of a Latina/o identity, civil rights activities, and community. A crucial part of the work centers on the term “Mexican Diaspora” to demonstrate how people of Mexican descent have maintained their cultural identity through sport. Alamillo finds that a sporting Mexican diaspora served as a transnational sporting network, a gendered sporting experiencing, a racial project, a system of displacement, and a consciousness embedded in hybrid sporting identities.</p><p>This work is not just a study of boxing, baseball, tennis, or softball. It is a pathbreaking study that connects labor, gender, and sport to demonstrate how Mexican-origin people and the sports industry engaged national conversations of immigration, civil rights, and nationalism. For listeners interested in learning more about the power of sports in shaping the lived experience, they will not be disappointed in <em>Deportes: The Making of a Sporting Mexican Diaspora</em>.</p><p><em>Tiffany Jasmin González, Ph.D. is the Postdoctoral Fellow in Women’s History at the Newcomb Institute of Tulane University. You can follow Tiffany on Twitter @T_J_Gonzalez</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2829</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Sarah B. Rodriguez, "The Love Surgeon: A Story of Trust, Harm, and the Limits of Medical Regulation" (Rutgers UP, 2020)</title>
      <description>Dr. James Burt believed women’s bodies were broken, and only he could fix them. In the 1950s, this Ohio OB-GYN developed what he called “love surgery,” a unique procedure he maintained enhanced the sexual responses of a new mother, transforming her into “a horny little house mouse.” Burt did so without first getting the consent of his patients. Yet he was allowed to practice for over thirty years, mutilating hundreds of women in the process.
It would be easy to dismiss Dr. Burt as a monstrous aberration, a modern-day Dr. Frankenstein. Yet as medical historian Sarah Rodriguez reveals, that’s not the whole story. The Love Surgeon: A Story of Trust, Harm, and the Limits of Medical Regulation (Rutgers University Press, 2020) asks tough questions about Burt’s heinous acts and what they reveal about the failures of the medical establishment: How was he able to perform an untested surgical procedure? Why wasn’t he obliged to get informed consent from his patients? And why did it take his peers so long to take action?
The Love Surgeon is both a medical horror story and a cautionary tale about the limits of professional self-regulation.
Sarah B. Rodriguez is a medical historian at Northwestern University in the Global Health Studies Program, the Department of Medical Education, and the Graduate Program in Medical Humanities and Bioethics. Her teaching and research focuses on the history of reproduction, clinical practice, and research ethics. Her publications include the book Female Circumcision and Clitoridectomy in the United States: A History of a Medical Practice.
Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 30 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>78</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Dr. James Burt believed women’s bodies were broken, and only he could fix them....</itunes:subtitle>
      <itunes:summary>Dr. James Burt believed women’s bodies were broken, and only he could fix them. In the 1950s, this Ohio OB-GYN developed what he called “love surgery,” a unique procedure he maintained enhanced the sexual responses of a new mother, transforming her into “a horny little house mouse.” Burt did so without first getting the consent of his patients. Yet he was allowed to practice for over thirty years, mutilating hundreds of women in the process.
It would be easy to dismiss Dr. Burt as a monstrous aberration, a modern-day Dr. Frankenstein. Yet as medical historian Sarah Rodriguez reveals, that’s not the whole story. The Love Surgeon: A Story of Trust, Harm, and the Limits of Medical Regulation (Rutgers University Press, 2020) asks tough questions about Burt’s heinous acts and what they reveal about the failures of the medical establishment: How was he able to perform an untested surgical procedure? Why wasn’t he obliged to get informed consent from his patients? And why did it take his peers so long to take action?
The Love Surgeon is both a medical horror story and a cautionary tale about the limits of professional self-regulation.
Sarah B. Rodriguez is a medical historian at Northwestern University in the Global Health Studies Program, the Department of Medical Education, and the Graduate Program in Medical Humanities and Bioethics. Her teaching and research focuses on the history of reproduction, clinical practice, and research ethics. Her publications include the book Female Circumcision and Clitoridectomy in the United States: A History of a Medical Practice.
Claire Clark is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dr. James Burt believed women’s bodies were broken, and only he could fix them. In the 1950s, this Ohio OB-GYN developed what he called “love surgery,” a unique procedure he maintained enhanced the sexual responses of a new mother, transforming her into “a horny little house mouse.” Burt did so without first getting the consent of his patients. Yet he was allowed to practice for over thirty years, mutilating hundreds of women in the process.</p><p>It would be easy to dismiss Dr. Burt as a monstrous aberration, a modern-day Dr. Frankenstein. Yet as medical historian Sarah Rodriguez reveals, that’s not the whole story. <a href="https://www.amazon.com/dp/1978800959/?tag=newbooinhis-20"><em>The Love Surgeon: A Story of Trust, Harm, and the Limits of Medical Regulation</em></a><em> </em>(Rutgers University Press, 2020) asks tough questions about Burt’s heinous acts and what they reveal about the failures of the medical establishment: How was he able to perform an untested surgical procedure? Why wasn’t he obliged to get informed consent from his patients? And why did it take his peers so long to take action?</p><p><em>The Love Surgeon</em> is both a medical horror story and a cautionary tale about the limits of professional self-regulation.</p><p><a href="http://www.sarahbrodriguez.com/about">Sarah B. Rodriguez</a> is a medical historian at Northwestern University in the Global Health Studies Program, the Department of Medical Education, and the Graduate Program in Medical Humanities and Bioethics. Her teaching and research focuses on the history of reproduction, clinical practice, and research ethics. Her publications include the book <em>Female Circumcision and Clitoridectomy in the United States: A History of a Medical Practice</em>.</p><p><a href="http://www.clairedclark.com/"><em>Claire Clark</em></a><em> is a medical educator, historian of medicine, and associate professor in the University of Kentucky’s College of Medicine. She teaches and writes about health behavior in historical context.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2715</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Katherine Zien, "Sovereign Acts: Performing Race, Space, and Belonging in Panama and the Canal Zone" (Rutgers UP, 2017)</title>
      <description>In Sovereign Acts: Performing Race, Space, and Belonging in Panama and the Canal Zone (Rutgers University Press, 2017), Katherine Zien examines the ways politicians, activists, artists, and residents performed and interpreted sovereignty in the Canal Zone from U.S. control over the zone in 1903 to its withdrawal in 1999. Moving beyond the big ditch and construction of the interoceanic canal, Zien explores how white Zonians, West Indian laborers and their descendants, and Panamanians wrestled with the issue of sovereignty over the Canal Zone in the area of popular entertainment. From clubhouses to the national theatre, Zien notes the performative nature of sovereignty as various historical actors challenged or upheld the performance of U.S. new imperialism.
Enjoy this refreshing take on the history of the Canal Zone.
Sharika Crawford is associate professor of history at the United States Naval Academy.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 24 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>60</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Zien examines the ways politicians, activists, artists, and residents performed and interpreted sovereignty in the Canal Zone...</itunes:subtitle>
      <itunes:summary>In Sovereign Acts: Performing Race, Space, and Belonging in Panama and the Canal Zone (Rutgers University Press, 2017), Katherine Zien examines the ways politicians, activists, artists, and residents performed and interpreted sovereignty in the Canal Zone from U.S. control over the zone in 1903 to its withdrawal in 1999. Moving beyond the big ditch and construction of the interoceanic canal, Zien explores how white Zonians, West Indian laborers and their descendants, and Panamanians wrestled with the issue of sovereignty over the Canal Zone in the area of popular entertainment. From clubhouses to the national theatre, Zien notes the performative nature of sovereignty as various historical actors challenged or upheld the performance of U.S. new imperialism.
Enjoy this refreshing take on the history of the Canal Zone.
Sharika Crawford is associate professor of history at the United States Naval Academy.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/dp/0813584108/?tag=newbooinhis-20"><em>Sovereign Acts: Performing Race, Space, and Belonging in Panama and the Canal Zone</em></a> (Rutgers University Press, 2017), <a href="https://www.mcgill.ca/english/staff/katherine-zien">Katherine Zien</a> examines the ways politicians, activists, artists, and residents performed and interpreted sovereignty in the Canal Zone from U.S. control over the zone in 1903 to its withdrawal in 1999. Moving beyond the big ditch and construction of the interoceanic canal, Zien explores how white Zonians, West Indian laborers and their descendants, and Panamanians wrestled with the issue of sovereignty over the Canal Zone in the area of popular entertainment. From clubhouses to the national theatre, Zien notes the performative nature of sovereignty as various historical actors challenged or upheld the performance of U.S. new imperialism.</p><p>Enjoy this refreshing take on the history of the Canal Zone.</p><p><em>Sharika Crawford is associate professor of history at the United States Naval Academy.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3927</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Sara Smith, "Intimate Geopolitics: Love, Territory and the Future on India’s Northern Threshold" (Rutgers UP, 2020)</title>
      <description>What’s love got to do with it? Intimate Geopolitics: Love, Territory and the Future on India’s Northern Threshold (Rutgers University Press, 2020) by feminist political geographer Sara Smith tell us - everything! Smith’s book centers intimacy in the consideration of geopolitics which is otherwise only seen as a game between nation states. The accounts of realized and failed inter-faith love across generations of Ladakhi Buddhists and Ladakhi Muslims in Smith’s book become the ground for the contesting of demographic fantasies, territorial futures and generation vertigo. Written with a careful consideration of the complexities of territorial politics in Jammu, Kashmir and Ladakh and their intersections, Smith’s book also provides insights into the vulnerabilities of a minority identity--Shia Muslims and Buddhists, as well as its entanglements with the scalar politics of majoritarianism. By ‘populating territory’, Intimate Geopolitics is able to make clear the interweaving of reprosexuality, aspirations and intimacy as a territorial site in what is otherwise seen as a ‘remote’ region but crucial to the logic of the nation-state and its sovereign future.
Sara Smith is associate professor of geography at the University of North Carolina at Chapel Hill.
Bhoomika Joshi is a doctoral student in the department of anthropology at Yale University. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 15 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>71</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Smith’s book centers intimacy in the consideration of geopolitics which is otherwise only seen as a game between nation states...</itunes:subtitle>
      <itunes:summary>What’s love got to do with it? Intimate Geopolitics: Love, Territory and the Future on India’s Northern Threshold (Rutgers University Press, 2020) by feminist political geographer Sara Smith tell us - everything! Smith’s book centers intimacy in the consideration of geopolitics which is otherwise only seen as a game between nation states. The accounts of realized and failed inter-faith love across generations of Ladakhi Buddhists and Ladakhi Muslims in Smith’s book become the ground for the contesting of demographic fantasies, territorial futures and generation vertigo. Written with a careful consideration of the complexities of territorial politics in Jammu, Kashmir and Ladakh and their intersections, Smith’s book also provides insights into the vulnerabilities of a minority identity--Shia Muslims and Buddhists, as well as its entanglements with the scalar politics of majoritarianism. By ‘populating territory’, Intimate Geopolitics is able to make clear the interweaving of reprosexuality, aspirations and intimacy as a territorial site in what is otherwise seen as a ‘remote’ region but crucial to the logic of the nation-state and its sovereign future.
Sara Smith is associate professor of geography at the University of North Carolina at Chapel Hill.
Bhoomika Joshi is a doctoral student in the department of anthropology at Yale University. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What’s love got to do with it? <a href="https://www.amazon.com/dp/0813598567/?tag=newbooinhis-20"><em>Intimate Geopolitics: Love, Territory and the Future on India’s Northern Threshold</em></a> (Rutgers University Press, 2020) by feminist political geographer <a href="http://sarasmith.web.unc.edu/">Sara Smith</a> tell us - everything! Smith’s book centers intimacy in the consideration of geopolitics which is otherwise only seen as a game between nation states. The accounts of realized and failed inter-faith love across generations of Ladakhi Buddhists and Ladakhi Muslims in Smith’s book become the ground for the contesting of demographic fantasies, territorial futures and generation vertigo. Written with a careful consideration of the complexities of territorial politics in Jammu, Kashmir and Ladakh and their intersections, Smith’s book also provides insights into the vulnerabilities of a minority identity--Shia Muslims and Buddhists, as well as its entanglements with the scalar politics of majoritarianism. By ‘populating territory’, <em>Intimate Geopolitics </em>is able to make clear the interweaving of reprosexuality, aspirations and intimacy as a territorial site in what is otherwise seen as a ‘remote’ region but crucial to the logic of the nation-state and its sovereign future.</p><p>Sara Smith is associate professor of geography at the University of North Carolina at Chapel Hill.</p><p><a href="https://anthropology.yale.edu/people/bhoomika-joshi"><em>Bhoomika Joshi</em></a><em> is a doctoral student in the department of anthropology at Yale University. </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4554</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Aliyah Khan, "Far From Mecca: Globalizing the Muslim Caribbean" (Rutgers UP, 2020)</title>
      <description>Muslims have lived in the Caribbean for centuries. Far From Mecca: Globalizing the Muslim Caribbean (Rutgers University Press, 2020) examines the archive of autobiography, literature, music and public celebrations in Guyana and Trinidad, offering an analysis of the ways Islam became integral to the Caribbean, and the ways the Caribbean shaped Islamic practices.
Aliyah Khan recovers stories that have been there all along, though they have received little scholarly attention.
The interdisciplinary approach takes on big questions about creolization, gender, politics and cultural change, but it does so with precision and attention to detail.
Aliyah Khan is an assistant professor of English and Afroamerican and African studies at the University of Michigan, Ann Arbor.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 13 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>59</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Muslims have lived in the Caribbean for centuries...</itunes:subtitle>
      <itunes:summary>Muslims have lived in the Caribbean for centuries. Far From Mecca: Globalizing the Muslim Caribbean (Rutgers University Press, 2020) examines the archive of autobiography, literature, music and public celebrations in Guyana and Trinidad, offering an analysis of the ways Islam became integral to the Caribbean, and the ways the Caribbean shaped Islamic practices.
Aliyah Khan recovers stories that have been there all along, though they have received little scholarly attention.
The interdisciplinary approach takes on big questions about creolization, gender, politics and cultural change, but it does so with precision and attention to detail.
Aliyah Khan is an assistant professor of English and Afroamerican and African studies at the University of Michigan, Ann Arbor.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Muslims have lived in the Caribbean for centuries. <a href="https://www.amazon.com/Far-Mecca-Globalizing-Caribbean-Critical/dp/1978806647/?tag=newbooinhis-20"><em>Far From Mecca: Globalizing the Muslim Caribbean</em></a> (Rutgers University Press, 2020) examines the archive of autobiography, literature, music and public celebrations in Guyana and Trinidad, offering an analysis of the ways Islam became integral to the Caribbean, and the ways the Caribbean shaped Islamic practices.</p><p>Aliyah Khan recovers stories that have been there all along, though they have received little scholarly attention.</p><p>The interdisciplinary approach takes on big questions about creolization, gender, politics and cultural change, but it does so with precision and attention to detail.</p><p><a href="https://lsa.umich.edu/daas/people/core-faculty/aliyrhan.html">Aliyah Khan</a> is an assistant professor of English and Afroamerican and African studies at the University of Michigan, Ann Arbor.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2703</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ef394c44-f123-11ee-beb5-93fd633e67b6]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6181745418.mp3?updated=1756420930" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Natalie Kimball, "An Open Secret: The History of Unwanted Pregnancy and Abortion in Modern Bolivia" (Rutgers UP, 2020)</title>
      <description>Natalie Kimball is the author of An Open Secret: The History of Unwanted Pregnancy and Abortion in Modern Bolivia, out this year from Rutgers University Press.
An Open Secret argues that, despite stigma and continued legal prohibitions, practices and attitudes surrounding abortion have changed in urban Bolivia since the 1950s. Kimball shows how women have pushed for and enacted changes in policy and services relating to unwanted pregnancy and abortion in Bolivia.
In particular, they argue that since the 1980s, women have opened space for themselves to be able to terminate pregnancies with more options and more safety, even as abortion remains illegal. In order to tell this story, Kimball conducted over 100 interviews with women and maternal health practitioners in both La Paz and El Alto, and their stories offer a history not only of policy change, but of transformations in official and unofficial attitudes.
An Open Secret tells these stories while remaining attuned to the specific contexts of urban Bolivia, where women and men navigate overlapping medical systems not reducible to western science alone. Their book also centers women’s affective responses to pregnancy and the structures that factor into decisions about care. In this interview, we talk about oral history practices as well as the challenges of rights and choice base frameworks for maternal health activism in postcolonial contexts.
An Open Secret is essential reading for anyone interested in women’s health or the practice of oral history in Latin America.
Natalie Kimball is an Assistant Professor of History at the College of Staten Island, which forms part of the City University of New York.
Elena McGrath is an Assistant Professor of History at Union College in Schenectady, NY.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 23 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>88</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Kimball argues that, despite stigma and continued legal prohibitions, practices and attitudes surrounding abortion have changed in urban Bolivia since the 1950s..</itunes:subtitle>
      <itunes:summary>Natalie Kimball is the author of An Open Secret: The History of Unwanted Pregnancy and Abortion in Modern Bolivia, out this year from Rutgers University Press.
An Open Secret argues that, despite stigma and continued legal prohibitions, practices and attitudes surrounding abortion have changed in urban Bolivia since the 1950s. Kimball shows how women have pushed for and enacted changes in policy and services relating to unwanted pregnancy and abortion in Bolivia.
In particular, they argue that since the 1980s, women have opened space for themselves to be able to terminate pregnancies with more options and more safety, even as abortion remains illegal. In order to tell this story, Kimball conducted over 100 interviews with women and maternal health practitioners in both La Paz and El Alto, and their stories offer a history not only of policy change, but of transformations in official and unofficial attitudes.
An Open Secret tells these stories while remaining attuned to the specific contexts of urban Bolivia, where women and men navigate overlapping medical systems not reducible to western science alone. Their book also centers women’s affective responses to pregnancy and the structures that factor into decisions about care. In this interview, we talk about oral history practices as well as the challenges of rights and choice base frameworks for maternal health activism in postcolonial contexts.
An Open Secret is essential reading for anyone interested in women’s health or the practice of oral history in Latin America.
Natalie Kimball is an Assistant Professor of History at the College of Staten Island, which forms part of the City University of New York.
Elena McGrath is an Assistant Professor of History at Union College in Schenectady, NY.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Natalie Kimball is the author of <a href="https://www.amazon.com/Open-Secret-Unwanted-Pregnancy-Abortion/dp/0813590744/?tag=newbooinhis-20"><em>An Open Secret: The History of Unwanted Pregnancy and Abortion in Modern Bolivia</em></a>, out this year from Rutgers University Press.</p><p><em>An Open Secret</em> argues that, despite stigma and continued legal prohibitions, practices and attitudes surrounding abortion have changed in urban Bolivia since the 1950s. Kimball shows how women have pushed for and enacted changes in policy and services relating to unwanted pregnancy and abortion in Bolivia.</p><p>In particular, they argue that since the 1980s, women have opened space for themselves to be able to terminate pregnancies with more options and more safety, even as abortion remains illegal. In order to tell this story, Kimball conducted over 100 interviews with women and maternal health practitioners in both La Paz and El Alto, and their stories offer a history not only of policy change, but of transformations in official and unofficial attitudes.</p><p><em>An Open Secret</em> tells these stories while remaining attuned to the specific contexts of urban Bolivia, where women and men navigate overlapping medical systems not reducible to western science alone. Their book also centers women’s affective responses to pregnancy and the structures that factor into decisions about care. In this interview, we talk about oral history practices as well as the challenges of rights and choice base frameworks for maternal health activism in postcolonial contexts.</p><p><em>An Open Secret</em> is essential reading for anyone interested in women’s health or the practice of oral history in Latin America.</p><p><a href="https://www.csi.cuny.edu/campus-directory/natalie-l-kimball">Natalie Kimball</a> is an Assistant Professor of History at the College of Staten Island, which forms part of the City University of New York.</p><p><a href="https://union.academia.edu/ElenaMcGrath"><em>Elena McGrath</em></a><em> is an Assistant Professor of History at Union College in Schenectady, NY.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4299</itunes:duration>
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      <title>Clifford Mason, "Macbeth in Harlem: Black Theater in America from the Beginning to Raisin in the Sun" (Rutgers UP, 2020)</title>
      <description>Macbeth in Harlem: Black Theater in America from the Beginning to Raisin in the Sun (Rutgers University Press, 2020) by Clifford Mason, celebrated actor, director, writer, and playwright, and author of thirty-four plays, is a sweeping history of Black theatre from the early nineteenth century through 1959. With an “Introduction” section, and six concise chapters, Macbeth in Harlem traverses such subjects as the Black hero, plot, narrative, and the African American intellectual in the history of African American theater including an entire chapter on Paul Robeson. From the Black Shakespearean troupe formed in 1821 Greenwich Village, that performed Richard III, Othello, and Macbeth in the 1820s, through the emergence of minstrelsy in the mid-nineteenth century, to the work of Robeson and Lorraine Hansberry at the rise of the Civil Rights Era, Mason tells the story of Black performers, and intellectuals, in the development of American theater. He details how integral Black artists have been in the history of American theater while “fighting against the odds” to demand freedom of expression and human dignity.
In the first chapter, Mason discusses early Black theater and theater troupes in Greenwich Village which was a center of Black life within the Manhattan section of New York City in the early nineteenth century. The African Grove Theatre, as Mason notes, was a group of Black actors including James Hewlett and Ira Aldridge that performed Macbeth as a “the heart of their repertoire” (9). This group was self-sustaining and produced shows without the support of white benefactors. Both Hewlett and Aldridge rose to acclaim and were recognized for their craft by the larger entertainment world. The evolution of minstrelsy in the long nineteenth century is the focus of Chapter Two and the degradation of the Black image as illustrated with the proliferation of stereotypes that emerged at this time. Minstrel shows led to the rise of the Tom shows then the “coon” shows amid the collapse of Reconstruction and the rise of Jim Crow in the late nineteenth century. African Americans and the rise of vaudeville and the musical through the New Negro Era is the focus of the next chapter. Mason assiduously notes the impact that Black actors and entertainers had on the development of musical theater in America in this Third Chapter of the book. The final three chapters focus on Black theater in the twentieth century including some discussion of milestones such as Lorraine Hansberry’s Raison in the Son and the rise and fall of Paul Robeson. Macbeth in Harlem is a noteworthy text that reveals some unknown history about the integral place of African Americans in the history of American theater. It is easily a text that might be used in courses on African American history, theater history, and American intellectual history.
Hettie V. Williams Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. She has published book chapters, essays, and edited/authored five books. Her latest publications include Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History (Praeger, 2017) and, with Dr. G. Reginald Daniel, professor of historical sociology at the University of California, Santa Barbara, Race and the Obama Phenomenon: The Vision of a More Perfect Multiracial Union (University Press of Mississippi 2014). You can follow Dr. Williams on Twitter:  @DrHettie2017
 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 22 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>67</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Mason offers a sweeping history of Black theatre from the early nineteenth century through 1959...</itunes:subtitle>
      <itunes:summary>Macbeth in Harlem: Black Theater in America from the Beginning to Raisin in the Sun (Rutgers University Press, 2020) by Clifford Mason, celebrated actor, director, writer, and playwright, and author of thirty-four plays, is a sweeping history of Black theatre from the early nineteenth century through 1959. With an “Introduction” section, and six concise chapters, Macbeth in Harlem traverses such subjects as the Black hero, plot, narrative, and the African American intellectual in the history of African American theater including an entire chapter on Paul Robeson. From the Black Shakespearean troupe formed in 1821 Greenwich Village, that performed Richard III, Othello, and Macbeth in the 1820s, through the emergence of minstrelsy in the mid-nineteenth century, to the work of Robeson and Lorraine Hansberry at the rise of the Civil Rights Era, Mason tells the story of Black performers, and intellectuals, in the development of American theater. He details how integral Black artists have been in the history of American theater while “fighting against the odds” to demand freedom of expression and human dignity.
In the first chapter, Mason discusses early Black theater and theater troupes in Greenwich Village which was a center of Black life within the Manhattan section of New York City in the early nineteenth century. The African Grove Theatre, as Mason notes, was a group of Black actors including James Hewlett and Ira Aldridge that performed Macbeth as a “the heart of their repertoire” (9). This group was self-sustaining and produced shows without the support of white benefactors. Both Hewlett and Aldridge rose to acclaim and were recognized for their craft by the larger entertainment world. The evolution of minstrelsy in the long nineteenth century is the focus of Chapter Two and the degradation of the Black image as illustrated with the proliferation of stereotypes that emerged at this time. Minstrel shows led to the rise of the Tom shows then the “coon” shows amid the collapse of Reconstruction and the rise of Jim Crow in the late nineteenth century. African Americans and the rise of vaudeville and the musical through the New Negro Era is the focus of the next chapter. Mason assiduously notes the impact that Black actors and entertainers had on the development of musical theater in America in this Third Chapter of the book. The final three chapters focus on Black theater in the twentieth century including some discussion of milestones such as Lorraine Hansberry’s Raison in the Son and the rise and fall of Paul Robeson. Macbeth in Harlem is a noteworthy text that reveals some unknown history about the integral place of African Americans in the history of American theater. It is easily a text that might be used in courses on African American history, theater history, and American intellectual history.
Hettie V. Williams Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. She has published book chapters, essays, and edited/authored five books. Her latest publications include Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History (Praeger, 2017) and, with Dr. G. Reginald Daniel, professor of historical sociology at the University of California, Santa Barbara, Race and the Obama Phenomenon: The Vision of a More Perfect Multiracial Union (University Press of Mississippi 2014). You can follow Dr. Williams on Twitter:  @DrHettie2017
 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.amazon.com/dp/1978809999/?tag=newbooinhis-20"><em>Macbeth in Harlem: Black Theater in America from the Beginning to Raisin in the Sun</em></a> (Rutgers University Press, 2020) by Clifford Mason, celebrated actor, director, writer, and playwright, and author of thirty-four plays, is a sweeping history of Black theatre from the early nineteenth century through 1959. With an “Introduction” section, and six concise chapters, <em>Macbeth in Harlem </em>traverses such subjects as the Black hero, plot, narrative, and the African American intellectual in the history of African American theater including an entire chapter on Paul Robeson. From the Black Shakespearean troupe formed in 1821 Greenwich Village, that performed <em>Richard III</em>, <em>Othello</em>, and <em>Macbeth </em>in the 1820s, through the emergence of minstrelsy in the mid-nineteenth century, to the work of Robeson and Lorraine Hansberry at the rise of the Civil Rights Era, Mason tells the story of Black performers, and intellectuals, in the development of American theater. He details how integral Black artists have been in the history of American theater while “fighting against the odds” to demand freedom of expression and human dignity.</p><p>In the first chapter, Mason discusses early Black theater and theater troupes in Greenwich Village which was a center of Black life within the Manhattan section of New York City in the early nineteenth century. The African Grove Theatre, as Mason notes, was a group of Black actors including James Hewlett and Ira Aldridge that performed <em>Macbeth</em> as a “the heart of their repertoire” (9). This group was self-sustaining and produced shows without the support of white benefactors. Both Hewlett and Aldridge rose to acclaim and were recognized for their craft by the larger entertainment world. The evolution of minstrelsy in the long nineteenth century is the focus of Chapter Two and the degradation of the Black image as illustrated with the proliferation of stereotypes that emerged at this time. Minstrel shows led to the rise of the Tom shows then the “coon” shows amid the collapse of Reconstruction and the rise of Jim Crow in the late nineteenth century. African Americans and the rise of vaudeville and the musical through the New Negro Era is the focus of the next chapter. Mason assiduously notes the impact that Black actors and entertainers had on the development of musical theater in America in this Third Chapter of the book. The final three chapters focus on Black theater in the twentieth century including some discussion of milestones such as Lorraine Hansberry’s Raison in the Son and the rise and fall of Paul Robeson. <em>Macbeth in Harlem</em> is a noteworthy text that reveals some unknown history about the integral place of African Americans in the history of American theater. It is easily a text that might be used in courses on African American history, theater history, and American intellectual history.</p><p><a href="http://hettiewilliams.com/"><em>Hettie V. Williams </em></a><em>Ph.D., is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. She has published book chapters, essays, and edited/authored five books. Her latest publications include Bury My Heart in a Free Land: Black Women Intellectuals in Modern U.S. History (Praeger, 2017) and, with Dr. G. Reginald Daniel, professor of historical sociology at the University of California, Santa Barbara, Race and the Obama Phenomenon: The Vision of a More Perfect Multiracial Union (University Press of Mississippi 2014). You can follow Dr. Williams on Twitter:  @DrHettie2017</em></p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <itunes:duration>3583</itunes:duration>
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      <title>B. L. Johnson and M. M. Quinlan, "You’re Doing it Wrong! Mothering, Media and Medical Expertise" (Rutgers UP, 2019)</title>
      <description>New mothers face a barrage of confounding decisions during the life-cycle of early motherhood which includes... Should they change their diet or mindset to conceive? Exercise while pregnant? Should they opt for a home birth or head for a hospital?
Whatever they “choose,” they will be sure to find plenty of medical expertise from health practitioners to social media “influencers” telling them that they’re making a series of mistakes. As intersectional feminists with two small children each, Bethany L. Johnson and Margaret M. Quinlan draw from their own experiences as well as stories from a range of caretakers throughout.
You’re Doing it Wrong! Mothering, Media and Medical Expertise (Rutgers University Press, 2019) investigates the storied history of mothering advice in the media, from the newspapers, magazines, doctors’ records and personal papers of the nineteenth-century to today’s websites, Facebook groups, and Instagram feeds.
Johnson and Quinlan find surprising parallels between today’s mothering experts and their Victorian counterparts, but they also explore how social media has placed unprecedented pressures on new mothers, even while it may function as social support for some.
They further examine the contentious construction of prenatal and baby care expertise itself, as individuals such as everyone from medical professionals to experienced moms have competed to have their expertise acknowledged in the public sphere.
Exploring potential health crises from infertility treatments to “better babies” milestones, You’re Doing it Wrong! provides a provocative look at historical and contemporary medical expertise during conception, pregnancy, childbirth, postpartum, and infant care stages.
Bethany L. Johnson (MPhil, M.A.) is a doctoral student in the history of science, technology and the environment at the University of South Carolina and an associate member to the graduate faculty and research affiliate faculty in the department of communication studies at the University of North Carolina at Charlotte.
Margaret M. Quinlan (PhD) is an associate professor in the Department of Communication Studies and core faculty in the interdisciplinary Health Psychology Ph.D. Program at the University of North Carolina at Charlotte.
Dr. Christina Gessler’s background is in anthropology, women’s history, and literature. She works as a historian, poet, and photographer. In seeking the extraordinary in the ordinary, Gessler writes the histories of largely unknown women, poems about small relatable moments, and takes many, many photos in nature.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 19 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>121</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Johnson and Quinlan investigates the storied history of mothering advice in the media...</itunes:subtitle>
      <itunes:summary>New mothers face a barrage of confounding decisions during the life-cycle of early motherhood which includes... Should they change their diet or mindset to conceive? Exercise while pregnant? Should they opt for a home birth or head for a hospital?
Whatever they “choose,” they will be sure to find plenty of medical expertise from health practitioners to social media “influencers” telling them that they’re making a series of mistakes. As intersectional feminists with two small children each, Bethany L. Johnson and Margaret M. Quinlan draw from their own experiences as well as stories from a range of caretakers throughout.
You’re Doing it Wrong! Mothering, Media and Medical Expertise (Rutgers University Press, 2019) investigates the storied history of mothering advice in the media, from the newspapers, magazines, doctors’ records and personal papers of the nineteenth-century to today’s websites, Facebook groups, and Instagram feeds.
Johnson and Quinlan find surprising parallels between today’s mothering experts and their Victorian counterparts, but they also explore how social media has placed unprecedented pressures on new mothers, even while it may function as social support for some.
They further examine the contentious construction of prenatal and baby care expertise itself, as individuals such as everyone from medical professionals to experienced moms have competed to have their expertise acknowledged in the public sphere.
Exploring potential health crises from infertility treatments to “better babies” milestones, You’re Doing it Wrong! provides a provocative look at historical and contemporary medical expertise during conception, pregnancy, childbirth, postpartum, and infant care stages.
Bethany L. Johnson (MPhil, M.A.) is a doctoral student in the history of science, technology and the environment at the University of South Carolina and an associate member to the graduate faculty and research affiliate faculty in the department of communication studies at the University of North Carolina at Charlotte.
Margaret M. Quinlan (PhD) is an associate professor in the Department of Communication Studies and core faculty in the interdisciplinary Health Psychology Ph.D. Program at the University of North Carolina at Charlotte.
Dr. Christina Gessler’s background is in anthropology, women’s history, and literature. She works as a historian, poet, and photographer. In seeking the extraordinary in the ordinary, Gessler writes the histories of largely unknown women, poems about small relatable moments, and takes many, many photos in nature.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>New mothers face a barrage of confounding decisions during the life-cycle of early motherhood which includes... Should they change their diet or mindset to conceive? Exercise while pregnant? Should they opt for a home birth or head for a hospital?</p><p>Whatever they “choose,” they will be sure to find plenty of medical expertise from health practitioners to social media “influencers” telling them that they’re making a series of mistakes. As intersectional feminists with two small children each, Bethany L. Johnson and Margaret M. Quinlan draw from their own experiences as well as stories from a range of caretakers throughout.</p><p><a href="https://www.amazon.com/Youre-Doing-Wrong-Mothering-Expertise/dp/0813593794/?tag=newbooinhis-20"><em>You’re Doing it Wrong! Mothering, Media and Medical Expertise</em></a> (Rutgers University Press, 2019) investigates the storied history of mothering advice in the media, from the newspapers, magazines, doctors’ records and personal papers of the nineteenth-century to today’s websites, Facebook groups, and Instagram feeds.</p><p>Johnson and Quinlan find surprising parallels between today’s mothering experts and their Victorian counterparts, but they also explore how social media has placed unprecedented pressures on new mothers, even while it may function as social support for some.</p><p>They further examine the contentious construction of prenatal and baby care expertise itself, as individuals such as everyone from medical professionals to experienced moms have competed to have their expertise acknowledged in the public sphere.</p><p>Exploring potential health crises from infertility treatments to “better babies” milestones, <em>You’re Doing it Wrong!</em> provides a provocative look at historical and contemporary medical expertise during conception, pregnancy, childbirth, postpartum, and infant care stages.</p><p><a href="https://pages.uncc.edu/bethany-johnson/">Bethany L. Johnson</a> (MPhil, M.A.) is a doctoral student in the history of science, technology and the environment at the University of South Carolina and an associate member to the graduate faculty and research affiliate faculty in the department of communication studies at the University of North Carolina at Charlotte.</p><p><a href="https://pages.uncc.edu/margaret-quinlan/">Margaret M. Quinlan</a> (PhD) is an associate professor in the Department of Communication Studies and core faculty in the interdisciplinary Health Psychology Ph.D. Program at the University of North Carolina at Charlotte.</p><p><em>Dr. Christina Gessler’s background is in anthropology, women’s history, and literature. She works as a historian, poet, and photographer. In seeking the extraordinary in the ordinary, Gessler writes the histories of largely unknown women, poems about small relatable moments, and takes many, many photos in nature.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4930</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Jill Strauss, "Slavery's Descendants: Shared Legacies of Race and Reconciliation" (Rutgers UP, 2019)</title>
      <description>Race remains a potent and divisive force in our society. Whether it is the shooting of minority people by the police, the mass incarceration of people of color, or the recent KKK rallies that have been in the news, it is clear that the scars from the United States’ histories of slavery and racial discrimination run too deep to simply be ignored. But what are the most productive ways to deal with the toxic and torturous legacies of American racism?
In Slavery's Descendants: Shared Legacies of Race and Reconciliation(Rutgers UP, 2019), editors Jill Strauss and Dionne Ford have brought together contributors from a variety of racial backgrounds, all members or associates of a national racial reconciliation organization called Coming to the Table, to tell their stories of dealing with America’s racial past through their experiences and their family histories. Some are descendants of slaveholders, some are descendants of the enslaved, and many are descendants of both slaveholders and slaves. What they all have in common is a commitment toward collective introspection, and a willingness to think critically about how the nation’s histories of oppression continue to ripple into the present, affecting us all.
The stories in Slavery’s Descendants deal with harrowing topics—rape, lynching, cruelty, shame—but they also describe acts of generosity, gratitude, and love. Together, they help us confront the legacy of slavery to reclaim a more complete picture of U.S. history, one cousin at a time.
Dr. Strauss teaches conflict resolution and communications at Borough of Manhattan Community College in New York.
Powell Morales holds a Master of Science in International Relations from Troy University.
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      <pubDate>Tue, 16 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>740</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>The stories in "Slavery’s Descendants" deal with harrowing topics—rape, lynching, cruelty, shame—but they also describe acts of generosity,..</itunes:subtitle>
      <itunes:summary>Race remains a potent and divisive force in our society. Whether it is the shooting of minority people by the police, the mass incarceration of people of color, or the recent KKK rallies that have been in the news, it is clear that the scars from the United States’ histories of slavery and racial discrimination run too deep to simply be ignored. But what are the most productive ways to deal with the toxic and torturous legacies of American racism?
In Slavery's Descendants: Shared Legacies of Race and Reconciliation(Rutgers UP, 2019), editors Jill Strauss and Dionne Ford have brought together contributors from a variety of racial backgrounds, all members or associates of a national racial reconciliation organization called Coming to the Table, to tell their stories of dealing with America’s racial past through their experiences and their family histories. Some are descendants of slaveholders, some are descendants of the enslaved, and many are descendants of both slaveholders and slaves. What they all have in common is a commitment toward collective introspection, and a willingness to think critically about how the nation’s histories of oppression continue to ripple into the present, affecting us all.
The stories in Slavery’s Descendants deal with harrowing topics—rape, lynching, cruelty, shame—but they also describe acts of generosity, gratitude, and love. Together, they help us confront the legacy of slavery to reclaim a more complete picture of U.S. history, one cousin at a time.
Dr. Strauss teaches conflict resolution and communications at Borough of Manhattan Community College in New York.
Powell Morales holds a Master of Science in International Relations from Troy University.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Race remains a potent and divisive force in our society. Whether it is the shooting of minority people by the police, the mass incarceration of people of color, or the recent KKK rallies that have been in the news, it is clear that the scars from the United States’ histories of slavery and racial discrimination run too deep to simply be ignored. But what are the most productive ways to deal with the toxic and torturous legacies of American racism?</p><p><em>In </em><a href="https://www.amazon.com/dp/1978800762/?tag=newbooinhis-20"><em>Slavery's Descendants: Shared Legacies of Race and Reconciliation</em></a>(Rutgers UP, 2019)<em>, </em>editors <a href="https://www.bmcc.cuny.edu/faculty/jill-strauss-2/">Jill Strauss</a> and <a href="http://dionneford.com/about/">Dionne Ford</a> have brought together contributors from a variety of racial backgrounds, all members or associates of a national racial reconciliation organization called Coming to the Table, to tell their stories of dealing with America’s racial past through their experiences and their family histories. Some are descendants of slaveholders, some are descendants of the enslaved, and many are descendants of both slaveholders and slaves. What they all have in common is a commitment toward collective introspection, and a willingness to think critically about how the nation’s histories of oppression continue to ripple into the present, affecting us all.</p><p>The stories in <em>Slavery’s Descendants</em> deal with harrowing topics—rape, lynching, cruelty, shame—but they also describe acts of generosity, gratitude, and love. Together, they help us confront the legacy of slavery to reclaim a more complete picture of U.S. history, one cousin at a time.</p><p>Dr. Strauss teaches conflict resolution and communications at Borough of Manhattan Community College in New York.</p><p><em>Powell Morales holds a Master of Science in International Relations from Troy University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1817</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Romeo Guzman et al., "East of East: The Making of Greater El Monte" (Rutgers UP, 2020)</title>
      <description>Romeo Guzman's and his colleague's East of East: The Making of Greater El Monte (Rutgers University Press, 2020) is an edited collection of thirty-one essays that trace the experience of a California community over three centuries, from eighteenth-century Spanish colonization to twenty-first century globalization. Employing traditional historical scholarship, oral history, creative nonfiction and original art, the book provides a radical new history of El Monte and South El Monte, showing how interdisciplinary and community-engaged scholarship can break new ground in public history.
East of East tells stories that have been excluded from dominant historical narratives-stories that long survived only in the popular memory of residents, as well as narratives that have been almost completely buried and all but forgotten. Its cast of characters includes white vigilantes, Mexican anarchists, Japanese farmers, labour organizers, civil rights pioneers, and punk rockers, as well as the ordinary and unnamed youth who generated a vibrant local culture at dances and dive bars.
David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics. Follow him on Twitter @djgonzoPhD.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 12 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>61</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Employing traditional historical scholarship, oral history, creative nonfiction and original art, the book provides a radical new history of El Monte and South El Monte...</itunes:subtitle>
      <itunes:summary>Romeo Guzman's and his colleague's East of East: The Making of Greater El Monte (Rutgers University Press, 2020) is an edited collection of thirty-one essays that trace the experience of a California community over three centuries, from eighteenth-century Spanish colonization to twenty-first century globalization. Employing traditional historical scholarship, oral history, creative nonfiction and original art, the book provides a radical new history of El Monte and South El Monte, showing how interdisciplinary and community-engaged scholarship can break new ground in public history.
East of East tells stories that have been excluded from dominant historical narratives-stories that long survived only in the popular memory of residents, as well as narratives that have been almost completely buried and all but forgotten. Its cast of characters includes white vigilantes, Mexican anarchists, Japanese farmers, labour organizers, civil rights pioneers, and punk rockers, as well as the ordinary and unnamed youth who generated a vibrant local culture at dances and dive bars.
David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics. Follow him on Twitter @djgonzoPhD.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://romeoguzman.com/">Romeo Guzman's</a> and his colleague's <a href="https://www.amazon.com/dp/1978805489/?tag=newbooinhis-20"><em>East of East: The Making of Greater El Monte</em></a> (Rutgers University Press, 2020) is an edited collection of thirty-one essays that trace the experience of a California community over three centuries, from eighteenth-century Spanish colonization to twenty-first century globalization. Employing traditional historical scholarship, oral history, creative nonfiction and original art, the book provides a radical new history of El Monte and South El Monte, showing how interdisciplinary and community-engaged scholarship can break new ground in public history.</p><p><em>East of East</em> tells stories that have been excluded from dominant historical narratives-stories that long survived only in the popular memory of residents, as well as narratives that have been almost completely buried and all but forgotten. Its cast of characters includes white vigilantes, Mexican anarchists, Japanese farmers, labour organizers, civil rights pioneers, and punk rockers, as well as the ordinary and unnamed youth who generated a vibrant local culture at dances and dive bars.</p><p><a href="https://fhssfaculty.byu.edu/FacultyPage/djgonzo"><em>David-James Gonzales</em></a><em> (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics. Follow him on Twitter </em><a href="https://twitter.com/djgonzophd?lang=en"><em>@djgonzoPhD</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4278</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>A. D. Crosby and M. B. Lykes, "In Beyond Repair? Mayan Women’s Protagonism in the Aftermath of Genocidal Harm" (Rutgers UP, 2019)</title>
      <description>In Beyond Repair? Mayan Women’s Protagonism in the Aftermath of Genocidal Harm (Rutgers University Press, 2019), Alison D. Crosby and M. Brinton Lykes draw on eight years of feminist participatory action research conducted with fifty-four Q’eqchi’, Kaqchikel, Chuj, and Mam women to explore Mayan women’s agency in their search for truth, justice, and reparation for harm suffered during the genocidal violence perpetrated by the Guatemalan state at the height of the thirty-six-year armed conflict. The book discusses the complexities of navigating, negotiating, and interpreting informal and formal justice processes, as participated in and experienced by protagonists, women’s rights activists, lawyers, psychologists, Mayan rights activists, and researchers who have accompanied them as intermediaries.
Jeff Bachman is a senior lecturer in Human Rights at American University’s School of International Service in Washington, DC. He is the author of the United States and Genocide: (Re)Defining the relationship and editor of the volume cultural Genocide: Law, Politics, and Global Manifestations. He is currently working on a new book, The Politics of Genocide: From the Genocide Convention to the Responsibility to Protect, contracted by Rutgers University Press for its Genocide, Political Violence, Human Rights series.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 10 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>The authors draw on eight years of feminist participatory action research conducted with fifty-four Q’eqchi’, Kaqchikel, Chuj, and Mam women to explore Mayan women’s agency in their search for truth, justice, and reparation...</itunes:subtitle>
      <itunes:summary>In Beyond Repair? Mayan Women’s Protagonism in the Aftermath of Genocidal Harm (Rutgers University Press, 2019), Alison D. Crosby and M. Brinton Lykes draw on eight years of feminist participatory action research conducted with fifty-four Q’eqchi’, Kaqchikel, Chuj, and Mam women to explore Mayan women’s agency in their search for truth, justice, and reparation for harm suffered during the genocidal violence perpetrated by the Guatemalan state at the height of the thirty-six-year armed conflict. The book discusses the complexities of navigating, negotiating, and interpreting informal and formal justice processes, as participated in and experienced by protagonists, women’s rights activists, lawyers, psychologists, Mayan rights activists, and researchers who have accompanied them as intermediaries.
Jeff Bachman is a senior lecturer in Human Rights at American University’s School of International Service in Washington, DC. He is the author of the United States and Genocide: (Re)Defining the relationship and editor of the volume cultural Genocide: Law, Politics, and Global Manifestations. He is currently working on a new book, The Politics of Genocide: From the Genocide Convention to the Responsibility to Protect, contracted by Rutgers University Press for its Genocide, Political Violence, Human Rights series.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://www.amazon.com/dp/0813598966/?tag=newbooinhis-20"><em>Beyond Repair? Mayan Women’s Protagonism in the Aftermath of Genocidal Harm</em></a> (Rutgers University Press, 2019), <a href="https://profiles.laps.yorku.ca/profiles/acrosby/">Alison D. Crosby</a> and <a href="https://www.bc.edu/bc-web/schools/lynch-school/faculty-research/faculty-directory/brinton-lykes.html">M. Brinton Lykes</a> draw on eight years of feminist participatory action research conducted with fifty-four Q’eqchi’, Kaqchikel, Chuj, and Mam women to explore Mayan women’s agency in their search for truth, justice, and reparation for harm suffered during the genocidal violence perpetrated by the Guatemalan state at the height of the thirty-six-year armed conflict. The book discusses the complexities of navigating, negotiating, and interpreting informal and formal justice processes, as participated in and experienced by protagonists, women’s rights activists, lawyers, psychologists, Mayan rights activists, and researchers who have accompanied them as intermediaries.</p><p><em>Jeff Bachman is a senior lecturer in Human Rights at American University’s School of International Service in Washington, DC. He is the author of the United States and Genocide: (Re)Defining the relationship and editor of the volume cultural Genocide: Law, Politics, and Global Manifestations. He is currently working on a new book, The Politics of Genocide: From the Genocide Convention to the Responsibility to Protect, contracted by Rutgers University Press for its Genocide, Political Violence, Human Rights series.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4422</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Brian Crim, "Planet Auschwitz: Holocaust Representation in Science Fiction and Horror Film and Television" (Rutgers UP, 2020)</title>
      <description>In his new book, Planet Auschwitz: Holocaust Representation in Science Fiction and Horror Film and Television (Rutgers University Press, 2020), Brian Crim explores the diverse ways in which the Holocaust influences and shapes science fiction and horror film and television by focusing on notable contributions from the last fifty years. The supernatural and extraterrestrial are rich and complex spaces with which to examine important Holocaust themes - trauma, guilt, grief, ideological fervor and perversion, industrialized killing, and the dangerous afterlife of Nazism after World War II. Planet Auschwitz explores why the Holocaust continues to set the standard for horror in the modern era and asks if the Holocaust is imaginable here on Earth, at least by those who perpetrated it, why not in a galaxy far, far away? The pervasive use of Holocaust imagery and plotlines in horror and science fiction reflects both our preoccupation with its enduring trauma and our persistent need to “work through” its many legacies.
Brian Crim is Professor of History at the University of Lynchburg in Viriginia.
Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at craig.sorvillo@gmail.com or on twitter @craig_sorvillo.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 29 May 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>88</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Crim explores the diverse ways in which the Holocaust influences and shapes science fiction and horror film and television by focusing on notable contributions from the last fifty years...</itunes:subtitle>
      <itunes:summary>In his new book, Planet Auschwitz: Holocaust Representation in Science Fiction and Horror Film and Television (Rutgers University Press, 2020), Brian Crim explores the diverse ways in which the Holocaust influences and shapes science fiction and horror film and television by focusing on notable contributions from the last fifty years. The supernatural and extraterrestrial are rich and complex spaces with which to examine important Holocaust themes - trauma, guilt, grief, ideological fervor and perversion, industrialized killing, and the dangerous afterlife of Nazism after World War II. Planet Auschwitz explores why the Holocaust continues to set the standard for horror in the modern era and asks if the Holocaust is imaginable here on Earth, at least by those who perpetrated it, why not in a galaxy far, far away? The pervasive use of Holocaust imagery and plotlines in horror and science fiction reflects both our preoccupation with its enduring trauma and our persistent need to “work through” its many legacies.
Brian Crim is Professor of History at the University of Lynchburg in Viriginia.
Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at craig.sorvillo@gmail.com or on twitter @craig_sorvillo.
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      <content:encoded>
        <![CDATA[<p>In his new book, <a href="https://www.amazon.com/dp/1978801610/?tag=newbooinhis-20"><em>Planet Auschwitz: Holocaust Representation in Science Fiction and Horror Film and Television</em></a> (Rutgers University Press, 2020), <a href="https://www.lynchburg.edu/academics/majors-and-minors/history/faculty-and-staff/brian-crim/">Brian Crim</a> explores the diverse ways in which the Holocaust influences and shapes science fiction and horror film and television by focusing on notable contributions from the last fifty years. The supernatural and extraterrestrial are rich and complex spaces with which to examine important Holocaust themes - trauma, guilt, grief, ideological fervor and perversion, industrialized killing, and the dangerous afterlife of Nazism after World War II. Planet Auschwitz explores why the Holocaust continues to set the standard for horror in the modern era and asks if the Holocaust is imaginable here on Earth, at least by those who perpetrated it, why not in a galaxy far, far away? The pervasive use of Holocaust imagery and plotlines in horror and science fiction reflects both our preoccupation with its enduring trauma and our persistent need to “work through” its many legacies.</p><p>Brian Crim is Professor of History at the University of Lynchburg in Viriginia.</p><p><em>Craig Sorvillo is a PhD candidate in modern European history at the University of Florida. He specializes in Nazi Germany, and the Holocaust. He can be reached at craig.sorvillo@gmail.com or on twitter @craig_sorvillo.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3978</itunes:duration>
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    <item>
      <title>Graham R. G. Hodges, "Black New Jersey 1664 to the Present Day" (Rutgers UP, 2019)</title>
      <description>Black New Jersey 1664 to the Present Day (Rutgers University Press, 2018) by Graham Russell Gao Hodges, George Langdon, Jr. Professor of History and Africana and Latin American Studies at Colgate University in Hamilton, New York, is a survey history of African Americans in New Jersey. This is the first published scholarly book-length historical study of African Americans in New Jersey covering the Colonial era to the present in a single volume. Hodges, a prolific scholar, is the author/editor of sixteen books including Slavery and Freedom in the Rural North: African Americans in Monmouth County, New Jersey 1660-1870 (Madison House, 1997) and Root and Branch: African Americans in New York and East Jersey,1613-1863 (University of North Carolina Press, 1999). Black New Jersey was awarded the McCormick Prize from the New Jersey Historical Commission in 2019. Hodges’s text is organized around eight neat chapters encompassing Pre-Revolutionary New Jersey to the present. Black New Jersey also includes a useful “Introduction.”
In his text, Hodges emphasizes the history of slavery, religion, the rise of the Black middle class, and the quest for social equality through the Jim Crow era. He also discusses some of the more notable intellectuals in the history of New Jersey such as Paul Robeson and Marion Thompson Wright. Both were active in the long black freedom struggle. Wright’s research became the basis for the first case to challenge segregation in the public-school system Hedgepeth-Williams vs. Trenton, Board of Education (1944) before the historic Supreme Court decision in Brown vs. Board of Education (1954). Wright, a trained historian, worked on the pivotal Brown case conducting historical research for litigation. These intellectuals were instrumental in advancing the Civil Rights Movement in the Garden State before 1954. This text by Hodges is an important study on the history of northern struggles for equality including the Civil Rights Movement that likely first began in New Jersey.
Hettie V. Williams Ph.D. is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. You can follow Dr. Williams on twitter: @DrHettie2017.
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      <pubDate>Wed, 26 Feb 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>57</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Hodges emphasizes the history of slavery, religion, the rise of the Black middle class, and the quest for social equality through the Jim Crow era...</itunes:subtitle>
      <itunes:summary>Black New Jersey 1664 to the Present Day (Rutgers University Press, 2018) by Graham Russell Gao Hodges, George Langdon, Jr. Professor of History and Africana and Latin American Studies at Colgate University in Hamilton, New York, is a survey history of African Americans in New Jersey. This is the first published scholarly book-length historical study of African Americans in New Jersey covering the Colonial era to the present in a single volume. Hodges, a prolific scholar, is the author/editor of sixteen books including Slavery and Freedom in the Rural North: African Americans in Monmouth County, New Jersey 1660-1870 (Madison House, 1997) and Root and Branch: African Americans in New York and East Jersey,1613-1863 (University of North Carolina Press, 1999). Black New Jersey was awarded the McCormick Prize from the New Jersey Historical Commission in 2019. Hodges’s text is organized around eight neat chapters encompassing Pre-Revolutionary New Jersey to the present. Black New Jersey also includes a useful “Introduction.”
In his text, Hodges emphasizes the history of slavery, religion, the rise of the Black middle class, and the quest for social equality through the Jim Crow era. He also discusses some of the more notable intellectuals in the history of New Jersey such as Paul Robeson and Marion Thompson Wright. Both were active in the long black freedom struggle. Wright’s research became the basis for the first case to challenge segregation in the public-school system Hedgepeth-Williams vs. Trenton, Board of Education (1944) before the historic Supreme Court decision in Brown vs. Board of Education (1954). Wright, a trained historian, worked on the pivotal Brown case conducting historical research for litigation. These intellectuals were instrumental in advancing the Civil Rights Movement in the Garden State before 1954. This text by Hodges is an important study on the history of northern struggles for equality including the Civil Rights Movement that likely first began in New Jersey.
Hettie V. Williams Ph.D. is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. You can follow Dr. Williams on twitter: @DrHettie2017.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.amazon.com/dp/0813595185/?tag=newbooinhis-20"><em>Black New Jersey 1664 to the Present Day</em></a> (Rutgers University Press, 2018) by <a href="https://www.colgate.edu/about/directory/ghodges">Graham Russell Gao Hodges</a>, George Langdon, Jr. Professor of History and Africana and Latin American Studies at Colgate University in Hamilton, New York, is a survey history of African Americans in New Jersey. This is the first published scholarly book-length historical study of African Americans in New Jersey covering the Colonial era to the present in a single volume. Hodges, a prolific scholar, is the author/editor of sixteen books including Slavery and Freedom in the Rural North: African Americans in Monmouth County, New Jersey 1660-1870 (Madison House, 1997) and Root and Branch: African Americans in New York and East Jersey,1613-1863 (University of North Carolina Press, 1999). Black New Jersey was awarded the McCormick Prize from the New Jersey Historical Commission in 2019. Hodges’s text is organized around eight neat chapters encompassing Pre-Revolutionary New Jersey to the present. Black New Jersey also includes a useful “Introduction.”</p><p>In his text, Hodges emphasizes the history of slavery, religion, the rise of the Black middle class, and the quest for social equality through the Jim Crow era. He also discusses some of the more notable intellectuals in the history of New Jersey such as Paul Robeson and Marion Thompson Wright. Both were active in the long black freedom struggle. Wright’s research became the basis for the first case to challenge segregation in the public-school system Hedgepeth-Williams vs. Trenton, Board of Education (1944) before the historic Supreme Court decision in Brown vs. Board of Education (1954). Wright, a trained historian, worked on the pivotal Brown case conducting historical research for litigation. These intellectuals were instrumental in advancing the Civil Rights Movement in the Garden State before 1954. This text by Hodges is an important study on the history of northern struggles for equality including the Civil Rights Movement that likely first began in New Jersey.</p><p><a href="http://hettiewilliams.com/"><em>Hettie V. Williams</em></a><em> Ph.D. is an Assistant Professor of African American history in the Department of History and Anthropology at Monmouth University where she teaches courses in African American history and U.S. history. You can follow Dr. Williams on twitter: @DrHettie2017.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2516</itunes:duration>
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      <title>A. R. Ruis, "Eating to Learn, Learning to Eat: The Origins of School Lunch in the United States" (Rutgers UP, 2017)</title>
      <description>In this this interview, Dr. Carrie Tippen talks with A.R. Ruis about the 2017 book Eating to Learn, Learning to Eat: The Origins of School Lunch in the United States – published in 2017 by Rutgers University Press. Ruis narrates the development of school lunch programs from the late 19th century to the present, describing the evolution from locally organized charitable initiatives into the federally funded and managed programs that we know today. While school lunches seem almost inseparable from the American public school experience, Ruis explains that it was not clear in the 19th century whether schools had the ethical obligation or even the legal right to provide food. Ruis argues that the decision to supply lunches for students extends from constitutive moments in history when schools became a site for distributing health and wellness services of many kinds.
Through case studies of Chicago, New York, and rural schools in the Midwest, Ruis demonstrates that while most schools followed a similar path to establishing lunch programs – starting with lunches provided by a private, charitable group and eventually being taken under school board control – the results varied greatly based on the challenges of the particular area and the philosophy of the school board. Through an extended discussion of the National School Lunch Act of 1946, Ruis describes a key tension still at work in school lunch debates today; that is, whether school lunch is a program for providing nutrition to children or providing a predictable market for surplus agricultural commodities. Ruis concludes, “History suggests that without development of a system that integrates eating and learning, that values skilled labor and community involvement, and that privileges children’s health over agricultural protection, malnourishment will continue to be ‘our greatest producer of ill health.’”
A. R. Ruis is a historian of medicine and a learning scientist at the University of Wisconsin, Madison. You can find him on Twitter at @AndrewRuis.
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 10 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>50</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle> Ruis narrates the development of school lunch programs from the late 19th century to the present,..</itunes:subtitle>
      <itunes:summary>In this this interview, Dr. Carrie Tippen talks with A.R. Ruis about the 2017 book Eating to Learn, Learning to Eat: The Origins of School Lunch in the United States – published in 2017 by Rutgers University Press. Ruis narrates the development of school lunch programs from the late 19th century to the present, describing the evolution from locally organized charitable initiatives into the federally funded and managed programs that we know today. While school lunches seem almost inseparable from the American public school experience, Ruis explains that it was not clear in the 19th century whether schools had the ethical obligation or even the legal right to provide food. Ruis argues that the decision to supply lunches for students extends from constitutive moments in history when schools became a site for distributing health and wellness services of many kinds.
Through case studies of Chicago, New York, and rural schools in the Midwest, Ruis demonstrates that while most schools followed a similar path to establishing lunch programs – starting with lunches provided by a private, charitable group and eventually being taken under school board control – the results varied greatly based on the challenges of the particular area and the philosophy of the school board. Through an extended discussion of the National School Lunch Act of 1946, Ruis describes a key tension still at work in school lunch debates today; that is, whether school lunch is a program for providing nutrition to children or providing a predictable market for surplus agricultural commodities. Ruis concludes, “History suggests that without development of a system that integrates eating and learning, that values skilled labor and community involvement, and that privileges children’s health over agricultural protection, malnourishment will continue to be ‘our greatest producer of ill health.’”
A. R. Ruis is a historian of medicine and a learning scientist at the University of Wisconsin, Madison. You can find him on Twitter at @AndrewRuis.
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this this interview, <a href="https://www.chatham.edu/english/facultydetails.cfm?FacultyID=439">Dr. Carrie Tippen</a> talks with <a href="https://www.andrewruis.com/">A.R. Ruis</a> about the 2017 book <em>Eating to Learn, </em><a href="http://www.amazon.com/dp/0813584078/?tag=newbooinhis-20"><em>Learning to Eat: The Origins of School Lunch in the United States</em></a><em> – </em>published in 2017 by Rutgers University Press. Ruis narrates the development of school lunch programs from the late 19th century to the present, describing the evolution from locally organized charitable initiatives into the federally funded and managed programs that we know today. While school lunches seem almost inseparable from the American public school experience, Ruis explains that it was not clear in the 19th century whether schools had the ethical obligation or even the legal right to provide food. Ruis argues that the decision to supply lunches for students extends from constitutive moments in history when schools became a site for distributing health and wellness services of many kinds.</p><p>Through case studies of Chicago, New York, and rural schools in the Midwest, Ruis demonstrates that while most schools followed a similar path to establishing lunch programs – starting with lunches provided by a private, charitable group and eventually being taken under school board control – the results varied greatly based on the challenges of the particular area and the philosophy of the school board. Through an extended discussion of the National School Lunch Act of 1946, Ruis describes a key tension still at work in school lunch debates today; that is, whether school lunch is a program for providing nutrition to children or providing a predictable market for surplus agricultural commodities. Ruis concludes, “History suggests that without development of a system that integrates eating and learning, that values skilled labor and community involvement, and that privileges children’s health over agricultural protection, malnourishment will continue to be ‘our greatest producer of ill health.’”</p><p><a href="https://medhist.wisc.edu/faculty/ruis/index.shtml">A. R. Ruis</a> is a historian of medicine and a learning scientist at the University of Wisconsin, Madison. You can find him on Twitter at @AndrewRuis.</p><p><em>Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, </em><a href="http://www.inventingauthenticity.com/">Inventing Authenticity: How Cookbook Writers Redefine Southern Identity</a> <em>(University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in </em>Food and Foodways, American Studies, Southern Quarterly<em>, and </em>Food, Culture, and Society.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4309</itunes:duration>
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      <title>Lincoln A. Mitchell, "San Francisco Year Zero" (Rutgers UP, 2019)</title>
      <description>1978 was the year that changed San Francisco forever, writes Lincoln A. Mitchell in San Francisco Year Zero: Political Upheaval, Punk Rock and a Third-Place Baseball Team (Rutgers University Press, 2019). After the long hangover from the heady 1960s and summer of love, San Francisco was, by the late ‘70s, a city in transition and a city in crisis. The election of Harvey Milk, the first openly gay American elected official, and the re-election of left-wing mayor George Moscone seemed to indicate a rejection of political centrism and an embrace of leftist municipal politics. That all changed in November when an assassin’s bullet killed both leaders, bringing Diane Feinstein to power and putting the city on a path to economic inequality and broadly liberal social politics. Behind the political chaos, the culture of the Grateful Dead was giving way to the punk rock scene, and a mediocre-yet-lovable Giants team was capturing the hearts of its fans and banishing all fears of a possible relocation to the east coast. 1978 created today’s San Francisco, for good and ill, and Mitchell tells the story of a city he loves in vivid detail and a keen sense of narrative. San Francisco has long been an easy city to stereotype – San Francisco Year Zero urges readers to embrace the complications hidden just out of sight below the city’s foggy surface.
Stephen Hausmann is an Assistant Professor of US History at the University of St. Thomas in Minnesota. He teaches courses on modern US history, environmental history, and Indigenous history and is currently working on his book manuscript, an environmental history of the Black Hills of South Dakota and Wyoming.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 21 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>42</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>1978 was the year that changed San Francisco forever..</itunes:subtitle>
      <itunes:summary>1978 was the year that changed San Francisco forever, writes Lincoln A. Mitchell in San Francisco Year Zero: Political Upheaval, Punk Rock and a Third-Place Baseball Team (Rutgers University Press, 2019). After the long hangover from the heady 1960s and summer of love, San Francisco was, by the late ‘70s, a city in transition and a city in crisis. The election of Harvey Milk, the first openly gay American elected official, and the re-election of left-wing mayor George Moscone seemed to indicate a rejection of political centrism and an embrace of leftist municipal politics. That all changed in November when an assassin’s bullet killed both leaders, bringing Diane Feinstein to power and putting the city on a path to economic inequality and broadly liberal social politics. Behind the political chaos, the culture of the Grateful Dead was giving way to the punk rock scene, and a mediocre-yet-lovable Giants team was capturing the hearts of its fans and banishing all fears of a possible relocation to the east coast. 1978 created today’s San Francisco, for good and ill, and Mitchell tells the story of a city he loves in vivid detail and a keen sense of narrative. San Francisco has long been an easy city to stereotype – San Francisco Year Zero urges readers to embrace the complications hidden just out of sight below the city’s foggy surface.
Stephen Hausmann is an Assistant Professor of US History at the University of St. Thomas in Minnesota. He teaches courses on modern US history, environmental history, and Indigenous history and is currently working on his book manuscript, an environmental history of the Black Hills of South Dakota and Wyoming.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>1978 was the year that changed San Francisco forever, writes <a href="http://lincolnmitchell.com/">Lincoln A. Mitchell</a> in <a href="http://www.amazon.com/dp/1978807341/?tag=newbooinhis-20"><em>San Francisco Year Zero: Political Upheaval, Punk Rock and a Third-Place Baseball Team</em></a> (Rutgers University Press, 2019). After the long hangover from the heady 1960s and summer of love, San Francisco was, by the late ‘70s, a city in transition and a city in crisis. The election of Harvey Milk, the first openly gay American elected official, and the re-election of left-wing mayor George Moscone seemed to indicate a rejection of political centrism and an embrace of leftist municipal politics. That all changed in November when an assassin’s bullet killed both leaders, bringing Diane Feinstein to power and putting the city on a path to economic inequality and broadly liberal social politics. Behind the political chaos, the culture of the Grateful Dead was giving way to the punk rock scene, and a mediocre-yet-lovable Giants team was capturing the hearts of its fans and banishing all fears of a possible relocation to the east coast. 1978 created today’s San Francisco, for good and ill, and Mitchell tells the story of a city he loves in vivid detail and a keen sense of narrative. San Francisco has long been an easy city to stereotype – <em>San Francisco Year Zero</em> urges readers to embrace the complications hidden just out of sight below the city’s foggy surface.</p><p><em>Stephen Hausmann is an Assistant Professor of US History at the University of St. Thomas in Minnesota. He teaches courses on modern US history, environmental history, and Indigenous history and is currently working on his book manuscript, an environmental history of the Black Hills of South Dakota and Wyoming.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3140</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Eyal Mayroz, "Reluctant Interveners: America's Failed Responses to Genocide from Bosnia to Darfur" (Rutgers UP, 2019)</title>
      <description>Why don’t governments do more to prevent genocide? What role does the public have in compelling their governments to take an active stand in the face of genocide? In Reluctant Interveners: America's Failed Responses to Genocide from Bosnia to Darfur (Rutgers University Press, 2019), Eyal Mayroz approaches these questions and more through an interdisciplinary lens that includes history, political science, rhetorical studies, and media studies. In doing so, Mayroz focuses on the United States and the complex relationships between political elites, including those who reside in the executive office; political and media communication, including the flow of information upward and downward; and the citizenry, including public opinion, political engagement, and political action.
In Reluctant Interveners, Mayroz offers a critical, but not pessimistic account of the relationship between the U.S. government and its citizens when it comes to genocide recognition and prevention. Importantly, Mayroz’s research illustrates the ways in which the public and civil society can seek to take control of the narrative from those officials who attempt to manage the public through framing suspected cases of genocide in ways that will elicit support for their preferred policy. In this regard, Mayroz highlights the potential for the American public to play a more influential role in presidential decisions in response to genocide.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 14 Nov 2019 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>105</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Why don’t governments do more to prevent genocide?</itunes:subtitle>
      <itunes:summary>Why don’t governments do more to prevent genocide? What role does the public have in compelling their governments to take an active stand in the face of genocide? In Reluctant Interveners: America's Failed Responses to Genocide from Bosnia to Darfur (Rutgers University Press, 2019), Eyal Mayroz approaches these questions and more through an interdisciplinary lens that includes history, political science, rhetorical studies, and media studies. In doing so, Mayroz focuses on the United States and the complex relationships between political elites, including those who reside in the executive office; political and media communication, including the flow of information upward and downward; and the citizenry, including public opinion, political engagement, and political action.
In Reluctant Interveners, Mayroz offers a critical, but not pessimistic account of the relationship between the U.S. government and its citizens when it comes to genocide recognition and prevention. Importantly, Mayroz’s research illustrates the ways in which the public and civil society can seek to take control of the narrative from those officials who attempt to manage the public through framing suspected cases of genocide in ways that will elicit support for their preferred policy. In this regard, Mayroz highlights the potential for the American public to play a more influential role in presidential decisions in response to genocide.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why don’t governments do more to prevent genocide? What role does the public have in compelling their governments to take an active stand in the face of genocide? In <a href="http://www.amazon.com/dp/1978807031/?tag=newbooinhis-20"><em>Reluctant Interveners: America's Failed Responses to Genocide from Bosnia to Darfur</em></a> (Rutgers University Press, 2019), <a href="https://sydney.edu.au/arts/about/our-people/academic-staff/eyal-mayroz.html">Eyal Mayroz</a> approaches these questions and more through an interdisciplinary lens that includes history, political science, rhetorical studies, and media studies. In doing so, Mayroz focuses on the United States and the complex relationships between political elites, including those who reside in the executive office; political and media communication, including the flow of information upward and downward; and the citizenry, including public opinion, political engagement, and political action.</p><p>In <em>Reluctant Interveners</em>, Mayroz offers a critical, but not pessimistic account of the relationship between the U.S. government and its citizens when it comes to genocide recognition and prevention. Importantly, Mayroz’s research illustrates the ways in which the public and civil society can seek to take control of the narrative from those officials who attempt to manage the public through framing suspected cases of genocide in ways that will elicit support for their preferred policy. In this regard, Mayroz highlights the potential for the American public to play a more influential role in presidential decisions in response to genocide.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3667</itunes:duration>
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      <title>Lara Saguisag, "Incorrigibles and Innocents: Constructing Childhood and Citizenship in Progressive Era Comics" (Rutgers UP, 2018)</title>
      <description>Histories and criticism of comics note that comic strips published in the Progressive Era were dynamic spaces in which anxieties about race, ethnicity, class, and gender were expressed, perpetuated, and alleviated. The proliferation of comic strip children—white and nonwhite, middle-class and lower class, male and female—suggests that childhood was a subject that fascinated and preoccupied Americans at the turn of the century. Many of these strips, including R.F. Outcault’s Hogan’s Alley and Buster Brown, Rudolph Dirks’s The Katzenjammer Kids, and Winsor McCay’s Little Nemo in Slumberland were headlined by child characters. Yet no major study has explored the significance of these verbal-visual representations of childhood.
Nominated for the Eisner Award and winner of the Charles Hatfield Book Prize as well as the Ray &amp; Pat Browne Award, Lara Saguisag's new book, Incorrigibles and Innocents: Constructing Childhood and Citizenship in Progressive Era Comics(Rutgers University Press, 2018), addresses this gap in scholarship, examining the ways childhood was depicted and theorized in late nineteenth- and early twentieth-century comic strips. Drawing from and building on histories and theories of childhood, comics, and Progressive Era conceptualizations of citizenship and nationhood, Saguisag, Associate Professor of English at the College of Staten Island—City University of New York, demonstrates that child characters in comic strips expressed and complicated contemporary notions of who had a right to claim membership in a modernizing, expanding nation.
Ryan Tripp is part-time and full-time adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 16 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>629</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Saguisag addresses a gap in scholarship, examining the ways childhood was depicted and theorized in late nineteenth- and early twentieth-century comic strips...</itunes:subtitle>
      <itunes:summary>Histories and criticism of comics note that comic strips published in the Progressive Era were dynamic spaces in which anxieties about race, ethnicity, class, and gender were expressed, perpetuated, and alleviated. The proliferation of comic strip children—white and nonwhite, middle-class and lower class, male and female—suggests that childhood was a subject that fascinated and preoccupied Americans at the turn of the century. Many of these strips, including R.F. Outcault’s Hogan’s Alley and Buster Brown, Rudolph Dirks’s The Katzenjammer Kids, and Winsor McCay’s Little Nemo in Slumberland were headlined by child characters. Yet no major study has explored the significance of these verbal-visual representations of childhood.
Nominated for the Eisner Award and winner of the Charles Hatfield Book Prize as well as the Ray &amp; Pat Browne Award, Lara Saguisag's new book, Incorrigibles and Innocents: Constructing Childhood and Citizenship in Progressive Era Comics(Rutgers University Press, 2018), addresses this gap in scholarship, examining the ways childhood was depicted and theorized in late nineteenth- and early twentieth-century comic strips. Drawing from and building on histories and theories of childhood, comics, and Progressive Era conceptualizations of citizenship and nationhood, Saguisag, Associate Professor of English at the College of Staten Island—City University of New York, demonstrates that child characters in comic strips expressed and complicated contemporary notions of who had a right to claim membership in a modernizing, expanding nation.
Ryan Tripp is part-time and full-time adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Histories and criticism of comics note that comic strips published in the Progressive Era were dynamic spaces in which anxieties about race, ethnicity, class, and gender were expressed, perpetuated, and alleviated. The proliferation of comic strip children—white and nonwhite, middle-class and lower class, male and female—suggests that childhood was a subject that fascinated and preoccupied Americans at the turn of the century. Many of these strips, including R.F. Outcault’s <em>Hogan’s Alley</em> and <em>Buster Brown</em>, Rudolph Dirks’s <em>The Katzenjammer Kids</em>, and Winsor McCay’s <em>Little Nemo in Slumberland</em> were headlined by child characters. Yet no major study has explored the significance of these verbal-visual representations of childhood.</p><p>Nominated for the Eisner Award and winner of the Charles Hatfield Book Prize as well as the Ray &amp; Pat Browne Award, <a href="https://www.csi.cuny.edu/campus-directory/lara-saguisag">Lara Saguisag</a>'s new book, <a href="http://www.amazon.com/dp/0813591767/?tag=newbooinhis-20"><em>Incorrigibles and Innocents: Constructing Childhood and Citizenship in Progressive Era Comics</em></a>(Rutgers University Press, 2018), addresses this gap in scholarship, examining the ways childhood was depicted and theorized in late nineteenth- and early twentieth-century comic strips. Drawing from and building on histories and theories of childhood, comics, and Progressive Era conceptualizations of citizenship and nationhood, Saguisag, Associate Professor of English at the College of Staten Island—City University of New York, demonstrates that child characters in comic strips expressed and complicated contemporary notions of who had a right to claim membership in a modernizing, expanding nation.</p><p><em>Ryan Tripp is part-time and full-time adjunct history faculty for Los Medanos Community College as well as the College of Online and Continuing Education at Southern New Hampshire University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>6400</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Lenora Warren, "Fire on the Water: Sailors, Slaves, and Insurrection in Early American Literature, 1789-1886" (Rutgers UP, 2019)</title>
      <description>Lenora Warren about her book, Fire on the Water: Sailors, Slaves, and Insurrection in Early American Literature, 1789-1886, published by Rutgers University Press in 2019. Fire on the Water looks at the history of abolition and slave violence by looking at the representation of shipboard mutiny and insurrection in late 18th and early 19th century literature. By examining the intersection of both real and fictional stories, Warren explains how mutiny and insurrection were critical to the development of the abolitionist movement, even as the connection between slave violence and the abolitionist movement was a complex and fraught relationship.
Warren is a lecturer in the English department at Ithaca College. She specializes in Early African American and American literature, and maritime 18th and 19th century British and American literature.
Derek Litvak is a Ph.D. student in the department of history at the University of Maryland.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 08 Aug 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>569</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Fire on the Water looks at the history of abolition and slave violence by looking at the representation of shipboard mutiny and insurrection in late 18th and early 19th century literature...</itunes:subtitle>
      <itunes:summary>Lenora Warren about her book, Fire on the Water: Sailors, Slaves, and Insurrection in Early American Literature, 1789-1886, published by Rutgers University Press in 2019. Fire on the Water looks at the history of abolition and slave violence by looking at the representation of shipboard mutiny and insurrection in late 18th and early 19th century literature. By examining the intersection of both real and fictional stories, Warren explains how mutiny and insurrection were critical to the development of the abolitionist movement, even as the connection between slave violence and the abolitionist movement was a complex and fraught relationship.
Warren is a lecturer in the English department at Ithaca College. She specializes in Early African American and American literature, and maritime 18th and 19th century British and American literature.
Derek Litvak is a Ph.D. student in the department of history at the University of Maryland.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://faculty.ithaca.edu/lwarren/">Lenora Warren</a> about her book, <a href="http://www.amazon.com/dp/1684480183/?tag=newbooinhis-20"><em>Fire on the Water: Sailors, Slaves, and Insurrection in Early American Literature, 1789-1886</em></a>, published by Rutgers University Press in 2019. Fire on the Water looks at the history of abolition and slave violence by looking at the representation of shipboard mutiny and insurrection in late 18th and early 19th century literature. By examining the intersection of both real and fictional stories, Warren explains how mutiny and insurrection were critical to the development of the abolitionist movement, even as the connection between slave violence and the abolitionist movement was a complex and fraught relationship.</p><p>Warren is a lecturer in the English department at Ithaca College. She specializes in Early African American and American literature, and maritime 18th and 19th century British and American literature.</p><p><a href="https://twitter.com/thetattooedgrad"><em>Derek Litvak</em></a><em> is a Ph.D. student in the department of history at the University of Maryland.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2994</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Carlos Garrido Castellano, "Beyond Representation in Contemporary Caribbean Art" (Rutgers UP, 2019)</title>
      <description>A work of art about doing nothing; a work of art that invites people to take it apart; a work of art that consists of two people walking in a town in the Dominican Republic. These are just some examples Carlos Garrido Castellano takes up in Beyond Representation in Contemporary Caribbean Art: Space, Politics, and the Public Sphere (Rutgers University Press, 2019), his provocative and complex exploration of conceptual art in the Caribbean as it has been presented over the last thirty years. He argues for a way of experiencing and writing about art that explodes all of our assumptions, and makes new spectators of us all. This book proposes that we can understand this art as creating agency in and through space. Its success is evident in the urgency it generates: we need to experience these creative interventions in order to better understand the Caribbean.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 17 Jul 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>45</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Castellano argues for a way of experiencing and writing about art that explodes all of our assumptions, and makes new spectators of us all...</itunes:subtitle>
      <itunes:summary>A work of art about doing nothing; a work of art that invites people to take it apart; a work of art that consists of two people walking in a town in the Dominican Republic. These are just some examples Carlos Garrido Castellano takes up in Beyond Representation in Contemporary Caribbean Art: Space, Politics, and the Public Sphere (Rutgers University Press, 2019), his provocative and complex exploration of conceptual art in the Caribbean as it has been presented over the last thirty years. He argues for a way of experiencing and writing about art that explodes all of our assumptions, and makes new spectators of us all. This book proposes that we can understand this art as creating agency in and through space. Its success is evident in the urgency it generates: we need to experience these creative interventions in order to better understand the Caribbean.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A work of art about doing nothing; a work of art that invites people to take it apart; a work of art that consists of two people walking in a town in the Dominican Republic. These are just some examples <a href="http://research.ucc.ie/profiles/A018/carlos.garridocastellano@ucc.ie">Carlos Garrido Castellano</a> takes up in <a href="http://www.amazon.com/dp/0813594804/?tag=newbooinhis-20"><em>Beyond Representation in Contemporary Caribbean Art: Space, Politics, and the Public Sphere</em></a> (Rutgers University Press, 2019), his provocative and complex exploration of conceptual art in the Caribbean as it has been presented over the last thirty years. He argues for a way of experiencing and writing about art that explodes all of our assumptions, and makes new spectators of us all. This book proposes that we can understand this art as creating agency in and through space. Its success is evident in the urgency it generates: we need to experience these creative interventions in order to better understand the Caribbean.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2189</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Melanie A. Medeiros, "Marriage, Divorce, and Distress in Northeast Brazil: Black Women’s Perspectives on Love, Respect, and Kinship" (Rutgers UP, 2018)</title>
      <description>On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric at SUNY Geneseo--interviews Dr. Melanie Medeiros (she/hers)--Asst. Prof. of Cultural Anthropology at SUNY Geneseo--on the cutting-edge research presented in Marriage, Divorce, and Distress in Northeast Brazil: Black Women’s Perspectives on Love, Respect, and Kinship from Rutgers University Press (2018). We are joined as well by a third colleague, linguistic anthropologist Dr. Jennifer Guzman (she/hers), for a fascinating discussion of modernismo, nervos, conviver, and telenovelas in Brogodo, Bahia, Brazil as told by the women with whom Dr. Medeiros has built relationships over the past decade. Using an intersectional approach, Marriage, Divorce, and Distress in Northeast Brazil explores rural, working-class, Black Brazilian women’s perceptions and experiences of courtship, marriage and divorce. In this book, women’s narratives of marriage dissolution demonstrate the ways in which changing gender roles and marriage expectations associated with modernization and globalization influence the intimate lives and the health and well being of women in Northeast Brazil. Dr. Medeiros explores the women’s rich stories of desire, love, respect, suffering, strength, and transformation.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 18 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>45</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Medeiros explores the women’s rich stories of desire, love, respect, suffering, strength, and transformation...</itunes:subtitle>
      <itunes:summary>On this episode, Dr. Lee Pierce (she/they)--Asst. Prof. of Rhetoric at SUNY Geneseo--interviews Dr. Melanie Medeiros (she/hers)--Asst. Prof. of Cultural Anthropology at SUNY Geneseo--on the cutting-edge research presented in Marriage, Divorce, and Distress in Northeast Brazil: Black Women’s Perspectives on Love, Respect, and Kinship from Rutgers University Press (2018). We are joined as well by a third colleague, linguistic anthropologist Dr. Jennifer Guzman (she/hers), for a fascinating discussion of modernismo, nervos, conviver, and telenovelas in Brogodo, Bahia, Brazil as told by the women with whom Dr. Medeiros has built relationships over the past decade. Using an intersectional approach, Marriage, Divorce, and Distress in Northeast Brazil explores rural, working-class, Black Brazilian women’s perceptions and experiences of courtship, marriage and divorce. In this book, women’s narratives of marriage dissolution demonstrate the ways in which changing gender roles and marriage expectations associated with modernization and globalization influence the intimate lives and the health and well being of women in Northeast Brazil. Dr. Medeiros explores the women’s rich stories of desire, love, respect, suffering, strength, and transformation.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode, <a href="http://leempierce.com/">Dr. Lee Pierce</a> (she/they)--Asst. Prof. of Rhetoric at SUNY Geneseo--interviews <a href="https://www.geneseo.edu/anthropology/medeiros">Dr. Melanie Medeiros</a> (she/hers)--Asst. Prof. of Cultural Anthropology at SUNY Geneseo--on the cutting-edge research presented in <a href="http://www.amazon.com/dp/0813588235/?tag=newbooinhis-20"><em>Marriage, Divorce, and Distress in Northeast Brazil: Black Women’s Perspectives on Love, Respect, and Kinship </em></a>from Rutgers University Press (2018). We are joined as well by a third colleague, linguistic anthropologist <a href="https://www.geneseo.edu/anthropology/guzman">Dr. Jennifer Guzman</a> (she/hers), for a fascinating discussion of <em>modernismo, nervos, conviver, </em>and <em>telenovelas </em>in Brogodo, Bahia, Brazil as told by the women with whom Dr. Medeiros has built relationships over the past decade. Using an intersectional approach, <em>Marriage, Divorce, and Distress in Northeast Brazil</em> explores rural, working-class, Black Brazilian women’s perceptions and experiences of courtship, marriage and divorce. In this book, women’s narratives of marriage dissolution demonstrate the ways in which changing gender roles and marriage expectations associated with modernization and globalization influence the intimate lives and the health and well being of women in Northeast Brazil. Dr. Medeiros explores the women’s rich stories of desire, love, respect, suffering, strength, and transformation.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3635</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Jennifer Helgren, "American Girls and Global Responsibility: A New Relation to the World during the Early Cold War" (Rutgers UP, 2017)</title>
      <description>In her book, American Girls and Global Responsibility: A New Relation to the World during the Early Cold War (Rutgers University Press, 2017), Jennifer Helgren traces the creation of a new internationalist girl citizenship in the first two decades following World War II by uncovering the activism of girls organizations including Camp Fire Girls, YWCA Y-Teens, and the Girl Scouts. Helgren shows how anxieties about nuclear warfare led educators, psychologists, and government groups to encourage girls to develop their “natural” skills as nurturers and caretakers and become homemakers to the world. These organizations taught girls to understand their responsibility to their family, nation, and globe as united, and girls between 10 and 17 years old promoted democratic education, global citizenship, and intercultural tolerance. Using girls’ essays in magazines like Seventeen alongside their personal letters, pen pal exchanges, and oral histories, Helgren demonstrates that girls internalized an internationalist ethos that fostered seemingly contradictory ideas--they reinforced traditional gender roles while offering a political model of girlhood and challenged American racism while simultaneously promoting a benign image of America’s new global power. During the Second Red Scare, this internationalist identity came under attack as conservatives claimed that the YWCA and Girl Scouts had been infiltrated by communists, and in response these organizations were forced to limit their defense of multilateral cooperation. By the late 1950s, however, the groups learned how effectively balance their American and international aims by integrating their activism with state-sponsored programs like the People-to-People Program established under President Eisenhower. By analyzing this moment of international experimentation and hope about a new, peaceful world system, Helgren demonstrates the ways that gender and age combined to form a new category of citizenship for America’s girls.
Chelsea Gibson is a Visiting Assistant Professor at Binghamton University. Her research explores the reception of Russian terrorist women in the United States before 1917.  
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 04 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>93</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Jennifer Helgren traces the creation of a new internationalist girl citizenship in the first two decades following World War II by uncovering the activism of girls organizations including Camp Fire Girls, YWCA Y-Teens, and the Girl Scouts...</itunes:subtitle>
      <itunes:summary>In her book, American Girls and Global Responsibility: A New Relation to the World during the Early Cold War (Rutgers University Press, 2017), Jennifer Helgren traces the creation of a new internationalist girl citizenship in the first two decades following World War II by uncovering the activism of girls organizations including Camp Fire Girls, YWCA Y-Teens, and the Girl Scouts. Helgren shows how anxieties about nuclear warfare led educators, psychologists, and government groups to encourage girls to develop their “natural” skills as nurturers and caretakers and become homemakers to the world. These organizations taught girls to understand their responsibility to their family, nation, and globe as united, and girls between 10 and 17 years old promoted democratic education, global citizenship, and intercultural tolerance. Using girls’ essays in magazines like Seventeen alongside their personal letters, pen pal exchanges, and oral histories, Helgren demonstrates that girls internalized an internationalist ethos that fostered seemingly contradictory ideas--they reinforced traditional gender roles while offering a political model of girlhood and challenged American racism while simultaneously promoting a benign image of America’s new global power. During the Second Red Scare, this internationalist identity came under attack as conservatives claimed that the YWCA and Girl Scouts had been infiltrated by communists, and in response these organizations were forced to limit their defense of multilateral cooperation. By the late 1950s, however, the groups learned how effectively balance their American and international aims by integrating their activism with state-sponsored programs like the People-to-People Program established under President Eisenhower. By analyzing this moment of international experimentation and hope about a new, peaceful world system, Helgren demonstrates the ways that gender and age combined to form a new category of citizenship for America’s girls.
Chelsea Gibson is a Visiting Assistant Professor at Binghamton University. Her research explores the reception of Russian terrorist women in the United States before 1917.  
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her book, <a href="http://www.amazon.com/dp/0813575796/?tag=newbooinhis-20"><em>American Girls and Global Responsibility: A New Relation to the World during the Early Cold War </em></a>(Rutgers University Press, 2017), <a href="https://www.pacific.edu/academics/schools-and-colleges/college-of-the-pacific/academics/departments-and-programs/history/faculty-directory/jennifer-helgren.html">Jennifer Helgren</a> traces the creation of a new internationalist girl citizenship in the first two decades following World War II by uncovering the activism of girls organizations including Camp Fire Girls, YWCA Y-Teens, and the Girl Scouts. Helgren shows how anxieties about nuclear warfare led educators, psychologists, and government groups to encourage girls to develop their “natural” skills as nurturers and caretakers and become homemakers to the world. These organizations taught girls to understand their responsibility to their family, nation, and globe as united, and girls between 10 and 17 years old promoted democratic education, global citizenship, and intercultural tolerance. Using girls’ essays in magazines like <em>Seventeen</em> alongside their personal letters, pen pal exchanges, and oral histories, Helgren demonstrates that girls internalized an internationalist ethos that fostered seemingly contradictory ideas--they reinforced traditional gender roles while offering a political model of girlhood and challenged American racism while simultaneously promoting a benign image of America’s new global power. During the Second Red Scare, this internationalist identity came under attack as conservatives claimed that the YWCA and Girl Scouts had been infiltrated by communists, and in response these organizations were forced to limit their defense of multilateral cooperation. By the late 1950s, however, the groups learned how effectively balance their American and international aims by integrating their activism with state-sponsored programs like the People-to-People Program established under President Eisenhower. By analyzing this moment of international experimentation and hope about a new, peaceful world system, Helgren demonstrates the ways that gender and age combined to form a new category of citizenship for America’s girls.</p><p><a href="https://www.linkedin.com/in/chelsea-gibson-b086b0b5/"><em>Chelsea Gibson</em></a><em> is a Visiting Assistant Professor at Binghamton University. Her research explores the reception of Russian terrorist women in the United States before 1917.  </em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <itunes:duration>3762</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Diane Tober, "Romancing the Sperm: Shifting Biopolitics and the Making of Modern Families" (Rutgers UP, 2019)</title>
      <description>The development of a whole suite of new reproductive technologies in recent decades has contributed to broad cultural conversations and controversies over the meaning of family in the United States. In Romancing the Sperm: Shifting Biopolitics and the Making of Modern Families (Rutgers University Press, 2018), Diane Tober analyzes how sperm donation fits into this larger landscape of reproductive choices, politics, and policies. Drawing on a rich body of interviews conducted in the 1990’s with people who worked at sperm banks, people who donated sperm, and people who sought to become pregnant by using donated sperm, she illuminates the many motivations that lead people to become involved in alternative processes of family formation. She also demonstrates that a certain kind of “romance” – that is, the imaginative creation of a romantic ideal – can still permeate people’s ideas and experiences of creating children with donor sperm, despite the medicalization of the process. This book will be useful not only for those who are interested in medical anthropology and the anthropology of reproduction, but also anyone who wants to rethink traditional notions of family formation.
Dannah Dennis is an anthropologist who studies citizenship, nationalism, and social media, primarily in Nepal. You can find her work at her website and her random musings on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 15 May 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>32</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>The development of a whole suite of new reproductive technologies in recent decades has contributed to broad cultural conversations and controversies over the meaning of family in the United States...</itunes:subtitle>
      <itunes:summary>The development of a whole suite of new reproductive technologies in recent decades has contributed to broad cultural conversations and controversies over the meaning of family in the United States. In Romancing the Sperm: Shifting Biopolitics and the Making of Modern Families (Rutgers University Press, 2018), Diane Tober analyzes how sperm donation fits into this larger landscape of reproductive choices, politics, and policies. Drawing on a rich body of interviews conducted in the 1990’s with people who worked at sperm banks, people who donated sperm, and people who sought to become pregnant by using donated sperm, she illuminates the many motivations that lead people to become involved in alternative processes of family formation. She also demonstrates that a certain kind of “romance” – that is, the imaginative creation of a romantic ideal – can still permeate people’s ideas and experiences of creating children with donor sperm, despite the medicalization of the process. This book will be useful not only for those who are interested in medical anthropology and the anthropology of reproduction, but also anyone who wants to rethink traditional notions of family formation.
Dannah Dennis is an anthropologist who studies citizenship, nationalism, and social media, primarily in Nepal. You can find her work at her website and her random musings on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The development of a whole suite of new reproductive technologies in recent decades has contributed to broad cultural conversations and controversies over the meaning of family in the United States. In <a href="http://www.amazon.com/dp/0813590787/?tag=newbooinhis-20"><em>Romancing the Sperm: Shifting Biopolitics and the Making of Modern Families</em></a> (Rutgers University Press, 2018), <a href="http://dianetober.com/">Diane Tober</a> analyzes how sperm donation fits into this larger landscape of reproductive choices, politics, and policies. Drawing on a rich body of interviews conducted in the 1990’s with people who worked at sperm banks, people who donated sperm, and people who sought to become pregnant by using donated sperm, she illuminates the many motivations that lead people to become involved in alternative processes of family formation. She also demonstrates that a certain kind of “romance” – that is, the imaginative creation of a romantic ideal – can still permeate people’s ideas and experiences of creating children with donor sperm, despite the medicalization of the process. This book will be useful not only for those who are interested in medical anthropology and the anthropology of reproduction, but also anyone who wants to rethink traditional notions of family formation.</p><p><em>Dannah Dennis is an anthropologist who studies citizenship, nationalism, and social media, primarily in Nepal. You can find her work at </em><a href="https://dannahdennis.com/"><em>her website</em></a><em> and her random musings on </em><a href="https://twitter.com/DannahDennis"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3199</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Nicholas Baer et al. "Unwatchable" (Rutgers UP, 2019)</title>
      <description>We all have images that we find unwatchable, whether for ethical, political, or sensory and affective reasons. Yet what does it mean to proclaim something “unwatchable”: disturbing, revolting, poor, tedious, or literally inaccessible? With over 50 original essays by leading scholars, artists, critics, and curators, this is the first book to trace the “unwatchable” across our contemporary media environment, in which viewers encounter difficult content on various screens and platforms. Edited by Nicholas Baer of the University of Chicago, Maggie Hennefeld of the University of Minnesota, Twin Cities, Laura Horak, and Gunnar Iversen, both of Carelton University, Unwatchable (Rutgers University Press, 2019) is interesting on both an academic and popular level.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 09 May 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>60</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>We all have images that we find unwatchable...</itunes:subtitle>
      <itunes:summary>We all have images that we find unwatchable, whether for ethical, political, or sensory and affective reasons. Yet what does it mean to proclaim something “unwatchable”: disturbing, revolting, poor, tedious, or literally inaccessible? With over 50 original essays by leading scholars, artists, critics, and curators, this is the first book to trace the “unwatchable” across our contemporary media environment, in which viewers encounter difficult content on various screens and platforms. Edited by Nicholas Baer of the University of Chicago, Maggie Hennefeld of the University of Minnesota, Twin Cities, Laura Horak, and Gunnar Iversen, both of Carelton University, Unwatchable (Rutgers University Press, 2019) is interesting on both an academic and popular level.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We all have images that we find unwatchable, whether for ethical, political, or sensory and affective reasons. Yet what does it mean to proclaim something “unwatchable”: disturbing, revolting, poor, tedious, or literally inaccessible? With over 50 original essays by leading scholars, artists, critics, and curators, this is the first book to trace the “unwatchable” across our contemporary media environment, in which viewers encounter difficult content on various screens and platforms. Edited by <a href="https://societyoffellows.uchicago.edu/directory/nicholas-baer">Nicholas Baer</a> of the University of Chicago, <a href="https://cla.umn.edu/about/directory/profile/mhennefe">Maggie Hennefeld</a> of the University of Minnesota, Twin Cities, <a href="https://carleton.ca/filmstudies/people/laura-horak/">Laura Horak</a>, and <a href="https://carleton.ca/filmstudies/people/gunnar-iversen/">Gunnar Iversen</a>, both of Carelton University, <a href="http://www.amazon.com/dp/081359958X/?tag=newbooinhis-20"><em>Unwatchable</em></a> (Rutgers University Press, 2019) is interesting on both an academic and popular level.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3660</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Melissa Johnson, "Becoming Creole: Nature and Race in Belize" (Rutgers UP, 2018)</title>
      <description>Drawing from Sylvia Wynter’s call for rethinking our category of “human”, Melissa Johnson's ethnography Becoming Creole: Nature and Race in Belize (Rutgers University Press, 2018) demonstrates how entangled people are with the other-than-human that surrounds them. Mud, water, trees, animals and people form assemblages and shape particular identities. These relationships were also intrinsic to social and political contingencies. Johnson notes the historical legacies of slavery and the search for mahogany in the 19th century and the emergence of ecotourism in the 20th century as part of the process of becoming Creole.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 26 Apr 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>43</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Johnson demonstrates how entangled people are with the other-than-human that surrounds them...</itunes:subtitle>
      <itunes:summary>Drawing from Sylvia Wynter’s call for rethinking our category of “human”, Melissa Johnson's ethnography Becoming Creole: Nature and Race in Belize (Rutgers University Press, 2018) demonstrates how entangled people are with the other-than-human that surrounds them. Mud, water, trees, animals and people form assemblages and shape particular identities. These relationships were also intrinsic to social and political contingencies. Johnson notes the historical legacies of slavery and the search for mahogany in the 19th century and the emergence of ecotourism in the 20th century as part of the process of becoming Creole.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Drawing from Sylvia Wynter’s call for rethinking our category of “human”, <a href="https://www.southwestern.edu/live/profiles/25838-melissa-johnson">Melissa Johnson</a>'s ethnography Becoming Creole: Nature and Race in Belize (Rutgers University Press, 2018) demonstrates how entangled people are with the other-than-human that surrounds them. Mud, water, trees, animals and people form assemblages and shape particular identities. These relationships were also intrinsic to social and political contingencies. Johnson notes the historical legacies of slavery and the search for mahogany in the 19th century and the emergence of ecotourism in the 20th century as part of the process of becoming Creole.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2829</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e653783e-f123-11ee-b7cb-87772050586a]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3474959407.mp3" length="0" type="audio/mpeg"/>
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      <title>Mickey and Dick Flacks, "Making History/Making Blintzes: How Two Red Diaper Babies Found Each Other and Discovered America" (Rutgers UP, 2018)</title>
      <description>Mickey and Dick Flacks' new book Making History/Making Blintzes: How Two Red Diaper Babies Found Each Other and Discovered America (Rutgers UP, 2018) is a chronicle of the political and personal lives of progressive activists Richard (Dick) and Miriam (Mickey) Flacks, two of the founders of Students for a Democratic Society (SDS). As active members of the Civil Rights movement and the anti-Vietnam War movement in the 1960s, and leaders in today’s social movements, their stories are a first-hand account of progressive American activism from the 1960s to the present.
Throughout this memoir, the couple demonstrates that their lifelong commitment to making history through social activism cannot be understood without returning to the deeply personal context of their family history—of growing up “Red Diaper babies” in 1950s New York City, using folk music as self-expression as adolescents in the 1960s, and of making blintzes for their own family through the 1970s and 1980s. As the children of immigrants and first generation Jews, Dick and Mickey crafted their own religious identity as secular Jews, created a critical space for American progressive activism through SDS, and ultimately, found themselves raising an “American” family.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 10 Apr 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>102</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>As active members of the Civil Rights movement and the anti-Vietnam War movement in the 1960s, and leaders in today’s social movements, the Flacks' stories are a first-hand account of progressive American activism from the 1960s to the present.</itunes:subtitle>
      <itunes:summary>Mickey and Dick Flacks' new book Making History/Making Blintzes: How Two Red Diaper Babies Found Each Other and Discovered America (Rutgers UP, 2018) is a chronicle of the political and personal lives of progressive activists Richard (Dick) and Miriam (Mickey) Flacks, two of the founders of Students for a Democratic Society (SDS). As active members of the Civil Rights movement and the anti-Vietnam War movement in the 1960s, and leaders in today’s social movements, their stories are a first-hand account of progressive American activism from the 1960s to the present.
Throughout this memoir, the couple demonstrates that their lifelong commitment to making history through social activism cannot be understood without returning to the deeply personal context of their family history—of growing up “Red Diaper babies” in 1950s New York City, using folk music as self-expression as adolescents in the 1960s, and of making blintzes for their own family through the 1970s and 1980s. As the children of immigrants and first generation Jews, Dick and Mickey crafted their own religious identity as secular Jews, created a critical space for American progressive activism through SDS, and ultimately, found themselves raising an “American” family.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Mickey and Dick Flacks' new book <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qow6bZe-TA5EjCxbMZcVbh0AAAFp4_bwlQEAAAFKAe8Y4fI/http://www.amazon.com/dp/0813589223/?creativeASIN=0813589223&amp;linkCode=w61&amp;imprToken=uPUnyWPJE93RBZCpl0xnVg&amp;slotNum=0&amp;tag=newbooinhis-20">Making History/Making Blintzes: How Two Red Diaper Babies Found Each Other and Discovered America</a> (Rutgers UP, 2018) is a chronicle of the political and personal lives of progressive activists Richard (Dick) and Miriam (Mickey) Flacks, two of the founders of Students for a Democratic Society (SDS). As active members of the Civil Rights movement and the anti-Vietnam War movement in the 1960s, and leaders in today’s social movements, their stories are a first-hand account of progressive American activism from the 1960s to the present.</p><p>Throughout this memoir, the couple demonstrates that their lifelong commitment to making history through social activism cannot be understood without returning to the deeply personal context of their family history—of growing up “Red Diaper babies” in 1950s New York City, using folk music as self-expression as adolescents in the 1960s, and of making blintzes for their own family through the 1970s and 1980s. As the children of immigrants and first generation Jews, Dick and Mickey crafted their own religious identity as secular Jews, created a critical space for American progressive activism through SDS, and ultimately, found themselves raising an “American” family.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4699</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Jessica Hardin, "Faith and the Pursuit of Health: Cardiometabolic Disorders in Samoa" (Rutgers UP, 2018)</title>
      <description>Jessica Hardin's new book Faith and the Pursuit of Health: Cardiometabolic Disorders in Samoa (Rutgers University Press, 2018) explores how Pentecostal Christians manage chronic illness in ways that sheds light on health disparities and social suffering in Samoa, a place where rates of obesity and related cardiometabolic disorders have reached population-wide levels. Pentecostals grapple with how to maintain the health of their congregants in an environment that fosters cardiometabolic disorders. They find ways to manage these forms of sickness and inequality through their churches and the friendships developed within these institutions. Examining how Pentecostal Christianity provides many Samoans with tools to manage day-to-day issues around health and sickness, Jessica Hardin argues for understanding the synergies between how Christianity and biomedicine practice chronicity.
Dana Greenfield, MD PhD is a resident physician in Pediatrics at the University of California, San Francisco. She completed her PhD in Medical Anthropology from UCSF/UC Berkeley in 2015 and MD at UCSF in 2018. Reach her at dana.greenfield@ucsf.edu or on Twitter @DanaGfield.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 14 Mar 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>61</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Hardin explores how Pentecostal Christians manage chronic illness...</itunes:subtitle>
      <itunes:summary>Jessica Hardin's new book Faith and the Pursuit of Health: Cardiometabolic Disorders in Samoa (Rutgers University Press, 2018) explores how Pentecostal Christians manage chronic illness in ways that sheds light on health disparities and social suffering in Samoa, a place where rates of obesity and related cardiometabolic disorders have reached population-wide levels. Pentecostals grapple with how to maintain the health of their congregants in an environment that fosters cardiometabolic disorders. They find ways to manage these forms of sickness and inequality through their churches and the friendships developed within these institutions. Examining how Pentecostal Christianity provides many Samoans with tools to manage day-to-day issues around health and sickness, Jessica Hardin argues for understanding the synergies between how Christianity and biomedicine practice chronicity.
Dana Greenfield, MD PhD is a resident physician in Pediatrics at the University of California, San Francisco. She completed her PhD in Medical Anthropology from UCSF/UC Berkeley in 2015 and MD at UCSF in 2018. Reach her at dana.greenfield@ucsf.edu or on Twitter @DanaGfield.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.pacificu.edu/about/directory/people/jessica-hardin-phd">Jessica Hardin</a>'s new book <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qi0ZHyCY-xLHz7Yzt9kGxOYAAAFpSY8dUwEAAAFKAZ8HMYE/https://www.amazon.com/dp/0813592925/?creativeASIN=0813592925&amp;linkCode=w61&amp;imprToken=5trwZSnQZJfZ0I8LPbme3w&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Faith and the Pursuit of Health: Cardiometabolic Disorders in Samoa</em></a> (Rutgers University Press, 2018)<em> </em>explores how Pentecostal Christians manage chronic illness in ways that sheds light on health disparities and social suffering in Samoa, a place where rates of obesity and related cardiometabolic disorders have reached population-wide levels. Pentecostals grapple with how to maintain the health of their congregants in an environment that fosters cardiometabolic disorders. They find ways to manage these forms of sickness and inequality through their churches and the friendships developed within these institutions. Examining how Pentecostal Christianity provides many Samoans with tools to manage day-to-day issues around health and sickness, Jessica Hardin argues for understanding the synergies between how Christianity and biomedicine practice chronicity.</p><p><em>Dana Greenfield, MD PhD is a resident physician in Pediatrics at the University of California, San Francisco. She completed her PhD in Medical Anthropology from UCSF/UC Berkeley in 2015 and MD at UCSF in 2018. Reach her at </em><a href="mailto:dana.greenfield@ucsf.edu">dana.greenfield@ucsf.edu</a><em> </em>or on <em>Twitter </em><a href="https://twitter.com/DanaGField">@DanaGfield</a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4878</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>John Torpey, "The Three Axial Ages: Moral, Material, Mental" (Rutgers UP, 2017)</title>
      <description>Since its initial postulation by Karl Jaspers, the concept of an “axial age” in the development of human thought and religion has exerted enormous influence in the fields of history and sociology. In The Three Axial Ages: Moral, Material, Mental (Rutgers University Press, 2017), John Torpey develops the concept further by identifying two additional axial points in human history following upon the first, “moral” age. Torpey identifies the second of these ages the “material” age, which lasted from approximately 1750 until 1970. Characterized by unprecedented advances in economic development, it fueled enormous population growth and fostered a hedonistic attitude towards the very idea of consuming material goods. This was subsequently superseded by the final axial age, one in which the focus shifted towards thinking about thinking, and a greater emphasis upon sustainability rather than just consumption. As Torpey concludes, whether this age will address successfully the problems of our time remains to be seen, though success will be defined by drawing upon the achievements of the axial ages that preceded our current one.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 30 Jan 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Since its initial postulation by Karl Jaspers, the concept of an “axial age” in the development of human thought and religion has exerted enormous influence in the fields of history and sociology. In The Three Axial Ages: Moral, Material, Mental (Rutgers University Press, 2017), John Torpey develops the concept further by identifying two additional axial points in human history following upon the first, “moral” age. Torpey identifies the second of these ages the “material” age, which lasted from approximately 1750 until 1970. Characterized by unprecedented advances in economic development, it fueled enormous population growth and fostered a hedonistic attitude towards the very idea of consuming material goods. This was subsequently superseded by the final axial age, one in which the focus shifted towards thinking about thinking, and a greater emphasis upon sustainability rather than just consumption. As Torpey concludes, whether this age will address successfully the problems of our time remains to be seen, though success will be defined by drawing upon the achievements of the axial ages that preceded our current one.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since its initial postulation by Karl Jaspers, the concept of an “axial age” in the development of human thought and religion has exerted enormous influence in the fields of history and sociology. In <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qj2OS86Ws6K2hnCVbwaEnr8AAAFoi9NyMQEAAAFKAWRn0bY/https://www.amazon.com/dp/0813590507/?creativeASIN=0813590507&amp;linkCode=w61&amp;imprToken=kwIiSxHXpcC--WzrxmVVMQ&amp;slotNum=0&amp;tag=newbooinhis-20"><em>The Three Axial Ages: Moral, Material, Mental</em></a> (Rutgers University Press, 2017), <a href="https://www.gc.cuny.edu/Page-Elements/Academics-Research-Centers-Initiatives/Doctoral-Programs/Sociology/Faculty-Bios/John-Torpey">John Torpey</a> develops the concept further by identifying two additional axial points in human history following upon the first, “moral” age. Torpey identifies the second of these ages the “material” age, which lasted from approximately 1750 until 1970. Characterized by unprecedented advances in economic development, it fueled enormous population growth and fostered a hedonistic attitude towards the very idea of consuming material goods. This was subsequently superseded by the final axial age, one in which the focus shifted towards thinking about thinking, and a greater emphasis upon sustainability rather than just consumption. As Torpey concludes, whether this age will address successfully the problems of our time remains to be seen, though success will be defined by drawing upon the achievements of the axial ages that preceded our current one.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1912</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Margot Finn, "Discriminating Taste: How Class Anxiety Created the American Food Revolution" (Rutgers UP, 2017)</title>
      <description>You eat what you are and are what you eat, right? There is an increasing number of Americans who pay great attention to the food they eat, buy organic vegetables, drink fine wines, and seek out exotic cuisine. The affordability of food across the class spectrum have become more accessible. The masses, however, still lack other forms of capital (social, cultural, and culinary) necessary to fully understand and enjoy the delights of its consumption. Further, people also seek to differentiate themselves from being labeled as an unrefined eater (e.g., the common person who lives on junk food), the food snob, a gourmet, and possibly even a foodie.
In her new book Discriminating Taste: How Class Anxiety Created the American Food Revolution (Rutgers University Press, 2017), Dr. Margot Finn argues that the rise of gourmet, ethnic, diet, and organic foods must be understood in tandem with the economy. She offers an illuminating historical perspective on current trends in the production and consumption of food. Finn also presents a parallel with the Guilded Age as a time of class division and when gourmet dinners, international cuisines, slimming diets, and pure foods became fads.
Throughout her research, Finn identifies the key ways that “good food” has become conflated with high-brow culture. She considers how class serves as a false form for social stratification in culinary consumption. Finn particularly focuses on how taste hierarchies provide a false consciousness for middle-class professionals who tend to fetishize cultural commodities. The author provides a provocative exploration into the ideology of contemporary food culture. This piece teaches us to challenge the maxim that humans are what they eat.
Michael O. Johnston is an Assistant Professor of Sociology at William Penn University. He is currently conducting research on the placemaking associated with the development of farmers’ market.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 21 Dec 2018 11:00:00 -0000</pubDate>
      <itunes:title>You eat what you are and are what you eat, right?</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>94</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>You eat what you are and are what you eat, right? There is an increasing number of Americans who pay great attention to the food they eat, buy organic vegetables, drink fine wines, and seek out exotic cuisine. The affordability of food across the class spectrum have become more accessible. The masses, however, still lack other forms of capital (social, cultural, and culinary) necessary to fully understand and enjoy the delights of its consumption. Further, people also seek to differentiate themselves from being labeled as an unrefined eater (e.g., the common person who lives on junk food), the food snob, a gourmet, and possibly even a foodie.
In her new book Discriminating Taste: How Class Anxiety Created the American Food Revolution (Rutgers University Press, 2017), Dr. Margot Finn argues that the rise of gourmet, ethnic, diet, and organic foods must be understood in tandem with the economy. She offers an illuminating historical perspective on current trends in the production and consumption of food. Finn also presents a parallel with the Guilded Age as a time of class division and when gourmet dinners, international cuisines, slimming diets, and pure foods became fads.
Throughout her research, Finn identifies the key ways that “good food” has become conflated with high-brow culture. She considers how class serves as a false form for social stratification in culinary consumption. Finn particularly focuses on how taste hierarchies provide a false consciousness for middle-class professionals who tend to fetishize cultural commodities. The author provides a provocative exploration into the ideology of contemporary food culture. This piece teaches us to challenge the maxim that humans are what they eat.
Michael O. Johnston is an Assistant Professor of Sociology at William Penn University. He is currently conducting research on the placemaking associated with the development of farmers’ market.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>You eat what you are and are what you eat, right? There is an increasing number of Americans who pay great attention to the food they eat, buy organic vegetables, drink fine wines, and seek out exotic cuisine. The affordability of food across the class spectrum have become more accessible. The masses, however, still lack other forms of capital (social, cultural, and culinary) necessary to fully understand and enjoy the delights of its consumption. Further, people also seek to differentiate themselves from being labeled as an unrefined eater (e.g., the common person who lives on junk food), the food snob, a gourmet, and possibly even a foodie.</p><p>In her new book <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qj2cTQHVIXHcWiYMUKADzBwAAAFnbrma-gEAAAFKAeUMNG8/https://www.amazon.com/dp/0813576857/ref=as_at?creativeASIN=0813576857&amp;linkCode=w61&amp;imprToken=sg1hGahUdjmD.XerBMAjwg&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Discriminating Taste: How Class Anxiety Created the American Food Revolution</em></a> (Rutgers University Press, 2017), <a href="https://www.linkedin.com/in/smargot/">Dr. Margot Finn</a> argues that the rise of gourmet, ethnic, diet, and organic foods must be understood in tandem with the economy. She offers an illuminating historical perspective on current trends in the production and consumption of food. Finn also presents a parallel with the Guilded Age as a time of class division and when gourmet dinners, international cuisines, slimming diets, and pure foods became fads.</p><p>Throughout her research, Finn identifies the key ways that “good food” has become conflated with high-brow culture. She considers how class serves as a false form for social stratification in culinary consumption. Finn particularly focuses on how taste hierarchies provide a false consciousness for middle-class professionals who tend to fetishize cultural commodities. The author provides a provocative exploration into the ideology of contemporary food culture. This piece teaches us to challenge the maxim that humans are what they eat.</p><p><em>Michael O. Johnston is an Assistant Professor of Sociology at William Penn University. He is currently conducting research on the placemaking associated with the development of farmers’ market.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <itunes:duration>3031</itunes:duration>
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      <title>Tison Pugh, "The Queer Fantasies of the American Family Sitcom" (Rutgers UP, 2018)</title>
      <description>Perhaps no form of popular art has appeared as poised to resist subversive sexual themes as the television situation comedy. But Tison Pugh writes that the sitcom’s historic dogmatic insistence on an earnest innocence was doomed to fail, and that the weight of this strain reveals itself under close scrutiny. In The Queer Fantasies of the American Family Sitcom (Rutgers University Press, 2018), Pugh looks at six beloved sitcoms throughout television history in a way you have probably never viewed them before.
“Sexuality and queerness can never be banished from family sitcoms but instead percolate throughout various story lines that attempt to quell their disruptive force," Pugh writes. “In brief, queerness as a critical concept fractures cultural constructions of gendered and erotic normativity, dismantling rigid binary codes of licit and illicit desires and identities. Queer refers to contested sexual and gender identities but extends further to include identities that challenge regimes of normativity. More so, queerness exposes how deeply heteronormative narrative frameworks, such as that of the family sitcom, are structurally incapable of suturing over their aporias and contradictions, such that their surface normativity cannot withstand the steady erosion of their symptomatic queerness.”
Pugh is a professor of English at the University of Central Florida, and the author or co-author of several books on sexuality and literature, including Precious Perversions: Humor, Homosexuality, and the Southern Literary Canon (Louisiana State University Press, 2016).
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      <pubDate>Tue, 18 Dec 2018 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>32</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Perhaps no form of popular art has appeared as poised to resist subversive sexual themes as the television situation comedy...</itunes:subtitle>
      <itunes:summary>Perhaps no form of popular art has appeared as poised to resist subversive sexual themes as the television situation comedy. But Tison Pugh writes that the sitcom’s historic dogmatic insistence on an earnest innocence was doomed to fail, and that the weight of this strain reveals itself under close scrutiny. In The Queer Fantasies of the American Family Sitcom (Rutgers University Press, 2018), Pugh looks at six beloved sitcoms throughout television history in a way you have probably never viewed them before.
“Sexuality and queerness can never be banished from family sitcoms but instead percolate throughout various story lines that attempt to quell their disruptive force," Pugh writes. “In brief, queerness as a critical concept fractures cultural constructions of gendered and erotic normativity, dismantling rigid binary codes of licit and illicit desires and identities. Queer refers to contested sexual and gender identities but extends further to include identities that challenge regimes of normativity. More so, queerness exposes how deeply heteronormative narrative frameworks, such as that of the family sitcom, are structurally incapable of suturing over their aporias and contradictions, such that their surface normativity cannot withstand the steady erosion of their symptomatic queerness.”
Pugh is a professor of English at the University of Central Florida, and the author or co-author of several books on sexuality and literature, including Precious Perversions: Humor, Homosexuality, and the Southern Literary Canon (Louisiana State University Press, 2016).
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Perhaps no form of popular art has appeared as poised to resist subversive sexual themes as the television situation comedy. But <a href="http://english.cah.ucf.edu/staff.php?id=187">Tison Pugh</a> writes that the sitcom’s historic dogmatic insistence on an earnest innocence was doomed to fail, and that the weight of this strain reveals itself under close scrutiny. In <a href="https://aax-us-east.amazon-adsystem.com/x/c/QniZM_W6fXoaAGRWi6bdPLEAAAFnmibwCwEAAAFKAaB7bRQ/https://www.amazon.com/dp/0813591716/?creativeASIN=0813591716&amp;linkCode=w61&amp;imprToken=yNwNUAxcW0-YqGg2He4xWA&amp;slotNum=0&amp;tag=newbooinhis-20"><em>The Queer Fantasies of the American Family Sitcom</em></a> (Rutgers University Press, 2018), Pugh looks at six beloved sitcoms throughout television history in a way you have probably never viewed them before.</p><p>“Sexuality and queerness can never be banished from family sitcoms but instead percolate throughout various story lines that attempt to quell their disruptive force," Pugh writes. “In brief, queerness as a critical concept fractures cultural constructions of gendered and erotic normativity, dismantling rigid binary codes of licit and illicit desires and identities. Queer refers to contested sexual and gender identities but extends further to include identities that challenge regimes of normativity. More so, queerness exposes how deeply heteronormative narrative frameworks, such as that of the family sitcom, are structurally incapable of suturing over their aporias and contradictions, such that their surface normativity cannot withstand the steady erosion of their symptomatic queerness.”</p><p>Pugh is a professor of English at the University of Central Florida, and the author or co-author of several books on sexuality and literature, including <em>Precious Perversions: Humor, Homosexuality, and the Southern Literary Canon</em> (Louisiana State University Press, 2016).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>R. C. Romano and C. B. Potter, “Historians on Hamilton: How a Blockbuster Musical is Restaging America’s Past” (Rutgers UP,</title>
      <description>Historians on Hamilton: How a Blockbuster Musical is Restaging America’s Past (Rutgers University Press, 2018), edited by Renee C. Romano and Claire Bond Potter, is a collection of essays about Lin Manuel Miranda’s hit musical, Hamilton. The show has taken Broadway and much of the United States by storm and is currently running on the West End in London as well. The popular interest in Alexander Hamilton prompted by the show’s success has generated new museum exhibits, numerous hot takes in the media, and even a successful effort to preserve Hamilton’s likeness on the ten dollar bill. The essays in this collection take on some of the questions and issues raised by the musical and its popularity. Some of the authors comment on the ways that Miranda’s interpretation of American history diverges from many historians’ understandings, while others take him to task for his portrayals of women and slavery. Miranda’s decision to cast non-white actors in most of the roles also comes under scrutiny in several essays. Aimed at a wide audience, including teachers, scholars, and fans the essays provide a diverse, sometimes contradictory, set of views on Hamilton, as well as suggestions for teaching the musical. It is not often that we see a new collective memory of the past form in real time, but that is what is happening because of the success Hamilton. This collection is one of the first attempts at analyzing the musical as a piece of art, an interpretation of America’s founders, and a phenomenal commercial success in the online age.
Renee C. Romano is the Robert S. Danforth Professor of History at Oberlin College in Ohio. She is the author or coeditor of many books and articles on racial politics of the post-WWII United States, African American history, civil rights, and historical memory. Her most recent book is Racial Reckoning: Prosecuting America’s Civil Rights Murders from Harvard University Press.
Claire Bond Potter is a professor history at the New School in New York and the executive editor of Public Seminar. In addition to her monograph, War on Crime: Bandits, G-Men and the Politics of Mass Culture, and scholarly articles, she is a prolific public historian whose writing has been published by many news outlets including The Guardian, the Washington Post. She is also the Director of the Digital Humanities Initiatives at the New School.

Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 07 Nov 2018 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Historians on Hamilton: How a Blockbuster Musical is Restaging America’s Past (Rutgers University Press, 2018), edited by Renee C. Romano and Claire Bond Potter, is a collection of essays about Lin Manuel Miranda’s hit musical, Hamilton.</itunes:subtitle>
      <itunes:summary>Historians on Hamilton: How a Blockbuster Musical is Restaging America’s Past (Rutgers University Press, 2018), edited by Renee C. Romano and Claire Bond Potter, is a collection of essays about Lin Manuel Miranda’s hit musical, Hamilton. The show has taken Broadway and much of the United States by storm and is currently running on the West End in London as well. The popular interest in Alexander Hamilton prompted by the show’s success has generated new museum exhibits, numerous hot takes in the media, and even a successful effort to preserve Hamilton’s likeness on the ten dollar bill. The essays in this collection take on some of the questions and issues raised by the musical and its popularity. Some of the authors comment on the ways that Miranda’s interpretation of American history diverges from many historians’ understandings, while others take him to task for his portrayals of women and slavery. Miranda’s decision to cast non-white actors in most of the roles also comes under scrutiny in several essays. Aimed at a wide audience, including teachers, scholars, and fans the essays provide a diverse, sometimes contradictory, set of views on Hamilton, as well as suggestions for teaching the musical. It is not often that we see a new collective memory of the past form in real time, but that is what is happening because of the success Hamilton. This collection is one of the first attempts at analyzing the musical as a piece of art, an interpretation of America’s founders, and a phenomenal commercial success in the online age.
Renee C. Romano is the Robert S. Danforth Professor of History at Oberlin College in Ohio. She is the author or coeditor of many books and articles on racial politics of the post-WWII United States, African American history, civil rights, and historical memory. Her most recent book is Racial Reckoning: Prosecuting America’s Civil Rights Murders from Harvard University Press.
Claire Bond Potter is a professor history at the New School in New York and the executive editor of Public Seminar. In addition to her monograph, War on Crime: Bandits, G-Men and the Politics of Mass Culture, and scholarly articles, she is a prolific public historian whose writing has been published by many news outlets including The Guardian, the Washington Post. She is also the Director of the Digital Humanities Initiatives at the New School.

Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://aax-us-east.amazon-adsystem.com/x/c/Qgj7uQo8XsjFvHgkBuCQSm4AAAFm5MyN2wEAAAFKAZ71gKg/https://www.amazon.com/dp/0813590302/ref=as_at?creativeASIN=0813590302&amp;linkCode=w61&amp;imprToken=IVtnSol0wbrYdnzcOgysXQ&amp;slotNum=0&amp;tag=newbooinhis-20">Historians on Hamilton: How a Blockbuster Musical is Restaging America’s Past</a> (Rutgers University Press, 2018), edited by Renee C. Romano and Claire Bond Potter, is a collection of essays about Lin Manuel Miranda’s hit musical, Hamilton. The show has taken Broadway and much of the United States by storm and is currently running on the West End in London as well. The popular interest in Alexander Hamilton prompted by the show’s success has generated new museum exhibits, numerous hot takes in the media, and even a successful effort to preserve Hamilton’s likeness on the ten dollar bill. The essays in this collection take on some of the questions and issues raised by the musical and its popularity. Some of the authors comment on the ways that Miranda’s interpretation of American history diverges from many historians’ understandings, while others take him to task for his portrayals of women and slavery. Miranda’s decision to cast non-white actors in most of the roles also comes under scrutiny in several essays. Aimed at a wide audience, including teachers, scholars, and fans the essays provide a diverse, sometimes contradictory, set of views on Hamilton, as well as suggestions for teaching the musical. It is not often that we see a new collective memory of the past form in real time, but that is what is happening because of the success Hamilton. This collection is one of the first attempts at analyzing the musical as a piece of art, an interpretation of America’s founders, and a phenomenal commercial success in the online age.</p><p><a href="https://www.oberlin.edu/renee-romano">Renee C. Romano</a> is the Robert S. Danforth Professor of History at Oberlin College in Ohio. She is the author or coeditor of many books and articles on racial politics of the post-WWII United States, African American history, civil rights, and historical memory. Her most recent book is Racial Reckoning: Prosecuting America’s Civil Rights Murders from Harvard University Press.</p><p><a href="https://www.newschool.edu/public-engagement/faculty-list/?id=4d7a-6732-4d7a-6734">Claire Bond Potter</a> is a professor history at the New School in New York and the executive editor of Public Seminar. In addition to her monograph, War on Crime: Bandits, G-Men and the Politics of Mass Culture<a href="https://www.rutgersuniversitypress.org/war-on-crime/9780813524870">,</a> and scholarly articles, she is a prolific public historian whose writing has been published by many news outlets including The Guardian, the Washington Post. She is also the Director of the Digital Humanities Initiatives at the New School.</p><p><br></p><p><a href="https://music.arts.ncsu.edu/facultystaff/dr-kristen-turner/">Kristen M. Turner</a>, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <itunes:duration>3995</itunes:duration>
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      <title>Adrienne Rose Bitar, “Diet and the Disease of Civilization” (Rutgers UP, 2018)</title>
      <description>Diet books are a multi-billion dollar industry and in Diet and the Disease of Civilization (Rutgers University Press, 2018), Adrienne Rose Bitar explores the narratives of those books. Bitar looks at the ways in which diet books not only present American’s with dieting advice, but also create cultural narratives about how we should live. Through the exploration of hundreds of diet books over the past century (and sometimes more), Bitar examines four popular diets, viewing them as narratives for American culture. She looks at the Paleo Diet, the Garden of Eden Diet, The Pacific Island Diet and the Detox Diet as larger myths about American culture and social movements. Bitar’s work explores how diet books call for a healthier society by urging readers to create what they believe to be a more perfect world. She argues that diet books criticize excess, addiction, alienation, and the disruption and disappearance of traditional lifeways showing readers how to return to conditions that create optimal health and a more “natural” way of eating and existing in our world.

Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
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      <pubDate>Tue, 17 Jul 2018 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Diet books are a multi-billion dollar industry and in Diet and the Disease of Civilization (Rutgers University Press, 2018), Adrienne Rose Bitar explores the narratives of those books. Bitar looks at the ways in which diet books not only present Americ...</itunes:subtitle>
      <itunes:summary>Diet books are a multi-billion dollar industry and in Diet and the Disease of Civilization (Rutgers University Press, 2018), Adrienne Rose Bitar explores the narratives of those books. Bitar looks at the ways in which diet books not only present American’s with dieting advice, but also create cultural narratives about how we should live. Through the exploration of hundreds of diet books over the past century (and sometimes more), Bitar examines four popular diets, viewing them as narratives for American culture. She looks at the Paleo Diet, the Garden of Eden Diet, The Pacific Island Diet and the Detox Diet as larger myths about American culture and social movements. Bitar’s work explores how diet books call for a healthier society by urging readers to create what they believe to be a more perfect world. She argues that diet books criticize excess, addiction, alienation, and the disruption and disappearance of traditional lifeways showing readers how to return to conditions that create optimal health and a more “natural” way of eating and existing in our world.

Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Diet books are a multi-billion dollar industry and in <a href="http://aax-us-east.amazon-adsystem.com/x/c/QmZfesqyLpMYuQ2VHHtTng0AAAFkkEAs4wEAAAFKAaQIrBU/http://www.amazon.com/dp/0813589649/ref=as_at?creativeASIN=0813589649&amp;linkCode=w61&amp;imprToken=mTvGGEBU48irHcxyaLk2JQ&amp;slotNum=0&amp;tag=newbooinhis-20">Diet and the Disease of Civilization</a> (Rutgers University Press, 2018), <a href="http://history.cornell.edu/adrienne-rose-johnson-bitar">Adrienne Rose Bitar</a> explores the narratives of those books. Bitar looks at the ways in which diet books not only present American’s with dieting advice, but also create cultural narratives about how we should live. Through the exploration of hundreds of diet books over the past century (and sometimes more), Bitar examines four popular diets, viewing them as narratives for American culture. She looks at the Paleo Diet, the Garden of Eden Diet, The Pacific Island Diet and the Detox Diet as larger myths about American culture and social movements. Bitar’s work explores how diet books call for a healthier society by urging readers to create what they believe to be a more perfect world. She argues that diet books criticize excess, addiction, alienation, and the disruption and disappearance of traditional lifeways showing readers how to return to conditions that create optimal health and a more “natural” way of eating and existing in our world.</p><p><br></p><p>Rebekah Buchanan is an Associate Professor of English at Western Illinois University. Her work examines the role of narrative in peoples lives. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. You can find more about her on her <a href="http://rebekahjbuchanan.com/">website</a>, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at <a href="mailto:rj-buchanan@wiu.edu">rj-buchanan@wiu.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3235</itunes:duration>
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      <title>Jerry Gonzalez, “In Search of the Mexican Beverly Hills: Latino Suburbanization in Postwar Los Angeles” (Rutgers UP, 2018)</title>
      <description>In Search of the Mexican Beverly Hills: Latino Suburbanization in Postwar Los Angeles (Rutgers University Press, 2018) by Professor Jerry Gonzalez challenges conventional interpretations of postwar U.S. history by focusing on the hidden story of the central role Mexican Americans played in the suburbanization of Los Angeles. Examining the expansion of Metropolitan Los Angeles along its eastern fringe after World War II, Gonzalez explains how Mexican colonias served as “stepping stones toward suburbanization” as real estate developers looked to these working-class ethnic neighborhoods as promising locations for their burgeoning master-planned communities in the 1950s and 1960s. Whereas Mexican colonias had previously been ignored by local officials—functioning as de facto segregated communities—theses spaces were desirable due to their affordability and proximate location to Los Angeles’ industrial corridor.
Capitalizing on the postwar economic boom that transformed LA into a center for aerospace and automobile manufacturing, socially mobile Mexican Americans also found opportunity in the suburbs of the Greater Eastside. However, as Gonzalez reveals, the Mexican American path to the American Dream of middle-class homeownership was fraught by a mixture of inclusion and exclusion that challenges the standard “white flight” narrative of postwar suburban history. Indeed, while some were either displaced by or excluded from suburban homeownership, others pushed backed by engaging in individual acts of resistance and local politics to claim their rightful place LA’s suburbs. In the process, Gonzalez argues, Mexican Americans forged nuanced ethnic and class identities that both transformed themselves and the new suburban communities they inhabited.

David-James Gonzales (DJ) is incoming Assistant Professor of History at Brigham Young University (Fall 2018). He is a historian of the U.S.-Mexico Borderlands, the development of multi-ethnic/racial cities, and the evolution of Latina/o identity and politics. His research centers on the relationship between Latina/o politics and the metropolitan development of Orange County, CA throughout the 20th century. You may follow him on Twitter @djgonzoPhD.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 03 Jul 2018 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/822f0b5a-f12a-11ee-be82-b3c2473aae68/image/57c483109130d98b35ff35c52e7af2c4.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>In Search of the Mexican Beverly Hills: Latino Suburbanization in Postwar Los Angeles (Rutgers University Press, 2018) by Professor Jerry Gonzalez challenges conventional interpretations of postwar U.S. history by focusing on the hidden story of the ce...</itunes:subtitle>
      <itunes:summary>In Search of the Mexican Beverly Hills: Latino Suburbanization in Postwar Los Angeles (Rutgers University Press, 2018) by Professor Jerry Gonzalez challenges conventional interpretations of postwar U.S. history by focusing on the hidden story of the central role Mexican Americans played in the suburbanization of Los Angeles. Examining the expansion of Metropolitan Los Angeles along its eastern fringe after World War II, Gonzalez explains how Mexican colonias served as “stepping stones toward suburbanization” as real estate developers looked to these working-class ethnic neighborhoods as promising locations for their burgeoning master-planned communities in the 1950s and 1960s. Whereas Mexican colonias had previously been ignored by local officials—functioning as de facto segregated communities—theses spaces were desirable due to their affordability and proximate location to Los Angeles’ industrial corridor.
Capitalizing on the postwar economic boom that transformed LA into a center for aerospace and automobile manufacturing, socially mobile Mexican Americans also found opportunity in the suburbs of the Greater Eastside. However, as Gonzalez reveals, the Mexican American path to the American Dream of middle-class homeownership was fraught by a mixture of inclusion and exclusion that challenges the standard “white flight” narrative of postwar suburban history. Indeed, while some were either displaced by or excluded from suburban homeownership, others pushed backed by engaging in individual acts of resistance and local politics to claim their rightful place LA’s suburbs. In the process, Gonzalez argues, Mexican Americans forged nuanced ethnic and class identities that both transformed themselves and the new suburban communities they inhabited.

David-James Gonzales (DJ) is incoming Assistant Professor of History at Brigham Young University (Fall 2018). He is a historian of the U.S.-Mexico Borderlands, the development of multi-ethnic/racial cities, and the evolution of Latina/o identity and politics. His research centers on the relationship between Latina/o politics and the metropolitan development of Orange County, CA throughout the 20th century. You may follow him on Twitter @djgonzoPhD.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://aax-us-east.amazon-adsystem.com/x/c/Qo82d7awgEMyItFp5MbsqX8AAAFkYIfmIgEAAAFKAf8edC0/http://www.amazon.com/dp/0813583152/ref=as_at?creativeASIN=0813583152&amp;linkCode=w61&amp;imprToken=aKCj7QjPxcDgD5HaAH2CWw&amp;slotNum=0&amp;tag=newbooinhis-20">In Search of the Mexican Beverly Hills: Latino Suburbanization in Postwar Los Angeles</a> (Rutgers University Press, 2018) by Professor <a href="http://colfa.utsa.edu/history/faculty/gonzalez1">Jerry Gonzalez</a> challenges conventional interpretations of postwar U.S. history by focusing on the hidden story of the central role Mexican Americans played in the suburbanization of Los Angeles. Examining the expansion of Metropolitan Los Angeles along its eastern fringe after World War II, Gonzalez explains how Mexican colonias served as “stepping stones toward suburbanization” as real estate developers looked to these working-class ethnic neighborhoods as promising locations for their burgeoning master-planned communities in the 1950s and 1960s. Whereas Mexican colonias had previously been ignored by local officials—functioning as de facto segregated communities—theses spaces were desirable due to their affordability and proximate location to Los Angeles’ industrial corridor.</p><p>Capitalizing on the postwar economic boom that transformed LA into a center for aerospace and automobile manufacturing, socially mobile Mexican Americans also found opportunity in the suburbs of the Greater Eastside. However, as Gonzalez reveals, the Mexican American path to the American Dream of middle-class homeownership was fraught by a mixture of inclusion and exclusion that challenges the standard “white flight” narrative of postwar suburban history. Indeed, while some were either displaced by or excluded from suburban homeownership, others pushed backed by engaging in individual acts of resistance and local politics to claim their rightful place LA’s suburbs. In the process, Gonzalez argues, Mexican Americans forged nuanced ethnic and class identities that both transformed themselves and the new suburban communities they inhabited.</p><p><br></p><p><a href="https://usc.academia.edu/DavidJamesDJGonzales">David-James Gonzales</a> (DJ) is incoming Assistant Professor of History at Brigham Young University (Fall 2018). He is a historian of the U.S.-Mexico Borderlands, the development of multi-ethnic/racial cities, and the evolution of Latina/o identity and politics. His research centers on the relationship between Latina/o politics and the metropolitan development of Orange County, CA throughout the 20th century. You may follow him on <a href="https://twitter.com/djgonzophd?lang=en">Twitter @djgonzoPhD</a>.</p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3562</itunes:duration>
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      <title>Michael Ramirez, “Destined for Greatness: Passions, Dreams, and Aspirations in a College Music Town” (Rutgers UP, 2018)</title>
      <description>The pursuit of a musical career crosses the mind of most children. But, for most, a vocation is nothing more than a farfetched fantasy that will never come true. Music is often considered more appropriate as a leisure activity that need be abandoned when a person enters adulthood. How are men and women to forge a career as a musician when it is largely considered taboo to pursue such a position as a lifetime career?
In Destined for Greatness: Passions, Dreams, and Aspirations in a College Music Town (Rutgers University Press, 2018), sociologist Dr. Michael Ramirez examines the lives of 48 independent rock musicians who sought out a music career in a college town that is renowned for its music scene. Ramirez used a life-course approach to understand the wealth of experience that led to some, but not all, individuals to fashion careers in the music industry. Ramirez recommends a nuanced understanding of factors—focusing on the intersections—that enable some people to pursue musical careers well into their adulthood.
Michael Ramirez, Ph.D. is Associate Professor of Sociology and Coordinator of the Women and Gender Studies Program at Texas A&amp;M University – Corpus Christi. He teaches courses and conducts research in the areas of gender, work, aging and the life course, film, as well as courses in Women and Gender Studies. Ramirez is currently working on a study about fatherhood in twenty-first century America.

Michael O. Johnston, Ph.D. is Assistant Professor of Sociology at William Penn University. You can read more about Johnston’s work here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 18 May 2018 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>The pursuit of a musical career crosses the mind of most children. But, for most, a vocation is nothing more than a farfetched fantasy that will never come true. Music is often considered more appropriate as a leisure activity that need be abandoned wh...</itunes:subtitle>
      <itunes:summary>The pursuit of a musical career crosses the mind of most children. But, for most, a vocation is nothing more than a farfetched fantasy that will never come true. Music is often considered more appropriate as a leisure activity that need be abandoned when a person enters adulthood. How are men and women to forge a career as a musician when it is largely considered taboo to pursue such a position as a lifetime career?
In Destined for Greatness: Passions, Dreams, and Aspirations in a College Music Town (Rutgers University Press, 2018), sociologist Dr. Michael Ramirez examines the lives of 48 independent rock musicians who sought out a music career in a college town that is renowned for its music scene. Ramirez used a life-course approach to understand the wealth of experience that led to some, but not all, individuals to fashion careers in the music industry. Ramirez recommends a nuanced understanding of factors—focusing on the intersections—that enable some people to pursue musical careers well into their adulthood.
Michael Ramirez, Ph.D. is Associate Professor of Sociology and Coordinator of the Women and Gender Studies Program at Texas A&amp;M University – Corpus Christi. He teaches courses and conducts research in the areas of gender, work, aging and the life course, film, as well as courses in Women and Gender Studies. Ramirez is currently working on a study about fatherhood in twenty-first century America.

Michael O. Johnston, Ph.D. is Assistant Professor of Sociology at William Penn University. You can read more about Johnston’s work here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The pursuit of a musical career crosses the mind of most children. But, for most, a vocation is nothing more than a farfetched fantasy that will never come true. Music is often considered more appropriate as a leisure activity that need be abandoned when a person enters adulthood. How are men and women to forge a career as a musician when it is largely considered taboo to pursue such a position as a lifetime career?</p><p>In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QuGvbf_Fq4IReyWV79HWUCQAAAFjb1b2xQEAAAFKASBsIsk/http://www.amazon.com/dp/0813588111/ref=as_at?creativeASIN=0813588111&amp;linkCode=w61&amp;imprToken=IQKvWysduxnzEJ24SnlJ9w&amp;slotNum=0&amp;tag=newbooinhis-20">Destined for Greatness: Passions, Dreams, and Aspirations in a College Music Town</a> (Rutgers University Press, 2018), sociologist Dr. Michael Ramirez examines the lives of 48 independent rock musicians who sought out a music career in a college town that is renowned for its music scene. Ramirez used a life-course approach to understand the wealth of experience that led to some, but not all, individuals to fashion careers in the music industry. Ramirez recommends a nuanced understanding of factors—focusing on the intersections—that enable some people to pursue musical careers well into their adulthood.</p><p><a href="https://michaelramirezphd.weebly.com/">Michael Ramirez, Ph.D.</a> is Associate Professor of Sociology and Coordinator of the Women and Gender Studies Program at Texas A&amp;M University – Corpus Christi. He teaches courses and conducts research in the areas of gender, work, aging and the life course, film, as well as courses in Women and Gender Studies. Ramirez is currently working on a study about fatherhood in twenty-first century America.</p><p><br></p><p><a href="https://www.wmpenn.edu/person/michael-o-johnston-ph-d/">Michael O. Johnston, Ph.D.</a> is Assistant Professor of Sociology at William Penn University. You can read more about Johnston’s work <a href="https://profjohnston.weebly.com/">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2933</itunes:duration>
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    <item>
      <title>Alexandra Cox, “Trapped in a Vice: The Consequences of Confinement for Young People” (Rutgers UP, 2018)</title>
      <description>How does the juvenile justice system impact the lives of the young people that go through it? In her new book, Trapped in a Vice: The Consequences of Confinement for Young People (Rutgers University Press, 2018), Alexandra Cox uses interviews and ethnographic data to analyze the juvenile justice system and incarceration. While the book focuses specifically on New York’s justice system, the take-aways and Cox’s analyses are relevant for anyone interested in incarceration in general. Using the voices and experiences of those she interviews to articulate her findings, Cox points out that young people often suffer the most in systems of social inequality. She elaborates clearly on concepts and main take-aways through the book, from the idea that these young people are expected to mature within an institution, and how this impacts their development. Cox uses really powerful examples and pinpoints important concepts for us to think further about: the definition of worthiness (i.e. worthy of “saving”), being ungovernable (i.e. being uncontrollable), the idea of reformation systems as taking care of “other people’s children,” and the ethos of personal responsibly to youth who cannot even vote yet. The stories from the book show how it’s easy to get into trouble and very difficult to get out.
This book will be enjoyed by Sociologists and Criminologists in general, but also by social workers, those working in the area of incarceration, in addition to anyone interested in developmental psychology within the context of incarceration. This book would be a great addition to any higher level undergraduate or entry level graduate course in criminology because of its clear organization and presentation of arguments.

Sarah E. Patterson is a postdoc at the University of Western Ontario. You can tweet her at @spattersearch
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 16 Apr 2018 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>How does the juvenile justice system impact the lives of the young people that go through it? In her new book, Trapped in a Vice: The Consequences of Confinement for Young People (Rutgers University Press, 2018),</itunes:subtitle>
      <itunes:summary>How does the juvenile justice system impact the lives of the young people that go through it? In her new book, Trapped in a Vice: The Consequences of Confinement for Young People (Rutgers University Press, 2018), Alexandra Cox uses interviews and ethnographic data to analyze the juvenile justice system and incarceration. While the book focuses specifically on New York’s justice system, the take-aways and Cox’s analyses are relevant for anyone interested in incarceration in general. Using the voices and experiences of those she interviews to articulate her findings, Cox points out that young people often suffer the most in systems of social inequality. She elaborates clearly on concepts and main take-aways through the book, from the idea that these young people are expected to mature within an institution, and how this impacts their development. Cox uses really powerful examples and pinpoints important concepts for us to think further about: the definition of worthiness (i.e. worthy of “saving”), being ungovernable (i.e. being uncontrollable), the idea of reformation systems as taking care of “other people’s children,” and the ethos of personal responsibly to youth who cannot even vote yet. The stories from the book show how it’s easy to get into trouble and very difficult to get out.
This book will be enjoyed by Sociologists and Criminologists in general, but also by social workers, those working in the area of incarceration, in addition to anyone interested in developmental psychology within the context of incarceration. This book would be a great addition to any higher level undergraduate or entry level graduate course in criminology because of its clear organization and presentation of arguments.

Sarah E. Patterson is a postdoc at the University of Western Ontario. You can tweet her at @spattersearch
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does the juvenile justice system impact the lives of the young people that go through it? In her new book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/QguFf-OwGBmouDPXa86Fe6QAAAFiv81r8wEAAAFKARlwGrY/http://www.amazon.com/dp/0813570468/ref=as_at?creativeASIN=0813570468&amp;linkCode=w61&amp;imprToken=KtV45qyByB85.9VH9OhTEw&amp;slotNum=0&amp;tag=newbooinhis-20">Trapped in a Vice: The Consequences of Confinement for Young People</a> (Rutgers University Press, 2018), <a href="https://www.essex.ac.uk/people/coxal19809/alexandra-cox">Alexandra Cox</a> uses interviews and ethnographic data to analyze the juvenile justice system and incarceration. While the book focuses specifically on New York’s justice system, the take-aways and Cox’s analyses are relevant for anyone interested in incarceration in general. Using the voices and experiences of those she interviews to articulate her findings, Cox points out that young people often suffer the most in systems of social inequality. She elaborates clearly on concepts and main take-aways through the book, from the idea that these young people are expected to mature within an institution, and how this impacts their development. Cox uses really powerful examples and pinpoints important concepts for us to think further about: the definition of worthiness (i.e. worthy of “saving”), being ungovernable (i.e. being uncontrollable), the idea of reformation systems as taking care of “other people’s children,” and the ethos of personal responsibly to youth who cannot even vote yet. The stories from the book show how it’s easy to get into trouble and very difficult to get out.</p><p>This book will be enjoyed by Sociologists and Criminologists in general, but also by social workers, those working in the area of incarceration, in addition to anyone interested in developmental psychology within the context of incarceration. This book would be a great addition to any higher level undergraduate or entry level graduate course in criminology because of its clear organization and presentation of arguments.</p><p><br></p><p><a href="https://sociology.uwo.ca/people/profiles/Patterson.html">Sarah E. Patterson</a> is a postdoc at the University of Western Ontario. You can tweet her at <a href="https://twitter.com/spattersearch">@spattersearch</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2627</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=72806]]></guid>
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    <item>
      <title>Dahlia Schweitzer, “Going Viral: Zombies, Viruses, and the End of the World” (Rutgers UP, 2018)</title>
      <description>Everyone loves a good conspiracy theory as we prep for the zombie apocalypse. In her new book Going Viral: Zombies, Viruses, and the End of the World (Rutgers University Press, 2018), Dahlia Schweitzer brings them together as she explores the outbreak narrative in popular film, television and other media. Examining the outbreak narrative in popular culture, Schweitzer traces the film cycle of the outbreak narrative as it plays out in the themes of globalization, terrorism, and the end of civilization. Schweitzer explores how popular cultural narratives in additional to official media sources heighten and perpetuate the fears created through the outbreak narrative. Although we leave in a world that is far safer today than most any time in history, the outbreak narrative as it is structured in popular culture creates a pattern of fear and conspiracy theories that are representative of larger societal panics. Well researched and covering a wide array of film, television, and other media that address the outbreak narratives, Schweitzer’s book is a must read for individuals interested in a sociological read of the ways film and television illustrate larger, global concerns.

Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.

Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 29 Mar 2018 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Everyone loves a good conspiracy theory as we prep for the zombie apocalypse. In her new book Going Viral: Zombies, Viruses, and the End of the World (Rutgers University Press, 2018), Dahlia Schweitzer brings them together as she explores the outbreak ...</itunes:subtitle>
      <itunes:summary>Everyone loves a good conspiracy theory as we prep for the zombie apocalypse. In her new book Going Viral: Zombies, Viruses, and the End of the World (Rutgers University Press, 2018), Dahlia Schweitzer brings them together as she explores the outbreak narrative in popular film, television and other media. Examining the outbreak narrative in popular culture, Schweitzer traces the film cycle of the outbreak narrative as it plays out in the themes of globalization, terrorism, and the end of civilization. Schweitzer explores how popular cultural narratives in additional to official media sources heighten and perpetuate the fears created through the outbreak narrative. Although we leave in a world that is far safer today than most any time in history, the outbreak narrative as it is structured in popular culture creates a pattern of fear and conspiracy theories that are representative of larger societal panics. Well researched and covering a wide array of film, television, and other media that address the outbreak narratives, Schweitzer’s book is a must read for individuals interested in a sociological read of the ways film and television illustrate larger, global concerns.

Rebekah Buchanan is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter @rj_buchanan or email her at rj-buchanan@wiu.edu.

Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Everyone loves a good conspiracy theory as we prep for the zombie apocalypse. In her new book <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qib3O9n3dAVVAcsfipoFMGYAAAFiUyyT4gEAAAFKASBCR8w/http://www.amazon.com/dp/081359314X/ref=as_at?creativeASIN=081359314X&amp;linkCode=w61&amp;imprToken=0rAnBHTpiQaZdcS3Tkd6vw&amp;slotNum=0&amp;tag=newbooinhis-20">Going Viral: Zombies, Viruses, and the End of the World </a>(Rutgers University Press, 2018), <a href="http://thisisdahlia.com/">Dahlia Schweitzer</a> brings them together as she explores the outbreak narrative in popular film, television and other media. Examining the outbreak narrative in popular culture, Schweitzer traces the film cycle of the outbreak narrative as it plays out in the themes of globalization, terrorism, and the end of civilization. Schweitzer explores how popular cultural narratives in additional to official media sources heighten and perpetuate the fears created through the outbreak narrative. Although we leave in a world that is far safer today than most any time in history, the outbreak narrative as it is structured in popular culture creates a pattern of fear and conspiracy theories that are representative of larger societal panics. Well researched and covering a wide array of film, television, and other media that address the outbreak narratives, Schweitzer’s book is a must read for individuals interested in a sociological read of the ways film and television illustrate larger, global concerns.</p><p><br></p><p><a href="https://wiu.academia.edu/RebekahBuchanan">Rebekah Buchanan</a> is an Associate Professor of English at Western Illinois University. She researches zines, zine writers and the influence of music subcultures and fandom on writers and narratives. She is the author of <a href="https://www.peterlang.com/view/product/30541">Writing a Riot: Riot Grrrl Zines and Feminist Rhetorics</a> (Peter Lang, 2018). You can find more about her on her website, follow her on Twitter <a href="https://twitter.com/rj_buchanan">@rj_buchanan</a> or email her at <a href="mailto:rj-buchanan@wiu.edu">rj-buchanan@wiu.edu</a>.</p><p><br></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3846</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=72117]]></guid>
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    <item>
      <title>Christopher B. Patterson, “Transitive Cultures: Anglophone Literature of the Transpacific” (Rutgers UP, 2018)</title>
      <description>Christopher B. Patterson‘s book Transitive Cultures: Anglophone Literature of the Transpacific (Rutgers University Press, 2018) reads English-language literary production from Southeast Asia and its diasporas in North America to recognize and reveal discourses of pluralist governance. Building upon established arguments that state-sponsored multiculturalism at home justifies imperialism abroad and that state-assigned ethnic identities in Southeast Asia are vestiges of colonial pluralism, Patterson studies minor literatures of the Transpacific as a mode of creative response to pluralist govermentality. In examining these cultural communities, he finds an alternative politics of identity in their literature that express a motif of “transition.” Engaging in these ceaseless processes of transition, which Patterson dubs “Transitive Cultures,” enables individuals to maintain mobility in hyper-controlled spaces. Instead of using a national paradigm, such as “Asian-American literature,” Patterson uses the term “Transpacific Anglophone literature” to describe English-language texts from Malaysia, Singapore, and the Philippines as well as those written by Southeast Asian migrants to Hawaii, Canada, and the mainland United States. He uses this label to emphasize the encounter and exchange that typifies transitive culture, and to stress the ideology of linguistic identities. This genealogy of an under-appreciated literary tradition explores transitive cultures in metahistorical novels, travel narratives, and in non-realist genres and offers a border-crossing method for conceptualizing and reading literature that purposefully elides multicultural categorizations.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 26 Mar 2018 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ae3f496e-f123-11ee-88d7-4fbdd62c4d20/image/c1ffaa38a1b1b69b8caa419560842463.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Christopher B. Patterson‘s book Transitive Cultures: Anglophone Literature of the Transpacific (Rutgers University Press, 2018) reads English-language literary production from Southeast Asia and its diasporas in North America to recognize and reveal di...</itunes:subtitle>
      <itunes:summary>Christopher B. Patterson‘s book Transitive Cultures: Anglophone Literature of the Transpacific (Rutgers University Press, 2018) reads English-language literary production from Southeast Asia and its diasporas in North America to recognize and reveal discourses of pluralist governance. Building upon established arguments that state-sponsored multiculturalism at home justifies imperialism abroad and that state-assigned ethnic identities in Southeast Asia are vestiges of colonial pluralism, Patterson studies minor literatures of the Transpacific as a mode of creative response to pluralist govermentality. In examining these cultural communities, he finds an alternative politics of identity in their literature that express a motif of “transition.” Engaging in these ceaseless processes of transition, which Patterson dubs “Transitive Cultures,” enables individuals to maintain mobility in hyper-controlled spaces. Instead of using a national paradigm, such as “Asian-American literature,” Patterson uses the term “Transpacific Anglophone literature” to describe English-language texts from Malaysia, Singapore, and the Philippines as well as those written by Southeast Asian migrants to Hawaii, Canada, and the mainland United States. He uses this label to emphasize the encounter and exchange that typifies transitive culture, and to stress the ideology of linguistic identities. This genealogy of an under-appreciated literary tradition explores transitive cultures in metahistorical novels, travel narratives, and in non-realist genres and offers a border-crossing method for conceptualizing and reading literature that purposefully elides multicultural categorizations.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://hum.hkbu.edu.hk/staff.php?staff_class=ts&amp;staff_id=41">Christopher B. Patterson</a>‘s book <a href="http://aax-us-east.amazon-adsystem.com/x/c/QgdM1DI_AOZX2-edEIsWFAgAAAFiU6_MwwEAAAFKARI3u94/http://www.amazon.com/dp/0813591864/ref=as_at?creativeASIN=0813591864&amp;linkCode=w61&amp;imprToken=uKtT7wwifxvntBChflqW8g&amp;slotNum=0&amp;tag=newbooinhis-20">Transitive Cultures: Anglophone Literature of the Transpacific</a> (Rutgers University Press, 2018) reads English-language literary production from Southeast Asia and its diasporas in North America to recognize and reveal discourses of pluralist governance. Building upon established arguments that state-sponsored multiculturalism at home justifies imperialism abroad and that state-assigned ethnic identities in Southeast Asia are vestiges of colonial pluralism, Patterson studies minor literatures of the Transpacific as a mode of creative response to pluralist govermentality. In examining these cultural communities, he finds an alternative politics of identity in their literature that express a motif of “transition.” Engaging in these ceaseless processes of transition, which Patterson dubs “Transitive Cultures,” enables individuals to maintain mobility in hyper-controlled spaces. Instead of using a national paradigm, such as “Asian-American literature,” Patterson uses the term “Transpacific Anglophone literature” to describe English-language texts from Malaysia, Singapore, and the Philippines as well as those written by Southeast Asian migrants to Hawaii, Canada, and the mainland United States. He uses this label to emphasize the encounter and exchange that typifies transitive culture, and to stress the ideology of linguistic identities. This genealogy of an under-appreciated literary tradition explores transitive cultures in metahistorical novels, travel narratives, and in non-realist genres and offers a border-crossing method for conceptualizing and reading literature that purposefully elides multicultural categorizations.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2906</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=72084]]></guid>
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      <title>Cynthia Baker, “Jew” (Rutgers UP, 2017)</title>
      <description>What is the significance of Jew? How has this word come to have such varied and charged meanings? Who has (and has not) used it, and why? Cynthia Baker explores these questions and more in her new book Jew, part of the “Key Words in Jewish Studies” series at Rutgers University Press.
In a set of absorbing case studies, Baker tracks the history of the word Jew from antiquity to the present. Among other topics, she writes about the debates concerning the terms Jews, Ioudaioi, and Judeans; the uses of yid in Yiddish; the emerging discourses about new Jews; and the genealogics of the twentiethcentury. In the course of her study, Baker exposes a number of problems that pertain to this key word, including the troubled relation between ethnicity and religion, the implications and impasses of translation, and the responsibility of the scholar in the face of the complex and often painful history of Jew. A compelling intervention in Jewish Studies, the book also opens provocative new avenues for research across the humanities and social sciences.
For more information about Jew, a collection of fascinating responses can be read in the Marginalia Forum organized by Shaul Magid and Annette Yoshiko Reed for the LA Review of Books.
Cynthia M. Baker is Professor of Religious Studies at Bates College, where she is also Chair of the Religious Studies Department. In addition to Jew, she is the author of Rebuilding the House of Israel: Architectures of Gender in Jewish Antiquity (Stanford University Press, 2002).

Mendel Kranz is a PhD student in the Divinity School at the University of Chicago. Matthew Johnson is a PhD student in Germanic Studies at the University of Chicago
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 07 Mar 2018 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>What is the significance of Jew? How has this word come to have such varied and charged meanings? Who has (and has not) used it, and why? Cynthia Baker explores these questions and more in her new book Jew,</itunes:subtitle>
      <itunes:summary>What is the significance of Jew? How has this word come to have such varied and charged meanings? Who has (and has not) used it, and why? Cynthia Baker explores these questions and more in her new book Jew, part of the “Key Words in Jewish Studies” series at Rutgers University Press.
In a set of absorbing case studies, Baker tracks the history of the word Jew from antiquity to the present. Among other topics, she writes about the debates concerning the terms Jews, Ioudaioi, and Judeans; the uses of yid in Yiddish; the emerging discourses about new Jews; and the genealogics of the twentiethcentury. In the course of her study, Baker exposes a number of problems that pertain to this key word, including the troubled relation between ethnicity and religion, the implications and impasses of translation, and the responsibility of the scholar in the face of the complex and often painful history of Jew. A compelling intervention in Jewish Studies, the book also opens provocative new avenues for research across the humanities and social sciences.
For more information about Jew, a collection of fascinating responses can be read in the Marginalia Forum organized by Shaul Magid and Annette Yoshiko Reed for the LA Review of Books.
Cynthia M. Baker is Professor of Religious Studies at Bates College, where she is also Chair of the Religious Studies Department. In addition to Jew, she is the author of Rebuilding the House of Israel: Architectures of Gender in Jewish Antiquity (Stanford University Press, 2002).

Mendel Kranz is a PhD student in the Divinity School at the University of Chicago. Matthew Johnson is a PhD student in Germanic Studies at the University of Chicago
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is the significance of Jew? How has this word come to have such varied and charged meanings? Who has (and has not) used it, and why? <a href="https://www.bates.edu/faculty-expertise/profile/cynthia-m-baker/">Cynthia Baker</a> explores these questions and more in her new book Jew, part of the “Key Words in Jewish Studies” series at Rutgers University Press.</p><p>In a set of absorbing case studies, Baker tracks the history of the word Jew from antiquity to the present. Among other topics, she writes about the debates concerning the terms Jews, Ioudaioi, and Judeans; the uses of yid in Yiddish; the emerging discourses about new Jews; and the genealogics of the twentiethcentury. In the course of her study, Baker exposes a number of problems that pertain to this key word, including the troubled relation between ethnicity and religion, the implications and impasses of translation, and the responsibility of the scholar in the face of the complex and often painful history of Jew. A compelling intervention in Jewish Studies, the book also opens provocative new avenues for research across the humanities and social sciences.</p><p>For more information about Jew, a collection of fascinating responses can be read in the Marginalia Forum organized by Shaul Magid and Annette Yoshiko Reed for the <a href="http://marginalia.lareviewofbooks.org/introduction-forum-on-cynthia-baker-jew/">LA Review of Books.</a></p><p>Cynthia M. Baker is Professor of Religious Studies at Bates College, where she is also Chair of the Religious Studies Department. In addition to Jew, she is the author of Rebuilding the House of Israel: Architectures of Gender in Jewish Antiquity (Stanford University Press, 2002).</p><p><br></p><p>Mendel Kranz is a PhD student in the Divinity School at the University of Chicago. Matthew Johnson is a PhD student in Germanic Studies at the University of Chicago</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4165</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>D. Harris and P. Guiffre, “Taking the Heat: Women Chefs and Gender Inequality in the Professional Kitchen” (Rutgers UP, 2015)</title>
      <description>In Taking the Heat: Women Chefs and Gender Inequality in the Professional Kitchen (Rutgers University Press, 2015), Deborah Harris and Patti Giuffre trace the historical evolution of the profession, analyze more than two thousand examples of chef profiles and restaurant reviews, and conduct in-depth interviews with thirty-three women chefs. There are a number of recent books, magazines, and television programs that focused on the world of the professional chef. The media perpetually uses men as icons to market the hot and sexy field of being a chef in the professional kitchen. All the while, the work of women in the kitchen is discounted as a domestic role. This devaluation remains intact because of the exclusion of women in professional kitchens. This helps men maintain the legitimacy of the profession and perpetuates the appearance of home cooking as women’s domestic duty.
Dr. Deborah A. Harris is an Associate Professor in the Department of Sociology at Texas State University. She focuses her teachings on courses in the area of stratification and inequality, qualitative research methods, rural aging, and the sociology of food. Harris’s published research has addressed the impacts of welfare reform on low-income women and their families, as well as how the closing of military facilities affects local communities.
Dr. Patti Giuffre is the Director of Graduate Programs in the Department of Sociology at Texas State University. She focuses her teaching and research in the area of work and occupation, gender, sexuality, and qualitative methods. She has conducted research on sexual harassment, sexual orientation discrimination, and experiences of LGBT workers in gay-friendly workplaces. She is also an active member of the American Sociological Associations sections on Sex and Gender and Organizations, Occupations, and Work and of the Sociologists for Women in Society.

Michael O. Johnston is an Assistant Professor of Sociology at William Penn University. He earned his doctoral degree in Public Policy and Public Administration from Walden University. His most recent paper, to be presented at the upcoming American Society for Environmental History conference, is titled Down Lovers Lane: A Brief History of Necking in Cars.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 22 Feb 2018 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>In Taking the Heat: Women Chefs and Gender Inequality in the Professional Kitchen (Rutgers University Press, 2015), Deborah Harris and Patti Giuffre trace the historical evolution of the profession, analyze more than two thousand examples of chef profi...</itunes:subtitle>
      <itunes:summary>In Taking the Heat: Women Chefs and Gender Inequality in the Professional Kitchen (Rutgers University Press, 2015), Deborah Harris and Patti Giuffre trace the historical evolution of the profession, analyze more than two thousand examples of chef profiles and restaurant reviews, and conduct in-depth interviews with thirty-three women chefs. There are a number of recent books, magazines, and television programs that focused on the world of the professional chef. The media perpetually uses men as icons to market the hot and sexy field of being a chef in the professional kitchen. All the while, the work of women in the kitchen is discounted as a domestic role. This devaluation remains intact because of the exclusion of women in professional kitchens. This helps men maintain the legitimacy of the profession and perpetuates the appearance of home cooking as women’s domestic duty.
Dr. Deborah A. Harris is an Associate Professor in the Department of Sociology at Texas State University. She focuses her teachings on courses in the area of stratification and inequality, qualitative research methods, rural aging, and the sociology of food. Harris’s published research has addressed the impacts of welfare reform on low-income women and their families, as well as how the closing of military facilities affects local communities.
Dr. Patti Giuffre is the Director of Graduate Programs in the Department of Sociology at Texas State University. She focuses her teaching and research in the area of work and occupation, gender, sexuality, and qualitative methods. She has conducted research on sexual harassment, sexual orientation discrimination, and experiences of LGBT workers in gay-friendly workplaces. She is also an active member of the American Sociological Associations sections on Sex and Gender and Organizations, Occupations, and Work and of the Sociologists for Women in Society.

Michael O. Johnston is an Assistant Professor of Sociology at William Penn University. He earned his doctoral degree in Public Policy and Public Administration from Walden University. His most recent paper, to be presented at the upcoming American Society for Environmental History conference, is titled Down Lovers Lane: A Brief History of Necking in Cars.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QtqhTv7r0d6C0CyUG-8LPpcAAAFhqvXkcAEAAAFKAVVvrO4/http://www.amazon.com/dp/0813571251/ref=as_at?creativeASIN=0813571251&amp;linkCode=w61&amp;imprToken=P0I.CEGJEbpWQzqgDGa6Bw&amp;slotNum=0&amp;tag=newbooinhis-20">Taking the Heat: Women Chefs and Gender Inequality in the Professional Kitchen</a> (Rutgers University Press, 2015), <a href="http://www.soci.txstate.edu/People/faculty/d_harris.html">Deborah Harris</a> and <a href="http://www.soci.txstate.edu/People/faculty/p_giuffre.html">Patti Giuffre</a> trace the historical evolution of the profession, analyze more than two thousand examples of chef profiles and restaurant reviews, and conduct in-depth interviews with thirty-three women chefs. There are a number of recent books, magazines, and television programs that focused on the world of the professional chef. The media perpetually uses men as icons to market the hot and sexy field of being a chef in the professional kitchen. All the while, the work of women in the kitchen is discounted as a domestic role. This devaluation remains intact because of the exclusion of women in professional kitchens. This helps men maintain the legitimacy of the profession and perpetuates the appearance of home cooking as women’s domestic duty.</p><p><a href="http://www.soci.txstate.edu/People/faculty/d_harris.html">Dr. Deborah A. Harris</a> is an Associate Professor in the Department of Sociology at Texas State University. She focuses her teachings on courses in the area of stratification and inequality, qualitative research methods, rural aging, and the sociology of food. Harris’s published research has addressed the impacts of welfare reform on low-income women and their families, as well as how the closing of military facilities affects local communities.</p><p><a href="http://www.soci.txstate.edu/People/faculty/p_giuffre.html">Dr. Patti Giuffre</a> is the Director of Graduate Programs in the Department of Sociology at Texas State University. She focuses her teaching and research in the area of work and occupation, gender, sexuality, and qualitative methods. She has conducted research on sexual harassment, sexual orientation discrimination, and experiences of LGBT workers in gay-friendly workplaces. She is also an active member of the American Sociological Associations sections on Sex and Gender and Organizations, Occupations, and Work and of the Sociologists for Women in Society.</p><p><br></p><p><a href="https://profjohnston.weebly.com/">Michael O. Johnston</a> is an Assistant Professor of Sociology at William Penn University. He earned his doctoral degree in Public Policy and Public Administration from Walden University. His most recent paper, to be presented at the upcoming American Society for Environmental History conference, is titled Down Lovers Lane: A Brief History of Necking in Cars.</p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1836</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=70843]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3578083106.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Chelsea Schelly, “Dwelling in Resistance: Living with Alternative Technologies in America” (Rutgers UP, 2017)</title>
      <description>Technology is a form of material culture and is a human activity. The way in which humans view technology is a social construction in which people use social processes of interpretation and negotiation. The mundane rituals that humans carry out when interacting with technology are loaded with emotional overtones. The interaction with technology in most cases become habit. The dependence and isolation that result from technology use is invisible and seems natural to membership groups that use it. Chelsea Schelly, the author of Dwelling in Resistance: Living with Alternative Technologies in America (Rutgers University Press, 2017) and my guest for this episode, studied technology and the way in which people of four alternative lifestyles live without such dependency on technology. In our interview, we discuss the way in which people at The Farm, Twin Oaks, Dancing Rabbits, and Earthship Biotecture lived their daily lives by sharing some technology and living without most of it.
Chelsea Schelly, Ph.D. is an Associate Professor of Sociology at Michigan Technological University in Houghton. Dr. Schelly is also the author of Crafting Collectivity: American Rainbow Gatherings and Alternative Forms of Community. She is currently developing a project to further research the economy of these four communities.

Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He earned his doctoral degree in Public Policy and Public Administration from Walden University. His most recent paper, to be presented at the upcoming American Society for Environmental History conference, is titled Down Lovers Lane: A Brief History of Necking in Cars. You can learn more about Dr. Johnston’s work here.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 28 Dec 2017 18:57:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Technology is a form of material culture and is a human activity. The way in which humans view technology is a social construction in which people use social processes of interpretation and negotiation. The mundane rituals that humans carry out when in...</itunes:subtitle>
      <itunes:summary>Technology is a form of material culture and is a human activity. The way in which humans view technology is a social construction in which people use social processes of interpretation and negotiation. The mundane rituals that humans carry out when interacting with technology are loaded with emotional overtones. The interaction with technology in most cases become habit. The dependence and isolation that result from technology use is invisible and seems natural to membership groups that use it. Chelsea Schelly, the author of Dwelling in Resistance: Living with Alternative Technologies in America (Rutgers University Press, 2017) and my guest for this episode, studied technology and the way in which people of four alternative lifestyles live without such dependency on technology. In our interview, we discuss the way in which people at The Farm, Twin Oaks, Dancing Rabbits, and Earthship Biotecture lived their daily lives by sharing some technology and living without most of it.
Chelsea Schelly, Ph.D. is an Associate Professor of Sociology at Michigan Technological University in Houghton. Dr. Schelly is also the author of Crafting Collectivity: American Rainbow Gatherings and Alternative Forms of Community. She is currently developing a project to further research the economy of these four communities.

Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He earned his doctoral degree in Public Policy and Public Administration from Walden University. His most recent paper, to be presented at the upcoming American Society for Environmental History conference, is titled Down Lovers Lane: A Brief History of Necking in Cars. You can learn more about Dr. Johnston’s work here.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Technology is a form of material culture and is a human activity. The way in which humans view technology is a social construction in which people use social processes of interpretation and negotiation. The mundane rituals that humans carry out when interacting with technology are loaded with emotional overtones. The interaction with technology in most cases become habit. The dependence and isolation that result from technology use is invisible and seems natural to membership groups that use it. Chelsea Schelly, the author of <a href="http://aax-us-east.amazon-adsystem.com/x/c/QqIFQOxp_r_dGVRfDZ8o2N0AAAFgnl6vOQEAAAFKAVh5PaY/http://www.amazon.com/dp/081358650X/ref=as_at?creativeASIN=081358650X&amp;linkCode=w61&amp;imprToken=dS8Am8rkPY6ujd9sDVXp8g&amp;slotNum=0&amp;tag=newbooinhis-20">Dwelling in Resistance: Living with Alternative Technologies in America</a> (Rutgers University Press, 2017) and my guest for this episode, studied technology and the way in which people of four alternative lifestyles live without such dependency on technology. In our interview, we discuss the way in which people at The Farm, Twin Oaks, Dancing Rabbits, and Earthship Biotecture lived their daily lives by sharing some technology and living without most of it.</p><p><a href="https://www.mtu.edu/social-sciences/department/faculty/schelly/index.html">Chelsea Schelly</a>, Ph.D. is an Associate Professor of Sociology at Michigan Technological University in Houghton. Dr. Schelly is also the author of Crafting Collectivity: American Rainbow Gatherings and Alternative Forms of Community. She is currently developing a project to further research the economy of these four communities.</p><p><br></p><p>Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He earned his doctoral degree in Public Policy and Public Administration from Walden University. His most recent paper, to be presented at the upcoming American Society for Environmental History conference, is titled Down Lovers Lane: A Brief History of Necking in Cars. You can learn more about Dr. Johnston’s work <a href="http://profjohnston.weebly.com">here</a>.</p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1961</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=69378]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5815045939.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jeffrey Kidder, “Parkour and the City: Risk, Masculinity, and Meaning in a Postmodern Sport” (Rutgers UP, 2017)</title>
      <description>The meaning assigned to architecture is complex and varied. Urban architecture is often stripped of meaning when people abandon the neighborhoods or are absent of meaning at the time of their inception. This leaves the people who inhabit the terrain to assign their own meaning to the architecture. Jeffrey Kidder, the author of Parkour and the City: Risk, Masculinity, and Meaning in a Postmodern Sport (Rutgers University Press, 2017) and my guest for this episode, observed the way traceurs in Chicago, Illinois use urban architecture to express masculinity and risk-taking in their performance of parkour. In our interview, we discuss how this study was shaped from his past observations of message carriers, as well as topics such as the impact that history has on the development of parkour in nations around the world, the perception that traceurs have on hyper-masculine males who are viewed as dangerous when performing parkour, and the difference between risk-taking behavior and thrill-seeking behavior. We also learn about his thoughts on the current environment of risk-taking in lifestyle sports and how these sports are different from competitive (or team) sports.
Jeffrey Kidder, Ph.D. is an associate professor of sociology at Northern Illinois University in DeKalb, Illinois. Dr. Kidder has focused his research and teaching pursuits on the intersection of cultural sociology and urban sociology. He is currently on a one year sabbatical in Colorado where he is continuing his research on risk-taking behavior and lifestyle sports—this time observing skiers, snowboarders, mountain bikers, climbers, etc.

Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is a graduate of the public policy and public administration program at Walden University. His most recent paper, to be presented at the upcoming American Society for Environmental History conference, is titled “Down Lover’s Lane: A Brief History of Necking in Cars.” You can learn more about Johnston’s work here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 26 Oct 2017 20:42:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>The meaning assigned to architecture is complex and varied. Urban architecture is often stripped of meaning when people abandon the neighborhoods or are absent of meaning at the time of their inception. This leaves the people who inhabit the terrain to...</itunes:subtitle>
      <itunes:summary>The meaning assigned to architecture is complex and varied. Urban architecture is often stripped of meaning when people abandon the neighborhoods or are absent of meaning at the time of their inception. This leaves the people who inhabit the terrain to assign their own meaning to the architecture. Jeffrey Kidder, the author of Parkour and the City: Risk, Masculinity, and Meaning in a Postmodern Sport (Rutgers University Press, 2017) and my guest for this episode, observed the way traceurs in Chicago, Illinois use urban architecture to express masculinity and risk-taking in their performance of parkour. In our interview, we discuss how this study was shaped from his past observations of message carriers, as well as topics such as the impact that history has on the development of parkour in nations around the world, the perception that traceurs have on hyper-masculine males who are viewed as dangerous when performing parkour, and the difference between risk-taking behavior and thrill-seeking behavior. We also learn about his thoughts on the current environment of risk-taking in lifestyle sports and how these sports are different from competitive (or team) sports.
Jeffrey Kidder, Ph.D. is an associate professor of sociology at Northern Illinois University in DeKalb, Illinois. Dr. Kidder has focused his research and teaching pursuits on the intersection of cultural sociology and urban sociology. He is currently on a one year sabbatical in Colorado where he is continuing his research on risk-taking behavior and lifestyle sports—this time observing skiers, snowboarders, mountain bikers, climbers, etc.

Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is a graduate of the public policy and public administration program at Walden University. His most recent paper, to be presented at the upcoming American Society for Environmental History conference, is titled “Down Lover’s Lane: A Brief History of Necking in Cars.” You can learn more about Johnston’s work here.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The meaning assigned to architecture is complex and varied. Urban architecture is often stripped of meaning when people abandon the neighborhoods or are absent of meaning at the time of their inception. This leaves the people who inhabit the terrain to assign their own meaning to the architecture. Jeffrey Kidder, the author of <a href="http://aax-us-east.amazon-adsystem.com/x/c/QuN9wL9vMymzlXUHn3oApwEAAAFfWSNUaAEAAAFKAULymfU/http://www.amazon.com/dp/0813571952/ref=as_at?creativeASIN=0813571952&amp;linkCode=w61&amp;imprToken=FIY6YtNC1sQ4yEny2hXieg&amp;slotNum=0&amp;tag=newbooinhis-20">Parkour and the City: Risk, Masculinity, and Meaning in a Postmodern Sport </a>(<a href="https://www.rutgersuniversitypress.org/parkour-and-the-city/9780813571959">Rutgers University Press</a>, 2017) and my guest for this episode, observed the way traceurs in Chicago, Illinois use urban architecture to express masculinity and risk-taking in their performance of parkour. In our interview, we discuss how this study was shaped from his past observations of message carriers, as well as topics such as the impact that history has on the development of parkour in nations around the world, the perception that traceurs have on hyper-masculine males who are viewed as dangerous when performing parkour, and the difference between risk-taking behavior and thrill-seeking behavior. We also learn about his thoughts on the current environment of risk-taking in lifestyle sports and how these sports are different from competitive (or team) sports.</p><p><a href="http://www.niu.edu/sociology/faculty/staffdirectory/kidder.shtml">Jeffrey Kidder, Ph.D.</a> is an associate professor of sociology at Northern Illinois University in DeKalb, Illinois. Dr. Kidder has focused his research and teaching pursuits on the intersection of cultural sociology and urban sociology. He is currently on a one year sabbatical in Colorado where he is continuing his research on risk-taking behavior and lifestyle sports—this time observing skiers, snowboarders, mountain bikers, climbers, etc.</p><p><br></p><p>Michael O. Johnston, Ph.D. is an Assistant Professor of Sociology at William Penn University. He is a graduate of the public policy and public administration program at Walden University. His most recent paper, to be presented at the upcoming American Society for Environmental History conference, is titled “Down Lover’s Lane: A Brief History of Necking in Cars.” You can learn more about Johnston’s work <a href="http://profjohnston.weebly.com/">here</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2751</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=67903]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4409786177.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Allison Perlman, “Public Interests: Media Advocacy and Struggles Over U.S. Television”  (Rutgers UP, 2016)</title>
      <description>Since its infancy, television has played an important role in shaping U.S. values and the American sense of self. Social activists recognized this power immediately and, consequently, set about trying to influence television’s portrayal of those values by securing access to and a voice in the medium. Allison Perlman‘s Public Interests: Media Advocacy and Struggles Over U.S. Television (Rutgers University Press, 2016) examines some these efforts, including those among African Americans, women, and parents among others, between the 1940s and the early 2000s. Perlman, an associate professor of film and media students and history at the University of California, Irvine, thus, shows that media law and regulation was an important site of debate and activism. Social activists recognized television’s power and that ensuring their own views, voices, and identities were represented on the screen could be influential in promoting their cause. Both conservative and liberal activists worked hard to use existing laws to shape television ownership and programing. In the process, activists also worked to shape the definition of the public and weighed in on questions surrounding how to define and promote the “public interest,” as required by law. By the 1980s, deregulation reshaped the landscape, but did not end the importance of the arena for activists.
In this episode of New Books in History, Perlman discusses Public Interests and this history of media advocacy. She tells listeners about some of these social activists’ campaigns to influence FCC policies nationally as well as about more localized efforts to shape television programing. She also explains why these battles were important in shaping the broadcasting environment even if they did not always achieve their stated goal. She discusses the importance of deregulation in later media regulation advocacy. Perlman makes clear that a simple declension story is inaccurate even in this later period and discusses these battles’ continued relevance today.

Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 11 Sep 2017 21:46:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Since its infancy, television has played an important role in shaping U.S. values and the American sense of self. Social activists recognized this power immediately and, consequently, set about trying to influence television’s portrayal of those values...</itunes:subtitle>
      <itunes:summary>Since its infancy, television has played an important role in shaping U.S. values and the American sense of self. Social activists recognized this power immediately and, consequently, set about trying to influence television’s portrayal of those values by securing access to and a voice in the medium. Allison Perlman‘s Public Interests: Media Advocacy and Struggles Over U.S. Television (Rutgers University Press, 2016) examines some these efforts, including those among African Americans, women, and parents among others, between the 1940s and the early 2000s. Perlman, an associate professor of film and media students and history at the University of California, Irvine, thus, shows that media law and regulation was an important site of debate and activism. Social activists recognized television’s power and that ensuring their own views, voices, and identities were represented on the screen could be influential in promoting their cause. Both conservative and liberal activists worked hard to use existing laws to shape television ownership and programing. In the process, activists also worked to shape the definition of the public and weighed in on questions surrounding how to define and promote the “public interest,” as required by law. By the 1980s, deregulation reshaped the landscape, but did not end the importance of the arena for activists.
In this episode of New Books in History, Perlman discusses Public Interests and this history of media advocacy. She tells listeners about some of these social activists’ campaigns to influence FCC policies nationally as well as about more localized efforts to shape television programing. She also explains why these battles were important in shaping the broadcasting environment even if they did not always achieve their stated goal. She discusses the importance of deregulation in later media regulation advocacy. Perlman makes clear that a simple declension story is inaccurate even in this later period and discusses these battles’ continued relevance today.

Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at clamberson@angelo.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since its infancy, television has played an important role in shaping U.S. values and the American sense of self. Social activists recognized this power immediately and, consequently, set about trying to influence television’s portrayal of those values by securing access to and a voice in the medium. <a href="http://www.faculty.uci.edu//profile.cfm?faculty_id=5878">Allison Perlman</a>‘s <a href="http://aax-us-east.amazon-adsystem.com/x/c/QuSu-EECR3uBzE2eR1xOFhcAAAFeYf-GAgEAAAFKAZOZhbU/http://www.amazon.com/dp/0813572290/ref=as_at?creativeASIN=0813572290&amp;linkCode=w61&amp;imprToken=gy6Tus.iDp777ejBtA19-A&amp;slotNum=0&amp;tag=newbooinhis-20">Public Interests: Media Advocacy and Struggles Over U.S. Television</a> (Rutgers University Press, 2016) examines some these efforts, including those among African Americans, women, and parents among others, between the 1940s and the early 2000s. Perlman, an associate professor of film and media students and history at the University of California, Irvine, thus, shows that media law and regulation was an important site of debate and activism. Social activists recognized television’s power and that ensuring their own views, voices, and identities were represented on the screen could be influential in promoting their cause. Both conservative and liberal activists worked hard to use existing laws to shape television ownership and programing. In the process, activists also worked to shape the definition of the public and weighed in on questions surrounding how to define and promote the “public interest,” as required by law. By the 1980s, deregulation reshaped the landscape, but did not end the importance of the arena for activists.</p><p>In this episode of New Books in History, Perlman discusses Public Interests and this history of media advocacy. She tells listeners about some of these social activists’ campaigns to influence FCC policies nationally as well as about more localized efforts to shape television programing. She also explains why these battles were important in shaping the broadcasting environment even if they did not always achieve their stated goal. She discusses the importance of deregulation in later media regulation advocacy. Perlman makes clear that a simple declension story is inaccurate even in this later period and discusses these battles’ continued relevance today.</p><p><br></p><p>Christine Lamberson is an Assistant Professor of History at Angelo State University. Her research and teaching focuses on 20th century U.S. political and cultural history. She’s currently working on a book manuscript about the role of violence in shaping U.S. political culture in the 1960s and 1970s. She can be reached at <a href="mailto:clamberson@angelo.edu">clamberson@angelo.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3183</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=67142]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2891714867.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Naoko Wake, “Private Practices: Harry Stack Sullivan, the Science of Homosexuality, and American Liberalism” (Rutgers UP, 2011)</title>
      <description>The influential yet controversial psychiatrist, Harry Stack Sullivan was pioneering in his treatment of schizophrenia however the way he lived privately did not always correspond to the theoretical ideas he espoused publicly. With meticulous research and access to clinical and historical records, historianNaoko Wake, examines the life and work of this pioneer of American Psychoanalysis from an unconventional perspective, quite different than the usual biographical approach. In this interview we discuss Sullivan’s sometimes contradictory life work, especially his time at Sheppard-Pratt Hospital, his private practice in New York, and his wider, global ambitions later in life.
Private Practices: Harry Stack Sullivan, the Science of Homosexuality, and American Liberalism (Rutgers University Press, 2011), is compelling book and a welcome addition to the historical record of American Psychoanalysis.

Find Chris Bandini on Twitter @cebandini
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 01 Aug 2017 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>The influential yet controversial psychiatrist, Harry Stack Sullivan was pioneering in his treatment of schizophrenia however the way he lived privately did not always correspond to the theoretical ideas he espoused publicly.</itunes:subtitle>
      <itunes:summary>The influential yet controversial psychiatrist, Harry Stack Sullivan was pioneering in his treatment of schizophrenia however the way he lived privately did not always correspond to the theoretical ideas he espoused publicly. With meticulous research and access to clinical and historical records, historianNaoko Wake, examines the life and work of this pioneer of American Psychoanalysis from an unconventional perspective, quite different than the usual biographical approach. In this interview we discuss Sullivan’s sometimes contradictory life work, especially his time at Sheppard-Pratt Hospital, his private practice in New York, and his wider, global ambitions later in life.
Private Practices: Harry Stack Sullivan, the Science of Homosexuality, and American Liberalism (Rutgers University Press, 2011), is compelling book and a welcome addition to the historical record of American Psychoanalysis.

Find Chris Bandini on Twitter @cebandini
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The influential yet controversial psychiatrist, Harry Stack Sullivan was pioneering in his treatment of schizophrenia however the way he lived privately did not always correspond to the theoretical ideas he espoused publicly. With meticulous research and access to clinical and historical records, historian<a href="http://history.msu.edu/people/faculty/naoko-wake/">Naoko Wake</a>, examines the life and work of this pioneer of American Psychoanalysis from an unconventional perspective, quite different than the usual biographical approach. In this interview we discuss Sullivan’s sometimes contradictory life work, especially his time at Sheppard-Pratt Hospital, his private practice in New York, and his wider, global ambitions later in life.</p><p><a href="http://www.amazon.com/dp/0813549582/?tag=newbooinhis-20">Private Practices: Harry Stack Sullivan, the Science of Homosexuality, and American Liberalism</a> (Rutgers University Press, 2011), is compelling book and a welcome addition to the historical record of American Psychoanalysis.</p><p><br></p><p>Find Chris Bandini on Twitter <a href="https://twitter.com/cebandini?lang=en">@cebandini</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3482</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=66184]]></guid>
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    <item>
      <title>Allison E. Fagan, “From the Edge: Chicana/Chicano Border Literature and the Politics of Print” (Rutgers UP, 2016)</title>
      <description>What is a book? The answer, at first glance, may seem apparent: printed material consisting of a certain amount of pages. However, when a printed item goes under the scrutiny of readers, writers, editors, scholars, etc., the discussion gets complicated. The matter is that, when read, discussed, or analyzed, a book is situated in a specific environment that creates additional layers for consideration; furthermore, a printed item itself shapes the environment, revealing and producing further developments and proliferations. In From the Edge: Chicana/Chicano Border Literature and the Politics of Print (Rutgers University Press, 2016), Allison E. Fagan invites her readers to explore not only a magic world of the literature that arises out of collaboration of national, ethnic, political, social, literary borders, but also multilayered networks produced by books, which infiltrate readers’, writers’, editors’, publishers’, and translators’ communication.
As the title prompts, From the Edge discusses border literature; however, Fagan makes a step further and includes in her analysis books which do not fall under the category of conventional border literature. Through this gesture, From the Edge broadens the area of inquiry and brings a wider scope of questions for the discussion: what is border literature and what borders do we (or should we) consider? The borders Fagan discusses and negotiates are connected with books as printed items. Outlining a theoretical framework which to some extent relies on the postmodern principles, Fagan seems to initiate a conversation about books as in-flux items: when printed and circulated among the participants of readership (understood in its broadest sense), books not only deliver different stories about writing, reading, and publishing, but also shape current discourses strengthening some aspects and weakening others.
From the Edge shifts conventional margins to centers. This research offers a detailed discussion of paratextual elements: glossaries, typography, editorial paratexts, readers notes. In “My Book Has Been the Light of Day,” Fagan brings attention to recovery projects: books that were re-discovered and re-introduced to readers. While the stories about books that were once considered lost are intriguing and captivating, an academic inquiry brings forth a wide range of discussions: How are books re-discovered? How is their readership established? What do recovered books communicate about the past and present reading environments? What is accomplished through recovery projects? In her research, Fagan initiates, among others, these questions and invites readers, writers, editors, critics, scholars, translators to shift the boundaries of the existing conversations about print cultures and communication, literary traditions and language, ethnicity and nationality, self and identity.
Allison E. Fagan is an assistant professor of English at James Madison University in Harrisonburg, Virginia.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 24 Apr 2017 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>What is a book? The answer, at first glance, may seem apparent: printed material consisting of a certain amount of pages. However, when a printed item goes under the scrutiny of readers, writers, editors, scholars, etc.,</itunes:subtitle>
      <itunes:summary>What is a book? The answer, at first glance, may seem apparent: printed material consisting of a certain amount of pages. However, when a printed item goes under the scrutiny of readers, writers, editors, scholars, etc., the discussion gets complicated. The matter is that, when read, discussed, or analyzed, a book is situated in a specific environment that creates additional layers for consideration; furthermore, a printed item itself shapes the environment, revealing and producing further developments and proliferations. In From the Edge: Chicana/Chicano Border Literature and the Politics of Print (Rutgers University Press, 2016), Allison E. Fagan invites her readers to explore not only a magic world of the literature that arises out of collaboration of national, ethnic, political, social, literary borders, but also multilayered networks produced by books, which infiltrate readers’, writers’, editors’, publishers’, and translators’ communication.
As the title prompts, From the Edge discusses border literature; however, Fagan makes a step further and includes in her analysis books which do not fall under the category of conventional border literature. Through this gesture, From the Edge broadens the area of inquiry and brings a wider scope of questions for the discussion: what is border literature and what borders do we (or should we) consider? The borders Fagan discusses and negotiates are connected with books as printed items. Outlining a theoretical framework which to some extent relies on the postmodern principles, Fagan seems to initiate a conversation about books as in-flux items: when printed and circulated among the participants of readership (understood in its broadest sense), books not only deliver different stories about writing, reading, and publishing, but also shape current discourses strengthening some aspects and weakening others.
From the Edge shifts conventional margins to centers. This research offers a detailed discussion of paratextual elements: glossaries, typography, editorial paratexts, readers notes. In “My Book Has Been the Light of Day,” Fagan brings attention to recovery projects: books that were re-discovered and re-introduced to readers. While the stories about books that were once considered lost are intriguing and captivating, an academic inquiry brings forth a wide range of discussions: How are books re-discovered? How is their readership established? What do recovered books communicate about the past and present reading environments? What is accomplished through recovery projects? In her research, Fagan initiates, among others, these questions and invites readers, writers, editors, critics, scholars, translators to shift the boundaries of the existing conversations about print cultures and communication, literary traditions and language, ethnicity and nationality, self and identity.
Allison E. Fagan is an assistant professor of English at James Madison University in Harrisonburg, Virginia.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is a book? The answer, at first glance, may seem apparent: printed material consisting of a certain amount of pages. However, when a printed item goes under the scrutiny of readers, writers, editors, scholars, etc., the discussion gets complicated. The matter is that, when read, discussed, or analyzed, a book is situated in a specific environment that creates additional layers for consideration; furthermore, a printed item itself shapes the environment, revealing and producing further developments and proliferations. In <a href="http://www.amazon.com/dp/0813583799/?tag=newbooinhis-20">From the Edge: Chicana/Chicano Border Literature and the Politics of Print</a> (Rutgers University Press, 2016), <a href="https://www.jmu.edu/english/people/full-time%20faculty/Fagan%20Allison.shtml">Allison E. Fagan </a>invites her readers to explore not only a magic world of the literature that arises out of collaboration of national, ethnic, political, social, literary borders, but also multilayered networks produced by books, which infiltrate readers’, writers’, editors’, publishers’, and translators’ communication.</p><p>As the title prompts, From the Edge discusses border literature; however, Fagan makes a step further and includes in her analysis books which do not fall under the category of conventional border literature. Through this gesture, From the Edge broadens the area of inquiry and brings a wider scope of questions for the discussion: what is border literature and what borders do we (or should we) consider? The borders Fagan discusses and negotiates are connected with books as printed items. Outlining a theoretical framework which to some extent relies on the postmodern principles, Fagan seems to initiate a conversation about books as in-flux items: when printed and circulated among the participants of readership (understood in its broadest sense), books not only deliver different stories about writing, reading, and publishing, but also shape current discourses strengthening some aspects and weakening others.</p><p>From the Edge shifts conventional margins to centers. This research offers a detailed discussion of paratextual elements: glossaries, typography, editorial paratexts, readers notes. In “My Book Has Been the Light of Day,” Fagan brings attention to recovery projects: books that were re-discovered and re-introduced to readers. While the stories about books that were once considered lost are intriguing and captivating, an academic inquiry brings forth a wide range of discussions: How are books re-discovered? How is their readership established? What do recovered books communicate about the past and present reading environments? What is accomplished through recovery projects? In her research, Fagan initiates, among others, these questions and invites readers, writers, editors, critics, scholars, translators to shift the boundaries of the existing conversations about print cultures and communication, literary traditions and language, ethnicity and nationality, self and identity.</p><p>Allison E. Fagan is an assistant professor of English at James Madison University in Harrisonburg, Virginia.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2472</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=64163]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9036156762.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Nancy Wang Yuen, “Reel Inequality: Hollywood Actors and Racism” (Rutgers UP, 2017)</title>
      <description>How can we challenge the way film and television represents the world around us? In Reel Inequality: Hollywood Actors and Racism (Rutgers University Press, 2017) Nancy Wan Yuen, and Associate Professor of Sociology at Biola University, offers a comprehensive guide to the problem of racism in Hollywood, along with possible solutions for organisations, governments and audiences. The book draws on a wealth of interview data, along with almost 10 years of fieldwork in the Hollywood system, interviewing on- and off-screen talent, agents, and decision makers. The book shows the high levels of exclusion of people of colour from Hollywood, along with the malign impacts of this on contemporary culture. Moreover, the book shows how actors of colour face a ‘double bind’ in trying to get work and negotiate the expectations and biases of a white system. By exposing the problem, and offering practical guidance for change, the book represents an important intervention. The engaging style and clear, academically rigorous, prose should be read by anyone interested in Hollywood, and thus more global, culture. The book also has a twitter feed and website.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 14 Mar 2017 19:19:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>How can we challenge the way film and television represents the world around us? In Reel Inequality: Hollywood Actors and Racism (Rutgers University Press, 2017) Nancy Wan Yuen, and Associate Professor of Sociology at Biola University,</itunes:subtitle>
      <itunes:summary>How can we challenge the way film and television represents the world around us? In Reel Inequality: Hollywood Actors and Racism (Rutgers University Press, 2017) Nancy Wan Yuen, and Associate Professor of Sociology at Biola University, offers a comprehensive guide to the problem of racism in Hollywood, along with possible solutions for organisations, governments and audiences. The book draws on a wealth of interview data, along with almost 10 years of fieldwork in the Hollywood system, interviewing on- and off-screen talent, agents, and decision makers. The book shows the high levels of exclusion of people of colour from Hollywood, along with the malign impacts of this on contemporary culture. Moreover, the book shows how actors of colour face a ‘double bind’ in trying to get work and negotiate the expectations and biases of a white system. By exposing the problem, and offering practical guidance for change, the book represents an important intervention. The engaging style and clear, academically rigorous, prose should be read by anyone interested in Hollywood, and thus more global, culture. The book also has a twitter feed and website.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can we challenge the way film and television represents the world around us? In <a href="http://www.amazon.com/dp/0813586305/?tag=newbooinhis-20">Reel Inequality: Hollywood Actors and Racism</a> (Rutgers University Press, 2017) <a href="https://twitter.com/nancywyuen">Nancy Wan Yuen</a>, and <a href="https://www.biola.edu/directory/people/nancy_yuen">Associate Professor of Sociology at Biola University</a>, offers a comprehensive guide to the problem of racism in Hollywood, along with possible solutions for organisations, governments and audiences. The book draws on a wealth of interview data, along with almost 10 years of fieldwork in the Hollywood system, interviewing on- and off-screen talent, agents, and decision makers. The book shows the high levels of exclusion of people of colour from Hollywood, along with the malign impacts of this on contemporary culture. Moreover, the book shows how actors of colour face a ‘double bind’ in trying to get work and negotiate the expectations and biases of a white system. By exposing the problem, and offering practical guidance for change, the book represents an important intervention. The engaging style and clear, academically rigorous, prose should be read by anyone interested in Hollywood, and thus more global, culture. The book also has a <a href="https://twitter.com/ReelInequality">twitter feed</a> and <a href="http://www.nancywyuen.com/reel-inequality.html">website</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2316</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=63214]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3500678712.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Deborah Lipstadt, “Holocaust: An American Understanding” (Rutgers UP, 2016)</title>
      <description>In her most recent book, Holocaust: An American Understanding (Rutgers University Press), Deborah Lipstadt reviews and analyzes the emergence of Holocaust scholarship in the academy, and Holocaust consciousness in the American public, in the second half of the twentieth century. Professor Lipstadt, Dorot Professor of Modern Jewish History and Holocaust Studies at Emory University, demonstrates that, even as the magnitude and the horror of the Holocaust became known in the United States, it became a decisive influence on American Jewish identity, and on American moral and political consciousness, during a turbulent period. Professor Lipstadt talks about the evolving understanding of the Holocaust, as well as the phenomenon of Holocaust denial, in this wide-ranging discussion.

David Gottlieb is a PhD candidate in the History of Judaism at the University of Chicago Divinity School. His research interests center on the influence of midrash in the formation of Jewish cultural memory. He can be reached at davidg1@uchicago.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 06 Mar 2017 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>In her most recent book, Holocaust: An American Understanding (Rutgers University Press), Deborah Lipstadt reviews and analyzes the emergence of Holocaust scholarship in the academy, and Holocaust consciousness in the American public,</itunes:subtitle>
      <itunes:summary>In her most recent book, Holocaust: An American Understanding (Rutgers University Press), Deborah Lipstadt reviews and analyzes the emergence of Holocaust scholarship in the academy, and Holocaust consciousness in the American public, in the second half of the twentieth century. Professor Lipstadt, Dorot Professor of Modern Jewish History and Holocaust Studies at Emory University, demonstrates that, even as the magnitude and the horror of the Holocaust became known in the United States, it became a decisive influence on American Jewish identity, and on American moral and political consciousness, during a turbulent period. Professor Lipstadt talks about the evolving understanding of the Holocaust, as well as the phenomenon of Holocaust denial, in this wide-ranging discussion.

David Gottlieb is a PhD candidate in the History of Judaism at the University of Chicago Divinity School. His research interests center on the influence of midrash in the formation of Jewish cultural memory. He can be reached at davidg1@uchicago.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her most recent book, <a href="http://www.amazon.com/dp/081356476X/?tag=newbooinhis-20">Holocaust: An American Understanding</a> (Rutgers University Press), Deborah Lipstadt reviews and analyzes the emergence of Holocaust scholarship in the academy, and Holocaust consciousness in the American public, in the second half of the twentieth century. <a href="https://en.wikipedia.org/wiki/Deborah_Lipstadt">Professor Lipstadt</a>, <a href="http://religion.emory.edu/home/people/faculty/lipstadt-deborah.html">Dorot Professor of Modern Jewish History and Holocaust Studies at Emory University</a>, demonstrates that, even as the magnitude and the horror of the Holocaust became known in the United States, it became a decisive influence on American Jewish identity, and on American moral and political consciousness, during a turbulent period. Professor Lipstadt talks about the evolving understanding of the Holocaust, as well as the phenomenon of Holocaust denial, in this wide-ranging discussion.</p><p><br></p><p>David Gottlieb is a PhD candidate in the History of Judaism at the University of Chicago Divinity School. His research interests center on the influence of midrash in the formation of Jewish cultural memory. He can be reached at <a href="mailto:davidg1@uchicago.edu">davidg1@uchicago.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2311</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=62959]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2916505563.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Jennifer Glaser, “Borrowed Voices: Writing and Racial Ventriloquism in the Jewish American Imagination” (Rutgers UP, 2016)</title>
      <description>In Borrowed Voices: Writing and Racial Ventriloquism in the Jewish American Imagination (Rutgers University Press, 2016), Jennifer Glaser, Associate Professor of English and comparative literature and an affiliate faculty member in Judaic studies and womens, gender, and sexuality studies at the University of Cincinnati, Ohio, examines how racial ventriloquism became a hallmark of Jewish-American fiction. She offers a nuanced analysis of this practice of Jewish writers speaking for or as other minorities. This book is a compelling contribution, bringing Jewish cultural studies into conversation with critical race theory in innovative and provocative ways.

Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 07 Nov 2016 11:10:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>In Borrowed Voices: Writing and Racial Ventriloquism in the Jewish American Imagination (Rutgers University Press, 2016), Jennifer Glaser, Associate Professor of English and comparative literature and an affiliate faculty member in Judaic studies and w...</itunes:subtitle>
      <itunes:summary>In Borrowed Voices: Writing and Racial Ventriloquism in the Jewish American Imagination (Rutgers University Press, 2016), Jennifer Glaser, Associate Professor of English and comparative literature and an affiliate faculty member in Judaic studies and womens, gender, and sexuality studies at the University of Cincinnati, Ohio, examines how racial ventriloquism became a hallmark of Jewish-American fiction. She offers a nuanced analysis of this practice of Jewish writers speaking for or as other minorities. This book is a compelling contribution, bringing Jewish cultural studies into conversation with critical race theory in innovative and provocative ways.

Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/081357739X/?tag=newbooinhis-20">Borrowed Voices: Writing and Racial Ventriloquism in the Jewish American Imagination</a> (Rutgers University Press, 2016), <a href="http://www.artsci.uc.edu/departments/english/profiles/jennifer_glaser.html">Jennifer Glaser</a>, Associate Professor of English and comparative literature and an affiliate faculty member in Judaic studies and womens, gender, and sexuality studies at the University of Cincinnati, Ohio, examines how racial ventriloquism became a hallmark of Jewish-American fiction. She offers a nuanced analysis of this practice of Jewish writers speaking for or as other minorities. This book is a compelling contribution, bringing Jewish cultural studies into conversation with critical race theory in innovative and provocative ways.</p><p><br></p><p><a href="https://unimelb.academia.edu/MaxKaiser">Max Kaiser</a> is a PhD candidate at the University of Melbourne. He can be reached at <a href="mailto:kaiser@student.unimelb.edu.au">kaiser@student.unimelb.edu.au</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1531</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=61165]]></guid>
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    <item>
      <title>Susan Greenbaum, “Blaming the Poor: The Long Shadow of the Moynihan Report on Cruel Images about Poverty” (Rutgers UP, 2015)</title>
      <description>Patrick Moynihan’s Report on the Negro Family was a seminal document in Great Society-era racial politics and public policy. Join us as we talk with Susan Greenbaum about her new book, Blaming the Poor: The Long Shadow of the Moynihan Report on Cruel Images about Poverty (Rutgers University Press, 2015), which chronicles the lasting legacy of The Moynihan Report and the ways in which housing, criminal justice, education, and poverty policy all still bear its marks.

Stephen Pimpare is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A People’s History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017).
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 06 Nov 2016 21:50:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Patrick Moynihan’s Report on the Negro Family was a seminal document in Great Society-era racial politics and public policy. Join us as we talk with Susan Greenbaum about her new book, Blaming the Poor: The Long Shadow of the Moynihan Report on Cruel I...</itunes:subtitle>
      <itunes:summary>Patrick Moynihan’s Report on the Negro Family was a seminal document in Great Society-era racial politics and public policy. Join us as we talk with Susan Greenbaum about her new book, Blaming the Poor: The Long Shadow of the Moynihan Report on Cruel Images about Poverty (Rutgers University Press, 2015), which chronicles the lasting legacy of The Moynihan Report and the ways in which housing, criminal justice, education, and poverty policy all still bear its marks.

Stephen Pimpare is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A People’s History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017).
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Patrick Moynihan’s Report on the Negro Family was a seminal document in Great Society-era racial politics and public policy. Join us as we talk with <a href="http://anthropology.usf.edu/faculty/greenbaum/">Susan Greenbaum</a> about her new book, <a href="http://www.amazon.com/dp/0813574137/?tag=newbooinhis-20">Blaming the Poor: The Long Shadow of the Moynihan Report on Cruel Images about Poverty</a> (Rutgers University Press, 2015), which chronicles the lasting legacy of The Moynihan Report and the ways in which housing, criminal justice, education, and poverty policy all still bear its marks.</p><p><br></p><p><a href="http://www.stephenpimpare.com">Stephen Pimpare</a> is Senior Lecturer in the Politics &amp; Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A People’s History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017).</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3300</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=61178]]></guid>
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    <item>
      <title>Elizabeth Reich, “Militant Visions: Black Soldiers, Internationalism, and the Transformation of American Cinema” (Rutgers UP, 2016)</title>
      <description>Elizabeth Reich is an assistant professor of film studies at Connecticut College in New London. Militant Visions: Black Soldiers, Internationalism, and the Transformation of American Cinema (Rutgers University Press, 2016) examines how, from the 1940s to the 1970s, the cinematic figure of the black soldier helped change the ways American moviegoers saw black men, for the first time presenting African Americans as vital and integrated members of the nation. In the process, Elizabeth Reich reveals how the image of the proud and powerful African American serviceman was crafted by an unexpected alliance of government propagandists, civil rights activists, and black filmmakers.
Contextualizing the figure in a genealogy of black radicalism and internationalism, Reich shows the evolving images of black soldiers to be inherently transnational ones, shaped by the displacements of Diaspora, Third World revolutionary philosophy, and a legacy of black artistry and performance. Offering a nuanced reading of a figure that was simultaneously conservative and radical, Reich considers how the cinematic black soldier lent a human face to ongoing debates about racial integration, black internationalism, and American militarism. Militant Visions thus not only presents a new history of how American cinema represented race, but also demonstrates how film images helped to make history, shaping the progress of the civil rights movement itself.
In addition to this work, previously in 2015 Reich co-edited a special issue of Film Criticism, titled “New Approaches to Cinematic Identification,” which brings together works on one of Reich’s other primary interests: identification and film spectatorship. Reich’s own articles appear in Screen, African American Review, Film Criticism and Women and Performance, and she has a chapter forthcoming in Black Cinema Aesthetics, edited by Michael Gillespi and Akil Huston. She also serves on the editorial boards of Criticism and Film Criticism.
Reich is also currently at work on two new projects: co-editing a book collection on Afrofuturism, Justice In Time: Critical Afrofuturism and Black Freedom Struggles, and writing another monograph on global cinema, temporality and reparations, tentatively titled Reparative Time. In addition to her film studies scholarship, Reich is also a noted documentary director. Her feature-length documentaries include “Milton and Charlotte: A Baliwood Love Story” and “very Queer kids.”

James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.
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      <pubDate>Mon, 10 Oct 2016 21:20:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Elizabeth Reich is an assistant professor of film studies at Connecticut College in New London. Militant Visions: Black Soldiers, Internationalism, and the Transformation of American Cinema (Rutgers University Press, 2016) examines how,</itunes:subtitle>
      <itunes:summary>Elizabeth Reich is an assistant professor of film studies at Connecticut College in New London. Militant Visions: Black Soldiers, Internationalism, and the Transformation of American Cinema (Rutgers University Press, 2016) examines how, from the 1940s to the 1970s, the cinematic figure of the black soldier helped change the ways American moviegoers saw black men, for the first time presenting African Americans as vital and integrated members of the nation. In the process, Elizabeth Reich reveals how the image of the proud and powerful African American serviceman was crafted by an unexpected alliance of government propagandists, civil rights activists, and black filmmakers.
Contextualizing the figure in a genealogy of black radicalism and internationalism, Reich shows the evolving images of black soldiers to be inherently transnational ones, shaped by the displacements of Diaspora, Third World revolutionary philosophy, and a legacy of black artistry and performance. Offering a nuanced reading of a figure that was simultaneously conservative and radical, Reich considers how the cinematic black soldier lent a human face to ongoing debates about racial integration, black internationalism, and American militarism. Militant Visions thus not only presents a new history of how American cinema represented race, but also demonstrates how film images helped to make history, shaping the progress of the civil rights movement itself.
In addition to this work, previously in 2015 Reich co-edited a special issue of Film Criticism, titled “New Approaches to Cinematic Identification,” which brings together works on one of Reich’s other primary interests: identification and film spectatorship. Reich’s own articles appear in Screen, African American Review, Film Criticism and Women and Performance, and she has a chapter forthcoming in Black Cinema Aesthetics, edited by Michael Gillespi and Akil Huston. She also serves on the editorial boards of Criticism and Film Criticism.
Reich is also currently at work on two new projects: co-editing a book collection on Afrofuturism, Justice In Time: Critical Afrofuturism and Black Freedom Struggles, and writing another monograph on global cinema, temporality and reparations, tentatively titled Reparative Time. In addition to her film studies scholarship, Reich is also a noted documentary director. Her feature-length documentaries include “Milton and Charlotte: A Baliwood Love Story” and “very Queer kids.”

James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.
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      <content:encoded>
        <![CDATA[<p><a href="https://www.conncoll.edu/directories/faculty-profiles/elizabeth-reich/">Elizabeth Reich</a> is an assistant professor of film studies at Connecticut College in New London. <a href="http://www.amazon.com/dp/0813572576/?tag=newbooinhis-20">Militant Visions: Black Soldiers, Internationalism, and the Transformation of American Cinema</a> (Rutgers University Press, 2016) examines how, from the 1940s to the 1970s, the cinematic figure of the black soldier helped change the ways American moviegoers saw black men, for the first time presenting African Americans as vital and integrated members of the nation. In the process, Elizabeth Reich reveals how the image of the proud and powerful African American serviceman was crafted by an unexpected alliance of government propagandists, civil rights activists, and black filmmakers.</p><p>Contextualizing the figure in a genealogy of black radicalism and internationalism, Reich shows the evolving images of black soldiers to be inherently transnational ones, shaped by the displacements of Diaspora, Third World revolutionary philosophy, and a legacy of black artistry and performance. Offering a nuanced reading of a figure that was simultaneously conservative and radical, Reich considers how the cinematic black soldier lent a human face to ongoing debates about racial integration, black internationalism, and American militarism. Militant Visions thus not only presents a new history of how American cinema represented race, but also demonstrates how film images helped to make history, shaping the progress of the civil rights movement itself.</p><p>In addition to this work, previously in 2015 Reich co-edited a special issue of Film Criticism, titled “New Approaches to Cinematic Identification,” which brings together works on one of Reich’s other primary interests: identification and film spectatorship. Reich’s own articles appear in Screen, African American Review, Film Criticism and Women and Performance, and she has a chapter forthcoming in Black Cinema Aesthetics, edited by Michael Gillespi and Akil Huston. She also serves on the editorial boards of Criticism and Film Criticism.</p><p>Reich is also currently at work on two new projects: co-editing a book collection on Afrofuturism, Justice In Time: Critical Afrofuturism and Black Freedom Struggles, and writing another monograph on global cinema, temporality and reparations, tentatively titled Reparative Time. In addition to her film studies scholarship, Reich is also a noted documentary director. Her feature-length documentaries include “Milton and Charlotte: A Baliwood Love Story” and “very Queer kids.”</p><p><br></p><p>James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1962</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=60739]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6762475902.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mark Schuller, “Humanitarian Aftershocks in Haiti” (Rutgers UP, 2016)</title>
      <description>The earthquake that shook Haiti on January 12, 2010 killed and destroyed the homes of hundreds of thousands of people. Mark Schuller‘s book Humanitarian Aftershocks in Haiti (Rutgers University Press, 2016) takes readers into the temporary camps in Port au Prince and offers a searing critique of the NGOs and...
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      <pubDate>Thu, 28 Apr 2016 10:39:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>The earthquake that shook Haiti on January 12, 2010 killed and destroyed the homes of hundreds of thousands of people. Mark Schuller‘s book Humanitarian Aftershocks in Haiti (Rutgers University Press, 2016) takes readers into the temporary camps in Por...</itunes:subtitle>
      <itunes:summary>The earthquake that shook Haiti on January 12, 2010 killed and destroyed the homes of hundreds of thousands of people. Mark Schuller‘s book Humanitarian Aftershocks in Haiti (Rutgers University Press, 2016) takes readers into the temporary camps in Port au Prince and offers a searing critique of the NGOs and...
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The earthquake that shook Haiti on January 12, 2010 killed and destroyed the homes of hundreds of thousands of people. Mark Schuller‘s book Humanitarian Aftershocks in Haiti (Rutgers University Press, 2016) takes readers into the temporary camps in Port au Prince and offers a searing critique of the NGOs and...</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3034</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=55301]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5529617639.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mario Jimenez Sifuentez, “Of Forests and Fields: Mexican Labor in the Pacific Northwest” (Rutgers UP, 2016)</title>
      <description>In Of Forests and Fields: Mexican Labor in the Pacific Northwest (Rutgers University Press, 2016), Dr. Mario Jimenez Sifuentez combines U.S. labor, environmental, and Chicana/o history to tell the story of Mexican laborers in the states of Oregon and Washington. Beginning with the initial migration of Mexican guest workers to the Northwest in 1942 and culminating with the formation and success of regional organizations advocating for farmworker rights in the mid-1990s, Dr. Sifuentez’s study highlights the central role of Mexican labor in transforming the Pacific Northwest into one of the most productive agricultural regions in the country after World War II. At the heart of the book is a deeply personal history of Mexican worker resistance, which Sifuentez traces from the braceros of the 1940s, to the Tejanos of the postwar period, to today’s largely undocumented workforce. Throughout, Dr. Sifuentez discusses the uniqueness of the ethnic Mexican experience in the Pacific Northwest, which departs in a number of significant ways from the established narrative centered in the Southwest. Of Forests and Fields also provides a usable history of the formation and success of progressive minded organizations like Pineros y Campesinos Unidos Noroeste (PECUN) that combine grassroots community-centered engagement with labor activism to serve the needs of vulnerable workers, families, and communities.

David-James Gonzales (DJ) is a Doctoral Candidate in History at the University of Southern California. His research and teaching interests include California and the West, Borderlands, Civil Rights, and Latina/o identity and politics. DJ is currently writing a dissertation about the influence of Mexican American civic engagement and political activism on the metropolitan development of Orange County, CA from 1930 to 1965.
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      <pubDate>Wed, 30 Mar 2016 00:08:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a86e398a-f12a-11ee-8bba-cfb16d20e8b7/image/57c483109130d98b35ff35c52e7af2c4.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>In Of Forests and Fields: Mexican Labor in the Pacific Northwest (Rutgers University Press, 2016), Dr. Mario Jimenez Sifuentez combines U.S. labor, environmental, and Chicana/o history to tell the story of Mexican laborers in the states of Oregon and W...</itunes:subtitle>
      <itunes:summary>In Of Forests and Fields: Mexican Labor in the Pacific Northwest (Rutgers University Press, 2016), Dr. Mario Jimenez Sifuentez combines U.S. labor, environmental, and Chicana/o history to tell the story of Mexican laborers in the states of Oregon and Washington. Beginning with the initial migration of Mexican guest workers to the Northwest in 1942 and culminating with the formation and success of regional organizations advocating for farmworker rights in the mid-1990s, Dr. Sifuentez’s study highlights the central role of Mexican labor in transforming the Pacific Northwest into one of the most productive agricultural regions in the country after World War II. At the heart of the book is a deeply personal history of Mexican worker resistance, which Sifuentez traces from the braceros of the 1940s, to the Tejanos of the postwar period, to today’s largely undocumented workforce. Throughout, Dr. Sifuentez discusses the uniqueness of the ethnic Mexican experience in the Pacific Northwest, which departs in a number of significant ways from the established narrative centered in the Southwest. Of Forests and Fields also provides a usable history of the formation and success of progressive minded organizations like Pineros y Campesinos Unidos Noroeste (PECUN) that combine grassroots community-centered engagement with labor activism to serve the needs of vulnerable workers, families, and communities.

David-James Gonzales (DJ) is a Doctoral Candidate in History at the University of Southern California. His research and teaching interests include California and the West, Borderlands, Civil Rights, and Latina/o identity and politics. DJ is currently writing a dissertation about the influence of Mexican American civic engagement and political activism on the metropolitan development of Orange County, CA from 1930 to 1965.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/081357689X/?tag=newbooinhis-20">Of Forests and Fields: Mexican Labor in the Pacific Northwest</a> (Rutgers University Press, 2016), Dr. <a href="http://www.ucmerced.edu/content/mario-sifuentez">Mario Jimenez Sifuentez</a> combines U.S. labor, environmental, and Chicana/o history to tell the story of Mexican laborers in the states of Oregon and Washington. Beginning with the initial migration of Mexican guest workers to the Northwest in 1942 and culminating with the formation and success of regional organizations advocating for farmworker rights in the mid-1990s, Dr. Sifuentez’s study highlights the central role of Mexican labor in transforming the Pacific Northwest into one of the most productive agricultural regions in the country after World War II. At the heart of the book is a deeply personal history of Mexican worker resistance, which Sifuentez traces from the braceros of the 1940s, to the Tejanos of the postwar period, to today’s largely undocumented workforce. Throughout, Dr. Sifuentez discusses the uniqueness of the ethnic Mexican experience in the Pacific Northwest, which departs in a number of significant ways from the established narrative centered in the Southwest. Of Forests and Fields also provides a usable history of the formation and success of progressive minded organizations like Pineros y Campesinos Unidos Noroeste (PECUN) that combine grassroots community-centered engagement with labor activism to serve the needs of vulnerable workers, families, and communities.</p><p><br></p><p><a href="http://dornsife.usc.edu/cf/hist/student-display.cfm?Person_ID=1035531">David-James Gonzales</a> (DJ) is a Doctoral Candidate in History at the University of Southern California. His research and teaching interests include California and the West, Borderlands, Civil Rights, and Latina/o identity and politics. DJ is currently writing a dissertation about the influence of Mexican American civic engagement and political activism on the metropolitan development of Orange County, CA from 1930 to 1965.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4369</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=54516]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2196700287.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Jeffery S. Gurock, “The Holocaust Averted: An Alternate History of American Jewry, 1938-1967” (Rutgers UP, 2015)</title>
      <description>In The Holocaust Averted: An Alternate History of American Jewry, 1938-1967 (Rutgers University Press, 2015), Jeffrey S. Gurock, the Libby M. Klaperman Professor of Jewish History at Yeshiva University, imagines an alternate history of American Jewry had there been no Holocaust. Contributing to the increasingly popular genre of alternate history, Gurock uses historical sources to create a plausible, but fictional, narrative about mid-century American Jews, their relationship with their coreligionists in Europe and Israel, and their acceptance in American society (or lack thereof). Each chapter in Gurock’s tale ends a short section that describes what really happened.
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      <pubDate>Thu, 22 Oct 2015 09:53:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>In The Holocaust Averted: An Alternate History of American Jewry, 1938-1967 (Rutgers University Press, 2015), Jeffrey S. Gurock, the Libby M. Klaperman Professor of Jewish History at Yeshiva University, imagines an alternate history of American Jewry h...</itunes:subtitle>
      <itunes:summary>In The Holocaust Averted: An Alternate History of American Jewry, 1938-1967 (Rutgers University Press, 2015), Jeffrey S. Gurock, the Libby M. Klaperman Professor of Jewish History at Yeshiva University, imagines an alternate history of American Jewry had there been no Holocaust. Contributing to the increasingly popular genre of alternate history, Gurock uses historical sources to create a plausible, but fictional, narrative about mid-century American Jews, their relationship with their coreligionists in Europe and Israel, and their acceptance in American society (or lack thereof). Each chapter in Gurock’s tale ends a short section that describes what really happened.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/0813572371/?tag=newbooinhis-20">The Holocaust Averted: An Alternate History of American Jewry, 1938-1967</a> (Rutgers University Press, 2015), <a href="http://jeffreygurock.com/">Jeffrey S. Gurock</a>, the Libby M. Klaperman Professor of Jewish History at Yeshiva University, imagines an alternate history of American Jewry had there been no Holocaust. Contributing to the increasingly popular genre of alternate history, Gurock uses historical sources to create a plausible, but fictional, narrative about mid-century American Jews, their relationship with their coreligionists in Europe and Israel, and their acceptance in American society (or lack thereof). Each chapter in Gurock’s tale ends a short section that describes what really happened.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3466</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksinbigideas.com/2015/10/22/jeffery-s-gurock-the-holocaust-averted-an-alternate-history-of-american-jewry-1938-1967-rutgers-up-2015/]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4008574924.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daniel Feierstein, “Genocide as Social Practice” (Rutgers UP, 2014)</title>
      <description>So I should start out with a confession. I don’t know much about the history of Argentina (I said something similar about Guatemala a year or so ago on the program). And I don’t think it would have occurred to me to do a comparative study Argentina and Nazi Germany. Fortunately, Daniel Feierstein was more imaginative than I. The resulting study, recently translated into English as Genocide as Social Practice:Reorganizing Society under the Nazis and Argentina’s Military Juntas (Rutgers UniversityPress, 2014), offers a provocative and insightful rethinking of the nature of genocide and genocidal regimes
Feierstein is a prominent member of the genocide studies community and currently serves as the president of the International Association of Genocide Scholars. But he also has a personal connection with his material, having participated in the demonstrations that brought Argentina’s junta down. Genocide as Social Practice is intellectually rigorous but informed by a deep personal passion for his subject. In the book, he offers an important expansion of our understanding of genocide, one which links seemingly disparate phenomenon and extends the concept into the period after physical destruction has ended. It’s an important observation, one which will challenge any reader to rethink his or her previous assumptions. That in itself makes it an worthwhile book. It goes without saying that it has also convinced me that I need to pay more attention to Latin American history.
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      <pubDate>Fri, 10 Apr 2015 11:59:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e20b7a9e-f126-11ee-8af5-d719a5fcdf3d/image/2b00cdd3457d03673ac5bc5004dc01b3.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>So I should start out with a confession. I don’t know much about the history of Argentina (I said something similar about Guatemala a year or so ago on the program). And I don’t think it would have occurred to me to do a comparative study Argentina and...</itunes:subtitle>
      <itunes:summary>So I should start out with a confession. I don’t know much about the history of Argentina (I said something similar about Guatemala a year or so ago on the program). And I don’t think it would have occurred to me to do a comparative study Argentina and Nazi Germany. Fortunately, Daniel Feierstein was more imaginative than I. The resulting study, recently translated into English as Genocide as Social Practice:Reorganizing Society under the Nazis and Argentina’s Military Juntas (Rutgers UniversityPress, 2014), offers a provocative and insightful rethinking of the nature of genocide and genocidal regimes
Feierstein is a prominent member of the genocide studies community and currently serves as the president of the International Association of Genocide Scholars. But he also has a personal connection with his material, having participated in the demonstrations that brought Argentina’s junta down. Genocide as Social Practice is intellectually rigorous but informed by a deep personal passion for his subject. In the book, he offers an important expansion of our understanding of genocide, one which links seemingly disparate phenomenon and extends the concept into the period after physical destruction has ended. It’s an important observation, one which will challenge any reader to rethink his or her previous assumptions. That in itself makes it an worthwhile book. It goes without saying that it has also convinced me that I need to pay more attention to Latin American history.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>So I should start out with a confession. I don’t know much about the history of Argentina (I said something similar about Guatemala a year or so ago on the program). And I don’t think it would have occurred to me to do a comparative study Argentina and Nazi Germany. Fortunately, <a href="https://www.fce.com.ar/ar/autores/autor_detalle.aspx?idAutor=2169">Daniel Feierstein</a> was more imaginative than I. The resulting study, recently translated into English as <a href="http://www.amazon.com/dp/0813563178/?tag=newbooinhis-20">Genocide as Social Practice:Reorganizing Society under the Nazis and Argentina’s Military Juntas</a> (Rutgers UniversityPress, 2014), offers a provocative and insightful rethinking of the nature of genocide and genocidal regimes</p><p>Feierstein is a prominent member of the genocide studies community and currently serves as the president of the International Association of Genocide Scholars. But he also has a personal connection with his material, having participated in the demonstrations that brought Argentina’s junta down. Genocide as Social Practice is intellectually rigorous but informed by a deep personal passion for his subject. In the book, he offers an important expansion of our understanding of genocide, one which links seemingly disparate phenomenon and extends the concept into the period after physical destruction has ended. It’s an important observation, one which will challenge any reader to rethink his or her previous assumptions. That in itself makes it an worthwhile book. It goes without saying that it has also convinced me that I need to pay more attention to Latin American history.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3992</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/genocidestudies/?p=530]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4698795452.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jules Boykoff, “Activism and the Olympics: Dissent at the Games in Vancouver and London” (Rutgers University Press, 2014)</title>
      <description>A new chapter in the history of the Olympic Games appears to be opening. As one city after another has dropped out of the bidding for the 2022 Winter Games, the International Olympic Committee has been faced with the prospect that no one might be willing to host its wonderful,...
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 22 Dec 2014 18:09:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>A new chapter in the history of the Olympic Games appears to be opening. As one city after another has dropped out of the bidding for the 2022 Winter Games, the International Olympic Committee has been faced with the prospect that no one might be willi...</itunes:subtitle>
      <itunes:summary>A new chapter in the history of the Olympic Games appears to be opening. As one city after another has dropped out of the bidding for the 2022 Winter Games, the International Olympic Committee has been faced with the prospect that no one might be willing to host its wonderful,...
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A new chapter in the history of the Olympic Games appears to be opening. As one city after another has dropped out of the bidding for the 2022 Winter Games, the International Olympic Committee has been faced with the prospect that no one might be willing to host its wonderful,...</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2656</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksinpolitics.com/2014/12/22/jules-boykoff-activism-and-the-olympics-dissent-at-the-games-in-vancouver-and-london-rutgers-university-press-2014/]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6994150807.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Kevin Quashie, “The Sovereignty of Quiet: Beyond Resistance in Black Culture” (Rutgers UP, 2012)</title>
      <description>Musician James Brown is famous for his civil rights slogan, “Say it loud; I’m Black and I’m proud,” illustrating the argument that Kevin Quashie makes in his new book The Sovereignty of Quiet: Beyond Resistance in Black Culture (Rutgers University Press, 2012)–that public expressiveness has become the dominant trope for thinking through and even theorizing blackness. As a result, public expressivity (think powerful oratory at mass demonstrations or spirited polemics, such as David Walker’s Appeal) is linked to resistance. In fact, contemporary activist-scholars, such as Omi Osun Joni L. Jones, have called on others, particularly whites, to engage in this kind of public expressiveness associated with blacks. One of Jones’ 6 Rules for Allies, encourages others “to be loud and crazy so black folk don’t have to” (see http://vimeo.com/78945479). Jones is asking for allegiances that allow black folk time and space for quiet. Although what Jones advocates it still a necessity, Quashie presents a history and present of black folk engaging quiet, both with and without allies. In his provocative new study, Quashie expands and even challenges what it means to be loud and re-examines long held notions about double consciousness, the role of surrender vis a vis resistance, oratory as the most effective means of resistance, and the need to develop retrospection and cultivate interiority. No doubt his remarks during this interview will be of as much interest as the book.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 17 Feb 2014 14:56:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Musician James Brown is famous for his civil rights slogan, “Say it loud; I’m Black and I’m proud,” illustrating the argument that Kevin Quashie makes in his new book The Sovereignty of Quiet: Beyond Resistance in Black Culture (Rutgers University Pres...</itunes:subtitle>
      <itunes:summary>Musician James Brown is famous for his civil rights slogan, “Say it loud; I’m Black and I’m proud,” illustrating the argument that Kevin Quashie makes in his new book The Sovereignty of Quiet: Beyond Resistance in Black Culture (Rutgers University Press, 2012)–that public expressiveness has become the dominant trope for thinking through and even theorizing blackness. As a result, public expressivity (think powerful oratory at mass demonstrations or spirited polemics, such as David Walker’s Appeal) is linked to resistance. In fact, contemporary activist-scholars, such as Omi Osun Joni L. Jones, have called on others, particularly whites, to engage in this kind of public expressiveness associated with blacks. One of Jones’ 6 Rules for Allies, encourages others “to be loud and crazy so black folk don’t have to” (see http://vimeo.com/78945479). Jones is asking for allegiances that allow black folk time and space for quiet. Although what Jones advocates it still a necessity, Quashie presents a history and present of black folk engaging quiet, both with and without allies. In his provocative new study, Quashie expands and even challenges what it means to be loud and re-examines long held notions about double consciousness, the role of surrender vis a vis resistance, oratory as the most effective means of resistance, and the need to develop retrospection and cultivate interiority. No doubt his remarks during this interview will be of as much interest as the book.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Musician James Brown is famous for his civil rights slogan, “Say it loud; I’m Black and I’m proud,” illustrating the argument that <a href="http://www.smith.edu/aas/faculty_quashie.php">Kevin Quashie</a> makes in his new book <a href="http://www.amazon.com/dp/0813553105/?tag=newbooinhis-20">The Sovereignty of Quiet: Beyond Resistance in Black Culture</a> (Rutgers University Press, 2012)–that public expressiveness has become the dominant trope for thinking through and even theorizing blackness. As a result, public expressivity (think powerful oratory at mass demonstrations or spirited polemics, such as David Walker’s Appeal) is linked to resistance. In fact, contemporary activist-scholars, such as Omi Osun Joni L. Jones, have called on others, particularly whites, to engage in this kind of public expressiveness associated with blacks. One of Jones’ 6 Rules for Allies, encourages others “to be loud and crazy so black folk don’t have to” (see http://vimeo.com/78945479). Jones is asking for allegiances that allow black folk time and space for quiet. Although what Jones advocates it still a necessity, Quashie presents a history and present of black folk engaging quiet, both with and without allies. In his provocative new study, Quashie expands and even challenges what it means to be loud and re-examines long held notions about double consciousness, the role of surrender vis a vis resistance, oratory as the most effective means of resistance, and the need to develop retrospection and cultivate interiority. No doubt his remarks during this interview will be of as much interest as the book.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3103</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/afroamstudies/?p=1072]]></guid>
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    <item>
      <title>Olga Gershenson, “The Phantom Holocaust: Soviet Cinema and Jewish Catastrophe” (Rutgers UP, 2013)</title>
      <description>Fifty years of Holocaust screenplays and films -largely unknown, killed by censors, and buried in dusty archives – come to life in Olga Gershenson‘s The Phantom Holocaust: Soviet Cinema and Jewish Catastrophe (Rutgers University Press, 2013). As she ventures across three continents to uncover the stories behind these films, we follow her adventures, eager to learn what happened, why, when – and what comes next. This page-turning exploration begins with the first-ever films made about the Nazi threat to Jewish life in the 1930s – artistically successful movies released to crowded theaters in the USSR, Europe, and the US. The power of film being what it is, some 1930s viewers learned the lesson of Nazi hatred and fled to safety when Germany invaded the USSR in 1941.
Immediately after the war, Soviet filmmakers again broke new ground when in 1945 they portrayed the Holocaust in “The Unvanquished.” The war just over, Soviet censors, Gershenson discovered, had no set policy and hardly knew how Stalin wanted them to respond. But the respected filmmaker Sergei Eisenstein supported the film, a movie featuring Jewish victims filmed on site in Kiev; it became one of the few Soviet movies that identified the Holocaust with Jews. Thereafter, the Holocaust would be a universal problem sans Jews that occurred anywhere but in the USSR.
Among the stories that Gershenson relates, she raises the curtain on “Ordinary Fascism,” a blockbuster when it was released in the USSR in 1966. The three-hour black-and-white documentary montage, narrated by its famous director Mikhail Romm, apparently drew 20 million Soviets to cinemas before it was withdrawn. Gershenson describes Ordinary Fascism as “a real breakthrough,” “stunning,” and an explosion.” Romm’s irreverent, casual commentary to Nazi newsreels, footage, photos, and art explored the psychology of Nazism – and, viewers recognized, made Soviets reflect on themselves. Why did Soviet censors refuse to permit a book on the subject to be released? Censors explained that a film would be seen once and forgotten. A book, on the other hand, would start people thinking!
As Gershenson explains: “Half of all Holocaust victims…were killed on Soviet soil, mostly in swift machine-gun executions. And yet, watching popular Holocaust movies…the impression is that Holocaust victims were mainly Polish and German Jews killed in concentration camps.” Her stories explain why Soviet filmmakers almost never shared the Soviet Holocaust experience on the screen.
Gershenson’s book has a partner website. Here you can find video clips of featured films, with subtitles.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 05 Feb 2014 11:48:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Fifty years of Holocaust screenplays and films -largely unknown, killed by censors, and buried in dusty archives – come to life in Olga Gershenson‘s The Phantom Holocaust: Soviet Cinema and Jewish Catastrophe (Rutgers University Press, 2013).</itunes:subtitle>
      <itunes:summary>Fifty years of Holocaust screenplays and films -largely unknown, killed by censors, and buried in dusty archives – come to life in Olga Gershenson‘s The Phantom Holocaust: Soviet Cinema and Jewish Catastrophe (Rutgers University Press, 2013). As she ventures across three continents to uncover the stories behind these films, we follow her adventures, eager to learn what happened, why, when – and what comes next. This page-turning exploration begins with the first-ever films made about the Nazi threat to Jewish life in the 1930s – artistically successful movies released to crowded theaters in the USSR, Europe, and the US. The power of film being what it is, some 1930s viewers learned the lesson of Nazi hatred and fled to safety when Germany invaded the USSR in 1941.
Immediately after the war, Soviet filmmakers again broke new ground when in 1945 they portrayed the Holocaust in “The Unvanquished.” The war just over, Soviet censors, Gershenson discovered, had no set policy and hardly knew how Stalin wanted them to respond. But the respected filmmaker Sergei Eisenstein supported the film, a movie featuring Jewish victims filmed on site in Kiev; it became one of the few Soviet movies that identified the Holocaust with Jews. Thereafter, the Holocaust would be a universal problem sans Jews that occurred anywhere but in the USSR.
Among the stories that Gershenson relates, she raises the curtain on “Ordinary Fascism,” a blockbuster when it was released in the USSR in 1966. The three-hour black-and-white documentary montage, narrated by its famous director Mikhail Romm, apparently drew 20 million Soviets to cinemas before it was withdrawn. Gershenson describes Ordinary Fascism as “a real breakthrough,” “stunning,” and an explosion.” Romm’s irreverent, casual commentary to Nazi newsreels, footage, photos, and art explored the psychology of Nazism – and, viewers recognized, made Soviets reflect on themselves. Why did Soviet censors refuse to permit a book on the subject to be released? Censors explained that a film would be seen once and forgotten. A book, on the other hand, would start people thinking!
As Gershenson explains: “Half of all Holocaust victims…were killed on Soviet soil, mostly in swift machine-gun executions. And yet, watching popular Holocaust movies…the impression is that Holocaust victims were mainly Polish and German Jews killed in concentration camps.” Her stories explain why Soviet filmmakers almost never shared the Soviet Holocaust experience on the screen.
Gershenson’s book has a partner website. Here you can find video clips of featured films, with subtitles.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Fifty years of Holocaust screenplays and films -largely unknown, killed by censors, and buried in dusty archives – come to life in <a href="http://people.umass.edu/olga/">Olga Gershenson</a>‘s <a href="http://www.amazon.com/dp/0813561809/?tag=newbooinhis-20">The Phantom Holocaust: Soviet Cinema and Jewish Catastrophe</a> (Rutgers University Press, 2013). As she ventures across three continents to uncover the stories behind these films, we follow her adventures, eager to learn what happened, why, when – and what comes next. This page-turning exploration begins with the first-ever films made about the Nazi threat to Jewish life in the 1930s – artistically successful movies released to crowded theaters in the USSR, Europe, and the US. The power of film being what it is, some 1930s viewers learned the lesson of Nazi hatred and fled to safety when Germany invaded the USSR in 1941.</p><p>Immediately after the war, Soviet filmmakers again broke new ground when in 1945 they portrayed the Holocaust in “The Unvanquished.” The war just over, Soviet censors, Gershenson discovered, had no set policy and hardly knew how Stalin wanted them to respond. But the respected filmmaker Sergei Eisenstein supported the film, a movie featuring Jewish victims filmed on site in Kiev; it became one of the few Soviet movies that identified the Holocaust with Jews. Thereafter, the Holocaust would be a universal problem sans Jews that occurred anywhere but in the USSR.</p><p>Among the stories that Gershenson relates, she raises the curtain on “Ordinary Fascism,” a blockbuster when it was released in the USSR in 1966. The three-hour black-and-white documentary montage, narrated by its famous director Mikhail Romm, apparently drew 20 million Soviets to cinemas before it was withdrawn. Gershenson describes Ordinary Fascism as “a real breakthrough,” “stunning,” and an explosion.” Romm’s irreverent, casual commentary to Nazi newsreels, footage, photos, and art explored the psychology of Nazism – and, viewers recognized, made Soviets reflect on themselves. Why did Soviet censors refuse to permit a book on the subject to be released? Censors explained that a film would be seen once and forgotten. A book, on the other hand, would start people thinking!</p><p>As Gershenson explains: “Half of all Holocaust victims…were killed on Soviet soil, mostly in swift machine-gun executions. And yet, watching popular Holocaust movies…the impression is that Holocaust victims were mainly Polish and German Jews killed in concentration camps.” Her stories explain why Soviet filmmakers almost never shared the Soviet Holocaust experience on the screen.</p><p>Gershenson’s book has a partner <a href="http://phantomholocaust.org">website</a>. Here you can find video clips of featured films, with subtitles.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4386</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/jewishstudies/?p=222]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3066895051.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Ray Haberski, “God and War: American Civil Religion Since 1945” (Rutgers UP, 2012)</title>
      <description>Americans are simultaneously one of the most religious people on earth and prone to conflict and war. Ray Haberski is interested in how this paradox has shaped the nation’s civil religion. His book, God and War: American Civil Religion Since 1945 (Rutgers University Press, 2012), examines how three contemporary wars have shaped Americans understanding of God and their relationship to the Almighty. This is a book that asks big questions and listens to the ideas of big thinkers. Listen to the interview, buy the book, and then read it.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 27 May 2013 19:05:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Americans are simultaneously one of the most religious people on earth and prone to conflict and war. Ray Haberski is interested in how this paradox has shaped the nation’s civil religion. His book, God and War: American Civil Religion Since 1945 (Rutg...</itunes:subtitle>
      <itunes:summary>Americans are simultaneously one of the most religious people on earth and prone to conflict and war. Ray Haberski is interested in how this paradox has shaped the nation’s civil religion. His book, God and War: American Civil Religion Since 1945 (Rutgers University Press, 2012), examines how three contemporary wars have shaped Americans understanding of God and their relationship to the Almighty. This is a book that asks big questions and listens to the ideas of big thinkers. Listen to the interview, buy the book, and then read it.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Americans are simultaneously one of the most religious people on earth and prone to conflict and war. <a href="http://www.marian.edu/academics/school-of-liberal-arts/degrees-and-majors/department-of-history-and-social-science/faculty/raymond-j-haberski-jr-">Ray Haberski</a> is interested in how this paradox has shaped the nation’s civil religion. His book, <a href="http://www.amazon.com/dp/0813552958/?tag=newbooinhis-20">God and War: American Civil Religion Since 1945</a> (Rutgers University Press, 2012), examines how three contemporary wars have shaped Americans understanding of God and their relationship to the Almighty. This is a book that asks big questions and listens to the ideas of big thinkers. Listen to the interview, buy the book, and then read it.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3355</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/politics/?p=276]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6792874882.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Heather Munro Prescott, “The Morning After: A History of Emergency Contraception in the United States” (Rutgers UP, 2011)</title>
      <description>What would a Presidential campaign be without a good dose of reproductive politics? To be sure, many of us are surprised to see contraception, and not just abortion, called into question – but maybe that’s because the intensity of abortion politics has allowed us to forget just how recently the issue of contraception was as fraught as the issue of abortion. And in any case, recent tussles over teen access to over-the-counter emergency contraception might have reminded us that debates about contraception are hardly closed.
In her new book The Morning After: A History of Emergency Contraception in the United States (Rutgers University Press, 2011), Heather Munro Prescott helps us to understand the politics of emergency contraception. Initially a side-product from research into infertility, hormonal contraceptives – both the “regular” and the “emergency” kind – became the subject of heated battles in the 1960s and 1970s. Feminist health care advocates protested that the medical establishment was pushing potentially unsafe medications on women who were not fully informed of side-effects. With conservatives’ attack on reproductive rights starting in the 1980s, however, feminist health care advocates and the medical profession became allies in the battle for continued access. This alliance bore results in the first decade of the twenty-first century, as the FDA reluctantly agreed to approve over-the-counter sales of emergency contraception (although not for minors).
Heather Munro Prescott is a professor of history at Central Connecticut State University. If you care about reproductive rights, you’ll want to take a look at her book.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 16 Apr 2012 18:25:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>What would a Presidential campaign be without a good dose of reproductive politics? To be sure, many of us are surprised to see contraception, and not just abortion, called into question – but maybe that’s because the intensity of abortion politics has...</itunes:subtitle>
      <itunes:summary>What would a Presidential campaign be without a good dose of reproductive politics? To be sure, many of us are surprised to see contraception, and not just abortion, called into question – but maybe that’s because the intensity of abortion politics has allowed us to forget just how recently the issue of contraception was as fraught as the issue of abortion. And in any case, recent tussles over teen access to over-the-counter emergency contraception might have reminded us that debates about contraception are hardly closed.
In her new book The Morning After: A History of Emergency Contraception in the United States (Rutgers University Press, 2011), Heather Munro Prescott helps us to understand the politics of emergency contraception. Initially a side-product from research into infertility, hormonal contraceptives – both the “regular” and the “emergency” kind – became the subject of heated battles in the 1960s and 1970s. Feminist health care advocates protested that the medical establishment was pushing potentially unsafe medications on women who were not fully informed of side-effects. With conservatives’ attack on reproductive rights starting in the 1980s, however, feminist health care advocates and the medical profession became allies in the battle for continued access. This alliance bore results in the first decade of the twenty-first century, as the FDA reluctantly agreed to approve over-the-counter sales of emergency contraception (although not for minors).
Heather Munro Prescott is a professor of history at Central Connecticut State University. If you care about reproductive rights, you’ll want to take a look at her book.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What would a Presidential campaign be without a good dose of reproductive politics? To be sure, many of us are surprised to see contraception, and not just abortion, called into question – but maybe that’s because the intensity of abortion politics has allowed us to forget just how recently the issue of contraception was as fraught as the issue of abortion. And in any case, recent tussles over teen access to over-the-counter emergency contraception might have reminded us that debates about contraception are hardly closed.</p><p>In her new book <a href="http://www.amazon.com/dp/0813551633/?tag=newbooinhis-20">The Morning After: A History of Emergency Contraception in the United States </a>(Rutgers University Press, 2011), <a href="http://www.history.ccsu.edu/fac/prescott.html">Heather Munro Prescott</a> helps us to understand the politics of emergency contraception. Initially a side-product from research into infertility, hormonal contraceptives – both the “regular” and the “emergency” kind – became the subject of heated battles in the 1960s and 1970s. Feminist health care advocates protested that the medical establishment was pushing potentially unsafe medications on women who were not fully informed of side-effects. With conservatives’ attack on reproductive rights starting in the 1980s, however, feminist health care advocates and the medical profession became allies in the battle for continued access. This alliance bore results in the first decade of the twenty-first century, as the FDA reluctantly agreed to approve over-the-counter sales of emergency contraception (although not for minors).</p><p>Heather Munro Prescott is a professor of history at Central Connecticut State University. If you care about reproductive rights, you’ll want to take a look at her book.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2589</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/genderstudies/?p=195]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7886205626.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Cherene Sherrard-Johnson, “Dorothy West’s Paradise:  A Biography of Class and Color” (Rutgers UP, 2012)</title>
      <description>One lesson that the ever-present trickster figure in African American folklore teaches is how to use signifying to protect one’s intimate self. A challenge of writing Dorothy West’s life is getting beyond the masks she presents before the ever-prying gaze. To get around the problem, the biographer must think in unconventional ways. In Dorothy West’s Paradise: A Biography of Class and Color (Rutgers University Press, 2012), Cherene Sherrard-Johnson abandons the old battle between fact versus fiction; instead, she focuses on Dorothy West’s masks and what they show. Sherrard-Johnson respectfully evades West’s tactics of elusion and reveals a black woman artist with an acute awareness of the performative nature of class, and a keen sense of the intricacies of intra-racial identity.
Dorothy West arrived to New York at the tail end of the Harlem Renaissance. Although her first novel, The Living Is Easy (1948) was critically acclaimed it was not until the re-issue of her novel in 1982 that literary scholars and readers alike began to take a closer look at what she had to say. Publication of The Wedding (1995), as well as Oprah Winfrey’s TV miniseries based on the novel three years later, placed West in the limelight before she passed away in 1998.
Sherrard-Johnson, professor of English at the University of Wisconsin ­Madison, offers readers more than the conventional biography that beginsand ends with the birth and death of the subject. As she maps West’smovement from Oak Bluffs, Martha’s Vineyard to Moscow, Russia and back again, Sherrard-Johnson treats readers to a myriad of responses to thequestion Dorothy West asks in the epigraph of her introduction: “Why wouldanybody write a book about me?” Should you desire to see one way to meet the challenge of catching anelusive figure while being mindful of the intrusive gaze, a good start is to read ChereneSherrard-Johnson’s fine book.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 09 Mar 2012 19:09:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>One lesson that the ever-present trickster figure in African American folklore teaches is how to use signifying to protect one’s intimate self. A challenge of writing Dorothy West’s life is getting beyond the masks she presents before the ever-prying g...</itunes:subtitle>
      <itunes:summary>One lesson that the ever-present trickster figure in African American folklore teaches is how to use signifying to protect one’s intimate self. A challenge of writing Dorothy West’s life is getting beyond the masks she presents before the ever-prying gaze. To get around the problem, the biographer must think in unconventional ways. In Dorothy West’s Paradise: A Biography of Class and Color (Rutgers University Press, 2012), Cherene Sherrard-Johnson abandons the old battle between fact versus fiction; instead, she focuses on Dorothy West’s masks and what they show. Sherrard-Johnson respectfully evades West’s tactics of elusion and reveals a black woman artist with an acute awareness of the performative nature of class, and a keen sense of the intricacies of intra-racial identity.
Dorothy West arrived to New York at the tail end of the Harlem Renaissance. Although her first novel, The Living Is Easy (1948) was critically acclaimed it was not until the re-issue of her novel in 1982 that literary scholars and readers alike began to take a closer look at what she had to say. Publication of The Wedding (1995), as well as Oprah Winfrey’s TV miniseries based on the novel three years later, placed West in the limelight before she passed away in 1998.
Sherrard-Johnson, professor of English at the University of Wisconsin ­Madison, offers readers more than the conventional biography that beginsand ends with the birth and death of the subject. As she maps West’smovement from Oak Bluffs, Martha’s Vineyard to Moscow, Russia and back again, Sherrard-Johnson treats readers to a myriad of responses to thequestion Dorothy West asks in the epigraph of her introduction: “Why wouldanybody write a book about me?” Should you desire to see one way to meet the challenge of catching anelusive figure while being mindful of the intrusive gaze, a good start is to read ChereneSherrard-Johnson’s fine book.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>One lesson that the ever-present trickster figure in African American folklore teaches is how to use signifying to protect one’s intimate self. A challenge of writing Dorothy West’s life is getting beyond the masks she presents before the ever-prying gaze. To get around the problem, the biographer must think in unconventional ways. In <a href="http://www.amazon.com/dp/0813551676/?tag=newbooinhis-20">Dorothy West’s Paradise: A Biography of Class and Color </a>(Rutgers University Press, 2012), <a href="http://english.wisc.edu/people-faculty-sherrard-johnson.htm">Cherene Sherrard-Johnson</a> abandons the old battle between fact versus fiction; instead, she focuses on Dorothy West’s masks and what they show. Sherrard-Johnson respectfully evades West’s tactics of elusion and reveals a black woman artist with an acute awareness of the performative nature of class, and a keen sense of the intricacies of intra-racial identity.</p><p>Dorothy West arrived to New York at the tail end of the Harlem Renaissance. Although her first novel, The Living Is Easy (1948) was critically acclaimed it was not until the re-issue of her novel in 1982 that literary scholars and readers alike began to take a closer look at what she had to say. Publication of The Wedding (1995), as well as Oprah Winfrey’s TV miniseries based on the novel three years later, placed West in the limelight before she passed away in 1998.</p><p>Sherrard-Johnson, professor of English at the University of Wisconsin ­Madison, offers readers more than the conventional biography that beginsand ends with the birth and death of the subject. As she maps West’smovement from Oak Bluffs, Martha’s Vineyard to Moscow, Russia and back again, Sherrard-Johnson treats readers to a myriad of responses to thequestion Dorothy West asks in the epigraph of her introduction: “Why wouldanybody write a book about me?” Should you desire to see one way to meet the challenge of catching anelusive figure while being mindful of the intrusive gaze, a good start is to read ChereneSherrard-Johnson’s fine book.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4280</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/afroamstudies/?p=318]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8143641153.mp3" length="0" type="audio/mpeg"/>
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      <title>David Shneer, “Through Soviet Jewish Eyes: Photography, War, and the Holocaust” (Rutgers UP, 2010)</title>
      <description>We should be skeptical of what is sometimes called “Jew counting” and all it implies. Yet it cannot be denied that Jews played a pivotal and (dare we say) disproportionate role in moving the West from a pre-modern to a modern condition. Take the media. Most people know that Jews, though hardly alone, built much of the film industry. Fewer people will know, however, that Jews–again, though hardly alone–were central to the birth of photojournalism. Robert Capa, arguably the most famous photojournalist of the last century, was, for example, born Endre Friedmann.
In his fine book Through Soviet Jewish Eyes: Photography, War, and the Holocaust (Rutgers University Press, 2010), historian David Shneer explores the ways in which Jews were instrumental in the creation of Soviet photojournalism and the ways in which their Jewishness–acknowledged or unacknowledged, accepted or completely rejected–affected the way they did their jobs and how they experienced what they saw and shot. The book is about identity as much as it is about photography (though it is about that as well). These pioneers of photojournalism were Jews whether they liked it or not. It said so on their passports. Yet they struggled with what that meant and how it should (or shouldn’t) influence their art. David does an excellent job in explaining how they negotiated Jewishness through revolution, socialism, Stalinism, world war, and the destruction of Eastern European Jewry itself.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 29 Apr 2011 19:24:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>We should be skeptical of what is sometimes called “Jew counting” and all it implies. Yet it cannot be denied that Jews played a pivotal and (dare we say) disproportionate role in moving the West from a pre-modern to a modern condition.</itunes:subtitle>
      <itunes:summary>We should be skeptical of what is sometimes called “Jew counting” and all it implies. Yet it cannot be denied that Jews played a pivotal and (dare we say) disproportionate role in moving the West from a pre-modern to a modern condition. Take the media. Most people know that Jews, though hardly alone, built much of the film industry. Fewer people will know, however, that Jews–again, though hardly alone–were central to the birth of photojournalism. Robert Capa, arguably the most famous photojournalist of the last century, was, for example, born Endre Friedmann.
In his fine book Through Soviet Jewish Eyes: Photography, War, and the Holocaust (Rutgers University Press, 2010), historian David Shneer explores the ways in which Jews were instrumental in the creation of Soviet photojournalism and the ways in which their Jewishness–acknowledged or unacknowledged, accepted or completely rejected–affected the way they did their jobs and how they experienced what they saw and shot. The book is about identity as much as it is about photography (though it is about that as well). These pioneers of photojournalism were Jews whether they liked it or not. It said so on their passports. Yet they struggled with what that meant and how it should (or shouldn’t) influence their art. David does an excellent job in explaining how they negotiated Jewishness through revolution, socialism, Stalinism, world war, and the destruction of Eastern European Jewry itself.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
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        <![CDATA[<p>We should be skeptical of what is sometimes called “<a href="http://www.slate.com/id/2174788/">Jew counting</a>” and all it implies. Yet it cannot be denied that Jews played a pivotal and (dare we say) disproportionate role in moving the West from a pre-modern to a modern condition. Take the media. Most people know that Jews, though hardly alone, built much of the film industry. Fewer people will know, however, that Jews–again, though hardly alone–were central to the birth of photojournalism. Robert Capa, arguably the most famous photojournalist of the last century, was, for example, born Endre Friedmann.</p><p>In his fine book <a href="http://www.amazon.com/dp/0813548845/?tag=newbooinhis-20">Through Soviet Jewish Eyes: Photography, War, and the Holocaust</a> (Rutgers University Press, 2010), historian <a href="https://portfolio.du.edu/pc/port?portfolio=dshneer">David Shneer</a> explores the ways in which Jews were instrumental in the creation of Soviet photojournalism and the ways in which their Jewishness–acknowledged or unacknowledged, accepted or completely rejected–affected the way they did their jobs and how they experienced what they saw and shot. The book is about identity as much as it is about photography (though it is about that as well). These pioneers of photojournalism were Jews whether they liked it or not. It said so on their passports. Yet they struggled with what that meant and how it should (or shouldn’t) influence their art. David does an excellent job in explaining how they negotiated Jewishness through revolution, socialism, Stalinism, world war, and the destruction of Eastern European Jewry itself.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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