Florida Press Podcast https://newbooksnetwork.com en New Books Network Interviews with authors of the University Press of Florida books. https://megaphone.imgix.net/podcasts/8d157902-eae8-11ee-9555-f7c4a3fb0068/image/5eaa8d71d9dc77b981b9902b56839c72.png?ixlib=rails-4.3.1&max-w=3000&max-h=3000&fit=crop&auto=format,compress Florida Press Podcast https://newbooksnetwork.com no episodic Interviews with authors of the University Press of Florida books New Books Network Interviews with authors of the University Press of Florida books. Interviews with authors of the University Press of Florida books.

]]> New Books Network marshallpoe@newbooksnetwork.com Michael T. Bertrand, "Southern History Remixed: On Rock 'n' Roll and the Dilemma of Race" (UP Florida, 2024) Southern History Remixed: On Rock ‘n’ Roll and the Dilemma of Race (UP Florida, 2024) spotlights the key role of popular music in the shaping of the United States South from the late nineteenth century to the era of rock ’n’ roll in the 1940s, ’50s, and ’60s. While musical activities are often sidelined in historical narratives of the region, Michael Bertrand shows that they can reveal much about social history and culture change as he connects the rise of rock ’n’ roll to the civil rights movement for racial equality. In this book, Bertrand traces a long-term culture war in which white southerners struggled over the region’s cultural complexion with music serving as an engine that both sustained and challenged white supremacy. He shows how rock ’n’ roll emerged as a working-class genre with biracial sources that stoked white racial anxieties and engaged the region’s color and culture lines. This book discusses the conflict over southern identity that played out in responses to jazz, barn dance radio, Pentecostal and gospel music, Black radio programming, and rhythm and blues, concluding with a close look at the popularity of Elvis Presley within a racially segregated society. Southern History Remixed suggests that both Black and white southerners have used music as a tool to resist or negotiate a rigid regional hierarchy. Urging readers and scholars to take the study of popular music seriously, Bertrand argues that what occurs in the music world affects and reflects what happens in politics and history. Guest: Michael T. Bertrand is a historian of the American South and the modern United States. Host: Caroline Alt (she/her), a Ph.D. student in the Department of History at the University of Georgia. She studies the hauntings of the American South from the 19th through the 21st centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 17 Oct 2025 08:00:00 -0000 full New Books Network Southern History Remixed: On Rock ‘n’ Roll and the Dilemma of Race (UP Florida, 2024) spotlights the key role of popular music in the shaping of the United States South from the late nineteenth century to the era of rock ’n’ roll in the 1940s, ’50s, and ’60s. While musical activities are often sidelined in historical narratives of the region, Michael Bertrand shows that they can reveal much about social history and culture change as he connects the rise of rock ’n’ roll to the civil rights movement for racial equality. In this book, Bertrand traces a long-term culture war in which white southerners struggled over the region’s cultural complexion with music serving as an engine that both sustained and challenged white supremacy. He shows how rock ’n’ roll emerged as a working-class genre with biracial sources that stoked white racial anxieties and engaged the region’s color and culture lines. This book discusses the conflict over southern identity that played out in responses to jazz, barn dance radio, Pentecostal and gospel music, Black radio programming, and rhythm and blues, concluding with a close look at the popularity of Elvis Presley within a racially segregated society. Southern History Remixed suggests that both Black and white southerners have used music as a tool to resist or negotiate a rigid regional hierarchy. Urging readers and scholars to take the study of popular music seriously, Bertrand argues that what occurs in the music world affects and reflects what happens in politics and history. Guest: Michael T. Bertrand is a historian of the American South and the modern United States. Host: Caroline Alt (she/her), a Ph.D. student in the Department of History at the University of Georgia. She studies the hauntings of the American South from the 19th through the 21st centuries. Learn more about your ad choices. Visit megaphone.fm/adchoices Southern History Remixed: On Rock ‘n’ Roll and the Dilemma of Race (UP Florida, 2024) spotlights the key role of popular music in the shaping of the United States South from the late nineteenth century to the era of rock ’n’ roll in the 1940s, ’50s, and ’60s. While musical activities are often sidelined in historical narratives of the region, Michael Bertrand shows that they can reveal much about social history and culture change as he connects the rise of rock ’n’ roll to the civil rights movement for racial equality.

In this book, Bertrand traces a long-term culture war in which white southerners struggled over the region’s cultural complexion with music serving as an engine that both sustained and challenged white supremacy. He shows how rock ’n’ roll emerged as a working-class genre with biracial sources that stoked white racial anxieties and engaged the region’s color and culture lines. This book discusses the conflict over southern identity that played out in responses to jazz, barn dance radio, Pentecostal and gospel music, Black radio programming, and rhythm and blues, concluding with a close look at the popularity of Elvis Presley within a racially segregated society.

Southern History Remixed suggests that both Black and white southerners have used music as a tool to resist or negotiate a rigid regional hierarchy. Urging readers and scholars to take the study of popular music seriously, Bertrand argues that what occurs in the music world affects and reflects what happens in politics and history.

Guest: Michael T. Bertrand is a historian of the American South and the modern United States.

Host: Caroline Alt (she/her), a Ph.D. student in the Department of History at the University of Georgia. She studies the hauntings of the American South from the 19th through the 21st centuries.

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]]> 3852 no Beverly Tomek and Matthew J. Hetrick, "New Directions in the Study of African American Recolonization" (UP of Florida, 2017) New Directions in the Study of African American Recolonization (UP of Florida, 2017) examines the movement to resettle black Americans in Africa, an effort led by the American Colonization Society during the nineteenth century and a heavily debated part of American history. Some believe it was inspired by antislavery principles, but others think it was a proslavery reaction against the presence of free Black people in society. Moving beyond this simplistic debate, contributors link the movement to other historical developments of the time, revealing a complex web of different schemes, ideologies, and activities behind the relocation of African Americans to Liberia. They explain what colonization, emigration, immigration, abolition, and emancipation meant within nuanced nineteenth-century contexts, looking through many lenses to more accurately reflect the past. Learn more about your ad choices. Visit megaphone.fm/adchoices Tue, 29 Apr 2025 22:54:00 -0000 full 1506 New Books Network An interview with Beverly Tomek New Directions in the Study of African American Recolonization (UP of Florida, 2017) examines the movement to resettle black Americans in Africa, an effort led by the American Colonization Society during the nineteenth century and a heavily debated part of American history. Some believe it was inspired by antislavery principles, but others think it was a proslavery reaction against the presence of free Black people in society. Moving beyond this simplistic debate, contributors link the movement to other historical developments of the time, revealing a complex web of different schemes, ideologies, and activities behind the relocation of African Americans to Liberia. They explain what colonization, emigration, immigration, abolition, and emancipation meant within nuanced nineteenth-century contexts, looking through many lenses to more accurately reflect the past. Learn more about your ad choices. Visit megaphone.fm/adchoices New Directions in the Study of African American Recolonization (UP of Florida, 2017) examines the movement to resettle black Americans in Africa, an effort led by the American Colonization Society during the nineteenth century and a heavily debated part of American history. Some believe it was inspired by antislavery principles, but others think it was a proslavery reaction against the presence of free Black people in society.

Moving beyond this simplistic debate, contributors link the movement to other historical developments of the time, revealing a complex web of different schemes, ideologies, and activities behind the relocation of African Americans to Liberia. They explain what colonization, emigration, immigration, abolition, and emancipation meant within nuanced nineteenth-century contexts, looking through many lenses to more accurately reflect the past.

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]]> 3109 no Reginald K. Ellis et al., "Black Citizens and American Democracy: Fighting for the Soul of a Nation" (UP of Florida, 2025) In 2020, Black Americans continued a centuries-long pursuit of racial equality and justice in the streets and at the polls. Arguing that this year was not a deviation from the historic Civil Rights Movement, the contributors to this collection examine the important work of Black men and women during the previous decades to shape, expand, and preserve a multiracial American democracy. The authors of these chapters show that Black Americans have long pushed local and national leaders to ensure that all citizens reap the full benefits of the Constitution. They discuss Black women's roles in advancing national voting rights; how Historically Black Colleges and Universities (HBCUs) developed "race leaders"; discriminatory news coverage and actions against it; antipoverty efforts; and the racial and gender dynamics of activist organizations. These studies show how Black activism from the mid-twentieth century to the present has led to positive changes for all Americans, holding the nation to its democratic ideals and promises. Black Citizens and American Democracy (UP of Florida, 2025) compels recognition of many unsung people who have risked their lives and livelihoods for the good of the country. Learn more about your ad choices. Visit megaphone.fm/adchoices Tue, 29 Apr 2025 08:00:00 -0000 full 205 New Books Network An interview with Reginald K. Ellis and Peter B. Levy In 2020, Black Americans continued a centuries-long pursuit of racial equality and justice in the streets and at the polls. Arguing that this year was not a deviation from the historic Civil Rights Movement, the contributors to this collection examine the important work of Black men and women during the previous decades to shape, expand, and preserve a multiracial American democracy. The authors of these chapters show that Black Americans have long pushed local and national leaders to ensure that all citizens reap the full benefits of the Constitution. They discuss Black women's roles in advancing national voting rights; how Historically Black Colleges and Universities (HBCUs) developed "race leaders"; discriminatory news coverage and actions against it; antipoverty efforts; and the racial and gender dynamics of activist organizations. These studies show how Black activism from the mid-twentieth century to the present has led to positive changes for all Americans, holding the nation to its democratic ideals and promises. Black Citizens and American Democracy (UP of Florida, 2025) compels recognition of many unsung people who have risked their lives and livelihoods for the good of the country. Learn more about your ad choices. Visit megaphone.fm/adchoices In 2020, Black Americans continued a centuries-long pursuit of racial equality and justice in the streets and at the polls. Arguing that this year was not a deviation from the historic Civil Rights Movement, the contributors to this collection examine the important work of Black men and women during the previous decades to shape, expand, and preserve a multiracial American democracy.

The authors of these chapters show that Black Americans have long pushed local and national leaders to ensure that all citizens reap the full benefits of the Constitution. They discuss Black women's roles in advancing national voting rights; how Historically Black Colleges and Universities (HBCUs) developed "race leaders"; discriminatory news coverage and actions against it; antipoverty efforts; and the racial and gender dynamics of activist organizations.

These studies show how Black activism from the mid-twentieth century to the present has led to positive changes for all Americans, holding the nation to its democratic ideals and promises. Black Citizens and American Democracy (UP of Florida, 2025) compels recognition of many unsung people who have risked their lives and livelihoods for the good of the country.

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]]> 1668 no Nicolas Delsol, "Cattle in the Postcolumbian Americas: A Zooarchaeological Historical Study" (UP of Florida, 2024) In Cattle in the Postcolumbian Americas: A Zooarchaeological Historical Study (University Press of Florida, 2024), Nicolas Delsol compares zooarchaeological and material evidence from sites across Mesoamerica and the Caribbean to show how the introduction of cattle, beginning with imports by Spanish colonizers in the 1500s, shaped colonial American society. Before European colonization, cows were vital in European and African societies but were unknown to the Native communities of the Western Hemisphere. This book traces their impact in the Americas by using a broad range of methods, such as ancient DNA analyses on faunal collections from major postcolumbian sites. Delsol describes the place of cattle in the colonial culture and landscape, beginning with the transportation of cattle across the Atlantic and moving to herding practices in new habitats, butchery techniques, and the production, trading, and use of cow byproducts. Cattle in the Postcolumbian Americas is the first large-scale regional archaeological study of the introduction of a European domesticated species to the Americas. Using both zooarchaeological and historical data, Delsol argues that the arrival of cattle was a major consequence of European colonization with effects that have often been overlooked. Learn more about your ad choices. Visit megaphone.fm/adchoices Mon, 28 Oct 2024 08:00:00 -0000 full 21 New Books Network An interview with Nicolas Delsol In Cattle in the Postcolumbian Americas: A Zooarchaeological Historical Study (University Press of Florida, 2024), Nicolas Delsol compares zooarchaeological and material evidence from sites across Mesoamerica and the Caribbean to show how the introduction of cattle, beginning with imports by Spanish colonizers in the 1500s, shaped colonial American society. Before European colonization, cows were vital in European and African societies but were unknown to the Native communities of the Western Hemisphere. This book traces their impact in the Americas by using a broad range of methods, such as ancient DNA analyses on faunal collections from major postcolumbian sites. Delsol describes the place of cattle in the colonial culture and landscape, beginning with the transportation of cattle across the Atlantic and moving to herding practices in new habitats, butchery techniques, and the production, trading, and use of cow byproducts. Cattle in the Postcolumbian Americas is the first large-scale regional archaeological study of the introduction of a European domesticated species to the Americas. Using both zooarchaeological and historical data, Delsol argues that the arrival of cattle was a major consequence of European colonization with effects that have often been overlooked. Learn more about your ad choices. Visit megaphone.fm/adchoices In Cattle in the Postcolumbian Americas: A Zooarchaeological Historical Study (University Press of Florida, 2024), Nicolas Delsol compares zooarchaeological and material evidence from sites across Mesoamerica and the Caribbean to show how the introduction of cattle, beginning with imports by Spanish colonizers in the 1500s, shaped colonial American society. Before European colonization, cows were vital in European and African societies but were unknown to the Native communities of the Western Hemisphere.

This book traces their impact in the Americas by using a broad range of methods, such as ancient DNA analyses on faunal collections from major postcolumbian sites. Delsol describes the place of cattle in the colonial culture and landscape, beginning with the transportation of cattle across the Atlantic and moving to herding practices in new habitats, butchery techniques, and the production, trading, and use of cow byproducts.

Cattle in the Postcolumbian Americas is the first large-scale regional archaeological study of the introduction of a European domesticated species to the Americas. Using both zooarchaeological and historical data, Delsol argues that the arrival of cattle was a major consequence of European colonization with effects that have often been overlooked.

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]]> 3453 no Christina M. García, "Corporeal Readings of Cuban Literature and Art: The Body, the Inhuman, and Ecological Thinking" (U Florida Press, 2024) Christina M. García’s book, Corporeal Readings of Cuban Literature and Art: The Body, the Inhuman, and Ecological Thinking (University Press of Florida, 2024), looks at Cuban literature and art that challenge traditional assumptions about the body. García examines how writers and artists have depicted racial, gender, and species differences throughout the past century - specifically, how these works interact with ecologies of the human and nonhuman across diverse media, time periods, and ideologies. To answer these questions, García uses the lenses of new materialism, critical race studies, critical animal studies, queer studies, and poststructuralism and identifies historical continuities in the way they have emphasized the shared materiality of bodies. Corporeal Readings of Cuban Literature and Art demonstrates that through their attention to the connections that different kinds of bodies share, Cuban creators have long undermined rules of classification and unification, reimagining community as shared vulnerability and difference. Christina M. García is assistant professor of Spanish at the College of Charleston. Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism. Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 28 Jun 2024 08:00:00 -0000 full 307 New Books Network An interview with Christina M. García Christina M. García’s book, Corporeal Readings of Cuban Literature and Art: The Body, the Inhuman, and Ecological Thinking (University Press of Florida, 2024), looks at Cuban literature and art that challenge traditional assumptions about the body. García examines how writers and artists have depicted racial, gender, and species differences throughout the past century - specifically, how these works interact with ecologies of the human and nonhuman across diverse media, time periods, and ideologies. To answer these questions, García uses the lenses of new materialism, critical race studies, critical animal studies, queer studies, and poststructuralism and identifies historical continuities in the way they have emphasized the shared materiality of bodies. Corporeal Readings of Cuban Literature and Art demonstrates that through their attention to the connections that different kinds of bodies share, Cuban creators have long undermined rules of classification and unification, reimagining community as shared vulnerability and difference. Christina M. García is assistant professor of Spanish at the College of Charleston. Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism. Learn more about your ad choices. Visit megaphone.fm/adchoices Christina M. García’s book, Corporeal Readings of Cuban Literature and Art: The Body, the Inhuman, and Ecological Thinking (University Press of Florida, 2024), looks at Cuban literature and art that challenge traditional assumptions about the body. García examines how writers and artists have depicted racial, gender, and species differences throughout the past century - specifically, how these works interact with ecologies of the human and nonhuman across diverse media, time periods, and ideologies. To answer these questions, García uses the lenses of new materialism, critical race studies, critical animal studies, queer studies, and poststructuralism and identifies historical continuities in the way they have emphasized the shared materiality of bodies. Corporeal Readings of Cuban Literature and Art demonstrates that through their attention to the connections that different kinds of bodies share, Cuban creators have long undermined rules of classification and unification, reimagining community as shared vulnerability and difference.

Christina M. García is assistant professor of Spanish at the College of Charleston.

Tatiana Klepikova is a postdoctoral researcher at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism.

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]]> 3994 no Pablo Alonso González, "Cuban Cultural Heritage: A Rebel Past for a Revolutionary Nation" (UP of Florida, 2018) Cuban Cultural Heritage: A Rebel Past for a Revolutionary Nation (UP of Florida, 2018) explores the role that cultural heritage and museums played in the construction of a national identity in postcolonial Cuba. Starting with independence from Spain in 1898 and moving through Cuban-American rapprochement in 2014, Pablo Alonso González illustrates how political and ideological shifts have influenced ideas about heritage and how, in turn, heritage has been used by different social actors to reiterate their status, spread new ideologies, and consolidate political regimes. Unveiling the connections between heritage, power, and ideology, Alonso González delves into the intricacies of Cuban history, covering key issues such as Cuba's cultural and political relationships with Spain, the United States, the Soviet Union, and so-called Third World countries; the complexities of Cuba's status as a postcolonial state; and the potential future paths of the Revolution in the years to come. This volume offers a detailed look at the function and place of cultural heritage under socialist states. Pablo Alonso González is a Senior Researcher at the Spanish National Research Council (IPNA-CSIC). He is the author of several books, including Cultural Parks and National Heritage Areas: Assembling Cultural Heritage, Development and Spatial Planning. Katie Coldiron is the Outreach Program Manager for the Digital Library of the Caribbean (dLOC) and PhD student in History at Florida International University. Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 16 Feb 2024 09:00:00 -0000 full 207 New Books Network An interview with Pablo Alonso González Cuban Cultural Heritage: A Rebel Past for a Revolutionary Nation (UP of Florida, 2018) explores the role that cultural heritage and museums played in the construction of a national identity in postcolonial Cuba. Starting with independence from Spain in 1898 and moving through Cuban-American rapprochement in 2014, Pablo Alonso González illustrates how political and ideological shifts have influenced ideas about heritage and how, in turn, heritage has been used by different social actors to reiterate their status, spread new ideologies, and consolidate political regimes. Unveiling the connections between heritage, power, and ideology, Alonso González delves into the intricacies of Cuban history, covering key issues such as Cuba's cultural and political relationships with Spain, the United States, the Soviet Union, and so-called Third World countries; the complexities of Cuba's status as a postcolonial state; and the potential future paths of the Revolution in the years to come. This volume offers a detailed look at the function and place of cultural heritage under socialist states. Pablo Alonso González is a Senior Researcher at the Spanish National Research Council (IPNA-CSIC). He is the author of several books, including Cultural Parks and National Heritage Areas: Assembling Cultural Heritage, Development and Spatial Planning. Katie Coldiron is the Outreach Program Manager for the Digital Library of the Caribbean (dLOC) and PhD student in History at Florida International University. Learn more about your ad choices. Visit megaphone.fm/adchoices Cuban Cultural Heritage: A Rebel Past for a Revolutionary Nation (UP of Florida, 2018) explores the role that cultural heritage and museums played in the construction of a national identity in postcolonial Cuba. Starting with independence from Spain in 1898 and moving through Cuban-American rapprochement in 2014, Pablo Alonso González illustrates how political and ideological shifts have influenced ideas about heritage and how, in turn, heritage has been used by different social actors to reiterate their status, spread new ideologies, and consolidate political regimes. Unveiling the connections between heritage, power, and ideology, Alonso González delves into the intricacies of Cuban history, covering key issues such as Cuba's cultural and political relationships with Spain, the United States, the Soviet Union, and so-called Third World countries; the complexities of Cuba's status as a postcolonial state; and the potential future paths of the Revolution in the years to come. This volume offers a detailed look at the function and place of cultural heritage under socialist states.

Pablo Alonso González is a Senior Researcher at the Spanish National Research Council (IPNA-CSIC). He is the author of several books, including Cultural Parks and National Heritage Areas: Assembling Cultural Heritage, Development and Spatial Planning.


Katie Coldiron is the Outreach Program Manager for the Digital Library of the Caribbean (dLOC) and PhD student in History at Florida International University.

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]]> 2840 no Christopher P. Barton, "The Archaeology of Race and Class at Timbuctoo: A Black Community in New Jersey" (UP of Florida, 2023) The Archaeology of Race and Class at Timbuctoo: A Black Community in New Jersey (UP of Florida, 2023) is the first book to examine the historic Black community of Timbuctoo, New Jersey, which was founded in 1826 by formerly enslaved migrants from Maryland and served as a stop on the Underground Railroad. In collaboration with descendants and community members, Christopher Barton explores the intersectionality of life at Timbuctoo and the ways Black residents resisted the marginalizing structures of race and class. Despite some support from local Quaker abolitionists, the people of Timbuctoo endured strained relationships with neighboring white communities, clashes with slave catchers, and hostilities from the Ku Klux Klan. Through a multiscalar approach that ranges from landscape archaeology and settlement patterns to analysis of consumer artifacts, this book demonstrates how residents persevered to construct their own identities and navigate poverty. Barton incorporates oral histories from community elders that offer insights into the racial tensions of the early- to mid-twentieth century and convey the strong, lasting character of the community in the face of repression. Weaving together memories and inherited accounts, current archaeological investigations, historical records, and comparisons to nearby Black-established communities of the era, this book illuminates the everyday impacts of slavery and race relations in a part of the country that seemed to promise freedom and highlights the use of archaeology as a medium for social activism. Christopher P. Barton, associate professor of archaeology at Francis Marion University, is the editor of Trowels in the Trenches: Archaeology as Social Activism. Learn more about your ad choices. Visit megaphone.fm/adchoices Wed, 25 Oct 2023 08:00:00 -0000 full 423 New Books Network An interview with Christopher P. Barton The Archaeology of Race and Class at Timbuctoo: A Black Community in New Jersey (UP of Florida, 2023) is the first book to examine the historic Black community of Timbuctoo, New Jersey, which was founded in 1826 by formerly enslaved migrants from Maryland and served as a stop on the Underground Railroad. In collaboration with descendants and community members, Christopher Barton explores the intersectionality of life at Timbuctoo and the ways Black residents resisted the marginalizing structures of race and class. Despite some support from local Quaker abolitionists, the people of Timbuctoo endured strained relationships with neighboring white communities, clashes with slave catchers, and hostilities from the Ku Klux Klan. Through a multiscalar approach that ranges from landscape archaeology and settlement patterns to analysis of consumer artifacts, this book demonstrates how residents persevered to construct their own identities and navigate poverty. Barton incorporates oral histories from community elders that offer insights into the racial tensions of the early- to mid-twentieth century and convey the strong, lasting character of the community in the face of repression. Weaving together memories and inherited accounts, current archaeological investigations, historical records, and comparisons to nearby Black-established communities of the era, this book illuminates the everyday impacts of slavery and race relations in a part of the country that seemed to promise freedom and highlights the use of archaeology as a medium for social activism. Christopher P. Barton, associate professor of archaeology at Francis Marion University, is the editor of Trowels in the Trenches: Archaeology as Social Activism. Learn more about your ad choices. Visit megaphone.fm/adchoices The Archaeology of Race and Class at Timbuctoo: A Black Community in New Jersey (UP of Florida, 2023) is the first book to examine the historic Black community of Timbuctoo, New Jersey, which was founded in 1826 by formerly enslaved migrants from Maryland and served as a stop on the Underground Railroad. In collaboration with descendants and community members, Christopher Barton explores the intersectionality of life at Timbuctoo and the ways Black residents resisted the marginalizing structures of race and class.

Despite some support from local Quaker abolitionists, the people of Timbuctoo endured strained relationships with neighboring white communities, clashes with slave catchers, and hostilities from the Ku Klux Klan. Through a multiscalar approach that ranges from landscape archaeology and settlement patterns to analysis of consumer artifacts, this book demonstrates how residents persevered to construct their own identities and navigate poverty. Barton incorporates oral histories from community elders that offer insights into the racial tensions of the early- to mid-twentieth century and convey the strong, lasting character of the community in the face of repression.

Weaving together memories and inherited accounts, current archaeological investigations, historical records, and comparisons to nearby Black-established communities of the era, this book illuminates the everyday impacts of slavery and race relations in a part of the country that seemed to promise freedom and highlights the use of archaeology as a medium for social activism.


Christopher P. Barton, associate professor of archaeology at Francis Marion University, is the editor of Trowels in the Trenches: Archaeology as Social Activism.

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 2523 no Jennifer Cearns, "Circulating Culture: Transnational Cuban Networks of Exchange" (UP of Florida, 2023) “In this subtle and beautifully crafted ethnography, Cearns invites us to travel through the many Cuban circuits of exchange that give shape to mutating histories of connection within and between Havana and Miami. The result is an exhilarating and illuminating journey into the changing contours and expansive terrain of contemporary cubanidad.”—Jeffrey S. Kahn, author of Islands of Sovereignty: Haitian Migration and the Borders of Empire Despite decades of diplomatic hostilities and economic sanctions, the border between Cuba and the United States—arguably one of the most politicized in the world—is in a state of constant flux. Tracing the flows of people, material items, and digital content between Havana and Miami, as well as between Cuba and Panama, Guyana, and Mexico, Circulating Culture: Transnational Cuban Networks of Exchange (UP of Florida, 2023) explores how and why these circuits are a part of everyday life for millions of Cubans who negotiate extraordinary circumstances daily. Drawing on extensive ethnographic research in these locations, Jennifer Cearns highlights groups of Cuban society that are often overlooked, considering what Cuban culture and identity mean in a transnational setting. Weaving evocative vignettes into her discussion of these larger questions, Cearns pieces together the story of the creators of an emerging and dynamic network that punctures geopolitical boundaries and has outlasted a period of rapid social change—from the Obama administration through the death of Fidel Castro and into the Trump administration. Ultimately, by focusing on everyday objects and the strategies used to move them across borders, this book reveals how new cultural forms can develop from the cracks in societies often seen as “broken.” It demonstrates the worldmaking of marginalized Cuban communities who have long been building their own infrastructures of possibility. Jennifer Cearns is a postdoctoral research fellow in the Department of Anthropology at University College London and an associate research fellow at the Alan Turing Institute. Katie Coldiron is based at Florida International University. She is Outreach Program Manager for the Digital Library of the Caribbean at FIU Libraries and doctoral student in the FIU Department of History. Learn more about your ad choices. Visit megaphone.fm/adchoices Sun, 20 Aug 2023 08:00:00 -0000 full 194 New Books Network An interview with Jennifer Cearns “In this subtle and beautifully crafted ethnography, Cearns invites us to travel through the many Cuban circuits of exchange that give shape to mutating histories of connection within and between Havana and Miami. The result is an exhilarating and illuminating journey into the changing contours and expansive terrain of contemporary cubanidad.”—Jeffrey S. Kahn, author of Islands of Sovereignty: Haitian Migration and the Borders of Empire Despite decades of diplomatic hostilities and economic sanctions, the border between Cuba and the United States—arguably one of the most politicized in the world—is in a state of constant flux. Tracing the flows of people, material items, and digital content between Havana and Miami, as well as between Cuba and Panama, Guyana, and Mexico, Circulating Culture: Transnational Cuban Networks of Exchange (UP of Florida, 2023) explores how and why these circuits are a part of everyday life for millions of Cubans who negotiate extraordinary circumstances daily. Drawing on extensive ethnographic research in these locations, Jennifer Cearns highlights groups of Cuban society that are often overlooked, considering what Cuban culture and identity mean in a transnational setting. Weaving evocative vignettes into her discussion of these larger questions, Cearns pieces together the story of the creators of an emerging and dynamic network that punctures geopolitical boundaries and has outlasted a period of rapid social change—from the Obama administration through the death of Fidel Castro and into the Trump administration. Ultimately, by focusing on everyday objects and the strategies used to move them across borders, this book reveals how new cultural forms can develop from the cracks in societies often seen as “broken.” It demonstrates the worldmaking of marginalized Cuban communities who have long been building their own infrastructures of possibility. Jennifer Cearns is a postdoctoral research fellow in the Department of Anthropology at University College London and an associate research fellow at the Alan Turing Institute. Katie Coldiron is based at Florida International University. She is Outreach Program Manager for the Digital Library of the Caribbean at FIU Libraries and doctoral student in the FIU Department of History. Learn more about your ad choices. Visit megaphone.fm/adchoices “In this subtle and beautifully crafted ethnography, Cearns invites us to travel through the many Cuban circuits of exchange that give shape to mutating histories of connection within and between Havana and Miami. The result is an exhilarating and illuminating journey into the changing contours and expansive terrain of contemporary cubanidad.”—Jeffrey S. Kahn, author of Islands of Sovereignty: Haitian Migration and the Borders of Empire

Despite decades of diplomatic hostilities and economic sanctions, the border between Cuba and the United States—arguably one of the most politicized in the world—is in a state of constant flux. Tracing the flows of people, material items, and digital content between Havana and Miami, as well as between Cuba and Panama, Guyana, and Mexico, Circulating Culture: Transnational Cuban Networks of Exchange (UP of Florida, 2023) explores how and why these circuits are a part of everyday life for millions of Cubans who negotiate extraordinary circumstances daily.

Drawing on extensive ethnographic research in these locations, Jennifer Cearns highlights groups of Cuban society that are often overlooked, considering what Cuban culture and identity mean in a transnational setting. Weaving evocative vignettes into her discussion of these larger questions, Cearns pieces together the story of the creators of an emerging and dynamic network that punctures geopolitical boundaries and has outlasted a period of rapid social change—from the Obama administration through the death of Fidel Castro and into the Trump administration.

Ultimately, by focusing on everyday objects and the strategies used to move them across borders, this book reveals how new cultural forms can develop from the cracks in societies often seen as “broken.” It demonstrates the worldmaking of marginalized Cuban communities who have long been building their own infrastructures of possibility.

Jennifer Cearns is a postdoctoral research fellow in the Department of Anthropology at University College London and an associate research fellow at the Alan Turing Institute.

Katie Coldiron is based at Florida International University. She is Outreach Program Manager for the Digital Library of the Caribbean at FIU Libraries and doctoral student in the FIU Department of History.

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]]> 3336 no Carl Van Ness, "The Making of Florida's Universities: Public Higher Education at the Turn of the Twentieth Century" (UP of Florida, 2023) In The Making of Florida's Universities: Public Higher Education at the Turn of the Twentieth Century (UP of Florida, 2023), Carl Van Ness describes the remarkable formative years of higher education in Florida, comparing the trajectory to that of other states and putting it in context within the broader history and culture of the South. Central to this story is the Buckman Act of 1905, a state law that consolidated government support to three institutions and prompted decades of conflicts over where Florida’s public colleges and universities would be located, who would head them, and who would manage their affairs. Van Ness traces the development of the schools that later became the University of Florida, Florida State University, and Florida A&M University. He describes little-known events such as the decision to move the University of Florida from its original location in Lake City, as well as a dramatic student rebellion at Florida A&M University in response to attempts to restrict Black students to vocational education and the subsequent firing of the president in 1923. The book also reflects on the debates regarding Florida’s normal schools, which provided coursework and practical training to teachers, a majority of whom were women. Utilizing rare historical records, Van Ness brings to light events in Florida’s history that have not been examined and that continue to affect higher education in the state today. Carl Van Ness is university librarian emeritus at the University of Florida George A. Smathers Libraries. Katie Coldiron is based at Florida International University. She is Outreach Program Manager for the Digital Library of the Caribbean at FIU Libraries and doctoral student in the FIU Department of History. Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 17 Aug 2023 08:00:00 -0000 full 66 New Books Network An interview with Carl Van Ness In The Making of Florida's Universities: Public Higher Education at the Turn of the Twentieth Century (UP of Florida, 2023), Carl Van Ness describes the remarkable formative years of higher education in Florida, comparing the trajectory to that of other states and putting it in context within the broader history and culture of the South. Central to this story is the Buckman Act of 1905, a state law that consolidated government support to three institutions and prompted decades of conflicts over where Florida’s public colleges and universities would be located, who would head them, and who would manage their affairs. Van Ness traces the development of the schools that later became the University of Florida, Florida State University, and Florida A&M University. He describes little-known events such as the decision to move the University of Florida from its original location in Lake City, as well as a dramatic student rebellion at Florida A&M University in response to attempts to restrict Black students to vocational education and the subsequent firing of the president in 1923. The book also reflects on the debates regarding Florida’s normal schools, which provided coursework and practical training to teachers, a majority of whom were women. Utilizing rare historical records, Van Ness brings to light events in Florida’s history that have not been examined and that continue to affect higher education in the state today. Carl Van Ness is university librarian emeritus at the University of Florida George A. Smathers Libraries. Katie Coldiron is based at Florida International University. She is Outreach Program Manager for the Digital Library of the Caribbean at FIU Libraries and doctoral student in the FIU Department of History. Learn more about your ad choices. Visit megaphone.fm/adchoices In The Making of Florida's Universities: Public Higher Education at the Turn of the Twentieth Century (UP of Florida, 2023), Carl Van Ness describes the remarkable formative years of higher education in Florida, comparing the trajectory to that of other states and putting it in context within the broader history and culture of the South. Central to this story is the Buckman Act of 1905, a state law that consolidated government support to three institutions and prompted decades of conflicts over where Florida’s public colleges and universities would be located, who would head them, and who would manage their affairs.

Van Ness traces the development of the schools that later became the University of Florida, Florida State University, and Florida A&M University. He describes little-known events such as the decision to move the University of Florida from its original location in Lake City, as well as a dramatic student rebellion at Florida A&M University in response to attempts to restrict Black students to vocational education and the subsequent firing of the president in 1923. The book also reflects on the debates regarding Florida’s normal schools, which provided coursework and practical training to teachers, a majority of whom were women. Utilizing rare historical records, Van Ness brings to light events in Florida’s history that have not been examined and that continue to affect higher education in the state today.

Carl Van Ness is university librarian emeritus at the University of Florida George A. Smathers Libraries.

Katie Coldiron is based at Florida International University. She is Outreach Program Manager for the Digital Library of the Caribbean at FIU Libraries and doctoral student in the FIU Department of History.

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]]> 3546 no Ashley Robertson Preston, "Mary Mcleod Bethune the Pan-Africanist" (UP of Florida, 2023) This book examines the Pan-Africanism of Mary McLeod Bethune through her work, which internationalized the scope of Black women's organizations to create solidarity among Africans throughout the diaspora. Broadening the familiar view of Bethune as an advocate for racial and gender equality within the United States, Ashley Preston argues that Bethune consistently sought to unify African descendants around the world with her writings, through travel, and as an advisor. Preston shows how Bethune's early involvement with Black women's organizations created personal connections across Cuba, Haiti, India, and Africa and shaped her global vision. Bethune founded and led the National Council of Negro Women, which strengthened coalitions with women across the diaspora to address issues in their local communities. Bethune served as director of the Division of Negro Affairs for the Franklin D. Roosevelt administration and later as associate consultant for the United Nations alongside W.E.B. DuBois and Walter White, using her influence to address diversity in the military, decolonization, suffrage, and imperialism.  Ashley Robertson Preston's book Mary Mcleod Bethune the Pan-Africanist (UP of Florida, 2023) provides a fuller, more accurate understanding of Bethune's work, illustrating the perspective and activism behind Bethune's much-quoted words: "For I am my mother's daughter, and the drums of Africa still beat in my heart." Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities. Learn more about your ad choices. Visit megaphone.fm/adchoices Sat, 12 Aug 2023 08:00:00 -0000 full 62 New Books Network An interview with Ashley Robertson Preston This book examines the Pan-Africanism of Mary McLeod Bethune through her work, which internationalized the scope of Black women's organizations to create solidarity among Africans throughout the diaspora. Broadening the familiar view of Bethune as an advocate for racial and gender equality within the United States, Ashley Preston argues that Bethune consistently sought to unify African descendants around the world with her writings, through travel, and as an advisor. Preston shows how Bethune's early involvement with Black women's organizations created personal connections across Cuba, Haiti, India, and Africa and shaped her global vision. Bethune founded and led the National Council of Negro Women, which strengthened coalitions with women across the diaspora to address issues in their local communities. Bethune served as director of the Division of Negro Affairs for the Franklin D. Roosevelt administration and later as associate consultant for the United Nations alongside W.E.B. DuBois and Walter White, using her influence to address diversity in the military, decolonization, suffrage, and imperialism.  Ashley Robertson Preston's book Mary Mcleod Bethune the Pan-Africanist (UP of Florida, 2023) provides a fuller, more accurate understanding of Bethune's work, illustrating the perspective and activism behind Bethune's much-quoted words: "For I am my mother's daughter, and the drums of Africa still beat in my heart." Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities. Learn more about your ad choices. Visit megaphone.fm/adchoices This book examines the Pan-Africanism of Mary McLeod Bethune through her work, which internationalized the scope of Black women's organizations to create solidarity among Africans throughout the diaspora. Broadening the familiar view of Bethune as an advocate for racial and gender equality within the United States, Ashley Preston argues that Bethune consistently sought to unify African descendants around the world with her writings, through travel, and as an advisor.

Preston shows how Bethune's early involvement with Black women's organizations created personal connections across Cuba, Haiti, India, and Africa and shaped her global vision. Bethune founded and led the National Council of Negro Women, which strengthened coalitions with women across the diaspora to address issues in their local communities. Bethune served as director of the Division of Negro Affairs for the Franklin D. Roosevelt administration and later as associate consultant for the United Nations alongside W.E.B. DuBois and Walter White, using her influence to address diversity in the military, decolonization, suffrage, and imperialism. 

Ashley Robertson Preston's book Mary Mcleod Bethune the Pan-Africanist (UP of Florida, 2023) provides a fuller, more accurate understanding of Bethune's work, illustrating the perspective and activism behind Bethune's much-quoted words: "For I am my mother's daughter, and the drums of Africa still beat in my heart." Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 1707 no Anthony Russell Jerry, "Blackness in Mexico: Afro-Mexican Recognition and the Production of Citizenship in the Costa Chica" (UP of Florida, 2023) Through historical and ethnographic research, Blackness in Mexico: Afro-Mexican Recognition and the Production of Citizenship in the Costa Chica (UP of Florida, 2023) delves into the ongoing movement toward recognizing Black Mexicans as a cultural group within a nation that has long viewed the non-Black mestizo as the archetypal citizen. Anthony Jerry focuses on this process in Mexico's Costa Chica region in order to explore the relational aspects of citizenship and the place of Black people in how modern citizenship is imagined. Jerry's study of the Costa Chica shows the political stakes of the national project for Black recognition; the shared but competing interests of the Mexican government, activists, and townspeople; and the ways that the state and NGOs are working to make "Afro-Mexican" an official cultural category. He argues that that the demand for recognition by Black communities calls attention to how the mestizo has become an intuitive point of reference for identifying who qualifies as "other." Jerry also demonstrates that while official recognition can potentially empower African descendants, it can simultaneously reproduce the same logics of difference that have brought about their social and political exclusion. One of few books to center Blackness within a discussion of Mexico or to incorporate a focus on Mexico into Black studies, this book ultimately argues that the official project for recognition is itself a methodology of mestizaje, an opportunity for the government to continue to use Blackness to define the national subject and to further the Mexican national project. Anthony Russell Jerry is Assistant Professor of anthropology at the University of California, Riverside.  Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Wed, 26 Jul 2023 08:00:00 -0000 full 243 New Books Network An interview with Anthony Russell Jerry Through historical and ethnographic research, Blackness in Mexico: Afro-Mexican Recognition and the Production of Citizenship in the Costa Chica (UP of Florida, 2023) delves into the ongoing movement toward recognizing Black Mexicans as a cultural group within a nation that has long viewed the non-Black mestizo as the archetypal citizen. Anthony Jerry focuses on this process in Mexico's Costa Chica region in order to explore the relational aspects of citizenship and the place of Black people in how modern citizenship is imagined. Jerry's study of the Costa Chica shows the political stakes of the national project for Black recognition; the shared but competing interests of the Mexican government, activists, and townspeople; and the ways that the state and NGOs are working to make "Afro-Mexican" an official cultural category. He argues that that the demand for recognition by Black communities calls attention to how the mestizo has become an intuitive point of reference for identifying who qualifies as "other." Jerry also demonstrates that while official recognition can potentially empower African descendants, it can simultaneously reproduce the same logics of difference that have brought about their social and political exclusion. One of few books to center Blackness within a discussion of Mexico or to incorporate a focus on Mexico into Black studies, this book ultimately argues that the official project for recognition is itself a methodology of mestizaje, an opportunity for the government to continue to use Blackness to define the national subject and to further the Mexican national project. Anthony Russell Jerry is Assistant Professor of anthropology at the University of California, Riverside.  Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Through historical and ethnographic research, Blackness in Mexico: Afro-Mexican Recognition and the Production of Citizenship in the Costa Chica (UP of Florida, 2023) delves into the ongoing movement toward recognizing Black Mexicans as a cultural group within a nation that has long viewed the non-Black mestizo as the archetypal citizen. Anthony Jerry focuses on this process in Mexico's Costa Chica region in order to explore the relational aspects of citizenship and the place of Black people in how modern citizenship is imagined. Jerry's study of the Costa Chica shows the political stakes of the national project for Black recognition; the shared but competing interests of the Mexican government, activists, and townspeople; and the ways that the state and NGOs are working to make "Afro-Mexican" an official cultural category. He argues that that the demand for recognition by Black communities calls attention to how the mestizo has become an intuitive point of reference for identifying who qualifies as "other." Jerry also demonstrates that while official recognition can potentially empower African descendants, it can simultaneously reproduce the same logics of difference that have brought about their social and political exclusion. One of few books to center Blackness within a discussion of Mexico or to incorporate a focus on Mexico into Black studies, this book ultimately argues that the official project for recognition is itself a methodology of mestizaje, an opportunity for the government to continue to use Blackness to define the national subject and to further the Mexican national project.

Anthony Russell Jerry is Assistant Professor of anthropology at the University of California, Riverside. 

Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

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]]> 2832 no Judith Hicks Stiehm, "Janet Reno: A Life" (UP of Florida, 2023) In this first full biography of former United States attorney general Janet Reno (1938–2016), Judith Hicks Stiehm describes the independent and unconventional life of a woman who grew up on a rural South Florida homestead and rose to occupy one of the top positions in the United States government, whose ethics and example served as inspiration for women in law and politics across the nation.         In Janet Reno: A Life (UP of Florida, 2023), Stiehm incorporates personal details from her full and exclusive access to family papers and photos, as well as inside information from Reno’s own materials and interviews with over 40 of Reno’s personal and professional acquaintances. Stiehm begins by tracing Reno’s free-range childhood, her college years at Cornell and experience at Harvard Law School as one of 16 women in a class of over 500, the challenges she faced as a woman lawyer launching her career in 1960s Miami, and her 15 years as Miami-Dade state attorney.             In 1993, Reno was appointed to serve in Washington as United States attorney general in the Clinton administration, the first woman to occupy the position in the history of the nation. Stiehm tells how Reno engaged with the East Coast elite as an outsider, seen by many as outspoken and eccentric—yet scrupulous, uncompromising, and immune to influence. Stiehm explores the reasons behind Reno’s decisions in cases she handled during her tenure, including the siege of the Branch Davidians in Waco, Texas; Kenneth Starr’s Whitewater investigation; the Oklahoma City bombing; and the Elián González controversy.             Janet Reno’s life was an illustration to many that it is possible to hold high office while consistently speaking and acting on principle. This biography examines the guiding forces that shaped Reno’s character, the trails blazed by Reno in her professional roles, and the lasting influence of Reno on American politics and society to this day. Learn more about your ad choices. Visit megaphone.fm/adchoices Wed, 14 Jun 2023 08:00:00 -0000 full 240 New Books Network An interview with Judith Hicks Stiehm In this first full biography of former United States attorney general Janet Reno (1938–2016), Judith Hicks Stiehm describes the independent and unconventional life of a woman who grew up on a rural South Florida homestead and rose to occupy one of the top positions in the United States government, whose ethics and example served as inspiration for women in law and politics across the nation.         In Janet Reno: A Life (UP of Florida, 2023), Stiehm incorporates personal details from her full and exclusive access to family papers and photos, as well as inside information from Reno’s own materials and interviews with over 40 of Reno’s personal and professional acquaintances. Stiehm begins by tracing Reno’s free-range childhood, her college years at Cornell and experience at Harvard Law School as one of 16 women in a class of over 500, the challenges she faced as a woman lawyer launching her career in 1960s Miami, and her 15 years as Miami-Dade state attorney.             In 1993, Reno was appointed to serve in Washington as United States attorney general in the Clinton administration, the first woman to occupy the position in the history of the nation. Stiehm tells how Reno engaged with the East Coast elite as an outsider, seen by many as outspoken and eccentric—yet scrupulous, uncompromising, and immune to influence. Stiehm explores the reasons behind Reno’s decisions in cases she handled during her tenure, including the siege of the Branch Davidians in Waco, Texas; Kenneth Starr’s Whitewater investigation; the Oklahoma City bombing; and the Elián González controversy.             Janet Reno’s life was an illustration to many that it is possible to hold high office while consistently speaking and acting on principle. This biography examines the guiding forces that shaped Reno’s character, the trails blazed by Reno in her professional roles, and the lasting influence of Reno on American politics and society to this day. Learn more about your ad choices. Visit megaphone.fm/adchoices In this first full biography of former United States attorney general Janet Reno (1938–2016), Judith Hicks Stiehm describes the independent and unconventional life of a woman who grew up on a rural South Florida homestead and rose to occupy one of the top positions in the United States government, whose ethics and example served as inspiration for women in law and politics across the nation.        

In Janet Reno: A Life (UP of Florida, 2023), Stiehm incorporates personal details from her full and exclusive access to family papers and photos, as well as inside information from Reno’s own materials and interviews with over 40 of Reno’s personal and professional acquaintances. Stiehm begins by tracing Reno’s free-range childhood, her college years at Cornell and experience at Harvard Law School as one of 16 women in a class of over 500, the challenges she faced as a woman lawyer launching her career in 1960s Miami, and her 15 years as Miami-Dade state attorney.            

In 1993, Reno was appointed to serve in Washington as United States attorney general in the Clinton administration, the first woman to occupy the position in the history of the nation. Stiehm tells how Reno engaged with the East Coast elite as an outsider, seen by many as outspoken and eccentric—yet scrupulous, uncompromising, and immune to influence. Stiehm explores the reasons behind Reno’s decisions in cases she handled during her tenure, including the siege of the Branch Davidians in Waco, Texas; Kenneth Starr’s Whitewater investigation; the Oklahoma City bombing; and the Elián González controversy.            

Janet Reno’s life was an illustration to many that it is possible to hold high office while consistently speaking and acting on principle. This biography examines the guiding forces that shaped Reno’s character, the trails blazed by Reno in her professional roles, and the lasting influence of Reno on American politics and society to this day.

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]]> 1380 no Tatiana D. McInnis, "To Tell a Black Story of Miami" (UP of Florida, 2022) In To Tell a Black Story of Miami (UP of Florida, 2022), Tatiana McInnis examines literary and cultural representations of Miami alongside the city's material realities to challenge the image of South Florida as a diverse cosmopolitan paradise. McInnis discusses how this favorable "melting pot" narrative depends on the obfuscation of racialized violence against people of African descent. Analyzing novels, short stories, and memoirs by Edwidge Danticat, M.J. Fievre, Carlos Moore, Carlos Eire, Patricia Stephens Due, and Tananarive Due, as well as films such as Dawg Fight and Moonlight, McInnis demonstrates how these creations push back against erasure by representing the experiences of Black Americans and immigrants from Caribbean nations. McInnis considers portrayals of state-sanctioned oppression, residential segregation, violent detention of emigres, and increasing wealth gaps and concludes that celebrations of Miami's diversity disguise the pervasive, adaptive nature of white supremacy and anti-Blackness. To Tell a Black Story of Miami offers a model of how to use literature as a primary archive in urban studies. It draws attention to the similarities and divergences between Miami's Black diasporic communities, a historically underrepresented demographic in popular and scholarly awareness of the city. Increasing understanding of Miami's political, social, and economic inequities, this book brings greater nuance to traditional narratives of exceptionalism in cities and regions. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities. Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 28 Apr 2023 08:00:00 -0000 full 380 New Books Network An interview with Tatiana D. McInnis In To Tell a Black Story of Miami (UP of Florida, 2022), Tatiana McInnis examines literary and cultural representations of Miami alongside the city's material realities to challenge the image of South Florida as a diverse cosmopolitan paradise. McInnis discusses how this favorable "melting pot" narrative depends on the obfuscation of racialized violence against people of African descent. Analyzing novels, short stories, and memoirs by Edwidge Danticat, M.J. Fievre, Carlos Moore, Carlos Eire, Patricia Stephens Due, and Tananarive Due, as well as films such as Dawg Fight and Moonlight, McInnis demonstrates how these creations push back against erasure by representing the experiences of Black Americans and immigrants from Caribbean nations. McInnis considers portrayals of state-sanctioned oppression, residential segregation, violent detention of emigres, and increasing wealth gaps and concludes that celebrations of Miami's diversity disguise the pervasive, adaptive nature of white supremacy and anti-Blackness. To Tell a Black Story of Miami offers a model of how to use literature as a primary archive in urban studies. It draws attention to the similarities and divergences between Miami's Black diasporic communities, a historically underrepresented demographic in popular and scholarly awareness of the city. Increasing understanding of Miami's political, social, and economic inequities, this book brings greater nuance to traditional narratives of exceptionalism in cities and regions. Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities. Learn more about your ad choices. Visit megaphone.fm/adchoices In To Tell a Black Story of Miami (UP of Florida, 2022), Tatiana McInnis examines literary and cultural representations of Miami alongside the city's material realities to challenge the image of South Florida as a diverse cosmopolitan paradise. McInnis discusses how this favorable "melting pot" narrative depends on the obfuscation of racialized violence against people of African descent.

Analyzing novels, short stories, and memoirs by Edwidge Danticat, M.J. Fievre, Carlos Moore, Carlos Eire, Patricia Stephens Due, and Tananarive Due, as well as films such as Dawg Fight and Moonlight, McInnis demonstrates how these creations push back against erasure by representing the experiences of Black Americans and immigrants from Caribbean nations. McInnis considers portrayals of state-sanctioned oppression, residential segregation, violent detention of emigres, and increasing wealth gaps and concludes that celebrations of Miami's diversity disguise the pervasive, adaptive nature of white supremacy and anti-Blackness.

To Tell a Black Story of Miami offers a model of how to use literature as a primary archive in urban studies. It draws attention to the similarities and divergences between Miami's Black diasporic communities, a historically underrepresented demographic in popular and scholarly awareness of the city. Increasing understanding of Miami's political, social, and economic inequities, this book brings greater nuance to traditional narratives of exceptionalism in cities and regions.

Publication of this work made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities.

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]]> 1955 no Mark Axel Tveskov and Ashley Ann Bissonnette, "Conflict Archaeology, Historical Memory, and the Experience of War: Beyond the Battlefield" (UP of Florida, 2023) Mark Axel Tveskov and Ashley Ann Bissonnette's Conflict Archaeology, Historical Memory, and the Experience of War: Beyond the Battlefield (UP of Florida, 2023) presents approaches to the archaeology of war that move beyond the forensic analysis of battlefields, fortifications, and other sites of conflict to consider the historical memory, commemoration, and social experience of war. Leading scholars offer critical insights that challenge the dominant narratives about landscapes of war from throughout the history of North American settler colonialism. Grounded in the empirical study of fields of conflict, these essays extend their scope to include a commitment to engaging local Indigenous and other descendant communities and to illustrating how public memories of war are actively and politically constructed. Contributors examine conflicts including the battle of Chikasha, King Philip’s War, the 1694 battle at Guadalupe Mesa, the Rogue River War, the Dakota-U.S. War of 1862, and a World War II battle on the island of Saipan. Studies also investigate the site of the Schenectady Massacre of 1690 and colonial posts staffed by Black soldiers. Chapters discuss how prevailing narratives often minimized the complexity of these conflicts, smoothed over the contradictions and genocidal violence of colonialism, and erased the diversity of the participants. This volume demonstrates that the collaborative practice of conflict archaeology has the potential to reveal the larger meanings, erased voices, and lingering traumas of war. Philip Blood is a British historian residing in Germany. His specialist research covers military culture, war, security, genocide and the Holocaust. Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 10 Mar 2023 09:00:00 -0000 full 135 New Books Network An interview with Mark Axel Tveskov and Ashley Ann Bissonnette Mark Axel Tveskov and Ashley Ann Bissonnette's Conflict Archaeology, Historical Memory, and the Experience of War: Beyond the Battlefield (UP of Florida, 2023) presents approaches to the archaeology of war that move beyond the forensic analysis of battlefields, fortifications, and other sites of conflict to consider the historical memory, commemoration, and social experience of war. Leading scholars offer critical insights that challenge the dominant narratives about landscapes of war from throughout the history of North American settler colonialism. Grounded in the empirical study of fields of conflict, these essays extend their scope to include a commitment to engaging local Indigenous and other descendant communities and to illustrating how public memories of war are actively and politically constructed. Contributors examine conflicts including the battle of Chikasha, King Philip’s War, the 1694 battle at Guadalupe Mesa, the Rogue River War, the Dakota-U.S. War of 1862, and a World War II battle on the island of Saipan. Studies also investigate the site of the Schenectady Massacre of 1690 and colonial posts staffed by Black soldiers. Chapters discuss how prevailing narratives often minimized the complexity of these conflicts, smoothed over the contradictions and genocidal violence of colonialism, and erased the diversity of the participants. This volume demonstrates that the collaborative practice of conflict archaeology has the potential to reveal the larger meanings, erased voices, and lingering traumas of war. Philip Blood is a British historian residing in Germany. His specialist research covers military culture, war, security, genocide and the Holocaust. Learn more about your ad choices. Visit megaphone.fm/adchoices Mark Axel Tveskov and Ashley Ann Bissonnette's Conflict Archaeology, Historical Memory, and the Experience of War: Beyond the Battlefield (UP of Florida, 2023) presents approaches to the archaeology of war that move beyond the forensic analysis of battlefields, fortifications, and other sites of conflict to consider the historical memory, commemoration, and social experience of war. Leading scholars offer critical insights that challenge the dominant narratives about landscapes of war from throughout the history of North American settler colonialism.

Grounded in the empirical study of fields of conflict, these essays extend their scope to include a commitment to engaging local Indigenous and other descendant communities and to illustrating how public memories of war are actively and politically constructed. Contributors examine conflicts including the battle of Chikasha, King Philip’s War, the 1694 battle at Guadalupe Mesa, the Rogue River War, the Dakota-U.S. War of 1862, and a World War II battle on the island of Saipan. Studies also investigate the site of the Schenectady Massacre of 1690 and colonial posts staffed by Black soldiers.

Chapters discuss how prevailing narratives often minimized the complexity of these conflicts, smoothed over the contradictions and genocidal violence of colonialism, and erased the diversity of the participants. This volume demonstrates that the collaborative practice of conflict archaeology has the potential to reveal the larger meanings, erased voices, and lingering traumas of war.

Philip Blood is a British historian residing in Germany. His specialist research covers military culture, war, security, genocide and the Holocaust.

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]]> 5269 no Sonya Y. Ramsey, "Bertha Maxwell-Roddey: A Modern-Day Race Woman and the Power of Black Leadership" (UP of Florida, 2022) Bertha Maxwell-Roddey: A Modern-Day Race Woman and the Power of Black Leadership (UP of Florida, 2022) examines a life of remarkable achievements and leadership in the desegregated South. Sonya Ramsey modernizes the nineteenth-century term "race woman" to describe how Maxwell-Roddey and her peers turned hard-won civil rights and feminist milestones into tangible accomplishments in North Carolina and nationwide from the late 1960s to the 1990s. Born in 1930, Maxwell-Roddey became one of Charlotte's first Black women principals of a white elementary school; she was the founding director of the University of North Carolina at Charlotte's Africana Studies Department; and she cofounded the Afro-American Cultural and Service Center, now the Harvey B. Gantt Center for African-American Art + Culture. Maxwell-Roddey founded the National Council for Black Studies, helping institutionalize the field with what is still its premier professional organization, and served as the 20th National President of Delta Sigma Theta Sorority, Inc., one of the most influential Black women's organizations in the United States. Using oral histories and primary sources that include private records from numerous Black women's home archives, Ramsey illuminates the intersectional leadership strategies used by Maxwell-Roddey and other modern race women to dismantle discriminatory barriers in the classroom and the boardroom. Bertha Maxwell-Roddey offers new insights into desegregation, urban renewal, and the rise of the Black middle class through the lens of a powerful leader's life story. Learn more about your ad choices. Visit megaphone.fm/adchoices Sun, 18 Dec 2022 09:00:00 -0000 full 227 New Books Network An interview with Sonya Y. Ramsey Bertha Maxwell-Roddey: A Modern-Day Race Woman and the Power of Black Leadership (UP of Florida, 2022) examines a life of remarkable achievements and leadership in the desegregated South. Sonya Ramsey modernizes the nineteenth-century term "race woman" to describe how Maxwell-Roddey and her peers turned hard-won civil rights and feminist milestones into tangible accomplishments in North Carolina and nationwide from the late 1960s to the 1990s. Born in 1930, Maxwell-Roddey became one of Charlotte's first Black women principals of a white elementary school; she was the founding director of the University of North Carolina at Charlotte's Africana Studies Department; and she cofounded the Afro-American Cultural and Service Center, now the Harvey B. Gantt Center for African-American Art + Culture. Maxwell-Roddey founded the National Council for Black Studies, helping institutionalize the field with what is still its premier professional organization, and served as the 20th National President of Delta Sigma Theta Sorority, Inc., one of the most influential Black women's organizations in the United States. Using oral histories and primary sources that include private records from numerous Black women's home archives, Ramsey illuminates the intersectional leadership strategies used by Maxwell-Roddey and other modern race women to dismantle discriminatory barriers in the classroom and the boardroom. Bertha Maxwell-Roddey offers new insights into desegregation, urban renewal, and the rise of the Black middle class through the lens of a powerful leader's life story. Learn more about your ad choices. Visit megaphone.fm/adchoices Bertha Maxwell-Roddey: A Modern-Day Race Woman and the Power of Black Leadership (UP of Florida, 2022) examines a life of remarkable achievements and leadership in the desegregated South. Sonya Ramsey modernizes the nineteenth-century term "race woman" to describe how Maxwell-Roddey and her peers turned hard-won civil rights and feminist milestones into tangible accomplishments in North Carolina and nationwide from the late 1960s to the 1990s.

Born in 1930, Maxwell-Roddey became one of Charlotte's first Black women principals of a white elementary school; she was the founding director of the University of North Carolina at Charlotte's Africana Studies Department; and she cofounded the Afro-American Cultural and Service Center, now the Harvey B. Gantt Center for African-American Art + Culture. Maxwell-Roddey founded the National Council for Black Studies, helping institutionalize the field with what is still its premier professional organization, and served as the 20th National President of Delta Sigma Theta Sorority, Inc., one of the most influential Black women's organizations in the United States.

Using oral histories and primary sources that include private records from numerous Black women's home archives, Ramsey illuminates the intersectional leadership strategies used by Maxwell-Roddey and other modern race women to dismantle discriminatory barriers in the classroom and the boardroom. Bertha Maxwell-Roddey offers new insights into desegregation, urban renewal, and the rise of the Black middle class through the lens of a powerful leader's life story.

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]]> 3611 no Anjanette Delgado, "Home in Florida: Latinx Writers and the Literature of Uprootedness" (UP of Florida Press, 2021) Today I spoke to Anjanette Delgado, a Puerto Rican writer and journalist based in Miami who has compiled emblematic stories and essays by writers from many countries who congregate in the city of Miami and the state of Florida. The stories are about those who have been touched by the Florida and Miami experience, and who have made the state their home. Her anthology titled Home in Florida. Latinx Writers and the Literature of Uprootedness published by the University of Florida Press Gainesville in 2021 has won the silver medal for the Independent Publishing Book awards. She is also the author of The Heartbreak Pill: A novel and the The Clairvoyant of Calle Ocho. She has written for the The New York Times “Modern Love” column, Vogue, NPR, HBO, the Kenyon Review and the Hong Kong Review. Through this corpus on the immigrant experience, the reader will get the distillation of Florida’s multiculturalism and also gain insights on the in betweenness of the minority and majority in America. On the one hand there are those who feel Miami is a city lost to the American heartland but continue to flock there to enjoy the café cortadito and the myriad joys of having the foreign in the midst of Sameness. And then there the displaced and uprooted in a “halfway house” of exile. A variety of genres: poetry, love letters, prose songs, jokes all hang together in this poignant compilation of the involuntary wanderer. Minni Sawhney is a professor of Hispanic Studies at the University of Delhi Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 27 May 2022 08:00:00 -0000 full 158 New Books Network An interview with Anjanette Delgado Today I spoke to Anjanette Delgado, a Puerto Rican writer and journalist based in Miami who has compiled emblematic stories and essays by writers from many countries who congregate in the city of Miami and the state of Florida. The stories are about those who have been touched by the Florida and Miami experience, and who have made the state their home. Her anthology titled Home in Florida. Latinx Writers and the Literature of Uprootedness published by the University of Florida Press Gainesville in 2021 has won the silver medal for the Independent Publishing Book awards. She is also the author of The Heartbreak Pill: A novel and the The Clairvoyant of Calle Ocho. She has written for the The New York Times “Modern Love” column, Vogue, NPR, HBO, the Kenyon Review and the Hong Kong Review. Through this corpus on the immigrant experience, the reader will get the distillation of Florida’s multiculturalism and also gain insights on the in betweenness of the minority and majority in America. On the one hand there are those who feel Miami is a city lost to the American heartland but continue to flock there to enjoy the café cortadito and the myriad joys of having the foreign in the midst of Sameness. And then there the displaced and uprooted in a “halfway house” of exile. A variety of genres: poetry, love letters, prose songs, jokes all hang together in this poignant compilation of the involuntary wanderer. Minni Sawhney is a professor of Hispanic Studies at the University of Delhi Learn more about your ad choices. Visit megaphone.fm/adchoices Today I spoke to Anjanette Delgado, a Puerto Rican writer and journalist based in Miami who has compiled emblematic stories and essays by writers from many countries who congregate in the city of Miami and the state of Florida. The stories are about those who have been touched by the Florida and Miami experience, and who have made the state their home. Her anthology titled Home in Florida. Latinx Writers and the Literature of Uprootedness published by the University of Florida Press Gainesville in 2021 has won the silver medal for the Independent Publishing Book awards. She is also the author of The Heartbreak Pill: A novel and the The Clairvoyant of Calle Ocho. She has written for the The New York Times “Modern Love” column, Vogue, NPR, HBO, the Kenyon Review and the Hong Kong Review.

Through this corpus on the immigrant experience, the reader will get the distillation of Florida’s multiculturalism and also gain insights on the in betweenness of the minority and majority in America.

On the one hand there are those who feel Miami is a city lost to the American heartland but continue to flock there to enjoy the café cortadito and the myriad joys of having the foreign in the midst of Sameness. And then there the displaced and uprooted in a “halfway house” of exile. A variety of genres: poetry, love letters, prose songs, jokes all hang together in this poignant compilation of the involuntary wanderer.

Minni Sawhney is a professor of Hispanic Studies at the University of Delhi

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]]> 3048 no Aaron Cometbus and Scott Satterwhite, "A Punkhouse in the Deep South: The Oral History Of 309" (UP of Florida, 2021) Told in personal interviews, A Punkhouse in the Deep South: The Oral History of 309 (University Press of Florida, 2021) is the collective story of a punk community in an unlikely town and region, a hub of radical counterculture that drew artists and musicians from throughout the conservative South and earned national renown. The house at 309 6th Avenue has long been a crossroads for punk rock, activism, veganism, and queer culture in Pensacola, a quiet Gulf Coast city at the border of Florida and Alabama. In this book from Aaron Cometbus and Scott Satterwhite, residents of 309 narrate the colorful and often comical details of communal life in the crowded and dilapidated house over its 30-year existence. Each voice adds to the picture of a lively community that worked together to provide for their own needs while making a positive, lasting impact on their surrounding area. Together, these participants show that punk is more than music and teenage rebellion. It is about alternatives to standard narratives of living, acceptance for the marginalized in a rapidly changing world, and building a sense of family from the ground up. Learn more about the 309 Punk Project here.  Scott Satterwhite is a historian, educator, and journalist who teaches writing and literature at the University of West Florida. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices Mon, 18 Oct 2021 08:00:00 -0000 full 128 New Books Network An interview with Scott Satterwhite Told in personal interviews, A Punkhouse in the Deep South: The Oral History of 309 (University Press of Florida, 2021) is the collective story of a punk community in an unlikely town and region, a hub of radical counterculture that drew artists and musicians from throughout the conservative South and earned national renown. The house at 309 6th Avenue has long been a crossroads for punk rock, activism, veganism, and queer culture in Pensacola, a quiet Gulf Coast city at the border of Florida and Alabama. In this book from Aaron Cometbus and Scott Satterwhite, residents of 309 narrate the colorful and often comical details of communal life in the crowded and dilapidated house over its 30-year existence. Each voice adds to the picture of a lively community that worked together to provide for their own needs while making a positive, lasting impact on their surrounding area. Together, these participants show that punk is more than music and teenage rebellion. It is about alternatives to standard narratives of living, acceptance for the marginalized in a rapidly changing world, and building a sense of family from the ground up. Learn more about the 309 Punk Project here.  Scott Satterwhite is a historian, educator, and journalist who teaches writing and literature at the University of West Florida. Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations. Learn more about your ad choices. Visit megaphone.fm/adchoices Told in personal interviews, A Punkhouse in the Deep South: The Oral History of 309 (University Press of Florida, 2021) is the collective story of a punk community in an unlikely town and region, a hub of radical counterculture that drew artists and musicians from throughout the conservative South and earned national renown. The house at 309 6th Avenue has long been a crossroads for punk rock, activism, veganism, and queer culture in Pensacola, a quiet Gulf Coast city at the border of Florida and Alabama. In this book from Aaron Cometbus and Scott Satterwhite, residents of 309 narrate the colorful and often comical details of communal life in the crowded and dilapidated house over its 30-year existence. Each voice adds to the picture of a lively community that worked together to provide for their own needs while making a positive, lasting impact on their surrounding area. Together, these participants show that punk is more than music and teenage rebellion. It is about alternatives to standard narratives of living, acceptance for the marginalized in a rapidly changing world, and building a sense of family from the ground up.

Learn more about the 309 Punk Project here. 

Scott Satterwhite is a historian, educator, and journalist who teaches writing and literature at the University of West Florida.

Emily Ruth Allen (@emmyru91) is a PhD candidate in Musicology at Florida State University. She is currently working on a dissertation about parade musics in Mobile, Alabama’s Carnival celebrations.

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]]> 3977 no Michèle Hayeur Smith, "The Valkyries' Loom: The Archaeology of Cloth Production and Female Power in the North Atlantic" (UP of Florida, 2020) Marianne Hem Eriksen (Associate Professor, School of Archaeology and Ancient History, University of Leicester) speaks with Michèle Hayeur Smith (Research Associate, Haffenreffer Museum of Anthropology, Brown University) about Smith's recent book, The Valkyries’ Loom: The Archaeology of Cloth Production and Female Power in the North Atlantic (University Press of Florida, 2020). Textile production across the north Atlantic rested in the hands of women for centuries. Even the Valkyries participated, although those mythical Norse maidens who collect dead warriors on the battlefield, have been depicted in Njál's Saga, in the poem, The Darraðarljóð --weaving “men’s fates” on a ‘broad loom of Slaughter’. Closely tied with women’s magic and reproductive powers, cloth served as a ‘second skin’ of protection and cultural distinction. The work of spinning yarn and weaving cloth acquired symbolic associations with creation and destruction long ignored by researchers. In this ambitious analysis, Hayeur Smith unites literary, historical, and archaeological sources to investigate both the meaning and the material remains of cloth production across the Norse settlements of the North Atlantic from Scotland to Greenland. She examines the archaeological remains of textiles and weaving technologies, finding evidence that women’s work intersected with family roles, social hierarchies, religious ideals, colonialism, domestic economies and export trade. Incorporating a wide range of methodologies, Hayeur Smith persuasively argues that textiles reveal the remarkable ethnic and technological diversity that characterized communities across the North Atlantic, while changes in production register climate change and social transformation. Women produced vaðmál, cloth currency that provided the foundation of Iceland’s economy from the early medieval era through the seventeenth century. Join us for this conversation about the warp and weft of women’s work across centuries in the Norse world of the North Atlantic. Learn more about your ad choices. Visit megaphone.fm/adchoices Tue, 01 Jun 2021 08:00:00 -0000 full 999 New Books Network An interview with Michèle Hayeur Smith Marianne Hem Eriksen (Associate Professor, School of Archaeology and Ancient History, University of Leicester) speaks with Michèle Hayeur Smith (Research Associate, Haffenreffer Museum of Anthropology, Brown University) about Smith's recent book, The Valkyries’ Loom: The Archaeology of Cloth Production and Female Power in the North Atlantic (University Press of Florida, 2020). Textile production across the north Atlantic rested in the hands of women for centuries. Even the Valkyries participated, although those mythical Norse maidens who collect dead warriors on the battlefield, have been depicted in Njál's Saga, in the poem, The Darraðarljóð --weaving “men’s fates” on a ‘broad loom of Slaughter’. Closely tied with women’s magic and reproductive powers, cloth served as a ‘second skin’ of protection and cultural distinction. The work of spinning yarn and weaving cloth acquired symbolic associations with creation and destruction long ignored by researchers. In this ambitious analysis, Hayeur Smith unites literary, historical, and archaeological sources to investigate both the meaning and the material remains of cloth production across the Norse settlements of the North Atlantic from Scotland to Greenland. She examines the archaeological remains of textiles and weaving technologies, finding evidence that women’s work intersected with family roles, social hierarchies, religious ideals, colonialism, domestic economies and export trade. Incorporating a wide range of methodologies, Hayeur Smith persuasively argues that textiles reveal the remarkable ethnic and technological diversity that characterized communities across the North Atlantic, while changes in production register climate change and social transformation. Women produced vaðmál, cloth currency that provided the foundation of Iceland’s economy from the early medieval era through the seventeenth century. Join us for this conversation about the warp and weft of women’s work across centuries in the Norse world of the North Atlantic. Learn more about your ad choices. Visit megaphone.fm/adchoices Marianne Hem Eriksen (Associate Professor, School of Archaeology and Ancient History, University of Leicester) speaks with Michèle Hayeur Smith (Research Associate, Haffenreffer Museum of Anthropology, Brown University) about Smith's recent book, The Valkyries’ Loom: The Archaeology of Cloth Production and Female Power in the North Atlantic (University Press of Florida, 2020).

Textile production across the north Atlantic rested in the hands of women for centuries. Even the Valkyries participated, although those mythical Norse maidens who collect dead warriors on the battlefield, have been depicted in Njál's Saga, in the poem, The Darraðarljóð --weaving “men’s fates” on a ‘broad loom of Slaughter’. Closely tied with women’s magic and reproductive powers, cloth served as a ‘second skin’ of protection and cultural distinction. The work of spinning yarn and weaving cloth acquired symbolic associations with creation and destruction long ignored by researchers. In this ambitious analysis, Hayeur Smith unites literary, historical, and archaeological sources to investigate both the meaning and the material remains of cloth production across the Norse settlements of the North Atlantic from Scotland to Greenland. She examines the archaeological remains of textiles and weaving technologies, finding evidence that women’s work intersected with family roles, social hierarchies, religious ideals, colonialism, domestic economies and export trade. Incorporating a wide range of methodologies, Hayeur Smith persuasively argues that textiles reveal the remarkable ethnic and technological diversity that characterized communities across the North Atlantic, while changes in production register climate change and social transformation. Women produced vaðmál, cloth currency that provided the foundation of Iceland’s economy from the early medieval era through the seventeenth century. Join us for this conversation about the warp and weft of women’s work across centuries in the Norse world of the North Atlantic.

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]]> 3576 no Quito J. Swan, "Pauulu's Diaspora: Black Internationalism and Environmental Justice" (UP of Florida, 2020) Pauulu’s Diaspora: Black Internationalism and Environmental Justice (University Press of Florida, 2020) by Quito Swan is an enchanting, magisterial, broadly researched monograph that illuminates the social life of Black Power politics across the African diaspora from the 1950s through the 1980s. Told through Bermudian activist and engineer Pauulu Kamarakafego’s life, Swan takes readers on a journey through Black radical diaspora in the Caribbean, the United States, western, eastern, and southern Africa, and Oceania. A global history of Pan-African organizing, Swan examines various dimensions of Black radicalism, and importantly demonstrates the centrality of environmental activism to Black Power and anticolonial politics. As Swan reconstructs this complex web of global Black radicalism, he also uncovers the ways that Black activists and organizations pivoted in response to international networks of Western surveillance and subterfuge. Readers come to appreciate how Black radicalism shaped anticolonial independence struggles in Vanuatu and Papua New Guinea, for instance, while evaluating how those struggles in turn, reformulated global Black Power. Scholars seeking to understand the enduring and far-reaching entailments of Black radical politics should study this path-breaking book on Black internationalism. Amanda Joyce Hall is a Ph.D. Candidate in History and African American Studies at Yale University. She is writing an international history on the global movement against South African apartheid during the 1970s and 1980s. She tweets from @amandajoycehall Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 04 Dec 2020 09:00:00 -0000 full 224 New Books Network Swan illuminates the social life of Black Power politics across the African diaspora from the 1950s through the 1980s... Pauulu’s Diaspora: Black Internationalism and Environmental Justice (University Press of Florida, 2020) by Quito Swan is an enchanting, magisterial, broadly researched monograph that illuminates the social life of Black Power politics across the African diaspora from the 1950s through the 1980s. Told through Bermudian activist and engineer Pauulu Kamarakafego’s life, Swan takes readers on a journey through Black radical diaspora in the Caribbean, the United States, western, eastern, and southern Africa, and Oceania. A global history of Pan-African organizing, Swan examines various dimensions of Black radicalism, and importantly demonstrates the centrality of environmental activism to Black Power and anticolonial politics. As Swan reconstructs this complex web of global Black radicalism, he also uncovers the ways that Black activists and organizations pivoted in response to international networks of Western surveillance and subterfuge. Readers come to appreciate how Black radicalism shaped anticolonial independence struggles in Vanuatu and Papua New Guinea, for instance, while evaluating how those struggles in turn, reformulated global Black Power. Scholars seeking to understand the enduring and far-reaching entailments of Black radical politics should study this path-breaking book on Black internationalism. Amanda Joyce Hall is a Ph.D. Candidate in History and African American Studies at Yale University. She is writing an international history on the global movement against South African apartheid during the 1970s and 1980s. She tweets from @amandajoycehall Learn more about your ad choices. Visit megaphone.fm/adchoices Pauulu’s Diaspora: Black Internationalism and Environmental Justice (University Press of Florida, 2020) by Quito Swan is an enchanting, magisterial, broadly researched monograph that illuminates the social life of Black Power politics across the African diaspora from the 1950s through the 1980s. Told through Bermudian activist and engineer Pauulu Kamarakafego’s life, Swan takes readers on a journey through Black radical diaspora in the Caribbean, the United States, western, eastern, and southern Africa, and Oceania. A global history of Pan-African organizing, Swan examines various dimensions of Black radicalism, and importantly demonstrates the centrality of environmental activism to Black Power and anticolonial politics. As Swan reconstructs this complex web of global Black radicalism, he also uncovers the ways that Black activists and organizations pivoted in response to international networks of Western surveillance and subterfuge. Readers come to appreciate how Black radicalism shaped anticolonial independence struggles in Vanuatu and Papua New Guinea, for instance, while evaluating how those struggles in turn, reformulated global Black Power. Scholars seeking to understand the enduring and far-reaching entailments of Black radical politics should study this path-breaking book on Black internationalism.

Amanda Joyce Hall is a Ph.D. Candidate in History and African American Studies at Yale University. She is writing an international history on the global movement against South African apartheid during the 1970s and 1980s. She tweets from @amandajoycehall

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]]> 5886 no Matthew Hild and Keri Leigh Merritt, "Reconsidering Southern Labor History" (UP of Florida, 2018) Matthew Hild and Keri Leigh Merritt discuss their new edited volume, Reconsidering Southern Labor History: Race, Class, and Power (University Press of Florida, 2018), the nexus of race, class and power in the history of labor in the South, and how a new generation of southern labor scholars are changing our understanding of labor's past, present and future in the region. The American Dream of reaching success through sheer sweat and determination rings false for countless members of the working classes. This volume shows that many of the difficulties facing workers today have deep roots in the history of the exploitation of labor in the South. Contributors make the case that the problems that have long beset southern labor, including the legacy of slavery, low wages, lack of collective bargaining rights, and repression of organized unions, have become the problems of workers across the country. Spanning nearly all of U.S. history, the essays in this collection range from West Virginia to Florida to Texas. They examine vagrancy laws in the early republic, inmate labor at state penitentiaries, mine workers and union membership, and strikes and the often-violent strikebreaking that followed. They also look at pesticide exposure among farmworkers, labor activism during the civil rights movement, and foreign-owned auto factories in the rural South. They distinguish between different struggles experienced by women and men, as well as by African American, Latino, and white workers. Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 06 Dec 2019 09:00:00 -0000 full 10 New Books Network Hild and Merritt discuss the nexus of race, class and power in the history of labor in the South, and how a new generation of southern labor scholars are changing our understanding of labor's past, present and future in the region... Matthew Hild and Keri Leigh Merritt discuss their new edited volume, Reconsidering Southern Labor History: Race, Class, and Power (University Press of Florida, 2018), the nexus of race, class and power in the history of labor in the South, and how a new generation of southern labor scholars are changing our understanding of labor's past, present and future in the region. The American Dream of reaching success through sheer sweat and determination rings false for countless members of the working classes. This volume shows that many of the difficulties facing workers today have deep roots in the history of the exploitation of labor in the South. Contributors make the case that the problems that have long beset southern labor, including the legacy of slavery, low wages, lack of collective bargaining rights, and repression of organized unions, have become the problems of workers across the country. Spanning nearly all of U.S. history, the essays in this collection range from West Virginia to Florida to Texas. They examine vagrancy laws in the early republic, inmate labor at state penitentiaries, mine workers and union membership, and strikes and the often-violent strikebreaking that followed. They also look at pesticide exposure among farmworkers, labor activism during the civil rights movement, and foreign-owned auto factories in the rural South. They distinguish between different struggles experienced by women and men, as well as by African American, Latino, and white workers. Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Matthew Hild and Keri Leigh Merritt discuss their new edited volume, Reconsidering Southern Labor History: Race, Class, and Power (University Press of Florida, 2018), the nexus of race, class and power in the history of labor in the South, and how a new generation of southern labor scholars are changing our understanding of labor's past, present and future in the region.

The American Dream of reaching success through sheer sweat and determination rings false for countless members of the working classes. This volume shows that many of the difficulties facing workers today have deep roots in the history of the exploitation of labor in the South. Contributors make the case that the problems that have long beset southern labor, including the legacy of slavery, low wages, lack of collective bargaining rights, and repression of organized unions, have become the problems of workers across the country.

Spanning nearly all of U.S. history, the essays in this collection range from West Virginia to Florida to Texas. They examine vagrancy laws in the early republic, inmate labor at state penitentiaries, mine workers and union membership, and strikes and the often-violent strikebreaking that followed. They also look at pesticide exposure among farmworkers, labor activism during the civil rights movement, and foreign-owned auto factories in the rural South. They distinguish between different struggles experienced by women and men, as well as by African American, Latino, and white workers.

Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association.

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 1548 no Evan Bennett, "When Tobacco Was King: Families, Farm Labor, and Federal Policy in the Piedmont" (UP Florida, 2014) Professor Evan Bennett of Florida Atlantic University, author of When Tobacco Was King: Families, Farm Labor, and Federal Policy in the Piedmont (University Press of Florida, 2015) discusses the development and demise of family tobacco farms, tobacco farming culture, and the New Deal's Federal Tobacco Program. Tobacco has left an indelible mark on the American South, shaping the land and culture throughout the twentieth century. In the last few decades, advances in technology and shifts in labor and farming policy have altered the way of life for tobacco farmers: family farms have largely been replaced by large-scale operations dependent on hired labor, much of it from other shores. However, the mechanical harvester and the H-2A guestworker did not put an end to tobacco culture but rather sent it in new directions and accelerated the change that has always been part of the farmer’s life. In When Tobacco Was King, Bennett examines the agriculture of the South’s original staple crop in the Old Bright Belt—a diverse region named after the unique bright, or flue-cured, tobacco variety it spawned. He traces the region’s history from Emancipation to the abandonment of federal crop controls in 2004 and highlights the transformations endured by blacks and whites, landowners and tenants, to show how tobacco farmers continued to find meaning and community in their work despite these drastic changes. Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 04 Oct 2019 08:00:00 -0000 full New Books Network Bennett discusses the development and demise of family tobacco farms, tobacco farming culture, and the New Deal's Federal Tobacco Program... Professor Evan Bennett of Florida Atlantic University, author of When Tobacco Was King: Families, Farm Labor, and Federal Policy in the Piedmont (University Press of Florida, 2015) discusses the development and demise of family tobacco farms, tobacco farming culture, and the New Deal's Federal Tobacco Program. Tobacco has left an indelible mark on the American South, shaping the land and culture throughout the twentieth century. In the last few decades, advances in technology and shifts in labor and farming policy have altered the way of life for tobacco farmers: family farms have largely been replaced by large-scale operations dependent on hired labor, much of it from other shores. However, the mechanical harvester and the H-2A guestworker did not put an end to tobacco culture but rather sent it in new directions and accelerated the change that has always been part of the farmer’s life. In When Tobacco Was King, Bennett examines the agriculture of the South’s original staple crop in the Old Bright Belt—a diverse region named after the unique bright, or flue-cured, tobacco variety it spawned. He traces the region’s history from Emancipation to the abandonment of federal crop controls in 2004 and highlights the transformations endured by blacks and whites, landowners and tenants, to show how tobacco farmers continued to find meaning and community in their work despite these drastic changes. Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association. Learn more about your ad choices. Visit megaphone.fm/adchoices Professor Evan Bennett of Florida Atlantic University, author of When Tobacco Was King: Families, Farm Labor, and Federal Policy in the Piedmont (University Press of Florida, 2015) discusses the development and demise of family tobacco farms, tobacco farming culture, and the New Deal's Federal Tobacco Program.

Tobacco has left an indelible mark on the American South, shaping the land and culture throughout the twentieth century. In the last few decades, advances in technology and shifts in labor and farming policy have altered the way of life for tobacco farmers: family farms have largely been replaced by large-scale operations dependent on hired labor, much of it from other shores. However, the mechanical harvester and the H-2A guestworker did not put an end to tobacco culture but rather sent it in new directions and accelerated the change that has always been part of the farmer’s life.

In When Tobacco Was King, Bennett examines the agriculture of the South’s original staple crop in the Old Bright Belt—a diverse region named after the unique bright, or flue-cured, tobacco variety it spawned. He traces the region’s history from Emancipation to the abandonment of federal crop controls in 2004 and highlights the transformations endured by blacks and whites, landowners and tenants, to show how tobacco farmers continued to find meaning and community in their work despite these drastic changes.

Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association.

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]]> 2753 no Gregg Bocketti, "The Invention of the Beautiful Game: Football and the Making of Modern Brazil" (UP of Florida, 2016) Today we are joined by Gregg Bocketti, Professor of History at Transylvania University, and author of The Invention of the Beautiful Game: Football and the Making of Modern Brazil(University Press of Florida, 2016). In our conversation, we discussed the transplantation of European sports to Brazil, the rising success of the Brazilian national team in the 1920s and 1930s, and the development of O Jogo Bonito style of play. In The Invention of the Beautiful Game, Bocketti takes on the traditional nationalist narrative of Brazilian football, which suggests that their successful teams of the interwar and postwar era, which occurred following the shift from foot-ball to futebol in Brazil, arose from the countries specific cultural and racial heritage. Brazilian soccer’s triumphs emerged from the successes of its racial democracy. Bocketti’s unique organization illustrates the contradictions in this national myth through five thematic chapters. He analyses the grafting of European sports in Brazil, the role of elite clubs in Rio and Sao Paulo played in shaping Brazilian social classes, the internationalization of Brazilian football, the function of women and respectability in shaping the fan environment, and the rise of O Jogo Bonito (the beautiful game) style of play. He shows that the so-called beautiful game era did not inaugurate uncomplicated gender and racial relations in sports. Similarly, the elite sportsmen that founded Brazil’s most esteemed sporting clubs were neither as close-minded as previous histories assume and even as players of color made their appearance on the Brazilian National Team, white, upper class men maintained their influence throughout the Vargas era. Bocketti’s work will appeal to readers interested in Brazilian soccer but also more broadly to people in the fields of Brazilian and Latin American history and scholars of sports during the 19th and 20th centuries. Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 31 May 2019 08:00:00 -0000 full New Books Network Bocketti takes on the traditional nationalist narrative of Brazilian football, which suggests that their successful teams of the interwar and postwar era, which occurred following the shift from foot-ball to futebol in Brazil, arose from the countries specific cultural and racial heritage...  Today we are joined by Gregg Bocketti, Professor of History at Transylvania University, and author of The Invention of the Beautiful Game: Football and the Making of Modern Brazil(University Press of Florida, 2016). In our conversation, we discussed the transplantation of European sports to Brazil, the rising success of the Brazilian national team in the 1920s and 1930s, and the development of O Jogo Bonito style of play. In The Invention of the Beautiful Game, Bocketti takes on the traditional nationalist narrative of Brazilian football, which suggests that their successful teams of the interwar and postwar era, which occurred following the shift from foot-ball to futebol in Brazil, arose from the countries specific cultural and racial heritage. Brazilian soccer’s triumphs emerged from the successes of its racial democracy. Bocketti’s unique organization illustrates the contradictions in this national myth through five thematic chapters. He analyses the grafting of European sports in Brazil, the role of elite clubs in Rio and Sao Paulo played in shaping Brazilian social classes, the internationalization of Brazilian football, the function of women and respectability in shaping the fan environment, and the rise of O Jogo Bonito (the beautiful game) style of play. He shows that the so-called beautiful game era did not inaugurate uncomplicated gender and racial relations in sports. Similarly, the elite sportsmen that founded Brazil’s most esteemed sporting clubs were neither as close-minded as previous histories assume and even as players of color made their appearance on the Brazilian National Team, white, upper class men maintained their influence throughout the Vargas era. Bocketti’s work will appeal to readers interested in Brazilian soccer but also more broadly to people in the fields of Brazilian and Latin American history and scholars of sports during the 19th and 20th centuries. Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au Learn more about your ad choices. Visit megaphone.fm/adchoices Today we are joined by Gregg Bocketti, Professor of History at Transylvania University, and author of The Invention of the Beautiful Game: Football and the Making of Modern Brazil(University Press of Florida, 2016). In our conversation, we discussed the transplantation of European sports to Brazil, the rising success of the Brazilian national team in the 1920s and 1930s, and the development of O Jogo Bonito style of play.

In The Invention of the Beautiful Game, Bocketti takes on the traditional nationalist narrative of Brazilian football, which suggests that their successful teams of the interwar and postwar era, which occurred following the shift from foot-ball to futebol in Brazil, arose from the countries specific cultural and racial heritage. Brazilian soccer’s triumphs emerged from the successes of its racial democracy. Bocketti’s unique organization illustrates the contradictions in this national myth through five thematic chapters. He analyses the grafting of European sports in Brazil, the role of elite clubs in Rio and Sao Paulo played in shaping Brazilian social classes, the internationalization of Brazilian football, the function of women and respectability in shaping the fan environment, and the rise of O Jogo Bonito (the beautiful game) style of play. He shows that the so-called beautiful game era did not inaugurate uncomplicated gender and racial relations in sports. Similarly, the elite sportsmen that founded Brazil’s most esteemed sporting clubs were neither as close-minded as previous histories assume and even as players of color made their appearance on the Brazilian National Team, white, upper class men maintained their influence throughout the Vargas era.

Bocketti’s work will appeal to readers interested in Brazilian soccer but also more broadly to people in the fields of Brazilian and Latin American history and scholars of sports during the 19th and 20th centuries.

Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au

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]]> 3911 Jerry T. Watkins III, "Queering the Redneck Riviera: Sexuality and the Rise of Florida Tourism" (UP of Florida, 2018) As the title suggests, Jerry T. Watkins III’s Queering the Redneck Riviera: Sexuality and the Rise of Florida Tourism (University Press of Florida, 2018) re-queers this North Florida tourist destination showing how people who defied gender and sexual normalcy found their space in the “Sunshine State” after the Second World War. Despite concerted efforts to police and control what was perceived as sexual deviance in the region, the tourism economy also created opportunities for queer socialization, while queer people played a crucial role in making the Redneck Riviera (now the Emerald Coast) a major tourist destination. Watkins re-creates queer life during this period, drawing from a variety of sources including newspaper articles, advertising, oral history narrations, government documents, and interrogation transcripts from The Florida Legislative Investigation Committee (The Johns Committee), uncovering stories of queer beach parties, bars, and friendship networks. The book clearly places this story in broader national, regional, and local contexts while telling touching personal stories with fascinating characters, making it accessible for a broader audience. It also includes rare photos from the Emma Jones Society, a Pensacola-based group that boldly hosted gatherings and conventions in public places which would eventually lead to one of the most important events in the country’s LGBTQ calendar. By showing how the Redneck Riviera become the Gay Riviera and the role of pink money (or the “flaunting of gay capital”) played in that process, Queering the Redneck Riviera offers new insights about the relationships between sexuality and capitalism. Isabel Machado is a Brazilian historian, living and teaching in Mexico, while writing about U.S. Carnival. She is currently working on Now You Do Whatcha Wanna: Marked Bodies and Invented Traditions in Mobile’s Mardi Gras, which uses Carnival as a vehicle to understand social and cultural changes in that U.S. southern city. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León Mexico. She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices Tue, 21 May 2019 08:00:00 -0000 full New Books Network Watkins re-queers this North Florida tourist destination showing how people who defied gender and sexual normalcy found their space in the “Sunshine State” after the Second World War... As the title suggests, Jerry T. Watkins III’s Queering the Redneck Riviera: Sexuality and the Rise of Florida Tourism (University Press of Florida, 2018) re-queers this North Florida tourist destination showing how people who defied gender and sexual normalcy found their space in the “Sunshine State” after the Second World War. Despite concerted efforts to police and control what was perceived as sexual deviance in the region, the tourism economy also created opportunities for queer socialization, while queer people played a crucial role in making the Redneck Riviera (now the Emerald Coast) a major tourist destination. Watkins re-creates queer life during this period, drawing from a variety of sources including newspaper articles, advertising, oral history narrations, government documents, and interrogation transcripts from The Florida Legislative Investigation Committee (The Johns Committee), uncovering stories of queer beach parties, bars, and friendship networks. The book clearly places this story in broader national, regional, and local contexts while telling touching personal stories with fascinating characters, making it accessible for a broader audience. It also includes rare photos from the Emma Jones Society, a Pensacola-based group that boldly hosted gatherings and conventions in public places which would eventually lead to one of the most important events in the country’s LGBTQ calendar. By showing how the Redneck Riviera become the Gay Riviera and the role of pink money (or the “flaunting of gay capital”) played in that process, Queering the Redneck Riviera offers new insights about the relationships between sexuality and capitalism. Isabel Machado is a Brazilian historian, living and teaching in Mexico, while writing about U.S. Carnival. She is currently working on Now You Do Whatcha Wanna: Marked Bodies and Invented Traditions in Mobile’s Mardi Gras, which uses Carnival as a vehicle to understand social and cultural changes in that U.S. southern city. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León Mexico. She also works as an Assistant Producer for the Sexing History podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices As the title suggests, Jerry T. Watkins III’s Queering the Redneck Riviera: Sexuality and the Rise of Florida Tourism (University Press of Florida, 2018) re-queers this North Florida tourist destination showing how people who defied gender and sexual normalcy found their space in the “Sunshine State” after the Second World War. Despite concerted efforts to police and control what was perceived as sexual deviance in the region, the tourism economy also created opportunities for queer socialization, while queer people played a crucial role in making the Redneck Riviera (now the Emerald Coast) a major tourist destination. Watkins re-creates queer life during this period, drawing from a variety of sources including newspaper articles, advertising, oral history narrations, government documents, and interrogation transcripts from The Florida Legislative Investigation Committee (The Johns Committee), uncovering stories of queer beach parties, bars, and friendship networks. The book clearly places this story in broader national, regional, and local contexts while telling touching personal stories with fascinating characters, making it accessible for a broader audience. It also includes rare photos from the Emma Jones Society, a Pensacola-based group that boldly hosted gatherings and conventions in public places which would eventually lead to one of the most important events in the country’s LGBTQ calendar. By showing how the Redneck Riviera become the Gay Riviera and the role of pink money (or the “flaunting of gay capital”) played in that process, Queering the Redneck Riviera offers new insights about the relationships between sexuality and capitalism.

Isabel Machado is a Brazilian historian, living and teaching in Mexico, while writing about U.S. Carnival. She is currently working on Now You Do Whatcha Wanna: Marked Bodies and Invented Traditions in Mobile’s Mardi Gras, which uses Carnival as a vehicle to understand social and cultural changes in that U.S. southern city. Her new project is an investigation of different generations of artists and performers who challenge gender normativity in Monterrey, Nuevo León Mexico. She also works as an Assistant Producer for the Sexing History podcast.

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]]> 3248 no Joe Street, "Dirty Harry’s America: Clint Eastwood, Harry Callahan, and the Conservative Backlash" (UP of Florida, 2016) When "Dirty Harry" first premiered in 1971, it was both praised and condemned for its portrayal of a rogue policeman fighting crime by ignoring many of the rules and procedures of the profession. Yet director Don Siegel denied any attempt to make a political statement with the film. Joe Street’s book Dirty Harry’s America: Clint Eastwood, Harry Callahan, and the Conservative Backlash (University Press of Florida, 2016) discusses all five "Dirty Harry" films and helps to better explain the importance of them both cinematically and socially. Learn more about your ad choices. Visit megaphone.fm/adchoices Mon, 07 Jan 2019 05:00:00 -0000 full 53 New Books Network When "Dirty Harry" first premiered in 1971, it was both praised and condemned for its portrayal of a rogue policeman fighting crime by ignoring many of the rules and procedures of the profession... When "Dirty Harry" first premiered in 1971, it was both praised and condemned for its portrayal of a rogue policeman fighting crime by ignoring many of the rules and procedures of the profession. Yet director Don Siegel denied any attempt to make a political statement with the film. Joe Street’s book Dirty Harry’s America: Clint Eastwood, Harry Callahan, and the Conservative Backlash (University Press of Florida, 2016) discusses all five "Dirty Harry" films and helps to better explain the importance of them both cinematically and socially. Learn more about your ad choices. Visit megaphone.fm/adchoices When "Dirty Harry" first premiered in 1971, it was both praised and condemned for its portrayal of a rogue policeman fighting crime by ignoring many of the rules and procedures of the profession. Yet director Don Siegel denied any attempt to make a political statement with the film. Joe Street’s book Dirty Harry’s America: Clint Eastwood, Harry Callahan, and the Conservative Backlash (University Press of Florida, 2016) discusses all five "Dirty Harry" films and helps to better explain the importance of them both cinematically and socially.

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]]> 3990 no Melanie V. Dawson and Meredith L. Goldsmith, "American Literary History and the Turn toward Modernity" (UP of Florida, 2018) As scholars and readers, we often view literary history in rigid, simplistic terms. We imagine that nineteenth-century aesthetic and thematic preoccupations withered away as 1899 became 1900, only to be replaced immediately by a new literature of the twentieth century. In their dynamic, wide-ranging collection Melanie V. Dawson and Meredith L. Goldsmith challenge this conventional understanding of American literary history. Drawing together a diverse range of essays focused on iconic turn-of-the century writers such as Edith Wharton, Jack London and Sarah Piatt, as well as lesser-known authors like Jessie Fauset and Laura Jean Libbey, American Literary History and the Turn toward Modernity (University Press of Florida, 2018) encourages readers to reconsider their understanding of literary “modernity.” The essays contained in this wonderful new collection, published just this year by the University Press of Florida, interrogate the popular construction of literary culture between 1880 and 1930. Paying close attention to issues of culture, race, class and periodisation, Dawson and Goldsmith’s collection demonstrates that rather than representing a rejection of Victorian values, the period can instead be seen instead as a complex negotiation of both the new experimental literary forms that were emerging at the time and the entrenched values of the nineteenth century. In this episode, Melanie and Meredith join Miranda Corcoran for a discussion of expanding disciplinary boundaries and the complexities of turn-of-the-century literary culture. Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture HERE and can also be found on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Wed, 12 Dec 2018 11:00:00 -0000 full 51 New Books Network As scholars and readers, we often view literary history in rigid, simplistic terms. We imagine that nineteenth-century aesthetic and thematic preoccupations withered away as 1899 became 1900, only to be replaced immediately by a new literature of the twentieth century... As scholars and readers, we often view literary history in rigid, simplistic terms. We imagine that nineteenth-century aesthetic and thematic preoccupations withered away as 1899 became 1900, only to be replaced immediately by a new literature of the twentieth century. In their dynamic, wide-ranging collection Melanie V. Dawson and Meredith L. Goldsmith challenge this conventional understanding of American literary history. Drawing together a diverse range of essays focused on iconic turn-of-the century writers such as Edith Wharton, Jack London and Sarah Piatt, as well as lesser-known authors like Jessie Fauset and Laura Jean Libbey, American Literary History and the Turn toward Modernity (University Press of Florida, 2018) encourages readers to reconsider their understanding of literary “modernity.” The essays contained in this wonderful new collection, published just this year by the University Press of Florida, interrogate the popular construction of literary culture between 1880 and 1930. Paying close attention to issues of culture, race, class and periodisation, Dawson and Goldsmith’s collection demonstrates that rather than representing a rejection of Victorian values, the period can instead be seen instead as a complex negotiation of both the new experimental literary forms that were emerging at the time and the entrenched values of the nineteenth century. In this episode, Melanie and Meredith join Miranda Corcoran for a discussion of expanding disciplinary boundaries and the complexities of turn-of-the-century literary culture. Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture HERE and can also be found on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices As scholars and readers, we often view literary history in rigid, simplistic terms. We imagine that nineteenth-century aesthetic and thematic preoccupations withered away as 1899 became 1900, only to be replaced immediately by a new literature of the twentieth century. In their dynamic, wide-ranging collection Melanie V. Dawson and Meredith L. Goldsmith challenge this conventional understanding of American literary history. Drawing together a diverse range of essays focused on iconic turn-of-the century writers such as Edith Wharton, Jack London and Sarah Piatt, as well as lesser-known authors like Jessie Fauset and Laura Jean Libbey, American Literary History and the Turn toward Modernity (University Press of Florida, 2018) encourages readers to reconsider their understanding of literary “modernity.” The essays contained in this wonderful new collection, published just this year by the University Press of Florida, interrogate the popular construction of literary culture between 1880 and 1930. Paying close attention to issues of culture, race, class and periodisation, Dawson and Goldsmith’s collection demonstrates that rather than representing a rejection of Victorian values, the period can instead be seen instead as a complex negotiation of both the new experimental literary forms that were emerging at the time and the entrenched values of the nineteenth century. In this episode, Melanie and Meredith join Miranda Corcoran for a discussion of expanding disciplinary boundaries and the complexities of turn-of-the-century literary culture.

Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture HERE and can also be found on Twitter.

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]]> 3040 no Keri Leigh Merrit and Matthew Hild, eds., “Reconsidering Southern Labor History: Race, Class, and Power” (UP of Florida, 2018) In their new edited volume Reconsidering Southern Labor History: Race, Class, and Power (University Press of Florida, 2018), Keri Leigh Merritt and Matthew Hild provide an interdisciplinary approach to understanding the historical development of southern labor. The essays in this volume demonstrate that the “southern working class”–far from being a kind of white, Trump-supporting monolith–is actually a complicated beast. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Tue, 11 Sep 2018 10:00:00 -0000 full New Books Network In their new edited volume Reconsidering Southern Labor History: Race, Class, and Power (University Press of Florida, 2018), Keri Leigh Merritt and Matthew Hild provide an interdisciplinary approach to understanding the historical development of southe... In their new edited volume Reconsidering Southern Labor History: Race, Class, and Power (University Press of Florida, 2018), Keri Leigh Merritt and Matthew Hild provide an interdisciplinary approach to understanding the historical development of southern labor. The essays in this volume demonstrate that the “southern working class”–far from being a kind of white, Trump-supporting monolith–is actually a complicated beast. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices In their new edited volume Reconsidering Southern Labor History: Race, Class, and Power (University Press of Florida, 2018), Keri Leigh Merritt and Matthew Hild provide an interdisciplinary approach to understanding the historical development of southern labor. The essays in this volume demonstrate that the “southern working class”–far from being a kind of white, Trump-supporting monolith–is actually a complicated beast.


Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty.

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]]> 2900 no Tameka Bradley Hobbs, “Democracy Abroad, Lynching at Home: Racial Violence in Florida” (UP of Florida, 2015) The World War II era was a transformative period for the United States’ relationship to the rest of the world. Exporting liberal democracy was an important goal for the American government. Yet in places like Florida, the promise of liberal democracy was yet to be fulfilled for African Americans. In her 2015 book Democracy Abroad, Lynching at Home: Racial Violence in Florida (University Press of Florida, 2105), Tameka Bradley Hobbs explores this contradiction by telling the stories of four African American men–Arthur C. Williams, Cellos Harrison, Willie James Howard, and Jessie James Payne–who were lynched in the Panhandle of Florida between 1941-1945. Using a plethora of court documents, white and black press editorials, and oral histories to find the voices of those living in the aftermath of the lynchings, Dr. Hobbs targets the narrative of Florida “exceptionalism” in the American South to show that Florida was actually, per capita, the state where Black Americans were most likely to be lynched. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 26 Jul 2018 10:00:00 -0000 full New Books Network The World War II era was a transformative period for the United States’ relationship to the rest of the world. Exporting liberal democracy was an important goal for the American government. Yet in places like Florida, The World War II era was a transformative period for the United States’ relationship to the rest of the world. Exporting liberal democracy was an important goal for the American government. Yet in places like Florida, the promise of liberal democracy was yet to be fulfilled for African Americans. In her 2015 book Democracy Abroad, Lynching at Home: Racial Violence in Florida (University Press of Florida, 2105), Tameka Bradley Hobbs explores this contradiction by telling the stories of four African American men–Arthur C. Williams, Cellos Harrison, Willie James Howard, and Jessie James Payne–who were lynched in the Panhandle of Florida between 1941-1945. Using a plethora of court documents, white and black press editorials, and oral histories to find the voices of those living in the aftermath of the lynchings, Dr. Hobbs targets the narrative of Florida “exceptionalism” in the American South to show that Florida was actually, per capita, the state where Black Americans were most likely to be lynched. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices The World War II era was a transformative period for the United States’ relationship to the rest of the world. Exporting liberal democracy was an important goal for the American government. Yet in places like Florida, the promise of liberal democracy was yet to be fulfilled for African Americans. In her 2015 book Democracy Abroad, Lynching at Home: Racial Violence in Florida (University Press of Florida, 2105), Tameka Bradley Hobbs explores this contradiction by telling the stories of four African American men–Arthur C. Williams, Cellos Harrison, Willie James Howard, and Jessie James Payne–who were lynched in the Panhandle of Florida between 1941-1945. Using a plethora of court documents, white and black press editorials, and oral histories to find the voices of those living in the aftermath of the lynchings, Dr. Hobbs targets the narrative of Florida “exceptionalism” in the American South to show that Florida was actually, per capita, the state where Black Americans were most likely to be lynched.


Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty.

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]]> 4300 no Halifu Osumare, “Dancing in Blackness: A Memoir” (UP of Florida, 2018) Combining memoir with auto-ethnography, historical study and sociocultural analysis, Halifu Osumare draws on her decades of experience to explore the complexities of black dance in the United States. Starting in San Francisco during the rise of the Black Arts and Black Power Movements as well as of hippie counterculture, Osumare’s narrative follows her subsequent journeys to twenty-three countries across Europe, Africa and North America. Throughout Dancing in Blackness: A Memoir (University Press of Florida, 2018), she reflects on her subjectivity as a black woman traveling through and performing in diverse national/cultural contexts. Drawing on her academic grounding in black studies as well as her artistic experiences as a professional dancer, Osumare underscores the relationship between art, performance, and the black struggle for recognition, justice and self-empowerment. Dr. Osumare is professor emerita of African American and African Studies at the University of California, Davis, is the author of The Hiplife in Ghana: West African Indigenization of Hip-Hop and The Africanist Aesthetic in Global Hip-Hop: Power Moves. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices Mon, 04 Jun 2018 10:00:00 -0000 full New Books Network Combining memoir with auto-ethnography, historical study and sociocultural analysis, Halifu Osumare draws on her decades of experience to explore the complexities of black dance in the United States. Starting in San Francisco during the rise of the Bla... Combining memoir with auto-ethnography, historical study and sociocultural analysis, Halifu Osumare draws on her decades of experience to explore the complexities of black dance in the United States. Starting in San Francisco during the rise of the Black Arts and Black Power Movements as well as of hippie counterculture, Osumare’s narrative follows her subsequent journeys to twenty-three countries across Europe, Africa and North America. Throughout Dancing in Blackness: A Memoir (University Press of Florida, 2018), she reflects on her subjectivity as a black woman traveling through and performing in diverse national/cultural contexts. Drawing on her academic grounding in black studies as well as her artistic experiences as a professional dancer, Osumare underscores the relationship between art, performance, and the black struggle for recognition, justice and self-empowerment. Dr. Osumare is professor emerita of African American and African Studies at the University of California, Davis, is the author of The Hiplife in Ghana: West African Indigenization of Hip-Hop and The Africanist Aesthetic in Global Hip-Hop: Power Moves. Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017). Learn more about your ad choices. Visit megaphone.fm/adchoices Combining memoir with auto-ethnography, historical study and sociocultural analysis, Halifu Osumare draws on her decades of experience to explore the complexities of black dance in the United States. Starting in San Francisco during the rise of the Black Arts and Black Power Movements as well as of hippie counterculture, Osumare’s narrative follows her subsequent journeys to twenty-three countries across Europe, Africa and North America. Throughout Dancing in Blackness: A Memoir (University Press of Florida, 2018), she reflects on her subjectivity as a black woman traveling through and performing in diverse national/cultural contexts. Drawing on her academic grounding in black studies as well as her artistic experiences as a professional dancer, Osumare underscores the relationship between art, performance, and the black struggle for recognition, justice and self-empowerment.

Dr. Osumare is professor emerita of African American and African Studies at the University of California, Davis, is the author of The Hiplife in Ghana: West African Indigenization of Hip-Hop and The Africanist Aesthetic in Global Hip-Hop: Power Moves.


Sitara Thobani is Assistant Professor in the Residential College in the Arts and Humanities, Michigan State University. Her research focuses on the performance arts in colonial and postcolonial South Asia and its diasporas, especially as these relate to formations of nation, gender, sexuality and religion. She received her DPhil in Social and Cultural Anthropology form Oxford University, and is the author of Indian Classical Dance and the Making of Postcolonial National Identities: Dancing on Empire’s Stage (Routledge 2017).

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]]> 1910 no Andrew Frank, “Before the Pioneers: Indians, Settlers, Slaves, and the Founding of Miami” (UP of Florida, 2017) In this interview, we discuss Andrew Frank‘s most recent book, Before the Pioneers: Indians, Settlers, Slaves, and the Founding of Miami (University Press of Florida, 2017). The book is a concise and authoritative history of the region where modern-day Miami is located. Before the Pioneers, begins thousands of years in the past and places great emphasis on understanding the role that native people played in the history of south Florida. Borrowing extensively from archaeology, Before the Pioneers is a timely re-imaging of Miami’s history that places the native experience at the center of its narrative. Andrew Frank is the Allen Morris Professor of History at Florida State University. His primary research interest is the Native Southeast. Learn more about your ad choices. Visit megaphone.fm/adchoices Wed, 14 Feb 2018 11:00:00 -0000 full New Books Network In this interview, we discuss Andrew Frank‘s most recent book, Before the Pioneers: Indians, Settlers, Slaves, and the Founding of Miami (University Press of Florida, 2017). The book is a concise and authoritative history of the region where modern-day... In this interview, we discuss Andrew Frank‘s most recent book, Before the Pioneers: Indians, Settlers, Slaves, and the Founding of Miami (University Press of Florida, 2017). The book is a concise and authoritative history of the region where modern-day Miami is located. Before the Pioneers, begins thousands of years in the past and places great emphasis on understanding the role that native people played in the history of south Florida. Borrowing extensively from archaeology, Before the Pioneers is a timely re-imaging of Miami’s history that places the native experience at the center of its narrative. Andrew Frank is the Allen Morris Professor of History at Florida State University. His primary research interest is the Native Southeast. Learn more about your ad choices. Visit megaphone.fm/adchoices In this interview, we discuss Andrew Frank‘s most recent book, Before the Pioneers: Indians, Settlers, Slaves, and the Founding of Miami (University Press of Florida, 2017). The book is a concise and authoritative history of the region where modern-day Miami is located. Before the Pioneers, begins thousands of years in the past and places great emphasis on understanding the role that native people played in the history of south Florida. Borrowing extensively from archaeology, Before the Pioneers is a timely re-imaging of Miami’s history that places the native experience at the center of its narrative.

Andrew Frank is the Allen Morris Professor of History at Florida State University. His primary research interest is the Native Southeast.

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]]> 2353 no April Mayes, “The Mulatto Republic: Class, Race and Dominican National Identity” (U. Press of Florida, 2014) In a perceptive challenge to longstanding assumptions about Dominican anti-Haitianism, April J. Mayes finds fresh ways to think about the production of race in late 19th and 20th century Dominican Republic. Combining intellectual history with fine-grained social history, The Mulatto Republic: Class, Race and Dominican National Identity (University Press of... Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 04 Jan 2018 17:06:00 -0000 full New Books Network In a perceptive challenge to longstanding assumptions about Dominican anti-Haitianism, April J. Mayes finds fresh ways to think about the production of race in late 19th and 20th century Dominican Republic. In a perceptive challenge to longstanding assumptions about Dominican anti-Haitianism, April J. Mayes finds fresh ways to think about the production of race in late 19th and 20th century Dominican Republic. Combining intellectual history with fine-grained social history, The Mulatto Republic: Class, Race and Dominican National Identity (University Press of... Learn more about your ad choices. Visit megaphone.fm/adchoices In a perceptive challenge to longstanding assumptions about Dominican anti-Haitianism, April J. Mayes finds fresh ways to think about the production of race in late 19th and 20th century Dominican Republic. Combining intellectual history with fine-grained social history, The Mulatto Republic: Class, Race and Dominican National Identity (University Press of...

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]]> 2930 no Mary E. Adkins, “Making Modern Florida: How the Spirit of Reform Shaped a New State Constitution” (University Press of Florida, 2016) Mary E. Adkins has written Making Modern Florida: How the Spirit of Reform Shaped a New State Constitution (University Press of Florida, 2016), an account of the reformation of the Florida state constitution in the 1960s. Adkins reviews the history of the state’s constitutions since it was first incorporated into the United States in the 1840s. Yet, she concentrates on the reform efforts begun during World War II and culminating in a new constitution in 1968. Adkins reviews the political interests that pushed for a new constitution, from the League of Women Voters to the new residents in the emergent southern coasts of Florida in the 1960s. Adkins reviews the process of reforming a constitution that was rooted in the traditional rotten borough politics of 19th-century Florida. She analyzes the impact of U.S. Supreme Court decisions in the early 1960s that forced states to reapportion their legislatures, contending that Florida’s districts were so malapportioned that without the Court’s decisions there might not have been any constitutional revision. Adkins also discusses today’s constitutional revision process, which is ongoing every 20 years and is occurring in 2017. Florida’s political context has always been an amalgam of traditional Southern politics and the emergent commercial and tourism-based economy of a coastal state. Adkin’s book illuminates how these conditions produced political conflict and constitutional change. Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Wed, 31 May 2017 19:19:00 -0000 full New Books Network Mary E. Adkins has written Making Modern Florida: How the Spirit of Reform Shaped a New State Constitution (University Press of Florida, 2016), an account of the reformation of the Florida state constitution in the 1960s. Mary E. Adkins has written Making Modern Florida: How the Spirit of Reform Shaped a New State Constitution (University Press of Florida, 2016), an account of the reformation of the Florida state constitution in the 1960s. Adkins reviews the history of the state’s constitutions since it was first incorporated into the United States in the 1840s. Yet, she concentrates on the reform efforts begun during World War II and culminating in a new constitution in 1968. Adkins reviews the political interests that pushed for a new constitution, from the League of Women Voters to the new residents in the emergent southern coasts of Florida in the 1960s. Adkins reviews the process of reforming a constitution that was rooted in the traditional rotten borough politics of 19th-century Florida. She analyzes the impact of U.S. Supreme Court decisions in the early 1960s that forced states to reapportion their legislatures, contending that Florida’s districts were so malapportioned that without the Court’s decisions there might not have been any constitutional revision. Adkins also discusses today’s constitutional revision process, which is ongoing every 20 years and is occurring in 2017. Florida’s political context has always been an amalgam of traditional Southern politics and the emergent commercial and tourism-based economy of a coastal state. Adkin’s book illuminates how these conditions produced political conflict and constitutional change. Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory. Learn more about your ad choices. Visit megaphone.fm/adchoices Mary E. Adkins has written Making Modern Florida: How the Spirit of Reform Shaped a New State Constitution (University Press of Florida, 2016), an account of the reformation of the Florida state constitution in the 1960s. Adkins reviews the history of the state’s constitutions since it was first incorporated into the United States in the 1840s. Yet, she concentrates on the reform efforts begun during World War II and culminating in a new constitution in 1968. Adkins reviews the political interests that pushed for a new constitution, from the League of Women Voters to the new residents in the emergent southern coasts of Florida in the 1960s. Adkins reviews the process of reforming a constitution that was rooted in the traditional rotten borough politics of 19th-century Florida. She analyzes the impact of U.S. Supreme Court decisions in the early 1960s that forced states to reapportion their legislatures, contending that Florida’s districts were so malapportioned that without the Court’s decisions there might not have been any constitutional revision. Adkins also discusses today’s constitutional revision process, which is ongoing every 20 years and is occurring in 2017.

Florida’s political context has always been an amalgam of traditional Southern politics and the emergent commercial and tourism-based economy of a coastal state. Adkin’s book illuminates how these conditions produced political conflict and constitutional change.


Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory.

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]]> 3654 no Zeki Saritoprak, “Islam’s Jesus” (University of Florida Press, 2015) In Islam’s Jesus (University of Florida Press, 2015), Zeki Saritoprak explores an old topic from a fresh perspective. The status of Jesus in Islam has been of interest for centuries, and relates to both Christianity and Islam, but the level of synthesis that Professor Saritoprak’s monograph offers is remarkable. He draws on a variety of Islamic literature, including commentaries on the Qur’an, works of theology, and collections of prophetic sayings. Moreover, he surveys not only the vast Arabic sources on his topic but also Turkish sources, and his research covers multiple schools of thought and time periods. Another hallmark of the monograph is the attention it gives to Jesus’ role in Islamic eschatology. Notably, Saritoprak demonstrates how mainstream as well as lesser known Islamic discourses on eschatology encompass numerous hermeneutical strategies; some, for example, understand the descent of Jesus as a physical phenomenon while others understand it as a non-material, spiritual phenomenon. The book highlights a number of other competing discourses as well, which are likely to challenge and even surprise the reader. The author’s clear writing style, combined with meticulous attention to scholarly rigor and textual engagement, makes the text accessible to a range of readers, which should render it useful to general audiences, as well as scholars of eschatology, Christian-Muslim relations, and Qur’anic studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 17 Dec 2015 12:26:00 -0000 full New Books Network In Islam’s Jesus (University of Florida Press, 2015), Zeki Saritoprak explores an old topic from a fresh perspective. The status of Jesus in Islam has been of interest for centuries, and relates to both Christianity and Islam, In Islam’s Jesus (University of Florida Press, 2015), Zeki Saritoprak explores an old topic from a fresh perspective. The status of Jesus in Islam has been of interest for centuries, and relates to both Christianity and Islam, but the level of synthesis that Professor Saritoprak’s monograph offers is remarkable. He draws on a variety of Islamic literature, including commentaries on the Qur’an, works of theology, and collections of prophetic sayings. Moreover, he surveys not only the vast Arabic sources on his topic but also Turkish sources, and his research covers multiple schools of thought and time periods. Another hallmark of the monograph is the attention it gives to Jesus’ role in Islamic eschatology. Notably, Saritoprak demonstrates how mainstream as well as lesser known Islamic discourses on eschatology encompass numerous hermeneutical strategies; some, for example, understand the descent of Jesus as a physical phenomenon while others understand it as a non-material, spiritual phenomenon. The book highlights a number of other competing discourses as well, which are likely to challenge and even surprise the reader. The author’s clear writing style, combined with meticulous attention to scholarly rigor and textual engagement, makes the text accessible to a range of readers, which should render it useful to general audiences, as well as scholars of eschatology, Christian-Muslim relations, and Qur’anic studies. Learn more about your ad choices. Visit megaphone.fm/adchoices In Islam’s Jesus (University of Florida Press, 2015), Zeki Saritoprak explores an old topic from a fresh perspective. The status of Jesus in Islam has been of interest for centuries, and relates to both Christianity and Islam, but the level of synthesis that Professor Saritoprak’s monograph offers is remarkable. He draws on a variety of Islamic literature, including commentaries on the Qur’an, works of theology, and collections of prophetic sayings. Moreover, he surveys not only the vast Arabic sources on his topic but also Turkish sources, and his research covers multiple schools of thought and time periods. Another hallmark of the monograph is the attention it gives to Jesus’ role in Islamic eschatology. Notably, Saritoprak demonstrates how mainstream as well as lesser known Islamic discourses on eschatology encompass numerous hermeneutical strategies; some, for example, understand the descent of Jesus as a physical phenomenon while others understand it as a non-material, spiritual phenomenon. The book highlights a number of other competing discourses as well, which are likely to challenge and even surprise the reader. The author’s clear writing style, combined with meticulous attention to scholarly rigor and textual engagement, makes the text accessible to a range of readers, which should render it useful to general audiences, as well as scholars of eschatology, Christian-Muslim relations, and Qur’anic studies.

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]]> 2981 no Debra Majeed, “Polygyny: What it Means When African American Muslim Women Share Their Husbands” (UP of Florida, 2015) In her wonderful new book Polygyny: What it Means When African American Muslim Women Share Their Husbands (University Press of Florida, 2015), Debra Majeed, Professor of Religious Studies at Beloit College, provides an analytically robust and moving account of the aspirations, paradoxes, and problems attached to polygyny in the African American Muslim community. By combining ethnography, history, and performance studies, Majeed seamlessly weaves together the theological, legal, and sociological dynamics of living polygyny. Readers of this book are treated to a riveting and incredibly lucid portrayal of a complicated phenomenon that brings together intimate individual stories and the broader historical and societal conditions that generate those stories in a remarkably effective fashion. In our conversation, we talked about the idea of Muslim Womanism, the methodology of dialogical performance, the Qur’an and polygyny, the paradoxes of polygyny, Imam W.D Mohammed’s teachings on polygyny, and the emotional and psychological impact of polygyny n children and women. This is among those rare books that are at once methodologically exciting and complex and yet astonishingly accessible and well written. Polygyny should also make an excellent reading in courses on gender and Islam, Islamic law, American Islam, and American Religion more broadly. Learn more about your ad choices. Visit megaphone.fm/adchoices Wed, 30 Sep 2015 14:59:00 -0000 full New Books Network In her wonderful new book Polygyny: What it Means When African American Muslim Women Share Their Husbands (University Press of Florida, 2015), Debra Majeed, Professor of Religious Studies at Beloit College, In her wonderful new book Polygyny: What it Means When African American Muslim Women Share Their Husbands (University Press of Florida, 2015), Debra Majeed, Professor of Religious Studies at Beloit College, provides an analytically robust and moving account of the aspirations, paradoxes, and problems attached to polygyny in the African American Muslim community. By combining ethnography, history, and performance studies, Majeed seamlessly weaves together the theological, legal, and sociological dynamics of living polygyny. Readers of this book are treated to a riveting and incredibly lucid portrayal of a complicated phenomenon that brings together intimate individual stories and the broader historical and societal conditions that generate those stories in a remarkably effective fashion. In our conversation, we talked about the idea of Muslim Womanism, the methodology of dialogical performance, the Qur’an and polygyny, the paradoxes of polygyny, Imam W.D Mohammed’s teachings on polygyny, and the emotional and psychological impact of polygyny n children and women. This is among those rare books that are at once methodologically exciting and complex and yet astonishingly accessible and well written. Polygyny should also make an excellent reading in courses on gender and Islam, Islamic law, American Islam, and American Religion more broadly. Learn more about your ad choices. Visit megaphone.fm/adchoices In her wonderful new book Polygyny: What it Means When African American Muslim Women Share Their Husbands (University Press of Florida, 2015), Debra Majeed, Professor of Religious Studies at Beloit College, provides an analytically robust and moving account of the aspirations, paradoxes, and problems attached to polygyny in the African American Muslim community. By combining ethnography, history, and performance studies, Majeed seamlessly weaves together the theological, legal, and sociological dynamics of living polygyny. Readers of this book are treated to a riveting and incredibly lucid portrayal of a complicated phenomenon that brings together intimate individual stories and the broader historical and societal conditions that generate those stories in a remarkably effective fashion. In our conversation, we talked about the idea of Muslim Womanism, the methodology of dialogical performance, the Qur’an and polygyny, the paradoxes of polygyny, Imam W.D Mohammed’s teachings on polygyny, and the emotional and psychological impact of polygyny n children and women. This is among those rare books that are at once methodologically exciting and complex and yet astonishingly accessible and well written. Polygyny should also make an excellent reading in courses on gender and Islam, Islamic law, American Islam, and American Religion more broadly.

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]]> 2766 no Jon L. Mills, “Privacy in the New Media Age” (University Press of Florida, 2015) That privacy in the digital age is an important concept to be discussed is axiomatic. Cameras in mobile phones make it easy to record events and post them on the web. Consumers post an enormous amount of information on social media sites. And much of this information is made publicly available. A common question, then, is what can people truly expect to be be private when so much information is accessible. In his new book Privacy in the New Media Age (University Press of Florida 2015), Jon L. Mills (University of Florida, Levin College of Law), discusses another issue related to privacy in the digital environment: the conflict between privacy and freedom of expression. In so doing, Mills examines how the law, particularly in the United States, is always chasing advances in technology, and discusses how countries in the European Union have attempted to tackle this matter. Throughout the book he discusses famous court cases that illustrate the issues with privacy and new media in an attempt to come to a resolution for the dispute. Just listen. Learn more about your ad choices. Visit megaphone.fm/adchoices Mon, 25 May 2015 06:00:00 -0000 full New Books Network That privacy in the digital age is an important concept to be discussed is axiomatic. Cameras in mobile phones make it easy to record events and post them on the web. Consumers post an enormous amount of information on social media sites. That privacy in the digital age is an important concept to be discussed is axiomatic. Cameras in mobile phones make it easy to record events and post them on the web. Consumers post an enormous amount of information on social media sites. And much of this information is made publicly available. A common question, then, is what can people truly expect to be be private when so much information is accessible. In his new book Privacy in the New Media Age (University Press of Florida 2015), Jon L. Mills (University of Florida, Levin College of Law), discusses another issue related to privacy in the digital environment: the conflict between privacy and freedom of expression. In so doing, Mills examines how the law, particularly in the United States, is always chasing advances in technology, and discusses how countries in the European Union have attempted to tackle this matter. Throughout the book he discusses famous court cases that illustrate the issues with privacy and new media in an attempt to come to a resolution for the dispute. Just listen. Learn more about your ad choices. Visit megaphone.fm/adchoices That privacy in the digital age is an important concept to be discussed is axiomatic. Cameras in mobile phones make it easy to record events and post them on the web. Consumers post an enormous amount of information on social media sites. And much of this information is made publicly available. A common question, then, is what can people truly expect to be be private when so much information is accessible. In his new book Privacy in the New Media Age (University Press of Florida 2015), Jon L. Mills (University of Florida, Levin College of Law), discusses another issue related to privacy in the digital environment: the conflict between privacy and freedom of expression. In so doing, Mills examines how the law, particularly in the United States, is always chasing advances in technology, and discusses how countries in the European Union have attempted to tackle this matter. Throughout the book he discusses famous court cases that illustrate the issues with privacy and new media in an attempt to come to a resolution for the dispute.

Just listen.

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]]> 1993 no Wendy Oliver and Lindsay Guarino, eds., “Jazz Dance: A History of the Roots and Branches” (University Press of Florida, 2014) Contested and complicated histories create the best books. This is true for many volumes and is certainly so for Jazz Dance: A History of the Roots and Branches (University Press of Florida, 2014), a recent work edited by Wendy Oliver and Lindsay Guarino. Picking up where Marshall and Jean Stearns left off over two decades ago, Oliver and Guarino bring to the field a book that culls together some of the best contemporary scholarship on the history, progenitors, and cultural forces that shape the uniquely American art form known as jazz dance. Created in part as a resource for students, the book is unique in its accessibility, diversity of authorship and willingness to engage the complicated racial and social history of jazz dance. Wendy Oliver has been teaching and choreographing at Providence College since 1985, and is the director of the PC Dance Company. Dr. Oliver is Chair of the Department of Theatre, Dance and Film, and also runs the Children’s Dance program on the Providence College campus. An Active dancer and choreographer, Lindsay Guarino is Assistant professor of Music Theatre and Dance at Salve Regina University and artistic director of Extensions Dance Company. Learn more about your ad choices. Visit megaphone.fm/adchoices Tue, 10 Mar 2015 12:04:00 -0000 full New Books Network Contested and complicated histories create the best books. This is true for many volumes and is certainly so for Jazz Dance: A History of the Roots and Branches (University Press of Florida, 2014), a recent work edited by Wendy Oliver and Lindsay Guari... Contested and complicated histories create the best books. This is true for many volumes and is certainly so for Jazz Dance: A History of the Roots and Branches (University Press of Florida, 2014), a recent work edited by Wendy Oliver and Lindsay Guarino. Picking up where Marshall and Jean Stearns left off over two decades ago, Oliver and Guarino bring to the field a book that culls together some of the best contemporary scholarship on the history, progenitors, and cultural forces that shape the uniquely American art form known as jazz dance. Created in part as a resource for students, the book is unique in its accessibility, diversity of authorship and willingness to engage the complicated racial and social history of jazz dance. Wendy Oliver has been teaching and choreographing at Providence College since 1985, and is the director of the PC Dance Company. Dr. Oliver is Chair of the Department of Theatre, Dance and Film, and also runs the Children’s Dance program on the Providence College campus. An Active dancer and choreographer, Lindsay Guarino is Assistant professor of Music Theatre and Dance at Salve Regina University and artistic director of Extensions Dance Company. Learn more about your ad choices. Visit megaphone.fm/adchoices Contested and complicated histories create the best books. This is true for many volumes and is certainly so for Jazz Dance: A History of the Roots and Branches (University Press of Florida, 2014), a recent work edited by Wendy Oliver and Lindsay Guarino. Picking up where Marshall and Jean Stearns left off over two decades ago, Oliver and Guarino bring to the field a book that culls together some of the best contemporary scholarship on the history, progenitors, and cultural forces that shape the uniquely American art form known as jazz dance. Created in part as a resource for students, the book is unique in its accessibility, diversity of authorship and willingness to engage the complicated racial and social history of jazz dance. Wendy Oliver has been teaching and choreographing at Providence College since 1985, and is the director of the PC Dance Company. Dr. Oliver is Chair of the Department of Theatre, Dance and Film, and also runs the Children’s Dance program on the Providence College campus. An Active dancer and choreographer, Lindsay Guarino is Assistant professor of Music Theatre and Dance at Salve Regina University and artistic director of Extensions Dance Company.

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]]> 1638 no Matthew T. Corrigan, “Conservative Hurricane: How Jeb Bush Remade Florida” (UP of Florida, 2014) Matthew T. Corrigan is the author of Conservative Hurricane: How Jeb Bush Remade Florida (University Press of Florida, 2014). Corrigan is chair and professor of political science at the University of North Florida. With an election just 700 odd days away, it is not too early to start talking about the candidates. Corrigan takes up this challenge with his examination of the political and policy legacy of former-Florida Governor Jeb Bush. He describes Bush as a “culture warrior” who completely changed Florida politics. Bush ushered in a host of policy reforms, particularly on education, that are likely to animate a presidential campaign, if he chooses to run. Learn more about your ad choices. Visit megaphone.fm/adchoices Mon, 01 Dec 2014 06:00:00 -0000 full New Books Network Matthew T. Corrigan is the author of Conservative Hurricane: How Jeb Bush Remade Florida (University Press of Florida, 2014). Corrigan is chair and professor of political science at the University of North Florida. Matthew T. Corrigan is the author of Conservative Hurricane: How Jeb Bush Remade Florida (University Press of Florida, 2014). Corrigan is chair and professor of political science at the University of North Florida. With an election just 700 odd days away, it is not too early to start talking about the candidates. Corrigan takes up this challenge with his examination of the political and policy legacy of former-Florida Governor Jeb Bush. He describes Bush as a “culture warrior” who completely changed Florida politics. Bush ushered in a host of policy reforms, particularly on education, that are likely to animate a presidential campaign, if he chooses to run. Learn more about your ad choices. Visit megaphone.fm/adchoices Matthew T. Corrigan is the author of Conservative Hurricane: How Jeb Bush Remade Florida (University Press of Florida, 2014). Corrigan is chair and professor of political science at the University of North Florida.

With an election just 700 odd days away, it is not too early to start talking about the candidates. Corrigan takes up this challenge with his examination of the political and policy legacy of former-Florida Governor Jeb Bush. He describes Bush as a “culture warrior” who completely changed Florida politics. Bush ushered in a host of policy reforms, particularly on education, that are likely to animate a presidential campaign, if he chooses to run.

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]]> 1405 no Glenn Feldman, “Nation within a Nation: The American South and the Federal Government” (UP of Florida, 2014) Glenn Feldman is the editor of Nation within a Nation: The American South and the Federal Government (University Press of Florida, 2014). Feldman is professor of history at the University of Alabama, Birmingham. He is the author or editor of numerous books, including Painting Dixie Red: When, Where, Why, and How the South Became Republican and Before Brown: Civil Rights and White Backlash in the Modern South. Some of political scientists included in the volume are: Thomas Schaller, Allan McBride, and Natalie Motise Davis. In the introduction, Feldman writes “No other region has been more important than the South in determining the course of U.S. politics and history. This was so in 1776, and 1865, and is still true today, although in vastly different ways.” Nation within a Nation sets out to explore this history. The book is an interesting read for those concerned with the history of the South, but also for those interested in how newer issues such as the US-Mexican border and criminal justice policies fit within the region’s history. The chapters by Allan McBride and Natalie Motise Davis, in particular, provide new information on the relationship between the South and the Tea Party. Learn more about your ad choices. Visit megaphone.fm/adchoices Mon, 18 Aug 2014 06:00:00 -0000 full New Books Network Glenn Feldman is the editor of Nation within a Nation: The American South and the Federal Government (University Press of Florida, 2014). Feldman is professor of history at the University of Alabama, Birmingham. Glenn Feldman is the editor of Nation within a Nation: The American South and the Federal Government (University Press of Florida, 2014). Feldman is professor of history at the University of Alabama, Birmingham. He is the author or editor of numerous books, including Painting Dixie Red: When, Where, Why, and How the South Became Republican and Before Brown: Civil Rights and White Backlash in the Modern South. Some of political scientists included in the volume are: Thomas Schaller, Allan McBride, and Natalie Motise Davis. In the introduction, Feldman writes “No other region has been more important than the South in determining the course of U.S. politics and history. This was so in 1776, and 1865, and is still true today, although in vastly different ways.” Nation within a Nation sets out to explore this history. The book is an interesting read for those concerned with the history of the South, but also for those interested in how newer issues such as the US-Mexican border and criminal justice policies fit within the region’s history. The chapters by Allan McBride and Natalie Motise Davis, in particular, provide new information on the relationship between the South and the Tea Party. Learn more about your ad choices. Visit megaphone.fm/adchoices Glenn Feldman is the editor of Nation within a Nation: The American South and the Federal Government (University Press of Florida, 2014). Feldman is professor of history at the University of Alabama, Birmingham. He is the author or editor of numerous books, including Painting Dixie Red: When, Where, Why, and How the South Became Republican and Before Brown: Civil Rights and White Backlash in the Modern South. Some of political scientists included in the volume are: Thomas Schaller, Allan McBride, and Natalie Motise Davis.

In the introduction, Feldman writes “No other region has been more important than the South in determining the course of U.S. politics and history. This was so in 1776, and 1865, and is still true today, although in vastly different ways.” Nation within a Nation sets out to explore this history. The book is an interesting read for those concerned with the history of the South, but also for those interested in how newer issues such as the US-Mexican border and criminal justice policies fit within the region’s history. The chapters by Allan McBride and Natalie Motise Davis, in particular, provide new information on the relationship between the South and the Tea Party.

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 1190 no Roger Kittleson, “The Country of Football: Soccer and the Making of Modern Brazil” (University of California Press, 2014) and Joshua Nadel, “Fútbol! Why Soccer Matters in Latin America” (University Press of Florida, 2014) Passion. Flair. Instinct. Improvisation. As the World Cup advances to the knockout stage, you’ll hear these terms associated with the football styles of Brazil, Argentina, and Mexico rather than those of Belgium and Germany. As historians Roger Kittleson and Joshua Nadel explain, the soccer cultures of Brazil and other countries... Learn more about your ad choices. Visit megaphone.fm/adchoices Tue, 24 Jun 2014 16:26:00 -0000 full New Books Network Passion. Flair. Instinct. Improvisation. As the World Cup advances to the knockout stage, you’ll hear these terms associated with the football styles of Brazil, Argentina, and Mexico rather than those of Belgium and Germany. Passion. Flair. Instinct. Improvisation. As the World Cup advances to the knockout stage, you’ll hear these terms associated with the football styles of Brazil, Argentina, and Mexico rather than those of Belgium and Germany. As historians Roger Kittleson and Joshua Nadel explain, the soccer cultures of Brazil and other countries... Learn more about your ad choices. Visit megaphone.fm/adchoices Passion. Flair. Instinct. Improvisation. As the World Cup advances to the knockout stage, you’ll hear these terms associated with the football styles of Brazil, Argentina, and Mexico rather than those of Belgium and Germany. As historians Roger Kittleson and Joshua Nadel explain, the soccer cultures of Brazil and other countries...

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]]> 3141 no Steven Noll and David Tegeder, “Ditch of Dreams” (University Press of Florida, 2009) The environmental movement is such an integral part of our culture — and especially the culture of the Democratic Party — that we take its presence for granted. But as Dave Tegeder and Steve Noll explain in their book Ditch of Dreams, it has not always been so. The Democratic Party once endorsed grand schemes for economic development, the environmental consequences be damned (if they were even considered at all). And this book introduces us to the unexpected character of Richard Nixon, environmentalist. At its core, Ditch of Dreams: The Cross-Florida Barge Canal and the Struggle for Florida’s Future (University of Florida Press, 2009) tells the story of the transformation of twentieth-century American liberalism, the fracturing of the New Deal coalition, and the birth of the environmental movement. The Cross-Florida Barge Canal — an ambitious project to connect the Atlantic and Gulf coasts of the Sunshine State with a man-made ditch — is the platform the authors use to explore these larger issues. Ditch of Dreams is not only highly readable, it’s still highly relevant as we struggle to balance the need for economic development with the imperative to preserve the natural world. Learn more about your ad choices. Visit megaphone.fm/adchoices Wed, 19 Mar 2014 16:58:00 -0000 full New Books Network The environmental movement is such an integral part of our culture — and especially the culture of the Democratic Party — that we take its presence for granted. But as Dave Tegeder and Steve Noll explain in their book Ditch of Dreams, The environmental movement is such an integral part of our culture — and especially the culture of the Democratic Party — that we take its presence for granted. But as Dave Tegeder and Steve Noll explain in their book Ditch of Dreams, it has not always been so. The Democratic Party once endorsed grand schemes for economic development, the environmental consequences be damned (if they were even considered at all). And this book introduces us to the unexpected character of Richard Nixon, environmentalist. At its core, Ditch of Dreams: The Cross-Florida Barge Canal and the Struggle for Florida’s Future (University of Florida Press, 2009) tells the story of the transformation of twentieth-century American liberalism, the fracturing of the New Deal coalition, and the birth of the environmental movement. The Cross-Florida Barge Canal — an ambitious project to connect the Atlantic and Gulf coasts of the Sunshine State with a man-made ditch — is the platform the authors use to explore these larger issues. Ditch of Dreams is not only highly readable, it’s still highly relevant as we struggle to balance the need for economic development with the imperative to preserve the natural world. Learn more about your ad choices. Visit megaphone.fm/adchoices The environmental movement is such an integral part of our culture — and especially the culture of the Democratic Party — that we take its presence for granted. But as Dave Tegeder and Steve Noll explain in their book Ditch of Dreams, it has not always been so. The Democratic Party once endorsed grand schemes for economic development, the environmental consequences be damned (if they were even considered at all). And this book introduces us to the unexpected character of Richard Nixon, environmentalist. At its core, Ditch of Dreams: The Cross-Florida Barge Canal and the Struggle for Florida’s Future (University of Florida Press, 2009) tells the story of the transformation of twentieth-century American liberalism, the fracturing of the New Deal coalition, and the birth of the environmental movement. The Cross-Florida Barge Canal — an ambitious project to connect the Atlantic and Gulf coasts of the Sunshine State with a man-made ditch — is the platform the authors use to explore these larger issues. Ditch of Dreams is not only highly readable, it’s still highly relevant as we struggle to balance the need for economic development with the imperative to preserve the natural world.

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]]> 3763 no Nathaniel Millett, “The Maroons of Prospect Bluff and their Quest for Freedom in the Atlantic World” (UP of Florida, 2013) This is a very timely book, coming as it does in the midst of the 200th anniversary of the War of 1812 — the war that gave birth to the maroon community of Prospect Bluff, Florida. In his book The Maroons of Prospect Bluff and their Quest for Freedom in the Atlantic World (UP of Florida, 2013), Nathaniel Millett shows how an assortment of free African-Americans, escaped slaves, Africans, and Afro-Indians created a thriving, highly organized community in the shadow of the expanding slave empire of the southwestern United States. Inspired by the singular figure of Edward Nichols, and Irish-born British officer of staunch anti-slavery convictions, the men and women of Prospect Bluff forged a community that realized their deepest understandings of freedom in the midst of the era of Atlantic revolutions. Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 20 Dec 2013 18:19:00 -0000 full New Books Network This is a very timely book, coming as it does in the midst of the 200th anniversary of the War of 1812 — the war that gave birth to the maroon community of Prospect Bluff, Florida. In his book The Maroons of Prospect Bluff and their Quest for Freedom i... This is a very timely book, coming as it does in the midst of the 200th anniversary of the War of 1812 — the war that gave birth to the maroon community of Prospect Bluff, Florida. In his book The Maroons of Prospect Bluff and their Quest for Freedom in the Atlantic World (UP of Florida, 2013), Nathaniel Millett shows how an assortment of free African-Americans, escaped slaves, Africans, and Afro-Indians created a thriving, highly organized community in the shadow of the expanding slave empire of the southwestern United States. Inspired by the singular figure of Edward Nichols, and Irish-born British officer of staunch anti-slavery convictions, the men and women of Prospect Bluff forged a community that realized their deepest understandings of freedom in the midst of the era of Atlantic revolutions. Learn more about your ad choices. Visit megaphone.fm/adchoices This is a very timely book, coming as it does in the midst of the 200th anniversary of the War of 1812 — the war that gave birth to the maroon community of Prospect Bluff, Florida. In his book The Maroons of Prospect Bluff and their Quest for Freedom in the Atlantic World (UP of Florida, 2013), Nathaniel Millett shows how an assortment of free African-Americans, escaped slaves, Africans, and Afro-Indians created a thriving, highly organized community in the shadow of the expanding slave empire of the southwestern United States. Inspired by the singular figure of Edward Nichols, and Irish-born British officer of staunch anti-slavery convictions, the men and women of Prospect Bluff forged a community that realized their deepest understandings of freedom in the midst of the era of Atlantic revolutions.

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]]> 2955 no Scott Ickes, “African-Brazilian Culture and Regional Identity in Bahia, Brazil” (University Press of Florida, 2013) From the sounds of Samba to the spectacles of Carnival, Afro-Brazilian traditions are today seen as emblematic of Brazil and especially of Salvador de Bahia, the northeastern city where many Afro-Brazilian cultural traditions were first established. Salvador’s present status as the “Black Rome” of Brazil marks a shift from the early Twentieth Century, when Afro-Brazilian practices – particularly those associated with the religion Candomble – were denigrated as “primitive” and subject to repression in Bahia. Yet even as Afro-Brazilian culture is celebrated in Bahia and throughout Brazil, Afro-Brazilians themselves remain subject to discrimination, economic marginalization, and negative stereotypes, often directed at those same cultural traditions. In African-Brazilian Culture and Regional Identity in Bahia, Brazil(University Press of Florida, 2013), Scott Ickes explores the emergence of this paradoxical modern attitude towards Afro-Brazilian culture during and after the rule of Getulio Vargas (1930-1945). Ickes describes how during the Vargas era, Afro-Brazilians who sought greater acceptance for their practices found an newly-receptive audience among the white Brazilian elite: progressive intellectuals and journalists who valued Afro-Brazilian culture as folklore; and politicians, both national and regional, who sought the support of the Afro-Brazilian working class. Through government initiatives and the media, these elites elevated certain Afro-Brazilian practices – the martial art Capoeira, Samba music, and Candomble-influenced festival celebrations – and in doing so provided a public cultural and political forum for Afro-Brazilians involved in those practices. But as Ickes notes in every case, the new elite acceptance of Afro-Brazilian culture was limited and conditional. Only those Afro-Brazilian traditions deemed acceptable by elite intellectuals became accepted, and Afro-Brazilian culture never attained the prestige of European cultural traditions in Brazil. Thus, while the acceptance of Afro-Brazilian culture during the Vargas era had real benefits to Afro-Brazilians, it still allowed for Afro-Brazilians to remain marginalized into the modern day. Learn more about your ad choices. Visit megaphone.fm/adchoices Sat, 07 Dec 2013 12:27:00 -0000 full New Books Network From the sounds of Samba to the spectacles of Carnival, Afro-Brazilian traditions are today seen as emblematic of Brazil and especially of Salvador de Bahia, the northeastern city where many Afro-Brazilian cultural traditions were first established. From the sounds of Samba to the spectacles of Carnival, Afro-Brazilian traditions are today seen as emblematic of Brazil and especially of Salvador de Bahia, the northeastern city where many Afro-Brazilian cultural traditions were first established. Salvador’s present status as the “Black Rome” of Brazil marks a shift from the early Twentieth Century, when Afro-Brazilian practices – particularly those associated with the religion Candomble – were denigrated as “primitive” and subject to repression in Bahia. Yet even as Afro-Brazilian culture is celebrated in Bahia and throughout Brazil, Afro-Brazilians themselves remain subject to discrimination, economic marginalization, and negative stereotypes, often directed at those same cultural traditions. In African-Brazilian Culture and Regional Identity in Bahia, Brazil(University Press of Florida, 2013), Scott Ickes explores the emergence of this paradoxical modern attitude towards Afro-Brazilian culture during and after the rule of Getulio Vargas (1930-1945). Ickes describes how during the Vargas era, Afro-Brazilians who sought greater acceptance for their practices found an newly-receptive audience among the white Brazilian elite: progressive intellectuals and journalists who valued Afro-Brazilian culture as folklore; and politicians, both national and regional, who sought the support of the Afro-Brazilian working class. Through government initiatives and the media, these elites elevated certain Afro-Brazilian practices – the martial art Capoeira, Samba music, and Candomble-influenced festival celebrations – and in doing so provided a public cultural and political forum for Afro-Brazilians involved in those practices. But as Ickes notes in every case, the new elite acceptance of Afro-Brazilian culture was limited and conditional. Only those Afro-Brazilian traditions deemed acceptable by elite intellectuals became accepted, and Afro-Brazilian culture never attained the prestige of European cultural traditions in Brazil. Thus, while the acceptance of Afro-Brazilian culture during the Vargas era had real benefits to Afro-Brazilians, it still allowed for Afro-Brazilians to remain marginalized into the modern day. Learn more about your ad choices. Visit megaphone.fm/adchoices From the sounds of Samba to the spectacles of Carnival, Afro-Brazilian traditions are today seen as emblematic of Brazil and especially of Salvador de Bahia, the northeastern city where many Afro-Brazilian cultural traditions were first established. Salvador’s present status as the “Black Rome” of Brazil marks a shift from the early Twentieth Century, when Afro-Brazilian practices – particularly those associated with the religion Candomble – were denigrated as “primitive” and subject to repression in Bahia. Yet even as Afro-Brazilian culture is celebrated in Bahia and throughout Brazil, Afro-Brazilians themselves remain subject to discrimination, economic marginalization, and negative stereotypes, often directed at those same cultural traditions.

In African-Brazilian Culture and Regional Identity in Bahia, Brazil(University Press of Florida, 2013), Scott Ickes explores the emergence of this paradoxical modern attitude towards Afro-Brazilian culture during and after the rule of Getulio Vargas (1930-1945). Ickes describes how during the Vargas era, Afro-Brazilians who sought greater acceptance for their practices found an newly-receptive audience among the white Brazilian elite: progressive intellectuals and journalists who valued Afro-Brazilian culture as folklore; and politicians, both national and regional, who sought the support of the Afro-Brazilian working class. Through government initiatives and the media, these elites elevated certain Afro-Brazilian practices – the martial art Capoeira, Samba music, and Candomble-influenced festival celebrations – and in doing so provided a public cultural and political forum for Afro-Brazilians involved in those practices.

But as Ickes notes in every case, the new elite acceptance of Afro-Brazilian culture was limited and conditional. Only those Afro-Brazilian traditions deemed acceptable by elite intellectuals became accepted, and Afro-Brazilian culture never attained the prestige of European cultural traditions in Brazil. Thus, while the acceptance of Afro-Brazilian culture during the Vargas era had real benefits to Afro-Brazilians, it still allowed for Afro-Brazilians to remain marginalized into the modern day.

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 3319 no Robert Cassanello, “To Render Invisible: Jim Crow and Public Life in New South Jacksonville” (University Press of Florida, 2013) The story of the rise of Jim Crow in Jacksonville, Florida is in many ways illustrative of the challenges facing newly emancipated African Americans throughout the South with local officials erecting barriers to black participation; blacks building institutions to overcome those obstacles; then Southern bigots using the reaction of blacks as justification for both the initial barriers and further draconian measures. This usually involved labeling black political action as in some way primitive, corrupt or unfairly self-interested. For example, many in the white establishment in Jacksonville resented that blacks voted for Republicans out of loyalty, yet they also attacked blacks for voting for ‘reform Democrats’ out of self -interest. So, the solution? Political education of some kind? Outreach perhaps? No, instead they implemented what was called the ‘Australian ballot’: a subway map style list of candidates with intersecting names and titles intended to either confuse or disqualify many black voters. This hostility to black political agency extended to all aspects of public life in Jacksonville, with each reaction forcing blacks further from power and from view. Robert Cassanello’s To Render Invisible: Jim Crow and Public Life in New South Jacksonville (University Press of Florida, 2013) explores this dynamic in rich detail, helping further our understanding of the post Civil War but pre- Civil Rights era in the South. Robert was kind enough to speak with me. I hope you enjoy. Learn more about your ad choices. Visit megaphone.fm/adchoices Mon, 30 Sep 2013 14:34:00 -0000 full New Books Network The story of the rise of Jim Crow in Jacksonville, Florida is in many ways illustrative of the challenges facing newly emancipated African Americans throughout the South with local officials erecting barriers to black participation; blacks building ins... The story of the rise of Jim Crow in Jacksonville, Florida is in many ways illustrative of the challenges facing newly emancipated African Americans throughout the South with local officials erecting barriers to black participation; blacks building institutions to overcome those obstacles; then Southern bigots using the reaction of blacks as justification for both the initial barriers and further draconian measures. This usually involved labeling black political action as in some way primitive, corrupt or unfairly self-interested. For example, many in the white establishment in Jacksonville resented that blacks voted for Republicans out of loyalty, yet they also attacked blacks for voting for ‘reform Democrats’ out of self -interest. So, the solution? Political education of some kind? Outreach perhaps? No, instead they implemented what was called the ‘Australian ballot’: a subway map style list of candidates with intersecting names and titles intended to either confuse or disqualify many black voters. This hostility to black political agency extended to all aspects of public life in Jacksonville, with each reaction forcing blacks further from power and from view. Robert Cassanello’s To Render Invisible: Jim Crow and Public Life in New South Jacksonville (University Press of Florida, 2013) explores this dynamic in rich detail, helping further our understanding of the post Civil War but pre- Civil Rights era in the South. Robert was kind enough to speak with me. I hope you enjoy. Learn more about your ad choices. Visit megaphone.fm/adchoices The story of the rise of Jim Crow in Jacksonville, Florida is in many ways illustrative of the challenges facing newly emancipated African Americans throughout the South with local officials erecting barriers to black participation; blacks building institutions to overcome those obstacles; then Southern bigots using the reaction of blacks as justification for both the initial barriers and further draconian measures.

This usually involved labeling black political action as in some way primitive, corrupt or unfairly self-interested. For example, many in the white establishment in Jacksonville resented that blacks voted for Republicans out of loyalty, yet they also attacked blacks for voting for ‘reform Democrats’ out of self -interest. So, the solution? Political education of some kind? Outreach perhaps? No, instead they implemented what was called the ‘Australian ballot’: a subway map style list of candidates with intersecting names and titles intended to either confuse or disqualify many black voters.

This hostility to black political agency extended to all aspects of public life in Jacksonville, with each reaction forcing blacks further from power and from view. Robert Cassanello’s To Render Invisible: Jim Crow and Public Life in New South Jacksonville (University Press of Florida, 2013) explores this dynamic in rich detail, helping further our understanding of the post Civil War but pre- Civil Rights era in the South. Robert was kind enough to speak with me. I hope you enjoy.

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]]> 4097 no A. Glenn Crothers, “Quakers Living in the Lion’s Mouth” (University Press of Florida, 2012) Deservedly or not, the members of the Society of Friends (Quakers) are often portrayed as one of history’s Good Guys. The Society was the first organized religious group to condemn slavery on moral and religious grounds. In Quakers Living in the Lion’s Mouth: The Society of Friends in Northern Virginia, 1730-1865 (University Press of Florida, 2012), Glenn Crothers probes below that simple idea to study how Quakers in a slave society–a lion’s mouth –coped with the inevitable tensions. How did they deal with their slaveholding neighbors? How did those neighbors cope with Quakers who–while very nice, hardworking, and honest folk–also condemned slavery as a sin against God? Learn more about your ad choices. Visit megaphone.fm/adchoices Tue, 27 Aug 2013 15:41:00 -0000 full New Books Network Deservedly or not, the members of the Society of Friends (Quakers) are often portrayed as one of history’s Good Guys. The Society was the first organized religious group to condemn slavery on moral and religious grounds. Deservedly or not, the members of the Society of Friends (Quakers) are often portrayed as one of history’s Good Guys. The Society was the first organized religious group to condemn slavery on moral and religious grounds. In Quakers Living in the Lion’s Mouth: The Society of Friends in Northern Virginia, 1730-1865 (University Press of Florida, 2012), Glenn Crothers probes below that simple idea to study how Quakers in a slave society–a lion’s mouth –coped with the inevitable tensions. How did they deal with their slaveholding neighbors? How did those neighbors cope with Quakers who–while very nice, hardworking, and honest folk–also condemned slavery as a sin against God? Learn more about your ad choices. Visit megaphone.fm/adchoices Deservedly or not, the members of the Society of Friends (Quakers) are often portrayed as one of history’s Good Guys. The Society was the first organized religious group to condemn slavery on moral and religious grounds. In Quakers Living in the Lion’s Mouth: The Society of Friends in Northern Virginia, 1730-1865 (University Press of Florida, 2012), Glenn Crothers probes below that simple idea to study how Quakers in a slave society–a lion’s mouth –coped with the inevitable tensions. How did they deal with their slaveholding neighbors? How did those neighbors cope with Quakers who–while very nice, hardworking, and honest folk–also condemned slavery as a sin against God?

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 3681 no Nancy Hargrove, “T.S. Eliot’s Parisian Year” (University of Florida Press, 2010) When it comes to writers and artists, biography plays a provocative role–yielding insight into both artistic influences and origins. This is especially true with the modernists, in particular T.S. Eliot. After graduating from Harvard University in 1910, the young Eliot spent a year in Paris, a year that had a lasting and profound effect upon his work that has gone largely unexamined until now. In her riveting intellectual biography, T.S. Eliot’s Parisian Year, Nancy Duvall Hargrove, the William L. Giles Distinguished Professor Emerita of English at Mississippi State University, revisits that single year in the poet’s life to mine it for later influences. While this period is often interpreted to be typical of the early 20th century post-graduate foreign study experience, Hargrove invites us view it as extra-ordinary. Linking Eliot’s work to the Ballets Russes, the music of Stravinsky and the intellectual tension ofLaNouvelle Revue Francaise, she demonstrates the rare coming together of an artist and the art of his time to form “un present parfait.” It was a year that influenced not only his poetry but also his prose. As Hargrove writes, the theater Eliot encountered while in Paris “may have been the inspiration for the difficult dramatic goal which Eliot later set for himself: to write verse drama in an age conditioned to prose and to write of spiritual and moral concerns in an age largely devoid of and unsympathetic to them.” But perhaps most impressive- especially to any lover of Paris- is Hargrove’s meticulous recreation of the city as it was then. Through chapters on sport, popular entertainment, transportation, etc., she elegantly situates the young poet amid a city so alive it seems to strain against the page. The end result is a book that leaves the reader longing for both the poetry and Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 15 Jun 2012 15:47:00 -0000 full New Books Network When it comes to writers and artists, biography plays a provocative role–yielding insight into both artistic influences and origins. This is especially true with the modernists, in particular T.S. Eliot. After graduating from Harvard University in 1910... When it comes to writers and artists, biography plays a provocative role–yielding insight into both artistic influences and origins. This is especially true with the modernists, in particular T.S. Eliot. After graduating from Harvard University in 1910, the young Eliot spent a year in Paris, a year that had a lasting and profound effect upon his work that has gone largely unexamined until now. In her riveting intellectual biography, T.S. Eliot’s Parisian Year, Nancy Duvall Hargrove, the William L. Giles Distinguished Professor Emerita of English at Mississippi State University, revisits that single year in the poet’s life to mine it for later influences. While this period is often interpreted to be typical of the early 20th century post-graduate foreign study experience, Hargrove invites us view it as extra-ordinary. Linking Eliot’s work to the Ballets Russes, the music of Stravinsky and the intellectual tension ofLaNouvelle Revue Francaise, she demonstrates the rare coming together of an artist and the art of his time to form “un present parfait.” It was a year that influenced not only his poetry but also his prose. As Hargrove writes, the theater Eliot encountered while in Paris “may have been the inspiration for the difficult dramatic goal which Eliot later set for himself: to write verse drama in an age conditioned to prose and to write of spiritual and moral concerns in an age largely devoid of and unsympathetic to them.” But perhaps most impressive- especially to any lover of Paris- is Hargrove’s meticulous recreation of the city as it was then. Through chapters on sport, popular entertainment, transportation, etc., she elegantly situates the young poet amid a city so alive it seems to strain against the page. The end result is a book that leaves the reader longing for both the poetry and Paris. Learn more about your ad choices. Visit megaphone.fm/adchoices When it comes to writers and artists, biography plays a provocative role–yielding insight into both artistic influences and origins. This is especially true with the modernists, in particular T.S. Eliot. After graduating from Harvard University in 1910, the young Eliot spent a year in Paris, a year that had a lasting and profound effect upon his work that has gone largely unexamined until now.

In her riveting intellectual biography, T.S. Eliot’s Parisian Year, Nancy Duvall Hargrove, the William L. Giles Distinguished Professor Emerita of English at Mississippi State University, revisits that single year in the poet’s life to mine it for later influences.

While this period is often interpreted to be typical of the early 20th century post-graduate foreign study experience, Hargrove invites us view it as extra-ordinary. Linking Eliot’s work to the Ballets Russes, the music of Stravinsky and the intellectual tension ofLaNouvelle Revue Francaise, she demonstrates the rare coming together of an artist and the art of his time to form “un present parfait.”

It was a year that influenced not only his poetry but also his prose. As Hargrove writes, the theater Eliot encountered while in Paris “may have been the inspiration for the difficult dramatic goal which Eliot later set for himself: to write verse drama in an age conditioned to prose and to write of spiritual and moral concerns in an age largely devoid of and unsympathetic to them.”

But perhaps most impressive- especially to any lover of Paris- is Hargrove’s meticulous recreation of the city as it was then. Through chapters on sport, popular entertainment, transportation, etc., she elegantly situates the young poet amid a city so alive it seems to strain against the page. The end result is a book that leaves the reader longing for both the poetry and Paris.

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 3705 no