Leslie Barnes is an Associate Professor of French Studies at the Australian National University. She is author of Vietnam and the Colonial Condition of French Literature (2014) and co-editor of The Cinema of Rithy Panh: Everything Has a Soul (2021). We previously chatted on New Books about her work on the great Cambodian film director Rithy Panh, so was excited to speak with her again about Sex Work in Southeast Asia: Scenes of Ambivalence in Literature and Film.

In our discussion David discusses what led him to a career producing the sociology of Scotland, how the country should be understood via its civil society, the importance of adopting a sociological approach to social change and what Émile Durkheim has to say about the number of Saltires flying from lampposts across the land.

Your host, Matt Dawson is Professor of Sociology at the University of Glasgow and the author of G.D.H. Cole and British Sociology: A Study in Semi-Alienation (2024, Palgrave Macmillan), along with other texts.

Introducing a novel framework – martial peace – the book offers an in-depth examination of the Canadian Armed Forces missions to Afghanistan and the use of police violence against Indigenous protests in Canada as case examples where military violence has been justified in the name of peace. It critically investigates the peacekeeper myth and challenges the academic, government and popular beliefs that martial violence is required to sustain peace.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

 This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

This staging of an elongated dialectical parallelism between Hegel's classic text and major 19th-20th-century Black thinkers explodes the western canon of philosophy. Johnson and Mandela Gray show that Hegel's abstract dialectic is transformed and critiqued when put into conversation with the lived dialectics of Black Thought: from Frederick Douglass and Harriet Jacobs through to Malcolm X and Angela Davis.

While Hegel articulates the dynamic logics that we see in these Black thinkers, when they are placed in parallel and considered together, the whiteness, both explicit and implicit, of Hegelianism itself is revealed. Forcing Hegelianism into the embodied history of Black Thought reveals a phenomenology of America whose spirit is Black.

Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.

Guest Dr. Madeleine Chalmers  is a lecturer in French studies at the University of Leicester in the UK, and holds a D.Phil. from the University of Oxford. Dr. Chalmers is the recipient of or shortlisted for a number of prestigious essay prizes, and has written numerous articles as well on topics ranging from modernist authors  to automation and the idea of “bricolage,” as well as editing a special issue of the Journal of Romance Studies on “French Perspectives on Conflict” in 2022.

Host Gina Stamm is Associate Professor of French at the University of Alabama with research focusing on speculative literatures of metropolitan France and the Francophone Caribbean, from surrealism to contemporary science fiction and feminist utopias, as well as the translator of the novels Mevlido's Dreams and The Inner Harbour.

New books in late antiquity is presented by Ancient Jew Review

George Woudhuysen is Associate Professor in Roman History, Faculty of Arts, at the University of Nottingham

Justin Stover is Senior Lecturer; Medieval Latin at the University of Edinburgh

Michael Motia teaches in Classics and Religious Studies at UMass Boston

Daisy Livingston is Associate Professor of Medieval Islamic History in the Department of History at Durham University. As a historian of the medieval Middle East, in particular Egypt between the tenth and sixteenth centuries, her research focuses on various aspects of documentary culture, especially histories of archiving.

Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba’s Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025).

A comprehensive and critical overview of the field of intercultural communication

• Key concepts and discussions illuminated with international case studies of intercultural communication in real life
• Includes learning objectives, key points, exercises and suggestions for further reading in each chapter
• A new chapter devoted to intercultural crisis communication; expanded coverage of language in migration; and new studies and examples of virtual, online and computer-mediated communication throughout.

Combining perspectives from discourse analysis and sociolinguistics, the third edition of this popular textbook provides students with an up-to-date overview of the field of intercultural communication. Ingrid Piller explains communication in context using two main approaches. The first treats cultural identity, difference and similarity as discursive constructions. The second, informed by multilingualism studies, highlights the use and prestige of different languages and language varieties as well as the varying access that speakers have to them.

For additional resources, show notes, and transcripts, go here.

• Offers an anatomy of Irish shame as a cultural predicament
• Combines theoretical reading with historical and institutional context
• Includes essays by some of Ireland’s leading researchers on trauma and sexuality studies

Shame has haunted Ireland since the inception of Irishness itself. As such, it has come to seem an ineluctable modality of Irish life. In fact, the contours of Irish shame have evolved over time, shifting with alterations in their colonial predicament, and in their response, whether complicit or resistant, to economic, political, and cultural dispossession. Irish Shame offers an anatomy of that condition. In twelve essays, it traces the ethnic, religious, biopolitical, psychosocial and neurodiverse parameters of shame as a force in Irish life.

About Kevin Potter:

Kevin Potter is a postdoctoral researcher in the Department of English & American Studies at the University of Vienna. His research and teaching primarily focus on Marxist theory, migrant literature, anarchist thought, dystopian fiction, and Palestine. His first book, Poetics of the Migrant was released in 2023 through Edinburgh University Press, and received honorable mention for the 2024 Hugh J. Silverman Prize from the Association for Philosophy and Literature.

About Pavan Mano:

Pavan Mano is Lecturer in Global Cultures in the Department of Interdisciplinary Humanities at King's College London (https://www.kcl.ac.uk/people/p...). He works at the intersections of critical & literary theory, politics and culture. His first monograph, Straight Nation, interrogates postcolonial nationalism and the governance of sexuality in Singapore (https://manchesteruniversitypr...).

• Discusses texts by James Joyce, John McGahern, Hannah Lynch, Kate O’Brien, Lady Gregory, Maud Gonne, Mary Colum, Elizabeth Bowen, Edna O’Brien, Dervla Murphy, Clare Boylan, Nuala O’Faolain, Eavan Boland, Anne Enright, Claire Keegan, Eimear McBride, Éilís ní Dhuibhne, Melatu Uche Okorie, and Soula Emmanuel
• Examines the form, narration, and content of fictional, non-fictional, and national narratives
• Develops a feminist psychoanalytic narratology
• Synthesizes historical, sociojuridical, feminist, post-colonial, and literary historical narratives of Irish development

Jane Elizabeth Dougherty is Professor in the School of Literature, Writing and Digital Humanities and affiliate faculty in the School of Africana and Multicultural Studies at Southern Illinois University Carbondale.

Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France).

• Closely examines a wealth of unknown primary poetic texts from Syria that make up a new poetics which challenges received ideas about modern Arabic poetry
• Rereads along transnational lines the works of famous Arabo-Syrian poets such as Nizār Qabbānī and Muḥammad al-Māghūṭ
• Offers a substantial rethinking of key terms in comparative literary studies — translation, translatability, vernacular —as seen through the lens of everyday poetics
• Describes the institutional culture of poetry translations in Syria and analyses the modes of circulation by which translations pollinated original works
• Expands the scope of postcolonial poetry in the globalised age by factoring in relationships between first-, second-, and third-world literary cultures

This book distinguishes a Syrian style of qaṣīdat nathr (prose poem) as a piece of collaborative performance called shafawiyya, vernacularised poetic speech. It describes the poetic lineages, stretching from early Syrian independence to the 21st century, whose task it was to bring poetic expression closer to everyday life.

These poets are shown cultivating genres and translational practices rooted in a plebeian civilian identity that counters both heroised images of the prophet-poet and stern authoritarian rule. A comparative analysis is provided to understand shafawiyya poetics as a transnational mode of creative engagement. This analysis includes aesthetic affinities and instances of transmission between Arabic poetry and poetries written in formerly Soviet countries (Poland, Czechoslovakia, Romania, Bulgaria). From this vantage point, matters of perennial debate in comparative literature - vernacular, translatability, postcolonial poetry - are shown from a new perspective.

The book closely examines a wealth of unknown primary poetic texts from Syria that make up the new poetics and challenge received ideas about modern Arabic poetry. It describes the institutional culture of poetry translations in Syria and analyses the modes of circulation by which translations pollinated original works. Behar rereads the works of famous Arabo-Syrian poets such as Nizār Qabbānī and Muḥammad al-Māghūṭ along transnational lines, offering a substantial rethinking of the key terms in comparative literary studies as seen through the lens of everyday poetics.

Daniel Behar is Assistant Professor of Modern Arabic Literature in the Department of Arabic Language and Literature at the Hebrew University of Jerusalem. He is interested in comparative analysis of modern Arabic poetry, theories of translation, and socialist literary imaginaries in Syria.

The consensus underpinning the world’s most powerful democracies is, indeed, waning. The populaces have developed a deep dissatisfaction with their governments’ political procedures, yet no credible alternatives have emerged. In his latest book Legitimacy in Liberal Democracies (Edinburgh UP, 2024), Benjamin Studebaker argues that the kinds of disagreements which historically led to political violence today instead just linger throughout the state and society. Without alternatives, liberal democracy’s legitimation crisis leads to neither reform nor revolution.

Studebaker depicts a legitimacy crisis rife with state capacity problems, in which citizens tell each other many conflicting legitimation stories as they search for ways to live with a dissatisfying political system they cannot replace. As different factions try to ‘save’ democracy in their own ways, they appear authoritarian to one another. Efforts to build legitimacy thus only spark greater inequality, pluralism, and ever-tighter gridlock.

Benjamin Studebaker is a political theorist. He holds a PhD in Politics and International Studies from the University of Cambridge. He has written for Aeon, Sublation, Compact, Current Affairs, The Bellows, and Huffington Post, among others. He hosts Political Theory 101 and co-hosts the film podcast The Lack.

Benjamin is also the author of The Chronic Crisis of American Democracy which we spoke about in 2023.

• Unsettles chronologies that chart a growing disillusionment with the postcolonial nation and national development across the twentieth and twenty-first centuries
• Brings together African literary studies, affect studies, and U.S. empire studies
• Diagnoses and critiques how U.S. empire is sustained through cycles of optimism and disappointment
• Includes chapters on both classic postcolonial fiction by writers such as Buchi Emecheta and Miriam Tlali and recent anglophone African novels by Chimamanda Ngozi Adichie and Ekow Duker

Postcolonialism has long been associated with post-nationalism. Yet, the persistence of nation-oriented literatures from within the African postcolony and its diasporas registers how dreams of national becoming endure. In this fascinating new study, Hallemeier brings together African literary studies, affect studies and US empire studies, to challenge chronologies that chart a growing disillusionment with the postcolonial nation and national development across the twentieth and twenty-first centuries. The Nigerian and South African writings in African Literature and US Empire, while often attuned to the trans- and extra- national, repeatedly scrutinize why visions of national exceptionalism, signified by a ‘pan-African’ Nigeria and ‘new’ South Africa, remain stubbornly affecting, despite decades of disillusionment with national governments beholden to a neocolonial global order. In these fictions, optimistic forms of nationalism cannot be reduced to easily critiqued state-sanctioned discourses of renewal and development. They are also circulated through experiences of embodied need, quotidian aspiration and transnational, pan-African relationship.

What do we in the West owe those who grow our food, sew our clothes and produce our electronics? And what have we always owed one another, but forgotten, avoided, or simply disregarded? Looking back on nearly a century of colonial war and genocide, in 1990 the poet and philosopher Édouard Glissant appealed directly to his readers, calling them to re-orient their lives in service of the political struggles of their time: ‘You must choose your bearing.’ Informed by the prayer camps at Standing Rock, and presenting Glissant alongside Stuart Hall, Emmanuel Levinas, Simone Weil, Enrique Dussel, Gloria Anzaldúa and W. E. B. Du Bois, this book offers an urgent ethics for the present – an ethics of risk, commitment and care that together form a new sense of decolonial responsibility. A sequel to the book, Another Humanity: Decolonial Ethics from Du Bois to Arendt, is forthcoming this year.

Benjamin P. Davis is an Assistant Professor of Africana Studies and Hispanic Studies at Texas A&M University and a Fellow at the Center on Modernity in Transition. He is the author of Simone Weil’s Political Philosophy: Field Notes from the Margins (Rowman & Littlefield 2023) as well as Choose Your Bearing: Édouard Glissant, Human Rights, and Decolonial Ethics (2023) and a sequel, Another Humanity: Decolonial Ethics from Du Bois to Arendt (2025), both published by Edinburgh University Press.

Tim Wyman-McCarthy is a Lecturer in the discipline of Human Rights and Associate Director of Graduate Studies at the Institute for the Study of Human Rights and the Department of Sociology at Columbia University. He can be reached at tw2468@columbia.edu.

Using primary documents and interviews, The President’s Kill List meticulously documents how policymakers decided on assassination and the level of Presidential control over these decisions. The book analyzes the evolution of assassination policies and reveals how successive administrations - through private justifications and public legitimations - ensured that assassination remained an available tool. The podcast includes insightful comments on assassination and the Trump administration. The paperback is coming out in May 2025.

Dr. Luca Trenta is an Associate Professor of International Relations in the Department of Political and Cultural Studies at Swansea University. His previous publications include an earlier book, Risk and Presidential Decision-making: The Emergence of Foreign Policy Crises (Routledge, 2016) and he hosts Out of the Shadows, interviewing authors and experts in intelligence and covert operations. In his public-facing scholarship, Dr. Trenta has appeared in a History Channel documentary called Secret Wars Uncovered (2020) and he regularly contributes to and collaborates with media outlets such as the BBC.

Mentioned:

• Joseph Burkholder Smith, Portrait of a Cold Warrior (1976)
• John Frankenheimer, The Manchurian Candidate (1962)
• The Ford-Colby-Kissinger meeting is at page 35 here and Luca’s story about the meeting is here
• “Family Jewels” document of CIA employee responses to James Schlesinger asking to report activities outside CIA charter (1973)
• Rebecca Sanders, Plausible Legality: Legal Culture and Political Imperative in the Global War on Terror (2018)
• The Church Committee Report (Senate Select Committee to Study Governmental Operations with Respect to Intelligence Activities (1976)
• Hugh Wilford, The CIA: An Imperial History (2024)
• Tim Weiner, Legacy of Ashes: The History of the CIA (2008)
• Tim Weiner, The Mission: The CIA in the 21st Century (2024)

Drawing together analysis of popular film franchises, Disney animation, ground-breaking TV shows, music videos, girl celebrity personas and global art cinema, Girls' Hairstories: Sparkle and Resilience in Contemporary Screen Cultures (Edinburgh University Press, 2025) by Dr. Fiona Handyside shows how across different cultural levels and aimed at different audiences, girls’ hairstyles provide a complex dynamic site of interpretation and interaction.

It documents the careful craft of hair-dressers and software engineers working in the screen industries to style and animate hair, bringing their work to a new visibility. It is in the very everydayness of hairstyling that we come to understand girls as the most resilient and the most sparkly of citizens.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

The book contributes to the resurgence of interest in time within literary studies by demonstrating that waiting is also integral to postcolonial temporalities, from anticolonial nationalist movements for independence to forms of reconciliation after conflict. In addition to innovative readings of both classic and contemporary postcolonial novels, this study challenges the dominant narrative of the twentieth century as a time of acceleration and movement by arguing for the centrality of waiting to time-consciousness in the postcolonial world.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Filled with fascinating images carefully chosen from an enormous geographical scope, Petya Andreeva's vivid book explores how communities used animal-style design to create and define status, to bond alliances together, and to showcase steppe know-how and worldliness in sedentary communities. Fantastic Fauna should appeal to those in Eurasian history, East Asian history, art and archeology, and those interested in thinking about steppe art. 

Interested listeners should also check out Petya's chapter on the Golden Hoard (available here), part of an Open-Access UNESCO volume on the Silk Roads.   

The specific stories she looks at include those of Maryam, Yusuf, and Musa primarily. Alhassen analyzes the literary themes present in these different chapters, such as the themes of control, knowledge, semantic echoes, and consonance, or themes of family, judgment, evidence, and secrets – whether it’s secrets that the text is withholding from the reader or secrets that characters are keeping from each other. One of the most important contributions that the book makes is to offer one possible and convincing explanation for why stories of the same characters are told in different ways in different chapters of the Qur’an. For example, God is woven into some stories as both a character and an omniscient narrator depending on the larger theme of the surah and the placing of the story; in some instances, God as the omniscient narrator shows the words of a beloved, righteous character as true, thus making a theological statement. Alhassen argues that in such renderings of a story, where it becomes unclear whether a certain quote is God’s or a character’s, the point the text is making there is that God merges His (or Her) words with characters as a reward from God. Other theological statements that the stories seem to be making are that they reveal some insight into divine intent.

In this interview, we discuss the origins of the book, how the Qur’an establishes structure and how Qur’anic stories serve as narratives, the main points of each chapter and story, and whether, and how, if at all, it matters that the Qur’an doesn’t give us identical quotes from characters in the various renditions of their stories in order to make an important stylistic choice.   

This volume arrives at a pivotal moment when many of these films are being restored, subtitled, and critically revisited. By bringing together essays from Taiwanese and non-Taiwanese scholars, the book offers a robust framework for understanding Taiyupian’s cultural, social, and industrial dimensions. It challenges the traditional dominance of Mandarin and Japanese influences in Taiwan’s cinematic narrative, advocating for a broader, more inclusive history.

The editors skilfully blend historical analysis with cultural theory, offering insights into the socio-political context that gave rise to these films and their eventual decline. The inclusion of translated Taiwanese scholarship is particularly commendable, as it ensures a dialogue between local and global perspectives.

Reading this book is an eye-opening experience, especially for those unfamiliar with Taiyupian’s rich legacy. The book effectively positions these films not as relics but as dynamic cultural artefacts that continue to shape Taiwan’s cinematic and cultural identity. The writing, while scholarly, is engaging, particularly in chapters that explore Taiyupian's aesthetic and emotional resonance. The visuals and archival materials referenced throughout enhance its value as a resource for both academic and personal exploration.

I wholeheartedly recommend this book to anyone interested in Taiwanese cinema, East Asian cultural studies, or the intersection of language and identity in film. Its insights resonate far beyond the specific era it examines, offering a model for how neglected histories can be rediscovered and celebrated.

Dr Ming-Yeh Tsai Rawnsley is a Taiwanese media scholar, writer, and former journalist and TV screenwriter. Since 2013, she has been a Research Associate at the Centre of Taiwan Studies, SOAS University of London. She is also a Non-Resident Senior Fellow at the China Policy Institute, University of Nottingham (2014–present), a Research Fellow at the European Research Centre on Contemporary Taiwan (ERCCT), University of Tübingen (2015–present), and Research Associate at Academia Sinica, Taiwan (2018–present). M-Y T. Rawnsley is the Editor-in-Chief of the International Journal of Taiwan Studies (2018–present) and associate editor of the East Asian Journal of Popular Culture (2013–present).

Bing Wang receives her PhD at the University of Leeds in 2020. Her research interests include the exploration of overseas Chinese cultural identity and critical heritage studies. She is also a freelance translator.

Through a case comparison of Kuwait, Qatar and Oman, in Kinship, State Formation and Governance in the Arab Gulf States (Edinburgh University Press, 2022) Dr. Scott Weiner shows that variation in tribal access to limited resources before state building can account for these differences. Its conclusions are based on seven months of archival research and interviews in Arabic and English, and reveal new details about state formation on the Arabian Peninsula.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

The research website www.exotic-cinema.org offers some insights into the scope and aims of this project. 

Dr Kunal Ray is a writer and academic. He teaches literature and film at FLAME University, Pune. His writings on art and culture appear in The Hindu, The Indian Express, Hindustan Times amongst other publications. He has co-edited books on song-texts and food cultures in India. He is also the co-founder and co-editor of On Eating - A Multilingual Journal of Food & Eating.

Dr Shweta Kishore lectures in Screen and Media at RMIT (Royal Melbourne Institute of Technology) University. She is the author of Indian Documentary Film and Filmmakers: Independence in Practice published by Edinburgh University Press in 2018. Her research on documentary theory and practice appears in journals such as Bioscope, Feminist Media Studies, Studies in Documentary Film and Senses of Cinema. She is also a documentary practitioner and curator committed to creating conversations between Indian and international moving image artists and audiences.

Priyam Sinha recently graduated with a PhD from the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of film studies, disability studies, production cultures, affect studies, anthropology of the body, creative media industries and cultural studies. She can be reached at https://twitter.com/PriyamSinha

At the heart of these case studies is the question of how to approach and study Sufi communities across an ever diversifying social, religious/spiritual, and political landscape and across categorical commitments such as New Age, New Religious Movements, esotericism, diasporic Islam, Traditionalism and mysticism. Piraino argues for the limitations and utilities of these various categories, and ultimately helps us shift our focus to to the everyday embodied ebbs and flows of a variety of Italian and French Sufi communities to showcase how these terms should be used with fluidity to reflect the lived realities of his interlocutors. This book will be of interest to scholars of contemporary Sufism, sociology of Islam, contemporary Islam, Islam in Europe and much more. 

The Metamodern Slasher Film (Edinburgh UP, 2024) corrects that mischaracterisation by analysing contemporary slasher films that sincerely attempt to innovate within the subgenre. I argue that these films reflect broader cultural turns towards sincerity, optimism in the face of crisis, and an emphasis on felt experience that are indicative of a metamodern sensibility. This is the first book to use metamodernism to analyse film in a sustained way, and the first academic work to use metamodernism to examine horror. The Metamodern Slasher offers readers new ways to understand the slasher film, the horror genre, and also the cultural moment we find ourselves in.

Christopher Brown is Senior Lecturer (Associate Professor) in Filmmaking at the University of Sussex. He has written and directed several short films including “Remission” (2015), “Soap” (2015), and “Coccolith" (2018). As a researcher, Chris has written on contemporary Taiwanese film, practice-based research, and American cinema. His research has appeared in journals such as the Quarterly Review of Film & Video, Asian Cinema, Film Criticism, Film International, Performance Matters, Bright Lights Film Journal, Media Practice & Education, East Asian Journal of Popular Culture, and Senses of Cinema.

Li-Ping Chen is a teaching fellow in the Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.

Using recently discovered archives, this text examines key aspects of wartime life, including work, leisure, morale, and religion. It also explores the underlying tension between conformity and resistance, and the ways that social fissures shaped Scottish responses to war. Further, in taking a national approach to the British home front, it draws out areas of cultural difference between Scotland and established scholarship on other nations and regions of Britain.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

In Fantastic Fauna from China to Crimea: Image-Making in Eurasian Nomadic Societies, 700 BCE-500 CE (Edinburgh UP, 2024) Art historian Petya Andreeva’s research shows how a shared fluency in animal-style design became a status-defining symbol and a bonding agent in opportunistic nomadic alliances, and was later adopted by their sedentary neighbors to showcase worldliness and control over the nomadic “other.”

Walaa particularly tells the story of three main shaykhs - Hamza Yusuf, Abdal Hakim Murad, and Umar Faruq Abd-Allah. She analyzes their perceptions of modernity, which they insist is destructive to the tradition, their ideas being very similar to white conservative western thinkers. Their idea of the tradition involves a kind of authentic Islam and Islamic tradition that only existed in the past because they have been polluted with modernity, especially with ideas of gender and social equality and Black Lives Matter. These white male convert scholars’ Islam is deeply orientalist, as they scold Arab Muslims who no longer live in tents and enjoy modern technology, for example. For these shaykhs, authentic Islam can only be practiced without these modern innovations – which, to be sure, they themselves enjoy in the western countries where they live; it also necessitates a uniquely Moroccan aesthetic, such as in the clothing style, which is imposed on seekers from all over the world in these retreats.

These seekers are individual Muslims of various backgrounds, from all around the world, who are eager to learn about their faith and to experience tradition and traditional Islam from these shaykhs. They pay large sums of money, depending on the retreat, to learn and connect with other Muslims. Notably, these shyakhs do not seem to think of the capitalism of the retreats and the costs as a modern practice that is worthy of rejection.

The book’s primary argument is that the concept of tradition is in fact not entirely theological or stable but, for the neo-traditionalists, it represents the antidote to modernity. Additionally, Walaa shows that while the neo-traditionalist shaykhs present the story of modernity and tradition one way, which is that modernity is fundamentally harmful to the tradition, the seekers engage with it differently, some even expressing their critiques of the shaykhs’ arguments and the retreats at times. Throughout the book, Walaa describes the ways that these seekers receive and engage with the knowledge of the shyakhs. The seekers are tasked with the challenge of returning to modernity, to the real world, after the retreats, to practice their faith in a world the shaykhs teach them to escape, a world where politics of all forms, from gender and race and injustices, is harmful to the soul and should be avoided at all costs. The shyakhs are also very clear in their teachings that injustices are a punishment from God and those who experience them deserve them because they had distanced themselves from God. Yet, their appeal persists, and one of Walaa’s objectives in the book is to explain why.

James M. Dorsey is a senior fellow at Nanyang Technological University S. Rajaratnam School of International Studies and the National University of Singapore’s Middle East Institute.

In this episode, Ibrahim Fawzy interviews Yasmine Ramadan about the representations of Cairo, Alexandria, Upper Egypt, Europe, and the Gulf in modern Egyptian fiction.

Ibrahim Fawzy is a literary translator and academic based in Egypt. His interests include translation studies, Arabic literature, ecocriticism, and disability studies.

Miguel Monteiro is a PhD Student in Near Eastern Languages and Civilizations at Yale University. miguel.monteiro@yale.edu.

Dr. Paul Williams is an Associate Professor of Twentieth-Century literature and culture at the University of Exeter in the UK. His research is centrally concerned with comics and graphic novels. His monograph Dreaming the Graphic Novel broke new ground by explaining how graphic novels were published, circulated, and discussed in North America between the mid-1960s and 1980. Dr. Williams has also co-curated the exhibition The Great British Graphic Novel at the Cartoon Museum in London, which was visited by over 10,000 people.

This book offers a concise history of modern linguistics from its emergence in the early nineteenth century up to the end of World War II. Written as a collective biography of the field, it concentrates on the interaction between the leading figures of linguistics, their controversies, and the role of the social and political context in shaping their ideas and methods.

In the conversation we focus on the national aspects of the story of modern linguistics: the emergence of the discipline in 19th century Germany and passing of the baton to make it an American science in the 20th century.

For additional resources, show notes, and transcripts, go here.

Building on Karl Marx’s value theory, Dinesh Joseph Wadiwel argues that factory farms and industrial fisheries are not merely an example of unchecked human supremacism. Nor a result of the victory of market forces. But a combination of both. In Animals and Capital (Edinburgh University Press, 2023) Wadiwel untangles this contemporary handshake between hierarchical anthropocentrism and capitalism.

Dinesh Joseph Wadiwel is Associate Professor in Socio-Legal Studies and Human Rights at the University of Sydney. His research interests include theories of violence, critical animal studies and disability rights. He is author of The War against Animals (Brill, 2015) and is co-editor, with Matthew Chrulew of Foucault and Animals (Brill, 2016). He has a background working within civil society organisations, including in anti-poverty and disability rights roles.

Kyle Johannsen is a Sessional Faculty Member in the Department of Philosophy at Trent University. His most recent book is Wild Animal Ethics: The Moral and Political Problem of Wild Animal Suffering (Routledge, 2021).

Focusing on aesthetics and adopting a media agnostic approach, Dr. Jones explores cinema, streaming platforms, television, user-generated content, videogames, apps, virtual reality, VFX, design software, and more in order to show how they cross-pollinate with one another and with our desktop interfaces. The result is a new approach for analysing convergent media in the digital era.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Erin Elizabeth Greer is an Assistant Professor of Literature at the University of Texas at Dallas. She teaches and writes about modern and contemporary British and Anglophone literature, ordinary language philosophy, political philosophy, feminist theory, and critical new media studies. Her work has appeared or is forthcoming in Contemporary Literature, JML, Camera Obscura, Salmagundi, and Stanley Cavell and Aesthetic Experience.

Tong He is Lecturer of English at Central China Normal University.

Through this extensive critical lens, combined with a focus on gender, she provides illuminating and original insights on films such as Tangled, Frozen and Moana. Informed by wider discourses on contemporary Hollywood and post-feminism, this book challenges conventional approaches to Disney, and foregrounds the importance of animation in understandings of film genres.

Erratum. In the interview, Eve said that Eeyore was from Dumbo, while it is from Winnie the Pooh. She also said "the first Ralph Breaks the Internet", which is of course just Wreck-It Ralph. 

Peter C. Kunze is an assistant professor of communication at Tulane University.

Shobhana Xavier is an Associate Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here and here. She may be reached at shobhana.xavier@queensu.ca. You can follow her on Twitter via @shobhanaxavier.

Robert Alpert is an Adjunct Instructor at Fordham University where he has taught courses on computers and robots in film, movies and the American experience, and media law. He has written extensively on movies, including on directors, such as Chaplin, Meyers, and Bigelow, as well as on other topics, such as gender, the Hollywood idiom, and the politics of science fiction. His publications can be found in Jump Cut, Senses of Cinema, and CineAction. Alpert received his M.F.A. in Film from Columbia University. He also received a J.D. from New York University and practiced intellectual property law for over 30 years.

Merle Eisenberg is an Assistant Professor of History at Oklahoma State University and a founding faculty member of the Oklahoma State Pandemic Center. He has published articles in journals including The American Historical Review and Past & Present. His work has also appeared in The Proceedings of the National Academy of Sciences, which received press coverage in CNN, Fox News, USA Today, and the NY Post. He has also appeared on CNN to discuss historical pandemics and regularly teaches courses on plagues and pandemics in history. Along with Lee Mordechai, he is the co-founder and co-host of the Infectious Historians podcast.

Lee Mordechai is a Senior Lecturer at the Hebrew University of Jerusalem and the Associate Director of Princeton University’s Climate Change and History Research Initiative. He has published over twenty academic articles, including two in the Proceedings of the National Academy of Sciences, and in The American Historical Review and Past & Present. He has taught several courses on epidemics, including a seminar that used a draft of Diseased Cinema: Plagues, Pandemics and Zombies in American Movies.

Andy Jackson is an Associate Professor in the Korean Studies programme at Monash University. He is also director of the Monash University Korean Studies Research Hub (MUKSRH) and current convenor of Korean Studies. His key research areas include the history of rebellion in Korea, premodern and modern Korean history, North and South Korean film and popular culture, invented traditions in Korea. Learn more about Monash University’s Korean Studies Research Hub here.

Leslie Hickman is a translator and writer. She has an MA in Korean Studies from Yonsei University. You can follow her activities on X. 

This innovative study synthesises evidence for the full range of healing rituals that were practised in the ancient Mediterranean world. Examining both literary and archaeological evidence, Dr. Nutzman considers ritual healing as a component of identity formation and deconstructs the artificial boundary between ‘magic’ and ‘religion’ in relation to ritual cures.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Roberto Mazza is currently an independent scholar. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Website: www.robertomazza.org

Shobhana Xavier is an Associate Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here and here. She may be reached at shobhana.xavier@queensu.ca. You can follow her on Twitter via @shobhanaxavier.

L. M. Ratnapalan's book Robert Louis Stevenson and the Pacific: The Transformation of Global Christianity (Edinburgh UP, 2023) re-orients the intellectual biography of Robert Louis Stevenson by presenting him in the distinctive cultural environment of the Pacific. The book argues that Stevenson was religiously literate within a Scottish Presbyterian tradition and therefore well placed to grasp with subtlety the breadth and dynamics of a Christianized Pacific culture. It considers his legacy with respect to issues of indigenous sovereignty and agency and positions him within an important and wide-ranging modern debate about inculturation, defined as the emergence of Christianity from within a particular culture rather than imposed on it from outside. Through this study of a major Scottish writer, the book offers a model of interdisciplinary scholarship.

L. Michael Ratnapalan is Associate Professor of History at Underwood International College, Yonsei University. He has published widely on modern intellectual and cultural history, with a focus on Britain’s interactions with the wider world.

Joseph Gaines can be reached at jgaines1091@gmail.com

Kaveh Rafie is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran.

Through utilising in-depth case studies of films by Taiwan-based directors: Tsai Ming-liang, Zhao Deyin and Hou Hsiao-hsien, Tsai discusses how Taiwan New Cinema represents a struggling configuration of the ‘nation’, brought forth by Taiwan’s multilayered colonial and postcolonial histories. Taiwan New Cinema at Film Festivals (Edinburgh UP, 2023) presents the conditions that have led to the production of a national cinema, branding the auteur, and examines shifting representations of cultural identity in the context of globalization.

Beth Tsai is Visiting Assistant Professor in Film Studies at the University at Albany–State University of New York. Her research focuses primarily on the cinema of Taiwan, film festivals, and transnational film theory. She has published in the International Journal of Asia Pacific Studies, Quarterly Review of Film and Video, Journal of Asian Cinema, and Oxford Bibliographies.

Li-Ping Chen is Dornsife Teaching Fellow in General Education in Department of East Asian Languages and Cultures at the University of Southern California. Her research interests include literary translingualism, diaspora, and nativism in Sinophone, inter-Asian, and transpacific contexts.

Vanessa I. Corredera is Department Chair and Professor of English at Andrews University. Corredera’s scholarship has appeared in Literature Compass, Borrowers and Lenders, Shakespeare Quarterly, and The Routledge Handbook to Shakespeare and Global Appropriation. Corredera also just published Shakespeare and Cultural Appropriation, which is co-edited with Geoffrey Way and L. Monique Pittman (Routledge, 2023). In addition to scholarship, Corredera is a celebrated teacher having won campus-wide honors including the Daniel S. Augsburger Excellence in Teaching Award and the Undergraduate Research Mentor Award.

During the conversation, Vanessa discusses Brandi K. Adams’s article “Black ‘(un)bookishness’ in Othello and American Moor: A Meditation” (Shakespeare, 2021), Keith Hamilton Cobb’s American Moor (Methuen, 2020), Carol Anderson’s White Rage (Bloomsbury, 2016), Kim Hall’s edition of Othello (Bedford/St. Martin’s, 2006), Imani Perry’s Prophets of the Hood: Politics and Poetics in Hip Hop (Duke University Press, 2004), Jordan Peele’s Get Out (2017), and Eduardo Bonilla-Silva’s Racism Without Racists (Rowman & Littlefield Publishers, 2003).

John Yargo is Visiting Assistant Professor of Environmental Studies at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies.

Dr. Mani Sharpe about Late-Colonial French Cinema: Filming the Algerian War of Independence out in 2023 with Edinburgh University Press. Dr. Sharpe is a Lecturer in Film Studies at the University of Leeds. He previously taught Film Studies at Newcastle University and La Sorbonne – Paris 3. Dr. Sharpe’s areas of expertise include: cinema and war; film studies; violence and visuality; de-colonisation; contemporary film theory; French cinema; the French New Wave; cultural studies; defacement; and the politics of the close-up. Dr. Sharpe earned his B.A. and M.A. at Leeds and his Ph.D. at Newcastle University. He is the author of several articles on late-colonial French cinema, having published in French Studies, Journal of European Studies, Journal of War and Culture Studies, and Studies in French Cinema, amongst others.Late-colonial French Cinema: Filming the Algerian War of Independence is his first book.

Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.

Introducing a novel framework – martial peace – the book offers an in-depth examination of the Canadian Armed Forces missions to Afghanistan and the use of police violence against Indigenous protests in Canada as case examples where military violence has been justified in the name of peace. It critically investigates the peacekeeper myth and challenges the academic, government and popular beliefs that martial violence is required to sustain peace.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Taking Iran as a starting point, Nanquette explores the forms, structures and functions of Iranian literature within Iranian society. She then turns to the diaspora – with a focus on North America, Western Europe and Australia – and the world beyond Iranians to examine the current dynamics of literary production and circulation between Iranian diasporic spaces and the homeland.

Laetitia Nanquette is Senior Lecturer in the School of the Arts and Media at the University of New South Wales. Between 2015 and 2019, she was an Australia Research Council DECRA Fellow at UNSW and worked on the project "A Global Comparative Study of Contemporary Iranian Literature".

Connor Christensen is a graduate student at the University of Chicago, pursuing both an MPP at the Harris School of Public Policy and an MA at the Center for Middle Eastern Studies. He welcomes collaboration, so feel free to reach out on LinkedIn or at his email, ctchristensen@uchicago.edu.

Political philosophy in Russia has always sought, and sometimes found, a middle way between embracing anarchy and searching for authority. Political philosophy in Russia has never before been the subject of a scholarly monograph. While historical factors make this understandable, the topic deserves our attention more than ever, now that Russia, after a short Soviet century, has regained self-assurance as a world power. Its unique historical trajectory, and the specific role of philosophy in it, are of interest to many fields of research and, beyond that, broader audiences. A focus on political philosophy as it existed and exists in Russia despite periods of marginalisation and suppression, allows us to understand its specific character, importance and relevance, and to realise that, in trying to think philosophically, critically, and reflectively about the political reality that shapes them, Russian thinkers are not essentially different from philosophers elsewhere. Hence, many lessons that can be learned from this subject.

A lot has been written about the rise of video in the United States, the format wars, the impact it had on the entertainment industry, on personal entertainment consumption habits, and new business models. But the rise of video was not a uniquely American phenomenon, nor was the American experience normative. In fact, wherever the new technology arrived, from the US, to the Middle East, to Eastern Europe, it reshaped social and business practices, as well as government responses to it, in ways that reflected the political, social, and economic arrangements of each space.

Johnny Walker’s Rewind, Replay: Britain and the Video Boom, 1972-1992 (Edinburgh UP, 2022) tells the story of Britain’s vide boom in the 1980s by focusing on the first video distributors who took chances on a wide range of films, from documentaries, to horror, to kids entertainment, in order to attract consumer interest. The new video shops that mushroomed across Britain turned video rental into a common practice among the public. Soon, despite a crushing recession, more and more industry players started to invest into what media at the time was dismissing as a mere ‘plaything.’ Rewind, Replay chronicles the idiosyncratic ways in which British distributors and store owners navigated various local political and economic pressures including piracy, the infamous video nasties moral panic and the government crackdown on the industry, as well as the corporate expansion of the industry which, by the end of the decade, eliminated independent distributors, and turned the pre-recorded videocassette from morally questionable enterprise into a staple of high street retail.

Oana Godeanu-Kenworthy is Teaching Professor of American Studies at Miami University of Ohio. Her book, Between Empire and Republic: America in the Colonial Canadian Imagination, came out in 2022. Twitter: @OanaGodyKenw. Oana’s webpage.

Rick de Villiers is a senior lecturer in the Department of English at the University of the Free State in Bloemfontein, South Africa. He holds a PhD from Durham University in the UK, and he is the author of articles on modernism, South African literature, alternative assessment practices and more. His first book, Eliot and Beckett's Low Modernism: Humility and Humiliation, was published by Edinburgh University Press in 2021.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.

Divided into two parts (a political-military history and a social-economic history), the book explains why the Mongol Empire rebuilt Herat: its rationales and approaches; and Chinggisid internecine conflicts that impacted on Herat’s people. It analyses the roles of Iranians, Turks and Mongols in regional politics; in devising fortifications; in restoring commercial and cultural edifices; and in resuscitating economic and cultural activities in the Herat Quarter.

Reuben Silverman is a Postdoctoral Researcher at Stockholm University’s Institute for Turkish Studies.

• Approaches ideology and identity in the Byzantine world from different perspectives, top-down, bottom-up, and outside-in, and from various disciplinary perspectives including historical, literary, art-historical and archaeological.
• Explores what makes discourses ideological by giving them a central function in the promotion of power relations and interests on the macro-level of society as well as on the micro-level of certain social groups.
• Explores the interrelation between dominant imperial ideology and collective identification.
• Scrutinizes various kinds of identification, local-regional, religious, gender, class, ethno-cultural and regnal-political.
• Contributors include Leslie Brubaker, Kostis Smyrlis, Alicia Simpson and Dionysios Sthathakopoulos.

This collection offers new insights into ideology and identity in the Byzantine world. The range of international contributors explore the content and role of various ideological discourses in shaping the relationship between the imperial centre and the provinces. Crucially, they examine various kinds of collective identifications and visions of community in the broader Byzantine world within and beyond the political boundaries of the empire.

This interdisciplinary collection includes historical, literary, art-historical and archaeological as well as cross-cultural perspectives along with the exploration of ideas and identifications in cultures on the empire’s periphery.

Dr. Yannis Stouraitis is Senior Lecturer in Byzantine History, University of Edinburgh. He specializes in Byzantine social and cultural history, focusing on the socio-ideological aspects of war, collective identifications and ideological attachments and the construction of historical memory. He is the author of Krieg und Frieden in der politischen und ideologischen Wahrnehmung in Byzanz (Byzantinische Geschichtsschreiber, Erganzungsband, 2009). He is editor of A Companion to the Byzantine Culture of War, c. 300-1204 (Brill, forthcoming 2018) and he is co-editor of Byzantine War Ideology between Roman Imperial Concept and Christian Religion (Osterreichische Akademie der Wissenschaften (2012).

This episode is part of the NBN's Byzantine Studies series. 

Evan Zarkadas (MA) is an independent scholar of European and Medieval history and an educator. He received his master’s in history from the University of Maine focusing on Medieval Europe, the Eastern Mediterranean, medieval identity, and ethnicity during the late Middle Ages.

Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.

Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.

In The Informational Logic of Human Rights (Edinburgh UP, 2022), Josh Bowsher resituates recent critiques of human rights within ongoing theoretical discussions concerning informational capitalism, digital culture and the politics of data.

Critically analysing the contemporary human rights movement as an informational politics, Bowsher provides a new conceptual agenda for both exploring and overcoming the limits of human rights in an era shaped by the data flows, network infrastructures and informational logic of late capitalism.

Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.

Wohlman has developed the vade mecum for Metaphor Method. You can find it here (in the right column). For the PDF file, click here.

Anita Wohlmann is an associate professor in the Department for the Study of Culture at SDU.

Victoria Oana Lupașcu is an Assistant Professor of Comparative Literature and Asian Studies at University of Montréal. Her areas of interest include medical humanities, visual art, 20th and 21st Chinese, Brazilian and Romanian literature and Global South studies.

Charles Devellennes is a Senior Lecturer in Political and Social Thought at University of Kent’s School of Politics and International Relations. His research interests lie in the interdisciplinary area of the history of political thought, specifically with eighteenth century political thought in the field of religion and politics, and the rise of atheism in France at this time.

Carrie Lynn Evans is a PhD student at Université Laval in Quebec City. @carrielynnland carrie-lynn.evans@lit.ulaval.ca

Little shows how to rethink ways in which we can act on intractable issues in politics beyond philosophical analysis. In doing so, he brings together a theory of temporality with a model of political action derived from process philosophy to reinvigorate temporal understandings of the problems that political actors face.

Prof. Adrian Little is Pro Vice-Chancellor at the University of Melbourne.   

Gargi Binju is a researcher at the University of Tübingen.

In the book, Dr. Robert McColl Millar examines how language has been used in Scotland since the earliest times. While primarily focusing on the histories of the speakers of Scots and Gaelic, and their competition with the encroaching use of (Scottish) Standard English, he also traces the decline and eventual ‘death’ of Pictish, British and Norn. Four case studies illustrate the historical development of North East Scots, Scottish Standard English, Shetland Scots and Glasgow Scots. Immigrant languages are also discussed throughout the book.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

Jews and Palestinians in the Late Ottoman Era, 1908-1914: Claiming the Homeland (Edinburgh UP. 2021) draws on a large range of sources and offers a very interesting look at a specific episode, the Haram al-Sharif incident of 1911, well known to archaeologists but less to historians and certainly the larger public. Fishman both in the book and the podcast takes the audience through the details of this episode and its legacy both in historiographical and political terms. Ultimately Fishman contends that the late Ottoman era and many of the neglected episodes that unfolded in Palestine set the stage for the conflict that lasted for over a century and it is an essential component in the understanding of how the two communities were set on a collision course.

Roberto Mazza is visiting professor at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter: @robbyref

Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.

Allison Isidore is an Instructor of Record for the Religious Studies department at the University of Alabama. Her research interest is focused on the twentieth-century American Civil Rights Movement and the Catholic Church’s response to racism and the participation of Catholic clergy, nuns, and laypeople in marches, sit-ins, and kneel-ins during the 1950s and 1960s. Allison is also a Video Editor for The Religious Studies Project, producing videos for the podcast and marketing team. She tweets from @AllisonIsidore1.

Louisa Hann recently attained a PhD in English and American studies from the University of Manchester, specialising in the political economy of HIV/AIDS theatres. She has published work on the memorialisation of HIV/AIDS on the contemporary stage and the use of documentary theatre as a neoliberal harm reduction tool. She is currently working on a monograph based on her doctoral thesis. You can get in touch with her at louisahann92@gmail.com.

In his recent book Towards an Improper Politics (Edinburgh University Press, 2020), my guest Mark Devenney argues that “property belies any crude distinction between the economic and the political.” Instead, he emphasizes that political orders always link the ability to appropriate land, labor, and commodities with discourses that delimit proper modes of being. He argues for an ‘improper’ politics that challenges both the distribution of property and the norms of propriety that serve to justify inequality.

Mark Devenney is a professor at the University of Brighton.

Dr. Alston gives voice not only to these Scots, but to enslaved Africans and their descendants – to those who reclaimed their freedom, to free women of colour, to the Black Caribs of St Vincent, to house servants, and to children of mixed race who found themselves in the increasingly racist society of Britain in the mid-1800s. The book pays special attention to the new colonies of the southern Caribbean, including Grenada and Guyana, and to Suriname in the years to 1863.

As Scots recover and grapple with their past, this vital history lays bare the enormous wealth generated in the Highlands by slavery and emancipation compensation schemes. This legacy, entwined with so many of our contemporary institutions, must be reckoned with. This book therefore contributes to the debate on reparation by reappraising the idea of Scots complicity in the slave trade.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

In our interview, we discuss the origin of this study, how ISIS franchises spread and cohered to the main body, its potential threats as an international terrorist organization and why it grew as quickly as it did. We also consider what the future might hold for ISIS.

Jeffrey Bristol holds a Ph.D. in Anthropology from Boston University, a J.D. from the University of Michigan and an M.A. in Middle Eastern Studies from the University of Chicago. He practices law, works as an independent scholar and serves as an officer in the US Navy Reserve. He lives with his wife and two children in Tampa, Fl.

Byung Ho Choi is a Ph.D. student in the Department of History & Ecumenics, focusing on World Christianity and history of religions at Princeton Theological Seminary. His research interest lies in Indonesia and the Muslim dominant regions of Southeast Asia, from the postcolonial approach to Christianity and the coexistence of various religions, including the study of Christianity and the Islamic faith in a Muslim dominant society that includes challenges of ethnic diversity.

Miguel Monteiro is a PhD student in Near Eastern Languages and Civilizations at Yale University. Twitter @anphph

Byung Ho Choi and Sun Yong Lee are Ph.D. students in the Department of History & Ecumenics, focusing on World Christianity and history of religions at Princeton Theological Seminary. 

The Kizilbash-Alevis in Ottoman Anatolia, winner of the 2020 SERMEISS Book Award for outstanding scholarship in Middle Eastern/Islamic Studies, is the first monograph to address the social history of Kizilbashism/Alevism. It explores the origins of the Kizilbash/Alevis within the context of cosmopolitan Sufism in the Middle East. Using newly surfaced sources generated from the Kizilbash/Alevi milieu, she traces the transformation of the Kizilbash from a radical religio-political movement into a religious order of closed communities. In doing so, she breaks with paradigms that have dominated the study of Kizilbash/Alevis and offers an alternative approach to the study of 'heterodox' religious communities in the Islamic world.

Deren Ertas is a PhD student in the joint program in History and Middle Eastern Studies at Harvard University. You can reach her on Twitter @drnrts.

Dr Hawraa Al-Hassan is an associate fellow of the Higher Education Academy, having taught Arabic and modern history of the Middle East at the University of Cambridge. Hawraa completed her PhD in Middle Eastern Studies at the University of Cambridge and gained an MA in Comparative Literature at University College London. She is interested in the cultural history of the Arab world in so far as it relates to totalitarianism, propaganda and nationalism. Hawraa’s research focuses on interdisciplinary approaches to the Arab novel as a conduit of group identities. Her current project explores Iraqi Ba’thist involvement in the production of literary and media discourses on gender and nation, whilst considering the potential of resistive ‘counter-public’ spaces, be they Islamic or secular.

Marci Mazzarotto is an Assistant Professor of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice with a focus on film and television studies.

In this interview, I asked Woojeong a series of questions concerning the operative notion of the "everyday" in the works of Ozu. It seems that the ordinary and oft-repetitive experience of the "present" enabled Ozu to create a space in which one could resist the nationalistic dictum of the "Japanese spirit" in 1930–40s Japan. Despite the fact that there is a certain continuity between his pre-war and post-war works (just like the works of the Kyoto School philosophers that the book cites), and despite the limitations Ozu's works inherently contain for a contemporary audience, his films are saturated with acute social commentaries, and offer insight into the emergence of different social "everday"s in modern Japan. Woojeong's interpretation of "feminity" in the works of Ozu also demonstrates his cross-cultural and cross-generational sensitivity, which is necessary for understanding the significance of "femininity" in the wider intellectual and historical context of feminist philosophy and Gender studies. 

I ended with a question about Ozu's signature technique of the "low height" angle. Is there anything that we should know about this distinct technique? What did Ozu intend to achieve with this peculiar viewpoint? Woojeong's informed answer, just like this book, will no doubt make us feel like watching the Ozu films again.

Woojeong Joo received his PhD degree from University of Warwick. He has worked at the University of East Anglia as a postdoctoral research assistant for the AHRC-funded project "Manga to Movies" and is currently teaching in the Japan-in-Asia Cultural Studies Program at Nagoya University, Japan.

Takeshi Morisato is philosopher and sometimes academic. I specialize in comparative and Japanese philosophy but I am also interested in making Japan and philosophy accessible to a wider audience.

Beth Windisch is a national security practitioner. You can tweet her @bethwindisch.

Lilly J. Goren is professor of Political Science at Carroll University in Waukesha, WI. She co-edited the award-winning Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012).

Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film(Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.

In The Ethics and Practice of Refugee Repatriation (University of Edinburgh Press, 2018), Mollie Gerver systematically addresses these distinctive moral questions.  Combining philosophical analysis with testimonial data from extensive field work with refugees, she makes concrete policy recommendations for navigating this fraught moral landscape.

Elliott Bazzano is Assistant Professor of Religious Studies at Le Moyne College. His research and teaching interests include theory and methodology in the study of religion, Islamic studies, Quranic studies, mysticism, religion and media, and religion and drugs. His academic publications are available here. He can be reached at (bazzanea@lemoyne.edu). Listener feedback is most welcome.

SherAli Tareen is Assistant Professor of Religious Studies at Franklin and Marshall College. His research focuses on Muslim intellectual traditions and debates in early modern and modern South Asia. His academic publications are available here. He can be reached at sherali.tareen@fandm.edu. Listener feedback is most welcome.

Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu.

The book, featuring Baron’s interviews about the Israel-Diaspora relationship with key figures and community leaders in North America, the UK, and Israel, combines empirical work with political theory.