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    <title>Behind the Cover with Indiana University Press</title>
    <link>https://newbooksnetwork.com</link>
    <language>en</language>
    <copyright>New Books Network</copyright>
    <description>Interviews with authors of Indiana University Press books.</description>
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      <title>Behind the Cover with Indiana University Press</title>
      <link>https://newbooksnetwork.com</link>
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    <itunes:author>New Books Network</itunes:author>
    <itunes:summary>Interviews with authors of Indiana University Press books.</itunes:summary>
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      <![CDATA[<p>Interviews with authors of Indiana University Press books.</p>]]>
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      <itunes:name>New Books Network</itunes:name>
      <itunes:email>marshallpoe@newbooksnetwork.com</itunes:email>
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      <title>Pavel Brunssen, "The Making of 'Jew Clubs': Performing Jewishness and Antisemitism in European Football and Fan Cultures" (Indiana UP, 2025)</title>
      <description>Today we are joined by Pavel Brunssen, a Research Associate and Alfred Landecker Lecturer at the Research Center on Antigypsyism at Heidelberg University and author of The Making of “Jew Clubs”: Performing Jewishness and Antisemitism in European Football and Fan Cultures (Indiana UP, 2025).

In our conversation, we discussed the difference between Jewish clubs and “Jew Clubs,” the overlapping of antisemitism and philosemitism in football fan cultures, the language politics of clubs and supporter’s organizations, and the inability to completely master the unmastered past.

In The Making of “Jew Clubs,” Brunssen looks at four “Jew Clubs” – clubs that have been identified by either the organization, their supporters, or their opponents as having a Jewish identity. He focuses on Bayern Munich FC, FK Austria Vienna, Ajax Amsterdam, and Tottenham Hotspur. Each provides an angle into his deeply researched and theoretical discussion of how a club can become identified with Jewish identity, without necessarily having a significant number of Jewish members or supporters or even having identified as Jewish. His investigation into this phenomenon provides him a space to understand how postwar Europeans have attempted to come to terms with the unmasterable past of antisemitism and the Holocaust.

In his chapter on Bayern Munich FC, Brunssen examines a club that has self-consciously adopted a “Jew Club” identity as a way of working through the club’s complicated wartime history. Bayern Munich’s administration and fans each promote the club’s Jewish heritage, particularly expressed through the former president Kurt Landauer, as a way of creating a space between their association and German football’s Nazi past. For the club, their celebration of Landauer demonstrates their cosmopolitan values, but for fans Landauer’s legacy offers a space to critique the club’s current engagement with organizations such as the Qatari government.

FK Austria Vienna has long been associated with Jewishness because of the club’s location in Vienna, its association with café culture, and its “modern” style of play. Today the club mobilizes its “Jew Club” identity to differentiate itself from its rival Rapid Vienna and to repudiate the actions of a radical right segment of its own supporters.

Ajax Amsterdam became a “Jew Club” in response to the taunts of their rivals from Rotterdam – Feyenoord. Ajax supporters became “Super Jews” in response and the club’s carnivalesque stadium atmosphere creates a “virtual Jewish space.” The fandom’s philosemitism both opens the door for Jewish agency, including of fans from Israel, and normalizes antisemitic chants from rival fans.

Tottenham Hotspur might be the most infamous “Jew Club” in the world. Its identity emerged in the 1930s and by the 1970s, the club’s supporters adopted the Y-word as a form of linguistic reclamation. In becoming the Y-army, they take back the powerful taboo of the slur from their opponents, but Brunssen questions whether such linguistic triangulation works and points to the club’s ongoing efforts to police against the Y-word in public forums.

Brunssen’s work is fascinating, well researched, and theoretically rigorous. It will be of interest to scholars interested in antisemitism, football, and memory culture.</description>
      <pubDate>Thu, 09 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Today we are joined by Pavel Brunssen, a Research Associate and Alfred Landecker Lecturer at the Research Center on Antigypsyism at Heidelberg University and author of The Making of “Jew Clubs”: Performing Jewishness and Antisemitism in European Football and Fan Cultures (Indiana UP, 2025).

In our conversation, we discussed the difference between Jewish clubs and “Jew Clubs,” the overlapping of antisemitism and philosemitism in football fan cultures, the language politics of clubs and supporter’s organizations, and the inability to completely master the unmastered past.

In The Making of “Jew Clubs,” Brunssen looks at four “Jew Clubs” – clubs that have been identified by either the organization, their supporters, or their opponents as having a Jewish identity. He focuses on Bayern Munich FC, FK Austria Vienna, Ajax Amsterdam, and Tottenham Hotspur. Each provides an angle into his deeply researched and theoretical discussion of how a club can become identified with Jewish identity, without necessarily having a significant number of Jewish members or supporters or even having identified as Jewish. His investigation into this phenomenon provides him a space to understand how postwar Europeans have attempted to come to terms with the unmasterable past of antisemitism and the Holocaust.

In his chapter on Bayern Munich FC, Brunssen examines a club that has self-consciously adopted a “Jew Club” identity as a way of working through the club’s complicated wartime history. Bayern Munich’s administration and fans each promote the club’s Jewish heritage, particularly expressed through the former president Kurt Landauer, as a way of creating a space between their association and German football’s Nazi past. For the club, their celebration of Landauer demonstrates their cosmopolitan values, but for fans Landauer’s legacy offers a space to critique the club’s current engagement with organizations such as the Qatari government.

FK Austria Vienna has long been associated with Jewishness because of the club’s location in Vienna, its association with café culture, and its “modern” style of play. Today the club mobilizes its “Jew Club” identity to differentiate itself from its rival Rapid Vienna and to repudiate the actions of a radical right segment of its own supporters.

Ajax Amsterdam became a “Jew Club” in response to the taunts of their rivals from Rotterdam – Feyenoord. Ajax supporters became “Super Jews” in response and the club’s carnivalesque stadium atmosphere creates a “virtual Jewish space.” The fandom’s philosemitism both opens the door for Jewish agency, including of fans from Israel, and normalizes antisemitic chants from rival fans.

Tottenham Hotspur might be the most infamous “Jew Club” in the world. Its identity emerged in the 1930s and by the 1970s, the club’s supporters adopted the Y-word as a form of linguistic reclamation. In becoming the Y-army, they take back the powerful taboo of the slur from their opponents, but Brunssen questions whether such linguistic triangulation works and points to the club’s ongoing efforts to police against the Y-word in public forums.

Brunssen’s work is fascinating, well researched, and theoretically rigorous. It will be of interest to scholars interested in antisemitism, football, and memory culture.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we are joined by Pavel Brunssen, a Research Associate and Alfred Landecker Lecturer at the Research Center on Antigypsyism at Heidelberg University and author of <a href="https://bookshop.org/a/12343/9780253073389">The Making of “Jew Clubs”: Performing Jewishness and Antisemitism in European Football and Fan Cultures</a><em> </em>(Indiana UP, 2025).</p>
<p>In our conversation, we discussed the difference between Jewish clubs and “Jew Clubs,” the overlapping of antisemitism and philosemitism in football fan cultures, the language politics of clubs and supporter’s organizations, and the inability to completely master the unmastered past.</p>
<p>In <em>The Making of “Jew Clubs,” </em>Brunssen looks at four “Jew Clubs” – clubs that have been identified by either the organization, their supporters, or their opponents as having a Jewish identity. He focuses on Bayern Munich FC, FK Austria Vienna, Ajax Amsterdam, and Tottenham Hotspur. Each provides an angle into his deeply researched and theoretical discussion of how a club can become identified with Jewish identity, without necessarily having a significant number of Jewish members or supporters or even having identified as Jewish. His investigation into this phenomenon provides him a space to understand how postwar Europeans have attempted to come to terms with the unmasterable past of antisemitism and the Holocaust.</p>
<p>In his chapter on Bayern Munich FC, Brunssen examines a club that has self-consciously adopted a “Jew Club” identity as a way of working through the club’s complicated wartime history. Bayern Munich’s administration and fans each promote the club’s Jewish heritage, particularly expressed through the former president Kurt Landauer, as a way of creating a space between their association and German football’s Nazi past. For the club, their celebration of Landauer demonstrates their cosmopolitan values, but for fans Landauer’s legacy offers a space to critique the club’s current engagement with organizations such as the Qatari government.</p>
<p>FK Austria Vienna has long been associated with Jewishness because of the club’s location in Vienna, its association with café culture, and its “modern” style of play. Today the club mobilizes its “Jew Club” identity to differentiate itself from its rival Rapid Vienna and to repudiate the actions of a radical right segment of its own supporters.</p>
<p>Ajax Amsterdam became a “Jew Club” in response to the taunts of their rivals from Rotterdam – Feyenoord. Ajax supporters became “Super Jews” in response and the club’s carnivalesque stadium atmosphere creates a “virtual Jewish space.” The fandom’s philosemitism both opens the door for Jewish agency, including of fans from Israel, and normalizes antisemitic chants from rival fans.</p>
<p>Tottenham Hotspur might be the most infamous “Jew Club” in the world. Its identity emerged in the 1930s and by the 1970s, the club’s supporters adopted the Y-word as a form of linguistic reclamation. In becoming the Y-army, they take back the powerful taboo of the slur from their opponents, but Brunssen questions whether such linguistic triangulation works and points to the club’s ongoing efforts to police against the Y-word in public forums.</p>
<p>Brunssen’s work is fascinating, well researched, and theoretically rigorous. It will be of interest to scholars interested in antisemitism, football, and memory culture.</p>]]>
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      <title>Yiddish in Israel: A History</title>
      <description>﻿The new book Yiddish in Israel: A History (Indiana UP, 2020) challenges the commonly held view that Yiddish was suppressed or even banned by Israeli authorities for ideological reasons, offering instead a radical new interpretation of the interaction between Yiddish and Israeli Hebrew cultures. Following the Israeli Yiddish scene through the history of the Yiddish press, Yiddish theater, early Israeli Yiddish literature, and high Yiddish culture, author Rachel Rojanski tells the compelling and yet unknown story of how Yiddish, the most widely used Jewish language in the pre-Holocaust world, fared in Zionist Israel, the land of Hebrew.

Join us for a discussion of this book with Rachel Rojanski in conversation with Rachel Brenner, Shachar Pinsker, and Sunny Yudkoff.

This book talk originally took place on May 27, 2020.</description>
      <pubDate>Fri, 27 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>﻿The new book Yiddish in Israel: A History (Indiana UP, 2020) challenges the commonly held view that Yiddish was suppressed or even banned by Israeli authorities for ideological reasons, offering instead a radical new interpretation of the interaction between Yiddish and Israeli Hebrew cultures. Following the Israeli Yiddish scene through the history of the Yiddish press, Yiddish theater, early Israeli Yiddish literature, and high Yiddish culture, author Rachel Rojanski tells the compelling and yet unknown story of how Yiddish, the most widely used Jewish language in the pre-Holocaust world, fared in Zionist Israel, the land of Hebrew.

Join us for a discussion of this book with Rachel Rojanski in conversation with Rachel Brenner, Shachar Pinsker, and Sunny Yudkoff.

This book talk originally took place on May 27, 2020.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>﻿The new book <a href="https://bookshop.org/a/12343/9780253045157">Yiddish in Israel: A History</a> (Indiana UP, 2020) challenges the commonly held view that Yiddish was suppressed or even banned by Israeli authorities for ideological reasons, offering instead a radical new interpretation of the interaction between Yiddish and Israeli Hebrew cultures. Following the Israeli Yiddish scene through the history of the Yiddish press, Yiddish theater, early Israeli Yiddish literature, and high Yiddish culture, author Rachel Rojanski tells the compelling and yet unknown story of how Yiddish, the most widely used Jewish language in the pre-Holocaust world, fared in Zionist Israel, the land of Hebrew.</p>
<p>Join us for a discussion of this book with Rachel Rojanski in conversation with Rachel Brenner, Shachar Pinsker, and Sunny Yudkoff.</p>
<p>This book talk originally took place on May 27, 2020.</p>]]>
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      <title>Lauren M. MacLean, "Negotiating Power and Inequality in Ghana: Electricity and Citizenship as Reciprocity (Indiana UP, 2026)</title>
      <description>In Ghana, much as in other parts of the Global South, postcolonial leaders aimed for industrial growth through the establishment of affordable hydroelectric power. However, in the current rapidly changing climate, many nations face recurring droughts, which hinder electricity production just when demand is on the rise. This situation has led to challenges like load shedding and unplanned power outages, which have strained the bond between citizens and the government.

Negotiating Power and Inequality in Ghana: Electricity and Citizenship as Reciprocity (Indiana UP, 2026) aims to unravel the puzzling reality that, despite enduring increasing difficulties from these electricity shortages, the Ghanaian citizens who suffer most harshly are also the least likely to demand political accountability from the state. Drawing on archival evidence, focus groups, qualitative interviews, survey data, and contemporary art and music, author Lauren M. MacLean explains how this disparity in experience—fueled by differences in income and geographical location—has led lower- and higher-income Ghanaians to form contrasting perspectives on their social rights regarding public services and to adopt varying approaches to political involvement. Rather than relying on a predetermined social contract, citizens in Ghana develop a more fluid relationship with the state, shaped by their histories, identities, and personal experiences. This reciprocity highlights their awareness of how climate change and the global shift toward green energy can significantly impact their lives while also underscoring the necessity for the government to take the lead and engage with Ghanaians to promote climate justice.

Lauren M. MacLean is the Thomas P. O’Neill Chair of Public Life and Department Chair of Political Science at Northeastern University. Her research focuses on the politics of electricity access and the everyday practice of citizenship in Africa. She conducts fieldwork in Ghana and Kenya, collecting survey data from individuals, conducting focus group discussions, doing archival work, and carrying out qualitative interviews with politicians, policymakers, practitioners, and ordinary people.

MacLean has published award-winning books and articles, including: Informal Institutions and Citizenship in Rural Africa (Cambridge, 2010), The Politics of Non-State Social Welfare in the Global South (Cornell, 2014), co-edited with Cammett, and Field Research in Political Science (Cambridge, 2015), coauthored with Kapiszewski and Read. Her research has been published in a wide range of journals and supported by grants, including NSF, SSRC, RWJ, Fulbright-Hays, and Carnegie. She was the recipient of the APSA QMMR 2016 David Collier Mid-Career Achievement Award.

You can learn more about her work here.

Afua Baafi Quarshie is a Ph.D. candidate in history at the Johns Hopkins University. Her research focuses on mothering and childhood in post-independence Ghana.</description>
      <pubDate>Sun, 15 Mar 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Ghana, much as in other parts of the Global South, postcolonial leaders aimed for industrial growth through the establishment of affordable hydroelectric power. However, in the current rapidly changing climate, many nations face recurring droughts, which hinder electricity production just when demand is on the rise. This situation has led to challenges like load shedding and unplanned power outages, which have strained the bond between citizens and the government.

Negotiating Power and Inequality in Ghana: Electricity and Citizenship as Reciprocity (Indiana UP, 2026) aims to unravel the puzzling reality that, despite enduring increasing difficulties from these electricity shortages, the Ghanaian citizens who suffer most harshly are also the least likely to demand political accountability from the state. Drawing on archival evidence, focus groups, qualitative interviews, survey data, and contemporary art and music, author Lauren M. MacLean explains how this disparity in experience—fueled by differences in income and geographical location—has led lower- and higher-income Ghanaians to form contrasting perspectives on their social rights regarding public services and to adopt varying approaches to political involvement. Rather than relying on a predetermined social contract, citizens in Ghana develop a more fluid relationship with the state, shaped by their histories, identities, and personal experiences. This reciprocity highlights their awareness of how climate change and the global shift toward green energy can significantly impact their lives while also underscoring the necessity for the government to take the lead and engage with Ghanaians to promote climate justice.

Lauren M. MacLean is the Thomas P. O’Neill Chair of Public Life and Department Chair of Political Science at Northeastern University. Her research focuses on the politics of electricity access and the everyday practice of citizenship in Africa. She conducts fieldwork in Ghana and Kenya, collecting survey data from individuals, conducting focus group discussions, doing archival work, and carrying out qualitative interviews with politicians, policymakers, practitioners, and ordinary people.

MacLean has published award-winning books and articles, including: Informal Institutions and Citizenship in Rural Africa (Cambridge, 2010), The Politics of Non-State Social Welfare in the Global South (Cornell, 2014), co-edited with Cammett, and Field Research in Political Science (Cambridge, 2015), coauthored with Kapiszewski and Read. Her research has been published in a wide range of journals and supported by grants, including NSF, SSRC, RWJ, Fulbright-Hays, and Carnegie. She was the recipient of the APSA QMMR 2016 David Collier Mid-Career Achievement Award.

You can learn more about her work here.

Afua Baafi Quarshie is a Ph.D. candidate in history at the Johns Hopkins University. Her research focuses on mothering and childhood in post-independence Ghana.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In Ghana, much as in other parts of the Global South, postcolonial leaders aimed for industrial growth through the establishment of affordable hydroelectric power. However, in the current rapidly changing climate, many nations face recurring droughts, which hinder electricity production just when demand is on the rise. This situation has led to challenges like load shedding and unplanned power outages, which have strained the bond between citizens and the government.</p>
<p><a href="https://bookshop.org/a/12343/9780253074768">Negotiating Power and Inequality in Ghana: Electricity and Citizenship as Reciprocity</a> (Indiana UP, 2026) aims to unravel the puzzling reality that, despite enduring increasing difficulties from these electricity shortages, the Ghanaian citizens who suffer most harshly are also the least likely to demand political accountability from the state. Drawing on archival evidence, focus groups, qualitative interviews, survey data, and contemporary art and music, author Lauren M. MacLean explains how this disparity in experience—fueled by differences in income and geographical location—has led lower- and higher-income Ghanaians to form contrasting perspectives on their social rights regarding public services and to adopt varying approaches to political involvement. Rather than relying on a predetermined social contract, citizens in Ghana develop a more fluid relationship with the state, shaped by their histories, identities, and personal experiences. This reciprocity highlights their awareness of how climate change and the global shift toward green energy can significantly impact their lives while also underscoring the necessity for the government to take the lead and engage with Ghanaians to promote climate justice.</p>
<p>Lauren M. MacLean is the Thomas P. O’Neill Chair of Public Life and Department Chair of Political Science at Northeastern University. Her research focuses on the politics of electricity access and the everyday practice of citizenship in Africa. She conducts fieldwork in Ghana and Kenya, collecting survey data from individuals, conducting focus group discussions, doing archival work, and carrying out qualitative interviews with politicians, policymakers, practitioners, and ordinary people.</p>
<p>MacLean has published award-winning books and articles, including: Informal Institutions and Citizenship in Rural Africa (Cambridge, 2010), The Politics of Non-State Social Welfare in the Global South (Cornell, 2014), co-edited with Cammett, and Field Research in Political Science (Cambridge, 2015), coauthored with Kapiszewski and Read. Her research has been published in a wide range of journals and supported by grants, including NSF, SSRC, RWJ, Fulbright-Hays, and Carnegie. She was the recipient of the APSA QMMR 2016 David Collier Mid-Career Achievement Award.</p>
<p>You can learn more about her work <a href="https://cssh.northeastern.edu/faculty/lauren-maclean/">here</a>.</p>
<p>Afua Baafi Quarshie is a Ph.D. candidate in history at the Johns Hopkins University. Her research focuses on mothering and childhood in post-independence Ghana.</p>]]>
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      <title>Sandra E. Greene, “Slave Owners of West Africa: Decision Making in the Age of Abolition” (Indiana UP, 2017)</title>
      <description>In today’s podcast we talked to Dr. Sandra Greene about her book Slave Owners of West Africa. Decision Making in the Age of Abolition published in 2017 by Indiana University Press. In this book Dr. Greene presents us with the biographies of three individuals who lived in the southeastern corner of what is today the Republic of Ghana between the mid-nineteenth century and the early part of the twentieth century. These men became wealthy and prominent in their own communities largely through their trading activities. They had multiple wives and dependents many of whom were slaves. By documenting the lives of these three men—Amegashie Afeku of Keta, Nyaho Tamakloe of Anlo, and Noah Yawo of Ho Kpenoe—Dr. Greene examines the different ways in which they confronted the processes of European colonization and the abolition of slavery. As slaveholders, all three had much to lose from these transitions and yet, they all adopted different positions and strategies. What personal, political and economic factors informed these decisions are the central questions examined in Greene’s book.

Esperanza Brizuela-Garcia is Associate Professor of History at Montclair State University. She specializes in modern intellectual history of Africa, historiography, World history and Philosophy of History. She is the co-author of African Histories: New Sources and New Techniques for Studying African Pasts (Pearson, 2011).
 </description>
      <pubDate>Sat, 28 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>In today’s podcast we talked to Dr. Sandra Greene about her book Slave Owners of West Africa. Decision Making in the Age of Abolition published in 2017 by Indiana University Press. In this book Dr. Greene presents us with the biographies of three indiv...</itunes:subtitle>
      <itunes:summary>In today’s podcast we talked to Dr. Sandra Greene about her book Slave Owners of West Africa. Decision Making in the Age of Abolition published in 2017 by Indiana University Press. In this book Dr. Greene presents us with the biographies of three individuals who lived in the southeastern corner of what is today the Republic of Ghana between the mid-nineteenth century and the early part of the twentieth century. These men became wealthy and prominent in their own communities largely through their trading activities. They had multiple wives and dependents many of whom were slaves. By documenting the lives of these three men—Amegashie Afeku of Keta, Nyaho Tamakloe of Anlo, and Noah Yawo of Ho Kpenoe—Dr. Greene examines the different ways in which they confronted the processes of European colonization and the abolition of slavery. As slaveholders, all three had much to lose from these transitions and yet, they all adopted different positions and strategies. What personal, political and economic factors informed these decisions are the central questions examined in Greene’s book.

Esperanza Brizuela-Garcia is Associate Professor of History at Montclair State University. She specializes in modern intellectual history of Africa, historiography, World history and Philosophy of History. She is the co-author of African Histories: New Sources and New Techniques for Studying African Pasts (Pearson, 2011).
 </itunes:summary>
      <content:encoded>
        <![CDATA[<p>In today’s podcast we talked to <a href="http://history.cornell.edu/sandra-elaine-greene">Dr. Sandra Greene</a> about her book <a href="http://aax-us-east.amazon-adsystem.com/x/c/QgPg9Mkxs6NRKTR5HLa8ALkAAAFiL61ovQEAAAFKARoXVvA/http://www.amazon.com/dp/0253025990/ref=as_at?creativeASIN=0253025990&amp;linkCode=w61&amp;imprToken=FOu66yua4JBr5oM9YLH7uQ&amp;slotNum=0&amp;tag=newbooinhis-20">Slave Owners of West Africa. Decision Making in the Age of Abolition</a> published in 2017 by Indiana University Press. In this book Dr. Greene presents us with the biographies of three individuals who lived in the southeastern corner of what is today the Republic of Ghana between the mid-nineteenth century and the early part of the twentieth century. These men became wealthy and prominent in their own communities largely through their trading activities. They had multiple wives and dependents many of whom were slaves. By documenting the lives of these three men—Amegashie Afeku of Keta, Nyaho Tamakloe of Anlo, and Noah Yawo of Ho Kpenoe—Dr. Greene examines the different ways in which they confronted the processes of European colonization and the abolition of slavery. As slaveholders, all three had much to lose from these transitions and yet, they all adopted different positions and strategies. What personal, political and economic factors informed these decisions are the central questions examined in Greene’s book.</p><p><br></p><p><a href="https://www.montclair.edu/profilepages/view_profile.php?username=brizuelagare">Esperanza Brizuela-Garcia</a> is Associate Professor of History at Montclair State University. She specializes in modern intellectual history of Africa, historiography, World history and Philosophy of History. She is the co-author of African Histories: New Sources and New Techniques for Studying African Pasts (Pearson, 2011).</p><p> </p>]]>
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      <itunes:duration>2545</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>The Shtetl: Myth and Reality with Samuel Kassow</title>
      <description>Even those who do not know much Yiddish have probably heard the word “shtetl,” but what does that word mean exactly? Can we just say that it was a small town in Eastern Europe with a lot of Jews—and leave it at that? Or was the shtetl that nostalgic world of “tradition” so lovingly celebrated in Fiddler on the Roof? How are we to understand imaginary shtetls like Sholom Aleichem’s Kasrilevke, where the “little people” ran around, talked non stop, and tried to make sense of a world they could no longer understand or control?

Indeed the “shtetl” meant many things to many people. For many Zionists and Jewish leftists, the shtetl was a pathetic symbol of Jewish backwardness. Others cherished it as a place of real Jewishness, that fixed point that gave Jews in the diaspora the feeling of being home. The destruction of the Holocaust encouraged this nostalgia for the lost shtetl, especially as many Jews in the post-war world, newly comfortable and secure in their new homes, showed a new interest in their ethnic roots.

In this lecture, YIVO Visiting Research Historian Samuel Kassow will explore the “real shtetl” and the “imagined shtetl,” which both formed an integral part of Eastern European Jewish peoplehood.

﻿Jonathan Brent is the Executive Director and CEO of YIVO.</description>
      <pubDate>Fri, 27 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Even those who do not know much Yiddish have probably heard the word “shtetl,” but what does that word mean exactly? Can we just say that it was a small town in Eastern Europe with a lot of Jews—and leave it at that? Or was the shtetl that nostalgic world of “tradition” so lovingly celebrated in Fiddler on the Roof? How are we to understand imaginary shtetls like Sholom Aleichem’s Kasrilevke, where the “little people” ran around, talked non stop, and tried to make sense of a world they could no longer understand or control?

Indeed the “shtetl” meant many things to many people. For many Zionists and Jewish leftists, the shtetl was a pathetic symbol of Jewish backwardness. Others cherished it as a place of real Jewishness, that fixed point that gave Jews in the diaspora the feeling of being home. The destruction of the Holocaust encouraged this nostalgia for the lost shtetl, especially as many Jews in the post-war world, newly comfortable and secure in their new homes, showed a new interest in their ethnic roots.

In this lecture, YIVO Visiting Research Historian Samuel Kassow will explore the “real shtetl” and the “imagined shtetl,” which both formed an integral part of Eastern European Jewish peoplehood.

﻿Jonathan Brent is the Executive Director and CEO of YIVO.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Even those who do not know much Yiddish have probably heard the word “shtetl,” but what does that word mean exactly? Can we just say that it was a small town in Eastern Europe with a lot of Jews—and leave it at that? Or was the shtetl that nostalgic world of “tradition” so lovingly celebrated in <em>Fiddler on the Roof</em>? How are we to understand imaginary shtetls like Sholom Aleichem’s Kasrilevke, where the “little people” ran around, talked non stop, and tried to make sense of a world they could no longer understand or control?</p>
<p>Indeed the “shtetl” meant many things to many people. For many Zionists and Jewish leftists, the shtetl was a pathetic symbol of Jewish backwardness. Others cherished it as a place of real Jewishness, that fixed point that gave Jews in the diaspora the feeling of being home. The destruction of the Holocaust encouraged this nostalgia for the lost shtetl, especially as many Jews in the post-war world, newly comfortable and secure in their new homes, showed a new interest in their ethnic roots.</p>
<p>In this lecture, YIVO Visiting Research Historian Samuel Kassow will explore the “real shtetl” and the “imagined shtetl,” which both formed an integral part of Eastern European Jewish peoplehood.</p>
<p><em>﻿Jonathan Brent is the Executive Director and CEO of YIVO.</em></p>]]>
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    <item>
      <title>Jovana Babović, "The Youngest Yugoslavs: An Oral History of Post-Socialist Memory" (Indiana UP, 2025)</title>
      <description>The Youngest Yugoslavs: An Oral History of Post-Socialist Memory (Indiana UP, 2025) gathers interviews with members of the last generation to experience a unified Yugoslavia as children. Born between 1971 and 1991, this cohort spent a relatively short period of their childhood in Yugoslavia – yet the Yugoslav experience had a profound and lasting impact on their lives. The eight individuals selected for this collection share memories of their childhood during the final decades of socialism, offering unique insights into what it means to lose a country, and how they continue to find meaning in the Yugoslav past.

Jovana Babović is an Associate Professor of modern European history at SUNY Geneseo. Her research focuses on urban culture and society in Eastern Europe during the twentieth century.

Profile page: here

Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.</description>
      <pubDate>Thu, 29 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The Youngest Yugoslavs: An Oral History of Post-Socialist Memory (Indiana UP, 2025) gathers interviews with members of the last generation to experience a unified Yugoslavia as children. Born between 1971 and 1991, this cohort spent a relatively short period of their childhood in Yugoslavia – yet the Yugoslav experience had a profound and lasting impact on their lives. The eight individuals selected for this collection share memories of their childhood during the final decades of socialism, offering unique insights into what it means to lose a country, and how they continue to find meaning in the Yugoslav past.

Jovana Babović is an Associate Professor of modern European history at SUNY Geneseo. Her research focuses on urban culture and society in Eastern Europe during the twentieth century.

Profile page: here

Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780253073952"><em>The Youngest Yugoslavs: An Oral History of Post-Socialist Memory</em> </a>(Indiana UP, 2025) gathers interviews with members of the last generation to experience a unified Yugoslavia as children. Born between 1971 and 1991, this cohort spent a relatively short period of their childhood in Yugoslavia – yet the Yugoslav experience had a profound and lasting impact on their lives. The eight individuals selected for this collection share memories of their childhood during the final decades of socialism, offering unique insights into what it means to lose a country, and how they continue to find meaning in the Yugoslav past.</p>
<p>Jovana Babović is an Associate Professor of modern European history at SUNY Geneseo. Her research focuses on urban culture and society in Eastern Europe during the twentieth century.</p>
<p>Profile page: <a href="https://www.geneseo.edu/history/jovana-babovic/">here</a></p>
<p>Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.</p>]]>
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      <itunes:duration>2741</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Leah Lowthorp, "Deep Cosmopolitanism: Kutiyattam, Dynamic Tradition, and Globalizing Heritage in Kerala, India" (Indiana UP, 2025)</title>
      <description>Deep Cosmopolitanism: Kutiyattam, Dynamic Tradition, and Globalizing Heritage in Kerala, India explores the extraordinary past and present of Kutiyattam Sanskrit theater, the world's oldest continuously performed theater. Recognized as India's first UNESCO intangible cultural heritage of humanity, the matrilineal temple art of Kutiyattam has been performed by men and women in Kerala, India, since the tenth century C.E.

This book illustrates how Kutiyattam Sanskrit theater has encountered multiple forms of cosmopolitanism over the course of its thousand-year history. Exploring how Kutiyattam artists create meaning out of their deep past through everyday narratives and reflections, author Leah Lowthorp traces the art's cosmopolitan encounters over time, from the premodern Sanskrit cosmopolis to Muslim sultans, British colonialists, Communist politics, and UNESCO intangible cultural heritage. In so doing, Lowthorp fundamentally rethinks the notion of cosmopolitanism from a non-Western perspective with premodern roots and offers a critique of the colonialist undertones of how international heritage organizations like UNESCO conceptualize peoples and traditions around the world.

Diving into an ethnographic exploration that considers Kutiyattam's multiple cosmopolitanisms over a period of one thousand years, Deep Cosmopolitanism offers a model for decolonizing modernity and challenges us to rethink what it means to be cosmopolitan, traditional, and modern in the world today.

Indiana University Press generiously make this book freely available as an Open Access monograph. To read, please visit here.

Leah Lowthorp is Assistant Professor of Anthropology and Folklore at the University of Oregon. She is a cultural anthropologist and a folklorist. She is editor (with Frank J. Korom) of South Asian Folklore in Transition: Crafting New Horizons (Routledge, 2019). Her email address is lowthorp@uoregon.edu.

Yadong Li is an anthropologist-in-training. He is a PhD candidate of Socio-cultural Anthropology at Tulane University. His research interests lie at the intersection of political ecology, critical development studies, and the anthropology of time. More details about his scholarship and research interests can be found here.</description>
      <pubDate>Wed, 14 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Deep Cosmopolitanism: Kutiyattam, Dynamic Tradition, and Globalizing Heritage in Kerala, India explores the extraordinary past and present of Kutiyattam Sanskrit theater, the world's oldest continuously performed theater. Recognized as India's first UNESCO intangible cultural heritage of humanity, the matrilineal temple art of Kutiyattam has been performed by men and women in Kerala, India, since the tenth century C.E.

This book illustrates how Kutiyattam Sanskrit theater has encountered multiple forms of cosmopolitanism over the course of its thousand-year history. Exploring how Kutiyattam artists create meaning out of their deep past through everyday narratives and reflections, author Leah Lowthorp traces the art's cosmopolitan encounters over time, from the premodern Sanskrit cosmopolis to Muslim sultans, British colonialists, Communist politics, and UNESCO intangible cultural heritage. In so doing, Lowthorp fundamentally rethinks the notion of cosmopolitanism from a non-Western perspective with premodern roots and offers a critique of the colonialist undertones of how international heritage organizations like UNESCO conceptualize peoples and traditions around the world.

Diving into an ethnographic exploration that considers Kutiyattam's multiple cosmopolitanisms over a period of one thousand years, Deep Cosmopolitanism offers a model for decolonizing modernity and challenges us to rethink what it means to be cosmopolitan, traditional, and modern in the world today.

Indiana University Press generiously make this book freely available as an Open Access monograph. To read, please visit here.

Leah Lowthorp is Assistant Professor of Anthropology and Folklore at the University of Oregon. She is a cultural anthropologist and a folklorist. She is editor (with Frank J. Korom) of South Asian Folklore in Transition: Crafting New Horizons (Routledge, 2019). Her email address is lowthorp@uoregon.edu.

Yadong Li is an anthropologist-in-training. He is a PhD candidate of Socio-cultural Anthropology at Tulane University. His research interests lie at the intersection of political ecology, critical development studies, and the anthropology of time. More details about his scholarship and research interests can be found here.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780253073594">Deep Cosmopolitanism: Kutiyattam, Dynamic Tradition, and Globalizing Heritage in Kerala, India</a> explores the extraordinary past and present of Kutiyattam Sanskrit theater, the world's oldest continuously performed theater. Recognized as India's first UNESCO intangible cultural heritage of humanity, the matrilineal temple art of Kutiyattam has been performed by men and women in Kerala, India, since the tenth century C.E.</p>
<p>This book illustrates how Kutiyattam Sanskrit theater has encountered multiple forms of cosmopolitanism over the course of its thousand-year history. Exploring how Kutiyattam artists create meaning out of their deep past through everyday narratives and reflections, author Leah Lowthorp traces the art's cosmopolitan encounters over time, from the premodern Sanskrit cosmopolis to Muslim sultans, British colonialists, Communist politics, and UNESCO intangible cultural heritage. In so doing, Lowthorp fundamentally rethinks the notion of cosmopolitanism from a non-Western perspective with premodern roots and offers a critique of the colonialist undertones of how international heritage organizations like UNESCO conceptualize peoples and traditions around the world.</p>
<p>Diving into an ethnographic exploration that considers Kutiyattam's multiple cosmopolitanisms over a period of one thousand years, <em>Deep Cosmopolitanism</em> offers a model for decolonizing modernity and challenges us to rethink what it means to be cosmopolitan, traditional, and modern in the world today.</p>
<p>Indiana University Press generiously make this book freely available as an Open Access monograph. To read, please visit <a href="https://publish.iupress.indiana.edu/projects/deep-cosmopolitanism">here</a>.</p>
<p>Leah Lowthorp is Assistant Professor of Anthropology and Folklore at the University of Oregon. She is a cultural anthropologist and a folklorist. She is editor (with Frank J. Korom) of <em>South Asian Folklore in Transition: Crafting New Horizons </em>(Routledge, 2019). Her email address is lowthorp@uoregon.edu.</p>
<p>Yadong Li is an anthropologist-in-training. He is a PhD candidate of Socio-cultural Anthropology at Tulane University. His research interests lie at the intersection of political ecology, critical development studies, and the anthropology of time. More details about his scholarship and research interests can be found <a href="https://liberalarts.tulane.edu/anthropology/people/graduate-students/yadong-li">here</a>.</p>]]>
      </content:encoded>
      <itunes:duration>3435</itunes:duration>
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    <item>
      <title>Amber Day, "Caught in the Crosshairs: Feminist Comedians and the Culture Wars" (Indiana UP, 2025)</title>
      <description>﻿The landscape of comedy has undergone a seismic shift in recent years with an increasing number of female comedians breaking through to mainstream audiences. Women are claiming high-profile roles as late-night hosts, sketch comedians, television producers, and standup stars. As they disrupt industry norms and transgress cultural boundaries, they have also become lightning rods for controversy, eliciting flares of anger, amazement, revulsion, or hope.

Caught in the Crosshairs: Feminist Comedians and the Culture Wars ﻿(Indiana UP, 2025) delves not only into the work of feminist icons like Samantha Bee, Amy Schumer, Leslie Jones, Michelle Wolf, and Hannah Gadsby, but also into the discourse surrounding their comedy. Author Amber Day argues that these debates transcend mere entertainment; they are cultural battlegrounds for larger philosophical and political conflicts, interrogating ideals of gender, race, power, and public space. We see conflicts over what should be considered scandalous or beyond the pale, who should be in the intended audience, what is appropriate behavior for which performing bodies, and what the boundaries of comedy ultimately are.

Caught in the Crosshairs is an examination of how feminist comedy reflects the tensions of our times, disrupting established narratives and challenging traditional power structures.</description>
      <pubDate>Tue, 16 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>﻿The landscape of comedy has undergone a seismic shift in recent years with an increasing number of female comedians breaking through to mainstream audiences. Women are claiming high-profile roles as late-night hosts, sketch comedians, television producers, and standup stars. As they disrupt industry norms and transgress cultural boundaries, they have also become lightning rods for controversy, eliciting flares of anger, amazement, revulsion, or hope.

Caught in the Crosshairs: Feminist Comedians and the Culture Wars ﻿(Indiana UP, 2025) delves not only into the work of feminist icons like Samantha Bee, Amy Schumer, Leslie Jones, Michelle Wolf, and Hannah Gadsby, but also into the discourse surrounding their comedy. Author Amber Day argues that these debates transcend mere entertainment; they are cultural battlegrounds for larger philosophical and political conflicts, interrogating ideals of gender, race, power, and public space. We see conflicts over what should be considered scandalous or beyond the pale, who should be in the intended audience, what is appropriate behavior for which performing bodies, and what the boundaries of comedy ultimately are.

Caught in the Crosshairs is an examination of how feminist comedy reflects the tensions of our times, disrupting established narratives and challenging traditional power structures.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>﻿The landscape of comedy has undergone a seismic shift in recent years with an increasing number of female comedians breaking through to mainstream audiences. Women are claiming high-profile roles as late-night hosts, sketch comedians, television producers, and standup stars. As they disrupt industry norms and transgress cultural boundaries, they have also become lightning rods for controversy, eliciting flares of anger, amazement, revulsion, or hope.</p>
<p><a href="https://bookshop.org/a/12343/9780253073150">Caught in the Crosshairs: Feminist Comedians and the Culture Wars</a> ﻿(Indiana UP, 2025) delves not only into the work of feminist icons like Samantha Bee, Amy Schumer, Leslie Jones, Michelle Wolf, and Hannah Gadsby, but also into the discourse surrounding their comedy. Author Amber Day argues that these debates transcend mere entertainment; they are cultural battlegrounds for larger philosophical and political conflicts, interrogating ideals of gender, race, power, and public space. We see conflicts over what should be considered scandalous or beyond the pale, who should be in the intended audience, what is appropriate behavior for which performing bodies, and what the boundaries of comedy ultimately are.</p>
<p><em>Caught in the Crosshairs</em> is an examination of how feminist comedy reflects the tensions of our times, disrupting established narratives and challenging traditional power structures.</p>]]>
      </content:encoded>
      <itunes:duration>2994</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Jessica Catherine Reuther, "The Bonds of Kinship in Dahomey: Portraits of West African Girlhood, 1720–1940" (Indiana UP, 2025)</title>
      <description>From the 1720s to the 1940s, parents in the kingdom and later colony of Dahomey (now the Republic of Benin) developed and sustained the common practice of girl fostering, or "entrusting." Transferring their daughters at a young age into foster homes, Dahomeans created complex relationships of mutual obligation, kinship, and caregiving that also exploited girls' labor for the economic benefit of the women who acted as their social mothers. Drawing upon oral tradition, historic images, and collective memories, Jessica Reuther pieces together the fragmentary glimpses of girls' lives contained in colonial archives within the framework of traditional understandings about entrustment. Placing these girls and their social mothers at the center of history brings to light their core contributions to local and global political economies, even as the Dahomean monarchy, global trade, and colonial courts reshaped girlhood norms and fostering practices.

In ﻿The Bonds of Kinship in Dahomey: Portraits of West African Girlhood, 1720–1940 (Indiana UP, 2025) Reuther reveals that the social, economic, and political changes wrought by the expansion of Dahomey in the eighteenth century, the shift to "legitimate" trade in agricultural products in the nineteenth century, and the imposition of French colonialism in the twentieth all fundamentally altered—and were altered by—the intimate practice of entrusting female children between households. Dahomeans also valorized this process as a crucial component of being "well-raised"—a sentiment that continues into the present, despite widespread Beninese opposition to modern-day forms of child labor.

Dr. Jessica Reuther is an associate professor of African and world history at Ball State University in Muncie, Indiana, USA. She came to Ball State after earning her PhD in African History from Emory University in Atlanta, GA, in 2016. Dr. Reuther is a historian of Africa, specializing in Atlantic West Africa and French West Africa from the 16th century to the present. She has conducted archival and oral history research in Benin, Senegal, France, Switzerland, and the United States.

You can learn more about her work here.

Afua Baafi Quarshie is a Ph.D. candidate in history at the Johns Hopkins University. Her research focuses on mothering and childhood in post-independence Ghana.﻿</description>
      <pubDate>Sat, 15 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>From the 1720s to the 1940s, parents in the kingdom and later colony of Dahomey (now the Republic of Benin) developed and sustained the common practice of girl fostering, or "entrusting." Transferring their daughters at a young age into foster homes, Dahomeans created complex relationships of mutual obligation, kinship, and caregiving that also exploited girls' labor for the economic benefit of the women who acted as their social mothers. Drawing upon oral tradition, historic images, and collective memories, Jessica Reuther pieces together the fragmentary glimpses of girls' lives contained in colonial archives within the framework of traditional understandings about entrustment. Placing these girls and their social mothers at the center of history brings to light their core contributions to local and global political economies, even as the Dahomean monarchy, global trade, and colonial courts reshaped girlhood norms and fostering practices.

In ﻿The Bonds of Kinship in Dahomey: Portraits of West African Girlhood, 1720–1940 (Indiana UP, 2025) Reuther reveals that the social, economic, and political changes wrought by the expansion of Dahomey in the eighteenth century, the shift to "legitimate" trade in agricultural products in the nineteenth century, and the imposition of French colonialism in the twentieth all fundamentally altered—and were altered by—the intimate practice of entrusting female children between households. Dahomeans also valorized this process as a crucial component of being "well-raised"—a sentiment that continues into the present, despite widespread Beninese opposition to modern-day forms of child labor.

Dr. Jessica Reuther is an associate professor of African and world history at Ball State University in Muncie, Indiana, USA. She came to Ball State after earning her PhD in African History from Emory University in Atlanta, GA, in 2016. Dr. Reuther is a historian of Africa, specializing in Atlantic West Africa and French West Africa from the 16th century to the present. She has conducted archival and oral history research in Benin, Senegal, France, Switzerland, and the United States.

You can learn more about her work here.

Afua Baafi Quarshie is a Ph.D. candidate in history at the Johns Hopkins University. Her research focuses on mothering and childhood in post-independence Ghana.﻿</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From the 1720s to the 1940s, parents in the kingdom and later colony of Dahomey (now the Republic of Benin) developed and sustained the common practice of girl fostering, or "entrusting." Transferring their daughters at a young age into foster homes, Dahomeans created complex relationships of mutual obligation, kinship, and caregiving that also exploited girls' labor for the economic benefit of the women who acted as their social mothers. Drawing upon oral tradition, historic images, and collective memories, Jessica Reuther pieces together the fragmentary glimpses of girls' lives contained in colonial archives within the framework of traditional understandings about entrustment. Placing these girls and their social mothers at the center of history brings to light their core contributions to local and global political economies, even as the Dahomean monarchy, global trade, and colonial courts reshaped girlhood norms and fostering practices.</p>
<p>In ﻿<a href="https://bookshop.org/a/12343/9780253071453">The Bonds of Kinship in Dahomey: Portraits of West African Girlhood, 1720–1940</a> (Indiana UP, 2025) Reuther reveals that the social, economic, and political changes wrought by the expansion of Dahomey in the eighteenth century, the shift to "legitimate" trade in agricultural products in the nineteenth century, and the imposition of French colonialism in the twentieth all fundamentally altered—and were altered by—the intimate practice of entrusting female children between households. Dahomeans also valorized this process as a crucial component of being "well-raised"—a sentiment that continues into the present, despite widespread Beninese opposition to modern-day forms of child labor.</p>
<p>Dr. Jessica Reuther is an associate professor of African and world history at Ball State University in Muncie, Indiana, USA. She came to Ball State after earning her PhD in African History from Emory University in Atlanta, GA, in 2016. Dr. Reuther is a historian of Africa, specializing in Atlantic West Africa and French West Africa from the 16th century to the present. She has conducted archival and oral history research in Benin, Senegal, France, Switzerland, and the United States.</p>
<p>You can learn more about her work <a href="https://drjessicareuther.com/">here</a>.</p>
<p>Afua Baafi Quarshie is a Ph.D. candidate in history at the Johns Hopkins University. Her research focuses on mothering and childhood in post-independence Ghana.﻿</p>]]>
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      <title>Branka Bogdan, "The New Yugoslav Woman: Reproductive Regulation in Socialist Yugoslavia" (Indiana UP, 2025)</title>
      <description>From 1945 to 1989, the Yugoslav state connected its claims of progressive politics and gender equality to its support of free healthcare, sex education and contraception, and laws that supported reproductive choice. Yugoslav men and women internalized these messages, proclaiming their homeland's superior care for its citizens in comparison to postwar Europe and the United States. Even as Yugoslav women faced stigma and abuse for their usage of contraceptives and medical practitioners grappled with new regulations and technology alongside personal ideologies, Yugoslavs celebrated their own reformation into "new" politically minded citizens who carefully navigated tradition and modernity as they reconstructed the nation.

The New Yugoslav Woman: Reproductive Regulation in Socialist Yugoslavia (Indiana UP, 2025) provides a social and cultural history of how Yugoslav communists used reproductive regulation to build a platform of socialism through self-management and to position the country as a conduit between the global North and South. Author Branka Bogdan traces reproduction as a central facet of socialist Yugoslavia's state formation through the nation's laws, medical infrastructure, technological growth, and state-run sex education programs. Bringing this history to the present day with a discussion of more than two dozen interviews with Yugoslav patients and medical professionals, Bogdan reveals how these recollections show key continuities with the past rather than an abrupt break between the socialist and post-socialist worlds.

Drawing Yugoslavian women's experiences into the geopolitical history of reproduction and the Cold War–era state, The New Yugoslav Woman reveals the centrality of reproduction, contraception, and abortion to socialist Yugoslavia's self-conception as the developed leader of the developing world.

Guest: Branka Bogdan (she/her), is an Early Career Researcher based in Auckland, New Zealand. She specializes in social and cultural histories of gender, medicine and science, across the New Zealand, European, and US contexts. She brings expertise in oral history interviewing and analysis to her multiple solo and collaborative projects.

Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990.

Scholars@Duke here

Linktree here</description>
      <pubDate>Tue, 30 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>From 1945 to 1989, the Yugoslav state connected its claims of progressive politics and gender equality to its support of free healthcare, sex education and contraception, and laws that supported reproductive choice. Yugoslav men and women internalized these messages, proclaiming their homeland's superior care for its citizens in comparison to postwar Europe and the United States. Even as Yugoslav women faced stigma and abuse for their usage of contraceptives and medical practitioners grappled with new regulations and technology alongside personal ideologies, Yugoslavs celebrated their own reformation into "new" politically minded citizens who carefully navigated tradition and modernity as they reconstructed the nation.

The New Yugoslav Woman: Reproductive Regulation in Socialist Yugoslavia (Indiana UP, 2025) provides a social and cultural history of how Yugoslav communists used reproductive regulation to build a platform of socialism through self-management and to position the country as a conduit between the global North and South. Author Branka Bogdan traces reproduction as a central facet of socialist Yugoslavia's state formation through the nation's laws, medical infrastructure, technological growth, and state-run sex education programs. Bringing this history to the present day with a discussion of more than two dozen interviews with Yugoslav patients and medical professionals, Bogdan reveals how these recollections show key continuities with the past rather than an abrupt break between the socialist and post-socialist worlds.

Drawing Yugoslavian women's experiences into the geopolitical history of reproduction and the Cold War–era state, The New Yugoslav Woman reveals the centrality of reproduction, contraception, and abortion to socialist Yugoslavia's self-conception as the developed leader of the developing world.

Guest: Branka Bogdan (she/her), is an Early Career Researcher based in Auckland, New Zealand. She specializes in social and cultural histories of gender, medicine and science, across the New Zealand, European, and US contexts. She brings expertise in oral history interviewing and analysis to her multiple solo and collaborative projects.

Host: Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990.

Scholars@Duke here

Linktree here</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From 1945 to 1989, the Yugoslav state connected its claims of progressive politics and gender equality to its support of free healthcare, sex education and contraception, and laws that supported reproductive choice. Yugoslav men and women internalized these messages, proclaiming their homeland's superior care for its citizens in comparison to postwar Europe and the United States. Even as Yugoslav women faced stigma and abuse for their usage of contraceptives and medical practitioners grappled with new regulations and technology alongside personal ideologies, Yugoslavs celebrated their own reformation into "new" politically minded citizens who carefully navigated tradition and modernity as they reconstructed the nation.</p>
<p><a href="https://bookshop.org/a/12343/9780253074188"><em>The New Yugoslav Woman: Reproductive Regulation in Socialist Yugoslavia</em> </a>(Indiana UP, 2025) provides a social and cultural history of how Yugoslav communists used reproductive regulation to build a platform of socialism through self-management and to position the country as a conduit between the global North and South. Author Branka Bogdan traces reproduction as a central facet of socialist Yugoslavia's state formation through the nation's laws, medical infrastructure, technological growth, and state-run sex education programs. Bringing this history to the present day with a discussion of more than two dozen interviews with Yugoslav patients and medical professionals, Bogdan reveals how these recollections show key continuities with the past rather than an abrupt break between the socialist and post-socialist worlds.</p>
<p>Drawing Yugoslavian women's experiences into the geopolitical history of reproduction and the Cold War–era state, The New Yugoslav Woman reveals the centrality of reproduction, contraception, and abortion to socialist Yugoslavia's self-conception as the developed leader of the developing world.</p>
<p><strong>Guest:</strong> Branka Bogdan (she/her), is an Early Career Researcher based in Auckland, New Zealand. She specializes in social and cultural histories of gender, medicine and science, across the New Zealand, European, and US contexts. She brings expertise in oral history interviewing and analysis to her multiple solo and collaborative projects.</p>
<p><strong>Host: </strong>Jenna Pittman (she/her), a Ph.D. student in the Department of History at Duke University. She studies modern European history, political economy, and Germany from 1945-1990.</p>
<p>Scholars@Duke <a href="https://scholars.duke.edu/person/Jenna.Pittman">here</a></p>
<p>Linktree <a href="https://linktr.ee/jennapittman">here</a></p>]]>
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      <title>Árni Heimir Ingólfsson, "Jón Leifs and the Musical Invention of Iceland" (Indiana UP, 2019)</title>
      <description>In Jón Leifs and the Musical Invention of Iceland ﻿(Indiana University Press, 2019), Árni Heimir Ingólfsson provides a striking account of the dramatic career of Iceland's iconic composer. Leifs (1899–1968) was the first Icelander to devote himself fully to composition at a time when a local music scene was only beginning to take form. He was a fervent nationalist in his art, fashioning an idiosyncratic and uncompromising 'Icelandic' sound from traditions of vernacular music with the aim to legitimize Iceland as an independent, culturally empowered nation.﻿

In addition to exploring Leifs's career, Ingólfsson provides detailed descriptions of Leifs's major works and their cultural contexts. Leifs's music was inspired by the Icelandic landscape and includes auditory depictions of volcanos, geysers, and waterfalls. The raw quality of his orchestral music is frequently enhanced by an expansive percussion section, including anvils, stones, sirens, bells, ships' chains, shotguns, and cannons.﻿

Largely neglected in his own lifetime, Leifs's music has been rediscovered in recent years and hailed as a singular and deeply original contribution to twentieth-century music. Jón Leifs and the Musical Invention of Iceland enriches our understanding and appreciation of Leifs and his music by exploring the political, literary and environmental contexts that influenced his work.</description>
      <pubDate>Sat, 27 Sep 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Jón Leifs and the Musical Invention of Iceland ﻿(Indiana University Press, 2019), Árni Heimir Ingólfsson provides a striking account of the dramatic career of Iceland's iconic composer. Leifs (1899–1968) was the first Icelander to devote himself fully to composition at a time when a local music scene was only beginning to take form. He was a fervent nationalist in his art, fashioning an idiosyncratic and uncompromising 'Icelandic' sound from traditions of vernacular music with the aim to legitimize Iceland as an independent, culturally empowered nation.﻿

In addition to exploring Leifs's career, Ingólfsson provides detailed descriptions of Leifs's major works and their cultural contexts. Leifs's music was inspired by the Icelandic landscape and includes auditory depictions of volcanos, geysers, and waterfalls. The raw quality of his orchestral music is frequently enhanced by an expansive percussion section, including anvils, stones, sirens, bells, ships' chains, shotguns, and cannons.﻿

Largely neglected in his own lifetime, Leifs's music has been rediscovered in recent years and hailed as a singular and deeply original contribution to twentieth-century music. Jón Leifs and the Musical Invention of Iceland enriches our understanding and appreciation of Leifs and his music by exploring the political, literary and environmental contexts that influenced his work.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780253044051">Jón Leifs and the Musical Invention of Iceland</a><em> </em>﻿(Indiana University Press, 2019), Árni Heimir Ingólfsson provides a striking account of the dramatic career of Iceland's iconic composer. Leifs (1899–1968) was the first Icelander to devote himself fully to composition at a time when a local music scene was only beginning to take form. He was a fervent nationalist in his art, fashioning an idiosyncratic and uncompromising 'Icelandic' sound from traditions of vernacular music with the aim to legitimize Iceland as an independent, culturally empowered nation.﻿<br></p>
<p>In addition to exploring Leifs's career, Ingólfsson provides detailed descriptions of Leifs's major works and their cultural contexts. Leifs's music was inspired by the Icelandic landscape and includes auditory depictions of volcanos, geysers, and waterfalls. The raw quality of his orchestral music is frequently enhanced by an expansive percussion section, including anvils, stones, sirens, bells, ships' chains, shotguns, and cannons.﻿<br></p>
<p>Largely neglected in his own lifetime, Leifs's music has been rediscovered in recent years and hailed as a singular and deeply original contribution to twentieth-century music. <em>Jón Leifs and the Musical Invention of Iceland</em> enriches our understanding and appreciation of Leifs and his music by exploring the political, literary and environmental contexts that influenced his work.</p>]]>
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      <title>Barbara Vinick and Shulamit Reinharz, "100 Jewish Brides: Stories from Around the World" (Indiana UP, 2024)</title>
      <description>100 Jewish Brides: Stories from Around the World (Indiana UP, 2024), is the result of a collaboration between two sociologists, Professor Shulamit Reinharz and Dr. Barbara Vinick. Both come from backgrounds deeply intertwined with Jewish history and feminism. Prof. Reinharz, the daughter of Holocaust survivors, became a rabbi's daughter after her father settled in the US. Her work often explores topics of Jewish tradition and women's roles. Dr. Vinick, also a sociologist, initially focused on gerontology but later collaborated with Reinharz on projects exploring Jewish women's experiences worldwide, she hopes this this book can be a respite from the troubles of the world.

The book aims to reveal the diversity and depth of traditional and emerging Jewish communities globally, that many readers might not have considered. The editors collected stories from 83 countries on six continents. Each story is either written as a mini-biography or memoir, sometimes by the brides themselves. They made a conscious effort not to reject any stories, regardless of whether they depicted positive or negative experiences. The collection thus includes stories touching on forced marriages, abusive relationships, divorces, and difficult situations.

The book is structured to highlight memorable and unique aspects of weddings, such as courtship traditions, betrothal ceremonies, conversions, and customs during wartime. There is a special focus on diversity, including emerging Jewish communities across Africa and Latin America.

Among the highlighted stories is a mail-order bride in Mexico who, upon arrival, refused to return home despite not matching her suitor's expectations, eventually resulting in decades of marriage—a testament to the unpredictability and resilience found in these stories. Daisy Aboudi's family in Sudan, a now-extinct Jewish community which found marital partners across the Egyptian border, reveals how Jewish life adapts and persists. 

The anthology covers weddings within various strands of Judaism, including a Chabad wedding in Thailand. The betrothal chapter explores customs whose significance has changed over time, including elaborate engagement ceremonies in places like Burma, Nicaragua, and India, where traditions include henna, turmeric, prayers, and communal exchanges.

Ariela Tischler’s story from Switzerland serves as a link between family heritage and Jewish law. Descended from Rabbi Moshe Isserlis, who decreed it permissible to marry on Lag BaOmer, Ariela and her husband wed on that day, echoing the family tradition established by her grandparents.

Personal favorites among the editors’ stories include Dr. Vinick's account of attending a group wedding in Madagascar following the conversion of local community members, demonstrating the intersection of ritual, adaptation, and communal joy. Professor Reinharz selected a contemporary Israeli bride, Yael Yechieli, whose feminist and renewal-minded approach prompted her to design a wedding ceremony more aligned with her beliefs and those of her secular partner, rather than conform to the Orthodox rabbinate's expectations. They hope to honor both those who have sustained Judaism in isolated regions and those rebuilding it anew, while also foregrounding Jewish women's voices and experiences.

Ultimately, the project is a celebration of Jewish diversity, women's voices, continuity, and ongoing change.</description>
      <pubDate>Wed, 20 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>100 Jewish Brides: Stories from Around the World (Indiana UP, 2024), is the result of a collaboration between two sociologists, Professor Shulamit Reinharz and Dr. Barbara Vinick. Both come from backgrounds deeply intertwined with Jewish history and feminism. Prof. Reinharz, the daughter of Holocaust survivors, became a rabbi's daughter after her father settled in the US. Her work often explores topics of Jewish tradition and women's roles. Dr. Vinick, also a sociologist, initially focused on gerontology but later collaborated with Reinharz on projects exploring Jewish women's experiences worldwide, she hopes this this book can be a respite from the troubles of the world.

The book aims to reveal the diversity and depth of traditional and emerging Jewish communities globally, that many readers might not have considered. The editors collected stories from 83 countries on six continents. Each story is either written as a mini-biography or memoir, sometimes by the brides themselves. They made a conscious effort not to reject any stories, regardless of whether they depicted positive or negative experiences. The collection thus includes stories touching on forced marriages, abusive relationships, divorces, and difficult situations.

The book is structured to highlight memorable and unique aspects of weddings, such as courtship traditions, betrothal ceremonies, conversions, and customs during wartime. There is a special focus on diversity, including emerging Jewish communities across Africa and Latin America.

Among the highlighted stories is a mail-order bride in Mexico who, upon arrival, refused to return home despite not matching her suitor's expectations, eventually resulting in decades of marriage—a testament to the unpredictability and resilience found in these stories. Daisy Aboudi's family in Sudan, a now-extinct Jewish community which found marital partners across the Egyptian border, reveals how Jewish life adapts and persists. 

The anthology covers weddings within various strands of Judaism, including a Chabad wedding in Thailand. The betrothal chapter explores customs whose significance has changed over time, including elaborate engagement ceremonies in places like Burma, Nicaragua, and India, where traditions include henna, turmeric, prayers, and communal exchanges.

Ariela Tischler’s story from Switzerland serves as a link between family heritage and Jewish law. Descended from Rabbi Moshe Isserlis, who decreed it permissible to marry on Lag BaOmer, Ariela and her husband wed on that day, echoing the family tradition established by her grandparents.

Personal favorites among the editors’ stories include Dr. Vinick's account of attending a group wedding in Madagascar following the conversion of local community members, demonstrating the intersection of ritual, adaptation, and communal joy. Professor Reinharz selected a contemporary Israeli bride, Yael Yechieli, whose feminist and renewal-minded approach prompted her to design a wedding ceremony more aligned with her beliefs and those of her secular partner, rather than conform to the Orthodox rabbinate's expectations. They hope to honor both those who have sustained Judaism in isolated regions and those rebuilding it anew, while also foregrounding Jewish women's voices and experiences.

Ultimately, the project is a celebration of Jewish diversity, women's voices, continuity, and ongoing change.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780253068361"><em>100 Jewish Brides: Stories from Around the Worl</em>d</a> (Indiana UP, 2024), is the result of a collaboration between two sociologists, Professor Shulamit Reinharz and Dr. Barbara Vinick. Both come from backgrounds deeply intertwined with Jewish history and feminism. Prof. Reinharz, the daughter of Holocaust survivors, became a rabbi's daughter after her father settled in the US. Her work often explores topics of Jewish tradition and women's roles. Dr. Vinick, also a sociologist, initially focused on gerontology but later collaborated with Reinharz on projects exploring Jewish women's experiences worldwide, she hopes this this book can be a respite from the troubles of the world.<br></p>
<p>The book aims to reveal the diversity and depth of traditional and emerging Jewish communities globally, that many readers might not have considered. The editors collected stories from 83 countries on six continents. Each story is either written as a mini-biography or memoir, sometimes by the brides themselves. They made a conscious effort not to reject any stories, regardless of whether they depicted positive or negative experiences. The collection thus includes stories touching on forced marriages, abusive relationships, divorces, and difficult situations.</p>
<p>The book is structured to highlight memorable and unique aspects of weddings, such as courtship traditions, betrothal ceremonies, conversions, and customs during wartime. There is a special focus on diversity, including emerging Jewish communities across Africa and Latin America.</p>
<p>Among the highlighted stories is a mail-order bride in Mexico who, upon arrival, refused to return home despite not matching her suitor's expectations, eventually resulting in decades of marriage—a testament to the unpredictability and resilience found in these stories. Daisy Aboudi's family in Sudan, a now-extinct Jewish community which found marital partners across the Egyptian border, reveals how Jewish life adapts and persists. </p>
<p>The anthology covers weddings within various strands of Judaism, including a Chabad wedding in Thailand. The betrothal chapter explores customs whose significance has changed over time, including elaborate engagement ceremonies in places like Burma, Nicaragua, and India, where traditions include henna, turmeric, prayers, and communal exchanges.</p>
<p>Ariela Tischler’s story from Switzerland serves as a link between family heritage and Jewish law. Descended from Rabbi Moshe Isserlis, who decreed it permissible to marry on Lag BaOmer, Ariela and her husband wed on that day, echoing the family tradition established by her grandparents.</p>
<p>Personal favorites among the editors’ stories include Dr. Vinick's account of attending a group wedding in Madagascar following the conversion of local community members, demonstrating the intersection of ritual, adaptation, and communal joy. Professor Reinharz selected a contemporary Israeli bride, Yael Yechieli, whose feminist and renewal-minded approach prompted her to design a wedding ceremony more aligned with her beliefs and those of her secular partner, rather than conform to the Orthodox rabbinate's expectations. They hope to honor both those who have sustained Judaism in isolated regions and those rebuilding it anew, while also foregrounding Jewish women's voices and experiences.</p>
<p>Ultimately, the project is a celebration of Jewish diversity, women's voices, continuity, and ongoing change.</p>]]>
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      <itunes:duration>3922</itunes:duration>
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      <title>Alex J. Kay and David Stahel, "Mass Violence in Nazi-Occupied Europe" (Indiana UP, 2018)</title>
      <description>Alex J. Kay (senior lecture of History at Potsdam University in Berlin) and David Stahel (senior lecturer in History at the University of New South Wales in Canberra) have edited a groundbreaking series of articles on German mass killing and violence during World War II. Four years in the making, this collection of articles spans the breadth of research on these topics and includes some non-English speaking scholars for the first time in a work of this magnitude.
Mass Violence in Nazi-Occupied Europe (Indiana UP, 2018) argues for a more comprehensive understanding of what constitutes Nazi violence and who was affected by this violence. The works gathered consider sexual violence, food depravation, and forced labor as aspects of Nazi aggression. Contributors focus in particular on the Holocaust, the persecution of the Sinti and Roma, the eradication of "useless eaters" (psychiatric patients and Soviet prisoners of war), and the crimes of the Wehrmacht. The collection concludes with a consideration of memorialization and a comparison of Soviet and Nazi mass crimes. While it has been over 70 years since the fall of the Nazi regime, the full extent of the ways violence was used against prisoners of war and civilians is only now coming to be fully understood. Mass Violence in Nazi-Occupied Europe provides new insight into the scale of the violence suffered and brings fresh urgency to the need for a deeper understanding of this horrific moment in history.</description>
      <pubDate>Sun, 20 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>110</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>The book argues for a more comprehensive understanding of what constitutes Nazi violence and who was affected by this violence...</itunes:subtitle>
      <itunes:summary>Alex J. Kay (senior lecture of History at Potsdam University in Berlin) and David Stahel (senior lecturer in History at the University of New South Wales in Canberra) have edited a groundbreaking series of articles on German mass killing and violence during World War II. Four years in the making, this collection of articles spans the breadth of research on these topics and includes some non-English speaking scholars for the first time in a work of this magnitude.
Mass Violence in Nazi-Occupied Europe (Indiana UP, 2018) argues for a more comprehensive understanding of what constitutes Nazi violence and who was affected by this violence. The works gathered consider sexual violence, food depravation, and forced labor as aspects of Nazi aggression. Contributors focus in particular on the Holocaust, the persecution of the Sinti and Roma, the eradication of "useless eaters" (psychiatric patients and Soviet prisoners of war), and the crimes of the Wehrmacht. The collection concludes with a consideration of memorialization and a comparison of Soviet and Nazi mass crimes. While it has been over 70 years since the fall of the Nazi regime, the full extent of the ways violence was used against prisoners of war and civilians is only now coming to be fully understood. Mass Violence in Nazi-Occupied Europe provides new insight into the scale of the violence suffered and brings fresh urgency to the need for a deeper understanding of this horrific moment in history.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://en.wikipedia.org/wiki/Alex_J._Kay">Alex J. Kay</a> (senior lecture of History at Potsdam University in Berlin) and <a href="https://en.wikipedia.org/wiki/David_Stahel">David Stahel</a> (senior lecturer in History at the University of New South Wales in Canberra) have edited a groundbreaking series of articles on German mass killing and violence during World War II. Four years in the making, this collection of articles spans the breadth of research on these topics and includes some non-English speaking scholars for the first time in a work of this magnitude.</p><p><a href="http://www.amazon.com/dp/025303681X/?tag=newbooinhis-20"><em>Mass Violence in Nazi-Occupied Europe</em></a> (Indiana UP, 2018) argues for a more comprehensive understanding of what constitutes Nazi violence and who was affected by this violence. The works gathered consider sexual violence, food depravation, and forced labor as aspects of Nazi aggression. Contributors focus in particular on the Holocaust, the persecution of the Sinti and Roma, the eradication of "useless eaters" (psychiatric patients and Soviet prisoners of war), and the crimes of the Wehrmacht. The collection concludes with a consideration of memorialization and a comparison of Soviet and Nazi mass crimes. While it has been over 70 years since the fall of the Nazi regime, the full extent of the ways violence was used against prisoners of war and civilians is only now coming to be fully understood. <em>Mass Violence in Nazi-Occupied Europe</em> provides new insight into the scale of the violence suffered and brings fresh urgency to the need for a deeper understanding of this horrific moment in history.</p>]]>
      </content:encoded>
      <itunes:duration>2530</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Lanlan Kuang, "Staging Tianxia: Dunhuang Expressive Arts and China's New Cosmopolitan Heritage" (Indiana UP, 2024)</title>
      <description>How can art shape historical memory and national identity? And how can cultural heritage and historical references be used to enact a vision of a nation? In Staging Tianxia: Dunhuang Expressive Arts and China’s New Cosmopolitan Heritage (Indiana University Press, 2024), Lanlan Kuang explores these questions through the lens of Dunhuang expressive arts — a twentieth-century music and dance performance style inspired by the images, music descriptions, and narratives found in the Dunhuang Mogao Grottoes. Through these performances, Dunhuang expressive arts presents a vision of China as a historically multiethnic and cosmopolitan nation.

Staging Tianxia is an ambitious and interdisciplinary book, weaving together ethnography, ethnomusicology, performance studies, history, and philosophy. It is also rich with episodes from Kuang’s own fieldwork in Dunhuang and rehearsal studios, and through such moments Kuang offers intriguing insights on the way that heritage is constructed and embodied. The book will be of interest to scholars and students of ethnomusicology, performance studies, Chinese classical dance, and Dunhuang studies.

Listeners (and readers!) should also check out the multimedia components of the book on Kuang’s website, here.</description>
      <pubDate>Tue, 15 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>How can art shape historical memory and national identity? And how can cultural heritage and historical references be used to enact a vision of a nation? In Staging Tianxia: Dunhuang Expressive Arts and China’s New Cosmopolitan Heritage (Indiana University Press, 2024), Lanlan Kuang explores these questions through the lens of Dunhuang expressive arts — a twentieth-century music and dance performance style inspired by the images, music descriptions, and narratives found in the Dunhuang Mogao Grottoes. Through these performances, Dunhuang expressive arts presents a vision of China as a historically multiethnic and cosmopolitan nation.

Staging Tianxia is an ambitious and interdisciplinary book, weaving together ethnography, ethnomusicology, performance studies, history, and philosophy. It is also rich with episodes from Kuang’s own fieldwork in Dunhuang and rehearsal studios, and through such moments Kuang offers intriguing insights on the way that heritage is constructed and embodied. The book will be of interest to scholars and students of ethnomusicology, performance studies, Chinese classical dance, and Dunhuang studies.

Listeners (and readers!) should also check out the multimedia components of the book on Kuang’s website, here.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can art shape historical memory and national identity? And how can cultural heritage and historical references be used to enact a vision of a nation? In <a href="https://iupress.org/9780253070906/staging-itianxiai/">Staging Tianxia: Dunhuang Expressive Arts and China’s New Cosmopolitan Heritage</a><em> </em>(Indiana University Press, 2024), <a href="https://cah.ucf.edu/philosophy/faculty-staff/profile/707">Lanlan Kuang</a> explores these questions through the lens of Dunhuang expressive arts — a twentieth-century music and dance performance style inspired by the images, music descriptions, and narratives found in the Dunhuang Mogao Grottoes. Through these performances, Dunhuang expressive arts presents a vision of China as a historically multiethnic and cosmopolitan nation.</p>
<p><em>Staging Tianxia</em> is an ambitious and interdisciplinary book, weaving together ethnography, ethnomusicology, performance studies, history, and philosophy. It is also rich with episodes from Kuang’s own fieldwork in Dunhuang and rehearsal studios, and through such moments Kuang offers intriguing insights on the way that heritage is constructed and embodied. The book will be of interest to scholars and students of ethnomusicology, performance studies, Chinese classical dance, and Dunhuang studies.</p>
<p>Listeners (and readers!) should also check out the multimedia components of the book on Kuang’s website, <a href="https://lanlankuangofficial.pub/multimedia-components-for-staging-the-cosmopolitan-nation-indiana-university-press-forthcoming-in-2024/">here</a>.</p>
<p><br></p>]]>
      </content:encoded>
      <itunes:duration>3347</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[474487ee-60ba-11f0-9f8a-435d4b730343]]></guid>
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    <item>
      <title>Emmanuel Akyeampong, "Independent Africa: The First Generation of Nation Builders" (Indiana UP, 2023)</title>
      <description>Independent Africa: The First Generation of Nation Builders (Indiana UP, 2023)explores Africa's political economy in the first two full decades of independence through the joint projects of nation-building, economic development, and international relations.

Drawing on the political careers of four heads of states: Kwame Nkrumah of Ghana, Ahmed Sékou Touré of Guinea, Léopold Sédar Senghor, and Julius Kambarage Nyerere of Tanzania, Independent Africa engages four major themes: what does it mean to construct an African nation-state and what should an African nation-state look like; how does one grow a tropical economy emerging from European colonialism; how to explore an indigenous model of economic development, a "third way," in the context of a Cold War that had divided the world into two camps; and how to leverage internal resources and external opportunities to diversify agricultural economies and industrialize.

Combining aspects of history, economics, and political science, Independent Africa examines the important connections between the first generation of African leaders and the shared ideas that informed their endeavors at nation-building and worldmaking.

Professor Akyeampong is the former Oppenheimer Faculty Director of the Harvard University Center for African Studies and the Ellen Gurney Professor of History and of African and African American Studies at Harvard University. He joined the History faculty at Harvard upon receiving his Ph.D. in African History from the University of Virginia in 1993. He received his master's degree at Wake Forest University in North Carolina in 1989, where he concentrated on English labor history, and his bachelor's degree in History and Religions from the University of Ghana at Legon in 1984. Professor Akyeampong is currently the Ellen Gurney Professor of

Professor Akyeampong's publications include Themes in West Africa's History (2005), which he edited; Independent Africa: The First Generation of Nation Builders (2023); Between the Sea and the Lagoon: An Eco-Social History of the Anlo of Southeastern Ghana, 1850 to Recent Times (2001); and Drink, Power and Cultural Change: A Social History of Alcohol in Ghana, c. 1800 to Present Times (1996). He was a co-chief editor with Henry Louis Gates, Jr., for the Dictionary of African Biography, 6 Vols. (2012).

Professor Akyeampong has been awarded several research fellowships, and from 1993 to 1994, he was the Zora Neale Hurston Fellow at the Institute for Advanced Study and Research in the African Humanities at Northwestern University. He was named a Corresponding Fellow of the Royal Historical Society in 2002, and was nominated to be a Fellow of the Ghana Academy of Arts and Sciences. In 2018 he was awarded an honorary Doctor of Laws by the University of Ghana. At Harvard, Professor Akyeampong is a faculty associate for the Weatherhead Center for International Affairs and a member of the executive committee of the Hutchins Center. As a former chair of the Committee on African Studies, he has been instrumental, along with Professor Gates, in creating the Department of African and African American Studies and formerly served as the Oppenheimer Faculty Director of the Center for African Studies.

You can learn more about Professor Akyeampong’s work here

Afua Baafi Quarshie is a Ph.D. candidate in history at the Johns Hopkins University. Her research focuses on mothering and childhood in post-independence Ghana.</description>
      <pubDate>Thu, 19 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Independent Africa: The First Generation of Nation Builders (Indiana UP, 2023)explores Africa's political economy in the first two full decades of independence through the joint projects of nation-building, economic development, and international relations.

Drawing on the political careers of four heads of states: Kwame Nkrumah of Ghana, Ahmed Sékou Touré of Guinea, Léopold Sédar Senghor, and Julius Kambarage Nyerere of Tanzania, Independent Africa engages four major themes: what does it mean to construct an African nation-state and what should an African nation-state look like; how does one grow a tropical economy emerging from European colonialism; how to explore an indigenous model of economic development, a "third way," in the context of a Cold War that had divided the world into two camps; and how to leverage internal resources and external opportunities to diversify agricultural economies and industrialize.

Combining aspects of history, economics, and political science, Independent Africa examines the important connections between the first generation of African leaders and the shared ideas that informed their endeavors at nation-building and worldmaking.

Professor Akyeampong is the former Oppenheimer Faculty Director of the Harvard University Center for African Studies and the Ellen Gurney Professor of History and of African and African American Studies at Harvard University. He joined the History faculty at Harvard upon receiving his Ph.D. in African History from the University of Virginia in 1993. He received his master's degree at Wake Forest University in North Carolina in 1989, where he concentrated on English labor history, and his bachelor's degree in History and Religions from the University of Ghana at Legon in 1984. Professor Akyeampong is currently the Ellen Gurney Professor of

Professor Akyeampong's publications include Themes in West Africa's History (2005), which he edited; Independent Africa: The First Generation of Nation Builders (2023); Between the Sea and the Lagoon: An Eco-Social History of the Anlo of Southeastern Ghana, 1850 to Recent Times (2001); and Drink, Power and Cultural Change: A Social History of Alcohol in Ghana, c. 1800 to Present Times (1996). He was a co-chief editor with Henry Louis Gates, Jr., for the Dictionary of African Biography, 6 Vols. (2012).

Professor Akyeampong has been awarded several research fellowships, and from 1993 to 1994, he was the Zora Neale Hurston Fellow at the Institute for Advanced Study and Research in the African Humanities at Northwestern University. He was named a Corresponding Fellow of the Royal Historical Society in 2002, and was nominated to be a Fellow of the Ghana Academy of Arts and Sciences. In 2018 he was awarded an honorary Doctor of Laws by the University of Ghana. At Harvard, Professor Akyeampong is a faculty associate for the Weatherhead Center for International Affairs and a member of the executive committee of the Hutchins Center. As a former chair of the Committee on African Studies, he has been instrumental, along with Professor Gates, in creating the Department of African and African American Studies and formerly served as the Oppenheimer Faculty Director of the Center for African Studies.

You can learn more about Professor Akyeampong’s work here

Afua Baafi Quarshie is a Ph.D. candidate in history at the Johns Hopkins University. Her research focuses on mothering and childhood in post-independence Ghana.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780253066657">Independent Africa: The First Generation of Nation Builders</a><em> </em>(Indiana UP, 2023)explores Africa's political economy in the first two full decades of independence through the joint projects of nation-building, economic development, and international relations.</p>
<p>Drawing on the political careers of four heads of states: Kwame Nkrumah of Ghana, Ahmed Sékou Touré of Guinea, Léopold Sédar Senghor, and Julius Kambarage Nyerere of Tanzania, Independent Africa engages four major themes: what does it mean to construct an African nation-state and what should an African nation-state look like; how does one grow a tropical economy emerging from European colonialism; how to explore an indigenous model of economic development, a "third way," in the context of a Cold War that had divided the world into two camps; and how to leverage internal resources and external opportunities to diversify agricultural economies and industrialize.</p>
<p>Combining aspects of history, economics, and political science, Independent Africa examines the important connections between the first generation of African leaders and the shared ideas that informed their endeavors at nation-building and worldmaking.</p>
<p>Professor Akyeampong is the former Oppenheimer Faculty Director of the Harvard University Center for African Studies and the Ellen Gurney Professor of History and of African and African American Studies at Harvard University. He joined the History faculty at Harvard upon receiving his Ph.D. in African History from the University of Virginia in 1993. He received his master's degree at Wake Forest University in North Carolina in 1989, where he concentrated on English labor history, and his bachelor's degree in History and Religions from the University of Ghana at Legon in 1984. Professor Akyeampong is currently the Ellen Gurney Professor of</p>
<p>Professor Akyeampong's publications include Themes in West Africa's History (2005), which he edited; Independent Africa: The First Generation of Nation Builders (2023); Between the Sea and the Lagoon: An Eco-Social History of the Anlo of Southeastern Ghana, 1850 to Recent Times (2001); and Drink, Power and Cultural Change: A Social History of Alcohol in Ghana, c. 1800 to Present Times (1996). He was a co-chief editor with Henry Louis Gates, Jr., for the Dictionary of African Biography, 6 Vols. (2012).</p>
<p>Professor Akyeampong has been awarded several research fellowships, and from 1993 to 1994, he was the Zora Neale Hurston Fellow at the Institute for Advanced Study and Research in the African Humanities at Northwestern University. He was named a Corresponding Fellow of the Royal Historical Society in 2002, and was nominated to be a Fellow of the Ghana Academy of Arts and Sciences. In 2018 he was awarded an honorary Doctor of Laws by the University of Ghana. At Harvard, Professor Akyeampong is a faculty associate for the Weatherhead Center for International Affairs and a member of the executive committee of the Hutchins Center. As a former chair of the Committee on African Studies, he has been instrumental, along with Professor Gates, in creating the Department of African and African American Studies and formerly served as the Oppenheimer Faculty Director of the Center for African Studies.</p>
<p>You can learn more about Professor Akyeampong’s work <a href="https://eakyeampong.scholars.harvard.edu/">here</a></p>
<p>Afua Baafi Quarshie is a Ph.D. candidate in history at the Johns Hopkins University. Her research focuses on mothering and childhood in post-independence Ghana.</p>
<p><br></p>]]>
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      <title>Kirsten L. Scheid, "Fantasmic Objects: Art and Sociality from Lebanon, 1920–1950" (Indiana UP, 2022)</title>
      <description>In Fantasmic Objects: Art and Sociality from Lebanon, 1920–1950 (Indiana UP, 2022), Kirsten L. Scheid offers a striking study of both modern art in Lebanon and modern Lebanon through art. By focusing on the careers of Moustapha Farrouk and Omar Onsi, forefathers of an iconic national repertoire, and their rebellious student Saloua Raouda Choucair, founder of an antirepresentational, participatory art, Scheid traces an emerging sense of what it means to be Lebanese through the evolution of new exhibition, pedagogical, and art-writing practices. She reveals that art and artists helped found the nation during French occupation, as the formal qualities and international exhibitions of nudes and landscapes in the 1930s crystallized notions of modern masculinity, patriotic femininity, non-sectarian religiosity, and citizenship.
Examining the efforts of painters, sculptors, and activists in Lebanon who fiercely upheld aesthetic development and battled for new forms of political being, Fantasmic Objects offers an insightful approach to the history and formation of modern Lebanon.
Yasemin Ipek is an anthropologist, teacher, researcher, and author who is passionate about pursuing peace, love, truth, and justice.</description>
      <pubDate>Sun, 09 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>164</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Kirsten L. Scheid</itunes:subtitle>
      <itunes:summary>In Fantasmic Objects: Art and Sociality from Lebanon, 1920–1950 (Indiana UP, 2022), Kirsten L. Scheid offers a striking study of both modern art in Lebanon and modern Lebanon through art. By focusing on the careers of Moustapha Farrouk and Omar Onsi, forefathers of an iconic national repertoire, and their rebellious student Saloua Raouda Choucair, founder of an antirepresentational, participatory art, Scheid traces an emerging sense of what it means to be Lebanese through the evolution of new exhibition, pedagogical, and art-writing practices. She reveals that art and artists helped found the nation during French occupation, as the formal qualities and international exhibitions of nudes and landscapes in the 1930s crystallized notions of modern masculinity, patriotic femininity, non-sectarian religiosity, and citizenship.
Examining the efforts of painters, sculptors, and activists in Lebanon who fiercely upheld aesthetic development and battled for new forms of political being, Fantasmic Objects offers an insightful approach to the history and formation of modern Lebanon.
Yasemin Ipek is an anthropologist, teacher, researcher, and author who is passionate about pursuing peace, love, truth, and justice.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780253064264"><em>Fantasmic Objects: Art and Sociality from Lebanon, 1920–1950</em></a> (Indiana UP, 2022), Kirsten L. Scheid offers a striking study of both modern art in Lebanon and modern Lebanon through art. By focusing on the careers of Moustapha Farrouk and Omar Onsi, forefathers of an iconic national repertoire, and their rebellious student Saloua Raouda Choucair, founder of an antirepresentational, participatory art, Scheid traces an emerging sense of what it means to be Lebanese through the evolution of new exhibition, pedagogical, and art-writing practices. She reveals that art and artists helped found the nation during French occupation, as the formal qualities and international exhibitions of nudes and landscapes in the 1930s crystallized notions of modern masculinity, patriotic femininity, non-sectarian religiosity, and citizenship.</p><p>Examining the efforts of painters, sculptors, and activists in Lebanon who fiercely upheld aesthetic development and battled for new forms of political being, <em>Fantasmic Objects </em>offers an insightful approach to the history and formation of modern Lebanon.</p><p><a href="https://globalaffairs.gmu.edu/people/yipek">Yasemin Ipek</a> is an anthropologist, teacher, researcher, and author who is passionate about pursuing peace, love, truth, and justice.</p>]]>
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      <itunes:duration>5322</itunes:duration>
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      <title>Lily E. Hirsch, "Taking Funny Music Seriously" (Indiana UP, 2024)</title>
      <description>Take funny music seriously! Though often dismissed as silly or derivative, funny music, Lily E. Hirsch argues, is incredibly creative and dynamic, serving multiple aims from the celebratory to the rebellious, the entertaining to the mentally uplifting.
Music can be a rich site for humor, with so many opportunities that are ripe for a comedic left turn. Taking Funny Music Seriously (Indiana UP, 2024) includes original interviews with some of the best musical humorists, such as Tom Lehrer, "the J. D. Salinger of musical satire"; Peter Schickele, who performed as the invented composer P. D. Q. Bach, the supposed lost son of the great J. S. Bach; Kate Micucci and Riki Lindhome of the funny music duo Garfunkel and Oates; comedic film composer Theodore Shapiro; Too Slim of the country group Riders in the Sky; and musical comedian Jessica McKenna, from the podcast Off Book, part of a long line of "funny girls." With their help, Taking Funny Music Seriously examines comedy from a variety of genres and musical contexts--from bad singing to rap, classical music to country, Broadway music to film music, and even love songs and songs about death.
In its coverage of comedic musical media, Taking Funny Music Seriously is an accessible and lively look at funny music. It offers us a chance to appreciate more fully the joke in music and the benefits of getting that joke--especially in times of crisis--including comfort, catharsis, and connection.
Lily E. Hirsch is a musicologist and author most recently of Can't Stop the Grrrls: Confronting Sexist Labels in Music from Ariana Grande to Yoko Ono; Weird Al: Seriously; and Insulting Music: A Lexicon of Insult in Music.
Lily on Twitter and Bluesky.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025).
Bradley on Twitter and Bluesky.</description>
      <pubDate>Fri, 17 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>264</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Lily E. Hirsch</itunes:subtitle>
      <itunes:summary>Take funny music seriously! Though often dismissed as silly or derivative, funny music, Lily E. Hirsch argues, is incredibly creative and dynamic, serving multiple aims from the celebratory to the rebellious, the entertaining to the mentally uplifting.
Music can be a rich site for humor, with so many opportunities that are ripe for a comedic left turn. Taking Funny Music Seriously (Indiana UP, 2024) includes original interviews with some of the best musical humorists, such as Tom Lehrer, "the J. D. Salinger of musical satire"; Peter Schickele, who performed as the invented composer P. D. Q. Bach, the supposed lost son of the great J. S. Bach; Kate Micucci and Riki Lindhome of the funny music duo Garfunkel and Oates; comedic film composer Theodore Shapiro; Too Slim of the country group Riders in the Sky; and musical comedian Jessica McKenna, from the podcast Off Book, part of a long line of "funny girls." With their help, Taking Funny Music Seriously examines comedy from a variety of genres and musical contexts--from bad singing to rap, classical music to country, Broadway music to film music, and even love songs and songs about death.
In its coverage of comedic musical media, Taking Funny Music Seriously is an accessible and lively look at funny music. It offers us a chance to appreciate more fully the joke in music and the benefits of getting that joke--especially in times of crisis--including comfort, catharsis, and connection.
Lily E. Hirsch is a musicologist and author most recently of Can't Stop the Grrrls: Confronting Sexist Labels in Music from Ariana Grande to Yoko Ono; Weird Al: Seriously; and Insulting Music: A Lexicon of Insult in Music.
Lily on Twitter and Bluesky.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are Frank Zappa's America (Louisiana State University Press, June 2025) and U2: Until the End of the World (Palazzo Editions, Fall 2025).
Bradley on Twitter and Bluesky.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Take funny music seriously! Though often dismissed as silly or derivative, funny music, Lily E. Hirsch argues, is incredibly creative and dynamic, serving multiple aims from the celebratory to the rebellious, the entertaining to the mentally uplifting.</p><p>Music can be a rich site for humor, with so many opportunities that are ripe for a comedic left turn. <a href="https://bookshop.org/a/12343/9780253069955"><em>Taking Funny Music Seriously</em></a><em> </em>(Indiana UP, 2024) includes original interviews with some of the best musical humorists, such as Tom Lehrer, "the J. D. Salinger of musical satire"; Peter Schickele, who performed as the invented composer P. D. Q. Bach, the supposed lost son of the great J. S. Bach; Kate Micucci and Riki Lindhome of the funny music duo Garfunkel and Oates; comedic film composer Theodore Shapiro; Too Slim of the country group Riders in the Sky; and musical comedian Jessica McKenna, from the podcast Off Book, part of a long line of "funny girls." With their help, <em>Taking Funny Music Seriously</em> examines comedy from a variety of genres and musical contexts--from bad singing to rap, classical music to country, Broadway music to film music, and even love songs and songs about death.</p><p>In its coverage of comedic musical media, Taking Funny <em>Music Seriously</em> is an accessible and lively look at funny music. It offers us a chance to appreciate more fully the joke in music and the benefits of getting that joke--especially in times of crisis--including comfort, catharsis, and connection.</p><p>Lily E. Hirsch is a musicologist and author most recently of <em>Can't Stop the Grrrls: Confronting Sexist Labels in Music from Ariana Grande to Yoko Ono</em>; <em>Weird Al: Seriously</em>; and<em> Insulting Music: A Lexicon of Insult in Music</em>.</p><p>Lily on <a href="https://x.com/lilyehirsch">Twitter</a> and <a href="https://bsky.app/profile/lilyehirsch.bsky.social">Bluesky</a>.</p><p><a href="https://www.bradley-morgan.com/">Bradley Morgan</a> is a media arts professional in Chicago and author of <a href="https://bookshop.org/a/12343/9781493061174"><em>U2's The Joshua Tree: Planting Roots in Mythic America</em></a>. He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books are <em>Frank Zappa's America </em>(Louisiana State University Press, June 2025) and <em>U2: Until the End of the World</em> (Palazzo Editions, Fall 2025).</p><p>Bradley on <a href="https://twitter.com/bradleysmorgan">Twitter</a> and <a href="https://bsky.app/profile/bradleymorgan.bsky.social">Bluesky</a>.</p>]]>
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      <itunes:duration>3465</itunes:duration>
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      <title>Larisa Jasarević, "Beekeeping in the End Times" (Indiana UP, 2024)</title>
      <description>Every hundred years, as the story goes, two angels wonder out loud whether the bees are still swarming. For as long as the bees are swarming, the angels are reassured, the world holds together. Still, the tale suggests, the angels live in anxious anticipation of the End. Local beekeepers in Bosnia and Herzegovina retell the old tale with growing unease, as their honeybees weather the ground effects of climate change.
Beekeeping in the End Times (Indiana UP, 2024) relates extreme weather events and quieter disasters that have been altering honey ecologies across Bosnia and Herzegovina since 2014. While world-wide endangerment of pollinators, and bees in particular, has been the subject of much global concern, effects of climate change on the indispensable honeybees, remain understudied. Drawing on a five-year long study, the book suggests that local apiarists' field observations resonate with many climate biologists' concerns and speculations about the future of plant-bee relations on the warming planet. Local practice also adds to the record complex and puzzling trends that make honey scarce in otherwise lush, biodiverse landscapes.
To Bosnian Muslims, honeybees are more than pollinators. They are inspired beings whose honey is another form of divinely revelation. To appreciate the meaning of honeybees and to grasp the dire ecological catastrophe underway, Jašarević reads contemporary environmental writings and Sufi texts, she listens to the seasoned beekeepers and collects local wisdom tales. From start to finish, Jašarević pores over key Islamic texts, the Quran and the Hadith, and their popular retellings. The Islamic end-times lore, the book proposes, holds surprising lessons on how to live and strive in the 'not yet,' stalling the apocalypse.
Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of economic anthropology, medical anthropology, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here.</description>
      <pubDate>Sat, 26 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>331</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Larisa Jasarević</itunes:subtitle>
      <itunes:summary>Every hundred years, as the story goes, two angels wonder out loud whether the bees are still swarming. For as long as the bees are swarming, the angels are reassured, the world holds together. Still, the tale suggests, the angels live in anxious anticipation of the End. Local beekeepers in Bosnia and Herzegovina retell the old tale with growing unease, as their honeybees weather the ground effects of climate change.
Beekeeping in the End Times (Indiana UP, 2024) relates extreme weather events and quieter disasters that have been altering honey ecologies across Bosnia and Herzegovina since 2014. While world-wide endangerment of pollinators, and bees in particular, has been the subject of much global concern, effects of climate change on the indispensable honeybees, remain understudied. Drawing on a five-year long study, the book suggests that local apiarists' field observations resonate with many climate biologists' concerns and speculations about the future of plant-bee relations on the warming planet. Local practice also adds to the record complex and puzzling trends that make honey scarce in otherwise lush, biodiverse landscapes.
To Bosnian Muslims, honeybees are more than pollinators. They are inspired beings whose honey is another form of divinely revelation. To appreciate the meaning of honeybees and to grasp the dire ecological catastrophe underway, Jašarević reads contemporary environmental writings and Sufi texts, she listens to the seasoned beekeepers and collects local wisdom tales. From start to finish, Jašarević pores over key Islamic texts, the Quran and the Hadith, and their popular retellings. The Islamic end-times lore, the book proposes, holds surprising lessons on how to live and strive in the 'not yet,' stalling the apocalypse.
Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of economic anthropology, medical anthropology, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found here.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Every hundred years, as the story goes, two angels wonder out loud whether the bees are still swarming. For as long as the bees are swarming, the angels are reassured, the world holds together. Still, the tale suggests, the angels live in anxious anticipation of the End. Local beekeepers in Bosnia and Herzegovina retell the old tale with growing unease, as their honeybees weather the ground effects of climate change.</p><p><a href="https://bookshop.org/a/12343/9780253068125"><em>Beekeeping in the End Times</em></a> (Indiana UP, 2024) relates extreme weather events and quieter disasters that have been altering honey ecologies across Bosnia and Herzegovina since 2014. While world-wide endangerment of pollinators, and bees in particular, has been the subject of much global concern, effects of climate change on the indispensable honeybees, remain understudied. Drawing on a five-year long study, the book suggests that local apiarists' field observations resonate with many climate biologists' concerns and speculations about the future of plant-bee relations on the warming planet. Local practice also adds to the record complex and puzzling trends that make honey scarce in otherwise lush, biodiverse landscapes.</p><p>To Bosnian Muslims, honeybees are more than pollinators. They are inspired beings whose honey is another form of divinely revelation. To appreciate the meaning of honeybees and to grasp the dire ecological catastrophe underway, Jašarević reads contemporary environmental writings and Sufi texts, she listens to the seasoned beekeepers and collects local wisdom tales. From start to finish, Jašarević pores over key Islamic texts, the Quran and the Hadith, and their popular retellings. The Islamic end-times lore, the book proposes, holds surprising lessons on how to live and strive in the 'not yet,' stalling the apocalypse.</p><p>Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of economic anthropology, medical anthropology, hope studies, and the anthropology of borders and frontiers. More details about his scholarship and research interests can be found <a href="https://liberalarts.tulane.edu/anthropology/people/graduate-students/yadong-li">here</a>.</p>]]>
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      <title>Larry E. Holmes, "Win or Else: Soviet Football in Moscow and Beyond, 1921–1985" (Indiana UP, 2024)</title>
      <description>In Win or Else: Soviet Football in Moscow and Beyond, 1921-1985 (Indiana University Press, 2024), Larry E. Holmes shows us how Soviet football culture regularly disregarded official ideological and political imperatives and skirted the boundaries between socialism and capitalism. In the early 1920s, the Soviet press denounced football as a bourgeois sport that was injurious to both mind and body. Within that same decade, however, it blew up, becoming the most popular spectator sport in the USSR and growing into a fiercely competitive business with complex regional and national bureaucracies, a strong international presence, and a conviction that victory on the field was also a victory of Soviet supremacy. Writing as both historian and fan, Holmes focuses his study on the provincial Kirov team Dinamo from 1979 to 1985, when the club played at both its worst and its best. Spurred by a dismal 1979 season, the team's administrators and regional authorities had two options: obey Moscow's edict to reduce expenditures on professional sports or seek out new—and often illicit—funding sources to fill out a team of champions. Drawing on rich archival materials as well as newspapers and interviews with former players, Win or Else reveals the foundations of Soviet sports culture—and the hazards that teams faced both in victory and in loss.
Larry E. Holmes was Professor Emeritus of History at the University of South Alabama. Holmes passed away on November 30, 2022, in Kirov, Russia.
Editor Samantha Lomb is Assistant Professor in the Department of Foreign Languages at Vyatka State University in Kirov, Russia. She is author of Stalin's Constitution: Soviet Participatory Politics and the Discussion of the 1936 Draft Constitution.
Caleb Zakarin is editor of the New Books Network.</description>
      <pubDate>Fri, 25 Oct 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>283</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Samantha Lomb</itunes:subtitle>
      <itunes:summary>In Win or Else: Soviet Football in Moscow and Beyond, 1921-1985 (Indiana University Press, 2024), Larry E. Holmes shows us how Soviet football culture regularly disregarded official ideological and political imperatives and skirted the boundaries between socialism and capitalism. In the early 1920s, the Soviet press denounced football as a bourgeois sport that was injurious to both mind and body. Within that same decade, however, it blew up, becoming the most popular spectator sport in the USSR and growing into a fiercely competitive business with complex regional and national bureaucracies, a strong international presence, and a conviction that victory on the field was also a victory of Soviet supremacy. Writing as both historian and fan, Holmes focuses his study on the provincial Kirov team Dinamo from 1979 to 1985, when the club played at both its worst and its best. Spurred by a dismal 1979 season, the team's administrators and regional authorities had two options: obey Moscow's edict to reduce expenditures on professional sports or seek out new—and often illicit—funding sources to fill out a team of champions. Drawing on rich archival materials as well as newspapers and interviews with former players, Win or Else reveals the foundations of Soviet sports culture—and the hazards that teams faced both in victory and in loss.
Larry E. Holmes was Professor Emeritus of History at the University of South Alabama. Holmes passed away on November 30, 2022, in Kirov, Russia.
Editor Samantha Lomb is Assistant Professor in the Department of Foreign Languages at Vyatka State University in Kirov, Russia. She is author of Stalin's Constitution: Soviet Participatory Politics and the Discussion of the 1936 Draft Constitution.
Caleb Zakarin is editor of the New Books Network.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780253069634"><em>Win or Else: Soviet Football in Moscow and Beyond, 1921-1985</em></a> (Indiana University Press, 2024), Larry E. Holmes shows us how Soviet football culture regularly disregarded official ideological and political imperatives and skirted the boundaries between socialism and capitalism. In the early 1920s, the Soviet press denounced football as a bourgeois sport that was injurious to both mind and body. Within that same decade, however, it blew up, becoming the most popular spectator sport in the USSR and growing into a fiercely competitive business with complex regional and national bureaucracies, a strong international presence, and a conviction that victory on the field was also a victory of Soviet supremacy. Writing as both historian and fan, Holmes focuses his study on the provincial Kirov team Dinamo from 1979 to 1985, when the club played at both its worst and its best. Spurred by a dismal 1979 season, the team's administrators and regional authorities had two options: obey Moscow's edict to reduce expenditures on professional sports or seek out new—and often illicit—funding sources to fill out a team of champions. Drawing on rich archival materials as well as newspapers and interviews with former players, Win or Else reveals the foundations of Soviet sports culture—and the hazards that teams faced both in victory and in loss.</p><p>Larry E. Holmes was Professor Emeritus of History at the University of South Alabama. Holmes passed away on November 30, 2022, in Kirov, Russia.</p><p>Editor Samantha Lomb is Assistant Professor in the Department of Foreign Languages at Vyatka State University in Kirov, Russia. She is author of <em>Stalin's Constitution: Soviet Participatory Politics and the Discussion of the 1936 Draft Constitution</em>.</p><p><em>Caleb Zakarin is editor of the New Books Network.</em></p>]]>
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      <itunes:duration>2325</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Aviad Moreno, "Entwined Homelands, Empowered Diasporas: Hispanic Moroccan Jews and Their Globalizing Community" (Indiana UP, 2024)</title>
      <description>Dr. Aviad Moreno is himself an incarnation of entwined homelands. He is an Israeli whose grandfather moved from Morocco to Venezuela, sent his son back to Morocco to study. The family hailed from Spain before the Exile in 1492 only to maintain much of the Spanish language and character. These migrations create a unique diaspora for the Jews of northern Morocco, one that is Hispanophone and yet extremely connected to their Jewish roots. Thus is created these diasporas who have developed strong and growing heritage. Dr. Moreno is a scholar on migrations and this focus on this small community has the complexity of much larger diasporas. His new book is Entwined Homelands, Empowered Diasporas: Hispanic Moroccan Jews and Their Globalizing Community (Indiana UP, 2024).
At Jewish Unity Through Diversity we often discuss the lost worlds of various Jewish diasporas and the yearnings for homelands. Northern Moroccan Jews have multiple homelands and have returned to those homelands as well - a unique character. This is a Spanish Moroccan Jewish strong community back in Morocco, in Israel, and in Spain today. They are a small unique community that is even today growing their heritage. 
Follow us on www.unitytdiversity.com, FB Jewish Unity Through Diversity, Instagram, and YouTube. Send us your stories of connecting to your heritage and learn more about the greater Jewish narrative. </description>
      <pubDate>Sat, 14 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>546</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Aviad Moreno</itunes:subtitle>
      <itunes:summary>Dr. Aviad Moreno is himself an incarnation of entwined homelands. He is an Israeli whose grandfather moved from Morocco to Venezuela, sent his son back to Morocco to study. The family hailed from Spain before the Exile in 1492 only to maintain much of the Spanish language and character. These migrations create a unique diaspora for the Jews of northern Morocco, one that is Hispanophone and yet extremely connected to their Jewish roots. Thus is created these diasporas who have developed strong and growing heritage. Dr. Moreno is a scholar on migrations and this focus on this small community has the complexity of much larger diasporas. His new book is Entwined Homelands, Empowered Diasporas: Hispanic Moroccan Jews and Their Globalizing Community (Indiana UP, 2024).
At Jewish Unity Through Diversity we often discuss the lost worlds of various Jewish diasporas and the yearnings for homelands. Northern Moroccan Jews have multiple homelands and have returned to those homelands as well - a unique character. This is a Spanish Moroccan Jewish strong community back in Morocco, in Israel, and in Spain today. They are a small unique community that is even today growing their heritage. 
Follow us on www.unitytdiversity.com, FB Jewish Unity Through Diversity, Instagram, and YouTube. Send us your stories of connecting to your heritage and learn more about the greater Jewish narrative. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dr. Aviad Moreno is himself an incarnation of entwined homelands. He is an Israeli whose grandfather moved from Morocco to Venezuela, sent his son back to Morocco to study. The family hailed from Spain before the Exile in 1492 only to maintain much of the Spanish language and character. These migrations create a unique diaspora for the Jews of northern Morocco, one that is Hispanophone and yet extremely connected to their Jewish roots. Thus is created these diasporas who have developed strong and growing heritage. Dr. Moreno is a scholar on migrations and this focus on this small community has the complexity of much larger diasporas. His new book is Entwined Homelands, <a href="https://bookshop.org/a/12343/9780253069672"><em>Empowered Diasporas: Hispanic Moroccan Jews and Their Globalizing Community</em></a> (Indiana UP, 2024).</p><p>At Jewish Unity Through Diversity we often discuss the lost worlds of various Jewish diasporas and the yearnings for homelands. Northern Moroccan Jews have multiple homelands and have returned to those homelands as well - a unique character. This is a Spanish Moroccan Jewish strong community back in Morocco, in Israel, and in Spain today. They are a small unique community that is even today growing their heritage. </p><p>Follow us on www.unitytdiversity.com, FB Jewish Unity Through Diversity, Instagram, and YouTube. Send us your stories of connecting to your heritage and learn more about the greater Jewish narrative. </p>]]>
      </content:encoded>
      <itunes:duration>3582</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Jeremy Black, "Rethinking Geopolitics" (Indiana UP, 2024)</title>
      <description>Amid the bloody Russian invasion of Ukraine in 2021 and the escalating tensions across the Taiwan Strait, the geopolitical balance of power has changed significantly in a very short period. If current trends continue, we may be witnessing a tectonic realignment unseen in more than a century.
In 1904, Halford Mackinder delivered a seminal lecture entitled "The Geographical Pivot of History" to a packed house at the Royal Geographical Society in London about the historic changes then taking place on the world stage. Britain was the great power of that historical moment, but its political, military, and economic primacy was under serious challenge from the United States, Germany, and Russia. Mackinder predicted that the "heartland" of Eastern Europe held the key to global hegemony and that the struggle for control over this region would be the next great conflict. Ten years later, when an assassin's bullet in Sarajevo launched the world into a calamitous war, Mackinder's analysis proved prescient.
As esteemed historian Jeremy Black argues in Rethinking Geopolitics (Indiana UP, 2024), the 2020s may be history's next great pivot point. The continued volatility of the global system in the wake of a deadly pandemic exacerbates these pressures. At the same time, the American public remains divided by the question of engagement with the outside world, testing the limits of US postwar hegemony. The time has come for a reconsideration of the 120 years from Mackinder's lecture to now, as well as geopolitics of the present and of the future.</description>
      <pubDate>Sat, 17 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>102</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Jeremy Black</itunes:subtitle>
      <itunes:summary>Amid the bloody Russian invasion of Ukraine in 2021 and the escalating tensions across the Taiwan Strait, the geopolitical balance of power has changed significantly in a very short period. If current trends continue, we may be witnessing a tectonic realignment unseen in more than a century.
In 1904, Halford Mackinder delivered a seminal lecture entitled "The Geographical Pivot of History" to a packed house at the Royal Geographical Society in London about the historic changes then taking place on the world stage. Britain was the great power of that historical moment, but its political, military, and economic primacy was under serious challenge from the United States, Germany, and Russia. Mackinder predicted that the "heartland" of Eastern Europe held the key to global hegemony and that the struggle for control over this region would be the next great conflict. Ten years later, when an assassin's bullet in Sarajevo launched the world into a calamitous war, Mackinder's analysis proved prescient.
As esteemed historian Jeremy Black argues in Rethinking Geopolitics (Indiana UP, 2024), the 2020s may be history's next great pivot point. The continued volatility of the global system in the wake of a deadly pandemic exacerbates these pressures. At the same time, the American public remains divided by the question of engagement with the outside world, testing the limits of US postwar hegemony. The time has come for a reconsideration of the 120 years from Mackinder's lecture to now, as well as geopolitics of the present and of the future.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Amid the bloody Russian invasion of Ukraine in 2021 and the escalating tensions across the Taiwan Strait, the geopolitical balance of power has changed significantly in a very short period. If current trends continue, we may be witnessing a tectonic realignment unseen in more than a century.</p><p>In 1904, Halford Mackinder delivered a seminal lecture entitled "The Geographical Pivot of History" to a packed house at the Royal Geographical Society in London about the historic changes then taking place on the world stage. Britain was the great power of that historical moment, but its political, military, and economic primacy was under serious challenge from the United States, Germany, and Russia. Mackinder predicted that the "heartland" of Eastern Europe held the key to global hegemony and that the struggle for control over this region would be the next great conflict. Ten years later, when an assassin's bullet in Sarajevo launched the world into a calamitous war, Mackinder's analysis proved prescient.</p><p>As esteemed historian Jeremy Black argues in <a href="https://bookshop.org/a/12343/9780253071613"><em>Rethinking Geopolitics </em></a>(Indiana UP, 2024), the 2020s may be history's next great pivot point. The continued volatility of the global system in the wake of a deadly pandemic exacerbates these pressures. At the same time, the American public remains divided by the question of engagement with the outside world, testing the limits of US postwar hegemony. The time has come for a reconsideration of the 120 years from Mackinder's lecture to now, as well as geopolitics of the present and of the future.</p>]]>
      </content:encoded>
      <itunes:duration>2377</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Rosemary Pennington, "Pop Islam: Seeing American Muslims in Popular Media" (Indiana UP, 2024)</title>
      <description>As Muslim American representation becomes more prominent in popular culture, how are they continued to be portrayed? 
Rosemary Pennington's new book Pop Islam: Seeing American Muslims in Popular Media (Indiana University Press, 2024) explores the “trap of hypervisibility” faced by Muslims in popular media and the burden of representation that follows them. More representation may not always be generative, if there is not an intentional move away from stereotypes or caricatures of Muslim humanity to portraying real complicated and diverse human beings.
Using a wide variety of case studies from prime-time television shows, such as Lost, 24, or Ramy to stand-up comedians such as Hasan Minhaj, Aziz Ansari, Kumail Nanjiani to Zainb Johnson, reality shows (like Project Runway or Top Chef), magazines (like Teen Vogue) and comic books (Ms. Marvel), Pennington carefully guides us through some of the binary representations we continue to see in popular culture around us, especially those that are framed as portraying "authentic" Muslims. Thus representation may not be the only answer, as Islamophobia and anti-Muslim violence continues to grow, but more is needed as we more forward, as the book contends. This book will be of great interest to those who work on popular culture, media, comedy, gender, and Islam, and a great addition to courses on Islam.</description>
      <pubDate>Fri, 26 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>337</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Rosemary Pennington</itunes:subtitle>
      <itunes:summary>As Muslim American representation becomes more prominent in popular culture, how are they continued to be portrayed? 
Rosemary Pennington's new book Pop Islam: Seeing American Muslims in Popular Media (Indiana University Press, 2024) explores the “trap of hypervisibility” faced by Muslims in popular media and the burden of representation that follows them. More representation may not always be generative, if there is not an intentional move away from stereotypes or caricatures of Muslim humanity to portraying real complicated and diverse human beings.
Using a wide variety of case studies from prime-time television shows, such as Lost, 24, or Ramy to stand-up comedians such as Hasan Minhaj, Aziz Ansari, Kumail Nanjiani to Zainb Johnson, reality shows (like Project Runway or Top Chef), magazines (like Teen Vogue) and comic books (Ms. Marvel), Pennington carefully guides us through some of the binary representations we continue to see in popular culture around us, especially those that are framed as portraying "authentic" Muslims. Thus representation may not be the only answer, as Islamophobia and anti-Muslim violence continues to grow, but more is needed as we more forward, as the book contends. This book will be of great interest to those who work on popular culture, media, comedy, gender, and Islam, and a great addition to courses on Islam.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As Muslim American representation becomes more prominent in popular culture, how are they continued to be portrayed? </p><p>Rosemary Pennington's new book <a href="https://bookshop.org/a/12343/9780253069375"><em>Pop Islam: Seeing American Muslims in Popular Media</em></a> (Indiana University Press, 2024) explores the “trap of hypervisibility” faced by Muslims in popular media and the burden of representation that follows them. More representation may not always be generative, if there is not an intentional move away from stereotypes or caricatures of Muslim humanity to portraying real complicated and diverse human beings.</p><p>Using a wide variety of case studies from prime-time television shows, such as <em>Lost</em>, <em>24,</em> or <em>Ramy</em> to stand-up comedians such as Hasan Minhaj, Aziz Ansari, Kumail Nanjiani to Zainb Johnson, reality shows (like <em>Project Runway </em>or<em> Top Chef</em>), magazines (like <em>Teen Vogue</em>) and comic books (<em>Ms. Marvel</em>), Pennington carefully guides us through some of the binary representations we continue to see in popular culture around us, especially those that are framed as portraying "authentic" Muslims. Thus representation may not be the only answer, as Islamophobia and anti-Muslim violence continues to grow, but more is needed as we more forward, as the book contends. This book will be of great interest to those who work on popular culture, media, comedy, gender, and Islam, and a great addition to courses on Islam.</p>]]>
      </content:encoded>
      <itunes:duration>4482</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Slava Greenberg, "Animated Film and Disability: Cripping Spectatorship" (Indiana UP, 2023)</title>
      <description>While many live-action films portray disability as a spectacle, "crip animation" (a genre of animated films that celebrates disabled people's lived experiences) uses a variety of techniques like clay animation, puppets, pixilation, and computer-generated animation to represent the inner worlds of people with disabilities. Crip animation has the potential to challenge the ableist gaze and immerse viewers in an alternative bodily experience.
In Animated Film and Disability: Cripping Spectatorship (Indiana University Press, 2023), Dr. Slava Greenberg analyses over 30 animated works about disabilities, including Rocks in My Pockets, An Eyeful of Sound, and A Shift in Perception. He considers the ableism of live-action cinematography, the involvement of filmmakers with disabilities in the production process, and the evocation of the spectators' senses of sight and hearing, consequently subverting traditional spectatorship and listenership hierarchies. In addition, Dr. Greenberg explores physical and sensory accessibility in theatres and suggests new ways to accommodate cinematic screenings.
Offering an introduction to disability studies and crip theory for film, media, and animation scholars, Animated Film and Disability demonstrates that crip animation has the power to breach the spectator's comfort, evoking awareness of their own bodies and, in certain cases, their social privileges.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</description>
      <pubDate>Fri, 21 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>45</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Slava Greenberg</itunes:subtitle>
      <itunes:summary>While many live-action films portray disability as a spectacle, "crip animation" (a genre of animated films that celebrates disabled people's lived experiences) uses a variety of techniques like clay animation, puppets, pixilation, and computer-generated animation to represent the inner worlds of people with disabilities. Crip animation has the potential to challenge the ableist gaze and immerse viewers in an alternative bodily experience.
In Animated Film and Disability: Cripping Spectatorship (Indiana University Press, 2023), Dr. Slava Greenberg analyses over 30 animated works about disabilities, including Rocks in My Pockets, An Eyeful of Sound, and A Shift in Perception. He considers the ableism of live-action cinematography, the involvement of filmmakers with disabilities in the production process, and the evocation of the spectators' senses of sight and hearing, consequently subverting traditional spectatorship and listenership hierarchies. In addition, Dr. Greenberg explores physical and sensory accessibility in theatres and suggests new ways to accommodate cinematic screenings.
Offering an introduction to disability studies and crip theory for film, media, and animation scholars, Animated Film and Disability demonstrates that crip animation has the power to breach the spectator's comfort, evoking awareness of their own bodies and, in certain cases, their social privileges.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While many live-action films portray disability as a spectacle, "crip animation" (a genre of animated films that celebrates disabled people's lived experiences) uses a variety of techniques like clay animation, puppets, pixilation, and computer-generated animation to represent the inner worlds of people with disabilities. Crip animation has the potential to challenge the ableist gaze and immerse viewers in an alternative bodily experience.</p><p>In <a href="https://iupress.org/9780253064509/animated-film-and-disability/"><em>Animated Film and Disability: Cripping Spectatorship</em></a> (Indiana University Press, 2023), Dr. Slava Greenberg analyses over 30 animated works about disabilities, including Rocks in My Pockets, An Eyeful of Sound, and A Shift in Perception. He considers the ableism of live-action cinematography, the involvement of filmmakers with disabilities in the production process, and the evocation of the spectators' senses of sight and hearing, consequently subverting traditional spectatorship and listenership hierarchies. In addition, Dr. Greenberg explores physical and sensory accessibility in theatres and suggests new ways to accommodate cinematic screenings.</p><p>Offering an introduction to disability studies and crip theory for film, media, and animation scholars, <em>Animated Film and Disability</em> demonstrates that crip animation has the power to breach the spectator's comfort, evoking awareness of their own bodies and, in certain cases, their social privileges.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p>]]>
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      <itunes:duration>3603</itunes:duration>
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      <title>Jennifer Hart on African Mobility and Infrastructure</title>
      <description>Peoples &amp; Things host Lee Vinsel talks to Jennifer Hart, Professor and Chair of the History Department at Virginia Tech, about her work on the history and ethnography of mobility and infrastructure in Ghana. Hart’s newest book, Making an African City: Technopolitics and the Infrastructure of Everyday Life in Colonial Accra (Indiana University Press, 2024), examines how technocrats enforced restrictions around public health, housing, mobility, and other domains in Ghana in the name of modernization. Vinsel and Hart also discuss how humanistic and technical inquiry can be brought together to improve outcomes around everyday human problems around the world.</description>
      <pubDate>Mon, 03 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>73</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Peoples &amp; Things host Lee Vinsel talks to Jennifer Hart, Professor and Chair of the History Department at Virginia Tech, about her work on the history and ethnography of mobility and infrastructure in Ghana. Hart’s newest book, Making an African City: Technopolitics and the Infrastructure of Everyday Life in Colonial Accra (Indiana University Press, 2024), examines how technocrats enforced restrictions around public health, housing, mobility, and other domains in Ghana in the name of modernization. Vinsel and Hart also discuss how humanistic and technical inquiry can be brought together to improve outcomes around everyday human problems around the world.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Peoples &amp; Things host Lee Vinsel talks to Jennifer Hart, Professor and Chair of the History Department at Virginia Tech, about her work on the history and ethnography of mobility and infrastructure in Ghana. Hart’s newest book, <a href="https://bookshop.org/a/12343/9780253069337"><em>Making an African City: Technopolitics and the Infrastructure of Everyday Life in Colonial Accra</em> </a>(Indiana University Press, 2024), examines how technocrats enforced restrictions around public health, housing, mobility, and other domains in Ghana in the name of modernization. Vinsel and Hart also discuss how humanistic and technical inquiry can be brought together to improve outcomes around everyday human problems around the world.</p>]]>
      </content:encoded>
      <itunes:duration>4186</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Nicholas Underwood, "Yiddish Paris: Staging Nation and Community in Interwar France" (Indiana UP, 2022)</title>
      <description>Nick Underwood's Yiddish Paris: Staging Nation and Community in Interwar Paris (Indiana University Press, 2022) is a captivating study of the culture and politics of the vibrant community of Yiddish-speaking immigrants to Paris in the 1920s and 1930s. Making their way to the French capital from various sites in Eastern Europe, members of this Jewish community developed their own cultural institutions, including theatre companies, musical groups, and choruses. Left-leaning in their politics, these newly French Jews typically understood their cultural and community work as expressions of a Socialist or Communist politics. This political orientation also drew non-Yiddish-speaking and non-Jewish audiences to the work of these organizations and artists, establishing forms of solidarity across cultural and religious groups and classes, in Yiddish and in French. 
Throughout the book, Underwood examines closely the history of key cultural organizations that brought Yiddish speakers in Paris together and worked to disseminate Yiddish language and culture throughout a wider community in France. Understanding their efforts as profoundly modern, even avant-garde, these cultural and political actors forged and expressed a Jewish diaspora nationalism they regarded as compatible with French republicanism. France was a space of multicultural possibility that seemed the perfect place to build the future. 
Taking the reader through the work of various figures and groups, Underwood follows the solidarity, performances, and pluralism of the Yiddish community in interwar Paris up to the eve of the Second World War. Attentive to the devastating experiences that awaited so many French and European Jews after 1939, the book remains focused on the present of the interwar period throughout, emphasizing the community's hopes for an inclusive French society respectful of forms of religious, racial, cultural, and linguistic difference.
Drawing on a wealth of archival materials the author pursued in sites in multiple countries, the book includes some very real and moving stories. Apart from the historical actors Underwood sought out directly and through family members, the lives and experiences of so many actors, singers, musicians, and engaged community members spring off many of the book's pages. It's a compelling book that will be of great interest to scholars across subfields and disciplines, and I hope you enjoy our conversation. </description>
      <pubDate>Tue, 21 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>130</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Nicholas Underwood</itunes:subtitle>
      <itunes:summary>Nick Underwood's Yiddish Paris: Staging Nation and Community in Interwar Paris (Indiana University Press, 2022) is a captivating study of the culture and politics of the vibrant community of Yiddish-speaking immigrants to Paris in the 1920s and 1930s. Making their way to the French capital from various sites in Eastern Europe, members of this Jewish community developed their own cultural institutions, including theatre companies, musical groups, and choruses. Left-leaning in their politics, these newly French Jews typically understood their cultural and community work as expressions of a Socialist or Communist politics. This political orientation also drew non-Yiddish-speaking and non-Jewish audiences to the work of these organizations and artists, establishing forms of solidarity across cultural and religious groups and classes, in Yiddish and in French. 
Throughout the book, Underwood examines closely the history of key cultural organizations that brought Yiddish speakers in Paris together and worked to disseminate Yiddish language and culture throughout a wider community in France. Understanding their efforts as profoundly modern, even avant-garde, these cultural and political actors forged and expressed a Jewish diaspora nationalism they regarded as compatible with French republicanism. France was a space of multicultural possibility that seemed the perfect place to build the future. 
Taking the reader through the work of various figures and groups, Underwood follows the solidarity, performances, and pluralism of the Yiddish community in interwar Paris up to the eve of the Second World War. Attentive to the devastating experiences that awaited so many French and European Jews after 1939, the book remains focused on the present of the interwar period throughout, emphasizing the community's hopes for an inclusive French society respectful of forms of religious, racial, cultural, and linguistic difference.
Drawing on a wealth of archival materials the author pursued in sites in multiple countries, the book includes some very real and moving stories. Apart from the historical actors Underwood sought out directly and through family members, the lives and experiences of so many actors, singers, musicians, and engaged community members spring off many of the book's pages. It's a compelling book that will be of great interest to scholars across subfields and disciplines, and I hope you enjoy our conversation. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>Nick Underwood's <a href="https://bookshop.org/a/12343/9780253059796"><em>Yiddish Paris: Staging Nation and Community in Interwar Paris</em></a><em> </em>(Indiana University Press, 2022) is a captivating study of the culture and politics of the vibrant community of Yiddish-speaking immigrants to Paris in the 1920s and 1930s. Making their way to the French capital from various sites in Eastern Europe, members of this Jewish community developed their own cultural institutions, including theatre companies, musical groups, and choruses. Left-leaning in their politics, these newly French Jews typically understood their cultural and community work as expressions of a Socialist or Communist politics. This political orientation also drew non-Yiddish-speaking and non-Jewish audiences to the work of these organizations and artists, establishing forms of solidarity across cultural and religious groups and classes, in Yiddish and in French. </p><p>Throughout the book, Underwood examines closely the history of key cultural organizations that brought Yiddish speakers in Paris together and worked to disseminate Yiddish language and culture throughout a wider community in France. Understanding their efforts as profoundly modern, even avant-garde, these cultural and political actors forged and expressed a Jewish diaspora nationalism they regarded as compatible with French republicanism. France was a space of multicultural possibility that seemed the perfect place to build the future. </p><p>Taking the reader through the work of various figures and groups, Underwood follows the solidarity, performances, and pluralism of the Yiddish community in interwar Paris up to the eve of the Second World War. Attentive to the devastating experiences that awaited so many French and European Jews after 1939, the book remains focused on the <em>present</em> of the interwar period throughout, emphasizing the community's hopes for an inclusive French society respectful of forms of religious, racial, cultural, and linguistic difference.</p><p>Drawing on a wealth of archival materials the author pursued in sites in multiple countries, the book includes some very real and moving stories. Apart from the historical actors Underwood sought out directly and through family members, the lives and experiences of so many actors, singers, musicians, and engaged community members spring off many of the book's pages. It's a compelling book that will be of great interest to scholars across subfields and disciplines, and I hope you enjoy our conversation. </p>]]>
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      <itunes:duration>3846</itunes:duration>
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      <title>Sarah A. Cramsey, "Uprooting the Diaspora: Jewish Belonging and the Ethnic Revolution in Poland and Czechoslovakia, 1936-1946" (Indiana UP, 2023)</title>
      <description>In Uprooting the Diaspora: Jewish Belonging and the Ethnic Revolution in Poland and Czechoslovakia, 1936-1946 (Indiana UP, 2023), Sarah Cramsey explores how the Jewish citizens rooted in interwar Poland and Czechoslovakia became the ideal citizenry for a post–World War II Jewish state in the Middle East. She asks, how did new interpretations of Jewish belonging emerge and gain support amongst Jewish and non-Jewish decision makers exiled from wartime east central Europe and the powerbrokers surrounding them?
Usually, the creation of the State of Israel is cast as a story that begins with Herzl and is brought to fulfillment by the Holocaust. To reframe this trajectory, Cramsey draws on a vast array of historical sources to examine what she calls a "transnational conversation" carried out by a small but influential coterie of Allied statesmen, diplomats in international organizations, and Jewish leaders who decided that the overall disentangling of populations in postwar east central Europe demanded the simultaneous intellectual and logistical embrace of a Jewish homeland in Palestine as a territorial nationalist project.
Uprooting the Diaspora slows down the chronology between 1936 and 1946 to show how individuals once invested in multi-ethnic visions of diasporic Jewishness within east central Europe came to define Jewishness primarily in ethnic terms. This revolution in thinking about Jewish belonging combined with a sweeping change in international norms related to population transfers and accelerated, deliberate postwar work on the ground in the region to further uproot Czechoslovak and Polish Jews from their prewar homes.
Geraldine Gudefin is a French-born modern Jewish historian researching Jewish family life, legal pluralism, and the migration experiences of Jews in France and the United States. She is currently a research fellow at the Hebrew University’s Avraham Harman Research Institute of Contemporary Jewry, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939.</description>
      <pubDate>Sat, 09 Mar 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>486</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Sarah A. Cramsey</itunes:subtitle>
      <itunes:summary>In Uprooting the Diaspora: Jewish Belonging and the Ethnic Revolution in Poland and Czechoslovakia, 1936-1946 (Indiana UP, 2023), Sarah Cramsey explores how the Jewish citizens rooted in interwar Poland and Czechoslovakia became the ideal citizenry for a post–World War II Jewish state in the Middle East. She asks, how did new interpretations of Jewish belonging emerge and gain support amongst Jewish and non-Jewish decision makers exiled from wartime east central Europe and the powerbrokers surrounding them?
Usually, the creation of the State of Israel is cast as a story that begins with Herzl and is brought to fulfillment by the Holocaust. To reframe this trajectory, Cramsey draws on a vast array of historical sources to examine what she calls a "transnational conversation" carried out by a small but influential coterie of Allied statesmen, diplomats in international organizations, and Jewish leaders who decided that the overall disentangling of populations in postwar east central Europe demanded the simultaneous intellectual and logistical embrace of a Jewish homeland in Palestine as a territorial nationalist project.
Uprooting the Diaspora slows down the chronology between 1936 and 1946 to show how individuals once invested in multi-ethnic visions of diasporic Jewishness within east central Europe came to define Jewishness primarily in ethnic terms. This revolution in thinking about Jewish belonging combined with a sweeping change in international norms related to population transfers and accelerated, deliberate postwar work on the ground in the region to further uproot Czechoslovak and Polish Jews from their prewar homes.
Geraldine Gudefin is a French-born modern Jewish historian researching Jewish family life, legal pluralism, and the migration experiences of Jews in France and the United States. She is currently a research fellow at the Hebrew University’s Avraham Harman Research Institute of Contemporary Jewry, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780253064967"><em>Uprooting the Diaspora: Jewish Belonging and the Ethnic Revolution in Poland and Czechoslovakia, 1936-1946 </em></a>(Indiana UP, 2023), Sarah Cramsey explores how the Jewish citizens rooted in interwar Poland and Czechoslovakia became the ideal citizenry for a post–World War II Jewish state in the Middle East. She asks, how did new interpretations of Jewish belonging emerge and gain support amongst Jewish and non-Jewish decision makers exiled from wartime east central Europe and the powerbrokers surrounding them?</p><p>Usually, the creation of the State of Israel is cast as a story that begins with Herzl and is brought to fulfillment by the Holocaust. To reframe this trajectory, Cramsey draws on a vast array of historical sources to examine what she calls a "transnational conversation" carried out by a small but influential coterie of Allied statesmen, diplomats in international organizations, and Jewish leaders who decided that the overall disentangling of populations in postwar east central Europe demanded the simultaneous intellectual and logistical embrace of a Jewish homeland in Palestine as a territorial nationalist project.</p><p><em>Uprooting the Diaspora</em> slows down the chronology between 1936 and 1946 to show how individuals once invested in multi-ethnic visions of diasporic Jewishness within east central Europe came to define Jewishness primarily in ethnic terms. This revolution in thinking about Jewish belonging combined with a sweeping change in international norms related to population transfers and accelerated, deliberate postwar work on the ground in the region to further uproot Czechoslovak and Polish Jews from their prewar homes.</p><p><a href="https://huji.academia.edu/GeraldineGudefin"><em>Geraldine Gudefin</em></a><em> is a French-born modern Jewish historian researching Jewish family life, legal pluralism, and the migration experiences of Jews in France and the United States. She is currently a research fellow at the Hebrew University’s Avraham Harman Research Institute of Contemporary Jewry, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939.</em></p>]]>
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      <title>Dariusz Tołczyk, "Blissful Blindness: Soviet Crimes under Western Eyes" (Indiana UP, 2023)</title>
      <description>The most heinous Soviet crimes - the Red Terror, brutal collectivization, the Great Famine, the Gulag, Stalin's Great Terror, mass deportations, and other atrocities - were treated in the West as a controversial topic. With the Cold War dichotomy of Western democracy versus Soviet communism deeply imprinted in our minds, we are not always aware that these crimes were very often questioned, dismissed, denied, sometimes rationalized, and even outright glorified in the Western world. Facing a choice of whom to believe -the survivors or Soviet propaganda- many Western opinion leaders chose in favor of Soviet propaganda. Even those who did not believe it behaved sometimes as if they did.
Blissful Blindness: Soviet Crimes under Western Eyes (Indiana UP, 2023) explores Western reactions (and lack thereof) to Soviet crimes from the Bolshevik revolution to the collapse of Soviet communism in order to understand ideological, political, economic, cultural, personal, and other motivations behind this puzzling phenomenon of willful ignorance. But the significance of Dariusz Tolczyk's book reaches beyond its direct historical focus. Written for audiences not limited to scholars and specialists, this book not only opens one's eyes to rarely examined aspects of the twentieth century but also helps one see how astonishingly relevant this topic is in our contemporary world.</description>
      <pubDate>Fri, 08 Mar 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1423</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Dariusz Tołczyk</itunes:subtitle>
      <itunes:summary>The most heinous Soviet crimes - the Red Terror, brutal collectivization, the Great Famine, the Gulag, Stalin's Great Terror, mass deportations, and other atrocities - were treated in the West as a controversial topic. With the Cold War dichotomy of Western democracy versus Soviet communism deeply imprinted in our minds, we are not always aware that these crimes were very often questioned, dismissed, denied, sometimes rationalized, and even outright glorified in the Western world. Facing a choice of whom to believe -the survivors or Soviet propaganda- many Western opinion leaders chose in favor of Soviet propaganda. Even those who did not believe it behaved sometimes as if they did.
Blissful Blindness: Soviet Crimes under Western Eyes (Indiana UP, 2023) explores Western reactions (and lack thereof) to Soviet crimes from the Bolshevik revolution to the collapse of Soviet communism in order to understand ideological, political, economic, cultural, personal, and other motivations behind this puzzling phenomenon of willful ignorance. But the significance of Dariusz Tolczyk's book reaches beyond its direct historical focus. Written for audiences not limited to scholars and specialists, this book not only opens one's eyes to rarely examined aspects of the twentieth century but also helps one see how astonishingly relevant this topic is in our contemporary world.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The most heinous Soviet crimes - the Red Terror, brutal collectivization, the Great Famine, the Gulag, Stalin's Great Terror, mass deportations, and other atrocities - were treated in the West as a controversial topic. With the Cold War dichotomy of Western democracy versus Soviet communism deeply imprinted in our minds, we are not always aware that these crimes were very often questioned, dismissed, denied, sometimes rationalized, and even outright glorified in the Western world. Facing a choice of whom to believe -the survivors or Soviet propaganda- many Western opinion leaders chose in favor of Soviet propaganda. Even those who did not believe it behaved sometimes as if they did.</p><p><a href="https://bookshop.org/a/12343/9780253067081"><em>Blissful Blindness: Soviet Crimes under Western Eyes</em></a><em> </em>(Indiana UP, 2023) explores Western reactions (and lack thereof) to Soviet crimes from the Bolshevik revolution to the collapse of Soviet communism in order to understand ideological, political, economic, cultural, personal, and other motivations behind this puzzling phenomenon of willful ignorance. But the significance of Dariusz Tolczyk's book reaches beyond its direct historical focus. Written for audiences not limited to scholars and specialists, this book not only opens one's eyes to rarely examined aspects of the twentieth century but also helps one see how astonishingly relevant this topic is in our contemporary world.</p>]]>
      </content:encoded>
      <itunes:duration>5559</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Leona Toker, "Gulag Literature and the Literature of Nazi Camps: An Intercontexual Reading" (Indiana UP, 2019)</title>
      <description>Devoted to the ways in which Holocaust literature and Gulag literature provide contexts for each other, Leona Toker's Gulag Literature and the Literature of Nazi Camps: An Intercontexual Reading (Indiana UP, 2019) shows how the prominent features of one shed light on the veiled features and methods of the other. Toker views these narratives and texts against the background of historical information about the Soviet and the Nazi regimes of repression. Writers at the center of this work include Varlam Shalamov, Primo Levi, Elie Wiesel, and Ka-Tzetnik, and others, including Aleksandr Solzhenitsyn, Evgeniya Ginzburg, and Jorge Semprún, illuminate the discussion. 
Toker's twofold analysis concentrates on the narrative qualities of the works as well as on the ways in which each text documents the writer's experience and in which fictionalized narrative can double as historical testimony. References to events might have become obscure owing to the passage of time and the cultural diversity of readers; the book explains them and shows how they form new meaning in the text. Toker is well-known as a skillful interpreter of Gulag literature, and this text presents new thinking about how Gulag literature and Holocaust literature enable a better understanding about testimony in the face of evil.</description>
      <pubDate>Wed, 06 Mar 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>435</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Leona Toker</itunes:subtitle>
      <itunes:summary>Devoted to the ways in which Holocaust literature and Gulag literature provide contexts for each other, Leona Toker's Gulag Literature and the Literature of Nazi Camps: An Intercontexual Reading (Indiana UP, 2019) shows how the prominent features of one shed light on the veiled features and methods of the other. Toker views these narratives and texts against the background of historical information about the Soviet and the Nazi regimes of repression. Writers at the center of this work include Varlam Shalamov, Primo Levi, Elie Wiesel, and Ka-Tzetnik, and others, including Aleksandr Solzhenitsyn, Evgeniya Ginzburg, and Jorge Semprún, illuminate the discussion. 
Toker's twofold analysis concentrates on the narrative qualities of the works as well as on the ways in which each text documents the writer's experience and in which fictionalized narrative can double as historical testimony. References to events might have become obscure owing to the passage of time and the cultural diversity of readers; the book explains them and shows how they form new meaning in the text. Toker is well-known as a skillful interpreter of Gulag literature, and this text presents new thinking about how Gulag literature and Holocaust literature enable a better understanding about testimony in the face of evil.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Devoted to the ways in which Holocaust literature and Gulag literature provide contexts for each other, Leona Toker's <a href="https://iupress.org/9780253043535/gulag-literature-and-the-literature-of-nazi-camps/"><em>Gulag Literature and the Literature of Nazi Camps: An Intercontexual Reading</em></a> (Indiana UP, 2019) shows how the prominent features of one shed light on the veiled features and methods of the other. Toker views these narratives and texts against the background of historical information about the Soviet and the Nazi regimes of repression. Writers at the center of this work include Varlam Shalamov, Primo Levi, Elie Wiesel, and Ka-Tzetnik, and others, including Aleksandr Solzhenitsyn, Evgeniya Ginzburg, and Jorge Semprún, illuminate the discussion. </p><p>Toker's twofold analysis concentrates on the narrative qualities of the works as well as on the ways in which each text documents the writer's experience and in which fictionalized narrative can double as historical testimony. References to events might have become obscure owing to the passage of time and the cultural diversity of readers; the book explains them and shows how they form new meaning in the text. Toker is well-known as a skillful interpreter of Gulag literature, and this text presents new thinking about how Gulag literature and Holocaust literature enable a better understanding about testimony in the face of evil.</p>]]>
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      <itunes:duration>5489</itunes:duration>
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      <title>Christiane Gruber, “The Praiseworthy One: The Prophet Muhammad in Islamic Texts and Images" (Indiana UP, 2019)</title>
      <description>In our most recent public memory, images of the Prophet Muhammad have caused a great deal of controversy, such as satirical cartoons of Muhammad in French magazine Charlie Hebdo, or Danish newspaper Jyllands-Posten. The sometimes violent backlash to these images has reinforced the popular narrative that Islam is aniconic and iconoclastic.
In The Praiseworthy One: The Prophet Muhammad in Islamic Texts and Images (Indiana University Press, 2019), Christiane Gruber, Professor in the History of Art at the University of Michigan, demonstrates that there is long rich history of images of Muhammad from within the Islamic tradition. The styles, themes, and strategies used to represent the Prophet have significantly shifted and altered over time. Gruber synthesizes an extensive archive of images and leads the reader through various thematic patterns, cultural specificities, and unique examples. We are presented with a detailed overview of textual and visual representations of Muhammad that is placed within a deep understanding of the history of Islamic art. In our conversation we discussed how the iconoclasm narrative has been reinforced, the symbolic Prophet versus a historical Muhammad, why there exists no very early images, the first visual representations of Muhammad, the Prophet as king and hero, representations of Muhammad’s spiritual radiance, images in the context of fraternal Sufi communities, Safavid images and the centering of Shi’a interpretations of Muhammad, images of ‘Ali, Ottoman visual culture, embodying Muhammad through objects and relics, modern renderings of Muhammad, and public scholarship and the constraints of academic writing.
Kristian Petersen is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.</description>
      <pubDate>Sun, 18 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>176</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Christiane Gruber</itunes:subtitle>
      <itunes:summary>In our most recent public memory, images of the Prophet Muhammad have caused a great deal of controversy, such as satirical cartoons of Muhammad in French magazine Charlie Hebdo, or Danish newspaper Jyllands-Posten. The sometimes violent backlash to these images has reinforced the popular narrative that Islam is aniconic and iconoclastic.
In The Praiseworthy One: The Prophet Muhammad in Islamic Texts and Images (Indiana University Press, 2019), Christiane Gruber, Professor in the History of Art at the University of Michigan, demonstrates that there is long rich history of images of Muhammad from within the Islamic tradition. The styles, themes, and strategies used to represent the Prophet have significantly shifted and altered over time. Gruber synthesizes an extensive archive of images and leads the reader through various thematic patterns, cultural specificities, and unique examples. We are presented with a detailed overview of textual and visual representations of Muhammad that is placed within a deep understanding of the history of Islamic art. In our conversation we discussed how the iconoclasm narrative has been reinforced, the symbolic Prophet versus a historical Muhammad, why there exists no very early images, the first visual representations of Muhammad, the Prophet as king and hero, representations of Muhammad’s spiritual radiance, images in the context of fraternal Sufi communities, Safavid images and the centering of Shi’a interpretations of Muhammad, images of ‘Ali, Ottoman visual culture, embodying Muhammad through objects and relics, modern renderings of Muhammad, and public scholarship and the constraints of academic writing.
Kristian Petersen is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In our most recent public memory, images of the Prophet Muhammad have caused a great deal of controversy, such as satirical cartoons of Muhammad in French magazine <em>Charlie Hebdo</em>, or Danish newspaper <em>Jyllands-Posten</em>. The sometimes violent backlash to these images has reinforced the popular narrative that Islam is aniconic and iconoclastic.</p><p>In <a href="https://www.amazon.com/dp/0253025265/?tag=newbooinhis-20"><em>The Praiseworthy One: The Prophet Muhammad in Islamic Texts and Images</em></a> (Indiana University Press, 2019), <a href="https://lsa.umich.edu/histart/people/faculty/cjgruber.html">Christiane Gruber</a>, Professor in the History of Art at the University of Michigan, demonstrates that there is long rich history of images of Muhammad from within the Islamic tradition. The styles, themes, and strategies used to represent the Prophet have significantly shifted and altered over time. Gruber synthesizes an extensive archive of images and leads the reader through various thematic patterns, cultural specificities, and unique examples. We are presented with a detailed overview of textual and visual representations of Muhammad that is placed within a deep understanding of the history of Islamic art. In our conversation we discussed how the iconoclasm narrative has been reinforced, the symbolic Prophet versus a historical Muhammad, why there exists no very early images, the first visual representations of Muhammad, the Prophet as king and hero, representations of Muhammad’s spiritual radiance, images in the context of fraternal Sufi communities, Safavid images and the centering of Shi’a interpretations of Muhammad, images of ‘Ali, Ottoman visual culture, embodying Muhammad through objects and relics, modern renderings of Muhammad, and public scholarship and the constraints of academic writing.</p><p><a href="http://drkristianpetersen.com/"><em>Kristian Petersen</em></a><em> is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his </em><a href="http://drkristianpetersen.com/"><em>website</em></a><em>, follow him on Twitter </em><a href="https://twitter.com/BabaKristian"><em>@BabaKristian</em></a><em>, or email him at </em><a href="mailto:kjpetersen@unomaha.edu"><em>kpeterse@odu.edu</em></a><em>.</em></p>]]>
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      <itunes:duration>3601</itunes:duration>
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      <title>Dallas Michelbacher, "Jewish Forced Labor in Romania, 1940-1944" (Indiana UP, 2020)</title>
      <description>Between Romania's entry into World War II in 1941 and the ouster of dictator Ion Antonescu three years later, over 105,000 Jews were forced to work in internment and labor camps, labor battalions, government institutions, and private industry. Particularly for those in the labor battalions, this period was characterized by extraordinary physical and psychological suffering, hunger, inadequate shelter, and dangerous or even deadly working conditions. And yet the situation that arose from the combination of Antonescu's paranoias and the peculiarities of the Romanian system of forced-labor organization meant that most Jewish laborers survived. 
Jewish Forced Labor in Romania, 1940-1944 (Indiana UP, 2020) explores the ideological and legal background of this system of forced labor, its purpose, and its evolution. Author Dallas Michelbacher examines the relationship between the system of forced labor and the Romanian government's plans for the "solution to the Jewish question." In doing so, Michelbacher highlights the key differences between the Romanian system of forced labor and the well-documented use of forced labor in Nazi Germany and neighboring Hungary. Jewish Forced Labor in Romania explores the internal logic of the Antonescu regime and how it balanced its ideological imperative for antisemitic persecution with the economic needs of a state engaged in total war whose economy was still heavily dependent on the skills of its Jewish population.</description>
      <pubDate>Tue, 06 Feb 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>475</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Dallas Michelbacher</itunes:subtitle>
      <itunes:summary>Between Romania's entry into World War II in 1941 and the ouster of dictator Ion Antonescu three years later, over 105,000 Jews were forced to work in internment and labor camps, labor battalions, government institutions, and private industry. Particularly for those in the labor battalions, this period was characterized by extraordinary physical and psychological suffering, hunger, inadequate shelter, and dangerous or even deadly working conditions. And yet the situation that arose from the combination of Antonescu's paranoias and the peculiarities of the Romanian system of forced-labor organization meant that most Jewish laborers survived. 
Jewish Forced Labor in Romania, 1940-1944 (Indiana UP, 2020) explores the ideological and legal background of this system of forced labor, its purpose, and its evolution. Author Dallas Michelbacher examines the relationship between the system of forced labor and the Romanian government's plans for the "solution to the Jewish question." In doing so, Michelbacher highlights the key differences between the Romanian system of forced labor and the well-documented use of forced labor in Nazi Germany and neighboring Hungary. Jewish Forced Labor in Romania explores the internal logic of the Antonescu regime and how it balanced its ideological imperative for antisemitic persecution with the economic needs of a state engaged in total war whose economy was still heavily dependent on the skills of its Jewish population.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Between Romania's entry into World War II in 1941 and the ouster of dictator Ion Antonescu three years later, over 105,000 Jews were forced to work in internment and labor camps, labor battalions, government institutions, and private industry. Particularly for those in the labor battalions, this period was characterized by extraordinary physical and psychological suffering, hunger, inadequate shelter, and dangerous or even deadly working conditions. And yet the situation that arose from the combination of Antonescu's paranoias and the peculiarities of the Romanian system of forced-labor organization meant that most Jewish laborers survived. </p><p><a href="https://iupress.org/9780253047380/jewish-forced-labor-in-romania-19401944/"><em>Jewish Forced Labor in Romania, 1940-1944 </em></a>(Indiana UP, 2020) explores the ideological and legal background of this system of forced labor, its purpose, and its evolution. Author Dallas Michelbacher examines the relationship between the system of forced labor and the Romanian government's plans for the "solution to the Jewish question." In doing so, Michelbacher highlights the key differences between the Romanian system of forced labor and the well-documented use of forced labor in Nazi Germany and neighboring Hungary. <em>Jewish Forced Labor in Romania</em> explores the internal logic of the Antonescu regime and how it balanced its ideological imperative for antisemitic persecution with the economic needs of a state engaged in total war whose economy was still heavily dependent on the skills of its Jewish population.</p>]]>
      </content:encoded>
      <itunes:duration>3777</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Yair Furstenberg, "Purity and Identity in Ancient Judaism: From the Temple to the Mishnah" (Indiana UP, 2023)</title>
      <description>The concern for purity was the cornerstone of the religious culture of ancient Judaism, shaping the worldview of Jewish people during the Second Temple period as well as their daily practices and social relations. In his book, Purity and Identity in Ancient Judaism: From the Temple to the Mishnah (Indiana UP, 2023), Yair Furstenberg examines how different groups offered competing visions and methods for living a life of purity, which embodied a promise for personal and cosmic salvation and at the same time determined the degree of sectarian separation. 
Yair Furstenberg is Associate Professor and Chair of the department of Talmud at Hebrew University, and has also published: Jewish Martyrdom in Antiquity: From the Books of Maccabees to the Babylonian Talmud.
Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus(Peeters, 2012), Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus (IVP Academic, 2015), and Exodus Old and New: A Biblical Theology of Redemption (IVP Academic, 2020). He can be reached at mmorales@gpts.edu.</description>
      <pubDate>Wed, 10 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>464</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Yair Furstenberg</itunes:subtitle>
      <itunes:summary>The concern for purity was the cornerstone of the religious culture of ancient Judaism, shaping the worldview of Jewish people during the Second Temple period as well as their daily practices and social relations. In his book, Purity and Identity in Ancient Judaism: From the Temple to the Mishnah (Indiana UP, 2023), Yair Furstenberg examines how different groups offered competing visions and methods for living a life of purity, which embodied a promise for personal and cosmic salvation and at the same time determined the degree of sectarian separation. 
Yair Furstenberg is Associate Professor and Chair of the department of Talmud at Hebrew University, and has also published: Jewish Martyrdom in Antiquity: From the Books of Maccabees to the Babylonian Talmud.
Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus(Peeters, 2012), Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus (IVP Academic, 2015), and Exodus Old and New: A Biblical Theology of Redemption (IVP Academic, 2020). He can be reached at mmorales@gpts.edu.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The concern for purity was the cornerstone of the religious culture of ancient Judaism, shaping the worldview of Jewish people during the Second Temple period as well as their daily practices and social relations. In his book, <a href="https://bookshop.org/a/12343/9780253067715"><em>Purity and Identity in Ancient Judaism: From the Temple to the Mishnah</em></a><em> </em>(Indiana UP, 2023), Yair Furstenberg examines how different groups offered competing visions and methods for living a life of purity, which embodied a promise for personal and cosmic salvation and at the same time determined the degree of sectarian separation. </p><p>Yair Furstenberg is Associate Professor and Chair of the department of Talmud at Hebrew University, and has also published: <em>Jewish Martyrdom in Antiquity: From the Books of Maccabees to the Babylonian Talmud</em>.</p><p><a href="https://gpts.academia.edu/LMichaelMorales"><em>Michael Morales</em></a><em> is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of </em><a href="https://www.amazon.com/Tabernacle-Pre-Figured-Mountain-Ideology-Genesis/dp/904292702X/ref=sr_1_1?keywords=tabernacle+pre-figured&amp;qid=1570123298&amp;sr=8-1"><em>The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus</em></a><em>(Peeters, 2012), </em><a href="https://www.amazon.com/Who-Shall-Ascend-Mountain-Lord/dp/0830826386/ref=sr_1_1?crid=39TL0DGODAXBH&amp;keywords=who+shall+ascend+the+mountain+of+the+lord&amp;qid=1570123330&amp;sprefix=who+shall+ask%2Caps%2C161&amp;sr=8-1"><em>Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus</em></a><em> (IVP Academic, 2015), and </em><a href="https://www.amazon.com/Exodus-Old-New-Redemption-Essential/dp/0830855394/ref=sr_1_1?dchild=1&amp;keywords=exodus+old+and+new&amp;qid=1609179050&amp;sr=8-1"><em>Exodus Old and New: A Biblical Theology of Redemption</em></a><em> (IVP Academic, 2020). He can be reached at mmorales@gpts.edu.</em></p>]]>
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      <itunes:duration>2307</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Simone Gigliotti, "Restless Archive: The Holocaust and the Cinema of the Displaced" (Indiana UP, 2023)</title>
      <description>The global refugee, the ship passenger, the displaced person. How did their homeseeking routes and visual motifs intersect and diverge in the early Holocaust film archive? Simone Gigliotti's Restless Archive: The Holocaust and the Cinema of the Displaced tracks the footsteps and routes of predominantly Jewish refugees and postwar displaced persons in what I call a “restless archive” of photographic, cinematographic and visual material that was created and re-used between 1933 and 1949. The historical and spatial analysis concentrates on tracing the emergence and remediation (migration) of images of displacement and transit and the forgotten-ness of others. The visual inventory is anchored in non-fiction historical material, including newsreels, institutional projections, found footage, home movies, short films, "fundraisers" and documentaries. In addition to Manifold's narrative platform, creative technologies, such as StoryMaps, have enabled the digital curation, mapping and “repatriation” of this visual and spatial archive of obstruction which has, to date, eluded analysis in its local and global entanglements.
You can find the open access book here. You can also find all of the source material mentioned in the interview if you keep scrolling down to the "Resources" section.
Links Mentioned in the Episode


An Accented Cinema: Exilic and Diasporic Filmmaking, Hamid Naficy (Princeton University Press, 2001)

Walter Benjamin's essay "The Work of Art in the Age of Mechanical Reproduction" (PDF)


Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research.</description>
      <pubDate>Sat, 16 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>33</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Simone Gigliotti</itunes:subtitle>
      <itunes:summary>The global refugee, the ship passenger, the displaced person. How did their homeseeking routes and visual motifs intersect and diverge in the early Holocaust film archive? Simone Gigliotti's Restless Archive: The Holocaust and the Cinema of the Displaced tracks the footsteps and routes of predominantly Jewish refugees and postwar displaced persons in what I call a “restless archive” of photographic, cinematographic and visual material that was created and re-used between 1933 and 1949. The historical and spatial analysis concentrates on tracing the emergence and remediation (migration) of images of displacement and transit and the forgotten-ness of others. The visual inventory is anchored in non-fiction historical material, including newsreels, institutional projections, found footage, home movies, short films, "fundraisers" and documentaries. In addition to Manifold's narrative platform, creative technologies, such as StoryMaps, have enabled the digital curation, mapping and “repatriation” of this visual and spatial archive of obstruction which has, to date, eluded analysis in its local and global entanglements.
You can find the open access book here. You can also find all of the source material mentioned in the interview if you keep scrolling down to the "Resources" section.
Links Mentioned in the Episode


An Accented Cinema: Exilic and Diasporic Filmmaking, Hamid Naficy (Princeton University Press, 2001)

Walter Benjamin's essay "The Work of Art in the Age of Mechanical Reproduction" (PDF)


Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The global refugee, the ship passenger, the displaced person. How did their homeseeking routes and visual motifs intersect and diverge in the early Holocaust film archive? Simone<em> </em>Gigliotti's <a href="https://doi.org/10.2979/RestlessArchive"><em>Restless Archive: The Holocaust and the Cinema of the Displaced</em></a><em> </em>tracks the footsteps and routes of predominantly Jewish refugees and postwar displaced persons in what I call a “restless archive” of photographic, cinematographic and visual material that was created and re-used between 1933 and 1949. The historical and spatial analysis concentrates on tracing the emergence and remediation (migration) of images of displacement and transit and the forgotten-ness of others. The visual inventory is anchored in non-fiction historical material, including newsreels, institutional projections, found footage, home movies, short films, "fundraisers" and documentaries. In addition to Manifold's narrative platform, creative technologies, such as StoryMaps, have enabled the digital curation, mapping and “repatriation” of this visual and spatial archive of obstruction which has, to date, eluded analysis in its local and global entanglements.</p><p>You can find the open access book <a href="https://publish.iupress.indiana.edu/projects/restless-archive">here</a>. You can also find all of the source material mentioned in the interview if you keep scrolling down to the "Resources" section.</p><p>Links Mentioned in the Episode</p><ul>
<li>
<a href="https://press.princeton.edu/books/paperback/9780691043913/an-accented-cinema"><em>An Accented Cinema: Exilic and Diasporic Filmmaking</em></a>, Hamid Naficy (Princeton University Press, 2001)</li>
<li>Walter Benjamin's essay "<a href="https://web.mit.edu/allanmc/www/benjamin.pdf">The Work of Art in the Age of Mechanical Reproduction</a>" (PDF)</li>
</ul><p><br></p><p><a href="https://www.hallelyadin.net/"><em>Hallel Yadin</em></a><em> is an archivist and special projects manager at the YIVO Institute for Jewish Research.</em></p>]]>
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      <itunes:duration>2825</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Jeremy Black, "A Brief History of History" (Indiana UP, 2023)</title>
      <description>In A Brief History of History (Indiana UP, 2023), acclaimed historian Jeremy Black seeks to reinvigorate and redefine our ideas about history. The stories we tell about the past are a crucial aspect of all cultures. However, while the traditional storytelling process—what we think of as "history" in the proper sense—is useful, it is also misleading, not least because it leads to the repetition of bias and misinformation.
Black suggests that the conventional idea of history and historians is constructed too narrowly, as it fails to engage with the broad nature of lived experience. By focusing on a singular idea or story within the history being explored, we fail to understand the interconnectivity of the everyday experience.
A Brief History of History challenges accepted norms of the historical perspective and offers a view of human history that will surprise many and (perhaps) infuriate some. But above all, it is a history of historians written for this moment in time, a time when the traditional Eurocentric approach to history now appears wholly inappropriate.
Charles Coutinho, PH. D., Associate Fellow of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles.</description>
      <pubDate>Sat, 25 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1352</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Jeremy Black</itunes:subtitle>
      <itunes:summary>In A Brief History of History (Indiana UP, 2023), acclaimed historian Jeremy Black seeks to reinvigorate and redefine our ideas about history. The stories we tell about the past are a crucial aspect of all cultures. However, while the traditional storytelling process—what we think of as "history" in the proper sense—is useful, it is also misleading, not least because it leads to the repetition of bias and misinformation.
Black suggests that the conventional idea of history and historians is constructed too narrowly, as it fails to engage with the broad nature of lived experience. By focusing on a singular idea or story within the history being explored, we fail to understand the interconnectivity of the everyday experience.
A Brief History of History challenges accepted norms of the historical perspective and offers a view of human history that will surprise many and (perhaps) infuriate some. But above all, it is a history of historians written for this moment in time, a time when the traditional Eurocentric approach to history now appears wholly inappropriate.
Charles Coutinho, PH. D., Associate Fellow of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://iupress.org/9780253066091/a-brief-history-of-history/"><em>A Brief History of History </em></a>(Indiana UP, 2023), acclaimed historian Jeremy Black seeks to reinvigorate and redefine our ideas about history. The stories we tell about the past are a crucial aspect of all cultures. However, while the traditional storytelling process—what we think of as "history" in the proper sense—is useful, it is also misleading, not least because it leads to the repetition of bias and misinformation.</p><p>Black suggests that the conventional idea of history and historians is constructed too narrowly, as it fails to engage with the broad nature of lived experience. By focusing on a singular idea or story within the history being explored, we fail to understand the interconnectivity of the everyday experience.</p><p><em>A Brief History of History</em> challenges accepted norms of the historical perspective and offers a view of human history that will surprise many and (perhaps) infuriate some. But above all, it is a history of historians written for this moment in time, a time when the traditional Eurocentric approach to history now appears wholly inappropriate.</p><p><em>Charles Coutinho, PH. D., Associate Fellow of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles.</em></p>]]>
      </content:encoded>
      <itunes:duration>1771</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Elizabeth M. Perego, "Humor and Power in Algeria, 1920 to 2021" (Indiana UP, 2023)</title>
      <description>In times of peace as well as conflict, humor has served Algerians as a tool of both unification and division. Humor has also assisted Algerians of various backgrounds and ideological leanings with engaging critically in power struggles throughout the country's contemporary history. 
By analyzing comedic discourse in various forms (including plays, jokes, and cartoons), Humor and Power in Algeria, 1920 to 2021 (Indiana UP, 2023) demonstrates the globally informed and creative ways that civilians have made sense of moments of victory and loss through humor. Using oral interviews and media archives in Arabic, French, and Tamazight, Elizabeth M. Perego expands on theoretical debates about humor as a tool of resistance and explores the importance of humor as an instrument of war, peace, and social memory, as well as a source for retracing volatile, contested pasts.
Humor and Power in Algeria, 1920 to 2021 reveals how Algerians have harnessed humor to express competing visions for unity in a divided colonial society, to channel and process emotions surrounding a brutal war of decolonization and the forging of a new nation, and to demonstrate resilience in the face of a terrifying civil conflict.
Elizabeth M. Perego is Assistant Professor in the Department of History at Appalachian State University. Her work has appeared in the Journal of North African Studies and the International Journal of Middle East Studies.
Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher.</description>
      <pubDate>Mon, 20 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>243</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Elizabeth M. Perego</itunes:subtitle>
      <itunes:summary>In times of peace as well as conflict, humor has served Algerians as a tool of both unification and division. Humor has also assisted Algerians of various backgrounds and ideological leanings with engaging critically in power struggles throughout the country's contemporary history. 
By analyzing comedic discourse in various forms (including plays, jokes, and cartoons), Humor and Power in Algeria, 1920 to 2021 (Indiana UP, 2023) demonstrates the globally informed and creative ways that civilians have made sense of moments of victory and loss through humor. Using oral interviews and media archives in Arabic, French, and Tamazight, Elizabeth M. Perego expands on theoretical debates about humor as a tool of resistance and explores the importance of humor as an instrument of war, peace, and social memory, as well as a source for retracing volatile, contested pasts.
Humor and Power in Algeria, 1920 to 2021 reveals how Algerians have harnessed humor to express competing visions for unity in a divided colonial society, to channel and process emotions surrounding a brutal war of decolonization and the forging of a new nation, and to demonstrate resilience in the face of a terrifying civil conflict.
Elizabeth M. Perego is Assistant Professor in the Department of History at Appalachian State University. Her work has appeared in the Journal of North African Studies and the International Journal of Middle East Studies.
Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In times of peace as well as conflict, humor has served Algerians as a tool of both unification and division. Humor has also assisted Algerians of various backgrounds and ideological leanings with engaging critically in power struggles throughout the country's contemporary history. </p><p>By analyzing comedic discourse in various forms (including plays, jokes, and cartoons), <a href="https://bookshop.org/a/12343/9780253067616"><em>Humor and Power in Algeria, 1920 to 2021</em> </a>(Indiana UP, 2023) demonstrates the globally informed and creative ways that civilians have made sense of moments of victory and loss through humor. Using oral interviews and media archives in Arabic, French, and Tamazight, Elizabeth M. Perego expands on theoretical debates about humor as a tool of resistance and explores the importance of humor as an instrument of war, peace, and social memory, as well as a source for retracing volatile, contested pasts.</p><p><em>Humor and Power in Algeria, 1920 to 2021</em> reveals how Algerians have harnessed humor to express competing visions for unity in a divided colonial society, to channel and process emotions surrounding a brutal war of decolonization and the forging of a new nation, and to demonstrate resilience in the face of a terrifying civil conflict.</p><p>Elizabeth M. Perego is Assistant Professor in the Department of History at Appalachian State University. Her work has appeared in the Journal of North African Studies and the International Journal of Middle East Studies.</p><p><em>Tugrul Mende holds an M.A in Arabic Studies. He is based in Berlin as a project coordinator and independent researcher.</em></p>]]>
      </content:encoded>
      <itunes:duration>2813</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Shay Rabineau, "Walking the Land: A History of Israeli Hiking Trails" (Indiana UP, 2023)</title>
      <description>Israel has one of the most extensive and highly developed hiking trail systems of any country in the world. Millions of hikers use the trails every year during holiday breaks, on mandatory school trips, and for recreational hikes. 
Shay Rabineau's Walking the Land: A History of Israeli Hiking Trails (Indiana UP, 2023) offers the first scholarly exploration of this unique trail system. Featuring more than ten thousand kilometers of trails, marked with hundreds of thousands of colored blazes, the trail system crisscrosses Israeli-controlled territory, from the country's farthest borders to its densest metropolitan areas. The thousand-kilometer Israel National Trail crosses the country from north to south. Hiking, trails, and the ubiquitous three-striped trail blazes appear everywhere in Israeli popular culture; they are the subjects of news articles, radio programs, television shows, best-selling novels, government debates, and even national security speeches. Yet the trail system is almost completely unknown to the millions of foreign tourists who visit every year and has been largely unstudied by scholars of Israel. Walking the Land explores the many ways that Israel's hiking trails are significant to its history, national identity, and conservation efforts.
Christopher P. Davey is Visiting Assistant Professor at Clark University's Strassler Center for Holocaust and Genocide Studies.</description>
      <pubDate>Sun, 12 Nov 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>57</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Shay Rabineau</itunes:subtitle>
      <itunes:summary>Israel has one of the most extensive and highly developed hiking trail systems of any country in the world. Millions of hikers use the trails every year during holiday breaks, on mandatory school trips, and for recreational hikes. 
Shay Rabineau's Walking the Land: A History of Israeli Hiking Trails (Indiana UP, 2023) offers the first scholarly exploration of this unique trail system. Featuring more than ten thousand kilometers of trails, marked with hundreds of thousands of colored blazes, the trail system crisscrosses Israeli-controlled territory, from the country's farthest borders to its densest metropolitan areas. The thousand-kilometer Israel National Trail crosses the country from north to south. Hiking, trails, and the ubiquitous three-striped trail blazes appear everywhere in Israeli popular culture; they are the subjects of news articles, radio programs, television shows, best-selling novels, government debates, and even national security speeches. Yet the trail system is almost completely unknown to the millions of foreign tourists who visit every year and has been largely unstudied by scholars of Israel. Walking the Land explores the many ways that Israel's hiking trails are significant to its history, national identity, and conservation efforts.
Christopher P. Davey is Visiting Assistant Professor at Clark University's Strassler Center for Holocaust and Genocide Studies.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Israel has one of the most extensive and highly developed hiking trail systems of any country in the world. Millions of hikers use the trails every year during holiday breaks, on mandatory school trips, and for recreational hikes. </p><p>Shay Rabineau's <a href="https://bookshop.org/a/12343/9780253064530"><em>Walking the Land: A History of Israeli Hiking Trails</em></a> (Indiana UP, 2023) offers the first scholarly exploration of this unique trail system. Featuring more than ten thousand kilometers of trails, marked with hundreds of thousands of colored blazes, the trail system crisscrosses Israeli-controlled territory, from the country's farthest borders to its densest metropolitan areas. The thousand-kilometer Israel National Trail crosses the country from north to south. Hiking, trails, and the ubiquitous three-striped trail blazes appear everywhere in Israeli popular culture; they are the subjects of news articles, radio programs, television shows, best-selling novels, government debates, and even national security speeches. Yet the trail system is almost completely unknown to the millions of foreign tourists who visit every year and has been largely unstudied by scholars of Israel. Walking the Land explores the many ways that Israel's hiking trails are significant to its history, national identity, and conservation efforts.</p><p><a href="https://sites.google.com/view/christopherpdavey/home"><em>Christopher P. Davey</em></a><em> is Visiting Assistant Professor at Clark University's Strassler Center for Holocaust and Genocide Studies.</em></p>]]>
      </content:encoded>
      <itunes:duration>3390</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Philipp Stelzel, "The Faculty Lounge: A Cocktail Guide for Academics" (Indiana UP, 2023)</title>
      <description>The life of a scholar is stressful. The best way to muddle through is with a stiff drink. Balancing teaching, research, and service more than merits a cocktail at the end of a long day. So, sit back, relax, and infuse some intoxicating humor into old-fashioned academia. A humorous handbook for surviving life in higher education, The Faculty Lounge: A Cocktail Guide for Academics (Indiana University Press, 2023), provides deserving scholars with a wide range of academic-themed drink recipes. Philipp Stelzel shares more than 50 recipes for all palates, including The Dissertation Committee (rum), The Faculty Meeting (rye), The Presidential Platitude (gin), and more. Offering cocktails for every academic occasion along with spirited, amusing commentary, The Faculty Lounge is the perfect gift for graduate students, tenure-track professors, and disillusioned administrators.
Philipp Stelzel is a specialist in post-World War II German, West European, and transatlantic political and intellectual history. After earning his PhD at the University of North Carolina, Stelzel taught at Duke University and Boston College before coming to Duquesne in 2014. His first book, History after Hitler: a Transatlantic Enterprise (University of Pennsylvania Press, 2018) analyzes the intellectual exchange between German and American historians of modern Germany from the end of World War II to the 1980s.
﻿Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.</description>
      <pubDate>Wed, 18 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1371</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Philipp Stelzel</itunes:subtitle>
      <itunes:summary>The life of a scholar is stressful. The best way to muddle through is with a stiff drink. Balancing teaching, research, and service more than merits a cocktail at the end of a long day. So, sit back, relax, and infuse some intoxicating humor into old-fashioned academia. A humorous handbook for surviving life in higher education, The Faculty Lounge: A Cocktail Guide for Academics (Indiana University Press, 2023), provides deserving scholars with a wide range of academic-themed drink recipes. Philipp Stelzel shares more than 50 recipes for all palates, including The Dissertation Committee (rum), The Faculty Meeting (rye), The Presidential Platitude (gin), and more. Offering cocktails for every academic occasion along with spirited, amusing commentary, The Faculty Lounge is the perfect gift for graduate students, tenure-track professors, and disillusioned administrators.
Philipp Stelzel is a specialist in post-World War II German, West European, and transatlantic political and intellectual history. After earning his PhD at the University of North Carolina, Stelzel taught at Duke University and Boston College before coming to Duquesne in 2014. His first book, History after Hitler: a Transatlantic Enterprise (University of Pennsylvania Press, 2018) analyzes the intellectual exchange between German and American historians of modern Germany from the end of World War II to the 1980s.
﻿Michael G. Vann is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The life of a scholar is stressful. The best way to muddle through is with a stiff drink. Balancing teaching, research, and service more than merits a cocktail at the end of a long day. So, sit back, relax, and infuse some intoxicating humor into old-fashioned academia. A humorous handbook for surviving life in higher education, <a href="https://bookshop.org/a/12343/9780253067050"><em>The Faculty Lounge: A Cocktail Guide for Academics</em></a> (Indiana University Press, 2023), provides deserving scholars with a wide range of academic-themed drink recipes. Philipp Stelzel shares more than 50 recipes for all palates, including The Dissertation Committee (rum), The Faculty Meeting (rye), The Presidential Platitude (gin), and more. Offering cocktails for every academic occasion along with spirited, amusing commentary, <em>The Faculty Lounge</em> is the perfect gift for graduate students, tenure-track professors, and disillusioned administrators.</p><p>Philipp Stelzel is a specialist in post-World War II German, West European, and transatlantic political and intellectual history. After earning his PhD at the University of North Carolina, Stelzel taught at Duke University and Boston College before coming to Duquesne in 2014. His first book, <em>History after Hitler: a Transatlantic Enterprise</em> (University of Pennsylvania Press, 2018) analyzes the intellectual exchange between German and American historians of modern Germany from the end of World War II to the 1980s.</p><p><em>﻿</em><a href="https://michaelvann.academia.edu/"><em>Michael G. Vann</em></a><em> is a professor of world history at California State University, Sacramento. A specialist in imperialism and the Cold War in Southeast Asia, he is the author of </em><a href="https://global.oup.com/ushe/product/the-great-hanoi-rat-hunt-9780190602697?cc=us&amp;lang=en&amp;"><em>The Great Hanoi Rat Hunt: Empires, Disease, and Modernity in French Colonial Vietnam</em></a><em> (Oxford University Press, 2018). When he’s not reading or talking about new books with smart people, Mike can be found surfing in Santa Cruz, California.</em></p>]]>
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      <itunes:duration>2869</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Kevin Funk, "Rooted Globalism: Arab–Latin American Business Elites and the Politics of Global Imaginaries" (Indiana UP, 2022)</title>
      <description>Triumphant capitalism has in our time engendered a new global class that lives and works in a borderless world, beyond the reach of national politics or sovereign power. Or has it? In Rooted Globalism: Arab-Latin American Business Elites and the Politics of Global Imaginaries (Indiana University Press, 2022), Kevin Funk challenges the commonsensical view that today members of a global capitalist class have little or no need of national loyalty. Teasing the global apart from the transnational and de-national, Funk delineates a global capitalist ideal type, which he adopts as a heuristic for study of Arab-Latin American business elites. Through relational interviews he shows that global capitalism’s ostensible new class might be more rooted in place than either those who champion its achievements or who reluctantly take its existence for granted would have us believe. Evidence of a global capitalist class consciousness, he explains on this episode of New Books in Interpretive Political and Social Science, is hard to find.
This is happy news, for two reasons. First, if business elites are subject to national politics after all then they can be taxed and regulated. Second, if global capitalism is less hegemonic and more fragmented than both its cheerleaders and critics say it is then it is vulnerable — not only to nativism and anti-globalism, but more optimistically to a different type of globalism from the one currently represented in airport terminals and business magazines. And if global capitalism is vulnerable then another globalism is possible.
Nick Cheesman is associate professor in the Department of Political and Social Change, Australian National University where he co-convenes the Interpretation, Method, Critique network; and, a committee member of the Interpretive Methodologies and Methods group of the American Political Science Association.</description>
      <pubDate>Wed, 20 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Kevin Funk</itunes:subtitle>
      <itunes:summary>Triumphant capitalism has in our time engendered a new global class that lives and works in a borderless world, beyond the reach of national politics or sovereign power. Or has it? In Rooted Globalism: Arab-Latin American Business Elites and the Politics of Global Imaginaries (Indiana University Press, 2022), Kevin Funk challenges the commonsensical view that today members of a global capitalist class have little or no need of national loyalty. Teasing the global apart from the transnational and de-national, Funk delineates a global capitalist ideal type, which he adopts as a heuristic for study of Arab-Latin American business elites. Through relational interviews he shows that global capitalism’s ostensible new class might be more rooted in place than either those who champion its achievements or who reluctantly take its existence for granted would have us believe. Evidence of a global capitalist class consciousness, he explains on this episode of New Books in Interpretive Political and Social Science, is hard to find.
This is happy news, for two reasons. First, if business elites are subject to national politics after all then they can be taxed and regulated. Second, if global capitalism is less hegemonic and more fragmented than both its cheerleaders and critics say it is then it is vulnerable — not only to nativism and anti-globalism, but more optimistically to a different type of globalism from the one currently represented in airport terminals and business magazines. And if global capitalism is vulnerable then another globalism is possible.
Nick Cheesman is associate professor in the Department of Political and Social Change, Australian National University where he co-convenes the Interpretation, Method, Critique network; and, a committee member of the Interpretive Methodologies and Methods group of the American Political Science Association.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Triumphant capitalism has in our time engendered a new global class that lives and works in a borderless world, beyond the reach of national politics or sovereign power. Or has it? In <em>Rooted Globalism: Arab-Latin American Business Elites and the Politics of Global Imaginaries </em>(<a href="https://iupress.org/9780253062543/rooted-globalism/">Indiana University Press</a>, 2022), <a href="https://polisci.columbia.edu/content/kevin-b-funk">Kevin Funk</a> challenges the commonsensical view that today members of a global capitalist class have little or no need of national loyalty. Teasing the global apart from the transnational and de-national, Funk delineates a global capitalist ideal type, which he adopts as a heuristic for study of Arab-Latin American business elites. Through <a href="https://newbooksnetwork.com/interviewing-in-social-science-research#entry:52711@1:url">relational interviews</a> he shows that global capitalism’s ostensible new class might be more rooted in place than either those who champion its achievements or who reluctantly take its existence for granted would have us believe. Evidence of a global capitalist class consciousness, he explains on this episode of <a href="https://newbooksnetwork.com/category/academic-partners/interpretive-political-and-social-science">New Books in Interpretive Political and Social Science</a>, is hard to find.</p><p>This is happy news, for two reasons. First, if business elites are subject to national politics after all then they can be taxed and regulated. Second, if global capitalism is less hegemonic and more fragmented than both its cheerleaders and critics say it is then it is vulnerable — not only to nativism and anti-globalism, but more optimistically to a different type of globalism from the one currently represented in airport terminals and business magazines. And if global capitalism is vulnerable then another globalism is possible.</p><p><a href="https://www.nickcheesman.net/"><em>Nick Cheesman</em></a><em> is associate professor in the Department of Political and Social Change, Australian National University where he co-convenes the </em><a href="https://politicsir.cass.anu.edu.au/research/projects/interpretation-method-critique"><em>Interpretation, Method, Critique</em></a><em> network; and, a committee member of the </em><a href="https://connect.apsanet.org/interpretationandmethod/"><em>Interpretive Methodologies and Methods</em></a><em> group of the American Political Science Association.</em></p>]]>
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      <itunes:duration>3341</itunes:duration>
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    <item>
      <title>Omolade Adunbi, "Enclaves of Exception: Special Economic Zones and Extractive Practices in Nigeria" (Indiana UP, 2022)</title>
      <description>How do we measure and truly grasp the sweeping social and environmental effects of an oil-based economy? 
Focusing on the special economic zones resulting from China's trading partnership with Nigeria, Enclaves of Exception: Special Economic Zones and Extractive Practices in Nigeria (Indiana UP, 2022) offers a new approach to exploring the relationship between oil and technologies of extraction and their interrelatedness to local livelihoods and environmental practices. In this groundbreaking work, Omolade Adunbi argues that even though the exploitation of oil resources is dominated by big corporations, it establishes opportunities for many former Nigerian insurgents and their local communities to contest the ownership of such resources in the oil-rich Niger Delta and to extract oil themselves and sell it. Based on extensive ethnographic fieldwork, Enclaves of Exception makes clear that, although both the free trade zones and the now booming local artisanal refineries share the goals of profit-making and are enthusiastically supported by those benefiting from them economically, they have yielded dramatically the same environmental outcome for communities around them that included pollution with precarious effects on the health of the populations in the regions, and displacement of population from their livelihood practices.</description>
      <pubDate>Mon, 31 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>97</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Omolade Adunbi</itunes:subtitle>
      <itunes:summary>How do we measure and truly grasp the sweeping social and environmental effects of an oil-based economy? 
Focusing on the special economic zones resulting from China's trading partnership with Nigeria, Enclaves of Exception: Special Economic Zones and Extractive Practices in Nigeria (Indiana UP, 2022) offers a new approach to exploring the relationship between oil and technologies of extraction and their interrelatedness to local livelihoods and environmental practices. In this groundbreaking work, Omolade Adunbi argues that even though the exploitation of oil resources is dominated by big corporations, it establishes opportunities for many former Nigerian insurgents and their local communities to contest the ownership of such resources in the oil-rich Niger Delta and to extract oil themselves and sell it. Based on extensive ethnographic fieldwork, Enclaves of Exception makes clear that, although both the free trade zones and the now booming local artisanal refineries share the goals of profit-making and are enthusiastically supported by those benefiting from them economically, they have yielded dramatically the same environmental outcome for communities around them that included pollution with precarious effects on the health of the populations in the regions, and displacement of population from their livelihood practices.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do we measure and truly grasp the sweeping social and environmental effects of an oil-based economy? </p><p>Focusing on the special economic zones resulting from China's trading partnership with Nigeria, <a href="https://iupress.org/9780253059574/enclaves-of-exception/"><em>Enclaves of Exception: Special Economic Zones and Extractive Practices in Nigeria</em></a> (Indiana UP, 2022) offers a new approach to exploring the relationship between oil and technologies of extraction and their interrelatedness to local livelihoods and environmental practices. In this groundbreaking work, Omolade Adunbi argues that even though the exploitation of oil resources is dominated by big corporations, it establishes opportunities for many former Nigerian insurgents and their local communities to contest the ownership of such resources in the oil-rich Niger Delta and to extract oil themselves and sell it. Based on extensive ethnographic fieldwork, <em>Enclaves of Exception</em> makes clear that, although both the free trade zones and the now booming local artisanal refineries share the goals of profit-making and are enthusiastically supported by those benefiting from them economically, they have yielded dramatically the same environmental outcome for communities around them that included pollution with precarious effects on the health of the populations in the regions, and displacement of population from their livelihood practices.</p>]]>
      </content:encoded>
      <itunes:duration>2513</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Michele Meek, "Consent Culture and Teen Films: Adolescent Sexuality in US Movies" (Indiana UP, 2023)</title>
      <description>Teen films of the 1980s were notorious for treating consent as irrelevant, with scenes of boys spying in girls' locker rooms and tricking girls into sex. While contemporary movies now routinely prioritize consent, ensure date rape is no longer a joke, and celebrate girls' desires, sexual consent remains a problematic and often elusive ideal in teen films.
In Consent Culture and Teen Films: Adolescent Sexuality in US Movies (Indiana UP, 2023), Michele Meek traces the history of adolescent sexuality in US cinema and examines how several films from the 2000s, including Blockers, To All the Boys I've Loved Before, The Kissing Booth, and Alex Strangelove, take consent into account. Yet, at the same time, Meek reveals that teen films expose how affirmative consent ("yes means yes") fails to protect youth from unwanted and unpleasant sexual encounters. By highlighting ambiguous sexual interactions in teen films—such as girls' failure to obtain consent from boys, queer teens subjected to conversion therapy camps, and youth manipulated into sexual relationships with adults—Meek unravels some of consent's intricacies rather than relying on oversimplification.
By exposing affirmative consent in teen films as gendered, heteronormative, and cis-centered, Consent Culture and Teen Films suggests we must continue building a more inclusive consent framework that normalizes youth sexual desire and agency with all its complexities and ambivalences.
﻿Peter C. Kunze is a visiting assistant professor of communication at Tulane University.</description>
      <pubDate>Mon, 17 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>171</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Michele Meek</itunes:subtitle>
      <itunes:summary>Teen films of the 1980s were notorious for treating consent as irrelevant, with scenes of boys spying in girls' locker rooms and tricking girls into sex. While contemporary movies now routinely prioritize consent, ensure date rape is no longer a joke, and celebrate girls' desires, sexual consent remains a problematic and often elusive ideal in teen films.
In Consent Culture and Teen Films: Adolescent Sexuality in US Movies (Indiana UP, 2023), Michele Meek traces the history of adolescent sexuality in US cinema and examines how several films from the 2000s, including Blockers, To All the Boys I've Loved Before, The Kissing Booth, and Alex Strangelove, take consent into account. Yet, at the same time, Meek reveals that teen films expose how affirmative consent ("yes means yes") fails to protect youth from unwanted and unpleasant sexual encounters. By highlighting ambiguous sexual interactions in teen films—such as girls' failure to obtain consent from boys, queer teens subjected to conversion therapy camps, and youth manipulated into sexual relationships with adults—Meek unravels some of consent's intricacies rather than relying on oversimplification.
By exposing affirmative consent in teen films as gendered, heteronormative, and cis-centered, Consent Culture and Teen Films suggests we must continue building a more inclusive consent framework that normalizes youth sexual desire and agency with all its complexities and ambivalences.
﻿Peter C. Kunze is a visiting assistant professor of communication at Tulane University.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Teen films of the 1980s were notorious for treating consent as irrelevant, with scenes of boys spying in girls' locker rooms and tricking girls into sex. While contemporary movies now routinely prioritize consent, ensure date rape is no longer a joke, and celebrate girls' desires, sexual consent remains a problematic and often elusive ideal in teen films.</p><p>In <a href="https://bookshop.org/a/12343/9780253065742"><em>Consent Culture and Teen Films: Adolescent Sexuality in US Movies</em></a> (Indiana UP, 2023), Michele Meek traces the history of adolescent sexuality in US cinema and examines how several films from the 2000s, including <em>Blockers</em>, <em>To All the Boys I've Loved Before</em>, <em>The Kissing Booth</em>, and <em>Alex Strangelove</em>, take consent into account. Yet, at the same time, Meek reveals that teen films expose how affirmative consent ("yes means yes") fails to protect youth from unwanted and unpleasant sexual encounters. By highlighting ambiguous sexual interactions in teen films—such as girls' failure to obtain consent from boys, queer teens subjected to conversion therapy camps, and youth manipulated into sexual relationships with adults—Meek unravels some of consent's intricacies rather than relying on oversimplification.</p><p>By exposing affirmative consent in teen films as gendered, heteronormative, and cis-centered, <em>Consent Culture and Teen Films</em> suggests we must continue building a more inclusive consent framework that normalizes youth sexual desire and agency with all its complexities and ambivalences.</p><p><em>﻿</em><a href="https://tulane.academia.edu/kunze"><em>Peter C. Kunze</em></a><em> is a visiting assistant professor of communication at Tulane University.</em></p>]]>
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      <itunes:duration>2859</itunes:duration>
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      <title>Laura Hobson Faure, "A 'Jewish Marshall Plan': The American Jewish Presence in Post-Holocaust France" (Indiana UP, 2022)</title>
      <description>While the role the United States played in France’s liberation from Nazi Germany is widely celebrated, it is less well known that American Jewish individuals and organizations mobilized to reconstruct Jewish life in France after the Holocaust. In A 'Jewish Marshall Plan': The American Jewish Presence in Post-Holocaust France (Indiana UP, 2022), Laura Hobson Faure explores how American Jews committed themselves and hundreds of millions of dollars to bring much needed aid to their French coreligionists.
Hobson Faure sheds light on American Jewish chaplains, members of the Armed Forces, and those involved with Jewish philanthropic organizations who sought out Jewish survivors and became deeply entangled with the communities they helped to rebuild. While well intentioned, their actions did not always meet the needs and desires of the French Jews.
A 'Jewish Marshall Plan' examines the complex interactions, exchanges, and solidarities created between American and French Jews following the Holocaust. Challenging the assumption that French Jews were passive recipients of aid, this work reveals their work as active partners who negotiated their own role in the reconstruction process.
Geraldine Gudefin is a French-born modern Jewish historian researching Jewish family life, legal pluralism, and the migration experiences of Jews in France and the United States. She is currently a research fellow at the Hebrew University’s Avraham Harman Research Institute of Contemporary Jewry, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939.</description>
      <pubDate>Mon, 10 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>392</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Laura Hobson Faure</itunes:subtitle>
      <itunes:summary>While the role the United States played in France’s liberation from Nazi Germany is widely celebrated, it is less well known that American Jewish individuals and organizations mobilized to reconstruct Jewish life in France after the Holocaust. In A 'Jewish Marshall Plan': The American Jewish Presence in Post-Holocaust France (Indiana UP, 2022), Laura Hobson Faure explores how American Jews committed themselves and hundreds of millions of dollars to bring much needed aid to their French coreligionists.
Hobson Faure sheds light on American Jewish chaplains, members of the Armed Forces, and those involved with Jewish philanthropic organizations who sought out Jewish survivors and became deeply entangled with the communities they helped to rebuild. While well intentioned, their actions did not always meet the needs and desires of the French Jews.
A 'Jewish Marshall Plan' examines the complex interactions, exchanges, and solidarities created between American and French Jews following the Holocaust. Challenging the assumption that French Jews were passive recipients of aid, this work reveals their work as active partners who negotiated their own role in the reconstruction process.
Geraldine Gudefin is a French-born modern Jewish historian researching Jewish family life, legal pluralism, and the migration experiences of Jews in France and the United States. She is currently a research fellow at the Hebrew University’s Avraham Harman Research Institute of Contemporary Jewry, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While the role the United States played in France’s liberation from Nazi Germany is widely celebrated, it is less well known that American Jewish individuals and organizations mobilized to reconstruct Jewish life in France after the Holocaust. In<a href="https://bookshop.org/a/12343/9780253059680"> <em>A 'Jewish Marshall Plan': The American Jewish Presence in Post-Holocaust France</em></a> (Indiana UP, 2022), Laura Hobson Faure explores how American Jews committed themselves and hundreds of millions of dollars to bring much needed aid to their French coreligionists.</p><p>Hobson Faure sheds light on American Jewish chaplains, members of the Armed Forces, and those involved with Jewish philanthropic organizations who sought out Jewish survivors and became deeply entangled with the communities they helped to rebuild. While well intentioned, their actions did not always meet the needs and desires of the French Jews.</p><p><em>A 'Jewish Marshall Plan'</em> examines the complex interactions, exchanges, and solidarities created between American and French Jews following the Holocaust. Challenging the assumption that French Jews were passive recipients of aid, this work reveals their work as active partners who negotiated their own role in the reconstruction process.</p><p><a href="https://huji.academia.edu/GeraldineGudefin"><em>Geraldine Gudefin</em></a><em> is a French-born modern Jewish historian researching Jewish family life, legal pluralism, and the migration experiences of Jews in France and the United States. She is currently a research fellow at the Hebrew University’s Avraham Harman Research Institute of Contemporary Jewry, and is completing a book titled An Impossible Divorce? East European Jews and the Limits of Legal Pluralism in France, 1900-1939.</em></p>]]>
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      <itunes:duration>4151</itunes:duration>
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      <title>Sabri Ciftci et al., "Beyond Piety and Politics: Religion, Social Relations, and Public Preferences in the Middle East and North Africa" (Indiana UP, 2022)</title>
      <description>How do ordinary men and women in Muslim-majority societies create religion-informed views of political topics such as democracy and economics? Beyond Piety and Politics: Religion, Social Relations, and Public Preferences in the Middle East and North Africa (Indiana UP, 2022) provides a groundbreaking approach to understanding the depth and variety of political attitudes held by people who consider themselves to be pious Muslims. Using survey data on religious preferences and behavior, the authors argue for the relevance and importance of four outlook categories—religious individualist, social communitarian, religious communitarian, and post-Islamist—and use these to explore complex and nuanced attitudes of devout Muslims toward issues like democracy and economic distribution. They also reveal how intrafaith variation in political attitudes is not due simply to doctrinal differences but is also a product of the social aspects of religious association operating within political contexts.
Sabri Ciftci is a professor of political science and Michael W. Suleiman Chair at Kansas State University. His research interests include Islam and democracy, Middle East, and Turkish foreign policy. Ciftci is the author of Islam, Justice, and Democracy (2021, Temple University Press) and co-author of Beyond Piety and Politics (2022, Indiana University Press). He has also widely published in journals like Comparative Political Studies, Political Research Quarterly, Democratization, and Foreign Policy Analysis among others. When not researching or teaching, Ciftci likes to spend time with his family, hike, or draw Islamic calligraphy.
Michael Wuthrich is an associate professor of political science and the associate director of the Center for Global and International Studies at the University of Kansas. In addition to co-authorship of Beyond Piety and Politics, he is the author of National Elections in Turkey: People Politics and the Party System and numerous journal articles. His research explores campaigns and elections in Turkey, institutions and politics in Iran, and populism, religion, and gender in politics comparatively in MENA and beyond.
Ammar Shamaileh is Assistant Professor of Politics and International Relations at the Doha Institute for Graduate Studies. His research interests primarily reside at the intersection of comparative non-democratic politics and political behavior. His current research focuses on autocratic ruling networks. He is the author of the book Trust and Terror and the coauthor of Beyond Piety and Politics. His work has appeared in Comparative Politics, International Interactions, Political Research Quarterly and Omran, among other journals.
Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu or tweet to @LAbdelaaty.</description>
      <pubDate>Mon, 27 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>642</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Sabri Ciftci, F. Michael Wuthrich, and Ammar Shamaileh</itunes:subtitle>
      <itunes:summary>How do ordinary men and women in Muslim-majority societies create religion-informed views of political topics such as democracy and economics? Beyond Piety and Politics: Religion, Social Relations, and Public Preferences in the Middle East and North Africa (Indiana UP, 2022) provides a groundbreaking approach to understanding the depth and variety of political attitudes held by people who consider themselves to be pious Muslims. Using survey data on religious preferences and behavior, the authors argue for the relevance and importance of four outlook categories—religious individualist, social communitarian, religious communitarian, and post-Islamist—and use these to explore complex and nuanced attitudes of devout Muslims toward issues like democracy and economic distribution. They also reveal how intrafaith variation in political attitudes is not due simply to doctrinal differences but is also a product of the social aspects of religious association operating within political contexts.
Sabri Ciftci is a professor of political science and Michael W. Suleiman Chair at Kansas State University. His research interests include Islam and democracy, Middle East, and Turkish foreign policy. Ciftci is the author of Islam, Justice, and Democracy (2021, Temple University Press) and co-author of Beyond Piety and Politics (2022, Indiana University Press). He has also widely published in journals like Comparative Political Studies, Political Research Quarterly, Democratization, and Foreign Policy Analysis among others. When not researching or teaching, Ciftci likes to spend time with his family, hike, or draw Islamic calligraphy.
Michael Wuthrich is an associate professor of political science and the associate director of the Center for Global and International Studies at the University of Kansas. In addition to co-authorship of Beyond Piety and Politics, he is the author of National Elections in Turkey: People Politics and the Party System and numerous journal articles. His research explores campaigns and elections in Turkey, institutions and politics in Iran, and populism, religion, and gender in politics comparatively in MENA and beyond.
Ammar Shamaileh is Assistant Professor of Politics and International Relations at the Doha Institute for Graduate Studies. His research interests primarily reside at the intersection of comparative non-democratic politics and political behavior. His current research focuses on autocratic ruling networks. He is the author of the book Trust and Terror and the coauthor of Beyond Piety and Politics. His work has appeared in Comparative Politics, International Interactions, Political Research Quarterly and Omran, among other journals.
Lamis Abdelaaty is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of Discrimination and Delegation: Explaining State Responses to Refugees (Oxford University Press, 2021). Email her comments at labdelaa@syr.edu or tweet to @LAbdelaaty.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do ordinary men and women in Muslim-majority societies create religion-informed views of political topics such as democracy and economics? <a href="https://bookshop.org/a/12343/9780253060525"><em>Beyond Piety and Politics: Religion, Social Relations, and Public Preferences in the Middle East and North Africa</em></a><em> </em>(Indiana UP, 2022) provides a groundbreaking approach to understanding the depth and variety of political attitudes held by people who consider themselves to be pious Muslims. Using survey data on religious preferences and behavior, the authors argue for the relevance and importance of four outlook categories—religious individualist, social communitarian, religious communitarian, and post-Islamist—and use these to explore complex and nuanced attitudes of devout Muslims toward issues like democracy and economic distribution. They also reveal how intrafaith variation in political attitudes is not due simply to doctrinal differences but is also a product of the social aspects of religious association operating within political contexts.</p><p><strong>Sabri Ciftci</strong> is a professor of political science and Michael W. Suleiman Chair at Kansas State University. His research interests include Islam and democracy, Middle East, and Turkish foreign policy. Ciftci is the author of <em>Islam, Justice, and Democracy</em> (2021, Temple University Press) and co-author of <a href="https://iupress.org/9780253060532/beyond-piety-and-politics/"><em>Beyond Piety and Politics</em></a> (2022, Indiana University Press). He has also widely published in journals like Comparative Political Studies, Political Research Quarterly, Democratization, and Foreign Policy Analysis among others. When not researching or teaching, Ciftci likes to spend time with his family, hike, or draw Islamic calligraphy.</p><p><strong>Michael Wuthrich</strong> is an associate professor of political science and the associate director of the Center for Global and International Studies at the University of Kansas. In addition to co-authorship of <em>Beyond Piety and Politics</em>, he is the author of <em>National Elections in Turkey: People Politics and the Party System </em>and numerous journal articles. His research explores campaigns and elections in Turkey, institutions and politics in Iran, and populism, religion, and gender in politics comparatively in MENA and beyond.</p><p><strong>Ammar Shamaileh</strong> is Assistant Professor of Politics and International Relations at the Doha Institute for Graduate Studies. His research interests primarily reside at the intersection of comparative non-democratic politics and political behavior. His current research focuses on autocratic ruling networks. He is the author of the book <em>Trust and Terror </em>and the coauthor of <em>Beyond Piety and Politics</em>. His work has appeared in <em>Comparative Politics</em>, <em>International Interactions</em>, <em>Political Research Quarterly</em> and <em>Omran</em>, among other journals.</p><p><a href="https://labdelaa.expressions.syr.edu/"><em>Lamis Abdelaaty</em></a><em> is an associate professor of political science at the Maxwell School of Syracuse University. She is the author of </em><a href="https://global.oup.com/academic/product/discrimination-and-delegation-9780197530061"><em>Discrimination and Delegation: Explaining State Responses to Refugees</em></a><em> (Oxford University Press, 2021). Email her comments at </em><a href="mailto:labdelaa@syr.edu"><em>labdelaa@syr.edu</em></a><em> or tweet to </em><a href="https://twitter.com/LAbdelaaty"><em>@LAbdelaaty</em></a><em>.</em></p>]]>
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      <itunes:duration>2715</itunes:duration>
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    <item>
      <title>Andrea Dara Cooper, "Gendering Modern Jewish Thought" (Indiana UP, 2021)</title>
      <description>The idea of brotherhood has been an important philosophical concept for understanding community, equality, and justice. In Gendering Modern Jewish Thought (Indiana UP, 2021), Andrea Dara Cooper offers a gendered reading that challenges the key figures of the all-male fraternity of twentieth-century Jewish philosophy to open up to the feminine.
Cooper offers a feminist lens, which when applied to thinkers such as Franz Rosenzweig and Emmanuel Levinas, reveals new ways of illuminating questions of relational ethics, embodiment, politics, and positionality. She shows that patriarchal kinship as models of erotic love, brotherhood, and paternity are not accidental in Jewish philosophy, but serve as norms that have excluded women and non-normative individuals.
Gendering Modern Jewish Thought suggests these fraternal models do real damage and must be brought to account in more broadly humanistic frameworks. For Cooper, a more responsible and ethical reading of Jewish philosophy comes forward when it is opened to the voices of mothers, sisters, and daughters.
Lea Greenberg is an editor, translator, and scholar of German and Jewish studies.</description>
      <pubDate>Tue, 31 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>358</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Andrea Dara Cooper</itunes:subtitle>
      <itunes:summary>The idea of brotherhood has been an important philosophical concept for understanding community, equality, and justice. In Gendering Modern Jewish Thought (Indiana UP, 2021), Andrea Dara Cooper offers a gendered reading that challenges the key figures of the all-male fraternity of twentieth-century Jewish philosophy to open up to the feminine.
Cooper offers a feminist lens, which when applied to thinkers such as Franz Rosenzweig and Emmanuel Levinas, reveals new ways of illuminating questions of relational ethics, embodiment, politics, and positionality. She shows that patriarchal kinship as models of erotic love, brotherhood, and paternity are not accidental in Jewish philosophy, but serve as norms that have excluded women and non-normative individuals.
Gendering Modern Jewish Thought suggests these fraternal models do real damage and must be brought to account in more broadly humanistic frameworks. For Cooper, a more responsible and ethical reading of Jewish philosophy comes forward when it is opened to the voices of mothers, sisters, and daughters.
Lea Greenberg is an editor, translator, and scholar of German and Jewish studies.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The idea of brotherhood has been an important philosophical concept for understanding community, equality, and justice. In <a href="https://iupress.org/9780253057563/gendering-modern-jewish-thought/"><em>Gendering Modern Jewish Thought</em></a><em> </em>(Indiana UP, 2021), Andrea Dara Cooper offers a gendered reading that challenges the key figures of the all-male fraternity of twentieth-century Jewish philosophy to open up to the feminine.</p><p>Cooper offers a feminist lens, which when applied to thinkers such as Franz Rosenzweig and Emmanuel Levinas, reveals new ways of illuminating questions of relational ethics, embodiment, politics, and positionality. She shows that patriarchal kinship as models of erotic love, brotherhood, and paternity are not accidental in Jewish philosophy, but serve as norms that have excluded women and non-normative individuals.</p><p><em>Gendering Modern Jewish Thought</em> suggests these fraternal models do real damage and must be brought to account in more broadly humanistic frameworks. For Cooper, a more responsible and ethical reading of Jewish philosophy comes forward when it is opened to the voices of mothers, sisters, and daughters.</p><p><a href="http://linkedin.com/in/lea-h-greenberg-b23836201"><em>Lea Greenberg</em></a><em> is an editor, translator, and scholar of German and Jewish studies.</em></p>]]>
      </content:encoded>
      <itunes:duration>3527</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Sarah Imhoff, "The Lives of Jessie Sampter: Queer, Disabled, Zionist" (Duke UP, 2022)</title>
      <description>In The Lives of Jessie Sampter: Queer, Disabled, Zionist (Duke UP, 2022), Sarah Imhoff tells the story of an individual full of contradictions. Jessie Sampter (1883-1938) was best known for her Course in Zionism (1915), an American primer for understanding support of a Jewish state in Palestine. In 1919, Sampter packed a trousseau, declared herself "married to Palestine," and immigrated there. Yet Sampter's own life and body hardly matched typical Zionist ideals. Although she identified with Judaism, Sampter took up and experimented with spiritual practices from various religions. While Zionism celebrated the strong and healthy body, she spoke of herself as "crippled" from polio and plagued by sickness her whole life. While Zionism applauded reproductive women's bodies, Sampter never married or bore children; in fact, she wrote of homoerotic longings and had same-sex relationships. By charting how Sampter's life did not neatly line up with her own religious and political ideals, Imhoff highlights the complicated and at times conflicting connections between the body, queerness, disability, religion, and nationalism.</description>
      <pubDate>Wed, 11 Jan 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>345</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Sarah Imhoff</itunes:subtitle>
      <itunes:summary>In The Lives of Jessie Sampter: Queer, Disabled, Zionist (Duke UP, 2022), Sarah Imhoff tells the story of an individual full of contradictions. Jessie Sampter (1883-1938) was best known for her Course in Zionism (1915), an American primer for understanding support of a Jewish state in Palestine. In 1919, Sampter packed a trousseau, declared herself "married to Palestine," and immigrated there. Yet Sampter's own life and body hardly matched typical Zionist ideals. Although she identified with Judaism, Sampter took up and experimented with spiritual practices from various religions. While Zionism celebrated the strong and healthy body, she spoke of herself as "crippled" from polio and plagued by sickness her whole life. While Zionism applauded reproductive women's bodies, Sampter never married or bore children; in fact, she wrote of homoerotic longings and had same-sex relationships. By charting how Sampter's life did not neatly line up with her own religious and political ideals, Imhoff highlights the complicated and at times conflicting connections between the body, queerness, disability, religion, and nationalism.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9781478018063"><em>The Lives of Jessie Sampter: Queer, Disabled, Zionist</em></a> (Duke UP, 2022), Sarah Imhoff tells the story of an individual full of contradictions. Jessie Sampter (1883-1938) was best known for her <em>Course in Zionism</em> (1915), an American primer for understanding support of a Jewish state in Palestine. In 1919, Sampter packed a trousseau, declared herself "married to Palestine," and immigrated there. Yet Sampter's own life and body hardly matched typical Zionist ideals. Although she identified with Judaism, Sampter took up and experimented with spiritual practices from various religions. While Zionism celebrated the strong and healthy body, she spoke of herself as "crippled" from polio and plagued by sickness her whole life. While Zionism applauded reproductive women's bodies, Sampter never married or bore children; in fact, she wrote of homoerotic longings and had same-sex relationships. By charting how Sampter's life did not neatly line up with her own religious and political ideals, Imhoff highlights the complicated and at times conflicting connections between the body, queerness, disability, religion, and nationalism.</p>]]>
      </content:encoded>
      <itunes:duration>3981</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Sean Metzger, "The Chinese Atlantic: Seascapes and the Theatricality of Globalization" (Indiana UP, 2020)</title>
      <description>In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy’s “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger’s book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger’s own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger’s book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities &amp; Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies.
Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms.</description>
      <pubDate>Fri, 16 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>47</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Sean Metzger</itunes:subtitle>
      <itunes:summary>In The Chinese Atlantic: Seascapes and the Theatricality of Globalization (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy’s “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger’s book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger’s own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger’s book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities &amp; Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies.
Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://iupress.org/9780253047519/the-chinese-atlantic/"><em>The Chinese Atlantic: Seascapes and the Theatricality of Globalization</em></a> (Indiana University Press, 2020), Sean Metzger proposes a new analytical frame through which to understand discourses of globalization: the so-called Chinese Atlantic. Elaborating on and complicating various Atlantic discourses (among them Paul Gilroy’s “Black Atlantic”), Metzger follows the flows of Chinese labor and capital throughout the Atlantic world, examining various media and aesthetic practices, among them documentary film, public art, and tai chi. As the title implies, Metzger’s book combines multiple disciplinary approaches, including, of course art history and performance studies, to chart the theatricality of seascapes across multiple Atlantic locales. To borrow one of Metzger’s own conceptual metaphors, the book “incorporates” histories and aesthetic genealogies from the Caribbean to the coasts of England and South Africa to propose new modes of apprehending globalization as it constituted through the movement of Chinese people and imaginaries across the ocean. Metzger’s book has been awarded both the 2022 Association for Asian American Studies Book Award for Humanities &amp; Cultural Studies: Interdisciplinary/Media Studies and the 2021 John W. Frick Award from the American Theatre and Drama Society for best book on theater and performance of/in the Americas. Join us for our conversation about the place of the Chinese Atlantic in Asian and Asian American studies.</p><p><em>Julia Keblinska is a member of the Global Arts and Humanities Society of Fellows at the Ohio State University specializing in Chinese media history and comparative socialisms.</em></p>]]>
      </content:encoded>
      <itunes:duration>3454</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Joseph Valente and Margot Gayle Backus, "The Child Sex Scandal and Modern Irish Literature: Writing the Unspeakable" (Indiana UP, 2020)</title>
      <description>What can James Joyce, Kate O’Brien, Edna O’Brien, Keith Ridgway, Tana French, and Anne Enright tell us about Ireland’s culture of child sexual abuse? Much, it turns out. In their 2020 co-authored book, Writing the Unspeakable: The Child Sex Scandal and Modern Irish Literature (Indiana UP, 2020), Margot Gayle Backus and Joseph Valente examine the works of these six modern Irish authors, whose writings are both reflections of and engagements with the “open secrets,” “architecture of containment”, and “enigma of sexual violence” in the Free State/Republic. Join us as we chat about psychoanalysis, the struggle to write about child sexual abuse, the anti-trans and homophobic rhetoric of current Florida and Texas “child protection” laws, and the window that literature provides for thinking about Irish history.
﻿Averill Earls is the Executive Producer of Dig: A History Podcast (a narrative history podcast, rather than interview-based), and an Assistant Professor of History at St. Olaf College.</description>
      <pubDate>Thu, 03 Nov 2022 07:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>27</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Joseph Valente and Margot Gayle Backus</itunes:subtitle>
      <itunes:summary>What can James Joyce, Kate O’Brien, Edna O’Brien, Keith Ridgway, Tana French, and Anne Enright tell us about Ireland’s culture of child sexual abuse? Much, it turns out. In their 2020 co-authored book, Writing the Unspeakable: The Child Sex Scandal and Modern Irish Literature (Indiana UP, 2020), Margot Gayle Backus and Joseph Valente examine the works of these six modern Irish authors, whose writings are both reflections of and engagements with the “open secrets,” “architecture of containment”, and “enigma of sexual violence” in the Free State/Republic. Join us as we chat about psychoanalysis, the struggle to write about child sexual abuse, the anti-trans and homophobic rhetoric of current Florida and Texas “child protection” laws, and the window that literature provides for thinking about Irish history.
﻿Averill Earls is the Executive Producer of Dig: A History Podcast (a narrative history podcast, rather than interview-based), and an Assistant Professor of History at St. Olaf College.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What can James Joyce, Kate O’Brien, Edna O’Brien, Keith Ridgway, Tana French, and Anne Enright tell us about Ireland’s culture of child sexual abuse? Much, it turns out. In their 2020 co-authored book, <a href="https://bookshop.org/a/12343/9780253053183"><em>Writing the Unspeakable: The Child Sex Scandal and Modern Irish Literature</em></a><em> </em>(Indiana UP, 2020), Margot Gayle Backus and Joseph Valente examine the works of these six modern Irish authors, whose writings are both reflections of and engagements with the “open secrets,” “architecture of containment”, and “enigma of sexual violence” in the Free State/Republic. Join us as we chat about psychoanalysis, the struggle to write about child sexual abuse, the anti-trans and homophobic rhetoric of current Florida and Texas “child protection” laws, and the window that literature provides for thinking about Irish history.</p><p><em>﻿</em><a href="https://www.averillearls.com/"><em>Averill Earls</em></a><em> is the Executive Producer of </em><a href="https://digpodcast.org/"><em>Dig: A History Podcast</em></a><em> (a narrative history podcast, rather than interview-based), and an Assistant Professor of History at St. Olaf College.</em></p>]]>
      </content:encoded>
      <itunes:duration>5100</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Anton Weiss-Wendt and Nanci Adler, eds., "The Future of the Soviet Past: The Politics of History in Putin's Russia" (Indiana UP, 2021)</title>
      <description>In post-Soviet Russia, there is a persistent trend to repress, control, or even co-opt national history. By reshaping memory to suit a politically convenient narrative, Russia has fashioned a good future out of a "bad past."
While Putin's regime has acquired nearly complete control over interpretations of the past, Anton Weiss-Wendt and Nanci Adler's edited volume The Future of the Soviet Past: The Politics of History in Putin's Russia (Indiana UP, 2021) reveals that Russia's inability to fully rewrite its Soviet history plays an essential part in its current political agenda. Diverse contributors consider the many ways in which public narrative shapes Russian culture—from cinema, television, and music to museums, legislature, and education—as well as how patriotism reflected in these forms of culture implies a casual acceptance of the valorization of Stalin and his role in World War II.
The Future of the Soviet Past provides effective and nuanced examples of how Russia has reimagined its Soviet history as well as how that past still influences Russia's policymaking.
﻿Cynthia M. Horne is a Professor of Political Science at Western Washington University.</description>
      <pubDate>Fri, 28 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>207</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Nanci Adler</itunes:subtitle>
      <itunes:summary>In post-Soviet Russia, there is a persistent trend to repress, control, or even co-opt national history. By reshaping memory to suit a politically convenient narrative, Russia has fashioned a good future out of a "bad past."
While Putin's regime has acquired nearly complete control over interpretations of the past, Anton Weiss-Wendt and Nanci Adler's edited volume The Future of the Soviet Past: The Politics of History in Putin's Russia (Indiana UP, 2021) reveals that Russia's inability to fully rewrite its Soviet history plays an essential part in its current political agenda. Diverse contributors consider the many ways in which public narrative shapes Russian culture—from cinema, television, and music to museums, legislature, and education—as well as how patriotism reflected in these forms of culture implies a casual acceptance of the valorization of Stalin and his role in World War II.
The Future of the Soviet Past provides effective and nuanced examples of how Russia has reimagined its Soviet history as well as how that past still influences Russia's policymaking.
﻿Cynthia M. Horne is a Professor of Political Science at Western Washington University.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In post-Soviet Russia, there is a persistent trend to repress, control, or even co-opt national history. By reshaping memory to suit a politically convenient narrative, Russia has fashioned a good future out of a "bad past."</p><p>While Putin's regime has acquired nearly complete control over interpretations of the past, Anton Weiss-Wendt and Nanci Adler's edited volume <a href="https://bookshop.org/a/12343/9780253057624"><em>The Future of the Soviet Past: The Politics of History in Putin's Russia</em></a> (Indiana UP, 2021) reveals that Russia's inability to fully rewrite its Soviet history plays an essential part in its current political agenda. Diverse contributors consider the many ways in which public narrative shapes Russian culture—from cinema, television, and music to museums, legislature, and education—as well as how patriotism reflected in these forms of culture implies a casual acceptance of the valorization of Stalin and his role in World War II.</p><p><em>The Future of the Soviet Past</em> provides effective and nuanced examples of how Russia has reimagined its Soviet history as well as how that past still influences Russia's policymaking.</p><p><em>﻿</em><a href="https://cynthiamhorne.weebly.com/"><em>Cynthia M. Horne</em></a><em> is a Professor of Political Science at Western Washington University.</em></p>]]>
      </content:encoded>
      <itunes:duration>3090</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Siobhan Lambert-Hurley et al., "Three Centuries of Travel Writing by Muslim Women" (Indiana UP, 2022)</title>
      <description>Siobhan Lambert-Hurley, Daniel Majchrowicz, and Sunil Sharma's edited anthology Three Centuries of Travel Writing by Muslim Women (Indiana University Press 2022) is a collection of travel writings from the late 19th century to the early and mid-20th century. It captures the fascinating lives of diverse Muslim women as they travelled for religious pilgrimage, political reasons, education, and for leisure. This anthology not only recovers the voices of women from a broad range of languages, Urdu, Punjabi, Turkish, and Persian but also provides the historical and cultural contexts necessary to understand the full significance of what these women were trying to convey of their experiences in their context. Such fascinating travel excerpts include those of Mirza Khalil and the Nur Begum’s pilgrimage to hajj or those of the Egyptian Huda Shaarawi or Amina Said’s travel related to their thinking of feminism, the Indonesian communist Suharti Suwarto’s visit to the Soviet Union or the Indian nurse Mehr al-Nisa navigating new life in Ohio, to name just a few of the 45 examples documented here. The historical experiences of Muslim women offers a fascinating and understudied point of insight into the role of imperial, colonial, and global history. 
The original texts gathered are accessible via the accompanying website for you to check out and explore. This anthology will be of interest to anyone working on travel, colonial history, Muslim women, and comparative literature, Islamic Studies. It will also be an excellent resource in many courses that cover a range of topics be it religious piety, feminism, travel, travel writing, and much more.
﻿Shobhana Xavier is an Assistant Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here and here. She may be reached at shobhana.xavier@queensu.ca. You can follow her on Twitter via @shobhanaxavier.</description>
      <pubDate>Fri, 14 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>282</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Siobhan Lambert-Hurley, Daniel Majchrowicz, and Sunil Sharma</itunes:subtitle>
      <itunes:summary>Siobhan Lambert-Hurley, Daniel Majchrowicz, and Sunil Sharma's edited anthology Three Centuries of Travel Writing by Muslim Women (Indiana University Press 2022) is a collection of travel writings from the late 19th century to the early and mid-20th century. It captures the fascinating lives of diverse Muslim women as they travelled for religious pilgrimage, political reasons, education, and for leisure. This anthology not only recovers the voices of women from a broad range of languages, Urdu, Punjabi, Turkish, and Persian but also provides the historical and cultural contexts necessary to understand the full significance of what these women were trying to convey of their experiences in their context. Such fascinating travel excerpts include those of Mirza Khalil and the Nur Begum’s pilgrimage to hajj or those of the Egyptian Huda Shaarawi or Amina Said’s travel related to their thinking of feminism, the Indonesian communist Suharti Suwarto’s visit to the Soviet Union or the Indian nurse Mehr al-Nisa navigating new life in Ohio, to name just a few of the 45 examples documented here. The historical experiences of Muslim women offers a fascinating and understudied point of insight into the role of imperial, colonial, and global history. 
The original texts gathered are accessible via the accompanying website for you to check out and explore. This anthology will be of interest to anyone working on travel, colonial history, Muslim women, and comparative literature, Islamic Studies. It will also be an excellent resource in many courses that cover a range of topics be it religious piety, feminism, travel, travel writing, and much more.
﻿Shobhana Xavier is an Assistant Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here and here. She may be reached at shobhana.xavier@queensu.ca. You can follow her on Twitter via @shobhanaxavier.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Siobhan Lambert-Hurley, Daniel Majchrowicz, and Sunil Sharma's edited anthology <a href="https://bookshop.org/a/12343/9780253062390"><em>Three Centuries of Travel Writing by Muslim Women</em></a><em> </em>(Indiana University Press 2022) is a collection of travel writings from the late 19th century to the early and mid-20th century. It captures the fascinating lives of diverse Muslim women as they travelled for religious pilgrimage, political reasons, education, and for leisure. This anthology not only recovers the voices of women from a broad range of languages, Urdu, Punjabi, Turkish, and Persian but also provides the historical and cultural contexts necessary to understand the full significance of what these women were trying to convey of their experiences in their context. Such fascinating travel excerpts include those of Mirza Khalil and the Nur Begum’s pilgrimage to hajj or those of the Egyptian Huda Shaarawi or Amina Said’s travel related to their thinking of feminism, the Indonesian communist Suharti Suwarto’s visit to the Soviet Union or the Indian nurse Mehr al-Nisa navigating new life in Ohio, to name just a few of the 45 examples documented here. The historical experiences of Muslim women offers a fascinating and understudied point of insight into the role of imperial, colonial, and global history. </p><p>The original texts gathered are accessible via <a href="https://accessingmuslimlives.org/">the accompanying website</a> for you to check out and explore. This anthology will be of interest to anyone working on travel, colonial history, Muslim women, and comparative literature, Islamic Studies. It will also be an excellent resource in many courses that cover a range of topics be it religious piety, feminism, travel, travel writing, and much more.</p><p><em>﻿Shobhana Xavier is an Assistant Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found </em><a href="https://www.queensu.ca/religion/people/faculty/m-shobhana-xavier"><em>here</em></a><em> and </em><a href="https://queensu.academia.edu/ShobhanaXavier."><em>here</em></a><em>. She may be reached at </em><a href="mailto:shobhana.xavier@queensu.ca"><em>shobhana.xavier@queensu.ca</em></a><em>. You can follow her on Twitter via @shobhanaxavier.</em></p>]]>
      </content:encoded>
      <itunes:duration>3647</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Ion Popa, "The Romanian Orthodox Church and the Holocaust" (Indiana UP, 2017)</title>
      <description>In 1930, about 750,000 Jews called Romania home. At the end of World War II, approximately half of them survived. Only recently, after the fall of Communism, are details of the history of the Holocaust in Romania coming to light. 
In The Romanian Orthodox Church and the Holocaust (Indiana UP, 2017), Ion Popa explores this history by scrutinizing the role of the Romanian Orthodox Church from 1938 to the present day. Popa unveils and questions whitewashing myths that covered up the role of the church in supporting official antisemitic policies of the Romanian government. He analyzes the church's relationship with the Jewish community in Romania, with Judaism, and with the state of Israel, as well as the extent to which the church recognizes its part in the persecution and destruction of Romanian Jews. Popa's highly original analysis illuminates how the church responded to accusations regarding its involvement in the Holocaust, the part it played in buttressing the wall of Holocaust denial, and how Holocaust memory has been shaped in Romania today.</description>
      <pubDate>Mon, 03 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>320</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Ion Popa</itunes:subtitle>
      <itunes:summary>In 1930, about 750,000 Jews called Romania home. At the end of World War II, approximately half of them survived. Only recently, after the fall of Communism, are details of the history of the Holocaust in Romania coming to light. 
In The Romanian Orthodox Church and the Holocaust (Indiana UP, 2017), Ion Popa explores this history by scrutinizing the role of the Romanian Orthodox Church from 1938 to the present day. Popa unveils and questions whitewashing myths that covered up the role of the church in supporting official antisemitic policies of the Romanian government. He analyzes the church's relationship with the Jewish community in Romania, with Judaism, and with the state of Israel, as well as the extent to which the church recognizes its part in the persecution and destruction of Romanian Jews. Popa's highly original analysis illuminates how the church responded to accusations regarding its involvement in the Holocaust, the part it played in buttressing the wall of Holocaust denial, and how Holocaust memory has been shaped in Romania today.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1930, about 750,000 Jews called Romania home. At the end of World War II, approximately half of them survived. Only recently, after the fall of Communism, are details of the history of the Holocaust in Romania coming to light. </p><p>In <a href="https://bookshop.org/a/12343/9780253029560"><em>The Romanian Orthodox Church and the Holocaust</em></a> (Indiana UP, 2017), Ion Popa explores this history by scrutinizing the role of the Romanian Orthodox Church from 1938 to the present day. Popa unveils and questions whitewashing myths that covered up the role of the church in supporting official antisemitic policies of the Romanian government. He analyzes the church's relationship with the Jewish community in Romania, with Judaism, and with the state of Israel, as well as the extent to which the church recognizes its part in the persecution and destruction of Romanian Jews. Popa's highly original analysis illuminates how the church responded to accusations regarding its involvement in the Holocaust, the part it played in buttressing the wall of Holocaust denial, and how Holocaust memory has been shaped in Romania today.</p>]]>
      </content:encoded>
      <itunes:duration>7276</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Andreas Hackl, "The Invisible Palestinians: The Hidden Struggle for Inclusion in Jewish Tel Aviv" (Indiana UP, 2022)</title>
      <description>The city of Tel Aviv presents itself as a bastion of liberal values, tolerance, and ultimately of freedom. But like many self-definitions, there is something of a gap between this description and the reality of everyday life. In this gap resides a hidden reality—Palestinians who work, study, and live as an unseen minority, to some degree denied full benefits of equal urban citizenship.
Much of the discourse concerning this descriptive gap focuses on attempts to preserve or contextualise the claim to social liberalism from the Israeli Jewish perspective. A new book by the anthropologist Andreas Hackl, takes a different point of view. The Invisible Palestinians: The Hidden Struggle for Inclusion in Jewish Tel Aviv (Indiana UP, 2022) focuses on what he terms the “immersive invisibility” of Israel’s minority Palestinian population: the challenges they face, the strategies they deploy, and ultimately the consequences of acts of personal and collective self-censorship that define and circumscribe their everyday life and presence in Tel Aviv.
The Invisible Palestinians documents the experiences of a diverse Palestinian population in the Jewish Israeli city: residents and commuters, professionals and day laborers, activists, artists, students. Differences of education, economic wherewithal, and social class aside, all share one central experience: circumscribed citizenship of the Jewish metropolis.
Andreas Hackl is Lecturer in Anthropology of Development at the University of Edinburgh. His research has been published in leading academic journals such as World Development, American Ethnologist, and Social Anthropology. He has worked as a consultant with the International Labour Organization and as a newspaper correspondent based in Jerusalem.
Akin Ajayi (@AkinAjayi) is a writer and editor, based in Tel Aviv.</description>
      <pubDate>Tue, 27 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>45</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Andreas Hackl</itunes:subtitle>
      <itunes:summary>The city of Tel Aviv presents itself as a bastion of liberal values, tolerance, and ultimately of freedom. But like many self-definitions, there is something of a gap between this description and the reality of everyday life. In this gap resides a hidden reality—Palestinians who work, study, and live as an unseen minority, to some degree denied full benefits of equal urban citizenship.
Much of the discourse concerning this descriptive gap focuses on attempts to preserve or contextualise the claim to social liberalism from the Israeli Jewish perspective. A new book by the anthropologist Andreas Hackl, takes a different point of view. The Invisible Palestinians: The Hidden Struggle for Inclusion in Jewish Tel Aviv (Indiana UP, 2022) focuses on what he terms the “immersive invisibility” of Israel’s minority Palestinian population: the challenges they face, the strategies they deploy, and ultimately the consequences of acts of personal and collective self-censorship that define and circumscribe their everyday life and presence in Tel Aviv.
The Invisible Palestinians documents the experiences of a diverse Palestinian population in the Jewish Israeli city: residents and commuters, professionals and day laborers, activists, artists, students. Differences of education, economic wherewithal, and social class aside, all share one central experience: circumscribed citizenship of the Jewish metropolis.
Andreas Hackl is Lecturer in Anthropology of Development at the University of Edinburgh. His research has been published in leading academic journals such as World Development, American Ethnologist, and Social Anthropology. He has worked as a consultant with the International Labour Organization and as a newspaper correspondent based in Jerusalem.
Akin Ajayi (@AkinAjayi) is a writer and editor, based in Tel Aviv.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The city of Tel Aviv presents itself as a bastion of liberal values, tolerance, and ultimately of freedom. But like many self-definitions, there is something of a gap between this description and the reality of everyday life. In this gap resides a hidden reality—Palestinians who work, study, and live as an unseen minority, to some degree denied full benefits of equal urban citizenship.</p><p>Much of the discourse concerning this descriptive gap focuses on attempts to preserve or contextualise the claim to social liberalism from the Israeli Jewish perspective. A new book by the anthropologist Andreas Hackl, takes a different point of view. <a href="https://bookshop.org/a/12343/9780253060822"><em>The Invisible Palestinians: The Hidden Struggle for Inclusion in Jewish Tel Aviv</em></a> (Indiana UP, 2022) focuses on what he terms the “immersive invisibility” of Israel’s minority Palestinian population: the challenges they face, the strategies they deploy, and ultimately the consequences of acts of personal and collective self-censorship that define and circumscribe their everyday life and presence in Tel Aviv.</p><p><em>The Invisible Palestinians</em> documents the experiences of a diverse Palestinian population in the Jewish Israeli city: residents and commuters, professionals and day laborers, activists, artists, students. Differences of education, economic wherewithal, and social class aside, all share one central experience: circumscribed citizenship of the Jewish metropolis.</p><p>Andreas Hackl is Lecturer in Anthropology of Development at the University of Edinburgh. His research has been published in leading academic journals such as World Development, American Ethnologist, and Social Anthropology. He has worked as a consultant with the International Labour Organization and as a newspaper correspondent based in Jerusalem.</p><p><em>Akin Ajayi (@AkinAjayi) is a writer and editor, based in Tel Aviv.</em></p>]]>
      </content:encoded>
      <itunes:duration>3555</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Aaron Kamugisha, "Beyond Coloniality: Citizenship and Freedom in the Caribbean Intellectual Tradition" (Indiana UP, 2019)</title>
      <description>Aaron Kamugisha reads CLR James and Sylvia Wynter to glean from them ways to navigate the “beyond” of coloniality. In his new book Beyond Coloniality: Citizenship and Freedom in the Caribbean Intellectual Tradition (Indiana University Press, 2019), reminds us of a Caribbean radical tradition that is fiercely critical of racism, middle-class complacencies and the incursions of neoliberalism. It is also full of hope, and brings our attention to James’ “newforms of existence that are a gift of the Caribbean to the world” as well as Wynter’s enormous contribution to our understanding of the black experience in the Americas.</description>
      <pubDate>Thu, 22 Sep 2022 20:43:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>57</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Kamugisha reminds us of a Caribbean radical tradition that is fiercely critical of racism, middle-class complacencies and the incursions of neoliberalism...</itunes:subtitle>
      <itunes:summary>Aaron Kamugisha reads CLR James and Sylvia Wynter to glean from them ways to navigate the “beyond” of coloniality. In his new book Beyond Coloniality: Citizenship and Freedom in the Caribbean Intellectual Tradition (Indiana University Press, 2019), reminds us of a Caribbean radical tradition that is fiercely critical of racism, middle-class complacencies and the incursions of neoliberalism. It is also full of hope, and brings our attention to James’ “newforms of existence that are a gift of the Caribbean to the world” as well as Wynter’s enormous contribution to our understanding of the black experience in the Americas.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.cavehill.uwi.edu/fhe/CulturalStudies/staff/dr-aaron-kamugisha.aspx">Aaron Kamugisha</a> reads CLR James and Sylvia Wynter to glean from them ways to navigate the “beyond” of coloniality. In his new book <a href="https://www.amazon.com/dp/B07LC2W95S/?tag=newbooinhis-20"><em>Beyond Coloniality: Citizenship and Freedom in the Caribbean Intellectual Tradition</em></a> (Indiana University Press, 2019), reminds us of a Caribbean radical tradition that is fiercely critical of racism, middle-class complacencies and the incursions of neoliberalism. It is also full of hope, and brings our attention to James’ “newforms of existence that are a gift of the Caribbean to the world” as well as Wynter’s enormous contribution to our understanding of the black experience in the Americas.</p>]]>
      </content:encoded>
      <itunes:duration>3691</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c9d1fd8a-e862-11ee-b5b8-e77a65b9585b]]></guid>
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    <item>
      <title>Dario Miccoli, "A Sephardi Sea: Jewish Memories Across the Modern Mediterranean" (Indiana UP, 2022)</title>
      <description>A Sephardi Sea: Jewish Memories Across the Modern Mediterranean (Indiana UP, 2022) tells the story of Jews from the southern shore of the Mediterranean who, between the late 1940s and the mid-1960s, migrated from their country of birth for Europe, Israel, and beyond. It is a story that explores their contrasting memories of and feelings for a Sephardi Jewish world in North Africa and Egypt that is lost forever but whose echoes many still hear. Surely, some of these Jewish migrants were already familiar with their new countries of residence because of colonial ties or of Zionism, and often spoke the language. Why, then, was the act of leaving so painful and why, more than fifty years afterward, is its memory still so tangible?
Dario Miccoli examines how the memories of a bygone Sephardi Mediterranean world became preserved in three national contexts—Israel, France, and Italy—where the Jews of the Middle East and North Africa and their descendants migrated and nowadays live.
A Sephardi Sea explores how practices of memory- and heritage-making—from the writing of novels and memoirs to the opening of museums and memorials, the activities of heritage associations and state-led celebrations—has filled an identity vacuum in the three countries and helps the Jews from North Africa and Egypt to define their Jewishness in Europe and Israel today but also reinforce their connection to a vanished world now remembered with nostalgia, affection, and sadness.
Roberto Mazza is currently an independent scholar. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref</description>
      <pubDate>Thu, 22 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>195</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Dario Miccoli</itunes:subtitle>
      <itunes:summary>A Sephardi Sea: Jewish Memories Across the Modern Mediterranean (Indiana UP, 2022) tells the story of Jews from the southern shore of the Mediterranean who, between the late 1940s and the mid-1960s, migrated from their country of birth for Europe, Israel, and beyond. It is a story that explores their contrasting memories of and feelings for a Sephardi Jewish world in North Africa and Egypt that is lost forever but whose echoes many still hear. Surely, some of these Jewish migrants were already familiar with their new countries of residence because of colonial ties or of Zionism, and often spoke the language. Why, then, was the act of leaving so painful and why, more than fifty years afterward, is its memory still so tangible?
Dario Miccoli examines how the memories of a bygone Sephardi Mediterranean world became preserved in three national contexts—Israel, France, and Italy—where the Jews of the Middle East and North Africa and their descendants migrated and nowadays live.
A Sephardi Sea explores how practices of memory- and heritage-making—from the writing of novels and memoirs to the opening of museums and memorials, the activities of heritage associations and state-led celebrations—has filled an identity vacuum in the three countries and helps the Jews from North Africa and Egypt to define their Jewishness in Europe and Israel today but also reinforce their connection to a vanished world now remembered with nostalgia, affection, and sadness.
Roberto Mazza is currently an independent scholar. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780253062925"><em>A Sephardi Sea: Jewish Memories Across the Modern Mediterranean</em></a><em> </em>(Indiana UP, 2022) tells the story of Jews from the southern shore of the Mediterranean who, between the late 1940s and the mid-1960s, migrated from their country of birth for Europe, Israel, and beyond. It is a story that explores their contrasting memories of and feelings for a Sephardi Jewish world in North Africa and Egypt that is lost forever but whose echoes many still hear. Surely, some of these Jewish migrants were already familiar with their new countries of residence because of colonial ties or of Zionism, and often spoke the language. Why, then, was the act of leaving so painful and why, more than fifty years afterward, is its memory still so tangible?</p><p>Dario Miccoli examines how the memories of a bygone Sephardi Mediterranean world became preserved in three national contexts—Israel, France, and Italy—where the Jews of the Middle East and North Africa and their descendants migrated and nowadays live.</p><p><em>A Sephardi Sea </em>explores how practices of memory- and heritage-making—from the writing of novels and memoirs to the opening of museums and memorials, the activities of heritage associations and state-led celebrations—has filled an identity vacuum in the three countries and helps the Jews from North Africa and Egypt to define their Jewishness in Europe and Israel today but also reinforce their connection to a vanished world now remembered with nostalgia, affection, and sadness.</p><p><em>Roberto Mazza is currently an independent scholar. He is the host of the </em><a href="https://shows.acast.com/jerusalemunplugged"><em>Jerusalem Unplugged Podcast</em></a><em> and to discuss and propose a book for interview can be reached at </em><a href="mailto:robbymazza@gmail.com"><em>robbymazza@gmail.com</em></a><em>. Twitter and IG: @robbyref</em></p>]]>
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      <itunes:duration>4131</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Philip Hollander, "From Schlemiel to Sabra: Zionist Masculinity and Palestinian Hebrew Literature" (Indiana UP, 2019)</title>
      <description>In From Schlemiel to Sabra: Zionist Masculinity and Palestinian Hebrew Literature (Indiana UP, 2019), Philip Hollander examines how masculine ideals and images of the New Hebrew man shaped the Israeli state. In this innovative book, Hollander uncovers the complex relationship that Jews had with masculinity, interrogating narratives depicting masculinity in the new state as a transition from weak, feminized schlemiels to robust, muscular, and rugged Israelis. Turning to key literary texts by S. Y. Agnon, Y. H. Brenner, L. A. Arieli, and Aharon Reuveni, Hollander reveals how gender and sexuality were intertwined to promote a specific Zionist political agenda. A Zionist masculinity grounded in military prowess could not only protect the new state but also ensure its procreative needs and future. Self-awareness, physical power, fierce loyalty to the state and devotion to the land, humility, and nurture of the young were essential qualities that needed to be cultivated in migrants to the state. By turning to the early literature of Zionist Palestine, Hollander shows how Jews strove to construct a better Jewish future.</description>
      <pubDate>Thu, 25 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>44</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Philip Hollander</itunes:subtitle>
      <itunes:summary>In From Schlemiel to Sabra: Zionist Masculinity and Palestinian Hebrew Literature (Indiana UP, 2019), Philip Hollander examines how masculine ideals and images of the New Hebrew man shaped the Israeli state. In this innovative book, Hollander uncovers the complex relationship that Jews had with masculinity, interrogating narratives depicting masculinity in the new state as a transition from weak, feminized schlemiels to robust, muscular, and rugged Israelis. Turning to key literary texts by S. Y. Agnon, Y. H. Brenner, L. A. Arieli, and Aharon Reuveni, Hollander reveals how gender and sexuality were intertwined to promote a specific Zionist political agenda. A Zionist masculinity grounded in military prowess could not only protect the new state but also ensure its procreative needs and future. Self-awareness, physical power, fierce loyalty to the state and devotion to the land, humility, and nurture of the young were essential qualities that needed to be cultivated in migrants to the state. By turning to the early literature of Zionist Palestine, Hollander shows how Jews strove to construct a better Jewish future.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780253042057"><em>From Schlemiel to Sabra: Zionist Masculinity and Palestinian Hebrew Literature</em></a><em> </em>(Indiana UP, 2019), Philip Hollander examines how masculine ideals and images of the New Hebrew man shaped the Israeli state. In this innovative book, Hollander uncovers the complex relationship that Jews had with masculinity, interrogating narratives depicting masculinity in the new state as a transition from weak, feminized schlemiels to robust, muscular, and rugged Israelis. Turning to key literary texts by S. Y. Agnon, Y. H. Brenner, L. A. Arieli, and Aharon Reuveni, Hollander reveals how gender and sexuality were intertwined to promote a specific Zionist political agenda. A Zionist masculinity grounded in military prowess could not only protect the new state but also ensure its procreative needs and future. Self-awareness, physical power, fierce loyalty to the state and devotion to the land, humility, and nurture of the young were essential qualities that needed to be cultivated in migrants to the state. By turning to the early literature of Zionist Palestine, Hollander shows how Jews strove to construct a better Jewish future.</p>]]>
      </content:encoded>
      <itunes:duration>7575</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Evan Berry, "Climate Politics and the Power of Religion" (Indiana UP, 2022)</title>
      <description>How does our faith affect how we think about and respond to climate change?
Climate Politics and the Power of Religion (Indiana University Press, 2022) is an edited collection that explores the diverse ways that religion shapes climate politics at the local, national, and international levels. Drawing on case studies from across the globe, it stands at the intersection of religious studies, environment policy, and global politics.
From small island nations confronting sea-level rise and intensifying tropical storms to high-elevation communities in the Andes and Himalayas wrestling with accelerating glacial melt, there is tremendous variation in the ways that societies draw on religion to understand and contend with climate change.
Climate Politics and the Power of Religion offers 10 timely case studies that demonstrate how different communities render climate change within their own moral vocabularies and how such moral claims find purchase in activism and public debates about climate policy. Whether it be Hindutva policymakers in India, curanderos in Peru, or working-class people's concerns about the transgressions of petroleum extraction in Trinidad—religion affects how they all are making sense of and responding to this escalating global catastrophe.
Evan Berry is an associate professor of Environmental Humanities at Arizona State University and President of the International Society for the Study of Religion, Nature, and Culture</description>
      <pubDate>Thu, 14 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>122</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Evan Berry</itunes:subtitle>
      <itunes:summary>How does our faith affect how we think about and respond to climate change?
Climate Politics and the Power of Religion (Indiana University Press, 2022) is an edited collection that explores the diverse ways that religion shapes climate politics at the local, national, and international levels. Drawing on case studies from across the globe, it stands at the intersection of religious studies, environment policy, and global politics.
From small island nations confronting sea-level rise and intensifying tropical storms to high-elevation communities in the Andes and Himalayas wrestling with accelerating glacial melt, there is tremendous variation in the ways that societies draw on religion to understand and contend with climate change.
Climate Politics and the Power of Religion offers 10 timely case studies that demonstrate how different communities render climate change within their own moral vocabularies and how such moral claims find purchase in activism and public debates about climate policy. Whether it be Hindutva policymakers in India, curanderos in Peru, or working-class people's concerns about the transgressions of petroleum extraction in Trinidad—religion affects how they all are making sense of and responding to this escalating global catastrophe.
Evan Berry is an associate professor of Environmental Humanities at Arizona State University and President of the International Society for the Study of Religion, Nature, and Culture</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does our faith affect how we think about and respond to climate change?</p><p><a href="https://bookshop.org/a/12343/9780253059062"><em>Climate Politics and the Power of Religion</em></a> (Indiana University Press, 2022) is an edited collection that explores the diverse ways that religion shapes climate politics at the local, national, and international levels. Drawing on case studies from across the globe, it stands at the intersection of religious studies, environment policy, and global politics.</p><p>From small island nations confronting sea-level rise and intensifying tropical storms to high-elevation communities in the Andes and Himalayas wrestling with accelerating glacial melt, there is tremendous variation in the ways that societies draw on religion to understand and contend with climate change.</p><p><em>Climate Politics and the Power of Religion </em>offers 10 timely case studies that demonstrate how different communities render climate change within their own moral vocabularies and how such moral claims find purchase in activism and public debates about climate policy. Whether it be Hindutva policymakers in India, curanderos in Peru, or working-class people's concerns about the transgressions of petroleum extraction in Trinidad—religion affects how they all are making sense of and responding to this escalating global catastrophe.</p><p><em>Evan Berry is an associate professor of Environmental Humanities at Arizona State University and President of the International Society for the Study of Religion, Nature, and Culture</em></p>]]>
      </content:encoded>
      <itunes:duration>3250</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Moses E. Ochonu, "Emirs in London: Subalteran Travel and Nigeria's Modernity" (Indiana UP, 2022)</title>
      <description>Emirs in London: Subalteran Travel and Nigeria's Modernity (Indiana UP, 2022) recounts how Northern Nigerian Muslim aristocrats who traveled to Britain between 1920 and Nigerian independence in 1960 relayed that experience to the Northern Nigerian people.
Moses E. Ochonu shows how rather than simply serving as puppets and mouthpieces of the British Empire, these aristocrats leveraged their travel to the heart of the empire to reinforce their positions as imperial cultural brokers, and to translate and domesticate imperial modernity in a predominantly Muslim society.
Emirs in London explores how, through their experiences visiting the heart of the British Empire, Northern Nigerian aristocrats were enabled to define themselves within the framework of the empire. In doing so, the book reveals a unique colonial sensibility that complements rather than contradicts the traditional perspectives of less privileged Africans toward colonialism.
Moses E. Ochonu is Professor of African History at Vanderbilt University. He is author of Africa in Fragments: Essays on Nigeria, Africa, and Global Africanity; Colonialism by Proxy: Hausa Imperial Agents and Middle Belt Consciousness in Nigeria, which was named finalist for the Herskovits Prize; and Colonial Meltdown: Northern Nigeria in the Great Depression. He is editor of Entrepreneurship in Africa: A Historical Approach.
Sara Katz is a Postdoctoral Associate in the History Department at Duke University.</description>
      <pubDate>Tue, 21 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>136</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Emirs in London: Subalteran Travel and Nigeria's Modernity (Indiana UP, 2022) recounts how Northern Nigerian Muslim aristocrats who traveled to Britain between 1920 and Nigerian independence in 1960 relayed that experience to the Northern Nigerian people.
Moses E. Ochonu shows how rather than simply serving as puppets and mouthpieces of the British Empire, these aristocrats leveraged their travel to the heart of the empire to reinforce their positions as imperial cultural brokers, and to translate and domesticate imperial modernity in a predominantly Muslim society.
Emirs in London explores how, through their experiences visiting the heart of the British Empire, Northern Nigerian aristocrats were enabled to define themselves within the framework of the empire. In doing so, the book reveals a unique colonial sensibility that complements rather than contradicts the traditional perspectives of less privileged Africans toward colonialism.
Moses E. Ochonu is Professor of African History at Vanderbilt University. He is author of Africa in Fragments: Essays on Nigeria, Africa, and Global Africanity; Colonialism by Proxy: Hausa Imperial Agents and Middle Belt Consciousness in Nigeria, which was named finalist for the Herskovits Prize; and Colonial Meltdown: Northern Nigeria in the Great Depression. He is editor of Entrepreneurship in Africa: A Historical Approach.
Sara Katz is a Postdoctoral Associate in the History Department at Duke University.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780253059154"><em>Emirs in London: Subalteran Travel and Nigeria's Modernity</em></a> (Indiana UP, 2022) recounts how Northern Nigerian Muslim aristocrats who traveled to Britain between 1920 and Nigerian independence in 1960 relayed that experience to the Northern Nigerian people.</p><p>Moses E. Ochonu shows how rather than simply serving as puppets and mouthpieces of the British Empire, these aristocrats leveraged their travel to the heart of the empire to reinforce their positions as imperial cultural brokers, and to translate and domesticate imperial modernity in a predominantly Muslim society.</p><p><em>Emirs in London </em>explores how, through their experiences visiting the heart of the British Empire, Northern Nigerian aristocrats were enabled to define themselves within the framework of the empire. In doing so, the book reveals a unique colonial sensibility that complements rather than contradicts the traditional perspectives of less privileged Africans toward colonialism.</p><p>Moses E. Ochonu is Professor of African History at Vanderbilt University. He is author of Africa in Fragments: Essays on Nigeria, Africa, and Global Africanity; Colonialism by Proxy: Hausa Imperial Agents and Middle Belt Consciousness in Nigeria, which was named finalist for the Herskovits Prize; and Colonial Meltdown: Northern Nigeria in the Great Depression. He is editor of Entrepreneurship in Africa: A Historical Approach.</p><p><em>Sara Katz is a Postdoctoral Associate in the History Department at Duke University.</em></p>]]>
      </content:encoded>
      <itunes:duration>5303</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Ryan Watson, "Radical Documentary and Global Crises: Militant Evidence in the Digital Age" (Indiana UP, 2021)</title>
      <description>When independent filmmakers, activists, and amateurs document the struggle for rights, representation, and revolution, they instrumentalize images by advocating for a particular outcome. Ryan Watson calls this "militant evidence."
In Radical Documentary and Global Crises: Militant Evidence in the Digital Age (Indiana UP, 2021), Watson centers the discussion on extreme conflict, such as the Iraq War, the occupation of Palestine, the war in Syria, mass incarceration in the United States, and child soldier conscription in the Congo. Under these conditions, artists and activists aspire to document, archive, witness, and testify. The result is a set of practices that turn documentary media toward a commitment to feature and privilege the media made by the people living through the terror. This footage is then combined with new digitally archived images, stories, and testimonials to impact specific social and political situations.
Radical Documentary and Global Crises re-orients definitions of what a documentary is, how it functions, how it circulates, and how its effect is measured, arguing that militant evidence has the power to expose, to amass, and to adjudicate.
﻿Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, as well as Film poetics and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez.</description>
      <pubDate>Mon, 06 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>120</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Ryan Watson</itunes:subtitle>
      <itunes:summary>When independent filmmakers, activists, and amateurs document the struggle for rights, representation, and revolution, they instrumentalize images by advocating for a particular outcome. Ryan Watson calls this "militant evidence."
In Radical Documentary and Global Crises: Militant Evidence in the Digital Age (Indiana UP, 2021), Watson centers the discussion on extreme conflict, such as the Iraq War, the occupation of Palestine, the war in Syria, mass incarceration in the United States, and child soldier conscription in the Congo. Under these conditions, artists and activists aspire to document, archive, witness, and testify. The result is a set of practices that turn documentary media toward a commitment to feature and privilege the media made by the people living through the terror. This footage is then combined with new digitally archived images, stories, and testimonials to impact specific social and political situations.
Radical Documentary and Global Crises re-orients definitions of what a documentary is, how it functions, how it circulates, and how its effect is measured, arguing that militant evidence has the power to expose, to amass, and to adjudicate.
﻿Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, as well as Film poetics and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When independent filmmakers, activists, and amateurs document the struggle for rights, representation, and revolution, they instrumentalize images by advocating for a particular outcome. Ryan Watson calls this "militant evidence."</p><p>In <a href="https://bookshop.org/a/12343/9780253058003"><em>Radical Documentary and Global Crises: Militant Evidence in the Digital Age</em></a> (Indiana UP, 2021), Watson centers the discussion on extreme conflict, such as the Iraq War, the occupation of Palestine, the war in Syria, mass incarceration in the United States, and child soldier conscription in the Congo. Under these conditions, artists and activists aspire to document, archive, witness, and testify. The result is a set of practices that turn documentary media toward a commitment to feature and privilege the media made by the people living through the terror. This footage is then combined with new digitally archived images, stories, and testimonials to impact specific social and political situations.</p><p><em>Radical Documentary and Global Crises</em> re-orients definitions of what a documentary is, how it functions, how it circulates, and how its effect is measured, arguing that militant evidence has the power to expose, to amass, and to adjudicate.</p><p><em>﻿Gustavo E. Gutiérrez Suárez is PhD candidate in Social Anthropology, and BA in Social Communication. His areas of interest include Andean and Amazonian Anthropology, as well as Film poetics and aesthetics. You can follow him on Twitter vía @GustavoEGSuarez.</em></p>]]>
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      <itunes:duration>3266</itunes:duration>
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    <item>
      <title>Sangeet Kumar, "The Digital Frontier: Infrastructures of Control on the Global Web" (Indiana UP, 2021)</title>
      <description>In The Digital Frontier: Infrastructures of Control on the Global Web (Indiana University Press, 2021), Sangeet Kumar interrogates the world wide web and the digital ecosystem has spawned to reveal how its conventions, protocols, standards, and algorithmic regulations represent a novel form of global power. Kumar shows the operation of this power through the web's "infrastructures of control" visible at sites where the universalizing imperatives of the web run up against local values, norms, and cultures. These include how the idea of the "global common good" is used as a ruse by digital oligopolies to expand their private enclosures, how seemingly collaborative spaces can simultaneously be exclusionary as they regulate legitimate knowledge, how selfhood is being redefined online along with Eurocentric ideals, and how the web's political challenge is felt differentially by sovereign nation-states.
In analysing this new modality of cultural power in the global digital ecosystem, The Digital Frontier is an important read for scholars, activists, academics and students inspired by the utopian dream of a truly representative global digital network.
Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and the public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.</description>
      <pubDate>Tue, 10 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>227</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Sangeet Kumar</itunes:subtitle>
      <itunes:summary>In The Digital Frontier: Infrastructures of Control on the Global Web (Indiana University Press, 2021), Sangeet Kumar interrogates the world wide web and the digital ecosystem has spawned to reveal how its conventions, protocols, standards, and algorithmic regulations represent a novel form of global power. Kumar shows the operation of this power through the web's "infrastructures of control" visible at sites where the universalizing imperatives of the web run up against local values, norms, and cultures. These include how the idea of the "global common good" is used as a ruse by digital oligopolies to expand their private enclosures, how seemingly collaborative spaces can simultaneously be exclusionary as they regulate legitimate knowledge, how selfhood is being redefined online along with Eurocentric ideals, and how the web's political challenge is felt differentially by sovereign nation-states.
In analysing this new modality of cultural power in the global digital ecosystem, The Digital Frontier is an important read for scholars, activists, academics and students inspired by the utopian dream of a truly representative global digital network.
Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and the public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780253056498"><em>The Digital Frontier: Infrastructures of Control on the Global Web</em></a> (Indiana University Press, 2021), Sangeet Kumar interrogates the world wide web and the digital ecosystem has spawned to reveal how its conventions, protocols, standards, and algorithmic regulations represent a novel form of global power. Kumar shows the operation of this power through the web's "infrastructures of control" visible at sites where the universalizing imperatives of the web run up against local values, norms, and cultures. These include how the idea of the "global common good" is used as a ruse by digital oligopolies to expand their private enclosures, how seemingly collaborative spaces can simultaneously be exclusionary as they regulate legitimate knowledge, how selfhood is being redefined online along with Eurocentric ideals, and how the web's political challenge is felt differentially by sovereign nation-states.</p><p>In analysing this new modality of cultural power in the global digital ecosystem, <em>The Digital Frontier</em> is an important read for scholars, activists, academics and students inspired by the utopian dream of a truly representative global digital network.</p><p><em>Rituparna Patgiri, PhD is an Assistant Professor of Sociology at Indraprastha College for Women, University of Delhi. She has a PhD in Sociology from Jawaharlal Nehru University (JNU), New Delhi. Her research interests lie in the areas of food, media, gender and the public. She is also one of the co-founders of </em><a href="https://doingsociology.org/"><em>Doing Sociology</em></a><em>. Patgiri can be reached at @Rituparna37 on Twitter.</em></p>]]>
      </content:encoded>
      <itunes:duration>2723</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Meredith Heller, "Queering Drag: Redefining the Discourse of Gender-Bending" (Indiana UP, 2020)</title>
      <description>Drawing on a rich body of archival and ethnographic research, Queering Drag: Redefining the Discourse of Gender-Bending (Indian UP, 2020) illuminates diverse examples of theatrical gender-bending. It shows how, in each case, standard drag discourses do not sufficiently capture the complexity of performers' intents and methods or provide a strong enough foundation for holistically evaluating the impact of this work. Queering Drag offers a redefinition of the genre centralized in the performer's construction and presentation of a "queer" version of hegemonic identity. It also models a new set of tools for analyzing drag as a process of intents and methods enacted to effect specific goals. The book won the 2021 John Leo and Dana Heller Award for Best Book in LGBTQ Studies from the Popular Culture Association and was named one of NBC's "10 LGBTQ books to watch out for in 2020.”
Dr. Meredith Heller is an Associate Teaching Professor in the Women’s and Gender Studies Program at Northern Arizona University, where she has taught since 2014. She earned a Ph.D. in Theater Studies with a Feminist Studies doctoral emphasis from the University of California, Santa Barbara. She specializes in queer theory and critical identity studies, with additional expertise in performance studies, digital media, and popular culture. 
Isabel Machado is a cultural historian whose work often crosses national and disciplinary boundaries.</description>
      <pubDate>Wed, 13 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>199</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Meredith Heller</itunes:subtitle>
      <itunes:summary>Drawing on a rich body of archival and ethnographic research, Queering Drag: Redefining the Discourse of Gender-Bending (Indian UP, 2020) illuminates diverse examples of theatrical gender-bending. It shows how, in each case, standard drag discourses do not sufficiently capture the complexity of performers' intents and methods or provide a strong enough foundation for holistically evaluating the impact of this work. Queering Drag offers a redefinition of the genre centralized in the performer's construction and presentation of a "queer" version of hegemonic identity. It also models a new set of tools for analyzing drag as a process of intents and methods enacted to effect specific goals. The book won the 2021 John Leo and Dana Heller Award for Best Book in LGBTQ Studies from the Popular Culture Association and was named one of NBC's "10 LGBTQ books to watch out for in 2020.”
Dr. Meredith Heller is an Associate Teaching Professor in the Women’s and Gender Studies Program at Northern Arizona University, where she has taught since 2014. She earned a Ph.D. in Theater Studies with a Feminist Studies doctoral emphasis from the University of California, Santa Barbara. She specializes in queer theory and critical identity studies, with additional expertise in performance studies, digital media, and popular culture. 
Isabel Machado is a cultural historian whose work often crosses national and disciplinary boundaries.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Drawing on a rich body of archival and ethnographic research, <a href="https://bookshop.org/a/12343/9780253045669"><em>Queering Drag: Redefining the Discourse of Gender-Bending</em></a> (Indian UP, 2020) illuminates diverse examples of theatrical gender-bending. It shows how, in each case, standard drag discourses do not sufficiently capture the complexity of performers' intents and methods or provide a strong enough foundation for holistically evaluating the impact of this work. <em>Queering Drag</em> offers a redefinition of the genre centralized in the performer's construction and presentation of a "queer" version of hegemonic identity. It also models a new set of tools for analyzing drag as a process of intents and methods enacted to effect specific goals. The book won the 2021 John Leo and Dana Heller Award for Best Book in LGBTQ Studies from the Popular Culture Association and was named one of NBC's "10 LGBTQ books to watch out for in 2020.”</p><p><a href="https://meredithheller.wordpress.com/">Dr. Meredith Heller</a> is an Associate Teaching Professor in the Women’s and Gender Studies Program at Northern Arizona University, where she has taught since 2014. She earned a Ph.D. in Theater Studies with a Feminist Studies doctoral emphasis from the University of California, Santa Barbara. She specializes in queer theory and critical identity studies, with additional expertise in performance studies, digital media, and popular culture. </p><p><a href="https://www.machadoisabel.com/"><em>Isabel Machado</em></a><em> is a cultural historian whose work often crosses national and disciplinary boundaries.</em></p>]]>
      </content:encoded>
      <itunes:duration>3388</itunes:duration>
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    <item>
      <title>Nick Marx, "Sketch Comedy: Identity, Reflexivity, and American Television" (Indiana UP, 2019)</title>
      <description>“Sketch comedy – more than any other television genre – lays bare the process of identity formation, pokes fun at its contradictions, and invites us to debate its terms.” In Sketch Comedy: Identity, Reflexivity, and American Television (Indiana University Press, 2019), author Nick Marx makes this argument and goes on to systematically prove it through a series of case studies dating from the earliest days of network television through to our post-network era. While sketch is an understudied form of television expression and a genre that rarely garners full-throated network support, it remains one of the most playful, political, and experimental kinds of programming in U.S. television. Close readings of the on-screen representations and off-screen politics of shows including Saturday Night Live, The State, and Key &amp; Peele drive home how vital it is that television scholars and fans recognize the power of sketch in forming what we watch, what we think, and what we believe.
In this conversation, Nick Marx discusses this book, his first solo-authored monograph, in conjunction with his prior publications, defines his term “reflexivity flexibility,” gives it up for Mr. Show with Bob and David, and gives it to Pete Davidson.
Nick Marx is Associate Professor of Film and Media Studies in the Department of Communication Studies at Colorado State University. His most recent book (with Matt Sienkiewicz) is That's Not Funny: How the Right Makes Comedy Work for Them due out this spring from University of California Press.
Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. You can follow her on Twitter @sayanniething.</description>
      <pubDate>Wed, 30 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>113</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Nick Marx</itunes:subtitle>
      <itunes:summary>“Sketch comedy – more than any other television genre – lays bare the process of identity formation, pokes fun at its contradictions, and invites us to debate its terms.” In Sketch Comedy: Identity, Reflexivity, and American Television (Indiana University Press, 2019), author Nick Marx makes this argument and goes on to systematically prove it through a series of case studies dating from the earliest days of network television through to our post-network era. While sketch is an understudied form of television expression and a genre that rarely garners full-throated network support, it remains one of the most playful, political, and experimental kinds of programming in U.S. television. Close readings of the on-screen representations and off-screen politics of shows including Saturday Night Live, The State, and Key &amp; Peele drive home how vital it is that television scholars and fans recognize the power of sketch in forming what we watch, what we think, and what we believe.
In this conversation, Nick Marx discusses this book, his first solo-authored monograph, in conjunction with his prior publications, defines his term “reflexivity flexibility,” gives it up for Mr. Show with Bob and David, and gives it to Pete Davidson.
Nick Marx is Associate Professor of Film and Media Studies in the Department of Communication Studies at Colorado State University. His most recent book (with Matt Sienkiewicz) is That's Not Funny: How the Right Makes Comedy Work for Them due out this spring from University of California Press.
Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. You can follow her on Twitter @sayanniething.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“Sketch comedy – more than any other television genre – lays bare the process of identity formation, pokes fun at its contradictions, and invites us to debate its terms.” In <a href="https://iupress.org/9780253044167/sketch-comedy/"><em>Sketch Comedy: Identity, Reflexivity, and American Television</em></a> (Indiana University Press, 2019), author Nick Marx makes this argument and goes on to systematically prove it through a series of case studies dating from the earliest days of network television through to our post-network era. While sketch is an understudied form of television expression and a genre that rarely garners full-throated network support, it remains one of the most playful, political, and experimental kinds of programming in U.S. television. Close readings of the on-screen representations and off-screen politics of shows including <em>Saturday Night Live, The State, </em>and <em>Key &amp; Peele </em>drive home how vital it is that television scholars and fans recognize the power of sketch in forming what we watch, what we think, and what we believe.</p><p>In this conversation, Nick Marx discusses this book, his first solo-authored monograph, in conjunction with his prior publications, defines his term “reflexivity flexibility,” gives it up for <em>Mr. Show with Bob and David, </em>and gives it to Pete Davidson.</p><p>Nick Marx is Associate Professor of Film and Media Studies in the Department of Communication Studies at Colorado State University. His most recent book (with Matt Sienkiewicz) is <a href="https://www.ucpress.edu/book/9780520382138/thats-not-funny"><em>That's Not Funny: How the Right Makes Comedy Work for Them </em></a>due out this spring from University of California Press.</p><p><a href="http://annieberke.com/"><em>Annie Berke</em></a><em> is the Film Editor at the Los Angeles Review of Books and author of </em><a href="https://www.ucpress.edu/book/9780520300798/their-own-best-creations"><em>Their Own Best Creations: Women Writers in Postwar Television</em></a><em> (University of California Press, 2022). Her writing has been published in the Washington Post, Public Books, Literary Hub, The Forward, and Camera Obscura. You can follow her on Twitter @sayanniething.</em></p>]]>
      </content:encoded>
      <itunes:duration>3348</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Liora Sarfati, "Contemporary Korean Shamanism: From Ritual to Digital" (Indiana UP, 2021)</title>
      <description>Once viewed as an embarrassing superstition, the theatrical religious performances of Korean shamans--who communicate with the dead, divine the future, and become possessed--are going mainstream. Attitudes toward Korean shamanism are changing as shamanic traditions appear in staged rituals, museums, films, and television programs, as well as on the internet. 
In Contemporary Korean Shamanism: From Ritual to Digital (Indiana University Press, 2021), Liora Sarfati explores this vernacular religion and practice, which includes sensory rituals using laden altars, ecstatic dance, and animal sacrifice, within South Korea's hypertechnologized society, where over 200,000 shamans are listed in professional organizations. In doing so, Sarfati reveals how representations of shamanism in national, commercialized, and screen-mediated settings have transformed opinions of these religious practitioners and their rituals. Applying ethnography and folklore research, Contemporary Korean Shamanism maps this shift in perception about shamanism--from a sign of a backward, undeveloped Korea to a valuable, indigenous cultural asset.</description>
      <pubDate>Fri, 25 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>44</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Liora Sarfati</itunes:subtitle>
      <itunes:summary>Once viewed as an embarrassing superstition, the theatrical religious performances of Korean shamans--who communicate with the dead, divine the future, and become possessed--are going mainstream. Attitudes toward Korean shamanism are changing as shamanic traditions appear in staged rituals, museums, films, and television programs, as well as on the internet. 
In Contemporary Korean Shamanism: From Ritual to Digital (Indiana University Press, 2021), Liora Sarfati explores this vernacular religion and practice, which includes sensory rituals using laden altars, ecstatic dance, and animal sacrifice, within South Korea's hypertechnologized society, where over 200,000 shamans are listed in professional organizations. In doing so, Sarfati reveals how representations of shamanism in national, commercialized, and screen-mediated settings have transformed opinions of these religious practitioners and their rituals. Applying ethnography and folklore research, Contemporary Korean Shamanism maps this shift in perception about shamanism--from a sign of a backward, undeveloped Korea to a valuable, indigenous cultural asset.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Once viewed as an embarrassing superstition, the theatrical religious performances of Korean shamans--who communicate with the dead, divine the future, and become possessed--are going mainstream. Attitudes toward Korean shamanism are changing as shamanic traditions appear in staged rituals, museums, films, and television programs, as well as on the internet. </p><p>In <a href="https://bookshop.org/a/12343/9780253057174"><em>Contemporary Korean Shamanism: From Ritual to Digital</em></a> (Indiana University Press, 2021), Liora Sarfati explores this vernacular religion and practice, which includes sensory rituals using laden altars, ecstatic dance, and animal sacrifice, within South Korea's hypertechnologized society, where over 200,000 shamans are listed in professional organizations. In doing so, Sarfati reveals how representations of shamanism in national, commercialized, and screen-mediated settings have transformed opinions of these religious practitioners and their rituals. Applying ethnography and folklore research, Contemporary Korean Shamanism maps this shift in perception about shamanism--from a sign of a backward, undeveloped Korea to a valuable, indigenous cultural asset.</p>]]>
      </content:encoded>
      <itunes:duration>4504</itunes:duration>
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      <title>Martin Shuster, "How to Measure a World?: A Philosophy of Judaism" (Indiana UP, 2021)</title>
      <description>What can the history of Jewish philosophy teach us about modern life? In How to Measure a World?: A Philosophy of Judaism (Indiana UP, 2021), Martin Shuster, an Associate Professor of Philosophy and Director, Center for Geographies of Justice at Goucher College, explores the history of Jewish philosophy to examine how key thinkers have understood the world. Using a phenomenological approach, the book brings thinkers including Levinas, Maimonides, Adorno, and Cavell into dialogue with a huge range of thinkers and traditions, from Greek and Islamic thought to more contemporary ideas. Thinking about language and discourse, history, pain and suffering, and ultimately, humanity and its relationship to the world, the book will be essential reading for anyone interested in Jewish philosophy and history, as well as for scholars across the arts and humanities.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.</description>
      <pubDate>Tue, 22 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>270</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Martin Shuster</itunes:subtitle>
      <itunes:summary>What can the history of Jewish philosophy teach us about modern life? In How to Measure a World?: A Philosophy of Judaism (Indiana UP, 2021), Martin Shuster, an Associate Professor of Philosophy and Director, Center for Geographies of Justice at Goucher College, explores the history of Jewish philosophy to examine how key thinkers have understood the world. Using a phenomenological approach, the book brings thinkers including Levinas, Maimonides, Adorno, and Cavell into dialogue with a huge range of thinkers and traditions, from Greek and Islamic thought to more contemporary ideas. Thinking about language and discourse, history, pain and suffering, and ultimately, humanity and its relationship to the world, the book will be essential reading for anyone interested in Jewish philosophy and history, as well as for scholars across the arts and humanities.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What can the history of Jewish philosophy teach us about modern life? In <a href="https://bookshop.org/a/12343/9780253054548"><em>How to Measure a World?: A Philosophy of Judaism</em></a><em> </em>(Indiana UP, 2021), <a href="https://www.goucher.edu/learn/academic-centers/geographies-of-justice/faculty/martin-shuster">Martin Shuster, an Associate Professor of Philosophy and Director, Center for Geographies of Justice at Goucher College</a>, explores the history of Jewish philosophy to examine how key thinkers have understood the world. Using a phenomenological approach, the book brings thinkers including Levinas, Maimonides, Adorno, and Cavell into dialogue with a huge range of thinkers and traditions, from Greek and Islamic thought to more contemporary ideas. Thinking about language and discourse, history, pain and suffering, and ultimately, humanity and its relationship to the world, the book will be essential reading for anyone interested in Jewish philosophy and history, as well as for scholars across the arts and humanities.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Professor of Cultural and Creative Industries, at the University of Sheffield.</em></p>]]>
      </content:encoded>
      <itunes:duration>2368</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Brian J. Peterson, "Thomas Sankara: A Revolutionary in Cold War Africa" (Indiana UP, 2021)</title>
      <description>Thomas Sankara: A Revolutionary in Cold War Africa (Indiana University Press, 2021) by Brian J. Peterson is a thoroughly researched biography of Thomas Sankara, the revolutionary leader of Burkina Faso. Peterson sketches Sankara’s rise to power in the early 1980s and focuses specifically on how his military experiences, educational background, and community of mentors, family, and friends shaped his radicalism. Peterson frames Sankara within a second-generation of anti-colonial radicals who both admired anti-colonial luminaries like Kwame Nkrumah and Julius Nyerere, but also refined their anti-colonial perspective to critique the limits of their leadership. We learn that during this moment of late-Cold War and decolonization, Sankara used his international platforms to resist and condemn neo-colonialism, imperialism, and European-American networks of surveillance and subterfuge while tackling corruption, poverty, gender discrimination, and environmental issues in Burkina Faso. Sankara’s fierce commitment to revolutionary politics intimated the U.S. and French governments, Western-aligned African nations, and Burkinabé officials who ultimately conspired to assassinate him in 1987. Peterson’s Thomas Sankara examines the powerful legacies of an incredible revolutionary figure and offers a foundation for understanding contemporary anti-imperialist politics in Burkina Faso and beyond.
Amanda Joyce Hall is a Ph.D. Candidate in History and African American Studies at Yale University. She is writing an international history on the global movement against South African apartheid during the 1970s and 1980s. She tweets from @amandajoycehall.</description>
      <pubDate>Thu, 17 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>285</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Brian J. Peterson</itunes:subtitle>
      <itunes:summary>Thomas Sankara: A Revolutionary in Cold War Africa (Indiana University Press, 2021) by Brian J. Peterson is a thoroughly researched biography of Thomas Sankara, the revolutionary leader of Burkina Faso. Peterson sketches Sankara’s rise to power in the early 1980s and focuses specifically on how his military experiences, educational background, and community of mentors, family, and friends shaped his radicalism. Peterson frames Sankara within a second-generation of anti-colonial radicals who both admired anti-colonial luminaries like Kwame Nkrumah and Julius Nyerere, but also refined their anti-colonial perspective to critique the limits of their leadership. We learn that during this moment of late-Cold War and decolonization, Sankara used his international platforms to resist and condemn neo-colonialism, imperialism, and European-American networks of surveillance and subterfuge while tackling corruption, poverty, gender discrimination, and environmental issues in Burkina Faso. Sankara’s fierce commitment to revolutionary politics intimated the U.S. and French governments, Western-aligned African nations, and Burkinabé officials who ultimately conspired to assassinate him in 1987. Peterson’s Thomas Sankara examines the powerful legacies of an incredible revolutionary figure and offers a foundation for understanding contemporary anti-imperialist politics in Burkina Faso and beyond.
Amanda Joyce Hall is a Ph.D. Candidate in History and African American Studies at Yale University. She is writing an international history on the global movement against South African apartheid during the 1970s and 1980s. She tweets from @amandajoycehall.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780253053763"><em>Thomas Sankara: A Revolutionary in Cold War Africa</em></a><em> </em>(Indiana University Press, 2021) by Brian J. Peterson is a thoroughly researched biography of Thomas Sankara, the revolutionary leader of Burkina Faso. Peterson sketches Sankara’s rise to power in the early 1980s and focuses specifically on how his military experiences, educational background, and community of mentors, family, and friends shaped his radicalism. Peterson frames Sankara within a second-generation of anti-colonial radicals who both admired anti-colonial luminaries like Kwame Nkrumah and Julius Nyerere, but also refined their anti-colonial perspective to critique the limits of their leadership. We learn that during this moment of late-Cold War and decolonization, Sankara used his international platforms to resist and condemn neo-colonialism, imperialism, and European-American networks of surveillance and subterfuge while tackling corruption, poverty, gender discrimination, and environmental issues in Burkina Faso. Sankara’s fierce commitment to revolutionary politics intimated the U.S. and French governments, Western-aligned African nations, and Burkinabé officials who ultimately conspired to assassinate him in 1987. Peterson’s <em>Thomas Sankara</em> examines the powerful legacies of an incredible revolutionary figure and offers a foundation for understanding contemporary anti-imperialist politics in Burkina Faso and beyond.</p><p><a href="https://history.yale.edu/people/amanda-joyce-hall"><em>Amanda Joyce Hall</em></a><em> is a Ph.D. Candidate in History and African American Studies at Yale University. She is writing an international history on the global movement against South African apartheid during the 1970s and 1980s. She tweets from @amandajoycehall.</em></p>]]>
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      <itunes:duration>4008</itunes:duration>
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      <title>Tim Smolko and Joanna Smolko, "Atomic Tunes: The Cold War in American and British Popular Music" (Indiana UP, 2021)</title>
      <description>During the Cold War, over 500 songs were written about nuclear weapons, fear of the Soviet Union, civil defense, bomb shelters, McCarthyism, uranium mining, the space race, espionage, the Berlin Wall, and glasnost. This music uncovers aspects of these world-changing events that documentaries and history books cannot. In Atomic Tunes: The Cold War in American and British Popular Music (Indiana University Press, 2021), Tim and Joanna Smolko explore everything from the serious to the comical, the morbid to the crude, showing the widespread concern among musicians coping with the effect of communism on American society and the threat of a nuclear conflict of global proportions. Atomic Tunes presents a musical history of the Cold War, analyzing the songs that capture the fear of those who lived under the shadow of Stalin, Sputnik, mushroom clouds, and missiles.
Joanna Smolko holds a PhD in Musicology and is Adjunct Professor of Music at the Hugh Hodgson School of Music at the University of Georgia. Tim Smolko holds master's degrees in Musicology and Library Science and is Monographs Original Cataloger at the University of Georgia.
Learn more about the Smolkos' work on their website, which you can access here.
Emily Ruth Allen (@emmyru91) holds a PhD in Musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama’s Carnival celebrations.</description>
      <pubDate>Fri, 11 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Tim Smolko and Joanna Smolko</itunes:subtitle>
      <itunes:summary>During the Cold War, over 500 songs were written about nuclear weapons, fear of the Soviet Union, civil defense, bomb shelters, McCarthyism, uranium mining, the space race, espionage, the Berlin Wall, and glasnost. This music uncovers aspects of these world-changing events that documentaries and history books cannot. In Atomic Tunes: The Cold War in American and British Popular Music (Indiana University Press, 2021), Tim and Joanna Smolko explore everything from the serious to the comical, the morbid to the crude, showing the widespread concern among musicians coping with the effect of communism on American society and the threat of a nuclear conflict of global proportions. Atomic Tunes presents a musical history of the Cold War, analyzing the songs that capture the fear of those who lived under the shadow of Stalin, Sputnik, mushroom clouds, and missiles.
Joanna Smolko holds a PhD in Musicology and is Adjunct Professor of Music at the Hugh Hodgson School of Music at the University of Georgia. Tim Smolko holds master's degrees in Musicology and Library Science and is Monographs Original Cataloger at the University of Georgia.
Learn more about the Smolkos' work on their website, which you can access here.
Emily Ruth Allen (@emmyru91) holds a PhD in Musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama’s Carnival celebrations.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>During the Cold War, over 500 songs were written about nuclear weapons, fear of the Soviet Union, civil defense, bomb shelters, McCarthyism, uranium mining, the space race, espionage, the Berlin Wall, and glasnost. This music uncovers aspects of these world-changing events that documentaries and history books cannot. In <a href="https://bookshop.org/a/12343/9780253024466"><em>Atomic Tunes: The Cold War in American and British Popular Music</em></a><em> </em>(Indiana University Press, 2021), Tim and Joanna Smolko explore everything from the serious to the comical, the morbid to the crude, showing the widespread concern among musicians coping with the effect of communism on American society and the threat of a nuclear conflict of global proportions. <em>Atomic Tunes</em> presents a musical history of the Cold War, analyzing the songs that capture the fear of those who lived under the shadow of Stalin, Sputnik, mushroom clouds, and missiles.</p><p>Joanna Smolko holds a PhD in Musicology and is Adjunct Professor of Music at the Hugh Hodgson School of Music at the University of Georgia. Tim Smolko holds master's degrees in Musicology and Library Science and is Monographs Original Cataloger at the University of Georgia.</p><p>Learn more about the Smolkos' work on their website, which you can access <a href="http://www.smolko.ly/about.html">here.</a></p><p><em>Emily Ruth Allen (</em><a href="https://twitter.com/emmyru91"><em>@emmyru91</em></a><em>) holds a PhD in Musicology from Florida State University. Her current research focuses on parade musics in Mobile, Alabama’s Carnival celebrations.</em></p>]]>
      </content:encoded>
      <itunes:duration>2733</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Vicki L. Brennan, "Singing Yoruba Christianity: Music, Media, and Morality" (Indiana UP, 2018)</title>
      <description>Singing the same song is a central part of the worship practice for members for the Cherubim and Seraphim Christian Church in Lagos, Nigeria. Vicki L. Brennan reveals that by singing together, church members create one spiritual mind and become unified around a shared set of values. She follows parishioners as they attend choir rehearsals, use musical media—hymn books and cassette tapes—and perform the music and rituals that connect them through religious experience. Brennan asserts that church members believe that singing together makes them part of a larger imagined social collective, one that allows them to achieve health, joy, happiness, wealth, and success in an ethical way. Brennan discovers how this particular Yoruba church articulates and embodies the moral attitudes necessary to be a good Christian in Nigeria today.
Singing Yoruba Christianity: Music, Media, and Morality (Indiana UP, 2018) makes an important contribution to understanding the complex religious landscape of Lagos, which includes various Christian demonstrations and Muslim groups. Its firm grounding in ethnomusicology and media theory will be of interest to any who wish to better understand the intersection of music and religious experience.
Dr. Vicki Brennan is a cultural anthropologist and ethnomusicologist who is an Associate Professor in the Religion Department and Director of the African Studies Program at the University of Vermont.
Sara Katz is a Postdoctoral Associate in the History Department at Duke University.</description>
      <pubDate>Tue, 08 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>121</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Vicki L. Brennan</itunes:subtitle>
      <itunes:summary>Singing the same song is a central part of the worship practice for members for the Cherubim and Seraphim Christian Church in Lagos, Nigeria. Vicki L. Brennan reveals that by singing together, church members create one spiritual mind and become unified around a shared set of values. She follows parishioners as they attend choir rehearsals, use musical media—hymn books and cassette tapes—and perform the music and rituals that connect them through religious experience. Brennan asserts that church members believe that singing together makes them part of a larger imagined social collective, one that allows them to achieve health, joy, happiness, wealth, and success in an ethical way. Brennan discovers how this particular Yoruba church articulates and embodies the moral attitudes necessary to be a good Christian in Nigeria today.
Singing Yoruba Christianity: Music, Media, and Morality (Indiana UP, 2018) makes an important contribution to understanding the complex religious landscape of Lagos, which includes various Christian demonstrations and Muslim groups. Its firm grounding in ethnomusicology and media theory will be of interest to any who wish to better understand the intersection of music and religious experience.
Dr. Vicki Brennan is a cultural anthropologist and ethnomusicologist who is an Associate Professor in the Religion Department and Director of the African Studies Program at the University of Vermont.
Sara Katz is a Postdoctoral Associate in the History Department at Duke University.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Singing the same song is a central part of the worship practice for members for the Cherubim and Seraphim Christian Church in Lagos, Nigeria. Vicki L. Brennan reveals that by singing together, church members create one spiritual mind and become unified around a shared set of values. She follows parishioners as they attend choir rehearsals, use musical media—hymn books and cassette tapes—and perform the music and rituals that connect them through religious experience. Brennan asserts that church members believe that singing together makes them part of a larger imagined social collective, one that allows them to achieve health, joy, happiness, wealth, and success in an ethical way. Brennan discovers how this particular Yoruba church articulates and embodies the moral attitudes necessary to be a good Christian in Nigeria today.</p><p><a href="https://bookshop.org/a/12343/9780253032072"><em>Singing Yoruba Christianity: Music, Media, and Morality</em></a> (Indiana UP, 2018) makes an important contribution to understanding the complex religious landscape of Lagos, which includes various Christian demonstrations and Muslim groups. Its firm grounding in ethnomusicology and media theory will be of interest to any who wish to better understand the intersection of music and religious experience.</p><p>Dr. Vicki Brennan is a cultural anthropologist and ethnomusicologist who is an Associate Professor in the Religion Department and Director of the African Studies Program at the University of Vermont.</p><p><em>Sara Katz is a Postdoctoral Associate in the History Department at Duke University.</em></p>]]>
      </content:encoded>
      <itunes:duration>3589</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Candace M. Keller, "Imaging Culture: Photography in Mali, West Africa" (Indiana UP, 2021)</title>
      <description>Imaging Culture: Photography in Mali, West Africa (Indiana University Press, 2021) is a sociohistorical study of the meaning, function, and aesthetic significance of photography in Mali, West Africa, from the 1930s to the present. Spanning the dynamic periods of colonialism, national independence, socialism, and democracy, its analysis focuses on the studio and documentary work of professional urban photographers, particularly in the capital city of Bamako and in smaller cities such as Mopti and Ségu.
Featuring the work of more than twenty-five photographers, it concentrates on those who have been particularly influential for the local development and practice of the medium as well as its international popularization and active participation in the contemporary art market.
Imaging Culture looks at how local aesthetic ideas are visually communicated in the photographers' art and argues that though these aesthetic arrangements have specific relevance for local consumers, they transcend geographical and cultural boundaries to have value for contemporary global audiences as well.
Imaging Culture is an important and visually interesting book that will become a standard source for those who study African photography and its global impact.
Candace M. Keller is Associate Professor of African Art and Visual Culture in the Department of Art, Art History, and Design at Michigan State University. She also directs the Archive of Malian Photography (amp.matrix.msu.edu) and is Associate Director of Matrix: Center for Digital Humanities and Social Sciences at Michigan State University.
Sara Katz is a Postdoctoral Associate in the History Department at Duke University.</description>
      <pubDate>Mon, 28 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>120</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Candace M. Keller</itunes:subtitle>
      <itunes:summary>Imaging Culture: Photography in Mali, West Africa (Indiana University Press, 2021) is a sociohistorical study of the meaning, function, and aesthetic significance of photography in Mali, West Africa, from the 1930s to the present. Spanning the dynamic periods of colonialism, national independence, socialism, and democracy, its analysis focuses on the studio and documentary work of professional urban photographers, particularly in the capital city of Bamako and in smaller cities such as Mopti and Ségu.
Featuring the work of more than twenty-five photographers, it concentrates on those who have been particularly influential for the local development and practice of the medium as well as its international popularization and active participation in the contemporary art market.
Imaging Culture looks at how local aesthetic ideas are visually communicated in the photographers' art and argues that though these aesthetic arrangements have specific relevance for local consumers, they transcend geographical and cultural boundaries to have value for contemporary global audiences as well.
Imaging Culture is an important and visually interesting book that will become a standard source for those who study African photography and its global impact.
Candace M. Keller is Associate Professor of African Art and Visual Culture in the Department of Art, Art History, and Design at Michigan State University. She also directs the Archive of Malian Photography (amp.matrix.msu.edu) and is Associate Director of Matrix: Center for Digital Humanities and Social Sciences at Michigan State University.
Sara Katz is a Postdoctoral Associate in the History Department at Duke University.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780253025579"><em>Imaging Culture: Photography in Mali, West Africa </em></a><u>(</u>Indiana University Press, 2021) is a sociohistorical study of the meaning, function, and aesthetic significance of photography in Mali, West Africa, from the 1930s to the present. Spanning the dynamic periods of colonialism, national independence, socialism, and democracy, its analysis focuses on the studio and documentary work of professional urban photographers, particularly in the capital city of Bamako and in smaller cities such as Mopti and Ségu.</p><p>Featuring the work of more than twenty-five photographers, it concentrates on those who have been particularly influential for the local development and practice of the medium as well as its international popularization and active participation in the contemporary art market.</p><p><em>Imaging Culture</em> looks at how local aesthetic ideas are visually communicated in the photographers' art and argues that though these aesthetic arrangements have specific relevance for local consumers, they transcend geographical and cultural boundaries to have value for contemporary global audiences as well.</p><p><em>Imaging Culture</em> is an important and visually interesting book that will become a standard source for those who study African photography and its global impact.</p><p>Candace M. Keller is Associate Professor of African Art and Visual Culture in the Department of Art, Art History, and Design at Michigan State University. She also directs the Archive of Malian Photography (amp.matrix.msu.edu) and is Associate Director of Matrix: Center for Digital Humanities and Social Sciences at Michigan State University.</p><p><em>Sara Katz is a Postdoctoral Associate in the History Department at Duke University.</em></p>]]>
      </content:encoded>
      <itunes:duration>4979</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>John Fenn and Lisa Gilman, "Handbook for Folklore and Ethnomusicology Fieldwork" (Indiana UP, 2019)</title>
      <description>With The Handbook for Folklore and Ethnomusicology Fieldwork (Indiana University Press, 2019), Lisa Gilman and John Fenn offer a comprehensive review of the ethnographic process for developing a project, implementing the plan, and completing and preserving the data collected. Throughout, readers will find a detailed methodology for conducting different types of fieldwork such as digital ethnography or episodic research, tips and tricks for key elements like budgeting and funding, and practical advice and examples gleaned from the authors' own fieldwork experiences. This handbook also helps fieldworkers fully grasp and understand the ways in which power, gender, ethnicity, and other identity categories are ever-present in fieldwork and guides students to think through these dynamics at each stage of research. Written accessibly for lay researchers working in different mediums and on projects of varying sizes, this step-by-step manual will prepare the reader for the excitement, challenges, and rewards of ethnographic research.</description>
      <pubDate>Tue, 22 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>42</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with John Fenn and Lisa Gilman</itunes:subtitle>
      <itunes:summary>With The Handbook for Folklore and Ethnomusicology Fieldwork (Indiana University Press, 2019), Lisa Gilman and John Fenn offer a comprehensive review of the ethnographic process for developing a project, implementing the plan, and completing and preserving the data collected. Throughout, readers will find a detailed methodology for conducting different types of fieldwork such as digital ethnography or episodic research, tips and tricks for key elements like budgeting and funding, and practical advice and examples gleaned from the authors' own fieldwork experiences. This handbook also helps fieldworkers fully grasp and understand the ways in which power, gender, ethnicity, and other identity categories are ever-present in fieldwork and guides students to think through these dynamics at each stage of research. Written accessibly for lay researchers working in different mediums and on projects of varying sizes, this step-by-step manual will prepare the reader for the excitement, challenges, and rewards of ethnographic research.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>With <a href="https://bookshop.org/a/12343/9780253040251"><em>The Handbook for Folklore and Ethnomusicology Fieldwork</em></a> (Indiana University Press, 2019), Lisa Gilman and John Fenn offer a comprehensive review of the ethnographic process for developing a project, implementing the plan, and completing and preserving the data collected. Throughout, readers will find a detailed methodology for conducting different types of fieldwork such as digital ethnography or episodic research, tips and tricks for key elements like budgeting and funding, and practical advice and examples gleaned from the authors' own fieldwork experiences. This handbook also helps fieldworkers fully grasp and understand the ways in which power, gender, ethnicity, and other identity categories are ever-present in fieldwork and guides students to think through these dynamics at each stage of research. Written accessibly for lay researchers working in different mediums and on projects of varying sizes, this step-by-step manual will prepare the reader for the excitement, challenges, and rewards of ethnographic research.</p>]]>
      </content:encoded>
      <itunes:duration>3576</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Ziying You, "Folk Literati, Contested Tradition, and Heritage in Contemporary China: Incense Is Kept Burning" (Indiana UP, 2020)</title>
      <description>In Folk Literati, Contested Tradition, and Heritage in Contemporary China: Incense Is Kept Burning (Indiana UP, 2020), Ziying You explores the role of the "folk literati" in negotiating, defining, and maintaining local cultural heritage. Expanding on the idea of the elite literati―a widely studied pre-modern Chinese social group, influential in cultural production―the folk literati are defined as those who are skilled in classical Chinese, knowledgeable about local traditions, and capable of representing them in writing. The folk literati work to maintain cultural continuity, a concept that is expressed locally through the vernacular phrase: "incense is kept burning."
You's research focuses on a few small villages in Hongtong County, Shanxi Province in contemporary China. Through a careful synthesis of oral interviews, participant observation, and textual analysis, You presents the important role the folk literati play in reproducing local traditions and continuing stigmatized beliefs in a community context. She demonstrates how eight folk literati have reconstructed, shifted, and negotiated local worship traditions around the ancient sage-Kings Yao and Shun as well as Ehuang and Nüying, Yao's two daughters and Shun's two wives. You highlights how these individuals' conflictive relationships have shaped and reflected different local beliefs, myths, legends, and history in the course of tradition preservation. She concludes her study by placing these local traditions in the broader context of Chinese cultural policy and UNESCO's Intangible Cultural Heritage program, documenting how national and international discourses impact actual traditions, and the conversations about them, on the ground.
In this conversations, Ziying You talks with Dr Timothy Thurston. Tim is Lecturer in Chinese Studies at the University of Leeds. His research examines tradition, modernity, and cultural sustainability in Tibetan communities. Follow Tim on twitter @taoyinkui.</description>
      <pubDate>Tue, 18 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>41</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Ziyang You</itunes:subtitle>
      <itunes:summary>In Folk Literati, Contested Tradition, and Heritage in Contemporary China: Incense Is Kept Burning (Indiana UP, 2020), Ziying You explores the role of the "folk literati" in negotiating, defining, and maintaining local cultural heritage. Expanding on the idea of the elite literati―a widely studied pre-modern Chinese social group, influential in cultural production―the folk literati are defined as those who are skilled in classical Chinese, knowledgeable about local traditions, and capable of representing them in writing. The folk literati work to maintain cultural continuity, a concept that is expressed locally through the vernacular phrase: "incense is kept burning."
You's research focuses on a few small villages in Hongtong County, Shanxi Province in contemporary China. Through a careful synthesis of oral interviews, participant observation, and textual analysis, You presents the important role the folk literati play in reproducing local traditions and continuing stigmatized beliefs in a community context. She demonstrates how eight folk literati have reconstructed, shifted, and negotiated local worship traditions around the ancient sage-Kings Yao and Shun as well as Ehuang and Nüying, Yao's two daughters and Shun's two wives. You highlights how these individuals' conflictive relationships have shaped and reflected different local beliefs, myths, legends, and history in the course of tradition preservation. She concludes her study by placing these local traditions in the broader context of Chinese cultural policy and UNESCO's Intangible Cultural Heritage program, documenting how national and international discourses impact actual traditions, and the conversations about them, on the ground.
In this conversations, Ziying You talks with Dr Timothy Thurston. Tim is Lecturer in Chinese Studies at the University of Leeds. His research examines tradition, modernity, and cultural sustainability in Tibetan communities. Follow Tim on twitter @taoyinkui.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780253046352"><em>Folk Literati, Contested Tradition, and Heritage in Contemporary China: Incense Is Kept Burning</em></a> (Indiana UP, 2020), Ziying You explores the role of the "folk literati" in negotiating, defining, and maintaining local cultural heritage. Expanding on the idea of the elite literati―a widely studied pre-modern Chinese social group, influential in cultural production―the folk literati are defined as those who are skilled in classical Chinese, knowledgeable about local traditions, and capable of representing them in writing. The folk literati work to maintain cultural continuity, a concept that is expressed locally through the vernacular phrase: "incense is kept burning."</p><p>You's research focuses on a few small villages in Hongtong County, Shanxi Province in contemporary China. Through a careful synthesis of oral interviews, participant observation, and textual analysis, You presents the important role the folk literati play in reproducing local traditions and continuing stigmatized beliefs in a community context. She demonstrates how eight folk literati have reconstructed, shifted, and negotiated local worship traditions around the ancient sage-Kings Yao and Shun as well as Ehuang and Nüying, Yao's two daughters and Shun's two wives. You highlights how these individuals' conflictive relationships have shaped and reflected different local beliefs, myths, legends, and history in the course of tradition preservation. She concludes her study by placing these local traditions in the broader context of Chinese cultural policy and UNESCO's Intangible Cultural Heritage program, documenting how national and international discourses impact actual traditions, and the conversations about them, on the ground.</p><p>In this conversations, Ziying You talks with Dr Timothy Thurston. Tim is Lecturer in Chinese Studies at the University of Leeds. His research examines tradition, modernity, and cultural sustainability in Tibetan communities. Follow Tim on twitter @taoyinkui.</p>]]>
      </content:encoded>
      <itunes:duration>3524</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Marc Caplan, "Yiddish Writers in Weimar Berlin: A Fugitive Modernism" (Indiana UP, 2021)</title>
      <description>In Yiddish Writers in Weimar Berlin: A Fugitive Modernism (Indiana UP, 2021), Marc Caplan explores the reciprocal encounter between Eastern European Jews and German culture in the days following World War I. By concentrating primarily on a small group of avant-garde Yiddish writers—Dovid Bergelson, Der Nister, and Moyshe Kulbak—working in Berlin during the Weimar Republic, Caplan examines how these writers became central to modernist aesthetics. By concentrating on the character of Yiddish literature produced in Weimar Germany, Caplan offers a new method of seeing how artistic creation is constructed and a new understanding of the political resonances that result from it.
Yiddish Writers in Weimar Berlin reveals how Yiddish literature participated in the culture of Weimar-era modernism, how active Yiddish writers were in the literary scene, and how German-speaking Jews read descriptions of Yiddish-speaking Jews to uncover the emotional complexity of what they managed to create even in the midst of their confusion and ambivalence in Germany. Caplan's masterful narrative affords new insights into literary form, Jewish culture, and the philosophical and psychological motivations for aesthetic modernism.
Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora.</description>
      <pubDate>Thu, 13 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>119</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Marc Caplan</itunes:subtitle>
      <itunes:summary>In Yiddish Writers in Weimar Berlin: A Fugitive Modernism (Indiana UP, 2021), Marc Caplan explores the reciprocal encounter between Eastern European Jews and German culture in the days following World War I. By concentrating primarily on a small group of avant-garde Yiddish writers—Dovid Bergelson, Der Nister, and Moyshe Kulbak—working in Berlin during the Weimar Republic, Caplan examines how these writers became central to modernist aesthetics. By concentrating on the character of Yiddish literature produced in Weimar Germany, Caplan offers a new method of seeing how artistic creation is constructed and a new understanding of the political resonances that result from it.
Yiddish Writers in Weimar Berlin reveals how Yiddish literature participated in the culture of Weimar-era modernism, how active Yiddish writers were in the literary scene, and how German-speaking Jews read descriptions of Yiddish-speaking Jews to uncover the emotional complexity of what they managed to create even in the midst of their confusion and ambivalence in Germany. Caplan's masterful narrative affords new insights into literary form, Jewish culture, and the philosophical and psychological motivations for aesthetic modernism.
Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780253052001"><em>Yiddish Writers in Weimar Berlin: A Fugitive Modernism</em></a><em> </em>(Indiana UP, 2021), Marc Caplan explores the reciprocal encounter between Eastern European Jews and German culture in the days following World War I. By concentrating primarily on a small group of avant-garde Yiddish writers—Dovid Bergelson, Der Nister, and Moyshe Kulbak—working in Berlin during the Weimar Republic, Caplan examines how these writers became central to modernist aesthetics. By concentrating on the character of Yiddish literature produced in Weimar Germany, Caplan offers a new method of seeing how artistic creation is constructed and a new understanding of the political resonances that result from it.</p><p><em>Yiddish Writers in Weimar Berlin</em> reveals how Yiddish literature participated in the culture of Weimar-era modernism, how active Yiddish writers were in the literary scene, and how German-speaking Jews read descriptions of Yiddish-speaking Jews to uncover the emotional complexity of what they managed to create even in the midst of their confusion and ambivalence in Germany. Caplan's masterful narrative affords new insights into literary form, Jewish culture, and the philosophical and psychological motivations for aesthetic modernism.</p><p><a href="http://linkedin.com/in/lea-h-greenberg-b23836201"><em>Lea Greenberg</em></a><em> is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora.</em></p>]]>
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      <itunes:duration>4104</itunes:duration>
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      <title>Anat Plocker, "The Expulsion of Jews from Communist Poland: Memory Wars and Homeland Anxieties" (Indiana UP, 2022)</title>
      <description>In The Expulsion of Jews from Communist Poland: Memory Wars and Homeland Anxieties (Indiana University Press, 2022), Anat Plocker examines the campaign of anti-Semitism and anti-Zionism that swept through Poland in 1967 and 1968, in the wake of the Six-Day War. Plocker offers a new framework for understanding how this anti-Semitic campaign was motivated by Polish fears of Jewish influence and international power. She sheds new light on the internal dynamics of the communist regime in Poland, stressing the importance of mid-level functionaries, whose dislike and fear of Jews had an unmistakable impact on the evolution of party policy. The Expulsion of Jews from Communist Poland examines how Communist leader Władysław Gomułka’s anti-Zionist rhetoric spiraled out of hand and opened up a Pandora's box of old assertions that Jews controlled the communist Party, leading in turn to a revival of nationalist chauvinism and witch hunts in universities and workplaces that conjured up ugly memories of Nazi Germany.
Piotr H. Kosicki is Associate Professor of History at the University of Maryland, College Park. He is the author of Catholics on the Barricades (Yale, 2018) and editor, among others, of Political Exile in the Global Twentieth Century (with Wolfram Kaiser).</description>
      <pubDate>Wed, 12 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>146</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Anat Plocker</itunes:subtitle>
      <itunes:summary>In The Expulsion of Jews from Communist Poland: Memory Wars and Homeland Anxieties (Indiana University Press, 2022), Anat Plocker examines the campaign of anti-Semitism and anti-Zionism that swept through Poland in 1967 and 1968, in the wake of the Six-Day War. Plocker offers a new framework for understanding how this anti-Semitic campaign was motivated by Polish fears of Jewish influence and international power. She sheds new light on the internal dynamics of the communist regime in Poland, stressing the importance of mid-level functionaries, whose dislike and fear of Jews had an unmistakable impact on the evolution of party policy. The Expulsion of Jews from Communist Poland examines how Communist leader Władysław Gomułka’s anti-Zionist rhetoric spiraled out of hand and opened up a Pandora's box of old assertions that Jews controlled the communist Party, leading in turn to a revival of nationalist chauvinism and witch hunts in universities and workplaces that conjured up ugly memories of Nazi Germany.
Piotr H. Kosicki is Associate Professor of History at the University of Maryland, College Park. He is the author of Catholics on the Barricades (Yale, 2018) and editor, among others, of Political Exile in the Global Twentieth Century (with Wolfram Kaiser).</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780253058652"><em>The Expulsion of Jews from Communist Poland: Memory Wars and Homeland Anxieties</em></a> (Indiana University Press, 2022), Anat Plocker examines the campaign of anti-Semitism and anti-Zionism that swept through Poland in 1967 and 1968, in the wake of the Six-Day War. Plocker offers a new framework for understanding how this anti-Semitic campaign was motivated by Polish fears of Jewish influence and international power. She sheds new light on the internal dynamics of the communist regime in Poland, stressing the importance of mid-level functionaries, whose dislike and fear of Jews had an unmistakable impact on the evolution of party policy. <em>The Expulsion of Jews from Communist Poland</em> examines how Communist leader Władysław Gomułka’s anti-Zionist rhetoric spiraled out of hand and opened up a Pandora's box of old assertions that Jews controlled the communist Party, leading in turn to a revival of nationalist chauvinism and witch hunts in universities and workplaces that conjured up ugly memories of Nazi Germany.</p><p><a href="https://history.umd.edu/directory/piotr-kosicki"><em>Piotr H. Kosicki</em></a><em> is Associate Professor of History at the University of Maryland, College Park. He is the author of </em><a href="https://yalebooks.yale.edu/book/9780300225518/catholics-barricades"><em>Catholics on the Barricades</em></a><em> (Yale, 2018) and editor, among others, of </em><a href="https://www.cornellpress.cornell.edu/book/9789462703070/political-exile-in-the-global-twentieth-century/#bookTabs=1"><em>Political Exile in the Global Twentieth Century</em></a><em> (with Wolfram Kaiser).</em></p>]]>
      </content:encoded>
      <itunes:duration>3943</itunes:duration>
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      <title>Caroline A. Kita, "Jewish Difference and the Arts in Vienna: Composing Compassion in Music and Biblical Theater" (Indiana UP, 2019)</title>
      <description>During the mid-19th century, the works of Arthur Schopenhauer and Richard Wagner sparked an impulse toward German cultural renewal and social change that drew on religious myth, metaphysics, and spiritualism. The only problem was that their works were deeply antisemitic and entangled with claims that Jews were incapable of creating compassionate art. By looking at the works of Jewish composers and writers who contributed to a lively and robust biblical theatre in fin de siècle Vienna, Caroline A. Kita's Jewish Difference and the Arts in Vienna: Composing Compassion in Music and Biblical Theater (Indiana UP, 2019) shows how they reimagined myths of the Old Testament to offer new aesthetic and ethical views of compassion. These Jewish artists, including Gustav Mahler, Siegfried Lipiner, Richard Beer-Hofmann, Stefan Zweig, and Arnold Schoenberg, reimagined biblical stories through the lens of the modern Jewish subject to plead for justice and compassion toward the Jewish community. By tracing responses to antisemitic discourses of compassion, Kita reflects on the explicitly and increasingly troubled political and social dynamics at the end of the Habsburg Empire.
Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora.</description>
      <pubDate>Tue, 26 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>114</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Caroline A. Kita</itunes:subtitle>
      <itunes:summary>During the mid-19th century, the works of Arthur Schopenhauer and Richard Wagner sparked an impulse toward German cultural renewal and social change that drew on religious myth, metaphysics, and spiritualism. The only problem was that their works were deeply antisemitic and entangled with claims that Jews were incapable of creating compassionate art. By looking at the works of Jewish composers and writers who contributed to a lively and robust biblical theatre in fin de siècle Vienna, Caroline A. Kita's Jewish Difference and the Arts in Vienna: Composing Compassion in Music and Biblical Theater (Indiana UP, 2019) shows how they reimagined myths of the Old Testament to offer new aesthetic and ethical views of compassion. These Jewish artists, including Gustav Mahler, Siegfried Lipiner, Richard Beer-Hofmann, Stefan Zweig, and Arnold Schoenberg, reimagined biblical stories through the lens of the modern Jewish subject to plead for justice and compassion toward the Jewish community. By tracing responses to antisemitic discourses of compassion, Kita reflects on the explicitly and increasingly troubled political and social dynamics at the end of the Habsburg Empire.
Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>During the mid-19th century, the works of Arthur Schopenhauer and Richard Wagner sparked an impulse toward German cultural renewal and social change that drew on religious myth, metaphysics, and spiritualism. The only problem was that their works were deeply antisemitic and entangled with claims that Jews were incapable of creating compassionate art. By looking at the works of Jewish composers and writers who contributed to a lively and robust biblical theatre in fin de siècle Vienna, Caroline A. Kita's <a href="https://bookshop.org/a/12343/9780253040534"><em>Jewish Difference and the Arts in Vienna: Composing Compassion in Music and Biblical Theater</em></a> (Indiana UP, 2019) shows how they reimagined myths of the Old Testament to offer new aesthetic and ethical views of compassion. These Jewish artists, including Gustav Mahler, Siegfried Lipiner, Richard Beer-Hofmann, Stefan Zweig, and Arnold Schoenberg, reimagined biblical stories through the lens of the modern Jewish subject to plead for justice and compassion toward the Jewish community. By tracing responses to antisemitic discourses of compassion, Kita reflects on the explicitly and increasingly troubled political and social dynamics at the end of the Habsburg Empire.</p><p><a href="http://linkedin.com/in/lea-h-greenberg-b23836201"><em>Lea Greenberg</em></a><em> is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora.</em></p>]]>
      </content:encoded>
      <itunes:duration>3015</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Eunice Blavascunas, "Foresters, Borders, and Bark Beetles: The Future of Europe's Last Primeval Forest" (Indiana UP, 2020)</title>
      <description>In Foresters, Borders, and Bark Beetles: The Future of Europe’s Last Primeval Forest (Indiana University Press, 2020), Eunice Blavascunas provides an intimate ethnographic account of Białowieża, Europe's last primeval forest. At Poland’s easternmost border with Belarus, the deep past of ancient oaks, woodland bison, and thousands of species of insects and fungi collides with authoritarian and communist histories. Foresters, biologists, environmentalists, and locals project the ancient Białowieża Forest as a series of competing icons in struggles over memory, land, and economy, which are also struggles about whether to log or preserve the woodland; whether and how to celebrate the mixed ethnic Polish/Belarusian peasant past; and whether to align this eastern outpost with ultra-right Polish politics, neighboring Belarus, or the European Union. Drawing on more than twenty years of research, Blavascunas untangles complex conflicts between protection and use by examining which forest pasts are celebrated, which fester, and which have been altered in the tumultuous decades following the collapse of communism.
Piotr H. Kosicki is Associate Professor of History at the University of Maryland, College Park. He is the author of Catholics on the Barricades (Yale, 2018) and editor, among others, of Political Exile in the Global Twentieth Century (with Wolfram Kaiser).</description>
      <pubDate>Wed, 20 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>131</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Eunice Blavascunas</itunes:subtitle>
      <itunes:summary>In Foresters, Borders, and Bark Beetles: The Future of Europe’s Last Primeval Forest (Indiana University Press, 2020), Eunice Blavascunas provides an intimate ethnographic account of Białowieża, Europe's last primeval forest. At Poland’s easternmost border with Belarus, the deep past of ancient oaks, woodland bison, and thousands of species of insects and fungi collides with authoritarian and communist histories. Foresters, biologists, environmentalists, and locals project the ancient Białowieża Forest as a series of competing icons in struggles over memory, land, and economy, which are also struggles about whether to log or preserve the woodland; whether and how to celebrate the mixed ethnic Polish/Belarusian peasant past; and whether to align this eastern outpost with ultra-right Polish politics, neighboring Belarus, or the European Union. Drawing on more than twenty years of research, Blavascunas untangles complex conflicts between protection and use by examining which forest pasts are celebrated, which fester, and which have been altered in the tumultuous decades following the collapse of communism.
Piotr H. Kosicki is Associate Professor of History at the University of Maryland, College Park. He is the author of Catholics on the Barricades (Yale, 2018) and editor, among others, of Political Exile in the Global Twentieth Century (with Wolfram Kaiser).</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780253049605"><em>Foresters, Borders, and Bark Beetles: The Future of Europe’s Last Primeval Fores</em></a><em>t </em>(Indiana University Press, 2020),<em> </em>Eunice Blavascunas provides an intimate ethnographic account<strong> </strong>of Białowieża, Europe's last primeval forest.<strong> </strong>At Poland’s easternmost border with Belarus, the deep past of ancient oaks, woodland bison, and thousands of species of insects and fungi collides with authoritarian and communist histories. Foresters, biologists, environmentalists, and locals project the ancient Białowieża Forest as a series of competing icons in struggles over memory, land, and economy, which are also struggles about whether to log or preserve the woodland; whether and how to celebrate the mixed ethnic Polish/Belarusian peasant past; and whether to align this eastern outpost with ultra-right Polish politics, neighboring Belarus, or the European Union. Drawing on more than twenty years of research, Blavascunas untangles complex conflicts between protection and use by examining which forest pasts are celebrated, which fester, and which have been altered in the tumultuous decades following the collapse of communism.</p><p><a href="https://history.umd.edu/directory/piotr-kosicki"><em>Piotr H. Kosicki</em></a><em> is Associate Professor of History at the University of Maryland, College Park. He is the author of </em><a href="https://yalebooks.yale.edu/book/9780300225518/catholics-barricades"><em>Catholics on the Barricades</em></a><em> (Yale, 2018) and editor, among others, of </em><a href="https://www.cornellpress.cornell.edu/book/9789462703070/political-exile-in-the-global-twentieth-century/#bookTabs=1"><em>Political Exile in the Global Twentieth Century</em></a><em> (with Wolfram Kaiser).</em></p>]]>
      </content:encoded>
      <itunes:duration>3457</itunes:duration>
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      <title>Christie Milliken and Steve F. Anderson, "Reclaiming Popular Documentary" (Indiana UP, 2021)</title>
      <description>The documentary has achieved rising popularity over the past two decades, thanks to streaming services like Netflix and Hulu. Despite this fact, documentary studies still tends to favor works that appeal primarily to specialists and scholars. Reclaiming Popular Documentary (Indiana UP, 2021) reverses this longstanding tendency by showing that documentaries can be--and are--made for mainstream or commercial audiences. Editors Christie Milliken and Steve Anderson, who consider popular documentary to be a subfield of documentary studies, embrace an expanded definition of popular to acknowledge documentary's many evolving forms, including branded entertainment, fictional hybrids, and works with audience participation. Together, these essays address emerging documentary forms--including web-docs, virtual reality, immersive journalism, viral media, interactive docs, and video-on-demand--and offer the critical tools that viewers need in order to analyze contemporary documentaries and consider how they are persuaded by and represented in documentary media. By combining perspectives of scholars and makers, Reclaiming Popular Documentary brings new understandings and international perspectives to familiar texts using critical models that will engage media scholars and fans alike.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.</description>
      <pubDate>Tue, 19 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>95</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Christie Milliken and Steve F. Anderson</itunes:subtitle>
      <itunes:summary>The documentary has achieved rising popularity over the past two decades, thanks to streaming services like Netflix and Hulu. Despite this fact, documentary studies still tends to favor works that appeal primarily to specialists and scholars. Reclaiming Popular Documentary (Indiana UP, 2021) reverses this longstanding tendency by showing that documentaries can be--and are--made for mainstream or commercial audiences. Editors Christie Milliken and Steve Anderson, who consider popular documentary to be a subfield of documentary studies, embrace an expanded definition of popular to acknowledge documentary's many evolving forms, including branded entertainment, fictional hybrids, and works with audience participation. Together, these essays address emerging documentary forms--including web-docs, virtual reality, immersive journalism, viral media, interactive docs, and video-on-demand--and offer the critical tools that viewers need in order to analyze contemporary documentaries and consider how they are persuaded by and represented in documentary media. By combining perspectives of scholars and makers, Reclaiming Popular Documentary brings new understandings and international perspectives to familiar texts using critical models that will engage media scholars and fans alike.
Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The documentary has achieved rising popularity over the past two decades, thanks to streaming services like Netflix and Hulu. Despite this fact, documentary studies still tends to favor works that appeal primarily to specialists and scholars. <a href="https://bookshop.org/a/12343/9780253056887"><em>Reclaiming Popular Documentary</em></a> (Indiana UP, 2021) reverses this longstanding tendency by showing that documentaries can be--and are--made for mainstream or commercial audiences. Editors Christie Milliken and Steve Anderson, who consider popular documentary to be a subfield of documentary studies, embrace an expanded definition of popular to acknowledge documentary's many evolving forms, including branded entertainment, fictional hybrids, and works with audience participation. Together, these essays address emerging documentary forms--including web-docs, virtual reality, immersive journalism, viral media, interactive docs, and video-on-demand--and offer the critical tools that viewers need in order to analyze contemporary documentaries and consider how they are persuaded by and represented in documentary media. By combining perspectives of scholars and makers, Reclaiming Popular Documentary brings new understandings and international perspectives to familiar texts using critical models that will engage media scholars and fans alike.</p><p><em>Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.</em></p>]]>
      </content:encoded>
      <itunes:duration>4468</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Ivana Bajic-Hajdukovic, "Can You Run Away from Sorrow?: Mothers Left Behind in 1990s Belgrade" (Indiana UP, 2020)</title>
      <description>How does emigration affect those left behind? The fall of Yugoslavia in the 1990s led citizens to look for a better, more stable life elsewhere. For the older generations, however, this wasn't an option. In this powerful and moving work, Ivana Bajic-Hajdukovic reveals the impact that waves of emigration from Serbia had on family relationships and, in particular, on elderly mothers who stayed.
With nowhere to go, and any savings given to their children to help establish new lives, these seniors faced the crumbling country, waves of refugees from Croatia and Bosnia-Herzegovina, NATO bombing, the failing economy, and the trial and ouster of Slobodan Milosevic. Can You Run Away from Sorrow?: Mothers Left Behind in 1990s Belgrade (Indiana UP, 2020) poignantly depicts the intimacy of family relationships sustained through these turbulent times in Serbia and through the next generation's search for a new life. Bajic-Hajdukovic explores transformations in family intimacy during everyday life practices-in people's homes, in their food and cooking practices, in their childcare, and even in remittances and the exchange of gifts.
"Can You Run Away from Sorrow?" illustrates not only the tremendous sacrifice of parents, but also their profound sense of loss-of their families, their country, their stability and dignity, and most importantly, of their own identity and hope for what they thought their future would be.
Anna Domdey, M.A., studied Cultural Anthropology and Gender Studies at the University of Goettingen and is currently doing professional training in the field of museology, but she still likes to engage with compelling anthropological research.</description>
      <pubDate>Wed, 29 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>123</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Ivana Bajic-Hajdukovic</itunes:subtitle>
      <itunes:summary>How does emigration affect those left behind? The fall of Yugoslavia in the 1990s led citizens to look for a better, more stable life elsewhere. For the older generations, however, this wasn't an option. In this powerful and moving work, Ivana Bajic-Hajdukovic reveals the impact that waves of emigration from Serbia had on family relationships and, in particular, on elderly mothers who stayed.
With nowhere to go, and any savings given to their children to help establish new lives, these seniors faced the crumbling country, waves of refugees from Croatia and Bosnia-Herzegovina, NATO bombing, the failing economy, and the trial and ouster of Slobodan Milosevic. Can You Run Away from Sorrow?: Mothers Left Behind in 1990s Belgrade (Indiana UP, 2020) poignantly depicts the intimacy of family relationships sustained through these turbulent times in Serbia and through the next generation's search for a new life. Bajic-Hajdukovic explores transformations in family intimacy during everyday life practices-in people's homes, in their food and cooking practices, in their childcare, and even in remittances and the exchange of gifts.
"Can You Run Away from Sorrow?" illustrates not only the tremendous sacrifice of parents, but also their profound sense of loss-of their families, their country, their stability and dignity, and most importantly, of their own identity and hope for what they thought their future would be.
Anna Domdey, M.A., studied Cultural Anthropology and Gender Studies at the University of Goettingen and is currently doing professional training in the field of museology, but she still likes to engage with compelling anthropological research.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does emigration affect those left behind? The fall of Yugoslavia in the 1990s led citizens to look for a better, more stable life elsewhere. For the older generations, however, this wasn't an option. In this powerful and moving work, Ivana Bajic-Hajdukovic reveals the impact that waves of emigration from Serbia had on family relationships and, in particular, on elderly mothers who stayed.</p><p>With nowhere to go, and any savings given to their children to help establish new lives, these seniors faced the crumbling country, waves of refugees from Croatia and Bosnia-Herzegovina, NATO bombing, the failing economy, and the trial and ouster of Slobodan Milosevic. <a href="https://bookshop.org/a/12343/9780253050045"><em>Can You Run Away from Sorrow?: Mothers Left Behind in 1990s Belgrade</em></a> (Indiana UP, 2020) poignantly depicts the intimacy of family relationships sustained through these turbulent times in Serbia and through the next generation's search for a new life. Bajic-Hajdukovic explores transformations in family intimacy during everyday life practices-in people's homes, in their food and cooking practices, in their childcare, and even in remittances and the exchange of gifts.</p><p><em>"Can You Run Away from Sorrow?"</em> illustrates not only the tremendous sacrifice of parents, but also their profound sense of loss-of their families, their country, their stability and dignity, and most importantly, of their own identity and hope for what they thought their future would be.</p><p><em>Anna Domdey, M.A., studied Cultural Anthropology and Gender Studies at the University of Goettingen and is currently doing professional training in the field of museology, but she still likes to engage with compelling anthropological research.</em></p>]]>
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      <itunes:duration>3751</itunes:duration>
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    <item>
      <title>Rachel Rojanski, "Yiddish in Israel: A History" (Indiana UP, 2020)</title>
      <description>Yiddish in Israel: A History (Indiana UP, 2020) challenges the commonly held view that Yiddish was suppressed or even banned by Israeli authorities for ideological reasons, offering instead a radical new interpretation of the interaction between Yiddish and Israeli Hebrew cultures. Author Rachel Rojanski tells the compelling and yet unknown story of how Yiddish, the most widely used Jewish language in the pre-Holocaust world, fared in Zionist Israel, the land of Hebrew.
Following Yiddish in Israel from the proclamation of the State until today, Rojanski reveals that although Israeli leadership made promoting Hebrew a high priority, it did not have a definite policy on Yiddish. The language's varying fortune through the years was shaped by social and political developments, and the cultural atmosphere in Israel. Public perception of the language and its culture, the rise of identity politics, and political and financial interests all played a part. Using a wide range of archival sources, newspapers, and Yiddish literature, Rojanski follows the Israeli Yiddish scene through the history of the Yiddish press, Yiddish theater, early Israeli Yiddish literature, and high Yiddish culture. With compassion, she explores the tensions during Israel's early years between Yiddish writers and activists and Israel's leaders, most of whom were themselves Eastern European Jews balancing their love of Yiddish with their desire to promote Hebrew. Finally Rojanski follows Yiddish into the 21st century, telling the story of the revived interest in Yiddish among Israeli-born children of Holocaust survivors as they return to the language of their parents.</description>
      <pubDate>Mon, 20 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>31</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Rachel Rojanski</itunes:subtitle>
      <itunes:summary>Yiddish in Israel: A History (Indiana UP, 2020) challenges the commonly held view that Yiddish was suppressed or even banned by Israeli authorities for ideological reasons, offering instead a radical new interpretation of the interaction between Yiddish and Israeli Hebrew cultures. Author Rachel Rojanski tells the compelling and yet unknown story of how Yiddish, the most widely used Jewish language in the pre-Holocaust world, fared in Zionist Israel, the land of Hebrew.
Following Yiddish in Israel from the proclamation of the State until today, Rojanski reveals that although Israeli leadership made promoting Hebrew a high priority, it did not have a definite policy on Yiddish. The language's varying fortune through the years was shaped by social and political developments, and the cultural atmosphere in Israel. Public perception of the language and its culture, the rise of identity politics, and political and financial interests all played a part. Using a wide range of archival sources, newspapers, and Yiddish literature, Rojanski follows the Israeli Yiddish scene through the history of the Yiddish press, Yiddish theater, early Israeli Yiddish literature, and high Yiddish culture. With compassion, she explores the tensions during Israel's early years between Yiddish writers and activists and Israel's leaders, most of whom were themselves Eastern European Jews balancing their love of Yiddish with their desire to promote Hebrew. Finally Rojanski follows Yiddish into the 21st century, telling the story of the revived interest in Yiddish among Israeli-born children of Holocaust survivors as they return to the language of their parents.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780253045140"><em>Yiddish in Israel: A History</em></a><em> </em>(Indiana UP, 2020) challenges the commonly held view that Yiddish was suppressed or even banned by Israeli authorities for ideological reasons, offering instead a radical new interpretation of the interaction between Yiddish and Israeli Hebrew cultures. Author Rachel Rojanski tells the compelling and yet unknown story of how Yiddish, the most widely used Jewish language in the pre-Holocaust world, fared in Zionist Israel, the land of Hebrew.</p><p>Following Yiddish in Israel from the proclamation of the State until today, Rojanski reveals that although Israeli leadership made promoting Hebrew a high priority, it did not have a definite policy on Yiddish. The language's varying fortune through the years was shaped by social and political developments, and the cultural atmosphere in Israel. Public perception of the language and its culture, the rise of identity politics, and political and financial interests all played a part. Using a wide range of archival sources, newspapers, and Yiddish literature, Rojanski follows the Israeli Yiddish scene through the history of the Yiddish press, Yiddish theater, early Israeli Yiddish literature, and high Yiddish culture. With compassion, she explores the tensions during Israel's early years between Yiddish writers and activists and Israel's leaders, most of whom were themselves Eastern European Jews balancing their love of Yiddish with their desire to promote Hebrew. Finally Rojanski follows Yiddish into the 21st century, telling the story of the revived interest in Yiddish among Israeli-born children of Holocaust survivors as they return to the language of their parents.</p>]]>
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      <itunes:duration>5695</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Nicole Karapanagiotis, "Branding Bhakti: Krishna Consciousness and the Makeover of a Movement" (Indiana UP, 2021)</title>
      <description>How do religious groups reinvent themselves in order to attract new audiences? How do they rebrand their messages and recast their rituals in order to make their followers more diverse? In Branding Bhakti: Krishna Consciousness and the Makeover of a Movement (Indiana UP, 2021), Nicole Karapanagiotis considers the new branding of the Hare Krishna Movement, or the International Society for Krishna Consciousness (ISKCON). Branding Bhakti not only investigates the methods the ISKCON movement uses to position itself for growth but also highlights devotees' painful and complicated struggles as they work to transform their shrinking, sectarian movement into one with global religious appeal.
Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com.</description>
      <pubDate>Thu, 02 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>135</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Nicole Karapanagiotis</itunes:subtitle>
      <itunes:summary>How do religious groups reinvent themselves in order to attract new audiences? How do they rebrand their messages and recast their rituals in order to make their followers more diverse? In Branding Bhakti: Krishna Consciousness and the Makeover of a Movement (Indiana UP, 2021), Nicole Karapanagiotis considers the new branding of the Hare Krishna Movement, or the International Society for Krishna Consciousness (ISKCON). Branding Bhakti not only investigates the methods the ISKCON movement uses to position itself for growth but also highlights devotees' painful and complicated struggles as they work to transform their shrinking, sectarian movement into one with global religious appeal.
Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do religious groups reinvent themselves in order to attract new audiences? How do they rebrand their messages and recast their rituals in order to make their followers more diverse? In <a href="https://bookshop.org/a/12343/9780253054890"><em>Branding Bhakti: Krishna Consciousness and the Makeover of a Movement</em></a> (Indiana UP, 2021), Nicole Karapanagiotis considers the new branding of the Hare Krishna Movement, or the International Society for Krishna Consciousness (ISKCON). Branding Bhakti not only investigates the methods the ISKCON movement uses to position itself for growth but also highlights devotees' painful and complicated struggles as they work to transform their shrinking, sectarian movement into one with global religious appeal.</p><p><em>Raj Balkaran is a scholar, educator, consultant, and life coach. For information see </em><a href="https://rajbalkaran.com/"><em>rajbalkaran.com.</em></a></p>]]>
      </content:encoded>
      <itunes:duration>3960</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Tom Mould, "Overthrowing the Queen: Telling Stories of Welfare in America" (Indiana UP, 2020)</title>
      <description>It is a familiar story: A recipient of public assistance funds is caught buying expensive steaks, seafood, or other luxury foods with food stamps at the grocery store. Or they wear designer clothes and drive extravagant cars, belying the need for government assistance. Or they game the system in order to buy drugs or alcohol. Or they continue to bear multiple children in the belief that it will increase the amount of government aid they receive so that they can avoid working. Tinged with racial dog whistles and demonizations of poverty, these stories are often circulated as factual accounts of welfare fraud when they seem to operate more closely as contemporary legends – circulated stories with recurring motifs that seem as if they might have actually happened, but its veracity or falseness can be difficult to verify. Contemporary legends often include the caveat of the story happening to a “friend of a friend” though in the case of welfare legends, they often include first-person accounts. While the specific details of contemporary welfare legends are often not verified, the stories themselves are taken as accurate accounts and can impact public policy.
In Overthrowing The Queen: Telling Stories of Welfare In America (Indiana University Press, 2020), Dr. Tom Mould explores these stories about welfare in the context of contemporary legends and their influence on our perceptions of public assistance. In our conversation, he explains the origins of the “welfare queen” stereotype and its connection to a singular woman who defrauded public assistance programs in the 1970s and whose story was thereafter frequently recounted in racially coded terms by Ronald Reagan during his 1976 presidential campaign. We discuss the deep connection that welfare legends have to the idea of the American Dream, often serving as counternarrative or an embodiment of the fears about its attainability. Stereotypes about welfare recipients are so deeply embedded in the American consciousness that recipients feel as they must recount their stories as exceptions to the stereotype.
Such stories about people who defraud government assistance programs are compelling and memorable because they confirm preconceived biases about recipients. We talk about why such stories spread so easily and how they are spread. While contemporary legends are often told in third person, welfare legends are also told in the first person, but as Dr. Mould explains, the stereotypes are so strong that the tellers may have internalized specific details into eyewitness accounts in a move that makes for a more compelling narrative. However, even genuine eyewitness accounts do not provide the entire story – the circumstances that surround the purchase of what may be perceived come across as luxury items (perhaps a special occasion?) or why someone is driving an expensive car (a remnant from a life before falling upon difficult times?). He suggests that we take a “doubt-centered approach” when we hear such stories where we ask ourselves about the parts that may raise doubt - is it factually true? Is our interpretation true? Can this one story be generalizable to all stories about welfare recipients? Such an approach is an important addition to our understanding of how legend works. As our conversation continues, Dr. Mould suggests ways that we can and should counter the welfare legends, and why it is important to reclaim the terms “welfare” as a positive term rather than one that connotes fraud and laziness.  
Dr. Tom Mould is Professor of History and Anthropology at Butler University in Indianapolis, Indiana.
Nancy Yan received her PhD in folklore from The Ohio State University and taught First Year Writing, Comparative Studies, and Asian American studies for several years before returning to organizing work.</description>
      <pubDate>Fri, 20 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>38</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Tom Mould</itunes:subtitle>
      <itunes:summary>It is a familiar story: A recipient of public assistance funds is caught buying expensive steaks, seafood, or other luxury foods with food stamps at the grocery store. Or they wear designer clothes and drive extravagant cars, belying the need for government assistance. Or they game the system in order to buy drugs or alcohol. Or they continue to bear multiple children in the belief that it will increase the amount of government aid they receive so that they can avoid working. Tinged with racial dog whistles and demonizations of poverty, these stories are often circulated as factual accounts of welfare fraud when they seem to operate more closely as contemporary legends – circulated stories with recurring motifs that seem as if they might have actually happened, but its veracity or falseness can be difficult to verify. Contemporary legends often include the caveat of the story happening to a “friend of a friend” though in the case of welfare legends, they often include first-person accounts. While the specific details of contemporary welfare legends are often not verified, the stories themselves are taken as accurate accounts and can impact public policy.
In Overthrowing The Queen: Telling Stories of Welfare In America (Indiana University Press, 2020), Dr. Tom Mould explores these stories about welfare in the context of contemporary legends and their influence on our perceptions of public assistance. In our conversation, he explains the origins of the “welfare queen” stereotype and its connection to a singular woman who defrauded public assistance programs in the 1970s and whose story was thereafter frequently recounted in racially coded terms by Ronald Reagan during his 1976 presidential campaign. We discuss the deep connection that welfare legends have to the idea of the American Dream, often serving as counternarrative or an embodiment of the fears about its attainability. Stereotypes about welfare recipients are so deeply embedded in the American consciousness that recipients feel as they must recount their stories as exceptions to the stereotype.
Such stories about people who defraud government assistance programs are compelling and memorable because they confirm preconceived biases about recipients. We talk about why such stories spread so easily and how they are spread. While contemporary legends are often told in third person, welfare legends are also told in the first person, but as Dr. Mould explains, the stereotypes are so strong that the tellers may have internalized specific details into eyewitness accounts in a move that makes for a more compelling narrative. However, even genuine eyewitness accounts do not provide the entire story – the circumstances that surround the purchase of what may be perceived come across as luxury items (perhaps a special occasion?) or why someone is driving an expensive car (a remnant from a life before falling upon difficult times?). He suggests that we take a “doubt-centered approach” when we hear such stories where we ask ourselves about the parts that may raise doubt - is it factually true? Is our interpretation true? Can this one story be generalizable to all stories about welfare recipients? Such an approach is an important addition to our understanding of how legend works. As our conversation continues, Dr. Mould suggests ways that we can and should counter the welfare legends, and why it is important to reclaim the terms “welfare” as a positive term rather than one that connotes fraud and laziness.  
Dr. Tom Mould is Professor of History and Anthropology at Butler University in Indianapolis, Indiana.
Nancy Yan received her PhD in folklore from The Ohio State University and taught First Year Writing, Comparative Studies, and Asian American studies for several years before returning to organizing work.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It is a familiar story: A recipient of public assistance funds is caught buying expensive steaks, seafood, or other luxury foods with food stamps at the grocery store. Or they wear designer clothes and drive extravagant cars, belying the need for government assistance. Or they game the system in order to buy drugs or alcohol. Or they continue to bear multiple children in the belief that it will increase the amount of government aid they receive so that they can avoid working. Tinged with racial dog whistles and demonizations of poverty, these stories are often circulated as factual accounts of welfare fraud when they seem to operate more closely as contemporary legends – circulated stories with recurring motifs that seem as if they might have actually happened, but its veracity or falseness can be difficult to verify. Contemporary legends often include the caveat of the story happening to a “friend of a friend” though in the case of welfare legends, they often include first-person accounts. While the specific details of contemporary welfare legends are often not verified, the stories themselves are taken as accurate accounts and can impact public policy.</p><p>In <a href="https://bookshop.org/a/12343/9780253048035"><em>Overthrowing The Queen: Telling Stories of Welfare In America</em></a><em> </em>(Indiana University Press, 2020)<em>,</em> Dr. Tom Mould explores these stories about welfare in the context of contemporary legends and their influence on our perceptions of public assistance. In our conversation, he explains the origins of the “welfare queen” stereotype and its connection to a singular woman who defrauded public assistance programs in the 1970s and whose story was thereafter frequently recounted in racially coded terms by Ronald Reagan during his 1976 presidential campaign. We discuss the deep connection that welfare legends have to the idea of the American Dream, often serving as counternarrative or an embodiment of the fears about its attainability. Stereotypes about welfare recipients are so deeply embedded in the American consciousness that recipients feel as they must recount their stories as exceptions to the stereotype.</p><p>Such stories about people who defraud government assistance programs are compelling and memorable because they confirm preconceived biases about recipients. We talk about why such stories spread so easily and how they are spread. While contemporary legends are often told in third person, welfare legends are also told in the first person, but as Dr. Mould explains, the stereotypes are so strong that the tellers may have internalized specific details into eyewitness accounts in a move that makes for a more compelling narrative. However, even genuine eyewitness accounts do not provide the entire story – the circumstances that surround the purchase of what may be perceived come across as luxury items (perhaps a special occasion?) or why someone is driving an expensive car (a remnant from a life before falling upon difficult times?). He suggests that we take a “doubt-centered approach” when we hear such stories where we ask ourselves about the parts that may raise doubt - is it factually true? Is our interpretation true? Can this one story be generalizable to all stories about welfare recipients? Such an approach is an important addition to our understanding of how legend works. As our conversation continues, Dr. Mould suggests ways that we can and should counter the welfare legends, and why it is important to reclaim the terms “welfare” as a positive term rather than one that connotes fraud and laziness.  </p><p><a href="https://www.butler.edu/directory/user/tmould">Dr. Tom Mould</a> is Professor of History and Anthropology at Butler University in Indianapolis, Indiana.</p><p><em>Nancy Yan received her PhD in folklore from The Ohio State University and taught First Year Writing, Comparative Studies, and Asian American studies for several years before returning to organizing work.</em></p>]]>
      </content:encoded>
      <itunes:duration>4699</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Bagila Bukharbayeva, "The Vanishing Generation: Revolution, Religion, and Disappearance in Modern Uzbekistan" (Indiana UP, 2019)</title>
      <description>Weaving together personal story and broad analysis, Bagila Burkhabayeva’s The Vanishing Generation: Revolution, Religion, and Disappearance in Modern Uzbekistan (Indiana UP, 2019) deals with the question of Islam and its repression during the period of Islam Karimov’s rule in newly independent Uzbekistan. As witness to the infamous Zhaslyk prison and the 2005 Andijan uprising, Bukharbayeva shares intimate details about Uzbekistan’s use of torture, kidnapping, and imprisonment against perceived religious extremists. Burkhabayeva’s book will be of great interest to scholars, journalists, and anyone interested in contemporary Islam, Central Asia, or newly-formed authoritarian states of the late 20th and early 21st century.
﻿Nicholas Seay is a PhD student at Ohio State University</description>
      <pubDate>Mon, 02 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>24</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Bagila Bukharbayeva</itunes:subtitle>
      <itunes:summary>Weaving together personal story and broad analysis, Bagila Burkhabayeva’s The Vanishing Generation: Revolution, Religion, and Disappearance in Modern Uzbekistan (Indiana UP, 2019) deals with the question of Islam and its repression during the period of Islam Karimov’s rule in newly independent Uzbekistan. As witness to the infamous Zhaslyk prison and the 2005 Andijan uprising, Bukharbayeva shares intimate details about Uzbekistan’s use of torture, kidnapping, and imprisonment against perceived religious extremists. Burkhabayeva’s book will be of great interest to scholars, journalists, and anyone interested in contemporary Islam, Central Asia, or newly-formed authoritarian states of the late 20th and early 21st century.
﻿Nicholas Seay is a PhD student at Ohio State University</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Weaving together personal story and broad analysis, Bagila Burkhabayeva’s <a href="https://iupress.org/9780253040817/the-vanishing-generation/"><em>The Vanishing Generation: Revolution, Religion, and Disappearance in Modern Uzbekistan</em></a><em> </em>(Indiana UP, 2019) deals with the question of Islam and its repression during the period of Islam Karimov’s rule in newly independent Uzbekistan. As witness to the infamous Zhaslyk prison and the 2005 Andijan uprising, Bukharbayeva shares intimate details about Uzbekistan’s use of torture, kidnapping, and imprisonment against perceived religious extremists. Burkhabayeva’s book will be of great interest to scholars, journalists, and anyone interested in contemporary Islam, Central Asia, or newly-formed authoritarian states of the late 20th and early 21st century.</p><p><em>﻿</em><a href="https://history.osu.edu/people/seay.27"><em>Nicholas Seay</em></a><em> is a PhD student at Ohio State University</em></p>]]>
      </content:encoded>
      <itunes:duration>4107</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[dff107e6-e862-11ee-aad1-c37eabf15475]]></guid>
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    <item>
      <title>Lindy McDougall, "The Perfect Vagina: Cosmetic Surgery in the Twenty-First Century" (Indiana UP, 2021)</title>
      <description>Today on New Books in Gender Studies Jana Byars talks with Lindy McDougall, of Macquarie University in Sydney, Australia about her new book, The Perfect Vagina: Cosmetic Surgery in the Twenty-First Century, out this year, 2021, with Indiana University Press.
In The Perfect Vagina, Lindy McDougall provides an ethnographic account of women who choose FGCS in Australia and the physicians who perform these procedures, both in Australia and globally, while also examining the environment in which surgeons and women come together. Physicians have a vested interest in establishing this surgery as valid medical intervention, despite majority medical opinion explicitly acknowledging that a wide range of genital variation is normal. McDougall offers a nuanced picture of why and how these procedures are performed and draws parallels between FGCS and anthropological discussions of female genital circumcision (cutting). Using the neologism biomagical, she argues that cosmetic surgery functions as both ritual and sacrifice due to its promise of transformation while simultaneously submitting the body to the risks and pain of surgery, thus exposing biomedicine as an increasingly cultural and commercial pursuit.
The Perfect Vagina highlights the complexities involved with FGCS, its role in Western beauty culture, and the creation and control of body image in countries where self-care is valorized and medicine is increasingly harnessed for enhancement as well as health.
Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.</description>
      <pubDate>Wed, 14 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>171</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Lindy McDougall</itunes:subtitle>
      <itunes:summary>Today on New Books in Gender Studies Jana Byars talks with Lindy McDougall, of Macquarie University in Sydney, Australia about her new book, The Perfect Vagina: Cosmetic Surgery in the Twenty-First Century, out this year, 2021, with Indiana University Press.
In The Perfect Vagina, Lindy McDougall provides an ethnographic account of women who choose FGCS in Australia and the physicians who perform these procedures, both in Australia and globally, while also examining the environment in which surgeons and women come together. Physicians have a vested interest in establishing this surgery as valid medical intervention, despite majority medical opinion explicitly acknowledging that a wide range of genital variation is normal. McDougall offers a nuanced picture of why and how these procedures are performed and draws parallels between FGCS and anthropological discussions of female genital circumcision (cutting). Using the neologism biomagical, she argues that cosmetic surgery functions as both ritual and sacrifice due to its promise of transformation while simultaneously submitting the body to the risks and pain of surgery, thus exposing biomedicine as an increasingly cultural and commercial pursuit.
The Perfect Vagina highlights the complexities involved with FGCS, its role in Western beauty culture, and the creation and control of body image in countries where self-care is valorized and medicine is increasingly harnessed for enhancement as well as health.
Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today on New Books in Gender Studies Jana Byars talks with Lindy McDougall, of Macquarie University in Sydney, Australia about her new book, <a href="https://bookshop.org/a/12343/9780253056139"><em>The Perfect Vagina: Cosmetic Surgery in the Twenty-First Century</em></a>, out this year, 2021, with Indiana University Press.</p><p>In <em>The Perfect Vagina</em>, Lindy McDougall provides an ethnographic account of women who choose FGCS in Australia and the physicians who perform these procedures, both in Australia and globally, while also examining the environment in which surgeons and women come together. Physicians have a vested interest in establishing this surgery as valid medical intervention, despite majority medical opinion explicitly acknowledging that a wide range of genital variation is normal. McDougall offers a nuanced picture of why and how these procedures are performed and draws parallels between FGCS and anthropological discussions of female genital circumcision (cutting). Using the neologism biomagical, she argues that cosmetic surgery functions as both ritual and sacrifice due to its promise of transformation while simultaneously submitting the body to the risks and pain of surgery, thus exposing biomedicine as an increasingly cultural and commercial pursuit.</p><p><em>The Perfect Vagina</em> highlights the complexities involved with FGCS, its role in Western beauty culture, and the creation and control of body image in countries where self-care is valorized and medicine is increasingly harnessed for enhancement as well as health.</p><p><a href="https://www.sit.edu/sit_faculty/jana-byars-phd/"><em>Jana Byars</em></a><em> is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.</em></p>]]>
      </content:encoded>
      <itunes:duration>2493</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[483e50e6-e882-11ee-8c72-ab3caeba708e]]></guid>
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      <title>Stephen M. Norris, "Museums of Communism: New Memory Sites in Central and Eastern Europe" (Indiana UP, 2020)</title>
      <description>How did communities come to terms with the collapse of communism? In order to guide the wider narrative, many former communist countries constructed museums dedicated to chronicling their experiences. Museums of Communism: New Memory Sites in Central and Eastern Europe (Indiana UP, 2020) explores the complicated intersection of history, commemoration, and victimization made evident in these museums constructed after 1991. While contributors from a diverse range of fields explore various museums and include nearly 90 photographs, a common denominator emerges: rather than focusing on artifacts and historical documents, these museums often privilege memories and stories. In doing so, the museums shift attention from experiences of guilt or collaboration to narratives of shared victimization under communist rule. As editor Stephen M. Norris demonstrates, these museums are often problematic at best and revisionist at worst. From occupation museums in the Baltic States to memorial museums in Ukraine, former secret police prisons in Romania, and nostalgic museums of everyday life in Russia, the sites considered offer new ways of understanding the challenges of separating memory and myth.
Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life.</description>
      <pubDate>Fri, 18 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>110</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Stephen M. Norris</itunes:subtitle>
      <itunes:summary>How did communities come to terms with the collapse of communism? In order to guide the wider narrative, many former communist countries constructed museums dedicated to chronicling their experiences. Museums of Communism: New Memory Sites in Central and Eastern Europe (Indiana UP, 2020) explores the complicated intersection of history, commemoration, and victimization made evident in these museums constructed after 1991. While contributors from a diverse range of fields explore various museums and include nearly 90 photographs, a common denominator emerges: rather than focusing on artifacts and historical documents, these museums often privilege memories and stories. In doing so, the museums shift attention from experiences of guilt or collaboration to narratives of shared victimization under communist rule. As editor Stephen M. Norris demonstrates, these museums are often problematic at best and revisionist at worst. From occupation museums in the Baltic States to memorial museums in Ukraine, former secret police prisons in Romania, and nostalgic museums of everyday life in Russia, the sites considered offer new ways of understanding the challenges of separating memory and myth.
Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How did communities come to terms with the collapse of communism? In order to guide the wider narrative, many former communist countries constructed museums dedicated to chronicling their experiences. <a href="https://bookshop.org/a/12343/9780253050328"><em>Museums of Communism: New Memory Sites in Central and Eastern Europe</em></a> (Indiana UP, 2020) explores the complicated intersection of history, commemoration, and victimization made evident in these museums constructed after 1991. While contributors from a diverse range of fields explore various museums and include nearly 90 photographs, a common denominator emerges: rather than focusing on artifacts and historical documents, these museums often privilege memories and stories. In doing so, the museums shift attention from experiences of guilt or collaboration to narratives of shared victimization under communist rule. As editor Stephen M. Norris demonstrates, these museums are often problematic at best and revisionist at worst. From occupation museums in the Baltic States to memorial museums in Ukraine, former secret police prisons in Romania, and nostalgic museums of everyday life in Russia, the sites considered offer new ways of understanding the challenges of separating memory and myth.</p><p><em>Jill Massino is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life.</em></p>]]>
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      <title>Alice Elliot, "The Outside: Migration As Life in Morocco" (Indiana UP, 2021)</title>
      <description>The Outside: Migration as Life in Morocco (Indiana UP, 2021) traces how migration has come to occupy a striking place in the lives of many Moroccans. A full 10 percent of the population now lives outside the country, affecting individual and collective life in countless unanticipated ways.
In this intimate ethnography of rural Morocco, Alice Elliot considers the experience of migration from the point of view of the families and people, mostly women, who have not (yet) left. Elliot shows how the specter of migration has permeated life, from kinship relations to intimacy between spouses and to the imagination of the future.
The Outside seeks to answer the question, what is migration when it becomes the very foundation on which forms of social and individual life are built? New understandings of migration emerge through its intimate textures as Elliot shows how it has become, in some parts of the world, a distinctive condition of everyday life.
Alice Elliot is Lecturer in Anthropology at Goldsmiths, University of London. She edited (with Roger Norum and Noel B. Salazar) Methodologies of Mobility: Ethnography and Experiment.
Alize Arıcan is an incoming Postdoctoral Fellow at Rutgers University's Center for Cultural Analysis. Her research focuses on urban renewal, futurity, care, and migration in Turkey. Her work has been featured in Current Anthropology, City &amp; Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography.</description>
      <pubDate>Fri, 11 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>30</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Alice Elliot</itunes:subtitle>
      <itunes:summary>The Outside: Migration as Life in Morocco (Indiana UP, 2021) traces how migration has come to occupy a striking place in the lives of many Moroccans. A full 10 percent of the population now lives outside the country, affecting individual and collective life in countless unanticipated ways.
In this intimate ethnography of rural Morocco, Alice Elliot considers the experience of migration from the point of view of the families and people, mostly women, who have not (yet) left. Elliot shows how the specter of migration has permeated life, from kinship relations to intimacy between spouses and to the imagination of the future.
The Outside seeks to answer the question, what is migration when it becomes the very foundation on which forms of social and individual life are built? New understandings of migration emerge through its intimate textures as Elliot shows how it has become, in some parts of the world, a distinctive condition of everyday life.
Alice Elliot is Lecturer in Anthropology at Goldsmiths, University of London. She edited (with Roger Norum and Noel B. Salazar) Methodologies of Mobility: Ethnography and Experiment.
Alize Arıcan is an incoming Postdoctoral Fellow at Rutgers University's Center for Cultural Analysis. Her research focuses on urban renewal, futurity, care, and migration in Turkey. Her work has been featured in Current Anthropology, City &amp; Society, Radical Housing Journal, and entanglements: experiments in multimodal ethnography.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780253054746"><em>The Outside: Migration as Life in Morocco</em></a><em> </em>(Indiana UP, 2021) traces how migration has come to occupy a striking place in the lives of many Moroccans. A full 10 percent of the population now lives outside the country, affecting individual and collective life in countless unanticipated ways.</p><p>In this intimate ethnography of rural Morocco, Alice Elliot considers the experience of migration from the point of view of the families and people, mostly women, who have not (yet) left. Elliot shows how the specter of migration has permeated life, from kinship relations to intimacy between spouses and to the imagination of the future.</p><p><em>The Outside</em> seeks to answer the question, what is migration when it becomes the very foundation on which forms of social and individual life are built? New understandings of migration emerge through its intimate textures as Elliot shows how it has become, in some parts of the world, a distinctive condition of everyday life.</p><p>Alice Elliot is Lecturer in Anthropology at Goldsmiths, University of London. She edited (with Roger Norum and Noel B. Salazar)<em> </em><a href="https://bookshop.org/books/methodologies-of-mobility-ethnography-and-experiment"><em>Methodologies of Mobility: Ethnography and Experiment</em></a><em>.</em></p><p><a href="https://www.alizearican.com/"><em>Alize Arıcan</em></a><em> is an incoming Postdoctoral Fellow at Rutgers University's Center for Cultural Analysis. Her research focuses on urban renewal, futurity, care, and migration in Turkey. Her work has been featured in </em><a href="https://www.journals.uchicago.edu/doi/10.1086/713112"><em>Current Anthropology</em></a><em>, </em><a href="https://doi.org/10.1111/ciso.12348"><em>City &amp; Society</em></a><em>, </em><a href="https://radicalhousingjournal.org/2020/care-in-tarlabasi-amidst-heightened-inequalities-urban-transformation-and-coronavirus/"><em>Radical Housing Journal</em></a><em>, and </em><a href="https://entanglementsjournal.org/the-ghost-of-karl-marx/"><em>entanglements: experiments in multimodal ethnography</em></a><em>.</em></p>]]>
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      <itunes:duration>3548</itunes:duration>
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      <title>Larry E. Holmes, "Revising the Revolution: The Unmaking of Russia's Official History of 1917" (Indiana UP, 2021)</title>
      <description>The clash between scholarship and politics—between truth and propaganda— had always been a conflict of great importance. In the 1920s the Commission for the Collection, Study, and Publication of Materials on the October Revolution and History of the Communist Party (Istpart, in abbreviated Russian) was formed. Istpart’s historians were tasked with preserving the documentary record, compiling memoirs, and upholding ideological conformism within the national narrative of the 1917 revolution. In Revising the Revolution: The Unmaking of Russia's Official History of 1917 (Indiana UP, 2021), Larry E. Holmes focuses on the work of Istpart’s main office in Moscow and of its branch in Viatka. Istpart initially hoped to abide by the demands of both scholarship and politics when formulating the principles of historical research and when writing about the 1917 revolution. In that effort, Istpart in Moscow and its affiliate in Viatka acted sometimes in concert but often in conflict. Istpart’s initial faith in a symbiosis of scholarship and politics eroded, slowly at first, then rapidly. However, they quickly realized that the party rejected any version of history that suggested nonideological or nonpolitical sources of truth. By 1928, Istpart had largely abandoned its mission to promote scholarly work on the 1917 revolution and instead advanced the party's master narrative.
Revising the Revolution explores the battle for the Russian national narrative and the ways in which history can be used to centralize power. This book addresses two issues of relevance to today’s Russian Federation. Once again the center’s politicians demand of professional historians a useful and not necessarily objective rendition of the past. Yet this authoritarian state with its power-vertical, as Vladimir Putin likes to call it, cannot always get its way without resistance from below. As recent events in Ekaterinburg and Khabarovsk indicate, people in Russia’s provinces, as in Viatka earlier in Istpart’s history, act on their own interests and, in the case of officials, in the interests of the institutions and the region they represent.</description>
      <pubDate>Thu, 03 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>157</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Larry E. Holmes</itunes:subtitle>
      <itunes:summary>The clash between scholarship and politics—between truth and propaganda— had always been a conflict of great importance. In the 1920s the Commission for the Collection, Study, and Publication of Materials on the October Revolution and History of the Communist Party (Istpart, in abbreviated Russian) was formed. Istpart’s historians were tasked with preserving the documentary record, compiling memoirs, and upholding ideological conformism within the national narrative of the 1917 revolution. In Revising the Revolution: The Unmaking of Russia's Official History of 1917 (Indiana UP, 2021), Larry E. Holmes focuses on the work of Istpart’s main office in Moscow and of its branch in Viatka. Istpart initially hoped to abide by the demands of both scholarship and politics when formulating the principles of historical research and when writing about the 1917 revolution. In that effort, Istpart in Moscow and its affiliate in Viatka acted sometimes in concert but often in conflict. Istpart’s initial faith in a symbiosis of scholarship and politics eroded, slowly at first, then rapidly. However, they quickly realized that the party rejected any version of history that suggested nonideological or nonpolitical sources of truth. By 1928, Istpart had largely abandoned its mission to promote scholarly work on the 1917 revolution and instead advanced the party's master narrative.
Revising the Revolution explores the battle for the Russian national narrative and the ways in which history can be used to centralize power. This book addresses two issues of relevance to today’s Russian Federation. Once again the center’s politicians demand of professional historians a useful and not necessarily objective rendition of the past. Yet this authoritarian state with its power-vertical, as Vladimir Putin likes to call it, cannot always get its way without resistance from below. As recent events in Ekaterinburg and Khabarovsk indicate, people in Russia’s provinces, as in Viatka earlier in Istpart’s history, act on their own interests and, in the case of officials, in the interests of the institutions and the region they represent.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The clash between scholarship and politics—between truth and propaganda— had always been a conflict of great importance. In the 1920s the Commission for the Collection, Study, and Publication of Materials on the October Revolution and History of the Communist Party (Istpart, in abbreviated Russian) was formed. Istpart’s historians were tasked with preserving the documentary record, compiling memoirs, and upholding ideological conformism within the national narrative of the 1917 revolution. In <a href="https://bookshop.org/a/12343/9780253054784"><em>Revising the Revolution: The Unmaking of Russia's Official History of 1917</em></a><em> </em>(Indiana UP, 2021), Larry E. Holmes focuses on the work of Istpart’s main office in Moscow and of its branch in Viatka. Istpart initially hoped to abide by the demands of both scholarship and politics when formulating the principles of historical research and when writing about the 1917 revolution. In that effort, Istpart in Moscow and its affiliate in Viatka acted sometimes in concert but often in conflict. Istpart’s initial faith in a symbiosis of scholarship and politics eroded, slowly at first, then rapidly. However, they quickly realized that the party rejected any version of history that suggested nonideological or nonpolitical sources of truth. By 1928, Istpart had largely abandoned its mission to promote scholarly work on the 1917 revolution and instead advanced the party's master narrative.</p><p><em>Revising the Revolution</em> explores the battle for the Russian national narrative and the ways in which history can be used to centralize power. This book addresses two issues of relevance to today’s Russian Federation. Once again the center’s politicians demand of professional historians a useful and not necessarily objective rendition of the past. Yet this authoritarian state with its power-vertical, as Vladimir Putin likes to call it, cannot always get its way without resistance from below. As recent events in Ekaterinburg and Khabarovsk indicate, people in Russia’s provinces, as in Viatka earlier in Istpart’s history, act on their own interests and, in the case of officials, in the interests of the institutions and the region they represent.</p>]]>
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      <itunes:duration>3387</itunes:duration>
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      <title>Alfred L. Martin, Jr., "The Generic Closet: Black Gayness and the Black-Cast Sitcom" (Indiana UP, 2021)</title>
      <description>How do race and sexuality intersect in the American sitcom? In The Generic Closet: Black Gayness and the Black-Cast Sitcom (Indiana University Press, 2021),  Alfred L Martin, an assistant professor of communication studies at The University of Iowa, explores the production and reception of Black-cast sitcoms, along with a detailed analysis of the representations of gay men within this genre. At the centre of the book is a theorisation of the generic closet, both as a way to explain the absence of nuanced and complex representations of Black gay men on screen, and to account for the limited, decentred, and peripheral place offered to Black gay men in the Black-cast sitcom. Offering detailed engagement with the history and political economy of television, along with insights into writers’ rooms, production decisions, and audience responses, the book is essential reading across humanities and social sciences, as well as for anyone interested in understanding contemporary culture.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</description>
      <pubDate>Tue, 27 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>216</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Alfred L. Martin, Jr.</itunes:subtitle>
      <itunes:summary>How do race and sexuality intersect in the American sitcom? In The Generic Closet: Black Gayness and the Black-Cast Sitcom (Indiana University Press, 2021),  Alfred L Martin, an assistant professor of communication studies at The University of Iowa, explores the production and reception of Black-cast sitcoms, along with a detailed analysis of the representations of gay men within this genre. At the centre of the book is a theorisation of the generic closet, both as a way to explain the absence of nuanced and complex representations of Black gay men on screen, and to account for the limited, decentred, and peripheral place offered to Black gay men in the Black-cast sitcom. Offering detailed engagement with the history and political economy of television, along with insights into writers’ rooms, production decisions, and audience responses, the book is essential reading across humanities and social sciences, as well as for anyone interested in understanding contemporary culture.
Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do race and sexuality intersect in the American sitcom? In <em>The Generic Closet: Black Gayness and the Black-Cast Sitcom </em>(Indiana University Press, 2021)<em>, </em> <a href="https://twitter.com/AlfredLMartin">Alfred L Martin</a>, an <a href="https://clas.uiowa.edu/commstudies/people/alfred-martin">assistant professor of communication studies at The University of Iowa</a>, explores the production and reception of Black-cast sitcoms, along with a detailed analysis of the representations of gay men within this genre. At the centre of the book is a theorisation of the generic closet, both as a way to explain the absence of nuanced and complex representations of Black gay men on screen, and to account for the limited, decentred, and peripheral place offered to Black gay men in the Black-cast sitcom. Offering detailed engagement with the history and political economy of television, along with insights into writers’ rooms, production decisions, and audience responses, the book is essential reading across humanities and social sciences, as well as for anyone interested in understanding contemporary culture.</p><p><a href="https://www.eca.ed.ac.uk/profile/dr-dave-obrien"><em>Dave O'Brien</em></a><em> is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.</em></p>]]>
      </content:encoded>
      <itunes:duration>2562</itunes:duration>
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      <title>Jeremy Black, "England in the Age of Austen" (Indiana UP, 2021)</title>
      <description>Jeremy Black's new book on England in the Age of Austen, just published by Indiana University Press (2021), will be a treat for anyone who loves Jane - and who does not? - as well as anyone who is interested in her contexts. Black situates Austen's work in its social, political, economic and religious cultures, showing how her youthful commitments to Jacobite politics evolved into a more mature appreciation of the strengths and weaknesses of late eighteenth- and early nineteenth-century England. Alert to the ironies of her own life and the lives of her characters, Austen wrote of the kind of world in which she wanted to live, balancing the disappointments of her own life and those of her characters with a dependency upon providence and an active commitment to preserve the best values of English society.
Crawford Gribben is a professor of history at Queen’s University Belfast.</description>
      <pubDate>Wed, 21 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>965</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Jeremy Black</itunes:subtitle>
      <itunes:summary>Jeremy Black's new book on England in the Age of Austen, just published by Indiana University Press (2021), will be a treat for anyone who loves Jane - and who does not? - as well as anyone who is interested in her contexts. Black situates Austen's work in its social, political, economic and religious cultures, showing how her youthful commitments to Jacobite politics evolved into a more mature appreciation of the strengths and weaknesses of late eighteenth- and early nineteenth-century England. Alert to the ironies of her own life and the lives of her characters, Austen wrote of the kind of world in which she wanted to live, balancing the disappointments of her own life and those of her characters with a dependency upon providence and an active commitment to preserve the best values of English society.
Crawford Gribben is a professor of history at Queen’s University Belfast.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jeremy Black's new book on <a href="https://bookshop.org/a/12343/9780253051936"><em>England in the Age of Austen</em></a>, just published by Indiana University Press (2021), will be a treat for anyone who loves Jane - and who does not? - as well as anyone who is interested in her contexts. Black situates Austen's work in its social, political, economic and religious cultures, showing how her youthful commitments to Jacobite politics evolved into a more mature appreciation of the strengths and weaknesses of late eighteenth- and early nineteenth-century England. Alert to the ironies of her own life and the lives of her characters, Austen wrote of the kind of world in which she wanted to live, balancing the disappointments of her own life and those of her characters with a dependency upon providence and an active commitment to preserve the best values of English society.</p><p><a href="https://pure.qub.ac.uk/portal/en/persons/crawford-gribben(9c12859e-6933-4880-b397-d8e6382b0052).html"><em>Crawford Gribben</em></a><em> is a professor of history at Queen’s University Belfast.</em></p>]]>
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      <itunes:duration>2543</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>James White, "Unity in Faith?: Edinoverie, Russian Orthodoxy, and Old Belief, 1800-1918" (Indiana UP, 2020)</title>
      <description>Dr. J. M. White’s new book, Unity in Faith?: Edinoverie, Russian Orthodoxy, and Old Belief, 1800-1918 (Indiana University Press, 2020) discusses the Russian Orthodox/Old Believer schism. In the late 18th and early 19th centuries, the Russian government decided, largely for reasons of state, to bring the schismatic Old Believers back into the Orthodox fold. This desire resulted in the creation of edinoverie (“unity in faith”), and a set of institutions that attempted to allow Old Believers to practice their pre-1650’s rituals, while increasingly subjecting them to the authority of the church, and by extension, the state. Dr. White’s book is a history of this edinoverie. Along the way, readers learn a great deal about the relationship between the Russian church and the state, and about the inner logics of a major religious schisms, whose lessons apply to Russian history and beyond. Religious history is often neglected in the history of late imperial Russia, and this book also helps to rectify that imbalance.
Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.</description>
      <pubDate>Fri, 16 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>148</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with James White</itunes:subtitle>
      <itunes:summary>Dr. J. M. White’s new book, Unity in Faith?: Edinoverie, Russian Orthodoxy, and Old Belief, 1800-1918 (Indiana University Press, 2020) discusses the Russian Orthodox/Old Believer schism. In the late 18th and early 19th centuries, the Russian government decided, largely for reasons of state, to bring the schismatic Old Believers back into the Orthodox fold. This desire resulted in the creation of edinoverie (“unity in faith”), and a set of institutions that attempted to allow Old Believers to practice their pre-1650’s rituals, while increasingly subjecting them to the authority of the church, and by extension, the state. Dr. White’s book is a history of this edinoverie. Along the way, readers learn a great deal about the relationship between the Russian church and the state, and about the inner logics of a major religious schisms, whose lessons apply to Russian history and beyond. Religious history is often neglected in the history of late imperial Russia, and this book also helps to rectify that imbalance.
Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dr. J. M. White’s new book, <a href="https://bookshop.org/a/12343/9780253049728"><em>Unity in Faith?: Edinoverie, Russian Orthodoxy, and Old Belief, 1800-1918</em></a><em> </em>(Indiana University Press, 2020) discusses the Russian Orthodox/Old Believer schism. In the late 18th and early 19th centuries, the Russian government decided, largely for reasons of state, to bring the schismatic Old Believers back into the Orthodox fold. This desire resulted in the creation of <em>edinoverie</em> (“unity in faith”), and a set of institutions that attempted to allow Old Believers to practice their pre-1650’s rituals, while increasingly subjecting them to the authority of the church, and by extension, the state. Dr. White’s book is a history of this <em>edinoverie</em>. Along the way, readers learn a great deal about the relationship between the Russian church and the state, and about the inner logics of a major religious schisms, whose lessons apply to Russian history and beyond. Religious history is often neglected in the history of late imperial Russia, and this book also helps to rectify that imbalance.</p><p><em>Aaron Weinacht is Professor of History at the University of Montana Western, in Dillon, MT. He teaches courses on Russian and Soviet History, World History, and Philosophy of History. His research interests include the sociological theorist Philip Rieff and the influence of Russian nihilism on American libertarianism.</em></p>]]>
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      <itunes:duration>4007</itunes:duration>
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      <title>Maria San Filippo, "Provocauteurs and Provocations: Screening Sex in 21st Century Media" (Indiana UP, 2021)</title>
      <description>Twenty-first century media has increasingly turned to provocative sexual content to generate buzz and stand out within a glut of programming. New distribution technologies enable and amplify these provocations, and encourage the branding of media creators as "provocauteurs" known for challenging sexual conventions and representational norms.
While such strategies may at times be no more than a profitable lure, the most probing and powerful instances of sexual provocation serve to illuminate, question, and transform our understanding of sex and sexuality. In Provocauteurs and Provocations: Screening Sex in 21st Century Media (Indiana UP, 2021), award-winning author Maria San Filippo looks at the provocative in films, television series, web series and videos, entertainment industry publicity materials, and social media discourses and explores its potential to create alternative, even radical ways of screening sex.
Throughout this edgy volume, San Filippo reassesses troubling texts and divisive figures, examining controversial strategies--from "real sex" scenes to scandalous marketing campaigns to full-frontal nudity--to reveal the critical role that sexual provocation plays as an authorial signature and promotional strategy within the contemporary media landscape. 
A trailer for the books is available on YouTube. Both of San Filippo's IUP books are 30% off (through May) using code SANFILIPPO at iupress.org
Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers.</description>
      <pubDate>Tue, 13 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>4</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Maria San Filippo</itunes:subtitle>
      <itunes:summary>Twenty-first century media has increasingly turned to provocative sexual content to generate buzz and stand out within a glut of programming. New distribution technologies enable and amplify these provocations, and encourage the branding of media creators as "provocauteurs" known for challenging sexual conventions and representational norms.
While such strategies may at times be no more than a profitable lure, the most probing and powerful instances of sexual provocation serve to illuminate, question, and transform our understanding of sex and sexuality. In Provocauteurs and Provocations: Screening Sex in 21st Century Media (Indiana UP, 2021), award-winning author Maria San Filippo looks at the provocative in films, television series, web series and videos, entertainment industry publicity materials, and social media discourses and explores its potential to create alternative, even radical ways of screening sex.
Throughout this edgy volume, San Filippo reassesses troubling texts and divisive figures, examining controversial strategies--from "real sex" scenes to scandalous marketing campaigns to full-frontal nudity--to reveal the critical role that sexual provocation plays as an authorial signature and promotional strategy within the contemporary media landscape. 
A trailer for the books is available on YouTube. Both of San Filippo's IUP books are 30% off (through May) using code SANFILIPPO at iupress.org
Rachel Stuart is a sex work researcher whose primary interest is the lived experiences of sex workers.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Twenty-first century media has increasingly turned to provocative sexual content to generate buzz and stand out within a glut of programming. New distribution technologies enable and amplify these provocations, and encourage the branding of media creators as "provocauteurs" known for challenging sexual conventions and representational norms.</p><p>While such strategies may at times be no more than a profitable lure, the most probing and powerful instances of sexual provocation serve to illuminate, question, and transform our understanding of sex and sexuality. In <a href="https://bookshop.org/a/12343/9780253052117"><em>Provocauteurs and Provocations: Screening Sex in 21st Century Media</em> </a>(Indiana UP, 2021), award-winning author Maria San Filippo looks at the provocative in films, television series, web series and videos, entertainment industry publicity materials, and social media discourses and explores its potential to create alternative, even radical ways of screening sex.</p><p>Throughout this edgy volume, San Filippo reassesses troubling texts and divisive figures, examining controversial strategies--from "real sex" scenes to scandalous marketing campaigns to full-frontal nudity--to reveal the critical role that sexual provocation plays as an authorial signature and promotional strategy within the contemporary media landscape. </p><p>A trailer for the books is <a href="https://youtu.be/3grKydo_FXI">available on YouTube</a>. Both of San Filippo's IUP books are 30% off (through May) using code SANFILIPPO at <a href="http://iupress.org/">iupress.org</a></p><p><a href="https://www.kent.ac.uk/social-policy-sociology-social-research/people/2025/stuart-rachel"><em>Rachel Stuart</em></a><em> is a sex work researcher whose primary interest is the lived experiences of sex workers.</em></p>]]>
      </content:encoded>
      <itunes:duration>4370</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Agnieszka Kościańska, "Gender, Pleasure, and Violence: The Construction of Expert Knowledge of Sexuality in Poland" (Indiana UP, 2021)</title>
      <description>Behind the Iron Curtain, the politics of sexuality and gender were, in many ways, more progressive than the West.
While Polish citizens undoubtedly suffered under the oppressive totalitarianism of socialism, abortion was legal, clear laws protected victims of rape, and it was relatively easy to legally change one's gender. In Gender, Pleasure, and Violence: The Construction of Expert Knowledge of Sexuality in Poland (Indiana UP, 2021), Agnieszka Kościańska reveals that sexologists--experts such as physicians, therapists, and educators--not only treated patients but also held sex education classes at school, published regular columns in the press, and authored highly popular sex manuals that sold millions of copies. Yet strict gender roles within the home meant that true equality was never fully within reach. Drawing on interviews, participant observation, and archival work, Kościańska shares how professions like sexologists defined the notions of sexual pleasure and sexual violence under these sweeping cultural changes.
By tracing the study of sexual human behavior as it was developed and professionalized in Poland since the 1960s, Gender, Pleasure, and Violence explores how the collapse of socialism brought both restrictions in gender rights and new opportunities.
Jill Massimo is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life.</description>
      <pubDate>Wed, 31 Mar 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>105</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Agnieszka Kościańska</itunes:subtitle>
      <itunes:summary>Behind the Iron Curtain, the politics of sexuality and gender were, in many ways, more progressive than the West.
While Polish citizens undoubtedly suffered under the oppressive totalitarianism of socialism, abortion was legal, clear laws protected victims of rape, and it was relatively easy to legally change one's gender. In Gender, Pleasure, and Violence: The Construction of Expert Knowledge of Sexuality in Poland (Indiana UP, 2021), Agnieszka Kościańska reveals that sexologists--experts such as physicians, therapists, and educators--not only treated patients but also held sex education classes at school, published regular columns in the press, and authored highly popular sex manuals that sold millions of copies. Yet strict gender roles within the home meant that true equality was never fully within reach. Drawing on interviews, participant observation, and archival work, Kościańska shares how professions like sexologists defined the notions of sexual pleasure and sexual violence under these sweeping cultural changes.
By tracing the study of sexual human behavior as it was developed and professionalized in Poland since the 1960s, Gender, Pleasure, and Violence explores how the collapse of socialism brought both restrictions in gender rights and new opportunities.
Jill Massimo is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Behind the Iron Curtain, the politics of sexuality and gender were, in many ways, more progressive than the West.</p><p>While Polish citizens undoubtedly suffered under the oppressive totalitarianism of socialism, abortion was legal, clear laws protected victims of rape, and it was relatively easy to legally change one's gender. In <a href="https://bookshop.org/a/12343/9780253053084"><em>Gender, Pleasure, and Violence: The Construction of Expert Knowledge of Sexuality in Poland</em></a><em> </em>(Indiana UP, 2021), Agnieszka Kościańska reveals that sexologists--experts such as physicians, therapists, and educators--not only treated patients but also held sex education classes at school, published regular columns in the press, and authored highly popular sex manuals that sold millions of copies. Yet strict gender roles within the home meant that true equality was never fully within reach. Drawing on interviews, participant observation, and archival work, Kościańska shares how professions like sexologists defined the notions of sexual pleasure and sexual violence under these sweeping cultural changes.</p><p>By tracing the study of sexual human behavior as it was developed and professionalized in Poland since the 1960s, <em>Gender, Pleasure, and Violence</em> explores how the collapse of socialism brought both restrictions in gender rights and new opportunities.</p><p><em>Jill Massimo is a scholar of modern Eastern Europe with a focus on Romania, gender, and everyday life.</em></p>]]>
      </content:encoded>
      <itunes:duration>4309</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Jeremy Black, "Clio's Battles: Historiography in Practice" (Indiana UP, 2015)</title>
      <description>To write history is to consider how to explicate the past, to weigh the myriad possible approaches to the past, and to come to terms with how the past can be and has been used. In this latest edition of Arguing History, prize-winning historian Professor Jeremy Black and Dr. Charles Coutinho of the Royal Historical Society, considers both popular and academic approaches to the past. The focus of their discussion is on the evolution of history as a genre and the interaction between the presentation of the past and current circumstances, on how history is used to validate one view of the present or to discredit another, and on readings of the past that unite and those that divide. The discussion goes chronologically from Gibbon to the present day. All in all a most interesting discussion for both the academic and the lay educated reader.</description>
      <pubDate>Fri, 05 Mar 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Jeremy Black</itunes:subtitle>
      <itunes:summary>To write history is to consider how to explicate the past, to weigh the myriad possible approaches to the past, and to come to terms with how the past can be and has been used. In this latest edition of Arguing History, prize-winning historian Professor Jeremy Black and Dr. Charles Coutinho of the Royal Historical Society, considers both popular and academic approaches to the past. The focus of their discussion is on the evolution of history as a genre and the interaction between the presentation of the past and current circumstances, on how history is used to validate one view of the present or to discredit another, and on readings of the past that unite and those that divide. The discussion goes chronologically from Gibbon to the present day. All in all a most interesting discussion for both the academic and the lay educated reader.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>To write history is to consider how to explicate the past, to weigh the myriad possible approaches to the past, and to come to terms with how the past can be and has been used. In this latest edition of <em>Arguing History</em>, prize-winning historian <em>Professor Jeremy Black</em> and <em>Dr. Charles Coutinho</em> of the Royal Historical Society, considers both popular and academic approaches to the past. The focus of their discussion is on the evolution of history as a genre and the interaction between the presentation of the past and current circumstances, on how history is used to validate one view of the present or to discredit another, and on readings of the past that unite and those that divide. The discussion goes chronologically from Gibbon to the present day. All in all a most interesting discussion for both the academic and the lay educated reader.</p>]]>
      </content:encoded>
      <itunes:duration>2345</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Rachel Berenson Perry, "The Life and Art of Felrath Hines: From Dark to Light" (Indiana UP, 2019)</title>
      <description>Today I talked to Rachel Berenson Perry about her book The Life and Art of Felrath Hines: From Dark to Light (Indiana University Press, 2019). Felrath Hines (1913–1993), the first African American man to become a professional conservator for the Smithsonian National Portrait Gallery, was born and raised in the segregated Midwest. Leaving their home in the South, Hines's parents migrated to Indianapolis with hopes for a better life. While growing up, Hines was encouraged by his seamstress mother to pursue his early passion for art by taking Saturday classes at Herron Art Institute in Indianapolis. He moved to Chicago in 1937, where he attended the Art Institute of Chicago in pursuit of his dreams.
Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills.</description>
      <pubDate>Fri, 15 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>51</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Rachel Berenson Perry</itunes:subtitle>
      <itunes:summary>Today I talked to Rachel Berenson Perry about her book The Life and Art of Felrath Hines: From Dark to Light (Indiana University Press, 2019). Felrath Hines (1913–1993), the first African American man to become a professional conservator for the Smithsonian National Portrait Gallery, was born and raised in the segregated Midwest. Leaving their home in the South, Hines's parents migrated to Indianapolis with hopes for a better life. While growing up, Hines was encouraged by his seamstress mother to pursue his early passion for art by taking Saturday classes at Herron Art Institute in Indianapolis. He moved to Chicago in 1937, where he attended the Art Institute of Chicago in pursuit of his dreams.
Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Rachel Berenson Perry about her book <em>The Life and Art of Felrath Hines: From Dark to Light</em> (Indiana University Press, 2019). Felrath Hines (1913–1993), the first African American man to become a professional conservator for the Smithsonian National Portrait Gallery, was born and raised in the segregated Midwest. Leaving their home in the South, Hines's parents migrated to Indianapolis with hopes for a better life. While growing up, Hines was encouraged by his seamstress mother to pursue his early passion for art by taking Saturday classes at Herron Art Institute in Indianapolis. He moved to Chicago in 1937, where he attended the Art Institute of Chicago in pursuit of his dreams.</p><p><em>Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills.</em></p>]]>
      </content:encoded>
      <itunes:duration>2046</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Michal S. Raucher, "Conceiving Agency: Reproductive Authority Among Haredi Women" (Indiana UP, 2020)</title>
      <description>In Conceiving Agency: Reproductive Authority among Haredi Women (Indiana University Press, 2020), Michal Raucher explores the ways ultra-Orthodox Jewish women in Israel make decisions about their reproductive lives. Although they must contend with interference from doctors, rabbis, and the Israeli government, ultra-Orthodox women find space for―and insist on―autonomy from them when they make decisions regarding the use of contraceptives, prenatal testing, fetal ultrasounds, and other reproductive practices. Drawing on their experiences of pregnancy, knowledge of cultural norms of reproduction, and theological beliefs, Raucher shows that ultra-Orthodox women assert that they are in the best position to make decisions about reproduction.
Conceiving Agency puts forward a new view of ultra-Orthodox women acting in ways that challenge male authority and the structural hierarchies of their conservative religious tradition. Raucher asserts that ultra-Orthodox women's reproductive agency is a demonstration of women's commitment to ultra-Orthodox life and culture as well as an indication of how they define religious ethics. 
Michal Raucher is Assistant Professor of Jewish Studies at Rutgers University. Her research lies at the intersection of Israel studies, the anthropology of women in Judaism, and religious authority.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.</description>
      <pubDate>Thu, 17 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>205</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Raucher explores the ways ultra-Orthodox Jewish women in Israel make decisions about their reproductive lives...</itunes:subtitle>
      <itunes:summary>In Conceiving Agency: Reproductive Authority among Haredi Women (Indiana University Press, 2020), Michal Raucher explores the ways ultra-Orthodox Jewish women in Israel make decisions about their reproductive lives. Although they must contend with interference from doctors, rabbis, and the Israeli government, ultra-Orthodox women find space for―and insist on―autonomy from them when they make decisions regarding the use of contraceptives, prenatal testing, fetal ultrasounds, and other reproductive practices. Drawing on their experiences of pregnancy, knowledge of cultural norms of reproduction, and theological beliefs, Raucher shows that ultra-Orthodox women assert that they are in the best position to make decisions about reproduction.
Conceiving Agency puts forward a new view of ultra-Orthodox women acting in ways that challenge male authority and the structural hierarchies of their conservative religious tradition. Raucher asserts that ultra-Orthodox women's reproductive agency is a demonstration of women's commitment to ultra-Orthodox life and culture as well as an indication of how they define religious ethics. 
Michal Raucher is Assistant Professor of Jewish Studies at Rutgers University. Her research lies at the intersection of Israel studies, the anthropology of women in Judaism, and religious authority.
Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780253050021"><em>Conceiving Agency: Reproductive Authority among Haredi Women</em></a> (Indiana University Press, 2020), Michal Raucher explores the ways ultra-Orthodox Jewish women in Israel make decisions about their reproductive lives. Although they must contend with interference from doctors, rabbis, and the Israeli government, ultra-Orthodox women find space for―and insist on―autonomy from them when they make decisions regarding the use of contraceptives, prenatal testing, fetal ultrasounds, and other reproductive practices. Drawing on their experiences of pregnancy, knowledge of cultural norms of reproduction, and theological beliefs, Raucher shows that ultra-Orthodox women assert that they are in the best position to make decisions about reproduction.</p><p><em>Conceiving Agency</em> puts forward a new view of ultra-Orthodox women acting in ways that challenge male authority and the structural hierarchies of their conservative religious tradition. Raucher asserts that ultra-Orthodox women's reproductive agency is a demonstration of women's commitment to ultra-Orthodox life and culture as well as an indication of how they define religious ethics. </p><p>Michal Raucher is Assistant Professor of Jewish Studies at Rutgers University. Her research lies at the intersection of Israel studies, the anthropology of women in Judaism, and religious authority.</p><p><em>Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.</em></p>]]>
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      <itunes:duration>3356</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Jeremy Black, "Tank Warfare" (Indiana UP, 2020)</title>
      <description>The story of the battlefield in the 20th century was dominated by a handful of developments. Foremost of these was the introduction and refinement of tanks. In Tank Warfare (Indiana UP, 2020), prominent military historian Professor Jeremy Black offers a comprehensive global account of the history of tanks and armored warfare in the 20th and 21st centuries. First introduced onto the battlefield during the Great War, tanks represented the reconciliation of firepower and mobility and immediately seized the imagination of commanders and commentators concerned about the constraints of ordinary infantry on the western front. The developments of technology and tactics in the interwar years were realized to a degree in the German blitzkrieg in World War II and beyond. Yet the account of armor on the battlefield is a tale of limitations and defeats as well as of potential and achievements. Tank Warfare examines the traditional narrative of armored warfare while at the same time challenging it, and Black suggests that tanks were no "silver bullet" on the battlefield. Tanks very much not being a sort of deus ex machina. Instead, their success was based on their inclusion in the general mix of weaponry available to commanders and the context in which they were used by various armies in the 20th and 21st centuries.
Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles.</description>
      <pubDate>Wed, 16 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>872</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>The story of the battlefield in the 20th century was dominated by a handful of developments. Foremost of these was the introduction and refinement of tanks...</itunes:subtitle>
      <itunes:summary>The story of the battlefield in the 20th century was dominated by a handful of developments. Foremost of these was the introduction and refinement of tanks. In Tank Warfare (Indiana UP, 2020), prominent military historian Professor Jeremy Black offers a comprehensive global account of the history of tanks and armored warfare in the 20th and 21st centuries. First introduced onto the battlefield during the Great War, tanks represented the reconciliation of firepower and mobility and immediately seized the imagination of commanders and commentators concerned about the constraints of ordinary infantry on the western front. The developments of technology and tactics in the interwar years were realized to a degree in the German blitzkrieg in World War II and beyond. Yet the account of armor on the battlefield is a tale of limitations and defeats as well as of potential and achievements. Tank Warfare examines the traditional narrative of armored warfare while at the same time challenging it, and Black suggests that tanks were no "silver bullet" on the battlefield. Tanks very much not being a sort of deus ex machina. Instead, their success was based on their inclusion in the general mix of weaponry available to commanders and the context in which they were used by various armies in the 20th and 21st centuries.
Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The story of the battlefield in the 20th century was dominated by a handful of developments. Foremost of these was the introduction and refinement of tanks. In <a href="https://bookshop.org/a/12343/9780253049995"><em>Tank Warfare</em></a><em> </em>(Indiana UP, 2020), prominent military historian Professor Jeremy Black offers a comprehensive global account of the history of tanks and armored warfare in the 20th and 21st centuries. First introduced onto the battlefield during the Great War, tanks represented the reconciliation of firepower and mobility and immediately seized the imagination of commanders and commentators concerned about the constraints of ordinary infantry on the western front. The developments of technology and tactics in the interwar years were realized to a degree in the German <em>blitzkrieg</em> in World War II and beyond. Yet the account of armor on the battlefield is a tale of limitations and defeats as well as of potential and achievements. <em>Tank Warfare</em> examines the traditional narrative of armored warfare while at the same time challenging it, and Black suggests that tanks were no "silver bullet" on the battlefield. Tanks very much not being a sort of <em>deus ex machina</em>. Instead, their success was based on their inclusion in the general mix of weaponry available to commanders and the context in which they were used by various armies in the 20th and 21st centuries.</p><p><em>Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles.</em></p>]]>
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      <itunes:duration>3179</itunes:duration>
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      <title>Jeremy Black, "Geopolitics and the Quest for Dominance" (Indiana UP, 2016)</title>
      <description>History and geography delineate the operation of power, not only its range but also the capacity to plan and the ability to implement. Approaching state strategy and policy from the spatial angle, Jeremy Black argues that just as the perception of power is central to issues of power, so place, and its constraints and relationships, is partly a matter of perception, not merely map coordinates. Geopolitics, he maintains, is as much about ideas and perception as it is about the actual spatial dimensions of power. Black's study Geopolitics and the Quest for Dominance (Indiana UP, 2015) ranges widely, examining geography and the spatial nature of state power from the 15th century to the present day. He considers the rise of British power, geopolitics and the age of Imperialism, the Nazis and World War II, and the Cold War, and he looks at the key theorists of the latter 20th century, including Henry Kissinger, Francis Fukuyama and Samuel P. Huntington, Philip Bobbitt, Niall Ferguson, and others.
Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles.</description>
      <pubDate>Mon, 30 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>855</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Black argues that just as the perception of power is central to issues of power, so place, and its constraints and relationships, is partly a matter of perception, not merely map coordinates...</itunes:subtitle>
      <itunes:summary>History and geography delineate the operation of power, not only its range but also the capacity to plan and the ability to implement. Approaching state strategy and policy from the spatial angle, Jeremy Black argues that just as the perception of power is central to issues of power, so place, and its constraints and relationships, is partly a matter of perception, not merely map coordinates. Geopolitics, he maintains, is as much about ideas and perception as it is about the actual spatial dimensions of power. Black's study Geopolitics and the Quest for Dominance (Indiana UP, 2015) ranges widely, examining geography and the spatial nature of state power from the 15th century to the present day. He considers the rise of British power, geopolitics and the age of Imperialism, the Nazis and World War II, and the Cold War, and he looks at the key theorists of the latter 20th century, including Henry Kissinger, Francis Fukuyama and Samuel P. Huntington, Philip Bobbitt, Niall Ferguson, and others.
Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>History and geography delineate the operation of power, not only its range but also the capacity to plan and the ability to implement. Approaching state strategy and policy from the spatial angle, Jeremy Black argues that just as the perception of power is central to issues of power, so place, and its constraints and relationships, is partly a matter of perception, not merely map coordinates. Geopolitics, he maintains, is as much about ideas and perception as it is about the actual spatial dimensions of power. Black's study <a href="https://bookshop.org/a/12343/9780253018700"><em>Geopolitics and the Quest for Dominance</em></a> (Indiana UP, 2015) ranges widely, examining geography and the spatial nature of state power from the 15th century to the present day. He considers the rise of British power, geopolitics and the age of Imperialism, the Nazis and World War II, and the Cold War, and he looks at the key theorists of the latter 20th century, including Henry Kissinger, Francis Fukuyama and Samuel P. Huntington, Philip Bobbitt, Niall Ferguson, and others.</p><p><em>Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written for Chatham House’s International Affairs, the Institute of Historical Research's Reviews in History and the University of Rouen's online periodical Cercles.</em></p>]]>
      </content:encoded>
      <itunes:duration>3950</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Daniela Vallega-Neu, "Heidegger's Poietic Writings: From Contributions to Philosophy to the Event" (Indiana UP, 2018)</title>
      <description>Scholarship on the German philosopher Martin Heidegger has traditionally focused on his magnum opus Being and Time and related earlier work, his later essays and lectures often relegated to an ambiguous later period that many consider philosophically insubstantial, or simply too esoteric and obscure to merit any serious engagement. Luckily, that is starting to change, especially with the publication of the Black Notebooks, as well as a number of manuscripts, essays and lectures from this period. These texts are starting to give us insight into Heidegger’s philosophical development, helping us understand old texts in new light, and trace the development of various themes from throughout his life with greater detail.
Joining me to discuss some of these developments is my guest today, Daniela Vellega-Neu, here with her recent book Heidegger’s Poietic Writings: From Contributions to Philosophy to the Event (Indiana University Press, 2018). Looking at Heidegger’s writing from 1936-1942, Vallega-Neu’s text is an excellent guide through this incredibly difficult period of Heidegger’s thinking. She works to unpack key terms, guiding us through difficult translations, and showing us how Heidegger was always trying to do something rather unique in attuning us to hidden philosophical and linguistic baggage. The book follows not only the explicit content of Heidegger’s texts, but also their underlying spirit, partaking in a sustained attempt to cultivate an attuned understanding to ourselves and our history, subtly shifting our attention (and what it even means to be attentive) in the hopes of pointing towards an elusive understanding of being that always remains just beyond our reach.
Daniela Vallega-Neu is a professor of philosophy at the University of Oregon. In addition to Heidegger’s Poietic Writings, she is also the author of The Bodily Dimension in Thinking and Heidegger’s Contributions to Philosophy. She is also one of the co-translators of Indiana University Press’s 2012 translation of Heidegger’s Contributions to Philosophy (of the Event).</description>
      <pubDate>Wed, 18 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>94</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Looking at Heidegger’s writing from 1936-1942, Vallega-Neu’s text is an excellent guide through this incredibly difficult period of Heidegger’s thinking...</itunes:subtitle>
      <itunes:summary>Scholarship on the German philosopher Martin Heidegger has traditionally focused on his magnum opus Being and Time and related earlier work, his later essays and lectures often relegated to an ambiguous later period that many consider philosophically insubstantial, or simply too esoteric and obscure to merit any serious engagement. Luckily, that is starting to change, especially with the publication of the Black Notebooks, as well as a number of manuscripts, essays and lectures from this period. These texts are starting to give us insight into Heidegger’s philosophical development, helping us understand old texts in new light, and trace the development of various themes from throughout his life with greater detail.
Joining me to discuss some of these developments is my guest today, Daniela Vellega-Neu, here with her recent book Heidegger’s Poietic Writings: From Contributions to Philosophy to the Event (Indiana University Press, 2018). Looking at Heidegger’s writing from 1936-1942, Vallega-Neu’s text is an excellent guide through this incredibly difficult period of Heidegger’s thinking. She works to unpack key terms, guiding us through difficult translations, and showing us how Heidegger was always trying to do something rather unique in attuning us to hidden philosophical and linguistic baggage. The book follows not only the explicit content of Heidegger’s texts, but also their underlying spirit, partaking in a sustained attempt to cultivate an attuned understanding to ourselves and our history, subtly shifting our attention (and what it even means to be attentive) in the hopes of pointing towards an elusive understanding of being that always remains just beyond our reach.
Daniela Vallega-Neu is a professor of philosophy at the University of Oregon. In addition to Heidegger’s Poietic Writings, she is also the author of The Bodily Dimension in Thinking and Heidegger’s Contributions to Philosophy. She is also one of the co-translators of Indiana University Press’s 2012 translation of Heidegger’s Contributions to Philosophy (of the Event).</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Scholarship on the German philosopher Martin Heidegger has traditionally focused on his magnum opus <em>Being and Time</em> and related earlier work, his later essays and lectures often relegated to an ambiguous later period that many consider philosophically insubstantial, or simply too esoteric and obscure to merit any serious engagement. Luckily, that is starting to change, especially with the publication of the <em>Black Notebooks</em>, as well as a number of manuscripts, essays and lectures from this period. These texts are starting to give us insight into Heidegger’s philosophical development, helping us understand old texts in new light, and trace the development of various themes from throughout his life with greater detail.</p><p>Joining me to discuss some of these developments is my guest today, Daniela Vellega-Neu, here with her recent book <a href="https://bookshop.org/a/12343/9780253032133"><em>Heidegger’s Poietic Writings: From Contributions to Philosophy to the Event</em></a><em> </em>(Indiana University Press, 2018). Looking at Heidegger’s writing from 1936-1942, Vallega-Neu’s text is an excellent guide through this incredibly difficult period of Heidegger’s thinking. She works to unpack key terms, guiding us through difficult translations, and showing us how Heidegger was always trying to do something rather unique in attuning us to hidden philosophical and linguistic baggage. The book follows not only the explicit content of Heidegger’s texts, but also their underlying spirit, partaking in a sustained attempt to cultivate an attuned understanding to ourselves and our history, subtly shifting our attention (and what it even means to be attentive) in the hopes of pointing towards an elusive understanding of being that always remains just beyond our reach.</p><p>Daniela Vallega-Neu is a professor of philosophy at the University of Oregon. In addition to <em>Heidegger’s Poietic Writings</em>, she is also the author of <em>The Bodily Dimension in Thinking</em> and <em>Heidegger’s </em>Contributions to Philosophy. She is also one of the co-translators of Indiana University Press’s 2012 translation of Heidegger’s <em>Contributions to Philosophy (of the Event)</em>.</p>]]>
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      <itunes:duration>3836</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Jeremy Black, "Other Pasts, Different Presents, Alternative Futures" (Indiana UP, 2015)</title>
      <description>What if there had been no World War I, or no Russian Revolution? Or if the German Spring Offensive of 1918 had succeeded? What if Napoleon had won at Waterloo in 1815, or if Martin Luther had not nailed his complaints to the church door at Wittenberg in 1517, or if the South had won the American Civil War, or at least not lost it? The questioning of apparent certainties or "known knowns" can be fascinating and, indeed, "What if?" books are very popular. However, this speculative approach, known as counterfactualism, has had limited impact in academic histories, historiography, and the teaching of historical methods.
In Other Pasts, Different Presents, Alternative Futures (Indiana University Press, 2015), premier historian and public commentator Professor Jeremy Black, CMG offers a guide to the subject, one that is designed to argue its value as a tool for public and academe alike. Professor Black focuses on the role of counterfactualism in demonstrating the part of contingency, and thus human agency, in history, and the salutary critique the approach offers to determinist accounts of past, present, and future. An all-round splendid book by one of the historical profession’s past masters.</description>
      <pubDate>Mon, 09 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>836</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>What if there had been no World War I, or no Russian Revolution? Or if the German Spring Offensive of 1918 had succeeded?</itunes:subtitle>
      <itunes:summary>What if there had been no World War I, or no Russian Revolution? Or if the German Spring Offensive of 1918 had succeeded? What if Napoleon had won at Waterloo in 1815, or if Martin Luther had not nailed his complaints to the church door at Wittenberg in 1517, or if the South had won the American Civil War, or at least not lost it? The questioning of apparent certainties or "known knowns" can be fascinating and, indeed, "What if?" books are very popular. However, this speculative approach, known as counterfactualism, has had limited impact in academic histories, historiography, and the teaching of historical methods.
In Other Pasts, Different Presents, Alternative Futures (Indiana University Press, 2015), premier historian and public commentator Professor Jeremy Black, CMG offers a guide to the subject, one that is designed to argue its value as a tool for public and academe alike. Professor Black focuses on the role of counterfactualism in demonstrating the part of contingency, and thus human agency, in history, and the salutary critique the approach offers to determinist accounts of past, present, and future. An all-round splendid book by one of the historical profession’s past masters.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What if there had been no World War I, or no Russian Revolution? Or if the German Spring Offensive of 1918 had succeeded? What if Napoleon had won at Waterloo in 1815, or if Martin Luther had not nailed his complaints to the church door at Wittenberg in 1517, or if the South had won the American Civil War, or at least not lost it? The questioning of apparent certainties or "known knowns" can be fascinating and, indeed, "What if?" books are very popular. However, this speculative approach, known as counterfactualism, has had limited impact in academic histories, historiography, and the teaching of historical methods.</p><p>In <a href="https://bookshop.org/a/12343/9780253016973"><em>Other Pasts, Different Presents, Alternative Futures</em></a> (Indiana University Press, 2015), premier historian and public commentator Professor Jeremy Black, CMG offers a guide to the subject, one that is designed to argue its value as a tool for public and academe alike. Professor Black focuses on the role of counterfactualism in demonstrating the part of contingency, and thus human agency, in history, and the salutary critique the approach offers to determinist accounts of past, present, and future. An all-round splendid book by one of the historical profession’s past masters.</p>]]>
      </content:encoded>
      <itunes:duration>2985</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>A. Wylegala and M. Glowacka-Grajper, "The Burden of the Past: History, Memory, and Identity in Contemporary Ukraine" (Indiana UP, 2020)</title>
      <description>In a century marked by totalitarian regimes, genocide, mass migrations, and shifting borders, the concept of memory in Eastern Europe is often synonymous with notions of trauma. In Ukraine, memory mechanisms were disrupted by political systems seeking to repress and control the past in order to form new national identities supportive of their own agendas. With the collapse of the Soviet Union, memory in Ukraine was released, creating alternate visions of the past, new national heroes, and new victims. This release of memories led to new conflicts and "memory wars."
How does the past exist in contemporary Ukraine? The works collected in The Burden of the Past: History, Memory, and Identity in Contemporary Ukraine (Indiana UP, 2020), edited by Anna Wylegała and Małgorzata Głowacka-Grajper, focus on commemorative practices, the politics of history, and the way memory influences Ukrainian politics, identity, and culture. The works explore contemporary memory culture in Ukraine and the ways in which it is being researched and understood. Drawing on work from historians, sociologists, anthropologists, psychologists, and political scientists, the collection represents a truly interdisciplinary approach. Taken together, the groundbreaking scholarship collected in The Burden of the Past provides insight into how memories can be warped and abused, and how this abuse can have lasting effects on a country seeking to create a hopeful future.</description>
      <pubDate>Fri, 16 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>73</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>In a century marked by totalitarian regimes, genocide, mass migrations, and shifting borders, the concept of memory in Eastern Europe is often synonymous with notions of trauma...</itunes:subtitle>
      <itunes:summary>In a century marked by totalitarian regimes, genocide, mass migrations, and shifting borders, the concept of memory in Eastern Europe is often synonymous with notions of trauma. In Ukraine, memory mechanisms were disrupted by political systems seeking to repress and control the past in order to form new national identities supportive of their own agendas. With the collapse of the Soviet Union, memory in Ukraine was released, creating alternate visions of the past, new national heroes, and new victims. This release of memories led to new conflicts and "memory wars."
How does the past exist in contemporary Ukraine? The works collected in The Burden of the Past: History, Memory, and Identity in Contemporary Ukraine (Indiana UP, 2020), edited by Anna Wylegała and Małgorzata Głowacka-Grajper, focus on commemorative practices, the politics of history, and the way memory influences Ukrainian politics, identity, and culture. The works explore contemporary memory culture in Ukraine and the ways in which it is being researched and understood. Drawing on work from historians, sociologists, anthropologists, psychologists, and political scientists, the collection represents a truly interdisciplinary approach. Taken together, the groundbreaking scholarship collected in The Burden of the Past provides insight into how memories can be warped and abused, and how this abuse can have lasting effects on a country seeking to create a hopeful future.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In a century marked by totalitarian regimes, genocide, mass migrations, and shifting borders, the concept of memory in Eastern Europe is often synonymous with notions of trauma. In Ukraine, memory mechanisms were disrupted by political systems seeking to repress and control the past in order to form new national identities supportive of their own agendas. With the collapse of the Soviet Union, memory in Ukraine was released, creating alternate visions of the past, new national heroes, and new victims. This release of memories led to new conflicts and "memory wars."</p><p>How does the past exist in contemporary Ukraine? The works collected in <a href="https://bookshop.org/a/12343/9780253046710"><em>The Burden of the Past: History, Memory, and Identity in Contemporary Ukraine</em></a> (Indiana UP, 2020), edited by Anna Wylegała and Małgorzata Głowacka-Grajper, focus on commemorative practices, the politics of history, and the way memory influences Ukrainian politics, identity, and culture. The works explore contemporary memory culture in Ukraine and the ways in which it is being researched and understood. Drawing on work from historians, sociologists, anthropologists, psychologists, and political scientists, the collection represents a truly interdisciplinary approach. Taken together, the groundbreaking scholarship collected in <em>The Burden of the Past</em> provides insight into how memories can be warped and abused, and how this abuse can have lasting effects on a country seeking to create a hopeful future.</p>]]>
      </content:encoded>
      <itunes:duration>3786</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Jeremy Black, "The Holocaust: History and Memory" (Indiana UP, 2016)</title>
      <description>The event that is commonly labeled as the ‘Holocaust’, was one of the most horrific of the Twentieth Century. It is also one of the most popularly discussed events of both the past and the current century. And like many popular events it is filled with mis-understandings and mis-interpretations.
Here to explicate and clarify this most important of events is master-historian and polymath, Professor of History Emeritus at Exeter University, Jeremy Black, CMG in his book, The Holocaust: History and Memory (Indiana University Press). The most prolific historian writing in the Anglophone world to-day, Professor Black is precisely the type of historian to bring some light and clarity to this darkest of events.
Black’s book takes the reader from the 19th century to the present day, all the while endeavoring to explicate for the lay educated reader and the academic one, his take on the causation of the Holocaust. A book which without a doubt should be on the bookshelf of anyone who is seriously interested in this most fraught of topics.
Charles Coutinho has a doctorate in history from New York University. Where he studied with Tony Judt, Stewart Stehlin and McGeorge Bundy. His Ph. D. dissertation was on Anglo-American relations in the run-up to the Suez Crisis of 1956. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for the Journal of Intelligence History and Chatham House’s International Affairs. It you have a recent title to suggest for a podcast, please send an e-mail to Charlescoutinho@aol.com.</description>
      <pubDate>Thu, 08 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>815</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>The event that is commonly labeled as the ‘Holocaust’, was one of the most horrific of the Twentieth Century. It is also one of the most popularly discussed events of both the past and the current century. And like many popular events it is filled with mis-understandings and mis-interpretations...</itunes:subtitle>
      <itunes:summary>The event that is commonly labeled as the ‘Holocaust’, was one of the most horrific of the Twentieth Century. It is also one of the most popularly discussed events of both the past and the current century. And like many popular events it is filled with mis-understandings and mis-interpretations.
Here to explicate and clarify this most important of events is master-historian and polymath, Professor of History Emeritus at Exeter University, Jeremy Black, CMG in his book, The Holocaust: History and Memory (Indiana University Press). The most prolific historian writing in the Anglophone world to-day, Professor Black is precisely the type of historian to bring some light and clarity to this darkest of events.
Black’s book takes the reader from the 19th century to the present day, all the while endeavoring to explicate for the lay educated reader and the academic one, his take on the causation of the Holocaust. A book which without a doubt should be on the bookshelf of anyone who is seriously interested in this most fraught of topics.
Charles Coutinho has a doctorate in history from New York University. Where he studied with Tony Judt, Stewart Stehlin and McGeorge Bundy. His Ph. D. dissertation was on Anglo-American relations in the run-up to the Suez Crisis of 1956. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for the Journal of Intelligence History and Chatham House’s International Affairs. It you have a recent title to suggest for a podcast, please send an e-mail to Charlescoutinho@aol.com.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The event that is commonly labeled as the ‘Holocaust’, was one of the most horrific of the Twentieth Century. It is also one of the most popularly discussed events of both the past and the current century. And like many popular events it is filled with mis-understandings and mis-interpretations.</p><p>Here to explicate and clarify this most important of events is master-historian and polymath, Professor of History Emeritus at Exeter University, <a href="https://en.wikipedia.org/wiki/Jeremy_Black_(historian)">Jeremy Black</a>, CMG in his book, <a href="https://bookshop.org/a/12343/9780253022141"><em>The Holocaust: History and Memory</em></a> (Indiana University Press). The most prolific historian writing in the Anglophone world to-day, Professor Black is precisely the type of historian to bring some light and clarity to this darkest of events.</p><p>Black’s book takes the reader from the 19th century to the present day, all the while endeavoring to explicate for the lay educated reader and the academic one, his take on the causation of the Holocaust. A book which without a doubt should be on the bookshelf of anyone who is seriously interested in this most fraught of topics.</p><p><em>Charles Coutinho has a doctorate in history from New York University. Where he studied with Tony Judt, Stewart Stehlin and McGeorge Bundy. His Ph. D. dissertation was on Anglo-American relations in the run-up to the Suez Crisis of 1956. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for the Journal of Intelligence History and Chatham House’s International Affairs. It you have a recent title to suggest for a podcast, please send an e-mail to </em><a href="mailto:Charlescoutinho@aol.com"><em>Charlescoutinho@aol.com</em></a><em>.</em></p>]]>
      </content:encoded>
      <itunes:duration>2037</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Prita Meier, "Swahili Port Cities: The Architecture of Elsewhere" (Indiana UP, 2016)</title>
      <description>On the Swahili coast of East Africa, monumental stone houses, tombs, and mosques mark the border zone between the interior of the African continent and the Indian Ocean. In Swahili Port Cities: The Architecture of Elsewhere (Indiana University Press), Prita Meier explores this coastal environment and shows how an African mercantile society created a place of cosmopolitan longing.
Meier understands architecture as more than a way to remake local space. Rather, the architecture of this liminal zone was an expression of the desire of coastal inhabitants to belong to places beyond their homeports. Here architecture embodies modern ideas and social identities engendered by the encounter of Africans with others in the Indian Ocean world.
Prita Meier is Associate Professor of Art History, Department of Art History, and the Institute of Fine Arts, NYU. She co-edited with Allyson Purpura World on the Horizon: Swahili Arts across the Indian Ocean (Krannert Art Museum, 2017).
Co-hosted with Jenny Peruski a Ph.D. student at Harvard University, Department of History of Art and Architecture. Her research focuses on ornamentation and bodily adornment in coastal Eastern Africa. She can be reached by email at jperuski@g.harvard.edu.
Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners’ feedback, questions, and book suggestions are most welcome.</description>
      <pubDate>Mon, 05 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>12</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>On the Swahili coast of East Africa, monumental stone houses, tombs, and mosques mark the border zone between the interior of the African continent and the Indian Ocean...</itunes:subtitle>
      <itunes:summary>On the Swahili coast of East Africa, monumental stone houses, tombs, and mosques mark the border zone between the interior of the African continent and the Indian Ocean. In Swahili Port Cities: The Architecture of Elsewhere (Indiana University Press), Prita Meier explores this coastal environment and shows how an African mercantile society created a place of cosmopolitan longing.
Meier understands architecture as more than a way to remake local space. Rather, the architecture of this liminal zone was an expression of the desire of coastal inhabitants to belong to places beyond their homeports. Here architecture embodies modern ideas and social identities engendered by the encounter of Africans with others in the Indian Ocean world.
Prita Meier is Associate Professor of Art History, Department of Art History, and the Institute of Fine Arts, NYU. She co-edited with Allyson Purpura World on the Horizon: Swahili Arts across the Indian Ocean (Krannert Art Museum, 2017).
Co-hosted with Jenny Peruski a Ph.D. student at Harvard University, Department of History of Art and Architecture. Her research focuses on ornamentation and bodily adornment in coastal Eastern Africa. She can be reached by email at jperuski@g.harvard.edu.
Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners’ feedback, questions, and book suggestions are most welcome.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On the Swahili coast of East Africa, monumental stone houses, tombs, and mosques mark the border zone between the interior of the African continent and the Indian Ocean. In <a href="https://www.amazon.com/Swahili-Port-Cities-Architecture-Expressive/dp/025301915X/?tag=newbooinhis-20"><em>Swahili Port Cities: The Architecture of Elsewhere</em></a> (Indiana University Press), Prita Meier explores this coastal environment and shows how an African mercantile society created a place of cosmopolitan longing.</p><p>Meier understands architecture as more than a way to remake local space. Rather, the architecture of this liminal zone was an expression of the desire of coastal inhabitants to belong to places beyond their homeports. Here architecture embodies modern ideas and social identities engendered by the encounter of Africans with others in the Indian Ocean world.</p><p><a href="https://www.nyu.edu/gsas/dept/fineart/people/faculty/meier.htm">Prita Meier</a> is Associate Professor of Art History, Department of Art History, and the Institute of Fine Arts, NYU. She co-edited with Allyson Purpura <em>World on the Horizon: Swahili Arts across the Indian Ocean</em> (Krannert Art Museum, 2017).</p><p><em>Co-hosted with </em><a href="https://haa.fas.harvard.edu/people/jenny-peruski"><em>Jenny Peruski</em></a><em> a Ph.D. student at Harvard University, Department of History of Art and Architecture. Her research focuses on ornamentation and bodily adornment in coastal Eastern Africa. She can be reached by email at jperuski@g.harvard.edu.</em></p><p><a href="https://nes.princeton.edu/people/ahmed-y-almaazmi"><em>Ahmed Yaqoub AlMaazmi</em></a><em> is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law and the environment across the Western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Listeners’ feedback, questions, and book suggestions are most welcome.</em></p>]]>
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      <itunes:duration>5274</itunes:duration>
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      <title>Jeremy Black, "A History of Britain: 1945 to Brexit" (Indiana UP, 2017)</title>
      <description>According to the influential French commentator and scholar, Raymond Aron, one the great un-answered questions of the post-1945 period is how and why the British went from being ‘Romans to Italians’. In an endeavor to answer this question and much more is Professor of History Emeritus at Exeter University Jeremy Black’s book A History of Britain: 1945 to Brexit (Indiana UP, 2017)
Spanning the period from Attlee’s surprise victory over Winston Churchill in 1945, to the equally surprising decision to leave the European Union in the 2016 referendum, Black’s book is a masterpiece of informed scholarly analysis and opinion. Coming from one of the historical profession’s great polymath. Black’s book is a treasure to behold for both the professional historian and the lay educated reader. Black not only deals expertly with the high politics of the period but also with the social changes, economic strains, and cultural and political upheavals that brought Britain to Brexit. This sweeping and engaging book traces Britain's path through the destruction left behind by World War II, Thatcherism, the threats of the IRA, the Scottish referendum, and on to the impact of waves of immigration from the European Union. Black overturns many conventional interpretations of significant historical events, provides context for current developments, and encourages the reader to question why we think the way we do about Britain's past.
Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for Chatham House’s International Affairs.</description>
      <pubDate>Tue, 08 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>793</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>According to the influential French commentator and scholar, Raymond Aron, one the great un-answered questions of the post-1945 period is how and why the British went from being ‘Romans to Italians’...</itunes:subtitle>
      <itunes:summary>According to the influential French commentator and scholar, Raymond Aron, one the great un-answered questions of the post-1945 period is how and why the British went from being ‘Romans to Italians’. In an endeavor to answer this question and much more is Professor of History Emeritus at Exeter University Jeremy Black’s book A History of Britain: 1945 to Brexit (Indiana UP, 2017)
Spanning the period from Attlee’s surprise victory over Winston Churchill in 1945, to the equally surprising decision to leave the European Union in the 2016 referendum, Black’s book is a masterpiece of informed scholarly analysis and opinion. Coming from one of the historical profession’s great polymath. Black’s book is a treasure to behold for both the professional historian and the lay educated reader. Black not only deals expertly with the high politics of the period but also with the social changes, economic strains, and cultural and political upheavals that brought Britain to Brexit. This sweeping and engaging book traces Britain's path through the destruction left behind by World War II, Thatcherism, the threats of the IRA, the Scottish referendum, and on to the impact of waves of immigration from the European Union. Black overturns many conventional interpretations of significant historical events, provides context for current developments, and encourages the reader to question why we think the way we do about Britain's past.
Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for Chatham House’s International Affairs.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>According to the influential French commentator and scholar, Raymond Aron, one the great un-answered questions of the post-1945 period is how and why the British went from being ‘Romans to Italians’. In an endeavor to answer this question and much more is Professor of History Emeritus at Exeter University Jeremy Black’s book <a href="https://bookshop.org/a/12343/9780253029997"><em>A History of Britain: 1945 to Brexit</em></a> (Indiana UP, 2017)</p><p>Spanning the period from Attlee’s surprise victory over Winston Churchill in 1945, to the equally surprising decision to leave the European Union in the 2016 referendum, Black’s book is a masterpiece of informed scholarly analysis and opinion. Coming from one of the historical profession’s great polymath. Black’s book is a treasure to behold for both the professional historian and the lay educated reader. Black not only deals expertly with the high politics of the period but also with the social changes, economic strains, and cultural and political upheavals that brought Britain to Brexit. This sweeping and engaging book traces Britain's path through the destruction left behind by World War II, Thatcherism, the threats of the IRA, the Scottish referendum, and on to the impact of waves of immigration from the European Union. Black overturns many conventional interpretations of significant historical events, provides context for current developments, and encourages the reader to question why we think the way we do about Britain's past.</p><p><em>Charles Coutinho Ph. D. of the Royal Historical Society, received his doctorate from New York University. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for Chatham House’s </em>International Affairs<em>.</em></p>]]>
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      <itunes:duration>4263</itunes:duration>
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    <item>
      <title>Mara Benjamin, "The Obligated Self: Maternal Subjectivity and Jewish Thought" (Indiana UP, 2018)</title>
      <description>In this talk, Rachel Adelman engages Mara Benjamin in a conversation about her most recent book, The Obligated Self—Maternal Subjectivity and Jewish Thought (Indiana University Press, 2018). Benjamin contends that the physical and psychological work of caring for children presents theologically fruitful but largely unexplored terrain for feminists. Attending to the constant, concrete, and urgent needs of children, she argues, necessitates engaging with profound questions concerning the responsible use of power in unequal relationships, the transformative influence of love, human fragility and vulnerability, and the embeddedness of self in relationships and obligations. Viewing child-rearing as an embodied practice, Benjamin's theological reflection invites a profound reengagement with Jewish sources from the Talmud to modern Jewish philosophy. Her contemporary feminist stance forges a convergence between Jewish theological anthropology and the demands of parental caregiving.
Mara H. Benjamin is the Irene Kaplan Leiwant Professor and Chair of Jewish Studies at Mount Holyoke College.
Rachel Adelman is Associate Professor of Hebrew Bible at Hebrew College in Boston.</description>
      <pubDate>Thu, 25 Jun 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>189</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Benjamin contends that the physical and psychological work of caring for children presents theologically fruitful but largely unexplored terrain for feminists...</itunes:subtitle>
      <itunes:summary>In this talk, Rachel Adelman engages Mara Benjamin in a conversation about her most recent book, The Obligated Self—Maternal Subjectivity and Jewish Thought (Indiana University Press, 2018). Benjamin contends that the physical and psychological work of caring for children presents theologically fruitful but largely unexplored terrain for feminists. Attending to the constant, concrete, and urgent needs of children, she argues, necessitates engaging with profound questions concerning the responsible use of power in unequal relationships, the transformative influence of love, human fragility and vulnerability, and the embeddedness of self in relationships and obligations. Viewing child-rearing as an embodied practice, Benjamin's theological reflection invites a profound reengagement with Jewish sources from the Talmud to modern Jewish philosophy. Her contemporary feminist stance forges a convergence between Jewish theological anthropology and the demands of parental caregiving.
Mara H. Benjamin is the Irene Kaplan Leiwant Professor and Chair of Jewish Studies at Mount Holyoke College.
Rachel Adelman is Associate Professor of Hebrew Bible at Hebrew College in Boston.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this talk, Rachel Adelman engages <a href="https://www.mtholyoke.edu/people/mara-benjamin">Mara Benjamin</a> in a conversation about her most recent book, <a href="https://www.amazon.com/dp/0253034329/?tag=newbooinhis-20"><em>The Obligated Self—Maternal Subjectivity and Jewish Thought</em></a> (Indiana University Press, 2018). Benjamin contends that the physical and psychological work of caring for children presents theologically fruitful but largely unexplored terrain for feminists. Attending to the constant, concrete, and urgent needs of children, she argues, necessitates engaging with profound questions concerning the responsible use of power in unequal relationships, the transformative influence of love, human fragility and vulnerability, and the embeddedness of self in relationships and obligations. Viewing child-rearing as an embodied practice, Benjamin's theological reflection invites a profound reengagement with Jewish sources from the Talmud to modern Jewish philosophy. Her contemporary feminist stance forges a convergence between Jewish theological anthropology and the demands of parental caregiving.</p><p>Mara H. Benjamin is the Irene Kaplan Leiwant Professor and Chair of Jewish Studies at Mount Holyoke College.</p><p><em>Rachel Adelman is Associate Professor of Hebrew Bible at Hebrew College in Boston.</em></p>]]>
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      <itunes:duration>4480</itunes:duration>
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    <item>
      <title>Danielle Ross, "Tatar Empire: Kazan's Muslims and the Making of Imperial Russia" (Indiana UP, 2020)</title>
      <description>In her new book Tatar Empire: Kazan's Muslims and the Making of Imperial Russia (Indiana University Press, 2020), Danielle Ross looks at how the Tatars of Kazan participated in the formation of the Russian empire through their various activities in trade, settlement, clerical work, intellectual culture, and trade. By centering on the Muslims in Kazan, Tatar Empire looks more closely at the role of Tatars in the creation of Russian empire, while simultaneously putting the history of the Volga-Ural Muslims in a broader, more global historical context.
Nicholas Seay is a PhD student at The Ohio State University.</description>
      <pubDate>Mon, 27 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>13</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Danielle Ross looks at how the Tatars of Kazan participated in the formation of the Russian empire through their various activities in trade, settlement, clerical work, intellectual culture, and trade...</itunes:subtitle>
      <itunes:summary>In her new book Tatar Empire: Kazan's Muslims and the Making of Imperial Russia (Indiana University Press, 2020), Danielle Ross looks at how the Tatars of Kazan participated in the formation of the Russian empire through their various activities in trade, settlement, clerical work, intellectual culture, and trade. By centering on the Muslims in Kazan, Tatar Empire looks more closely at the role of Tatars in the creation of Russian empire, while simultaneously putting the history of the Volga-Ural Muslims in a broader, more global historical context.
Nicholas Seay is a PhD student at The Ohio State University.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her new book <a href="https://www.amazon.com/dp/0253045711/?tag=newbooinhis-20"><em>Tatar Empire: Kazan's Muslims and the Making of Imperial Russia</em></a> (Indiana University Press, 2020), Danielle Ross looks at how the Tatars of Kazan participated in the formation of the Russian empire through their various activities in trade, settlement, clerical work, intellectual culture, and trade. By centering on the Muslims in Kazan, Tatar Empire looks more closely at the role of Tatars in the creation of Russian empire, while simultaneously putting the history of the Volga-Ural Muslims in a broader, more global historical context.</p><p><a href="https://www.linkedin.com/in/nicholas-seay-71081891/"><em>Nicholas Seay</em></a><em> is a PhD student at The Ohio State University.</em></p>]]>
      </content:encoded>
      <itunes:duration>4293</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d7645772-e862-11ee-b7c3-3f3df8a01634]]></guid>
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    <item>
      <title>Courtney M. Dorroll, “Teaching Islamic Studies in the Age of ISIS, Islamophobia and the Internet” (Indiana UP, 2019)</title>
      <description>Islamic Studies classrooms have grown significantly over several generations. While once we could only find courses on the tradition in the most prestigious of institutions now Islam classes are taught at small liberal arts colleges, state schools, private universities, and even programs in Islamic theology and law. Teaching Islamic Studies in the Age of ISIS, Islamophobia and the Internet (Indiana University Press, 2019), edited by Courtney M. Dorroll, Assistant Professor at Wofford College, covers approaches, strategies, and topics important for the study of Islam today. Across several chapters we are introduced to various common dispositions students enter are classes with and how to address them. Many of these opinions are informed by popular stereotypes about Muslims and get reinforced by contemporary events. These moments often require immediate attention in the classroom, a burden most other subjects do not share, and unfortunately much of teaching about Islam is motivated by unlearning these biases. Throughout our conversation we explore how to achieve a simple course objective, that “Muslims Are People; Islam Is Complicated.” We discussed collaboration between junior and senior teachers, previous scholarship of teaching and learning in Islamic Studies, cross-cultural virtual exchange, Islamic religious education in European institutions, issues of Islamophobia and violence, questions of patriarchy and gender, remote teaching and online courses in the age of Coronavirus, and self-care as learning outcome.
Kristian Petersen is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.</description>
      <pubDate>Fri, 24 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>177</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Dorrell covers approaches, strategies, and topics important for the study of Islam today...</itunes:subtitle>
      <itunes:summary>Islamic Studies classrooms have grown significantly over several generations. While once we could only find courses on the tradition in the most prestigious of institutions now Islam classes are taught at small liberal arts colleges, state schools, private universities, and even programs in Islamic theology and law. Teaching Islamic Studies in the Age of ISIS, Islamophobia and the Internet (Indiana University Press, 2019), edited by Courtney M. Dorroll, Assistant Professor at Wofford College, covers approaches, strategies, and topics important for the study of Islam today. Across several chapters we are introduced to various common dispositions students enter are classes with and how to address them. Many of these opinions are informed by popular stereotypes about Muslims and get reinforced by contemporary events. These moments often require immediate attention in the classroom, a burden most other subjects do not share, and unfortunately much of teaching about Islam is motivated by unlearning these biases. Throughout our conversation we explore how to achieve a simple course objective, that “Muslims Are People; Islam Is Complicated.” We discussed collaboration between junior and senior teachers, previous scholarship of teaching and learning in Islamic Studies, cross-cultural virtual exchange, Islamic religious education in European institutions, issues of Islamophobia and violence, questions of patriarchy and gender, remote teaching and online courses in the age of Coronavirus, and self-care as learning outcome.
Kristian Petersen is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Islamic Studies classrooms have grown significantly over several generations. While once we could only find courses on the tradition in the most prestigious of institutions now Islam classes are taught at small liberal arts colleges, state schools, private universities, and even programs in Islamic theology and law. <a href="https://www.amazon.com/dp/0253039800/?tag=newbooinhis-20"><em>Teaching Islamic Studies in the Age of ISIS, Islamophobia and the Internet</em></a> (Indiana University Press, 2019), edited by <a href="https://www.wofford.edu/academics/majors-and-programs/religion/faculty-and-staff">Courtney M. Dorroll</a>, Assistant Professor at Wofford College, covers approaches, strategies, and topics important for the study of Islam today. Across several chapters we are introduced to various common dispositions students enter are classes with and how to address them. Many of these opinions are informed by popular stereotypes about Muslims and get reinforced by contemporary events. These moments often require immediate attention in the classroom, a burden most other subjects do not share, and unfortunately much of teaching about Islam is motivated by unlearning these biases. Throughout our conversation we explore how to achieve a simple course objective, that “Muslims Are People; Islam Is Complicated.” We discussed collaboration between junior and senior teachers, previous scholarship of teaching and learning in Islamic Studies, cross-cultural virtual exchange, Islamic religious education in European institutions, issues of Islamophobia and violence, questions of patriarchy and gender, remote teaching and online courses in the age of Coronavirus, and self-care as learning outcome.</p><p><a href="http://drkristianpetersen.com/"><em>Kristian Petersen</em></a><em> is an Assistant Professor of Philosophy &amp; Religious Studies at Old Dominion University. You can find out more about his work on his </em><a href="http://drkristianpetersen.com/"><em>website</em></a><em>, follow him on Twitter </em><a href="https://twitter.com/BabaKristian"><em>@BabaKristian</em></a><em>, or email him at </em><a href="mailto:kjpetersen@unomaha.edu"><em>kpeterse@odu.edu</em></a><em>.</em></p>]]>
      </content:encoded>
      <itunes:duration>3260</itunes:duration>
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    <item>
      <title>Baptiste Brossard, "Forgetting Items: The Social Experience of Alzheimer’s Disease" (Indiana UP, 2019)</title>
      <description>Alzheimer's disease has not only profound medical consequences for the individual experiencing it but a life-changing impact on those around them. From the moment a person is suspected to be suffering from Alzheimer's or another form of dementia, the interactions they encounter progressively change.
Baptiste Brossard's new book Forgetting Items: The Social Experience of Alzheimer’s Disease (Indiana University Press, 2019) focuses on that social experience of Alzheimer's, delineating the ways disease symptoms manifest and are understood through the interactions between patients and the people around them. Mapping out those interactions takes readers through the offices of geriatricians, into patients' narratives and interviews with caregivers, down the corridors of nursing homes, and into the discourses shaping public policies and media coverage. Revealing the everyday experience of Alzheimer's helps us better understand the depth of its impact and points us toward more knowledgeable, holistic ways to help treat the disease.
In this interview, Dr. Brossard and I discuss the changing social role of individuals diagnosed with Alzheimers. Likewise, we discuss how credibility and deference are key components to the interactions between patients, caregivers, and physicians. I recommend this book for students, professors, and anyone else interested in medical sociology, health and illness, gerontology, and social psychology.
Dr. Baptiste Brossard received his Ph.D. in sociology at the School for Advanced Studies in the Social Sciences (2011). His primary areas of research are mental health, sociological theory, qualitative methods and utopian studies. He is currently a Lecturer in the College of Arts and Social Sciences at Australian National University.
Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar.</description>
      <pubDate>Mon, 20 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>135</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Alzheimer's disease has not only profound medical consequences for the individual experiencing it but a life-changing impact on those around them...</itunes:subtitle>
      <itunes:summary>Alzheimer's disease has not only profound medical consequences for the individual experiencing it but a life-changing impact on those around them. From the moment a person is suspected to be suffering from Alzheimer's or another form of dementia, the interactions they encounter progressively change.
Baptiste Brossard's new book Forgetting Items: The Social Experience of Alzheimer’s Disease (Indiana University Press, 2019) focuses on that social experience of Alzheimer's, delineating the ways disease symptoms manifest and are understood through the interactions between patients and the people around them. Mapping out those interactions takes readers through the offices of geriatricians, into patients' narratives and interviews with caregivers, down the corridors of nursing homes, and into the discourses shaping public policies and media coverage. Revealing the everyday experience of Alzheimer's helps us better understand the depth of its impact and points us toward more knowledgeable, holistic ways to help treat the disease.
In this interview, Dr. Brossard and I discuss the changing social role of individuals diagnosed with Alzheimers. Likewise, we discuss how credibility and deference are key components to the interactions between patients, caregivers, and physicians. I recommend this book for students, professors, and anyone else interested in medical sociology, health and illness, gerontology, and social psychology.
Dr. Baptiste Brossard received his Ph.D. in sociology at the School for Advanced Studies in the Social Sciences (2011). His primary areas of research are mental health, sociological theory, qualitative methods and utopian studies. He is currently a Lecturer in the College of Arts and Social Sciences at Australian National University.
Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Alzheimer's disease has not only profound medical consequences for the individual experiencing it but a life-changing impact on those around them. From the moment a person is suspected to be suffering from Alzheimer's or another form of dementia, the interactions they encounter progressively change.</p><p>Baptiste Brossard's new book <a href="https://www.amazon.com/dp/0253044987/?tag=newbooinhis-20"><em>Forgetting Items: The Social Experience of Alzheimer’s Disease</em></a> (Indiana University Press, 2019) focuses on that social experience of Alzheimer's, delineating the ways disease symptoms manifest and are understood through the interactions between patients and the people around them. Mapping out those interactions takes readers through the offices of geriatricians, into patients' narratives and interviews with caregivers, down the corridors of nursing homes, and into the discourses shaping public policies and media coverage. Revealing the everyday experience of Alzheimer's helps us better understand the depth of its impact and points us toward more knowledgeable, holistic ways to help treat the disease.</p><p>In this interview, Dr. Brossard and I discuss the changing social role of individuals diagnosed with Alzheimers. Likewise, we discuss how credibility and deference are key components to the interactions between patients, caregivers, and physicians. I recommend this book for students, professors, and anyone else interested in medical sociology, health and illness, gerontology, and social psychology.</p><p>Dr. <a href="https://researchers.anu.edu.au/researchers/brossard-bpm.">Baptiste Brossard</a> received his Ph.D. in sociology at the School for Advanced Studies in the Social Sciences (2011). His primary areas of research are mental health, sociological theory, qualitative methods and utopian studies. He is currently a Lecturer in the College of Arts and Social Sciences at Australian National University.</p><p><em>Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar.</em></p>]]>
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      <itunes:duration>2917</itunes:duration>
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      <title>Baptiste Brossard, "Why do We Hurt Ourselves? Understanding Self-Harm in Social Life" (Indiana UP,  2018)</title>
      <description>Why does an estimated 5% of the general population intentionally and repeatedly hurt themselves? What are the reasons certain people resort to self-injury as a way to manage their daily lives?
In Why do We Hurt Ourselves? Understanding Self-Harm in Social Life (Indiana University Press, 2018), sociologist Baptiste Brossard draws on a five-year survey of self-injurers and suggests that the answers can be traced to social, more than personal, causes. Self-injury is not a matter of disturbed individuals resorting to hurting themselves in the face of individual weaknesses and difficulties. Rather, self-injury is the reaction of individuals to the tensions that compose, day after day, the tumultuousness of their social life and position. Self-harm is a practice that people use to self-control and maintain order—to calm down, or to avoid "going haywire" or "breaking everything." More broadly, through this research Brossard works to develop a perspective on the contemporary social world at large, exploring quests for self-control in modern Western societies.
In this interview, Dr. Brossard and I discuss how he came to study self-injury, managing the stigma of self-injury, how people use online forums for community, the discrete nature of self-injury, and the role of gender. I recommend this book for people interested in mental health, stigma, deviant behavior, and qualitative methods.
Dr. Baptiste Brossard, (@BaptistBrossard) a French sociologist, is a lecturer at the Australian National University. He received his PhD in sociology at the School for Advanced Studies in the Social Sciences (2011). His primary areas of research are mental health, sociological theory, qualitative methods and utopian studies.
Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar.
 </description>
      <pubDate>Mon, 30 Mar 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>131</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Why does an estimated 5% of the general population intentionally and repeatedly hurt themselves?</itunes:subtitle>
      <itunes:summary>Why does an estimated 5% of the general population intentionally and repeatedly hurt themselves? What are the reasons certain people resort to self-injury as a way to manage their daily lives?
In Why do We Hurt Ourselves? Understanding Self-Harm in Social Life (Indiana University Press, 2018), sociologist Baptiste Brossard draws on a five-year survey of self-injurers and suggests that the answers can be traced to social, more than personal, causes. Self-injury is not a matter of disturbed individuals resorting to hurting themselves in the face of individual weaknesses and difficulties. Rather, self-injury is the reaction of individuals to the tensions that compose, day after day, the tumultuousness of their social life and position. Self-harm is a practice that people use to self-control and maintain order—to calm down, or to avoid "going haywire" or "breaking everything." More broadly, through this research Brossard works to develop a perspective on the contemporary social world at large, exploring quests for self-control in modern Western societies.
In this interview, Dr. Brossard and I discuss how he came to study self-injury, managing the stigma of self-injury, how people use online forums for community, the discrete nature of self-injury, and the role of gender. I recommend this book for people interested in mental health, stigma, deviant behavior, and qualitative methods.
Dr. Baptiste Brossard, (@BaptistBrossard) a French sociologist, is a lecturer at the Australian National University. He received his PhD in sociology at the School for Advanced Studies in the Social Sciences (2011). His primary areas of research are mental health, sociological theory, qualitative methods and utopian studies.
Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar.
 </itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why does an estimated 5% of the general population intentionally and repeatedly hurt themselves? What are the reasons certain people resort to self-injury as a way to manage their daily lives?</p><p>In <em>Why do We Hurt Ourselves? Understanding Self-Harm in Social Life</em> (Indiana University Press, 2018), sociologist <a href="https://researchers.anu.edu.au/researchers/brossard-bpm">Baptiste Brossard</a> draws on a five-year survey of self-injurers and suggests that the answers can be traced to social, more than personal, causes. Self-injury is not a matter of disturbed individuals resorting to hurting themselves in the face of individual weaknesses and difficulties. Rather, self-injury is the reaction of individuals to the tensions that compose, day after day, the tumultuousness of their social life and position. Self-harm is a practice that people use to self-control and maintain order—to calm down, or to avoid "going haywire" or "breaking everything." More broadly, through this research Brossard works to develop a perspective on the contemporary social world at large, exploring quests for self-control in modern Western societies.</p><p>In this interview, Dr. Brossard and I discuss how he came to study self-injury, managing the stigma of self-injury, how people use online forums for community, the discrete nature of self-injury, and the role of gender. I recommend this book for people interested in mental health, stigma, deviant behavior, and qualitative methods.</p><p>Dr. Baptiste Brossard, (@BaptistBrossard) a French sociologist, is a lecturer at the Australian National University. He received his PhD in sociology at the School for Advanced Studies in the Social Sciences (2011). His primary areas of research are mental health, sociological theory, qualitative methods and utopian studies.</p><p><em>Krystina Millar is a PhD student in the Department of Sociology at Indiana University. Her research interests include gender, sociology of the body, and sexuality. You can find her on Twitter at @KrystinaMillar.</em></p><p> </p>]]>
      </content:encoded>
      <itunes:duration>2838</itunes:duration>
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      <title>Áine O'Healy, "Migrant Anxieties: Italian Cinema in a Transnational Frame" (Indiana UP, 2019)</title>
      <description>In her recently published Migrant Anxieties: Italian Cinema in a Transnational Frame (Indiana University Press, 2019), Áine O'Healy explores how filmmakers in Italy have probed the tensions accompanying the country’s shift from an emigrant nation to a destination point for over five million immigrants over the course of three decades. Migrant Anxieties traces a phenomenology of anxiety that is not only present at the sociopolitical level but also interwoven into the narrative strategies of over 30 films produced since 1990, throwing into sharp relief the interface between the local and the global in this transnational era. Starting with the representation of post-communist migrations to Italy from Eastern Europe and subsequent arrivals from Africa through the controversial frontier of Lampedusa, O’Healy explores topics as diverse as the configuration of migrant labor, affective surrogacy, Italian whiteness, and the legacy of Italy’s colonial history. Showing how contemporary filmmaking practices in Italy are linked to changes in the broader media landscape, O’Healy analyzes the ways in which both Italian and migrant filmmakers are reimagining Italian society and remapping the nation’s borderscape.
Giancarlo Lombardi is Professor of Italian and Comparative Literature at the College of Staten Island and at the Graduate Center of the City University of New York. He has published widely on European and North American serial drama, on Italian Film and Cultural Studies, and on cultural representations of Italian terrorism.</description>
      <pubDate>Fri, 20 Mar 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>5</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>O'Healy explores how filmmakers in Italy have probed the tensions accompanying the country’s shift from an emigrant nation to a destination point for over five million immigrants over the course of three decades...</itunes:subtitle>
      <itunes:summary>In her recently published Migrant Anxieties: Italian Cinema in a Transnational Frame (Indiana University Press, 2019), Áine O'Healy explores how filmmakers in Italy have probed the tensions accompanying the country’s shift from an emigrant nation to a destination point for over five million immigrants over the course of three decades. Migrant Anxieties traces a phenomenology of anxiety that is not only present at the sociopolitical level but also interwoven into the narrative strategies of over 30 films produced since 1990, throwing into sharp relief the interface between the local and the global in this transnational era. Starting with the representation of post-communist migrations to Italy from Eastern Europe and subsequent arrivals from Africa through the controversial frontier of Lampedusa, O’Healy explores topics as diverse as the configuration of migrant labor, affective surrogacy, Italian whiteness, and the legacy of Italy’s colonial history. Showing how contemporary filmmaking practices in Italy are linked to changes in the broader media landscape, O’Healy analyzes the ways in which both Italian and migrant filmmakers are reimagining Italian society and remapping the nation’s borderscape.
Giancarlo Lombardi is Professor of Italian and Comparative Literature at the College of Staten Island and at the Graduate Center of the City University of New York. He has published widely on European and North American serial drama, on Italian Film and Cultural Studies, and on cultural representations of Italian terrorism.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her recently published <a href="http://www.amazon.com/dp/0253037182/?tag=newbooinhis-20"><em>Migrant Anxieties: Italian Cinema in a Transnational Frame</em></a> (Indiana University Press, 2019), <a href="https://bellarmine.lmu.edu/modernlanguages/faculty/?expert=ine.ohealy">Áine O'Healy</a> explores how filmmakers in Italy have probed the tensions accompanying the country’s shift from an emigrant nation to a destination point for over five million immigrants over the course of three decades. <em>Migrant Anxieties</em> traces a phenomenology of anxiety that is not only present at the sociopolitical level but also interwoven into the narrative strategies of over 30 films produced since 1990, throwing into sharp relief the interface between the local and the global in this transnational era. Starting with the representation of post-communist migrations to Italy from Eastern Europe and subsequent arrivals from Africa through the controversial frontier of Lampedusa, O’Healy explores topics as diverse as the configuration of migrant labor, affective surrogacy, Italian whiteness, and the legacy of Italy’s colonial history. Showing how contemporary filmmaking practices in Italy are linked to changes in the broader media landscape, O’Healy analyzes the ways in which both Italian and migrant filmmakers are reimagining Italian society and remapping the nation’s borderscape.</p><p><a href="https://www.gc.cuny.edu/Page-Elements/Academics-Research-Centers-Initiatives/Doctoral-Programs/Comparative-Literature/Faculty-Bios/Giancarlo-Lombardi"><em>Giancarlo Lombardi</em></a><em> is Professor of Italian and Comparative Literature at the College of Staten Island and at the Graduate Center of the City University of New York. He has published widely on European and North American serial drama, on Italian Film and Cultural Studies, and on cultural representations of Italian terrorism.</em></p>]]>
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      <itunes:duration>3201</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Lijun Zhang and Ziying You, "Chinese Folklore Studies Today: Discourse and Practice" (Indiana UP, 2020)</title>
      <description>The discipline of folkloristics in the People’s Republic of China is robust and well-funded. With thousands of scholars across the country, it is surprising then that there is relatively little understanding of the research and contributions of Chinese folklorists to the discipline. This despite the fact that Chinese folklorists are well-acquainted with many of the latest advances in folkloristics research globally. As the first English language attempt to discuss the historical development, current situation, and theoretical contributions of Chinese Folklore studies to the discipline of folklore more broadly, Chinese Folklore Studies Today: Discourse and Practice (Indiana University Press, 2020), edited by Lijun Zhang and Ziying You, attempts to rectify this situation. The volume’s five essays point out different issues relevant to folklore studies, including urban folklore studies, studies of women’s folklore, folksong, myth and belief, and intangible cultural heritage. This unique contribution not only introduces folklore of China, but also will certainly prove vital in encouraging and framing future international collaborations.
Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet.</description>
      <pubDate>Thu, 27 Feb 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>27</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>The discipline of folkloristics in the People’s Republic of China is robust and well-funded...</itunes:subtitle>
      <itunes:summary>The discipline of folkloristics in the People’s Republic of China is robust and well-funded. With thousands of scholars across the country, it is surprising then that there is relatively little understanding of the research and contributions of Chinese folklorists to the discipline. This despite the fact that Chinese folklorists are well-acquainted with many of the latest advances in folkloristics research globally. As the first English language attempt to discuss the historical development, current situation, and theoretical contributions of Chinese Folklore studies to the discipline of folklore more broadly, Chinese Folklore Studies Today: Discourse and Practice (Indiana University Press, 2020), edited by Lijun Zhang and Ziying You, attempts to rectify this situation. The volume’s five essays point out different issues relevant to folklore studies, including urban folklore studies, studies of women’s folklore, folksong, myth and belief, and intangible cultural heritage. This unique contribution not only introduces folklore of China, but also will certainly prove vital in encouraging and framing future international collaborations.
Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The discipline of folkloristics in the People’s Republic of China is robust and well-funded. With thousands of scholars across the country, it is surprising then that there is relatively little understanding of the research and contributions of Chinese folklorists to the discipline. This despite the fact that Chinese folklorists are well-acquainted with many of the latest advances in folkloristics research globally. As the first English language attempt to discuss the historical development, current situation, and theoretical contributions of Chinese Folklore studies to the discipline of folklore more broadly, <a href="http://www.amazon.com/dp/0253044103/?tag=newbooinhis-20"><em>Chinese Folklore Studies Today: Discourse and Practice</em></a> (Indiana University Press, 2020), edited by Lijun Zhang and Ziying You, attempts to rectify this situation. The volume’s five essays point out different issues relevant to folklore studies, including urban folklore studies, studies of women’s folklore, folksong, myth and belief, and intangible cultural heritage. This unique contribution not only introduces folklore of China, but also will certainly prove vital in encouraging and framing future international collaborations.</p><p><em>Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet.</em></p>]]>
      </content:encoded>
      <itunes:duration>4403</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Randal Schnoor, "Jewish Family: Identity and Self-Formation at Home" (Indiana UP, 2018)</title>
      <description>In Jewish Family: Identity and Self-Formation at Home (Indiana University Press, 2018), Alex Pomson and Randal Schnoor examine the impact of the family on Jewish identity. Through interviewing a sample of families over a 10-year period, Pomson and Schnoor analyze a complex web of factors that guides the level of Jewish engagement throughout a family’s life course. This illuminating and nuanced study examines the complexities of Jewish identity and praxis, and more broadly, what it means to be a North American Jew in the twenty-first century.
Alex Pomson is a researcher and managing director of Rosov Consulting. Randal Schnoor is a sociologist who teaches Jewish Studies at the Koschitzky Center for Jewish Studies at York University in Toronto.
Lindsey Jackson is a PhD student at Concordia University in Montreal, Canada.</description>
      <pubDate>Thu, 20 Feb 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>135</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Pomson and Schnoor examine the impact of the family on Jewish identity.</itunes:subtitle>
      <itunes:summary>In Jewish Family: Identity and Self-Formation at Home (Indiana University Press, 2018), Alex Pomson and Randal Schnoor examine the impact of the family on Jewish identity. Through interviewing a sample of families over a 10-year period, Pomson and Schnoor analyze a complex web of factors that guides the level of Jewish engagement throughout a family’s life course. This illuminating and nuanced study examines the complexities of Jewish identity and praxis, and more broadly, what it means to be a North American Jew in the twenty-first century.
Alex Pomson is a researcher and managing director of Rosov Consulting. Randal Schnoor is a sociologist who teaches Jewish Studies at the Koschitzky Center for Jewish Studies at York University in Toronto.
Lindsey Jackson is a PhD student at Concordia University in Montreal, Canada.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/0253033098/?tag=newbooinhis-20"><em>Jewish Family: Identity and Self-Formation at Home</em></a> (Indiana University Press, 2018), <a href="https://en.wikipedia.org/wiki/Alex_Pomson">Alex Pomson</a> and <a href="https://www.researchgate.net/profile/Randal_Schnoor">Randal Schnoor</a> examine the impact of the family on Jewish identity. Through interviewing a sample of families over a 10-year period, Pomson and Schnoor analyze a complex web of factors that guides the level of Jewish engagement throughout a family’s life course. This illuminating and nuanced study examines the complexities of Jewish identity and praxis, and more broadly, what it means to be a North American Jew in the twenty-first century.</p><p>Alex Pomson is a researcher and managing director of Rosov Consulting. Randal Schnoor is a sociologist who teaches Jewish Studies at the Koschitzky Center for Jewish Studies at York University in Toronto.</p><p><em>Lindsey Jackson is a PhD student at Concordia University in Montreal, Canada.</em></p>]]>
      </content:encoded>
      <itunes:duration>3598</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Alex J. Kay and David Stahel, "Mass Violence in Nazi-Occupied Europe" (Indiana UP, 2018)</title>
      <description>Alex J. Kay (senior lecture of History at Potsdam University in Berlin) and David Stahel (senior lecturer in History at the University of New South Wales in Canberra) have edited a groundbreaking series of articles on German mass killing and violence during World War II. Four years in the making, this collection of articles spans the breadth of research on these topics and includes some non-English speaking scholars for the first time in a work of this magnitude.
Mass Violence in Nazi-Occupied Europe (Indiana UP, 2018) argues for a more comprehensive understanding of what constitutes Nazi violence and who was affected by this violence. The works gathered consider sexual violence, food depravation, and forced labor as aspects of Nazi aggression. Contributors focus in particular on the Holocaust, the persecution of the Sinti and Roma, the eradication of "useless eaters" (psychiatric patients and Soviet prisoners of war), and the crimes of the Wehrmacht. The collection concludes with a consideration of memorialization and a comparison of Soviet and Nazi mass crimes. While it has been over 70 years since the fall of the Nazi regime, the full extent of the ways violence was used against prisoners of war and civilians is only now coming to be fully understood. Mass Violence in Nazi-Occupied Europe provides new insight into the scale of the violence suffered and brings fresh urgency to the need for a deeper understanding of this horrific moment in history.</description>
      <pubDate>Tue, 11 Feb 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>110</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>The book argues for a more comprehensive understanding of what constitutes Nazi violence and who was affected by this violence...</itunes:subtitle>
      <itunes:summary>Alex J. Kay (senior lecture of History at Potsdam University in Berlin) and David Stahel (senior lecturer in History at the University of New South Wales in Canberra) have edited a groundbreaking series of articles on German mass killing and violence during World War II. Four years in the making, this collection of articles spans the breadth of research on these topics and includes some non-English speaking scholars for the first time in a work of this magnitude.
Mass Violence in Nazi-Occupied Europe (Indiana UP, 2018) argues for a more comprehensive understanding of what constitutes Nazi violence and who was affected by this violence. The works gathered consider sexual violence, food depravation, and forced labor as aspects of Nazi aggression. Contributors focus in particular on the Holocaust, the persecution of the Sinti and Roma, the eradication of "useless eaters" (psychiatric patients and Soviet prisoners of war), and the crimes of the Wehrmacht. The collection concludes with a consideration of memorialization and a comparison of Soviet and Nazi mass crimes. While it has been over 70 years since the fall of the Nazi regime, the full extent of the ways violence was used against prisoners of war and civilians is only now coming to be fully understood. Mass Violence in Nazi-Occupied Europe provides new insight into the scale of the violence suffered and brings fresh urgency to the need for a deeper understanding of this horrific moment in history.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://en.wikipedia.org/wiki/Alex_J._Kay">Alex J. Kay</a> (senior lecture of History at Potsdam University in Berlin) and <a href="https://en.wikipedia.org/wiki/David_Stahel">David Stahel</a> (senior lecturer in History at the University of New South Wales in Canberra) have edited a groundbreaking series of articles on German mass killing and violence during World War II. Four years in the making, this collection of articles spans the breadth of research on these topics and includes some non-English speaking scholars for the first time in a work of this magnitude.</p><p><a href="http://www.amazon.com/dp/025303681X/?tag=newbooinhis-20"><em>Mass Violence in Nazi-Occupied Europe</em></a> (Indiana UP, 2018) argues for a more comprehensive understanding of what constitutes Nazi violence and who was affected by this violence. The works gathered consider sexual violence, food depravation, and forced labor as aspects of Nazi aggression. Contributors focus in particular on the Holocaust, the persecution of the Sinti and Roma, the eradication of "useless eaters" (psychiatric patients and Soviet prisoners of war), and the crimes of the Wehrmacht. The collection concludes with a consideration of memorialization and a comparison of Soviet and Nazi mass crimes. While it has been over 70 years since the fall of the Nazi regime, the full extent of the ways violence was used against prisoners of war and civilians is only now coming to be fully understood. <em>Mass Violence in Nazi-Occupied Europe</em> provides new insight into the scale of the violence suffered and brings fresh urgency to the need for a deeper understanding of this horrific moment in history.</p>]]>
      </content:encoded>
      <itunes:duration>2530</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Sean Jacobs, "Media in Postapartheid South Africa: Postcolonial Politics in the Age of Globalization" (Indiana UP, 2019)</title>
      <description>Sean Jacobs, Associate Professor of International Affairs at The New School in New York City. Jacobs is also the founder and editor of the acclaimed Africa is A Country website, a leader His new book Media in Postapartheid South Africa: Postcolonial Politics in the Age of Globalization, published by Indiana University Press in 2019.
In it, Jacobs makes a potent argument about the role of the media, in its many new and old forms, as an arbiter of belonging and citizenship in our information-saturated age. Using South Africa since the 1994 “transition” from Apartheid to democracy as his case study, Jacobs analysis demonstrates the importance of not only understanding an ever-changing media landscape as part of any study of politics, but also how the media shapes how public goods as made accessible to whom and how.
Media in Postapartheid South Africa is also a study of how the processes and structures of colonialism mix with the discursive tricks of political elites during Apartheid and after 1994, and how the media shapes how South Africans see themselves, in advertising, soap operas and reality shows.
Susan Thomson is associate professor of peace and conflict studies at Colgate University.</description>
      <pubDate>Tue, 04 Feb 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>62</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Jacobs makes a potent argument about the role of the media, in its many new and old forms, as an arbiter of belonging and citizenship in our information-saturated age...</itunes:subtitle>
      <itunes:summary>Sean Jacobs, Associate Professor of International Affairs at The New School in New York City. Jacobs is also the founder and editor of the acclaimed Africa is A Country website, a leader His new book Media in Postapartheid South Africa: Postcolonial Politics in the Age of Globalization, published by Indiana University Press in 2019.
In it, Jacobs makes a potent argument about the role of the media, in its many new and old forms, as an arbiter of belonging and citizenship in our information-saturated age. Using South Africa since the 1994 “transition” from Apartheid to democracy as his case study, Jacobs analysis demonstrates the importance of not only understanding an ever-changing media landscape as part of any study of politics, but also how the media shapes how public goods as made accessible to whom and how.
Media in Postapartheid South Africa is also a study of how the processes and structures of colonialism mix with the discursive tricks of political elites during Apartheid and after 1994, and how the media shapes how South Africans see themselves, in advertising, soap operas and reality shows.
Susan Thomson is associate professor of peace and conflict studies at Colgate University.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.newschool.edu/international-affairs/faculty/sean-jacobs/">Sean Jacobs</a>, Associate Professor of International Affairs at The New School in New York City. Jacobs is also the founder and editor of the acclaimed <a href="https://africasacountry.com/"><em>Africa is A Country</em></a> website, a leader His new book <a href="http://www.amazon.com/dp/0253025427/?tag=newbooinhis-20"><em>Media in Postapartheid South Africa: Postcolonial Politics in the Age of Globalization</em></a>, published by Indiana University Press in 2019.</p><p>In it, Jacobs makes a potent argument about the role of the media, in its many new and old forms, as an arbiter of belonging and citizenship in our information-saturated age. Using South Africa since the 1994 “transition” from Apartheid to democracy as his case study, Jacobs analysis demonstrates the importance of not only understanding an ever-changing media landscape as part of any study of politics, but also how the media shapes how public goods as made accessible to whom and how.</p><p><em>Media in Postapartheid South Africa </em>is also a study of how the processes and structures of colonialism mix with the discursive tricks of political elites during Apartheid and after 1994, and how the media shapes how South Africans see themselves, in advertising, soap operas and reality shows.</p><p><a href="https://www.colgate.edu/about/directory/sthomson"><em>Susan Thomson</em></a><em> is associate professor of peace and conflict studies at Colgate University.</em></p>]]>
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      <itunes:duration>3548</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Jeremy Black, "Geographies of an Imperial Power: The British World, 1688-1815" (Indiana UP, 2018)</title>
      <description>Today we talk to Jeremy Black, professor of history at Exeter University, UK, about two of his most recent book projects, both of which relate to the ways in which we think about empires, and the British empire in particular. Geographies of an Imperial Power: The British World, 1688-1815 (Indiana University Press, 2018) and Imperial legacies: The British Empire Around the World (Encounter, 2019) address some very timely themes. A great deal of recent discussion among humanities scholars has focused on the possibility or even necessity of “de-colonising the curriculum.” But what does this project mean? Why do empires matter? Are imperial histories and legacies better understood from a geographical or historical viewpoint? And are empires inevitable?
Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016).</description>
      <pubDate>Fri, 24 Jan 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>23</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>A great deal of recent discussion among humanities scholars has focused on the possibility or even necessity of “de-colonising the curriculum.” But what does this project mean?</itunes:subtitle>
      <itunes:summary>Today we talk to Jeremy Black, professor of history at Exeter University, UK, about two of his most recent book projects, both of which relate to the ways in which we think about empires, and the British empire in particular. Geographies of an Imperial Power: The British World, 1688-1815 (Indiana University Press, 2018) and Imperial legacies: The British Empire Around the World (Encounter, 2019) address some very timely themes. A great deal of recent discussion among humanities scholars has focused on the possibility or even necessity of “de-colonising the curriculum.” But what does this project mean? Why do empires matter? Are imperial histories and legacies better understood from a geographical or historical viewpoint? And are empires inevitable?
Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016).</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we talk to <a href="https://en.wikipedia.org/wiki/Jeremy_Black_(historian)">Jeremy Black</a>, professor of history at Exeter University, UK, about two of his most recent book projects, both of which relate to the ways in which we think about empires, and the British empire in particular. <a href="http://www.amazon.com/dp/0253031583/?tag=newbooinhis-20"><em>Geographies of an Imperial Power: The British World, 1688-1815</em></a><em> </em>(Indiana University Press, 2018) and <a href="https://www.amazon.com/Imperial-Legacies-British-Empire-Around/dp/1641770384"><em>Imperial legacies: The British Empire Around the World</em></a> (Encounter, 2019) address some very timely themes. A great deal of recent discussion among humanities scholars has focused on the possibility or even necessity of “de-colonising the curriculum.” But what does this project mean? Why do empires matter? Are imperial histories and legacies better understood from a geographical or historical viewpoint? And are empires inevitable?</p><p><a href="https://pure.qub.ac.uk/en/persons/crawford-gribben"><em>Crawford Gribben</em></a><em> is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016).</em></p>]]>
      </content:encoded>
      <itunes:duration>1776</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Christopher A. Molnar, "Memory, Politics, and Yugoslav Migrations to Postwar Germany" (Indiana UP, 2018)</title>
      <description>During Europe’s 2015 refugee crisis, more than a hundred thousand asylum seekers from the western Balkans sought refuge in Germany. This was nothing new, however; immigrants from the Balkans have streamed into West Germany in massive numbers throughout the long postwar era. In his book Memory, Politics, and Yugoslav Migrations to Postwar Germany (Indiana University Press, 2018), Christopher A. Molnar tells the story of how Germans received the many thousands of Yugoslavs who migrated as political emigres, labor migrants, asylum seekers, and war refugees from 1945 to the mid-1990s. While Yugoslavs made up the second largest immigrant group in the country, their impact has received little critical attention until now. With a particular focus on German policies and attitudes toward immigrants, Molnar argues that considerations of race played only a marginal role in German attitudes and policies towards Yugoslavs. Rather, the history of Yugoslavs in postwar Germany was most profoundly shaped by the memory of World War II and the shifting Cold War context. The book shows how immigration was a key way in which Germany negotiated the meaning and legacy of the war.
Michael E. O’Sullivan is Professor of History at Marist College where he teaches courses about Modern Europe. He published Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965 with University of Toronto Press in 2018.</description>
      <pubDate>Fri, 03 Jan 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>81</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>During Europe’s 2015 refugee crisis, more than a hundred thousand asylum seekers from the western Balkans sought refuge in Germany. This was nothing new...</itunes:subtitle>
      <itunes:summary>During Europe’s 2015 refugee crisis, more than a hundred thousand asylum seekers from the western Balkans sought refuge in Germany. This was nothing new, however; immigrants from the Balkans have streamed into West Germany in massive numbers throughout the long postwar era. In his book Memory, Politics, and Yugoslav Migrations to Postwar Germany (Indiana University Press, 2018), Christopher A. Molnar tells the story of how Germans received the many thousands of Yugoslavs who migrated as political emigres, labor migrants, asylum seekers, and war refugees from 1945 to the mid-1990s. While Yugoslavs made up the second largest immigrant group in the country, their impact has received little critical attention until now. With a particular focus on German policies and attitudes toward immigrants, Molnar argues that considerations of race played only a marginal role in German attitudes and policies towards Yugoslavs. Rather, the history of Yugoslavs in postwar Germany was most profoundly shaped by the memory of World War II and the shifting Cold War context. The book shows how immigration was a key way in which Germany negotiated the meaning and legacy of the war.
Michael E. O’Sullivan is Professor of History at Marist College where he teaches courses about Modern Europe. He published Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965 with University of Toronto Press in 2018.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>During Europe’s 2015 refugee crisis, more than a hundred thousand asylum seekers from the western Balkans sought refuge in Germany. This was nothing new, however; immigrants from the Balkans have streamed into West Germany in massive numbers throughout the long postwar era. In his book <a href="http://www.amazon.com/dp/0253037727/?tag=newbooinhis-20"><em>Memory, Politics, and Yugoslav Migrations to Postwar Germany</em></a> (Indiana University Press, 2018), <a href="https://umflint.academia.edu/ChristopherAMolnar">Christopher A. Molnar</a> tells the story of how Germans received the many thousands of Yugoslavs who migrated as political emigres, labor migrants, asylum seekers, and war refugees from 1945 to the mid-1990s. While Yugoslavs made up the second largest immigrant group in the country, their impact has received little critical attention until now. With a particular focus on German policies and attitudes toward immigrants, Molnar argues that considerations of race played only a marginal role in German attitudes and policies towards Yugoslavs. Rather, the history of Yugoslavs in postwar Germany was most profoundly shaped by the memory of World War II and the shifting Cold War context. The book shows how immigration was a key way in which Germany negotiated the meaning and legacy of the war.</p><p><em>Michael E. O’Sullivan is </em><a href="https://www.marist.edu/liberal-arts/faculty/michael-osullivan"><em>Professor of History at Marist College</em></a><em> where he teaches courses about Modern Europe. He published </em><a href="https://www.amazon.com/Disruptive-Power-Catholic-Miracles-1918-1965/dp/1487503431/ref=sr_1_1?ie=UTF8&amp;qid=1521234797&amp;sr=8-1&amp;keywords=Disruptive+Power+Michael+O%27Sullivan">Disruptive Power: Catholic Women, Miracles, and Politics in Modern Germany, 1918-1965</a><em> with University of Toronto Press in 2018.</em></p>]]>
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      <itunes:duration>4226</itunes:duration>
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      <title>Alex Lichtenstein, "Margaret Bourke-White and the Dawn of Apartheid" (Indiana UP, 2016)</title>
      <description>Alex Lichtenstein, Associate Professor of History at Indiana University, discusses his new book with co-author Rick Halpern, Margaret Bourke-White and the Dawn of Apartheid (Indiana University Press, 2016) photojournalism, and writing transnational histories of labor and social justice movements.
As a photographer for Life and Fortune magazines, Margaret Bourke-White traveled to Russia in the 1930s, photographed the Nazi takeover of Czechoslovakia in 1938, and recorded the liberation of Buchenwald at the end of WWII. In 1949, Life sent her to South Africa to take photographs in a country that was becoming racially polarized by white minority rule. Life published two photo-essays highlighting Bourke-White’s photographs, but much of her South African work remained unpublished until now. Here, these stunning photographs collected by Alex Lichtenstein and Rick Halpern offer an unparalleled visual record of white domination in South Africa during the early days of apartheid. In addition to these powerful and historically significant photographs, Lichtenstein and Halpern include two essays that explore Bourke-White's artistic and political formation and provide background material about the cultural, political, and economic circumstances that produced the rise and triumph of Afrikaner nationalism in South Africa. This richly illustrated book brings to light a large body of photography from a major American photographer and offers a compelling history of a reprehensible system of racial conflict and social control that Bourke-White took such pains to document.
Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association.</description>
      <pubDate>Fri, 27 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>13</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>"Life" published two photo-essays highlighting Bourke-White’s photographs, but much of her South African work remained unpublished until now...</itunes:subtitle>
      <itunes:summary>Alex Lichtenstein, Associate Professor of History at Indiana University, discusses his new book with co-author Rick Halpern, Margaret Bourke-White and the Dawn of Apartheid (Indiana University Press, 2016) photojournalism, and writing transnational histories of labor and social justice movements.
As a photographer for Life and Fortune magazines, Margaret Bourke-White traveled to Russia in the 1930s, photographed the Nazi takeover of Czechoslovakia in 1938, and recorded the liberation of Buchenwald at the end of WWII. In 1949, Life sent her to South Africa to take photographs in a country that was becoming racially polarized by white minority rule. Life published two photo-essays highlighting Bourke-White’s photographs, but much of her South African work remained unpublished until now. Here, these stunning photographs collected by Alex Lichtenstein and Rick Halpern offer an unparalleled visual record of white domination in South Africa during the early days of apartheid. In addition to these powerful and historically significant photographs, Lichtenstein and Halpern include two essays that explore Bourke-White's artistic and political formation and provide background material about the cultural, political, and economic circumstances that produced the rise and triumph of Afrikaner nationalism in South Africa. This richly illustrated book brings to light a large body of photography from a major American photographer and offers a compelling history of a reprehensible system of racial conflict and social control that Bourke-White took such pains to document.
Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://history.indiana.edu/faculty_staff/faculty/lichtenstein_alex.html">Alex Lichtenstein</a>, Associate Professor of History at Indiana University, discusses his new book with co-author <a href="https://history.utoronto.ca/people/rick-halpern">Rick Halpern</a>, <a href="http://www.amazon.com/dp/025302126X/?tag=newbooinhis-20"><em>Margaret Bourke-White and the Dawn of Apartheid</em></a> (Indiana University Press, 2016) photojournalism, and writing transnational histories of labor and social justice movements.</p><p>As a photographer for <em>Life</em> and <em>Fortune</em> magazines, Margaret Bourke-White traveled to Russia in the 1930s, photographed the Nazi takeover of Czechoslovakia in 1938, and recorded the liberation of Buchenwald at the end of WWII. In 1949, Life sent her to South Africa to take photographs in a country that was becoming racially polarized by white minority rule. Life published two photo-essays highlighting Bourke-White’s photographs, but much of her South African work remained unpublished until now. Here, these stunning photographs collected by Alex Lichtenstein and Rick Halpern offer an unparalleled visual record of white domination in South Africa during the early days of apartheid. In addition to these powerful and historically significant photographs, Lichtenstein and Halpern include two essays that explore Bourke-White's artistic and political formation and provide background material about the cultural, political, and economic circumstances that produced the rise and triumph of Afrikaner nationalism in South Africa. This richly illustrated book brings to light a large body of photography from a major American photographer and offers a compelling history of a reprehensible system of racial conflict and social control that Bourke-White took such pains to document.</p><p><a href="https://wws.princeton.edu/faculty-research/faculty/baenglis"><em>Beth A. English</em></a><em> is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the </em><a href="https://southernlaborstudies.org/"><em>Southern Labor History Association</em></a><em>.</em></p>]]>
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      <title>Michael Krona and Rosemary Pennington, "The Media World of ISIS" (Indiana UP, 2019)</title>
      <description>From efficient instructions on how to kill civilians to horrifying videos of beheadings, no terrorist organization has more comprehensively weaponized social media than ISIS. Its strategic, multi-platformed campaign is so effective that it has ensured global news coverage and inspired hundreds of young people around the world to abandon their lives and their countries to join a foreign war. Michael Krona and Rosemary Pennington's new book The Media World of ISIS (Indiana University Press, 2019) explores the characteristics, mission, and tactics of the organization's use of media and propaganda. Contributors consider how ISIS's media strategies imitate activist tactics, legitimize its self-declared caliphate, and exploit narratives of suffering and imprisonment as propaganda to inspire followers. Using a variety of methods, contributors explore the appeal of ISIS to Westerners, the worldview made apparent in its doctrine, and suggestions for counteracting the organization's approaches. Its highly developed, targeted, and effective media campaign has helped make ISIS one of the most recognized terrorism networks in the world. Gaining a comprehensive understanding of its strategies—what worked and why—will help combat the new realities of terrorism in the 21st century.</description>
      <pubDate>Fri, 13 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>45</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Krona and Pennington explore the characteristics, mission, and tactics of the ISIS's use of media and propaganda...</itunes:subtitle>
      <itunes:summary>From efficient instructions on how to kill civilians to horrifying videos of beheadings, no terrorist organization has more comprehensively weaponized social media than ISIS. Its strategic, multi-platformed campaign is so effective that it has ensured global news coverage and inspired hundreds of young people around the world to abandon their lives and their countries to join a foreign war. Michael Krona and Rosemary Pennington's new book The Media World of ISIS (Indiana University Press, 2019) explores the characteristics, mission, and tactics of the organization's use of media and propaganda. Contributors consider how ISIS's media strategies imitate activist tactics, legitimize its self-declared caliphate, and exploit narratives of suffering and imprisonment as propaganda to inspire followers. Using a variety of methods, contributors explore the appeal of ISIS to Westerners, the worldview made apparent in its doctrine, and suggestions for counteracting the organization's approaches. Its highly developed, targeted, and effective media campaign has helped make ISIS one of the most recognized terrorism networks in the world. Gaining a comprehensive understanding of its strategies—what worked and why—will help combat the new realities of terrorism in the 21st century.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From efficient instructions on how to kill civilians to horrifying videos of beheadings, no terrorist organization has more comprehensively weaponized social media than ISIS. Its strategic, multi-platformed campaign is so effective that it has ensured global news coverage and inspired hundreds of young people around the world to abandon their lives and their countries to join a foreign war. <a href="http://michaelkrona.com/">Michael Krona</a> and <a href="https://www.rompenni.org/about.html">Rosemary Pennington</a>'s new book <a href="http://www.amazon.com/dp/0253045916/?tag=newbooinhis-20"><em>The Media World of ISIS</em></a> (Indiana University Press, 2019) explores the characteristics, mission, and tactics of the organization's use of media and propaganda. Contributors consider how ISIS's media strategies imitate activist tactics, legitimize its self-declared caliphate, and exploit narratives of suffering and imprisonment as propaganda to inspire followers. Using a variety of methods, contributors explore the appeal of ISIS to Westerners, the worldview made apparent in its doctrine, and suggestions for counteracting the organization's approaches. Its highly developed, targeted, and effective media campaign has helped make ISIS one of the most recognized terrorism networks in the world. Gaining a comprehensive understanding of its strategies—what worked and why—will help combat the new realities of terrorism in the 21st century.</p>]]>
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      <itunes:duration>2190</itunes:duration>
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      <title>Emanuela Grama, "Socialist Heritage: The Politics of Past and Place in Romania" (Indiana UP, 2019)</title>
      <description>Focusing on Romania from 1945 to 2016, Emanuela Grama's new book Socialist Heritage: The Politics of Past and Place in Romania (Indiana University Press, 2019) explores the socialist state's attempt to create its own heritage, as well as the legacy of that project. Contrary to arguments that the socialist regimes of Central and Eastern Europe aimed to erase the pre-war history of the socialist cities, Grama shows that the communist state in Romania sought to exploit the past for its own benefit. The book traces the transformation of a central district of Bucharest, the Old Town, from a socially and ethnically diverse place in the early 20th century, into an epitome of national history under socialism, and then, starting in the 2000s, into the historic center of a European capital. Under socialism, politicians and professionals used the district's historic buildings, especially the ruins of a medieval palace discovered in the 1950s, to emphasize the city's Romanian past and erase its ethnically diverse history. Since the collapse of socialism, the cultural and economic value of the Old Town has become highly contested. Bucharest's middle class has regarded the district as a site of tempting transgressions. Its poor residents have decried their semi-decrepit homes, while entrepreneurs and politicians have viewed it as a source of easy money. Such arguments point to recent negotiations about the meanings of class, political participation, and ethnic and economic belonging in today's Romania. Grama's rich historical and ethnographic research reveals the fundamentally dual nature of heritage: every search for an idealized past relies on strategies of differentiation that can lead to further marginalization and exclusion.
Emanuela Grama is Associate Professor of History and Anthropology in the history department at Carnegie Mellon University.
Steven Seegel is a professor of history at the University of Northern Colorado.</description>
      <pubDate>Mon, 02 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>54</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Grama explores the socialist state's attempt to create its own heritage, as well as the legacy of that project...</itunes:subtitle>
      <itunes:summary>Focusing on Romania from 1945 to 2016, Emanuela Grama's new book Socialist Heritage: The Politics of Past and Place in Romania (Indiana University Press, 2019) explores the socialist state's attempt to create its own heritage, as well as the legacy of that project. Contrary to arguments that the socialist regimes of Central and Eastern Europe aimed to erase the pre-war history of the socialist cities, Grama shows that the communist state in Romania sought to exploit the past for its own benefit. The book traces the transformation of a central district of Bucharest, the Old Town, from a socially and ethnically diverse place in the early 20th century, into an epitome of national history under socialism, and then, starting in the 2000s, into the historic center of a European capital. Under socialism, politicians and professionals used the district's historic buildings, especially the ruins of a medieval palace discovered in the 1950s, to emphasize the city's Romanian past and erase its ethnically diverse history. Since the collapse of socialism, the cultural and economic value of the Old Town has become highly contested. Bucharest's middle class has regarded the district as a site of tempting transgressions. Its poor residents have decried their semi-decrepit homes, while entrepreneurs and politicians have viewed it as a source of easy money. Such arguments point to recent negotiations about the meanings of class, political participation, and ethnic and economic belonging in today's Romania. Grama's rich historical and ethnographic research reveals the fundamentally dual nature of heritage: every search for an idealized past relies on strategies of differentiation that can lead to further marginalization and exclusion.
Emanuela Grama is Associate Professor of History and Anthropology in the history department at Carnegie Mellon University.
Steven Seegel is a professor of history at the University of Northern Colorado.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Focusing on Romania from 1945 to 2016, <a href="http://www.emanuelagrama.com/">Emanuela Grama</a>'s new book <a href="http://www.amazon.com/dp/0253044804/?tag=newbooinhis-20"><em>Socialist Heritage: The Politics of Past and Place in Romania</em></a> (Indiana University Press, 2019) explores the socialist state's attempt to create its own heritage, as well as the legacy of that project. Contrary to arguments that the socialist regimes of Central and Eastern Europe aimed to erase the pre-war history of the socialist cities, Grama shows that the communist state in Romania sought to exploit the past for its own benefit. The book traces the transformation of a central district of Bucharest, the Old Town, from a socially and ethnically diverse place in the early 20th century, into an epitome of national history under socialism, and then, starting in the 2000s, into the historic center of a European capital. Under socialism, politicians and professionals used the district's historic buildings, especially the ruins of a medieval palace discovered in the 1950s, to emphasize the city's Romanian past and erase its ethnically diverse history. Since the collapse of socialism, the cultural and economic value of the Old Town has become highly contested. Bucharest's middle class has regarded the district as a site of tempting transgressions. Its poor residents have decried their semi-decrepit homes, while entrepreneurs and politicians have viewed it as a source of easy money. Such arguments point to recent negotiations about the meanings of class, political participation, and ethnic and economic belonging in today's Romania. Grama's rich historical and ethnographic research reveals the fundamentally dual nature of heritage: every search for an idealized past relies on strategies of differentiation that can lead to further marginalization and exclusion.</p><p><a href="https://www.cmu.edu/dietrich/history/people/faculty/grama.html">Emanuela Grama</a> is Associate Professor of History and Anthropology in the history department at Carnegie Mellon University.</p><p><a href="https://www.unco.edu/hss/history/faculty-staff/steven-seegel.aspx"><em>Steven Seegel</em></a><em> is a professor of history at the University of Northern Colorado.</em></p>]]>
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      <itunes:duration>3442</itunes:duration>
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      <title>Elena Past, "Italian Ecocinema: Beyond the Human" (Indiana UP, 2019)</title>
      <description>Elena Past’s recently published Italian Ecocinema: Beyond the Human (Indiana University Press, 2019) studies a complex of issues surrounding on-location films made in Italy and the way their production leaves lasting, material traces on the environment. The films span a number of regions and ecospheres within Italy: the Adriatic, site of the petrochemical wastelands in Antonioni’s Red Desert; the Neapolitan hinterland’s toxic waste dump in Garrone’s Gommora; the plight of an outlander goatherd in the Italian alps in Diritti’s The Wind Blows Round; the Calabrian mountains in Frammartino’s Le quattro volte; and the volcanoes of the Aeolian Islands in Taviani’s Fughe e approdi/Return to the Aeolian Islands. Past explores pressing environmental questions as well as the partnerships and collaborations of film crews, local protagonists (including human and non-human animals), and the environment as she works to bring the “matter” of cinema, its material side, into the production of its meaning.
Ellen Nerenberg is a founding editor of g/s/i-gender/sexuality/Italy and reviews editor of the Journal of Italian Cinema and Media Studies. Recent scholarly essays focus on serial television in Italy, the UK, and North America; masculinities in Italian cinema and media studies; and student filmmakers. Her current book project is La nazione Winx: coltivare la futura consumista/Winx Nation: Grooming the Future Female Consumer, a collaboration with Nicoletta Marini-Maio (forthcoming, Rubbettino Editore, 2020). She is President of the American Association for Italian Studies.</description>
      <pubDate>Mon, 04 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>2</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Past studies a complex of issues surrounding on-location films made in Italy and the way their production leaves lasting, material traces on the environment...</itunes:subtitle>
      <itunes:summary>Elena Past’s recently published Italian Ecocinema: Beyond the Human (Indiana University Press, 2019) studies a complex of issues surrounding on-location films made in Italy and the way their production leaves lasting, material traces on the environment. The films span a number of regions and ecospheres within Italy: the Adriatic, site of the petrochemical wastelands in Antonioni’s Red Desert; the Neapolitan hinterland’s toxic waste dump in Garrone’s Gommora; the plight of an outlander goatherd in the Italian alps in Diritti’s The Wind Blows Round; the Calabrian mountains in Frammartino’s Le quattro volte; and the volcanoes of the Aeolian Islands in Taviani’s Fughe e approdi/Return to the Aeolian Islands. Past explores pressing environmental questions as well as the partnerships and collaborations of film crews, local protagonists (including human and non-human animals), and the environment as she works to bring the “matter” of cinema, its material side, into the production of its meaning.
Ellen Nerenberg is a founding editor of g/s/i-gender/sexuality/Italy and reviews editor of the Journal of Italian Cinema and Media Studies. Recent scholarly essays focus on serial television in Italy, the UK, and North America; masculinities in Italian cinema and media studies; and student filmmakers. Her current book project is La nazione Winx: coltivare la futura consumista/Winx Nation: Grooming the Future Female Consumer, a collaboration with Nicoletta Marini-Maio (forthcoming, Rubbettino Editore, 2020). She is President of the American Association for Italian Studies.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Elena Past’s recently published <a href="http://www.amazon.com/dp/0253039487/?tag=newbooinhis-20"><em>Italian Ecocinema: Beyond the Human</em></a> (Indiana University Press, 2019) studies a complex of issues surrounding on-location films made in Italy and the way their production leaves lasting, material traces on the environment. The films span a number of regions and ecospheres within Italy: the Adriatic, site of the petrochemical wastelands in Antonioni’s Red Desert; the Neapolitan hinterland’s toxic waste dump in Garrone’s Gommora; the plight of an outlander goatherd in the Italian alps in Diritti’s The Wind Blows Round; the Calabrian mountains in Frammartino’s Le quattro volte; and the volcanoes of the Aeolian Islands in Taviani’s Fughe e approdi/Return to the Aeolian Islands. Past explores pressing environmental questions as well as the partnerships and collaborations of film crews, local protagonists (including human and non-human animals), and the environment as she works to bring the “matter” of cinema, its material side, into the production of its meaning.</p><p><a href="https://wesleyan.academia.edu/EllenNerenberg"><em>Ellen Nerenberg</em></a><em> is a founding editor of </em><a href="http://www.gendersexualityitaly.com"><em>g/s/i-gender/sexuality/Italy</em></a><em> and reviews editor of the </em>Journal of Italian Cinema and Media Studies<em>. Recent scholarly essays focus on serial television in Italy, the UK, and North America; masculinities in Italian cinema and media studies; and student filmmakers. Her current book project is </em>La nazione Winx: coltivare la futura consumista/Winx Nation: Grooming the Future Female Consumer<em>, a collaboration with Nicoletta Marini-Maio (forthcoming, Rubbettino Editore, 2020). She is President of the American Association for Italian Studies.</em></p>]]>
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      <itunes:duration>3904</itunes:duration>
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      <title>Jeremy Black, "England in the Age of Shakespeare" (Indiana UP, 2019)</title>
      <description>Jeremy Black’s impressive new book offers an enormously wide-ranging account of the social, political and religious cultures in which England’s greatest dramatist was formed and found success. England in the Age of Shakespeare (Indiana University Press, 2019) draws together Black’s expansive reading in Shakespeare’s contexts with extensive knowledge of the canon of his plays. Black, a professor of history at Exeter University, reads the plays as evidence of Shakespeare’s interest in his changing world. As an English writer, rooted in the very distinctive theological and liturgical arguments of the late sixteenth and early seventeenth centuries, Shakespeare offers a moral vision of a turbulent and contradictory world.
Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016).</description>
      <pubDate>Mon, 30 Sep 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>78</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>This book draws together Black’s expansive reading in Shakespeare’s contexts with extensive knowledge of the canon of his plays...</itunes:subtitle>
      <itunes:summary>Jeremy Black’s impressive new book offers an enormously wide-ranging account of the social, political and religious cultures in which England’s greatest dramatist was formed and found success. England in the Age of Shakespeare (Indiana University Press, 2019) draws together Black’s expansive reading in Shakespeare’s contexts with extensive knowledge of the canon of his plays. Black, a professor of history at Exeter University, reads the plays as evidence of Shakespeare’s interest in his changing world. As an English writer, rooted in the very distinctive theological and liturgical arguments of the late sixteenth and early seventeenth centuries, Shakespeare offers a moral vision of a turbulent and contradictory world.
Crawford Gribben is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of John Owen and English Puritanism (Oxford University Press, 2016).</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jeremy Black’s impressive new book offers an enormously wide-ranging account of the social, political and religious cultures in which England’s greatest dramatist was formed and found success. <a href="http://www.amazon.com/dp/0253042313/?tag=newbooinhis-20"><em>England in the Age of Shakespeare</em></a> (Indiana University Press, 2019) draws together Black’s expansive reading in Shakespeare’s contexts with extensive knowledge of the canon of his plays. <a href="https://humanities.exeter.ac.uk/history/staff/black/">Black</a>, a professor of history at Exeter University, reads the plays as evidence of Shakespeare’s interest in his changing world. As an English writer, rooted in the very distinctive theological and liturgical arguments of the late sixteenth and early seventeenth centuries, Shakespeare offers a moral vision of a turbulent and contradictory world.</p><p><a href="https://pure.qub.ac.uk/portal/en/persons/crawford-gribben(9c12859e-6933-4880-b397-d8e6382b0052).html"><em>Crawford Gribben</em></a><em> is a professor of history at Queen’s University Belfast. His research interests focus on the history of puritanism and evangelicalism, and he is the author most recently of </em><a href="https://global.oup.com/academic/product/john-owen-and-english-puritanism-9780199798155?cc=gb&amp;lang=en&amp;"><em>John Owen and English Puritanism</em></a><em> (Oxford University Press, 2016). </em></p>]]>
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      <title>A. Lakhtikova, A. Brintlinger, and I. Glushchenko, "Seasoned Socialism: Gender and Food in Late Soviet Everyday Life" (Indiana UP, 2019)</title>
      <description>In their introduction to Seasoned Socialism: Gender &amp; Food in Late Soviet Everyday Life (Indiana University Press, 2019), Anastasia Lakhtikova, Angela Brintlinger, and Irina Glushchenko invite the reader to “imagine a society where food is managed by officialdom like a controlled substance and everyone is addicted to it.”
Food plays a pivotal role throughout Russian history, but perhaps no more so than during the Soviet era, when the perennial Russian cycle of feast and famine took on a highly political aspect. Access to food was a powerful tool wielded by the State, from the Kholodomor to the ration cards of the eighties, Soviet citizens were forced to make daily choices about food, which often brought with them unwelcome moral dilemmas.
For a topic that is such a fulcrum of political, economic, sociological, and historical, studies, far too little scholarship on the topic has been produced either in Russia or the West. We can posit the reasons why: probably too feminine a topic, definitely too domestic, not serious, too private, but the fact is indisputable and the lack of relevant scholarship of Russian culinary studies makes Seasoned Socialism all the more timely and welcome.
This collection of essays by noted scholars from a range of fields, including literary studies, film studies, food studies, history, and sociology examines the intersection of gender, food, and culture in the post-1960s era. In them, we discover oral history, personal cookbooks, memorable scenes from the Golden Age of Soviet Cinema, poetry, and even stories of survival in the Gulags. We are transported inside steamy communal apartment kitchens and out to the welcome fresh air of a dacha. We discover the lore of the cabbage and the magic of tea, and we come to know the people whose lives revolved around sourcing, preparing, and enjoying food in the late Soviet Era.
Seasoned Socialism: Gender &amp; Food in Late Soviet Everyday Life joins the canon of “must-reads” for serious students of Russian and Soviet history, culture, and, of course, cuisine.
Jennifer Eremeeva is an American expatriate writer who divides her time between Riga, Latvia, and New England. Jennifer writes about travel, food, lifestyle, and Russian history and culture with bylines in Reuters, Fodor’s, The Moscow Times, and Russian Life. She is the in-house travel blogger for Alexander &amp; Roberts, and the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow. Follow Jennifer on Twitter, Instagram, and Facebook or visit jennifereremeeva.com for more information.</description>
      <pubDate>Thu, 01 Aug 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>45</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Food plays a pivotal role throughout Russian history, but perhaps no more so than during the Soviet era, when the perennial Russian cycle of feast and famine took on a highly political aspect...</itunes:subtitle>
      <itunes:summary>In their introduction to Seasoned Socialism: Gender &amp; Food in Late Soviet Everyday Life (Indiana University Press, 2019), Anastasia Lakhtikova, Angela Brintlinger, and Irina Glushchenko invite the reader to “imagine a society where food is managed by officialdom like a controlled substance and everyone is addicted to it.”
Food plays a pivotal role throughout Russian history, but perhaps no more so than during the Soviet era, when the perennial Russian cycle of feast and famine took on a highly political aspect. Access to food was a powerful tool wielded by the State, from the Kholodomor to the ration cards of the eighties, Soviet citizens were forced to make daily choices about food, which often brought with them unwelcome moral dilemmas.
For a topic that is such a fulcrum of political, economic, sociological, and historical, studies, far too little scholarship on the topic has been produced either in Russia or the West. We can posit the reasons why: probably too feminine a topic, definitely too domestic, not serious, too private, but the fact is indisputable and the lack of relevant scholarship of Russian culinary studies makes Seasoned Socialism all the more timely and welcome.
This collection of essays by noted scholars from a range of fields, including literary studies, film studies, food studies, history, and sociology examines the intersection of gender, food, and culture in the post-1960s era. In them, we discover oral history, personal cookbooks, memorable scenes from the Golden Age of Soviet Cinema, poetry, and even stories of survival in the Gulags. We are transported inside steamy communal apartment kitchens and out to the welcome fresh air of a dacha. We discover the lore of the cabbage and the magic of tea, and we come to know the people whose lives revolved around sourcing, preparing, and enjoying food in the late Soviet Era.
Seasoned Socialism: Gender &amp; Food in Late Soviet Everyday Life joins the canon of “must-reads” for serious students of Russian and Soviet history, culture, and, of course, cuisine.
Jennifer Eremeeva is an American expatriate writer who divides her time between Riga, Latvia, and New England. Jennifer writes about travel, food, lifestyle, and Russian history and culture with bylines in Reuters, Fodor’s, The Moscow Times, and Russian Life. She is the in-house travel blogger for Alexander &amp; Roberts, and the award-winning author of Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow. Follow Jennifer on Twitter, Instagram, and Facebook or visit jennifereremeeva.com for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In their introduction to <em>Seasoned Socialism: Gender &amp; Food in Late Soviet Everyday Life </em>(Indiana University Press, 2019), <a href="https://independentscholar.academia.edu/AnastasiaLakhtikova">Anastasia Lakhtikova</a>, <a href="https://slavic.osu.edu/people/brintlinger.3">Angela Brintlinger</a>, and <a href="https://www.hse.ru/en/org/persons/23533118">Irina Glushchenko</a> invite the reader to “imagine a society where food is managed by officialdom like a controlled substance and everyone is addicted to it.”</p><p>Food plays a pivotal role throughout Russian history, but perhaps no more so than during the Soviet era, when the perennial Russian cycle of feast and famine took on a highly political aspect. Access to food was a powerful tool wielded by the State, from the Kholodomor to the ration cards of the eighties, Soviet citizens were forced to make daily choices about food, which often brought with them unwelcome moral dilemmas.</p><p>For a topic that is such a fulcrum of political, economic, sociological, and historical, studies, far too little scholarship on the topic has been produced either in Russia or the West. We can posit the reasons why: probably too feminine a topic, definitely too domestic, not serious, too private, but the fact is indisputable and the lack of relevant scholarship of Russian culinary studies makes <em>Seasoned Socialism</em> all the more timely and welcome.</p><p>This collection of essays by noted scholars from a range of fields, including literary studies, film studies, food studies, history, and sociology examines the intersection of gender, food, and culture in the post-1960s era. In them, we discover oral history, personal cookbooks, memorable scenes from the Golden Age of Soviet Cinema, poetry, and even stories of survival in the Gulags. We are transported inside steamy communal apartment kitchens and out to the welcome fresh air of a dacha. We discover the lore of the cabbage and the magic of tea, and we come to know the people whose lives revolved around sourcing, preparing, and enjoying food in the late Soviet Era.</p><p><em>Seasoned Socialism: Gender &amp; Food in Late Soviet Everyday Life</em> joins the canon of “must-reads” for serious students of Russian and Soviet history, culture, and, of course, cuisine.</p><p><em>Jennifer Eremeeva is an American expatriate writer who divides her time between Riga, Latvia, and New England. Jennifer writes about travel, food, lifestyle, and Russian history and culture with bylines in Reuters, Fodor’s, The Moscow Times, and Russian Life. She is the in-house travel blogger for Alexander &amp; Roberts, and the award-winning author of </em><a href="https://amzn.to/2QbzIKW">Lenin Lives Next Door: Marriage, Martinis, and Mayhem in Moscow</a>.<em> Follow Jennifer on </em><a href="https://twitter.c"><em>Twitter</em></a><em>, </em><a href="https://www.instagram.com/jennifereremeeva/"><em>Instagram</em></a><em>, and </em><a href="https://www.facebook.com/jweremeeva"><em>Facebook</em></a><em> or visit jennifereremeeva.com for more information.</em></p>]]>
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      <title>Camisha Russell, "The Assisted Reproduction of Race" (Indiana UP, 2018)</title>
      <description>Assisted Reproductive Technologies (ARTs) such as in vitro fertilization and surrogacy have been critically examined within philosophy, particularly by feminists and bioethicists, but the role of race—both in how the technologies are used and in the effects that they are having—has received less attention. In The Assisted Reproduction of Race (Indiana University Press, 2018), Camisha Russell undertakes this critical analysis. While there is a robust scientific consensus that there is no meaningful genetic basis for race, Russell’s analysis of the role of race in ARTs reveals that when it comes to producing kinship, race is still doing a great deal of work. Further, by arguing that race itself is a technology, Russell shows how race is both produced and productive, historically, as well as in everyday practices, techniques, and choices. While this analysis focuses on what race does in the contemporary realm of ARTS, it illuminates the role of race, in the past and now, in constructing social reality.</description>
      <pubDate>Thu, 20 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>190</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>While there is a robust scientific consensus that there is no meaningful genetic basis for race, Russell’s analysis of the role of race in ARTs reveals that when it comes to producing kinship, race is still doing a great deal of work.</itunes:subtitle>
      <itunes:summary>Assisted Reproductive Technologies (ARTs) such as in vitro fertilization and surrogacy have been critically examined within philosophy, particularly by feminists and bioethicists, but the role of race—both in how the technologies are used and in the effects that they are having—has received less attention. In The Assisted Reproduction of Race (Indiana University Press, 2018), Camisha Russell undertakes this critical analysis. While there is a robust scientific consensus that there is no meaningful genetic basis for race, Russell’s analysis of the role of race in ARTs reveals that when it comes to producing kinship, race is still doing a great deal of work. Further, by arguing that race itself is a technology, Russell shows how race is both produced and productive, historically, as well as in everyday practices, techniques, and choices. While this analysis focuses on what race does in the contemporary realm of ARTS, it illuminates the role of race, in the past and now, in constructing social reality.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Assisted Reproductive Technologies (ARTs) such as in vitro fertilization and surrogacy have been critically examined within philosophy, particularly by feminists and bioethicists, but the role of race—both in how the technologies are used and in the effects that they are having—has received less attention. In <a href="https://newbooksnetwork.com/r-f-kuang-the-poppy-war-harper-voyager-2019/"><em>The Assisted Reproduction of Race </em></a>(Indiana University Press, 2018), <a href="https://philosophy.uoregon.edu/profile/camishar/">Camisha Russell</a> undertakes this critical analysis. While there is a robust scientific consensus that there is no meaningful genetic basis for race, Russell’s analysis of the role of race in ARTs reveals that when it comes to producing kinship, race is still doing a great deal of work. Further, by arguing that race itself is a technology, Russell shows how race is both produced and productive, historically, as well as in everyday practices, techniques, and choices. While this analysis focuses on what race does in the contemporary realm of ARTS, it illuminates the role of race, in the past and now, in constructing social reality.</p>]]>
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      <title>E. M. Levintova and A. K. Staudinger, "Gender in the Political Science Classroom" (Indiana UP, 2018)</title>
      <description>Gender in the Political Science Classroom (Indiana University Press, 2018) is part of a series at Indiana University Press on the scholarship of teaching and learning (SOTL), and there is much within the book that is directly within the SOTL arena, but this book is significantly broader and more extensive in its reach and analysis. Ekaterina M. Levintova and Alison K. Staudinger have brought together, into this volume, a variety of fascinating and important perspectives on political science as a discipline and how it is taught, studied, pursued and understood, especially in regard to the role, presence, absence, impact and understanding of gender. This is a useful and important text that does two different things simultaneously—it explores the ways of and roles in teaching political science (and other disciplines and subject areas that specifically focus on power in some form), while also examining the difficulty of how to teach more consciously in terms of gender, and the interaction between power and gender, especially as those topics and experiences interact with each other in an undergraduate classroom, and graduate pursuits as well. The breath of dimensions studied in this text provide a scope for analysis by teachers and by scholars. There is a lot here that will be of interest to many in Political Science, and in Education, as well as others in disciplines that also consider questions of power, of gender, and how we understand the substance of a discipline, especially one that has been traditionally male for much of its history.</description>
      <pubDate>Fri, 10 May 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Ekaterina M. Levintova and Alison K. Staudinger have brought together, into this volume, a variety of fascinating and important perspectives on political science as a discipline and how it is taught, studied, pursued and understood...</itunes:subtitle>
      <itunes:summary>Gender in the Political Science Classroom (Indiana University Press, 2018) is part of a series at Indiana University Press on the scholarship of teaching and learning (SOTL), and there is much within the book that is directly within the SOTL arena, but this book is significantly broader and more extensive in its reach and analysis. Ekaterina M. Levintova and Alison K. Staudinger have brought together, into this volume, a variety of fascinating and important perspectives on political science as a discipline and how it is taught, studied, pursued and understood, especially in regard to the role, presence, absence, impact and understanding of gender. This is a useful and important text that does two different things simultaneously—it explores the ways of and roles in teaching political science (and other disciplines and subject areas that specifically focus on power in some form), while also examining the difficulty of how to teach more consciously in terms of gender, and the interaction between power and gender, especially as those topics and experiences interact with each other in an undergraduate classroom, and graduate pursuits as well. The breath of dimensions studied in this text provide a scope for analysis by teachers and by scholars. There is a lot here that will be of interest to many in Political Science, and in Education, as well as others in disciplines that also consider questions of power, of gender, and how we understand the substance of a discipline, especially one that has been traditionally male for much of its history.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.amazon.com/dp/0253033217/?tag=newbooinhis-20"><em>Gender in the Political Science Classroom</em></a> (Indiana University Press, 2018) is part of a series at Indiana University Press on the scholarship of teaching and learning (SOTL), and there is much within the book that is directly within the SOTL arena, but this book is significantly broader and more extensive in its reach and analysis. <a href="https://www.uwgb.edu/global-studies/faculty-staff/levintoe/">Ekaterina M. Levintova</a> and <a href="https://www.uwgb.edu/women-gender-studies/faculty-staff/staudina/">Alison K. Staudinger</a> have brought together, into this volume, a variety of fascinating and important perspectives on political science as a discipline and how it is taught, studied, pursued and understood, especially in regard to the role, presence, absence, impact and understanding of gender. This is a useful and important text that does two different things simultaneously—it explores the ways of and roles in teaching political science (and other disciplines and subject areas that specifically focus on power in some form), while also examining the difficulty of how to teach more consciously in terms of gender, and the interaction between power and gender, especially as those topics and experiences interact with each other in an undergraduate classroom, and graduate pursuits as well. The breath of dimensions studied in this text provide a scope for analysis by teachers and by scholars. There is a lot here that will be of interest to many in Political Science, and in Education, as well as others in disciplines that also consider questions of power, of gender, and how we understand the substance of a discipline, especially one that has been traditionally male for much of its history.</p>]]>
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      <itunes:duration>3054</itunes:duration>
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      <title>Kristin D. Phillips, "An Ethnography of Hunger: Politics, Subsistence, and the Unpredictable Grace of the Sun" (Indiana UP, 2018)</title>
      <description>Families in parts of rural Tanzania regularly face periods when they cut back on their meals because their own food stocks are running short and they cannot afford to buy food. Kristin D. Phillips' new book An Ethnography of Hunger: Politics, Subsistence, and the Unpredictable Grace of the Sun (Indiana University Press, 2018) provides a deeply empathetic portrait of rural life in Singida, in central Tanzania. Her study is both a memoir of rural life during a food shortage and a deeply insightful analysis of how subsistence farming and the ongoing threat of hunger structures relationships and politics. Phillips engages the work of prominent analysts of hunger and politics like James Scott, Amartya Sen, and James Ferguson, engaging their insights but also expanding upon them with her recognition of how people build and maintain relationships that protect them as they live in constant vulnerability or precarity. Her study illustrates how this precarity influences people's participation in Tanzania's society by making claims on somewhat impersonal rights as citizens, as opposed to more intimate relations of patronage.</description>
      <pubDate>Thu, 09 May 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>55</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Families in parts of rural Tanzania regularly face periods when they cut back on their meals because their own food stocks are running short and they cannot afford to buy food...</itunes:subtitle>
      <itunes:summary>Families in parts of rural Tanzania regularly face periods when they cut back on their meals because their own food stocks are running short and they cannot afford to buy food. Kristin D. Phillips' new book An Ethnography of Hunger: Politics, Subsistence, and the Unpredictable Grace of the Sun (Indiana University Press, 2018) provides a deeply empathetic portrait of rural life in Singida, in central Tanzania. Her study is both a memoir of rural life during a food shortage and a deeply insightful analysis of how subsistence farming and the ongoing threat of hunger structures relationships and politics. Phillips engages the work of prominent analysts of hunger and politics like James Scott, Amartya Sen, and James Ferguson, engaging their insights but also expanding upon them with her recognition of how people build and maintain relationships that protect them as they live in constant vulnerability or precarity. Her study illustrates how this precarity influences people's participation in Tanzania's society by making claims on somewhat impersonal rights as citizens, as opposed to more intimate relations of patronage.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Families in parts of rural Tanzania regularly face periods when they cut back on their meals because their own food stocks are running short and they cannot afford to buy food. <a href="https://kristindphillips.com/">Kristin D. Phillips</a>' new book <a href="http://www.amazon.com/dp/0253038375/?tag=newbooinhis-20"><em>An Ethnography of Hunger: Politics, Subsistence, and the Unpredictable Grace of the Sun</em></a> (Indiana University Press, 2018) provides a deeply empathetic portrait of rural life in Singida, in central Tanzania. Her study is both a memoir of rural life during a food shortage and a deeply insightful analysis of how subsistence farming and the ongoing threat of hunger structures relationships and politics. Phillips engages the work of prominent analysts of hunger and politics like James Scott, Amartya Sen, and James Ferguson, engaging their insights but also expanding upon them with her recognition of how people build and maintain relationships that protect them as they live in constant vulnerability or precarity. Her study illustrates how this precarity influences people's participation in Tanzania's society by making claims on somewhat impersonal rights as citizens, as opposed to more intimate relations of patronage.</p>]]>
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      <itunes:duration>4177</itunes:duration>
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      <title>Fernando Orejuela and Stephanie Shonekan, "Black Lives Matter and Music: Protest, Intervention, Reflection" (Indiana UP, 2018)</title>
      <description>Music has always been integral to the Black Lives Matter movement in the United States, with songs such as Kendrick Lamar’s "Alright," J. Cole’s "Be Free," D’Angelo and the Vanguard's "The Charade," The Game’s "Don’t Shoot," Janelle Monae’s "Hell You Talmbout," Usher’s "Chains," and many others serving as unofficial anthems and soundtracks for members and allies of the movement. In Fernando Orejuela and Stephanie Shonekan's collection of essays, Black Lives Matter and Music: Protest, Intervention, Reflection (Indiana University Press, 2018), contributors draw from ethnographic research and personal encounters to illustrate how scholarly research of, approaches to, and teaching about the role of music in the Black Lives Matter movement can contribute to public awareness of the social, economic, political, scientific, and other forms of injustices in our society. Each chapter in Black Lives Matter and Music focuses on a particular case study, with the goal to inspire and facilitate productive dialogues among scholars, students, and the communities we study. From nuanced snapshots of how African American musical genres have flourished in different cities and the role of these genres in local activism, to explorations of musical pedagogy on the American college campus, readers will be challenged to think of how activism and social justice work might appear in American higher education and in academic research. Black Lives Matter and Music provokes us to examine how we teach, how we conduct research, and ultimately, how we should think about the ways that black struggle, liberation, and identity have evolved in the United States and around the world.
Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.</description>
      <pubDate>Tue, 07 May 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>23</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Music has always been integral to the Black Lives Matter movement in the United States...</itunes:subtitle>
      <itunes:summary>Music has always been integral to the Black Lives Matter movement in the United States, with songs such as Kendrick Lamar’s "Alright," J. Cole’s "Be Free," D’Angelo and the Vanguard's "The Charade," The Game’s "Don’t Shoot," Janelle Monae’s "Hell You Talmbout," Usher’s "Chains," and many others serving as unofficial anthems and soundtracks for members and allies of the movement. In Fernando Orejuela and Stephanie Shonekan's collection of essays, Black Lives Matter and Music: Protest, Intervention, Reflection (Indiana University Press, 2018), contributors draw from ethnographic research and personal encounters to illustrate how scholarly research of, approaches to, and teaching about the role of music in the Black Lives Matter movement can contribute to public awareness of the social, economic, political, scientific, and other forms of injustices in our society. Each chapter in Black Lives Matter and Music focuses on a particular case study, with the goal to inspire and facilitate productive dialogues among scholars, students, and the communities we study. From nuanced snapshots of how African American musical genres have flourished in different cities and the role of these genres in local activism, to explorations of musical pedagogy on the American college campus, readers will be challenged to think of how activism and social justice work might appear in American higher education and in academic research. Black Lives Matter and Music provokes us to examine how we teach, how we conduct research, and ultimately, how we should think about the ways that black struggle, liberation, and identity have evolved in the United States and around the world.
Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Music has always been integral to the Black Lives Matter movement in the United States, with songs such as Kendrick Lamar’s "Alright," J. Cole’s "Be Free," D’Angelo and the Vanguard's "The Charade," The Game’s "Don’t Shoot," Janelle Monae’s "Hell You Talmbout," Usher’s "Chains," and many others serving as unofficial anthems and soundtracks for members and allies of the movement. In <a href="http://www.indiana.edu/~folklore/people/orejuela.shtml">Fernando Orejuela</a> and <a href="https://www.umass.edu/afroam/member/stephanie-shonekan">Stephanie Shonekan</a>'s collection of essays, <a href="http://www.amazon.com/dp/0253038421/?tag=newbooinhis-20"><em>Black Lives Matter and Music: Protest, Intervention, Reflection</em></a> (Indiana University Press, 2018), contributors draw from ethnographic research and personal encounters to illustrate how scholarly research of, approaches to, and teaching about the role of music in the Black Lives Matter movement can contribute to public awareness of the social, economic, political, scientific, and other forms of injustices in our society. Each chapter in Black Lives Matter and Music focuses on a particular case study, with the goal to inspire and facilitate productive dialogues among scholars, students, and the communities we study. From nuanced snapshots of how African American musical genres have flourished in different cities and the role of these genres in local activism, to explorations of musical pedagogy on the American college campus, readers will be challenged to think of how activism and social justice work might appear in American higher education and in academic research. Black Lives Matter and Music provokes us to examine how we teach, how we conduct research, and ultimately, how we should think about the ways that black struggle, liberation, and identity have evolved in the United States and around the world.</p><p><em>Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.</em></p>]]>
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      <itunes:duration>3348</itunes:duration>
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      <title>Jeremy Black, "Charting the Past: The Historical Worlds of Eighteenth-Century England" (Indiana UP, 2018)</title>
      <description>Eighteenth-century England was a place of both the enlightenment and progress: new ideas abounded in science, politics, transportation, commerce, philosophy, religion, and the arts. But even as England propelled itself into the future, it was preoccupied with notions of its past, both its immediate past and its far distant past. Professor of History Jeremy Black, the most prolific historian (more than one-hundred books written) in the Anglophone world, considers the interaction of history with knowledge and culture in eighteenth-century England and shows how this engagement with the past influenced English historical writing in his new book, Charting the Past: The Historical Worlds of Eighteenth-Century England (Indiana University Press, 2018). The past was used as a tool to illustrate the contemporary religious, social, and political debates that shaped the advances and changes of the era. Professor Black reveals this type of "present-centered" historical writing to be so valued and influential in the eighteenth-century that its importance is greatly underappreciated in our current considerations of the period. In his customarily magisterial approach, Professor Black takes readers from print shops to church pews, courtrooms to painter's studios to show how historical writing influenced 18th century England, which in turn gave birth to the modern world which we now live.
Charles Coutinho has a doctorate in history from New York University. Where he studied with Tony Judt, Stewart Stehlin and McGeorge Bundy. His Ph. D. dissertation was on Anglo-American relations in the run-up to the Suez Crisis of 1956. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for the Journal of Intelligence History and Chatham House’s International Affairs. It you have a recent title to suggest for a podcast, please send an e-mail to Charlescoutinho@aol.com.</description>
      <pubDate>Thu, 11 Apr 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>488</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Eighteenth-century England was a place of both the enlightenment and progress: new ideas abounded in science, politics, transportation, commerce, philosophy, religion, and the arts...</itunes:subtitle>
      <itunes:summary>Eighteenth-century England was a place of both the enlightenment and progress: new ideas abounded in science, politics, transportation, commerce, philosophy, religion, and the arts. But even as England propelled itself into the future, it was preoccupied with notions of its past, both its immediate past and its far distant past. Professor of History Jeremy Black, the most prolific historian (more than one-hundred books written) in the Anglophone world, considers the interaction of history with knowledge and culture in eighteenth-century England and shows how this engagement with the past influenced English historical writing in his new book, Charting the Past: The Historical Worlds of Eighteenth-Century England (Indiana University Press, 2018). The past was used as a tool to illustrate the contemporary religious, social, and political debates that shaped the advances and changes of the era. Professor Black reveals this type of "present-centered" historical writing to be so valued and influential in the eighteenth-century that its importance is greatly underappreciated in our current considerations of the period. In his customarily magisterial approach, Professor Black takes readers from print shops to church pews, courtrooms to painter's studios to show how historical writing influenced 18th century England, which in turn gave birth to the modern world which we now live.
Charles Coutinho has a doctorate in history from New York University. Where he studied with Tony Judt, Stewart Stehlin and McGeorge Bundy. His Ph. D. dissertation was on Anglo-American relations in the run-up to the Suez Crisis of 1956. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for the Journal of Intelligence History and Chatham House’s International Affairs. It you have a recent title to suggest for a podcast, please send an e-mail to Charlescoutinho@aol.com.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Eighteenth-century England was a place of both the enlightenment and progress: new ideas abounded in science, politics, transportation, commerce, philosophy, religion, and the arts. But even as England propelled itself into the future, it was preoccupied with notions of its past, both its immediate past and its far distant past. Professor of History Jeremy Black, the most prolific historian (more than one-hundred books written) in the Anglophone world, considers the interaction of history with knowledge and culture in eighteenth-century England and shows how this engagement with the past influenced English historical writing in his new book, <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qt7aNry8FHIsvmeOFSRvsOwAAAFp4uwVIQEAAAFKAeEhIlU/http://www.amazon.com/dp/025303776X/?creativeASIN=025303776X&amp;linkCode=w61&amp;imprToken=Z40wKj-eVtvlw1WVsXD1gQ&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Charting the Past: The Historical Worlds of Eighteenth-Century England</em></a> (Indiana University Press, 2018). The past was used as a tool to illustrate the contemporary religious, social, and political debates that shaped the advances and changes of the era. Professor Black reveals this type of "present-centered" historical writing to be so valued and influential in the eighteenth-century that its importance is greatly underappreciated in our current considerations of the period. In his customarily magisterial approach, Professor Black takes readers from print shops to church pews, courtrooms to painter's studios to show how historical writing influenced 18th century England, which in turn gave birth to the modern world which we now live.</p><p><em>Charles Coutinho has a doctorate in history from New York University. Where he studied with Tony Judt, Stewart Stehlin and McGeorge Bundy. His Ph. D. dissertation was on Anglo-American relations in the run-up to the Suez Crisis of 1956. His area of specialization is 19th and 20th-century European, American diplomatic and political history. He has written recently for the Journal of Intelligence History and Chatham House’s International Affairs. It you have a recent title to suggest for a podcast, please send an e-mail to </em><a href="mailto:Charlescoutinho@aol.com"><em>Charlescoutinho@aol.com</em></a><em>.</em></p>]]>
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      <itunes:duration>1856</itunes:duration>
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      <title>Andrew Sobanet, "Generation Stalin:  French Writers, the Fatherland, and the Cult of Personality" (Indiana UP, 2018)</title>
      <description>In his 1924 biography of Mahatma Gandhi, writer Romain Rolland embraced the Gandhian philosophy of non-violence and decried the “dictators of Moscow” and the “idolatrous ideology of the Revolution.” Seven years later, in a startling reversal, Rolland expressed his support for the USSR and confidence in Soviet leaders: “The builders had to dirty their hands; we have no right to act like we are disgusted.” What accounts for this striking about-face? How did Rolland, and other French leftists, come to celebrate and actively promote the authoritarian regime of Joseph Stalin? In Generation Stalin: French Writers, the Fatherland, and the Cult of Personality, Dr. Andrew Sobanet examines the intellectual trajectories of Rolland, Henri Barbusse, Paul Eluard, and Louis Aragon, and their role in the rise of Stalinism and the cult of Stalin in France from the 1930s through the 1950s. His book also sheds light on contemporary global politics with the recent rehabilitation of Stalin’s image in Russia under Vladimir Putin and the rise of authoritarianism around the world.
Andrew Sobanet, is an Associate Professor in the Department of French and Francophone Studies at Georgetown University. His research focuses primarily on the intersection of politics and literature. His research interests include the twentieth-century novel, the contemporary novel, autobiography, non-fiction film, feature film, and twentieth-century history. He is the author of Jail Sentences: Representing Prison in Twentieth-Century French Fiction (U of Nebraska Press, 2008) and Generation Stalin: French Writers, the Fatherland, and the Cult of Personality (Indiana University Press, 2018). He has also published widely on Vichy France. Since 2011, he has been Associate Editor of the peer-reviewed journal Contemporary French Civilization. He is currently serving as chair of the Department of French and Francophone studies, a position he also held from 2009 to 2015.
Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris.</description>
      <pubDate>Thu, 14 Mar 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>480</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>How did Rolland, and other French leftists, come to celebrate and actively promote the authoritarian regime of Joseph Stalin?</itunes:subtitle>
      <itunes:summary>In his 1924 biography of Mahatma Gandhi, writer Romain Rolland embraced the Gandhian philosophy of non-violence and decried the “dictators of Moscow” and the “idolatrous ideology of the Revolution.” Seven years later, in a startling reversal, Rolland expressed his support for the USSR and confidence in Soviet leaders: “The builders had to dirty their hands; we have no right to act like we are disgusted.” What accounts for this striking about-face? How did Rolland, and other French leftists, come to celebrate and actively promote the authoritarian regime of Joseph Stalin? In Generation Stalin: French Writers, the Fatherland, and the Cult of Personality, Dr. Andrew Sobanet examines the intellectual trajectories of Rolland, Henri Barbusse, Paul Eluard, and Louis Aragon, and their role in the rise of Stalinism and the cult of Stalin in France from the 1930s through the 1950s. His book also sheds light on contemporary global politics with the recent rehabilitation of Stalin’s image in Russia under Vladimir Putin and the rise of authoritarianism around the world.
Andrew Sobanet, is an Associate Professor in the Department of French and Francophone Studies at Georgetown University. His research focuses primarily on the intersection of politics and literature. His research interests include the twentieth-century novel, the contemporary novel, autobiography, non-fiction film, feature film, and twentieth-century history. He is the author of Jail Sentences: Representing Prison in Twentieth-Century French Fiction (U of Nebraska Press, 2008) and Generation Stalin: French Writers, the Fatherland, and the Cult of Personality (Indiana University Press, 2018). He has also published widely on Vichy France. Since 2011, he has been Associate Editor of the peer-reviewed journal Contemporary French Civilization. He is currently serving as chair of the Department of French and Francophone studies, a position he also held from 2009 to 2015.
Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his 1924 biography of Mahatma Gandhi, writer Romain Rolland embraced the Gandhian philosophy of non-violence and decried the “dictators of Moscow” and the “idolatrous ideology of the Revolution.” Seven years later, in a startling reversal, Rolland expressed his support for the USSR and confidence in Soviet leaders: “The builders had to dirty their hands; we have no right to act like we are disgusted.” What accounts for this striking about-face? How did Rolland, and other French leftists, come to celebrate and actively promote the authoritarian regime of Joseph Stalin? In <a href="https://aax-us-east.amazon-adsystem.com/x/c/QkFMNh_gAhOFuI84i4Sjfr0AAAFpXjGJzQEAAAFKAeypoNM/https://www.amazon.com/dp/0253038227/?creativeASIN=0253038227&amp;linkCode=w61&amp;imprToken=Me3vsx5YQNjK7yzXXY31hg&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Generation Stalin: French Writers, the Fatherland, and the Cult of Personality</em></a>, Dr. Andrew Sobanet examines the intellectual trajectories of Rolland, Henri Barbusse, Paul Eluard, and Louis Aragon, and their role in the rise of Stalinism and the cult of Stalin in France from the 1930s through the 1950s. His book also sheds light on contemporary global politics with the recent rehabilitation of Stalin’s image in Russia under Vladimir Putin and the rise of authoritarianism around the world.</p><p><a href="https://gufaculty360.georgetown.edu/s/contact/00336000014TvQwAAK/andrew-sobanet">Andrew Sobanet</a>, is an Associate Professor in the Department of French and Francophone Studies at Georgetown University. His research focuses primarily on the intersection of politics and literature. His research interests include the twentieth-century novel, the contemporary novel, autobiography, non-fiction film, feature film, and twentieth-century history. He is the author of <em>Jail Sentences: Representing Prison in Twentieth-Century French Fiction</em> (U of Nebraska Press, 2008) and <em>Generation Stalin: French Writers, the Fatherland, and the Cult of Personality</em> (Indiana University Press, 2018). He has also published widely on Vichy France. Since 2011, he has been Associate Editor of the peer-reviewed journal <em>Contemporary French Civilization</em>. He is currently serving as chair of the Department of French and Francophone studies, a position he also held from 2009 to 2015.</p><p><em>Beth Mauldin is an Associate Professor of French at Georgia Gwinnett College in Lawrenceville, Georgia. Her research interests include French cultural studies, film, and the social and cultural history of Paris.</em></p>]]>
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    <item>
      <title>Jennifer Ronyak, "Intimacy, Performance, and the Lied in the Early Nineteenth Century" (Indiana UP, 2018)</title>
      <description>The Lied is one of the most important genres of nineteenth-century Romantic music, and one of the most intriguing. Balanced between public and private performance, an expression of both poetic and musical meaning, musicologists have tended to study Lieder by analyzing the connections between the music and text. In her new book Intimacy, Performance, and the Lied in the Early Nineteenth Century published by Indiana University Press in 2018, Dr. Jennifer Ronyak studies a set of Lieder with texts she identifies as “intimate lyric poetry” through the lens of performance using methodologies culled from literary studies, philosophy, and musicology. Delving deeply into German Romantic ideas about interiority and the self, Ronyak considers Lieder as an intimate expression of meaning for composer, lyricist, singer, and audience. She contextualizes this act of performance within the salon culture of several important German cities. By centering a philosophical inquiry into the paradox of the Lieder as the outward expression of inwardly facing ideas, Ronyak is able to de-emphasize the most famous Lieder composers of the period and bring in the voices and contributions of marginalized figures including women who functioned in a variety of roles: performers, intellectuals, salon hostesses, and writers.
Jennifer Ronyak is currently Senior Scientist in Musicology at the Institute for Musical Aesthetics at the University for Music and Performing Arts Graz, Austria (Kunstuniversität Graz). Her work has been published in The Journal of the American Musicological Society, 19th-Century Music, Music &amp; Letters, The Journal of Musicology, and the Jahrbuch Musik und Gender; additional research is forthcoming in collections from Boydell &amp; Brewer and Oxford University Press. She has also explored the implications of her research into song for current performing practices as a guest faculty member of the Vancouver International Song Institute and at the Kunstuniversität Graz.
Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.</description>
      <pubDate>Fri, 08 Mar 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>82</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>The Lied is one of the most important genres of nineteenth-century Romantic music...</itunes:subtitle>
      <itunes:summary>The Lied is one of the most important genres of nineteenth-century Romantic music, and one of the most intriguing. Balanced between public and private performance, an expression of both poetic and musical meaning, musicologists have tended to study Lieder by analyzing the connections between the music and text. In her new book Intimacy, Performance, and the Lied in the Early Nineteenth Century published by Indiana University Press in 2018, Dr. Jennifer Ronyak studies a set of Lieder with texts she identifies as “intimate lyric poetry” through the lens of performance using methodologies culled from literary studies, philosophy, and musicology. Delving deeply into German Romantic ideas about interiority and the self, Ronyak considers Lieder as an intimate expression of meaning for composer, lyricist, singer, and audience. She contextualizes this act of performance within the salon culture of several important German cities. By centering a philosophical inquiry into the paradox of the Lieder as the outward expression of inwardly facing ideas, Ronyak is able to de-emphasize the most famous Lieder composers of the period and bring in the voices and contributions of marginalized figures including women who functioned in a variety of roles: performers, intellectuals, salon hostesses, and writers.
Jennifer Ronyak is currently Senior Scientist in Musicology at the Institute for Musical Aesthetics at the University for Music and Performing Arts Graz, Austria (Kunstuniversität Graz). Her work has been published in The Journal of the American Musicological Society, 19th-Century Music, Music &amp; Letters, The Journal of Musicology, and the Jahrbuch Musik und Gender; additional research is forthcoming in collections from Boydell &amp; Brewer and Oxford University Press. She has also explored the implications of her research into song for current performing practices as a guest faculty member of the Vancouver International Song Institute and at the Kunstuniversität Graz.
Kristen M. Turner, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Lied is one of the most important genres of nineteenth-century Romantic music, and one of the most intriguing. Balanced between public and private performance, an expression of both poetic and musical meaning, musicologists have tended to study Lieder by analyzing the connections between the music and text. In her new book <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qmjaq4jGKlr2sjPfJ9tlBrUAAAFpOlkq2gEAAAFKAYXLrkA/https://www.amazon.com/dp/0253035767/?creativeASIN=0253035767&amp;linkCode=w61&amp;imprToken=e0PyP3yJOaYIfAcRCf6xEw&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Intimacy, Performance, and the Lied in the Early Nineteenth Century</em></a> published by Indiana University Press in 2018, Dr. Jennifer Ronyak studies a set of Lieder with texts she identifies as “intimate lyric poetry” through the lens of performance using methodologies culled from literary studies, philosophy, and musicology. Delving deeply into German Romantic ideas about interiority and the self, Ronyak considers Lieder as an intimate expression of meaning for composer, lyricist, singer, and audience. She contextualizes this act of performance within the salon culture of several important German cities. By centering a philosophical inquiry into the paradox of the Lieder as the outward expression of inwardly facing ideas, Ronyak is able to de-emphasize the most famous Lieder composers of the period and bring in the voices and contributions of marginalized figures including women who functioned in a variety of roles: performers, intellectuals, salon hostesses, and writers.</p><p>Jennifer Ronyak is currently Senior Scientist in Musicology at the Institute for Musical Aesthetics at the University for Music and Performing Arts Graz, Austria (Kunstuniversität Graz). Her work has been published in <em>The Journal of the American Musicological Society</em>, <em>19th-Century Music</em>, <em>Music &amp; Letter</em>s, <em>The Journal of Musicology</em>, and the <em>Jahrbuch Musik und Gender</em>; additional research is forthcoming in collections from Boydell &amp; Brewer and Oxford University Press. She has also explored the implications of her research into song for current performing practices as a guest faculty member of the Vancouver International Song Institute and at the Kunstuniversität Graz.</p><p><a href="https://music.arts.ncsu.edu/facultystaff/dr-kristen-turner/"><em>Kristen M. Turner</em></a><em>, Ph.D. is a lecturer at North Carolina State University in the music department. Her work centers on American musical culture at the turn of the twentieth century and has been published in several journals and essay collections.</em></p>]]>
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      <itunes:duration>3040</itunes:duration>
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    <item>
      <title>Samuel Hayim Brody, "Martin Buber's Theopolitics" (Indiana UP, 2018)</title>
      <description>Martin Buber is known as one of the 20th century's greatest Jewish scholars and thinkers, but he is less well known for his political theory and activism. In Martin Buber's Theopolitics (Indiana University Press, 2018), Samuel Hayim Brody demonstrates how Buber sees the bible as providing a blueprint for a state in which leadership ultimately belongs to God, and association through the (significantly reduced) mechanisms of state is voluntary. Brody's book provides a significant new perspective on Buber's Life and work.
David Gottlieb receive his PhD from the University of Chicago Divinity School in 2018. He is the author of the forthcoming Second Slayings: The Binding of Isaac and the Formation of Jewish Memory (Gorgias Press, 2019).</description>
      <pubDate>Mon, 18 Feb 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>163</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Martin Buber is known as one of the 20th century's greatest Jewish scholars and thinkers, but he is less well known for his political theory and activism...</itunes:subtitle>
      <itunes:summary>Martin Buber is known as one of the 20th century's greatest Jewish scholars and thinkers, but he is less well known for his political theory and activism. In Martin Buber's Theopolitics (Indiana University Press, 2018), Samuel Hayim Brody demonstrates how Buber sees the bible as providing a blueprint for a state in which leadership ultimately belongs to God, and association through the (significantly reduced) mechanisms of state is voluntary. Brody's book provides a significant new perspective on Buber's Life and work.
David Gottlieb receive his PhD from the University of Chicago Divinity School in 2018. He is the author of the forthcoming Second Slayings: The Binding of Isaac and the Formation of Jewish Memory (Gorgias Press, 2019).</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Martin Buber is known as one of the 20th century's greatest Jewish scholars and thinkers, but he is less well known for his political theory and activism. In<em> Martin Buber's Theopolitics</em> (Indiana University Press, 2018), Samuel Hayim Brody demonstrates how Buber sees the bible as providing a blueprint for a state in which leadership ultimately belongs to God, and association through the (significantly reduced) mechanisms of state is voluntary. Brody's book provides a significant new perspective on Buber's Life and work.</p><p><em>David Gottlieb receive his PhD from the University of Chicago Divinity School in 2018. He is the author of the forthcoming </em>Second Slayings: The Binding of Isaac and the Formation of Jewish Memory (Gorgias Press, 2019).</p>]]>
      </content:encoded>
      <itunes:duration>2400</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Aimée Israel-Pelletier, "On the Mediterranean and the Nile: The Jews of Egypt" (Indiana UP, 2017)</title>
      <description>In On the Mediterranean and the Nile: The Jews of Egypt (Indiana University Press, 2017), Aimée Israel-Pelletier, Professor and Head of French at the University of Texas at Arlington, looks at the work of five Egyptian Jewish writers. She confronts issues of identity, exile, language, immigration, Arab nationalism, European colonialism, and discourse on the Holocaust. Israel-Pelletier's volume is a hugely important part of the project recovering and transmitting Egyptian Jewish life and thought.
Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au.
 </description>
      <pubDate>Mon, 28 Jan 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>162</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Aimée Israel-Pelletier looks at the work of five Egyptian Jewish writers...</itunes:subtitle>
      <itunes:summary>In On the Mediterranean and the Nile: The Jews of Egypt (Indiana University Press, 2017), Aimée Israel-Pelletier, Professor and Head of French at the University of Texas at Arlington, looks at the work of five Egyptian Jewish writers. She confronts issues of identity, exile, language, immigration, Arab nationalism, European colonialism, and discourse on the Holocaust. Israel-Pelletier's volume is a hugely important part of the project recovering and transmitting Egyptian Jewish life and thought.
Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au.
 </itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://aax-us-east.amazon-adsystem.com/x/c/QtPcu8ML3_YZoZ5Bd56l4QMAAAFoilk2EQEAAAFKAUsq8yI/https://www.amazon.com/dp/0253031923/?creativeASIN=0253031923&amp;linkCode=w61&amp;imprToken=KKS1CXpLLT4fZeN8ZKHRnw&amp;slotNum=0&amp;tag=newbooinhis-20"><em>On the Mediterranean and the Nile: The Jews of Egypt</em></a> (Indiana University Press, 2017), <a href="https://mentis.uta.edu/explore/profile/professor-aimee-israel-pelletier">Aimée Israel-Pelletier</a>, Professor and Head of French at the University of Texas at Arlington, looks at the work of five Egyptian Jewish writers. She confronts issues of identity, exile, language, immigration, Arab nationalism, European colonialism, and discourse on the Holocaust. Israel-Pelletier's volume is a hugely important part of the project recovering and transmitting Egyptian Jewish life and thought.</p><p><a href="https://unimelb.academia.edu/MaxKaiser"><em>Max Kaiser</em></a><em> is a PhD candidate at the University of Melbourne. He can be reached at </em><a href="mailto:kaiser@student.unimelb.edu.au"><em>kaiser@student.unimelb.edu.au.</em></a></p><p> </p>]]>
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      <itunes:duration>1931</itunes:duration>
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    <item>
      <title>Laszlo Borhi, "Dealing with Dictators: The United States, Hungary, and East Central Europe 1942-1989" (Indiana UP, 2016)</title>
      <description>How does a political regime function? What contributes to a regime’s longevity and subversion? Laszlo Borhi’s Dealing with Dictators: The United States, Hungary, and East Central Europe 1942-1989(Indiana University Press, 2016) invites readers to consider a complex nature of regime. The focus of Dealing with Dictators is Hungary, which during and after the Second World War is presented as “a weak client state”, borrowing Laszlo Borhi’s description. Through a meticulous research Laszlo Borhi illustrates how Hungary gradually develops into an independent state. This process, however, is not only gradual but conflicting and complicated as well. In Dealing with Dictators, Hungary’s major political counterparts are the Unites States, on the one hand, and the Soviet Union, on the other. This combination seems to locate Hungary in an unfavorable situation for the development of the country’s domestic and international policies. However, as Laszlo Borhi’s research demonstrates, a “weak state,” under certain conditions, generates decisions that change not only internal state of affairs but external as well.
Dealing with Dictators reconstructs a multi-facet process of the country’s political development. The book includes a vast database of economic and political events that contribute and signal nuanced stages of transformation. In addition to a detailed account that navigates various levels of political engagement and which, in fact, eventually puts political players of different caliber on one level, Dealing with Dictators offers acute observations of the cultural domain that appears to reflect (and at times trigger) internal and external modifications. Laszlo Borhi invites his readers to navigate a complex web of events that narrate a (hi)story of Hungary, which is presented and constructed as a space of dialogical political and cultural interactions.</description>
      <pubDate>Tue, 04 Dec 2018 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>How does a political regime function? What contributes to a regime’s longevity and subversion?</itunes:subtitle>
      <itunes:summary>How does a political regime function? What contributes to a regime’s longevity and subversion? Laszlo Borhi’s Dealing with Dictators: The United States, Hungary, and East Central Europe 1942-1989(Indiana University Press, 2016) invites readers to consider a complex nature of regime. The focus of Dealing with Dictators is Hungary, which during and after the Second World War is presented as “a weak client state”, borrowing Laszlo Borhi’s description. Through a meticulous research Laszlo Borhi illustrates how Hungary gradually develops into an independent state. This process, however, is not only gradual but conflicting and complicated as well. In Dealing with Dictators, Hungary’s major political counterparts are the Unites States, on the one hand, and the Soviet Union, on the other. This combination seems to locate Hungary in an unfavorable situation for the development of the country’s domestic and international policies. However, as Laszlo Borhi’s research demonstrates, a “weak state,” under certain conditions, generates decisions that change not only internal state of affairs but external as well.
Dealing with Dictators reconstructs a multi-facet process of the country’s political development. The book includes a vast database of economic and political events that contribute and signal nuanced stages of transformation. In addition to a detailed account that navigates various levels of political engagement and which, in fact, eventually puts political players of different caliber on one level, Dealing with Dictators offers acute observations of the cultural domain that appears to reflect (and at times trigger) internal and external modifications. Laszlo Borhi invites his readers to navigate a complex web of events that narrate a (hi)story of Hungary, which is presented and constructed as a space of dialogical political and cultural interactions.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How does a political regime function? What contributes to a regime’s longevity and subversion? <a href="http://www.indiana.edu/~ceus/about/people/faculty/Borhi.shtml">Laszlo Borhi</a>’s <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qi3fHUuCtF_UmYWoxkjxN8QAAAFna8enGwEAAAFKAXXraW8/https://www.amazon.com/dp/0253033713/ref=as_at?creativeASIN=0253033713&amp;linkCode=w61&amp;imprToken=KnDq7eBcMBvnwNzinPfhEA&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Dealing with Dictators: The United States, Hungary, and East Central Europe 1942-1989</em></a>(Indiana University Press, 2016) invites readers to consider a complex nature of regime. The focus of <em>Dealing with Dictators</em> is Hungary, which during and after the Second World War is presented as “a weak client state”, borrowing Laszlo Borhi’s description. Through a meticulous research Laszlo Borhi illustrates how Hungary gradually develops into an independent state. This process, however, is not only gradual but conflicting and complicated as well. In <em>Dealing with Dictators</em>, Hungary’s major political counterparts are the Unites States, on the one hand, and the Soviet Union, on the other. This combination seems to locate Hungary in an unfavorable situation for the development of the country’s domestic and international policies. However, as Laszlo Borhi’s research demonstrates, a “weak state,” under certain conditions, generates decisions that change not only internal state of affairs but external as well.</p><p><em>Dealing with Dictators</em> reconstructs a multi-facet process of the country’s political development. The book includes a vast database of economic and political events that contribute and signal nuanced stages of transformation. In addition to a detailed account that navigates various levels of political engagement and which, in fact, eventually puts political players of different caliber on one level, <em>Dealing with Dictators</em> offers acute observations of the cultural domain that appears to reflect (and at times trigger) internal and external modifications. Laszlo Borhi invites his readers to navigate a complex web of events that narrate a (hi)story of Hungary, which is presented and constructed as a space of dialogical political and cultural interactions.</p>]]>
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      <itunes:duration>2253</itunes:duration>
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    <item>
      <title>Michael Brenner, “A History of Jews in Germany Since 1945: Politics, Culture, and Society” (Indiana UP, 2018)</title>
      <description>In A History of Jews in Germany Since 1945: Politics, Culture, and Society (Indiana University Press, 2018), edited by Michael Brenner, Professor of Jewish History and Culture at the University of Munich and Seymour and Lillian Abensohn Chair in Israel Studies at the American University in Washington DC, has assembled a number of scholars to give a comprehensive account of German Jews and Judaism from the Holocaust to the early 21st century. This volume will be the essential text on the topic for many years to come.

Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au.</description>
      <pubDate>Mon, 12 Nov 2018 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>In A History of Jews in Germany Since 1945: Politics, Culture, and Society (Indiana University Press, 2018), edited by Michael Brenner, Professor of Jewish History and Culture at the University of Munich and Seymour and Lillian Abensohn Chair in Israel...</itunes:subtitle>
      <itunes:summary>In A History of Jews in Germany Since 1945: Politics, Culture, and Society (Indiana University Press, 2018), edited by Michael Brenner, Professor of Jewish History and Culture at the University of Munich and Seymour and Lillian Abensohn Chair in Israel Studies at the American University in Washington DC, has assembled a number of scholars to give a comprehensive account of German Jews and Judaism from the Holocaust to the early 21st century. This volume will be the essential text on the topic for many years to come.

Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://aax-us-east.amazon-adsystem.com/x/c/QhrRgceAG_sYgXLZskQEc2kAAAFm-Mmy5gEAAAFKAc41-rE/https://www.amazon.com/dp/0253025672/ref=as_at?creativeASIN=0253025672&amp;linkCode=w61&amp;imprToken=IF-2Y.8QFW5uUe7GWSoYAA&amp;slotNum=0&amp;tag=newbooinhis-20">A History of Jews in Germany Since 1945: Politics, Culture, and Society</a> (Indiana University Press, 2018), edited by <a href="https://www.american.edu/cas/faculty/mbrenner.cfm">Michael Brenner</a>, Professor of Jewish History and Culture at the University of Munich and Seymour and Lillian Abensohn Chair in Israel Studies at the American University in Washington DC, has assembled a number of scholars to give a comprehensive account of German Jews and Judaism from the Holocaust to the early 21st century. This volume will be the essential text on the topic for many years to come.</p><p><br></p><p><a href="https://unimelb.academia.edu/MaxKaiser">Max Kaiser</a> is a PhD candidate at the University of Melbourne. He can be reached at <a href="mailto:kaiser@student.unimelb.edu.au">kaiser@student.unimelb.edu.au.</a></p>]]>
      </content:encoded>
      <itunes:duration>1918</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=79285]]></guid>
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    <item>
      <title>Bill Ivey, “Rebuilding an Enlightened World: Folklorizing America” (Indiana UP, 2018)</title>
      <description>Bill Ivey’s Rebuilding an Enlightened World: Folklorizing America (Indiana University Press, 2018) advances the idea that we are entering a post-enlightenment world increasingly characterized by alternative facts, fake news, and doubts over the “objective” truths of science. Faced with the failure of data-driven social sciences to explain these phenomena, and to anticipate the behaviors of the American voter in 2016 or the middle-class-teenager-turned-ISIS-fighter, Rebuilding advances folklore as a potential alternative to preserve the Enlightenment’s progress and potentially make good on its promise. Drawing on the work of seminal figures of American folkore’s recent past, including Richard Dorson, Americo Paredes, Archie Green, Ralph Rinzler, and Henry Glassie, rebuilding examines the a range of phenomena including the 2016 presidential election, Black Panther, the rise of fake news, and Story Corps for a way to recognize and value alternative knowledge systems. The path forward is anything but clear, but perhaps folklore, with its focus on myth, legends, festival, vernacular beliefs, and modest listening, can provide tools for this complicated future.

Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet.</description>
      <pubDate>Tue, 02 Oct 2018 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Bill Ivey’s Rebuilding an Enlightened World: Folklorizing America (Indiana University Press, 2018) advances the idea that we are entering a post-enlightenment world increasingly characterized by alternative facts, fake news,</itunes:subtitle>
      <itunes:summary>Bill Ivey’s Rebuilding an Enlightened World: Folklorizing America (Indiana University Press, 2018) advances the idea that we are entering a post-enlightenment world increasingly characterized by alternative facts, fake news, and doubts over the “objective” truths of science. Faced with the failure of data-driven social sciences to explain these phenomena, and to anticipate the behaviors of the American voter in 2016 or the middle-class-teenager-turned-ISIS-fighter, Rebuilding advances folklore as a potential alternative to preserve the Enlightenment’s progress and potentially make good on its promise. Drawing on the work of seminal figures of American folkore’s recent past, including Richard Dorson, Americo Paredes, Archie Green, Ralph Rinzler, and Henry Glassie, rebuilding examines the a range of phenomena including the 2016 presidential election, Black Panther, the rise of fake news, and Story Corps for a way to recognize and value alternative knowledge systems. The path forward is anything but clear, but perhaps folklore, with its focus on myth, legends, festival, vernacular beliefs, and modest listening, can provide tools for this complicated future.

Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://en.wikipedia.org/wiki/Bill_Ivey">Bill Ivey</a>’s <a href="https://aax-us-east.amazon-adsystem.com/x/c/QoV0fOrzw-4KF7BokzFgpMYAAAFmIQ5-1wEAAAFKAVWoKxo/https://www.amazon.com/dp/0253029694/ref=as_at?creativeASIN=0253029694&amp;linkCode=w61&amp;imprToken=Unwn7zlJZF96MEf8AsVqEw&amp;slotNum=0&amp;tag=newbooinhis-20">Rebuilding an Enlightened World: Folklorizing America </a>(Indiana University Press, 2018) advances the idea that we are entering a post-enlightenment world increasingly characterized by alternative facts, fake news, and doubts over the “objective” truths of science. Faced with the failure of data-driven social sciences to explain these phenomena, and to anticipate the behaviors of the American voter in 2016 or the middle-class-teenager-turned-ISIS-fighter, Rebuilding advances folklore as a potential alternative to preserve the Enlightenment’s progress and potentially make good on its promise. Drawing on the work of seminal figures of American folkore’s recent past, including Richard Dorson, Americo Paredes, Archie Green, Ralph Rinzler, and Henry Glassie, rebuilding examines the a range of phenomena including the 2016 presidential election, Black Panther, the rise of fake news, and Story Corps for a way to recognize and value alternative knowledge systems. The path forward is anything but clear, but perhaps folklore, with its focus on myth, legends, festival, vernacular beliefs, and modest listening, can provide tools for this complicated future.</p><p><br></p><p>Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet.</p>]]>
      </content:encoded>
      <itunes:duration>4146</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=78280]]></guid>
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      <title>Scott Spector, “Modernism Without Jews?: German Jewish Subjects and Histories” (Indiana UP, 2017)</title>
      <description>Was there anything particularly Modern about Modern Jews? Was there something characteristically Jewish about Modernism? In this episode, we hear from Scott Spector, professor of History and German Studies at the University of Michigan, who complicates these often-asked questions in his new book Modernism Without Jews?: German Jewish Subjects and Histories (Indian University Press, 2017). As we discuss, the title of this book is not an invitation to imagine an alternate history; rather, it is a provocation to notice how the key terms of this title get framed together in a variety of complicated, troubled, and sometimes dissonant ways — both by historians and by the protagonists of this history. A noteworthy and widely-read historian of German, Jewish, and Modern culture, Spector here targets the historiography of these fields and seeks to shake up the patterns and terms that have become all too stable within it.
Modernism Without Jews? takes its readers through a series of case studies with short and dense chapters on Edith Stein, Sigmund Freud, Max Brod, the term “secularism,” Franz Kafka, and more. In this wide-ranging conversation, we talk about all of those figures, plus Hugo Bettauer’s satirical 1922 novel City Without Jews, Gershom Scholem’s multiple reframings of his Jewish, German, and German-Jewish identities, and the complicated, existential operations involved in framing relationships between texts and contexts, persons and histories.

Daveeda Goldberg is a PhD candidate in the Department of Humanities at York University, in Toronto, Canada.
 </description>
      <pubDate>Wed, 12 Sep 2018 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Was there anything particularly Modern about Modern Jews? Was there something characteristically Jewish about Modernism? In this episode, we hear from Scott Spector, professor of History and German Studies at the University of Michigan,</itunes:subtitle>
      <itunes:summary>Was there anything particularly Modern about Modern Jews? Was there something characteristically Jewish about Modernism? In this episode, we hear from Scott Spector, professor of History and German Studies at the University of Michigan, who complicates these often-asked questions in his new book Modernism Without Jews?: German Jewish Subjects and Histories (Indian University Press, 2017). As we discuss, the title of this book is not an invitation to imagine an alternate history; rather, it is a provocation to notice how the key terms of this title get framed together in a variety of complicated, troubled, and sometimes dissonant ways — both by historians and by the protagonists of this history. A noteworthy and widely-read historian of German, Jewish, and Modern culture, Spector here targets the historiography of these fields and seeks to shake up the patterns and terms that have become all too stable within it.
Modernism Without Jews? takes its readers through a series of case studies with short and dense chapters on Edith Stein, Sigmund Freud, Max Brod, the term “secularism,” Franz Kafka, and more. In this wide-ranging conversation, we talk about all of those figures, plus Hugo Bettauer’s satirical 1922 novel City Without Jews, Gershom Scholem’s multiple reframings of his Jewish, German, and German-Jewish identities, and the complicated, existential operations involved in framing relationships between texts and contexts, persons and histories.

Daveeda Goldberg is a PhD candidate in the Department of Humanities at York University, in Toronto, Canada.
 </itunes:summary>
      <content:encoded>
        <![CDATA[<p>Was there anything particularly Modern about Modern Jews? Was there something characteristically Jewish about Modernism? In this episode, we hear from <a href="https://lsa.umich.edu/history/people/faculty/spec.html">Scott Spector</a>, professor of History and German Studies at the University of Michigan, who complicates these often-asked questions in his new book<a href="https://aax-us-east.amazon-adsystem.com/x/c/QtHEdX2tKPhRxYwhezeTLQIAAAFluoqJ0QEAAAFKAe8vbVU/https://www.amazon.com/dp/0253029538/ref=as_at?creativeASIN=0253029538&amp;linkCode=w61&amp;imprToken=Q74QhdViaA.0IpOvEzY7yA&amp;slotNum=0&amp;tag=newbooinhis-20"> Modernism Without Jews?: German Jewish Subjects and Histories</a> (Indian University Press, 2017). As we discuss, the title of this book is not an invitation to imagine an alternate history; rather, it is a provocation to notice how the key terms of this title get framed together in a variety of complicated, troubled, and sometimes dissonant ways — both by historians and by the protagonists of this history. A noteworthy and widely-read historian of German, Jewish, and Modern culture, Spector here targets the historiography of these fields and seeks to shake up the patterns and terms that have become all too stable within it.</p><p>Modernism Without Jews? takes its readers through a series of case studies with short and dense chapters on Edith Stein, Sigmund Freud, Max Brod, the term “secularism,” Franz Kafka, and more. In this wide-ranging conversation, we talk about all of those figures, plus Hugo Bettauer’s satirical 1922 novel City Without Jews, Gershom Scholem’s multiple reframings of his Jewish, German, and German-Jewish identities, and the complicated, existential operations involved in framing relationships between texts and contexts, persons and histories.</p><p><br></p><p>Daveeda Goldberg is a PhD candidate in the Department of Humanities at York University, in Toronto, Canada.</p><p> </p>]]>
      </content:encoded>
      <itunes:duration>4199</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=77763]]></guid>
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      <title>Larisa Jašarević, “Health and Wealth on the Bosnian Market: Intimate Debt” (Indiana UP, 2017)</title>
      <description>In her new book, Health and Wealth on the Bosnian Market: Intimate Debt (Indiana University Press, 2017), Larisa Jašarević traces the odd entanglements between the body and the economy in Bosnia-Herzegovina. In the new post-war, post-socialist market, the feeling of being indebted is a condition shared by many, and the struggle to achieve a good life can make a person “worry themselves sick.” At the interface of health and wealth, Jašarević follows the many detours ordinary Bosnians take in order to try to achieve financial and medical well-being. In the process, she offers ethnographic insights on the informal gifting economy, the enigmatic power of alternative healers, and the political potential of the fleeting communities that form and separate as people try to live well, and to be well.

Jelena Golubovic is a PhD candidate in Anthropology at Simon Fraser University.</description>
      <pubDate>Fri, 24 Aug 2018 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>In her new book, Health and Wealth on the Bosnian Market: Intimate Debt (Indiana University Press, 2017), Larisa Jašarević traces the odd entanglements between the body and the economy in Bosnia-Herzegovina. In the new post-war, post-socialist market,</itunes:subtitle>
      <itunes:summary>In her new book, Health and Wealth on the Bosnian Market: Intimate Debt (Indiana University Press, 2017), Larisa Jašarević traces the odd entanglements between the body and the economy in Bosnia-Herzegovina. In the new post-war, post-socialist market, the feeling of being indebted is a condition shared by many, and the struggle to achieve a good life can make a person “worry themselves sick.” At the interface of health and wealth, Jašarević follows the many detours ordinary Bosnians take in order to try to achieve financial and medical well-being. In the process, she offers ethnographic insights on the informal gifting economy, the enigmatic power of alternative healers, and the political potential of the fleeting communities that form and separate as people try to live well, and to be well.

Jelena Golubovic is a PhD candidate in Anthropology at Simon Fraser University.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In her new book, <a href="https://aax-us-east.amazon-adsystem.com/x/c/QhD99u9tDMkc-1DHBg2pOM0AAAFlbD_5UAEAAAFKASldruQ/https://www.amazon.com/dp/0253023823/ref=as_at?creativeASIN=0253023823&amp;linkCode=w61&amp;imprToken=xNIgoPmqkS3rpBWOjIPeZw&amp;slotNum=0&amp;tag=newbooinhis-20">Health and Wealth on the Bosnian Market: Intimate Debt </a>(Indiana University Press, 2017), <a href="https://chicago.academia.edu/LarisaJasarevic">Larisa Jašarević</a> traces the odd entanglements between the body and the economy in Bosnia-Herzegovina. In the new post-war, post-socialist market, the feeling of being indebted is a condition shared by many, and the struggle to achieve a good life can make a person “worry themselves sick.” At the interface of health and wealth, Jašarević follows the many detours ordinary Bosnians take in order to try to achieve financial and medical well-being. In the process, she offers ethnographic insights on the informal gifting economy, the enigmatic power of alternative healers, and the political potential of the fleeting communities that form and separate as people try to live well, and to be well.</p><p><br></p><p><a href="http://golubovicjelena.com">Jelena Golubovic</a> is a PhD candidate in Anthropology at Simon Fraser University.</p>]]>
      </content:encoded>
      <itunes:duration>3512</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=77353]]></guid>
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    <item>
      <title>Olga Borovaya, “The Beginnings of Ladino Literature: Moses Almosnino and His Readers” (Indiana UP, 2017)</title>
      <description>When did Ladino literature emerge? According to Dr. Olga Borovaya, author of The Beginnings of Ladino Literature: Moses Almosnino and his Readers (Indiana University Press, 2017), the history of Ladino writing may have a much earlier start date than scholars have previously thought. Borovaya makes her argument by focusing on the 16th-century vernacular literature of Moses Almosnino, a writer who was famous not only among Ottoman Sephardim, but also Jews and Christians throughout Europe.
According to Borovaya, most scholars of Ladino literature of have placed the birth of genre in the 18th century, largely due to a false belief that works of high-culture were not composed in Ladino. She works against the assumption that Ladino was only used in popular, “folksy” writing, and the flawed categorization of high register Sephardi literature—like that of Moses Almosnino—as “Spanish” or “Castilian.” This tendency, Borovaya argues, wrongly implies that texts aimed at an educated audience were never written in the Ladino.
Through in depth discussions of Almosnino’s epistles, chronicles, and travelogues, Borovaya convincingly shows that his vernacular literature belongs to the Ladino corpus. His work was widely read among Sephardi intellectuals from the 16th to 20th centuries, meaning that Ladino was indeed a language educated used in material written for the educated elite, and not just the popular masses. Ladino, Borovaya tells us, was similar to other languages (including Yiddish) in that it had multiple functional styles.
Dr. Olga Borovaya is a Visiting Scholar at the Taube Center for Jewish Studies at Stanford University. She is the author of Modern Ladino Culture: Press, Belles Lettres, and Theater in the Late Ottoman Empire (IUP).

Robin Buller is a PhD Candidate in History at the University of North Carolina, Chapel Hill.</description>
      <pubDate>Fri, 24 Aug 2018 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>When did Ladino literature emerge? According to Dr. Olga Borovaya, author of The Beginnings of Ladino Literature: Moses Almosnino and his Readers (Indiana University Press, 2017), the history of Ladino writing may have a much earlier start date than sc...</itunes:subtitle>
      <itunes:summary>When did Ladino literature emerge? According to Dr. Olga Borovaya, author of The Beginnings of Ladino Literature: Moses Almosnino and his Readers (Indiana University Press, 2017), the history of Ladino writing may have a much earlier start date than scholars have previously thought. Borovaya makes her argument by focusing on the 16th-century vernacular literature of Moses Almosnino, a writer who was famous not only among Ottoman Sephardim, but also Jews and Christians throughout Europe.
According to Borovaya, most scholars of Ladino literature of have placed the birth of genre in the 18th century, largely due to a false belief that works of high-culture were not composed in Ladino. She works against the assumption that Ladino was only used in popular, “folksy” writing, and the flawed categorization of high register Sephardi literature—like that of Moses Almosnino—as “Spanish” or “Castilian.” This tendency, Borovaya argues, wrongly implies that texts aimed at an educated audience were never written in the Ladino.
Through in depth discussions of Almosnino’s epistles, chronicles, and travelogues, Borovaya convincingly shows that his vernacular literature belongs to the Ladino corpus. His work was widely read among Sephardi intellectuals from the 16th to 20th centuries, meaning that Ladino was indeed a language educated used in material written for the educated elite, and not just the popular masses. Ladino, Borovaya tells us, was similar to other languages (including Yiddish) in that it had multiple functional styles.
Dr. Olga Borovaya is a Visiting Scholar at the Taube Center for Jewish Studies at Stanford University. She is the author of Modern Ladino Culture: Press, Belles Lettres, and Theater in the Late Ottoman Empire (IUP).

Robin Buller is a PhD Candidate in History at the University of North Carolina, Chapel Hill.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When did Ladino literature emerge? According to Dr. <a href="https://stanford.academia.edu/OlgaBorovaya">Olga Borovaya</a>, author of <a href="http://aax-us-east.amazon-adsystem.com/x/c/QuMAwQEDANSAf7dk1DLz6CMAAAFlRCtd_QEAAAFKAX2S1Po/http://www.amazon.com/dp/0253025524/ref=as_at?creativeASIN=0253025524&amp;linkCode=w61&amp;imprToken=ZRH.FXYiX8o3SQe1Bojlqg&amp;slotNum=0&amp;tag=newbooinhis-20">The Beginnings of Ladino Literature: Moses Almosnino and his Readers</a> (Indiana University Press, 2017), the history of Ladino writing may have a much earlier start date than scholars have previously thought. Borovaya makes her argument by focusing on the 16th-century vernacular literature of Moses Almosnino, a writer who was famous not only among Ottoman Sephardim, but also Jews and Christians throughout Europe.</p><p>According to Borovaya, most scholars of Ladino literature of have placed the birth of genre in the 18th century, largely due to a false belief that works of high-culture were not composed in Ladino. She works against the assumption that Ladino was only used in popular, “folksy” writing, and the flawed categorization of high register Sephardi literature—like that of Moses Almosnino—as “Spanish” or “Castilian.” This tendency, Borovaya argues, wrongly implies that texts aimed at an educated audience were never written in the Ladino.</p><p>Through in depth discussions of Almosnino’s epistles, chronicles, and travelogues, Borovaya convincingly shows that his vernacular literature belongs to the Ladino corpus. His work was widely read among Sephardi intellectuals from the 16th to 20th centuries, meaning that Ladino was indeed a language educated used in material written for the educated elite, and not just the popular masses. Ladino, Borovaya tells us, was similar to other languages (including Yiddish) in that it had multiple functional styles.</p><p>Dr. Olga Borovaya is a Visiting Scholar at the Taube Center for Jewish Studies at Stanford University. She is the author of Modern Ladino Culture: Press, Belles Lettres, and Theater in the Late Ottoman Empire (IUP).</p><p><br></p><p>Robin Buller is a PhD Candidate in History at the University of North Carolina, Chapel Hill.</p>]]>
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      <itunes:duration>4199</itunes:duration>
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      <title>Marsha MacDowell, Clare Luz, and Beth Donaldson, “Quilts and Health” (Indiana UP, 2017)</title>
      <description>In Quilts and Health (Indiana University Press, 2017), Marsha MacDowell and her colleagues examine the phenomenon of health-related quilts, of which there are millions around the world. In fact, and as this book documents, almost any illness, disease, or condition is likely to be associated in some way with quiltmaking. Quilts are made to support health education and patient advocacy, to raise funds, to memorialize those passed, to promote personal well-being, and to comfort others in distress. Some quilts even document medical history; for example, Ohio-based quilter Helen Murrell created a piece that serves as a statement of outrage for the unjust treatment of 600 African-American men who, without their knowledge or consent, were subjected to a forty-year medical experiment of the United States government.  During the experiment, 399 men were deliberately infected with syphilis and were allowed to go untreated, even after a cure was developed.
Quilts and Health explores the myriad connections that are forged between disease, recovery, and quilt making. As the authors note, systematic study of quilts and the stories they hold has “great potential to help us understand the human experience for illness and health, advance medical knowledge, and, ultimately, enhance the quality of health, outcomes, and life” (2).
McDowell’s co-writers are Clare Luz and Beth Donaldson, both of whom are also based at Michigan State University. Luz is Assistant Professor in the Department of Orthopedic Medicine. Donaldson is Digital Humanities Project Asset Coordinator at the Museum and Coordinator of the Museum’s Quilt Index.

Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.
 </description>
      <pubDate>Wed, 25 Jul 2018 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>In Quilts and Health (Indiana University Press, 2017), Marsha MacDowell and her colleagues examine the phenomenon of health-related quilts, of which there are millions around the world. In fact, and as this book documents, almost any illness, disease,</itunes:subtitle>
      <itunes:summary>In Quilts and Health (Indiana University Press, 2017), Marsha MacDowell and her colleagues examine the phenomenon of health-related quilts, of which there are millions around the world. In fact, and as this book documents, almost any illness, disease, or condition is likely to be associated in some way with quiltmaking. Quilts are made to support health education and patient advocacy, to raise funds, to memorialize those passed, to promote personal well-being, and to comfort others in distress. Some quilts even document medical history; for example, Ohio-based quilter Helen Murrell created a piece that serves as a statement of outrage for the unjust treatment of 600 African-American men who, without their knowledge or consent, were subjected to a forty-year medical experiment of the United States government.  During the experiment, 399 men were deliberately infected with syphilis and were allowed to go untreated, even after a cure was developed.
Quilts and Health explores the myriad connections that are forged between disease, recovery, and quilt making. As the authors note, systematic study of quilts and the stories they hold has “great potential to help us understand the human experience for illness and health, advance medical knowledge, and, ultimately, enhance the quality of health, outcomes, and life” (2).
McDowell’s co-writers are Clare Luz and Beth Donaldson, both of whom are also based at Michigan State University. Luz is Assistant Professor in the Department of Orthopedic Medicine. Donaldson is Digital Humanities Project Asset Coordinator at the Museum and Coordinator of the Museum’s Quilt Index.

Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.
 </itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QnUi4avU7SoCH7pNKgmkQj4AAAFktEDw7AEAAAFKAX-eUh0/http://www.amazon.com/dp/0253032261/ref=as_at?creativeASIN=0253032261&amp;linkCode=w61&amp;imprToken=y1X9yhT.1n5CEk9LZrgjqA&amp;slotNum=0&amp;tag=newbooinhis-20">Quilts and Health</a> (Indiana University Press, 2017), <a href="https://engage.msu.edu/about/people/museum/500">Marsha MacDowell</a> and her colleagues examine the phenomenon of health-related quilts, of which there are millions around the world. In fact, and as this book documents, almost any illness, disease, or condition is likely to be associated in some way with quiltmaking. Quilts are made to support health education and patient advocacy, to raise funds, to memorialize those passed, to promote personal well-being, and to comfort others in distress. Some quilts even document medical history; for example, Ohio-based quilter Helen Murrell created a piece that serves as a statement of outrage for the unjust treatment of 600 African-American men who, without their knowledge or consent, were subjected to a forty-year medical experiment of the United States government.  During the experiment, 399 men were deliberately infected with syphilis and were allowed to go untreated, even after a cure was developed.</p><p>Quilts and Health explores the myriad connections that are forged between disease, recovery, and quilt making. As the authors note, systematic study of quilts and the stories they hold has “great potential to help us understand the human experience for illness and health, advance medical knowledge, and, ultimately, enhance the quality of health, outcomes, and life” (2).</p><p>McDowell’s co-writers are Clare Luz and Beth Donaldson, both of whom are also based at Michigan State University. Luz is Assistant Professor in the Department of Orthopedic Medicine. Donaldson is Digital Humanities Project Asset Coordinator at the Museum and Coordinator of the Museum’s Quilt Index.</p><p><br></p><p><a href="http://rachelhopkin.com/">Rachel Hopkin</a> is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.</p><p> </p>]]>
      </content:encoded>
      <itunes:duration>3501</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>John Bushnell, “Russian Peasant Women Who Refused to Marry: Spasovite Old Believers in the 18th-19th Centuries” (Indiana UP, 2017)</title>
      <description>In the course of investigating marriage patterns among Russian peasants in the 18th and 19th century, Northwestern University history professor John Bushnell discovered an unusually high rate of unmarried women in particular parishes and villages with high populations of Old Believers. In Russian Peasant Women Who Refused to Marry: Spasovite Old...</description>
      <pubDate>Fri, 20 Jul 2018 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>In the course of investigating marriage patterns among Russian peasants in the 18th and 19th century, Northwestern University history professor John Bushnell discovered an unusually high rate of unmarried women in particular parishes and villages with ...</itunes:subtitle>
      <itunes:summary>In the course of investigating marriage patterns among Russian peasants in the 18th and 19th century, Northwestern University history professor John Bushnell discovered an unusually high rate of unmarried women in particular parishes and villages with high populations of Old Believers. In Russian Peasant Women Who Refused to Marry: Spasovite Old...</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the course of investigating marriage patterns among Russian peasants in the 18th and 19th century, Northwestern University history professor John Bushnell discovered an unusually high rate of unmarried women in particular parishes and villages with high populations of Old Believers. In Russian Peasant Women Who Refused to Marry: Spasovite Old...</p>]]>
      </content:encoded>
      <itunes:duration>4458</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=76140]]></guid>
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    <item>
      <title>Erica Lehrer, “Jewish Poland Revisited: Heritage Tourism in Unquiet Places” (Indiana UP, 2013)</title>
      <description>Sometime in the very early 1990s, while I was in grad school, I got a call from a student at Grinnell College, where I myself had graduated asking me about studying Poland. It was an engaging chat with a young woman very interested in exploring Poland and the relationship between Poles and Jews in contemporary Poland. Erica Lehrer‘s Jewish Poland Revisited: Heritage Tourism in Unquiet Places (Indiana University Press, 2013) is the flower of that research, and it has been worth the wait. In the popular imagination, one of the most common tropes about contemporary Poland is that it is a land where Anti-Semitism thrives without any Jews. Sadly, the current PiS government’s policies regarding Polish history have only reinforced that judgment, but the story is much more complex, and in fact the first two decades of the post-Communist order saw a revival of interest in Jewish culture among Poles. At the same time, the end of Communism has also made traveling to Poland less daunting, with Jewish travelers among those eager to make sense of their heritage. Erica’s book is a thoughtful exploration of these phenomena. Through the book we learn about a wide variety of heritage tourism from group tours for young Jews where the Holocaust and the inhospitality of Poland to Jews is the focus to individuals who are captivated and intrigued by the complexity of the lengthy history of Polish and Jewish relations. At the same time we are introduced to Poles who have become stewards of Jewish culture as well as Poles who have rediscovered their own Jewish heritage. It is a fascinating book that is all the more important to read right now. It was a pleasure to talk to Erica Lehrer about her book.</description>
      <pubDate>Tue, 01 May 2018 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Sometime in the very early 1990s, while I was in grad school, I got a call from a student at Grinnell College, where I myself had graduated asking me about studying Poland. It was an engaging chat with a young woman very interested in exploring Poland ...</itunes:subtitle>
      <itunes:summary>Sometime in the very early 1990s, while I was in grad school, I got a call from a student at Grinnell College, where I myself had graduated asking me about studying Poland. It was an engaging chat with a young woman very interested in exploring Poland and the relationship between Poles and Jews in contemporary Poland. Erica Lehrer‘s Jewish Poland Revisited: Heritage Tourism in Unquiet Places (Indiana University Press, 2013) is the flower of that research, and it has been worth the wait. In the popular imagination, one of the most common tropes about contemporary Poland is that it is a land where Anti-Semitism thrives without any Jews. Sadly, the current PiS government’s policies regarding Polish history have only reinforced that judgment, but the story is much more complex, and in fact the first two decades of the post-Communist order saw a revival of interest in Jewish culture among Poles. At the same time, the end of Communism has also made traveling to Poland less daunting, with Jewish travelers among those eager to make sense of their heritage. Erica’s book is a thoughtful exploration of these phenomena. Through the book we learn about a wide variety of heritage tourism from group tours for young Jews where the Holocaust and the inhospitality of Poland to Jews is the focus to individuals who are captivated and intrigued by the complexity of the lengthy history of Polish and Jewish relations. At the same time we are introduced to Poles who have become stewards of Jewish culture as well as Poles who have rediscovered their own Jewish heritage. It is a fascinating book that is all the more important to read right now. It was a pleasure to talk to Erica Lehrer about her book.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sometime in the very early 1990s, while I was in grad school, I got a call from a student at Grinnell College, where I myself had graduated asking me about studying Poland. It was an engaging chat with a young woman very interested in exploring Poland and the relationship between Poles and Jews in contemporary Poland. <a href="https://www.concordia.ca/artsci/history/faculty.html?fpid=erica-lehrer">Erica Lehrer</a>‘s <a href="http://aax-us-east.amazon-adsystem.com/x/c/QnHnI_8RRzOY9fw0VUihMtgAAAFjERhJ3wEAAAFKAVkOsTo/http://www.amazon.com/dp/0253008867/ref=as_at?creativeASIN=0253008867&amp;linkCode=w61&amp;imprToken=C2k-clqjpSPsHNaS24pK4g&amp;slotNum=0&amp;tag=newbooinhis-20">Jewish Poland Revisited: Heritage Tourism in Unquiet Places</a> (Indiana University Press, 2013) is the flower of that research, and it has been worth the wait. In the popular imagination, one of the most common tropes about contemporary Poland is that it is a land where Anti-Semitism thrives without any Jews. Sadly, the current PiS government’s policies regarding Polish history have only reinforced that judgment, but the story is much more complex, and in fact the first two decades of the post-Communist order saw a revival of interest in Jewish culture among Poles. At the same time, the end of Communism has also made traveling to Poland less daunting, with Jewish travelers among those eager to make sense of their heritage. Erica’s book is a thoughtful exploration of these phenomena. Through the book we learn about a wide variety of heritage tourism from group tours for young Jews where the Holocaust and the inhospitality of Poland to Jews is the focus to individuals who are captivated and intrigued by the complexity of the lengthy history of Polish and Jewish relations. At the same time we are introduced to Poles who have become stewards of Jewish culture as well as Poles who have rediscovered their own Jewish heritage. It is a fascinating book that is all the more important to read right now. It was a pleasure to talk to Erica Lehrer about her book.</p>]]>
      </content:encoded>
      <itunes:duration>4126</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Dorothy Noyes, “Humble Theory: Folklore’s Grasp on Social Life” (Indiana UP, 2016)</title>
      <description>Humble Theory: Folklore’s Grasp on Social Life (Indiana University Press, 2016) is an anthology of essays from Dorothy Noyes, professor of English and Comparative Studies at the Ohio State University and president of the American Folklore Society. The collection of essays takes aim at some of the critical questions that the discipline of folklore faces in the twenty-first century. From seminal keyword essays (monsters, she calls them) on group, tradition, and aesthetics that set out the state of the field, to studies of the historical uses of tradition at different moments across Europe, to critiques of present-day slogan-concepts like Intangible Cultural Heritage and resilience, Humble Theory: Folklore’s Grasp on Social Life (Indiana University Press, 2016) sets out to see how the discipline of folklore, with its emphases on vernacular theorization—as opposed to grand or high theories—provides unique insights into society more broadly. Ultimately, it seems, the strength and weaknesses of folklore might simultaneously lie in the fact that the field and its theories are humble: low and close to the ground.</description>
      <pubDate>Thu, 22 Mar 2018 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Humble Theory: Folklore’s Grasp on Social Life (Indiana University Press, 2016) is an anthology of essays from Dorothy Noyes, professor of English and Comparative Studies at the Ohio State University and president of the American Folklore Society.</itunes:subtitle>
      <itunes:summary>Humble Theory: Folklore’s Grasp on Social Life (Indiana University Press, 2016) is an anthology of essays from Dorothy Noyes, professor of English and Comparative Studies at the Ohio State University and president of the American Folklore Society. The collection of essays takes aim at some of the critical questions that the discipline of folklore faces in the twenty-first century. From seminal keyword essays (monsters, she calls them) on group, tradition, and aesthetics that set out the state of the field, to studies of the historical uses of tradition at different moments across Europe, to critiques of present-day slogan-concepts like Intangible Cultural Heritage and resilience, Humble Theory: Folklore’s Grasp on Social Life (Indiana University Press, 2016) sets out to see how the discipline of folklore, with its emphases on vernacular theorization—as opposed to grand or high theories—provides unique insights into society more broadly. Ultimately, it seems, the strength and weaknesses of folklore might simultaneously lie in the fact that the field and its theories are humble: low and close to the ground.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://aax-us-east.amazon-adsystem.com/x/c/Qrg1R2Ybs4tbSjDAbeSOj0QAAAFiNJb1fQEAAAFKAf5spDg/http://www.amazon.com/dp/0253023149/ref=as_at?creativeASIN=0253023149&amp;linkCode=w61&amp;imprToken=QfvV6dVVWPX.N5W3p2weuQ&amp;slotNum=0&amp;tag=newbooinhis-20">Humble Theory: Folklore’s Grasp on Social Life</a> (Indiana University Press, 2016) is an anthology of essays from <a href="https://cfs.osu.edu/people/noyes.10">Dorothy Noyes</a>, professor of English and Comparative Studies at the Ohio State University and president of the American Folklore Society. The collection of essays takes aim at some of the critical questions that the discipline of folklore faces in the twenty-first century. From seminal keyword essays (monsters, she calls them) on group, tradition, and aesthetics that set out the state of the field, to studies of the historical uses of tradition at different moments across Europe, to critiques of present-day slogan-concepts like Intangible Cultural Heritage and resilience, <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qrg1R2Ybs4tbSjDAbeSOj0QAAAFiNJb1fQEAAAFKAf5spDg/http://www.amazon.com/dp/0253023149/ref=as_at?creativeASIN=0253023149&amp;linkCode=w61&amp;imprToken=QfvV6dVVWPX.N5W3p2weuQ&amp;slotNum=0&amp;tag=newbooinhis-20">Humble Theory: Folklore’s Grasp on Social Life</a> (Indiana University Press, 2016) sets out to see how the discipline of folklore, with its emphases on vernacular theorization—as opposed to grand or high theories—provides unique insights into society more broadly. Ultimately, it seems, the strength and weaknesses of folklore might simultaneously lie in the fact that the field and its theories are humble: low and close to the ground.</p>]]>
      </content:encoded>
      <itunes:duration>4779</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Adriana M. Brodsky, “Sephardi, Jewish, Argentine: Community and National Identity, 1880-1960” (Indiana UP, 2016)</title>
      <description>How do immigrant populations navigate between ancestral ties and connections to their new homes? How do their plural histories create layered identities, and how do those identities change over time? Adriana M. Brodsky, Professor of History at St. Mary’s College of Maryland, explores answers to these questions through an examination of Sephardi immigrants in late nineteenth-and early twentieth-century Argentina. Her book, Sephardi, Jewish, Argentine: Community and National Identity, 1880-1960 (Indiana University Press, 2016), paints a complex picture of the myriad forces that worked to construct Sephardi Argentine identity from without and within. Brodsky problematizes the groups identity (or identities) from a variety of lenses to show how Sephardi immigrants in Argentina have a history that is both fractured and united. She analyzes the structural layout of Jewish cemeteries, communal associations, Zionism, women’s movements, and educational and marriage patterns, ultimately revealing that the Sephardi community while was often divided based on regions of origin, it also actively and strategically came together in times of political need. Her fascinating study speaks to the importance of studying the diversity of Jewish immigrant populations in Argentina and beyond.
Adriana M. Brodsky is Professor of History at St. Mary’s College of Maryland.

Robin Buller is a PhD Candidate in History at the University of North Carolina at Chapel Hill.
 </description>
      <pubDate>Wed, 14 Mar 2018 10:52:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>How do immigrant populations navigate between ancestral ties and connections to their new homes? How do their plural histories create layered identities, and how do those identities change over time? Adriana M. Brodsky, Professor of History at St.</itunes:subtitle>
      <itunes:summary>How do immigrant populations navigate between ancestral ties and connections to their new homes? How do their plural histories create layered identities, and how do those identities change over time? Adriana M. Brodsky, Professor of History at St. Mary’s College of Maryland, explores answers to these questions through an examination of Sephardi immigrants in late nineteenth-and early twentieth-century Argentina. Her book, Sephardi, Jewish, Argentine: Community and National Identity, 1880-1960 (Indiana University Press, 2016), paints a complex picture of the myriad forces that worked to construct Sephardi Argentine identity from without and within. Brodsky problematizes the groups identity (or identities) from a variety of lenses to show how Sephardi immigrants in Argentina have a history that is both fractured and united. She analyzes the structural layout of Jewish cemeteries, communal associations, Zionism, women’s movements, and educational and marriage patterns, ultimately revealing that the Sephardi community while was often divided based on regions of origin, it also actively and strategically came together in times of political need. Her fascinating study speaks to the importance of studying the diversity of Jewish immigrant populations in Argentina and beyond.
Adriana M. Brodsky is Professor of History at St. Mary’s College of Maryland.

Robin Buller is a PhD Candidate in History at the University of North Carolina at Chapel Hill.
 </itunes:summary>
      <content:encoded>
        <![CDATA[<p>How do immigrant populations navigate between ancestral ties and connections to their new homes? How do their plural histories create layered identities, and how do those identities change over time? <a href="http://www.smcm.edu/directory/faculty-profile/adriana-m-brodsky/">Adriana M. Brodsky</a>, Professor of History at St. Mary’s College of Maryland, explores answers to these questions through an examination of Sephardi immigrants in late nineteenth-and early twentieth-century Argentina. Her book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/QkPHVkXXmWjekd-8ieKpawMAAAFiD8MXqwEAAAFKAZQ-s-I/http://www.amazon.com/dp/0253023033/ref=as_at?creativeASIN=0253023033&amp;linkCode=w61&amp;imprToken=mnNTJWfNG7dH4sTyvZHA4A&amp;slotNum=0&amp;tag=newbooinhis-20">Sephardi, Jewish, Argentine: Community and National Identity, 1880-1960 </a>(Indiana University Press, 2016), paints a complex picture of the myriad forces that worked to construct Sephardi Argentine identity from without and within. Brodsky problematizes the groups identity (or identities) from a variety of lenses to show how Sephardi immigrants in Argentina have a history that is both fractured and united. She analyzes the structural layout of Jewish cemeteries, communal associations, Zionism, women’s movements, and educational and marriage patterns, ultimately revealing that the Sephardi community while was often divided based on regions of origin, it also actively and strategically came together in times of political need. Her fascinating study speaks to the importance of studying the diversity of Jewish immigrant populations in Argentina and beyond.</p><p>Adriana M. Brodsky is Professor of History at St. Mary’s College of Maryland.</p><p><br></p><p><a href="http://history.unc.edu/people/graduate-students/robin-buller-2/">Robin Buller</a> is a PhD Candidate in History at the University of North Carolina at Chapel Hill.</p><p> </p>]]>
      </content:encoded>
      <itunes:duration>3547</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Vivian Liska, “German-Jewish Thought and Its Afterlife: A Tenuous Legacy” (Indiana UP, 2016)</title>
      <description>In German-Jewish Thought and Its Afterlife: A Tenuous Legacy (Indiana University Press, 2016), Vivian Liska, Professor of German Literature and Director of the Institute of Jewish Studies at the University of Antwerp in Belgium as well as a Distinguished Visiting Professor in the Faculty of the Humanities at the Hebrew University in Jerusalem, focuses on the changing form, fate, and function of messianism, law, exile, election and remembrance in three different temporal and intellectual frameworks: German-Jewish modernism, postmodernism and the current period. Liska’s book challenges and historicizes postmodern and contemporary takes on German-Jewish thinkers. She leaves us with a set of new and unanswered questions in this very interesting and provocative book.

Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au</description>
      <pubDate>Fri, 09 Mar 2018 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>In German-Jewish Thought and Its Afterlife: A Tenuous Legacy (Indiana University Press, 2016), Vivian Liska, Professor of German Literature and Director of the Institute of Jewish Studies at the University of Antwerp in Belgium as well as a Distinguish...</itunes:subtitle>
      <itunes:summary>In German-Jewish Thought and Its Afterlife: A Tenuous Legacy (Indiana University Press, 2016), Vivian Liska, Professor of German Literature and Director of the Institute of Jewish Studies at the University of Antwerp in Belgium as well as a Distinguished Visiting Professor in the Faculty of the Humanities at the Hebrew University in Jerusalem, focuses on the changing form, fate, and function of messianism, law, exile, election and remembrance in three different temporal and intellectual frameworks: German-Jewish modernism, postmodernism and the current period. Liska’s book challenges and historicizes postmodern and contemporary takes on German-Jewish thinkers. She leaves us with a set of new and unanswered questions in this very interesting and provocative book.

Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QvMKrA6Bm4PA5XXydg25xAAAAAFiAKmfGQEAAAFKAajmPnM/http://www.amazon.com/dp/0253024854/ref=as_at?creativeASIN=0253024854&amp;linkCode=w61&amp;imprToken=BS4r0QJDVbSH2pnmBomyiw&amp;slotNum=0&amp;tag=newbooinhis-20">German-Jewish Thought and Its Afterlife: A Tenuous Legacy</a> (Indiana University Press, 2016), <a href="https://www.uantwerpen.be/en/staff/vivian-liska/">Vivian Liska</a>, Professor of German Literature and Director of the Institute of Jewish Studies at the University of Antwerp in Belgium as well as a Distinguished Visiting Professor in the Faculty of the Humanities at the Hebrew University in Jerusalem, focuses on the changing form, fate, and function of messianism, law, exile, election and remembrance in three different temporal and intellectual frameworks: German-Jewish modernism, postmodernism and the current period. Liska’s book challenges and historicizes postmodern and contemporary takes on German-Jewish thinkers. She leaves us with a set of new and unanswered questions in this very interesting and provocative book.</p><p><br></p><p><a href="https://unimelb.academia.edu/MaxKaiser">Max Kaiser</a> is a PhD candidate at the University of Melbourne. He can be reached at <a href="mailto:kaiser@student.unimelb.edu.au">kaiser@student.unimelb.edu.au</a></p>]]>
      </content:encoded>
      <itunes:duration>1585</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=71503]]></guid>
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    <item>
      <title>Jennifer Hart, “Ghana on the Go: African Mobility in the Age of Motor Transportation” (Indiana UP, 2016)</title>
      <description>Our guest today was Dr. Jennifer Hart who talked to us about her recently published book Ghana on the Go: African Mobility in the Age of Motor Transportation (Indiana University Press, 2016). In this book, Dr. Hart traces the history of automotive transportation in Ghana from the introduction of the first motor vehicles during the early colonial period through the beginnings of the twenty-first century. Ghana on the Go focuses on the emergence and growth of commercial transportation which became the most prevalent way for Ghanaians to experience automotive mobility. Dr. Hart centers her narrative in the personal stories of drivers and passengers to examine how automotive mobility allowed for social and economic mobility building from an existing entrepreneurial culture. She threads these stories with a larger history of political contestation, economic development and state regulation to examine the long-term impact of automotive technology in the evolution of Ghanaian state, society and culture.
Dr. Jennifer Hart is an Associate Professor in the History Department at Wayne State University. Her research interests include African history and Urban History.

Esperanza Brizuela-Garcia is Associate Professor of History at Montclair State University. She specializes in modern intellectual history of Africa, historiography, World history and Philosophy of History. She is the co-author of African Histories: New Sources and New Techniques for Studying African Pasts (Pearson, 2011).</description>
      <pubDate>Fri, 23 Feb 2018 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Our guest today was Dr. Jennifer Hart who talked to us about her recently published book Ghana on the Go: African Mobility in the Age of Motor Transportation (Indiana University Press, 2016). In this book, Dr.</itunes:subtitle>
      <itunes:summary>Our guest today was Dr. Jennifer Hart who talked to us about her recently published book Ghana on the Go: African Mobility in the Age of Motor Transportation (Indiana University Press, 2016). In this book, Dr. Hart traces the history of automotive transportation in Ghana from the introduction of the first motor vehicles during the early colonial period through the beginnings of the twenty-first century. Ghana on the Go focuses on the emergence and growth of commercial transportation which became the most prevalent way for Ghanaians to experience automotive mobility. Dr. Hart centers her narrative in the personal stories of drivers and passengers to examine how automotive mobility allowed for social and economic mobility building from an existing entrepreneurial culture. She threads these stories with a larger history of political contestation, economic development and state regulation to examine the long-term impact of automotive technology in the evolution of Ghanaian state, society and culture.
Dr. Jennifer Hart is an Associate Professor in the History Department at Wayne State University. Her research interests include African history and Urban History.

Esperanza Brizuela-Garcia is Associate Professor of History at Montclair State University. She specializes in modern intellectual history of Africa, historiography, World history and Philosophy of History. She is the co-author of African Histories: New Sources and New Techniques for Studying African Pasts (Pearson, 2011).</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Our guest today was Dr. <a href="https://jenniferannehart.com">Jennifer Hart</a> who talked to us about her recently published book <a href="http://aax-us-east.amazon-adsystem.com/x/c/QhNKo9dpPjEzJJjOcOaLuiMAAAFhuRhhcAEAAAFKAYPCr7o/http://www.amazon.com/dp/0253023076/ref=as_at?creativeASIN=0253023076&amp;linkCode=w61&amp;imprToken=a6mjz6D6TEd1NMrXG4QZLQ&amp;slotNum=0&amp;tag=newbooinhis-20">Ghana on the Go: African Mobility in the Age of Motor Transportation </a>(Indiana University Press, 2016). In this book, Dr. Hart traces the history of automotive transportation in Ghana from the introduction of the first motor vehicles during the early colonial period through the beginnings of the twenty-first century. Ghana on the Go focuses on the emergence and growth of commercial transportation which became the most prevalent way for Ghanaians to experience automotive mobility. Dr. Hart centers her narrative in the personal stories of drivers and passengers to examine how automotive mobility allowed for social and economic mobility building from an existing entrepreneurial culture. She threads these stories with a larger history of political contestation, economic development and state regulation to examine the long-term impact of automotive technology in the evolution of Ghanaian state, society and culture.</p><p>Dr. Jennifer Hart is an Associate Professor in the History Department at Wayne State University. Her research interests include African history and Urban History.</p><p><br></p><p><a href="https://www.montclair.edu/profilepages/view_profile.php?username=brizuelagare">Esperanza Brizuela-Garcia</a> is Associate Professor of History at Montclair State University. She specializes in modern intellectual history of Africa, historiography, World history and Philosophy of History. She is the co-author of African Histories: New Sources and New Techniques for Studying African Pasts (Pearson, 2011).</p>]]>
      </content:encoded>
      <itunes:duration>3470</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Amos Goldberg, “Trauma in First Person: Diary Writing during the Holocaust” (Indiana UP, 2017)</title>
      <description>In his most recent work, Trauma in First Person: Diary Writing during the Holocaust (Indiana University Press, 2017), Amos Goldberg examines Jewish diary writing during the Holocaust—a subject that is familiar to many within and without the academy—from bold, new angles. Rather than using the diary as a historical source, Goldberg’s book centers on the diary as its subject. In addition to closely analyzing the more well-known diaries of Victor Klemperer and Chaim Kaplan, Goldberg incorporates a wide variety of lesser-known first-person narratives into his work, showing the widespread nature of diary writing as a cultural phenomenon during the part. Combining the methods of history, literary studies, and psychology, this impressively interdisciplinary book asks: how did the unfolding of the Holocaust changed victims inner selves? His answers to this question expose the tensions between creation and destruction, and the duality of helplessness and agency, that characterize this genre.
Amos Goldberg is Senior Lecturer and Chair of the History Department at the Hebrew University of Jerusalem.

Robin Buller is a PhD Candidate in History at the University of North Carolina, Chapel Hill.</description>
      <pubDate>Wed, 10 Jan 2018 17:14:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>In his most recent work, Trauma in First Person: Diary Writing during the Holocaust (Indiana University Press, 2017), Amos Goldberg examines Jewish diary writing during the Holocaust—a subject that is familiar to many within and without the academy—fro...</itunes:subtitle>
      <itunes:summary>In his most recent work, Trauma in First Person: Diary Writing during the Holocaust (Indiana University Press, 2017), Amos Goldberg examines Jewish diary writing during the Holocaust—a subject that is familiar to many within and without the academy—from bold, new angles. Rather than using the diary as a historical source, Goldberg’s book centers on the diary as its subject. In addition to closely analyzing the more well-known diaries of Victor Klemperer and Chaim Kaplan, Goldberg incorporates a wide variety of lesser-known first-person narratives into his work, showing the widespread nature of diary writing as a cultural phenomenon during the part. Combining the methods of history, literary studies, and psychology, this impressively interdisciplinary book asks: how did the unfolding of the Holocaust changed victims inner selves? His answers to this question expose the tensions between creation and destruction, and the duality of helplessness and agency, that characterize this genre.
Amos Goldberg is Senior Lecturer and Chair of the History Department at the Hebrew University of Jerusalem.

Robin Buller is a PhD Candidate in History at the University of North Carolina, Chapel Hill.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his most recent work,<a href="https://www.amazon.com/dp/0253030021/ref=as_at?creativeASIN=0253030021&amp;linkCode=w61&amp;imprToken=TJeVx9ejHrLs4KRtQzclaw&amp;slotNum=0&amp;tag=newbooinhis-20"> Trauma in First Person: Diary Writing during the Holocaust</a> (Indiana University Press, 2017), <a href="http://en.jewish-history.huji.ac.il/people/amos-goldberg">Amos Goldberg</a> examines Jewish diary writing during the Holocaust—a subject that is familiar to many within and without the academy—from bold, new angles. Rather than using the diary as a historical source, Goldberg’s book centers on the diary as its subject. In addition to closely analyzing the more well-known diaries of Victor Klemperer and Chaim Kaplan, Goldberg incorporates a wide variety of lesser-known first-person narratives into his work, showing the widespread nature of diary writing as a cultural phenomenon during the part. Combining the methods of history, literary studies, and psychology, this impressively interdisciplinary book asks: how did the unfolding of the Holocaust changed victims inner selves? His answers to this question expose the tensions between creation and destruction, and the duality of helplessness and agency, that characterize this genre.</p><p>Amos Goldberg is Senior Lecturer and Chair of the History Department at the Hebrew University of Jerusalem.</p><p><br></p><p><a href="http://history.unc.edu/people/graduate-students/robin-buller-2/">Robin Buller</a> is a PhD Candidate in History at the University of North Carolina, Chapel Hill.</p>]]>
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      <itunes:duration>4406</itunes:duration>
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      <title>Sarah D. Phillips, “Disability and Mobile Citizenship in Postsocialist Ukraine” (Indiana UP, 2010)</title>
      <description>In Disability and Mobile Citizenship in Postsocialist Ukraine (Indiana University Press, 2010), Sarah D. Phillips offers a compelling investigation of disability policies and movements in Ukraine after the disintegration of the Soviet Union. Scrupulously studied and researched, the data that the author presents reflect social and political changes that have been taking place in the country. Most importantly, this study is centered around people, around the lives of people who change our perception of life, love, and care and our understanding of self and other. In this regard, Sarah Phillips explores how official policies and informal movements, connected with the framing of the concept of disability, shape the ways people with physical impairments are integrated into social consciousness.
As Sarah Phillips’s study shows, the concept of disability in Ukraine has undergone considerable transformations which were conditioned and triggered by historical circumstances. A particular attention is given to the Soviet period when official terms for the defining of disability became part not only of the Soviet official language but also of Soviet mentality as well. “Invalid”—a term defining a person who has an impairment—was rather often understood as a social stigma, entailing detrimental consequences for the emotional and psychological health of the individual. This “labelling” contributed to the deepening of a gap, separating citizens without impairments and citizens with disabilities.
The current stage of the disability policies in Ukraine is to a large extent shaped by the challenges that were emerging during the Soviet period. As Sarah Phillips convincingly demonstrates, a number of profound changes in terms of the improvement of disability rights movement have taken place. Volunteering initiatives and individual endeavors to recover from injuries and find new ways of social activities considerably re-shaped the understanding of disability. This research recounts personal stories of people who discovered inner strength and stimuli to re-define their lives after severe injuries. When recovering, they do not have much to rely on; their will to rediscover joy and love is probably the most significant factor. In spite of positive changes, postsocialist Ukraine still has a number of problems that hinder an effective and productive re-integration of people with disabilities into society. Lack of equipment and accommodations that would facilitate access to public amenities is one of the factors that reduces physical mobility of people with disabilities.
Disability and Mobile Citizenship in Postsocialist Ukraine touches upon the question of how the individual develops their relations with the inside and outside worlds after traumatizing experiences that lead to physical impairments. Drawing attention to the issues and concerns that are central to people experiencing spinal injuries, Sarah Philips invites her readers to think about disability as a phenomenon that breaks boundaries. Of course, medical diagnoses matter and in many cases these are, so to speak, official documents that shape the relationships within communities. But what seems to be at stake is the development of individual and societal relations which are based on inclusiveness that marks the individuals endeavor to reach out to others. In this regards, the title itself—Disability and Mobile Citizenship in Postsocialist Ukraine—encodes a message: disability, in spite of stereotypes and prejudices,</description>
      <pubDate>Thu, 14 Dec 2017 16:48:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>In Disability and Mobile Citizenship in Postsocialist Ukraine (Indiana University Press, 2010), Sarah D. Phillips offers a compelling investigation of disability policies and movements in Ukraine after the disintegration of the Soviet Union.</itunes:subtitle>
      <itunes:summary>In Disability and Mobile Citizenship in Postsocialist Ukraine (Indiana University Press, 2010), Sarah D. Phillips offers a compelling investigation of disability policies and movements in Ukraine after the disintegration of the Soviet Union. Scrupulously studied and researched, the data that the author presents reflect social and political changes that have been taking place in the country. Most importantly, this study is centered around people, around the lives of people who change our perception of life, love, and care and our understanding of self and other. In this regard, Sarah Phillips explores how official policies and informal movements, connected with the framing of the concept of disability, shape the ways people with physical impairments are integrated into social consciousness.
As Sarah Phillips’s study shows, the concept of disability in Ukraine has undergone considerable transformations which were conditioned and triggered by historical circumstances. A particular attention is given to the Soviet period when official terms for the defining of disability became part not only of the Soviet official language but also of Soviet mentality as well. “Invalid”—a term defining a person who has an impairment—was rather often understood as a social stigma, entailing detrimental consequences for the emotional and psychological health of the individual. This “labelling” contributed to the deepening of a gap, separating citizens without impairments and citizens with disabilities.
The current stage of the disability policies in Ukraine is to a large extent shaped by the challenges that were emerging during the Soviet period. As Sarah Phillips convincingly demonstrates, a number of profound changes in terms of the improvement of disability rights movement have taken place. Volunteering initiatives and individual endeavors to recover from injuries and find new ways of social activities considerably re-shaped the understanding of disability. This research recounts personal stories of people who discovered inner strength and stimuli to re-define their lives after severe injuries. When recovering, they do not have much to rely on; their will to rediscover joy and love is probably the most significant factor. In spite of positive changes, postsocialist Ukraine still has a number of problems that hinder an effective and productive re-integration of people with disabilities into society. Lack of equipment and accommodations that would facilitate access to public amenities is one of the factors that reduces physical mobility of people with disabilities.
Disability and Mobile Citizenship in Postsocialist Ukraine touches upon the question of how the individual develops their relations with the inside and outside worlds after traumatizing experiences that lead to physical impairments. Drawing attention to the issues and concerns that are central to people experiencing spinal injuries, Sarah Philips invites her readers to think about disability as a phenomenon that breaks boundaries. Of course, medical diagnoses matter and in many cases these are, so to speak, official documents that shape the relationships within communities. But what seems to be at stake is the development of individual and societal relations which are based on inclusiveness that marks the individuals endeavor to reach out to others. In this regards, the title itself—Disability and Mobile Citizenship in Postsocialist Ukraine—encodes a message: disability, in spite of stereotypes and prejudices,</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In<a href="http://aax-us-east.amazon-adsystem.com/x/c/QhVELwPGB8nioxJK1w-YhZUAAAFgUI3yHgEAAAFKARR-4aA/http://www.amazon.com/dp/0253222478/ref=as_at?creativeASIN=0253222478&amp;linkCode=w61&amp;imprToken=IN3NVxV1SLQmyzQmnCqcPQ&amp;slotNum=0&amp;tag=newbooinhis-20"> Disability and Mobile Citizenship in Postsocialist Ukraine</a> (<a href="http://www.iupress.indiana.edu/product_info.php?products_id=482028">Indiana University Press,</a> 2010), Sarah D. Phillips offers a compelling investigation of disability policies and movements in Ukraine after the disintegration of the Soviet Union. Scrupulously studied and researched, the data that the author presents reflect social and political changes that have been taking place in the country. Most importantly, this study is centered around people, around the lives of people who change our perception of life, love, and care and our understanding of self and other. In this regard, Sarah Phillips explores how official policies and informal movements, connected with the framing of the concept of disability, shape the ways people with physical impairments are integrated into social consciousness.</p><p>As Sarah Phillips’s study shows, the concept of disability in Ukraine has undergone considerable transformations which were conditioned and triggered by historical circumstances. A particular attention is given to the Soviet period when official terms for the defining of disability became part not only of the Soviet official language but also of Soviet mentality as well. “Invalid”—a term defining a person who has an impairment—was rather often understood as a social stigma, entailing detrimental consequences for the emotional and psychological health of the individual. This “labelling” contributed to the deepening of a gap, separating citizens without impairments and citizens with disabilities.</p><p>The current stage of the disability policies in Ukraine is to a large extent shaped by the challenges that were emerging during the Soviet period. As Sarah Phillips convincingly demonstrates, a number of profound changes in terms of the improvement of disability rights movement have taken place. Volunteering initiatives and individual endeavors to recover from injuries and find new ways of social activities considerably re-shaped the understanding of disability. This research recounts personal stories of people who discovered inner strength and stimuli to re-define their lives after severe injuries. When recovering, they do not have much to rely on; their will to rediscover joy and love is probably the most significant factor. In spite of positive changes, postsocialist Ukraine still has a number of problems that hinder an effective and productive re-integration of people with disabilities into society. Lack of equipment and accommodations that would facilitate access to public amenities is one of the factors that reduces physical mobility of people with disabilities.</p><p>Disability and Mobile Citizenship in Postsocialist Ukraine touches upon the question of how the individual develops their relations with the inside and outside worlds after traumatizing experiences that lead to physical impairments. Drawing attention to the issues and concerns that are central to people experiencing spinal injuries, Sarah Philips invites her readers to think about disability as a phenomenon that breaks boundaries. Of course, medical diagnoses matter and in many cases these are, so to speak, official documents that shape the relationships within communities. But what seems to be at stake is the development of individual and societal relations which are based on inclusiveness that marks the individuals endeavor to reach out to others. In this regards, the title itself—Disability and Mobile Citizenship in Postsocialist Ukraine—encodes a message: disability, in spite of stereotypes and prejudices,</p>]]>
      </content:encoded>
      <itunes:duration>2682</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Ronnie Perelis, “Narratives from the Sephardic Atlantic: Blood and Faith” (Indiana UP, 2016)</title>
      <description>In Narratives from the Sephardic Atlantic: Blood and Faith (Indiana University Press, 2016), Ronnie Perelis, Chief Rabbi Dr. Isaac Abraham and Jelena (Rachel) Alcalay Chair and Associate Professor of Sephardic Studies at the Bernard Revel Graduate School of Jewish Studies of Yeshiva University, looks at three autobiographical texts by New World crypto-Jews. Perelis presents the fascinating stories of three men who were caught within the matrix of inquisitorial persecution, expanding global trade, and the network of crypto-Jewish activity. There is no other book quite like this sensitive, fascinating and penetrating look at identity, family and community.

Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au</description>
      <pubDate>Wed, 18 Oct 2017 17:29:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>In Narratives from the Sephardic Atlantic: Blood and Faith (Indiana University Press, 2016), Ronnie Perelis, Chief Rabbi Dr. Isaac Abraham and Jelena (Rachel) Alcalay Chair and Associate Professor of Sephardic Studies at the Bernard Revel Graduate Scho...</itunes:subtitle>
      <itunes:summary>In Narratives from the Sephardic Atlantic: Blood and Faith (Indiana University Press, 2016), Ronnie Perelis, Chief Rabbi Dr. Isaac Abraham and Jelena (Rachel) Alcalay Chair and Associate Professor of Sephardic Studies at the Bernard Revel Graduate School of Jewish Studies of Yeshiva University, looks at three autobiographical texts by New World crypto-Jews. Perelis presents the fascinating stories of three men who were caught within the matrix of inquisitorial persecution, expanding global trade, and the network of crypto-Jewish activity. There is no other book quite like this sensitive, fascinating and penetrating look at identity, family and community.

Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au</itunes:summary>
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        <![CDATA[<p>In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QgSvHA84uDofTPrCjdjk15gAAAFfL_lAUAEAAAFKAdGKvPI/http://www.amazon.com/dp/0253024013/ref=as_at?creativeASIN=0253024013&amp;linkCode=w61&amp;imprToken=fuTAc3s9tjjrJ9Q-1LNhPQ&amp;slotNum=0&amp;tag=newbooinhis-20">Narratives from the Sephardic Atlantic: Blood and Faith</a> (<a href="http://www.iupress.indiana.edu/product_info.php?products_id=808329">Indiana University Press</a>, 2016), <a href="http://faculty.yu.edu/faculty/pages/Perelis-Ronnie">Ronnie Perelis</a>, Chief Rabbi Dr. Isaac Abraham and Jelena (Rachel) Alcalay Chair and Associate Professor of Sephardic Studies at the Bernard Revel Graduate School of Jewish Studies of Yeshiva University, looks at three autobiographical texts by New World crypto-Jews. Perelis presents the fascinating stories of three men who were caught within the matrix of inquisitorial persecution, expanding global trade, and the network of crypto-Jewish activity. There is no other book quite like this sensitive, fascinating and penetrating look at identity, family and community.</p><p><br></p><p>Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at <a href="mailto:kaiser@student.unimelb.edu.au">kaiser@student.unimelb.edu.au</a></p>]]>
      </content:encoded>
      <itunes:duration>3146</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=67697]]></guid>
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      <title>Elias Sacks, “Moses Mendelssohn’s Living Script: Philosophy, Practice, History, Judaism” (Indiana UP, 2016)</title>
      <description>The work of Moses Mendelssohn (1729-1786), one of Judaism’s great philosophers and defenders, has nonetheless defied easy categorization or definitive depiction. While advocating for the granting of full rights to the Jews of Germany, Mendelssohn also was cast in the role of defender of the faith and advocate for continued obedience to what he termed “ceremonial law” or “divine legislation.” In his new book, Moses Mendelssohn’s Living Script: Philosophy, Practice, History, Judaism (Indiana University Press, 2016), Elias Sacks, Assistant Professor of Religious Studies and Jewish Studies at the University of Colorado Boulder, delves into Mendelssohn’s Hebrew and German works to develop a comprehensive perspective on Jewish practice, Jewish citizenship, and Jewish history. Professor Sacks pays careful attention to Mendelssohn’s historical context and the influence on his work of late Enlightenment philosophy, Christian theology, and emerging scientific models of thought.

David Gottlieb is a PhD Candidate in the History of Judaism at the University of Chicago Divinity School. His research focuses on interpretations of the Binding of Isaac and the formation of Jewish cultural memory. He can be reached at davidg1@uchicago.edu.</description>
      <pubDate>Mon, 31 Jul 2017 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>The work of Moses Mendelssohn (1729-1786), one of Judaism’s great philosophers and defenders, has nonetheless defied easy categorization or definitive depiction. While advocating for the granting of full rights to the Jews of Germany,</itunes:subtitle>
      <itunes:summary>The work of Moses Mendelssohn (1729-1786), one of Judaism’s great philosophers and defenders, has nonetheless defied easy categorization or definitive depiction. While advocating for the granting of full rights to the Jews of Germany, Mendelssohn also was cast in the role of defender of the faith and advocate for continued obedience to what he termed “ceremonial law” or “divine legislation.” In his new book, Moses Mendelssohn’s Living Script: Philosophy, Practice, History, Judaism (Indiana University Press, 2016), Elias Sacks, Assistant Professor of Religious Studies and Jewish Studies at the University of Colorado Boulder, delves into Mendelssohn’s Hebrew and German works to develop a comprehensive perspective on Jewish practice, Jewish citizenship, and Jewish history. Professor Sacks pays careful attention to Mendelssohn’s historical context and the influence on his work of late Enlightenment philosophy, Christian theology, and emerging scientific models of thought.

David Gottlieb is a PhD Candidate in the History of Judaism at the University of Chicago Divinity School. His research focuses on interpretations of the Binding of Isaac and the formation of Jewish cultural memory. He can be reached at davidg1@uchicago.edu.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The work of Moses Mendelssohn (1729-1786), one of Judaism’s great philosophers and defenders, has nonetheless defied easy categorization or definitive depiction. While advocating for the granting of full rights to the Jews of Germany, Mendelssohn also was cast in the role of defender of the faith and advocate for continued obedience to what he termed “ceremonial law” or “divine legislation.” In his new book, <a href="http://www.amazon.com/dp/0253023742/?tag=newbooinhis-20">Moses Mendelssohn’s Living Script: Philosophy, Practice, History, Judaism</a> (<a href="http://www.iupress.indiana.edu/product_info.php?products_id=808206">Indiana University Press</a>, 2016), <a href="http://www.colorado.edu/jewishstudies/faculty-and-staff/faculty/elias-sacks">Elias Sacks</a>, Assistant Professor of Religious Studies and Jewish Studies at the University of Colorado Boulder, delves into Mendelssohn’s Hebrew and German works to develop a comprehensive perspective on Jewish practice, Jewish citizenship, and Jewish history. Professor Sacks pays careful attention to Mendelssohn’s historical context and the influence on his work of late Enlightenment philosophy, Christian theology, and emerging scientific models of thought.</p><p><br></p><p>David Gottlieb is a PhD Candidate in the History of Judaism at the University of Chicago Divinity School. His research focuses on interpretations of the Binding of Isaac and the formation of Jewish cultural memory. He can be reached at <a href="mailto:davidg1@uchicago.edu">davidg1@uchicago.edu</a>.</p>]]>
      </content:encoded>
      <itunes:duration>2301</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=66423]]></guid>
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      <title>Adriana Helbig, “Hip Hop Ukraine: Music, Race, and African Migration” (Indiana UP, 2014)</title>
      <description>In 2004, during the Orange Revolution in Ukraine, Adriana Helbig saw African musicians rapping in Ukrainian and wearing embroidered Ukrainian ethnic costumes. Her curiosity about how these musicians came to be performing during the protests led to her study of immigration, integration and identity in Hip Hop Ukraine: Music, Race, and African Migration (Indiana University Press, 2014). Through interviews with hip hop musicians and African immigrants in Ukraine, Helbig explores multi-valent racial imaginaries connected with U.S. hip hop and black identity construction through music. She also traces how Africans and Ukrainians both construct these identities by conducting research in Uganda, the home country of a number of African Ukrainian musicians. Multimedia resources for Hip Hop Ukraine are available through Indiana University Press Ethnomusicology Multimedia.
Adriana Helbig is Associate Professor of Music at the University of Pittsburgh. She directs the Carpathian Music Ensemble and is affiliated faculty in Global Studies and the Center for Russian and East European Studies.</description>
      <pubDate>Tue, 25 Jul 2017 16:24:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>In 2004, during the Orange Revolution in Ukraine, Adriana Helbig saw African musicians rapping in Ukrainian and wearing embroidered Ukrainian ethnic costumes. Her curiosity about how these musicians came to be performing during the protests led to her ...</itunes:subtitle>
      <itunes:summary>In 2004, during the Orange Revolution in Ukraine, Adriana Helbig saw African musicians rapping in Ukrainian and wearing embroidered Ukrainian ethnic costumes. Her curiosity about how these musicians came to be performing during the protests led to her study of immigration, integration and identity in Hip Hop Ukraine: Music, Race, and African Migration (Indiana University Press, 2014). Through interviews with hip hop musicians and African immigrants in Ukraine, Helbig explores multi-valent racial imaginaries connected with U.S. hip hop and black identity construction through music. She also traces how Africans and Ukrainians both construct these identities by conducting research in Uganda, the home country of a number of African Ukrainian musicians. Multimedia resources for Hip Hop Ukraine are available through Indiana University Press Ethnomusicology Multimedia.
Adriana Helbig is Associate Professor of Music at the University of Pittsburgh. She directs the Carpathian Music Ensemble and is affiliated faculty in Global Studies and the Center for Russian and East European Studies.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 2004, during the Orange Revolution in Ukraine, <a href="http://www.music.pitt.edu/faculty/helbig">Adriana Helbig</a> saw African musicians rapping in Ukrainian and wearing embroidered Ukrainian ethnic costumes. Her curiosity about how these musicians came to be performing during the protests led to her study of immigration, integration and identity in <a href="http://www.amazon.com/dp/025301204X/?tag=newbooinhis-20">Hip Hop Ukraine: Music, Race, and African Migration</a> (Indiana University Press, 2014). Through interviews with hip hop musicians and African immigrants in Ukraine, Helbig explores multi-valent racial imaginaries connected with U.S. hip hop and black identity construction through music. She also traces how Africans and Ukrainians both construct these identities by conducting research in Uganda, the home country of a number of African Ukrainian musicians. <a href="https://ethnomultimedia.org/book.html?bid=31">Multimedia resources</a> for Hip Hop Ukraine are available through Indiana University Press Ethnomusicology Multimedia.</p><p>Adriana Helbig is Associate Professor of Music at the University of Pittsburgh. She directs the Carpathian Music Ensemble and is affiliated faculty in Global Studies and the Center for Russian and East European Studies.</p>]]>
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      <itunes:duration>2879</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Andrew Sloin, “The Jewish Revolution in Belorussia: Economy, Race, and Bolshevik Power” (Indiana UP, 2017)</title>
      <description>In The Jewish Revolution in Belorussia: Economy, Race, and Bolshevik Power (Indian University Press, 2017), Andrew Sloin, Assistant Professor of History at Baruch College of the City University of New York, gives us a compelling and complex account of the fundamental changes in Jewish Life set in motion by the Bolshevik revolution. Sloin has written a social history at the grassroots level of Jewish society in Belorussia focusing on the intersections between Jewish radicalism, race and identity formation and political economy. It’s a unique and fascinating contribution to this field of study and a highly readable and insightful account of the transformations in Belorussian Jewish life in this period

Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au.</description>
      <pubDate>Mon, 19 Jun 2017 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>In The Jewish Revolution in Belorussia: Economy, Race, and Bolshevik Power (Indian University Press, 2017), Andrew Sloin, Assistant Professor of History at Baruch College of the City University of New York,</itunes:subtitle>
      <itunes:summary>In The Jewish Revolution in Belorussia: Economy, Race, and Bolshevik Power (Indian University Press, 2017), Andrew Sloin, Assistant Professor of History at Baruch College of the City University of New York, gives us a compelling and complex account of the fundamental changes in Jewish Life set in motion by the Bolshevik revolution. Sloin has written a social history at the grassroots level of Jewish society in Belorussia focusing on the intersections between Jewish radicalism, race and identity formation and political economy. It’s a unique and fascinating contribution to this field of study and a highly readable and insightful account of the transformations in Belorussian Jewish life in this period

Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/0253024668/?tag=newbooinhis-20">The Jewish Revolution in Belorussia: Economy, Race, and Bolshevik Power</a> (<a href="http://www.iupress.indiana.edu/product_info.php?products_id=808234">Indian University Press</a>, 2017), <a href="http://www.baruch.cuny.edu/wsas/academics/history/AndrewSloin.htm">Andrew Sloin</a>, Assistant Professor of History at Baruch College of the City University of New York, gives us a compelling and complex account of the fundamental changes in Jewish Life set in motion by the Bolshevik revolution. Sloin has written a social history at the grassroots level of Jewish society in Belorussia focusing on the intersections between Jewish radicalism, race and identity formation and political economy. It’s a unique and fascinating contribution to this field of study and a highly readable and insightful account of the transformations in Belorussian Jewish life in this period</p><p><br></p><p><a href="https://unimelb.academia.edu/MaxKaiser">Max Kaiser</a> is a PhD candidate at the University of Melbourne. He can be reached at <a href="mailto:kaiser@student.unimelb.edu.au">kaiser@student.unimelb.edu.au</a>.</p>]]>
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      <itunes:duration>3568</itunes:duration>
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      <title>William Kolbrener, “The Last Rabbi: Joseph Soloveitchik and Talmudic Tradition” (Indiana UP, 2016)</title>
      <description>In The Last Rabbi: Joseph Soloveitchik and Talmudic Tradition (Indiana University Press, 2016), William Kolbrener, professor of English at Bar Ilan University in Israel, explores the life and thought of Joseph Soloveitchik, the scion of the Brisk rabbinic dynasty, from both literary and psychoanalytic perspectives. The result is both a compelling critique of extant receptions of Soloveitchik’s thought and a nuanced exploration of the sources and struggles at the root of the Rav’s towering intellectual and halakhic achievements. The book will be of interest to students of rabbinic hermeneutics, modern Jewish thought, psychoanalysis, and the Western philosophical tradition — all intellectual realms in which Soloveitchik was well versed.

David Gottlieb is a PhD Candidate in the History of Judaism at the University of Chicago Divinity School. His research focuses on interpretations of the Binding of Isaac and the formation of Jewish cultural memory. He can be reached at davidg1@uchicago.edu.</description>
      <pubDate>Mon, 24 Apr 2017 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>In The Last Rabbi: Joseph Soloveitchik and Talmudic Tradition (Indiana University Press, 2016), William Kolbrener, professor of English at Bar Ilan University in Israel, explores the life and thought of Joseph Soloveitchik,</itunes:subtitle>
      <itunes:summary>In The Last Rabbi: Joseph Soloveitchik and Talmudic Tradition (Indiana University Press, 2016), William Kolbrener, professor of English at Bar Ilan University in Israel, explores the life and thought of Joseph Soloveitchik, the scion of the Brisk rabbinic dynasty, from both literary and psychoanalytic perspectives. The result is both a compelling critique of extant receptions of Soloveitchik’s thought and a nuanced exploration of the sources and struggles at the root of the Rav’s towering intellectual and halakhic achievements. The book will be of interest to students of rabbinic hermeneutics, modern Jewish thought, psychoanalysis, and the Western philosophical tradition — all intellectual realms in which Soloveitchik was well versed.

David Gottlieb is a PhD Candidate in the History of Judaism at the University of Chicago Divinity School. His research focuses on interpretations of the Binding of Isaac and the formation of Jewish cultural memory. He can be reached at davidg1@uchicago.edu.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/025302224X/?tag=newbooinhis-20">The Last Rabbi: Joseph Soloveitchik and Talmudic Tradition</a> (Indiana University Press, 2016), <a href="http://english.biu.ac.il/faculty/kolbrener-william">William Kolbrener</a>, professor of English at Bar Ilan University in Israel, explores the life and thought of Joseph Soloveitchik, the scion of the Brisk rabbinic dynasty, from both literary and psychoanalytic perspectives. The result is both a compelling critique of extant receptions of Soloveitchik’s thought and a nuanced exploration of the sources and struggles at the root of the Rav’s towering intellectual and halakhic achievements. The book will be of interest to students of rabbinic hermeneutics, modern Jewish thought, psychoanalysis, and the Western philosophical tradition — all intellectual realms in which Soloveitchik was well versed.</p><p><br></p><p>David Gottlieb is a PhD Candidate in the History of Judaism at the University of Chicago Divinity School. His research focuses on interpretations of the Binding of Isaac and the formation of Jewish cultural memory. He can be reached at <a href="mailto:davidg1@uchicago.edu">davidg1@uchicago.edu</a>.</p>]]>
      </content:encoded>
      <itunes:duration>1900</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=64113]]></guid>
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    <item>
      <title>Dean Kotlowski, “Paul V. McNutt and the Age of FDR” (Indiana UP, 2015)</title>
      <description>One of the rising stars in American politics during the 1930s was Paul Vories McNutt. As governor of Indiana, McNutt refashioned the state government to address its citizens needs during the Great Depression, and was seen by many of his contemporaries as a future president of the United States. Yet McNutt never attained this goal, and his political career ended barely a decade and a half after it began. In Paul V. McNutt and the Age of FDR (Indiana University Press, 2015), Dean Kotlowski recounts McNutt’s life and career, explaining both his many achievements and how his ultimate ambitions were frustrated. The son of a small-town Indiana lawyer, as a young man McNutt distinguished himself academically and socially, and after serving in the army during World War I he assumed leadership positions at both Indiana University and in the American Legion. As a Democrat, he won the governorship in the 1932 election, and over the course of his term he won plaudits for his effectiveness in the office. Yet afterward his ascent stalled, as his potential rivals steered him towards service as high commissioner in the Philippines in order to sideline him. McNutt returned in time to pursue the Democratic Party’s 1940 presidential nomination, but Franklin Roosevelt’s decision to run for a third term ended both McNutt’s hopes for it and what proved his best chance to become president. Though McNutt continued to serve in key offices throughout World War II, these lower-profile posts led to his eclipse politically and his abandonment of politics soon after.</description>
      <pubDate>Sun, 02 Apr 2017 19:39:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/bf310ad8-e862-11ee-bbe4-6b0bb5cc5892/image/359ac16f06820106626b19856821908e.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>One of the rising stars in American politics during the 1930s was Paul Vories McNutt. As governor of Indiana, McNutt refashioned the state government to address its citizens needs during the Great Depression,</itunes:subtitle>
      <itunes:summary>One of the rising stars in American politics during the 1930s was Paul Vories McNutt. As governor of Indiana, McNutt refashioned the state government to address its citizens needs during the Great Depression, and was seen by many of his contemporaries as a future president of the United States. Yet McNutt never attained this goal, and his political career ended barely a decade and a half after it began. In Paul V. McNutt and the Age of FDR (Indiana University Press, 2015), Dean Kotlowski recounts McNutt’s life and career, explaining both his many achievements and how his ultimate ambitions were frustrated. The son of a small-town Indiana lawyer, as a young man McNutt distinguished himself academically and socially, and after serving in the army during World War I he assumed leadership positions at both Indiana University and in the American Legion. As a Democrat, he won the governorship in the 1932 election, and over the course of his term he won plaudits for his effectiveness in the office. Yet afterward his ascent stalled, as his potential rivals steered him towards service as high commissioner in the Philippines in order to sideline him. McNutt returned in time to pursue the Democratic Party’s 1940 presidential nomination, but Franklin Roosevelt’s decision to run for a third term ended both McNutt’s hopes for it and what proved his best chance to become president. Though McNutt continued to serve in key offices throughout World War II, these lower-profile posts led to his eclipse politically and his abandonment of politics soon after.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>One of the rising stars in American politics during the 1930s was Paul Vories McNutt. As governor of Indiana, McNutt refashioned the state government to address its citizens needs during the Great Depression, and was seen by many of his contemporaries as a future president of the United States. Yet McNutt never attained this goal, and his political career ended barely a decade and a half after it began. In <a href="http://www.amazon.com/dp/0253014689/?tag=newbooinhis-20">Paul V. McNutt and the Age of FDR</a> (Indiana University Press, 2015), <a href="http://www.salisbury.edu/history/faculty.html">Dean Kotlowski</a> recounts McNutt’s life and career, explaining both his many achievements and how his ultimate ambitions were frustrated. The son of a small-town Indiana lawyer, as a young man McNutt distinguished himself academically and socially, and after serving in the army during World War I he assumed leadership positions at both Indiana University and in the American Legion. As a Democrat, he won the governorship in the 1932 election, and over the course of his term he won plaudits for his effectiveness in the office. Yet afterward his ascent stalled, as his potential rivals steered him towards service as high commissioner in the Philippines in order to sideline him. McNutt returned in time to pursue the Democratic Party’s 1940 presidential nomination, but Franklin Roosevelt’s decision to run for a third term ended both McNutt’s hopes for it and what proved his best chance to become president. Though McNutt continued to serve in key offices throughout World War II, these lower-profile posts led to his eclipse politically and his abandonment of politics soon after.</p>]]>
      </content:encoded>
      <itunes:duration>3022</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=63715]]></guid>
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      <title>Stacy Alaimo, “Exposed: Environmental Politics and Pleasures in Posthuman Times” (U. Minnesota Press, 2016)</title>
      <description>Stacy Alaimo’s Exposed: Environmental Politics and Pleasures in Posthuman Times (University of Minnesota Press, 2016) is a provocative reflection on environmental ethics, politics, and forms of knowledge. Through a range of examples as broad as the theoretical scope of the book, Alaimo analyzes political responses to climate change, ocean acidification, deforestation, and plastic pollution, as well as the epistemologies that have shaped our understanding of these crises. Simultaneously, this series of essays also explores the intimacies and entanglements of human and non-human subjectivities in the Anthropocene, arguing for a new materialist engagement with the world. Despite the gravity of her subject matter, Alaimo’s examples and writing are often playful. This not only echoes the complexity and occasional contradictions of environmental politics but also makes Exposed a very enjoyable read.
Drawing on examples from film, fiction, poetry, scientific writing, art, and activism, Alaimo considers the role pleasure has played and could play in various environmentalisms and environmental engagements. Though it bridges and contributes to scholarly work in the fields of environmental studies, feminism, materialism, and posthumanism, this book is much more than a theoretical exploration; it calls on us to rethink what it means to be human and act accordingly. Alaimo demonstrates interconnections between queer animals, naked protesters, melting glaciers, and interested scholars while providing thoughtful guidance on how to understand and respond to the environmental predicaments to which we are all, to varying degrees, exposed.</description>
      <pubDate>Tue, 21 Feb 2017 17:55:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Stacy Alaimo’s Exposed: Environmental Politics and Pleasures in Posthuman Times (University of Minnesota Press, 2016) is a provocative reflection on environmental ethics, politics, and forms of knowledge. Through a range of examples as broad as the the...</itunes:subtitle>
      <itunes:summary>Stacy Alaimo’s Exposed: Environmental Politics and Pleasures in Posthuman Times (University of Minnesota Press, 2016) is a provocative reflection on environmental ethics, politics, and forms of knowledge. Through a range of examples as broad as the theoretical scope of the book, Alaimo analyzes political responses to climate change, ocean acidification, deforestation, and plastic pollution, as well as the epistemologies that have shaped our understanding of these crises. Simultaneously, this series of essays also explores the intimacies and entanglements of human and non-human subjectivities in the Anthropocene, arguing for a new materialist engagement with the world. Despite the gravity of her subject matter, Alaimo’s examples and writing are often playful. This not only echoes the complexity and occasional contradictions of environmental politics but also makes Exposed a very enjoyable read.
Drawing on examples from film, fiction, poetry, scientific writing, art, and activism, Alaimo considers the role pleasure has played and could play in various environmentalisms and environmental engagements. Though it bridges and contributes to scholarly work in the fields of environmental studies, feminism, materialism, and posthumanism, this book is much more than a theoretical exploration; it calls on us to rethink what it means to be human and act accordingly. Alaimo demonstrates interconnections between queer animals, naked protesters, melting glaciers, and interested scholars while providing thoughtful guidance on how to understand and respond to the environmental predicaments to which we are all, to varying degrees, exposed.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Stacy Alaimo’s <a href="http://www.amazon.com/dp/0816628386/?tag=newbooinhis-20">Exposed: Environmental Politics and Pleasures in Posthuman Time</a>s (University of Minnesota Press, 2016) is a provocative reflection on environmental ethics, politics, and forms of knowledge. Through a range of examples as broad as the theoretical scope of the book, <a href="http://www.uta.edu/english/alaimo/">Alaimo</a> analyzes political responses to climate change, ocean acidification, deforestation, and plastic pollution, as well as the epistemologies that have shaped our understanding of these crises. Simultaneously, this series of essays also explores the intimacies and entanglements of human and non-human subjectivities in the Anthropocene, arguing for a new materialist engagement with the world. Despite the gravity of her subject matter, Alaimo’s examples and writing are often playful. This not only echoes the complexity and occasional contradictions of environmental politics but also makes Exposed a very enjoyable read.</p><p>Drawing on examples from film, fiction, poetry, scientific writing, art, and activism, Alaimo considers the role pleasure has played and could play in various environmentalisms and environmental engagements. Though it bridges and contributes to scholarly work in the fields of environmental studies, feminism, materialism, and posthumanism, this book is much more than a theoretical exploration; it calls on us to rethink what it means to be human and act accordingly. Alaimo demonstrates interconnections between queer animals, naked protesters, melting glaciers, and interested scholars while providing thoughtful guidance on how to understand and respond to the environmental predicaments to which we are all, to varying degrees, exposed.</p>]]>
      </content:encoded>
      <itunes:duration>2215</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=62812]]></guid>
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    <item>
      <title>Tom Rice, “White Robes, Silver Screens: Movies and the Making of the Ku Klux Klan” (Indiana U. Press, 2016)</title>
      <description>There has been much discussion recently in the United States about the contentious recent presidential election. Along with the election results, there has also been an increased interest in the so-called “fake news” stories spread on social media as well as on the emergence of the “Alt Right” movement in the past few years. Many scholars and historians have begun to look to the past for comparisons and parallels to the current state of affairs. The Ku Klux Klan was reestablished in Atlanta in 1915, barely a week before the Atlanta premiere of The Birth of a Nation, D. W. Griffith’s paean to the original Klan. While this link between Griffith’s film and the Klan has been widely acknowledged, White Robes, Silver Screens: Movies and the Making of the Klux Klan (Indiana University Press, 2016) explores the little-known relationship between the Klan’s success and its use of film and media in the interwar years when the image, function, and moral rectitude of the Klan was contested on the national stage.
By examining rich archival materials including a series of films produced by the Klan and a wealth of documents, newspaper clippings, and manuals, the author uncovers the fraught history of the Klan as a local force that manipulated the American film industry to extend its reach across the country. White Robes, Silver Screens: Movies and the Making of the Klux Klan highlights the ways in which the Klan used, produced, and protested against film in order to recruit members, generate publicity, and define its role within American society.
Tom Rice is a senior lecturer in Film Studies at University of St Andrews in the United Kingdom. Dr. Rice focuses on film history, specifically examining the relationship between political and cultural movements and cinema. In addition to his work on the Ku Klux Klan, Dr. Rice has also worked extensively on British colonial, world and transnational cinemas and written extensive historical essays on more than 200 films and production companies. Dr. Rice is currently developing another book length project on the Colonial Film Units of the British Empire during the years 1939-1960.

James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.</description>
      <pubDate>Mon, 23 Jan 2017 22:55:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>There has been much discussion recently in the United States about the contentious recent presidential election. Along with the election results, there has also been an increased interest in the so-called “fake news” stories spread on social media as w...</itunes:subtitle>
      <itunes:summary>There has been much discussion recently in the United States about the contentious recent presidential election. Along with the election results, there has also been an increased interest in the so-called “fake news” stories spread on social media as well as on the emergence of the “Alt Right” movement in the past few years. Many scholars and historians have begun to look to the past for comparisons and parallels to the current state of affairs. The Ku Klux Klan was reestablished in Atlanta in 1915, barely a week before the Atlanta premiere of The Birth of a Nation, D. W. Griffith’s paean to the original Klan. While this link between Griffith’s film and the Klan has been widely acknowledged, White Robes, Silver Screens: Movies and the Making of the Klux Klan (Indiana University Press, 2016) explores the little-known relationship between the Klan’s success and its use of film and media in the interwar years when the image, function, and moral rectitude of the Klan was contested on the national stage.
By examining rich archival materials including a series of films produced by the Klan and a wealth of documents, newspaper clippings, and manuals, the author uncovers the fraught history of the Klan as a local force that manipulated the American film industry to extend its reach across the country. White Robes, Silver Screens: Movies and the Making of the Klux Klan highlights the ways in which the Klan used, produced, and protested against film in order to recruit members, generate publicity, and define its role within American society.
Tom Rice is a senior lecturer in Film Studies at University of St Andrews in the United Kingdom. Dr. Rice focuses on film history, specifically examining the relationship between political and cultural movements and cinema. In addition to his work on the Ku Klux Klan, Dr. Rice has also worked extensively on British colonial, world and transnational cinemas and written extensive historical essays on more than 200 films and production companies. Dr. Rice is currently developing another book length project on the Colonial Film Units of the British Empire during the years 1939-1960.

James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>There has been much discussion recently in the United States about the contentious recent presidential election. Along with the election results, there has also been an increased interest in the so-called “fake news” stories spread on social media as well as on the emergence of the “Alt Right” movement in the past few years. Many scholars and historians have begun to look to the past for comparisons and parallels to the current state of affairs. The Ku Klux Klan was reestablished in Atlanta in 1915, barely a week before the Atlanta premiere of The Birth of a Nation, D. W. Griffith’s paean to the original Klan. While this link between Griffith’s film and the Klan has been widely acknowledged, <a href="http://www.amazon.com/dp/0253018439/?tag=newbooinhis-20">White Robes, Silver Screens: Movies and the Making of the Klux Klan</a> (Indiana University Press, 2016) explores the little-known relationship between the Klan’s success and its use of film and media in the interwar years when the image, function, and moral rectitude of the Klan was contested on the national stage.</p><p>By examining rich archival materials including a series of films produced by the Klan and a wealth of documents, newspaper clippings, and manuals, the author uncovers the fraught history of the Klan as a local force that manipulated the American film industry to extend its reach across the country. White Robes, Silver Screens: Movies and the Making of the Klux Klan highlights the ways in which the Klan used, produced, and protested against film in order to recruit members, generate publicity, and define its role within American society.</p><p><a href="http://www.st-andrews.ac.uk/filmstudies/staff_profiles/dr-tom-rice/">Tom Rice</a> is a senior lecturer in Film Studies at University of St Andrews in the United Kingdom. Dr. Rice focuses on film history, specifically examining the relationship between political and cultural movements and cinema. In addition to his work on the Ku Klux Klan, Dr. Rice has also worked extensively on British colonial, world and transnational cinemas and written extensive historical essays on more than 200 films and production companies. Dr. Rice is currently developing another book length project on the Colonial Film Units of the British Empire during the years 1939-1960.</p><p><br></p><p>James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.</p>]]>
      </content:encoded>
      <itunes:duration>2854</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=62390]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6736878342.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Noah Shenker, “Reframing Holocaust Testimony” (Indiana UP, 2016)</title>
      <description>I serve on a planning committee for the annual Holocaust Commemoration in Wichita, where I live and teach. Every year when we convene, we remind ourselves that we need to invite survivors to speak. With survivors aging, the time is quickly approaching when we will no longer be able to hear about their experiences firsthand.
But of course this isn’t quite true. For more than a quarter century, organizations have devoted time, attention and resources to preserving the memories of survivors. In this way, those of us interested in hearing these stories–whether academic researchers or ‘ordinary’ people–can access the power and authenticity of survivor narratives through recorded video testimony.
All of this is a good thing. But as Noah Shenker reminds us, the appearance of authenticity can distract us from the very real impact of the ways interviews are staged. Previous scholarship has alerted us to the need to consider the dynamics between the interviewer and interviewee in. In Reframing Holocaust Testimony (Indiana University Press, 2016), Shenker presents a compelling argument that we need to move beyond this to include the mechanics and institutional dynamics of the interviews as well. The training of interviewers, the kinds of scripts used in conducting them, the ways in which images are created, filed, and distributed and many other factors shape the way in which survivors recall and represent their experiences. Shenker looks specifically at three repositories–the Fortunoff Video Archive, the US Holocaust Memorial Museum and the Shoah Foundation. He demonstrates that each had different goals, emphases and methods of conducting interviews. And, in a close reading of the testimony of several survivors who gave testimony to each of these institutions, he shows how the differences in approaches created a different kind of testimony. It’s a valuable reminder of the need to honor the memories of survivors by asking the questions necessary to truly understand their testimony.</description>
      <pubDate>Fri, 07 Oct 2016 21:37:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/40e995e6-e885-11ee-a06e-cbaa2eef7421/image/2b00cdd3457d03673ac5bc5004dc01b3.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>I serve on a planning committee for the annual Holocaust Commemoration in Wichita, where I live and teach. Every year when we convene, we remind ourselves that we need to invite survivors to speak. With survivors aging,</itunes:subtitle>
      <itunes:summary>I serve on a planning committee for the annual Holocaust Commemoration in Wichita, where I live and teach. Every year when we convene, we remind ourselves that we need to invite survivors to speak. With survivors aging, the time is quickly approaching when we will no longer be able to hear about their experiences firsthand.
But of course this isn’t quite true. For more than a quarter century, organizations have devoted time, attention and resources to preserving the memories of survivors. In this way, those of us interested in hearing these stories–whether academic researchers or ‘ordinary’ people–can access the power and authenticity of survivor narratives through recorded video testimony.
All of this is a good thing. But as Noah Shenker reminds us, the appearance of authenticity can distract us from the very real impact of the ways interviews are staged. Previous scholarship has alerted us to the need to consider the dynamics between the interviewer and interviewee in. In Reframing Holocaust Testimony (Indiana University Press, 2016), Shenker presents a compelling argument that we need to move beyond this to include the mechanics and institutional dynamics of the interviews as well. The training of interviewers, the kinds of scripts used in conducting them, the ways in which images are created, filed, and distributed and many other factors shape the way in which survivors recall and represent their experiences. Shenker looks specifically at three repositories–the Fortunoff Video Archive, the US Holocaust Memorial Museum and the Shoah Foundation. He demonstrates that each had different goals, emphases and methods of conducting interviews. And, in a close reading of the testimony of several survivors who gave testimony to each of these institutions, he shows how the differences in approaches created a different kind of testimony. It’s a valuable reminder of the need to honor the memories of survivors by asking the questions necessary to truly understand their testimony.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>I serve on a planning committee for the annual Holocaust Commemoration in Wichita, where I live and teach. Every year when we convene, we remind ourselves that we need to invite survivors to speak. With survivors aging, the time is quickly approaching when we will no longer be able to hear about their experiences firsthand.</p><p>But of course this isn’t quite true. For more than a quarter century, organizations have devoted time, attention and resources to preserving the memories of survivors. In this way, those of us interested in hearing these stories–whether academic researchers or ‘ordinary’ people–can access the power and authenticity of survivor narratives through recorded video testimony.</p><p>All of this is a good thing. But as <a href="http://profiles.arts.monash.edu.au/noah-shenker/">Noah Shenker</a> reminds us, the appearance of authenticity can distract us from the very real impact of the ways interviews are staged. Previous scholarship has alerted us to the need to consider the dynamics between the interviewer and interviewee in. In<a href="http://www.amazon.com/dp/0253017130/?tag=newbooinhis-20"> Reframing Holocaust Testimony </a>(Indiana University Press, 2016), Shenker presents a compelling argument that we need to move beyond this to include the mechanics and institutional dynamics of the interviews as well. The training of interviewers, the kinds of scripts used in conducting them, the ways in which images are created, filed, and distributed and many other factors shape the way in which survivors recall and represent their experiences. Shenker looks specifically at three repositories–the Fortunoff Video Archive, the US Holocaust Memorial Museum and the Shoah Foundation. He demonstrates that each had different goals, emphases and methods of conducting interviews. And, in a close reading of the testimony of several survivors who gave testimony to each of these institutions, he shows how the differences in approaches created a different kind of testimony. It’s a valuable reminder of the need to honor the memories of survivors by asking the questions necessary to truly understand their testimony.</p>]]>
      </content:encoded>
      <itunes:duration>4677</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=60639]]></guid>
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      <title>Mel Scult, “The Radical American Judaism of Mordecai M. Kaplan” (Indiana UP, 2013)</title>
      <description>In The Radical American Judaism of Mordecai M. Kaplan (Indiana University Press, 2013), Mel Scult, professor emeritus at Brooklyn College, explores the ways in which Mordecai Kaplan, the only rabbi to have been excommunicated by the Orthodox rabbinical establishment in America, was a radical. Using Kaplan’s 27-volume diary, Scult places Kaplan’s thought in conversation with other thinkers like Spinoza, Emerson, Ahad Ha-Am, John Dewey, and Abraham Joshua Heschel.</description>
      <pubDate>Mon, 16 May 2016 00:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>In The Radical American Judaism of Mordecai M. Kaplan (Indiana University Press, 2013), Mel Scult, professor emeritus at Brooklyn College, explores the ways in which Mordecai Kaplan, the only rabbi to have been excommunicated by the Orthodox rabbinical...</itunes:subtitle>
      <itunes:summary>In The Radical American Judaism of Mordecai M. Kaplan (Indiana University Press, 2013), Mel Scult, professor emeritus at Brooklyn College, explores the ways in which Mordecai Kaplan, the only rabbi to have been excommunicated by the Orthodox rabbinical establishment in America, was a radical. Using Kaplan’s 27-volume diary, Scult places Kaplan’s thought in conversation with other thinkers like Spinoza, Emerson, Ahad Ha-Am, John Dewey, and Abraham Joshua Heschel.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/0253017114/?tag=newbooinhis-20">The Radical American Judaism of Mordecai M. Kaplan</a> (Indiana University Press, 2013), <a href="http://brooklyn-cuny.academia.edu/MelScult">Mel Scult</a>, professor emeritus at Brooklyn College, explores the ways in which Mordecai Kaplan, the only rabbi to have been excommunicated by the Orthodox rabbinical establishment in America, was a radical. Using Kaplan’s 27-volume diary, Scult places Kaplan’s thought in conversation with other thinkers like Spinoza, Emerson, Ahad Ha-Am, John Dewey, and Abraham Joshua Heschel.</p>]]>
      </content:encoded>
      <itunes:duration>1719</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=55577]]></guid>
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      <title>Brennan W. Breed, “Nomadic Text: A Theory of Biblical Reception History” (Indiana UP, 2014)</title>
      <description>Modern Biblical Studies usually begins from an assumption that there is an established original text and clear exegetical genres that extend from the original. Reception History is structured around the premise that they are investigating how individuals and communities have interpreted and deployed the original in later contexts. But what if there is no original text? What if the border between origins and receptions are unable to be clearly drawn? If this is the case, isn’t all of biblical studies reception history? Brennan W. Breed, Assistant Professor at Columbia Theological Seminary, asks these provocative questions in Nomadic Text: A Theory of Biblical Reception History (Indiana University Press, 2014). After wrestling with questions of origins, borders, contexts, authors, and audiences, he offers a new general theory of reception history. He argues that instead of trying to contain texts and return them to their original context, we should understand them as mobile or nomadic. That would mean text’s significance are produced through movement and variation of interpretation. Of course, some readings have a stronger set of textual resources to justify an interpretive perspective. However, Breed argues that we should not prioritize the earliest applications of texts as the ‘true’ meaning. Breed’s nomadic reception history is illustrated through an analysis of Job 19:25-27 across time and space. From this example, we witness the broad spectrum of interpretations and how the text transforms across its historical and temporal trajectory. Breed’s theoretically rich and engaging methodology will be useful to anyone interested in how texts are interpreted and deployed in social life.

Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu.</description>
      <pubDate>Fri, 01 Apr 2016 11:07:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Modern Biblical Studies usually begins from an assumption that there is an established original text and clear exegetical genres that extend from the original. Reception History is structured around the premise that they are investigating how individua...</itunes:subtitle>
      <itunes:summary>Modern Biblical Studies usually begins from an assumption that there is an established original text and clear exegetical genres that extend from the original. Reception History is structured around the premise that they are investigating how individuals and communities have interpreted and deployed the original in later contexts. But what if there is no original text? What if the border between origins and receptions are unable to be clearly drawn? If this is the case, isn’t all of biblical studies reception history? Brennan W. Breed, Assistant Professor at Columbia Theological Seminary, asks these provocative questions in Nomadic Text: A Theory of Biblical Reception History (Indiana University Press, 2014). After wrestling with questions of origins, borders, contexts, authors, and audiences, he offers a new general theory of reception history. He argues that instead of trying to contain texts and return them to their original context, we should understand them as mobile or nomadic. That would mean text’s significance are produced through movement and variation of interpretation. Of course, some readings have a stronger set of textual resources to justify an interpretive perspective. However, Breed argues that we should not prioritize the earliest applications of texts as the ‘true’ meaning. Breed’s nomadic reception history is illustrated through an analysis of Job 19:25-27 across time and space. From this example, we witness the broad spectrum of interpretations and how the text transforms across its historical and temporal trajectory. Breed’s theoretically rich and engaging methodology will be useful to anyone interested in how texts are interpreted and deployed in social life.

Kristian Petersen is an Assistant Professor in the Department of Religious Studies at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Modern Biblical Studies usually begins from an assumption that there is an established original text and clear exegetical genres that extend from the original. Reception History is structured around the premise that they are investigating how individuals and communities have interpreted and deployed the original in later contexts. But what if there is no original text? What if the border between origins and receptions are unable to be clearly drawn? If this is the case, isn’t all of biblical studies reception history? <a href="http://www.ctsnet.edu/faculty-member?id=67">Brennan W. Breed</a>, Assistant Professor at Columbia Theological Seminary, asks these provocative questions in <a href="http://www.amazon.com/dp/025301252X/?tag=newbooinhis-20">Nomadic Text: A Theory of Biblical Reception History</a> (Indiana University Press, 2014). After wrestling with questions of origins, borders, contexts, authors, and audiences, he offers a new general theory of reception history. He argues that instead of trying to contain texts and return them to their original context, we should understand them as mobile or nomadic. That would mean text’s significance are produced through movement and variation of interpretation. Of course, some readings have a stronger set of textual resources to justify an interpretive perspective. However, Breed argues that we should not prioritize the earliest applications of texts as the ‘true’ meaning. Breed’s nomadic reception history is illustrated through an analysis of Job 19:25-27 across time and space. From this example, we witness the broad spectrum of interpretations and how the text transforms across its historical and temporal trajectory. Breed’s theoretically rich and engaging methodology will be useful to anyone interested in how texts are interpreted and deployed in social life.</p><p><br></p><p><a href="http://drkristianpetersen.com">Kristian Petersen</a> is an Assistant Professor in the <a href="http://www.unomaha.edu/religiousstudies/">Department of Religious Studies</a> at the University of Nebraska Omaha. His research and teaching interests include Theory and Methodology in the Study of Religion, Islamic Studies, Chinese Religions, Human Rights, and Media Studies. You can find out more about his work on his <a href="http://drkristianpetersen.com">website</a>, follow him on Twitter <a href="https://twitter.com/BabaKristian">@BabaKristian</a>, or email him at <a href="mailto:kjpetersen@unomaha.edu">kjpetersen@unomaha.edu</a>.</p>]]>
      </content:encoded>
      <itunes:duration>3537</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=54498]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5023398468.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daniella Doron, “Jewish Youth and Identity in Postwar France: Rebuilding Family and Nation” (Indiana UP, 2015)</title>
      <description>In Jewish Youth and Identity in Postwar France: Rebuilding Family and Nation (Indiana UP, 2015), Daniella Doron, Lecturer in Holocaust and Genocide Studies at Monash University, looks at the post-WWII effort to rehabilitate Jewish children and to reconstruct Jewish families in France. She argues that ideas about the family were tied to national identity, citizenship, and ethnicity. Her works adds to the growing scholarship on the history of childhood and the history of the Jewish family.</description>
      <pubDate>Mon, 21 Mar 2016 00:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>In Jewish Youth and Identity in Postwar France: Rebuilding Family and Nation (Indiana UP, 2015), Daniella Doron, Lecturer in Holocaust and Genocide Studies at Monash University, looks at the post-WWII effort to rehabilitate Jewish children and to recon...</itunes:subtitle>
      <itunes:summary>In Jewish Youth and Identity in Postwar France: Rebuilding Family and Nation (Indiana UP, 2015), Daniella Doron, Lecturer in Holocaust and Genocide Studies at Monash University, looks at the post-WWII effort to rehabilitate Jewish children and to reconstruct Jewish families in France. She argues that ideas about the family were tied to national identity, citizenship, and ethnicity. Her works adds to the growing scholarship on the history of childhood and the history of the Jewish family.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/0253017416/?tag=newbooinhis-20">Jewish Youth and Identity in Postwar France: Rebuilding Family and Nation</a> (Indiana UP, 2015), <a href="http://profiles.arts.monash.edu.au/daniella-doron/">Daniella Doron</a>, Lecturer in Holocaust and Genocide Studies at Monash University, looks at the post-WWII effort to rehabilitate Jewish children and to reconstruct Jewish families in France. She argues that ideas about the family were tied to national identity, citizenship, and ethnicity. Her works adds to the growing scholarship on the history of childhood and the history of the Jewish family.</p>]]>
      </content:encoded>
      <itunes:duration>1856</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=53409]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9894506546.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Shai Held, “Abraham Joshua Heschel: The Call of Transcendence” (Indiana UP, 2013)</title>
      <description>In Abraham Joshua Heschel: The Call of Transcendence (Indiana University Press, 2013), Shai Held, Co-Founder, Dean and Chair in Jewish Thought at Mechon Hadar, offers a sympathetic, yet critical, examination of the thought of this influential mid-twentieth century theologian, scholar, and activist. Held identifies a central theme that runs through all of Heschel’s writing: the idea of transcendence–the movement from self-centeredness to God-centeredness. For Heschel, prayer is the paradigmatic spiritual act, one that tries to bring God back into the world.</description>
      <pubDate>Tue, 16 Feb 2016 15:04:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>In Abraham Joshua Heschel: The Call of Transcendence (Indiana University Press, 2013), Shai Held, Co-Founder, Dean and Chair in Jewish Thought at Mechon Hadar, offers a sympathetic, yet critical, examination of the thought of this influential mid-twent...</itunes:subtitle>
      <itunes:summary>In Abraham Joshua Heschel: The Call of Transcendence (Indiana University Press, 2013), Shai Held, Co-Founder, Dean and Chair in Jewish Thought at Mechon Hadar, offers a sympathetic, yet critical, examination of the thought of this influential mid-twentieth century theologian, scholar, and activist. Held identifies a central theme that runs through all of Heschel’s writing: the idea of transcendence–the movement from self-centeredness to God-centeredness. For Heschel, prayer is the paradigmatic spiritual act, one that tries to bring God back into the world.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://Abraham%20Joshua%20Heschel:%20The%20Call%20of%20Transcendence%20(Indiana%20UP,%202013)">Abraham Joshua Heschel: The Call of Transcendence</a> (Indiana University Press, 2013), <a href="http://www.mechonhadar.org/faculty-staff/rabbi-shai-held">Shai Held</a>, Co-Founder, Dean and Chair in Jewish Thought at Mechon Hadar, offers a sympathetic, yet critical, examination of the thought of this influential mid-twentieth century theologian, scholar, and activist. Held identifies a central theme that runs through all of Heschel’s writing: the idea of transcendence–the movement from self-centeredness to God-centeredness. For Heschel, prayer is the paradigmatic spiritual act, one that tries to bring God back into the world.</p>]]>
      </content:encoded>
      <itunes:duration>1726</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=52974]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK1202060276.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Keren R. McGinity, “Marrying Out: Jewish Men, Intermarriage, and Fatherhood” (Indiana UP, 2014)</title>
      <description>In Marrying Out: Jewish Men, Intermarriage, and Fatherhood (Indiana University Press, 2014), Keren R. McGinity, founding director of the Love and Tradition Institute and a Research Associate at Brandeis University, seeks to challenge the common assumption that when American Jewish men intermarry, they and their families are “lost” to the Jewish religion. McGinity explores the challenges and expectations intermarried Jewish men face as they strive to be good husbands and to raise their children Jewish. Her analysis reminds us more broadly that “gendered” studies should look at women and men’s experiences.</description>
      <pubDate>Mon, 08 Feb 2016 12:02:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>In Marrying Out: Jewish Men, Intermarriage, and Fatherhood (Indiana University Press, 2014), Keren R. McGinity, founding director of the Love and Tradition Institute and a Research Associate at Brandeis University,</itunes:subtitle>
      <itunes:summary>In Marrying Out: Jewish Men, Intermarriage, and Fatherhood (Indiana University Press, 2014), Keren R. McGinity, founding director of the Love and Tradition Institute and a Research Associate at Brandeis University, seeks to challenge the common assumption that when American Jewish men intermarry, they and their families are “lost” to the Jewish religion. McGinity explores the challenges and expectations intermarried Jewish men face as they strive to be good husbands and to raise their children Jewish. Her analysis reminds us more broadly that “gendered” studies should look at women and men’s experiences.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="http://www.amazon.com/dp/0253013194/?tag=newbooinhis-20">Marrying Out: Jewish Men, Intermarriage, and Fatherhood</a> (Indiana University Press, 2014), <a href="http://www.loveandtradition.com/founder-s-academic-bio.html">Keren R. McGinity</a>, founding director of the Love and Tradition Institute and a Research Associate at Brandeis University, seeks to challenge the common assumption that when American Jewish men intermarry, they and their families are “lost” to the Jewish religion. McGinity explores the challenges and expectations intermarried Jewish men face as they strive to be good husbands and to raise their children Jewish. Her analysis reminds us more broadly that “gendered” studies should look at women and men’s experiences.</p>]]>
      </content:encoded>
      <itunes:duration>1822</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=52897]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3948039744.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Geoff Megargee, ed., “The USHMM Encyclopedia of Camps and Ghettos,” Vols. 1 and 2 (Indiana UP, 2009 and 2012)</title>
      <description>Every semester when I get to the point in World Civ when we’re talking about Nazi Germany, I ask my students to guess how many camps and ghettos there were. I get guesses anywhere from a few, to a few dozen, to a couple thousand. When I tell them that the true number is above 40,000, I get astonished stares and a barrage of ‘your kidding’ (and stronger words).
The camps and ghettos were an essential part of the Nazi system.So today we’re beginning a five part series dedicated to the camps and ghettos in Germany, the areas Germany controlled and in Germany’s allies. Later this summer we’ll hear from Sarah Helms, Nik Wachsmann, Dan Stone and Shelly Cline.
The series starts, however, with an interview with Geoff Megargee. Geoff is the general editor of the US Holocaust Memorial Museum’s Encyclopedia of Camps and Ghettos (Indiana University Press 2009-).This is a monumental project. Each of the first two volumes runs well over 1000 pages and includes an enormous amount of information. Once the series is done, it will probably exceed 10,000 pages.
The result will be an almost unprecedented addition to our understanding of the Holocaust. I’ll talk with Geoff about the process of creating the Encyclopedia and about how the accumulation of knowledge about specific camps can reshape our understanding of the Holocaust as a whole.</description>
      <pubDate>Tue, 21 Jul 2015 17:26:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/58213714-e885-11ee-90c8-cbc9a8d9bc35/image/2b00cdd3457d03673ac5bc5004dc01b3.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Every semester when I get to the point in World Civ when we’re talking about Nazi Germany, I ask my students to guess how many camps and ghettos there were. I get guesses anywhere from a few, to a few dozen, to a couple thousand. When I tell them that...</itunes:subtitle>
      <itunes:summary>Every semester when I get to the point in World Civ when we’re talking about Nazi Germany, I ask my students to guess how many camps and ghettos there were. I get guesses anywhere from a few, to a few dozen, to a couple thousand. When I tell them that the true number is above 40,000, I get astonished stares and a barrage of ‘your kidding’ (and stronger words).
The camps and ghettos were an essential part of the Nazi system.So today we’re beginning a five part series dedicated to the camps and ghettos in Germany, the areas Germany controlled and in Germany’s allies. Later this summer we’ll hear from Sarah Helms, Nik Wachsmann, Dan Stone and Shelly Cline.
The series starts, however, with an interview with Geoff Megargee. Geoff is the general editor of the US Holocaust Memorial Museum’s Encyclopedia of Camps and Ghettos (Indiana University Press 2009-).This is a monumental project. Each of the first two volumes runs well over 1000 pages and includes an enormous amount of information. Once the series is done, it will probably exceed 10,000 pages.
The result will be an almost unprecedented addition to our understanding of the Holocaust. I’ll talk with Geoff about the process of creating the Encyclopedia and about how the accumulation of knowledge about specific camps can reshape our understanding of the Holocaust as a whole.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Every semester when I get to the point in World Civ when we’re talking about Nazi Germany, I ask my students to guess how many camps and ghettos there were. I get guesses anywhere from a few, to a few dozen, to a couple thousand. When I tell them that the true number is above 40,000, I get astonished stares and a barrage of ‘your kidding’ (and stronger words).</p><p>The camps and ghettos were an essential part of the Nazi system.So today we’re beginning a five part series dedicated to the camps and ghettos in Germany, the areas Germany controlled and in Germany’s allies. Later this summer we’ll hear from Sarah Helms, Nik Wachsmann, Dan Stone and Shelly Cline.</p><p>The series starts, however, with an interview with Geoff Megargee. Geoff is the general editor of the <a href="http://www.amazon.com/dp/0253353289/?tag=newbooinhis-20">US Holocaust Memorial Museum’s Encyclopedia of Camps and Ghettos </a>(Indiana University Press 2009-).This is a monumental project. Each of the first two volumes runs well over 1000 pages and includes an enormous amount of information. Once the series is done, it will probably exceed 10,000 pages.</p><p>The result will be an almost unprecedented addition to our understanding of the Holocaust. I’ll talk with Geoff about the process of creating the Encyclopedia and about how the accumulation of knowledge about specific camps can reshape our understanding of the Holocaust as a whole.</p>]]>
      </content:encoded>
      <itunes:duration>3323</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksineuropeanstudies.com/2015/07/21/geoff-megargee-ed-the-ushmm-encyclopedia-of-camps-and-ghettos-vols-1-and-2-indiana-up-2009-and-2012/]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6220189776.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Joyce B. Flueckiger, “When the World Becomes Female: Guises of a South Indian Goddess” (Indiana UP, 2013)</title>
      <description>Joyce B. Flueckiger‘s new bookWhen the World Becomes Female: Guises of a South Indian Goddess (Indiana University Press, 2013) is a rich and colorful analysis of the goddess Gangamma’s festival and her devotees. During the festival men take on female guises, whilst women intensify the rituals that they perform throughout the year. The books explores the excess of the goddess and the lives of those who bear her.
 </description>
      <pubDate>Fri, 03 Jul 2015 14:13:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Joyce B. Flueckiger‘s new bookWhen the World Becomes Female: Guises of a South Indian Goddess (Indiana University Press, 2013) is a rich and colorful analysis of the goddess Gangamma’s festival and her devotees.</itunes:subtitle>
      <itunes:summary>Joyce B. Flueckiger‘s new bookWhen the World Becomes Female: Guises of a South Indian Goddess (Indiana University Press, 2013) is a rich and colorful analysis of the goddess Gangamma’s festival and her devotees. During the festival men take on female guises, whilst women intensify the rituals that they perform throughout the year. The books explores the excess of the goddess and the lives of those who bear her.
 </itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://religion.emory.edu/home/people/faculty/flueckiger-joyce.html">Joyce B. Flueckiger</a>‘s new book<a href="http://www.amazon.com/dp/0253009561/?tag=newbooinhis-20">When the World Becomes Female: Guises of a South Indian Goddess</a> (Indiana University Press, 2013) is a rich and colorful analysis of the goddess Gangamma’s festival and her devotees. During the festival men take on female guises, whilst women intensify the rituals that they perform throughout the year. The books explores the excess of the goddess and the lives of those who bear her.</p><p> </p>]]>
      </content:encoded>
      <itunes:duration>3566</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksinanthropology.com/2015/07/03/joyce-b-flueckiger-when-the-world-becomes-female-guises-of-a-south-indian-goddess-indiana-up-2013/]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8640557651.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Mark S. Wagner, “Jews and Islamic Law in Early 20th-Century Yemen” (Indiana UP, 2015)</title>
      <description>During the early twentieth century, Yemeni Jews operated within a legal structure that defined them as dhimmi, that is, non-Muslims living as a protected population under the sovereignty of an Islamic state. In exchange for the payment of a poll tax, the jizya, and the acknowledged of supremacy of Islam, their lives and property were to be inviolable. Although this framework burdened Jews with some legal disadvantages, for example a Muslim’s witness testimony was worth double that of a Jew’s in court, it allowed for the integration of Jews into Yemen’s complex hierarchical social structure, and not always at the bottom of that structure.
Mark S. Wagner’s book Jews and Islamic Law in Early 20th-Century Yemen (Indiana University Press, 2015) examines how Jews negotiated this Islamic legal system, both in shariah courts and in extralegal settings. Wagner employs numerous Arabic and Hebrew sources, particularly the memoirs of prominent Yemeni Jews such as Salim Said al-Jamal, Salih al-Zahiri, Salim Mansurah, and others, and the primary document collections they have preserved. Through their first-hand accounts, anecdotes, and archives, Wagner interrogates how the Yemeni Jewish elite understood its social and political position in Yemen. These men used their knowledge of Arabic and Islamic law, and their status as intermediaries between the state authorities and the Jewish community, to preserve their own positions and to benefit other members of the Jewish community. Wagner’s work deepens our understanding of Muslim-Jewish relations in Yemen and the place of non-Muslims in Islamic law in general.</description>
      <pubDate>Sat, 20 Jun 2015 19:30:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>During the early twentieth century, Yemeni Jews operated within a legal structure that defined them as dhimmi, that is, non-Muslims living as a protected population under the sovereignty of an Islamic state. In exchange for the payment of a poll tax,</itunes:subtitle>
      <itunes:summary>During the early twentieth century, Yemeni Jews operated within a legal structure that defined them as dhimmi, that is, non-Muslims living as a protected population under the sovereignty of an Islamic state. In exchange for the payment of a poll tax, the jizya, and the acknowledged of supremacy of Islam, their lives and property were to be inviolable. Although this framework burdened Jews with some legal disadvantages, for example a Muslim’s witness testimony was worth double that of a Jew’s in court, it allowed for the integration of Jews into Yemen’s complex hierarchical social structure, and not always at the bottom of that structure.
Mark S. Wagner’s book Jews and Islamic Law in Early 20th-Century Yemen (Indiana University Press, 2015) examines how Jews negotiated this Islamic legal system, both in shariah courts and in extralegal settings. Wagner employs numerous Arabic and Hebrew sources, particularly the memoirs of prominent Yemeni Jews such as Salim Said al-Jamal, Salih al-Zahiri, Salim Mansurah, and others, and the primary document collections they have preserved. Through their first-hand accounts, anecdotes, and archives, Wagner interrogates how the Yemeni Jewish elite understood its social and political position in Yemen. These men used their knowledge of Arabic and Islamic law, and their status as intermediaries between the state authorities and the Jewish community, to preserve their own positions and to benefit other members of the Jewish community. Wagner’s work deepens our understanding of Muslim-Jewish relations in Yemen and the place of non-Muslims in Islamic law in general.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>During the early twentieth century, Yemeni Jews operated within a legal structure that defined them as dhimmi, that is, non-Muslims living as a protected population under the sovereignty of an Islamic state. In exchange for the payment of a poll tax, the jizya, and the acknowledged of supremacy of Islam, their lives and property were to be inviolable. Although this framework burdened Jews with some legal disadvantages, for example a Muslim’s witness testimony was worth double that of a Jew’s in court, it allowed for the integration of Jews into Yemen’s complex hierarchical social structure, and not always at the bottom of that structure.</p><p><a href="http://uiswcmsweb.prod.lsu.edu/ArtSci/complit/Faculty/item18715.html">Mark S. Wagner’s</a> book <a href="http://www.amazon.com/dp/0253014875/?tag=newbooinhis-20">Jews and Islamic Law in Early 20th-Century Yemen</a> (Indiana University Press, 2015) examines how Jews negotiated this Islamic legal system, both in shariah courts and in extralegal settings. Wagner employs numerous Arabic and Hebrew sources, particularly the memoirs of prominent Yemeni Jews such as Salim Said al-Jamal, Salih al-Zahiri, Salim Mansurah, and others, and the primary document collections they have preserved. Through their first-hand accounts, anecdotes, and archives, Wagner interrogates how the Yemeni Jewish elite understood its social and political position in Yemen. These men used their knowledge of Arabic and Islamic law, and their status as intermediaries between the state authorities and the Jewish community, to preserve their own positions and to benefit other members of the Jewish community. Wagner’s work deepens our understanding of Muslim-Jewish relations in Yemen and the place of non-Muslims in Islamic law in general.</p>]]>
      </content:encoded>
      <itunes:duration>3290</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksinislamicstudies.com/2015/06/20/mark-s-wagner-jews-and-islamic-law-in-early-20th-century-yemen-indiana-up-2015/]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6530691899.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Anne Knowles, Mastering Iron (U of Chicago Press, 2013) and Geographies of the Holocaust (Indiana UP, 2014)</title>
      <description>Last month on New Books in Geography, historian Susan Schulten discussed the development of thematic maps in the nineteenth century. Such maps focused on a particular topic such as disease, immigration, or politics and raised questions about society and geography. In many ways, these nineteenth-century maps were the predecessors to the maps made through Geographic Information Systems (GIS).
In the past decade, geographers and historians have begun using GIS for innovative historical research. Among the most innovative scholars using this technology is Anne Knowles, professor of geography at Middlebury College. Her new books Mastering Iron: The Struggle to Modernize an American Industry, 1800-1868 (University of Chicago Press, 2013) and Geographies of the Holocaust (co-edited with Tim Cole and Alberto Giordano) are superb examples of how scholars can use GIS to better understand the past.
In this podcast, Professor Knowles discusses the iron industry in Antebellum America, the Holocaust, and how GIS can help illuminate previously unknown facets of both.</description>
      <pubDate>Fri, 30 Jan 2015 15:21:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Last month on New Books in Geography, historian Susan Schulten discussed the development of thematic maps in the nineteenth century. Such maps focused on a particular topic such as disease, immigration, or politics and raised questions about society an...</itunes:subtitle>
      <itunes:summary>Last month on New Books in Geography, historian Susan Schulten discussed the development of thematic maps in the nineteenth century. Such maps focused on a particular topic such as disease, immigration, or politics and raised questions about society and geography. In many ways, these nineteenth-century maps were the predecessors to the maps made through Geographic Information Systems (GIS).
In the past decade, geographers and historians have begun using GIS for innovative historical research. Among the most innovative scholars using this technology is Anne Knowles, professor of geography at Middlebury College. Her new books Mastering Iron: The Struggle to Modernize an American Industry, 1800-1868 (University of Chicago Press, 2013) and Geographies of the Holocaust (co-edited with Tim Cole and Alberto Giordano) are superb examples of how scholars can use GIS to better understand the past.
In this podcast, Professor Knowles discusses the iron industry in Antebellum America, the Holocaust, and how GIS can help illuminate previously unknown facets of both.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Last month on New Books in Geography, historian Susan Schulten discussed the development of thematic maps in the nineteenth century. Such maps focused on a particular topic such as disease, immigration, or politics and raised questions about society and geography. In many ways, these nineteenth-century maps were the predecessors to the maps made through Geographic Information Systems (GIS).</p><p>In the past decade, geographers and historians have begun using GIS for innovative historical research. Among the most innovative scholars using this technology is <a href="http://www.middlebury.edu/academics/geog/faculty/node/18901">Anne Knowles</a>, professor of geography at Middlebury College. Her new books<a href="http://www.amazon.com/dp/0226448592/?tag=newbooinhis-20"> Mastering Iron: The Struggle to Modernize an American Industry, 1800-1868</a> (University of Chicago Press, 2013) and <a href="http://www.amazon.com/dp/0253012112/?tag=newbooinhis-20">Geographies of the Holocaust</a> (co-edited with Tim Cole and Alberto Giordano) are superb examples of how scholars can use GIS to better understand the past.</p><p>In this podcast, Professor Knowles discusses the iron industry in Antebellum America, the Holocaust, and how GIS can help illuminate previously unknown facets of both.</p>]]>
      </content:encoded>
      <itunes:duration>2853</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/geography/?p=76]]></guid>
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    <item>
      <title>Sean Metzger, “Chinese Looks: Fashion, Performance, Race” (Indiana UP, 2014)</title>
      <description>Sean Metzger‘s Chinese Looks: Fashion, Performance, Race (Indiana University Press 2014),examines how, in the past 150 years, China was rendered legible to Americans through items of clothing and adornment. Professor Metzger offers a rich and detailed study of Chinese fashion, calling it the “Sino/American interface” that marks political and cultural investments in America’s views of China and Chinese Americans. Professor Metzger does this by providing a cinematic and performance-based cultural history of four iconic objects: the queue, or man’s hair braid; the woman’s suit or the qipao; the Mao suit; and the tuxedo. Rather than simply provide a consumptive or trading history of these garments, professor Metzger traces their emergence as consolidating discourses of gender, race, politics and aesthetics. In doing so, he asks larger questions about how garments can and have been used to express ethnicity, and to render new meanings onto racialized bodies.</description>
      <pubDate>Sun, 28 Dec 2014 17:23:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b3eba0d4-e862-11ee-a852-e38a84abfd77/image/c1ffaa38a1b1b69b8caa419560842463.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Sean Metzger‘s Chinese Looks: Fashion, Performance, Race (Indiana University Press 2014),examines how, in the past 150 years, China was rendered legible to Americans through items of clothing and adornment.</itunes:subtitle>
      <itunes:summary>Sean Metzger‘s Chinese Looks: Fashion, Performance, Race (Indiana University Press 2014),examines how, in the past 150 years, China was rendered legible to Americans through items of clothing and adornment. Professor Metzger offers a rich and detailed study of Chinese fashion, calling it the “Sino/American interface” that marks political and cultural investments in America’s views of China and Chinese Americans. Professor Metzger does this by providing a cinematic and performance-based cultural history of four iconic objects: the queue, or man’s hair braid; the woman’s suit or the qipao; the Mao suit; and the tuxedo. Rather than simply provide a consumptive or trading history of these garments, professor Metzger traces their emergence as consolidating discourses of gender, race, politics and aesthetics. In doing so, he asks larger questions about how garments can and have been used to express ethnicity, and to render new meanings onto racialized bodies.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.tft.ucla.edu/2012/08/sean-metzger/">Sean Metzger</a>‘s<a href="http://www.amazon.com/dp/0253012562/?tag=newbooinhis-20"> Chinese Looks: Fashion, Performance, Race</a> (Indiana University Press 2014),examines how, in the past 150 years, China was rendered legible to Americans through items of clothing and adornment. Professor Metzger offers a rich and detailed study of Chinese fashion, calling it the “Sino/American interface” that marks political and cultural investments in America’s views of China and Chinese Americans. Professor Metzger does this by providing a cinematic and performance-based cultural history of four iconic objects: the queue, or man’s hair braid; the woman’s suit or the qipao; the Mao suit; and the tuxedo. Rather than simply provide a consumptive or trading history of these garments, professor Metzger traces their emergence as consolidating discourses of gender, race, politics and aesthetics. In doing so, he asks larger questions about how garments can and have been used to express ethnicity, and to render new meanings onto racialized bodies.</p>]]>
      </content:encoded>
      <itunes:duration>3762</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/asianamericanstudies/?p=195]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9663144488.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Olufemi Taiwo, “Africa Must be Modern: A Manifesto” (Indiana UP, 2014)</title>
      <description>Olufemi Taiwo‘s unremittingly honest and daring book, Africa Must be Modern: A Manifesto (Indiana University Press, 2014), confronts the reluctance, if not outright hostility, of many Africans to embrace modernity. He shows how this hostility has stifled the continent’s economic development and how it has impeded social and political transformation. Only by tapping into the continent’s vast intellectual as well as natural resources, only by fully engaging with democracy and globalization, will Africans be able to free themselves from the indignities of dependence on foreign aid along with the despair and fatalism which many Africans have come to regard as their natural lot. While many may not agree with Taiwo’s positions, they will be unable to ignore what he has to say in this bold exhortation for Africa to come into the twenty first century. Engagingly and passionately written, Africa Must be Modern: A Manifesto is about more than Africa. It is about the world and what we all need to do to make it a better place for everyone.</description>
      <pubDate>Thu, 06 Nov 2014 18:10:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Olufemi Taiwo‘s unremittingly honest and daring book, Africa Must be Modern: A Manifesto (Indiana University Press, 2014), confronts the reluctance, if not outright hostility, of many Africans to embrace modernity.</itunes:subtitle>
      <itunes:summary>Olufemi Taiwo‘s unremittingly honest and daring book, Africa Must be Modern: A Manifesto (Indiana University Press, 2014), confronts the reluctance, if not outright hostility, of many Africans to embrace modernity. He shows how this hostility has stifled the continent’s economic development and how it has impeded social and political transformation. Only by tapping into the continent’s vast intellectual as well as natural resources, only by fully engaging with democracy and globalization, will Africans be able to free themselves from the indignities of dependence on foreign aid along with the despair and fatalism which many Africans have come to regard as their natural lot. While many may not agree with Taiwo’s positions, they will be unable to ignore what he has to say in this bold exhortation for Africa to come into the twenty first century. Engagingly and passionately written, Africa Must be Modern: A Manifesto is about more than Africa. It is about the world and what we all need to do to make it a better place for everyone.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.asrc.cornell.edu/people/olufemi-taiwo.cfm">Olufemi Taiwo</a>‘s unremittingly honest and daring book, <a href="http://www.amazon.com/dp/0253012759/?tag=newbooinhis-20">Africa Must be Modern: A Manifesto</a> (Indiana University Press, 2014), confronts the reluctance, if not outright hostility, of many Africans to embrace modernity. He shows how this hostility has stifled the continent’s economic development and how it has impeded social and political transformation. Only by tapping into the continent’s vast intellectual as well as natural resources, only by fully engaging with democracy and globalization, will Africans be able to free themselves from the indignities of dependence on foreign aid along with the despair and fatalism which many Africans have come to regard as their natural lot. While many may not agree with Taiwo’s positions, they will be unable to ignore what he has to say in this bold exhortation for Africa to come into the twenty first century. Engagingly and passionately written, Africa Must be Modern: A Manifesto is about more than Africa. It is about the world and what we all need to do to make it a better place for everyone.</p>]]>
      </content:encoded>
      <itunes:duration>3724</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/africanstudies/?p=368]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9482843387.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Arica L. Coleman, “That the Blood Stay Pure” (Indiana UP, 2014)</title>
      <description>Arica Coleman did not start out to write a legal history of “the one-drop rule,” but as she began exploring the relationship between African American and Native peoples of Virginia, she unraveled the story of how the law created a racial divide that the Civil Rights movement has never eroded. Virginia’s miscegenation laws, from the law of hypo-descent to the Racial Integrity Act, are burned into the hearts and culture of Virginians, white, black and Indian.
That the Blood Stay Pure: African Americans, Native Americans, and the Predicament of Race and Identity in Virginia (Indiana University Press, 2014) demonstrates how people continue to insist on racial discrimination and racial purity even though the legal barriers have been lifted and the biological imperatives of “blood purity” have been discredited. Dr. Coleman traces the origins the one-drop rule–that one African American ancestor made a person “colored”–from the days of slavery to the present. She shows how Indians came to disavow their African American descent in the wake of the Virginia racial purity statutes, and how the Bureau of Indian Affairs process continues to perpetuate a fear of admitting racial mixing. She also reveals how one of the most famous Civil Rights cases of our time, Loving v. Virginia, is not about what everyone thinks; it is not, she argues, about the right of blacks and whites to marry.
Dr. Arica L. Coleman is Assistant Professor of Black American Studies at the University of Delaware and a lecturer for the Center for Africana Studies at Johns Hopkins University. She has a four-year appointment to the Organization of American Historians Alana committee, which focuses on the status of African American, Latino/Latina American, Native American and Asian American histories and historians. Dr. Coleman has lent her expertise on the history and politics of race and identity formation to the Washington Post, Indian Country Today and most recently NPR’s “Another View,” a weekly program with a focus on contemporary African American issues.</description>
      <pubDate>Tue, 18 Mar 2014 17:40:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/10c62b9a-eab5-11ee-8be4-736e0f021cf2/image/008f5e7b165627a31d0132f188f94024.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Arica Coleman did not start out to write a legal history of “the one-drop rule,” but as she began exploring the relationship between African American and Native peoples of Virginia, she unraveled the story of how the law created a racial divide that th...</itunes:subtitle>
      <itunes:summary>Arica Coleman did not start out to write a legal history of “the one-drop rule,” but as she began exploring the relationship between African American and Native peoples of Virginia, she unraveled the story of how the law created a racial divide that the Civil Rights movement has never eroded. Virginia’s miscegenation laws, from the law of hypo-descent to the Racial Integrity Act, are burned into the hearts and culture of Virginians, white, black and Indian.
That the Blood Stay Pure: African Americans, Native Americans, and the Predicament of Race and Identity in Virginia (Indiana University Press, 2014) demonstrates how people continue to insist on racial discrimination and racial purity even though the legal barriers have been lifted and the biological imperatives of “blood purity” have been discredited. Dr. Coleman traces the origins the one-drop rule–that one African American ancestor made a person “colored”–from the days of slavery to the present. She shows how Indians came to disavow their African American descent in the wake of the Virginia racial purity statutes, and how the Bureau of Indian Affairs process continues to perpetuate a fear of admitting racial mixing. She also reveals how one of the most famous Civil Rights cases of our time, Loving v. Virginia, is not about what everyone thinks; it is not, she argues, about the right of blacks and whites to marry.
Dr. Arica L. Coleman is Assistant Professor of Black American Studies at the University of Delaware and a lecturer for the Center for Africana Studies at Johns Hopkins University. She has a four-year appointment to the Organization of American Historians Alana committee, which focuses on the status of African American, Latino/Latina American, Native American and Asian American histories and historians. Dr. Coleman has lent her expertise on the history and politics of race and identity formation to the Washington Post, Indian Country Today and most recently NPR’s “Another View,” a weekly program with a focus on contemporary African American issues.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.bams.udel.edu/Faculty/Directory/CoreFaculty/AricaLColemanAssistantProfessor/tabid/526/Default.aspx">Arica Coleman</a> did not start out to write a legal history of “the one-drop rule,” but as she began exploring the relationship between African American and Native peoples of Virginia, she unraveled the story of how the law created a racial divide that the Civil Rights movement has never eroded. Virginia’s miscegenation laws, from the law of hypo-descent to the Racial Integrity Act, are burned into the hearts and culture of Virginians, white, black and Indian.</p><p><a href="http://www.amazon.com/dp/0253010438/?tag=newbooinhis-20">That the Blood Stay Pure: African Americans, Native Americans, and the Predicament of Race and Identity in Virginia</a> (Indiana University Press, 2014) demonstrates how people continue to insist on racial discrimination and racial purity even though the legal barriers have been lifted and the biological imperatives of “blood purity” have been discredited. Dr. Coleman traces the origins the one-drop rule–that one African American ancestor made a person “colored”–from the days of slavery to the present. She shows how Indians came to disavow their African American descent in the wake of the Virginia racial purity statutes, and how the Bureau of Indian Affairs process continues to perpetuate a fear of admitting racial mixing. She also reveals how one of the most famous Civil Rights cases of our time, Loving v. Virginia, is not about what everyone thinks; it is not, she argues, about the right of blacks and whites to marry.</p><p>Dr. Arica L. Coleman is Assistant Professor of Black American Studies at the University of Delaware and a lecturer for the Center for Africana Studies at Johns Hopkins University. She has a four-year appointment to the Organization of American Historians Alana committee, which focuses on the status of African American, Latino/Latina American, Native American and Asian American histories and historians. Dr. Coleman has lent her expertise on the history and politics of race and identity formation to the Washington Post, Indian Country Today and most recently NPR’s “Another View,” a weekly program with a focus on contemporary African American issues.</p>]]>
      </content:encoded>
      <itunes:duration>3827</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/law/?p=316]]></guid>
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    <item>
      <title>David Bleich, “The Materiality of Language: Gender, Politics and the University” (Indiana UP, 2013)</title>
      <description>David Bleich‘s book The Materiality of Language: Gender, Politics and the University (Indiana University Press, 2013) is described as a wide-ranging critique of academic practice, which is almost an understatement. From the point of view of someone working in linguistics as (at least in principle) a scientific discipline, his thesis is interesting and provocative. He argues forcefully for the relevance of language, construed as a material entity, across a wide range of disciplines (and to life in general), and challenges the focus on treating language as a cognitive phenomenon and studying it in abstract terms.
In this interview, I resist the temptation to take up a defensive position on behalf of cognitive linguists. Instead, we talk about the role of academic history in shaping current scientific practice, and the possible consequences of that for power dynamics, with particular reference to gender. And we look at some of things the study of language might contribute to – for want of a less ambitious term – the future well-being of humanity.</description>
      <pubDate>Thu, 07 Nov 2013 16:44:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>David Bleich‘s book The Materiality of Language: Gender, Politics and the University (Indiana University Press, 2013) is described as a wide-ranging critique of academic practice, which is almost an understatement.</itunes:subtitle>
      <itunes:summary>David Bleich‘s book The Materiality of Language: Gender, Politics and the University (Indiana University Press, 2013) is described as a wide-ranging critique of academic practice, which is almost an understatement. From the point of view of someone working in linguistics as (at least in principle) a scientific discipline, his thesis is interesting and provocative. He argues forcefully for the relevance of language, construed as a material entity, across a wide range of disciplines (and to life in general), and challenges the focus on treating language as a cognitive phenomenon and studying it in abstract terms.
In this interview, I resist the temptation to take up a defensive position on behalf of cognitive linguists. Instead, we talk about the role of academic history in shaping current scientific practice, and the possible consequences of that for power dynamics, with particular reference to gender. And we look at some of things the study of language might contribute to – for want of a less ambitious term – the future well-being of humanity.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.rochester.edu/College/eng/faculty/david_bleich.html">David Bleich</a>‘s book <a href="http://www.amazon.com/dp/0253007720/?tag=newbooinhis-20">The Materiality of Language: Gender, Politics and the University</a> (Indiana University Press, 2013) is described as a wide-ranging critique of academic practice, which is almost an understatement. From the point of view of someone working in linguistics as (at least in principle) a scientific discipline, his thesis is interesting and provocative. He argues forcefully for the relevance of language, construed as a material entity, across a wide range of disciplines (and to life in general), and challenges the focus on treating language as a cognitive phenomenon and studying it in abstract terms.</p><p>In this interview, I resist the temptation to take up a defensive position on behalf of cognitive linguists. Instead, we talk about the role of academic history in shaping current scientific practice, and the possible consequences of that for power dynamics, with particular reference to gender. And we look at some of things the study of language might contribute to – for want of a less ambitious term – the future well-being of humanity.</p>]]>
      </content:encoded>
      <itunes:duration>3591</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/language/?p=559]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2071462207.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Daniel McCool, “The Most Fundamental Right: Contrasting Perspectives on the Voting Rights Act” (Indiana UP, 2012)</title>
      <description>Daniel McCool, professor of political science at the University of Utah, is the editor of The Most Fundamental Right: Contrasting Perspectives on the Voting Rights Act (Indiana University Press, 2012). The VRA was one of the center pieces of the civil rights legislation passed in the 1960s. The Act aimed to address great inequities in access to and participation in voting, particularly among African Americans. Perhaps most controversially, the law labeled a handful of states that were deemed the most egregious violators of voting rights, and required them to gain pre-clearance from the Department of Justice on any changes in state voting procedures. Nearly fifty years later, is the case for the VRA still so pressing or are modifications or a complete overhaul called for? This timely collection provides deep theoretical and empirical justifications for the VRA, and equally well-developed arguments in opposition. One finished the collection more informed and a little unsure of what is called, both signs of a well-edited volume.
The timeliness of this book cannot be overstated. On Wednesday February 26, 2013, the Supreme Court hears arguments in the Voting Rights case of Shelby County v Holder.</description>
      <pubDate>Wed, 27 Feb 2013 19:24:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Daniel McCool, professor of political science at the University of Utah, is the editor of The Most Fundamental Right: Contrasting Perspectives on the Voting Rights Act (Indiana University Press, 2012). The VRA was one of the center pieces of the civil ...</itunes:subtitle>
      <itunes:summary>Daniel McCool, professor of political science at the University of Utah, is the editor of The Most Fundamental Right: Contrasting Perspectives on the Voting Rights Act (Indiana University Press, 2012). The VRA was one of the center pieces of the civil rights legislation passed in the 1960s. The Act aimed to address great inequities in access to and participation in voting, particularly among African Americans. Perhaps most controversially, the law labeled a handful of states that were deemed the most egregious violators of voting rights, and required them to gain pre-clearance from the Department of Justice on any changes in state voting procedures. Nearly fifty years later, is the case for the VRA still so pressing or are modifications or a complete overhaul called for? This timely collection provides deep theoretical and empirical justifications for the VRA, and equally well-developed arguments in opposition. One finished the collection more informed and a little unsure of what is called, both signs of a well-edited volume.
The timeliness of this book cannot be overstated. On Wednesday February 26, 2013, the Supreme Court hears arguments in the Voting Rights case of Shelby County v Holder.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://faculty.utah.edu/u0029400-DANIEL_CRAIG_MCCOOL/biography/index.hml">Daniel McCool</a>, professor of political science at the University of Utah, is the editor of The Most Fundamental Right: Contrasting Perspectives on the Voting Rights Act (Indiana University Press, 2012). The VRA was one of the center pieces of the civil rights legislation passed in the 1960s. The Act aimed to address great inequities in access to and participation in voting, particularly among African Americans. Perhaps most controversially, the law labeled a handful of states that were deemed the most egregious violators of voting rights, and required them to gain pre-clearance from the Department of Justice on any changes in state voting procedures. Nearly fifty years later, is the case for the VRA still so pressing or are modifications or a complete overhaul called for? This timely collection provides deep theoretical and empirical justifications for the VRA, and equally well-developed arguments in opposition. One finished the collection more informed and a little unsure of what is called, both signs of a well-edited volume.</p><p>The timeliness of this book cannot be overstated. On Wednesday February 26, 2013, the Supreme Court hears arguments in the Voting Rights case of <a href="http://www.supremecourt.gov/Search.aspx?FileName=/docketfiles/12-96.htm">Shelby County v Holder</a>.</p>]]>
      </content:encoded>
      <itunes:duration>1358</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/politicalscience/?p=444]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK7911783522.mp3?updated=1543617000" length="0" type="audio/mpeg"/>
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    <item>
      <title>Bruce Whitehouse, “Migrants and Strangers in an African City: Exile, Dignity, Belonging” (Indiana UP, 2012)</title>
      <description>Every so often a book lands on my desk about something so obviously interesting that I have never really considered it before. Bruce Whitehouse‘s Migrants and Strangers in an African City: Exile, Dignity, Belonging (Indiana University Press, 2012) is exactly like that, tackling something that is an integral part of the lives of millions across the continent of Africa, and so familiar as to almost be ignored: migration between African countries.
The book is the result of extensive fieldwork by Bruce in Congo Brazzaville, examining the lives of West African immigrants (initially from Mali, but from other neighboring countries as well) who had moved there for work, and the challenges they face. Why were they there? What were they doing? How long did they want to stay? What were they there for?
The result is an in-depth study that provokes more questions about other migrants in other settings across the continent. It opens a window on the motivations, lives, achievements and frustrations that affect so many Africans, and it is a story well worth reading about – but first have a listen to the interview!</description>
      <pubDate>Fri, 17 Aug 2012 19:36:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Every so often a book lands on my desk about something so obviously interesting that I have never really considered it before. Bruce Whitehouse‘s Migrants and Strangers in an African City: Exile, Dignity, Belonging (Indiana University Press,</itunes:subtitle>
      <itunes:summary>Every so often a book lands on my desk about something so obviously interesting that I have never really considered it before. Bruce Whitehouse‘s Migrants and Strangers in an African City: Exile, Dignity, Belonging (Indiana University Press, 2012) is exactly like that, tackling something that is an integral part of the lives of millions across the continent of Africa, and so familiar as to almost be ignored: migration between African countries.
The book is the result of extensive fieldwork by Bruce in Congo Brazzaville, examining the lives of West African immigrants (initially from Mali, but from other neighboring countries as well) who had moved there for work, and the challenges they face. Why were they there? What were they doing? How long did they want to stay? What were they there for?
The result is an in-depth study that provokes more questions about other migrants in other settings across the continent. It opens a window on the motivations, lives, achievements and frustrations that affect so many Africans, and it is a story well worth reading about – but first have a listen to the interview!</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Every so often a book lands on my desk about something so obviously interesting that I have never really considered it before. <a href="http://brucewhitehouse.wordpress.com/">Bruce Whitehouse</a>‘s <a href="http://www.amazon.com/dp/0253000823/?tag=newbooinhis-20">Migrants and Strangers in an African City: Exile, Dignity, Belonging</a> (Indiana University Press, 2012) is exactly like that, tackling something that is an integral part of the lives of millions across the continent of Africa, and so familiar as to almost be ignored: migration between African countries.</p><p>The book is the result of extensive fieldwork by Bruce in Congo Brazzaville, examining the lives of West African immigrants (initially from Mali, but from other neighboring countries as well) who had moved there for work, and the challenges they face. Why were they there? What were they doing? How long did they want to stay? What were they there for?</p><p>The result is an in-depth study that provokes more questions about other migrants in other settings across the continent. It opens a window on the motivations, lives, achievements and frustrations that affect so many Africans, and it is a story well worth reading about – but first have a listen to the interview!</p>]]>
      </content:encoded>
      <itunes:duration>2126</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/africanstudies/?p=170]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9068513670.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nwando Achebe, “The Female King of Colonial Nigeria: Ahebi Ugbabe” (Indiana University Press, 2011)</title>
      <description>When I saw Nwando Achebe‘s book The Female King of Colonial Nigeria: Ahebi Ugbabe (Indiana University Press, 2011), I thought: “Really? A female king? Cool!” It turns out Ahebi Ugbabe was not only a female king, but also a female husband and father. But I’m getting ahead of myself.
Ahebi Ugbaba was born late in the nineteenth century in Igboland, in present-day Nigeria. She fled home to escape her community’s dedication of her in marriage to a deity to compensate for a crime her father had committed. The marriage would have reduced her to the status of a slave. After twenty years as a prostitute and trader in exile, she returned and established herself: first as headman, then as warrant chief, and finally as king. For a biological woman to transform herself into a social man was a familiar practice in Igboland. But for anyone to be chief or king was not. The Igbo had practiced communitarian rule by groups of elders; it was the British who imposed rule by a single person. It was perhaps inevitable that Ahebi’s rule would be troubled. The Female King of Colonial Nigeria: Ahebi Ugabe is a fascinating exploration of the fluidity of gender and the nature of political authority. And it’s a remarkable reconstruction not only of colonial rule at the local level, but also of pre-colonial life and post-colonial memory. I highly recommend
Nwando Achebe, Professor of History at Michigan State University, is the winner of both the Barbara “Penny” Kanner Prize and the Gita Chaudhuri Prize of the Western Association of Women Historians.</description>
      <pubDate>Fri, 29 Jun 2012 15:17:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>When I saw Nwando Achebe‘s book The Female King of Colonial Nigeria: Ahebi Ugbabe (Indiana University Press, 2011), I thought: “Really? A female king? Cool!” It turns out Ahebi Ugbabe was not only a female king, but also a female husband and father.</itunes:subtitle>
      <itunes:summary>When I saw Nwando Achebe‘s book The Female King of Colonial Nigeria: Ahebi Ugbabe (Indiana University Press, 2011), I thought: “Really? A female king? Cool!” It turns out Ahebi Ugbabe was not only a female king, but also a female husband and father. But I’m getting ahead of myself.
Ahebi Ugbaba was born late in the nineteenth century in Igboland, in present-day Nigeria. She fled home to escape her community’s dedication of her in marriage to a deity to compensate for a crime her father had committed. The marriage would have reduced her to the status of a slave. After twenty years as a prostitute and trader in exile, she returned and established herself: first as headman, then as warrant chief, and finally as king. For a biological woman to transform herself into a social man was a familiar practice in Igboland. But for anyone to be chief or king was not. The Igbo had practiced communitarian rule by groups of elders; it was the British who imposed rule by a single person. It was perhaps inevitable that Ahebi’s rule would be troubled. The Female King of Colonial Nigeria: Ahebi Ugabe is a fascinating exploration of the fluidity of gender and the nature of political authority. And it’s a remarkable reconstruction not only of colonial rule at the local level, but also of pre-colonial life and post-colonial memory. I highly recommend
Nwando Achebe, Professor of History at Michigan State University, is the winner of both the Barbara “Penny” Kanner Prize and the Gita Chaudhuri Prize of the Western Association of Women Historians.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When I saw <a href="http://history.msu.edu/people/faculty/nwando-achebe-2/">Nwando Achebe</a>‘s book <a href="http://www.amazon.com/dp/0253222486/?tag=newbooinhis-20">The Female King of Colonial Nigeria: Ahebi Ugbabe</a> (Indiana University Press, 2011), I thought: “Really? A female king? Cool!” It turns out Ahebi Ugbabe was not only a female king, but also a female husband and father. But I’m getting ahead of myself.</p><p>Ahebi Ugbaba was born late in the nineteenth century in Igboland, in present-day Nigeria. She fled home to escape her community’s dedication of her in marriage to a deity to compensate for a crime her father had committed. The marriage would have reduced her to the status of a slave. After twenty years as a prostitute and trader in exile, she returned and established herself: first as headman, then as warrant chief, and finally as king. For a biological woman to transform herself into a social man was a familiar practice in Igboland. But for anyone to be chief or king was not. The Igbo had practiced communitarian rule by groups of elders; it was the British who imposed rule by a single person. It was perhaps inevitable that Ahebi’s rule would be troubled. The Female King of Colonial Nigeria: Ahebi Ugabe is a fascinating exploration of the fluidity of gender and the nature of political authority. And it’s a remarkable reconstruction not only of colonial rule at the local level, but also of pre-colonial life and post-colonial memory. I highly recommend</p><p>Nwando Achebe, Professor of History at Michigan State University, is the winner of both the Barbara “Penny” Kanner Prize and the Gita Chaudhuri Prize of the Western Association of Women Historians.</p>]]>
      </content:encoded>
      <itunes:duration>4416</itunes:duration>
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      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/genderstudies/?p=261]]></guid>
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      <title>Kathy Sloane, “Keystone Korner: Portrait of a Jazz Club” (Indiana UP, 2011)</title>
      <description>Kathy Sloane‘s Keystone Korner: Portrait of a Jazz Club (Indiana UP, 2011) captures a time and place in San Francisco in the 70s and early 80s that we may never see again. Owner/impresario/musician Todd Barkan ran the club on a frayed financial shoestring, but the club’s unique ambience in San Francisco’s North Beach beckoned the greatest jazz players, where jazz aficionados and neophytes alike could appreciate America’s great cultural art form.
Sloane’s fabulous black and white photographs of jazz players such as Art Blakey, Dexter Gordon, Rahsaan Roland Kirk, Betty Carter, Elvin Jones, Mary Lou Williams, Bobby Hutcherson, McCoy Tyner, and countless others range from the contemplative to the kinetic – and they all tell a story. Sloane arranges chapters thematically with titles familiar to jazz lovers like Bright Moments, Bobby and Bags and Teach Me Tonight. In each chapter, the Keystone family of employees, patrons and the players tell stories and reminisce as to what made the club special. And there was something special about the club, from the cramped confines to the smells of Ora Harris’s home cooking to the down-home good feeling – and it was next to the police precinct in North Beach to boot! Sloane includes a discography compiled by Stuart Kremsky and a CD of some of the great live performances at the Korner with liner notes by Sascha Feinstein.
Like the Keystone Korner itself, Sloane’s book is a labor of love and a testament to a memorable time and place. If you were lucky enough to have been there, you can relive it; if you missed it, you can go back in time and live in the heart, art and soul of a San Francisco institution that epitomized the music and feeling of jazz.</description>
      <pubDate>Wed, 20 Jun 2012 18:20:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Kathy Sloane‘s Keystone Korner: Portrait of a Jazz Club (Indiana UP, 2011) captures a time and place in San Francisco in the 70s and early 80s that we may never see again. Owner/impresario/musician Todd Barkan ran the club on a frayed financial shoestr...</itunes:subtitle>
      <itunes:summary>Kathy Sloane‘s Keystone Korner: Portrait of a Jazz Club (Indiana UP, 2011) captures a time and place in San Francisco in the 70s and early 80s that we may never see again. Owner/impresario/musician Todd Barkan ran the club on a frayed financial shoestring, but the club’s unique ambience in San Francisco’s North Beach beckoned the greatest jazz players, where jazz aficionados and neophytes alike could appreciate America’s great cultural art form.
Sloane’s fabulous black and white photographs of jazz players such as Art Blakey, Dexter Gordon, Rahsaan Roland Kirk, Betty Carter, Elvin Jones, Mary Lou Williams, Bobby Hutcherson, McCoy Tyner, and countless others range from the contemplative to the kinetic – and they all tell a story. Sloane arranges chapters thematically with titles familiar to jazz lovers like Bright Moments, Bobby and Bags and Teach Me Tonight. In each chapter, the Keystone family of employees, patrons and the players tell stories and reminisce as to what made the club special. And there was something special about the club, from the cramped confines to the smells of Ora Harris’s home cooking to the down-home good feeling – and it was next to the police precinct in North Beach to boot! Sloane includes a discography compiled by Stuart Kremsky and a CD of some of the great live performances at the Korner with liner notes by Sascha Feinstein.
Like the Keystone Korner itself, Sloane’s book is a labor of love and a testament to a memorable time and place. If you were lucky enough to have been there, you can relive it; if you missed it, you can go back in time and live in the heart, art and soul of a San Francisco institution that epitomized the music and feeling of jazz.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.kathysloanephotographer.com/about.html">Kathy Sloane</a>‘s <a href="http://www.amazon.com/dp/0253356911/?tag=newbooinhis-20">Keystone Korner: Portrait of a Jazz Club </a>(Indiana UP, 2011) captures a time and place in San Francisco in the 70s and early 80s that we may never see again. Owner/impresario/musician Todd Barkan ran the club on a frayed financial shoestring, but the club’s unique ambience in San Francisco’s North Beach beckoned the greatest jazz players, where jazz aficionados and neophytes alike could appreciate America’s great cultural art form.</p><p>Sloane’s fabulous black and white photographs of jazz players such as Art Blakey, Dexter Gordon, Rahsaan Roland Kirk, Betty Carter, Elvin Jones, Mary Lou Williams, Bobby Hutcherson, McCoy Tyner, and countless others range from the contemplative to the kinetic – and they all tell a story. Sloane arranges chapters thematically with titles familiar to jazz lovers like Bright Moments, Bobby and Bags and Teach Me Tonight. In each chapter, the Keystone family of employees, patrons and the players tell stories and reminisce as to what made the club special. And there was something special about the club, from the cramped confines to the smells of Ora Harris’s home cooking to the down-home good feeling – and it was next to the police precinct in North Beach to boot! Sloane includes a discography compiled by Stuart Kremsky and a CD of some of the great live performances at the Korner with liner notes by Sascha Feinstein.</p><p>Like the Keystone Korner itself, Sloane’s book is a labor of love and a testament to a memorable time and place. If you were lucky enough to have been there, you can relive it; if you missed it, you can go back in time and live in the heart, art and soul of a San Francisco institution that epitomized the music and feeling of jazz.</p>]]>
      </content:encoded>
      <itunes:duration>3115</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/jazz/?p=32]]></guid>
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    <item>
      <title>Karen Petrone, “The Great War in Russian Memory” (Indiana UP, 2012)</title>
      <description>Historical studies on the European memory of World War I are, to put it mildly, voluminous. There are too many monographs to count on a myriad of subjects addressing the acts of remembrance and commemoration of the so-called war to end all wars. But when it comes to Russia, from...</description>
      <pubDate>Fri, 20 Apr 2012 13:39:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Historical studies on the European memory of World War I are, to put it mildly, voluminous. There are too many monographs to count on a myriad of subjects addressing the acts of remembrance and commemoration of the so-called war to end all wars.</itunes:subtitle>
      <itunes:summary>Historical studies on the European memory of World War I are, to put it mildly, voluminous. There are too many monographs to count on a myriad of subjects addressing the acts of remembrance and commemoration of the so-called war to end all wars. But when it comes to Russia, from...</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Historical studies on the European memory of World War I are, to put it mildly, voluminous. There are too many monographs to count on a myriad of subjects addressing the acts of remembrance and commemoration of the so-called war to end all wars. But when it comes to Russia, from...</p>]]>
      </content:encoded>
      <itunes:duration>3322</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/russianstudies/?p=581]]></guid>
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      <title>Jeff Sahadeo, “Russian Colonial Society in Tashkent, 1865-1903” (Indiana UP, 2010)</title>
      <description>Konstantin von Kaufmann, Governor-General of Russian Turkestan from 1867 until his death in 1882, wanted to be buried in Tashkent if he died in office; so that, he said, ‘all may know that here is true Russian soil, where no Russian need be ashamed to lie.’ Certainly not after Kaufmann’s efforts- he set out to create a planned city on the lines of St. Petersburg, and in fact succeeded in creating a ‘charming…little European capital’ as one traveller said; though that was just restricted to the buildings- local customs Kaufmann left alone and actively discouraged importation of ‘Russian’ religious customs and culture.
Jeff Sahadeo‘s new book, Russian Colonial Society in Tashkent, 1865-1903 (Indiana University Press, 2010) looks at how Russian colonial administrators went about building Tashkent, sometimes with the help of, and sometimes with resistance from locals, and the effects of 1905, the Great War and 1917 on a city already greatly transformed after the transition to Russian rule in 1865. So this is a book which takes the reader through the process of creating a ‘colonial’ city and the negotiations, interactions and engagements it involved- Tashkent was more than just a staging post en route to the Indian Empire. It was a city which housed many distinct groups of people- the Russian colonial elite, to local leaders, the traders and the merchants, and the many Russians who came down to work in this rapidly growing regional capital. Nor did all these people always get on well with each other- but their spats helped shape Tashkent just as much as their collaborations did.</description>
      <pubDate>Thu, 08 Mar 2012 13:16:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Konstantin von Kaufmann, Governor-General of Russian Turkestan from 1867 until his death in 1882, wanted to be buried in Tashkent if he died in office; so that, he said, ‘all may know that here is true Russian soil,</itunes:subtitle>
      <itunes:summary>Konstantin von Kaufmann, Governor-General of Russian Turkestan from 1867 until his death in 1882, wanted to be buried in Tashkent if he died in office; so that, he said, ‘all may know that here is true Russian soil, where no Russian need be ashamed to lie.’ Certainly not after Kaufmann’s efforts- he set out to create a planned city on the lines of St. Petersburg, and in fact succeeded in creating a ‘charming…little European capital’ as one traveller said; though that was just restricted to the buildings- local customs Kaufmann left alone and actively discouraged importation of ‘Russian’ religious customs and culture.
Jeff Sahadeo‘s new book, Russian Colonial Society in Tashkent, 1865-1903 (Indiana University Press, 2010) looks at how Russian colonial administrators went about building Tashkent, sometimes with the help of, and sometimes with resistance from locals, and the effects of 1905, the Great War and 1917 on a city already greatly transformed after the transition to Russian rule in 1865. So this is a book which takes the reader through the process of creating a ‘colonial’ city and the negotiations, interactions and engagements it involved- Tashkent was more than just a staging post en route to the Indian Empire. It was a city which housed many distinct groups of people- the Russian colonial elite, to local leaders, the traders and the merchants, and the many Russians who came down to work in this rapidly growing regional capital. Nor did all these people always get on well with each other- but their spats helped shape Tashkent just as much as their collaborations did.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Konstantin von Kaufmann, Governor-General of Russian Turkestan from 1867 until his death in 1882, wanted to be buried in Tashkent if he died in office; so that, he said, ‘all may know that here is true Russian soil, where no Russian need be ashamed to lie.’ Certainly not after Kaufmann’s efforts- he set out to create a planned city on the lines of St. Petersburg, and in fact succeeded in creating a ‘charming…little European capital’ as one traveller said; though that was just restricted to the buildings- local customs Kaufmann left alone and actively discouraged importation of ‘Russian’ religious customs and culture.</p><p><a href="http://www1.carleton.ca/polisci/people/sahadeo-jeff">Jeff Sahadeo</a>‘s new book,<a href="http://www.amazon.com/dp/0253222796/?tag=newbooinhis-20"> Russian Colonial Society in Tashkent, 1865-1903</a> (Indiana University Press, 2010) looks at how Russian colonial administrators went about building Tashkent, sometimes with the help of, and sometimes with resistance from locals, and the effects of 1905, the Great War and 1917 on a city already greatly transformed after the transition to Russian rule in 1865. So this is a book which takes the reader through the process of creating a ‘colonial’ city and the negotiations, interactions and engagements it involved- Tashkent was more than just a staging post en route to the Indian Empire. It was a city which housed many distinct groups of people- the Russian colonial elite, to local leaders, the traders and the merchants, and the many Russians who came down to work in this rapidly growing regional capital. Nor did all these people always get on well with each other- but their spats helped shape Tashkent just as much as their collaborations did.</p>]]>
      </content:encoded>
      <itunes:duration>4101</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/southasianstudies/?p=260]]></guid>
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      <title>Jarrod Tanny, “City of Rogues and Schnorrers: Russia’s Jews and the Myth of Old Odessa” (Indiana UP, 2011)</title>
      <description>“Ah, nostalgia is such an illness, and what a beautiful illness. There is no medicine for it! And thank God there isn’t.” This was how one of the Soviet Union’s most famous jazz singers and actors, Leonid Utyosov, concluded his memoirs. Utyosov was referring to his ironic relationship with the...</description>
      <pubDate>Fri, 09 Dec 2011 18:35:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>“Ah, nostalgia is such an illness, and what a beautiful illness. There is no medicine for it! And thank God there isn’t.” This was how one of the Soviet Union’s most famous jazz singers and actors, Leonid Utyosov, concluded his memoirs.</itunes:subtitle>
      <itunes:summary>“Ah, nostalgia is such an illness, and what a beautiful illness. There is no medicine for it! And thank God there isn’t.” This was how one of the Soviet Union’s most famous jazz singers and actors, Leonid Utyosov, concluded his memoirs. Utyosov was referring to his ironic relationship with the...</itunes:summary>
      <content:encoded>
        <![CDATA[<p>“Ah, nostalgia is such an illness, and what a beautiful illness. There is no medicine for it! And thank God there isn’t.” This was how one of the Soviet Union’s most famous jazz singers and actors, Leonid Utyosov, concluded his memoirs. Utyosov was referring to his ironic relationship with the...</p>]]>
      </content:encoded>
      <itunes:duration>3684</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/russianstudies/?p=473]]></guid>
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      <title>Howard Spodek, “Ahmedabad: Shock City of Twentieth Century India” (Indiana University Press, 2011)</title>
      <description>As Ahmedabad, the chief city of Gujarat state in Western India, puts itself up as a contender for World Heritage status, Howard Spodek’s lovely book, Ahmedabad: Shock City of Twentieth Century India (Indiana University Press, 2011), can only give a boost to its campaign. This book is a discrete, yet integrated, collection of narratives from Ahmedabad throughout the twentieth century. The stories trace how this city quietly and unobtrusively sent out people and ideas into the rest of India, and on occasion acted out events that were reflective of trends across the wider Indian landscape. But, as Howard emphasizes, this is also a city that despite everything has remained staunchly and proudly Gujurati, its luminaries basing their power on resources and support from the surrounding regions.
Mohandas Gandhi made this industrial city his base, as did many of his followers; the mills came and went, cultural and educational institutions sprang up, and Ahmedabad itself might yet undergo a change in moniker to Karnavati. None of this affects its mediaeval monuments, and patterns of life in its gated bylanes of pols, even as they retain characteristics from long ago, yet subtly, imperceptibly, shift and change in response to changing times.. Howard’s book is a must read for an insight into century of the many that this many layered city has been in existence.</description>
      <pubDate>Mon, 25 Jul 2011 14:16:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>As Ahmedabad, the chief city of Gujarat state in Western India, puts itself up as a contender for World Heritage status, Howard Spodek’s lovely book, Ahmedabad: Shock City of Twentieth Century India (Indiana University Press, 2011),</itunes:subtitle>
      <itunes:summary>As Ahmedabad, the chief city of Gujarat state in Western India, puts itself up as a contender for World Heritage status, Howard Spodek’s lovely book, Ahmedabad: Shock City of Twentieth Century India (Indiana University Press, 2011), can only give a boost to its campaign. This book is a discrete, yet integrated, collection of narratives from Ahmedabad throughout the twentieth century. The stories trace how this city quietly and unobtrusively sent out people and ideas into the rest of India, and on occasion acted out events that were reflective of trends across the wider Indian landscape. But, as Howard emphasizes, this is also a city that despite everything has remained staunchly and proudly Gujurati, its luminaries basing their power on resources and support from the surrounding regions.
Mohandas Gandhi made this industrial city his base, as did many of his followers; the mills came and went, cultural and educational institutions sprang up, and Ahmedabad itself might yet undergo a change in moniker to Karnavati. None of this affects its mediaeval monuments, and patterns of life in its gated bylanes of pols, even as they retain characteristics from long ago, yet subtly, imperceptibly, shift and change in response to changing times.. Howard’s book is a must read for an insight into century of the many that this many layered city has been in existence.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As Ahmedabad, the chief city of Gujarat state in Western India, puts itself up as a contender for World Heritage status, <a href="http://www.temple.edu/gus/spodek/index.htm">Howard Spodek’s</a> lovely book, <a href="http://www.amazon.com/dp/0253355877/?tag=newbooinhis-20">Ahmedabad: Shock City of Twentieth Century India</a> (Indiana University Press, 2011), can only give a boost to its campaign. This book is a discrete, yet integrated, collection of narratives from Ahmedabad throughout the twentieth century. The stories trace how this city quietly and unobtrusively sent out people and ideas into the rest of India, and on occasion acted out events that were reflective of trends across the wider Indian landscape. But, as Howard emphasizes, this is also a city that despite everything has remained staunchly and proudly Gujurati, its luminaries basing their power on resources and support from the surrounding regions.</p><p>Mohandas Gandhi made this industrial city his base, as did many of his followers; the mills came and went, cultural and educational institutions sprang up, and Ahmedabad itself might yet undergo a change in moniker to Karnavati. None of this affects its mediaeval monuments, and patterns of life in its gated bylanes of pols, even as they retain characteristics from long ago, yet subtly, imperceptibly, shift and change in response to changing times.. Howard’s book is a must read for an insight into century of the many that this many layered city has been in existence.</p>]]>
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      <itunes:duration>4105</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/southasianstudies/?p=92]]></guid>
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      <title>Samuel Kassow, “Who Will Write Our History? Emanuel Ringelblum, the Warsaw Ghetto, and the Oyneg Shabes Archive” (Indiana UP, 2007)</title>
      <description>Scholars argue about whether the Holocaust was unprecedented. It’s a difficult question. On the one hand, slaughters litter the pages of history. On the other hand, none of them seem quite as calculated, systematic and horribly efficient as the Nazi murder of the Jews and other “Untermenchen.” One thing, however, is certain: the Holocaust is doubtless the best documented instance of mass murder in world history. The perpetrators were meticulous record keepers, and at the conclusion of the war many of their archives fell into Allied hands. The German record, however, is not the only record of the Holocaust. As Samuel Kassow shows in his moving Who Will Write Our History? Emanuel Ringelblum, the Warsaw Ghetto, and the Oyneg Shabes Archive (Indiana UP, 2007), the victims themselves made an concerted effort to document what was being done to them at the hands of the Nazis. Kassow tells the story of a group of Warsaw-based Jewish activists who built a secret organization–Oyneg Shabes–to collect and archive information about Jewish life (and death) under Nazi rule. Knowing that they would eventually be found out or killed, the members of Oyneg Shabes buried their archives so that they might be found after the war. As it happened, almost all of them were murdered. Yet their brave plan worked: some of the hidden archives were found. And in them we can hear them tell their own story. Thanks to Samuel Kassow for giving them voice in this excellent book.
Please become a fan of “New Books in History” on Facebook if you haven’t already.</description>
      <pubDate>Fri, 30 Jan 2009 21:53:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Scholars argue about whether the Holocaust was unprecedented. It’s a difficult question. On the one hand, slaughters litter the pages of history. On the other hand, none of them seem quite as calculated, systematic and horribly efficient as the Nazi mu...</itunes:subtitle>
      <itunes:summary>Scholars argue about whether the Holocaust was unprecedented. It’s a difficult question. On the one hand, slaughters litter the pages of history. On the other hand, none of them seem quite as calculated, systematic and horribly efficient as the Nazi murder of the Jews and other “Untermenchen.” One thing, however, is certain: the Holocaust is doubtless the best documented instance of mass murder in world history. The perpetrators were meticulous record keepers, and at the conclusion of the war many of their archives fell into Allied hands. The German record, however, is not the only record of the Holocaust. As Samuel Kassow shows in his moving Who Will Write Our History? Emanuel Ringelblum, the Warsaw Ghetto, and the Oyneg Shabes Archive (Indiana UP, 2007), the victims themselves made an concerted effort to document what was being done to them at the hands of the Nazis. Kassow tells the story of a group of Warsaw-based Jewish activists who built a secret organization–Oyneg Shabes–to collect and archive information about Jewish life (and death) under Nazi rule. Knowing that they would eventually be found out or killed, the members of Oyneg Shabes buried their archives so that they might be found after the war. As it happened, almost all of them were murdered. Yet their brave plan worked: some of the hidden archives were found. And in them we can hear them tell their own story. Thanks to Samuel Kassow for giving them voice in this excellent book.
Please become a fan of “New Books in History” on Facebook if you haven’t already.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Scholars argue about whether the Holocaust was unprecedented. It’s a difficult question. On the one hand, slaughters litter the pages of history. On the other hand, none of them seem quite as calculated, systematic and horribly efficient as the Nazi murder of the Jews and other “Untermenchen.” One thing, however, is certain: the Holocaust is doubtless the best documented instance of mass murder in world history. The perpetrators were meticulous record keepers, and at the conclusion of the war many of their archives fell into Allied hands. The German record, however, is not the only record of the Holocaust. As <a href="http://internet2.trincoll.edu/facProfiles/Default.aspx?fid=1000226">Samuel Kassow</a> shows in his moving <a href="http://www.amazon.com/dp/0307455866/?tag=newbooinhis-20">Who Will Write Our History? Emanuel Ringelblum, the Warsaw Ghetto, and the Oyneg Shabes Archive</a> (Indiana UP, 2007), the victims themselves made an concerted effort to document what was being done to them at the hands of the Nazis. Kassow tells the story of a group of Warsaw-based Jewish activists who built a secret organization–Oyneg Shabes–to collect and archive information about Jewish life (and death) under Nazi rule. Knowing that they would eventually be found out or killed, the members of Oyneg Shabes buried their archives so that they might be found after the war. As it happened, almost all of them were murdered. Yet their brave plan worked: some of the hidden archives were found. And in them we can hear them tell their own story. Thanks to Samuel Kassow for giving them voice in this excellent book.</p><p>Please become a fan of “New Books in History” on <a href="http://www.facebook.com/profile.php?id=1361072270#/pages/New-Books-In-History/23393718791?ref=ts">Facebook</a> if you haven’t already.</p>]]>
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      <itunes:duration>3074</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksinhistory.com/?p=336]]></guid>
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      <title>Ray Boomhower, “Robert F. Kennedy and the 1968 Indiana Primary” (Indiana UP, 2008)</title>
      <description>As some of you may be aware, there’s a big election coming up. Yes, it’s time to pick a new auditor for Iowa City, Iowa, my hometown. It’s a hotly contested race between a jerk with a drinking problem and a twenty-four-year-old who ran a cake business into the ground. The pundits are having a field day.
And then there’s the presidential race between McCain and Obama. That’s been in the news as well round these parts. It sort of reminds one of the race-that-almost-was between Richard Milhouse Nixon and RFK in 1968. Nixon wanted to give us “peace with honor” and RFK wanted us “out now.” With this parallel in mind we are happy to have Ray E. Boomhower on the show today. We’ll be talking about his fascinating book  Robert F. Kennedy and the 1968 Indiana Primary (Indiana UP, 2008). It’s a very enlightening bit of scholarship. I was under the impression that RFK was somehow destined to run against Johnson in ’68. Not so! He came in only after Eugene McCarthy showed LBJ’s vulnerability to a strong anti-war message. RFK saw his chance, and took it. I was also under the impression that RFK would have doubtless won the Democratic nomination had he not been assassinated. Again, not so! McCarthy gave RFK a run for his money, and a very strong Humphrey was waiting in the wings. As Ray shows, RFK ran well in Indiana (and gave a speech on the day Martin Luther King was killed for which he is justly famous), but faltered elsewhere.
Would RFK, had he been nominated, defeated Nixon? Nothing is sure in politics, as we in the United States are about to find out on November 4. Happy Election Day!
Please become a fan of “New Books in History” on Facebook if you haven’t already.</description>
      <pubDate>Thu, 23 Oct 2008 22:31:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>As some of you may be aware, there’s a big election coming up. Yes, it’s time to pick a new auditor for Iowa City, Iowa, my hometown. It’s a hotly contested race between a jerk with a drinking problem and a twenty-four-year-old who ran a cake business ...</itunes:subtitle>
      <itunes:summary>As some of you may be aware, there’s a big election coming up. Yes, it’s time to pick a new auditor for Iowa City, Iowa, my hometown. It’s a hotly contested race between a jerk with a drinking problem and a twenty-four-year-old who ran a cake business into the ground. The pundits are having a field day.
And then there’s the presidential race between McCain and Obama. That’s been in the news as well round these parts. It sort of reminds one of the race-that-almost-was between Richard Milhouse Nixon and RFK in 1968. Nixon wanted to give us “peace with honor” and RFK wanted us “out now.” With this parallel in mind we are happy to have Ray E. Boomhower on the show today. We’ll be talking about his fascinating book  Robert F. Kennedy and the 1968 Indiana Primary (Indiana UP, 2008). It’s a very enlightening bit of scholarship. I was under the impression that RFK was somehow destined to run against Johnson in ’68. Not so! He came in only after Eugene McCarthy showed LBJ’s vulnerability to a strong anti-war message. RFK saw his chance, and took it. I was also under the impression that RFK would have doubtless won the Democratic nomination had he not been assassinated. Again, not so! McCarthy gave RFK a run for his money, and a very strong Humphrey was waiting in the wings. As Ray shows, RFK ran well in Indiana (and gave a speech on the day Martin Luther King was killed for which he is justly famous), but faltered elsewhere.
Would RFK, had he been nominated, defeated Nixon? Nothing is sure in politics, as we in the United States are about to find out on November 4. Happy Election Day!
Please become a fan of “New Books in History” on Facebook if you haven’t already.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As some of you may be aware, there’s a big election coming up. Yes, it’s time to pick a new auditor for Iowa City, Iowa, my hometown. It’s a hotly contested race between a jerk with a drinking problem and a twenty-four-year-old who ran a cake business into the ground. The pundits are having a <a href="http://www.press-citizen.com/apps/pbcs.dll/article?AID=/20081022/OPINION03/810220312/1001/NEWS">field day</a>.</p><p>And then there’s the presidential race between McCain and Obama. That’s been in the news as well round these parts. It sort of reminds one of the race-that-almost-was between Richard Milhouse Nixon and RFK in 1968. Nixon wanted to give us “peace with honor” and RFK wanted us “out now.” With this parallel in mind we are happy to have <a href="http://www.h-net.org/people/editors/show.cgi?ID=124212">Ray E. Boomhower</a> on the show today. We’ll be talking about his fascinating book <a href="http://www.amazon.com/dp/0253350891/?tag=newbooinhis-20"> Robert F. Kennedy and the 1968 Indiana Primary</a> (Indiana UP, 2008). It’s a very enlightening bit of scholarship. I was under the impression that RFK was somehow destined to run against Johnson in ’68. Not so! He came in only after Eugene McCarthy showed LBJ’s vulnerability to a strong anti-war message. RFK saw his chance, and took it. I was also under the impression that RFK would have doubtless won the Democratic nomination had he not been assassinated. Again, not so! McCarthy gave RFK a run for his money, and a very strong Humphrey was waiting in the wings. As Ray shows, RFK ran well in Indiana (and gave a speech on the day Martin Luther King was killed for which he is justly famous), but faltered elsewhere.</p><p>Would RFK, had he been nominated, defeated Nixon? Nothing is sure in politics, as we in the United States are about to find out on November 4. Happy Election Day!</p><p>Please become a fan of “New Books in History” on <a href="http://www.facebook.com/profile.php?id=1361072270#/pages/New-Books-In-History/23393718791?ref=ts">Facebook</a> if you haven’t already.</p>]]>
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      <itunes:duration>3454</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Alex Rabinowitch, “Prelude to Revolution: The Petrograd Bolsheviks and the July 1917 Uprising” (Indiana UP, 2008)</title>
      <description>It’s hard to know what to think about the Russian Revolution of 1917. Was it a military coup led by a band of ideological fanatics bent on the seizure of power? Was it a popular uprising led by an iron-willed party against a bankrupt political order? Or something else? The debate began immediately after the October Revolution and continues to this day. No one is in a better position to answer these and related questions about early Soviet power than Alex Rabinowitch. For over forty years he has been at the forefront of scholars trying to figure out just what happened in 1917 and the years that followed. His Prelude to Revolution. The Petrograd Bolsheviks and the July 1917 Uprising (Indiana UP, 1968) was “revisionist” before Revisionism and remains a classic of Soviet history today. The same might be said of his follow up book, The Bolsheviks Come to Power. The Revolution of 1917 in Petrograd (Norton, 1976; Haymarket, 2004). Now Professor Rabinowitch has treated us with yet a third installment in what is destined to become the standard work on the Bolsheviks in the Revolutionary period: The Bolsheviks in Power. The First Year of Soviet Rule in Petrograd (Indiana UP, 2008). The book, as we might well expect, is terribly impressive. It does all the things critical history should: debunks myths, establishes facts, and sets the story in a framework that makes what happened understandable. Thanks to Professor Rabinowitch’s work, it’s now much easier to know what to think about the Russian Revolution.
Please become a fan of “New Books in History” on Facebook if you haven’t already.</description>
      <pubDate>Tue, 16 Sep 2008 00:57:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>It’s hard to know what to think about the Russian Revolution of 1917. Was it a military coup led by a band of ideological fanatics bent on the seizure of power? Was it a popular uprising led by an iron-willed party against a bankrupt political order?</itunes:subtitle>
      <itunes:summary>It’s hard to know what to think about the Russian Revolution of 1917. Was it a military coup led by a band of ideological fanatics bent on the seizure of power? Was it a popular uprising led by an iron-willed party against a bankrupt political order? Or something else? The debate began immediately after the October Revolution and continues to this day. No one is in a better position to answer these and related questions about early Soviet power than Alex Rabinowitch. For over forty years he has been at the forefront of scholars trying to figure out just what happened in 1917 and the years that followed. His Prelude to Revolution. The Petrograd Bolsheviks and the July 1917 Uprising (Indiana UP, 1968) was “revisionist” before Revisionism and remains a classic of Soviet history today. The same might be said of his follow up book, The Bolsheviks Come to Power. The Revolution of 1917 in Petrograd (Norton, 1976; Haymarket, 2004). Now Professor Rabinowitch has treated us with yet a third installment in what is destined to become the standard work on the Bolsheviks in the Revolutionary period: The Bolsheviks in Power. The First Year of Soviet Rule in Petrograd (Indiana UP, 2008). The book, as we might well expect, is terribly impressive. It does all the things critical history should: debunks myths, establishes facts, and sets the story in a framework that makes what happened understandable. Thanks to Professor Rabinowitch’s work, it’s now much easier to know what to think about the Russian Revolution.
Please become a fan of “New Books in History” on Facebook if you haven’t already.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s hard to know what to think about the Russian Revolution of 1917. Was it a military coup led by a band of ideological fanatics bent on the seizure of power? Was it a popular uprising led by an iron-willed party against a bankrupt political order? Or something else? The debate began immediately after the October Revolution and continues to this day. No one is in a better position to answer these and related questions about early Soviet power than <a href="http://en.wikipedia.org/wiki/Alexander_Rabinowitch">Alex Rabinowitch</a>. For over forty years he has been at the forefront of scholars trying to figure out just what happened in 1917 and the years that followed. His Prelude to Revolution. The Petrograd Bolsheviks and the July 1917 Uprising (Indiana UP, 1968) was “revisionist” before Revisionism and remains a classic of Soviet history today. The same might be said of his follow up book, <a href="http://www.amazon.com/dp/0253206618/?tag=newbooinhis-20">The Bolsheviks Come to Power. The Revolution of 1917 in Petrograd </a>(Norton, 1976; Haymarket, 2004). Now Professor Rabinowitch has treated us with yet a third installment in what is destined to become the standard work on the Bolsheviks in the Revolutionary period: <a href="http://www.iupress.indiana.edu/catalog/product_info.php?products_id=44963">The Bolsheviks in Power. The First Year of Soviet Rule in Petrograd </a>(Indiana UP, 2008). The book, as we might well expect, is terribly impressive. It does all the things critical history should: debunks myths, establishes facts, and sets the story in a framework that makes what happened understandable. Thanks to Professor Rabinowitch’s work, it’s now much easier to know what to think about the Russian Revolution.</p><p>Please become a fan of “New Books in History” on <a href="http://www.facebook.com/profile.php?id=1361072270#/pages/New-Books-In-History/23393718791?ref=ts">Facebook</a> if you haven’t already.</p>]]>
      </content:encoded>
      <itunes:duration>4383</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Malcolm Rohrbough, “The Trans-Appalachian Frontier: People, Societies, and Institutions, 1775-1850” (Indiana UP, 2008)</title>
      <description>Welcome to New Books in History. In this, our inaugural podcast, we’re honored to have Malcolm Rohrbough on the show. As many of you may know, Mac is a distinguished historian of the American West at the University of Iowa. He’s the author of many books and articles, among them The Land Office Business: The Settlement and Administration of American Public Lands, 1789-1837 (Oxford University Press, 1968), Aspen: The History of a Silver Mining Town, 1879-1893 (Oxford University Press, 1986) and Days of Gold: The California Gold Rush and the American Nation (University of California Press, 1997). In this show, however, we talk to Mac about his book The Trans-Appalachian Frontier: People, Societies, and Institutions, 1775-1850. It was originally published by Oxford University Press in 1968, but an expanded and revised edition of the book has just been released by Indiana University Press. Andrew Cayton of Miami University calls The Trans-Appalachian Frontier “the definitive history of the subject” and says “nothing approaches it in the scope of its coverage.” We hope you enjoy the interview.
Please become a fan of “New Books in History” on Facebook if you haven’t already.</description>
      <pubDate>Sat, 26 Jan 2008 02:39:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Welcome to New Books in History. In this, our inaugural podcast, we’re honored to have Malcolm Rohrbough on the show. As many of you may know, Mac is a distinguished historian of the American West at the University of Iowa.</itunes:subtitle>
      <itunes:summary>Welcome to New Books in History. In this, our inaugural podcast, we’re honored to have Malcolm Rohrbough on the show. As many of you may know, Mac is a distinguished historian of the American West at the University of Iowa. He’s the author of many books and articles, among them The Land Office Business: The Settlement and Administration of American Public Lands, 1789-1837 (Oxford University Press, 1968), Aspen: The History of a Silver Mining Town, 1879-1893 (Oxford University Press, 1986) and Days of Gold: The California Gold Rush and the American Nation (University of California Press, 1997). In this show, however, we talk to Mac about his book The Trans-Appalachian Frontier: People, Societies, and Institutions, 1775-1850. It was originally published by Oxford University Press in 1968, but an expanded and revised edition of the book has just been released by Indiana University Press. Andrew Cayton of Miami University calls The Trans-Appalachian Frontier “the definitive history of the subject” and says “nothing approaches it in the scope of its coverage.” We hope you enjoy the interview.
Please become a fan of “New Books in History” on Facebook if you haven’t already.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Welcome to New Books in History. In this, our inaugural podcast, we’re honored to have <a href="http://www.uiowa.edu/~history/People/rohrbough.html">Malcolm Rohrbough</a> on the show. As many of you may know, Mac is a distinguished historian of the American West at the University of Iowa. He’s the author of many books and articles, among them The Land Office Business: The Settlement and Administration of American Public Lands, 1789-1837 (Oxford University Press, 1968), Aspen: The History of a Silver Mining Town, 1879-1893 (Oxford University Press, 1986) and Days of Gold: The California Gold Rush and the American Nation (University of California Press, 1997). In this show, however, we talk to Mac about his book <a href="http://www.amazon.com/dp/0253219329/?tag=newbooinhis-20">The Trans-Appalachian Frontier: People, Societies, and Institutions, 1775-1850</a>. It was originally published by Oxford University Press in 1968, but an expanded and revised edition of the book has just been released by <a href="http://www.iupress.indiana.edu/catalog/product_info.php?products_id=41768">Indiana University Press</a>. Andrew Cayton of Miami University calls The Trans-Appalachian Frontier “the definitive history of the subject” and says “nothing approaches it in the scope of its coverage.” We hope you enjoy the interview.</p><p>Please become a fan of “New Books in History” on <a href="http://www.facebook.com/profile.php?id=1361072270#/pages/New-Books-In-History/23393718791?ref=ts">Facebook</a> if you haven’t already.</p>]]>
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      <itunes:duration>3065</itunes:duration>
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