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    <title>The University of Georgia Press Podcast</title>
    <link>https://newbooksnetwork.com</link>
    <language>en</language>
    <copyright>New Books Network</copyright>
    <description>Interviews with authors of University of Georgia Press books.</description>
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      <title>The University of Georgia Press Podcast</title>
      <link>https://newbooksnetwork.com</link>
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    <itunes:summary>Interviews with authors of University of Georgia Press books.</itunes:summary>
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      <![CDATA[<p>Interviews with authors of University of Georgia Press books.</p>]]>
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    <itunes:owner>
      <itunes:name>New Books Network</itunes:name>
      <itunes:email>marshallpoe@newbooksnetwork.com</itunes:email>
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    <itunes:category text="Arts">
      <itunes:category text="Books"/>
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    <itunes:category text="Education">
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      <title>Stephen Legg, "Spaces of Anticolonialism: Delhi's Urban Governmentalities" (U Georgia Press, 2025)</title>
      <description>Spaces of Anticolonialism: Delhi's Urban Governmentalities (U Georgia Press, 2025) is the first book-length account of anticolonialism in Delhi, as the capital of Britain's empire in India. It pioneers a spatial governmentality analysis of the networks, mobilizations, and hidden spaces of anticolonial parrhesia, or courageous speech and actions, in the two decades before independence in 1947. Reading across imperial and nationalist archives, newspapers, memoirs, oral histories, and interviews, Stephen Legg exposes subaltern geographies and struggles across both the new and old cities, which have traditionally been neglected in favor of the elite spaces of New Delhi. Presenting the dual cities as one interconnected political landscape, Legg studies Indian National Congress efforts to mobilize and marshal support between the mass movements of Civil Disobedience (1930-34) and Quit India (1942-43). The book's six chapters compare the two movements in terms of their public spaces of nonviolent anticolonialism, their problematization by violence, and their legacies. This bottom-up analysis, focused on the streets, bazaars, neighborhoods, homes, and undergrounds of the two cities, foregrounds the significance of physical and political space; it  highlights the pioneering role of women in crafting these spaces; and it exposes the microtechniques that Congress used to encourage Gandhi's nonviolence and to tolerate its testing in the face of the rising popularity of the radical left. Legg's rereading of Michel Foucault's final lectures on parrhesia produces a bold new approach to questions of postcolonialism, resistance, and South Asian governmentalities. This allows anticolonialism to be read not as an outside but as a coherent and bottom-up project of self-transformation and space-making that was elite coordinated but whose sovereignty lay with a disobedient and not always nonviolent public. This book provides an innovative and restive historical geography of spaces of anticolonialism in the capital of contemporary India's 1.4 billion people.

Stephen Legg is Professor of Historical Geography at University of NottinghamSaumya Dadoo is a Ph.D Candidate at MESAAS, Columbia University.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 23 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Spaces of Anticolonialism: Delhi's Urban Governmentalities (U Georgia Press, 2025) is the first book-length account of anticolonialism in Delhi, as the capital of Britain's empire in India. It pioneers a spatial governmentality analysis of the networks, mobilizations, and hidden spaces of anticolonial parrhesia, or courageous speech and actions, in the two decades before independence in 1947. Reading across imperial and nationalist archives, newspapers, memoirs, oral histories, and interviews, Stephen Legg exposes subaltern geographies and struggles across both the new and old cities, which have traditionally been neglected in favor of the elite spaces of New Delhi. Presenting the dual cities as one interconnected political landscape, Legg studies Indian National Congress efforts to mobilize and marshal support between the mass movements of Civil Disobedience (1930-34) and Quit India (1942-43). The book's six chapters compare the two movements in terms of their public spaces of nonviolent anticolonialism, their problematization by violence, and their legacies. This bottom-up analysis, focused on the streets, bazaars, neighborhoods, homes, and undergrounds of the two cities, foregrounds the significance of physical and political space; it  highlights the pioneering role of women in crafting these spaces; and it exposes the microtechniques that Congress used to encourage Gandhi's nonviolence and to tolerate its testing in the face of the rising popularity of the radical left. Legg's rereading of Michel Foucault's final lectures on parrhesia produces a bold new approach to questions of postcolonialism, resistance, and South Asian governmentalities. This allows anticolonialism to be read not as an outside but as a coherent and bottom-up project of self-transformation and space-making that was elite coordinated but whose sovereignty lay with a disobedient and not always nonviolent public. This book provides an innovative and restive historical geography of spaces of anticolonialism in the capital of contemporary India's 1.4 billion people.

Stephen Legg is Professor of Historical Geography at University of NottinghamSaumya Dadoo is a Ph.D Candidate at MESAAS, Columbia University.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780820367842"><em>Spaces of Anticolonialism: Delhi's Urban Governmentalities</em></a> (U Georgia Press, 2025) is the first book-length account of anticolonialism in Delhi, as the capital of Britain's empire in India. It pioneers a spatial governmentality analysis of the networks, mobilizations, and hidden spaces of anticolonial parrhesia, or courageous speech and actions, in the two decades before independence in 1947. Reading across imperial and nationalist archives, newspapers, memoirs, oral histories, and interviews, Stephen Legg exposes subaltern geographies and struggles across both the new and old cities, which have traditionally been neglected in favor of the elite spaces of New Delhi. Presenting the dual cities as one interconnected political landscape, Legg studies Indian National Congress efforts to mobilize and marshal support between the mass movements of Civil Disobedience (1930-34) and Quit India (1942-43). The book's six chapters compare the two movements in terms of their public spaces of nonviolent anticolonialism, their problematization by violence, and their legacies. This bottom-up analysis, focused on the streets, bazaars, neighborhoods, homes, and undergrounds of the two cities, foregrounds the significance of physical and political space; it  highlights the pioneering role of women in crafting these spaces; and it exposes the microtechniques that Congress used to encourage Gandhi's nonviolence and to tolerate its testing in the face of the rising popularity of the radical left. Legg's rereading of Michel Foucault's final lectures on parrhesia produces a bold new approach to questions of postcolonialism, resistance, and South Asian governmentalities. This allows anticolonialism to be read not as an outside but as a coherent and bottom-up project of self-transformation and space-making that was elite coordinated but whose sovereignty lay with a disobedient and not always nonviolent public. This book provides an innovative and restive historical geography of spaces of anticolonialism in the capital of contemporary India's 1.4 billion people.</p>
<p><a href="https://www.nottingham.ac.uk/geography/people/stephen.legg">Stephen Legg</a><em> is Professor of Historical Geography at University of Nottingham</em><br><em>Saumya Dadoo is a Ph.D Candidate at MESAAS, Columbia University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>Caroline Peyton, "Radioactive Dixie: A Nuclear History of the American South" (U Georgia Press, 2025)</title>
      <description>How and why did the South’s history, culture, and politics shape the region’s nuclear and energy industries? And how is that history linked to broader developments in the nuclear and energy industries—nationally and globally? Radioactive Dixie: A Nuclear History of the American South (U Georgia Press, 2025) by Dr. Caroline Peyton answers those questions as it traces the origins of the U.S. South’s love affair with the atom.The South contains more nuclear reactors than any other region in the United States and much of the nation’s radioactive waste. This book shows how the South’s atomic footprint resulted from a decades-long effort by Southern politicians, industry figures, universities, and government officials to transform the American South into a nuclear-oriented region. Waving the atomic talisman, the nuclear industry served as one pivotal part in a larger project of regional modernization—a process that began in the nineteenth century and lasted more than a century. From this perspective, bomb plants and nuclear reactors promised to expand the South’s economy and to cast its identity as a center of modern industry, science, and engineering and as a producer of cheap, limitless energy. Radioactive Dixie is the first book to chronicle this regional story that had national implications. Southern history informed national siting decisions, regulatory oversight, and attitudes toward the various nuclear projects that proliferated in the post–World War II period.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 17 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>How and why did the South’s history, culture, and politics shape the region’s nuclear and energy industries? And how is that history linked to broader developments in the nuclear and energy industries—nationally and globally? Radioactive Dixie: A Nuclear History of the American South (U Georgia Press, 2025) by Dr. Caroline Peyton answers those questions as it traces the origins of the U.S. South’s love affair with the atom.The South contains more nuclear reactors than any other region in the United States and much of the nation’s radioactive waste. This book shows how the South’s atomic footprint resulted from a decades-long effort by Southern politicians, industry figures, universities, and government officials to transform the American South into a nuclear-oriented region. Waving the atomic talisman, the nuclear industry served as one pivotal part in a larger project of regional modernization—a process that began in the nineteenth century and lasted more than a century. From this perspective, bomb plants and nuclear reactors promised to expand the South’s economy and to cast its identity as a center of modern industry, science, and engineering and as a producer of cheap, limitless energy. Radioactive Dixie is the first book to chronicle this regional story that had national implications. Southern history informed national siting decisions, regulatory oversight, and attitudes toward the various nuclear projects that proliferated in the post–World War II period.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How and why did the South’s history, culture, and politics shape the region’s nuclear and energy industries? And how is that history linked to broader developments in the nuclear and energy industries—nationally and globally? <a href="https://bookshop.org/a/12343/9780820373997">Radioactive Dixie: A Nuclear History of the American South</a> (U Georgia Press, 2025) by Dr. Caroline Peyton answers those questions as it traces the origins of the U.S. South’s love affair with the atom.<br>The South contains more nuclear reactors than any other region in the United States and much of the nation’s radioactive waste. This book shows how the South’s atomic footprint resulted from a decades-long effort by Southern politicians, industry figures, universities, and government officials to transform the American South into a nuclear-oriented region. Waving the atomic talisman, the nuclear industry served as one pivotal part in a larger project of regional modernization—a process that began in the nineteenth century and lasted more than a century. From this perspective, bomb plants and nuclear reactors promised to expand the South’s economy and to cast its identity as a center of modern industry, science, and engineering and as a producer of cheap, limitless energy. <em>Radioactive Dixie</em> is the first book to chronicle this regional story that had national implications. Southern history informed national siting decisions, regulatory oversight, and attitudes toward the various nuclear projects that proliferated in the post–World War II period.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <itunes:duration>3064</itunes:duration>
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      <title>Sylvia D. Hoffert, "Wagging Tongues and Tittle Tattle: Gossip, Rumor, and Reputation in a Small Southern Town" (U Georgia Press, 2025)</title>
      <description>In Wagging Tongues and Tittle Tattle: Gossip, Rumor, and Reputation in a Small Southern Town (University of Georgia Press, 2025), Dr. Sylvia Hoffert calls on a particularly rich collection of primary sources, including diaries, letters, oral histories, census data, court documents, church records, and psychiatric hospital logs, all relating to Hillsborough, North Carolina, to argue that gossip and rumor were central to the formation of interpersonal relationships and an integral part of small-town life in the antebellum South. They exposed the insecurities and anxieties of the town’s inhabitants. Indeed, they served as important weapons in the power struggle between the white slaveholding elite—who tried to exert, maintain, and consolidate their control over community life—and the Black, white, and mixed-race men and women, free and enslaved, who did their best to challenge the socioeconomic status quo. And they exposed fissures in the social fabric that discretion, good manners, and historical amnesia could not obscure.

The result was that, on a day-to-day basis, the shady streets of Hillsborough may have seemed peaceful to the casual observer. But underneath all that tranquility, the town was ripe with competition and conflict as the inhabitants used gossip to negotiate relationships with their neighbors and make places for themselves in the social, economic, and political hierarchy of the community.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 08 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Wagging Tongues and Tittle Tattle: Gossip, Rumor, and Reputation in a Small Southern Town (University of Georgia Press, 2025), Dr. Sylvia Hoffert calls on a particularly rich collection of primary sources, including diaries, letters, oral histories, census data, court documents, church records, and psychiatric hospital logs, all relating to Hillsborough, North Carolina, to argue that gossip and rumor were central to the formation of interpersonal relationships and an integral part of small-town life in the antebellum South. They exposed the insecurities and anxieties of the town’s inhabitants. Indeed, they served as important weapons in the power struggle between the white slaveholding elite—who tried to exert, maintain, and consolidate their control over community life—and the Black, white, and mixed-race men and women, free and enslaved, who did their best to challenge the socioeconomic status quo. And they exposed fissures in the social fabric that discretion, good manners, and historical amnesia could not obscure.

The result was that, on a day-to-day basis, the shady streets of Hillsborough may have seemed peaceful to the casual observer. But underneath all that tranquility, the town was ripe with competition and conflict as the inhabitants used gossip to negotiate relationships with their neighbors and make places for themselves in the social, economic, and political hierarchy of the community.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780820374970">Wagging Tongues and Tittle Tattle: Gossip, Rumor, and Reputation in a Small Southern Town</a> (University of Georgia Press, 2025), Dr. Sylvia Hoffert calls on a particularly rich collection of primary sources, including diaries, letters, oral histories, census data, court documents, church records, and psychiatric hospital logs, all relating to Hillsborough, North Carolina, to argue that gossip and rumor were central to the formation of interpersonal relationships and an integral part of small-town life in the antebellum South. They exposed the insecurities and anxieties of the town’s inhabitants. Indeed, they served as important weapons in the power struggle between the white slaveholding elite—who tried to exert, maintain, and consolidate their control over community life—and the Black, white, and mixed-race men and women, free and enslaved, who did their best to challenge the socioeconomic status quo. And they exposed fissures in the social fabric that discretion, good manners, and historical amnesia could not obscure.</p>
<p>The result was that, on a day-to-day basis, the shady streets of Hillsborough may have seemed peaceful to the casual observer. But underneath all that tranquility, the town was ripe with competition and conflict as the inhabitants used gossip to negotiate relationships with their neighbors and make places for themselves in the social, economic, and political hierarchy of the community.</p>
<p><br><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <itunes:duration>2781</itunes:duration>
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      <title>Beau Cleland, "Between King Cotton and Queen Victoria: How Pirates, Smugglers, and Scoundrels Almost Saved the Confederacy" (U Georgia Press, 2025)</title>
      <description>Between King Cotton and Queen Victoria: How Pirates, Smugglers, and Scoundrels Almost Saved the Confederacy (U Georgia Press, 2025) by Dr. Beau Cleland recenters our understanding of the Civil War by framing it as a hemispheric affair, deeply influenced by the actions of a network of private parties and minor officials in the Confederacy and British territory in and around North America. John Wilkes Booth likely would not have been in a position to assassinate Abraham Lincoln, for example, without the logistical support and assistance of the pro-Confederate network in Canada. That network, to which he was personally introduced in Montreal in the fall of 1864, was hosted and facilitated by willing colonials across the hemisphere. Many of its Confederate members arrived in British North America via a long-established transportation and communications network built around British colonies, especially Bermuda and the Bahamas, whose primary purpose was running the blockade.

It is difficult to overstate how essential blockade running was for the rebellion’s survival, and it would have been impossible without the aid of sympathetic colonials. The operations of this informal, semiprivate network were of enormous consequence for the course of the war and its aftermath, and our understanding of the Civil War is incomplete without a deeper reckoning with the power and potential for chaos of these private networks imbued with the power of a state.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 07 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Between King Cotton and Queen Victoria: How Pirates, Smugglers, and Scoundrels Almost Saved the Confederacy (U Georgia Press, 2025) by Dr. Beau Cleland recenters our understanding of the Civil War by framing it as a hemispheric affair, deeply influenced by the actions of a network of private parties and minor officials in the Confederacy and British territory in and around North America. John Wilkes Booth likely would not have been in a position to assassinate Abraham Lincoln, for example, without the logistical support and assistance of the pro-Confederate network in Canada. That network, to which he was personally introduced in Montreal in the fall of 1864, was hosted and facilitated by willing colonials across the hemisphere. Many of its Confederate members arrived in British North America via a long-established transportation and communications network built around British colonies, especially Bermuda and the Bahamas, whose primary purpose was running the blockade.

It is difficult to overstate how essential blockade running was for the rebellion’s survival, and it would have been impossible without the aid of sympathetic colonials. The operations of this informal, semiprivate network were of enormous consequence for the course of the war and its aftermath, and our understanding of the Civil War is incomplete without a deeper reckoning with the power and potential for chaos of these private networks imbued with the power of a state.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780820375267">Between King Cotton and Queen Victoria: How Pirates, Smugglers, and Scoundrels Almost Saved the Confederacy</a> (U Georgia Press, 2025) by Dr. Beau Cleland recenters our understanding of the Civil War by framing it as a hemispheric affair, deeply influenced by the actions of a network of private parties and minor officials in the Confederacy and British territory in and around North America. John Wilkes Booth likely would not have been in a position to assassinate Abraham Lincoln, for example, without the logistical support and assistance of the pro-Confederate network in Canada. That network, to which he was personally introduced in Montreal in the fall of 1864, was hosted and facilitated by willing colonials across the hemisphere. Many of its Confederate members arrived in British North America via a long-established transportation and communications network built around British colonies, especially Bermuda and the Bahamas, whose primary purpose was running the blockade.</p>
<p>It is difficult to overstate how essential blockade running was for the rebellion’s survival, and it would have been impossible without the aid of sympathetic colonials. The operations of this informal, semiprivate network were of enormous consequence for the course of the war and its aftermath, and our understanding of the Civil War is incomplete without a deeper reckoning with the power and potential for chaos of these private networks imbued with the power of a state.</p>
<p><br><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3818</itunes:duration>
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      <title>Gregory S. Wilson, "Poison Powder: The Kepone Disaster in Virginia and Its Legacy" (U Georgia Press, 2023) </title>
      <description>In 1975 workers at Life Science Products, a small makeshift pesticide factory in Hopewell, Virginia, became ill after exposure to Kepone, the brand name for the pesticide chlordecone. They made the poison under contract for a much larger Hopewell company, Allied Chemical. Life Science workers had been breathing in the dust for more than a year. Ingestion of the chemical made their bodies seize and shake. News of ill workers eventually led to the discovery of widespread environmental contamination of the nearby James River and the landscape of the small, working-class city. Not only had Life Science dumped the chemical, but so had Allied when the company manufactured it in the 1960s and early 1970s. The resulting toxic impact was not only on the city of Hopewell but also on the faraway fields where Kepone was used as an insecticide.Aspects of this environmental tragedy are all too common: corporate avarice, ignorance, and regulatory failure combined with race and geography to determine toxicity and shape the response. But the Kepone story also contains some surprising medical, legal, and political moments amid the disaster. With ﻿Poison Powder: The Kepone Disaster in Virginia and Its Legacy ﻿(U Georgia Press, 2023) Gregory S. Wilson explores the conditions that put the Kepone factory and the workers there in the first place and the effects of the poison on the people and natural world long after 1975. Although the manufacture and use of Kepone is now banned by the Environmental Protection Agency, organochlorines have long half-lives, and these toxic compounds and their residues still remain in the environment.

Matthew Powell is a doctoral student studying history at the University of Georgia. He focuses on the intersection of environmental and labor history, looking at how workers understand the natural world around them.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 07 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In 1975 workers at Life Science Products, a small makeshift pesticide factory in Hopewell, Virginia, became ill after exposure to Kepone, the brand name for the pesticide chlordecone. They made the poison under contract for a much larger Hopewell company, Allied Chemical. Life Science workers had been breathing in the dust for more than a year. Ingestion of the chemical made their bodies seize and shake. News of ill workers eventually led to the discovery of widespread environmental contamination of the nearby James River and the landscape of the small, working-class city. Not only had Life Science dumped the chemical, but so had Allied when the company manufactured it in the 1960s and early 1970s. The resulting toxic impact was not only on the city of Hopewell but also on the faraway fields where Kepone was used as an insecticide.Aspects of this environmental tragedy are all too common: corporate avarice, ignorance, and regulatory failure combined with race and geography to determine toxicity and shape the response. But the Kepone story also contains some surprising medical, legal, and political moments amid the disaster. With ﻿Poison Powder: The Kepone Disaster in Virginia and Its Legacy ﻿(U Georgia Press, 2023) Gregory S. Wilson explores the conditions that put the Kepone factory and the workers there in the first place and the effects of the poison on the people and natural world long after 1975. Although the manufacture and use of Kepone is now banned by the Environmental Protection Agency, organochlorines have long half-lives, and these toxic compounds and their residues still remain in the environment.

Matthew Powell is a doctoral student studying history at the University of Georgia. He focuses on the intersection of environmental and labor history, looking at how workers understand the natural world around them.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1975 workers at Life Science Products, a small makeshift pesticide factory in Hopewell, Virginia, became ill after exposure to Kepone, the brand name for the pesticide chlordecone. They made the poison under contract for a much larger Hopewell company, Allied Chemical. Life Science workers had been breathing in the dust for more than a year. Ingestion of the chemical made their bodies seize and shake. News of ill workers eventually led to the discovery of widespread environmental contamination of the nearby James River and the landscape of the small, working-class city. Not only had Life Science dumped the chemical, but so had Allied when the company manufactured it in the 1960s and early 1970s. The resulting toxic impact was not only on the city of Hopewell but also on the faraway fields where Kepone was used as an insecticide.<br>Aspects of this environmental tragedy are all too common: corporate avarice, ignorance, and regulatory failure combined with race and geography to determine toxicity and shape the response. But the Kepone story also contains some surprising medical, legal, and political moments amid the disaster. With <em>﻿</em><a href="https://bookshop.org/a/12343/9780820363479">Poison Powder: The Kepone Disaster in Virginia and Its Legacy</a><em> </em>﻿(U Georgia Press, 2023) Gregory S. Wilson explores the conditions that put the Kepone factory and the workers there in the first place and the effects of the poison on the people and natural world long after 1975. Although the manufacture and use of Kepone is now banned by the Environmental Protection Agency, organochlorines have long half-lives, and these toxic compounds and their residues still remain in the environment.</p>
<p><a href="https://history.uga.edu/directory/people/matthew-powell">Matthew Powell</a> is a doctoral student studying history at the University of Georgia. He focuses on the intersection of environmental and labor history, looking at how workers understand the natural world around them.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4188</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[85321dee-d1aa-11f0-b59c-eb8b42db94e3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3552539340.mp3?updated=1764919349" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Marc Sommers, "We the Young Fighters: Pop Culture, Terror, and War in Sierra Leone" (U Georgia Press, 2023)</title>
      <description>We the Young Fighters: Pop Culture, Terror, and War in Sierra Leone (U Georgia Press, 2023) by Dr. Marc Sommers is at once a history of a nation, the story of a war, and the saga of downtrodden young people and three pop culture superstars. Reggae idol Bob Marley, rap legend Tupac Shakur, and the John Rambo movie character all portrayed an upside-down world, where those in the right are blamed while the powerful attack them. Their collective example found fertile ground in the West African nation of Sierra Leone, where youth were entrapped, inequality was blatant, and dissent was impossible.When warfare spotlighting diamonds, marijuana, and extreme terror began in 1991, military leaders exploited the trio’s transcendent power over their young fighters and captives. Once the war expired, youth again turned to Marley for inspiration and Tupac for friendship.Thoroughly researched and accessibly written, We the Young Fighters probes terror-based warfare and how Tupac, Rambo, and—especially—Bob Marley wove their way into the fabric of alienation, resistance, and hope in Sierra Leone. The tale of pop culture heroes radicalizing warfare and shaping peacetime underscores the need to engage with alienated youth and reform predatory governments. The book ends with a framework for customizing the international response to these twin challenges.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 30 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We the Young Fighters: Pop Culture, Terror, and War in Sierra Leone (U Georgia Press, 2023) by Dr. Marc Sommers is at once a history of a nation, the story of a war, and the saga of downtrodden young people and three pop culture superstars. Reggae idol Bob Marley, rap legend Tupac Shakur, and the John Rambo movie character all portrayed an upside-down world, where those in the right are blamed while the powerful attack them. Their collective example found fertile ground in the West African nation of Sierra Leone, where youth were entrapped, inequality was blatant, and dissent was impossible.When warfare spotlighting diamonds, marijuana, and extreme terror began in 1991, military leaders exploited the trio’s transcendent power over their young fighters and captives. Once the war expired, youth again turned to Marley for inspiration and Tupac for friendship.Thoroughly researched and accessibly written, We the Young Fighters probes terror-based warfare and how Tupac, Rambo, and—especially—Bob Marley wove their way into the fabric of alienation, resistance, and hope in Sierra Leone. The tale of pop culture heroes radicalizing warfare and shaping peacetime underscores the need to engage with alienated youth and reform predatory governments. The book ends with a framework for customizing the international response to these twin challenges.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780820364759">We the Young Fighters: Pop Culture, Terror, and War in Sierra Leone</a> (U Georgia Press, 2023) by Dr. Marc Sommers is at once a history of a nation, the story of a war, and the saga of downtrodden young people and three pop culture superstars. Reggae idol Bob Marley, rap legend Tupac Shakur, and the John Rambo movie character all portrayed an upside-down world, where those in the right are blamed while the powerful attack them. Their collective example found fertile ground in the West African nation of Sierra Leone, where youth were entrapped, inequality was blatant, and dissent was impossible.<br>When warfare spotlighting diamonds, marijuana, and extreme terror began in 1991, military leaders exploited the trio’s transcendent power over their young fighters and captives. Once the war expired, youth again turned to Marley for inspiration and Tupac for friendship.<br>Thoroughly researched and accessibly written, <em>We the Young Fighters</em> probes terror-based warfare and how Tupac, Rambo, and—especially—Bob Marley wove their way into the fabric of alienation, resistance, and hope in Sierra Leone. The tale of pop culture heroes radicalizing warfare and shaping peacetime underscores the need to engage with alienated youth and reform predatory governments. The book ends with a framework for customizing the international response to these twin challenges.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4730</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[05670a34-caac-11f0-84f7-5720ffc5d3a3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8757096443.mp3?updated=1764150272" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Chanoff, "Anthony Benezet: Quaker, Abolitionist, Anti-Racist" (U Georgia Press, 2025)</title>
      <description>Wilberforce, Clarkson, Wesley. Britain’s great abolitionist activist Granville Sharp. Each of these consequential figures of the eighteenth-century Atlantic world were galvanized by the moral power of a modest Quaker teacher who never ventured more than a few miles from his home in Philadelphia: Anthony Benezet. While Benezet was buried in an unmarked grave, his fingerprints are all over the extinction of the Atlantic slave trade and the gathering strength of America’s own burgeoning abolitionist movement. He was a figure of global importance, “a saint,” Garry Wills called him, a great bearer to the rest of the world of the American ideals (no matter how compromised) of equality and liberty.Anthony Benezet lived, by chance, at the nexus of radical Christianity and revolutionary democracy, and he fused the power of those two streams of morality in a way that changed lives and challenged political institutions so compellingly that the world became a different place because of him. But for all the magnitude of Benezet’s impact, he is largely unknown outside scholars of the period. He does not exist in any meaningful way in the widely read histories and biographies that define and amplify America’s historical consciousness.In Anthony Benezet: Quaker, Abolitionist, Anti-Racist (U Georgia Press, 2025), preeminent biographer Dr. David Chanoff tells Benezet’s story—who he was, what he did, how he did it, and why it was that William Penn’s “Holy Experiment” of Pennsylvania provided the matrix for the historic transformation the abolitionist educator brought about. Indeed, Dr. Chanoff carves out a place for this forgotten American hero as a pioneering figure among those who launched American ideals onto the world stage.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 22 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Wilberforce, Clarkson, Wesley. Britain’s great abolitionist activist Granville Sharp. Each of these consequential figures of the eighteenth-century Atlantic world were galvanized by the moral power of a modest Quaker teacher who never ventured more than a few miles from his home in Philadelphia: Anthony Benezet. While Benezet was buried in an unmarked grave, his fingerprints are all over the extinction of the Atlantic slave trade and the gathering strength of America’s own burgeoning abolitionist movement. He was a figure of global importance, “a saint,” Garry Wills called him, a great bearer to the rest of the world of the American ideals (no matter how compromised) of equality and liberty.Anthony Benezet lived, by chance, at the nexus of radical Christianity and revolutionary democracy, and he fused the power of those two streams of morality in a way that changed lives and challenged political institutions so compellingly that the world became a different place because of him. But for all the magnitude of Benezet’s impact, he is largely unknown outside scholars of the period. He does not exist in any meaningful way in the widely read histories and biographies that define and amplify America’s historical consciousness.In Anthony Benezet: Quaker, Abolitionist, Anti-Racist (U Georgia Press, 2025), preeminent biographer Dr. David Chanoff tells Benezet’s story—who he was, what he did, how he did it, and why it was that William Penn’s “Holy Experiment” of Pennsylvania provided the matrix for the historic transformation the abolitionist educator brought about. Indeed, Dr. Chanoff carves out a place for this forgotten American hero as a pioneering figure among those who launched American ideals onto the world stage.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Wilberforce, Clarkson, Wesley. Britain’s great abolitionist activist Granville Sharp. Each of these consequential figures of the eighteenth-century Atlantic world were galvanized by the moral power of a modest Quaker teacher who never ventured more than a few miles from his home in Philadelphia: Anthony Benezet. While Benezet was buried in an unmarked grave, his fingerprints are all over the extinction of the Atlantic slave trade and the gathering strength of America’s own burgeoning abolitionist movement. He was a figure of global importance, “a saint,” Garry Wills called him, a great bearer to the rest of the world of the American ideals (no matter how compromised) of equality and liberty.<br>Anthony Benezet lived, by chance, at the nexus of radical Christianity and revolutionary democracy, and he fused the power of those two streams of morality in a way that changed lives and challenged political institutions so compellingly that the world became a different place because of him. But for all the magnitude of Benezet’s impact, he is largely unknown outside scholars of the period. He does not exist in any meaningful way in the widely read histories and biographies that define and amplify America’s historical consciousness.<br>In <a href="https://bookshop.org/a/12343/9780820374253">Anthony Benezet: Quaker, Abolitionist, Anti-Racist</a> (U Georgia Press, 2025), preeminent biographer Dr. David Chanoff tells Benezet’s story—who he was, what he did, how he did it, and why it was that William Penn’s “Holy Experiment” of Pennsylvania provided the matrix for the historic transformation the abolitionist educator brought about. Indeed, Dr. Chanoff carves out a place for this forgotten American hero as a pioneering figure among those who launched American ideals onto the world stage.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2810</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[607a1c52-c5e5-11f0-811e-b724945d2e1d]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6264811277.mp3?updated=1763625044" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Karen Auman, "The Good Forest: The Salzburgers, Success, and the Plan for Georgia" (U Georgia Press, 2024) </title>
      <description>The Good Forest: The Salzburgers, Success, and the Plan for Georgia (U Georgia Press, 2024) explores some of Georgia’s earliest settlers, the Salzburgers. 

Georgia, the last of Britain’s American mainland colonies, began with high aspirations to create a morally sound society based on small family farms with no enslaved workers. But those goals were not realized, and Georgia became a slave plantation society, following the Carolina model. This trajectory of failure is well known. But looking at the Salzburgers, who emigrated from Europe as part of the original plan, provides a very different story. 

The Good Forest reveals the experiences of the Salzburger migrants who came to Georgia with the support of British and German philanthropy, where they achieved self-sufficiency in the Ebenezer settlement while following the Trustees’ plans. Because their settlement comprised a significant portion of Georgia’s early population, their experiences provide a corrective to our understanding of early Georgia and help reveal the possibilities in Atlantic colonization as they built a cohesive community. 

The relative success of the Ebenezer settlement, furthermore, challenges the inherent environmental, cultural, and economic determinism that has dominated Georgia history. That well-worn narrative often implies (or even explicitly states) that only a slave-based plantation economy—as implemented after the Trustee era—could succeed. With this history, Auman illuminates the interwoven themes of Atlantic migrations, colonization, charity, and transatlantic religious networks.

Guest: Dr. Karen Auman is an assistant professor of history at Brigham Young University and a certified genealogist. She studies Germans during the colonial period in the Atlantic World, religion on the frontiers of America, migrations, and families.

Host: Lucy Smith Biemiller is an intended M.A. History student at the University of Georgia. She studies 18th and 19th material culture in the American South primarily as it relates to classical culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 20 Nov 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The Good Forest: The Salzburgers, Success, and the Plan for Georgia (U Georgia Press, 2024) explores some of Georgia’s earliest settlers, the Salzburgers. 

Georgia, the last of Britain’s American mainland colonies, began with high aspirations to create a morally sound society based on small family farms with no enslaved workers. But those goals were not realized, and Georgia became a slave plantation society, following the Carolina model. This trajectory of failure is well known. But looking at the Salzburgers, who emigrated from Europe as part of the original plan, provides a very different story. 

The Good Forest reveals the experiences of the Salzburger migrants who came to Georgia with the support of British and German philanthropy, where they achieved self-sufficiency in the Ebenezer settlement while following the Trustees’ plans. Because their settlement comprised a significant portion of Georgia’s early population, their experiences provide a corrective to our understanding of early Georgia and help reveal the possibilities in Atlantic colonization as they built a cohesive community. 

The relative success of the Ebenezer settlement, furthermore, challenges the inherent environmental, cultural, and economic determinism that has dominated Georgia history. That well-worn narrative often implies (or even explicitly states) that only a slave-based plantation economy—as implemented after the Trustee era—could succeed. With this history, Auman illuminates the interwoven themes of Atlantic migrations, colonization, charity, and transatlantic religious networks.

Guest: Dr. Karen Auman is an assistant professor of history at Brigham Young University and a certified genealogist. She studies Germans during the colonial period in the Atlantic World, religion on the frontiers of America, migrations, and families.

Host: Lucy Smith Biemiller is an intended M.A. History student at the University of Georgia. She studies 18th and 19th material culture in the American South primarily as it relates to classical culture.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780820366111">The Good Forest: The Salzburgers, Success, and the Plan for Georgia </a>(U Georgia Press, 2024) explores some of Georgia’s earliest settlers, the Salzburgers. </p>
<p>Georgia, the last of Britain’s American mainland colonies, began with high aspirations to create a morally sound society based on small family farms with no enslaved workers. But those goals were not realized, and Georgia became a slave plantation society, following the Carolina model. This trajectory of failure is well known. But looking at the Salzburgers, who emigrated from Europe as part of the original plan, provides a very different story. </p>
<p>The Good Forest reveals the experiences of the Salzburger migrants who came to Georgia with the support of British and German philanthropy, where they achieved self-sufficiency in the Ebenezer settlement while following the Trustees’ plans. Because their settlement comprised a significant portion of Georgia’s early population, their experiences provide a corrective to our understanding of early Georgia and help reveal the possibilities in Atlantic colonization as they built a cohesive community. </p>
<p>The relative success of the Ebenezer settlement, furthermore, challenges the inherent environmental, cultural, and economic determinism that has dominated Georgia history. That well-worn narrative often implies (or even explicitly states) that only a slave-based plantation economy—as implemented after the Trustee era—could succeed. With this history, Auman illuminates the interwoven themes of Atlantic migrations, colonization, charity, and transatlantic religious networks.</p>
<p>Guest: Dr. Karen Auman is an assistant professor of history at Brigham Young University and a certified genealogist. She studies Germans during the colonial period in the Atlantic World, religion on the frontiers of America, migrations, and families.</p>
<p>Host: Lucy Smith Biemiller is an intended M.A. History student at the University of Georgia. She studies 18th and 19th material culture in the American South primarily as it relates to classical culture.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3012</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d309c9c2-c57a-11f0-bd8a-db67358ea269]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2918737040.mp3?updated=1763540114" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Andrew Fialka, "Hope Never to See It: A Graphic History of Guerrilla Violence during the American Civil War" (U Georgia Press, 2025)</title>
      <description>Hope Never to See It: A Graphic History of Guerrilla Violence during the American Civil War (U Georgia Press, 2025) by Dr. Andrew Fialka illustrates two exceptional incidents of occupational and guerrilla violence in Missouri during the American Civil War. The first is a Union spy's two-week-long murder spree targeting civilians, and the second is a pro-Confederate guerrillas' mutilation of almost 150 U.S. troops.The men leading the atrocities (Jacob Terman, alias Harry Truman, and “Bloody" Bill Anderson) weren't so different. Both the Union spy and the infamous Confederate guerrilla claimed to be avenging the deaths of their families, operated under orders from military officials, and were hard drinkers. Their acts outline the terror inflicted on both sides of the struggle.This book's use of sequential art, illustrated by Anderson Carman, displays these grisly realities to mute the war's glorification and to help prompt a modern, meaningful reconciliation with the war. The moral ambiguities contained within this story call into question our understanding of the laws of war and the ways in which wars end.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 30 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Hope Never to See It: A Graphic History of Guerrilla Violence during the American Civil War (U Georgia Press, 2025) by Dr. Andrew Fialka illustrates two exceptional incidents of occupational and guerrilla violence in Missouri during the American Civil War. The first is a Union spy's two-week-long murder spree targeting civilians, and the second is a pro-Confederate guerrillas' mutilation of almost 150 U.S. troops.The men leading the atrocities (Jacob Terman, alias Harry Truman, and “Bloody" Bill Anderson) weren't so different. Both the Union spy and the infamous Confederate guerrilla claimed to be avenging the deaths of their families, operated under orders from military officials, and were hard drinkers. Their acts outline the terror inflicted on both sides of the struggle.This book's use of sequential art, illustrated by Anderson Carman, displays these grisly realities to mute the war's glorification and to help prompt a modern, meaningful reconciliation with the war. The moral ambiguities contained within this story call into question our understanding of the laws of war and the ways in which wars end.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780820369556"><em>Hope Never to See It: A Graphic History of Guerrilla Violence during the American Civil War</em> </a>(U Georgia Press, 2025) by Dr. Andrew Fialka illustrates two exceptional incidents of occupational and guerrilla violence in Missouri during the American Civil War. The first is a Union spy's two-week-long murder spree targeting civilians, and the second is a pro-Confederate guerrillas' mutilation of almost 150 U.S. troops.<br>The men leading the atrocities (Jacob Terman, alias Harry Truman, and “Bloody" Bill Anderson) weren't so different. Both the Union spy and the infamous Confederate guerrilla claimed to be avenging the deaths of their families, operated under orders from military officials, and were hard drinkers. Their acts outline the terror inflicted on both sides of the struggle.<br>This book's use of sequential art, illustrated by Anderson Carman, displays these grisly realities to mute the war's glorification and to help prompt a modern, meaningful reconciliation with the war. The moral ambiguities contained within this story call into question our understanding of the laws of war and the ways in which wars end.</p>
<p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on </em><a href="https://newbooksnetwork.com/category/special-series/new-books-with-miranda-melcher"><em>New Books with Miranda Melcher</em></a><em>, wherever you get your podcasts.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3378</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e3f3d42c-848d-11f0-9a1f-ef16bd069ea9]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK5577784183.mp3?updated=1756440737" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Meredith McCarroll, "Unwhite: Appalachia, Race, and Film" (U Georgia Press, 2018)</title>
      <description>If you mention Appalachia to many people, they may immediately respond with the "Deliverance" dueling banjos theme. Unfortunately, this is an example of how the region is stereotyped and misunderstood, particularly in films. In her book, Unwhite: Appalachia, Race, and Film(University of Georgia Press, 2018), Meredith McCarroll, Director of Writing and Rhetoric at Bowdoin College, describes Appalachian people as being shown as different from both white and nonwhite groups, often considered as belonging to the worst of each group. Her book discusses specific film examples that help to illustrate the negative connotation heaped upon Appalachia, and also presents where filmmakers treat them more fairly.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 09 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>56</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>If you mention Appalachia to many people, they may immediately respond with the "Deliverance" dueling banjos theme. Unfortunately, this is an example of how the region is stereotyped and misunderstood, particularly in films. In her book, Unwhite: Appalachia, Race, and Film(University of Georgia Press, 2018), Meredith McCarroll, Director of Writing and Rhetoric at Bowdoin College, describes Appalachian people as being shown as different from both white and nonwhite groups, often considered as belonging to the worst of each group. Her book discusses specific film examples that help to illustrate the negative connotation heaped upon Appalachia, and also presents where filmmakers treat them more fairly.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If you mention Appalachia to many people, they may immediately respond with the "Deliverance" dueling banjos theme. Unfortunately, this is an example of how the region is stereotyped and misunderstood, particularly in films. In her book, <a href="https://aax-us-east.amazon-adsystem.com/x/c/QjSUZcCMgvYNz-1p5BPieCcAAAFpOo6ZfwEAAAFKAVvmRk8/https://www.amazon.com/dp/0820353620/?creativeASIN=0820353620&amp;linkCode=w61&amp;imprToken=DP55UBId0aY.i-1EHu29hA&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Unwhite: Appalachia, Race, and Film</em></a>(University of Georgia Press, 2018), <a href="https://www.bowdoin.edu/profiles/staff/mmccarro/index.html">Meredith McCarroll</a>, Director of Writing and Rhetoric at Bowdoin College, describes Appalachian people as being shown as different from both white and nonwhite groups, often considered as belonging to the worst of each group. Her book discusses specific film examples that help to illustrate the negative connotation heaped upon Appalachia, and also presents where filmmakers treat them more fairly.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3734</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Kathryn L. Beasley, "The Proof Is in the Dough: Rural Southern Women, Extension, and Making Money" (University of Georgia Press, 2025)</title>
      <description>The Proof Is in the Dough: Rural Southern Women, Extension, and Making Money ﻿(University of Georgia Press, 2025) examines how rural white and African American women in Alabama and Florida used the Cooperative Extension Service's home demonstration programming between 1914 and 1929 as a means to earn extra income. Kathryn L. Beasley explores an area of rural women's history that has not been closely examined--that is, how rural American women involved with home demonstration used the skills they learned as a way to better themselves economically. Furthermore, Beasley traces how this extra income allowed these women to shape their own producing and consuming habits. While most home demonstration programming during the Progressive Era and 1920s focused on ways to save money--among other objectives--rural women in Alabama and Florida used different strategies to earn more money and gain some economic independence. Beasley's research shows how Alabama and Florida's rural women exercised their own determination and resourcefulness to create ways to economically sustain themselves by using food, tangible items, handicrafts, small businesses, and more to their advantage. However, while there were similarities in how these rural women earned extra money, the states in which they lived differed in important agricultural ways. Florida offered a wider variety of growing and environmental seasons and, as a result, a larger diversity of crops. By taking a comparative approach--both Florida versus Alabama and Black versus white--Beasley details the unique and innovative ways that rural southern women applied their considerable agricultural and domestic skills to improve their lives and the lives of their families. In so doing, she also reveals how disposable income helped establish ideas of empowerment and financial independence in the years before the economic struggles of the 1930s.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 22 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The Proof Is in the Dough: Rural Southern Women, Extension, and Making Money ﻿(University of Georgia Press, 2025) examines how rural white and African American women in Alabama and Florida used the Cooperative Extension Service's home demonstration programming between 1914 and 1929 as a means to earn extra income. Kathryn L. Beasley explores an area of rural women's history that has not been closely examined--that is, how rural American women involved with home demonstration used the skills they learned as a way to better themselves economically. Furthermore, Beasley traces how this extra income allowed these women to shape their own producing and consuming habits. While most home demonstration programming during the Progressive Era and 1920s focused on ways to save money--among other objectives--rural women in Alabama and Florida used different strategies to earn more money and gain some economic independence. Beasley's research shows how Alabama and Florida's rural women exercised their own determination and resourcefulness to create ways to economically sustain themselves by using food, tangible items, handicrafts, small businesses, and more to their advantage. However, while there were similarities in how these rural women earned extra money, the states in which they lived differed in important agricultural ways. Florida offered a wider variety of growing and environmental seasons and, as a result, a larger diversity of crops. By taking a comparative approach--both Florida versus Alabama and Black versus white--Beasley details the unique and innovative ways that rural southern women applied their considerable agricultural and domestic skills to improve their lives and the lives of their families. In so doing, she also reveals how disposable income helped establish ideas of empowerment and financial independence in the years before the economic struggles of the 1930s.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780820367910">The Proof Is in the Dough: Rural Southern Women, Extension, and Making Money ﻿</a>(University of Georgia Press, 2025) examines how rural white and African American women in Alabama and Florida used the Cooperative Extension Service's home demonstration programming between 1914 and 1929 as a means to earn extra income. Kathryn L. Beasley explores an area of rural women's history that has not been closely examined--that is, how rural American women involved with home demonstration used the skills they learned as a way to better themselves economically. Furthermore, Beasley traces how this extra income allowed these women to shape their own producing and consuming habits. While most home demonstration programming during the Progressive Era and 1920s focused on ways to save money--among other objectives--rural women in Alabama and Florida used different strategies to earn more money and gain some economic independence. Beasley's research shows how Alabama and Florida's rural women exercised their own determination and resourcefulness to create ways to economically sustain themselves by using food, tangible items, handicrafts, small businesses, and more to their advantage. However, while there were similarities in how these rural women earned extra money, the states in which they lived differed in important agricultural ways. Florida offered a wider variety of growing and environmental seasons and, as a result, a larger diversity of crops. By taking a comparative approach--both Florida versus Alabama and Black versus white--Beasley details the unique and innovative ways that rural southern women applied their considerable agricultural and domestic skills to improve their lives and the lives of their families. In so doing, she also reveals how disposable income helped establish ideas of empowerment and financial independence in the years before the economic struggles of the 1930s.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4282</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Megan Hunt, "Southern by the Grace of God: Religion, Race, and Civil Rights in Hollywood's American South" (U Georgia Press, 2024)</title>
      <description>On this episode of the New Books Network, Dr. Megan Hunt joins us to talk about her recent book, Southern By the Grace of God, which was published in 2024 by the University of Georgia Press.
Lke the media coverage of the civil rights era itself, Hollywood dramas have reinforced regional stereotypes of race, class, and gender to cleanse and redeem the wider nation from the implications of systemic racism. As Southern by the Grace of God reveals, however, Hollywood manipulates southern religion (in particular) to further enhance this pattern of difference and regional exceptionalism, consistently displacing broader American racism through a representation of the poor white southerner who is as religious as he (and it is always a he) is racist. By foregrounding the role of religion in these characterizations, Megan Hunt illuminates the pernicious intersections between Hollywood and southern exceptionalism, a long-standing U.S. nationalist discourse that has assigned racial problems to the errant South alone, enabling white supremacy to not only endure but reproduce throughout the nation. Southern by the Grace of God examines the presentation and functions of Protestant Christianity in cinematic depictions of the American South. Hunt argues that religion is an understudied signifier of the South on film, used--with varying degrees of sophistication--to define the region's presumed exceptionalism for regional, national, and international audiences. Rooted in close textual analysis and primary research into the production and reception of more than twenty Hollywood films that engage with the civil rights movement and/or its legacy, this book provides detailed case studies of films that use southern religiosity to negotiate American anxieties around race, class, and gender. Religion, Hunt contends, is an integral trope of the South in popular culture and especially crucial to the divisions essential to Hollywood storytelling.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 02 Apr 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>69</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Megan Hunt</itunes:subtitle>
      <itunes:summary>On this episode of the New Books Network, Dr. Megan Hunt joins us to talk about her recent book, Southern By the Grace of God, which was published in 2024 by the University of Georgia Press.
Lke the media coverage of the civil rights era itself, Hollywood dramas have reinforced regional stereotypes of race, class, and gender to cleanse and redeem the wider nation from the implications of systemic racism. As Southern by the Grace of God reveals, however, Hollywood manipulates southern religion (in particular) to further enhance this pattern of difference and regional exceptionalism, consistently displacing broader American racism through a representation of the poor white southerner who is as religious as he (and it is always a he) is racist. By foregrounding the role of religion in these characterizations, Megan Hunt illuminates the pernicious intersections between Hollywood and southern exceptionalism, a long-standing U.S. nationalist discourse that has assigned racial problems to the errant South alone, enabling white supremacy to not only endure but reproduce throughout the nation. Southern by the Grace of God examines the presentation and functions of Protestant Christianity in cinematic depictions of the American South. Hunt argues that religion is an understudied signifier of the South on film, used--with varying degrees of sophistication--to define the region's presumed exceptionalism for regional, national, and international audiences. Rooted in close textual analysis and primary research into the production and reception of more than twenty Hollywood films that engage with the civil rights movement and/or its legacy, this book provides detailed case studies of films that use southern religiosity to negotiate American anxieties around race, class, and gender. Religion, Hunt contends, is an integral trope of the South in popular culture and especially crucial to the divisions essential to Hollywood storytelling.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode of the New Books Network, Dr. Megan Hunt joins us to talk about her recent book, <a href="https://bookshop.org/a/12343/9780820367620"><em>Southern By the Grace of God</em></a><em>, </em>which was published in 2024 by the University of Georgia Press.</p><p>Lke the media coverage of the civil rights era itself, Hollywood dramas have reinforced regional stereotypes of race, class, and gender to cleanse and redeem the wider nation from the implications of systemic racism. As Southern by the Grace of God reveals, however, Hollywood manipulates southern religion (in particular) to further enhance this pattern of difference and regional exceptionalism, consistently displacing broader American racism through a representation of the poor white southerner who is as religious as he (and it is always a he) is racist. By foregrounding the role of religion in these characterizations, Megan Hunt illuminates the pernicious intersections between Hollywood and southern exceptionalism, a long-standing U.S. nationalist discourse that has assigned racial problems to the errant South alone, enabling white supremacy to not only endure but reproduce throughout the nation. Southern by the Grace of God examines the presentation and functions of Protestant Christianity in cinematic depictions of the American South. Hunt argues that religion is an understudied signifier of the South on film, used--with varying degrees of sophistication--to define the region's presumed exceptionalism for regional, national, and international audiences. Rooted in close textual analysis and primary research into the production and reception of more than twenty Hollywood films that engage with the civil rights movement and/or its legacy, this book provides detailed case studies of films that use southern religiosity to negotiate American anxieties around race, class, and gender. Religion, Hunt contends, is an integral trope of the South in popular culture and especially crucial to the divisions essential to Hollywood storytelling.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2849</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Brett Bannor, "American Sheep: A Cultural History" (U Georgia Press, 2024)</title>
      <description>Why did Thomas Jefferson write that he would be happy if all dogs went extinct? What economic opportunity did attorney John Lord Hayes envision for the newly emancipated during Reconstruction? What American workers were mocked by Theodore Roosevelt as “morose, melancholy men”? What problems with revenue collection did Congressman James Beauchamp Clark mention when proposing an income tax? Why did Harley O. Gable of Armour &amp; Company recommend that his meat-packing business manufacture violin strings? Why was Senator Lyndon Johnson angry at the Army and Navy Munitions Board at the start of the Korean War?
The answers to all these questions involve sheep. From the colonial era through the mid-twentieth century, America’s flocks played a key role in the nation’s development. Furthermore, much consternation centered around the sheep the United States lacked, so that dependency on foreign wool—a headache in times of peace—became a full-blown crisis in wartime. But more than just providers of wool, sheep were valued for their meat, for their byproducts after slaughter, and even for their efficiency at lawn maintenance.
American Sheep: A Cultural History (University of Georgia Press, 2024) is the story of the complex and fascinating relationship between Americans and their sheep. Brett Bannor explains how sheep have significantly impacted the broader growth and development of the United States. The history of America’s sheep encompasses topics that touch on many cornerstones of the American experience, such as enslavement, warfare, western expansion, industrialization, taxation, feminism, conservation, and labor relations, among others.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 14 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>7</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Brett Bannor</itunes:subtitle>
      <itunes:summary>Why did Thomas Jefferson write that he would be happy if all dogs went extinct? What economic opportunity did attorney John Lord Hayes envision for the newly emancipated during Reconstruction? What American workers were mocked by Theodore Roosevelt as “morose, melancholy men”? What problems with revenue collection did Congressman James Beauchamp Clark mention when proposing an income tax? Why did Harley O. Gable of Armour &amp; Company recommend that his meat-packing business manufacture violin strings? Why was Senator Lyndon Johnson angry at the Army and Navy Munitions Board at the start of the Korean War?
The answers to all these questions involve sheep. From the colonial era through the mid-twentieth century, America’s flocks played a key role in the nation’s development. Furthermore, much consternation centered around the sheep the United States lacked, so that dependency on foreign wool—a headache in times of peace—became a full-blown crisis in wartime. But more than just providers of wool, sheep were valued for their meat, for their byproducts after slaughter, and even for their efficiency at lawn maintenance.
American Sheep: A Cultural History (University of Georgia Press, 2024) is the story of the complex and fascinating relationship between Americans and their sheep. Brett Bannor explains how sheep have significantly impacted the broader growth and development of the United States. The history of America’s sheep encompasses topics that touch on many cornerstones of the American experience, such as enslavement, warfare, western expansion, industrialization, taxation, feminism, conservation, and labor relations, among others.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Why did Thomas Jefferson write that he would be happy if all dogs went extinct? What economic opportunity did attorney John Lord Hayes envision for the newly emancipated during Reconstruction? What American workers were mocked by Theodore Roosevelt as “morose, melancholy men”? What problems with revenue collection did Congressman James Beauchamp Clark mention when proposing an income tax? Why did Harley O. Gable of Armour &amp; Company recommend that his meat-packing business manufacture violin strings? Why was Senator Lyndon Johnson angry at the Army and Navy Munitions Board at the start of the Korean War?</p><p>The answers to all these questions involve sheep. From the colonial era through the mid-twentieth century, America’s flocks played a key role in the nation’s development. Furthermore, much consternation centered around the sheep the United States lacked, so that dependency on foreign wool—a headache in times of peace—became a full-blown crisis in wartime. But more than just providers of wool, sheep were valued for their meat, for their byproducts after slaughter, and even for their efficiency at lawn maintenance.</p><p><a href="https://bookshop.org/a/12343/9780820367163"><em>American Sheep: A Cultural History</em></a> (University of Georgia Press, 2024) is the story of the complex and fascinating relationship between Americans and their sheep. Brett Bannor explains how sheep have significantly impacted the broader growth and development of the United States. The history of America’s sheep encompasses topics that touch on many cornerstones of the American experience, such as enslavement, warfare, western expansion, industrialization, taxation, feminism, conservation, and labor relations, among others.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1795</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK2567903154.mp3?updated=1736624034" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Patrick Dixon, "Nuggets of Gold: Further Processed Chicken and the Making of the American Diet" (U Georgia Press, 2024)</title>
      <description>For McDonald’s, the Chicken McNugget, the flagship product of further processed chicken, represented a once-in-a-generation innovation, a snack item that quickly evolved into a meal, spawned a legion of imitators, and gained a large share of the global poultry market. Yet, almost as soon as the McNugget made its North American debut, it quickly became the subject of opprobrium and ridicule, taking on a symbolic status among serious food connoisseurs as an indication of Americans’ culinary decline and a growing disconnection between diners and the origins of the food that they ate.
During a time of rising beef prices and growing health concerns regarding red meats, the Chicken McNugget was received as a lighter alternative to traditional burger meals, clean and easy to consume, popular with children, and adaptable to busy “on-the-go” lifestyles of working parents. Consumers understood that they were not purchasing a premium product made from the finest cuts but selected the McNugget as a rational economic purchase that represented a new way of dining.
In reassembling the rise of poultry in the United States, Nuggets of Gold: Further Processed Chicken and the Making of the American Diet (University of Georgia Press, 2024) by Dr. Patrick Dixon presents a multilayered approach, connecting the entwined stories of workers and industrialists with restauranteurs and consumers, the former geographically moored within the South, the latter diverse and nationwide. Dr. Dixon centers further processed chicken within an analysis of the U.S. food system that demonstrates that consumers did not unwittingly succumb to a “junk food” diet but made deliberate and aspirational decisions based on conceptions of leisure, lifestyle, and bodily needs.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 13 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Patrick Dixon</itunes:subtitle>
      <itunes:summary>For McDonald’s, the Chicken McNugget, the flagship product of further processed chicken, represented a once-in-a-generation innovation, a snack item that quickly evolved into a meal, spawned a legion of imitators, and gained a large share of the global poultry market. Yet, almost as soon as the McNugget made its North American debut, it quickly became the subject of opprobrium and ridicule, taking on a symbolic status among serious food connoisseurs as an indication of Americans’ culinary decline and a growing disconnection between diners and the origins of the food that they ate.
During a time of rising beef prices and growing health concerns regarding red meats, the Chicken McNugget was received as a lighter alternative to traditional burger meals, clean and easy to consume, popular with children, and adaptable to busy “on-the-go” lifestyles of working parents. Consumers understood that they were not purchasing a premium product made from the finest cuts but selected the McNugget as a rational economic purchase that represented a new way of dining.
In reassembling the rise of poultry in the United States, Nuggets of Gold: Further Processed Chicken and the Making of the American Diet (University of Georgia Press, 2024) by Dr. Patrick Dixon presents a multilayered approach, connecting the entwined stories of workers and industrialists with restauranteurs and consumers, the former geographically moored within the South, the latter diverse and nationwide. Dr. Dixon centers further processed chicken within an analysis of the U.S. food system that demonstrates that consumers did not unwittingly succumb to a “junk food” diet but made deliberate and aspirational decisions based on conceptions of leisure, lifestyle, and bodily needs.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For McDonald’s, the Chicken McNugget, the flagship product of further processed chicken, represented a once-in-a-generation innovation, a snack item that quickly evolved into a meal, spawned a legion of imitators, and gained a large share of the global poultry market. Yet, almost as soon as the McNugget made its North American debut, it quickly became the subject of opprobrium and ridicule, taking on a symbolic status among serious food connoisseurs as an indication of Americans’ culinary decline and a growing disconnection between diners and the origins of the food that they ate.</p><p>During a time of rising beef prices and growing health concerns regarding red meats, the Chicken McNugget was received as a lighter alternative to traditional burger meals, clean and easy to consume, popular with children, and adaptable to busy “on-the-go” lifestyles of working parents. Consumers understood that they were not purchasing a premium product made from the finest cuts but selected the McNugget as a rational economic purchase that represented a new way of dining.</p><p>In reassembling the rise of poultry in the United States, <a href="https://bookshop.org/a/12343/9780820367132"><em>Nuggets of Gold: Further Processed Chicken and the Making of the American Diet</em></a> (University of Georgia Press, 2024) by Dr. Patrick Dixon presents a multilayered approach, connecting the entwined stories of workers and industrialists with restauranteurs and consumers, the former geographically moored within the South, the latter diverse and nationwide. Dr. Dixon centers further processed chicken within an analysis of the U.S. food system that demonstrates that consumers did not unwittingly succumb to a “junk food” diet but made deliberate and aspirational decisions based on conceptions of leisure, lifestyle, and bodily needs.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3811</itunes:duration>
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      <title>Emily Mitchell-Eaton, "New Destinations of Empire: Mobilities, Racial Geographies, and Citizenship in the Transpacific United States" (U Georgia Press, 2024)</title>
      <description>In 1986 the Compact of Free Association marked the formal end of U.S. colonialism in the Republic of the Marshall Islands, while simultaneously re-entrenching imperial power dynamics between the two countries. The U.S.-RMI Compact at once enshrined exclusive U.S. military access to the islands and established the right of “visa-free” migration to the United States for Marshallese citizens, leading to a Marshallese diaspora whose largest population resettled in the seemingly unlikely destination of Springdale, Arkansas.
An “all-white town” by design for much of the twentieth century, Springdale, having nearly quadrupled in population since 1980, has been remade by Marshallese as well as Latinx immigration. Through ethnographic, policy-based, and archival research in Guåhan, Saipan, Hawai’i, Arkansas, and Washington, D.C., New Destinations of Empire: Mobilities, Racial Geographies, and Citizenship in the Transpacific United States (University of Georgia Press, 2024) by Dr. Emily Mitchell-Eaton tells the story of these place-based transformations, revealing how U.S. empire both causes and constrains mobility for its subjects, shaping migrants’ experiences of racialization, citizenship, and belonging in new destinations of empire.
In examining two spatial processes—imperialism and migration—together, Dr. Mitchell-Eaton reveals connections and flows between presumably distant, “remote” sites like Arkansas and the Marshall Islands, showing them to be central to the United States’ most urgent political issues: immigration, racial justice, militarization, and decolonization.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 22 Dec 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>286</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Emily Mitchell-Eaton</itunes:subtitle>
      <itunes:summary>In 1986 the Compact of Free Association marked the formal end of U.S. colonialism in the Republic of the Marshall Islands, while simultaneously re-entrenching imperial power dynamics between the two countries. The U.S.-RMI Compact at once enshrined exclusive U.S. military access to the islands and established the right of “visa-free” migration to the United States for Marshallese citizens, leading to a Marshallese diaspora whose largest population resettled in the seemingly unlikely destination of Springdale, Arkansas.
An “all-white town” by design for much of the twentieth century, Springdale, having nearly quadrupled in population since 1980, has been remade by Marshallese as well as Latinx immigration. Through ethnographic, policy-based, and archival research in Guåhan, Saipan, Hawai’i, Arkansas, and Washington, D.C., New Destinations of Empire: Mobilities, Racial Geographies, and Citizenship in the Transpacific United States (University of Georgia Press, 2024) by Dr. Emily Mitchell-Eaton tells the story of these place-based transformations, revealing how U.S. empire both causes and constrains mobility for its subjects, shaping migrants’ experiences of racialization, citizenship, and belonging in new destinations of empire.
In examining two spatial processes—imperialism and migration—together, Dr. Mitchell-Eaton reveals connections and flows between presumably distant, “remote” sites like Arkansas and the Marshall Islands, showing them to be central to the United States’ most urgent political issues: immigration, racial justice, militarization, and decolonization.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1986 the Compact of Free Association marked the formal end of U.S. colonialism in the Republic of the Marshall Islands, while simultaneously re-entrenching imperial power dynamics between the two countries. The U.S.-RMI Compact at once enshrined exclusive U.S. military access to the islands and established the right of “visa-free” migration to the United States for Marshallese citizens, leading to a Marshallese diaspora whose largest population resettled in the seemingly unlikely destination of Springdale, Arkansas.</p><p>An “all-white town” by design for much of the twentieth century, Springdale, having nearly quadrupled in population since 1980, has been remade by Marshallese as well as Latinx immigration. Through ethnographic, policy-based, and archival research in Guåhan, Saipan, Hawai’i, Arkansas, and Washington, D.C., <a href="https://bookshop.org/a/12343/9780820366913"><em>New Destinations of Empire: Mobilities, Racial Geographies, and Citizenship in the Transpacific United States</em></a> (University of Georgia Press, 2024) by Dr. Emily Mitchell-Eaton tells the story of these place-based transformations, revealing how U.S. empire both causes and constrains mobility for its subjects, shaping migrants’ experiences of racialization, citizenship, and belonging in new destinations of empire.</p><p>In examining two spatial processes—imperialism and migration—together, Dr. Mitchell-Eaton reveals connections and flows between presumably distant, “remote” sites like Arkansas and the Marshall Islands, showing them to be central to the United States’ most urgent political issues: immigration, racial justice, militarization, and decolonization.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4319</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Maria Angela Diaz, "A Continuous State of War: Empire Building and Race Making in the Civil War–Era Gulf South" (U Georgia Press, 2024)</title>
      <description>From 1845 to 1865 the Gulf of Mexico was at the center of American expansion and southern imperialism. A Continuous State of War: Empire Building and Race Making in the Civil War–Era Gulf South (University of Georgia Press, 2024) by Dr. Maria Angela Diaz tells the story of several communities, such as Galveston, New Orleans, and Pensacola, as well as countries such as Mexico and Cuba, to uncover the way that wars within the upper rim of the Gulf of Mexico facilitated American and southern attempts to conquer Latin American nations. In the push for westward expansion that preceded the Civil War, white southerners along with other Americans engaged in violent conquest in Latin America and the American West. Through the wars that are chronicled here, white southern concepts of race became more rigidly fixed.

Dr. Maria Angela Diaz covers several conflicts leading up to the Civil War with Mexicans, Cubans, and Native Americans. She places the Civil War within this framework and follows the trajectory of relations with Latin America through the end of the Civil War and ex-Confederates’ attempts to emigrate abroad. Gulf Coast communities facilitated both the physical efforts to seize territory and the construction of the highly racialized imperialist ideas that reimagined Latin America as a region that could secure the South’s future. Yet the pursuit of that territory created a fluctuating and uncertain situation that shaped the choices of the diverse peoples who lived along the upper rim of the Gulf of Mexico in ways they did not expect.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 30 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>68</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Maria Angela Diaz</itunes:subtitle>
      <itunes:summary>From 1845 to 1865 the Gulf of Mexico was at the center of American expansion and southern imperialism. A Continuous State of War: Empire Building and Race Making in the Civil War–Era Gulf South (University of Georgia Press, 2024) by Dr. Maria Angela Diaz tells the story of several communities, such as Galveston, New Orleans, and Pensacola, as well as countries such as Mexico and Cuba, to uncover the way that wars within the upper rim of the Gulf of Mexico facilitated American and southern attempts to conquer Latin American nations. In the push for westward expansion that preceded the Civil War, white southerners along with other Americans engaged in violent conquest in Latin America and the American West. Through the wars that are chronicled here, white southern concepts of race became more rigidly fixed.

Dr. Maria Angela Diaz covers several conflicts leading up to the Civil War with Mexicans, Cubans, and Native Americans. She places the Civil War within this framework and follows the trajectory of relations with Latin America through the end of the Civil War and ex-Confederates’ attempts to emigrate abroad. Gulf Coast communities facilitated both the physical efforts to seize territory and the construction of the highly racialized imperialist ideas that reimagined Latin America as a region that could secure the South’s future. Yet the pursuit of that territory created a fluctuating and uncertain situation that shaped the choices of the diverse peoples who lived along the upper rim of the Gulf of Mexico in ways they did not expect.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From 1845 to 1865 the Gulf of Mexico was at the center of American expansion and southern imperialism. <a href="https://bookshop.org/a/12343/9780820366494"><em>A Continuous State of War: Empire Building and Race Making in the Civil War–Era Gulf South</em></a> (University of Georgia Press, 2024) by Dr. Maria Angela Diaz tells the story of several communities, such as Galveston, New Orleans, and Pensacola, as well as countries such as Mexico and Cuba, to uncover the way that wars within the upper rim of the Gulf of Mexico facilitated American and southern attempts to conquer Latin American nations. In the push for westward expansion that preceded the Civil War, white southerners along with other Americans engaged in violent conquest in Latin America and the American West. Through the wars that are chronicled here, white southern concepts of race became more rigidly fixed.</p><p><br></p><p>Dr. Maria Angela Diaz covers several conflicts leading up to the Civil War with Mexicans, Cubans, and Native Americans. She places the Civil War within this framework and follows the trajectory of relations with Latin America through the end of the Civil War and ex-Confederates’ attempts to emigrate abroad. Gulf Coast communities facilitated both the physical efforts to seize territory and the construction of the highly racialized imperialist ideas that reimagined Latin America as a region that could secure the South’s future. Yet the pursuit of that territory created a fluctuating and uncertain situation that shaped the choices of the diverse peoples who lived along the upper rim of the Gulf of Mexico in ways they did not expect.</p><p><br></p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2979</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Liliana M. Naydan, "Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America" (U Georgia Press, 2021)</title>
      <description>Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality.
Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 23 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>322</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Liliana M. Naydan</itunes:subtitle>
      <itunes:summary>Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality.
Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780820360560"><em>Flat-World Fiction: Digital Humanity in Early Twenty-First-Century America</em></a> (University of Georgia Press, 2021) Dr. Liliana Naydan analyses representations of digital technology and the social and ethical concerns it creates in mainstream literary American fiction and fiction written about the United States in the first two decades of the twenty-first century. In this period, authors such as Don DeLillo, Jennifer Egan, Dave Eggers, Joshua Ferris, Jonathan Safran Foer, Mohsin Hamid, Thomas Pynchon, Kristen Roupenian, Gary Shteyngart, and Zadie Smith found themselves not only implicated in the developing digital world of flat screens but also threatened by it, while simultaneously attempting to critique it. As a result, their texts explore how human relationships with digital devices and media transform human identity and human relationships with one another, history, divinity, capitalism, and nationality.</p><p>Dr. Naydan walks us through these complex relationships, revealing how authors show through their fiction that technology is political. In the process, these authors complement and expand on work by historians, philosophers, and social scientists, creating accessible, literary road maps to our digital future.</p><p><em>This interview was conducted by Dr. Miranda Melcher whose</em><a href="https://www.bloomsbury.com/uk/securing-peace-in-angola-and-mozambique-9781350407930/"><em> new book</em></a><em> focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3001</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Nik Ribianszky, "Generations of Freedom: Gender, Movement, and Violence in Natchez, 1779-1865" (U Georgia Press, 2021)</title>
      <description>In Generations of Freedom: Gender, Movement, and Violence in Natchez, 1779-1865 (U Georgia Press, 2021), Nik Ribianszky employs the lenses of gender and violence to examine family, community, and the tenacious struggles by which free blacks claimed and maintained their freedom under shifting international governance from Spanish colonial rule (1779-95), through American acquisition (1795) and eventual statehood (established in 1817), and finally to slavery’s legal demise in 1865.
Freedom was not necessarily a permanent condition, but one separated from racial slavery by a permeable and highly unstable boundary. This book explicates how the interlocking categories of race, class, and gender shaped Natchez, Mississippi’s free community of color and how implicit and explicit violence carried down from one generation to another. To demonstrate this, Ribianszky introduces the concept of generational freedom. Inspired by the work of Ira Berlin, who focused on the complex process through which free Africans and their descendants came to experience enslavement, generational freedom is an analytical tool that employs this same idea in reverse to trace how various generations of free people of color embraced, navigated, and protected their tenuous freedom. This approach allows for the identification of a foundational generation of free people of color, those who were born into slavery but later freed. The generations that followed, the conditional generations, were those who were born free and without the experience of and socialization into North America's system of chattel, racial slavery. Notwithstanding one's status at birth as legally free or unfree, though, each individual's continued freedom was based on compliance with a demanding and often unfair system.
Generations of Freedom tells the stories of people who collectively inhabited an uncertain world of qualified freedom. Taken together—by exploring the themes of movement, gendered violence, and threats to their property and, indeed, their very bodies—these accounts argue that free blacks were active in shaping their own freedom and that of generations thereafter. Their successful navigation of the shifting ground of freedom was dependent on their utilization of all available tools at their disposal: securing reliable and influential allies, maintaining their independence, and using the legal system to protect their property—including that most precious, themselves.
For more, see the "Generations of Freedom" website. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 03 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>471</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Nik Ribianszky</itunes:subtitle>
      <itunes:summary>In Generations of Freedom: Gender, Movement, and Violence in Natchez, 1779-1865 (U Georgia Press, 2021), Nik Ribianszky employs the lenses of gender and violence to examine family, community, and the tenacious struggles by which free blacks claimed and maintained their freedom under shifting international governance from Spanish colonial rule (1779-95), through American acquisition (1795) and eventual statehood (established in 1817), and finally to slavery’s legal demise in 1865.
Freedom was not necessarily a permanent condition, but one separated from racial slavery by a permeable and highly unstable boundary. This book explicates how the interlocking categories of race, class, and gender shaped Natchez, Mississippi’s free community of color and how implicit and explicit violence carried down from one generation to another. To demonstrate this, Ribianszky introduces the concept of generational freedom. Inspired by the work of Ira Berlin, who focused on the complex process through which free Africans and their descendants came to experience enslavement, generational freedom is an analytical tool that employs this same idea in reverse to trace how various generations of free people of color embraced, navigated, and protected their tenuous freedom. This approach allows for the identification of a foundational generation of free people of color, those who were born into slavery but later freed. The generations that followed, the conditional generations, were those who were born free and without the experience of and socialization into North America's system of chattel, racial slavery. Notwithstanding one's status at birth as legally free or unfree, though, each individual's continued freedom was based on compliance with a demanding and often unfair system.
Generations of Freedom tells the stories of people who collectively inhabited an uncertain world of qualified freedom. Taken together—by exploring the themes of movement, gendered violence, and threats to their property and, indeed, their very bodies—these accounts argue that free blacks were active in shaping their own freedom and that of generations thereafter. Their successful navigation of the shifting ground of freedom was dependent on their utilization of all available tools at their disposal: securing reliable and influential allies, maintaining their independence, and using the legal system to protect their property—including that most precious, themselves.
For more, see the "Generations of Freedom" website. 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780820360126"><em>Generations of Freedom: Gender, Movement, and Violence in Natchez, 1779-1865</em></a> (U Georgia Press, 2021), Nik Ribianszky employs the lenses of gender and violence to examine family, community, and the tenacious struggles by which free blacks claimed and maintained their freedom under shifting international governance from Spanish colonial rule (1779-95), through American acquisition (1795) and eventual statehood (established in 1817), and finally to slavery’s legal demise in 1865.</p><p>Freedom was not necessarily a permanent condition, but one separated from racial slavery by a permeable and highly unstable boundary. This book explicates how the interlocking categories of race, class, and gender shaped Natchez, Mississippi’s free community of color and how implicit and explicit violence carried down from one generation to another. To demonstrate this, Ribianszky introduces the concept of generational freedom. Inspired by the work of Ira Berlin, who focused on the complex process through which free Africans and their descendants came to experience enslavement, generational freedom is an analytical tool that employs this same idea in reverse to trace how various generations of free people of color embraced, navigated, and protected their tenuous freedom. This approach allows for the identification of a foundational generation of free people of color, those who were born into slavery but later freed. The generations that followed, the conditional generations, were those who were born free and without the experience of and socialization into North America's system of chattel, racial slavery. Notwithstanding one's status at birth as legally free or unfree, though, each individual's continued freedom was based on compliance with a demanding and often unfair system.</p><p>Generations of Freedom tells the stories of people who collectively inhabited an uncertain world of qualified freedom. Taken together—by exploring the themes of movement, gendered violence, and threats to their property and, indeed, their very bodies—these accounts argue that free blacks were active in shaping their own freedom and that of generations thereafter. Their successful navigation of the shifting ground of freedom was dependent on their utilization of all available tools at their disposal: securing reliable and influential allies, maintaining their independence, and using the legal system to protect their property—including that most precious, themselves.</p><p>For more, see the "Generations of Freedom" <a href="https://generationsoffreedom.com/index/">website</a>. </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4542</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Kristin J. Jacobson, "The American Adrenaline Narrative" (U Georgia Press, 2020)</title>
      <description>Kristin J. Jacobson In her new book, The American Adrenaline Narrative (University of Georgia Press), Kristin Jacobson considers the nature of perilous outdoor adventure tales, their gendered biases, and how they simultaneously promote and hinder ecological sustainability.
To explore these themes, Jacobson defines and compares adrenaline narratives by a range of American authors published after the first Earth Day in 1970, a time frame selected as a watershed moment for the contemporary American environmental movement. The forty-plus years since that day also mark the rise in the popularity and marketing of many things as "extreme," including sports, jobs, travel, beverages, gum, makeovers, laundry detergent, and even the environmental movement itself.
Jacobson maps the American eco-imagination via adrenaline narratives, surveying a range of popular and lesser-known primary texts by American authors, including best-sellers such as Jon Krakauer's Into Thin Air and Aron Ralston's Between a Rock and a Hard Place. She also covers lesser-known novels as well as stories found in all types of media ranging from magazines, feature-length and short films, television shows, amateur videos, social media posts, advertising, and blogs.
Jacobson argues for recognizing adrenaline narratives as a distinctive genre because, unlike traditional nature, travel, and sports writing, adrenaline narratives sustain heightened risk or the element of the "extreme" within a natural setting. Additionally, these narratives provide important insight into the American environmental imagination's connection to masculinity and adventure––knowledge that helps us grasp the current climate crisis and see how narrative understanding provides a needed intervention.
Kristin Jacobson is a professor of American literature, American Studies, and Women’s, Gender and Sexuality Studies at Stockton University in New Jersey. She completed her Ph.D. at Penn State, her M.A. at the University of Colorado-Boulder, and her B.A. at Carthage College in Kenosha, WI.
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 14 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>86</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Kristin J. Jacobson</itunes:subtitle>
      <itunes:summary>Kristin J. Jacobson In her new book, The American Adrenaline Narrative (University of Georgia Press), Kristin Jacobson considers the nature of perilous outdoor adventure tales, their gendered biases, and how they simultaneously promote and hinder ecological sustainability.
To explore these themes, Jacobson defines and compares adrenaline narratives by a range of American authors published after the first Earth Day in 1970, a time frame selected as a watershed moment for the contemporary American environmental movement. The forty-plus years since that day also mark the rise in the popularity and marketing of many things as "extreme," including sports, jobs, travel, beverages, gum, makeovers, laundry detergent, and even the environmental movement itself.
Jacobson maps the American eco-imagination via adrenaline narratives, surveying a range of popular and lesser-known primary texts by American authors, including best-sellers such as Jon Krakauer's Into Thin Air and Aron Ralston's Between a Rock and a Hard Place. She also covers lesser-known novels as well as stories found in all types of media ranging from magazines, feature-length and short films, television shows, amateur videos, social media posts, advertising, and blogs.
Jacobson argues for recognizing adrenaline narratives as a distinctive genre because, unlike traditional nature, travel, and sports writing, adrenaline narratives sustain heightened risk or the element of the "extreme" within a natural setting. Additionally, these narratives provide important insight into the American environmental imagination's connection to masculinity and adventure––knowledge that helps us grasp the current climate crisis and see how narrative understanding provides a needed intervention.
Kristin Jacobson is a professor of American literature, American Studies, and Women’s, Gender and Sexuality Studies at Stockton University in New Jersey. She completed her Ph.D. at Penn State, her M.A. at the University of Colorado-Boulder, and her B.A. at Carthage College in Kenosha, WI.
Carrie Lynn Evans is a PhD student at Université Laval in Quebec City.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kristin J. Jacobson In her new book, <a href="https://bookshop.org/a/12343/9780820356990"><em>The American Adrenaline Narrative</em></a> (University of Georgia Press), Kristin Jacobson considers the nature of perilous outdoor adventure tales, their gendered biases, and how they simultaneously promote and hinder ecological sustainability.</p><p>To explore these themes, Jacobson defines and compares adrenaline narratives by a range of American authors published after the first Earth Day in 1970, a time frame selected as a watershed moment for the contemporary American environmental movement. The forty-plus years since that day also mark the rise in the popularity and marketing of many things as "extreme," including sports, jobs, travel, beverages, gum, makeovers, laundry detergent, and even the environmental movement itself.</p><p>Jacobson maps the American eco-imagination via adrenaline narratives, surveying a range of popular and lesser-known primary texts by American authors, including best-sellers such as Jon Krakauer's <em>Into Thin Air</em> and Aron Ralston's <em>Between a Rock and a Hard Place</em>. She also covers lesser-known novels as well as stories found in all types of media ranging from magazines, feature-length and short films, television shows, amateur videos, social media posts, advertising, and blogs.</p><p>Jacobson argues for recognizing adrenaline narratives as a distinctive genre because, unlike traditional nature, travel, and sports writing, adrenaline narratives sustain heightened risk or the element of the "extreme" within a natural setting. Additionally, these narratives provide important insight into the American environmental imagination's connection to masculinity and adventure––knowledge that helps us grasp the current climate crisis and see how narrative understanding provides a needed intervention.</p><p><a href="https://blogs.stockton.edu/kristinjjacobson/">Kristin Jacobson</a> is a professor of American literature, American Studies, and Women’s, Gender and Sexuality Studies at Stockton University in New Jersey. She completed her Ph.D. at Penn State, her M.A. at the University of Colorado-Boulder, and her B.A. at Carthage College in Kenosha, WI.</p><p><a href="https://ulaval.academia.edu/CarrieLynnEvans"><em>Carrie Lynn Evans</em></a><em> is a PhD student at Université Laval in Quebec City.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3356</itunes:duration>
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      <title>Paula Marie Seniors, "Mae Mallory, the Monroe Defense Committee, and World Revolutions: African American Women Radical Activists" (U Georgia Press, 2024)</title>
      <description>Mae Mallory, the Monroe Defense Committee, and World Revolutions: African American Women Radical Activists (U Georgia Press, 2024) explores the significant contributions of African American women radical activists from 1955 to 1995. It examines the 1961 case of African American working-class self-defense advocate Mae Mallory, who traveled from New York to Monroe, North Carolina, to provide support and weapons to the Negroes with Guns Movement. Accused of kidnapping a Ku Klux Klan couple, she spent thirteen months in a Cleveland jail, facing extradition. African American women radical activists Ethel Azalea Johnson of Negroes with Guns, Audrey Proctor Seniors of the banned New Orleans NAACP, the Trotskyist Workers World Party, Ruthie Stone, and Clarence Henry Seniors of Workers World founded the Monroe Defense Committee to support Mallory. Mae’s daughter, Pat, aged sixteen also participated, and they all bonded as family. When the case ended, they joined the Tanzanian, Grenadian, and Nicaraguan World Revolutions. Using her unique vantage point as Audrey Proctor Seniors’s daughter, Paula Marie Seniors blends personal accounts with theoretical frameworks of organic intellectual, community feminism, and several other theoretical frameworks in analyzing African American radical women’s activism in this era.
Essential biographical and character narratives are combined with an analysis of the social and political movements of the era and their historical significance. Seniors examines the link between Mallory, Johnson, and Proctor Seniors’s radical activism and their connections to national and international leftist human rights movements and organizations. She asks the underlying question: Why did these women choose radical activism and align themselves with revolutionary governments, linking Black human rights to world revolutions?
Seniors’s historical and personal account of the era aims to recover Black women radical activists’ place in history. Her innovative research and compelling storytelling broaden our knowledge of these activists and their political movements.
Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 22 Jun 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>464</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Paula Marie Seniors</itunes:subtitle>
      <itunes:summary>Mae Mallory, the Monroe Defense Committee, and World Revolutions: African American Women Radical Activists (U Georgia Press, 2024) explores the significant contributions of African American women radical activists from 1955 to 1995. It examines the 1961 case of African American working-class self-defense advocate Mae Mallory, who traveled from New York to Monroe, North Carolina, to provide support and weapons to the Negroes with Guns Movement. Accused of kidnapping a Ku Klux Klan couple, she spent thirteen months in a Cleveland jail, facing extradition. African American women radical activists Ethel Azalea Johnson of Negroes with Guns, Audrey Proctor Seniors of the banned New Orleans NAACP, the Trotskyist Workers World Party, Ruthie Stone, and Clarence Henry Seniors of Workers World founded the Monroe Defense Committee to support Mallory. Mae’s daughter, Pat, aged sixteen also participated, and they all bonded as family. When the case ended, they joined the Tanzanian, Grenadian, and Nicaraguan World Revolutions. Using her unique vantage point as Audrey Proctor Seniors’s daughter, Paula Marie Seniors blends personal accounts with theoretical frameworks of organic intellectual, community feminism, and several other theoretical frameworks in analyzing African American radical women’s activism in this era.
Essential biographical and character narratives are combined with an analysis of the social and political movements of the era and their historical significance. Seniors examines the link between Mallory, Johnson, and Proctor Seniors’s radical activism and their connections to national and international leftist human rights movements and organizations. She asks the underlying question: Why did these women choose radical activism and align themselves with revolutionary governments, linking Black human rights to world revolutions?
Seniors’s historical and personal account of the era aims to recover Black women radical activists’ place in history. Her innovative research and compelling storytelling broaden our knowledge of these activists and their political movements.
Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780820366425"><em>Mae Mallory, the Monroe Defense Committee, and World Revolutions: African American Women Radical Activists</em></a> (U Georgia Press, 2024) explores the significant contributions of African American women radical activists from 1955 to 1995. It examines the 1961 case of African American working-class self-defense advocate Mae Mallory, who traveled from New York to Monroe, North Carolina, to provide support and weapons to the Negroes with Guns Movement. Accused of kidnapping a Ku Klux Klan couple, she spent thirteen months in a Cleveland jail, facing extradition. African American women radical activists Ethel Azalea Johnson of Negroes with Guns, Audrey Proctor Seniors of the banned New Orleans NAACP, the Trotskyist Workers World Party, Ruthie Stone, and Clarence Henry Seniors of Workers World founded the Monroe Defense Committee to support Mallory. Mae’s daughter, Pat, aged sixteen also participated, and they all bonded as family. When the case ended, they joined the Tanzanian, Grenadian, and Nicaraguan World Revolutions. Using her unique vantage point as Audrey Proctor Seniors’s daughter, Paula Marie Seniors blends personal accounts with theoretical frameworks of organic intellectual, community feminism, and several other theoretical frameworks in analyzing African American radical women’s activism in this era.</p><p>Essential biographical and character narratives are combined with an analysis of the social and political movements of the era and their historical significance. Seniors examines the link between Mallory, Johnson, and Proctor Seniors’s radical activism and their connections to national and international leftist human rights movements and organizations. She asks the underlying question: Why did these women choose radical activism and align themselves with revolutionary governments, linking Black human rights to world revolutions?</p><p>Seniors’s historical and personal account of the era aims to recover Black women radical activists’ place in history. Her innovative research and compelling storytelling broaden our knowledge of these activists and their political movements.</p><p><em>Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at </em><a href="mailto:omariaverette@gmail.com"><em>omariaverette@gmail.com</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2791</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Kendra Y. Hamilton, "Romancing the Gullah in the Age of Porgy and Bess" (U Georgia Press, 2024)</title>
      <description>Dr. Kendra Y. Hamilton’s Romancing the Gullah in the Age of Porgy and Bess (University of Georgia Press, 2024) is a literary and cultural history of the Gullah Geechee Coast, a four-state area that is one of only a handful of places that can truly be said to be the “cradle of Black culture” in the United States. An African American ethnic group who predominantly live in the Lowcountry region of South Carolina, North Carolina, Georgia, and Florida within the coastal plain and the Sea Islands, the Gullah people have preserved a significant influence of Africanisms because of their unique geographic isolation. 
This book seeks to fill a significant cultural gap in Gullah history. While there is a veritable industry of books on literary Charleston and on the Lowcountry, along with a plenitude of Gullah-inspired studies in history, anthropology, linguistics, folklore, and religion, there has never been a comprehensive study of the region’s literary influence, particularly in the years of the Harlem and Charleston Renaissance. By giving voice to artists and culture makers, uncovering buried histories, and revealing secret cross-racial connections amid official practices of Jim Crow, Hamilton sheds new light on an incomplete cultural history.
Dr. Kendra Y. Hamilton is an associate professor of English and Director of Southern Studies at Presbyterian College.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 10 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>64</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Kendra Y. Hamilton</itunes:subtitle>
      <itunes:summary>Dr. Kendra Y. Hamilton’s Romancing the Gullah in the Age of Porgy and Bess (University of Georgia Press, 2024) is a literary and cultural history of the Gullah Geechee Coast, a four-state area that is one of only a handful of places that can truly be said to be the “cradle of Black culture” in the United States. An African American ethnic group who predominantly live in the Lowcountry region of South Carolina, North Carolina, Georgia, and Florida within the coastal plain and the Sea Islands, the Gullah people have preserved a significant influence of Africanisms because of their unique geographic isolation. 
This book seeks to fill a significant cultural gap in Gullah history. While there is a veritable industry of books on literary Charleston and on the Lowcountry, along with a plenitude of Gullah-inspired studies in history, anthropology, linguistics, folklore, and religion, there has never been a comprehensive study of the region’s literary influence, particularly in the years of the Harlem and Charleston Renaissance. By giving voice to artists and culture makers, uncovering buried histories, and revealing secret cross-racial connections amid official practices of Jim Crow, Hamilton sheds new light on an incomplete cultural history.
Dr. Kendra Y. Hamilton is an associate professor of English and Director of Southern Studies at Presbyterian College.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dr. Kendra Y. Hamilton’s <a href="https://bookshop.org/a/12343/9780820362885"><em>Romancing the Gullah in the Age of Porgy and Bess</em></a> (University of Georgia Press, 2024) is a literary and cultural history of the Gullah Geechee Coast, a four-state area that is one of only a handful of places that can truly be said to be the “cradle of Black culture” in the United States. An African American ethnic group who predominantly live in the Lowcountry region of South Carolina, North Carolina, Georgia, and Florida within the coastal plain and the Sea Islands, the Gullah people have preserved a significant influence of Africanisms because of their unique geographic isolation. </p><p>This book seeks to fill a significant cultural gap in Gullah history. While there is a veritable industry of books on literary Charleston and on the Lowcountry, along with a plenitude of Gullah-inspired studies in history, anthropology, linguistics, folklore, and religion, there has never been a comprehensive study of the region’s literary influence, particularly in the years of the Harlem and Charleston Renaissance. By giving voice to artists and culture makers, uncovering buried histories, and revealing secret cross-racial connections amid official practices of Jim Crow, Hamilton sheds new light on an incomplete cultural history.</p><p>Dr. Kendra Y. Hamilton is an associate professor of English and Director of Southern Studies at Presbyterian College.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4200</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Dave Mac Marquis and Moira Marquis, "Books Through Bars: Stories from the Prison Books Movement" (U Georgia Press, 2024)</title>
      <description>Co-edited by Dave Mac Marquis and Moira Marquis, two activists with deep experience in organizing prison books programs (PBPs), Books Through Bars: Stories from the Prison Books Movement (University of Georgia Press, 2024) introduces readers to PBPs and their decentralized organization. PBPs are a grassroots-level and nationwide activist movement challenging the largest prison industry in the world by refusing to let incarcerated people remain isolated and forgotten. Operating on shoestring budgets, will all-volunteer workforces and donated libraries, books to prisoner programs are examples of ordinary people acting to undermine the isolation and judgment of incarceration. Although there are currently fifty-three books to prisoners groups serving in all fifty states, these programs remain relatively unknown. The goal of this book is to bring awareness to this diffuse and long-standing social movement and offer readers a way to get involved. In addition to highlighting voices from PBPs throughout the United States, the volume also includes essays, images, and artwork from independent bookstore owners, formerly and currently incarcerated folks, activists, artists, journalists, volunteers, organizers, and scholars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 31 Mar 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>50</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Dave Mac Marquis</itunes:subtitle>
      <itunes:summary>Co-edited by Dave Mac Marquis and Moira Marquis, two activists with deep experience in organizing prison books programs (PBPs), Books Through Bars: Stories from the Prison Books Movement (University of Georgia Press, 2024) introduces readers to PBPs and their decentralized organization. PBPs are a grassroots-level and nationwide activist movement challenging the largest prison industry in the world by refusing to let incarcerated people remain isolated and forgotten. Operating on shoestring budgets, will all-volunteer workforces and donated libraries, books to prisoner programs are examples of ordinary people acting to undermine the isolation and judgment of incarceration. Although there are currently fifty-three books to prisoners groups serving in all fifty states, these programs remain relatively unknown. The goal of this book is to bring awareness to this diffuse and long-standing social movement and offer readers a way to get involved. In addition to highlighting voices from PBPs throughout the United States, the volume also includes essays, images, and artwork from independent bookstore owners, formerly and currently incarcerated folks, activists, artists, journalists, volunteers, organizers, and scholars.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Co-edited by Dave Mac Marquis and Moira Marquis, two activists with deep experience in organizing prison books programs (PBPs), <a href="https://bookshop.org/a/12343/9780820365879"><em>Books Through Bars: Stories from the Prison Books Movement</em></a> (University of Georgia Press, 2024) introduces readers to PBPs and their decentralized organization. PBPs are a grassroots-level and nationwide activist movement challenging the largest prison industry in the world by refusing to let incarcerated people remain isolated and forgotten. Operating on shoestring budgets, will all-volunteer workforces and donated libraries, books to prisoner programs are examples of ordinary people acting to undermine the isolation and judgment of incarceration. Although there are currently fifty-three books to prisoners groups serving in all fifty states, these programs remain relatively unknown. The goal of this book is to bring awareness to this diffuse and long-standing social movement and offer readers a way to get involved. In addition to highlighting voices from PBPs throughout the United States, the volume also includes essays, images, and artwork from independent bookstore owners, formerly and currently incarcerated folks, activists, artists, journalists, volunteers, organizers, and scholars.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3446</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Kami Fletcher and Ashley Towle, "Grave History: Death, Race, and Gender in Southern Cemeteries" (U Georgia Press, 2023)</title>
      <description>Kami Fletcher and Ashley Towle’s edited collection Grave History: Death, Race and Gender in Southern Cemeteries (University of Georgia Press, 2023), demonstrates how Jim Crow laws extended into the realms of the dead. Cemeteries throughout the Southern states either relegated Black funerals to the margins in existing cemeteries or excluded the community altogether, often citing the excuse that inclusion would create unrest amongst white lot-holders, and disturb the peace of the cemetery. Burial spaces become demonstrative of oppression, but could also signal resistance to oppression. This impressive text provides an essential primer in African American cemetery history and illustrates how the Black community created frameworks of community support to ensure that homegoing services were dignified and affordable. Chapters also explore the historic importance of African American burial grounds, where grave markers are uniquely important to the recreation of otherwise poorly documented communities. The chapters also lean into the problems intrinsic to interpreting the material culture of oppression, where historic Black identities risk becoming fixed within narratives of victimhood.
The book includes workshop guidance for teachers, for use with students at all stages in the education process.
Dr Julie Rugg is Director of the Cemetery Research Group, University of York, UK.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 11 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>334</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Kami Fletcher and Ashley Towle</itunes:subtitle>
      <itunes:summary>Kami Fletcher and Ashley Towle’s edited collection Grave History: Death, Race and Gender in Southern Cemeteries (University of Georgia Press, 2023), demonstrates how Jim Crow laws extended into the realms of the dead. Cemeteries throughout the Southern states either relegated Black funerals to the margins in existing cemeteries or excluded the community altogether, often citing the excuse that inclusion would create unrest amongst white lot-holders, and disturb the peace of the cemetery. Burial spaces become demonstrative of oppression, but could also signal resistance to oppression. This impressive text provides an essential primer in African American cemetery history and illustrates how the Black community created frameworks of community support to ensure that homegoing services were dignified and affordable. Chapters also explore the historic importance of African American burial grounds, where grave markers are uniquely important to the recreation of otherwise poorly documented communities. The chapters also lean into the problems intrinsic to interpreting the material culture of oppression, where historic Black identities risk becoming fixed within narratives of victimhood.
The book includes workshop guidance for teachers, for use with students at all stages in the education process.
Dr Julie Rugg is Director of the Cemetery Research Group, University of York, UK.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kami Fletcher and Ashley Towle’s edited collection<a href="https://bookshop.org/a/12343/9780820365800"> <em>Grave History: Death, Race and Gender in Southern Cemeteries</em></a><em> </em>(University of Georgia Press, 2023), demonstrates how Jim Crow laws extended into the realms of the dead. Cemeteries throughout the Southern states either relegated Black funerals to the margins in existing cemeteries or excluded the community altogether, often citing the excuse that inclusion would create unrest amongst white lot-holders, and disturb the peace of the cemetery. Burial spaces become demonstrative of oppression, but could also signal resistance to oppression. This impressive text provides an essential primer in African American cemetery history and illustrates how the Black community created frameworks of community support to ensure that homegoing services were dignified and affordable. Chapters also explore the historic importance of African American burial grounds, where grave markers are uniquely important to the recreation of otherwise poorly documented communities. The chapters also lean into the problems intrinsic to interpreting the material culture of oppression, where historic Black identities risk becoming fixed within narratives of victimhood.</p><p>The book includes workshop guidance for teachers, for use with students at all stages in the education process.</p><p><a href="https://www.york.ac.uk/chp/people/rugg/"><em>Dr Julie Rugg</em></a><em> is Director of the </em><a href="https://www.cemeteryresearch.org/"><em>Cemetery Research Group</em></a><em>, University of York, UK.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2783</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Chhaya Kolavalli, "Well-Intentioned Whiteness: Green Urban Development and Black Resistance in Kansas City" (U Georgia Press, 2023)</title>
      <description>Chhaya Kolavalli's book Well-Intentioned Whiteness: Green Urban Development and Black Resistance in Kansas City (U Georgia Press, 2023) documents how whiteness can take up space in U.S. cities and policies through well-intentioned progressive policy agendas that support green urbanism. Through in-depth ethnographic research in Kansas City, Kolavalli explores how urban food projects--central to the city's approach to green urbanism--are conceived and implemented and how they are perceived by residents of "food deserts," those intended to benefit from these projects.
Through her analysis, Kolavalli examines the narratives and histories that mostly white local food advocates are guided by and offers an alternative urban history of Kansas City--one that centers the contributions of Black and brown residents to urban prosperity. She also highlights how displacement of communities of color, through green development, has historically been a key urban development strategy in the city.
Well-Intentioned Whiteness shows how a myopic focus on green urbanism, as a solution to myriad urban "problems," ends up reinforcing racial inequity and uplifting structural whiteness. In this context, fine-grained analysis of how whiteness takes up space in our cities--even through progressive policy agendas--is more important. Kolavalli examines this process intimately and, in so doing, fleshes out our understanding of how racial inequities can be (re)created by everyday urban actors.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 02 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>18</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Chhaya Kolavalli</itunes:subtitle>
      <itunes:summary>Chhaya Kolavalli's book Well-Intentioned Whiteness: Green Urban Development and Black Resistance in Kansas City (U Georgia Press, 2023) documents how whiteness can take up space in U.S. cities and policies through well-intentioned progressive policy agendas that support green urbanism. Through in-depth ethnographic research in Kansas City, Kolavalli explores how urban food projects--central to the city's approach to green urbanism--are conceived and implemented and how they are perceived by residents of "food deserts," those intended to benefit from these projects.
Through her analysis, Kolavalli examines the narratives and histories that mostly white local food advocates are guided by and offers an alternative urban history of Kansas City--one that centers the contributions of Black and brown residents to urban prosperity. She also highlights how displacement of communities of color, through green development, has historically been a key urban development strategy in the city.
Well-Intentioned Whiteness shows how a myopic focus on green urbanism, as a solution to myriad urban "problems," ends up reinforcing racial inequity and uplifting structural whiteness. In this context, fine-grained analysis of how whiteness takes up space in our cities--even through progressive policy agendas--is more important. Kolavalli examines this process intimately and, in so doing, fleshes out our understanding of how racial inequities can be (re)created by everyday urban actors.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Chhaya Kolavalli's book <a href="https://bookshop.org/a/12343/9780820364094"><em>Well-Intentioned Whiteness: Green Urban Development and Black Resistance in Kansas City</em></a> (U Georgia Press, 2023) documents how whiteness can take up space in U.S. cities and policies through well-intentioned progressive policy agendas that support green urbanism. Through in-depth ethnographic research in Kansas City, Kolavalli explores how urban food projects--central to the city's approach to green urbanism--are conceived and implemented and how they are perceived by residents of "food deserts," those intended to benefit from these projects.</p><p>Through her analysis, Kolavalli examines the narratives and histories that mostly white local food advocates are guided by and offers an alternative urban history of Kansas City--one that centers the contributions of Black and brown residents to urban prosperity. She also highlights how displacement of communities of color, through green development, has historically been a key urban development strategy in the city.</p><p><em>Well-Intentioned Whiteness</em> shows how a myopic focus on green urbanism, as a solution to myriad urban "problems," ends up reinforcing racial inequity and uplifting structural whiteness. In this context, fine-grained analysis of how whiteness takes up space in our cities--even through progressive policy agendas--is more important. Kolavalli examines this process intimately and, in so doing, fleshes out our understanding of how racial inequities can be (re)created by everyday urban actors.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1769</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Melissa Estes Blair, "Bringing Home the White House: The Hidden History of Women Who Shaped the Presidency in the Twentieth Century" (U Georgia Press, 2023)</title>
      <description>In Bringing Home the White House: The Hidden History of Women Who Shaped the Presidency in the Twentieth Century (U Georgia Press, 2023), Melissa Estes Blair introduces us to five fascinating yet largely unheralded women who were at the heart of campaigns to elect and reelect some of our most beloved presidents. By examining the roles of these political strategists in affecting the outcome of presidential elections, Blair sheds light on their historical importance and the relevance of their individual influence.
In the middle decades of the twentieth century both major political parties had Women's Divisions. The leaders of these divisions--five women who held the job from 1932 until 1958--organized tens of thousands of women all over the country, turning them into the "saleswomen for the party" by providing them with talking points, fliers, and other material they needed to strike up political conversations with their friends and neighbors. The leaders of the Women's Divisions also produced a huge portion of the media used by the campaigns--over 90 percent of all print material in the 1930s--and were close advisors of the presidents of both parties.
In spite of their importance, these women and their work have been left out of the narratives of midcentury America. In telling the story of these five West Wing women, Blair reveals the ways that women were central to American politics from the depths of the Great Depression to the height of the Cold War.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 06 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>67</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Melissa Estes Blair</itunes:subtitle>
      <itunes:summary>In Bringing Home the White House: The Hidden History of Women Who Shaped the Presidency in the Twentieth Century (U Georgia Press, 2023), Melissa Estes Blair introduces us to five fascinating yet largely unheralded women who were at the heart of campaigns to elect and reelect some of our most beloved presidents. By examining the roles of these political strategists in affecting the outcome of presidential elections, Blair sheds light on their historical importance and the relevance of their individual influence.
In the middle decades of the twentieth century both major political parties had Women's Divisions. The leaders of these divisions--five women who held the job from 1932 until 1958--organized tens of thousands of women all over the country, turning them into the "saleswomen for the party" by providing them with talking points, fliers, and other material they needed to strike up political conversations with their friends and neighbors. The leaders of the Women's Divisions also produced a huge portion of the media used by the campaigns--over 90 percent of all print material in the 1930s--and were close advisors of the presidents of both parties.
In spite of their importance, these women and their work have been left out of the narratives of midcentury America. In telling the story of these five West Wing women, Blair reveals the ways that women were central to American politics from the depths of the Great Depression to the height of the Cold War.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780820365107"><em>Bringing Home the White House: The Hidden History of Women Who Shaped the Presidency in the Twentieth Century</em></a><em> </em>(U Georgia Press, 2023), Melissa Estes Blair introduces us to five fascinating yet largely unheralded women who were at the heart of campaigns to elect and reelect some of our most beloved presidents. By examining the roles of these political strategists in affecting the outcome of presidential elections, Blair sheds light on their historical importance and the relevance of their individual influence.</p><p>In the middle decades of the twentieth century both major political parties had Women's Divisions. The leaders of these divisions--five women who held the job from 1932 until 1958--organized tens of thousands of women all over the country, turning them into the "saleswomen for the party" by providing them with talking points, fliers, and other material they needed to strike up political conversations with their friends and neighbors. The leaders of the Women's Divisions also produced a huge portion of the media used by the campaigns--over 90 percent of all print material in the 1930s--and were close advisors of the presidents of both parties.</p><p>In spite of their importance, these women and their work have been left out of the narratives of midcentury America. In telling the story of these five West Wing women, Blair reveals the ways that women were central to American politics from the depths of the Great Depression to the height of the Cold War.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2381</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Jessica Hendry Nelson, "Joy Rides Through the Tunnel of Grief" (U Georgia Press, 2023)</title>
      <description>Jessica Hendry Nelson, Joy Rides through the Tunnel of Grief (University of Georgia Press, 2023) is a compelling memoir in essays. When Nelson's father died from an accident caused by complications of alcoholism, she knew immediately she had inherited his love-that it left his body, traveled through the air, and entered her own. And so, she needed a place to put it. She needed to know what to do with it, how not to waste it, how to make something with it, how to honor it and put language to it. So, she placed it with her brother, Eric, whose opioid addiction made his death feel always imminent. With her partner, Jack, together for thirteen years. With her exhausted, nicotine-addicted mother, her best friend Jessie, women at the gym she never met but loved completely. But mostly with her future child, the one she does not yet have but deeply wants. The child who is both the question of love-and the answer to it. 
So, when Jack suddenly confesses that he does not want to have children-not with her, not ever-the someday vessel for her boundless and insatiable love hunger swiftly disappears, taking with it a fundamental promise of her life: motherhood. Joy Rides through the Tunnel of Grief catalyzes from this place. Fluidly navigating through past, present, and future, Nelson asks: Where does her desire to have a child come from? Are the imperatives to make art and to make a child born from the same searching place? Are they both masked and misguided attempts to thwart death? Nelson investigates the tremulous makings and unmakings of our most intense and fragile bonds-family, friends, lovers-with searing insight, humor, and tenderness.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 25 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>359</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Jessica Hendry Nelson</itunes:subtitle>
      <itunes:summary>Jessica Hendry Nelson, Joy Rides through the Tunnel of Grief (University of Georgia Press, 2023) is a compelling memoir in essays. When Nelson's father died from an accident caused by complications of alcoholism, she knew immediately she had inherited his love-that it left his body, traveled through the air, and entered her own. And so, she needed a place to put it. She needed to know what to do with it, how not to waste it, how to make something with it, how to honor it and put language to it. So, she placed it with her brother, Eric, whose opioid addiction made his death feel always imminent. With her partner, Jack, together for thirteen years. With her exhausted, nicotine-addicted mother, her best friend Jessie, women at the gym she never met but loved completely. But mostly with her future child, the one she does not yet have but deeply wants. The child who is both the question of love-and the answer to it. 
So, when Jack suddenly confesses that he does not want to have children-not with her, not ever-the someday vessel for her boundless and insatiable love hunger swiftly disappears, taking with it a fundamental promise of her life: motherhood. Joy Rides through the Tunnel of Grief catalyzes from this place. Fluidly navigating through past, present, and future, Nelson asks: Where does her desire to have a child come from? Are the imperatives to make art and to make a child born from the same searching place? Are they both masked and misguided attempts to thwart death? Nelson investigates the tremulous makings and unmakings of our most intense and fragile bonds-family, friends, lovers-with searing insight, humor, and tenderness.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jessica Hendry Nelson, <a href="https://bookshop.org/a/12343/9780820365473"><em>Joy Rides through the Tunnel of Grief</em></a> (University of Georgia Press, 2023) is a compelling memoir in essays. When Nelson's father died from an accident caused by complications of alcoholism, she knew immediately she had inherited his love-that it left his body, traveled through the air, and entered her own. And so, she needed a place to put it. She needed to know what to do with it, how not to waste it, how to make something with it, how to honor it and put language to it. So, she placed it with her brother, Eric, whose opioid addiction made his death feel always imminent. With her partner, Jack, together for thirteen years. With her exhausted, nicotine-addicted mother, her best friend Jessie, women at the gym she never met but loved completely. But mostly with her future child, the one she does not yet have but deeply wants. The child who is both the question of love-and the answer to it. </p><p>So, when Jack suddenly confesses that he does not want to have children-not with her, not ever-the someday vessel for her boundless and insatiable love hunger swiftly disappears, taking with it a fundamental promise of her life: motherhood. <em>Joy Rides through the Tunnel of Grief</em> catalyzes from this place. Fluidly navigating through past, present, and future, Nelson asks: Where does her desire to have a child come from? Are the imperatives to make art and to make a child born from the same searching place? Are they both masked and misguided attempts to thwart death? Nelson investigates the tremulous makings and unmakings of our most intense and fragile bonds-family, friends, lovers-with searing insight, humor, and tenderness.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1999</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Robert F. Moss, "The Lost Southern Chefs: A History of Commercial Dining in the Nineteenth-Century South" (U Georgia Press, 2022)</title>
      <description>In recent years, food writers and historians have begun to retell the story of southern food. Heirloom ingredients and traditional recipes have been rediscovered, the foundational role that African Americans played in the evolution of southern cuisine is coming to be recognized, and writers are finally clearing away the cobwebs of romantic myth that have long distorted the picture. The story of southern dining, however, remains incomplete.
The Lost Southern Chefs: A History of Commercial Dining in the Nineteenth-Century South (U Georgia Press, 2022) begins to fill that niche by charting the evolution of commercial dining in the nineteenth-century South. Robert F. Moss punctures long-accepted notions that dining outside the home was universally poor, arguing that what we would today call “fine dining” flourished throughout the region as its towns and cities grew. Moss describes the economic forces and technological advances that revolutionized public dining, reshaped commercial pantries, and gave southerners who loved to eat a wealth of restaurants, hotel dining rooms, oyster houses, confectionery stores, and saloons.
Most important, Moss tells the forgotten stories of the people who drove this culinary revolution. These men and women fully embodied the title “chef,” as they were the chiefs of their kitchens, directing large staffs, staging elaborate events for hundreds of guests, and establishing supply chains for the very best ingredients from across the expanding nation. Many were African Americans or recent immigrants from Europe, and they achieved culinary success despite great barriers and social challenges. These chefs and entrepreneurs became embroiled in the pitched political battles of Reconstruction and Jim Crow, and then their names were all but erased from history.
﻿Kelly Spivey is a writer and documentarian.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 12 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>129</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Robert F. Moss</itunes:subtitle>
      <itunes:summary>In recent years, food writers and historians have begun to retell the story of southern food. Heirloom ingredients and traditional recipes have been rediscovered, the foundational role that African Americans played in the evolution of southern cuisine is coming to be recognized, and writers are finally clearing away the cobwebs of romantic myth that have long distorted the picture. The story of southern dining, however, remains incomplete.
The Lost Southern Chefs: A History of Commercial Dining in the Nineteenth-Century South (U Georgia Press, 2022) begins to fill that niche by charting the evolution of commercial dining in the nineteenth-century South. Robert F. Moss punctures long-accepted notions that dining outside the home was universally poor, arguing that what we would today call “fine dining” flourished throughout the region as its towns and cities grew. Moss describes the economic forces and technological advances that revolutionized public dining, reshaped commercial pantries, and gave southerners who loved to eat a wealth of restaurants, hotel dining rooms, oyster houses, confectionery stores, and saloons.
Most important, Moss tells the forgotten stories of the people who drove this culinary revolution. These men and women fully embodied the title “chef,” as they were the chiefs of their kitchens, directing large staffs, staging elaborate events for hundreds of guests, and establishing supply chains for the very best ingredients from across the expanding nation. Many were African Americans or recent immigrants from Europe, and they achieved culinary success despite great barriers and social challenges. These chefs and entrepreneurs became embroiled in the pitched political battles of Reconstruction and Jim Crow, and then their names were all but erased from history.
﻿Kelly Spivey is a writer and documentarian.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In recent years, food writers and historians have begun to retell the story of southern food. Heirloom ingredients and traditional recipes have been rediscovered, the foundational role that African Americans played in the evolution of southern cuisine is coming to be recognized, and writers are finally clearing away the cobwebs of romantic myth that have long distorted the picture. The story of southern dining, however, remains incomplete.</p><p><a href="https://bookshop.org/a/12343/9780820360850"><em>The Lost Southern Chefs: A History of Commercial Dining in the Nineteenth-Century South</em></a><em> </em>(U Georgia Press, 2022) begins to fill that niche by charting the evolution of commercial dining in the nineteenth-century South. Robert F. Moss punctures long-accepted notions that dining outside the home was universally poor, arguing that what we would today call “fine dining” flourished throughout the region as its towns and cities grew. Moss describes the economic forces and technological advances that revolutionized public dining, reshaped commercial pantries, and gave southerners who loved to eat a wealth of restaurants, hotel dining rooms, oyster houses, confectionery stores, and saloons.</p><p>Most important, Moss tells the forgotten stories of the people who drove this culinary revolution. These men and women fully embodied the title “chef,” as they were the chiefs of their kitchens, directing large staffs, staging elaborate events for hundreds of guests, and establishing supply chains for the very best ingredients from across the expanding nation. Many were African Americans or recent immigrants from Europe, and they achieved culinary success despite great barriers and social challenges. These chefs and entrepreneurs became embroiled in the pitched political battles of Reconstruction and Jim Crow, and then their names were all but erased from history.</p><p><em>﻿</em><a href="https://kellyespivey.com/"><em>Kelly Spivey</em></a><em> is a writer and documentarian.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3913</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Hollis Robbins, "Forms of Contention: Influence and the African American Sonnet Tradition" (U Georgia Press, 2020)</title>
      <description>As I learned from Hollis Robbins’s monograph Forms of Contention: Influence and the African American Sonnet Tradition (U Georgia Press, 2020), there has been a long-standing skepticism of the sonnet form among Black writers and literary critics. Langston Hughes wrote that “the Shakespearean sonnet would be no mold to express the life of Beale Street or Lenox Avenue.” Ishmael Reed condemned sonneteering, alongside ode-writing, as “the feeble pluckings of musky gentlemen and slaves of the metronome.” And yet African American poets such as Terrance Hayes and Natasha Trethewey continue to contribute to a tradition of sonnet-writing that includes Robert Hayden, Phyllis Wheatley, Rita Dove, Amiri Baraka, and James Corrothers.
Today’s guest is Hollis Robbins, the author of Forms of Contention, published with the University of Georgia Press in 2020. Hollis is the Dean of Humanities at the University of Utah. Previously, she served as Dean of Arts and Humanities at Sonoma State University, Professor of Humanities at the Peabody Institute at Johns Hopkins University, and Professor of English at Millsaps College. Hollis is also the co-editor of a number of field-defining books including The Portable Nineteenth Century African American Women Writers (Penguin, 2017); The Annotated Uncle Tom’s Cabin (Norton, 2006); and the Works of William Wells Brown (Oxford University Press, 2006).
Forms of Contention tests the premise that a literary form such as the sonnet can both offer opportunities for reimagining society and politics and pose perils of constraint. This book captures the complexity and longevity of a vibrant tradition of Black poets taking up the sonnet form to explore race, liberation, enslavement, solidarity, and abolitionism. It also invites us to find new directions for the intersection of literary formalism and African American cultural studies.
John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 26 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>241</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Hollis Robbins</itunes:subtitle>
      <itunes:summary>As I learned from Hollis Robbins’s monograph Forms of Contention: Influence and the African American Sonnet Tradition (U Georgia Press, 2020), there has been a long-standing skepticism of the sonnet form among Black writers and literary critics. Langston Hughes wrote that “the Shakespearean sonnet would be no mold to express the life of Beale Street or Lenox Avenue.” Ishmael Reed condemned sonneteering, alongside ode-writing, as “the feeble pluckings of musky gentlemen and slaves of the metronome.” And yet African American poets such as Terrance Hayes and Natasha Trethewey continue to contribute to a tradition of sonnet-writing that includes Robert Hayden, Phyllis Wheatley, Rita Dove, Amiri Baraka, and James Corrothers.
Today’s guest is Hollis Robbins, the author of Forms of Contention, published with the University of Georgia Press in 2020. Hollis is the Dean of Humanities at the University of Utah. Previously, she served as Dean of Arts and Humanities at Sonoma State University, Professor of Humanities at the Peabody Institute at Johns Hopkins University, and Professor of English at Millsaps College. Hollis is also the co-editor of a number of field-defining books including The Portable Nineteenth Century African American Women Writers (Penguin, 2017); The Annotated Uncle Tom’s Cabin (Norton, 2006); and the Works of William Wells Brown (Oxford University Press, 2006).
Forms of Contention tests the premise that a literary form such as the sonnet can both offer opportunities for reimagining society and politics and pose perils of constraint. This book captures the complexity and longevity of a vibrant tradition of Black poets taking up the sonnet form to explore race, liberation, enslavement, solidarity, and abolitionism. It also invites us to find new directions for the intersection of literary formalism and African American cultural studies.
John Yargo is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As I learned from Hollis Robbins’s monograph <a href="https://bookshop.org/a/12343/9780820357645"><em>Forms of Contention: Influence and the African American Sonnet Tradition</em></a> (U Georgia Press, 2020), there has been a long-standing skepticism of the sonnet form among Black writers and literary critics. Langston Hughes wrote that “the Shakespearean sonnet would be no mold to express the life of Beale Street or Lenox Avenue.” Ishmael Reed condemned sonneteering, alongside ode-writing, as “the feeble pluckings of musky gentlemen and slaves of the metronome.” And yet African American poets such as Terrance Hayes and Natasha Trethewey continue to contribute to a tradition of sonnet-writing that includes Robert Hayden, Phyllis Wheatley, Rita Dove, Amiri Baraka, and James Corrothers.</p><p>Today’s guest is Hollis Robbins, the author of <em>Forms of Contention</em>, published with the University of Georgia Press in 2020. Hollis is the Dean of Humanities at the University of Utah. Previously, she served as Dean of Arts and Humanities at Sonoma State University, Professor of Humanities at the Peabody Institute at Johns Hopkins University, and Professor of English at Millsaps College. Hollis is also the co-editor of a number of field-defining books including <em>The Portable Nineteenth Century African American Women Writers</em> (Penguin, 2017); <em>The Annotated Uncle Tom’s Cabin</em> (Norton, 2006); and the <em>Works of William Wells Brown</em> (Oxford University Press, 2006).</p><p><em>Forms of Contention</em> tests the premise that a literary form such as the sonnet can both offer opportunities for reimagining society and politics and pose perils of constraint. This book captures the complexity and longevity of a vibrant tradition of Black poets taking up the sonnet form to explore race, liberation, enslavement, solidarity, and abolitionism. It also invites us to find new directions for the intersection of literary formalism and African American cultural studies.</p><p><a href="https://www.johnyargo.com/"><em>John Yargo</em></a><em> is Visiting Assistant Professor of English at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the </em><a href="https://muse.jhu.edu/article/786734"><em>Journal for Early Modern Culture Studies</em></a><em>, Early Theatre, Studies in Philology, and Shakespeare Studies.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>5504</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Christopher C. Sellers, "Race and the Greening of Atlanta: Inequality, Democracy, and Environmental Politics in an Ascendant Metropolis" (U Georgia Press, 2023)</title>
      <description>Race and the Greening of Atlanta: Inequality, Democracy, and Environmental Politics in an Ascendant Metropolis (U Georgia Press, 2023) turns an environmental lens on Atlanta’s ascent to thriving capital of the Sunbelt over the twentieth century. Uniquely wide ranging in scale, from the city’s variegated neighborhoods up to its place in regional and national political economies, this book reinterprets the fall of Jim Crow as a democratization born of two metropolitan movements: a well-known one for civil rights and a lesser known one on behalf of “the environment.” Arising out of Atlanta’s Black and white middle classes respectively, both movements owed much to New Deal capitalism’s undermining of concentrated wealth and power, if not racial segregation, in the Jim Crow South.
Placing these two movements on the same historical page, Christopher C. Sellers spotlights those environmental inequities, ideals, and provocations that catalyzed their divergent political projects. He then follows the intermittent, sometimes vital alliances they struck as civil rights activists tackled poverty, as a new environmental state arose, and as Black politicians began winning elections. Into the 1980s, as a wealth-concentrating style of capitalism returned to the city and Atlanta became a national “poster child” for sprawl, the seedbeds spread both for a national environmental justice movement and for an influential new style of antistatism. Sellers contends that this new conservativism, sweeping the South with an anti-environmentalism and budding white nationalism that echoed the region’s Jim Crow past, once again challenged the democracy Atlantans had achieved.
Christopher Sellers is professor of history at Stony Brook University. He is the author of Hazards of the Job, Crabgrass Crucible, Dangerous Trade, and Landscapes of Exposure, among other publications. He is the recipient of numerous awards, grants, and fellowships, including those from the National Science Foundation, the National Humanities Center, and the National Library of Medicine. He lives in Stony Brook, New York. Website. Twitter.
Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 21 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>167</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Christopher C. Sellers</itunes:subtitle>
      <itunes:summary>Race and the Greening of Atlanta: Inequality, Democracy, and Environmental Politics in an Ascendant Metropolis (U Georgia Press, 2023) turns an environmental lens on Atlanta’s ascent to thriving capital of the Sunbelt over the twentieth century. Uniquely wide ranging in scale, from the city’s variegated neighborhoods up to its place in regional and national political economies, this book reinterprets the fall of Jim Crow as a democratization born of two metropolitan movements: a well-known one for civil rights and a lesser known one on behalf of “the environment.” Arising out of Atlanta’s Black and white middle classes respectively, both movements owed much to New Deal capitalism’s undermining of concentrated wealth and power, if not racial segregation, in the Jim Crow South.
Placing these two movements on the same historical page, Christopher C. Sellers spotlights those environmental inequities, ideals, and provocations that catalyzed their divergent political projects. He then follows the intermittent, sometimes vital alliances they struck as civil rights activists tackled poverty, as a new environmental state arose, and as Black politicians began winning elections. Into the 1980s, as a wealth-concentrating style of capitalism returned to the city and Atlanta became a national “poster child” for sprawl, the seedbeds spread both for a national environmental justice movement and for an influential new style of antistatism. Sellers contends that this new conservativism, sweeping the South with an anti-environmentalism and budding white nationalism that echoed the region’s Jim Crow past, once again challenged the democracy Atlantans had achieved.
Christopher Sellers is professor of history at Stony Brook University. He is the author of Hazards of the Job, Crabgrass Crucible, Dangerous Trade, and Landscapes of Exposure, among other publications. He is the recipient of numerous awards, grants, and fellowships, including those from the National Science Foundation, the National Humanities Center, and the National Library of Medicine. He lives in Stony Brook, New York. Website. Twitter.
Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. Twitter. Website.
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      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780820344072"><em>Race and the Greening of Atlanta: Inequality, Democracy, and Environmental Politics in an Ascendant Metropolis</em></a> (U Georgia Press, 2023) turns an environmental lens on Atlanta’s ascent to thriving capital of the Sunbelt over the twentieth century. Uniquely wide ranging in scale, from the city’s variegated neighborhoods up to its place in regional and national political economies, this book reinterprets the fall of Jim Crow as a democratization born of two metropolitan movements: a well-known one for civil rights and a lesser known one on behalf of “the environment.” Arising out of Atlanta’s Black and white middle classes respectively, both movements owed much to New Deal capitalism’s undermining of concentrated wealth and power, if not racial segregation, in the Jim Crow South.</p><p>Placing these two movements on the same historical page, Christopher C. Sellers spotlights those environmental inequities, ideals, and provocations that catalyzed their divergent political projects. He then follows the intermittent, sometimes vital alliances they struck as civil rights activists tackled poverty, as a new environmental state arose, and as Black politicians began winning elections. Into the 1980s, as a wealth-concentrating style of capitalism returned to the city and Atlanta became a national “poster child” for sprawl, the seedbeds spread both for a national environmental justice movement and for an influential new style of antistatism. Sellers contends that this new conservativism, sweeping the South with an anti-environmentalism and budding white nationalism that echoed the region’s Jim Crow past, once again challenged the democracy Atlantans had achieved.</p><p>Christopher Sellers is professor of history at Stony Brook University. He is the author of <em>Hazards of the Job</em>, <em>Crabgrass Crucible</em>, <em>Dangerous Trade</em>, and <em>Landscapes of Exposure</em>, among other publications. He is the recipient of numerous awards, grants, and fellowships, including those from the National Science Foundation, the National Humanities Center, and the National Library of Medicine. He lives in Stony Brook, New York. <a href="https://sites.google.com/a/stonybrook.edu/suburban-nature2/about-the-author-1"><em>Website</em></a><em>. </em><a href="https://twitter.com/ChrisCSellers"><em>Twitter</em></a><em>.</em></p><p><em>Brian Hamilton is chair of the Department of History and Social Science at Deerfield Academy. </em><a href="http://twitter.com/brianfhamilton"><em>Twitter</em></a><em>. </em><a href="http://brian-hamilton.org/"><em>Website</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3801</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Christine Keiner, "Deep Cut: Science, Power, and the Unbuilt Interoceanic Canal" (U Georgia Press, 2020)</title>
      <description>The Atlantic-Pacific Central American sea-level canal is generally regarded as a spectacular failure. However, Deep Cut: Science, Power, and the Unbuilt Interoceanic Canal (U Georgia Press, 2020) examines the canal in an alternative context, as an anticipated infrastructure project that captured attention from the nineteenth through the late twentieth centuries. Its advocates included naturalist Alexander von Humboldt, physicist Edward Teller, and U.S. presidents John F. Kennedy, Lyndon Johnson, and Jimmy Carter. The waterway did not come to fruition, but as a proposal it served important political and scientific purposes during different eras, especially the years spanning the Cold War and the "environmental decade" of the 1970s.
Historian Christine Keiner shows how the evolving plans for the sea-level ship canal performed distinct kinds of work for diverse historical actors in light of shifting scientific, environmental, and diplomatic values. Dismissing it as a failed scheme prevents us from considering the political, cultural, and epistemological processes that went into constructing the seaway as an innovative diplomatic solution to rising U.S.-Panama tensions, an exciting research opportunity for evolutionary biologists, a superior hydrocarbon highway for the oil industry, or a serious ecological threat to marine biodiversity.
Invoking past dreams and nightmares of peaceful nuclear explosives, invasive sea snakes, and the 1970s energy crisis, Deep Cut uses the Central American seaway proposal to examine the changing roles of environmental diplomacy and state-sponsored environmental impact assessment. More broadly, Keiner amplifies an emerging conversation around the environmental, scientific, and political histories and legacies of unrealized megaprojects.
This book is available open access here. 
Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio. On Twitter: @slissw.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 05 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>347</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Christine Keiner</itunes:subtitle>
      <itunes:summary>The Atlantic-Pacific Central American sea-level canal is generally regarded as a spectacular failure. However, Deep Cut: Science, Power, and the Unbuilt Interoceanic Canal (U Georgia Press, 2020) examines the canal in an alternative context, as an anticipated infrastructure project that captured attention from the nineteenth through the late twentieth centuries. Its advocates included naturalist Alexander von Humboldt, physicist Edward Teller, and U.S. presidents John F. Kennedy, Lyndon Johnson, and Jimmy Carter. The waterway did not come to fruition, but as a proposal it served important political and scientific purposes during different eras, especially the years spanning the Cold War and the "environmental decade" of the 1970s.
Historian Christine Keiner shows how the evolving plans for the sea-level ship canal performed distinct kinds of work for diverse historical actors in light of shifting scientific, environmental, and diplomatic values. Dismissing it as a failed scheme prevents us from considering the political, cultural, and epistemological processes that went into constructing the seaway as an innovative diplomatic solution to rising U.S.-Panama tensions, an exciting research opportunity for evolutionary biologists, a superior hydrocarbon highway for the oil industry, or a serious ecological threat to marine biodiversity.
Invoking past dreams and nightmares of peaceful nuclear explosives, invasive sea snakes, and the 1970s energy crisis, Deep Cut uses the Central American seaway proposal to examine the changing roles of environmental diplomacy and state-sponsored environmental impact assessment. More broadly, Keiner amplifies an emerging conversation around the environmental, scientific, and political histories and legacies of unrealized megaprojects.
This book is available open access here. 
Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio. On Twitter: @slissw.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Atlantic-Pacific Central American sea-level canal is generally regarded as a spectacular failure. However, <a href="https://bookshop.org/a/12343/9780820338958"><em>Deep Cut: Science, Power, and the Unbuilt Interoceanic Canal</em></a><em> </em>(U Georgia Press, 2020) examines the canal in an alternative context, as an anticipated infrastructure project that captured attention from the nineteenth through the late twentieth centuries. Its advocates included naturalist Alexander von Humboldt, physicist Edward Teller, and U.S. presidents John F. Kennedy, Lyndon Johnson, and Jimmy Carter. The waterway did not come to fruition, but as a proposal it served important political and scientific purposes during different eras, especially the years spanning the Cold War and the "environmental decade" of the 1970s.</p><p>Historian Christine Keiner shows how the evolving plans for the sea-level ship canal performed distinct kinds of work for diverse historical actors in light of shifting scientific, environmental, and diplomatic values. Dismissing it as a failed scheme prevents us from considering the political, cultural, and epistemological processes that went into constructing the seaway as an innovative diplomatic solution to rising U.S.-Panama tensions, an exciting research opportunity for evolutionary biologists, a superior hydrocarbon highway for the oil industry, or a serious ecological threat to marine biodiversity.</p><p>Invoking past dreams and nightmares of peaceful nuclear explosives, invasive sea snakes, and the 1970s energy crisis, <em>Deep Cut</em> uses the Central American seaway proposal to examine the changing roles of environmental diplomacy and state-sponsored environmental impact assessment. More broadly, Keiner amplifies an emerging conversation around the environmental, scientific, and political histories and legacies of unrealized megaprojects.</p><p>This book is available open access <a href="https://www.jstor.org/stable/j.ctv14npjt2">here</a>. </p><p><a href="https://arts-sciences.buffalo.edu/history/graduate/GraduateHistoryAssociation/GradStudentProfiles/ShuWan.html"><em>Shu Wan</em></a><em> is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio. On Twitter: @slissw.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1866</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Erica Abrams Locklear, "Appalachia on the Table: Representing Mountain Food and People" (U Georgia Press, 2023)</title>
      <description>When her mother passed along a cookbook made and assembled by her grandmother, Erica Abrams Locklear thought she knew what to expect. But rather than finding a homemade cookbook full of apple stack cake, leather britches, pickled watermelon, or other “traditional” mountain recipes, Locklear discovered recipes for devil’s food cake with coconut icing, grape catsup, and fig pickles. Some recipes even relied on food products like Bisquick, Swans Down flour, and Calumet baking powder. Where, Locklear wondered, did her Appalachian food script come from? And what implicit judgments had she made about her grandmother based on the foods she imagined she would have been interested in cooking?
Appalachia on the Table: Representing Mountain Food and People (U Georgia Press, 2023) argues, in part, that since the conception of Appalachia as a distinctly different region from the rest of the South and the United States, the foods associated with the region and its people have often been used to socially categorize and stigmatize mountain people. Rather than investigate the actual foods consumed in Appalachia, Locklear instead focuses on the representations of foods consumed, implied moral judgments about those foods, and how those judgments shape reader perceptions of those depicted. The question at the core of Locklear’s analysis asks, How did the dominant culinary narrative of the region come into existence and what consequences has that narrative had for people in the mountains?
Kelly Spivey is a writer and documentarian.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 28 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>125</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Erica Abrams Locklear</itunes:subtitle>
      <itunes:summary>When her mother passed along a cookbook made and assembled by her grandmother, Erica Abrams Locklear thought she knew what to expect. But rather than finding a homemade cookbook full of apple stack cake, leather britches, pickled watermelon, or other “traditional” mountain recipes, Locklear discovered recipes for devil’s food cake with coconut icing, grape catsup, and fig pickles. Some recipes even relied on food products like Bisquick, Swans Down flour, and Calumet baking powder. Where, Locklear wondered, did her Appalachian food script come from? And what implicit judgments had she made about her grandmother based on the foods she imagined she would have been interested in cooking?
Appalachia on the Table: Representing Mountain Food and People (U Georgia Press, 2023) argues, in part, that since the conception of Appalachia as a distinctly different region from the rest of the South and the United States, the foods associated with the region and its people have often been used to socially categorize and stigmatize mountain people. Rather than investigate the actual foods consumed in Appalachia, Locklear instead focuses on the representations of foods consumed, implied moral judgments about those foods, and how those judgments shape reader perceptions of those depicted. The question at the core of Locklear’s analysis asks, How did the dominant culinary narrative of the region come into existence and what consequences has that narrative had for people in the mountains?
Kelly Spivey is a writer and documentarian.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When her mother passed along a cookbook made and assembled by her grandmother, Erica Abrams Locklear thought she knew what to expect. But rather than finding a homemade cookbook full of apple stack cake, leather britches, pickled watermelon, or other “traditional” mountain recipes, Locklear discovered recipes for devil’s food cake with coconut icing, grape catsup, and fig pickles. Some recipes even relied on food products like Bisquick, Swans Down flour, and Calumet baking powder. Where, Locklear wondered, did her Appalachian food script come from? And what implicit judgments had she made about her grandmother based on the foods she <em>imagined</em> she would have been interested in cooking?</p><p><a href="https://bookshop.org/a/12343/9780820363394"><em>Appalachia on the Table: Representing Mountain Food and People</em></a><em> </em>(U Georgia Press, 2023) argues, in part, that since the conception of Appalachia as a distinctly different region from the rest of the South and the United States, the foods associated with the region and its people have often been used to socially categorize and stigmatize mountain people. Rather than investigate the actual foods consumed in Appalachia, Locklear instead focuses on the representations of foods consumed, implied moral judgments about those foods, and how those judgments shape reader perceptions of those depicted. The question at the core of Locklear’s analysis asks, How did the dominant culinary narrative of the region come into existence and what consequences has that narrative had for people in the mountains?</p><p><a href="https://kellyespivey.com/"><em>Kelly Spivey</em></a><em> is a writer and documentarian.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3047</itunes:duration>
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      <title>Anne-Marie Oomen, "As Long As I Know You: The Mom Book" (U Georgia Press, 2022)</title>
      <description>In As Long As I Know You: The Mom Book (U Georgia Press, 2022), Ann-Marie Oomen offers a real-time narrative of walking her mother through dementia to the end of her life. Writer Pam Houston once summed it up: "Nice mother-daughter stories are a dime a dozen; pain-in-the-ass mother-daughter stories are the ones that grab us." We start this rending journey witnessing the small-not-small clashes between a mother and daughter who don't much like each other, and end in a tender, hopeful place that remains bright, real and raw. As the millions of women like Oomen's mother reach their elder years and become the "oldest of the old," their daughters (and sons) must grapple with what dignified care looks like in a healthcare system fraught with bureaucracy and that is somehow both bloated and threadbare simultaneously. Even readers who haven't cared for an aging parent will find themselves in the pages of As Long As I Know You, for questions of how we know what and who we know, which are intimately tangled with questions of how we love, are universal. 
Anne-Marie Oomen’s book As Long as I Know You: The Mom Book won AWP’s Sue William Silverman Nonfiction Award (. Forthcoming, The Long Fields, from Cornerstone. Other titles include The Lake Michigan Mermaid (with poet, Linda Nemec Foster, Michigan Notable Book 2019), Love, Sex and 4-H, (Next Generation Indie Award for memoir); Pulling Down the Barn and House of Fields, (Michigan Notable Books)—all focused on rural culture; also An American Map: Essays, and a collection of poetry, Uncoded Woman (Milkweed Editions). She edited Elemental, A Collection of Michigan Nonfiction (Michigan Notable Book), and Looking Over My Shoulder: Reflections on the Twentieth Century (A Michigan Humanities Council Project). She has written seven plays, including award-winning Northern Belles (inspired by oral histories of women farmers), and Secrets of Luuce Talk Tavern, winner of the CTAM contest. She is founding editor of Dunes Review, former president of Michigan Writers, and serves as instructor at Solstice MFA in Creative Writing at Lasell University (MA) and at Interlochen College of Creative Arts. She appears at conferences throughout the country. She and her husband, David Early, built their own home on wild acreage near Empire, Michigan, and their beloved Lake Michigan. You can learn more at www.anne-marieoomen.com
You can learn more about the interviewer Megan Wildhood at meganwildhood.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 23 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>325</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Anne-Marie Oomen</itunes:subtitle>
      <itunes:summary>In As Long As I Know You: The Mom Book (U Georgia Press, 2022), Ann-Marie Oomen offers a real-time narrative of walking her mother through dementia to the end of her life. Writer Pam Houston once summed it up: "Nice mother-daughter stories are a dime a dozen; pain-in-the-ass mother-daughter stories are the ones that grab us." We start this rending journey witnessing the small-not-small clashes between a mother and daughter who don't much like each other, and end in a tender, hopeful place that remains bright, real and raw. As the millions of women like Oomen's mother reach their elder years and become the "oldest of the old," their daughters (and sons) must grapple with what dignified care looks like in a healthcare system fraught with bureaucracy and that is somehow both bloated and threadbare simultaneously. Even readers who haven't cared for an aging parent will find themselves in the pages of As Long As I Know You, for questions of how we know what and who we know, which are intimately tangled with questions of how we love, are universal. 
Anne-Marie Oomen’s book As Long as I Know You: The Mom Book won AWP’s Sue William Silverman Nonfiction Award (. Forthcoming, The Long Fields, from Cornerstone. Other titles include The Lake Michigan Mermaid (with poet, Linda Nemec Foster, Michigan Notable Book 2019), Love, Sex and 4-H, (Next Generation Indie Award for memoir); Pulling Down the Barn and House of Fields, (Michigan Notable Books)—all focused on rural culture; also An American Map: Essays, and a collection of poetry, Uncoded Woman (Milkweed Editions). She edited Elemental, A Collection of Michigan Nonfiction (Michigan Notable Book), and Looking Over My Shoulder: Reflections on the Twentieth Century (A Michigan Humanities Council Project). She has written seven plays, including award-winning Northern Belles (inspired by oral histories of women farmers), and Secrets of Luuce Talk Tavern, winner of the CTAM contest. She is founding editor of Dunes Review, former president of Michigan Writers, and serves as instructor at Solstice MFA in Creative Writing at Lasell University (MA) and at Interlochen College of Creative Arts. She appears at conferences throughout the country. She and her husband, David Early, built their own home on wild acreage near Empire, Michigan, and their beloved Lake Michigan. You can learn more at www.anne-marieoomen.com
You can learn more about the interviewer Megan Wildhood at meganwildhood.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <a href="https://bookshop.org/a/12343/9780820362540"><em>As Long As I Know You: The Mom Book</em></a> (U Georgia Press, 2022), Ann-Marie Oomen offers a real-time narrative of walking her mother through dementia to the end of her life. Writer Pam Houston once summed it up: "Nice mother-daughter stories are a dime a dozen; pain-in-the-ass mother-daughter stories are the ones that grab us." We start this rending journey witnessing the small-not-small clashes between a mother and daughter who don't much like each other, and end in a tender, hopeful place that remains bright, real and raw. As the millions of women like Oomen's mother reach their elder years and become the "oldest of the old," their daughters (and sons) must grapple with what dignified care looks like in a healthcare system fraught with bureaucracy and that is somehow both bloated and threadbare simultaneously. Even readers who haven't cared for an aging parent will find themselves in the pages of As Long As I Know You, for questions of how we know what and who we know, which are intimately tangled with questions of how we love, are universal. </p><p>Anne-Marie Oomen’s book <em>As Long as I Know You: The Mom Book </em>won AWP’s Sue William Silverman Nonfiction Award (. Forthcoming, <em>The Long Fields,</em> from Cornerstone. Other titles include <em>The Lake Michigan Mermaid</em> (with poet, Linda Nemec Foster, Michigan Notable Book 2019<em>), Love, Sex and 4-H</em>, (Next Generation Indie Award for memoir); <em>Pulling Down the Barn</em> and <em>House of Fields</em>, (Michigan Notable Books)—all focused on rural culture; also <em>An American Map: Essays,</em> and a collection of poetry, <em>Uncoded Woman</em> (Milkweed Editions). She edited <em>Elemental, A Collection of Michigan Nonfiction</em> (Michigan Notable Book), and <em>Looking Over My Shoulder: Reflections on the Twentieth Century </em>(A Michigan Humanities Council Project). She has written seven plays, including award-winning <em>Northern Belles</em> (inspired by oral histories of women farmers), and <em>Secrets of Luuce Talk Tavern</em>, winner of the CTAM contest. She is founding editor of <em>Dunes Review, </em>former president of Michigan Writers, and serves as instructor at Solstice MFA in Creative Writing at Lasell University (MA) and at Interlochen College of Creative Arts. She appears at conferences throughout the country. She and her husband, David Early, built their own home on wild acreage near Empire, Michigan, and their beloved Lake Michigan. You can learn more at <a href="https://www.google.com/url?q=http://www.anne-marieoomen.com/&amp;sa=D&amp;source=calendar&amp;usd=2&amp;usg=AOvVaw3yvjtIZe7O825fQqneUKJn">www.anne-marieoomen.com</a></p><p>You can learn more about the interviewer Megan Wildhood at <a href="http://meganwildhood.com/">meganwildhood.com</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3771</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Rebecca Brückmann, "Massive Resistance and Southern Womanhood: White Women, Class, and Segregation" (U Georgia Press, 2021)</title>
      <description>Massive Resistance and Southern Womanhood: White Women, Class, and Segregation (U Georgia Press, 2021) offers a comparative sociocultural and spatial history of white supremacist women involved in massive resistance. The book focuses on segregationist grassroots activism in Little Rock, Arkansas, New Orleans, Louisiana, and Charleston, South Carolina from the late 1940s to the late 1960s. Dr. Rebecca Brückmann combines theory and detailed case studies to interrogate the “roles, actions, self-understandings, and media representations” of these segregationist women.
Dr. Brückmann argues that these women – motivated by an everyday culture of white supremacy – created performative spaces for their segregationist agitation in the public sphere to legitimize their actions. Unlike other studies of mass resistance that have focused on maternalism, Dr. Brückmann argues that women’s invocation of motherhood was varied and primarily served as a tactical tool to continuously expand these women’s spaces. Her book carefully differentiates the circumstances, tactics, and representations used in the creation of performative spaces by working-class, middle-class, and elite women engaged in massive resistance. Brückmann contrasts the transgressive “street politics” of working-class female activists in Little Rock and New Orleans with the more traditional political actions of segregationist, middle-class, and elite women in Charleston. While these women aligned white supremacist agitation with long-standing experience in conservative women’s clubs (e.g., United Daughters of the Confederacy and the Daughters of the American Revolution), working-class women’s groups (who lacked the economic, cultural, and social capital) chose consciously transgressive strategies, including violence, to elicit shock value and create states of emergency to further legitimize their actions and push for white supremacy. Dr. Brückmann’s nuanced work of history uses scholarship from sociology, political science, law, and other relevant disciplines to demonstrate how “interactions between class and status concerns, race, space, and gender shaped these women’s views and actions.”
Dr. Rebecca Brückmann is an Associate Professor of History at Carleton College. Her research and teachings interrogate African American history, the transnational history of the Black Diaspora, Southern US history, White Supremacy, and gender.
Daniela Lavergne assisted with this podcast.
Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 22 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>657</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Rebecca Brückmann</itunes:subtitle>
      <itunes:summary>Massive Resistance and Southern Womanhood: White Women, Class, and Segregation (U Georgia Press, 2021) offers a comparative sociocultural and spatial history of white supremacist women involved in massive resistance. The book focuses on segregationist grassroots activism in Little Rock, Arkansas, New Orleans, Louisiana, and Charleston, South Carolina from the late 1940s to the late 1960s. Dr. Rebecca Brückmann combines theory and detailed case studies to interrogate the “roles, actions, self-understandings, and media representations” of these segregationist women.
Dr. Brückmann argues that these women – motivated by an everyday culture of white supremacy – created performative spaces for their segregationist agitation in the public sphere to legitimize their actions. Unlike other studies of mass resistance that have focused on maternalism, Dr. Brückmann argues that women’s invocation of motherhood was varied and primarily served as a tactical tool to continuously expand these women’s spaces. Her book carefully differentiates the circumstances, tactics, and representations used in the creation of performative spaces by working-class, middle-class, and elite women engaged in massive resistance. Brückmann contrasts the transgressive “street politics” of working-class female activists in Little Rock and New Orleans with the more traditional political actions of segregationist, middle-class, and elite women in Charleston. While these women aligned white supremacist agitation with long-standing experience in conservative women’s clubs (e.g., United Daughters of the Confederacy and the Daughters of the American Revolution), working-class women’s groups (who lacked the economic, cultural, and social capital) chose consciously transgressive strategies, including violence, to elicit shock value and create states of emergency to further legitimize their actions and push for white supremacy. Dr. Brückmann’s nuanced work of history uses scholarship from sociology, political science, law, and other relevant disciplines to demonstrate how “interactions between class and status concerns, race, space, and gender shaped these women’s views and actions.”
Dr. Rebecca Brückmann is an Associate Professor of History at Carleton College. Her research and teachings interrogate African American history, the transnational history of the Black Diaspora, Southern US history, White Supremacy, and gender.
Daniela Lavergne assisted with this podcast.
Susan Liebell is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780820358628"><em>Massive Resistance and Southern Womanhood: White Women, Class, and Segregation</em></a> (U Georgia Press, 2021) offers a comparative sociocultural and spatial history of white supremacist women involved in massive resistance. The book focuses on segregationist grassroots activism in Little Rock, Arkansas, New Orleans, Louisiana, and Charleston, South Carolina from the late 1940s to the late 1960s. Dr. Rebecca Brückmann combines theory and detailed case studies to interrogate the “roles, actions, self-understandings, and media representations” of these segregationist women.</p><p>Dr. Brückmann argues that these women – motivated by an everyday culture of white supremacy – created performative spaces for their segregationist agitation in the public sphere to legitimize their actions. Unlike other studies of mass resistance that have focused on maternalism, Dr. Brückmann argues that women’s invocation of motherhood was varied and primarily served as a tactical tool to continuously expand these women’s spaces. Her book carefully differentiates the circumstances, tactics, and representations used in the creation of performative spaces by working-class, middle-class, and elite women engaged in massive resistance. Brückmann contrasts the transgressive “street politics” of working-class female activists in Little Rock and New Orleans with the more traditional political actions of segregationist, middle-class, and elite women in Charleston. While these women aligned white supremacist agitation with long-standing experience in conservative women’s clubs (e.g., United Daughters of the Confederacy and the Daughters of the American Revolution), working-class women’s groups (who lacked the economic, cultural, and social capital) chose consciously transgressive strategies, including violence, to elicit shock value and create states of emergency to further legitimize their actions and push for white supremacy. Dr. Brückmann’s nuanced work of history uses scholarship from sociology, political science, law, and other relevant disciplines to demonstrate how “interactions between class and status concerns, race, space, and gender shaped these women’s views and actions.”</p><p>Dr. <a href="https://www.carleton.edu/directory/rbrueckmann/">Rebecca Brückmann</a> is an Associate Professor of History at Carleton College. Her research and teachings interrogate African American history, the transnational history of the Black Diaspora, Southern US history, White Supremacy, and gender.</p><p>Daniela Lavergne assisted with this podcast.</p><p><a href="https://www.sju.edu/faculty/susan-liebell#_ga=2.125106634.1318472952.1578330950-502593983.1578330950"><em>Susan Liebell </em></a><em>is Dirk Warren '50 Professor of Political Science at Saint Joseph’s University in Philadelphia.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4077</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Thomas Aiello, "Practical Radicalism and the Great Migration: The Cultural Geography of the Scott Newspaper Syndicate" (U Georgia Press, 2023)</title>
      <description>In this episode, Thomas Aiello joins E. James West to discuss Practical Radicalism and the Great Migration: The Cultural Geography of the Scott Newspaper Syndicate (University of Georgia Press, 2023). 
Building on his earlier book The Grapevine of the Black South, which focused on the rise and fall of the Scott Newspaper Syndicate through its flagship publication the Atlanta Daily World, this book further reshapes the place of southern newspapers in the historiography of Black journalism. Practical Radicalism and the Great Migration traces the development and trajectory of the individual newspapers of the Syndicate, evaluating those with surviving issues, and presenting them as they existed in proximity to their Atlanta hub. In so doing, he emphasizes the thread of practical radicalism that ran through Syndicate editorial policy, providing a fuller picture of the Scott Newspaper Syndicate and the Black press in the 1930s, 1940s, and 1950s.
James West is a historian of race, media and business in the modern United States and Black diaspora. Author of "Ebony Magazine and Lerone Bennett Jr.: Popular Black History in Postwar America" (Illinois, 2020), "A House for the Struggle: The Black Press and the Built Environment in Chicago" (Illinois, 2022), "Our Kind of Historian: The Work and Activism of Lerone Bennett Jr. (Massachusetts, 2022).
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 22 Apr 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>379</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Thomas Aiello</itunes:subtitle>
      <itunes:summary>In this episode, Thomas Aiello joins E. James West to discuss Practical Radicalism and the Great Migration: The Cultural Geography of the Scott Newspaper Syndicate (University of Georgia Press, 2023). 
Building on his earlier book The Grapevine of the Black South, which focused on the rise and fall of the Scott Newspaper Syndicate through its flagship publication the Atlanta Daily World, this book further reshapes the place of southern newspapers in the historiography of Black journalism. Practical Radicalism and the Great Migration traces the development and trajectory of the individual newspapers of the Syndicate, evaluating those with surviving issues, and presenting them as they existed in proximity to their Atlanta hub. In so doing, he emphasizes the thread of practical radicalism that ran through Syndicate editorial policy, providing a fuller picture of the Scott Newspaper Syndicate and the Black press in the 1930s, 1940s, and 1950s.
James West is a historian of race, media and business in the modern United States and Black diaspora. Author of "Ebony Magazine and Lerone Bennett Jr.: Popular Black History in Postwar America" (Illinois, 2020), "A House for the Struggle: The Black Press and the Built Environment in Chicago" (Illinois, 2022), "Our Kind of Historian: The Work and Activism of Lerone Bennett Jr. (Massachusetts, 2022).
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, Thomas Aiello joins E. James West to discuss <a href="https://bookshop.org/a/12343/9780820362854"><em>Practical Radicalism and the Great Migration: The Cultural Geography of the Scott Newspaper Syndicate</em></a><em> </em>(University of Georgia Press, 2023). </p><p>Building on his earlier book <em>The Grapevine of the Black South, </em>which focused on the rise and fall of the Scott Newspaper Syndicate through its flagship publication the <em>Atlanta Daily World</em>, this book further reshapes the place of southern newspapers in the historiography of Black journalism. <em>Practical Radicalism and the Great Migration </em>traces the development and trajectory of the individual newspapers of the Syndicate, evaluating those with surviving issues, and presenting them as they existed in proximity to their Atlanta hub. In so doing, he emphasizes the thread of practical radicalism that ran through Syndicate editorial policy, providing a fuller picture of the Scott Newspaper Syndicate and the Black press in the 1930s, 1940s, and 1950s.</p><p><a href="https://www.ejameswest.com/"><em>James West</em></a><em> is a historian of race, media and business in the modern United States and Black diaspora. Author of "Ebony Magazine and Lerone Bennett Jr.: Popular Black History in Postwar America" (Illinois, 2020), "A House for the Struggle: The Black Press and the Built Environment in Chicago" (Illinois, 2022), "Our Kind of Historian: The Work and Activism of Lerone Bennett Jr. (Massachusetts, 2022).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2037</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Elizabeth Bronwyn Boyd, "Southern Beauty: Race, Ritual, and Memory in the Modern South" (U Georgia Press, 2022)</title>
      <description>Elizabeth Bronwyn Boyd's book Southern Beauty: Race, Ritual, and Memory in the Modern South (U Georgia Press, 2022) explains a curiosity: why a feminine ideal rooted in the nineteenth century continues to enjoy currency well into the twenty-first. Elizabeth Bronwyn Boyd examines how the continuation of certain gender rituals in the American South has served to perpetuate racism, sexism, and classism.
In a trio of popular gender rituals—sorority rush, beauty pageants, and the Confederate Pageant of the Natchez (Mississippi) Pilgrimage—young white southern women have readily ditched contemporary modes of dress and comportment for performances of purity, gentility, and deference. Clearly, the ability to “do” white southern womanhood, convincingly and on cue, has remained a valued performance. But why?
Based on ethnographic research and more than sixty taped interviews, Southern Beauty goes behind the scenes of the three rituals to explore the motivations and rewards associated with participation. The picture that Boyd paints is not pretty: it is one of southern beauties securing status and sustaining segregation by making nostalgic gestures to the southern past. Boyd also maintains that the audiences for these rituals and pageants have been complicit, unwilling to acknowledge the beauties’ racial work or their investment in it.
With its focus on performance, Southern Beauty moves beyond representations to show how femininity in motion—stylized and predictable but ephemeral—has succeeded as an enduring emblem, where other symbols faltered, by failing to draw scrutiny. Continuing to make the moves of region and race even as many Confederate symbols have been retired, the southern beauty has persisted, maintaining power and privilege through consistent performance.
Brandon T. Jett, professor of history at Florida SouthWestern State College, creator of the Lynching in LaBelle Digital History Project, and author of Race, Crime, and Policing in the Jim Crow South (LSU Press, 2021) and co-editor of Steeped in a Culture of Violence: Murder, Racial Injustice, and Other Violent Crimes in Texas, 1965–2020 (Texas A&amp;M University Press, scheduled Spring 2023). Twitter: @DrBrandonJett1.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 27 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>50</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Elizabeth Bronwyn Boyd</itunes:subtitle>
      <itunes:summary>Elizabeth Bronwyn Boyd's book Southern Beauty: Race, Ritual, and Memory in the Modern South (U Georgia Press, 2022) explains a curiosity: why a feminine ideal rooted in the nineteenth century continues to enjoy currency well into the twenty-first. Elizabeth Bronwyn Boyd examines how the continuation of certain gender rituals in the American South has served to perpetuate racism, sexism, and classism.
In a trio of popular gender rituals—sorority rush, beauty pageants, and the Confederate Pageant of the Natchez (Mississippi) Pilgrimage—young white southern women have readily ditched contemporary modes of dress and comportment for performances of purity, gentility, and deference. Clearly, the ability to “do” white southern womanhood, convincingly and on cue, has remained a valued performance. But why?
Based on ethnographic research and more than sixty taped interviews, Southern Beauty goes behind the scenes of the three rituals to explore the motivations and rewards associated with participation. The picture that Boyd paints is not pretty: it is one of southern beauties securing status and sustaining segregation by making nostalgic gestures to the southern past. Boyd also maintains that the audiences for these rituals and pageants have been complicit, unwilling to acknowledge the beauties’ racial work or their investment in it.
With its focus on performance, Southern Beauty moves beyond representations to show how femininity in motion—stylized and predictable but ephemeral—has succeeded as an enduring emblem, where other symbols faltered, by failing to draw scrutiny. Continuing to make the moves of region and race even as many Confederate symbols have been retired, the southern beauty has persisted, maintaining power and privilege through consistent performance.
Brandon T. Jett, professor of history at Florida SouthWestern State College, creator of the Lynching in LaBelle Digital History Project, and author of Race, Crime, and Policing in the Jim Crow South (LSU Press, 2021) and co-editor of Steeped in a Culture of Violence: Murder, Racial Injustice, and Other Violent Crimes in Texas, 1965–2020 (Texas A&amp;M University Press, scheduled Spring 2023). Twitter: @DrBrandonJett1.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Elizabeth Bronwyn Boyd's book <a href="https://bookshop.org/a/12343/9780820362328"><em>Southern Beauty: Race, Ritual, and Memory in the Modern South</em></a> (U Georgia Press, 2022) explains a curiosity: why a feminine ideal rooted in the nineteenth century continues to enjoy currency well into the twenty-first. Elizabeth Bronwyn Boyd examines how the continuation of certain gender rituals in the American South has served to perpetuate racism, sexism, and classism.</p><p>In a trio of popular gender rituals—sorority rush, beauty pageants, and the Confederate Pageant of the Natchez (Mississippi) Pilgrimage—young white southern women have readily ditched contemporary modes of dress and comportment for performances of purity, gentility, and deference. Clearly, the ability to “do” white southern womanhood, convincingly and on cue, has remained a valued performance. But why?</p><p>Based on ethnographic research and more than sixty taped interviews, Southern Beauty goes behind the scenes of the three rituals to explore the motivations and rewards associated with participation. The picture that Boyd paints is not pretty: it is one of southern beauties securing status and sustaining segregation by making nostalgic gestures to the southern past. Boyd also maintains that the audiences for these rituals and pageants have been complicit, unwilling to acknowledge the beauties’ racial work or their investment in it.</p><p>With its focus on performance, Southern Beauty moves beyond representations to show how femininity in motion—stylized and predictable but ephemeral—has succeeded as an enduring emblem, where other symbols faltered, by failing to draw scrutiny. Continuing to make the moves of region and race even as many Confederate symbols have been retired, the southern beauty has persisted, maintaining power and privilege through consistent performance.</p><p><a href="http://www.brandontjett.com/"><em>Brandon T. Jett</em></a><em>, professor of history at Florida SouthWestern State College, creator of the </em><a href="http://www.lynchinginlabelle.com/"><em>Lynching in LaBelle</em></a><em> Digital History Project, and author of </em><a href="https://bookshop.org/a/12343/9780807175071"><em>Race, Crime, and Policing in the Jim Crow South</em></a><em> (LSU Press, 2021) and co-editor of Steeped in a Culture of Violence: Murder, Racial Injustice, and Other Violent Crimes in Texas, 1965–2020 (Texas A&amp;M University Press, scheduled Spring 2023). Twitter: @DrBrandonJett1.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3655</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Robin M. Morris, "Goldwater Girls to Reagan Women: Gender, Georgia, and the Growth of the New Right" (U Georgia Press, 2022)</title>
      <description>Goldwater Girls to Reagan Women: Gender, Georgia, and the Growth of the New Right (U Georgia Press, 2022) is a statewide study of women’s part in the history of conservatism, the New Right, and the Republican Party in the state of Georgia. Robin M. Morris examines how the growth of the Republican Party in the 1960s and 1970s was due in large part to the political activism of white women. The book begins with the African American women who established the Georgia Federation of Republican Women and follows how they lost the organization and the party to white women moving to the Sunbelt South. Conservative white women developed a language and strategy of family values that they deployed to battle school busing, defeat the Equal Rights Amendment, and elect Republican leaders even in Jimmy Carter’s home state.
Morris uses original interviews and archival research in personal papers of women activists in the Georgia New Right movement, including Lee Ague Miller, Beth Callaway, Kathryn Dunaway, Lee Wysong, and Hattie Greene, to reveal the motivations and actions that transformed the state from blue to red. In this era, perceived threats to family life and traditional values spurred women-led grassroots organization that enabled broad political shifts on the state level. Conservative women carved out their political niche as they consolidated and expanded their power and influence. Rather than a male-dominated, top-down approach, Morris centers her historical account on the middle-class white women whose actions changed the political landscape of the state and ultimately the country.
Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 23 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>50</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Robin M. Morris</itunes:subtitle>
      <itunes:summary>Goldwater Girls to Reagan Women: Gender, Georgia, and the Growth of the New Right (U Georgia Press, 2022) is a statewide study of women’s part in the history of conservatism, the New Right, and the Republican Party in the state of Georgia. Robin M. Morris examines how the growth of the Republican Party in the 1960s and 1970s was due in large part to the political activism of white women. The book begins with the African American women who established the Georgia Federation of Republican Women and follows how they lost the organization and the party to white women moving to the Sunbelt South. Conservative white women developed a language and strategy of family values that they deployed to battle school busing, defeat the Equal Rights Amendment, and elect Republican leaders even in Jimmy Carter’s home state.
Morris uses original interviews and archival research in personal papers of women activists in the Georgia New Right movement, including Lee Ague Miller, Beth Callaway, Kathryn Dunaway, Lee Wysong, and Hattie Greene, to reveal the motivations and actions that transformed the state from blue to red. In this era, perceived threats to family life and traditional values spurred women-led grassroots organization that enabled broad political shifts on the state level. Conservative women carved out their political niche as they consolidated and expanded their power and influence. Rather than a male-dominated, top-down approach, Morris centers her historical account on the middle-class white women whose actions changed the political landscape of the state and ultimately the country.
Jane Scimeca is Professor of History at Brookdale Community College. @JaneScimeca1.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780820360676"><em>Goldwater Girls to Reagan Women: Gender, Georgia, and the Growth of the New Right</em></a><em> </em>(U Georgia Press, 2022) is a statewide study of women’s part in the history of conservatism, the New Right, and the Republican Party in the state of Georgia. Robin M. Morris examines how the growth of the Republican Party in the 1960s and 1970s was due in large part to the political activism of white women. The book begins with the African American women who established the Georgia Federation of Republican Women and follows how they lost the organization and the party to white women moving to the Sunbelt South. Conservative white women developed a language and strategy of family values that they deployed to battle school busing, defeat the Equal Rights Amendment, and elect Republican leaders even in Jimmy Carter’s home state.</p><p>Morris uses original interviews and archival research in personal papers of women activists in the Georgia New Right movement, including Lee Ague Miller, Beth Callaway, Kathryn Dunaway, Lee Wysong, and Hattie Greene, to reveal the motivations and actions that transformed the state from blue to red. In this era, perceived threats to family life and traditional values spurred women-led grassroots organization that enabled broad political shifts on the state level. Conservative women carved out their political niche as they consolidated and expanded their power and influence. Rather than a male-dominated, top-down approach, Morris centers her historical account on the middle-class white women whose actions changed the political landscape of the state and ultimately the country.</p><p><a href="https://www.brookdalecc.edu/academic-institutes-and-departments/business-social-sciences/history/history-faculty/jane-scimeca/"><em>Jane Scimeca</em></a><em> is Professor of History at Brookdale Community College. @JaneScimeca1.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2599</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Susan J. Stanfield, "Rewriting Citizenship: Women, Race, and Nineteenth-Century Print Culture" (U Georgia Press, 2022)</title>
      <description>Rewriting Citizenship: Women, Race, and Nineteenth-Century Print Culture (U Georgia Press, 2022) provides an interdisciplinary approach to antebellum citizenship. Interpreting citizenship, particularly how citizenship intersects with race and gender, is fundamental to understanding the era and directly challenges the idea of Jacksonian Democracy. Susan J. Stanfield uses an analysis of novels, domestic advice, essays, and poetry, as well as more traditional archival sources, to provide an understanding of both the prescriptions for womanhood espoused in print culture and how those prescriptions were interpreted in everyday life.
While much has been written about the cultural marker of true womanhood as a gender ideology of white middle-class women, Stanfield reveals how it served an even more significant purpose by defining racial difference and attaching civic purpose to the daily practices of women. Black and white women were actively engaged in redefining citizenship in ways that did not necessarily call for suffrage rights but did claim a relationship to the state.
The prominence of true womanhood relied upon a female-focused print culture. The act of publication gave power to the ideology and allowed for a shared identity among white middle-class women and those who sought to emulate them. Stanfield argues that this domestic literature created a national code for womanhood that was racially constructed and infused with civic purpose. By defining women’s household practices as an obligation not only to their husbands but also to the state, women could reimagine themselves as citizens. Through print sources, women publicized their performance of these defined obligations and laid claim to citizenship on their own behalf.
﻿Katrina Anderson is a doctoral candidate at the University of Delaware.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 12 Mar 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>368</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Susan J. Stanfield</itunes:subtitle>
      <itunes:summary>Rewriting Citizenship: Women, Race, and Nineteenth-Century Print Culture (U Georgia Press, 2022) provides an interdisciplinary approach to antebellum citizenship. Interpreting citizenship, particularly how citizenship intersects with race and gender, is fundamental to understanding the era and directly challenges the idea of Jacksonian Democracy. Susan J. Stanfield uses an analysis of novels, domestic advice, essays, and poetry, as well as more traditional archival sources, to provide an understanding of both the prescriptions for womanhood espoused in print culture and how those prescriptions were interpreted in everyday life.
While much has been written about the cultural marker of true womanhood as a gender ideology of white middle-class women, Stanfield reveals how it served an even more significant purpose by defining racial difference and attaching civic purpose to the daily practices of women. Black and white women were actively engaged in redefining citizenship in ways that did not necessarily call for suffrage rights but did claim a relationship to the state.
The prominence of true womanhood relied upon a female-focused print culture. The act of publication gave power to the ideology and allowed for a shared identity among white middle-class women and those who sought to emulate them. Stanfield argues that this domestic literature created a national code for womanhood that was racially constructed and infused with civic purpose. By defining women’s household practices as an obligation not only to their husbands but also to the state, women could reimagine themselves as citizens. Through print sources, women publicized their performance of these defined obligations and laid claim to citizenship on their own behalf.
﻿Katrina Anderson is a doctoral candidate at the University of Delaware.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780820362618"><em>Rewriting Citizenship: Women, Race, and Nineteenth-Century Print Culture</em></a><em> </em>(U Georgia Press, 2022) provides an interdisciplinary approach to antebellum citizenship. Interpreting citizenship, particularly how citizenship intersects with race and gender, is fundamental to understanding the era and directly challenges the idea of Jacksonian Democracy. Susan J. Stanfield uses an analysis of novels, domestic advice, essays, and poetry, as well as more traditional archival sources, to provide an understanding of both the prescriptions for womanhood espoused in print culture and how those prescriptions were interpreted in everyday life.</p><p>While much has been written about the cultural marker of true womanhood as a gender ideology of white middle-class women, Stanfield reveals how it served an even more significant purpose by defining racial difference and attaching civic purpose to the daily practices of women. Black and white women were actively engaged in redefining citizenship in ways that did not necessarily call for suffrage rights but did claim a relationship to the state.</p><p>The prominence of true womanhood relied upon a female-focused print culture. The act of publication gave power to the ideology and allowed for a shared identity among white middle-class women and those who sought to emulate them. Stanfield argues that this domestic literature created a national code for womanhood that was racially constructed and infused with civic purpose. By defining women’s household practices as an obligation not only to their husbands but also to the state, women could reimagine themselves as citizens. Through print sources, women publicized their performance of these defined obligations and laid claim to citizenship on their own behalf.</p><p><em>﻿Katrina Anderson is a doctoral candidate at the University of Delaware.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>7398</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Michael Lawrence Dickinson, "Almost Dead: Slavery and Social Rebirth in the Black Urban Atlantic, 1680-1807" (U Georgia Press, 2022)</title>
      <description>Beginning in the late seventeenth century and concluding with the abolition of the Atlantic slave trade, Almost Dead: Slavery and Social Rebirth in the Black Urban Atlantic, 1680-1807 (U Georgia Press, 2022) reveals how the thousands of captives who lived, bled, and resisted in the Black Urban Atlantic survived to form dynamic communities. Michael Lawrence Dickinson uses cities with close commercial ties to shed light on similarities, variations, and linkages between urban Atlantic slave communities in mainland America and the Caribbean. 
The study adopts the perspectives of those enslaved to reveal that, in the eyes of the enslaved, the distinctions were often in degree rather than in kind as cities throughout the Black Urban Atlantic remained spaces for Black oppression and resilience. The tenets of subjugation remained all too similar, as did captives' need to stave off social death and hold on to their humanity. Almost Dead argues that urban environments provided unique barriers to and avenues for social rebirth: the process by which African-descended peoples reconstructed their lives individually and collectively after forced exportation from West Africa. This was an active process of cultural remembrance, continued resistance, and communal survival. Indeed it was in these urban slave communities-within the connections between neighbors and kinfolk-that the enslaved found the physical and psychological resources necessary to endure the seemingly unendurable. Whether sites of first arrival, commodification, sale, short-term captivity, or lifetime enslavement, the urban Atlantic shaped and was shaped by Black lives.
﻿Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 02 Feb 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>355</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Michael Lawrence Dickinson</itunes:subtitle>
      <itunes:summary>Beginning in the late seventeenth century and concluding with the abolition of the Atlantic slave trade, Almost Dead: Slavery and Social Rebirth in the Black Urban Atlantic, 1680-1807 (U Georgia Press, 2022) reveals how the thousands of captives who lived, bled, and resisted in the Black Urban Atlantic survived to form dynamic communities. Michael Lawrence Dickinson uses cities with close commercial ties to shed light on similarities, variations, and linkages between urban Atlantic slave communities in mainland America and the Caribbean. 
The study adopts the perspectives of those enslaved to reveal that, in the eyes of the enslaved, the distinctions were often in degree rather than in kind as cities throughout the Black Urban Atlantic remained spaces for Black oppression and resilience. The tenets of subjugation remained all too similar, as did captives' need to stave off social death and hold on to their humanity. Almost Dead argues that urban environments provided unique barriers to and avenues for social rebirth: the process by which African-descended peoples reconstructed their lives individually and collectively after forced exportation from West Africa. This was an active process of cultural remembrance, continued resistance, and communal survival. Indeed it was in these urban slave communities-within the connections between neighbors and kinfolk-that the enslaved found the physical and psychological resources necessary to endure the seemingly unendurable. Whether sites of first arrival, commodification, sale, short-term captivity, or lifetime enslavement, the urban Atlantic shaped and was shaped by Black lives.
﻿Adam McNeil is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Beginning in the late seventeenth century and concluding with the abolition of the Atlantic slave trade, <a href="https://bookshop.org/a/12343/9780820362250"><em>Almost Dead: Slavery and Social Rebirth in the Black Urban Atlantic, 1680-1807</em></a> (U Georgia Press, 2022) reveals how the thousands of captives who lived, bled, and resisted in the Black Urban Atlantic survived to form dynamic communities. Michael Lawrence Dickinson uses cities with close commercial ties to shed light on similarities, variations, and linkages between urban Atlantic slave communities in mainland America and the Caribbean. </p><p>The study adopts the perspectives of those enslaved to reveal that, in the eyes of the enslaved, the distinctions were often in degree rather than in kind as cities throughout the Black Urban Atlantic remained spaces for Black oppression and resilience. The tenets of subjugation remained all too similar, as did captives' need to stave off social death and hold on to their humanity. Almost Dead argues that urban environments provided unique barriers to and avenues for social rebirth: the process by which African-descended peoples reconstructed their lives individually and collectively after forced exportation from West Africa. This was an active process of cultural remembrance, continued resistance, and communal survival. Indeed it was in these urban slave communities-within the connections between neighbors and kinfolk-that the enslaved found the physical and psychological resources necessary to endure the seemingly unendurable. Whether sites of first arrival, commodification, sale, short-term captivity, or lifetime enslavement, the urban Atlantic shaped and was shaped by Black lives.</p><p><em>﻿</em><a href="https://history.rutgers.edu/people/graduate-students/grad-student/1155-mcneil-adam"><em>Adam McNeil</em></a><em> is a Ph.D. Candidate in History at Rutgers, the State University of New Jersey.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <itunes:duration>3508</itunes:duration>
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      <title>Virginia L. Summey, "The Life of Elreta Melton Alexander: Activism within the Courts" (U Georgia Press, 2022)</title>
      <description>Virginia L. Summey's book The Life of Elreta Melton Alexander: Activism within the Courts (U Georgia Press, 2022) explores the life and contributions of groundbreaking attorney, Elreta Melton Alexander Ralston (1919–98). In 1945 Alexander became the first African American woman to graduate from Columbia Law School. In 1947 she was the first African American woman to practice law in the state of North Carolina, and in 1968 she became the first African American woman to become an elected district court judge. Despite her accomplishments, Alexander is little known to scholars outside of her hometown of Greensboro, North Carolina. Her life and career deserve recognition, however, not just because of her impressive lists of “firsts,” but also owing to her accomplishments during the civil rights movement in the U.S. South.
While Alexander did not actively participate in civil rights marches and demonstrations, she used her professional achievements and middle-class status to advocate for individuals who lacked a voice in the southern legal system. Virginia L. Summey argues that Alexander was integral to the civil rights movement in North Carolina as she, and women like her, worked to change discriminatory laws while opening professional doors for other minority women. Using her professional status, Alexander combatted segregation by demonstrating that Black women were worthy and capable of achieving careers alongside white men, thereby creating environments in which other African Americans could succeed. Her legal expertise and ability to reach across racial boundaries made her an important figure in Greensboro history.
Brandon T. Jett, professor of history at Florida SouthWestern State College, creator of the Lynching in LaBelle Digital History Project, and author of Race, Crime, and Policing in the Jim Crow South (LSU Press, 2021) and co-editor of Steeped in a Culture of Violence: Murder, Racial Injustice, and Other Violent Crimes in Texas, 1965–2020 (Texas A&amp;M University Press, scheduled Spring 2023). Twitter: @DrBrandonJett1.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 07 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>45</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Virginia L. Summey</itunes:subtitle>
      <itunes:summary>Virginia L. Summey's book The Life of Elreta Melton Alexander: Activism within the Courts (U Georgia Press, 2022) explores the life and contributions of groundbreaking attorney, Elreta Melton Alexander Ralston (1919–98). In 1945 Alexander became the first African American woman to graduate from Columbia Law School. In 1947 she was the first African American woman to practice law in the state of North Carolina, and in 1968 she became the first African American woman to become an elected district court judge. Despite her accomplishments, Alexander is little known to scholars outside of her hometown of Greensboro, North Carolina. Her life and career deserve recognition, however, not just because of her impressive lists of “firsts,” but also owing to her accomplishments during the civil rights movement in the U.S. South.
While Alexander did not actively participate in civil rights marches and demonstrations, she used her professional achievements and middle-class status to advocate for individuals who lacked a voice in the southern legal system. Virginia L. Summey argues that Alexander was integral to the civil rights movement in North Carolina as she, and women like her, worked to change discriminatory laws while opening professional doors for other minority women. Using her professional status, Alexander combatted segregation by demonstrating that Black women were worthy and capable of achieving careers alongside white men, thereby creating environments in which other African Americans could succeed. Her legal expertise and ability to reach across racial boundaries made her an important figure in Greensboro history.
Brandon T. Jett, professor of history at Florida SouthWestern State College, creator of the Lynching in LaBelle Digital History Project, and author of Race, Crime, and Policing in the Jim Crow South (LSU Press, 2021) and co-editor of Steeped in a Culture of Violence: Murder, Racial Injustice, and Other Violent Crimes in Texas, 1965–2020 (Texas A&amp;M University Press, scheduled Spring 2023). Twitter: @DrBrandonJett1.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Virginia L. Summey's book <a href="https://bookshop.org/a/12343/9780820361932"><em>The Life of Elreta Melton Alexander: Activism within the Courts</em></a> (U Georgia Press, 2022) explores the life and contributions of groundbreaking attorney, Elreta Melton Alexander Ralston (1919–98). In 1945 Alexander became the first African American woman to graduate from Columbia Law School. In 1947 she was the first African American woman to practice law in the state of North Carolina, and in 1968 she became the first African American woman to become an elected district court judge. Despite her accomplishments, Alexander is little known to scholars outside of her hometown of Greensboro, North Carolina. Her life and career deserve recognition, however, not just because of her impressive lists of “firsts,” but also owing to her accomplishments during the civil rights movement in the U.S. South.</p><p>While Alexander did not actively participate in civil rights marches and demonstrations, she used her professional achievements and middle-class status to advocate for individuals who lacked a voice in the southern legal system. Virginia L. Summey argues that Alexander was integral to the civil rights movement in North Carolina as she, and women like her, worked to change discriminatory laws while opening professional doors for other minority women. Using her professional status, Alexander combatted segregation by demonstrating that Black women were worthy and capable of achieving careers alongside white men, thereby creating environments in which other African Americans could succeed. Her legal expertise and ability to reach across racial boundaries made her an important figure in Greensboro history.</p><p><a href="http://www.brandontjett.com/"><em>Brandon T. Jett</em></a><em>, professor of history at Florida SouthWestern State College, creator of the </em><a href="http://www.lynchinginlabelle.com/"><em>Lynching in LaBelle</em></a><em> Digital History Project, and author of </em><a href="https://bookshop.org/a/12343/9780807175071"><em>Race, Crime, and Policing in the Jim Crow South</em></a><em> (LSU Press, 2021) and co-editor of Steeped in a Culture of Violence: Murder, Racial Injustice, and Other Violent Crimes in Texas, 1965–2020 (Texas A&amp;M University Press, scheduled Spring 2023). Twitter: @DrBrandonJett1.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3180</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Barbara Harris Combs, "Bodies Out of Place: Theorizing Anti-Blackness in U.S. Society" (U Georgia Press, 2022)</title>
      <description>Bodies Out of Place: Theorizing Anti-Blackness in U.S. Society (U Georgia Press, 2022) asserts that anti-Black racism is not better than it used to be; it is just performed in more-nuanced ways. Barbara Harris Combs argues that racism is dynamic, so new theories are needed to help expose it. The Bodies-out-of-Place (BOP) theory she advances in the book offers such a corrective lens. Interrogating several recent racialized events—the Central Park birding incident, the killing of Ahmaud Arbery, sleeping while Black occurrences, and others—Combs demonstrates how the underlying belief that undergirds each encounter is a false presumption that Black bodies in certain contexts are out of place.
Within these examples she illustrates how, even amid professions to color-blindness, fixed attitudes about where Black bodies belong, in what positions, at what time, and with whom still predominate. Combs describes a long historical pattern of White pushback against Black advancement and illuminates how each of the various forms of pushback is aimed at social control and regulation of Black bodies. She describes overt and covert attempts to push Black bodies back into their presumed place in U.S. society. While the pushback takes many forms, each works to paint a narrative to justify, rationalize, and excuse continuing violence against Black bodies. Equally important, Combs celebrates the resilient Black agency that has resisted this subjugation.
Omari Averette-Phillips is a graduate student in the department of history at UC Davis. He can be reached at okaverettephillips@ucdavis.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 06 Dec 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>340</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Barbara Harris Combs</itunes:subtitle>
      <itunes:summary>Bodies Out of Place: Theorizing Anti-Blackness in U.S. Society (U Georgia Press, 2022) asserts that anti-Black racism is not better than it used to be; it is just performed in more-nuanced ways. Barbara Harris Combs argues that racism is dynamic, so new theories are needed to help expose it. The Bodies-out-of-Place (BOP) theory she advances in the book offers such a corrective lens. Interrogating several recent racialized events—the Central Park birding incident, the killing of Ahmaud Arbery, sleeping while Black occurrences, and others—Combs demonstrates how the underlying belief that undergirds each encounter is a false presumption that Black bodies in certain contexts are out of place.
Within these examples she illustrates how, even amid professions to color-blindness, fixed attitudes about where Black bodies belong, in what positions, at what time, and with whom still predominate. Combs describes a long historical pattern of White pushback against Black advancement and illuminates how each of the various forms of pushback is aimed at social control and regulation of Black bodies. She describes overt and covert attempts to push Black bodies back into their presumed place in U.S. society. While the pushback takes many forms, each works to paint a narrative to justify, rationalize, and excuse continuing violence against Black bodies. Equally important, Combs celebrates the resilient Black agency that has resisted this subjugation.
Omari Averette-Phillips is a graduate student in the department of history at UC Davis. He can be reached at okaverettephillips@ucdavis.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780820362366"><em>Bodies Out of Place: Theorizing Anti-Blackness in U.S. Society</em></a><em> </em>(U Georgia Press, 2022) asserts that anti-Black racism is not better than it used to be; it is just performed in more-nuanced ways. Barbara Harris Combs argues that racism is dynamic, so new theories are needed to help expose it. The Bodies-out-of-Place (BOP) theory she advances in the book offers such a corrective lens. Interrogating several recent racialized events—the Central Park birding incident, the killing of Ahmaud Arbery, sleeping while Black occurrences, and others—Combs demonstrates how the underlying belief that undergirds each encounter is a false presumption that Black bodies in certain contexts are out of place.</p><p>Within these examples she illustrates how, even amid professions to color-blindness, fixed attitudes about where Black bodies belong, in what positions, at what time, and with whom still predominate. Combs describes a long historical pattern of White pushback against Black advancement and illuminates how each of the various forms of pushback is aimed at social control and regulation of Black bodies. She describes overt and covert attempts to push Black bodies back into their presumed place in U.S. society. While the pushback takes many forms, each works to paint a narrative to justify, rationalize, and excuse continuing violence against Black bodies. Equally important, Combs celebrates the resilient Black agency that has resisted this subjugation.</p><p><em>Omari Averette-Phillips is a graduate student in the department of history at UC Davis. He can be reached at </em><a href="mailto:okaverettephillips@ucdavis.edu"><em>okaverettephillips@ucdavis.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3989</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK3785002687.mp3?updated=1670081004" length="0" type="audio/mpeg"/>
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    <item>
      <title>NBN Classic: Courtney Pace, "Freedom Faith: The Womanist Vision of Prathia Hall" (U Georgia Press, 2019)</title>
      <description>This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time.
Freedom Faith: The Womanist Vision of Prathia Hall (University of Georgia Press, 2019) is the first full-length critical study of Rev. Dr. Prathia Laura Ann Hall (1940–2002), an undersung leader in both the civil rights movement and African American theology. Freedom faith was the central concept of Hall’s theology: the belief that God created humans to be free and assists and equips those who work for freedom. Hall rooted her work simultaneously in social justice, Christian practice, and womanist thought.
Courtney Pace examines Hall’s life and philosophy, particularly through the lens of her civil rights activism, her teaching career, and her ministry as a womanist preacher. Moving along the trajectory of Hall’s life and civic service, Freedom Faith focuses on her intellectual and theological development and her radiating influence on such figures as Dr. Martin Luther King Jr., Marian Wright Edelman, and the early generations of womanist scholars. Hall was one of the first women ordained in the American Baptist Churches, USA, was the pastor of Mt. Sharon Baptist Church in Philadelphia, and in later life joined the faculty at the Boston University School of Theology as the Martin Luther King Chair in Social Ethics. In activism and ministry, Hall was a pioneer, fusing womanist thought with Christian ethics and visions of social justice.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 02 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>171</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Pace examines Hall’s life and philosophy, particularly through the lens of her civil rights activism, her teaching career, and her ministry as a womanist preacher...</itunes:subtitle>
      <itunes:summary>This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time.
Freedom Faith: The Womanist Vision of Prathia Hall (University of Georgia Press, 2019) is the first full-length critical study of Rev. Dr. Prathia Laura Ann Hall (1940–2002), an undersung leader in both the civil rights movement and African American theology. Freedom faith was the central concept of Hall’s theology: the belief that God created humans to be free and assists and equips those who work for freedom. Hall rooted her work simultaneously in social justice, Christian practice, and womanist thought.
Courtney Pace examines Hall’s life and philosophy, particularly through the lens of her civil rights activism, her teaching career, and her ministry as a womanist preacher. Moving along the trajectory of Hall’s life and civic service, Freedom Faith focuses on her intellectual and theological development and her radiating influence on such figures as Dr. Martin Luther King Jr., Marian Wright Edelman, and the early generations of womanist scholars. Hall was one of the first women ordained in the American Baptist Churches, USA, was the pastor of Mt. Sharon Baptist Church in Philadelphia, and in later life joined the faculty at the Boston University School of Theology as the Martin Luther King Chair in Social Ethics. In activism and ministry, Hall was a pioneer, fusing womanist thought with Christian ethics and visions of social justice.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>This episode proved remarkably popular, so we're reposting it as an NBN classic for those who missed it the first time.</em></p><p><a href="http://www.amazon.com/dp/0820355062/?tag=newbooinhis-20"><em>Freedom Faith: The Womanist Vision of Prathia Hall</em></a> (University of Georgia Press, 2019) is the first full-length critical study of Rev. Dr. Prathia Laura Ann Hall (1940–2002), an undersung leader in both the civil rights movement and African American theology. Freedom faith was the central concept of Hall’s theology: the belief that God created humans to be free and assists and equips those who work for freedom. Hall rooted her work simultaneously in social justice, Christian practice, and womanist thought.</p><p><a href="https://memphisseminary.edu/dr-courtney-pace/">Courtney Pace</a> examines Hall’s life and philosophy, particularly through the lens of her civil rights activism, her teaching career, and her ministry as a womanist preacher. Moving along the trajectory of Hall’s life and civic service, <em>Freedom Faith</em> focuses on her intellectual and theological development and her radiating influence on such figures as Dr. Martin Luther King Jr., Marian Wright Edelman, and the early generations of womanist scholars. Hall was one of the first women ordained in the American Baptist Churches, USA, was the pastor of Mt. Sharon Baptist Church in Philadelphia, and in later life joined the faculty at the Boston University School of Theology as the Martin Luther King Chair in Social Ethics. In activism and ministry, Hall was a pioneer, fusing womanist thought with Christian ethics and visions of social justice.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3195</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Leslie M. Harris, "Slavery and the University: Histories and Legacies" (U Georgia Press, 2019)</title>
      <description>Slavery and the University: Histories and Legacies (University of Georgia Press, 2019), edited by Leslie M. Harris, James T. Campbell, and Alfred L. Brophy, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day.
The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as Princeton University, Harvard University, Oberlin College, Emory University, and the University of Alabama. Though the roots of Slavery and the University stem from a 2011 conference at Emory University, the collection extends outward to incorporate recent findings. As such, it offers a roadmap to one of the most exciting developments in the field of U.S. slavery studies and to ways of thinking about racial diversity in the history and current practices of higher education.
Today I spoke with Leslie Harris about the book. Dr. Harris is a professor of history at Northwestern University. She is the coeditor, with Ira Berlin, of Slavery in New York and the coeditor, with Daina Ramey Berry, of Slavery and Freedom in Savannah (Georgia).
Adam McNeil is a History PhD student at Rutgers University-New Brunswick.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 23 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>193</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>How involved with slavery were American universities? And what does their involvement mean for us?</itunes:subtitle>
      <itunes:summary>Slavery and the University: Histories and Legacies (University of Georgia Press, 2019), edited by Leslie M. Harris, James T. Campbell, and Alfred L. Brophy, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day.
The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as Princeton University, Harvard University, Oberlin College, Emory University, and the University of Alabama. Though the roots of Slavery and the University stem from a 2011 conference at Emory University, the collection extends outward to incorporate recent findings. As such, it offers a roadmap to one of the most exciting developments in the field of U.S. slavery studies and to ways of thinking about racial diversity in the history and current practices of higher education.
Today I spoke with Leslie Harris about the book. Dr. Harris is a professor of history at Northwestern University. She is the coeditor, with Ira Berlin, of Slavery in New York and the coeditor, with Daina Ramey Berry, of Slavery and Freedom in Savannah (Georgia).
Adam McNeil is a History PhD student at Rutgers University-New Brunswick.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.amazon.com/dp/0820354422/?tag=newbooinhis-20"><em>Slavery and the University: Histories and Legacies</em></a> (University of Georgia Press, 2019), edited by <a href="https://www.history.northwestern.edu/people/faculty/core-faculty/leslie-m-harris.html">Leslie M. Harris</a>, J<a href="https://history.stanford.edu/people/james-t-campbell">ames T. Campbell</a>, and <a href="https://en.wikipedia.org/wiki/Alfred_Brophy">Alfred L. Brophy</a>, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day.</p><p>The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as Princeton University, Harvard University, Oberlin College, Emory University, and the University of Alabama. Though the roots of <em>Slavery and the University</em> stem from a 2011 conference at Emory University, the collection extends outward to incorporate recent findings. As such, it offers a roadmap to one of the most exciting developments in the field of U.S. slavery studies and to ways of thinking about racial diversity in the history and current practices of higher education.</p><p>Today I spoke with Leslie Harris about the book. Dr. Harris is a professor of history at Northwestern University. She is the coeditor, with Ira Berlin, of <em>Slavery in New York</em> and the coeditor, with Daina Ramey Berry, of <em>Slavery and Freedom in Savannah</em> (Georgia).</p><p><em>Adam McNeil is a History PhD student at Rutgers University-New Brunswick.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3575</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[08ce2b8e-c53c-11ee-b995-53a522f746a6]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK9846513590.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Amy Potter et al., "Remembering Enslavement: Reassembling the Southern Plantation Museum" (U Georgia Press, 2022)</title>
      <description>Remembering Enslavement: Reassembling the Southern Plantation Museum (U Georgia Press, 2022) explores plantation museums as sites for contesting and reforming public interpretations of slavery in the American South. Emerging out of a three-year National Science Foundation grant (2014-17), the book turns a critical eye toward the growing inclusion of the formerly enslaved within these museums, specifically examining advances but also continuing inequalities in how they narrate and memorialize the formerly enslaved.
Using assemblage theory as a framework, Remembering Enslavement offers an innovative approach for studying heritage sites, retelling and remapping the ways that slavery and the enslaved are included in southern plantation museums.
It examines multiple plantation sites across geographic areas, considering the experiences of a diversity of actors: tourists, museum managers/owners, and tour guides/interpreters. This approach allows for an understanding of regional variations
among plantation museums, narratives, and performances, as well as more in-depth study of the plantation tour experience and public interpretations. The authors conclude the book with a set of questions designed to help professionals reassemble plantation museum narratives and landscapes to more justly position the formerly enslaved at their center.
This interview is with three of the authors: Amy Potter, Stephen Hanna, and Derek Alderman.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 13 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>41</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Amy Potter, Stephen Hanna, and Derek Alderman</itunes:subtitle>
      <itunes:summary>Remembering Enslavement: Reassembling the Southern Plantation Museum (U Georgia Press, 2022) explores plantation museums as sites for contesting and reforming public interpretations of slavery in the American South. Emerging out of a three-year National Science Foundation grant (2014-17), the book turns a critical eye toward the growing inclusion of the formerly enslaved within these museums, specifically examining advances but also continuing inequalities in how they narrate and memorialize the formerly enslaved.
Using assemblage theory as a framework, Remembering Enslavement offers an innovative approach for studying heritage sites, retelling and remapping the ways that slavery and the enslaved are included in southern plantation museums.
It examines multiple plantation sites across geographic areas, considering the experiences of a diversity of actors: tourists, museum managers/owners, and tour guides/interpreters. This approach allows for an understanding of regional variations
among plantation museums, narratives, and performances, as well as more in-depth study of the plantation tour experience and public interpretations. The authors conclude the book with a set of questions designed to help professionals reassemble plantation museum narratives and landscapes to more justly position the formerly enslaved at their center.
This interview is with three of the authors: Amy Potter, Stephen Hanna, and Derek Alderman.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780820360942"><em>Remembering Enslavement: Reassembling the Southern Plantation Museum</em></a><em> </em>(U Georgia Press, 2022) explores plantation museums as sites for contesting and reforming public interpretations of slavery in the American South. Emerging out of a three-year National Science Foundation grant (2014-17), the book turns a critical eye toward the growing inclusion of the formerly enslaved within these museums, specifically examining advances but also continuing inequalities in how they narrate and memorialize the formerly enslaved.</p><p>Using assemblage theory as a framework, <em>Remembering Enslavement</em> offers an innovative approach for studying heritage sites, retelling and remapping the ways that slavery and the enslaved are included in southern plantation museums.</p><p>It examines multiple plantation sites across geographic areas, considering the experiences of a diversity of actors: tourists, museum managers/owners, and tour guides/interpreters. This approach allows for an understanding of regional variations</p><p>among plantation museums, narratives, and performances, as well as more in-depth study of the plantation tour experience and public interpretations. The authors conclude the book with a set of questions designed to help professionals reassemble plantation museum narratives and landscapes to more justly position the formerly enslaved at their center.</p><p>This interview is with three of the authors: Amy Potter, Stephen Hanna, and Derek Alderman.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3031</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK7203923446.mp3?updated=1663185369" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Holly A. Pinheiro Jr., "The Families' Civil War: Black Soldiers and the Fight for Racial Justice" (U Georgia Press, 2022)</title>
      <description>The Families' Civil War: Black Soldiers and the Fight for Racial Justice (U Georgia Press, 2022) tells the stories of freeborn northern African Americans in Philadelphia struggling to maintain families while fighting against racial discrimination. Taking a long view, from 1850 to the 1920s, Holly A. Pinheiro Jr. shows how Civil War military service worsened already difficult circumstances due to its negative effects on family finances, living situations, minds, and bodies. At least seventy-nine thousand African Americans served in northern USCT regiments. Many, including most of the USCT veterans examined here, remained in the North and constituted a sizable population of racial minorities living outside the former Confederacy.
In The Families’ Civil War, Holly A. Pinheiro Jr. provides a compelling account of the lives of USCT soldiers and their entire families but also argues that the Civil War was but one engagement in a longer war for racial justice. By 1863 the Civil War provided African American Philadelphians with the ability to expand the theater of war beyond their metropolitan and racially oppressive city into the South to defeat Confederates and end slavery as armed combatants. But the war at home waged by white northerners never ended.
Civil War soldiers are sometimes described together as men who experienced roughly the same thing during the war. However, this book acknowledges how race and class differentiated men’s experiences too. Pinheiro examines the intersections of gender, race, class, and region to fully illuminate the experiences of northern USCT soldiers and their families.
Omari Averette-Phillips is a doctoral student in the department of history at UC Davis. He can be reached at okaverettephillips@ucdavis.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 29 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>309</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Holly A. Pinheiro Jr.</itunes:subtitle>
      <itunes:summary>The Families' Civil War: Black Soldiers and the Fight for Racial Justice (U Georgia Press, 2022) tells the stories of freeborn northern African Americans in Philadelphia struggling to maintain families while fighting against racial discrimination. Taking a long view, from 1850 to the 1920s, Holly A. Pinheiro Jr. shows how Civil War military service worsened already difficult circumstances due to its negative effects on family finances, living situations, minds, and bodies. At least seventy-nine thousand African Americans served in northern USCT regiments. Many, including most of the USCT veterans examined here, remained in the North and constituted a sizable population of racial minorities living outside the former Confederacy.
In The Families’ Civil War, Holly A. Pinheiro Jr. provides a compelling account of the lives of USCT soldiers and their entire families but also argues that the Civil War was but one engagement in a longer war for racial justice. By 1863 the Civil War provided African American Philadelphians with the ability to expand the theater of war beyond their metropolitan and racially oppressive city into the South to defeat Confederates and end slavery as armed combatants. But the war at home waged by white northerners never ended.
Civil War soldiers are sometimes described together as men who experienced roughly the same thing during the war. However, this book acknowledges how race and class differentiated men’s experiences too. Pinheiro examines the intersections of gender, race, class, and region to fully illuminate the experiences of northern USCT soldiers and their families.
Omari Averette-Phillips is a doctoral student in the department of history at UC Davis. He can be reached at okaverettephillips@ucdavis.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780820361963"><em>The Families' Civil War: Black Soldiers and the Fight for Racial Justice</em></a> (U Georgia Press, 2022) tells the stories of freeborn northern African Americans in Philadelphia struggling to maintain families while fighting against racial discrimination. Taking a long view, from 1850 to the 1920s, Holly A. Pinheiro Jr. shows how Civil War military service worsened already difficult circumstances due to its negative effects on family finances, living situations, minds, and bodies. At least seventy-nine thousand African Americans served in northern USCT regiments. Many, including most of the USCT veterans examined here, remained in the North and constituted a sizable population of racial minorities living outside the former Confederacy.</p><p>In The Families’ Civil War, Holly A. Pinheiro Jr. provides a compelling account of the lives of USCT soldiers and their entire families but also argues that the Civil War was but one engagement in a longer war for racial justice. By 1863 the Civil War provided African American Philadelphians with the ability to expand the theater of war beyond their metropolitan and racially oppressive city into the South to defeat Confederates and end slavery as armed combatants. But the war at home waged by white northerners never ended.</p><p>Civil War soldiers are sometimes described together as men who experienced roughly the same thing during the war. However, this book acknowledges how race and class differentiated men’s experiences too. Pinheiro examines the intersections of gender, race, class, and region to fully illuminate the experiences of northern USCT soldiers and their families.</p><p><em>Omari Averette-Phillips is a doctoral student in the department of history at UC Davis. He can be reached at </em><a href="mailto:okaverettephillips@ucdavis.edu"><em>okaverettephillips@ucdavis.edu</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2724</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Tamara Beauboeuf-Lafontant, "To Live More Abundantly: Black Collegiate Women, Howard University, and the Audacity of Dean Lucy Diggs Slowe" (U Georgia Press, 2022)</title>
      <description>Today I talked to Tamara Beauboeuf-Lafontant about her book To Live More Abundantly: Black Collegiate Women, Howard University, and the Audacity of Dean Lucy Diggs Slowe (University of Georgia Press, 2022).
How have Black women fostered belonging in higher education institutions that have persisted in marginalizing them? Focusing on the career of Lucy Diggs Slowe, the first trained African American student affairs professional in the United States, this book examines how her philosophy of "living more abundantly" envisioned educational access and institutionalized campus thriving for Black college women.
Born in 1883, Slowe was orphaned at a young age, raised by a paternal aunt, and earned a scholarship to attend Howard University in 1904. As an undergraduate, she helped found Alpha Kappa Alpha, the first African American sorority in the United States, and served as its first president. After graduating valedictorian of her 1908 class, she excelled as a secondary school teacher and administrator and became a national tennis champion. In 1922, she returned to her alma mater as its first full-time dean of women.
Over her fifteen-year tenure at Howard University, Slowe empowered early twentieth-century Black college women to invest in their individual growth, engage in community building, and pursue leadership opportunities. To foster Black women's higher education success, Slowe organized both the National Association of College Women and the National Association of Women's Deans and Advisers of Colored Schools. As she established long-standing traditions and affirming practices to encourage Black women's involvement in the extracurricular life of their campuses, Slowe's deaning philosophy of "living more abundantly" represents an important Black feminist approach to inclusion in higher education.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 15 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>8</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Tamara Beauboeuf-Lafontant</itunes:subtitle>
      <itunes:summary>Today I talked to Tamara Beauboeuf-Lafontant about her book To Live More Abundantly: Black Collegiate Women, Howard University, and the Audacity of Dean Lucy Diggs Slowe (University of Georgia Press, 2022).
How have Black women fostered belonging in higher education institutions that have persisted in marginalizing them? Focusing on the career of Lucy Diggs Slowe, the first trained African American student affairs professional in the United States, this book examines how her philosophy of "living more abundantly" envisioned educational access and institutionalized campus thriving for Black college women.
Born in 1883, Slowe was orphaned at a young age, raised by a paternal aunt, and earned a scholarship to attend Howard University in 1904. As an undergraduate, she helped found Alpha Kappa Alpha, the first African American sorority in the United States, and served as its first president. After graduating valedictorian of her 1908 class, she excelled as a secondary school teacher and administrator and became a national tennis champion. In 1922, she returned to her alma mater as its first full-time dean of women.
Over her fifteen-year tenure at Howard University, Slowe empowered early twentieth-century Black college women to invest in their individual growth, engage in community building, and pursue leadership opportunities. To foster Black women's higher education success, Slowe organized both the National Association of College Women and the National Association of Women's Deans and Advisers of Colored Schools. As she established long-standing traditions and affirming practices to encourage Black women's involvement in the extracurricular life of their campuses, Slowe's deaning philosophy of "living more abundantly" represents an important Black feminist approach to inclusion in higher education.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today I talked to Tamara Beauboeuf-Lafontant about her book <a href="https://bookshop.org/a/12343/9780820361642"><em>To Live More Abundantly: Black Collegiate Women, Howard University, and the Audacity of Dean Lucy Diggs Slowe</em></a> (University of Georgia Press, 2022).</p><p>How have Black women fostered belonging in higher education institutions that have persisted in marginalizing them? Focusing on the career of Lucy Diggs Slowe, the first trained African American student affairs professional in the United States, this book examines how her philosophy of "living more abundantly" envisioned educational access and institutionalized campus thriving for Black college women.</p><p>Born in 1883, Slowe was orphaned at a young age, raised by a paternal aunt, and earned a scholarship to attend Howard University in 1904. As an undergraduate, she helped found Alpha Kappa Alpha, the first African American sorority in the United States, and served as its first president. After graduating valedictorian of her 1908 class, she excelled as a secondary school teacher and administrator and became a national tennis champion. In 1922, she returned to her alma mater as its first full-time dean of women.</p><p>Over her fifteen-year tenure at Howard University, Slowe empowered early twentieth-century Black college women to invest in their individual growth, engage in community building, and pursue leadership opportunities. To foster Black women's higher education success, Slowe organized both the National Association of College Women and the National Association of Women's Deans and Advisers of Colored Schools. As she established long-standing traditions and affirming practices to encourage Black women's involvement in the extracurricular life of their campuses, Slowe's deaning philosophy of "living more abundantly" represents an important Black feminist approach to inclusion in higher education.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1957</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[c9812bda-c544-11ee-91c8-c79ea68770d3]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2457741055.mp3?updated=1647096565" length="0" type="audio/mpeg"/>
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    <item>
      <title>Julia Ridley Smith, "The Sum of Trifles" (U Georgia Press, 2021)</title>
      <description>We all live surrounded by objects: some practical, some personal, some handed down from family generations past. But though we interact with material things every day, we don’t often stop to consider the complex histories and stories of the objects in our lives—what they say about our culture, our families, and ourselves. Over a lifetime we accumulate these things, and when we die, they serve as evidence of who we once were and how we once lived.
When writer Julia Ridley Smith’s parents passed away, they left behind a home full of treasures. As lifelong antique dealers, they collected scores of unique objects Smith struggles to sort through as she processes her grief. From her mother’s miniatures to her father’s favorite record albums, the objects of their lives cataloged their passions and humanity. How could anyone just give those things away?
In her debut essay collection, The Sum of Trifles (University of Georgia Press, 2021), Smith considers the complex relationships we share with objects through artifacts from her childhood home, expertly braiding original research and personal narrative to get to the heart of how our loved ones can live on after death, whether through the things they cherished or our memories of them.
Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric &amp; composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020).
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 04 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>233</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Julia Ridley Smith</itunes:subtitle>
      <itunes:summary>We all live surrounded by objects: some practical, some personal, some handed down from family generations past. But though we interact with material things every day, we don’t often stop to consider the complex histories and stories of the objects in our lives—what they say about our culture, our families, and ourselves. Over a lifetime we accumulate these things, and when we die, they serve as evidence of who we once were and how we once lived.
When writer Julia Ridley Smith’s parents passed away, they left behind a home full of treasures. As lifelong antique dealers, they collected scores of unique objects Smith struggles to sort through as she processes her grief. From her mother’s miniatures to her father’s favorite record albums, the objects of their lives cataloged their passions and humanity. How could anyone just give those things away?
In her debut essay collection, The Sum of Trifles (University of Georgia Press, 2021), Smith considers the complex relationships we share with objects through artifacts from her childhood home, expertly braiding original research and personal narrative to get to the heart of how our loved ones can live on after death, whether through the things they cherished or our memories of them.
Zoë Bossiere is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric &amp; composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020).
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We all live surrounded by objects: some practical, some personal, some handed down from family generations past. But though we interact with material things every day, we don’t often stop to consider the complex histories and stories of the objects in our lives—what they say about our culture, our families, and ourselves. Over a lifetime we accumulate these things, and when we die, they serve as evidence of who we once were and how we once lived.</p><p>When writer <a href="https://juliaridleysmith.com/">Julia Ridley Smith’</a>s parents passed away, they left behind a home full of treasures. As lifelong antique dealers, they collected scores of unique objects Smith struggles to sort through as she processes her grief. From her mother’s miniatures to her father’s favorite record albums, the objects of their lives cataloged their passions and humanity. How could anyone just give those things away?</p><p>In her debut essay collection, <a href="https://bookshop.org/a/12343/9780820360416"><em>The Sum of Trifles</em></a> (University of Georgia Press, 2021), Smith considers the complex relationships we share with objects through artifacts from her childhood home, expertly braiding original research and personal narrative to get to the heart of how our loved ones can live on after death, whether through the things they cherished or our memories of them.</p><p><a href="https://www.zoebossiere.com/"><em>Zoë Bossiere</em></a><em> is a doctoral candidate at Ohio University, where she studies and teaches creative writing and rhetoric &amp; composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its anthology, The Best of Brevity (Rose Metal Press, 2020).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1830</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBNK3379091331.mp3?updated=1643218773" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Till F. Paasche and James Derrick Sidaway, "Transecting Securityscapes: Dispatches from Cambodia, Iraq, and Mozambique" (U Georgia Press, 2021)</title>
      <description>In this interview, I speak with Till F. Paasche and James D. Sidaway about their new book, Transecting Securityscapes: Dispatches from Cambodia, Iraq, and Mozambique (University of Georgia Press, 2021). In addition to the book's methodological and theoretical contributions, we also discussed the extensive field research and important personal experiences informing this project.
This is an innovative book on the everyday life of security, told via an examination of three sites: Cambodia, the Kurdistan region of Iraq, and Mozambique. The authors' study of how security is enacted differently in these three sites, taking account of the rich layers of context and culture, enables comparative reflections on diversity and commonality in "securityscapes."
The book puts into practice a diverse and contextual approach to security that contrasts with the aerial, big-picture view taken by many geopolitics scholars. In applying this grounded approach, Paasche and Sidaway develop a method of urban and territorial transects, combined with other methods and modes of encounter. The book draws on a broad range of traditions, but it speaks mostly to political geography, urban studies, and international relations research on geopolitics, stressing the need for ethnographic, embodied, affective, and place-based approaches to conflict. The result is a sustained theoretical critique of abstract research on geopolitical conflict and security-mainstream as well as academic-that pretends to be able to know and analyze conflict "from above."
Please note: the second half of this podcast includes discussion of combat, death and loss.
Till F. Paasche is Associate Professor of political geography at Soran University.
James D. Sidaway is Professor of political geography at the National University of Singapore.
Catriona Gold is a PhD candidate in Geography at University College London, researching security, subjectivity and mobility in the 20-21st century United States. Her current work concerns the US Passport Office; she has previously published on US Africa Command and the 2013-16 Ebola epidemic. She can be reached by email or on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 02 Dec 2021 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>49</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Till F. Paasche and James Derrick Sidaway</itunes:subtitle>
      <itunes:summary>In this interview, I speak with Till F. Paasche and James D. Sidaway about their new book, Transecting Securityscapes: Dispatches from Cambodia, Iraq, and Mozambique (University of Georgia Press, 2021). In addition to the book's methodological and theoretical contributions, we also discussed the extensive field research and important personal experiences informing this project.
This is an innovative book on the everyday life of security, told via an examination of three sites: Cambodia, the Kurdistan region of Iraq, and Mozambique. The authors' study of how security is enacted differently in these three sites, taking account of the rich layers of context and culture, enables comparative reflections on diversity and commonality in "securityscapes."
The book puts into practice a diverse and contextual approach to security that contrasts with the aerial, big-picture view taken by many geopolitics scholars. In applying this grounded approach, Paasche and Sidaway develop a method of urban and territorial transects, combined with other methods and modes of encounter. The book draws on a broad range of traditions, but it speaks mostly to political geography, urban studies, and international relations research on geopolitics, stressing the need for ethnographic, embodied, affective, and place-based approaches to conflict. The result is a sustained theoretical critique of abstract research on geopolitical conflict and security-mainstream as well as academic-that pretends to be able to know and analyze conflict "from above."
Please note: the second half of this podcast includes discussion of combat, death and loss.
Till F. Paasche is Associate Professor of political geography at Soran University.
James D. Sidaway is Professor of political geography at the National University of Singapore.
Catriona Gold is a PhD candidate in Geography at University College London, researching security, subjectivity and mobility in the 20-21st century United States. Her current work concerns the US Passport Office; she has previously published on US Africa Command and the 2013-16 Ebola epidemic. She can be reached by email or on Twitter.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this interview, I speak with Till F. Paasche and James D. Sidaway about their new book, <a href="https://bookshop.org/a/12343/9780820360607"><em>Transecting Securityscapes: Dispatches from Cambodia, Iraq, and Mozambique</em></a> (University of Georgia Press, 2021). In addition to the book's methodological and theoretical contributions, we also discussed the extensive field research and important personal experiences informing this project.</p><p>This is an innovative book on the everyday life of security, told via an examination of three sites: Cambodia, the Kurdistan region of Iraq, and Mozambique. The authors' study of how security is enacted differently in these three sites, taking account of the rich layers of context and culture, enables comparative reflections on diversity and commonality in "securityscapes."</p><p>The book puts into practice a diverse and contextual approach to security that contrasts with the aerial, big-picture view taken by many geopolitics scholars. In applying this grounded approach, Paasche and Sidaway develop a method of urban and territorial transects, combined with other methods and modes of encounter. The book draws on a broad range of traditions, but it speaks mostly to political geography, urban studies, and international relations research on geopolitics, stressing the need for ethnographic, embodied, affective, and place-based approaches to conflict. The result is a sustained theoretical critique of abstract research on geopolitical conflict and security-mainstream as well as academic-that pretends to be able to know and analyze conflict "from above."</p><p>Please note: the second half of this podcast includes discussion of combat, death and loss.</p><p><a href="https://scholar.google.com/citations?user=fPOT-1YAAAAJ">Till F. Paasche</a> is Associate Professor of political geography at Soran University.</p><p><a href="https://profile.nus.edu.sg/fass/geojds/">James D. Sidaway</a> is Professor of political geography at the National University of Singapore.</p><p><a href="https://www.geog.ucl.ac.uk/people/research-students/catriona-gold"><em>Catriona Gold</em></a> <em>is a PhD candidate in Geography at University College London, researching security, subjectivity and mobility in the 20-21st century United States. Her current work concerns the US Passport Office; she has previously published on US Africa Command and the 2013-16 Ebola epidemic. She can be reached by</em> <a href="mailto:catriona.gold.15@ucl.ac.uk"><em>email</em></a> <em>or on</em> <a href="https://twitter.com/cat__gold"><em>Twitter</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3914</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[bf2d4baa-c544-11ee-94ad-e728d252b1f2]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8117494620.mp3?updated=1637960500" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Adam Lee Cilli, "Canaan, Dim and Far: Black Reformers and the Pursuit of Citizenship in Pittsburgh, 1915-1945" (U Georgia Press, 2021)</title>
      <description>Adam Lee Cilli's book Canaan, Dim and Far: Black Reformers and the Pursuit of Citizenship in Pittsburgh, 1915-1945 (U Georgia Press, 2021) is an assiduously researched book about the activism of African American reformers and migrants in Pittsburgh, Pennsylvania from 1915 to 1945. Adam Cilli argues that Pittsburgh is central to the story of the Black freedom struggle in the North and the nation as a whole. “Pittsburgh represents a crucial site for illuminating how reformers maneuvered within a political culture driven by industrial capitalism and informed by white supremacist rhetorics,” states Cilli in the opening section of his narrative. Migrants also played a significant role in this story and they made up “two-thirds of all African Americans in Pittsburgh by 1930.” Cilli further argues that although the middle-class reformers defined the “major social justice campaigns of the day,” it was the Black migrants who gave these initiatives “shape and force.” In this text, the author illustrates how a host of journalists, trade unionists, workers, lawyers, scholars and medical professionals advanced the struggle for Black equality in an urban setting. With an “Introduction,” more than thirty illustrations, seven chapters, and a “Conclusion” section, Cilli traces the social, intellectual and cultural history of Black Pittsburgh. 
The first two chapters “The Ugliest, Deadest Town: Migrants and Reformers in the Steel City, 1915-1929” and “A Healthy and Prosperous Race: The Urban League of Pittsburgh and the Struggle for Jobs, Housing, and Health, 1915-1929” cover the Great Migration to Pittsburgh, housing and settlement patterns of the Black community in Pittsburgh, and the role of the National Urban League in Black middle-class reform. Cilli introduces a cast of characters and associations in these first two chapters key to his narrative including Reverend James Simmons, Bartow Tipper, and Robert L. Vann. Pittsburgh’s Urban League was critical in supporting the social needs of the new Black migrants as assessed in Chapter Two.
Chapter Three “The Weapons of Legal Defense: The Pittsburgh NAACP and the Criminal Justice System, 1924-1934” and Chapter Four “The Ranks of the New Army: The Pittsburgh Courier and the Fight for Political Power and National Recognition, 1929-1933” focus on the strategy of legal defense as espoused by the NAACP and the work of newspaperman Robert L. Vann respectively. Chapter Three opens with a discussion of the mass arrest of Black migrants at a house party. These migrants were asked to pay a sum of $2.50 per person to the police but some like Joe Williams and his wife Mildred did not pay and were carted off to jail. These were the type of cases that interested the Pittsburgh NAACP. While in Chapter Four, Cilli concentrates on the key role of Vann in using the Pittsburgh Courier to advance Black social justice claims.
The final three chapters focus on educational reform, the labor movement, and Black equality in the New Deal Era. Pittsburgh’s Urban League continued to play a role in providing “educational outreach services” for African American students in city schools as detailed in Chapter Five. Black trade unionists began to organize in earnest during the 1930s and began to meet and strategize in Pittsburgh as Cilli notes in Chapter Six. While in Chapter Seven, the assessment of African Americans and their quest for equal employment equity is further analyzed.
In Canaan, Dim and Far, Cilli presents his readers with a comprehensive survey of the centrality of Pittsburgh in the Black freedom struggle while offering a more nuanced interpretation of the Black elite and racial uplift ideology in the process. This text is an important historical intervention in African American history in terms of the author’s coverage of key associations such as the NAACP and Urban League, labor activism, and Black newspaper history.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 26 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>112</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Adam Lee Cilli</itunes:subtitle>
      <itunes:summary>Adam Lee Cilli's book Canaan, Dim and Far: Black Reformers and the Pursuit of Citizenship in Pittsburgh, 1915-1945 (U Georgia Press, 2021) is an assiduously researched book about the activism of African American reformers and migrants in Pittsburgh, Pennsylvania from 1915 to 1945. Adam Cilli argues that Pittsburgh is central to the story of the Black freedom struggle in the North and the nation as a whole. “Pittsburgh represents a crucial site for illuminating how reformers maneuvered within a political culture driven by industrial capitalism and informed by white supremacist rhetorics,” states Cilli in the opening section of his narrative. Migrants also played a significant role in this story and they made up “two-thirds of all African Americans in Pittsburgh by 1930.” Cilli further argues that although the middle-class reformers defined the “major social justice campaigns of the day,” it was the Black migrants who gave these initiatives “shape and force.” In this text, the author illustrates how a host of journalists, trade unionists, workers, lawyers, scholars and medical professionals advanced the struggle for Black equality in an urban setting. With an “Introduction,” more than thirty illustrations, seven chapters, and a “Conclusion” section, Cilli traces the social, intellectual and cultural history of Black Pittsburgh. 
The first two chapters “The Ugliest, Deadest Town: Migrants and Reformers in the Steel City, 1915-1929” and “A Healthy and Prosperous Race: The Urban League of Pittsburgh and the Struggle for Jobs, Housing, and Health, 1915-1929” cover the Great Migration to Pittsburgh, housing and settlement patterns of the Black community in Pittsburgh, and the role of the National Urban League in Black middle-class reform. Cilli introduces a cast of characters and associations in these first two chapters key to his narrative including Reverend James Simmons, Bartow Tipper, and Robert L. Vann. Pittsburgh’s Urban League was critical in supporting the social needs of the new Black migrants as assessed in Chapter Two.
Chapter Three “The Weapons of Legal Defense: The Pittsburgh NAACP and the Criminal Justice System, 1924-1934” and Chapter Four “The Ranks of the New Army: The Pittsburgh Courier and the Fight for Political Power and National Recognition, 1929-1933” focus on the strategy of legal defense as espoused by the NAACP and the work of newspaperman Robert L. Vann respectively. Chapter Three opens with a discussion of the mass arrest of Black migrants at a house party. These migrants were asked to pay a sum of $2.50 per person to the police but some like Joe Williams and his wife Mildred did not pay and were carted off to jail. These were the type of cases that interested the Pittsburgh NAACP. While in Chapter Four, Cilli concentrates on the key role of Vann in using the Pittsburgh Courier to advance Black social justice claims.
The final three chapters focus on educational reform, the labor movement, and Black equality in the New Deal Era. Pittsburgh’s Urban League continued to play a role in providing “educational outreach services” for African American students in city schools as detailed in Chapter Five. Black trade unionists began to organize in earnest during the 1930s and began to meet and strategize in Pittsburgh as Cilli notes in Chapter Six. While in Chapter Seven, the assessment of African Americans and their quest for equal employment equity is further analyzed.
In Canaan, Dim and Far, Cilli presents his readers with a comprehensive survey of the centrality of Pittsburgh in the Black freedom struggle while offering a more nuanced interpretation of the Black elite and racial uplift ideology in the process. This text is an important historical intervention in African American history in terms of the author’s coverage of key associations such as the NAACP and Urban League, labor activism, and Black newspaper history.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Adam Lee Cilli's book <a href="https://bookshop.org/a/12343/9780820358888"><em>Canaan, Dim and Far: Black Reformers and the Pursuit of Citizenship in Pittsburgh, 1915-1945</em></a><em> </em>(U Georgia Press, 2021) is an assiduously researched book about the activism of African American reformers and migrants in Pittsburgh, Pennsylvania from 1915 to 1945. Adam Cilli argues that Pittsburgh is central to the story of the Black freedom struggle in the North and the nation as a whole. “Pittsburgh represents a crucial site for illuminating how reformers maneuvered within a political culture driven by industrial capitalism and informed by white supremacist rhetorics,” states Cilli in the opening section of his narrative. Migrants also played a significant role in this story and they made up “two-thirds of all African Americans in Pittsburgh by 1930.” Cilli further argues that although the middle-class reformers defined the “major social justice campaigns of the day,” it was the Black migrants who gave these initiatives “shape and force.” In this text, the author illustrates how a host of journalists, trade unionists, workers, lawyers, scholars and medical professionals advanced the struggle for Black equality in an urban setting. With an “Introduction,” more than thirty illustrations, seven chapters, and a “Conclusion” section, Cilli traces the social, intellectual and cultural history of Black Pittsburgh. </p><p>The first two chapters “The Ugliest, Deadest Town: Migrants and Reformers in the Steel City, 1915-1929” and “A Healthy and Prosperous Race: The Urban League of Pittsburgh and the Struggle for Jobs, Housing, and Health, 1915-1929” cover the Great Migration to Pittsburgh, housing and settlement patterns of the Black community in Pittsburgh, and the role of the National Urban League in Black middle-class reform. Cilli introduces a cast of characters and associations in these first two chapters key to his narrative including Reverend James Simmons, Bartow Tipper, and Robert L. Vann. Pittsburgh’s Urban League was critical in supporting the social needs of the new Black migrants as assessed in Chapter Two.</p><p>Chapter Three “The Weapons of Legal Defense: The Pittsburgh NAACP and the Criminal Justice System, 1924-1934” and Chapter Four “The Ranks of the New Army: The <em>Pittsburgh Courier</em> and the Fight for Political Power and National Recognition, 1929-1933” focus on the strategy of legal defense as espoused by the NAACP and the work of newspaperman Robert L. Vann respectively. Chapter Three opens with a discussion of the mass arrest of Black migrants at a house party. These migrants were asked to pay a sum of $2.50 per person to the police but some like Joe Williams and his wife Mildred did not pay and were carted off to jail. These were the type of cases that interested the Pittsburgh NAACP. While in Chapter Four, Cilli concentrates on the key role of Vann in using the <em>Pittsburgh Courier</em> to advance Black social justice claims.</p><p>The final three chapters focus on educational reform, the labor movement, and Black equality in the New Deal Era. Pittsburgh’s Urban League continued to play a role in providing “educational outreach services” for African American students in city schools as detailed in Chapter Five. Black trade unionists began to organize in earnest during the 1930s and began to meet and strategize in Pittsburgh as Cilli notes in Chapter Six. While in Chapter Seven, the assessment of African Americans and their quest for equal employment equity is further analyzed.</p><p>In <em>Canaan, Dim and Far</em>, Cilli presents his readers with a comprehensive survey of the centrality of Pittsburgh in the Black freedom struggle while offering a more nuanced interpretation of the Black elite and racial uplift ideology in the process. This text is an important historical intervention in African American history in terms of the author’s coverage of key associations such as the NAACP and Urban League, labor activism, and Black newspaper history.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>Paul M. Renfro et al., "Growing Up America: Youth and Politics Since 1945" (U Georgia Press, 2019)</title>
      <description>Growing Up America: Youth and Politics Since 1945 (U Georgia Press, 2019) is a fascinating book that weaves together the burgeoning field of Childhood History, the post-World War II history of the United States, and the familiar concepts of political advocacy by younger citizens. Eckelmann Berghel, Fieldston, and Renfro, all historians, have brought together a rigorous and engaging work by other historians, legal scholars, and ethnic and indigenous studies experts, to which they have also contributed their own expertise. This book brings in the actual voices of children in the United States in the postwar period, highlighting their roles as political actors in their own right, and examining so many aspects of politics and culture as seen through the eyes of young people. The contributing authors of Growing Up America are knitting together, in their respective chapters of the book, children as agents, as actively engaged members of the society, and children as symbols, used in a whole host of different ways by different political actors and organizations.
The book is divided into three sections that follow the chronological direction of recent American history, but that also focus on conceptual frameworks for each era under examination. The first part of the book is focused on the Cold War period and how children were integrated into both the symbolic and the political constructions of life during the Cold War. This section integrates the book’s first discussion of young people and science, as well as exploring the role that groups like the Boy Scouts played in building America’s Cold War empire. There is also research about the ways in which American girls and women, in particular, were supposed to look and act and how they were taught these qualities in school and how they were to shape the projected image of Americans. The second part of Growing Up America follows the arc of history through the Rights revolution that comes to dominate the political and cultural landscape in the U.S. (and elsewhere) in the 1960s and 1970s. This part of the book examines expected areas of youth involvement, but perhaps in unexpected ways, such as the many pre-adolescents who wrote to President Lyndon Johnson supporting the U.S. involvement in Vietnam. The final section of the book examines the late 20th century political turn towards conservativism in American politics, and how this shift impacted and was experienced by children. Growing Up America brings in another chapter focusing on young people and science in this section, with a chapter on young women and STEM. The final chapter in this section evaluates the real and perceived vulnerability of childhood, especially in the racially segregated symbolism that was the milk carton campaign for missing children in the mid-1980s. Growing up America will be of great interest to scholars and students across a range of disciplines and areas of expertise, especially in the ways it draws on different arenas of politics and culture to explore youth engagement in the United States since 1945.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 29 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>519</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Paul M. Renfro, Susan Eckelmann Berghel, and Sara Fieldston</itunes:subtitle>
      <itunes:summary>Growing Up America: Youth and Politics Since 1945 (U Georgia Press, 2019) is a fascinating book that weaves together the burgeoning field of Childhood History, the post-World War II history of the United States, and the familiar concepts of political advocacy by younger citizens. Eckelmann Berghel, Fieldston, and Renfro, all historians, have brought together a rigorous and engaging work by other historians, legal scholars, and ethnic and indigenous studies experts, to which they have also contributed their own expertise. This book brings in the actual voices of children in the United States in the postwar period, highlighting their roles as political actors in their own right, and examining so many aspects of politics and culture as seen through the eyes of young people. The contributing authors of Growing Up America are knitting together, in their respective chapters of the book, children as agents, as actively engaged members of the society, and children as symbols, used in a whole host of different ways by different political actors and organizations.
The book is divided into three sections that follow the chronological direction of recent American history, but that also focus on conceptual frameworks for each era under examination. The first part of the book is focused on the Cold War period and how children were integrated into both the symbolic and the political constructions of life during the Cold War. This section integrates the book’s first discussion of young people and science, as well as exploring the role that groups like the Boy Scouts played in building America’s Cold War empire. There is also research about the ways in which American girls and women, in particular, were supposed to look and act and how they were taught these qualities in school and how they were to shape the projected image of Americans. The second part of Growing Up America follows the arc of history through the Rights revolution that comes to dominate the political and cultural landscape in the U.S. (and elsewhere) in the 1960s and 1970s. This part of the book examines expected areas of youth involvement, but perhaps in unexpected ways, such as the many pre-adolescents who wrote to President Lyndon Johnson supporting the U.S. involvement in Vietnam. The final section of the book examines the late 20th century political turn towards conservativism in American politics, and how this shift impacted and was experienced by children. Growing Up America brings in another chapter focusing on young people and science in this section, with a chapter on young women and STEM. The final chapter in this section evaluates the real and perceived vulnerability of childhood, especially in the racially segregated symbolism that was the milk carton campaign for missing children in the mid-1980s. Growing up America will be of great interest to scholars and students across a range of disciplines and areas of expertise, especially in the ways it draws on different arenas of politics and culture to explore youth engagement in the United States since 1945.
Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780820356631"><em>Growing Up America: Youth and Politics Since 1945</em></a><em> </em>(U Georgia Press, 2019) is a fascinating book that weaves together the burgeoning field of Childhood History, the post-World War II history of the United States, and the familiar concepts of political advocacy by younger citizens. Eckelmann Berghel, Fieldston, and Renfro, all historians, have brought together a rigorous and engaging work by other historians, legal scholars, and ethnic and indigenous studies experts, to which they have also contributed their own expertise. This book brings in the actual voices of children in the United States in the postwar period, highlighting their roles as political actors in their own right, and examining so many aspects of politics and culture as seen through the eyes of young people. The contributing authors of <em>Growing Up America</em> are knitting together, in their respective chapters of the book, children as agents, as actively engaged members of the society, and children as symbols, used in a whole host of different ways by different political actors and organizations.</p><p>The book is divided into three sections that follow the chronological direction of recent American history, but that also focus on conceptual frameworks for each era under examination. The first part of the book is focused on the Cold War period and how children were integrated into both the symbolic and the political constructions of life during the Cold War. This section integrates the book’s first discussion of young people and science, as well as exploring the role that groups like the Boy Scouts played in building America’s Cold War empire. There is also research about the ways in which American girls and women, in particular, were supposed to look and act and how they were taught these qualities in school and how they were to shape the projected image of Americans. The second part of <em>Growing Up America</em> follows the arc of history through the Rights revolution that comes to dominate the political and cultural landscape in the U.S. (and elsewhere) in the 1960s and 1970s. This part of the book examines expected areas of youth involvement, but perhaps in unexpected ways, such as the many pre-adolescents who wrote to President Lyndon Johnson supporting the U.S. involvement in Vietnam. The final section of the book examines the late 20th century political turn towards conservativism in American politics, and how this shift impacted and was experienced by children. <em>Growing Up America</em> brings in another chapter focusing on young people and science in this section, with a chapter on young women and STEM. The final chapter in this section evaluates the real and perceived vulnerability of childhood, especially in the racially segregated symbolism that was the milk carton campaign for missing children in the mid-1980s. <em>Growing up America</em> will be of great interest to scholars and students across a range of disciplines and areas of expertise, especially in the ways it draws on different arenas of politics and culture to explore youth engagement in the United States since 1945.</p><p><a href="https://www.carrollu.edu/faculty/goren-lilly-phd"><em>Lilly J. Goren</em></a><em> is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book,</em><a href="https://www.amazon.com/gp/product/081314101X/ref=dbs_a_def_rwt_bibl_vppi_i0"> <em>Women and the White House: Gender, Popular Culture, and Presidential Politics</em></a><em> (University Press of Kentucky, 2012), as well as co-editor of</em><a href="https://www.bloomsbury.com/us/mad-men-and-politics-9781501306358/"> <em>Mad Men and Politics: Nostalgia and the Remaking of Modern America</em></a><em> (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to</em><a href="https://twitter.com/gorenlj"> <em>@gorenlj</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>Anne Goldman, "Stargazing in the Atomic Age"  (U Georgia Press, 2021)</title>
      <description>During World War II, with apocalypse imminent, a group of well-known Jewish artists and scientists sidestepped despair by challenging themselves to solve some of the most difficult questions posed by our age. Many of these people had just fled Europe. Others were born in the United States to immigrants who had escaped Russia's pogroms. Alternately celebrated as mavericks and dismissed as eccentrics, they trespassed the boundaries of their own disciplines as the entrance to nations slammed shut behind them. 
In Stargazing in the Atomic Age (University of Georgia Press, 2020), Anne Goldman deftly interweaves personal and intellectual history in lucent essays that throw new light on these figures and their virtuosic thinking. In sentences that mingle learning with self-revelation, juxtaposition becomes an instrument for making the familiar strange, leading us to question our assumptions about who these iconic characters were and where their contributions can lead us. In these pages, Albert Einstein plays Mozart to align mathematical principles with the music of the spheres. Here, too, Grace Paley and Saul Bellow contemplate the dirt and dazzle of the New York and Chicago streets from their walk-ups while dreaming up characters whose bravura equals the panache and twang of vernacular speech. Nearby, Marc Chagall eludes the worst of World War II by painting buoyant scenes on the ceiling of the Paris Opera in brilliant stained glass no less exuberant than the effervescent jazz of George Gershwin's own Rhapsody in Blue. In these essays, Goldman reminds readers that Jewish history offers as many illustrations of achievement as of affliction. At the same time, she gestures toward the ways in which invention and art that defy partisanship might offer us an example as we enter a newly divisive era.
R. Grant Kleiser is a Ph.D. candidate in the Columbia University History Department. His dissertation researches the development of the free-port system in the eighteenth-century Caribbean, investigating the rationale for such moves towards “free trade” and the impact these policies had on subsequent philosophers, policy-makers, and revolutionaries in the Atlantic world.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 18 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>892</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Interview with Anne Goldman</itunes:subtitle>
      <itunes:summary>During World War II, with apocalypse imminent, a group of well-known Jewish artists and scientists sidestepped despair by challenging themselves to solve some of the most difficult questions posed by our age. Many of these people had just fled Europe. Others were born in the United States to immigrants who had escaped Russia's pogroms. Alternately celebrated as mavericks and dismissed as eccentrics, they trespassed the boundaries of their own disciplines as the entrance to nations slammed shut behind them. 
In Stargazing in the Atomic Age (University of Georgia Press, 2020), Anne Goldman deftly interweaves personal and intellectual history in lucent essays that throw new light on these figures and their virtuosic thinking. In sentences that mingle learning with self-revelation, juxtaposition becomes an instrument for making the familiar strange, leading us to question our assumptions about who these iconic characters were and where their contributions can lead us. In these pages, Albert Einstein plays Mozart to align mathematical principles with the music of the spheres. Here, too, Grace Paley and Saul Bellow contemplate the dirt and dazzle of the New York and Chicago streets from their walk-ups while dreaming up characters whose bravura equals the panache and twang of vernacular speech. Nearby, Marc Chagall eludes the worst of World War II by painting buoyant scenes on the ceiling of the Paris Opera in brilliant stained glass no less exuberant than the effervescent jazz of George Gershwin's own Rhapsody in Blue. In these essays, Goldman reminds readers that Jewish history offers as many illustrations of achievement as of affliction. At the same time, she gestures toward the ways in which invention and art that defy partisanship might offer us an example as we enter a newly divisive era.
R. Grant Kleiser is a Ph.D. candidate in the Columbia University History Department. His dissertation researches the development of the free-port system in the eighteenth-century Caribbean, investigating the rationale for such moves towards “free trade” and the impact these policies had on subsequent philosophers, policy-makers, and revolutionaries in the Atlantic world.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>During World War II, with apocalypse imminent, a group of well-known Jewish artists and scientists sidestepped despair by challenging themselves to solve some of the most difficult questions posed by our age. Many of these people had just fled Europe. Others were born in the United States to immigrants who had escaped Russia's pogroms. Alternately celebrated as mavericks and dismissed as eccentrics, they trespassed the boundaries of their own disciplines as the entrance to nations slammed shut behind them. </p><p>In <a href="https://bookshop.org/a/12343/9780820358444"><em>Stargazing in the Atomic Age</em></a> (University of Georgia Press, 2020), Anne Goldman deftly interweaves personal and intellectual history in lucent essays that throw new light on these figures and their virtuosic thinking. In sentences that mingle learning with self-revelation, juxtaposition becomes an instrument for making the familiar strange, leading us to question our assumptions about who these iconic characters were and where their contributions can lead us. In these pages, Albert Einstein plays Mozart to align mathematical principles with the music of the spheres. Here, too, Grace Paley and Saul Bellow contemplate the dirt and dazzle of the New York and Chicago streets from their walk-ups while dreaming up characters whose bravura equals the panache and twang of vernacular speech. Nearby, Marc Chagall eludes the worst of World War II by painting buoyant scenes on the ceiling of the Paris Opera in brilliant stained glass no less exuberant than the effervescent jazz of George Gershwin's own Rhapsody in Blue. In these essays, Goldman reminds readers that Jewish history offers as many illustrations of achievement as of affliction. At the same time, she gestures toward the ways in which invention and art that defy partisanship might offer <em>us an example as we enter a newly divisive era.</em></p><p><a href="https://history.columbia.edu/faculty/kleiser-randal/"><em>R. Grant Kleiser</em></a><em> is a Ph.D. candidate in the Columbia University History Department. His dissertation researches the development of the free-port system in the eighteenth-century Caribbean, investigating the rationale for such moves towards “free trade” and the impact these policies had on subsequent philosophers, policy-makers, and revolutionaries in the Atlantic world.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>Robin Mitchell, "Vénus Noire: Black Women and Colonial Fantasies in Nineteenth-Century France" (U Georgia Press, 2020)</title>
      <description>The preface to Robin Mitchell's new book, Vénus Noire: Black Women and Colonial Fantasies in Nineteenth-Century France (University of Georgia Press, 2020) moves me. In it, the author tells the story of her first research trip to Paris and the profound moment of her encounter with a plaster cast of Sarah Baartman's body at the Musée de l'Homme. It is riveting, personal, and honest, the perfect entry into a book that is all of these things. Exploring the cultural production of French representations of three extraordinary Black women (Baartman, Ourika, and Jeanne Duval), the book interrogates the visual and literary imaginaries that white French men and women developed in relationship to these women's lives and bodies.
Subjected to a perverse "scientific" fascination, Baartman's body became "famous" throughout and beyond France as white gazes and fantasies sexualized and pathologized her for years until she died. Brought to France from Senegal by the Maréchal Prince de Beauvau, Ourika became the subject of what Mitchell characterizes as a cultural consumptive "mania" that both emulated and rejected her story and the possibilities of her "Frenchness". The lover and common law wife of poet Charles Baudelaire, Jeanne Duval lived an entire life in France, but could never be "French enough." Marked and minoritized by their racial difference, all three women became sites of fixation and memory for a white population seeking/needing constant shoring up of their gendered and racialized identities, and a society haunted by loss and defeat in the wake of the Haitian Revolution.
The book is so beautiful, so clearly written, so overflowing with injustice, meaning, and feeling. And Mitchell's voice is there throughout, finding and honouring the voices and lives of these women. It is a book for everyone.
Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. She is the author of Future Tense: The Culture of Anticipation in France Between the Wars (2009). Her current research focuses on the history of French nuclear weapons and testing since 1945. Her most recent article, ‘“No Hiroshima in Africa”: The Algerian War and the Question of French Nuclear Tests in the Sahara’ appeared in the Spring 2019 issue of History of the Present. She lives and reads on the unceded traditional territories of the Sḵwx̱wú7mesh (Squamish), Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh), and xʷməθkʷəy̓əm (Musqueam) peoples known as Vancouver, Canada and hopes all listeners are keeping healthy and safe at this difficult time in our world. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca).
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 29 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>81</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Robin Mitchell</itunes:subtitle>
      <itunes:summary>The preface to Robin Mitchell's new book, Vénus Noire: Black Women and Colonial Fantasies in Nineteenth-Century France (University of Georgia Press, 2020) moves me. In it, the author tells the story of her first research trip to Paris and the profound moment of her encounter with a plaster cast of Sarah Baartman's body at the Musée de l'Homme. It is riveting, personal, and honest, the perfect entry into a book that is all of these things. Exploring the cultural production of French representations of three extraordinary Black women (Baartman, Ourika, and Jeanne Duval), the book interrogates the visual and literary imaginaries that white French men and women developed in relationship to these women's lives and bodies.
Subjected to a perverse "scientific" fascination, Baartman's body became "famous" throughout and beyond France as white gazes and fantasies sexualized and pathologized her for years until she died. Brought to France from Senegal by the Maréchal Prince de Beauvau, Ourika became the subject of what Mitchell characterizes as a cultural consumptive "mania" that both emulated and rejected her story and the possibilities of her "Frenchness". The lover and common law wife of poet Charles Baudelaire, Jeanne Duval lived an entire life in France, but could never be "French enough." Marked and minoritized by their racial difference, all three women became sites of fixation and memory for a white population seeking/needing constant shoring up of their gendered and racialized identities, and a society haunted by loss and defeat in the wake of the Haitian Revolution.
The book is so beautiful, so clearly written, so overflowing with injustice, meaning, and feeling. And Mitchell's voice is there throughout, finding and honouring the voices and lives of these women. It is a book for everyone.
Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. She is the author of Future Tense: The Culture of Anticipation in France Between the Wars (2009). Her current research focuses on the history of French nuclear weapons and testing since 1945. Her most recent article, ‘“No Hiroshima in Africa”: The Algerian War and the Question of French Nuclear Tests in the Sahara’ appeared in the Spring 2019 issue of History of the Present. She lives and reads on the unceded traditional territories of the Sḵwx̱wú7mesh (Squamish), Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh), and xʷməθkʷəy̓əm (Musqueam) peoples known as Vancouver, Canada and hopes all listeners are keeping healthy and safe at this difficult time in our world. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca).
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The preface to Robin Mitchell's new book, <a href="https://bookshop.org/a/12343/9780820354316"><em>Vénus Noire: Black Women and Colonial Fantasies in Nineteenth-Century </em></a><em>France</em> (University of Georgia Press, 2020) moves me. In it, the author tells the story of her first research trip to Paris and the profound moment of her encounter with a plaster cast of Sarah Baartman's body at the Musée de l'Homme. It is riveting, personal, and honest, the perfect entry into a book that is all of these things. Exploring the cultural production of French representations of three extraordinary Black women (Baartman, Ourika, and Jeanne Duval), the book interrogates the visual and literary imaginaries that white French men and women developed in relationship to these women's lives and bodies.</p><p>Subjected to a perverse "scientific" fascination, Baartman's body became "famous" throughout and beyond France as white gazes and fantasies sexualized and pathologized her for years until she died. Brought to France from Senegal by the Maréchal Prince de Beauvau, Ourika became the subject of what Mitchell characterizes as a cultural consumptive "mania" that both emulated and rejected her story and the possibilities of her "Frenchness". The lover and common law wife of poet Charles Baudelaire, Jeanne Duval lived an entire life in France, but could never be "French enough." Marked and minoritized by their racial difference, all three women became sites of fixation and memory for a white population seeking/needing constant shoring up of their gendered and racialized identities, and a society haunted by loss and defeat in the wake of the Haitian Revolution.</p><p>The book is so beautiful, so clearly written, so overflowing with injustice, meaning, and feeling. And Mitchell's voice is there throughout, finding and honouring the voices and lives of these women. It is a book for everyone.</p><p><em>Roxanne Panchasi is an Associate Professor of History at Simon Fraser University in Vancouver, Canada who specializes in twentieth and twenty-first century France and its empire. She is the author of Future Tense: The Culture of Anticipation in France Between the Wars (2009). Her current research focuses on the history of French nuclear weapons and testing since 1945. Her most recent article, ‘“No Hiroshima in Africa”: The Algerian War and the Question of French Nuclear Tests in the Sahara’ appeared in the Spring 2019 issue of History of the Present. She lives and reads on the unceded traditional territories of the Sḵwx̱wú7mesh (Squamish), Səl̓ílwətaʔ/Selilwitulh (Tsleil-Waututh), and xʷməθkʷəy̓əm (Musqueam) peoples known as Vancouver, Canada and hopes all listeners are keeping healthy and safe at this difficult time in our world. If you have a recent title to suggest for the podcast, please send her an email (panchasi@sfu.ca).</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <enclosure url="https://traffic.megaphone.fm/NBNK8181266502.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Megan Harlan, "Mobile Home: A Memoir in Essays" (U Georgia Press, 2020)</title>
      <description>Home is the place many of us have spent our days for the last eight months. During the pandemic, our homes have become our workplaces, our classrooms, and our social spaces through apps like Zoom. But no matter what we do in our homes, for many of us, the notion of a home is fixed, tied just as much to a specific place as it is to our identities—both how we understand who we are, and the ways we communicate that self to the world. Whether our country, our region, or our city, when asked where we come from, most of us will respond with a definitive answer: This is the place I call my home.
But for some, the concept of home is anything but stable, or fixed. For author Megan Harlan, a nomadic family lifestyle led her to live in seventeen homes across four continents by the time she was seventeen years old. In Mobile Home: A Memoir in Essays, Harlan recounts her experiences living in some of the world’s most historically rich, remote places, and how these many homes afforded her an appreciation and a keen eye for architecture, anthropology, history, literature, the natural world, and so much more. In this meticulously researched debut collection, Harlan explores questions about how we become ourselves through fascinating stories of the many places she has called home.
Today on New Books in Literature, please welcome Megan Harlan for a conversation about her new book, Mobile Home, available now from the University of Georgia Press (2020).
Zoë Bossiere is a doctoral candidate at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBN interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 13 Nov 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>148</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Harlan recounts her experiences living in some of the world’s most historically rich, remote places, and how these many homes afforded her an appreciation...</itunes:subtitle>
      <itunes:summary>Home is the place many of us have spent our days for the last eight months. During the pandemic, our homes have become our workplaces, our classrooms, and our social spaces through apps like Zoom. But no matter what we do in our homes, for many of us, the notion of a home is fixed, tied just as much to a specific place as it is to our identities—both how we understand who we are, and the ways we communicate that self to the world. Whether our country, our region, or our city, when asked where we come from, most of us will respond with a definitive answer: This is the place I call my home.
But for some, the concept of home is anything but stable, or fixed. For author Megan Harlan, a nomadic family lifestyle led her to live in seventeen homes across four continents by the time she was seventeen years old. In Mobile Home: A Memoir in Essays, Harlan recounts her experiences living in some of the world’s most historically rich, remote places, and how these many homes afforded her an appreciation and a keen eye for architecture, anthropology, history, literature, the natural world, and so much more. In this meticulously researched debut collection, Harlan explores questions about how we become ourselves through fascinating stories of the many places she has called home.
Today on New Books in Literature, please welcome Megan Harlan for a conversation about her new book, Mobile Home, available now from the University of Georgia Press (2020).
Zoë Bossiere is a doctoral candidate at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBN interviews, follow her on Twitter @zoebossiere or head to zoebossiere.com
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Home is the place many of us have spent our days for the last eight months. During the pandemic, our homes have become our workplaces, our classrooms, and our social spaces through apps like Zoom. But no matter what we do in our homes, for many of us, the notion of a home is fixed, tied just as much to a specific place as it is to our identities—both how we understand who we are, and the ways we communicate that self to the world. Whether our country, our region, or our city, when asked where we come from, most of us will respond with a definitive answer: <em>This is the place I call my home</em>.</p><p>But for some, the concept of home is anything but stable, or fixed. For author <a href="http://meganharlan.com/">Megan Harlan</a>, a nomadic family lifestyle led her to live in seventeen homes across four continents by the time she was seventeen years old. In <a href="https://bookshop.org/a/12343/9780820357928"><em>Mobile Home: A Memoir in Essays</em></a><em>,</em> Harlan recounts her experiences living in some of the world’s most historically rich, remote places, and how these many homes afforded her an appreciation and a keen eye for architecture, anthropology, history, literature, the natural world, and so much more. In this meticulously researched debut collection, Harlan explores questions about how we become ourselves through fascinating stories of the many places she has called home.</p><p>Today on New Books in Literature, please welcome Megan Harlan for a conversation about her new book, <em>Mobile Home</em>, available now from the University of Georgia Press (2020).</p><p><em>Zoë Bossiere is a doctoral candidate at Ohio University, where she studies creative nonfiction and teaches writing classes. For more NBN interviews, follow her on Twitter </em><a href="https://twitter.com/zoebossiere?lang=en"><em>@zoebossiere</em></a><em> or head to </em><a href="https://www.zoebossiere.com/"><em>zoebossiere.com</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1559</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Kristin J. Jacobson, "The American Adrenaline Narrative" (U Georgia Press, 2020)</title>
      <description>Kristin J. Jacobson In her new book, &lt;a href="https://bookshop.org/a/12343/9780820356990" target="_blank" rel="noopener noreferrer"&gt;&lt;em&gt;The American Adrenaline Narrative&lt;/em&gt;&lt;/a&gt; (University of Georgia Press), Kristin Jacobson considers the nature of perilous outdoor adventure tales, their gendered biases, and how they simultaneously promote and hinder ecological sustainability.
To explore these themes, Jacobson defines and compares adrenaline narratives by a range of American authors published after the first Earth Day in 1970, a time frame selected as a watershed moment for the contemporary American environmental movement. The forty-plus years since that day also mark the rise in the popularity and marketing of many things as "extreme," including sports, jobs, travel, beverages, gum, makeovers, laundry detergent, and even the environmental movement itself.
Jacobson maps the American eco-imagination via adrenaline narratives, surveying a range of popular and lesser-known primary texts by American authors, including best-sellers such as Jon Krakauer's &lt;em&gt;Into Thin Air&lt;/em&gt; and Aron Ralston's &lt;em&gt;Between a Rock and a Hard Place&lt;/em&gt;. She also covers lesser-known novels as well as stories found in all types of media ranging from magazines, feature-length and short films, television shows, amateur videos, social media posts, advertising, and blogs.
Jacobson argues for recognizing adrenaline narratives as a distinctive genre because, unlike traditional nature, travel, and sports writing, adrenaline narratives sustain heightened risk or the element of the "extreme" within a natural setting. Additionally, these narratives provide important insight into the American environmental imagination's connection to masculinity and adventure––knowledge that helps us grasp the current climate crisis and see how narrative understanding provides a needed intervention.
&lt;a href="https://blogs.stockton.edu/kristinjjacobson/" target="_blank" rel="noopener noreferrer"&gt;Kristin Jacobson&lt;/a&gt; is a professor of American literature, American Studies, and Women’s, Gender and Sexuality Studies at Stockton University in New Jersey. She completed her Ph.D. at Penn State, her M.A. at the University of Colorado-Boulder, and her B.A. at Carthage College in Kenosha, WI.

&lt;hr /&gt;

&lt;em&gt;&lt;a href="https://ulaval.academia.edu/CarrieLynnEvans" target="_blank" rel="noopener noreferrer"&gt;Carrie Lynn Evans&lt;/a&gt; is a PhD student at Université Laval in Quebec City.&lt;/em&gt;

&lt;iframe frameborder="0" height="200" scrolling="no" src="https://playlist.megaphone.fm?e=LIT6642972270" width="100%"&gt;&lt;/iframe&gt;
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 08 Oct 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>86</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Kristin J. Jacobson In her new book, &lt;a href="https://bookshop.org/a/12343/9780820356990" target="_blank" rel="noopener noreferrer"&gt;&lt;em&gt;The American Adrenaline Narrative&lt;/em&gt;&lt;/a&gt; (University of Georgia Press), Kristin Jacobson considers the nature of perilous outdoor adventure tales, their gendered biases, and how they simultaneously promote and hinder ecological sustainability.
To explore these themes, Jacobson defines and compares adrenaline narratives by a range of American authors published after the first Earth Day in 1970, a time frame selected as a watershed moment for the contemporary American environmental movement. The forty-plus years since that day also mark the rise in the popularity and marketing of many things as "extreme," including sports, jobs, travel, beverages, gum, makeovers, laundry detergent, and even the environmental movement itself.
Jacobson maps the American eco-imagination via adrenaline narratives, surveying a range of popular and lesser-known primary texts by American authors, including best-sellers such as Jon Krakauer's &lt;em&gt;Into Thin Air&lt;/em&gt; and Aron Ralston's &lt;em&gt;Between a Rock and a Hard Place&lt;/em&gt;. She also covers lesser-known novels as well as stories found in all types of media ranging from magazines, feature-length and short films, television shows, amateur videos, social media posts, advertising, and blogs.
Jacobson argues for recognizing adrenaline narratives as a distinctive genre because, unlike traditional nature, travel, and sports writing, adrenaline narratives sustain heightened risk or the element of the "extreme" within a natural setting. Additionally, these narratives provide important insight into the American environmental imagination's connection to masculinity and adventure––knowledge that helps us grasp the current climate crisis and see how narrative understanding provides a needed intervention.
&lt;a href="https://blogs.stockton.edu/kristinjjacobson/" target="_blank" rel="noopener noreferrer"&gt;Kristin Jacobson&lt;/a&gt; is a professor of American literature, American Studies, and Women’s, Gender and Sexuality Studies at Stockton University in New Jersey. She completed her Ph.D. at Penn State, her M.A. at the University of Colorado-Boulder, and her B.A. at Carthage College in Kenosha, WI.

&lt;hr /&gt;

&lt;em&gt;&lt;a href="https://ulaval.academia.edu/CarrieLynnEvans" target="_blank" rel="noopener noreferrer"&gt;Carrie Lynn Evans&lt;/a&gt; is a PhD student at Université Laval in Quebec City.&lt;/em&gt;

&lt;iframe frameborder="0" height="200" scrolling="no" src="https://playlist.megaphone.fm?e=LIT6642972270" width="100%"&gt;&lt;/iframe&gt;
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kristin J. Jacobson In her new book, &lt;a href="https://bookshop.org/a/12343/9780820356990" target="_blank" rel="noopener noreferrer"&gt;&lt;em&gt;The American Adrenaline Narrative&lt;/em&gt;&lt;/a&gt; (University of Georgia Press), Kristin Jacobson considers the nature of perilous outdoor adventure tales, their gendered biases, and how they simultaneously promote and hinder ecological sustainability.</p><p>To explore these themes, Jacobson defines and compares adrenaline narratives by a range of American authors published after the first Earth Day in 1970, a time frame selected as a watershed moment for the contemporary American environmental movement. The forty-plus years since that day also mark the rise in the popularity and marketing of many things as "extreme," including sports, jobs, travel, beverages, gum, makeovers, laundry detergent, and even the environmental movement itself.</p><p>Jacobson maps the American eco-imagination via adrenaline narratives, surveying a range of popular and lesser-known primary texts by American authors, including best-sellers such as Jon Krakauer's &lt;em&gt;Into Thin Air&lt;/em&gt; and Aron Ralston's &lt;em&gt;Between a Rock and a Hard Place&lt;/em&gt;. She also covers lesser-known novels as well as stories found in all types of media ranging from magazines, feature-length and short films, television shows, amateur videos, social media posts, advertising, and blogs.</p><p>Jacobson argues for recognizing adrenaline narratives as a distinctive genre because, unlike traditional nature, travel, and sports writing, adrenaline narratives sustain heightened risk or the element of the "extreme" within a natural setting. Additionally, these narratives provide important insight into the American environmental imagination's connection to masculinity and adventure––knowledge that helps us grasp the current climate crisis and see how narrative understanding provides a needed intervention.</p><p>&lt;a href="https://blogs.stockton.edu/kristinjjacobson/" target="_blank" rel="noopener noreferrer"&gt;Kristin Jacobson&lt;/a&gt; is a professor of American literature, American Studies, and Women’s, Gender and Sexuality Studies at Stockton University in New Jersey. She completed her Ph.D. at Penn State, her M.A. at the University of Colorado-Boulder, and her B.A. at Carthage College in Kenosha, WI.</p><p><br></p><p>&lt;hr /&gt;</p><p><br></p><p>&lt;em&gt;&lt;a href="https://ulaval.academia.edu/CarrieLynnEvans" target="_blank" rel="noopener noreferrer"&gt;Carrie Lynn Evans&lt;/a&gt; is a PhD student at Université Laval in Quebec City.&lt;/em&gt;</p><p><br></p><p>&lt;iframe frameborder="0" height="200" scrolling="no" src="https://playlist.megaphone.fm?e=LIT6642972270" width="100%"&gt;&lt;/iframe&gt;</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3356</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Ariella Rotramel, "Pushing Back: Women of Color-Led Grassroots Activism in New York City" (U Georgia Press, 2020)</title>
      <description>Pushing Back: Women of Color–Led Grassroots Activism in New York City (U Georgia Press, 2020) explores women of color’s grassroots leadership in organizations that are not singularly identified with feminism. Centered in New York City, Pushing Back brings an intersectional perspective to communities of color as it addresses injustices tied to domestic work, housing, and environmental policies and practices. Ariella Rotramel shows how activists respond to injustice and marginalization, documenting the ways people of color and the working class in the United States recognize identity as key to the roots of and solutions to injustices such as environmental racism and gentrification.
Rotramel further provides an in-depth analysis of the issues that organizations representing transnational communities of color identify as fundamental to their communities and how they frame them. Introducing the theoretical concept of “queer motherwork,” Rotramel explores the forms of advocacy these activists employ and shows how they negotiate internal diversity (gender, race, class, sexuality, etc.) and engage broader communities, particularly as women-led groups.
Pushing Back highlights case studies of two New York–based organizations, the pan-Asian/American CAAAV: Organizing Asian Communities (formerly the Committee Against Anti- Asian Violence) and South Bronx’s Mothers on the Move/ Madres en Movimiento (MOM). Both organizations are small, women-led community organizations that have participated in a number of progressive coalitions on issues such as housing rights, workers’ rights, and environmental justice at the local, national, and global levels.
Hongdeng Gao is a Ph.D. candidate at the Department of History at Columbia University.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 29 Sep 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>808</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Rotramel explores women of color’s grassroots leadership in organizations that are not singularly identified with feminism....</itunes:subtitle>
      <itunes:summary>Pushing Back: Women of Color–Led Grassroots Activism in New York City (U Georgia Press, 2020) explores women of color’s grassroots leadership in organizations that are not singularly identified with feminism. Centered in New York City, Pushing Back brings an intersectional perspective to communities of color as it addresses injustices tied to domestic work, housing, and environmental policies and practices. Ariella Rotramel shows how activists respond to injustice and marginalization, documenting the ways people of color and the working class in the United States recognize identity as key to the roots of and solutions to injustices such as environmental racism and gentrification.
Rotramel further provides an in-depth analysis of the issues that organizations representing transnational communities of color identify as fundamental to their communities and how they frame them. Introducing the theoretical concept of “queer motherwork,” Rotramel explores the forms of advocacy these activists employ and shows how they negotiate internal diversity (gender, race, class, sexuality, etc.) and engage broader communities, particularly as women-led groups.
Pushing Back highlights case studies of two New York–based organizations, the pan-Asian/American CAAAV: Organizing Asian Communities (formerly the Committee Against Anti- Asian Violence) and South Bronx’s Mothers on the Move/ Madres en Movimiento (MOM). Both organizations are small, women-led community organizations that have participated in a number of progressive coalitions on issues such as housing rights, workers’ rights, and environmental justice at the local, national, and global levels.
Hongdeng Gao is a Ph.D. candidate at the Department of History at Columbia University.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://bookshop.org/a/12343/9780820356143"><em>Pushing Back: Women of Color–Led Grassroots Activism in New York City</em></a> (U Georgia Press, 2020) explores women of color’s grassroots leadership in organizations that are not singularly identified with feminism. Centered in New York City, <em>Pushing Back </em>brings an intersectional perspective to communities of color as it addresses injustices tied to domestic work, housing, and environmental policies and practices. Ariella Rotramel shows how activists respond to injustice and marginalization, documenting the ways people of color and the working class in the United States recognize identity as key to the roots of and solutions to injustices such as environmental racism and gentrification.</p><p>Rotramel further provides an in-depth analysis of the issues that organizations representing transnational communities of color identify as fundamental to their communities and how they frame them. Introducing the theoretical concept of “queer motherwork,” Rotramel explores the forms of advocacy these activists employ and shows how they negotiate internal diversity (gender, race, class, sexuality, etc.) and engage broader communities, particularly as women-led groups.</p><p><em>Pushing Back </em>highlights case studies of two New York–based organizations, the pan-Asian/American CAAAV: Organizing Asian Communities (formerly the Committee Against Anti- Asian Violence) and South Bronx’s Mothers on the Move/ Madres en Movimiento (MOM). Both organizations are small, women-led community organizations that have participated in a number of progressive coalitions on issues such as housing rights, workers’ rights, and environmental justice at the local, national, and global levels.</p><p><a href="https://history.columbia.edu/person/gao-hong-deng/"><em>Hongdeng Gao</em></a><em> is a Ph.D. candidate at the Department of History at Columbia University.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>5675</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Jean Halley, "Horse Crazy: Girls and the Lives of Horses" (U Georgia Press, 2019)</title>
      <description>Today Jana Byars talks to Jean Halley, Professor of Sociology at the College of Staten Island and the Graduate Center of the City University of New York about her new book Horse Crazy: Girls and the Lives of Horses (University of Georgia Press, 2019).
Part memoir, part heavy-hitting theoretical exploration, this delightfully readable book explores the relationship between horses and humans, and how girls develop relationships with horses and subvert dominant narratives about gender roles and heteronormativity.
Professor Halley works on the intersection of affective relationships, identity construction, and power, often as these intersections interact with horses. She is the author of The Parallel Lives of Women and Cows: Meat Markets (Palgrave 2012) and Boundaries of Touch: Parenting and Adult-Child Intimacy (Illinois, 2007) as well as the editor of Seeing Straight, Seeing White, and The Affective Turn.
As well as her academic and hybrid academic/memoir work, Halley writes creative non-fiction. Killing Deer, a beautifully written and slightly devastating short, was published in Harper’s Magazine.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 07 Jul 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>750</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Part memoir, part heavy-hitting theoretical exploration, this delightfully readable book explores the relationship between horses and humans...</itunes:subtitle>
      <itunes:summary>Today Jana Byars talks to Jean Halley, Professor of Sociology at the College of Staten Island and the Graduate Center of the City University of New York about her new book Horse Crazy: Girls and the Lives of Horses (University of Georgia Press, 2019).
Part memoir, part heavy-hitting theoretical exploration, this delightfully readable book explores the relationship between horses and humans, and how girls develop relationships with horses and subvert dominant narratives about gender roles and heteronormativity.
Professor Halley works on the intersection of affective relationships, identity construction, and power, often as these intersections interact with horses. She is the author of The Parallel Lives of Women and Cows: Meat Markets (Palgrave 2012) and Boundaries of Touch: Parenting and Adult-Child Intimacy (Illinois, 2007) as well as the editor of Seeing Straight, Seeing White, and The Affective Turn.
As well as her academic and hybrid academic/memoir work, Halley writes creative non-fiction. Killing Deer, a beautifully written and slightly devastating short, was published in Harper’s Magazine.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today <a href="https://www.sit.edu/sit_faculty/jana-byars-phd/">Jana Byars</a> talks to <a href="http://www.jeanhalley.net/">Jean Halley</a>, Professor of Sociology at the College of Staten Island and the Graduate Center of the City University of New York about her new book <a href="https://www.amazon.com/Horse-Crazy-Girls-Lives-Horses/dp/0820355275/?tag=newbooinhis-20"><em>Horse Crazy: Girls and the Lives of Horses</em></a><em> </em>(University of Georgia Press, 2019).</p><p>Part memoir, part heavy-hitting theoretical exploration, this delightfully readable book explores the relationship between horses and humans, and how girls develop relationships with horses and subvert dominant narratives about gender roles and heteronormativity.</p><p>Professor Halley works on the intersection of affective relationships, identity construction, and power, often as these intersections interact with horses. She is the author of <em>The Parallel Lives of Women and Cows: Meat Markets</em> (Palgrave 2012) and <em>Boundaries of Touch: Parenting and Adult-Child Intimacy</em> (Illinois, 2007) as well as the editor of <em>Seeing Straight, Seeing White, and The Affective Turn</em>.</p><p>As well as her academic and hybrid academic/memoir work, Halley writes creative non-fiction. <em>Killing Deer</em>, a beautifully written and slightly devastating short, was published in <em>Harper’s </em>Magazine.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2943</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Mary Stanton, "Red, Black, White: The Alabama Communist Party, 1930–1950" (U Georgia Press, 2019)</title>
      <description>Mary Stanton's Red, Black, White: The Alabama Communist Party, 1930–1950 (University of Georgia Press, 2019) is the first narrative history of the American communist movement in the South since Robin D. G. Kelley's groundbreaking Hammer and Hoe and the first to explore its key figures and actions beyond the 1930s. Written from the perspective of the district 17 (CPUSA) Reds who worked primarily in Alabama, it acquaints a new generation with the impact of the Great Depression on postwar black and white, young and old, urban and rural Americans.
After the Scottsboro story broke on March 25, 1931, it was open season for old-fashioned lynchings, legal (courtroom) lynchings, and mob murder. In Alabama alone, twenty black men were known to have been murdered, and countless others, women included, were beaten, disabled, jailed, “disappeared,” or had their lives otherwise ruined between March 1931 and September 1935. In this collective biography, Mary Stanton―a noted chronicler of the left and of social justice movements in the South―explores the resources available to Depression-era Reds before the advent of the New Deal or the modern civil rights movement. What emerges from this narrative is a meaningful criterion by which to evaluate the Reds’ accomplishments.
Through seven cases of the CPUSA (district 17) activity in the South, Stanton covers tortured notions of loyalty and betrayal, the cult of white southern womanhood, Christianity in all its iterations, and the scapegoating of African Americans, Jews, and communists. Yet this still is a story of how these groups fought back, and fought together, for social justice and change in a fractured region.
Beth A. English is director of the Liechtenstein Institute’s Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 15 Apr 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>31</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Written from the perspective of the district 17 (CPUSA) Reds who worked primarily in Alabama, the book acquaints a new generation with the impact of the Great Depression on postwar black and white, young and old, urban and rural Americans.</itunes:subtitle>
      <itunes:summary>Mary Stanton's Red, Black, White: The Alabama Communist Party, 1930–1950 (University of Georgia Press, 2019) is the first narrative history of the American communist movement in the South since Robin D. G. Kelley's groundbreaking Hammer and Hoe and the first to explore its key figures and actions beyond the 1930s. Written from the perspective of the district 17 (CPUSA) Reds who worked primarily in Alabama, it acquaints a new generation with the impact of the Great Depression on postwar black and white, young and old, urban and rural Americans.
After the Scottsboro story broke on March 25, 1931, it was open season for old-fashioned lynchings, legal (courtroom) lynchings, and mob murder. In Alabama alone, twenty black men were known to have been murdered, and countless others, women included, were beaten, disabled, jailed, “disappeared,” or had their lives otherwise ruined between March 1931 and September 1935. In this collective biography, Mary Stanton―a noted chronicler of the left and of social justice movements in the South―explores the resources available to Depression-era Reds before the advent of the New Deal or the modern civil rights movement. What emerges from this narrative is a meaningful criterion by which to evaluate the Reds’ accomplishments.
Through seven cases of the CPUSA (district 17) activity in the South, Stanton covers tortured notions of loyalty and betrayal, the cult of white southern womanhood, Christianity in all its iterations, and the scapegoating of African Americans, Jews, and communists. Yet this still is a story of how these groups fought back, and fought together, for social justice and change in a fractured region.
Beth A. English is director of the Liechtenstein Institute’s Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Mary Stanton's <a href="https://www.amazon.com/dp/0820356174/?tag=newbooinhis-20"><em>Red, Black, White: The Alabama Communist Party, 1930–1950</em></a> (University of Georgia Press, 2019) is the first narrative history of the American communist movement in the South since Robin D. G. Kelley's groundbreaking <em>Hammer and Hoe</em> and the first to explore its key figures and actions beyond the 1930s. Written from the perspective of the district 17 (CPUSA) Reds who worked primarily in Alabama, it acquaints a new generation with the impact of the Great Depression on postwar black and white, young and old, urban and rural Americans.</p><p>After the Scottsboro story broke on March 25, 1931, it was open season for old-fashioned lynchings, legal (courtroom) lynchings, and mob murder. In Alabama alone, twenty black men were known to have been murdered, and countless others, women included, were beaten, disabled, jailed, “disappeared,” or had their lives otherwise ruined between March 1931 and September 1935. In this collective biography, Mary Stanton―a noted chronicler of the left and of social justice movements in the South―explores the resources available to Depression-era Reds before the advent of the New Deal or the modern civil rights movement. What emerges from this narrative is a meaningful criterion by which to evaluate the Reds’ accomplishments.</p><p>Through seven cases of the CPUSA (district 17) activity in the South, Stanton covers tortured notions of loyalty and betrayal, the cult of white southern womanhood, Christianity in all its iterations, and the scapegoating of African Americans, Jews, and communists. Yet this still is a story of how these groups fought back, and fought together, for social justice and change in a fractured region.</p><p><a href="https://wws.princeton.edu/faculty-research/faculty/baenglis"><em>Beth A. English</em></a><em> is director of the Liechtenstein Institute’s Project on Gender in the Global Community at Princeton University. She also is a past president of the </em><a href="https://southernlaborstudies.org/"><em>Southern Labor History Association</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2117</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Marcus P. Nevius, "City of Refuge: Slavery and Petit Marronage in the Great Dismal Swamp, 1763-1856" (U Georgia Press, 2020)</title>
      <description>In his newly released book City of Refuge: Slavery and Petit Marronage in the Great Dismal Swamp, 1763-1856 (University of Georgia Press, 2020), Professor Marcus P. Nevius (Assistant Professor of History and Africana Studies at the University of Rhode Island) tells the interrelated histories of petit marronage, an informal slave's economy, and the construction of internal improvements in the Great Dismal Swamp of Virginia and North Carolina. The vast wetland was tough terrain that most white Virginians and North Carolinians considered uninhabitable. Perceived desolation notwithstanding, black slaves fled into the swamp's remote sectors and engaged in petit marronage, a type of escape and fugitivity prevalent throughout the Atlantic world. An alternative to the dangers of flight by way of the Underground Railroad, maroon communities often neighbored slave-labor camps, the latter located on the swamp's periphery and operated by the Dismal Swamp Land Company and other companies that employed slave labor to facilitate the extraction of the Dismal's natural resources. Often with the tacit acceptance of white company agents, company slaves engaged in various exchanges of goods and provisions with maroons-networks that padded company accounts even as they helped to sustain maroon colonies and communities.
In his examination of life, commerce, and social activity in the Great Dismal Swamp, Nevius engages the historiographies of slave resistance and abolitionism in the early American republic. City of Refuge uses a wide variety of primary sources-including runaway advertisements; planters' and merchants' records, inventories, letterbooks, and correspondence; abolitionist pamphlets and broadsides; county free black registries; and the records and inventories of private companies-to examine how American maroons, enslaved canal laborers, white company agents, and commission merchants shaped, and were shaped by, race and slavery in an important region in the history of the late Atlantic world.
Jerrad P. Pacatte is a Ph.D. candidate in the Department of History at Rutgers, The State University of New Jersey-New Brunswick studying eighteenth and nineteenth-century African American women’s history and the history of slavery and capitalism. Follow him on Twitter @Jerrad_Pacatte!
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      <pubDate>Fri, 20 Mar 2020 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>191</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Nevius tells the interrelated histories of petit marronage, an informal slave's economy, and the construction of internal improvements in the Great Dismal Swamp of Virginia and North Carolina...</itunes:subtitle>
      <itunes:summary>In his newly released book City of Refuge: Slavery and Petit Marronage in the Great Dismal Swamp, 1763-1856 (University of Georgia Press, 2020), Professor Marcus P. Nevius (Assistant Professor of History and Africana Studies at the University of Rhode Island) tells the interrelated histories of petit marronage, an informal slave's economy, and the construction of internal improvements in the Great Dismal Swamp of Virginia and North Carolina. The vast wetland was tough terrain that most white Virginians and North Carolinians considered uninhabitable. Perceived desolation notwithstanding, black slaves fled into the swamp's remote sectors and engaged in petit marronage, a type of escape and fugitivity prevalent throughout the Atlantic world. An alternative to the dangers of flight by way of the Underground Railroad, maroon communities often neighbored slave-labor camps, the latter located on the swamp's periphery and operated by the Dismal Swamp Land Company and other companies that employed slave labor to facilitate the extraction of the Dismal's natural resources. Often with the tacit acceptance of white company agents, company slaves engaged in various exchanges of goods and provisions with maroons-networks that padded company accounts even as they helped to sustain maroon colonies and communities.
In his examination of life, commerce, and social activity in the Great Dismal Swamp, Nevius engages the historiographies of slave resistance and abolitionism in the early American republic. City of Refuge uses a wide variety of primary sources-including runaway advertisements; planters' and merchants' records, inventories, letterbooks, and correspondence; abolitionist pamphlets and broadsides; county free black registries; and the records and inventories of private companies-to examine how American maroons, enslaved canal laborers, white company agents, and commission merchants shaped, and were shaped by, race and slavery in an important region in the history of the late Atlantic world.
Jerrad P. Pacatte is a Ph.D. candidate in the Department of History at Rutgers, The State University of New Jersey-New Brunswick studying eighteenth and nineteenth-century African American women’s history and the history of slavery and capitalism. Follow him on Twitter @Jerrad_Pacatte!
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his newly released book <a href="http://www.amazon.com/dp/0820356425/?tag=newbooinhis-20"><em>City of Refuge: Slavery and Petit Marronage in the Great Dismal Swamp, 1763-1856 </em></a>(University of Georgia Press, 2020), <a href="https://web.uri.edu/history/meet/marcus-p-nevius/">Professor Marcus P. Nevius</a> (Assistant Professor of History and Africana Studies at the University of Rhode Island) tells the interrelated histories of petit marronage, an informal slave's economy, and the construction of internal improvements in the Great Dismal Swamp of Virginia and North Carolina. The vast wetland was tough terrain that most white Virginians and North Carolinians considered uninhabitable. Perceived desolation notwithstanding, black slaves fled into the swamp's remote sectors and engaged in petit marronage, a type of escape and fugitivity prevalent throughout the Atlantic world. An alternative to the dangers of flight by way of the Underground Railroad, maroon communities often neighbored slave-labor camps, the latter located on the swamp's periphery and operated by the Dismal Swamp Land Company and other companies that employed slave labor to facilitate the extraction of the Dismal's natural resources. Often with the tacit acceptance of white company agents, company slaves engaged in various exchanges of goods and provisions with maroons-networks that padded company accounts even as they helped to sustain maroon colonies and communities.</p><p>In his examination of life, commerce, and social activity in the Great Dismal Swamp, Nevius engages the historiographies of slave resistance and abolitionism in the early American republic. <em>City of Refuge </em>uses a wide variety of primary sources-including runaway advertisements; planters' and merchants' records, inventories, letterbooks, and correspondence; abolitionist pamphlets and broadsides; county free black registries; and the records and inventories of private companies-to examine how American maroons, enslaved canal laborers, white company agents, and commission merchants shaped, and were shaped by, race and slavery in an important region in the history of the late Atlantic world.</p><p><a href="https://history.rutgers.edu/people/graduate-students/grad-student/1029-pacatte-jerrad-p"><em>Jerrad P. Pacatte</em></a><em> is a Ph.D. candidate in the Department of History at Rutgers, The State University of New Jersey-New Brunswick studying eighteenth and nineteenth-century African American women’s history and the history of slavery and capitalism. Follow him on Twitter @Jerrad_Pacatte!</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>6452</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Justin Nystrom, "Creole Italian: Sicilian Immigrants and the Shaping of New Orleans Food Culture" (U Georgia Press, 2018)</title>
      <description>In this this interview, Carrie Tippen talks with Justin Nystrom about his latest book, Creole Italian: Sicilian Immigrants and the Shaping of New Orleans Food Culture, published in 2018 by the University of Georgia Press as part of the Southern Foodways Alliance series Studies in Culture, People, and Place. The book was nominated for a James Beard Foundation Book Award in 2019.
Nystrom argues in Creole Italian that the discourse about New Orleans has been narrowed to a single story and controlled by something vaguely defined as “Creole” which has “long robbed the city of the potential for a richer cultural self-image.” This view of New Orleans history and culture privileges the story of a minority of social elites, obscures the diversity of the city, and elides the existence and contributions of a great many groups, including Sicilian immigrants and their descendants. Nystrom complicates the received narratives of Sicilians in New Orleans, resisting the stereotypes that link all Italians with organized crime and instead revealing how Sicilians became an integral part of New Orleans culture and economy through their entrepreneurship, particularly in importing lemons, working on sugar plantations, selling oysters, establishing restaurants, popularizing spaghetti in America, manufacturing pasta, selling groceries, and defining New Orleans fine dining. Not merely the inventors of the famed muffuletta (which Nystrom reveals is the name for the bread, not the combination of fillings in the sandwich), Sicilians creatively use the food and food service industry to make an indelible mark on the city and the nation. Nystrom recovers a history of New Orleans through archival research and oral history interview that is becoming harder to see as the city changes. “If there’s a ghost of the city’s Sicilian past, it surely haunts the streets of the Lower French Quarter,” Nystrom writes. “Impressions of the immigrant century remain visible on the landscape if one knows where to look.”
Justin Nystrom is Distinguished Professor of History and Director of the Documentary and Oral History Studio at Loyola University of New Orleans. Dr. Nystrom has written extensively about the history of New Orleans and the South on topics ranging from the Civil War and Reconstruction, racial identity, labor history, foodways, and cultural history, including the 2015 New Orleans after the Civil War: Race, Politics, and a New Birth of Freedom (Johns Hopkins Press, 2015). He also produces documentary films, including a feature length film titled This Haus of Memories (2012). You can follow Dr. Nystrom on Twitter @JustinNystrom.
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica,Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 05 Mar 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>55</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Nystrom argues that the discourse about New Orleans has been narrowed to a single story and controlled by something vaguely defined as “Creole” which has “long robbed the city of the potential for a richer cultural self-image.”</itunes:subtitle>
      <itunes:summary>In this this interview, Carrie Tippen talks with Justin Nystrom about his latest book, Creole Italian: Sicilian Immigrants and the Shaping of New Orleans Food Culture, published in 2018 by the University of Georgia Press as part of the Southern Foodways Alliance series Studies in Culture, People, and Place. The book was nominated for a James Beard Foundation Book Award in 2019.
Nystrom argues in Creole Italian that the discourse about New Orleans has been narrowed to a single story and controlled by something vaguely defined as “Creole” which has “long robbed the city of the potential for a richer cultural self-image.” This view of New Orleans history and culture privileges the story of a minority of social elites, obscures the diversity of the city, and elides the existence and contributions of a great many groups, including Sicilian immigrants and their descendants. Nystrom complicates the received narratives of Sicilians in New Orleans, resisting the stereotypes that link all Italians with organized crime and instead revealing how Sicilians became an integral part of New Orleans culture and economy through their entrepreneurship, particularly in importing lemons, working on sugar plantations, selling oysters, establishing restaurants, popularizing spaghetti in America, manufacturing pasta, selling groceries, and defining New Orleans fine dining. Not merely the inventors of the famed muffuletta (which Nystrom reveals is the name for the bread, not the combination of fillings in the sandwich), Sicilians creatively use the food and food service industry to make an indelible mark on the city and the nation. Nystrom recovers a history of New Orleans through archival research and oral history interview that is becoming harder to see as the city changes. “If there’s a ghost of the city’s Sicilian past, it surely haunts the streets of the Lower French Quarter,” Nystrom writes. “Impressions of the immigrant century remain visible on the landscape if one knows where to look.”
Justin Nystrom is Distinguished Professor of History and Director of the Documentary and Oral History Studio at Loyola University of New Orleans. Dr. Nystrom has written extensively about the history of New Orleans and the South on topics ranging from the Civil War and Reconstruction, racial identity, labor history, foodways, and cultural history, including the 2015 New Orleans after the Civil War: Race, Politics, and a New Birth of Freedom (Johns Hopkins Press, 2015). He also produces documentary films, including a feature length film titled This Haus of Memories (2012). You can follow Dr. Nystrom on Twitter @JustinNystrom.
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica,Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this this interview, <a href="https://www.chatham.edu/english/facultydetails.cfm?FacultyID=439">Carrie Tippen</a> talks with <a href="http://www.justinnystrom.com">Justin Nystrom</a> about his latest book, <a href="http://www.amazon.com/dp/0820353558/?tag=newbooinhis-20"><em>Creole Italian: Sicilian Immigrants and the Shaping of New Orleans Food Culture</em></a>, published in 2018 by the University of Georgia Press as part of the Southern Foodways Alliance series Studies in Culture, People, and Place. The book was nominated for a James Beard Foundation Book Award in 2019.</p><p>Nystrom argues in <em>Creole Italian </em>that the discourse about New Orleans has been narrowed to a single story and controlled by something vaguely defined as “Creole” which has “long robbed the city of the potential for a richer cultural self-image.” This view of New Orleans history and culture privileges the story of a minority of social elites, obscures the diversity of the city, and elides the existence and contributions of a great many groups, including Sicilian immigrants and their descendants. Nystrom complicates the received narratives of Sicilians in New Orleans, resisting the stereotypes that link all Italians with organized crime and instead revealing how Sicilians became an integral part of New Orleans culture and economy through their entrepreneurship, particularly in importing lemons, working on sugar plantations, selling oysters, establishing restaurants, popularizing spaghetti in America, manufacturing pasta, selling groceries, and defining New Orleans fine dining. Not merely the inventors of the famed muffuletta (which Nystrom reveals is the name for the bread, not the combination of fillings in the sandwich), Sicilians creatively use the food and food service industry to make an indelible mark on the city and the nation. Nystrom recovers a history of New Orleans through archival research and oral history interview that is becoming harder to see as the city changes. “If there’s a ghost of the city’s Sicilian past, it surely haunts the streets of the Lower French Quarter,” Nystrom writes. “Impressions of the immigrant century remain visible on the landscape if one knows where to look.”</p><p><a href="http://cas.loyno.edu/history/bios/justin-nystrom">Justin Nystrom</a> is Distinguished Professor of History and Director of the Documentary and Oral History Studio at Loyola University of New Orleans. Dr. Nystrom has written extensively about the history of New Orleans and the South on topics ranging from the Civil War and Reconstruction, racial identity, labor history, foodways, and cultural history, including the 2015 <a href="https://jhupbooks.press.jhu.edu/title/new-orleans-after-civil-war"><em>New Orleans after the Civil War: Race, Politics, and a New Birth of Freedom</em></a> (Johns Hopkins Press, 2015). He also produces documentary films, including a feature length film titled This Haus of Memories (2012). You can follow Dr. Nystrom on Twitter @JustinNystrom.</p><p><em>Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, </em><a href="http://www.inventingauthenticity.com/">Inventing Authenticity: How Cookbook Writers Redefine Southern Identity</a> <em>(University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in </em>Gastronomica,Food and Foodways, American Studies, Southern Quarterly<em>, and </em>Food, Culture, and Society<em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3565</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Keri Holt, "Reading These United States: Federal Literacy in the Early Republic, 1776-1830" (U Georgia Press, 2019)</title>
      <description>Keri Holt is the author of Reading These United States: Federal Literacy in the Early Republic, 1776-1830, published by the University of Georgia Press in 2019. Reading These United States explores how Americans read, saw, and understood the federal structure of the country in its early years. Drawing on a wide array of sources, from almanacs to textbooks, magazines to novels, and much more, Holt illustrates how Americans imagined their country not necessarily as one homogeneous nation, but as a union of states. Forging national character through local differences, Holt’s work sheds new light on the ways in which U.S. nationalism was created, inversely, by drawing lines between and separating Americans from themselves.
Keri Holt is Associate Professor of English and American Studies at Utah State University.
Derek Litvak is a Ph.D. student in the department of history at the University of Maryland.
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      <pubDate>Mon, 27 Jan 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>685</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Holt explores how Americans read, saw, and understood the federal structure of the country in its early years...</itunes:subtitle>
      <itunes:summary>Keri Holt is the author of Reading These United States: Federal Literacy in the Early Republic, 1776-1830, published by the University of Georgia Press in 2019. Reading These United States explores how Americans read, saw, and understood the federal structure of the country in its early years. Drawing on a wide array of sources, from almanacs to textbooks, magazines to novels, and much more, Holt illustrates how Americans imagined their country not necessarily as one homogeneous nation, but as a union of states. Forging national character through local differences, Holt’s work sheds new light on the ways in which U.S. nationalism was created, inversely, by drawing lines between and separating Americans from themselves.
Keri Holt is Associate Professor of English and American Studies at Utah State University.
Derek Litvak is a Ph.D. student in the department of history at the University of Maryland.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://sswa.usu.edu/nativeamericanstudies/nasfaculty/nas_keriholt">Keri Holt</a> is the author of <a href="http://www.amazon.com/dp/0820354538/?tag=newbooinhis-20"><em>Reading These United States: Federal Literacy in the Early Republic, 1776-1830</em></a>, published by the University of Georgia Press in 2019. <em>Reading These United States </em>explores how Americans read, saw, and understood the federal structure of the country in its early years. Drawing on a wide array of sources, from almanacs to textbooks, magazines to novels, and much more, Holt illustrates how Americans imagined their country not necessarily as one homogeneous nation, but as a union of states. Forging national character through local differences, Holt’s work sheds new light on the ways in which U.S. nationalism was created, inversely, by drawing lines between and separating Americans from themselves.</p><p>Keri Holt is Associate Professor of English and American Studies at Utah State University.</p><p><a href="https://twitter.com/thetattooedgrad"><em>Derek Litvak</em></a><em> is a Ph.D. student in the department of history at the University of Maryland.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2098</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Sarah Handley-Cousins, "Bodies in Blue: Disability in the Civil War North" (U Georgia Press, 2019)</title>
      <description>All wars, in a practical sense, center on the destruction of the human body, and in Bodies in Blue: Disability in the Civil War North (University of Georgia Press, 2019), Sarah Handley-Cousins, a clinical assistant professor at the University at Buffalo, shows how disability was a necessary by-product of the U.S. Civil War. Handley-Cousins argues that disability in the Civil War North extended far past amputations and highlights how wartime disability ranged from the temporary to the chronic, from disease to injury, and encompassed both physical and mental conditions. In Bodies in Blue, Handley-Cousins documents how the realities of living with a disability were at odds with the expectations of manhood. As a result, men who failed to perform the role of wounded warrior could be scrutinized for failing to live up to the ideal of martial masculinity. Importantly, Handley-Cousins challenges scholars to think about Civil War historiography in new ways. More specifically, by examining the lasting mental health implications of the conflict, Handley-Cousins forces us to face how soldiers had to reckon with the Civil War for the rest of their lives.
Chris Babits is an Andrew W. Mellon Engaged Scholar Initiative Postdoctoral Fellow at the University of Texas at Austin. He researches the intersecting histories of medicine, religion, and gender and sexuality and is currently working on his book manuscript about the history of conversion therapy in the United States.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 05 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>664</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Handley-Cousins shows how disability was a necessary by-product of the U.S. Civil War...</itunes:subtitle>
      <itunes:summary>All wars, in a practical sense, center on the destruction of the human body, and in Bodies in Blue: Disability in the Civil War North (University of Georgia Press, 2019), Sarah Handley-Cousins, a clinical assistant professor at the University at Buffalo, shows how disability was a necessary by-product of the U.S. Civil War. Handley-Cousins argues that disability in the Civil War North extended far past amputations and highlights how wartime disability ranged from the temporary to the chronic, from disease to injury, and encompassed both physical and mental conditions. In Bodies in Blue, Handley-Cousins documents how the realities of living with a disability were at odds with the expectations of manhood. As a result, men who failed to perform the role of wounded warrior could be scrutinized for failing to live up to the ideal of martial masculinity. Importantly, Handley-Cousins challenges scholars to think about Civil War historiography in new ways. More specifically, by examining the lasting mental health implications of the conflict, Handley-Cousins forces us to face how soldiers had to reckon with the Civil War for the rest of their lives.
Chris Babits is an Andrew W. Mellon Engaged Scholar Initiative Postdoctoral Fellow at the University of Texas at Austin. He researches the intersecting histories of medicine, religion, and gender and sexuality and is currently working on his book manuscript about the history of conversion therapy in the United States.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>All wars, in a practical sense, center on the destruction of the human body, and in <a href="http://www.amazon.com/dp/0820355186/?tag=newbooinhis-20"><em>Bodies in Blue: Disability in the Civil War North</em> </a>(University of Georgia Press, 2019), <a href="https://arts-sciences.buffalo.edu/history/faculty/faculty-directory/handley-cousins-sarah.html">Sarah Handley-Cousins</a>, a clinical assistant professor at the University at Buffalo, shows how disability was a necessary by-product of the U.S. Civil War. Handley-Cousins argues that disability in the Civil War North extended far past amputations and highlights how wartime disability ranged from the temporary to the chronic, from disease to injury, and encompassed both physical and mental conditions. In <em>Bodies in Blue</em>, Handley-Cousins documents how the realities of living with a disability were at odds with the expectations of manhood. As a result, men who failed to perform the role of wounded warrior could be scrutinized for failing to live up to the ideal of martial masculinity. Importantly, Handley-Cousins challenges scholars to think about Civil War historiography in new ways. More specifically, by examining the lasting mental health implications of the conflict, Handley-Cousins forces us to face how soldiers had to reckon with the Civil War for the rest of their lives.</p><p><a href="http://www.chrisbabits.com/"><em>Chris Babits</em></a><em> is an Andrew W. Mellon Engaged Scholar Initiative Postdoctoral Fellow at the University of Texas at Austin. He researches the intersecting histories of medicine, religion, and gender and sexuality and is currently working on his book manuscript about the history of conversion therapy in the United States.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2735</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Michelle Haberland, "Striking Beauties: Women Apparel Workers in the U.S. South, 1930-2000" (U Georgia Press, 2015)</title>
      <description>Professor Michelle Haberland of Georgia Southern University, author of Striking Beauties: Women Apparel Workers in the U.S. South (University of Georgia Press, 2015), discusses the dynamics of gender, class, race and globalization in the southern apparel industry from the 1930s to today.
Apparel manufacturing in the American South, by virtue of its size, its reliance upon female labor, and its broad geographic scope, is an important but often overlooked industry that connects the disparate concerns of women’s history, southern cultural history, and labor history. In Striking Beauties, Haberland examines its essential features and the varied experiences of its workers during the industry’s great expansion from the late 1930s through the demise of its southern branch at the end of the twentieth century.
The popular conception of the early twentieth-century South as largely agrarian informs many histories of industry and labor in the United States. But as Haberland demonstrates, the apparel industry became a key part of the southern economy after the Great Depression and a major driver of southern industrialization. The gender and racial composition of the workforce, the growth of trade unions, technology, and capital investment were all powerful forces in apparel’s migration south. Yet those same forces also revealed the tensions caused by racial and gender inequities not only in the region but in the nation at large. Striking Beauties places the struggles of working women for racial and economic justice in the larger context of southern history. The role of women as the primary consumers of the family placed them in a critical position to influence the success or failure of boycotts, union label programs and ultimately solidarity.
Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 22 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>8</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Haberland discusses the dynamics of gender, class, race and globalization in the southern apparel industry from the 1930s to today...</itunes:subtitle>
      <itunes:summary>Professor Michelle Haberland of Georgia Southern University, author of Striking Beauties: Women Apparel Workers in the U.S. South (University of Georgia Press, 2015), discusses the dynamics of gender, class, race and globalization in the southern apparel industry from the 1930s to today.
Apparel manufacturing in the American South, by virtue of its size, its reliance upon female labor, and its broad geographic scope, is an important but often overlooked industry that connects the disparate concerns of women’s history, southern cultural history, and labor history. In Striking Beauties, Haberland examines its essential features and the varied experiences of its workers during the industry’s great expansion from the late 1930s through the demise of its southern branch at the end of the twentieth century.
The popular conception of the early twentieth-century South as largely agrarian informs many histories of industry and labor in the United States. But as Haberland demonstrates, the apparel industry became a key part of the southern economy after the Great Depression and a major driver of southern industrialization. The gender and racial composition of the workforce, the growth of trade unions, technology, and capital investment were all powerful forces in apparel’s migration south. Yet those same forces also revealed the tensions caused by racial and gender inequities not only in the region but in the nation at large. Striking Beauties places the struggles of working women for racial and economic justice in the larger context of southern history. The role of women as the primary consumers of the family placed them in a critical position to influence the success or failure of boycotts, union label programs and ultimately solidarity.
Beth A. English is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the Southern Labor History Association.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Professor <a href="https://cah.georgiasouthern.edu/history/home/faculty/haberland/">Michelle Haberland</a> of Georgia Southern University, author of <a href="http://www.amazon.com/dp/0820347426/?tag=newbooinhis-20"><em>Striking Beauties: Women Apparel Workers in the U.S. South</em></a> (University of Georgia Press, 2015), discusses the dynamics of gender, class, race and globalization in the southern apparel industry from the 1930s to today.</p><p>Apparel manufacturing in the American South, by virtue of its size, its reliance upon female labor, and its broad geographic scope, is an important but often overlooked industry that connects the disparate concerns of women’s history, southern cultural history, and labor history. In <em>Striking Beauties</em>, Haberland examines its essential features and the varied experiences of its workers during the industry’s great expansion from the late 1930s through the demise of its southern branch at the end of the twentieth century.</p><p>The popular conception of the early twentieth-century South as largely agrarian informs many histories of industry and labor in the United States. But as Haberland demonstrates, the apparel industry became a key part of the southern economy after the Great Depression and a major driver of southern industrialization. The gender and racial composition of the workforce, the growth of trade unions, technology, and capital investment were all powerful forces in apparel’s migration south. Yet those same forces also revealed the tensions caused by racial and gender inequities not only in the region but in the nation at large. <em>Striking Beauties</em> places the struggles of working women for racial and economic justice in the larger context of southern history. The role of women as the primary consumers of the family placed them in a critical position to influence the success or failure of boycotts, union label programs and ultimately solidarity.</p><p><a href="https://wws.princeton.edu/faculty-research/faculty/baenglis"><em>Beth A. English</em></a><em> is director of the Liechtenstein Institute's Project on Gender in the Global Community at Princeton University. She also is a past president of the </em><a href="https://southernlaborstudies.org/"><em>Southern Labor History Association</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <itunes:duration>2608</itunes:duration>
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    <item>
      <title>Steven Moore, "The Longer We Were There: A Memoir of a Part-Time Solider" (U Georgia Press, 2019)</title>
      <description>Popular public conception of war has a long and problematic history, with its origins in ancient texts like The Art of War to bestselling books like Tim O’Brien’s The Things They Carried. Though many stories depicting the brutality of war—and its toll on soldiers and civilians alike—are written in the spirit of anti-war sentiment, these works often inadvertently frame combat as exciting and dramatic while painting individual soldiers as heroes on the battlefield. But the reality of war is much more nuanced than the typical narratives might have you believe. In truth, life in a war zone is often much more frustrating and tedious than most civilians can fathom. So what are the ethics of writing about war? What are the responsibilities of writers depicting war in their work?
Winner of the Association of Writers and Writing Programs Award for Creative Nonfiction, writer Steven Moore’s stunning debut, The Longer We Were There: A Memoir of a Part-Time Solider (University of Georgia Press, 2019), considers these questions with both a wry sense of humor and a sharp analytical eye. Moore’s narrative deftly weaves his deployment experiences in Afghanistan with commentary from great critical minds like Joan Didion, Maggie Nelson, Tim O’Brien, and Tobias Wolff in an attempt to tell the sprawling story of the war in Afghanistan from the perspective of a part-time soldier.
Today on the New Books Network, join us as we sit down with Steven Moore to learn more about The Longer We Were There.
Zoë Bossiere is a doctoral student at Ohio University, where she studies creative writing and rhetoric &amp; composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its upcoming anthology, The Best of Brevity (Rose Metal Press, 2020). For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 07 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>85</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>The reality of war is much more nuanced than the typical narratives might have you believe...</itunes:subtitle>
      <itunes:summary>Popular public conception of war has a long and problematic history, with its origins in ancient texts like The Art of War to bestselling books like Tim O’Brien’s The Things They Carried. Though many stories depicting the brutality of war—and its toll on soldiers and civilians alike—are written in the spirit of anti-war sentiment, these works often inadvertently frame combat as exciting and dramatic while painting individual soldiers as heroes on the battlefield. But the reality of war is much more nuanced than the typical narratives might have you believe. In truth, life in a war zone is often much more frustrating and tedious than most civilians can fathom. So what are the ethics of writing about war? What are the responsibilities of writers depicting war in their work?
Winner of the Association of Writers and Writing Programs Award for Creative Nonfiction, writer Steven Moore’s stunning debut, The Longer We Were There: A Memoir of a Part-Time Solider (University of Georgia Press, 2019), considers these questions with both a wry sense of humor and a sharp analytical eye. Moore’s narrative deftly weaves his deployment experiences in Afghanistan with commentary from great critical minds like Joan Didion, Maggie Nelson, Tim O’Brien, and Tobias Wolff in an attempt to tell the sprawling story of the war in Afghanistan from the perspective of a part-time soldier.
Today on the New Books Network, join us as we sit down with Steven Moore to learn more about The Longer We Were There.
Zoë Bossiere is a doctoral student at Ohio University, where she studies creative writing and rhetoric &amp; composition. She is the managing editor of Brevity: A Journal of Concise Literary Nonfiction, and the co-editor of its upcoming anthology, The Best of Brevity (Rose Metal Press, 2020). For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Popular public conception of war has a long and problematic history, with its origins in ancient texts like <em>The Art of War</em> to bestselling books like Tim O’Brien’s <em>The Things They Carried</em>. Though many stories depicting the brutality of war—and its toll on soldiers and civilians alike—are written in the spirit of anti-war sentiment, these works often inadvertently frame combat as exciting and dramatic while painting individual soldiers as heroes on the battlefield. But the reality of war is much more nuanced than the typical narratives might have you believe. In truth, life in a war zone is often much more frustrating and tedious than most civilians can fathom. So what are the ethics of writing about war? What are the responsibilities of writers depicting war in their work?</p><p>Winner of the Association of Writers and Writing Programs Award for Creative Nonfiction, writer <a href="https://stevenlmoore.com">Steven Moore</a>’s stunning debut, <a href="http://www.amazon.com/dp/0820355666/?tag=newbooinhis-20"><em>The Longer We Were There: A Memoir of a Part-Time Solider</em></a> (University of Georgia Press, 2019), considers these questions with both a wry sense of humor and a sharp analytical eye. Moore’s narrative deftly weaves his deployment experiences in Afghanistan with commentary from great critical minds like Joan Didion, Maggie Nelson, Tim O’Brien, and Tobias Wolff in an attempt to tell the sprawling story of the war in Afghanistan from the perspective of a part-time soldier.</p><p>Today on the New Books Network, join us as we sit down with Steven Moore to learn more about <em>The Longer We Were There</em>.</p><p><a href="https://zoebossiere.com/"><em>Zoë Bossiere</em></a><em> is a doctoral student at Ohio University, where she studies creative writing and rhetoric &amp; composition. She is the managing editor of </em>Brevity: A Journal of Concise Literary Nonfiction<em>, and the co-editor of its upcoming anthology, </em>The Best of Brevity <em>(Rose Metal Press, 2020). For more NBn interviews, follow her on Twitter @zoebossiere or visit her online at zoebossiere.com.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2701</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Andrew C. Baker, "Bulldozer Revolutions: A Rural History of the Metropolitan South" (U Georgia Press, 2018)</title>
      <description>The history of metropolitan expansion and suburbanization is often written from the perspective of the city. In Bulldozer Revolutions: A Rural History of the Metropolitan South (University of Georgia Press, 2018), by contrast, Andrew C. Baker focuses his gaze on the rural counties that underwent significant social, cultural, political, and environmental change as southern cities expanded after World War II. Baker sees the expansion of Houston, Texas, and Washington, D.C. into the “metropolitan fringe” as emblematic of processes at work throughout the South—and, in many ways, throughout the nation. Metropolitan growth transformed prevailing land uses in these counties: open-range forests gave way to fenced fields and subdivisions; market-oriented agriculture gave way to hobby farms; and rural residents considered proposals to develop waterways to accommodate the growing cities. Finally, Baker examines the degree to which the environmental deterioration caused by rapid, unplanned suburbanization helped fuel postwar environmentalism. He concludes that while residents outside of Houston and Washington, D.C. faced failed septic systems, flooding, and other challenges, their environmental concerns rarely translated into environmentalist action. Rather, they typically addressed these concerns in ways that reinforced the emerging social and political order.
Andrew Baker is Assistant Professor of History at Texas A&amp;M, Commerce.
Joshua Nygren is Assistant Professor of History at the University of Central Missouri. You can find him on Twitter @joshua_nygren. Thanks to Justin Dean and UCM’s Digital Media Production program for production assistance.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 18 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>43</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Baker focuses his gaze on the rural counties that underwent significant social, cultural, political, and environmental change as southern cities expanded after World War II...</itunes:subtitle>
      <itunes:summary>The history of metropolitan expansion and suburbanization is often written from the perspective of the city. In Bulldozer Revolutions: A Rural History of the Metropolitan South (University of Georgia Press, 2018), by contrast, Andrew C. Baker focuses his gaze on the rural counties that underwent significant social, cultural, political, and environmental change as southern cities expanded after World War II. Baker sees the expansion of Houston, Texas, and Washington, D.C. into the “metropolitan fringe” as emblematic of processes at work throughout the South—and, in many ways, throughout the nation. Metropolitan growth transformed prevailing land uses in these counties: open-range forests gave way to fenced fields and subdivisions; market-oriented agriculture gave way to hobby farms; and rural residents considered proposals to develop waterways to accommodate the growing cities. Finally, Baker examines the degree to which the environmental deterioration caused by rapid, unplanned suburbanization helped fuel postwar environmentalism. He concludes that while residents outside of Houston and Washington, D.C. faced failed septic systems, flooding, and other challenges, their environmental concerns rarely translated into environmentalist action. Rather, they typically addressed these concerns in ways that reinforced the emerging social and political order.
Andrew Baker is Assistant Professor of History at Texas A&amp;M, Commerce.
Joshua Nygren is Assistant Professor of History at the University of Central Missouri. You can find him on Twitter @joshua_nygren. Thanks to Justin Dean and UCM’s Digital Media Production program for production assistance.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The history of metropolitan expansion and suburbanization is often written from the perspective of the city. In <a href="http://www.amazon.com/dp/0820354147/?tag=newbooinhis-20"><em>Bulldozer Revolutions: A Rural History of the Metropolitan South</em></a> (University of Georgia Press, 2018), by contrast, <a href="https://www.tamuc.edu/academics/colleges/humanitiesSocialSciencesArts/departments/history/facultyAndStaff/andrewbaker.aspx">Andrew C. Baker</a> focuses his gaze on the rural counties that underwent significant social, cultural, political, and environmental change as southern cities expanded after World War II. Baker sees the expansion of Houston, Texas, and Washington, D.C. into the “metropolitan fringe” as emblematic of processes at work throughout the South—and, in many ways, throughout the nation. Metropolitan growth transformed prevailing land uses in these counties: open-range forests gave way to fenced fields and subdivisions; market-oriented agriculture gave way to hobby farms; and rural residents considered proposals to develop waterways to accommodate the growing cities. Finally, Baker examines the degree to which the environmental deterioration caused by rapid, unplanned suburbanization helped fuel postwar environmentalism. He concludes that while residents outside of Houston and Washington, D.C. faced failed septic systems, flooding, and other challenges, their environmental concerns rarely translated into environmentalist action. Rather, they typically addressed these concerns in ways that reinforced the emerging social and political order.</p><p>Andrew Baker is Assistant Professor of History at Texas A&amp;M, Commerce.</p><p><em>Joshua Nygren is Assistant Professor of History at the University of Central Missouri. You can find him on Twitter @joshua_nygren. Thanks to Justin Dean and UCM’s Digital Media Production program for production assistance.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3208</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Rafia Zafar, "Recipes for Respect: African American Meals and Meaning" (U Georgia Press, 2019)</title>
      <description>In this this interview, Dr. Carrie Tippen talks with Rafia Zafar about her 2019 book Recipes for Respect: African American Meals and Meaning, from the University of Georgia Press. It’s part of the Southern Foodways Alliance Studies in Culture, People and Place series. The book contains 7 chapters, covering the earliest formally-published African-American-authored hospitality books from the 1820s to Edna Lewis’s Taste of Country Cooking from the 1970s, as well as the unpublished and incomplete cookbook of Arturo Schomburg, with many other examples in between. Each chapter examines a set of related texts in conversation with one another and the historical moment of their publication, treating cookbooks not just as archives for historical information about how people eat but also as literary, artistic, and culture-making documents. Zafar argues that cookbooks written by and for African Americans provide “recipes for respect” alongside instructions for cooking. The avenues for respect vary between authors and eras, at turns offering advice for gaining the respect of white employers or membership in the black middle-class. The act of authorship itself is presented as a way to respect and agency, leveraging domestic knowledge into public acclaim. Implicit in each of the examples is the means for generating self-respect and self-love, as cookbooks show their readers how to participate in vibrant and storied African-American foodways.
Rafia Zafar is Professor of English, African and African-American Studies, and American Culture Studies at Washington University in Saint Louis, Missouri. Rafia writes about the intersection of food, authorship, and American identities, nineteenth century Black writers, and the Harlem Renaissance. She is the faculty director of the Mellon Mays Undergraduate Fellowship program.
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 11 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>48</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Zafar discusses the earliest formally-published African-American-authored hospitality books from the 1820s to Edna Lewis’s Taste of Country Cooking from the 1970s...</itunes:subtitle>
      <itunes:summary>In this this interview, Dr. Carrie Tippen talks with Rafia Zafar about her 2019 book Recipes for Respect: African American Meals and Meaning, from the University of Georgia Press. It’s part of the Southern Foodways Alliance Studies in Culture, People and Place series. The book contains 7 chapters, covering the earliest formally-published African-American-authored hospitality books from the 1820s to Edna Lewis’s Taste of Country Cooking from the 1970s, as well as the unpublished and incomplete cookbook of Arturo Schomburg, with many other examples in between. Each chapter examines a set of related texts in conversation with one another and the historical moment of their publication, treating cookbooks not just as archives for historical information about how people eat but also as literary, artistic, and culture-making documents. Zafar argues that cookbooks written by and for African Americans provide “recipes for respect” alongside instructions for cooking. The avenues for respect vary between authors and eras, at turns offering advice for gaining the respect of white employers or membership in the black middle-class. The act of authorship itself is presented as a way to respect and agency, leveraging domestic knowledge into public acclaim. Implicit in each of the examples is the means for generating self-respect and self-love, as cookbooks show their readers how to participate in vibrant and storied African-American foodways.
Rafia Zafar is Professor of English, African and African-American Studies, and American Culture Studies at Washington University in Saint Louis, Missouri. Rafia writes about the intersection of food, authorship, and American identities, nineteenth century Black writers, and the Harlem Renaissance. She is the faculty director of the Mellon Mays Undergraduate Fellowship program.
Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her new book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this this interview, <a href="https://www.chatham.edu/english/facultydetails.cfm?FacultyID=439">Dr. Carrie Tippen</a> talks with <a href="https://artsci.wustl.edu/faculty-staff/rafia-zafar">Rafia Zafar</a> about her 2019 book <em>Recipes for Respect: African American Meals and Meaning, </em>from the University of Georgia Press. It’s part of the Southern Foodways Alliance Studies in Culture, People and Place series. The book contains 7 chapters, covering the earliest formally-published African-American-authored hospitality books from the 1820s to Edna Lewis’s <em>Taste of Country Cooking </em>from the 1970s, as well as the unpublished and incomplete cookbook of Arturo Schomburg, with many other examples in between. Each chapter examines a set of related texts in conversation with one another and the historical moment of their publication, treating cookbooks not just as archives for historical information about how people eat but also as literary, artistic, and culture-making documents. Zafar argues that cookbooks written by and for African Americans provide “recipes for respect” alongside instructions for cooking. The avenues for respect vary between authors and eras, at turns offering advice for gaining the respect of white employers or membership in the black middle-class. The act of authorship itself is presented as a way to respect and agency, leveraging domestic knowledge into public acclaim. Implicit in each of the examples is the means for generating self-respect and self-love, as cookbooks show their readers how to participate in vibrant and storied African-American foodways.</p><p><a href="https://artsci.wustl.edu/faculty-staff/rafia-zafar">Rafia Zafar</a> is Professor of English, African and African-American Studies, and American Culture Studies at Washington University in Saint Louis, Missouri. Rafia writes about the intersection of food, authorship, and American identities, nineteenth century Black writers, and the Harlem Renaissance. She is the faculty director of the Mellon Mays Undergraduate Fellowship program.</p><p><em>Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her new book, </em><a href="http://www.inventingauthenticity.com/"><em>I</em>nventing Authenticity: How Cookbook Writers Redefine Southern Identity</a> <em>(University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in </em>Food and Foodways, American Studies, Southern Quarterly, <em>and</em> Food, Culture, and Society<em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <itunes:duration>3636</itunes:duration>
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      <title>Thomas Aiello, "The Grapevine of the Black South" (U Georgia Press, 2018)</title>
      <description>In the summer of 1928, William Alexander Scott began a small four-page weekly with the help of his brother Cornelius. By 1932 the Atlanta World had become a daily paper and the basis of Scott's vision for a massive Southern newspaper chain - the Southern Newspaper Syndicate, later renamed as the Scott Newspaper Syndicate. At its peak, more than 240 papers were associated with the Syndicate, making it one of the largest black press institutions in the country. However, the extent of the Syndicate's reach and its centrality to Black southern life has remained largely overlooked.
In The Grapevine of the Black South: The Scott Newspaper Syndicate in the Generation before the Civil Rights Movement (University of Georgia Press, 2018), Thomas Aiello offers the first critical history of this influential newspaper syndicate, tracing its roots in the early 1930s through to its eventual dissolution in the 1950s. During this critically important period preceding the the "civil rights era" ushered in by the 1954 Supreme Court ruling on school segregation, the Syndicate helped to shape the collective identity and community networks of the Black South. While providing local editors with a large degree of control and the flexibility to emphasize regional concerns and interests, the Syndicate gave its readers a similar set of tools from which to craft their understanding of Black life and culture, a means to document racial injustice and oppression, and an unparalleled grapevine of information and news coverage.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 19 Sep 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>178</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>In the summer of 1928, William Alexander Scott began a small four-page weekly with the help of his brother Cornelius...</itunes:subtitle>
      <itunes:summary>In the summer of 1928, William Alexander Scott began a small four-page weekly with the help of his brother Cornelius. By 1932 the Atlanta World had become a daily paper and the basis of Scott's vision for a massive Southern newspaper chain - the Southern Newspaper Syndicate, later renamed as the Scott Newspaper Syndicate. At its peak, more than 240 papers were associated with the Syndicate, making it one of the largest black press institutions in the country. However, the extent of the Syndicate's reach and its centrality to Black southern life has remained largely overlooked.
In The Grapevine of the Black South: The Scott Newspaper Syndicate in the Generation before the Civil Rights Movement (University of Georgia Press, 2018), Thomas Aiello offers the first critical history of this influential newspaper syndicate, tracing its roots in the early 1930s through to its eventual dissolution in the 1950s. During this critically important period preceding the the "civil rights era" ushered in by the 1954 Supreme Court ruling on school segregation, the Syndicate helped to shape the collective identity and community networks of the Black South. While providing local editors with a large degree of control and the flexibility to emphasize regional concerns and interests, the Syndicate gave its readers a similar set of tools from which to craft their understanding of Black life and culture, a means to document racial injustice and oppression, and an unparalleled grapevine of information and news coverage.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the summer of 1928, William Alexander Scott began a small four-page weekly with the help of his brother Cornelius. By 1932 the <em>Atlanta World </em>had become a daily paper and the basis of Scott's vision for a massive Southern newspaper chain - the Southern Newspaper Syndicate, later renamed as the Scott Newspaper Syndicate. At its peak, more than 240 papers were associated with the Syndicate, making it one of the largest black press institutions in the country. However, the extent of the Syndicate's reach and its centrality to Black southern life has remained largely overlooked.</p><p>In <a href="http://www.amazon.com/dp/0820354457/?tag=newbooinhis-20"><em>The Grapevine of the Black South: The Scott Newspaper Syndicate in the Generation before the Civil Rights Movement </em></a>(University of Georgia Press, 2018), <a href="https://www.valdosta.edu/about/directory/profile/taiello">Thomas Aiello</a> offers the first critical history of this influential newspaper syndicate, tracing its roots in the early 1930s through to its eventual dissolution in the 1950s. During this critically important period preceding the the "civil rights era" ushered in by the 1954 Supreme Court ruling on school segregation, the Syndicate helped to shape the collective identity and community networks of the Black South. While providing local editors with a large degree of control and the flexibility to emphasize regional concerns and interests, the Syndicate gave its readers a similar set of tools from which to craft their understanding of Black life and culture, a means to document racial injustice and oppression, and an unparalleled grapevine of information and news coverage.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3606</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Grégory Pierrot, "The Black Avenger in Atlantic Culture" (U Georgia Press, 2019)</title>
      <description>With the Ta-Nehisi Coates–authored Black Panther comic book series (2016), recent films Django Unchained (2012), The Birth of a Nation (2016), Nate Parker’s cinematic imagining of the Nat Turner rebellion, and screen adaptations of Marvel’s Luke Cage (2016) and Black Panther (2018), violent black redeemers have rarely been so present in mainstream Western culture. Grégory Pierrot argues, however, that the black avenger has always been with us: the trope has fired the news and imaginations of the United States and the larger Atlantic World for three centuries.
The black avenger channeled fresh anxieties about slave uprisings and racial belonging occasioned by European colonization in the Americas. Even as he is portrayed as a heathen and a barbarian, his values―honor, loyalty, love―reflect his ties to the West. Yet being racially different, he cannot belong, and his qualities in turn make him an anomaly among black people. The black avenger is thus a liminal figure defining racial borders. Where his body lies, lies the color line. Regularly throughout the modern era and to this day, variations on the trope have contributed to defining race in the Atlantic World and thwarting the constitution of a black polity.
Grégory Pierrot's Black Avenger in Atlantic Culture (University of Georgia Press, 2019) studies this cultural history, examining a multicultural and cross-historical network of print material including fiction, drama, poetry, news, and historical writing as well as visual culture. It tracks the black avenger trope from its inception in the seventeenth century to the U.S. occupation of Haiti in 1915. Pierrot argues that this Western archetype plays an essential role in helping exclusive, hostile understandings of racial belonging become normalized in the collective consciousness of Atlantic nations. His study follows important articulations of the figure and how it has shifted based on historical and cultural contexts.
Adam McNeil is a PhD Student in History at Rutgers University-New Brunswick
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 07 Aug 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>172</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle> The black avenger channeled fresh anxieties about slave uprisings and racial belonging occasioned by European colonization in the Americas...</itunes:subtitle>
      <itunes:summary>With the Ta-Nehisi Coates–authored Black Panther comic book series (2016), recent films Django Unchained (2012), The Birth of a Nation (2016), Nate Parker’s cinematic imagining of the Nat Turner rebellion, and screen adaptations of Marvel’s Luke Cage (2016) and Black Panther (2018), violent black redeemers have rarely been so present in mainstream Western culture. Grégory Pierrot argues, however, that the black avenger has always been with us: the trope has fired the news and imaginations of the United States and the larger Atlantic World for three centuries.
The black avenger channeled fresh anxieties about slave uprisings and racial belonging occasioned by European colonization in the Americas. Even as he is portrayed as a heathen and a barbarian, his values―honor, loyalty, love―reflect his ties to the West. Yet being racially different, he cannot belong, and his qualities in turn make him an anomaly among black people. The black avenger is thus a liminal figure defining racial borders. Where his body lies, lies the color line. Regularly throughout the modern era and to this day, variations on the trope have contributed to defining race in the Atlantic World and thwarting the constitution of a black polity.
Grégory Pierrot's Black Avenger in Atlantic Culture (University of Georgia Press, 2019) studies this cultural history, examining a multicultural and cross-historical network of print material including fiction, drama, poetry, news, and historical writing as well as visual culture. It tracks the black avenger trope from its inception in the seventeenth century to the U.S. occupation of Haiti in 1915. Pierrot argues that this Western archetype plays an essential role in helping exclusive, hostile understandings of racial belonging become normalized in the collective consciousness of Atlantic nations. His study follows important articulations of the figure and how it has shifted based on historical and cultural contexts.
Adam McNeil is a PhD Student in History at Rutgers University-New Brunswick
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>With the Ta-Nehisi Coates–authored <em>Black Panther</em> comic book series (2016), recent films Django Unchained (2012), The Birth of a Nation (2016), Nate Parker’s cinematic imagining of the Nat Turner rebellion, and screen adaptations of Marvel’s Luke Cage (2016) and Black Panther (2018), violent black redeemers have rarely been so present in mainstream Western culture. Grégory Pierrot argues, however, that the black avenger has always been with us: the trope has fired the news and imaginations of the United States and the larger Atlantic World for three centuries.</p><p>The black avenger channeled fresh anxieties about slave uprisings and racial belonging occasioned by European colonization in the Americas. Even as he is portrayed as a heathen and a barbarian, his values―honor, loyalty, love―reflect his ties to the West. Yet being racially different, he cannot belong, and his qualities in turn make him an anomaly among black people. The black avenger is thus a liminal figure defining racial borders. Where his body lies, lies the color line. Regularly throughout the modern era and to this day, variations on the trope have contributed to defining race in the Atlantic World and thwarting the constitution of a black polity.</p><p><a href="https://english.uconn.edu/gregory-pierrot/">Grégory Pierrot</a>'s <a href="http://www.amazon.com/dp/0820354910/?tag=newbooinhis-20"><em>Black Avenger in Atlantic Culture</em></a> (University of Georgia Press, 2019) studies this cultural history, examining a multicultural and cross-historical network of print material including fiction, drama, poetry, news, and historical writing as well as visual culture. It tracks the black avenger trope from its inception in the seventeenth century to the U.S. occupation of Haiti in 1915. Pierrot argues that this Western archetype plays an essential role in helping exclusive, hostile understandings of racial belonging become normalized in the collective consciousness of Atlantic nations. His study follows important articulations of the figure and how it has shifted based on historical and cultural contexts.</p><p><em>Adam McNeil is a PhD Student in History at Rutgers University-New Brunswick</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3642</itunes:duration>
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    <item>
      <title>Thomas A. Foster, "Rethinking Rufus: Sexual Violations of Enslaved Men" (U Georgia Press, 2019)</title>
      <description>Rethinking Rufus: Sexual Violations of Enslaved Men (University of Georgia Press, 2019) is the first book-length study of sexual violence against enslaved men. Scholars have extensively documented the widespread sexual exploitation and abuse suffered by enslaved women, with comparatively little attention paid to the stories of men. However, a careful reading of extant sources reveals that sexual assault of enslaved men also occurred systematically and in a wide variety of forms, including physical assault, sexual coercion, and other intimate violations.
To tell the story of men such as Rufus―who was coerced into a sexual union with an enslaved woman, Rose, whose resistance of this union is widely celebrated―historian Thomas A. Foster interrogates a range of sources on slavery: early American newspapers, court records, enslavers’ journals, abolitionist literature, the testimony of formerly enslaved people collected in autobiographies and in interviews, and various forms of artistic representation. Foster’s sustained examination of how black men were sexually violated by both white men and white women makes an important contribution to our understanding of masculinity, sexuality, the lived experience of enslaved men, and the general power dynamics fostered by the institution of slavery. Rethinking Rufus illuminates how the conditions of slavery gave rise to a variety of forms of sexual assault and exploitation that affected all members of the community.
Adam McNeil is a PhD Student at Rutgers University-New Brunswick.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 19 Jul 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>169</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>"Rethinking Rufus" is the first book-length study of sexual violence against enslaved men...</itunes:subtitle>
      <itunes:summary>Rethinking Rufus: Sexual Violations of Enslaved Men (University of Georgia Press, 2019) is the first book-length study of sexual violence against enslaved men. Scholars have extensively documented the widespread sexual exploitation and abuse suffered by enslaved women, with comparatively little attention paid to the stories of men. However, a careful reading of extant sources reveals that sexual assault of enslaved men also occurred systematically and in a wide variety of forms, including physical assault, sexual coercion, and other intimate violations.
To tell the story of men such as Rufus―who was coerced into a sexual union with an enslaved woman, Rose, whose resistance of this union is widely celebrated―historian Thomas A. Foster interrogates a range of sources on slavery: early American newspapers, court records, enslavers’ journals, abolitionist literature, the testimony of formerly enslaved people collected in autobiographies and in interviews, and various forms of artistic representation. Foster’s sustained examination of how black men were sexually violated by both white men and white women makes an important contribution to our understanding of masculinity, sexuality, the lived experience of enslaved men, and the general power dynamics fostered by the institution of slavery. Rethinking Rufus illuminates how the conditions of slavery gave rise to a variety of forms of sexual assault and exploitation that affected all members of the community.
Adam McNeil is a PhD Student at Rutgers University-New Brunswick.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="http://www.amazon.com/dp/0820355224/?tag=newbooinhis-20"><em>Rethinking Rufus: Sexual Violations of Enslaved Men</em></a> (University of Georgia Press, 2019) is the first book-length study of sexual violence against enslaved men. Scholars have extensively documented the widespread sexual exploitation and abuse suffered by enslaved women, with comparatively little attention paid to the stories of men. However, a careful reading of extant sources reveals that sexual assault of enslaved men also occurred systematically and in a wide variety of forms, including physical assault, sexual coercion, and other intimate violations.</p><p>To tell the story of men such as Rufus―who was coerced into a sexual union with an enslaved woman, Rose, whose resistance of this union is widely celebrated―historian <a href="http://history.coas.howard.edu/faculty_Foster.html">Thomas A. Foster</a> interrogates a range of sources on slavery: early American newspapers, court records, enslavers’ journals, abolitionist literature, the testimony of formerly enslaved people collected in autobiographies and in interviews, and various forms of artistic representation. Foster’s sustained examination of how black men were sexually violated by both white men and white women makes an important contribution to our understanding of masculinity, sexuality, the lived experience of enslaved men, and the general power dynamics fostered by the institution of slavery. <em>Rethinking Rufus</em> illuminates how the conditions of slavery gave rise to a variety of forms of sexual assault and exploitation that affected all members of the community.</p><p><em>Adam McNeil is a PhD Student at Rutgers University-New Brunswick.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2371</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Jeannette Eileen Jones, "Search of Brightest Africa: Reimagining the Dark Continent in American Culture, 1884-1936" (U Georgia Press, 2011)</title>
      <description>When President Trump talked of Africa as a continent of “shithole countries” where people lived in huts, he was drawing on a set of ideas made popular in the 19th century. “Darkest Africa” became a favorite trope of explorers like Henry Morton Stanley who promoted his books and lectures by pushing the idea of Africa as a dark place – a phrase that had all kinds of meanings – racial, intellectual, geographical.
Today I speak with Jeannette Eileen Jones, author of In Search of Brightest Africa, Reimagining the Dark Continent in American Culture, 1884-1936 (University of Georgia Press, 2011). Jones talks about the many different groups, from naturalists and conservationists to African American artists and intellectuals, who begin to recast Africa in the America imagination in the early 20th century. Jones is associate professor of history and ethnic studies at University of Nebraska Lincoln.
Michael F. Robinson is professor of history at Hillyer College, University of Hartford. He's the author of The Coldest Crucible: Arctic Exploration and American Culture (University of Chicago Press, 2006) and The Lost White Tribe: Scientists, Explorers, and the Theory that Changed a Continent (Oxford University Press, 2016). He's also the host of the podcast Time to Eat the Dogs, a weekly podcast about science, history, and exploration.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 17 Jun 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>137</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Jones talks about the many different groups, from naturalists and conservationists to African American artists and intellectuals, who begin to recast Africa in the America imagination in the early 20th century...</itunes:subtitle>
      <itunes:summary>When President Trump talked of Africa as a continent of “shithole countries” where people lived in huts, he was drawing on a set of ideas made popular in the 19th century. “Darkest Africa” became a favorite trope of explorers like Henry Morton Stanley who promoted his books and lectures by pushing the idea of Africa as a dark place – a phrase that had all kinds of meanings – racial, intellectual, geographical.
Today I speak with Jeannette Eileen Jones, author of In Search of Brightest Africa, Reimagining the Dark Continent in American Culture, 1884-1936 (University of Georgia Press, 2011). Jones talks about the many different groups, from naturalists and conservationists to African American artists and intellectuals, who begin to recast Africa in the America imagination in the early 20th century. Jones is associate professor of history and ethnic studies at University of Nebraska Lincoln.
Michael F. Robinson is professor of history at Hillyer College, University of Hartford. He's the author of The Coldest Crucible: Arctic Exploration and American Culture (University of Chicago Press, 2006) and The Lost White Tribe: Scientists, Explorers, and the Theory that Changed a Continent (Oxford University Press, 2016). He's also the host of the podcast Time to Eat the Dogs, a weekly podcast about science, history, and exploration.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When President Trump talked of Africa as a continent of “shithole countries” where people lived in huts, he was drawing on a set of ideas made popular in the 19th century. “Darkest Africa” became a favorite trope of explorers like Henry Morton Stanley who promoted his books and lectures by pushing the idea of Africa as a dark place – a phrase that had all kinds of meanings – racial, intellectual, geographical.</p><p>Today I speak with <a href="https://history.unl.edu/jeannette-eileen-jones">Jeannette Eileen Jones</a>, author of <a href="http://www.amazon.com/dp/0820340294/?tag=newbooinhis-20"><em>In Search of Brightest Africa, Reimagining the Dark Continent in American Culture, 1884-1936</em></a> (University of Georgia Press, 2011). Jones talks about the many different groups, from naturalists and conservationists to African American artists and intellectuals, who begin to recast Africa in the America imagination in the early 20th century. Jones is associate professor of history and ethnic studies at University of Nebraska Lincoln.</p><p><a href="http://www.hartford.edu/hillyer/about-us/meet-our-faculty-and-staff/department-of-humanities/06-michael-robinson.aspx"><em>Michael F. Robinson</em></a><em> is professor of history at Hillyer College, University of Hartford. He's the author of </em>The Coldest Crucible: Arctic Exploration and American Culture<em> (University of Chicago Press, 2006) and </em>The Lost White Tribe: Scientists, Explorers, and the Theory that Changed a Continent<em> (Oxford University Press, 2016). He's also the host of the podcast </em><a href="https://timetoeatthedogs.com/"><em>Time to Eat the Dogs</em></a><em>, a weekly podcast about science, history, and exploration.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1673</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Jennifer Fluri and Rachel Lehr, "The Carpetbaggers of Kabul and Other American-Afghan Entanglements" (U Georgia Press, 2017)</title>
      <description>For most people, geopolitics is something that happens out there, in boardrooms and on battlefields. But critical geographers, and feminist political geographers in particular, have in recent years shown how the geopolitical is something that comes into being in the intimate and the everyday. Enter Jennifer Fluri and Rachel Lehr's 2017 book, The Carpetbaggers of Kabul and Other American-Afghan Entanglements: Intimate Development, Geopolitics, and the Currency of Gender and Grief (University of Georgia Press, 2017). The Carpetbaggers of Kabul takes us on the ground with more than a decade of ethnographic research, and offers a critical perspective that highlights the ways in which post-conflict development works to further American power and not, necessarily, respond to the people it should be accountable to. In documenting the coercive power of white saviors, they show how the discourses of geopolitics have real, material effects for people on the ground. At the same time, they show how development projects initiated and run by communities need not (necessarily) fall into those same neo-colonial logics. In our conversation, we talk about what it’s like to do research in Afghanistan, the way gender and grief become a currency for development organizations, and the ways ordinary people fight back against becoming objectified as poor and in need of help.
Dino Kadich is a graduate student in geography at the University of Cambridge. You can follow him on Twitter @dinokadich
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 29 May 2019 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>18</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>For most people, geopolitics is something that happens out there, in boardrooms and on battlefields. But critical geographers, and feminist political geographers in particular, have in recent years shown how the geopolitical is something that comes into being in the intimate and the everyday...</itunes:subtitle>
      <itunes:summary>For most people, geopolitics is something that happens out there, in boardrooms and on battlefields. But critical geographers, and feminist political geographers in particular, have in recent years shown how the geopolitical is something that comes into being in the intimate and the everyday. Enter Jennifer Fluri and Rachel Lehr's 2017 book, The Carpetbaggers of Kabul and Other American-Afghan Entanglements: Intimate Development, Geopolitics, and the Currency of Gender and Grief (University of Georgia Press, 2017). The Carpetbaggers of Kabul takes us on the ground with more than a decade of ethnographic research, and offers a critical perspective that highlights the ways in which post-conflict development works to further American power and not, necessarily, respond to the people it should be accountable to. In documenting the coercive power of white saviors, they show how the discourses of geopolitics have real, material effects for people on the ground. At the same time, they show how development projects initiated and run by communities need not (necessarily) fall into those same neo-colonial logics. In our conversation, we talk about what it’s like to do research in Afghanistan, the way gender and grief become a currency for development organizations, and the ways ordinary people fight back against becoming objectified as poor and in need of help.
Dino Kadich is a graduate student in geography at the University of Cambridge. You can follow him on Twitter @dinokadich
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For most people, geopolitics is something that happens out there, in boardrooms and on battlefields. But critical geographers, and feminist political geographers in particular, have in recent years shown how the geopolitical is something that comes into being in the intimate and the everyday. Enter <a href="https://www.colorado.edu/geography/jennifer-fluri-0">Jennifer Fluri</a> and <a href="https://www.linkedin.com/in/rachel-lehr-aa153a14/">Rachel Lehr</a>'s 2017 book, <a href="http://www.amazon.com/dp/0820350354/?tag=newbooinhis-20"><em>The Carpetbaggers of Kabul and Other American-Afghan Entanglements: Intimate Development, Geopolitics, and the Currency of Gender and Grief</em></a> (University of Georgia Press, 2017). <em>The Carpetbaggers of Kabul</em> takes us on the ground with more than a decade of ethnographic research, and offers a critical perspective that highlights the ways in which post-conflict development works to further American power and not, necessarily, respond to the people it should be accountable to. In documenting the coercive power of white saviors, they show how the discourses of geopolitics have real, material effects for people on the ground. At the same time, they show how development projects initiated and run by communities need not (necessarily) fall into those same neo-colonial logics. In our conversation, we talk about what it’s like to do research in Afghanistan, the way gender and grief become a currency for development organizations, and the ways ordinary people fight back against becoming objectified as poor and in need of help.</p><p><em>Dino Kadich is a graduate student in geography at the University of Cambridge. You can follow him on Twitter </em><a href="http://www.twitter.com/dinokadich"><em>@dinokadich</em></a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3695</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Andrew T. Fede, "Homicide Justified: The Legality of Killing Slaves in the United States and Atlantic World" (U Georgia Press, 2017)</title>
      <description>Andrew T. Fede is a lawyer in private practice in northern New Jersey and an adjunct professor of law at Montclair State University. His new book Homicide Justified: The Legality of Killing Slaves in the United States and Atlantic World (University of Georgia Press, 2017) is a comparative account of slave homicide law in the American colonies and states, covering the period from the early 17th century through the American Civil War. Professor Fede’s account traces the variations in restrictions on slave owners and third parties’ treatment upon the murder of a slave. The harsh, often lethal, conditions of servitude in the Caribbean seem to have shaped the willingness (usually unwillingness) of slave owners and elected officials in these island to restrict what masters could do to their slaves. Whereas in the mid-Atlantic and northeastern colonies, restrictions were somewhat more easily countenanced. Fede reveals the details of murder prosecutions against slave masters, overseers and third-party non-owners and the limits such prosecutions faced in courts.
Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 18 Mar 2019 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>67</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Professor Fede’s account traces the variations in restrictions on slave owners and third parties’ treatment upon the murder of a slave.</itunes:subtitle>
      <itunes:summary>Andrew T. Fede is a lawyer in private practice in northern New Jersey and an adjunct professor of law at Montclair State University. His new book Homicide Justified: The Legality of Killing Slaves in the United States and Atlantic World (University of Georgia Press, 2017) is a comparative account of slave homicide law in the American colonies and states, covering the period from the early 17th century through the American Civil War. Professor Fede’s account traces the variations in restrictions on slave owners and third parties’ treatment upon the murder of a slave. The harsh, often lethal, conditions of servitude in the Caribbean seem to have shaped the willingness (usually unwillingness) of slave owners and elected officials in these island to restrict what masters could do to their slaves. Whereas in the mid-Atlantic and northeastern colonies, restrictions were somewhat more easily countenanced. Fede reveals the details of murder prosecutions against slave masters, overseers and third-party non-owners and the limits such prosecutions faced in courts.
Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.archerlaw.com/attorneys/andrew-t-fede/">Andrew T. Fede</a> is a lawyer in private practice in northern New Jersey and an adjunct professor of law at Montclair State University. His new book <a href="https://aax-us-east.amazon-adsystem.com/x/c/QkV9XmORigRAtc2N6sZwlH0AAAFpaPcK2wEAAAFKAb2NdHM/https://www.amazon.com/dp/0820351121/?creativeASIN=0820351121&amp;linkCode=w61&amp;imprToken=-DDFQSX6gNnFJ3OLWP6tJA&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Homicide Justified: The Legality of Killing Slaves in the United States and Atlantic World</em></a> (University of Georgia Press, 2017) is a comparative account of slave homicide law in the American colonies and states, covering the period from the early 17th century through the American Civil War. Professor Fede’s account traces the variations in restrictions on slave owners and third parties’ treatment upon the murder of a slave. The harsh, often lethal, conditions of servitude in the Caribbean seem to have shaped the willingness (usually unwillingness) of slave owners and elected officials in these island to restrict what masters could do to their slaves. Whereas in the mid-Atlantic and northeastern colonies, restrictions were somewhat more easily countenanced. Fede reveals the details of murder prosecutions against slave masters, overseers and third-party non-owners and the limits such prosecutions faced in courts.</p><p><em>Ian J. Drake is an Associate Professor of Political Science and Law at Montclair State University. His scholarly interests include American legal and constitutional history and political theory.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3232</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Rick Van Noy, "Sudden Spring: Stories of Adaptation in a Climate-Changed South" (U Georgia Press, 2019)</title>
      <description>As climate change politics abound, Dr. Rick Van Noy’s Sudden Spring: Stories of Adaptation in a Climate-Changed South (University of Georgia Press, 2019) cuts through it all to get to the core. What matters? People’s experiences with climate forces and how they are managing them now and planning to do so in the future. In his newest book, Van Noy decided not to follow the well-trodden path of trying to prove climate change science, nor did he bark about an irreversible tipping point. Instead, he provides us with a much-needed focus on communities and their responses, even if those communities dare not utter the words “climate change.” Van Noy treks across the beautiful southern landscape encountering unique culture and ecosystems, even coming face-to-face with an alligator. The best part, we get to go along with him.
Throughout the book, we hear people talk about technology in different ways. For example, Van Noy discovers that creating oyster reefs off the Outer Banks of North Carolina may be more effective in slowing the rate of shoreline erosion than traditional technologies like dredging and installing hard structures like bulkheads, jetties, and groins. It’s hearing these experiences and stories that will help to shape the solutions of the future. Just as Van Noy ends with his son taking the wheel, soon another generation will come face-to-face with their own treacherous monsters. Thankfully, Van Noy makes a compelling case for learning and adapting. We can all find beauty—and perhaps new hope—in this wonderfully documented journey of adaptation to a changing climate.
Chris Gambino works at the intersection of science and policy in hopes of creating more informed decision-making.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 08 Mar 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>186</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Van Noy decided not to follow the well-trodden path of trying to prove climate change science, nor did he bark about an irreversible tipping point. Instead, he provides us with a much-needed focus on communities...</itunes:subtitle>
      <itunes:summary>As climate change politics abound, Dr. Rick Van Noy’s Sudden Spring: Stories of Adaptation in a Climate-Changed South (University of Georgia Press, 2019) cuts through it all to get to the core. What matters? People’s experiences with climate forces and how they are managing them now and planning to do so in the future. In his newest book, Van Noy decided not to follow the well-trodden path of trying to prove climate change science, nor did he bark about an irreversible tipping point. Instead, he provides us with a much-needed focus on communities and their responses, even if those communities dare not utter the words “climate change.” Van Noy treks across the beautiful southern landscape encountering unique culture and ecosystems, even coming face-to-face with an alligator. The best part, we get to go along with him.
Throughout the book, we hear people talk about technology in different ways. For example, Van Noy discovers that creating oyster reefs off the Outer Banks of North Carolina may be more effective in slowing the rate of shoreline erosion than traditional technologies like dredging and installing hard structures like bulkheads, jetties, and groins. It’s hearing these experiences and stories that will help to shape the solutions of the future. Just as Van Noy ends with his son taking the wheel, soon another generation will come face-to-face with their own treacherous monsters. Thankfully, Van Noy makes a compelling case for learning and adapting. We can all find beauty—and perhaps new hope—in this wonderfully documented journey of adaptation to a changing climate.
Chris Gambino works at the intersection of science and policy in hopes of creating more informed decision-making.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As climate change politics abound, <a href="https://www.rickvannoy.com/">Dr. Rick Van Noy’s</a> <a href="https://aax-us-east.amazon-adsystem.com/x/c/QnHUfLQUjAVZntImQilPVHQAAAFpOplOhQEAAAFKAR9AWs4/https://www.amazon.com/dp/0820354368/?creativeASIN=0820354368&amp;linkCode=w61&amp;imprToken=WdkRa8p-msiLZgoHAz3bXQ&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Sudden Spring: Stories of Adaptation in a Climate-Changed South</em></a> (University of Georgia Press, 2019) cuts through it all to get to the core. What matters? People’s experiences with climate forces and how they are managing them now and planning to do so in the future. In his newest book, Van Noy decided not to follow the well-trodden path of trying to prove climate change science, nor did he bark about an irreversible tipping point. Instead, he provides us with a much-needed focus on communities and their responses, even if those communities dare not utter the words “climate change.” Van Noy treks across the beautiful southern landscape encountering unique culture and ecosystems, even coming face-to-face with an alligator. The best part, we get to go along with him.</p><p>Throughout the book, we hear people talk about technology in different ways. For example, Van Noy discovers that creating oyster reefs off the Outer Banks of North Carolina may be more effective in slowing the rate of shoreline erosion than traditional technologies like dredging and installing hard structures like bulkheads, jetties, and groins. It’s hearing these experiences and stories that will help to shape the solutions of the future. Just as Van Noy ends with his son taking the wheel, soon another generation will come face-to-face with their own treacherous monsters. Thankfully, Van Noy makes a compelling case for learning and adapting. We can all find beauty—and perhaps new hope—in this wonderfully documented journey of adaptation to a changing climate.</p><p><a href="https://www.linkedin.com/in/chris-gambino/"><em>Chris Gambino</em></a><em> works at the intersection of science and policy in hopes of creating more informed decision-making.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2814</itunes:duration>
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    <item>
      <title>Meredith McCarroll, "Unwhite: Appalachia, Race, and Film" (U Georgia Press, 2018)</title>
      <description>If you mention Appalachia to many people, they may immediately respond with the "Deliverance" dueling banjos theme. Unfortunately, this is an example of how the region is stereotyped and misunderstood, particularly in films. In her book, Unwhite: Appalachia, Race, and Film(University of Georgia Press, 2018), Meredith McCarroll, Director of Writing and Rhetoric at Bowdoin College, describes Appalachian people as being shown as different from both white and nonwhite groups, often considered as belonging to the worst of each group. Her book discusses specific film examples that help to illustrate the negative connotation heaped upon Appalachia, and also presents where filmmakers treat them more fairly.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 07 Mar 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>56</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>If you mention Appalachia to many people, they may immediately respond with the "Deliverance" dueling banjos theme...</itunes:subtitle>
      <itunes:summary>If you mention Appalachia to many people, they may immediately respond with the "Deliverance" dueling banjos theme. Unfortunately, this is an example of how the region is stereotyped and misunderstood, particularly in films. In her book, Unwhite: Appalachia, Race, and Film(University of Georgia Press, 2018), Meredith McCarroll, Director of Writing and Rhetoric at Bowdoin College, describes Appalachian people as being shown as different from both white and nonwhite groups, often considered as belonging to the worst of each group. Her book discusses specific film examples that help to illustrate the negative connotation heaped upon Appalachia, and also presents where filmmakers treat them more fairly.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If you mention Appalachia to many people, they may immediately respond with the "Deliverance" dueling banjos theme. Unfortunately, this is an example of how the region is stereotyped and misunderstood, particularly in films. In her book, <a href="https://aax-us-east.amazon-adsystem.com/x/c/QjSUZcCMgvYNz-1p5BPieCcAAAFpOo6ZfwEAAAFKAVvmRk8/https://www.amazon.com/dp/0820353620/?creativeASIN=0820353620&amp;linkCode=w61&amp;imprToken=DP55UBId0aY.i-1EHu29hA&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Unwhite: Appalachia, Race, and Film</em></a>(University of Georgia Press, 2018), <a href="https://www.bowdoin.edu/profiles/staff/mmccarro/index.html">Meredith McCarroll</a>, Director of Writing and Rhetoric at Bowdoin College, describes Appalachian people as being shown as different from both white and nonwhite groups, often considered as belonging to the worst of each group. Her book discusses specific film examples that help to illustrate the negative connotation heaped upon Appalachia, and also presents where filmmakers treat them more fairly.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3734</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Daina Ramey Berry and Leslie Harris, "Sexuality and Slavery: Reclaiming Intimate Histories in the Americas" (U Georgia Press, 2018)</title>
      <description>Scholarly interest in the institution of American slavery is enjoying a kind of resurgence. Researchers are examining heretofore rarely (or never) studied aspects of slavery. One such new frontier is the history of sexuality and slavery. Two scholars at the forefront movement are Drs. Daina Ramey Berry and Leslie Harris. Drs. Berry and Harris’s recent edited volume, Sexuality and Slavery: Reclaiming Intimate Histories in the Americas (University of Georgia Press, 2018), brings together a variety of scholars working on the ways in which slavery and sexuality interacted, and whose efforts combine to show that sexuality was in some ways more central to the history of slavery in the Americas than has been thought.
Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 24 Jan 2019 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>152</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Scholarly interest in the institution of American slavery is enjoying a kind of resurgence...</itunes:subtitle>
      <itunes:summary>Scholarly interest in the institution of American slavery is enjoying a kind of resurgence. Researchers are examining heretofore rarely (or never) studied aspects of slavery. One such new frontier is the history of sexuality and slavery. Two scholars at the forefront movement are Drs. Daina Ramey Berry and Leslie Harris. Drs. Berry and Harris’s recent edited volume, Sexuality and Slavery: Reclaiming Intimate Histories in the Americas (University of Georgia Press, 2018), brings together a variety of scholars working on the ways in which slavery and sexuality interacted, and whose efforts combine to show that sexuality was in some ways more central to the history of slavery in the Americas than has been thought.
Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him @CulturedModesty on Twitter to learn more about upcoming interviews.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Scholarly interest in the institution of American slavery is enjoying a kind of resurgence. Researchers are examining heretofore rarely (or never) studied aspects of slavery. One such new frontier is the history of sexuality and slavery. Two scholars at the forefront movement are Drs. <a href="http://www.drdainarameyberry.com/">Daina Ramey Berry</a> and <a href="https://www.history.northwestern.edu/people/faculty/core-faculty/leslie-m-harris.html">Leslie Harris</a>. Drs. Berry and Harris’s recent edited volume, <a href="https://aax-us-east.amazon-adsystem.com/x/c/QgslLkq205i4v1sfP3I8EUgAAAFobRJI8wEAAAFKAVlCuV8/https://www.amazon.com/dp/082035404X/?creativeASIN=082035404X&amp;linkCode=w61&amp;imprToken=VswDhbu1mebsMXDX3ax27w&amp;slotNum=0&amp;tag=newbooinhis-20"><em>Sexuality and Slavery: Reclaiming Intimate Histories in the Americas</em></a> (University of Georgia Press, 2018), brings together a variety of scholars working on the ways in which slavery and sexuality interacted, and whose efforts combine to show that sexuality was in some ways more central to the history of slavery in the Americas than has been thought.</p><p><em>Adam McNeil is PhD student in History at the University of Delaware where he is an African American Public Humanities Initiative and Colored Conventions Project Scholar. He received his M.A. in History at Simmons College in 2018 and his B.S. in History at Florida Agricultural and Mechanical University in 2015. Follow him </em><a href="https://twitter.com/culturedmodesty?lang=en"><em>@CulturedModesty</em></a><em> on Twitter to learn more about upcoming interviews.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3588</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b1a64f24-c53d-11ee-ad24-8746fdcaea69]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK8579838324.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Dustin Parsons, “Exploded View: Essays on Fatherhood, with Diagrams” (U Georgia Press, 2018)</title>
      <description>If you open Dustin Parsons’ new book, you’ll find maps, figures, footprints, a floor plan, silhouettes of roadside birds, charts of riverbed topography, origami directions for an owl in twenty-six folds, and an anatomized dog. What might surprise you—that is, what might surprise you in addition to finding all of these illustrations in a single book—is that Parsons uses them to illustrate his experience of fatherhood, not only that of being a father to two sons, but also of being the son of a father who used similar illustrations in his own work as an oilfield mechanic, a welder, an auto mechanic, a woodworker, and a host of other trades. It’s called Exploded View: Essays on Fatherhood, with Diagrams (University of Georgia Press, 2018). From this fascinating view, Parsons gives us a highly unusual and highly moving memoir about what it means to be a father. He writes with the precision of an engineer and the lyrical sensibility of a poet, and this combination marks his keen viewpoint, one that allows him to bring remarkable precision to the messy emotions and dense experience of fatherhood.

Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 07 Nov 2018 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>If you open Dustin Parsons’ new book, you’ll find maps, figures, footprints, a floor plan, silhouettes of roadside birds, charts of riverbed topography, origami directions for an owl in twenty-six folds, and an anatomized dog.</itunes:subtitle>
      <itunes:summary>If you open Dustin Parsons’ new book, you’ll find maps, figures, footprints, a floor plan, silhouettes of roadside birds, charts of riverbed topography, origami directions for an owl in twenty-six folds, and an anatomized dog. What might surprise you—that is, what might surprise you in addition to finding all of these illustrations in a single book—is that Parsons uses them to illustrate his experience of fatherhood, not only that of being a father to two sons, but also of being the son of a father who used similar illustrations in his own work as an oilfield mechanic, a welder, an auto mechanic, a woodworker, and a host of other trades. It’s called Exploded View: Essays on Fatherhood, with Diagrams (University of Georgia Press, 2018). From this fascinating view, Parsons gives us a highly unusual and highly moving memoir about what it means to be a father. He writes with the precision of an engineer and the lyrical sensibility of a poet, and this combination marks his keen viewpoint, one that allows him to bring remarkable precision to the messy emotions and dense experience of fatherhood.

Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If you open <a href="http://www.dustinparsons.info/">Dustin Parsons</a>’ new book, you’ll find maps, figures, footprints, a floor plan, silhouettes of roadside birds, charts of riverbed topography, origami directions for an owl in twenty-six folds, and an anatomized dog. What might surprise you—that is, what might surprise you in addition to finding all of these illustrations in a single book—is that Parsons uses them to illustrate his experience of fatherhood, not only that of being a father to two sons, but also of being the son of a father who used similar illustrations in his own work as an oilfield mechanic, a welder, an auto mechanic, a woodworker, and a host of other trades. It’s called <a href="https://aax-us-east.amazon-adsystem.com/x/c/Qk2ZdJze7TuOa-wxYeeSdWoAAAFm6VWBcAEAAAFKAfysDZI/https://www.amazon.com/dp/082035287X/ref=as_at?creativeASIN=082035287X&amp;linkCode=w61&amp;imprToken=Z93gmevNkYTErS0wO2.C5w&amp;slotNum=0&amp;tag=newbooinhis-20">Exploded View: Essays on Fatherhood, with Diagrams</a> (University of Georgia Press, 2018). From this fascinating view, Parsons gives us a highly unusual and highly moving memoir about what it means to be a father. He writes with the precision of an engineer and the lyrical sensibility of a poet, and this combination marks his keen viewpoint, one that allows him to bring remarkable precision to the messy emotions and dense experience of fatherhood.</p><p><br></p><p><a href="http://www.inpraiseofnothing.org/">Eric LeMay</a> is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at <a href="mailto:eric@ericlemay.org">eric@ericlemay.org</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2701</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=79194]]></guid>
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      <title>William D. Bryan, “The Price of Permanence: Nature and Business in the New South” (U Georgia Press, 2018)</title>
      <description>Southern capitalists of the postbellum era have been called many things, but never conservationists. Until now. Environmental historian William D. Bryan has written a brilliantly disorienting reassessment of the South’s economic development in the period between the Civil War and the Great Depression. In The Price of Permanence: Nature and Business in the New South (University of Georgia Press, 2018), Bryan finds that in all corners of the region’s 800,000 square miles debates about reconstructing the South’s economy focused on how industries could derive profits from its natural resources in perpetuity. Boosters imagined a New South that would not exhaust its soils, denude its forests, empty its mines, or squander the potential of underappreciated resources. They spoke the language of conservation as enthusiastically as Teddy Roosevelt and Gifford Pinchot, but the South’s new, “permanent” economy was to be constructed by private interests alone—a pursuit animated in part by the specter of federal intervention if they were to fail. Bryan shows that this concern with permanence helps explain many of the era’s signature developments, such as the widespread adoption of fertilizer, the rapid development of the tourism sector, and the appearance of all manner of “waste” industries, from cottonseed to cement. But this more careful stewardship of resources came at great social and environmental costs. Agriculture remained a low-wage, labor-intensive sector, and new industries were no better. For boosters, this was a feature, not a bug. A permanent economy would maintain not only resource stocks but also white supremacy and the power of elites. And ensuring the persistence of natural resources was no safeguard of environmental quality. Many of the new enterprises that succeeded in sustaining their resource base, like the paper industry, exacted the greatest toll on southern air, waters, and bodies. Bryan has not only given us a more convincing, nuanced, and unified account of the New South, he also offers a cautionary tale of the dangers of a politics of sustainability too narrowly shaped around profits and growth.
William D. Bryan is an environmental historian based in Atlanta.

Brian Hamilton is a Ph.D. candidate at the University of Wisconsin–Madison where he is researching African American environmental history in the nineteenth-century Cotton South. He is also an editor of the digital environmental magazine and podcast Edge Effects.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 23 Aug 2018 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/d5b756dc-c543-11ee-90c5-436a7435b332/image/environmentalstudies1500x1500.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Southern capitalists of the postbellum era have been called many things, but never conservationists. Until now. Environmental historian William D. Bryan has written a brilliantly disorienting reassessment of the South’s economic development in the peri...</itunes:subtitle>
      <itunes:summary>Southern capitalists of the postbellum era have been called many things, but never conservationists. Until now. Environmental historian William D. Bryan has written a brilliantly disorienting reassessment of the South’s economic development in the period between the Civil War and the Great Depression. In The Price of Permanence: Nature and Business in the New South (University of Georgia Press, 2018), Bryan finds that in all corners of the region’s 800,000 square miles debates about reconstructing the South’s economy focused on how industries could derive profits from its natural resources in perpetuity. Boosters imagined a New South that would not exhaust its soils, denude its forests, empty its mines, or squander the potential of underappreciated resources. They spoke the language of conservation as enthusiastically as Teddy Roosevelt and Gifford Pinchot, but the South’s new, “permanent” economy was to be constructed by private interests alone—a pursuit animated in part by the specter of federal intervention if they were to fail. Bryan shows that this concern with permanence helps explain many of the era’s signature developments, such as the widespread adoption of fertilizer, the rapid development of the tourism sector, and the appearance of all manner of “waste” industries, from cottonseed to cement. But this more careful stewardship of resources came at great social and environmental costs. Agriculture remained a low-wage, labor-intensive sector, and new industries were no better. For boosters, this was a feature, not a bug. A permanent economy would maintain not only resource stocks but also white supremacy and the power of elites. And ensuring the persistence of natural resources was no safeguard of environmental quality. Many of the new enterprises that succeeded in sustaining their resource base, like the paper industry, exacted the greatest toll on southern air, waters, and bodies. Bryan has not only given us a more convincing, nuanced, and unified account of the New South, he also offers a cautionary tale of the dangers of a politics of sustainability too narrowly shaped around profits and growth.
William D. Bryan is an environmental historian based in Atlanta.

Brian Hamilton is a Ph.D. candidate at the University of Wisconsin–Madison where he is researching African American environmental history in the nineteenth-century Cotton South. He is also an editor of the digital environmental magazine and podcast Edge Effects.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Southern capitalists of the postbellum era have been called many things, but never conservationists. Until now. Environmental historian <a href="http://www.williamdbryan.net/">William D. Bryan</a> has written a brilliantly disorienting reassessment of the South’s economic development in the period between the Civil War and the Great Depression. In <a href="https://aax-us-east.amazon-adsystem.com/x/c/QvSHboyl8k918cNabe2Kxy0AAAFlTU625QEAAAFKAXNsVLY/https://www.amazon.com/dp/0820353396/ref=as_at?creativeASIN=0820353396&amp;linkCode=w61&amp;imprToken=EOSgcL8OmbVFhGVhnWhQhg&amp;slotNum=0&amp;tag=newbooinhis-20">The Price of Permanence: Nature and Business in the New South</a> (University of Georgia Press, 2018), Bryan finds that in all corners of the region’s 800,000 square miles debates about reconstructing the South’s economy focused on how industries could derive profits from its natural resources in perpetuity. Boosters imagined a New South that would not exhaust its soils, denude its forests, empty its mines, or squander the potential of underappreciated resources. They spoke the language of conservation as enthusiastically as Teddy Roosevelt and Gifford Pinchot, but the South’s new, “permanent” economy was to be constructed by private interests alone—a pursuit animated in part by the specter of federal intervention if they were to fail. Bryan shows that this concern with permanence helps explain many of the era’s signature developments, such as the widespread adoption of fertilizer, the rapid development of the tourism sector, and the appearance of all manner of “waste” industries, from cottonseed to cement. But this more careful stewardship of resources came at great social and environmental costs. Agriculture remained a low-wage, labor-intensive sector, and new industries were no better. For boosters, this was a feature, not a bug. A permanent economy would maintain not only resource stocks but also white supremacy and the power of elites. And ensuring the persistence of natural resources was no safeguard of environmental quality. Many of the new enterprises that succeeded in sustaining their resource base, like the paper industry, exacted the greatest toll on southern air, waters, and bodies. Bryan has not only given us a more convincing, nuanced, and unified account of the New South, he also offers a cautionary tale of the dangers of a politics of sustainability too narrowly shaped around profits and growth.</p><p>William D. Bryan is an environmental historian based in Atlanta.</p><p><br></p><p>Brian Hamilton is a Ph.D. candidate at the University of Wisconsin–Madison where he is researching African American environmental history in the nineteenth-century Cotton South. He is also an editor of the digital environmental magazine and podcast <a href="http://edgeeffects.net/">Edge Effects.</a></p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3402</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[https://newbooksnetwork.com/?p=77265]]></guid>
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    <item>
      <title>Kristen Epps, “Slavery on the Periphery: The Kansas-Missouri Border in the Antebellum and Civil War Eras” (U Georgia Press, 2016)</title>
      <description>The Kansas-Missouri border holds a place of infamy in the history of American slavery as the chief battleground of the Bleeding Kansas crisis of the mid-nineteenth century. Kristen Epps, an associate professor of history at the University of Central Arkansas, argues that there is much more to the region’s story in Slavery on the Periphery: The Kansas-Missouri Border in the Antebellum and Civil War Eras (University of Georgia Press, 2016). Epps provides in-depth detail about the social history of slavery in the border region, from the institution’s roots in the early nineteenth century up through the chaos and bloodshed wrought by the Civil War in this divided region. Along the way, Slavery on the Periphery shows how the mobility of enslaved people within a system of smaller scale slavery allowed them greater autonomy while also creating unique challenges. Rather than an afterthought, the American West was a crucial battleground for American slavery not just ideologically, but also materially, and Epps rightfully places the lives of people caught in its midst at the center of the story.

Stephen Hausmann is a doctoral candidate at Temple University and Visiting Instructor of history at the University of Pittsburgh. He is currently writing his dissertation, a history of race and the environment in the Black Hills and surrounding northern plains region of South Dakota, Wyoming, and Montana.
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      <pubDate>Thu, 16 Aug 2018 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>The Kansas-Missouri border holds a place of infamy in the history of American slavery as the chief battleground of the Bleeding Kansas crisis of the mid-nineteenth century. Kristen Epps, an associate professor of history at the University of Central Ar...</itunes:subtitle>
      <itunes:summary>The Kansas-Missouri border holds a place of infamy in the history of American slavery as the chief battleground of the Bleeding Kansas crisis of the mid-nineteenth century. Kristen Epps, an associate professor of history at the University of Central Arkansas, argues that there is much more to the region’s story in Slavery on the Periphery: The Kansas-Missouri Border in the Antebellum and Civil War Eras (University of Georgia Press, 2016). Epps provides in-depth detail about the social history of slavery in the border region, from the institution’s roots in the early nineteenth century up through the chaos and bloodshed wrought by the Civil War in this divided region. Along the way, Slavery on the Periphery shows how the mobility of enslaved people within a system of smaller scale slavery allowed them greater autonomy while also creating unique challenges. Rather than an afterthought, the American West was a crucial battleground for American slavery not just ideologically, but also materially, and Epps rightfully places the lives of people caught in its midst at the center of the story.

Stephen Hausmann is a doctoral candidate at Temple University and Visiting Instructor of history at the University of Pittsburgh. He is currently writing his dissertation, a history of race and the environment in the Black Hills and surrounding northern plains region of South Dakota, Wyoming, and Montana.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The Kansas-Missouri border holds a place of infamy in the history of American slavery as the chief battleground of the Bleeding Kansas crisis of the mid-nineteenth century. <a href="https://uca.edu/history/facultystaff/kristen-epps/">Kristen Epps</a>, an associate professor of history at the University of Central Arkansas, argues that there is much more to the region’s story in <a href="http://aax-us-east.amazon-adsystem.com/x/c/QmvKa8GKBdT7aehyiYpYgZsAAAFlKcg3HwEAAAFKAW0Pn3I/http://www.amazon.com/dp/0820354783/ref=as_at?creativeASIN=0820354783&amp;linkCode=w61&amp;imprToken=rvHhw1nedQcvp4n48bYFlg&amp;slotNum=0&amp;tag=newbooinhis-20">Slavery on the Periphery: The Kansas-Missouri Border in the Antebellum and Civil War Eras</a> (University of Georgia Press, 2016). Epps provides in-depth detail about the social history of slavery in the border region, from the institution’s roots in the early nineteenth century up through the chaos and bloodshed wrought by the Civil War in this divided region. Along the way, Slavery on the Periphery shows how the mobility of enslaved people within a system of smaller scale slavery allowed them greater autonomy while also creating unique challenges. Rather than an afterthought, the American West was a crucial battleground for American slavery not just ideologically, but also materially, and Epps rightfully places the lives of people caught in its midst at the center of the story.</p><p><br></p><p>Stephen Hausmann is a doctoral candidate at Temple University and Visiting Instructor of history at the University of Pittsburgh. He is currently writing his dissertation, a history of race and the environment in the Black Hills and surrounding northern plains region of South Dakota, Wyoming, and Montana.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2976</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=76918]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK6683715526.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Rob Sullivan, “The Geography of the Everyday: Toward an Understanding of the Given” (U Georgia Press, 2017)</title>
      <description>How to theorize what goes without saying? In The Geography of the Everyday: Toward an Understanding of the Given (University of Georgia Press, 2017), Rob Sullivan develops a general theory of everydayness as the necessary, if elusive, starting point for social and spatial theorists across disciplines. Proceeding in stepwise fashion, Sullivan builds an account of this concept that scopes over space, place, history, time itself, social and biological reproduction, embodiment, the object world, and the neural and perceptual dimensions of experience, folding high-level theorizing together with an eclectic range of empirical engagements. The book generously synthesizes insights from Erving Goffman, Michel Foucault, Michel de Certeau, Henri Lefebvre, Maurice Merleau-Ponty, Karl Marx, Torsten Hägerstrand, Jane Bennett, and other thinkers on or just off the map of critical geography today. It is an ambitious but conversational text, a committed work of exposition that might dovetail with many a seminar in geographic thought. As Sullivan sees it, materializing our own entwinement with the environment — accepting the complexity of “The TimeSpacePlace Thing” — just might incline future geographers to a richer, more affirmative sense of ethics and politics beyond the hermetic models of selfhood that, on his reading, still have wide appeal, even in an age when the costs of anthropocentrism seem all the more immediate.

Peter Ekman teaches in the departments of geography at Sonoma State University and the University of California, Berkeley. He received the Ph.D. from Berkeley in 2016, and is at work on two book projects on the cultural and historical geography of urban America across the long twentieth century. He can be reached at psrekman@berkeley.edu.
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      <pubDate>Wed, 20 Jun 2018 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>How to theorize what goes without saying? In The Geography of the Everyday: Toward an Understanding of the Given (University of Georgia Press, 2017), Rob Sullivan develops a general theory of everydayness as the necessary, if elusive,</itunes:subtitle>
      <itunes:summary>How to theorize what goes without saying? In The Geography of the Everyday: Toward an Understanding of the Given (University of Georgia Press, 2017), Rob Sullivan develops a general theory of everydayness as the necessary, if elusive, starting point for social and spatial theorists across disciplines. Proceeding in stepwise fashion, Sullivan builds an account of this concept that scopes over space, place, history, time itself, social and biological reproduction, embodiment, the object world, and the neural and perceptual dimensions of experience, folding high-level theorizing together with an eclectic range of empirical engagements. The book generously synthesizes insights from Erving Goffman, Michel Foucault, Michel de Certeau, Henri Lefebvre, Maurice Merleau-Ponty, Karl Marx, Torsten Hägerstrand, Jane Bennett, and other thinkers on or just off the map of critical geography today. It is an ambitious but conversational text, a committed work of exposition that might dovetail with many a seminar in geographic thought. As Sullivan sees it, materializing our own entwinement with the environment — accepting the complexity of “The TimeSpacePlace Thing” — just might incline future geographers to a richer, more affirmative sense of ethics and politics beyond the hermetic models of selfhood that, on his reading, still have wide appeal, even in an age when the costs of anthropocentrism seem all the more immediate.

Peter Ekman teaches in the departments of geography at Sonoma State University and the University of California, Berkeley. He received the Ph.D. from Berkeley in 2016, and is at work on two book projects on the cultural and historical geography of urban America across the long twentieth century. He can be reached at psrekman@berkeley.edu.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How to theorize what goes without saying? In <a href="http://aax-us-east.amazon-adsystem.com/x/c/QuS7kwUVrYIk3RelPbmrPaUAAAFkFQM_XwEAAAFKAT38Io8/http://www.amazon.com/dp/0820351687/ref=as_at?creativeASIN=0820351687&amp;linkCode=w61&amp;imprToken=hg.0J.OEbV301BnPggGeqA&amp;slotNum=0&amp;tag=newbooinhis-20">The Geography of the Everyday: Toward an Understanding of the Given</a> (University of Georgia Press, 2017), Rob Sullivan develops a general theory of everydayness as the necessary, if elusive, starting point for social and spatial theorists across disciplines. Proceeding in stepwise fashion, Sullivan builds an account of this concept that scopes over space, place, history, time itself, social and biological reproduction, embodiment, the object world, and the neural and perceptual dimensions of experience, folding high-level theorizing together with an eclectic range of empirical engagements. The book generously synthesizes insights from Erving Goffman, Michel Foucault, Michel de Certeau, Henri Lefebvre, Maurice Merleau-Ponty, Karl Marx, Torsten Hägerstrand, Jane Bennett, and other thinkers on or just off the map of critical geography today. It is an ambitious but conversational text, a committed work of exposition that might dovetail with many a seminar in geographic thought. As Sullivan sees it, materializing our own entwinement with the environment — accepting the complexity of “The TimeSpacePlace Thing” — just might incline future geographers to a richer, more affirmative sense of ethics and politics beyond the hermetic models of selfhood that, on his reading, still have wide appeal, even in an age when the costs of anthropocentrism seem all the more immediate.</p><p><br></p><p>Peter Ekman teaches in the departments of geography at Sonoma State University and the University of California, Berkeley. He received the Ph.D. from Berkeley in 2016, and is at work on two book projects on the cultural and historical geography of urban America across the long twentieth century. He can be reached at <a href="mailto:psrekman@berkeley.edu">psrekman@berkeley.edu</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3178</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=74736]]></guid>
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    <item>
      <title>Lisa Ze Winters, “The Mulatta Concubine: Terror, Intimacy, Freedom, and Desire in the Black Transatlantic” (U Georgia Press, 2016)</title>
      <description>Popular and academic representations of the free mulatta concubine repeatedly depict women of mixed black African and white racial descent as defined by their sexual attachment to white men, and thus they offer evidence of the means to and dimensions of their freedom within Atlantic slave societies. In The Mulatta Concubine: Terror, Intimacy, Freedom, and Desire in the Black Transatlantic (University of Georgia Press, 2016), Lisa Ze Winters traces the echo of the free mulatta concubine across the physical and imaginative landscapes of three Atlantic sites: Gorée Island, New Orleans, and Saint Domingue (Haiti). Ze Winters contends that the uniformity of these representations conceals the figure’s centrality to the practices and production of diaspora, while engaging with issues of gender, theorized race and freedom, and identity.
Lisa Ze Winters is an associate professor of African American Studies and English at Wayne State University, where she teaches African American literature, African diaspora studies, and Black Feminist thought.

Tyler Yank is a senior doctoral candidate in History at McGill University (Montreal, Canada). Her work explores bonded women and British Empire in the western Indian Ocean World.
 
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      <pubDate>Fri, 20 Apr 2018 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Popular and academic representations of the free mulatta concubine repeatedly depict women of mixed black African and white racial descent as defined by their sexual attachment to white men, and thus they offer evidence of the means to and dimensions o...</itunes:subtitle>
      <itunes:summary>Popular and academic representations of the free mulatta concubine repeatedly depict women of mixed black African and white racial descent as defined by their sexual attachment to white men, and thus they offer evidence of the means to and dimensions of their freedom within Atlantic slave societies. In The Mulatta Concubine: Terror, Intimacy, Freedom, and Desire in the Black Transatlantic (University of Georgia Press, 2016), Lisa Ze Winters traces the echo of the free mulatta concubine across the physical and imaginative landscapes of three Atlantic sites: Gorée Island, New Orleans, and Saint Domingue (Haiti). Ze Winters contends that the uniformity of these representations conceals the figure’s centrality to the practices and production of diaspora, while engaging with issues of gender, theorized race and freedom, and identity.
Lisa Ze Winters is an associate professor of African American Studies and English at Wayne State University, where she teaches African American literature, African diaspora studies, and Black Feminist thought.

Tyler Yank is a senior doctoral candidate in History at McGill University (Montreal, Canada). Her work explores bonded women and British Empire in the western Indian Ocean World.
 
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      <content:encoded>
        <![CDATA[<p>Popular and academic representations of the free mulatta concubine repeatedly depict women of mixed black African and white racial descent as defined by their sexual attachment to white men, and thus they offer evidence of the means to and dimensions of their freedom within Atlantic slave societies. In <a href="http://www.amazon.com/dp/0820348961/?tag=newbooinhis-20">The Mulatta Concubine: Terror, Intimacy, Freedom, and Desire in the Black Transatlantic</a> (University of Georgia Press, 2016), Lisa Ze Winters traces the echo of the free mulatta concubine across the physical and imaginative landscapes of three Atlantic sites: Gorée Island, New Orleans, and Saint Domingue (Haiti). Ze Winters contends that the uniformity of these representations conceals the figure’s centrality to the practices and production of diaspora, while engaging with issues of gender, theorized race and freedom, and identity.</p><p><a href="https://clasprofiles.wayne.edu/profile/bb4183">Lisa Ze Winters</a> is an associate professor of African American Studies and English at Wayne State University, where she teaches African American literature, African diaspora studies, and Black Feminist thought.</p><p><br></p><p><a href="http://www.tyleryank.ca">Tyler Yank</a> is a senior doctoral candidate in History at McGill University (Montreal, Canada). Her work explores bonded women and British Empire in the western Indian Ocean World.</p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2317</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=72928]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK3363994682.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Robert Hunt Ferguson, “Remaking the Rural South: Interracialism, Christian Socialism, and Cooperative Farming in Jim Crow Mississippi” (U of Georgia Press, 2018)</title>
      <description>In an unlikely place at an unlikely time, a group of black and white former sharecroppers, socialist organizers, and Christian reformers began an agricultural experiment in pursuit of economic subsistence and human dignity. Historian Robert Hunt Ferguson, in Remaking the Rural South: Interracialism, Christian Socialism, and Cooperative Farming in Jim Crow Mississippi (University of Georgia Press, 2018), makes the surprising case that the Depression-era Mississippi Delta provided the necessary conditions for the flowering of such an endeavor. New Deal policies inspired socialist optimism while their racial exclusions left displaced tenant farmers looking for work and attracted to enterprises like Delta Cooperative Farm and Providence Farm, which promised to break them from the cycle of debt and offer them equal access to the schooling, medical care, and opportunity enjoyed by the white middle class. These cooperative farms drew inspiration from the transnational communitarian movement and advanced the radical visions of the American Socialist Party and the religious left, including celebrated theological Reinhold Niebuhr, who served as president of their board of trustees. While the experiment struggled with agro-ecological obstacles and internecine power struggles, and ultimately could not withstand the postwar attacks of white supremacist movement, Delta and Providence stand as models of how those trapped within withering hegemonies imagine a most just and free society and set out to do the daily labor of bringing it into being.
Robert Hunt Ferguson is an assistant professor of history at Western Carolina University in Cullowhee, North Carolina. He holds a Ph.D. from the University of North Carolina at Chapel Hill, and his publications include “Mothers Against Jesse in Congress: Grassroots Maternalism and Cultural Politics of the AIDS Crisis in North Carolina” (Journal of Southern History, Feb 2017).

Brian Hamilton is a Ph.D. candidate at the University of Wisconsin, Madison where he is researching African American environmental history in the nineteenth-century Cotton South. He is also an editor of the digital environmental magazine and podcast Edge Effects.
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      <pubDate>Wed, 24 Jan 2018 16:40:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e1f89a6e-c543-11ee-bea0-9fba80c2b767/image/environmentalstudies1500x1500.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>In an unlikely place at an unlikely time, a group of black and white former sharecroppers, socialist organizers, and Christian reformers began an agricultural experiment in pursuit of economic subsistence and human dignity.</itunes:subtitle>
      <itunes:summary>In an unlikely place at an unlikely time, a group of black and white former sharecroppers, socialist organizers, and Christian reformers began an agricultural experiment in pursuit of economic subsistence and human dignity. Historian Robert Hunt Ferguson, in Remaking the Rural South: Interracialism, Christian Socialism, and Cooperative Farming in Jim Crow Mississippi (University of Georgia Press, 2018), makes the surprising case that the Depression-era Mississippi Delta provided the necessary conditions for the flowering of such an endeavor. New Deal policies inspired socialist optimism while their racial exclusions left displaced tenant farmers looking for work and attracted to enterprises like Delta Cooperative Farm and Providence Farm, which promised to break them from the cycle of debt and offer them equal access to the schooling, medical care, and opportunity enjoyed by the white middle class. These cooperative farms drew inspiration from the transnational communitarian movement and advanced the radical visions of the American Socialist Party and the religious left, including celebrated theological Reinhold Niebuhr, who served as president of their board of trustees. While the experiment struggled with agro-ecological obstacles and internecine power struggles, and ultimately could not withstand the postwar attacks of white supremacist movement, Delta and Providence stand as models of how those trapped within withering hegemonies imagine a most just and free society and set out to do the daily labor of bringing it into being.
Robert Hunt Ferguson is an assistant professor of history at Western Carolina University in Cullowhee, North Carolina. He holds a Ph.D. from the University of North Carolina at Chapel Hill, and his publications include “Mothers Against Jesse in Congress: Grassroots Maternalism and Cultural Politics of the AIDS Crisis in North Carolina” (Journal of Southern History, Feb 2017).

Brian Hamilton is a Ph.D. candidate at the University of Wisconsin, Madison where he is researching African American environmental history in the nineteenth-century Cotton South. He is also an editor of the digital environmental magazine and podcast Edge Effects.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In an unlikely place at an unlikely time, a group of black and white former sharecroppers, socialist organizers, and Christian reformers began an agricultural experiment in pursuit of economic subsistence and human dignity. Historian <a href="https://www.wcu.edu/learn/departments-schools-colleges/cas/humanities/history/history-faculty-and-staff/robert-hunt-ferguson.aspx">Robert Hunt Ferguson</a>, in <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qmit7DYWnKoHreUxySEkDGUAAAFhKOynMAEAAAFKAatjolg/http://www.amazon.com/dp/0820351792/ref=as_at?creativeASIN=0820351792&amp;linkCode=w61&amp;imprToken=VdD90U2V0Ozki0O05f8hFg&amp;slotNum=0&amp;tag=newbooinhis-20">Remaking the Rural South: Interracialism, Christian Socialism, and Cooperative Farming in Jim Crow Mississippi</a> (University of Georgia Press, 2018), makes the surprising case that the Depression-era Mississippi Delta provided the necessary conditions for the flowering of such an endeavor. New Deal policies inspired socialist optimism while their racial exclusions left displaced tenant farmers looking for work and attracted to enterprises like Delta Cooperative Farm and Providence Farm, which promised to break them from the cycle of debt and offer them equal access to the schooling, medical care, and opportunity enjoyed by the white middle class. These cooperative farms drew inspiration from the transnational communitarian movement and advanced the radical visions of the American Socialist Party and the religious left, including celebrated theological Reinhold Niebuhr, who served as president of their board of trustees. While the experiment struggled with agro-ecological obstacles and internecine power struggles, and ultimately could not withstand the postwar attacks of white supremacist movement, Delta and Providence stand as models of how those trapped within withering hegemonies imagine a most just and free society and set out to do the daily labor of bringing it into being.</p><p>Robert Hunt Ferguson is an assistant professor of history at Western Carolina University in Cullowhee, North Carolina. He holds a Ph.D. from the University of North Carolina at Chapel Hill, and his publications include “<a href="https://muse.jhu.edu/article/647291/pdf">Mothers Against Jesse in Congress: Grassroots Maternalism and Cultural Politics of the AIDS Crisis in North Carolina</a>” (Journal of Southern History, Feb 2017).</p><p><br></p><p>Brian Hamilton is a Ph.D. candidate at the University of Wisconsin, Madison where he is researching African American environmental history in the nineteenth-century Cotton South. He is also an editor of the digital environmental magazine and podcast <a href="http://edgeeffects.net/">Edge Effects.</a></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3104</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=70056]]></guid>
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    </item>
    <item>
      <title>Kay Wright Lewis, “A Curse upon the Nation: Race, Freedom, and Extermination in America and the Atlantic World” (U. Georgia Press, 2017)</title>
      <description>In her new book, A Curse upon the Nation: Race, Freedom, and Extermination in America and the Atlantic World (University of Georgia Press, 2017), Howard University’s Kay Wright Lewis chronicles the history of white and black perspectives on the idea of “race war.” She examines the ways in which this concept shaped such events such as the Haitian Revolution, Vesey’s Plot, Nat Turner’s Rebellion, John Brown’s Raid on Harper’s Ferry, and terrorist Dylann Roof’s shooting of nine churchgoers in Charleston, South Carolina. Ultimately, A Curse upon the Nation provides us with a deep intellectual history of “race war” and an analysis of the ways it continues to affect us today. Dr. Kay Wright Lewis’ research focuses on slavery and abolition, African American intellectual history, Atlantic World history, and the history of violence.

Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015.



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      <pubDate>Mon, 01 Jan 2018 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>In her new book, A Curse upon the Nation: Race, Freedom, and Extermination in America and the Atlantic World (University of Georgia Press, 2017), Howard University’s Kay Wright Lewis chronicles the history of white and black perspectives on the idea of...</itunes:subtitle>
      <itunes:summary>In her new book, A Curse upon the Nation: Race, Freedom, and Extermination in America and the Atlantic World (University of Georgia Press, 2017), Howard University’s Kay Wright Lewis chronicles the history of white and black perspectives on the idea of “race war.” She examines the ways in which this concept shaped such events such as the Haitian Revolution, Vesey’s Plot, Nat Turner’s Rebellion, John Brown’s Raid on Harper’s Ferry, and terrorist Dylann Roof’s shooting of nine churchgoers in Charleston, South Carolina. Ultimately, A Curse upon the Nation provides us with a deep intellectual history of “race war” and an analysis of the ways it continues to affect us today. Dr. Kay Wright Lewis’ research focuses on slavery and abolition, African American intellectual history, Atlantic World history, and the history of violence.

Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015.



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      <content:encoded>
        <![CDATA[<p><br></p><p><br></p><p><br></p><p>In her new book, <a href="http://aax-us-east.amazon-adsystem.com/x/c/QkKrT0DBfMYYFJkbseTi3R4AAAFgrbxVawEAAAFKAXXPeiQ/http://www.amazon.com/dp/082035127X/ref=as_at?creativeASIN=082035127X&amp;linkCode=w61&amp;imprToken=-of2PzzUkTxGdhCXzGkIhg&amp;slotNum=0&amp;tag=newbooinhis-20">A Curse upon the Nation: Race, Freedom, and Extermination in America and the Atlantic World</a> (University of Georgia Press, 2017), Howard University’s <a href="http://coas.howard.edu/history/faculty_Lewis.html">Kay Wright Lewis</a> chronicles the history of white and black perspectives on the idea of “race war.” She examines the ways in which this concept shaped such events such as the Haitian Revolution, Vesey’s Plot, Nat Turner’s Rebellion, John Brown’s Raid on Harper’s Ferry, and terrorist Dylann Roof’s shooting of nine churchgoers in Charleston, South Carolina. Ultimately, A Curse upon the Nation provides us with a deep intellectual history of “race war” and an analysis of the ways it continues to affect us today. Dr. Kay Wright Lewis’ research focuses on slavery and abolition, African American intellectual history, Atlantic World history, and the history of violence.</p><p><br></p><p>Adam X. McNeil is a graduating M.A. in History student at Simmons College in Boston, Massachusetts, and received his Undergraduate History degree at Florida Agricultural and Mechanical University University in 2015.</p><p><br></p><p><br></p><p><br></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3919</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=69433]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4993004575.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>David Head, “Privateers of the Americas: Spanish American Privateering from the United States in the Early Republic” (U. Georgia Press, 2015)</title>
      <description>When the nations of Latin America fought for their independence in the early 19th century, they commissioned privateers stationed in the United States to attack Spanish skipping. In Privateers of the Americas: Spanish American Privateering from the United States in the Early Republic (University of Georgia Press, 2015), David Head examines the activities of these privateers within the context of the contemporary Atlantic world. As Head explains, these privateers, most of whom were American citizens, existed in a complex environment of international politics, diplomacy, and economic activity. Operating in violation of U.S. law, they evaded the authorities in a variety of ways, from clandestine operations in the Louisiana bayous to deceptive claims to port authorities in Baltimore. While U.S. officials were often frustrated in their efforts to enforce the law, Head finds that civil claims were often pursued by the attacked merchants with greater success. It was only with the end of the wars, though, that the activities of these privateers came to an end, leaving them to embark upon lives often changed by their dramatic experiences.
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      <pubDate>Tue, 12 Dec 2017 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>When the nations of Latin America fought for their independence in the early 19th century, they commissioned privateers stationed in the United States to attack Spanish skipping. In Privateers of the Americas: Spanish American Privateering from the Uni...</itunes:subtitle>
      <itunes:summary>When the nations of Latin America fought for their independence in the early 19th century, they commissioned privateers stationed in the United States to attack Spanish skipping. In Privateers of the Americas: Spanish American Privateering from the United States in the Early Republic (University of Georgia Press, 2015), David Head examines the activities of these privateers within the context of the contemporary Atlantic world. As Head explains, these privateers, most of whom were American citizens, existed in a complex environment of international politics, diplomacy, and economic activity. Operating in violation of U.S. law, they evaded the authorities in a variety of ways, from clandestine operations in the Louisiana bayous to deceptive claims to port authorities in Baltimore. While U.S. officials were often frustrated in their efforts to enforce the law, Head finds that civil claims were often pursued by the attacked merchants with greater success. It was only with the end of the wars, though, that the activities of these privateers came to an end, leaving them to embark upon lives often changed by their dramatic experiences.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When the nations of Latin America fought for their independence in the early 19th century, they commissioned privateers stationed in the United States to attack Spanish skipping. In <a href="http://aax-us-east.amazon-adsystem.com/x/c/Qo6MOLKMFnyQKZ3X5jKx7ogAAAFgPRH6DAEAAAFKAfQqpgs/http://www.amazon.com/dp/0820348643/ref=as_at?creativeASIN=0820348643&amp;linkCode=w61&amp;imprToken=EKelPffOH9uIXe5fTQbiZg&amp;slotNum=0&amp;tag=newbooinhis-20">Privateers of the Americas: Spanish American Privateering from the United States in the Early Republic</a> (University of Georgia Press, 2015), <a href="https://www.davidheadhistory.com/">David Head</a> examines the activities of these privateers within the context of the contemporary Atlantic world. As Head explains, these privateers, most of whom were American citizens, existed in a complex environment of international politics, diplomacy, and economic activity. Operating in violation of U.S. law, they evaded the authorities in a variety of ways, from clandestine operations in the Louisiana bayous to deceptive claims to port authorities in Baltimore. While U.S. officials were often frustrated in their efforts to enforce the law, Head finds that civil claims were often pursued by the attacked merchants with greater success. It was only with the end of the wars, though, that the activities of these privateers came to an end, leaving them to embark upon lives often changed by their dramatic experiences.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2280</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=68956]]></guid>
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    <item>
      <title>Martha J. Cutter, “The Illustrated Slave: Empathy, Graphic Narratives, and the Visual Culture of the Transatlantic Abolition Movement, 1800-1853” (U. Georgia Press, 2017)</title>
      <description>Slavery as a system of torture and bondage has fascinated the optical imagination of the transatlantic world for centuries. Scholars have examined various aspects of the visual culture that was slavery, including its painting, sculpture, pamphlet campaigns, and artwork, yet an important piece of this visual culture has gone unexamined: the popular and frequently reprinted antislavery illustrated books that were utilized extensively by the antislavery movement in the first half of the nineteenth century.
The Illustrated Slave: Empathy, Graphic Narrative, and the Visual Culture of the Transatlantic Abolition Movement, 1800-1852 (University of Georgia Press, 2017) analyzes some of the more innovative works in the archive of antislavery illustrated books published from 1800 to 1852 alongside other visual materials that depict enslavement. The author argues that some illustrated narratives attempt to shift a viewing reader away from pity and spectatorship into a mode of empathy and interrelationship with the enslaved. She also contends that some illustrated books characterize the enslaved as obtaining a degree of control over narrative and lived experiences, even if these figurations entail a sense that the story of slavery is beyond representation itself. Through exploration of famous works and unfamiliar ones she delineates a mode of radical empathy that attempts to destroy divisions between the enslaved individual and the free white subject and between the viewer and the viewed.
Author Martha J. Cutter is a Professor in the Department of English and in the Africana Studies Institute at the University of Connecticut. She received her Ph.D. in English from Brown University, and is currently the editor of the journal MELUS: Multi-Ethnic Literature of the U.S. Her previously book-length projects include Unruly Tongue: Language and Identity in American Womens Fiction, 1850-1930 and Lost and Found in Translation: Contemporary Ethnic American Writing and the Politics of Language Diversity. She has published articles in numerous academic journals and remains intrigued by the interrelationships between literary texts and cultural contexts.

James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 19 Oct 2017 18:58:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Slavery as a system of torture and bondage has fascinated the optical imagination of the transatlantic world for centuries. Scholars have examined various aspects of the visual culture that was slavery, including its painting, sculpture,</itunes:subtitle>
      <itunes:summary>Slavery as a system of torture and bondage has fascinated the optical imagination of the transatlantic world for centuries. Scholars have examined various aspects of the visual culture that was slavery, including its painting, sculpture, pamphlet campaigns, and artwork, yet an important piece of this visual culture has gone unexamined: the popular and frequently reprinted antislavery illustrated books that were utilized extensively by the antislavery movement in the first half of the nineteenth century.
The Illustrated Slave: Empathy, Graphic Narrative, and the Visual Culture of the Transatlantic Abolition Movement, 1800-1852 (University of Georgia Press, 2017) analyzes some of the more innovative works in the archive of antislavery illustrated books published from 1800 to 1852 alongside other visual materials that depict enslavement. The author argues that some illustrated narratives attempt to shift a viewing reader away from pity and spectatorship into a mode of empathy and interrelationship with the enslaved. She also contends that some illustrated books characterize the enslaved as obtaining a degree of control over narrative and lived experiences, even if these figurations entail a sense that the story of slavery is beyond representation itself. Through exploration of famous works and unfamiliar ones she delineates a mode of radical empathy that attempts to destroy divisions between the enslaved individual and the free white subject and between the viewer and the viewed.
Author Martha J. Cutter is a Professor in the Department of English and in the Africana Studies Institute at the University of Connecticut. She received her Ph.D. in English from Brown University, and is currently the editor of the journal MELUS: Multi-Ethnic Literature of the U.S. Her previously book-length projects include Unruly Tongue: Language and Identity in American Womens Fiction, 1850-1930 and Lost and Found in Translation: Contemporary Ethnic American Writing and the Politics of Language Diversity. She has published articles in numerous academic journals and remains intrigued by the interrelationships between literary texts and cultural contexts.

James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his LinkedIn page or at james.stancil@intellectuwell.org.
 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Slavery as a system of torture and bondage has fascinated the optical imagination of the transatlantic world for centuries. Scholars have examined various aspects of the visual culture that was slavery, including its painting, sculpture, pamphlet campaigns, and artwork, yet an important piece of this visual culture has gone unexamined: the popular and frequently reprinted antislavery illustrated books that were utilized extensively by the antislavery movement in the first half of the nineteenth century.</p><p><a href="http://aax-us-east.amazon-adsystem.com/x/c/QiH_jXVHW2x_8cQlkembr6oAAAFfMBajUwEAAAFKAYDF4es/http://www.amazon.com/dp/0820351164/ref=as_at?creativeASIN=0820351164&amp;linkCode=w61&amp;imprToken=kahh-xyw2JIYIzhyT3ZaEQ&amp;slotNum=0&amp;tag=newbooinhis-20">The Illustrated Slave: Empathy, Graphic Narrative, and the Visual Culture of the Transatlantic Abolition Movement, 1800-1852</a> (<a href="http://www.ugapress.org/index.php/books/illustrated_slave/">University of Georgia Press</a>, 2017) analyzes some of the more innovative works in the archive of antislavery illustrated books published from 1800 to 1852 alongside other visual materials that depict enslavement. The author argues that some illustrated narratives attempt to shift a viewing reader away from pity and spectatorship into a mode of empathy and interrelationship with the enslaved. She also contends that some illustrated books characterize the enslaved as obtaining a degree of control over narrative and lived experiences, even if these figurations entail a sense that the story of slavery is beyond representation itself. Through exploration of famous works and unfamiliar ones she delineates a mode of radical empathy that attempts to destroy divisions between the enslaved individual and the free white subject and between the viewer and the viewed.</p><p>Author <a href="http://africana.uconn.edu/martha-j-cutter/">Martha J. Cutter</a> is a Professor in the Department of English and in the Africana Studies Institute at the University of Connecticut. She received her Ph.D. in English from Brown University, and is currently the editor of the journal MELUS: Multi-Ethnic Literature of the U.S. Her previously book-length projects include Unruly Tongue: Language and Identity in American Womens Fiction, 1850-1930 and Lost and Found in Translation: Contemporary Ethnic American Writing and the Politics of Language Diversity. She has published articles in numerous academic journals and remains intrigued by the interrelationships between literary texts and cultural contexts.</p><p><br></p><p>James P. Stancil II is an educator, multimedia journalist, and writer. He is also the President and CEO of Intellect U Well, Inc. a Houston-area NGO dedicated to increasing the joy of reading and media literacy in young people. He can be reached most easily through his <a href="https://www.linkedin.com/in/mrstancil/">LinkedIn page</a> or at <a href="mailto:james.stancil@intellectuwell.org">james.stancil@intellectuwell.org</a>.</p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1875</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=67712]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK2894930083.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Marcia Aldrich, “Waveform: 21st-Century Essays by Women” (U of Georgia Press, 2016)</title>
      <description>Back in 2013, in The New York Times, essayist Christy Wampole declared that we are in a moment of “the essayification of everything.” She noted how not only the genre, but also the genres inventor, Michel de Montaigne, seemed to be popping up everywhere and she saw the essay “a talisman of our times.” Why? What about the essay struck her as so current, so important? Wampole thought that “the genre and its spirit provide an alternative to the dogmatic thinking that dominates much of social and political life in contemporary America.” The essay is the opposite of the rant, the polemic, the click-bait, the crude headline, and the stupid sound-byte. The essay invites complexity, contradiction, nuance–all of those qualities that mark the real experience of our public and private lives. Essays want to reckon with the rich immensity that is in us and is us.
Now, if you’re like me and feel despair about the degree of dogmatic thinking that now dominates our social and political life in 2017, if you hate the fact that, say, a hastily composed tweet by a recently elected official can clog our public debate and prevent us from addressing issues that demand attention to complexity, contradiction, and nuance, then I encourage you to check out a new collection of essays edited by Marcia Aldrich. Its entitled Waveform: Twenty-First-Century Essays by Women (University of Georgia Press, 2016) and includes many of the best essayists in America. In essays by Cheryl Strayed, Roxanne Gay, Dana Tommasino, and Aldrich herself, the essay achieves its fullest potential as Wampole described it in 2013. The essay’s spirit, she proclaimed, “resists closed-ended, hierarchical thinking and encourages both writer and reader to postpone their verdict on life. It is an invitation to maintain the elasticity of mind and to get comfortable with the worlds inherent ambivalence. And, most importantly, it is an imaginative rehearsal of what isn’t but could be.”
 
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 04 Jan 2017 02:15:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Back in 2013, in The New York Times, essayist Christy Wampole declared that we are in a moment of “the essayification of everything.” She noted how not only the genre, but also the genres inventor, Michel de Montaigne,</itunes:subtitle>
      <itunes:summary>Back in 2013, in The New York Times, essayist Christy Wampole declared that we are in a moment of “the essayification of everything.” She noted how not only the genre, but also the genres inventor, Michel de Montaigne, seemed to be popping up everywhere and she saw the essay “a talisman of our times.” Why? What about the essay struck her as so current, so important? Wampole thought that “the genre and its spirit provide an alternative to the dogmatic thinking that dominates much of social and political life in contemporary America.” The essay is the opposite of the rant, the polemic, the click-bait, the crude headline, and the stupid sound-byte. The essay invites complexity, contradiction, nuance–all of those qualities that mark the real experience of our public and private lives. Essays want to reckon with the rich immensity that is in us and is us.
Now, if you’re like me and feel despair about the degree of dogmatic thinking that now dominates our social and political life in 2017, if you hate the fact that, say, a hastily composed tweet by a recently elected official can clog our public debate and prevent us from addressing issues that demand attention to complexity, contradiction, and nuance, then I encourage you to check out a new collection of essays edited by Marcia Aldrich. Its entitled Waveform: Twenty-First-Century Essays by Women (University of Georgia Press, 2016) and includes many of the best essayists in America. In essays by Cheryl Strayed, Roxanne Gay, Dana Tommasino, and Aldrich herself, the essay achieves its fullest potential as Wampole described it in 2013. The essay’s spirit, she proclaimed, “resists closed-ended, hierarchical thinking and encourages both writer and reader to postpone their verdict on life. It is an invitation to maintain the elasticity of mind and to get comfortable with the worlds inherent ambivalence. And, most importantly, it is an imaginative rehearsal of what isn’t but could be.”
 
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Back in 2013, in The New York Times, essayist Christy Wampole declared that we are in a moment of “the essayification of everything.” She noted how not only the genre, but also the genres inventor, Michel de Montaigne, seemed to be popping up everywhere and she saw the essay “a talisman of our times.” Why? What about the essay struck her as so current, so important? Wampole thought that “the genre and its spirit provide an alternative to the dogmatic thinking that dominates much of social and political life in contemporary America.” The essay is the opposite of the rant, the polemic, the click-bait, the crude headline, and the stupid sound-byte. The essay invites complexity, contradiction, nuance–all of those qualities that mark the real experience of our public and private lives. Essays want to reckon with the rich immensity that is in us and is us.</p><p>Now, if you’re like me and feel despair about the degree of dogmatic thinking that now dominates our social and political life in 2017, if you hate the fact that, say, a hastily composed tweet by a recently elected official can clog our public debate and prevent us from addressing issues that demand attention to complexity, contradiction, and nuance, then I encourage you to check out a new collection of essays edited by <a href="https://msu.edu/~aldrich/">Marcia Aldrich</a>. Its entitled <a href="http://www.amazon.com/dp/0820350214/?tag=newbooinhis-20">Waveform: Twenty-First-Century Essays by Women</a> (University of Georgia Press, 2016) and includes many of the best essayists in America. In essays by Cheryl Strayed, Roxanne Gay, Dana Tommasino, and Aldrich herself, the essay achieves its fullest potential as Wampole described it in 2013. The essay’s spirit, she proclaimed, “resists closed-ended, hierarchical thinking and encourages both writer and reader to postpone their verdict on life. It is an invitation to maintain the elasticity of mind and to get comfortable with the worlds inherent ambivalence. And, most importantly, it is an imaginative rehearsal of what isn’t but could be.”</p><p> </p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2810</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=62110]]></guid>
      <enclosure url="https://traffic.megaphone.fm/NBNK4610772402.mp3" length="0" type="audio/mpeg"/>
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      <title>Daniel Moran,”Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers” (U. of Georgia Press, 2016)</title>
      <description>Daniel Moran’s Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers (University of Georgia Press, 2016) provides a compelling investigation of how O’Connor’s initial reputation of a Southern female writer over the years evolved into her status of great American writer. The subtitle of the book–Her Critics, Her Publishers, Her Readers–hints at a variety of details contributing to a literary multilayered portrait. In his research, Dr. Moran considers a number of critical reviews, readers reactions, and publishers commercial decisions while following the trajectory of O’Connor’s reputation. In the introduction, Dr. Moran notes that his book is “less a work of literary criticism than of a book history and cultural analysis” (9). His research invites a discussion of how the perception of literary texts is (or can be) shaped through conversations about them. Creating Flannery O’Connor draws on the theory of “rules of notice”–readers are supplied with keys to read and understand literary works and instigates a number of questions, which Dr. Moran addresses while de-constructing O’Connor’s portrait. Who identifies” rules of notice?” How, if at all, do they change? What do they inform about texts and their authors?
If the initial reputation of O’Connor was primarily shaped by critical reviews, as years and decades elapsed since the publication of her early writings the environment that surrounds, absorbs, and modifies O’Connor’s works has, undoubtedly, significantly changed. To his survey of reputation production media, Dr. Moran adds the film industry and online resources: each domain presents O’Connor’s works from a different perspective. Through the de-construction of O’Connor’s literary portrait that has been created over decades through a number of venues, Dr. Moran re-creates a new version: elusive, fluid, and changing.
Daniel Moran teaches history at Monmouth University; he has taught English at Rutgers University.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 01 Nov 2016 19:55:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Daniel Moran’s Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers (University of Georgia Press, 2016) provides a compelling investigation of how O’Connor’s initial reputation of a Southern female writer over the years evolved into her...</itunes:subtitle>
      <itunes:summary>Daniel Moran’s Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers (University of Georgia Press, 2016) provides a compelling investigation of how O’Connor’s initial reputation of a Southern female writer over the years evolved into her status of great American writer. The subtitle of the book–Her Critics, Her Publishers, Her Readers–hints at a variety of details contributing to a literary multilayered portrait. In his research, Dr. Moran considers a number of critical reviews, readers reactions, and publishers commercial decisions while following the trajectory of O’Connor’s reputation. In the introduction, Dr. Moran notes that his book is “less a work of literary criticism than of a book history and cultural analysis” (9). His research invites a discussion of how the perception of literary texts is (or can be) shaped through conversations about them. Creating Flannery O’Connor draws on the theory of “rules of notice”–readers are supplied with keys to read and understand literary works and instigates a number of questions, which Dr. Moran addresses while de-constructing O’Connor’s portrait. Who identifies” rules of notice?” How, if at all, do they change? What do they inform about texts and their authors?
If the initial reputation of O’Connor was primarily shaped by critical reviews, as years and decades elapsed since the publication of her early writings the environment that surrounds, absorbs, and modifies O’Connor’s works has, undoubtedly, significantly changed. To his survey of reputation production media, Dr. Moran adds the film industry and online resources: each domain presents O’Connor’s works from a different perspective. Through the de-construction of O’Connor’s literary portrait that has been created over decades through a number of venues, Dr. Moran re-creates a new version: elusive, fluid, and changing.
Daniel Moran teaches history at Monmouth University; he has taught English at Rutgers University.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://twitter.com/thedanielmoran">Daniel Moran’s</a> <a href="http://www.amazon.com/dp/0820349542/?tag=newbooinhis-20">Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers</a> (University of Georgia Press, 2016) provides a compelling investigation of how O’Connor’s initial reputation of a Southern female writer over the years evolved into her status of great American writer. The subtitle of the book–Her Critics, Her Publishers, Her Readers–hints at a variety of details contributing to a literary multilayered portrait. In his research, Dr. Moran considers a number of critical reviews, readers reactions, and publishers commercial decisions while following the trajectory of O’Connor’s reputation. In the introduction, Dr. Moran notes that his book is “less a work of literary criticism than of a book history and cultural analysis” (9). His research invites a discussion of how the perception of literary texts is (or can be) shaped through conversations about them. Creating Flannery O’Connor draws on the theory of “rules of notice”–readers are supplied with keys to read and understand literary works and instigates a number of questions, which Dr. Moran addresses while de-constructing O’Connor’s portrait. Who identifies” rules of notice?” How, if at all, do they change? What do they inform about texts and their authors?</p><p>If the initial reputation of O’Connor was primarily shaped by critical reviews, as years and decades elapsed since the publication of her early writings the environment that surrounds, absorbs, and modifies O’Connor’s works has, undoubtedly, significantly changed. To his survey of reputation production media, Dr. Moran adds the film industry and online resources: each domain presents O’Connor’s works from a different perspective. Through the de-construction of O’Connor’s literary portrait that has been created over decades through a number of venues, Dr. Moran re-creates a new version: elusive, fluid, and changing.</p><p>Daniel Moran teaches history at Monmouth University; he has taught English at Rutgers University.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2603</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=61120]]></guid>
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      <title>Carol McCabe Booker, ed. “Alone Atop the Hill: The Autobiography of Alice Dunnigan” (U. of Georgia Press, 2015)</title>
      <description>Carol McCabe Booker is a Washington, D.C. attorney and former journalist. In the 1960s and 70s, she covered civil rights for the Voice of America, freelanced articles for The Washington Post, Readers Digest, Ebony, Jet, and Black Stars, and reported from Africa, including the Nigerian warfront, for Westinghouse Broadcasting stations. After retiring in 2008, she helped her husband, journalist Simeon Booker, write Shocking the Conscience: A Reporter’s Account of the Civil Rights Movement, which received widespread critical acclaim following its publication by the University Press of Mississippi.
After Simeon and trailblazing reporter Alice Dunnigan were inducted into the black journalists Hall of Fame in 2013, Carol tracked down Dunnigan’s out-of-print autobiography to recover her fascinating story for a modern audience. The daughter of a sharecropper born in rural Kentucky, Dunnigan went on to become the first African American female reporter accredited by the White House, the Supreme Court, and the Senate, and fashioned an illustrious career in journalism and politics in the nation’s capital. Alone Atop The Hill: The Autobiography of Alice Dunnigan, Pioneer of the National Black Press (University of Georgia Press, 2015) is an updated, annotated edition of a classic yet forgotten memoir which illustrates how Dunnigan overcame race and gender barriers to break into the highest echelons of the national press.

James West is a historian of the twentieth-century United States. His research focuses on African American business enterprise and print culture, with a particular interest in Chicago. His current book project examines the role of EBONY magazine as an outlet for popular black history. He tweets @chitownanddown.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 02 Sep 2016 19:51:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Carol McCabe Booker is a Washington, D.C. attorney and former journalist. In the 1960s and 70s, she covered civil rights for the Voice of America, freelanced articles for The Washington Post, Readers Digest, Ebony, Jet, and Black Stars,</itunes:subtitle>
      <itunes:summary>Carol McCabe Booker is a Washington, D.C. attorney and former journalist. In the 1960s and 70s, she covered civil rights for the Voice of America, freelanced articles for The Washington Post, Readers Digest, Ebony, Jet, and Black Stars, and reported from Africa, including the Nigerian warfront, for Westinghouse Broadcasting stations. After retiring in 2008, she helped her husband, journalist Simeon Booker, write Shocking the Conscience: A Reporter’s Account of the Civil Rights Movement, which received widespread critical acclaim following its publication by the University Press of Mississippi.
After Simeon and trailblazing reporter Alice Dunnigan were inducted into the black journalists Hall of Fame in 2013, Carol tracked down Dunnigan’s out-of-print autobiography to recover her fascinating story for a modern audience. The daughter of a sharecropper born in rural Kentucky, Dunnigan went on to become the first African American female reporter accredited by the White House, the Supreme Court, and the Senate, and fashioned an illustrious career in journalism and politics in the nation’s capital. Alone Atop The Hill: The Autobiography of Alice Dunnigan, Pioneer of the National Black Press (University of Georgia Press, 2015) is an updated, annotated edition of a classic yet forgotten memoir which illustrates how Dunnigan overcame race and gender barriers to break into the highest echelons of the national press.

James West is a historian of the twentieth-century United States. His research focuses on African American business enterprise and print culture, with a particular interest in Chicago. His current book project examines the role of EBONY magazine as an outlet for popular black history. He tweets @chitownanddown.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p><a href="https://www.c-span.org/person/?carolbooker">Carol McCabe Booker</a> is a Washington, D.C. attorney and former journalist. In the 1960s and 70s, she covered civil rights for the Voice of America, freelanced articles for The Washington Post, Readers Digest, Ebony, Jet, and Black Stars, and reported from Africa, including the Nigerian warfront, for Westinghouse Broadcasting stations. After retiring in 2008, she helped her husband, journalist Simeon Booker, write Shocking the Conscience: A Reporter’s Account of the Civil Rights Movement, which received widespread critical acclaim following its publication by the University Press of Mississippi.</p><p>After Simeon and trailblazing reporter Alice Dunnigan were inducted into the black journalists Hall of Fame in 2013, Carol tracked down Dunnigan’s out-of-print autobiography to recover her fascinating story for a modern audience. The daughter of a sharecropper born in rural Kentucky, Dunnigan went on to become the first African American female reporter accredited by the White House, the Supreme Court, and the Senate, and fashioned an illustrious career in journalism and politics in the nation’s capital. <a href="http://www.amazon.com/dp/0820347981/?tag=newbooinhis-20">Alone Atop The Hill: The Autobiography of Alice Dunnigan, Pioneer of the National Black Press</a> (University of Georgia Press, 2015) is an updated, annotated edition of a classic yet forgotten memoir which illustrates how Dunnigan overcame race and gender barriers to break into the highest echelons of the national press.</p><p><br></p><p>James West is a historian of the twentieth-century United States. His research focuses on African American business enterprise and print culture, with a particular interest in Chicago. His current book project examines the role of EBONY magazine as an outlet for popular black history. He tweets <a href="https://twitter.com/chitownanddown">@chitownanddown</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>4725</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[http://newbooksnetwork.com/?p=59953]]></guid>
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      <title>Benjamin Fagan, “The Black Newspaper and the Chosen Nation” (U. of Georgia Press, 2016)</title>
      <description>In the decades leading up to the Civil War, antebellum African Americans elites turned to the newspaper as a means of translating their belief in black “chosenness” into programs for black liberation. Benjamin Fagan’s The Black Newspaper and the Chosen Nation (University of Georgia Press, 2016) demonstrates how the belief that God had marked black Americans as his chosen people on earth became a central article of faith in many northern African American communities throughout the nineteenth century. Directed by varying understandings of black “chosenness,” black periodicals helped to frame public debate, shape the black public sphere and to define forms of respectability and strategies for racial uplift.
Fagan joins podcast host James West to discuss many of the key protagonists and periodicals of his work in more detail, shedding new light on prominent editors such as Frederick Douglass, Samuel Cornish and Mary Ann Shadd, and important early black periodicals such as Freedoms Journal, the North Star and the Provincial Freeman. As Fagan ably demonstrates, the idea of black “chosenness” played a major role in the early development of the black press, and helped to shape broader understandings of freedom, equality and nationhood on both a translocal and transnational scale.

James West is a historian of the twentieth century United States. His research focuses on African American business enterprise and print culture, with a particular interest in Chicago. His current book project examines the role of EBONY magazine as an outlet for popular black history. He tweets @chitownanddown.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Tue, 30 Aug 2016 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>In the decades leading up to the Civil War, antebellum African Americans elites turned to the newspaper as a means of translating their belief in black “chosenness” into programs for black liberation. Benjamin Fagan’s The Black Newspaper and the Chosen...</itunes:subtitle>
      <itunes:summary>In the decades leading up to the Civil War, antebellum African Americans elites turned to the newspaper as a means of translating their belief in black “chosenness” into programs for black liberation. Benjamin Fagan’s The Black Newspaper and the Chosen Nation (University of Georgia Press, 2016) demonstrates how the belief that God had marked black Americans as his chosen people on earth became a central article of faith in many northern African American communities throughout the nineteenth century. Directed by varying understandings of black “chosenness,” black periodicals helped to frame public debate, shape the black public sphere and to define forms of respectability and strategies for racial uplift.
Fagan joins podcast host James West to discuss many of the key protagonists and periodicals of his work in more detail, shedding new light on prominent editors such as Frederick Douglass, Samuel Cornish and Mary Ann Shadd, and important early black periodicals such as Freedoms Journal, the North Star and the Provincial Freeman. As Fagan ably demonstrates, the idea of black “chosenness” played a major role in the early development of the black press, and helped to shape broader understandings of freedom, equality and nationhood on both a translocal and transnational scale.

James West is a historian of the twentieth century United States. His research focuses on African American business enterprise and print culture, with a particular interest in Chicago. His current book project examines the role of EBONY magazine as an outlet for popular black history. He tweets @chitownanddown.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the decades leading up to the Civil War, antebellum African Americans elites turned to the newspaper as a means of translating their belief in black “chosenness” into programs for black liberation. <a href="http://cla.auburn.edu/english/people/professorial-faculty/benjamin-fagan/">Benjamin Fagan’s</a> <a href="http://www.amazon.com/dp/0820349402/?tag=newbooinhis-20">The Black Newspaper and the Chosen Nation</a> (University of Georgia Press, 2016) demonstrates how the belief that God had marked black Americans as his chosen people on earth became a central article of faith in many northern African American communities throughout the nineteenth century. Directed by varying understandings of black “chosenness,” black periodicals helped to frame public debate, shape the black public sphere and to define forms of respectability and strategies for racial uplift.</p><p>Fagan joins podcast host James West to discuss many of the key protagonists and periodicals of his work in more detail, shedding new light on prominent editors such as Frederick Douglass, Samuel Cornish and Mary Ann Shadd, and important early black periodicals such as Freedoms Journal, the North Star and the Provincial Freeman. As Fagan ably demonstrates, the idea of black “chosenness” played a major role in the early development of the black press, and helped to shape broader understandings of freedom, equality and nationhood on both a translocal and transnational scale.</p><p><br></p><p>James West is a historian of the twentieth century United States. His research focuses on African American business enterprise and print culture, with a particular interest in Chicago. His current book project examines the role of EBONY magazine as an outlet for popular black history. He tweets <a href="https://twitter.com/chitownanddown">@chitownanddown</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <itunes:duration>4040</itunes:duration>
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      <title>Jenny Shaw, “Everyday Life in the Early English Caribbean: Irish, Africans, and the Construction of Difference” (U of Georgia Press, 2013)</title>
      <description>Jenny Shaw‘s recent book Everyday Life in the Early English Caribbean: Irish, Africans, and the Construction of Difference (University of Georgia Press, 2013) analyzes how social, religious, and ethnic categories operated in Barbados and the Leeward Islands. She documents the arrival of Irish migrants into the Caribbean who came in...
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Wed, 23 Sep 2015 11:38:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Jenny Shaw‘s recent book Everyday Life in the Early English Caribbean: Irish, Africans, and the Construction of Difference (University of Georgia Press, 2013) analyzes how social, religious, and ethnic categories operated in Barbados and the Leeward Is...</itunes:subtitle>
      <itunes:summary>Jenny Shaw‘s recent book Everyday Life in the Early English Caribbean: Irish, Africans, and the Construction of Difference (University of Georgia Press, 2013) analyzes how social, religious, and ethnic categories operated in Barbados and the Leeward Islands. She documents the arrival of Irish migrants into the Caribbean who came in...
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jenny Shaw‘s recent book Everyday Life in the Early English Caribbean: Irish, Africans, and the Construction of Difference (University of Georgia Press, 2013) analyzes how social, religious, and ethnic categories operated in Barbados and the Leeward Islands. She documents the arrival of Irish migrants into the Caribbean who came in...</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <itunes:duration>147</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Vincent Carretta, “Phillis Wheatley: Biography of a Genius in Bondage” (University of Georgia Press, 2011)</title>
      <description>Few people can claim to have created a literary genre… Phillis Wheatley did. By the time she was twenty, her name- taken from the slave ship that carried her to America and the family that bought her upon arrival- would be known throughout the world.
Extraordinarily well-educated for a woman of her time and place- much less a slave- Wheatley began writing poetry at a young age. The 1773 publication of her first book, entitled Poems on Various Subjects, Religious and Moral, brought her fame and, ultimately, freedom.
Though she’s celebrated as the mother of African American literature and her poems are taught in schools to this day, Wheatley remains a shadowy figure. In Phillis Wheatley: Biography of a Genius in Bondage (University of Georgia Press, 2011), Vincent Carretta lets the light in.
It’s a daunting task. When one is writing about 18th people of African descent, sources are often scarce. But Carretta, a professor of English at the University of Maryland, rises to the challenge and painstakingly pieces together what is known about Wheatley’s life. In particular, Carretta illuminates how Wheatley’s evangelical Christianity was a subtle rebellion against slavery and also the means by which she got her words into print.
The Phillis Wheatley that emerges in Biography of a Genius in Bondage is an alarmingly modern character- canny, innovative and determined to get her poems into print. That she was able to do so as a woman in the 18th century is impressive. That she was able to do so as a slave is extraordinary.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 16 Feb 2012 13:39:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9bc505b4-c543-11ee-b838-735324009568/image/biography1500x1500.png?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Few people can claim to have created a literary genre… Phillis Wheatley did. By the time she was twenty, her name- taken from the slave ship that carried her to America and the family that bought her upon arrival- would be known throughout the world.</itunes:subtitle>
      <itunes:summary>Few people can claim to have created a literary genre… Phillis Wheatley did. By the time she was twenty, her name- taken from the slave ship that carried her to America and the family that bought her upon arrival- would be known throughout the world.
Extraordinarily well-educated for a woman of her time and place- much less a slave- Wheatley began writing poetry at a young age. The 1773 publication of her first book, entitled Poems on Various Subjects, Religious and Moral, brought her fame and, ultimately, freedom.
Though she’s celebrated as the mother of African American literature and her poems are taught in schools to this day, Wheatley remains a shadowy figure. In Phillis Wheatley: Biography of a Genius in Bondage (University of Georgia Press, 2011), Vincent Carretta lets the light in.
It’s a daunting task. When one is writing about 18th people of African descent, sources are often scarce. But Carretta, a professor of English at the University of Maryland, rises to the challenge and painstakingly pieces together what is known about Wheatley’s life. In particular, Carretta illuminates how Wheatley’s evangelical Christianity was a subtle rebellion against slavery and also the means by which she got her words into print.
The Phillis Wheatley that emerges in Biography of a Genius in Bondage is an alarmingly modern character- canny, innovative and determined to get her poems into print. That she was able to do so as a woman in the 18th century is impressive. That she was able to do so as a slave is extraordinary.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Few people can claim to have created a literary genre… Phillis Wheatley did. By the time she was twenty, her name- taken from the slave ship that carried her to America and the family that bought her upon arrival- would be known throughout the world.</p><p>Extraordinarily well-educated for a woman of her time and place- much less a slave- Wheatley began writing poetry at a young age. The 1773 publication of her first book, entitled Poems on Various Subjects, Religious and Moral, brought her fame and, ultimately, freedom.</p><p>Though she’s celebrated as the mother of African American literature and her poems are taught in schools to this day, Wheatley remains a shadowy figure. In <a href="http://www.amazon.com/dp/0820333387/?tag=newbooinhis-20">Phillis Wheatley: Biography of a Genius in Bondage</a> (University of Georgia Press, 2011), <a href="http://www.english.umd.edu/profiles/vcarretta">Vincent Carretta </a>lets the light in.</p><p>It’s a daunting task. When one is writing about 18th people of African descent, sources are often scarce. But Carretta, a professor of English at the University of Maryland, rises to the challenge and painstakingly pieces together what is known about Wheatley’s life. In particular, Carretta illuminates how Wheatley’s evangelical Christianity was a subtle rebellion against slavery and also the means by which she got her words into print.</p><p>The Phillis Wheatley that emerges in Biography of a Genius in Bondage is an alarmingly modern character- canny, innovative and determined to get her poems into print. That she was able to do so as a woman in the 18th century is impressive. That she was able to do so as a slave is extraordinary.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <itunes:duration>3045</itunes:duration>
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