Additions to the Archive with Sullivan Summer https://newbooksnetwork.com en New Books Network Conversations with authors, academics, readers, and thinkers committed to the preservation and expansion of our collective archive. https://megaphone.imgix.net/podcasts/d0791b2a-292c-11f1-99aa-d3d3a4a69398/image/21ae475cade96c8d8db842110a73c40c.png?ixlib=rails-4.3.1&max-w=3000&max-h=3000&fit=crop&auto=format,compress Additions to the Archive with Sullivan Summer https://newbooksnetwork.com episodic New Books Network Conversations with authors, academics, readers, and thinkers committed to the preservation and expansion of our collective archive. Conversations with authors, academics, readers, and thinkers committed to the preservation and expansion of our collective archive.

]]> Marshall Poe marshallpoe@newbooksnetwork.com Jason R. Young, "The Mask of Memory: White Racial Fantasy After the Civil War" (UNC Press, 2026) In the early twentieth century, a group of white writers, artists, and performers from the cultural hub of Charleston, South Carolina, created and curated a highly sanitized view of slavery. They imagined a once and future plantation society that would reestablish them as the proper heirs of the slave past. In the process, they crafted a set of dangerously durable and virulent stereotypes about slavery. Many of the sights and sounds that Americans associate with slavery are rooted in this grandiose historical myth. The image of the Big House, sitting atop carefully manicured rolling green hills, is in large part, a fantasy, as is the idea of the plantation as an expansive family home to chivalrous planters and content slaves. Jason R. Young explores the persistence of these myths and the historical memory of slavery by focusing on the elite white mythmakers who helped shape our understanding of slavery. Examining literature, art, and performance, Young interrogates both the power and the folly of these ideas. In uncovering their origins, The Mask of Memory: White Racial Fantasy After the Civil War (UNC Press, 2026) resists these racial fantasies and challenges their stubborn resurgence in our own time. You can find Jason Young at the University of Michigan website. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Fri, 01 May 2026 08:00:00 -0000 full New Books Network In the early twentieth century, a group of white writers, artists, and performers from the cultural hub of Charleston, South Carolina, created and curated a highly sanitized view of slavery. They imagined a once and future plantation society that would reestablish them as the proper heirs of the slave past. In the process, they crafted a set of dangerously durable and virulent stereotypes about slavery. Many of the sights and sounds that Americans associate with slavery are rooted in this grandiose historical myth. The image of the Big House, sitting atop carefully manicured rolling green hills, is in large part, a fantasy, as is the idea of the plantation as an expansive family home to chivalrous planters and content slaves. Jason R. Young explores the persistence of these myths and the historical memory of slavery by focusing on the elite white mythmakers who helped shape our understanding of slavery. Examining literature, art, and performance, Young interrogates both the power and the folly of these ideas. In uncovering their origins, The Mask of Memory: White Racial Fantasy After the Civil War (UNC Press, 2026) resists these racial fantasies and challenges their stubborn resurgence in our own time. You can find Jason Young at the University of Michigan website. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. In the early twentieth century, a group of white writers, artists, and performers from the cultural hub of Charleston, South Carolina, created and curated a highly sanitized view of slavery. They imagined a once and future plantation society that would reestablish them as the proper heirs of the slave past. In the process, they crafted a set of dangerously durable and virulent stereotypes about slavery.

Many of the sights and sounds that Americans associate with slavery are rooted in this grandiose historical myth. The image of the Big House, sitting atop carefully manicured rolling green hills, is in large part, a fantasy, as is the idea of the plantation as an expansive family home to chivalrous planters and content slaves. Jason R. Young explores the persistence of these myths and the historical memory of slavery by focusing on the elite white mythmakers who helped shape our understanding of slavery. Examining literature, art, and performance, Young interrogates both the power and the folly of these ideas. In uncovering their origins, The Mask of Memory: White Racial Fantasy After the Civil War (UNC Press, 2026) resists these racial fantasies and challenges their stubborn resurgence in our own time.

You can find Jason Young at the University of Michigan website.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

]]> 4302 no Constance Bailey et al. "Get It While It's Hot: Gas Station, Roadside, and Convenience Cuisine in the U.S. South" (LSU Press, 2026) Get It While It’s Hot (LSU Press, 2026) is an innovative collection that examines an increasingly commonplace belief across the U.S. South—that some of the best, most enjoyable food comes from places you would not expect: a gas station, the back of a pickup truck, or a ramshackle building made of plywood. These essays bring together scholars, food writers, influencers, and even a CEO to discuss the phenomenon of eating by the side of the road. They look at the delicious food that can be found in such spaces, but also at the ways that gas station, roadside, and convenience cuisine contributes to the social and cultural identities of people and communities in the U.S. South. Sometimes these roadside spaces serve goals of equity and food justice as they relate particularly to race, class, and gender, and sometimes they stymy them. Contributors address the importance of roadside vendors to low-income areas and communities of color, while also revealing how gas stations and convenience stores are particularly prone to anti-Black surveillance and community gatekeeping. Several essays examine the appearance of service stations and unconventional food vendors in southern literature. Interviews with photojournalist Kate Medley, social media influencer Stafford Shurden, and Stuckey’s CEO Stephanie Stuckey provide firsthand perspectives on the diverse landscapes of food culture in the South. By surveying the importance of roadside and convenience cuisine to communities across the region, Get It While It’s Hot illustrates that these spaces do not function like typical restaurants. They mark boundaries of community, establish consistency and familiarity, and invite people, sometimes paradoxically, to pull up a chair and sit a while. This is Constance’s second time on the podcast. She first appeared on September 24, 2025 alongside author Kiese Laymon, discussing her book, Conversations with Kiese Laymon (University Press of Mississippi, 2025). In this episode, we also mention the Catherine Coleman Literary Arts, Food, and Social Justice Summer Program. If you are finding this episode in real time, you can attend the virtual launch for Get It While It’s Hot on Facebook, Wednesday, April 29, 2026 at 2:00pm CT. You can find co-editor Constance Bailey at her website and on Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Sat, 25 Apr 2026 08:00:00 -0000 full 3 New Books Network Get It While It’s Hot (LSU Press, 2026) is an innovative collection that examines an increasingly commonplace belief across the U.S. South—that some of the best, most enjoyable food comes from places you would not expect: a gas station, the back of a pickup truck, or a ramshackle building made of plywood. These essays bring together scholars, food writers, influencers, and even a CEO to discuss the phenomenon of eating by the side of the road. They look at the delicious food that can be found in such spaces, but also at the ways that gas station, roadside, and convenience cuisine contributes to the social and cultural identities of people and communities in the U.S. South. Sometimes these roadside spaces serve goals of equity and food justice as they relate particularly to race, class, and gender, and sometimes they stymy them. Contributors address the importance of roadside vendors to low-income areas and communities of color, while also revealing how gas stations and convenience stores are particularly prone to anti-Black surveillance and community gatekeeping. Several essays examine the appearance of service stations and unconventional food vendors in southern literature. Interviews with photojournalist Kate Medley, social media influencer Stafford Shurden, and Stuckey’s CEO Stephanie Stuckey provide firsthand perspectives on the diverse landscapes of food culture in the South. By surveying the importance of roadside and convenience cuisine to communities across the region, Get It While It’s Hot illustrates that these spaces do not function like typical restaurants. They mark boundaries of community, establish consistency and familiarity, and invite people, sometimes paradoxically, to pull up a chair and sit a while. This is Constance’s second time on the podcast. She first appeared on September 24, 2025 alongside author Kiese Laymon, discussing her book, Conversations with Kiese Laymon (University Press of Mississippi, 2025). In this episode, we also mention the Catherine Coleman Literary Arts, Food, and Social Justice Summer Program. If you are finding this episode in real time, you can attend the virtual launch for Get It While It’s Hot on Facebook, Wednesday, April 29, 2026 at 2:00pm CT. You can find co-editor Constance Bailey at her website and on Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Get It While It’s Hot (LSU Press, 2026) is an innovative collection that examines an increasingly commonplace belief across the U.S. South—that some of the best, most enjoyable food comes from places you would not expect: a gas station, the back of a pickup truck, or a ramshackle building made of plywood.

These essays bring together scholars, food writers, influencers, and even a CEO to discuss the phenomenon of eating by the side of the road. They look at the delicious food that can be found in such spaces, but also at the ways that gas station, roadside, and convenience cuisine contributes to the social and cultural identities of people and communities in the U.S. South. Sometimes these roadside spaces serve goals of equity and food justice as they relate particularly to race, class, and gender, and sometimes they stymy them. Contributors address the importance of roadside vendors to low-income areas and communities of color, while also revealing how gas stations and convenience stores are particularly prone to anti-Black surveillance and community gatekeeping. Several essays examine the appearance of service stations and unconventional food vendors in southern literature. Interviews with photojournalist Kate Medley, social media influencer Stafford Shurden, and Stuckey’s CEO Stephanie Stuckey provide firsthand perspectives on the diverse landscapes of food culture in the South.

By surveying the importance of roadside and convenience cuisine to communities across the region, Get It While It’s Hot illustrates that these spaces do not function like typical restaurants. They mark boundaries of community, establish consistency and familiarity, and invite people, sometimes paradoxically, to pull up a chair and sit a while.

This is Constance’s second time on the podcast. She first appeared on September 24, 2025 alongside author Kiese Laymon, discussing her book, Conversations with Kiese Laymon (University Press of Mississippi, 2025). In this episode, we also mention the Catherine Coleman Literary Arts, Food, and Social Justice Summer Program.

If you are finding this episode in real time, you can attend the virtual launch for Get It While It’s Hot on Facebook, Wednesday, April 29, 2026 at 2:00pm CT.

You can find co-editor Constance Bailey at her website and on Instagram.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

]]> 3257 no Twelve Lives: Creating Literary Community with Raymond Williams, PhD From the moment I began working with the New Books Network, my vision was bigger than author interviews. I envisioned my platform one where people could connect what they were hearing about the past to their own lives in the present and, in that way, perhaps see themselves as an important part of a continually-evolving community. Through this work, I have been fortunate to connect, not only authors, but also with readers and thinkers who, like me, are committed to the preservation and expansion of our collective archive. Raymond Williams is one such person. Raymond has a PhD in Government and Politics from the University of Maryland, College Park. He was an executive board member of Black Readers Con, and is currently an administrator of the Black Men Read Book Club sponsored by Resist Booksellers. I was thrilled to have Raymond on the podcast to talk about the creation of literary community around reading challenges, including those centering Zora Neale Hurston, James Baldwin, and, for 2026, what Raymond calls, “The 12 Lives Challenge.” Listen in as we discuss the work he is doing to cultivate an intellectually curious community of real-life readers in the virtual world. You can find Raymond on Instagram, and the 12 Lives Challenge on StoryGraph. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Sun, 19 Apr 2026 08:00:00 -0000 full New Books Network From the moment I began working with the New Books Network, my vision was bigger than author interviews. I envisioned my platform one where people could connect what they were hearing about the past to their own lives in the present and, in that way, perhaps see themselves as an important part of a continually-evolving community. Through this work, I have been fortunate to connect, not only authors, but also with readers and thinkers who, like me, are committed to the preservation and expansion of our collective archive. Raymond Williams is one such person. Raymond has a PhD in Government and Politics from the University of Maryland, College Park. He was an executive board member of Black Readers Con, and is currently an administrator of the Black Men Read Book Club sponsored by Resist Booksellers. I was thrilled to have Raymond on the podcast to talk about the creation of literary community around reading challenges, including those centering Zora Neale Hurston, James Baldwin, and, for 2026, what Raymond calls, “The 12 Lives Challenge.” Listen in as we discuss the work he is doing to cultivate an intellectually curious community of real-life readers in the virtual world. You can find Raymond on Instagram, and the 12 Lives Challenge on StoryGraph. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. From the moment I began working with the New Books Network, my vision was bigger than author interviews. I envisioned my platform one where people could connect what they were hearing about the past to their own lives in the present and, in that way, perhaps see themselves as an important part of a continually-evolving community. Through this work, I have been fortunate to connect, not only authors, but also with readers and thinkers who, like me, are committed to the preservation and expansion of our collective archive.

Raymond Williams is one such person. Raymond has a PhD in Government and Politics from the University of Maryland, College Park. He was an executive board member of Black Readers Con, and is currently an administrator of the Black Men Read Book Club sponsored by Resist Booksellers. I was thrilled to have Raymond on the podcast to talk about the creation of literary community around reading challenges, including those centering Zora Neale Hurston, James Baldwin, and, for 2026, what Raymond calls, “The 12 Lives Challenge.” Listen in as we discuss the work he is doing to cultivate an intellectually curious community of real-life readers in the virtual world.

You can find Raymond on Instagram, and the 12 Lives Challenge on StoryGraph.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

]]> 2476 no Danielle Bainbridge, "Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive" (NYU Press, 2026) Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive (NYU Press, 2026) is a bold and incisive reconsideration of the relationship between enslavement, disability, and performance in 19th- and early 20th-century America; a time when transition from slavery to legal freedom became entangled with the spectacle of the freak show stage, where disabled and racialized performers became lucrative attractions. At the heart of this powerful study are conjoined twins Millie Christine McKoy, born into slavery and later emancipated, and the so-called “original Siamese Twins,” Chang and Eng Bunker, who navigated the freak show circuit not only as performers but also as enslavers. Their stories reveal how archival practices surrounding enslavement and performance labor worked in tandem, creating a system where unfree and newly freed bodies were simultaneously valued and devalued—exploited for their spectacle yet rendered abject within traditional labor economies. Blending historical analysis with innovative archival theory, Currencies of Cruelty challenges conventional narratives of labor, freedom, and human worth. A gripping exploration of race, commerce, and bodily spectacle, this book sheds crucial light on how histories of subjugation continue to shape our understanding of value and visibility today. Author Danielle Bainbridge is an Assistant Professor of Theatre at Northwestern University, where she also holds courtesy appointments in Performance Studies and Black Studies. You can find her at the Northwestern University website, on Instagram, and on Bluesky. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Fri, 03 Apr 2026 08:00:00 -0000 full New Books Network Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive (NYU Press, 2026) is a bold and incisive reconsideration of the relationship between enslavement, disability, and performance in 19th- and early 20th-century America; a time when transition from slavery to legal freedom became entangled with the spectacle of the freak show stage, where disabled and racialized performers became lucrative attractions. At the heart of this powerful study are conjoined twins Millie Christine McKoy, born into slavery and later emancipated, and the so-called “original Siamese Twins,” Chang and Eng Bunker, who navigated the freak show circuit not only as performers but also as enslavers. Their stories reveal how archival practices surrounding enslavement and performance labor worked in tandem, creating a system where unfree and newly freed bodies were simultaneously valued and devalued—exploited for their spectacle yet rendered abject within traditional labor economies. Blending historical analysis with innovative archival theory, Currencies of Cruelty challenges conventional narratives of labor, freedom, and human worth. A gripping exploration of race, commerce, and bodily spectacle, this book sheds crucial light on how histories of subjugation continue to shape our understanding of value and visibility today. Author Danielle Bainbridge is an Assistant Professor of Theatre at Northwestern University, where she also holds courtesy appointments in Performance Studies and Black Studies. You can find her at the Northwestern University website, on Instagram, and on Bluesky. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. Currencies of Cruelty: Slavery, Freak Shows, and the Performance Archive (NYU Press, 2026) is a bold and incisive reconsideration of the relationship between enslavement, disability, and performance in 19th- and early 20th-century America; a time when transition from slavery to legal freedom became entangled with the spectacle of the freak show stage, where disabled and racialized performers became lucrative attractions.

At the heart of this powerful study are conjoined twins Millie Christine McKoy, born into slavery and later emancipated, and the so-called “original Siamese Twins,” Chang and Eng Bunker, who navigated the freak show circuit not only as performers but also as enslavers. Their stories reveal how archival practices surrounding enslavement and performance labor worked in tandem, creating a system where unfree and newly freed bodies were simultaneously valued and devalued—exploited for their spectacle yet rendered abject within traditional labor economies.

Blending historical analysis with innovative archival theory, Currencies of Cruelty challenges conventional narratives of labor, freedom, and human worth. A gripping exploration of race, commerce, and bodily spectacle, this book sheds crucial light on how histories of subjugation continue to shape our understanding of value and visibility today.

Author Danielle Bainbridge is an Assistant Professor of Theatre at Northwestern University, where she also holds courtesy appointments in Performance Studies and Black Studies. You can find her at the Northwestern University website, on Instagram, and on Bluesky.

Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts.

]]> 3346 no Additions to the Archive Trailer Sullivan Summer presents conversations with authors, academics, readers, and thinkers committed to the preservation and expansion of our collective archive. Thu, 26 Mar 2026 16:50:00 -0000 full New Books Network Sullivan Summer presents conversations with authors, academics, readers, and thinkers committed to the preservation and expansion of our collective archive. Sullivan Summer presents conversations with authors, academics, readers, and thinkers committed to the preservation and expansion of our collective archive.


]]> 81 no Crystal Simone Smith, "Common Sense (1776), Addressed to Today's Citizen's of America: An Erasure" (Beacon, 2026) This powerful work by award-winning poet Crystal Simone Smith exposes the uncomfortable truth about America’s founding text: while Common Sense is celebrated as a cornerstone of American democracy, Thomas Paine’s arguments for “total freedom and equality” were written exclusively for white men—completely excluding women and people of color from his vision of liberation.Through a clear-eyed point of view and innovative erasure poetry, Smith transforms this foundational document into Common Sense (1776): Addressed to Today's Citizen's of America (Beacon, 2026). The text is a mirror reflecting both our nation’s incomplete promises and today’s ongoing struggle for true equality, and reveals new meanings that speak to the experiences of ALL Americans—those who were silenced in 1776 and those still fighting for recognition today, just as America approaches its 250th anniversary. You can find Crystal Simone Smith on her on her Wikipedia page, and at her website. Find host, Sullivan Summer, at her website, on Instagram, and on Substack. Wed, 25 Mar 2026 08:00:00 -0000 full New Books Network This powerful work by award-winning poet Crystal Simone Smith exposes the uncomfortable truth about America’s founding text: while Common Sense is celebrated as a cornerstone of American democracy, Thomas Paine’s arguments for “total freedom and equality” were written exclusively for white men—completely excluding women and people of color from his vision of liberation.Through a clear-eyed point of view and innovative erasure poetry, Smith transforms this foundational document into Common Sense (1776): Addressed to Today's Citizen's of America (Beacon, 2026). The text is a mirror reflecting both our nation’s incomplete promises and today’s ongoing struggle for true equality, and reveals new meanings that speak to the experiences of ALL Americans—those who were silenced in 1776 and those still fighting for recognition today, just as America approaches its 250th anniversary. You can find Crystal Simone Smith on her on her Wikipedia page, and at her website. Find host, Sullivan Summer, at her website, on Instagram, and on Substack. This powerful work by award-winning poet Crystal Simone Smith exposes the uncomfortable truth about America’s founding text: while Common Sense is celebrated as a cornerstone of American democracy, Thomas Paine’s arguments for “total freedom and equality” were written exclusively for white men—completely excluding women and people of color from his vision of liberation.
Through a clear-eyed point of view and innovative erasure poetry, Smith transforms this foundational document into Common Sense (1776): Addressed to Today's Citizen's of America (Beacon, 2026). The text is a mirror reflecting both our nation’s incomplete promises and today’s ongoing struggle for true equality, and reveals new meanings that speak to the experiences of ALL Americans—those who were silenced in 1776 and those still fighting for recognition today, just as America approaches its 250th anniversary.

You can find Crystal Simone Smith on her on her Wikipedia page, and at her website.

Find host, Sullivan Summer, at her website, on Instagram, and on Substack.

]]> 3233 no Antwain K. Hunter, "A Precarious Balance: Firearms, Race, and Community in North Carolina, 1715-1865" (UNC Press, 2025) Spanning the 1720s through the end of the Civil War, A Precarious Balance: Firearms, Race, and Community in North Carolina, 1715-1865 (UNC Press, 2025) explores how free and enslaved Black North Carolinians accessed, possessed, and used firearms—both legal and otherwise—and how the state, and white people, responded. Historian of slavery and freedom, Antwain K. Hunter reveals that armed Black people used firearms for a wide range of purposes: they hunted to feed their families and communities, guarded property, protected crops, and defended maroon communities from outsiders. Further, they resisted the institution of slavery and used guns both against white people and within their own community. Competing views of Black people’s firearm use created social, political, and legal points of contention for different demographics within North Carolina, and left the general assembly and white civilians struggling to harness Black people’s armed labor for white people’s benefit. A Precarious Balance challenges readers to rethink how they understand race and firearms in the American past, and in its present. Author Antwain K. Hunter is a historian of slavery and freedom in North America, with a current focus on the Carolinas. A Precarious Balance is his first book. Find host, Sullivan Summer, at her website, on Instagram, and on Substack, where she and Antwain continued their conversation. Mon, 16 Mar 2026 08:00:00 -0000 full New Books Network Spanning the 1720s through the end of the Civil War, A Precarious Balance: Firearms, Race, and Community in North Carolina, 1715-1865 (UNC Press, 2025) explores how free and enslaved Black North Carolinians accessed, possessed, and used firearms—both legal and otherwise—and how the state, and white people, responded. Historian of slavery and freedom, Antwain K. Hunter reveals that armed Black people used firearms for a wide range of purposes: they hunted to feed their families and communities, guarded property, protected crops, and defended maroon communities from outsiders. Further, they resisted the institution of slavery and used guns both against white people and within their own community. Competing views of Black people’s firearm use created social, political, and legal points of contention for different demographics within North Carolina, and left the general assembly and white civilians struggling to harness Black people’s armed labor for white people’s benefit. A Precarious Balance challenges readers to rethink how they understand race and firearms in the American past, and in its present. Author Antwain K. Hunter is a historian of slavery and freedom in North America, with a current focus on the Carolinas. A Precarious Balance is his first book. Find host, Sullivan Summer, at her website, on Instagram, and on Substack, where she and Antwain continued their conversation. Spanning the 1720s through the end of the Civil War, A Precarious Balance: Firearms, Race, and Community in North Carolina, 1715-1865 (UNC Press, 2025) explores how free and enslaved Black North Carolinians accessed, possessed, and used firearms—both legal and otherwise—and how the state, and white people, responded. Historian of slavery and freedom, Antwain K. Hunter reveals that armed Black people used firearms for a wide range of purposes: they hunted to feed their families and communities, guarded property, protected crops, and defended maroon communities from outsiders. Further, they resisted the institution of slavery and used guns both against white people and within their own community. Competing views of Black people’s firearm use created social, political, and legal points of contention for different demographics within North Carolina, and left the general assembly and white civilians struggling to harness Black people’s armed labor for white people’s benefit. A Precarious Balance challenges readers to rethink how they understand race and firearms in the American past, and in its present.

Author Antwain K. Hunter is a historian of slavery and freedom in North America, with a current focus on the Carolinas. A Precarious Balance is his first book.

Find host, Sullivan Summer, at her website, on Instagram, and on Substack, where she and Antwain continued their conversation.

]]> 2992 no Diamond Forde, "The Book of Alice" (Scribner, 2026) Winner of the 2025 James Laughlin Award from The Academy of American Poets  When her grandmother died, poet Diamond Forde inherited a well-worn family Bible to remember her by. In The Book of Alice (Scribner, 2026), she retells the story of her grandmother’s life through the framework of the only poetry Alice knew: the King James Bible. A Black woman born in the Jim Crow South, Alice joined the tide of the Great Migration when she made her exodus to New York City. She married, divorced, and raised eight children, all while struggling to define herself in an America that looks frighteningly like our own. Using found forms like recipes, a family tree, and a US Census Report alongside imagined psalms and scriptures, Diamond draws bold parallels between biblical narratives and the lived experiences of those often relegated to the margins of history. The result is both a heartfelt elegy and a new sacred text. Find Diamond at her website and on Instagram. And find host, Sullivan Summer, at her website, on Instagram, and over on Substack, where she and Diamond continued their conversation. Sat, 28 Feb 2026 09:00:00 -0000 full New Books Network Winner of the 2025 James Laughlin Award from The Academy of American Poets  When her grandmother died, poet Diamond Forde inherited a well-worn family Bible to remember her by. In The Book of Alice (Scribner, 2026), she retells the story of her grandmother’s life through the framework of the only poetry Alice knew: the King James Bible. A Black woman born in the Jim Crow South, Alice joined the tide of the Great Migration when she made her exodus to New York City. She married, divorced, and raised eight children, all while struggling to define herself in an America that looks frighteningly like our own. Using found forms like recipes, a family tree, and a US Census Report alongside imagined psalms and scriptures, Diamond draws bold parallels between biblical narratives and the lived experiences of those often relegated to the margins of history. The result is both a heartfelt elegy and a new sacred text. Find Diamond at her website and on Instagram. And find host, Sullivan Summer, at her website, on Instagram, and over on Substack, where she and Diamond continued their conversation. Winner of the 2025 James Laughlin Award from The Academy of American Poets 

When her grandmother died, poet Diamond Forde inherited a well-worn family Bible to remember her by. In The Book of Alice (Scribner, 2026), she retells the story of her grandmother’s life through the framework of the only poetry Alice knew: the King James Bible. A Black woman born in the Jim Crow South, Alice joined the tide of the Great Migration when she made her exodus to New York City. She married, divorced, and raised eight children, all while struggling to define herself in an America that looks frighteningly like our own. Using found forms like recipes, a family tree, and a US Census Report alongside imagined psalms and scriptures, Diamond draws bold parallels between biblical narratives and the lived experiences of those often relegated to the margins of history. The result is both a heartfelt elegy and a new sacred text.

Find Diamond at her website and on Instagram.

And find host, Sullivan Summer, at her website, on Instagram, and over on Substack, where she and Diamond continued their conversation.

]]> 3089 no Darius Phelps, "My God’s Been Silent" (Writ Large Press, 2026) My God’s Been Silent (Writ Large Press, 2026) is a poetry collection that lives at the intersection of faith and fury, grief and grace. Written in the aftermath of loss and disillusionment, these poems are elegies and incantations-each one a plea, a protest, a prayer left unanswered. This collection excavates the silence of God through the body of a Black man who has known both sanctuary and abandonment, who has tried to make sense of suffering in a world that too often turns its back This is a book for those who have screamed into the void, for those who carry loss like scripture, and for anyone who has ever felt betrayed by the very thing they were taught to believe would save them. With language that sears and softens, My God’s Been Silent does not seek resolution-it seeks release. This collection is not an answer. It is a reckoning. A remembering. A return. You can find Dr. Darius Phelps on Instagram and X. And find host, Sullivan Summer, at her website, on Instagram, and on Substack. Tue, 17 Feb 2026 09:00:00 -0000 full New Books Network My God’s Been Silent (Writ Large Press, 2026) is a poetry collection that lives at the intersection of faith and fury, grief and grace. Written in the aftermath of loss and disillusionment, these poems are elegies and incantations-each one a plea, a protest, a prayer left unanswered. This collection excavates the silence of God through the body of a Black man who has known both sanctuary and abandonment, who has tried to make sense of suffering in a world that too often turns its back This is a book for those who have screamed into the void, for those who carry loss like scripture, and for anyone who has ever felt betrayed by the very thing they were taught to believe would save them. With language that sears and softens, My God’s Been Silent does not seek resolution-it seeks release. This collection is not an answer. It is a reckoning. A remembering. A return. You can find Dr. Darius Phelps on Instagram and X. And find host, Sullivan Summer, at her website, on Instagram, and on Substack. My God’s Been Silent (Writ Large Press, 2026) is a poetry collection that lives at the intersection of faith and fury, grief and grace. Written in the aftermath of loss and disillusionment, these poems are elegies and incantations-each one a plea, a protest, a prayer left unanswered. This collection excavates the silence of God through the body of a Black man who has known both sanctuary and abandonment, who has tried to make sense of suffering in a world that too often turns its back This is a book for those who have screamed into the void, for those who carry loss like scripture, and for anyone who has ever felt betrayed by the very thing they were taught to believe would save them. With language that sears and softens, My God’s Been Silent does not seek resolution-it seeks release. This collection is not an answer. It is a reckoning. A remembering. A return.

You can find Dr. Darius Phelps on Instagram and X.

And find host, Sullivan Summer, at her website, on Instagram, and on Substack.

]]> 2327 no Gloria Browne-Marshall, "A Protest History of the United States" (Beacon Press, 2026) Revisited In December 2025, writer, civil rights attorney, playwright, speaker, and Professor of Constitutional Law at John Jay College of Criminal Justice, Gloria J. Browne-Marshall spoke with New Books Network host, Sullivan Summer, about her book, A Protest History of the United States (Beacon Press, 2025). Little did Browne-Marshall and Summer know that, at the time of the book’s paperback release in early 2026, the nation would be in the midst of widespread and ongoing protests. So Browne-Marshall is back, this time with conversation focused specifically on the chapter of the book titled, “Protesting Violent Policing.” In this episode, we mention Terence Keel’s The Coroner’s Silence (Beacon Press, 2025). Keel’s New Books Network episode is available here. A Protest History of the United States: In this timely new book in Beacon’s successful ReVisioning History series, professor Gloria Browne-Marshall delves into the history of protest movements and rebellion in the United States. Beginning with Indigenous peoples’ resistance to European colonization and continuing through to today’s climate change demonstrations, Browne-Marshall sheds light on known and forgotten movements and their unsung leaders, offering insights into past successes and setbacks. Drawing upon legal documents, archival material, memoir, government documents and secondary sources, A Protest History of the United States expands the definition of protest beyond traditional marches and rallies. Acts of resistance also include journalism, legal battles, boycotts, everyday defiance, and more. Browne-Marshall highlights stories of individuals from all walks of life and time periods who helped bring strong attention to their causes. As contemporary movements struggle with inertia and doubt, Browne-Marshall underscores the essential role of protest as an American tradition in shaping and preserving democratic principles. By illuminating the strategies and sacrifices of activists past and present, A Protest History of the United States empowers readers to find their own voice in today’s fights for justice. Find author Gloria J. Browne-Marshall at her website and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. Sun, 08 Feb 2026 09:00:00 -0000 full New Books Network In December 2025, writer, civil rights attorney, playwright, speaker, and Professor of Constitutional Law at John Jay College of Criminal Justice, Gloria J. Browne-Marshall spoke with New Books Network host, Sullivan Summer, about her book, A Protest History of the United States (Beacon Press, 2025). Little did Browne-Marshall and Summer know that, at the time of the book’s paperback release in early 2026, the nation would be in the midst of widespread and ongoing protests. So Browne-Marshall is back, this time with conversation focused specifically on the chapter of the book titled, “Protesting Violent Policing.” In this episode, we mention Terence Keel’s The Coroner’s Silence (Beacon Press, 2025). Keel’s New Books Network episode is available here. A Protest History of the United States: In this timely new book in Beacon’s successful ReVisioning History series, professor Gloria Browne-Marshall delves into the history of protest movements and rebellion in the United States. Beginning with Indigenous peoples’ resistance to European colonization and continuing through to today’s climate change demonstrations, Browne-Marshall sheds light on known and forgotten movements and their unsung leaders, offering insights into past successes and setbacks. Drawing upon legal documents, archival material, memoir, government documents and secondary sources, A Protest History of the United States expands the definition of protest beyond traditional marches and rallies. Acts of resistance also include journalism, legal battles, boycotts, everyday defiance, and more. Browne-Marshall highlights stories of individuals from all walks of life and time periods who helped bring strong attention to their causes. As contemporary movements struggle with inertia and doubt, Browne-Marshall underscores the essential role of protest as an American tradition in shaping and preserving democratic principles. By illuminating the strategies and sacrifices of activists past and present, A Protest History of the United States empowers readers to find their own voice in today’s fights for justice. Find author Gloria J. Browne-Marshall at her website and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. In December 2025, writer, civil rights attorney, playwright, speaker, and Professor of Constitutional Law at John Jay College of Criminal Justice, Gloria J. Browne-Marshall spoke with New Books Network host, Sullivan Summer, about her book, A Protest History of the United States (Beacon Press, 2025). Little did Browne-Marshall and Summer know that, at the time of the book’s paperback release in early 2026, the nation would be in the midst of widespread and ongoing protests.

So Browne-Marshall is back, this time with conversation focused specifically on the chapter of the book titled, “Protesting Violent Policing.”

In this episode, we mention Terence Keel’s The Coroner’s Silence (Beacon Press, 2025). Keel’s New Books Network episode is available here.

A Protest History of the United States: In this timely new book in Beacon’s successful ReVisioning History series, professor Gloria Browne-Marshall delves into the history of protest movements and rebellion in the United States. Beginning with Indigenous peoples’ resistance to European colonization and continuing through to today’s climate change demonstrations, Browne-Marshall sheds light on known and forgotten movements and their unsung leaders, offering insights into past successes and setbacks.

Drawing upon legal documents, archival material, memoir, government documents and secondary sources, A Protest History of the United States expands the definition of protest beyond traditional marches and rallies. Acts of resistance also include journalism, legal battles, boycotts, everyday defiance, and more. Browne-Marshall highlights stories of individuals from all walks of life and time periods who helped bring strong attention to their causes.

As contemporary movements struggle with inertia and doubt, Browne-Marshall underscores the essential role of protest as an American tradition in shaping and preserving democratic principles. By illuminating the strategies and sacrifices of activists past and present, A Protest History of the United States empowers readers to find their own voice in today’s fights for justice.

Find author Gloria J. Browne-Marshall at her website and on Instagram.

Find host Sullivan Summer at her website, on Instagram, and on Substack.

]]> 3633 no Dianna N. Watkins-Dickerson, "A Black Woman for President: Shirley Chisholm, Carol Moseley Braun, and Kamala Harris" (UP of Mississippi) Throughout US history, only three Black women—Shirley Chisholm, Carol Moseley Braun, and Kamala Harris—have given successfully recognized bids for the office of president of the United States. In A Black Woman for President: Shirley Chisholm, Carol Moseley Braun, and Kamala Harris(UP of Mississippi) author Dianna N. Watkins-Dickerson uses womanist rhetorical criticism to analyze the presidential announcement speeches of Congresswoman Shirley Chisholm, Ambassador Carol Moseley Braun, and then-Senator Kamala Harris. In close readings of each candidate’s speeches, Watkins-Dickerson defines womanist rhetorical theory and its efficacy for researching Black female voices in the field of communication in general, and the presidential announcement speeches of Black women, specifically. Beginning with Shirley Chisholm’s historic 1972 campaign as the first Black woman to run a viable campaign for the US presidency, the volume analyzes how Chisholm’s speech set a precedent for future generations of Black women in politics by boldly asserting her right to lead, despite the multiple barriers of race and gender. The study then moves to Carol Moseley Braun’s 2004 presidential announcement, exploring how Braun’s speech navigated the intersections of identity, representation, and political ambition during a time when Black women in the Senate were still a rarity. Finally, the analysis culminates with Kamala Harris’s 2020 presidential bid, focusing on how her rhetoric blended elements of Black feminist resistance and national unity in an era of heightened political and racial division. The volume highlights the ways in which Chisholm, Braun, and Harris drew upon their lived experiences and cultural legacies to construct powerful, transformative narratives and argues that their speeches not only expanded the boundaries of political discourse but also reimagined the possibilities for leadership in America. Ultimately, this study provides a rich, interdisciplinary framework for understanding how Black women have reshaped the political landscape through the power of their words. You can find Dianna N. Watkins Dickerson at her website, and on social platforms @drdwd. Find host, Sullivan Summer, at her website, on Instagram, and on Substack. Wed, 04 Feb 2026 09:00:00 -0000 full New Books Network Throughout US history, only three Black women—Shirley Chisholm, Carol Moseley Braun, and Kamala Harris—have given successfully recognized bids for the office of president of the United States. In A Black Woman for President: Shirley Chisholm, Carol Moseley Braun, and Kamala Harris(UP of Mississippi) author Dianna N. Watkins-Dickerson uses womanist rhetorical criticism to analyze the presidential announcement speeches of Congresswoman Shirley Chisholm, Ambassador Carol Moseley Braun, and then-Senator Kamala Harris. In close readings of each candidate’s speeches, Watkins-Dickerson defines womanist rhetorical theory and its efficacy for researching Black female voices in the field of communication in general, and the presidential announcement speeches of Black women, specifically. Beginning with Shirley Chisholm’s historic 1972 campaign as the first Black woman to run a viable campaign for the US presidency, the volume analyzes how Chisholm’s speech set a precedent for future generations of Black women in politics by boldly asserting her right to lead, despite the multiple barriers of race and gender. The study then moves to Carol Moseley Braun’s 2004 presidential announcement, exploring how Braun’s speech navigated the intersections of identity, representation, and political ambition during a time when Black women in the Senate were still a rarity. Finally, the analysis culminates with Kamala Harris’s 2020 presidential bid, focusing on how her rhetoric blended elements of Black feminist resistance and national unity in an era of heightened political and racial division. The volume highlights the ways in which Chisholm, Braun, and Harris drew upon their lived experiences and cultural legacies to construct powerful, transformative narratives and argues that their speeches not only expanded the boundaries of political discourse but also reimagined the possibilities for leadership in America. Ultimately, this study provides a rich, interdisciplinary framework for understanding how Black women have reshaped the political landscape through the power of their words. You can find Dianna N. Watkins Dickerson at her website, and on social platforms @drdwd. Find host, Sullivan Summer, at her website, on Instagram, and on Substack. Throughout US history, only three Black women—Shirley Chisholm, Carol Moseley Braun, and Kamala Harris—have given successfully recognized bids for the office of president of the United States. In A Black Woman for President: Shirley Chisholm, Carol Moseley Braun, and Kamala Harris(UP of Mississippi) author Dianna N. Watkins-Dickerson uses womanist rhetorical criticism to analyze the presidential announcement speeches of Congresswoman Shirley Chisholm, Ambassador Carol Moseley Braun, and then-Senator Kamala Harris. In close readings of each candidate’s speeches, Watkins-Dickerson defines womanist rhetorical theory and its efficacy for researching Black female voices in the field of communication in general, and the presidential announcement speeches of Black women, specifically.

Beginning with Shirley Chisholm’s historic 1972 campaign as the first Black woman to run a viable campaign for the US presidency, the volume analyzes how Chisholm’s speech set a precedent for future generations of Black women in politics by boldly asserting her right to lead, despite the multiple barriers of race and gender. The study then moves to Carol Moseley Braun’s 2004 presidential announcement, exploring how Braun’s speech navigated the intersections of identity, representation, and political ambition during a time when Black women in the Senate were still a rarity. Finally, the analysis culminates with Kamala Harris’s 2020 presidential bid, focusing on how her rhetoric blended elements of Black feminist resistance and national unity in an era of heightened political and racial division.

The volume highlights the ways in which Chisholm, Braun, and Harris drew upon their lived experiences and cultural legacies to construct powerful, transformative narratives and argues that their speeches not only expanded the boundaries of political discourse but also reimagined the possibilities for leadership in America. Ultimately, this study provides a rich, interdisciplinary framework for understanding how Black women have reshaped the political landscape through the power of their words.

You can find Dianna N. Watkins Dickerson at her website, and on social platforms @drdwd.

Find host, Sullivan Summer, at her website, on Instagram, and on Substack.

]]> 3648 no Princess Joy L. Perry, "This Here Is Love" (W.W. Norton, 2025) Three people—two enslaved, one indentured—living beside each other, struggling against their circumstances, trying to bend destiny. As the seventeenth century burns to a close in Tidewater, Virginia, America’s character is wrought in the fires of wealth, race, and freedom. Young Bless, the only child left to her enslaved mother, stubbornly crafts the terms of her vital existence. She stands as the lone bulwark between her mother and irreparable despair, her mother’s only possibility of hope, as Bless reshapes the boundaries of love. David is a helping child and a solace to his parents, and he gave a purpose to their trials. His survival hinges on his mother’s shrewd intellect and ferocious fight, but his sustenance is his freed Black father’s dream of emancipation for the entire family. Jack Dane, a Scots-Irish boy, sails to Britain’s colonies when his father sells him into indentured servitude as an escape from poverty. There Jack learns from the rich the value of each person’s life. A breathtaking, haunting, and epic saga, This Here Is Love (W.W. Norton, 2025) intimately intertwines us with these beautifully drawn, unforgettable American characters. Bless, taken to serve the slaveowner’s daughter, must decide where she belongs: with the enslaved or above them. David, sold away from his people, retreats into himself even as he yearns to unite with others. Jack, acting impetuously, changes his fortune, but will doing so sacrifice his humanity? All three come together on Jack’s land. As they face and challenge each other, they will relinquish and remake beliefs about family and freedom, even as they confront the limits of love. Princess Joy L. Perry is the recipient of a Virginia Commission for the Arts Fellowship and a winner of the Zora Neale Hurston/Richard Wright Award. Her short stories have appeared in All About Skin, African American Review, and Kweli Journal. She lives in Norfolk, Virginia. You can find her on Instagram. Host Sullivan Summer is at her website, Instagram, and on Substack, where she and Princess went to continue their conversation. Sat, 31 Jan 2026 09:00:00 -0000 full New Books Network Three people—two enslaved, one indentured—living beside each other, struggling against their circumstances, trying to bend destiny. As the seventeenth century burns to a close in Tidewater, Virginia, America’s character is wrought in the fires of wealth, race, and freedom. Young Bless, the only child left to her enslaved mother, stubbornly crafts the terms of her vital existence. She stands as the lone bulwark between her mother and irreparable despair, her mother’s only possibility of hope, as Bless reshapes the boundaries of love. David is a helping child and a solace to his parents, and he gave a purpose to their trials. His survival hinges on his mother’s shrewd intellect and ferocious fight, but his sustenance is his freed Black father’s dream of emancipation for the entire family. Jack Dane, a Scots-Irish boy, sails to Britain’s colonies when his father sells him into indentured servitude as an escape from poverty. There Jack learns from the rich the value of each person’s life. A breathtaking, haunting, and epic saga, This Here Is Love (W.W. Norton, 2025) intimately intertwines us with these beautifully drawn, unforgettable American characters. Bless, taken to serve the slaveowner’s daughter, must decide where she belongs: with the enslaved or above them. David, sold away from his people, retreats into himself even as he yearns to unite with others. Jack, acting impetuously, changes his fortune, but will doing so sacrifice his humanity? All three come together on Jack’s land. As they face and challenge each other, they will relinquish and remake beliefs about family and freedom, even as they confront the limits of love. Princess Joy L. Perry is the recipient of a Virginia Commission for the Arts Fellowship and a winner of the Zora Neale Hurston/Richard Wright Award. Her short stories have appeared in All About Skin, African American Review, and Kweli Journal. She lives in Norfolk, Virginia. You can find her on Instagram. Host Sullivan Summer is at her website, Instagram, and on Substack, where she and Princess went to continue their conversation. Three people—two enslaved, one indentured—living beside each other, struggling against their circumstances, trying to bend destiny.

As the seventeenth century burns to a close in Tidewater, Virginia, America’s character is wrought in the fires of wealth, race, and freedom.

Young Bless, the only child left to her enslaved mother, stubbornly crafts the terms of her vital existence. She stands as the lone bulwark between her mother and irreparable despair, her mother’s only possibility of hope, as Bless reshapes the boundaries of love.

David is a helping child and a solace to his parents, and he gave a purpose to their trials. His survival hinges on his mother’s shrewd intellect and ferocious fight, but his sustenance is his freed Black father’s dream of emancipation for the entire family.

Jack Dane, a Scots-Irish boy, sails to Britain’s colonies when his father sells him into indentured servitude as an escape from poverty. There Jack learns from the rich the value of each person’s life.

A breathtaking, haunting, and epic saga, This Here Is Love (W.W. Norton, 2025) intimately intertwines us with these beautifully drawn, unforgettable American characters. Bless, taken to serve the slaveowner’s daughter, must decide where she belongs: with the enslaved or above them. David, sold away from his people, retreats into himself even as he yearns to unite with others. Jack, acting impetuously, changes his fortune, but will doing so sacrifice his humanity?

All three come together on Jack’s land. As they face and challenge each other, they will relinquish and remake beliefs about family and freedom, even as they confront the limits of love.

Princess Joy L. Perry is the recipient of a Virginia Commission for the Arts Fellowship and a winner of the Zora Neale Hurston/Richard Wright Award. Her short stories have appeared in All About Skin, African American Review, and Kweli Journal. She lives in Norfolk, Virginia. You can find her on Instagram.

Host Sullivan Summer is at her website, Instagram, and on Substack, where she and Princess went to continue their conversation.

]]> 3182 no Terence Keel, "The Coroner’s Silence: Death Records and the Hidden Victims of Police Violence" (Beacon Press, 2025) Each year, police officers kill over 1,000 people they’ve sworn to protect and serve. While some cases, like George Floyd’s and Sandra Bland’s, capture national attention, most victims remain nameless, their stories untold. The Coroner’s Silence: Death Records and the Hidden Victims of Police Violence (Beacon Press, 2025) reveals a disturbing truth about these cases: coroners and other death investigators are often complicit in obscuring the violent circumstances of in-custody deaths.Through rigorous research—including critical records analysis, public health studies, and interviews with victims’ families—this book unmasks the systemic failures within forensic medicine. Terence Keel shows how incomplete autopsy reports, mishandled medical documents, and strategically lost evidence effectively shield law enforcement from accountability.The Coroner’s Silence uncovers how the current system of death investigation operates as a mechanism of institutional safeguarding. By highlighting the structural powerlessness of coroners and their disconnection from the communities most affected by police violence, Keel demonstrates how bureaucratic processes can render human suffering invisible.True accountability requires more than procedural reform. It demands a fundamental reimagining of how we investigate, document, and understand deaths at the hands of state institutions. The Coroner’s Silence is a crucial intervention that challenges us to confront the deeply ingrained mechanisms that perpetuate systemic violence. You can Terrence Keel at his website. Find host, Sullivan Summer, at her website, on Instagram, and on Substack. Fri, 23 Jan 2026 09:00:00 -0000 full New Books Network Each year, police officers kill over 1,000 people they’ve sworn to protect and serve. While some cases, like George Floyd’s and Sandra Bland’s, capture national attention, most victims remain nameless, their stories untold. The Coroner’s Silence: Death Records and the Hidden Victims of Police Violence (Beacon Press, 2025) reveals a disturbing truth about these cases: coroners and other death investigators are often complicit in obscuring the violent circumstances of in-custody deaths.Through rigorous research—including critical records analysis, public health studies, and interviews with victims’ families—this book unmasks the systemic failures within forensic medicine. Terence Keel shows how incomplete autopsy reports, mishandled medical documents, and strategically lost evidence effectively shield law enforcement from accountability.The Coroner’s Silence uncovers how the current system of death investigation operates as a mechanism of institutional safeguarding. By highlighting the structural powerlessness of coroners and their disconnection from the communities most affected by police violence, Keel demonstrates how bureaucratic processes can render human suffering invisible.True accountability requires more than procedural reform. It demands a fundamental reimagining of how we investigate, document, and understand deaths at the hands of state institutions. The Coroner’s Silence is a crucial intervention that challenges us to confront the deeply ingrained mechanisms that perpetuate systemic violence. You can Terrence Keel at his website. Find host, Sullivan Summer, at her website, on Instagram, and on Substack. Each year, police officers kill over 1,000 people they’ve sworn to protect and serve. While some cases, like George Floyd’s and Sandra Bland’s, capture national attention, most victims remain nameless, their stories untold. The Coroner’s Silence: Death Records and the Hidden Victims of Police Violence (Beacon Press, 2025) reveals a disturbing truth about these cases: coroners and other death investigators are often complicit in obscuring the violent circumstances of in-custody deaths.
Through rigorous research—including critical records analysis, public health studies, and interviews with victims’ families—this book unmasks the systemic failures within forensic medicine. Terence Keel shows how incomplete autopsy reports, mishandled medical documents, and strategically lost evidence effectively shield law enforcement from accountability.
The Coroner’s Silence uncovers how the current system of death investigation operates as a mechanism of institutional safeguarding. By highlighting the structural powerlessness of coroners and their disconnection from the communities most affected by police violence, Keel demonstrates how bureaucratic processes can render human suffering invisible.
True accountability requires more than procedural reform. It demands a fundamental reimagining of how we investigate, document, and understand deaths at the hands of state institutions. The Coroner’s Silence is a crucial intervention that challenges us to confront the deeply ingrained mechanisms that perpetuate systemic violence.

You can Terrence Keel at his website.

Find host, Sullivan Summer, at her website, on Instagram, and on Substack.

]]> 3440 no W. Ralph Eubanks, "When It's Darkness on the Delta: How America's Richest Soil Became Its Poorest Land" (Beacon Press, 2026) Once the powerhouse of a fledgling country’s economy, the Mississippi Delta has been consigned to a narrative of destitution. It is often faulted for the sins of the South, portrayed as a regional backwater that willfully cleaved itself from the modern world. But buried beneath the weight of good ol’ boy politics and white-washed histories lies the Delta’s true story.Mississippi native and award-winning writer W. Ralph Eubanks unearths the region’s buried history, revealing a microcosm of economic oppression in the US. He traverses the Delta, examining its bellwether efforts to combat income inequality through vivid portraits of key figures like Theodore G. Bilbo and William Whittington, segregationist congressmen who sabotaged federal reparations for former sharecroppers in the 1940s and ’50s Gloria Carter Dickerson, founder of the Emmett Till Academy, whose parents were instrumental in desegregating schools in Drew, MS, where Till was murdered Calvin Head, a community organizer who runs a farming co-op in Mileston, who revived the legacy of his hometown, the only Black resettlement community in Mississippi Eubanks delivers a powerful and insightful examination of how racism and economic instability have shaped life in the Mississippi Delta. He traces the enduring consequences of political decisions that have entrenched inequality across generations. At the same time, he brings attention to the resilience of local communities and the grassroots movements working toward meaningful change. The book offers a thoughtful framework for policy reform and community investment, underscoring the need to support those who have long sustained the region through their labor and lived experience. You can find Ralph at his website. A soundtrack for the book is available here. Host Sullivan Summer is at her website, Instagram, and on Substack. Wed, 07 Jan 2026 09:00:00 -0000 full 76 New Books Network Once the powerhouse of a fledgling country’s economy, the Mississippi Delta has been consigned to a narrative of destitution. It is often faulted for the sins of the South, portrayed as a regional backwater that willfully cleaved itself from the modern world. But buried beneath the weight of good ol’ boy politics and white-washed histories lies the Delta’s true story.Mississippi native and award-winning writer W. Ralph Eubanks unearths the region’s buried history, revealing a microcosm of economic oppression in the US. He traverses the Delta, examining its bellwether efforts to combat income inequality through vivid portraits of key figures like Theodore G. Bilbo and William Whittington, segregationist congressmen who sabotaged federal reparations for former sharecroppers in the 1940s and ’50s Gloria Carter Dickerson, founder of the Emmett Till Academy, whose parents were instrumental in desegregating schools in Drew, MS, where Till was murdered Calvin Head, a community organizer who runs a farming co-op in Mileston, who revived the legacy of his hometown, the only Black resettlement community in Mississippi Eubanks delivers a powerful and insightful examination of how racism and economic instability have shaped life in the Mississippi Delta. He traces the enduring consequences of political decisions that have entrenched inequality across generations. At the same time, he brings attention to the resilience of local communities and the grassroots movements working toward meaningful change. The book offers a thoughtful framework for policy reform and community investment, underscoring the need to support those who have long sustained the region through their labor and lived experience. You can find Ralph at his website. A soundtrack for the book is available here. Host Sullivan Summer is at her website, Instagram, and on Substack. Once the powerhouse of a fledgling country’s economy, the Mississippi Delta has been consigned to a narrative of destitution. It is often faulted for the sins of the South, portrayed as a regional backwater that willfully cleaved itself from the modern world. But buried beneath the weight of good ol’ boy politics and white-washed histories lies the Delta’s true story.
Mississippi native and award-winning writer W. Ralph Eubanks unearths the region’s buried history, revealing a microcosm of economic oppression in the US. He traverses the Delta, examining its bellwether efforts to combat income inequality through vivid portraits of key figures like

Theodore G. Bilbo and William Whittington, segregationist congressmen who sabotaged federal reparations for former sharecroppers in the 1940s and ’50s

Gloria Carter Dickerson, founder of the Emmett Till Academy, whose parents were instrumental in desegregating schools in Drew, MS, where Till was murdered

Calvin Head, a community organizer who runs a farming co-op in Mileston, who revived the legacy of his hometown, the only Black resettlement community in Mississippi

Eubanks delivers a powerful and insightful examination of how racism and economic instability have shaped life in the Mississippi Delta. He traces the enduring consequences of political decisions that have entrenched inequality across generations. At the same time, he brings attention to the resilience of local communities and the grassroots movements working toward meaningful change. The book offers a thoughtful framework for policy reform and community investment, underscoring the need to support those who have long sustained the region through their labor and lived experience.

You can find Ralph at his website.

A soundtrack for the book is available here.

Host Sullivan Summer is at her website, Instagram, and on Substack.

]]> 3879 no Robert D. Bland, "Requiem for Reconstruction: Black Countermemory and the Legacy of the Lowcountry's Lost Political Generation" (UNC Press, 2026) The promise of Reconstruction sparked a transformative era in American history as free and newly emancipated Black Americans sought to redefine their place in a nation still grappling with the legacy of slavery. Often remembered as a period of failed progressive change that gave way to Jim Crow and second-class citizenship, Reconstruction’s tragic narrative has long overshadowed the resilience and agency of African Americans during this time.Requiem for Reconstruction (University of North Carolina Press, 2025) chronicles Reconstruction’s legacy by focusing on key Black figures such as South Carolina congressman Robert Smalls, Judge William Whipper, writer Frances Rollin, and others who shaped postbellum Black America. Robert D. Bland traces the impact of the Reconstruction generation—Black Americans born between 1840 and 1870 who saw Reconstruction as a defining political movement and worked to preserve its legacy by establishing a new set of historical practices such as formulating new archives, shaping local community counternarratives, using the Black press to inform national audiences about Southern Republican politics, and developing a framework to interpret the recent past’s connection to their present world. Set in South Carolina’s Lowcountry—a hub of Black freedom, landownership, and activism—this book shows how late nineteenth-century Black leaders, educators, and journalists built a powerful countermemory of Reconstruction, defying the dominant white narrative that sought to erase their contributions. Find Professor Bland at his website, and on Threads, BlueSky, and X. Host Sullivan Summer is at her website, Instagram, and on Substack where she and Professor Bland continued their conversation. Mon, 05 Jan 2026 09:00:00 -0000 full 538 New Books Network The promise of Reconstruction sparked a transformative era in American history as free and newly emancipated Black Americans sought to redefine their place in a nation still grappling with the legacy of slavery. Often remembered as a period of failed progressive change that gave way to Jim Crow and second-class citizenship, Reconstruction’s tragic narrative has long overshadowed the resilience and agency of African Americans during this time.Requiem for Reconstruction (University of North Carolina Press, 2025) chronicles Reconstruction’s legacy by focusing on key Black figures such as South Carolina congressman Robert Smalls, Judge William Whipper, writer Frances Rollin, and others who shaped postbellum Black America. Robert D. Bland traces the impact of the Reconstruction generation—Black Americans born between 1840 and 1870 who saw Reconstruction as a defining political movement and worked to preserve its legacy by establishing a new set of historical practices such as formulating new archives, shaping local community counternarratives, using the Black press to inform national audiences about Southern Republican politics, and developing a framework to interpret the recent past’s connection to their present world. Set in South Carolina’s Lowcountry—a hub of Black freedom, landownership, and activism—this book shows how late nineteenth-century Black leaders, educators, and journalists built a powerful countermemory of Reconstruction, defying the dominant white narrative that sought to erase their contributions. Find Professor Bland at his website, and on Threads, BlueSky, and X. Host Sullivan Summer is at her website, Instagram, and on Substack where she and Professor Bland continued their conversation. The promise of Reconstruction sparked a transformative era in American history as free and newly emancipated Black Americans sought to redefine their place in a nation still grappling with the legacy of slavery. Often remembered as a period of failed progressive change that gave way to Jim Crow and second-class citizenship, Reconstruction’s tragic narrative has long overshadowed the resilience and agency of African Americans during this time.
Requiem for Reconstruction (University of North Carolina Press, 2025) chronicles Reconstruction’s legacy by focusing on key Black figures such as South Carolina congressman Robert Smalls, Judge William Whipper, writer Frances Rollin, and others who shaped postbellum Black America. Robert D. Bland traces the impact of the Reconstruction generation—Black Americans born between 1840 and 1870 who saw Reconstruction as a defining political movement and worked to preserve its legacy by establishing a new set of historical practices such as formulating new archives, shaping local community counternarratives, using the Black press to inform national audiences about Southern Republican politics, and developing a framework to interpret the recent past’s connection to their present world. Set in South Carolina’s Lowcountry—a hub of Black freedom, landownership, and activism—this book shows how late nineteenth-century Black leaders, educators, and journalists built a powerful countermemory of Reconstruction, defying the dominant white narrative that sought to erase their contributions.

Find Professor Bland at his website, and on Threads, BlueSky, and X.

Host Sullivan Summer is at her website, Instagram, and on Substack where she and Professor Bland continued their conversation.

]]> 3623 no Trymaine Lee, "A Thousand Ways to Die: The True Cost of Violence on Black Life in America" (St. Martins, 2025) A few years ago, Trymaine Lee, though fit and only 38, nearly died of a heart attack. When his then five-year-old daughter, Nola, asked her daddy why, he realized that to answer her honestly, he had to confront what almost killed him—the weight of being a Black man in America; of bearing witness, as a journalist, to relentless Black death; and of a family history scarred by enslavement, lynching, the Great Migration, the also insidious racism of the North, and gun violence that stole the lives of two great-uncles, a grandfather, a stepbrother, and two cousins.In this powerful narrative, Lee weaves together three strands: the long and bloody history of African Americans and guns; his work as a chronicler of gun violence, tallying the costs and riches generated by both the legal and illegal gun industries; and his own life story. With unflinching honesty he takes readers on a journey, from almost being caught up in gun violence as a young man, to tracing the legacy of the Middle Passage in Ghana through his ancestors’ footsteps, to confronting the challenges of representing his people in an overwhelmingly white and often hostile media world, and most importantly, to celebrating the enduring strength of his family and community.In A Thousand Ways to Die (St. Martin’s Press, 2025) Lee answers Nola and all who seek a more just America. He shares the hard truths and complexities of the Black experience, but he also celebrates the beauty and resilience that is Nola’s legacy. In this episode we discuss the work of Dana Tenille Weeks. You can hear her talk about the reimagination of future at Episode 22 of her podcast, The Rest of Us. Find Trymaine Lee at his website and on Instagram. Host Sullivan Summer is at her website, Instagram, and on Substack. Thu, 25 Dec 2025 09:00:00 -0000 full New Books Network A few years ago, Trymaine Lee, though fit and only 38, nearly died of a heart attack. When his then five-year-old daughter, Nola, asked her daddy why, he realized that to answer her honestly, he had to confront what almost killed him—the weight of being a Black man in America; of bearing witness, as a journalist, to relentless Black death; and of a family history scarred by enslavement, lynching, the Great Migration, the also insidious racism of the North, and gun violence that stole the lives of two great-uncles, a grandfather, a stepbrother, and two cousins.In this powerful narrative, Lee weaves together three strands: the long and bloody history of African Americans and guns; his work as a chronicler of gun violence, tallying the costs and riches generated by both the legal and illegal gun industries; and his own life story. With unflinching honesty he takes readers on a journey, from almost being caught up in gun violence as a young man, to tracing the legacy of the Middle Passage in Ghana through his ancestors’ footsteps, to confronting the challenges of representing his people in an overwhelmingly white and often hostile media world, and most importantly, to celebrating the enduring strength of his family and community.In A Thousand Ways to Die (St. Martin’s Press, 2025) Lee answers Nola and all who seek a more just America. He shares the hard truths and complexities of the Black experience, but he also celebrates the beauty and resilience that is Nola’s legacy. In this episode we discuss the work of Dana Tenille Weeks. You can hear her talk about the reimagination of future at Episode 22 of her podcast, The Rest of Us. Find Trymaine Lee at his website and on Instagram. Host Sullivan Summer is at her website, Instagram, and on Substack. A few years ago, Trymaine Lee, though fit and only 38, nearly died of a heart attack. When his then five-year-old daughter, Nola, asked her daddy why, he realized that to answer her honestly, he had to confront what almost killed him—the weight of being a Black man in America; of bearing witness, as a journalist, to relentless Black death; and of a family history scarred by enslavement, lynching, the Great Migration, the also insidious racism of the North, and gun violence that stole the lives of two great-uncles, a grandfather, a stepbrother, and two cousins.
In this powerful narrative, Lee weaves together three strands: the long and bloody history of African Americans and guns; his work as a chronicler of gun violence, tallying the costs and riches generated by both the legal and illegal gun industries; and his own life story. With unflinching honesty he takes readers on a journey, from almost being caught up in gun violence as a young man, to tracing the legacy of the Middle Passage in Ghana through his ancestors’ footsteps, to confronting the challenges of representing his people in an overwhelmingly white and often hostile media world, and most importantly, to celebrating the enduring strength of his family and community.
In A Thousand Ways to Die (St. Martin’s Press, 2025) Lee answers Nola and all who seek a more just America. He shares the hard truths and complexities of the Black experience, but he also celebrates the beauty and resilience that is Nola’s legacy.

In this episode we discuss the work of Dana Tenille Weeks. You can hear her talk about the reimagination of future at Episode 22 of her podcast, The Rest of Us.

Find Trymaine Lee at his website and on Instagram.

Host Sullivan Summer is at her website, Instagram, and on Substack.

]]> 3150 no Gloria Browne-Marshall, "A Protest History of the United States" (Beacon Press, 2026) Exploring 500 years of protest and resistance in US history—and how its force is foundational and can empower us to navigate our chaotic world In this timely new book in Beacon’s successful ReVisioning History series, professor Gloria Browne-Marshall delves into the history of protest movements and rebellion in the United States. Beginning with Indigenous peoples’ resistance to European colonization and continuing through to today’s climate change demonstrations, Browne-Marshall sheds light on known and forgotten movements and their unsung leaders, revealing how protest has shaped our nation and remains a vital force for change today. Drawing upon legal documents, archival material, memoir, government documents and secondary sources, A Protest History of the United States (Beacon Press, 2026) gives voice to those who pushed back against the mistreatment of others, themselves, and in some instances planet Earth. Browne-Marshall highlights stories of individuals from all walks of life, backgrounds, and time periods who helped bring strong attention to their causes. Those stories include those of: Wahunsenacock, more commonly known to history as Chief Powhatan, who took on English invaders in pre-colonial America in 1607; legendary boxer Muhammad Ali who refused to be inducted into the US military during the Vietnam era and appealed all the way to the US Supreme Court; and David Buckel, LGBTQ+ rights lawyer and environmental activist who protested against fossil fuels by committing self-immolation in 2018. Regardless of whether these protests accomplished their end goals, Browne-Marshall reminds us that dissent is always meaningful and impactful. In fact, reading this book is an act of protest. Find Professor Gloria J. Browne-Marshall at her website and on Instagram. And find host Sullivan Summer at her website, on Instagram, and on Substack where she and Gloria continued their conversation. Mon, 08 Dec 2025 09:00:00 -0000 full New Books Network Exploring 500 years of protest and resistance in US history—and how its force is foundational and can empower us to navigate our chaotic world In this timely new book in Beacon’s successful ReVisioning History series, professor Gloria Browne-Marshall delves into the history of protest movements and rebellion in the United States. Beginning with Indigenous peoples’ resistance to European colonization and continuing through to today’s climate change demonstrations, Browne-Marshall sheds light on known and forgotten movements and their unsung leaders, revealing how protest has shaped our nation and remains a vital force for change today. Drawing upon legal documents, archival material, memoir, government documents and secondary sources, A Protest History of the United States (Beacon Press, 2026) gives voice to those who pushed back against the mistreatment of others, themselves, and in some instances planet Earth. Browne-Marshall highlights stories of individuals from all walks of life, backgrounds, and time periods who helped bring strong attention to their causes. Those stories include those of: Wahunsenacock, more commonly known to history as Chief Powhatan, who took on English invaders in pre-colonial America in 1607; legendary boxer Muhammad Ali who refused to be inducted into the US military during the Vietnam era and appealed all the way to the US Supreme Court; and David Buckel, LGBTQ+ rights lawyer and environmental activist who protested against fossil fuels by committing self-immolation in 2018. Regardless of whether these protests accomplished their end goals, Browne-Marshall reminds us that dissent is always meaningful and impactful. In fact, reading this book is an act of protest. Find Professor Gloria J. Browne-Marshall at her website and on Instagram. And find host Sullivan Summer at her website, on Instagram, and on Substack where she and Gloria continued their conversation. Exploring 500 years of protest and resistance in US history—and how its force is foundational and can empower us to navigate our chaotic world

In this timely new book in Beacon’s successful ReVisioning History series, professor Gloria Browne-Marshall delves into the history of protest movements and rebellion in the United States. Beginning with Indigenous peoples’ resistance to European colonization and continuing through to today’s climate change demonstrations, Browne-Marshall sheds light on known and forgotten movements and their unsung leaders, revealing how protest has shaped our nation and remains a vital force for change today.

Drawing upon legal documents, archival material, memoir, government documents and secondary sources, A Protest History of the United States (Beacon Press, 2026) gives voice to those who pushed back against the mistreatment of others, themselves, and in some instances planet Earth. Browne-Marshall highlights stories of individuals from all walks of life, backgrounds, and time periods who helped bring strong attention to their causes. Those stories include those of:

  • Wahunsenacock, more commonly known to history as Chief Powhatan, who took on English invaders in pre-colonial America in 1607;
  • legendary boxer Muhammad Ali who refused to be inducted into the US military during the Vietnam era and appealed all the way to the US Supreme Court;
  • and David Buckel, LGBTQ+ rights lawyer and environmental activist who protested against fossil fuels by committing self-immolation in 2018.

Regardless of whether these protests accomplished their end goals, Browne-Marshall reminds us that dissent is always meaningful and impactful. In fact, reading this book is an act of protest.

Find Professor Gloria J. Browne-Marshall at her website and on Instagram.

And find host Sullivan Summer at her website, on Instagram, and on Substack where she and Gloria continued their conversation.

]]> 3982 no Shatema Threadcraft, "Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy" (Oxford UP, 2025) Western democracies are haunted. Michael Hanchard suggests that the specter of race is what haunts our democracies, but it may be more accurate to suggest that they are haunted by their own racialized death machines—by racialized premature death. If this haunting is not adequately attended to, democracies cannot fulfill their function. Even W. E. B. Du Bois, whose lynching-as-crucifixion stories are important among the stories of Black peoplehood and represent an important attempt to reckon with death in democracy, did not attend to the haunting. But many innovative Black female democrats did. Black women face a crisis of premature death. They are 10 percent of the US female population yet represent 59 percent of women murdered. Their deaths are most often instances of intimate partner violence and occur in private, whereas most large-scale Black political mobilization centers on deaths that are “spectacular.” The centrality of spectacular death has functioned to marginalize Black women in the stories of Black peoplehood and has ensured that they are not the main beneficiaries of large-scale Black political mobilization. But the dearth of mobilization around the deaths of women has not stopped Black women from attending to that which haunts our democracy. Moreover, it is not simply Du Bois’s abolition democracy toward which the women have worked. Their work has involved experimentation with novel democratic forms, and we should think about that work—their methods and the substance of their contributions—within the framework of “Morrisonian truant democracy,” which provides the solution to the problem of mobilization. Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy (Oxford UP, 2025) Professor Shatema Threadcraft is the Associate Professor of Gender and Sexuality Studies at Vanderbilt University. Find host Sullivan Summer at her website, on Instagram, and at Substack, where she and Shatema continued their conversation. Sat, 22 Nov 2025 09:00:00 -0000 full New Books Network Western democracies are haunted. Michael Hanchard suggests that the specter of race is what haunts our democracies, but it may be more accurate to suggest that they are haunted by their own racialized death machines—by racialized premature death. If this haunting is not adequately attended to, democracies cannot fulfill their function. Even W. E. B. Du Bois, whose lynching-as-crucifixion stories are important among the stories of Black peoplehood and represent an important attempt to reckon with death in democracy, did not attend to the haunting. But many innovative Black female democrats did. Black women face a crisis of premature death. They are 10 percent of the US female population yet represent 59 percent of women murdered. Their deaths are most often instances of intimate partner violence and occur in private, whereas most large-scale Black political mobilization centers on deaths that are “spectacular.” The centrality of spectacular death has functioned to marginalize Black women in the stories of Black peoplehood and has ensured that they are not the main beneficiaries of large-scale Black political mobilization. But the dearth of mobilization around the deaths of women has not stopped Black women from attending to that which haunts our democracy. Moreover, it is not simply Du Bois’s abolition democracy toward which the women have worked. Their work has involved experimentation with novel democratic forms, and we should think about that work—their methods and the substance of their contributions—within the framework of “Morrisonian truant democracy,” which provides the solution to the problem of mobilization. Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy (Oxford UP, 2025) Professor Shatema Threadcraft is the Associate Professor of Gender and Sexuality Studies at Vanderbilt University. Find host Sullivan Summer at her website, on Instagram, and at Substack, where she and Shatema continued their conversation. Western democracies are haunted. Michael Hanchard suggests that the specter of race is what haunts our democracies, but it may be more accurate to suggest that they are haunted by their own racialized death machines—by racialized premature death. If this haunting is not adequately attended to, democracies cannot fulfill their function. Even W. E. B. Du Bois, whose lynching-as-crucifixion stories are important among the stories of Black peoplehood and represent an important attempt to reckon with death in democracy, did not attend to the haunting. But many innovative Black female democrats did. Black women face a crisis of premature death. They are 10 percent of the US female population yet represent 59 percent of women murdered. Their deaths are most often instances of intimate partner violence and occur in private, whereas most large-scale Black political mobilization centers on deaths that are “spectacular.” The centrality of spectacular death has functioned to marginalize Black women in the stories of Black peoplehood and has ensured that they are not the main beneficiaries of large-scale Black political mobilization. But the dearth of mobilization around the deaths of women has not stopped Black women from attending to that which haunts our democracy. Moreover, it is not simply Du Bois’s abolition democracy toward which the women have worked. Their work has involved experimentation with novel democratic forms, and we should think about that work—their methods and the substance of their contributions—within the framework of “Morrisonian truant democracy,” which provides the solution to the problem of mobilization. Labors of Resurrection: Black Women, Necromancy, and Morrisonian Democracy (Oxford UP, 2025)

Professor Shatema Threadcraft is the Associate Professor of Gender and Sexuality Studies at Vanderbilt University.

Find host Sullivan Summer at her website, on Instagram, and at Substack, where she and Shatema continued their conversation.

]]> 3504 no Ronald Angelo Johnson, "Entangled Alliances: Racialized Freedom and Atlantic Diplomacy During the American Revolution" (Cornell UP, 2025) Entangled Alliances is a reinterpretation of the American Revolution through analysis of diplomacy in the emerging United States during decades of hemispheric transformation. Ronald Angelo Johnson brings to light the fascinating story of American patriots and rebels from Saint-Domingue (later Haiti) allying against European tyranny. The American Revolution occurred between two of the greatest achievements in diplomacy of the eighteenth century: the peace treaties at Paris in 1763 and 1783. In Entangled Alliances: Racialized Freedom and Atlantic Diplomacy During the American Revolution (Cornell UP, 2025), Johnson draws on original multilingual sources to offer readers fresh, lively stories in a timely study. While modern understandings of freedom are often linked to the US Declaration of Independence, Johnson argues that the desire of Black Atlantic inhabitants for liberty and their will to resist slavery predated the fateful standoff between minutemen and redcoats at Lexington and Concord. Entangled Alliances is a US history of the American Revolution, fusing the search for freedom by Black and white founders in the United States and Saint-Domingue into a coherent story of collective resistance during the most explosive twenty-year period of the eighteenth century. You can find Dr. Ronald Angelo Johnson at the Baylor University website. Find host Sullivan Summer at her website, on Instagram, and on Substack where she and the author continued their conversation. Thu, 13 Nov 2025 09:00:00 -0000 full New Books Network Entangled Alliances is a reinterpretation of the American Revolution through analysis of diplomacy in the emerging United States during decades of hemispheric transformation. Ronald Angelo Johnson brings to light the fascinating story of American patriots and rebels from Saint-Domingue (later Haiti) allying against European tyranny. The American Revolution occurred between two of the greatest achievements in diplomacy of the eighteenth century: the peace treaties at Paris in 1763 and 1783. In Entangled Alliances: Racialized Freedom and Atlantic Diplomacy During the American Revolution (Cornell UP, 2025), Johnson draws on original multilingual sources to offer readers fresh, lively stories in a timely study. While modern understandings of freedom are often linked to the US Declaration of Independence, Johnson argues that the desire of Black Atlantic inhabitants for liberty and their will to resist slavery predated the fateful standoff between minutemen and redcoats at Lexington and Concord. Entangled Alliances is a US history of the American Revolution, fusing the search for freedom by Black and white founders in the United States and Saint-Domingue into a coherent story of collective resistance during the most explosive twenty-year period of the eighteenth century. You can find Dr. Ronald Angelo Johnson at the Baylor University website. Find host Sullivan Summer at her website, on Instagram, and on Substack where she and the author continued their conversation. Entangled Alliances is a reinterpretation of the American Revolution through analysis of diplomacy in the emerging United States during decades of hemispheric transformation.

Ronald Angelo Johnson brings to light the fascinating story of American patriots and rebels from Saint-Domingue (later Haiti) allying against European tyranny.

The American Revolution occurred between two of the greatest achievements in diplomacy of the eighteenth century: the peace treaties at Paris in 1763 and 1783. In Entangled Alliances: Racialized Freedom and Atlantic Diplomacy During the American Revolution (Cornell UP, 2025), Johnson draws on original multilingual sources to offer readers fresh, lively stories in a timely study. While modern understandings of freedom are often linked to the US Declaration of Independence, Johnson argues that the desire of Black Atlantic inhabitants for liberty and their will to resist slavery predated the fateful standoff between minutemen and redcoats at Lexington and Concord.

Entangled Alliances is a US history of the American Revolution, fusing the search for freedom by Black and white founders in the United States and Saint-Domingue into a coherent story of collective resistance during the most explosive twenty-year period of the eighteenth century.

You can find Dr. Ronald Angelo Johnson at the Baylor University website.

Find host Sullivan Summer at her website, on Instagram, and on Substack where she and the author continued their conversation.

]]> 4930 no Javier Wallace, "Basketball Trafficking: Stolen Black Panamanian Dreams" (Duke UP, 2025) Every year, hundreds of international student athletes arrive in the U.S. chasing their basketball dreams — many on F-1 student visas. But for some their journey turns into exploitation. Basketball Trafficking: Stolen Black Panamanian Dreams (Duke University Press, 2025) uncovers how dreams are sold, manipulated, and in some cases stolen — especially for young Black athletes from the Global South. This book offers a powerful call to action for educators, institutions, and sport leaders to safeguard the next generation of hoopers. Rooted in his own experience as a distinguished former Division 1 college athlete and an alumnus of a Historically Black Colleges and Universities (HBCU), Javier has a unique perspective on the significance of sports in cultural and social movements. He procured his Bachelor of Science and Master of Science degrees from Florida A&M University, followed by a PhD from The University of Texas at Austin, where he delved into the intersections of race, culture, and athletics. Javier’s expertise has led him to prominent roles, including serving as a Fellow at Harvard’s AfroLatin American Research Initiative, a University of Pennsylvania & University of Birmingham (UK) Immigration Fellow, and a Postdoctoral Associate and Professor at Duke University. His scholarly work has been recognized with accolades, such as the Harvard ALARI Best Dissertation on an Afro-Latin American topic in 2020 and a Preservation Merit Award from Preservation Austin. Javier has been featured in numerous media outlets such as TEDx, The Travel Channel, Discovery Channel, Vice Sports, ESPN, and CNN, marking him as a distinctive voice in his arena. His dedication to shining a light on the unsung heroes who have transformed sports into a stage for empowerment and social change remains unwavering. A committed traveler and cultural enthusiast, Javier continues to connect and promote these remarkable stories of resilience and triumph wherever his journey takes him. You can find Javier online, on Instagram, and at LinkedIn. Find Host Sullivan Summer online, on Instagram, or on Substack, where she and Javier continue their conversation. Sun, 26 Oct 2025 08:00:00 -0000 full New Books Network Every year, hundreds of international student athletes arrive in the U.S. chasing their basketball dreams — many on F-1 student visas. But for some their journey turns into exploitation. Basketball Trafficking: Stolen Black Panamanian Dreams (Duke University Press, 2025) uncovers how dreams are sold, manipulated, and in some cases stolen — especially for young Black athletes from the Global South. This book offers a powerful call to action for educators, institutions, and sport leaders to safeguard the next generation of hoopers. Rooted in his own experience as a distinguished former Division 1 college athlete and an alumnus of a Historically Black Colleges and Universities (HBCU), Javier has a unique perspective on the significance of sports in cultural and social movements. He procured his Bachelor of Science and Master of Science degrees from Florida A&M University, followed by a PhD from The University of Texas at Austin, where he delved into the intersections of race, culture, and athletics. Javier’s expertise has led him to prominent roles, including serving as a Fellow at Harvard’s AfroLatin American Research Initiative, a University of Pennsylvania & University of Birmingham (UK) Immigration Fellow, and a Postdoctoral Associate and Professor at Duke University. His scholarly work has been recognized with accolades, such as the Harvard ALARI Best Dissertation on an Afro-Latin American topic in 2020 and a Preservation Merit Award from Preservation Austin. Javier has been featured in numerous media outlets such as TEDx, The Travel Channel, Discovery Channel, Vice Sports, ESPN, and CNN, marking him as a distinctive voice in his arena. His dedication to shining a light on the unsung heroes who have transformed sports into a stage for empowerment and social change remains unwavering. A committed traveler and cultural enthusiast, Javier continues to connect and promote these remarkable stories of resilience and triumph wherever his journey takes him. You can find Javier online, on Instagram, and at LinkedIn. Find Host Sullivan Summer online, on Instagram, or on Substack, where she and Javier continue their conversation. Every year, hundreds of international student athletes arrive in the U.S. chasing their basketball dreams — many on F-1 student visas. But for some their journey turns into exploitation.

Basketball Trafficking: Stolen Black Panamanian Dreams (Duke University Press, 2025) uncovers how dreams are sold, manipulated, and in some cases stolen — especially for young Black athletes from the Global South. This book offers a powerful call to action for educators, institutions, and sport leaders to safeguard the next generation of hoopers.

Rooted in his own experience as a distinguished former Division 1 college athlete and an alumnus of a Historically Black Colleges and Universities (HBCU), Javier has a unique perspective on the significance of sports in cultural and social movements. He procured his Bachelor of Science and Master of Science degrees from Florida A&M University, followed by a PhD from The University of Texas at Austin, where he delved into the intersections of race, culture, and athletics.

Javier’s expertise has led him to prominent roles, including serving as a Fellow at Harvard’s AfroLatin American Research Initiative, a University of Pennsylvania & University of Birmingham (UK) Immigration Fellow, and a Postdoctoral Associate and Professor at Duke University. His scholarly work has been recognized with accolades, such as the Harvard ALARI Best Dissertation on an Afro-Latin American topic in 2020 and a Preservation Merit Award from Preservation Austin.

Javier has been featured in numerous media outlets such as TEDx, The Travel Channel, Discovery Channel, Vice Sports, ESPN, and CNN, marking him as a distinctive voice in his arena. His dedication to shining a light on the unsung heroes who have transformed sports into a stage for empowerment and social change remains unwavering. A committed traveler and cultural enthusiast, Javier continues to connect and promote these remarkable stories of resilience and triumph wherever his journey takes him.

You can find Javier online, on Instagram, and at LinkedIn.

Find Host Sullivan Summer online, on Instagram, or on Substack, where she and Javier continue their conversation.

]]> 4001 no Taylor Byas, "Resting Bitch Face: Poems" (Catapult, 2025) The author of the award-winning national bestseller I Done Clicked My Heels Three Times returns with a poetry collection that transforms the Black female speaker from object, artistic muse, and victim to subject, critic, and master of her story.Resting Bitch Face (Soft Skull Press, 2025) is a book for women, for Black women, for lovers of art and film criticism, and for writers interested in work that finds a middle ground between poetry and prose. Taylor Byas uses some of our most common ways of “watching” throughout history (painting, films, sculpture, and photographs) to explore how these mediums shape Black female subjectivity.From the examination of artwork by Picasso, Gauguin, Sally Mann, and Nan Goldin, Byas displays her mastery of the poetic form by engaging in intimate and inventive writing. Fluctuating between watcher and watched, the speaker of these poems uses mirrors and reflections to flip the script and talk back to histories of art, text, photography, relationships, and men. From Polaroids to gesso primer to sculpture, Byas creates a world in which the artist calls out and the muse responds. For not only does she enter the world of the long-revered classic artist, but she also infuses her poems with such iconic pop culture works as The Joker, WandaVision, and Last Tango in Paris. You can find Taylor on Instagram and Bluesky. Find host Sullivan Summer online, on Instagram, and over on Substack, where she and Taylor went to continue their conversation. Wed, 08 Oct 2025 08:00:00 -0000 full New Books Network The author of the award-winning national bestseller I Done Clicked My Heels Three Times returns with a poetry collection that transforms the Black female speaker from object, artistic muse, and victim to subject, critic, and master of her story.Resting Bitch Face (Soft Skull Press, 2025) is a book for women, for Black women, for lovers of art and film criticism, and for writers interested in work that finds a middle ground between poetry and prose. Taylor Byas uses some of our most common ways of “watching” throughout history (painting, films, sculpture, and photographs) to explore how these mediums shape Black female subjectivity.From the examination of artwork by Picasso, Gauguin, Sally Mann, and Nan Goldin, Byas displays her mastery of the poetic form by engaging in intimate and inventive writing. Fluctuating between watcher and watched, the speaker of these poems uses mirrors and reflections to flip the script and talk back to histories of art, text, photography, relationships, and men. From Polaroids to gesso primer to sculpture, Byas creates a world in which the artist calls out and the muse responds. For not only does she enter the world of the long-revered classic artist, but she also infuses her poems with such iconic pop culture works as The Joker, WandaVision, and Last Tango in Paris. You can find Taylor on Instagram and Bluesky. Find host Sullivan Summer online, on Instagram, and over on Substack, where she and Taylor went to continue their conversation. The author of the award-winning national bestseller I Done Clicked My Heels Three Times returns with a poetry collection that transforms the Black female speaker from object, artistic muse, and victim to subject, critic, and master of her story.
Resting Bitch Face (Soft Skull Press, 2025) is a book for women, for Black women, for lovers of art and film criticism, and for writers interested in work that finds a middle ground between poetry and prose. Taylor Byas uses some of our most common ways of “watching” throughout history (painting, films, sculpture, and photographs) to explore how these mediums shape Black female subjectivity.
From the examination of artwork by Picasso, Gauguin, Sally Mann, and Nan Goldin, Byas displays her mastery of the poetic form by engaging in intimate and inventive writing. Fluctuating between watcher and watched, the speaker of these poems uses mirrors and reflections to flip the script and talk back to histories of art, text, photography, relationships, and men. From Polaroids to gesso primer to sculpture, Byas creates a world in which the artist calls out and the muse responds. For not only does she enter the world of the long-revered classic artist, but she also infuses her poems with such iconic pop culture works as The Joker, WandaVision, and Last Tango in Paris.

You can find Taylor on Instagram and Bluesky.

Find host Sullivan Summer online, on Instagram, and over on Substack, where she and Taylor went to continue their conversation.

]]> 3673 no Constance Bailey, "Conversations with Kiese Laymon" (UP of Mississippi, 2025) This is a very special episode of the New Books Network, as the editor of Conversations with Kiese Laymon (UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon. Conversations with Kiese Laymon provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon’s life and craft. Within the book’s pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody’s Coming of Age in Mississippi, Welty’s One Writer’s Beginnings, Jesmyn Ward’s Men We Reaped, and Natasha Trethewey’s Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues. As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon’s humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, Conversations provides an unfiltered look at the prolific Southern writer in his own words. And the same can be said of this episode. You can find Dr. Constance Bailey at her website, and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. Wed, 24 Sep 2025 08:00:00 -0000 full New Books Network This is a very special episode of the New Books Network, as the editor of Conversations with Kiese Laymon (UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon. Conversations with Kiese Laymon provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon’s life and craft. Within the book’s pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody’s Coming of Age in Mississippi, Welty’s One Writer’s Beginnings, Jesmyn Ward’s Men We Reaped, and Natasha Trethewey’s Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues. As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon’s humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, Conversations provides an unfiltered look at the prolific Southern writer in his own words. And the same can be said of this episode. You can find Dr. Constance Bailey at her website, and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. This is a very special episode of the New Books Network, as the editor of Conversations with Kiese Laymon (UP of Mississippi, 2025), Dr. Constance Bailey, discusses the process of selecting, compiling, and publishing the volume with the subject himself, award-winning author, Kiese Laymon.

Conversations with Kiese Laymon provides an in-depth look at Laymon as an educator, creative writer, activist, family member, and Mississippian. Interviews capture surprising insights into Laymon’s life and craft. Within the book’s pages, Laymon talks about his engagement with other writers, including Richard Wright, William Faulkner, and Eudora Welty. These revelations situate his memoir, Heavy, among other great Mississippi autobiographies and memoirs, such as Anne Moody’s Coming of Age in Mississippi, Welty’s One Writer’s Beginnings, Jesmyn Ward’s Men We Reaped, and Natasha Trethewey’s Memorial Drive. In other interviews, he discusses his obsession with revision and deftly fields questions about pop culture, politics, and Black masculinity, along with a host of other pressing contemporary issues.

As the first collection of its kind, Conversations with Kiese Laymon serves as the perfect introduction to studying Laymon. The cross section of interviews included reflects Laymon’s humility, while simultaneously celebrating his accomplishments. Most importantly, the interviews reflect his stature as a major American literary figure. With topics ranging from hip-hop and family to politics and everything in between, Conversations provides an unfiltered look at the prolific Southern writer in his own words.

And the same can be said of this episode.

You can find Dr. Constance Bailey at her website, and on Instagram.

Find host Sullivan Summer at her website, on Instagram, and on Substack.

]]> 4046 yes Kenja McCray, "Essential Soldiers: Women Activists and Black Power Movement Leadership" (NYU Press, 2025) Academics and popular commentors have expressed common sentiments about the Black Power movement of the 1960s and 1970s—that it was male dominated and overrun with autocratic leaders. Yet women’s strategizing, management, and sustained work were integral to movement organizations’ functioning, and female advocates of cultural nationalism often exhibited a unique service-oriented, collaborative leadership style.Essential Soldiers: Women Activists and Black Power Movement Leadership (New York University Press, 2025) documents a variety of women Pan-African nationalists’ experiences, considering the ways they produced a distinctive kind of leadership through their devotion and service to the struggle for freedom and equality. Relying on oral histories, textual archival material, and scholarly literature, this book delves into women’s organizing and resistance efforts, investigating how they challenged the one-dimensional notions of gender roles within cultural nationalist organizations. Revealing a form of Black Power leadership that has never been highlighted, author Kenja McCray explores how women articulated and used their power to transform themselves and their environments. Through her examination, McCray argues that women’s Pan-Africanist cultural nationalist activism embodied a work-centered, people-centered, and African-centered form of service leadership. A dynamic and fascinating narrative of African American women activists, Essential Soldiers provides a new vantage point for considering Black Power leadership legacies. This episode includes a reference to the book Prose to the People: A Celebration of Black Bookstores by Katie Mitchell (Random House, 2025). Listen to Mitchell discuss her book at New Books in African American Studies, hosted by N’Kosi Oates. Dr. Kenja McCray is Assistant Professor of History in the Department of Humanities at Clayton State University and coauthor of Atlanta Metropolitan State College: A Campus History (Arcadia Publishing, 2023). You can find Dr. McCray at her website, on Facebook, and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack, where she and Dr. McCray continued their conversation. Mon, 22 Sep 2025 08:00:00 -0000 full New Books Network Academics and popular commentors have expressed common sentiments about the Black Power movement of the 1960s and 1970s—that it was male dominated and overrun with autocratic leaders. Yet women’s strategizing, management, and sustained work were integral to movement organizations’ functioning, and female advocates of cultural nationalism often exhibited a unique service-oriented, collaborative leadership style.Essential Soldiers: Women Activists and Black Power Movement Leadership (New York University Press, 2025) documents a variety of women Pan-African nationalists’ experiences, considering the ways they produced a distinctive kind of leadership through their devotion and service to the struggle for freedom and equality. Relying on oral histories, textual archival material, and scholarly literature, this book delves into women’s organizing and resistance efforts, investigating how they challenged the one-dimensional notions of gender roles within cultural nationalist organizations. Revealing a form of Black Power leadership that has never been highlighted, author Kenja McCray explores how women articulated and used their power to transform themselves and their environments. Through her examination, McCray argues that women’s Pan-Africanist cultural nationalist activism embodied a work-centered, people-centered, and African-centered form of service leadership. A dynamic and fascinating narrative of African American women activists, Essential Soldiers provides a new vantage point for considering Black Power leadership legacies. This episode includes a reference to the book Prose to the People: A Celebration of Black Bookstores by Katie Mitchell (Random House, 2025). Listen to Mitchell discuss her book at New Books in African American Studies, hosted by N’Kosi Oates. Dr. Kenja McCray is Assistant Professor of History in the Department of Humanities at Clayton State University and coauthor of Atlanta Metropolitan State College: A Campus History (Arcadia Publishing, 2023). You can find Dr. McCray at her website, on Facebook, and on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack, where she and Dr. McCray continued their conversation. Academics and popular commentors have expressed common sentiments about the Black Power movement of the 1960s and 1970s—that it was male dominated and overrun with autocratic leaders. Yet women’s strategizing, management, and sustained work were integral to movement organizations’ functioning, and female advocates of cultural nationalism often exhibited a unique service-oriented, collaborative leadership style.
Essential Soldiers: Women Activists and Black Power Movement Leadership (New York University Press, 2025) documents a variety of women Pan-African nationalists’ experiences, considering the ways they produced a distinctive kind of leadership through their devotion and service to the struggle for freedom and equality. Relying on oral histories, textual archival material, and scholarly literature, this book delves into women’s organizing and resistance efforts, investigating how they challenged the one-dimensional notions of gender roles within cultural nationalist organizations. Revealing a form of Black Power leadership that has never been highlighted, author Kenja McCray explores how women articulated and used their power to transform themselves and their environments. Through her examination, McCray argues that women’s Pan-Africanist cultural nationalist activism embodied a work-centered, people-centered, and African-centered form of service leadership. A dynamic and fascinating narrative of African American women activists, Essential Soldiers provides a new vantage point for considering Black Power leadership legacies.

This episode includes a reference to the book Prose to the People: A Celebration of Black Bookstores by Katie Mitchell (Random House, 2025). Listen to Mitchell discuss her book at New Books in African American Studies, hosted by N’Kosi Oates.

Dr. Kenja McCray is Assistant Professor of History in the Department of Humanities at Clayton State University and coauthor of Atlanta Metropolitan State College: A Campus History (Arcadia Publishing, 2023). You can find Dr. McCray at her website, on Facebook, and on Instagram.

Find host Sullivan Summer at her website, on Instagram, and on Substack, where she and Dr. McCray continued their conversation.

]]> 4194 no Keisha N. Blain, "Without Fear: Black Women and the Making of Human Rights" (W.W. Norton, 2025) Even before they were recognized as citizens of the United States, Black women understood that the fights for civil and human rights were inseparable. Over the course of two hundred years, they were at the forefront of national and international movements for social change, weaving connections between their own and others’ freedom struggles around the world. Without Fear: Black Women and the Making of Human Rights (W.W. Norton, 2025) tells how, during American history, Black women made humans rights theirs: from worldwide travel and public advocacy in the global Black press to their work for the United Nations, they courageously and effectively moved human rights beyond an esoteric concept to an active, organizing principle. Acclaimed historian Keisha N. Blain tells the story of these women—from the well-known, like Ida B. Wells, Madam C. J. Walker, and Lena Horne, to those who are still less known, including Pearl Sherrod, Aretha McKinley, and Marguerite Cartwright. Blain captures human rights thinking and activism from the ground up with Black women at the center, working outside the traditional halls of power. By shouldering intersecting forms of oppression—including racism, sexism, and classism—Black women have long been in a unique position to fight for freedom and dignity. Without Fear is an account of their aspirations, strategies, and struggles to pioneer a human rights approach to combating systems of injustice. Dr. Keisha Blain is a professor of Africana studies and history at Brown University. She is a Guggenheim, Carnegie, and New America Fellow, and author—most recently of the National Book Critics Circle Award finalist Until I Am Free. You can find her on LinkedIn, Instagram, X, and Facebook. You can find host Sullivan Summer at her website, on Instagram, and on Substack. Sun, 14 Sep 2025 08:00:00 -0000 full New Books Network Even before they were recognized as citizens of the United States, Black women understood that the fights for civil and human rights were inseparable. Over the course of two hundred years, they were at the forefront of national and international movements for social change, weaving connections between their own and others’ freedom struggles around the world. Without Fear: Black Women and the Making of Human Rights (W.W. Norton, 2025) tells how, during American history, Black women made humans rights theirs: from worldwide travel and public advocacy in the global Black press to their work for the United Nations, they courageously and effectively moved human rights beyond an esoteric concept to an active, organizing principle. Acclaimed historian Keisha N. Blain tells the story of these women—from the well-known, like Ida B. Wells, Madam C. J. Walker, and Lena Horne, to those who are still less known, including Pearl Sherrod, Aretha McKinley, and Marguerite Cartwright. Blain captures human rights thinking and activism from the ground up with Black women at the center, working outside the traditional halls of power. By shouldering intersecting forms of oppression—including racism, sexism, and classism—Black women have long been in a unique position to fight for freedom and dignity. Without Fear is an account of their aspirations, strategies, and struggles to pioneer a human rights approach to combating systems of injustice. Dr. Keisha Blain is a professor of Africana studies and history at Brown University. She is a Guggenheim, Carnegie, and New America Fellow, and author—most recently of the National Book Critics Circle Award finalist Until I Am Free. You can find her on LinkedIn, Instagram, X, and Facebook. You can find host Sullivan Summer at her website, on Instagram, and on Substack. Even before they were recognized as citizens of the United States, Black women understood that the fights for civil and human rights were inseparable. Over the course of two hundred years, they were at the forefront of national and international movements for social change, weaving connections between their own and others’ freedom struggles around the world.

Without Fear: Black Women and the Making of Human Rights (W.W. Norton, 2025) tells how, during American history, Black women made humans rights theirs: from worldwide travel and public advocacy in the global Black press to their work for the United Nations, they courageously and effectively moved human rights beyond an esoteric concept to an active, organizing principle. Acclaimed historian Keisha N. Blain tells the story of these women—from the well-known, like Ida B. Wells, Madam C. J. Walker, and Lena Horne, to those who are still less known, including Pearl Sherrod, Aretha McKinley, and Marguerite Cartwright. Blain captures human rights thinking and activism from the ground up with Black women at the center, working outside the traditional halls of power.

By shouldering intersecting forms of oppression—including racism, sexism, and classism—Black women have long been in a unique position to fight for freedom and dignity. Without Fear is an account of their aspirations, strategies, and struggles to pioneer a human rights approach to combating systems of injustice.

Dr. Keisha Blain is a professor of Africana studies and history at Brown University. She is a Guggenheim, Carnegie, and New America Fellow, and author—most recently of the National Book Critics Circle Award finalist Until I Am Free. You can find her on LinkedIn, Instagram, X, and Facebook.

You can find host Sullivan Summer at her website, on Instagram, and on Substack.

]]> 2459 no LaShawn Harris, "Tell Her Story: Eleanor Bumpurs & the Police Killing That Galvanized New York City" (Beacon, 2025) On October 29, 1984, 66-year-old beloved Black disabled grandmother Eleanor Bumpurs was murdered in her own home. A public housing tenant 4 months behind on rent, Ms. Bumpurs was facing eviction when white NYPD officer Stephen Sullivan shot her twice with a 12-gauge shotgun. LaShawn Harris, 10 years old at the time, felt the aftershocks of the tragedy in her community well beyond the four walls of her home across the street.Now an award-winning historian, Harris uses eyewitness accounts, legal documents, civil rights pamphlets, and more to look through the lens of her childhood neighbor’s life and death. She renders in a new light the history of anti-Black police violence and of the watershed anti-policing movement Eleanor Bumpurs’s murder birthed.So many Black women’s lives have been stolen since—Deborah Danner, Sandra Bland, Breonna Taylor, Sonya Massey—and still more are on the line. A deeply researched, intimate portrait of Eleanor Bumpurs’s life and legacy highlights, Tell Her Story (Beacon Press, 2025) shows how one Black grandmother’s brutal police murder galvanized an entire city, and how possible and critical it is to stand together against racist policing now. Author LaShawn Harris is an Associate Professor of History at Michigan State University and former Managing and Book Review Editor for the Journal of African American History (JAAH). She is a historian of U. S. history with a focus on African American, Black Women’s, and urban histories. You can find her on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. Mon, 25 Aug 2025 08:00:00 -0000 full 519 New Books Network On October 29, 1984, 66-year-old beloved Black disabled grandmother Eleanor Bumpurs was murdered in her own home. A public housing tenant 4 months behind on rent, Ms. Bumpurs was facing eviction when white NYPD officer Stephen Sullivan shot her twice with a 12-gauge shotgun. LaShawn Harris, 10 years old at the time, felt the aftershocks of the tragedy in her community well beyond the four walls of her home across the street.Now an award-winning historian, Harris uses eyewitness accounts, legal documents, civil rights pamphlets, and more to look through the lens of her childhood neighbor’s life and death. She renders in a new light the history of anti-Black police violence and of the watershed anti-policing movement Eleanor Bumpurs’s murder birthed.So many Black women’s lives have been stolen since—Deborah Danner, Sandra Bland, Breonna Taylor, Sonya Massey—and still more are on the line. A deeply researched, intimate portrait of Eleanor Bumpurs’s life and legacy highlights, Tell Her Story (Beacon Press, 2025) shows how one Black grandmother’s brutal police murder galvanized an entire city, and how possible and critical it is to stand together against racist policing now. Author LaShawn Harris is an Associate Professor of History at Michigan State University and former Managing and Book Review Editor for the Journal of African American History (JAAH). She is a historian of U. S. history with a focus on African American, Black Women’s, and urban histories. You can find her on Instagram. Find host Sullivan Summer at her website, on Instagram, and on Substack. On October 29, 1984, 66-year-old beloved Black disabled grandmother Eleanor Bumpurs was murdered in her own home. A public housing tenant 4 months behind on rent, Ms. Bumpurs was facing eviction when white NYPD officer Stephen Sullivan shot her twice with a 12-gauge shotgun. LaShawn Harris, 10 years old at the time, felt the aftershocks of the tragedy in her community well beyond the four walls of her home across the street.
Now an award-winning historian, Harris uses eyewitness accounts, legal documents, civil rights pamphlets, and more to look through the lens of her childhood neighbor’s life and death. She renders in a new light the history of anti-Black police violence and of the watershed anti-policing movement Eleanor Bumpurs’s murder birthed.
So many Black women’s lives have been stolen since—Deborah Danner, Sandra Bland, Breonna Taylor, Sonya Massey—and still more are on the line. A deeply researched, intimate portrait of Eleanor Bumpurs’s life and legacy highlights, Tell Her Story (Beacon Press, 2025) shows how one Black grandmother’s brutal police murder galvanized an entire city, and how possible and critical it is to stand together against racist policing now.

Author LaShawn Harris is an Associate Professor of History at Michigan State University and former Managing and Book Review Editor for the Journal of African American History (JAAH). She is a historian of U. S. history with a focus on African American, Black Women’s, and urban histories. You can find her on Instagram.

Find host Sullivan Summer at her website, on Instagram, and on Substack.

]]> 4083 no Ashley M. Jones, "Lullaby for the Grieving" (Hub City Press, 2025) With previous work hailed by the New York Times as “unflinching” and “piercing,” Ashley M. Jones’s Lullaby for the Grieving (Hub City Press, 2025) is her most personal collection to date. In it, Jones studies the multifaceted nature of grief: the personal grief of losing her father, and the political grief tied to Black Southern identity. How does one find a path through the deep sorrow of losing a parent? What wonders of Blackness must be suppressed to make way for “progress?” Journeying through landscapes of Alabama, the Middle Passage and Underground Railroad, interior spaces of loss and love, and her father’s garden, Jones constructs both an elegy for her father and a celebration of the sacred exuberance and audacity of life. Featuring poems from her tenure as Alabama’s first Black and youngest Poet Laureate, Lullaby for the Grieving finds calm in unimaginable storms and attempts to listen for the sounds of healing. Ashley M. Jones is the Poet Laureate of Alabama (2022-2026). She is the first person of color and youngest person in Alabama’s history to hold this position, which was created in 1930. You can find her online at Ashley M. Jones Poetry. You can find host, Sullivan Summer at her website, on Instagram, and on Substack, where she and Ashley discuss Ashley’s tenure as Poet Laureate. Fri, 22 Aug 2025 08:00:00 -0000 full New Books Network With previous work hailed by the New York Times as “unflinching” and “piercing,” Ashley M. Jones’s Lullaby for the Grieving (Hub City Press, 2025) is her most personal collection to date. In it, Jones studies the multifaceted nature of grief: the personal grief of losing her father, and the political grief tied to Black Southern identity. How does one find a path through the deep sorrow of losing a parent? What wonders of Blackness must be suppressed to make way for “progress?” Journeying through landscapes of Alabama, the Middle Passage and Underground Railroad, interior spaces of loss and love, and her father’s garden, Jones constructs both an elegy for her father and a celebration of the sacred exuberance and audacity of life. Featuring poems from her tenure as Alabama’s first Black and youngest Poet Laureate, Lullaby for the Grieving finds calm in unimaginable storms and attempts to listen for the sounds of healing. Ashley M. Jones is the Poet Laureate of Alabama (2022-2026). She is the first person of color and youngest person in Alabama’s history to hold this position, which was created in 1930. You can find her online at Ashley M. Jones Poetry. You can find host, Sullivan Summer at her website, on Instagram, and on Substack, where she and Ashley discuss Ashley’s tenure as Poet Laureate. With previous work hailed by the New York Times as “unflinching” and “piercing,” Ashley M. Jones’s Lullaby for the Grieving (Hub City Press, 2025) is her most personal collection to date.

In it, Jones studies the multifaceted nature of grief: the personal grief of losing her father, and the political grief tied to Black Southern identity. How does one find a path through the deep sorrow of losing a parent? What wonders of Blackness must be suppressed to make way for “progress?”

Journeying through landscapes of Alabama, the Middle Passage and Underground Railroad, interior spaces of loss and love, and her father’s garden, Jones constructs both an elegy for her father and a celebration of the sacred exuberance and audacity of life. Featuring poems from her tenure as Alabama’s first Black and youngest Poet Laureate, Lullaby for the Grieving finds calm in unimaginable storms and attempts to listen for the sounds of healing.

Ashley M. Jones is the Poet Laureate of Alabama (2022-2026). She is the first person of color and youngest person in Alabama’s history to hold this position, which was created in 1930. You can find her online at Ashley M. Jones Poetry.

You can find host, Sullivan Summer at her website, on Instagram, and on Substack, where she and Ashley discuss Ashley’s tenure as Poet Laureate.

]]> 2143 no Harriet Jacobs, "Incidents in the Life of a Slave Girl" (Norton, 2025) Incidents in the Life of a Slave Girl is the stirring autobiography of Harriet Jacobs, a mother and fugitive, detailing her harrowing escape from enslavement, seven years hiding in an attic crawl space, and the racism she faced in freedom. Forgotten for decades after its original, 19th century publication, Jacobs’ story was so harrowing and so brave it was thought to be fiction. Only through the research of historian Jean Fagan Yellin in the 1980s was it proven, once and for all, to be a brilliant and compelling work of nonfiction. Incidents is routinely cited by historians and fiction writers alike as one of the most influential texts of our time and our history. In this latest edition published by W.W. Norton (2025), Jacobs’ characters come alive for a new generation of readers, and re-readers, this time contextualized with a new introduction and explanatory notes by Evie Shockley. Dr. Evie Shockley is the Zora Neale Hurston Distinguished Professor of English at Rutgers University. She is a two-time winner of the Hurston/Wright Legacy Award, and a finalist for the LA Times Book Review Prize, and the Pulitzer Prize. You can find her on Instagram. You can find host Sullivan Summer at her website, on Instagram, and on Substack. Sat, 16 Aug 2025 08:00:00 -0000 full 515 New Books Network Incidents in the Life of a Slave Girl is the stirring autobiography of Harriet Jacobs, a mother and fugitive, detailing her harrowing escape from enslavement, seven years hiding in an attic crawl space, and the racism she faced in freedom. Forgotten for decades after its original, 19th century publication, Jacobs’ story was so harrowing and so brave it was thought to be fiction. Only through the research of historian Jean Fagan Yellin in the 1980s was it proven, once and for all, to be a brilliant and compelling work of nonfiction. Incidents is routinely cited by historians and fiction writers alike as one of the most influential texts of our time and our history. In this latest edition published by W.W. Norton (2025), Jacobs’ characters come alive for a new generation of readers, and re-readers, this time contextualized with a new introduction and explanatory notes by Evie Shockley. Dr. Evie Shockley is the Zora Neale Hurston Distinguished Professor of English at Rutgers University. She is a two-time winner of the Hurston/Wright Legacy Award, and a finalist for the LA Times Book Review Prize, and the Pulitzer Prize. You can find her on Instagram. You can find host Sullivan Summer at her website, on Instagram, and on Substack. Incidents in the Life of a Slave Girl is the stirring autobiography of Harriet Jacobs, a mother and fugitive, detailing her harrowing escape from enslavement, seven years hiding in an attic crawl space, and the racism she faced in freedom.

Forgotten for decades after its original, 19th century publication, Jacobs’ story was so harrowing and so brave it was thought to be fiction. Only through the research of historian Jean Fagan Yellin in the 1980s was it proven, once and for all, to be a brilliant and compelling work of nonfiction. Incidents is routinely cited by historians and fiction writers alike as one of the most influential texts of our time and our history.

In this latest edition published by W.W. Norton (2025), Jacobs’ characters come alive for a new generation of readers, and re-readers, this time contextualized with a new introduction and explanatory notes by Evie Shockley.

Dr. Evie Shockley is the Zora Neale Hurston Distinguished Professor of English at Rutgers University. She is a two-time winner of the Hurston/Wright Legacy Award, and a finalist for the LA Times Book Review Prize, and the Pulitzer Prize. You can find her on Instagram.

You can find host Sullivan Summer at her website, on Instagram, and on Substack.

]]> 4360 no Irvin Weathersby Jr., "In Open Contempt: Confronting White Supremacy in Art and Public Space" (Viking, 2025) Amid the ongoing reckoning over America’s history of anti-Black racism, scores of monuments to slaveowners and Confederate soldiers still proudly dot the country’s landscape, while schools and street signs continue to bear the names of segregationists. With poignant, lyrical prose, cultural commentator Irvin Weathersby confronts the inescapable specter of white supremacy in our open spaces and contemplates what it means to bear witness to sites of lasting racial trauma.Professor Weathersby takes us from the streets of his childhood in New Orleans’s Lower Ninth Ward to the Whitney Plantation; from the graffitied pedestals of Confederate statues lining Monument Avenue in Richmond, Virginia, to the location of a racist terror attack in Charlottesville; from the site of the Wounded Knee massacre in South Dakota to a Kara Walker art installation at a former sugar factory in Brooklyn, New York. Along the way, he challenges the creation myths embedded in America’s landmarks and meets artists, curators, and city planners doing the same. Urgent and unflinchingly intimate, In Open Contempt (Viking, 2025) offers a hopeful reimagining of the spaces we share in order to honor our nation’s true history, encouraging us to make room for love as a way to heal and treat each other more humanely. Find Professor Weathersby at his website, where you can order In Open Contempt, check out his other writings, and attend upcoming events. Host Sullivan Summer can be found at her website, on Instagram, and on Substack, where she and Professor Weathersby continue their conversation. Fri, 08 Aug 2025 08:00:00 -0000 full New Books Network Amid the ongoing reckoning over America’s history of anti-Black racism, scores of monuments to slaveowners and Confederate soldiers still proudly dot the country’s landscape, while schools and street signs continue to bear the names of segregationists. With poignant, lyrical prose, cultural commentator Irvin Weathersby confronts the inescapable specter of white supremacy in our open spaces and contemplates what it means to bear witness to sites of lasting racial trauma.Professor Weathersby takes us from the streets of his childhood in New Orleans’s Lower Ninth Ward to the Whitney Plantation; from the graffitied pedestals of Confederate statues lining Monument Avenue in Richmond, Virginia, to the location of a racist terror attack in Charlottesville; from the site of the Wounded Knee massacre in South Dakota to a Kara Walker art installation at a former sugar factory in Brooklyn, New York. Along the way, he challenges the creation myths embedded in America’s landmarks and meets artists, curators, and city planners doing the same. Urgent and unflinchingly intimate, In Open Contempt (Viking, 2025) offers a hopeful reimagining of the spaces we share in order to honor our nation’s true history, encouraging us to make room for love as a way to heal and treat each other more humanely. Find Professor Weathersby at his website, where you can order In Open Contempt, check out his other writings, and attend upcoming events. Host Sullivan Summer can be found at her website, on Instagram, and on Substack, where she and Professor Weathersby continue their conversation. Amid the ongoing reckoning over America’s history of anti-Black racism, scores of monuments to slaveowners and Confederate soldiers still proudly dot the country’s landscape, while schools and street signs continue to bear the names of segregationists. With poignant, lyrical prose, cultural commentator Irvin Weathersby confronts the inescapable specter of white supremacy in our open spaces and contemplates what it means to bear witness to sites of lasting racial trauma.
Professor Weathersby takes us from the streets of his childhood in New Orleans’s Lower Ninth Ward to the Whitney Plantation; from the graffitied pedestals of Confederate statues lining Monument Avenue in Richmond, Virginia, to the location of a racist terror attack in Charlottesville; from the site of the Wounded Knee massacre in South Dakota to a Kara Walker art installation at a former sugar factory in Brooklyn, New York. Along the way, he challenges the creation myths embedded in America’s landmarks and meets artists, curators, and city planners doing the same. Urgent and unflinchingly intimate, In Open Contempt (Viking, 2025) offers a hopeful reimagining of the spaces we share in order to honor our nation’s true history, encouraging us to make room for love as a way to heal and treat each other more humanely.

Find Professor Weathersby at his website, where you can order In Open Contempt, check out his other writings, and attend upcoming events.

Host Sullivan Summer can be found at her website, on Instagram, and on Substack, where she and Professor Weathersby continue their conversation.

]]> 4133 no Dennard Dayle, "How to Dodge a Cannonball: A Novel" (Henry Holt, 2025) How to Dodge a Cannonball is a razor-sharp satire that dives into the heart of the Civil War, hilariously questioning the essence of the fight, not just for territory, but for the soul of America.How to Dodge a Cannonball (Henry Holt, 2025) is funnier than the Civil War should ever be. It follows Anders, a teenage idealist who enlists and reenlists to shape the American Future―as soon as he figures out what that is, who it includes, and why everyone wants him to die for it. Escaping his violently insane mother is a bonus.Anders finds honor as a proud Union flag twirler―until he’s captured. Then he tries life as a diehard Confederate―until fate asks him to die hard for the Confederacy at Gettysburg. Barely alive, Anders limps into a Black Union regiment in a stolen uniform. While visibly white, he claims to be an octoroon, and they claim to believe him. Only then does his life get truly strange.His new brothers are even stranger, including a science-fiction playwright, a Haitian double agent, and a former slave feuding with God. Despite his best efforts, Anders starts seeing the war through their eyes, sparking ill-timed questions about who gets to be American or exploit the theater of war. Dennard Dayle’s satire spares no one as doomed charges, draft riots, gleeful arms dealers, and native suppression campaigns test everyone’s definition of loyalty.Uproariously funny and revelatory, How to Dodge a Cannonball asks if America is worth fighting for. And then answers loudly. Read it while it’s still legal. You can find author Dennard Dayle at his newsletter. And I am your host, Sullivan Summer. You can find me online, on Instagram, and on Substack, where she and Dennard went to talk about Cannonball spoilers. Sun, 06 Jul 2025 08:00:00 -0000 full New Books Network How to Dodge a Cannonball is a razor-sharp satire that dives into the heart of the Civil War, hilariously questioning the essence of the fight, not just for territory, but for the soul of America.How to Dodge a Cannonball (Henry Holt, 2025) is funnier than the Civil War should ever be. It follows Anders, a teenage idealist who enlists and reenlists to shape the American Future―as soon as he figures out what that is, who it includes, and why everyone wants him to die for it. Escaping his violently insane mother is a bonus.Anders finds honor as a proud Union flag twirler―until he’s captured. Then he tries life as a diehard Confederate―until fate asks him to die hard for the Confederacy at Gettysburg. Barely alive, Anders limps into a Black Union regiment in a stolen uniform. While visibly white, he claims to be an octoroon, and they claim to believe him. Only then does his life get truly strange.His new brothers are even stranger, including a science-fiction playwright, a Haitian double agent, and a former slave feuding with God. Despite his best efforts, Anders starts seeing the war through their eyes, sparking ill-timed questions about who gets to be American or exploit the theater of war. Dennard Dayle’s satire spares no one as doomed charges, draft riots, gleeful arms dealers, and native suppression campaigns test everyone’s definition of loyalty.Uproariously funny and revelatory, How to Dodge a Cannonball asks if America is worth fighting for. And then answers loudly. Read it while it’s still legal. You can find author Dennard Dayle at his newsletter. And I am your host, Sullivan Summer. You can find me online, on Instagram, and on Substack, where she and Dennard went to talk about Cannonball spoilers. How to Dodge a Cannonball is a razor-sharp satire that dives into the heart of the Civil War, hilariously questioning the essence of the fight, not just for territory, but for the soul of America.
How to Dodge a Cannonball (Henry Holt, 2025) is funnier than the Civil War should ever be. It follows Anders, a teenage idealist who enlists and reenlists to shape the American Future―as soon as he figures out what that is, who it includes, and why everyone wants him to die for it. Escaping his violently insane mother is a bonus.
Anders finds honor as a proud Union flag twirler―until he’s captured. Then he tries life as a diehard Confederate―until fate asks him to die hard for the Confederacy at Gettysburg. Barely alive, Anders limps into a Black Union regiment in a stolen uniform. While visibly white, he claims to be an octoroon, and they claim to believe him. Only then does his life get truly strange.
His new brothers are even stranger, including a science-fiction playwright, a Haitian double agent, and a former slave feuding with God. Despite his best efforts, Anders starts seeing the war through their eyes, sparking ill-timed questions about who gets to be American or exploit the theater of war. Dennard Dayle’s satire spares no one as doomed charges, draft riots, gleeful arms dealers, and native suppression campaigns test everyone’s definition of loyalty.
Uproariously funny and revelatory, How to Dodge a Cannonball asks if America is worth fighting for. And then answers loudly. Read it while it’s still legal.

You can find author Dennard Dayle at his newsletter. And I am your host, Sullivan Summer. You can find me online, on Instagram, and on Substack, where she and Dennard went to talk about Cannonball spoilers.

]]> 3570 no Cheryl Thompson, "Canada and the Blackface Atlantic: Performing Slavery, Conflict and Freedom, 1812-1895" (Wilfrid Laurier UP, 2025) Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025) traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions. When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy’s mask remapped plantation slavery on Canadian stages. It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom. Find Dr. Thompson on her website and the website of Mapping Ontario’s Black Archives, on BlueSky, and on Substack. Find host Sullivan Summer at her website, on Instagram, and on Substack. Tue, 01 Jul 2025 08:00:00 -0000 full New Books Network Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025) traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions. When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy’s mask remapped plantation slavery on Canadian stages. It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom. Find Dr. Thompson on her website and the website of Mapping Ontario’s Black Archives, on BlueSky, and on Substack. Find host Sullivan Summer at her website, on Instagram, and on Substack. Canada and the Blackface Atlantic: Performing Slavery, Conflict, and Freedom, 1812-1897 (Wilfred Laurier University Press, 2025) traces the origins of theatre, dance, and concert singing in Canada and their connection to British and American song and dance traditions.

When theatrical acts first appeared in the late eighteenth century, chattel slavery had transformed into mass entertainment on minstrel stages across the Atlantic world. As railroads and theatres were built, local blackface troupes emerged alongside touring British and American acts. By the 1850s, blackface theatre could be found in remote Western outposts to stages in Central and Maritime Canada. This is one of the first books to connect the rise of Canadian blackface minstrelsy with the emergence of Black singers, and choral groups. It describes how Black performers who assumed minstrelsy’s mask remapped plantation slavery on Canadian stages.

It begins with the conflicts that shaped North America – the American Revolutionary War, and the War of 1812. Next, it connects these origins with eighteenth-century British immigration, which brought folk dances and masking traditions to North America. From there, it unmasks when and how “Jim Crow” became an Atlantic world sensation, which set the stage for blackface to expand. Finally, it considers how Black acts reimagined the parameters of their own freedom.

Find Dr. Thompson on her website and the website of Mapping Ontario’s Black Archives, on BlueSky, and on Substack.

Find host Sullivan Summer at her website, on Instagram, and on Substack.

]]> 4472 no Honorée Fanonne Jeffers, "Misbehaving at the Crossroads: Essays and Writings" (Harper, 2025) The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women’s public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women’s ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. Fri, 20 Jun 2025 08:00:00 -0000 full New Books Network The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times. Honorée Fanonne Jeffers is at a crossroads. Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression. In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women’s public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women’s ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks. Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers. Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack. Host Sullivan Summer can be found at her website, Instagram, and Substack. The New York Times-bestselling, National Book Award-nominated author of The Love Songs of W.E.B. Du Bois and The Age of Phillis makes her nonfiction debut with this personal and thought-provoking work that explores the journeys and possibilities of Black women throughout American history and in contemporary times.

Honorée Fanonne Jeffers is at a crossroads.

Traditional African/Black American cultures present the crossroads as a place of simultaneous difficulty and possibility. In contemporary times, Kimberlé Crenshaw coined the phrase “intersectionality” to explain the unique position of Black women in America. In many ways, they are at a third crossroads: attempting to fit into notions of femininity and respectability primarily assigned to White women, while inventing improvisational strategies to combat oppression.

In Misbehaving at the Crossroads: Essays and Writings (Harper, 2025), Jeffers explores the emotional and historical tensions in Black women’s public lives and her own private life. She charts voyages of Black girlhood to womanhood and the currents buffeting these journeys, including the difficulties of racially gendered oppression, the challenges of documenting Black women’s ancestry; the adultification of Black girls; the irony of Black female respectability politics; the origins of Womanism/Black feminism; and resistance to White supremacy and patriarchy. As Jeffers shows with empathy and wisdom, naming difficult historical truths represents both Blues and transcendence, a crossroads that speaks.

Necessary and sharply observed, provocative and humane, and full of the insight and brilliance that has characterized her poetry and fiction, Misbehaving at the Crossroads illustrates the life of one extraordinary Black woman—and her extraordinary foremothers.

Find author Honorée Fannone Jeffers at her website, Instagram, Bluesky, and Substack.

Host Sullivan Summer can be found at her website, Instagram, and Substack.

]]> 2567 no Alexandria Russell, "Black Women Legacies: Public History Sites Seen and Unseen" (University of Illinois Press, 2024) From Black clubwomen to members of preservation organizations, African American women have made commemoration a central part of Black life and culture. Alexandria Russell illuminates the process of memorialization while placing African American women at the center of memorials they brought into being and others constructed in their honor. Their often undocumented and unheralded work reveals the importance of the memorializers and public memory crafters in establishing a culture of recognition. Forced to strategize with limited resources, the women operated with a resourcefulness and savvy that had to meet challenges raised by racism, gender and class discrimination, and specific regional difficulties. Yet their efforts from the 1890s to the 2020s shaped and honed practices that became indispensable to the everyday life and culture of Black Americans. Intersectional and original, Black Women Legacies: Public History Sites Seen and Unseen (Illinois University Press, 2024) explores the memorialization of African American women and its distinctive impact on physical and cultural landscapes throughout the United States. Dr. Alexandria Russell is the Executive Director of the Boston Women’s Heritage Trail and a WEB Du Bois Research Institute Non-Residential Fellow at Harvard’s Hutchins Center for African & African American Research. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Russell continue their conversation. Wed, 11 Jun 2025 08:00:00 -0000 full New Books Network From Black clubwomen to members of preservation organizations, African American women have made commemoration a central part of Black life and culture. Alexandria Russell illuminates the process of memorialization while placing African American women at the center of memorials they brought into being and others constructed in their honor. Their often undocumented and unheralded work reveals the importance of the memorializers and public memory crafters in establishing a culture of recognition. Forced to strategize with limited resources, the women operated with a resourcefulness and savvy that had to meet challenges raised by racism, gender and class discrimination, and specific regional difficulties. Yet their efforts from the 1890s to the 2020s shaped and honed practices that became indispensable to the everyday life and culture of Black Americans. Intersectional and original, Black Women Legacies: Public History Sites Seen and Unseen (Illinois University Press, 2024) explores the memorialization of African American women and its distinctive impact on physical and cultural landscapes throughout the United States. Dr. Alexandria Russell is the Executive Director of the Boston Women’s Heritage Trail and a WEB Du Bois Research Institute Non-Residential Fellow at Harvard’s Hutchins Center for African & African American Research. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Russell continue their conversation. From Black clubwomen to members of preservation organizations, African American women have made commemoration a central part of Black life and culture. Alexandria Russell illuminates the process of memorialization while placing African American women at the center of memorials they brought into being and others constructed in their honor. Their often undocumented and unheralded work reveals the importance of the memorializers and public memory crafters in establishing a culture of recognition. Forced to strategize with limited resources, the women operated with a resourcefulness and savvy that had to meet challenges raised by racism, gender and class discrimination, and specific regional difficulties. Yet their efforts from the 1890s to the 2020s shaped and honed practices that became indispensable to the everyday life and culture of Black Americans.

Intersectional and original, Black Women Legacies: Public History Sites Seen and Unseen (Illinois University Press, 2024) explores the memorialization of African American women and its distinctive impact on physical and cultural landscapes throughout the United States.

Dr. Alexandria Russell is the Executive Director of the Boston Women’s Heritage Trail and a WEB Du Bois Research Institute Non-Residential Fellow at Harvard’s Hutchins Center for African & African American Research.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Russell continue their conversation.

]]> 4510 no Brando Simeo Starkey, "Their Accomplices Wore Robes: How the Supreme Court Chained Black America to the Bottom of a Racial Caste System" (Doubleday, 2025) Their Accomplices Wore Robes: How the Supreme Court Chained Black America to the Bottom of a Racial Caste System (Doubleday, 2025) takes readers from the Civil War era to the present and describes how the Supreme Court, even more than the presidency or Congress, aligned with the enemies of Black progress to undermine the promise of the Constitution’s Thirteenth, Fourteenth, and Fifteenth Amendments.The Reconstruction Amendments, which sought to abolish slavery, establish equal protection under the law, and protect voting rights, converted the Constitution into a potent anti-caste document. But in the years since, the Supreme Court has refused to allow the amendments to fulfill that promise. Time and again, when petitioned to make the nation’s founding conceit, that all men are created equal, real for Black Americans, the nine black robes have chosen white supremacy over racial fairness. Their Accomplices Wore Robes brings to life dozens of cases and their rich casts of characters to explain how America arrived at this point and how society might arrive somewhere better, even as today’s federal courts lurch rightward. Brando Simeo Starkey is a writer and scholar. A graduate of Harvard Law School and a member of the New York Bar, he taught law at Villanova Law School and wrote for several years for ESPN’s The Undefeated (now Andscape). Born and raised in Cincinnati, he lives in Southern California with his wife and two sons. You can find him online at The Braveverse, and on his YouTube channel of the same name. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Brando continue their conversation. Fri, 06 Jun 2025 08:00:00 -0000 full New Books Network Their Accomplices Wore Robes: How the Supreme Court Chained Black America to the Bottom of a Racial Caste System (Doubleday, 2025) takes readers from the Civil War era to the present and describes how the Supreme Court, even more than the presidency or Congress, aligned with the enemies of Black progress to undermine the promise of the Constitution’s Thirteenth, Fourteenth, and Fifteenth Amendments.The Reconstruction Amendments, which sought to abolish slavery, establish equal protection under the law, and protect voting rights, converted the Constitution into a potent anti-caste document. But in the years since, the Supreme Court has refused to allow the amendments to fulfill that promise. Time and again, when petitioned to make the nation’s founding conceit, that all men are created equal, real for Black Americans, the nine black robes have chosen white supremacy over racial fairness. Their Accomplices Wore Robes brings to life dozens of cases and their rich casts of characters to explain how America arrived at this point and how society might arrive somewhere better, even as today’s federal courts lurch rightward. Brando Simeo Starkey is a writer and scholar. A graduate of Harvard Law School and a member of the New York Bar, he taught law at Villanova Law School and wrote for several years for ESPN’s The Undefeated (now Andscape). Born and raised in Cincinnati, he lives in Southern California with his wife and two sons. You can find him online at The Braveverse, and on his YouTube channel of the same name. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Brando continue their conversation. Their Accomplices Wore Robes: How the Supreme Court Chained Black America to the Bottom of a Racial Caste System (Doubleday, 2025) takes readers from the Civil War era to the present and describes how the Supreme Court, even more than the presidency or Congress, aligned with the enemies of Black progress to undermine the promise of the Constitution’s Thirteenth, Fourteenth, and Fifteenth Amendments.
The Reconstruction Amendments, which sought to abolish slavery, establish equal protection under the law, and protect voting rights, converted the Constitution into a potent anti-caste document. But in the years since, the Supreme Court has refused to allow the amendments to fulfill that promise. Time and again, when petitioned to make the nation’s founding conceit, that all men are created equal, real for Black Americans, the nine black robes have chosen white supremacy over racial fairness.

Their Accomplices Wore Robes brings to life dozens of cases and their rich casts of characters to explain how America arrived at this point and how society might arrive somewhere better, even as today’s federal courts lurch rightward.

Brando Simeo Starkey is a writer and scholar. A graduate of Harvard Law School and a member of the New York Bar, he taught law at Villanova Law School and wrote for several years for ESPN’s The Undefeated (now Andscape). Born and raised in Cincinnati, he lives in Southern California with his wife and two sons. You can find him online at The Braveverse, and on his YouTube channel of the same name.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Brando continue their conversation.

]]> 3519 no Nneka D. Dennie, "Mary Ann Shadd Cary: Essential Writings of a Nineteenth Century Black Radical Feminist" (Oxford UP, 2023) In 1849, the Mary Ann Shadd Cary had not yet become one of the first Black woman newspaper editors in North America. She was decades away from being admitted to Howard University’s Law School and becoming the first Black woman to so enroll in the United States. She had not yet begun to lobby for women’s right to vote, and she had not yet emigrated to Canada, where she would rise to prominence as a formidable abolitionist and emigrationist. Though many years would pass before she made a name for herself as a gifted writer, editor, lecturer, educator, lawyer, and suffragist, in 1849, Mary Ann Shadd Cary was already certain of one thing: “We should do more, and talk less.” Mary Ann Shadd Cary: Essential Writings of a Nineteenth-Century Black Radical Feminist (Oxford Univeristy Press, 2023) includes letters, newspaper articles, organizational records, and never-before-published handwritten notes and essay drafts that illustrate how Shadd Cary participated in major Africana philosophical debates during the nineteenth century. Racial uplift, women’s rights, emigration, citizenship and economic self-determination for Black people in general and Black women in particular, were all subjects of Shadd Cary’s writings and activism throughout her lifetime, shaping Black radical theory and praxis. She is one of many nineteenth-century Black women theorists whose intellectual contributions are often overlooked. By interrogating Shadd Cary’s Black radical ethic of care, this book reveals the philosophies that have shaped Black women's centuries-long struggle for rights and freedom. Nneka D. Dennie is Assistant Professor of History, core faculty in Africana Studies, and affiliate faculty in Women’s, Gender, and Sexuality Studies at Washington and Lee University. She is also co-founder and president of the Black Women’s Studies Association. Dr. Dennie’s research examines Black feminism and Black intellectual thought with an emphasis on nineteenth-century African American women thinkers. Her work has been published in Palimpsest: A Journal on Women, Gender, and the Black International; Feminist Studies; Atlantic Studies: Global Currents; The Routledge Companion to Black Women's Social and Cultural Histories; The Oxford Handbook of W.E.B. Du Bois, and more. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Dennie continue their conversation. Fri, 30 May 2025 08:00:00 -0000 full New Books Network In 1849, the Mary Ann Shadd Cary had not yet become one of the first Black woman newspaper editors in North America. She was decades away from being admitted to Howard University’s Law School and becoming the first Black woman to so enroll in the United States. She had not yet begun to lobby for women’s right to vote, and she had not yet emigrated to Canada, where she would rise to prominence as a formidable abolitionist and emigrationist. Though many years would pass before she made a name for herself as a gifted writer, editor, lecturer, educator, lawyer, and suffragist, in 1849, Mary Ann Shadd Cary was already certain of one thing: “We should do more, and talk less.” Mary Ann Shadd Cary: Essential Writings of a Nineteenth-Century Black Radical Feminist (Oxford Univeristy Press, 2023) includes letters, newspaper articles, organizational records, and never-before-published handwritten notes and essay drafts that illustrate how Shadd Cary participated in major Africana philosophical debates during the nineteenth century. Racial uplift, women’s rights, emigration, citizenship and economic self-determination for Black people in general and Black women in particular, were all subjects of Shadd Cary’s writings and activism throughout her lifetime, shaping Black radical theory and praxis. She is one of many nineteenth-century Black women theorists whose intellectual contributions are often overlooked. By interrogating Shadd Cary’s Black radical ethic of care, this book reveals the philosophies that have shaped Black women's centuries-long struggle for rights and freedom. Nneka D. Dennie is Assistant Professor of History, core faculty in Africana Studies, and affiliate faculty in Women’s, Gender, and Sexuality Studies at Washington and Lee University. She is also co-founder and president of the Black Women’s Studies Association. Dr. Dennie’s research examines Black feminism and Black intellectual thought with an emphasis on nineteenth-century African American women thinkers. Her work has been published in Palimpsest: A Journal on Women, Gender, and the Black International; Feminist Studies; Atlantic Studies: Global Currents; The Routledge Companion to Black Women's Social and Cultural Histories; The Oxford Handbook of W.E.B. Du Bois, and more. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Dennie continue their conversation. In 1849, the Mary Ann Shadd Cary had not yet become one of the first Black woman newspaper editors in North America. She was decades away from being admitted to Howard University’s Law School and becoming the first Black woman to so enroll in the United States. She had not yet begun to lobby for women’s right to vote, and she had not yet emigrated to Canada, where she would rise to prominence as a formidable abolitionist and emigrationist. Though many years would pass before she made a name for herself as a gifted writer, editor, lecturer, educator, lawyer, and suffragist, in 1849, Mary Ann Shadd Cary was already certain of one thing: “We should do more, and talk less.”

Mary Ann Shadd Cary: Essential Writings of a Nineteenth-Century Black Radical Feminist (Oxford Univeristy Press, 2023) includes letters, newspaper articles, organizational records, and never-before-published handwritten notes and essay drafts that illustrate how Shadd Cary participated in major Africana philosophical debates during the nineteenth century. Racial uplift, women’s rights, emigration, citizenship and economic self-determination for Black people in general and Black women in particular, were all subjects of Shadd Cary’s writings and activism throughout her lifetime, shaping Black radical theory and praxis. She is one of many nineteenth-century Black women theorists whose intellectual contributions are often overlooked. By interrogating Shadd Cary’s Black radical ethic of care, this book reveals the philosophies that have shaped Black women's centuries-long struggle for rights and freedom.

Nneka D. Dennie is Assistant Professor of History, core faculty in Africana Studies, and affiliate faculty in Women’s, Gender, and Sexuality Studies at Washington and Lee University. She is also co-founder and president of the Black Women’s Studies Association. Dr. Dennie’s research examines Black feminism and Black intellectual thought with an emphasis on nineteenth-century African American women thinkers. Her work has been published in Palimpsest: A Journal on Women, Gender, and the Black International; Feminist Studies; Atlantic Studies: Global Currents; The Routledge Companion to Black Women's Social and Cultural Histories; The Oxford Handbook of W.E.B. Du Bois, and more.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Dennie continue their conversation.

]]> 3512 no Frank X Walker, "Load in Nine Times: Poems" (Liveright, 2024) For decades Frank X Walker has reclaimed essential American lives through his pathbreaking historical poetry. In this stirring new collection, he reimagines the experiences of Black Civil War soldiers—including his own ancestors—who enlisted in the Union army in exchange for emancipation.Moving chronologically from antebellum Kentucky through Reconstruction, Walker braids the voices of the United States Colored Troops with their family members, as well as slave owners and prominent historical figures from Abraham Lincoln to Frederick Douglas and Margaret Garner. Imbued with atmospheric imagery, these persona poems and more “[clarify] not only the inextricable value of Black life and labor to the building of America, but the terrible price they were forced to pay in producing that labor” (Khadijah Queen). “How do you un-orphan a people?” Walker asks. “How do you pick up / shattered black porcelain and make / a new set of dishes fit to eat off?”While carefully attuned to the heartbreak and horrors of war, Walker’s poems pay equal care to the pride, perseverance, and triumphs of their speakers. Evoking the formerly enslaved General Charles Young, Walker hums: “I am America’s promise, my mother’s song, / and the reason my father had every right to dream.” Expansive and intimate, Load in Nine Times is a resounding ode to the powerful ties of individual and cultural ancestry by an indelible voice in American poetry. Winner of the 2025 PEN/Voelcker Award for Poetry. A native of Danville, Kentucky, Frank X Walker is the first African American writer to be named Kentucky Poet Laureate. Walker has published thirteen collections of poetry, including Turn Me Loose: The Unghosting of Medgar Evers, which was awarded the 2014 NAACP Image Award for Poetry and the Black Caucus American Library Association Honor Award for Poetry. Voted one of the most creative professors in the south, Walker coined the term “Affrilachia” and co-founded the Affrilachian Poets Collective, the oldest continuously running predominantly African American writing group in the country. He is a Professor of English, and Director of the MFA in Creative Writing program the University of Kentucky. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Professor X continue their conversation. Sat, 24 May 2025 04:00:00 -0000 full 167 New Books Network An interview with Frank X Walker For decades Frank X Walker has reclaimed essential American lives through his pathbreaking historical poetry. In this stirring new collection, he reimagines the experiences of Black Civil War soldiers—including his own ancestors—who enlisted in the Union army in exchange for emancipation.Moving chronologically from antebellum Kentucky through Reconstruction, Walker braids the voices of the United States Colored Troops with their family members, as well as slave owners and prominent historical figures from Abraham Lincoln to Frederick Douglas and Margaret Garner. Imbued with atmospheric imagery, these persona poems and more “[clarify] not only the inextricable value of Black life and labor to the building of America, but the terrible price they were forced to pay in producing that labor” (Khadijah Queen). “How do you un-orphan a people?” Walker asks. “How do you pick up / shattered black porcelain and make / a new set of dishes fit to eat off?”While carefully attuned to the heartbreak and horrors of war, Walker’s poems pay equal care to the pride, perseverance, and triumphs of their speakers. Evoking the formerly enslaved General Charles Young, Walker hums: “I am America’s promise, my mother’s song, / and the reason my father had every right to dream.” Expansive and intimate, Load in Nine Times is a resounding ode to the powerful ties of individual and cultural ancestry by an indelible voice in American poetry. Winner of the 2025 PEN/Voelcker Award for Poetry. A native of Danville, Kentucky, Frank X Walker is the first African American writer to be named Kentucky Poet Laureate. Walker has published thirteen collections of poetry, including Turn Me Loose: The Unghosting of Medgar Evers, which was awarded the 2014 NAACP Image Award for Poetry and the Black Caucus American Library Association Honor Award for Poetry. Voted one of the most creative professors in the south, Walker coined the term “Affrilachia” and co-founded the Affrilachian Poets Collective, the oldest continuously running predominantly African American writing group in the country. He is a Professor of English, and Director of the MFA in Creative Writing program the University of Kentucky. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Professor X continue their conversation. For decades Frank X Walker has reclaimed essential American lives through his pathbreaking historical poetry. In this stirring new collection, he reimagines the experiences of Black Civil War soldiers—including his own ancestors—who enlisted in the Union army in exchange for emancipation.
Moving chronologically from antebellum Kentucky through Reconstruction, Walker braids the voices of the United States Colored Troops with their family members, as well as slave owners and prominent historical figures from Abraham Lincoln to Frederick Douglas and Margaret Garner. Imbued with atmospheric imagery, these persona poems and more “[clarify] not only the inextricable value of Black life and labor to the building of America, but the terrible price they were forced to pay in producing that labor” (Khadijah Queen). “How do you un-orphan a people?” Walker asks. “How do you pick up / shattered black porcelain and make / a new set of dishes fit to eat off?”
While carefully attuned to the heartbreak and horrors of war, Walker’s poems pay equal care to the pride, perseverance, and triumphs of their speakers. Evoking the formerly enslaved General Charles Young, Walker hums: “I am America’s promise, my mother’s song, / and the reason my father had every right to dream.” Expansive and intimate, Load in Nine Times is a resounding ode to the powerful ties of individual and cultural ancestry by an indelible voice in American poetry.

Winner of the 2025 PEN/Voelcker Award for Poetry.

A native of Danville, Kentucky, Frank X Walker is the first African American writer to be named Kentucky Poet Laureate. Walker has published thirteen collections of poetry, including Turn Me Loose: The Unghosting of Medgar Evers, which was awarded the 2014 NAACP Image Award for Poetry and the Black Caucus American Library Association Honor Award for Poetry. Voted one of the most creative professors in the south, Walker coined the term “Affrilachia” and co-founded the Affrilachian Poets Collective, the oldest continuously running predominantly African American writing group in the country. He is a Professor of English, and Director of the MFA in Creative Writing program the University of Kentucky.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Professor X continue their conversation.

]]> 4890 no Rasheedah Phillips, "Dismantling the Master's Clock: On Race, Space, and Time" (AK Press, 2025) Why do some processes—like aging, birth, and car crashes—occur in only one direction in time, when by the fundamental symmetry of the universe, we should experience time both forward and backward? Our dominant perception of time owes more to Western history and social order than to a fact of nature, argues writer Rasheedah Phillips, delving into Black and Afrodiasporic conceptions of time, where the past, present, and future interact in more numerous constellations. Phillips unfolds the history of time and its legacy of racial oppression, from colonial exploration and the plantation system to the establishment of Daylight Savings. Yet Black communities have long subverted space-time through such tools of resistance as Juneteenth, tenant organizing, ritual, and time travel. What could Black liberation look like if the past were as changeable as the future? Drawing on philosophy, archival research, quantum physics, and Phillips’s own art practice and work on housing policy, Dismantling the Master's Clock: On Race, Space, and Time (AK Press, 2025) expands the horizons of what can be imagined and, ultimately, achieved. Rasheedah Phillips is a queer housing advocate, lawyer, parent, and interdisciplinary artist working through a Black futurist lens. Phillips is the founder of the AfroFuturist Affair, founding member of the Metropolarity Queer Speculative Fiction Collective, and co-creator of the art duo Black Quantum Futurism. Phillips’ work has been featured in the New York Times, The Wire, New York Magazine, Boston Review, Hyperallergic, and e-flux. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Rasheedah continue their conversation. Fri, 16 May 2025 08:00:00 -0000 full 506 New Books Network An interview with Rasheedah Phillips Why do some processes—like aging, birth, and car crashes—occur in only one direction in time, when by the fundamental symmetry of the universe, we should experience time both forward and backward? Our dominant perception of time owes more to Western history and social order than to a fact of nature, argues writer Rasheedah Phillips, delving into Black and Afrodiasporic conceptions of time, where the past, present, and future interact in more numerous constellations. Phillips unfolds the history of time and its legacy of racial oppression, from colonial exploration and the plantation system to the establishment of Daylight Savings. Yet Black communities have long subverted space-time through such tools of resistance as Juneteenth, tenant organizing, ritual, and time travel. What could Black liberation look like if the past were as changeable as the future? Drawing on philosophy, archival research, quantum physics, and Phillips’s own art practice and work on housing policy, Dismantling the Master's Clock: On Race, Space, and Time (AK Press, 2025) expands the horizons of what can be imagined and, ultimately, achieved. Rasheedah Phillips is a queer housing advocate, lawyer, parent, and interdisciplinary artist working through a Black futurist lens. Phillips is the founder of the AfroFuturist Affair, founding member of the Metropolarity Queer Speculative Fiction Collective, and co-creator of the art duo Black Quantum Futurism. Phillips’ work has been featured in the New York Times, The Wire, New York Magazine, Boston Review, Hyperallergic, and e-flux. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Rasheedah continue their conversation. Why do some processes—like aging, birth, and car crashes—occur in only one direction in time, when by the fundamental symmetry of the universe, we should experience time both forward and backward? Our dominant perception of time owes more to Western history and social order than to a fact of nature, argues writer Rasheedah Phillips, delving into Black and Afrodiasporic conceptions of time, where the past, present, and future interact in more numerous constellations.

Phillips unfolds the history of time and its legacy of racial oppression, from colonial exploration and the plantation system to the establishment of Daylight Savings. Yet Black communities have long subverted space-time through such tools of resistance as Juneteenth, tenant organizing, ritual, and time travel. What could Black liberation look like if the past were as changeable as the future?

Drawing on philosophy, archival research, quantum physics, and Phillips’s own art practice and work on housing policy, Dismantling the Master's Clock: On Race, Space, and Time (AK Press, 2025) expands the horizons of what can be imagined and, ultimately, achieved.

Rasheedah Phillips is a queer housing advocate, lawyer, parent, and interdisciplinary artist working through a Black futurist lens. Phillips is the founder of the AfroFuturist Affair, founding member of the Metropolarity Queer Speculative Fiction Collective, and co-creator of the art duo Black Quantum Futurism. Phillips’ work has been featured in the New York Times, The Wire, New York Magazine, Boston Review, Hyperallergic, and e-flux.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Rasheedah continue their conversation.

]]> 3371 no James B. Haile III, "The Dark Delight of Being Strange: Black Stories of Freedom" (Columbia UP, 2024) An ambitious genre-crossing exploration of Black speculative imagination, The Dark Delight of Being Strange: Black Stories of Freedom (Columbia University Press 2024) combines fiction, historical accounts, and philosophical prose to unveil the extraordinary and the surreal in everyday Black life.In a series of stories and essays, James B. Haile, III, traces how Black speculative fiction responds to enslavement, racism, colonialism, and capitalism and how it reveals a life beyond social and political alienation. He re-envisions Black technologies of freedom through Henry Box Brown’s famed escape from slavery in a wooden crate, fashions an anticolonial “hollow earth theory” from the works of H. G. Wells and Jules Verne, and considers the octopus and its ability to camouflage itself as a model for Black survival strategies, among others. Looking at Black life through the lens of speculative fiction, this book transports readers to alternative worlds and spaces while remaining squarely rooted in present-day struggles. In so doing, it rethinks historical and contemporary Black experiences as well as figures such as Harriet Tubman, Frederick Douglass, Booker T. Washington, W. E. B. Du Bois, Henry Dumas, and Toni Morrison.Offering new ways to grasp the meanings and implications of Black freedom, The Dark Delight of Being Strange invites us to reimagine history and memory, time and space, our identities and ourselves. Winner, 2025 Hugh J. Silverman Book Prize, Association for Philosophy and Literature Finalist, 2025 PEN America Open Book Award James B. Haile III is a Professor of English & Philosophy at the University of Rhode Island. You can find him at the University of Rhode Island Philosophy Department website. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Haile continue their conversation. Tue, 13 May 2025 08:00:00 -0000 full 505 New Books Network An interview with James B. Haile III An ambitious genre-crossing exploration of Black speculative imagination, The Dark Delight of Being Strange: Black Stories of Freedom (Columbia University Press 2024) combines fiction, historical accounts, and philosophical prose to unveil the extraordinary and the surreal in everyday Black life.In a series of stories and essays, James B. Haile, III, traces how Black speculative fiction responds to enslavement, racism, colonialism, and capitalism and how it reveals a life beyond social and political alienation. He re-envisions Black technologies of freedom through Henry Box Brown’s famed escape from slavery in a wooden crate, fashions an anticolonial “hollow earth theory” from the works of H. G. Wells and Jules Verne, and considers the octopus and its ability to camouflage itself as a model for Black survival strategies, among others. Looking at Black life through the lens of speculative fiction, this book transports readers to alternative worlds and spaces while remaining squarely rooted in present-day struggles. In so doing, it rethinks historical and contemporary Black experiences as well as figures such as Harriet Tubman, Frederick Douglass, Booker T. Washington, W. E. B. Du Bois, Henry Dumas, and Toni Morrison.Offering new ways to grasp the meanings and implications of Black freedom, The Dark Delight of Being Strange invites us to reimagine history and memory, time and space, our identities and ourselves. Winner, 2025 Hugh J. Silverman Book Prize, Association for Philosophy and Literature Finalist, 2025 PEN America Open Book Award James B. Haile III is a Professor of English & Philosophy at the University of Rhode Island. You can find him at the University of Rhode Island Philosophy Department website. You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Haile continue their conversation. An ambitious genre-crossing exploration of Black speculative imagination, The Dark Delight of Being Strange: Black Stories of Freedom (Columbia University Press 2024) combines fiction, historical accounts, and philosophical prose to unveil the extraordinary and the surreal in everyday Black life.
In a series of stories and essays, James B. Haile, III, traces how Black speculative fiction responds to enslavement, racism, colonialism, and capitalism and how it reveals a life beyond social and political alienation. He re-envisions Black technologies of freedom through Henry Box Brown’s famed escape from slavery in a wooden crate, fashions an anticolonial “hollow earth theory” from the works of H. G. Wells and Jules Verne, and considers the octopus and its ability to camouflage itself as a model for Black survival strategies, among others. Looking at Black life through the lens of speculative fiction, this book transports readers to alternative worlds and spaces while remaining squarely rooted in present-day struggles. In so doing, it rethinks historical and contemporary Black experiences as well as figures such as Harriet Tubman, Frederick Douglass, Booker T. Washington, W. E. B. Du Bois, Henry Dumas, and Toni Morrison.
Offering new ways to grasp the meanings and implications of Black freedom, The Dark Delight of Being Strange invites us to reimagine history and memory, time and space, our identities and ourselves.

Winner, 2025 Hugh J. Silverman Book Prize, Association for Philosophy and Literature

Finalist, 2025 PEN America Open Book Award

James B. Haile III is a Professor of English & Philosophy at the University of Rhode Island. You can find him at the University of Rhode Island Philosophy Department website.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Haile continue their conversation.

]]> 4530 no Frederick Knight, "Black Elders: The Meaning of Age in American Slavery and Freedom" (U Pennsylvania Press, 2024) Would there have been a Frederick Douglass if it were not for Betsy Bailey, the grandmother who raised him? Would Harriet Jacobs have written her renowned autobiography, Incidents in the Life of a Slave Girl, if her grandmother, a free black woman named Molly Horniblow, had not enabled Jacobs’ escape from slavery?  In Black Elders: The Meaning of Age in American Slavery and Freedom (University of Pennsylvania Press, 2024), Frederick C. Knight explores the experiences of African Americans with aging and in old age during the eras of slavery and emancipation. Though slavery put a premium on young labor, elders worked as caregivers, domestics, cooks, or midwives and performed other tasks in the margins of Southern and Northern economies. Looking at black families, churches, mutual aid societies, and homes for the aged, Dr. Knight demonstrates the pivotal role of elders in the history of African American community formation through Reconstruction, offering a unique window into the individual and collective lives of African Americans, the day-to-day struggles they waged around their experiences of aging, and how they drew upon these resources to define the meaning of family, community, and freedom. You can find Dr. Knight at the Howard University History Department page, or on LinkedIn.  And, once you’ve listened to the episode, head over to Additions to the Archive on Substack for a further conversation with Dr. Knight and host Sullivan Summer. Mon, 28 Apr 2025 08:00:00 -0000 full 501 New Books Network An interview with Fredrick Knight Would there have been a Frederick Douglass if it were not for Betsy Bailey, the grandmother who raised him? Would Harriet Jacobs have written her renowned autobiography, Incidents in the Life of a Slave Girl, if her grandmother, a free black woman named Molly Horniblow, had not enabled Jacobs’ escape from slavery?  In Black Elders: The Meaning of Age in American Slavery and Freedom (University of Pennsylvania Press, 2024), Frederick C. Knight explores the experiences of African Americans with aging and in old age during the eras of slavery and emancipation. Though slavery put a premium on young labor, elders worked as caregivers, domestics, cooks, or midwives and performed other tasks in the margins of Southern and Northern economies. Looking at black families, churches, mutual aid societies, and homes for the aged, Dr. Knight demonstrates the pivotal role of elders in the history of African American community formation through Reconstruction, offering a unique window into the individual and collective lives of African Americans, the day-to-day struggles they waged around their experiences of aging, and how they drew upon these resources to define the meaning of family, community, and freedom. You can find Dr. Knight at the Howard University History Department page, or on LinkedIn.  And, once you’ve listened to the episode, head over to Additions to the Archive on Substack for a further conversation with Dr. Knight and host Sullivan Summer. Would there have been a Frederick Douglass if it were not for Betsy Bailey, the grandmother who raised him? Would Harriet Jacobs have written her renowned autobiography, Incidents in the Life of a Slave Girl, if her grandmother, a free black woman named Molly Horniblow, had not enabled Jacobs’ escape from slavery? 

In Black Elders: The Meaning of Age in American Slavery and Freedom (University of Pennsylvania Press, 2024), Frederick C. Knight explores the experiences of African Americans with aging and in old age during the eras of slavery and emancipation. Though slavery put a premium on young labor, elders worked as caregivers, domestics, cooks, or midwives and performed other tasks in the margins of Southern and Northern economies. Looking at black families, churches, mutual aid societies, and homes for the aged, Dr. Knight demonstrates the pivotal role of elders in the history of African American community formation through Reconstruction, offering a unique window into the individual and collective lives of African Americans, the day-to-day struggles they waged around their experiences of aging, and how they drew upon these resources to define the meaning of family, community, and freedom.

You can find Dr. Knight at the Howard University History Department page, or on LinkedIn. 

And, once you’ve listened to the episode, head over to Additions to the Archive on Substack for a further conversation with Dr. Knight and host Sullivan Summer.

]]> 4263 no Ben Arogundade, "Hollywood Blackout: The Battle for Recognition in a White Hollywood" (Cassell, 2025) On February 29, 1940, African American actor Hattie McDaniel became the first person of color, and the first Black woman, to win an Academy Award. The moment marked the beginning of Hollywood's reluctant move toward diversity and inclusion. Since then, minorities and women have struggled to attain Academy Awards recognition within a system designed to discriminate against them.  In Hollywood Blackout: The Battle for Inclusion at the Oscars (Octupus Publishing, 2025) author Ben Arogundade interweaves the experiences of Black actors and filmmakers with those of Asians, Latinos, South Asians, Indigenous peoples, and women throughout the decades, charting their progression to the Oscars podium, galvanized by defiant boycotts, civil rights protests, and social media activism. Through lenses of history, cinephelia, and social justice, Hollywood Blackout offers a backstage view for those seeking the real story of Hollywood, the Oscars, and the talents who fought to make change. You can find and follow Ben at hollywoodblackout.com or arogundade.com.  Fri, 25 Apr 2025 08:00:00 -0000 full 232 New Books Network An interview with Ben Arogundade On February 29, 1940, African American actor Hattie McDaniel became the first person of color, and the first Black woman, to win an Academy Award. The moment marked the beginning of Hollywood's reluctant move toward diversity and inclusion. Since then, minorities and women have struggled to attain Academy Awards recognition within a system designed to discriminate against them.  In Hollywood Blackout: The Battle for Inclusion at the Oscars (Octupus Publishing, 2025) author Ben Arogundade interweaves the experiences of Black actors and filmmakers with those of Asians, Latinos, South Asians, Indigenous peoples, and women throughout the decades, charting their progression to the Oscars podium, galvanized by defiant boycotts, civil rights protests, and social media activism. Through lenses of history, cinephelia, and social justice, Hollywood Blackout offers a backstage view for those seeking the real story of Hollywood, the Oscars, and the talents who fought to make change. You can find and follow Ben at hollywoodblackout.com or arogundade.com.  On February 29, 1940, African American actor Hattie McDaniel became the first person of color, and the first Black woman, to win an Academy Award. The moment marked the beginning of Hollywood's reluctant move toward diversity and inclusion. Since then, minorities and women have struggled to attain Academy Awards recognition within a system designed to discriminate against them. 

In Hollywood Blackout: The Battle for Inclusion at the Oscars (Octupus Publishing, 2025) author Ben Arogundade interweaves the experiences of Black actors and filmmakers with those of Asians, Latinos, South Asians, Indigenous peoples, and women throughout the decades, charting their progression to the Oscars podium, galvanized by defiant boycotts, civil rights protests, and social media activism. Through lenses of history, cinephelia, and social justice, Hollywood Blackout offers a backstage view for those seeking the real story of Hollywood, the Oscars, and the talents who fought to make change.

You can find and follow Ben at hollywoodblackout.com or arogundade.com. 

]]> 4195 no