Off the Record with UT Press https://newbooksnetwork.com en New Books Network Interviews with author of University of Texas Press books. https://megaphone.imgix.net/podcasts/87c3c33a-c6c8-11ee-8f3d-6709dfc6e699/image/UTP_Wordmarks_02_square_32_.png?ixlib=rails-4.3.1&max-w=3000&max-h=3000&fit=crop&auto=format,compress Off the Record with UT Press https://newbooksnetwork.com no episodic New Books Network Interviews with author of University of Texas Press books. Interviews with author of University of Texas Press books.

]]> New Books Network marshallpoe@newbooksnetwork.com Ken Chitwood, "Borícua Muslims: Everyday Cosmopolitanism Among Puerto Rican Converts to Islam" (U Texas Press, 2025) Ken Chitwood's Borícua Muslims: Everyday Cosmopolitanism among Puerto Rican Converts to Islam (University of Texas Press, 2025), uses rich ethnographic fieldwork across multiple cities and the digital space to capture the complex lived realities of Puerto Rican Muslims both on the island and in the United States. The study is attuned to the archipelago’s context that accents Puerto Rican Islam, such as through histories that link it to Andalusian Spain, and culture, especially through foodscapes. Puerto Rico also has a diverse Arab Muslim diasporic population, especially Palestinians. Due to this diversity of Muslim experiences, throughout the book there emerge conversations about the boundaries of Islam in relation to culture, ethnicity, and theology. At times, when these varied communities share ritual and communal space together, questions of authenticity unfold, such as over language or notions of piety. Despite moments of tension around tribalism and questions of legitimacy, we learn that often Islam for both these communities is understood through their experiences of colonialism, and so anti-colonial registers of Islam influence the solidarity building and social justice organizing that unites Puerto Rican and Palestinian Muslims. The book also has an accompanying Spotify playlist that you definitely should check out. This book will be of interest to anyone working on Islam in South America and/or North America, and Arab and Palestinian diasporic studies, and food studies. Ken Chitwood is a postdoctoral researcher and lecturer with the Department for the Study of Religion at Universität Bayreuth and Affiliate of the University of Southern California's Center for Religion and Civic Culture. Shobhana Xavier is an Associate Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here. She may be reached at shobhana.xavier@queensu.ca. Mon, 23 Mar 2026 08:00:00 -0000 full New Books Network Ken Chitwood's Borícua Muslims: Everyday Cosmopolitanism among Puerto Rican Converts to Islam (University of Texas Press, 2025), uses rich ethnographic fieldwork across multiple cities and the digital space to capture the complex lived realities of Puerto Rican Muslims both on the island and in the United States. The study is attuned to the archipelago’s context that accents Puerto Rican Islam, such as through histories that link it to Andalusian Spain, and culture, especially through foodscapes. Puerto Rico also has a diverse Arab Muslim diasporic population, especially Palestinians. Due to this diversity of Muslim experiences, throughout the book there emerge conversations about the boundaries of Islam in relation to culture, ethnicity, and theology. At times, when these varied communities share ritual and communal space together, questions of authenticity unfold, such as over language or notions of piety. Despite moments of tension around tribalism and questions of legitimacy, we learn that often Islam for both these communities is understood through their experiences of colonialism, and so anti-colonial registers of Islam influence the solidarity building and social justice organizing that unites Puerto Rican and Palestinian Muslims. The book also has an accompanying Spotify playlist that you definitely should check out. This book will be of interest to anyone working on Islam in South America and/or North America, and Arab and Palestinian diasporic studies, and food studies. Ken Chitwood is a postdoctoral researcher and lecturer with the Department for the Study of Religion at Universität Bayreuth and Affiliate of the University of Southern California's Center for Religion and Civic Culture. Shobhana Xavier is an Associate Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here. She may be reached at shobhana.xavier@queensu.ca. Ken Chitwood's Borícua Muslims: Everyday Cosmopolitanism among Puerto Rican Converts to Islam (University of Texas Press, 2025), uses rich ethnographic fieldwork across multiple cities and the digital space to capture the complex lived realities of Puerto Rican Muslims both on the island and in the United States. The study is attuned to the archipelago’s context that accents Puerto Rican Islam, such as through histories that link it to Andalusian Spain, and culture, especially through foodscapes. Puerto Rico also has a diverse Arab Muslim diasporic population, especially Palestinians. Due to this diversity of Muslim experiences, throughout the book there emerge conversations about the boundaries of Islam in relation to culture, ethnicity, and theology. At times, when these varied communities share ritual and communal space together, questions of authenticity unfold, such as over language or notions of piety. Despite moments of tension around tribalism and questions of legitimacy, we learn that often Islam for both these communities is understood through their experiences of colonialism, and so anti-colonial registers of Islam influence the solidarity building and social justice organizing that unites Puerto Rican and Palestinian Muslims. The book also has an accompanying Spotify playlist that you definitely should check out. This book will be of interest to anyone working on Islam in South America and/or North America, and Arab and Palestinian diasporic studies, and food studies.

Ken Chitwood is a postdoctoral researcher and lecturer with the Department for the Study of Religion at Universität Bayreuth and Affiliate of the University of Southern California's Center for Religion and Civic Culture.

Shobhana Xavier is an Associate Professor of Religious Studies at Queen’s University. More details about her research and scholarship may be found here. She may be reached at shobhana.xavier@queensu.ca.

]]> 4193 no Rebecca Sharpless, "People of the Wheat: Culture and Cultivation in North Texas" (U Texas Press, 2026) If you’ve ever wondered where your wheat flour is coming from, who is milling it (and how), or how it came to be such an important staple, then this episode might be for you. Dr. Rebecca Sharpless speaks with host Scott Catey about People of the Wheat: Culture and Cultivation in North Texas (U Texas Press, 2026). This book examines the history of wheat in the six counties of the North Texas wheat belt, and how wheat growing, milling, and baking shaped the people and culture there. In the national imaginary, America’s amber fields of grain lie in the country’s center, but for more than a century, they also grew across one pocket of the South: North Texas. From the 1840s to the 1970s, the state's agriculture, dominated in lore by cotton in the east and livestock in the open range, was heavily invested in the cultivation, processing, sale, and consumption of wheat. Recalling a forgotten history, Rebecca Sharpless shows how the rhythms of the wheat harvest—and the evolution of the milling, distribution, and baking industries—governed daily life in what is now known as the Dallas–Fort Worth Metroplex. In the 1840s, Anglo settlers discovered that grain flourished in North Texas and quickly built an economy that included wheat in fields, mills, and kitchens. After the Civil War, hand labor gave way to mechanization, greatly increasing production. Commercial bakeries churned out novel confections, and big cities were built on the bounty of the countryside. In the second half of the twentieth century, as production moved northward, industrial milling and baking declined, but home baking boomed, flour advertising supported regional music, and wheat fortunes financed the region’s cultural life. Sharpless covers 150 years of wheat’s very human history and shows how the labor that cultivated it, the sustenance it provided, and the prosperity it generated left an indelible mark on the people and institutions of Texas. Dr. Rebecca Sharpless is a Professor of History at Texas Christian University. She specializes in Gender & Sexuality, Texas History, and American History. She is the author of three previous books: Grain and Fire: A History of Baking in the American South (2022); Cooking in Other Women’s Kitchens: Domestic Workers in the South, 1865-1960 (2010); and Fertile Ground, Narrow Choices: Women on Texas Cotton Farms, 1900-1940 (1999). Dr. Scott Catey is founder of The Catey Creative Group, LLC. and host of the podcast The Sum of All Wisdom. Website here Sat, 07 Mar 2026 09:00:00 -0000 full New Books Network If you’ve ever wondered where your wheat flour is coming from, who is milling it (and how), or how it came to be such an important staple, then this episode might be for you. Dr. Rebecca Sharpless speaks with host Scott Catey about People of the Wheat: Culture and Cultivation in North Texas (U Texas Press, 2026). This book examines the history of wheat in the six counties of the North Texas wheat belt, and how wheat growing, milling, and baking shaped the people and culture there. In the national imaginary, America’s amber fields of grain lie in the country’s center, but for more than a century, they also grew across one pocket of the South: North Texas. From the 1840s to the 1970s, the state's agriculture, dominated in lore by cotton in the east and livestock in the open range, was heavily invested in the cultivation, processing, sale, and consumption of wheat. Recalling a forgotten history, Rebecca Sharpless shows how the rhythms of the wheat harvest—and the evolution of the milling, distribution, and baking industries—governed daily life in what is now known as the Dallas–Fort Worth Metroplex. In the 1840s, Anglo settlers discovered that grain flourished in North Texas and quickly built an economy that included wheat in fields, mills, and kitchens. After the Civil War, hand labor gave way to mechanization, greatly increasing production. Commercial bakeries churned out novel confections, and big cities were built on the bounty of the countryside. In the second half of the twentieth century, as production moved northward, industrial milling and baking declined, but home baking boomed, flour advertising supported regional music, and wheat fortunes financed the region’s cultural life. Sharpless covers 150 years of wheat’s very human history and shows how the labor that cultivated it, the sustenance it provided, and the prosperity it generated left an indelible mark on the people and institutions of Texas. Dr. Rebecca Sharpless is a Professor of History at Texas Christian University. She specializes in Gender & Sexuality, Texas History, and American History. She is the author of three previous books: Grain and Fire: A History of Baking in the American South (2022); Cooking in Other Women’s Kitchens: Domestic Workers in the South, 1865-1960 (2010); and Fertile Ground, Narrow Choices: Women on Texas Cotton Farms, 1900-1940 (1999). Dr. Scott Catey is founder of The Catey Creative Group, LLC. and host of the podcast The Sum of All Wisdom. Website here If you’ve ever wondered where your wheat flour is coming from, who is milling it (and how), or how it came to be such an important staple, then this episode might be for you. Dr. Rebecca Sharpless speaks with host Scott Catey about People of the Wheat: Culture and Cultivation in North Texas (U Texas Press, 2026). This book examines the history of wheat in the six counties of the North Texas wheat belt, and how wheat growing, milling, and baking shaped the people and culture there.

In the national imaginary, America’s amber fields of grain lie in the country’s center, but for more than a century, they also grew across one pocket of the South: North Texas. From the 1840s to the 1970s, the state's agriculture, dominated in lore by cotton in the east and livestock in the open range, was heavily invested in the cultivation, processing, sale, and consumption of wheat. Recalling a forgotten history, Rebecca Sharpless shows how the rhythms of the wheat harvest—and the evolution of the milling, distribution, and baking industries—governed daily life in what is now known as the Dallas–Fort Worth Metroplex.

In the 1840s, Anglo settlers discovered that grain flourished in North Texas and quickly built an economy that included wheat in fields, mills, and kitchens. After the Civil War, hand labor gave way to mechanization, greatly increasing production. Commercial bakeries churned out novel confections, and big cities were built on the bounty of the countryside. In the second half of the twentieth century, as production moved northward, industrial milling and baking declined, but home baking boomed, flour advertising supported regional music, and wheat fortunes financed the region’s cultural life. Sharpless covers 150 years of wheat’s very human history and shows how the labor that cultivated it, the sustenance it provided, and the prosperity it generated left an indelible mark on the people and institutions of Texas.

Dr. Rebecca Sharpless is a Professor of History at Texas Christian University. She specializes in Gender & Sexuality, Texas History, and American History. She is the author of three previous books: Grain and Fire: A History of Baking in the American South (2022); Cooking in Other Women’s Kitchens: Domestic Workers in the South, 1865-1960 (2010); and Fertile Ground, Narrow Choices: Women on Texas Cotton Farms, 1900-1940 (1999).

Dr. Scott Catey is founder of The Catey Creative Group, LLC. and host of the podcast The Sum of All Wisdom. Website here

]]> 4211 no Eray Çayli, "Earthmoving: Extractivism, War, and Visuality in Northern Kurdistan" (U Texas Press, 2025) Extractivism—exploiting the earth for resources—has long driven racial capitalism and colonialism. And yet, how does extractivism operate in a world where ecological and humanitarian sensibilities are unprecedentedly widespread? Eray Çaylı argues it does so by mobilizing these sensibilities in new ways. Extractivism is no longer only about moving the earth—displacing peoples, fossils, minerals, and waters—but also leaving those who witness this violent displacement sentimentally moved. Earthmoving: Extractivism, War, and Visuality in Northern Kurdistan (U Texas Press, 2025) conceptualizes this duality. Derived from Çaylı’s years-long work in Northern Kurdistan, home to the world’s largest stateless nation—rendered stateless by colonial policies since the nineteenth century—Earthmoving focuses on the 2010s, a decade that began with peace talks between Turkey and the Kurdish liberation movement but ended with war. The decade saw extractivism intensify in the region and images of its harm proliferate across art and media. Together with contemporary artists, Çaylı shows that images challenge extractivism both by making its harm visible and by fostering self-reflexive and reciprocal collaboration that breaks with its valuation of the colonized and the racialized only in quantifiable and marketable terms. Host: Ronay Bakan is a Max Weber Postdoctoral Fellow at European University Institute, in Italy. Her research interests include political geography, mobilization, and counterinsurgency in Southwest Asia and North Africa with a special focus on Northern Kurdistan. She is currently working on her book titled “Counterinsurgent Urbanism: Weaponizing Land and Heritage in Northern Kurdistan.” Email: ronay.bakan@eui.eu Fri, 20 Feb 2026 09:00:00 -0000 full New Books Network Extractivism—exploiting the earth for resources—has long driven racial capitalism and colonialism. And yet, how does extractivism operate in a world where ecological and humanitarian sensibilities are unprecedentedly widespread? Eray Çaylı argues it does so by mobilizing these sensibilities in new ways. Extractivism is no longer only about moving the earth—displacing peoples, fossils, minerals, and waters—but also leaving those who witness this violent displacement sentimentally moved. Earthmoving: Extractivism, War, and Visuality in Northern Kurdistan (U Texas Press, 2025) conceptualizes this duality. Derived from Çaylı’s years-long work in Northern Kurdistan, home to the world’s largest stateless nation—rendered stateless by colonial policies since the nineteenth century—Earthmoving focuses on the 2010s, a decade that began with peace talks between Turkey and the Kurdish liberation movement but ended with war. The decade saw extractivism intensify in the region and images of its harm proliferate across art and media. Together with contemporary artists, Çaylı shows that images challenge extractivism both by making its harm visible and by fostering self-reflexive and reciprocal collaboration that breaks with its valuation of the colonized and the racialized only in quantifiable and marketable terms. Host: Ronay Bakan is a Max Weber Postdoctoral Fellow at European University Institute, in Italy. Her research interests include political geography, mobilization, and counterinsurgency in Southwest Asia and North Africa with a special focus on Northern Kurdistan. She is currently working on her book titled “Counterinsurgent Urbanism: Weaponizing Land and Heritage in Northern Kurdistan.” Email: ronay.bakan@eui.eu Extractivism—exploiting the earth for resources—has long driven racial capitalism and colonialism. And yet, how does extractivism operate in a world where ecological and humanitarian sensibilities are unprecedentedly widespread? Eray Çaylı argues it does so by mobilizing these sensibilities in new ways. Extractivism is no longer only about moving the earth—displacing peoples, fossils, minerals, and waters—but also leaving those who witness this violent displacement sentimentally moved.

Earthmoving: Extractivism, War, and Visuality in Northern Kurdistan (U Texas Press, 2025) conceptualizes this duality. Derived from Çaylı’s years-long work in Northern Kurdistan, home to the world’s largest stateless nation—rendered stateless by colonial policies since the nineteenth century—Earthmoving focuses on the 2010s, a decade that began with peace talks between Turkey and the Kurdish liberation movement but ended with war. The decade saw extractivism intensify in the region and images of its harm proliferate across art and media. Together with contemporary artists, Çaylı shows that images challenge extractivism both by making its harm visible and by fostering self-reflexive and reciprocal collaboration that breaks with its valuation of the colonized and the racialized only in quantifiable and marketable terms.

Host: Ronay Bakan is a Max Weber Postdoctoral Fellow at European University Institute, in Italy. Her research interests include political geography, mobilization, and counterinsurgency in Southwest Asia and North Africa with a special focus on Northern Kurdistan. She is currently working on her book titled “Counterinsurgent Urbanism: Weaponizing Land and Heritage in Northern Kurdistan.” Email: ronay.bakan@eui.eu

]]> 3790 no Mark Gallagher, "Cosmosexuals: Screen Acting, Stardom, and Male Sex Appeal" (U Texas Press, 2025) In Cosmosexuals: Screen Acting, Stardom, and Male Sex Appeal (U Texas Press, 2025), Dr. Mark Gallagher presents an examination of male screen sex appeal and the ways that race, ethnicity, and national origin combine with performance tools and film and television style to aid or inhibit actors’ circulation on an increasingly global stage. Sex appeal is complicated, especially for screen actors. Looking good is not enough. Charisma and charm have to register when the camera rolls. And sexiness has to travel. Today’s heartthrobs are expected to raise temperatures all around the world. Cosmosexuals theorizes male sex appeal as a form of capital in an age of international stardom. Screen scholar Dr. Gallagher assembles a diverse cast—Idris Elba, Pedro Pascal, Simu Liu, Ryan Gosling, and more—analyzing how each actor uses his appearance, voice, and movement to perform in ways that viewers across cultural divides register as sexually appealing. Cosmosexuals also explores the intersection of global sex appeal and exoticism in historical and contemporary contexts—from the malleable racial identities of Omar Sharif and Conrad Veidt to Mads Mikkelsen’s “accented whiteness”—and assesses the barriers that confine nonwhite actors, in spite of their talent or celebrity. Far more than handsome faces and chiseled abs, male sex symbols emerge as laborers subject to disciplinary regimes steeped in patriarchy, racism, and structural inequity. As such, they have much to tell us about the economies of taste at work in the construction of screen masculinity and the terms of human desire. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Fri, 30 Jan 2026 09:00:00 -0000 full New Books Network In Cosmosexuals: Screen Acting, Stardom, and Male Sex Appeal (U Texas Press, 2025), Dr. Mark Gallagher presents an examination of male screen sex appeal and the ways that race, ethnicity, and national origin combine with performance tools and film and television style to aid or inhibit actors’ circulation on an increasingly global stage. Sex appeal is complicated, especially for screen actors. Looking good is not enough. Charisma and charm have to register when the camera rolls. And sexiness has to travel. Today’s heartthrobs are expected to raise temperatures all around the world. Cosmosexuals theorizes male sex appeal as a form of capital in an age of international stardom. Screen scholar Dr. Gallagher assembles a diverse cast—Idris Elba, Pedro Pascal, Simu Liu, Ryan Gosling, and more—analyzing how each actor uses his appearance, voice, and movement to perform in ways that viewers across cultural divides register as sexually appealing. Cosmosexuals also explores the intersection of global sex appeal and exoticism in historical and contemporary contexts—from the malleable racial identities of Omar Sharif and Conrad Veidt to Mads Mikkelsen’s “accented whiteness”—and assesses the barriers that confine nonwhite actors, in spite of their talent or celebrity. Far more than handsome faces and chiseled abs, male sex symbols emerge as laborers subject to disciplinary regimes steeped in patriarchy, racism, and structural inequity. As such, they have much to tell us about the economies of taste at work in the construction of screen masculinity and the terms of human desire. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. In Cosmosexuals: Screen Acting, Stardom, and Male Sex Appeal (U Texas Press, 2025), Dr. Mark Gallagher presents an examination of male screen sex appeal and the ways that race, ethnicity, and national origin combine with performance tools and film and television style to aid or inhibit actors’ circulation on an increasingly global stage.

Sex appeal is complicated, especially for screen actors. Looking good is not enough. Charisma and charm have to register when the camera rolls. And sexiness has to travel. Today’s heartthrobs are expected to raise temperatures all around the world.

Cosmosexuals theorizes male sex appeal as a form of capital in an age of international stardom. Screen scholar Dr. Gallagher assembles a diverse cast—Idris Elba, Pedro Pascal, Simu Liu, Ryan Gosling, and more—analyzing how each actor uses his appearance, voice, and movement to perform in ways that viewers across cultural divides register as sexually appealing. Cosmosexuals also explores the intersection of global sex appeal and exoticism in historical and contemporary contexts—from the malleable racial identities of Omar Sharif and Conrad Veidt to Mads Mikkelsen’s “accented whiteness”—and assesses the barriers that confine nonwhite actors, in spite of their talent or celebrity. Far more than handsome faces and chiseled abs, male sex symbols emerge as laborers subject to disciplinary regimes steeped in patriarchy, racism, and structural inequity. As such, they have much to tell us about the economies of taste at work in the construction of screen masculinity and the terms of human desire.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

]]> 4234 no Najati Sidqi, "Memoirs of a Palestinian Communist: The Secret Life of Najati Sidqi" (U Texas Press, 2025) In the public eye, Najati Sidqi was known as a journalist and writer, a translator of Russian classics, and an outspoken opponent of Nazism. However, Sidqi concealed a critical component of his life from the world and his family. He was an underground activist for the Palestinian Communist Party, a risky and influential pursuit that took him to early Bolshevik Moscow, British courts and prison cells in Palestine, Nazi Germany, intrigue-heavy interwar Paris, and Civil War Spain, Morocco, and Algeria. Throughout his journey, Sidqi continued to write, even as he faced fascism, intense surveillance, active warzones, the death of friends, and exile. Memoirs of a Palestinian Communist: The Secret Life of Najati Sidqi (U Texas Press, 2025) brings Sidqi’s incredible life and work to light, wryly narrating his international travels, his work as an activist, and his political dealings at a crucial moment for Palestine and the international fight against fascism. Translated from Arabic into English for the first time, it is a riveting firsthand account of an often-overlooked aspect of the history of the global left. Generous supplementary materials make the memoir accessible to students and non-specialist scholars: a preface by Sidqi’s grandson, a foreword by renowned historian Joel Beinin, a translators’ introduction that presents new research on Sidqi’s family history, a map of his travels, and a timeline, as well as a bibliographic essay offering pointers for further research.In this episode, Ibrahim Fawzy sat with Margaret Litvin to talk about The Memoir of Najati Sidqi as a powerful Palestinian life narrative and a groundbreaking collaborative translation project. Ibrahim Fawzy is an Egyptian literary translator and writer. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. Fri, 30 Jan 2026 09:00:00 -0000 full New Books Network In the public eye, Najati Sidqi was known as a journalist and writer, a translator of Russian classics, and an outspoken opponent of Nazism. However, Sidqi concealed a critical component of his life from the world and his family. He was an underground activist for the Palestinian Communist Party, a risky and influential pursuit that took him to early Bolshevik Moscow, British courts and prison cells in Palestine, Nazi Germany, intrigue-heavy interwar Paris, and Civil War Spain, Morocco, and Algeria. Throughout his journey, Sidqi continued to write, even as he faced fascism, intense surveillance, active warzones, the death of friends, and exile. Memoirs of a Palestinian Communist: The Secret Life of Najati Sidqi (U Texas Press, 2025) brings Sidqi’s incredible life and work to light, wryly narrating his international travels, his work as an activist, and his political dealings at a crucial moment for Palestine and the international fight against fascism. Translated from Arabic into English for the first time, it is a riveting firsthand account of an often-overlooked aspect of the history of the global left. Generous supplementary materials make the memoir accessible to students and non-specialist scholars: a preface by Sidqi’s grandson, a foreword by renowned historian Joel Beinin, a translators’ introduction that presents new research on Sidqi’s family history, a map of his travels, and a timeline, as well as a bibliographic essay offering pointers for further research.In this episode, Ibrahim Fawzy sat with Margaret Litvin to talk about The Memoir of Najati Sidqi as a powerful Palestinian life narrative and a groundbreaking collaborative translation project. Ibrahim Fawzy is an Egyptian literary translator and writer. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature. In the public eye, Najati Sidqi was known as a journalist and writer, a translator of Russian classics, and an outspoken opponent of Nazism. However, Sidqi concealed a critical component of his life from the world and his family. He was an underground activist for the Palestinian Communist Party, a risky and influential pursuit that took him to early Bolshevik Moscow, British courts and prison cells in Palestine, Nazi Germany, intrigue-heavy interwar Paris, and Civil War Spain, Morocco, and Algeria. Throughout his journey, Sidqi continued to write, even as he faced fascism, intense surveillance, active warzones, the death of friends, and exile.

Memoirs of a Palestinian Communist: The Secret Life of Najati Sidqi (U Texas Press, 2025) brings Sidqi’s incredible life and work to light, wryly narrating his international travels, his work as an activist, and his political dealings at a crucial moment for Palestine and the international fight against fascism. Translated from Arabic into English for the first time, it is a riveting firsthand account of an often-overlooked aspect of the history of the global left. Generous supplementary materials make the memoir accessible to students and non-specialist scholars: a preface by Sidqi’s grandson, a foreword by renowned historian Joel Beinin, a translators’ introduction that presents new research on Sidqi’s family history, a map of his travels, and a timeline, as well as a bibliographic essay offering pointers for further research.
In this episode, Ibrahim Fawzy sat with Margaret Litvin to talk about The Memoir of Najati Sidqi as a powerful Palestinian life narrative and a groundbreaking collaborative translation project.

Ibrahim Fawzy is an Egyptian literary translator and writer. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.

]]> 1554 no Justin Owen Rawlins, "Imagining the Method: Reception, Identity, and American Screen Performance" (U Texas Press, 2024) Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method: Reception, Identity, and American Screen Performance (U Texas Press, 2024) investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries. Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers. Peter C. Kunze is an assistant professor of communication at Tulane University. Mon, 26 Jan 2026 09:00:00 -0000 full 189 New Books Network An interview with Justin Owen Rawlins Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method: Reception, Identity, and American Screen Performance (U Texas Press, 2024) investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries. Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers. Peter C. Kunze is an assistant professor of communication at Tulane University. Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method: Reception, Identity, and American Screen Performance (U Texas Press, 2024) investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries.

Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers.

Peter C. Kunze is an assistant professor of communication at Tulane University.

]]> 3394 no Justin Owen Rawlins, "Imagining the Method: Reception, Identity, and American Screen Performance" (U Texas Press, 2024) Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method: Reception, Identity, and American Screen Performance (U Texas Press, 2024) investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries. Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers. Peter C. Kunze is an assistant professor of communication at Tulane University. Mon, 26 Jan 2026 09:00:00 -0000 full 189 New Books Network An interview with Justin Owen Rawlins Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method: Reception, Identity, and American Screen Performance (U Texas Press, 2024) investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries. Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers. Peter C. Kunze is an assistant professor of communication at Tulane University. Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method: Reception, Identity, and American Screen Performance (U Texas Press, 2024) investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries.

Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers.

Peter C. Kunze is an assistant professor of communication at Tulane University.

]]> 3394 no Nile Green, "Serendipitous Translations: A Sourcebook on Sri Lanka in the Islamic Indian Ocean" (U Texas Press, 2026) Sri Lanka has long sat astride the monsoon winds between the Bay of Bengal and the Arabian Sea – a small island at the centre of a very big story. For over a thousand years, Muslim pilgrims, merchants, scholars, and soldiers have passed through “Lanka” or “Sarandib”, leaving traces in Arabic, Tamil, Persian, Malay, Ottoman Turkish, Urdu, Dhivehi, and Sinhala. Serendipitous Translations: A Sourcebook on Sri Lanka in the Islamic Indian Ocean (University of Texas Press, 2026) brings together many of those voices for the first time in English. From medieval travellers marvelling at Adam’s Peak to modern novelists and newspaper editors wrestling with reform, nationalism, and civil conflict. Dr. Nile Green holds the Ibn Khaldun Endowed Chair in World History at UCLA. A former Guggenheim Fellow, he is the celebrated author of ten monographs and the editor of seven books and several journal issues, with a particular focus on Islam and the Indian Ocean world. He also hosts the excellent podcast Akbar’s Chamber: Experts Talk Islam. Dr. Ahmed AlMaazmi is Assistant Professor of History at the United Arab Emirates University. His research explores the intersections of empire, occult sciences, slavery, law, environmental infrastructures, and material culture in the Arabian Peninsula and the wider Indian Ocean world. Wed, 07 Jan 2026 09:00:00 -0000 full 89 New Books Network Sri Lanka has long sat astride the monsoon winds between the Bay of Bengal and the Arabian Sea – a small island at the centre of a very big story. For over a thousand years, Muslim pilgrims, merchants, scholars, and soldiers have passed through “Lanka” or “Sarandib”, leaving traces in Arabic, Tamil, Persian, Malay, Ottoman Turkish, Urdu, Dhivehi, and Sinhala. Serendipitous Translations: A Sourcebook on Sri Lanka in the Islamic Indian Ocean (University of Texas Press, 2026) brings together many of those voices for the first time in English. From medieval travellers marvelling at Adam’s Peak to modern novelists and newspaper editors wrestling with reform, nationalism, and civil conflict. Dr. Nile Green holds the Ibn Khaldun Endowed Chair in World History at UCLA. A former Guggenheim Fellow, he is the celebrated author of ten monographs and the editor of seven books and several journal issues, with a particular focus on Islam and the Indian Ocean world. He also hosts the excellent podcast Akbar’s Chamber: Experts Talk Islam. Dr. Ahmed AlMaazmi is Assistant Professor of History at the United Arab Emirates University. His research explores the intersections of empire, occult sciences, slavery, law, environmental infrastructures, and material culture in the Arabian Peninsula and the wider Indian Ocean world. Sri Lanka has long sat astride the monsoon winds between the Bay of Bengal and the Arabian Sea – a small island at the centre of a very big story. For over a thousand years, Muslim pilgrims, merchants, scholars, and soldiers have passed through “Lanka” or “Sarandib”, leaving traces in Arabic, Tamil, Persian, Malay, Ottoman Turkish, Urdu, Dhivehi, and Sinhala. Serendipitous Translations: A Sourcebook on Sri Lanka in the Islamic Indian Ocean (University of Texas Press, 2026) brings together many of those voices for the first time in English. From medieval travellers marvelling at Adam’s Peak to modern novelists and newspaper editors wrestling with reform, nationalism, and civil conflict.

Dr. Nile Green holds the Ibn Khaldun Endowed Chair in World History at UCLA. A former Guggenheim Fellow, he is the celebrated author of ten monographs and the editor of seven books and several journal issues, with a particular focus on Islam and the Indian Ocean world. He also hosts the excellent podcast Akbar’s Chamber: Experts Talk Islam.

Dr. Ahmed AlMaazmi is Assistant Professor of History at the United Arab Emirates University. His research explores the intersections of empire, occult sciences, slavery, law, environmental infrastructures, and material culture in the Arabian Peninsula and the wider Indian Ocean world.

]]> 3744 no Jeff Roche, "The Conservative Frontier: Texas and the Origins of the New Right" (U Texas Press, 2025) American conservatism as we know it today is a West Texas export, argues College of Wooster professor Jeff Roche in The Conservative Frontier: Texas and the Origins of the New Right (U Texas Press, 2025). Tracing the roots of the state's conservative movement back to the giant cattle ranches and tycoons of the nineteenth century, Roche argues that you cannot separate the local and historical conditions in the West (and in West Texas specifically) from the "cowboy conservatism" of Barry Goldwater and Ronald Reagan. Full of fascinating characters and the kind of tall tales you only find in the Lone Star State, The Conservative Frontier makes a compelling case for Texas politics eventually becoming national politics by the mid to late 20th century. No matter where you are in the United States today, the political weight of Texas creates a gravity that has proven impossible for American politics to emerge from. Thu, 18 Dec 2025 09:00:00 -0000 full 194 New Books Network American conservatism as we know it today is a West Texas export, argues College of Wooster professor Jeff Roche in The Conservative Frontier: Texas and the Origins of the New Right (U Texas Press, 2025). Tracing the roots of the state's conservative movement back to the giant cattle ranches and tycoons of the nineteenth century, Roche argues that you cannot separate the local and historical conditions in the West (and in West Texas specifically) from the "cowboy conservatism" of Barry Goldwater and Ronald Reagan. Full of fascinating characters and the kind of tall tales you only find in the Lone Star State, The Conservative Frontier makes a compelling case for Texas politics eventually becoming national politics by the mid to late 20th century. No matter where you are in the United States today, the political weight of Texas creates a gravity that has proven impossible for American politics to emerge from. American conservatism as we know it today is a West Texas export, argues College of Wooster professor Jeff Roche in The Conservative Frontier: Texas and the Origins of the New Right (U Texas Press, 2025). Tracing the roots of the state's conservative movement back to the giant cattle ranches and tycoons of the nineteenth century, Roche argues that you cannot separate the local and historical conditions in the West (and in West Texas specifically) from the "cowboy conservatism" of Barry Goldwater and Ronald Reagan. Full of fascinating characters and the kind of tall tales you only find in the Lone Star State, The Conservative Frontier makes a compelling case for Texas politics eventually becoming national politics by the mid to late 20th century. No matter where you are in the United States today, the political weight of Texas creates a gravity that has proven impossible for American politics to emerge from.

]]> 4852 no Shiben Banerji, "Lineages of the Global City: Occult Modernism and the Spiritualization of Democracy" (U Texas Press, 2025) War, revolution, genocide, rebellion, slump. The economic and political turmoil of the early twentieth century seemed destined to rip asunder the ties that bound colonizers and the colonized to one another. The upheaval represented an opportunity, and not just to nationalists who imagined new homelands or to socialists who dreamed of international brotherhood. For modernists in the orbit of various occultisms, the crisis of empire also represented an opportunity to reveal humanity's fundamental unity and common fate. Lineages of the Global City: Occult Modernism and the Spiritualization of Democracy (U Texas Press, 2025) by Dr. Shiben Banerji recounts a continuous, if also contentious, transnational exchange among modernists and occultists across the Americas, Europe, South Asia, and Australia between 1905 and 1949. At stake were the feelings and affect of a new global subject who would perceive themselves as belonging to humanity as a unified whole, and the urban environment that would foster their subjectivity. The interventions in this debate, which drew in the period's most renowned modernists, took the form of a succession of plans for cities, suburbs, and communes, as well as experiments in building, drawing, printmaking, filmmaking, and writing. Weaving together postcolonial, feminist, and Marxist insight on subject formation, Dr. Banerji advances a new way of understanding modernist urban space as the design of subjective effects. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Thu, 18 Dec 2025 09:00:00 -0000 full New Books Network War, revolution, genocide, rebellion, slump. The economic and political turmoil of the early twentieth century seemed destined to rip asunder the ties that bound colonizers and the colonized to one another. The upheaval represented an opportunity, and not just to nationalists who imagined new homelands or to socialists who dreamed of international brotherhood. For modernists in the orbit of various occultisms, the crisis of empire also represented an opportunity to reveal humanity's fundamental unity and common fate. Lineages of the Global City: Occult Modernism and the Spiritualization of Democracy (U Texas Press, 2025) by Dr. Shiben Banerji recounts a continuous, if also contentious, transnational exchange among modernists and occultists across the Americas, Europe, South Asia, and Australia between 1905 and 1949. At stake were the feelings and affect of a new global subject who would perceive themselves as belonging to humanity as a unified whole, and the urban environment that would foster their subjectivity. The interventions in this debate, which drew in the period's most renowned modernists, took the form of a succession of plans for cities, suburbs, and communes, as well as experiments in building, drawing, printmaking, filmmaking, and writing. Weaving together postcolonial, feminist, and Marxist insight on subject formation, Dr. Banerji advances a new way of understanding modernist urban space as the design of subjective effects. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. War, revolution, genocide, rebellion, slump. The economic and political turmoil of the early twentieth century seemed destined to rip asunder the ties that bound colonizers and the colonized to one another. The upheaval represented an opportunity, and not just to nationalists who imagined new homelands or to socialists who dreamed of international brotherhood. For modernists in the orbit of various occultisms, the crisis of empire also represented an opportunity to reveal humanity's fundamental unity and common fate.

Lineages of the Global City: Occult Modernism and the Spiritualization of Democracy (U Texas Press, 2025) by Dr. Shiben Banerji recounts a continuous, if also contentious, transnational exchange among modernists and occultists across the Americas, Europe, South Asia, and Australia between 1905 and 1949. At stake were the feelings and affect of a new global subject who would perceive themselves as belonging to humanity as a unified whole, and the urban environment that would foster their subjectivity. The interventions in this debate, which drew in the period's most renowned modernists, took the form of a succession of plans for cities, suburbs, and communes, as well as experiments in building, drawing, printmaking, filmmaking, and writing. Weaving together postcolonial, feminist, and Marxist insight on subject formation, Dr. Banerji advances a new way of understanding modernist urban space as the design of subjective effects.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

]]> 3968 no Tim Seiter, "Wrangling Pelicans: Military Life in Texas Presidios" (U Texas Press, 2025) A richly detailed history of daily life for colonial Spanish soldiers surviving on the eighteenth-century Texas Gulf Coast. In 1775, Spanish King Carlos III ordered the capture of American pelicans for his wildlife park in Madrid. The command went to the only Spanish fort on the Texas coast—Presidio Nuestra Señora de Loreto de la Bahía in present-day Goliad. But the overworked soldiers stationed at the fort had little interest indulging a king an ocean away. Their days were consumed with guarding their community against powerful Indigenous peoples and managing the demands of frontier life. The royal order went ignored. Wrangling Pelicans: Military Life in Texas Presidios (U Texas Press, 2025) brings to life the world of Presidio La Bahía’s Hispano soldiers, whose duties ranged from heated warfare to high-stakes diplomacy, while their leisure pursuits included courtship, card playing, and cockfighting. It highlights the lives of presidio women and reveals the ways the Spanish legal system was used by and against the soldiers as they continually negotiated their roles within the empire and their community. Although they were agents of the Spanish crown, soldiers at times defied their king and even their captain as they found ways to assert their autonomy. Offering a fresh perspective on colonial Texas, Wrangling Pelicans recreates the complexities of life at the empire’s edge, where survival mattered more than royal decrees. Wed, 19 Nov 2025 09:00:00 -0000 full New Books Network A richly detailed history of daily life for colonial Spanish soldiers surviving on the eighteenth-century Texas Gulf Coast. In 1775, Spanish King Carlos III ordered the capture of American pelicans for his wildlife park in Madrid. The command went to the only Spanish fort on the Texas coast—Presidio Nuestra Señora de Loreto de la Bahía in present-day Goliad. But the overworked soldiers stationed at the fort had little interest indulging a king an ocean away. Their days were consumed with guarding their community against powerful Indigenous peoples and managing the demands of frontier life. The royal order went ignored. Wrangling Pelicans: Military Life in Texas Presidios (U Texas Press, 2025) brings to life the world of Presidio La Bahía’s Hispano soldiers, whose duties ranged from heated warfare to high-stakes diplomacy, while their leisure pursuits included courtship, card playing, and cockfighting. It highlights the lives of presidio women and reveals the ways the Spanish legal system was used by and against the soldiers as they continually negotiated their roles within the empire and their community. Although they were agents of the Spanish crown, soldiers at times defied their king and even their captain as they found ways to assert their autonomy. Offering a fresh perspective on colonial Texas, Wrangling Pelicans recreates the complexities of life at the empire’s edge, where survival mattered more than royal decrees. A richly detailed history of daily life for colonial Spanish soldiers surviving on the eighteenth-century Texas Gulf Coast.

In 1775, Spanish King Carlos III ordered the capture of American pelicans for his wildlife park in Madrid. The command went to the only Spanish fort on the Texas coast—Presidio Nuestra Señora de Loreto de la Bahía in present-day Goliad. But the overworked soldiers stationed at the fort had little interest indulging a king an ocean away. Their days were consumed with guarding their community against powerful Indigenous peoples and managing the demands of frontier life. The royal order went ignored.

Wrangling Pelicans: Military Life in Texas Presidios (U Texas Press, 2025) brings to life the world of Presidio La Bahía’s Hispano soldiers, whose duties ranged from heated warfare to high-stakes diplomacy, while their leisure pursuits included courtship, card playing, and cockfighting. It highlights the lives of presidio women and reveals the ways the Spanish legal system was used by and against the soldiers as they continually negotiated their roles within the empire and their community. Although they were agents of the Spanish crown, soldiers at times defied their king and even their captain as they found ways to assert their autonomy. Offering a fresh perspective on colonial Texas, Wrangling Pelicans recreates the complexities of life at the empire’s edge, where survival mattered more than royal decrees.

]]> 2390 no James Scorer, "Latin American Comics in the Twenty-First Century: Transgressing the Frame" (U Texas Press, 2024) How do comics cross boarders? In Latin American Comics in the Twenty-First Century: Transgressing the Frame James Scorer, a Professor of Latin American Studies at the University of Manchester, considers the rise of a distinctively Latin American comics culture, capturing the interconnections and differences as comics production have evolved in the region. The book covers a range of genres and comic forms, including physical and digital media, across Argentina, Chile, Colombia, Mexico, Peru, and Uruguay, showing the importance of comics as a way of intervening in social and political struggles, as well as the joy and pleasure that they offer a diverse, and increasingly global readership. Listeners can also learn more about a broader project of studying Comics and race in Latin America as well as the previously published open access collection Comics Beyond the Page in Latin America Tue, 04 Nov 2025 09:00:00 -0000 full 567 New Books Network How do comics cross boarders? In Latin American Comics in the Twenty-First Century: Transgressing the Frame James Scorer, a Professor of Latin American Studies at the University of Manchester, considers the rise of a distinctively Latin American comics culture, capturing the interconnections and differences as comics production have evolved in the region. The book covers a range of genres and comic forms, including physical and digital media, across Argentina, Chile, Colombia, Mexico, Peru, and Uruguay, showing the importance of comics as a way of intervening in social and political struggles, as well as the joy and pleasure that they offer a diverse, and increasingly global readership. Listeners can also learn more about a broader project of studying Comics and race in Latin America as well as the previously published open access collection Comics Beyond the Page in Latin America How do comics cross boarders? In Latin American Comics in the Twenty-First Century: Transgressing the Frame James Scorer, a Professor of Latin American Studies at the University of Manchester, considers the rise of a distinctively Latin American comics culture, capturing the interconnections and differences as comics production have evolved in the region. The book covers a range of genres and comic forms, including physical and digital media, across Argentina, Chile, Colombia, Mexico, Peru, and Uruguay, showing the importance of comics as a way of intervening in social and political struggles, as well as the joy and pleasure that they offer a diverse, and increasingly global readership. Listeners can also learn more about a broader project of studying Comics and race in Latin America as well as the previously published open access collection Comics Beyond the Page in Latin America

]]> 2470 no Aria Fani, "Reading Across Borders: Afghans, Iranians, and Literary Nationalism" (U Texas Press, 2024) The dynamic and interconnected ways Afghans and Iranians invented their modern selves through literature. Contrary to the presumption that literary nationalism in the Global South emerged through contact with Europe alone, Reading Across Borders: Afghans, Iranians, and Literary Nationalism (University of Texas Press, 2024) demonstrates how the cultural forms of Iran and Afghanistan as nation-states arose from their shared Persian heritage and cross-cultural exchange in the twentieth century. In this book, Aria Fani charts the individuals, institutions, and conversations that made this exchange possible, detailing the dynamic and interconnected ways Afghans and Iranians invented their modern selves through new ideas about literature. Fani illustrates how voluntary and state-funded associations of readers helped formulate and propagate "literature" as a recognizable notion, adapting and changing Persian concepts to fit this modern idea. Focusing on early twentieth-century periodicals with readers in Afghan and Iranian cities and their diaspora, Fani exposes how nationalism intensified—rather than severed—cultural contact among two Persian-speaking societies amidst the diverging and competing demands of their respective nation-states. This interconnected history was ultimately forgotten, shaping many of the cultural disputes between Iran and Afghanistan today. Aria Fani is an associate professor and director of Persian and Iranian Studies at the University of Washington in Seattle. He serves as the current deputy editor of Iranian Studies and is a co-investigator of the Translation Studies Hub at UW. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Fri, 31 Oct 2025 08:00:00 -0000 full New Books Network The dynamic and interconnected ways Afghans and Iranians invented their modern selves through literature. Contrary to the presumption that literary nationalism in the Global South emerged through contact with Europe alone, Reading Across Borders: Afghans, Iranians, and Literary Nationalism (University of Texas Press, 2024) demonstrates how the cultural forms of Iran and Afghanistan as nation-states arose from their shared Persian heritage and cross-cultural exchange in the twentieth century. In this book, Aria Fani charts the individuals, institutions, and conversations that made this exchange possible, detailing the dynamic and interconnected ways Afghans and Iranians invented their modern selves through new ideas about literature. Fani illustrates how voluntary and state-funded associations of readers helped formulate and propagate "literature" as a recognizable notion, adapting and changing Persian concepts to fit this modern idea. Focusing on early twentieth-century periodicals with readers in Afghan and Iranian cities and their diaspora, Fani exposes how nationalism intensified—rather than severed—cultural contact among two Persian-speaking societies amidst the diverging and competing demands of their respective nation-states. This interconnected history was ultimately forgotten, shaping many of the cultural disputes between Iran and Afghanistan today. Aria Fani is an associate professor and director of Persian and Iranian Studies at the University of Washington in Seattle. He serves as the current deputy editor of Iranian Studies and is a co-investigator of the Translation Studies Hub at UW. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos The dynamic and interconnected ways Afghans and Iranians invented their modern selves through literature.

Contrary to the presumption that literary nationalism in the Global South emerged through contact with Europe alone, Reading Across Borders: Afghans, Iranians, and Literary Nationalism (University of Texas Press, 2024) demonstrates how the cultural forms of Iran and Afghanistan as nation-states arose from their shared Persian heritage and cross-cultural exchange in the twentieth century. In this book, Aria Fani charts the individuals, institutions, and conversations that made this exchange possible, detailing the dynamic and interconnected ways Afghans and Iranians invented their modern selves through new ideas about literature.

Fani illustrates how voluntary and state-funded associations of readers helped formulate and propagate "literature" as a recognizable notion, adapting and changing Persian concepts to fit this modern idea. Focusing on early twentieth-century periodicals with readers in Afghan and Iranian cities and their diaspora, Fani exposes how nationalism intensified—rather than severed—cultural contact among two Persian-speaking societies amidst the diverging and competing demands of their respective nation-states. This interconnected history was ultimately forgotten, shaping many of the cultural disputes between Iran and Afghanistan today.

Aria Fani is an associate professor and director of Persian and Iranian Studies at the University of Washington in Seattle. He serves as the current deputy editor of Iranian Studies and is a co-investigator of the Translation Studies Hub at UW.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.

YouTube Channel: https://www.youtube.com/user/a48266/videos

]]> 3148 no Scott Beekman, "The Last Gladiator: William Muldoon and the Making of American Sports" (U Texas Press, 2025) William Muldoon was an infamous athlete whose prowess, savvy, and chicanery across his six-decade career led him to wealth, cultural importance, and political power. Muldoon, the child of poor Irish immigrants, began wrestling in the 1870s and quickly became one of the most famous athletes of the post–Civil War era. He started acting and modeling as his popularity grew, making him one of the first sports stars to achieve crossover success. After a triumphant stint rehabilitating fallen boxing heavyweight champion John L. Sullivan in 1889, he retired from the ring and began a new career as a fitness impresario, founding an elite gymnasium and remaking himself as a health authority in the press. He became trainer to the rich, famous, and politically powerful, which led to his appointment as chair of the New York State Athletic Commission in the 1920s. From this position, Muldoon exerted his influence over the rules of boxing and wrestling and weaponized his power to maintain segregation in sport. The Last Gladiator: William Muldoon and the Making of American Sports (U Texas Press, 2025) is a deep, insightful dive into Muldoon’s life and impact, demonstrating the significance of this often-controversial figure in the development of American sports, professional wrestling, and physical and popular culture. Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out on November 1. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Sat, 27 Sep 2025 08:00:00 -0000 full New Books Network William Muldoon was an infamous athlete whose prowess, savvy, and chicanery across his six-decade career led him to wealth, cultural importance, and political power. Muldoon, the child of poor Irish immigrants, began wrestling in the 1870s and quickly became one of the most famous athletes of the post–Civil War era. He started acting and modeling as his popularity grew, making him one of the first sports stars to achieve crossover success. After a triumphant stint rehabilitating fallen boxing heavyweight champion John L. Sullivan in 1889, he retired from the ring and began a new career as a fitness impresario, founding an elite gymnasium and remaking himself as a health authority in the press. He became trainer to the rich, famous, and politically powerful, which led to his appointment as chair of the New York State Athletic Commission in the 1920s. From this position, Muldoon exerted his influence over the rules of boxing and wrestling and weaponized his power to maintain segregation in sport. The Last Gladiator: William Muldoon and the Making of American Sports (U Texas Press, 2025) is a deep, insightful dive into Muldoon’s life and impact, demonstrating the significance of this often-controversial figure in the development of American sports, professional wrestling, and physical and popular culture. Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out on November 1. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. William Muldoon was an infamous athlete whose prowess, savvy, and chicanery across his six-decade career led him to wealth, cultural importance, and political power. Muldoon, the child of poor Irish immigrants, began wrestling in the 1870s and quickly became one of the most famous athletes of the post–Civil War era. He started acting and modeling as his popularity grew, making him one of the first sports stars to achieve crossover success. After a triumphant stint rehabilitating fallen boxing heavyweight champion John L. Sullivan in 1889, he retired from the ring and began a new career as a fitness impresario, founding an elite gymnasium and remaking himself as a health authority in the press. He became trainer to the rich, famous, and politically powerful, which led to his appointment as chair of the New York State Athletic Commission in the 1920s. From this position, Muldoon exerted his influence over the rules of boxing and wrestling and weaponized his power to maintain segregation in sport.

The Last Gladiator: William Muldoon and the Making of American Sports (U Texas Press, 2025) is a deep, insightful dive into Muldoon’s life and impact, demonstrating the significance of this often-controversial figure in the development of American sports, professional wrestling, and physical and popular culture.

Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out on November 1. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.

]]> 2481 no Justin Wyatt, "Creating the Viewer: Market Research and the Evolving Media Ecosystem" (U Texas Press, 2024) Creating the Viewer: Market Research and the Evolving Media Ecosystem (U Texas Press, 2024) is a study of the largely hidden world of primary media market research and the different methods used to understand how the viewer is pictured in the industry. The first book on the intersection between market research and media, Creating the Viewer takes a critical look at media companies’ studies of television viewers, the assumptions behind these studies, and the images of the viewer that are constructed through them. Justin Wyatt examines various types of market research, including talent testing, pilot testing, series maintenance, brand studies, and new show “ideation,” providing examples from a range of programming including news, sitcoms, reality shows, and dramas. He looks at brand studies for networks such as E!, and examines how the brands of individuals such as showrunner Ryan Murphy can be tested. Both an analytical and practical work, the book includes sample questionnaires and paths for study moderators and research analysts to follow. Drawn from over fifteen years of experience in research departments at various media companies, Creating the Viewer looks toward the future of media viewership, discussing how the concept of the viewer has changed in the age of streaming, how services such as Netflix view market research, and how viewers themselves can shift the industry through their media choices, behaviors, and activities. Wed, 03 Sep 2025 08:00:00 -0000 full New Books Network Creating the Viewer: Market Research and the Evolving Media Ecosystem (U Texas Press, 2024) is a study of the largely hidden world of primary media market research and the different methods used to understand how the viewer is pictured in the industry. The first book on the intersection between market research and media, Creating the Viewer takes a critical look at media companies’ studies of television viewers, the assumptions behind these studies, and the images of the viewer that are constructed through them. Justin Wyatt examines various types of market research, including talent testing, pilot testing, series maintenance, brand studies, and new show “ideation,” providing examples from a range of programming including news, sitcoms, reality shows, and dramas. He looks at brand studies for networks such as E!, and examines how the brands of individuals such as showrunner Ryan Murphy can be tested. Both an analytical and practical work, the book includes sample questionnaires and paths for study moderators and research analysts to follow. Drawn from over fifteen years of experience in research departments at various media companies, Creating the Viewer looks toward the future of media viewership, discussing how the concept of the viewer has changed in the age of streaming, how services such as Netflix view market research, and how viewers themselves can shift the industry through their media choices, behaviors, and activities. Creating the Viewer: Market Research and the Evolving Media Ecosystem (U Texas Press, 2024) is a study of the largely hidden world of primary media market research and the different methods used to understand how the viewer is pictured in the industry.

The first book on the intersection between market research and media, Creating the Viewer takes a critical look at media companies’ studies of television viewers, the assumptions behind these studies, and the images of the viewer that are constructed through them. Justin Wyatt examines various types of market research, including talent testing, pilot testing, series maintenance, brand studies, and new show “ideation,” providing examples from a range of programming including news, sitcoms, reality shows, and dramas. He looks at brand studies for networks such as E!, and examines how the brands of individuals such as showrunner Ryan Murphy can be tested. Both an analytical and practical work, the book includes sample questionnaires and paths for study moderators and research analysts to follow. Drawn from over fifteen years of experience in research departments at various media companies, Creating the Viewer looks toward the future of media viewership, discussing how the concept of the viewer has changed in the age of streaming, how services such as Netflix view market research, and how viewers themselves can shift the industry through their media choices, behaviors, and activities.

]]> 4048 no Philis Barragán-Goetz, "Reading, Writing, and Revolution: Escuelitas and the Emergence of a Mexican American Identity in Texas" (U Texas Press, 2020) Debates about Ethnic Studies in K-12 and Higher Education have highlighted the importance of culturally inclusive pedagogy in schools. Despite discussions about Ethnic Studies, there is a more extended history of Mexican-origin people pushing for culturally responsive education. In Reading, Writing, and Revolution: Escuelitas and the Emergence of a Mexican American Identity in Texas (University of Texas Press, 2020), historian Philis M. Barragán-Goetz argues that through cultural negotiation, escuelitas (community schools) shaped Mexican American identity and civil rights activism in the late 19th and early 20th century. Barragán Goetz weaves in oral histories, government documents, newspapers, and archival sources to demonstrate the power in grassroots organizing for educational justice in Texas. She debunks a popular myth that Mexican Americans have not cared for education throughout history. Barragán Goetz writes that the progressive education movement in the late 19th century was not all that progressive if we examine the lived experienced of Mexican-origin people. Activists such as Idar Family, Villegas de Magnon, Maria Villarreal, Maria Renteria, and many involved in the two main Mexican American civil rights organizations of the time provided a foundation for Latina/os to be part of the fight for educational inclusion in the 20th century. Reading, Writing, and Revolution is not merely a book about educational history; it is a trailblazing study on how Mexican Americans have relied on any tools available to create a more inclusive educational system for themselves and their community. Philis M. Barragán Goetz is an Assistant Professor of History at Texas A&M University - San Antonio. She earned her Ph.D. from the University of Texas at Austin. She can be found on Twitter: @philismaria Tiffany Jasmin González, Ph.D. is the Postdoctoral Fellow in Women’s History at the Newcomb Institute of Tulane University. You can follow Tiffany on Twitter @T_J_Gonzalez Thu, 28 Aug 2025 08:00:00 -0000 full 70 New Books Network Barragán-Goetz argues that through cultural negotiation, escuelitas (community schools) shaped Mexican American identity and civil rights activism in the late 19th and early 20th century... Debates about Ethnic Studies in K-12 and Higher Education have highlighted the importance of culturally inclusive pedagogy in schools. Despite discussions about Ethnic Studies, there is a more extended history of Mexican-origin people pushing for culturally responsive education. In Reading, Writing, and Revolution: Escuelitas and the Emergence of a Mexican American Identity in Texas (University of Texas Press, 2020), historian Philis M. Barragán-Goetz argues that through cultural negotiation, escuelitas (community schools) shaped Mexican American identity and civil rights activism in the late 19th and early 20th century. Barragán Goetz weaves in oral histories, government documents, newspapers, and archival sources to demonstrate the power in grassroots organizing for educational justice in Texas. She debunks a popular myth that Mexican Americans have not cared for education throughout history. Barragán Goetz writes that the progressive education movement in the late 19th century was not all that progressive if we examine the lived experienced of Mexican-origin people. Activists such as Idar Family, Villegas de Magnon, Maria Villarreal, Maria Renteria, and many involved in the two main Mexican American civil rights organizations of the time provided a foundation for Latina/os to be part of the fight for educational inclusion in the 20th century. Reading, Writing, and Revolution is not merely a book about educational history; it is a trailblazing study on how Mexican Americans have relied on any tools available to create a more inclusive educational system for themselves and their community. Philis M. Barragán Goetz is an Assistant Professor of History at Texas A&M University - San Antonio. She earned her Ph.D. from the University of Texas at Austin. She can be found on Twitter: @philismaria Tiffany Jasmin González, Ph.D. is the Postdoctoral Fellow in Women’s History at the Newcomb Institute of Tulane University. You can follow Tiffany on Twitter @T_J_Gonzalez Debates about Ethnic Studies in K-12 and Higher Education have highlighted the importance of culturally inclusive pedagogy in schools. Despite discussions about Ethnic Studies, there is a more extended history of Mexican-origin people pushing for culturally responsive education. In Reading, Writing, and Revolution: Escuelitas and the Emergence of a Mexican American Identity in Texas (University of Texas Press, 2020), historian Philis M. Barragán-Goetz argues that through cultural negotiation, escuelitas (community schools) shaped Mexican American identity and civil rights activism in the late 19th and early 20th century.

Barragán Goetz weaves in oral histories, government documents, newspapers, and archival sources to demonstrate the power in grassroots organizing for educational justice in Texas. She debunks a popular myth that Mexican Americans have not cared for education throughout history. Barragán Goetz writes that the progressive education movement in the late 19th century was not all that progressive if we examine the lived experienced of Mexican-origin people. Activists such as Idar Family, Villegas de Magnon, Maria Villarreal, Maria Renteria, and many involved in the two main Mexican American civil rights organizations of the time provided a foundation for Latina/os to be part of the fight for educational inclusion in the 20th century. Reading, Writing, and Revolution is not merely a book about educational history; it is a trailblazing study on how Mexican Americans have relied on any tools available to create a more inclusive educational system for themselves and their community.

Philis M. Barragán Goetz is an Assistant Professor of History at Texas A&M University - San Antonio. She earned her Ph.D. from the University of Texas at Austin. She can be found on Twitter: @philismaria

Tiffany Jasmin González, Ph.D. is the Postdoctoral Fellow in Women’s History at the Newcomb Institute of Tulane University. You can follow Tiffany on Twitter @T_J_Gonzalez

]]> 3124 no Philis Barragán-Goetz, "Reading, Writing, and Revolution: Escuelitas and the Emergence of a Mexican American Identity in Texas" (U Texas Press, 2020) Debates about Ethnic Studies in K-12 and Higher Education have highlighted the importance of culturally inclusive pedagogy in schools. Despite discussions about Ethnic Studies, there is a more extended history of Mexican-origin people pushing for culturally responsive education. In Reading, Writing, and Revolution: Escuelitas and the Emergence of a Mexican American Identity in Texas (University of Texas Press, 2020), historian Philis M. Barragán-Goetz argues that through cultural negotiation, escuelitas (community schools) shaped Mexican American identity and civil rights activism in the late 19th and early 20th century. Barragán Goetz weaves in oral histories, government documents, newspapers, and archival sources to demonstrate the power in grassroots organizing for educational justice in Texas. She debunks a popular myth that Mexican Americans have not cared for education throughout history. Barragán Goetz writes that the progressive education movement in the late 19th century was not all that progressive if we examine the lived experienced of Mexican-origin people. Activists such as Idar Family, Villegas de Magnon, Maria Villarreal, Maria Renteria, and many involved in the two main Mexican American civil rights organizations of the time provided a foundation for Latina/os to be part of the fight for educational inclusion in the 20th century. Reading, Writing, and Revolution is not merely a book about educational history; it is a trailblazing study on how Mexican Americans have relied on any tools available to create a more inclusive educational system for themselves and their community. Philis M. Barragán Goetz is an Assistant Professor of History at Texas A&M University - San Antonio. She earned her Ph.D. from the University of Texas at Austin. She can be found on Twitter: @philismaria Tiffany Jasmin González, Ph.D. is the Postdoctoral Fellow in Women’s History at the Newcomb Institute of Tulane University. You can follow Tiffany on Twitter @T_J_Gonzalez Thu, 28 Aug 2025 08:00:00 -0000 full 70 New Books Network Barragán-Goetz argues that through cultural negotiation, escuelitas (community schools) shaped Mexican American identity and civil rights activism in the late 19th and early 20th century... Debates about Ethnic Studies in K-12 and Higher Education have highlighted the importance of culturally inclusive pedagogy in schools. Despite discussions about Ethnic Studies, there is a more extended history of Mexican-origin people pushing for culturally responsive education. In Reading, Writing, and Revolution: Escuelitas and the Emergence of a Mexican American Identity in Texas (University of Texas Press, 2020), historian Philis M. Barragán-Goetz argues that through cultural negotiation, escuelitas (community schools) shaped Mexican American identity and civil rights activism in the late 19th and early 20th century. Barragán Goetz weaves in oral histories, government documents, newspapers, and archival sources to demonstrate the power in grassroots organizing for educational justice in Texas. She debunks a popular myth that Mexican Americans have not cared for education throughout history. Barragán Goetz writes that the progressive education movement in the late 19th century was not all that progressive if we examine the lived experienced of Mexican-origin people. Activists such as Idar Family, Villegas de Magnon, Maria Villarreal, Maria Renteria, and many involved in the two main Mexican American civil rights organizations of the time provided a foundation for Latina/os to be part of the fight for educational inclusion in the 20th century. Reading, Writing, and Revolution is not merely a book about educational history; it is a trailblazing study on how Mexican Americans have relied on any tools available to create a more inclusive educational system for themselves and their community. Philis M. Barragán Goetz is an Assistant Professor of History at Texas A&M University - San Antonio. She earned her Ph.D. from the University of Texas at Austin. She can be found on Twitter: @philismaria Tiffany Jasmin González, Ph.D. is the Postdoctoral Fellow in Women’s History at the Newcomb Institute of Tulane University. You can follow Tiffany on Twitter @T_J_Gonzalez Debates about Ethnic Studies in K-12 and Higher Education have highlighted the importance of culturally inclusive pedagogy in schools. Despite discussions about Ethnic Studies, there is a more extended history of Mexican-origin people pushing for culturally responsive education. In Reading, Writing, and Revolution: Escuelitas and the Emergence of a Mexican American Identity in Texas (University of Texas Press, 2020), historian Philis M. Barragán-Goetz argues that through cultural negotiation, escuelitas (community schools) shaped Mexican American identity and civil rights activism in the late 19th and early 20th century.

Barragán Goetz weaves in oral histories, government documents, newspapers, and archival sources to demonstrate the power in grassroots organizing for educational justice in Texas. She debunks a popular myth that Mexican Americans have not cared for education throughout history. Barragán Goetz writes that the progressive education movement in the late 19th century was not all that progressive if we examine the lived experienced of Mexican-origin people. Activists such as Idar Family, Villegas de Magnon, Maria Villarreal, Maria Renteria, and many involved in the two main Mexican American civil rights organizations of the time provided a foundation for Latina/os to be part of the fight for educational inclusion in the 20th century. Reading, Writing, and Revolution is not merely a book about educational history; it is a trailblazing study on how Mexican Americans have relied on any tools available to create a more inclusive educational system for themselves and their community.

Philis M. Barragán Goetz is an Assistant Professor of History at Texas A&M University - San Antonio. She earned her Ph.D. from the University of Texas at Austin. She can be found on Twitter: @philismaria

Tiffany Jasmin González, Ph.D. is the Postdoctoral Fellow in Women’s History at the Newcomb Institute of Tulane University. You can follow Tiffany on Twitter @T_J_Gonzalez

]]> 3124 no Megan Volpert, "Why Alanis Morissette Matters" (University of Texas Press, 2025) The first critical biography of iconic musician Alanis Morissette, creator of Jagged Little Pill. The 1990s hardly saw a bigger hit than Jagged Little Pill. Alanis Morissette's defining album won Grammys, dominated the Billboard charts, and sold more than 30 million copies worldwide. It left a deep mark on the psyches of countless listeners. Three decades later, Megan Volpert checks in with Morissette, probing her rich and varied post-JLP career and bearing feminist witness to the existential anger that ties her recent work to enduring classics like "You Oughta Know," "One Hand in My Pocket," and "Ironic." Why Alanis Morissette Matters (UT Press, 2025) builds a bridge from Jagged Little Pill to the fascinating life and subtle intellect of its creator, exploring how the artist's philosophical interests and personal journey are reflected in each track. Morissette's struggles with censorship, mental health challenges, and Catholicism; her queer allyship, spiritual skepticism, zealous fandom, and philanthropic passions--all are carefully observed by a critic whose own life was touched by Jagged Little Pill. In the album's wake, Morissette has evolved as an artist and global citizen. With sensitivity and a profound love for the music, Volpert guides readers through the case for Morissette's enduring cultural relevance and creative impact. Megan Volpert is the author or editor of over a dozen books on popular culture, including two Lambda Literary Award finalists and an American Library Association honoree. She is the author of Straight Into Darkness: Tom Petty as Rock Mystic and she won Georgia Author of the Year for Boss Broad. She teaches at Kennesaw State and Reinhardt Universities. Megan Volpert on Facebook. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Facebook and Bluesky. Fri, 18 Jul 2025 08:00:00 -0000 full New Books Network The first critical biography of iconic musician Alanis Morissette, creator of Jagged Little Pill. The 1990s hardly saw a bigger hit than Jagged Little Pill. Alanis Morissette's defining album won Grammys, dominated the Billboard charts, and sold more than 30 million copies worldwide. It left a deep mark on the psyches of countless listeners. Three decades later, Megan Volpert checks in with Morissette, probing her rich and varied post-JLP career and bearing feminist witness to the existential anger that ties her recent work to enduring classics like "You Oughta Know," "One Hand in My Pocket," and "Ironic." Why Alanis Morissette Matters (UT Press, 2025) builds a bridge from Jagged Little Pill to the fascinating life and subtle intellect of its creator, exploring how the artist's philosophical interests and personal journey are reflected in each track. Morissette's struggles with censorship, mental health challenges, and Catholicism; her queer allyship, spiritual skepticism, zealous fandom, and philanthropic passions--all are carefully observed by a critic whose own life was touched by Jagged Little Pill. In the album's wake, Morissette has evolved as an artist and global citizen. With sensitivity and a profound love for the music, Volpert guides readers through the case for Morissette's enduring cultural relevance and creative impact. Megan Volpert is the author or editor of over a dozen books on popular culture, including two Lambda Literary Award finalists and an American Library Association honoree. She is the author of Straight Into Darkness: Tom Petty as Rock Mystic and she won Georgia Author of the Year for Boss Broad. She teaches at Kennesaw State and Reinhardt Universities. Megan Volpert on Facebook. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Facebook and Bluesky. The first critical biography of iconic musician Alanis Morissette, creator of Jagged Little Pill.

The 1990s hardly saw a bigger hit than Jagged Little Pill. Alanis Morissette's defining album won Grammys, dominated the Billboard charts, and sold more than 30 million copies worldwide. It left a deep mark on the psyches of countless listeners. Three decades later, Megan Volpert checks in with Morissette, probing her rich and varied post-JLP career and bearing feminist witness to the existential anger that ties her recent work to enduring classics like "You Oughta Know," "One Hand in My Pocket," and "Ironic."

Why Alanis Morissette Matters (UT Press, 2025) builds a bridge from Jagged Little Pill to the fascinating life and subtle intellect of its creator, exploring how the artist's philosophical interests and personal journey are reflected in each track. Morissette's struggles with censorship, mental health challenges, and Catholicism; her queer allyship, spiritual skepticism, zealous fandom, and philanthropic passions--all are carefully observed by a critic whose own life was touched by Jagged Little Pill. In the album's wake, Morissette has evolved as an artist and global citizen. With sensitivity and a profound love for the music, Volpert guides readers through the case for Morissette's enduring cultural relevance and creative impact.

Megan Volpert is the author or editor of over a dozen books on popular culture, including two Lambda Literary Award finalists and an American Library Association honoree. She is the author of Straight Into Darkness: Tom Petty as Rock Mystic and she won Georgia Author of the Year for Boss Broad. She teaches at Kennesaw State and Reinhardt Universities.

Megan Volpert on Facebook.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025).

Bradley Morgan on Facebook and Bluesky.

]]> 3151 no Niko Stratis, "The Dad Rock That Made Me a Woman" (University of Texas Press, 2025) A memoir-in-essays on transness, dad rock, and the music that saves us. When Wilco's 2007 album Sky Blue Sky was infamously criticized as "dad rock," Niko Stratis was a twenty-five-year-old closeted trans woman working in her dad's glass shop in the Yukon Territory. As she sought escape from her hypermasculine environment, Stratis found an unlikely lifeline amid dad rock's emotionally open and honest music. Listening to dad rock, Stratis could access worlds beyond her own and imagine a path forward. In taut, searing essays rendered in propulsive and unguarded prose, Stratis delves into the emotional core of bands like Wilco and The National, telling her story through the dad rock that accompanied her along the way. She found footing in Michael Stipe's allusions to queer longing, Radiohead's embrace of unknowability, and Bruce Springsteen's very trans desire to "change my clothes my hair my face"--and she found in artists like Neko Case and Sharon Van Etten that the label transcends gender. A love letter to the music that saves us and a tribute to dads like Stratis's own who embody the tenderness at the genre's heart, The Dad Rock That Made Me a Woman (University of Texas Press, 2025) rejoices in music unafraid to bare its soul. Niko Stratis is an award-winning writer from Toronto by way of the Yukon, where she spent years working as a journeyman glazier before coming out as trans in her thirties and being forced to abandon her previous line of work. Her writing has appeared in publications like Catapult, Spin, Paste and more. She's a Cancer, and a former smoker. Niko Stratis on Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books is U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Bluesky. Sat, 14 Jun 2025 08:00:00 -0000 full New Books Network A memoir-in-essays on transness, dad rock, and the music that saves us. When Wilco's 2007 album Sky Blue Sky was infamously criticized as "dad rock," Niko Stratis was a twenty-five-year-old closeted trans woman working in her dad's glass shop in the Yukon Territory. As she sought escape from her hypermasculine environment, Stratis found an unlikely lifeline amid dad rock's emotionally open and honest music. Listening to dad rock, Stratis could access worlds beyond her own and imagine a path forward. In taut, searing essays rendered in propulsive and unguarded prose, Stratis delves into the emotional core of bands like Wilco and The National, telling her story through the dad rock that accompanied her along the way. She found footing in Michael Stipe's allusions to queer longing, Radiohead's embrace of unknowability, and Bruce Springsteen's very trans desire to "change my clothes my hair my face"--and she found in artists like Neko Case and Sharon Van Etten that the label transcends gender. A love letter to the music that saves us and a tribute to dads like Stratis's own who embody the tenderness at the genre's heart, The Dad Rock That Made Me a Woman (University of Texas Press, 2025) rejoices in music unafraid to bare its soul. Niko Stratis is an award-winning writer from Toronto by way of the Yukon, where she spent years working as a journeyman glazier before coming out as trans in her thirties and being forced to abandon her previous line of work. Her writing has appeared in publications like Catapult, Spin, Paste and more. She's a Cancer, and a former smoker. Niko Stratis on Bluesky. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books is U2: Until the End of the World (Gemini Books, October 2025). Bradley Morgan on Bluesky. A memoir-in-essays on transness, dad rock, and the music that saves us.

When Wilco's 2007 album Sky Blue Sky was infamously criticized as "dad rock," Niko Stratis was a twenty-five-year-old closeted trans woman working in her dad's glass shop in the Yukon Territory. As she sought escape from her hypermasculine environment, Stratis found an unlikely lifeline amid dad rock's emotionally open and honest music. Listening to dad rock, Stratis could access worlds beyond her own and imagine a path forward.

In taut, searing essays rendered in propulsive and unguarded prose, Stratis delves into the emotional core of bands like Wilco and The National, telling her story through the dad rock that accompanied her along the way. She found footing in Michael Stipe's allusions to queer longing, Radiohead's embrace of unknowability, and Bruce Springsteen's very trans desire to "change my clothes my hair my face"--and she found in artists like Neko Case and Sharon Van Etten that the label transcends gender. A love letter to the music that saves us and a tribute to dads like Stratis's own who embody the tenderness at the genre's heart, The Dad Rock That Made Me a Woman (University of Texas Press, 2025) rejoices in music unafraid to bare its soul.

Niko Stratis is an award-winning writer from Toronto by way of the Yukon, where she spent years working as a journeyman glazier before coming out as trans in her thirties and being forced to abandon her previous line of work. Her writing has appeared in publications like Catapult, Spin, Paste and more. She's a Cancer, and a former smoker.

Niko Stratis on Bluesky.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Rowman & Littlefield, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming books is U2: Until the End of the World (Gemini Books, October 2025).

Bradley Morgan on Bluesky.

]]> 3309 no Amy Cox Hall, "The Taste of Nostalgia: Women, Race, and Culinary Longing in Peru" (U Texas Press, 2025) From the late 1940s to the mid 1960s, Peru’s rapid industrialization and anti-communist authoritarianism coincided with the rise of mass-produced cookbooks, the first televised cooking shows, glossy lifestyle magazines, and imported domestic appliances and foodstuffs. Amy Cox Hall’s The Taste of Nostalgia (U Texas Press, 2025) uses taste as a thematic and analytic thread to examine the ways that women, race, and the kitchen were foundational to Peruvian longings for modernity, both during the Cold War and today. Drawing on interviews, personal stories, media images, and archival and ethnographic research, Cox Hall considers how elite, European-descended women and the urban home were central to Peru’s modernizing project and finds that all women who labored within the deeply racialized and gendered world of food helped set the stage for a Peruvian food nationalism that is now global in the twenty-first century. Cox Hall skillfully connects how the sometimes-unsavory tastes of the past are served again in today’s profitable and pervasive gastronostalgia that helps sell Peru and its cuisine both at home and abroad. Dr. Amy Cox Hall is Associate Dean of the Bard Prison Initiative at Bard College, and a writer and cultural anthropologist who specializes in Peru and the U.S. with research focused on science, race, photography, national heritage, and most recently, food. She is the author of Framing a Lost City: Science, Photography and the Making of Machu Picchu (published by University of Texas Press in 2017),editor of The Camera as Actor: Photography and the Embodiment of Technology (published by Routledge in 2020), and A Taste of Nostalgia: Women, Race, and Culinary Longing in Peru (published by UT Press in 2024). Dr. Scott Catey is CEO of The Catey Group, LLC. and Executive Publisher of Rising Justice Publishing, a full-service multimedia publishing enterprise. Visit https://scottcatey.com/ for more information. Fri, 21 Mar 2025 08:00:00 -0000 full 231 New Books Network An interview with Amy Cox Hall From the late 1940s to the mid 1960s, Peru’s rapid industrialization and anti-communist authoritarianism coincided with the rise of mass-produced cookbooks, the first televised cooking shows, glossy lifestyle magazines, and imported domestic appliances and foodstuffs. Amy Cox Hall’s The Taste of Nostalgia (U Texas Press, 2025) uses taste as a thematic and analytic thread to examine the ways that women, race, and the kitchen were foundational to Peruvian longings for modernity, both during the Cold War and today. Drawing on interviews, personal stories, media images, and archival and ethnographic research, Cox Hall considers how elite, European-descended women and the urban home were central to Peru’s modernizing project and finds that all women who labored within the deeply racialized and gendered world of food helped set the stage for a Peruvian food nationalism that is now global in the twenty-first century. Cox Hall skillfully connects how the sometimes-unsavory tastes of the past are served again in today’s profitable and pervasive gastronostalgia that helps sell Peru and its cuisine both at home and abroad. Dr. Amy Cox Hall is Associate Dean of the Bard Prison Initiative at Bard College, and a writer and cultural anthropologist who specializes in Peru and the U.S. with research focused on science, race, photography, national heritage, and most recently, food. She is the author of Framing a Lost City: Science, Photography and the Making of Machu Picchu (published by University of Texas Press in 2017),editor of The Camera as Actor: Photography and the Embodiment of Technology (published by Routledge in 2020), and A Taste of Nostalgia: Women, Race, and Culinary Longing in Peru (published by UT Press in 2024). Dr. Scott Catey is CEO of The Catey Group, LLC. and Executive Publisher of Rising Justice Publishing, a full-service multimedia publishing enterprise. Visit https://scottcatey.com/ for more information. From the late 1940s to the mid 1960s, Peru’s rapid industrialization and anti-communist authoritarianism coincided with the rise of mass-produced cookbooks, the first televised cooking shows, glossy lifestyle magazines, and imported domestic appliances and foodstuffs. Amy Cox Hall’s The Taste of Nostalgia (U Texas Press, 2025) uses taste as a thematic and analytic thread to examine the ways that women, race, and the kitchen were foundational to Peruvian longings for modernity, both during the Cold War and today.

Drawing on interviews, personal stories, media images, and archival and ethnographic research, Cox Hall considers how elite, European-descended women and the urban home were central to Peru’s modernizing project and finds that all women who labored within the deeply racialized and gendered world of food helped set the stage for a Peruvian food nationalism that is now global in the twenty-first century. Cox Hall skillfully connects how the sometimes-unsavory tastes of the past are served again in today’s profitable and pervasive gastronostalgia that helps sell Peru and its cuisine both at home and abroad.

Dr. Amy Cox Hall is Associate Dean of the Bard Prison Initiative at Bard College, and a writer and cultural anthropologist who specializes in Peru and the U.S. with research focused on science, race, photography, national heritage, and most recently, food. She is the author of Framing a Lost City: Science, Photography and the Making of Machu Picchu (published by University of Texas Press in 2017),editor of The Camera as Actor: Photography and the Embodiment of Technology (published by Routledge in 2020), and A Taste of Nostalgia: Women, Race, and Culinary Longing in Peru (published by UT Press in 2024).

Dr. Scott Catey is CEO of The Catey Group, LLC. and Executive Publisher of Rising Justice Publishing, a full-service multimedia publishing enterprise. Visit https://scottcatey.com/ for more information.

]]> 2960 no Vera Tiesler, "Ancient Maya Teeth: Dental Modification, Cosmology, and Social Identity in Mesoamerica" (U Texas Press, 2024) Dental modification was common across ancient societies, but perhaps none were more avid practitioners than the Maya. They filed their teeth flat or pointy, polished and drilled them, and crafted decorative inlays of jade and pyrite. Unusually, Maya of all social classes, ages, and professions engaged in dental modification. What did it mean to them? Ancient Maya Teeth: Dental Modification, Cosmology, and Social Identity in Mesoamerica (University of Texas Press, 2024) by Dr. Vera Tiesler is the most comprehensive study of Maya dental modification ever published, based on thousands of teeth recovered from 130 sites spanning three millennia. Esteemed archaeologist Dr. Tiesler sifts the evidence, much of it gathered with her own hands and illustrated here with more than a hundred photographs. Exploring the underlying theory and practice of dental modification, Tiesler raises key questions. How did modifications vary across the individual's lifespan? What tools were used? How did the Maya deal with pain—and malpractice? How did they keep their dentitions healthy, functioning, and beautiful? What were the relationships among gender, social identity, and particular dental-modification choices? Addressing these and other issues, Ancient Maya Teeth reveals how dental-modification customs shifted over the centuries, indexing other significant developments in Mayan cultural history. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Wed, 05 Mar 2025 09:00:00 -0000 full 42 New Books Network An interview with Vera Tiesler Dental modification was common across ancient societies, but perhaps none were more avid practitioners than the Maya. They filed their teeth flat or pointy, polished and drilled them, and crafted decorative inlays of jade and pyrite. Unusually, Maya of all social classes, ages, and professions engaged in dental modification. What did it mean to them? Ancient Maya Teeth: Dental Modification, Cosmology, and Social Identity in Mesoamerica (University of Texas Press, 2024) by Dr. Vera Tiesler is the most comprehensive study of Maya dental modification ever published, based on thousands of teeth recovered from 130 sites spanning three millennia. Esteemed archaeologist Dr. Tiesler sifts the evidence, much of it gathered with her own hands and illustrated here with more than a hundred photographs. Exploring the underlying theory and practice of dental modification, Tiesler raises key questions. How did modifications vary across the individual's lifespan? What tools were used? How did the Maya deal with pain—and malpractice? How did they keep their dentitions healthy, functioning, and beautiful? What were the relationships among gender, social identity, and particular dental-modification choices? Addressing these and other issues, Ancient Maya Teeth reveals how dental-modification customs shifted over the centuries, indexing other significant developments in Mayan cultural history. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Dental modification was common across ancient societies, but perhaps none were more avid practitioners than the Maya. They filed their teeth flat or pointy, polished and drilled them, and crafted decorative inlays of jade and pyrite. Unusually, Maya of all social classes, ages, and professions engaged in dental modification. What did it mean to them?

Ancient Maya Teeth: Dental Modification, Cosmology, and Social Identity in Mesoamerica (University of Texas Press, 2024) by Dr. Vera Tiesler is the most comprehensive study of Maya dental modification ever published, based on thousands of teeth recovered from 130 sites spanning three millennia. Esteemed archaeologist Dr. Tiesler sifts the evidence, much of it gathered with her own hands and illustrated here with more than a hundred photographs. Exploring the underlying theory and practice of dental modification, Tiesler raises key questions. How did modifications vary across the individual's lifespan? What tools were used? How did the Maya deal with pain—and malpractice? How did they keep their dentitions healthy, functioning, and beautiful? What were the relationships among gender, social identity, and particular dental-modification choices? Addressing these and other issues, Ancient Maya Teeth reveals how dental-modification customs shifted over the centuries, indexing other significant developments in Mayan cultural history.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

]]> 2705 no Emine Ö Evered, "Prohibition in Turkey: Alcohol and the Politics of Identity" (U Texas Press, 2024) Historian Emine Ö. Evered’s Prohibition in Turkey: Alcohol and the Politics of Identity (University of Texas Press, 2024) investigates the history of alcohol, its consumption, and its proscription as a means to better understand events and agendas of the late Ottoman and early Turkish republican eras. Through a comprehensive examination of archival, literary, popular culture, media, and other sources, it unveils a traditionally overlooked—and even excluded—aspect of human history in a region that many do not associate with intoxicants, inebriation, addiction, and vigorous wet-dry debates. Evered's account uniquely chronicles how the Turko-Islamic Ottoman Empire developed strategies for managing its heterogeneous communities and their varied rights to produce, market, and consume alcohol, or to simply abstain. The first author to reveal this experience’s connections with American Prohibition, she demonstrates how—amid modernization, sectarianism, and imperial decline—drinking practices reflected, shifted, and even prompted many of the changes that were underway and that hastened the empire’s collapse. Ultimately, Evered’s book reveals how Turkey’s alcohol question never went away but repeatedly returns in the present, in matters of popular memory, public space, and political contestation. Wed, 19 Feb 2025 09:00:00 -0000 full 290 New Books Network An interview with Emine Ö Evered Historian Emine Ö. Evered’s Prohibition in Turkey: Alcohol and the Politics of Identity (University of Texas Press, 2024) investigates the history of alcohol, its consumption, and its proscription as a means to better understand events and agendas of the late Ottoman and early Turkish republican eras. Through a comprehensive examination of archival, literary, popular culture, media, and other sources, it unveils a traditionally overlooked—and even excluded—aspect of human history in a region that many do not associate with intoxicants, inebriation, addiction, and vigorous wet-dry debates. Evered's account uniquely chronicles how the Turko-Islamic Ottoman Empire developed strategies for managing its heterogeneous communities and their varied rights to produce, market, and consume alcohol, or to simply abstain. The first author to reveal this experience’s connections with American Prohibition, she demonstrates how—amid modernization, sectarianism, and imperial decline—drinking practices reflected, shifted, and even prompted many of the changes that were underway and that hastened the empire’s collapse. Ultimately, Evered’s book reveals how Turkey’s alcohol question never went away but repeatedly returns in the present, in matters of popular memory, public space, and political contestation. Historian Emine Ö. Evered’s Prohibition in Turkey: Alcohol and the Politics of Identity (University of Texas Press, 2024) investigates the history of alcohol, its consumption, and its proscription as a means to better understand events and agendas of the late Ottoman and early Turkish republican eras. Through a comprehensive examination of archival, literary, popular culture, media, and other sources, it unveils a traditionally overlooked—and even excluded—aspect of human history in a region that many do not associate with intoxicants, inebriation, addiction, and vigorous wet-dry debates.

Evered's account uniquely chronicles how the Turko-Islamic Ottoman Empire developed strategies for managing its heterogeneous communities and their varied rights to produce, market, and consume alcohol, or to simply abstain. The first author to reveal this experience’s connections with American Prohibition, she demonstrates how—amid modernization, sectarianism, and imperial decline—drinking practices reflected, shifted, and even prompted many of the changes that were underway and that hastened the empire’s collapse. Ultimately, Evered’s book reveals how Turkey’s alcohol question never went away but repeatedly returns in the present, in matters of popular memory, public space, and political contestation.

]]> 3265 no James Michael Buckley, "City of Wood: San Francisco and the Architecture of the Redwood Lumber Industry" (U Texas Press, 2024) California’s 1849 gold rush triggered creation of the “instant city” of San Francisco as a to base exploit the rich natural resources of the American West. City of Wood: San Francisco and the Architecture of the Redwood Lumber Industry (University of Texas Press, 2024) examines how capitalists and workers logged the state’s vast redwood forests to create the financial capital and construction materials needed to build the regional metropolis of San Francisco. Architectural historian Dr. James Michael Buckley investigates the remote forest and its urban core as two poles of a regional “city.” This city consisted of a far-reaching network of spaces, produced as company owners and workers arrayed men and machines to extract resources and create human commodities from the region’s rich natural environment. Combining labor, urban, industrial, and social history, City of Wood employs a variety of sources—including contemporary newspaper articles, novels, and photographs—to explore the architectural landscape of lumber, from backwoods logging camps and company towns in the woods to busy lumber docks and the homes of workers and owners in San Francisco. By imagining the redwood lumber industry as a single community spread across multiple sites—a “City of Wood”—Dr. Buckley demonstrates how capitalist resource extraction links different places along the production value chain. The result is a paradigm shift in architectural history that focuses not just on the evolution of individual building design across time, but also on economic connections that link the center and periphery across space. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Sat, 18 Jan 2025 09:00:00 -0000 full 178 New Books Network An interview with James Michael Buckley California’s 1849 gold rush triggered creation of the “instant city” of San Francisco as a to base exploit the rich natural resources of the American West. City of Wood: San Francisco and the Architecture of the Redwood Lumber Industry (University of Texas Press, 2024) examines how capitalists and workers logged the state’s vast redwood forests to create the financial capital and construction materials needed to build the regional metropolis of San Francisco. Architectural historian Dr. James Michael Buckley investigates the remote forest and its urban core as two poles of a regional “city.” This city consisted of a far-reaching network of spaces, produced as company owners and workers arrayed men and machines to extract resources and create human commodities from the region’s rich natural environment. Combining labor, urban, industrial, and social history, City of Wood employs a variety of sources—including contemporary newspaper articles, novels, and photographs—to explore the architectural landscape of lumber, from backwoods logging camps and company towns in the woods to busy lumber docks and the homes of workers and owners in San Francisco. By imagining the redwood lumber industry as a single community spread across multiple sites—a “City of Wood”—Dr. Buckley demonstrates how capitalist resource extraction links different places along the production value chain. The result is a paradigm shift in architectural history that focuses not just on the evolution of individual building design across time, but also on economic connections that link the center and periphery across space. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. California’s 1849 gold rush triggered creation of the “instant city” of San Francisco as a to base exploit the rich natural resources of the American West. City of Wood: San Francisco and the Architecture of the Redwood Lumber Industry (University of Texas Press, 2024) examines how capitalists and workers logged the state’s vast redwood forests to create the financial capital and construction materials needed to build the regional metropolis of San Francisco. Architectural historian Dr. James Michael Buckley investigates the remote forest and its urban core as two poles of a regional “city.” This city consisted of a far-reaching network of spaces, produced as company owners and workers arrayed men and machines to extract resources and create human commodities from the region’s rich natural environment.

Combining labor, urban, industrial, and social history, City of Wood employs a variety of sources—including contemporary newspaper articles, novels, and photographs—to explore the architectural landscape of lumber, from backwoods logging camps and company towns in the woods to busy lumber docks and the homes of workers and owners in San Francisco. By imagining the redwood lumber industry as a single community spread across multiple sites—a “City of Wood”—Dr. Buckley demonstrates how capitalist resource extraction links different places along the production value chain. The result is a paradigm shift in architectural history that focuses not just on the evolution of individual building design across time, but also on economic connections that link the center and periphery across space.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

]]> 2637 no Kenny Cupers, "The Earth That Modernism Built: Empire and the Rise of Planetary Design" (U Texas Press, 2024) The Earth That Modernism Built: Empire and the Rise of Planetary Design (University of Texas Press, 2024) by Dr. Kenny Cupers traces the rise of planetary design to an imperialist discourse about the influence of the earthly environment on humanity. Dr. Cupers argues that to understand how the earth became an object of design, we need to radically shift the terms of analysis. Rather than describing how new design ideas and practices traveled and transformed people and places across the globe, this book interrogates the politics of life and earth underpinning this process. It demonstrates how approaches to modern housing, landscape design, and infrastructure planning are indebted to an understanding of planetary and human ecology fueled by settler colonialism and imperial ambition. Dr. Cupers draws from both canonical and unknown sources and archives in Germany, Namibia, and Poland to situate Wilhelmine and Weimar design projects in an expansive discourse about the relationship between soil, settlement, and race. This reframing reveals connections between colonial officials planning agricultural hinterlands, garden designers proselytizing geopolitical theory, soil researchers turning to folklore, and Bauhaus architects designing modern communities according to functionalist principles. Ultimately, The Earth That Modernism Built shows how the conviction that we can design our way out of environmental crisis is bound to exploitative and divisive ways of inhabiting the earth. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Tue, 17 Dec 2024 09:00:00 -0000 full 1523 New Books Network An interview with Kenny Cupers The Earth That Modernism Built: Empire and the Rise of Planetary Design (University of Texas Press, 2024) by Dr. Kenny Cupers traces the rise of planetary design to an imperialist discourse about the influence of the earthly environment on humanity. Dr. Cupers argues that to understand how the earth became an object of design, we need to radically shift the terms of analysis. Rather than describing how new design ideas and practices traveled and transformed people and places across the globe, this book interrogates the politics of life and earth underpinning this process. It demonstrates how approaches to modern housing, landscape design, and infrastructure planning are indebted to an understanding of planetary and human ecology fueled by settler colonialism and imperial ambition. Dr. Cupers draws from both canonical and unknown sources and archives in Germany, Namibia, and Poland to situate Wilhelmine and Weimar design projects in an expansive discourse about the relationship between soil, settlement, and race. This reframing reveals connections between colonial officials planning agricultural hinterlands, garden designers proselytizing geopolitical theory, soil researchers turning to folklore, and Bauhaus architects designing modern communities according to functionalist principles. Ultimately, The Earth That Modernism Built shows how the conviction that we can design our way out of environmental crisis is bound to exploitative and divisive ways of inhabiting the earth. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. The Earth That Modernism Built: Empire and the Rise of Planetary Design (University of Texas Press, 2024) by Dr. Kenny Cupers traces the rise of planetary design to an imperialist discourse about the influence of the earthly environment on humanity. Dr. Cupers argues that to understand how the earth became an object of design, we need to radically shift the terms of analysis. Rather than describing how new design ideas and practices traveled and transformed people and places across the globe, this book interrogates the politics of life and earth underpinning this process. It demonstrates how approaches to modern housing, landscape design, and infrastructure planning are indebted to an understanding of planetary and human ecology fueled by settler colonialism and imperial ambition.

Dr. Cupers draws from both canonical and unknown sources and archives in Germany, Namibia, and Poland to situate Wilhelmine and Weimar design projects in an expansive discourse about the relationship between soil, settlement, and race. This reframing reveals connections between colonial officials planning agricultural hinterlands, garden designers proselytizing geopolitical theory, soil researchers turning to folklore, and Bauhaus architects designing modern communities according to functionalist principles. Ultimately, The Earth That Modernism Built shows how the conviction that we can design our way out of environmental crisis is bound to exploitative and divisive ways of inhabiting the earth.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

]]> 4708 no Oliver Rosales, "Civil Rights in Bakersfield: Segregation and Multiracial Activism in the Central Valley" (U Texas Press, 2024) In Civil Rights in Bakersfield: Segregation and Multiracial Activism in the Central Valley (University of Texas Press, 2024), Oliver Rosales uncovers the role of the multiracial west in shaping the course of US civil rights history. Focusing on Bakersfield, one of the few sizable cities within California’s Central Valley for much of the twentieth century in a region most commonly known as a bastion of political conservatism, oil, and industrial agriculture, Rosales documents how multiracial coalitions emerged to challenge histories of racial segregation and discrimination. He recounts how the region was home to both the historic farm worker movement, led by César Chávez, Dolores Huerta, and Larry Itliong, and also a robust multiracial civil rights movement beyond the fields. This multiracial push for civil rights reform included struggles for fair housing, school integration, public health, media representation, and greater political representation for Black and Brown communities. In expanding on this history of multiracial activism, Rosales further explores the challenges activists faced in community organizing and how the legacies of coalition building contribute to ongoing activist efforts in the Central Valley of today. *At around 1:07:00, Oliver said Teresa Rodriguez instead of the correct name, Rebecca Flores. Sat, 14 Dec 2024 09:00:00 -0000 full 117 New Books Network An interview with Oliver Rosales In Civil Rights in Bakersfield: Segregation and Multiracial Activism in the Central Valley (University of Texas Press, 2024), Oliver Rosales uncovers the role of the multiracial west in shaping the course of US civil rights history. Focusing on Bakersfield, one of the few sizable cities within California’s Central Valley for much of the twentieth century in a region most commonly known as a bastion of political conservatism, oil, and industrial agriculture, Rosales documents how multiracial coalitions emerged to challenge histories of racial segregation and discrimination. He recounts how the region was home to both the historic farm worker movement, led by César Chávez, Dolores Huerta, and Larry Itliong, and also a robust multiracial civil rights movement beyond the fields. This multiracial push for civil rights reform included struggles for fair housing, school integration, public health, media representation, and greater political representation for Black and Brown communities. In expanding on this history of multiracial activism, Rosales further explores the challenges activists faced in community organizing and how the legacies of coalition building contribute to ongoing activist efforts in the Central Valley of today. *At around 1:07:00, Oliver said Teresa Rodriguez instead of the correct name, Rebecca Flores. In Civil Rights in Bakersfield: Segregation and Multiracial Activism in the Central Valley (University of Texas Press, 2024), Oliver Rosales uncovers the role of the multiracial west in shaping the course of US civil rights history. Focusing on Bakersfield, one of the few sizable cities within California’s Central Valley for much of the twentieth century in a region most commonly known as a bastion of political conservatism, oil, and industrial agriculture, Rosales documents how multiracial coalitions emerged to challenge histories of racial segregation and discrimination. He recounts how the region was home to both the historic farm worker movement, led by César Chávez, Dolores Huerta, and Larry Itliong, and also a robust multiracial civil rights movement beyond the fields. This multiracial push for civil rights reform included struggles for fair housing, school integration, public health, media representation, and greater political representation for Black and Brown communities. In expanding on this history of multiracial activism, Rosales further explores the challenges activists faced in community organizing and how the legacies of coalition building contribute to ongoing activist efforts in the Central Valley of today.

*At around 1:07:00, Oliver said Teresa Rodriguez instead of the correct name, Rebecca Flores.

]]> 4065 no Holly M. Karibo, "Rehab on the Range: A History of Addiction and Incarceration in the American West" (U Texas Press, 2024) In 1929, the United States government approved two ground-breaking and controversial drug addiction treatment programs. At a time when fears about a supposed rise in drug use reached a fevered pitch, the emergence of the nation’s first “narcotic farms” in Fort Worth, Texas, and Lexington, Kentucky, marked a watershed moment in the treatment of addiction. Rehab on the Range is the first in-depth history of the Fort Worth Narcotic Farm and its impacts on the American West. Throughout its operation from the 1930s to the 1970s, the institution was the only federally funded drug treatment center west of the Mississippi River. Designed to blend psychiatric treatment, physical rehabilitation, and vocational training, the Narcotic Farm, its proponents argued, would transform American treatment policies for the better. The reality was decidedly more complicated. In Rehab on the Range: A History of Addiction and Incarceration in the American West (University of Texas Press, 2024) Dr. Holly M. Karibo tells the story of how this institution—once framed as revolutionary for addiction care—ultimately contributed to the turn towards incarceration as the solution to the nation’s drug problem. Blending an intellectual history of addiction and imprisonment with a social history of addicts’ experiences, Rehab on the Range provides a nuanced picture of the Narcotic Farm and its cultural impacts. In doing so, it offers crucial historical context that can help us better understand our current debates over addiction, drug policy, and the rise of mass incarceration. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Wed, 11 Dec 2024 09:00:00 -0000 full 65 New Books Network An interview with Holly M. Karibo In 1929, the United States government approved two ground-breaking and controversial drug addiction treatment programs. At a time when fears about a supposed rise in drug use reached a fevered pitch, the emergence of the nation’s first “narcotic farms” in Fort Worth, Texas, and Lexington, Kentucky, marked a watershed moment in the treatment of addiction. Rehab on the Range is the first in-depth history of the Fort Worth Narcotic Farm and its impacts on the American West. Throughout its operation from the 1930s to the 1970s, the institution was the only federally funded drug treatment center west of the Mississippi River. Designed to blend psychiatric treatment, physical rehabilitation, and vocational training, the Narcotic Farm, its proponents argued, would transform American treatment policies for the better. The reality was decidedly more complicated. In Rehab on the Range: A History of Addiction and Incarceration in the American West (University of Texas Press, 2024) Dr. Holly M. Karibo tells the story of how this institution—once framed as revolutionary for addiction care—ultimately contributed to the turn towards incarceration as the solution to the nation’s drug problem. Blending an intellectual history of addiction and imprisonment with a social history of addicts’ experiences, Rehab on the Range provides a nuanced picture of the Narcotic Farm and its cultural impacts. In doing so, it offers crucial historical context that can help us better understand our current debates over addiction, drug policy, and the rise of mass incarceration. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. In 1929, the United States government approved two ground-breaking and controversial drug addiction treatment programs. At a time when fears about a supposed rise in drug use reached a fevered pitch, the emergence of the nation’s first “narcotic farms” in Fort Worth, Texas, and Lexington, Kentucky, marked a watershed moment in the treatment of addiction. Rehab on the Range is the first in-depth history of the Fort Worth Narcotic Farm and its impacts on the American West. Throughout its operation from the 1930s to the 1970s, the institution was the only federally funded drug treatment center west of the Mississippi River. Designed to blend psychiatric treatment, physical rehabilitation, and vocational training, the Narcotic Farm, its proponents argued, would transform American treatment policies for the better. The reality was decidedly more complicated.

In Rehab on the Range: A History of Addiction and Incarceration in the American West (University of Texas Press, 2024) Dr. Holly M. Karibo tells the story of how this institution—once framed as revolutionary for addiction care—ultimately contributed to the turn towards incarceration as the solution to the nation’s drug problem. Blending an intellectual history of addiction and imprisonment with a social history of addicts’ experiences, Rehab on the Range provides a nuanced picture of the Narcotic Farm and its cultural impacts. In doing so, it offers crucial historical context that can help us better understand our current debates over addiction, drug policy, and the rise of mass incarceration.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

]]> 2668 no Victoria Sturtevant, "It's All in the Delivery: Pregnancy in American Film and Television Comedy" (U Texas Press, 2024) Victoria Sturtevant's It’s All in the Delivery: Pregnancy in American Film and Television Comedy (University of Texas Press, 2024) is about how changing depictions of pregnancy in comedy from the start of the twentieth century to the present show an evolution in attitudes toward women’s reproductive roles and rights. Some of the most groundbreaking moments in American film and TV comedy have centered on pregnancy, from Lucille Ball’s real-life pregnancy on I Love Lucy, to the abortion plot on Maude; Murphy Brown’s controversial single motherhood; Arnold Schwarzenegger’s pregnancy in Junior; or the third-trimester stand-up special Ali Wong: Baby Cobra. In the first book-length study of pregnancy in popular comedy, Victoria Sturtevant examines the slow evolution of pregnancy tropes during the years of the Production Code; the sexual revolution and changing norms around nonmarital pregnancy in the 1960s and ‘70s; and the emphasis on biological clocks, infertility, adoption, and abortion from the 1980s to now. Across this history, popular media have offered polite evasions and sentimentality instead of real candor about the physical and social complexities of pregnancy. But comedy has often led the way in puncturing these clichés, pointing an irreverent and satiric lens at the messy and sometimes absurd work of gestation. Ultimately, Sturtevant argues that comedy can reveal the distortions and lies that treat pregnancy as simple and natural “women’s work,” misrepresentations that rest at the heart of contemporary attacks on reproductive rights in the US. Peter C. Kunze is an assistant professor of communication at Tulane University. Sun, 08 Dec 2024 09:00:00 -0000 full 224 New Books Network An interview with Victoria Sturtevant Victoria Sturtevant's It’s All in the Delivery: Pregnancy in American Film and Television Comedy (University of Texas Press, 2024) is about how changing depictions of pregnancy in comedy from the start of the twentieth century to the present show an evolution in attitudes toward women’s reproductive roles and rights. Some of the most groundbreaking moments in American film and TV comedy have centered on pregnancy, from Lucille Ball’s real-life pregnancy on I Love Lucy, to the abortion plot on Maude; Murphy Brown’s controversial single motherhood; Arnold Schwarzenegger’s pregnancy in Junior; or the third-trimester stand-up special Ali Wong: Baby Cobra. In the first book-length study of pregnancy in popular comedy, Victoria Sturtevant examines the slow evolution of pregnancy tropes during the years of the Production Code; the sexual revolution and changing norms around nonmarital pregnancy in the 1960s and ‘70s; and the emphasis on biological clocks, infertility, adoption, and abortion from the 1980s to now. Across this history, popular media have offered polite evasions and sentimentality instead of real candor about the physical and social complexities of pregnancy. But comedy has often led the way in puncturing these clichés, pointing an irreverent and satiric lens at the messy and sometimes absurd work of gestation. Ultimately, Sturtevant argues that comedy can reveal the distortions and lies that treat pregnancy as simple and natural “women’s work,” misrepresentations that rest at the heart of contemporary attacks on reproductive rights in the US. Peter C. Kunze is an assistant professor of communication at Tulane University. Victoria Sturtevant's It’s All in the Delivery: Pregnancy in American Film and Television Comedy (University of Texas Press, 2024) is about how changing depictions of pregnancy in comedy from the start of the twentieth century to the present show an evolution in attitudes toward women’s reproductive roles and rights.

Some of the most groundbreaking moments in American film and TV comedy have centered on pregnancy, from Lucille Ball’s real-life pregnancy on I Love Lucy, to the abortion plot on Maude; Murphy Brown’s controversial single motherhood; Arnold Schwarzenegger’s pregnancy in Junior; or the third-trimester stand-up special Ali Wong: Baby Cobra.

In the first book-length study of pregnancy in popular comedy, Victoria Sturtevant examines the slow evolution of pregnancy tropes during the years of the Production Code; the sexual revolution and changing norms around nonmarital pregnancy in the 1960s and ‘70s; and the emphasis on biological clocks, infertility, adoption, and abortion from the 1980s to now.

Across this history, popular media have offered polite evasions and sentimentality instead of real candor about the physical and social complexities of pregnancy. But comedy has often led the way in puncturing these clichés, pointing an irreverent and satiric lens at the messy and sometimes absurd work of gestation. Ultimately, Sturtevant argues that comedy can reveal the distortions and lies that treat pregnancy as simple and natural “women’s work,” misrepresentations that rest at the heart of contemporary attacks on reproductive rights in the US.

Peter C. Kunze is an assistant professor of communication at Tulane University.

]]> 3135 no Sam Langsdale, "Searching for Feminist Superheroes: Gender, Sexuality, and Race in Marvel Comics" (U Texas Press, 2024) It’s no secret that superhero comics and their related media perpetuate a model of a straight, white, male hero at the expense of representing women and other minorities, but other narratives exist. Searching for Feminist Superheroes: Gender, Sexuality, and Race in Marvel Comics (University of Texas Press, 2024) by Dr. Sam Langsdale recognizes that female-led superhero comics, with diverse casts of characters and inclusive storytelling, exist on the margins of the mainstream superhero genre. But rather than focusing on these stories as marginalized, Dr. Langsdale’s work on heroes such as Spider-Woman, America Chavez, and Ironheart locates the margins as a site of innovation and productivity, which have enabled the creation of feminist superhero texts. Employing feminist and intersectional philosophies in an analysis of these comics, Dr. Langsdale suggests that feminist superheroes have the potential to contribute to a social imagination that is crucial in working toward a more just world. At a time when US popular culture continues to manifest as a battleground between oppressive and progressive social norms, Searching for Feminist Superheroes demonstrates that a fight for a better world is worthwhile. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Sat, 30 Nov 2024 09:00:00 -0000 full 20 New Books Network An interview with Sam Langsdale It’s no secret that superhero comics and their related media perpetuate a model of a straight, white, male hero at the expense of representing women and other minorities, but other narratives exist. Searching for Feminist Superheroes: Gender, Sexuality, and Race in Marvel Comics (University of Texas Press, 2024) by Dr. Sam Langsdale recognizes that female-led superhero comics, with diverse casts of characters and inclusive storytelling, exist on the margins of the mainstream superhero genre. But rather than focusing on these stories as marginalized, Dr. Langsdale’s work on heroes such as Spider-Woman, America Chavez, and Ironheart locates the margins as a site of innovation and productivity, which have enabled the creation of feminist superhero texts. Employing feminist and intersectional philosophies in an analysis of these comics, Dr. Langsdale suggests that feminist superheroes have the potential to contribute to a social imagination that is crucial in working toward a more just world. At a time when US popular culture continues to manifest as a battleground between oppressive and progressive social norms, Searching for Feminist Superheroes demonstrates that a fight for a better world is worthwhile. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. It’s no secret that superhero comics and their related media perpetuate a model of a straight, white, male hero at the expense of representing women and other minorities, but other narratives exist. Searching for Feminist Superheroes: Gender, Sexuality, and Race in Marvel Comics (University of Texas Press, 2024) by Dr. Sam Langsdale recognizes that female-led superhero comics, with diverse casts of characters and inclusive storytelling, exist on the margins of the mainstream superhero genre. But rather than focusing on these stories as marginalized, Dr. Langsdale’s work on heroes such as Spider-Woman, America Chavez, and Ironheart locates the margins as a site of innovation and productivity, which have enabled the creation of feminist superhero texts.

Employing feminist and intersectional philosophies in an analysis of these comics, Dr. Langsdale suggests that feminist superheroes have the potential to contribute to a social imagination that is crucial in working toward a more just world. At a time when US popular culture continues to manifest as a battleground between oppressive and progressive social norms, Searching for Feminist Superheroes demonstrates that a fight for a better world is worthwhile.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

]]> 3286 no Emily Carman, "Independent Stardom: Freelance Women in the Hollywood Studio System" (U Texas Press, 2016) During the heyday of Hollywood’s studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman’s new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood’s best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood’s patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women’s labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. Mon, 23 Sep 2024 04:00:00 -0000 full 214 New Books Network An interview with Emily Carman During the heyday of Hollywood’s studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman’s new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood’s best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood’s patriarchal structure. Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women’s labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry. Peter C. Kunze is an assistant professor of communication at Tulane University. During the heyday of Hollywood’s studio system, stars were carefully cultivated and promoted, but at the price of their independence. This familiar narrative of Hollywood stardom receives a long-overdue shakeup in Emily Carman’s new book. Far from passive victims of coercive seven-year contracts, a number of classic Hollywood’s best-known actresses worked on a freelance basis within the restrictive studio system. In leveraging their stardom to play an active role in shaping their careers, female stars including Irene Dunne, Janet Gaynor, Miriam Hopkins, Carole Lombard, and Barbara Stanwyck challenged Hollywood’s patriarchal structure.

Through extensive, original archival research, Independent Stardom: Freelance Women in the Hollywood Studio System (U Texas Press, 2016) uncovers this hidden history of women’s labor and celebrity in studio-era Hollywood. Carman weaves a compelling narrative that reveals the risks these women took in deciding to work autonomously. Additionally, she looks at actresses of color, such as Anna May Wong and Lupe Vélez, whose careers suffered from the enforced independence that resulted from being denied long-term studio contracts. Tracing the freelance phenomenon among American motion picture talent in the 1930s, Independent Stardom rethinks standard histories of Hollywood to recognize female stars as creative artists, sophisticated businesswomen, and active players in the then (as now) male-dominated film industry.

Peter C. Kunze is an assistant professor of communication at Tulane University.

]]> 4388 no Wesley G. Phelps, "Before Lawrence v. Texas: The Making of a Queer Social Movement" (U Texas Press, 2023) In 2003, in a ruling that bordered on poetic, Supreme Court Justice Anthony Kennedy wrote in Lawrence v. Texas that sexual behavior between consenting adults was protected under the constitutional right to privacy. This was a landmark case in the course of LGBTQ+ rights in the Untied States, laying the groundwork for cases like 2015's Obergefell v. Hodges. Yet, this case did not emerge out of nowhere.  In Before Lawrence v. Texas: The Making of a Queer Social Movement (U Texas Press, 2023), University of North Texas history professor Wesley Phelps argues that behind each successful court case stands a litany of failures, challenges, and individual human stories, each of which laid the groundwork for these landmark successes. By tracking the long history of queer activism in Texas during the 1960s, 70s, and 80s, Phelps shows how the long road toward greater LGBTQ+ civil rights was paved with hard work by hundreds of activists, lawyers, and allies. No movement exists in a vacuum, and Before Lawrence v. Texas provides a roadmap showing how historical change really occurs.  Sat, 24 Aug 2024 08:00:00 -0000 full 166 New Books Network An interview with Wesley G. Phelps In 2003, in a ruling that bordered on poetic, Supreme Court Justice Anthony Kennedy wrote in Lawrence v. Texas that sexual behavior between consenting adults was protected under the constitutional right to privacy. This was a landmark case in the course of LGBTQ+ rights in the Untied States, laying the groundwork for cases like 2015's Obergefell v. Hodges. Yet, this case did not emerge out of nowhere.  In Before Lawrence v. Texas: The Making of a Queer Social Movement (U Texas Press, 2023), University of North Texas history professor Wesley Phelps argues that behind each successful court case stands a litany of failures, challenges, and individual human stories, each of which laid the groundwork for these landmark successes. By tracking the long history of queer activism in Texas during the 1960s, 70s, and 80s, Phelps shows how the long road toward greater LGBTQ+ civil rights was paved with hard work by hundreds of activists, lawyers, and allies. No movement exists in a vacuum, and Before Lawrence v. Texas provides a roadmap showing how historical change really occurs.  In 2003, in a ruling that bordered on poetic, Supreme Court Justice Anthony Kennedy wrote in Lawrence v. Texas that sexual behavior between consenting adults was protected under the constitutional right to privacy. This was a landmark case in the course of LGBTQ+ rights in the Untied States, laying the groundwork for cases like 2015's Obergefell v. Hodges. Yet, this case did not emerge out of nowhere. 

In Before Lawrence v. Texas: The Making of a Queer Social Movement (U Texas Press, 2023), University of North Texas history professor Wesley Phelps argues that behind each successful court case stands a litany of failures, challenges, and individual human stories, each of which laid the groundwork for these landmark successes. By tracking the long history of queer activism in Texas during the 1960s, 70s, and 80s, Phelps shows how the long road toward greater LGBTQ+ civil rights was paved with hard work by hundreds of activists, lawyers, and allies. No movement exists in a vacuum, and Before Lawrence v. Texas provides a roadmap showing how historical change really occurs. 

]]> 3503 no Franz Nicolay, "Band People: Life and Work in Popular Music" (U Texas Press, 2024) A close look at the lives of working musicians who aren't the center of their stage. Secret (and not-so-secret) weapons, side-of-the-stagers, rhythm and horn sections, backup singers, accompanists—these and other “band people" are the anonymous but irreplaceable character actors of popular music. Through interviews and incisive cultural critique, writer and musician Franz Nicolay provides a portrait of the musical middle class. Artists talk frankly about their careers and attitudes toward their craft, work environment, and group dynamics, and shed light on how support musicians make sense of the weird combination of friend group, gang, small business consortium, long-term creative collaboration, and chosen family that constitutes a band. Is it more important to be a good hang or a virtuoso player? Do bands work best as democracies or autocracies? How do musicians with children balance their personal and professional lives? How much money is too little? And how does it feel to play on hundreds of records, with none released under your name? In exploring these and other questions, Band People: Life and Work in Popular Music (U Texas Press, 2024) gives voice to those who collaborate to create and dissects what it means to be a laborer in the culture industry. Tue, 06 Aug 2024 08:00:00 -0000 full 248 New Books Network An interview with Franz Nicolay A close look at the lives of working musicians who aren't the center of their stage. Secret (and not-so-secret) weapons, side-of-the-stagers, rhythm and horn sections, backup singers, accompanists—these and other “band people" are the anonymous but irreplaceable character actors of popular music. Through interviews and incisive cultural critique, writer and musician Franz Nicolay provides a portrait of the musical middle class. Artists talk frankly about their careers and attitudes toward their craft, work environment, and group dynamics, and shed light on how support musicians make sense of the weird combination of friend group, gang, small business consortium, long-term creative collaboration, and chosen family that constitutes a band. Is it more important to be a good hang or a virtuoso player? Do bands work best as democracies or autocracies? How do musicians with children balance their personal and professional lives? How much money is too little? And how does it feel to play on hundreds of records, with none released under your name? In exploring these and other questions, Band People: Life and Work in Popular Music (U Texas Press, 2024) gives voice to those who collaborate to create and dissects what it means to be a laborer in the culture industry. A close look at the lives of working musicians who aren't the center of their stage.

Secret (and not-so-secret) weapons, side-of-the-stagers, rhythm and horn sections, backup singers, accompanists—these and other “band people" are the anonymous but irreplaceable character actors of popular music. Through interviews and incisive cultural critique, writer and musician Franz Nicolay provides a portrait of the musical middle class. Artists talk frankly about their careers and attitudes toward their craft, work environment, and group dynamics, and shed light on how support musicians make sense of the weird combination of friend group, gang, small business consortium, long-term creative collaboration, and chosen family that constitutes a band. Is it more important to be a good hang or a virtuoso player? Do bands work best as democracies or autocracies? How do musicians with children balance their personal and professional lives? How much money is too little? And how does it feel to play on hundreds of records, with none released under your name? In exploring these and other questions, Band People: Life and Work in Popular Music (U Texas Press, 2024) gives voice to those who collaborate to create and dissects what it means to be a laborer in the culture industry.

]]> 2366 no John Soluri, "Banana Cultures: Agriculture, Consumption, and Environmental Change in Honduras and the United States" (U Texas Press, 2021) Bananas, the most frequently consumed fresh fruit in the United States, have been linked to Miss Chiquita and Carmen Miranda, "banana republics," and Banana Republic clothing stores—everything from exotic kitsch, to Third World dictatorships, to middle-class fashion. But how did the rise in banana consumption in the United States affect the banana-growing regions of Central America? In this second edition of Banana Cultures: Agriculture, Consumption, and Environmental Change in Honduras and the United States (University of Texas Press, 2021) Dr. John Soluri presents a lively, interdisciplinary study that integrates agroecology, anthropology, political economy, and history to trace the symbiotic growth of the export banana industry in Honduras and the consumer mass market in the United States. Beginning in the 1870s, when bananas first appeared in the U.S. marketplace, Dr. Soluri examines the tensions between the small-scale growers, who dominated the trade in the early years, and the shippers. He then shows how rising demand led to changes in production that resulted in the formation of major agribusinesses, spawned international migrations, and transformed great swaths of the Honduran environment into monocultures susceptible to plant disease epidemics that in turn changed Central American livelihoods. Soluri also looks at labor practices and workers' lives, changing gender roles on the banana plantations, the effects of pesticides on the Honduran environment and people, and the mass marketing of bananas to consumers in the United States. His multifaceted account of a century of banana production and consumption adds an important chapter to the history of Honduras, as well as to the larger history of globalisation and its effects on rural peoples, local economies, and biodiversity. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Sun, 16 Jun 2024 08:00:00 -0000 full 157 New Books Network An interview with John Soluri Bananas, the most frequently consumed fresh fruit in the United States, have been linked to Miss Chiquita and Carmen Miranda, "banana republics," and Banana Republic clothing stores—everything from exotic kitsch, to Third World dictatorships, to middle-class fashion. But how did the rise in banana consumption in the United States affect the banana-growing regions of Central America? In this second edition of Banana Cultures: Agriculture, Consumption, and Environmental Change in Honduras and the United States (University of Texas Press, 2021) Dr. John Soluri presents a lively, interdisciplinary study that integrates agroecology, anthropology, political economy, and history to trace the symbiotic growth of the export banana industry in Honduras and the consumer mass market in the United States. Beginning in the 1870s, when bananas first appeared in the U.S. marketplace, Dr. Soluri examines the tensions between the small-scale growers, who dominated the trade in the early years, and the shippers. He then shows how rising demand led to changes in production that resulted in the formation of major agribusinesses, spawned international migrations, and transformed great swaths of the Honduran environment into monocultures susceptible to plant disease epidemics that in turn changed Central American livelihoods. Soluri also looks at labor practices and workers' lives, changing gender roles on the banana plantations, the effects of pesticides on the Honduran environment and people, and the mass marketing of bananas to consumers in the United States. His multifaceted account of a century of banana production and consumption adds an important chapter to the history of Honduras, as well as to the larger history of globalisation and its effects on rural peoples, local economies, and biodiversity. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Bananas, the most frequently consumed fresh fruit in the United States, have been linked to Miss Chiquita and Carmen Miranda, "banana republics," and Banana Republic clothing stores—everything from exotic kitsch, to Third World dictatorships, to middle-class fashion. But how did the rise in banana consumption in the United States affect the banana-growing regions of Central America? In this second edition of Banana Cultures: Agriculture, Consumption, and Environmental Change in Honduras and the United States (University of Texas Press, 2021) Dr. John Soluri presents a lively, interdisciplinary study that integrates agroecology, anthropology, political economy, and history to trace the symbiotic growth of the export banana industry in Honduras and the consumer mass market in the United States.

Beginning in the 1870s, when bananas first appeared in the U.S. marketplace, Dr. Soluri examines the tensions between the small-scale growers, who dominated the trade in the early years, and the shippers. He then shows how rising demand led to changes in production that resulted in the formation of major agribusinesses, spawned international migrations, and transformed great swaths of the Honduran environment into monocultures susceptible to plant disease epidemics that in turn changed Central American livelihoods. Soluri also looks at labor practices and workers' lives, changing gender roles on the banana plantations, the effects of pesticides on the Honduran environment and people, and the mass marketing of bananas to consumers in the United States. His multifaceted account of a century of banana production and consumption adds an important chapter to the history of Honduras, as well as to the larger history of globalisation and its effects on rural peoples, local economies, and biodiversity.


This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

]]> 4462 no Adam Berg, "The Olympics that Never Happened: Denver '76 and the Politics of Growth" (U Texas Press, 2023) If you don't recall the 1976 Denver Olympic Games, it's because they never happened. The Mile-High City won the right to host the winter games and then was forced by Colorado citizens to back away from its successful Olympic bid through a statewide ballot initiative. In The Olympics that Never Happened: Denver '76 and the Politics of Growth (University of Texas Press, 2022) Dr. Adam Berg details the powerful Colorado regime that gained the games for Denver and the grassroots activism that brought down its Olympic dreams, and he explores the legacy of this milestone moment for the games and politics in the United States. The ink was hardly dry on Denver's host agreement when Mexican American and African American urbanites, white middle-class environmentalists, and fiscally concerned local politicians realised opposition to the Olympics provided them new political openings. The Olympics quickly became a platform for taking stands on a range of issues, from conservation to urban livability to the very idea of growth, which for decades had been unquestioned in Colorado. The Olympics That Never Happened argues that hostility to the Olympics galvanised and empowered diverse citizens in a major US city, with long-term ramifications for Colorado and political activism elsewhere. The Olympics themselves were changed forever, compelling organisers to take seriously competing interests from subgroups within their communities. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Wed, 12 Jun 2024 08:00:00 -0000 full 26 New Books Network An interview with Adam Berg If you don't recall the 1976 Denver Olympic Games, it's because they never happened. The Mile-High City won the right to host the winter games and then was forced by Colorado citizens to back away from its successful Olympic bid through a statewide ballot initiative. In The Olympics that Never Happened: Denver '76 and the Politics of Growth (University of Texas Press, 2022) Dr. Adam Berg details the powerful Colorado regime that gained the games for Denver and the grassroots activism that brought down its Olympic dreams, and he explores the legacy of this milestone moment for the games and politics in the United States. The ink was hardly dry on Denver's host agreement when Mexican American and African American urbanites, white middle-class environmentalists, and fiscally concerned local politicians realised opposition to the Olympics provided them new political openings. The Olympics quickly became a platform for taking stands on a range of issues, from conservation to urban livability to the very idea of growth, which for decades had been unquestioned in Colorado. The Olympics That Never Happened argues that hostility to the Olympics galvanised and empowered diverse citizens in a major US city, with long-term ramifications for Colorado and political activism elsewhere. The Olympics themselves were changed forever, compelling organisers to take seriously competing interests from subgroups within their communities. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. If you don't recall the 1976 Denver Olympic Games, it's because they never happened. The Mile-High City won the right to host the winter games and then was forced by Colorado citizens to back away from its successful Olympic bid through a statewide ballot initiative. In The Olympics that Never Happened: Denver '76 and the Politics of Growth (University of Texas Press, 2022) Dr. Adam Berg details the powerful Colorado regime that gained the games for Denver and the grassroots activism that brought down its Olympic dreams, and he explores the legacy of this milestone moment for the games and politics in the United States.

The ink was hardly dry on Denver's host agreement when Mexican American and African American urbanites, white middle-class environmentalists, and fiscally concerned local politicians realised opposition to the Olympics provided them new political openings. The Olympics quickly became a platform for taking stands on a range of issues, from conservation to urban livability to the very idea of growth, which for decades had been unquestioned in Colorado. The Olympics That Never Happened argues that hostility to the Olympics galvanised and empowered diverse citizens in a major US city, with long-term ramifications for Colorado and political activism elsewhere. The Olympics themselves were changed forever, compelling organisers to take seriously competing interests from subgroups within their communities.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

]]> 2690 no Mónica M. Salas Landa, "Visible Ruins: The Politics of Perception and the Legacies of Mexico's Revolution" (U Texas Press, 2024) The Mexican Revolution (1910–1920) introduced a series of state-led initiatives promising modernity, progress, national grandeur, and stability; state surveyors assessed land for agrarian reform, engineers used nationalized oil for industrialization, archaeologists reconstructed pre-Hispanic monuments for tourism, and anthropologists studied and photographed Indigenous populations to achieve their acculturation. Far from accomplishing their stated goals, however, these initiatives concealed violence, and permitted land invasions, forced displacement, environmental damage, loss of democratic freedom, and mass killings.  In Visible Ruins: The Politics of Perception and the Legacies of Mexico's Revolution (University of Texas Press, 2024), Mónica M. Salas Landa uses the history of northern Veracruz to demonstrate how these state-led efforts reshaped the region's social and material landscapes, affecting what was and is visible. Relying on archival sources and ethnography, she uncovers a visual order of ongoing significance that was established through postrevolutionary projects and that perpetuates inequality based on imperceptibility. Mónica M. Salas Landa is an Associate Professor of anthropology and sociology at Lafayette College. Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Sun, 09 Jun 2024 08:00:00 -0000 full 305 New Books Network An interview with Mónica M. Salas Landa The Mexican Revolution (1910–1920) introduced a series of state-led initiatives promising modernity, progress, national grandeur, and stability; state surveyors assessed land for agrarian reform, engineers used nationalized oil for industrialization, archaeologists reconstructed pre-Hispanic monuments for tourism, and anthropologists studied and photographed Indigenous populations to achieve their acculturation. Far from accomplishing their stated goals, however, these initiatives concealed violence, and permitted land invasions, forced displacement, environmental damage, loss of democratic freedom, and mass killings.  In Visible Ruins: The Politics of Perception and the Legacies of Mexico's Revolution (University of Texas Press, 2024), Mónica M. Salas Landa uses the history of northern Veracruz to demonstrate how these state-led efforts reshaped the region's social and material landscapes, affecting what was and is visible. Relying on archival sources and ethnography, she uncovers a visual order of ongoing significance that was established through postrevolutionary projects and that perpetuates inequality based on imperceptibility. Mónica M. Salas Landa is an Associate Professor of anthropology and sociology at Lafayette College. Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). The Mexican Revolution (1910–1920) introduced a series of state-led initiatives promising modernity, progress, national grandeur, and stability; state surveyors assessed land for agrarian reform, engineers used nationalized oil for industrialization, archaeologists reconstructed pre-Hispanic monuments for tourism, and anthropologists studied and photographed Indigenous populations to achieve their acculturation. Far from accomplishing their stated goals, however, these initiatives concealed violence, and permitted land invasions, forced displacement, environmental damage, loss of democratic freedom, and mass killings. 

In Visible Ruins: The Politics of Perception and the Legacies of Mexico's Revolution (University of Texas Press, 2024), Mónica M. Salas Landa uses the history of northern Veracruz to demonstrate how these state-led efforts reshaped the region's social and material landscapes, affecting what was and is visible. Relying on archival sources and ethnography, she uncovers a visual order of ongoing significance that was established through postrevolutionary projects and that perpetuates inequality based on imperceptibility.

Mónica M. Salas Landa is an Associate Professor of anthropology and sociology at Lafayette College.

Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

]]> 3127 no Tara López, "Chuco Punk: Sonic Insurgency in El Paso" (U Texas Press, 2024) Tara López's Chuco Punk: Sonic Insurgency in El Paso (University of Texas Press, 2024), is an immersive study of the influential and predominantly Chicanx punk rock scene in El Paso, Texas. Punk rock is known for its daring subversion, and so is the West Texas city of El Paso. In Chuco Punk, Tara López dives into the rebellious sonic history of the city, drawing on more than seventy interviews with punks, as well as unarchived flyers, photos, and other punk memorabilia.  Connecting the scene to El Paso's own history as a borderland, a site of segregation, and a city with a long lineage of cultural and musical resistance, López throws readers into the heat of backyard punx shows, the chaos of riots in derelict mechanic shops, and the thrill of skateboarding on the roofs of local middle schools. She reveals how, in this predominantly Chicanx punk rock scene, women forged their own space, sound, and community. Covering the first roots of Chuco punk in the late 1970s through the early 2000s, López moves beyond the breakout bands to shed light on how the scene influenced not only the contours of sound and El Paso but the entire topography of punk rock. Tue, 04 Jun 2024 08:00:00 -0000 full 184 New Books Network An interview with Tara López Tara López's Chuco Punk: Sonic Insurgency in El Paso (University of Texas Press, 2024), is an immersive study of the influential and predominantly Chicanx punk rock scene in El Paso, Texas. Punk rock is known for its daring subversion, and so is the West Texas city of El Paso. In Chuco Punk, Tara López dives into the rebellious sonic history of the city, drawing on more than seventy interviews with punks, as well as unarchived flyers, photos, and other punk memorabilia.  Connecting the scene to El Paso's own history as a borderland, a site of segregation, and a city with a long lineage of cultural and musical resistance, López throws readers into the heat of backyard punx shows, the chaos of riots in derelict mechanic shops, and the thrill of skateboarding on the roofs of local middle schools. She reveals how, in this predominantly Chicanx punk rock scene, women forged their own space, sound, and community. Covering the first roots of Chuco punk in the late 1970s through the early 2000s, López moves beyond the breakout bands to shed light on how the scene influenced not only the contours of sound and El Paso but the entire topography of punk rock. Tara López's Chuco Punk: Sonic Insurgency in El Paso (University of Texas Press, 2024), is an immersive study of the influential and predominantly Chicanx punk rock scene in El Paso, Texas. Punk rock is known for its daring subversion, and so is the West Texas city of El Paso. In Chuco Punk, Tara López dives into the rebellious sonic history of the city, drawing on more than seventy interviews with punks, as well as unarchived flyers, photos, and other punk memorabilia. 

Connecting the scene to El Paso's own history as a borderland, a site of segregation, and a city with a long lineage of cultural and musical resistance, López throws readers into the heat of backyard punx shows, the chaos of riots in derelict mechanic shops, and the thrill of skateboarding on the roofs of local middle schools. She reveals how, in this predominantly Chicanx punk rock scene, women forged their own space, sound, and community. Covering the first roots of Chuco punk in the late 1970s through the early 2000s, López moves beyond the breakout bands to shed light on how the scene influenced not only the contours of sound and El Paso but the entire topography of punk rock.

]]> 3081 no Nadine A. Sinno, "A War of Colors: Graffiti and Street Art in Postwar Beirut" (U Texas Press, 2024) Over the last two decades in Beirut, graffiti makers have engaged in a fierce “war of colors,” seeking to disrupt and transform the city’s physical and social spaces. In A War of Colors: Graffiti and Street Art in Postwar Beirut (University of Texas Press, 2024), Dr. Nadine Sinno examines how graffiti and street art have been used in postwar Beirut to comment on the rapidly changing social dynamics of the country and region. Analysing how graffiti makers can reclaim and transform cityscapes that were damaged or monopolised by militias during the war, Dr. Sinno explores graffiti’s other roles, including forging civic engagement, commemorating cultural icons, protesting political corruption and environmental violence, and animating resistance. In addition, she argues that graffiti making can offer voices to those who are often marginalised, especially women and LGBTQ people. Copiously illustrated with images of graffiti and street art, A War of Colors is a visually captivating and thought-provoking journey through Beirut, where local and global discourses intersect on both scarred and polished walls in the city. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Thu, 02 May 2024 08:00:00 -0000 full 157 New Books Network An interview with Nadine A. Sinno Over the last two decades in Beirut, graffiti makers have engaged in a fierce “war of colors,” seeking to disrupt and transform the city’s physical and social spaces. In A War of Colors: Graffiti and Street Art in Postwar Beirut (University of Texas Press, 2024), Dr. Nadine Sinno examines how graffiti and street art have been used in postwar Beirut to comment on the rapidly changing social dynamics of the country and region. Analysing how graffiti makers can reclaim and transform cityscapes that were damaged or monopolised by militias during the war, Dr. Sinno explores graffiti’s other roles, including forging civic engagement, commemorating cultural icons, protesting political corruption and environmental violence, and animating resistance. In addition, she argues that graffiti making can offer voices to those who are often marginalised, especially women and LGBTQ people. Copiously illustrated with images of graffiti and street art, A War of Colors is a visually captivating and thought-provoking journey through Beirut, where local and global discourses intersect on both scarred and polished walls in the city. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Over the last two decades in Beirut, graffiti makers have engaged in a fierce “war of colors,” seeking to disrupt and transform the city’s physical and social spaces. In A War of Colors: Graffiti and Street Art in Postwar Beirut (University of Texas Press, 2024), Dr. Nadine Sinno examines how graffiti and street art have been used in postwar Beirut to comment on the rapidly changing social dynamics of the country and region.

Analysing how graffiti makers can reclaim and transform cityscapes that were damaged or monopolised by militias during the war, Dr. Sinno explores graffiti’s other roles, including forging civic engagement, commemorating cultural icons, protesting political corruption and environmental violence, and animating resistance. In addition, she argues that graffiti making can offer voices to those who are often marginalised, especially women and LGBTQ people. Copiously illustrated with images of graffiti and street art, A War of Colors is a visually captivating and thought-provoking journey through Beirut, where local and global discourses intersect on both scarred and polished walls in the city.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

]]> 2145 no Juliet B. Wiersema, "The History of a Periphery: Spanish Colonial Cartography from Colombia's Pacific Lowlands" (U Texas Press, 2024) During the late Spanish colonial period, the Pacific Lowlands, also called the Greater Chocó, was famed for its rich placer deposits. Gold mined here was central to New Granada’s economy yet this Pacific frontier in today’s Colombia was considered the “periphery of the periphery.” Infamous for its fierce, unconquered Indigenous inhabitants and its brutal tropical climate, it was rarely visited by Spanish administrators, engineers, or topographers and seldom appeared in detail on printed maps of the period. In The History of a Periphery: Spanish Colonial Cartography from Colombia's Pacific Lowlands (U Texas Press, 2024), Juliet Wiersema uncovers little-known manuscript cartography and makes visible an unexamined corner of the Spanish empire. In concert with thousands of archival documents from Colombia, Spain, and the United States, she reveals how a "periphery" was imagined and projected, largely for political or economic reasons. Along the way, she unearths untold narratives about ephemeral settlements, African adaptation and autonomy, Indigenous strategies of resistance, and tenuous colonialisms on the margins of a beleaguered viceroyalty. Fri, 26 Apr 2024 08:00:00 -0000 full 217 New Books Network An interview with Juliet B. Wiersema During the late Spanish colonial period, the Pacific Lowlands, also called the Greater Chocó, was famed for its rich placer deposits. Gold mined here was central to New Granada’s economy yet this Pacific frontier in today’s Colombia was considered the “periphery of the periphery.” Infamous for its fierce, unconquered Indigenous inhabitants and its brutal tropical climate, it was rarely visited by Spanish administrators, engineers, or topographers and seldom appeared in detail on printed maps of the period. In The History of a Periphery: Spanish Colonial Cartography from Colombia's Pacific Lowlands (U Texas Press, 2024), Juliet Wiersema uncovers little-known manuscript cartography and makes visible an unexamined corner of the Spanish empire. In concert with thousands of archival documents from Colombia, Spain, and the United States, she reveals how a "periphery" was imagined and projected, largely for political or economic reasons. Along the way, she unearths untold narratives about ephemeral settlements, African adaptation and autonomy, Indigenous strategies of resistance, and tenuous colonialisms on the margins of a beleaguered viceroyalty. During the late Spanish colonial period, the Pacific Lowlands, also called the Greater Chocó, was famed for its rich placer deposits. Gold mined here was central to New Granada’s economy yet this Pacific frontier in today’s Colombia was considered the “periphery of the periphery.” Infamous for its fierce, unconquered Indigenous inhabitants and its brutal tropical climate, it was rarely visited by Spanish administrators, engineers, or topographers and seldom appeared in detail on printed maps of the period.

In The History of a Periphery: Spanish Colonial Cartography from Colombia's Pacific Lowlands (U Texas Press, 2024), Juliet Wiersema uncovers little-known manuscript cartography and makes visible an unexamined corner of the Spanish empire. In concert with thousands of archival documents from Colombia, Spain, and the United States, she reveals how a "periphery" was imagined and projected, largely for political or economic reasons. Along the way, she unearths untold narratives about ephemeral settlements, African adaptation and autonomy, Indigenous strategies of resistance, and tenuous colonialisms on the margins of a beleaguered viceroyalty.

]]> 3371 no Sanjay Subrahmanyam, "Across the Green Sea: Histories from the Western Indian Ocean, 1440-1640" (U Texas Press, 2024) Across the Green Sea: Histories from the Western Indian Ocean, 1440-1640 (University of Texas Press, 2024) by Dr. Sanjay Subrahmanyam presents a history of two centuries of interactions among the areas bordering the western Indian Ocean, including India, Iran, and Africa. Beginning in the mid-fifteenth century, the regions bordering the western Indian Ocean—“the green sea,” as it was known to Arabic speakers—had increasing contact through commerce, including a slave trade, and underwent cultural exchange and transformation. Using a variety of texts and documents in multiple Asian and European languages, Across the Green Sea looks at the history of the ocean from a variety of shifting viewpoints: western India; the Red Sea and Mecca; the Persian Gulf; East Africa; and Kerala. Dr. Subrahmanyam sets the scene for this region starting with the withdrawal of China's Ming Dynasty and explores how the western Indian Ocean was transformed by the growth and increasing prominence of the Ottoman Empire and the continued spread of Islam into East Africa. He examines how several cities, including Mecca and the vital Indian port of Surat, grew and changed during these centuries, when various powers interacted until famines and other disturbances upended the region in the seventeenth century. Rather than proposing an artificial model of a dominant center and its dominated peripheries, Across the Green Sea demonstrates the complexity of a truly dynamic and polycentric system through the use of connected histories, a method pioneered by Dr. Subrahmanyam himself. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Tue, 26 Mar 2024 08:00:00 -0000 full 83 New Books Network An interview with Sanjay Subrahmanyam Across the Green Sea: Histories from the Western Indian Ocean, 1440-1640 (University of Texas Press, 2024) by Dr. Sanjay Subrahmanyam presents a history of two centuries of interactions among the areas bordering the western Indian Ocean, including India, Iran, and Africa. Beginning in the mid-fifteenth century, the regions bordering the western Indian Ocean—“the green sea,” as it was known to Arabic speakers—had increasing contact through commerce, including a slave trade, and underwent cultural exchange and transformation. Using a variety of texts and documents in multiple Asian and European languages, Across the Green Sea looks at the history of the ocean from a variety of shifting viewpoints: western India; the Red Sea and Mecca; the Persian Gulf; East Africa; and Kerala. Dr. Subrahmanyam sets the scene for this region starting with the withdrawal of China's Ming Dynasty and explores how the western Indian Ocean was transformed by the growth and increasing prominence of the Ottoman Empire and the continued spread of Islam into East Africa. He examines how several cities, including Mecca and the vital Indian port of Surat, grew and changed during these centuries, when various powers interacted until famines and other disturbances upended the region in the seventeenth century. Rather than proposing an artificial model of a dominant center and its dominated peripheries, Across the Green Sea demonstrates the complexity of a truly dynamic and polycentric system through the use of connected histories, a method pioneered by Dr. Subrahmanyam himself. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Across the Green Sea: Histories from the Western Indian Ocean, 1440-1640 (University of Texas Press, 2024) by Dr. Sanjay Subrahmanyam presents a history of two centuries of interactions among the areas bordering the western Indian Ocean, including India, Iran, and Africa.

Beginning in the mid-fifteenth century, the regions bordering the western Indian Ocean—“the green sea,” as it was known to Arabic speakers—had increasing contact through commerce, including a slave trade, and underwent cultural exchange and transformation. Using a variety of texts and documents in multiple Asian and European languages, Across the Green Sea looks at the history of the ocean from a variety of shifting viewpoints: western India; the Red Sea and Mecca; the Persian Gulf; East Africa; and Kerala.

Dr. Subrahmanyam sets the scene for this region starting with the withdrawal of China's Ming Dynasty and explores how the western Indian Ocean was transformed by the growth and increasing prominence of the Ottoman Empire and the continued spread of Islam into East Africa. He examines how several cities, including Mecca and the vital Indian port of Surat, grew and changed during these centuries, when various powers interacted until famines and other disturbances upended the region in the seventeenth century. Rather than proposing an artificial model of a dominant center and its dominated peripheries, Across the Green Sea demonstrates the complexity of a truly dynamic and polycentric system through the use of connected histories, a method pioneered by Dr. Subrahmanyam himself.


This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

]]> 2671 no Justin Owen Rawlins, "Imagining the Method: Reception, Identity, and American Screen Performance" (U Texas Press, 2024) Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method: Reception, Identity, and American Screen Performance (U Texas Press, 2024) investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries. Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers. Peter C. Kunze is an assistant professor of communication at Tulane University. Sun, 03 Mar 2024 09:00:00 -0000 full 189 New Books Network An interview with Justin Owen Rawlins Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method: Reception, Identity, and American Screen Performance (U Texas Press, 2024) investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries. Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers. Peter C. Kunze is an assistant professor of communication at Tulane University. Only one performance style has dominated the lexicon of the casual moviegoer: “Method acting.” The first reception-based analysis of film acting, Imagining the Method: Reception, Identity, and American Screen Performance (U Texas Press, 2024) investigates how popular understandings of the so-called Method—what its author Justin Rawlins calls "methodness"—created an exclusive brand for white, male actors while associating such actors with rebellion and marginalization. Drawing on extensive archival research, the book maps the forces giving shape to methodness and policing its boundaries.

Imagining the Method traces the primordial conditions under which the Method was conceived. It explores John Garfield's tenuous relationship with methodness due to his identity. It considers the links between John Wayne's reliance on "anti-Method" stardom and Marlon Brando and James Dean's ascribed embodiment of Method features. It dissects contemporary emphases on transformation and considers the implications of methodness in the encoding of AI performers. Altogether, Justin Rawlins offers a revisionist history of the Method that shines a light on the cultural politics of methodness and the still-dominant assumptions about race, gender, and screen actors and acting that inform how we talk about performance and performers.

Peter C. Kunze is an assistant professor of communication at Tulane University.

]]> 3394 no Bryce Henson, "Emergent Quilombos: Black Life and Hip-Hop in Brazil" (U Texas Press, 2024) Known as Black Rome, Salvador da Bahia, Brazil, is a predominantly Black city. The local art, food, and dance are closely linked to the population's African roots. Yet many Black Brazilian residents are politically and economically disenfranchised. Bryce Henson details a culture of resistance and activism that has emerged in response, expressed through hip-hop and the social relations surrounding it. Based on years of ethnographic research, Emergent Quilombos: Black Life and Hip-Hop in Brazil (University of Texas Press, 2024) illuminates how Black hip-hop artists and their circles contest structures of anti-Black racism by creating safe havens and alternative social, cultural, and political systems that serve Black people. These artists valorize and empower marginalized Black peoples through song, aesthetics, media, visual art, and community action that emphasize diasporic connections, ancestrality, and Black identifications in opposition to the anti-Black Brazilian nation. In the process, Henson argues, the Salvador hip-hop scene has reinvigorated and reterritorialized a critical legacy of Black politicocultural resistance: the quilombo, maroon communities of Black fugitives who refused slavery as a way of life, gathered away from the spaces of their oppression, protected their communities, and nurtured Black life in all its possibilities. Bryce Henson is an assistant professor of media, culture, and identity in the Department of Communication and Journalism and associate faculty in the Africana Studies Program at Texas A&M University. Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Wed, 07 Feb 2024 09:00:00 -0000 full 283 New Books Network An interview with Bryce Henson Known as Black Rome, Salvador da Bahia, Brazil, is a predominantly Black city. The local art, food, and dance are closely linked to the population's African roots. Yet many Black Brazilian residents are politically and economically disenfranchised. Bryce Henson details a culture of resistance and activism that has emerged in response, expressed through hip-hop and the social relations surrounding it. Based on years of ethnographic research, Emergent Quilombos: Black Life and Hip-Hop in Brazil (University of Texas Press, 2024) illuminates how Black hip-hop artists and their circles contest structures of anti-Black racism by creating safe havens and alternative social, cultural, and political systems that serve Black people. These artists valorize and empower marginalized Black peoples through song, aesthetics, media, visual art, and community action that emphasize diasporic connections, ancestrality, and Black identifications in opposition to the anti-Black Brazilian nation. In the process, Henson argues, the Salvador hip-hop scene has reinvigorated and reterritorialized a critical legacy of Black politicocultural resistance: the quilombo, maroon communities of Black fugitives who refused slavery as a way of life, gathered away from the spaces of their oppression, protected their communities, and nurtured Black life in all its possibilities. Bryce Henson is an assistant professor of media, culture, and identity in the Department of Communication and Journalism and associate faculty in the Africana Studies Program at Texas A&M University. Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Known as Black Rome, Salvador da Bahia, Brazil, is a predominantly Black city. The local art, food, and dance are closely linked to the population's African roots. Yet many Black Brazilian residents are politically and economically disenfranchised. Bryce Henson details a culture of resistance and activism that has emerged in response, expressed through hip-hop and the social relations surrounding it.

Based on years of ethnographic research, Emergent Quilombos: Black Life and Hip-Hop in Brazil (University of Texas Press, 2024) illuminates how Black hip-hop artists and their circles contest structures of anti-Black racism by creating safe havens and alternative social, cultural, and political systems that serve Black people. These artists valorize and empower marginalized Black peoples through song, aesthetics, media, visual art, and community action that emphasize diasporic connections, ancestrality, and Black identifications in opposition to the anti-Black Brazilian nation. In the process, Henson argues, the Salvador hip-hop scene has reinvigorated and reterritorialized a critical legacy of Black politicocultural resistance: the quilombo, maroon communities of Black fugitives who refused slavery as a way of life, gathered away from the spaces of their oppression, protected their communities, and nurtured Black life in all its possibilities.

Bryce Henson is an assistant professor of media, culture, and identity in the Department of Communication and Journalism and associate faculty in the Africana Studies Program at Texas A&M University.

Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

]]> 4306 no Courtney Brannon Donoghue, "The Value Gap: Female-Driven Films from Pitch to Premiere" (U Texas Press, 2023) Conversations about gender equity in the workplace accelerated in the 2010s, with debates inside Hollywood specifically pointing to broader systemic problems of employment disparities and exploitative labor practices. Compounded by the devastating #MeToo revelations, these problems led to a wide-scale call for change.  Courtney Brannon Donoghue's book The Value Gap: Female-Driven Films from Pitch to Premiere (U Texas Press, 2023) traces female-driven filmmaking across development, financing, production, film festivals, marketing, and distribution, examining the realities facing women working in the industry during this transformative moment. Drawing from five years of extensive interviews with female producers, writers, and directors at different stages of their careers, Courtney Brannon Donoghue examines how Hollywood business cultures “value" female-driven projects as risky or not bankable. Industry claims that “movies targeting female audiences don’t make money" or “women can't direct big-budget blockbusters" have long circulated to rationalize systemic gender inequities and have served to normalize studios prioritizing the white male–driven status quo. Through a critical media industry studies lens, The Value Gap challenges this pervasive logic with firsthand accounts of women actively navigating the male-dominated and conglomerate-owned industrial landscape. Peter C. Kunze is a visiting assistant professor of communication at Tulane University. Sun, 04 Feb 2024 09:00:00 -0000 full 187 New Books Network An interview with Courtney Brannon Donoghue Conversations about gender equity in the workplace accelerated in the 2010s, with debates inside Hollywood specifically pointing to broader systemic problems of employment disparities and exploitative labor practices. Compounded by the devastating #MeToo revelations, these problems led to a wide-scale call for change.  Courtney Brannon Donoghue's book The Value Gap: Female-Driven Films from Pitch to Premiere (U Texas Press, 2023) traces female-driven filmmaking across development, financing, production, film festivals, marketing, and distribution, examining the realities facing women working in the industry during this transformative moment. Drawing from five years of extensive interviews with female producers, writers, and directors at different stages of their careers, Courtney Brannon Donoghue examines how Hollywood business cultures “value" female-driven projects as risky or not bankable. Industry claims that “movies targeting female audiences don’t make money" or “women can't direct big-budget blockbusters" have long circulated to rationalize systemic gender inequities and have served to normalize studios prioritizing the white male–driven status quo. Through a critical media industry studies lens, The Value Gap challenges this pervasive logic with firsthand accounts of women actively navigating the male-dominated and conglomerate-owned industrial landscape. Peter C. Kunze is a visiting assistant professor of communication at Tulane University. Conversations about gender equity in the workplace accelerated in the 2010s, with debates inside Hollywood specifically pointing to broader systemic problems of employment disparities and exploitative labor practices. Compounded by the devastating #MeToo revelations, these problems led to a wide-scale call for change. 

Courtney Brannon Donoghue's book The Value Gap: Female-Driven Films from Pitch to Premiere (U Texas Press, 2023) traces female-driven filmmaking across development, financing, production, film festivals, marketing, and distribution, examining the realities facing women working in the industry during this transformative moment. Drawing from five years of extensive interviews with female producers, writers, and directors at different stages of their careers, Courtney Brannon Donoghue examines how Hollywood business cultures “value" female-driven projects as risky or not bankable. Industry claims that “movies targeting female audiences don’t make money" or “women can't direct big-budget blockbusters" have long circulated to rationalize systemic gender inequities and have served to normalize studios prioritizing the white male–driven status quo. Through a critical media industry studies lens, The Value Gap challenges this pervasive logic with firsthand accounts of women actively navigating the male-dominated and conglomerate-owned industrial landscape.

Peter C. Kunze is a visiting assistant professor of communication at Tulane University.

]]> 3365 no Georgina Hickey, "Breaking the Gender Code: Women and Urban Public Space in the Twentieth-Century United States" (U Texas Press, 2023) From the closing years of the nineteenth century, women received subtle--and not so subtle--messages that they shouldn't be in public. Or, if they were, that they were not safe. Breaking the Gender Code: Women and Urban Public Space in the Twentieth-Century United States (U Texas Press, 2023) tells the story of both this danger narrative and the resistance to it. Historian Georgina Hickey investigates challenges to the code of urban gender segregation in the twentieth century, focusing on organized advocacy to make the public spaces of American cities accessible to women. She traces waves of activism from the Progressive Era, with its calls for public restrooms, safe and accessible transportation, and public accommodations, through and beyond second-wave feminism, and its focus on the creation of alternative, women-only spaces and extensive anti-violence efforts. In doing so, Hickey explores how gender segregation intertwined with other systems of social control, as well as how class, race, and sexuality shaped activists' agendas and women's experiences of urban space.  Drawing connections between the vulnerability of women in public spaces, real and presumed, and contemporary debates surrounding rape culture, bathroom bills, and domestic violence, Hickey unveils both the strikingly successful and the incomplete initiatives of activists who worked to open up public space to women. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Fri, 02 Feb 2024 09:00:00 -0000 full 81 New Books Network An interview with Georgina Hickey From the closing years of the nineteenth century, women received subtle--and not so subtle--messages that they shouldn't be in public. Or, if they were, that they were not safe. Breaking the Gender Code: Women and Urban Public Space in the Twentieth-Century United States (U Texas Press, 2023) tells the story of both this danger narrative and the resistance to it. Historian Georgina Hickey investigates challenges to the code of urban gender segregation in the twentieth century, focusing on organized advocacy to make the public spaces of American cities accessible to women. She traces waves of activism from the Progressive Era, with its calls for public restrooms, safe and accessible transportation, and public accommodations, through and beyond second-wave feminism, and its focus on the creation of alternative, women-only spaces and extensive anti-violence efforts. In doing so, Hickey explores how gender segregation intertwined with other systems of social control, as well as how class, race, and sexuality shaped activists' agendas and women's experiences of urban space.  Drawing connections between the vulnerability of women in public spaces, real and presumed, and contemporary debates surrounding rape culture, bathroom bills, and domestic violence, Hickey unveils both the strikingly successful and the incomplete initiatives of activists who worked to open up public space to women. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. From the closing years of the nineteenth century, women received subtle--and not so subtle--messages that they shouldn't be in public. Or, if they were, that they were not safe. Breaking the Gender Code: Women and Urban Public Space in the Twentieth-Century United States (U Texas Press, 2023) tells the story of both this danger narrative and the resistance to it.

Historian Georgina Hickey investigates challenges to the code of urban gender segregation in the twentieth century, focusing on organized advocacy to make the public spaces of American cities accessible to women. She traces waves of activism from the Progressive Era, with its calls for public restrooms, safe and accessible transportation, and public accommodations, through and beyond second-wave feminism, and its focus on the creation of alternative, women-only spaces and extensive anti-violence efforts. In doing so, Hickey explores how gender segregation intertwined with other systems of social control, as well as how class, race, and sexuality shaped activists' agendas and women's experiences of urban space. 

Drawing connections between the vulnerability of women in public spaces, real and presumed, and contemporary debates surrounding rape culture, bathroom bills, and domestic violence, Hickey unveils both the strikingly successful and the incomplete initiatives of activists who worked to open up public space to women.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

]]> 4110 no Marcia Stephenson, "Llamas beyond the Andes: Untold Histories of Camelids in the Modern World" (U Texas Press, 2023) Camelids are vital to the cultures and economies of the Andes. The animals have also been at the heart of ecological and social catastrophe: Europeans overhunted wild vicuña and guanaco and imposed husbandry and breeding practices that decimated llama and alpaca flocks that had been successfully tended by Indigenous peoples for generations. Yet the colonial encounter with these animals was not limited to the New World. Llamas Beyond the Andes: The Untold History of Camelids in the Modern World (University of Texas Press, 2023) by Dr. Marcia Stephenson tells the five-hundred-year history of animals removed from their native habitats and transported overseas. Initially Europeans prized camelids for the bezoar stones found in their guts: boluses of ingested matter that were thought to have curative powers. Then the animals themselves were shipped abroad as exotica. As Europeans and US Americans came to recognize the economic value of camelids, new questions emerged: What would these novel sources of protein and fiber mean for the sheep industry? And how best to cultivate herds? Andeans had the expertise, but knowledge sharing was rarely easy. Marcia Stephenson explores the myriad scientific, commercial, and cultural interests that have attended camelids globally, making these animals a critical meeting point for diverse groups from the North and South. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Sat, 27 Jan 2024 09:00:00 -0000 full 63 New Books Network An interview with Marcia Stephenson Camelids are vital to the cultures and economies of the Andes. The animals have also been at the heart of ecological and social catastrophe: Europeans overhunted wild vicuña and guanaco and imposed husbandry and breeding practices that decimated llama and alpaca flocks that had been successfully tended by Indigenous peoples for generations. Yet the colonial encounter with these animals was not limited to the New World. Llamas Beyond the Andes: The Untold History of Camelids in the Modern World (University of Texas Press, 2023) by Dr. Marcia Stephenson tells the five-hundred-year history of animals removed from their native habitats and transported overseas. Initially Europeans prized camelids for the bezoar stones found in their guts: boluses of ingested matter that were thought to have curative powers. Then the animals themselves were shipped abroad as exotica. As Europeans and US Americans came to recognize the economic value of camelids, new questions emerged: What would these novel sources of protein and fiber mean for the sheep industry? And how best to cultivate herds? Andeans had the expertise, but knowledge sharing was rarely easy. Marcia Stephenson explores the myriad scientific, commercial, and cultural interests that have attended camelids globally, making these animals a critical meeting point for diverse groups from the North and South. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Camelids are vital to the cultures and economies of the Andes. The animals have also been at the heart of ecological and social catastrophe: Europeans overhunted wild vicuña and guanaco and imposed husbandry and breeding practices that decimated llama and alpaca flocks that had been successfully tended by Indigenous peoples for generations. Yet the colonial encounter with these animals was not limited to the New World. Llamas Beyond the Andes: The Untold History of Camelids in the Modern World (University of Texas Press, 2023) by Dr. Marcia Stephenson tells the five-hundred-year history of animals removed from their native habitats and transported overseas.

Initially Europeans prized camelids for the bezoar stones found in their guts: boluses of ingested matter that were thought to have curative powers. Then the animals themselves were shipped abroad as exotica. As Europeans and US Americans came to recognize the economic value of camelids, new questions emerged: What would these novel sources of protein and fiber mean for the sheep industry? And how best to cultivate herds? Andeans had the expertise, but knowledge sharing was rarely easy. Marcia Stephenson explores the myriad scientific, commercial, and cultural interests that have attended camelids globally, making these animals a critical meeting point for diverse groups from the North and South.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

]]> 3396 no Damon Scott, "The City Aroused: Queer Places and Urban Redevelopment in Postwar San Francisco" (U Texas Press, 2024) The City Aroused: Queer Places and Urban Redevelopment in Postwar San Francisco (University of Texas Press, 2024) by Dr. Damon Scott is a lively history of urban development and its influence on queer political identity in postwar San Francisco. By reconstructing the planning and queer history of waterfront drinking establishments, Dr. Scott shows that urban renewal was a catalyst for community organising among racially diverse operators and patrons with far-reaching implications for the national gay rights movement. Following the exclusion of suspected homosexuals from the maritime trades in West Coast ports in the early 1950s, seamen's hangouts in the city came to resemble gay bars. Local officials responded by containing the influx of gay men to a strip of bars on the central waterfront while also making plans to raze and rebuild the area. This practice ended when city redevelopment officials began acquiring land in the early 1960s. Aided by law enforcement, they put these queer social clubs out of business, replacing them with heteronormative, desexualized land uses that served larger postwar urban development goals. Dr. Scott argues that this shift from queer containment to displacement aroused a collective response among gay and transgender drinking publics who united in solidarity to secure a place in the rapidly changing urban landscape. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Thu, 25 Jan 2024 09:00:00 -0000 full 19 New Books Network An interview with Damon Scott The City Aroused: Queer Places and Urban Redevelopment in Postwar San Francisco (University of Texas Press, 2024) by Dr. Damon Scott is a lively history of urban development and its influence on queer political identity in postwar San Francisco. By reconstructing the planning and queer history of waterfront drinking establishments, Dr. Scott shows that urban renewal was a catalyst for community organising among racially diverse operators and patrons with far-reaching implications for the national gay rights movement. Following the exclusion of suspected homosexuals from the maritime trades in West Coast ports in the early 1950s, seamen's hangouts in the city came to resemble gay bars. Local officials responded by containing the influx of gay men to a strip of bars on the central waterfront while also making plans to raze and rebuild the area. This practice ended when city redevelopment officials began acquiring land in the early 1960s. Aided by law enforcement, they put these queer social clubs out of business, replacing them with heteronormative, desexualized land uses that served larger postwar urban development goals. Dr. Scott argues that this shift from queer containment to displacement aroused a collective response among gay and transgender drinking publics who united in solidarity to secure a place in the rapidly changing urban landscape. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. The City Aroused: Queer Places and Urban Redevelopment in Postwar San Francisco (University of Texas Press, 2024) by Dr. Damon Scott is a lively history of urban development and its influence on queer political identity in postwar San Francisco. By reconstructing the planning and queer history of waterfront drinking establishments, Dr. Scott shows that urban renewal was a catalyst for community organising among racially diverse operators and patrons with far-reaching implications for the national gay rights movement.

Following the exclusion of suspected homosexuals from the maritime trades in West Coast ports in the early 1950s, seamen's hangouts in the city came to resemble gay bars. Local officials responded by containing the influx of gay men to a strip of bars on the central waterfront while also making plans to raze and rebuild the area. This practice ended when city redevelopment officials began acquiring land in the early 1960s. Aided by law enforcement, they put these queer social clubs out of business, replacing them with heteronormative, desexualized land uses that served larger postwar urban development goals. Dr. Scott argues that this shift from queer containment to displacement aroused a collective response among gay and transgender drinking publics who united in solidarity to secure a place in the rapidly changing urban landscape.


This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

]]> 3974 no Patricio Simonetto, "A Body of One's Own: A Trans History of Argentina" (U Texas Press, 2024) As a trans history of Argentina, a country that banned medically assisted gender affirmation practices and punished trans lives, A Body of One’s Own: A Trans History of Argentina (University of Texas Press, 2024) places the histories of trans bodies at the core of modern Argentinian history. Dr. Patricio Simonetto documents the lives of people who crossed the boundaries of gender from the early twentieth century to the present. Based on extensive archival research in public and community-based archives, this book explores the mainstream medical and media portrayals of trans or travesti people, the state policing of gender embodiment, the experiences of those transgressing the boundaries of gender, and the development of homemade technologies from prosthetics to the self-injection of silicone. A Body of One's Own explores how trans activists' challenges to the exclusionary effects of Argentina’s legal, cultural, social, and political cisgender order led to the passage of the Gender Identity Law in 2012. Analyzing the decisive yet overlooked impact of gender transformation in the formation of the nation-state, gender-belonging, and citizenship, this book ultimately shows that supposedly abstract struggles to define the shifting notions of "sex," citizenship, and nationhood are embodied material experiences. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Mon, 15 Jan 2024 09:00:00 -0000 full 58 New Books Network An interview with Patricio Simonetto As a trans history of Argentina, a country that banned medically assisted gender affirmation practices and punished trans lives, A Body of One’s Own: A Trans History of Argentina (University of Texas Press, 2024) places the histories of trans bodies at the core of modern Argentinian history. Dr. Patricio Simonetto documents the lives of people who crossed the boundaries of gender from the early twentieth century to the present. Based on extensive archival research in public and community-based archives, this book explores the mainstream medical and media portrayals of trans or travesti people, the state policing of gender embodiment, the experiences of those transgressing the boundaries of gender, and the development of homemade technologies from prosthetics to the self-injection of silicone. A Body of One's Own explores how trans activists' challenges to the exclusionary effects of Argentina’s legal, cultural, social, and political cisgender order led to the passage of the Gender Identity Law in 2012. Analyzing the decisive yet overlooked impact of gender transformation in the formation of the nation-state, gender-belonging, and citizenship, this book ultimately shows that supposedly abstract struggles to define the shifting notions of "sex," citizenship, and nationhood are embodied material experiences. This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. As a trans history of Argentina, a country that banned medically assisted gender affirmation practices and punished trans lives, A Body of One’s Own: A Trans History of Argentina (University of Texas Press, 2024) places the histories of trans bodies at the core of modern Argentinian history. Dr. Patricio Simonetto documents the lives of people who crossed the boundaries of gender from the early twentieth century to the present. Based on extensive archival research in public and community-based archives, this book explores the mainstream medical and media portrayals of trans or travesti people, the state policing of gender embodiment, the experiences of those transgressing the boundaries of gender, and the development of homemade technologies from prosthetics to the self-injection of silicone.

A Body of One's Own explores how trans activists' challenges to the exclusionary effects of Argentina’s legal, cultural, social, and political cisgender order led to the passage of the Gender Identity Law in 2012. Analyzing the decisive yet overlooked impact of gender transformation in the formation of the nation-state, gender-belonging, and citizenship, this book ultimately shows that supposedly abstract struggles to define the shifting notions of "sex," citizenship, and nationhood are embodied material experiences.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

]]> 3268 no Alex Pappademas and Joan LeMay, "Quantum Criminals: Ramblers, Wild Gamblers, and Other Sole Survivors from the Songs of Steely Dan" (U Texas Press, 2023) A literary and visual exploration of the songs of Steely Dan. Steely Dan's songs are exercises in fictional world-building. No one else in the classic-rock canon has conjured a more vivid cast of rogues and heroes, creeps and schmucks, lovers and dreamers and cold-blooded operators--or imbued their characters with so much humanity. Pulling from history, lived experience, pulp fiction, the lore of the counterculture, and their own darkly comic imaginations, Donald Fagen and Walter Becker summoned protagonists who seemed like fully formed people with complicated pasts, scars they don't talk about, delusions and desires and memories they can't shake. From Rikki to Dr. Wu, Hoops McCann to Kid Charlemagne, Franny from NYU to the Woolly Man without a Face, every name is a locked-room mystery, beguiling listeners and earning the band an exceptionally passionate and ever-growing cult fandom. Quantum Criminals: Ramblers, Wild Gamblers, and Other Sole Survivors from the Songs of Steely Dan (U Texas Press, 2023) presents the world of Steely Dan as it has never been seen, much less heard. Artist Joan LeMay has crafted lively, color-saturated images of her favorite characters from the Daniverse to accompany writer Alex Pappademas's explorations of the famous and obscure songs that inspired each painting, in short essays full of cultural context, wild speculation, inspired dot-connecting, and the occasional conspiracy theory. All of it is refracted through the perspectives of the characters themselves, making for a musical companion unlike any other. Funny, discerning, and visually stunning, Quantum Criminals is a singular celebration of Steely Dan's musical cosmos. Alex Pappademas is the author of Keanu Reeves: Most Triumphant--The Movies & Meaning of an Irrepressible Icon and the writer and host of the acclaimed podcast The Big Hit Show. His work has also appeared in GQ, the New York Times, and Grantland. Alex on Twitter. Joan LeMay is an artist based in London and New York City (although the paintings for this book were created in Portland). Her work appears in multiple publications and books and has been shown in museums, galleries, and public spaces internationally. Joan on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. Sun, 07 Jan 2024 09:00:00 -0000 full 217 New Books Network An interview with Alex Pappademas A literary and visual exploration of the songs of Steely Dan. Steely Dan's songs are exercises in fictional world-building. No one else in the classic-rock canon has conjured a more vivid cast of rogues and heroes, creeps and schmucks, lovers and dreamers and cold-blooded operators--or imbued their characters with so much humanity. Pulling from history, lived experience, pulp fiction, the lore of the counterculture, and their own darkly comic imaginations, Donald Fagen and Walter Becker summoned protagonists who seemed like fully formed people with complicated pasts, scars they don't talk about, delusions and desires and memories they can't shake. From Rikki to Dr. Wu, Hoops McCann to Kid Charlemagne, Franny from NYU to the Woolly Man without a Face, every name is a locked-room mystery, beguiling listeners and earning the band an exceptionally passionate and ever-growing cult fandom. Quantum Criminals: Ramblers, Wild Gamblers, and Other Sole Survivors from the Songs of Steely Dan (U Texas Press, 2023) presents the world of Steely Dan as it has never been seen, much less heard. Artist Joan LeMay has crafted lively, color-saturated images of her favorite characters from the Daniverse to accompany writer Alex Pappademas's explorations of the famous and obscure songs that inspired each painting, in short essays full of cultural context, wild speculation, inspired dot-connecting, and the occasional conspiracy theory. All of it is refracted through the perspectives of the characters themselves, making for a musical companion unlike any other. Funny, discerning, and visually stunning, Quantum Criminals is a singular celebration of Steely Dan's musical cosmos. Alex Pappademas is the author of Keanu Reeves: Most Triumphant--The Movies & Meaning of an Irrepressible Icon and the writer and host of the acclaimed podcast The Big Hit Show. His work has also appeared in GQ, the New York Times, and Grantland. Alex on Twitter. Joan LeMay is an artist based in London and New York City (although the paintings for this book were created in Portland). Her work appears in multiple publications and books and has been shown in museums, galleries, and public spaces internationally. Joan on Twitter. Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter. A literary and visual exploration of the songs of Steely Dan.

Steely Dan's songs are exercises in fictional world-building. No one else in the classic-rock canon has conjured a more vivid cast of rogues and heroes, creeps and schmucks, lovers and dreamers and cold-blooded operators--or imbued their characters with so much humanity. Pulling from history, lived experience, pulp fiction, the lore of the counterculture, and their own darkly comic imaginations, Donald Fagen and Walter Becker summoned protagonists who seemed like fully formed people with complicated pasts, scars they don't talk about, delusions and desires and memories they can't shake. From Rikki to Dr. Wu, Hoops McCann to Kid Charlemagne, Franny from NYU to the Woolly Man without a Face, every name is a locked-room mystery, beguiling listeners and earning the band an exceptionally passionate and ever-growing cult fandom.

Quantum Criminals: Ramblers, Wild Gamblers, and Other Sole Survivors from the Songs of Steely Dan (U Texas Press, 2023) presents the world of Steely Dan as it has never been seen, much less heard. Artist Joan LeMay has crafted lively, color-saturated images of her favorite characters from the Daniverse to accompany writer Alex Pappademas's explorations of the famous and obscure songs that inspired each painting, in short essays full of cultural context, wild speculation, inspired dot-connecting, and the occasional conspiracy theory. All of it is refracted through the perspectives of the characters themselves, making for a musical companion unlike any other. Funny, discerning, and visually stunning, Quantum Criminals is a singular celebration of Steely Dan's musical cosmos.

Alex Pappademas is the author of Keanu Reeves: Most Triumphant--The Movies & Meaning of an Irrepressible Icon and the writer and host of the acclaimed podcast The Big Hit Show. His work has also appeared in GQ, the New York Times, and Grantland. Alex on Twitter.

Joan LeMay is an artist based in London and New York City (although the paintings for this book were created in Portland). Her work appears in multiple publications and books and has been shown in museums, galleries, and public spaces internationally. Joan on Twitter.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America. He manages partnerships on behalf of CHIRP Radio 107.1 FM, serves as a co-chair of the associate board at the Gene Siskel Film Center of the School of the Art Institute of Chicago, and volunteers in the music archive at the Old Town School of Folk Music. Bradley Morgan on Twitter.

]]> 3936 no Greg Beets and Richard Whymark, "A Curious Mix of People: The Underground Scene of '90s Austin" (U Texas Press, 2023) Ask anyone outside of Austin what they know about the city and chances are the first thing they'll mention is the music. While the Armadillo Era has been well-chronicled, there is no book about Austin music in the 90s. In their new book, A Curious Mix of People: The Underground Scene of '90s Austin (University of Texas Press, 2023), veterans of the sccene Greg Beets and Richard Whymark have put together an oral history of the decade. Beets and Whymark are not trying to cover all of the music made in Austin during the 1990s; they're most interested in the underground/punk community in which they participated. While a few of those bands got big (e.g., Spoon), the music remained mostly local, DIY. It was driven by live shows, though local media (radio, TV, print), record stores, and a few labels were also important to the story. Beets and Whymark devote chapters to those elements, but almost half of the chapters are based around a particular club. Organizing the book around physical spaces is not only appropriate for telling the story of the music, it is nice framing for the larger story of Austin. As the authors note, the city was still a relatively sleepy place in the early 1990s, with vacant blocks downtown and loads of small clubs that opened and closed simply because music-minded people wanted a place to play. By 1999, longtime venues like the Electric Lounge and Liberty Lunch were bulldozed to make way for development and tech companies. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Sun, 05 Nov 2023 09:00:00 -0000 full 173 New Books Network An interview with Greg Beets and Richard Whymark Ask anyone outside of Austin what they know about the city and chances are the first thing they'll mention is the music. While the Armadillo Era has been well-chronicled, there is no book about Austin music in the 90s. In their new book, A Curious Mix of People: The Underground Scene of '90s Austin (University of Texas Press, 2023), veterans of the sccene Greg Beets and Richard Whymark have put together an oral history of the decade. Beets and Whymark are not trying to cover all of the music made in Austin during the 1990s; they're most interested in the underground/punk community in which they participated. While a few of those bands got big (e.g., Spoon), the music remained mostly local, DIY. It was driven by live shows, though local media (radio, TV, print), record stores, and a few labels were also important to the story. Beets and Whymark devote chapters to those elements, but almost half of the chapters are based around a particular club. Organizing the book around physical spaces is not only appropriate for telling the story of the music, it is nice framing for the larger story of Austin. As the authors note, the city was still a relatively sleepy place in the early 1990s, with vacant blocks downtown and loads of small clubs that opened and closed simply because music-minded people wanted a place to play. By 1999, longtime venues like the Electric Lounge and Liberty Lunch were bulldozed to make way for development and tech companies. Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Ask anyone outside of Austin what they know about the city and chances are the first thing they'll mention is the music. While the Armadillo Era has been well-chronicled, there is no book about Austin music in the 90s. In their new book, A Curious Mix of People: The Underground Scene of '90s Austin (University of Texas Press, 2023), veterans of the sccene Greg Beets and Richard Whymark have put together an oral history of the decade. Beets and Whymark are not trying to cover all of the music made in Austin during the 1990s; they're most interested in the underground/punk community in which they participated. While a few of those bands got big (e.g., Spoon), the music remained mostly local, DIY. It was driven by live shows, though local media (radio, TV, print), record stores, and a few labels were also important to the story. Beets and Whymark devote chapters to those elements, but almost half of the chapters are based around a particular club. Organizing the book around physical spaces is not only appropriate for telling the story of the music, it is nice framing for the larger story of Austin. As the authors note, the city was still a relatively sleepy place in the early 1990s, with vacant blocks downtown and loads of small clubs that opened and closed simply because music-minded people wanted a place to play. By 1999, longtime venues like the Electric Lounge and Liberty Lunch were bulldozed to make way for development and tech companies.

Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.

]]> 4251 no Marisel C. Moreno, "Crossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature and Art" (U Texas Press, 2022) Debates over the undocumented migration of Latin Americans invariably focus on the southern US border, but most migrants never cross that arbitrary line. Instead, many travel, via water, among the Caribbean islands. The first study to examine literary and artistic representations of undocumented migration within the Hispanophone Caribbean, Crossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature and Art (U Texas Press, 2022) relates a journey that remains silenced and largely unknown. Analyzing works by novelists, short-story writers, poets, and visual artists replete with references to drowning and echoes of the Middle Passage, Marisel Moreno shines a spotlight on the plight that these migrants face. In some cases, Puerto Rico takes on a new role as a stepping-stone to the continental United States and the society migrants will join there. Meanwhile the land border between Haiti and the Dominican Republic, the only terrestrial border in the Hispanophone Caribbean, emerges as a complex space within this cartography of borders. And while the Border Patrol occupies US headlines, the Coast Guard occupies the nightmares of refugees. An untold story filled with beauty, possibility, and sorrow, Crossing Waters encourages us to rethink the geography and experience of undocumented migration and the role that the Caribbean archipelago plays as a border zone. Marisel C. Moreno is the Rev. John O'Brien Associate Professor in the Department of Romance Languages and Literatures at the University of Notre Dame. She is the author of Family Matters: Puerto Rican Women Authors on the Island and the Mainland.  Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Fri, 27 Oct 2023 08:00:00 -0000 full 261 New Books Network An interview with Marisel C. Moreno Debates over the undocumented migration of Latin Americans invariably focus on the southern US border, but most migrants never cross that arbitrary line. Instead, many travel, via water, among the Caribbean islands. The first study to examine literary and artistic representations of undocumented migration within the Hispanophone Caribbean, Crossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature and Art (U Texas Press, 2022) relates a journey that remains silenced and largely unknown. Analyzing works by novelists, short-story writers, poets, and visual artists replete with references to drowning and echoes of the Middle Passage, Marisel Moreno shines a spotlight on the plight that these migrants face. In some cases, Puerto Rico takes on a new role as a stepping-stone to the continental United States and the society migrants will join there. Meanwhile the land border between Haiti and the Dominican Republic, the only terrestrial border in the Hispanophone Caribbean, emerges as a complex space within this cartography of borders. And while the Border Patrol occupies US headlines, the Coast Guard occupies the nightmares of refugees. An untold story filled with beauty, possibility, and sorrow, Crossing Waters encourages us to rethink the geography and experience of undocumented migration and the role that the Caribbean archipelago plays as a border zone. Marisel C. Moreno is the Rev. John O'Brien Associate Professor in the Department of Romance Languages and Literatures at the University of Notre Dame. She is the author of Family Matters: Puerto Rican Women Authors on the Island and the Mainland.  Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Debates over the undocumented migration of Latin Americans invariably focus on the southern US border, but most migrants never cross that arbitrary line. Instead, many travel, via water, among the Caribbean islands. The first study to examine literary and artistic representations of undocumented migration within the Hispanophone Caribbean, Crossing Waters: Undocumented Migration in Hispanophone Caribbean and Latinx Literature and Art (U Texas Press, 2022) relates a journey that remains silenced and largely unknown.

Analyzing works by novelists, short-story writers, poets, and visual artists replete with references to drowning and echoes of the Middle Passage, Marisel Moreno shines a spotlight on the plight that these migrants face. In some cases, Puerto Rico takes on a new role as a stepping-stone to the continental United States and the society migrants will join there. Meanwhile the land border between Haiti and the Dominican Republic, the only terrestrial border in the Hispanophone Caribbean, emerges as a complex space within this cartography of borders. And while the Border Patrol occupies US headlines, the Coast Guard occupies the nightmares of refugees.

An untold story filled with beauty, possibility, and sorrow, Crossing Waters encourages us to rethink the geography and experience of undocumented migration and the role that the Caribbean archipelago plays as a border zone.

Marisel C. Moreno is the Rev. John O'Brien Associate Professor in the Department of Romance Languages and Literatures at the University of Notre Dame. She is the author of Family Matters: Puerto Rican Women Authors on the Island and the Mainland. 

Reighan Gillam is an Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

]]> 4537 no Rhoda Kanaaneh, "The Right Kind of Suffering: Gender, Sexuality, and Arab Asylum Seekers in America" (U Texas Press, 2023) From the overloaded courts with their constantly changing dates and appointments to the need to prove oneself the “right" kind of asylum seeker, the asylum system in the United States is an exacting and drawn-out immigration process that itself results in suffering. When anthropologist Rhoda Kanaaneh became a volunteer interpreter for Arab asylum seekers, she discovered how applicants learned to craft a specific narrative to satisfy the system's requirements. Kanaaneh tells the stories of four Arab asylum seekers who sought protection in the United States on the basis of their gender or sexuality: Saud, who relived painful memories of her circumcision and police harassment in Sudan and then learned to number and sequence these recollections; Fatima, who visited doctors and therapists in order to document years of spousal abuse without over-emphasizing her resulting mental illness; Fadi, who highlighted the homophobic motivations that provoked his arrest and torture in Jordan, all the while omitting connected issues of class and racism; and Marwa, who showcased her private hardships as a lesbian in a Shiite family in Lebanon and downplayed her environmental activism. The Right Kind of Suffering: Gender, Sexuality, and Arab Asylum Seekers in America (U Texas Press, 2023) is a compelling portrait of Arab asylum seekers whose success stories stand in contrast with those whom the system failed. Rhoda Kanaaneh has taught anthropology and gender and sexuality studies at Columbia University, American University, New York University, and Fordham University. She is the editor of Displaced at Home: Ethnicity and Gender Among Palestinians in Israel and author of Surrounded: Palestinian Soldiers in the Israeli Military and Birthing the Nation: Strategies of Palestinian Women in Israel. Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University and an incoming Assistant Professor of Anthropology at CUNY—City College, focusing on urban renewal, futurity, care, and migration. You can find her on Twitter @alizearican. Tue, 10 Oct 2023 08:00:00 -0000 full 62 New Books Network An interview with Rhoda Kanaaneh From the overloaded courts with their constantly changing dates and appointments to the need to prove oneself the “right" kind of asylum seeker, the asylum system in the United States is an exacting and drawn-out immigration process that itself results in suffering. When anthropologist Rhoda Kanaaneh became a volunteer interpreter for Arab asylum seekers, she discovered how applicants learned to craft a specific narrative to satisfy the system's requirements. Kanaaneh tells the stories of four Arab asylum seekers who sought protection in the United States on the basis of their gender or sexuality: Saud, who relived painful memories of her circumcision and police harassment in Sudan and then learned to number and sequence these recollections; Fatima, who visited doctors and therapists in order to document years of spousal abuse without over-emphasizing her resulting mental illness; Fadi, who highlighted the homophobic motivations that provoked his arrest and torture in Jordan, all the while omitting connected issues of class and racism; and Marwa, who showcased her private hardships as a lesbian in a Shiite family in Lebanon and downplayed her environmental activism. The Right Kind of Suffering: Gender, Sexuality, and Arab Asylum Seekers in America (U Texas Press, 2023) is a compelling portrait of Arab asylum seekers whose success stories stand in contrast with those whom the system failed. Rhoda Kanaaneh has taught anthropology and gender and sexuality studies at Columbia University, American University, New York University, and Fordham University. She is the editor of Displaced at Home: Ethnicity and Gender Among Palestinians in Israel and author of Surrounded: Palestinian Soldiers in the Israeli Military and Birthing the Nation: Strategies of Palestinian Women in Israel. Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University and an incoming Assistant Professor of Anthropology at CUNY—City College, focusing on urban renewal, futurity, care, and migration. You can find her on Twitter @alizearican. From the overloaded courts with their constantly changing dates and appointments to the need to prove oneself the “right" kind of asylum seeker, the asylum system in the United States is an exacting and drawn-out immigration process that itself results in suffering. When anthropologist Rhoda Kanaaneh became a volunteer interpreter for Arab asylum seekers, she discovered how applicants learned to craft a specific narrative to satisfy the system's requirements.

Kanaaneh tells the stories of four Arab asylum seekers who sought protection in the United States on the basis of their gender or sexuality: Saud, who relived painful memories of her circumcision and police harassment in Sudan and then learned to number and sequence these recollections; Fatima, who visited doctors and therapists in order to document years of spousal abuse without over-emphasizing her resulting mental illness; Fadi, who highlighted the homophobic motivations that provoked his arrest and torture in Jordan, all the while omitting connected issues of class and racism; and Marwa, who showcased her private hardships as a lesbian in a Shiite family in Lebanon and downplayed her environmental activism. The Right Kind of Suffering: Gender, Sexuality, and Arab Asylum Seekers in America (U Texas Press, 2023) is a compelling portrait of Arab asylum seekers whose success stories stand in contrast with those whom the system failed.

Rhoda Kanaaneh has taught anthropology and gender and sexuality studies at Columbia University, American University, New York University, and Fordham University. She is the editor of Displaced at Home: Ethnicity and Gender Among Palestinians in Israel and author of Surrounded: Palestinian Soldiers in the Israeli Military and Birthing the Nation: Strategies of Palestinian Women in Israel.

Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University and an incoming Assistant Professor of Anthropology at CUNY—City College, focusing on urban renewal, futurity, care, and migration. You can find her on Twitter @alizearican.

]]> 2677 no Andrew Chan, "Why Mariah Carey Matters" (U Texas Press, 2023) Why Mariah Carey Matters (University of Texas Press, 2023) examines the creative and complicated evolution of the musical artist. In the 1990s, Carey perfected blending pop, hip-hop, and R&B and drew from her turbulent personal life to create introspective, sonically sound masterpieces like “Vision of Love,” “Make it Happen,” and “Butterfly.” There is no doubt about Carey’s star power, as she has sold over 220 million albums globally and has the most Billboard chart-topping singles of any solo artist. Although a pioneering songwriter and producer, Carey’s musicianship and influence are still insufficiently appreciated. Andrew Chan looks beyond Carey’s glamorous persona to explore her experience as a biracial Black woman in the music business, her adventurous forays into house music and gospel, and her appeal to multiple generations of queer audiences. He also reckons with the transcendent ideal of the voice that Carey represents, showing how this international icon taught artists worldwide to sing with soul-shaking intensity and a spirit of innovation. Andrew Chan writes regularly about music, film, and books. His work has been published by the Criterion Collection, Film Comment, NPR, the New Yorker, and Reverse Shot. Latoya Johnson is an editor, writer, and bibliophile with a master’s in Humanities. Her research and writing interests include popular culture, the public history of women’s fiction, and women in Greco-Roman mythology. Tue, 05 Sep 2023 08:00:00 -0000 full 200 New Books Network An interview with Andrew Chan Why Mariah Carey Matters (University of Texas Press, 2023) examines the creative and complicated evolution of the musical artist. In the 1990s, Carey perfected blending pop, hip-hop, and R&B and drew from her turbulent personal life to create introspective, sonically sound masterpieces like “Vision of Love,” “Make it Happen,” and “Butterfly.” There is no doubt about Carey’s star power, as she has sold over 220 million albums globally and has the most Billboard chart-topping singles of any solo artist. Although a pioneering songwriter and producer, Carey’s musicianship and influence are still insufficiently appreciated. Andrew Chan looks beyond Carey’s glamorous persona to explore her experience as a biracial Black woman in the music business, her adventurous forays into house music and gospel, and her appeal to multiple generations of queer audiences. He also reckons with the transcendent ideal of the voice that Carey represents, showing how this international icon taught artists worldwide to sing with soul-shaking intensity and a spirit of innovation. Andrew Chan writes regularly about music, film, and books. His work has been published by the Criterion Collection, Film Comment, NPR, the New Yorker, and Reverse Shot. Latoya Johnson is an editor, writer, and bibliophile with a master’s in Humanities. Her research and writing interests include popular culture, the public history of women’s fiction, and women in Greco-Roman mythology. Why Mariah Carey Matters (University of Texas Press, 2023) examines the creative and complicated evolution of the musical artist. In the 1990s, Carey perfected blending pop, hip-hop, and R&B and drew from her turbulent personal life to create introspective, sonically sound masterpieces like “Vision of Love,” “Make it Happen,” and “Butterfly.” There is no doubt about Carey’s star power, as she has sold over 220 million albums globally and has the most Billboard chart-topping singles of any solo artist. Although a pioneering songwriter and producer, Carey’s musicianship and influence are still insufficiently appreciated.

Andrew Chan looks beyond Carey’s glamorous persona to explore her experience as a biracial Black woman in the music business, her adventurous forays into house music and gospel, and her appeal to multiple generations of queer audiences. He also reckons with the transcendent ideal of the voice that Carey represents, showing how this international icon taught artists worldwide to sing with soul-shaking intensity and a spirit of innovation.

Andrew Chan writes regularly about music, film, and books. His work has been published by the Criterion Collection, Film Comment, NPR, the New Yorker, and Reverse Shot.

Latoya Johnson is an editor, writer, and bibliophile with a master’s in Humanities. Her research and writing interests include popular culture, the public history of women’s fiction, and women in Greco-Roman mythology.

]]> 3633 no Debbie Felton, "Monsters and Monarchs: Serial Killers in Classical Myth and History" (U Texas Press, 2021) Even if the term "Serial Killer" wasn’t coined until the end of the 20th century, the practice of multiple murder has followed humanity through the ages. In Monsters and Monarchs: Serial Killers in Classical Myth and History (U Texas Press, 2021), professor Debbie Felton digs deep into the sources to demonstrate instances of what we might recognize as serial killers in antiquity, from myth to Imperial Rome to rhetorical exercises and maybe even on our small screens at home. Tracing these gruesome lineages, she exposes examples of these “types” of criminals through history, including more recognizable names like Jack the Ripper and Jeffrey Dahmer. What is mirrored are the characteristics we recognize as multiple homicidal psychopathy within ancient history and myth. This book is a complex and fascinating interweave of classical myth, ancient history, and true crime as manifesting in both our modern imaginations and those of generations past. Liz Barrett is a History PhD student Lehigh University, a CSA Farmer, mother of 3, and veteran of the USMC. She lives in suburban Philadelphia where she reads and writes a lot, and really, really likes old stuff. On Twitter: @lizcantlose. Mon, 14 Aug 2023 18:51:00 -0000 full 12 New Books Network An interview with Debbie Felton Even if the term "Serial Killer" wasn’t coined until the end of the 20th century, the practice of multiple murder has followed humanity through the ages. In Monsters and Monarchs: Serial Killers in Classical Myth and History (U Texas Press, 2021), professor Debbie Felton digs deep into the sources to demonstrate instances of what we might recognize as serial killers in antiquity, from myth to Imperial Rome to rhetorical exercises and maybe even on our small screens at home. Tracing these gruesome lineages, she exposes examples of these “types” of criminals through history, including more recognizable names like Jack the Ripper and Jeffrey Dahmer. What is mirrored are the characteristics we recognize as multiple homicidal psychopathy within ancient history and myth. This book is a complex and fascinating interweave of classical myth, ancient history, and true crime as manifesting in both our modern imaginations and those of generations past. Liz Barrett is a History PhD student Lehigh University, a CSA Farmer, mother of 3, and veteran of the USMC. She lives in suburban Philadelphia where she reads and writes a lot, and really, really likes old stuff. On Twitter: @lizcantlose. Even if the term "Serial Killer" wasn’t coined until the end of the 20th century, the practice of multiple murder has followed humanity through the ages. In Monsters and Monarchs: Serial Killers in Classical Myth and History (U Texas Press, 2021), professor Debbie Felton digs deep into the sources to demonstrate instances of what we might recognize as serial killers in antiquity, from myth to Imperial Rome to rhetorical exercises and maybe even on our small screens at home. Tracing these gruesome lineages, she exposes examples of these “types” of criminals through history, including more recognizable names like Jack the Ripper and Jeffrey Dahmer. What is mirrored are the characteristics we recognize as multiple homicidal psychopathy within ancient history and myth. This book is a complex and fascinating interweave of classical myth, ancient history, and true crime as manifesting in both our modern imaginations and those of generations past.

Liz Barrett is a History PhD student Lehigh University, a CSA Farmer, mother of 3, and veteran of the USMC. She lives in suburban Philadelphia where she reads and writes a lot, and really, really likes old stuff. On Twitter: @lizcantlose.

]]> 3296 no Erika Marie Bsumek, "The Foundations of Glen Canyon Dam: Infrastructures of Dispossession on the Colorado Plateau" (U Texas Press, 2023) The Glen Canyon Dam on the Colorado River provides electricity for some forty million people, and is one of the largest sources of water in the American West. It is also a testament to American settler colonialism, writes UT Austin history professor Erika Bsumek in The Foundations of Glen Canyon Dam: Infrastructures of Dispossession on the Colorado Plateau (U Texas Press, 2023). This region of the Southwest has been inhabited and irrigated by Indigenous societies since time immemorial, groups which were only recently (and partially) dispossessed by LDS Church settlers and by the US government. Bsumek argues that the structures, both physical and social, which form the foundation of Glen Canyon Dam - including science, law, and religion - make it a blueprint for structural dispossession, and a model which the United States would use to claim valuable Native lands. Yet, a mammoth undertaking such as this cannot be built without massive environmental change, and from the very beginning, both Indigenous and non-Indigenous people alike have questioned whether the dam was even necessary at all. In an era of warming climates and increasing droughts, Foundations of Glen Canyon Dam explains how we arrived at this moment of water crisis, and points to a path into an as-yet untapped future. Sun, 06 Aug 2023 08:00:00 -0000 full 349 New Books Network An interview with Erika Marie Bsumek The Glen Canyon Dam on the Colorado River provides electricity for some forty million people, and is one of the largest sources of water in the American West. It is also a testament to American settler colonialism, writes UT Austin history professor Erika Bsumek in The Foundations of Glen Canyon Dam: Infrastructures of Dispossession on the Colorado Plateau (U Texas Press, 2023). This region of the Southwest has been inhabited and irrigated by Indigenous societies since time immemorial, groups which were only recently (and partially) dispossessed by LDS Church settlers and by the US government. Bsumek argues that the structures, both physical and social, which form the foundation of Glen Canyon Dam - including science, law, and religion - make it a blueprint for structural dispossession, and a model which the United States would use to claim valuable Native lands. Yet, a mammoth undertaking such as this cannot be built without massive environmental change, and from the very beginning, both Indigenous and non-Indigenous people alike have questioned whether the dam was even necessary at all. In an era of warming climates and increasing droughts, Foundations of Glen Canyon Dam explains how we arrived at this moment of water crisis, and points to a path into an as-yet untapped future. The Glen Canyon Dam on the Colorado River provides electricity for some forty million people, and is one of the largest sources of water in the American West. It is also a testament to American settler colonialism, writes UT Austin history professor Erika Bsumek in The Foundations of Glen Canyon Dam: Infrastructures of Dispossession on the Colorado Plateau (U Texas Press, 2023). This region of the Southwest has been inhabited and irrigated by Indigenous societies since time immemorial, groups which were only recently (and partially) dispossessed by LDS Church settlers and by the US government. Bsumek argues that the structures, both physical and social, which form the foundation of Glen Canyon Dam - including science, law, and religion - make it a blueprint for structural dispossession, and a model which the United States would use to claim valuable Native lands. Yet, a mammoth undertaking such as this cannot be built without massive environmental change, and from the very beginning, both Indigenous and non-Indigenous people alike have questioned whether the dam was even necessary at all. In an era of warming climates and increasing droughts, Foundations of Glen Canyon Dam explains how we arrived at this moment of water crisis, and points to a path into an as-yet untapped future.

]]> 3394 no Oyman Başaran, "Circumcision and Medicine in Modern Turkey" (U Texas Press, 2023) In Turkey, circumcision is viewed as both a religious obligation and a rite of passage for young boys, as communities celebrate the ritual through gatherings, gifts, and special outfits. Yet the procedure is a potentially painful and traumatic ordeal. With the expansion of modern medicine, the social position of sünnetçi (male circumcisers) became subject to the institutional arrangements of Turkey’s evolving health care and welfare system. In the transition from traditional itinerant circumcisers to low-ranking health officers in the 1960s and hospital doctors in the 1990s, the medicalization of male circumcision has become entangled with state formation, market fetishism, and class inequalities. Based on Oyman Başaran’s extensive ethnographic and historical research, Circumcision and Medicine in Modern Turkey is a close examination of the socioreligious practice of circumcision in twenty-five cities and their outlying towns and villages in Turkey. By analyzing the changing subjectivity of medical actors who seek to alleviate suffering in male circumcision, Başaran offers a psychoanalytically informed alternate approach to the standard sociological arguments surrounding medicalization and male circumcision. Oyman Başaran is an associate professor of sociology at Bowdoin College. Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University, focusing on urban renewal, futurity, care, and migration. You can find her on Twitter @alizearican. Sun, 23 Jul 2023 08:00:00 -0000 full 224 New Books Network An interview with Oyman Başaran In Turkey, circumcision is viewed as both a religious obligation and a rite of passage for young boys, as communities celebrate the ritual through gatherings, gifts, and special outfits. Yet the procedure is a potentially painful and traumatic ordeal. With the expansion of modern medicine, the social position of sünnetçi (male circumcisers) became subject to the institutional arrangements of Turkey’s evolving health care and welfare system. In the transition from traditional itinerant circumcisers to low-ranking health officers in the 1960s and hospital doctors in the 1990s, the medicalization of male circumcision has become entangled with state formation, market fetishism, and class inequalities. Based on Oyman Başaran’s extensive ethnographic and historical research, Circumcision and Medicine in Modern Turkey is a close examination of the socioreligious practice of circumcision in twenty-five cities and their outlying towns and villages in Turkey. By analyzing the changing subjectivity of medical actors who seek to alleviate suffering in male circumcision, Başaran offers a psychoanalytically informed alternate approach to the standard sociological arguments surrounding medicalization and male circumcision. Oyman Başaran is an associate professor of sociology at Bowdoin College. Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University, focusing on urban renewal, futurity, care, and migration. You can find her on Twitter @alizearican. In Turkey, circumcision is viewed as both a religious obligation and a rite of passage for young boys, as communities celebrate the ritual through gatherings, gifts, and special outfits. Yet the procedure is a potentially painful and traumatic ordeal. With the expansion of modern medicine, the social position of sünnetçi (male circumcisers) became subject to the institutional arrangements of Turkey’s evolving health care and welfare system. In the transition from traditional itinerant circumcisers to low-ranking health officers in the 1960s and hospital doctors in the 1990s, the medicalization of male circumcision has become entangled with state formation, market fetishism, and class inequalities.

Based on Oyman Başaran’s extensive ethnographic and historical research, Circumcision and Medicine in Modern Turkey is a close examination of the socioreligious practice of circumcision in twenty-five cities and their outlying towns and villages in Turkey. By analyzing the changing subjectivity of medical actors who seek to alleviate suffering in male circumcision, Başaran offers a psychoanalytically informed alternate approach to the standard sociological arguments surrounding medicalization and male circumcision.

Oyman Başaran is an associate professor of sociology at Bowdoin College.

Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University, focusing on urban renewal, futurity, care, and migration. You can find her on Twitter @alizearican.

]]> 2493 no David Tavárez, "Rethinking Zapotec Time: Cosmology, Ritual, and Resistance in Colonial Mexico" (U Texas Press, 2022) Professor David Tavárez, historian and linguistic anthropologist, is Professor of Anthropology and at Vassar College. He is a specialist in Nahuatl and Zapotec texts, the study of Mesoamerican religions and rituals, Catholic campaigns against idolatry, Indigenous intellectuals, and native Christianities. He is the author or co-author of several books and dozens of articles and chapters. This Dr. Tavárez’s third time on the New Books Network. He spoken twice in 2020 about his earlier work: his 2011 book The Invisible War: Indigenous Devotions, Discipline, and Dissent in Colonial Mexico (from Stanford University Press), and his 2017 edited volume Words & Worlds Turned Around (from UP of Colorado). His new book, published last year (2022, University of Texas Press), is Rethinking Zapotec Time: Cosmology, Ritual, and Resistance in Colonial Mexico builds on his earlier work and is a magisterial and profound discussion of Zapotec ideas of cosmology and time, and how indigenous communities maintained and integrated their pre-Columbian beliefs, the quela li, or true custom, into the Colonial Spanish World and the Catholic Christian Faith. Krzysztof Odyniec is a historian of the Early Modern Spanish Empire. His dissertation on diplomacy and travel in the early sixteenth century is a forthcoming book from Brepols Press. He is also the host of the Almost Good Catholics podcast, part of New Books Network Academic Partners. Wed, 05 Jul 2023 08:00:00 -0000 full 43 New Books Network An interview with David Tavárez Professor David Tavárez, historian and linguistic anthropologist, is Professor of Anthropology and at Vassar College. He is a specialist in Nahuatl and Zapotec texts, the study of Mesoamerican religions and rituals, Catholic campaigns against idolatry, Indigenous intellectuals, and native Christianities. He is the author or co-author of several books and dozens of articles and chapters. This Dr. Tavárez’s third time on the New Books Network. He spoken twice in 2020 about his earlier work: his 2011 book The Invisible War: Indigenous Devotions, Discipline, and Dissent in Colonial Mexico (from Stanford University Press), and his 2017 edited volume Words & Worlds Turned Around (from UP of Colorado). His new book, published last year (2022, University of Texas Press), is Rethinking Zapotec Time: Cosmology, Ritual, and Resistance in Colonial Mexico builds on his earlier work and is a magisterial and profound discussion of Zapotec ideas of cosmology and time, and how indigenous communities maintained and integrated their pre-Columbian beliefs, the quela li, or true custom, into the Colonial Spanish World and the Catholic Christian Faith. Krzysztof Odyniec is a historian of the Early Modern Spanish Empire. His dissertation on diplomacy and travel in the early sixteenth century is a forthcoming book from Brepols Press. He is also the host of the Almost Good Catholics podcast, part of New Books Network Academic Partners. Professor David Tavárez, historian and linguistic anthropologist, is Professor of Anthropology and at Vassar College. He is a specialist in Nahuatl and Zapotec texts, the study of Mesoamerican religions and rituals, Catholic campaigns against idolatry, Indigenous intellectuals, and native Christianities. He is the author or co-author of several books and dozens of articles and chapters.

This Dr. Tavárez’s third time on the New Books Network. He spoken twice in 2020 about his earlier work: his 2011 book The Invisible War: Indigenous Devotions, Discipline, and Dissent in Colonial Mexico (from Stanford University Press), and his 2017 edited volume Words & Worlds Turned Around (from UP of Colorado). His new book, published last year (2022, University of Texas Press), is Rethinking Zapotec Time: Cosmology, Ritual, and Resistance in Colonial Mexico builds on his earlier work and is a magisterial and profound discussion of Zapotec ideas of cosmology and time, and how indigenous communities maintained and integrated their pre-Columbian beliefs, the quela li, or true custom, into the Colonial Spanish World and the Catholic Christian Faith.

Krzysztof Odyniec is a historian of the Early Modern Spanish Empire. His dissertation on diplomacy and travel in the early sixteenth century is a forthcoming book from Brepols Press. He is also the host of the Almost Good Catholics podcast, part of New Books Network Academic Partners.

]]> 4578 no Rebeca L. Hey-Colón, "Channeling Knowledges: Water and Afro-Diasporic Spirits in Latinx and Caribbean Worlds" (U Texas Press, 2023) Water is often tasked with upholding division through the imposition of geopolitical borders. We see this in the construction of the Rio Grande/Río Bravo on the US-Mexico border, as well as in how the Caribbean Sea and the Pacific Ocean are used to delineate the limits of US territory. In stark contrast to this divisive view, Afro-diasporic religions conceive of water as a place of connection; it is where spiritual entities and ancestors reside, and where knowledge awaits. Departing from the premise that water encourages confluence through the sustainment of contradiction, Channeling Knowledges: Water and Afro-Diasporic Spirits in Latinx and Caribbean Worlds (U Texas Press, 2023) fathoms water’s depth and breadth in the work of Latinx and Caribbean creators such as Mayra Santos-Febres, Rita Indiana, Gloria Evangelina Anzaldúa, and the Border of Lights collective. Combining methodologies from literary studies, anthropology, history, and religious studies, Rebeca L. Hey-Colón’s interdisciplinary study traces how Latinx and Caribbean cultural production draws on systems of Afro-diasporic worship—Haitian Vodou, La 21 División (Dominican Vodou), and Santería/Regla de Ocha—to channel the power of water, both salty and sweet, in sustaining connections between past, present, and not-yet-imagined futures. Tue, 30 May 2023 08:00:00 -0000 full 102 New Books Network An interview with Rebeca L. Hey-Colón Water is often tasked with upholding division through the imposition of geopolitical borders. We see this in the construction of the Rio Grande/Río Bravo on the US-Mexico border, as well as in how the Caribbean Sea and the Pacific Ocean are used to delineate the limits of US territory. In stark contrast to this divisive view, Afro-diasporic religions conceive of water as a place of connection; it is where spiritual entities and ancestors reside, and where knowledge awaits. Departing from the premise that water encourages confluence through the sustainment of contradiction, Channeling Knowledges: Water and Afro-Diasporic Spirits in Latinx and Caribbean Worlds (U Texas Press, 2023) fathoms water’s depth and breadth in the work of Latinx and Caribbean creators such as Mayra Santos-Febres, Rita Indiana, Gloria Evangelina Anzaldúa, and the Border of Lights collective. Combining methodologies from literary studies, anthropology, history, and religious studies, Rebeca L. Hey-Colón’s interdisciplinary study traces how Latinx and Caribbean cultural production draws on systems of Afro-diasporic worship—Haitian Vodou, La 21 División (Dominican Vodou), and Santería/Regla de Ocha—to channel the power of water, both salty and sweet, in sustaining connections between past, present, and not-yet-imagined futures. Water is often tasked with upholding division through the imposition of geopolitical borders. We see this in the construction of the Rio Grande/Río Bravo on the US-Mexico border, as well as in how the Caribbean Sea and the Pacific Ocean are used to delineate the limits of US territory. In stark contrast to this divisive view, Afro-diasporic religions conceive of water as a place of connection; it is where spiritual entities and ancestors reside, and where knowledge awaits.

Departing from the premise that water encourages confluence through the sustainment of contradiction, Channeling Knowledges: Water and Afro-Diasporic Spirits in Latinx and Caribbean Worlds (U Texas Press, 2023) fathoms water’s depth and breadth in the work of Latinx and Caribbean creators such as Mayra Santos-Febres, Rita Indiana, Gloria Evangelina Anzaldúa, and the Border of Lights collective. Combining methodologies from literary studies, anthropology, history, and religious studies, Rebeca L. Hey-Colón’s interdisciplinary study traces how Latinx and Caribbean cultural production draws on systems of Afro-diasporic worship—Haitian Vodou, La 21 División (Dominican Vodou), and Santería/Regla de Ocha—to channel the power of water, both salty and sweet, in sustaining connections between past, present, and not-yet-imagined futures.

]]> 2335 no Awad Halabi, "Palestinian Rituals of Identity: The Prophet Moses Festival in Jerusalem, 1850-1948" (U Texas Press, 2023) Members of Palestine's Muslim community have long honored al-Nabi Musa, or the Prophet Moses. Since the thirteenth century, they have celebrated at a shrine near Jericho believed to be the location of Moses's tomb; in the mid-nineteenth century, they organized a civic festival in Jerusalem to honor this prophet. Considered one of the most important occasions for Muslim pilgrims in Palestine, the Prophet Moses festival yearly attracted thousands of people who assembled to pray, conduct mystical forms of worship, and hold folk celebrations. Palestinian Rituals of Identity: The Prophet Moses Festival in Jerusalem, 1850-1948 (U Texas Press, 2023) takes an innovative approach to the study of Palestine's modern history by focusing on the Prophet Moses festival from the late Ottoman period through the era of British rule. Halabi explores how the festival served as an arena of competing discourses, with various social groups attempting to control its symbols. Tackling questions about modernity, colonialism, gender relations, and identity, Halabi recounts how peasants, Bedouins, rural women, and Sufis sought to influence the festival even as Ottoman authorities, British colonists, Muslim clerics, and Palestinian national leaders did the same. Drawing on extensive research in Arabic newspapers and Islamic and colonial archives, Halabi reveals how the festival has encapsulated Palestinians' responses to modernity, colonialism, and the nation's growing national identity. Roberto Mazza is currently a Visiting Lecturer at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Website: www.robertomazza.org. Sun, 23 Apr 2023 08:00:00 -0000 full 213 New Books Network An interview with Awad Halabi Members of Palestine's Muslim community have long honored al-Nabi Musa, or the Prophet Moses. Since the thirteenth century, they have celebrated at a shrine near Jericho believed to be the location of Moses's tomb; in the mid-nineteenth century, they organized a civic festival in Jerusalem to honor this prophet. Considered one of the most important occasions for Muslim pilgrims in Palestine, the Prophet Moses festival yearly attracted thousands of people who assembled to pray, conduct mystical forms of worship, and hold folk celebrations. Palestinian Rituals of Identity: The Prophet Moses Festival in Jerusalem, 1850-1948 (U Texas Press, 2023) takes an innovative approach to the study of Palestine's modern history by focusing on the Prophet Moses festival from the late Ottoman period through the era of British rule. Halabi explores how the festival served as an arena of competing discourses, with various social groups attempting to control its symbols. Tackling questions about modernity, colonialism, gender relations, and identity, Halabi recounts how peasants, Bedouins, rural women, and Sufis sought to influence the festival even as Ottoman authorities, British colonists, Muslim clerics, and Palestinian national leaders did the same. Drawing on extensive research in Arabic newspapers and Islamic and colonial archives, Halabi reveals how the festival has encapsulated Palestinians' responses to modernity, colonialism, and the nation's growing national identity. Roberto Mazza is currently a Visiting Lecturer at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Website: www.robertomazza.org. Members of Palestine's Muslim community have long honored al-Nabi Musa, or the Prophet Moses. Since the thirteenth century, they have celebrated at a shrine near Jericho believed to be the location of Moses's tomb; in the mid-nineteenth century, they organized a civic festival in Jerusalem to honor this prophet. Considered one of the most important occasions for Muslim pilgrims in Palestine, the Prophet Moses festival yearly attracted thousands of people who assembled to pray, conduct mystical forms of worship, and hold folk celebrations.

Palestinian Rituals of Identity: The Prophet Moses Festival in Jerusalem, 1850-1948 (U Texas Press, 2023) takes an innovative approach to the study of Palestine's modern history by focusing on the Prophet Moses festival from the late Ottoman period through the era of British rule. Halabi explores how the festival served as an arena of competing discourses, with various social groups attempting to control its symbols. Tackling questions about modernity, colonialism, gender relations, and identity, Halabi recounts how peasants, Bedouins, rural women, and Sufis sought to influence the festival even as Ottoman authorities, British colonists, Muslim clerics, and Palestinian national leaders did the same. Drawing on extensive research in Arabic newspapers and Islamic and colonial archives, Halabi reveals how the festival has encapsulated Palestinians' responses to modernity, colonialism, and the nation's growing national identity.

Roberto Mazza is currently a Visiting Lecturer at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Website: www.robertomazza.org.

]]> 4886 no Javier Puente, "The Rural State: Making Comunidades, Campesinos, and Conflict in Peru's Central Sierra" (U Texas Press, 2022) On the eve of the twentieth century, Peru seemed poised for prosperity and development. Both foreign capitalists and local elites imagined that the highlands would be essential to Peru's future sustainable national economy. Mobilizing Andean populations lay at the core of this endeavor.  In his groundbreaking book, The Rural State: Making Comunidades, Campesinos, and Conflict in Peru’s Central Sierra (University of Texas Press, 2022), Javier Puente uncovers the surprising and overlooked ways that Peru’s rural communities formed the political nation-state that still exists today. Puente documents how people living in the Peruvian central sierra in the twentieth century confronted powers of state and capital and struggled to ensure both subsistence and autonomy. Rather than impoverished communities abandoned by the state, Puente shows us the years of policy, politics, and social turmoil that characterized a century-long process of rural state formation. Examining the conflicts between one rural community and the many iterations of statehood in the central sierra of Peru, The Rural State offers a fresh perspective on how the Andes became la sierra, how pueblos became comunidades, and how indígenas became campesinos.  Elena McGrath is an Assistant Professor of History at Union College.  Wed, 05 Apr 2023 08:00:00 -0000 full 185 New Books Network An interview with Javier Puente On the eve of the twentieth century, Peru seemed poised for prosperity and development. Both foreign capitalists and local elites imagined that the highlands would be essential to Peru's future sustainable national economy. Mobilizing Andean populations lay at the core of this endeavor.  In his groundbreaking book, The Rural State: Making Comunidades, Campesinos, and Conflict in Peru’s Central Sierra (University of Texas Press, 2022), Javier Puente uncovers the surprising and overlooked ways that Peru’s rural communities formed the political nation-state that still exists today. Puente documents how people living in the Peruvian central sierra in the twentieth century confronted powers of state and capital and struggled to ensure both subsistence and autonomy. Rather than impoverished communities abandoned by the state, Puente shows us the years of policy, politics, and social turmoil that characterized a century-long process of rural state formation. Examining the conflicts between one rural community and the many iterations of statehood in the central sierra of Peru, The Rural State offers a fresh perspective on how the Andes became la sierra, how pueblos became comunidades, and how indígenas became campesinos.  Elena McGrath is an Assistant Professor of History at Union College.  On the eve of the twentieth century, Peru seemed poised for prosperity and development. Both foreign capitalists and local elites imagined that the highlands would be essential to Peru's future sustainable national economy. Mobilizing Andean populations lay at the core of this endeavor. 

In his groundbreaking book, The Rural State: Making Comunidades, Campesinos, and Conflict in Peru’s Central Sierra (University of Texas Press, 2022), Javier Puente uncovers the surprising and overlooked ways that Peru’s rural communities formed the political nation-state that still exists today. Puente documents how people living in the Peruvian central sierra in the twentieth century confronted powers of state and capital and struggled to ensure both subsistence and autonomy. Rather than impoverished communities abandoned by the state, Puente shows us the years of policy, politics, and social turmoil that characterized a century-long process of rural state formation. Examining the conflicts between one rural community and the many iterations of statehood in the central sierra of Peru, The Rural State offers a fresh perspective on how the Andes became la sierra, how pueblos became comunidades, and how indígenas became campesinos. 

Elena McGrath is an Assistant Professor of History at Union College. 

]]> 5498 no Claudia Brittenham, "Unseen Art: Making, Vision, and Power in Ancient Mesoamerica" (U Texas Press, 2023) In Unseen Art: Making, Vision, and Power in Ancient Mesoamerica (U Texas Press, 2023), Claudia Brittenham unravels one of the most puzzling phenomena in Mesoamerican art history: why many of the objects that we view in museums today were once so difficult to see. She examines the importance that ancient Mesoamerican people assigned to the process of making and enlivening the things we now call art, as well as Mesoamerican understandings of sight as an especially godlike and elite power, in order to trace a gradual evolution in the uses of secrecy and concealment, from a communal practice that fostered social memory to a tool of imperial power. Addressing some of the most charismatic of all Mesoamerican sculptures, such as Olmec buried offerings, Maya lintels, and carvings on the undersides of Aztec sculptures, Brittenham shows that the creation of unseen art has important implications both for understanding status in ancient Mesoamerica and for analyzing art in the present. Spanning nearly three thousand years of the Indigenous art of Mexico, Guatemala, Honduras, and Belize, Unseen Art connects the dots between vision, power, and inequality, providing a critical perspective on our own way of looking. Sarah Newman (@newmantropologa) is an archaeologist and Assistant Professor of Anthropology at the University of Chicago. Her research explores long-term human-environmental interactions, including questions of waste and reuse, processes of landscape transformations, and relationships between humans and other animals. Fri, 24 Mar 2023 08:00:00 -0000 full 15 New Books Network An interview with Claudia Brittenham In Unseen Art: Making, Vision, and Power in Ancient Mesoamerica (U Texas Press, 2023), Claudia Brittenham unravels one of the most puzzling phenomena in Mesoamerican art history: why many of the objects that we view in museums today were once so difficult to see. She examines the importance that ancient Mesoamerican people assigned to the process of making and enlivening the things we now call art, as well as Mesoamerican understandings of sight as an especially godlike and elite power, in order to trace a gradual evolution in the uses of secrecy and concealment, from a communal practice that fostered social memory to a tool of imperial power. Addressing some of the most charismatic of all Mesoamerican sculptures, such as Olmec buried offerings, Maya lintels, and carvings on the undersides of Aztec sculptures, Brittenham shows that the creation of unseen art has important implications both for understanding status in ancient Mesoamerica and for analyzing art in the present. Spanning nearly three thousand years of the Indigenous art of Mexico, Guatemala, Honduras, and Belize, Unseen Art connects the dots between vision, power, and inequality, providing a critical perspective on our own way of looking. Sarah Newman (@newmantropologa) is an archaeologist and Assistant Professor of Anthropology at the University of Chicago. Her research explores long-term human-environmental interactions, including questions of waste and reuse, processes of landscape transformations, and relationships between humans and other animals. In Unseen Art: Making, Vision, and Power in Ancient Mesoamerica (U Texas Press, 2023), Claudia Brittenham unravels one of the most puzzling phenomena in Mesoamerican art history: why many of the objects that we view in museums today were once so difficult to see. She examines the importance that ancient Mesoamerican people assigned to the process of making and enlivening the things we now call art, as well as Mesoamerican understandings of sight as an especially godlike and elite power, in order to trace a gradual evolution in the uses of secrecy and concealment, from a communal practice that fostered social memory to a tool of imperial power.

Addressing some of the most charismatic of all Mesoamerican sculptures, such as Olmec buried offerings, Maya lintels, and carvings on the undersides of Aztec sculptures, Brittenham shows that the creation of unseen art has important implications both for understanding status in ancient Mesoamerica and for analyzing art in the present. Spanning nearly three thousand years of the Indigenous art of Mexico, Guatemala, Honduras, and Belize, Unseen Art connects the dots between vision, power, and inequality, providing a critical perspective on our own way of looking.

Sarah Newman (@newmantropologa) is an archaeologist and Assistant Professor of Anthropology at the University of Chicago. Her research explores long-term human-environmental interactions, including questions of waste and reuse, processes of landscape transformations, and relationships between humans and other animals.

]]> 3305 no Rosalynn A. Vega, "Nested Ecologies: A Multilayered Ethnography of Functional Medicine" (U Texas Press, 2023) Each body is a system within a system—an ecology within the larger context of social, political, economic, cultural, and environmental factors. This is one of the lessons of epigenetics, whereby structural inequalities are literally encoded in our genes. But our ecological embeddedness extends beyond DNA, for each body also teems with trillions of bacteria, yeast, and fungi, all of them imprints of our individual milieus. Nested Ecologies: A Multilayered Ethnography of Functional Medicine (U Texas Press, 2023) asks what it would mean to take seriously our microbial being, given that our internal ecologies are shaped by inequalities embedded in our physical and social environments. Further, Rosalynn Vega argues that health practices focused on patients’ unique biology inadvertently reiterate systemic inequities. In particular, functional medicine—which attempts to heal chronic disease by leveraging epigenetic science and treating individual microbiomes—reduces illness to problems of “lifestyle,” principally diet, while neglecting the inability of poor people to access nutrition. Functional medicine thus undermines its own critique of the economics of health care. Drawing on novel digital ethnographies and reflecting on her own experience of chronic illness, Vega challenges us to rethink not only the determinants of well-being but also what it is to be human. Joan Francisco Matamoros Sanin is an anthropologist dedicated to Medical Anthropology and Anthropology of Masculinities as well as public education and dissemination of anthropological knowledge. He has a MsC and a PhD in Sociomedical Sciences from Mexico's National Autonomous University. Matamoros has ample ethnographic experience in urban and rural areas in Mexico and Ecuador. You can find him on his Spotify and YouTube Platform (AnthropoMX) and in New Books Network. Currently he is a tutor in the Center for Regional Cooperation for Adult Education in Latin America and the Caribbean, as well as a postdoctoral fellow in CIESAS-Unidad Pacífico Sur (acronym in spanish for the South Pacific Center of Research in Advance Studies in Social Anthropology). Wed, 15 Mar 2023 08:00:00 -0000 full 216 New Books Network An interview with Rosalynn A. Vega Each body is a system within a system—an ecology within the larger context of social, political, economic, cultural, and environmental factors. This is one of the lessons of epigenetics, whereby structural inequalities are literally encoded in our genes. But our ecological embeddedness extends beyond DNA, for each body also teems with trillions of bacteria, yeast, and fungi, all of them imprints of our individual milieus. Nested Ecologies: A Multilayered Ethnography of Functional Medicine (U Texas Press, 2023) asks what it would mean to take seriously our microbial being, given that our internal ecologies are shaped by inequalities embedded in our physical and social environments. Further, Rosalynn Vega argues that health practices focused on patients’ unique biology inadvertently reiterate systemic inequities. In particular, functional medicine—which attempts to heal chronic disease by leveraging epigenetic science and treating individual microbiomes—reduces illness to problems of “lifestyle,” principally diet, while neglecting the inability of poor people to access nutrition. Functional medicine thus undermines its own critique of the economics of health care. Drawing on novel digital ethnographies and reflecting on her own experience of chronic illness, Vega challenges us to rethink not only the determinants of well-being but also what it is to be human. Joan Francisco Matamoros Sanin is an anthropologist dedicated to Medical Anthropology and Anthropology of Masculinities as well as public education and dissemination of anthropological knowledge. He has a MsC and a PhD in Sociomedical Sciences from Mexico's National Autonomous University. Matamoros has ample ethnographic experience in urban and rural areas in Mexico and Ecuador. You can find him on his Spotify and YouTube Platform (AnthropoMX) and in New Books Network. Currently he is a tutor in the Center for Regional Cooperation for Adult Education in Latin America and the Caribbean, as well as a postdoctoral fellow in CIESAS-Unidad Pacífico Sur (acronym in spanish for the South Pacific Center of Research in Advance Studies in Social Anthropology). Each body is a system within a system—an ecology within the larger context of social, political, economic, cultural, and environmental factors. This is one of the lessons of epigenetics, whereby structural inequalities are literally encoded in our genes. But our ecological embeddedness extends beyond DNA, for each body also teems with trillions of bacteria, yeast, and fungi, all of them imprints of our individual milieus. Nested Ecologies: A Multilayered Ethnography of Functional Medicine (U Texas Press, 2023) asks what it would mean to take seriously our microbial being, given that our internal ecologies are shaped by inequalities embedded in our physical and social environments.

Further, Rosalynn Vega argues that health practices focused on patients’ unique biology inadvertently reiterate systemic inequities. In particular, functional medicine—which attempts to heal chronic disease by leveraging epigenetic science and treating individual microbiomes—reduces illness to problems of “lifestyle,” principally diet, while neglecting the inability of poor people to access nutrition. Functional medicine thus undermines its own critique of the economics of health care. Drawing on novel digital ethnographies and reflecting on her own experience of chronic illness, Vega challenges us to rethink not only the determinants of well-being but also what it is to be human.

Joan Francisco Matamoros Sanin is an anthropologist dedicated to Medical Anthropology and Anthropology of Masculinities as well as public education and dissemination of anthropological knowledge. He has a MsC and a PhD in Sociomedical Sciences from Mexico's National Autonomous University. Matamoros has ample ethnographic experience in urban and rural areas in Mexico and Ecuador. You can find him on his Spotify and YouTube Platform (AnthropoMX) and in New Books Network. Currently he is a tutor in the Center for Regional Cooperation for Adult Education in Latin America and the Caribbean, as well as a postdoctoral fellow in CIESAS-Unidad Pacífico Sur (acronym in spanish for the South Pacific Center of Research in Advance Studies in Social Anthropology).

]]> 3251 no Elizabeth Farfán-Santos, "Undocumented Motherhood: Conversations on Love, Trauma, and Border Crossing" (U Texas Press, 2022) Claudia Garcia crossed the border because her toddler, Natalia, could not hear. Leaving behind everything she knew in Mexico, Claudia recounts the terror of migrating alone with her toddler and the incredible challenges she faced advocating for her daughter's health in the United States. When she arrived in Texas, Claudia discovered that being undocumented would mean more than just an immigration status—it would be a way of living, of mothering, and of being discarded by even those institutions we count on to care. Elizabeth Farfán-Santos spent five years with Claudia. As she listened to Claudia's experiences, she recalled her own mother's story, another life molded by migration, the US-Mexico border, and the quest for a healthy future on either side. Witnessing Claudia's struggles with doctors and teachers, we see how the education and medical systems enforce undocumented status and perpetuate disability. At one point, in the midst of advocating for her daughter, Claudia suddenly finds herself struck by debilitating pain. Claudia is lifted up by her comadres, sent to the doctor, and reminded why she must care for herself. A braided narrative that speaks to the power of stories for creating connection, Undocumented Motherhood: Conversations on Love, Trauma, and Border Crossing (University of Texas Press, 2022) reveals what remains undocumented in the motherhood of Mexican women who find themselves making impossible decisions and multiple sacrifices as they build a future for their families. Elizabeth Farfán-Santos is a medical anthropologist and the author of Black Bodies, Black Rights: The Politics of Quilombolismo in Contemporary Brazil. Reighan Gillam is Associate Professor in the Department of Anthropology at the University of Southern California. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Tue, 24 Jan 2023 09:00:00 -0000 full 210 New Books Network An interview with Elizabeth Farfán-Santos Claudia Garcia crossed the border because her toddler, Natalia, could not hear. Leaving behind everything she knew in Mexico, Claudia recounts the terror of migrating alone with her toddler and the incredible challenges she faced advocating for her daughter's health in the United States. When she arrived in Texas, Claudia discovered that being undocumented would mean more than just an immigration status—it would be a way of living, of mothering, and of being discarded by even those institutions we count on to care. Elizabeth Farfán-Santos spent five years with Claudia. As she listened to Claudia's experiences, she recalled her own mother's story, another life molded by migration, the US-Mexico border, and the quest for a healthy future on either side. Witnessing Claudia's struggles with doctors and teachers, we see how the education and medical systems enforce undocumented status and perpetuate disability. At one point, in the midst of advocating for her daughter, Claudia suddenly finds herself struck by debilitating pain. Claudia is lifted up by her comadres, sent to the doctor, and reminded why she must care for herself. A braided narrative that speaks to the power of stories for creating connection, Undocumented Motherhood: Conversations on Love, Trauma, and Border Crossing (University of Texas Press, 2022) reveals what remains undocumented in the motherhood of Mexican women who find themselves making impossible decisions and multiple sacrifices as they build a future for their families. Elizabeth Farfán-Santos is a medical anthropologist and the author of Black Bodies, Black Rights: The Politics of Quilombolismo in Contemporary Brazil. Reighan Gillam is Associate Professor in the Department of Anthropology at the University of Southern California. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Claudia Garcia crossed the border because her toddler, Natalia, could not hear. Leaving behind everything she knew in Mexico, Claudia recounts the terror of migrating alone with her toddler and the incredible challenges she faced advocating for her daughter's health in the United States. When she arrived in Texas, Claudia discovered that being undocumented would mean more than just an immigration status—it would be a way of living, of mothering, and of being discarded by even those institutions we count on to care.

Elizabeth Farfán-Santos spent five years with Claudia. As she listened to Claudia's experiences, she recalled her own mother's story, another life molded by migration, the US-Mexico border, and the quest for a healthy future on either side. Witnessing Claudia's struggles with doctors and teachers, we see how the education and medical systems enforce undocumented status and perpetuate disability. At one point, in the midst of advocating for her daughter, Claudia suddenly finds herself struck by debilitating pain. Claudia is lifted up by her comadres, sent to the doctor, and reminded why she must care for herself.

A braided narrative that speaks to the power of stories for creating connection, Undocumented Motherhood: Conversations on Love, Trauma, and Border Crossing (University of Texas Press, 2022) reveals what remains undocumented in the motherhood of Mexican women who find themselves making impossible decisions and multiple sacrifices as they build a future for their families.

Elizabeth Farfán-Santos is a medical anthropologist and the author of Black Bodies, Black Rights: The Politics of Quilombolismo in Contemporary Brazil.

Reighan Gillam is Associate Professor in the Department of Anthropology at the University of Southern California. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press).

]]> 4529 no Iván Sandoval-Cervantes, "Oaxaca in Motion: An Ethnography of Internal, Transnational, and Return Migration" (U Texas Press, 2022) Migration is typically seen as a transnational phenomenon, but it happens within borders, too. Oaxaca in Motion: An Ethnography of Internal, Transnational, and Return Migration (U Texas Press, 2022), documents a revealing irony in the latter sort: internal migration often is global in character, motivated by foreign affairs and international economic integration, and it is no less transformative than its cross-border analog. Iván Sandoval-Cervantes spent nearly two years observing and interviewing migrants from the rural Oaxacan town of Santa Ana Zegache. Many women from the area travel to Mexico City to work as domestics, and men are encouraged to join the Mexican military to fight the US-instigated “war on drugs" or else leave their fields to labor in industries serving global supply chains. Placing these moves in their historical and cultural context, Sandoval-Cervantes discovers that migrants' experiences dramatically alter their conceptions of gender, upsetting their traditional notions of masculinity and femininity. And some migrants bring their revised views with them when they return home, influencing their families and community of origin. Comparing Oaxacans moving within Mexico to those living along the US West Coast, Sandoval-Cervantes clearly demonstrates the multiplicity of answers to the question, “Who is a migrant?" Iván Sandoval-Cervantes is an assistant professor of anthropology at the University of Nevada, Las Vegas. You can find him on Twitter @IvanAntropologo Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University, focusing on urban anthropology, futurity, care, and migration. Her work has been featured in Current Anthropology, City & Society, JOTSA, Radical Housing Journal, and entanglements. You can find her on Twitter @alizearican Sat, 10 Dec 2022 09:00:00 -0000 full 52 New Books Network An interview with Iván Sandoval-Cervantes Migration is typically seen as a transnational phenomenon, but it happens within borders, too. Oaxaca in Motion: An Ethnography of Internal, Transnational, and Return Migration (U Texas Press, 2022), documents a revealing irony in the latter sort: internal migration often is global in character, motivated by foreign affairs and international economic integration, and it is no less transformative than its cross-border analog. Iván Sandoval-Cervantes spent nearly two years observing and interviewing migrants from the rural Oaxacan town of Santa Ana Zegache. Many women from the area travel to Mexico City to work as domestics, and men are encouraged to join the Mexican military to fight the US-instigated “war on drugs" or else leave their fields to labor in industries serving global supply chains. Placing these moves in their historical and cultural context, Sandoval-Cervantes discovers that migrants' experiences dramatically alter their conceptions of gender, upsetting their traditional notions of masculinity and femininity. And some migrants bring their revised views with them when they return home, influencing their families and community of origin. Comparing Oaxacans moving within Mexico to those living along the US West Coast, Sandoval-Cervantes clearly demonstrates the multiplicity of answers to the question, “Who is a migrant?" Iván Sandoval-Cervantes is an assistant professor of anthropology at the University of Nevada, Las Vegas. You can find him on Twitter @IvanAntropologo Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University, focusing on urban anthropology, futurity, care, and migration. Her work has been featured in Current Anthropology, City & Society, JOTSA, Radical Housing Journal, and entanglements. You can find her on Twitter @alizearican Migration is typically seen as a transnational phenomenon, but it happens within borders, too. Oaxaca in Motion: An Ethnography of Internal, Transnational, and Return Migration (U Texas Press, 2022), documents a revealing irony in the latter sort: internal migration often is global in character, motivated by foreign affairs and international economic integration, and it is no less transformative than its cross-border analog.

Iván Sandoval-Cervantes spent nearly two years observing and interviewing migrants from the rural Oaxacan town of Santa Ana Zegache. Many women from the area travel to Mexico City to work as domestics, and men are encouraged to join the Mexican military to fight the US-instigated “war on drugs" or else leave their fields to labor in industries serving global supply chains. Placing these moves in their historical and cultural context, Sandoval-Cervantes discovers that migrants' experiences dramatically alter their conceptions of gender, upsetting their traditional notions of masculinity and femininity. And some migrants bring their revised views with them when they return home, influencing their families and community of origin. Comparing Oaxacans moving within Mexico to those living along the US West Coast, Sandoval-Cervantes clearly demonstrates the multiplicity of answers to the question, “Who is a migrant?"

Iván Sandoval-Cervantes is an assistant professor of anthropology at the University of Nevada, Las Vegas. You can find him on Twitter @IvanAntropologo

Alize Arıcan is a Society of Fellows Postdoctoral Scholar at Boston University, focusing on urban anthropology, futurity, care, and migration. Her work has been featured in Current Anthropology, City & Society, JOTSA, Radical Housing Journal, and entanglements. You can find her on Twitter @alizearican

]]> 2656 no Scott Bukatman, "Black Panther" (U Texas Press, 2022) Black Panther was the first Black superhero in mainstream American comics. Black Panther was a cultural phenomenon that broke box office records. Yet it wasn’t just a movie led by and starring Black artists. It grappled with ideas and conflicts central to Black life in America and helped redress the racial dynamics of the Hollywood blockbuster. Scott Bukatman, one of the foremost scholars of superheroes and cinematic spectacle, brings his impeccable pedigree to this lively and accessible study, finding in the utopianism of Black Panther (University of Texas Press, 2022) a way of re-envisioning what a superhero movie can and should be while centering the Black creators, performers, and issues behind it. He considers the superheroic Black body; the Pan-African fantasy, feminism, and Afrofuturism of Wakanda; the African American relationship to Africa; the political influence of director Ryan Coogler’s earlier movies; and the entwined performances of Chadwick Boseman’s T’Challa and Michael B. Jordan’s Killmonger. Bukatman argues that Black Panther is escapism of the best kind, offering a fantasy of liberation and social justice while demonstrating the power of popular culture to articulate ideals and raise vital questions. Fri, 21 Oct 2022 08:00:00 -0000 full 137 New Books Network An interview with Scott Bukatman Black Panther was the first Black superhero in mainstream American comics. Black Panther was a cultural phenomenon that broke box office records. Yet it wasn’t just a movie led by and starring Black artists. It grappled with ideas and conflicts central to Black life in America and helped redress the racial dynamics of the Hollywood blockbuster. Scott Bukatman, one of the foremost scholars of superheroes and cinematic spectacle, brings his impeccable pedigree to this lively and accessible study, finding in the utopianism of Black Panther (University of Texas Press, 2022) a way of re-envisioning what a superhero movie can and should be while centering the Black creators, performers, and issues behind it. He considers the superheroic Black body; the Pan-African fantasy, feminism, and Afrofuturism of Wakanda; the African American relationship to Africa; the political influence of director Ryan Coogler’s earlier movies; and the entwined performances of Chadwick Boseman’s T’Challa and Michael B. Jordan’s Killmonger. Bukatman argues that Black Panther is escapism of the best kind, offering a fantasy of liberation and social justice while demonstrating the power of popular culture to articulate ideals and raise vital questions. Black Panther was the first Black superhero in mainstream American comics. Black Panther was a cultural phenomenon that broke box office records. Yet it wasn’t just a movie led by and starring Black artists. It grappled with ideas and conflicts central to Black life in America and helped redress the racial dynamics of the Hollywood blockbuster.

Scott Bukatman, one of the foremost scholars of superheroes and cinematic spectacle, brings his impeccable pedigree to this lively and accessible study, finding in the utopianism of Black Panther (University of Texas Press, 2022) a way of re-envisioning what a superhero movie can and should be while centering the Black creators, performers, and issues behind it. He considers the superheroic Black body; the Pan-African fantasy, feminism, and Afrofuturism of Wakanda; the African American relationship to Africa; the political influence of director Ryan Coogler’s earlier movies; and the entwined performances of Chadwick Boseman’s T’Challa and Michael B. Jordan’s Killmonger. Bukatman argues that Black Panther is escapism of the best kind, offering a fantasy of liberation and social justice while demonstrating the power of popular culture to articulate ideals and raise vital questions.

]]> 4284 no Ana Sabau, "Riot and Rebellion in Mexico: The Making of a Race War Paradigm" (U Texas Press, 2022) Many scholars assert that Mexico’s complex racial hierarchy, inherited from Spanish colonialism, became obsolete by the turn of the nineteenth century as class-based distinctions became more prominent and a largely mestizo population emerged. But the residues of the colonial caste system did not simply dissolve after Mexico gained independence. Rather, Ana Sabau argues, ever-present fears of racial uprising among elites and authorities led to persistent governmental techniques and ideologies designed to separate and control people based on their perceived racial status, as well as to the implementation of projects for development in fringe areas of the country.  Riot and Rebellion in Mexico: the Making of a Race War Paradigm (University of Texas Press, 2022) traces this race-based narrative through three historical flashpoints: the Bajío riots, the Haitian Revolution, and the Yucatan’s caste war. Sabau shows how rebellions were treated as racially motivated events rather than political acts and how the racialization of popular and indigenous sectors coincided with the construction of “whiteness” in Mexico. Drawing on diverse primary sources, Sabau demonstrates how the race war paradigm was mobilized in foreign and domestic affairs and reveals the foundations of a racial state and racially stratified society that persist today. Ethan Besser Fredrick is a graduate student in Modern Latin American history seeking his PhD at the University of Minnesota. His work focuses on the Transatlantic Catholic movements in Mexico and Spain during the early 20th century. Wed, 14 Sep 2022 08:00:00 -0000 full 173 New Books Network An interview with Ana Sabau Many scholars assert that Mexico’s complex racial hierarchy, inherited from Spanish colonialism, became obsolete by the turn of the nineteenth century as class-based distinctions became more prominent and a largely mestizo population emerged. But the residues of the colonial caste system did not simply dissolve after Mexico gained independence. Rather, Ana Sabau argues, ever-present fears of racial uprising among elites and authorities led to persistent governmental techniques and ideologies designed to separate and control people based on their perceived racial status, as well as to the implementation of projects for development in fringe areas of the country.  Riot and Rebellion in Mexico: the Making of a Race War Paradigm (University of Texas Press, 2022) traces this race-based narrative through three historical flashpoints: the Bajío riots, the Haitian Revolution, and the Yucatan’s caste war. Sabau shows how rebellions were treated as racially motivated events rather than political acts and how the racialization of popular and indigenous sectors coincided with the construction of “whiteness” in Mexico. Drawing on diverse primary sources, Sabau demonstrates how the race war paradigm was mobilized in foreign and domestic affairs and reveals the foundations of a racial state and racially stratified society that persist today. Ethan Besser Fredrick is a graduate student in Modern Latin American history seeking his PhD at the University of Minnesota. His work focuses on the Transatlantic Catholic movements in Mexico and Spain during the early 20th century. Many scholars assert that Mexico’s complex racial hierarchy, inherited from Spanish colonialism, became obsolete by the turn of the nineteenth century as class-based distinctions became more prominent and a largely mestizo population emerged. But the residues of the colonial caste system did not simply dissolve after Mexico gained independence. Rather, Ana Sabau argues, ever-present fears of racial uprising among elites and authorities led to persistent governmental techniques and ideologies designed to separate and control people based on their perceived racial status, as well as to the implementation of projects for development in fringe areas of the country. 

Riot and Rebellion in Mexico: the Making of a Race War Paradigm (University of Texas Press, 2022) traces this race-based narrative through three historical flashpoints: the Bajío riots, the Haitian Revolution, and the Yucatan’s caste war. Sabau shows how rebellions were treated as racially motivated events rather than political acts and how the racialization of popular and indigenous sectors coincided with the construction of “whiteness” in Mexico. Drawing on diverse primary sources, Sabau demonstrates how the race war paradigm was mobilized in foreign and domestic affairs and reveals the foundations of a racial state and racially stratified society that persist today.

Ethan Besser Fredrick is a graduate student in Modern Latin American history seeking his PhD at the University of Minnesota. His work focuses on the Transatlantic Catholic movements in Mexico and Spain during the early 20th century.

]]> 5601 no Tilde Rosmer, "The Islamic Movement in Israel" (U Texas Press, 2022) Since its establishment in the late 1970s, Israel’s Islamic Movement has grown from a small religious revivalist organization focused on strengthening the faith of Muslim Palestinian citizens of Israel to a countrywide sociopolitical movement with representation in the Israeli legislature. But how did it get here? How does it differ from other Islamic movements in the region? Particularly, what are the differences and connections – if any – with Hamas? And why does its membership continue to grow? Tilde Rosmer examines these issues in The Islamic Movement in Israel (U Texas Press, 2022) as she tells the story of the movement, its identity, and its activities. Using interviews with movement leaders and activists, their documents, and media reports from Israel and beyond, she traces the movement’s history from its early days to its 1996 split over the issue of its relationship to the state. She then tell us how the two factions have functioned since, revealing that while leaders of the two branches have pursued different approaches to the state, until the outlawing of the Northern Branch in 2015, both remained connected and dedicated to providing needed social, education, and health services in Israel’s Palestinian towns and villages. The first book in English on this group, The Islamic Movement in Israel is a timely study about how an Islamist movement operates within the unique circumstances of the Jewish state that may also help the listeners to make sense of the upcoming Israeli elections. Roberto Mazza is visiting professor at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Wed, 07 Sep 2022 08:00:00 -0000 full 192 New Books Network An interview with Tilde Rosmer Since its establishment in the late 1970s, Israel’s Islamic Movement has grown from a small religious revivalist organization focused on strengthening the faith of Muslim Palestinian citizens of Israel to a countrywide sociopolitical movement with representation in the Israeli legislature. But how did it get here? How does it differ from other Islamic movements in the region? Particularly, what are the differences and connections – if any – with Hamas? And why does its membership continue to grow? Tilde Rosmer examines these issues in The Islamic Movement in Israel (U Texas Press, 2022) as she tells the story of the movement, its identity, and its activities. Using interviews with movement leaders and activists, their documents, and media reports from Israel and beyond, she traces the movement’s history from its early days to its 1996 split over the issue of its relationship to the state. She then tell us how the two factions have functioned since, revealing that while leaders of the two branches have pursued different approaches to the state, until the outlawing of the Northern Branch in 2015, both remained connected and dedicated to providing needed social, education, and health services in Israel’s Palestinian towns and villages. The first book in English on this group, The Islamic Movement in Israel is a timely study about how an Islamist movement operates within the unique circumstances of the Jewish state that may also help the listeners to make sense of the upcoming Israeli elections. Roberto Mazza is visiting professor at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref Since its establishment in the late 1970s, Israel’s Islamic Movement has grown from a small religious revivalist organization focused on strengthening the faith of Muslim Palestinian citizens of Israel to a countrywide sociopolitical movement with representation in the Israeli legislature. But how did it get here? How does it differ from other Islamic movements in the region? Particularly, what are the differences and connections – if any – with Hamas? And why does its membership continue to grow?

Tilde Rosmer examines these issues in The Islamic Movement in Israel (U Texas Press, 2022) as she tells the story of the movement, its identity, and its activities. Using interviews with movement leaders and activists, their documents, and media reports from Israel and beyond, she traces the movement’s history from its early days to its 1996 split over the issue of its relationship to the state. She then tell us how the two factions have functioned since, revealing that while leaders of the two branches have pursued different approaches to the state, until the outlawing of the Northern Branch in 2015, both remained connected and dedicated to providing needed social, education, and health services in Israel’s Palestinian towns and villages. The first book in English on this group, The Islamic Movement in Israel is a timely study about how an Islamist movement operates within the unique circumstances of the Jewish state that may also help the listeners to make sense of the upcoming Israeli elections.

Roberto Mazza is visiting professor at Northwestern University. He is the host of the Jerusalem Unplugged Podcast and to discuss and propose a book for interview can be reached at robbymazza@gmail.com. Twitter and IG: @robbyref

]]> 4753 no Julie A. Turnock, "The Empire of Effects: Industrial Light and Magic and the Rendering of Realism" (U Texas Press, 2022) Just about every major film now comes to us with an assist from digital effects. The results are obvious in superhero fantasies, yet dramas like Roma also rely on computer-generated imagery to enhance the verisimilitude of scenes. But the realism of digital effects is not actually true to life. It is a realism invented by Hollywood—by one company specifically: Industrial Light & Magic. The Empire of Effects: Industrial Light & Magic and the Rendering of Realism (University of Texas Press, 2022) shows how the effects company known for the puppets and space battles of the original Star Wars went on to develop the dominant aesthetic of digital realism. Julie A. Turnock finds that ILM borrowed its technique from the New Hollywood of the 1970s, incorporating lens flares, wobbly camerawork, haphazard framing, and other cinematography that called attention to the person behind the camera. In the context of digital imagery, however, these aesthetic strategies had the opposite effect, heightening the sense of realism by calling on tropes suggesting the authenticity to which viewers were accustomed. ILM’s style, on display in the most successful films of the 1980s and beyond, was so convincing that other studios were forced to follow suit, and today, ILM is a victim of its own success, having fostered a cinematic monoculture in which it is but one player among many. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Fri, 26 Aug 2022 08:00:00 -0000 full 130 New Books Network An interview with Julie A. Turnock Just about every major film now comes to us with an assist from digital effects. The results are obvious in superhero fantasies, yet dramas like Roma also rely on computer-generated imagery to enhance the verisimilitude of scenes. But the realism of digital effects is not actually true to life. It is a realism invented by Hollywood—by one company specifically: Industrial Light & Magic. The Empire of Effects: Industrial Light & Magic and the Rendering of Realism (University of Texas Press, 2022) shows how the effects company known for the puppets and space battles of the original Star Wars went on to develop the dominant aesthetic of digital realism. Julie A. Turnock finds that ILM borrowed its technique from the New Hollywood of the 1970s, incorporating lens flares, wobbly camerawork, haphazard framing, and other cinematography that called attention to the person behind the camera. In the context of digital imagery, however, these aesthetic strategies had the opposite effect, heightening the sense of realism by calling on tropes suggesting the authenticity to which viewers were accustomed. ILM’s style, on display in the most successful films of the 1980s and beyond, was so convincing that other studios were forced to follow suit, and today, ILM is a victim of its own success, having fostered a cinematic monoculture in which it is but one player among many. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Just about every major film now comes to us with an assist from digital effects. The results are obvious in superhero fantasies, yet dramas like Roma also rely on computer-generated imagery to enhance the verisimilitude of scenes. But the realism of digital effects is not actually true to life. It is a realism invented by Hollywood—by one company specifically: Industrial Light & Magic.

The Empire of Effects: Industrial Light & Magic and the Rendering of Realism (University of Texas Press, 2022) shows how the effects company known for the puppets and space battles of the original Star Wars went on to develop the dominant aesthetic of digital realism. Julie A. Turnock finds that ILM borrowed its technique from the New Hollywood of the 1970s, incorporating lens flares, wobbly camerawork, haphazard framing, and other cinematography that called attention to the person behind the camera. In the context of digital imagery, however, these aesthetic strategies had the opposite effect, heightening the sense of realism by calling on tropes suggesting the authenticity to which viewers were accustomed. ILM’s style, on display in the most successful films of the 1980s and beyond, was so convincing that other studios were forced to follow suit, and today, ILM is a victim of its own success, having fostered a cinematic monoculture in which it is but one player among many.

Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.

]]> 4631 no Cynthia E. Orozco, "Pioneer of Mexican-American Civil Rights: Alonso S. Perales" (Arte Publico Press, 2020) In this episode, Tiffany speaks with Professor Cynthia Orozco about her new book, Pioneer of Mexican-American Civil Rights: Alonso S. Perales, published with Arte Público Press in 2020. Alonso S. Perales is a leading Latino lawyer of the twentieth century. Though he has remained overlooked in the historical record until now. In Orozco’s newest publication, she argues that Perales was a significant player in civil rights politics and made a profound impact by founding the League of United Latin American Citizens (LULAC) and organized many Latinos to engage in political and educational reform. From primary and rich secondary sources across Texas, Orozco masterfully crafted an intriguing life story of Perales. Chapters include Perales upbringing in south Texas, pursuing an education in Washington, D.C., organizing Latinos in San Antonio, the founding of LULAC, familial influence in his personal and political decisions, the rivalries and solidarities he formed over time, and the events leading up to his death. There are not enough political biographies on Latina/o peoples in the U.S. But Orozco’s work continues to pave a path for opening discussions about the need for biography writing. And more people should take notice. Tiffany González is an Assistant Professor of History at James Madison University. She is a historian of Chicana/Latinx history, American politics, and social movements.  Thu, 18 Aug 2022 08:00:00 -0000 full 97 New Books Network An interview with Cynthia E. Orozco In this episode, Tiffany speaks with Professor Cynthia Orozco about her new book, Pioneer of Mexican-American Civil Rights: Alonso S. Perales, published with Arte Público Press in 2020. Alonso S. Perales is a leading Latino lawyer of the twentieth century. Though he has remained overlooked in the historical record until now. In Orozco’s newest publication, she argues that Perales was a significant player in civil rights politics and made a profound impact by founding the League of United Latin American Citizens (LULAC) and organized many Latinos to engage in political and educational reform. From primary and rich secondary sources across Texas, Orozco masterfully crafted an intriguing life story of Perales. Chapters include Perales upbringing in south Texas, pursuing an education in Washington, D.C., organizing Latinos in San Antonio, the founding of LULAC, familial influence in his personal and political decisions, the rivalries and solidarities he formed over time, and the events leading up to his death. There are not enough political biographies on Latina/o peoples in the U.S. But Orozco’s work continues to pave a path for opening discussions about the need for biography writing. And more people should take notice. Tiffany González is an Assistant Professor of History at James Madison University. She is a historian of Chicana/Latinx history, American politics, and social movements.  In this episode, Tiffany speaks with Professor Cynthia Orozco about her new book, Pioneer of Mexican-American Civil Rights: Alonso S. Perales, published with Arte Público Press in 2020. Alonso S. Perales is a leading Latino lawyer of the twentieth century. Though he has remained overlooked in the historical record until now. In Orozco’s newest publication, she argues that Perales was a significant player in civil rights politics and made a profound impact by founding the League of United Latin American Citizens (LULAC) and organized many Latinos to engage in political and educational reform. From primary and rich secondary sources across Texas, Orozco masterfully crafted an intriguing life story of Perales. Chapters include Perales upbringing in south Texas, pursuing an education in Washington, D.C., organizing Latinos in San Antonio, the founding of LULAC, familial influence in his personal and political decisions, the rivalries and solidarities he formed over time, and the events leading up to his death. There are not enough political biographies on Latina/o peoples in the U.S. But Orozco’s work continues to pave a path for opening discussions about the need for biography writing. And more people should take notice.

Tiffany González is an Assistant Professor of History at James Madison University. She is a historian of Chicana/Latinx history, American politics, and social movements. 

]]> 2157 no Alison Macor, "Making The Best Years of Our Lives: The Hollywood Classic That Inspired a Nation" (U Texas Press, 2022) Released in 1946, The Best Years of Our Lives became an immediate success. Life magazine called it “the first big, good movie of the post-war era” to tackle the “veterans problem.” Today we call that problem PTSD, but in the initial aftermath of World War II, the modern language of war trauma did not exist. The film earned the producer Samuel Goldwyn his only Best Picture Academy Award. It offered the injured director, William Wyler, a triumphant postwar return to Hollywood. And for Harold Russell, a double amputee who costarred with Fredric March and Dana Andrews, the film provided a surprising second act. Award-winning author Alison Macor illuminates the film’s journey from script to screen and describes how this authentic motion picture moved audiences worldwide. General Omar Bradley believed The Best Years of Our Lives would help “the American people to build an even better democracy” following the war, and the movie inspired broad reflection on reintegrating the walking wounded. But the film’s nuanced critique of American ideals also made it a target, and the picture and its creators were swept up in the anti-Communist witch hunts of the late 1940s. In Making The Best Years of Our Lives: The Hollywood Classic That Inspired a Nation (U Texas Press, 2022), Macor chronicles the making and meaning of a film that changed America. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Fri, 08 Jul 2022 08:00:00 -0000 full 123 New Books Network An interview with Alison Macor Released in 1946, The Best Years of Our Lives became an immediate success. Life magazine called it “the first big, good movie of the post-war era” to tackle the “veterans problem.” Today we call that problem PTSD, but in the initial aftermath of World War II, the modern language of war trauma did not exist. The film earned the producer Samuel Goldwyn his only Best Picture Academy Award. It offered the injured director, William Wyler, a triumphant postwar return to Hollywood. And for Harold Russell, a double amputee who costarred with Fredric March and Dana Andrews, the film provided a surprising second act. Award-winning author Alison Macor illuminates the film’s journey from script to screen and describes how this authentic motion picture moved audiences worldwide. General Omar Bradley believed The Best Years of Our Lives would help “the American people to build an even better democracy” following the war, and the movie inspired broad reflection on reintegrating the walking wounded. But the film’s nuanced critique of American ideals also made it a target, and the picture and its creators were swept up in the anti-Communist witch hunts of the late 1940s. In Making The Best Years of Our Lives: The Hollywood Classic That Inspired a Nation (U Texas Press, 2022), Macor chronicles the making and meaning of a film that changed America. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Released in 1946, The Best Years of Our Lives became an immediate success. Life magazine called it “the first big, good movie of the post-war era” to tackle the “veterans problem.” Today we call that problem PTSD, but in the initial aftermath of World War II, the modern language of war trauma did not exist. The film earned the producer Samuel Goldwyn his only Best Picture Academy Award. It offered the injured director, William Wyler, a triumphant postwar return to Hollywood. And for Harold Russell, a double amputee who costarred with Fredric March and Dana Andrews, the film provided a surprising second act. Award-winning author Alison Macor illuminates the film’s journey from script to screen and describes how this authentic motion picture moved audiences worldwide. General Omar Bradley believed The Best Years of Our Lives would help “the American people to build an even better democracy” following the war, and the movie inspired broad reflection on reintegrating the walking wounded. But the film’s nuanced critique of American ideals also made it a target, and the picture and its creators were swept up in the anti-Communist witch hunts of the late 1940s. In Making The Best Years of Our Lives: The Hollywood Classic That Inspired a Nation (U Texas Press, 2022), Macor chronicles the making and meaning of a film that changed America.

Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.

]]> 4235 no Stephen Deusner, "Where the Devil Don't Stay: Traveling the South with the Drive-By Truckers" (U Texas Press, 2021) Stephen Deusner's Where the Devil Don't Stay: Traveling the South with the Drive-By Truckers (U Texas Press, 2021) is the book-length study Drive-By Truckers fans have been waiting for. A group biography in the form of a road trip saga, Deusner's book takes you to the Athens scene that has supported the band, the sweltering hot Birmingham studio where they recorded their breakthrough album Southern Rock Opera, and the Muscle Shoals in which a majority of the band was raised. Deusner's trip takes wide detours into Southern history and culture, as any proper treatment of the Truckers must. It is as much about what the band's music is about (family, tradition, violence, despair, transcendence) as it is about the music itself. This book is as complex, moving, thrilling, and funny as one of DBT's marathon sets. Pass the bourbon. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Wed, 08 Jun 2022 08:00:00 -0000 full 99 New Books Network An interview with Stephen Deusner Stephen Deusner's Where the Devil Don't Stay: Traveling the South with the Drive-By Truckers (U Texas Press, 2021) is the book-length study Drive-By Truckers fans have been waiting for. A group biography in the form of a road trip saga, Deusner's book takes you to the Athens scene that has supported the band, the sweltering hot Birmingham studio where they recorded their breakthrough album Southern Rock Opera, and the Muscle Shoals in which a majority of the band was raised. Deusner's trip takes wide detours into Southern history and culture, as any proper treatment of the Truckers must. It is as much about what the band's music is about (family, tradition, violence, despair, transcendence) as it is about the music itself. This book is as complex, moving, thrilling, and funny as one of DBT's marathon sets. Pass the bourbon. Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts. Stephen Deusner's Where the Devil Don't Stay: Traveling the South with the Drive-By Truckers (U Texas Press, 2021) is the book-length study Drive-By Truckers fans have been waiting for. A group biography in the form of a road trip saga, Deusner's book takes you to the Athens scene that has supported the band, the sweltering hot Birmingham studio where they recorded their breakthrough album Southern Rock Opera, and the Muscle Shoals in which a majority of the band was raised. Deusner's trip takes wide detours into Southern history and culture, as any proper treatment of the Truckers must. It is as much about what the band's music is about (family, tradition, violence, despair, transcendence) as it is about the music itself. This book is as complex, moving, thrilling, and funny as one of DBT's marathon sets. Pass the bourbon.

Andy Boyd is a playwright based in Brooklyn, New York. He is a graduate of the playwriting MFA at Columbia University, Harvard University, and the Arizona School for the Arts.

]]> 3345 no Rachel Hall Sternberg, "The Ancient Greek Roots of Human Rights" (U Texas Press, 2021) Although the era of the Enlightenment witnessed the rise of philosophical debates around benevolent social practice, the origins of European humane discourse date further back, to Classical Athens. The Ancient Greek Roots of Human Rights (U Texas Press, 2021) analyzes the parallel confluences of cultural factors facing ancient Greeks and eighteenth-century Europeans that facilitated the creation and transmission of humane values across history. Rachel Hall Sternberg argues that precursors to the concept of human rights exist in the ancient articulation of emotion, though the ancient Greeks, much like eighteenth-century European societies, often failed to live up to those values. Merging the history of ideas with cultural history, Sternberg examines literary themes upholding empathy and human dignity from Thucydides’s and Xenophon’s histories to Voltaire’s Candide, and from Greek tragic drama to the eighteenth-century novel. She describes shared impacts of the trauma of war, the appeal to reason, and the public acceptance of emotion that encouraged the birth and rebirth of humane values. Rachel Hall Sternberg is an associate professor of classics and history at Case Western Reserve University. She is the author of Tragedy Offstage: Suffering and Sympathy in Ancient Athens and editor of Pity and Power in Ancient Athens. Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at jtreinhardt1997@gmail.com and follow him on Twitter @JTRhardt Tue, 26 Apr 2022 08:00:00 -0000 full 6 New Books Network An interview with Rachel Hall Sternberg Although the era of the Enlightenment witnessed the rise of philosophical debates around benevolent social practice, the origins of European humane discourse date further back, to Classical Athens. The Ancient Greek Roots of Human Rights (U Texas Press, 2021) analyzes the parallel confluences of cultural factors facing ancient Greeks and eighteenth-century Europeans that facilitated the creation and transmission of humane values across history. Rachel Hall Sternberg argues that precursors to the concept of human rights exist in the ancient articulation of emotion, though the ancient Greeks, much like eighteenth-century European societies, often failed to live up to those values. Merging the history of ideas with cultural history, Sternberg examines literary themes upholding empathy and human dignity from Thucydides’s and Xenophon’s histories to Voltaire’s Candide, and from Greek tragic drama to the eighteenth-century novel. She describes shared impacts of the trauma of war, the appeal to reason, and the public acceptance of emotion that encouraged the birth and rebirth of humane values. Rachel Hall Sternberg is an associate professor of classics and history at Case Western Reserve University. She is the author of Tragedy Offstage: Suffering and Sympathy in Ancient Athens and editor of Pity and Power in Ancient Athens. Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at jtreinhardt1997@gmail.com and follow him on Twitter @JTRhardt Although the era of the Enlightenment witnessed the rise of philosophical debates around benevolent social practice, the origins of European humane discourse date further back, to Classical Athens. The Ancient Greek Roots of Human Rights (U Texas Press, 2021) analyzes the parallel confluences of cultural factors facing ancient Greeks and eighteenth-century Europeans that facilitated the creation and transmission of humane values across history. Rachel Hall Sternberg argues that precursors to the concept of human rights exist in the ancient articulation of emotion, though the ancient Greeks, much like eighteenth-century European societies, often failed to live up to those values.

Merging the history of ideas with cultural history, Sternberg examines literary themes upholding empathy and human dignity from Thucydides’s and Xenophon’s histories to Voltaire’s Candide, and from Greek tragic drama to the eighteenth-century novel. She describes shared impacts of the trauma of war, the appeal to reason, and the public acceptance of emotion that encouraged the birth and rebirth of humane values.

Rachel Hall Sternberg is an associate professor of classics and history at Case Western Reserve University. She is the author of Tragedy Offstage: Suffering and Sympathy in Ancient Athens and editor of Pity and Power in Ancient Athens.

Jackson Reinhardt is a graduate of University of Southern California and Vanderbilt University. He is currently an independent scholar, freelance writer, and research assistant. You can reach Jackson at jtreinhardt1997@gmail.com and follow him on Twitter @JTRhardt

]]> 2284 no Jennifer K. Seman, "Borderlands Curanderos: The Worlds of Santa Teresa Urrea and Don Pedrito Jaramillo" (U Texas Press, 2021) Recent global events have unmasked inequitable healthcare systems that disproportionately affect poor Latinx populations along the U.S-Mexico border. Professor Jennifer K. Seman’s recent publication offers a brief insight into these inequities by approaching borderlands modes of care from a historical perspective to reveal how two vital practitioners of curanderismo – “An earth-based healing practice that blends elements of Indigenous medicine with folk Catholicism” (1) – served their communities to heal physical and societal ills at the turn of the twentieth century. Borderlands Curanderos: The Worlds of Santa Teresa Urrea and Don Pedrito Jaramillo (University of Texas Press, 2021) follows the biographies of these two Mexican folk healers as they traverse borders during a moment of increased nation-building, as they are implicated in the world of the spiritualist movement, and stand firm in their faith as they are wedged against professional modern medicine. Seman grounds the history of curanderismo in the cross-cultural exchange between European, Native American, and African heritages and practices that depend largely on the belief that there is a connectedness between the mind, body, and spirit. By utilizing institutional and non-institutional archives, newspaper accounts, and built environments in which Santa Teresa and Don Pedrito traversed and are memorialized, Borderlands Curanderos offers a detailed look at their lives. One major thread linking the curanderos is how they negotiated the state and state power during the early 20th century in Mexico and the United States. “It was their extraordinary responses to the failure of institutions that made Santa Teresa and Don Pedro threats – and, in some cases, assets — to the states and institutional authority,” (4) writes Seman. In other words, their medicine did not come from the state, the church, or professional medicine, as argued in her book, but rather from a distinct cultural practice that revitalized the sick. These two healers took on the insurmountable task of tending to people and geographies who were experiencing the aftermath unleashed by settler colonialism and enslavement; or, as Seman would argue, the generational susto brought on by conquerors and settlers (9). Jonathan Cortez is currently the 2021-2023 César Chávez Postdoctoral Fellow in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. You can follow Jonathan on Twitter @joncortz Mon, 25 Apr 2022 08:00:00 -0000 full 93 New Books Network Recent global events have unmasked inequitable healthcare systems that disproportionately affect poor Latinx populations along the U.S-Mexico border. Professor Jennifer K. Seman’s recent publication offers a brief insight into these inequities by approaching borderlands modes of care from a historical perspective to reveal how two vital practitioners of curanderismo – “An earth-based healing practice that blends elements of Indigenous medicine with folk Catholicism” (1) – served their communities to heal physical and societal ills at the turn of the twentieth century. Borderlands Curanderos: The Worlds of Santa Teresa Urrea and Don Pedrito Jaramillo (University of Texas Press, 2021) follows the biographies of these two Mexican folk healers as they traverse borders during a moment of increased nation-building, as they are implicated in the world of the spiritualist movement, and stand firm in their faith as they are wedged against professional modern medicine. Seman grounds the history of curanderismo in the cross-cultural exchange between European, Native American, and African heritages and practices that depend largely on the belief that there is a connectedness between the mind, body, and spirit. By utilizing institutional and non-institutional archives, newspaper accounts, and built environments in which Santa Teresa and Don Pedrito traversed and are memorialized, Borderlands Curanderos offers a detailed look at their lives. One major thread linking the curanderos is how they negotiated the state and state power during the early 20th century in Mexico and the United States. “It was their extraordinary responses to the failure of institutions that made Santa Teresa and Don Pedro threats – and, in some cases, assets — to the states and institutional authority,” (4) writes Seman. In other words, their medicine did not come from the state, the church, or professional medicine, as argued in her book, but rather from a distinct cultural practice that revitalized the sick. These two healers took on the insurmountable task of tending to people and geographies who were experiencing the aftermath unleashed by settler colonialism and enslavement; or, as Seman would argue, the generational susto brought on by conquerors and settlers (9). Jonathan Cortez is currently the 2021-2023 César Chávez Postdoctoral Fellow in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. You can follow Jonathan on Twitter @joncortz Recent global events have unmasked inequitable healthcare systems that disproportionately affect poor Latinx populations along the U.S-Mexico border. Professor Jennifer K. Seman’s recent publication offers a brief insight into these inequities by approaching borderlands modes of care from a historical perspective to reveal how two vital practitioners of curanderismo – “An earth-based healing practice that blends elements of Indigenous medicine with folk Catholicism” (1) – served their communities to heal physical and societal ills at the turn of the twentieth century. Borderlands Curanderos: The Worlds of Santa Teresa Urrea and Don Pedrito Jaramillo (University of Texas Press, 2021) follows the biographies of these two Mexican folk healers as they traverse borders during a moment of increased nation-building, as they are implicated in the world of the spiritualist movement, and stand firm in their faith as they are wedged against professional modern medicine.

Seman grounds the history of curanderismo in the cross-cultural exchange between European, Native American, and African heritages and practices that depend largely on the belief that there is a connectedness between the mind, body, and spirit. By utilizing institutional and non-institutional archives, newspaper accounts, and built environments in which Santa Teresa and Don Pedrito traversed and are memorialized, Borderlands Curanderos offers a detailed look at their lives. One major thread linking the curanderos is how they negotiated the state and state power during the early 20th century in Mexico and the United States. “It was their extraordinary responses to the failure of institutions that made Santa Teresa and Don Pedro threats – and, in some cases, assets — to the states and institutional authority,” (4) writes Seman. In other words, their medicine did not come from the state, the church, or professional medicine, as argued in her book, but rather from a distinct cultural practice that revitalized the sick. These two healers took on the insurmountable task of tending to people and geographies who were experiencing the aftermath unleashed by settler colonialism and enslavement; or, as Seman would argue, the generational susto brought on by conquerors and settlers (9).

Jonathan Cortez is currently the 2021-2023 César Chávez Postdoctoral Fellow in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. You can follow Jonathan on Twitter @joncortz

]]> 5699 no Anadelia Romo, "Selling Black Brazil: Race, Nation, and Visual Culture in Salvador, Bahia" (U Texas Press, 2022) In Selling Black Brazil: Race, Nation, and Visual Culture in Salvador, Bahia (University of Texas Press, 2022), Anadelia Romo argues that visual images were central to the shift from emulating Europe to valuing Brazil’s own local culture, which took place from the late 19th to the early 20th century. The book focuses on Salvador, Bahia, a city in the northeast of Brazil known for its rich Black culture, history of slavery, and tourism industry. Using print culture associated with tourism, Romo shows how representations of Afro-Brazilians engaged ideas of race and nation at the time. The book is filled with photographs and illustrations from Pierre Verger, Carybe, and other visual culture producers, which evidences how the city was rendered. These images featured Afro-Brazilians as central urban figures as well as the festive and religious culture of the city. Yet, in giving less attention to racism, these images masked deeply entrenched racial inequality. Anadelia A. Romo is an Associate Professor of History at Texas State University. She is the author of Brazil’s Living Museum: Race, Reform, and Tradition in Bahia. Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California. Wed, 13 Apr 2022 08:00:00 -0000 full 153 New Books Network An interview with Anadelia Romo In Selling Black Brazil: Race, Nation, and Visual Culture in Salvador, Bahia (University of Texas Press, 2022), Anadelia Romo argues that visual images were central to the shift from emulating Europe to valuing Brazil’s own local culture, which took place from the late 19th to the early 20th century. The book focuses on Salvador, Bahia, a city in the northeast of Brazil known for its rich Black culture, history of slavery, and tourism industry. Using print culture associated with tourism, Romo shows how representations of Afro-Brazilians engaged ideas of race and nation at the time. The book is filled with photographs and illustrations from Pierre Verger, Carybe, and other visual culture producers, which evidences how the city was rendered. These images featured Afro-Brazilians as central urban figures as well as the festive and religious culture of the city. Yet, in giving less attention to racism, these images masked deeply entrenched racial inequality. Anadelia A. Romo is an Associate Professor of History at Texas State University. She is the author of Brazil’s Living Museum: Race, Reform, and Tradition in Bahia. Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California. In Selling Black Brazil: Race, Nation, and Visual Culture in Salvador, Bahia (University of Texas Press, 2022), Anadelia Romo argues that visual images were central to the shift from emulating Europe to valuing Brazil’s own local culture, which took place from the late 19th to the early 20th century. The book focuses on Salvador, Bahia, a city in the northeast of Brazil known for its rich Black culture, history of slavery, and tourism industry. Using print culture associated with tourism, Romo shows how representations of Afro-Brazilians engaged ideas of race and nation at the time. The book is filled with photographs and illustrations from Pierre Verger, Carybe, and other visual culture producers, which evidences how the city was rendered. These images featured Afro-Brazilians as central urban figures as well as the festive and religious culture of the city. Yet, in giving less attention to racism, these images masked deeply entrenched racial inequality.

Anadelia A. Romo is an Associate Professor of History at Texas State University. She is the author of Brazil’s Living Museum: Race, Reform, and Tradition in Bahia.

Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.

]]> 3847 no Bjørn Sletto et al., "Radical Cartographies: Participatory Mapmaking from Latin America" (UT Press, 2020) Cartography has a troubled history as a technology of power. The production and distribution of maps, often understood to be ideological representations that support the interests of their developers, have served as tools of colonization, imperialism, and global development, advancing Western notions of space and place at the expense of indigenous peoples and other marginalized communities. But over the past two decades, these marginalized populations have increasingly turned to participatory mapping practices to develop new, innovative maps that reassert local concepts of place and space, thus harnessing the power of cartography in their struggles for justice.  In twelve essays written by community leaders, activists, and scholars, Radical Cartographies: Participatory Mapmaking from Latin America (U Texas Press, 2020) critically explores the ways in which participatory mapping is being used by indigenous, Afro-descendant, and other traditional groups in Latin America to preserve their territories and cultural identities. Through this pioneering volume, Bjørn Sletto, Joe Bryan, Alfredo Wagner, and Charles Hale fundamentally rethink the role of maps, with significant lessons for marginalized communities across the globe, and launch a unique dialogue about the radical edge of a new social cartography. Wed, 09 Mar 2022 09:00:00 -0000 full 51 New Books Network An interview with Bjørn Sletto and Joe Bryan Cartography has a troubled history as a technology of power. The production and distribution of maps, often understood to be ideological representations that support the interests of their developers, have served as tools of colonization, imperialism, and global development, advancing Western notions of space and place at the expense of indigenous peoples and other marginalized communities. But over the past two decades, these marginalized populations have increasingly turned to participatory mapping practices to develop new, innovative maps that reassert local concepts of place and space, thus harnessing the power of cartography in their struggles for justice.  In twelve essays written by community leaders, activists, and scholars, Radical Cartographies: Participatory Mapmaking from Latin America (U Texas Press, 2020) critically explores the ways in which participatory mapping is being used by indigenous, Afro-descendant, and other traditional groups in Latin America to preserve their territories and cultural identities. Through this pioneering volume, Bjørn Sletto, Joe Bryan, Alfredo Wagner, and Charles Hale fundamentally rethink the role of maps, with significant lessons for marginalized communities across the globe, and launch a unique dialogue about the radical edge of a new social cartography. Cartography has a troubled history as a technology of power. The production and distribution of maps, often understood to be ideological representations that support the interests of their developers, have served as tools of colonization, imperialism, and global development, advancing Western notions of space and place at the expense of indigenous peoples and other marginalized communities. But over the past two decades, these marginalized populations have increasingly turned to participatory mapping practices to develop new, innovative maps that reassert local concepts of place and space, thus harnessing the power of cartography in their struggles for justice. 

In twelve essays written by community leaders, activists, and scholars, Radical Cartographies: Participatory Mapmaking from Latin America (U Texas Press, 2020) critically explores the ways in which participatory mapping is being used by indigenous, Afro-descendant, and other traditional groups in Latin America to preserve their territories and cultural identities. Through this pioneering volume, Bjørn Sletto, Joe Bryan, Alfredo Wagner, and Charles Hale fundamentally rethink the role of maps, with significant lessons for marginalized communities across the globe, and launch a unique dialogue about the radical edge of a new social cartography.

]]> 2908 no Michella M. Marino, "Roller Derby: The History of an American Sport" (U Texas Press, 2021) Today we are joined by Dr. Michella Marino, the Deputy Director of the Indiana Historical Bureau, a division of the Indiana State Library, and the author of Roller Derby: The History of an American Sport (University of Texas Press, 2021). In our conversation, we discussed the origins of Roller Derby, its radically progressive politics in mid-century America, and its reinvention in the 21st century. In Roller Derby, Marino charts the rise, fall, and rise again of one of America’s most unique sports. It began as an endurance competition akin to pedestrianism and weeklong cycling races and in many ways it never left those beginnings. Roller Derby always mixed sport and spectacle, eventually becoming on of the most popular entertainments in the country. Unlike any other sports at the time, Roller Derby included men and women skaters on the same team and even in some circumstances on the track at the same time. Both men and women contributed equally to the score, but changes to the game in the 1930s that made physical contact, including fighting, more common produced unease among some spectators. Roller Derby’s mixed gender composition and its violence both helped ensure its popularity with male and female fans, but also raised significant challenges to mid-century norms. To make the sport palatable to a more conservative middle America, Leo Seltzer, Roller Derby’s founder, promoted normative gender images of the skaters. Roller Derby crowned an annual king and a queen: a popularity contest that usually rewarded the most likable man and the most beautiful woman skater. Marino shows how these performative showcases both mollified critics of the game even as they limited the participation of some of the skaters – non-white and non-traditionally feminine skaters could not perform mid-century beauty in the same way. These contests also undermined the image of Roller Derby as a sport among many journalists who refused to cover it. Even so, Marino shows that most fans could see the athleticism of the skaters on the track and Roller Derby quickly became popular among in-person fans from across the social spectrum and later on television. Roller Derby was tough work. To keep his skaters happy, Seltzer instituted radically progressive, encouraging families to compete as families, equal pay for its skaters, maternity leave, and day care. When the league folded, it paid out the remaining skaters from a pension fund. The final chapter details the rejuvenation of Roller Derby as an explicitly female-led and feminist sport that continues to face challenges around the sexualization of competitors, the integration of male competitors and spectators, and the challenges and opportunities provided by becoming an Olympic sport. Fun and full of life, Marino’s Roller Derby will appeal to scholars interested in American sport, gender, and spectacle, but also to the broad audience of skaters and sports fans. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Thu, 17 Feb 2022 09:00:00 -0000 full 212 New Books Network An interview with Michella M. Marino Today we are joined by Dr. Michella Marino, the Deputy Director of the Indiana Historical Bureau, a division of the Indiana State Library, and the author of Roller Derby: The History of an American Sport (University of Texas Press, 2021). In our conversation, we discussed the origins of Roller Derby, its radically progressive politics in mid-century America, and its reinvention in the 21st century. In Roller Derby, Marino charts the rise, fall, and rise again of one of America’s most unique sports. It began as an endurance competition akin to pedestrianism and weeklong cycling races and in many ways it never left those beginnings. Roller Derby always mixed sport and spectacle, eventually becoming on of the most popular entertainments in the country. Unlike any other sports at the time, Roller Derby included men and women skaters on the same team and even in some circumstances on the track at the same time. Both men and women contributed equally to the score, but changes to the game in the 1930s that made physical contact, including fighting, more common produced unease among some spectators. Roller Derby’s mixed gender composition and its violence both helped ensure its popularity with male and female fans, but also raised significant challenges to mid-century norms. To make the sport palatable to a more conservative middle America, Leo Seltzer, Roller Derby’s founder, promoted normative gender images of the skaters. Roller Derby crowned an annual king and a queen: a popularity contest that usually rewarded the most likable man and the most beautiful woman skater. Marino shows how these performative showcases both mollified critics of the game even as they limited the participation of some of the skaters – non-white and non-traditionally feminine skaters could not perform mid-century beauty in the same way. These contests also undermined the image of Roller Derby as a sport among many journalists who refused to cover it. Even so, Marino shows that most fans could see the athleticism of the skaters on the track and Roller Derby quickly became popular among in-person fans from across the social spectrum and later on television. Roller Derby was tough work. To keep his skaters happy, Seltzer instituted radically progressive, encouraging families to compete as families, equal pay for its skaters, maternity leave, and day care. When the league folded, it paid out the remaining skaters from a pension fund. The final chapter details the rejuvenation of Roller Derby as an explicitly female-led and feminist sport that continues to face challenges around the sexualization of competitors, the integration of male competitors and spectators, and the challenges and opportunities provided by becoming an Olympic sport. Fun and full of life, Marino’s Roller Derby will appeal to scholars interested in American sport, gender, and spectacle, but also to the broad audience of skaters and sports fans. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Today we are joined by Dr. Michella Marino, the Deputy Director of the Indiana Historical Bureau, a division of the Indiana State Library, and the author of Roller Derby: The History of an American Sport (University of Texas Press, 2021). In our conversation, we discussed the origins of Roller Derby, its radically progressive politics in mid-century America, and its reinvention in the 21st century.

In Roller Derby, Marino charts the rise, fall, and rise again of one of America’s most unique sports. It began as an endurance competition akin to pedestrianism and weeklong cycling races and in many ways it never left those beginnings. Roller Derby always mixed sport and spectacle, eventually becoming on of the most popular entertainments in the country. Unlike any other sports at the time, Roller Derby included men and women skaters on the same team and even in some circumstances on the track at the same time. Both men and women contributed equally to the score, but changes to the game in the 1930s that made physical contact, including fighting, more common produced unease among some spectators. Roller Derby’s mixed gender composition and its violence both helped ensure its popularity with male and female fans, but also raised significant challenges to mid-century norms.

To make the sport palatable to a more conservative middle America, Leo Seltzer, Roller Derby’s founder, promoted normative gender images of the skaters. Roller Derby crowned an annual king and a queen: a popularity contest that usually rewarded the most likable man and the most beautiful woman skater. Marino shows how these performative showcases both mollified critics of the game even as they limited the participation of some of the skaters – non-white and non-traditionally feminine skaters could not perform mid-century beauty in the same way. These contests also undermined the image of Roller Derby as a sport among many journalists who refused to cover it.

Even so, Marino shows that most fans could see the athleticism of the skaters on the track and Roller Derby quickly became popular among in-person fans from across the social spectrum and later on television. Roller Derby was tough work. To keep his skaters happy, Seltzer instituted radically progressive, encouraging families to compete as families, equal pay for its skaters, maternity leave, and day care. When the league folded, it paid out the remaining skaters from a pension fund.

The final chapter details the rejuvenation of Roller Derby as an explicitly female-led and feminist sport that continues to face challenges around the sexualization of competitors, the integration of male competitors and spectators, and the challenges and opportunities provided by becoming an Olympic sport. Fun and full of life, Marino’s Roller Derby will appeal to scholars interested in American sport, gender, and spectacle, but also to the broad audience of skaters and sports fans.

Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter.

]]> 3879 no Max Krochmal and Todd Moye, "Civil Rights in Black and Brown: Histories of Resistance and Struggle in Texas" (U Texas Press, 2021) Max Krochmal and Todd Moye’s Civil Rights in Black and Brown: Histories of Resistance and Struggle in Texas (University of Texas Press, 2021) is a critical contribution that uncovers histories of activism in the lone state. From El Paso, Dallas, and to the Rio Grande Valley, social justice initiatives were critical for fighting Jim Crow and Juan Crow. The contributors make the case that various towns and cities across the state developed coalitions across Black and Brown racial lines. In this episode, Tiffany speaks with Drs. Max Krochmal, Katherine Bynum, and Todd Moye about the process for collecting histories of the long liberation struggles in Texas. Moye, Krochmal, and other Dallas-Fort Worth Metroplex joined forces to create a coalition of professionals to spearhead the creation of Civil Rights in Black and Brown, a digital oral history project that holds over a hundred oral interviews. As a graduate student at Texas Christian University, Bynum worked alongside Krochmal to document and preserve the oral records of activists and traveled with other peers to learn more about the hidden history of Jim Crow discrimination in the state. Tiffany González is an Assistant Professor of History at James Madison University. She is a historian of Chicana/Latinx history, American politics and social movements. Mon, 14 Feb 2022 09:00:00 -0000 full 90 New Books Network An interview with Max Krochmal, Todd Moye, and Katherine Bynum Max Krochmal and Todd Moye’s Civil Rights in Black and Brown: Histories of Resistance and Struggle in Texas (University of Texas Press, 2021) is a critical contribution that uncovers histories of activism in the lone state. From El Paso, Dallas, and to the Rio Grande Valley, social justice initiatives were critical for fighting Jim Crow and Juan Crow. The contributors make the case that various towns and cities across the state developed coalitions across Black and Brown racial lines. In this episode, Tiffany speaks with Drs. Max Krochmal, Katherine Bynum, and Todd Moye about the process for collecting histories of the long liberation struggles in Texas. Moye, Krochmal, and other Dallas-Fort Worth Metroplex joined forces to create a coalition of professionals to spearhead the creation of Civil Rights in Black and Brown, a digital oral history project that holds over a hundred oral interviews. As a graduate student at Texas Christian University, Bynum worked alongside Krochmal to document and preserve the oral records of activists and traveled with other peers to learn more about the hidden history of Jim Crow discrimination in the state. Tiffany González is an Assistant Professor of History at James Madison University. She is a historian of Chicana/Latinx history, American politics and social movements. Max Krochmal and Todd Moye’s Civil Rights in Black and Brown: Histories of Resistance and Struggle in Texas (University of Texas Press, 2021) is a critical contribution that uncovers histories of activism in the lone state. From El Paso, Dallas, and to the Rio Grande Valley, social justice initiatives were critical for fighting Jim Crow and Juan Crow. The contributors make the case that various towns and cities across the state developed coalitions across Black and Brown racial lines.

In this episode, Tiffany speaks with Drs. Max Krochmal, Katherine Bynum, and Todd Moye about the process for collecting histories of the long liberation struggles in Texas. Moye, Krochmal, and other Dallas-Fort Worth Metroplex joined forces to create a coalition of professionals to spearhead the creation of Civil Rights in Black and Brown, a digital oral history project that holds over a hundred oral interviews. As a graduate student at Texas Christian University, Bynum worked alongside Krochmal to document and preserve the oral records of activists and traveled with other peers to learn more about the hidden history of Jim Crow discrimination in the state.

Tiffany González is an Assistant Professor of History at James Madison University. She is a historian of Chicana/Latinx history, American politics and social movements.

]]> 3066 no Frank Andre Guridy, "The Sports Revolution: How Texas Changed the Culture of American Athletics" (U Texas Press, 2021) When I was a teenager, I spent entirely too much time at the Pontiac Silverdome watching the Detroit Pistons play basketball. In all the games I watched, it never occurred to me to wonder why a professional basketball team was playing in a cavernous, multi-purpose stadium entirely unsuited to basketball. Frank Andre Guridy begins his wonderful book The Sports Revolution: How Texas Changed the Culture of American Athletics (U Texas Press, 2021) by examining the Houston Astrodome as both a result of and a contributor to dramatic changes in sports and society in the United States. Guridy is recognizes that the games we watch and the athletes who play them are valuable in and of themselves and the book is full of lyrical descriptions of games and athletes. But he is mostly interested in the ways sports reflected and formed American society. He argues that the economic and social forces reshaping America in the 1960s and 70s provided the context for a change in the ways sports were played, produced and consumed and that Texas served as an incubator for these changes. His book is always insightful and interesting. But his examination of the intersection of race and economics in the emergence of the NBA's San Antonio Spurs is particularly strong, as is a chapter examining the emergence of the Dallas Cowboy Cheerleaders as a national phenomenon. In a world where sports is again undergoing a transformation, The Sports Revolution offers a valuable lens through which to view both the dramatic changes of the 1970s and those so prominent in today's society. Kelly McFall is Professor of History and Director of the Honors Program at Newman University. Thu, 03 Feb 2022 09:00:00 -0000 full 208 New Books Network An interview with Frank Andre Guridy When I was a teenager, I spent entirely too much time at the Pontiac Silverdome watching the Detroit Pistons play basketball. In all the games I watched, it never occurred to me to wonder why a professional basketball team was playing in a cavernous, multi-purpose stadium entirely unsuited to basketball. Frank Andre Guridy begins his wonderful book The Sports Revolution: How Texas Changed the Culture of American Athletics (U Texas Press, 2021) by examining the Houston Astrodome as both a result of and a contributor to dramatic changes in sports and society in the United States. Guridy is recognizes that the games we watch and the athletes who play them are valuable in and of themselves and the book is full of lyrical descriptions of games and athletes. But he is mostly interested in the ways sports reflected and formed American society. He argues that the economic and social forces reshaping America in the 1960s and 70s provided the context for a change in the ways sports were played, produced and consumed and that Texas served as an incubator for these changes. His book is always insightful and interesting. But his examination of the intersection of race and economics in the emergence of the NBA's San Antonio Spurs is particularly strong, as is a chapter examining the emergence of the Dallas Cowboy Cheerleaders as a national phenomenon. In a world where sports is again undergoing a transformation, The Sports Revolution offers a valuable lens through which to view both the dramatic changes of the 1970s and those so prominent in today's society. Kelly McFall is Professor of History and Director of the Honors Program at Newman University. When I was a teenager, I spent entirely too much time at the Pontiac Silverdome watching the Detroit Pistons play basketball. In all the games I watched, it never occurred to me to wonder why a professional basketball team was playing in a cavernous, multi-purpose stadium entirely unsuited to basketball.

Frank Andre Guridy begins his wonderful book The Sports Revolution: How Texas Changed the Culture of American Athletics (U Texas Press, 2021) by examining the Houston Astrodome as both a result of and a contributor to dramatic changes in sports and society in the United States. Guridy is recognizes that the games we watch and the athletes who play them are valuable in and of themselves and the book is full of lyrical descriptions of games and athletes. But he is mostly interested in the ways sports reflected and formed American society. He argues that the economic and social forces reshaping America in the 1960s and 70s provided the context for a change in the ways sports were played, produced and consumed and that Texas served as an incubator for these changes. His book is always insightful and interesting. But his examination of the intersection of race and economics in the emergence of the NBA's San Antonio Spurs is particularly strong, as is a chapter examining the emergence of the Dallas Cowboy Cheerleaders as a national phenomenon. In a world where sports is again undergoing a transformation, The Sports Revolution offers a valuable lens through which to view both the dramatic changes of the 1970s and those so prominent in today's society.

Kelly McFall is Professor of History and Director of the Honors Program at Newman University.

]]> 4552 no Kyle J. Anderson, "The Egyptian Labor Corps: Race, Space, and Place in the First World War" (U Texas Press, 2021) During World War I, the British Empire enlisted half a million young men, predominantly from the countryside of Egypt, in the Egyptian Labor Corps (ELC) and put them to work handling military logistics in Europe and the Middle East. British authorities reneged on their promise not to draw Egyptians into the war, and, as Kyle Anderson shows, the ELC was seen by many in Egypt as a form of slavery. The Egyptian Labor Corps: Race, Space, and Place in the First World War (U Texas Press, 2021) tells the forgotten story of these young men, culminating in the essential part they came to play in the 1919 Egyptian Revolution.  Combining sources from archives in four countries, Anderson explores Britain’s role in Egypt during this period and how the ELC came to be, as well as the experiences and hardships these men endured. As he examines the ways they coped—through music, theater, drugs, religion, strikes, and mutiny—he illustrates how Egyptian nationalists, seeing their countrymen in a state akin to slavery, began to grasp that they had been racialized as “people of color.” Documenting the history of the ELC and its work during the First World War, The Egyptian Labor Corps also provides a fascinating reinterpretation of the 1919 revolution through the lens of critical race theory. Christopher S. Rose is a social historian of medicine focusing on Egypt and the Eastern Mediterranean in the 19th and 20th century. He currently teaches History at St. Edward's University in Austin, Texas and Our Lady of the Lake University in San Antonio, Texas. Wed, 12 Jan 2022 09:00:00 -0000 full 159 New Books Network An interview with Kyle J. Anderson During World War I, the British Empire enlisted half a million young men, predominantly from the countryside of Egypt, in the Egyptian Labor Corps (ELC) and put them to work handling military logistics in Europe and the Middle East. British authorities reneged on their promise not to draw Egyptians into the war, and, as Kyle Anderson shows, the ELC was seen by many in Egypt as a form of slavery. The Egyptian Labor Corps: Race, Space, and Place in the First World War (U Texas Press, 2021) tells the forgotten story of these young men, culminating in the essential part they came to play in the 1919 Egyptian Revolution.  Combining sources from archives in four countries, Anderson explores Britain’s role in Egypt during this period and how the ELC came to be, as well as the experiences and hardships these men endured. As he examines the ways they coped—through music, theater, drugs, religion, strikes, and mutiny—he illustrates how Egyptian nationalists, seeing their countrymen in a state akin to slavery, began to grasp that they had been racialized as “people of color.” Documenting the history of the ELC and its work during the First World War, The Egyptian Labor Corps also provides a fascinating reinterpretation of the 1919 revolution through the lens of critical race theory. Christopher S. Rose is a social historian of medicine focusing on Egypt and the Eastern Mediterranean in the 19th and 20th century. He currently teaches History at St. Edward's University in Austin, Texas and Our Lady of the Lake University in San Antonio, Texas. During World War I, the British Empire enlisted half a million young men, predominantly from the countryside of Egypt, in the Egyptian Labor Corps (ELC) and put them to work handling military logistics in Europe and the Middle East. British authorities reneged on their promise not to draw Egyptians into the war, and, as Kyle Anderson shows, the ELC was seen by many in Egypt as a form of slavery. The Egyptian Labor Corps: Race, Space, and Place in the First World War (U Texas Press, 2021) tells the forgotten story of these young men, culminating in the essential part they came to play in the 1919 Egyptian Revolution. 

Combining sources from archives in four countries, Anderson explores Britain’s role in Egypt during this period and how the ELC came to be, as well as the experiences and hardships these men endured. As he examines the ways they coped—through music, theater, drugs, religion, strikes, and mutiny—he illustrates how Egyptian nationalists, seeing their countrymen in a state akin to slavery, began to grasp that they had been racialized as “people of color.” Documenting the history of the ELC and its work during the First World War, The Egyptian Labor Corps also provides a fascinating reinterpretation of the 1919 revolution through the lens of critical race theory.

Christopher S. Rose is a social historian of medicine focusing on Egypt and the Eastern Mediterranean in the 19th and 20th century. He currently teaches History at St. Edward's University in Austin, Texas and Our Lady of the Lake University in San Antonio, Texas.

]]> 4584 no Sonia Hernández and John Morán González, "Reverberations of Racial Violence: Critical Reflections on the History of the Border" (U Texas Press, 2021) In the wake of protests and marches for racial and gender justice in the twenty-first century, scholars have located and argued that racial violence has been embedded in the very fabric of the United States since its inception. In Drs. Sonia Hernández and John Morán González recent anthology, Reverberations of Racial Violence: Critical Reflections on the History of the Border (U Texas Press, 2021), the editors and contributors cement the issue that state-sanctioned violence affected the Mexican community in the Texas-Mexico borderlands. The volume brings together eminent researchers of Mexican American and borderlands studies to showcase the varying ways the Tejana/o community navigated and challenged state-encouraged violence in the early twentieth century. The book consists of fourteen essays to illustrate the formation of the Refusing to Forget collective, the influence that the Texas Rangers held in Texas, lynching and extralegal violence in Mexico and the United States, educational justice, the Idar family, J.T. Canales and his 1919 investigation into the Texas Ranger Force, intergenerational trauma, public memory and public history exhibits, family history in South Texas, and the legacies of violence. The volume is a critical addition to Latina/o/x and borderlands studies, given its thoughtful and exceptionally argued premise that the reverberations of racial violence extend well into the Southwest region of the United States. Tiffany González is an Assistant Professor of History at James Madison University. She is a historian of Chicana/Latinx history, American politics, and social movements. Tue, 04 Jan 2022 09:00:00 -0000 full 88 New Books Network An interview with Sonia Hernández and John Morán González In the wake of protests and marches for racial and gender justice in the twenty-first century, scholars have located and argued that racial violence has been embedded in the very fabric of the United States since its inception. In Drs. Sonia Hernández and John Morán González recent anthology, Reverberations of Racial Violence: Critical Reflections on the History of the Border (U Texas Press, 2021), the editors and contributors cement the issue that state-sanctioned violence affected the Mexican community in the Texas-Mexico borderlands. The volume brings together eminent researchers of Mexican American and borderlands studies to showcase the varying ways the Tejana/o community navigated and challenged state-encouraged violence in the early twentieth century. The book consists of fourteen essays to illustrate the formation of the Refusing to Forget collective, the influence that the Texas Rangers held in Texas, lynching and extralegal violence in Mexico and the United States, educational justice, the Idar family, J.T. Canales and his 1919 investigation into the Texas Ranger Force, intergenerational trauma, public memory and public history exhibits, family history in South Texas, and the legacies of violence. The volume is a critical addition to Latina/o/x and borderlands studies, given its thoughtful and exceptionally argued premise that the reverberations of racial violence extend well into the Southwest region of the United States. Tiffany González is an Assistant Professor of History at James Madison University. She is a historian of Chicana/Latinx history, American politics, and social movements. In the wake of protests and marches for racial and gender justice in the twenty-first century, scholars have located and argued that racial violence has been embedded in the very fabric of the United States since its inception. In Drs. Sonia Hernández and John Morán González recent anthology, Reverberations of Racial Violence: Critical Reflections on the History of the Border (U Texas Press, 2021), the editors and contributors cement the issue that state-sanctioned violence affected the Mexican community in the Texas-Mexico borderlands. The volume brings together eminent researchers of Mexican American and borderlands studies to showcase the varying ways the Tejana/o community navigated and challenged state-encouraged violence in the early twentieth century.

The book consists of fourteen essays to illustrate the formation of the Refusing to Forget collective, the influence that the Texas Rangers held in Texas, lynching and extralegal violence in Mexico and the United States, educational justice, the Idar family, J.T. Canales and his 1919 investigation into the Texas Ranger Force, intergenerational trauma, public memory and public history exhibits, family history in South Texas, and the legacies of violence.

The volume is a critical addition to Latina/o/x and borderlands studies, given its thoughtful and exceptionally argued premise that the reverberations of racial violence extend well into the Southwest region of the United States.

Tiffany González is an Assistant Professor of History at James Madison University. She is a historian of Chicana/Latinx history, American politics, and social movements.

]]> 2439 no Anna Cant, "Land Without Masters: Agrarian Reform and Political Change Under Peru's Military Government" (U Texas Press, 2021) In this episode of the New Books in Latin America Podcast, Kenneth Sánchez spoke with Dr Anna Cant about her very interesting book Land without Masters: Agrarian Reform and Political Change under Peru’s Military Government published in 2021 by the University of Texas Press.   The book is a fresh perspective on the way the Peruvian government's major 1969 agrarian reform transformed the social, cultural, and political landscape of the country. Dr Anna Cant is a Latin American historian with expertise in twentieth-century politics, cultural history and rural development. She gained her PhD in History at the University of Cambridge (2015) with a thesis on land reform in Peru. Dr Cant has taught in the UK and Colombia and received scholarships from the Arts and Humanities Research Council and the Leverhulme Trust. She is currently an assistant professor of Latin American history at the London School of Economics and Political Science. Kenneth Sanchez is a Peruvian journalist that works as a freelance journalist and as a multi-platform content curator for the Peruvian media outlet Comité de Lectura. He is a host in the New Books in Latin American Studies podcast and the movies & entertainment podcast Segundo Plano. He holds a master’s degree in Latin American Politics from University College London (UCL), is a Centre for Investigative Journalism masterclass alumni and is part of the 6th generation of Young Journalists of #LaRedLatam of Distintas Latitudes. He has won several awards including the prestigious Amnesty Media Award given by Amnesty International UK. Wed, 15 Dec 2021 09:00:00 -0000 full 144 New Books Network An interview with Anna Cant In this episode of the New Books in Latin America Podcast, Kenneth Sánchez spoke with Dr Anna Cant about her very interesting book Land without Masters: Agrarian Reform and Political Change under Peru’s Military Government published in 2021 by the University of Texas Press.   The book is a fresh perspective on the way the Peruvian government's major 1969 agrarian reform transformed the social, cultural, and political landscape of the country. Dr Anna Cant is a Latin American historian with expertise in twentieth-century politics, cultural history and rural development. She gained her PhD in History at the University of Cambridge (2015) with a thesis on land reform in Peru. Dr Cant has taught in the UK and Colombia and received scholarships from the Arts and Humanities Research Council and the Leverhulme Trust. She is currently an assistant professor of Latin American history at the London School of Economics and Political Science. Kenneth Sanchez is a Peruvian journalist that works as a freelance journalist and as a multi-platform content curator for the Peruvian media outlet Comité de Lectura. He is a host in the New Books in Latin American Studies podcast and the movies & entertainment podcast Segundo Plano. He holds a master’s degree in Latin American Politics from University College London (UCL), is a Centre for Investigative Journalism masterclass alumni and is part of the 6th generation of Young Journalists of #LaRedLatam of Distintas Latitudes. He has won several awards including the prestigious Amnesty Media Award given by Amnesty International UK. In this episode of the New Books in Latin America Podcast, Kenneth Sánchez spoke with Dr Anna Cant about her very interesting book Land without Masters: Agrarian Reform and Political Change under Peru’s Military Government published in 2021 by the University of Texas Press.  

The book is a fresh perspective on the way the Peruvian government's major 1969 agrarian reform transformed the social, cultural, and political landscape of the country.

Dr Anna Cant is a Latin American historian with expertise in twentieth-century politics, cultural history and rural development. She gained her PhD in History at the University of Cambridge (2015) with a thesis on land reform in Peru. Dr Cant has taught in the UK and Colombia and received scholarships from the Arts and Humanities Research Council and the Leverhulme Trust.

She is currently an assistant professor of Latin American history at the London School of Economics and Political Science.

Kenneth Sanchez is a Peruvian journalist that works as a freelance journalist and as a multi-platform content curator for the Peruvian media outlet Comité de Lectura. He is a host in the New Books in Latin American Studies podcast and the movies & entertainment podcast Segundo Plano. He holds a master’s degree in Latin American Politics from University College London (UCL), is a Centre for Investigative Journalism masterclass alumni and is part of the 6th generation of Young Journalists of #LaRedLatam of Distintas Latitudes. He has won several awards including the prestigious Amnesty Media Award given by Amnesty International UK.

]]> 2924 no Kate Fortmueller, "Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID" (U Texas Press, 2021) By March 2020, the spread of COVID-19 had reached pandemic proportions, forcing widespread shutdowns across industries, including Hollywood. Studios, networks, production companies, and the thousands of workers who make film and television possible were forced to adjust their time-honored business and labor practices. In Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID (U Texas Press, 2021), Kate Fortmueller asks what happened when the coronavirus closed Hollywood. Hollywood Shutdown examines how the COVID-19 pandemic affected film and television production, influenced trends in distribution, reshaped theatrical exhibition, and altered labor practices. From January movie theater closures in China to the bumpy September release of Mulan on the Disney+ streaming platform, Fortmueller probes various choices made by studios, networks, unions and guilds, distributors, and exhibitors during the evolving crisis. In seeking to explain what happened in the first nine months of 2020, this book also considers how the pandemic will transform Hollywood practices in the twenty-first century. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Thu, 09 Dec 2021 09:00:00 -0000 full 100 New Books Network An interview with Kate Fortmueller By March 2020, the spread of COVID-19 had reached pandemic proportions, forcing widespread shutdowns across industries, including Hollywood. Studios, networks, production companies, and the thousands of workers who make film and television possible were forced to adjust their time-honored business and labor practices. In Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID (U Texas Press, 2021), Kate Fortmueller asks what happened when the coronavirus closed Hollywood. Hollywood Shutdown examines how the COVID-19 pandemic affected film and television production, influenced trends in distribution, reshaped theatrical exhibition, and altered labor practices. From January movie theater closures in China to the bumpy September release of Mulan on the Disney+ streaming platform, Fortmueller probes various choices made by studios, networks, unions and guilds, distributors, and exhibitors during the evolving crisis. In seeking to explain what happened in the first nine months of 2020, this book also considers how the pandemic will transform Hollywood practices in the twenty-first century. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. By March 2020, the spread of COVID-19 had reached pandemic proportions, forcing widespread shutdowns across industries, including Hollywood. Studios, networks, production companies, and the thousands of workers who make film and television possible were forced to adjust their time-honored business and labor practices. In Hollywood Shutdown: Production, Distribution, and Exhibition in the Time of COVID (U Texas Press, 2021), Kate Fortmueller asks what happened when the coronavirus closed Hollywood. Hollywood Shutdown examines how the COVID-19 pandemic affected film and television production, influenced trends in distribution, reshaped theatrical exhibition, and altered labor practices. From January movie theater closures in China to the bumpy September release of Mulan on the Disney+ streaming platform, Fortmueller probes various choices made by studios, networks, unions and guilds, distributors, and exhibitors during the evolving crisis. In seeking to explain what happened in the first nine months of 2020, this book also considers how the pandemic will transform Hollywood practices in the twenty-first century.

Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.

]]> 3962 no Kate Fortmueller, "Below the Stars: How the Labor of Working Actors and Extras Shapes Media Production" (U Texas Press, 2021) Despite their considerable presence in Hollywood, extras and working actors have received scant attention within film and media studies as significant contributors to the history of the industry. Looking not to the stars but to these supporting players in film, television, and, recently, streaming programming, Below the Stars: How the Labor of Working Actors and Extras Shapes Media Production (University of Texas Press, 2021), highlights such actors as precarious laborers whose work as freelancers has critically shaped the entertainment industry throughout the twentieth and twenty-first centuries. In the books, Kate Fortmueller, Assistant Professor at the University of Georgia, proposes a media industry history that positions underrepresented and quotidian experiences as the structural elements of the culture and business of Hollywood. Resisting a top-down assessment, Fortmueller explores the wrangling of labor unions and guilds that advocated for collective action for everyday actors and helped shape professional norms. She pulls from archival research, in-person interviews, and firsthand observation to examine a history that cuts across industry boundaries and situates actors as a labor group at the center of industrial and technological upheavals, with lasting implications for race, gender, and labor relations in Hollywood. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Thu, 18 Nov 2021 09:00:00 -0000 full 98 New Books Network An interview with Kate Fortmueller Despite their considerable presence in Hollywood, extras and working actors have received scant attention within film and media studies as significant contributors to the history of the industry. Looking not to the stars but to these supporting players in film, television, and, recently, streaming programming, Below the Stars: How the Labor of Working Actors and Extras Shapes Media Production (University of Texas Press, 2021), highlights such actors as precarious laborers whose work as freelancers has critically shaped the entertainment industry throughout the twentieth and twenty-first centuries. In the books, Kate Fortmueller, Assistant Professor at the University of Georgia, proposes a media industry history that positions underrepresented and quotidian experiences as the structural elements of the culture and business of Hollywood. Resisting a top-down assessment, Fortmueller explores the wrangling of labor unions and guilds that advocated for collective action for everyday actors and helped shape professional norms. She pulls from archival research, in-person interviews, and firsthand observation to examine a history that cuts across industry boundaries and situates actors as a labor group at the center of industrial and technological upheavals, with lasting implications for race, gender, and labor relations in Hollywood. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Despite their considerable presence in Hollywood, extras and working actors have received scant attention within film and media studies as significant contributors to the history of the industry. Looking not to the stars but to these supporting players in film, television, and, recently, streaming programming, Below the Stars: How the Labor of Working Actors and Extras Shapes Media Production (University of Texas Press, 2021), highlights such actors as precarious laborers whose work as freelancers has critically shaped the entertainment industry throughout the twentieth and twenty-first centuries. In the books, Kate Fortmueller, Assistant Professor at the University of Georgia, proposes a media industry history that positions underrepresented and quotidian experiences as the structural elements of the culture and business of Hollywood. Resisting a top-down assessment, Fortmueller explores the wrangling of labor unions and guilds that advocated for collective action for everyday actors and helped shape professional norms. She pulls from archival research, in-person interviews, and firsthand observation to examine a history that cuts across industry boundaries and situates actors as a labor group at the center of industrial and technological upheavals, with lasting implications for race, gender, and labor relations in Hollywood.

Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.

]]> 4301 no Carl Rommel, "Egypt’s Football Revolution: Emotion, Masculinity, and Uneasy Politics" (U Texas Press, 2021) Both a symbol of the Mubarak government’s power and a component in its construction of national identity, football served as fertile ground for Egyptians to confront the regime’s overthrow during the 2011 revolution. With the help of the state, appreciation for football in Egypt peaked in the late 2000s. Yet after Mubarak fell, fans questioned their previous support, calling for a reformed football for a new, postrevolutionary nation. In Egypt’s Football Revolution: Emotion, Masculinity, and Uneasy Politics (U Texas Press, 2021), Carl Rommel examines the politics of football as a space for ordinary Egyptians and state forces to negotiate a masculine Egyptian chauvinism. Basing his discussion on several years of fieldwork with fans, players, journalists, and coaches, he investigates the increasing attention paid to football during the Mubarak era; its demise with the 2011 uprisings and 2012 Port Said massacre, which left seventy-two fans dead; and its recent rehabilitation. Cairo’s highly organized and dedicated Ultras fans became a key revolutionary force through their antiregime activism, challenging earlier styles of fandom and making visible entrenched ties between sport and politics. As the appeal of football burst, alternative conceptions of masculinity, emotion, and politics came to the fore to demand or prevent revolution and reform. The book is available for purchase for customers in Europe and the Middle East from Combined Academic Books. Quote CSFS2021 at check-out for 30% discount; and for customers in the US at the University of Texas Press. Quote UTXROMEGY at check-out for 20% discount. Paul Knepper used to cover the Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Wed, 27 Oct 2021 08:00:00 -0000 full 200 New Books Network An interview with Carl Rommel Both a symbol of the Mubarak government’s power and a component in its construction of national identity, football served as fertile ground for Egyptians to confront the regime’s overthrow during the 2011 revolution. With the help of the state, appreciation for football in Egypt peaked in the late 2000s. Yet after Mubarak fell, fans questioned their previous support, calling for a reformed football for a new, postrevolutionary nation. In Egypt’s Football Revolution: Emotion, Masculinity, and Uneasy Politics (U Texas Press, 2021), Carl Rommel examines the politics of football as a space for ordinary Egyptians and state forces to negotiate a masculine Egyptian chauvinism. Basing his discussion on several years of fieldwork with fans, players, journalists, and coaches, he investigates the increasing attention paid to football during the Mubarak era; its demise with the 2011 uprisings and 2012 Port Said massacre, which left seventy-two fans dead; and its recent rehabilitation. Cairo’s highly organized and dedicated Ultras fans became a key revolutionary force through their antiregime activism, challenging earlier styles of fandom and making visible entrenched ties between sport and politics. As the appeal of football burst, alternative conceptions of masculinity, emotion, and politics came to the fore to demand or prevent revolution and reform. The book is available for purchase for customers in Europe and the Middle East from Combined Academic Books. Quote CSFS2021 at check-out for 30% discount; and for customers in the US at the University of Texas Press. Quote UTXROMEGY at check-out for 20% discount. Paul Knepper used to cover the Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Both a symbol of the Mubarak government’s power and a component in its construction of national identity, football served as fertile ground for Egyptians to confront the regime’s overthrow during the 2011 revolution. With the help of the state, appreciation for football in Egypt peaked in the late 2000s. Yet after Mubarak fell, fans questioned their previous support, calling for a reformed football for a new, postrevolutionary nation.

In Egypt’s Football Revolution: Emotion, Masculinity, and Uneasy Politics (U Texas Press, 2021), Carl Rommel examines the politics of football as a space for ordinary Egyptians and state forces to negotiate a masculine Egyptian chauvinism. Basing his discussion on several years of fieldwork with fans, players, journalists, and coaches, he investigates the increasing attention paid to football during the Mubarak era; its demise with the 2011 uprisings and 2012 Port Said massacre, which left seventy-two fans dead; and its recent rehabilitation. Cairo’s highly organized and dedicated Ultras fans became a key revolutionary force through their antiregime activism, challenging earlier styles of fandom and making visible entrenched ties between sport and politics. As the appeal of football burst, alternative conceptions of masculinity, emotion, and politics came to the fore to demand or prevent revolution and reform.

The book is available for purchase for customers in Europe and the Middle East from Combined Academic Books. Quote CSFS2021 at check-out for 30% discount; and for customers in the US at the University of Texas Press. Quote UTXROMEGY at check-out for 20% discount.

Paul Knepper used to cover the Knicks for Bleacher Report. His first book, The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All was published in 2020. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.

]]> 3239 no Jessica Luther and Kavitha Davidson, "Loving Sports When They Don't Love You Back" (U Texas Press, 2020) Today we are joined by Jessica Luther, a freelance investigative journalist, and Kavitha Davidson, a sport and culture writer with the Athletic, who together are the authors of Loving Sports When They Don’t Love You Back: Dilemmas of the Modern Fan (University of Texas Press, 2020). Our free-flowing conversation covered the use of indigenous American imagery by sporting teams in the United States, athletes and domestic violence, and falling out of love and into love with sports. Loving Sports When They Don’t Love You Back is a comprehensive book that examines fourteen issues facing contemporary sports fans, including: football and CTE, doping, racist mascots, unequal pay, LGBTQ+ participation, representation in sports media, domestic violence, bad owners, the NCAA and amateurism, and the cost of building stadiums and hosting mega-events like the Olympics and World Cup. Rather than ‘sticking to dribbling,’ Luther and Davidson demonstrate the inherent politics of sports culture. In each chapter, they address the different ways that sports influence political issues and showcase how some athletes, organizers and fans have responded to the failure of sporting life to live up to our expectations. For example, in their chapter on racist mascots, Luther and Davidson trace out the human costs of awful caricatures like Chief Wahoo, but also highlight how even teams that work closely with American Indian groups still open the door for native people’s disparagement by their rival fans. Their work is both aimed at people who might feel left out of sporting life, including women, people of color, or LGBTQ+ fans. Their chapter on representation in sports media, for example, offers an innovative oral history of media figures from marginalized groups. At the same time, they also address issues facing all sports fans including how to justify (or not) watching the NFL and college football when so many players are suffering from CTE. Their work offers fresh critiques of sports from within a progressive and capitalist framework. In their chapters on the MLB’s free market system, they note that it has done a better job of producing competitive parity than the NFL’s salary cap and they also point out that it benefits players whose salaries are constrained by the cartelization of the leagues. They strongly critique the NCAA’s approach to player compensation and I look forward to hearing them both more in the future on Name, Image and Likeness rights. They take seriously the problems of stadium building, especially gentrification, but still consider the possibilities for people’s enjoyment of a new arena. Their chapter “Watching Women’s Basketball When People Tell You You’re the Only One” offers hope for fans who want to support a league with genuinely revolutionary potential. Loving Sports When They Don’t Love You Back is a wide-ranging analysis and discussion of many of the key issues facing sports fans from two leading sports writers. Their work will be of general interest to sports fans, but particularly useful for people teaching about sports history, sociology or politics. Keith Rathbone is a senior lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Mon, 11 Oct 2021 08:00:00 -0000 full 198 New Books Network An interview with Jessica Luther and Kavitha Davidson Today we are joined by Jessica Luther, a freelance investigative journalist, and Kavitha Davidson, a sport and culture writer with the Athletic, who together are the authors of Loving Sports When They Don’t Love You Back: Dilemmas of the Modern Fan (University of Texas Press, 2020). Our free-flowing conversation covered the use of indigenous American imagery by sporting teams in the United States, athletes and domestic violence, and falling out of love and into love with sports. Loving Sports When They Don’t Love You Back is a comprehensive book that examines fourteen issues facing contemporary sports fans, including: football and CTE, doping, racist mascots, unequal pay, LGBTQ+ participation, representation in sports media, domestic violence, bad owners, the NCAA and amateurism, and the cost of building stadiums and hosting mega-events like the Olympics and World Cup. Rather than ‘sticking to dribbling,’ Luther and Davidson demonstrate the inherent politics of sports culture. In each chapter, they address the different ways that sports influence political issues and showcase how some athletes, organizers and fans have responded to the failure of sporting life to live up to our expectations. For example, in their chapter on racist mascots, Luther and Davidson trace out the human costs of awful caricatures like Chief Wahoo, but also highlight how even teams that work closely with American Indian groups still open the door for native people’s disparagement by their rival fans. Their work is both aimed at people who might feel left out of sporting life, including women, people of color, or LGBTQ+ fans. Their chapter on representation in sports media, for example, offers an innovative oral history of media figures from marginalized groups. At the same time, they also address issues facing all sports fans including how to justify (or not) watching the NFL and college football when so many players are suffering from CTE. Their work offers fresh critiques of sports from within a progressive and capitalist framework. In their chapters on the MLB’s free market system, they note that it has done a better job of producing competitive parity than the NFL’s salary cap and they also point out that it benefits players whose salaries are constrained by the cartelization of the leagues. They strongly critique the NCAA’s approach to player compensation and I look forward to hearing them both more in the future on Name, Image and Likeness rights. They take seriously the problems of stadium building, especially gentrification, but still consider the possibilities for people’s enjoyment of a new arena. Their chapter “Watching Women’s Basketball When People Tell You You’re the Only One” offers hope for fans who want to support a league with genuinely revolutionary potential. Loving Sports When They Don’t Love You Back is a wide-ranging analysis and discussion of many of the key issues facing sports fans from two leading sports writers. Their work will be of general interest to sports fans, but particularly useful for people teaching about sports history, sociology or politics. Keith Rathbone is a senior lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Today we are joined by Jessica Luther, a freelance investigative journalist, and Kavitha Davidson, a sport and culture writer with the Athletic, who together are the authors of Loving Sports When They Don’t Love You Back: Dilemmas of the Modern Fan (University of Texas Press, 2020). Our free-flowing conversation covered the use of indigenous American imagery by sporting teams in the United States, athletes and domestic violence, and falling out of love and into love with sports.

Loving Sports When They Don’t Love You Back is a comprehensive book that examines fourteen issues facing contemporary sports fans, including: football and CTE, doping, racist mascots, unequal pay, LGBTQ+ participation, representation in sports media, domestic violence, bad owners, the NCAA and amateurism, and the cost of building stadiums and hosting mega-events like the Olympics and World Cup. Rather than ‘sticking to dribbling,’ Luther and Davidson demonstrate the inherent politics of sports culture. In each chapter, they address the different ways that sports influence political issues and showcase how some athletes, organizers and fans have responded to the failure of sporting life to live up to our expectations. For example, in their chapter on racist mascots, Luther and Davidson trace out the human costs of awful caricatures like Chief Wahoo, but also highlight how even teams that work closely with American Indian groups still open the door for native people’s disparagement by their rival fans.

Their work is both aimed at people who might feel left out of sporting life, including women, people of color, or LGBTQ+ fans. Their chapter on representation in sports media, for example, offers an innovative oral history of media figures from marginalized groups. At the same time, they also address issues facing all sports fans including how to justify (or not) watching the NFL and college football when so many players are suffering from CTE.

Their work offers fresh critiques of sports from within a progressive and capitalist framework. In their chapters on the MLB’s free market system, they note that it has done a better job of producing competitive parity than the NFL’s salary cap and they also point out that it benefits players whose salaries are constrained by the cartelization of the leagues. They strongly critique the NCAA’s approach to player compensation and I look forward to hearing them both more in the future on Name, Image and Likeness rights. They take seriously the problems of stadium building, especially gentrification, but still consider the possibilities for people’s enjoyment of a new arena. Their chapter “Watching Women’s Basketball When People Tell You You’re the Only One” offers hope for fans who want to support a league with genuinely revolutionary potential.

Loving Sports When They Don’t Love You Back is a wide-ranging analysis and discussion of many of the key issues facing sports fans from two leading sports writers. Their work will be of general interest to sports fans, but particularly useful for people teaching about sports history, sociology or politics.

Keith Rathbone is a senior lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter.

]]> 3115 no Felipe Hinojosa, "Apostles of Change: Latino Radical Politics, Church Occupations, and the Fight to Save the Barrio" (U Texas Press, 2021) In the late 1960s, the American city found itself in steep decline. An urban crisis fueled by federal policy wreaked destruction and displacement on poor and working-class families. The urban drama included religious institutions, themselves undergoing fundamental change, that debated whether to stay in the city or move to the suburbs. Against the backdrop of the Black and Brown Power movements, which challenged economic inequality and white supremacy, young Latino radicals began occupying churches and disrupting services to compel church communities to join their protests against urban renewal, poverty, police brutality, and racism.  Apostles of Change: Latino Radical Politics, Church Occupations, and the Fight to Save the Barrio (University of Texas Press, 2021) tells the story of these occupations and establishes their context within the urban crisis; relates the tensions they created; and articulates the activists' bold, new vision for the church and the world. Through case studies from Chicago, Los Angeles, New York City, and Houston, Felipe Hinojosa reveals how Latino freedom movements frequently crossed boundaries between faith and politics and argues that understanding the history of these radical politics is essential to understanding the dynamic changes in Latino religious groups from the late 1960s to the early 1980s. David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. Tue, 27 Apr 2021 08:00:00 -0000 full 80 New Books Network An interview with Felipe Hinojosa In the late 1960s, the American city found itself in steep decline. An urban crisis fueled by federal policy wreaked destruction and displacement on poor and working-class families. The urban drama included religious institutions, themselves undergoing fundamental change, that debated whether to stay in the city or move to the suburbs. Against the backdrop of the Black and Brown Power movements, which challenged economic inequality and white supremacy, young Latino radicals began occupying churches and disrupting services to compel church communities to join their protests against urban renewal, poverty, police brutality, and racism.  Apostles of Change: Latino Radical Politics, Church Occupations, and the Fight to Save the Barrio (University of Texas Press, 2021) tells the story of these occupations and establishes their context within the urban crisis; relates the tensions they created; and articulates the activists' bold, new vision for the church and the world. Through case studies from Chicago, Los Angeles, New York City, and Houston, Felipe Hinojosa reveals how Latino freedom movements frequently crossed boundaries between faith and politics and argues that understanding the history of these radical politics is essential to understanding the dynamic changes in Latino religious groups from the late 1960s to the early 1980s. David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements. In the late 1960s, the American city found itself in steep decline. An urban crisis fueled by federal policy wreaked destruction and displacement on poor and working-class families. The urban drama included religious institutions, themselves undergoing fundamental change, that debated whether to stay in the city or move to the suburbs. Against the backdrop of the Black and Brown Power movements, which challenged economic inequality and white supremacy, young Latino radicals began occupying churches and disrupting services to compel church communities to join their protests against urban renewal, poverty, police brutality, and racism. 

Apostles of Change: Latino Radical Politics, Church Occupations, and the Fight to Save the Barrio (University of Texas Press, 2021) tells the story of these occupations and establishes their context within the urban crisis; relates the tensions they created; and articulates the activists' bold, new vision for the church and the world. Through case studies from Chicago, Los Angeles, New York City, and Houston, Felipe Hinojosa reveals how Latino freedom movements frequently crossed boundaries between faith and politics and argues that understanding the history of these radical politics is essential to understanding the dynamic changes in Latino religious groups from the late 1960s to the early 1980s.

David-James Gonzales (DJ) is Assistant Professor of History at Brigham Young University. He is a historian of migration, urbanization, and social movements in the U.S., and specializes in Latina/o/x politics and social movements.

]]> 4266 no Francisco J. Galarte, "Brown Trans Figurations: Rethinking Race, Gender, and Sexuality in Chicanx/Latinx Studies" (U of Texas Press, 2021) Within queer, transgender, and Latinx and Chicanx cultural politics, brown transgender narratives are frequently silenced and erased. Brown trans subjects are treated as deceptive, unnatural, nonexistent, or impossible, their bodies, lives, and material circumstances represented through tropes and used as metaphors. Restoring personhood and agency to these subjects, Francisco J. Galarte advances “brown trans figuration” as a theoretical framework to describe how transness and brownness coexist within the larger queer, trans, and Latinx historical experiences. Brown Trans Figurations: Rethinking Race, Gender, and Sexuality in Chicanx/Latinx Studies (University of Texas Press, 2021) presents a collection of representations that reveal the repression of brown trans narratives and make that repression visible and palpable. Galarte examines the violent deaths of two transgender Latinas and the corresponding narratives that emerged about their lives, analyzes the invisibility of brown transmasculinity in Chicana feminist works, and explores how issues such as immigration rights activism can be imagined as part of an LGBTQ rights-based political platform. This book considers the contexts in which brown trans narratives appear, how they circulate, and how they are reproduced in politics, sexual cultures, and racialized economies. Francisco J. Galarte is an Assistant Professor of American Studies and Women, Gender and Sexuality Studies at the University of New Mexico where he teaches courses in Chicanx, Latinx and transgender studies. John Marszalek III is author of Coming Out of the Magnolia Closet: Same-Sex Couples in Mississippi (2020, University Press of Mississippi). He is clinical faculty of the Clinical Mental Health Counseling Program at Southern New Hampshire University. Website: Johnmarszalek3.comTwitter: @marsjf3 Fri, 05 Mar 2021 04:00:00 -0000 full 11 New Books Network An interview with Francisco J. Galarte Within queer, transgender, and Latinx and Chicanx cultural politics, brown transgender narratives are frequently silenced and erased. Brown trans subjects are treated as deceptive, unnatural, nonexistent, or impossible, their bodies, lives, and material circumstances represented through tropes and used as metaphors. Restoring personhood and agency to these subjects, Francisco J. Galarte advances “brown trans figuration” as a theoretical framework to describe how transness and brownness coexist within the larger queer, trans, and Latinx historical experiences. Brown Trans Figurations: Rethinking Race, Gender, and Sexuality in Chicanx/Latinx Studies (University of Texas Press, 2021) presents a collection of representations that reveal the repression of brown trans narratives and make that repression visible and palpable. Galarte examines the violent deaths of two transgender Latinas and the corresponding narratives that emerged about their lives, analyzes the invisibility of brown transmasculinity in Chicana feminist works, and explores how issues such as immigration rights activism can be imagined as part of an LGBTQ rights-based political platform. This book considers the contexts in which brown trans narratives appear, how they circulate, and how they are reproduced in politics, sexual cultures, and racialized economies. Francisco J. Galarte is an Assistant Professor of American Studies and Women, Gender and Sexuality Studies at the University of New Mexico where he teaches courses in Chicanx, Latinx and transgender studies. John Marszalek III is author of Coming Out of the Magnolia Closet: Same-Sex Couples in Mississippi (2020, University Press of Mississippi). He is clinical faculty of the Clinical Mental Health Counseling Program at Southern New Hampshire University. Website: Johnmarszalek3.comTwitter: @marsjf3 Within queer, transgender, and Latinx and Chicanx cultural politics, brown transgender narratives are frequently silenced and erased. Brown trans subjects are treated as deceptive, unnatural, nonexistent, or impossible, their bodies, lives, and material circumstances represented through tropes and used as metaphors. Restoring personhood and agency to these subjects, Francisco J. Galarte advances “brown trans figuration” as a theoretical framework to describe how transness and brownness coexist within the larger queer, trans, and Latinx historical experiences.

Brown Trans Figurations: Rethinking Race, Gender, and Sexuality in Chicanx/Latinx Studies (University of Texas Press, 2021) presents a collection of representations that reveal the repression of brown trans narratives and make that repression visible and palpable. Galarte examines the violent deaths of two transgender Latinas and the corresponding narratives that emerged about their lives, analyzes the invisibility of brown transmasculinity in Chicana feminist works, and explores how issues such as immigration rights activism can be imagined as part of an LGBTQ rights-based political platform. This book considers the contexts in which brown trans narratives appear, how they circulate, and how they are reproduced in politics, sexual cultures, and racialized economies.

Francisco J. Galarte is an Assistant Professor of American Studies and Women, Gender and Sexuality Studies at the University of New Mexico where he teaches courses in Chicanx, Latinx and transgender studies.

John Marszalek III is author of Coming Out of the Magnolia Closet: Same-Sex Couples in Mississippi (2020, University Press of Mississippi). He is clinical faculty of the Clinical Mental Health Counseling Program at Southern New Hampshire University. Website: Johnmarszalek3.comTwitter: @marsjf3

]]> 4270 no Sara Luna, "Love in the Drug War: Selling Sex and Finding Jesus on the Mexico-US Border" (U Texas Press, 2020) Sex, drugs, religion, and love are potent combinations in la zona, a regulated prostitution zone in the city of Reynosa, across the border from Hidalgo, Texas. During the years 2008 and 2009, a time of intense drug violence, Sarah Luna met and built relationships with two kinds of migrants, women who moved from rural Mexico to Reynosa to become sex workers and American missionaries who moved from the United States to forge a fellowship with those workers. Luna examines the entanglements, both intimate and financial, that define their lives. Using the concept of obligar, she delves into the connections that tie sex workers to their families, their clients, their pimps, the missionaries, and the drug dealers—and to the guilt, power, and comfort of faith. Love in the Drug War: Selling Sex and Finding Jesus on the Mexico-US Border (University of Texas Press, 2020) scrutinizes not only la zona and the people who work to survive there, but also Reynosa itself—including the influences of the United States—adding nuance and new understanding to the current Mexico-US border crisis. The book has been recently awarded the 2020 Ruth Benedict Prize by the Association for Queer Anthropology for its “vibrant ethnographic detail and deft work across conceptual fields.” This interview is part of an NBN special series on “Mobilities and Methods.” Sarah Luna is the Kathryn A. McCarthy Assistant Professor in Women's Studies in the Department of Anthropology and the Women’s, Gender, and Sexuality Studies Program at Tufts University, with a focus on issues of sexual labor, migration, race, borderlands, and queer studies. Alize Arıcan is a PhD candidate in the department of Anthropology at the University of Illinois at Chicago. Her research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured on City & Society, entanglements: experiments in multimodal ethnography, and Anthropology News.   Fri, 23 Oct 2020 08:00:00 -0000 full 13 New Books Network Sex, drugs, religion, and love are potent combinations in la zona, a regulated prostitution zone in the city of Reynosa, across the border from Hidalgo, Texas... Sex, drugs, religion, and love are potent combinations in la zona, a regulated prostitution zone in the city of Reynosa, across the border from Hidalgo, Texas. During the years 2008 and 2009, a time of intense drug violence, Sarah Luna met and built relationships with two kinds of migrants, women who moved from rural Mexico to Reynosa to become sex workers and American missionaries who moved from the United States to forge a fellowship with those workers. Luna examines the entanglements, both intimate and financial, that define their lives. Using the concept of obligar, she delves into the connections that tie sex workers to their families, their clients, their pimps, the missionaries, and the drug dealers—and to the guilt, power, and comfort of faith. Love in the Drug War: Selling Sex and Finding Jesus on the Mexico-US Border (University of Texas Press, 2020) scrutinizes not only la zona and the people who work to survive there, but also Reynosa itself—including the influences of the United States—adding nuance and new understanding to the current Mexico-US border crisis. The book has been recently awarded the 2020 Ruth Benedict Prize by the Association for Queer Anthropology for its “vibrant ethnographic detail and deft work across conceptual fields.” This interview is part of an NBN special series on “Mobilities and Methods.” Sarah Luna is the Kathryn A. McCarthy Assistant Professor in Women's Studies in the Department of Anthropology and the Women’s, Gender, and Sexuality Studies Program at Tufts University, with a focus on issues of sexual labor, migration, race, borderlands, and queer studies. Alize Arıcan is a PhD candidate in the department of Anthropology at the University of Illinois at Chicago. Her research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured on City & Society, entanglements: experiments in multimodal ethnography, and Anthropology News.   Sex, drugs, religion, and love are potent combinations in la zona, a regulated prostitution zone in the city of Reynosa, across the border from Hidalgo, Texas. During the years 2008 and 2009, a time of intense drug violence, Sarah Luna met and built relationships with two kinds of migrants, women who moved from rural Mexico to Reynosa to become sex workers and American missionaries who moved from the United States to forge a fellowship with those workers.

Luna examines the entanglements, both intimate and financial, that define their lives. Using the concept of obligar, she delves into the connections that tie sex workers to their families, their clients, their pimps, the missionaries, and the drug dealers—and to the guilt, power, and comfort of faith. Love in the Drug War: Selling Sex and Finding Jesus on the Mexico-US Border (University of Texas Press, 2020) scrutinizes not only la zona and the people who work to survive there, but also Reynosa itself—including the influences of the United States—adding nuance and new understanding to the current Mexico-US border crisis.

The book has been recently awarded the 2020 Ruth Benedict Prize by the Association for Queer Anthropology for its “vibrant ethnographic detail and deft work across conceptual fields.”

This interview is part of an NBN special series on “Mobilities and Methods.”

Sarah Luna is the Kathryn A. McCarthy Assistant Professor in Women's Studies in the Department of Anthropology and the Women’s, Gender, and Sexuality Studies Program at Tufts University, with a focus on issues of sexual labor, migration, race, borderlands, and queer studies.

Alize Arıcan is a PhD candidate in the department of Anthropology at the University of Illinois at Chicago. Her research focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey. Her work has been featured on City & Society, entanglements: experiments in multimodal ethnography, and Anthropology News.

 

]]> 2469 no Rachel V. González, "Quinceañera Style: Social Belonging and Latinx Consumer Identities" A quinceañera is a traditional fifteenth birthday celebration for young women (though in contemporary times, it can also be for young men) in many Latinx communities. While the celebration has roots in religiosity, it has also become a space for imagining and performing class, identity, and Americanity. With fieldwork conducted in California, Texas, Indiana, and Mexico City, Dr. Rachel Gonzàlez provides a richly nuanced study in her recent book Quinceañera Style: Social Belonging and Latinx Consumer Identities (University of Texas Press, 2019) that examines the quinceañera as a site of possibility where young woman and their families can take ownership of their identity through consumerist actions and challenge narratives of Latinx class status that emphasize poverty and unstable migratory status by presenting an image of middle-class Latinx families In this podcast, we talk about how Dr. Gonzàlez’s move from studying neurology to studying folklore and why it was so important to study quinceañera with the lens of representation rather than ritual. We also discuss the ways in which aspirations of class mobility and Americanity are articulated through style and consumerist choices. The digital sphere also serves as an important creative space where information about quinceaneras – from clothing, advice, themes, and videos – are shared and allow young women and/or her family to imagine the possibilities for constructing a celebration that reflect their own ideals. Lastly, we discuss the ways in which Lia Garcia, a trans activist based in Mexico, uses the quinceañera in performance art to challenge perceptions of the body. Dr. Rachel Gonzàlez is an Associate Professor of Mexican American and Latino/a Studies at the University of Texas at Austin. Nancy Yan received her PhD in folklore from The Ohio State University and taught First Year Writing, Comparative Studies, and Asian American studies for several years before returning to organizing work.  Fri, 18 Sep 2020 08:00:00 -0000 full 31 New Books Network A quinceañera is a traditional fifteenth birthday celebration for young women (though in contemporary times, it can also be for young men) in many Latinx communities... A quinceañera is a traditional fifteenth birthday celebration for young women (though in contemporary times, it can also be for young men) in many Latinx communities. While the celebration has roots in religiosity, it has also become a space for imagining and performing class, identity, and Americanity. With fieldwork conducted in California, Texas, Indiana, and Mexico City, Dr. Rachel Gonzàlez provides a richly nuanced study in her recent book Quinceañera Style: Social Belonging and Latinx Consumer Identities (University of Texas Press, 2019) that examines the quinceañera as a site of possibility where young woman and their families can take ownership of their identity through consumerist actions and challenge narratives of Latinx class status that emphasize poverty and unstable migratory status by presenting an image of middle-class Latinx families In this podcast, we talk about how Dr. Gonzàlez’s move from studying neurology to studying folklore and why it was so important to study quinceañera with the lens of representation rather than ritual. We also discuss the ways in which aspirations of class mobility and Americanity are articulated through style and consumerist choices. The digital sphere also serves as an important creative space where information about quinceaneras – from clothing, advice, themes, and videos – are shared and allow young women and/or her family to imagine the possibilities for constructing a celebration that reflect their own ideals. Lastly, we discuss the ways in which Lia Garcia, a trans activist based in Mexico, uses the quinceañera in performance art to challenge perceptions of the body. Dr. Rachel Gonzàlez is an Associate Professor of Mexican American and Latino/a Studies at the University of Texas at Austin. Nancy Yan received her PhD in folklore from The Ohio State University and taught First Year Writing, Comparative Studies, and Asian American studies for several years before returning to organizing work.  A quinceañera is a traditional fifteenth birthday celebration for young women (though in contemporary times, it can also be for young men) in many Latinx communities. While the celebration has roots in religiosity, it has also become a space for imagining and performing class, identity, and Americanity. With fieldwork conducted in California, Texas, Indiana, and Mexico City, Dr. Rachel Gonzàlez provides a richly nuanced study in her recent book Quinceañera Style: Social Belonging and Latinx Consumer Identities (University of Texas Press, 2019) that examines the quinceañera as a site of possibility where young woman and their families can take ownership of their identity through consumerist actions and challenge narratives of Latinx class status that emphasize poverty and unstable migratory status by presenting an image of middle-class Latinx families

In this podcast, we talk about how Dr. Gonzàlez’s move from studying neurology to studying folklore and why it was so important to study quinceañera with the lens of representation rather than ritual. We also discuss the ways in which aspirations of class mobility and Americanity are articulated through style and consumerist choices. The digital sphere also serves as an important creative space where information about quinceaneras – from clothing, advice, themes, and videos – are shared and allow young women and/or her family to imagine the possibilities for constructing a celebration that reflect their own ideals. Lastly, we discuss the ways in which Lia Garcia, a trans activist based in Mexico, uses the quinceañera in performance art to challenge perceptions of the body.

Dr. Rachel Gonzàlez is an Associate Professor of Mexican American and Latino/a Studies at the University of Texas at Austin.

Nancy Yan received her PhD in folklore from The Ohio State University and taught First Year Writing, Comparative Studies, and Asian American studies for several years before returning to organizing work. 

]]> 3882 no Behnaz A. Mirzai, "A History of Slavery and Emancipation in Iran, 1800-1929" (U Texas Press, 2017) Behnaz A. Mirzai’s book A History of Slavery and Emancipation in Iran, 1800-1929 (University of Texas Press, 2017) contributes to the growing field of slavery in the Middle East is a growing field of study, but the history of slavery in a key country, Iran, has never before been written. This history extends to Africa in the west and India in the east, to Russia and Turkmenistan in the north, and to the Arab states in the south. As the slave trade between Iran and these regions shifted over time, it transformed the nation and helped forge its unique culture and identity. Thus, a history of Iranian slavery is crucial to understanding the character of the modern nation. Drawing on extensive archival research in Iran, Tanzania, England, and France, as well as fieldwork and interviews in Iran, Mirzai offers the first history of slavery in modern Iran from the early nineteenth century to emancipation in the mid-twentieth century. She investigates how foreign military incursion, frontier insecurity, political instability, and economic crisis altered the patterns of enslavement, as well as the ethnicity of the slaves themselves. Mirzai’s interdisciplinary analysis illuminates the complex issues surrounding the history of the slave trade and the process of emancipation in Iran, while also giving voice to social groups that have never been studied—enslaved Africans and Iranians. Her research builds a clear case that the trade in slaves was inexorably linked to the authority of the state. During periods of greater decentralization, slave trading increased, while periods of greater governmental autonomy saw more freedom and peace. Behnaz Mirzai is an professor of Middle Eastern history at Brock University in Canada. She is a co-coordinator and member of the preparatory committee for the Slave Trade Route project, UNESCO, and the founder of the website Brock/UNESCO Project for the Study of the Slave Trade and Slavery in the Mediterranean, Middle East, and Indian Ocean. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law and the environment across the western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Robyn Morse is a History PhD student at the University of Virginia (UVA). Within her focus on the Indian Ocean World and the Middle East, her research interests broadly include archival memory, slavery, and socio-economic history. She can be reached at rmm9hf@virginia.edu.   Thu, 03 Sep 2020 08:00:00 -0000 full 17 New Books Network Mirzai offers the first history of slavery in modern Iran from the early nineteenth century to emancipation in the mid-twentieth century... Behnaz A. Mirzai’s book A History of Slavery and Emancipation in Iran, 1800-1929 (University of Texas Press, 2017) contributes to the growing field of slavery in the Middle East is a growing field of study, but the history of slavery in a key country, Iran, has never before been written. This history extends to Africa in the west and India in the east, to Russia and Turkmenistan in the north, and to the Arab states in the south. As the slave trade between Iran and these regions shifted over time, it transformed the nation and helped forge its unique culture and identity. Thus, a history of Iranian slavery is crucial to understanding the character of the modern nation. Drawing on extensive archival research in Iran, Tanzania, England, and France, as well as fieldwork and interviews in Iran, Mirzai offers the first history of slavery in modern Iran from the early nineteenth century to emancipation in the mid-twentieth century. She investigates how foreign military incursion, frontier insecurity, political instability, and economic crisis altered the patterns of enslavement, as well as the ethnicity of the slaves themselves. Mirzai’s interdisciplinary analysis illuminates the complex issues surrounding the history of the slave trade and the process of emancipation in Iran, while also giving voice to social groups that have never been studied—enslaved Africans and Iranians. Her research builds a clear case that the trade in slaves was inexorably linked to the authority of the state. During periods of greater decentralization, slave trading increased, while periods of greater governmental autonomy saw more freedom and peace. Behnaz Mirzai is an professor of Middle Eastern history at Brock University in Canada. She is a co-coordinator and member of the preparatory committee for the Slave Trade Route project, UNESCO, and the founder of the website Brock/UNESCO Project for the Study of the Slave Trade and Slavery in the Mediterranean, Middle East, and Indian Ocean. Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law and the environment across the western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub. Robyn Morse is a History PhD student at the University of Virginia (UVA). Within her focus on the Indian Ocean World and the Middle East, her research interests broadly include archival memory, slavery, and socio-economic history. She can be reached at rmm9hf@virginia.edu.   Behnaz A. Mirzai’s book A History of Slavery and Emancipation in Iran, 1800-1929 (University of Texas Press, 2017) contributes to the growing field of slavery in the Middle East is a growing field of study, but the history of slavery in a key country, Iran, has never before been written. This history extends to Africa in the west and India in the east, to Russia and Turkmenistan in the north, and to the Arab states in the south. As the slave trade between Iran and these regions shifted over time, it transformed the nation and helped forge its unique culture and identity. Thus, a history of Iranian slavery is crucial to understanding the character of the modern nation.

Drawing on extensive archival research in Iran, Tanzania, England, and France, as well as fieldwork and interviews in Iran, Mirzai offers the first history of slavery in modern Iran from the early nineteenth century to emancipation in the mid-twentieth century. She investigates how foreign military incursion, frontier insecurity, political instability, and economic crisis altered the patterns of enslavement, as well as the ethnicity of the slaves themselves. Mirzai’s interdisciplinary analysis illuminates the complex issues surrounding the history of the slave trade and the process of emancipation in Iran, while also giving voice to social groups that have never been studied—enslaved Africans and Iranians. Her research builds a clear case that the trade in slaves was inexorably linked to the authority of the state. During periods of greater decentralization, slave trading increased, while periods of greater governmental autonomy saw more freedom and peace.

Behnaz Mirzai is an professor of Middle Eastern history at Brock University in Canada. She is a co-coordinator and member of the preparatory committee for the Slave Trade Route project, UNESCO, and the founder of the website Brock/UNESCO Project for the Study of the Slave Trade and Slavery in the Mediterranean, Middle East, and Indian Ocean.

Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University. His research focuses on the intersection of law and the environment across the western Indian Ocean. He can be reached by email at almaazmi@princeton.edu or on Twitter @Ahmed_Yaqoub.

Robyn Morse is a History PhD student at the University of Virginia (UVA). Within her focus on the Indian Ocean World and the Middle East, her research interests broadly include archival memory, slavery, and socio-economic history. She can be reached at rmm9hf@virginia.edu.

 

]]> 3718 no Philis Barragán-Goetz, "Reading, Writing, and Revolution: Escuelitas and the Emergence of a Mexican American Identity in Texas" (U Texas Press, 2020) Debates about Ethnic Studies in K-12 and Higher Education have highlighted the importance of culturally inclusive pedagogy in schools. Despite discussions about Ethnic Studies, there is a more extended history of Mexican-origin people pushing for culturally responsive education. In Reading, Writing, and Revolution: Escuelitas and the Emergence of a Mexican American Identity in Texas (University of Texas Press, 2020), historian Philis M. Barragán-Goetz argues that through cultural negotiation, escuelitas (community schools) shaped Mexican American identity and civil rights activism in the late 19th and early 20th century. Barragán Goetz weaves in oral histories, government documents, newspapers, and archival sources to demonstrate the power in grassroots organizing for educational justice in Texas. She debunks a popular myth that Mexican Americans have not cared for education throughout history. Barragán Goetz writes that the progressive education movement in the late 19th century was not all that progressive if we examine the lived experienced of Mexican-origin people. Activists such as Idar Family, Villegas de Magnon, Maria Villarreal, Maria Renteria, and many involved in the two main Mexican American civil rights organizations of the time provided a foundation for Latina/os to be part of the fight for educational inclusion in the 20th century. Reading, Writing, and Revolution is not merely a book about educational history; it is a trailblazing study on how Mexican Americans have relied on any tools available to create a more inclusive educational system for themselves and their community. Philis M. Barragán Goetz is an Assistant Professor of History at Texas A&M University - San Antonio. She earned her Ph.D. from the University of Texas at Austin. She can be found on Twitter: @philismaria Tiffany Jasmin González, Ph.D. is the Postdoctoral Fellow in Women’s History at the Newcomb Institute of Tulane University. You can follow Tiffany on Twitter @T_J_Gonzalez Tue, 18 Aug 2020 08:00:00 -0000 full 70 New Books Network Barragán-Goetz argues that through cultural negotiation, escuelitas (community schools) shaped Mexican American identity and civil rights activism in the late 19th and early 20th century... Debates about Ethnic Studies in K-12 and Higher Education have highlighted the importance of culturally inclusive pedagogy in schools. Despite discussions about Ethnic Studies, there is a more extended history of Mexican-origin people pushing for culturally responsive education. In Reading, Writing, and Revolution: Escuelitas and the Emergence of a Mexican American Identity in Texas (University of Texas Press, 2020), historian Philis M. Barragán-Goetz argues that through cultural negotiation, escuelitas (community schools) shaped Mexican American identity and civil rights activism in the late 19th and early 20th century. Barragán Goetz weaves in oral histories, government documents, newspapers, and archival sources to demonstrate the power in grassroots organizing for educational justice in Texas. She debunks a popular myth that Mexican Americans have not cared for education throughout history. Barragán Goetz writes that the progressive education movement in the late 19th century was not all that progressive if we examine the lived experienced of Mexican-origin people. Activists such as Idar Family, Villegas de Magnon, Maria Villarreal, Maria Renteria, and many involved in the two main Mexican American civil rights organizations of the time provided a foundation for Latina/os to be part of the fight for educational inclusion in the 20th century. Reading, Writing, and Revolution is not merely a book about educational history; it is a trailblazing study on how Mexican Americans have relied on any tools available to create a more inclusive educational system for themselves and their community. Philis M. Barragán Goetz is an Assistant Professor of History at Texas A&M University - San Antonio. She earned her Ph.D. from the University of Texas at Austin. She can be found on Twitter: @philismaria Tiffany Jasmin González, Ph.D. is the Postdoctoral Fellow in Women’s History at the Newcomb Institute of Tulane University. You can follow Tiffany on Twitter @T_J_Gonzalez Debates about Ethnic Studies in K-12 and Higher Education have highlighted the importance of culturally inclusive pedagogy in schools. Despite discussions about Ethnic Studies, there is a more extended history of Mexican-origin people pushing for culturally responsive education. In Reading, Writing, and Revolution: Escuelitas and the Emergence of a Mexican American Identity in Texas (University of Texas Press, 2020), historian Philis M. Barragán-Goetz argues that through cultural negotiation, escuelitas (community schools) shaped Mexican American identity and civil rights activism in the late 19th and early 20th century.

Barragán Goetz weaves in oral histories, government documents, newspapers, and archival sources to demonstrate the power in grassroots organizing for educational justice in Texas. She debunks a popular myth that Mexican Americans have not cared for education throughout history. Barragán Goetz writes that the progressive education movement in the late 19th century was not all that progressive if we examine the lived experienced of Mexican-origin people. Activists such as Idar Family, Villegas de Magnon, Maria Villarreal, Maria Renteria, and many involved in the two main Mexican American civil rights organizations of the time provided a foundation for Latina/os to be part of the fight for educational inclusion in the 20th century. Reading, Writing, and Revolution is not merely a book about educational history; it is a trailblazing study on how Mexican Americans have relied on any tools available to create a more inclusive educational system for themselves and their community.

Philis M. Barragán Goetz is an Assistant Professor of History at Texas A&M University - San Antonio. She earned her Ph.D. from the University of Texas at Austin. She can be found on Twitter: @philismaria

Tiffany Jasmin González, Ph.D. is the Postdoctoral Fellow in Women’s History at the Newcomb Institute of Tulane University. You can follow Tiffany on Twitter @T_J_Gonzalez

]]> 3124 no Asma Barlas, "Believing Women in Islam: Unreading Patriarchal Interpretations of the Qur’an" (U Texas Press, 2019) In this revised edition of her classic and groundbreaking work, Believing Women in Islam: Unreading Patriarchal Interpretations of the Qur’an (University of Texas Press, 2019), Asma Barlas demonstrates how a Muslim believer can fully adopt an antipatriarchal reading of the Qur’anic text while maintaining belief in its Divine Providence. The intervention she makes is thus as useful to those studying the Quran (and scriptural interpretation more broadly) in the western academy as it is to Muslims searching for renewed ways to interpret their Divine Scripture in a more egalitarian spirit. Barlas cogently argues that just as patriarchy is read into the text, it can also be unread, and provides a methodology by which this can be done. In the process, she critiques both those within her tradition who hold to fixed patriarchal or authoritarian readings of scripture and those outside of her tradition who believe that her efforts are futile. Barlas’s hermeneutic privileges the text without being strictly textualist. That is to say, she is conscious of—and likewise calls her readers to be attuned to—the role played by power in the construction of interpretive knowledge. For example, she argues that even if the Qur’an is emphatic and explicit in affirming that God is genderless, this has not prevented a masculinization and an anthropomorphization of God through certain (male-dominated) theological and spiritual discourses and language. In our interview, we take a journey through the three parts of her book: (1) Texts, Contexts, and Religious Meaning (2) God, the Prophets, and Fathers and (3) Unreading and Rereading Patriarchy. With deep moral clarity, Asma Barlas aims to recover what Leila Ahmad (1992) has called the ‘stubbornly egalitarian’ voice of Islam by illuminating the polysemic voice of the Qur’an. We additionally discuss the two new chapters in this revised edition of the book: “Abraham’s Sacrifice in the Qur’an: Beyond the Body” which elaborates on the Qur’anic rejection of representations of fathers as surrogates of a divine patriarch; and “Secular/Feminism and the Qur’an” where she engages with—and responds to—her secular and feminist interlocutors/critics on the subject of Qur’anic interpretation. This book is a passionate clarion call to dig deeper into how we receive, understand, and interpret scripture regardless of our faith commitments. Asad Dandia is a graduate student of Islamic Studies at Columbia University. Mon, 03 Aug 2020 08:00:00 -0000 full 109 New Books Network Barlas demonstrates how a Muslim believer can fully adopt an antipatriarchal reading of the Qur’anic text while maintaining belief in its Divine Providence... In this revised edition of her classic and groundbreaking work, Believing Women in Islam: Unreading Patriarchal Interpretations of the Qur’an (University of Texas Press, 2019), Asma Barlas demonstrates how a Muslim believer can fully adopt an antipatriarchal reading of the Qur’anic text while maintaining belief in its Divine Providence. The intervention she makes is thus as useful to those studying the Quran (and scriptural interpretation more broadly) in the western academy as it is to Muslims searching for renewed ways to interpret their Divine Scripture in a more egalitarian spirit. Barlas cogently argues that just as patriarchy is read into the text, it can also be unread, and provides a methodology by which this can be done. In the process, she critiques both those within her tradition who hold to fixed patriarchal or authoritarian readings of scripture and those outside of her tradition who believe that her efforts are futile. Barlas’s hermeneutic privileges the text without being strictly textualist. That is to say, she is conscious of—and likewise calls her readers to be attuned to—the role played by power in the construction of interpretive knowledge. For example, she argues that even if the Qur’an is emphatic and explicit in affirming that God is genderless, this has not prevented a masculinization and an anthropomorphization of God through certain (male-dominated) theological and spiritual discourses and language. In our interview, we take a journey through the three parts of her book: (1) Texts, Contexts, and Religious Meaning (2) God, the Prophets, and Fathers and (3) Unreading and Rereading Patriarchy. With deep moral clarity, Asma Barlas aims to recover what Leila Ahmad (1992) has called the ‘stubbornly egalitarian’ voice of Islam by illuminating the polysemic voice of the Qur’an. We additionally discuss the two new chapters in this revised edition of the book: “Abraham’s Sacrifice in the Qur’an: Beyond the Body” which elaborates on the Qur’anic rejection of representations of fathers as surrogates of a divine patriarch; and “Secular/Feminism and the Qur’an” where she engages with—and responds to—her secular and feminist interlocutors/critics on the subject of Qur’anic interpretation. This book is a passionate clarion call to dig deeper into how we receive, understand, and interpret scripture regardless of our faith commitments. Asad Dandia is a graduate student of Islamic Studies at Columbia University. In this revised edition of her classic and groundbreaking work, Believing Women in Islam: Unreading Patriarchal Interpretations of the Qur’an (University of Texas Press, 2019), Asma Barlas demonstrates how a Muslim believer can fully adopt an antipatriarchal reading of the Qur’anic text while maintaining belief in its Divine Providence. The intervention she makes is thus as useful to those studying the Quran (and scriptural interpretation more broadly) in the western academy as it is to Muslims searching for renewed ways to interpret their Divine Scripture in a more egalitarian spirit.

Barlas cogently argues that just as patriarchy is read into the text, it can also be unread, and provides a methodology by which this can be done. In the process, she critiques both those within her tradition who hold to fixed patriarchal or authoritarian readings of scripture and those outside of her tradition who believe that her efforts are futile. Barlas’s hermeneutic privileges the text without being strictly textualist. That is to say, she is conscious of—and likewise calls her readers to be attuned to—the role played by power in the construction of interpretive knowledge. For example, she argues that even if the Qur’an is emphatic and explicit in affirming that God is genderless, this has not prevented a masculinization and an anthropomorphization of God through certain (male-dominated) theological and spiritual discourses and language.

In our interview, we take a journey through the three parts of her book: (1) Texts, Contexts, and Religious Meaning (2) God, the Prophets, and Fathers and (3) Unreading and Rereading Patriarchy. With deep moral clarity, Asma Barlas aims to recover what Leila Ahmad (1992) has called the ‘stubbornly egalitarian’ voice of Islam by illuminating the polysemic voice of the Qur’an. We additionally discuss the two new chapters in this revised edition of the book: “Abraham’s Sacrifice in the Qur’an: Beyond the Body” which elaborates on the Qur’anic rejection of representations of fathers as surrogates of a divine patriarch; and “Secular/Feminism and the Qur’an” where she engages with—and responds to—her secular and feminist interlocutors/critics on the subject of Qur’anic interpretation. This book is a passionate clarion call to dig deeper into how we receive, understand, and interpret scripture regardless of our faith commitments.

Asad Dandia is a graduate student of Islamic Studies at Columbia University.

]]> 2327 no Emily Wallace, "Road Sides: An Illustrated Companion to Dining and Driving in the American South" (U Texas Press, 2019) In this this interview, Carrie Tippen talks with Emily Wallace, author and illustrator of the new book Road Sides: An Illustrated Companion to Dining and Driving in the American South (University of Texas Press, 2019). Road Sides pays homage to popular travel guides with its short chapters, one for each letter of the alphabet containing a brief contextualizing essay followed by a feature of a specific location, business, or product. “A” is for Architecture, a tribute to buildings in the shape of foods one might find on the highway; “B” is for Billboards, their ubiquity and creativity and sometimes, as in the case of the “South of the Border” billboards, racial insensitivity. Road Sides is clearly aimed at a general audience of readers with its journalistic style of participant observation and whimsical illustrations, but Wallace makes use of her folklore training and scholarly connections in both the historical contextualizing of automobile culture and the critical lens with which she points out the good, the bad, and the ugly of Southern history and practice. While Road Sides is certainly a celebration of Southern foodways, it is not without criticism. A thread runs throughout the book that there is not a single story of Southern road travel. Wallace is careful to remind readers that before the civil rights era, there are two very distinct experiences for black and white Southerners, and after the ostensible end of racial segregation in public spaces, a third story emerges that changes the experience for all travelers. Wallace addresses these disparate narratives most directly in “D” for Directions, focusing on the Negro Motorist Green-Book that ran counter to the Official Automobile Blue Book for white travelers, and in V for Vacancy, about the black-owned hotels that catered to black travelers. Similarly, in a chapter about the crossroads general store, Wallace reminds readers that Emmett Till was murdered after an encounter with white people in such a store. What emerges from this wide-ranging investigation is an story of innovation, both technological and entrepreneurial, about the creative minds who came up with a new product or process or marketing strategy to adapt to a world that is changed irrevocably by car travel. Emily Wallace is a writer and illustrator with a masters in folklore who serves as art director & deputy editor of Southern Cultures Quarterly at UNC-Chapel Hill, and has written and illustrated work for other publications including The Washington Post, Southern Living, The Oxford American, and GOOD. In 2015, Wallace was nominated for a James Beard Award in humor writing. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Fri, 24 Jul 2020 08:00:00 -0000 full 62 New Books Network Road Sides pays homage to popular travel guides with its short chapters, one for each letter of the alphabet containing a brief contextualizing essay followed by a feature of a specific location, business, or product... In this this interview, Carrie Tippen talks with Emily Wallace, author and illustrator of the new book Road Sides: An Illustrated Companion to Dining and Driving in the American South (University of Texas Press, 2019). Road Sides pays homage to popular travel guides with its short chapters, one for each letter of the alphabet containing a brief contextualizing essay followed by a feature of a specific location, business, or product. “A” is for Architecture, a tribute to buildings in the shape of foods one might find on the highway; “B” is for Billboards, their ubiquity and creativity and sometimes, as in the case of the “South of the Border” billboards, racial insensitivity. Road Sides is clearly aimed at a general audience of readers with its journalistic style of participant observation and whimsical illustrations, but Wallace makes use of her folklore training and scholarly connections in both the historical contextualizing of automobile culture and the critical lens with which she points out the good, the bad, and the ugly of Southern history and practice. While Road Sides is certainly a celebration of Southern foodways, it is not without criticism. A thread runs throughout the book that there is not a single story of Southern road travel. Wallace is careful to remind readers that before the civil rights era, there are two very distinct experiences for black and white Southerners, and after the ostensible end of racial segregation in public spaces, a third story emerges that changes the experience for all travelers. Wallace addresses these disparate narratives most directly in “D” for Directions, focusing on the Negro Motorist Green-Book that ran counter to the Official Automobile Blue Book for white travelers, and in V for Vacancy, about the black-owned hotels that catered to black travelers. Similarly, in a chapter about the crossroads general store, Wallace reminds readers that Emmett Till was murdered after an encounter with white people in such a store. What emerges from this wide-ranging investigation is an story of innovation, both technological and entrepreneurial, about the creative minds who came up with a new product or process or marketing strategy to adapt to a world that is changed irrevocably by car travel. Emily Wallace is a writer and illustrator with a masters in folklore who serves as art director & deputy editor of Southern Cultures Quarterly at UNC-Chapel Hill, and has written and illustrated work for other publications including The Washington Post, Southern Living, The Oxford American, and GOOD. In 2015, Wallace was nominated for a James Beard Award in humor writing. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. In this this interview, Carrie Tippen talks with Emily Wallace, author and illustrator of the new book Road Sides: An Illustrated Companion to Dining and Driving in the American South (University of Texas Press, 2019).

Road Sides pays homage to popular travel guides with its short chapters, one for each letter of the alphabet containing a brief contextualizing essay followed by a feature of a specific location, business, or product. “A” is for Architecture, a tribute to buildings in the shape of foods one might find on the highway; “B” is for Billboards, their ubiquity and creativity and sometimes, as in the case of the “South of the Border” billboards, racial insensitivity.

Road Sides is clearly aimed at a general audience of readers with its journalistic style of participant observation and whimsical illustrations, but Wallace makes use of her folklore training and scholarly connections in both the historical contextualizing of automobile culture and the critical lens with which she points out the good, the bad, and the ugly of Southern history and practice.

While Road Sides is certainly a celebration of Southern foodways, it is not without criticism. A thread runs throughout the book that there is not a single story of Southern road travel. Wallace is careful to remind readers that before the civil rights era, there are two very distinct experiences for black and white Southerners, and after the ostensible end of racial segregation in public spaces, a third story emerges that changes the experience for all travelers.

Wallace addresses these disparate narratives most directly in “D” for Directions, focusing on the Negro Motorist Green-Book that ran counter to the Official Automobile Blue Book for white travelers, and in V for Vacancy, about the black-owned hotels that catered to black travelers.

Similarly, in a chapter about the crossroads general store, Wallace reminds readers that Emmett Till was murdered after an encounter with white people in such a store. What emerges from this wide-ranging investigation is an story of innovation, both technological and entrepreneurial, about the creative minds who came up with a new product or process or marketing strategy to adapt to a world that is changed irrevocably by car travel.

Emily Wallace is a writer and illustrator with a masters in folklore who serves as art director & deputy editor of Southern Cultures Quarterly at UNC-Chapel Hill, and has written and illustrated work for other publications including The Washington Post, Southern Living, The Oxford American, and GOOD. In 2015, Wallace was nominated for a James Beard Award in humor writing.

Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.

]]> 3001 no L. L. Wynn, "Love, Sex, and Desire in Modern Egypt: Navigating the Margins of Respectability" (U Texas Press, 2018) L. L. Wynn’s book Love, Sex, and Desire in Modern Egypt: Navigating the Margins of Respectability (University of Texas Press, 2018) is an interrogation of urban life and gendered mobilities in Cairo, Egypt. She discusses categories of kinship, tourism, friendship, love, and sex through the lens of “respectability”; and in the process illustrates how “respectability” itself is an unstable category. Not only does it mean different things to different people, it is also something that people (men and women) don’t inherently possess and with which they must continuously grapple. Methodologically the book delineates the political stakes of writing about these categories in a space like Egypt, especially since the discourses of orientalism that frame these categories have had violent political implications. Wynn also critically positions herself within the text and constantly analyzes her own presence in the “field”. She visibly struggles with the category of “respectability” as it, inconsistently, applies to her. The book’s narrative style and care with which key characters and interlocutors are developed throughout, reiterate Wynn’s dedication to the political stakes of her text. From the antique store owners, workers and tour guides (called tourist hustlers) to belly dancers and university students the ethnography spans a variety of social groups and classes where themes of love, sex, and desire intertwine with the economy such that intimacy and circulation and exchange of money becomes closely tied. These affective and intimate economies become sites of speculating about “respectability” and judging people’s commitment to love. Money is exchanged and circulates just as words do in the form of gossip or the way people “talk” and the urbality of Cairo becomes unimaginable without thinking about love, sex, desire and violence, that co-exist in complex ways. L. L. Wynn is an associate professor and head of the Anthropology Department at Macquarie University. Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia.   Fri, 17 Jul 2020 08:00:00 -0000 full 1 New Books Network Wynn offers an interrogation of urban life and gendered mobilities in Cairo, Egypt.. L. L. Wynn’s book Love, Sex, and Desire in Modern Egypt: Navigating the Margins of Respectability (University of Texas Press, 2018) is an interrogation of urban life and gendered mobilities in Cairo, Egypt. She discusses categories of kinship, tourism, friendship, love, and sex through the lens of “respectability”; and in the process illustrates how “respectability” itself is an unstable category. Not only does it mean different things to different people, it is also something that people (men and women) don’t inherently possess and with which they must continuously grapple. Methodologically the book delineates the political stakes of writing about these categories in a space like Egypt, especially since the discourses of orientalism that frame these categories have had violent political implications. Wynn also critically positions herself within the text and constantly analyzes her own presence in the “field”. She visibly struggles with the category of “respectability” as it, inconsistently, applies to her. The book’s narrative style and care with which key characters and interlocutors are developed throughout, reiterate Wynn’s dedication to the political stakes of her text. From the antique store owners, workers and tour guides (called tourist hustlers) to belly dancers and university students the ethnography spans a variety of social groups and classes where themes of love, sex, and desire intertwine with the economy such that intimacy and circulation and exchange of money becomes closely tied. These affective and intimate economies become sites of speculating about “respectability” and judging people’s commitment to love. Money is exchanged and circulates just as words do in the form of gossip or the way people “talk” and the urbality of Cairo becomes unimaginable without thinking about love, sex, desire and violence, that co-exist in complex ways. L. L. Wynn is an associate professor and head of the Anthropology Department at Macquarie University. Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia.   L. L. Wynn’s book Love, Sex, and Desire in Modern Egypt: Navigating the Margins of Respectability (University of Texas Press, 2018) is an interrogation of urban life and gendered mobilities in Cairo, Egypt. She discusses categories of kinship, tourism, friendship, love, and sex through the lens of “respectability”; and in the process illustrates how “respectability” itself is an unstable category. Not only does it mean different things to different people, it is also something that people (men and women) don’t inherently possess and with which they must continuously grapple.

Methodologically the book delineates the political stakes of writing about these categories in a space like Egypt, especially since the discourses of orientalism that frame these categories have had violent political implications. Wynn also critically positions herself within the text and constantly analyzes her own presence in the “field”. She visibly struggles with the category of “respectability” as it, inconsistently, applies to her.

The book’s narrative style and care with which key characters and interlocutors are developed throughout, reiterate Wynn’s dedication to the political stakes of her text. From the antique store owners, workers and tour guides (called tourist hustlers) to belly dancers and university students the ethnography spans a variety of social groups and classes where themes of love, sex, and desire intertwine with the economy such that intimacy and circulation and exchange of money becomes closely tied.

These affective and intimate economies become sites of speculating about “respectability” and judging people’s commitment to love. Money is exchanged and circulates just as words do in the form of gossip or the way people “talk” and the urbality of Cairo becomes unimaginable without thinking about love, sex, desire and violence, that co-exist in complex ways.

L. L. Wynn is an associate professor and head of the Anthropology Department at Macquarie University.

Lakshita Malik is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of intimacies, class, gender, and beauty in South Asia.

 

]]> 2939 no Claudia Rueda, "Students of Revolution: Youth, Protest, and Coalition-Building in Somoza-Era Nicaragua" (U Texas Press, 2019) Claudia Rueda’s book Students of Revolution: Youth, Protest, and Coalition-Building in Somoza-Era Nicaragua (University of Texas Press, 2019) is a history of student organizing against dictatorship in twentieth-century Nicaragua. By mobilizing in support of the Frente Sandinista de Liberación Nacional and other anti-Somoza forces, students helped to build what Rueda calls “a culture of insurrection” that made armed revolutionary struggle seem imaginable and needed to Nicaraguans from many backgrounds. What made students such an effective political force in Nicaragua was that as valuable future professionals and idealized youth, students enjoyed great latitude to express dissent and counted upon widespread public sympathy when they faced state repression. Drawing from oral histories and rich archives of student movements, Rueda documents how student activism against authoritarianism developed from the 1930s to 1979 as university enrollment grew and diversified. Student tactics and ideological commitments shifted during these decades in response to events at home (brief, limited democratic openings and harsh crackdowns on student dissidence) and abroad (the Cuban Revolution). By the 1960s, student organizations included moderate as well as leftist groups who were ultimately able to make common cause against the last Somoza dictator, Anastasio Somoza Debayle. Joining a growing body of scholarship on student politics in Latin America during the Cold War, Rueda’s book illustrates the profound impact of student activism in a small country which did not see major uprisings in 1968. Nevertheless, as dissident, organized, and well-connected youth, Nicaraguan students were instrumental in laying the groundwork for a successful revolution over a decade later, when the Sandinistas brought down Somoza in 1979. Claudia Rueda is an assistant professor of history at Texas A&M Corpus Christi. Rachel Grace Newman is Lecturer in the History of the Global South at Smith College. She has a Ph.D. in History from Columbia University, and she writes about youth, higher education, transnationalism, and social class in t Fri, 03 Jul 2020 08:00:00 -0000 full 89 New Books Network Rueda offers a history of student organizing against dictatorship in twentieth-century Nicaragua... Claudia Rueda’s book Students of Revolution: Youth, Protest, and Coalition-Building in Somoza-Era Nicaragua (University of Texas Press, 2019) is a history of student organizing against dictatorship in twentieth-century Nicaragua. By mobilizing in support of the Frente Sandinista de Liberación Nacional and other anti-Somoza forces, students helped to build what Rueda calls “a culture of insurrection” that made armed revolutionary struggle seem imaginable and needed to Nicaraguans from many backgrounds. What made students such an effective political force in Nicaragua was that as valuable future professionals and idealized youth, students enjoyed great latitude to express dissent and counted upon widespread public sympathy when they faced state repression. Drawing from oral histories and rich archives of student movements, Rueda documents how student activism against authoritarianism developed from the 1930s to 1979 as university enrollment grew and diversified. Student tactics and ideological commitments shifted during these decades in response to events at home (brief, limited democratic openings and harsh crackdowns on student dissidence) and abroad (the Cuban Revolution). By the 1960s, student organizations included moderate as well as leftist groups who were ultimately able to make common cause against the last Somoza dictator, Anastasio Somoza Debayle. Joining a growing body of scholarship on student politics in Latin America during the Cold War, Rueda’s book illustrates the profound impact of student activism in a small country which did not see major uprisings in 1968. Nevertheless, as dissident, organized, and well-connected youth, Nicaraguan students were instrumental in laying the groundwork for a successful revolution over a decade later, when the Sandinistas brought down Somoza in 1979. Claudia Rueda is an assistant professor of history at Texas A&M Corpus Christi. Rachel Grace Newman is Lecturer in the History of the Global South at Smith College. She has a Ph.D. in History from Columbia University, and she writes about youth, higher education, transnationalism, and social class in t Claudia Rueda’s book Students of Revolution: Youth, Protest, and Coalition-Building in Somoza-Era Nicaragua (University of Texas Press, 2019) is a history of student organizing against dictatorship in twentieth-century Nicaragua.

By mobilizing in support of the Frente Sandinista de Liberación Nacional and other anti-Somoza forces, students helped to build what Rueda calls “a culture of insurrection” that made armed revolutionary struggle seem imaginable and needed to Nicaraguans from many backgrounds.

What made students such an effective political force in Nicaragua was that as valuable future professionals and idealized youth, students enjoyed great latitude to express dissent and counted upon widespread public sympathy when they faced state repression.

Drawing from oral histories and rich archives of student movements, Rueda documents how student activism against authoritarianism developed from the 1930s to 1979 as university enrollment grew and diversified. Student tactics and ideological commitments shifted during these decades in response to events at home (brief, limited democratic openings and harsh crackdowns on student dissidence) and abroad (the Cuban Revolution). By the 1960s, student organizations included moderate as well as leftist groups who were ultimately able to make common cause against the last Somoza dictator, Anastasio Somoza Debayle.

Joining a growing body of scholarship on student politics in Latin America during the Cold War, Rueda’s book illustrates the profound impact of student activism in a small country which did not see major uprisings in 1968. Nevertheless, as dissident, organized, and well-connected youth, Nicaraguan students were instrumental in laying the groundwork for a successful revolution over a decade later, when the Sandinistas brought down Somoza in 1979.

Claudia Rueda is an assistant professor of history at Texas A&M Corpus Christi.

Rachel Grace Newman is Lecturer in the History of the Global South at Smith College. She has a Ph.D. in History from Columbia University, and she writes about youth, higher education, transnationalism, and social class in t

]]> 3232 no Scott Henderson, "Comics and Pop Culture: Adaptation from Panel to Frame" (U Texas Press, 2019) It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as “Little Nemo in Slumberland” and “Felix the Cat” were animated for the silver screen. Along with Barry Keith Grant, Scott Henderson (Dean and Head, Trent University Durham GTA) compiled a rich group of essays that represent diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies. Comics and Pop Culture: Adaptation from Panel to Frame (University of Texas Press, 2019) presents more than a dozen perspectives on this rich history and the effects of such adaptations. Fri, 05 Jun 2020 08:00:00 -0000 full 64 New Books Network It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies.... It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as “Little Nemo in Slumberland” and “Felix the Cat” were animated for the silver screen. Along with Barry Keith Grant, Scott Henderson (Dean and Head, Trent University Durham GTA) compiled a rich group of essays that represent diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies. Comics and Pop Culture: Adaptation from Panel to Frame (University of Texas Press, 2019) presents more than a dozen perspectives on this rich history and the effects of such adaptations. It is hard to discuss the current film industry without acknowledging the impact of comic book adaptations, especially considering the blockbuster success of recent superhero movies. Yet transmedial adaptations are part of an evolution that can be traced to the turn of the last century, when comic strips such as “Little Nemo in Slumberland” and “Felix the Cat” were animated for the silver screen. Along with Barry Keith Grant, Scott Henderson (Dean and Head, Trent University Durham GTA) compiled a rich group of essays that represent diverse academic fields, including technoculture, film studies, theater, feminist studies, popular culture, and queer studies. Comics and Pop Culture: Adaptation from Panel to Frame (University of Texas Press, 2019) presents more than a dozen perspectives on this rich history and the effects of such adaptations.

]]> 3893 no Alex Hidalgo, "Trail of Footprints: A History of Indigenous Maps from Viceregal Mexico" (U Texas Press, 2019) There is far more to a map than meets the eye. Such is the case in historian Alex Hidalgo’s Trail of Footprints: A History of Indigenous Maps from Viceregal Mexico (University of Texas Press, 2019), which focuses on the complex lives of dozens of Oaxacan maps created by Indigenous mapmakers. Tracing the legal, social, cultural, and political history of these maps, Hidalgo sheds new light on the purpose, production, and preservation of maps as well as the lives of Indigenous peoples and Spaniards alike involved in their production. The result is a vivid re-orientation of Oaxacan history that speaks to the historical power of collaboration, adaptation, and cartography. Trail of Footprints provides a deep dive into the production and use of maps, focusing specifically on the roles of patrons, painters, and notaries as well as the complex material dimension of mapmaking. Hidalgo lends equal attention to both the broader historical context of mapmaking and the smallest details of each cartographic creation, emphasizing how maps both recorded and created spatial relationships. In tracing the long lives of these maps, Hidalgo demonstrates, among other important interventions, the potency of Indigenous skills, ideas, and ways of knowing in creating and charting Oaxacan history.  Annabel LaBrecque is a PhD student in the Department of History at UC Berkeley. You can find her on Twitter @labrcq. Wed, 04 Mar 2020 09:00:00 -0000 full 93 New Books Network Hidalgo sheds new light on the purpose, production, and preservation of maps as well as the lives of Indigenous peoples and Spaniards alike involved in their production... There is far more to a map than meets the eye. Such is the case in historian Alex Hidalgo’s Trail of Footprints: A History of Indigenous Maps from Viceregal Mexico (University of Texas Press, 2019), which focuses on the complex lives of dozens of Oaxacan maps created by Indigenous mapmakers. Tracing the legal, social, cultural, and political history of these maps, Hidalgo sheds new light on the purpose, production, and preservation of maps as well as the lives of Indigenous peoples and Spaniards alike involved in their production. The result is a vivid re-orientation of Oaxacan history that speaks to the historical power of collaboration, adaptation, and cartography. Trail of Footprints provides a deep dive into the production and use of maps, focusing specifically on the roles of patrons, painters, and notaries as well as the complex material dimension of mapmaking. Hidalgo lends equal attention to both the broader historical context of mapmaking and the smallest details of each cartographic creation, emphasizing how maps both recorded and created spatial relationships. In tracing the long lives of these maps, Hidalgo demonstrates, among other important interventions, the potency of Indigenous skills, ideas, and ways of knowing in creating and charting Oaxacan history.  Annabel LaBrecque is a PhD student in the Department of History at UC Berkeley. You can find her on Twitter @labrcq. There is far more to a map than meets the eye. Such is the case in historian Alex Hidalgo’s Trail of Footprints: A History of Indigenous Maps from Viceregal Mexico (University of Texas Press, 2019), which focuses on the complex lives of dozens of Oaxacan maps created by Indigenous mapmakers. Tracing the legal, social, cultural, and political history of these maps, Hidalgo sheds new light on the purpose, production, and preservation of maps as well as the lives of Indigenous peoples and Spaniards alike involved in their production. The result is a vivid re-orientation of Oaxacan history that speaks to the historical power of collaboration, adaptation, and cartography.

Trail of Footprints provides a deep dive into the production and use of maps, focusing specifically on the roles of patrons, painters, and notaries as well as the complex material dimension of mapmaking. Hidalgo lends equal attention to both the broader historical context of mapmaking and the smallest details of each cartographic creation, emphasizing how maps both recorded and created spatial relationships. In tracing the long lives of these maps, Hidalgo demonstrates, among other important interventions, the potency of Indigenous skills, ideas, and ways of knowing in creating and charting Oaxacan history.

 Annabel LaBrecque is a PhD student in the Department of History at UC Berkeley. You can find her on Twitter @labrcq.

]]> 2948 no Andrew R. M. Smith, "No Way But To Fight: George Foreman and the Business of Boxing" (U Texas Press, 2020) Today we are joined by Andrew R. M. Smith, author of No Way But To Fight: George Foreman and the Business of Boxing (University of Texas Press, 2020). In our conversation, we discussed Foreman’s career, the role of race in American sports, and how boxing helped give rise to athletic mega-events. In No Way But To Fight, Smith traces the intersections between Foreman’s life, the racial politics of sports during the Civil Rights era, the intensification of boxing’s commercialization, the complexities of black masculinities, and the internationalization of sports mega-events. He shows that from his upbringing in Houston’s Fifth Ward to his role as a spokesman for the Foreman Grill, Foreman always fought to redefine himself along with the times. Smith’s telescoping view showcases a Foreman that played with different personalities - including American patriot, soul man, and evangelical preacher - in order to achieve success at distinct stages of his life. Although Smiths work proceeds chronologically, it focuses heavily on Foreman’s first boxing career, the period between Foreman’s Gold Medal fight in 1968 to his defeat in 1977 to Jimmy Young. Based on a close reading of newspaper articles, advertising materials, and interviews with the boxer, he paints vivid pictures of the snapshots of Foreman’s life. The pugilist pursued different strategies throughout his career in and outside of the ring – some more sensible than others such as not drinking water the day before a fight. He also showcases the way fighting created pathways for a young man from one of Houston’s roughest neighborhoods to achieve global fame and fortune. No Way But To Fight will appeal to readers interested in the links between money, race, and prize fighting in the United States. Tue, 28 Jan 2020 09:00:00 -0000 full 151 New Books Network Smith shows that from his upbringing in Houston’s Fifth Ward to his role as a spokesman for the Foreman Grill, Foreman always fought to redefine himself along with the times... Today we are joined by Andrew R. M. Smith, author of No Way But To Fight: George Foreman and the Business of Boxing (University of Texas Press, 2020). In our conversation, we discussed Foreman’s career, the role of race in American sports, and how boxing helped give rise to athletic mega-events. In No Way But To Fight, Smith traces the intersections between Foreman’s life, the racial politics of sports during the Civil Rights era, the intensification of boxing’s commercialization, the complexities of black masculinities, and the internationalization of sports mega-events. He shows that from his upbringing in Houston’s Fifth Ward to his role as a spokesman for the Foreman Grill, Foreman always fought to redefine himself along with the times. Smith’s telescoping view showcases a Foreman that played with different personalities - including American patriot, soul man, and evangelical preacher - in order to achieve success at distinct stages of his life. Although Smiths work proceeds chronologically, it focuses heavily on Foreman’s first boxing career, the period between Foreman’s Gold Medal fight in 1968 to his defeat in 1977 to Jimmy Young. Based on a close reading of newspaper articles, advertising materials, and interviews with the boxer, he paints vivid pictures of the snapshots of Foreman’s life. The pugilist pursued different strategies throughout his career in and outside of the ring – some more sensible than others such as not drinking water the day before a fight. He also showcases the way fighting created pathways for a young man from one of Houston’s roughest neighborhoods to achieve global fame and fortune. No Way But To Fight will appeal to readers interested in the links between money, race, and prize fighting in the United States. Today we are joined by Andrew R. M. Smith, author of No Way But To Fight: George Foreman and the Business of Boxing (University of Texas Press, 2020). In our conversation, we discussed Foreman’s career, the role of race in American sports, and how boxing helped give rise to athletic mega-events.

In No Way But To Fight, Smith traces the intersections between Foreman’s life, the racial politics of sports during the Civil Rights era, the intensification of boxing’s commercialization, the complexities of black masculinities, and the internationalization of sports mega-events. He shows that from his upbringing in Houston’s Fifth Ward to his role as a spokesman for the Foreman Grill, Foreman always fought to redefine himself along with the times. Smith’s telescoping view showcases a Foreman that played with different personalities - including American patriot, soul man, and evangelical preacher - in order to achieve success at distinct stages of his life.

Although Smiths work proceeds chronologically, it focuses heavily on Foreman’s first boxing career, the period between Foreman’s Gold Medal fight in 1968 to his defeat in 1977 to Jimmy Young. Based on a close reading of newspaper articles, advertising materials, and interviews with the boxer, he paints vivid pictures of the snapshots of Foreman’s life. The pugilist pursued different strategies throughout his career in and outside of the ring – some more sensible than others such as not drinking water the day before a fight. He also showcases the way fighting created pathways for a young man from one of Houston’s roughest neighborhoods to achieve global fame and fortune.

No Way But To Fight will appeal to readers interested in the links between money, race, and prize fighting in the United States.

]]> 3646 no C. J. Alvarez, "Border Land, Border Water: A History of Construction on the US-Mexico Divide" (U Texas Press, 2019) Recent debates over the building of a border wall on the U.S.-Mexico divide have raised logistical and ethical issues, leaving the historical record of border building uninvoked. A recent book, written by UT Austin professor Dr. C.J. Alvarez, offers an over one-hundred-year history that extends to before the building of a border wall in 1990. Border Land, Border Water: A History of Construction on the US-Mexico Divide (UT Press, 2019) recounts the history of how both US and Mexican government agencies surveyed, organized, and operationalized land and water from 1848 until 2009. By centering the relationship between government agencies and border policing, Alvarez clearly shows how construction and manipulation of the border space’s natural features maintained the political and geographical form of the nation-state, how it reproduced the notion of the border space as something needing to be controlled and dominated, and how it transformed the border space into one of economic possibility and growth. The history of construction and hydraulic engineering on the divide is largely about the opposing forces of border building to keep certain people and things out, and border building to let certain things in. Alvarez lays bare this tension between tactical infrastructure and trade infrastructure both as forces that have organized border life. During the 1960s and 70s, “the ports of entry began to embody the ever-deepening contradictions embedded in policies designed to accelerate sanctioned economic exchange on the one hand while seeking to decelerate black market commerce on the other,” Alvarez writes (143). By the turn of the 21st century, Alvarez argues, most of the police construction on the border was designed to manage the negative effects of previous building projects and policies. In regards to the completion of the 2009 border fence, Alvarez writes, “It was overbuilding designed to compensate for an unsustainable immigration system, unsustainable ‘drug wars,’ and an unsustainable politics of scapegoating noncitizens. Far more successful at achieving its stated goals, however, was the infrastructure of cross-border commerce” (222). Dr. Alvarez utilizes extensive government records from the binational agency International Boundary and Water Commission (IBWC)/ Comisión Internacional de Límites y Aguas (CILA), records from Army Corps of Engineers, the INS, and the prodigious W.D. Smithers photograph collection from the Harry Ransom Center. The number of photographs included in the manuscript shows the vastness of the US-Mexico divide's natural landscape, shows how agencies attempted to make sense of such vastness, and shows what they constructed. Border Land, Border Water is a must-read for historians of the US-Mexico divide, environmental historians, and anyone interested in better understanding from a historical perspective current calls construction on the border. Dr. Alvarez, “Chihuahuan Desert History” School for Advanced Research Colloquium Talk Jonathan Cortez is a Ph.D. candidate of American Studies at Brown University. You can follow Jonathan on Twitter @joncortz and on their personal website www.historiancortez.com Fri, 03 Jan 2020 09:00:00 -0000 full 56 New Books Network Alvarez offers an over one-hundred-year history that extends to before the building of a border wall in 1990... Recent debates over the building of a border wall on the U.S.-Mexico divide have raised logistical and ethical issues, leaving the historical record of border building uninvoked. A recent book, written by UT Austin professor Dr. C.J. Alvarez, offers an over one-hundred-year history that extends to before the building of a border wall in 1990. Border Land, Border Water: A History of Construction on the US-Mexico Divide (UT Press, 2019) recounts the history of how both US and Mexican government agencies surveyed, organized, and operationalized land and water from 1848 until 2009. By centering the relationship between government agencies and border policing, Alvarez clearly shows how construction and manipulation of the border space’s natural features maintained the political and geographical form of the nation-state, how it reproduced the notion of the border space as something needing to be controlled and dominated, and how it transformed the border space into one of economic possibility and growth. The history of construction and hydraulic engineering on the divide is largely about the opposing forces of border building to keep certain people and things out, and border building to let certain things in. Alvarez lays bare this tension between tactical infrastructure and trade infrastructure both as forces that have organized border life. During the 1960s and 70s, “the ports of entry began to embody the ever-deepening contradictions embedded in policies designed to accelerate sanctioned economic exchange on the one hand while seeking to decelerate black market commerce on the other,” Alvarez writes (143). By the turn of the 21st century, Alvarez argues, most of the police construction on the border was designed to manage the negative effects of previous building projects and policies. In regards to the completion of the 2009 border fence, Alvarez writes, “It was overbuilding designed to compensate for an unsustainable immigration system, unsustainable ‘drug wars,’ and an unsustainable politics of scapegoating noncitizens. Far more successful at achieving its stated goals, however, was the infrastructure of cross-border commerce” (222). Dr. Alvarez utilizes extensive government records from the binational agency International Boundary and Water Commission (IBWC)/ Comisión Internacional de Límites y Aguas (CILA), records from Army Corps of Engineers, the INS, and the prodigious W.D. Smithers photograph collection from the Harry Ransom Center. The number of photographs included in the manuscript shows the vastness of the US-Mexico divide's natural landscape, shows how agencies attempted to make sense of such vastness, and shows what they constructed. Border Land, Border Water is a must-read for historians of the US-Mexico divide, environmental historians, and anyone interested in better understanding from a historical perspective current calls construction on the border. Dr. Alvarez, “Chihuahuan Desert History” School for Advanced Research Colloquium Talk Jonathan Cortez is a Ph.D. candidate of American Studies at Brown University. You can follow Jonathan on Twitter @joncortz and on their personal website www.historiancortez.com Recent debates over the building of a border wall on the U.S.-Mexico divide have raised logistical and ethical issues, leaving the historical record of border building uninvoked. A recent book, written by UT Austin professor Dr. C.J. Alvarez, offers an over one-hundred-year history that extends to before the building of a border wall in 1990. Border Land, Border Water: A History of Construction on the US-Mexico Divide (UT Press, 2019) recounts the history of how both US and Mexican government agencies surveyed, organized, and operationalized land and water from 1848 until 2009. By centering the relationship between government agencies and border policing, Alvarez clearly shows how construction and manipulation of the border space’s natural features maintained the political and geographical form of the nation-state, how it reproduced the notion of the border space as something needing to be controlled and dominated, and how it transformed the border space into one of economic possibility and growth.

The history of construction and hydraulic engineering on the divide is largely about the opposing forces of border building to keep certain people and things out, and border building to let certain things in. Alvarez lays bare this tension between tactical infrastructure and trade infrastructure both as forces that have organized border life. During the 1960s and 70s, “the ports of entry began to embody the ever-deepening contradictions embedded in policies designed to accelerate sanctioned economic exchange on the one hand while seeking to decelerate black market commerce on the other,” Alvarez writes (143). By the turn of the 21st century, Alvarez argues, most of the police construction on the border was designed to manage the negative effects of previous building projects and policies. In regards to the completion of the 2009 border fence, Alvarez writes, “It was overbuilding designed to compensate for an unsustainable immigration system, unsustainable ‘drug wars,’ and an unsustainable politics of scapegoating noncitizens. Far more successful at achieving its stated goals, however, was the infrastructure of cross-border commerce” (222).

Dr. Alvarez utilizes extensive government records from the binational agency International Boundary and Water Commission (IBWC)/ Comisión Internacional de Límites y Aguas (CILA), records from Army Corps of Engineers, the INS, and the prodigious W.D. Smithers photograph collection from the Harry Ransom Center. The number of photographs included in the manuscript shows the vastness of the US-Mexico divide's natural landscape, shows how agencies attempted to make sense of such vastness, and shows what they constructed. Border Land, Border Water is a must-read for historians of the US-Mexico divide, environmental historians, and anyone interested in better understanding from a historical perspective current calls construction on the border.

Dr. Alvarez, “Chihuahuan Desert History” School for Advanced Research Colloquium Talk

Jonathan Cortez is a Ph.D. candidate of American Studies at Brown University. You can follow Jonathan on Twitter @joncortz and on their personal website www.historiancortez.com

]]> 3638 no Darius Sollohub, "Millennials in Architecture: Generations, Disruption, and the Legacy of a Profession" (U Texas Press, 2019) Much has been written about Millennials, but until now their growing presence in the field of architecture has not been examined in depth. In an era of significant challenges stemming from explosive population growth, climate change, and the density of cities, Darius Sollohub, Millennials in Architecture: Generations, Disruption, and the Legacy of a Profession (University of Texas Press, 2019) embraces the digitally savvy disruptors who are joining the field at a crucial time as it grapples with the best ways to respond to a changing physical world. Taking a clear-eyed look at the new generation in the context of the design professions, Sollohub begins by situating Millennials in a line of generations stretching back to early Modernism, exploring how each generation negotiates the ones before and after. He then considers the present moment, closely evaluating the significance of Millennial behaviors and characteristics (from civic-mindedness to collaboration, and time management in a 24/7 culture), all underpinned by fluency in the digital world. The book concludes with an assessment of the profound changes and opportunities that Millennial disruption will bring to education, licensure, and firm management. Encouraging new alliances, Millennials in Architecture is an essential resource for the architectural community and its stakeholders. Tue, 24 Dec 2019 09:00:00 -0000 full 36 New Books Network Much has been written about Millennials, but until now their growing presence in the field of architecture has not been examined in depth... Much has been written about Millennials, but until now their growing presence in the field of architecture has not been examined in depth. In an era of significant challenges stemming from explosive population growth, climate change, and the density of cities, Darius Sollohub, Millennials in Architecture: Generations, Disruption, and the Legacy of a Profession (University of Texas Press, 2019) embraces the digitally savvy disruptors who are joining the field at a crucial time as it grapples with the best ways to respond to a changing physical world. Taking a clear-eyed look at the new generation in the context of the design professions, Sollohub begins by situating Millennials in a line of generations stretching back to early Modernism, exploring how each generation negotiates the ones before and after. He then considers the present moment, closely evaluating the significance of Millennial behaviors and characteristics (from civic-mindedness to collaboration, and time management in a 24/7 culture), all underpinned by fluency in the digital world. The book concludes with an assessment of the profound changes and opportunities that Millennial disruption will bring to education, licensure, and firm management. Encouraging new alliances, Millennials in Architecture is an essential resource for the architectural community and its stakeholders. Much has been written about Millennials, but until now their growing presence in the field of architecture has not been examined in depth. In an era of significant challenges stemming from explosive population growth, climate change, and the density of cities, Darius Sollohub, Millennials in Architecture: Generations, Disruption, and the Legacy of a Profession (University of Texas Press, 2019) embraces the digitally savvy disruptors who are joining the field at a crucial time as it grapples with the best ways to respond to a changing physical world.

Taking a clear-eyed look at the new generation in the context of the design professions, Sollohub begins by situating Millennials in a line of generations stretching back to early Modernism, exploring how each generation negotiates the ones before and after. He then considers the present moment, closely evaluating the significance of Millennial behaviors and characteristics (from civic-mindedness to collaboration, and time management in a 24/7 culture), all underpinned by fluency in the digital world. The book concludes with an assessment of the profound changes and opportunities that Millennial disruption will bring to education, licensure, and firm management. Encouraging new alliances, Millennials in Architecture is an essential resource for the architectural community and its stakeholders.

]]> 2930 no Asher Price, "Earl Campbell: Yards After Contact" (U Texas Press, 2019) Earl Campbell was a force in American football, winning a state championship in high school, rushing his way to a Heisman trophy for the University of Texas, and earning MVP as he took the Houston Oilers to the brink of the Super Bowl. Asher Price's exhilarating blend of biography and history, Early Campbell: Yards After Contact (University of Texas Press, 2019) chronicles the challenges and sacrifices one supremely gifted athlete faced in his journey to the Hall of Fame. The story begins in Tyler, Texas, and features his indomitable mother, a crusading judge, and a newly integrated high school, then moves to Austin, home of the University of Texas (infamously, the last all-white national champion in college football), where legendary coach Darrell Royal stakes his legacy on recruiting Campbell. Later, in booming, Luv-Ya-Blue Houston, Campbell reaches his peak with beloved coach Bum Phillips, who celebrates his star runner’s bruising style even as it takes its toll on Campbell’s body. Drawing on new interviews and research, Asher Price reveals how a naturally reticent kid from the country who never sought the spotlight struggled with complex issues of race and health. In an age when concussion revelations and player protest against racial injustice rock the NFL, Campbell’s life is a timely story of hard-earned success—and heart-wrenching sacrifice. Paul Knepper is an attorney and writer who was born and raised in New York and currently resides in Austin. He used to write about basketball for Bleacher Report and his currently working on his first book about the New York Knicks Teams of the 1990s is due out next year. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Wed, 04 Dec 2019 09:00:00 -0000 full 146 New Books Network Earl Campbell was a force in American football... Earl Campbell was a force in American football, winning a state championship in high school, rushing his way to a Heisman trophy for the University of Texas, and earning MVP as he took the Houston Oilers to the brink of the Super Bowl. Asher Price's exhilarating blend of biography and history, Early Campbell: Yards After Contact (University of Texas Press, 2019) chronicles the challenges and sacrifices one supremely gifted athlete faced in his journey to the Hall of Fame. The story begins in Tyler, Texas, and features his indomitable mother, a crusading judge, and a newly integrated high school, then moves to Austin, home of the University of Texas (infamously, the last all-white national champion in college football), where legendary coach Darrell Royal stakes his legacy on recruiting Campbell. Later, in booming, Luv-Ya-Blue Houston, Campbell reaches his peak with beloved coach Bum Phillips, who celebrates his star runner’s bruising style even as it takes its toll on Campbell’s body. Drawing on new interviews and research, Asher Price reveals how a naturally reticent kid from the country who never sought the spotlight struggled with complex issues of race and health. In an age when concussion revelations and player protest against racial injustice rock the NFL, Campbell’s life is a timely story of hard-earned success—and heart-wrenching sacrifice. Paul Knepper is an attorney and writer who was born and raised in New York and currently resides in Austin. He used to write about basketball for Bleacher Report and his currently working on his first book about the New York Knicks Teams of the 1990s is due out next year. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep. Earl Campbell was a force in American football, winning a state championship in high school, rushing his way to a Heisman trophy for the University of Texas, and earning MVP as he took the Houston Oilers to the brink of the Super Bowl. Asher Price's exhilarating blend of biography and history, Early Campbell: Yards After Contact (University of Texas Press, 2019) chronicles the challenges and sacrifices one supremely gifted athlete faced in his journey to the Hall of Fame. The story begins in Tyler, Texas, and features his indomitable mother, a crusading judge, and a newly integrated high school, then moves to Austin, home of the University of Texas (infamously, the last all-white national champion in college football), where legendary coach Darrell Royal stakes his legacy on recruiting Campbell. Later, in booming, Luv-Ya-Blue Houston, Campbell reaches his peak with beloved coach Bum Phillips, who celebrates his star runner’s bruising style even as it takes its toll on Campbell’s body.

Drawing on new interviews and research, Asher Price reveals how a naturally reticent kid from the country who never sought the spotlight struggled with complex issues of race and health. In an age when concussion revelations and player protest against racial injustice rock the NFL, Campbell’s life is a timely story of hard-earned success—and heart-wrenching sacrifice.

Paul Knepper is an attorney and writer who was born and raised in New York and currently resides in Austin. He used to write about basketball for Bleacher Report and his currently working on his first book about the New York Knicks Teams of the 1990s is due out next year. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.

]]> 2651 no Kathryn Holliday, "The Open-Ended City: David Dillon on Texas Architecture" (U Texas Press, 2019) It may only be a slight exaggeration to say that one of David Dillon's career accomplishments was to put the words "Dallas" and "architecture" in the same sentence again. After a screed in 1980 entitled "Why Is Dallas Architecture So Bad?" launched his career as an architecture critic, Dillon took to the pages of the Dallas Morning News to praise, lament, explain, beg, scold, suggest, cajole, and influence how Dallas and its metropolitan region took shape throughout three revolutionary decades of development. To follow his career as a critic from the early 1980s, when downtown was dormant and street life an afterthought, to his retirement--when a new mindset for urban planning had largely set in, but still had far to go--is to listen to a larger story about how thinking about the built environment in North American cities has changed over the last generation, the new questions that have been raised, and the old ones that persist. Some of Dillon's most memorable and enduring columns were recently published by University of Texas Press in a collection called The Open-Ended City: David Dillon on Texas Architecture, part of a series furnished by the Roger Fullington Endowment in Architecture. The book is edited and introduced by Kathryn Holliday, associate professor of architecture at the University of Texas at Arlington, where she is also the founding director of the David Dillon Center for Texas Architecture. Holliday is the author of Leopold Eidlitz: Architecture and Idealism in the Gilded Age (W. W. Norton & Company, 2008) and Ralph Walker: Architect of the Century (Rizzoli, 2012). David Dillon was the nationally acclaimed architecture critic of the Dallas Morning News, where his work received awards from the Associated Press, the Dallas Press Club, and the Texas Society of Architects. Nathan Bierma is a writer, instructional designer, and voiceover talent in Grand Rapids, Michigan. Mon, 02 Dec 2019 09:00:00 -0000 full 34 New Books Network It may only be a slight exaggeration to say that one of David Dillon's career accomplishments was to put the words "Dallas" and "architecture" in the same sentence again... It may only be a slight exaggeration to say that one of David Dillon's career accomplishments was to put the words "Dallas" and "architecture" in the same sentence again. After a screed in 1980 entitled "Why Is Dallas Architecture So Bad?" launched his career as an architecture critic, Dillon took to the pages of the Dallas Morning News to praise, lament, explain, beg, scold, suggest, cajole, and influence how Dallas and its metropolitan region took shape throughout three revolutionary decades of development. To follow his career as a critic from the early 1980s, when downtown was dormant and street life an afterthought, to his retirement--when a new mindset for urban planning had largely set in, but still had far to go--is to listen to a larger story about how thinking about the built environment in North American cities has changed over the last generation, the new questions that have been raised, and the old ones that persist. Some of Dillon's most memorable and enduring columns were recently published by University of Texas Press in a collection called The Open-Ended City: David Dillon on Texas Architecture, part of a series furnished by the Roger Fullington Endowment in Architecture. The book is edited and introduced by Kathryn Holliday, associate professor of architecture at the University of Texas at Arlington, where she is also the founding director of the David Dillon Center for Texas Architecture. Holliday is the author of Leopold Eidlitz: Architecture and Idealism in the Gilded Age (W. W. Norton & Company, 2008) and Ralph Walker: Architect of the Century (Rizzoli, 2012). David Dillon was the nationally acclaimed architecture critic of the Dallas Morning News, where his work received awards from the Associated Press, the Dallas Press Club, and the Texas Society of Architects. Nathan Bierma is a writer, instructional designer, and voiceover talent in Grand Rapids, Michigan. It may only be a slight exaggeration to say that one of David Dillon's career accomplishments was to put the words "Dallas" and "architecture" in the same sentence again. After a screed in 1980 entitled "Why Is Dallas Architecture So Bad?" launched his career as an architecture critic, Dillon took to the pages of the Dallas Morning News to praise, lament, explain, beg, scold, suggest, cajole, and influence how Dallas and its metropolitan region took shape throughout three revolutionary decades of development. To follow his career as a critic from the early 1980s, when downtown was dormant and street life an afterthought, to his retirement--when a new mindset for urban planning had largely set in, but still had far to go--is to listen to a larger story about how thinking about the built environment in North American cities has changed over the last generation, the new questions that have been raised, and the old ones that persist.

Some of Dillon's most memorable and enduring columns were recently published by University of Texas Press in a collection called The Open-Ended City: David Dillon on Texas Architecture, part of a series furnished by the Roger Fullington Endowment in Architecture. The book is edited and introduced by Kathryn Holliday, associate professor of architecture at the University of Texas at Arlington, where she is also the founding director of the David Dillon Center for Texas Architecture.

Holliday is the author of Leopold Eidlitz: Architecture and Idealism in the Gilded Age (W. W. Norton & Company, 2008) and Ralph Walker: Architect of the Century (Rizzoli, 2012).

David Dillon was the nationally acclaimed architecture critic of the Dallas Morning News, where his work received awards from the Associated Press, the Dallas Press Club, and the Texas Society of Architects.

Nathan Bierma is a writer, instructional designer, and voiceover talent in Grand Rapids, Michigan.

]]> 2206 no Perla Guerrero, "Nuevo South: Asians, Latinas/os, and the Remaking of Place" (U Texas Press, 2017) Perla Guerrero is the author of Nuevo South: Asians, Latinas/os, and the Remaking of Place (University of Texas Press, 2017). Nuevo South explores the history of an ever diversifying U.S. South by examining the mixed reactions refugees, immigrants, and migrants, from different countries, received in Arkansas in the latter half of the 20th century. Comparing the experiences of Vietnamese, Cuban, and Mexican refugees and migrants, Guerrero demonstrates why we need a more nuanced understanding of how these groups, and others, changed the face of the South and its many regional racial thinking. Perla Guerrero is an Associate Professor of American Studies at the University of Maryland – College Park. Guerrero studies race and ethnicity, with a focus on Latinas/os/xs and Asian Americans, space and place, immigration, labor, U.S. history, and the U.S. South specifically. Derek Litvak is a Ph.D. student in the department of history at the University of Maryland. Thu, 31 Oct 2019 08:00:00 -0000 full 639 New Books Network Nuevo South explores the history of an ever diversifying U.S. South... Perla Guerrero is the author of Nuevo South: Asians, Latinas/os, and the Remaking of Place (University of Texas Press, 2017). Nuevo South explores the history of an ever diversifying U.S. South by examining the mixed reactions refugees, immigrants, and migrants, from different countries, received in Arkansas in the latter half of the 20th century. Comparing the experiences of Vietnamese, Cuban, and Mexican refugees and migrants, Guerrero demonstrates why we need a more nuanced understanding of how these groups, and others, changed the face of the South and its many regional racial thinking. Perla Guerrero is an Associate Professor of American Studies at the University of Maryland – College Park. Guerrero studies race and ethnicity, with a focus on Latinas/os/xs and Asian Americans, space and place, immigration, labor, U.S. history, and the U.S. South specifically. Derek Litvak is a Ph.D. student in the department of history at the University of Maryland. Perla Guerrero is the author of Nuevo South: Asians, Latinas/os, and the Remaking of Place (University of Texas Press, 2017). Nuevo South explores the history of an ever diversifying U.S. South by examining the mixed reactions refugees, immigrants, and migrants, from different countries, received in Arkansas in the latter half of the 20th century. Comparing the experiences of Vietnamese, Cuban, and Mexican refugees and migrants, Guerrero demonstrates why we need a more nuanced understanding of how these groups, and others, changed the face of the South and its many regional racial thinking.

Perla Guerrero is an Associate Professor of American Studies at the University of Maryland – College Park. Guerrero studies race and ethnicity, with a focus on Latinas/os/xs and Asian Americans, space and place, immigration, labor, U.S. history, and the U.S. South specifically.

Derek Litvak is a Ph.D. student in the department of history at the University of Maryland.

]]> 3266 Kathryn E. O’Rourke, "O’Neil Ford on Architecture" (U Texas Press, 2019) O’Neil Ford on Architecture (University of Texas Press, 2019) brings together Ford’s major professional writings and speeches for the first time. Revealing the intellectual and theoretical underpinnings of his distinctive modernism, they illuminate his fascination with architectural history, his pioneering uses of new technologies and construction systems, his deep concerns for the landscape and environment, and his passionate commitments to education and civil rights. An interlocutor with titans of the twentieth century, including Louis Kahn and J. Robert Oppenheimer, Ford understood architecture as inseparable from the social, political, and scientific developments of his day. An introductory essay by Kathryn E. O’Rourke provides a critical assessment of Ford’s essays and lectures and repositions him in the history of US architectural modernism. As some of his most important buildings turn sixty, O’Neil Ford on Architecture demonstrates that this Texas modernist deserves to be ranked among the leading midcentury American architects. Kathryn E. O’Rourke is an associate professor of art history at Trinity University in San Antonio, TX. She is the author of Architecture in Mexico City: History, Representation, and the Shaping of a Capital. Fri, 04 Oct 2019 08:00:00 -0000 full 23 New Books Network O'Rourke brings together Ford’s major professional writings and speeches for the first time.,, O’Neil Ford on Architecture (University of Texas Press, 2019) brings together Ford’s major professional writings and speeches for the first time. Revealing the intellectual and theoretical underpinnings of his distinctive modernism, they illuminate his fascination with architectural history, his pioneering uses of new technologies and construction systems, his deep concerns for the landscape and environment, and his passionate commitments to education and civil rights. An interlocutor with titans of the twentieth century, including Louis Kahn and J. Robert Oppenheimer, Ford understood architecture as inseparable from the social, political, and scientific developments of his day. An introductory essay by Kathryn E. O’Rourke provides a critical assessment of Ford’s essays and lectures and repositions him in the history of US architectural modernism. As some of his most important buildings turn sixty, O’Neil Ford on Architecture demonstrates that this Texas modernist deserves to be ranked among the leading midcentury American architects. Kathryn E. O’Rourke is an associate professor of art history at Trinity University in San Antonio, TX. She is the author of Architecture in Mexico City: History, Representation, and the Shaping of a Capital. O’Neil Ford on Architecture (University of Texas Press, 2019) brings together Ford’s major professional writings and speeches for the first time. Revealing the intellectual and theoretical underpinnings of his distinctive modernism, they illuminate his fascination with architectural history, his pioneering uses of new technologies and construction systems, his deep concerns for the landscape and environment, and his passionate commitments to education and civil rights. An interlocutor with titans of the twentieth century, including Louis Kahn and J. Robert Oppenheimer, Ford understood architecture as inseparable from the social, political, and scientific developments of his day. An introductory essay by Kathryn E. O’Rourke provides a critical assessment of Ford’s essays and lectures and repositions him in the history of US architectural modernism. As some of his most important buildings turn sixty, O’Neil Ford on Architecture demonstrates that this Texas modernist deserves to be ranked among the leading midcentury American architects.

Kathryn E. O’Rourke is an associate professor of art history at Trinity University in San Antonio, TX. She is the author of Architecture in Mexico City: History, Representation, and the Shaping of a Capital.

]]> 2865 no Okezi Otovo, "Progressive Mothers, Better Babies: Race, Public Health, and the State in Brazil, 1850-1945" (U Texas Press, 2016) Okezi Otovo’s Progressive Mothers, Better Babies: Race, Public Health, and the State in Brazil, 1850-1945 (U Texas Press, 2016) explores the intersecting histories of race, gender, and class in modern Brazil. Between 1850 and 1945, the period covered in the book, Brazil experienced a range of profound socio-political transformations: from the end of the transatlantic slave trade (1850), to the wholesale abolition of slavery (1988), the demise of the monarchy followed by the rise of a republican system of government, and the ultimate inauguration of the Vargas dictatorship. Set in Bahia, the book considers the impact of these changes in the lives of black mothers and their children by following the rise of the maternalist movement in Brazil and its relationship to international discourses on race, public health reform, and national modernity. In addition to tracking changes to medical ideas about motherhood and children, Okezi Otovo gives agency to these black and brown mothers and considers both how they acted and were acted upon by physicians, public health reformers, and newly-formed welfare institutions. Progressive Mothers, Better Babies provides an important contribution to scholarship working at the intersections of race, class, gender, public health, and medical thought. It will be an important read to anyone seeking to grapple with the essential role assigned to mothers – specifically to black and brown, poor women – by physicians and public health reformers in a deeply patriarchal society. Tue, 30 Jul 2019 08:00:00 -0000 full 55 New Books Network Otovo explores the intersecting histories of race, gender, and class in modern Brazil... Okezi Otovo’s Progressive Mothers, Better Babies: Race, Public Health, and the State in Brazil, 1850-1945 (U Texas Press, 2016) explores the intersecting histories of race, gender, and class in modern Brazil. Between 1850 and 1945, the period covered in the book, Brazil experienced a range of profound socio-political transformations: from the end of the transatlantic slave trade (1850), to the wholesale abolition of slavery (1988), the demise of the monarchy followed by the rise of a republican system of government, and the ultimate inauguration of the Vargas dictatorship. Set in Bahia, the book considers the impact of these changes in the lives of black mothers and their children by following the rise of the maternalist movement in Brazil and its relationship to international discourses on race, public health reform, and national modernity. In addition to tracking changes to medical ideas about motherhood and children, Okezi Otovo gives agency to these black and brown mothers and considers both how they acted and were acted upon by physicians, public health reformers, and newly-formed welfare institutions. Progressive Mothers, Better Babies provides an important contribution to scholarship working at the intersections of race, class, gender, public health, and medical thought. It will be an important read to anyone seeking to grapple with the essential role assigned to mothers – specifically to black and brown, poor women – by physicians and public health reformers in a deeply patriarchal society. Okezi Otovo’s Progressive Mothers, Better Babies: Race, Public Health, and the State in Brazil, 1850-1945 (U Texas Press, 2016) explores the intersecting histories of race, gender, and class in modern Brazil. Between 1850 and 1945, the period covered in the book, Brazil experienced a range of profound socio-political transformations: from the end of the transatlantic slave trade (1850), to the wholesale abolition of slavery (1988), the demise of the monarchy followed by the rise of a republican system of government, and the ultimate inauguration of the Vargas dictatorship. Set in Bahia, the book considers the impact of these changes in the lives of black mothers and their children by following the rise of the maternalist movement in Brazil and its relationship to international discourses on race, public health reform, and national modernity. In addition to tracking changes to medical ideas about motherhood and children, Okezi Otovo gives agency to these black and brown mothers and considers both how they acted and were acted upon by physicians, public health reformers, and newly-formed welfare institutions. Progressive Mothers, Better Babies provides an important contribution to scholarship working at the intersections of race, class, gender, public health, and medical thought. It will be an important read to anyone seeking to grapple with the essential role assigned to mothers – specifically to black and brown, poor women – by physicians and public health reformers in a deeply patriarchal society.

]]> 4430 no Maria Cotera, "Chicana Movidas: New Narratives of Activism and Feminism in the Movement Era" (U of Texas Press, 2018) In Chicana Movidas: New Narratives of Activism and Feminism in the Movement Era(University of Texas Press, 2018), Dionne Espinoza, María Eugenia Cotera, and Maylei Blackwell have formulated a landmark anthology illustrating Chicana feminism and activism that spread in the Southwest, Midwest, and Pacific Northwest during the Chicana/o movement era. Contributors examine Chicana activism from different angles that are classified as either hallway movidas, home-making movidas, movidas of crossing, or memory movidas. This episode features Dr. Cotera, who is an Associate Professor of American Culture and the Director of the Latina/o Program at the University of Michigan. Cotera also talks about the creation of Chicana por mi Raza: Digital Memory Collective, a digital archive that has innovatively collected and maintained over 7000 documents on Chicana history. As a way to decolonize the institutional archive, Cotera and Linda García Merchant initiated this endeavor in the early 2000s. González also speaks with Martha P. Cotera about her essay contribution and civil rights activism in Texas. Wed, 17 Jul 2019 08:00:00 -0000 full 48 New Books Network The editors have formulated a landmark anthology illustrating Chicana feminism and activism that spread in the Southwest, Midwest, and Pacific Northwest during the Chicana/o movement era... In Chicana Movidas: New Narratives of Activism and Feminism in the Movement Era(University of Texas Press, 2018), Dionne Espinoza, María Eugenia Cotera, and Maylei Blackwell have formulated a landmark anthology illustrating Chicana feminism and activism that spread in the Southwest, Midwest, and Pacific Northwest during the Chicana/o movement era. Contributors examine Chicana activism from different angles that are classified as either hallway movidas, home-making movidas, movidas of crossing, or memory movidas. This episode features Dr. Cotera, who is an Associate Professor of American Culture and the Director of the Latina/o Program at the University of Michigan. Cotera also talks about the creation of Chicana por mi Raza: Digital Memory Collective, a digital archive that has innovatively collected and maintained over 7000 documents on Chicana history. As a way to decolonize the institutional archive, Cotera and Linda García Merchant initiated this endeavor in the early 2000s. González also speaks with Martha P. Cotera about her essay contribution and civil rights activism in Texas. In Chicana Movidas: New Narratives of Activism and Feminism in the Movement Era(University of Texas Press, 2018), Dionne Espinoza, María Eugenia Cotera, and Maylei Blackwell have formulated a landmark anthology illustrating Chicana feminism and activism that spread in the Southwest, Midwest, and Pacific Northwest during the Chicana/o movement era. Contributors examine Chicana activism from different angles that are classified as either hallway movidas, home-making movidas, movidas of crossing, or memory movidas. This episode features Dr. Cotera, who is an Associate Professor of American Culture and the Director of the Latina/o Program at the University of Michigan. Cotera also talks about the creation of Chicana por mi Raza: Digital Memory Collective, a digital archive that has innovatively collected and maintained over 7000 documents on Chicana history. As a way to decolonize the institutional archive, Cotera and Linda García Merchant initiated this endeavor in the early 2000s. González also speaks with Martha P. Cotera about her essay contribution and civil rights activism in Texas.

]]> 3585 no Daniel Nemser, "Infrastructures of Race: Concentration and Biopolitics in Colonial Mexico" (U Texas Press, 2017) Daniel Nemser’s Infrastructures of Race: Concentration and Biopolitics in Colonial Mexico(University of Texas Press, 2017) examines the long history of how Spanish imperial rule depended upon spatial concentration – the gathering of people and things into centralized spaces – to control populations and consolidate power. Through four case studies spanning nearly 300 years of Spanish rule in colonial Mexico, Nemser illustrates how different modes of concentration -- centralized towns, disciplinary institutions, segregated neighborhoods, and general collections – reflected the prerogatives and imperatives of domination and expropriation. Compellingly, Infrastructures of Race argues that these spatial infrastructures and strategies were central and instrumental in the creation of racial identities and their inscription upon colonial subjects. Through designed and engineered spaces, racial identities were lived, sensed, and experienced, and as the built environment faded into barely noticeable infrastructure, race as well became naturalized. Infrastructures of Race provides essential historical background for present-day interrogations of how infrastructures – from aged water pipes to search engine algorithms – reinforce persistent racial inequalities. The challenges of de-racializing these often unnoticed foundations require a deep understanding of how race became so imbricated with technological environments. Through Nemser’s case studies, we can better apprehend the hundreds of years of oppression that have been built into our material lives. Lance C. Thurner recently completed a PhD in History at Rutgers University with a dissertation addressing the production of medical knowledge, political subjectivities, and racial and national identities in eighteenth and nineteenth-century Mexico. He is broadly interested in the methods and politics of applying a global perspective to the history of science and medicine and the role of the humanities in the age of the Anthropocene. Fri, 28 Jun 2019 08:00:00 -0000 full 196 New Books Network Nemser examines the long history of how Spanish imperial rule depended upon spatial concentration – the gathering of people and things into centralized spaces – to control populations and consolidate power... Daniel Nemser’s Infrastructures of Race: Concentration and Biopolitics in Colonial Mexico(University of Texas Press, 2017) examines the long history of how Spanish imperial rule depended upon spatial concentration – the gathering of people and things into centralized spaces – to control populations and consolidate power. Through four case studies spanning nearly 300 years of Spanish rule in colonial Mexico, Nemser illustrates how different modes of concentration -- centralized towns, disciplinary institutions, segregated neighborhoods, and general collections – reflected the prerogatives and imperatives of domination and expropriation. Compellingly, Infrastructures of Race argues that these spatial infrastructures and strategies were central and instrumental in the creation of racial identities and their inscription upon colonial subjects. Through designed and engineered spaces, racial identities were lived, sensed, and experienced, and as the built environment faded into barely noticeable infrastructure, race as well became naturalized. Infrastructures of Race provides essential historical background for present-day interrogations of how infrastructures – from aged water pipes to search engine algorithms – reinforce persistent racial inequalities. The challenges of de-racializing these often unnoticed foundations require a deep understanding of how race became so imbricated with technological environments. Through Nemser’s case studies, we can better apprehend the hundreds of years of oppression that have been built into our material lives. Lance C. Thurner recently completed a PhD in History at Rutgers University with a dissertation addressing the production of medical knowledge, political subjectivities, and racial and national identities in eighteenth and nineteenth-century Mexico. He is broadly interested in the methods and politics of applying a global perspective to the history of science and medicine and the role of the humanities in the age of the Anthropocene. Daniel Nemser’s Infrastructures of Race: Concentration and Biopolitics in Colonial Mexico(University of Texas Press, 2017) examines the long history of how Spanish imperial rule depended upon spatial concentration – the gathering of people and things into centralized spaces – to control populations and consolidate power. Through four case studies spanning nearly 300 years of Spanish rule in colonial Mexico, Nemser illustrates how different modes of concentration -- centralized towns, disciplinary institutions, segregated neighborhoods, and general collections – reflected the prerogatives and imperatives of domination and expropriation. Compellingly, Infrastructures of Race argues that these spatial infrastructures and strategies were central and instrumental in the creation of racial identities and their inscription upon colonial subjects. Through designed and engineered spaces, racial identities were lived, sensed, and experienced, and as the built environment faded into barely noticeable infrastructure, race as well became naturalized. Infrastructures of Race provides essential historical background for present-day interrogations of how infrastructures – from aged water pipes to search engine algorithms – reinforce persistent racial inequalities. The challenges of de-racializing these often unnoticed foundations require a deep understanding of how race became so imbricated with technological environments. Through Nemser’s case studies, we can better apprehend the hundreds of years of oppression that have been built into our material lives.

Lance C. Thurner recently completed a PhD in History at Rutgers University with a dissertation addressing the production of medical knowledge, political subjectivities, and racial and national identities in eighteenth and nineteenth-century Mexico. He is broadly interested in the methods and politics of applying a global perspective to the history of science and medicine and the role of the humanities in the age of the Anthropocene.

]]> 3806 no Brenda Elsey and Joshua Nadel, "Futbolera: A History of Women and Sports in Latin America" (U Texas Press, 2019) Brenda Elsey and Joshua Nadel’s new book, Futbolera: A History of Women and Sports in Latin America (University of Texas Press, 2019), uncovers the hidden history of the arrival of physical education for girls in the late-nineteenth century, it’s expansion beyond schools, and the subterranean struggles of girls and women to play and expand access and support for sports across Latin America. While sports has often been sidelined in histories of gender, class, nationalism, and the so-called Social Question in the region, Elsey and Nadel show how women’s involvement in sports animated eugenic debates over healthy citizens, nationalism, and proper motherhood in government, the Church, and the press. Beginning with women’s sports clubs in schools and moving to charity events, informal play, and regional leagues, women began to take up previously denied national and international pastimes much earlier than previously acknowledged. With women’s sports facing opposition, underfunding, neglect, silence, and outright outlawing (in the case of futbol in Brazil) throughout the twentieth century and up to the current World Cup, the authors show how generations of women athletes’ struggles and memories wove together a vibrant history of play, competition, and resilience. Despite the title, the book explores women’s involvement in tennis, track, gymnastics, basketball, and futbol (soccer), and medical and media debates over which activities were “properly” or “improperly” feminine for women’s psychology, bodies, and futures as mother’s. It covers case studies in Chile, Argentina, Brazil, Mexico, Costa Rica, and El Salvador. Jesse Zarley will be an assistant professor of history at Saint Joseph’s College on Long Island, where in Fall 2019 he will be teaching Latin American, Caribbean, and World History. His research interests include borderlands, ethnohistory, race, and transnationalism during Latin America’s Age of Revolution, particularly in Chile and Argentina. He is the author of a recent article on Mapuche leaders and Chile’s independence wars. You can follow him on Twitter. Tue, 25 Jun 2019 08:00:00 -0000 full 48 New Books Network Elsey and Nadel uncover the hidden history of the arrival of physical education for girls in the late-nineteenth century, Brenda Elsey and Joshua Nadel’s new book, Futbolera: A History of Women and Sports in Latin America (University of Texas Press, 2019), uncovers the hidden history of the arrival of physical education for girls in the late-nineteenth century, it’s expansion beyond schools, and the subterranean struggles of girls and women to play and expand access and support for sports across Latin America. While sports has often been sidelined in histories of gender, class, nationalism, and the so-called Social Question in the region, Elsey and Nadel show how women’s involvement in sports animated eugenic debates over healthy citizens, nationalism, and proper motherhood in government, the Church, and the press. Beginning with women’s sports clubs in schools and moving to charity events, informal play, and regional leagues, women began to take up previously denied national and international pastimes much earlier than previously acknowledged. With women’s sports facing opposition, underfunding, neglect, silence, and outright outlawing (in the case of futbol in Brazil) throughout the twentieth century and up to the current World Cup, the authors show how generations of women athletes’ struggles and memories wove together a vibrant history of play, competition, and resilience. Despite the title, the book explores women’s involvement in tennis, track, gymnastics, basketball, and futbol (soccer), and medical and media debates over which activities were “properly” or “improperly” feminine for women’s psychology, bodies, and futures as mother’s. It covers case studies in Chile, Argentina, Brazil, Mexico, Costa Rica, and El Salvador. Jesse Zarley will be an assistant professor of history at Saint Joseph’s College on Long Island, where in Fall 2019 he will be teaching Latin American, Caribbean, and World History. His research interests include borderlands, ethnohistory, race, and transnationalism during Latin America’s Age of Revolution, particularly in Chile and Argentina. He is the author of a recent article on Mapuche leaders and Chile’s independence wars. You can follow him on Twitter. Brenda Elsey and Joshua Nadel’s new book, Futbolera: A History of Women and Sports in Latin America (University of Texas Press, 2019), uncovers the hidden history of the arrival of physical education for girls in the late-nineteenth century, it’s expansion beyond schools, and the subterranean struggles of girls and women to play and expand access and support for sports across Latin America. While sports has often been sidelined in histories of gender, class, nationalism, and the so-called Social Question in the region, Elsey and Nadel show how women’s involvement in sports animated eugenic debates over healthy citizens, nationalism, and proper motherhood in government, the Church, and the press. Beginning with women’s sports clubs in schools and moving to charity events, informal play, and regional leagues, women began to take up previously denied national and international pastimes much earlier than previously acknowledged. With women’s sports facing opposition, underfunding, neglect, silence, and outright outlawing (in the case of futbol in Brazil) throughout the twentieth century and up to the current World Cup, the authors show how generations of women athletes’ struggles and memories wove together a vibrant history of play, competition, and resilience. Despite the title, the book explores women’s involvement in tennis, track, gymnastics, basketball, and futbol (soccer), and medical and media debates over which activities were “properly” or “improperly” feminine for women’s psychology, bodies, and futures as mother’s. It covers case studies in Chile, Argentina, Brazil, Mexico, Costa Rica, and El Salvador.

Jesse Zarley will be an assistant professor of history at Saint Joseph’s College on Long Island, where in Fall 2019 he will be teaching Latin American, Caribbean, and World History. His research interests include borderlands, ethnohistory, race, and transnationalism during Latin America’s Age of Revolution, particularly in Chile and Argentina. He is the author of a recent article on Mapuche leaders and Chile’s independence wars. You can follow him on Twitter.

]]> 3716 no Deborah Jaramillo, “The Television Code: Regulating the Screen to Safeguard the Industry” (U Texas Press, 2018) If you watch old movies or study film history, you may know that early 20th-century Hollywood operated under the Motion Picture Production Code, which dictated what could and couldn’t be portrayed onscreen. But did you know that television had a code of its own? Its story has never been told at length until now. Deborah Jaramillo, Associate Professor of Film and Television at Boston University, is the author of a new book called The Television Code: Regulating the Screen to Safeguard the Industry (University of Texas Press, 2018). Jaramillo tells the story of a young television industry’s attempt to police itself on controversial questions about content, fending off pressure from government regulators and finicky viewers. Jaramillo explores whether the federal government could have played a stronger role at this formative time in the industry, and what the code did and didn’t accomplish in its three decades of existence. Tue, 09 Oct 2018 10:00:00 -0000 full New Books Network If you watch old movies or study film history, you may know that early 20th-century Hollywood operated under the Motion Picture Production Code, which dictated what could and couldn’t be portrayed onscreen. If you watch old movies or study film history, you may know that early 20th-century Hollywood operated under the Motion Picture Production Code, which dictated what could and couldn’t be portrayed onscreen. But did you know that television had a code of its own? Its story has never been told at length until now. Deborah Jaramillo, Associate Professor of Film and Television at Boston University, is the author of a new book called The Television Code: Regulating the Screen to Safeguard the Industry (University of Texas Press, 2018). Jaramillo tells the story of a young television industry’s attempt to police itself on controversial questions about content, fending off pressure from government regulators and finicky viewers. Jaramillo explores whether the federal government could have played a stronger role at this formative time in the industry, and what the code did and didn’t accomplish in its three decades of existence. If you watch old movies or study film history, you may know that early 20th-century Hollywood operated under the Motion Picture Production Code, which dictated what could and couldn’t be portrayed onscreen. But did you know that television had a code of its own? Its story has never been told at length until now.

Deborah Jaramillo, Associate Professor of Film and Television at Boston University, is the author of a new book called The Television Code: Regulating the Screen to Safeguard the Industry (University of Texas Press, 2018). Jaramillo tells the story of a young television industry’s attempt to police itself on controversial questions about content, fending off pressure from government regulators and finicky viewers. Jaramillo explores whether the federal government could have played a stronger role at this formative time in the industry, and what the code did and didn’t accomplish in its three decades of existence.

]]> 3096 no Yaron Peleg, “Directed by God: Jewishness in Contemporary Israeli Film and Television” (University of Texas Press, 2016) As part of its effort to forge a new secular Jewish nation, the nascent Israeli state tried to limit Jewish religiosity. However, with the steady growth of the ultraorthodox community and the expansion of the settler community, Israeli society is becoming increasingly religious. Although the arrival of religious discourse in Israeli politics has long been noticed, its cultural development has rarely been addressed. In his new book Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016), Yaron Peleg explores how the country’s popular media, principally film and television, reflect this transformation. In doing so, it examines the changing nature of Zionism and the place of Judaism within it. Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar’s work here. Tue, 12 Jun 2018 10:00:00 -0000 full New Books Network As part of its effort to forge a new secular Jewish nation, the nascent Israeli state tried to limit Jewish religiosity. However, with the steady growth of the ultraorthodox community and the expansion of the settler community, As part of its effort to forge a new secular Jewish nation, the nascent Israeli state tried to limit Jewish religiosity. However, with the steady growth of the ultraorthodox community and the expansion of the settler community, Israeli society is becoming increasingly religious. Although the arrival of religious discourse in Israeli politics has long been noticed, its cultural development has rarely been addressed. In his new book Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016), Yaron Peleg explores how the country’s popular media, principally film and television, reflect this transformation. In doing so, it examines the changing nature of Zionism and the place of Judaism within it. Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar’s work here. As part of its effort to forge a new secular Jewish nation, the nascent Israeli state tried to limit Jewish religiosity. However, with the steady growth of the ultraorthodox community and the expansion of the settler community, Israeli society is becoming increasingly religious. Although the arrival of religious discourse in Israeli politics has long been noticed, its cultural development has rarely been addressed. In his new book Directed by God: Jewishness in Contemporary Israeli Film and Television (University of Texas Press, 2016), Yaron Peleg explores how the country’s popular media, principally film and television, reflect this transformation. In doing so, it examines the changing nature of Zionism and the place of Judaism within it.


Yaacov Yadgar is the Stanley Lewis Professor of Israel Studies at the University of Oxford. His most recent book is Sovereign Jews: Israel, Zionism and Judaism (SUNY Press, 2017). You can read more of Yadgar’s work here.

]]> 2853 no Nadia Yaqub and Rula Quawas, “Bad Girls of the Arab World” (U Texas Press, 2017) Modeled on Bad Girls of Japan (Palgrave Macmillan, 2005), Bad Girls of the Arab World (University of Texas Press, 2017), edited by Nadia Yaqub and the late Rula Quawas stands apart from the edited volume crowd. It includes, not only academic entries, but personal essays and reflections on art by their artists, all centered on the theme of transgression, or to put it in the language of Bad Girls of the Arab World itself, bad girls. And there is no one bad girl. Some bad girls of the Arab world use their linguistic and cultural heritage to empower them, some rail against them. Some ally themselves with the West, some don’t think about the West and the East as binaries, but rather, apply a complicated, nuanced worldview to their universes. However, all are allotted their agency. Bad Girls of the Arab World will be a resource for students of the Middle East and the general public on gender and the Arab world. Nadia Yaqub is an associate professor at the Department of Asian Studies at the University of North Carolina, Chapel Hill, where she is also chair of the Department of Asian Studies and adjunct associate professor at the Department of English and Comparative Literature. She is also associate editor for film and theater at the Review of Middle East Studies, an editorial collective member with the Journal of Middle East Women’s Studies and an advisory board member with the Middle East Journal of Culture and Communication. Her research interests include Arab cultural texts ranging from medieval literature and contemporary oral poetry to modern prose fiction and visual culture. She is the author of many articles and a book Pens, Swords, and the Springs of Art: The Oral Poetry Dueling of Palestinian Weddings in the Galilee (Brill Academic Publishers, 2006) and Palestinian Cinema in the Days of Revolution will be coming out from University of Texas Press in July 2018. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Mon, 16 Apr 2018 10:00:00 -0000 full New Books Network Modeled on Bad Girls of Japan (Palgrave Macmillan, 2005), Bad Girls of the Arab World (University of Texas Press, 2017), edited by Nadia Yaqub and the late Rula Quawas stands apart from the edited volume crowd. It includes, not only academic entries, Modeled on Bad Girls of Japan (Palgrave Macmillan, 2005), Bad Girls of the Arab World (University of Texas Press, 2017), edited by Nadia Yaqub and the late Rula Quawas stands apart from the edited volume crowd. It includes, not only academic entries, but personal essays and reflections on art by their artists, all centered on the theme of transgression, or to put it in the language of Bad Girls of the Arab World itself, bad girls. And there is no one bad girl. Some bad girls of the Arab world use their linguistic and cultural heritage to empower them, some rail against them. Some ally themselves with the West, some don’t think about the West and the East as binaries, but rather, apply a complicated, nuanced worldview to their universes. However, all are allotted their agency. Bad Girls of the Arab World will be a resource for students of the Middle East and the general public on gender and the Arab world. Nadia Yaqub is an associate professor at the Department of Asian Studies at the University of North Carolina, Chapel Hill, where she is also chair of the Department of Asian Studies and adjunct associate professor at the Department of English and Comparative Literature. She is also associate editor for film and theater at the Review of Middle East Studies, an editorial collective member with the Journal of Middle East Women’s Studies and an advisory board member with the Middle East Journal of Culture and Communication. Her research interests include Arab cultural texts ranging from medieval literature and contemporary oral poetry to modern prose fiction and visual culture. She is the author of many articles and a book Pens, Swords, and the Springs of Art: The Oral Poetry Dueling of Palestinian Weddings in the Galilee (Brill Academic Publishers, 2006) and Palestinian Cinema in the Days of Revolution will be coming out from University of Texas Press in July 2018. Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing. Modeled on Bad Girls of Japan (Palgrave Macmillan, 2005), Bad Girls of the Arab World (University of Texas Press, 2017), edited by Nadia Yaqub and the late Rula Quawas stands apart from the edited volume crowd. It includes, not only academic entries, but personal essays and reflections on art by their artists, all centered on the theme of transgression, or to put it in the language of Bad Girls of the Arab World itself, bad girls. And there is no one bad girl. Some bad girls of the Arab world use their linguistic and cultural heritage to empower them, some rail against them. Some ally themselves with the West, some don’t think about the West and the East as binaries, but rather, apply a complicated, nuanced worldview to their universes. However, all are allotted their agency. Bad Girls of the Arab World will be a resource for students of the Middle East and the general public on gender and the Arab world.

Nadia Yaqub is an associate professor at the Department of Asian Studies at the University of North Carolina, Chapel Hill, where she is also chair of the Department of Asian Studies and adjunct associate professor at the Department of English and Comparative Literature. She is also associate editor for film and theater at the Review of Middle East Studies, an editorial collective member with the Journal of Middle East Women’s Studies and an advisory board member with the Middle East Journal of Culture and Communication. Her research interests include Arab cultural texts ranging from medieval literature and contemporary oral poetry to modern prose fiction and visual culture. She is the author of many articles and a book Pens, Swords, and the Springs of Art: The Oral Poetry Dueling of Palestinian Weddings in the Galilee (Brill Academic Publishers, 2006) and Palestinian Cinema in the Days of Revolution will be coming out from University of Texas Press in July 2018.


Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.

]]> 2872 no Jeffrey H. Cohen, “Eating Soup without a Spoon: Anthropological Theory and Method in the Real World” (U. Texas Press, 2015) Jeffrey H. Cohen, a professor at The Ohio State University, has managed a rare feat: placing anthropology classics like Argonauts of the Western Pacific in the context of eating grasshoppers. His impressively readable Eating Soup without a Spoon: Anthropological Theory and Method in the Real World (University of Texas Press, 2015) is a retrospective on his first foray into the field, but it does a fair bit more than that. While recounting his own experiences in Oaxaca, Mexico, Cohen provides insight into how theory can be applied to the real world. The book transitions between high-level analysis of social relations in his adopted community and the harsh truths of working with human beings in less-than-comfortable settings. The result is a fun and interesting read, well-suited to undergraduate courses on introductory anthropology and field methods. Jared Miracle is an anthropologist and folklorist whose research areas include violence, education, and digital culture. He is the author of Now with Kung Fu Grip! How Bodybuilders, Soldiers and Hairdresser Reinvented Martial Arts for America. Thu, 02 Nov 2017 10:00:00 -0000 full New Books Network Jeffrey H. Cohen, a professor at The Ohio State University, has managed a rare feat: placing anthropology classics like Argonauts of the Western Pacific in the context of eating grasshoppers. His impressively readable Eating Soup without a Spoon: Anthr... Jeffrey H. Cohen, a professor at The Ohio State University, has managed a rare feat: placing anthropology classics like Argonauts of the Western Pacific in the context of eating grasshoppers. His impressively readable Eating Soup without a Spoon: Anthropological Theory and Method in the Real World (University of Texas Press, 2015) is a retrospective on his first foray into the field, but it does a fair bit more than that. While recounting his own experiences in Oaxaca, Mexico, Cohen provides insight into how theory can be applied to the real world. The book transitions between high-level analysis of social relations in his adopted community and the harsh truths of working with human beings in less-than-comfortable settings. The result is a fun and interesting read, well-suited to undergraduate courses on introductory anthropology and field methods. Jared Miracle is an anthropologist and folklorist whose research areas include violence, education, and digital culture. He is the author of Now with Kung Fu Grip! How Bodybuilders, Soldiers and Hairdresser Reinvented Martial Arts for America. Jeffrey H. Cohen, a professor at The Ohio State University, has managed a rare feat: placing anthropology classics like Argonauts of the Western Pacific in the context of eating grasshoppers. His impressively readable Eating Soup without a Spoon: Anthropological Theory and Method in the Real World (University of Texas Press, 2015) is a retrospective on his first foray into the field, but it does a fair bit more than that. While recounting his own experiences in Oaxaca, Mexico, Cohen provides insight into how theory can be applied to the real world. The book transitions between high-level analysis of social relations in his adopted community and the harsh truths of working with human beings in less-than-comfortable settings. The result is a fun and interesting read, well-suited to undergraduate courses on introductory anthropology and field methods.


Jared Miracle is an anthropologist and folklorist whose research areas include violence, education, and digital culture. He is the author of Now with Kung Fu Grip! How Bodybuilders, Soldiers and Hairdresser Reinvented Martial Arts for America.

]]> 1636 no Andrea L. Stanton, “This is Jerusalem Calling: State Radio in Mandate Palestine” (U of Texas Press, 2013) Despite the recent booms in the study of the Middle East and North Africa, technology studies still remain scarce: one of the recent attempts to fill the void is Andrea L. Stanton‘s ‘This is Jerusalem Calling’: State Radio in Mandate Palestine (University of Texas Press, 2013). She weaves together different narratives to tell the story of the Palestine Broadcasting Service (PBS), launched in 1936 as an attempt by the mandate government to cater to different audiences, shaping middle class culture in the mandate territory in the process. The PBS reflected the concept of the dual commitment the British had to both the Arab and Jewish populations of the Mandate, in addition to demonstrating how the populations engaged with radio as an emerging form of media. NA Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.   Thu, 14 Sep 2017 10:00:00 -0000 full New Books Network Despite the recent booms in the study of the Middle East and North Africa, technology studies still remain scarce: one of the recent attempts to fill the void is Andrea L. Stanton‘s ‘This is Jerusalem Calling’: State Radio in Mandate Palestine (Univers... Despite the recent booms in the study of the Middle East and North Africa, technology studies still remain scarce: one of the recent attempts to fill the void is Andrea L. Stanton‘s ‘This is Jerusalem Calling’: State Radio in Mandate Palestine (University of Texas Press, 2013). She weaves together different narratives to tell the story of the Palestine Broadcasting Service (PBS), launched in 1936 as an attempt by the mandate government to cater to different audiences, shaping middle class culture in the mandate territory in the process. The PBS reflected the concept of the dual commitment the British had to both the Arab and Jewish populations of the Mandate, in addition to demonstrating how the populations engaged with radio as an emerging form of media. NA Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.   Despite the recent booms in the study of the Middle East and North Africa, technology studies still remain scarce: one of the recent attempts to fill the void is Andrea L. Stanton‘s ‘This is Jerusalem Calling’: State Radio in Mandate Palestine (University of Texas Press, 2013). She weaves together different narratives to tell the story of the Palestine Broadcasting Service (PBS), launched in 1936 as an attempt by the mandate government to cater to different audiences, shaping middle class culture in the mandate territory in the process. The PBS reflected the concept of the dual commitment the British had to both the Arab and Jewish populations of the Mandate, in addition to demonstrating how the populations engaged with radio as an emerging form of media.


NA Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.

 

]]> 3665 no Faegheh Shirazi, “Brand Islam: The Marketing and Commodification of Piety” (U. Texas Press, 2016) Religion is big business nowadays. Within the global context of Muslim consumers Islamic commodities have become increasingly popular over the past few decades. Faegheh Shirazi, Professor in the Department of Middle Eastern Studies at the University of Texas at Austin, explores the industrial and discursive production of halal products in Brand Islam: The Marketing and Commodification of Piety (University of Texas Press, 2016). In the wake of increased insecurity due to the rise of anti-Muslim sentiments and policy, Islamic-branded products have become an essential means for shaping and expressing social identities. The commodification of a religious orientation has produced a halal consumerism that pervades the branding and marketing logic of several industries. In our conversation we discuss the corporatization of the halal food industry, Islamic products and non-Muslim publics, the politics of slaughtering animals, Islamic branded toys, such as hijabi dolls, cosmetic and toiletry products, and the Muslim fashion industry. Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Tue, 05 Sep 2017 21:31:00 -0000 full New Books Network Religion is big business nowadays. Within the global context of Muslim consumers Islamic commodities have become increasingly popular over the past few decades. Faegheh Shirazi, Professor in the Department of Middle Eastern Studies at the University of... Religion is big business nowadays. Within the global context of Muslim consumers Islamic commodities have become increasingly popular over the past few decades. Faegheh Shirazi, Professor in the Department of Middle Eastern Studies at the University of Texas at Austin, explores the industrial and discursive production of halal products in Brand Islam: The Marketing and Commodification of Piety (University of Texas Press, 2016). In the wake of increased insecurity due to the rise of anti-Muslim sentiments and policy, Islamic-branded products have become an essential means for shaping and expressing social identities. The commodification of a religious orientation has produced a halal consumerism that pervades the branding and marketing logic of several industries. In our conversation we discuss the corporatization of the halal food industry, Islamic products and non-Muslim publics, the politics of slaughtering animals, Islamic branded toys, such as hijabi dolls, cosmetic and toiletry products, and the Muslim fashion industry. Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu. Religion is big business nowadays. Within the global context of Muslim consumers Islamic commodities have become increasingly popular over the past few decades. Faegheh Shirazi, Professor in the Department of Middle Eastern Studies at the University of Texas at Austin, explores the industrial and discursive production of halal products in Brand Islam: The Marketing and Commodification of Piety (University of Texas Press, 2016). In the wake of increased insecurity due to the rise of anti-Muslim sentiments and policy, Islamic-branded products have become an essential means for shaping and expressing social identities. The commodification of a religious orientation has produced a halal consumerism that pervades the branding and marketing logic of several industries. In our conversation we discuss the corporatization of the halal food industry, Islamic products and non-Muslim publics, the politics of slaughtering animals, Islamic branded toys, such as hijabi dolls, cosmetic and toiletry products, and the Muslim fashion industry.


Kristian Petersen is an Assistant Professor of Religious Studies at the University of Nebraska Omaha. He is the author of Interpreting Islam in China: Pilgrimage, Scripture, and Language in the Han Kitab (Oxford University Press, 2017). He is currently working on a monograph entitled The Cinematic Lives of Muslims, and is the editor of the forthcoming volumes Muslims in the Movies: A Global Anthology (ILEX Foundation) and New Approaches to Islam in Film (Routledge). You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kjpetersen@unomaha.edu.

]]> 1707 no Nicholas C. Kawa, “Amazonia in the Anthropocene: People, Soils, Plants, and Forests” (U. Texas Press, 2016) Widespread human alteration of the planet has led many scholars to claim that we have entered a new epoch in geological time: the Anthropocene, an age dominated by humanity. This ethnography is the first to directly engage the Anthropocene, tackling its problems and paradoxes from the vantage point of the world’s largest tropical rainforest. Drawing from extensive ethnographic research, Nicholas C. Kawa‘s Amazonia in the Anthropocene: People, Soils, Plants, Forests (University of Texas Press, 2016) examines how pre-Columbian Amerindians and contemporary rural Amazonians have shaped their environment, describing in vivid detail their use and management of the region’s soils, plants, and forests. At the same time, Kawa highlights the ways in which the Amazonian environment resists human manipulation and control–a vital reminder in this time of perceived human dominance. Written in engaging, accessible prose, Amazonia in the Anthropocene offers an innovative contribution to debates about humanity’s place on the planet, encouraging deeper ecocentric thinking and a more inclusive vision of ecology for the future. Nivedita Kar is a student at the University of Southern California, having graduated from UCLA with a double major in Anthropology and Statistics and a masters degree from Northwestern University in biostatistics and epidemiology. She is immersed in the realm of academia and medicine, she hopes to be one of the rare few who aim to bridge the gap between clinical literacy and statistical methods. Tue, 05 Sep 2017 17:00:00 -0000 full New Books Network Widespread human alteration of the planet has led many scholars to claim that we have entered a new epoch in geological time: the Anthropocene, an age dominated by humanity. This ethnography is the first to directly engage the Anthropocene, Widespread human alteration of the planet has led many scholars to claim that we have entered a new epoch in geological time: the Anthropocene, an age dominated by humanity. This ethnography is the first to directly engage the Anthropocene, tackling its problems and paradoxes from the vantage point of the world’s largest tropical rainforest. Drawing from extensive ethnographic research, Nicholas C. Kawa‘s Amazonia in the Anthropocene: People, Soils, Plants, Forests (University of Texas Press, 2016) examines how pre-Columbian Amerindians and contemporary rural Amazonians have shaped their environment, describing in vivid detail their use and management of the region’s soils, plants, and forests. At the same time, Kawa highlights the ways in which the Amazonian environment resists human manipulation and control–a vital reminder in this time of perceived human dominance. Written in engaging, accessible prose, Amazonia in the Anthropocene offers an innovative contribution to debates about humanity’s place on the planet, encouraging deeper ecocentric thinking and a more inclusive vision of ecology for the future. Nivedita Kar is a student at the University of Southern California, having graduated from UCLA with a double major in Anthropology and Statistics and a masters degree from Northwestern University in biostatistics and epidemiology. She is immersed in the realm of academia and medicine, she hopes to be one of the rare few who aim to bridge the gap between clinical literacy and statistical methods. Widespread human alteration of the planet has led many scholars to claim that we have entered a new epoch in geological time: the Anthropocene, an age dominated by humanity. This ethnography is the first to directly engage the Anthropocene, tackling its problems and paradoxes from the vantage point of the world’s largest tropical rainforest.

Drawing from extensive ethnographic research, Nicholas C. Kawa‘s Amazonia in the Anthropocene: People, Soils, Plants, Forests (University of Texas Press, 2016) examines how pre-Columbian Amerindians and contemporary rural Amazonians have shaped their environment, describing in vivid detail their use and management of the region’s soils, plants, and forests. At the same time, Kawa highlights the ways in which the Amazonian environment resists human manipulation and control–a vital reminder in this time of perceived human dominance. Written in engaging, accessible prose, Amazonia in the Anthropocene offers an innovative contribution to debates about humanity’s place on the planet, encouraging deeper ecocentric thinking and a more inclusive vision of ecology for the future.


Nivedita Kar is a student at the University of Southern California, having graduated from UCLA with a double major in Anthropology and Statistics and a masters degree from Northwestern University in biostatistics and epidemiology. She is immersed in the realm of academia and medicine, she hopes to be one of the rare few who aim to bridge the gap between clinical literacy and statistical methods.

]]> 1626 no Paul Youngquist, “A Pure Solar World: Sun Ra and the Birth of Afrofuturism” (U. Texas Press, 2016) The legendary band leader Sun Ra said he came from Saturn. Known on Earth for his inventive music and extravagant stage shows, he pioneered free-form improvisation in an ensemble setting with the devoted band he called the “Arkestra,” Sun Ra took jazz from the inner city to outer space, infusing traditional swing with far-out harmonies, rhythms, and sounds. Described as the father of Afrofuturism, Sun Ra created “space music” as a means of building a better future for American blacks here on earth. A Pure Solar World: Sun Ra and the Birth of Afrofuturism (University of Texas Press, 2016) offers a spirited introduction to the life and works of this legendary but underappreciated musician, composer, and poet. The book explores and assesses Sun R’as wide-ranging creative output–music, public preaching, graphic design, film and stage performance, and poetry–and connects his diverse undertakings to the culture and politics of his times, including the space race, the rise of technocracy, the civil rights movement, and even space-age bachelor-pad music. By thoroughly examining the astro-black mythology that Sun Ra espoused, A Pure Solar World: Sun Ra and the Birth of Afrofuturism masterfully demonstrates that he offered both a holistic response to a planet desperately in need of new visions and vibrations and a new kind of political activism that used popular culture to advance social change. In a nation obsessed with space and confused about race, Sun Ra aimed not just at assimilation for the socially disfranchised but even more at a wholesale transformation of American society and a more creative, egalitarian world. Author Paul Youngquist teaches at the University of Colorado at Boulder and is a professor in the English Department and associate chair of Graduate Studies. His current areas of research focus are British literature, cultural studies, literacy theory, popular culture, film/digital media, and Romanticism. He is the author or editor of six books, including Cyberfiction: After the Future, Monstrosities: Bodies and British Romanticism, and Race, Romanticism, and the Atlantic. Dr. Youngquist now devotes much of his energy to studying the histories written and oral of resistance and creativity in the Caribbean. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Sat, 27 May 2017 19:38:00 -0000 full New Books Network The legendary band leader Sun Ra said he came from Saturn. Known on Earth for his inventive music and extravagant stage shows, he pioneered free-form improvisation in an ensemble setting with the devoted band he called the “Arkestra, The legendary band leader Sun Ra said he came from Saturn. Known on Earth for his inventive music and extravagant stage shows, he pioneered free-form improvisation in an ensemble setting with the devoted band he called the “Arkestra,” Sun Ra took jazz from the inner city to outer space, infusing traditional swing with far-out harmonies, rhythms, and sounds. Described as the father of Afrofuturism, Sun Ra created “space music” as a means of building a better future for American blacks here on earth. A Pure Solar World: Sun Ra and the Birth of Afrofuturism (University of Texas Press, 2016) offers a spirited introduction to the life and works of this legendary but underappreciated musician, composer, and poet. The book explores and assesses Sun R’as wide-ranging creative output–music, public preaching, graphic design, film and stage performance, and poetry–and connects his diverse undertakings to the culture and politics of his times, including the space race, the rise of technocracy, the civil rights movement, and even space-age bachelor-pad music. By thoroughly examining the astro-black mythology that Sun Ra espoused, A Pure Solar World: Sun Ra and the Birth of Afrofuturism masterfully demonstrates that he offered both a holistic response to a planet desperately in need of new visions and vibrations and a new kind of political activism that used popular culture to advance social change. In a nation obsessed with space and confused about race, Sun Ra aimed not just at assimilation for the socially disfranchised but even more at a wholesale transformation of American society and a more creative, egalitarian world. Author Paul Youngquist teaches at the University of Colorado at Boulder and is a professor in the English Department and associate chair of Graduate Studies. His current areas of research focus are British literature, cultural studies, literacy theory, popular culture, film/digital media, and Romanticism. He is the author or editor of six books, including Cyberfiction: After the Future, Monstrosities: Bodies and British Romanticism, and Race, Romanticism, and the Atlantic. Dr. Youngquist now devotes much of his energy to studying the histories written and oral of resistance and creativity in the Caribbean. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. The legendary band leader Sun Ra said he came from Saturn. Known on Earth for his inventive music and extravagant stage shows, he pioneered free-form improvisation in an ensemble setting with the devoted band he called the “Arkestra,” Sun Ra took jazz from the inner city to outer space, infusing traditional swing with far-out harmonies, rhythms, and sounds. Described as the father of Afrofuturism, Sun Ra created “space music” as a means of building a better future for American blacks here on earth.

A Pure Solar World: Sun Ra and the Birth of Afrofuturism (University of Texas Press, 2016) offers a spirited introduction to the life and works of this legendary but underappreciated musician, composer, and poet. The book explores and assesses Sun R’as wide-ranging creative output–music, public preaching, graphic design, film and stage performance, and poetry–and connects his diverse undertakings to the culture and politics of his times, including the space race, the rise of technocracy, the civil rights movement, and even space-age bachelor-pad music. By thoroughly examining the astro-black mythology that Sun Ra espoused, A Pure Solar World: Sun Ra and the Birth of Afrofuturism masterfully demonstrates that he offered both a holistic response to a planet desperately in need of new visions and vibrations and a new kind of political activism that used popular culture to advance social change. In a nation obsessed with space and confused about race, Sun Ra aimed not just at assimilation for the socially disfranchised but even more at a wholesale transformation of American society and a more creative, egalitarian world.

Author Paul Youngquist teaches at the University of Colorado at Boulder and is a professor in the English Department and associate chair of Graduate Studies. His current areas of research focus are British literature, cultural studies, literacy theory, popular culture, film/digital media, and Romanticism. He is the author or editor of six books, including Cyberfiction: After the Future, Monstrosities: Bodies and British Romanticism, and Race, Romanticism, and the Atlantic. Dr. Youngquist now devotes much of his energy to studying the histories written and oral of resistance and creativity in the Caribbean.


James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.

]]> 3219 no Diana Kennedy, “Nothing Fancy: Recipes and Recollections of Soul-Satisfying Food” (U of Texas Press, 2016) Diana Kennedy, Nothing Fancy: Recipes and Recollections of Soul-Satisfying Food (University of Texas Press, 2016). Don’t be misled by this title. Its author, Diana Kennedy, has written nine cookbooks and spent forty years researching, preserving, and protecting the cuisines of Mexico. She teaches its regional cooking techniques in her kitchen at the Diana Kennedy Center, Quinta Diana, in Michoacan, Mexico, as well internationally through cooking tours as an ambassador of authentic Mexican cuisine. Her expertise grew through decades of driving the length and width of Mexico in her truck, learning cooking techniques and ingredients from local cooks in towns and villages. Along the way, she kept notes on the locales, growing seasons, and uses of all the herbs. She even learned how to deal with the occasional scorpion (there’s a spray). The word redoubtable certainly applies. Kennedy is English; she spent the war years in the English Forestry Corps in Wales and Wiltshire, to which she attributes the awakening of her appreciation for local country foods. She traveled to North America after the war, staying in Canada. It was through marriage to an American journalist who she met to the Caribbean that she arrived in Mexico City, his new posting. From this beginning–the profusion, colors, and variety of Mexican foods astonished her–she was drawn slowly but inexorably into the world of Mexican cooking. First published in 1984, Nothing Fancy covers Kennedy’s many lives: foods from her English childhood as well as Mexican favorites and recipes from friends. In nineteenth-century cookery book style, it also contains a section on drinks and home remedies. In this 2016 edition, Kennedy delivers two sallies to the food world (at 94, she sees no need to mince words): the sections “My Betes Noires” and “My Betes Noires Vertes” will open your eyes and joggle your convictions. Ready to abandon kosher salt? Over her long career as an authority on Mexican cuisine, Diana Kennedy has been awarded the Mexican Order of the Aztec Eagle, the Order of the British Empire (OBE), the James Beard cookbook award for Oaxaca al Gusto, about the cuisine of Oaxaca, on the country’s southern coast, and the James Beard Cookbook Hall of Fame award. Mon, 22 May 2017 04:00:00 -0000 full New Books Network Diana Kennedy, Nothing Fancy: Recipes and Recollections of Soul-Satisfying Food (University of Texas Press, 2016). Don’t be misled by this title. Its author, Diana Kennedy, has written nine cookbooks and spent forty years researching, preserving, Diana Kennedy, Nothing Fancy: Recipes and Recollections of Soul-Satisfying Food (University of Texas Press, 2016). Don’t be misled by this title. Its author, Diana Kennedy, has written nine cookbooks and spent forty years researching, preserving, and protecting the cuisines of Mexico. She teaches its regional cooking techniques in her kitchen at the Diana Kennedy Center, Quinta Diana, in Michoacan, Mexico, as well internationally through cooking tours as an ambassador of authentic Mexican cuisine. Her expertise grew through decades of driving the length and width of Mexico in her truck, learning cooking techniques and ingredients from local cooks in towns and villages. Along the way, she kept notes on the locales, growing seasons, and uses of all the herbs. She even learned how to deal with the occasional scorpion (there’s a spray). The word redoubtable certainly applies. Kennedy is English; she spent the war years in the English Forestry Corps in Wales and Wiltshire, to which she attributes the awakening of her appreciation for local country foods. She traveled to North America after the war, staying in Canada. It was through marriage to an American journalist who she met to the Caribbean that she arrived in Mexico City, his new posting. From this beginning–the profusion, colors, and variety of Mexican foods astonished her–she was drawn slowly but inexorably into the world of Mexican cooking. First published in 1984, Nothing Fancy covers Kennedy’s many lives: foods from her English childhood as well as Mexican favorites and recipes from friends. In nineteenth-century cookery book style, it also contains a section on drinks and home remedies. In this 2016 edition, Kennedy delivers two sallies to the food world (at 94, she sees no need to mince words): the sections “My Betes Noires” and “My Betes Noires Vertes” will open your eyes and joggle your convictions. Ready to abandon kosher salt? Over her long career as an authority on Mexican cuisine, Diana Kennedy has been awarded the Mexican Order of the Aztec Eagle, the Order of the British Empire (OBE), the James Beard cookbook award for Oaxaca al Gusto, about the cuisine of Oaxaca, on the country’s southern coast, and the James Beard Cookbook Hall of Fame award. Diana Kennedy, Nothing Fancy: Recipes and Recollections of Soul-Satisfying Food (University of Texas Press, 2016). Don’t be misled by this title. Its author, Diana Kennedy, has written nine cookbooks and spent forty years researching, preserving, and protecting the cuisines of Mexico. She teaches its regional cooking techniques in her kitchen at the Diana Kennedy Center, Quinta Diana, in Michoacan, Mexico, as well internationally through cooking tours as an ambassador of authentic Mexican cuisine.

Her expertise grew through decades of driving the length and width of Mexico in her truck, learning cooking techniques and ingredients from local cooks in towns and villages. Along the way, she kept notes on the locales, growing seasons, and uses of all the herbs. She even learned how to deal with the occasional scorpion (there’s a spray).

The word redoubtable certainly applies. Kennedy is English; she spent the war years in the English Forestry Corps in Wales and Wiltshire, to which she attributes the awakening of her appreciation for local country foods. She traveled to North America after the war, staying in Canada. It was through marriage to an American journalist who she met to the Caribbean that she arrived in Mexico City, his new posting. From this beginning–the profusion, colors, and variety of Mexican foods astonished her–she was drawn slowly but inexorably into the world of Mexican cooking.

First published in 1984, Nothing Fancy covers Kennedy’s many lives: foods from her English childhood as well as Mexican favorites and recipes from friends. In nineteenth-century cookery book style, it also contains a section on drinks and home remedies.

In this 2016 edition, Kennedy delivers two sallies to the food world (at 94, she sees no need to mince words): the sections “My Betes Noires” and “My Betes Noires Vertes” will open your eyes and joggle your convictions. Ready to abandon kosher salt?

Over her long career as an authority on Mexican cuisine, Diana Kennedy has been awarded the Mexican Order of the Aztec Eagle, the Order of the British Empire (OBE), the James Beard cookbook award for Oaxaca al Gusto, about the cuisine of Oaxaca, on the country’s southern coast, and the James Beard Cookbook Hall of Fame award.

]]> 3986 no Stanley Corkin, “Connecting the Wire: Race, Space, and Postindustrial Baltimore” (U. Texas Press, 2017) Critically acclaimed as one of the best television shows ever produced, the HBO series The Wire (2002-2008) is a landmark event in television history, offering a raw and dramatically compelling vision of the teeming drug trade and the vitality of life in the abandoned spaces of the postindustrial United States. With a sprawling narrative that dramatizes the intersections of race, urban history, and the neoliberal moment, The Wire offers an intricate critique of a society ravaged by racism and inequality. In Connecting The Wire: Race, Space, and Postindustrial Baltimore (University of Texas Press, 2017), The author presents the first comprehensive, season-by-season analysis of the entire series. Focusing on the show’s depictions of the built environment of the city of Baltimore and the geographic dimensions of race and class, he analyzes how The Wire’s creator and showrunner, David Simon, uses the show to develop a social vision of its historical moment, as well as a device for critiquing many social givens. In The Wire’s gritty portrayals of drug dealers, cops, longshoremen, school officials and students, and members of the judicial system, Stanley Corkin maps a web of relationships and forces that define urban social life and the lives of the urban underclass in particular, in the early twenty-first century. He makes a compelling case that, with its embedded history of race and race relations in the United States, The Wire is perhaps the most sustained and articulate exploration of urban life in contemporary popular culture. Author Stanley Corkin is Charles Phelps Taft Professor and Niehoff Professor of Film and Media Studies in the Departments of History and English at the University of Cincinnati. His research and pedagogical interests include history and urban geography, cinema and the city, and the intersections of literature, film, and history in American Studies. His previous book-length projects include Starring New York: Filming the Grime and Glamour of the Long 1970s, Cowboys as Cold Warriors: The Western and U.S. History, and Realism and the Birth of the Modern United States: Cinema, Literature, and Culture. He is currently working on a research project relating to race and space in the city of Boston. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.   Tue, 16 May 2017 22:17:00 -0000 full New Books Network Critically acclaimed as one of the best television shows ever produced, the HBO series The Wire (2002-2008) is a landmark event in television history, offering a raw and dramatically compelling vision of the teeming drug trade and the vitality of life ... Critically acclaimed as one of the best television shows ever produced, the HBO series The Wire (2002-2008) is a landmark event in television history, offering a raw and dramatically compelling vision of the teeming drug trade and the vitality of life in the abandoned spaces of the postindustrial United States. With a sprawling narrative that dramatizes the intersections of race, urban history, and the neoliberal moment, The Wire offers an intricate critique of a society ravaged by racism and inequality. In Connecting The Wire: Race, Space, and Postindustrial Baltimore (University of Texas Press, 2017), The author presents the first comprehensive, season-by-season analysis of the entire series. Focusing on the show’s depictions of the built environment of the city of Baltimore and the geographic dimensions of race and class, he analyzes how The Wire’s creator and showrunner, David Simon, uses the show to develop a social vision of its historical moment, as well as a device for critiquing many social givens. In The Wire’s gritty portrayals of drug dealers, cops, longshoremen, school officials and students, and members of the judicial system, Stanley Corkin maps a web of relationships and forces that define urban social life and the lives of the urban underclass in particular, in the early twenty-first century. He makes a compelling case that, with its embedded history of race and race relations in the United States, The Wire is perhaps the most sustained and articulate exploration of urban life in contemporary popular culture. Author Stanley Corkin is Charles Phelps Taft Professor and Niehoff Professor of Film and Media Studies in the Departments of History and English at the University of Cincinnati. His research and pedagogical interests include history and urban geography, cinema and the city, and the intersections of literature, film, and history in American Studies. His previous book-length projects include Starring New York: Filming the Grime and Glamour of the Long 1970s, Cowboys as Cold Warriors: The Western and U.S. History, and Realism and the Birth of the Modern United States: Cinema, Literature, and Culture. He is currently working on a research project relating to race and space in the city of Boston. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.   Critically acclaimed as one of the best television shows ever produced, the HBO series The Wire (2002-2008) is a landmark event in television history, offering a raw and dramatically compelling vision of the teeming drug trade and the vitality of life in the abandoned spaces of the postindustrial United States. With a sprawling narrative that dramatizes the intersections of race, urban history, and the neoliberal moment, The Wire offers an intricate critique of a society ravaged by racism and inequality.

In Connecting The Wire: Race, Space, and Postindustrial Baltimore (University of Texas Press, 2017), The author presents the first comprehensive, season-by-season analysis of the entire series. Focusing on the show’s depictions of the built environment of the city of Baltimore and the geographic dimensions of race and class, he analyzes how The Wire’s creator and showrunner, David Simon, uses the show to develop a social vision of its historical moment, as well as a device for critiquing many social givens. In The Wire’s gritty portrayals of drug dealers, cops, longshoremen, school officials and students, and members of the judicial system, Stanley Corkin maps a web of relationships and forces that define urban social life and the lives of the urban underclass in particular, in the early twenty-first century. He makes a compelling case that, with its embedded history of race and race relations in the United States, The Wire is perhaps the most sustained and articulate exploration of urban life in contemporary popular culture.

Author Stanley Corkin is Charles Phelps Taft Professor and Niehoff Professor of Film and Media Studies in the Departments of History and English at the University of Cincinnati. His research and pedagogical interests include history and urban geography, cinema and the city, and the intersections of literature, film, and history in American Studies. His previous book-length projects include Starring New York: Filming the Grime and Glamour of the Long 1970s, Cowboys as Cold Warriors: The Western and U.S. History, and Realism and the Birth of the Modern United States: Cinema, Literature, and Culture. He is currently working on a research project relating to race and space in the city of Boston.


James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.

 

]]> 3155 no Christopher Pizzino, “Arresting Development: Comics at the Boundaries of Literature” (U of Texas Press, 2016) There’s a common myth about the history of comic books and strips. It’s the idea that the medium languished for decades as a sort of time-wasting hobby for children, but now has redeemed itself and can be appreciated even by the literary. University of Georgia professor and comics scholar Christopher Pizzino argues that this history is as false as Clark Kent’s eyeglass prescription. Comics, he says, are still burdened by their early stigma, their status in modern culture tenuous at best. In Arresting Development: Comics at the Boundaries of Literature (University of Texas Press, 2016), Pizzino offers up an educated and entertaining history of the comics medium, then devotes a chapter to each of four groundbreaking comic artists. In one, he looks at the film noir and manga-influenced work of Frank Miller, creator of The Dark Knight Returns and Sin City. Another chapter examines the work of Alison Bechdel, whose famed lesbian-centered comic strip, Dykes to Watch Out For, led to pop culture’s Bechdel Test, and whose autobiographical graphic novel Fun Home is now a hit musical. Charles Burns, whose Black Hole tells a haunting story of a teenage plague, is highlighted as an artist unable to sugarcoat his work even when he was trying to have his art published in Playboy magazine. And Gilbert Hernandez, best known for his innovative Love and Rockets series, created with his brother Jaime, shows himself to be nigh-fearless when it comes to his work, blending everything from erotica to violence to a biography of Mexican artist Frida Kahlo. Join Pizzino and pop-culture junkie and author Gael Fashingbauer Cooper (no relation to Archie Comics’ Betty Cooper) for a lively look at comics and their evolution, and why the very idea that the medium has safely come of age may be working against it. Sun, 19 Mar 2017 14:09:00 -0000 full New Books Network There’s a common myth about the history of comic books and strips. It’s the idea that the medium languished for decades as a sort of time-wasting hobby for children, but now has redeemed itself and can be appreciated even by the literary. There’s a common myth about the history of comic books and strips. It’s the idea that the medium languished for decades as a sort of time-wasting hobby for children, but now has redeemed itself and can be appreciated even by the literary. University of Georgia professor and comics scholar Christopher Pizzino argues that this history is as false as Clark Kent’s eyeglass prescription. Comics, he says, are still burdened by their early stigma, their status in modern culture tenuous at best. In Arresting Development: Comics at the Boundaries of Literature (University of Texas Press, 2016), Pizzino offers up an educated and entertaining history of the comics medium, then devotes a chapter to each of four groundbreaking comic artists. In one, he looks at the film noir and manga-influenced work of Frank Miller, creator of The Dark Knight Returns and Sin City. Another chapter examines the work of Alison Bechdel, whose famed lesbian-centered comic strip, Dykes to Watch Out For, led to pop culture’s Bechdel Test, and whose autobiographical graphic novel Fun Home is now a hit musical. Charles Burns, whose Black Hole tells a haunting story of a teenage plague, is highlighted as an artist unable to sugarcoat his work even when he was trying to have his art published in Playboy magazine. And Gilbert Hernandez, best known for his innovative Love and Rockets series, created with his brother Jaime, shows himself to be nigh-fearless when it comes to his work, blending everything from erotica to violence to a biography of Mexican artist Frida Kahlo. Join Pizzino and pop-culture junkie and author Gael Fashingbauer Cooper (no relation to Archie Comics’ Betty Cooper) for a lively look at comics and their evolution, and why the very idea that the medium has safely come of age may be working against it. There’s a common myth about the history of comic books and strips. It’s the idea that the medium languished for decades as a sort of time-wasting hobby for children, but now has redeemed itself and can be appreciated even by the literary. University of Georgia professor and comics scholar Christopher Pizzino argues that this history is as false as Clark Kent’s eyeglass prescription. Comics, he says, are still burdened by their early stigma, their status in modern culture tenuous at best.

In Arresting Development: Comics at the Boundaries of Literature (University of Texas Press, 2016), Pizzino offers up an educated and entertaining history of the comics medium, then devotes a chapter to each of four groundbreaking comic artists. In one, he looks at the film noir and manga-influenced work of Frank Miller, creator of The Dark Knight Returns and Sin City. Another chapter examines the work of Alison Bechdel, whose famed lesbian-centered comic strip, Dykes to Watch Out For, led to pop culture’s Bechdel Test, and whose autobiographical graphic novel Fun Home is now a hit musical. Charles Burns, whose Black Hole tells a haunting story of a teenage plague, is highlighted as an artist unable to sugarcoat his work even when he was trying to have his art published in Playboy magazine. And Gilbert Hernandez, best known for his innovative Love and Rockets series, created with his brother Jaime, shows himself to be nigh-fearless when it comes to his work, blending everything from erotica to violence to a biography of Mexican artist Frida Kahlo.

Join Pizzino and pop-culture junkie and author Gael Fashingbauer Cooper (no relation to Archie Comics’ Betty Cooper) for a lively look at comics and their evolution, and why the very idea that the medium has safely come of age may be working against it.

]]> 1970 no George T. Diaz, “Border Contraband: A History of Smuggling Across the Rio Grande” (U. of Texas Press, 2015) In Border Contraband: A History of Smuggling Across the Rio Grande (University of Texas Press, 2015) Professor George T. Diaz examines a subject that has received scant attention by historians, but one that is at the heart of contemporary debates over U.S.-Mexico immigration and border enforcement. Focusing on trans-border communities, like Laredo/Nuevo Laredo, Diaz details the interplay between state efforts to regulate cross-border trade and the border people that subverted state and federal laws through acts of petty smuggling and trafficking. Using folk songs (corridos), memoirs, court documents, and newspapers, Diaz uncovers the social history of a transnational contrabandista community that responded to the hardening of the U.S.-Mexico border and the enforcement of trade regulations through the formation of a moral economy. Holding nuanced views of newly erected legal and physical barriers to the mobility of people and consumer goods across the border, contrabandistas established a cultural world of smuggling that regulated trade on its own terms and frustrated state efforts to define and police notions of legality/illegality. Foreshadowing our contemporary moment in which the Rio Grande Valley is associated with criminality, violence, and drug trafficking, Diaz argues, (1) that it was the creation and enforcement of national borders by the U.S. and Mexican states that led to smuggling by establishing a market for contraband goods; and (2) that border people were proactive agents in negotiating and obstructing state efforts to regulate and criminalize activities that were common practice and essential to life along the U.S.-Mexico border. David-James Gonzales (DJ) is a Doctoral Candidate in History at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latino Identity & Politics. DJ’s dissertation examines the influence of Mexican American civic engagement and political activism on the metropolitan development of Orange County, CA from 1930 to 1965.   Tue, 08 Nov 2016 21:25:00 -0000 full New Books Network In Border Contraband: A History of Smuggling Across the Rio Grande (University of Texas Press, 2015) Professor George T. Diaz examines a subject that has received scant attention by historians, but one that is at the heart of contemporary debates over ... In Border Contraband: A History of Smuggling Across the Rio Grande (University of Texas Press, 2015) Professor George T. Diaz examines a subject that has received scant attention by historians, but one that is at the heart of contemporary debates over U.S.-Mexico immigration and border enforcement. Focusing on trans-border communities, like Laredo/Nuevo Laredo, Diaz details the interplay between state efforts to regulate cross-border trade and the border people that subverted state and federal laws through acts of petty smuggling and trafficking. Using folk songs (corridos), memoirs, court documents, and newspapers, Diaz uncovers the social history of a transnational contrabandista community that responded to the hardening of the U.S.-Mexico border and the enforcement of trade regulations through the formation of a moral economy. Holding nuanced views of newly erected legal and physical barriers to the mobility of people and consumer goods across the border, contrabandistas established a cultural world of smuggling that regulated trade on its own terms and frustrated state efforts to define and police notions of legality/illegality. Foreshadowing our contemporary moment in which the Rio Grande Valley is associated with criminality, violence, and drug trafficking, Diaz argues, (1) that it was the creation and enforcement of national borders by the U.S. and Mexican states that led to smuggling by establishing a market for contraband goods; and (2) that border people were proactive agents in negotiating and obstructing state efforts to regulate and criminalize activities that were common practice and essential to life along the U.S.-Mexico border. David-James Gonzales (DJ) is a Doctoral Candidate in History at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latino Identity & Politics. DJ’s dissertation examines the influence of Mexican American civic engagement and political activism on the metropolitan development of Orange County, CA from 1930 to 1965.   In Border Contraband: A History of Smuggling Across the Rio Grande (University of Texas Press, 2015) Professor George T. Diaz examines a subject that has received scant attention by historians, but one that is at the heart of contemporary debates over U.S.-Mexico immigration and border enforcement. Focusing on trans-border communities, like Laredo/Nuevo Laredo, Diaz details the interplay between state efforts to regulate cross-border trade and the border people that subverted state and federal laws through acts of petty smuggling and trafficking. Using folk songs (corridos), memoirs, court documents, and newspapers, Diaz uncovers the social history of a transnational contrabandista community that responded to the hardening of the U.S.-Mexico border and the enforcement of trade regulations through the formation of a moral economy. Holding nuanced views of newly erected legal and physical barriers to the mobility of people and consumer goods across the border, contrabandistas established a cultural world of smuggling that regulated trade on its own terms and frustrated state efforts to define and police notions of legality/illegality.

Foreshadowing our contemporary moment in which the Rio Grande Valley is associated with criminality, violence, and drug trafficking, Diaz argues, (1) that it was the creation and enforcement of national borders by the U.S. and Mexican states that led to smuggling by establishing a market for contraband goods; and (2) that border people were proactive agents in negotiating and obstructing state efforts to regulate and criminalize activities that were common practice and essential to life along the U.S.-Mexico border.


David-James Gonzales (DJ) is a Doctoral Candidate in History at the University of Southern California. He is a historian of the U.S.-Mexico Borderlands, Civil Rights, and Latino Identity & Politics. DJ’s dissertation examines the influence of Mexican American civic engagement and political activism on the metropolitan development of Orange County, CA from 1930 to 1965.

 

]]> 2973 no Lance deHaven-Smith, “Conspiracy Theory in America” (U of Texas Press, 2014) Lance deHaven-Smith‘s Conspiracy Theory in America (University of Texas Press, 2014) investigates how the Founders’ hard-nosed realism about the likelihood of elite political misconduct articulated in the Declaration of Independence has been replaced by today’s blanket condemnation of conspiracy beliefs as ludicrous by definition. Lance deHaven-Smith reveals that the term “conspiracy theory” entered the American lexicon of political speech to deflect criticism of the Warren Commission and traces it back to a CIA propaganda campaign to discredit doubters of the commissions report. For this NBN interview, Lance and Jasun discuss the book and the wider implications of what Lance calls State Crimes Against Democracy (SCAD), cultural engineering, and how, when the ruling elite move, they create their own reality. Lance deHaven-Smith is Professor in the Reubin O’D. Askew School of Public Administration and Policy at Florida State University. A former President of the Florida Political Science Association, deHaven-Smith is the author of more than a dozen books, including The Battle for Florida, which analyzes the disputed 2000 presidential election. Jasun Horsley is the author of Seen & Not Seen: Confessions of a Movie Autist and several other books on “extra-consensual perceptions.” He has a weekly podcast called The Liminalist: The Podcast Between and a blog. For more info, go to http://auticulture.com. Fri, 01 Jul 2016 12:18:00 -0000 full New Books Network Lance deHaven-Smith‘s Conspiracy Theory in America (University of Texas Press, 2014) investigates how the Founders’ hard-nosed realism about the likelihood of elite political misconduct articulated in the Declaration of Independence has been replaced b... Lance deHaven-Smith‘s Conspiracy Theory in America (University of Texas Press, 2014) investigates how the Founders’ hard-nosed realism about the likelihood of elite political misconduct articulated in the Declaration of Independence has been replaced by today’s blanket condemnation of conspiracy beliefs as ludicrous by definition. Lance deHaven-Smith reveals that the term “conspiracy theory” entered the American lexicon of political speech to deflect criticism of the Warren Commission and traces it back to a CIA propaganda campaign to discredit doubters of the commissions report. For this NBN interview, Lance and Jasun discuss the book and the wider implications of what Lance calls State Crimes Against Democracy (SCAD), cultural engineering, and how, when the ruling elite move, they create their own reality. Lance deHaven-Smith is Professor in the Reubin O’D. Askew School of Public Administration and Policy at Florida State University. A former President of the Florida Political Science Association, deHaven-Smith is the author of more than a dozen books, including The Battle for Florida, which analyzes the disputed 2000 presidential election. Jasun Horsley is the author of Seen & Not Seen: Confessions of a Movie Autist and several other books on “extra-consensual perceptions.” He has a weekly podcast called The Liminalist: The Podcast Between and a blog. For more info, go to http://auticulture.com. Lance deHaven-Smith‘s Conspiracy Theory in America (University of Texas Press, 2014) investigates how the Founders’ hard-nosed realism about the likelihood of elite political misconduct articulated in the Declaration of Independence has been replaced by today’s blanket condemnation of conspiracy beliefs as ludicrous by definition. Lance deHaven-Smith reveals that the term “conspiracy theory” entered the American lexicon of political speech to deflect criticism of the Warren Commission and traces it back to a CIA propaganda campaign to discredit doubters of the commissions report. For this NBN interview, Lance and Jasun discuss the book and the wider implications of what Lance calls State Crimes Against Democracy (SCAD), cultural engineering, and how, when the ruling elite move, they create their own reality.

Lance deHaven-Smith is Professor in the Reubin O’D. Askew School of Public Administration and Policy at Florida State University. A former President of the Florida Political Science Association, deHaven-Smith is the author of more than a dozen books, including The Battle for Florida, which analyzes the disputed 2000 presidential election.


Jasun Horsley is the author of Seen & Not Seen: Confessions of a Movie Autist and several other books on “extra-consensual perceptions.” He has a weekly podcast called The Liminalist: The Podcast Between and a blog. For more info, go to http://auticulture.com.

]]> 5669 no Benjamin Marquez, “Democratizing Texas Politics” (University of Texas Press, 2014) Benjamin Marquez is the author of Democratizing Texas Politics: Race, Identity, and Mexican American Empowerment, 1945-2002 (University of Texas Press 2014). Marquez is professor of political science at the University of Wisconsin at Madison. Democratizing Texas Politics covers 50 years of Texas political history, but also the changing institutional power of parties, organizations, and groups in state politics. Marquez draws on a host of historical archives to reconstruct the alliances and conflicts between numerous Mexican American leaders in the state. He captures the personalities of this movement, but also the way the ideas of Mexican American political identity evolved over these 50 years. Mon, 23 Jun 2014 06:00:00 -0000 full New Books Network Benjamin Marquez is the author of Democratizing Texas Politics: Race, Identity, and Mexican American Empowerment, 1945-2002 (University of Texas Press 2014). Marquez is professor of political science at the University of Wisconsin at Madison. Benjamin Marquez is the author of Democratizing Texas Politics: Race, Identity, and Mexican American Empowerment, 1945-2002 (University of Texas Press 2014). Marquez is professor of political science at the University of Wisconsin at Madison. Democratizing Texas Politics covers 50 years of Texas political history, but also the changing institutional power of parties, organizations, and groups in state politics. Marquez draws on a host of historical archives to reconstruct the alliances and conflicts between numerous Mexican American leaders in the state. He captures the personalities of this movement, but also the way the ideas of Mexican American political identity evolved over these 50 years. Benjamin Marquez is the author of Democratizing Texas Politics: Race, Identity, and Mexican American Empowerment, 1945-2002 (University of Texas Press 2014). Marquez is professor of political science at the University of Wisconsin at Madison.

Democratizing Texas Politics covers 50 years of Texas political history, but also the changing institutional power of parties, organizations, and groups in state politics. Marquez draws on a host of historical archives to reconstruct the alliances and conflicts between numerous Mexican American leaders in the state. He captures the personalities of this movement, but also the way the ideas of Mexican American political identity evolved over these 50 years.

]]> 1865 no Jason Ruiz, “Americans in the Treasure House: Travel to Porfirian Mexico and the Cultural Politics of Empire” (University of Texas Press, 2014) In Americans in the Treasure House: Travel to Porfirian Mexico and the Cultural Politics of Empire (University of Texas Press, 2014), Jason Ruiz explores the role of a distinct group of actors in the relationship between the United States and Mexico: American travelers, travel writers and photographers who visited and worked in Mexico during the late nineteenth and early twentieth centuries. With the junction of rail lines between the United States and Mexico in the 1880s, travel to Mexico became accessible to many in the populous U.S .East and Midwest. Through their photography and written accounts, These new travelers produced a popular representation of Mexico to the U.S. public which influenced both contemporary U.S. policy and modern U.S. attitudes towards Mexico. Drawing on the vast body of documentation and representation left by American travelers to Mexico, Ruiz argues that these travelers helped shape a form of U.S. cultural and economic imperialism distinct to Mexico. Travelers replicated many of the common tropes of imperialist discourse, viewing Mexicans, and especially indigenous Mexicans, as infantile, sensual, and backwards. At the same time, however, travelers also saw in the regime of Porfirio Díaz the possibility that Mexico could become a productive, modern, “sister republic” to the U.S. Ruiz notes that to this end, American travelers promoted a range of social and economic transformations in Mexico: the uplifting of the mestizo class, U.S. economic interventionism and investment, and finally – as the Porfiriato collapsed in the Mexican Revolution – direct U.S. military intervention. And while the specific economic vision of American travelers was curtailed by the Revolution, Ruiz argues that their depictions of Mexico continue to influence Americans today through the modern tourist industry. Jason Ruiz is an Assistant Professor of American Studies at the University of Notre Dame. Fri, 11 Apr 2014 15:03:00 -0000 full New Books Network In Americans in the Treasure House: Travel to Porfirian Mexico and the Cultural Politics of Empire (University of Texas Press, 2014), Jason Ruiz explores the role of a distinct group of actors in the relationship between the United States and Mexico: A... In Americans in the Treasure House: Travel to Porfirian Mexico and the Cultural Politics of Empire (University of Texas Press, 2014), Jason Ruiz explores the role of a distinct group of actors in the relationship between the United States and Mexico: American travelers, travel writers and photographers who visited and worked in Mexico during the late nineteenth and early twentieth centuries. With the junction of rail lines between the United States and Mexico in the 1880s, travel to Mexico became accessible to many in the populous U.S .East and Midwest. Through their photography and written accounts, These new travelers produced a popular representation of Mexico to the U.S. public which influenced both contemporary U.S. policy and modern U.S. attitudes towards Mexico. Drawing on the vast body of documentation and representation left by American travelers to Mexico, Ruiz argues that these travelers helped shape a form of U.S. cultural and economic imperialism distinct to Mexico. Travelers replicated many of the common tropes of imperialist discourse, viewing Mexicans, and especially indigenous Mexicans, as infantile, sensual, and backwards. At the same time, however, travelers also saw in the regime of Porfirio Díaz the possibility that Mexico could become a productive, modern, “sister republic” to the U.S. Ruiz notes that to this end, American travelers promoted a range of social and economic transformations in Mexico: the uplifting of the mestizo class, U.S. economic interventionism and investment, and finally – as the Porfiriato collapsed in the Mexican Revolution – direct U.S. military intervention. And while the specific economic vision of American travelers was curtailed by the Revolution, Ruiz argues that their depictions of Mexico continue to influence Americans today through the modern tourist industry. Jason Ruiz is an Assistant Professor of American Studies at the University of Notre Dame. In Americans in the Treasure House: Travel to Porfirian Mexico and the Cultural Politics of Empire (University of Texas Press, 2014), Jason Ruiz explores the role of a distinct group of actors in the relationship between the United States and Mexico: American travelers, travel writers and photographers who visited and worked in Mexico during the late nineteenth and early twentieth centuries. With the junction of rail lines between the United States and Mexico in the 1880s, travel to Mexico became accessible to many in the populous U.S .East and Midwest. Through their photography and written accounts, These new travelers produced a popular representation of Mexico to the U.S. public which influenced both contemporary U.S. policy and modern U.S. attitudes towards Mexico.

Drawing on the vast body of documentation and representation left by American travelers to Mexico, Ruiz argues that these travelers helped shape a form of U.S. cultural and economic imperialism distinct to Mexico. Travelers replicated many of the common tropes of imperialist discourse, viewing Mexicans, and especially indigenous Mexicans, as infantile, sensual, and backwards. At the same time, however, travelers also saw in the regime of Porfirio Díaz the possibility that Mexico could become a productive, modern, “sister republic” to the U.S. Ruiz notes that to this end, American travelers promoted a range of social and economic transformations in Mexico: the uplifting of the mestizo class, U.S. economic interventionism and investment, and finally – as the Porfiriato collapsed in the Mexican Revolution – direct U.S. military intervention. And while the specific economic vision of American travelers was curtailed by the Revolution, Ruiz argues that their depictions of Mexico continue to influence Americans today through the modern tourist industry.

Jason Ruiz is an Assistant Professor of American Studies at the University of Notre Dame.

]]> 3569 no Ellen J. Amster, “Medicine and the Saints” (University of Texas Press, 2013) What is the interplay between the physical human body and the body politic? This question is at the heart of Ellen J. Amster‘s Medicine and the Saints: Science, Islam, and the Colonial Encounter in Morocco, 1877-1956 (University of Texas Press, 2013). In this pioneering, interdisciplinary study, Professor Amster explores the French campaign to colonize Morocco through medicine. It is through medicine and medical encounters that Amster reveals competing ideas of “scientific paradigm (cosmologies), knowledge systems (hygiene and medical theory), and the technologies of physical intervention (therapeutics)” (p. 2) between the colonizing French positivists and the Moroccan populace. Amster’s breadth of expertise in the fields of medical history, Moroccan/North African history, the history of French colonization, the study of Islam and Sufism, anthropology, sociology, and philosophy is equally matched to the depth in which she explores these topics throughout the six chapters of her work. Each chapter explores a unique encounter, or more often clash, between the French and the Moroccan. From Sufi saints in the first chapter to government hygiene initiatives in the fourth, Amster is meticulous and exhaustive with her source material. Even more distinctive is her use of oral narratives. Scholars interested in the role of women as medical practitioners will greatly benefit from Amster’s exploration of the qabla (midwife) in the fifth chapter. Gradually, Amster demonstrates that French attempts to “modernize” Morocco were in fact the very seeds that led to Moroccan ideas of independence and nationhood. This work will have a tremendous impact on many fields and hopefully give rise to further interdisciplinary work in the fields of Islam, North African and Moroccan history, and medicine. Sun, 16 Mar 2014 09:49:00 -0000 full New Books Network What is the interplay between the physical human body and the body politic? This question is at the heart of Ellen J. Amster‘s Medicine and the Saints: Science, Islam, and the Colonial Encounter in Morocco, 1877-1956 (University of Texas Press, 2013). What is the interplay between the physical human body and the body politic? This question is at the heart of Ellen J. Amster‘s Medicine and the Saints: Science, Islam, and the Colonial Encounter in Morocco, 1877-1956 (University of Texas Press, 2013). In this pioneering, interdisciplinary study, Professor Amster explores the French campaign to colonize Morocco through medicine. It is through medicine and medical encounters that Amster reveals competing ideas of “scientific paradigm (cosmologies), knowledge systems (hygiene and medical theory), and the technologies of physical intervention (therapeutics)” (p. 2) between the colonizing French positivists and the Moroccan populace. Amster’s breadth of expertise in the fields of medical history, Moroccan/North African history, the history of French colonization, the study of Islam and Sufism, anthropology, sociology, and philosophy is equally matched to the depth in which she explores these topics throughout the six chapters of her work. Each chapter explores a unique encounter, or more often clash, between the French and the Moroccan. From Sufi saints in the first chapter to government hygiene initiatives in the fourth, Amster is meticulous and exhaustive with her source material. Even more distinctive is her use of oral narratives. Scholars interested in the role of women as medical practitioners will greatly benefit from Amster’s exploration of the qabla (midwife) in the fifth chapter. Gradually, Amster demonstrates that French attempts to “modernize” Morocco were in fact the very seeds that led to Moroccan ideas of independence and nationhood. This work will have a tremendous impact on many fields and hopefully give rise to further interdisciplinary work in the fields of Islam, North African and Moroccan history, and medicine. What is the interplay between the physical human body and the body politic? This question is at the heart of Ellen J. Amster‘s Medicine and the Saints: Science, Islam, and the Colonial Encounter in Morocco, 1877-1956 (University of Texas Press, 2013). In this pioneering, interdisciplinary study, Professor Amster explores the French campaign to colonize Morocco through medicine. It is through medicine and medical encounters that Amster reveals competing ideas of “scientific paradigm (cosmologies), knowledge systems (hygiene and medical theory), and the technologies of physical intervention (therapeutics)” (p. 2) between the colonizing French positivists and the Moroccan populace.

Amster’s breadth of expertise in the fields of medical history, Moroccan/North African history, the history of French colonization, the study of Islam and Sufism, anthropology, sociology, and philosophy is equally matched to the depth in which she explores these topics throughout the six chapters of her work. Each chapter explores a unique encounter, or more often clash, between the French and the Moroccan. From Sufi saints in the first chapter to government hygiene initiatives in the fourth, Amster is meticulous and exhaustive with her source material. Even more distinctive is her use of oral narratives. Scholars interested in the role of women as medical practitioners will greatly benefit from Amster’s exploration of the qabla (midwife) in the fifth chapter. Gradually, Amster demonstrates that French attempts to “modernize” Morocco were in fact the very seeds that led to Moroccan ideas of independence and nationhood. This work will have a tremendous impact on many fields and hopefully give rise to further interdisciplinary work in the fields of Islam, North African and Moroccan history, and medicine.

]]> 4724 no Don McLeese, “Dwight Yoakam: A Thousand Miles from Nowhere” (University of Texas Press, 2012) Born in Kentucky, raised in Ohio, apprenticed in Los Angeles, Dwight Yoakam is not your typical mainstream country music star. Indeed, his honky-tonk style of country has always been a throwback to an earlier era, one in which Merle Haggard, Emmylou Harris, and Buck Owens ruled the airwaves. It seems an anomaly that Yoakam was at his commercial peak in the days of Garth Brooks and Brooks and Dunn. In Dwight Yoakam: A Thousand Miles from Nowhere (University of Texas Press, 2012), music writer Don McLeese details the history of Yoakam and, especially, his music from an early failed attempt at Nashville acceptance to his tooth-cutting days in the L.A. punk and roots music scene of the early 1980s. They key to Yoakam’s success, writes McLeese, was his vision and determination to make it on mainstream country radio, and make it he did. In the late-80’s through the 90’s Yoakam was one of country music’s biggest stars. Importantly, true to his punk rock roots, he did it on his own terms, making the music that he wanted to make, presenting himself as a character of his own creation. Don McLeese was formerly the pop music critic for the Chicago Sun-Times and the Austin American-Statesman, as well as country columnist and contributor to Rolling Stone and a senior editor for No Depression. He currently teaches journalism at the University of Iowa. Thu, 23 May 2013 06:00:00 -0000 full New Books Network Born in Kentucky, raised in Ohio, apprenticed in Los Angeles, Dwight Yoakam is not your typical mainstream country music star. Indeed, his honky-tonk style of country has always been a throwback to an earlier era, one in which Merle Haggard, Born in Kentucky, raised in Ohio, apprenticed in Los Angeles, Dwight Yoakam is not your typical mainstream country music star. Indeed, his honky-tonk style of country has always been a throwback to an earlier era, one in which Merle Haggard, Emmylou Harris, and Buck Owens ruled the airwaves. It seems an anomaly that Yoakam was at his commercial peak in the days of Garth Brooks and Brooks and Dunn. In Dwight Yoakam: A Thousand Miles from Nowhere (University of Texas Press, 2012), music writer Don McLeese details the history of Yoakam and, especially, his music from an early failed attempt at Nashville acceptance to his tooth-cutting days in the L.A. punk and roots music scene of the early 1980s. They key to Yoakam’s success, writes McLeese, was his vision and determination to make it on mainstream country radio, and make it he did. In the late-80’s through the 90’s Yoakam was one of country music’s biggest stars. Importantly, true to his punk rock roots, he did it on his own terms, making the music that he wanted to make, presenting himself as a character of his own creation. Don McLeese was formerly the pop music critic for the Chicago Sun-Times and the Austin American-Statesman, as well as country columnist and contributor to Rolling Stone and a senior editor for No Depression. He currently teaches journalism at the University of Iowa. Born in Kentucky, raised in Ohio, apprenticed in Los Angeles, Dwight Yoakam is not your typical mainstream country music star. Indeed, his honky-tonk style of country has always been a throwback to an earlier era, one in which Merle Haggard, Emmylou Harris, and Buck Owens ruled the airwaves. It seems an anomaly that Yoakam was at his commercial peak in the days of Garth Brooks and Brooks and Dunn. In Dwight Yoakam: A Thousand Miles from Nowhere (University of Texas Press, 2012), music writer Don McLeese details the history of Yoakam and, especially, his music from an early failed attempt at Nashville acceptance to his tooth-cutting days in the L.A. punk and roots music scene of the early 1980s. They key to Yoakam’s success, writes McLeese, was his vision and determination to make it on mainstream country radio, and make it he did. In the late-80’s through the 90’s Yoakam was one of country music’s biggest stars. Importantly, true to his punk rock roots, he did it on his own terms, making the music that he wanted to make, presenting himself as a character of his own creation.

Don McLeese was formerly the pop music critic for the Chicago Sun-Times and the Austin American-Statesman, as well as country columnist and contributor to Rolling Stone and a senior editor for No Depression. He currently teaches journalism at the University of Iowa.

]]> 4126 no Juliane Hammer, “American Muslim Women, Religious Authority, and Activism: More Than a Prayer” (University of Texas Press, 2012) In 2005, Amina Wadud led a mixed-gender congregation of Muslims in prayer. This event became the focal point of substantial media attention and highlighted some of the tensions within the Muslim community. However, this prayer gathering was the culmination of a series of events and embodied several ongoing intra-Muslim debates. In American Muslim Women, Religious Authority, and Activism: More Than a Prayer (University of Texas Press, 2012), Juliane Hammer, Professor of Islamic Studies at the University of North Carolina at Chapel Hill, outlines the circumstances leading up to the prayer event and employs it as point of convergence to explore the multiple discourses surrounding Muslim gender issues. The debates following the prayer fell into two discursive frameworks, legal and symbolic. Hammer explores these themes through a broader body of sources written by American Muslim women both in relation to exegetical projects or legalistic frameworks leading towards gender equality or human rights. While gender remains central to the arguments of the book Hammer uses this subject to examine various issues related to contemporary Islam, including participation, leadership, law, media, and self-representation. In our conversation, we discuss the disintegration of traditional modes of authority, “progressive” Muslims, embodied tafsir, feminism, the permissibility and validity of women lead prayer, the hijab, book covers, mosques, networks, Asra Nomani, and Amina Wadud, but are only able to scratch the surface of this wonderful book. Sun, 11 Nov 2012 20:15:00 -0000 full New Books Network In 2005, Amina Wadud led a mixed-gender congregation of Muslims in prayer. This event became the focal point of substantial media attention and highlighted some of the tensions within the Muslim community. However, In 2005, Amina Wadud led a mixed-gender congregation of Muslims in prayer. This event became the focal point of substantial media attention and highlighted some of the tensions within the Muslim community. However, this prayer gathering was the culmination of a series of events and embodied several ongoing intra-Muslim debates. In American Muslim Women, Religious Authority, and Activism: More Than a Prayer (University of Texas Press, 2012), Juliane Hammer, Professor of Islamic Studies at the University of North Carolina at Chapel Hill, outlines the circumstances leading up to the prayer event and employs it as point of convergence to explore the multiple discourses surrounding Muslim gender issues. The debates following the prayer fell into two discursive frameworks, legal and symbolic. Hammer explores these themes through a broader body of sources written by American Muslim women both in relation to exegetical projects or legalistic frameworks leading towards gender equality or human rights. While gender remains central to the arguments of the book Hammer uses this subject to examine various issues related to contemporary Islam, including participation, leadership, law, media, and self-representation. In our conversation, we discuss the disintegration of traditional modes of authority, “progressive” Muslims, embodied tafsir, feminism, the permissibility and validity of women lead prayer, the hijab, book covers, mosques, networks, Asra Nomani, and Amina Wadud, but are only able to scratch the surface of this wonderful book. In 2005, Amina Wadud led a mixed-gender congregation of Muslims in prayer. This event became the focal point of substantial media attention and highlighted some of the tensions within the Muslim community. However, this prayer gathering was the culmination of a series of events and embodied several ongoing intra-Muslim debates. In American Muslim Women, Religious Authority, and Activism: More Than a Prayer (University of Texas Press, 2012), Juliane Hammer, Professor of Islamic Studies at the University of North Carolina at Chapel Hill, outlines the circumstances leading up to the prayer event and employs it as point of convergence to explore the multiple discourses surrounding Muslim gender issues. The debates following the prayer fell into two discursive frameworks, legal and symbolic. Hammer explores these themes through a broader body of sources written by American Muslim women both in relation to exegetical projects or legalistic frameworks leading towards gender equality or human rights. While gender remains central to the arguments of the book Hammer uses this subject to examine various issues related to contemporary Islam, including participation, leadership, law, media, and self-representation. In our conversation, we discuss the disintegration of traditional modes of authority, “progressive” Muslims, embodied tafsir, feminism, the permissibility and validity of women lead prayer, the hijab, book covers, mosques, networks, Asra Nomani, and Amina Wadud, but are only able to scratch the surface of this wonderful book.

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