The University Press of Kentucky Podcast https://newbooksnetwork.com en New Books Network Interviews with authors of the University Press of Kentucky books. https://megaphone.imgix.net/podcasts/5c6a9472-ed5e-11ee-b346-bfaef462e15f/image/4cbb0191cf8a2001678bca5d7a56a8f4.png?ixlib=rails-4.3.1&max-w=3000&max-h=3000&fit=crop&auto=format,compress The University Press of Kentucky Podcast https://newbooksnetwork.com episodic New Books Network Interviews with authors of the University Press of Kentucky books. Interviews with authors of the University Press of Kentucky books.

]]> New Books Network marshallpoe@newbooksnetwork.com Elizabeth A. DeWolfe, "Alias Agnes: The Notorious Tale of a Gilded Age Spy" (UP of Kentucky, 2025) Jane Armstrong Tucker was a Boston stenographer scrabbling to get by as a single woman in the Gilded Age, until she was offered a once-in-a-lifetime chance. Madeleine Pollard was a Kentuckian with humble roots who had used charisma to work her way into the parlors of the Washington, DC, elite. Tucker hid behind an alias―Agnes Parker―but Pollard had a secret, too. Alias Agnes: The Notorious Tale of a Gilded Age Spy (UP of Kentucky, 2025) details the story of Jane Tucker, who took a job as an undercover detective with a ten-week mission. Her target: Madeleine Pollard, former mistress of Congressman William C. P. Breckinridge, whom she had sued for breach of promise when he failed to marry her. Exploring the intricacies of this trial and a scandal that captivated the nation, author Elizabeth A. DeWolfe demonstrates that a shared lack of power did not always lead to alliances among women. DeWolfe uncovers the strategies women used to make their way in the world, drawing parallels between the previously forgotten and incomplete tales of Tucker, Pollard, and the women who testified in the trial―from formerly enslaved persons, to white socialites, to single government clerks, to divorced physicians.Written in engaging prose with all the intrigue and suspense of a detective tale, Alias Agnes chronicles the lives of women at the cusp of the twentieth century―the opportunities that beckoned them and the challenges that thwarted their dreams. New Books in Women’s History Podcast Jane Scimeca, Professor of History at Brookdale Community College Website here @janescimeca.bsky.social  Learn more about your ad choices. Visit megaphone.fm/adchoices Wed, 11 Feb 2026 09:00:00 -0000 full New Books Network Jane Armstrong Tucker was a Boston stenographer scrabbling to get by as a single woman in the Gilded Age, until she was offered a once-in-a-lifetime chance. Madeleine Pollard was a Kentuckian with humble roots who had used charisma to work her way into the parlors of the Washington, DC, elite. Tucker hid behind an alias―Agnes Parker―but Pollard had a secret, too. Alias Agnes: The Notorious Tale of a Gilded Age Spy (UP of Kentucky, 2025) details the story of Jane Tucker, who took a job as an undercover detective with a ten-week mission. Her target: Madeleine Pollard, former mistress of Congressman William C. P. Breckinridge, whom she had sued for breach of promise when he failed to marry her. Exploring the intricacies of this trial and a scandal that captivated the nation, author Elizabeth A. DeWolfe demonstrates that a shared lack of power did not always lead to alliances among women. DeWolfe uncovers the strategies women used to make their way in the world, drawing parallels between the previously forgotten and incomplete tales of Tucker, Pollard, and the women who testified in the trial―from formerly enslaved persons, to white socialites, to single government clerks, to divorced physicians.Written in engaging prose with all the intrigue and suspense of a detective tale, Alias Agnes chronicles the lives of women at the cusp of the twentieth century―the opportunities that beckoned them and the challenges that thwarted their dreams. New Books in Women’s History Podcast Jane Scimeca, Professor of History at Brookdale Community College Website here @janescimeca.bsky.social  Learn more about your ad choices. Visit megaphone.fm/adchoices Jane Armstrong Tucker was a Boston stenographer scrabbling to get by as a single woman in the Gilded Age, until she was offered a once-in-a-lifetime chance. Madeleine Pollard was a Kentuckian with humble roots who had used charisma to work her way into the parlors of the Washington, DC, elite. Tucker hid behind an alias―Agnes Parker―but Pollard had a secret, too.

Alias Agnes: The Notorious Tale of a Gilded Age Spy (UP of Kentucky, 2025) details the story of Jane Tucker, who took a job as an undercover detective with a ten-week mission. Her target: Madeleine Pollard, former mistress of Congressman William C. P. Breckinridge, whom she had sued for breach of promise when he failed to marry her. Exploring the intricacies of this trial and a scandal that captivated the nation, author Elizabeth A. DeWolfe demonstrates that a shared lack of power did not always lead to alliances among women. DeWolfe uncovers the strategies women used to make their way in the world, drawing parallels between the previously forgotten and incomplete tales of Tucker, Pollard, and the women who testified in the trial―from formerly enslaved persons, to white socialites, to single government clerks, to divorced physicians.
Written in engaging prose with all the intrigue and suspense of a detective tale, Alias Agnes chronicles the lives of women at the cusp of the twentieth century―the opportunities that beckoned them and the challenges that thwarted their dreams.

New Books in Women’s History Podcast

Jane Scimeca, Professor of History at Brookdale Community College

Website here

@janescimeca.bsky.social 

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 2959 no Sonya Lea, "American Bloodlines: Reckoning with Lynch Culture" (UP of Kentucky, 2025) Summer 1936: Rainey Bethea, a young Black man, is tried for the rape and murder of an elderly white woman. The all-white, all-male jury takes just four and a half minutes to find him guilty. Bethea is hanged near the banks of the Ohio River in Owensboro, Kentucky, with more than twenty thousand white people in attendance. The crowd turns the violent spectacle of Bethea's hanging—the last documented public execution in the United States—into a brutal carnival. Bethea's story came to author Sonya Lea through her family, and it is through her family that she reckons with its truths. At her grandmother's funeral, Lea received an oral history recorded by a neighbor. In its pages, Lea, who is descended from white Kentuckians on both sides, discovered that two of the spectators at Bethea's execution were her grandparents, teenage newlyweds Sherrel and Frances Ralph. Lea's research would also divulge that she was related to the prosecuting attorney for the Commonwealth, the man considered most responsible for Bethea's hanging. American Bloodlines: Reckoning with Lynch Culture (University Press of Kentucky, 2025) combines memoir with reportage and cultural criticism to interrogate and complicate the traditional narrative about how lynch culture is created in families, communities, and institutions. The essays in this collection grapple with our complicity in these atrocities—including the agreement in our silences—and demonstrate how we, as descendants, might take responsibility and bring new scrutiny to ancestral and communal crimes. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 09 Jan 2026 09:00:00 -0000 full 540 New Books Network Summer 1936: Rainey Bethea, a young Black man, is tried for the rape and murder of an elderly white woman. The all-white, all-male jury takes just four and a half minutes to find him guilty. Bethea is hanged near the banks of the Ohio River in Owensboro, Kentucky, with more than twenty thousand white people in attendance. The crowd turns the violent spectacle of Bethea's hanging—the last documented public execution in the United States—into a brutal carnival. Bethea's story came to author Sonya Lea through her family, and it is through her family that she reckons with its truths. At her grandmother's funeral, Lea received an oral history recorded by a neighbor. In its pages, Lea, who is descended from white Kentuckians on both sides, discovered that two of the spectators at Bethea's execution were her grandparents, teenage newlyweds Sherrel and Frances Ralph. Lea's research would also divulge that she was related to the prosecuting attorney for the Commonwealth, the man considered most responsible for Bethea's hanging. American Bloodlines: Reckoning with Lynch Culture (University Press of Kentucky, 2025) combines memoir with reportage and cultural criticism to interrogate and complicate the traditional narrative about how lynch culture is created in families, communities, and institutions. The essays in this collection grapple with our complicity in these atrocities—including the agreement in our silences—and demonstrate how we, as descendants, might take responsibility and bring new scrutiny to ancestral and communal crimes. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Summer 1936: Rainey Bethea, a young Black man, is tried for the rape and murder of an elderly white woman. The all-white, all-male jury takes just four and a half minutes to find him guilty. Bethea is hanged near the banks of the Ohio River in Owensboro, Kentucky, with more than twenty thousand white people in attendance. The crowd turns the violent spectacle of Bethea's hanging—the last documented public execution in the United States—into a brutal carnival.

Bethea's story came to author Sonya Lea through her family, and it is through her family that she reckons with its truths. At her grandmother's funeral, Lea received an oral history recorded by a neighbor. In its pages, Lea, who is descended from white Kentuckians on both sides, discovered that two of the spectators at Bethea's execution were her grandparents, teenage newlyweds Sherrel and Frances Ralph. Lea's research would also divulge that she was related to the prosecuting attorney for the Commonwealth, the man considered most responsible for Bethea's hanging.

American Bloodlines: Reckoning with Lynch Culture (University Press of Kentucky, 2025) combines memoir with reportage and cultural criticism to interrogate and complicate the traditional narrative about how lynch culture is created in families, communities, and institutions. The essays in this collection grapple with our complicity in these atrocities—including the agreement in our silences—and demonstrate how we, as descendants, might take responsibility and bring new scrutiny to ancestral and communal crimes.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 2932 no Chris Yogerst, "The Warner Brothers" (UP of Kentucky, 2023) One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 28 Nov 2025 09:00:00 -0000 full 176 New Books Network An interview with Chris Yogerst One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars.

In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it.

Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come.

Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee.

Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne.

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]]> 4056 no Matthew R. Sparks and Olivia Sizemore, "Haint Country: Dark Folktales from the Hills and Hollers" (UP of Kentucky, 2024) Matthew Sparks and Oliva Sizemore join Jana Byars for a fun, chilling, and thoughtful discussion about about Haint Country: Dark Tales from the Hills and Hollers (University Press of Kentucky, 2024). The hills of the Appalachia region hold secrets—dark, deep, varied, and mysterious. These secrets are often told in the form of eerie, thrilling, and creepy folk tales that reveal strange sightings, curious oddities, and commonly serve as cautionary tales for eager and curious ears. These spine-tingling stories have been told and retold by family members, neighbors, and "hillfolk" for generations. Haint Country: Dark Folktales from the Hills and Hollers is a collection of weird, otherworldly, and supernatural phenomenon in Eastern Kentucky—tales that have been recorded and documented for the first time. Collected and adapted by Matthew Sparks and Olivia Sizemore, the anthology explores stories of ghosts or "haints," strange creatures or "boogers," haunted locations or "stained earth," uncanny happenings or "high strangeness," and humorous Appalachian ghost stories. Contemporary yarns of black panthers, demons, and sightings of ghostly coal miners are narrated in the first person, reflecting the style and dialect of the collected oral history. Though comprised of a mixture of claimed accounts and fabricated lore, the locations and people woven throughout are very real. Complemented with evocative watercolor illustrations by Olivia Sizemore (who was inspired by the work of Stephen Gammell) and a compendium that provides additional context, Haint Country is a thrilling and bone-chilling excursion to the spooky corner of Appalachia. Learn more about your ad choices. Visit megaphone.fm/adchoices Tue, 12 Aug 2025 08:00:00 -0000 full New Books Network Matthew Sparks and Oliva Sizemore join Jana Byars for a fun, chilling, and thoughtful discussion about about Haint Country: Dark Tales from the Hills and Hollers (University Press of Kentucky, 2024). The hills of the Appalachia region hold secrets—dark, deep, varied, and mysterious. These secrets are often told in the form of eerie, thrilling, and creepy folk tales that reveal strange sightings, curious oddities, and commonly serve as cautionary tales for eager and curious ears. These spine-tingling stories have been told and retold by family members, neighbors, and "hillfolk" for generations. Haint Country: Dark Folktales from the Hills and Hollers is a collection of weird, otherworldly, and supernatural phenomenon in Eastern Kentucky—tales that have been recorded and documented for the first time. Collected and adapted by Matthew Sparks and Olivia Sizemore, the anthology explores stories of ghosts or "haints," strange creatures or "boogers," haunted locations or "stained earth," uncanny happenings or "high strangeness," and humorous Appalachian ghost stories. Contemporary yarns of black panthers, demons, and sightings of ghostly coal miners are narrated in the first person, reflecting the style and dialect of the collected oral history. Though comprised of a mixture of claimed accounts and fabricated lore, the locations and people woven throughout are very real. Complemented with evocative watercolor illustrations by Olivia Sizemore (who was inspired by the work of Stephen Gammell) and a compendium that provides additional context, Haint Country is a thrilling and bone-chilling excursion to the spooky corner of Appalachia. Learn more about your ad choices. Visit megaphone.fm/adchoices Matthew Sparks and Oliva Sizemore join Jana Byars for a fun, chilling, and thoughtful discussion about about Haint Country: Dark Tales from the Hills and Hollers (University Press of Kentucky, 2024). The hills of the Appalachia region hold secrets—dark, deep, varied, and mysterious. These secrets are often told in the form of eerie, thrilling, and creepy folk tales that reveal strange sightings, curious oddities, and commonly serve as cautionary tales for eager and curious ears. These spine-tingling stories have been told and retold by family members, neighbors, and "hillfolk" for generations. Haint Country: Dark Folktales from the Hills and Hollers is a collection of weird, otherworldly, and supernatural phenomenon in Eastern Kentucky—tales that have been recorded and documented for the first time. Collected and adapted by Matthew Sparks and Olivia Sizemore, the anthology explores stories of ghosts or "haints," strange creatures or "boogers," haunted locations or "stained earth," uncanny happenings or "high strangeness," and humorous Appalachian ghost stories. Contemporary yarns of black panthers, demons, and sightings of ghostly coal miners are narrated in the first person, reflecting the style and dialect of the collected oral history. Though comprised of a mixture of claimed accounts and fabricated lore, the locations and people woven throughout are very real. Complemented with evocative watercolor illustrations by Olivia Sizemore (who was inspired by the work of Stephen Gammell) and a compendium that provides additional context, Haint Country is a thrilling and bone-chilling excursion to the spooky corner of Appalachia.

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 2540 no Neil Roberts, “A Political Companion to Frederick Douglass” (UP of Kentucky, 2018) The year 2018 marks the 200th anniversary of Frederick Douglass’ birth. It can hardly be said that scholars have neglected Douglass; indeed, he is one of the most written-about figures in American history. But not all aspects of Douglass’ thought have received their due. One such blank spot in what might be called “Douglass Studies” concerns his political philosophy. Williams College scholar Dr. Neil Roberts’ new edited volume, A Political Companion to Frederick Douglass (University Press of Kentucky, 2018), helps to fill this lacuna in Douglass scholarship. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Wed, 06 Aug 2025 08:00:00 -0000 full 142 New Books Network The year 2018 marks the 200th anniversary of Frederick Douglass’ birth. It can hardly be said that scholars have neglected Douglass; indeed, he is one of the most written-about figures in American history. But not all aspects of Douglass’ thought have received their due. One such blank spot in what might be called “Douglass Studies” concerns his political philosophy. Williams College scholar Dr. Neil Roberts’ new edited volume, A Political Companion to Frederick Douglass (University Press of Kentucky, 2018), helps to fill this lacuna in Douglass scholarship. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices The year 2018 marks the 200th anniversary of Frederick Douglass’ birth. It can hardly be said that scholars have neglected Douglass; indeed, he is one of the most written-about figures in American history. But not all aspects of Douglass’ thought have received their due. One such blank spot in what might be called “Douglass Studies” concerns his political philosophy. Williams College scholar Dr. Neil Roberts’ new edited volume, A Political Companion to Frederick Douglass (University Press of Kentucky, 2018), helps to fill this lacuna in Douglass scholarship.

Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty.

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]]> 4705 no Serkan Görkemli, "Sweet Tooth and Other Stories" (UP of Kentucky, 2024) Queerness, labels, and allyship are central themes in this moving collection of stories set in Turkey, where Middle Eastern and Euro-American expressions of identity collide and naming one's orientation is a fraught endeavor. An eleven-year-old undergoes hand surgery that will allow him to wear a wedding ring in adulthood. Two college roommates reach an erotic understanding as they indulge in dessert. A sex worker travels with an American same-sex marriage activist through the Aegean countryside. A passionate hookup during Istanbul Pride ends in tear gas. Two friends' tempers flare over cold red wine on a hot summer night by the Dardanelles. A father bonds with his son and his son's drag-queen boyfriend over classic Turkish cinema on the Mediterranean coast. In Sweet Tooth and Other Stories (UP of Kentucky, 2024), Serkan Görkemli weaves together interconnected narratives of four Turkish characters—Hasan, Gökhan, Nazlı, and Cenk—who search for clarity, love, and acceptance amid social change. Set in a rich mixture of urban and rural locales, the stories take place from the 1980s through the 2010s against the backdrop of Turkey's transition from military-backed secularism to the rise of the religious right, local and global media representations of queer individuals and culture, and the emergence of affirming LGBTQ+ identities. Görkemli creates a complex, engaging network of plots about his characters' struggles and triumphs in navigating families, communities, and themselves. Braving discrimination, they strive to embrace their identities and find joy, solace, and approval within a society that marginalizes who they are and how they love. Serkan Görkemli (he/him) is the author of two books: Sweet Tooth and Other Stories (University Press of Kentucky) and Grassroots Literacies: Lesbian and Gay Activism and the Internet in Turkey (SUNY Press; winner of the 2015 Lavender Rhetorics Book Award presented by the Conference on College Composition and Communication). His creative nonfiction is forthcoming in Image; his fiction has appeared in Ploughshares, the Iowa Review, Epiphany, X-R-A-Y Literary Magazine, Joyland, Foglifter, and Chelsea Station. He was a 2023-24 faculty fellow at the University of Connecticut Humanities Institute, a contributor in fiction at the 2019 Bread Loaf Writers’ Conference, and a fiction fellow at the 2018 Lambda Literary Writers Retreat. Originally from Türkiye, he has a PhD in English from Purdue University and is an associate professor of English at UConn Stamford. Learn more about your ad choices. Visit megaphone.fm/adchoices Sun, 22 Dec 2024 09:00:00 -0000 full 443 New Books Network An interview with Serkan Görkemli Queerness, labels, and allyship are central themes in this moving collection of stories set in Turkey, where Middle Eastern and Euro-American expressions of identity collide and naming one's orientation is a fraught endeavor. An eleven-year-old undergoes hand surgery that will allow him to wear a wedding ring in adulthood. Two college roommates reach an erotic understanding as they indulge in dessert. A sex worker travels with an American same-sex marriage activist through the Aegean countryside. A passionate hookup during Istanbul Pride ends in tear gas. Two friends' tempers flare over cold red wine on a hot summer night by the Dardanelles. A father bonds with his son and his son's drag-queen boyfriend over classic Turkish cinema on the Mediterranean coast. In Sweet Tooth and Other Stories (UP of Kentucky, 2024), Serkan Görkemli weaves together interconnected narratives of four Turkish characters—Hasan, Gökhan, Nazlı, and Cenk—who search for clarity, love, and acceptance amid social change. Set in a rich mixture of urban and rural locales, the stories take place from the 1980s through the 2010s against the backdrop of Turkey's transition from military-backed secularism to the rise of the religious right, local and global media representations of queer individuals and culture, and the emergence of affirming LGBTQ+ identities. Görkemli creates a complex, engaging network of plots about his characters' struggles and triumphs in navigating families, communities, and themselves. Braving discrimination, they strive to embrace their identities and find joy, solace, and approval within a society that marginalizes who they are and how they love. Serkan Görkemli (he/him) is the author of two books: Sweet Tooth and Other Stories (University Press of Kentucky) and Grassroots Literacies: Lesbian and Gay Activism and the Internet in Turkey (SUNY Press; winner of the 2015 Lavender Rhetorics Book Award presented by the Conference on College Composition and Communication). His creative nonfiction is forthcoming in Image; his fiction has appeared in Ploughshares, the Iowa Review, Epiphany, X-R-A-Y Literary Magazine, Joyland, Foglifter, and Chelsea Station. He was a 2023-24 faculty fellow at the University of Connecticut Humanities Institute, a contributor in fiction at the 2019 Bread Loaf Writers’ Conference, and a fiction fellow at the 2018 Lambda Literary Writers Retreat. Originally from Türkiye, he has a PhD in English from Purdue University and is an associate professor of English at UConn Stamford. Learn more about your ad choices. Visit megaphone.fm/adchoices Queerness, labels, and allyship are central themes in this moving collection of stories set in Turkey, where Middle Eastern and Euro-American expressions of identity collide and naming one's orientation is a fraught endeavor. An eleven-year-old undergoes hand surgery that will allow him to wear a wedding ring in adulthood. Two college roommates reach an erotic understanding as they indulge in dessert. A sex worker travels with an American same-sex marriage activist through the Aegean countryside. A passionate hookup during Istanbul Pride ends in tear gas. Two friends' tempers flare over cold red wine on a hot summer night by the Dardanelles. A father bonds with his son and his son's drag-queen boyfriend over classic Turkish cinema on the Mediterranean coast.

In Sweet Tooth and Other Stories (UP of Kentucky, 2024), Serkan Görkemli weaves together interconnected narratives of four Turkish characters—Hasan, Gökhan, Nazlı, and Cenk—who search for clarity, love, and acceptance amid social change. Set in a rich mixture of urban and rural locales, the stories take place from the 1980s through the 2010s against the backdrop of Turkey's transition from military-backed secularism to the rise of the religious right, local and global media representations of queer individuals and culture, and the emergence of affirming LGBTQ+ identities. Görkemli creates a complex, engaging network of plots about his characters' struggles and triumphs in navigating families, communities, and themselves. Braving discrimination, they strive to embrace their identities and find joy, solace, and approval within a society that marginalizes who they are and how they love.

Serkan Görkemli (he/him) is the author of two books: Sweet Tooth and Other Stories (University Press of Kentucky) and Grassroots Literacies: Lesbian and Gay Activism and the Internet in Turkey (SUNY Press; winner of the 2015 Lavender Rhetorics Book Award presented by the Conference on College Composition and Communication). His creative nonfiction is forthcoming in Image; his fiction has appeared in Ploughshares, the Iowa Review, Epiphany, X-R-A-Y Literary Magazine, Joyland, Foglifter, and Chelsea Station. He was a 2023-24 faculty fellow at the University of Connecticut Humanities Institute, a contributor in fiction at the 2019 Bread Loaf Writers’ Conference, and a fiction fellow at the 2018 Lambda Literary Writers Retreat. Originally from Türkiye, he has a PhD in English from Purdue University and is an associate professor of English at UConn Stamford.

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]]> 3972 no Eve Golden, "Strictly Dynamite: The Sensational Life of Lupe Velez" (UP of Kentucky, 2023) Before Salma Hayek, Eva Longoria, and Penelope Cruz, there was Lupe Velez―one of the first Latin-American stars to sweep past the xenophobia of old Hollywood and pave the way for future icons from around the world. Her career began in the silent era, when her beauty was enough to make it onto the silver screen, but with the rise of talkies, Velez could no longer hope to hide her Mexican accent. Yet Velez proved to be a talented dramatic and comedic actress (and singer) and was much more versatile than Greta Garbo, Katharine Hepburn, Gloria Swanson, and other legends of the time. Velez starred in such films as Hot Pepper (1933), Strictly Dynamite (1934), and Hollywood Party (1934), and her popularity peaked in the 1940s after she appeared as Carmelita Fuentes in eight Mexican Spitfire films, a series created to capitalize on Velez's reputed fiery personality. The media emphasized the "Mexican Spitfire" persona, and by many accounts, Velez's private life was as colorful as the characters she portrayed on-screen. Fan magazines mythologized her mysterious childhood in Mexico, while mainstream publications obsessed over the drama of her romances with Gary Cooper, Erich Maria Remarque, and John Gilbert, along with her stormy marriage to Johnny Weissmuller. In 1944, a pregnant and unmarried Velez died of an intentional drug overdose. Her tumultuous life and the circumstances surrounding her early death have been the subject of speculation and controversy. In Strictly Dynamite: The Sensational Life of Lupe Velez (UP of Kentucky, 2023), author Eve Golden uses extensive research to separate fact from fiction and offer a thorough and riveting examination of the real woman beneath the gossip columns' caricature. Through astute analysis of the actress's filmography and interviews, Golden illuminates the path Velez blazed through Hollywood. Her success was unexpected and extraordinary at a time when a distinctive accent was an obstacle, and yet very few books have focused entirely on Velez's life and career. Written with evenhandedness, humor, and empathy, this biography finally gives the remarkable Mexican actress the unique and nuanced portrait she deserves. Learn more about your ad choices. Visit megaphone.fm/adchoices Wed, 17 Apr 2024 08:00:00 -0000 full 87 New Books Network An interview with Eve Golden Before Salma Hayek, Eva Longoria, and Penelope Cruz, there was Lupe Velez―one of the first Latin-American stars to sweep past the xenophobia of old Hollywood and pave the way for future icons from around the world. Her career began in the silent era, when her beauty was enough to make it onto the silver screen, but with the rise of talkies, Velez could no longer hope to hide her Mexican accent. Yet Velez proved to be a talented dramatic and comedic actress (and singer) and was much more versatile than Greta Garbo, Katharine Hepburn, Gloria Swanson, and other legends of the time. Velez starred in such films as Hot Pepper (1933), Strictly Dynamite (1934), and Hollywood Party (1934), and her popularity peaked in the 1940s after she appeared as Carmelita Fuentes in eight Mexican Spitfire films, a series created to capitalize on Velez's reputed fiery personality. The media emphasized the "Mexican Spitfire" persona, and by many accounts, Velez's private life was as colorful as the characters she portrayed on-screen. Fan magazines mythologized her mysterious childhood in Mexico, while mainstream publications obsessed over the drama of her romances with Gary Cooper, Erich Maria Remarque, and John Gilbert, along with her stormy marriage to Johnny Weissmuller. In 1944, a pregnant and unmarried Velez died of an intentional drug overdose. Her tumultuous life and the circumstances surrounding her early death have been the subject of speculation and controversy. In Strictly Dynamite: The Sensational Life of Lupe Velez (UP of Kentucky, 2023), author Eve Golden uses extensive research to separate fact from fiction and offer a thorough and riveting examination of the real woman beneath the gossip columns' caricature. Through astute analysis of the actress's filmography and interviews, Golden illuminates the path Velez blazed through Hollywood. Her success was unexpected and extraordinary at a time when a distinctive accent was an obstacle, and yet very few books have focused entirely on Velez's life and career. Written with evenhandedness, humor, and empathy, this biography finally gives the remarkable Mexican actress the unique and nuanced portrait she deserves. Learn more about your ad choices. Visit megaphone.fm/adchoices Before Salma Hayek, Eva Longoria, and Penelope Cruz, there was Lupe Velez―one of the first Latin-American stars to sweep past the xenophobia of old Hollywood and pave the way for future icons from around the world. Her career began in the silent era, when her beauty was enough to make it onto the silver screen, but with the rise of talkies, Velez could no longer hope to hide her Mexican accent. Yet Velez proved to be a talented dramatic and comedic actress (and singer) and was much more versatile than Greta Garbo, Katharine Hepburn, Gloria Swanson, and other legends of the time. Velez starred in such films as Hot Pepper (1933), Strictly Dynamite (1934), and Hollywood Party (1934), and her popularity peaked in the 1940s after she appeared as Carmelita Fuentes in eight Mexican Spitfire films, a series created to capitalize on Velez's reputed fiery personality.

The media emphasized the "Mexican Spitfire" persona, and by many accounts, Velez's private life was as colorful as the characters she portrayed on-screen. Fan magazines mythologized her mysterious childhood in Mexico, while mainstream publications obsessed over the drama of her romances with Gary Cooper, Erich Maria Remarque, and John Gilbert, along with her stormy marriage to Johnny Weissmuller. In 1944, a pregnant and unmarried Velez died of an intentional drug overdose. Her tumultuous life and the circumstances surrounding her early death have been the subject of speculation and controversy.

In Strictly Dynamite: The Sensational Life of Lupe Velez (UP of Kentucky, 2023), author Eve Golden uses extensive research to separate fact from fiction and offer a thorough and riveting examination of the real woman beneath the gossip columns' caricature. Through astute analysis of the actress's filmography and interviews, Golden illuminates the path Velez blazed through Hollywood. Her success was unexpected and extraordinary at a time when a distinctive accent was an obstacle, and yet very few books have focused entirely on Velez's life and career. Written with evenhandedness, humor, and empathy, this biography finally gives the remarkable Mexican actress the unique and nuanced portrait she deserves.

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 2111 no Chris Yogerst, "The Warner Brothers" (UP of Kentucky, 2023) One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 08 Sep 2023 08:00:00 -0000 full 176 New Books Network An interview with Chris Yogerst One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars. In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it. Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come. Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices One of the oldest and most recognizable studios in Hollywood, Warner Bros. is considered a juggernaut of the entertainment industry. Since its formation in the early twentieth century, the studio has been a constant presence in cinema history, responsible for the creation of acclaimed films, blockbuster brands, and iconic superstars.

In The Warner Brothers (UP of Kentucky, 2023), Chris Yogerst follows the siblings from their family's humble origins in Poland, through their young adulthood in the American Midwest, to the height of fame and fortune in Hollywood. With unwavering resolve, the brothers soldiered on against the backdrop of an America reeling from the aftereffects of domestic and global conflict. The Great Depression would not sink the brothers, who churned out competitive films that engaged audiences and kept their operations afloat―and even expanding. During World War II, they used their platform to push beyond the limits of the Production Code and create important films about real-world issues, openly criticizing radicalism and the evils of the Nazi regime. At every major cultural turning point in their lifetime, the Warners held a front-row seat. These days, the studio is best known as a media conglomerate with a broad range of intellectual property, spanning movies, TV shows, and streaming content. Despite popular interest in the origins of this empire, the core of the Warner Bros. saga cannot be found in its commercial successes. It is the story of four brothers―Harry, Albert, Sam, and Jack―whose vision for Hollywood helped shape the world of entertainment as we know it.

Paying close attention to the brothers' identities as cultural and economic outsiders, Yogerst chronicles how the Warners built a global filmmaking powerhouse. Equal parts family history and cinematic journey, The Warner Brothers is an empowering story of the American dream and the legacy four brothers left behind for generations of filmmakers and film lovers to come.

Chris Yogerst is the author of Hollywood Hates Hitler! Jew-Baiting, Anti-Nazism, and the Senate Investigation into Warmongering in Motion Pictures and From the Headlines to Hollywood: The Birth and Boom of Warner Bros. He appeared on the New Books Network to discuss the book in 2020. His work has appeared in the Washington Post, Los Angeles Review of Books, Journal of American Culture, Historical Journal of Film, Radio, and Television, and the Hollywood Reporter. He currently serves as an associate professor of communication in the Department of Arts and Humanities at the University of Wisconsin–Milwaukee.

Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University and an Associate Faculty member at University of Arizona Global Campus. His Twitter handle is @JoelTscherne.

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]]> 4056 no Sarah L. Hall, "Sown in the Stars: Planting by the Signs" (UP of Kentucky, 2023) "To everything there is a season, and a time to every purpose under the heaven: a time to be born, and a time to die; a time to plant, and a time to pluck up that which is planted."—Ecclesiastes 3:1–2 The Appalachian region is deeply rooted in customs that have been handed down for generations. "Planting by the signs," a practice predicated on the belief that moon phases and astrological signs exert a powerful influence on the growth and well-being of crops, is deemed superstitious by some but has been considered essential to gardeners and farmers for centuries and is still in use today. Sown in the Stars: Planting by the Signs (UP of Kentucky, 2023) brings together the collective knowledge of farmers in central and eastern Kentucky about the custom of planting by the signs. Sarah Hall interviews nearly two dozen contemporary Kentuckians who still follow the signs of the moon and stars to guide planting, harvesting, canning and food preservation, butchering, and general farmwork. Hall explores the roots of this system in both astrology and astronomy and the profound connections felt to the stars, moon, planets, and the earth. Revealed in the personal narratives are the diverse interpretations of the practice. Some farmers and gardeners believe that the moon's impact on crop behavior is purely scientific, while others favor a much wider interpretation of the signs and their impact on our lives. Featuring photographs by Meg Wilson, this timely book bridges the past, present, and future by broadening our understanding of this practice and revealing its potential to increase the resiliency of our current agricultural food systems. Sarah L. Hall is associate professor of agriculture and natural resources at Berea College. Her scholarly articles on the restoration of native forests and grasslands in Kentucky have been published in a wide range of journals, including Restoration Ecology and New Forests. Candy Boatwright is currently studying for a M.A. History degree at Clemson University. Her research focus is early South Carolina trade and commerce. She is also interested in material culture and memory. A long-time resident of the upstate she enjoys hiking and exploring the natural beauty as well as the historical places of South Carolina. Her personal website is www.candyrboatwright.net/blog and she is also on Twitter at @CandyBoatwright. Learn more about your ad choices. Visit megaphone.fm/adchoices Mon, 03 Jul 2023 08:00:00 -0000 full 120 New Books Network An interview with Sarah L. Hall "To everything there is a season, and a time to every purpose under the heaven: a time to be born, and a time to die; a time to plant, and a time to pluck up that which is planted."—Ecclesiastes 3:1–2 The Appalachian region is deeply rooted in customs that have been handed down for generations. "Planting by the signs," a practice predicated on the belief that moon phases and astrological signs exert a powerful influence on the growth and well-being of crops, is deemed superstitious by some but has been considered essential to gardeners and farmers for centuries and is still in use today. Sown in the Stars: Planting by the Signs (UP of Kentucky, 2023) brings together the collective knowledge of farmers in central and eastern Kentucky about the custom of planting by the signs. Sarah Hall interviews nearly two dozen contemporary Kentuckians who still follow the signs of the moon and stars to guide planting, harvesting, canning and food preservation, butchering, and general farmwork. Hall explores the roots of this system in both astrology and astronomy and the profound connections felt to the stars, moon, planets, and the earth. Revealed in the personal narratives are the diverse interpretations of the practice. Some farmers and gardeners believe that the moon's impact on crop behavior is purely scientific, while others favor a much wider interpretation of the signs and their impact on our lives. Featuring photographs by Meg Wilson, this timely book bridges the past, present, and future by broadening our understanding of this practice and revealing its potential to increase the resiliency of our current agricultural food systems. Sarah L. Hall is associate professor of agriculture and natural resources at Berea College. Her scholarly articles on the restoration of native forests and grasslands in Kentucky have been published in a wide range of journals, including Restoration Ecology and New Forests. Candy Boatwright is currently studying for a M.A. History degree at Clemson University. Her research focus is early South Carolina trade and commerce. She is also interested in material culture and memory. A long-time resident of the upstate she enjoys hiking and exploring the natural beauty as well as the historical places of South Carolina. Her personal website is www.candyrboatwright.net/blog and she is also on Twitter at @CandyBoatwright. Learn more about your ad choices. Visit megaphone.fm/adchoices "To everything there is a season, and a time to every purpose under the heaven: a time to be born, and a time to die; a time to plant, and a time to pluck up that which is planted."—Ecclesiastes 3:1–2

The Appalachian region is deeply rooted in customs that have been handed down for generations. "Planting by the signs," a practice predicated on the belief that moon phases and astrological signs exert a powerful influence on the growth and well-being of crops, is deemed superstitious by some but has been considered essential to gardeners and farmers for centuries and is still in use today.

Sown in the Stars: Planting by the Signs (UP of Kentucky, 2023) brings together the collective knowledge of farmers in central and eastern Kentucky about the custom of planting by the signs. Sarah Hall interviews nearly two dozen contemporary Kentuckians who still follow the signs of the moon and stars to guide planting, harvesting, canning and food preservation, butchering, and general farmwork. Hall explores the roots of this system in both astrology and astronomy and the profound connections felt to the stars, moon, planets, and the earth. Revealed in the personal narratives are the diverse interpretations of the practice. Some farmers and gardeners believe that the moon's impact on crop behavior is purely scientific, while others favor a much wider interpretation of the signs and their impact on our lives. Featuring photographs by Meg Wilson, this timely book bridges the past, present, and future by broadening our understanding of this practice and revealing its potential to increase the resiliency of our current agricultural food systems.

Sarah L. Hall is associate professor of agriculture and natural resources at Berea College. Her scholarly articles on the restoration of native forests and grasslands in Kentucky have been published in a wide range of journals, including Restoration Ecology and New Forests.

Candy Boatwright is currently studying for a M.A. History degree at Clemson University. Her research focus is early South Carolina trade and commerce. She is also interested in material culture and memory. A long-time resident of the upstate she enjoys hiking and exploring the natural beauty as well as the historical places of South Carolina. Her personal website is www.candyrboatwright.net/blog and she is also on Twitter at @CandyBoatwright.

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 3276 no Christina Rice, "Mean...Moody...Magnificent!: Jane Russell and the Marketing of a Hollywood Legend" (UP of Kentucky, 2021) By the early 1950s, Jane Russell (1921–2011) should have been forgotten. Her career was launched on what is arguably the most notorious advertising campaign in cinema history, which invited filmgoers to see Howard Hughes's The Outlaw (1943) and to "tussle with Russell." Throughout the 1940s, she was nicknamed the "motionless picture actress" and had only three films in theaters. With such a slow, inauspicious start, most aspiring actresses would have given up or faded away. Instead, Russell carved out a place for herself in Hollywood and became a memorable and enduring star. Christina Rice offers the first biography of the actress and activist perhaps most well-known for her role in Gentlemen Prefer Blondes (1953). Despite the fact that her movie career was stalled for nearly a decade, Russell's filmography is respectable. She worked with some of Hollywood's most talented directors―including Howard Hawks, Raoul Walsh, Nicholas Ray, and Josef von Sternberg―and held her own alongside costars such as Marilyn Monroe, Robert Mitchum, Clark Gable, Vincent Price, and Bob Hope. She also learned how to fight back against Howard Hughes, her boss for more than thirty-five years, and his marketing campaigns that exploited her physical appearance. Beyond the screen, Rice reveals Russell as a complex and confident woman. She explores the star's years as a spokeswoman for Playtex as well as her deep faith and work as a Christian vocalist. Rice also discusses Russell's leadership and patronage of the WAIF foundation, which for many years served as the fundraising arm of the International Social Service (ISS) agency. WAIF raised hundreds of thousands of dollars, successfully lobbied Congress to change laws, and resulted in the adoption of tens of thousands of orphaned children. For Russell, the work she did to help unite families overshadowed any of her onscreen achievements. On the surface, Jane Russell seemed to live a charmed life, but Rice illuminates her darker moments and her personal struggles, including her empowered reactions to the controversies surrounding her films and her feelings about being portrayed as a sex symbol. Mean...Moody...Magnificent!: Jane Russell and the Marketing of a Hollywood Legend (UP of Kentucky, 2021) offers a fresh perspective on a star whose legacy endures not simply because she forged a notable film career, but also because she effectively used her celebrity to benefit others. Learn more about your ad choices. Visit megaphone.fm/adchoices Tue, 28 Mar 2023 08:00:00 -0000 full 158 New Books Network An interview with Christina Rice By the early 1950s, Jane Russell (1921–2011) should have been forgotten. Her career was launched on what is arguably the most notorious advertising campaign in cinema history, which invited filmgoers to see Howard Hughes's The Outlaw (1943) and to "tussle with Russell." Throughout the 1940s, she was nicknamed the "motionless picture actress" and had only three films in theaters. With such a slow, inauspicious start, most aspiring actresses would have given up or faded away. Instead, Russell carved out a place for herself in Hollywood and became a memorable and enduring star. Christina Rice offers the first biography of the actress and activist perhaps most well-known for her role in Gentlemen Prefer Blondes (1953). Despite the fact that her movie career was stalled for nearly a decade, Russell's filmography is respectable. She worked with some of Hollywood's most talented directors―including Howard Hawks, Raoul Walsh, Nicholas Ray, and Josef von Sternberg―and held her own alongside costars such as Marilyn Monroe, Robert Mitchum, Clark Gable, Vincent Price, and Bob Hope. She also learned how to fight back against Howard Hughes, her boss for more than thirty-five years, and his marketing campaigns that exploited her physical appearance. Beyond the screen, Rice reveals Russell as a complex and confident woman. She explores the star's years as a spokeswoman for Playtex as well as her deep faith and work as a Christian vocalist. Rice also discusses Russell's leadership and patronage of the WAIF foundation, which for many years served as the fundraising arm of the International Social Service (ISS) agency. WAIF raised hundreds of thousands of dollars, successfully lobbied Congress to change laws, and resulted in the adoption of tens of thousands of orphaned children. For Russell, the work she did to help unite families overshadowed any of her onscreen achievements. On the surface, Jane Russell seemed to live a charmed life, but Rice illuminates her darker moments and her personal struggles, including her empowered reactions to the controversies surrounding her films and her feelings about being portrayed as a sex symbol. Mean...Moody...Magnificent!: Jane Russell and the Marketing of a Hollywood Legend (UP of Kentucky, 2021) offers a fresh perspective on a star whose legacy endures not simply because she forged a notable film career, but also because she effectively used her celebrity to benefit others. Learn more about your ad choices. Visit megaphone.fm/adchoices By the early 1950s, Jane Russell (1921–2011) should have been forgotten. Her career was launched on what is arguably the most notorious advertising campaign in cinema history, which invited filmgoers to see Howard Hughes's The Outlaw (1943) and to "tussle with Russell." Throughout the 1940s, she was nicknamed the "motionless picture actress" and had only three films in theaters. With such a slow, inauspicious start, most aspiring actresses would have given up or faded away. Instead, Russell carved out a place for herself in Hollywood and became a memorable and enduring star.

Christina Rice offers the first biography of the actress and activist perhaps most well-known for her role in Gentlemen Prefer Blondes (1953). Despite the fact that her movie career was stalled for nearly a decade, Russell's filmography is respectable. She worked with some of Hollywood's most talented directors―including Howard Hawks, Raoul Walsh, Nicholas Ray, and Josef von Sternberg―and held her own alongside costars such as Marilyn Monroe, Robert Mitchum, Clark Gable, Vincent Price, and Bob Hope. She also learned how to fight back against Howard Hughes, her boss for more than thirty-five years, and his marketing campaigns that exploited her physical appearance.

Beyond the screen, Rice reveals Russell as a complex and confident woman. She explores the star's years as a spokeswoman for Playtex as well as her deep faith and work as a Christian vocalist. Rice also discusses Russell's leadership and patronage of the WAIF foundation, which for many years served as the fundraising arm of the International Social Service (ISS) agency. WAIF raised hundreds of thousands of dollars, successfully lobbied Congress to change laws, and resulted in the adoption of tens of thousands of orphaned children. For Russell, the work she did to help unite families overshadowed any of her onscreen achievements.

On the surface, Jane Russell seemed to live a charmed life, but Rice illuminates her darker moments and her personal struggles, including her empowered reactions to the controversies surrounding her films and her feelings about being portrayed as a sex symbol. Mean...Moody...Magnificent!: Jane Russell and the Marketing of a Hollywood Legend (UP of Kentucky, 2021) offers a fresh perspective on a star whose legacy endures not simply because she forged a notable film career, but also because she effectively used her celebrity to benefit others.

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]]> 2442 no Rebecca Gayle Howell et al., "What Things Cost: An Anthology for the People" (UP of Kentucky, 2023) What Things Cost: An Anthology for the People (UP of Kentucky, 2023) is the first major anthology of labor writing in nearly a century. Here, editors Rebecca Gayle Howell & Ashley M. Jones bring together more than one hundred contemporary writers singing out from the corners of the 99 Percent, each telling their own truth of today's economy. In his final days, Rev. Dr. Martin Luther King Jr. called for a "multiracial coalition of the working poor." King hoped this coalition would become the next civil rights movement but he was assassinated before he could see it emerge as the Poor People's Campaign, now led by Rev. Dr. William J. Barber II and Rev. Dr. Liz Theoharis. King's last lesson--about the dangers of dividing working people--inspired the conversation gathered here by Jones and Howell.  Fifty-five years after the assassination of King, What Things Cost collects stories that are honest, provocative, and galvanizing, sharing the hidden costs of labor and laboring in the United States of America. Voices such as Sonia Sanchez, Faisal Mohyuddin, Natalie Diaz, Ocean Vuong, Silas House, Sonia Guiñansaca, Reginald Dwayne Betts, Victoria Chang, Crystal Wilkinson, Gerald Stern, and Jericho Brown weave together the living stories of the campaign's broad swath of supporters, creating a literary tapestry that depicts the struggle and solidarity behind the work of building a more just America. All proceeds from the book will be donated to the Poor People's Campaign. Stephen Pimpare is director of the Public Service & Nonprofit Leadership program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 02 Mar 2023 09:00:00 -0000 full 147 New Books Network What Things Cost: An Anthology for the People (UP of Kentucky, 2023) is the first major anthology of labor writing in nearly a century. Here, editors Rebecca Gayle Howell & Ashley M. Jones bring together more than one hundred contemporary writers singing out from the corners of the 99 Percent, each telling their own truth of today's economy. In his final days, Rev. Dr. Martin Luther King Jr. called for a "multiracial coalition of the working poor." King hoped this coalition would become the next civil rights movement but he was assassinated before he could see it emerge as the Poor People's Campaign, now led by Rev. Dr. William J. Barber II and Rev. Dr. Liz Theoharis. King's last lesson--about the dangers of dividing working people--inspired the conversation gathered here by Jones and Howell.  Fifty-five years after the assassination of King, What Things Cost collects stories that are honest, provocative, and galvanizing, sharing the hidden costs of labor and laboring in the United States of America. Voices such as Sonia Sanchez, Faisal Mohyuddin, Natalie Diaz, Ocean Vuong, Silas House, Sonia Guiñansaca, Reginald Dwayne Betts, Victoria Chang, Crystal Wilkinson, Gerald Stern, and Jericho Brown weave together the living stories of the campaign's broad swath of supporters, creating a literary tapestry that depicts the struggle and solidarity behind the work of building a more just America. All proceeds from the book will be donated to the Poor People's Campaign. Stephen Pimpare is director of the Public Service & Nonprofit Leadership program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. Learn more about your ad choices. Visit megaphone.fm/adchoices What Things Cost: An Anthology for the People (UP of Kentucky, 2023) is the first major anthology of labor writing in nearly a century. Here, editors Rebecca Gayle Howell & Ashley M. Jones bring together more than one hundred contemporary writers singing out from the corners of the 99 Percent, each telling their own truth of today's economy. In his final days, Rev. Dr. Martin Luther King Jr. called for a "multiracial coalition of the working poor." King hoped this coalition would become the next civil rights movement but he was assassinated before he could see it emerge as the Poor People's Campaign, now led by Rev. Dr. William J. Barber II and Rev. Dr. Liz Theoharis. King's last lesson--about the dangers of dividing working people--inspired the conversation gathered here by Jones and Howell. 

Fifty-five years after the assassination of King, What Things Cost collects stories that are honest, provocative, and galvanizing, sharing the hidden costs of labor and laboring in the United States of America. Voices such as Sonia Sanchez, Faisal Mohyuddin, Natalie Diaz, Ocean Vuong, Silas House, Sonia Guiñansaca, Reginald Dwayne Betts, Victoria Chang, Crystal Wilkinson, Gerald Stern, and Jericho Brown weave together the living stories of the campaign's broad swath of supporters, creating a literary tapestry that depicts the struggle and solidarity behind the work of building a more just America.

All proceeds from the book will be donated to the Poor People's Campaign.

Stephen Pimpare is director of the Public Service & Nonprofit Leadership program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire.

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]]> 1703 no Emily Strasser, "Half-Life of a Secret: Reckoning with a Hidden History" (UP of Kentucky, 2023) In 1942, the US government began construction on a sixty-thousand-acre planned community named Oak Ridge in a rural area west of Knoxville, Tennessee. Unmarked on regional maps, Oak Ridge attracted more than seventy thousand people eager for high-paying wartime jobs. Among them was author Emily Strasser's grandfather George, a chemist. All employees—from scientists to secretaries, from military personnel to construction workers—were restricted by the tightest security. They were provided only the minimum information necessary to perform their jobs. It wasn't until three years later that the citizens of Oak Ridge, and the rest of the world, learned the true purpose of the local industry. Oak Ridge was one of three secret cities constructed by the Manhattan Project for the express purpose of developing the first atomic bomb, which devastated Hiroshima on August 6, 1945. In Half-Life of a Secret: Reckoning with a Hidden History (UP of Kentucky, 2023), Emily Strasser exposes the toxic legacy—political, environmental, and personal—that forever polluted her family, a community, the nation, and the world. Sifting through archives and family memories, and traveling to the deserts of Nevada and the living rooms of Hiroshima, she grapples with the far-reaching ramifications of her grandfather's work. She learns that during the three decades he spent building nuclear weapons, George suffered from increasingly debilitating mental illness. Returning to Oak Ridge, Strasser confronts the widespread contamination resulting from nuclear weapons production and the government's disregard for its impact on the environment and public health. With brilliant insight, she reveals the intersections between the culture of secrecy in her family and the institutionalized secrecy within the nuclear industry, which persists, with grave consequences, to this day. Emily Strasser: Emily Strasser is a writer based in Minneapolis, Minnesota. She received her MFA in nonfiction from the University of Minnesota. Her work has appeared in Catapult, Ploughshares, Guernica, Colorado Review, The Bitter Southerner, The Bulletin of Atomic Scientists, Gulf Coast, and Tricycle, among others, and she was the presenter of the BBC podcast “The Bomb.” Her essays have been named notable in Best American Essays 2016 and 2017 and nominated for a Pushcart Prize. She was a winner of the 2015 Ploughshares Emerging Writer’s Contest, a 2016 AWP Intro Award, a 2016 Minnesota State Arts Board Artist’s Initiative Grant, and the 2016 W.K. Rose Fellowship from Vassar College. She served as a 2018-19 Olive B. O’Connor Fellow in Creative Writing at Colgate University and a 2019 McKnight Writing Fellow. Cody Skahan (cas12@hi.is) is a student in the MA program in Anthropology at the University of Iceland as a Leifur Eriksson Fellow. His work focuses on environmentalism in Iceland, especially the social and political implications of the youth environmentalist movement in an arctic country that has created for itself a façade of being environmentally and socially progressive. More generally, his other interests span anywhere from critical theory, psychoanalysis, anarchism, cultural studies, anime, and applying theory through praxis. Cody has a blog where he is trying to write more rather than just only read and talk about books. Learn more about your ad choices. Visit megaphone.fm/adchoices Sun, 05 Feb 2023 09:00:00 -0000 full 140 New Books Network An interview with Emily Strasser In 1942, the US government began construction on a sixty-thousand-acre planned community named Oak Ridge in a rural area west of Knoxville, Tennessee. Unmarked on regional maps, Oak Ridge attracted more than seventy thousand people eager for high-paying wartime jobs. Among them was author Emily Strasser's grandfather George, a chemist. All employees—from scientists to secretaries, from military personnel to construction workers—were restricted by the tightest security. They were provided only the minimum information necessary to perform their jobs. It wasn't until three years later that the citizens of Oak Ridge, and the rest of the world, learned the true purpose of the local industry. Oak Ridge was one of three secret cities constructed by the Manhattan Project for the express purpose of developing the first atomic bomb, which devastated Hiroshima on August 6, 1945. In Half-Life of a Secret: Reckoning with a Hidden History (UP of Kentucky, 2023), Emily Strasser exposes the toxic legacy—political, environmental, and personal—that forever polluted her family, a community, the nation, and the world. Sifting through archives and family memories, and traveling to the deserts of Nevada and the living rooms of Hiroshima, she grapples with the far-reaching ramifications of her grandfather's work. She learns that during the three decades he spent building nuclear weapons, George suffered from increasingly debilitating mental illness. Returning to Oak Ridge, Strasser confronts the widespread contamination resulting from nuclear weapons production and the government's disregard for its impact on the environment and public health. With brilliant insight, she reveals the intersections between the culture of secrecy in her family and the institutionalized secrecy within the nuclear industry, which persists, with grave consequences, to this day. Emily Strasser: Emily Strasser is a writer based in Minneapolis, Minnesota. She received her MFA in nonfiction from the University of Minnesota. Her work has appeared in Catapult, Ploughshares, Guernica, Colorado Review, The Bitter Southerner, The Bulletin of Atomic Scientists, Gulf Coast, and Tricycle, among others, and she was the presenter of the BBC podcast “The Bomb.” Her essays have been named notable in Best American Essays 2016 and 2017 and nominated for a Pushcart Prize. She was a winner of the 2015 Ploughshares Emerging Writer’s Contest, a 2016 AWP Intro Award, a 2016 Minnesota State Arts Board Artist’s Initiative Grant, and the 2016 W.K. Rose Fellowship from Vassar College. She served as a 2018-19 Olive B. O’Connor Fellow in Creative Writing at Colgate University and a 2019 McKnight Writing Fellow. Cody Skahan (cas12@hi.is) is a student in the MA program in Anthropology at the University of Iceland as a Leifur Eriksson Fellow. His work focuses on environmentalism in Iceland, especially the social and political implications of the youth environmentalist movement in an arctic country that has created for itself a façade of being environmentally and socially progressive. More generally, his other interests span anywhere from critical theory, psychoanalysis, anarchism, cultural studies, anime, and applying theory through praxis. Cody has a blog where he is trying to write more rather than just only read and talk about books. Learn more about your ad choices. Visit megaphone.fm/adchoices In 1942, the US government began construction on a sixty-thousand-acre planned community named Oak Ridge in a rural area west of Knoxville, Tennessee. Unmarked on regional maps, Oak Ridge attracted more than seventy thousand people eager for high-paying wartime jobs. Among them was author Emily Strasser's grandfather George, a chemist. All employees—from scientists to secretaries, from military personnel to construction workers—were restricted by the tightest security. They were provided only the minimum information necessary to perform their jobs.

It wasn't until three years later that the citizens of Oak Ridge, and the rest of the world, learned the true purpose of the local industry. Oak Ridge was one of three secret cities constructed by the Manhattan Project for the express purpose of developing the first atomic bomb, which devastated Hiroshima on August 6, 1945.

In Half-Life of a Secret: Reckoning with a Hidden History (UP of Kentucky, 2023), Emily Strasser exposes the toxic legacy—political, environmental, and personal—that forever polluted her family, a community, the nation, and the world. Sifting through archives and family memories, and traveling to the deserts of Nevada and the living rooms of Hiroshima, she grapples with the far-reaching ramifications of her grandfather's work. She learns that during the three decades he spent building nuclear weapons, George suffered from increasingly debilitating mental illness. Returning to Oak Ridge, Strasser confronts the widespread contamination resulting from nuclear weapons production and the government's disregard for its impact on the environment and public health. With brilliant insight, she reveals the intersections between the culture of secrecy in her family and the institutionalized secrecy within the nuclear industry, which persists, with grave consequences, to this day.

Emily Strasser: Emily Strasser is a writer based in Minneapolis, Minnesota. She received her MFA in nonfiction from the University of Minnesota. Her work has appeared in Catapult, Ploughshares, Guernica, Colorado Review, The Bitter Southerner, The Bulletin of Atomic Scientists, Gulf Coast, and Tricycle, among others, and she was the presenter of the BBC podcast “The Bomb.” Her essays have been named notable in Best American Essays 2016 and 2017 and nominated for a Pushcart Prize. She was a winner of the 2015 Ploughshares Emerging Writer’s Contest, a 2016 AWP Intro Award, a 2016 Minnesota State Arts Board Artist’s Initiative Grant, and the 2016 W.K. Rose Fellowship from Vassar College. She served as a 2018-19 Olive B. O’Connor Fellow in Creative Writing at Colgate University and a 2019 McKnight Writing Fellow.

Cody Skahan (cas12@hi.is) is a student in the MA program in Anthropology at the University of Iceland as a Leifur Eriksson Fellow. His work focuses on environmentalism in Iceland, especially the social and political implications of the youth environmentalist movement in an arctic country that has created for itself a façade of being environmentally and socially progressive. More generally, his other interests span anywhere from critical theory, psychoanalysis, anarchism, cultural studies, anime, and applying theory through praxis. Cody has a blog where he is trying to write more rather than just only read and talk about books.

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]]> 3368 no Eve Golden, "Jayne Mansfield: The Girl Couldn't Help It" (UP of Kentucky, 2021) Jayne Mansfield (1933-1967) was driven not just to be an actress but to be a star. One of the most influential sex symbols of her time, she was known for her platinum blonde hair, hourglass figure, outrageously low necklines, and flamboyant lifestyle. Hardworking and ambitious, Mansfield proved early in her career that she was adept in both comic and dramatic roles, but her tenacious search for the spotlight and her risqué promotional stunts caused her to be increasingly snubbed in Hollywood. In Jayne Mansfield: The Girl Couldn't Help It (UP of Kentucky, 2021), Eve Golden offers a joyful account of the star Andy Warhol called "the poet of publicity," revealing the smart, determined woman behind the persona. While she always had her sights set on the silver screen, Mansfield got her start as Rita Marlowe in the Broadway show Will Success Spoil Rock Hunter?. She made her film debut in the low-budget drama Female Jungle (1955) before landing the starring role in The Girl Can't Help It (1956). Mansfield followed this success with a dramatic role in The Wayward Bus (1957), winning a Golden Globe for New Star of the Year, and starred alongside Cary Grant in Kiss Them for Me (1957). Despite her popularity, her appearance as the first celebrity in Playboy and her nude scene in Promises! Promises! (1963) cemented her reputation as an outsider. By the 1960s, Mansfield's film career had declined, but she remained very popular with the public. She capitalized on that popularity through in-person and TV appearances, nightclub appearances, and stage productions. Her larger-than-life life ended sadly when she passed away at age thirty-four in a car accident. Golden looks beyond Mansfield's flashy public image and tragic death to fully explore her life and legacy. She discusses Mansfield's childhood, her many loves—including her famous on-again, off-again relationship with Miklós "Mickey" Hargitay—her struggles with alcohol, and her sometimes tumultuous family relationships. She also considers Mansfield's enduring contributions to American popular culture and celebrity culture. This funny, engaging biography offers a nuanced portrait of a fascinating woman who loved every minute of life and lived each one to the fullest. Carmen Gomez-Galisteo, Ph.D. is a lecturer at Centro de Educación Superior de Enseñanza e Investigación Educativa (CEIE). Learn more about your ad choices. Visit megaphone.fm/adchoices Sun, 25 Dec 2022 09:00:00 -0000 full 229 New Books Network An interview with Eve Golden Jayne Mansfield (1933-1967) was driven not just to be an actress but to be a star. One of the most influential sex symbols of her time, she was known for her platinum blonde hair, hourglass figure, outrageously low necklines, and flamboyant lifestyle. Hardworking and ambitious, Mansfield proved early in her career that she was adept in both comic and dramatic roles, but her tenacious search for the spotlight and her risqué promotional stunts caused her to be increasingly snubbed in Hollywood. In Jayne Mansfield: The Girl Couldn't Help It (UP of Kentucky, 2021), Eve Golden offers a joyful account of the star Andy Warhol called "the poet of publicity," revealing the smart, determined woman behind the persona. While she always had her sights set on the silver screen, Mansfield got her start as Rita Marlowe in the Broadway show Will Success Spoil Rock Hunter?. She made her film debut in the low-budget drama Female Jungle (1955) before landing the starring role in The Girl Can't Help It (1956). Mansfield followed this success with a dramatic role in The Wayward Bus (1957), winning a Golden Globe for New Star of the Year, and starred alongside Cary Grant in Kiss Them for Me (1957). Despite her popularity, her appearance as the first celebrity in Playboy and her nude scene in Promises! Promises! (1963) cemented her reputation as an outsider. By the 1960s, Mansfield's film career had declined, but she remained very popular with the public. She capitalized on that popularity through in-person and TV appearances, nightclub appearances, and stage productions. Her larger-than-life life ended sadly when she passed away at age thirty-four in a car accident. Golden looks beyond Mansfield's flashy public image and tragic death to fully explore her life and legacy. She discusses Mansfield's childhood, her many loves—including her famous on-again, off-again relationship with Miklós "Mickey" Hargitay—her struggles with alcohol, and her sometimes tumultuous family relationships. She also considers Mansfield's enduring contributions to American popular culture and celebrity culture. This funny, engaging biography offers a nuanced portrait of a fascinating woman who loved every minute of life and lived each one to the fullest. Carmen Gomez-Galisteo, Ph.D. is a lecturer at Centro de Educación Superior de Enseñanza e Investigación Educativa (CEIE). Learn more about your ad choices. Visit megaphone.fm/adchoices Jayne Mansfield (1933-1967) was driven not just to be an actress but to be a star. One of the most influential sex symbols of her time, she was known for her platinum blonde hair, hourglass figure, outrageously low necklines, and flamboyant lifestyle. Hardworking and ambitious, Mansfield proved early in her career that she was adept in both comic and dramatic roles, but her tenacious search for the spotlight and her risqué promotional stunts caused her to be increasingly snubbed in Hollywood.

In Jayne Mansfield: The Girl Couldn't Help It (UP of Kentucky, 2021), Eve Golden offers a joyful account of the star Andy Warhol called "the poet of publicity," revealing the smart, determined woman behind the persona. While she always had her sights set on the silver screen, Mansfield got her start as Rita Marlowe in the Broadway show Will Success Spoil Rock Hunter?. She made her film debut in the low-budget drama Female Jungle (1955) before landing the starring role in The Girl Can't Help It (1956). Mansfield followed this success with a dramatic role in The Wayward Bus (1957), winning a Golden Globe for New Star of the Year, and starred alongside Cary Grant in Kiss Them for Me (1957). Despite her popularity, her appearance as the first celebrity in Playboy and her nude scene in Promises! Promises! (1963) cemented her reputation as an outsider.

By the 1960s, Mansfield's film career had declined, but she remained very popular with the public. She capitalized on that popularity through in-person and TV appearances, nightclub appearances, and stage productions. Her larger-than-life life ended sadly when she passed away at age thirty-four in a car accident.

Golden looks beyond Mansfield's flashy public image and tragic death to fully explore her life and legacy. She discusses Mansfield's childhood, her many loves—including her famous on-again, off-again relationship with Miklós "Mickey" Hargitay—her struggles with alcohol, and her sometimes tumultuous family relationships. She also considers Mansfield's enduring contributions to American popular culture and celebrity culture. This funny, engaging biography offers a nuanced portrait of a fascinating woman who loved every minute of life and lived each one to the fullest.

Carmen Gomez-Galisteo, Ph.D. is a lecturer at Centro de Educación Superior de Enseñanza e Investigación Educativa (CEIE).

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]]> 1418 no Burt Kearns, "Lawrence Tierney: Hollywood's Real-Life Tough Guy" (UP of Kentucky, 2022) In his latest book, Lawrence Tierney: Hollywood's Real-Life Tough Guy (The University of Kentucky Press, 2022) Burt Kearns explores the life of actor Lawrence Tierney (1919-2002) whose natural swagger and gruff disposition made him the perfect fit for the Hollywood "tough guy" archetype. Known for his erratic and oftentimes violent nature, Tierney drew upon his bellicose reputation throughout his career--a reputation that made him one of the most feared and mythologized characters in the industry. Born in Brooklyn to Irish American parents, Tierney worked in theatre in New York before moving to Hollywood in 1943 where he signed with RKO Radio Pictures. His biggest roles would come in Dillinger (1945), in which he played 1930s gangster and bank robber John Dillinger, and Robert Wise's film noir classic Born to Kill (1947). Despite his natural talents Tierney was trouble from the start, struggling with alcoholism and mental instability that emboldened him to start fights whenever and wherever he could. The continued bouts of alcohol-fueled rage, his subsequent stints in jail, and his continued attempts at rehabilitation curtailed his acting career.  Unable to find work throughout much of the 1960s, he did a stint in Europe before eventually returning to New York where he took odd jobs as a construction worker, bartender, and hansom cab driver. In the mid-1980s Tierney returned to acting. With a somewhat cooler head, he established himself again with recurring roles in shows such as Seinfeld and Star Trek: The Next Generation. He would take on his final projects as a septuagenarian in Reservoir Dogs (1992) and Armageddon (1998), where his on-set behavior would once again draw the ire of his colleagues and studio representatives. He would go down swinging just shy of his 83rd birthday, his tough-guy image solidly intact until the end. Kearns explores Tierney's storied life from his days as Dillinger, to his clash with Quentin Tarantino at the end of film career, and his final public appearances. The first official biography of the late personality, the book draws on the writings of Hollywood reporters and gossip columnists who first reported on Tierney's antics, and exclusive interviews with surviving colleagues, friends, family members--and victims. Through their words and his research, Kearns paints a portrait of Tierney's brutish behavior and the industry's reaction to the pugnacious star, drawing parallels--and the line--between the man and the characters that made him a Hollywood legend.  Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Wed, 23 Nov 2022 09:00:00 -0000 full 133 New Books Network An interview with Burt Kearns In his latest book, Lawrence Tierney: Hollywood's Real-Life Tough Guy (The University of Kentucky Press, 2022) Burt Kearns explores the life of actor Lawrence Tierney (1919-2002) whose natural swagger and gruff disposition made him the perfect fit for the Hollywood "tough guy" archetype. Known for his erratic and oftentimes violent nature, Tierney drew upon his bellicose reputation throughout his career--a reputation that made him one of the most feared and mythologized characters in the industry. Born in Brooklyn to Irish American parents, Tierney worked in theatre in New York before moving to Hollywood in 1943 where he signed with RKO Radio Pictures. His biggest roles would come in Dillinger (1945), in which he played 1930s gangster and bank robber John Dillinger, and Robert Wise's film noir classic Born to Kill (1947). Despite his natural talents Tierney was trouble from the start, struggling with alcoholism and mental instability that emboldened him to start fights whenever and wherever he could. The continued bouts of alcohol-fueled rage, his subsequent stints in jail, and his continued attempts at rehabilitation curtailed his acting career.  Unable to find work throughout much of the 1960s, he did a stint in Europe before eventually returning to New York where he took odd jobs as a construction worker, bartender, and hansom cab driver. In the mid-1980s Tierney returned to acting. With a somewhat cooler head, he established himself again with recurring roles in shows such as Seinfeld and Star Trek: The Next Generation. He would take on his final projects as a septuagenarian in Reservoir Dogs (1992) and Armageddon (1998), where his on-set behavior would once again draw the ire of his colleagues and studio representatives. He would go down swinging just shy of his 83rd birthday, his tough-guy image solidly intact until the end. Kearns explores Tierney's storied life from his days as Dillinger, to his clash with Quentin Tarantino at the end of film career, and his final public appearances. The first official biography of the late personality, the book draws on the writings of Hollywood reporters and gossip columnists who first reported on Tierney's antics, and exclusive interviews with surviving colleagues, friends, family members--and victims. Through their words and his research, Kearns paints a portrait of Tierney's brutish behavior and the industry's reaction to the pugnacious star, drawing parallels--and the line--between the man and the characters that made him a Hollywood legend.  Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices In his latest book, Lawrence Tierney: Hollywood's Real-Life Tough Guy (The University of Kentucky Press, 2022) Burt Kearns explores the life of actor Lawrence Tierney (1919-2002) whose natural swagger and gruff disposition made him the perfect fit for the Hollywood "tough guy" archetype. Known for his erratic and oftentimes violent nature, Tierney drew upon his bellicose reputation throughout his career--a reputation that made him one of the most feared and mythologized characters in the industry. Born in Brooklyn to Irish American parents, Tierney worked in theatre in New York before moving to Hollywood in 1943 where he signed with RKO Radio Pictures. His biggest roles would come in Dillinger (1945), in which he played 1930s gangster and bank robber John Dillinger, and Robert Wise's film noir classic Born to Kill (1947). Despite his natural talents Tierney was trouble from the start, struggling with alcoholism and mental instability that emboldened him to start fights whenever and wherever he could. The continued bouts of alcohol-fueled rage, his subsequent stints in jail, and his continued attempts at rehabilitation curtailed his acting career. 

Unable to find work throughout much of the 1960s, he did a stint in Europe before eventually returning to New York where he took odd jobs as a construction worker, bartender, and hansom cab driver. In the mid-1980s Tierney returned to acting. With a somewhat cooler head, he established himself again with recurring roles in shows such as Seinfeld and Star Trek: The Next Generation. He would take on his final projects as a septuagenarian in Reservoir Dogs (1992) and Armageddon (1998), where his on-set behavior would once again draw the ire of his colleagues and studio representatives. He would go down swinging just shy of his 83rd birthday, his tough-guy image solidly intact until the end. Kearns explores Tierney's storied life from his days as Dillinger, to his clash with Quentin Tarantino at the end of film career, and his final public appearances. The first official biography of the late personality, the book draws on the writings of Hollywood reporters and gossip columnists who first reported on Tierney's antics, and exclusive interviews with surviving colleagues, friends, family members--and victims. Through their words and his research, Kearns paints a portrait of Tierney's brutish behavior and the industry's reaction to the pugnacious star, drawing parallels--and the line--between the man and the characters that made him a Hollywood legend. 

Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.

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]]> 2640 no Alan Shuback, "Hollywood at the Races: Film's Love Affair with the Turf" (UP of Kentucky, 2019) Today I talked to Alan Shuback about his book Hollywood at the Races: Film's Love Affair with the Turf (UP of Kentucky, 2019) A love of the slapstick film duo Laurel and Hardy led nine-year-old Alan Shuback into a chance encounter with thoroughbred horse racing in 1957. Racing soon also became a passion, and he never abandoned either love, making a career out of the latter as a transatlantic racing journalist. More recently, with Hollywood and racing both in decline in Shuback’s eyes, he set out to document the close relationship between them during a golden era for both, encompassing the 1930s to the 1970s. In this intriguing interview, Shuback discusses anti-Semitism in the early days of Santa Anita, one of southern California’s premier racetracks, which led to the formation of rival racecourse Hollywood Park; Louis B. Mayer’s obsession with racing, producing one of America’s most powerful racing stables and nearly leading to his firing from MGM; Fred Astaire’s late-life marriage to a pioneering female jockey who was decades younger than him; and the role of films about horse racing in the broader culture. (For the record, at least 60 movies on the topic were released in the 1930s alone.) Finally, Shuback analyzes the decline of both industries. It’s a sad note, but one that leaves you grateful for the memories. Rachel Pagones was a London-based journalist at the Racing Post from 2001-2009 and a racing columnist for the Financial Times from 2003-2009. Learn more about your ad choices. Visit megaphone.fm/adchoices Tue, 15 Nov 2022 09:00:00 -0000 full 142 New Books Network An interview with Alan Shuback Today I talked to Alan Shuback about his book Hollywood at the Races: Film's Love Affair with the Turf (UP of Kentucky, 2019) A love of the slapstick film duo Laurel and Hardy led nine-year-old Alan Shuback into a chance encounter with thoroughbred horse racing in 1957. Racing soon also became a passion, and he never abandoned either love, making a career out of the latter as a transatlantic racing journalist. More recently, with Hollywood and racing both in decline in Shuback’s eyes, he set out to document the close relationship between them during a golden era for both, encompassing the 1930s to the 1970s. In this intriguing interview, Shuback discusses anti-Semitism in the early days of Santa Anita, one of southern California’s premier racetracks, which led to the formation of rival racecourse Hollywood Park; Louis B. Mayer’s obsession with racing, producing one of America’s most powerful racing stables and nearly leading to his firing from MGM; Fred Astaire’s late-life marriage to a pioneering female jockey who was decades younger than him; and the role of films about horse racing in the broader culture. (For the record, at least 60 movies on the topic were released in the 1930s alone.) Finally, Shuback analyzes the decline of both industries. It’s a sad note, but one that leaves you grateful for the memories. Rachel Pagones was a London-based journalist at the Racing Post from 2001-2009 and a racing columnist for the Financial Times from 2003-2009. Learn more about your ad choices. Visit megaphone.fm/adchoices Today I talked to Alan Shuback about his book Hollywood at the Races: Film's Love Affair with the Turf (UP of Kentucky, 2019)

A love of the slapstick film duo Laurel and Hardy led nine-year-old Alan Shuback into a chance encounter with thoroughbred horse racing in 1957. Racing soon also became a passion, and he never abandoned either love, making a career out of the latter as a transatlantic racing journalist. More recently, with Hollywood and racing both in decline in Shuback’s eyes, he set out to document the close relationship between them during a golden era for both, encompassing the 1930s to the 1970s.

In this intriguing interview, Shuback discusses anti-Semitism in the early days of Santa Anita, one of southern California’s premier racetracks, which led to the formation of rival racecourse Hollywood Park; Louis B. Mayer’s obsession with racing, producing one of America’s most powerful racing stables and nearly leading to his firing from MGM; Fred Astaire’s late-life marriage to a pioneering female jockey who was decades younger than him; and the role of films about horse racing in the broader culture. (For the record, at least 60 movies on the topic were released in the 1930s alone.)

Finally, Shuback analyzes the decline of both industries. It’s a sad note, but one that leaves you grateful for the memories.

Rachel Pagones was a London-based journalist at the Racing Post from 2001-2009 and a racing columnist for the Financial Times from 2003-2009.

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]]> 4098 no Larry Ceplair, "The Hollywood Motion Picture Blacklist: Seventy-Five Years Later" (UP of Kentucky, 2022) Seventy-five years ago, the Hollywood blacklist ruined lives, stifled creativity, and sent waves of proscription and censorship throughout United States culture. When the Hollywood Ten refused to answer the questions of the House Committee on Un-American Activities about their membership in the Communist Party, they were sentenced to prison, the five who were under contract were fired by their studios, and all were blacklisted from reemployment until they "purged themselves of their communist taint." By the 1950s, this blacklist publicly stigmatized nearly three hundred other Americans in the entertainment industry who invoked the First and Fifth Amendments in their refusal to apologize for their Communist ties or provide the names of other members. Dozens of others were graylisted as the result of rumors. In The Hollywood Motion Picture Blacklist: Seventy-Five Years Later (University Press of Kentucky, 2022), Larry Ceplair offers new insights on the origins of the blacklist, the characteristics of those blacklisted, and the probability of future proscriptions of the blacklist type. Larry Ceplair is professor emeritus of history at Santa Monica College, California. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Wed, 26 Oct 2022 08:00:00 -0000 full 141 New Books Network An interview with Larry Ceplair Seventy-five years ago, the Hollywood blacklist ruined lives, stifled creativity, and sent waves of proscription and censorship throughout United States culture. When the Hollywood Ten refused to answer the questions of the House Committee on Un-American Activities about their membership in the Communist Party, they were sentenced to prison, the five who were under contract were fired by their studios, and all were blacklisted from reemployment until they "purged themselves of their communist taint." By the 1950s, this blacklist publicly stigmatized nearly three hundred other Americans in the entertainment industry who invoked the First and Fifth Amendments in their refusal to apologize for their Communist ties or provide the names of other members. Dozens of others were graylisted as the result of rumors. In The Hollywood Motion Picture Blacklist: Seventy-Five Years Later (University Press of Kentucky, 2022), Larry Ceplair offers new insights on the origins of the blacklist, the characteristics of those blacklisted, and the probability of future proscriptions of the blacklist type. Larry Ceplair is professor emeritus of history at Santa Monica College, California. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Learn more about your ad choices. Visit megaphone.fm/adchoices Seventy-five years ago, the Hollywood blacklist ruined lives, stifled creativity, and sent waves of proscription and censorship throughout United States culture. When the Hollywood Ten refused to answer the questions of the House Committee on Un-American Activities about their membership in the Communist Party, they were sentenced to prison, the five who were under contract were fired by their studios, and all were blacklisted from reemployment until they "purged themselves of their communist taint." By the 1950s, this blacklist publicly stigmatized nearly three hundred other Americans in the entertainment industry who invoked the First and Fifth Amendments in their refusal to apologize for their Communist ties or provide the names of other members. Dozens of others were graylisted as the result of rumors. In The Hollywood Motion Picture Blacklist: Seventy-Five Years Later (University Press of Kentucky, 2022), Larry Ceplair offers new insights on the origins of the blacklist, the characteristics of those blacklisted, and the probability of future proscriptions of the blacklist type.

Larry Ceplair is professor emeritus of history at Santa Monica College, California.

Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020).

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]]> 3435 no Mallory Lewis and Nat Segaloff, "Shari Lewis and Lamb Chop: The Team That Changed Children's TV" (UP of Kentucky, 2022) Two decades after Lewis and Lamb Chop last graced television with their presence, Lewis' daughter Mallory and author Nat Segaloff have set the record straight about the iconic pair in Shari Lewis and Lamb Chop: The Team that Changed Children's Television (University of Kentucky Press, 2022). For almost half a century, celebrated ventriloquist and entertainer Shari Lewis delighted generations of children and adults with the help of her trusted sock puppet sidekick Lamb Chop. For decades, the beloved pair were synonymous with children's television, educating and entrancing their young audience with their symbiotic personalities and their proclivity for song, dance, and the joy of silliness. But as iconic as their television personas were, relatively little inside knowledge has been revealed about Lewis herself and the life-changing moments that led her to the entertainment industry and perhaps, most importantly, to Lamb Chop.  Renowned for her skills as a performer, Lewis was an equally skilled businesswoman. Operating in an era when women were largely left out of the conversation, she was one of the few women to run her own television production company. Whether it was singing, dancing, conducting, writing, drawing, or ventriloquism-a skill in which she was virtually unmatched-Lewis spent the entirety of her 65 years in pursuit of performative perfection. Constantly innovating and adapting to the needs of her audience and the market, Lewis extended the longevity of her career decade after decade. Her contributions, and that of Lamb Chop, and the rest of her puppet pals forever changed the history of children's television. In this seminal biography, the pair pull the veritable wool from the eyes of audiences who adored the legendary entertainer to examine the joys, sorrows, triumphs, and sheer hard work that gave Lewis and Lamb Chop their enduring star power. To learn more, visit Mallory Lewis here.  Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Wed, 26 Oct 2022 08:00:00 -0000 full 134 New Books Network An interview with Mallory Lewis Two decades after Lewis and Lamb Chop last graced television with their presence, Lewis' daughter Mallory and author Nat Segaloff have set the record straight about the iconic pair in Shari Lewis and Lamb Chop: The Team that Changed Children's Television (University of Kentucky Press, 2022). For almost half a century, celebrated ventriloquist and entertainer Shari Lewis delighted generations of children and adults with the help of her trusted sock puppet sidekick Lamb Chop. For decades, the beloved pair were synonymous with children's television, educating and entrancing their young audience with their symbiotic personalities and their proclivity for song, dance, and the joy of silliness. But as iconic as their television personas were, relatively little inside knowledge has been revealed about Lewis herself and the life-changing moments that led her to the entertainment industry and perhaps, most importantly, to Lamb Chop.  Renowned for her skills as a performer, Lewis was an equally skilled businesswoman. Operating in an era when women were largely left out of the conversation, she was one of the few women to run her own television production company. Whether it was singing, dancing, conducting, writing, drawing, or ventriloquism-a skill in which she was virtually unmatched-Lewis spent the entirety of her 65 years in pursuit of performative perfection. Constantly innovating and adapting to the needs of her audience and the market, Lewis extended the longevity of her career decade after decade. Her contributions, and that of Lamb Chop, and the rest of her puppet pals forever changed the history of children's television. In this seminal biography, the pair pull the veritable wool from the eyes of audiences who adored the legendary entertainer to examine the joys, sorrows, triumphs, and sheer hard work that gave Lewis and Lamb Chop their enduring star power. To learn more, visit Mallory Lewis here.  Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music. Learn more about your ad choices. Visit megaphone.fm/adchoices Two decades after Lewis and Lamb Chop last graced television with their presence, Lewis' daughter Mallory and author Nat Segaloff have set the record straight about the iconic pair in Shari Lewis and Lamb Chop: The Team that Changed Children's Television (University of Kentucky Press, 2022). For almost half a century, celebrated ventriloquist and entertainer Shari Lewis delighted generations of children and adults with the help of her trusted sock puppet sidekick Lamb Chop. For decades, the beloved pair were synonymous with children's television, educating and entrancing their young audience with their symbiotic personalities and their proclivity for song, dance, and the joy of silliness. But as iconic as their television personas were, relatively little inside knowledge has been revealed about Lewis herself and the life-changing moments that led her to the entertainment industry and perhaps, most importantly, to Lamb Chop. 

Renowned for her skills as a performer, Lewis was an equally skilled businesswoman. Operating in an era when women were largely left out of the conversation, she was one of the few women to run her own television production company. Whether it was singing, dancing, conducting, writing, drawing, or ventriloquism-a skill in which she was virtually unmatched-Lewis spent the entirety of her 65 years in pursuit of performative perfection. Constantly innovating and adapting to the needs of her audience and the market, Lewis extended the longevity of her career decade after decade. Her contributions, and that of Lamb Chop, and the rest of her puppet pals forever changed the history of children's television. In this seminal biography, the pair pull the veritable wool from the eyes of audiences who adored the legendary entertainer to examine the joys, sorrows, triumphs, and sheer hard work that gave Lewis and Lamb Chop their enduring star power. To learn more, visit Mallory Lewis here. 

Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.

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]]> 1680 no Jon Krampner, "Ernest Lehman: The Sweet Smell of Success" (UP of Kentucky, 2022) A Hollywood screenwriting and movie-making icon, Ernest Lehman penned some of the most memorable scenes to ever grace the silver screen. Hailed by Vanity Fair as “perhaps the greatest screenwriter in history,” Lehman's work on films such as North by Northwest, The King and I, Sabrina, West Side Story, and The Sound of Music helped define a generation of movie making. But while his talent took center stage, the public knew little of Lehman himself, a native of Manhattan's Upper West Side and the Five Towns of Long Island devoted to his wife of 50 years. His relentless perfectionism, hypochondria and all-night writing sessions fueled by tequila and grilled cheese sandwiches were some of the quirks that made Lehman a legend in the Hollywood community. In Ernest Lehman: The Sweet Smell of Success (UP of Kentucky, 2022), author Jon Krampner lays bare the life of this lauded yet elusive character. Moving seamlessly from post-production meetings to sound stages and onto the locations of Lehman's greatest films, Krampner’s extensive biography brings to life the genius and singularity of the revered screenwriter's personality and the contributions he made to the world of cinema. Jon Krampner is the author of The Man in the Shadows: Fred Coe and the Golden Age of Television, Female Brando: The Legend of Kim Stanley, and Creamy and Crunchy: An Informal History of Peanut Butter, the All-American Food. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Wed, 21 Sep 2022 08:00:00 -0000 full 131 New Books Network An interview with Jon Krampner A Hollywood screenwriting and movie-making icon, Ernest Lehman penned some of the most memorable scenes to ever grace the silver screen. Hailed by Vanity Fair as “perhaps the greatest screenwriter in history,” Lehman's work on films such as North by Northwest, The King and I, Sabrina, West Side Story, and The Sound of Music helped define a generation of movie making. But while his talent took center stage, the public knew little of Lehman himself, a native of Manhattan's Upper West Side and the Five Towns of Long Island devoted to his wife of 50 years. His relentless perfectionism, hypochondria and all-night writing sessions fueled by tequila and grilled cheese sandwiches were some of the quirks that made Lehman a legend in the Hollywood community. In Ernest Lehman: The Sweet Smell of Success (UP of Kentucky, 2022), author Jon Krampner lays bare the life of this lauded yet elusive character. Moving seamlessly from post-production meetings to sound stages and onto the locations of Lehman's greatest films, Krampner’s extensive biography brings to life the genius and singularity of the revered screenwriter's personality and the contributions he made to the world of cinema. Jon Krampner is the author of The Man in the Shadows: Fred Coe and the Golden Age of Television, Female Brando: The Legend of Kim Stanley, and Creamy and Crunchy: An Informal History of Peanut Butter, the All-American Food. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices A Hollywood screenwriting and movie-making icon, Ernest Lehman penned some of the most memorable scenes to ever grace the silver screen. Hailed by Vanity Fair as “perhaps the greatest screenwriter in history,” Lehman's work on films such as North by Northwest, The King and I, Sabrina, West Side Story, and The Sound of Music helped define a generation of movie making.

But while his talent took center stage, the public knew little of Lehman himself, a native of Manhattan's Upper West Side and the Five Towns of Long Island devoted to his wife of 50 years. His relentless perfectionism, hypochondria and all-night writing sessions fueled by tequila and grilled cheese sandwiches were some of the quirks that made Lehman a legend in the Hollywood community.

In Ernest Lehman: The Sweet Smell of Success (UP of Kentucky, 2022), author Jon Krampner lays bare the life of this lauded yet elusive character. Moving seamlessly from post-production meetings to sound stages and onto the locations of Lehman's greatest films, Krampner’s extensive biography brings to life the genius and singularity of the revered screenwriter's personality and the contributions he made to the world of cinema.

Jon Krampner is the author of The Man in the Shadows: Fred Coe and the Golden Age of Television, Female Brando: The Legend of Kim Stanley, and Creamy and Crunchy: An Informal History of Peanut Butter, the All-American Food.

Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found at https://fifteenminutefilm.podb... and on Twitter @15MinFilm.

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]]> 3583 no Rebecca Weeks, "History by HBO: Televising the American Past" (UP of Kentucky, 2022) The television industry is changing, and with it, the small screen's potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the "post-network" era. Despite this, most scholarship has been dedicated to analyzing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage. In History by HBO: Televising the American Past (UP of Kentucky, 2022), Rebecca Weeks fills the gap in this area of media studies and defends the historiographic power of long-form dramas. Dr. Weeks is a lecturer in the Bachelor of Art and Design Programme at Media Design School in Auckland, New Zealand. By focusing on this change and its effects, History by HBO outlines how history is crafted on television and the diverse forms it can take. Weeks examines the capabilities of the long-form serial for engaging with historical stories, insisting that the shift away from the network model and toward narrowcasting has enabled challenging histories to thrive in home settings. As an examination of HBO's unique structure for producing quality historical dramas, Weeks provides four case studies of HBO series set during different periods of United States history: Band of Brothers (2001), Deadwood (2004–2007), Boardwalk Empire (2012–2014), and Treme (2010–2013). In each case, HBO's lack of advertiser influence, commitment to creative freedom, and generous budgets continue to draw and retain talent who want to tell historical stories. Balancing historical and film theories in her assessment of the roles of mise-en–scène, characterization, narrative complexity, and sound in the production of effective historical dramas, Weeks' evaluation acts as an ode to the most recent Golden Age of TV, as well as a critical look at the relationship between entertainment media and collective memory. Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 12 Aug 2022 08:00:00 -0000 full 129 New Books Network An interview with Rebecca Weeks The television industry is changing, and with it, the small screen's potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the "post-network" era. Despite this, most scholarship has been dedicated to analyzing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage. In History by HBO: Televising the American Past (UP of Kentucky, 2022), Rebecca Weeks fills the gap in this area of media studies and defends the historiographic power of long-form dramas. Dr. Weeks is a lecturer in the Bachelor of Art and Design Programme at Media Design School in Auckland, New Zealand. By focusing on this change and its effects, History by HBO outlines how history is crafted on television and the diverse forms it can take. Weeks examines the capabilities of the long-form serial for engaging with historical stories, insisting that the shift away from the network model and toward narrowcasting has enabled challenging histories to thrive in home settings. As an examination of HBO's unique structure for producing quality historical dramas, Weeks provides four case studies of HBO series set during different periods of United States history: Band of Brothers (2001), Deadwood (2004–2007), Boardwalk Empire (2012–2014), and Treme (2010–2013). In each case, HBO's lack of advertiser influence, commitment to creative freedom, and generous budgets continue to draw and retain talent who want to tell historical stories. Balancing historical and film theories in her assessment of the roles of mise-en–scène, characterization, narrative complexity, and sound in the production of effective historical dramas, Weeks' evaluation acts as an ode to the most recent Golden Age of TV, as well as a critical look at the relationship between entertainment media and collective memory. Learn more about your ad choices. Visit megaphone.fm/adchoices The television industry is changing, and with it, the small screen's potential to engage in debate and present valuable representations of American history. Founded in 1972, HBO has been at the forefront of these changes, leading the way for many network, cable, and streaming services into the "post-network" era. Despite this, most scholarship has been dedicated to analyzing historical feature films and documentary films, leaving TV and the long-form drama hungry for coverage.

In History by HBO: Televising the American Past (UP of Kentucky, 2022), Rebecca Weeks fills the gap in this area of media studies and defends the historiographic power of long-form dramas. Dr. Weeks is a lecturer in the Bachelor of Art and Design Programme at Media Design School in Auckland, New Zealand. By focusing on this change and its effects, History by HBO outlines how history is crafted on television and the diverse forms it can take. Weeks examines the capabilities of the long-form serial for engaging with historical stories, insisting that the shift away from the network model and toward narrowcasting has enabled challenging histories to thrive in home settings. As an examination of HBO's unique structure for producing quality historical dramas, Weeks provides four case studies of HBO series set during different periods of United States history: Band of Brothers (2001), Deadwood (2004–2007), Boardwalk Empire (2012–2014), and Treme (2010–2013). In each case, HBO's lack of advertiser influence, commitment to creative freedom, and generous budgets continue to draw and retain talent who want to tell historical stories.

Balancing historical and film theories in her assessment of the roles of mise-en–scène, characterization, narrative complexity, and sound in the production of effective historical dramas, Weeks' evaluation acts as an ode to the most recent Golden Age of TV, as well as a critical look at the relationship between entertainment media and collective memory.

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]]> 3899 no David D. Dworak, "War of Supply: World War II Allied Logistics in the Mediterranean" (UP of Kentucky Press, 2022) The era of modern warfare introduced in World War II presented the Allied Powers with one of the more complicated logistical challenges of the century: how to develop an extensive support network that could supply and maintain a vast military force comprised of multiple services and many different nations thousands of miles away from their home ports. The need to keep tanks rolling, airplanes flying, and food and aid in continuous supply was paramount to defeating the Nazi regime. In War of Supply: World War II Allied Logistics in the Mediterranean (University Press of Kentucky, 2022), Dr. David Dworak takes readers behind the scenes and breaks down the nuances of strategic operations for each of the great Mediterranean military campaigns between 1942 and the conclusion of World War II on May 8, 1945. Dr. Dworak gives readers a glimpse behind the curtain, to show how the vast administrative bureaucracy developed by the Allies waged a literal "war of matériel" that gave them a distinct, strategic advantage over the Axis powers. From North Africa to Southern France, their continued efforts and innovation developed the framework that helped create and maintain the theater of war and, ultimately, paved the path to victory. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 21 Jul 2022 08:00:00 -0000 full 117 New Books Network An interview with David D. Dworak The era of modern warfare introduced in World War II presented the Allied Powers with one of the more complicated logistical challenges of the century: how to develop an extensive support network that could supply and maintain a vast military force comprised of multiple services and many different nations thousands of miles away from their home ports. The need to keep tanks rolling, airplanes flying, and food and aid in continuous supply was paramount to defeating the Nazi regime. In War of Supply: World War II Allied Logistics in the Mediterranean (University Press of Kentucky, 2022), Dr. David Dworak takes readers behind the scenes and breaks down the nuances of strategic operations for each of the great Mediterranean military campaigns between 1942 and the conclusion of World War II on May 8, 1945. Dr. Dworak gives readers a glimpse behind the curtain, to show how the vast administrative bureaucracy developed by the Allies waged a literal "war of matériel" that gave them a distinct, strategic advantage over the Axis powers. From North Africa to Southern France, their continued efforts and innovation developed the framework that helped create and maintain the theater of war and, ultimately, paved the path to victory. This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices The era of modern warfare introduced in World War II presented the Allied Powers with one of the more complicated logistical challenges of the century: how to develop an extensive support network that could supply and maintain a vast military force comprised of multiple services and many different nations thousands of miles away from their home ports. The need to keep tanks rolling, airplanes flying, and food and aid in continuous supply was paramount to defeating the Nazi regime.

In War of Supply: World War II Allied Logistics in the Mediterranean (University Press of Kentucky, 2022), Dr. David Dworak takes readers behind the scenes and breaks down the nuances of strategic operations for each of the great Mediterranean military campaigns between 1942 and the conclusion of World War II on May 8, 1945. Dr. Dworak gives readers a glimpse behind the curtain, to show how the vast administrative bureaucracy developed by the Allies waged a literal "war of matériel" that gave them a distinct, strategic advantage over the Axis powers. From North Africa to Southern France, their continued efforts and innovation developed the framework that helped create and maintain the theater of war and, ultimately, paved the path to victory.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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]]> 2975 no David P. Oakley, "Subordinating Intelligence: The DoD/CIA Post-Cold War Relationship" (UP of Kentucky Press, 2019) In the late eighties and early nineties, driven by the post–Cold War environment and lessons learned during military operations, United States policy makers made intelligence support to the military the Intelligence Community's top priority. In response to this demand, the CIA and DoD instituted policy and organizational changes that altered their relationship with one another. While debates over the future of the Intelligence Community were occurring on Capitol Hill, the CIA and DoD were expanding their relationship in peacekeeping and nation-building operations in Somalia and the Balkans. By the late 1990s, some policy makers and national security professionals became concerned that intelligence support to military operations had gone too far. In Subordinating Intelligence: The DoD/CIA Post-Cold War Relationship (UP of Kentucky Press, 2019), David P. Oakley reveals that, despite these concerns, no major changes to national intelligence or its priorities were implemented. These concerns were forgotten after 9/11, as the United States fought two wars and policy makers increasingly focused on tactical and operational actions. As policy makers became fixated with terrorism and the United States fought in Iraq and Afghanistan, the CIA directed a significant amount of its resources toward global counterterrorism efforts and in support of military operations. Sam Canter is a policy and strategy analyst, PhD candidate, and Army Reserve intelligence officer. The opinions state here are those of the author and do not necessarily reflect the view of the USG, DoD, Special Operations Command, or Joint Special Operations University. Learn more about your ad choices. Visit megaphone.fm/adchoices Tue, 14 Jun 2022 08:00:00 -0000 full 101 New Books Network An interview with David P. Oakley In the late eighties and early nineties, driven by the post–Cold War environment and lessons learned during military operations, United States policy makers made intelligence support to the military the Intelligence Community's top priority. In response to this demand, the CIA and DoD instituted policy and organizational changes that altered their relationship with one another. While debates over the future of the Intelligence Community were occurring on Capitol Hill, the CIA and DoD were expanding their relationship in peacekeeping and nation-building operations in Somalia and the Balkans. By the late 1990s, some policy makers and national security professionals became concerned that intelligence support to military operations had gone too far. In Subordinating Intelligence: The DoD/CIA Post-Cold War Relationship (UP of Kentucky Press, 2019), David P. Oakley reveals that, despite these concerns, no major changes to national intelligence or its priorities were implemented. These concerns were forgotten after 9/11, as the United States fought two wars and policy makers increasingly focused on tactical and operational actions. As policy makers became fixated with terrorism and the United States fought in Iraq and Afghanistan, the CIA directed a significant amount of its resources toward global counterterrorism efforts and in support of military operations. Sam Canter is a policy and strategy analyst, PhD candidate, and Army Reserve intelligence officer. The opinions state here are those of the author and do not necessarily reflect the view of the USG, DoD, Special Operations Command, or Joint Special Operations University. Learn more about your ad choices. Visit megaphone.fm/adchoices In the late eighties and early nineties, driven by the post–Cold War environment and lessons learned during military operations, United States policy makers made intelligence support to the military the Intelligence Community's top priority. In response to this demand, the CIA and DoD instituted policy and organizational changes that altered their relationship with one another. While debates over the future of the Intelligence Community were occurring on Capitol Hill, the CIA and DoD were expanding their relationship in peacekeeping and nation-building operations in Somalia and the Balkans.

By the late 1990s, some policy makers and national security professionals became concerned that intelligence support to military operations had gone too far. In Subordinating Intelligence: The DoD/CIA Post-Cold War Relationship (UP of Kentucky Press, 2019), David P. Oakley reveals that, despite these concerns, no major changes to national intelligence or its priorities were implemented. These concerns were forgotten after 9/11, as the United States fought two wars and policy makers increasingly focused on tactical and operational actions. As policy makers became fixated with terrorism and the United States fought in Iraq and Afghanistan, the CIA directed a significant amount of its resources toward global counterterrorism efforts and in support of military operations.

Sam Canter is a policy and strategy analyst, PhD candidate, and Army Reserve intelligence officer. The opinions state here are those of the author and do not necessarily reflect the view of the USG, DoD, Special Operations Command, or Joint Special Operations University.

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]]> 3209 no Bernard F. Dick, "Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood" (U Kentucky Press, 2021) From Double Indemnity to The Godfather, the stories behind some of the greatest films ever made pale beside the story of the studio that made them. In the golden age of Hollywood, Paramount was one of the Big Five studios. Gulf + Western's 1966 takeover of the studio signaled the end of one era and heralded the arrival of a new way of doing business in Hollywood. In Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood (University of Kentucky Press, 2021), Bernard Dick reconstructs the battle that culminated in the reduction of the studio to a mere corporate commodity.  The book also traces Paramount's devolution from free-standing studio to subsidiary -- first of Gulf + Western, then Paramount Communications, and currently Viacom-CBS. Dick portrays the new Paramount as a paradigm of today's Hollywood, where the only real art is the art of the deal. Former merchandising executives find themselves in charge of production, on the assumption that anyone who can sell a movie can make one. CEOs exit in disgrace from one studio only to emerge in triumph at another. Corporate raiders vie for power and control through the buying and selling of film libraries, studio property, television stations, book publishers, and more. The history of Paramount is filled with larger-than-life people, including Billy Wilder, Adolph Zukor, Sumner Redstone, Sherry Lansing, Barry Diller, Michael Eisner, Jeffrey Katzenberg, and more. Bernard F. Dick is professor emeritus of communications and English at Fairleigh Dickinson University (Teaneck campus). He holds a doctorate in classics from Fordham University and is the author of numerous film books including Anatomy of Film, Hal Wallis, and That Was Entertainment. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Wed, 15 Sep 2021 08:00:00 -0000 full 88 New Books Network An interview with Bernard F. Dick From Double Indemnity to The Godfather, the stories behind some of the greatest films ever made pale beside the story of the studio that made them. In the golden age of Hollywood, Paramount was one of the Big Five studios. Gulf + Western's 1966 takeover of the studio signaled the end of one era and heralded the arrival of a new way of doing business in Hollywood. In Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood (University of Kentucky Press, 2021), Bernard Dick reconstructs the battle that culminated in the reduction of the studio to a mere corporate commodity.  The book also traces Paramount's devolution from free-standing studio to subsidiary -- first of Gulf + Western, then Paramount Communications, and currently Viacom-CBS. Dick portrays the new Paramount as a paradigm of today's Hollywood, where the only real art is the art of the deal. Former merchandising executives find themselves in charge of production, on the assumption that anyone who can sell a movie can make one. CEOs exit in disgrace from one studio only to emerge in triumph at another. Corporate raiders vie for power and control through the buying and selling of film libraries, studio property, television stations, book publishers, and more. The history of Paramount is filled with larger-than-life people, including Billy Wilder, Adolph Zukor, Sumner Redstone, Sherry Lansing, Barry Diller, Michael Eisner, Jeffrey Katzenberg, and more. Bernard F. Dick is professor emeritus of communications and English at Fairleigh Dickinson University (Teaneck campus). He holds a doctorate in classics from Fordham University and is the author of numerous film books including Anatomy of Film, Hal Wallis, and That Was Entertainment. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices From Double Indemnity to The Godfather, the stories behind some of the greatest films ever made pale beside the story of the studio that made them. In the golden age of Hollywood, Paramount was one of the Big Five studios. Gulf + Western's 1966 takeover of the studio signaled the end of one era and heralded the arrival of a new way of doing business in Hollywood. In Engulfed: The Death of Paramount Pictures and the Birth of Corporate Hollywood (University of Kentucky Press, 2021), Bernard Dick reconstructs the battle that culminated in the reduction of the studio to a mere corporate commodity. 

The book also traces Paramount's devolution from free-standing studio to subsidiary -- first of Gulf + Western, then Paramount Communications, and currently Viacom-CBS. Dick portrays the new Paramount as a paradigm of today's Hollywood, where the only real art is the art of the deal. Former merchandising executives find themselves in charge of production, on the assumption that anyone who can sell a movie can make one. CEOs exit in disgrace from one studio only to emerge in triumph at another. Corporate raiders vie for power and control through the buying and selling of film libraries, studio property, television stations, book publishers, and more. The history of Paramount is filled with larger-than-life people, including Billy Wilder, Adolph Zukor, Sumner Redstone, Sherry Lansing, Barry Diller, Michael Eisner, Jeffrey Katzenberg, and more.

Bernard F. Dick is professor emeritus of communications and English at Fairleigh Dickinson University (Teaneck campus). He holds a doctorate in classics from Fordham University and is the author of numerous film books including Anatomy of Film, Hal Wallis, and That Was Entertainment.

Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne.

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]]> 3724 no Karen Salyer McElmurray, "Wanting Radiance" (UP of Kentucky, 2020) Today I talked to Karen Salyer McElmurray about her novel Wanting Radiance (UP of Kentucky, 2020). Fifteen-year-old Miracelle Loving hears the gunshot that kills her mother, and runs to hold her while she dies. She spends the next two decades roaming, fortune telling and picking up odd jobs. Then, as if in a dream, she hears her mother’s voice urging her to seek answers about where she came from. Miracelle finds love, but isn’t ready for it, and she finds a possible path, but doesn’t recognize it. She embarks on a solitary journey that no amount of fortune telling can prepare her for and discovers a home she never knew, a father she never met, and a grandfather she didn’t know existed. Perhaps the most important thing she learns is that she can’t love another person if she doesn’t love herself. Karen Salyer McElmurray earned an MFA in Fiction Writing from the University of Virginia, an MA in Creative Writing from Hollins University, and a PhD from the University of Georgia, where she studied American Literature and Fiction Writing.  I interview authors of beautifully written literary fiction and mysteries, and try to focus on independently published novels, especially by women and others whose voices deserve more attention. If your upcoming or recently published novel might be a candidate for a podcast, please contact me via my website, gpgottlieb dot com. Learn more about your ad choices. Visit megaphone.fm/adchoices Tue, 29 Jun 2021 08:00:00 -0000 full 192 New Books Network An interview with Karen Salyer McElmurray Today I talked to Karen Salyer McElmurray about her novel Wanting Radiance (UP of Kentucky, 2020). Fifteen-year-old Miracelle Loving hears the gunshot that kills her mother, and runs to hold her while she dies. She spends the next two decades roaming, fortune telling and picking up odd jobs. Then, as if in a dream, she hears her mother’s voice urging her to seek answers about where she came from. Miracelle finds love, but isn’t ready for it, and she finds a possible path, but doesn’t recognize it. She embarks on a solitary journey that no amount of fortune telling can prepare her for and discovers a home she never knew, a father she never met, and a grandfather she didn’t know existed. Perhaps the most important thing she learns is that she can’t love another person if she doesn’t love herself. Karen Salyer McElmurray earned an MFA in Fiction Writing from the University of Virginia, an MA in Creative Writing from Hollins University, and a PhD from the University of Georgia, where she studied American Literature and Fiction Writing.  I interview authors of beautifully written literary fiction and mysteries, and try to focus on independently published novels, especially by women and others whose voices deserve more attention. If your upcoming or recently published novel might be a candidate for a podcast, please contact me via my website, gpgottlieb dot com. Learn more about your ad choices. Visit megaphone.fm/adchoices Today I talked to Karen Salyer McElmurray about her novel Wanting Radiance (UP of Kentucky, 2020).

Fifteen-year-old Miracelle Loving hears the gunshot that kills her mother, and runs to hold her while she dies. She spends the next two decades roaming, fortune telling and picking up odd jobs. Then, as if in a dream, she hears her mother’s voice urging her to seek answers about where she came from. Miracelle finds love, but isn’t ready for it, and she finds a possible path, but doesn’t recognize it. She embarks on a solitary journey that no amount of fortune telling can prepare her for and discovers a home she never knew, a father she never met, and a grandfather she didn’t know existed. Perhaps the most important thing she learns is that she can’t love another person if she doesn’t love herself.

Karen Salyer McElmurray earned an MFA in Fiction Writing from the University of Virginia, an MA in Creative Writing from Hollins University, and a PhD from the University of Georgia, where she studied American Literature and Fiction Writing. 

I interview authors of beautifully written literary fiction and mysteries, and try to focus on independently published novels, especially by women and others whose voices deserve more attention. If your upcoming or recently published novel might be a candidate for a podcast, please contact me via my website, gpgottlieb dot com.

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 1455 no Michael E. Lynch, "Edward M. Almond and the US Army: From the 92nd Infantry Division to the X Corps" (U Kentucky Press, 2019) Edward M. Almond belonged to the generation of US Army officers who came of age during World War I and then ascended to senior command positions during World War II. During WWII, Almond led the 92nd Infantry Division, one of only two African American divisions to see combat in the war. Yet, alongside his achievements, including a command during the Korean War, Almond was a fervent racist and a right-wing political zealot. In his book Edward M. Almond and the US Army: From 92nd Division to the X Corps, published by the University of Kentucky Press in 2019, Dr. Michael E. Lynch of the US Army Heritage and Education Center argues that Almond's racism, while very real, overshadows his accomplishments and contends that Almond played a significant role in the Army's history. Douglas Bell holds a PhD in history from Texas A&M University and recently completed a yearlong postdoctoral fellowship at the US Army Heritage and Education Center. Learn more about your ad choices. Visit megaphone.fm/adchoices Wed, 02 Jun 2021 08:00:00 -0000 full 100 New Books Network An interview with Michael E. Lynch Edward M. Almond belonged to the generation of US Army officers who came of age during World War I and then ascended to senior command positions during World War II. During WWII, Almond led the 92nd Infantry Division, one of only two African American divisions to see combat in the war. Yet, alongside his achievements, including a command during the Korean War, Almond was a fervent racist and a right-wing political zealot. In his book Edward M. Almond and the US Army: From 92nd Division to the X Corps, published by the University of Kentucky Press in 2019, Dr. Michael E. Lynch of the US Army Heritage and Education Center argues that Almond's racism, while very real, overshadows his accomplishments and contends that Almond played a significant role in the Army's history. Douglas Bell holds a PhD in history from Texas A&M University and recently completed a yearlong postdoctoral fellowship at the US Army Heritage and Education Center. Learn more about your ad choices. Visit megaphone.fm/adchoices Edward M. Almond belonged to the generation of US Army officers who came of age during World War I and then ascended to senior command positions during World War II. During WWII, Almond led the 92nd Infantry Division, one of only two African American divisions to see combat in the war. Yet, alongside his achievements, including a command during the Korean War, Almond was a fervent racist and a right-wing political zealot. In his book Edward M. Almond and the US Army: From 92nd Division to the X Corps, published by the University of Kentucky Press in 2019, Dr. Michael E. Lynch of the US Army Heritage and Education Center argues that Almond's racism, while very real, overshadows his accomplishments and contends that Almond played a significant role in the Army's history.

Douglas Bell holds a PhD in history from Texas A&M University and recently completed a yearlong postdoctoral fellowship at the US Army Heritage and Education Center.

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]]> 6610 no Heather L. Dichter, "Soccer Diplomacy: International Relations and Football since 1914" (UP of Kentucky, 2020) Today we are joined by Heather Dichter, Associate Professor of Sports History and Sports Management at DeMontfort University and fellow at the international Centre for Sports History and Culture. She is also an author in and the editor of Soccer Diplomacy: International Relations and Football since 1914 (University Press of Kentucky, 2020). In our conversation, we discussed the origins of soccer diplomacy, the diplomatic role of different actors (including large and small states, international sporting organizations, and individual athletes), and whether winning matters for sports diplomats. In Soccer Diplomacy, Dichter joins ten other scholars in a critical examination of soccer diplomacy and soccer-as-diplomacy, tracing out the ways that soccer provided a space for international exchange and how states have proactively promoted soccer to achieve diplomatic aims. Dichter shot for a wide geographic spread and each article in the book details a different angle of sports diplomacy from around the world, including some of the usual powerhouses such as Brazil, or historiographically important ones including South Africa, but more commonly from unusual places such as Iceland, Chile, and Australia. They uncover a range of successful and failed diplomatic projects, illustrating not only the way that sports contributed to the cultural brand of a country, but more importantly the way that soccer could be mobilized by states, organizations, and even individuals to achieve particular diplomatic goals. Surprisingly, many of the diplomatic ventures initially began as sporting ones; governments only joined in reluctantly once their diplomatic possibilities became evident. Others however were whole cloth inventions of states that saw sports diplomacy as one of the few ways they could achieve their geopolitical aims. Each of the essays in this volume offers insights into soccer’s diplomatic potential and scholars interested in sport diplomacy should read it. Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. It will come out with Manchester University Press in 2021. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoices Tue, 15 Dec 2020 09:00:00 -0000 full 181 New Books Network In our conversation, we discussed the origins of soccer diplomacy, the diplomatic role of different actors, and whether winning matters for sports diplomats.... Today we are joined by Heather Dichter, Associate Professor of Sports History and Sports Management at DeMontfort University and fellow at the international Centre for Sports History and Culture. She is also an author in and the editor of Soccer Diplomacy: International Relations and Football since 1914 (University Press of Kentucky, 2020). In our conversation, we discussed the origins of soccer diplomacy, the diplomatic role of different actors (including large and small states, international sporting organizations, and individual athletes), and whether winning matters for sports diplomats. In Soccer Diplomacy, Dichter joins ten other scholars in a critical examination of soccer diplomacy and soccer-as-diplomacy, tracing out the ways that soccer provided a space for international exchange and how states have proactively promoted soccer to achieve diplomatic aims. Dichter shot for a wide geographic spread and each article in the book details a different angle of sports diplomacy from around the world, including some of the usual powerhouses such as Brazil, or historiographically important ones including South Africa, but more commonly from unusual places such as Iceland, Chile, and Australia. They uncover a range of successful and failed diplomatic projects, illustrating not only the way that sports contributed to the cultural brand of a country, but more importantly the way that soccer could be mobilized by states, organizations, and even individuals to achieve particular diplomatic goals. Surprisingly, many of the diplomatic ventures initially began as sporting ones; governments only joined in reluctantly once their diplomatic possibilities became evident. Others however were whole cloth inventions of states that saw sports diplomacy as one of the few ways they could achieve their geopolitical aims. Each of the essays in this volume offers insights into soccer’s diplomatic potential and scholars interested in sport diplomacy should read it. Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. It will come out with Manchester University Press in 2021. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au. Learn more about your ad choices. Visit megaphone.fm/adchoices Today we are joined by Heather Dichter, Associate Professor of Sports History and Sports Management at DeMontfort University and fellow at the international Centre for Sports History and Culture. She is also an author in and the editor of Soccer Diplomacy: International Relations and Football since 1914 (University Press of Kentucky, 2020). In our conversation, we discussed the origins of soccer diplomacy, the diplomatic role of different actors (including large and small states, international sporting organizations, and individual athletes), and whether winning matters for sports diplomats.

In Soccer Diplomacy, Dichter joins ten other scholars in a critical examination of soccer diplomacy and soccer-as-diplomacy, tracing out the ways that soccer provided a space for international exchange and how states have proactively promoted soccer to achieve diplomatic aims. Dichter shot for a wide geographic spread and each article in the book details a different angle of sports diplomacy from around the world, including some of the usual powerhouses such as Brazil, or historiographically important ones including South Africa, but more commonly from unusual places such as Iceland, Chile, and Australia.

They uncover a range of successful and failed diplomatic projects, illustrating not only the way that sports contributed to the cultural brand of a country, but more importantly the way that soccer could be mobilized by states, organizations, and even individuals to achieve particular diplomatic goals. Surprisingly, many of the diplomatic ventures initially began as sporting ones; governments only joined in reluctantly once their diplomatic possibilities became evident. Others however were whole cloth inventions of states that saw sports diplomacy as one of the few ways they could achieve their geopolitical aims.

Each of the essays in this volume offers insights into soccer’s diplomatic potential and scholars interested in sport diplomacy should read it.

Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His manuscript, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. It will come out with Manchester University Press in 2021. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au.

Learn more about your ad choices. Visit megaphone.fm/adchoices

]]> 3023 no Corey Sobel, "The Red Shirt" (UP of Kentucky, 2020) At first, Miles Furling plays football to fit in. By eighth grade he realizes that he is both gay and a football player. After an unsuccessful attempt at honesty, he hides who he is and puts all his energy into being a successful high school linebacker. Now it’s the early 2000’s, and Miles earns a full football scholarship to King College, which is known as having the worst Division One football program and one of the best academic programs In the country. When he arrives for the recruiting visit, Miles is shocked to hear one of the country’s top recruits, the brilliant Reshawn McCoy, taking what looks like an illegal bribe. Nobody knows why he chose King, but Reshawn, who is assigned as Miles’s roommate, refuses to talk about it. Turns out he’s also struggling to be something he’s not and focuses on his research about the school’s slave-owning founders. The decisions they make will change both their lives. Corey Sobel is a graduate of Duke University, where he was a scholarship football player and received the Anne Flexner Award for Fiction and the Reynolds Price Award for Scriptwriting. He has reported on human rights abuses in Burma, served as an HIV/AIDS researcher in Kenya, and consulted for the United Nations and other humanitarian organizations. The Red Shirt (UP of Kentucky, 2020), his debut novel, was longlisted for the 2020 Center for Fiction’s First Novel Prize. He has written for numerous publications, including HuffPost, Esquire.com, and Chapel Hill News. He lives in Brooklyn, New York with his wife, his cat, and his dog, and works at writing research reports for humanitarian organizations. If you enjoyed today’s podcast and would like to discuss it further with me and other New Books network listeners, please join us on Shuffle. Shuffle is an ad-free, invite-only network focused on the creativity community. As NBN listeners, you can get special access to conversations with a dynamic community of writers and literary enthusiasts. Sign up by going to www.shuffle.do/NBN/join  G.P. Gottlieb is the author of the Whipped and Sipped Mystery Series and a prolific baker of healthful breads and pastries. Please contact her through her website (GPGottlieb.com) if you wish to recommend an author (of a beautifully-written new novel) to interview, to listen to her previous podcast interviews, to read her mystery book reviews, or to check out some of her awesome recipes. Learn more about your ad choices. Visit megaphone.fm/adchoices Mon, 05 Oct 2020 08:00:00 -0000 full New Books Network At first, Miles Furling plays football to fit in. By eighth grade he realizes that he is both gay and a football player... At first, Miles Furling plays football to fit in. By eighth grade he realizes that he is both gay and a football player. After an unsuccessful attempt at honesty, he hides who he is and puts all his energy into being a successful high school linebacker. Now it’s the early 2000’s, and Miles earns a full football scholarship to King College, which is known as having the worst Division One football program and one of the best academic programs In the country. When he arrives for the recruiting visit, Miles is shocked to hear one of the country’s top recruits, the brilliant Reshawn McCoy, taking what looks like an illegal bribe. Nobody knows why he chose King, but Reshawn, who is assigned as Miles’s roommate, refuses to talk about it. Turns out he’s also struggling to be something he’s not and focuses on his research about the school’s slave-owning founders. The decisions they make will change both their lives. Corey Sobel is a graduate of Duke University, where he was a scholarship football player and received the Anne Flexner Award for Fiction and the Reynolds Price Award for Scriptwriting. He has reported on human rights abuses in Burma, served as an HIV/AIDS researcher in Kenya, and consulted for the United Nations and other humanitarian organizations. The Red Shirt (UP of Kentucky, 2020), his debut novel, was longlisted for the 2020 Center for Fiction’s First Novel Prize. He has written for numerous publications, including HuffPost, Esquire.com, and Chapel Hill News. He lives in Brooklyn, New York with his wife, his cat, and his dog, and works at writing research reports for humanitarian organizations. If you enjoyed today’s podcast and would like to discuss it further with me and other New Books network listeners, please join us on Shuffle. Shuffle is an ad-free, invite-only network focused on the creativity community. As NBN listeners, you can get special access to conversations with a dynamic community of writers and literary enthusiasts. Sign up by going to www.shuffle.do/NBN/join  G.P. Gottlieb is the author of the Whipped and Sipped Mystery Series and a prolific baker of healthful breads and pastries. Please contact her through her website (GPGottlieb.com) if you wish to recommend an author (of a beautifully-written new novel) to interview, to listen to her previous podcast interviews, to read her mystery book reviews, or to check out some of her awesome recipes. Learn more about your ad choices. Visit megaphone.fm/adchoices At first, Miles Furling plays football to fit in. By eighth grade he realizes that he is both gay and a football player. After an unsuccessful attempt at honesty, he hides who he is and puts all his energy into being a successful high school linebacker. Now it’s the early 2000’s, and Miles earns a full football scholarship to King College, which is known as having the worst Division One football program and one of the best academic programs In the country. When he arrives for the recruiting visit, Miles is shocked to hear one of the country’s top recruits, the brilliant Reshawn McCoy, taking what looks like an illegal bribe. Nobody knows why he chose King, but Reshawn, who is assigned as Miles’s roommate, refuses to talk about it. Turns out he’s also struggling to be something he’s not and focuses on his research about the school’s slave-owning founders. The decisions they make will change both their lives.

Corey Sobel is a graduate of Duke University, where he was a scholarship football player and received the Anne Flexner Award for Fiction and the Reynolds Price Award for Scriptwriting. He has reported on human rights abuses in Burma, served as an HIV/AIDS researcher in Kenya, and consulted for the United Nations and other humanitarian organizations. The Red Shirt (UP of Kentucky, 2020), his debut novel, was longlisted for the 2020 Center for Fiction’s First Novel Prize. He has written for numerous publications, including HuffPost, Esquire.com, and Chapel Hill News. He lives in Brooklyn, New York with his wife, his cat, and his dog, and works at writing research reports for humanitarian organizations.

If you enjoyed today’s podcast and would like to discuss it further with me and other New Books network listeners, please join us on Shuffle. Shuffle is an ad-free, invite-only network focused on the creativity community. As NBN listeners, you can get special access to conversations with a dynamic community of writers and literary enthusiasts. Sign up by going to www.shuffle.do/NBN/join

 G.P. Gottlieb is the author of the Whipped and Sipped Mystery Series and a prolific baker of healthful breads and pastries. Please contact her through her website (GPGottlieb.com) if you wish to recommend an author (of a beautifully-written new novel) to interview, to listen to her previous podcast interviews, to read her mystery book reviews, or to check out some of her awesome recipes.

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]]> 2393 no Philip Nash, "Breaking Protocol: America's First Female Ambassadors, 1933-1964" (UP of Kentucky, 2020) "It used to be," soon-to-be secretary of state Madeleine K. Albright said in 1996, "that the only way a woman could truly make her foreign policy views felt was by marrying a diplomat and then pouring tea on an offending ambassador's lap." This world of US diplomacy excluded women for a variety of misguided reasons: they would let their emotions interfere with the task of diplomacy, they were not up to the deadly risks that could arise overseas, and they would be unable to cultivate the social contacts vital to success in the field. The men of the State Department objected but had to admit women, including the first female ambassadors: Ruth Bryan Owen, Florence "Daisy" Harriman, Perle Mesta, Eugenie Anderson, Clare Boothe Luce, and Frances Willis. These were among the most influential women in US foreign relations in their era. In Breaking Protocol: America's First Female Ambassadors, 1933-1964 (University Press of Kentucky, 2020), Philip Nash examines the history of the "Big Six" and how they carved out their rightful place in history. After a chapter capturing the male world of American diplomacy in the early twentieth century, the book devotes one chapter to each of the female ambassadors and delves into a number of topics, including their backgrounds and appointments, the issues they faced while on the job, how they were received by host countries, the complications of protocol, and the press coverage they received, which was paradoxically favorable yet deeply sexist. In an epilogue that also provides an overview of the role of women in modern US diplomacy, Nash reveals how these trailblazers helped pave the way for more gender parity in US foreign relations. LaTreshia Hamilton is a lawyer, writer, and global affairs professional. Beth Windisch is a national security practitioner. You can tweet her @bethwindisch. Learn more about your ad choices. Visit megaphone.fm/adchoices Tue, 01 Sep 2020 08:00:00 -0000 full 63 New Books Network Nash examines the history of the "Big Six" and how they carved out their rightful place in history.. "It used to be," soon-to-be secretary of state Madeleine K. Albright said in 1996, "that the only way a woman could truly make her foreign policy views felt was by marrying a diplomat and then pouring tea on an offending ambassador's lap." This world of US diplomacy excluded women for a variety of misguided reasons: they would let their emotions interfere with the task of diplomacy, they were not up to the deadly risks that could arise overseas, and they would be unable to cultivate the social contacts vital to success in the field. The men of the State Department objected but had to admit women, including the first female ambassadors: Ruth Bryan Owen, Florence "Daisy" Harriman, Perle Mesta, Eugenie Anderson, Clare Boothe Luce, and Frances Willis. These were among the most influential women in US foreign relations in their era. In Breaking Protocol: America's First Female Ambassadors, 1933-1964 (University Press of Kentucky, 2020), Philip Nash examines the history of the "Big Six" and how they carved out their rightful place in history. After a chapter capturing the male world of American diplomacy in the early twentieth century, the book devotes one chapter to each of the female ambassadors and delves into a number of topics, including their backgrounds and appointments, the issues they faced while on the job, how they were received by host countries, the complications of protocol, and the press coverage they received, which was paradoxically favorable yet deeply sexist. In an epilogue that also provides an overview of the role of women in modern US diplomacy, Nash reveals how these trailblazers helped pave the way for more gender parity in US foreign relations. LaTreshia Hamilton is a lawyer, writer, and global affairs professional. Beth Windisch is a national security practitioner. You can tweet her @bethwindisch. Learn more about your ad choices. Visit megaphone.fm/adchoices "It used to be," soon-to-be secretary of state Madeleine K. Albright said in 1996, "that the only way a woman could truly make her foreign policy views felt was by marrying a diplomat and then pouring tea on an offending ambassador's lap."

This world of US diplomacy excluded women for a variety of misguided reasons: they would let their emotions interfere with the task of diplomacy, they were not up to the deadly risks that could arise overseas, and they would be unable to cultivate the social contacts vital to success in the field. The men of the State Department objected but had to admit women, including the first female ambassadors: Ruth Bryan Owen, Florence "Daisy" Harriman, Perle Mesta, Eugenie Anderson, Clare Boothe Luce, and Frances Willis. These were among the most influential women in US foreign relations in their era.

In Breaking Protocol: America's First Female Ambassadors, 1933-1964 (University Press of Kentucky, 2020), Philip Nash examines the history of the "Big Six" and how they carved out their rightful place in history. After a chapter capturing the male world of American diplomacy in the early twentieth century, the book devotes one chapter to each of the female ambassadors and delves into a number of topics, including their backgrounds and appointments, the issues they faced while on the job, how they were received by host countries, the complications of protocol, and the press coverage they received, which was paradoxically favorable yet deeply sexist. In an epilogue that also provides an overview of the role of women in modern US diplomacy, Nash reveals how these trailblazers helped pave the way for more gender parity in US foreign relations.

LaTreshia Hamilton is a lawyer, writer, and global affairs professional. Beth Windisch is a national security practitioner. You can tweet her @bethwindisch.

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]]> 4022 no Candi K. Cann, "Dying to Eat: Cross Cultural Perspectives on Food, Death and the Afterlife" (UP of Kentucky, 2018) In this this interview, Carrie Tippen talks with Candi K. Cann, editor of the new collection, Dying to Eat: Cross Cultural Perspectives on Food, Death and the Afterlife (University Press of Kentucky). Dying to Eat is an interdisciplinary collection of essays that examine the role of food in rituals surrounding death and dying from around the globe. Cann, who identifies herself as a death studies scholar, divides the collection into two ways of using food in death rituals: “Dining With the Dead” and “Eating After: Food and Drink in Bereavement and Remembrance.” The first essays examine rituals where food is offered to the deceased or to ancestors, while the second half focuses on sharing food between the bereaved or preparing food for mourners. This division extends from a understanding that some cultures “care for” the dead while others “remember” the dead. To care for the dead in this way may include offering food and drink, allowing the living and the deceased to maintain “an active and participatory relationship” (4). These essays describe the symbolism of food in Chinese funerary rites and ancestral worship, Korean memorial festivities that negotiate between Catholic and Buddhist traditions, and the role of sugar and alcohol in holidays commemorating the dead in China, Mexico, and the US. Conversely, remembering the dead is “a renegotiation of life without the deceased;” these food rituals may be more focused on repairing the social fabric in the community of the living (4). These chapters describe meals after funeral rites including communal meals in the US South, traditions of mourning in Judaism, expensive displays of national and class identities in Moroccan Muslim families, the community function of funeral meals in Tswana and Zulu peoples in South Africa, and the role of alcohol in a short-lived secret society in 1880s Chicago. The diversity of the collection provides an excellent introduction to the topic. Dr. Candi K. Cann is Associate Professor of Religion at Baylor University. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices Wed, 01 Jul 2020 08:00:00 -0000 full 61 New Books Network "Dying to Eat" is an interdisciplinary collection of essays that examine the role of food in rituals surrounding death and dying from around the globe... In this this interview, Carrie Tippen talks with Candi K. Cann, editor of the new collection, Dying to Eat: Cross Cultural Perspectives on Food, Death and the Afterlife (University Press of Kentucky). Dying to Eat is an interdisciplinary collection of essays that examine the role of food in rituals surrounding death and dying from around the globe. Cann, who identifies herself as a death studies scholar, divides the collection into two ways of using food in death rituals: “Dining With the Dead” and “Eating After: Food and Drink in Bereavement and Remembrance.” The first essays examine rituals where food is offered to the deceased or to ancestors, while the second half focuses on sharing food between the bereaved or preparing food for mourners. This division extends from a understanding that some cultures “care for” the dead while others “remember” the dead. To care for the dead in this way may include offering food and drink, allowing the living and the deceased to maintain “an active and participatory relationship” (4). These essays describe the symbolism of food in Chinese funerary rites and ancestral worship, Korean memorial festivities that negotiate between Catholic and Buddhist traditions, and the role of sugar and alcohol in holidays commemorating the dead in China, Mexico, and the US. Conversely, remembering the dead is “a renegotiation of life without the deceased;” these food rituals may be more focused on repairing the social fabric in the community of the living (4). These chapters describe meals after funeral rites including communal meals in the US South, traditions of mourning in Judaism, expensive displays of national and class identities in Moroccan Muslim families, the community function of funeral meals in Tswana and Zulu peoples in South Africa, and the role of alcohol in a short-lived secret society in 1880s Chicago. The diversity of the collection provides an excellent introduction to the topic. Dr. Candi K. Cann is Associate Professor of Religion at Baylor University. Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society. Learn more about your ad choices. Visit megaphone.fm/adchoices In this this interview, Carrie Tippen talks with Candi K. Cann, editor of the new collection, Dying to Eat: Cross Cultural Perspectives on Food, Death and the Afterlife (University Press of Kentucky).

Dying to Eat is an interdisciplinary collection of essays that examine the role of food in rituals surrounding death and dying from around the globe.

Cann, who identifies herself as a death studies scholar, divides the collection into two ways of using food in death rituals: “Dining With the Dead” and “Eating After: Food and Drink in Bereavement and Remembrance.” The first essays examine rituals where food is offered to the deceased or to ancestors, while the second half focuses on sharing food between the bereaved or preparing food for mourners.

This division extends from a understanding that some cultures “care for” the dead while others “remember” the dead. To care for the dead in this way may include offering food and drink, allowing the living and the deceased to maintain “an active and participatory relationship” (4).

These essays describe the symbolism of food in Chinese funerary rites and ancestral worship, Korean memorial festivities that negotiate between Catholic and Buddhist traditions, and the role of sugar and alcohol in holidays commemorating the dead in China, Mexico, and the US. Conversely, remembering the dead is “a renegotiation of life without the deceased;” these food rituals may be more focused on repairing the social fabric in the community of the living (4).

These chapters describe meals after funeral rites including communal meals in the US South, traditions of mourning in Judaism, expensive displays of national and class identities in Moroccan Muslim families, the community function of funeral meals in Tswana and Zulu peoples in South Africa, and the role of alcohol in a short-lived secret society in 1880s Chicago. The diversity of the collection provides an excellent introduction to the topic.

Dr. Candi K. Cann is Associate Professor of Religion at Baylor University.

Carrie Helms Tippen is Assistant Professor of English at Chatham University in Pittsburgh, PA, where she teaches courses in American Literature. Her 2018 book, Inventing Authenticity: How Cookbook Writers Redefine Southern Identity (University of Arkansas Press), examines the rhetorical strategies that writers use to prove the authenticity of their recipes in the narrative headnotes of contemporary cookbooks. Her academic work has been published in Gastronomica, Food and Foodways, American Studies, Southern Quarterly, and Food, Culture, and Society.

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]]> 3166 no Andrew Marble, "Boy on the Bridge: The Story of John Shalikashvili’s Remarkable Success" (UP of Kentucky, 2019) When President Bill Clinton nominated John Shalikashvili to be the Chairman of the Joint Chiefs of Staff in 1993, it represented the climax of a long journey that began in waning days of the Second World War. In Boy on the Bridge: The Story of John Shalikashvili’s Remarkable Success (University Press of Kentucky, 2019), Andrew Marble recounts this journey in order to better understand his remarkable personality and how he achieved his uniquely American success story. The descendant of Georgian and German nobility, as a boy Shalikashvili experienced an itinerant life that took him from prewar Poland to southern Germany before catapulting him across the Atlantic to the United States. Though he would make the army his career, Shalikashvili’s embrace of it was a reluctant one that took him from a college ROTC program to enlistment as an ordinary soldier before a grueling officer candidacy program and an initial posting to Alaska set him on his course. As Marble shows, Shalikashvili’s personality was central to his achievements as a military officer, as he demonstrated several nontraditional traits that nonetheless made him a success at his chosen profession. Learn more about your ad choices. Visit megaphone.fm/adchoices Tue, 21 Jan 2020 09:00:00 -0000 full 161 New Books Network When President Bill Clinton nominated John Shalikashvili to be the Chairman of the Joint Chiefs of Staff in 1993, it represented the climax of a long journey that began in waning days of the Second World War... When President Bill Clinton nominated John Shalikashvili to be the Chairman of the Joint Chiefs of Staff in 1993, it represented the climax of a long journey that began in waning days of the Second World War. In Boy on the Bridge: The Story of John Shalikashvili’s Remarkable Success (University Press of Kentucky, 2019), Andrew Marble recounts this journey in order to better understand his remarkable personality and how he achieved his uniquely American success story. The descendant of Georgian and German nobility, as a boy Shalikashvili experienced an itinerant life that took him from prewar Poland to southern Germany before catapulting him across the Atlantic to the United States. Though he would make the army his career, Shalikashvili’s embrace of it was a reluctant one that took him from a college ROTC program to enlistment as an ordinary soldier before a grueling officer candidacy program and an initial posting to Alaska set him on his course. As Marble shows, Shalikashvili’s personality was central to his achievements as a military officer, as he demonstrated several nontraditional traits that nonetheless made him a success at his chosen profession. Learn more about your ad choices. Visit megaphone.fm/adchoices When President Bill Clinton nominated John Shalikashvili to be the Chairman of the Joint Chiefs of Staff in 1993, it represented the climax of a long journey that began in waning days of the Second World War. In Boy on the Bridge: The Story of John Shalikashvili’s Remarkable Success (University Press of Kentucky, 2019), Andrew Marble recounts this journey in order to better understand his remarkable personality and how he achieved his uniquely American success story. The descendant of Georgian and German nobility, as a boy Shalikashvili experienced an itinerant life that took him from prewar Poland to southern Germany before catapulting him across the Atlantic to the United States. Though he would make the army his career, Shalikashvili’s embrace of it was a reluctant one that took him from a college ROTC program to enlistment as an ordinary soldier before a grueling officer candidacy program and an initial posting to Alaska set him on his course. As Marble shows, Shalikashvili’s personality was central to his achievements as a military officer, as he demonstrated several nontraditional traits that nonetheless made him a success at his chosen profession.

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]]> 2391 no Beth Fischer, "The Myth of Triumphalism: Rethinking President Reagan's Cold War Legacy" (UP of Kentucky, 2019) Every time that I teach any portion of a course dealing with Ronald Reagan and the end of the Cold War, I gird myself for the inevitable myth-busting that I’m going to do. The idea that Reagan won the Cold War by bankrupting the Soviet Union through heavy military expenditures has become a piece of commonly accepted wisdom about the 40th president. In the eyes of Reagan’s defenders, the military buildup the president began in the early 1980s forced the Soviets to either accept a reformer, Mikhail Gorbachev, or in trying to keep up with the weight of the military buildup ruined their own economy in the process. Consequently, toughness and a commitment to a strong military were the triumphalist lessons of the Cold War. Beth Fischer’s The Myth of Triumphalism: Rethinking President Reagan's Cold War Legacy (University Press of Kentucky, 2019) challenges this interpretation of Reagan’s Cold War foreign policy. Fischer argues that the military buildup was actually deeply counterproductive, frightening the Soviet leadership and delaying meaningful negotiations for several years. In lionizing President Reagan, triumphalists ignore the contributions that Reagan did make to ending the Cold War: a willingness to think radically about the elimination of nuclear weapons and to negotiating with his Soviet counterparts. Contemporary policymakers would do well to avoid the belligerent lessons offered by triumphalists and instead ought to pay attention to Reagan’s actual conduct during the Cold War. Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Mon, 23 Dec 2019 09:00:00 -0000 full 673 New Books Network Fischer argues that the military buildup was actually deeply counterproductive, frightening the Soviet leadership and delaying meaningful negotiations for several years... Every time that I teach any portion of a course dealing with Ronald Reagan and the end of the Cold War, I gird myself for the inevitable myth-busting that I’m going to do. The idea that Reagan won the Cold War by bankrupting the Soviet Union through heavy military expenditures has become a piece of commonly accepted wisdom about the 40th president. In the eyes of Reagan’s defenders, the military buildup the president began in the early 1980s forced the Soviets to either accept a reformer, Mikhail Gorbachev, or in trying to keep up with the weight of the military buildup ruined their own economy in the process. Consequently, toughness and a commitment to a strong military were the triumphalist lessons of the Cold War. Beth Fischer’s The Myth of Triumphalism: Rethinking President Reagan's Cold War Legacy (University Press of Kentucky, 2019) challenges this interpretation of Reagan’s Cold War foreign policy. Fischer argues that the military buildup was actually deeply counterproductive, frightening the Soviet leadership and delaying meaningful negotiations for several years. In lionizing President Reagan, triumphalists ignore the contributions that Reagan did make to ending the Cold War: a willingness to think radically about the elimination of nuclear weapons and to negotiating with his Soviet counterparts. Contemporary policymakers would do well to avoid the belligerent lessons offered by triumphalists and instead ought to pay attention to Reagan’s actual conduct during the Cold War. Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Every time that I teach any portion of a course dealing with Ronald Reagan and the end of the Cold War, I gird myself for the inevitable myth-busting that I’m going to do. The idea that Reagan won the Cold War by bankrupting the Soviet Union through heavy military expenditures has become a piece of commonly accepted wisdom about the 40th president. In the eyes of Reagan’s defenders, the military buildup the president began in the early 1980s forced the Soviets to either accept a reformer, Mikhail Gorbachev, or in trying to keep up with the weight of the military buildup ruined their own economy in the process. Consequently, toughness and a commitment to a strong military were the triumphalist lessons of the Cold War.

Beth Fischer’s The Myth of Triumphalism: Rethinking President Reagan's Cold War Legacy (University Press of Kentucky, 2019) challenges this interpretation of Reagan’s Cold War foreign policy. Fischer argues that the military buildup was actually deeply counterproductive, frightening the Soviet leadership and delaying meaningful negotiations for several years. In lionizing President Reagan, triumphalists ignore the contributions that Reagan did make to ending the Cold War: a willingness to think radically about the elimination of nuclear weapons and to negotiating with his Soviet counterparts. Contemporary policymakers would do well to avoid the belligerent lessons offered by triumphalists and instead ought to pay attention to Reagan’s actual conduct during the Cold War.

Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com.

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]]> 2624 no James W. Pardew, "Peacemakers: American Leadership and the End of Genocide in the Balkans" (U Kentucky Press, 2017) In his book Peacemakers: American Leadership and the End of Genocide in the Balkans (University of Kentucky Press, 2017), Ambassador James W. Pardew describes the role of the U.S. involvement in ending the wars and genocide in the Balkans. As a soldier-diplomat, Pardew reminds us of the human nature of diplomacy. Pardew was the one of the major players in U.S. policy making, leading Balkan task forces. He was also a policy advisor to NATO. His book reflects the perspective of an experienced soldier who led the peace-making process through his use of compassion when dealing with mass murdering despots. He refocuses the nature of the dissolution of the Yugoslavia as a humanitarian crisis that could not be settled without dealing with all of the participants. His work is inspiring in the face of the senseless destruction of 100,000+ dead and thousands more displaced. He proves that the good guys can win without dropping down to the levels of the tyrants. Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 19 Jul 2019 08:00:00 -0000 full 95 New Books Network Pardew describes the role of the U.S. involvement in ending the wars and genocide in the Balkans... In his book Peacemakers: American Leadership and the End of Genocide in the Balkans (University of Kentucky Press, 2017), Ambassador James W. Pardew describes the role of the U.S. involvement in ending the wars and genocide in the Balkans. As a soldier-diplomat, Pardew reminds us of the human nature of diplomacy. Pardew was the one of the major players in U.S. policy making, leading Balkan task forces. He was also a policy advisor to NATO. His book reflects the perspective of an experienced soldier who led the peace-making process through his use of compassion when dealing with mass murdering despots. He refocuses the nature of the dissolution of the Yugoslavia as a humanitarian crisis that could not be settled without dealing with all of the participants. His work is inspiring in the face of the senseless destruction of 100,000+ dead and thousands more displaced. He proves that the good guys can win without dropping down to the levels of the tyrants. Learn more about your ad choices. Visit megaphone.fm/adchoices In his book Peacemakers: American Leadership and the End of Genocide in the Balkans (University of Kentucky Press, 2017), Ambassador James W. Pardew describes the role of the U.S. involvement in ending the wars and genocide in the Balkans. As a soldier-diplomat, Pardew reminds us of the human nature of diplomacy. Pardew was the one of the major players in U.S. policy making, leading Balkan task forces. He was also a policy advisor to NATO. His book reflects the perspective of an experienced soldier who led the peace-making process through his use of compassion when dealing with mass murdering despots. He refocuses the nature of the dissolution of the Yugoslavia as a humanitarian crisis that could not be settled without dealing with all of the participants. His work is inspiring in the face of the senseless destruction of 100,000+ dead and thousands more displaced. He proves that the good guys can win without dropping down to the levels of the tyrants.

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]]> 2660 no David LaRocca, "The Philosophy of War Films" (U Press of Kentucky, 2018) Films that feature war as a theme have been made almost since the beginning of the industry. In The Philosophy of War Films (University Press of Kentucky, 2018), part of the "Philosophy of Popular Culture Series," David LaRocca brings together a number of prominent authors to discuss the genre as a way to consider how war films have impacted us. The contributors explore a variety of topics, including the aesthetics of war as portrayed on-screen, the effect war has on personal identity, and the ethical problems presented by war. Learn more about your ad choices. Visit megaphone.fm/adchoices Mon, 31 Dec 2018 11:00:00 -0000 full 52 New Books Network Films that feature war as a theme have been made almost since the beginning of the industry... Films that feature war as a theme have been made almost since the beginning of the industry. In The Philosophy of War Films (University Press of Kentucky, 2018), part of the "Philosophy of Popular Culture Series," David LaRocca brings together a number of prominent authors to discuss the genre as a way to consider how war films have impacted us. The contributors explore a variety of topics, including the aesthetics of war as portrayed on-screen, the effect war has on personal identity, and the ethical problems presented by war. Learn more about your ad choices. Visit megaphone.fm/adchoices Films that feature war as a theme have been made almost since the beginning of the industry. In The Philosophy of War Films (University Press of Kentucky, 2018), part of the "Philosophy of Popular Culture Series," David LaRocca brings together a number of prominent authors to discuss the genre as a way to consider how war films have impacted us. The contributors explore a variety of topics, including the aesthetics of war as portrayed on-screen, the effect war has on personal identity, and the ethical problems presented by war.

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]]> 3578 no Aram Goudsouzian and Charles McKinney, "An Unseen Light: Black Struggles for Freedom in Memphis, Tennessee" (UP of Kentucky, 2018) Most people will know that Memphis, Tennessee is where Dr. Martin Luther King was assassinated in 1968. That's too bad, because Memphis played an important role in the struggle for civil rights both before and after King was murdered. Drs. Aram Goudsouzian and Charles McKinney’s reclaim this history in their excellent edited volume An Unseen Light: Black Struggles for Freedom in Memphis, Tennessee (University Press of Kentucky, 2018). Listen in. Adam McNeil is a PhD student in the Department of History at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices Tue, 04 Dec 2018 11:00:00 -0000 full 149 New Books Network Most people will know that Memphis, Tennessee is where Dr. Martin Luther King was assassinated in 1968... Most people will know that Memphis, Tennessee is where Dr. Martin Luther King was assassinated in 1968. That's too bad, because Memphis played an important role in the struggle for civil rights both before and after King was murdered. Drs. Aram Goudsouzian and Charles McKinney’s reclaim this history in their excellent edited volume An Unseen Light: Black Struggles for Freedom in Memphis, Tennessee (University Press of Kentucky, 2018). Listen in. Adam McNeil is a PhD student in the Department of History at the University of Delaware. Learn more about your ad choices. Visit megaphone.fm/adchoices Most people will know that Memphis, Tennessee is where Dr. Martin Luther King was assassinated in 1968. That's too bad, because Memphis played an important role in the struggle for civil rights both before and after King was murdered. Drs. Aram Goudsouzian and Charles McKinney’s reclaim this history in their excellent edited volume An Unseen Light: Black Struggles for Freedom in Memphis, Tennessee (University Press of Kentucky, 2018). Listen in.

Adam McNeil is a PhD student in the Department of History at the University of Delaware.

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]]> 2660 no Neil Roberts, “A Political Companion to Frederick Douglass” (UP of Kentucky, 2018) The year 2018 marks the 200th anniversary of Frederick Douglass’ birth. It can hardly be said that scholars have neglected Douglass; indeed, he is one of the most written-about figures in American history. But not all aspects of Douglass’ thought have received their due. One such blank spot in what might be called “Douglass Studies” concerns his political philosophy. Williams College scholar Dr. Neil Roberts’ new edited volume, A Political Companion to Frederick Douglass (University Press of Kentucky, 2018), helps to fill this lacuna in Douglass scholarship. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices Mon, 17 Sep 2018 10:00:00 -0000 full New Books Network The year 2018 marks the 200th anniversary of Frederick Douglass’ birth. It can hardly be said that scholars have neglected Douglass; indeed, he is one of the most written-about figures in American history. But not all aspects of Douglass’ thought have ... The year 2018 marks the 200th anniversary of Frederick Douglass’ birth. It can hardly be said that scholars have neglected Douglass; indeed, he is one of the most written-about figures in American history. But not all aspects of Douglass’ thought have received their due. One such blank spot in what might be called “Douglass Studies” concerns his political philosophy. Williams College scholar Dr. Neil Roberts’ new edited volume, A Political Companion to Frederick Douglass (University Press of Kentucky, 2018), helps to fill this lacuna in Douglass scholarship. Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty. Learn more about your ad choices. Visit megaphone.fm/adchoices The year 2018 marks the 200th anniversary of Frederick Douglass’ birth. It can hardly be said that scholars have neglected Douglass; indeed, he is one of the most written-about figures in American history. But not all aspects of Douglass’ thought have received their due. One such blank spot in what might be called “Douglass Studies” concerns his political philosophy. Williams College scholar Dr. Neil Roberts’ new edited volume, A Political Companion to Frederick Douglass (University Press of Kentucky, 2018), helps to fill this lacuna in Douglass scholarship.


Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Scholar at the University of Delaware. He can be reached on Twitter @CulturedModesty.

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]]> 4705 no Brian D. Laslie, “Architect of Air Power: General Laurence S. Kuter and the Birth of the U.S. Air Force” (UP of Kentucky, 2017. We have all seen pictures of the “Big Three” (Churchill, Roosevelt, Stalin) at their historic meeting Yalta in February 1945. The three leaders command the viewer’s attention, naturally, but in the background of the various versions of that photo are other important figures. One can glimpse George Marshall in some. Foreign ministers Eden and Molotov appear in others. American Admirals King and Leahy are there. And so is a U.S. Army Air Force general named Larry Kuter. Not exactly a household name, Kuter was an enormously influential figure, who richly deserves this excellent biography written by airpower expert, Brian Laslie: Architect of Air Power: General Laurence S. Kuter and the Birth of the U.S. Air Force (University Press of Kentucky, 2017). Dr. Laslie is the Deputy Command Historian at NORAD and US Northern Command and the author of another noteworthy book on the U.S. Air Force: The Air Force Way of War: U.S. Tactics and Training after Vietnam (2015), which I can also recommend. Laslie kept encountering Kuter’s name or photo as his work took him to Air Force bases and installations around the world and began to ask questions. Kuter was the co-author of AWPD-1, the first American plan for air war and a strong proponent of daylight, precision strategic bombing. He commanded American forces all over the world, served immediately under Harold George in the postwar Air Transport Command, which gave him responsibility, among other things, for the Berlin Airlift in 1948. He set up the United States Air Force Academy; he commanded NORAD; in retirement, he worked with Pan Am on the 747 project. And there was much more to Kuter’s story, as you can read in Laslie’s book after you enjoy our conversation here. Listeners might also be interested in the author’s blog, Balloons to Drones.   Learn more about your ad choices. Visit megaphone.fm/adchoices Fri, 14 Sep 2018 10:00:00 -0000 full New Books Network We have all seen pictures of the “Big Three” (Churchill, Roosevelt, Stalin) at their historic meeting Yalta in February 1945. The three leaders command the viewer’s attention, naturally, but in the background of the various versions of that photo are o... We have all seen pictures of the “Big Three” (Churchill, Roosevelt, Stalin) at their historic meeting Yalta in February 1945. The three leaders command the viewer’s attention, naturally, but in the background of the various versions of that photo are other important figures. One can glimpse George Marshall in some. Foreign ministers Eden and Molotov appear in others. American Admirals King and Leahy are there. And so is a U.S. Army Air Force general named Larry Kuter. Not exactly a household name, Kuter was an enormously influential figure, who richly deserves this excellent biography written by airpower expert, Brian Laslie: Architect of Air Power: General Laurence S. Kuter and the Birth of the U.S. Air Force (University Press of Kentucky, 2017). Dr. Laslie is the Deputy Command Historian at NORAD and US Northern Command and the author of another noteworthy book on the U.S. Air Force: The Air Force Way of War: U.S. Tactics and Training after Vietnam (2015), which I can also recommend. Laslie kept encountering Kuter’s name or photo as his work took him to Air Force bases and installations around the world and began to ask questions. Kuter was the co-author of AWPD-1, the first American plan for air war and a strong proponent of daylight, precision strategic bombing. He commanded American forces all over the world, served immediately under Harold George in the postwar Air Transport Command, which gave him responsibility, among other things, for the Berlin Airlift in 1948. He set up the United States Air Force Academy; he commanded NORAD; in retirement, he worked with Pan Am on the 747 project. And there was much more to Kuter’s story, as you can read in Laslie’s book after you enjoy our conversation here. Listeners might also be interested in the author’s blog, Balloons to Drones.   Learn more about your ad choices. Visit megaphone.fm/adchoices We have all seen pictures of the “Big Three” (Churchill, Roosevelt, Stalin) at their historic meeting Yalta in February 1945. The three leaders command the viewer’s attention, naturally, but in the background of the various versions of that photo are other important figures. One can glimpse George Marshall in some. Foreign ministers Eden and Molotov appear in others. American Admirals King and Leahy are there. And so is a U.S. Army Air Force general named Larry Kuter. Not exactly a household name, Kuter was an enormously influential figure, who richly deserves this excellent biography written by airpower expert, Brian Laslie: Architect of Air Power: General Laurence S. Kuter and the Birth of the U.S. Air Force (University Press of Kentucky, 2017).

Dr. Laslie is the Deputy Command Historian at NORAD and US Northern Command and the author of another noteworthy book on the U.S. Air Force: The Air Force Way of War: U.S. Tactics and Training after Vietnam (2015), which I can also recommend. Laslie kept encountering Kuter’s name or photo as his work took him to Air Force bases and installations around the world and began to ask questions. Kuter was the co-author of AWPD-1, the first American plan for air war and a strong proponent of daylight, precision strategic bombing. He commanded American forces all over the world, served immediately under Harold George in the postwar Air Transport Command, which gave him responsibility, among other things, for the Berlin Airlift in 1948. He set up the United States Air Force Academy; he commanded NORAD; in retirement, he worked with Pan Am on the 747 project. And there was much more to Kuter’s story, as you can read in Laslie’s book after you enjoy our conversation here.

Listeners might also be interested in the author’s blog, Balloons to Drones.

 

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]]> 2272 yes Kelley Fanto Deetz, “Bound to the Fire: How Virginia’s Enslaved Cooks Helped Invent American Cuisine” (UP of Kentucky, 2017) The concept of “Southern hospitality” began to take form in the late eighteenth century and became especially associated with Virginia’s grand plantations. This state was home to many of our founding fathers. Their galas, balls, feasts, and entertainments became famous internationally as well as at home. On whose shoulders did this success rest? Not the mistress, whose role was mainly that of social director. The labor was slavery, the abundant and spectacular food was produced by enslaved cooks. Bound to the Fire: How Virginia’s Enslaved Cooks Helped Invent American Cuisine (University Press of Kentucky, 2017) is their story. Let’s start with where you can’t learn about them. Colonial Williamsburg and many plantation houses that are tourist destinations did their best in the early twentieth century to remove all traces of slavery. Field hand houses and kitchens alike were razed. Author Kelley Fanto Deetz is director of programming, education, and visitor engagement at Stratford Hall, the birthplace of Robert E. Lee, near Lynchburg, Virginia. She has made it her work to restore the history of the “disappeared.” First, the kitchen: an external brick building with at least one hearth burning constantly, where the enslaved cooks and their families often lived upstairs. The author examines the question whether being a “house slave” was better that being a field hand. Yes and not. The reader learns why. When the transatlantic slave trade was banned internationally in 1803, Virginia plantation owners began to come under scrutiny from their business associates and abolition groups on both sides of the Atlantic. Discussions at table were becoming problematic, not in small part because enslaved butlers and waiters were hearing about what the world beyond the plantation thought. This gave rise to “protective” architecture between the external kitchen and the house, which Deetz describes in detail (Thomas Jefferson’s Monticello is an outstanding example). Nat Turner’s failed slave rebellion in 1831 had a further reactionary result: it because illegal for a slave to learn to read or write. The irony is that enslaved cooks did learn to read, write, and do simple math because it was required in their work: reading and writing down recipes, and changing measurements. Labor without negotiating power was the enslaved cook lot. The dynamic between mistress and slave was complex, and the enslaved cook, while powerless, still worked to find ways to bend the power struggle in their own favor. This was inevitable given that the enslaved cook was a de facto member of the master’s family, feeding them (often tweaking dishes with African ingredients such as okra), providing companionship to her mistress (plantations were isolated from each other) and her children likewise providing playmates for the mistress’s children. And everyone had an enslaved “mammy.” Some details in this book dismay, some shock, but perhaps the most jaw-dropping story is about George Washington and his famous enslaved cook Hercules. This alone makes Bound to the Fire a book to read and reread. Kelle Fanto Deetz has a doctorate in African Diaspora Studies from UC Berkeley and is founding director of the Shared History Project. Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 26 Jul 2018 10:00:00 -0000 full New Books Network The concept of “Southern hospitality” began to take form in the late eighteenth century and became especially associated with Virginia’s grand plantations. This state was home to many of our founding fathers. Their galas, balls, feasts, The concept of “Southern hospitality” began to take form in the late eighteenth century and became especially associated with Virginia’s grand plantations. This state was home to many of our founding fathers. Their galas, balls, feasts, and entertainments became famous internationally as well as at home. On whose shoulders did this success rest? Not the mistress, whose role was mainly that of social director. The labor was slavery, the abundant and spectacular food was produced by enslaved cooks. Bound to the Fire: How Virginia’s Enslaved Cooks Helped Invent American Cuisine (University Press of Kentucky, 2017) is their story. Let’s start with where you can’t learn about them. Colonial Williamsburg and many plantation houses that are tourist destinations did their best in the early twentieth century to remove all traces of slavery. Field hand houses and kitchens alike were razed. Author Kelley Fanto Deetz is director of programming, education, and visitor engagement at Stratford Hall, the birthplace of Robert E. Lee, near Lynchburg, Virginia. She has made it her work to restore the history of the “disappeared.” First, the kitchen: an external brick building with at least one hearth burning constantly, where the enslaved cooks and their families often lived upstairs. The author examines the question whether being a “house slave” was better that being a field hand. Yes and not. The reader learns why. When the transatlantic slave trade was banned internationally in 1803, Virginia plantation owners began to come under scrutiny from their business associates and abolition groups on both sides of the Atlantic. Discussions at table were becoming problematic, not in small part because enslaved butlers and waiters were hearing about what the world beyond the plantation thought. This gave rise to “protective” architecture between the external kitchen and the house, which Deetz describes in detail (Thomas Jefferson’s Monticello is an outstanding example). Nat Turner’s failed slave rebellion in 1831 had a further reactionary result: it because illegal for a slave to learn to read or write. The irony is that enslaved cooks did learn to read, write, and do simple math because it was required in their work: reading and writing down recipes, and changing measurements. Labor without negotiating power was the enslaved cook lot. The dynamic between mistress and slave was complex, and the enslaved cook, while powerless, still worked to find ways to bend the power struggle in their own favor. This was inevitable given that the enslaved cook was a de facto member of the master’s family, feeding them (often tweaking dishes with African ingredients such as okra), providing companionship to her mistress (plantations were isolated from each other) and her children likewise providing playmates for the mistress’s children. And everyone had an enslaved “mammy.” Some details in this book dismay, some shock, but perhaps the most jaw-dropping story is about George Washington and his famous enslaved cook Hercules. This alone makes Bound to the Fire a book to read and reread. Kelle Fanto Deetz has a doctorate in African Diaspora Studies from UC Berkeley and is founding director of the Shared History Project. Learn more about your ad choices. Visit megaphone.fm/adchoices The concept of “Southern hospitality” began to take form in the late eighteenth century and became especially associated with Virginia’s grand plantations. This state was home to many of our founding fathers. Their galas, balls, feasts, and entertainments became famous internationally as well as at home.

On whose shoulders did this success rest? Not the mistress, whose role was mainly that of social director. The labor was slavery, the abundant and spectacular food was produced by enslaved cooks. Bound to the Fire: How Virginia’s Enslaved Cooks Helped Invent American Cuisine (University Press of Kentucky, 2017) is their story.

Let’s start with where you can’t learn about them. Colonial Williamsburg and many plantation houses that are tourist destinations did their best in the early twentieth century to remove all traces of slavery. Field hand houses and kitchens alike were razed. Author Kelley Fanto Deetz is director of programming, education, and visitor engagement at Stratford Hall, the birthplace of Robert E. Lee, near Lynchburg, Virginia. She has made it her work to restore the history of the “disappeared.”

First, the kitchen: an external brick building with at least one hearth burning constantly, where the enslaved cooks and their families often lived upstairs. The author examines the question whether being a “house slave” was better that being a field hand. Yes and not. The reader learns why.

When the transatlantic slave trade was banned internationally in 1803, Virginia plantation owners began to come under scrutiny from their business associates and abolition groups on both sides of the Atlantic. Discussions at table were becoming problematic, not in small part because enslaved butlers and waiters were hearing about what the world beyond the plantation thought.

This gave rise to “protective” architecture between the external kitchen and the house, which Deetz describes in detail (Thomas Jefferson’s Monticello is an outstanding example). Nat Turner’s failed slave rebellion in 1831 had a further reactionary result: it because illegal for a slave to learn to read or write. The irony is that enslaved cooks did learn to read, write, and do simple math because it was required in their work: reading and writing down recipes, and changing measurements.

Labor without negotiating power was the enslaved cook lot. The dynamic between mistress and slave was complex, and the enslaved cook, while powerless, still worked to find ways to bend the power struggle in their own favor. This was inevitable given that the enslaved cook was a de facto member of the master’s family, feeding them (often tweaking dishes with African ingredients such as okra), providing companionship to her mistress (plantations were isolated from each other) and her children likewise providing playmates for the mistress’s children. And everyone had an enslaved “mammy.”

Some details in this book dismay, some shock, but perhaps the most jaw-dropping story is about George Washington and his famous enslaved cook Hercules. This alone makes Bound to the Fire a book to read and reread.

Kelle Fanto Deetz has a doctorate in African Diaspora Studies from UC Berkeley and is founding director of the Shared History Project.

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]]> 2872 no William E. Ellis, “Irvin S. Cobb: The Rise and Fall of an American Humorist” (UP of Kentucky, 2017) Today Irvin S. Cobb is remembered primarily as an author of humorous tales about life in Kentucky. Yet as William E. Ellis describes in his book Irvin S. Cobb: The Rise and Fall of an American Humorist (University Press of Kentucky, 2017), these stories reflected only a portion of his considerable literary output. Born in Paducah, Cobb got his start as a journalist working for the local papers. After moving to New York in 1904 he was hired at the New York World, for which he wrote a steady output of articles and humorous columns. The need for money contributed to Cobb’s move into short story writing, resulting in a number of works that are regarded as classics of their type. By the 1920s Cobb was one of the leading literary figures in America, though as Ellis explains his involvement with movie-making and radio dissipated his energies and contributed to the decline in the quality of his work in his later years. Learn more about your ad choices. Visit megaphone.fm/adchoices Wed, 13 Jun 2018 10:00:00 -0000 full New Books Network Today Irvin S. Cobb is remembered primarily as an author of humorous tales about life in Kentucky. Yet as William E. Ellis describes in his book Irvin S. Cobb: The Rise and Fall of an American Humorist (University Press of Kentucky, 2017), Today Irvin S. Cobb is remembered primarily as an author of humorous tales about life in Kentucky. Yet as William E. Ellis describes in his book Irvin S. Cobb: The Rise and Fall of an American Humorist (University Press of Kentucky, 2017), these stories reflected only a portion of his considerable literary output. Born in Paducah, Cobb got his start as a journalist working for the local papers. After moving to New York in 1904 he was hired at the New York World, for which he wrote a steady output of articles and humorous columns. The need for money contributed to Cobb’s move into short story writing, resulting in a number of works that are regarded as classics of their type. By the 1920s Cobb was one of the leading literary figures in America, though as Ellis explains his involvement with movie-making and radio dissipated his energies and contributed to the decline in the quality of his work in his later years. Learn more about your ad choices. Visit megaphone.fm/adchoices Today Irvin S. Cobb is remembered primarily as an author of humorous tales about life in Kentucky. Yet as William E. Ellis describes in his book Irvin S. Cobb: The Rise and Fall of an American Humorist (University Press of Kentucky, 2017), these stories reflected only a portion of his considerable literary output. Born in Paducah, Cobb got his start as a journalist working for the local papers. After moving to New York in 1904 he was hired at the New York World, for which he wrote a steady output of articles and humorous columns. The need for money contributed to Cobb’s move into short story writing, resulting in a number of works that are regarded as classics of their type. By the 1920s Cobb was one of the leading literary figures in America, though as Ellis explains his involvement with movie-making and radio dissipated his energies and contributed to the decline in the quality of his work in his later years.

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]]> 3016 no Ann K. Ferrell, “Burley: Kentucky Tobacco in a New Century” (U Press of Kentucky, 2013) Ann K. Ferrell is an Associate Professor and the Director of the Folk Studies program at Western Kentucky University, and also Editor-in-Chief of the Journal of American Folklore. Her first book, Burley: Kentucky Tobacco in a New Century (University of Kentucky Press, 2013) is the result of multiple research methodologies including extensive ethnographic fieldwork, archival investigation, and rhetorical analysis. The book’s introduction includes a history of tobacco production in the United States along with a summary of changes in attitudes towards the product over time – the most significant shift coming in the wake of the 1964 Surgeon General’s report confirming its detrimental health effects. Thereafter, the book is divided into three parts. Part One offers a detailed description of the work involved in raising the eponymous crop as well as how that process has changed over time. Part Two, titled “The Shifting Meanings of Tobacco,” is based upon Ferrell’s study of the representation of tobacco – or its non-representation – in the Kentucky Department of Agriculture newsletters from the 1940s up until the time of her fieldwork (c. 2007); here Ferrell shows how the state’s response to tobacco’s fluctuating fortunes played out in rhetorical decisions made manifest on the page. For example, recent depictions of tobacco farming suggest it has been relegated to part of Kentucky’s heritage rather than its present, despite the state still being home to thousands of tobacco farms. In the third part of the book, Ferrell combines her ethnographic research with her study of rhetoric to consider what it means to be a tobacco farmer in Kentucky in the 21st century; whereas claiming such an identity in the past might well engender pride and respect, it has become stigmatized and therefore more likely to provoke disdain at best. Partly as a result, recent decades have seen the development of the complex concept of tobacco nostalgia, characteristics of which include mourning the “golden age of the tobacco man”. In addition, Ferrell investigates why “just growing something else” is by no means as simple an endeavor as it sounds. Burley: Kentucky Tobacco in a New Century has been widely-acclaimed. For example, in his review for the Register of the Kentucky Historical Society, Jeffery A. Duvall described Ferrell’s monograph as “an illuminating account of how burley tobacco, once a proud symbol of the economic strength and cultural heritage of the commonwealth, has in recent years been scrubbed from the consciousness and public image of Kentucky, and the impact this has had upon tobacco farmers in the state.” In addition, Burley received the 2014 Wayland D. Hand Award (awarded by the American Folklore Society to the best book to combine historical and folkloristic methods and materials). Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices Wed, 30 May 2018 10:00:00 -0000 full New Books Network Ann K. Ferrell is an Associate Professor and the Director of the Folk Studies program at Western Kentucky University, and also Editor-in-Chief of the Journal of American Folklore. Her first book, Burley: Kentucky Tobacco in a New Century (University of... Ann K. Ferrell is an Associate Professor and the Director of the Folk Studies program at Western Kentucky University, and also Editor-in-Chief of the Journal of American Folklore. Her first book, Burley: Kentucky Tobacco in a New Century (University of Kentucky Press, 2013) is the result of multiple research methodologies including extensive ethnographic fieldwork, archival investigation, and rhetorical analysis. The book’s introduction includes a history of tobacco production in the United States along with a summary of changes in attitudes towards the product over time – the most significant shift coming in the wake of the 1964 Surgeon General’s report confirming its detrimental health effects. Thereafter, the book is divided into three parts. Part One offers a detailed description of the work involved in raising the eponymous crop as well as how that process has changed over time. Part Two, titled “The Shifting Meanings of Tobacco,” is based upon Ferrell’s study of the representation of tobacco – or its non-representation – in the Kentucky Department of Agriculture newsletters from the 1940s up until the time of her fieldwork (c. 2007); here Ferrell shows how the state’s response to tobacco’s fluctuating fortunes played out in rhetorical decisions made manifest on the page. For example, recent depictions of tobacco farming suggest it has been relegated to part of Kentucky’s heritage rather than its present, despite the state still being home to thousands of tobacco farms. In the third part of the book, Ferrell combines her ethnographic research with her study of rhetoric to consider what it means to be a tobacco farmer in Kentucky in the 21st century; whereas claiming such an identity in the past might well engender pride and respect, it has become stigmatized and therefore more likely to provoke disdain at best. Partly as a result, recent decades have seen the development of the complex concept of tobacco nostalgia, characteristics of which include mourning the “golden age of the tobacco man”. In addition, Ferrell investigates why “just growing something else” is by no means as simple an endeavor as it sounds. Burley: Kentucky Tobacco in a New Century has been widely-acclaimed. For example, in his review for the Register of the Kentucky Historical Society, Jeffery A. Duvall described Ferrell’s monograph as “an illuminating account of how burley tobacco, once a proud symbol of the economic strength and cultural heritage of the commonwealth, has in recent years been scrubbed from the consciousness and public image of Kentucky, and the impact this has had upon tobacco farmers in the state.” In addition, Burley received the 2014 Wayland D. Hand Award (awarded by the American Folklore Society to the best book to combine historical and folkloristic methods and materials). Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University. Learn more about your ad choices. Visit megaphone.fm/adchoices Ann K. Ferrell is an Associate Professor and the Director of the Folk Studies program at Western Kentucky University, and also Editor-in-Chief of the Journal of American Folklore. Her first book, Burley: Kentucky Tobacco in a New Century (University of Kentucky Press, 2013) is the result of multiple research methodologies including extensive ethnographic fieldwork, archival investigation, and rhetorical analysis.

The book’s introduction includes a history of tobacco production in the United States along with a summary of changes in attitudes towards the product over time – the most significant shift coming in the wake of the 1964 Surgeon General’s report confirming its detrimental health effects. Thereafter, the book is divided into three parts. Part One offers a detailed description of the work involved in raising the eponymous crop as well as how that process has changed over time. Part Two, titled “The Shifting Meanings of Tobacco,” is based upon Ferrell’s study of the representation of tobacco – or its non-representation – in the Kentucky Department of Agriculture newsletters from the 1940s up until the time of her fieldwork (c. 2007); here Ferrell shows how the state’s response to tobacco’s fluctuating fortunes played out in rhetorical decisions made manifest on the page. For example, recent depictions of tobacco farming suggest it has been relegated to part of Kentucky’s heritage rather than its present, despite the state still being home to thousands of tobacco farms. In the third part of the book, Ferrell combines her ethnographic research with her study of rhetoric to consider what it means to be a tobacco farmer in Kentucky in the 21st century; whereas claiming such an identity in the past might well engender pride and respect, it has become stigmatized and therefore more likely to provoke disdain at best. Partly as a result, recent decades have seen the development of the complex concept of tobacco nostalgia, characteristics of which include mourning the “golden age of the tobacco man”. In addition, Ferrell investigates why “just growing something else” is by no means as simple an endeavor as it sounds.

Burley: Kentucky Tobacco in a New Century has been widely-acclaimed. For example, in his review for the Register of the Kentucky Historical Society, Jeffery A. Duvall described Ferrell’s monograph as “an illuminating account of how burley tobacco, once a proud symbol of the economic strength and cultural heritage of the commonwealth, has in recent years been scrubbed from the consciousness and public image of Kentucky, and the impact this has had upon tobacco farmers in the state.” In addition, Burley received the 2014 Wayland D. Hand Award (awarded by the American Folklore Society to the best book to combine historical and folkloristic methods and materials).


Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

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]]> 3915 no Jessica Elkind, “Aid Under Fire: Nation Building and the Vietnam War” (U Kentucky Press, 2016) As any scholar of the Vietnam War can tell you, the field doesn’t lack for study: it’s one of the most-studied fields for both military and diplomatic historians. And yet, for all of the scholarly attention it has received, there are understudied facets of this complicated, multilateral conflict, particularly in its early years, before American ground troops entered the country in large numbers. Jessica Elkind’s Aid Under Fire: Nation Building and the Vietnam War (University of Kentucky Press, 2016) does precisely this by examining U.S. development programs that tried to foster a viable South Vietnamese state in the 1950s and early 1960s. The outcomes of those disparate programs ultimately deepened a U.S. commitment to the Republic of South Vietnam and helped set the United States on the road to war. Dr. Elkind’s research was conducted using U.S. government sources, private collections from Michigan State University, and South Vietnamese government sources held in Ho Chi Minh City. Michigan State University was an important actor in this narrative because it was responsible for establishing and running certain programs. In each of the book’s five chapters, she examines a different aid program, ranging from the resettlement programs created for refugees fleeing the newly-created North Vietnam, to agricultural aid and development, to police training. What emerges from these various perspectives is a view of widely-ranging intentions and goals that often differed starkly. Not only did the U.S. government and South Vietnamese government disagree on what would constitute effective aid and development, the public-private partnership that existed between the U.S. government and Michigan State University also frayed as the individual aid workers began to lose faith in their mission. As the United States and the international community confronts global problems about development and nation-building, Aid Under Fire suggests lessons that policymakers and the public should heed. Development cannot succeed without taking into account the wishes of the people who are receiving aid, and simply transplanting western modalities cannot work without taking into account the conditions on the ground. As Elkind demonstrates, overconfidence in nation-building can have dire consequences. Learn more about your ad choices. Visit megaphone.fm/adchoices Wed, 09 May 2018 10:00:00 -0000 full New Books Network As any scholar of the Vietnam War can tell you, the field doesn’t lack for study: it’s one of the most-studied fields for both military and diplomatic historians. And yet, for all of the scholarly attention it has received, As any scholar of the Vietnam War can tell you, the field doesn’t lack for study: it’s one of the most-studied fields for both military and diplomatic historians. And yet, for all of the scholarly attention it has received, there are understudied facets of this complicated, multilateral conflict, particularly in its early years, before American ground troops entered the country in large numbers. Jessica Elkind’s Aid Under Fire: Nation Building and the Vietnam War (University of Kentucky Press, 2016) does precisely this by examining U.S. development programs that tried to foster a viable South Vietnamese state in the 1950s and early 1960s. The outcomes of those disparate programs ultimately deepened a U.S. commitment to the Republic of South Vietnam and helped set the United States on the road to war. Dr. Elkind’s research was conducted using U.S. government sources, private collections from Michigan State University, and South Vietnamese government sources held in Ho Chi Minh City. Michigan State University was an important actor in this narrative because it was responsible for establishing and running certain programs. In each of the book’s five chapters, she examines a different aid program, ranging from the resettlement programs created for refugees fleeing the newly-created North Vietnam, to agricultural aid and development, to police training. What emerges from these various perspectives is a view of widely-ranging intentions and goals that often differed starkly. Not only did the U.S. government and South Vietnamese government disagree on what would constitute effective aid and development, the public-private partnership that existed between the U.S. government and Michigan State University also frayed as the individual aid workers began to lose faith in their mission. As the United States and the international community confronts global problems about development and nation-building, Aid Under Fire suggests lessons that policymakers and the public should heed. Development cannot succeed without taking into account the wishes of the people who are receiving aid, and simply transplanting western modalities cannot work without taking into account the conditions on the ground. As Elkind demonstrates, overconfidence in nation-building can have dire consequences. Learn more about your ad choices. Visit megaphone.fm/adchoices As any scholar of the Vietnam War can tell you, the field doesn’t lack for study: it’s one of the most-studied fields for both military and diplomatic historians. And yet, for all of the scholarly attention it has received, there are understudied facets of this complicated, multilateral conflict, particularly in its early years, before American ground troops entered the country in large numbers. Jessica Elkind’s Aid Under Fire: Nation Building and the Vietnam War (University of Kentucky Press, 2016) does precisely this by examining U.S. development programs that tried to foster a viable South Vietnamese state in the 1950s and early 1960s. The outcomes of those disparate programs ultimately deepened a U.S. commitment to the Republic of South Vietnam and helped set the United States on the road to war.

Dr. Elkind’s research was conducted using U.S. government sources, private collections from Michigan State University, and South Vietnamese government sources held in Ho Chi Minh City. Michigan State University was an important actor in this narrative because it was responsible for establishing and running certain programs. In each of the book’s five chapters, she examines a different aid program, ranging from the resettlement programs created for refugees fleeing the newly-created North Vietnam, to agricultural aid and development, to police training. What emerges from these various perspectives is a view of widely-ranging intentions and goals that often differed starkly. Not only did the U.S. government and South Vietnamese government disagree on what would constitute effective aid and development, the public-private partnership that existed between the U.S. government and Michigan State University also frayed as the individual aid workers began to lose faith in their mission.

As the United States and the international community confronts global problems about development and nation-building, Aid Under Fire suggests lessons that policymakers and the public should heed. Development cannot succeed without taking into account the wishes of the people who are receiving aid, and simply transplanting western modalities cannot work without taking into account the conditions on the ground. As Elkind demonstrates, overconfidence in nation-building can have dire consequences.

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]]> 3366 no Stephen G. Craft, “American Justice in Taiwan: The 1957 Riots and Cold War Foreign Policy” (Kentucky UP, 2017) On May 23, 1957, US Army Sergeant Robert Reynolds was acquitted of murdering Chinese officer Liu Ziran in Taiwan. Reynolds did not deny shooting Liu but claimed self-defense and, like all members of US military assistance and advisory groups, was protected under diplomatic immunity. Reynolds’s acquittal sparked a series of riots across Taiwan that became an international crisis for the Eisenhower administration and raised serious questions about the legal status of US military forces positioned around the world. In American Justice in Taiwan: The 1957 Riots and Cold War Foreign Policy (Kentucky University Press, 2017), Stephen G. Craft provides a multi-archival study of the causes and consequences of the Reynolds trial and the ensuing protests. After more than a century of what they perceived as unfair treaties imposed by Western nations, the Taiwanese regarded the special legal status of resident American personnel with extreme distrust. While Eisenhower and his advisers considered Taiwan to be a vital ally against Chinese communism, the US believed that the Taiwanese government had instigated the unrest in order to protest the verdict and demand legal jurisdiction over GIs. Learn more about your ad choices. Visit megaphone.fm/adchoices Thu, 18 Jan 2018 15:03:00 -0000 full New Books Network On May 23, 1957, US Army Sergeant Robert Reynolds was acquitted of murdering Chinese officer Liu Ziran in Taiwan. Reynolds did not deny shooting Liu but claimed self-defense and, like all members of US military assistance and advisory groups, On May 23, 1957, US Army Sergeant Robert Reynolds was acquitted of murdering Chinese officer Liu Ziran in Taiwan. Reynolds did not deny shooting Liu but claimed self-defense and, like all members of US military assistance and advisory groups, was protected under diplomatic immunity. Reynolds’s acquittal sparked a series of riots across Taiwan that became an international crisis for the Eisenhower administration and raised serious questions about the legal status of US military forces positioned around the world. In American Justice in Taiwan: The 1957 Riots and Cold War Foreign Policy (Kentucky University Press, 2017), Stephen G. Craft provides a multi-archival study of the causes and consequences of the Reynolds trial and the ensuing protests. After more than a century of what they perceived as unfair treaties imposed by Western nations, the Taiwanese regarded the special legal status of resident American personnel with extreme distrust. While Eisenhower and his advisers considered Taiwan to be a vital ally against Chinese communism, the US believed that the Taiwanese government had instigated the unrest in order to protest the verdict and demand legal jurisdiction over GIs. Learn more about your ad choices. Visit megaphone.fm/adchoices On May 23, 1957, US Army Sergeant Robert Reynolds was acquitted of murdering Chinese officer Liu Ziran in Taiwan. Reynolds did not deny shooting Liu but claimed self-defense and, like all members of US military assistance and advisory groups, was protected under diplomatic immunity. Reynolds’s acquittal sparked a series of riots across Taiwan that became an international crisis for the Eisenhower administration and raised serious questions about the legal status of US military forces positioned around the world.

In American Justice in Taiwan: The 1957 Riots and Cold War Foreign Policy (Kentucky University Press, 2017), Stephen G. Craft provides a multi-archival study of the causes and consequences of the Reynolds trial and the ensuing protests. After more than a century of what they perceived as unfair treaties imposed by Western nations, the Taiwanese regarded the special legal status of resident American personnel with extreme distrust. While Eisenhower and his advisers considered Taiwan to be a vital ally against Chinese communism, the US believed that the Taiwanese government had instigated the unrest in order to protest the verdict and demand legal jurisdiction over GIs.

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]]> 3509 no Kerry Pimblott, “Faith in Black Power: Religion, Race, and Resistance in Cairo, Illinois” (U. Press of Kentucky, 2016) When you think of black power, do you think about churches and religious institutions, or do you relate them more to the civil rights movement of the 1950s and 1960s? How do the social justice struggles of the past relate to those of today? In this vital reassessment of the impact of religion on the black power movement, Faith in Black Power: Religion, Race, and Resistance in Cairo, Illinois (University Press of Kentucky, 2016) presents a nuanced discussion of the ways in which black churches supported and shaped the United Front black power organization in Cairo, Illinois during the 1970s. The book deftly challenges conventional narratives of the de-Christianization of the movement, revealing that Cairoites embraced both old-time religion and revolutionary thought. Not only did the faithful fund the mass direct-action strategies of the United Front, but activists also engaged the literature on black theology, invited theologians to speak at their rallies, and sent potential leaders to train at seminaries. In Faith in Black Power: Religion, Race, and Resistance in Cairo, Illinois the author also investigates the impact of female leaders on the organization and their influence on young activists, offering new perspectives on the hypermasculine image of black power. Based on extensive primary research, Faith in Black Power: Religion, Race, and Resistance in Cairo, Illinois contributes to and complicates the history of the black freedom struggle in America. It not only adds a new element to the study of African American religion but also illuminates the relationship between black churches and black politics during this tumultuous era. Kerry Pimblott is a Lecturer in American History at the University of Manchester. She earned a B.A. with First Class Honours in American Studies from King’s College London and a Ph.D. in History from the University of Illinois at Urbana-Champaign. Her research interests include African American history, Black social movements, urban history, working class history, and religious cultures and institutions. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices Tue, 21 Feb 2017 18:18:00 -0000 full New Books Network When you think of black power, do you think about churches and religious institutions, or do you relate them more to the civil rights movement of the 1950s and 1960s? How do the social justice struggles of the past relate to those of today? When you think of black power, do you think about churches and religious institutions, or do you relate them more to the civil rights movement of the 1950s and 1960s? How do the social justice struggles of the past relate to those of today? In this vital reassessment of the impact of religion on the black power movement, Faith in Black Power: Religion, Race, and Resistance in Cairo, Illinois (University Press of Kentucky, 2016) presents a nuanced discussion of the ways in which black churches supported and shaped the United Front black power organization in Cairo, Illinois during the 1970s. The book deftly challenges conventional narratives of the de-Christianization of the movement, revealing that Cairoites embraced both old-time religion and revolutionary thought. Not only did the faithful fund the mass direct-action strategies of the United Front, but activists also engaged the literature on black theology, invited theologians to speak at their rallies, and sent potential leaders to train at seminaries. In Faith in Black Power: Religion, Race, and Resistance in Cairo, Illinois the author also investigates the impact of female leaders on the organization and their influence on young activists, offering new perspectives on the hypermasculine image of black power. Based on extensive primary research, Faith in Black Power: Religion, Race, and Resistance in Cairo, Illinois contributes to and complicates the history of the black freedom struggle in America. It not only adds a new element to the study of African American religion but also illuminates the relationship between black churches and black politics during this tumultuous era. Kerry Pimblott is a Lecturer in American History at the University of Manchester. She earned a B.A. with First Class Honours in American Studies from King’s College London and a Ph.D. in History from the University of Illinois at Urbana-Champaign. Her research interests include African American history, Black social movements, urban history, working class history, and religious cultures and institutions. James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people. Learn more about your ad choices. Visit megaphone.fm/adchoices When you think of black power, do you think about churches and religious institutions, or do you relate them more to the civil rights movement of the 1950s and 1960s? How do the social justice struggles of the past relate to those of today? In this vital reassessment of the impact of religion on the black power movement, Faith in Black Power: Religion, Race, and Resistance in Cairo, Illinois (University Press of Kentucky, 2016) presents a nuanced discussion of the ways in which black churches supported and shaped the United Front black power organization in Cairo, Illinois during the 1970s. The book deftly challenges conventional narratives of the de-Christianization of the movement, revealing that Cairoites embraced both old-time religion and revolutionary thought. Not only did the faithful fund the mass direct-action strategies of the United Front, but activists also engaged the literature on black theology, invited theologians to speak at their rallies, and sent potential leaders to train at seminaries. In Faith in Black Power: Religion, Race, and Resistance in Cairo, Illinois the author also investigates the impact of female leaders on the organization and their influence on young activists, offering new perspectives on the hypermasculine image of black power.

Based on extensive primary research, Faith in Black Power: Religion, Race, and Resistance in Cairo, Illinois contributes to and complicates the history of the black freedom struggle in America. It not only adds a new element to the study of African American religion but also illuminates the relationship between black churches and black politics during this tumultuous era.

Kerry Pimblott is a Lecturer in American History at the University of Manchester. She earned a B.A. with First Class Honours in American Studies from King’s College London and a Ph.D. in History from the University of Illinois at Urbana-Champaign. Her research interests include African American history, Black social movements, urban history, working class history, and religious cultures and institutions.


James Stancil is an independent scholar, freelance journalist, and the President and CEO of Intellect U Well, Inc. a Houston-area non-profit dedicated to increasing the joy of reading and media literacy in young people.

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]]> 2909 no James K. Libbey, “Alben Barkley: A Life in Politics” (U. Press of Kentucky, 2016) Known as the Iron Man of politics, Alben Barkley enjoyed a career that took him from rural Kentucky to the vice-presidency of the United States of America. In his book Alben Barkley: A Life in Politics (University Press of Kentucky, 2016), James K. Libbey draws upon his many years studying Barkley to provide readers with insight into this dynamic and popular figure. Growing up in poverty, Barkley nonetheless acquired an education and began a legal career before his first run for county office. From there he won election to Congress, first as a member of the House of Representatives, then in 1926 as a senator. Once in the Senate he soon emerged as a leader of the Democratic caucus and was elected Majority Leader in 1937, from which position he shepherded through some of the most important legislation of the century. Selected as Harry Truman’s running mate at the 1948 Democratic National Convention, as vice president he was a nationally popular figure and the first one known by the affectionate moniker “Veep.” Though frustrated in his efforts to become the Democratic presidential nominee in 1952, he capped his career by returning to the Senate two years later, providing a fitting coda to his lifetime of public service. Learn more about your ad choices. Visit megaphone.fm/adchoices Wed, 13 Jul 2016 20:25:00 -0000 full New Books Network Known as the Iron Man of politics, Alben Barkley enjoyed a career that took him from rural Kentucky to the vice-presidency of the United States of America. In his book Alben Barkley: A Life in Politics (University Press of Kentucky, 2016), James K. Known as the Iron Man of politics, Alben Barkley enjoyed a career that took him from rural Kentucky to the vice-presidency of the United States of America. In his book Alben Barkley: A Life in Politics (University Press of Kentucky, 2016), James K. Libbey draws upon his many years studying Barkley to provide readers with insight into this dynamic and popular figure. Growing up in poverty, Barkley nonetheless acquired an education and began a legal career before his first run for county office. From there he won election to Congress, first as a member of the House of Representatives, then in 1926 as a senator. Once in the Senate he soon emerged as a leader of the Democratic caucus and was elected Majority Leader in 1937, from which position he shepherded through some of the most important legislation of the century. Selected as Harry Truman’s running mate at the 1948 Democratic National Convention, as vice president he was a nationally popular figure and the first one known by the affectionate moniker “Veep.” Though frustrated in his efforts to become the Democratic presidential nominee in 1952, he capped his career by returning to the Senate two years later, providing a fitting coda to his lifetime of public service. Learn more about your ad choices. Visit megaphone.fm/adchoices Known as the Iron Man of politics, Alben Barkley enjoyed a career that took him from rural Kentucky to the vice-presidency of the United States of America. In his book Alben Barkley: A Life in Politics (University Press of Kentucky, 2016), James K. Libbey draws upon his many years studying Barkley to provide readers with insight into this dynamic and popular figure. Growing up in poverty, Barkley nonetheless acquired an education and began a legal career before his first run for county office. From there he won election to Congress, first as a member of the House of Representatives, then in 1926 as a senator. Once in the Senate he soon emerged as a leader of the Democratic caucus and was elected Majority Leader in 1937, from which position he shepherded through some of the most important legislation of the century. Selected as Harry Truman’s running mate at the 1948 Democratic National Convention, as vice president he was a nationally popular figure and the first one known by the affectionate moniker “Veep.” Though frustrated in his efforts to become the Democratic presidential nominee in 1952, he capped his career by returning to the Senate two years later, providing a fitting coda to his lifetime of public service.

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]]> 3337 no Brian Purnell, “Fighting Jim Crow in the County of Kings” (UP of Kentucky, 2014) Scholars interested in the history of the civil rights movement in the North will definitely be interested in Brian Purnell‘s new book, Fighting Jim Crow in the County of Kings:The Congress of Racial Equality in Brooklyn (University Press of Kentucky, 2014). Thiscase study of the Congress of Racial Equality (CORE) in Brooklyn joins one of the fastest-growing areas of research in the field: the roots and experience of the black freedom struggle above the Mason-Dixon. Challenging many of the nation’s persistent beliefs about the geographic timeline and ideological dynamics of that social movement, this literature has broadened our understanding of the past and given us a far more complicated view of the challenges facing grassroots organizations in the years before, during, and following the “classical period,” stretching from Rosa Parks’s arrest to Martin Luther King’s dream. Purnell looks at one of CORE’s most active, aggressive chapters in the North between 1960 and 1965. An exemplar of social history, the book explores the difficulties facing a small organization trying to upset the racial status quo in a city that prided itself on colorblindness–pioneering much of the legislation adopted by the federal government later–despite the fact that in education, housing, and labor segregation prevailed. Aggravating matters were a number of seismic changes in New York, as elsewhere: the flight of industry and middle class taxpayers to the suburbs and Sunbelt, and the influx of millions of laid-off southern sharecroppers to neighborhoods that, because of “de facto” Jim Crow, became increasingly poor,overcrowded, dilapidated, and ridden with trash, crime, and despair. Purnell gives us the story of a group valiantly attempting to avert and assuage these overwhelming developments. As he notes, their failures speak to the reality many still face today. Learn more about your ad choices. Visit megaphone.fm/adchoices Tue, 25 Nov 2014 15:29:00 -0000 full New Books Network Scholars interested in the history of the civil rights movement in the North will definitely be interested in Brian Purnell‘s new book, Fighting Jim Crow in the County of Kings:The Congress of Racial Equality in Brooklyn (University Press of Kentucky, Scholars interested in the history of the civil rights movement in the North will definitely be interested in Brian Purnell‘s new book, Fighting Jim Crow in the County of Kings:The Congress of Racial Equality in Brooklyn (University Press of Kentucky, 2014). Thiscase study of the Congress of Racial Equality (CORE) in Brooklyn joins one of the fastest-growing areas of research in the field: the roots and experience of the black freedom struggle above the Mason-Dixon. Challenging many of the nation’s persistent beliefs about the geographic timeline and ideological dynamics of that social movement, this literature has broadened our understanding of the past and given us a far more complicated view of the challenges facing grassroots organizations in the years before, during, and following the “classical period,” stretching from Rosa Parks’s arrest to Martin Luther King’s dream. Purnell looks at one of CORE’s most active, aggressive chapters in the North between 1960 and 1965. An exemplar of social history, the book explores the difficulties facing a small organization trying to upset the racial status quo in a city that prided itself on colorblindness–pioneering much of the legislation adopted by the federal government later–despite the fact that in education, housing, and labor segregation prevailed. Aggravating matters were a number of seismic changes in New York, as elsewhere: the flight of industry and middle class taxpayers to the suburbs and Sunbelt, and the influx of millions of laid-off southern sharecroppers to neighborhoods that, because of “de facto” Jim Crow, became increasingly poor,overcrowded, dilapidated, and ridden with trash, crime, and despair. Purnell gives us the story of a group valiantly attempting to avert and assuage these overwhelming developments. As he notes, their failures speak to the reality many still face today. Learn more about your ad choices. Visit megaphone.fm/adchoices Scholars interested in the history of the civil rights movement in the North will definitely be interested in Brian Purnell‘s new book, Fighting Jim Crow in the County of Kings:The Congress of Racial Equality in Brooklyn (University Press of Kentucky, 2014). Thiscase study of the Congress of Racial Equality (CORE) in Brooklyn joins one of the fastest-growing areas of research in the field: the roots and experience of the black freedom struggle above the Mason-Dixon. Challenging many of the nation’s persistent beliefs about the geographic timeline and ideological dynamics of that social movement, this literature has broadened our understanding of the past and given us a far more complicated view of the challenges facing grassroots organizations in the years before, during, and following the “classical period,” stretching from Rosa Parks’s arrest to Martin Luther King’s dream. Purnell looks at one of CORE’s most active, aggressive chapters in the North between 1960 and 1965. An exemplar of social history, the book explores the difficulties facing a small organization trying to upset the racial status quo in a city that prided itself on colorblindness–pioneering much of the legislation adopted by the federal government later–despite the fact that in education, housing, and labor segregation prevailed. Aggravating matters were a number of seismic changes in New York, as elsewhere: the flight of industry and middle class taxpayers to the suburbs and Sunbelt, and the influx of millions of laid-off southern sharecroppers to neighborhoods that, because of “de facto” Jim Crow, became increasingly poor,overcrowded, dilapidated, and ridden with trash, crime, and despair. Purnell gives us the story of a group valiantly attempting to avert and assuage these overwhelming developments. As he notes, their failures speak to the reality many still face today.

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