New Books in Museum Studies

Ana Fernández-Aballí et al. eds., "Creative and Inclusive Heritage Education: Teaching Handbook for Use in Classrooms, Museums and Organizations" (U Groningen Press, 2025)

Wed, 29 Apr 2026 08:00:00 -0000

Heritage is a hot topic in public debates today. Many politicians invoke it to exclude marginal groups from belonging to the national story. Yet, in the new two-volume resource for educators Creative and Inclusive Heritage Education, contributors explore how heritage can be used for inclusive experiences in the classroom. The open-access Handbook and an Activity Book provide educators--from high school teachers to university professors to museum guides--with the necessary theoretical tools and practical exercises turn heritage into a vehicle for self-awareness, collective meaning-making and conflict resolution. By helping educators to identify and counter exclusionary narratives, by stimulating their interest in their own histories and those of their students, and by using creative performance techniques, the handbook and the activity book allow educators to make the best of the social and educational value of heritage. In this interview with two of the editors, we discuss the ambitions and experiences of REBELAH, the European Union funded project behind these resources, which brought together creative artists, community organizers and academics in Spain, France, the Netherlands and Hungary.

Free, Open Access here.

Ana Fernández-Aballí Altamirano is a postdoctoral researcher at the University of Groningen working on environmental education and epistemological diversity.

Todd Weir is professor of the History of Christianity and Modern Culture at the University of Groningen. His research focuses on religion and secularism in modern Europe.

Patricia Salvaia is a psychologist and Research Master’s student at the University of Groningen.

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Shalini Amerasinghe Ganendra, "Veins of Influence: Colonial Sri Lanka (Ceylon) in Early Photographs and Collections" (Neptune Publications, 2023)

Fri, 27 Mar 2026 08:00:00 -0000

Veins of Influence: Colonial Sri Lanka (Ceylon) in early Photographs and Collections by Shalini Amerasinghe Ganendra (Neptune Publications, 2023) is a pioneering monograph that brings a rich array of early images (specifically of Sri Lanka (Ceylon)) into the global discourse of photography, pairing a striking lens of visual appreciation with distinctly humanizing perspectives. In the context of colonial photography, “veins of influence” delineates the circulatory pathways through which images operate, tracing not only their material production and dissemination, but also the curatorial, creative, cultural, epistemic narratives they generate across time.

The over 450 images featured are from the: Royal Collection Trust; Pitt Rivers Museum, University of Oxford; Royal Commonwealth Society, Cambridge University; Royal Asiatic Society of Great Britain and Ireland; Royal Botanic Gardens, Kew; Rothschild Archives and, also by the famed Victorian photographer, Julia Margaret Cameron. (A little known fact is that Cameron spent the last 4 years of life in Ceylon and died there.)

In addition to these UK collections, this publication includes early photographs from important local family collections and period publications. The collections are mainly those of influencers and the writing considers images by both studio photographers and hobbyists, for commercial and non-commercial purposes.

This seminal publication is for general audiences and specialists. Ganendra’s unusual analysis of these collections adds another layer of understanding of the viewing and imaging of Ceylon specifically, importantly also offering another approach to the understanding of colonial images generally.

Shalini Amerasinghe Ganendra’s impact on cultural development has been defined by nearly three decades of cultural programming including exhibition and scholarship, with notable focus on Sri Lanka. Ganendra is Sri Lankan born and lives in Malaysia. She read law at Cambridge University (1987) and qualified as a Barrister and New York Attorney. She was the first Sri Lankan specialist to be appointed to the Tate Gallery (UK) Acquisitions Committee (SAAC) and has served on numerous judging panels including for the Commonwealth Arts Award and as a nominator for the Sovereign Art Prize and Aga Khan Architecture Awards. She was most recently a Chevening Fellow at Oxford and has held visiting positions at the University of Oxford, including at: the History of Art Department, St. Catherine s College and the Pitt Rivers Museum. She was made a Dame of the Order of St. Gregory the Great (Vatican) in 2019.

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Decolonising Colonial Collections: Repatriation and Cultural Competence in Museums with guest Marika Duczynski

Thu, 26 Mar 2026 05:00:00 -0000

The Cultural Competence Collective welcomes Marika Duczynski onto the podcast to discuss cultural competence, decolonial practices, and community-led curation. Marika is a Gamilaraay and Mandandanji writer and curator and is the Indigenous Heritage Curator at the University of Sydney’s Chau Chak Wing Museum. Our conversation with Marika covers a range of crucial topics, delving into what it means to do decolonial work within colonial institutions, the importance of Indigenous Cultural and Intellectual Property (ICIP), culturally respectful care of collections, and what self-determination and the right of response looks like in action. Together, we discuss what cultural competence looks like in supporting truth-telling, repatriation and building collaborative relationships with First Nations communities.

Show notes

This episode is hosted by Dr. Pooja Mittal Biswas. Pooja Mittal Biswas is an Academic Facilitator at the National Centre for Cultural Competence and an award-winning educator and author. She is the author of ten books of fiction, poetry and non-fiction. Her ninth book, Hunger and Predation (Cordite Books, 2023) was shortlisted for the 2024 NSW Premier’s Literary Awards, and her tenth book, The Maker of Garlands, was published by Vagabond Press in 2024.

Produced by: Adubi Plange, Dr Amy McHugh, Sarah Mashman

Podcast Artwork: Zein Arif

Resources:

Learn more about Marika, her work at the Chau Chak Wing Museum, and her works across other art and cultural institutions below:

Mental Health Support Services:

For University of Sydney staff: CONVERGE

Converge offers multiple dedicated helplines for specialist services:

All staff: 1300 687 327
First Nations helpline: 1300 287 432
LGBTQIA+ Helpline: 1300 542 874
Domestic and Family Violence Helpline: 1300 338 465
Aged Care Helpline: 1300 035 337
Disability and Carers Helpline: 1300 243 543
Youth and Student Helpline: 1300 687 399
Spiritual and Pastoral Care Helpline: 1300 772 435
www.convergeinternational.com.au

Wellmob – social, emotional and cultural wellbeing resources for Aboriginal and Torres Strait Islander people

https://wellmob.org.au/

24-hour crisis hotlines

13 Yarn
Beyond Blue
LifeLine:
NSW Mental Health Line

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Decolonising Colonial Collections: Repatriation and Cultural Competence in Museums with guest Marika Duczynski

Thu, 26 Mar 2026 05:00:00 -0000

Show notes

Produced by: Adubi Plange, Dr Amy McHugh, Sarah Mashman

Podcast Artwork: Zein Arif

Resources:

Learn more about Marika, her work at the Chau Chak Wing Museum, and her works across other art and cultural institutions below:

Mental Health Support Services:

For University of Sydney staff: CONVERGE

Converge offers multiple dedicated helplines for specialist services:

All staff: 1300 687 327
First Nations helpline: 1300 287 432
LGBTQIA+ Helpline: 1300 542 874
Domestic and Family Violence Helpline: 1300 338 465
Aged Care Helpline: 1300 035 337
Disability and Carers Helpline: 1300 243 543
Youth and Student Helpline: 1300 687 399
Spiritual and Pastoral Care Helpline: 1300 772 435
www.convergeinternational.com.au

Wellmob – social, emotional and cultural wellbeing resources for Aboriginal and Torres Strait Islander people

https://wellmob.org.au/

24-hour crisis hotlines

13 Yarn
Beyond Blue
LifeLine:
NSW Mental Health Line

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Georgios Boudalis, "On the Edge: Endbands in the Bookbinding Traditions of the Eastern Mediterranean" (Legacy Press, 2022)

Sun, 15 Mar 2026 08:00:00 -0000

On the Edge: Endbands in the Bookbinding Traditions of the Eastern Mediterranean by Dr Giorgios Boudalis (Legacy Press, 2022). The term endbands designates the two bands worked with thread(s) at the head and tail edges of the spine of a book. The techniques with which they are worked and the ways with which they are connected to a bound codex vary greatly over time and geography. The purpose of this book is to identify, classify and describe several of these different techniques used in manuscript books bound within different cultures in the Eastern Mediterranean from Late Antiquity until the 20th century. The book is richly illustrated with full-colour photographs and technical drawings explaining how these endbands were made and how they can be replicated.

The guest on the podcast was Dr Giorgios Boudalis. Dr Boudalis studied conservation of art in Florence and Athens, and Fine Arts in Thessaloniki, Greece, where he lives. In 2005 he completed his Ph.D. at the University of the Arts, London, on the evolution of Byzantine and post-Byzantine bookbinding, and he has since been researching and publishing on the topics of bookbinding history and manuscript conservation. Since 1997 he has been working in book conservation for public and private institutions and collections. His research focuses on the study of the manuscript book in the Eastern Mediterranean using physical, written and iconographical evidence, and he is especially interested in the making of the codex and its relation to other crafts and artefacts.

Since 2006 he has been teaching courses on various aspects of Eastern Mediterranean bookbinding structures both on an historical and technical level. He is a co-editor of the Language of Bindings Thesaurus of the Ligatus Research Centre, and he was a visiting scholar and an adjunct professor at Bard Graduate Center in New York where in 2018 he curated the exhibition, The Codex and Crafts in Late Antiquity, and published a book with the same title.

Lauren Fonto is a Master's student in the program Heritage and Cultural Sciences: Heritage Conservation at the University of Pretoria, South Africa. Her current research focuses on cleaning gilded wooden frames using gels.

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Margaret S. Graves, "Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics" (Princeton UP, 2026)

Fri, 27 Feb 2026 09:00:00 -0000

In the heyday of Islamic art collecting around the turn of the twentieth century, thousands of premodern ceramic objects circulated on the international antiquities market. Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics (Princeton University Press, 2026) tells the story of how traditional craft skills of the Islamic world, often thought to have died out with the advent of industrialization, were redirected toward a thriving new market in the colonial era: the fabrication and fictionalizing of antiquities, especially ceramics.
In this stunning work of art history, Dr. Margaret Graves shakes the foundations of the discipline, challenging us to reconsider what is and is not art. She traces how sophisticated fabrications—as modern as they were believed to be medieval—moved within an international network of diggers, dealers, and collectors who took advantage of a largely unregulated marketplace to exchange and amass objects that were fabulous in every sense of the word. She looks at canonical artworks as well as many previously unpublished and rarely seen objects, shedding light on the astonishingly varied ways Islamic ceramics were altered and remade by highly skilled craftspeople to meet the demands of Western collectors. Shifting away from the moralizing stance of past studies on reconstructed Islamic ceramics, Dr. Graves shows how fabrication and forgery became a major site of participation in modern global capitalism and establishes an entirely new paradigm in the history of art.
Drawing on a substantive new body of provenance research, archaeology, economic history, and laboratory analysis, Invisible Hands centers previously marginalized objects, reframing the practices of fabrication and forgery as crucial forms of invention and artistic skill worthy of study and admiration.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Itohan I. Osayimwese, "Africa's Buildings: Architecture and the Displacement of Cultural Heritage" (Princeton UP, 2025)

Tue, 03 Feb 2026 09:00:00 -0000

Between the nineteenth century and today, colonial officials, collectors, and anthropologists dismembered African buildings and dispersed their parts to museums in Europe and the United States. Most of these artifacts were cataloged as ornamental art objects, which erased their intended functions, and the removal of these objects often had catastrophic consequences for the original structures. Africa's Buildings: Architecture and the Displacement of Cultural Heritage (Princeton UP, 2025) traces the history of the collection and distribution of African architectural fragments, documenting the brutality of the colonial regimes that looted Africa’s buildings and addressing the ethical questions surrounding the display of these objects.
Dr. Itohan Osayimwese ranges across the whole of Africa, from Egypt in the north to Zimbabwe in the south, and spanning the western, central, and eastern regions of the continent. She describes how collectors employed violent means to remove elements such as columns and door panels from buildings, and how these methods differentiated architectural collecting from conventional collecting. She shows how Western collectors mischaracterized building components as ornament, erasing their architectural character and concealing the evidence of their theft. Dr. Osayimwese discusses how the very act of displacing building parts like floor tiles and woven screen walls has resulted in a loss of knowledge about their original function and argues that because of these removals, scholars have yet to fully grasp the variety and character of African architecture.
Richly illustrated, Africa’s Buildings uncovers the vast scale of cultural displacement perpetrated by the West and proposes a new role for museums in this history, one in which they champion the repatriation of Africa’s architectural heritage and restitution for African communities.

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Melissa Adler, "Peculiar Satisfaction: Thomas Jefferson and the Mastery of Subjects" (Fordham UP, 2025)

Tue, 27 Jan 2026 09:00:00 -0000

As the United States approaches the 250th anniversary of the Declaration of Independence, Peculiar Satisfaction: Thomas Jefferson and the Mastery of Subjects (Fordham UP, 2025) examines how the ideals and contradictions of the nation’s founding live on in libraries, archives, and museums. Thomas Jefferson championed an informed citizenry as essential to democracy, yet the systems he built to organize knowledge reinforced racial and ideological hierarchies that persist today.

Melissa Adler explores Jefferson’s lasting influence on public institutions, from his personal library, which became the foundation of the Library of Congress, to his archival practices in government record-keeping and his museum at Monticello as a site of colonial knowledge production. Through an interdisciplinary lens, she reveals how his methods of classification and preservation shaped national memory and democratic participation.

Drawing from archival research and critical theory, Peculiar Satisfaction exposes the paradoxes of access, exclusion, and control embedded in information systems. As censorship and disinformation threaten democracy, Adler argues that understanding these foundational structures is essential to defending the role of knowledge in public life.

Melissa Adler is Associate Professor at Western University (London, Ontario) in the Faculty of Information & Media Studies. She is the author of Cruising the Library: Perversities in the Organization of Knowledge (Fordham)

Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. She is co-author of What Primary Sources Teach: Lessons for Every Classroom (2022) and The Social Movement Archive (2021), and co-editor of Armed By Design: Posters and Publications of Cuba’s Organization of Solidarity of the Peoples of Africa, Asia, and Latin America (2025).

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Donna Stein, "The Empress and I: How an Ancient Empire Collected, Rejected and Rediscovered Modern Art" (Skira, 2020)

Mon, 26 Jan 2026 09:00:00 -0000

In the 1970s, American curator Donna Stein served as an art advisor to Empress Farah Diba Pahlavi, the Shahbanu of Iran. Together, Stein and Pahlavi generated an art market in Iran, as Stein encouraged Pahlavi’s patronage of the Tehran Museum of Contemporary Art. Today, the contemporary section of the Iranian National Collection―most of which continues to languish in storage―is considered one of the most significant collections of modern art outside of Europe and the United States.

The Empress and I: How an Ancient Empire Collected, Rejected and Rediscovered Modern Art (Skira, 2020) is a vivid account of Stein’s experience working on this storied intercultural initiative. In crafting her highly readable narrative, Stein cites a number of previously confidential documents, including private correspondence with artists and dealers. This text explores the relationship between two women united by their shared passion for the arts and the continued legacy of their partnership in today’s art world.

Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills.

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Helen Graham, "Deconstituting Museums: Participation’s Affective Work" (UCL Press, 2024)

Fri, 16 Jan 2026 09:00:00 -0000

What is the future of museums? In Deconstituting Museums: Participation’s Affective Work Helen Graham, an Associate Professor in School of Fine Art, History of Art and Cultural Studies at the University of Leeds, considers the current state of the sector and stresses the need for significant change. Drawing on both professional reflections and academic analysis, the book introduces the concept of the museum constitution as a key site for struggle within the institution. It shows the challenge of making participation meaningful, and the scale of transformation needed to reframe museums’ central ideas and activities. Essential reading for both academics and museum professionals, as well as audiences, the book is available open access here

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Abigail Bainbridge, "Conservation of Books" (Routledge, 2023)

Sun, 28 Dec 2025 09:00:00 -0000

Editor Abigail Bainbridge and contributing author Sonja Schwoll join this discussion of Conservation of Books (Routledge 2023), the highly anticipated reference work on global book structures and their conservation.

Offering the first modern, comprehensive overview on this subject, this volume takes an international approach. Written by over 70 specialists in conservation and conservation science based in 19 countries, its 26 chapters cover traditional book structures from around the world, the materials from which they are made and how they degrade, and how to preserve and conserve them. It also examines the theoretical underpinnings of conservation: what and how to treat, and the ethical, cultural, and economic implications of treatment. Technical drawings and photographs illustrate the structures and treatments examined throughout the book. Ultimately, readers gain an in-depth understanding of the materiality of books in numerous global contexts and reflect on the practical considerations involved in their analysis and treatment.

Our conversations in this episode discuss how this book is a key reference text for the field, how it fuels important conversations about decision-making and ethics, and what approaches it encourages to learning the practicalities of book conservation.

Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

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Riley Linebaugh, "Curating the Colonial Past: The 'Migrated Archives' and the Struggle for Kenya's History" (Cambridge UP, 2025)

Tue, 23 Dec 2025 09:00:00 -0000

In the early 1960s, British colonial administrations in East Africa organized the systematic destruction and removal of secret documents from colonies approaching independence. The Colonial Office in London arranged the deposit of these documents in high security facilities, where they remained inaccessible until 2011 following a compensation suit by Kenyan survivors of British colonial rule against the Foreign and Commonwealth Office.

Curating the Colonial Past: The ‘Migrated Archives' and the Struggle for Kenya's History (Cambridge University Press, 2025) presents the first full length exploration of these 'migrated archives', chronicling the struggle between British attempts to conceal and Kenyan efforts to reveal evidence of the colonial past. Neither displayed nor destroyed, Dr. Riley Linebaugh explores how these records formed an archival limbo in which the British government delayed moral and legal judgement of empire. Yet, these practices did not go unchallenged. Dr. Linebaugh demonstrates how disputes over the 'migrated archives' facilitated the continuation of anticolonial sovereignty struggles beyond independence, struggles which persist into the present.

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Suzette van Haaren, "The Digital Medieval Manuscript: Material Approaches to Digital Codicology" (Brill, 2025)

Mon, 22 Dec 2025 09:00:00 -0000

We increasingly encounter medieval books as digital facsimiles—zooming in on high-resolution images, clicking through virtual pages, or engaging with interactive displays. But what actually happens when a parchment manuscript is translated into a digital object? How does this change affect our understanding of cultural heritage?

In The Digital Medieval Manuscript: Material Approaches to Digital Codicology (Brill, 2025), Suzette van Haaren explores the digital medieval manuscript as a unique cultural artifact, not just a copy of its physical counterpart. Through three case studies, van Haaren reveals how digital manuscripts function in libraries, museums, and scholarship today. Blending manuscript studies with digital humanities, this book offers a fresh materialist approach to the discourse surrounding the digitisation of cultural heritage and provides a nuanced view of how it shapes the way we perceive, handle, and preserve medieval manuscripts in an increasingly digital world.

This episode makes reference to other scholars in the field of digital codicology, several of whom have spoken about this work on New Books Network. Listen to Bridget Whearty speak about Digital Codicology: Medieval Books and Modern Labor; Michelle R. Warren speak about Holy Digital Grail: A Medieval Book on the Internet; and Astrid J. Smith speak about Transmediation and the Archive: Decoding Objects in the Digital Age. Van Haaren also mentions the work of composer Mark Dyer, specifically the Scribe project.

Digitised manuscripts discussed in this interview include the Bury Bible, Der naturen bloeme, and the prayer book of Mary of Guelders. Images from Der naturen bloeme are also available on Wikimedia Commons.

Suzette van Haaren is a postdoc in the CRC Virtuelle Lebenswelten at the Ruhr-Universität Bochum. Her research reflects on the impact of the increasing digitisation (and virtualisation) of historical heritage. She is interested in the Middle Ages in contemporary media contexts.

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Hilary Davidson, "A Guide to Regency Dress: from Corsets and Breeches to Bonnets and Muslins" (Yale UP, 2025)

Mon, 22 Dec 2025 09:00:00 -0000

In A Guide to Regency Dress: from Corsets and Breeches to Bonnets and Muslins (Yale UP 2025), celebrated dress historian Dr. Hilary Davidson brings together nearly 20 years of research on Regency fashion in an illustrated guide for the first time. All the elements of the Regency wardrobe of both men and women—from coats, gowns and undergarments to shoes, accessories, beauty, hair and jewellery—are assembled, along with their textiles and trimmings.

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Jenny Linford, "Repast: The Story of Food" (Thames & Hudson, 2025)

Wed, 26 Nov 2025 09:00:00 -0000

Our insatiable appetite for creativity in the kitchen – or around the open fire – is reflected in the fascinating array of objects explored in this book. Authored by food writer Jenny Linford in consultation with curators from the British Museum, Repast: The Story of Food (Thames & Hudson in partnership with the British Museum, 2025) focuses on artefacts in the museum’s collections – from ancient clay cooking vessels to exquisite gold goblets – spanning Africa, Asia, Europe, North America, South America and Australasia, from prehistory to the present day.

Arranged into thirteen broad themes such as Hunting, Alcohol, Religion, Feasting and Eating Out, with lavish plates accompanying absorbing essays on subjects including tea (the world’s most consumed drink after water), pork (the world’s most widely consumed meat), and wheat (the source of 20% of the world’s human calorie consumption), Repast conveys the extraordinary global story of food, drink and the culinary arts.

This clearly structured, beautifully illustrated book will engage and delight the growing audience interested in the history of food and drink.

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Marek Kohn, "The Stories Old Towns Tell: A Journey Through Cities at the Heart of Europe" (Yale UP, 2023)

Mon, 24 Nov 2025 09:00:00 -0000

Historic quarters in cities and towns across the middle of Europe were devastated during the Second World War—some, like those of Warsaw and Frankfurt, had to be rebuilt almost completely. They are now centers of peace and civility that attract millions of tourists, but the stories they tell about places, peoples, and nations are selective. They are never the whole story.

These old towns and their turbulent histories have been key sites in Europe’s ongoing theater of politics and war. Exploring seven old towns, from Frankfurt and Prague to Vilnius in Lithuania, the acclaimed writer Marek Kohn examines how they have been used since the Second World War to conceal political tensions and reinforce certain versions of history.

Uncovering hidden stories behind these old and old-seeming façades in The Stories Old Towns Tell: A Journey through Cities at the Heart of Europe (Yale University Press, 2023), Dr. Kohn offers us a new understanding of the politics of European history-making—showing how our visits to old towns could promote belonging over exclusion, and empathy over indifference.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Gracen Brilmyer and Lydia Tang eds., "Preserving Disability: Disability and the Archival Profession" (Library Juice Press, 2024)

Sat, 22 Nov 2025 09:00:00 -0000

A transcript of this interview is available [here]

Preserving Disability: Disability and the Archival Profession (Library Juice Press, 2024) weaves together first-person narratives and case studies contributed from disabled archivists and disabled archives users, bringing critical perspectives and approaches to the archival profession. Contributed chapters span topics such as accessibility of archives and first-person experiences researching disability collections for disabled archives users; disclosure and accommodations and self-advocacy of disabled archivists; and processing and stewarding disability-related collections. Collectively, these works address the nuances of both disability and archives-critically drawing attention to the histories, present experiences, and future possibilities of the archival profession.

Dr. Gracen Brilmyer is an Assistant Professor in the School of Information Studies at McGill University and the Director of the Disability Archives Lab. Their research lies at the intersection of feminist disability studies, archival studies, and the history of science, where they investigate the erasure of disabled people in archives primarily within the history of natural history museums and colonial histories. This historical-archival research is complemented by empirical research on how living disabled people use and experience archives today. Their work has been featured in publications such as The Journal of Feminist Scholarship, Archival Science, and First Monday. Their research is shaped by their experiences as a white, Disabled, non-binary person. For more: here

Dr. Lydia Tang is an Outreach and Engagement Coordinator for LYRASIS. Previously, she held archivist positions at Michigan State University, the Library of Congress, and numerous graduate positions at the University of Illinois, where she received her MLIS and Doctor of Musical Arts degree. Passionate about accessibility and disability representation in archives, she served on the Task Force to Revise the Best Practices on Accessible Archives for People with Disabilities and spearheaded founding the Society of American Archivists’ (SAA) Accessibility & Disability Section (ADS). She is the 2020 recipient of SAA’s Mark A. Greene Emerging Leader Awardand was recognized in three SAA Council resolutions as a co-founder of the Archival Workers Emergency Fund, for spearheading the Accessibility & Disability Section’s“Archivists at Home” document, and for the “Guidelines for Accessible Archives for People with Disabilities.” In addition to her professional service with SAA, she has contributed to accessibility initiatives within DLF Digital Accessibility Working Group and the ArchivesSpace open source software and community by leading the Staff Interface Enhancement Working Group, Development Prioritization subteam, founding the Usability subteam, and chairing the Users Advisory Council.

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Thomas Kador, "Object-Based Learning: Exploring Museums and Collections in Education" (UCL Press, 2025)

Wed, 12 Nov 2025 09:00:00 -0000

In Object-Based Learning: Exploring Museums and Collections in Education (UCL Press, 2025), Thomas Kador provides a concise overview of some of the most important approaches to material culture and object analysis in plain and easily understandable language that is equally accessible to undergraduate and postgraduate students as well as lecturers. Click here for an open access version of this book.

This book is organised in a clear and easy-to-follow way, each chapter is filled with practical case studies, exercises and several diagrams to illustrate important arguments and approaches. The succinct and practically focused discussion of the main issues relating to exhibiting objects and curatorial practice, brings together diverse but complementary topics such as the history of collecting, understanding audiences, accessibility, digital media, technologies and ethics. Each chapter includes learning objectives, questions and exercise boxes, case studies and further readings and resources.

This conversation references Bridget Whearty's New Books Network interview about Digital Codicology; click here to listen. Thomas Kador also mentions the website Closer to Van Eyck, available here.

Thomas Kador is Associate Professor in Creative Health at UCL Arts & Sciences, where he leads the Masters (MASc) in Creative Health programme. Prior to this, he was Teaching Fellow in Public and Cultural Engagement with UCL's Museums and Collections, with a particular focus on Object-based Learning (OBL), working across the UCL collections. With a background spanning chemical engineering and cultural heritage (archaeology and museums), Thomas is particularly interested in the relationship between culture, nature and health. He has published widely on object-based learning, student wellbeing and experiential learning spaces, has been instrumental in delivering UCL's Object-based Learning Laboratory and in developing the world's first MASc in Creative Health postgraduate taught programme.

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Sarah Griswold, "Resurrecting the Past: France's Forgotten Heritage Mandate" (Cornell UP, 2025)

Mon, 03 Nov 2025 09:00:00 -0000

In Resurrecting the Past: France's Forgotten Heritage Mandate (Cornell UP, 2025), Dr. Sarah Griswold shows how the Levant became a crucial front in a post-1918 fight over the French past—a contingent and contradictory but always hard-charging struggle over a forgotten "heritage mandate." Many scholars, clergy, pundits, politicians, and investors perceived the moment Allied forces entered Jerusalem in December 1917 to be a once-in-a-lifetime opportunity to expand French influence, evoking the vision of a new colony in the territory: a French Levant. But what transpired for the French state in the Levant after World War I, and why does that ill-conceived venture still matter today?

Resurrecting the Past investigates how heritage politics led to a new form of empire—a French mandate for Syria and Lebanon—and with it a tide of regional and international critique. Against such opposition, the heritage mandate leaned heavily on spectacle and science, generating a sprawling set of sites and objects—Ottoman mansions, crusader castles, Umayyad mosques, Roman arches, buried synagogues, and Sumerian ziggurats.

As Dr. Griswold traces how French heritage efforts cycled through multiple ideal pasts in the Levant from 1918 to 1946, she reveals how each one, though grounded in realities, also complicated those constructs and the work of French heritage-makers. Resurrecting the Past offers a parable of how efforts in heritage politics aimed to construct a union of ideologies and objects deemed the best past for France's uncertain future but struggled as much as they succeeded. Eventually those same heritage politics ironically helped officials justify the end of the "French Levant."

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Justine De Young, "The Art of Parisian Chic: Modern Women and Modern Artists in Impressionist Paris" (Bloomsbury, 2025)

Mon, 06 Oct 2025 08:00:00 -0000

Using artworks by Berthe Morisot, Édouard Manet, Claude Monet, Pierre-Auguste Renoir, and others, The Art of Parisian Chic: Modern Women and Modern Artists in Impressionist Paris (Bloomsbury, 2025) by Dr. Justine De Young explores how women and artists in Impressionist Paris (1855-1885) crafted their public images to exploit and resist stereotypes.
French societal expectations and beauty ideals shaped how women were seen and how they chose to present themselves in public – whether on the street, in a photograph, or in a portrait on the walls of the annual Paris Salon. On Paris's broad new boulevards and in its public parks and theaters, women dressed to impress anonymous strangers as well as their friends. They even circulated aspirational photographs of themselves. Looking at a rich array of visual sources – from portraits to modern-life paintings, and from photographs to fashion plates – Dr. De Young reveals how women were seen, how they aspired to be seen, and how they navigated public life in Second Empire and Belle Époque Paris.
This book considers how fashionable feminine “types” made famous in books, caricatures, and paintings created a visual lexicon and stylistic guide for women. Men and women alike relied on these types – cocotte (mistress), jeune veuve (young widow), amazone (independent equestrienne), demoiselle de magasin (shopgirl), and Parisienne (chic Parisian woman) – to judge the class, character, morality, and worth of strangers. With a rich set of illustrations from the Impressionist canon and beyond, The Art of Parisian Chic shows how modern women used fashion and these stereotypes to construct and reinvent their identities.

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Caroline McCaffrey-Howarth, "Lady Charlotte Schreiber, Extraordinary Art Collector" (Lund Humphries, 2025)

Sat, 27 Sep 2025 08:00:00 -0000

Lady Charlotte Schreiber, Extraordinary Art Collector (Lund Humphries, 2025) emphasises Lady Charlotte Schreiber (1812-1895) — also known as Lady Charlotte Guest, née Bertie — as one of the most significant women in the history of collecting. An extraordinary collector, historian and philanthropist, Charlotte subverted gendered norms and challenged Victorian conventions. This new study establishes Charlotte’s contribution to ceramic history and cultural education, and demonstrates her influential role in transnational artistic networks.

Charting Charlotte’s eventful life, Dr. Caroline McCaffrey-Howarth focuses on her identity as a renowned connoisseur, whose donation of thousands of objects to the Victoria & Albert Museum and the British Museum marked a pioneering move for a female benefactor. Lady Charlotte Schreiber, Extraordinary Art Collector presents unique insight into the social and cultural world of Victorian England and the role of women within this.

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Irvin Weathersby Jr., "In Open Contempt: Confronting White Supremacy in Art and Public Space" (Viking, 2025)

Fri, 08 Aug 2025 08:00:00 -0000

Amid the ongoing reckoning over America’s history of anti-Black racism, scores of monuments to slaveowners and Confederate soldiers still proudly dot the country’s landscape, while schools and street signs continue to bear the names of segregationists. With poignant, lyrical prose, cultural commentator Irvin Weathersby confronts the inescapable specter of white supremacy in our open spaces and contemplates what it means to bear witness to sites of lasting racial trauma.
Professor Weathersby takes us from the streets of his childhood in New Orleans’s Lower Ninth Ward to the Whitney Plantation; from the graffitied pedestals of Confederate statues lining Monument Avenue in Richmond, Virginia, to the location of a racist terror attack in Charlottesville; from the site of the Wounded Knee massacre in South Dakota to a Kara Walker art installation at a former sugar factory in Brooklyn, New York. Along the way, he challenges the creation myths embedded in America’s landmarks and meets artists, curators, and city planners doing the same. Urgent and unflinchingly intimate, In Open Contempt (Viking, 2025) offers a hopeful reimagining of the spaces we share in order to honor our nation’s true history, encouraging us to make room for love as a way to heal and treat each other more humanely.

Find Professor Weathersby at his website, where you can order In Open Contempt, check out his other writings, and attend upcoming events.

Host Sullivan Summer can be found at her website, on Instagram, and on Substack, where she and Professor Weathersby continue their conversation.

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Nezar AlSayyad and Heba Safey Eldeen, "Cinematic Cairo: Egyptian Urban Modernity from Reel to Real" (American U in Cairo Press, 2022)

Thu, 07 Aug 2025 08:00:00 -0000

The relationship between the city and cinema is formidable. The images and sounds of the city found in movies are perhaps the only experience that many people will have of cities they may never visit. Films influence the way we construct images of the world, and accordingly, in many instances, how we operate within it. Cinematic Cairo: Egyptian Urban Modernity from Reel to Real offers a history of Cairo’s urban modernity using film as the primary source of exploration, and cinematic space as both an analytical tool and a medium of critique. Cairo has provided rich subject material for Egypt’s film industry since the inception of the art form at the end of the nineteenth century. The “reel” city—imagined, perceived, and experienced—provides the spatial domain that mirrors change and allows for an interrogation of the “real” city as it encountered modernity over the course of a century.
Bringing together chapters by architects and art and literary historians, this volume explores this parallel and convergent relationship through two sections. The first uses films from the 1930s to the end of the twentieth century to illustrate the development of a modern Cairo and its modern subjects. The second section is focused on tracing the transformation of the cinematic city under conditions of neoliberalism, religious fundamentalism, and gender tensions. The result is a comprehensive narrative of the urban modernity of one of the most important cities in the Arab world and Global South.

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Jessica Ratcliff, "Monopolizing Knowledge: The East India Company and Britain's Second Scientific Revolution" (Cambridge UP, 2025))

Mon, 28 Jul 2025 08:00:00 -0000

In the book Monopolizing Knowledge: The East India Company and Britain’s Second Scientific Revolution (Cambridge UP, 2025), author Jessica Ratcliff traces the changing practices of knowledge accumulation and management at the British East India Company, focusing on the Company’s library, museum, and colleges in Britain. Although these institutions were in Britain, they were funded by taxes from British India and they housed, so it was argued, the “national” collections of British India. The book examines how these institutions emerged from the Company’s unique form of monopoly-based colonial capitalism. It then argues that this “Company science” would go on to shape and eventually become absorbed into Britain’s public (i.e. state-funded) science in the later nineteenth century.

Soumyadeep Guha is a PhD candidate in the History Department at the State University of New York, Binghamton, with research interests in Agrarian History, the History of Science and Technology, and Global History, focusing on 19th and 20th century India. His MA dissertation, War, Science and Survival Technologies: The Politics of Nutrition and Agriculture in Late Colonial India, explored how wartime imperatives shaped scientific and agricultural policy during the Second World War in India. Currently, his working on his PhD dissertation on the histories of rice and its production between colonial and early post-colonial Bengal, examining the entangled trajectories of agrarian change, scientific knowledge, and state-making.

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Jake Kaner and Clive Edwards, "Conservation of Twentieth-Century Furniture" (Routledge, 2024)

Fri, 18 Jul 2025 08:00:00 -0000

Conservation of Twentieth-Century Furniture (Routledge, 2024) provides comprehensive and accessible coverage of the materials and techniques that are encountered in furniture of this century.

After putting the design, manufacture and conservation of twentieth-century furniture into context, the volume then offers an A-Z of materials organised into 12 chapters. Within each chapter a wide variety of material types are discussed, observed, analysed and contextualised, and a list of further sources is provided. The furniture discussed in this book ranges from designer craftsman, individually made pieces, to factory-produced batch items, and includes cabinet work, decoration, surface finishes and upholstery, observing the traditional repertoire of materials, as well as innovative materials and processes introduced over the course of this century. Following the material chapters, the book also includes brief case studies that illustrate some examples of twentieth-century furniture conservation, with a focus on metal, plastic and wood.

Conservation of Twentieth-Century Furniture is the primary resource for those working on the manufacture, history and care of furniture of this period, including conservators, curators, dealers and collectors.

Lauren Fonto is a Master's student in the program Heritage and Cultural Sciences: Heritage Conservation at the University of Pretoria, South Africa. She is currently a heritage conservation intern.

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Kirstie Macleod, "The Red Dress: Conversations in Stitch" (Quickthorn, 2025)

Wed, 09 Jul 2025 08:00:00 -0000

The Red Dress: Conversations in Stitch (Quickthorn, 2025), shares the deeper story of The Red Dress, its embroiderers and Kirstie Macleod's own story whilst opening up the wider issues the garment prompts for its audiences through thematic essays by individuals involved in the greater project on subjects such as empowerment, finding voice, feminism, community and healing trauma.

This project offered a platform for people, mostly women, who are vulnerable and live in poverty to share their stories through embroidery. The completed Red Dress traveled for 14.5 years and was embroidered by 367 women/girls, 7 men/boys, and 2 non-binary artists from 51 countries. All 141 commissioned artisans were paid for their work and received annual donations from exhibition fees and merchandise profit. Additional small embroideries were added by participants and audiences at various events.

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Alexandria Russell, "Black Women Legacies: Public History Sites Seen and Unseen" (University of Illinois Press, 2024)

Wed, 11 Jun 2025 08:00:00 -0000

From Black clubwomen to members of preservation organizations, African American women have made commemoration a central part of Black life and culture. Alexandria Russell illuminates the process of memorialization while placing African American women at the center of memorials they brought into being and others constructed in their honor. Their often undocumented and unheralded work reveals the importance of the memorializers and public memory crafters in establishing a culture of recognition. Forced to strategize with limited resources, the women operated with a resourcefulness and savvy that had to meet challenges raised by racism, gender and class discrimination, and specific regional difficulties. Yet their efforts from the 1890s to the 2020s shaped and honed practices that became indispensable to the everyday life and culture of Black Americans.

Intersectional and original, Black Women Legacies: Public History Sites Seen and Unseen (Illinois University Press, 2024) explores the memorialization of African American women and its distinctive impact on physical and cultural landscapes throughout the United States.

Dr. Alexandria Russell is the Executive Director of the Boston Women’s Heritage Trail and a WEB Du Bois Research Institute Non-Residential Fellow at Harvard’s Hutchins Center for African & African American Research.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Russell continue their conversation.

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Jack Ashby, "Nature's Memory: Behind the Scenes at the World’s Natural History Museums" (Penguin, 2025)

Sat, 31 May 2025 04:00:00 -0000

In Nature's Memory: Behind the Scenes at the World’s Natural History Museums (Penguin, 2025), zoologist Jack Ashby shares hidden stories behind the world’s iconic natural history museums, from enormous mounted whale skeletons to cabinets of impossibly tiny insects.

Look closely and all is not as it seems: these museums are not as natural, Ashby shows us, as we might think. Mammals dominate the displays, for example, even though they make up less than 1 percent of species; there are many more male specimens than females; and often a museum’s most popular draw – the dinosaur skeletons – are not actually real. Over 99 percent of museum collections are held in immense, unseen storehouses. And it’s becoming clear that these institutions have not been as honest about their complex histories as they should be. Yet natural history museums are also the only museums that can save the world – it is just starting to be understood that their vast collections are indispensable resources in the fight against biodiversity loss and climate catastrophe.

Weaving together fresh historical research with surprising insights, Nature's Memory is a love letter to the joys, eccentricities and planet-saving potential of the world's best-loved museums.

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Terry Baxter and Libby Coyner-Tsosie, "Stories on Skin: A Librarian's Guide to Tattoos as Personal Archives" (Bloomsbury, 2025)

Sun, 27 Apr 2025 08:00:00 -0000

Tattoos are not merely decorative; they contain deep meaning for individuals and communities. They document their wearers' personal histories and position in families or society, and they engage with a communal understanding of symbols.
Stories on Skin: A Librarian's Guide to Tattoos as Personal Archives (Bloomsbury, 2025) by Terry Baxter & Libby Coyner-Tsosie makes the case that archivists who want to preserve as full a human story as possible must recognize the rich documentation provided by tattoos. It also argues, in a broader sense, that traditional archives are not representative of the ways human beings transmit information through time and that they must be augmented by other types of storytelling to provide a more complete record of our species.
Baxter and Coyner-Tsosie touch on timely topics such as historical narratives, storytelling, cultural traditions, the body as a text, social control, and memorialization by considering tattoos as a personal and community archive. Discussing tattoos as a storytelling tool, the authors also challenge how history is kept and who gets included. Stories on Skin is committed to the rights of communities to tell their stories in their own way and to the power that right brings.

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Farouk Yahya, "Magic and Divination in Malay Illustrated Manuscripts" (Brill, 2015)

Sat, 19 Apr 2025 08:00:00 -0000

Magic and Divination in Malay Illustrated Manuscripts (Brill, 2015) offers an integrated study of the texts and images of illustrated Malay manuscripts on magic and divination from private and public collections in Malaysia, the UK and Indonesia. Containing some of the rare examples of Malay painting, these manuscripts provide direct evidence for the intercultural connections between the Malay region, other parts of Southeast Asia and the rest of the world. In this richly illustrated volume many images and texts are gathered for the first time, making this book essential reading for all those interested in the practice of magic and divination, and the history of Malay, Southeast Asian and Islamic manuscript art.

Lauren Fonto is a Master's student in the program Heritage and Cultural Sciences: Heritage Conservation at the University of Pretoria, South Africa. She is currently a heritage conservation intern.

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Stolen Fragments: Black Markets, Bad Faith, and the Illicit Trade in Ancient Artefacts

Thu, 17 Apr 2025 08:00:00 -0000

In 2012, Steve Green, billionaire and president of the Hobby Lobby chain of craft stores, announced a recent purchase of a Biblical artefact—a fragment of papyrus, just discovered, carrying lines from Paul's letter to the Romans, and dated to the second century CE. Noted scholar Roberta Mazza was stunned. When was this piece discovered, and how could Green acquire such a rare item? The answers, which Mazza spent the next ten years uncovering, came as a shock: the fragment had come from a famous collection held at Oxford University, and its rightful owners had no idea it had been sold. The letter to the Romans was not the only extraordinary piece in the Green collection. They soon announced newly recovered fragments from the Gospels and writings of Sappho. Dr. Mazza's quest to confirm the provenance of these priceless fragments revealed shadowy global networks that make big business of ancient manuscripts, from the Greens' Museum of the Bible and world-famous auction houses like Sotheby's and Christie's, to antique shops in Jerusalem and Istanbul, dealers on eBay, and into the collections of renowned museums and universities.

Dr. Mazza's investigation informs her book, Stolen Fragments: Black Markets, Bad Faith, and the Illicit Trade in Ancient Artefacts (Redwood Press, 2024), and forces us to ask what happens when the supposed custodians of our ancient heritage act in ways that threaten to destroy it. Stolen Fragments illuminates how these recent dealings are not isolated events, but the inevitable result of longstanding colonial practices and the outcome of generations of scholars who have profited from extracting the cultural heritage of places they claim they wish to preserve. Where is the boundary between protection and exploitation, between scholarship and larceny?

Our guest is: Dr. Roberta Mazza, who is Associate Professor of Papyrology at the University of Bologna. She previously held positions at the University of Manchester, where she was honorary curator of the Manchester Museum, and at the University of California, Berkeley.

Our host is: Dr. Christina Gessler, who works as a developmental editor for scholars, and is the producer of the Academic Life podcast.

Playlist for listeners:

Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us to learn from experts inside and outside the academy, and around the world. Missed any of the 250+ Academic Life episodes? Find them here. And thank you for listening!

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Insects as a Natural and Cultural Resource across Southeast Asia

Tue, 15 Apr 2025 08:00:00 -0000

Every year, World Wildlife Conservation Day is observed on 4 December. It reminds us of the importance of protecting our biodiversity, a message that is all the more urgent in the face of polycrises intensifying across the globe. At the foundational level of our ecosystems lie insects, which provide invaluable services to maintain healthy environments and populations of other species that depend on them. Insects also inspire human cultures and are useful in myriad ways within the arts, fashion, science, tourism and folklore.

This episode’s guest is Matt Huan, Collections Officer at the Chau Chak Wing Museum, University of Sydney. Matt mainly works on the museum’s entomology collection which was founded by Alexander Macleay in the mid-late 18th century, making them some of the oldest insect specimens in the world. His work experience, and travel across Australia, Malaysia (his country of origin) and other Southeast Asian nations, have cultivated a deep appreciation for the natural world.

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Rebecca Zorach, "Temporary Monuments: Art, Land, and America's Racial Enterprise" (U Chicago Press, 2024)

Tue, 08 Apr 2025 08:00:00 -0000

Art has long played a key role in constructing how people understand and imagine America. Starting with contemporary controversies over public monuments in the United States, in Temporary Monuments: Art, Land, and America’s Racial Enterprise (University of Chicago Press, 2024), Dr. Rebecca Zorach carefully examines the place of art in the occupation of land and the upholding of White power in the US, arguing that it has been central to the design of America’s racial enterprise. Confronting closely held assumptions of art history, Zorach looks to the intersections of art, nature, race, and place, working through a series of symbolic spaces—the museum, the wild, islands, gardens, home, and walls and borders—to open and extend conversations on the political implications of art and design.

Against the backdrop of central moments in American art, from the founding of early museums to the ascendancy of abstract expressionism, Dr. Zorach shows how contemporary artists—including Dawoud Bey, Theaster Gates, Maria Gaspar, Kerry James Marshall, Alan Michelson, Dylan Miner, Postcommodity, Cauleen Smith, and Amanda Williams—have mined the relationship between environment and social justice, creating works that investigate and interrupt White supremacist, carceral, and environmentally toxic worlds. The book also draws on poetry, creative nonfiction, hip-hop videos, and Disney films to illuminate crucial topics in art history, from the racial politics of abstraction to the origins of museums and the formation of canons.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.

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Anne Greenwood Mackinney, "Nature on Paper: Documenting Science in Prussia, 1770-1850" (U Pittsburgh Press, 2024)

Sat, 15 Mar 2025 08:00:00 -0000

Over the past two decades, natural things—especially those collected, exchanged, studied, and displayed in museums, such as animals, plants, minerals, and rocks—have emerged as fascinating protagonists for historical research. Nature on Paper: Documenting Science in Prussia, 1770-1850 (U Pittsburgh Press, 2024) follows a different, humbler set of objects that make it possible to trace the global routes and shifting meanings of those natural things: the catalogs, inventories, and other paper tools of information management that form the backbone of collection institutions.

Anne Greenwood MacKinney focuses on Prussia from the late eighteenth to mid-nineteenth century, a place and time that witnessed the dramatic restructuring of research, government, and public collections toward a closer integration of science, state, and a proto-civil society. The documents at the heart of her study are mediators actively shaping the historical trajectories, values, and meanings of the objects they record, and with pasts and paths of their own. MacKinney also reveals how various stakeholders—in the research community, museum sector, government, and general public—can interact with these documents and thereby shape the world of natural science. By centering the history of natural historical collection paperwork and the agents involved in its production, circulation, and safekeeping, Nature on Paper tells a largely neglected story of a form of scientific labor that transformed the infrastructure of modern research at the turn of the nineteenth century.

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Harriet Atkinson, "Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53" (Manchester UP, 2024)

Wed, 12 Mar 2025 08:00:00 -0000

How did exhibitions become a vital tool for public communication in early twentieth century Britain? Showing resistance reveals how exhibitions were taken up by activists and politicians from 1933 to 1953, becoming manifestos, weapons of war and a means of signalling political solidarities.

Drawing on dozens of examples mounted in empty shops, workers’ canteens, station ticket halls and beyond, this richly illustrated book shows how this overlooked form was created by significant makers including artists Paul Nash, John Heartfield and Oskar Kokoschka, architect Erno Goldfinger and photographer Edith Tudor-Hart.

Showing Resistance: Propaganda and Modernist Exhibitions in Britain, 1933-53 (Manchester UP, 2024) is the first study of exhibitions as communications in mid-twentieth century Britain

Harriet Atkinson is AHRC Leadership Fellow and Senior Lecturer in History of Art and Design at University of Brighton

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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Lea David, "A Victim's Shoe, a Broken Watch, and Marbles: Desire Objects and Human Rights"(Columbia UP, 2025)

Tue, 11 Mar 2025 08:00:00 -0000

Everyday items found at the sites of atrocities possess a striking emotional force. Victims’ garments, broken glasses, wallets, shoes, and other such personal property that are recovered from places of death including concentration camps, mass graves, and prisons have become staples of memorial museums, exhibited to the public as material testimony in order to evoke sympathy and promote human rights. How do these objects take on such power, and what are the benefits and pitfalls of deploying them for political purposes?

A Victim's Shoe, a Broken Watch, and Marbles: Desire Objects and Human Rights (Columbia University Press, 2025) by Dr. Lea David examines how artifacts of atrocities circulate and, in so doing, sheds new light on the institutions and social processes that shape collective memory of human rights abuses. Dr. Lea David traces the journeys of what she terms “desire objects”: their rediscovery at the locations of mass atrocities, their use in forensic and legal procedures, their return to the homes of grieving families, their appearance in public spaces such as museums and exhibitions, and their role in political protests. She critically investigates the logic that shapes why and how desire objects gain symbolic power and political significance, showing when and under what circumstances they are used to promote particular worldviews and narratives. Featuring both novel theoretical methods and keen empirical analysis, this book offers important insights into the shortcomings of common assumptions about human rights.

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Alexandra F. Morris, "Disability in Ptolemaic Egypt and the Hellenistic World: Plato’s Stepchildren" (Routledge, 2024)

Sun, 09 Mar 2025 08:00:00 -0000

Through a thoughtful investigation, Disability in Ptolemaic Egypt and the Hellenistic World: Plato’s Stepchildren (Routledge, 2024) reveals often-overlooked narratives of disability within Ptolemaic Egypt and the larger Hellenistic world (332 BCE to 30 BCE). Chapters explore evidence of physical and intellectual disability, ranging from named individuals; representations of people and mythological figures with dwarfism, blindness and vision impairments; cerebral palsy; mobility impairments; spinal disability; and medicine, healing, and prosthetics. Morris examines the historiographical ways in which disability has been approached, and how ancient disability histories are (mis)represented in various contemporary spaces. It uses terminology informed by the disability community and offers guidance for disability inclusivity in curatorial and pedagogical museum and university contexts, as well as prioritizing disability as an essential area of research in ancient world studies and assisting readers with the identification of ancient disability artefacts.

The first-book length treatment of the subject, Disability in Ptolemaic Egypt and the Hellenistic World provides a much-needed resource for students and scholars of ancient Egypt, Egyptology, Classics, Classical Studies, and disability in the ancient world. It is also suitable for researchers in Disability Studies, practitioners in broader Ancient World Studies, and museum and heritage professionals. It is accessible to disabled people curious about their own history, as well as nondisabled people interested in disability history and those interested in a more accurate view of ancient Egyptian history.

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Simona Valeriani, "The Royal Albert Hall: Building the Arts and Sciences" (Brepols, 2024)

Wed, 05 Mar 2025 09:00:00 -0000

The Royal Albert Hall: Building the Arts and Sciences (Brepols, 2024) by Dr. Simona Valeriani takes one of London’s most iconic buildings and deconstructs it to offer new insights into the society that produced it. As part of the new cultural quarter built in South Kensington on the proceeds from The Great Exhibition of 1851, the Royal Albert Hall was originally intended to be a ‘Central Hall of Arts and Sciences’. Prince Albert’s overarching vision was to promote technological and industrial progress to a wider audience, and in so doing increase its cultural and economic reach.

Lighting, ventilation, fireproofing, ‘ascending rooms’, cements, acoustics, the organ, the record-breaking iron dome, and the organisation of internal spaces were all attempts to attain progress - and subject to intense public scrutiny. From iron structures to terracotta, from the education of women to the abolition of slavery, in the making of the Royal Albert Hall scientific knowledge and socio-cultural reform were intertwined.

This book shows, for the first time, how the Royal Albert Hall’s building was itself a crucible for innovation. Illustrious techniques from antiquity were reimagined for the new mechanical age, placing the building at the heart of a process of collecting, describing, and systematising arts and practices. At the same time, the Royal Albert Hall was conceived as a ‘manifesto’ of what the Victorians thought Britain ought to be, at a crucial moment of its socio-economic history: a symbolic cultural hub for the Empire’s metropole.

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Kara Cooney, "Recycling for Death: Coffin Reuse in Ancient Egypt and the Theban Royal Caches" (American U in Cairo Press, 2024)

Sun, 23 Feb 2025 09:00:00 -0000

Today I talked to Kara Cooney about Recycling for Death: Coffin Reuse in Ancient Egypt and the Theban Royal Caches (American U in Cairo Press, 2024). The book is a meticulous study of the social, economic, and religious significance of coffin reuse and development during the Ramesside and early Third Intermediate periods, illustrated with over 900 images.

Funerary datasets are the chief source of social history in Egyptology, and the numerous tombs, coffins, Books of the Dead, and mummies of the Twentieth and Twenty-first Dynasties have not been fully utilized as social documents, mostly because the data of this time period is scattered and difficult to synthesize. This culmination of fifteen years of coffin study analyzes coffins and other funerary equipment of elites from the Nineteenth to the Twenty-second Dynasties to provide essential windows into social strategies and adaptations employed during the Bronze Age collapse and subsequent Iron Age reconsolidation.

Many Twentieth to Twenty-second Dynasty coffins show evidence of reuse from other, older coffins, as well as obvious marks where gilding or inlay have been removed. Innovative vignettes painted onto coffin surfaces reflect new religious strategies and coping mechanisms within this time of crisis, while advances in mummification techniques reveal an Egyptian anxiety about long-term burial without coffins as a new style of stuffed and painted mummy was developed for the wealthy. It was in the context of necropolis insecurity, economic crisis, and group burial in reused and unpainted chambers that a complex, polychrome coffin style emerged.

The first part of this book focuses on the theory and evidence of coffin reuse, contextualized within the social collapse that characterized the Twentieth and Twenty-first Dynasties. The second part presents photo essays of annotated visual data for over sixty Egyptian coffins from the so-called Royal Caches, most of them from the Egyptian Museum in Cairo.

Illustrated throughout with high-quality images, the line drawings and color and black-and-white photographs are ideal for careful study, especially evidenced in the digital edition, where pages can be enlarged for close examination.

Kara Cooney is a professor of Egyptology and chair of the Department of Near Eastern Languages and Cultures at UCLA. Specializing in social history, gender studies, and economies in the ancient world, she received her PhD in Egyptology from Johns Hopkins University. In 2005, she was co-curator of Tutankhamun and the Golden Age of the Pharaohs at the Los Angeles County Museum of Art. Her popular books include The Woman Who Would Be King: Hatshepsut's Rise to Power in Ancient Egypt, When Women Ruled the World: Six Queens of Egypt, and The Good Kings: Absolute Power in Ancient Egypt and the Modern World. Her latest academic book is Ancient Egyptian Society: Challenging Assumptions, Exploring Approaches.

Lauren Fonto is a Master's student in the program Heritage and Cultural Sciences: Heritage Conservation at the University of Pretoria, South Africa. She is also a collections management intern in the public sector.

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Marek Kohn, "The Stories Old Towns Tell: A Journey Through Cities at the Heart of Europe" (Yale UP, 2023)

Mon, 17 Feb 2025 09:00:00 -0000

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Astrid J. Smith, "Transmediation and the Archive: Decoding Objects in the Digital Age" (Arc Humanities Press, 2024)

Mon, 10 Feb 2025 09:00:00 -0000

Building on the field of modern archival practice, Transmediation and the Archive: Decoding Objects in the Digital Age (ARC Humanities Press, 2024) explores the possibilities of archival objects. Investigating material as diverse as early modern printed books, death masks, a spirit photograph, and a manuscript choir book, Astrid J. Smith interrogates not only what the objects are now, but also asks what they were before taking material form, and what they can become as their format is transferred to other media. Blending insights from museum, library, archives, and media studies with experiential research, Smith examines the activities that shape the making of heritage objects and asks how an awareness of digitization practices can inform our knowledge of both their digital and physical form. She proposes a new methodological framework for evaluating the way materiality and media can affect our relationship with historical artefacts and book culture and demonstrates its fascinating application.

Astrid J. Smith is Rare Book and Special Collections Digitization Specialist and a Production Coordinator at Stanford Libraries, focusing on medieval objects and fragile archival materials. A life-long creative, she is especially interested in book arts and the philosophy of digitization.

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Magdalena Buchczyk, "Weaving Europe, Crafting the Museum: Textiles, History and Ethnography at the Museum of European Cultures, Berlin" (Bloomsbury, 2023)

Mon, 10 Feb 2025 09:00:00 -0000

Weaving Europe, Crafting the Museum: Textiles, history and ethnography at the Museum of European Cultures, Berlin (Bloomsbury, 2023) by Dr. Magdalena Buchczyk delves into the history and the changing material culture in Europe through the stories of a basket, a carpet, a waistcoat, a uniform, and a dress. The focus on the objects from the collection of the Museum of European Cultures in Berlin offers an innovative and challenging way of understanding textile culture and museums. The book shows that textiles can be simultaneously used as the material object of research, and as a lens through which we can view museums. In doing so, the book fills a major gap by placing textile knowledge back into the museum.

Each chapter focuses on one object story and can be read individually. Swooping from 19th-century wax figure cabinets, Nazi-era collections, Cold War exhibitions in East and West Berlin, and institutional reshuffling after German unification, it reveals the dramatically changing story of the museum and its collection. Based on research with museum curators, makers and users of the textiles in Italy and Germany, Poland and Romania, the book provides intimate insights into how objects are mobilised to very different social and political effects. It sheds new light on movements across borders, political uses of textiles by fascist and communist regimes, the objects' fall into oblivion, as well as their heritage and tourist afterlives. Addressing this complex museum legacy, the book suggests new pathways to prefigure the future.

Featuring new archival and ethnographic research, evocative examples and images, it is an essential read for students of textile and material culture, museum and curatorial studies as well as anyone interested in history, heritage and craft.

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Yujie Zhu, "China’s Heritage through History: Reconfigured Pasts" (Routledge, 2024)

Sun, 02 Feb 2025 09:00:00 -0000

China’s Heritage through History employs a longue durée approach to examine China’s heritage through history. From Imperial to contemporary China, it explores the role of practices and material forms of the past in shaping social transformation through knowledge production and transmission.

The art of collecting, reproducing, and reinterpreting the past has been an enduring force shaping cultural identity and political legitimacy in China. Offering a unique, non-Western perspective on the history of heritage in China, Zhu considers who the key players have been in these ongoing processes of reconfigured pasts, what methods they have employed, and how these practices have shaped society at large. The book tackles these questions by delving into the transformation of practices related to heritage through examples such as the book collection at Tianyi Private Library, the reproduction of the Orchid Pavilion Preface calligraphy and its associated sites, and the dynamics of exchange within the Liulichang antique market. Zhu reveals how these practices, once reserved for elites, have become accessible to the broader public. These processes of transformation, embodied in various forms of reconfigured pasts, have given rise to modern approaches to preservation, digitisation, museums, and the burgeoning heritage tourism industry.

China’s Heritage through History will be an invaluable resource for academics, students, and practitioners working in the fields of heritage, museum studies, and art history.

Yujie Zhu is an associate professor at the Centre for Heritage and Museum Studies at the Australian National University in Australia. He obtained his PhD in anthropology from Heidelberg University, Germany. His research focuses on the cultural politics of the past within diverse heritage and memory spaces.

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Elizabeth Campbell, "Museum Worthy: Nazi Art Plunder in Postwar Western Europe" (Oxford UP, 2024)

Wed, 29 Jan 2025 09:00:00 -0000

Art looting is commonly recognized as a central feature of Nazi expropriation, in both the Third Reich and occupied territories. After the war, the famed Monuments Men (and women) recovered several hundred thousand pieces from the Germans' makeshift repositories in churches, castles, and salt mines. Well publicized restitution cases, such as that of Gustav Klimt's luminous painting featured in the film Woman in Gold, illustrate the legacy of Nazi looting in the art world today. But what happened to looted art that was never returned to its rightful owners?

In France, Belgium, and the Netherlands, postwar governments appropriated the most coveted unclaimed works for display in museums, embassies, ministries, and other public buildings. Following cultural property norms of the time, the governments created custodianships over the unclaimed pieces, without using archives in their possession to carry out thorough provenance (ownership) research. This policy extended the dispossession of Jewish owners wrought by the Nazis and their collaborators well into the twenty-first century.

The custodianships included more than six hundred works in Belgium, five thousand works in the Netherlands, and some two thousand in France. They included paintings by traditional and modern masters, such as Rembrandt, Cranach, Rubens, Van der Weyden, Tiepolo, Picasso, and Matisse. This appropriation of plundered assets endured without controversy until the mid-1990s, when activists and journalists began challenging the governments' right to hold these items, ushering in a period of cultural property litigation that endures to this day. Including interviews that have never before been published, Museum Worthy: Nazi Art Plunder in Postwar Western Europe (Oxford University Press, 2024) by Dr. Elizabeth Campbell deftly examines the appropriation of Nazi art plunder by postwar governments and highlights the increasingly successful postwar art recovery and restitution process.

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Elizabeth King and W. David Todd, "Miracles and Machines: A Sixteenth-Century Automaton and Its Legend" (Getty, 2023)

Sun, 19 Jan 2025 09:00:00 -0000

Miracles and Machines: A Sixteenth-Century Automaton and Its Legend (Getty Publications, 2023) tells the singular story of an uncanny, rare object at the cusp of art and science: a 450-year-old automaton known as “the monk.” The walking, gesticulating figure of a friar, in the collection of the Smithsonian Institution’s National Museum of American History, is among the earliest extant ancestors of the self-propelled robot. According to legend connected to the court of Philip II of Spain, the monk represents a portrait of Diego de Alcalá, a humble Franciscan lay brother whose holy corpse was said to be agent to the miraculous cure of Spain’s crown prince as he lay dying in 1562.

In tracking the origins of the monk and its legend, the authors visited archives, libraries, and museums across the United States and Europe, probing the paradox of a mechanical object performing an apparently spiritual act. They identified seven kindred automata from the same period, which, they argue, form a paradigmatic class of walking “prime movers,” unprecedented in their combination of visual and functional realism. While most of the literature on automata focuses on the Enlightenment, this enthralling narrative journeys back to the late Renaissance, when clockwork machinery was entirely new, foretelling the evolution of artificial life to come.

Elizabeth King, a sculptor and writer, is professor emerita of sculpture and extended media at Virginia Commonwealth University School of the Arts in Richmond. W. David Todd is associate curator emeritus and former conservator of timekeeping at the National Museum of American History, Smithsonian Institution, Washington, DC.

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Jie Li, "Utopian Ruins: A Memorial Museum of the Mao Era" (Duke UP, 2020)

Sat, 04 Jan 2025 09:00:00 -0000

In Utopian Ruins: A Memorial Museum of the Mao Era (Duke University Press, 2020) Jie Li traces the creation, preservation, and elision of memories about China's Mao era by envisioning a virtual museum that reckons with both its utopian yearnings and its cataclysmic reverberations.

Li proposes a critical framework for understanding the documentation and transmission of the socialist past that mediates between nostalgia and trauma, anticipation and retrospection, propaganda and testimony. Assembling each chapter like a memorial exhibit, Li explores how corporeal traces, archival documents, camera images, and material relics serve as commemorative media. Prison writings and police files reveal the infrastructure of state surveillance and testify to revolutionary ideals and violence, victimhood and complicity.

Photojournalism from the Great Leap Forward and documentaries from the Cultural Revolution promoted faith in communist miracles while excluding darker realities, whereas Mao memorabilia collections, factory ruins, and memorials at trauma sites remind audiences of the Chinese Revolution's unrealized dreams and staggering losses.

Suvi Rautio is a part-time Course Lecturer at the Social & Cultural Anthropology discipline at University of Helsinki.

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Fernando Domínguez Rubio, "Still Life: Ecologies of the Modern Imagination at the Art Museum" (U Chicago Press, 2020)

Fri, 03 Jan 2025 09:00:00 -0000

How do you keep the cracks in Starry Night from spreading? How do you prevent artworks made of hugs or candies from disappearing? How do you render a fading photograph eternal—or should you attempt it at all? These are some of the questions that conservators, curators, registrars, and exhibition designers dealing with contemporary art face on a daily basis. In Still Life: Ecologies of the Modern Imagination at the Art Museum (University of Chicago Press, 2020), Fernando Domínguez Rubio delves into one of the most important museums of the world, the Museum of Modern Art (MoMA) in New York, to explore the day-to-day dilemmas that museum workers face when the immortal artworks that we see in the exhibition room reveal themselves to be slowly unfolding disasters.

Still Life offers a fascinating and detailed ethnographic account of what it takes to prevent these disasters from happening. Going behind the scenes at MoMA, Domínguez Rubio provides a rare view of the vast technological apparatus—from climatic infrastructures and storage facilities, to conservation labs and machine rooms—and teams of workers—from conservators and engineers to guards and couriers—who fight to hold artworks still.

As MoMA reopens after a massive expansion and rearranging of its space and collections, Still Life not only offers a much-needed account of the spaces, actors, and forms of labor traditionally left out of the main narratives of art, but it also offers a timely meditation on how far we, as a society, are willing to go to keep the things we value from disappearing into oblivion.

This interview is part of an NBN special series on “Mobilities and Methods.”

Fernando Domínguez Rubio is an Associate Professor at the Department of Communication at the University of California-San Diego.

Alize Arıcan is a PhD candidate in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on urban renewal, futurity, care, and migration in Istanbul, Turkey.

Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.

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Rachel Emily Taylor, "Illustration and Heritage" (Bloombury, 2024)

Fri, 27 Dec 2024 09:00:00 -0000

In Illustration and Heritage (Bloomsbury, 2024), Rachel Emily Taylor explores the re-materialisation of absent, lost, and invisible stories through illustrative practice and examines the potential role of contemporary illustration in cultural heritage. Heritage is a 'process' that is active and takes place in the present. In the heritage industry, there are opposing discourses and positions, and illustrators are a critical voice within the field.

Grounding discussions in concepts fundamental to the illustrator, the book examines how the historical voice might be 'found' or reconstructed. Rachel Emily Taylor uses her own work and other illustrators' projects as case studies to explore how the making of creative work – through the exploration of archival material and experimental fieldwork – is an important investigative process and engagement strategy when working with heritage.

What are the similar functions of heritage and illustration? How can an illustrator 'give voice' to a historical person? How can an illustrator disrupt an archive or museum? How can an illustrator represent a historical landscape or site?

This book is a contribution to the expanding field of illustration research that focusses on its position in heritage practice. Taylor examines the illustrator's role within the field, while positioning it alongside the disciplines of museology, anthropology, archaeology, performance, and fine art.

Dr Rachel Emily Taylor is an illustrator, artist, researcher, and is Course Leader on BA Illustration at Camberwell College of Arts. She uses interdisciplinary research methods drawn from theatre, archaeology, history, and anthropology, in both the analysis and making of practical work.

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Erich Hatala Matthes, "What to Save and Why: Identity, Authenticity, and the Ethics of Conservation" (Oxford UP, 2024)

Thu, 19 Dec 2024 09:00:00 -0000

Today I’m speaking with Erich Hatala Matthes, Associate Professor of Philosophy and Advisory Faculty for Environmental Studies at Wellesley College. We are discussing his Oxford University Press, What to Save and Why: Identity, Authenticity, and the Ethics of Conservation (Oxford University Press, 2024). Erich’s book explores the idea of conservation: the practice of preserving things for posterity and fighting against the tides of entropy. What we choose to save can range from famous paintings and natural landscapes, to Marilyn Monroe’s dress and endangered species. Depending on your personal concerns, what we save, how we should save it, and why differs for everyone. This philosophical and investigation will make you think deeply about what matters and what should be saved.

Caleb Zakarin is editor at the New Books Network.

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Jae Jennifer Rossman, "Access to Special Collections and Archives: Bridging Theory and Practice" (Rowman & Littlefield, 2024)

Wed, 18 Dec 2024 09:00:00 -0000

Since the early 20th century, American academic libraries have collected and championed rare and unique non-circulating materials now referred to as special collections. Because of the rarity and value of these materials, they are handled differently than materials in other parts of academic library collections. Thus, a different set of access policies and procedures, as well as specialized staff, have been employed.

In Access to Special Collections and Archives: Bridging Theory and Practice (Rowman & Littlefield, 2024), Jae Rossman provides a thorough exploration of access. Rossman looks at how practitioners’ perceptions of access to special collections have changed from the formative period of the 1930s to today. An exploration of access through the lens of special collections is especially meaningful because of the tension between the principles of preservation and access within the special collections community. This project is also significant as the library profession explores how representation of diversity within collections and the profession impacts readers. Exploring how we think about access should be part of these ongoing conversations.

Jae Jennifer Rossman, Ph.D., is associate director for Special Collections Instruction and Research Services at the Beinecke Rare Book & Manuscript Library at Yale University. She has published on library history and practice and the field of artists’ books for over twenty years. Her publications through the jenny-press have been collected by academic libraries nationally and internationally. Rossman has served on the Board of Trustees, American Printing History Association and the Board of Directors, Center for Book Arts. She has worked in the libraries of Brandeis University, Museum of Fine Arts, Boston, and Yale University.

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Barbara A. Biesecker, "Reinventing World War II: Popular Memory in the Rise of the Ethnonationalist State" (Penn State Press, 2024)

Fri, 13 Dec 2024 09:00:00 -0000

By the 1970s, World War II had all but disappeared from US popular culture. But beginning in the mid-eighties it reemerged with a vengeance, and for nearly fifteen years World War II was ubiquitous across US popular and political culture. In Reinventing World War II: Popular Memory in the Rise of the Ethnonationalist State (Penn State University Press, 2024), Dr. Barbara A. Biesecker explores the prestige and rhetorical power of the “Good War,” revealing how it was retooled to restore a new kind of social equilibrium to the United States.

Biesecker analyzes prominent cases of World War II remembrance, including the canceled exhibit of the Enola Gay at the National Air and Space Museum in 1995 and its replacement, Steven Spielberg’s Saving Private Ryan, Tom Brokaw’s The Greatest Generation, and the United States Holocaust Memorial Museum. Situating these popular memory texts within the culture and history wars of the day and the broader framework of US political and economic life, Dr. Biesecker argues that, with the notable exception of the Holocaust Memorial Museum, these reinventions of the Good War worked rhetorically to restore a strong sense of national identity and belonging fitted to the neoliberal nationalist agenda.

By tracing the links between the popular retooling of World War II and the national state fantasy, and by putting the lessons of Foucault, Derrida, Lacan, and their successors to work for a rhetorical-political analysis of the present, Dr. Biesecker not only explains the emergence and strength of the MAGA movement but also calls attention to the power of public memory to shape and contest ethnonational identity today.

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Jonathan Conlin, "The Met: A History of a Museum and Its People" (Columbia UP, 2024)

Sat, 07 Dec 2024 09:00:00 -0000

New York City’s Metropolitan Museum of Art is one of the world’s greatest cultural institutions. Its holdings encompass a vast range—including paintings, sculptures, costumes, instruments, and arms and armor—and span millennia, from ancient Egypt and Greece to Islamic art to European Old Masters and modern artists. How did the Met amass this trove, and what do the experiences of the people who bought, restored, catalogued, visited, and watched over these works tell us about the museum?

The Met: A History of a Museum and Its People (Columbia University Press, 2024) by Dr. Jonathan Conlin is a groundbreaking bottom-up history of the Metropolitan Museum of Art, exploring both its triumphs and its failings. Dr. Conlin tells the stories of the people who have shaped the museum—from curators and artists to museumgoers and security guards—and the communities that have made it their own. Highlighting inequalities of wealth, race, and gender, he exposes the hidden costs of the museum’s reliance on “robber barons” and oligarchs, the exclusionary immigration policies that influenced the foundation of the American Wing, and the obstacles faced by women curators. Drawing on extensive interviews with past and current staff, Conlin brings the story up to the present, including the museum’s troubled 150th anniversary in 2020. As the Met faces continued controversy, this book offers a timely account of the people behind an iconic institution and a compelling case for the museum’s vision of shared human creativity.

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Megan Rae Blakely, "Technology, Intellectual Property Law, and Culture: The Tangification of Cultural Heritage" (Routledge, 2024)

Mon, 25 Nov 2024 09:00:00 -0000

How can we protect diverse cultural expressions in an era of huge technological change? In Technology, Intellectual Property Law and Culture: The Tangification of Intangible Cultural Heritage (Routledge, 2024), Megan Rae Blakely, a lecturer in law at Lancaster University, examines the contemporary international legal context for heritage. The book uses three detailed case studies of Scotland, Ireland, and Wales, considering heritage in many different forms, from tourism and nation branding through to language and clothing. Rich in detail, but accessible for a those who are not specialists in law, technology, or heritage, the book is essential reading across the humanities and social sciences, as well as for anyone interested in how best to support and preserve the past.

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Deborah Parker, "Becoming Belle Da Costa Greene: A Visionary Librarian Through Her Letters" (Villa I Tatti, 2024)

Sat, 16 Nov 2024 09:00:00 -0000

In Becoming Belle da Costa Greene: A Visionary Librarian through Her Letters (Harvard University Press, October 2024), Deborah Parker chronicles the making and empowerment of a female connoisseur, curator, and library director in a world where such positions were held by men. Belle da Costa Greene (1879–1950) was Pierpont Morgan’s personal librarian (1908–1913) and the first Director of the Morgan Library (1924–1948). She was also the daughter of two mixed-race parents and passed for white. In the nearly six hundred letters that Greene sent to art historian Bernard Berenson (1865–1959), Parker identifies Greene’s energetic pursuit of exceptional opportunities, illuminating the artistry and imaginative features of Greene’s writing—her self-invention, her vibrant responses to books and art, and her pathbreaking work as a librarian. As Greene transformed a private library into a magnificent public institution, she also transformed herself: hers was a life both lived and writ large.

Deborah Parker is Professor of Italian at the University of Virginia, and her books include Commentary and Ideology: Dante in the Renaissance, Bronzino: Renaissance Painter as Poet, and Michelangelo and the Art of Letter Writing. Her writings also appear in the exhibition catalog for the Morgan Library & Museum’s centenary exhibition, Belle da Costa Greene: A Librarian’s Legacy.

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Eunsong Kim, "The Politics of Collecting: Race and the Aestheticization of Property" (Duke UP, 2024)

Sat, 12 Oct 2024 08:00:00 -0000

In The Politics of Collecting: Race and the Aestheticization of Property (Duke University Press, 2024), Eunsong Kim traces how racial capitalism and colonialism situated the rise of US museum collections and conceptual art forms. Investigating historical legal and property claims, she argues that regimes of expropriation—rather than merit or good taste—are responsible for popular ideas of formal innovation and artistic genius. In doing so, she details how Marcel Duchamp’s canonization has more to do with his patron’s donations to museums than it does the quality of Duchamp’s work, and she uncovers the racialized and financialized logic behind the Archive of New Poetry’s collecting practices. Ranging from the conception of philanthropy devised by the robber barons of the late nineteenth century to ongoing digitization projects, Kim provides a new history of contemporary art that accounts for the complicated entanglement of race, capital, and labor behind storied art institutions and artists. Drawing on history, theory, and economics, Kim challenges received notions of artistic success and talent and calls for a new vision of art beyond the cultural institution.

Eunsong Kim is Associate Professor of English at Northeastern University.

Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

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Alessandra Russo, "A New Antiquity: Art and Humanity as Universal, 1400-1600" (Penn State UP, 2024)

Thu, 26 Sep 2024 08:00:00 -0000

We tend to think of sixteenth-century European artistic theory as separate from the artworks displayed in the non-European sections of museums. In A New Antiquity: Art and Humanity as Universal, 1400–1600 (Penn State University Press, 2024) Dr. Alessandra Russo argues otherwise. Instead of considering the European experience of “New World” artefacts and materials through the lenses of “curiosity” and “exoticism,” Russo asks a different question: What impact have these works had on the way we currently think about—and theorise—the arts?

Centering her study on a vast corpus of early modern textual and visual sources, Dr. Russo contends that the subtlety and inventiveness of the myriad of American, Asian, and African creations that were pillaged, exchanged, and often eventually destroyed in the context of Iberian colonisation—including sculpture, painting, metalwork, mosaic, carving, architecture, and masonry—actually challenged and revolutionised sixteenth-century European definitions of what art is and what it means to be human. In this way, artefacts coming from outside Europe between 1400 and 1600 played a definitive role in what are considered distinctively European transformations: the redefinition of the frontier between the “mechanical” and the “liberal” arts and a new conception of the figure of the artist.

Original and convincing, A New Antiquity is a pathbreaking study that disrupts existing conceptions of Renaissance art and early modern humanity. It will be required reading for art historians specialising in the Renaissance,scholars of Iberian and Latin American cultures and global studies, and anyone interested in anthropology and aesthetics.

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John Schofield, "Wicked Problems for Archaeologists: Heritage as Transformative Practice" (Oxford UP, 2024)

Sun, 15 Sep 2024 08:00:00 -0000

'Wicked Problems' are those problems facing the planet and its inhabitants, present and future, which are hard (if not impossible) to resolve and for which bold, creative, and messy solutions are typically required. The adjective 'wicked' describes the mischievous and even evil quality of these problems, where proposed solutions often turn out to be worse than the symptoms.

Wicked Problems for Archaeologists: Heritage as Transformative Practice (Oxford University Press, 2024) by Dr. John Schofield is a wide-ranging and innovative book that encourages readers to think about archaeology in an entirely new way, as fresh, relevant, and future-oriented. It examines some of the novel ways that archaeology (alongside cultural heritage practice) can contribute to resolving some of the world's most wicked problems, or global challenges as they are sometimes known. With chapters covering climate change, environmental pollution, health and wellbeing, social injustice, and conflict, the book uses many and diverse examples to explain how, through studying the past and present through an archaeological lens, in ways that are creative, ambitious, and both inter- and transdisciplinary, significant 'small wins' can be achieved. Through these small wins, archaeologists can help to mitigate some of those most pressing of wicked problems, contributing therefore to a safer, healthier, and more stable world.

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Red Chidgey and Joanne Garde-Hansen, "Museums, Archives and Protest Memory" (Palgrave Macmillan, 2024)

Mon, 09 Sep 2024 08:00:00 -0000

In Museums, Archives and Protest Memory (Palgrave Macmillan, 2024), Red Chidgey and Joanne Garde-Hansen address the emergence of ‘protest memory’ as a powerful contemporary shaper of ideas and practices in culture, media and heritage domains. Directly focused on the role of museum and archive practitioners in protest memory curation, they make a compelling contribution to our understanding of how social movements and activist experiences are publicly remembered and activated for social and environmental justice.

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Elizabeth A. Wahler and Sarah C. Johnson, "Creating a Person-Centered Library: Best Practices for Supporting High-Needs Patrons (Bloomsbury, 2023)

Wed, 28 Aug 2024 08:00:00 -0000

Creating a Person-Centered Library: Best Practices for Supporting High-Needs Patrons (Bloomsbury, 2023) provides a comprehensive overview of various services, programs, and collaborations to help libraries serve high-needs patrons as well as strategies for supporting staff working with these individuals. While public libraries are struggling to address growing numbers of high-needs patrons experiencing homelessness, food insecurity, mental health problems, substance abuse, and poverty-related needs, this book will help librarians build or contribute to library services that will best address patrons' psychosocial needs. Beth Wahler and Sarah C. Johnson, experienced in both library and social work, begin by providing an overview of patrons' psychosocial needs, structural and societal reasons for the shift in these needs, and how these changes impact libraries and library staff. Chapters focus on best practices for libraries providing person-centered services and share lessons learned, including information about special considerations for certain patron populations that might be served by individual libraries. The book concludes with information about how library organizations can support public library staff. Librarians and library students who are concerned about both patrons and library staff will find the practical advice in this book invaluable.

NBN can get 20% off Creating a Person-Centered Library by using the discount code NBN20 on the Blooomsbury.com US website.

Beth Wahler, PhD, MSW is founder and principal consultant at Beth Wahler Consulting, LLC and affiliated research faculty and previous director of the School of Social Work at the University of North Carolina- Charlotte. Dr. Wahler is a social work consultant, researcher, and experienced administrator whose primary focus is trauma-informed librarianship, library strategies for addressing patrons’ or community psychosocial needs, supporting library staff with serving high-needs patrons and reducing work-related stress/trauma, and various kinds of collaborations, services, and programs to meet patron, staff, or community needs. She has also published and presented internationally on library patron and staff needs, trauma-informed librarianship, and library/social work collaborations.

Sarah C. Johnson, MLIS, LMSW, is an Adjunct Lecturer at the School of Information Sciences at the University of Illinois at Urbana-Champaign where she teaches a graduate course on Library Social Work. As a researcher and educator, Sarah is the creator and host of the Library Social Work podcast which aims to inform the public about interdisciplinary collaborations between social service providers and public libraries.

Dr. Michael LaMagna is the Information Literacy Program & Library Services Coordinator and Professor of Library Services at Delaware County Community College.

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Dora Osborne, "What Remains: The Post-Holocaust Archive in German Memory Culture" (Camden House, 2020)

Fri, 09 Aug 2024 08:00:00 -0000

With the passing of those who witnessed National Socialism and the Holocaust, the archive matters as never before. However, the material that remains for the work of remembering and commemorating this period of history is determined by both the bureaucratic excesses of the Nazi regime and the attempt to eradicate its victims without trace. Dora Osborne's book What Remains: The Post-Holocaust Archive in German Memory Culture (Camden House, 2020) argues that memory culture in the Berlin Republic is marked by an archival turn that reflects this shift from embodied to externalized, material memory and responds to the particular status of the archive "after Auschwitz." What remains in this late phase of memory culture is the post-Holocaust archive, which at once ensures and haunts the future of Holocaust memory.

Drawing on the thinking of Freud, Derrida, and Georges Didi-Huberman, this book traces the political, ethical, and aesthetic implications of the archival turn in contemporary German memory culture across different media and genres. In its discussion of recent memorials, documentary film and theater, as well as prose narratives, all of which engage with the material legacy of the Nazi past, it argues that the performance of “archive work” is not only crucial to contemporary memory work but also fundamentally challenges it.

Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora.

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Özge Çelikaslan, "Archiving the Commons: Looking Through the Lens of bak.ma" (DPR Barcelona, 2024)

Fri, 19 Jul 2024 08:00:00 -0000

“Stories of archives are always stories of phantoms, of the death or disappearance or erasure of something, the preservation of what remains, and its possible reappearance—feared by some, desired by others,” writes Thomas Keenan. Archiving the Commons: Looking Through the Lens of bak.ma (DPR Barcelona, June 2024) is about those stories and much more. Özge Çelikaslan uses bak.ma, a digital media archive born out of the social movements in Turkey, to guide us through a journey in which archives become sites of other kinds of stories—some of solidarity, activism, and the commons. Çelikaslan uses the concept of archives of the commons reimagining archives as dynamic spaces of commoning in which creative, autonomous platforms are generated collectively to perpetuate knowledge and sociopolitical relations grounded in solidarity and an ethics of care, not in some distant future but in the here and now.

Özge Çelikaslan is a scholar and practitioner whose research interests encompass media historiography, critical audiovisual archival studies, and research-based film/video practices.

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Laura Helton, "Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History" (Columbia UP, 2024)

Wed, 22 May 2024 08:00:00 -0000

During the first half of the twentieth century, a group of collectors and creators dedicated themselves to documenting the history of African American life. At a time when dominant institutions cast doubt on the value or even the idea of Black history, these bibliophiles, scrapbookers, and librarians created an enduring set of African diasporic archives. In building these institutions and amassing abundant archival material, they also reshaped Black public culture, animating inquiry into the nature and meaning of Black history.

In Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History (Columbia UP, 2024), Laura E. Helton tells the stories of these Black collectors, traveling from the parlors of the urban north to HBCU reading rooms and branch libraries in the Jim Crow south. Helton chronicles the work of six key figures: bibliophile Arturo Schomburg, scrapbook maker Alexander Gumby, librarians Virginia Lee and Vivian Harsh, curator Dorothy Porter, and historian L. D. Reddick. Drawing on overlooked sources such as book lists and card catalogs, she reveals the risks collectors took to create Black archives. This book also explores the social life of collecting, highlighting the communities that used these collections from the South Side of Chicago to Roanoke, Virginia. In each case, Helton argues, archiving was alive in the present, a site of intellectual experiment, creative abundance, and political possibility. Offering new ways to understand Black intellectual and literary history, Scattered and Fugitive Things reveals Black collecting as a radical critical tradition that reimagines past, present, and future.

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Rubina Raja, "Shaping Archaeological Archives: Dialogues Between Fieldwork, Museum Collections, and Private Archives" (Brepols, 2023)

Sun, 19 May 2024 08:00:00 -0000

Archaeology as a discipline has undergone significant changes over the past decades, in particular concerning best practices for how to handle the vast quantities of data that the discipline generates. As Shaping Archaeological Archives: Dialogues between Fieldwork, Museum Collections, and Private Archives (Brepols, 2023) uncovers, much of this data has often ended up in physical - or, more recently, digital - archives and left untouched for years, despite containing critical information. But as many recent research projects explore how best to unleash the potential of these archives through publication, digitization, and improved accessibility, attention is now turning to the best practices that should underpin this trend. In this volume, scholars turn their attention to how best to work with and shape archaeological archives, and what this means for the field as a whole. The majority of case studies here explore archaeological sites in the eastern Mediterranean and the Middle East, some of which are conflict zones today. However, the contributions also showcase more broadly the depth of research on archaeological archives as a whole, and offer reflections upon the relationship between archaeological practices and archival forms. In so doing, the volume is able to offer a unique dialogue on best practices for the dissemination and synthetization of knowledge from archives more generally, whether physical or digital.

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Sarah A. Bendall, "Shaping Femininity: Foundation Garments, the Body and Women in Early Modern England" (Bloomsbury, 2021)

Sun, 28 Apr 2024 08:00:00 -0000

In sixteenth and seventeenth-century England, the female silhouette underwent a dramatic change. This very structured form, created using garments called bodies and farthingales, existed in various extremes in Western Europe and beyond, in the form of stays, corsets, hoop petticoats and crinolines, right up until the twentieth century.

With a nuanced approach that incorporates a stunning array of visual and written sources and drawing on transdisciplinary methodologies, Shaping Femininity: Foundation Garments, the Body and Women in Early Modern England (Bloomsbury, 2021) by Dr. Sarah Bendall explores the relationship between material culture and femininity by examining the lives of a wide range of women, from queens to courtiers, farmer's wives and servants, uncovering their lost voices and experiences. It reorients discussions about female foundation garments in English and wider European history, arguing that these objects of material culture began to shape and define changing notions of the feminine bodily ideal, social status, sexuality and modesty in the early modern period, influencing enduring Western notions of femininity.

Beautifully illustrated in full colour throughout, Shaping Femininity is the first large-scale exploration of the materiality, production, consumption and meanings of women's foundation garments in sixteenth and seventeenth-century England. It offers a fascinating insight into dress and fashion in the early modern period, and offers much of value to all those interested in the history of early modern women and gender, material culture and consumption, and the history of the body, as well as curators and reconstructors.

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Ariella Aisha Azoulay, "Potential History: Unlearning Imperialism" (Verso, 2019)

Sun, 28 Apr 2024 08:00:00 -0000

Ariella Aisha Azoulay argues that the institutions that make our world, from archives and museums to ideas of sovereignty and human rights to history itself, are all dependent on imperial modes of thinking. Imperialism has segmented populations into differentially governed groups, continually emphasized the possibility of progress while trying to destroy what came before, and voraciously sought out the new by sealing the past away in dusty archival boxes and the glass vitrines of museums. By practicing what she calls potential history, Azoulay argues that we can still refuse the imperial violence that shattered communities, lives, and worlds, from native peoples in the Americas to the Congo ruled by Belgium s brutal King Léopold II, from dispossessed Palestinians in 1948 to displaced refugees in our own day.

In Potential History: Unlearning Imperialism (Verso, 2019), Azoulay travels alongside historical companions - an old Palestinian man who refused to leave his village in 1948, an anonymous woman in war-ravaged Berlin, looted objects and documents torn from their worlds and now housed in archives and museums - to chart the ways imperialism has sought to order time, space, and politics. Rather than looking for a new future, Azoulay calls upon us to rewind history and unlearn our imperial rights, to continue to refuse imperial violence by making present what was invented as 'past' and making the repair of torn worlds the substance of politics.

Ariella Aisha Azoulay is a professor of Modern Culture and Media and the Department of Comparative Literature at Brown University

Yorgos Giannakopoulos is an Academy of Athens postdoctoral research fellow at King’s Collage London

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Natalia Grincheva and Elizabeth Stainforth, "Geopolitics of Digital Heritage" (Cambridge UP, 2024)

Sat, 27 Apr 2024 08:00:00 -0000

How are digital platforms transforming heritage? In Geopolitics of Digital Heritage (Cambridge UP, 2023), Dr Natalia Grincheva, Program Leader of the BA (Hons) Arts Management at the University of the Arts Singapore and Honorary Senior Research Fellow at the University of Melbourne, and Dr Elizabeth Stainforth, a lecturer in the School of Fine Art, History of Art and Cultural Studies at the University of Leeds explore the global political context for digital heritage. Drawing on 4 detailed case studies- Singapore Memory Project, the National Library of Australia’s Trove, the EU’s Europeana, and Google Arts and Culture- the book shows the political ideas and imperatives underpinning the aggregation of heritage on digital platforms. Both an accessible introduction and a significant intervention to the field of heritage studies, the book will be essential reading across the arts, humanities and social sciences.

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Danielle Taschereau Mamers, "Settler Colonial Ways of Seeing: Documentation, Administration, and the Interventions of Indigenous Art" (Fordham UP, 2023)

Tue, 23 Apr 2024 08:00:00 -0000

How do bureaucratic documents create and reproduce a state’s capacity to see? What kinds of worlds do documents help create? Further, how might such documentary practices and settler colonial ways of seeing be refused?

Settler Colonial Ways of Seeing: Documentation, Administration, and the Interventions of Indigenous Art (Fordham University Press, 2023) by Dr. Danielle Taschereau Mamers investigates how the Canadian state has used documents, lists, and databases to generate, make visible—and invisible—Indigenous identity. With an archive of legislative documents, registration forms, identity cards, and reports, Dr. Taschereau Mamers traces the political and media history of Indian status in Canada, demonstrating how paperwork has been used by the state to materialise identity categories in the service of colonial governance. Her analysis of bureaucratic artefacts is led by the interventions of Indigenous artists, including Robert Houle, Nadia Myre, Cheryl L’Hirondelle, and Rebecca Belmore. Bringing together media theories of documentation and the strategies of these artists, Settler Colonial Ways of Seeing develops a method for identifying how bureaucratic documents mediate power relations as well as how those relations may be disobeyed and re-imagined.

By integrating art-led inquiry with media theory and settler colonial studies approaches, Dr. Taschereau Mamers offers a political and media history of the documents that have reproduced Indian status. More importantly, she provides us with an innovative guide for using art as a method of theorising decolonial political relations. This is a crucial book for any reader interested in the intersection of state archives, settler colonial studies, and visual culture in the context of Canada’s complex and violent relationship with Indigenous peoples.

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Rose Miron, "Indigenous Archival Activism: Mohican Interventions in Public History and Memory" (U Minnesota Press, 2024)

Thu, 18 Apr 2024 08:00:00 -0000

The past several decades have seen a massive shift in debates over who owns and has the right to tell Native American history and stories. For centuries, non-Native actors have collected, stolen, sequestered, and gained value from Native stories and documents, human remains, and sacred objects. However, thanks to the work of Native activists, Native history is now increasingly repatriated back to the control of tribes and communities. Indigenous Archival Activism: Mohican Interventions in Public History and Memory (U Minnesota Press, 2024) takes readers into the heart of these debates by tracing one tribe’s fifty-year fight to recover and rewrite its history.

Rose Miron tells the story of the Stockbridge–Munsee Mohican Nation and its Historical Committee, a group composed mostly of Mohican women who have been collecting and reorganizing historical materials since 1968. She shows how their work is exemplary of how tribal archives can strategically shift how Native history is accessed, represented, written, and, most important, controlled. Based on a more than decade-long reciprocal relationship with the Stockbridge–Munsee Mohican Nation, Miron’s research and writing are shaped primarily by materials found in the tribal archive and ongoing conversations and input from the Stockbridge–Munsee Historical Committee.

Miron is not Mohican and is careful to consider her own positionality and reflects on what it means for non-Native researchers and institutions to build reciprocal relationships with Indigenous nations in the context of academia and public history, offering a model both for tribes undertaking their own reclamation projects and for scholars looking to work with tribes in ethical ways.

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Grazia Ingravalle, "Archival Film Curatorship: Early and Silent Cinema from Analog to Digital" (Amsterdam UP, 2024)

Fri, 12 Apr 2024 08:00:00 -0000

Archival Film Curatorship: Early and Silent Cinema from Analog to Digital (Amsterdam UP, 2023) is the first book-length study that investigates film archives at the intersection of institutional histories, early and silent film historiography, and archival curatorship. It examines three institutions at the forefront of experimentation with film exhibition and curatorship. The Eye Film Museum in Amsterdam, the George Eastman Museum in Rochester, NY, and the National Fairground and Circus Archive in Sheffield, UK serve as exemplary sites of historical mediation between early and silent cinema and the digital age.

A range of elements, from preservation protocols to technologies of display and from museum architectures to curatorial discourses in blogs, catalogs, and interviews, shape what the author innovatively theorizes as the archive’s hermeneutic dispositif. Archival Film Curatorship offers film and preservation scholars a unique take on the shifting definitions, histories, and uses of the medium of film by those tasked with preserving and presenting it to new digital-age audiences.

Archival Film Curatorship is available as an open access e-book at this link.

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Heather Akou, "On the Job: A History of American Work Uniforms" (Bloomsbury, 2024)

Thu, 21 Mar 2024 08:00:00 -0000

Through a variety of archival documents, artefacts, illustrations, and references to primary and secondary literature, On the Job: A History of American Work Uniforms (Bloomsbury, 2024) by Dr. Heather Akou explores the changing styles, business practices, and lived experiences of the people who make, sell, and wear service-industry uniforms in the United States.

It highlights how the uniform business is distinct from the fashion business, including how manufacturing developed outside of the typical fashion hubs such as New York City; and gives attention to the ways that various types of employers (small business, corporate, government and others) differ in their ambitions and regulations surrounding uniforms.

On the Job sheds new light on an understudied yet important field of dress and clothing within everyday life, and is an essential addition to any fashion historian's library, appealing to all those interested in material culture, the service industry, heritage and history.

This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Mpho Ngoepe and Sindiso Bhebhe, "Indigenous Archives in Postcolonial Contexts: Recalling the Pasts" (Routledge, 2024)

Sat, 02 Mar 2024 09:00:00 -0000

Mpho Ngoepe and Sindiso Bhebhe's Indigenous Archives in Postcolonial Contexts: Recalling the Pasts (Routledge, 2024) revisits the definition of a record and extends it to include memory, murals, rock art paintings and other objects.

Drawing on five years of research and examples from Zimbabwe, Botswana and South Africa, Mpho Ngoepe and Sindiso Bhebhe analyse archives in the African context. Considering issues such as authentication, ownership and copyright, the book considers how murals and their like can be used as extended or counter archives. Arguing that extended archives can reach people in a way that traditional archives cannot and that such archives can be used to bridge the gaps identified within archival repositories, the authors also examine how such archives are managed and authenticated using traditional archival principles. Presenting case studies from organisations such as Gay and Lesbian Memory in Action Archives (GALA) and heritage projects such as the Makgabeng Open Cultural Museum, the authors also analyse Indigenous family praises and songs and explore how such records are preserved and transmitted to the next generation.

Indigenous Archives in Postcolonial Contexts demonstrates how the voices of the marginalised can be incorporated into archives. Making an important contribution to the effort to decolonise African archives, the book will be essential reading for academics and students working in archival studies, library and information science, Indigenous studies, African studies, cultural heritage, history and anthropology.

Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

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Pablo Alonso González, "Cuban Cultural Heritage: A Rebel Past for a Revolutionary Nation" (UP of Florida, 2018)

Fri, 16 Feb 2024 09:00:00 -0000

Cuban Cultural Heritage: A Rebel Past for a Revolutionary Nation (UP of Florida, 2018) explores the role that cultural heritage and museums played in the construction of a national identity in postcolonial Cuba. Starting with independence from Spain in 1898 and moving through Cuban-American rapprochement in 2014, Pablo Alonso González illustrates how political and ideological shifts have influenced ideas about heritage and how, in turn, heritage has been used by different social actors to reiterate their status, spread new ideologies, and consolidate political regimes. Unveiling the connections between heritage, power, and ideology, Alonso González delves into the intricacies of Cuban history, covering key issues such as Cuba's cultural and political relationships with Spain, the United States, the Soviet Union, and so-called Third World countries; the complexities of Cuba's status as a postcolonial state; and the potential future paths of the Revolution in the years to come. This volume offers a detailed look at the function and place of cultural heritage under socialist states.

Pablo Alonso González is a Senior Researcher at the Spanish National Research Council (IPNA-CSIC). He is the author of several books, including Cultural Parks and National Heritage Areas: Assembling Cultural Heritage, Development and Spatial Planning.

Katie Coldiron is the Outreach Program Manager for the Digital Library of the Caribbean (dLOC) and PhD student in History at Florida International University.

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Robert R. Janes, "Museums and Societal Collapse: The Museum as Lifeboat" (Routledge, 2023)

Tue, 02 Jan 2024 09:00:00 -0000

Who do you turn to at the brink of the apocalypse? What might help us to mitigate the financial, commercial, political, social, and cultural collapse for which we may be heading?

Museums and Societal Collapse: The Museum as Lifeboat (Routledge, 2023) proposes an unlikely hero in this narrative. Robert Janes’ text explores the implications of societal collapse from a multidisciplinary perspective and considers the potential museums have to contribute to the reimagining and transitioning of a new society with the threat of collapse.

Arguing that societal collapse is underway, but that total collapse is not inevitable, Janes maintains that museums are well-positioned to mitigate and adapt to the disruptions of societal collapse. As institutions of the commons, belonging to and affecting the public at large, he contends that museums are both responsible and capable of contributing to the durability and well-being of individuals, families, and communities, and enhancing societal resilience in the face of critical issues confronting our species.

The Museum COP at Tate
Museum pressure groups: The Empathetic Museum, Museum as Progress, Museum Human.
The Australian Museum’s mission statement
Phipps Conservatory, Pittsburgh
Museum of Homelessness
Horniman Museum

Robert R. Janes is an independent scholar whose work draws on his many year’s experience as a museum director. He is the editor emeritus of the Museum Management and Curatoriship journal, a visiting scholar at the School of Museum Studies at the University of Leicester, and the founder of the Coalition of Museums for Climate Justice. He is the author of multiple books on the social role of museums.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Jelena Subotić, "Yellow Star, Red Star: Holocaust Remembrance after Communism" (Cornell UP, 2019)

Mon, 01 Jan 2024 09:00:00 -0000

In her new book Yellow Star, Red Star: Holocaust Remembrance after Communism (Cornell University Press, 2019) Jelena Subotić asks why Holocaust memory continues to be so deeply troubled―ignored, appropriated, and obfuscated―throughout Eastern Europe, even though it was in those lands that most of the extermination campaign occurred. As part of accession to the European Union, Subotić shows, East European states were required to adopt, participate in, and contribute to the established Western narrative of the Holocaust. This requirement created anxiety and resentment in post-communist states: Holocaust memory replaced communist terror as the dominant narrative in Eastern Europe, focusing instead on predominantly Jewish suffering in World War II. Influencing the European Union's own memory politics and legislation in the process, post-communist states have attempted to reconcile these two memories by pursuing new strategies of Holocaust remembrance. The memory, symbols, and imagery of the Holocaust have been appropriated to represent crimes of communism.

Yellow Star, Red Star presents in-depth accounts of Holocaust remembrance practices in Serbia, Croatia, and Lithuania, and extends the discussion to other East European states. The book demonstrates how countries of the region used Holocaust remembrance as a political strategy to resolve their contemporary "ontological insecurities"―insecurities about their identities, about their international status, and about their relationships with other international actors. As Subotić concludes, Holocaust memory in Eastern Europe has never been about the Holocaust or about the desire to remember the past, whether during communism or in its aftermath. Rather, it has been about managing national identities in a precarious and uncertain world.

Jelena Subotić is Professor in the Department of Political Science at Georgia State University (PhD, University of Wisconsin-Madison, 2007).

Steven Seegel is professor of history at University of Northern Colorado.

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Denise Y. Ho, “Curating Revolution: Politics on Display in Mao’s China” (Cambridge UP, 2017)

Sat, 30 Dec 2023 09:00:00 -0000

“In Mao’s China, to curate revolution was to make it material.”

Denise Y. Ho’s new book explores this premise in a masterful account of exhibitionary culture in the Mao period (1949-1976) and beyond. Curating Revolution: Politics on Display in Mao's China (Cambridge University Press, 2017) argues that “curating revolution taught people how to take part in revolution,” and it develops that argument in a series of case studies that take readers into the local context of museums, revolutionary monuments, model neighborhoods, and more in Shanghai, while paying careful attention to the ways that the Shanghai case resonates with the larger scope of Maoist China as a whole. It’s a study that will be of interest to readers of Chinese history, museum studies, material cultures, and more. Enjoy!

Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here.

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Douglas Hunter, "Beardmore: The Viking Hoax That Rewrote History" (McGill-Queen's UP, 2018)

Sat, 30 Dec 2023 09:00:00 -0000

In 1936, long before the discovery of the Viking settlement at L'Anse aux Meadows, the Royal Ontario Museum made a sensational acquisition: the contents of a Viking grave that prospector Eddy Dodd said he had found on his mining claim east of Lake Nipigon. The relics remained on display for two decades, challenging understandings of when and where Europeans first reached the Americas. In 1956 the discovery was exposed as an unquestionable hoax, tarnishing the reputation of the museum director, Charles Trick Currelly, who had acquired the relics and insisted on their authenticity.

In Beardmore: The Viking Hoax That Rewrote History (McGill-Queen's University Press, 2018), Dr. Douglas Hunter reconstructs the notorious hoax and its many players. Beardmore unfolds like a detective story as the author sifts through the voluminous evidence and follows the efforts of two unlikely debunkers, high-school teacher Teddy Elliott and government geologist T.L. Tanton, who find themselves up against Currelly and his scholarly allies. Along the way, the controversy draws in a who’s who of international figures in archaeology, Scandinavian studies, and the museum world, including anthropologist Edmund Carpenter, whose mid-1950s crusade against the find’s authenticity finally convinced scholars and curators that the grave was a fraud.

Shedding light on museum practices and the state of the historical and archaeological professions in the mid-twentieth century, Beardmore offers an unparalleled view inside a major museum scandal to show how power can be exercised across professional networks and hamper efforts to arrive at the truth.

Ryan Tripp (Ph.D., History) is currently an adjunct in History at Los Medanos Community College and Southern New Hampshire University.

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David R. Brigham, "Two Hundred Years: The Historical Society of Pennsylvania, 1824-2024" (U Pennsylvania Press, 2023)

Mon, 25 Dec 2023 09:00:00 -0000

Home to the first two drafts of the U.S. Constitution, an original printer’s proof of the Declaration of Independence, and the earliest surviving American photograph, the Historical Society of Pennsylvania (HSP) is one of the nation’s largest libraries. Published in conjunction with the anniversary of the Society’s founding in 1824, Two Hundred Years: The Historical Society of Pennsylvania, 1824-2024 (published by the Historical Society of Pennsylvania, with distribution by the University of Pennsylvania Press) is the first book to survey the more than twenty-one million documents, newspapers, graphics, and rare books in its archive.

The book presents one hundred essays highlighting carefully preserved artifacts, spanning the seventeenth to the late twentieth century. Drawing on everything from letters and maps, paintings and photographs, family Bibles and musical scores, Two Hundred Years reflects on the early days of the nation, the relationships colonists had with indigenous peoples, the rapid development of Philadelphia, and the evolution of banking, engineering, and medicine, among other industries and sectors. Through such collections as the Pennsylvania Abolition Society Papers and the archives of the Balch Institute for Ethnic Studies, HSP enables stories to come to light, including those of women, people of color, and immigrants, that would otherwise go untold. Creative artists and their audiences, technological innovators, and the people they impact, are all represented in this extraordinary book.

In this conversation, the HSP’s CEO and Librarian David Brigham describes the artifacts and experts that come together in this book, the diverse topics and communities represented in HSP’s collectives, and the ways that researchers and creators might connect with HSP through the material presented here.

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Yael A. Sternhell, "War on Record: The Archive and the Afterlife of the Civil War" (Yale UP, 2023)

Sat, 23 Dec 2023 09:00:00 -0000

Yael A. Sternhell's War on Record: The Archive and the Aftermath of the Civil War (Yale University Press, 2023) is a history of the United States' greatest archival project and how it has shaped what we know about the Civil War. The Civil War generated a vast archive of official records--documents that would shape the postwar era and determine what future generations would know about the war. Yael Sternhell traces these records from their creation during wartime through their deployment in a host of postwar battles, including those between the federal government and Southerners seeking reparations and between veterans blaming each other for defeat.

These documents were eventually published in the most important historical collection ever to have been assembled in the United States: The War of the Rebellion: The Official Records of the Union and the Confederate Armies. Known as the OR, it is the ultimate source for generations of scholars and writers and ordinary citizens researching the war. By delving into the archive, Sternhell reveals its power to shape myths, hide truths, perpetuate rancor, and foster reconciliation. Far more than a storehouse of papers, the Civil War archive is a major historical actor in its own right.

Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research.

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Saving the Brontë Birthplace

Tue, 19 Dec 2023 09:00:00 -0000

Where were the Brontë sisters actually born? If this was a quiz question, most people would give the wrong answer. Even standard books on the Brontë family often gloss over the fact that Charlotte, Emily and Anne – along with their wayward brother Branwell – were all born between 1815 and 1820 in Thornton, a village on the edge of Bradford, and not at the famous Brontë Parsonage in nearby Haworth. The original hearth in front of which they were born – and the modest terraced property in Market Street, Thornton still housing that historic fireplace – is surprisingly little-known even among Bronte enthusiasts.

All that is about to change. A group of dedicated volunteers, backed by a couple of grants and a lot of crowdfunding, has just bought the long-neglected house and will soon embark on transforming it into an arts and education project with a difference. Under the banner ‘Be More Brontë’, local youngsters will be introduced to the Bronte sisters, hear about wonderful books such as Jane Eyre and Wuthering Heights, and be encouraged to explore their imaginations and their own future dreams.

By 2025, the Brontë Birthplace will be open to the public, featuring a café, a lively programme of educational, community and creative events, and even three guest rooms (named after Charlotte, Emily and Anne respectively) where visitors can stay the night.

In this podcast, Duncan McCargo talks to two Brontë Birthplace committee members about the project, and about what the Brontes mean to them. Christa Ackroyd is a former regional television news presenter, while Steve Stanworth is a local historian responsible for the restoration of the nearby Brontë Bell Chapel site.

Your support is still needed: please visit brontebirthplace.com to offer financial assistance, or to find out how you can get involved.

Duncan McCargo is a professor of global affairs at Nanyang Technological University in Singapore, and a host on the NBN Literature Channel. Full disclosure: he is also a patron of the Brontë Birthplace.

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Simone Gigliotti, "Restless Archive: The Holocaust and the Cinema of the Displaced" (Indiana UP, 2023)

Sat, 16 Dec 2023 09:00:00 -0000

The global refugee, the ship passenger, the displaced person. How did their homeseeking routes and visual motifs intersect and diverge in the early Holocaust film archive? Simone Gigliotti's Restless Archive: The Holocaust and the Cinema of the Displaced tracks the footsteps and routes of predominantly Jewish refugees and postwar displaced persons in what I call a “restless archive” of photographic, cinematographic and visual material that was created and re-used between 1933 and 1949. The historical and spatial analysis concentrates on tracing the emergence and remediation (migration) of images of displacement and transit and the forgotten-ness of others. The visual inventory is anchored in non-fiction historical material, including newsreels, institutional projections, found footage, home movies, short films, "fundraisers" and documentaries. In addition to Manifold's narrative platform, creative technologies, such as StoryMaps, have enabled the digital curation, mapping and “repatriation” of this visual and spatial archive of obstruction which has, to date, eluded analysis in its local and global entanglements.

You can find the open access book here. You can also find all of the source material mentioned in the interview if you keep scrolling down to the "Resources" section.

Links Mentioned in the Episode

An Accented Cinema: Exilic and Diasporic Filmmaking, Hamid Naficy (Princeton University Press, 2001)
Walter Benjamin's essay "The Work of Art in the Age of Mechanical Reproduction" (PDF)

Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research.

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Abigail Bainbridge, "Conservation of Books" (Routledge, 2023)

Fri, 15 Dec 2023 09:00:00 -0000

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Matthew Dennis, "American Relics and the Politics of Public Memory" (U Massachusetts Press, 2023)

Sun, 10 Dec 2023 09:00:00 -0000

The gold epaulettes that George Washington wore into battle. A Union soldier's bloody shirt in the wake of the Civil War. A crushed wristwatch after the 9/11 attacks. The bullet-riddled door of the Pulse nightclub. Volatile and shape-shifting, relics have long played a role in memorializing the American past, acting as physical reminders of hard-won battles, mass tragedies, and political triumphs.

Surveying the expanse of U.S. history, American Relics and the Politics of Public Memory (U Massachusetts Press, 2023) shows how these objects have articulated glory, courage, and national greatness as well as horror, defeat, and oppression. While relics mostly signified heroism in the nation's early years, increasingly, they have acquired a new purpose--commemorating victimhood. The atrocious artifacts of lynching and the looted remains of Native American graves were later transformed into shameful things, exposing ongoing racial violence and advancing calls for equality and civil rights. Matthew Dennis pursues this history of fraught public objects and assesses the emergence of new venues of memorialization, such as virtual and digital spaces. Through it all, relics continue to fundamentally ground and shape U.S. public memory in its uncertain present and future.

Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research.

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Raquel Ukeles et al., "101 Treasures from the National Library of Israel" (Scala Arts, 2022)

Sat, 09 Dec 2023 09:00:00 -0000

101 Treasures from the National Library of Israel (Scala Arts, 2022) provides a thematic journey through the rich and diverse collections of the National Library of Israel and the Jewish people worldwide. Selected by the Library's curators and collections experts, this fine-art volume presents 101 of the most precious items in the Library's collections, from 5th century Babylonia to modern-day Tel Aviv, and shares illuminating stories and anecdotes about these significant works and the intriguing people behind them.

Highlights include Maimonides' autograph copy of his Commentary on the Mishna; the Damascus Crowns including a vitally important 10th century Hebrew Bible codex; theological ruminations of Isaac Newton; love poetry by Sultan Suleiman the Magnificent; manuscripts from leading Jewish and Israeli writers, such as Martin Buber, Stefan Zweig, Franz Kafka, Naomi Shemer, and Shai Agnon; and rare materials documenting Israeli history. High-quality photographs illustrate the stories, and the introduction sets these collections within their cultural and historical context.

Matthew Miller is a graduate of Yeshivat Yesodei HaTorah. He studied Jewish Studies and Linguistics at McGill for his BA and completed an MA in Hebrew Linguistics at Queen Mary University of London. He works with Jewish organizations in media and content distribution, such as TheHabura.com and RabbiEfremGoldberg.org.

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Ceri Houlbrook,"‘Ritual Litter' Redressed" (Cambridge UP, 2022)

Mon, 27 Nov 2023 09:00:00 -0000

Ritual deposition is not an activity that many people in the Western world would consider themselves participants of. The enigmatic beliefs and magical thinking that led to the deposition of swords in watery places and votive statuettes in temples, for example, may feel irrelevant to the modern day.

However, Dr. Ceri Houlbrook shows in ‘Ritual Litter' Redressed (Cambridge University Press, 2023) that ritual deposition is a more widespread feature now than in the past, with folk assemblages – from roadside memorials and love-lock bridges, to wishing fountains and coin-trees – emerging prolifically worldwide. Despite these assemblages being as much the result of ritual activity as historically deposited objects, they are rarely given the same academic attention or heritage status. As well as exploring the nature of ritual deposition in the contemporary West, and the beliefs and symbolisms behind various assemblages, this Element explores the heritage of the modern-day deposit, promoting a renegotiation of the pejorative term 'ritual litter'.

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Gabriella Giannachi, "Archive Everything: Mapping the Everyday" (MIT Press, 2016)

Sat, 18 Nov 2023 09:00:00 -0000

In Archive Everything: Mapping the Everyday (MIT Press, 2016; paperback edition, 2023), Gabriella Giannachi traces the evolution of the archive into the apparatus through which we map the everyday. The archive, traditionally a body of documents or a site for the preservation of documents, changed over the centuries to encompass, often concurrently, a broad but interrelated number of practices not traditionally considered as archival. Archives now consist of not only documents and sites but also artworks, installations, museums, social media platforms, and mediated and mixed reality environments. Giannachi tracks the evolution of these diverse archival practices across the centuries.

Archives today offer a multiplicity of viewing platforms to replay the past, capture the present, and map our presence. Giannachi uses archaeological practices to explore all the layers of the archive, analyzing Lynn Hershman Leeson's !Women Art Revolution project, a digital archive of feminist artists. She considers the archive as a memory laboratory, with case studies that include visitors' encounters with archival materials in the Jewish Museum in Berlin and projects like heritage projects organized by the Exeter City Football Club Supporters Trust. She discusses the importance of participatory archiving, examining the “multimedia roadshow” Digital Diaspora Family Reunion as an example. She explores the use of the archive in works that express the relationship between ourselves and our environment, citing Andy Warhol’s time capsules and Ant Farm, among others. And she looks at the transmission of the archive through the body in performance, bioart, and database artworks, closing with a detailed analysis of Lynn Hershman Leeson's Infinity Engine.

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Diana Kamin, "Picture-Work: How Libraries, Museums, and Stock Agencies Launched a New Image Economy" (MIT Press, 2023)

Wed, 25 Oct 2023 08:00:00 -0000

How the image collection, organized and made available for public consumption, came to define a key feature of contemporary visual culture. The origins of today’s kaleidoscopic digital visual culture are many. In Picture-Work: How Libraries, Museums, and Stock Agencies Launched a New Image Economy (MIT Press, 2023), Diana Kamin traces the sharing of photographs to an image economy developed throughout the twentieth century by major institutions. Picture-Work examines how three of these institutions—the New York Public Library, the Museum of Modern Art, and the stock agency H. Armstrong Roberts Inc.—defined the public’s understanding of what the photographic image is, while building vast collections with universalizing ambitions.

Highlighting underexplored figures, such as the first rights and reproduction manager at MoMA Pearl Moeller and visionary NYPL librarian Romana Javitz, and underexplored professional practices, Diana Kamin demonstrates how bureaucratic work communicates ideas about images to the public. Kamin artfully shows how the public interfaces with these image collections through systems of classification and protocols of search and retrieval. These interactions, in turn, shape contemporary image culture, including concepts of authorship, art, property, and value, as well as logics of indexing, tagging, and hyperlinking. Together, these interactions have forged a concept of the image as alienable content, which has intensified with the advent of digital techniques for managing image collections. To survey the complicated process of digitization in the nineties and early aughts, Kamin also includes interviews with photographers, digital asset management system designers, librarians, and artists on their working practices.

Links Mentioned in the Episode

"Working With the Whitney's Replication Committee," Ben Lerner, The New Yorker, 2016
Invocation of Beauty: The Life and Photography of Soichi Sunami, Cascadia Art Museum, 2018
Soichi Sunami's manuscript autobiography, Museum of Modern Art Library
The New York Public Library: A Universe of Knowledge, Phyllis Dain (Scala Books and The New York Public Library, 2000)
What Photographs Do: The Making and Remaking of Museum Cultures, eds. Elizabeth Edwards and Ella Ravilious (UCL Press, 2022).

Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research.

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Katrin Nahidi, "The Cultural Politics of Art in Iran: Modernism, Exhibitions, and Art Production" (Cambridge UP, 2023)

Wed, 04 Oct 2023 08:00:00 -0000

Modernist Iranian art represents a highly diverse field of cultural production deeply involved in discussing questions of modernity and modernization as practiced in Iran. This book investigates how artistic production and art criticism reflected upon the discourse about gharbzadegi (westoxification), the most substantial critique of Iran's adaptation of Western modernity, and ultimately proved to be a laboratory for the negotiation of an anti-colonial concept of an Iranian artistic modernity, which artists and critics envisioned as a significant other to Western colonial modernity.

In The Cultural Politics of Art in Iran: Modernism, Exhibitions, and Art Production (Cambridge UP, 2023), Katrin Nahidi revisits Iranian modernist art, aiming to explore a political and contextualized interpretation of modernism. Based on extensive fieldwork, interviews, and archival research, Nahidi provides a history of modernist art production since the 1950s and reveals the complex political agency underlying art historiographical processes. Offering a key contribution to postcolonial art history, Nahidi shows how Iranian artistic modernity was used to flesh out anti-colonial concepts and ideas around Iranian national identity.

Kaveh Rafie is a PhD candidate specializing in modern and contemporary art at the University of Illinois at Chicago. His dissertation charts the course of modern art in the late Pahlavi Iran (1941-1979) and explores the extent to which the 1953 coup marks the recuperation of modern art as a viable blueprint for cultural globalization in Iran.

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Janice Rieger, "Design, Disability and Embodiment: Spatial Justice and Perspectives of Power" (Routledge, 2023)

Wed, 04 Oct 2023 08:00:00 -0000

Janice Rieger's book Design, Disability and Embodiment: Spatial Justice and Perspectives of Power (Routledge, 2023) explores the spatial and social injustices within our streets, malls, schools, and public institutions. Taken-for-granted acts like going for a walk, seeing an exhibition with a friend, and going to school are, for people with disabilities, conditional or precluded acts due to exclusion by design.

This book stimulates debate and discussion about current practice and studies in spatial design in the context of disability and the growing need for inclusive design globally. Case studies of inclusive design in spaces like museums, malls, galleries and universities are presented to challenge and expose the perspectives of power and spatial injustices that still exist within these spaces today. The international case studies presented purposely privilege the voices and perspectives of people with disabilities, to expose the multisensorial perspectives of spatial justice in order to understand inclusion more holistically through embodiment.

If you are an architect, designer, arts educator, curator or museum professional or just want a world where spatial justice is possible, then this book will provide you with a new perspective of spatial design through critical disability studies, allyship and codesign, where tangible approaches and practices for inclusive design are explored.

Shu Wan is currently matriculated as a doctoral student in history at the University at Buffalo. As a digital and disability historian, he serves in the editorial team of Digital Humanities Quarterly and Nursing Clio. On Twitter: @slissw.

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A Better Way to Buy Books

Tue, 12 Sep 2023 08:00:00 -0000

Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities.

Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub.

Caleb Zakarin is the Assistant Editor of the New Books Network.

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Valerie Hébert ed., "Framing the Holocaust: Photographs of a Mass Shooting in Latvia, 1941" (U Wisconsin Press, 2023)

Thu, 07 Sep 2023 08:00:00 -0000

Framing the Holocaust: Photographs of a Mass Shooting in Latvia, 1941 (University of Wisconsin Press, 2023), edited by Valerie Hébert, compiles essays on the meaning of twelve photographs of a terrible atrocity. In December 1941, German police and their local collaborators shot 2,749 Jews at the beach in Sķēde, near Liepāja, Latvia. Twelve photographs were taken at the scene. These now-infamous images show people in extreme distress, sometimes without clothing. Some capture the very moments when women and children confronted their imminent deaths, while others show their dead bodies. They are nearly unbearable to look at -- so why should we?

Framing the Holocaust offers a multidimensional response to this question. While photographs are central to our memory of modern historical events, they often inhabit an ambivalent intellectual space. What separates the sincere desire to understand from voyeuristic curiosity? Comprehending atrocity photographs requires viewers to place themselves in the very positions of the perpetrators who took the images. When we engage with these photographs, do we risk replicating the original violence? In this tightly organized book, scholars of history, photography, language, gender, photojournalism, and pedagogy examine the images of the Sķēde atrocity along with other difficult images, giving historical, political, and ethical depth to the acts of looking and interpreting. With a foreword by Edward Anders, who narrowly escaped the December 1941 shooting, Framing the Holocaust represents an original approach to an iconic series of Holocaust photographs. This book contributes to compelling debates in the emerging field of visual history, including the challenges and responsibilities of using photographs to teach about atrocity.

Link Mentioned in the Episode: Digitized Mizrakh Yidisher Historisher Arkhiv archive (YIVO Institute for Jewish Research)

Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research.

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Ana Lucia Araujo, "Museums and Atlantic Slavery" (Routledge, 2021)

Tue, 29 Aug 2023 08:00:00 -0000

Ana Lucia Araujo's book Museums and Atlantic Slavery (Routledge, 2021) explores how slavery, the Atlantic slave trade, and enslaved people are represented through words, visual images, artifacts, and audiovisual materials in museums in Europe and the Americas.

Divided into four chapters, the book addresses four recurrent themes: wealth and luxury; victimhood and victimization; resistance and rebellion; and resilience and achievement. Considering the roles of various social actors who have contributed to the introduction of slavery in the museum in the last thirty years, the analysis draws on selected exhibitions, and institutions entirely dedicated to slavery, as well as national, community, plantation, and house museums in the United States, England, France, and Brazil. Engaging with literature from a range of disciplines, including history, anthropology, sociology, art history, tourism and museum studies, Araujo provides an overview of a topic that has not yet been adequately discussed and analysed within the museum studies field.

Museums and Atlantic Slavery encourages scholars, students, and museum professionals to critically engage with representations of slavery in museums. The book will help readers to recognize how depictions of human bondage in museums and exhibitions often fail to challenge racism and white supremacy inherited from the period of slavery.

Katrina Anderson is a doctoral candidate at the University of Delaware.

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Denise Y. Ho, “Curating Revolution: Politics on Display in Mao’s China” (Cambridge UP, 2017)

Thu, 17 Aug 2023 14:06:23 -0000

“In Mao’s China, to curate revolution was to make it material.” Denise Y. Ho’s new book explores this premise in a masterful account of exhibitionary culture in the Mao period (1949-1976) and beyond. Curating Revolution: Politics on Display in Mao’s China (Cambridge University Press, 2017) argues that “curating revolution taught people how...

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Jade E. Davis, "The Other Side of Empathy" (Duke UP, 2023)

Sun, 30 Jul 2023 08:00:00 -0000

In The Other Side of Empathy (Duke UP, 2023), Jade E. Davis contests the value of empathy as an affective or critical tool. Whether focusing on technology, colonialism, or racism, she shows how empathy can obscure relationships of dominance, control, submission, and victimization, arguing that these histories taint the whole concept of empathy.

Drawing on digital archives of photographs, memoirs, newspapers, interviews, and advertisements regarding nineteenth-century ethnographic museums and human zoos, Davis shows how empathetic responses erase culpabilities from those institutions that commodify difference. She also contends that empathy’s mediation through digital technology cannot lead to more ethical actions, as technology only connects representations of people rather than the people themselves.

In empathy’s place, Davis proposes mutual recognition as a way to see and experience others beyond colonial modes of empathy. Davis illustrates that moving beyond empathy allows for a more nuanced understanding of the colonial past and its ongoing impact while providing for a more meaningful affective engagement with the world.

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Nina Lager Vestberg, "Picture Research: The Work of Intermediation from Pre-Photography to Post-Digitization" (MIT Press, 2023)

Wed, 26 Jul 2023 08:00:00 -0000

Picture Research: The Work of Intermediation from Pre-Photography to Post-Digitization (MIT Press, 2023) focuses on how pictures were saved, stored, and searched for in a time before scanners, servers, and search engines, and describes the dramatic difference it made when images became scannable, searchable, and distributable via the internet. While the camera, the darkroom, and the printed page are well-known sites of photographic production that have been replaced by cell phones, imaging software, and websites, the cultural intermediaries of mass-circulation photography—picture librarians and researchers, editors, and archivists—are less familiar. In this book, Nina Lager Vestberg artfully details the range of research skills, reproduction machinery, and communication infrastructures that was needed to make pictures available to a public before digitization.

Drawing on documents and representations across a range of cultural expressions, Picture Research reveals the intermediation that has been performed by skilled workers in a variety of roles, making use of pre-photographic, photographic, and digital machineries of capture, accumulation, extraction, and transmission. Tracing a history of the modern pictorial economy from the pre-photographic 1830s to the post-digitized 2010s, it makes visible and explicit the invisible labor that has built—and still sustains—the visual commodity culture of everyday life.

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Nataša Jagdhuhn, "Post-Yugoslav Metamuseums: Reframing Second World War Heritage in Postconflict Croatia, Bosnia and Herzegovina, and Serbia" (Palgrave Macmillan, 2022)

Sat, 22 Jul 2023 08:00:00 -0000

Nataša Jagdhuhn's Post-Yugoslav Metamuseums: Reframing Second World War Heritage in Postconflict Croatia, Bosnia and Herzegovina, and Serbia (Palgrave Macmillan, 2022) analyzes the reframing of Second World War heritage in the memorial museums of the post-socialist, post-conflict states of Bosnia and Herzegovina, Croatia, and Serbia. In focusing on two specific models of memorial museum – the People’s Liberations Struggle Museum and the Museum of the Revolution – Jagdhuhn traces the treatment of Second World War heritage in socialist Yugoslavia both during the Yugoslav wars, and in successor states after the end of the conflict. In doing so, she provides new insight into the complex museological practices that have shaped this heritage.

Nataša Jagdhuhn is Postdoctoral Fellow at Friedrich Schiller University Jena. Her research focuses on memory constructs in the successor states of the former Yugoslavia, museum transformation in post-socialist Europe, the history of museology from a Global South perspective, and current debates on decolonizing heritage worldwide.

Iva Glisic is a historian and art historian specialising in modern Russia and the Balkans.

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William Wei, "Becoming Colorado: The Centennial State in 100 Objects" (UP of Colorado, 2021)

Thu, 20 Jul 2023 08:00:00 -0000

In Becoming Colorado: The Centennial State in 100 Objects (UP of Colorado, 2021), historian William Wei paints a vivid portrait of Colorado history using 100 of the most compelling artifacts from Colorado’s history. These objects reveal how Colorado has evolved over time, allowing readers to draw multiple connections among periods, places, and people. Collectively, the essays offer a treasure trove of historical insight and unforgettable detail.

Beginning with Indigenous people and ending in the early years of the twenty-first century, Wei traces Colorado’s story by taking a close look at unique artifacts that bring to life the cultures and experiences of its people. For each object, a short essay accompanies a full-color photograph. These accessible accounts tell the human stories behind the artifacts, illuminating each object’s importance to the people who used it and its role in forming Colorado’s culture. Together, they show how Colorado was shaped and how Coloradans became the people they are. Theirs is a story of survival, perseverance, enterprise, and luck.

Providing a fresh lens through which to view Colorado’s past, Becoming Colorado tells an inclusive story of the Indigenous and the immigrant, the famous and the unknown, the vocal and the voiceless—for they are all Coloradans.

William Wei is professor of history at the University of Colorado Boulder. His major works include Counterrevolution in China: The Nationalists in Jiangxi during the Soviet Period, The Asian American Movement, and Asians in Colorado. Wei has held a Rockefeller Fellowship, Mellon Fellowship, and Fulbright-Hays Fellowship and was the 2019–2020 Colorado State Historian.

Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen Minute Film Fanatics, here on the New Books Network.

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Margareta von Oswald and Jonas Tinius, "Awkward Archives: Ethnographic Drafts for a Modular Curriculum" (Archive Books, 2022)

Tue, 18 Jul 2023 08:00:00 -0000

Awkward Archives: Ethnographic Drafts for a Modular Curriculum (Archive Books, 2022) proposes a manual for academic teaching and learning contexts. An ethnographic research approach is confronted with the demands of archival research as both disciplines challenge their inner logics and epistemologies. Through fieldwork and ethnographic tools and methods, both analogue and digital, the editors take various contemporary archival sites in Berlin as case studies to elaborate on controversial concepts in Western thought. Presenting as such a modular curriculum on archives in their awkwardness—with the tensions, discomfort and antagonisms they pose.

With case studies on Haus der Kulturen der Welt, the Hahne-Niehoff Archive and the Museum für Naturkunde Berlin, among others

This book is available open access

here.

Adam Bobeck is a PhD candidate in Sociocultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Ontology and Ritual Theory”.

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Deborah Stevenson, "Cultural Policy Beyond the Economy: Value, Work and the Social" (Edward Elgar, 2023)

Fri, 16 Jun 2023 08:00:00 -0000

What is the future for cultural policy? In Cultural Policy Beyond the Economy: Work, Value, and the Social (Edward Elgar, 2023), Deborah Stevenson, Professor of Sociology and Urban Cultural Research in the Institute for Culture and Society at Western Sydney University, analyses key trends on themes in contemporary cultural policy. The book covers the rise of wellbeing, the dominance of economics, sustainable development, cultural work, inequalities in cultural tastes, and cultural value. Introducing the concept of the art world complex as a frame for both understanding and defending cultural policy, the analysis sets a new agenda for the study of cultural policy. Theoretically rich and packed with empirical examples, the book will be essential reading across arts, humanities, and social sciences, as well as anyone interested in culture today.

Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.

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Samuel J. Redman, "The Museum: A Short History of Crisis and Resilience" (NYU Press, 2022)

Tue, 13 Jun 2023 08:00:00 -0000

On an afternoon in January 1865, a roaring fire swept through the Smithsonian Institution. Dazed soldiers and worried citizens could only watch as the flames engulfed the museum’s castle. Rare objects and valuable paintings were destroyed. The flames at the Smithsonian were not the first—and certainly would not be the last— disaster to upend a museum in the United States. Beset by challenges ranging from pandemic and war to fire and economic uncertainty, museums have sought ways to emerge from crisis periods stronger than before, occasionally carving important new paths forward in the process.

The Museum: A Short History of Crisis and Resilience (NYU Press, 2022) explores the concepts of the multiple “crises” of the museums, and these historic institutions attempts to dealt with challenges ranging from depression and war to pandemic and philosophical uncertainty.

Samuel J. Redman speaks to Pierre d'Alancaisez about the fires, floods, wars, and existential crises that have redefined what museums do and how they think of themselves and their public, asking challenging questions about American cultural life. Not deterred by these institutions' tendency to forgot their even recent past, Redman argues that cultural institutions can, and should, use their history to construe their future identity.

Samuel J. Redman is Associate Professor in the Department of History at the University of Massachusetts Amherst and the author of Bone Rooms: From Scientific Racism to Human Prehistory in Museums and Prophets and Ghosts: The Story of Salvage Anthropology.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Sharon Hecker and Raffaele Bedarida, "Curating Fascism: Exhibitions and Memory from the Fall of Mussolini to Today" (Bloomsbury, 2022)

Sat, 13 May 2023 08:00:00 -0000

On the centenary of the fascist party's ascent to power in Italy, Curating Fascism: Exhibitions and Memory from the Fall of Mussolini to Today (Bloomsbury, 2022) examines the ways in which exhibitions organised after the fall of Mussolini's regime to the present day have shaped collective memory, historical narratives, and political discourse around the Italian ventennio. It charts how shows on fascism have evolved since the postwar period in Italy, explores representations of Italian fascism in exhibitions across the world, and highlights blindspots in art and cultural history, as well as in exhibition practices.

Curating Fascism treats fascism as both a historical moment and a major paradigm through which critics, curators, and the public at large have defined the present moment. It interweaves historical perspectives, critical theory, and direct accounts of exhibitions from the people who conceived them or responded to them most significantly in order to examine the main curatorial strategies, cultural relevance, and political responsibility of art exhibitions focusing on the Fascist period.

Sharon Hecker and Raffaele Bedarida speak to Pierre d'Alancaisez about the role which post-war exhibitions played in shaping our understandings of Italian Modernist art's relationship with Fascism, their contested curatorial and art historical strategies, and the continuing difficulty of reading political signs in aesthetics.

Post Zang Tumb Tuuum at Fondazione Prada
Maaza Mengiste's Project 3541

On 'fascism' in contemporary art: Larne Abse Gogarty. ‘The Art Right’. Art Monthly, April 2017. Read and weep.

Sharon Hecker is an art historian and curator specializing in modern and contemporary Italian art. She is the author of A Moment’s Monument: Medardo Rosso and the International Origins of Modern Sculpture, and co-editor of Postwar Italian Art History: Untying the Knot and Lead in Modern and Contemporary Art . For her work on Italian art, Hecker has received fellowships from the Getty, Fulbright, and Mellon Foundations.

Raffaele Bedarida is Associate Professor of Art History at Cooper Union, USA. An art historian specializing in transnational modernism and politics, Bedarida focuses on cultural diplomacy, migration, and cultural exchange between Italy and the United States. He is the author of Corrado Cagli: La pittura, l’esilio, L’America and Exhibiting Italian Art in the United States from Futurism to Arte Povera. Bedarida has received fellowships from the Center for Italian Modern Art and the Terra Foundation for American Art.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Barbara Penner et al., "Extinct: A Compendium of Obsolete Objects" (Reaktion Books, 2021)

Mon, 08 May 2023 08:00:00 -0000

So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct: A Compendium of Obsolete Objects (Reaktion Books, 2021) gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. Extinct is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight.

Barbara Penner is professor of architectural humanities at the Bartlett School of Architecture, University College London.

Adrian Forty is professor emeritus of architectural history at the Bartlett School of Architecture, University College London.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel.

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Emma Hagström Molin, "Spoils of Knowledge: Seventeenth-Century Plunder in Swedish Archives and Libraries" (Brill, 2023)

Fri, 05 May 2023 08:00:00 -0000

In Spoils of Knowledge: Seventeenth-Century Plunder in Swedish Archives and Libraries (Brill, 2023), Emma Hagström Molin offers novel perspectives on document and book plundering. At the forefront of her study is the controversial heritage connected to the Swedish Empire (1611–1721) kept in Swedish archives and libraries.

Previous studies suggest that continental spoils were perceived as an inferior and problematic category, and that Catholic books in particular were hard to accommodate in Protestant libraries. However, by considering systems of classification and collection orders of archives and libraries, Hagström Molin unearths a much more complex history of how plundered knowledge was appreciated, used and fused with its new Swedish settings. Moreover, spanning a history of four hundred years, this book shows that the understanding of spoils changed significantly over time. Molin demonstrates the value of studying classification and provenance, and the importance in considering how contextual time and space shapes the meaning of texts.

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Craig Leonard, "Uncommon Sense: Aesthetics after Marcuse" (MIT Press, 2022)

Sat, 29 Apr 2023 08:00:00 -0000

In Uncommon Sense: Aesthetics after Marcuse (MIT Press, 2022), Craig Leonard argues for the contemporary relevance of the aesthetic theory of Herbert Marcuse, an original member of the Frankfurt School and icon of the New Left, while also acknowledging his philosophical limits. This account reinvigorates Marcuse for contemporary readers, putting his aesthetic theory into dialogue with anti-capitalist activism.

Craig Leonard speaks to Pierre d’Alancaisez about anti-art, habit, the practice of defamiliarisation, a subversion of common sense. Leonard brings forward Marcuse’s claim that the aesthetic dimension is political because of its refusal to operate according to the repressive common sense that establishes and maintains relationships dictated by advanced capitalism.

Craig Leonard‘s research and teaching interests include artist publications, sound art, performance and sculpture. His recent exhibitions include Central Art Garage (Ottawa), Darling Green (New York) and Double Happiness (Toronto). He is associate professor of art at NSCAD.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Jeannette A. Bastian, "Archiving Cultures: Heritage, Community and the Making of Records and Memory" (Routledge, 2023)

Sat, 22 Apr 2023 08:00:00 -0000

“Archivists feel that what their mission is, is to document society. And the question is: how can you document society if you only look at or value or preserve—maybe value is the right word—a particular segment of the expressions of society?”

In Archiving Cultures: Heritage, Community and the Making of Records and Memory (Routledge, 2023), Jeannette Bastian defines and models the concept of cultural archives, focusing on how diverse communities express and record their heritage and collective memory and why and how these often-intangible expressions are archival records. Analysis of oral traditions, memory texts and performance arts demonstrate their relevance as records of their communities.

Key features of this book include definitions of cultural heritage and archival heritage with an emphasis on intangible cultural heritage. Aspects of cultural heritage such as oral traditions, performance arts, memory texts and collective memory are placed within the context of records and archives. It presents strategies for reconciling intangible and tangible cultural expressions with traditional archival theory and practice and offers both analog and digital models for constructing cultural archives through examples and vignettes.

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Barbara Sjoholm, "From Lapland to Sápmi: Collecting and Returning Sámi Craft and Culture" (U Minnesota Press, 2023)

Wed, 19 Apr 2023 08:00:00 -0000

Material objects—things made, used, and treasured—tell the story of a people and place. So it is for the Indigenous Sámi living in Norway, Sweden, Finland, and Russia, whose story unfolds across borders and centuries, in museums and private collections. As described in From Lapland to Sápmi: Collecting and Returning Sámi Craft and Culture (University of Minnesota, 2023) by Barbara Sjoholm, the objects created by the Sámi for daily and ceremonial use were purchased and taken by Scandinavians and foreign travelers in Lapland from the seventeenth century to the present, and the collections described in From Lapland to Sápmi map a complex history that is gradually shifting to a renaissance of Sámi culture and craft, along with the return of many historical objects to Sápmi, the Sámi homeland.

The Sámi objects first collected in Lapland by non-Indigenous people were drums and other sacred artifacts, but later came to include handmade knives, decorated spoons, clothing, and other domestic items owned by Sámi reindeer herders and fishers, as well as artisanal crafts created for sale. Sjoholm describes how these objects made their way via clergy, merchants, and early scientists into curiosity cabinets and eventually to museums in Copenhagen, Stockholm, Oslo, and abroad. Musicians, writers, and tourists also collected Sámi culture for research and enjoyment. Sjoholm follows these objects and collections from the Age of Enlightenment through the twentieth century, when artisanship took on new forms in commerce and museology and the Sámi began to organize politically and culturally. Today, several collections of Sámi objects are in the process of repatriation, while a new generation of artists, activists, and artisans finds inspiration in traditional heritage and languages.

Deftly written and amply illustrated, with contextual notes on language and Nordic history, From Lapland to Sápmi brings to light the history of collecting, displaying, and returning Sámi material culture, as well as the story of Sámi creativity and individual and collective agency.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Kristin Hass, "Blunt Instruments: Recognizing Racist Cultural Infrastructure in Memorials, Museums, and Patriotic Practices" (Beacon Press, 2022)

Sun, 26 Mar 2023 08:00:00 -0000

Blunt Instruments: Recognizing Racist Cultural Infrastructure in Memorials, Museums, and Patriotic Practices (Beacon Press, 2022) provides a field guide to the memorials, museums, and practices that commemorate white supremacy in the United States—and how to reimagine a more deeply shared cultural infrastructure for the future.

Cultural infrastructure has been designed to maintain structures of inequality, and while it doesn’t seem to be explicitly about race, it often is. Blunt Instruments helps readers identify, contextualize, and name elements of our everyday landscapes and cultural practices that are designed to seem benign or natural but which, in fact, work tirelessly to tell us vital stories about who we are, how we came to be, and who belongs.

Examining landmark moments such as the erection of the first American museum and Colin Kaepernick’s kneeling pledge of allegiance, historian Kristin Hass explores the complicated histories of sites of cultural infrastructure. With sharp analysis and a broad lens, Hass makes the undeniable case that understanding what cultural infrastructure is, and the deep and broad impact that it has, is essential to understanding how structures of inequity are maintained and how they might be dismantled.

Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

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Claudia Brittenham, "Unseen Art: Making, Vision, and Power in Ancient Mesoamerica" (U Texas Press, 2023)

Fri, 24 Mar 2023 08:00:00 -0000

In Unseen Art: Making, Vision, and Power in Ancient Mesoamerica (U Texas Press, 2023), Claudia Brittenham unravels one of the most puzzling phenomena in Mesoamerican art history: why many of the objects that we view in museums today were once so difficult to see. She examines the importance that ancient Mesoamerican people assigned to the process of making and enlivening the things we now call art, as well as Mesoamerican understandings of sight as an especially godlike and elite power, in order to trace a gradual evolution in the uses of secrecy and concealment, from a communal practice that fostered social memory to a tool of imperial power.

Addressing some of the most charismatic of all Mesoamerican sculptures, such as Olmec buried offerings, Maya lintels, and carvings on the undersides of Aztec sculptures, Brittenham shows that the creation of unseen art has important implications both for understanding status in ancient Mesoamerica and for analyzing art in the present. Spanning nearly three thousand years of the Indigenous art of Mexico, Guatemala, Honduras, and Belize, Unseen Art connects the dots between vision, power, and inequality, providing a critical perspective on our own way of looking.

Sarah Newman (@newmantropologa) is an archaeologist and Assistant Professor of Anthropology at the University of Chicago. Her research explores long-term human-environmental interactions, including questions of waste and reuse, processes of landscape transformations, and relationships between humans and other animals.

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Annie Pfeifer, "To the Collector Belong the Spoils: Modernism and the Art of Appropriation" (Cornell UP, 2023)

Fri, 17 Mar 2023 08:00:00 -0000

To the Collector Belong the Spoils: Modernism and the Art of Appropriation (Cornell UP, 2023) rethinks collecting as an artistic, revolutionary, and appropriative modernist practice, which flourishes beyond institutions like museums or archives. Through a constellation of three author-collectors—Henry James, Walter Benjamin, and Carl Einstein—Annie Pfeifer examines the relationship between literary modernism and twentieth-century practices of collecting objects. From James's paper hoarding to Einstein's mania for African art and Benjamin's obsession with old Russian toys, she shows how these authors' literary techniques of compiling, gleaning, and reassembling constitute a modernist style of collecting which that reimagines the relationship between author and text, source and medium. Placing Benjamin and Einstein in surprising conversation with James sharpens the contours of collecting as aesthetic and political praxis underpinned by dangerous passions. An apt figure for modernity, the collector is caught between preservation and transformation, order and chaos, the past and the future.

Positing a shadow history of modernism rooted in collection, citation, and paraphrase, To the Collector Belong the Spoils traces the movement's artistic innovation to its preoccupation with appropriating and rewriting the past. By despoiling and decontextualizing the work of others, these three authors engaged in a form of creative plunder that evokes collecting's long history in the spoils of war and conquest. As Pfeifer demonstrates, more than an archive or taxonomy, modernist collecting practices became a radical, creative endeavor—the artist as collector, the collector as artist.

Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. Jen edits for Partnership Journal and organizes with the TPS Collective. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

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Seeing Truth in the Archives

Thu, 09 Feb 2023 09:00:00 -0000

Joel Sweimler, Exhibition Specialist at the American Museum of Natural History, talks about his career at the museum, working on Seeing Truth, and what his favorite object in the collection happen to be this week.

Learn more about the Seeing Truth exhibition at our website.

Alexis L. Boylan is the director of academic affairs of the University of Connecticut Humanities Institute (UCHI) and an associate professor with a joint appointment in the Art and Art History Department and the Africana Studies Institute

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Bridget Whearty, "Digital Codicology: Medieval Books and Modern Labor" (Stanford UP, 2022)

Sat, 14 Jan 2023 09:00:00 -0000

Medieval manuscripts are our shared inheritance, and today they are more accessible than ever—thanks to digital copies online. Yet for all that widespread digitization has fundamentally transformed how we connect with the medieval past, we understand very little about what these digital objects really are. We rarely consider how they are made or who makes them. Digital Codicology: Medieval Books and Modern Labor (Stanford UP, 2022) demystifies digitization, revealing what it's like to remake medieval books online and connecting modern digital manuscripts to their much longer media history, from print, to photography, to the rise of the internet.

Examining classic late-1990s projects like Digital Scriptorium 1.0 alongside late-2010s initiatives like Bibliotheca Philadelphiensis, and world-famous projects created by the British Library, Corpus Christi College Cambridge, Stanford University, and the Walters Art Museum against in-house digitizations performed in lesser-studied libraries, Bridget Whearty tells never-before-published narratives about globally important digital manuscript archives. Drawing together medieval literature, manuscript studies, digital humanities, and imaging sciences, Whearty shines a spotlight on the hidden expert labor responsible for today's revolutionary digital access to medieval culture. Ultimately, this book argues that centering the modern labor and laborers at the heart of digital cultural heritage fosters a more just and more rigorous future for medieval, manuscript, and media studies.

Jen Hoyer is Technical Services and Electronic Resources Librarian at CUNY New York City College of Technology and a volunteer at Interference Archive. She is co-author of What Primary Sources Teach: Lessons for Every Classroom and The Social Movement Archive.

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Samuel J. Redman, "Bone Rooms: From Scientific Racism to Human Prehistory in Museums" (Harvard UP, 2022)

Thu, 15 Dec 2022 09:00:00 -0000

In Bone Rooms: From Scientific Racism to Human Prehistory in Museums (Harvard University Press, 2022 for paperback edition), Samuel J. Redman, Associate Professor of History at the University of Massachusetts, uncovers the equally fascinating and disturbing history behind the vast collections of human remains assembled by medical and natural history museums since the mid-nineteenth-century across the United States. The book shows how, in the aftermaths of the Civil War, human remains, and especially those of Indigenous people, were seen as valuable specimens for the advancement of medicine, before turning into crucial pieces of evidence for scientific racism, and eventually serving as material for the study and exhibition of human prehistory.

Bone Rooms charts the trouble waters of the birth and evolution of bone rooms and offers a most timely historical account, as debates around the restitution of human remains and cultural artifacts held in museums have been gaining momentum in the recent years. Behind this important past lies the profound question of how to ensure that the quest for scientific knowledge does not, even if inadvertently, erase the humanity or cultural value of what have been seen as specimens only. As Redman advocates, “Museums can serve as key spaces to attempt to come to terms with the colonial legacy attached to archaeology and anthropology, through partially redressing past wrongs while continuing the search for new knowledge.”

Victor Monnin, Ph.D. is an historian of science specialized in the history of Earth sciences. He is also teaching French language and literature to undergraduates.

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Victoria Hoyle, "The Remaking of Archival Values" (Routledge, 2022)

Sun, 11 Dec 2022 09:00:00 -0000

The Remaking of Archival Values by Victoria Hoyle (Routledge, October 2022) posits that archival theory and practice are fields in flux, and that recent critical archival discourse that addresses neoliberalism, racism, and the legacies of colonialism and patriarchy represents a disruption not only to established principles but also to the values that underpin them.

Using critical discourse analysis and comparing theory and practice from the UK and the Anglophone world, Hoyle explores the challenges faced by scholars, institutions, organizations, and practitioners in embedding new values. She demonstrates how persistent underlying discursive structures about archives have manifested from the late nineteenth century to the present day. Qualitative and participatory research in the UK shows how conceptions of archival value arise, are expressed, and become authorized in practice at international, national, and local levels. Considering what might be learnt from similar debates in public history and cultural heritage studies, the book asks if and how dominant epistemologies of the archive can be dismantled amidst systems of power that resist change.

As Hoyle reflects in this interview, “I call the book The Remaking of Archival Values and I talk throughout about how my own archival values have been remade, but I don’t mean by that that we arrive at a new set of archival values. But rather: that we acknowledge that this process of remaking is fundamental to our practice, and that we enter this position of suspension in order to continue that process of remaking perpetually rather than expecting some kind of end point.”

The Remaking of Archival Values is relevant to researchers and students in the field of archival and information studies, as well as practitioners who work with archives around the world. It will also speak to the interests of those working in the fields of cultural heritage, archaeology, museum studies, public history, and gender and race studies.

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Edward S. Cooke, "Global Objects: Toward a Connected Art History" (Princeton UP, 2022)

Tue, 06 Dec 2022 09:00:00 -0000

A bold reorientation of art history that bridges the divide between fine art and material culture through an examination of objects and their uses art history is often viewed through cultural or national lenses that define some works as fine art while relegating others to the category of craft.

Global Objects: Toward a Connected Art History (Princeton UP, 2022) points the way to an interconnected history of art, examining a broad array of functional aesthetic objects that transcend geographic and temporal boundaries and challenging preconceived ideas about what is and is not art. Avoiding traditional binaries such as East versus West and fine art versus decorative art, Edward Cooke looks at the production, consumption, and circulation of objects made from clay, fiber, wood, and nonferrous base metals. Carefully considering the materials and process of making, and connecting process to product and people, he demonstrates how objects act on those who look at, use, and acquire them. He reveals how objects retain aspects of their local fabrication while absorbing additional meanings in subtle and unexpected ways as they move through space and time. In emphasizing multiple centers of art production amid constantly changing contexts, Cooke moves beyond regional histories driven by geography, nation-state, time period, or medium. Beautifully illustrated, Global Objects traces the social lives of objects from creation to purchase, and from use to experienced meaning, charting exciting new directions in art history.

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Adam Brookes, "Fragile Cargo: The World War II Race to Save the Treasures of China's Forbidden City" (Atria Books, 2022)

Fri, 02 Dec 2022 09:00:00 -0000

The two parallel Palace Museums in Beijing and Taiwan, and their separate collections of thousands of precious artworks and artifacts from imperial times, reflects a key moment in the 1940s when the Republic of China and the People’s Republic became distinct entities. But the very survival of these vast troves of porcelain, sculpture, jade, paintings, books and many other items up to that moment was far from guaranteed given the epochal events unfolding across East Asia in the early part of the twentieth century.

In Fragile Cargo: The World War II Race to Save the Treasures of China's Forbidden City (Atria Books, 2022), Adam Brookes tells the story of the evacuation and survival of these delicate ‘treasures’, which during the 1930s to the 1940s travelled from their erstwhile palace home thousands of miles into western China, following rivers, railways and roads to evade the tides of war and revolution which threatened to catch up with and destroy them. Marshaled by attentive and often very brave curators, these objects and their improbable physical and symbolic journeys offer – in Brookes’ vivid telling – an extraordinary and revealing perspective on a critically important era of imperial collapse, civil war and foreign invasion.

Ed Pulford is an Anthropologist and Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and indigeneity in northeast Asia.

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John Darnell and Colleen Darnell, "Egypt's Golden Couple: When Akhenaten and Nefertiti Were Gods on Earth" (St. Martin's Press, 2022)

Fri, 11 Nov 2022 09:00:00 -0000

Two celebrated Egyptologists bring to vivid life the intriguing and controversial reign of King Tut's parents. Akhenaten has been the subject of radically different, even contradictory, biographies. The king has achieved fame as the world's first individual and the first monotheist, but others have seen him as an incestuous tyrant who nearly ruined the kingdom he ruled. The gold funerary mask of his son Tutankhamun and the painted bust of his wife Nefertiti are the most recognizable artifacts from all of ancient Egypt. But who are Akhenaten and Nefertiti? And what can we actually say about rulers who lived more than three thousand years ago? November 2022 marks the centennial of the discovery of the tomb of Tutankhamun and although "King Tut" is a household name, his nine-year rule pales in comparison to the revolutionary reign of his parents. Akhenaten and Nefertiti became gods on earth by transforming Egyptian solar worship, innovating in art and urban design, and merging religion and politics in ways never attempted before. Combining fascinating scholarship, detective suspense, and adventurous thrills, Egypt's Golden Couple: When Akhenaten and Nefertiti Were Gods on Earth (St. Martin's Press, 2022) is a journey through excavations, museums, hieroglyphic texts, and stunning artifacts. From clue to clue, renowned Egyptologists John and Colleen Darnell reconstruct an otherwise untold story of the magnificent reign of Akhenaten and Nefertiti.

John and Colleen Darnell are a husband-and-wife Egyptologist team. They have presented on the Discovery Channel, History Channel, National Geographic, the Science Channel, and Smithsonian, as well as appeared in National Geographic's "Lost Treasures of Egypt."

John is Professor of Egyptology in the Department of Near Eastern Languages and Civilizations at Yale University. His archaeological expeditions in Egypt have been covered by the New York Times. In 2017, his Eastern Desert expedition discovered the earliest monumental hieroglyphic inscription and was named one of the top ten discoveries of the year by Archaeology.

Colleen teaches art history at the University of Hartford and Naugatuck Valley Community College; she has curated a major museum exhibit on Egyptian revival art and design at the Yale Peabody Museum.

Caleb Zakarin is the Assistant Editor of the New Books Network (Twitter: @caleb_zakarin).

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On the History of Muslim Books in Catholic Libraries

Wed, 09 Nov 2022 09:00:00 -0000

N.A. Mansour is a historian and a PhD candidate at Princeton University’s Department of Near Eastern Studies, where she is writing a dissertation on the transition between manuscript and print in Arabic-language contexts. She produces podcasts for different venues, co-edits Hazine.info, and works for different museums and archives. She also writes for the general public on culture, Islam and history.

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Eden Collinsworth, "What the Ermine Saw: The Extraordinary Journey of Leonardo Da Vinci's Most Mysterious Portrait" (Doubleday Books, 2022)

Thu, 20 Oct 2022 08:00:00 -0000

In the tradition of The Lady in Gold and The Hare with Amber Eyes, the remarkable history behind one of the world's most beloved paintings, Leonardo da Vinci's Lady with an Ermine More than half a millennium ago, a young woman sat before a Grecian-nosed artist known as Leonardo da Vinci. Her name was Cecilia Gallerani, and she was the fourteen-year-old mistress of Ludovico Sforza, Duke of Milan. Her lover, a ruthless man, was aware that da Vinci's brilliance as a painter would not only capture his mistress's beauty but reflect his own political prowess. Indeed, with this beguiling painting--in which Gallerani holds a strange white ermine close to her breast--da Vinci revolutionized the genre, changing not just what a portrait looked like, but also its purpose. But despite the work's importance in its own time, no records of it from the three hundred years following Gallerini's death exist.

In What the Ermine Saw: The Extraordinary Journey of Leonardo Da Vinci's Most Mysterious Portrait (Doubleday Books, 2022), Eden Collinsworth illuminates the eventual history of this exquisite oil painting, as it journeyed from one owner to the next--from the brutal Milanese Duke to a Polish noblewoman to the Nazis, who added it to Hitler's private collection, to the Czartoryski Museum in Krakow where it is currently displayed. Along the way, Collinsworth reveals a bewildering maze of social alliances and cultural upheavals, polarizing political divisions and territorial fragmentation. Expertly researched and deftly told, What the Ermine Saw is an enthralling account of Renaissance Italy and its actors, a comprehensive study of artistry and innovation, and a reminder that genius, power, and beauty always have a price.

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Jill Hicks-Keeton and Cavan W. Concannon, "Does Scripture Speak for Itself?: The Museum of the Bible and the Politics of Interpretation" (Cambridge UP, 2022)

Thu, 13 Oct 2022 08:00:00 -0000

Is the Bible the unembellished Word of God or the product of human agency? There are different answers to that question. And they lie at the heart of this book's powerful exploration of the fraught ways in which money, race and power shape the story of Christianity in American public life. The authors' subject is the Museum of the Bible in Washington, DC: arguably the latest example of a long line of white evangelical institutions aiming to amplify and promote a religious, political, and moral agenda of their own.

In Does Scripture Speak for Itself?: The Museum of the Bible and the Politics of Interpretation (Cambridge UP, 2022), Jill Hicks-Keeton and Cavan Concannon disclose the ways in which the Museum's exhibits reinforce a particularized and partial interpretation of the Bible's meaning. Bringing to light the Museum's implicit messaging about scriptural provenance and audience, the authors reveal how the MOTB produces a version of the Bible that in essence authorizes a certain sort of white evangelical privilege; promotes a view of history aligned with that same evangelical aspiration; and above all protects a cohort of white evangelicals from critique. They show too how the Museum collapses vital conceptual distinctions between its own conservative vision of the Bible and 'The Bible' as a cultural icon. This revelatory volume above all confirms that scripture – for all the claims made for it that it speaks only divine truth – can in the end never be separated from human politics.

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Alena Pirok, "The Spirit of Colonial Williamsburg: Ghosts and Interpreting the Recreated Past" (U Massachusetts Press, 2022)

Wed, 12 Oct 2022 08:00:00 -0000

On any given night, hundreds of guests walk the darkened streets of Colonial Williamsburg looking for ghosts. Since the early 2000s, both the museum and private companies have facilitated these hunts, offering year-round ghost tours. Critics have called these excursions a cash grab, but in truth, ghosts and hauntings have long been at the center of the Colonial Williamsburg project.

The Spirit of Colonial Williamsburg: Ghosts and Interpreting the Recreated Past (U Massachusetts Press, 2022) examines how the past comes alive at this living-history museum. In the early twentieth century, local stories about the ghosts of former residents--among them Revolutionary War soldiers and nurses, tavern owners and prominent attorneys, and enslaved African Americans--helped to turn Williamsburg into a desirable site for historical restoration. But, for much of the twentieth century, the museum tried diligently to avoid any discussion of ghosts, considering them frivolous and lowbrow. Alena Pirok explores why historic sites have begun to embrace their spectral residents in recent decades, arguing that through them, patrons experience an emotional connection to place and a palpable understanding of the past through its people.

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Clémentine Deliss, "The Metabolic Museum" (Hatje Cantz, 2020)

Tue, 04 Oct 2022 08:00:00 -0000

In The Metabolic Museum (Hatje Cantz, 2020), Clémentine Deliss, a curator, researcher, and former director of the Frankfurt Weltkulturen Museum, explores possible functions for anthropological museums in a postcolonial culture. Anthropological museums in Europe, as products of imperialism, have been compelled to legitimate themselves because the very basis of their exhibitions, the history of their collections, came about all too often through colonial appropriation and outright theft.

In this book, Deliss addresses this reality for enthographic or world culture museums in Europe, exploring the possible futures for these institutions. Connecting to reflections on her own work as the director of the Frankfurt Weltkulturen Museum with discussions of filmmakers, artists and authors to argue for an entity she calls the Metabolic Museum―an interventionist laboratory that opens up the potential of anthropological collections for the future.

Holiday Powers (@holidaypowers) is Assistant Professor of Art History at VCUarts Qatar. Her research focuses on modern and contemporary art in Africa and the Arab world, postcolonial theory, and gender studies.

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Bob Brier, "Tutankhamun and the Tomb That Changed the World" (Oxford UP, 2022)

Mon, 03 Oct 2022 08:00:00 -0000

It is often thought that the story of Tutankhamun ended when the thousands of items discovered by Howard Carter and Lord Carnarvon were transported to the Egyptian Museum in Cairo and put on display. But there is far more to Tutankhamun's story. Tutankhamun and the Tomb that Changed the World (Oxford UP, 2022) explores the 100 years of research on Tutankhamun that has taken place since the tomb's discovery: we learn that several objects in the tomb were made of meteoritic iron that came from outer space; new evidence shows that Tutankhamun may have been a warrior who went into battle; and author Bob Brier takes readers behind the scenes of the recent CAT-scanning of his mummy to reveal secrets of the pharaoh.

The book also illustrates the wide-ranging impact the discovery of Tutankhamun's tomb had on fields beyond Egyptology. Included is an examination of how the discovery of the tomb influenced Egyptian politics and contributed to the downfall of colonialism in Egypt. Outside Egypt, the modern blockbuster exhibitions that raise great sums of monies for museums around the world all began with Tutankhamun, as did the idea of documenting every object discovered in place, before it was moved. And to a great extent, the modern fascination with ancient Egypt--Egyptomania--was also greatly promoted by the Tutmania that surrounded the discovery of the tomb.

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Canadian History through the Eyes of the Canadian Canoe Museum

Mon, 26 Sep 2022 08:00:00 -0000

Greg Marchildon interviews Jeremy Ward, the curator of the Canadian Canoe Museum in Peterborough, Ontario, about the role of the canoe in the history of the portion of North America that would eventually become Canada and about the extraordinary collection of this unique museum of Canadian history. The conversation covers the role of curator in a history museum and what can be learned about Canadian history from an intimate viewing of material objects. Ward also explains how documentary history, including the work produced by the Champlain Society, is used to select and then explain the objects displayed in the museum. This podcast was produced by Jessica Schmidt.

This interview was produced with the support of The Champlain Society. The mission of The Champlain Society is to increase public awareness of, and accessibility to, Canada’s rich store of historical records.

Gregory P. Marchildon is the Ontario Research Chair in Health Policy and System Design with the Institute of Health Policy, Management and Evaluation at the University of Toronto.

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Stephen F. Auth, "Pilgrimage to the Museum: Man's Search for God Through Art and Time" (Sophia Institute Press, 2022)

Wed, 21 Sep 2022 08:00:00 -0000

In Pilgrimage to the Museum: Man's Search for God through Art and Time (Sophia Institute Press, 2022), Stephen Auth takes you on a provocative and colorful journey through the history of Western art, interpreted through a lens of Christian spirituality -- appropriately so since, in Auth's view, much of Western art expresses humanity's search for God, the Divine Artist-Creator. Leaving all the art-history jargon behind, Auth will transport you in his spiritual time machine from Egypt's Old Kingdom, through Greece and Rome, to medieval Europe; from the age of the Renaissance, through the Ages of Exploration and Enlightenment; and from the rise of atheism in the late 1800s to the seeds of a spiritual rebirth in the modern era. Along the way, you will experience anew the masterpieces of many artists, from Polykleitos to Raphael, Duccio to Rembrandt, Monet to Picasso. Through the works of these great artists, you will discover how the various themes and motifs of man's spiritual struggle occur, morph, fade, and then reoccur centuries later. And you will never look at a work of art the same way again.

Daniel Peris is Senior Vice President at Federated Hermes in Pittsburgh. He can be reached at DanielxPeris@gmail.com or via Twitter @HistoryInvestor. His History and Investing blog and Keep Calm & Carry On Investing podcast are here.

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Amy Potter et al., "Remembering Enslavement: Reassembling the Southern Plantation Museum" (U Georgia Press, 2022)

Tue, 13 Sep 2022 08:00:00 -0000

Remembering Enslavement: Reassembling the Southern Plantation Museum (U Georgia Press, 2022) explores plantation museums as sites for contesting and reforming public interpretations of slavery in the American South. Emerging out of a three-year National Science Foundation grant (2014-17), the book turns a critical eye toward the growing inclusion of the formerly enslaved within these museums, specifically examining advances but also continuing inequalities in how they narrate and memorialize the formerly enslaved.

Using assemblage theory as a framework, Remembering Enslavement offers an innovative approach for studying heritage sites, retelling and remapping the ways that slavery and the enslaved are included in southern plantation museums.

It examines multiple plantation sites across geographic areas, considering the experiences of a diversity of actors: tourists, museum managers/owners, and tour guides/interpreters. This approach allows for an understanding of regional variations

among plantation museums, narratives, and performances, as well as more in-depth study of the plantation tour experience and public interpretations. The authors conclude the book with a set of questions designed to help professionals reassemble plantation museum narratives and landscapes to more justly position the formerly enslaved at their center.

This interview is with three of the authors: Amy Potter, Stephen Hanna, and Derek Alderman.

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Jos van Beurden, "Inconvenient Heritage: Colonial Collections and Restitution in the Netherlands and Belgium" (Amsterdam UP, 2022)

Wed, 31 Aug 2022 08:00:00 -0000

The discussion about objects, human remains and archives from former colonial territories is becoming increasingly heated. Over the centuries, a multitude of items – including a cannon of the King of Kandy, power-objects from DR Congo, Benin bronzes, Javanese temple statues, Mori heads and strategic documents – has ended up in museums and private collections in Belgium and the Netherlands by improper means. Since gaining independence, former colonies have been calling for the return of their lost heritage. As continued possession of these objects only grows more uncomfortable, governments and museums must decide what to do.

Inconvenient Heritage: Colonial Collections and Restitution in the Netherlands and Belgium (Amsterdam University Press, 2022) by Dr. Jos van Beurden asks: How did these objects get here? Are they all looted, and how can we find out? How does restitution work in practice? Are there any appealing examples? How do other former colonial powers deal with restitution? Do former colonies trust their intentions? The book, provided open access, discusses the answers to these questions - which are far from unambiguous, but indispensable for a balanced discussion

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Karen Archey, "After Institutions" (Les presses du réel, 2022)

Mon, 22 Aug 2022 08:00:00 -0000

Faced with waning state support, declining revenue, and forced entrepreneurialism, museums have become a threatened public space. Simultaneously, they have assumed the role of institutional arbiter in issues of social justice and accountability. The canon of Institutional Critique has responded to the social embeddedness of art institutions by looking at the inner workings of such organisations and has found them wanting.

In After Institutions, Karen Archey expands the definition of Institutional Critique to develop a broader understanding of contemporary art’s sociopolitical entanglements, looking beyond what cultural institutions were to what they are and what they might become.

Karen Archey speaks to Pierre d’Alancaisez about the histories and futures of Institutional Critique, the museum’s neoliberal catch-22, and about an exhibition that didn’t happen.

Karen Archey is Curator of Contemporary Art at Stedelijk Museum Amsterdam. Formerly based in Berlin and New York, she worked earlier as an independent curator, editor, and art critic, writing for publications such as Artforum and frieze.

Lawrence Weiner, A Square Removal from a Rug in Use, 1969
Mel Bochner, Working Drawings and Other Visible Things on Paper Not Necessarily Meant to be Viewed as Art, 1966
Seth Siegelaub, The Xerox Book, 1968
Hans Haacke, Condenstation Cube, 1963-68
Steyerl, Hito. ‘The Institution of Critique’. In Art and Contemporary Critical Practice: Reinventing Institutional Critique, edited by Gerald Raunig and Gene Ray, 13–20. London: MayFlyBooks, 2009
Mario García Torres, Preliminary Sketches for the Past and the Future (Stedelijk Museum), 2007
Isa Genzken, Ohr (Ear), 1980
Josh Kline
Park McArthur, Ramps

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Considering Museum Work? A Conversation with Curators From the Smithsonian

Thu, 28 Jul 2022 08:00:00 -0000

Welcome to The Academic Life! In this episode you’ll hear about:

Our guests’ career paths at the Smithsonian,
their work to help create a new Women’s history museum,
collecting BLM materials during protests,
creating exhibits just as the pandemic closed the museum,
and a discussion of their book on women’s artifacts in the Smithsonian.

Today’s book is: Smithsonian American Women: Remarkable Objects and Stories of Strength, Ingenuity, and Vision from the National Collection, a book that offers a unique and panoramic look at women's history in the United States through the lens of ordinary objects from, by, and for extraordinary women. Featuring more than 280 artifacts from 16 Smithsonian museums and archives, and more than 135 essays from 95 Smithsonian authors, this book tells women's history as only the Smithsonian can. Portraits, photographs, paintings, political materials, signs, musical instruments, sports equipment, clothes, letters, ads, personal possessions, and other objects reveal the incredible stories of amazing women such as Phillis Wheatley, Julia Child, Sojourner Truth, Mary Cassat, Madame CJ Walker, Amelia Earhart, Eleanor Roosevelt, Mamie Till Mobley, Dolores Clara Fernandez Huerta, Phyllis Diller, Celia Cruz, Sandra Day O'Connor, Billie Jean King, and Silvia Rivera. Published to commemorate the centennial of the 19th Amendment granting women the right to vote, Smithsonian American Women is a deeply satisfying read and a reflection on how generations of women have defined what it means to be recognized in both the nation and the world.

Our guest is: Dr. Margaret A. Weitekamp, who is the Department Chair and Curator of the Space History Department at the Smithsonian National Air and Space Museum. Dr. Weitekamp curates the Museum's social and cultural history of spaceflight collection, and is the author of numerous scholarly articles, and co-edited the ninth volume in the Artefacts series on the material culture of science and technology, Analyzing Art and Aesthetics (Smithsonian Institution Scholarly Press, 2013). She is currently completing a book on social and cultural history of space memorabilia.

Our guest is: Dr. Michelle Anne Delaney, who is the Assistant Director for History and Culture of the National Museum of the American Indian. Dr. Delaney manages the Museum's research and scholarship team, and leads the intellectual program development for exhibitions, educational programming, publications, and digital scholarship; and directs strategic internal pan-Smithsonian projects, and external collaborations and university partnerships. An author and editor of several history of photography books, Dr. Delaney has also curated 25 Smithsonian exhibitions and web projects.

Our host is: Dr. Christina Gessler, the co-creator and co-producer of the Academic Life.

Listeners to this episode might also be interested in:

Information in the National Archives about the 19th Amendment
Because of Herstory webpage
National Women’s History Museum website
Information on the 19th amendment from the National Parks Service
The Women’s Museum of California
Women’s history resources at the National Museum of American History

You are smart and capable, but you aren’t an island and neither are we. We reach across our mentor network to bring you experts about everything from how to finish that project, to how to take care of your beautiful mind. Here on the Academic Life channel, we embrace a broad definition of what it means to be an academic and to lead an academic life. We view education as a transformative human endeavor and are inspired by today’s knowledge-producers working inside and outside the academy. Wish we’d bring on an expert about something? DMs us on Twitter: @AcademicLifeNBN.

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John Gillis, "The Fadden More Psalter: The Discovery and Conservation of a Medieval Treasure" (Wordwell Books, 2022)

Tue, 28 Jun 2022 08:00:00 -0000

In The Faddan More Psalter: The Discovery and Conservation of a Medieval Treasure Dr. John Gillis explores the conservation, construction, and context of an early medieval psalter discovered by chance in a bog at Faddan More, Co. Tipperary in July 2006. The different facets of this find are discussed in-depth, along with the pre-existing and newly created methods, tools, and ideas from different disciplines used to reveal its secrets. Gillis shines a light on this incredibly significant manuscript – named one of the National Museum of Ireland’s top ten treasures - that represents the first insular manuscript to be discovered in the past 200 years and the first from a wetland environment. The Faddan More Psalter: The Discovery and Conservation of a Medieval Treasure was published by Wordwell and National Museum of Ireland in 2022.

John Gillis is Chief Manuscript Conservator in the Library Preservation and Conservation Department in Trinity College Dublin. In 1988 he established and worked as Head of Conservation in the Delmas Conservation Bindery at Archbishop Marsh’s Library, Dublin. John has been teaching book conservation techniques and theory in Italy for over 20 years. His major achievement to date has been the conservation of the Fadden More Psalter at the National Museum of Ireland Conservation Department over a four-and-a-half year period, for which he won the Heritage Council of Ireland Conservation Award in 2010.

Dr. Danica Ramsey-Brimberg is a multidisciplinary researcher, who recently graduated with her PhD in History from the University of Liverpool and is an editorial assistant for the Church Archaeology journal.

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Lilianne Milgrom, "L' Origine: The Secret Life of the World's Most Erotic Masterpiece" (Girl Friday Books, 2021)

Wed, 15 Jun 2022 08:00:00 -0000

Today I talked to Lilianne Milgrom about L' Origine: The Secret Life of the World's Most Erotic Masterpiece (Girl Friday Books, 2021).

In 1866, maverick French artist Gustave Courbet painted one of the most iconic images in the history of art: a sexually explicit portrait of a woman's exposed genitals. Audaciously titled L'Origine du monde (The Origin of the World), the scandalous painting was kept hidden for a century and a half. Today, it hangs in the world-renowned Orsay Museum in Paris, viewed by millions of visitors a year.

As the first artist authorized by the Orsay Museum to re-create Courbet's The Origin of the World, author Lilianne Milgrom was thrust into the painting's intimate orbit, spending six weeks replicating every fold, crevice, and pubic hair. The experience inspired her to share her story and the painting's riveting clandestine history with readers beyond the confines of the art world.

Pallavi Joshi is a PhD Candidate in French Studies at the University of Warwick.

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Sherri Irvin, "Immaterial: Rules in Contemporary Art" (Oxford UP, 2022)

Fri, 10 Jun 2022 08:00:00 -0000

Art forms have rules, usually implicit, that govern the experiences that artists want their audiences to have: for example, a representational painting should be hung right-side-up, the same sort of paint medium should be used in restoration, and the painting should not be touched.

In Immaterial: Rules in Contemporary Art (Oxford University Press 2022), Sherri Irvin argues that contemporary conceptual art is constituted by custom rules as well as by their physical medium: the artist may specify that the work is intended to be handled, eaten, made out of anything, or even installed however the gallery or museum wants to. On Irvin’s view, such rules are essential for expressing a work’s meaning, even though they can also make that meaning difficult for audiences to grasp. In this illustrated volume, Irvin, who is research professor of philosophy at the University of Oklahoma, considers a wide range of contemporary works to present, elaborate, and address challenges to her view.

Carrie Figdor is professor of philosophy at the University of Iowa.

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Fleur Watson, "The New Curator: Exhibiting Architecture and Design" (Routledge, 2021)

Tue, 07 Jun 2022 08:00:00 -0000

The New Curator: Exhibiting Architecture and Design (Routledge, 2021) examines the challenges inherent in exhibiting design ideas. Traditionally, exhibitions of architecture and design have predominantly focused on displaying finished outcomes or communicating a work through representation.

In this ground-breaking new book, Fleur Watson unveils the emergence of the ‘new curator’. Instead of exhibiting finished works or artefacts, the rise of ‘performative curation’ provides a space where experimental methods for encountering design ideas are being tested. Here, the role of the curator is not that of ‘custodian’ or ‘expert’ but with the intent to create a shared space of encounter with audiences.

To illustrate this phenomenon, the book explores a diverse, international range of exhibitions. Divided into six themes, a series of project profiles are contextualized through conversations with influential curators and cultural producers such as Paola Antonelli, Kayoko Ota, Mimi Zeiger, Catherine Ince, Aric Chen, Zoë Ryan, Beatrice Leanza, Prem Krishnamurthy, Marina Otero Verzier, Brook Andrew, Carroll Go-Sam, Rory Hyde, Eva Franch i Gilabert, Patti Anahory and Paula Nascimento.

Featuring over 100 color illustrations, this highly designed, beautiful book offers an innovative contribution to the field. An essential read for students and professionals in architecture, design, art, visual culture, museum studies, curatorial studies and cultural theory. The book also features a foreword by Deyan Sudjic and an afterword by Leon van Schaik AO.

Bryan Toepfer, AIA, NCARB, CAPM is the Principal Architect for TOEPFER Architecture, PLLC, an Architecture firm specializing in Residential Architecture and Virtual Reality. He has authored two books, “Contractors CANNOT Build Your House,” and “Six Months Now, ARCHITECT for Life.” He is an Assistant Professor at Alfred State College and has served as the Director of Government Affairs and as the Director of Education for the AIA Rochester Board of Directors. Always eager to help anyone understand the world of Architecture, he hosts the New Books Network – Architecture podcast, is an NCARB Licensing Advisor and helps coach candidates taking the Architectural Registration Exam. btoepfer@toepferarchitecture.

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Yujie Zhu, "Heritage Tourism: From Problems to Possibilities" (Cambridge UP, 2021)

Fri, 03 Jun 2022 08:00:00 -0000

As one of the world's fastest growing industries, heritage tourism is surrounded by political and ethical issues. Yujie Zhu's Heritage Tourism: From Problems to Possibilities (Cambridge UP, 2021) explores the social and political effects and implications of heritage tourism through several pertinent topics. It examines the hegemonic power of heritage tourism and its consequences, the spectre of nationalism and colonialism in heritage-making, particularly for minorities and indigenous peoples, and the paradox of heritage tourism's role in combating these issues. Drawing from global cases, the study addresses a range of approaches and challenges of empowerment within the context of heritage tourism, including cultural landscapes, intangible heritage and eco-museums. The research argues that heritage tourism has the potential to develop as a form of co-production. It can be used to create a mechanism for community-centred governance that integrates recognition and interpretation and promotes dialogue, equity and diversity.

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Farah Nayeri, "Takedown: Art and Power in the Digital Age" (Astra Publishing, 2022)

Tue, 24 May 2022 08:00:00 -0000

For centuries, art censorship has been a top-down phenomenon—kings, popes, and one-party states decided what was considered obscene, blasphemous, or politically deviant in art. Today, censorship can also happen from the bottom-up, thanks to calls to action from organizers and social media campaigns. Artists and artworks are routinely taken to task for their insensitivity. In this new world order, artists, critics, philanthropists, galleries, and museums alike are recalibrating their efforts to increase the visibility of marginalized voices and respond to the people’s demands for better ethics in art. But what should we, the people, do with this newfound power?

With exclusive interviews with Nan Goldin, Sam Durant, Faith Ringgold, and others, Farah Nayeri tackles wide-ranging issues including sex, religion, gender, ethics, animal rights, and race. By asking questions such as: Who gets to make art and who owns it? How do we correct the inequities of the past? What does authenticity, exploitation, and appropriation mean in art?, Takedown: Art and Power in the Digital Age (Astra Publishing, 2022) provides the necessary tools to navigate the art world.

Allison Leigh is Associate Professor of Art History and the SLEMCO/LEQSF Regents Endowed Professor in Art & Architecture at the University of Louisiana at Lafayette. Her research explores masculinity in European and Russian art of the eighteenth through the early twentieth centuries.

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Facing Failure and the Museum Dedicated to It

Thu, 12 May 2022 08:00:00 -0000

Welcome to The Academic Life! In this episode you’ll hear about:

Why failure is part of the hidden curriculum
Why you can’t be creative or innovative without failing [sometimes a lot]
How to learn from it, instead of sweeping it under the rug
A failure our guest and our host each faced
A discussion of the Museum of Failure

Our guest is: Dr. Samuel West, a licensed psychologist (cognitive behavioral therapy) with a PhD in Organizational Psychology. His research focuses on creating climates for innovation by encouraging experimentation and exploration. In 2017 he founded the Museum of Failure showcasing over a 100 innovation failures from around the world. The aim of the museum is to stimulate productive discussions about the important role of failure for innovation and to increase organizational acceptance of failure.

Our host is: Dr. Christina Gessler, the co-creator and co-producer of the Academic Life. She previously worked in Museum Education at a small museum in New York; and as a PhD student worked for a professor who was a Smithsonian curator.

Listeners to this episode might also be interested in:

The Museum of Failure
The Museum of Broken Relationships
The remote control referred to in this podcast
The marshmallow candy referred to in this podcast
TedTalk on Failing “Mindfully”
Podcast on fear and failure
Podcast on the role of failure in student success
Failosophy: A Handbook for When Things Go Wrong, by Elizabeth Day
Dr. Manu Kapur’s work on Productive Failure

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Samuel J. Redman, "Prophets and Ghosts: The Story of Salvage Anthropology" (Harvard UP, 2021)

Wed, 11 May 2022 08:00:00 -0000

Prophets and Ghosts: The Story of Salvage Anthropology (Harvard UP, 2021) is a searching account of nineteenth-century salvage anthropology, an effort to preserve the culture of “vanishing” Indigenous peoples through dispossession of the very communities it was meant to protect.

In the late nineteenth century, anthropologists, linguists, archaeologists, and other chroniclers began amassing Indigenous cultural objects—crafts, clothing, images, song recordings—by the millions. Convinced that Indigenous peoples were doomed to disappear, collectors donated these objects to museums and universities that would preserve and exhibit them. Samuel Redman dives into the archive to understand what the collectors deemed the tradition of the “vanishing Indian” and what we can learn from the complex legacy of salvage anthropology.

The salvage catalog betrays a vision of Native cultures clouded by racist assumptions—a vision that had lasting consequences. The collecting practice became an engine of the American museum and significantly shaped public education and preservation, as well as popular ideas about Indigenous cultures. Prophets and Ghosts teases out the moral challenges inherent in the salvage project. Preservationists successfully maintained an important human inheritance, sometimes through collaboration with Indigenous people, but collectors’ methods also included outright theft. The resulting portrait of Indigenous culture reinforced the public’s confidence in the hierarchies of superiority and inferiority invented by “scientific” racism.

Today the same salvaged objects are sources of invaluable knowledge for researchers and museum visitors. But the question of what should be done with such collections is nonetheless urgent. Redman interviews Indigenous artists and curators, who offer fresh perspectives on the history and impact of cultural salvage, pointing to new ideas on how we might contend with a challenging inheritance.

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The Problem with Museums: A Conversation with Georgina Adam and Nizan Shaked

Tue, 10 May 2022 08:00:00 -0000

In the past few years, museums of contemporary art have come under a fair deal of scrutiny. Pressures from groups such as Decoloinise This Space or the oxycontin scandal have forced changes to the governance of some of the world’s best-known institutions. At the same time, the work of journalists and museum scholars has revealed that the relationships between trustees, curators, collections, and the public are often far more complex than the narratives of public benefit and private value would have us believe.

Nizan Shaked’s Museums and Wealth: The Politics of Contemporary Art Collections (Bloomsbury, 2022) is a critical analysis of contemporary art collections and the value form. In the United States, institutions administered by the nonprofit system have an ambiguous status as they are neither entirely private nor fully public. Among nonprofits, the museum is unique as it is the only institution where trustees tend to collect the same objects they hold in ‘public trust’ on behalf of the nation. Shaked argues that the public serves as an alibi for establishing the symbolic value of art, which sustains its monetary value and its markets.

In The Rise and Rise of the Private Art Museum (Lund Humphries, 2022), Adam tracks the phenomenon of the collector’s museum in the 21st century. There are some 400 private art museums around the world, and an astonishing 70% of those devoted to contemporary art were founded in the past 20 years. Although private museums have been accused of being tax-evading vanity projects or ‘tombs for trophies’, the picture is complex and nuanced. Private museums can add greatly to the cultural life of a community, giving a platform to emerging artists, supplying educational programmes and revitalising declining or neglected regions. But their relationship with public institutions can also be problematic.

Are museums purely public affairs? How do private collections serve the greater good? What happens when these missions become confused? Georgina Adam and Nizan Shaked speak to Pierre d’Alancaisez about the 500-year history and the recent rise of the private art museum and consider if even public museums are, in the end, private.

Georgina Adam is a journalist specialising in the art market. She writes for the Financial Times and The Art Newspaper. She is the author of Big Bucks and The Dark Side of the Boom.

Nizan Shaked is a professor of Contemporary Art History, Museum and Curatorial Studies at California State University Long Beach. She is the author of The Synthetic Proposition: Conceptualism and the Political Referent in Contemporary Art.

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Patricia A. Banks, "Black Culture, Inc.: How Ethnic Community Support Pays for Corporate America" (Stanford UP, 2022)

Tue, 19 Apr 2022 08:00:00 -0000

Why do corporations fund cultural organisations and events? In Black Culture, Inc: How ethnic community support pays for corporate America Patricia Banks, Professor of Sociology at Mount Holyoke College, explores the role of corporate funding in shaping cultural life, from historical examples of tobacco advertising and media, through to contemporary social media businesses’ presence at music festivals. The book draws on a wealth of examples and scholarship on Black culture in America, alongside analysis of diversity policy and practices. Most crucially, the book introduces the idea of ‘diversity capital’, showing the costs of corporate influence on culture, as well as the ambivalence and enthusiasm of cultural producers and audiences. Moving beyond simple explanations and analysis of race, corporate funding, and culture, the book is essential reading across the arts, humanities and social sciences, as well as for anyone interested in the arts today.

Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.

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Clarissa Ceglio, "A Cultural Arsenal for Democracy: The World War II Work of U.S. Museums" (U Massachusetts Press, 2022)

Fri, 18 Feb 2022 09:00:00 -0000

In A Cultural Arsenal for Democracy: The World War II Work of US Museums (University of Massachusetts Press, 2022), Dr. Ceglio argues that attempts during the war years to fit exhibition craft to the aims of social instrumentality constitute an important but forgotten moment in the field’s debates over whether museums should take active stances on public issues or, to use current parlance, remain neutral. In the book, she investigates how many American museums saw engagement with wartime concerns as consistent with their vision of the museum as a social instrument. She examines how these museums worked to strike the right balance between education and patriotism, hoping to attain greater relevance.

Dr. Ceglio focuses on exhibitions, which unsurprisingly served as the primary vehicle through which museums, large and small, engaged their publics with wartime topics with fare ranging from displays on the cultures of Allied nations to "living maps" that charted troop movements and exhibits on war preparedness. Dr. Ceglio chronicles debates, experiments, and collaborations from the 1930s to the immediate postwar years, investigating how museums re-envisioned the exhibition as a narrative medium and attempted to reconcile their mission with new modes of storytelling. She demonstrates how what today may seem standard museum practice—that exhibitions take explicitly narrative forms appealing to the mental, emotional, and physical— was still a novel and controversial idea to museums in the 1930s and ’40s.

Research for this book drew from administrative records, correspondence, and reports held by the archives of the American Museum of Natural History, the Brooklyn Museum of Art, the Museum of Modern Art (New York), the National Art Gallery, the Newark Museum, the Rockefeller Archive Center, the Smithsonian Institution, and the Wadsworth Atheneum (Hartford), among others.

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Margareta von Oswald and Jonas Tinius, "Across Anthropology: Troubling Colonial Legacies, Museums, and the Curatorial" (Leuven UP, 2020)

Mon, 31 Jan 2022 09:00:00 -0000

How can we rethink anthropology beyond itself? In this book, twenty-one artists, anthropologists, and curators grapple with how anthropology has been formulated, thought, and practised 'elsewhere' and 'otherwise'. They do so by unfolding ethnographic case studies from Belgium, France, Germany, Italy, the Netherlands, and Poland - and through conversations that expand these geographies and genealogies of contemporary exhibition making. This collection considers where and how anthropology is troubled, mobilised, and rendered meaningful.

Across Anthropology: Troubling Colonial Legacies, Museums, and the Curatorial (Leuven UP, 2020) charts new ground by analysing the convergences of museums, curatorial practice, and Europe's reckoning with its colonial legacies. Situated amid resurgent debates on nationalism and identity politics, this book addresses scholars and practitioners in fields spanning the arts, social sciences, humanities, and curatorial studies.

Free ebook available at OAPEN Library, JSTOR and ProjectMuse.

Margareta von Oswald is a research fellow at the Centre for Anthropological Research on Museums and Heritage (also known as CARMAH), at the Institute of European Ethnology of the Humboldt-Universität in Berlin. Jonas Tinius is also an associated research fellow at the Centre for Anthropological Research on Museums and Heritage at the Institute of European Ethnology of the Humboldt-Universität in Berlin.

Adam Bobeck is a PhD candidate in Cultural Anthropology at the University of Leipzig. His PhD is entitled “Object-Oriented Azadari: Shi’i Muslim Rituals and Ontology”. For more about his work, see www.adambobeck.com.

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Anna McSweeney, "From Granada to Berlin: The Alhambra Cupola" (Kettler Verlag, 2020)

Tue, 21 Dec 2021 09:00:00 -0000

Part of the series CAHIM Connecting Art Histories in the Museum, Anna McSweeney's book From Granada to Berlin: The Alhambra Cupola (Kettler Verlag, 2020) is the story of an extraordinary survivor from the Alhambra palace in Granada, Spain: the Alhambra cupola, now in the Museum of Islamic Art in Berlin. The cupola, a ceiling crafted from carved and painted wood, was made to crown an exquisite mirador in one of the earliest palace buildings of the Alhambra. The book is the cupola's biography from its medieval construction to its imminent redisplay in Berlin. It traces the long history of the Alhambra through the prism of the cupola, from the Muslim craftsmen who built it, to its adaptation by the Christian conquerors after the fall of Granada in 1492, to its creation as a heritage site. The cupola was sketched by artists from across Europe before it was dismantled by a German financier and taken to Berlin in the 19th century. It witnessed the dramatic events of the 20th century in Germany and was eventually bought by the Museum in 1978. In recent decades, the new visibility of the cupola to the wider public has prompted questions about the object and its movement from Granada to Berlin. Its removal from the Alhambra and the complex reasons behind this loss is central to this biography. Setting the cupola within the wider context of Islamic heritage, it considers the role of collecting practices in the transformation of living monuments into heritage sites in the 20th century. This book presents a focused study of this unique object that cuts across academic disciplines and geographic boundaries to reveal a new perspective on the legacy of Islamic art in Europe and its continuing relevance today.

Tanja Tolar is a Senior Teaching Fellow at the School of Oriental and African Studies in London.

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Joseph P. Feldman, "Memories Before the State: Postwar Peru and the Place of Memory, Tolerance, and Social Inclusion" (Rutgers UP, 2021)

Mon, 08 Nov 2021 09:00:00 -0000

In this episode of the New Books in Latin America Podcast, Kenneth Sánchez talked to Joe Feldman about his wonderful book Memories before the State: Postwar Peru and the Place of Memory, Tolerance and Social Inclusion published in 2021 by Rutgers University Press.

Memories before the State examines the discussions and debates surrounding the creation of the Place of Memory, Tolerance, and Social Inclusion, a national museum in Peru that memorializes the country's internal armed conflict of the 1980s and 1990s. Joseph P. Feldman analyzes forms of authority that emerge as an official institution seeks to incorporate and manage diverse perspectives on recent violence.

It is a very valuable book and an important contribution to memory, museum, and Peruvian studies and debates on those fields.

Joseph P. Feldman is currently a postdoctoral fellow at the Martin Institute and the Idaho Society of Fellows at the University of Idaho. Between 2016 and 2020 he was an assistant professor in the School of Anthropology at the Pontificia Universidad Católica de Chile and an affiliated researcher at the Center for Intercultural and Indigenous Research.

Kenneth Sanchez is a Peruvian journalist that currently works as a freelance journalist and as a multi-platform content curator for the Peruvian media outlet Comité de Lectura. He also hosts the New Books in Latin American Studies podcast and the movies & entertainment podcast Segundo Plano.

He holds a master degree in Latin American Politics from University College London (UCL), is a Centre for Investigative Journalism masterclass alumni and is part of the 6th generation of Young Journalists of #LaRedLatam of Distintas Latitudes. He has won several awards including the prestigious Amnesty Media Award given out by Amnesty International UK.

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Amy Sodaro, "Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence" (Rutgers UP, 2018)

Thu, 04 Nov 2021 08:00:00 -0000

Today, nearly any group or nation with violence in its past has constructed or is planning a memorial museum as a mechanism for confronting past trauma, often together with truth commissions, trials, and/or other symbolic or material reparations. In Exhibiting Atrocity: Memorial Museums and the Politics of Past Violence (Rutgers University Press, 2018), Amy Sodaro documents the emergence of the memorial museum as a new cultural form of commemoration, and analyzes its use in efforts to come to terms with past political violence and to promote democracy and human rights.

Through a global comparative approach, Sodaro uses in-depth case studies of five exemplary memorial museums that commemorate a range of violent pasts and allow for a chronological and global examination of the trend: the U.S. Holocaust Memorial Museum in Washington, DC; the House of Terror in Budapest, Hungary; the Kigali Genocide Memorial Centre in Rwanda; the Museum of Memory and Human Rights in Santiago, Chile; and the National September 11 Memorial Museum in New York. Together, these case studies illustrate the historical emergence and global spread of the memorial museum and show how this new cultural form of commemoration is intended to be used in contemporary societies around the world.

Amy Sodaro is an associate professor of sociology at the Borough of Manhattan Community College, The City University of New York.

Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.

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Montana Historical Society, "History of Montana in 101 Objects: Artifacts & Essays from the Montana Historical Society" (MHS Press, 2021)

Tue, 19 Oct 2021 08:00:00 -0000

A History of Montana in 101 Objects: Artifacts & Essays from the Montana Historical Society (Helena: Montana Historical Society Press, 2021) showcases the remarkable collection of artifacts preserved at the Montana Historical Society. Since 1865, the Montana Historical Society has pursued its mission to collect and protect items of significance to Montana’s past for the pleasure and education of residents and visitors. This assemblage of objects, interpretive essays, and beautiful photographs by Tom Ferris, draws attention to the diversity of experiences—the triumphs and the sorrows, the everyday struggles and joys—that made Montana.

Kirby Lambert is the Outreach and Interpretation Program Manager with the Montana Historical Society in Helena, MT.

Troy A. Hallsell is the 341st Missile Wing historian at Malmstrom AFB, MT. The ideas and opinions expressed in this podcast do not reflect the 341st Missile Wing, United States Air Force, or Department of Defense.

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Alana Jelinek, "Between Discipline and a Hard Place: The Value of Contemporary Art" (Bloomsbury, 2020)

Wed, 13 Oct 2021 08:00:00 -0000

Some fields have an easier time describing themselves than others. "History is the study of past events." "Biology is the study of living organisms." But art? Is art a discipline? Is it a practice? Who gets to answer this most fundamental of questions, and why do we prefer not to try? Between Discipline and a Hard Place, written from the perspective of a practising artist, proposes that, against a groundswell of historians, museums and commentators claiming to speak on behalf of art, it is artists alone who may define what art really is.

Between Discipline and a Hard Place is a passionate treatise arguing for a new way of understanding art that forefronts the role of the artist and the importance of inclusion within both the concept of art and the art world.

Alana Jelinek speaks to Pierre d'Alancaisez about a disciplined and disciplinary approach to thinking about art and its value outside the current preoccupation with economic considerations and the great potential of interdisciplinary working.

Alana Jelinek is an artist and a researcher at the University of Hertfordshire.

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Michelle Caswell, "Urgent Archives: Enacting Liberatory Memory Work" (Routledge, 2021)

Wed, 13 Oct 2021 08:00:00 -0000

Today I talked to Michelle Caswell about her new book Urgent Archives: Enacting Liberatory Memory Work (Routledge, 2021).

What is the place of archives in our society? In archival studies, an answer to this question often presents an idea of linear, progressive temporality. A common trope goes: We learn history to have a better future. That is why history, and archives as a site of historical evidence, is important. In her thoughtful, groundbreaking work, a feminist archival studies scholar Caswell challenges the white imaginary of linear, progressive time embedded in our conception of archives. Pointing out how community archives from different ethnic communities across the US present cyclical temporalities where oppressions repeat, Caswell emphasizes the importance of activating the archives for their liberatory potential in the present. Over a year has passed since the murder of George Floyd and the beginning of the global pandemic that has highlighted not only structural inequality, but also an ongoing material and symbolic annihilation of Black Americans. As Michelle Caswell argues in her book, imagining liberatory memory work is an urgent project that needs to happen in the now.

In the introduction, Caswell begins with the question of the liberatory potential of community archives. Chapter 1 outlines the cyclical conception of time in critique of chronoviolence of white, dominant linear temporality. In chapter 2, Caswell draws from four focus groups to show how different ethnic groups use community archives to address repetitive oppressions by constructing corollary records. Chapter 3 focuses on her work with the South Asian American Digital Archives (SAADA) and the road to discovering the importance of liberatory activation. In Chapter 4, Caswell pushes back against the idea of archivists as passive technicians and repositions them as liberatory memory workers. In the conclusion, Liberation Now! Caswell emphasizes the need to disrupt the dominant narrative on future by embracing the joy of advocacy in the present. Urgent Archives will be an excellent resource for anyone who is interested in critically re-evaluating archives in academia and beyond.

In the interview, Caswell recommends following two readings to the listeners:

SAADA. Our Stories: An Introduction to South Asian America. Philadelphia: SAADA, 2021.

"The Chronopolitics of Racial Time," Time & Society, Special Issue: The Social Life of Time, 29, no. 2 (May 2020): 297-317.

Michelle Caswell is an Associate Professor in the Department of Information Studies at the University of California, Los Angeles, and the co-founder of the South Asian American Digital Archive.

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Richard J. A. McGregor, "Islam and the Devotional Object" (Cambridge UP, 2020)

Fri, 08 Oct 2021 08:00:00 -0000

In Islam and the Devotional Object: Seeing Religion in Egypt and Syria (Cambridge University Press, 2020), Richard J. A. McGregor, Associate Professor at Vanderbilt University, offers a history of Islamic practice through the aesthetic reception of medieval religious objects. Elaborate parades in Cairo and Damascus included decorated objects of great value, destined for Mecca and Medina. Among these were the precious dress sewn yearly for the Ka'ba, and large colorful sedans mounted on camels, which mysteriously completed the Hajj without carrying a single passenger. Along with the brisk trade in Islamic relics, these objects and the variety of contested meanings attached to them, constituted material practices of religion that persisted into the colonial era, but were suppressed in the twentieth century. McGregor here recovers the biographies of religious objects, including relics, banners, public texts, and coverings for the Ka'ba. Reconstructing the premodern visual culture of Islamic Egypt and Syria, he follows the shifting meanings attached to objects of devotion, as well as the contingent nature of religious practice and experience. In our conversation we discuss aesthetic theory, material culture, processional objects, museum exhibition, relic typologies, devotional objects and religious landscapes, public celebrations, visual text and its illegibility, and the function of banners.

Kristian Petersen is an Assistant Professor of Philosophy & Religious Studies at Old Dominion University. You can find out more about his work on his website, follow him on Twitter @BabaKristian, or email him at kpeterse@odu.edu.

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Hannah Turner, "Cataloguing Culture: Legacies of Colonialism in Museum Documentation" (UBC Press, 2020)

Tue, 05 Oct 2021 08:00:00 -0000

How does colonialism still shape museums today? In Cataloguing Culture: Legacies of Colonialism in Museum Documentation (UBC Press, 2020), Hannah Turner, an assistant professor in the School of Information at the University of British Columbia, reveals the complex history of cataloguing museum collections. Using a case study of The Smithsonian, the book details the material practices that underpin the contested collections of the National Museum of Natural History. Turner’s research charts the early uses of ledgers and record books, through the use of drawings, card catalogues, and typed records, to computerisation of the collections’ records. The analysis has important implications for contemporary debates over repatriation of collections, and the book is powerful illustration of the importance of understanding the long shadow of colonial practices and knowledges on the contemporary institution. Cataloguing Culture is essential reading for practitioners and academics, as well as for anyone interested in the past, and the future, of museums.

Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.

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Mike Jones, "Artefacts, Archives, and Documentation in the Relational Museum" (Routledge, 2021)

Tue, 21 Sep 2021 08:00:00 -0000

Artefacts, Archives, and Documentation in the Relational Museum (Routledge, 2021) provides the first interdisciplinary study of the digital documentation of artefacts and archives in contemporary museums, while also exploring the implications of polyphonic, relational thinking on collections documentation.

Drawing on case studies from Australia, the United Kingdom, and the United States, the book provides a critical examination of the history of collections management and documentation since the introduction of computers to museums in the 1960s, demonstrating how technology has contributed to the disconnection of distributed collections knowledge. Jones also highlights how separate documentation systems have developed, managed by distinct, increasingly professionalised staff, impacting our ability to understand and use what we find in museums and their ever-expanding online collections. Exploring this legacy allows us to rethink current practice, focusing less on individual objects and more on the rich stories and interconnected resources that lie at the heart of the contemporary, plural, participatory ‘relational museum.’

Artefacts, Archives, and Documentation in the Relational Museum is essential reading for those who wish to better understand the institutional silos found in museums, and the changes required to make museum knowledge more accessible. The book is a particularly important addition to the fields of museum studies, archival science, information management, and the history of cultural heritage technologies.

Mike Jones is an archivist, historian, and collections consultant with more than 12 years of experience working with the GLAM sector (galleries, libraries, archives, and museums) on digital, archival, and public history projects. His interdisciplinary research explores the history of collections-based knowledge, and the ways in which contemporary technologies can help us to develop and maintain relationships within and between archives, collections, disciplines, and communities.

Alexandra Ortolja-Baird is Lecturer in Digital History and Culture at the University of Portsmouth. She tweets at @timetravelallie.

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Nuala Morse, "The Museum as a Space of Social Care" (Routledge, 2020)

Tue, 29 Jun 2021 08:00:00 -0000

What is the future for the museum? In The Museum as a Space of Social Care (Routledge, 2020), Nuala Morse, a Lecturer in Museum Studies at the University of Leicester, rethinks the museum by foregrounding the importance of care, and though the framework of care thinking. Using a detailed ethnographic case study, the book explores participatory practice and community engagement, thinking through the rise of key professions within the museum, along with the auditing and management regimes shaping care by and in the museum. As cultural organisations re-emerge following the impact of the global pandemic, the book provides a starting point to reassess and reimagine the museum, and will be essential reading across arts, humanities, social sciences, and for cultural sector professionals.

Dave O'Brien is Chancellor's Fellow, Cultural and Creative Industries, at the University of Edinburgh's College of Art.

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François Matarasso, "A Restless Art: How Participation Won, and Why it Matters" (CGF, 2019)

Wed, 16 Jun 2021 08:00:00 -0000

It is almost twenty years since contemporary art took a ‘participation turn’. Now, just about every museum or theatre company has a participation or engagement department. It is nothing short of orthodoxy that one of art’s core roles is to reach out to audiences beyond art institutions - and paradoxically it is often art institutions that mandate this function. How can we reconcile the somewhat forgotten history - and ongoing practice - of the community arts with the recent rise of participatory art, social practice, or outreach and engagement?

François Matarasso speaks to Pierre d'Alancaisez about his long-term engagement in community art practice, the meanings of participation and cultural democracy, and his proposals for thinking about cultural and artistic participation as a fundamental human right. We talk about the history of the community arts movement in the UK, his influential 1997 paper Use or Ornament, ways of supporting cultural democracy through projects like Fun Palaces, and reaching peak culture.

François Matarasso is a community artist, writer, and researcher, and one of the co-creators of the 2020 Rome Charter.

A Restless Art is available as an open-access download here and in print here.

Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional.

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Donna Stein, "The Empress and I: How an Ancient Empire Collected, Rejected and Rediscovered Modern Art" (Skira, 2020)

Wed, 09 Jun 2021 08:00:00 -0000

Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills.

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K. Bunn-Marcuse and A. Jonaitis, "Unsettling Native Art Histories on the Northwest Coast" (U Washington Press, 2020)

Tue, 27 Apr 2021 08:00:00 -0000

Inseparable from its communities, Northwest Coast art functions aesthetically and performatively beyond the scope of non-Indigenous scholarship, from demonstrating kinship connections to manifesting spiritual power. Contributors to Unsettling Native Art Histories on the Northwest Coast (University of Washington Press, 2020), edited by Kathryn Bunn-Marcuse and Aldona Jonaitis, foreground Indigenous understandings in recognition of this rich context and its historical erasure within the discipline of art history.

By centering voices that uphold Indigenous priorities, integrating the expertise of Indigenous knowledge holders about their artistic heritage, and questioning current institutional practices, these new essays "unsettle" Northwest Coast art studies. Key themes include discussions of cultural heritage protections and Native sovereignty; re-centering women and their critical role in transmitting cultural knowledge; reflecting on decolonization work in museums; and examining how artworks function as living documents. The volume exemplifies respectful and relational engagement with Indigenous art and advocates for more accountable scholarship and practices.

Kirstin L. Ellsworth holds a Ph.D. in the History of Art from Indiana University and is Associate Professor of Art History at California State University Dominguez Hills.

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Rachel B. Gross, "Beyond the Synagogue: Jewish Nostalgia as Religious Practice" (NYU Press, 2021)

Mon, 19 Apr 2021 08:00:00 -0000

In 2007, the Museum at Eldridge Street opened at the site of a restored nineteenth-century synagogue originally built by some of the first Eastern European Jewish immigrants in New York City. Visitors to the museum are invited to stand along indentations on the floor where footprints of congregants past have worn down the soft pinewood. Here, many feel a palpable connection to the history surrounding them.

In Beyond the Synagogue: Jewish Nostalgia as Religious Practice (NYU Press, 2021), Rachel B. Gross argues that nostalgic activities such as visiting the Museum at Eldridge Street or eating traditional Jewish foods should be understood as American Jewish religious practices. In making the case that these practices are not just cultural, but are actually religious, Gross asserts that many prominent sociologists and historians have mistakenly concluded that American Judaism is in decline, and she contends that they are looking in the wrong places for Jewish religious activity. If they looked outside of traditional institutions and practices, such as attendance at synagogue or membership in Jewish Community Centers, they would see that the embrace of nostalgia provides evidence of an alternative, under-appreciated way of being Jewish and of maintaining Jewish continuity.

Tracing American Jews’ involvement in a broad array of ostensibly nonreligious activities, including conducting Jewish genealogical research, visiting Jewish historic sites, purchasing books and toys that teach Jewish nostalgia to children, and seeking out traditional Jewish foods, Gross argues that these practices illuminate how many American Jews are finding and making meaning within American Judaism today.

Rachel B. Gross is Assistant Professor and John and Marcia Goldman Chair in American Jewish Studies in the Department of Jewish Studies at San Francisco State University.

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Dan Hicks, "The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution" (Pluto Books, 2020)

Fri, 26 Mar 2021 04:00:00 -0000

Dan Hicks, Curator and Professor of Contemporary Archaeology, Pitt Rivers Museum, Oxford University has written a terrific book. The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution (Pluto Books, 2020) is a call to arms, for Western museums to return everything it procured, or more correctly stole, from African locations.

The claim for cultural restitution is made through the Benin Bronzes, artworks pillaged by the British in a 1897 naval attack, loot that was then gifted to the British Museum, on display for the world to see without context. Well, no more. Dan’s book frames this cultural and material theft as a form of colonial violence, the product of weaponizing museums to tell a particular story about African pasts without reflection on Eurocentric pillage and plunder.

Susan Thomson is an Associate Professor of Peace and Conflict Studies at Colgate University. I like to interview pretenure scholars about their research. I am particularly keen on their method and methodology, as well as the process of producing academic knowledge about African places and people.

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Aaron Tugendhaft, "The Idols of ISIS: From Assyria to the Internet" (U Chicago Press, 2020)

Thu, 25 Mar 2021 09:00:00 -0000

In 2015, the Islamic State released a video of men smashing sculptures in Iraq’s Mosul Museum as part of a mission to cleanse the world of idolatry. The Idols of ISIS: From Assyria to the Internet (University of Chicago Press, 2020) unpacks three key facets of that event: the status and power of images, the political importance of museums, and the efficacy of videos in furthering an ideological agenda through the internet.

Beginning with the Islamic State’s claim that the smashed objects were idols of the “age of ignorance,” Aaron Tugendhaft questions whether there can be any political life without idolatry. He then explores the various roles Mesopotamian sculpture has played in European imperial competition, the development of artistic modernism, and the formation of Iraqi national identity, showing how this history reverberates in the choice of the Mosul Museum as performance stage.

Finally, he compares the Islamic State’s production of images to the ways in which images circulated in ancient Assyria and asks how digitization has transformed politics in the age of social media. An elegant and accessibly written introduction to the complexities of such events, The Idols of ISIS is ideal for students and readers seeking a richer cultural perspective than the media usually provides.

Marci Mazzarotto is an Assistant Professor and Program Coordinator of Digital Communication at Georgian Court University in New Jersey. Her research interests center on the interdisciplinary intersection of academic theory and artistic practice often with a focus on film and television studies.

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Aaron Tugendhaft, "The Idols of ISIS: From Assyria to the Internet" (U Chicago Press, 2020)

Thu, 25 Mar 2021 09:00:00 -0000

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Jie Li, "Utopian Ruins: A Memorial Museum of the Mao Era" (Duke UP, 2020)

Thu, 11 Mar 2021 09:00:00 -0000

Suvi Rautio is a part-time Course Lecturer at the Social & Cultural Anthropology discipline at University of Helsinki.

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Fiona Greenland, "Ruling Culture: Art Police, Tomb Raiders, and the Rise of Cultural Power in Italy" (U of Chicago Press, 2021)

Fri, 26 Feb 2021 04:00:00 -0000

Today we are joined by Fiona Greenland, Assistant Professor of Sociology at the University of Virginia, to talk about her new book, Ruling Culture: Art Police, Tomb Raiders, and the Rise of Cultural Power in Italy (University of Chicago Press, 2021).

Through much of its history, Italy was Europe’s heart of the arts, an artistic playground for foreign elites and powers who bought, sold, and sometimes plundered countless artworks and antiquities. This loss of artifacts looted by other nations once put Italy at an economic and political disadvantage compared with northern European states. Now, more than any other country, Italy asserts control over its cultural heritage through a famously effective art-crime squad that has been the inspiration of novels, movies, and tv shows. In its efforts to bring their cultural artifacts home, Italy has entered into legal battles against some of the world’s major museums, including the Getty, New York’s Metropolitan Museum, and the Louvre. It has turned heritage into patrimony capital—a powerful and controversial convergence of art, money, and politics.

In 2006, the then-president of Italy declared his country to be “the world’s greatest cultural power.” With Ruling Culture, Fiona Greenland traces how Italy came to wield such extensive legal authority, global power, and cultural influence—from the nineteenth century unification of Italy and the passage of novel heritage laws, to current battles with the international art market. Today, Italy’s belief in its cultural superiority is evident through interactions between citizens, material culture, and the state—crystallized in the Art Squad, the highly visible military-police art protection unit. Greenland reveals the contemporary actors in this tale, taking a close look at the Art Squad and state archaeologists on one side and unauthorized excavators, thieves, and smugglers on the other. Drawing on years in Italy interviewing key figures and following leads, Greenland presents a multifaceted story of art crime, cultural diplomacy, and struggles between international powers.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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Sarah Longair, "Cracks in the Dome: Fractured Histories of Empire in the Zanzibar Museum, 1897-1964" (Routledge, 2015)

Mon, 02 Nov 2020 09:00:00 -0000

As one of the most monumental and recognisable landmarks from Zanzibar’s years as a British Protectorate, the distinctive domed building of the Zanzibar Museum (also known as the Beit al-Amani or Peace Memorial Museum) is widely known and familiar to Zanzibaris and visitors alike. Yet the complicated and compelling history behind its construction and collection has been overlooked by historians until now. Drawing on a rich and wide range of hitherto unexplored archival, photographic, architectural and material evidence, this book is the first serious investigation of this remarkable institution.

Although the museum was not opened until 1925, Cracks in the Dome: Fractured Histories of Empire in the Zanzibar Museum, 1897-1964 (Routledge, 2015) traces the longer history of colonial display which culminated in the establishment of the Zanzibar Museum. It reveals the complexity of colonial knowledge production in the changing political context of the twentieth century British Empire and explores the broad spectrum of people from diverse communities who shaped its existence as staff, informants, collectors and teachers. Through vivid narratives involving people, objects and exhibits, this book exposes the fractures, contradictions and tensions in creating and maintaining a colonial museum, and casts light on the conflicted character of the ’colonial mission’ in eastern Africa.

Sarah Longair a Senior Lecturer at the School of History and Heritage at the University of Lincoln.

Ali Bennett is a recent PhD graduate from UCL and postdoctoral fellow from the Paul Mellon Centre in London. Her research focuses on the material and visual histories of British colonialism in eastern Africa. She also has interests in global and colonial art and architecture, and the histories of collecting and museums. She can be reached by email at a.bennett.14@ucl.ac.uk or on Twitter @alibeenet.

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M. A. Weitekamp and M. Delaney, "Smithsonian American Women" (Smithsonian Books, 2019)

Fri, 03 Jul 2020 08:00:00 -0000

Smithsonian American Women: Remarkable Objects and Stories of Strength, Ingenuity and Vision from the National Collection (Smithsonian Book, 2019) is an inspiring and surprising celebration of U.S. women's history told through Smithsonian artifacts illustrating women's participation in science, art, music, sports, fashion, business, religion, entertainment, military, politics, activism, and more. This book offers a unique, panoramic look at women's history in the United States through the lens of ordinary objects from, by, and for extraordinary women. Featuring more than 280 artifacts from 16 Smithsonian museums and archives, and more than 135 essays from 95 Smithsonian authors, this book tells women's history as only the Smithsonian can.

Listen as Dr. Christina Gessler talks with two curators at the Smithsonian about their work in creating this book.

Margaret A. Weitekamp, Ph.D., is the Department Chair and Curator of the Space History Department at the Smithsonian National Air and Space Museum.

Michelle Delaney is the Assistant Director for History and Culture of the National Museum of the American Indian.

Dr. Christina Gessler’s background is in women’s history, and literature. She works as a historian and photographer. In seeking the extraordinary in the ordinary, Gessler writes the histories of largely unknown women, and takes many, many photos in nature.

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Identity Crisis: The Self-Portrait of a Thirteen-Year-Old Van Gogh

Fri, 10 Jan 2020 09:00:00 -0000

The person in the photograph of a thirteen-year-old Vincent Van Gogh

What did the influential Dutch painter Vincent Van Gogh actually look like? Popular culture and media have propagated the belief that there have been only two photographs of Vincent Van Gogh himself. If his written exchanges are to be believed, Vincent despised self-portrait photography. However, a recent breakthrough study in the Brill journal Oud Holland suggests that there are not just two photographs of Vincent Van Gogh. There is just one.

So, what about the second photograph?

Teio Meedendorp, Researcher at the Van Gogh Museum in Amsterdam, discusses the breakthrough discovery he made with his co-author Yves Vasseur, General Commissioner of Mons 2015 European Capital of Culture. Listen to this podcast now!

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K. B. Berzock, "Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa" (Princeton UP, 2019)

Mon, 23 Dec 2019 09:00:00 -0000

The companion publication to the 2019-2020 traveling exhibition Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa (Princeton University Press, 2019, published in association with the Mary and Leigh Block Museum of Art, Northwestern University) tells the story of how trade routes across the Saharan Desert facilitated the movement of people, ideas, and objects between the 8th and the 16th century. Not your typical exhibition catalogue, Caravans of Gold is a selection of chapters that reach across academic fields and genres of writing, seeking to evoke the exhibition’s central themes, including cultural movement, archaeological fragments, and global connection. We talk to the exhibition’s curator and the publications’s editor, Kathleen Bickford Berzock, about this expansive project. The conversation ranges from the exhibition’s conception, how the catalogue was designed in relation to it, and best practices associated with building a project like this one. Moreover, Kathleen details the major themes and questions associated with the exhibition. What is the “medieval”? How can we understand historical movements across the Sahara? How does religion –specifically, Islam– play a role in this project?

Kathleen Bickford Berzock is Associate Director of Curatorial Affairs at the Block Museum of Art at Northwestern University. She is the author of For Hearth and Altar: African Ceramics from the Keith Achepohl Collection and the coeditor of Representing Africa in American Art Museums: A Century of Collecting and Display.

Exhibition Schedule:

Aga Khan Museum, Toronto

September 21, 2019–February 23, 2020

Smithsonian National Museum of African Art, Washington, DC

April 8–November 29, 2020

Nadirah Mansour is a graduate student at Princeton University’s Department of Near Eastern Studies working on the global intellectual history of the Arabic-language press. She tweets @NAMansour26 and produces another Middle-East and North Africa-related podcast: Reintroducing.

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Daniel Reynolds, "Postcards from Auschwitz: Holocaust Tourism and the Meaning of Remembrance" (NYU Press, 2018)

Wed, 13 Nov 2019 09:00:00 -0000

Millions of tourists visit Holocaust museums and memorials every year. Holocaust tourism is a thriving industry and plays a crucial role in Holocaust memorialization and remembrance. However, Holocaust tourism is not without criticism. Some argue that sightseeing at sites of genocide is cringeworthy, offensive, inappropriate, and superficial. In Postcards from Auschwitz: Holocaust Tourism and the Meaning of Remembrance (NYU Press, 2018), Daniel Reynolds examines the phenomenon of Holocaust tourism, its implication on Holocaust remembrance, and what we can learn from tourists taking selfies at Auschwitz. Postcards from Auschwitz transports the reader to a variety of museums and memorial sites around the world to unpack the phenomenon of Holocaust tourism.

Daniel Reynolds is Seth Richards Professor in Modern Languages in Department of German Studies at Grinnell College.

Lindsey Jackson is a PhD student at Concordia University in Montreal, Canada.

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Johanna Taylor, "The Art Museum Redefined: Power, Opportunity, and Community Engagement" (Palgrave, 2019)

Wed, 13 Nov 2019 09:00:00 -0000

What is the future of the museum? In The Art Museum Redefined: Power, Opportunity, and Community Engagement (Palgrave Macmillan, 2020), Johanna Taylor, an assistant professor at the Herberger Institute for Design and the Arts’ Design School at Arizona State University, explores the relationship between art museums and the contemporary city. Using a case study of Corona Plaza and Queens’ Museum in New York, the book details how museums can co-operate, collaborate and organise with and for local communities. The case study thinks through questions of power in public space, the potential tension between social, economic, and cultural goals, as well as the relationship between government, art museum, and community. As cultural institutions face a changing world and associated questions of legitimacy, the book is essential reading for public, practitioner, and academic audiences.

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Lukas Rieppel, "Assembling the Dinosaur: Fossil Hunters, Tycoons, and the Making of a Spectacle" (Harvard UP, 2019)

Fri, 02 Aug 2019 08:00:00 -0000

After the discoveries of dinosaur fossils in the American West in the late nineteenth century, the United States became world renown for vertebrate paleontology. In his new book Assembling the Dinosaur: Fossil Hunters, Tycoons, and the Making of a Spectacle(Harvard University Press, 2019), Lukas Rieppel explains how the discoveries projected American exceptionalism and, at the height of the Gilded Age, became symbols of industrial capitalism. As Andrew Carnegie and J.P. Morgan funded paleontology fieldwork and philanthropic museums, they bolstered their own reputations within the scientific community, and popularized creatures like the Tyrannosaurus and Triceratops. These American business magnates and tycoons soon counted on the eye-catching displays of ferocious dinosaurs, not to justify the cut-throat nature of capitalism in their own times, but to symbolize man’s progress and ascent from the depths of the prehistoric past.

Ryan Driskell Tate is a Ph.D. candidate in American history at Rutgers University. He teaches courses on modern United States history, environmental history, and histories of labor and capitalism. He is completing a book on energy development in the American West. @rydriskelltate

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Sarah Anne Carter, "Object Lessons: How Nineteenth-Century Americans Learned to Make Sense of the Material World" (Oxford UP, 2018)

Wed, 10 Jul 2019 08:00:00 -0000

The metaphor “object lesson” is a familiar one, still in everyday use. But what exactly does the metaphor refer to?

In her book Object Lessons: How Nineteenth-Century Americans Learned to Make Sense of the Material World (Oxford University Press, 2018), my guest Sarah Anne Carter reveals that object lessons were a classroom exercise, in wide use during the nineteenth century. She traces them from the Swiss educational reformer Pestalozzi, through his English adherents, to seemingly unlikely outposts of educational revolution as the Oswego, New York school system. And she takes the story into politics, advertising, and racial segregation.

Her book is study of intellectual history and of intellectual culture. But Sarah’s book, and this conversation, is also about asking questions of things which cannot speak. Sarah’s interest in objects comes not simply from her training as an intellectual historian, but as a curator of museums. She is curator and director of research at the Chipstone Foundation in Milwaukee, and is passionate about teaching people the history behind the objects that museums contain.

Al Zambone is a historian and the host of the podcast Historically Thinking. You can subscribe to Historically Thinking on Apple Podcasts.

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Chip Colwell, "Plundered Skulls and Stolen Spirits: Inside the Fight to Reclaim Native America's Culture" (U Chicago Press, 2017)

Fri, 19 Apr 2019 10:00:00 -0000

Five decades ago, Native American leaders launched a crusade to force museums to return their sacred objects and allow them to rebury their kin. Today, hundreds of tribes use the Native American Graves Protection and Repatriation Act to help them recover their looted heritage from museums across the country. As senior curator of anthropology at the Denver Museum of Nature & Science, Chip Colwell has navigated firsthand the questions of how to weigh the religious freedom of Native Americans against the academic freedom of scientists and whether the emptying of museum shelves elevates human rights or destroys a common heritage. Winner of the 2019 National Council on Public History Book Award, Plundered Skulls and Stolen Spirits: Inside the Fight to Reclaim Native America's Culture(University of Chicago Press, 2017) offers Colwell's personal account of the process of repatriation, following the trail of four objects as they were created, collected, and ultimately returned to their sources: a sculpture that is a living god, the scalp of a massacre victim, a ceremonial blanket, and a skeleton from a tribe considered by some to be extinct. These specific stories reveal a dramatic process that involves not merely obeying the law, but negotiating the blurry lines between identity and morality, spirituality and politics.

Things, like people, have biographies. Repatriation, Colwell argues, is a difficult but vitally important way for museums and tribes to acknowledge that fact—and heal the wounds of the past while creating a respectful approach to caring for these rich artifacts of history.

Ryan Tripp is adjunct history faculty for the College of Online and Continuing Education at Southern New Hampshire University.

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S. A. Duncan and A. McClellan, "The Art of Curating: Paul J. Sachs and the Museum Course at Harvard" (Getty Research Institute, 2018)

Wed, 27 Feb 2019 11:00:00 -0000

Andrew McClellan and Sally Anne Duncan’s book offers a behind-the-scenes exploration of the career of Paul J. Sachs (1878-1965) and the graduate program he developed at Harvard University and the Fogg Museum that came to be known as the “museum course.” Sachs and the course played a major role in training students who became museum directors and curators at American art museums from the late 1920s through the 1960s. By drawing upon archival correspondence, class notes, and oral histories, The Art of Curating: Paul J. Sachs and the Museum Course at Harvard (Getty Research Institute, 2018) delves into the practical training in connoisseurship, the art market, exhibition planning, conservation, and financial management as well as the philosophical discussions that made up the class. Participants’ training and insider connections gained at Harvard had a profound impact on the development of American art museums in the first half of the twentieth century. While the book looks into some of the male students that went on to distinguished careers, it and also addresses the women who took the course and the challenges they faced in terms of the museum positions that were open to them at the time.

This book is a compelling read for curators, academic art historians, museum studies scholars, and anyone interested in the history of art museums, the people behind them, and the historiography of art history.

Noelle Giuffrida is research associate and affiliate faculty at the Center for East Asian Studies at the University of Kansas.

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Ian Rocksborough-Smith, “Black Public History in Chicago: Civil Rights Activism From World War II Into the Cold War” (U Illinois Press, 2018)

Mon, 30 Jul 2018 10:00:00 -0000

Activism comes in many forms, be it political, educational, or social. Less often though, do people perceive historical activism in such conversations. Dr. Ian Rocksborough-Smith’s new book: Black Public History in Chicago: Civil Rights Activism From World War II Into the Cold War (University of Illinois Press, 2018) puts the activist function front and center. Black Chicago has been heavily studied over the last hundred years, but Black Public History in Chicago tells the story of how Black Chicagoans like Margaret and Charles Burroughs, William Stratton, Madeline Stratton Morris, and many others used Black Public History within the museum and educational contexts as mechanisms for positive change in the Windy City. By centering this story, readers see how important their activism was to the founding of the DuSable Museum of African American History and the public consciousness raising effects of telling the radical revisionist historical stories of those of the African Diaspora to those in the Black Metropolis at large.

Adam McNeil is a PhD student in History, African American Public Humanities Initiative and Colored Conventions Project Fellow at the University of Delaware. He can be reached on Twitter @CulturedModesty.

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Stacey Pierson, “Private Collecting, Exhibitions, and the Shaping of Art History in London: The Burlington Fine Arts Club” (Routledge, 2017)

Wed, 11 Jul 2018 10:00:00 -0000

In her latest book, Private Collecting, Exhibitions, and the Shaping of Art History in London: The Burlington Fine Arts Club (Routledge, 2017), Stacey J. Pierson reveals the fascinating history of one of the most refined and influential fine art clubs in London: The Burlington Fine Arts Club. Drawing on the club’s near-complete, yet understudied archives at the National Art Library at the Victoria & Albert Museum in London, Stacey focuses on the club’s exhibition practices. In this way, the Burlington Fine Arts Club functioned as a social space to practice, probe and participate in a connoisseurial approach to the fine arts. They included not just Old Masters but also Persian, Chinese and Indian works of art too, thus demonstrating how the ‘global turn’ in art history came about much earlier than is generally understood.

This book is an indispensable resource for anyone interested in art market studies and the interconnectedness of the public and the private, the formation of private clubs and public taste and the network of agents who manoeuvre between them.

Ricarda Brosch is a museum assistant (trainee) at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. Her research focuses on Ming and Qing Chinese art & material culture, transcultural interchanges, especially with Timurid and Safavid Iran, as well as provenance research & digital humanities. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via ricarda.brosch@gmail.com.

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Steven Lubar, “Inside the Lost Museum: Curating, Past and Present” (Harvard UP, 2017)

Wed, 13 Jun 2018 10:00:00 -0000

In Steven Lubar’s latest book Inside the Lost Museum: Curating, Past and Present (Harvard University Press, 2017), Steven gets to the heart of what makes museums so interesting to both appreciate and critique. For him, the complex nature of the museum lies in the balancing act a curator and other museum staff must strike in both displaying a collection and making it open, accessible and useful while resisting the temptation to encourage or even force a certain way of looking or behaving among visitors.

Structured along the four chapters collect, preserve, display and use, Steve tells the history of museums, from cabinets of curiosities and the Victorian model all the way to the contemporary in an easily accessible and very engaging way. In the last part of his book, the coda, he reveals how working with contemporary artist Mark Dion allowed him and his students from the Jenks Society for Lost Museums to think about museums in new ways, making them social and useful spaces that combine an object-centered and people-centered approach.

Ricarda Brosch is a curatorial trainee at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via ricarda.brosch@gmail.com.

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Craig Clunas, “Chinese Painting and Its Audiences” (Princeton UP, 2017)

Thu, 05 Apr 2018 10:00:00 -0000

In his latest book, Chinese Painting and Its Audiences published in 2017 by Princeton University Press, Craig Clunas puts to question the entire concept of “Chinese painting” by looking at how this category is in fact a creation of its viewers. The book, which expanded on the A. W. Mellon lecture series Clunas gave at the National Gallery of Art in Washington DC in 2012, was selected as one of the best art books of 2017 by The New York Times.

The engaging and lavishly illustrated book draws on some familiar material but more importantly on a wide range of previously unknown or understudied sources. Spanning roughly the time period from the Ming period (1368-1644) until the present day, the book reveals how the notion of Chinese painting only became possible in early modern times, when audiences started to have a wider range of material they could choose from.

Ricarda Brosch is a curatorial assistant at the Asian Art Museum Berlin (Museum fur Asiatische Kunst Berlin Stiftung Preussischer Kulturbesitz), which is due to reopen as part of the Humboldt Forum in 2019. Her research focuses on Ming and Qing Chinese art and material culture, transcultural interchanges, especially with Timurid and Safavid Iran, as well as provenance research and digital humanities. You can find out more about her work by following her on Twitter @RicardaBeatrix or getting in touch via ricarda.brosch@gmail.com.

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James Delbourgo, “Collecting the World: The Life and Curiosity of Hans Sloane” (Allen Lane, 2017)

Fri, 09 Feb 2018 16:17:00 -0000

James Delbourgo‘s new book Collecting the World: The Life and Curiosity of Hans Sloane (Allen Lane, 2017) tells the fascinatingly complex and controversial story of Hans Sloane, the man whose collection and last will laid the foundation for the British Museum, the first national, free, public museum.

For Delbourgo, Sloane was for far too long an overlooked figure, who knitted together the interests of a rising empire through methods of botany, natural history and medicine. Overshadowed in part by his counterpart Isaac Newton, Sloane’s life synchronizes with the changes from seventeenth-century England to eighteenth-century Britain. His life and the time are deeply interwoven with slavery and a new world of commerce. It was thanks to this interconnected world and the many intermediaries that Sloane managed to accumulate so many weird and wonderful objects from different places. He collected, catalogued, and exhibited them according to his own belief system, which centered around binaries of enlightenment versus superstition and sober empiricism versus magic.

More than anything, Delbourgo’s book reveals the complex lives and stories around Hans Sloane’s collection and the many different peoples, places and stories that are attached to the silent objects, even today. It raises important historical questions about ownership and authorship of public museums, collections and curatorial practices and makes them relevant for us today.

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Lauren Lessing, et.al., “A Usable Past: American Folk Art at the Colby College Museum of Art”(Colby College Museum of Art, 2016)

Tue, 15 Aug 2017 10:00:00 -0000

A Usable Past: American Folk Art at the Colby College Museum of Art (Colby College Museum of Art, 2016) is a contemporary analysis of paintings, works on paper, sculptures, needlework, quilts and other forms of folk art drawn primarily from the college’s American Heritage Collection donated by Edith Kemper and Ellerton Marcel Jette. Essays by contributors Lauren Lessing, Seth A. Thayer, Jr., Elizabeth Finch and Tanya Sheehan offer new insights into the definition and display of folk art. How should folk art fit into constructions of the American past and understandings of American Art? Individual entries detail the rich history of a variety of 19th Century American folk art objects from young women’s so-called accomplishment needlework pieces to portraiture and landscape painting by self-trained artists.

Kirstin L. Ellsworth has a Ph.D. in the History of Art from Indiana University (2005) and currently is an Assistant Professor of Art History at California State University Dominguez Hills. She can be reached at kellsworth@csudh.edu.

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Daniel W. Coburn, “The Hereditary Estate” (Kehrer Verlag, 2015)

Mon, 13 Feb 2017 11:00:00 -0000

The Hereditary Estate by Daniel W. Coburn, is published by Kehrer Verlag (2015), with an essay by Karen Irvine, Curator and Associate Director at the Museum of Contemporary Photography in Chicago, and Kristen Pai Buck, Ph.D., Assistant Professor of Art History at the University of New Mexico, 112 pages.

The Hereditary Estate is the first major monograph by photographer Daniel W. Coburn. It functions as a ten-year retrospective and as a conceptual work of art. Coburn’s work and research investigates the family photo album employed as the visual infrastructure for the flawed ideology of the American Dream. Frustrated by the lack of images that document the true and sometimes troubling nature of his own familial history, the photographer set out to create a new archive, a potent supplement to the broken family album that exists in the collection of many families. Using photographs made over the last decade, and altered amateur photographs, he weaves a family narrative that is simultaneously beautiful and terrifying. The careful sequencing of these images creates a powerful psychological dialogue designed to inspire an emotional and visceral response from the viewer. The international distribution of this book completes an essential conceptual component of this work, placing this supplementary album into family collections in countries all over the world. Daniel’s work and research investigates the family photo album as a form and narrative function. Selections from his body of work have been featured in exhibitions at the Los Angeles Center for Digital Art and the Chelsea Museum of Art in New York. His prints are held in collections at the Museum of Contemporary Photography (Chicago), the University of New Mexico Art Museum, the Mulvane Art Museum, the Albrecht-Kemper Museum of Art, and the Mariana Kistler-Beach Museum of Art. Daniel’s work has been published widely, most recently appearing in the International New York Times. Daniel currently lives in Lawrence, Kansas and is an Assistant Professor of Photo Media at the University of Kansas.

The Hereditary Estate is available through the photographer’s website, as well as Amazon.

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Marc R. Blackburn, “Interpreting American Military History at Museums and Historical Sites,” (Rowman and Littlefield, 2016)

Mon, 28 Nov 2016 21:19:00 -0000

Our guest for this interview combines his academic expertise in American military history with his professional experience as an employee of the National Park Service. Marc Blackburn is the author of Interpreting American Military History at Museums and Historical Sites (Rowman and Littlefield, 2016). An expert in the interpretation and presentation of historical narratives and themes through material artifacts, archives, and exhibit space, Marc offers both a fresh perspective blending public and academic history in his book. Offering a series of observations on the state of public history in the United States, he also provides a short yet comprehensive chronological narrative of the nation’s military past. Like myself, a former student of Russell F. Weigley, Marc provides a refreshing conversation about the current and future states of the craft. One disclaimer: the thoughts that Marc Blackburn expresses in this interview and in his book are his own, and in no way reflect the policies or opinions of the National Park Service.

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Morgan Pitelka, “Spectacular Accumulation: Material Culture, Tokugawa Ieyasu, and Samurai Sociability” (U. of Hawaii Press, 2016)

Wed, 10 Aug 2016 14:43:00 -0000

Morgan Pitelka’s new book looks closely at the material culture of the Three Unifiers of the late sixteenth century in Japan– Oda Nobunaga, Toyotomi Hideyoshi, and Tokugawa Ieyasu–in order to foreground the politics of culture in an age of civil war. The chapters of Spectacular Accumulation: Material Culture, Tokugawa Ieyasu,...

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Susan Cahan, “Mounting Frustration: The Art Museum in the Age of Black Power” (Duke UP, 2016)

Thu, 21 Jul 2016 14:35:00 -0000

The struggle for representation within the art museum is the focus of a timely and important new book by Susan Cahan, Associate Dean for the Arts at Yale College. Mounting Frustration: The Art Museum in the Age of Black Power (Duke University Press, 2016) charts a pivotal moment for the American Art Museum and reflects on the progress, or lack thereof, for African American Art’s place within the US museum system. Focusing on 4 key institutions and range of exhibitions beginning in the late 1960s, the book offers a rich and detailed reading of the institutional context, the aesthetic practices, and the historical lineages that explain both the period and the current museum settlement. The book is replete with illustrations and is accessible, readable and interesting, representing an important and urgent intervention to how we understand the role of the museum today.

Dave O’Brien is the host of New Books in Critical Theory and is a Senior Lecturer in Cultural Policy at the Institute for Cultural and Creative Entrepreneurship, Goldsmiths College, University of London. His research covers a range of areas between sociology and political science, including work on the British Civil Service, British Cultural Policy, cultural labour, and urban regeneration. His most recent books are Cultural Policy: Management, Value and Modernity in the Creative Industries and After Urban Regeneration (edited with Dr. Peter Matthews). He tweets@Drdaveobrien.

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Kirk A. Denton, “Exhibiting the Past: Historical Memory and the Politics of Museums in Postsocialist China” (U. of Hawaii Press, 2014)

Wed, 15 Jun 2016 13:25:00 -0000

Kirk A. Denton‘s recent book explores the role of the state in China in shaping particular visions of the past through work in and with museums. Focusing on history museums in particular, Exhibiting the Past: Historical Memory and the Politics of Museums in Postsocialist China (University of Hawaii Press, 2014)...

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Stern, et al., “The Monk’s Haggadah: A Fifteenth-Century Illuminated Codex from the Monastery of Tegernsee” (Penn State UP, 2015)

Wed, 20 Apr 2016 15:02:00 -0000

The Monk’s Haggadah: A Fifteenth-Century Illuminated Codex from the Monastery of Tegernsee (Penn State UP, 2015) is unique. The book, edited by David Stern, Christoph Markschies, and Sarit Shalev-Eyni, combines a gorgeous facsimile of a late 15th-century illuminated haggadah with a Latin prologue written by a Dominican Friar! Mystery abounds as a Jewish Passover text, written in Hebrew by a Jewish scribe, is found to include illustrations of Christian significance. Thanks to a special collaboration of multi-disciplinary experts from three continents and an element of serendipity, the manuscript of a haggadah from the 15th century, now at home in a state library in Munich, was discovered, translated, and its importance as a primary source for Christian Jewish relations during the late medieval and early modern period recognized.The prologue by fifteen-century Dominican Hebraist Erhard von Pappenheim includes the testimony of Jews tortured to testify to blood libel in 1475 in Trent. Recorded by von Pappenheim in a matter-of-fact tone, as though by an ethnographer, the testimony also becomes a primary source for Jewish ritual practice during this period in German lands. It also speaks to Christian understanding of Jewish ritual and tradition.Read the essays in this special volume for the thoughtful questions that the experts raise and address. Turn the pages of the Haggadah to experience its beauty.

During the interview we also discussed The Washington Haggadah (Harvard University Press, 2011), edited by David Stern. This elegant reproduction of the most beautiful haggadah in the collection of the Library of Congress in Washington reflects the work of the late 15th century southern German illustrator Joel ben Simeon. The illuminations that adorn the text are an ethnographers dream: they evidence the home ritual practices of the era and place. When the book was displayed by the Metropolitan Museum of Art in NYC, objects from the Museums collection that are reflected on the pages of the haggadah accompanied the display. Essays by David Stern and art historian Katrin Kogman-Apel accompany the text of the Passover haggadah, providing a history of the haggadah for interested readers.

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J. Laurence Hare, “Excavating Nations: Archaeology, Museums, and the German-Danish Borderlands” (U of Toronto Press, 2015)

Sun, 28 Jun 2015 15:19:00 -0000

A recent book review I read began with the line “borderlands are back.” It’s certainly true that more and more historians have used borderland regions as the stage for some excellent work on the construction of national identities (or indifference to them) in recent years. J. Laurence Hare, Associate Professor of History at the University of Arkansas, makes a novel and highly compelling contribution to that literature with Excavating Nations: Archaeology, Museums, and the German-Danish Borderlands (University of Toronto Press, 2015). As the title suggests, the book looks at the role of antiquities and archaeology in the creation of Danish and German national identities from the early nationalist period through the twentieth century. The region between Denmark and Germany is perhaps not the place many Americans think of when they think of Scandinavia (home of wind-swept islands and fjords) or Germany (with its forests and Alpine vistas). Yet the German-Danish borderland has a very distinctive landscape all it own–of fens and moors, swamps and dikes–and that landscape contains fascinating antiquities. Unlike the Mediterranean, with its coliseums and cathedrals, the German-Danish borderland is the home of burial mounds and lost cities of the Viking Age, bog bodies and earth works, and mysterious treasures like the Golden Horns of Gallehus. Hare’s book detailing the ways these artifacts of an ancient past came to stand as markers of modern identities is an elegantly written and thoroughly fascinating contribution to the expanding literature on borderlands.

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Karen A. Rader and Victoria E. M. Cain, “Life on Display: Revolutionizing U.S. Museums of Science and Natural History in the Twentieth Century” (U of Chicago Press, 2014)

Fri, 16 Jan 2015 15:49:00 -0000

In lucid prose that’s a real pleasure to read, Karen Rader and Victoria Cain‘s new book chronicles a revolution in modern American science education and culture. Life on Display: Revolutionizing U. S. Museums of Science & Natural History in the Twentieth Century (University of Chicago Press, 2014) guides readers through a transformation in American science and nature museums as museums moved from a nineteenth-century focus on research and specimen collections to a twentieth-century emphasis on public engagement and display. Written collaboratively over nearly a decade, Life on Display simultaneously develops an argument for a “renegotiation of the relationship between display, research, and education in American museums of nature and science,” and opens up an archive of fascinating (and at times hilarious and moving) stories of members of the museum-going public (some of who gifted dog fleas and dead pets to their local museums), non-human inhabitants of interactive museum displays (including an owl with a penchant for riding in cars and “trim, up-on-their-toes cockroaches”), and museum professionals who painted, debated, made dioramas, invented “Exploratoria,” and occasionally wrote limericks. This is a book for anyone interested in American history, museum studies, visual culture, science studies, the history of education, grasshopper surgery, or Jurassic Park (among many, many other fields it contributes to). It’s a wonderfully engaging history.

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Lara Jaishree Netting, “A Perpetual Fire: John C. Ferguson and His Quest for Chinese Art and Culture” (Hong Kong UP, 2013)

Thu, 11 Sep 2014 15:25:00 -0000

Lara Netting’s new book explores the life, career, and work of one man as a window into the history and associated practices of “Chinese art” during a period of massive transformation in the China of the late nineteenth and early twentieth centuries. While reading A Perpetual Fire: John C. Ferguson...

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Alice Conklin, “In the Museum of Man: Race, Anthropology, and Empire in France, 1850-1950” (Cornell UP, 2013)

Tue, 29 Jul 2014 12:06:00 -0000

Host Jonathan Judaken and author Alice Conklin discuss the thorny relationship between science, society, and empire at the high water mark of French imperialism and European fascism, as well as this neglected chapter in the international history of the human sciences. In Memphis, and in America generally, we remain haunted by the history of “race” as a concept, and racism as a set of social practices. To gain some perspective on our local history, it is useful to take a step back, both in time and place. Alice Conklin‘s newest book, In the Museum of Man: Race, Anthropology, and Empire in France, 1850-1950 (Cornell University Press, 2013), tells the story of how the discipline of anthropology and Paris’ ethnographic museum par excellence, the Museum of Man, are wound into the history of racial science and colonial conquest, but also ultimately played an important part in undoing scientific racism. The book offers new insight into the thorny relationship between science, society, and empire at the high water mark of French imperialism and European fascism, as well as recovers a neglected chapter in the international history of the human sciences. Alice Conklin is a professor in the Department of History at Ohio State University. Her first book, A Mission to Civilize: The Republican Idea of Empire in France and West Africa, 1895-1930 (Stanford, 1997) examined the ways in which France’s liberal Third Republic produced a consensus on the legitimacy of imperialism through the notion of a special “mission to civilize” – highlighting the racist and republican elements that together influenced French policy-making. The book won the 1998 Book Prize of the Berskshire Conference of Women’s Historians.

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