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    <title>The Common Magazine</title>
    <link>https://newbooksnetwork.com</link>
    <language>en</language>
    <copyright>The Common</copyright>
    <description>The Common is a literary organization whose mission is to deepen our individual and collective sense of place. Based at Amherst College, we aim to serve as a vibrant common space for the global exchange of ideas and experiences through three main areas of activity: publishing, public programming, and mentorship and education.</description>
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      <title>The Common Magazine</title>
      <link>https://newbooksnetwork.com</link>
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    <itunes:type>episodic</itunes:type>
    <itunes:subtitle>Interviews with the authors and editors of The Common magazine</itunes:subtitle>
    <itunes:author>New Books Network</itunes:author>
    <itunes:summary>The Common is a literary organization whose mission is to deepen our individual and collective sense of place. Based at Amherst College, we aim to serve as a vibrant common space for the global exchange of ideas and experiences through three main areas of activity: publishing, public programming, and mentorship and education.</itunes:summary>
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      <![CDATA[<p>The Common is a literary organization whose mission is to deepen our individual and collective sense of place. Based at Amherst College, we aim to serve as a vibrant common space for the global exchange of ideas and experiences through three main areas of activity: publishing, public programming, and mentorship and education.</p>]]>
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    <itunes:owner>
      <itunes:name>New Books Network</itunes:name>
      <itunes:email>marshallpoe@newbooksnetwork.com</itunes:email>
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    <itunes:category text="Fiction">
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      <title>Casey Walker, "Islands" The Common Magazine (Fall, 2025)</title>
      <description>Casey Walker speaks to Emily Everett about his story “Islands,” which appears in The Common’s fall issue. Set at an old lake house rife with unresolved family tensions, the story explores the dynamics between three orphaned brothers, and between the narrator and his pregnant wife. Casey discusses how the piece evolved over more than a decade, and how he always hopes a story will take on a life of its own during the writing process. Also discussed is his forthcoming novel Mexicali, set in the US-Mexico borderlands during the first half of the 20th century.

Casey Walker's new novel Mexicali is forthcoming from Knopf in 2027. He is also the author of the novel Last Days in Shanghai and has published fiction and essays in The Common, Ninth Letter, The Believer, The New York Times, and El País, among others. He holds a PhD in English Literature from Princeton University and an MFA from the Iowa Writers' Workshop.

­­Read Casey’s story in The Common here.

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Instagram, Bluesky, and Facebook.

Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford was a Reese’s Book Club pick. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 10 Apr 2026 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Casey Walker speaks to Emily Everett about his story “Islands,” which appears in The Common’s fall issue. Set at an old lake house rife with unresolved family tensions, the story explores the dynamics between three orphaned brothers, and between the narrator and his pregnant wife. Casey discusses how the piece evolved over more than a decade, and how he always hopes a story will take on a life of its own during the writing process. Also discussed is his forthcoming novel Mexicali, set in the US-Mexico borderlands during the first half of the 20th century.

Casey Walker's new novel Mexicali is forthcoming from Knopf in 2027. He is also the author of the novel Last Days in Shanghai and has published fiction and essays in The Common, Ninth Letter, The Believer, The New York Times, and El País, among others. He holds a PhD in English Literature from Princeton University and an MFA from the Iowa Writers' Workshop.

­­Read Casey’s story in The Common here.

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Instagram, Bluesky, and Facebook.

Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford was a Reese’s Book Club pick. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Casey Walker speaks to Emily Everett about his story “Islands,” which appears in <em>The Common’s</em> fall issue. Set at an old lake house rife with unresolved family tensions, the story explores the dynamics between three orphaned brothers, and between the narrator and his pregnant wife. Casey discusses how the piece evolved over more than a decade, and how he always hopes a story will take on a life of its own during the writing process. Also discussed is his forthcoming novel <em>Mexicali</em>, set in the US-Mexico borderlands during the first half of the 20th century.</p>
<p>Casey Walker's new novel <em>Mexicali </em>is forthcoming from Knopf in 2027. He is also the author of the novel <em>Last Days in Shanghai</em> and has published fiction and essays in <em>The Common, Ninth Letter, The Believer, The New York Times, </em>and<em> El País, </em>among others. He holds a PhD in English Literature from Princeton University and an MFA from the Iowa Writers' Workshop.</p>
<p>­­Read Casey’s story in <em>The Common</em> <a href="https://www.thecommononline.org/islands/">here</a>.<br></p>
<p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on <a href="https://www.instagram.com/commonmag/">Instagram</a>, <a href="https://bsky.app/profile/commonmag.bsky.social">Bluesky</a>, and <a href="https://www.facebook.com/TheCommonMag">Facebook</a>.</p>
<p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her new debut novel <em>All That Life Can Afford </em>was a Reese’s Book Club pick. Her work has appeared in <em>The New York Times</em> Modern Love column, the <em>Kenyon Review, Electric Literature, Tin House, </em>and<em> Mississippi Review</em>. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>Lauren Groff, "Brawler: Stories" (Riverhead, 2026)</title>
      <description>Acclaimed TC contributor Lauren Groff speaks to managing editor Emily Everett about her new story collection, Brawler, out this month from Riverhead, and her origins as a writer at Amherst College, where The Common is based. She also discusses how a story collection comes together over many years, how working with her longtime agent Bill Clegg has shaped her work, and what she’s working on now and next. Groff’s work appears most often in The New Yorker these days, but The Common published a story of hers in Issue 01, more than 15 years ago.

Lauren Groff is a three-time National Book Award finalist and the New York Times bestselling author of the novels The Monsters of Templeton, Arcadia, Fates and Furies, Matrix, and The Vaster Wilds, and the celebrated short story collections Delicate Edible Birds and Florida. She has won the Story Prize and the Joyce Carol Oates Prize, and has been a finalist for the National Book Critics Circle Award. In 2024 she was named one of the “TIME 100 most influential people.” Groff’s work regularly appears in The New Yorker, The Atlantic, and elsewhere. Her work has been translated into thirty-six languages. She lives in Gainesville, Florida, where she and her husband run an independent bookstore, The Lynx.

­­Read Lauren Groff’s story “Exquisite Corpse” in The Common here.

Learn more about Brawler and order it here.

Find out more here.

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine here, and follow us on Instagram, Bluesky, and Facebook.

Emily Everett is managing editor of the magazine and host of the podcast. Her 2025 debut novel All That Life Can Afford was a Reese’s Book Club pick, and her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 27 Feb 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Acclaimed TC contributor Lauren Groff speaks to managing editor Emily Everett about her new story collection, Brawler, out this month from Riverhead, and her origins as a writer at Amherst College, where The Common is based. She also discusses how a story collection comes together over many years, how working with her longtime agent Bill Clegg has shaped her work, and what she’s working on now and next. Groff’s work appears most often in The New Yorker these days, but The Common published a story of hers in Issue 01, more than 15 years ago.

Lauren Groff is a three-time National Book Award finalist and the New York Times bestselling author of the novels The Monsters of Templeton, Arcadia, Fates and Furies, Matrix, and The Vaster Wilds, and the celebrated short story collections Delicate Edible Birds and Florida. She has won the Story Prize and the Joyce Carol Oates Prize, and has been a finalist for the National Book Critics Circle Award. In 2024 she was named one of the “TIME 100 most influential people.” Groff’s work regularly appears in The New Yorker, The Atlantic, and elsewhere. Her work has been translated into thirty-six languages. She lives in Gainesville, Florida, where she and her husband run an independent bookstore, The Lynx.

­­Read Lauren Groff’s story “Exquisite Corpse” in The Common here.

Learn more about Brawler and order it here.

Find out more here.

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine here, and follow us on Instagram, Bluesky, and Facebook.

Emily Everett is managing editor of the magazine and host of the podcast. Her 2025 debut novel All That Life Can Afford was a Reese’s Book Club pick, and her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Acclaimed TC contributor Lauren Groff speaks to managing editor Emily Everett about her new story collection, <a href="https://bookshop.org/a/12343/9780593418420">Brawler</a>, out this month from Riverhead, and her origins as a writer at Amherst College, where <em>The Common</em> is based. She also discusses how a story collection comes together over many years, how working with her longtime agent Bill Clegg has shaped her work, and what she’s working on now and next. Groff’s work appears most often in <em>The New Yorker</em> these days, but <em>The Common </em>published a story of hers in Issue 01, more than 15 years ago.</p>
<p>Lauren Groff is a three-time National Book Award finalist and the <em>New York Times</em> bestselling author of the novels <em>The Monsters of Templeton, Arcadia, Fates and Furies, Matrix,</em> and <em>The Vaster Wilds,</em> and the celebrated short story collections <em>Delicate Edible Birds </em>and <em>Florida.</em> She has won the Story Prize and the Joyce Carol Oates Prize, and has been a finalist for the National Book Critics Circle Award. In 2024 she was named one of the “TIME 100 most influential people.” Groff’s work regularly appears in <em>The New Yorker, The Atlantic,</em> and elsewhere. Her work has been translated into thirty-six languages. She lives in Gainesville, Florida, where she and her husband run an independent bookstore, The Lynx.</p>
<p>­­Read Lauren Groff’s story “Exquisite Corpse” in <em>The Common</em> <a href="https://www.thecommononline.org/exquisite-corpse/">here</a>.</p>
<p>Learn more about <em>Brawler </em>and order it <a href="https://www.penguinrandomhouse.com/books/673218/brawler-by-lauren-groff/">here</a>.</p>
<p>Find out more <a href="https://laurengroff.com/">here</a>.</p>
<p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine <a href="https://thecommononline.org/">here</a>, and follow us on <a href="https://www.instagram.com/commonmag/">Instagram</a>, <a href="https://bsky.app/profile/commonmag.bsky.social">Bluesky</a>, and <a href="https://www.facebook.com/TheCommonMag">Facebook</a>.</p>
<p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her 2025 debut novel <em>All That Life Can Afford </em>was a Reese’s Book Club pick, and her work has appeared in <em>The New York Times</em> Modern Love column, the <em>Kenyon Review, Electric Literature, Tin House, </em>and<em> Mississippi Review</em>. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>Cush Rodríguez Moz “Future Remains” The Common Magazine (Fall, 2025)</title>
      <description>Cush Rodríguez Moz speaks to Emily Everett about his essay “Future Remains: The Mysterious Allure of a Town in Ruins,” which appears in The Common’s fall issue. The piece chronicles a trip to Villa Epecuén: once a vacation destination for the wealthy in Argentina’s golden age, now a site for disaster tourism after salt-water flooding first ruined and then preserved it. Cush discusses how the piece evolved from simple travelogue to a complex personal essay examining national and personal decline, climate and political change, and our fascination with destruction and decay.

Cush Rodríguez Moz is a journalist, writer and photographer currently based in Madrid. His investigative articles and long-form narrative pieces cover an array of themes that include environmental issues, agriculture and urbanism. His work has appeared in El Malpensante, Altäir, The New Yorker and Climática, among other outlets. He also collaborates regularly with Revista Late. He holds degrees in history, geography and journalism. Prior to Spain, he lived in Italy and Argentina.

­­Read Cush’s essay in The Common here.

Read more from Cush at linktr.ee/cush.moz, and follow him on Instagram @cush.moz.

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine here, and follow us on Instagram, Bluesky, and Facebook.

Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford is the Reese’s Book Club pick for April 2025. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 30 Jan 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Cush Rodríguez Moz speaks to Emily Everett about his essay “Future Remains: The Mysterious Allure of a Town in Ruins,” which appears in The Common’s fall issue. The piece chronicles a trip to Villa Epecuén: once a vacation destination for the wealthy in Argentina’s golden age, now a site for disaster tourism after salt-water flooding first ruined and then preserved it. Cush discusses how the piece evolved from simple travelogue to a complex personal essay examining national and personal decline, climate and political change, and our fascination with destruction and decay.

Cush Rodríguez Moz is a journalist, writer and photographer currently based in Madrid. His investigative articles and long-form narrative pieces cover an array of themes that include environmental issues, agriculture and urbanism. His work has appeared in El Malpensante, Altäir, The New Yorker and Climática, among other outlets. He also collaborates regularly with Revista Late. He holds degrees in history, geography and journalism. Prior to Spain, he lived in Italy and Argentina.

­­Read Cush’s essay in The Common here.

Read more from Cush at linktr.ee/cush.moz, and follow him on Instagram @cush.moz.

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine here, and follow us on Instagram, Bluesky, and Facebook.

Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford is the Reese’s Book Club pick for April 2025. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Cush Rodríguez Moz speaks to Emily Everett about his essay “<a href="https://thecommononline.org/future-remains-the-mysterious-allure-of-a-town-in-ruins/">Future Remains: The Mysterious Allure of a Town in Ruins</a>,” which appears in <em>The Common’s</em> fall issue. The piece chronicles a trip to Villa Epecuén: once a vacation destination for the wealthy in Argentina’s golden age, now a site for disaster tourism after salt-water flooding first ruined and then preserved it. Cush discusses how the piece evolved from simple travelogue to a complex personal essay examining national and personal decline, climate and political change, and our fascination with destruction and decay.</p>
<p>Cush Rodríguez Moz is a journalist, writer and photographer currently based in Madrid. His investigative articles and long-form narrative pieces cover an array of themes that include environmental issues, agriculture and urbanism. His work has appeared in <em>El Malpensante, Altäir</em>, <em>The New Yorker </em>and <em>Climática</em>, among other outlets. He also collaborates regularly with <em>Revista Late</em>. He holds degrees in history, geography and journalism. Prior to Spain, he lived in Italy and Argentina.</p>
<p>­­Read Cush’s essay in <em>The Common</em> <a href="https://thecommononline.org/future-remains-the-mysterious-allure-of-a-town-in-ruins/">here</a>.<br></p>
<p>Read more from Cush at <a href="https://linktr.ee/cush.moz">linktr.ee/cush.moz</a>, and follow him on Instagram <a href="https://www.instagram.com/cush.moz/?hl=en">@cush.moz</a>.</p>
<p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine <a href="https://thecommononline.org/">here</a>, and follow us on <a href="https://www.instagram.com/commonmag/">Instagram</a>, <a href="https://bsky.app/profile/commonmag.bsky.social">Bluesky</a>, and <a href="https://www.facebook.com/TheCommonMag">Facebook</a>.</p>
<p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her new debut novel <em>All That Life Can Afford </em>is the Reese’s Book Club pick for April 2025. Her work has appeared in <em>The New York Times</em> Modern Love column, the <em>Kenyon Review, Electric Literature, Tin House, </em>and<em> Mississippi Review</em>. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>Jennifer Acker “On 15 Years of The Common” (The Common, Fall 2025)</title>
      <description>Jennifer Acker, founder and editor in chief of The Common, speaks to Emily Everett about her essay “On 15 Years of The Common,” which appears in The Common’s recent fall issue. The piece is a reflection on the hard work and stick-to-itiveness it takes to train a horse—and keep a literary magazine running. Jennifer talks about how The Common has grown and expanded since its early days—when it was only her and a few student interns and section editors—including some highlights like favorite portfolios and a new film adaptation of a story from Issue 16.

Jennifer also discusses her forthcoming novel, Surrender, out in April 2026 from Delphinium. The book explores smalltown life, following a woman who returns to her family’s farm to raise goats, and encounters life challenges that extend far beyond farmwork.

Jennifer Acker is author of the debut novel The Limits of the World, a fiction honoree for the Massachusetts Book Award. Her memoir “Fatigue” is an Amazon bestseller, and her short stories, essays, translations, and reviews have appeared in the Wall Street Journal, Oprah Daily, the Washington Post, Literary Hub, n+1, and The Yale Review, among other places. She has an MFA from the Bennington Writing Seminars and is founder and editor in chief of The Common. At Amherst College, she directs the Literary Publishing Internship and LitFest. Her second novel, Surrender, will be released in April 2026.

­­Read Jennifer’s new essay in The Common here

Check out more of her translations and essays here.

Learn more about Jennifer here, and follow her on Instagram @jen_acker.

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine here, and follow us on Instagram, Bluesky, and Facebook.

Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford is the Reese’s Book Club pick for April 2025. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 19 Dec 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Jennifer Acker, founder and editor in chief of The Common, speaks to Emily Everett about her essay “On 15 Years of The Common,” which appears in The Common’s recent fall issue. The piece is a reflection on the hard work and stick-to-itiveness it takes to train a horse—and keep a literary magazine running. Jennifer talks about how The Common has grown and expanded since its early days—when it was only her and a few student interns and section editors—including some highlights like favorite portfolios and a new film adaptation of a story from Issue 16.

Jennifer also discusses her forthcoming novel, Surrender, out in April 2026 from Delphinium. The book explores smalltown life, following a woman who returns to her family’s farm to raise goats, and encounters life challenges that extend far beyond farmwork.

Jennifer Acker is author of the debut novel The Limits of the World, a fiction honoree for the Massachusetts Book Award. Her memoir “Fatigue” is an Amazon bestseller, and her short stories, essays, translations, and reviews have appeared in the Wall Street Journal, Oprah Daily, the Washington Post, Literary Hub, n+1, and The Yale Review, among other places. She has an MFA from the Bennington Writing Seminars and is founder and editor in chief of The Common. At Amherst College, she directs the Literary Publishing Internship and LitFest. Her second novel, Surrender, will be released in April 2026.

­­Read Jennifer’s new essay in The Common here

Check out more of her translations and essays here.

Learn more about Jennifer here, and follow her on Instagram @jen_acker.

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine here, and follow us on Instagram, Bluesky, and Facebook.

Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford is the Reese’s Book Club pick for April 2025. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jennifer Acker, founder and editor in chief of <em>The Common,</em> speaks to Emily Everett about her essay “<a href="https://thecommononline.org/on-fifteen-years-of-the-common/">On 15 Years of <em>The Common</em></a>,” which appears in <em>The Common’s</em> recent fall issue. The piece is a reflection on the hard work and stick-to-itiveness it takes to train a horse—and keep a literary magazine running. Jennifer talks about how <em>The Common</em> has grown and expanded since its early days—when it was only her and a few student interns and section editors—including some highlights like favorite portfolios and a new film adaptation of a story from Issue 16.</p>
<p>Jennifer also discusses her forthcoming novel, <a href="https://www.barnesandnoble.com/w/surrender-jennifer-acker/1148088025"><em>Surrender</em></a><em>, </em>out in April 2026 from Delphinium. The book explores smalltown life, following a woman who returns to her family’s farm to raise goats, and encounters life challenges that extend far beyond farmwork.</p>
<p>Jennifer Acker is author of the debut novel <em>The Limits of the World</em>, a fiction honoree for the Massachusetts Book Award. Her memoir “Fatigue” is an Amazon bestseller, and her short stories, essays, translations, and reviews have appeared in the <em>Wall Street Journal, Oprah Daily, the Washington Post, Literary Hub, n+1, </em>and<em> The Yale Review</em>, among other places. She has an MFA from the Bennington Writing Seminars and is founder and editor in chief of <em>The Common</em>. At Amherst College, she directs the Literary Publishing Internship and LitFest. Her second novel, <em>Surrender</em>, will be released in April 2026.</p>
<p>­­Read Jennifer’s new essay in <em>The Common</em> <a href="https://thecommononline.org/on-fifteen-years-of-the-common/">here</a><br></p>
<p>Check out more of her translations and essays <a href="https://thecommononline.org/tag/Jennifer-acker/">here</a>.</p>
<p>Learn more about Jennifer <a href="https://www.jenniferacker.com/">here</a>, and follow her on Instagram <a href="https://www.instagram.com/jen_acker">@jen_acker</a>.</p>
<p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine <a href="https://thecommononline.org/">here</a>, and follow us on <a href="https://www.instagram.com/commonmag/">Instagram</a>, <a href="https://bsky.app/profile/commonmag.bsky.social">Bluesky</a>, and <a href="https://www.facebook.com/TheCommonMag">Facebook</a>.</p>
<p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her new debut novel <em>All That Life Can Afford </em>is the Reese’s Book Club pick for April 2025. Her work has appeared in <em>The New York Times</em> Modern Love column, the <em>Kenyon Review, Electric Literature, Tin House, </em>and<em> Mississippi Review</em>. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
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      <title>Sarah Smarsh, "Bone of the Bone: Essays on America from a Daughter of the Working Class" ﻿(Scribner, 2024)</title>
      <description>National Book Award finalist Sarah Smarsh speaks to managing editor Emily Everett about her career writing memoir, essays, and journalism centered on the experience of the rural working class in the US. Her essay in The Common’s fall 2014 issue, “Death of the Farm Family,” became part of her 2018 book Heartland: A Memoir of Working Hard and Being Broke in the Richest Country on Earth, which became an instant New York Times bestseller, was shortlisted for the National Book Award and the Kirkus Prize, and named on President Barack Obama’s best books of the year list.

Smarsh discusses her most recent book, a collection of essays from 2012 to 2024 titled Bone of the Bone: Essays on America from a Daughter of the Working Class ﻿(Scribner, 2024), out this fall in paperback. The conversation ranges from what the media gets wrong about working class Americans to how our understanding of and interest in talking about class and access has changed since the early 2000s. Stick around to hear how Smarsh manages the dual identities of rural Kansas farm kid and nationally recognized writer-commentator on class and culture, and hear what she’s working on next.

Born a fifth-generation Kansas wheat farmer on her paternal side, Sarah Smarsh is a journalist who has reported for the New York Times, Harper’s, the Guardian, and many other publications. Her 2020 book She Come By It Natural: Dolly Parton and the Women Who Lived Her Songs was a finalist for the National Book Critics Circle Award. She is a frequent political commentator and speaker on socioeconomic class. A former writing professor, Smarsh has served as a Shorenstein Fellow at Harvard University’s Kennedy School of Government and a Pritzker Fellow at the University of Chicago Institute of Politics. She lives in rural Kansas, where she is currently at work on a book about the endangered tallgrass prairie ecosystem.

­­Read Sarah Smarsh’s essay “Death of the Farm Family” in The Common here.

Learn more about her books and work at her website.

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at here, and follow us on Instagram, Bluesky, and Facebook.

Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford is the Reese’s Book Club pick for April 2025. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 25 Oct 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>National Book Award finalist Sarah Smarsh speaks to managing editor Emily Everett about her career writing memoir, essays, and journalism centered on the experience of the rural working class in the US. Her essay in The Common’s fall 2014 issue, “Death of the Farm Family,” became part of her 2018 book Heartland: A Memoir of Working Hard and Being Broke in the Richest Country on Earth, which became an instant New York Times bestseller, was shortlisted for the National Book Award and the Kirkus Prize, and named on President Barack Obama’s best books of the year list.

Smarsh discusses her most recent book, a collection of essays from 2012 to 2024 titled Bone of the Bone: Essays on America from a Daughter of the Working Class ﻿(Scribner, 2024), out this fall in paperback. The conversation ranges from what the media gets wrong about working class Americans to how our understanding of and interest in talking about class and access has changed since the early 2000s. Stick around to hear how Smarsh manages the dual identities of rural Kansas farm kid and nationally recognized writer-commentator on class and culture, and hear what she’s working on next.

Born a fifth-generation Kansas wheat farmer on her paternal side, Sarah Smarsh is a journalist who has reported for the New York Times, Harper’s, the Guardian, and many other publications. Her 2020 book She Come By It Natural: Dolly Parton and the Women Who Lived Her Songs was a finalist for the National Book Critics Circle Award. She is a frequent political commentator and speaker on socioeconomic class. A former writing professor, Smarsh has served as a Shorenstein Fellow at Harvard University’s Kennedy School of Government and a Pritzker Fellow at the University of Chicago Institute of Politics. She lives in rural Kansas, where she is currently at work on a book about the endangered tallgrass prairie ecosystem.

­­Read Sarah Smarsh’s essay “Death of the Farm Family” in The Common here.

Learn more about her books and work at her website.

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at here, and follow us on Instagram, Bluesky, and Facebook.

Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford is the Reese’s Book Club pick for April 2025. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>National Book Award finalist Sarah Smarsh speaks to managing editor Emily Everett about her career writing memoir, essays, and journalism centered on the experience of the rural working class in the US. Her essay in <em>The Common</em>’s fall 2014 issue, “<a href="https://www.thecommononline.org/death-of-the-farm-family/">Death of the Farm Family</a>,” became part of her 2018 book <em>Heartland: A Memoir of Working Hard and Being Broke in the Richest Country on Earth</em>, which became an instant <em>New York Times</em> bestseller, was shortlisted for the National Book Award and the Kirkus Prize, and named on President Barack Obama’s best books of the year list.</p>
<p>Smarsh discusses her most recent book, a collection of essays from 2012 to 2024 titled <a href="https://bookshop.org/a/12343/9781668061848">Bone of the Bone: Essays on America from a Daughter of the Working Class</a><em> </em>﻿(Scribner, 2024)<em>, </em>out this fall in paperback. The conversation ranges from what the media gets wrong about working class Americans to how our understanding of and interest in talking about class and access has changed since the early 2000s. Stick around to hear how Smarsh manages the dual identities of rural Kansas farm kid and nationally recognized writer-commentator on class and culture, and hear what she’s working on next.</p>
<p>Born a fifth-generation Kansas wheat farmer on her paternal side, Sarah Smarsh is a journalist who has reported for the <em>New York Times, Harper’s,</em> the<em> Guardian</em>, and many other publications. Her 2020 book <em>She Come By It Natural: Dolly Parton and the Women Who Lived Her Songs </em>was a finalist for the National Book Critics Circle Award. She is a frequent political commentator and speaker on socioeconomic class. A former writing professor, Smarsh has served as a Shorenstein Fellow at Harvard University’s Kennedy School of Government and a Pritzker Fellow at the University of Chicago Institute of Politics. She lives in rural Kansas, where she is currently at work on a book about the endangered tallgrass prairie ecosystem.</p>
<p>­­Read Sarah Smarsh’s essay “Death of the Farm Family” in <em>The Common</em> <a href="https://www.thecommononline.org/death-of-the-farm-family/">here</a>.</p>
<p>Learn more about her books and work at <a href="https://sarahsmarsh.com/">her website</a>.</p>
<p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">here</a>, and follow us on <a href="https://www.instagram.com/commonmag/">Instagram</a>, <a href="https://bsky.app/profile/commonmag.bsky.social">Bluesky</a>, and <a href="https://www.facebook.com/TheCommonMag">Facebook</a>.</p>
<p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her new debut novel <em>All That Life Can Afford </em>is the Reese’s Book Club pick for April 2025. Her work has appeared in <em>The New York Times</em> Modern Love column, the <em>Kenyon Review, Electric Literature, Tin House, </em>and<em> Mississippi Review</em>. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3896</itunes:duration>
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      <title>Lily Lloyd Burkhalter, "Raffia Memory," The Common Magazine (Spring, 2025)</title>
      <description>Lily Lloyd Burkhalter speaks to managing editor Emily Everett about her essay “Raffia Memory,” which appears in The Common’s spring issue. Lily talks about traveling to the Cameroon Grassfields to research the rituals and production of ndop, a traditional dyed cloth with an important role in both spiritual life and, increasingly, economic life as well. She also discusses the book-length project she’s working on, which explores loss, grief, fabric, sewing, and weaving.

Lily Lloyd Burkhalter is a writer living in Lille, France. She is a Pulitzer Center Reporting Fellow and holds degrees from the University of Virginia and the School of the Art Institute of Chicago. Her work can be found in Ploughshares, Gulf Coast, The Missouri Review, Denver Quarterly, and elsewhere. She is represented by Audrey Crooks at Trident Media Group. She learned to sew in Cameroon and learned to weave in Chicago.

­­Read Lily’s essay “Raffia Memory” in The Common here.

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine here, and follow us on Instagram, Bluesky, and Facebook.

Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford was the Reese’s Book Club pick for April 2025. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 29 Aug 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Lily Lloyd Burkhalter speaks to managing editor Emily Everett about her essay “Raffia Memory,” which appears in The Common’s spring issue. Lily talks about traveling to the Cameroon Grassfields to research the rituals and production of ndop, a traditional dyed cloth with an important role in both spiritual life and, increasingly, economic life as well. She also discusses the book-length project she’s working on, which explores loss, grief, fabric, sewing, and weaving.

Lily Lloyd Burkhalter is a writer living in Lille, France. She is a Pulitzer Center Reporting Fellow and holds degrees from the University of Virginia and the School of the Art Institute of Chicago. Her work can be found in Ploughshares, Gulf Coast, The Missouri Review, Denver Quarterly, and elsewhere. She is represented by Audrey Crooks at Trident Media Group. She learned to sew in Cameroon and learned to weave in Chicago.

­­Read Lily’s essay “Raffia Memory” in The Common here.

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine here, and follow us on Instagram, Bluesky, and Facebook.

Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford was the Reese’s Book Club pick for April 2025. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Lily Lloyd Burkhalter speaks to managing editor Emily Everett about her essay “Raffia Memory,” which appears in <em>The Common’</em>s spring issue. Lily talks about traveling to the Cameroon Grassfields to research the rituals and production of ndop, a traditional dyed cloth with an important role in both spiritual life and, increasingly, economic life as well. She also discusses the book-length project she’s working on, which explores loss, grief, fabric, sewing, and weaving.</p>
<p>Lily Lloyd Burkhalter is a writer living in Lille, France. She is a Pulitzer Center Reporting Fellow and holds degrees from the University of Virginia and the School of the Art Institute of Chicago. Her work can be found in <em>Ploughshares, Gulf Coast, The Missouri Review, Denver Quarterly,</em> and elsewhere. She is represented by Audrey Crooks at Trident Media Group. She learned to sew in Cameroon and learned to weave in Chicago.</p>
<p>­­Read Lily’s essay “Raffia Memory” in <em>The Common</em> <a href="http://thecommononline.org/raffia-memory">here</a>.</p>
<p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine <a href="http://thecommononline.org/">here</a>, and follow us on <a href="https://www.instagram.com/commonmag/">Instagram</a>, <a href="https://bsky.app/profile/commonmag.bsky.social">Bluesky</a>, and <a href="https://www.facebook.com/TheCommonMag">Facebook</a>.</p>
<p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her new debut novel <em>All That Life Can Afford </em>was the Reese’s Book Club pick for April 2025. Her work has appeared in <em>The New York Times</em> Modern Love column, the <em>Kenyon Review, Electric Literature, Tin House, </em>and<em> Mississippi Review</em>. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
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      <title>Mariah Rigg, "Target Island," The Common (Spring, 2025)</title>
      <description>Mariah Rigg speaks to managing editor Emily Everett about her story “Target Island,” which appears in The Common’s spring issue. “Target Island” is a story from her short story collection Extinction Capital of the World, out August 5 from Ecco; both focus on the islands of Hawai’i. Mariah talks about the process of writing and revising this story and the collection as a whole, and why reflecting contemporary Hawai’i is important to her work. Mariah also discusses playing with time and narrative flow in her stories, and working on a new project—her first novel.

Mariah Rigg is a Samoan-Haole who was born and raised on the island of O‘ahu. She is the author of the short story collection Extinction Capital of the World, which is forthcoming from Ecco/HarperCollins on August 5th. Her chapbook, All Hat, No Cattle was published by Bull City Press in 2023. She has received fellowships from the National Endowment for the Arts, MASS MoCA, Oregon Literary Arts, VCCA, The Mount, and Lambda Literary, among others. She holds an MFA from the University of Oregon and a PhD from the University of Tennessee, Knoxville. In fall 2025, she will be a visiting fellow at Mount Holyoke College.

­­Read Mariah’s story “Target Island” in The Common at thecommononline.org/target-island.

Order her story collection in all formats from Ecco/Harper Collins.

Learn more about Lucas at www.mariahrigg.com.

Follow Mariah on Instagram at @riggstah.

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Instagram, Bluesky, and Facebook.

Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford is the Reese’s Book Club pick for April 2025. Her writing appears in The New York Times, Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 24 Jul 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>67</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Mariah Rigg speaks to managing editor Emily Everett about her story “Target Island,” which appears in The Common’s spring issue. “Target Island” is a story from her short story collection Extinction Capital of the World, out August 5 from Ecco; both focus on the islands of Hawai’i. Mariah talks about the process of writing and revising this story and the collection as a whole, and why reflecting contemporary Hawai’i is important to her work. Mariah also discusses playing with time and narrative flow in her stories, and working on a new project—her first novel.

Mariah Rigg is a Samoan-Haole who was born and raised on the island of O‘ahu. She is the author of the short story collection Extinction Capital of the World, which is forthcoming from Ecco/HarperCollins on August 5th. Her chapbook, All Hat, No Cattle was published by Bull City Press in 2023. She has received fellowships from the National Endowment for the Arts, MASS MoCA, Oregon Literary Arts, VCCA, The Mount, and Lambda Literary, among others. She holds an MFA from the University of Oregon and a PhD from the University of Tennessee, Knoxville. In fall 2025, she will be a visiting fellow at Mount Holyoke College.

­­Read Mariah’s story “Target Island” in The Common at thecommononline.org/target-island.

Order her story collection in all formats from Ecco/Harper Collins.

Learn more about Lucas at www.mariahrigg.com.

Follow Mariah on Instagram at @riggstah.

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Instagram, Bluesky, and Facebook.

Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford is the Reese’s Book Club pick for April 2025. Her writing appears in The New York Times, Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Mariah Rigg speaks to managing editor Emily Everett about her story “<a href="https://www.thecommononline.org/target-island/">Target Island</a>,” which appears in <em>The Common’s</em> spring issue. “Target Island” is a story from her short story collection <em>Extinction Capital of the World</em>, out August 5 from Ecco; both focus on the islands of Hawai’i. Mariah talks about the process of writing and revising this story and the collection as a whole, and why reflecting contemporary Hawai’i is important to her work. Mariah also discusses playing with time and narrative flow in her stories, and working on a new project—her first novel.</p>
<p>Mariah Rigg is a Samoan-Haole who was born and raised on the island of O‘ahu. She is the author of the short story collection <em>Extinction Capital of the World</em>, which is forthcoming from Ecco/HarperCollins on August 5th. Her chapbook, <em>All Hat, No Cattle</em> was published by Bull City Press in 2023. She has received fellowships from the National Endowment for the Arts, MASS MoCA, Oregon Literary Arts, VCCA, The Mount, and Lambda Literary, among others. She holds an MFA from the University of Oregon and a PhD from the University of Tennessee, Knoxville. In fall 2025, she will be a visiting fellow at Mount Holyoke College.</p>
<p>­­Read Mariah’s story “Target Island” in <em>The Common</em> at <a href="https://www.thecommononline.org/target-island/">thecommononline.org/target-island</a>.</p>
<p>Order her story collection in all formats from <a href="https://www.harpercollins.com/products/extinction-capital-of-the-world-mariah-rigg?variant=43731525894178">Ecco/Harper Collins</a>.</p>
<p>Learn more about Lucas at <a href="https://www.mariahrigg.com/">www.mariahrigg.com</a>.</p>
<p>Follow Mariah on Instagram at <a href="https://www.instagram.com/riggstah/">@riggstah</a>.</p>
<p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on <a href="https://www.instagram.com/commonmag/">Instagram</a>, <a href="https://bsky.app/profile/commonmag.bsky.social">Bluesky</a>, and <a href="https://www.facebook.com/TheCommonMag">Facebook</a>.</p>
<p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her new debut novel <em>All That Life Can Afford </em>is the Reese’s Book Club pick for April 2025. Her writing appears in <em>The New York Times, Kenyon Review</em>, <em>Electric Literature, Tin House </em>Online<em>,</em> and<em> Mississippi Review</em>. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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    <item>
      <title>Pria Anand "The Elephant's Child" The Common Magazine (Spring, 2025)</title>
      <description>Pria Anand speaks to managing editor Emily Everett about her story “The Elephant’s Child,” which appears in The Common’s spring issue. The piece is a vivid retelling of a Hindu myth, the origin story of the elephant-headed god Ganesh. Pria talks about the process of writing and revising many versions of this ancient myth, why she felt inspired by it, and how her literary writing intersects with her career as a neurologist. Pria also discusses her debut book, The Mind Electric: A Neurologist on the Strangeness and Wonder of Our Brains, out this month from Simon &amp; Schuster. The book explores how story and storytelling can illuminate the rich, complex gray areas within the science of the brain, weaving case study, history, fable, and memoir.

Pria Anand is a neurologist and the author of The Mind Electric, out from Simon &amp; Schuster in the U.S. and Little, Brown in the U.K. Her stories and essays have appeared in the Los Angeles Review of Books, Time Magazine, The Boston Globe, The Washington Post, The New York Times, Ploughshares, and elsewhere. She is a graduate of Yale University and Stanford Medical School, and she trained in neurology, neuro-infectious diseases, and neuroimmunology at the Johns Hopkins Hospital and the Massachusetts General Hospital. She is now an Assistant Professor of Neurology at the Boston University School of Medicine, and she cares for patients at the Boston Medical Center.

­­Read Prias’s story “The Elephant’s Child” in The Common at thecommononline.org/the-elephants-child.

Order The Mind Electric in all formats via Simon &amp; Schuster at simonandschuster.com/books/The-Mind-Electric/.

Learn more about Pria at www.priaanand.com.

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Instagram, Bluesky, and Facebook.

Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford is the Reese’s Book Club pick for April 2025. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 27 Jun 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Pria Anand speaks to managing editor Emily Everett about her story “The Elephant’s Child,” which appears in The Common’s spring issue. The piece is a vivid retelling of a Hindu myth, the origin story of the elephant-headed god Ganesh. Pria talks about the process of writing and revising many versions of this ancient myth, why she felt inspired by it, and how her literary writing intersects with her career as a neurologist. Pria also discusses her debut book, The Mind Electric: A Neurologist on the Strangeness and Wonder of Our Brains, out this month from Simon &amp; Schuster. The book explores how story and storytelling can illuminate the rich, complex gray areas within the science of the brain, weaving case study, history, fable, and memoir.

Pria Anand is a neurologist and the author of The Mind Electric, out from Simon &amp; Schuster in the U.S. and Little, Brown in the U.K. Her stories and essays have appeared in the Los Angeles Review of Books, Time Magazine, The Boston Globe, The Washington Post, The New York Times, Ploughshares, and elsewhere. She is a graduate of Yale University and Stanford Medical School, and she trained in neurology, neuro-infectious diseases, and neuroimmunology at the Johns Hopkins Hospital and the Massachusetts General Hospital. She is now an Assistant Professor of Neurology at the Boston University School of Medicine, and she cares for patients at the Boston Medical Center.

­­Read Prias’s story “The Elephant’s Child” in The Common at thecommononline.org/the-elephants-child.

Order The Mind Electric in all formats via Simon &amp; Schuster at simonandschuster.com/books/The-Mind-Electric/.

Learn more about Pria at www.priaanand.com.

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Instagram, Bluesky, and Facebook.

Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford is the Reese’s Book Club pick for April 2025. Her work has appeared in The New York Times Modern Love column, the Kenyon Review, Electric Literature, Tin House, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Pria Anand speaks to managing editor Emily Everett about her story “<a href="https://thecommononline.org/the-elephants-child/">The Elephant’s Child</a>,” which appears in <em>The Common’s</em> spring issue. The piece is a vivid retelling of a Hindu myth, the origin story of the elephant-headed god Ganesh. Pria talks about the process of writing and revising many versions of this ancient myth, why she felt inspired by it, and how her literary writing intersects with her career as a neurologist. Pria also discusses her debut book, <em>The Mind Electric: A Neurologist on the Strangeness and Wonder of Our Brains, </em>out this month from Simon &amp; Schuster. The book explores how story and storytelling can illuminate the rich, complex gray areas within the science of the brain, weaving case study, history, fable, and memoir.</p>
<p>Pria Anand is a neurologist and the author of <em>The Mind Electric</em>, out from Simon &amp; Schuster in the U.S. and Little, Brown in the U.K. Her stories and essays have appeared in <em>the Los Angeles Review of Books, Time Magazine, The Boston Globe, The Washington Post, The New York Times, Ploughshares</em>, and elsewhere. She is a graduate of Yale University and Stanford Medical School, and she trained in neurology, neuro-infectious diseases, and neuroimmunology at the Johns Hopkins Hospital and the Massachusetts General Hospital. She is now an Assistant Professor of Neurology at the Boston University School of Medicine, and she cares for patients at the Boston Medical Center.</p>
<p>­­Read Prias’s story “The Elephant’s Child” in <em>The Common</em> at <a href="https://thecommononline.org/the-elephants-child/">thecommononline.org/the-elephants-child</a>.</p>
<p>Order <em>The Mind Electric</em> in all formats via Simon &amp; Schuster at <a href="https://www.simonandschuster.com/books/The-Mind-Electric/Pria-Anand/9781668064016">simonandschuster.com/books/The-Mind-Electric/</a>.</p>
<p>Learn more about Pria at <a href="http://www.priaanand.com/">www.priaanand.com</a>.</p>
<p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on <a href="https://www.instagram.com/commonmag/">Instagram</a>, <a href="https://bsky.app/profile/commonmag.bsky.social">Bluesky</a>, and <a href="https://www.facebook.com/TheCommonMag">Facebook</a>.</p>
<p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her new debut novel <em>All That Life Can Afford </em>is the Reese’s Book Club pick for April 2025. Her work has appeared in <em>The New York Times</em> Modern Love column, the <em>Kenyon Review, Electric Literature, Tin House, </em>and<em> Mississippi Review</em>. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3042</itunes:duration>
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      <title>Lucas Schaefer, "Tuesday" The Common Magazine (Spring, 2025)</title>
      <description>Lucas Schaefer speaks to managing editor Emily Everett about his story “Tuesday,” which appears in The Common’s brand new spring issue. “Tuesday” is an excerpt from his novel The Slip, out June 3 from Simon &amp; Schuster; both center on a motley cast of characters at a boxing gym in Austin, Texas. Lucas talks about the process of writing and revising this story and the novel as a whole, which started over a decade ago as a series of linked short stories. Lucas also discusses how the novel’s central mystery came together, what it was like writing with humor and in so many voices, and how his own experience at an Austin boxing gym inspired the story and its characters.

Lucas Schaefer lives with his family in Austin. The Slip is his debut novel. His work has appeared in One Story, The Baffler, Slate and other publications. He holds an MFA from the New Writers Project at UT-Austin.

­­Read Lucas’s story “Tuesday” in The Common at thecommononline.org/Tuesday.

Order The Slip in all formats via Simon &amp; Schuster at simonandschuster.com/books/The-Slip/Lucas-Schaefer/9781668030707.

Learn more about Lucas at www.lucasschaefer.com.

Follow Lucas on Instagram at @lucaseschaefer.

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Instagram, Bluesky, and Facebook.

Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford is the Reese’s Book Club pick for April 2025. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sun, 25 May 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Lucas Schaefer speaks to managing editor Emily Everett about his story “Tuesday,” which appears in The Common’s brand new spring issue. “Tuesday” is an excerpt from his novel The Slip, out June 3 from Simon &amp; Schuster; both center on a motley cast of characters at a boxing gym in Austin, Texas. Lucas talks about the process of writing and revising this story and the novel as a whole, which started over a decade ago as a series of linked short stories. Lucas also discusses how the novel’s central mystery came together, what it was like writing with humor and in so many voices, and how his own experience at an Austin boxing gym inspired the story and its characters.

Lucas Schaefer lives with his family in Austin. The Slip is his debut novel. His work has appeared in One Story, The Baffler, Slate and other publications. He holds an MFA from the New Writers Project at UT-Austin.

­­Read Lucas’s story “Tuesday” in The Common at thecommononline.org/Tuesday.

Order The Slip in all formats via Simon &amp; Schuster at simonandschuster.com/books/The-Slip/Lucas-Schaefer/9781668030707.

Learn more about Lucas at www.lucasschaefer.com.

Follow Lucas on Instagram at @lucaseschaefer.

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Instagram, Bluesky, and Facebook.

Emily Everett is managing editor of the magazine and host of the podcast. Her new debut novel All That Life Can Afford is the Reese’s Book Club pick for April 2025. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Lucas Schaefer speaks to managing editor Emily Everett about his story “<a href="https://www.thecommononline.org/tuesday/">Tuesday</a>,” which appears in <em>The Common’s</em> brand new spring issue. “Tuesday” is an excerpt from his novel <a href="https://www.simonandschuster.com/books/The-Slip/Lucas-Schaefer/9781668030707"><em>The Slip</em>,</a> out June 3 from Simon &amp; Schuster; both center on a motley cast of characters at a boxing gym in Austin, Texas. Lucas talks about the process of writing and revising this story and the novel as a whole, which started over a decade ago as a series of linked short stories. Lucas also discusses how the novel’s central mystery came together, what it was like writing with humor and in so many voices, and how his own experience at an Austin boxing gym inspired the story and its characters.</p>
<p>Lucas Schaefer lives with his family in Austin. <a href="https://www.simonandschuster.com/books/The-Slip/Lucas-Schaefer/9781668030707"><em>The Slip</em></a> is his debut novel. His work has appeared in <em>One Story, The Baffler, Slate</em> and other publications. He holds an MFA from the New Writers Project at UT-Austin.</p>
<p>­­Read Lucas’s story “Tuesday” in <em>The Common</em> at <a href="https://www.thecommononline.org/tuesday/">thecommononline.org/Tuesday</a>.</p>
<p>Order <em>The Slip</em> in all formats via Simon &amp; Schuster at <a href="https://www.simonandschuster.com/books/The-Slip/Lucas-Schaefer/9781668030707">simonandschuster.com/books/The-Slip/Lucas-Schaefer/9781668030707</a>.</p>
<p>Learn more about Lucas at <a href="https://www.lucasschaefer.com/">www.lucasschaefer.com</a>.</p>
<p>Follow Lucas on Instagram at <a href="https://www.instagram.com/lucaseschaefer/">@lucaseschaefer</a>.</p>
<p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on <a href="https://www.instagram.com/commonmag/">Instagram</a>, <a href="https://bsky.app/profile/commonmag.bsky.social">Bluesky</a>, and <a href="https://www.facebook.com/TheCommonMag">Facebook</a>.</p>
<p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her new debut novel <em>All That Life Can Afford </em>is the Reese’s Book Club pick for April 2025. Her stories appear in the<em> Kenyon Review</em>, <em>Electric Literature, Tin House </em>Online<em>,</em> and<em> Mississippi Review</em>. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1909</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Michael David Lukas, "More to the Story," The Common Magazine (Fall, 2025)</title>
      <description>Michael David Lukas speaks to managing editor Emily Everett about his essay “More to the Story,” which appears in The Common’s fall issue. Michael talks about his writing process for the essay, which began when a dark family mystery moved him to research a side of his family he’d never learned much about. He also discusses the revision stages of the piece, which included adding in details of the other side of the family—his mother’s parents—who were Holocaust survivors. We also talk about his time as a nightshift proofreader in Tel Aviv, and the new novel project he’s working on now.
Michael David Lukas is the author of the international bestselling novel The Oracle of Stamboul, a finalist for the California Book Award, the NCIBA Book of the Year Award, and the Harold U. Ribalow Prize. His second novel, The Last Watchman of Old Cairo, won the National Jewish Book Award for Fiction in 2018, the Sami Rohr Prize, and France’s best foreign novel prize. His writing has appeared in The New York Times, Wall Street Journal, Slate, National Geographic Traveler, and Georgia Review. He lives in Oakland and teaches at San Francisco State University.
­­Read “More to the Story” in The Common at thecommononline.org/more-to-the-story.
Learn more about Michael and his work at michaeldavidlukas.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming April 1, 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 28 Mar 2025 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>64</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Michael David Lukas</itunes:subtitle>
      <itunes:summary>Michael David Lukas speaks to managing editor Emily Everett about his essay “More to the Story,” which appears in The Common’s fall issue. Michael talks about his writing process for the essay, which began when a dark family mystery moved him to research a side of his family he’d never learned much about. He also discusses the revision stages of the piece, which included adding in details of the other side of the family—his mother’s parents—who were Holocaust survivors. We also talk about his time as a nightshift proofreader in Tel Aviv, and the new novel project he’s working on now.
Michael David Lukas is the author of the international bestselling novel The Oracle of Stamboul, a finalist for the California Book Award, the NCIBA Book of the Year Award, and the Harold U. Ribalow Prize. His second novel, The Last Watchman of Old Cairo, won the National Jewish Book Award for Fiction in 2018, the Sami Rohr Prize, and France’s best foreign novel prize. His writing has appeared in The New York Times, Wall Street Journal, Slate, National Geographic Traveler, and Georgia Review. He lives in Oakland and teaches at San Francisco State University.
­­Read “More to the Story” in The Common at thecommononline.org/more-to-the-story.
Learn more about Michael and his work at michaeldavidlukas.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming April 1, 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Michael David Lukas speaks to managing editor Emily Everett about his essay “<a href="https://www.thecommononline.org/more-to-the-story/">More to the Story</a>,” which appears in <em>The Common’s</em> fall issue. Michael talks about his writing process for the essay, which began when a dark family mystery moved him to research a side of his family he’d never learned much about. He also discusses the revision stages of the piece, which included adding in details of the other side of the family—his mother’s parents—who were Holocaust survivors. We also talk about his time as a nightshift proofreader in Tel Aviv, and the new novel project he’s working on now.</p><p>Michael David Lukas is the author of the international bestselling novel <em>The Oracle of Stamboul</em>, a finalist for the California Book Award, the NCIBA Book of the Year Award, and the Harold U. Ribalow Prize. His second novel, <em>The Last Watchman of Old Cairo</em>, won the National Jewish Book Award for Fiction in 2018, the Sami Rohr Prize, and France’s best foreign novel prize. His writing has appeared in <em>The New York Times, Wall Street Journal, Slate, National Geographic Traveler, </em>and<em> Georgia Review</em>. He lives in Oakland and teaches at San Francisco State University.</p><p>­­Read “More to the Story” in <em>The Common</em> at <a href="https://www.thecommononline.org/more-to-the-story/">thecommononline.org/more-to-the-story</a>.</p><p>Learn more about Michael and his work at <a href="https://www.michaeldavidlukas.com/">michaeldavidlukas.com</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her debut novel <em>All That Life Can Afford </em>is forthcoming April 1, 2025 from Putnam Books. Her stories appear in the<em> Kenyon Review</em>, <em>Electric Literature, Tin House </em>Online<em>,</em> and<em> Mississippi Review</em>. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1957</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Gray Davidson Carroll, "Silent Spring," The Common magazine</title>
      <description>Poet Gray Davidson Carroll speaks to managing editor Emily Everett about their poem “Silent Spring,” which appears in The Common’s fall issue. Gray talks about poetry as a way to witness and observe the world and how we experience it, and how it’s changing. Gray also discusses how they started writing poetry, how they approach drafting and revision, and how their work in public health fits with and complements their work in poetry. We also hear a reading of Gray’s first poem in The Common, “November 19, 2022,” about the Club Q nightclub shooting in Colorado Springs.
Gray Davidson Carroll is a white, transfemme writer, dancer, singer, cold water plunger and (self-proclaimed) hot chocolate alchemist hailing from Brooklyn by way of western Massachusetts and other strange and forgotten places. They are the author of the poetry chapbook Waterfall of Thanks (Bottlecap Press, 2023), and their work has further appeared or is forthcoming in Rattle, ONLY POEMS, Frontiers in Medicine and elsewhere. They have received fellowships from Brooklyn Poets and Columbia University and are currently pursuing an MFA in poetry at NYU.
­­Read Gray’s poems in The Common at thecommononline.org/tag/gray-davidson-carroll/
Learn more about Gray and their work at graydavidsoncarroll.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming in April 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 28 Feb 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>63</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Gray Davidson Carroll</itunes:subtitle>
      <itunes:summary>Poet Gray Davidson Carroll speaks to managing editor Emily Everett about their poem “Silent Spring,” which appears in The Common’s fall issue. Gray talks about poetry as a way to witness and observe the world and how we experience it, and how it’s changing. Gray also discusses how they started writing poetry, how they approach drafting and revision, and how their work in public health fits with and complements their work in poetry. We also hear a reading of Gray’s first poem in The Common, “November 19, 2022,” about the Club Q nightclub shooting in Colorado Springs.
Gray Davidson Carroll is a white, transfemme writer, dancer, singer, cold water plunger and (self-proclaimed) hot chocolate alchemist hailing from Brooklyn by way of western Massachusetts and other strange and forgotten places. They are the author of the poetry chapbook Waterfall of Thanks (Bottlecap Press, 2023), and their work has further appeared or is forthcoming in Rattle, ONLY POEMS, Frontiers in Medicine and elsewhere. They have received fellowships from Brooklyn Poets and Columbia University and are currently pursuing an MFA in poetry at NYU.
­­Read Gray’s poems in The Common at thecommononline.org/tag/gray-davidson-carroll/
Learn more about Gray and their work at graydavidsoncarroll.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming in April 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Poet Gray Davidson Carroll speaks to managing editor Emily Everett about their poem “<a href="https://thecommononline.org/silent-spring/">Silent Spring</a>,” which appears in <em>The Common’s</em> fall issue. Gray talks about poetry as a way to witness and observe the world and how we experience it, and how it’s changing. Gray also discusses how they started writing poetry, how they approach drafting and revision, and how their work in public health fits with and complements their work in poetry. We also hear a reading of Gray’s first poem in <em>The Common</em>, “<a href="https://thecommononline.org/march-2024-poetry-feature-new-poems-by-our-contributors/">November 19, 2022</a>,” about the Club Q nightclub shooting in Colorado Springs.</p><p>Gray Davidson Carroll is a white, transfemme writer, dancer, singer, cold water plunger and (self-proclaimed) hot chocolate alchemist hailing from Brooklyn by way of western Massachusetts and other strange and forgotten places. They are the author of the poetry chapbook <em>Waterfall of Thanks</em> (Bottlecap Press, 2023), and their work has further appeared or is forthcoming in <em>Rattle, ONLY POEMS, Frontiers in Medicine</em> and elsewhere. They have received fellowships from Brooklyn Poets and Columbia University and are currently pursuing an MFA in poetry at NYU.</p><p>­­Read Gray’s poems in <em>The Common</em> at <a href="https://thecommononline.org/tag/gray-davidson-carroll/">thecommononline.org/tag/gray-davidson-carroll/</a></p><p>Learn more about Gray and their work at <a href="https://www.graydavidsoncarroll.com/">graydavidsoncarroll.com</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her debut novel <em>All That Life Can Afford </em>is forthcoming in April 2025 from Putnam Books. Her stories appear in the<em> Kenyon Review</em>, <em>Electric Literature, Tin House </em>Online<em>,</em> and<em> Mississippi Review</em>. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2462</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Julia Sanches, "The Advice," The Common magazine</title>
      <description>Translator Julia Sanches speaks to managing editor Emily Everett about translating “The Advice,” a story by Irene Pujadas, which appears in The Common’s fall issue in a portfolio of writing by contemporary Catalan women. Julia talks about her translation process, and the importance of capturing the tone and style of a piece, like the understated absurdist humor in “The Advice.” Julia also discusses how she approaches collaboration with other translators, how she chooses the books and stories she wants to translate, and how starting her career at a literary agency gave her a crash course in the behind-the-scenes of publishing.
Julia Sanches has translated close to thirty books from Spanish, Portuguese, and Catalan into English, including works by Susana Moreira Marques, Munir Hachemi, and Eva Baltasar. She served as a judge for the 2024 National Book Award in Translated Literature, and was recently named an NEA Translation Fellow. Born in São Paulo, Brazil, she currently lives in Providence, Rhode Island.
­­Read Julia’s translations from Catalan, Spanish, and Portuguese in The Common here. 
Learn more about Julia and her work at juliasanches.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming in April 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 31 Jan 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>62</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Translator Julia Sanches speaks to managing editor Emily Everett about translating “The Advice,” a story by Irene Pujadas, which appears in The Common’s fall issue in a portfolio of writing by contemporary Catalan women. Julia talks about her translation process, and the importance of capturing the tone and style of a piece, like the understated absurdist humor in “The Advice.” Julia also discusses how she approaches collaboration with other translators, how she chooses the books and stories she wants to translate, and how starting her career at a literary agency gave her a crash course in the behind-the-scenes of publishing.
Julia Sanches has translated close to thirty books from Spanish, Portuguese, and Catalan into English, including works by Susana Moreira Marques, Munir Hachemi, and Eva Baltasar. She served as a judge for the 2024 National Book Award in Translated Literature, and was recently named an NEA Translation Fellow. Born in São Paulo, Brazil, she currently lives in Providence, Rhode Island.
­­Read Julia’s translations from Catalan, Spanish, and Portuguese in The Common here. 
Learn more about Julia and her work at juliasanches.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming in April 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Translator Julia Sanches speaks to managing editor Emily Everett about translating “<a href="https://www.thecommononline.org/the-advice/">The Advice</a>,” a story by Irene Pujadas, which appears in <em>The Common’s</em> fall issue in a portfolio of writing by contemporary Catalan women. Julia talks about her translation process, and the importance of capturing the tone and style of a piece, like the understated absurdist humor in “The Advice.” Julia also discusses how she approaches collaboration with other translators, how she chooses the books and stories she wants to translate, and how starting her career at a literary agency gave her a crash course in the behind-the-scenes of publishing.</p><p>Julia Sanches has translated close to thirty books from Spanish, Portuguese, and Catalan into English, including works by Susana Moreira Marques, Munir Hachemi, and Eva Baltasar. She served as a judge for the 2024 National Book Award in Translated Literature, and was recently named an NEA Translation Fellow. Born in São Paulo, Brazil, she currently lives in Providence, Rhode Island.</p><p>­­Read Julia’s translations from Catalan, Spanish, and Portuguese in <em>The Common</em> <a href="https://www.thecommononline.org/tag/Julia-Sanches/">here</a>. </p><p>Learn more about Julia and her work at <a href="http://juliasanches.com/">juliasanches.com</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her debut novel <em>All That Life Can Afford </em>is forthcoming in April 2025 from Putnam Books. Her stories appear in the<em> Kenyon Review</em>, <em>Electric Literature, Tin House </em>Online<em>,</em> and<em> Mississippi Review</em>. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2357</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Megan Tennant, "Little Women," The Common magazine</title>
      <description>Megan Tennant speaks to managing editor Emily Everett about her story “Little Women,” which appears in The Common’s brand new fall issue. Megan talks about the process of writing and revising this story, which explores the complex dynamics between two sisters in a religious family in South Africa after one sister gets engaged. Megan also discusses how she layered the beauty, atmosphere, and complicated history of South Africa’s Wild Coast into the story, and how she worked to balance subtlety and clarity when bringing together the story’s many threads.
Megan Tennant is a writer based in Cape Town, South Africa. She holds master’s degrees in creative writing from the University of Cape Town and in London studies from Queen Mary University of London.
­­Read Megan’s story “Little Women” in The Common at thecommononline.org/little-women/.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming in April 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 29 Nov 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>61</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Megan Tennant speaks to managing editor Emily Everett about her story “Little Women,” which appears in The Common’s brand new fall issue. Megan talks about the process of writing and revising this story, which explores the complex dynamics between two sisters in a religious family in South Africa after one sister gets engaged. Megan also discusses how she layered the beauty, atmosphere, and complicated history of South Africa’s Wild Coast into the story, and how she worked to balance subtlety and clarity when bringing together the story’s many threads.
Megan Tennant is a writer based in Cape Town, South Africa. She holds master’s degrees in creative writing from the University of Cape Town and in London studies from Queen Mary University of London.
­­Read Megan’s story “Little Women” in The Common at thecommononline.org/little-women/.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming in April 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Megan Tennant speaks to managing editor Emily Everett about her story “<a href="https://www.thecommononline.org/little-women/">Little Women</a>,” which appears in <em>The Common’s</em> brand new fall issue. Megan talks about the process of writing and revising this story, which explores the complex dynamics between two sisters in a religious family in South Africa after one sister gets engaged. Megan also discusses how she layered the beauty, atmosphere, and complicated history of South Africa’s Wild Coast into the story, and how she worked to balance subtlety and clarity when bringing together the story’s many threads.</p><p>Megan Tennant is a writer based in Cape Town, South Africa. She holds master’s degrees in creative writing from the University of Cape Town and in London studies from Queen Mary University of London.</p><p>­­Read Megan’s story “Little Women” in <em>The Common</em> at <a href="https://www.thecommononline.org/little-women/">thecommononline.org/little-women/</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her debut novel <em>All That Life Can Afford </em>is forthcoming in April 2025 from Putnam Books. Her stories appear in the<em> Kenyon Review</em>, <em>Electric Literature, Tin House </em>Online<em>,</em> and<em> Mississippi Review</em>. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2313</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Kevin Dean, "Patron Saints" The Common Magazine</title>
      <description>Kevin Dean speaks to managing editor Emily Everett about his story “Patron Saints,” which appears in The Common’s most recent issue. Kevin talks about the process of writing and revising this story, which follows a young American trying to find his place in Cairo, while the city roils with political uncertainty after the Arab Spring uprising. Kevin also discusses how it feels to write from memory, what he tries to capture when writing about place, and what projects he’s working on now. 
Kevin Dean is a writer currently based in Seattle, Washington. Previously, he lived in Cairo, Egypt, where he worked as an editor and studied Arabic. His writing has been published in The Common and The Rumpus. He co-authored a theatrical adaptation of the novel Taxi, by Khaled Al-Khamissi, which was performed live in Cairo in 2013 and published in Tahrir Tales: Plays from the Egyptian Revolution. He is at work on his first novel. 
­­Read Kevin’s story “Patron Saints” in The Common at thecommononline.org/patron-saints.
Follow Kevin on Instagram @KevinWilliamDean, and check out more at kevinwilliamdean.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
 
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 27 Sep 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>60</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Kevin Dean</itunes:subtitle>
      <itunes:summary>Kevin Dean speaks to managing editor Emily Everett about his story “Patron Saints,” which appears in The Common’s most recent issue. Kevin talks about the process of writing and revising this story, which follows a young American trying to find his place in Cairo, while the city roils with political uncertainty after the Arab Spring uprising. Kevin also discusses how it feels to write from memory, what he tries to capture when writing about place, and what projects he’s working on now. 
Kevin Dean is a writer currently based in Seattle, Washington. Previously, he lived in Cairo, Egypt, where he worked as an editor and studied Arabic. His writing has been published in The Common and The Rumpus. He co-authored a theatrical adaptation of the novel Taxi, by Khaled Al-Khamissi, which was performed live in Cairo in 2013 and published in Tahrir Tales: Plays from the Egyptian Revolution. He is at work on his first novel. 
­­Read Kevin’s story “Patron Saints” in The Common at thecommononline.org/patron-saints.
Follow Kevin on Instagram @KevinWilliamDean, and check out more at kevinwilliamdean.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
 
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kevin Dean speaks to managing editor Emily Everett about his story “<a href="https://www.thecommononline.org/patron-saints/">Patron Saints</a>,” which appears in <em>The Common’s</em> most recent issue. Kevin talks about the process of writing and revising this story, which follows a young American trying to find his place in Cairo, while the city roils with political uncertainty after the Arab Spring uprising. Kevin also discusses how it feels to write from memory, what he tries to capture when writing about place, and what projects he’s working on now. </p><p>Kevin Dean is a writer currently based in Seattle, Washington. Previously, he lived in Cairo, Egypt, where he worked as an editor and studied Arabic. His writing has been published in <em>The Common </em>and<em> The Rumpus.</em> He co-authored a theatrical adaptation of the novel <em>Taxi,</em> by Khaled Al-Khamissi, which was performed live in Cairo in 2013 and published in <em>Tahrir Tales: Plays from the Egyptian Revolution</em>. He is at work on his first novel. </p><p>­­Read Kevin’s story “Patron Saints” in <em>The Common</em> at <a href="https://www.thecommononline.org/patron-saints/">thecommononline.org/patron-saints</a>.</p><p>Follow Kevin on Instagram <a href="https://www.instagram.com/kevinwilliamdean">@KevinWilliamDean</a>, and check out more at <a href="https://www.kevinwilliamdean.com/">kevinwilliamdean.com</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p> </p><p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her debut novel <em>All That Life Can Afford </em>is forthcoming from Putnam Books. Her stories appear in the<em> Kenyon Review</em>, <em>Electric Literature, Tin House </em>Online<em>,</em> and<em> Mississippi Review</em>. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2537</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Maria de Caldas Antão, "My Freedom," The Common Magazine</title>
      <description>Maria de Caldas Antão speaks to managing editor Emily Everett about her poem “

My Freedom,” which appears in The Common’s most recent issue. Maria talks about how a casual comment inspired this poem, which explores the idea of freedom, and what it might mean to be free: personally, politically, physically, philosophically. Maria also discusses how she hears a sort of music when writing new poetry, and then chooses words, sounds, rhythms, and line breaks to put that musicality on the page.
Maria de Caldas Antão lives in Lisbon, Portugal. She holds an MA in philosophy, politics, and economics from Oxford University, and a degree in acting from Mountview Academy in London. She has participated in the Bread Loaf Writers’ Conference and received fellowships to attend the SLS and DISQUIET literary programs. She also has a translation from the Portuguese of a poem by Alberto de Lacerda forthcoming in The Common.
­­Read Maria’s poem “My Freedom” in The Common at thecommononline.org/my-freedom.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 30 Aug 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>59</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Maria de Caldas Antão speaks to managing editor Emily Everett about her poem “

My Freedom,” which appears in The Common’s most recent issue. Maria talks about how a casual comment inspired this poem, which explores the idea of freedom, and what it might mean to be free: personally, politically, physically, philosophically. Maria also discusses how she hears a sort of music when writing new poetry, and then chooses words, sounds, rhythms, and line breaks to put that musicality on the page.
Maria de Caldas Antão lives in Lisbon, Portugal. She holds an MA in philosophy, politics, and economics from Oxford University, and a degree in acting from Mountview Academy in London. She has participated in the Bread Loaf Writers’ Conference and received fellowships to attend the SLS and DISQUIET literary programs. She also has a translation from the Portuguese of a poem by Alberto de Lacerda forthcoming in The Common.
­­Read Maria’s poem “My Freedom” in The Common at thecommononline.org/my-freedom.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Maria de Caldas Antão speaks to managing editor Emily Everett about her poem “</p><p><br></p><p><a href="https://www.thecommononline.org/my-freedom/">My Freedom</a>,” which appears in <em>The Common’s</em> most recent issue. Maria talks about how a casual comment inspired this poem, which explores the idea of freedom, and what it might mean to be free: personally, politically, physically, philosophically. Maria also discusses how she hears a sort of music when writing new poetry, and then chooses words, sounds, rhythms, and line breaks to put that musicality on the page.</p><p>Maria de Caldas Antão lives in Lisbon, Portugal. She holds an MA in philosophy, politics, and economics from Oxford University, and a degree in acting from Mountview Academy in London. She has participated in the Bread Loaf Writers’ Conference and received fellowships to attend the SLS and DISQUIET literary programs. She also has a translation from the Portuguese of a poem by Alberto de Lacerda forthcoming in <em>The Common</em>.</p><p>­­Read Maria’s poem “My Freedom” in <em>The Common</em> at <a href="https://www.thecommononline.org/my-freedom/">thecommononline.org/my-freedom</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her debut novel <em>All That Life Can Afford </em>is forthcoming from Putnam Books. Her stories appear in the<em> Kenyon Review</em>, <em>Electric Literature, Tin House </em>Online<em>,</em> and<em> Mississippi Review</em>. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2180</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>A. J. Rodriguez, "Papel Picado," The Common Magazine (2024)</title>
      <description>A. J. Rodriguez speaks to managing editor Emily Everett about his story “Papel Picado,” which appears in The Common’s most recent issue. A.J. talks about the process of writing and revising this story, which explores a fraught moment in the life of a Latino high schooler struggling under the pressures of family, friendship, and expectation in Albuquerque, New Mexico. A.J. also discusses how his writing has changed over time, and why he’s always writing toward not just a specific character’s experience but also the complex community of a place.
A. J. Rodriguez is a Chicano fiction writer born and raised in Albuquerque, New Mexico. He is a graduate of the University of Oregon’s MFA program and the recipient of fellowships from MacDowell, Yaddo, and The Kerouac Project. His stories have won CRAFT’s Flash Fiction Contest, the Crazyhorse Fiction Prize, second place in Salamander’s Fiction Contest, and the Kinder/Crump Award for Short Fiction from Pleiades, judged by Jonathan Escoffery. His fiction also appears in New England Review, Passages North, and elsewhere. He is the forty-third annual Writer-in-Residence at St. Albans School in Washington, D.C.
­­Read A.J.’s story “Papel Picado” in The Common at thecommononline.org/papel-picado.
Follow A.J. on Instagram and Twitter @soyajrodriguez.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 26 Jul 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>58</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with A. J. Rodriguez</itunes:subtitle>
      <itunes:summary>A. J. Rodriguez speaks to managing editor Emily Everett about his story “Papel Picado,” which appears in The Common’s most recent issue. A.J. talks about the process of writing and revising this story, which explores a fraught moment in the life of a Latino high schooler struggling under the pressures of family, friendship, and expectation in Albuquerque, New Mexico. A.J. also discusses how his writing has changed over time, and why he’s always writing toward not just a specific character’s experience but also the complex community of a place.
A. J. Rodriguez is a Chicano fiction writer born and raised in Albuquerque, New Mexico. He is a graduate of the University of Oregon’s MFA program and the recipient of fellowships from MacDowell, Yaddo, and The Kerouac Project. His stories have won CRAFT’s Flash Fiction Contest, the Crazyhorse Fiction Prize, second place in Salamander’s Fiction Contest, and the Kinder/Crump Award for Short Fiction from Pleiades, judged by Jonathan Escoffery. His fiction also appears in New England Review, Passages North, and elsewhere. He is the forty-third annual Writer-in-Residence at St. Albans School in Washington, D.C.
­­Read A.J.’s story “Papel Picado” in The Common at thecommononline.org/papel-picado.
Follow A.J. on Instagram and Twitter @soyajrodriguez.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A. J. Rodriguez speaks to managing editor Emily Everett about his story “<a href="https://www.thecommononline.org/papel-picado/">Papel Picado</a>,” which appears in <em>The Common’s</em> most recent issue. A.J. talks about the process of writing and revising this story, which explores a fraught moment in the life of a Latino high schooler struggling under the pressures of family, friendship, and expectation in Albuquerque, New Mexico. A.J. also discusses how his writing has changed over time, and why he’s always writing toward not just a specific character’s experience but also the complex community of a place.</p><p>A. J. Rodriguez is a Chicano fiction writer born and raised in Albuquerque, New Mexico. He is a graduate of the University of Oregon’s MFA program and the recipient of fellowships from MacDowell, Yaddo, and The Kerouac Project. His stories have won <em>CRAFT</em>’s Flash Fiction Contest, the <em>Crazyhorse</em> Fiction Prize, second place in <em>Salamander</em>’s Fiction Contest, and the Kinder/Crump Award for Short Fiction from <em>Pleiades</em>, judged by Jonathan Escoffery. His fiction also appears in <em>New England Review, Passages North</em>, and elsewhere. He is the forty-third annual Writer-in-Residence at St. Albans School in Washington, D.C.</p><p>­­Read A.J.’s story “Papel Picado” in <em>The Common</em> at <a href="https://www.thecommononline.org/papel-picado/">thecommononline.org/papel-picado</a>.</p><p>Follow A.J. on <a href="https://www.instagram.com/soyajrodriguez/">Instagram</a> and <a href="https://x.com/soyajrodriguez">Twitter</a> @soyajrodriguez.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the<em> Kenyon Review</em>, <em>Electric Literature, Tin House </em>Online<em>,</em> and<em> Mississippi Review</em>. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2745</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Mayada Ibrahim (trans.), “Symphony of the South," The Common magazine (2024)</title>
      <description>Mayada Ibrahim speaks to managing editor Emily Everett about her translation of “Symphony of the South,” a short story by Tahir Annour that appears in The Common’s most recent issue, in a portfolio of writing in Arabic from Chad, South Sudan, and Eritrea. Mayada talks about the process of translating this piece, including working with the author and TC Arabic Fiction Editor Hisham Bustani. She also discusses gravitating toward translation as a way to reintegrate Arabic into her life, after years of studying and learning in English. Her translation of Forgive Me, a novel set in Zanzibar and co-translated with her father, will be out in the UK this year.
Mayada Ibrahim is a literary translator based in Queens, New York, with roots in Khartoum and London. She works between Arabic and English. Her translations have been nominated for the Pushcart Prize and published by Archipelago Books, Dolce Stil Criollo, and 128 Lit. She is managing editor at Tilted Axis Press.
­­Read “Symphony of the South” in The Common at thecommononline.org/symphony-of-the-south.
To learn more about Mayada and her work, visit mayadaibrahim.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 31 May 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>57</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>A Discussion with translator Mayada Ibrahim</itunes:subtitle>
      <itunes:summary>Mayada Ibrahim speaks to managing editor Emily Everett about her translation of “Symphony of the South,” a short story by Tahir Annour that appears in The Common’s most recent issue, in a portfolio of writing in Arabic from Chad, South Sudan, and Eritrea. Mayada talks about the process of translating this piece, including working with the author and TC Arabic Fiction Editor Hisham Bustani. She also discusses gravitating toward translation as a way to reintegrate Arabic into her life, after years of studying and learning in English. Her translation of Forgive Me, a novel set in Zanzibar and co-translated with her father, will be out in the UK this year.
Mayada Ibrahim is a literary translator based in Queens, New York, with roots in Khartoum and London. She works between Arabic and English. Her translations have been nominated for the Pushcart Prize and published by Archipelago Books, Dolce Stil Criollo, and 128 Lit. She is managing editor at Tilted Axis Press.
­­Read “Symphony of the South” in The Common at thecommononline.org/symphony-of-the-south.
To learn more about Mayada and her work, visit mayadaibrahim.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel All That Life Can Afford is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Mayada Ibrahim speaks to managing editor Emily Everett about her translation of “<a href="https://www.thecommononline.org/symphony-of-the-south/">Symphony of the South</a>,” a short story by Tahir Annour that appears in <em>The Common’s</em> most recent issue, in a portfolio of writing in Arabic from Chad, South Sudan, and Eritrea. Mayada talks about the process of translating this piece, including working with the author and TC Arabic Fiction Editor Hisham Bustani. She also discusses gravitating toward translation as a way to reintegrate Arabic into her life, after years of studying and learning in English. Her translation of <em>Forgive Me</em>, a novel set in Zanzibar and co-translated with her father, will be out in the UK this year.</p><p>Mayada Ibrahim is a literary translator based in Queens, New York, with roots in Khartoum and London. She works between Arabic and English. Her translations have been nominated for the Pushcart Prize and published by <em>Archipelago Books, Dolce Stil Criollo, </em>and<em> 128 Lit</em>. She is managing editor at Tilted Axis Press.</p><p>­­Read “Symphony of the South” in <em>The Common</em> at <a href="https://www.thecommononline.org/symphony-of-the-south/">thecommononline.org/symphony-of-the-south</a>.</p><p>To learn more about Mayada and her work, visit <a href="https://mayadaibrahim.com/">mayadaibrahim.com</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her debut novel <em>All That Life Can Afford </em>is forthcoming from Putnam Books. Her stories appear in the<em> Kenyon Review</em>, <em>Electric Literature, Tin House </em>Online<em>,</em> and<em> Mississippi Review</em>. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1551</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Amanda Mei Kim, "California Obscura," The Common magazine (2023)</title>
      <description>Amanda Mei Kim speaks to managing editor Emily Everett about her essay “California Obscura,” which appears in The Common’s most recent issue, in a portfolio of writing and art from and about the immigrant farmworker community. Amanda discusses how the essay changed and developed over many drafts. The finished piece explores her childhood growing up on her parents’ tenant farm in Saticoy, California, just north of Los Angeles. It also examines the long history of farmworker resistance and labor movements in the area, which crossed divides of race, ethnicity, and origin.
Amanda Mei Kim writes about the ways that collective power, racism, nature, and capitalism weave through the lives of rural Californians of color. Her work has appeared in LitHub, PANK, The New York Times, and Discover Nikkei. She grew up on a tenant farm in the agricultural worker community of Saticoy, California.
­­Read Amanda’s essay in The Common
Learn more about Amanda and her work here.
Amanda suggests that interested listeners learn more about supporting farmworkers from the below organizations:

Central Valley Empowerment Alliance

Mixteco Indigena Community Organizing Project

Farmworker Caravan

Pan Valley Institute


The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming in spring 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 19 Apr 2024 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>56</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Amanda Mei Kim</itunes:subtitle>
      <itunes:summary>Amanda Mei Kim speaks to managing editor Emily Everett about her essay “California Obscura,” which appears in The Common’s most recent issue, in a portfolio of writing and art from and about the immigrant farmworker community. Amanda discusses how the essay changed and developed over many drafts. The finished piece explores her childhood growing up on her parents’ tenant farm in Saticoy, California, just north of Los Angeles. It also examines the long history of farmworker resistance and labor movements in the area, which crossed divides of race, ethnicity, and origin.
Amanda Mei Kim writes about the ways that collective power, racism, nature, and capitalism weave through the lives of rural Californians of color. Her work has appeared in LitHub, PANK, The New York Times, and Discover Nikkei. She grew up on a tenant farm in the agricultural worker community of Saticoy, California.
­­Read Amanda’s essay in The Common
Learn more about Amanda and her work here.
Amanda suggests that interested listeners learn more about supporting farmworkers from the below organizations:

Central Valley Empowerment Alliance

Mixteco Indigena Community Organizing Project

Farmworker Caravan

Pan Valley Institute


The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming in spring 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Amanda Mei Kim speaks to managing editor Emily Everett about her essay “<a href="https://www.thecommononline.org/california-obscura/">California Obscura</a>,” which appears in <em>The Common’s</em> most recent issue, in a portfolio of writing and art from and about the immigrant farmworker community. Amanda discusses how the essay changed and developed over many drafts. The finished piece explores her childhood growing up on her parents’ tenant farm in Saticoy, California, just north of Los Angeles. It also examines the long history of farmworker resistance and labor movements in the area, which crossed divides of race, ethnicity, and origin.</p><p>Amanda Mei Kim writes about the ways that collective power, racism, nature, and capitalism weave through the lives of rural Californians of color. Her work has appeared in <em>LitHub, PANK, The New York Times, </em>and <em>Discover Nikkei. </em>She grew up on a tenant farm in the agricultural worker community of Saticoy, California.</p><p>­­Read Amanda’s essay in<a href="https://www.thecommononline.org/california-obscura/"> <em>The Common</em></a></p><p>Learn more about Amanda and her work <a href="https://www.amandameikim.com/">here</a>.</p><p>Amanda suggests that interested listeners learn more about supporting farmworkers from the below organizations:</p><ul>
<li><a href="https://www.cvempowermentalliance.org/">Central Valley Empowerment Alliance</a></li>
<li><a href="https://mixteco.org/">Mixteco Indigena Community Organizing Project</a></li>
<li><a href="https://farmworkercaravan.com/">Farmworker Caravan</a></li>
<li><a href="https://panvalleyinstitute.org/">Pan Valley Institute</a></li>
</ul><p><br></p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming in spring 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2164</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Nayereh Doosti, “The Little One” The Common magazine (Nov, 2023)</title>
      <description>Nayereh Doosti speaks to managing editor Emily Everett about her story “The Little One,” which appears in The Common’s most recent issue. Nayereh talks about the many inspirations behind this story, which follows an older Iranian man coming to America, where he feels out of place with his family members, the community, and the younger generations. Nayereh also discusses her time as an intern at The Common, her MFA program at BU, and her brand new Persian translation of Aleksandar Hemon’s The Book of my Lives, out now in Tehran.
Nayereh Doosti is an Iranian writer and translator based in Berkeley, California. Her writing has appeared or is forthcoming in Epiphany Magazine, The Massachusetts Review, and Nowruz Journal, among others. She holds an MFA from Boston University, and is a former intern at The Common.
Read Nayereh’s story “The Little One” in The Common at thecommonoline.org/the-little-one.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming in 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 01 Mar 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>55</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Nayereh Doosti</itunes:subtitle>
      <itunes:summary>Nayereh Doosti speaks to managing editor Emily Everett about her story “The Little One,” which appears in The Common’s most recent issue. Nayereh talks about the many inspirations behind this story, which follows an older Iranian man coming to America, where he feels out of place with his family members, the community, and the younger generations. Nayereh also discusses her time as an intern at The Common, her MFA program at BU, and her brand new Persian translation of Aleksandar Hemon’s The Book of my Lives, out now in Tehran.
Nayereh Doosti is an Iranian writer and translator based in Berkeley, California. Her writing has appeared or is forthcoming in Epiphany Magazine, The Massachusetts Review, and Nowruz Journal, among others. She holds an MFA from Boston University, and is a former intern at The Common.
Read Nayereh’s story “The Little One” in The Common at thecommonoline.org/the-little-one.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming in 2025 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Nayereh Doosti speaks to managing editor Emily Everett about her story “<a href="https://www.thecommononline.org/the-little-one/">The Little One</a>,” which appears in <em>The Common’s</em> most recent issue. Nayereh talks about the many inspirations behind this story, which follows an older Iranian man coming to America, where he feels out of place with his family members, the community, and the younger generations. Nayereh also discusses her time as an intern at <em>The Common</em>, her MFA program at BU, and her brand new Persian translation of Aleksandar Hemon’s <em>The</em> <em>Book of my Lives</em>, out now in Tehran.</p><p>Nayereh Doosti is an Iranian writer and translator based in Berkeley, California. Her writing has appeared or is forthcoming in<em> Epiphany Magazine, The Massachusetts Review, </em>and <em>Nowruz Journal, </em>among others. She holds an MFA from Boston University, and is a former intern at <em>The Common.</em></p><p>Read Nayereh’s story “The Little One” in <em>The Common</em> at <a href="https://www.thecommononline.org/the-little-one/">thecommonoline.org/the-little-one.</a></p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming in 2025 from Putnam Books. Her stories appear in the<em> Kenyon Review</em>, <em>Electric Literature, Tin House </em>Online<em>,</em> and<em> Mississippi Review</em>. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1729</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Leo Ríos, "Lencho," The Common magazine (2023)</title>
      <description>Leo Ríos speaks to managing editor Emily Everett about his story “Lencho,” which appears in The Common’s most recent issue, in a portfolio from the immigrant farmworker community. Leo talks about the process of writing and revising this story, which explores the friendship between two high school seniors in a rural community in California’s Central Valley. Leo also discusses his family’s generations-long history in farm labor, and how a class on reading poetry made him rethink prose writing on the sentence level.
Originally from the Central Valley of California, Leo Ríos studied English at UCLA and received an MFA from Cornell University. His first published story was selected by ZZ Packer as winner of The Arkansas International’s Emerging Writer's Prize. His second published story appeared in The Georgia Review and was noted as a distinguished story in The Best American Short Stories 2022. Other publications include stories in The Rumpus, The Masters Review, and Joyland Magazine. A recent recipient of a MacDowell Fellowship, he currently lives in Tucson, Arizona, where he teaches writing at the University of Arizona.
­­Read Leo’s story “Lencho” in The Common here.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 26 Jan 2024 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>54</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Leo Ríos</itunes:subtitle>
      <itunes:summary>Leo Ríos speaks to managing editor Emily Everett about his story “Lencho,” which appears in The Common’s most recent issue, in a portfolio from the immigrant farmworker community. Leo talks about the process of writing and revising this story, which explores the friendship between two high school seniors in a rural community in California’s Central Valley. Leo also discusses his family’s generations-long history in farm labor, and how a class on reading poetry made him rethink prose writing on the sentence level.
Originally from the Central Valley of California, Leo Ríos studied English at UCLA and received an MFA from Cornell University. His first published story was selected by ZZ Packer as winner of The Arkansas International’s Emerging Writer's Prize. His second published story appeared in The Georgia Review and was noted as a distinguished story in The Best American Short Stories 2022. Other publications include stories in The Rumpus, The Masters Review, and Joyland Magazine. A recent recipient of a MacDowell Fellowship, he currently lives in Tucson, Arizona, where he teaches writing at the University of Arizona.
­­Read Leo’s story “Lencho” in The Common here.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Leo Ríos speaks to managing editor Emily Everett about his story “<a href="https://www.thecommononline.org/lencho/">Lencho</a>,” which appears in <em>The Common’s</em> most recent issue, in a portfolio from the immigrant farmworker community. Leo talks about the process of writing and revising this story, which explores the friendship between two high school seniors in a rural community in California’s Central Valley. Leo also discusses his family’s generations-long history in farm labor, and how a class on reading poetry made him rethink prose writing on the sentence level.</p><p>Originally from the Central Valley of California, Leo Ríos studied English at UCLA and received an MFA from Cornell University. His first published story was selected by ZZ Packer as winner of <em>The Arkansas International</em>’s Emerging Writer's Prize. His second published story appeared in <em>The Georgia Review</em> and was noted as a distinguished story in <em>The Best American Short Stories 2022</em>. Other publications include stories in <em>The Rumpus, The Masters Review, </em>and <em>Joyland Magazine</em>. A recent recipient of a MacDowell Fellowship, he currently lives in Tucson, Arizona, where he teaches writing at the University of Arizona.</p><p>­­Read Leo’s story “Lencho” in <em>The Common</em> <a href="https://www.thecommononline.org/lencho/">here</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2577</itunes:duration>
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    <item>
      <title>Vix Gutierrez, "Don’t Step Off the Path" (The Common magazine, 2023)</title>
      <description>Vix Gutierrez speaks to managing editor Emily Everett about her essay “Don’t Step Off the Path,” which appears in The Common’s most recent issue. Vix talks about writing this essay, a coming of age story about her teenage years spent in the Balkans immediately after the Yugoslav Wars, where she lived with a very small humanitarian aid organization. The essay is a fascinating look at a rarely-explored moment in time, and probes the doubts, dangers, and power that come from being a young woman in a postwar landscape of men. Vix also discusses her formative time spent at the DISQUIET International Program in Lisbon, Portugal, and in the MFA program at the University of Florida.
Vix Gutierrez has lived and learned in more than twenty countries. Her work has appeared in Subtropics, The Timberline Review, NAILED, and elsewhere. Her essay “Dark Sky City” was a notable in Best American Essays 2021. She holds an MFA in creative writing from the University of Florida.
­­Read Vix’s essay “Don’t Step Off the Path” in The Common here. 
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 29 Dec 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>53</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Vix Gutierrez</itunes:subtitle>
      <itunes:summary>Vix Gutierrez speaks to managing editor Emily Everett about her essay “Don’t Step Off the Path,” which appears in The Common’s most recent issue. Vix talks about writing this essay, a coming of age story about her teenage years spent in the Balkans immediately after the Yugoslav Wars, where she lived with a very small humanitarian aid organization. The essay is a fascinating look at a rarely-explored moment in time, and probes the doubts, dangers, and power that come from being a young woman in a postwar landscape of men. Vix also discusses her formative time spent at the DISQUIET International Program in Lisbon, Portugal, and in the MFA program at the University of Florida.
Vix Gutierrez has lived and learned in more than twenty countries. Her work has appeared in Subtropics, The Timberline Review, NAILED, and elsewhere. Her essay “Dark Sky City” was a notable in Best American Essays 2021. She holds an MFA in creative writing from the University of Florida.
­­Read Vix’s essay “Don’t Step Off the Path” in The Common here. 
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Vix Gutierrez speaks to managing editor Emily Everett about her essay “<a href="https://www.thecommononline.org/dont-step-off-the-path/">Don’t Step Off the Path</a>,” which appears in <em>The Common’s</em> most recent issue. Vix talks about writing this essay, a coming of age story about her teenage years spent in the Balkans immediately after the Yugoslav Wars, where she lived with a very small humanitarian aid organization. The essay is a fascinating look at a rarely-explored moment in time, and probes the doubts, dangers, and power that come from being a young woman in a postwar landscape of men. Vix also discusses her formative time spent at the DISQUIET International Program in Lisbon, Portugal, and in the MFA program at the University of Florida.</p><p>Vix Gutierrez has lived and learned in more than twenty countries. Her work has appeared in <em>Subtropics, The Timberline Review, NAILED</em>, and elsewhere. Her essay “Dark Sky City” was a notable in <em>Best American Essays</em> <em>2021</em>. She holds an MFA in creative writing from the University of Florida.</p><p>­­Read Vix’s essay “Don’t Step Off the Path” in <em>The Common</em> <a href="https://www.thecommononline.org/dont-step-off-the-path/">here</a>. </p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She was a 2022 Massachusetts Cultural Council Fellow in Fiction.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1722</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Christopher Spaide, "Closure?" The Common Magazine (May 2023)</title>
      <description>Christopher Spaide speaks to managing editor Emily Everett about his poem “Closure?,” which appears in The Common’s most recent issue. Chris talks about how his curiosity for language and wordplay often lead him into deeper themes in his poems. He also discusses taking his first poetry class at Amherst College, and, now, teaching poetry classes himself at Emory University.
Christopher Spaide is the N.E.H. Postdoctoral Fellow in Poetics at the Bill and Carol Fox Center for Humanistic Inquiry at Emory University. He received his Ph.D. from the Department of English at Harvard University and was a Junior Fellow at the Harvard Society of Fellows. His poems, essays, and reviews have appeared in The Nation, Ploughshares, Poetry, The Sewanee Review, and elsewhere. He was a 2022–2023 writer in residence at the James Merrill House, and he currently reviews for the Poetry Foundation at Harriet Books.
­­Read Chris’s poems “Closure?” and “The Yoke’s on Us” in The Common here.
Follow Chris on Twitter @cspaide and learn more about him at christopherspaide.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 27 Oct 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>52</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Christopher Spaide</itunes:subtitle>
      <itunes:summary>Christopher Spaide speaks to managing editor Emily Everett about his poem “Closure?,” which appears in The Common’s most recent issue. Chris talks about how his curiosity for language and wordplay often lead him into deeper themes in his poems. He also discusses taking his first poetry class at Amherst College, and, now, teaching poetry classes himself at Emory University.
Christopher Spaide is the N.E.H. Postdoctoral Fellow in Poetics at the Bill and Carol Fox Center for Humanistic Inquiry at Emory University. He received his Ph.D. from the Department of English at Harvard University and was a Junior Fellow at the Harvard Society of Fellows. His poems, essays, and reviews have appeared in The Nation, Ploughshares, Poetry, The Sewanee Review, and elsewhere. He was a 2022–2023 writer in residence at the James Merrill House, and he currently reviews for the Poetry Foundation at Harriet Books.
­­Read Chris’s poems “Closure?” and “The Yoke’s on Us” in The Common here.
Follow Chris on Twitter @cspaide and learn more about him at christopherspaide.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow in Fiction.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Christopher Spaide speaks to managing editor Emily Everett about his poem “<a href="https://www.thecommononline.org/closure/">Closure?</a>,” which appears in <em>The Common’s</em> most recent issue. Chris talks about how his curiosity for language and wordplay often lead him into deeper themes in his poems. He also discusses taking his first poetry class at Amherst College, and, now, teaching poetry classes himself at Emory University.</p><p>Christopher Spaide is the N.E.H. Postdoctoral Fellow in Poetics at the Bill and Carol Fox Center for Humanistic Inquiry at Emory University. He received his Ph.D. from the Department of English at Harvard University and was a Junior Fellow at the Harvard Society of Fellows. His poems, essays, and reviews have appeared in <em>The Nation, Ploughshares, Poetry, The Sewanee Review</em>, and elsewhere. He was a 2022–2023 writer in residence at the James Merrill House, and he currently reviews for the Poetry Foundation at Harriet Books.</p><p>­­Read Chris’s poems “Closure?” and “The Yoke’s on Us” in <em>The Common</em> <a href="https://www.thecommononline.org/tag/Christopher-Spaide/">here</a>.</p><p>Follow Chris on Twitter <a href="https://twitter.com/cspaide">@cspaide</a> and learn more about him at <a href="https://www.christopherspaide.com/">christopherspaide.com</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow in Fiction.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2279</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Jake Lancaster, “Grace’s Folly," The Common Magazine (2023)</title>
      <description>Jake Lancaster speaks to managing editor Emily Everett about his story “Grace’s Folly,” which appears in The Common’s most recent issue. Jake talks about writing stories that lean into the offbeat, uncomfortable, and sometimes grotesque parts of his characters and their lives. He also discusses his writing and revision process—carving away at long first drafts until all that’s left is essential—and his work teaching writing at the University of Minnesota.
Jake Lancaster is a graduate of the Iowa Writers’ Workshop, where he was awarded the Henfield Prize for Fiction. His short stories have appeared in Forever Magazine, heavy traffic, The Southampton Review, Sierra Nevada Review, and X-R-A-Y. He lives with his family in Minneapolis.
­­Read Jake’s story “Grace’s Folly” in The Common at thecommononline.org/graces-folly.
Follow Jake on Twitter @jakelancasterrr and learn more about him at jake-lancaster.squarespace.com/about.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 29 Sep 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>51</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Jake Lancaster</itunes:subtitle>
      <itunes:summary>Jake Lancaster speaks to managing editor Emily Everett about his story “Grace’s Folly,” which appears in The Common’s most recent issue. Jake talks about writing stories that lean into the offbeat, uncomfortable, and sometimes grotesque parts of his characters and their lives. He also discusses his writing and revision process—carving away at long first drafts until all that’s left is essential—and his work teaching writing at the University of Minnesota.
Jake Lancaster is a graduate of the Iowa Writers’ Workshop, where he was awarded the Henfield Prize for Fiction. His short stories have appeared in Forever Magazine, heavy traffic, The Southampton Review, Sierra Nevada Review, and X-R-A-Y. He lives with his family in Minneapolis.
­­Read Jake’s story “Grace’s Folly” in The Common at thecommononline.org/graces-folly.
Follow Jake on Twitter @jakelancasterrr and learn more about him at jake-lancaster.squarespace.com/about.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jake Lancaster speaks to managing editor Emily Everett about his story “<a href="https://www.thecommononline.org/graces-folly/">Grace’s Folly</a>,” which appears in <em>The Common’s</em> most recent issue. Jake talks about writing stories that lean into the offbeat, uncomfortable, and sometimes grotesque parts of his characters and their lives. He also discusses his writing and revision process—carving away at long first drafts until all that’s left is essential—and his work teaching writing at the University of Minnesota.</p><p>Jake Lancaster is a graduate of the Iowa Writers’ Workshop, where he was awarded the Henfield Prize for Fiction. His short stories have appeared in <em>Forever Magazine, heavy traffic, The Southampton Review, Sierra Nevada Review, </em>and <em>X-R-A-Y</em>. He lives with his family in Minneapolis.</p><p>­­Read Jake’s story “Grace’s Folly” in <em>The Common</em> at <a href="https://www.thecommononline.org/graces-folly/">thecommononline.org/graces-folly</a>.</p><p>Follow Jake on Twitter <a href="https://twitter.com/jakelancasterrr">@jakelancasterrr</a> and learn more about him at <a href="https://jake-lancaster.squarespace.com/about">jake-lancaster.squarespace.com/about</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1683</itunes:duration>
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      <title>Ala Fox, "Ramadan in Saint-Denis" (The Common Magazine, Issue 25)</title>
      <description>Ala Fox speaks to managing editor Emily Everett about her essay “Ramadan in Saint-Denis,” which appears in The Common’s most recent issue. Ala talks about weaving together the threads of her experiences living in Paris into an essay that explores a lot of questions but doesn’t try to answer them. The piece dives into the dynamics between neighborhoods, and between native Parisians and immigrant communities, and explores the possibility of creating and sustaining love across language barriers and distance. Ala also discusses why she was nervous about publishing the essay, and how it would be received in the Muslim community.
Ala Fox is a Muslim American daughter of Chinese immigrants. She writes in English, Python, memories, and JavaScript. When not coding, she writes about life and love online @alalafox. Her work has been published in Ruminate, Hunger Mountain, and MuslimMatters. She is passionate about racial equity and Oakland.
­­Read Ala’s essay “Ramadan in Saint-Denis” in The Common here.
Learn more about Ala here.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 25 Aug 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>50</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>A Conversation with Ala Fox</itunes:subtitle>
      <itunes:summary>Ala Fox speaks to managing editor Emily Everett about her essay “Ramadan in Saint-Denis,” which appears in The Common’s most recent issue. Ala talks about weaving together the threads of her experiences living in Paris into an essay that explores a lot of questions but doesn’t try to answer them. The piece dives into the dynamics between neighborhoods, and between native Parisians and immigrant communities, and explores the possibility of creating and sustaining love across language barriers and distance. Ala also discusses why she was nervous about publishing the essay, and how it would be received in the Muslim community.
Ala Fox is a Muslim American daughter of Chinese immigrants. She writes in English, Python, memories, and JavaScript. When not coding, she writes about life and love online @alalafox. Her work has been published in Ruminate, Hunger Mountain, and MuslimMatters. She is passionate about racial equity and Oakland.
­­Read Ala’s essay “Ramadan in Saint-Denis” in The Common here.
Learn more about Ala here.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ala Fox speaks to managing editor Emily Everett about her essay “<a href="https://www.thecommononline.org/ramadan-in-saint-denis/">Ramadan in Saint-Denis</a>,” which appears in <em>The Common’s</em> most recent issue. Ala talks about weaving together the threads of her experiences living in Paris into an essay that explores a lot of questions but doesn’t try to answer them. The piece dives into the dynamics between neighborhoods, and between native Parisians and immigrant communities, and explores the possibility of creating and sustaining love across language barriers and distance. Ala also discusses why she was nervous about publishing the essay, and how it would be received in the Muslim community.</p><p>Ala Fox is a Muslim American daughter of Chinese immigrants. She writes in English, Python, memories, and JavaScript. When not coding, she writes about life and love online @alalafox. Her work has been published in <em>Ruminate, Hunger Mountain, </em>and<em> MuslimMatters</em>. She is passionate about racial equity and Oakland.</p><p>­­Read Ala’s essay “Ramadan in Saint-Denis” in <em>The Common</em> <a href="https://www.thecommononline.org/ramadan-in-saint-denis/">here</a>.</p><p>Learn more about Ala <a href="https://alexandfox.com/">here</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <itunes:duration>3217</itunes:duration>
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    </item>
    <item>
      <title>Matt Donovan, "Guy with a Gun" The Common Magazine (Fall, 2023)</title>
      <description>Matt Donovan speaks to managing editor Emily Everett about his prose poem “Guy with a Gun,” which appeared in The Common’s fall issue. Matt talks about the conversation that inspired the poem—an encounter with a Sandy Hook parent that highlights the complex gray area around guns and gun ownership. He also discusses how his poetry collection about the issue of guns in the US evolved from a nonfiction book proposal, his aims in undertaking the project, and his job running The Boutelle-Day Poetry Center at Smith College.
Matt Donovan is the author of three collections of poetry, and a book of lyric essays. His latest collection, The Dug-Up Gun Museum, came out last year from BOA Editions. He is the recipient of a Whiting Award, a Rome Prize in Literature, a Creative Capital Grant, and a National Endowment for the Arts Fellowship in Literature. He serves as director of The Boutelle-Day Poetry Center at Smith College.
­­Read Matt’s poems in The Common here. 
Read more from Matt here.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 21 Jul 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>49</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Matt Donovan</itunes:subtitle>
      <itunes:summary>Matt Donovan speaks to managing editor Emily Everett about his prose poem “Guy with a Gun,” which appeared in The Common’s fall issue. Matt talks about the conversation that inspired the poem—an encounter with a Sandy Hook parent that highlights the complex gray area around guns and gun ownership. He also discusses how his poetry collection about the issue of guns in the US evolved from a nonfiction book proposal, his aims in undertaking the project, and his job running The Boutelle-Day Poetry Center at Smith College.
Matt Donovan is the author of three collections of poetry, and a book of lyric essays. His latest collection, The Dug-Up Gun Museum, came out last year from BOA Editions. He is the recipient of a Whiting Award, a Rome Prize in Literature, a Creative Capital Grant, and a National Endowment for the Arts Fellowship in Literature. He serves as director of The Boutelle-Day Poetry Center at Smith College.
­­Read Matt’s poems in The Common here. 
Read more from Matt here.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Matt Donovan speaks to managing editor Emily Everett about his prose poem “Guy with a Gun,” which appeared in <em>The Common’s</em> fall issue. Matt talks about the conversation that inspired the poem—an encounter with a Sandy Hook parent that highlights the complex gray area around guns and gun ownership. He also discusses how his poetry collection about the issue of guns in the US evolved from a nonfiction book proposal, his aims in undertaking the project, and his job running The Boutelle-Day Poetry Center at Smith College.</p><p>Matt Donovan is the author of three collections of poetry, and a book of lyric essays. His latest collection, <em>The Dug-Up Gun Museum</em>, came out last year from BOA Editions. He is the recipient of a Whiting Award, a Rome Prize in Literature, a Creative Capital Grant, and a National Endowment for the Arts Fellowship in Literature. He serves as director of The Boutelle-Day Poetry Center at Smith College.</p><p>­­Read Matt’s poems in <em>The Common</em> <a href="https://www.thecommononline.org/tag/Matt-Donovan/">here</a>. </p><p>Read more from Matt <a href="https://mattdonovanwriting.com/">here</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2451</itunes:duration>
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    <item>
      <title>Gerardo Sámano Córdova, "Iceberg, Mine" The Common magazine (Fall, 2022)</title>
      <description>Gerardo Sámano Córdova speaks to managing editor Emily Everett about his story “Iceberg, Mine,” which appears in The Common’s fall 2022 issue. Gerardo talks about combining the real and the surreal in this story, and using both to show the power of a brief moment of connection. He also discusses the risks and rewards of writing about the fantastical, the process of finding balance through revision, and his debut novel Monstilio, which is out now from Zando. The novel is about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes.
Gerardo Sámano Córdova is a writer and artist from Mexico City. His first novel, Monstrilio, is out from Zando. Gerardo holds an MFA in fiction from the University of Michigan. His work has appeared in Catapult, The Common, Ninth Letter, Passages North, Chicago Quarterly Review, and others. He’s also been known to draw little creatures.
­­Read “Iceberg, Mine” in The Common at thecommononline.org/iceberg-mine/.
Read more from Gerardo at gerardosamanocordova.com, follow him on Twitter @samanito, and explore his artwork on Instagram at @samanito.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 16 Jun 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>48</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Gerardo Sámano Córdova</itunes:subtitle>
      <itunes:summary>Gerardo Sámano Córdova speaks to managing editor Emily Everett about his story “Iceberg, Mine,” which appears in The Common’s fall 2022 issue. Gerardo talks about combining the real and the surreal in this story, and using both to show the power of a brief moment of connection. He also discusses the risks and rewards of writing about the fantastical, the process of finding balance through revision, and his debut novel Monstilio, which is out now from Zando. The novel is about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes.
Gerardo Sámano Córdova is a writer and artist from Mexico City. His first novel, Monstrilio, is out from Zando. Gerardo holds an MFA in fiction from the University of Michigan. His work has appeared in Catapult, The Common, Ninth Letter, Passages North, Chicago Quarterly Review, and others. He’s also been known to draw little creatures.
­­Read “Iceberg, Mine” in The Common at thecommononline.org/iceberg-mine/.
Read more from Gerardo at gerardosamanocordova.com, follow him on Twitter @samanito, and explore his artwork on Instagram at @samanito.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Gerardo Sámano Córdova speaks to managing editor Emily Everett about his story “Iceberg, Mine,” which appears in<em> The Common’s</em> fall 2022 issue. Gerardo talks about combining the real and the surreal in this story, and using both to show the power of a brief moment of connection. He also discusses the risks and rewards of writing about the fantastical, the process of finding balance through revision, and his debut novel <em>Monstilio</em>, which is out now from Zando<em>.</em> The novel is about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes.</p><p>Gerardo Sámano Córdova is a writer and artist from Mexico City. His first novel, <em>Monstrilio,</em> is out from Zando. Gerardo holds an MFA in fiction from the University of Michigan. His work has appeared <em>in Catapult, The Common, Ninth Letter, Passages North, Chicago Quarterly Review</em>, and others. He’s also been known to draw little creatures.</p><p>­­Read “Iceberg, Mine” in <em>The Common</em> at <a href="https://www.thecommononline.org/iceberg-mine/">thecommononline.org/iceberg-mine/.</a></p><p>Read more from Gerardo at <a href="https://gerardosamanocordova.com/">gerardosamanocordova.com</a>, follow him on Twitter <a href="https://twitter.com/samanito">@samanito</a>, and explore his artwork on Instagram at <a href="https://www.instagram.com/samanito/">@samanito</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1916</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Robin Lee Carlson, "Reading the Ashes," The Common Magazine (Fall, 2022)</title>
      <description>Robin Lee Carlson speaks to managing editor Emily Everett about her essay “Reading the Ashes,” which appears in The Common’s fall 2022 issue. Robin talks about the many-year process of observation, illustration, and writing that went into the essay, which explores the cycle of fire and rebirth in Cold Canyon. She also discusses how her work balances the poetic and artistic with the scientific, how sketching and watercolors help her understand the natural world, and how she hopes her book will encourage readers to observe and question ecological change in their local areas.
Robin Lee Carlson is a natural science writer, illustrator, and author of The Cold Canyon Fire Journals: Green Shoots and Silver Linings in the Ashes. Her art and writing have also appeared in Arnoldia and The Common. Robin's focus is ecosystem disruptions, anthropogenic and natural, and how landscapes and ecological communities change over time. Her work is grounded in direct observation and documenting the world around her as it unfolds.
­­Read Robin’s essay in The Common here. 
Read more from Robin here, or follow her on Instagram at @anthropocenesketchbook.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 26 May 2023 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>47</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Robin Lee Carlson</itunes:subtitle>
      <itunes:summary>Robin Lee Carlson speaks to managing editor Emily Everett about her essay “Reading the Ashes,” which appears in The Common’s fall 2022 issue. Robin talks about the many-year process of observation, illustration, and writing that went into the essay, which explores the cycle of fire and rebirth in Cold Canyon. She also discusses how her work balances the poetic and artistic with the scientific, how sketching and watercolors help her understand the natural world, and how she hopes her book will encourage readers to observe and question ecological change in their local areas.
Robin Lee Carlson is a natural science writer, illustrator, and author of The Cold Canyon Fire Journals: Green Shoots and Silver Linings in the Ashes. Her art and writing have also appeared in Arnoldia and The Common. Robin's focus is ecosystem disruptions, anthropogenic and natural, and how landscapes and ecological communities change over time. Her work is grounded in direct observation and documenting the world around her as it unfolds.
­­Read Robin’s essay in The Common here. 
Read more from Robin here, or follow her on Instagram at @anthropocenesketchbook.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Robin Lee Carlson speaks to managing editor Emily Everett about her essay “Reading the Ashes,” which appears in <em>The Common’s</em> fall 2022 issue. Robin talks about the many-year process of observation, illustration, and writing that went into the essay, which explores the cycle of fire and rebirth in Cold Canyon. She also discusses how her work balances the poetic and artistic with the scientific, how sketching and watercolors help her understand the natural world, and how she hopes her book will encourage readers to observe and question ecological change in their local areas.</p><p>Robin Lee Carlson is a natural science writer, illustrator, and author <em>of </em><a href="https://bookshop.org/a/12343/9781597145848"><em>The Cold Canyon Fire Journals: Green Shoots and Silver Linings in the Ashes</em></a>. Her art and writing have also appeared in <em>Arnoldia </em>and <em>The Common</em>. Robin's focus is ecosystem disruptions, anthropogenic and natural, and how landscapes and ecological communities change over time. Her work is grounded in direct observation and documenting the world around her as it unfolds.</p><p>­­Read Robin’s essay in <em>The Common</em> <a href="https://www.thecommononline.org/reading-the-ashes/">here</a>. </p><p>Read more from Robin <a href="https://robinleecarlson.com/">here</a>, or follow her on Instagram at <a href="https://www.instagram.com/anthropocenesketchbook/">@anthropocenesketchbook</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1923</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Sindya Bhanoo, “Tsunami Bride” The Common magazine (Fall, 2022)</title>
      <description>Sindya Bhanoo speaks to managing editor Emily Everett about her story “Tsunami Bride,” which appears in The Common’s new fall issue. Sindya talks about her experience reporting from India after the 2004 tsunami, and how that experience eventually became a story about a journalist in the same position, told from a local’s perspective. She also discusses how the training and techniques she developed as a journalist have shaped her drafting and revision process for fiction, how food often makes its way into her stories, and how her 2022 story collection Seeking Fortune Elsewhere came together.
Sindya Bhanoo is the author of the story collection Seeking Fortune Elsewhere. She is the recipient of an O. Henry Award, the DISQUIET Literary Prize, and an Elizabeth George Foundation grant. Her fiction has appeared in Granta, New England Review, Glimmer Train, and elsewhere. A longtime newspaper reporter, she has worked for The New York Times and The Washington Post. She teaches at Oregon State University.
Read Sindya’s story in The Common at thecommononline.org/tsunami-bride.
Read more from Sindya at sindyabhanoo.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 18 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>46</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Sindya Bhanoo</itunes:subtitle>
      <itunes:summary>Sindya Bhanoo speaks to managing editor Emily Everett about her story “Tsunami Bride,” which appears in The Common’s new fall issue. Sindya talks about her experience reporting from India after the 2004 tsunami, and how that experience eventually became a story about a journalist in the same position, told from a local’s perspective. She also discusses how the training and techniques she developed as a journalist have shaped her drafting and revision process for fiction, how food often makes its way into her stories, and how her 2022 story collection Seeking Fortune Elsewhere came together.
Sindya Bhanoo is the author of the story collection Seeking Fortune Elsewhere. She is the recipient of an O. Henry Award, the DISQUIET Literary Prize, and an Elizabeth George Foundation grant. Her fiction has appeared in Granta, New England Review, Glimmer Train, and elsewhere. A longtime newspaper reporter, she has worked for The New York Times and The Washington Post. She teaches at Oregon State University.
Read Sindya’s story in The Common at thecommononline.org/tsunami-bride.
Read more from Sindya at sindyabhanoo.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sindya Bhanoo speaks to managing editor Emily Everett about her story “Tsunami Bride,” which appears in <em>The Common’s </em>new fall issue. Sindya talks about her experience reporting from India after the 2004 tsunami, and how that experience eventually became a story about a journalist in the same position, told from a local’s perspective. She also discusses how the training and techniques she developed as a journalist have shaped her drafting and revision process for fiction, how food often makes its way into her stories, and how her 2022 story collection <em>Seeking Fortune Elsewhere</em> came together.</p><p>Sindya Bhanoo is the author of the story collection <em>Seeking Fortune Elsewhere</em>. She is the recipient of an O. Henry Award, the DISQUIET Literary Prize, and an Elizabeth George Foundation grant. Her fiction has appeared <em>in Granta, New England Review, Glimmer Train</em>, and elsewhere. A longtime newspaper reporter, she has worked for <em>The New York Times </em>and <em>The Washington Post.</em> She teaches at Oregon State University.</p><p>Read Sindya’s story in <em>The Common</em> at <a href="https://www.thecommononline.org/tsunami-bride/">thecommononline.org/tsunami-bride</a>.</p><p>Read more from Sindya at <a href="https://www.sindyabhanoo.com/">sindyabhanoo.com</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the<em> Kenyon Review</em>, <em>Electric Literature, Tin House </em>Online<em>,</em> and<em> Mississippi Review</em>. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter <a href="https://twitter.com/Public_Emily">@Public_Emily</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2135</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Meera Nair, "The Desire Tree," The Common magazine (Fall, 2022)</title>
      <description>Meera Nair speaks to managing editor Emily Everett about her essay “The Desire Tree,” which appears in The Common’s new fall issue. Meera talks about the long process of writing this piece, which explores loss and longing through a visit to a banyan tree in Kerala, India that is said to grant prayers. She also discusses writing from memories, finding the right length for a piece, and teaching revision strategies to her creative writing students.
Meera Nair is the author of Video: Stories, which was a Washington Post Best Book of the Year. Her work has appeared in Guernica, The Threepenny Review, Calyx, The New York Times, The Guardian, The Washington Post, NPR’s Selected Shorts, and elsewhere. She lives in Jackson Heights in Queens, New York.
­­Read Meera’s essay in The Common at thecommononline.org/the-desire-tree.
Read more from Meera at meeranair.net, or follow her on Twitter at @MeeraNairNY.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 04 Nov 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>45</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Meera Nair</itunes:subtitle>
      <itunes:summary>Meera Nair speaks to managing editor Emily Everett about her essay “The Desire Tree,” which appears in The Common’s new fall issue. Meera talks about the long process of writing this piece, which explores loss and longing through a visit to a banyan tree in Kerala, India that is said to grant prayers. She also discusses writing from memories, finding the right length for a piece, and teaching revision strategies to her creative writing students.
Meera Nair is the author of Video: Stories, which was a Washington Post Best Book of the Year. Her work has appeared in Guernica, The Threepenny Review, Calyx, The New York Times, The Guardian, The Washington Post, NPR’s Selected Shorts, and elsewhere. She lives in Jackson Heights in Queens, New York.
­­Read Meera’s essay in The Common at thecommononline.org/the-desire-tree.
Read more from Meera at meeranair.net, or follow her on Twitter at @MeeraNairNY.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Meera Nair speaks to managing editor Emily Everett about her essay “The Desire Tree,” which appears in <em>The Common’s </em>new fall issue. Meera talks about the long process of writing this piece, which explores loss and longing through a visit to a banyan tree in Kerala, India that is said to grant prayers. She also discusses writing from memories, finding the right length for a piece, and teaching revision strategies to her creative writing students.</p><p>Meera Nair is the author of <em>Video: Stories</em>, which was a <em>Washington Post</em> Best Book of the Year. Her work has appeared in <em>Guernica, The Threepenny Review, Calyx, The New York Times, The Guardian, The Washington Post, NPR’s Selected Shorts</em>, and elsewhere. She lives in Jackson Heights in Queens, New York.</p><p>­­Read Meera’s essay in <em>The Common</em> at <a href="https://www.thecommononline.org/the-desire-tree/">thecommononline.org/the-desire-tree</a>.</p><p>Read more from Meera at <a href="https://www.meeranair.net/">meeranair.net</a>, or follow her on Twitter at <a href="https://twitter.com/MeeraNairNY">@MeeraNairNY</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2512</itunes:duration>
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    <item>
      <title>Ellen Doré Watson, “In Which Raging Weather is a Gift," The Common magazine (Spring, 2022)</title>
      <description>Ellen Doré Watson speaks to managing editor Emily Everett about her poem “In Which Raging Weather is a Gift,” which appears in The Common’s spring issue. Ellen talks about the importance of letting a poem surprise you as the first draft comes together. She also discusses her thoughts on the revision process, her work translating poetry and prose, and the years she spent running the Smith College Poetry Center.
Ellen Doré Watson’s fifth full-length collection is pray me stay eager. Her poems have appeared in The American Poetry Review, Tin House, Orion, and The New Yorker. She has translated a dozen books from Brazilian Portuguese, including the work of Adelia Prado. Watson served as poetry editor of The Massachusetts Review and director of the Poetry Center at Smith College for decades, and currently offers manuscript editing and workshops online.
­­Read Ellen’s poems in The Common at thecommononline.org/tag/ellen-dore-watson.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 14 Oct 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>44</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Ellen Doré Watson</itunes:subtitle>
      <itunes:summary>Ellen Doré Watson speaks to managing editor Emily Everett about her poem “In Which Raging Weather is a Gift,” which appears in The Common’s spring issue. Ellen talks about the importance of letting a poem surprise you as the first draft comes together. She also discusses her thoughts on the revision process, her work translating poetry and prose, and the years she spent running the Smith College Poetry Center.
Ellen Doré Watson’s fifth full-length collection is pray me stay eager. Her poems have appeared in The American Poetry Review, Tin House, Orion, and The New Yorker. She has translated a dozen books from Brazilian Portuguese, including the work of Adelia Prado. Watson served as poetry editor of The Massachusetts Review and director of the Poetry Center at Smith College for decades, and currently offers manuscript editing and workshops online.
­­Read Ellen’s poems in The Common at thecommononline.org/tag/ellen-dore-watson.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ellen Doré Watson speaks to managing editor Emily Everett about her poem “In Which Raging Weather is a Gift,” which appears in <em>The Common’s </em>spring issue. Ellen talks about the importance of letting a poem surprise you as the first draft comes together. She also discusses her thoughts on the revision process, her work translating poetry and prose, and the years she spent running the Smith College Poetry Center.</p><p>Ellen Doré Watson’s fifth full-length collection is <em>pray me stay eager.</em> Her poems have appeared <em>in The American Poetry Review, Tin House, Orion, </em>and <em>The New Yorker</em>. She has translated a dozen books from Brazilian Portuguese, including the work of Adelia Prado. Watson served as poetry editor of <em>The Massachusetts Review</em> and director of the Poetry Center at Smith College for decades, and currently offers manuscript editing and workshops online.</p><p>­­Read Ellen’s poems in <em>The Common</em> at <a href="https://www.thecommononline.org/tag/ellen-dore-watson/">thecommononline.org/tag/ellen-dore-watson</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the<em> Kenyon Review</em>, <em>Electric Literature, Tin House </em>Online<em>,</em> and<em> Mississippi Review</em>. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter <a href="https://twitter.com/Public_Emily">@Public_Emily</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>Jane Satterfield, "Letter to Emily Brontë," The Common magazine (Spring, 2022)</title>
      <description>Jane Satterfield speaks to managing editor Emily Everett about her poem “Letter to Emily Brontë,” which appears in The Common’s spring issue. Jane talks about her longstanding interest in the Brontë sisters, and why this pandemic poem is directed to Emily in particular. She also discusses letter-writing as a structure for poetry, and reads another poem published in The Common, “Totem,” which reflects on a childhood memory through more adult understanding.
Jane Satterfield’s most recent book is Apocalypse Mix, which was awarded the Autumn House Poetry Prize selected by David St. John. She is the recipient of a National Endowment for the Arts poetry fellowship, the 49th Parallel Award for Poetry from Bellingham Review, the Ledbury Poetry Festival Prize, and more. New poetry and essays appear in DIAGRAM, Ecotone, Orion, Literary Matters, The Missouri Review, The Pinch, Tupelo Quarterly, and elsewhere. She is married to poet Ned Balbo and lives in Baltimore, where she is a professor of writing at Loyola University Maryland.
­­Read Jane’s poems and other writing in The Common at thecommononline.org/tag/Jane-Satterfield.
Read more from Jane at janesatterfield.org.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 30 Sep 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>43</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Jane Satterfield</itunes:subtitle>
      <itunes:summary>Jane Satterfield speaks to managing editor Emily Everett about her poem “Letter to Emily Brontë,” which appears in The Common’s spring issue. Jane talks about her longstanding interest in the Brontë sisters, and why this pandemic poem is directed to Emily in particular. She also discusses letter-writing as a structure for poetry, and reads another poem published in The Common, “Totem,” which reflects on a childhood memory through more adult understanding.
Jane Satterfield’s most recent book is Apocalypse Mix, which was awarded the Autumn House Poetry Prize selected by David St. John. She is the recipient of a National Endowment for the Arts poetry fellowship, the 49th Parallel Award for Poetry from Bellingham Review, the Ledbury Poetry Festival Prize, and more. New poetry and essays appear in DIAGRAM, Ecotone, Orion, Literary Matters, The Missouri Review, The Pinch, Tupelo Quarterly, and elsewhere. She is married to poet Ned Balbo and lives in Baltimore, where she is a professor of writing at Loyola University Maryland.
­­Read Jane’s poems and other writing in The Common at thecommononline.org/tag/Jane-Satterfield.
Read more from Jane at janesatterfield.org.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jane Satterfield speaks to managing editor Emily Everett about her poem “Letter to Emily Brontë,” which appears in <em>The Common’s </em>spring issue. Jane talks about her longstanding interest in the Brontë sisters, and why this pandemic poem is directed to Emily in particular. She also discusses letter-writing as a structure for poetry, and reads another poem published in <em>The Common</em>, “Totem,” which reflects on a childhood memory through more adult understanding.</p><p>Jane Satterfield’s most recent book is <em>Apocalypse Mix</em>, which was awarded the Autumn House Poetry Prize selected by David St. John. She is the recipient of a National Endowment for the Arts poetry fellowship, the 49th Parallel Award for Poetry from <em>Bellingham Review</em>, the Ledbury Poetry Festival Prize, and more. New poetry and essays appear in <em>DIAGRAM, Ecotone, Orion, Literary Matters, The Missouri Review, The Pinch, Tupelo Quarterly</em>, and elsewhere. She is married to poet Ned Balbo and lives in Baltimore, where she is a professor of writing at Loyola University Maryland.</p><p>­­Read Jane’s poems and other writing in <em>The Common</em> at <a href="https://www.thecommononline.org/tag/Jane-Satterfield/">thecommononline.org/tag/Jane-Satterfield</a>.</p><p>Read more from Jane at <a href="https://janesatterfield.org/">janesatterfield.org</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the<em> Kenyon Review</em>, <em>Electric Literature, Tin House </em>Online<em>,</em> and<em> Mississippi Review</em>. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter <a href="https://twitter.com/Public_Emily">@Public_Emily</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2482</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Liesl Schwabe, "The Marching Bands of Mahatma Gandhi Road," The Common magazine (Spring, 2022)</title>
      <description>Liesl Schwabe speaks to managing editor Emily Everett about her essay “The Marching Bands of Mahatma Gandhi Road,” which appears in The Common’s spring issue. Liesl talks about the time she spent in Kolkata, India listening to the mostly-Muslim marching bands perform at Hindu weddings and religious ceremonies, and what drew her to this subject. She also discusses the research, writing, and revision that went into this essay, her approach to teaching creative writing, and her next writing projects.
Liesl Schwabe’s essays have appeared in The New York Times, The Washington Post, the Los Angeles Review of Books, LitHub, Words Without Borders, Creative Nonfiction, The Rumpus, and Off Assignment, among other publications and anthologies. A former Fulbright-Nehru Scholar in Kolkata, India, Liesl now lives with her family in Western Massachusetts.
­­Read Liesl’s essay “The Marching Bands of Mahatma Gandhi Road” in The Common at thecommononline.org/the-marching-bands-of-mahatma-gandhi-road.
Follow her on Twitter @Liesllibby, and read more at lieslschwabe.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 19 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>42</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Liesl Schwabe</itunes:subtitle>
      <itunes:summary>Liesl Schwabe speaks to managing editor Emily Everett about her essay “The Marching Bands of Mahatma Gandhi Road,” which appears in The Common’s spring issue. Liesl talks about the time she spent in Kolkata, India listening to the mostly-Muslim marching bands perform at Hindu weddings and religious ceremonies, and what drew her to this subject. She also discusses the research, writing, and revision that went into this essay, her approach to teaching creative writing, and her next writing projects.
Liesl Schwabe’s essays have appeared in The New York Times, The Washington Post, the Los Angeles Review of Books, LitHub, Words Without Borders, Creative Nonfiction, The Rumpus, and Off Assignment, among other publications and anthologies. A former Fulbright-Nehru Scholar in Kolkata, India, Liesl now lives with her family in Western Massachusetts.
­­Read Liesl’s essay “The Marching Bands of Mahatma Gandhi Road” in The Common at thecommononline.org/the-marching-bands-of-mahatma-gandhi-road.
Follow her on Twitter @Liesllibby, and read more at lieslschwabe.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Liesl Schwabe speaks to managing editor Emily Everett about her essay “<a href="https://www.thecommononline.org/the-marching-bands-of-mahatma-gandhi-road/">The Marching Bands of Mahatma Gandhi Road</a>,” which appears in <em>The Common’s </em>spring issue. Liesl talks about the time she spent in Kolkata, India listening to the mostly-Muslim marching bands perform at Hindu weddings and religious ceremonies, and what drew her to this subject. She also discusses the research, writing, and revision that went into this essay, her approach to teaching creative writing, and her next writing projects.</p><p>Liesl Schwabe’s essays have appeared in <em>The New York Times, The Washington Post, the Los Angeles Review of Books, LitHub, Words Without Borders, Creative Nonfiction, The Rumpus, </em>and <em>Off Assignment</em>, among other publications and anthologies. A former Fulbright-Nehru Scholar in Kolkata, India, Liesl now lives with her family in Western Massachusetts.</p><p>­­Read Liesl’s essay “The Marching Bands of Mahatma Gandhi Road” in <em>The Common</em> at <a href="https://www.thecommononline.org/the-marching-bands-of-mahatma-gandhi-road/">thecommononline.org/the-marching-bands-of-mahatma-gandhi-road</a>.</p><p>Follow her on Twitter <a href="https://twitter.com/Liesllibby">@Liesllibby</a>, and read more at <a href="https://www.lieslschwabe.com/">lieslschwabe.com</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2234</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Ben Stroud, “Three Omens of Federico da Montefeltro," The Common magazine (Spring, 2022)</title>
      <description>Ben Stroud speaks to managing editor Emily Everett about his story “Three Omens of Federico da Montefeltro,” which appears in The Common’s spring issue. The story fictionalizes a moment in the lives of historical figures from fifteenth-century Italy. In this conversation, Ben talks about finding his interest in writing stories set in ancient and medieval times, and what kind of research and play is required to blend fact and fiction in those stories. He also discusses his process for revising his work and teaching creative writing.
Ben Stroud is the author of the story collection Byzantium, which won the 2013 Story Prize Spotlight Award and the Bread Loaf Writers’ Conference Bakeless Prize for fiction. His stories have been published in Harper’s, Zoetrope, Virginia Quarterly Review, Oxford American, VICE, and One Story, among other places, and have been anthologized in the Pushcart Prize Anthology, New Stories from the South, and The Best American Mystery Stories. He is currently associate professor of English and creative writing at the University of Toledo.
Read Ben’s story in The Common at thecommononline.org/three-omens-of-federico-da-montefeltro.
Follow Ben on Twitter at @bencstroud.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 05 Aug 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>41</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Ben Stroud</itunes:subtitle>
      <itunes:summary>Ben Stroud speaks to managing editor Emily Everett about his story “Three Omens of Federico da Montefeltro,” which appears in The Common’s spring issue. The story fictionalizes a moment in the lives of historical figures from fifteenth-century Italy. In this conversation, Ben talks about finding his interest in writing stories set in ancient and medieval times, and what kind of research and play is required to blend fact and fiction in those stories. He also discusses his process for revising his work and teaching creative writing.
Ben Stroud is the author of the story collection Byzantium, which won the 2013 Story Prize Spotlight Award and the Bread Loaf Writers’ Conference Bakeless Prize for fiction. His stories have been published in Harper’s, Zoetrope, Virginia Quarterly Review, Oxford American, VICE, and One Story, among other places, and have been anthologized in the Pushcart Prize Anthology, New Stories from the South, and The Best American Mystery Stories. He is currently associate professor of English and creative writing at the University of Toledo.
Read Ben’s story in The Common at thecommononline.org/three-omens-of-federico-da-montefeltro.
Follow Ben on Twitter at @bencstroud.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ben Stroud speaks to managing editor Emily Everett about his story “Three Omens of Federico da Montefeltro,” which appears in <em>The Common’s</em> spring issue. The story fictionalizes a moment in the lives of historical figures from fifteenth-century Italy. In this conversation, Ben talks about finding his interest in writing stories set in ancient and medieval times, and what kind of research and play is required to blend fact and fiction in those stories. He also discusses his process for revising his work and teaching creative writing.</p><p>Ben Stroud is the author of the story collection <em>Byzantium</em>, which won the 2013 Story Prize Spotlight Award and the Bread Loaf Writers’ Conference Bakeless Prize for fiction. His stories have been published in <em>Harper’s, Zoetrope, Virginia Quarterly Review, Oxford American, VICE, </em>and<em> One Story</em>, among other places, and have been anthologized in the <em>Pushcart Prize Anthology, New Stories from the South, </em>and <em>The Best American Mystery Stories</em>. He is currently associate professor of English and creative writing at the University of Toledo.</p><p>Read Ben’s story in <em>The Common</em> at <a href="https://www.thecommononline.org/three-omens-of-federico-da-montefeltro/">thecommononline.org/three-omens-of-federico-da-montefeltro</a>.</p><p>Follow Ben on Twitter at <a href="https://twitter.com/bencstroud">@bencstroud</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2474</itunes:duration>
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      <title>Anu Kumar, “The Woman in the Well," The Common magazine (Spring, 2022)</title>
      <description>Anu Kumar speaks to managing editor Emily Everett about her essay “The Woman in the Well,” which appears in The Common’s spring issue. Anu talks about the vivid memories from childhood that inspired this essay about ghosts, fear, family dynamics, and violence against women in India. She also discusses the revision process for the essay, her interest in writing women’s untold stories, and her current writing projects.
Anu Kumar’s most recent works are the novel The Hottest Summer in Years and the collection A Sense of Time and Other Stories. Her nonfiction work on the lives of early South Asians in America appears this year from Simon &amp; Schuster India and Yoda Press. Her work has appeared or is forthcoming in The Maine Review, Chicago Quarterly Review, Numéro SANK, Past Ten,TheJuggernaut.com, Atlas and Alice, and elsewhere. She lives in New Jersey and has an MFA from Vermont College of Fine Arts.
­­Read Anu’s essay “The Woman in the Well” in The Common at thecommononline.org/the-woman-in-the-well.
Follow Anu on Twitter @anuradhakumar01.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 22 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>40</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Anu Kumar</itunes:subtitle>
      <itunes:summary>Anu Kumar speaks to managing editor Emily Everett about her essay “The Woman in the Well,” which appears in The Common’s spring issue. Anu talks about the vivid memories from childhood that inspired this essay about ghosts, fear, family dynamics, and violence against women in India. She also discusses the revision process for the essay, her interest in writing women’s untold stories, and her current writing projects.
Anu Kumar’s most recent works are the novel The Hottest Summer in Years and the collection A Sense of Time and Other Stories. Her nonfiction work on the lives of early South Asians in America appears this year from Simon &amp; Schuster India and Yoda Press. Her work has appeared or is forthcoming in The Maine Review, Chicago Quarterly Review, Numéro SANK, Past Ten,TheJuggernaut.com, Atlas and Alice, and elsewhere. She lives in New Jersey and has an MFA from Vermont College of Fine Arts.
­­Read Anu’s essay “The Woman in the Well” in The Common at thecommononline.org/the-woman-in-the-well.
Follow Anu on Twitter @anuradhakumar01.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Anu Kumar speaks to managing editor Emily Everett about her essay “The Woman in the Well,” which appears in <em>The Common’s </em>spring issue. Anu talks about the vivid memories from childhood that inspired this essay about ghosts, fear, family dynamics, and violence against women in India. She also discusses the revision process for the essay, her interest in writing women’s untold stories, and her current writing projects.</p><p>Anu Kumar’s most recent works are the novel <em>The Hottest Summer in Years </em>and the collection<em> A Sense of Time and Other Stories</em>. Her nonfiction work on the lives of early South Asians in America appears this year from Simon &amp; Schuster India and Yoda Press. Her work has appeared or is forthcoming in <em>The Maine Review, Chicago Quarterly Review, Numéro SANK, Past Ten,TheJuggernaut.com, Atlas and Alice</em>, and elsewhere. She lives in New Jersey and has an MFA from Vermont College of Fine Arts.</p><p>­­Read Anu’s essay “The Woman in the Well” in <em>The Common</em> at <a href="https://www.thecommononline.org/the-woman-in-the-well/">thecommononline.org/the-woman-in-the-well</a>.</p><p>Follow Anu on Twitter <a href="https://twitter.com/anuradhakumar01">@anuradhakumar01</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1839</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Suhail Matar, "Granada," The Common magazine (Spring, 2022)</title>
      <description>Palestinian writer Suhail Matar speaks to managing editor Emily Everett about his story “Granada,” translated by Amika Fendi. The story appears in The Common’s new spring issue, in a special portfolio of Arabic fiction from Palestine. Suhail talks about the inspiration and process behind the story, which explores the complex ways in which Palestinians connect when they meet and interact abroad. Suhail also discusses the difficulties of translation, the history and modern realities of Palestinians living within Israel’s current borders, and his PhD work exploring how the brain processes and reacts to language.
Suhail Matar was born in Haifa in 1987, where he also grew up. He is finishing a PhD in neurocognitive sciences at New York University. The story “Granada” belongs to his short story collection North of Andalusia, West of the Homeland, which was jointly awarded the Al Qattan Foundation’s 2012 Young Writer of the Year Award.
Read Suhail’s story in The Common at thecommononline.org/granada.
Learn more about Suhail at suhailmatar.com or follow him on Twitter at @SuhailMatar_.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 08 Jul 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>39</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Suhail Matar</itunes:subtitle>
      <itunes:summary>Palestinian writer Suhail Matar speaks to managing editor Emily Everett about his story “Granada,” translated by Amika Fendi. The story appears in The Common’s new spring issue, in a special portfolio of Arabic fiction from Palestine. Suhail talks about the inspiration and process behind the story, which explores the complex ways in which Palestinians connect when they meet and interact abroad. Suhail also discusses the difficulties of translation, the history and modern realities of Palestinians living within Israel’s current borders, and his PhD work exploring how the brain processes and reacts to language.
Suhail Matar was born in Haifa in 1987, where he also grew up. He is finishing a PhD in neurocognitive sciences at New York University. The story “Granada” belongs to his short story collection North of Andalusia, West of the Homeland, which was jointly awarded the Al Qattan Foundation’s 2012 Young Writer of the Year Award.
Read Suhail’s story in The Common at thecommononline.org/granada.
Learn more about Suhail at suhailmatar.com or follow him on Twitter at @SuhailMatar_.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Palestinian writer Suhail Matar speaks to managing editor Emily Everett about his story “<a href="https://www.thecommononline.org/granada/">Granada</a>,” translated by Amika Fendi. The story appears in <em>The Common’s </em>new spring issue, in a special portfolio of Arabic fiction from Palestine. Suhail talks about the inspiration and process behind the story, which explores the complex ways in which Palestinians connect when they meet and interact abroad. Suhail also discusses the difficulties of translation, the history and modern realities of Palestinians living within Israel’s current borders, and his PhD work exploring how the brain processes and reacts to language.</p><p>Suhail Matar was born in Haifa in 1987, where he also grew up. He is finishing a PhD in neurocognitive sciences at New York University. The story “Granada” belongs to his short story collection <em>North of Andalusia, West of the Homeland</em>, which was jointly awarded the Al Qattan Foundation’s 2012 Young Writer of the Year Award.</p><p>Read Suhail’s story in <em>The Common</em> at <a href="https://www.thecommononline.org/granada">thecommononline.org/granada</a>.</p><p>Learn more about Suhail at <a href="https://suhailmatar.com/">suhailmatar.com</a> or follow him on Twitter at <a href="https://twitter.com/SuhailMatar_">@SuhailMatar_</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1873</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Mark Kyungsoo Bias, "Adoption Day," The Common magazine (Spring, 2022)</title>
      <description>Mark Kyungsoo Bias speaks to managing editor Emily Everett about his poem “Adoption Day,” which appears in The Common’s new spring issue. Mark talks about the inspiration and process behind the poem, which looks at issues like memory, immigration, and racism in post-9/11 America, all through the lens of a family experience. Mark also discusses his approach to language, sound, line breaks, and more, and the methods and techniques he’s found helpful in revising poetry. He reads two additional poems published in The Common: “Meeting My Mother” and “Visitor.”
Mark Kyungsoo Bias is the recipient of the 2022 Joseph Langland Prize from the Academy of American Poets and the 2020 William Matthews Poetry Prize. A semi-finalist for the 92Y Discovery Prize, he has been offered support from Bread Loaf, Kundiman, and Tin House. He is a recent graduate of the MFA program at the University of Massachusetts Amherst and has work published or forthcoming in The Adroit Journal, Best New Poets, The Common, PANK, Poets.org, and Washington Square Review, among other journals.
­­Read Mark’s poems in The Common at thecommononline.org/tag/mark-kyungsoo-bias/
Read more from Mark at markkyungsoobias.com, or follow him on Twitter at @mk_bias.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 24 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>38</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Mark Kyungsoo Bias</itunes:subtitle>
      <itunes:summary>Mark Kyungsoo Bias speaks to managing editor Emily Everett about his poem “Adoption Day,” which appears in The Common’s new spring issue. Mark talks about the inspiration and process behind the poem, which looks at issues like memory, immigration, and racism in post-9/11 America, all through the lens of a family experience. Mark also discusses his approach to language, sound, line breaks, and more, and the methods and techniques he’s found helpful in revising poetry. He reads two additional poems published in The Common: “Meeting My Mother” and “Visitor.”
Mark Kyungsoo Bias is the recipient of the 2022 Joseph Langland Prize from the Academy of American Poets and the 2020 William Matthews Poetry Prize. A semi-finalist for the 92Y Discovery Prize, he has been offered support from Bread Loaf, Kundiman, and Tin House. He is a recent graduate of the MFA program at the University of Massachusetts Amherst and has work published or forthcoming in The Adroit Journal, Best New Poets, The Common, PANK, Poets.org, and Washington Square Review, among other journals.
­­Read Mark’s poems in The Common at thecommononline.org/tag/mark-kyungsoo-bias/
Read more from Mark at markkyungsoobias.com, or follow him on Twitter at @mk_bias.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Mark Kyungsoo Bias speaks to managing editor Emily Everett about his poem “<a href="http://thecommononline.org/adoption-day/">Adoption Day</a>,” which appears in <em>The Common’s </em>new spring issue. Mark talks about the inspiration and process behind the poem, which looks at issues like memory, immigration, and racism in post-9/11 America, all through the lens of a family experience. Mark also discusses his approach to language, sound, line breaks, and more, and the methods and techniques he’s found helpful in revising poetry. He reads two additional poems <a href="https://www.thecommononline.org/february-2022-poetry-feature/">published in <em>The Common</em></a>: “Meeting My Mother” and “Visitor.”</p><p>Mark Kyungsoo Bias is the recipient of the 2022 Joseph Langland Prize from the Academy of American Poets and the 2020 William Matthews Poetry Prize. A semi-finalist for the 92Y Discovery Prize, he has been offered support from Bread Loaf, Kundiman, and Tin House. He is a recent graduate of the MFA program at the University of Massachusetts Amherst and has work published or forthcoming in <em>The Adroit Journal, Best New Poets, The Common, PANK, Poets.org, </em>and <em>Washington Square Review,</em> among other journals.</p><p>­­Read Mark’s poems in <em>The Common</em> at <a href="http://thecommononline.org/tag/mark-kyungsoo-bias/">thecommononline.org/tag/mark-kyungsoo-bias/</a></p><p>Read more from Mark at <a href="https://markkyungsoobias.com/">markkyungsoobias.com</a>, or follow him on Twitter at <a href="https://twitter.com/mk_bias">@mk_bias</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1733</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Adrienne G. Perry, "Flashé Sur Moi," The Common magazine (Spring, 2022)</title>
      <description>Adrienne G. Perry speaks to managing editor Emily Everett about her essay “Flashé Sur Moi,” which appears in The Common’s new spring issue. Adrienne talks about the questions that inspired this essay: questions about memory and friendship and coming of age, questions about what it means to desire someone and be desired, and what we do to appear desirable to others. She also discusses her approach to teaching creative writing, her interest in writing about place, and her current works-in-progress.
Adrienne G. Perry grew up in Wyoming, earned her MFA from Warren Wilson College, and earned her PhD in literature and creative writing from the University of Houston. From 2014 to 2016 she served as the editor of Gulf Coast. A Hedgebrook alumna, she is also a Kimbilio Fellow and a member of the Rabble Collective. Adrienne’s work has appeared or is forthcoming in Copper Nickel, Black Warrior Review, Indiana Review, Meridians, and elsewhere. She teaches at Villanova University.
­­Read Adrienne’s essay “Flashé Sur Moi” in The Common at thecommononline.org/flashe-sur-moi.
Read more from Adrienne at adriennegperry.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 10 Jun 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>37</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Adrienne G. Perry</itunes:subtitle>
      <itunes:summary>Adrienne G. Perry speaks to managing editor Emily Everett about her essay “Flashé Sur Moi,” which appears in The Common’s new spring issue. Adrienne talks about the questions that inspired this essay: questions about memory and friendship and coming of age, questions about what it means to desire someone and be desired, and what we do to appear desirable to others. She also discusses her approach to teaching creative writing, her interest in writing about place, and her current works-in-progress.
Adrienne G. Perry grew up in Wyoming, earned her MFA from Warren Wilson College, and earned her PhD in literature and creative writing from the University of Houston. From 2014 to 2016 she served as the editor of Gulf Coast. A Hedgebrook alumna, she is also a Kimbilio Fellow and a member of the Rabble Collective. Adrienne’s work has appeared or is forthcoming in Copper Nickel, Black Warrior Review, Indiana Review, Meridians, and elsewhere. She teaches at Villanova University.
­­Read Adrienne’s essay “Flashé Sur Moi” in The Common at thecommononline.org/flashe-sur-moi.
Read more from Adrienne at adriennegperry.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Adrienne G. Perry speaks to managing editor Emily Everett about her essay “Flashé Sur Moi,” which appears in <em>The Common’s </em>new spring issue. Adrienne talks about the questions that inspired this essay: questions about memory and friendship and coming of age, questions about what it means to desire someone and be desired, and what we do to appear desirable to others. She also discusses her approach to teaching creative writing, her interest in writing about place, and her current works-in-progress.</p><p>Adrienne G. Perry grew up in Wyoming, earned her MFA from Warren Wilson College, and earned her PhD in literature and creative writing from the University of Houston. From 2014 to 2016 she served as the editor of <em>Gulf Coast</em>. A Hedgebrook alumna, she is also a Kimbilio Fellow and a member of the Rabble Collective. Adrienne’s work has appeared or is forthcoming in <em>Copper Nickel, Black Warrior Review, Indiana Review, Meridians</em>, and elsewhere. She teaches at Villanova University.</p><p>­­Read Adrienne’s essay “Flashé Sur Moi” in <em>The Common</em> at <a href="https://www.thecommononline.org/flashe-sur-moi/">thecommononline.org/flashe-sur-moi</a>.</p><p>Read more from Adrienne at <a href="https://www.adriennegperry.com/">adriennegperry.com</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the<em> Kenyon Review</em>, <em>Electric Literature, Tin House </em>Online<em>,</em> and<em> Mississippi Review</em>. She is a 2022 Massachusetts Cultural Council Fellow. Say hello on Twitter <a href="https://twitter.com/Public_Emily">@Public_Emily</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2822</itunes:duration>
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      <title>Cheryl Collins Isaac, "Spin," The Common magazine (Spring, 2022)</title>
      <description>Cheryl Collins Isaac speaks to managing editor Emily Everett about her story “Spin,” which appears in The Common’s new spring issue. “Spin” is about two Liberian immigrants making a new life in Appalachia. In this conversation, Cheryl talks about the inspiration behind this story: writing from music and toward beautiful, sensual language. She also discusses Liberia’s interesting cultural history, her writing and revision process, and what it’s like to do a writing residency in Edith Wharton’s bedroom.
Cheryl Collins Isaac immigrated to the United States in 1996 from Liberia, West Africa. She is a 2022 Edith Wharton Straw Dog Writer-in-Residence and the recipient of the 2020 James Baldwin Fellowship at MacDowell. She has had fiction, nonfiction, and poetry published in Chicago Quarterly Review, The Ocean State Review, Hawai`i Pacific Review, South Writ Large, Prime Number Magazine, and more. She earned her MFA in creative writing from the University of Tampa.
Read Cheryl’s story “Spin” in The Common at thecommononline.org/spin.
Follow Cheryl on Twitter at @CherylCIsaac.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 27 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>36</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Cheryl Collins Isaac</itunes:subtitle>
      <itunes:summary>Cheryl Collins Isaac speaks to managing editor Emily Everett about her story “Spin,” which appears in The Common’s new spring issue. “Spin” is about two Liberian immigrants making a new life in Appalachia. In this conversation, Cheryl talks about the inspiration behind this story: writing from music and toward beautiful, sensual language. She also discusses Liberia’s interesting cultural history, her writing and revision process, and what it’s like to do a writing residency in Edith Wharton’s bedroom.
Cheryl Collins Isaac immigrated to the United States in 1996 from Liberia, West Africa. She is a 2022 Edith Wharton Straw Dog Writer-in-Residence and the recipient of the 2020 James Baldwin Fellowship at MacDowell. She has had fiction, nonfiction, and poetry published in Chicago Quarterly Review, The Ocean State Review, Hawai`i Pacific Review, South Writ Large, Prime Number Magazine, and more. She earned her MFA in creative writing from the University of Tampa.
Read Cheryl’s story “Spin” in The Common at thecommononline.org/spin.
Follow Cheryl on Twitter at @CherylCIsaac.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Cheryl Collins Isaac speaks to managing editor Emily Everett about her story “Spin,” which appears in <em>The Common’s </em>new spring issue. “Spin” is about two Liberian immigrants making a new life in Appalachia. In this conversation, Cheryl talks about the inspiration behind this story: writing from music and toward beautiful, sensual language. She also discusses Liberia’s interesting cultural history, her writing and revision process, and what it’s like to do a writing residency in Edith Wharton’s bedroom.</p><p>Cheryl Collins Isaac immigrated to the United States in 1996 from Liberia, West Africa. She is a 2022 Edith Wharton Straw Dog Writer-in-Residence and the recipient of the 2020 James Baldwin Fellowship at MacDowell. She has had fiction, nonfiction, and poetry published in <em>Chicago Quarterly Review, The Ocean State Review, Hawai`i Pacific Review, South Writ Large, Prime Number Magazine</em>, and more. She earned her MFA in creative writing from the University of Tampa.</p><p>Read Cheryl’s story “Spin” in <em>The Common</em> at <a href="https://www.thecommononline.org/spin/">thecommononline.org/spin</a>.</p><p>Follow Cheryl on Twitter at <a href="https://twitter.com/cherylcisaac">@CherylCIsaac</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
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      <title>Nathan Jordan Poole, "Idlewild," The Common magazine (Spring, 2022)</title>
      <description>Nathan Jordan Poole speaks to managing editor Emily Everett about his story “Idlewild,” which appears in The Common’s new spring issue. In this conversation, Nathan talks about doing seasonal work at Christmas tree farms, the workers from all walks of life he met there, and how those experiences and those people helped to inspire this story. He also discusses his writing and revision process, his story collections and future projects, and why he chooses to write unromantically about rural life.
Nathan Jordan Poole is the author of two books of fiction: Father Brother Keeper, a collection of stories selected by Edith Pearlman for the Mary McCarthy Prize, and Pathkiller as the Holy Ghost, selected by Benjamin Percy as the winner of the Quarterly West Novella Contest. He is a recipient of the Narrative Prize, a Milton Fellowship at Seattle Pacific University, a Joan Beebe Fellowship at Warren Wilson College, a Tennessee Williams Scholarship at Sewanee School of Letters, and a North Carolina Artist Fellowship. He lives with his wife and two daughters in Blue Ridge, South Carolina.
Read Nathan’s story “Idlewild” in The Common at thecommononline.org/idlewild.
In this conversation, Nathan recommends The Art of Subtext by Charles Baxter, available here from Graywolf Press.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 13 May 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>35</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Nathan Jordan Poole</itunes:subtitle>
      <itunes:summary>Nathan Jordan Poole speaks to managing editor Emily Everett about his story “Idlewild,” which appears in The Common’s new spring issue. In this conversation, Nathan talks about doing seasonal work at Christmas tree farms, the workers from all walks of life he met there, and how those experiences and those people helped to inspire this story. He also discusses his writing and revision process, his story collections and future projects, and why he chooses to write unromantically about rural life.
Nathan Jordan Poole is the author of two books of fiction: Father Brother Keeper, a collection of stories selected by Edith Pearlman for the Mary McCarthy Prize, and Pathkiller as the Holy Ghost, selected by Benjamin Percy as the winner of the Quarterly West Novella Contest. He is a recipient of the Narrative Prize, a Milton Fellowship at Seattle Pacific University, a Joan Beebe Fellowship at Warren Wilson College, a Tennessee Williams Scholarship at Sewanee School of Letters, and a North Carolina Artist Fellowship. He lives with his wife and two daughters in Blue Ridge, South Carolina.
Read Nathan’s story “Idlewild” in The Common at thecommononline.org/idlewild.
In this conversation, Nathan recommends The Art of Subtext by Charles Baxter, available here from Graywolf Press.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Nathan Jordan Poole speaks to managing editor Emily Everett about his story “Idlewild,” which appears in <em>The Common’s </em>new spring issue. In this conversation, Nathan talks about doing seasonal work at Christmas tree farms, the workers from all walks of life he met there, and how those experiences and those people helped to inspire this story. He also discusses his writing and revision process, his story collections and future projects, and why he chooses to write unromantically about rural life.</p><p>Nathan Jordan Poole is the author of two books of fiction: <em>Father Brother Keeper</em>, a collection of stories selected by Edith Pearlman for the Mary McCarthy Prize, and <em>Pathkiller as the Holy Ghost</em>, selected by Benjamin Percy as the winner of the Quarterly West Novella Contest. He is a recipient of the Narrative Prize, a Milton Fellowship at Seattle Pacific University, a Joan Beebe Fellowship at Warren Wilson College, a Tennessee Williams Scholarship at Sewanee School of Letters, and a North Carolina Artist Fellowship. He lives with his wife and two daughters in Blue Ridge, South Carolina.</p><p>Read Nathan’s story “Idlewild” in <em>The Common</em> at <a href="https://www.thecommononline.org/idlewild/">thecommononline.org/idlewild</a>.</p><p>In this conversation, Nathan recommends <em>The Art of Subtext</em> by Charles Baxter, <a href="https://www.graywolfpress.org/books/art-subtext">available here from Graywolf Press</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2859</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Romeo Oriogun, "The Sea Dreams of Us," Common magazine (Fall, 2021)</title>
      <description>Romeo Oriogun speaks to managing editor Emily Everett about his poem “The Sea Dreams of Us,” which appears in The Common’s fall issue. In this conversation, Romeo talks about his life as a poet in exile from Nigeria, and how that experience of exile appears in his poetry. He also discusses his writing process, the themes he often returns to in his work, and how growing up in Nigeria affects his use of language in poetry.
Romeo Oriogun is the author of the 2020 poetry collection Sacrament of Bodies. A finalist for the Lambda Literary Award for Gay Poetry, he has received fellowships and support from the Ebedi International Writers Residency, Harvard University, the Hutchins Center for African and African American Research, the Oregon Institute for Creative Research, and the IIE Artist Protection Fund. An alum of the Iowa Writers’ Workshop, he currently lives in Ames, where he is a postdoctoral research associate at Iowa State University.
Read Romeo’s poetry in The Common at thecommononline.org/tag/romeo-oriogun.
Hear more from Romeo in this interview with Arrowsmith Press on YouTube.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 22 Apr 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>34</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Romeo Oriogun</itunes:subtitle>
      <itunes:summary>Romeo Oriogun speaks to managing editor Emily Everett about his poem “The Sea Dreams of Us,” which appears in The Common’s fall issue. In this conversation, Romeo talks about his life as a poet in exile from Nigeria, and how that experience of exile appears in his poetry. He also discusses his writing process, the themes he often returns to in his work, and how growing up in Nigeria affects his use of language in poetry.
Romeo Oriogun is the author of the 2020 poetry collection Sacrament of Bodies. A finalist for the Lambda Literary Award for Gay Poetry, he has received fellowships and support from the Ebedi International Writers Residency, Harvard University, the Hutchins Center for African and African American Research, the Oregon Institute for Creative Research, and the IIE Artist Protection Fund. An alum of the Iowa Writers’ Workshop, he currently lives in Ames, where he is a postdoctoral research associate at Iowa State University.
Read Romeo’s poetry in The Common at thecommononline.org/tag/romeo-oriogun.
Hear more from Romeo in this interview with Arrowsmith Press on YouTube.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Romeo Oriogun speaks to managing editor Emily Everett about his poem “The Sea Dreams of Us,” which appears in <em>The Common’s </em>fall issue. In this conversation, Romeo talks about his life as a poet in exile from Nigeria, and how that experience of exile appears in his poetry. He also discusses his writing process, the themes he often returns to in his work, and how growing up in Nigeria affects his use of language in poetry.</p><p>Romeo Oriogun is the author of the 2020 poetry collection <em>Sacrament of Bodies</em>. A finalist for the Lambda Literary Award for Gay Poetry, he has received fellowships and support from the Ebedi International Writers Residency, Harvard University, the Hutchins Center for African and African American Research, the Oregon Institute for Creative Research, and the IIE Artist Protection Fund. An alum of the Iowa Writers’ Workshop, he currently lives in Ames, where he is a postdoctoral research associate at Iowa State University.</p><p>Read Romeo’s poetry in <em>The Common</em> at <a href="https://www.thecommononline.org/tag/romeo-oriogun/">thecommononline.org/tag/romeo-oriogun</a>.</p><p>Hear more from Romeo in <a href="https://www.youtube.com/watch?v=4eeHAznF-hY">this interview</a> with Arrowsmith Press on YouTube.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2100</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Shubha Sunder, “A Very Full Day” The Common magazine (Fall 2021)</title>
      <description>Shubha Sunder speaks to managing editor Emily Everett about her story “A Very Full Day,” which appears in The Common’s fall issue. In this conversation, Shubha talks about writing stories set in India, and how she built out the insular world of Indian retirees that “A Very Full Day” centers on. She also discusses teaching creative writing to undergrads, her revision process, and her forthcoming collection of stories Boomtown Girl, which won the St. Lawrence Book Award.
Shubha Sunder's debut short story collection, Boomtown Girl, won the St. Lawrence Book Award and is forthcoming from Black Lawrence Press. She has published stories and essays in New Letters, The Common, Narrative Magazine, Michigan Quarterly Review, Catapult, Crazyhorse, and elsewhere. Her fiction has received honorable mention in The Best American Short Stories, won the Crazyhorse Fiction Prize and Narrative "30 Below," and been shortlisted for The Flannery O’Connor Award, The Hudson Prize, and The New American Fiction Prize. She is a recipient of the Massachusetts Cultural Council Fellowship and the City of Boston Artist Fellowship. She teaches creative writing at GrubStreet and at Massachusetts College of Art and Design.
Read Shubha’s story in The Common at thecommononline.org/a-very-full-day.
Read more at shubhasunder.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 25 Mar 2022 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>33</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Shubha Sunder</itunes:subtitle>
      <itunes:summary>Shubha Sunder speaks to managing editor Emily Everett about her story “A Very Full Day,” which appears in The Common’s fall issue. In this conversation, Shubha talks about writing stories set in India, and how she built out the insular world of Indian retirees that “A Very Full Day” centers on. She also discusses teaching creative writing to undergrads, her revision process, and her forthcoming collection of stories Boomtown Girl, which won the St. Lawrence Book Award.
Shubha Sunder's debut short story collection, Boomtown Girl, won the St. Lawrence Book Award and is forthcoming from Black Lawrence Press. She has published stories and essays in New Letters, The Common, Narrative Magazine, Michigan Quarterly Review, Catapult, Crazyhorse, and elsewhere. Her fiction has received honorable mention in The Best American Short Stories, won the Crazyhorse Fiction Prize and Narrative "30 Below," and been shortlisted for The Flannery O’Connor Award, The Hudson Prize, and The New American Fiction Prize. She is a recipient of the Massachusetts Cultural Council Fellowship and the City of Boston Artist Fellowship. She teaches creative writing at GrubStreet and at Massachusetts College of Art and Design.
Read Shubha’s story in The Common at thecommononline.org/a-very-full-day.
Read more at shubhasunder.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Shubha Sunder speaks to managing editor Emily Everett about her story “<a href="https://www.thecommononline.org/a-very-full-day/">A Very Full Day</a>,” which appears in The Common’s fall issue. In this conversation, Shubha talks about writing stories set in India, and how she built out the insular world of Indian retirees that “A Very Full Day” centers on. She also discusses teaching creative writing to undergrads, her revision process, and her forthcoming collection of stories <em>Boomtown </em>Girl, which won the St. Lawrence Book Award.</p><p>Shubha Sunder's debut short story collection, <em>Boomtown Girl</em>, won the St. Lawrence Book Award and is forthcoming from Black Lawrence Press. She has published stories and essays in <em>New Letters, The Common, Narrative Magazine, Michigan Quarterly Review, Catapult, Crazyhorse</em>, and elsewhere. Her fiction has received honorable mention in <em>The Best American Short Stories,</em> won the <em>Crazyhorse</em> Fiction Prize and <em>Narrative </em>"30 Below," and been shortlisted for The Flannery O’Connor Award, The Hudson Prize, and The New American Fiction Prize. She is a recipient of the Massachusetts Cultural Council Fellowship and the City of Boston Artist Fellowship. She teaches creative writing at GrubStreet and at Massachusetts College of Art and Design.</p><p>Read Shubha’s story in <em>The Common</em> at <a href="https://www.thecommononline.org/a-very-full-day/">thecommononline.org/a-very-full-day</a>.</p><p>Read more at <a href="https://shubhasunder.com/">shubhasunder.com</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her debut novel is forthcoming from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2360</itunes:duration>
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      <title>Tom Sleigh, “Last Cigarette” and “Apology to My Daughter,” The Common magazine (Fall 2021)</title>
      <description>Tom Sleigh speaks to managing editor Emily Everett about his poems “Last Cigarette” and “Apology to My Daughter,” which appear in The Common’s fall issue. In this conversation, Tom talks about his time as a journalist in Syria, Lebanon, Somalia, Kenya, Iraq, and Libya, and how that experience comes out in his poetry. He also discusses the process of putting together his new poetry collection from Graywolf, The King’s Touch, and how he sees the current Ukrainian refugee crisis playing out differently than crises in other parts of the world with less established infrastructure.
Tom Sleigh’s many books include The King’s Touch; House of Fact, House of Ruin; Station Zed; and Army Cats. His book of essays, The Land Between Two Rivers, recounts his time as a journalist covering refugee issues in the Middle East and Africa. He has won a Kingsley Tufts Poetry Award, a Guggenheim Fellowship, a Lila Wallace Award, both the John Updike and Individual Writer Awards from the American Academy of Arts and Letters, and two NEA grants. His poems appear in The New Yorker, The Atlantic, Threepenny Review, Poetry, and many other magazines. He is a Distinguished Professor at Hunter College.
Read Tom’s poetry in The Common at thecommononline.org/tag/tom-sleigh.
Read more at tomsleigh.com. Watch Tom read more poems from The King’s Touch on his Vimeo channel.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel Heartland is forthcoming in spring 2023 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 11 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>32</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Tom Sleigh</itunes:subtitle>
      <itunes:summary>Tom Sleigh speaks to managing editor Emily Everett about his poems “Last Cigarette” and “Apology to My Daughter,” which appear in The Common’s fall issue. In this conversation, Tom talks about his time as a journalist in Syria, Lebanon, Somalia, Kenya, Iraq, and Libya, and how that experience comes out in his poetry. He also discusses the process of putting together his new poetry collection from Graywolf, The King’s Touch, and how he sees the current Ukrainian refugee crisis playing out differently than crises in other parts of the world with less established infrastructure.
Tom Sleigh’s many books include The King’s Touch; House of Fact, House of Ruin; Station Zed; and Army Cats. His book of essays, The Land Between Two Rivers, recounts his time as a journalist covering refugee issues in the Middle East and Africa. He has won a Kingsley Tufts Poetry Award, a Guggenheim Fellowship, a Lila Wallace Award, both the John Updike and Individual Writer Awards from the American Academy of Arts and Letters, and two NEA grants. His poems appear in The New Yorker, The Atlantic, Threepenny Review, Poetry, and many other magazines. He is a Distinguished Professor at Hunter College.
Read Tom’s poetry in The Common at thecommononline.org/tag/tom-sleigh.
Read more at tomsleigh.com. Watch Tom read more poems from The King’s Touch on his Vimeo channel.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her debut novel Heartland is forthcoming in spring 2023 from Putnam Books. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Tom Sleigh speaks to managing editor Emily Everett about his poems “Last Cigarette” and “Apology to My Daughter,” which appear in The Common’s fall issue. In this conversation, Tom talks about his time as a journalist in Syria, Lebanon, Somalia, Kenya, Iraq, and Libya, and how that experience comes out in his poetry. He also discusses the process of putting together his new poetry collection from Graywolf, <em>The King’s Touch</em>, and how he sees the current Ukrainian refugee crisis playing out differently than crises in other parts of the world with less established infrastructure.</p><p>Tom Sleigh’s many books include <em>The King’s Touch; House of Fact, House of Ruin; Station Zed; </em>and<em> Army Cats. </em>His book of essays, <em>The Land Between Two Rivers</em>, recounts his time as a journalist covering refugee issues in the Middle East and Africa. He has won a Kingsley Tufts Poetry Award, a Guggenheim Fellowship, a Lila Wallace Award, both the John Updike and Individual Writer Awards from the American Academy of Arts and Letters, and two NEA grants. His poems appear in <em>The New Yorker, The Atlantic, Threepenny Review, Poetry</em>, and many other magazines. He is a Distinguished Professor at Hunter College.</p><p>Read Tom’s poetry in <em>The Common</em> at <a href="https://www.thecommononline.org/tag/tom-sleigh/">thecommononline.org/tag/tom-sleigh</a>.</p><p>Read more at <a href="https://www.tomsleigh.com/">tomsleigh.com</a>. Watch Tom read more poems from <em>The King’s Touch</em> on his <a href="https://vimeo.com/tomsleigh">Vimeo channel</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her debut novel <em>Heartland</em> is forthcoming in spring 2023 from Putnam Books. Her stories appear in <em>the Kenyon Review</em>, <em>Electric Literature, Tin House </em>Online<em>,</em> and<em> Mississippi Review</em>. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter <a href="https://twitter.com/Public_Emily">@Public_Emily</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3725</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Julia Cooke, “Past and Future on Rapa Nui," The Common magazine (Fall, 2021)</title>
      <description>Julia Cooke speaks to managing editor Emily Everett about her essay “Past and Future on Rapa Nui,” which appears in The Common’s fall issue. In this conversation, Julia talks about her trip to Rapa Nui, commonly known as Easter Island, a place famous for the mysterious moai statues that dot the remote landscape. She also discusses the island’s complicated and unknowable history, her earlier work as a journalist, and her latest book, which chronicles stories from Pan Am stewardesses during the Jet Age.
Julia Cooke is the author of Come Fly the World: The Jet-Age Story of the Women of Pan Am and The Other Side of Paradise: Life in the New Cuba. Her essays and reporting have been published in A Public Space, Smithsonian, Tin House, Condé Nast Traveler, and Virginia Quarterly Review, where she is a contributing editor.
Read Julia’s essay in The Common here. Read more at juliacooke.com. Follow her on Twitter at @juliaccooke.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 25 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>31</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Julia Cooke</itunes:subtitle>
      <itunes:summary>Julia Cooke speaks to managing editor Emily Everett about her essay “Past and Future on Rapa Nui,” which appears in The Common’s fall issue. In this conversation, Julia talks about her trip to Rapa Nui, commonly known as Easter Island, a place famous for the mysterious moai statues that dot the remote landscape. She also discusses the island’s complicated and unknowable history, her earlier work as a journalist, and her latest book, which chronicles stories from Pan Am stewardesses during the Jet Age.
Julia Cooke is the author of Come Fly the World: The Jet-Age Story of the Women of Pan Am and The Other Side of Paradise: Life in the New Cuba. Her essays and reporting have been published in A Public Space, Smithsonian, Tin House, Condé Nast Traveler, and Virginia Quarterly Review, where she is a contributing editor.
Read Julia’s essay in The Common here. Read more at juliacooke.com. Follow her on Twitter at @juliaccooke.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Julia Cooke speaks to managing editor Emily Everett about her essay “<a href="https://www.thecommononline.org/past-and-future-on-rapa-nui/">Past and Future on Rapa Nui</a><strong>,” </strong>which appears in The Common’s fall issue. In this conversation, Julia talks about her trip to Rapa Nui, commonly known as Easter Island, a place famous for the mysterious moai statues that dot the remote landscape. She also discusses the island’s complicated and unknowable history, her earlier work as a journalist, and her latest book<em>, </em>which chronicles stories from Pan Am stewardesses during the Jet Age.</p><p>Julia Cooke is the author of <em>Come Fly the World: The Jet-Age Story of the Women of Pan Am </em>and <em>The Other Side of Paradise: Life in the New Cuba.</em> Her essays and reporting have been published in <em>A Public Space, Smithsonian, Tin House, Condé Nast Traveler, </em>and <em>Virginia Quarterly Review,</em> where she is a contributing editor.</p><p>Read Julia’s essay in <em>The Common</em> <a href="http://thecommononline.org/past-and-future-on-rapa-nui">here</a>. Read more at <a href="http://www.juliacooke.com/">juliacooke.com</a>. Follow her on Twitter at <a href="https://twitter.com/juliaccooke">@juliaccooke</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2080</itunes:duration>
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      <title>Mona Kareem, "Mapping Exile," The Common magazine (Fall 2021)</title>
      <description>Mona Kareem speaks to managing editor Emily Everett about her essay “Mapping Exile: A Writer’s Story of Growing Up Stateless in Post-Gulf War Kuwait,” which appears in a portfolio of writing from the Arabian Gulf, in The Common’s fall issue. In this conversation, Mona talks about her family’s experience living in Kuwait as Bidoon, or stateless people, and why examining and writing about that experience is important to her. She also discusses her work as a poet and translator, her thoughts on revision and translation, and why she sometimes has mixed feelings about writing in English.
Mona Kareem is the author of three poetry collections. She is a recipient of a 2021 NEA literary grant and a fellow at the Center for the Humanities at Tufts University. Her work appears in The Brooklyn Rail, Michigan Quarterly Review, Fence, Ambit, Poetry London, the Los Angeles Review of Books, Asymptote, Words Without Borders, Poetry International, PEN America, Modern Poetry in Translation, Two Lines, and Specimen. She has held fellowships with Princeton University, Poetry International, the Arab American National Museum, the Norwich Center for Writing, and Forum Transregionale Studien. Her translations include Ashraf Fayadh’s Instructions Within and Ra’ad Abdulqadir’s Except for This Unseen Thread.
Read Mona’s essay in The Common at thecommononline.org/mapping-exile-a-writers-story-of-growing-up-stateless-in-post-gulf-war-kuwait.
Read her ArabLit essay about self-translation here. Read more at monakareem.blogspot.com.
Follow her on Twitter at @monakareem.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 11 Feb 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>30</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Mona Kareem</itunes:subtitle>
      <itunes:summary>Mona Kareem speaks to managing editor Emily Everett about her essay “Mapping Exile: A Writer’s Story of Growing Up Stateless in Post-Gulf War Kuwait,” which appears in a portfolio of writing from the Arabian Gulf, in The Common’s fall issue. In this conversation, Mona talks about her family’s experience living in Kuwait as Bidoon, or stateless people, and why examining and writing about that experience is important to her. She also discusses her work as a poet and translator, her thoughts on revision and translation, and why she sometimes has mixed feelings about writing in English.
Mona Kareem is the author of three poetry collections. She is a recipient of a 2021 NEA literary grant and a fellow at the Center for the Humanities at Tufts University. Her work appears in The Brooklyn Rail, Michigan Quarterly Review, Fence, Ambit, Poetry London, the Los Angeles Review of Books, Asymptote, Words Without Borders, Poetry International, PEN America, Modern Poetry in Translation, Two Lines, and Specimen. She has held fellowships with Princeton University, Poetry International, the Arab American National Museum, the Norwich Center for Writing, and Forum Transregionale Studien. Her translations include Ashraf Fayadh’s Instructions Within and Ra’ad Abdulqadir’s Except for This Unseen Thread.
Read Mona’s essay in The Common at thecommononline.org/mapping-exile-a-writers-story-of-growing-up-stateless-in-post-gulf-war-kuwait.
Read her ArabLit essay about self-translation here. Read more at monakareem.blogspot.com.
Follow her on Twitter at @monakareem.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Mona Kareem <em>speaks to managing editor Emily Everett about her essay “</em><a href="https://www.thecommononline.org/mapping-exile-a-writers-story-of-growing-up-stateless-in-post-gulf-war-kuwait/"><em>Mapping Exile: A Writer’s Story of Growing Up Stateless in Post-Gulf War Kuwait</em></a><strong>,” </strong><em>which appears in a portfolio of writing from the Arabian Gulf, in The Common’s fall issue. </em>In this conversation, Mona talks about her family’s experience living in Kuwait as Bidoon, or stateless people, and why examining and writing about that experience is important to her. She also discusses her work as a poet and translator, her thoughts on revision and translation, and why she sometimes has mixed feelings about writing in English.</p><p>Mona Kareem is the author of three poetry collections. She is a recipient of a 2021 NEA literary grant and a fellow at the Center for the Humanities at Tufts University. Her work appears <em>in The Brooklyn Rail, Michigan Quarterly Review, Fence, Ambit, Poetry London, </em>the <em>Los Angeles Review of Books, Asymptote, Words Without Borders, Poetry International, PEN America, Modern Poetry in Translation, Two Lines, </em>and <em>Specimen</em>. She has held fellowships with Princeton University, Poetry International, the Arab American National Museum, the Norwich Center for Writing, and Forum Transregionale Studien. Her translations include Ashraf Fayadh’s <em>Instructions Within </em>and Ra’ad Abdulqadir’s <em>Except for This Unseen Thread.</em></p><p>Read Mona’s essay in <em>The Common</em> at <a href="https://www.thecommononline.org/mapping-exile-a-writers-story-of-growing-up-stateless-in-post-gulf-war-kuwait/">thecommononline.org/mapping-exile-a-writers-story-of-growing-up-stateless-in-post-gulf-war-kuwait</a>.</p><p>Read her ArabLit essay about self-translation <a href="https://arablit.org/2022/01/24/self-translation-never-lands/">here</a>. Read more at <a href="http://monakareem.blogspot.com/">monakareem.blogspot.com</a>.</p><p>Follow her on Twitter at <a href="https://twitter.com/monakareem">@monakareem</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her stories appear in the<em> Kenyon Review</em>, <em>Electric Literature, Tin House </em>Online<em>, and Mississippi Review. </em>She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter <a href="https://twitter.com/Public_Emily">@Public_Emily</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2155</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Steven Tagle, “Notes on Looking Back” The Common magazine (Fall, 2021)</title>
      <description>Steven Tagle speaks to managing editor Emily Everett about his essay “Notes on Looking Back,” which appears in The Common’s fall issue. Steven talks about writing this essay, originally in Greek, as a way to explore his love of the language and the experience of learning, speaking, and writing in it. Steven first came to Greece several years ago as a Fulbright Fellow. He discusses his current writing project about borders and migration, and the time he spent visiting and getting to know a family in a refugee camp in Greece. Steven also talks about life in Greece—how friendly and welcoming Greek people can be to outsiders, and how the country weathered the pandemic. When he interned at The Common, Steven spearheaded the magazine’s first podcast series.
Steven Tagle is the recipient of fellowships from the Institute of Current World Affairs, Asian American Writers’ Workshop, Lambda Literary, and Fulbright Greece, as well as a Soros Fellowship for New Americans. A graduate of the UMass Amherst MFA, he has been published in the Los Angeles Review of Books, The Rumpus, Hobart, them, and Nea Estia. Originally from California, he now lives in Greece. Read his essay in The Common at thecommononline.org/notes-on-looking-back.
Read more from Steven at steventagle.com, or follow him on Twitter @steventagle.
Also discussed in this podcast:


An essay with photos in the Los Angeles Review of Books, about a refugee camp in Greece

Steven’s current writing project, funded by a fellowship from the Institute of Current World Affairs: a series of dispatches about Greece as a cultural crossroads


The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 28 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>29</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Steven Tagle</itunes:subtitle>
      <itunes:summary>Steven Tagle speaks to managing editor Emily Everett about his essay “Notes on Looking Back,” which appears in The Common’s fall issue. Steven talks about writing this essay, originally in Greek, as a way to explore his love of the language and the experience of learning, speaking, and writing in it. Steven first came to Greece several years ago as a Fulbright Fellow. He discusses his current writing project about borders and migration, and the time he spent visiting and getting to know a family in a refugee camp in Greece. Steven also talks about life in Greece—how friendly and welcoming Greek people can be to outsiders, and how the country weathered the pandemic. When he interned at The Common, Steven spearheaded the magazine’s first podcast series.
Steven Tagle is the recipient of fellowships from the Institute of Current World Affairs, Asian American Writers’ Workshop, Lambda Literary, and Fulbright Greece, as well as a Soros Fellowship for New Americans. A graduate of the UMass Amherst MFA, he has been published in the Los Angeles Review of Books, The Rumpus, Hobart, them, and Nea Estia. Originally from California, he now lives in Greece. Read his essay in The Common at thecommononline.org/notes-on-looking-back.
Read more from Steven at steventagle.com, or follow him on Twitter @steventagle.
Also discussed in this podcast:


An essay with photos in the Los Angeles Review of Books, about a refugee camp in Greece

Steven’s current writing project, funded by a fellowship from the Institute of Current World Affairs: a series of dispatches about Greece as a cultural crossroads


The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Steven Tagle speaks to managing editor Emily Everett about his essay “Notes on Looking Back,” which appears in The Common’s fall issue. Steven talks about writing this essay, originally in Greek, as a way to explore his love of the language and the experience of learning, speaking, and writing in it. Steven first came to Greece several years ago as a Fulbright Fellow. He discusses his current writing project about borders and migration, and the time he spent visiting and getting to know a family in a refugee camp in Greece. Steven also talks about life in Greece—how friendly and welcoming Greek people can be to outsiders, and how the country weathered the pandemic. When he interned at The Common, Steven spearheaded the magazine’s first podcast series.</p><p>Steven Tagle is the recipient of fellowships from the Institute of Current World Affairs, Asian American Writers’ Workshop, Lambda Literary, and Fulbright Greece, as well as a Soros Fellowship for New Americans. A graduate of the UMass Amherst MFA, he has been published in <em>the Los Angeles Review of Books, The Rumpus, Hobart, them, </em>and <em>Nea Estia</em>. Originally from California, he now lives in Greece. Read his essay in <em>The Common</em> at <a href="https://www.thecommononline.org/notes-on-looking-back/">thecommononline.org/notes-on-looking-back</a>.</p><p>Read more from Steven at <a href="https://www.steventagle.com/">steventagle.com</a>, or follow him on Twitter <a href="https://twitter.com/steventagle">@steventagle</a>.</p><p>Also discussed in this podcast:</p><ul>
<li>
<a href="http://blog.lareviewofbooks.org/essays/shadow-flag/">An essay with photos in the <em>Los Angeles Review of Books</em></a>, about a refugee camp in Greece</li>
<li>Steven’s current writing project, funded by a fellowship from the Institute of Current World Affairs: <a href="https://www.icwa.org/current-fellows/steven-tagle/">a series of dispatches about Greece as a cultural crossroads</a>
</li>
</ul><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2248</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Noor Naga, “Who Writes the Arabian Gulf?” The Common magazine (Fall, 2021)</title>
      <description>Noor Naga speaks to managing editor Emily Everett about co-editing The Common’s first-of-its-kind portfolio of writing from the Arabian Gulf, which appeared in Issue 22. Noor penned an introduction to the portfolio, titled “Who Writes the Arabian Gulf?”, which explores her experience growing up in the Gulf with no real contemporary literature written for, by, or about that diverse population. Noor discusses her idea to create the portfolio, what she enjoyed about assembling it from submissions, and what themes unite the pieces that became part of it. She also talks about her forthcoming novel from Graywolf Press, and why an earlier novel didn’t find a home in publishing.
Noor Naga is an Alexandrian writer who was born in Philadelphia, raised in Dubai, studied in Toronto, and now lives in Cairo. Her verse-novel Washes, Prays, which won the Pat Lowther Memorial Award and an Arab American Book Award, was published by McClelland &amp; Stewart in 2020. Her debut novel If an Egyptian Cannot Speak English won the Graywolf Press Africa Prize and is forthcoming in April 2022 from Graywolf Press. Read her essay in The Common at thecommononline.org/who-writes-the-arabian-gulf.
Read more from Noor at noornaga.com, or follow her on Twitter @noor_naga.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of The Common and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 14 Jan 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>27</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Noor Naga</itunes:subtitle>
      <itunes:summary>Noor Naga speaks to managing editor Emily Everett about co-editing The Common’s first-of-its-kind portfolio of writing from the Arabian Gulf, which appeared in Issue 22. Noor penned an introduction to the portfolio, titled “Who Writes the Arabian Gulf?”, which explores her experience growing up in the Gulf with no real contemporary literature written for, by, or about that diverse population. Noor discusses her idea to create the portfolio, what she enjoyed about assembling it from submissions, and what themes unite the pieces that became part of it. She also talks about her forthcoming novel from Graywolf Press, and why an earlier novel didn’t find a home in publishing.
Noor Naga is an Alexandrian writer who was born in Philadelphia, raised in Dubai, studied in Toronto, and now lives in Cairo. Her verse-novel Washes, Prays, which won the Pat Lowther Memorial Award and an Arab American Book Award, was published by McClelland &amp; Stewart in 2020. Her debut novel If an Egyptian Cannot Speak English won the Graywolf Press Africa Prize and is forthcoming in April 2022 from Graywolf Press. Read her essay in The Common at thecommononline.org/who-writes-the-arabian-gulf.
Read more from Noor at noornaga.com, or follow her on Twitter @noor_naga.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of The Common and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Noor Naga speaks to managing editor Emily Everett about co-editing The Common’s first-of-its-kind portfolio of writing from the Arabian Gulf, which appeared in Issue 22. Noor penned an introduction to the portfolio, titled “Who Writes the Arabian Gulf?”, which explores her experience growing up in the Gulf with no real contemporary literature written for, by, or about that diverse population. Noor discusses her idea to create the portfolio, what she enjoyed about assembling it from submissions, and what themes unite the pieces that became part of it. She also talks about her forthcoming novel from Graywolf Press, and why an earlier novel didn’t find a home in publishing.</p><p>Noor Naga is an Alexandrian writer who was born in Philadelphia, raised in Dubai, studied in Toronto, and now lives in Cairo. Her verse-novel <em>Washes, Prays,</em> which won the Pat Lowther Memorial Award and an Arab American Book Award, was published by McClelland &amp; Stewart in 2020. Her debut novel <em>If an Egyptian Cannot Speak English</em> won the Graywolf Press Africa Prize and is forthcoming in April 2022 from Graywolf Press. Read her essay in <em>The Common</em> at <a href="https://www.thecommononline.org/who-writes-the-arabian-gulf/">thecommononline.org/who-writes-the-arabian-gulf</a>.</p><p>Read more from Noor at <a href="https://noornaga.com/">noornaga.com</a>, or follow her on Twitter <a href="https://twitter.com/noor_naga">@noor_naga</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of The Common and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1980</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Mary O’Donoghue, "Safety Advice for Staying Indoors” Common magazine (Fall, 2021)</title>
      <description>Mary O’Donoghue speaks to managing editor Emily Everett about her story “Safety Advice for Staying Indoors,” which appears in The Common’s fall issue. Mary talks about crafting a story that explores two points of view within the same Irish family, both stuck inside during a strong storm, both coping with loss. She also discusses her work translating Irish-language poets, her interest in stories that require the reader to connect their own dots, and what it’s like to edit fiction for AGNI while writing her own short stories, too.
Mary O’Donoghue is a writer from the west of Ireland living in Tuscaloosa, Alabama. Her short fiction has appeared in Granta, The Georgia Review, Guernica, Kenyon Review, The Stinging Fly, The Dublin Review, and elsewhere. She is fiction editor at AGNI. Read her story in The Common at thecommononline.org/safety-advice-for-staying-indoors.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 17 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>27</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Mary O’Donoghue</itunes:subtitle>
      <itunes:summary>Mary O’Donoghue speaks to managing editor Emily Everett about her story “Safety Advice for Staying Indoors,” which appears in The Common’s fall issue. Mary talks about crafting a story that explores two points of view within the same Irish family, both stuck inside during a strong storm, both coping with loss. She also discusses her work translating Irish-language poets, her interest in stories that require the reader to connect their own dots, and what it’s like to edit fiction for AGNI while writing her own short stories, too.
Mary O’Donoghue is a writer from the west of Ireland living in Tuscaloosa, Alabama. Her short fiction has appeared in Granta, The Georgia Review, Guernica, Kenyon Review, The Stinging Fly, The Dublin Review, and elsewhere. She is fiction editor at AGNI. Read her story in The Common at thecommononline.org/safety-advice-for-staying-indoors.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Mary O’Donoghue speaks to managing editor Emily Everett about her story “Safety Advice for Staying Indoors,” which appears in The Common’s fall issue. Mary talks about crafting a story that explores two points of view within the same Irish family, both stuck inside during a strong storm, both coping with loss. She also discusses her work translating Irish-language poets, her interest in stories that require the reader to connect their own dots, and what it’s like to edit fiction for <em>AGNI</em> while writing her own short stories, too.</p><p>Mary O’Donoghue is a writer from the west of Ireland living in Tuscaloosa, Alabama. Her short fiction has appeared in <em>Granta, The Georgia Review, Guernica, Kenyon Review, The Stinging Fly, The Dublin Review</em>, and elsewhere. She is fiction editor at <em>AGNI</em>. Read her story in <em>The Common</em> at <a href="https://www.thecommononline.org/safety-advice-for-staying-indoors/">thecommononline.org/safety-advice-for-staying-indoors</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2583</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Priyanka Sacheti, “Oman is Mars: An Alien All Along” The Common magazine (Fall 2021)</title>
      <description>Priyanka Sacheti speaks to managing editor Emily Everett about her essay “Oman is Mars: An Alien All Along,” which appears in a portfolio of writing from the Arabian Gulf, in The Common’s fall issue. In this conversation, Priyanka talks about her feeling of not belonging anywhere—born in Australia to an Indian family, but growing up in Oman as a third culture kid. She also discusses her work as a poet and an artist, and her experience being stranded between countries during the COVID-19 pandemic.
Priyanka Sacheti is a writer and poet based in Bangalore, India. She grew up in Oman and was educated at the Universities of Warwick and Oxford in the UK. She has been published in many publications with a special focus on art, gender, diaspora, and identity. Her literary work has appeared in many literary journals, such as Barren, Parentheses, Jaggery Lit, and The Lunch Ticket, as well as various past and forthcoming anthologies. She’s currently working on a poetry and short story collection.
Read her essay in The Common at thecommononline.org/oman-is-mars-an-alien-all-along.
Follow Priyanka on Twitter at @priyankasacheti.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 03 Dec 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>26</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Priyanka Sacheti</itunes:subtitle>
      <itunes:summary>Priyanka Sacheti speaks to managing editor Emily Everett about her essay “Oman is Mars: An Alien All Along,” which appears in a portfolio of writing from the Arabian Gulf, in The Common’s fall issue. In this conversation, Priyanka talks about her feeling of not belonging anywhere—born in Australia to an Indian family, but growing up in Oman as a third culture kid. She also discusses her work as a poet and an artist, and her experience being stranded between countries during the COVID-19 pandemic.
Priyanka Sacheti is a writer and poet based in Bangalore, India. She grew up in Oman and was educated at the Universities of Warwick and Oxford in the UK. She has been published in many publications with a special focus on art, gender, diaspora, and identity. Her literary work has appeared in many literary journals, such as Barren, Parentheses, Jaggery Lit, and The Lunch Ticket, as well as various past and forthcoming anthologies. She’s currently working on a poetry and short story collection.
Read her essay in The Common at thecommononline.org/oman-is-mars-an-alien-all-along.
Follow Priyanka on Twitter at @priyankasacheti.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Priyanka Sacheti speaks to managing editor Emily Everett about her essay “Oman is Mars: An Alien All Along,” which appears in a portfolio of writing from the Arabian Gulf, in <em>The Common’s </em>fall issue. In this conversation, Priyanka talks about her feeling of not belonging anywhere—born in Australia to an Indian family, but growing up in Oman as a third culture kid. She also discusses her work as a poet and an artist, and her experience being stranded between countries during the COVID-19 pandemic.</p><p>Priyanka Sacheti is a writer and poet based in Bangalore, India. She grew up in Oman and was educated at the Universities of Warwick and Oxford in the UK. She has been published in many publications with a special focus on art, gender, diaspora, and identity. Her literary work has appeared in many literary journals, such as <em>Barren, Parentheses, Jaggery Lit, </em>and<em> The Lunch Ticket</em>, as well as various past and forthcoming anthologies. She’s currently working on a poetry and short story collection.</p><p>Read her essay in <em>The Common</em> at <a href="https://www.thecommononline.org/oman-is-mars-an-alien-all-along/">thecommononline.org/oman-is-mars-an-alien-all-along</a>.</p><p>Follow Priyanka on Twitter at <a href="http://www.twitter.com/priyankasacheti">@priyankasacheti</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1106</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://traffic.megaphone.fm/NBN3040395067.mp3?updated=1637357139" length="0" type="audio/mpeg"/>
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      <title>Carin Clevidence, “Ghosts of the Southern Ocean” The Common magazine (Fall, 2021)</title>
      <description>Carin Clevidence speaks to managing editor Emily Everett about her essay “Ghosts of the Southern Ocean,” which appears in The Common’s fall issue. In this conversation, Carin talks about how her experiences traveling to Antarctica on expeditions have changed over the years, and how that change comes through in her writing. She also discusses her 2011 novel The House on Salt Hay Road, and the novel she’s recently completed about an expedition to Antarctica.
Carin Clevidence grew up in a family of naturalists and travelers. She is the author of a novel, The House on Salt Hay Road (FSG), as well as essays and short stories appearing in Guernica, the Washington Post, Off-Assignment, O Magazine, OZY, Panorama, and elsewhere, and forthcoming in the anthology Letter to a Stranger: Essays to the Ones Who Haunt Us. She has worked as a deckhand in Baja, Mexico and an assistant expedition leader in Antarctica, and received a Rona Jaffe Foundation Writers’ Award, fellowships from the Fine Arts Work Center, the Elizabeth Kostova Foundation, and Sustainable Arts, and residencies at Yaddo, MacDowell, Art Omi, Marble House Project, and Hawthornden Castle, among others. She lives in Northampton, Massachusetts, and is currently at work on a novel about art, perfectionism, and revenge.
Read her essay in The Common at thecommononline.org/ghosts-of-the-southern-ocean.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 19 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>25</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Carin Clevidence</itunes:subtitle>
      <itunes:summary>Carin Clevidence speaks to managing editor Emily Everett about her essay “Ghosts of the Southern Ocean,” which appears in The Common’s fall issue. In this conversation, Carin talks about how her experiences traveling to Antarctica on expeditions have changed over the years, and how that change comes through in her writing. She also discusses her 2011 novel The House on Salt Hay Road, and the novel she’s recently completed about an expedition to Antarctica.
Carin Clevidence grew up in a family of naturalists and travelers. She is the author of a novel, The House on Salt Hay Road (FSG), as well as essays and short stories appearing in Guernica, the Washington Post, Off-Assignment, O Magazine, OZY, Panorama, and elsewhere, and forthcoming in the anthology Letter to a Stranger: Essays to the Ones Who Haunt Us. She has worked as a deckhand in Baja, Mexico and an assistant expedition leader in Antarctica, and received a Rona Jaffe Foundation Writers’ Award, fellowships from the Fine Arts Work Center, the Elizabeth Kostova Foundation, and Sustainable Arts, and residencies at Yaddo, MacDowell, Art Omi, Marble House Project, and Hawthornden Castle, among others. She lives in Northampton, Massachusetts, and is currently at work on a novel about art, perfectionism, and revenge.
Read her essay in The Common at thecommononline.org/ghosts-of-the-southern-ocean.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Carin Clevidence speaks to managing editor Emily Everett about her essay “Ghosts of the Southern Ocean,” which appears in The Common’s fall issue. In this conversation, Carin talks about how her experiences traveling to Antarctica on expeditions have changed over the years, and how that change comes through in her writing. She also discusses her 2011 novel <em>The House on Salt Hay Road</em>, and the novel she’s recently completed about an expedition to Antarctica.</p><p>Carin Clevidence grew up in a family of naturalists and travelers. She is the author of a novel, <em>The House on Salt Hay Road </em>(FSG), as well as essays and short stories appearing in <em>Guernica, the Washington Post, Off-Assignment, O Magazine, OZY, Panorama</em>, and elsewhere, and forthcoming in the anthology <em>Letter to a Stranger: Essays to the Ones Who Haunt Us</em>. She has worked as a deckhand in Baja, Mexico and an assistant expedition leader in Antarctica, and received a Rona Jaffe Foundation Writers’ Award, fellowships from the Fine Arts Work Center, the Elizabeth Kostova Foundation, and Sustainable Arts, and residencies at Yaddo, MacDowell, Art Omi, Marble House Project, and Hawthornden Castle, among others. She lives in Northampton, Massachusetts, and is currently at work on a novel about art, perfectionism, and revenge.</p><p>Read her essay in <em>The Common</em> at <a href="https://www.thecommononline.org/ghosts-of-the-southern-ocean/">thecommononline.org/ghosts-of-the-southern-ocean</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1797</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Julian Zabalbeascoa, "Igerilaria" The Common magazine (Fall, 2021)</title>
      <description>Julian Zabalbeascoa speaks to managing editor Emily Everett about his story “Igerilara,” which appears in The Common’s fall issue. In this conversation from San Sebastián, Julian talks about writing stories set in Spain during the Spanish Civil War and the Basque Conflict. He also discusses his love of travel and his experiences running study abroad programs for college students, and what it’s like to teach The Common in his classes at UMass Lowell.
Julian Zabalbeascoa’s stories have been published or will appear in American Short Fiction, Copper Nickel, Electric Literature’s The Commuter, The Gettysburg Review, Glimmer Train, Ploughshares, Ploughshares Solos, Shenandoah, and other publications. He is a visiting professor in the Honors College at the University of Massachusetts Lowell and lives in Boston. Read his story in The Common at thecommononline.org/igerilaria.
Read more about Julian and his work at julianzabalbeascoa.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Sat, 30 Oct 2021 04:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>24</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Julian Zabalbeascoa</itunes:subtitle>
      <itunes:summary>Julian Zabalbeascoa speaks to managing editor Emily Everett about his story “Igerilara,” which appears in The Common’s fall issue. In this conversation from San Sebastián, Julian talks about writing stories set in Spain during the Spanish Civil War and the Basque Conflict. He also discusses his love of travel and his experiences running study abroad programs for college students, and what it’s like to teach The Common in his classes at UMass Lowell.
Julian Zabalbeascoa’s stories have been published or will appear in American Short Fiction, Copper Nickel, Electric Literature’s The Commuter, The Gettysburg Review, Glimmer Train, Ploughshares, Ploughshares Solos, Shenandoah, and other publications. He is a visiting professor in the Honors College at the University of Massachusetts Lowell and lives in Boston. Read his story in The Common at thecommononline.org/igerilaria.
Read more about Julian and his work at julianzabalbeascoa.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Julian Zabalbeascoa <em>speaks to managing editor Emily Everett about his story “</em><a href="https://www.thecommononline.org/igerilaria/"><em>Igerilara</em></a><em>,” which appears in The Common’s fall issue. </em>In this conversation from San Sebastián, Julian talks about writing stories set in Spain during the Spanish Civil War and the Basque Conflict. He also discusses his love of travel and his experiences running study abroad programs for college students, and what it’s like to teach <em>The Common </em>in his classes at UMass Lowell.</p><p>Julian Zabalbeascoa’s stories have been published or will appear in <em>American Short Fiction, Copper Nickel, </em>Electric Literature’s <em>The Commuter, The Gettysburg Review, Glimmer Train, Ploughshares, Ploughshares Solos, Shenandoah</em>, and other publications. He is a visiting professor in the Honors College at the University of Massachusetts Lowell and lives in Boston. Read his story in <em>The Common</em> at <a href="https://www.thecommononline.org/igerilaria/">thecommononline.org/igerilaria</a>.</p><p>Read more about Julian and his work at <a href="https://www.julianzabalbeascoa.com/">julianzabalbeascoa.com</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3449</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Nariman Youssef, "Arabic Translations from Morocco" (The Common magazine, Spring, 2021)</title>
      <description>Nariman Youssef speaks to managing editor Emily Everett about her work translating three short stories from Arabic for The Common’s portfolio of fiction from Morocco, in the spring issue. In this conversation, Nariman talks about the conscious and unconscious decisions a translator makes through many drafts, including the choice to preserve some features of the language, sound, and cadence that may not sound very familiar to English readers. She also discusses her thoughts on how the translation world has changed over the years, and her exciting work as Arabic Translation Manager at the British Library.
Nariman Youssef is a Cairo-born, London-based semi-freelance literary translator. She holds a master’s degree in translation studies from the University of Edinburgh, manages a small translation team at the British Library, and curates translation workshops with Shadow Heroes. Her literary translations include Inaam Kachachi’s The American Granddaughter, Donia Kamal's Cigarette Number Seven, and contributions in Words Without Borders, Banipal, and the poetry anthologies Beirut39 and The Hundred Years' War. Read her translations in The Common at thecommononline.org/tag/nariman-youssef.
Follow Nariman on Twitter at @nariology.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 22 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>22</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Nariman Youssef</itunes:subtitle>
      <itunes:summary>Nariman Youssef speaks to managing editor Emily Everett about her work translating three short stories from Arabic for The Common’s portfolio of fiction from Morocco, in the spring issue. In this conversation, Nariman talks about the conscious and unconscious decisions a translator makes through many drafts, including the choice to preserve some features of the language, sound, and cadence that may not sound very familiar to English readers. She also discusses her thoughts on how the translation world has changed over the years, and her exciting work as Arabic Translation Manager at the British Library.
Nariman Youssef is a Cairo-born, London-based semi-freelance literary translator. She holds a master’s degree in translation studies from the University of Edinburgh, manages a small translation team at the British Library, and curates translation workshops with Shadow Heroes. Her literary translations include Inaam Kachachi’s The American Granddaughter, Donia Kamal's Cigarette Number Seven, and contributions in Words Without Borders, Banipal, and the poetry anthologies Beirut39 and The Hundred Years' War. Read her translations in The Common at thecommononline.org/tag/nariman-youssef.
Follow Nariman on Twitter at @nariology.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Nariman Youssef speaks to managing editor Emily Everett about her work translating <a href="https://www.thecommononline.org/tag/nariman-youssef/">three short stories</a> from Arabic for The Common’s portfolio of fiction from Morocco, in the <em>spring issue. </em>In this conversation, Nariman talks about the conscious and unconscious decisions a translator makes through many drafts, including the choice to preserve some features of the language, sound, and cadence that may not sound very familiar to English readers. She also discusses her thoughts on how the translation world has changed over the years, and her exciting work as Arabic Translation Manager at the British Library.</p><p>Nariman Youssef is a Cairo-born, London-based semi-freelance literary translator. She holds a master’s degree in translation studies from the University of Edinburgh, manages a small translation team at the British Library, and curates translation workshops with Shadow Heroes. Her literary translations include Inaam Kachachi’s <em>The American Granddaughter</em>, Donia Kamal's <em>Cigarette Number Seven</em>, and contributions in <em>Words Without Borders, Banipal</em>, and the poetry anthologies<em> Beirut39 </em>and<em> The Hundred Years' War</em>. Read her translations in <em>The Common</em> at <a href="https://www.thecommononline.org/tag/nariman-youssef/">thecommononline.org/tag/nariman-youssef</a>.</p><p>Follow Nariman on Twitter at <a href="https://twitter.com/nariology">@nariology</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>3092</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Ricardo Wilson, "nigrescence" (The Common magazine, Spring, 2021)</title>
      <description>Ricardo Wilson speaks to managing editor Emily Everett about his poem, “nigrescence,” which appears in The Common’s spring issue. In this conversation, Ricardo talks about his new collection Apparent Horizon and Other Stories, winner of the PANK Book Contest in fiction. The collection includes several short poetic fragments scattered amongst stories and novellas, with both historic and contemporary storylines. He discusses his process for writing from historical research, and what it’s like writing creative and critical work at the same time. Ricardo also talks about Outpost, a fully-funded residency in Vermont for creative writers of color from the US and Latin America.
Ricardo Wilson is an assistant professor of English at Williams College and the author of An Apparent Horizon and Other Stories and The Nigrescent Beyond: Mexico, the United States, and the Psychic Vanishing of Blackness. His fiction and critical writing can be found in 3:AM Magazine, Black Renaissance / Renaissance Noire, Callaloo, CR: The New Centennial Review, Crazyhorse, and Stirring. He is director of Outpost, a residency for creative writers of color from the United States and Latin America. Read his poem in The Common at thecommononline.org/nigrescence.
Read more about Ricardo and his work at ricardoawilson.com. Follow him on Twitter @ricardoawilson.
Purchase An Apparent Horizon and Other Stories from PANK Books.
Find out more about Outpost, and apply by November 1, at outposttheresidency.org.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 08 Oct 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>23</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Ricardo Wilson</itunes:subtitle>
      <itunes:summary>Ricardo Wilson speaks to managing editor Emily Everett about his poem, “nigrescence,” which appears in The Common’s spring issue. In this conversation, Ricardo talks about his new collection Apparent Horizon and Other Stories, winner of the PANK Book Contest in fiction. The collection includes several short poetic fragments scattered amongst stories and novellas, with both historic and contemporary storylines. He discusses his process for writing from historical research, and what it’s like writing creative and critical work at the same time. Ricardo also talks about Outpost, a fully-funded residency in Vermont for creative writers of color from the US and Latin America.
Ricardo Wilson is an assistant professor of English at Williams College and the author of An Apparent Horizon and Other Stories and The Nigrescent Beyond: Mexico, the United States, and the Psychic Vanishing of Blackness. His fiction and critical writing can be found in 3:AM Magazine, Black Renaissance / Renaissance Noire, Callaloo, CR: The New Centennial Review, Crazyhorse, and Stirring. He is director of Outpost, a residency for creative writers of color from the United States and Latin America. Read his poem in The Common at thecommononline.org/nigrescence.
Read more about Ricardo and his work at ricardoawilson.com. Follow him on Twitter @ricardoawilson.
Purchase An Apparent Horizon and Other Stories from PANK Books.
Find out more about Outpost, and apply by November 1, at outposttheresidency.org.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ricardo Wilson speaks to managing editor Emily Everett about his poem, “nigrescence,” which appears in <em>The Common</em>’s spring issue. In this conversation, Ricardo talks about his new collection <em>Apparent Horizon and Other Stories,</em> winner of the PANK Book Contest in fiction. The collection includes several short poetic fragments scattered amongst stories and novellas, with both historic and contemporary storylines. He discusses his process for writing from historical research, and what it’s like writing creative and critical work at the same time. Ricardo also talks about <a href="https://www.outposttheresidency.org/">Outpost</a>, a fully-funded residency in Vermont for creative writers of color from the US and Latin America.</p><p>Ricardo Wilson is an assistant professor of English at Williams College and the author of <em>An Apparent Horizon and Other Stories </em>and<em> The Nigrescent Beyond: Mexico, the United States, and the Psychic Vanishing of Blackness</em>. His fiction and critical writing can be found in <em>3:AM Magazine, Black Renaissance / Renaissance Noire, Callaloo, CR: The New Centennial Review, Crazyhorse, </em>and<em> Stirring</em>. He is director of Outpost, a residency for creative writers of color from the United States and Latin America. Read his poem in <em>The Common</em> at <a href="https://www.thecommononline.org/nigrescence/">thecommononline.org/nigrescence</a>.</p><p>Read more about Ricardo and his work at <a href="https://www.ricardoawilson.com/">ricardoawilson.com</a>. Follow him on Twitter <a href="https://twitter.com/ricardoawilson">@ricardoawilson</a>.</p><p>Purchase <a href="https://pankmagazine.com/shop/preorder-apparent-horizon-stories-ricardo-wilson/"><em>An Apparent Horizon and Other Stories</em></a> from PANK Books.</p><p>Find out more about Outpost, and apply by November 1, at <a href="https://www.outposttheresidency.org/">outposttheresidency.org</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her stories appear in the<em> Kenyon Review</em>, <em>Electric Literature, Tin House </em>Online<em>, and Mississippi Review. </em>She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter <a href="https://twitter.com/Public_Emily">@Public_Emily</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2303</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Celeste Mohammed, “Home” The Common magazine (Spring, 2021)</title>
      <description>Celeste Mohammed speaks to managing editor Emily Everett about her story “Home,” which appears in The Common’s spring issue. In this conversation, Celeste talks about her novel-in-stories, Pleasantview, and why it was important to her to write a book that shows all the complexities and difficulties of island life, with characters who break out of the stereotypical West Indian personality Americans often expect. She also discusses Trinidad’s multicultural society, her choice to write dialogue in patois, and her essay “Split Me in Two,” about being mixed-race during the election of Vice President Kamala Harris.
Celeste Mohammed’s debut novel-in-stories, Pleasantview, published this year. Her work has appeared in the New England Review, LitMag, Epiphany, and The Rumpus, among other places. She is the recipient of a 2018 PEN / Robert J. Dau Short Story Prize for Emerging Writers, the 2019 Virginia Woolf Award for Short Fiction, and the 2017 John Gardner Memorial Prize for Fiction. A native of Trinidad and Tobago, Celeste graduated from Lesley University, in Cambridge, Massachusetts, with an MFA in creative writing. Read her story in The Common at thecommononline.org/home-celeste-mohammed.
Read more about Celeste and her work at thecursivem.com.
Purchase Pleasantview here.
Below is a list of books and writers from the Caribbean and the West Indies that Celeste recommended in the podcast:


Book of the Little Axe by Lauren Francis-Sharma


The Undiscovered Country by Andre Bagoo


Golden Child by Claire Adam


Love After Love by Ingrid Persaud


The Mermaid of Black Conch by Monique Roffey


Home Home by Lisa Allen-Agostini

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 24 Sep 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>21</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Celeste Mohammed</itunes:subtitle>
      <itunes:summary>Celeste Mohammed speaks to managing editor Emily Everett about her story “Home,” which appears in The Common’s spring issue. In this conversation, Celeste talks about her novel-in-stories, Pleasantview, and why it was important to her to write a book that shows all the complexities and difficulties of island life, with characters who break out of the stereotypical West Indian personality Americans often expect. She also discusses Trinidad’s multicultural society, her choice to write dialogue in patois, and her essay “Split Me in Two,” about being mixed-race during the election of Vice President Kamala Harris.
Celeste Mohammed’s debut novel-in-stories, Pleasantview, published this year. Her work has appeared in the New England Review, LitMag, Epiphany, and The Rumpus, among other places. She is the recipient of a 2018 PEN / Robert J. Dau Short Story Prize for Emerging Writers, the 2019 Virginia Woolf Award for Short Fiction, and the 2017 John Gardner Memorial Prize for Fiction. A native of Trinidad and Tobago, Celeste graduated from Lesley University, in Cambridge, Massachusetts, with an MFA in creative writing. Read her story in The Common at thecommononline.org/home-celeste-mohammed.
Read more about Celeste and her work at thecursivem.com.
Purchase Pleasantview here.
Below is a list of books and writers from the Caribbean and the West Indies that Celeste recommended in the podcast:


Book of the Little Axe by Lauren Francis-Sharma


The Undiscovered Country by Andre Bagoo


Golden Child by Claire Adam


Love After Love by Ingrid Persaud


The Mermaid of Black Conch by Monique Roffey


Home Home by Lisa Allen-Agostini

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Celeste Mohammed <em>speaks to managing editor Emily Everett about her story “Home,” which appears in The Common’s spring issue. </em>In this conversation, Celeste talks about her novel-in-stories, <em>Pleasantview</em>, and why it was important to her to write a book that shows all the complexities and difficulties of island life, with characters who break out of the stereotypical West Indian personality Americans often expect. She also discusses Trinidad’s multicultural society, her choice to write dialogue in patois, and her essay “Split Me in Two,” about being mixed-race during the election of Vice President Kamala Harris.</p><p>Celeste Mohammed’s debut novel-in-stories, <em>Pleasantview</em>, published this year. Her work has appeared in the <em>New England Review, LitMag, Epiphany, </em>and<em> The Rumpus</em>, among other places. She is the recipient of a 2018 PEN / Robert J. Dau Short Story Prize for Emerging Writers, the 2019 Virginia Woolf Award for Short Fiction, and the 2017 John Gardner Memorial Prize for Fiction. A native of Trinidad and Tobago, Celeste graduated from Lesley University, in Cambridge, Massachusetts, with an MFA in creative writing. Read her story in <em>The Common</em> at <a href="https://www.thecommononline.org/home-celeste-mohammed/">thecommononline.org/home-celeste-mohammed</a>.</p><p>Read more about Celeste and her work at <a href="https://thecursivem.com/">thecursivem.com</a>.</p><p>Purchase <em>Pleasantview</em> <a href="https://www.igpub.com/pleasantview/">here</a>.</p><p>Below is a list of books and writers from the Caribbean and the West Indies that Celeste recommended in the podcast:</p><ul>
<li>
<a href="https://groveatlantic.com/book/book-of-the-little-axe/"><em>Book of the Little Axe</em></a> by Lauren Francis-Sharma</li>
<li>
<a href="https://www.peepaltreepress.com/books/undiscovered-country"><em>The Undiscovered Country</em></a> by Andre Bagoo</li>
<li>
<a href="https://www.penguinrandomhouse.com/books/565978/golden-child-by-claire-adam/"><em>Golden Child</em></a> by Claire Adam</li>
<li>
<a href="https://www.penguinrandomhouse.com/books/622628/love-after-love-by-ingrid-persaud/"><em>Love After Love</em></a> by Ingrid Persaud</li>
<li>
<a href="https://www.peepaltreepress.com/books/mermaid-black-conch"><em>The Mermaid of Black Conch</em></a> by Monique Roffey</li>
<li>
<a href="https://www.penguinrandomhouse.com/books/605859/home-home-by-lisa-allen-agostini/"><em>Home Home</em></a> by Lisa Allen-Agostini</li>
</ul><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her stories appear in the<em> Kenyon Review</em>, <em>Electric Literature, Tin House </em>Online<em>, and Mississippi Review. </em>She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter <a href="https://twitter.com/Public_Emily">@Public_Emily</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>Jose Hernandez Diaz, “Ode to a California Neck Tattoo” The Common magazine (Spring 2021)</title>
      <description>Jose Hernandez Diaz speaks to managing editor Emily Everett about his poem “Ode to a California Neck Tattoo,” which appears in The Common’s spring issue. In this conversation, Jose talks about finding his way to prose poetry, initially drawn in by its casual language and style. He also discusses the process of editing and revising poetry, his interest in the surreal, and what it’s like writing from a first generation point of view.
Jose Hernandez Diaz is a 2017 NEA Poetry Fellow. He is the author of the 2020 book The Fire Eater. His work appears in The American Poetry Review, Boulevard, The Cincinnati Review, The Georgia Review, The Iowa Review, The Nation, Poetry, and The Best American Nonrequired Reading 2011. Currently, he is an associate editor at Frontier Poetry and Palette Poetry. He is from Southern California.
Read “Ode to a California Neck Tattoo” at thecommononline.org/ode-to-a-california-neck-tattoo.
Follow Jose on Twitter at @JoseHernandezDz.
Sign up for Jose’s Intro to Prose Poetry online course at litromagazine.com.
Submit to Frontier Poetry, where Jose is an editor, at frontierpoetry.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 27 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>20</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Jose Hernandez Diaz</itunes:subtitle>
      <itunes:summary>Jose Hernandez Diaz speaks to managing editor Emily Everett about his poem “Ode to a California Neck Tattoo,” which appears in The Common’s spring issue. In this conversation, Jose talks about finding his way to prose poetry, initially drawn in by its casual language and style. He also discusses the process of editing and revising poetry, his interest in the surreal, and what it’s like writing from a first generation point of view.
Jose Hernandez Diaz is a 2017 NEA Poetry Fellow. He is the author of the 2020 book The Fire Eater. His work appears in The American Poetry Review, Boulevard, The Cincinnati Review, The Georgia Review, The Iowa Review, The Nation, Poetry, and The Best American Nonrequired Reading 2011. Currently, he is an associate editor at Frontier Poetry and Palette Poetry. He is from Southern California.
Read “Ode to a California Neck Tattoo” at thecommononline.org/ode-to-a-california-neck-tattoo.
Follow Jose on Twitter at @JoseHernandezDz.
Sign up for Jose’s Intro to Prose Poetry online course at litromagazine.com.
Submit to Frontier Poetry, where Jose is an editor, at frontierpoetry.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jose Hernandez Diaz speaks to managing editor Emily Everett about his poem “Ode to a California Neck Tattoo,” which appears in The Common’s spring issue. In this conversation, Jose talks about finding his way to prose poetry, initially drawn in by its casual language and style. He also discusses the process of editing and revising poetry, his interest in the surreal, and what it’s like writing from a first generation point of view.</p><p>Jose Hernandez Diaz is a 2017 NEA Poetry Fellow. He is the author of the 2020 book The Fire Eater. His work appears in The American Poetry Review, Boulevard, The Cincinnati Review, The Georgia Review, The Iowa Review, The Nation, Poetry, and The Best American Nonrequired Reading 2011. Currently, he is an associate editor at Frontier Poetry and Palette Poetry. He is from Southern California.</p><p>Read “Ode to a California Neck Tattoo” at <a href="https://www.thecommononline.org/ode-to-a-california-neck-tattoo/">thecommononline.org/ode-to-a-california-neck-tattoo</a>.</p><p>Follow Jose on Twitter at <a href="https://twitter.com/JoseHernandezDz">@JoseHernandezDz</a>.</p><p>Sign up for Jose’s Intro to Prose Poetry online course at <a href="https://www.litromagazine.com/masterclasses/courses/introduction-to-prose-poetry-2/">litromagazine.com</a>.</p><p>Submit to Frontier Poetry, where Jose is an editor, at <a href="https://www.frontierpoetry.com/submit/">frontierpoetry.com</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
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      <title>Emma Sloley, “The Cassandras” The Common magazine (Spring 2021)</title>
      <description>Emma Sloley speaks to managing editor Emily Everett about her story “The Cassandras,” which appears in The Common’s spring issue. In this conversation, Sloley talks about writing a story based on the fear of men women are taught to have from a young age. She also discusses her decision to include a sort of Greek chorus in the story, apocalyptic isolation in her novel Disaster’s Children, and how travel writing has changed in the age of Instagram.
Emma Slowley’s work has appeared in Catapult, Literary Hub, Yemassee, Joyland, Structo, and The Masters Review Anthology, among many other publications. She is a MacDowell Fellow and Bread Loaf scholar. Her debut novel, Disaster’s Children, was published in 2019. Born in Australia, Emma now divides her time between the United States and the city of Mérida, Mexico.
Read “The Cassandras” at thecommononline.org/the-cassandras.
Read the LitHub essay mentioned in the podcast here.
Read more about Emma and her work at emmasloley.net.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 13 Aug 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>19</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Emma Sloley</itunes:subtitle>
      <itunes:summary>Emma Sloley speaks to managing editor Emily Everett about her story “The Cassandras,” which appears in The Common’s spring issue. In this conversation, Sloley talks about writing a story based on the fear of men women are taught to have from a young age. She also discusses her decision to include a sort of Greek chorus in the story, apocalyptic isolation in her novel Disaster’s Children, and how travel writing has changed in the age of Instagram.
Emma Slowley’s work has appeared in Catapult, Literary Hub, Yemassee, Joyland, Structo, and The Masters Review Anthology, among many other publications. She is a MacDowell Fellow and Bread Loaf scholar. Her debut novel, Disaster’s Children, was published in 2019. Born in Australia, Emma now divides her time between the United States and the city of Mérida, Mexico.
Read “The Cassandras” at thecommononline.org/the-cassandras.
Read the LitHub essay mentioned in the podcast here.
Read more about Emma and her work at emmasloley.net.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Emma Sloley <em>speaks to managing editor Emily Everett about her story “The Cassandras,” which appears in The Common’s spring issue. </em>In this conversation, Sloley talks about writing a story based on the fear of men women are taught to have from a young age. She also discusses her decision to include a sort of Greek chorus in the story, apocalyptic isolation in her novel <em>Disaster’s Children</em>, and how travel writing has changed in the age of Instagram.</p><p><em>Emma Slowley’s work has appeared in Catapult, Literary Hub, Yemassee, Joyland, Structo, and The Masters Review Anthology, among many other publications. She is a MacDowell Fellow and Bread Loaf scholar. Her debut novel, Disaster’s Children</em>, was published in 2019. Born in Australia, Emma now divides her time between the United States and the city of Mérida, Mexico.</p><p>Read “The Cassandras” at <a href="https://www.thecommononline.org/the-cassandras/">thecommononline.org/the-cassandras</a>.</p><p>Read the LitHub essay mentioned in the podcast <a href="https://lithub.com/would-you-give-up-air-conditioning-if-you-knew-it-would-save-the-planet/">here</a>.</p><p>Read more about Emma and her work at <a href="https://emmasloley.net/">emmasloley.net</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>Talia Lakshmi Kolluri, "The Good Donkey" The Common magazine (Spring, 2021)</title>
      <description>Talia Lakshmi Kolluri speaks to managing editor Emily Everett about her story “The Good Donkey,” which appears in The Common’s spring issue. In this conversation, Kolluri talks about writing fiction from the perspectives of different animals, and where the inspiration for those stories comes from. She also discusses how being mixed race can complicate conversations about race and identity in the U.S., how books and literature are making space for those conversations, and how she balances writing with a full-time job as an attorney.
Talia Lakshmi Kolluri’s short fiction has appeared in The Minnesota Review, Ecotone, and Southern Humanities Review. She was born and raised in Northern California and now lives in the Central Valley, where she is at work on a collection of short stories and a novel. Read her story in The Common at thecommononline.org/the-good-donkey.
Read more about Talia and her work at taliakolluri.com.
Below is a list of books and writers that Talia recommended in the podcast.
On the Palestinian experience:


The Drone Eats with Me by Atef Abu Saif


Palestinian Walks: Forays into a Vanishing Landscape by Raja Shehadeh

On the mixed-race experience:


Heidi Durrow, founder of the Mixed-Remixed Festival


The House of Deep Water by Jeni McFarland

Donna Miscolta


Long Live the Tribe of Fatherless Girls by T. Kira Madden

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 30 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Talia Lakshmi Kolluri</itunes:subtitle>
      <itunes:summary>Talia Lakshmi Kolluri speaks to managing editor Emily Everett about her story “The Good Donkey,” which appears in The Common’s spring issue. In this conversation, Kolluri talks about writing fiction from the perspectives of different animals, and where the inspiration for those stories comes from. She also discusses how being mixed race can complicate conversations about race and identity in the U.S., how books and literature are making space for those conversations, and how she balances writing with a full-time job as an attorney.
Talia Lakshmi Kolluri’s short fiction has appeared in The Minnesota Review, Ecotone, and Southern Humanities Review. She was born and raised in Northern California and now lives in the Central Valley, where she is at work on a collection of short stories and a novel. Read her story in The Common at thecommononline.org/the-good-donkey.
Read more about Talia and her work at taliakolluri.com.
Below is a list of books and writers that Talia recommended in the podcast.
On the Palestinian experience:


The Drone Eats with Me by Atef Abu Saif


Palestinian Walks: Forays into a Vanishing Landscape by Raja Shehadeh

On the mixed-race experience:


Heidi Durrow, founder of the Mixed-Remixed Festival


The House of Deep Water by Jeni McFarland

Donna Miscolta


Long Live the Tribe of Fatherless Girls by T. Kira Madden

The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Talia Lakshmi Kolluri <em>speaks to managing editor Emily Everett about her story “The Good Donkey,” which appears in The Common’s spring issue. </em>In this conversation, Kolluri talks about writing fiction from the perspectives of different animals, and where the inspiration for those stories comes from. She also discusses how being mixed race can complicate conversations about race and identity in the U.S., how books and literature are making space for those conversations, and how she balances writing with a full-time job as an attorney.</p><p>Talia Lakshmi Kolluri’s short fiction has appeared in <em>The Minnesota Review, Ecotone, </em>and <em>Southern Humanities Review.</em> She was born and raised in Northern California and now lives in the Central Valley, where she is at work on a collection of short stories and a novel. Read her story in <em>The Common</em> at <a href="https://www.thecommononline.org/the-good-donkey/">thecommononline.org/the-good-donkey</a>.</p><p>Read more about Talia and her work at <a href="http://www.taliakolluri.com/">taliakolluri.com</a>.</p><p>Below is a list of books and writers that Talia recommended in the podcast.</p><p>On the Palestinian experience:</p><ul>
<li>
<a href="https://www.penguinrandomhouse.com/books/533881/the-drone-eats-with-me-by-atef-abu-saif/">The Drone Eats with</a> Me by Atef Abu Saif</li>
<li>
<a href="https://www.simonandschuster.com/books/Palestinian-Walks/Raja-Shehadeh/9781416569664">Palestinian Walks: Forays into a Vanishing</a> Landscape by Raja Shehadeh</li>
</ul><p>On the mixed-race experience:</p><ul>
<li>
<a href="https://www.heidiwdurrow.com/">Heidi Durrow</a>, founder of the Mixed-Remixed Festival</li>
<li>
<a href="https://www.jenimcfarland.com/"><em>The House of Deep Water</em></a> by Jeni McFarland</li>
<li><a href="https://donnamiscolta.com/">Donna Miscolta</a></li>
<li>
<a href="https://www.bloomsbury.com/us/long-live-the-tribe-of-fatherless-girls-9781635571851">Long Live the Tribe of Fatherless Girls</a> by T. Kira Madden</li>
</ul><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>Ravi Shankar, “The Five-Room Box” The Common magazine (Spring, 2021)</title>
      <description>Ravi Shankar speaks to managing editor Emily Everett about his essay “The Five-Room Box,” which appears in The Common’s spring issue. In this conversation, Shankar talks about constructing this essay on identity, family, and fitting in from an excerpt of his memoir, Correctional, about his time spent in prison. He also discusses how that time changed the course of his academic work, what it’s like to transition from poet to prose-writer, and the privilege and profiling Asian-Americans experience as the ‘model minority.’
Ravi Shankar is a Pushcart Prize-winning poet, translator, and professor. He has published fifteen books, including W.W. Norton’s Language for a New Century, Recent Works Press’s The Many Uses of Mint, and the Muse India Award-winning Tamil translation The Autobiography of a Goddess. He has taught and performed around the world and appeared in such venues as The New York Times, NPR, the BBC, and PBS NewsHour. He received his PhD from the University of Sydney, and his memoir Correctional is out this fall from University of Wisconsin Press.
Read his essay in The Common at thecommononline.org/the-five-room-box.
Read more about Ravi Shankar and his work at poetravishankar.com.
Pre-order his memoir Correctional, out in October, here.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 16 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>18</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Ravi Shankar</itunes:subtitle>
      <itunes:summary>Ravi Shankar speaks to managing editor Emily Everett about his essay “The Five-Room Box,” which appears in The Common’s spring issue. In this conversation, Shankar talks about constructing this essay on identity, family, and fitting in from an excerpt of his memoir, Correctional, about his time spent in prison. He also discusses how that time changed the course of his academic work, what it’s like to transition from poet to prose-writer, and the privilege and profiling Asian-Americans experience as the ‘model minority.’
Ravi Shankar is a Pushcart Prize-winning poet, translator, and professor. He has published fifteen books, including W.W. Norton’s Language for a New Century, Recent Works Press’s The Many Uses of Mint, and the Muse India Award-winning Tamil translation The Autobiography of a Goddess. He has taught and performed around the world and appeared in such venues as The New York Times, NPR, the BBC, and PBS NewsHour. He received his PhD from the University of Sydney, and his memoir Correctional is out this fall from University of Wisconsin Press.
Read his essay in The Common at thecommononline.org/the-five-room-box.
Read more about Ravi Shankar and his work at poetravishankar.com.
Pre-order his memoir Correctional, out in October, here.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ravi Shankar <em>speaks to managing editor Emily Everett about his essay “The Five-Room Box,” which appears in The Common’s spring issue. </em>In this conversation, Shankar talks about constructing this essay on identity, family, and fitting in from an excerpt of his memoir, <em>Correctional</em>, about his time spent in prison. He also discusses how that time changed the course of his academic work, what it’s like to transition from poet to prose-writer, and the privilege and profiling Asian-Americans experience as the ‘model minority.’</p><p>Ravi Shankar is a Pushcart Prize-winning poet, translator, and professor. He has published fifteen books, including W.W. Norton’s <em>Language for a New Century</em>, Recent Works Press’s <em>The Many Uses of Mint,</em> and the Muse India Award-winning Tamil translation <em>The Autobiography of a Goddess</em>. He has taught and performed around the world and appeared in such venues as <em>The New York Times, NPR, the BBC, </em>and<em> PBS NewsHour</em>. He received his PhD from the University of Sydney, and his memoir <em>Correctional</em> is out this fall from University of Wisconsin Press.</p><p>Read his essay in <em>The Common</em> at <a href="https://www.thecommononline.org/the-five-room-box/">thecommononline.org/the-five-room-box</a>.</p><p>Read more about Ravi Shankar and his work at <a href="https://www.poetravishankar.com/about.html">poetravishankar.com</a>.</p><p>Pre-order his memoir <em>Correctional</em>, out in October, <a href="https://www.amazon.com/gp/product/0299335305/ref=dbs_a_def_rwt_bibl_vppi_i2">here</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
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      <title>Wyatt Townley, “Instructions for the Endgame" The Common magazine (Spring, 2021)</title>
      <description>Wyatt Townley speaks to managing editor Emily Everett about her poem “Instructions for the Endgame,” which appears in The Common’s spring issue. In this conversation, Townley talks about experiencing poetry in all parts of her life—in dance and yoga, in astronomy and physics, and in nature. She also discusses her time as Poet Laureate of Kansas, the pleasure of revising poems, and what it’s like seeing her work performed as an opera.
Wyatt Townley is Poet Laureate of Kansas Emerita. Her books include four collections of poetry: Rewriting the Body, The Breathing Field, Perfectly Normal, and The Afterlives of Trees. Wyatt’s work has been read on NPR, featured in American Life in Poetry, and published in journals ranging from New Letters to Newsweek, North American Review to The Paris Review, Yoga Journal to Scientific American. Formerly a dancer, Wyatt has developed and trademarked her own yoga system, Yoganetics, now practiced on six continents.
Read Wyatt’s poems in The Common at thecommononline.org/tag/wyatt-townley.
Read more about Wyatt Townley, her poetry, and Yoganetics at wyatttownley.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 02 Jul 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>16</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Wyatt Townley</itunes:subtitle>
      <itunes:summary>Wyatt Townley speaks to managing editor Emily Everett about her poem “Instructions for the Endgame,” which appears in The Common’s spring issue. In this conversation, Townley talks about experiencing poetry in all parts of her life—in dance and yoga, in astronomy and physics, and in nature. She also discusses her time as Poet Laureate of Kansas, the pleasure of revising poems, and what it’s like seeing her work performed as an opera.
Wyatt Townley is Poet Laureate of Kansas Emerita. Her books include four collections of poetry: Rewriting the Body, The Breathing Field, Perfectly Normal, and The Afterlives of Trees. Wyatt’s work has been read on NPR, featured in American Life in Poetry, and published in journals ranging from New Letters to Newsweek, North American Review to The Paris Review, Yoga Journal to Scientific American. Formerly a dancer, Wyatt has developed and trademarked her own yoga system, Yoganetics, now practiced on six continents.
Read Wyatt’s poems in The Common at thecommononline.org/tag/wyatt-townley.
Read more about Wyatt Townley, her poetry, and Yoganetics at wyatttownley.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Wyatt Townley speaks to managing editor Emily Everett about her poem “Instructions for the Endgame,” which appears in The Common’s spring issue. In this conversation, Townley talks about experiencing poetry in all parts of her life—in dance and yoga, in astronomy and physics, and in nature. She also discusses her time as Poet Laureate of Kansas, the pleasure of revising poems, and what it’s like seeing her work performed as an opera.</p><p>Wyatt Townley is Poet Laureate of Kansas Emerita. Her books include four collections of poetry: <em>Rewriting the Body, The Breathing Field, Perfectly Normal, </em>and<em> The Afterlives of Trees</em>. Wyatt’s work has been read on NPR, featured in <em>American Life in Poetry</em>, and published in journals ranging from <em>New Letters </em>to<em> Newsweek, North American Review</em> to<em> The Paris Review, Yoga Journal </em>to<em> Scientific American</em>. Formerly a dancer, Wyatt has developed and trademarked her own yoga system, Yoganetics, now practiced on six continents.</p><p>Read Wyatt’s poems in <em>The Common</em> at <a href="https://www.thecommononline.org/tag/wyatt-townley/">thecommononline.org/tag/wyatt-townley</a>.</p><p>Read more about Wyatt Townley, her poetry, and Yoganetics at <a href="https://wyatttownley.com/">wyatttownley.com</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her stories appear in the<em> Kenyon Review</em>, <em>Electric Literature, Tin House </em>Online<em>, and Mississippi Review</em>. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter <a href="https://twitter.com/Public_Emily">@Public_Emily</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
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      <title>Silvia Spring, “The Home Front” The Common magazine (Fall, 2020)</title>
      <description>Silvia Spring speaks to managing editor Emily Everett about her debut short story “The Home Front,” which appears in The Common’s fall issue. In this conversation, Spring talks about the inspiration and process behind this story, which tangles with the difficulties of coming into adulthood, and the experience of living abroad without feeling part of the community. Spring drew from her own experience studying and living in London in the U.K., and her time as a journalist at Newsweek, embedded with troops in Iraq and Afghanistan. The conversation also includes discussion of the revision process; writing without an MFA; and U.S. foreign policy, today and over the last few years.
Silvia Spring is the Foreign Policy Lead on TikTok’s U.S. Public Policy Team. Prior to joining TikTok, she spent three years as Airbnb’s Foreign Policy Manager. Silvia was a Foreign Service Officer with the U.S. Department of State from 2010-2017, serving in the Office of the Special Representative for Afghanistan and Pakistan, the Bureau of East Asian and Pacific Affairs, at the U.S. Embassy in Beijing, and the U.S. Mission to the Organization of American States. She started her career at Newsweek as a Special Correspondent based in London and reported from Kenya, Iraq, and Afghanistan.
Read “The Home Front” in The Common at thecommononline.org/the-home-front.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 18 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>13</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Silvia Spring</itunes:subtitle>
      <itunes:summary>Silvia Spring speaks to managing editor Emily Everett about her debut short story “The Home Front,” which appears in The Common’s fall issue. In this conversation, Spring talks about the inspiration and process behind this story, which tangles with the difficulties of coming into adulthood, and the experience of living abroad without feeling part of the community. Spring drew from her own experience studying and living in London in the U.K., and her time as a journalist at Newsweek, embedded with troops in Iraq and Afghanistan. The conversation also includes discussion of the revision process; writing without an MFA; and U.S. foreign policy, today and over the last few years.
Silvia Spring is the Foreign Policy Lead on TikTok’s U.S. Public Policy Team. Prior to joining TikTok, she spent three years as Airbnb’s Foreign Policy Manager. Silvia was a Foreign Service Officer with the U.S. Department of State from 2010-2017, serving in the Office of the Special Representative for Afghanistan and Pakistan, the Bureau of East Asian and Pacific Affairs, at the U.S. Embassy in Beijing, and the U.S. Mission to the Organization of American States. She started her career at Newsweek as a Special Correspondent based in London and reported from Kenya, Iraq, and Afghanistan.
Read “The Home Front” in The Common at thecommononline.org/the-home-front.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Silvia Spring speaks to managing editor Emily Everett about her debut short story “The Home Front,” which appears in The Common’s fall issue. In this conversation, Spring talks about the inspiration and process behind this story, which tangles with the difficulties of coming into adulthood, and the experience of living abroad without feeling part of the community. Spring drew from her own experience studying and living in London in the U.K., and her time as a journalist at <em>Newsweek</em>, embedded with troops in Iraq and Afghanistan. The conversation also includes discussion of the revision process; writing without an MFA; and U.S. foreign policy, today and over the last few years.</p><p>Silvia Spring is the Foreign Policy Lead on TikTok’s U.S. Public Policy Team. Prior to joining TikTok, she spent three years as Airbnb’s Foreign Policy Manager. Silvia was a Foreign Service Officer with the U.S. Department of State from 2010-2017, serving in the Office of the Special Representative for Afghanistan and Pakistan, the Bureau of East Asian and Pacific Affairs, at the U.S. Embassy in Beijing, and the U.S. Mission to the Organization of American States. She started her career at <em>Newsweek</em> as a Special Correspondent based in London and reported from Kenya, Iraq, and Afghanistan.</p><p>Read “The Home Front” in <em>The Common</em> at <a href="https://www.thecommononline.org/the-home-front/">thecommononline.org/the-home-front</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
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      <title>KC Trommer, “The Couple,” The Common magazine (Fall, 2020)</title>
      <description>KC Trommer speaks to managing editor Emily Everett about her poem “The Couple,” which appears in The Common’s fall issue. In this conversation, Trommer discusses writing about artwork she finds compelling and sometimes disturbing, like the Louise Bourgeois sculpture
explored in this poem. She also discusses her Queens-centered poetry project QUEENSBOUND, her work as a visual artist, and her experience living a block and a half from Elmhurst Hospital in Jackson Heights, the epicenter of the early pandemic.
Poet and essayist KC Trommer is the author of We Call Them Beautiful (Diode Editions, 2019) as well as the chapbook The Hasp Tongue (dancing girl press, 2014). She is the founder of the online audio project QUEENSBOUND. She is 2021 poet in residence at Works on Water on Governors Island. With Spencer Reece, she co-curates the weekly Red Door Series at St. Mark’s Church in Jackson Heights.
Read KC’s poems in The Common at thecommononline.org/tag/kc-trommer.
Explore the QUEENSBOUND map and listen to those poems at queensbound.com.
Read more by KC Trommer and explore her visual art at kctrommer.com.
Follow KC on Twitter at @kctrommer.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 04 Jun 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>13</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with KC Trommer</itunes:subtitle>
      <itunes:summary>KC Trommer speaks to managing editor Emily Everett about her poem “The Couple,” which appears in The Common’s fall issue. In this conversation, Trommer discusses writing about artwork she finds compelling and sometimes disturbing, like the Louise Bourgeois sculpture
explored in this poem. She also discusses her Queens-centered poetry project QUEENSBOUND, her work as a visual artist, and her experience living a block and a half from Elmhurst Hospital in Jackson Heights, the epicenter of the early pandemic.
Poet and essayist KC Trommer is the author of We Call Them Beautiful (Diode Editions, 2019) as well as the chapbook The Hasp Tongue (dancing girl press, 2014). She is the founder of the online audio project QUEENSBOUND. She is 2021 poet in residence at Works on Water on Governors Island. With Spencer Reece, she co-curates the weekly Red Door Series at St. Mark’s Church in Jackson Heights.
Read KC’s poems in The Common at thecommononline.org/tag/kc-trommer.
Explore the QUEENSBOUND map and listen to those poems at queensbound.com.
Read more by KC Trommer and explore her visual art at kctrommer.com.
Follow KC on Twitter at @kctrommer.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>KC Trommer speaks to managing editor Emily Everett about her poem “The Couple,” which appears in The Common’s fall issue. In this conversation, Trommer discusses writing about artwork she finds compelling and sometimes disturbing, like the <a href="https://massmoca.org/event/louise-bourgeois/rs92512_bourgeois_couple_5-16-17-1-lpr/">Louise Bourgeois sculpture</a></p><p>explored in this poem. She also discusses her Queens-centered poetry project QUEENSBOUND, her work as a visual artist, and her experience living a block and a half from Elmhurst Hospital in Jackson Heights, the epicenter of the early pandemic.</p><p>Poet and essayist KC Trommer is the author of <em>We Call Them Beautiful</em> (Diode Editions, 2019) as well as the chapbook <em>The Hasp Tongue</em> (dancing girl press, 2014). She is the founder of the online audio project QUEENSBOUND. She is 2021 poet in residence at Works on Water on Governors Island. With Spencer Reece, she co-curates the weekly Red Door Series at St. Mark’s Church in Jackson Heights.</p><p>Read KC’s poems in <em>The Common</em> at <a href="https://www.thecommononline.org/tag/kc-trommer/">thecommononline.org/tag/kc-trommer</a>.</p><p><em>Explore the QUEENSBOUND map and listen to those poems at </em><a href="https://queensbound.com/"><em>queensbound.com</em></a><em>.</em></p><p>Read more by KC Trommer and explore her visual art at <a href="https://www.kctrommer.com/">kctrommer.com</a>.</p><p>Follow KC on Twitter at <a href="http://www.twitter.com/kctrommer">@kctrommer</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her stories appear in the<em> Kenyon Review</em>, <em>Electric Literature, Tin House </em>Online<em>, and Mississippi Review</em>. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter <a href="https://twitter.com/Public_Emily">@Public_Emily</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
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      <title>Jennifer Jean,  “California”  The Common magazine (Fall 2020)</title>
      <description>Jennifer Jean speaks to managing editor Emily Everett about her poem “California,” which appears on The Common online, in a special portfolio of writing from the Lusosphere (Portugal and its colonial and linguistic diaspora). Jean talks about writing this poem to be in conversation with Joni Mitchell’s song of the same title, and how music works its way into much of her poetry, in both rhythm and language. She also discusses writing her new poetry collection Object Lesson which centers on trauma, and co-translating poems by Iraqi women poets with an Arabic translator.
Jennifer Jean’s poetry collections include The Fool and Object Lesson, out this year from Lily Books. Her teaching resource, Object Lesson: A Guide To Writing Poetry, is also out this year. Jennifer’s awards include a Kenyon Review Writers Workshop Fellowship, a DISQUIET Fellowship to write and study poetry in Portugal, a “Her Story Is” Residency (where she worked with Iraqi women artists in Dubai), and an Ambassador for Peace Award for her activism in the arts. She’s the translations editor for Talking Writing Magazine and the program manager of 24PearlStreet, the Fine Arts Work Center's Online Writing Program. She lives in Massachusetts with her husband and children.
Order Object Lesson and the companion teaching resource, Object Lesson: A Guide To Writing Poetry, here.
Learn more about Jennifer Jean and her work at jenniferjeanwriter.weebly.com.
Follow Jennifer Jean on Twitter at @fishwifetales.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 21 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>13</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Jennifer Jean</itunes:subtitle>
      <itunes:summary>Jennifer Jean speaks to managing editor Emily Everett about her poem “California,” which appears on The Common online, in a special portfolio of writing from the Lusosphere (Portugal and its colonial and linguistic diaspora). Jean talks about writing this poem to be in conversation with Joni Mitchell’s song of the same title, and how music works its way into much of her poetry, in both rhythm and language. She also discusses writing her new poetry collection Object Lesson which centers on trauma, and co-translating poems by Iraqi women poets with an Arabic translator.
Jennifer Jean’s poetry collections include The Fool and Object Lesson, out this year from Lily Books. Her teaching resource, Object Lesson: A Guide To Writing Poetry, is also out this year. Jennifer’s awards include a Kenyon Review Writers Workshop Fellowship, a DISQUIET Fellowship to write and study poetry in Portugal, a “Her Story Is” Residency (where she worked with Iraqi women artists in Dubai), and an Ambassador for Peace Award for her activism in the arts. She’s the translations editor for Talking Writing Magazine and the program manager of 24PearlStreet, the Fine Arts Work Center's Online Writing Program. She lives in Massachusetts with her husband and children.
Order Object Lesson and the companion teaching resource, Object Lesson: A Guide To Writing Poetry, here.
Learn more about Jennifer Jean and her work at jenniferjeanwriter.weebly.com.
Follow Jennifer Jean on Twitter at @fishwifetales.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jennifer Jean speaks to managing editor Emily Everett about her poem “California,” which appears on The Common online, in a special portfolio of writing from the Lusosphere (Portugal and its colonial and linguistic diaspora). Jean talks about writing this poem to be in conversation with Joni Mitchell’s song of the same title, and how music works its way into much of her poetry, in both rhythm and language. She also discusses writing her new poetry collection <em>Object Lesson </em>which centers on trauma, and co-translating poems by Iraqi women poets with an Arabic translator.</p><p>Jennifer Jean’s poetry collections include <em>The Fool</em> and<em> Object Lesson</em>, out this year from Lily Books. Her teaching resource, <em>Object Lesson: A Guide To Writing Poetry</em>, is also out this year. Jennifer’s awards include a <em>Kenyon Review</em> Writers Workshop Fellowship, a DISQUIET Fellowship to write and study poetry in Portugal, a “Her Story Is” Residency (where she worked with Iraqi women artists in Dubai), and an Ambassador for Peace Award for her activism in the arts. She’s the translations editor for <em>Talking Writing Magazine</em> and the program manager of 24PearlStreet, the Fine Arts Work Center's Online Writing Program. She lives in Massachusetts with her husband and children.</p><p>Order <em>Object Lesson </em>and the companion teaching resource, <em>Object Lesson: A Guide To Writing Poetry</em>, <a href="https://lilypoetryreview.blog/lily-poetry-chapbooks/object-lesson/">here</a>.</p><p>Learn more about Jennifer Jean and her work at <a href="https://jenniferjeanwriter.weebly.com/">jenniferjeanwriter.weebly.com.</a></p><p>Follow Jennifer Jean on Twitter at <a href="https://www.twitter.com/fishwifetales">@fishwifetales</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her stories appear in the<em> Kenyon Review</em>, <em>Electric Literature, Tin House </em>Online<em>, and Mississippi Review</em>. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter <a href="https://twitter.com/Public_Emily">@Public_Emily</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
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      <title>Deborah Lindsay Williams, “‘You Like to Have Some Cup of Tea?’ and Other Questions About Complicity and Place” (The Common, Fall 2020)</title>
      <description>Deborah Lindsay Williams speaks to managing editor Emily Everett about her “‘You Like to Have Some Cup of Tea?’ and Other Questions About Complicity and Place,” which appears in Issue 20 of The Common magazine. In this conversation, Williams talks about living and writing in Abu Dhabi, traveling to South Africa with her family, and how narrow the western view of these places can be, often simplifying very complex issues of racial hierarchy, economics, culture, and history. She also discusses her novel-in-progress, The Corset and the Veil, based on the life of Lady Hester Stanhope, who fled England in 1809 in search of alternatives to her life as an impoverished aristocrat.
Deborah Lindsay Williams teaches in the literature and creative writing program at NYU Abu Dhabi. With Cyrus Patell, she is co-editor of The Oxford History of the Novel in English, Volume 8: American Fiction Since 1940, for which she also wrote the chapter on children’s literature. She is currently working on a book called The Necessity of YA Fiction, which will be part of the Oxford Literary Agendas series. She has published essays in various publications, including The New York Times, The Paris Review Daily, The Rumpus, Brevity, and Motherwell.
Read “‘You Like to Have Some Cup of Tea?’ and Other Questions About Complicity and Place” by Deborah Lindsay Williams at thecommononline.org/you-like-to-have-some-cup-of-tea.
Read “Bad English” by Cathy Park Hong, from Minor Feelings, at buzzfeednews.com.
Learn more about Deborah Lindsay Williams, her work, and her teaching at mannahattamamma.com.
Follow Deborah Lindsay Williams on Twitter at @mannahattamamma.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 07 May 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>12</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Deborah Lindsay Williams</itunes:subtitle>
      <itunes:summary>Deborah Lindsay Williams speaks to managing editor Emily Everett about her “‘You Like to Have Some Cup of Tea?’ and Other Questions About Complicity and Place,” which appears in Issue 20 of The Common magazine. In this conversation, Williams talks about living and writing in Abu Dhabi, traveling to South Africa with her family, and how narrow the western view of these places can be, often simplifying very complex issues of racial hierarchy, economics, culture, and history. She also discusses her novel-in-progress, The Corset and the Veil, based on the life of Lady Hester Stanhope, who fled England in 1809 in search of alternatives to her life as an impoverished aristocrat.
Deborah Lindsay Williams teaches in the literature and creative writing program at NYU Abu Dhabi. With Cyrus Patell, she is co-editor of The Oxford History of the Novel in English, Volume 8: American Fiction Since 1940, for which she also wrote the chapter on children’s literature. She is currently working on a book called The Necessity of YA Fiction, which will be part of the Oxford Literary Agendas series. She has published essays in various publications, including The New York Times, The Paris Review Daily, The Rumpus, Brevity, and Motherwell.
Read “‘You Like to Have Some Cup of Tea?’ and Other Questions About Complicity and Place” by Deborah Lindsay Williams at thecommononline.org/you-like-to-have-some-cup-of-tea.
Read “Bad English” by Cathy Park Hong, from Minor Feelings, at buzzfeednews.com.
Learn more about Deborah Lindsay Williams, her work, and her teaching at mannahattamamma.com.
Follow Deborah Lindsay Williams on Twitter at @mannahattamamma.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Deborah Lindsay Williams <em>speaks to managing editor Emily Everett about her “‘You Like to Have Some Cup of Tea?’ and Other Questions About Complicity and Place,” which appears in Issue 20 of The Common magazine. </em>In this conversation, Williams talks about living and writing in Abu Dhabi, traveling to South Africa with her family, and how narrow the western view of these places can be, often simplifying very complex issues of racial hierarchy, economics, culture, and history. She also discusses her novel-in-progress, <em>The Corset and the Veil</em>, based on the life of Lady Hester Stanhope, who fled England in 1809 in search of alternatives to her life as an impoverished aristocrat.</p><p>Deborah Lindsay Williams teaches in the literature and creative writing program at NYU Abu Dhabi. With Cyrus Patell, she is co-editor of <em>The Oxford History of the Novel in English, Volume 8: American Fiction Since 1940</em>, for which she also wrote the chapter on children’s literature. She is currently working on a book called <em>The Necessity of YA Fiction</em>, which will be part of the Oxford Literary Agendas series. She has published essays in various publications, including <em>The New York Times, The Paris Review Daily, The Rumpus, Brevity, </em>and<em> Motherwell.</em></p><p>Read<em> “‘You Like to Have Some Cup of Tea?’ and Other Questions About Complicity and Place” </em>by Deborah Lindsay Williams at <a href="https://www.thecommononline.org/you-like-to-have-some-cup-of-tea/">thecommononline.org/you-like-to-have-some-cup-of-tea</a>.</p><p>Read “Bad English” by Cathy Park Hong, from <em>Minor Feelings</em>, at <a href="https://www.buzzfeednews.com/article/cathyparkhong/cathy-park-hong-minor-feelings-bad-english">buzzfeednews.com</a>.</p><p>Learn more about Deborah Lindsay Williams, her work, and her teaching at <a href="https://mannahattamamma.com/">mannahattamamma.com</a>.</p><p>Follow Deborah Lindsay Williams on Twitter at <a href="https://twitter.com/mannahattamamma">@mannahattamamma</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>Fátima Policarpo, "Her Borders Become Her" (The Common 20, 2020)</title>
      <description>Fátima Policarpo speaks to managing editor Emily Everett about her essay “Her Borders Become Her,” which appears in Issue 20 of The Common magazine. In this conversation, Policarpo talks about creating an essay that includes elements of ghost stories, using language barriers and rich settings to set up complicated dynamics between family members who bully, and are later bullied in turn. She also discusses her current manuscript, a longer work incorporating many of the ideas and themes explored in this essay, and about her work teaching writing and literature with a focus on human rights education.
Fátima Policarpo is a Portuguese American writer. Her fiction and essays have appeared in Gulf Coast, Fourth Genre, and Ninth Letter. Her work has been supported by grants from the Luso-American Foundation and the Barbara Deming Memorial Fund; and by fellowships from the DISQUIET International Literary Program, which she attended as a 2016 Fellow; and the Vermont Studio Center, where she resided as a 2018 NEA Fellow. She lives in Northern California with her family. Reach out to Fátima on Twitter @flpolicarpo.
Read “Her Borders Become Her” by Fátima Policarpo at thecommononline.org/her-borders-become-her.
Follow Fátima Policarpo on Twitter at @flpolicarpo.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 23 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>11</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Fátima Policarpo</itunes:subtitle>
      <itunes:summary>Fátima Policarpo speaks to managing editor Emily Everett about her essay “Her Borders Become Her,” which appears in Issue 20 of The Common magazine. In this conversation, Policarpo talks about creating an essay that includes elements of ghost stories, using language barriers and rich settings to set up complicated dynamics between family members who bully, and are later bullied in turn. She also discusses her current manuscript, a longer work incorporating many of the ideas and themes explored in this essay, and about her work teaching writing and literature with a focus on human rights education.
Fátima Policarpo is a Portuguese American writer. Her fiction and essays have appeared in Gulf Coast, Fourth Genre, and Ninth Letter. Her work has been supported by grants from the Luso-American Foundation and the Barbara Deming Memorial Fund; and by fellowships from the DISQUIET International Literary Program, which she attended as a 2016 Fellow; and the Vermont Studio Center, where she resided as a 2018 NEA Fellow. She lives in Northern California with her family. Reach out to Fátima on Twitter @flpolicarpo.
Read “Her Borders Become Her” by Fátima Policarpo at thecommononline.org/her-borders-become-her.
Follow Fátima Policarpo on Twitter at @flpolicarpo.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Fátima Policarpo speaks to managing editor Emily Everett about her essay “Her Borders Become Her,” which appears in Issue 20 of <em>The Common</em> magazine.<em> </em>In this conversation, Policarpo talks about creating an essay that includes elements of ghost stories, using language barriers and rich settings to set up complicated dynamics between family members who bully, and are later bullied in turn. She also discusses her current manuscript, a longer work incorporating many of the ideas and themes explored in this essay, and about her work teaching writing and literature with a focus on human rights education.</p><p>Fátima Policarpo is a Portuguese American writer. Her fiction and essays have appeared in <em>Gulf Coast, Fourth Genre, </em>and<em> Ninth Letter</em>. Her work has been supported by grants from the Luso-American Foundation and the Barbara Deming Memorial Fund; and by fellowships from the DISQUIET International Literary Program, which she attended as a 2016 Fellow; and the Vermont Studio Center, where she resided as a 2018 NEA Fellow. She lives in Northern California with her family. Reach out to Fátima on Twitter @flpolicarpo.</p><p>Read<em> “Her Borders Become Her” </em>by Fátima Policarpo at <a href="https://www.thecommononline.org/her-borders-become-her/">thecommononline.org/her-borders-become-her</a>.</p><p>Follow Fátima Policarpo on Twitter at <a href="https://twitter.com/flpolicarpo?lang=en">@flpolicarpo</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>Edgar Garbelotto, "A Fourteen-Hour Lesson in Theosophy,” The Common magazine (Fall 2020)</title>
      <description>Writer and translator Edgar Garbelotto speaks to managing editor Emily Everett about his short story “A Fourteen-Hour Lesson in Theosophy,” which appears in Issue 20 of The Common magazine. 
The story imagines the final hours of author Clarice Lispector’s life. In this conversation, Garbelotto talks about the process of fictionalizing a real person, and bringing her to life in the streets of Rio. Garbelotto also discusses the experience of writing and translating in English, which is his second language, and the way that experience has changed his approach to writing original work. Portuguese is a more playful, allegorical language than English, Garbelotto says, and he’s learned to approach each language differently.
Edgar Garbelotto is a writer and translator born in Brazil and based in the US for 20 years. His translation of João Gilberto Noll’s novel Lord won the 2020 Jabuti Prize as Best Brazilian Book Published Abroad and was a finalist for the 2020 Lambda Literary Award in Best Gay Fiction. His translation of Noll’s novel Harmada was published by Two Lines Press in November 2020 and Hugs &amp; Cuddles, another award-winning novel by Noll, is forthcoming from the same publisher in Fall 2022. He has received fellowships from the DISQUIET International Literary Program in Lisbon and the Fine Arts Work Center in Provincetown, among others. He holds an MFA in Creative Writing from the University of Illinois and lives in Chicago, where he is currently editing his debut novel Terra Incognita, written in both Portuguese and English.
Read “A Fourteen-Hour Lesson in Theosophy” by Edgar Garbelotto at thecommononline.org/a-fourteen-hour-lesson-in-theosophy.
Find Edgar Garbelotto’s translations of Lord and Harmada here.
Follow Edgar Garbelotto on Twitter at @EdgarGarbelotto
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 09 Apr 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>10</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Edgar Garbelotto</itunes:subtitle>
      <itunes:summary>Writer and translator Edgar Garbelotto speaks to managing editor Emily Everett about his short story “A Fourteen-Hour Lesson in Theosophy,” which appears in Issue 20 of The Common magazine. 
The story imagines the final hours of author Clarice Lispector’s life. In this conversation, Garbelotto talks about the process of fictionalizing a real person, and bringing her to life in the streets of Rio. Garbelotto also discusses the experience of writing and translating in English, which is his second language, and the way that experience has changed his approach to writing original work. Portuguese is a more playful, allegorical language than English, Garbelotto says, and he’s learned to approach each language differently.
Edgar Garbelotto is a writer and translator born in Brazil and based in the US for 20 years. His translation of João Gilberto Noll’s novel Lord won the 2020 Jabuti Prize as Best Brazilian Book Published Abroad and was a finalist for the 2020 Lambda Literary Award in Best Gay Fiction. His translation of Noll’s novel Harmada was published by Two Lines Press in November 2020 and Hugs &amp; Cuddles, another award-winning novel by Noll, is forthcoming from the same publisher in Fall 2022. He has received fellowships from the DISQUIET International Literary Program in Lisbon and the Fine Arts Work Center in Provincetown, among others. He holds an MFA in Creative Writing from the University of Illinois and lives in Chicago, where he is currently editing his debut novel Terra Incognita, written in both Portuguese and English.
Read “A Fourteen-Hour Lesson in Theosophy” by Edgar Garbelotto at thecommononline.org/a-fourteen-hour-lesson-in-theosophy.
Find Edgar Garbelotto’s translations of Lord and Harmada here.
Follow Edgar Garbelotto on Twitter at @EdgarGarbelotto
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Writer and translator Edgar Garbelotto speaks to managing editor Emily Everett about his short story “A Fourteen-Hour Lesson in Theosophy,” which appears in Issue 20 of <em>The Common</em> magazine. </p><p>The story imagines the final hours of author Clarice Lispector’s life. In this conversation, Garbelotto talks about the process of fictionalizing a real person, and bringing her to life in the streets of Rio. Garbelotto also discusses the experience of writing and translating in English, which is his second language, and the way that experience has changed his approach to writing original work. Portuguese is a more playful, allegorical language than English, Garbelotto says, and he’s learned to approach each language differently.</p><p>Edgar Garbelotto is a writer and translator born in Brazil and based in the US for 20 years. His translation of João Gilberto Noll’s novel Lord won the 2020 Jabuti Prize as Best Brazilian Book Published Abroad and was a finalist for the 2020 Lambda Literary Award in Best Gay Fiction. His translation of Noll’s novel Harmada was published by Two Lines Press in November 2020 and Hugs &amp; Cuddles, another award-winning novel by Noll, is forthcoming from the same publisher in Fall 2022. He has received fellowships from the DISQUIET International Literary Program in Lisbon and the Fine Arts Work Center in Provincetown, among others. He holds an MFA in Creative Writing from the University of Illinois and lives in Chicago, where he is currently editing his debut novel Terra Incognita, written in both Portuguese and English.</p><p>Read “A Fourteen-Hour Lesson in Theosophy” by Edgar Garbelotto at <a href="https://www.thecommononline.org/a-fourteen-hour-lesson-in-theosophy/">thecommononline.org/a-fourteen-hour-lesson-in-theosophy</a>.</p><p>Find Edgar Garbelotto’s translations of <em>Lord </em>and <em>Harmada </em><a href="https://bookshop.org/contributors/edgar-garbelotto">here</a>.</p><p>Follow Edgar Garbelotto on Twitter at <a href="https://twitter.com/edgargarbelotto">@EdgarGarbelotto</a></p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her stories appear in the<em> Kenyon Review</em>, <em>Electric Literature, Tin House </em>Online<em>, and Mississippi Review</em>. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter <a href="https://twitter.com/Public_Emily">@Public_Emily</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2997</itunes:duration>
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    <item>
      <title>Casey Walker, “Vigilância,” The Common magazine (Fall, 2020)</title>
      <description>Casey Walker speaks to managing editor Emily Everett about his short story “Vigilância,” which appears in Issue 20 of The Common magazine. In this conversation, Walker talks about writing World War II-era Lisbon through the eyes of a police informer who trades in secrets. Walker also discusses the complex nature of complicity in his novel Last Days in Shanghai, and the historical and personal background behind his current project Mexicali, a new novel set in the Mexican-American borderlands.
Casey Walker is a graduate of the Iowa Writer’s Workshop and has a PhD in English Literature from Princeton University. He is the author of the novel Last Days in Shanghai. His writing has appeared in The Believer, Boston Review, and The Los Angeles Review of Books. He is currently finishing a new novel, Mexicali, exploring the history of the Mexican-American borderlands where he was born and raised.
Read “Vigilância” by Casey Walker at thecommononline.org/vigilancia.
Learn more about Casey Walker and his work at caseymwalker.com, and find his book Last Days in Shanghai here.
Follow Casey Walker on Twitter at @CaseyMWalker.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 26 Mar 2021 08:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>9</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Casey Walker</itunes:subtitle>
      <itunes:summary>Casey Walker speaks to managing editor Emily Everett about his short story “Vigilância,” which appears in Issue 20 of The Common magazine. In this conversation, Walker talks about writing World War II-era Lisbon through the eyes of a police informer who trades in secrets. Walker also discusses the complex nature of complicity in his novel Last Days in Shanghai, and the historical and personal background behind his current project Mexicali, a new novel set in the Mexican-American borderlands.
Casey Walker is a graduate of the Iowa Writer’s Workshop and has a PhD in English Literature from Princeton University. He is the author of the novel Last Days in Shanghai. His writing has appeared in The Believer, Boston Review, and The Los Angeles Review of Books. He is currently finishing a new novel, Mexicali, exploring the history of the Mexican-American borderlands where he was born and raised.
Read “Vigilância” by Casey Walker at thecommononline.org/vigilancia.
Learn more about Casey Walker and his work at caseymwalker.com, and find his book Last Days in Shanghai here.
Follow Casey Walker on Twitter at @CaseyMWalker.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Casey Walker speaks to managing editor Emily Everett about his short story “Vigilância,” which appears in Issue 20 of The Common magazine.<em> </em>In this conversation, Walker talks about writing World War II-era Lisbon through the eyes of a police informer who trades in secrets. Walker also discusses the complex nature of complicity in his novel <em>Last Days in Shanghai</em>, and the historical and personal background behind his current project <em>Mexicali</em>, a new novel set in the Mexican-American borderlands.</p><p><em>Casey Walker is a graduate of the Iowa Writer’s Workshop and has a PhD in English Literature from Princeton University. He is the author of the novel Last Days in Shanghai. His writing has appeared in The Believer, Boston Review, </em>and<em> The Los Angeles Review of Books</em>. He is currently finishing a new novel<em>, Mexicali</em>, exploring the history of the Mexican-American borderlands where he was born and raised.</p><p>Read “Vigilância” by Casey Walker at <a href="https://www.thecommononline.org/vigilancia/">thecommononline.org/vigilancia</a>.</p><p>Learn more about Casey Walker and his work at <a href="http://www.caseymwalker.com/">caseymwalker.com</a>, and find his book <em>Last Days in Shanghai </em><a href="https://bookshop.org/a/429/9781619024304">here</a>.</p><p>Follow Casey Walker on Twitter at <a href="https://twitter.com/CaseyMWalker">@CaseyMWalker</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her stories appear in the<em> Kenyon Review</em>, <em>Electric Literature, Tin House </em>Online<em>, and Mississippi Review</em>. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter <a href="https://twitter.com/Public_Emily">@Public_Emily</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
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    <item>
      <title>Katherine Vaz “The Treasure Hunt of August Dias,” The Common magazine (Fall, 2020)</title>
      <description>Katherine Vaz speaks to managing editor Emily Everett about her short story “The Treasure Hunt of August Dias,” which appears in Issue 20 of The Common magazine. In this conversation, Vaz talks about her long career of writing novels and short stories about Portuguese and Portuguese-American characters, and their rich, complex communities. She also discusses her current project, a heavily researched historical novel about Portuguese immigrants set during the Civil War.
Katherine Vaz is the author of the novels Saudade and Mariana, the latter translated in six languages. Her story collection Fado &amp; Other Stories won the Drue Heinz Literature Prize, and the collection Our Lady of the Artichokes &amp; Other Portuguese-American Stories won the Prairie Schooner Book Prize. She is the first Portuguese American to have her work recorded for the archives of the Library of Congress, and she served on the six-person Presidential Delegation to the World’s Fair in Lisbon in 1998. She is a teacher of “Writing the Luso Experience,” a workshop at the DISQUIET conference each summer in Lisbon.
Read “The Treasure Hunt of August Dias” by Katherine Vaz at thecommononline.org/the-treasure-hunt-of-august-dias.
Learn more about Katherine Vaz and her work at katherinevaz.com, and find her books and collections here.
Follow Katherine Vaz on Twitter at @KatherineVaz1.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 12 Mar 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>8</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Katherine Vaz</itunes:subtitle>
      <itunes:summary>Katherine Vaz speaks to managing editor Emily Everett about her short story “The Treasure Hunt of August Dias,” which appears in Issue 20 of The Common magazine. In this conversation, Vaz talks about her long career of writing novels and short stories about Portuguese and Portuguese-American characters, and their rich, complex communities. She also discusses her current project, a heavily researched historical novel about Portuguese immigrants set during the Civil War.
Katherine Vaz is the author of the novels Saudade and Mariana, the latter translated in six languages. Her story collection Fado &amp; Other Stories won the Drue Heinz Literature Prize, and the collection Our Lady of the Artichokes &amp; Other Portuguese-American Stories won the Prairie Schooner Book Prize. She is the first Portuguese American to have her work recorded for the archives of the Library of Congress, and she served on the six-person Presidential Delegation to the World’s Fair in Lisbon in 1998. She is a teacher of “Writing the Luso Experience,” a workshop at the DISQUIET conference each summer in Lisbon.
Read “The Treasure Hunt of August Dias” by Katherine Vaz at thecommononline.org/the-treasure-hunt-of-august-dias.
Learn more about Katherine Vaz and her work at katherinevaz.com, and find her books and collections here.
Follow Katherine Vaz on Twitter at @KatherineVaz1.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Katherine Vaz speaks to managing editor Emily Everett about her short story “The Treasure Hunt of August Dias,” which appears in Issue 20 of The Common magazine. In this conversation, Vaz talks about her long career of writing novels and short stories about Portuguese and Portuguese-American characters, and their rich, complex communities. She also discusses her current project, a heavily researched historical novel about Portuguese immigrants set during the Civil War.</p><p>Katherine Vaz is the author of the novels <em>Saudade </em>and<em> Mariana</em>, the latter translated in six languages. Her story collection <em>Fado &amp; Other Stories</em> won the Drue Heinz Literature Prize, and the collection <em>Our Lady of the Artichokes &amp; Other Portuguese-American Stories</em> won the Prairie Schooner Book Prize. She is the first Portuguese American to have her work recorded for the archives of the Library of Congress, and she served on the six-person Presidential Delegation to the World’s Fair in Lisbon in 1998. She is a teacher of “Writing the Luso Experience,” a workshop at the DISQUIET conference each summer in Lisbon.</p><p>Read<em> “The Treasure Hunt of August Dias” </em>by Katherine Vaz at <a href="https://www.thecommononline.org/the-treasure-hunt-of-august-dias/">thecommononline.org/the-treasure-hunt-of-august-dias</a>.</p><p>Learn more about Katherine Vaz and her work at <a href="http://katherinevaz.com/bio/">katherinevaz.com</a>, and find her books and collections <a href="https://bookshop.org/contributors/katherine-vaz">here</a>.</p><p>Follow Katherine Vaz on Twitter at <a href="https://twitter.com/KatherineVaz1">@KatherineVaz1</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/">Emily Everett</a> is managing editor of the magazine and host of the podcast. Her stories appear in the<em> Kenyon Review</em>, <em>Electric Literature, Tin House </em>Online<em>, and Mississippi Review</em>. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter <a href="https://twitter.com/Public_Emily">@Public_Emily</a>.</p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2304</itunes:duration>
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    <item>
      <title>Bina Shah, "Weeds and Flowers" (Spring, 2020)</title>
      <description>Bina Shah speaks to managing editor Emily Everett about her short story “Weeds and Flowers,” which appears in Issue 19 of The Common magazine. In this conversation, Shah talks about how the people she observes and encounters in her life in Karachi, Pakistan, inspire her work in fiction. She also discusses her 2018 feminist dystopian novel Before She Sleeps, and the sequel she’s working on now, in addition to her work as a journalist.
Bina Shah is a Karachi-based author of five novels and two collections of short stories, including the feminist dystopia Before She Sleeps, published in 2018. Her work has appeared in Granta, The New York Times, and Pakistan’s biggest English-language newspaper, Dawn, as well as other international newspapers and journals.
Read “Weeds and Flowers” by Bina Shah at thecommononline.org/weeds-and-flowers.
Learn more about Bina Shah and her work at thefeministani.wordpress.com, and find her novel Before She Sleeps here.
Follow Bina Shah on Twitter at twitter.com/BinaShah.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 26 Feb 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>7</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Bina Shah</itunes:subtitle>
      <itunes:summary>Bina Shah speaks to managing editor Emily Everett about her short story “Weeds and Flowers,” which appears in Issue 19 of The Common magazine. In this conversation, Shah talks about how the people she observes and encounters in her life in Karachi, Pakistan, inspire her work in fiction. She also discusses her 2018 feminist dystopian novel Before She Sleeps, and the sequel she’s working on now, in addition to her work as a journalist.
Bina Shah is a Karachi-based author of five novels and two collections of short stories, including the feminist dystopia Before She Sleeps, published in 2018. Her work has appeared in Granta, The New York Times, and Pakistan’s biggest English-language newspaper, Dawn, as well as other international newspapers and journals.
Read “Weeds and Flowers” by Bina Shah at thecommononline.org/weeds-and-flowers.
Learn more about Bina Shah and her work at thefeministani.wordpress.com, and find her novel Before She Sleeps here.
Follow Bina Shah on Twitter at twitter.com/BinaShah.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Bina Shah speaks to managing editor Emily Everett about her short story “Weeds and Flowers,” which appears in Issue 19 of <em>The Common</em> magazine. In this conversation, Shah talks about how the people she observes and encounters in her life in Karachi, Pakistan, inspire her work in fiction. She also discusses her 2018 feminist dystopian novel <em>Before She Sleeps</em>, and the sequel she’s working on now<em>, </em>in addition to her work as a journalist.</p><p>Bina Shah is a Karachi-based author of five novels and two collections of short stories, including the feminist dystopia <em>Before She Sleeps</em>, published in 2018. Her work has appeared in<em> Granta, The New York Times, </em>and Pakistan’s biggest English-language newspaper, <em>Dawn</em>, as well as other international newspapers and journals.</p><p>Read “Weeds and Flowers” by Bina Shah at <a href="https://www.thecommononline.org/weeds-and-flowers/">thecommononline.org/weeds-and-flowers</a>.</p><p>Learn more about Bina Shah and her work at <a href="https://thefeministani.wordpress.com/">thefeministani.wordpress.com</a>, and find her novel <em>Before She Sleeps</em> <a href="https://bookshop.org/a/429/9781883285807">here</a>.</p><p>Follow Bina Shah on Twitter at <a href="https://twitter.com/BinaShah">twitter.com/BinaShah</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>1211</itunes:duration>
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    <item>
      <title>Jethro Soutar, "Translations from Portuguese" (Fall 2020)</title>
      <description>Translator Jethro Soutar speaks to managing editor Emily Everett about three pieces he translated from Portuguese for Issue 20 of The Common magazine. These pieces appear in a special portfolio of writing from and about the Lusosphere—Portugal’s colonial and linguistic diaspora around the globe. 
In this conversation, Soutar talks about the complexities of translating poetry and prose: capturing not just the meaning of a piece but the feeling and atmosphere of it, and the culture behind the scenes. He also explains a little of the colonial and racial history of Portugal, Cape Verde, and Mozambique, and how those events echo today through the literature and language of modern Lusophone countries.
Jethro Soutar is a translator of Spanish and Portuguese. He has a particular focus on works from Africa and has translated novels from Equatorial Guinea, Guinea-Bissau, and Cape Verde. He is also editor of Dedalus Africa and a co-founder of Ragpicker Press. Originally from Sheffield in the UK, he now lives in Lisbon, Portugal.
Read “Maria, I’m Going To War,” “In Our Skin—A Journey,” and “Another Education,” all translated by Jethro Soutar, at thecommononline.org/tag/jethro-soutar.
Explore The Common’s portfolio of writing from the Lusosphere at thecommononline.org/luso.
Learn more about Dedalus Africa at dedalusbooks.com, and about Ragpicker Press at ragpickerpress.co.uk.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 12 Feb 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>6</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Jethro Soutar</itunes:subtitle>
      <itunes:summary>Translator Jethro Soutar speaks to managing editor Emily Everett about three pieces he translated from Portuguese for Issue 20 of The Common magazine. These pieces appear in a special portfolio of writing from and about the Lusosphere—Portugal’s colonial and linguistic diaspora around the globe. 
In this conversation, Soutar talks about the complexities of translating poetry and prose: capturing not just the meaning of a piece but the feeling and atmosphere of it, and the culture behind the scenes. He also explains a little of the colonial and racial history of Portugal, Cape Verde, and Mozambique, and how those events echo today through the literature and language of modern Lusophone countries.
Jethro Soutar is a translator of Spanish and Portuguese. He has a particular focus on works from Africa and has translated novels from Equatorial Guinea, Guinea-Bissau, and Cape Verde. He is also editor of Dedalus Africa and a co-founder of Ragpicker Press. Originally from Sheffield in the UK, he now lives in Lisbon, Portugal.
Read “Maria, I’m Going To War,” “In Our Skin—A Journey,” and “Another Education,” all translated by Jethro Soutar, at thecommononline.org/tag/jethro-soutar.
Explore The Common’s portfolio of writing from the Lusosphere at thecommononline.org/luso.
Learn more about Dedalus Africa at dedalusbooks.com, and about Ragpicker Press at ragpickerpress.co.uk.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Translator Jethro Soutar speaks to managing editor Emily Everett about three pieces he translated from Portuguese for Issue 20 of The Common magazine. These pieces appear in a special portfolio of writing from and about the Lusosphere—Portugal’s colonial and linguistic diaspora around the globe. </p><p>In this conversation, Soutar talks about the complexities of translating poetry and prose: capturing not just the meaning of a piece but the feeling and atmosphere of it, and the culture behind the scenes. He also explains a little of the colonial and racial history of Portugal, Cape Verde, and Mozambique, and how those events echo today through the literature and language of modern Lusophone countries.</p><p>Jethro Soutar is a translator of Spanish and Portuguese. He has a particular focus on works from Africa and has translated novels from Equatorial Guinea, Guinea-Bissau, and Cape Verde. He is also editor of Dedalus Africa and a co-founder of Ragpicker Press. Originally from Sheffield in the UK, he now lives in Lisbon, Portugal.</p><p>Read “Maria, I’m Going To War,” “In Our Skin—A Journey,” and “Another Education,” all translated by Jethro Soutar, at <a href="https://www.thecommononline.org/tag/jethro-soutar/">thecommononline.org/tag/jethro-soutar</a>.</p><p>Explore <em>The Common</em>’s portfolio of writing from the Lusosphere at <a href="https://www.thecommononline.org/issues/issue-20/">thecommononline.org/luso</a>.</p><p>Learn more about Dedalus Africa at <a href="http://www.dedalusbooks.com/">dedalusbooks.com</a>, and about Ragpicker Press at <a href="http://ragpickerpress.co.uk/">ragpickerpress.co.uk</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
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      <title>Tanya Coke, "Brother Love," The Common Magazine (Spring 2020)</title>
      <description>Tanya Coke is a lawyer, writer, and philanthropy executive at the Ford Foundation. She speaks to managing editor Emily Everett about “Brother Love,” her essay from Issue 19 of The Common magazine. Coke discusses both the beautiful and the difficult parts of writing about her own family, the process of being a writer and an artist, and what it means to helm the Ford Foundation’s Gender, Race &amp; Ethnic Justice division.
Tanya Coke is director of the Ford Foundation’s Gender, Racial, and Ethnic Justice team, focusing on issues of mass incarceration, harsh treatment of immigrants, and gender and reproductive justice. Her work has appeared in The Washington Post, The Atlantic, and USA Today. She is currently working on a graphic novel about race and suburban motherhood.
Read “Brother Love” by Tanya Coke at thecommononline.org/brother-love.
Find out more about Tanya Coke’s work with the Ford Foundation here. Follow her on Twitter @TanyaCoke.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Mon, 01 Feb 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>5</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>An interview with Tanya Coke</itunes:subtitle>
      <itunes:summary>Tanya Coke is a lawyer, writer, and philanthropy executive at the Ford Foundation. She speaks to managing editor Emily Everett about “Brother Love,” her essay from Issue 19 of The Common magazine. Coke discusses both the beautiful and the difficult parts of writing about her own family, the process of being a writer and an artist, and what it means to helm the Ford Foundation’s Gender, Race &amp; Ethnic Justice division.
Tanya Coke is director of the Ford Foundation’s Gender, Racial, and Ethnic Justice team, focusing on issues of mass incarceration, harsh treatment of immigrants, and gender and reproductive justice. Her work has appeared in The Washington Post, The Atlantic, and USA Today. She is currently working on a graphic novel about race and suburban motherhood.
Read “Brother Love” by Tanya Coke at thecommononline.org/brother-love.
Find out more about Tanya Coke’s work with the Ford Foundation here. Follow her on Twitter @TanyaCoke.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Tanya Coke is a lawyer, writer, and philanthropy executive at the Ford Foundation. She speaks to managing editor Emily Everett about “<a href="https://www.thecommononline.org/brother-love/">Brother Love</a>,” her essay from Issue 19 of The Common magazine. Coke discusses both the beautiful and the difficult parts of writing about her own family, the process of being a writer and an artist, and what it means to helm the Ford Foundation’s Gender, Race &amp; Ethnic Justice division.</p><p>Tanya Coke is director of the Ford Foundation’s Gender, Racial, and Ethnic Justice team, focusing on issues of mass incarceration, harsh treatment of immigrants, and gender and reproductive justice. Her work has appeared in <em>The Washington Post, </em><a href="https://www.theatlantic.com/author/tanya-coke/"><em>The Atlantic</em></a><em>, </em>and<em> USA Today</em>. She is currently working on a graphic novel about race and suburban motherhood.</p><p>Read <em>“</em><a href="https://www.thecommononline.org/brother-love/"><em>Brother Love</em></a><em>” </em>by Tanya Coke at <a href="https://www.thecommononline.org/brother-love/">thecommononline.org/brother-love</a>.</p><p>Find out more about Tanya Coke’s work with the Ford Foundation <a href="https://www.fordfoundation.org/about/people/tanya-coke/">here</a>. Follow her on Twitter <a href="https://twitter.com/tanyacoke">@TanyaCoke</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
      </content:encoded>
      <itunes:duration>2176</itunes:duration>
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      <title>Elisabeth Jaquette, "Stories from Sudan in Translation," The Common magazine (Spring, 2020)</title>
      <description>Translator Elisabeth Jaquette speaks to managing editor Emily Everett about four stories she translated from Arabic for Issue 19 of The Common magazine. These stories appear in a special portfolio of fiction from established and emerging Sudanese writers. In this conversation, Jaquette talks about the delights and difficulties of translating from Arabic, as well as her thoughts on form, style, and satire in literature from the Arab world. She also discusses translating Minor Detail by Adania Shibli, which is currently a finalist for the National Book Award for Translated Literature.
Elisabeth Jaquette is a translator from Arabic and Executive Director of the American Literary Translators Association (ALTA). Her work has been shortlisted for the National Book Award for Translated Literature and TA First Translation Prize, longlisted for the Best Translated Book Award and Warwick Prize for Women in Translation, and supported by the Jan Michalski Foundation, PEN/Heim Translation Fund, and several English PEN Translates Awards. Jaquette has taught translation at Bread Loaf Translators' Conference, among other places, and was a judge for the 2019 National Book Award in Translated Literature. She has an MA from Columbia University, a BA from Swarthmore College, and was a CASA Fellow at the American University in Cairo. She is also a member of the translators' collective Cedilla &amp; Co.
Read “The Creator” and other stories translated by Elisabeth Jaquette at thecommononline.org/tag/elisabeth-jaquette.
Find out more about Elisabeth Jaquette at elisabethjaquette.com. Read her introduction to Words Without Borders’ Arabic young adult literature feature here.
Learn more about the American Literary Translators Association:
ALTA's Crowdcast page: online programming from the ALTA43 conference, some free
ALTA's Emerging Translator Mentorship Program
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 15 Jan 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>4</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Translator Elisabeth Jaquette speaks to managing editor Emily Everett about four stories she translated from Arabic for Issue 19 of The Common magazine....</itunes:subtitle>
      <itunes:summary>Translator Elisabeth Jaquette speaks to managing editor Emily Everett about four stories she translated from Arabic for Issue 19 of The Common magazine. These stories appear in a special portfolio of fiction from established and emerging Sudanese writers. In this conversation, Jaquette talks about the delights and difficulties of translating from Arabic, as well as her thoughts on form, style, and satire in literature from the Arab world. She also discusses translating Minor Detail by Adania Shibli, which is currently a finalist for the National Book Award for Translated Literature.
Elisabeth Jaquette is a translator from Arabic and Executive Director of the American Literary Translators Association (ALTA). Her work has been shortlisted for the National Book Award for Translated Literature and TA First Translation Prize, longlisted for the Best Translated Book Award and Warwick Prize for Women in Translation, and supported by the Jan Michalski Foundation, PEN/Heim Translation Fund, and several English PEN Translates Awards. Jaquette has taught translation at Bread Loaf Translators' Conference, among other places, and was a judge for the 2019 National Book Award in Translated Literature. She has an MA from Columbia University, a BA from Swarthmore College, and was a CASA Fellow at the American University in Cairo. She is also a member of the translators' collective Cedilla &amp; Co.
Read “The Creator” and other stories translated by Elisabeth Jaquette at thecommononline.org/tag/elisabeth-jaquette.
Find out more about Elisabeth Jaquette at elisabethjaquette.com. Read her introduction to Words Without Borders’ Arabic young adult literature feature here.
Learn more about the American Literary Translators Association:
ALTA's Crowdcast page: online programming from the ALTA43 conference, some free
ALTA's Emerging Translator Mentorship Program
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Translator Elisabeth Jaquette speaks to managing editor Emily Everett about four stories she translated from Arabic for Issue 19 of The Common magazine. These stories appear in a special portfolio of fiction from established and emerging Sudanese writers<em>. </em>In this conversation, Jaquette talks about the delights and difficulties of translating from Arabic, as well as her thoughts on form, style, and satire in literature from the Arab world. She also discusses translating <em>Minor Detail </em>by Adania Shibli, which is currently a finalist for the National Book Award for Translated Literature.</p><p>Elisabeth Jaquette is a translator from Arabic and Executive Director of the American Literary Translators Association (ALTA). Her work has been shortlisted for the National Book Award for Translated Literature and TA First Translation Prize, longlisted for the Best Translated Book Award and Warwick Prize for Women in Translation, and supported by the Jan Michalski Foundation, PEN/Heim Translation Fund, and several English PEN Translates Awards. Jaquette has taught translation at Bread Loaf Translators' Conference, among other places, and was a judge for the 2019 National Book Award in Translated Literature. She has an MA from Columbia University, a BA from Swarthmore College, and was a CASA Fellow at the American University in Cairo. She is also a member of the translators' collective Cedilla &amp; Co.</p><p>Read “The Creator” and other stories translated by Elisabeth Jaquette at <a href="https://www.thecommononline.org/tag/elisabeth-jaquette/">thecommononline.org/tag/elisabeth-jaquette</a>.</p><p>Find out more about Elisabeth Jaquette at <a href="http://www.elisabethjaquette.com/">elisabethjaquette.com</a>. Read her introduction to <em>Words Without </em>Borders’ Arabic young adult literature feature <a href="https://www.wordswithoutborders.org/article/april-2020-time-travelers-fisherwomen-and-sleuths-arabic-young-adult-lit">here</a>.</p><p>Learn more about the American Literary Translators Association:</p><p>ALTA's <a href="https://www.crowdcast.io/literarytranslators:">Crowdcast page</a>: online programming from the ALTA43 conference, some free</p><p>ALTA's <a href="https://www.literarytranslators.org/mentorships">Emerging Translator Mentorship Program</a></p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>Omer Friedlander, “Operation Tamar," The Common magazine (Spring, 2020)</title>
      <description>Writer Omer Friedlander speaks to managing editor Emily Everett about his story “Operation Tamar,” which appears in Issue 19 of The Common magazine. “Operation Tamar” is set in Israel, where Friedlander grew up. In this conversation, Friedlander talks about the setting and inspiration for this story and others, and the editing and revision that went into “Operation Tamar” before publication. He also discusses his current projects, a novel and a short story collection recently sold to Random House for publication.
Omer Friedlander grew up in Tel-Aviv. His short story collection, The Man Who Sold Air in the Holy Land, and his novel, The Glass Golem, are both forthcoming from Random House. He has a BA in English Literature from the University of Cambridge and an MFA from Boston University, where he was supported by the Saul Bellow Fellowship. He is a Starworks Fellow in Fiction at New York University. His writing has been supported by the Bread Loaf Work-Study Scholarship, Vermont Studio Center Fellowship, Virginia Center for the Creative Arts, and others.
Read “Operation Tamar” by Omer Friedlander at thecommononline.org/operation-tamar.
Find out more about Omer Friedlander at omerfriedlander.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Thu, 31 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>3</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Writer Omer Friedlander speaks to managing editor Emily Everett about his story “Operation Tamar,” which appears in Issue 19 of The Common magazine...</itunes:subtitle>
      <itunes:summary>Writer Omer Friedlander speaks to managing editor Emily Everett about his story “Operation Tamar,” which appears in Issue 19 of The Common magazine. “Operation Tamar” is set in Israel, where Friedlander grew up. In this conversation, Friedlander talks about the setting and inspiration for this story and others, and the editing and revision that went into “Operation Tamar” before publication. He also discusses his current projects, a novel and a short story collection recently sold to Random House for publication.
Omer Friedlander grew up in Tel-Aviv. His short story collection, The Man Who Sold Air in the Holy Land, and his novel, The Glass Golem, are both forthcoming from Random House. He has a BA in English Literature from the University of Cambridge and an MFA from Boston University, where he was supported by the Saul Bellow Fellowship. He is a Starworks Fellow in Fiction at New York University. His writing has been supported by the Bread Loaf Work-Study Scholarship, Vermont Studio Center Fellowship, Virginia Center for the Creative Arts, and others.
Read “Operation Tamar” by Omer Friedlander at thecommononline.org/operation-tamar.
Find out more about Omer Friedlander at omerfriedlander.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Writer Omer Friedlander speaks to managing editor Emily Everett about his story “<a href="https://www.thecommononline.org/operation-tamar/">Operation Tamar</a>,” which appears in Issue 19 of <em>The Common</em> magazine. “Operation Tamar” is set in Israel, where Friedlander grew up. In this conversation, Friedlander talks about the setting and inspiration for this story and others, and the editing and revision that went into “Operation Tamar” before publication. He also discusses his current projects, a novel and a short story collection recently sold to Random House for publication.</p><p>Omer Friedlander grew up in Tel-Aviv. His short story collection, <em>The Man Who Sold Air in the Holy Land</em>, and his novel, <em>The Glass Golem</em>, are both forthcoming from Random House. He has a BA in English Literature from the University of Cambridge and an MFA from Boston University, where he was supported by the Saul Bellow Fellowship. He is a Starworks Fellow in Fiction at New York University. His writing has been supported by the Bread Loaf Work-Study Scholarship, Vermont Studio Center Fellowship, Virginia Center for the Creative Arts, and others.</p><p>Read “Operation Tamar” by Omer Friedlander at <a href="https://www.thecommononline.org/operation-tamar/">thecommononline.org/operation-tamar</a>.</p><p>Find out more about Omer Friedlander at <a href="https://www.omerfriedlander.com/">omerfriedlander.com</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>Tara Skurtu, "Offering," The Common magazine (Spring, 2020)</title>
      <description>Tara Skurtu is an American poet and writer, writing coach, and public speaker. She speaks to managing editor Emily Everett about “Offering,” her poem from Issue 19 of The Common magazine. “Offering,” and many more of Skurtu’s poems, are set in Bucharest, Romania, where the poet has lived for several years. Skurtu discusses the inspiration and process behind the poem, her thoughts on teaching creative writing, and her time studying with poet Louise Glück. This conversation also includes the story behind the International Poetry Circle, an online poetry-reading initiative Skurtu started on Twitter in the early days of the pandemic.
Tara Skurtu is a two-time U.S. Fulbright grantee and recipient of two Academy of American Poets prizes, a Marcia Keach Poetry Prize, and a Robert Pinsky Global Fellowship. She holds an MFA in Creative Writing from Boston University, where she studied with Nobel Laureate Louise Glück and three-term U.S. Poet Laureate Robert Pinsky. Her poems are published internationally and translated into ten languages. She is the author of the chapbook Skurtu, Romania and the full poetry collection The Amoeba Game. Before moving to Romania, she was a lecturer in creative writing at Boston University and taught composition to incarcerated students through BU’s Prison Education Program. She is currently based in Bucharest, where she coaches writing clients around the world and is working on her forthcoming poetry collection Faith Farm.
Read “Offering” by Tara Skurtu at thecommononline.org/offering.
Find out more about Tara Skurtu at taraskurtu.com, or visit her writing coach page at taraskurtu.com/oneonone.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 18 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>2</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>Skurtu speaks to managing editor Emily Everett about “Offering,” her poem from Issue 19 of The Common magazine....</itunes:subtitle>
      <itunes:summary>Tara Skurtu is an American poet and writer, writing coach, and public speaker. She speaks to managing editor Emily Everett about “Offering,” her poem from Issue 19 of The Common magazine. “Offering,” and many more of Skurtu’s poems, are set in Bucharest, Romania, where the poet has lived for several years. Skurtu discusses the inspiration and process behind the poem, her thoughts on teaching creative writing, and her time studying with poet Louise Glück. This conversation also includes the story behind the International Poetry Circle, an online poetry-reading initiative Skurtu started on Twitter in the early days of the pandemic.
Tara Skurtu is a two-time U.S. Fulbright grantee and recipient of two Academy of American Poets prizes, a Marcia Keach Poetry Prize, and a Robert Pinsky Global Fellowship. She holds an MFA in Creative Writing from Boston University, where she studied with Nobel Laureate Louise Glück and three-term U.S. Poet Laureate Robert Pinsky. Her poems are published internationally and translated into ten languages. She is the author of the chapbook Skurtu, Romania and the full poetry collection The Amoeba Game. Before moving to Romania, she was a lecturer in creative writing at Boston University and taught composition to incarcerated students through BU’s Prison Education Program. She is currently based in Bucharest, where she coaches writing clients around the world and is working on her forthcoming poetry collection Faith Farm.
Read “Offering” by Tara Skurtu at thecommononline.org/offering.
Find out more about Tara Skurtu at taraskurtu.com, or visit her writing coach page at taraskurtu.com/oneonone.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Tara Skurtu is an American poet and writer, writing coach, and public speaker. She speaks to managing editor Emily Everett about “<a href="https://www.thecommononline.org/offering/">Offering</a>,” her poem from Issue 19 of<em> The Common </em>magazine. “Offering,” and many more of Skurtu’s poems, are set in Bucharest, Romania, where the poet has lived for several years. Skurtu discusses the inspiration and process behind the poem, her thoughts on teaching creative writing, and her time studying with poet Louise Glück. This conversation also includes the story behind the International Poetry Circle, an online poetry-reading initiative Skurtu started on Twitter in the early days of the pandemic.</p><p>Tara Skurtu is a two-time U.S. Fulbright grantee and recipient of two Academy of American Poets prizes, a Marcia Keach Poetry Prize, and a Robert Pinsky Global Fellowship. She holds an MFA in Creative Writing from Boston University, where she studied with Nobel Laureate Louise Glück and three-term U.S. Poet Laureate Robert Pinsky. Her poems are published internationally and translated into ten languages. She is the author of the chapbook Skurtu, Romania and the full poetry collection The Amoeba Game. Before moving to Romania, she was a lecturer in creative writing at Boston University and taught composition to incarcerated students through BU’s Prison Education Program. She is currently based in Bucharest, where she coaches writing clients around the world and is working on her forthcoming poetry collection Faith Farm.</p><p>Read “Offering” by Tara Skurtu at <a href="https://thecommononline.org/offering/">thecommononline.org/offering</a>.</p><p>Find out more about Tara Skurtu at <a href="https://taraskurtu.com/">taraskurtu.com</a>, or visit her writing coach page at <a href="https://taraskurtu.com/oneonone">taraskurtu.com/oneonone</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, <em>The Common</em> features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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      <title>David Moloney,  “Counsel,” The Common magazine (Spring, 2020)</title>
      <description>Writer David Moloney speaks to managing editor Emily Everett about his story “Counsel,” which appears in Issue 19 of The Common magazine. “Counsel” is an excerpt from Moloney’s novel-in-stories, Barker House, set in a correctional facility in New Hampshire. The book follows nine correctional officers over the course of one year on the job. Moloney discusses his own experiences as a correctional officer in a New Hampshire facility, and the work of turning those complex experiences into stories for the novel. Barker House was published by Bloomsbury in April 2020, so this conversation also includes discussion of what it’s like to publish during a pandemic.
David Moloney worked in the Hillsborough County Department of Corrections in New Hampshire, from 2007 to 2011. He received a BA in English and creative writing from the University of Massachusetts Lowell, where he now teaches.
Read “Counsel” by David Moloney at thecommononline.org/counsel.
Find out more about David Moloney at davidrmoloney.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</description>
      <pubDate>Fri, 04 Dec 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>1</itunes:episode>
      <itunes:author>New Books Network</itunes:author>
      <itunes:subtitle>David Moloney discusses his story “Counsel,” The Common Magazine (Spring, 2020)</itunes:subtitle>
      <itunes:summary>Writer David Moloney speaks to managing editor Emily Everett about his story “Counsel,” which appears in Issue 19 of The Common magazine. “Counsel” is an excerpt from Moloney’s novel-in-stories, Barker House, set in a correctional facility in New Hampshire. The book follows nine correctional officers over the course of one year on the job. Moloney discusses his own experiences as a correctional officer in a New Hampshire facility, and the work of turning those complex experiences into stories for the novel. Barker House was published by Bloomsbury in April 2020, so this conversation also includes discussion of what it’s like to publish during a pandemic.
David Moloney worked in the Hillsborough County Department of Corrections in New Hampshire, from 2007 to 2011. He received a BA in English and creative writing from the University of Massachusetts Lowell, where he now teaches.
Read “Counsel” by David Moloney at thecommononline.org/counsel.
Find out more about David Moloney at davidrmoloney.com.
The Common is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at thecommononline.org, and follow us on Twitter @CommonMag.
Emily Everett is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter @Public_Emily.
Learn more about your ad choices. Visit megaphone.fm/adchoices</itunes:summary>
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        <![CDATA[<p>Writer David Moloney speaks to managing editor Emily Everett about his story “<a href="https://www.thecommononline.org/counsel/">Counsel</a>,” which appears in Issue 19 of The Common magazine. “Counsel” is an excerpt from Moloney’s novel-in-stories, Barker House, set in a correctional facility in New Hampshire. The book follows nine correctional officers over the course of one year on the job. Moloney discusses his own experiences as a correctional officer in a New Hampshire facility, and the work of turning those complex experiences into stories for the novel. Barker House was published by Bloomsbury in April 2020, so this conversation also includes discussion of what it’s like to publish during a pandemic.</p><p>David Moloney worked in the Hillsborough County Department of Corrections in New Hampshire, from 2007 to 2011. He received a BA in English and creative writing from the University of Massachusetts Lowell, where he now teaches.</p><p>Read “Counsel” by David Moloney at <a href="https://www.thecommononline.org/counsel/">thecommononline.org/counsel</a>.</p><p>Find out more about David Moloney at <a href="https://davidrmoloney.com/">davidrmoloney.com</a>.</p><p><em>The Common</em> is a print and online literary magazine publishing stories, essays, and poems that deepen our collective sense of place. On our podcast and in our pages, The Common features established and emerging writers from around the world. Read more and subscribe to the magazine at <a href="https://thecommononline.org/">thecommononline.org</a>, and follow us on Twitter <a href="https://twitter.com/CommonMag">@CommonMag</a>.</p><p><a href="https://www.emily-everett.com/"><em>Emily Everett</em></a><em> is managing editor of the magazine and host of the podcast. Her stories appear in the Kenyon Review, Electric Literature, Tin House Online, and Mississippi Review. She holds an MA in literature from Queen Mary University of London, and a BA from Smith College. Say hello on Twitter </em><a href="https://twitter.com/Public_Emily"><em>@Public_Emily</em></a><em>.</em></p><p> </p><p>Learn more about your ad choices. Visit <a href="https://megaphone.fm/adchoices">megaphone.fm/adchoices</a></p>]]>
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