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    <title>Creative Control</title>
    <link>https://www.fastcompany.com/</link>
    <language>en</language>
    <copyright>© Fast Company Magazine | Creative Conversation</copyright>
    <description>The days of celebrities, athletes, and creators relying solely on their talent to build their brands is over. Today, it’s all about partnering with brands, investing in companies, or even launching a business of your own. Join host KC Ifeanyi each episode as he talks to one of the world’s most creative people about how their business endeavors intersect with, and grow, their creativity. </description>
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      <title>Creative Control</title>
      <link>https://www.fastcompany.com/</link>
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    <itunes:author>Fast Company</itunes:author>
    <itunes:summary>The days of celebrities, athletes, and creators relying solely on their talent to build their brands is over. Today, it’s all about partnering with brands, investing in companies, or even launching a business of your own. Join host KC Ifeanyi each episode as he talks to one of the world’s most creative people about how their business endeavors intersect with, and grow, their creativity. </itunes:summary>
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      <![CDATA[<p>The days of celebrities, athletes, and creators relying solely on their talent to build their brands is over. Today, it’s all about partnering with brands, investing in companies, or even launching a business of your own. Join host KC Ifeanyi each episode as he talks to one of the world’s most creative people about how their business endeavors intersect with, and grow, their creativity. </p>]]>
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    <itunes:owner>
      <itunes:name></itunes:name>
      <itunes:email>podcasts@fastcompany.com</itunes:email>
    </itunes:owner>
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    <itunes:category text="Arts">
    </itunes:category>
    <itunes:category text="TV &amp; Film">
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      <title>Spill's CEO on becoming more than 'Black Twitter'</title>
      <description>In 2022, Alphonzo “Phonz” Terrell was the global head of social and editorial at Twitter until he was part of the mass layoffs following Elon Musk's acquisition of the company. Terrell and his fellow Twitter alum DeVaris Brown immediately pivoted to create their own social media platform, Spill. After years of seeing how harmful and exploitative social media apps can be to Black and queer folks in particular, they were determined to design a space to serve and safeguard the communities that actually drive online culture. 

 

It's easy to think of Spill as Black Twitter getting its own platform. And while Terrell is devoted to maintaining the trust of its users and building more equity for them, what he really sees Spill becoming is an operating system for fandom.

 

In this episode of Creative Control, Terrell explains how being a "failed" musician set his career in motion, what the future of fandom looks like, how he's navigating brand partnerships with community trust, and what growth opportunities he sees for Spill in a very chaotic social landscape.

For more of the latest business and innovation news, go to https://www.fastcompany.com/news



To listen to the latest episodes of Creative Control on Fast Company:https://www.fastcompany.com/podcasts/creative-control</description>
      <pubDate>Tue, 14 Apr 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In 2022, Alphonzo “Phonz” Terrell was the global head of social and editorial at Twitter until he was part of the mass layoffs following Elon Musk's acquisition of the company. Terrell and his fellow Twitter alum DeVaris Brown immediately pivoted to create their own social media platform, Spill. After years of seeing how harmful and exploitative social media apps can be to Black and queer folks in particular, they were determined to design a space to serve and safeguard the communities that actually drive online culture. 

 

It's easy to think of Spill as Black Twitter getting its own platform. And while Terrell is devoted to maintaining the trust of its users and building more equity for them, what he really sees Spill becoming is an operating system for fandom.

 

In this episode of Creative Control, Terrell explains how being a "failed" musician set his career in motion, what the future of fandom looks like, how he's navigating brand partnerships with community trust, and what growth opportunities he sees for Spill in a very chaotic social landscape.

For more of the latest business and innovation news, go to https://www.fastcompany.com/news



To listen to the latest episodes of Creative Control on Fast Company:https://www.fastcompany.com/podcasts/creative-control</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 2022, Alphonzo “Phonz” Terrell was the global head of social and editorial at Twitter until he was part of the mass layoffs following Elon Musk's acquisition of the company. Terrell and his fellow Twitter alum DeVaris Brown immediately pivoted to create their own social media platform, Spill. After years of seeing how harmful and exploitative social media apps can be to Black and queer folks in particular, they were determined to design a space to serve and safeguard the communities that actually drive online culture. </p>
<p> </p>
<p>It's easy to think of Spill as Black Twitter getting its own platform. And while Terrell is devoted to maintaining the trust of its users and building more equity for them, what he really sees Spill becoming is an operating system for fandom.</p>
<p> </p>
<p>In this episode of <em>Creative Control</em>, Terrell explains how being a "failed" musician set his career in motion, what the future of fandom looks like, how he's navigating brand partnerships with community trust, and what growth opportunities he sees for Spill in a very chaotic social landscape.</p>
<p><br>For more of the latest business and innovation news, go to <a href="https://www.fastcompany.com/news"><u>https://www.fastcompany.com/news</u></a></p>
<p><br></p>
<p>To listen to the latest episodes of Creative Control on Fast Company:<a href="https://www.fastcompany.com/podcasts/creative-control"><u>https://www.fastcompany.com/podcasts/creative-control</u></a></p>
<p><br></p>]]>
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      <itunes:duration>3157</itunes:duration>
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    <item>
      <title>Your Creativity Needs a Good Stretch—and Riz Ahmed Is Here to Help</title>
      <description>When Riz Ahmed feels lost in his creative endeavors, he asks two questions: Does it stretch me? Does it stretch culture? Those questions have guided Ahmed to an Oscar- and Emmy-winning acting career (The Long Goodbye and The Night Of, respectively), a boundary-pushing music catalog, and stories that have redefined who gets to be seen at the center of the frame. And now, in the latest chapter of his career as WePresent's guest curator, he’s posing those two questions to all creatives. 

 

In this episode of Creative Control, we explore how Ahmed is utilizing his role as WePresent's guest curator (a role previously held by the likes of Marina Abramović, Solange Knowles, and Olafur Eliasson) and how his upcoming version of Shakespeare’s Hamlet ties directly into his vision of stretching culture—particularly at a time when it needs it most. 

For more of the latest business and innovation news, go to https://www.fastcompany.com/news



To listen to the latest episodes of Creative Control on Fast Company:https://www.fastcompany.com/podcasts/creative-control</description>
      <pubDate>Tue, 10 Mar 2026 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>When Riz Ahmed feels lost in his creative endeavors, he asks two questions: Does it stretch me? Does it stretch culture? Those questions have guided Ahmed to an Oscar- and Emmy-winning acting career (The Long Goodbye and The Night Of, respectively), a boundary-pushing music catalog, and stories that have redefined who gets to be seen at the center of the frame. And now, in the latest chapter of his career as WePresent's guest curator, he’s posing those two questions to all creatives. 

 

In this episode of Creative Control, we explore how Ahmed is utilizing his role as WePresent's guest curator (a role previously held by the likes of Marina Abramović, Solange Knowles, and Olafur Eliasson) and how his upcoming version of Shakespeare’s Hamlet ties directly into his vision of stretching culture—particularly at a time when it needs it most. 

For more of the latest business and innovation news, go to https://www.fastcompany.com/news



To listen to the latest episodes of Creative Control on Fast Company:https://www.fastcompany.com/podcasts/creative-control</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When Riz Ahmed feels lost in his creative endeavors, he asks two questions: Does it stretch me? Does it stretch culture? Those questions have guided Ahmed to an Oscar- and Emmy-winning acting career (<em>The Long Goodbye</em> and <em>The Night Of</em>, respectively), a boundary-pushing music catalog, and stories that have redefined who gets to be seen at the center of the frame. And now, in the latest chapter of his career as WePresent's guest curator, he’s posing those two questions to all creatives. </p>
<p> </p>
<p>In this episode of <em>Creative Control</em>, we explore how Ahmed is utilizing his role as WePresent's guest curator (a role previously held by the likes of Marina Abramović, Solange Knowles, and Olafur Eliasson) and how his upcoming version of Shakespeare’s <em>Hamlet </em>ties directly into his vision of stretching culture—particularly at a time when it needs it most. </p>
<p><br>For more of the latest business and innovation news, go to <a href="https://www.fastcompany.com/news"><u>https://www.fastcompany.com/news</u></a></p>
<p><br></p>
<p>To listen to the latest episodes of Creative Control on Fast Company:<a href="https://www.fastcompany.com/podcasts/creative-control"><u>https://www.fastcompany.com/podcasts/creative-control</u></a></p>]]>
      </content:encoded>
      <itunes:duration>2095</itunes:duration>
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    <item>
      <title>Inside ‘Half His Age’: Jennette McCurdy on female rage, desire, and control</title>
      <description>In 2022, Jennette McCurdy shook the culture with I’m Glad My Mom Died, a brutally honest memoir that spent more than 80 weeks on The New York Times bestseller list, sold more than 3 million copies, and is now being adapted as a series for Apple TV+. But more than anything, the book marked a turning point for McCurdy as she reclaimed writing—not acting—as her true creative home.

 

Now, she’s pushing her passion even further with her debut novel, Half His Age. The book follows Waldo, a 17-year-old student who enters an affair with her married English teacher. It’s an unsettling, razor-sharp examination of power, consent, female rage, class, and consumerism.

 

In this conversation, McCurdy unpacks her writing process (it’s a full-body endeavor), the discomfort she’s intentionally leaning into, and what it means to take full authorship—and creative control—of her career.

For more of the latest business and innovation news, go to https://www.fastcompany.com/news



To listen to the latest episodes of Creative Control on Fast Company:https://www.fastcompany.com/podcasts/creative-control</description>
      <pubDate>Tue, 03 Feb 2026 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In 2022, Jennette McCurdy shook the culture with I’m Glad My Mom Died, a brutally honest memoir that spent more than 80 weeks on The New York Times bestseller list, sold more than 3 million copies, and is now being adapted as a series for Apple TV+. But more than anything, the book marked a turning point for McCurdy as she reclaimed writing—not acting—as her true creative home.

 

Now, she’s pushing her passion even further with her debut novel, Half His Age. The book follows Waldo, a 17-year-old student who enters an affair with her married English teacher. It’s an unsettling, razor-sharp examination of power, consent, female rage, class, and consumerism.

 

In this conversation, McCurdy unpacks her writing process (it’s a full-body endeavor), the discomfort she’s intentionally leaning into, and what it means to take full authorship—and creative control—of her career.

For more of the latest business and innovation news, go to https://www.fastcompany.com/news



To listen to the latest episodes of Creative Control on Fast Company:https://www.fastcompany.com/podcasts/creative-control</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 2022, Jennette McCurdy shook the culture with <em>I’m Glad My Mom Died</em>, a brutally honest memoir that spent more than 80 weeks on <em>The New York Times</em> bestseller list, sold more than 3 million copies, and is now being adapted as a series for Apple TV+. But more than anything, the book marked a turning point for McCurdy as she reclaimed writing—not acting—as her true creative home.</p>
<p> </p>
<p>Now, she’s pushing her passion even further with her debut novel, <em>Half His Age</em>. The book follows Waldo, a 17-year-old student who enters an affair with her married English teacher. It’s an unsettling, razor-sharp examination of power, consent, female rage, class, and consumerism.</p>
<p> </p>
<p>In this conversation, McCurdy unpacks her writing process (it’s a full-body endeavor), the discomfort she’s intentionally leaning into, and what it means to take full authorship—and creative control—of her career.</p>
<p><br>For more of the latest business and innovation news, go to <a href="https://www.fastcompany.com/news"><u>https://www.fastcompany.com/news</u></a></p>
<p><br></p>
<p>To listen to the latest episodes of Creative Control on Fast Company:<a href="https://www.fastcompany.com/podcasts/creative-control"><u>https://www.fastcompany.com/podcasts/creative-control</u></a></p>]]>
      </content:encoded>
      <itunes:duration>2565</itunes:duration>
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    </item>
    <item>
      <title>“Get greater later”: Hit-Boy on growth, boundaries, and building beyond music</title>
      <description>Grammy-winning producer Hit-Boy has shaped the sound of modern hip-hop—crafting timeless records for Jay-Z, Beyoncé, Nas, Kanye West, and more. But behind the hits is a deeper story about creative ownership, personal growth, and learning when to let go.

Recorded live at Fast Company’s Innovation Festival, executive director of editorial programming KC Ifeanyi traces Hit-Boy’s evolution from a teenage producer chasing opportunity to a creative leader rewriting his own rules. He opens up about being locked into a restrictive publishing deal for nearly two decades, how mentorship from Jay-Z helped him regain control, and why he now sees that period as a necessary part of his growth.

Hit-Boy also dives into his creative process—why he treats beat-making like a video game, how rejection is baked into the job, and what it really takes to make music that lasts. He shares his perspective on AI as a creative tool (not a threat), his journey with therapy and mental health, and why setting boundaries has been essential to protecting his energy.

Now expanding into film, brand work, and building a creative hub for the next generation, Hit-Boy describes this chapter of his life as a “software update”—a full reset, creatively and personally.



For more of the latest business and innovation news, go to ⁠https://www.fastcompany.com/news⁠



To listen to the latest episodes of Creative Control on Fast Company:⁠https://www.fastcompany.com/podcasts/creative-control</description>
      <pubDate>Tue, 16 Dec 2025 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Grammy-winning producer Hit-Boy has shaped the sound of modern hip-hop—crafting timeless records for Jay-Z, Beyoncé, Nas, Kanye West, and more. But behind the hits is a deeper story about creative ownership, personal growth, and learning when to let go.

Recorded live at Fast Company’s Innovation Festival, executive director of editorial programming KC Ifeanyi traces Hit-Boy’s evolution from a teenage producer chasing opportunity to a creative leader rewriting his own rules. He opens up about being locked into a restrictive publishing deal for nearly two decades, how mentorship from Jay-Z helped him regain control, and why he now sees that period as a necessary part of his growth.

Hit-Boy also dives into his creative process—why he treats beat-making like a video game, how rejection is baked into the job, and what it really takes to make music that lasts. He shares his perspective on AI as a creative tool (not a threat), his journey with therapy and mental health, and why setting boundaries has been essential to protecting his energy.

Now expanding into film, brand work, and building a creative hub for the next generation, Hit-Boy describes this chapter of his life as a “software update”—a full reset, creatively and personally.



For more of the latest business and innovation news, go to ⁠https://www.fastcompany.com/news⁠



To listen to the latest episodes of Creative Control on Fast Company:⁠https://www.fastcompany.com/podcasts/creative-control</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Grammy-winning producer <strong>Hit-Boy</strong> has shaped the sound of modern hip-hop—crafting timeless records for Jay-Z, Beyoncé, Nas, Kanye West, and more. But behind the hits is a deeper story about creative ownership, personal growth, and learning when to let go.</p>
<p>Recorded live at Fast Company’s Innovation Festival, executive director of editorial programming KC Ifeanyi<em> </em>traces Hit-Boy’s evolution from a teenage producer chasing opportunity to a creative leader rewriting his own rules. He opens up about being locked into a restrictive publishing deal for nearly two decades, how mentorship from Jay-Z helped him regain control, and why he now sees that period as a necessary part of his growth.</p>
<p>Hit-Boy also dives into his creative process—why he treats beat-making like a video game, how rejection is baked into the job, and what it really takes to make music that lasts. He shares his perspective on AI as a creative tool (not a threat), his journey with therapy and mental health, and why setting boundaries has been essential to protecting his energy.</p>
<p>Now expanding into film, brand work, and building a creative hub for the next generation, Hit-Boy describes this chapter of his life as a “software update”—a full reset, creatively and personally.</p>
<p><br></p>
<p>For more of the latest business and innovation news, go to <a href="https://www.fastcompany.com/news">⁠<u>https://www.fastcompany.com/news</u>⁠</a></p>
<p><br></p>
<p>To listen to the latest episodes of Creative Control on Fast Company:<a href="https://www.fastcompany.com/podcasts/creative-control">⁠<u>https://www.fastcompany.com/podcasts/creative-control</u></a></p>
<p><br></p>]]>
      </content:encoded>
      <itunes:duration>2050</itunes:duration>
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    <item>
      <title>Going Solo: Tracee Ellis Ross on the future of unscripted storytelling   </title>
      <description>Since its debut, Solo Traveling with Tracee Ellis Ross has become Roku’s most-watched unscripted original (show?) ever—igniting global conversations about self-discovery, independence, and the freedom of traveling alone. At Fast Company's 11th annual Innovation Festival this past September, Tracee and Brian Tannenbaum, head of Roku Originals, took to the stage for a candid conversation about how the series redefines unscripted storytelling and authentically reaches a unique audience, as well as why this experience has forever changed Tracee's expectations of creative and business partnerships. 

For more of the latest business and innovation news, go to https://www.fastcompany.com/news



To listen to the latest episodes of Creative Control on Fast Company:https://www.fastcompany.com/podcasts/creative-control</description>
      <pubDate>Tue, 11 Nov 2025 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Since its debut, Solo Traveling with Tracee Ellis Ross has become Roku’s most-watched unscripted original (show?) ever—igniting global conversations about self-discovery, independence, and the freedom of traveling alone. At Fast Company's 11th annual Innovation Festival this past September, Tracee and Brian Tannenbaum, head of Roku Originals, took to the stage for a candid conversation about how the series redefines unscripted storytelling and authentically reaches a unique audience, as well as why this experience has forever changed Tracee's expectations of creative and business partnerships. 

For more of the latest business and innovation news, go to https://www.fastcompany.com/news



To listen to the latest episodes of Creative Control on Fast Company:https://www.fastcompany.com/podcasts/creative-control</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since its debut, <em>Solo Traveling with Tracee Ellis Ross </em>has become Roku’s most-watched unscripted original (show?) ever—igniting global conversations about self-discovery, independence, and the freedom of traveling alone. At Fast Company's 11th annual Innovation Festival this past September, Tracee and Brian Tannenbaum, head of Roku Originals, took to the stage for a candid conversation about how the series redefines unscripted storytelling and authentically reaches a unique audience, as well as why this experience has forever changed Tracee's expectations of creative and business partnerships. </p>
<p><br>For more of the latest business and innovation news, go to <a href="https://www.fastcompany.com/news"><u>https://www.fastcompany.com/news</u></a></p>
<p><br></p>
<p>To listen to the latest episodes of Creative Control on Fast Company:<a href="https://www.fastcompany.com/podcasts/creative-control"><u>https://www.fastcompany.com/podcasts/creative-control</u></a></p>]]>
      </content:encoded>
      <itunes:duration>2139</itunes:duration>
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    </item>
    <item>
      <title>IN PARTNERSHIP WITH CHASE FOR BUSINESS - The Small Business Surge: Why Entrepreneurial Growth Is Defying Economic Noise</title>
      <description>Small business owners are staying optimistic — three-quarters expect revenue gains despite ongoing labor shortages, inflation pressures, and economic uncertainty. Their confidence, fueled by strong demand and increased clarity around tax policy, is driving investment and innovation heading into 2026.</description>
      <pubDate>Mon, 10 Nov 2025 19:30:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Small business owners are staying optimistic — three-quarters expect revenue gains despite ongoing labor shortages, inflation pressures, and economic uncertainty. Their confidence, fueled by strong demand and increased clarity around tax policy, is driving investment and innovation heading into 2026.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Small business owners are staying optimistic — three-quarters expect revenue gains despite ongoing labor shortages, inflation pressures, and economic uncertainty. Their confidence, fueled by strong demand and increased clarity around tax policy, is driving investment and innovation heading into 2026.</p>]]>
      </content:encoded>
      <itunes:duration>905</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[187b7544-c0dc-11f0-a93b-5b58b5b56dec]]></guid>
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    <item>
      <title>How Elvira Built a Brand to Die For</title>
      <description>Cassandra Peterson, better known as Elvira, Mistress of the Dark, has spent nearly 25 years turning horror, humor, and high camp into an art form—and a solid business. In this bonus Halloween episode of Creative Control, Peterson opens up about her wild journey from Las Vegas showgirl to pop culture icon, discussing how to build a brand that lasts and her latest project that's been decades in the making: Elvira's Cookbook From Hell: Sexy, Spooky Soirées and Celebrations for Every Occasion.





For more of the latest business and innovation news, go to https://www.fastcompany.com/news



To listen to the latest episodes of Creative Control on Fast Company:https://www.fastcompany.com/podcasts/creative-control</description>
      <pubDate>Mon, 03 Nov 2025 17:43:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Cassandra Peterson, better known as Elvira, Mistress of the Dark, has spent nearly 25 years turning horror, humor, and high camp into an art form—and a solid business. In this bonus Halloween episode of Creative Control, Peterson opens up about her wild journey from Las Vegas showgirl to pop culture icon, discussing how to build a brand that lasts and her latest project that's been decades in the making: Elvira's Cookbook From Hell: Sexy, Spooky Soirées and Celebrations for Every Occasion.





For more of the latest business and innovation news, go to https://www.fastcompany.com/news



To listen to the latest episodes of Creative Control on Fast Company:https://www.fastcompany.com/podcasts/creative-control</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Cassandra Peterson, better known as Elvira, Mistress of the Dark, has spent nearly 25 years turning horror, humor, and high camp into an art form—and a solid business. In this bonus Halloween episode of <em>Creative Control,</em> Peterson opens up about her wild journey from Las Vegas showgirl to pop culture icon, discussing how to build a brand that lasts and her latest project that's been decades in the making: <em>Elvira's Cookbook From Hell: Sexy, Spooky Soirées and Celebrations for Every Occasion</em>.</p>
<p><br></p>
<p><br></p>
<p>For more of the latest business and innovation news, go to <a href="https://www.fastcompany.com/news"><u>https://www.fastcompany.com/news</u></a></p>
<p><br></p>
<p>To listen to the latest episodes of Creative Control on Fast Company:<a href="https://www.fastcompany.com/podcasts/creative-control"><u>https://www.fastcompany.com/podcasts/creative-control</u></a></p>]]>
      </content:encoded>
      <itunes:duration>2610</itunes:duration>
      <guid isPermaLink="false"><![CDATA[03d6d242-b63b-11f0-9284-0bfe16ecd76a]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV6422000462.mp3?updated=1762193938" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>From the Werkroom to the MCU: Shea Couleé on where drag is heading next</title>
      <description>Shea Couleé has become an undeniable force in drag, rising from Chicago’s local scene to snatching crowns on RuPaul’s Drag Race to breaking new ground in the Marvel Cinematic Universe. Shea has been an integral part of drag becoming mainstream—and she has a few ideas on where it should be headed next. In this episode, Shea charts her creative journey through drag, lessons she’s learned in building a brand, how her Black and queer identities have turbocharged her creativity, her iconic debut in the MCU starring in Ironheart, and why more risk-taking in drag is what’s needed now more than ever. 



For more of the latest business and innovation news, go to https://www.fastcompany.com/news



To listen to the latest episodes of Creative Control on Fast Company:https://www.fastcompany.com/podcasts/creative-control</description>
      <pubDate>Tue, 14 Oct 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Shea Couleé has become an undeniable force in drag, rising from Chicago’s local scene to snatching crowns on RuPaul’s Drag Race to breaking new ground in the Marvel Cinematic Universe. Shea has been an integral part of drag becoming mainstream—and she has a few ideas on where it should be headed next. In this episode, Shea charts her creative journey through drag, lessons she’s learned in building a brand, how her Black and queer identities have turbocharged her creativity, her iconic debut in the MCU starring in Ironheart, and why more risk-taking in drag is what’s needed now more than ever. 



For more of the latest business and innovation news, go to https://www.fastcompany.com/news



To listen to the latest episodes of Creative Control on Fast Company:https://www.fastcompany.com/podcasts/creative-control</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Shea Couleé has become an undeniable force in drag, rising from Chicago’s local scene to snatching crowns on RuPaul’s <em>Drag Race</em> to breaking new ground in the Marvel Cinematic Universe. Shea has been an integral part of drag becoming mainstream—and she has a few ideas on where it should be headed next. In this episode, Shea charts her creative journey through drag, lessons she’s learned in building a brand, how her Black and queer identities have turbocharged her creativity, her iconic debut in the MCU starring in <em>Ironheart</em>, and why more risk-taking in drag is what’s needed now more than ever. </p>
<p><br></p>
<p>For more of the latest business and innovation news, go to <a href="https://www.fastcompany.com/news"><u>https://www.fastcompany.com/news</u></a></p>
<p><br></p>
<p>To listen to the latest episodes of Creative Control on Fast Company:<a href="https://www.fastcompany.com/podcasts/creative-control"><u>https://www.fastcompany.com/podcasts/creative-control</u></a></p>
<p><br></p>]]>
      </content:encoded>
      <itunes:duration>2080</itunes:duration>
      <guid isPermaLink="false"><![CDATA[60c58816-a85a-11f0-8a98-b79b7d2195c2]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV1528622577.mp3?updated=1760377478" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>WNBA Star Jewell Loyd Is on the Road to a New Black Wall Street</title>
      <description>Las Vegas Aces star Jewell Loyd has amassed a stack of staggering accolades: garnering two WNBA championships, two Olympic gold medals, and six WNBA All-Star nods, not to mention being anointed as the "Gold Mamba” from the late great Kobe Bryant himself. But Loyd’s impact goes beyond the court.

 

In 2015, she and her brother launched Loyd &amp; Co., a financial services firm they built to give underserved communities real access to capital, wealth-building tools, and long-term financial security. And in recent months, they've been ramping up their ambitions with several acquisitions that are expanding the firm's reach. In this episode, Loyd opens up about the inspiration behind her company, the impact they’re already making, and her audacious next step: creating what she calls a “bank with a soul.”



For more of the latest business and innovation news, go to https://www.fastcompany.com/news



To listen to the latest episodes of Creative Control on Fast Company:https://www.fastcompany.com/podcasts/creative-control</description>
      <pubDate>Tue, 16 Sep 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Las Vegas Aces star Jewell Loyd has amassed a stack of staggering accolades: garnering two WNBA championships, two Olympic gold medals, and six WNBA All-Star nods, not to mention being anointed as the "Gold Mamba” from the late great Kobe Bryant himself. But Loyd’s impact goes beyond the court.

 

In 2015, she and her brother launched Loyd &amp; Co., a financial services firm they built to give underserved communities real access to capital, wealth-building tools, and long-term financial security. And in recent months, they've been ramping up their ambitions with several acquisitions that are expanding the firm's reach. In this episode, Loyd opens up about the inspiration behind her company, the impact they’re already making, and her audacious next step: creating what she calls a “bank with a soul.”



For more of the latest business and innovation news, go to https://www.fastcompany.com/news



To listen to the latest episodes of Creative Control on Fast Company:https://www.fastcompany.com/podcasts/creative-control</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Las Vegas Aces star Jewell Loyd has amassed a stack of staggering accolades: garnering two WNBA championships, two Olympic gold medals, and six WNBA All-Star nods, not to mention being anointed as the "Gold Mamba” from the late great Kobe Bryant himself. But Loyd’s impact goes beyond the court.</p>
<p> </p>
<p>In 2015, she and her brother launched Loyd &amp; Co., a financial services firm they built to give underserved communities real access to capital, wealth-building tools, and long-term financial security. And in recent months, they've been ramping up their ambitions with several acquisitions that are expanding the firm's reach. In this episode, Loyd opens up about the inspiration behind her company, the impact they’re already making, and her audacious next step: creating what she calls a “bank with a soul.”</p>
<p><br></p>
<p>For more of the latest business and innovation news, go to <a href="https://www.fastcompany.com/news"><u>https://www.fastcompany.com/news</u></a></p>
<p><br></p>
<p>To listen to the latest episodes of Creative Control on Fast Company:<a href="https://www.fastcompany.com/podcasts/creative-control"><u>https://www.fastcompany.com/podcasts/creative-control</u></a></p>]]>
      </content:encoded>
      <itunes:duration>1984</itunes:duration>
      <guid isPermaLink="false"><![CDATA[4fcb8d4c-9281-11f0-8ca7-630d30e758a8]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV4348834751.mp3?updated=1757975206" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Fast Company's Innovation Festival Returns to NYC</title>
      <description>In this bonus episode, executive director of editorial programming, Kc Ifeanyi, chats with editor-in-chief Brendan Vaughan about Fast Company's Innovation Festival 2025. They discuss the latest panels, and Fast Tracks, or what Brendan likes to call "field trips for grown-ups." This is where attendees visit the companies that FC reports on.  

 

Later, Brendan asks Kc about a moment at the innovation festival that "keeps him up at night."

 

Fast Company's 11th annual Innovation Festival hits New York City this September 15-18. There's an incredible lineup of speakers, activations, workshops, dinners, and much more. It's going to be a packed week full of insights, networking, and, of course, innovation. Head to events.fastcompany.com to get the most up-to-date lineup of speakers and sessions. And use code "create20" for 20% off a Select Innovation Festival pass.</description>
      <pubDate>Fri, 05 Sep 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this bonus episode, executive director of editorial programming, Kc Ifeanyi, chats with editor-in-chief Brendan Vaughan about Fast Company's Innovation Festival 2025. They discuss the latest panels, and Fast Tracks, or what Brendan likes to call "field trips for grown-ups." This is where attendees visit the companies that FC reports on.  

 

Later, Brendan asks Kc about a moment at the innovation festival that "keeps him up at night."

 

Fast Company's 11th annual Innovation Festival hits New York City this September 15-18. There's an incredible lineup of speakers, activations, workshops, dinners, and much more. It's going to be a packed week full of insights, networking, and, of course, innovation. Head to events.fastcompany.com to get the most up-to-date lineup of speakers and sessions. And use code "create20" for 20% off a Select Innovation Festival pass.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this bonus episode, executive director of editorial programming, Kc Ifeanyi, chats with editor-in-chief Brendan Vaughan about <em>Fast Company</em>'s Innovation Festival 2025. They discuss the latest panels, and Fast Tracks, or what Brendan likes to call "field trips for grown-ups." This is where attendees visit the companies that <em>FC</em> reports on.  </p>
<p> </p>
<p>Later, Brendan asks Kc about a moment at the innovation festival that "keeps him up at night."</p>
<p> </p>
<p><em>Fast Company</em>'s 11th annual Innovation Festival hits New York City this September 15-18. There's an incredible lineup of speakers, activations, workshops, dinners, and much more. It's going to be a packed week full of insights, networking, and, of course, innovation. Head to events.fastcompany.com to get the most up-to-date lineup of speakers and sessions. And use code "<strong>create20</strong>" for 20% off a Select Innovation Festival pass.</p>]]>
      </content:encoded>
      <itunes:duration>870</itunes:duration>
      <guid isPermaLink="false"><![CDATA[92315bf4-89d9-11f0-b2c9-0f77fbdae424]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV9585544029.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Risk, Reward, Repeat: Why Neon CEO Tom Quinn Bets Big on Bold Films</title>
      <description>Neon couldn't burn any brighter than it is now.

The film production and distribution company acquired the rights to six consecutive Palme d'Or winners at the Cannes Film Festival: Parasite (2019), Titane (2021), Triangle of Sadness (2022), Anatomy of a Fall (2023), Anora (2024), and It Was Just an Accident (2025). Parasite was the first foreign language film to win Best Picture at the Academy Awards in 2020. Longlegs became the highest-grossing independent film in 2024. Director Sean Baker won 4 Oscars for his film Anora tying with the one and only Walt Disney for most Oscar wins in a single night. All of this from a studio that's only been around for 8 years.

Film industry veteran Tom Quinn cofounded Neon in 2017 and has marked a distinct lane for himself in a crowded and, let's be honest, less-than-innovative industry.



In this episode of Creative Control, Quinn traces his journey from actor to executive and explains how he's positioned Neon to be the "anti-algorithm" in a streaming world. He also gives his perspective on what's holding the wider film industry back and what Neon needs now to make their success sustainable. 



For more of the latest business and innovation news, go to https://www.fastcompany.com/news



To listen to the latest episodes of Creative Control on Fast Company:https://www.fastcompany.com/podcasts/creative-control</description>
      <pubDate>Tue, 12 Aug 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Neon couldn't burn any brighter than it is now.

The film production and distribution company acquired the rights to six consecutive Palme d'Or winners at the Cannes Film Festival: Parasite (2019), Titane (2021), Triangle of Sadness (2022), Anatomy of a Fall (2023), Anora (2024), and It Was Just an Accident (2025). Parasite was the first foreign language film to win Best Picture at the Academy Awards in 2020. Longlegs became the highest-grossing independent film in 2024. Director Sean Baker won 4 Oscars for his film Anora tying with the one and only Walt Disney for most Oscar wins in a single night. All of this from a studio that's only been around for 8 years.

Film industry veteran Tom Quinn cofounded Neon in 2017 and has marked a distinct lane for himself in a crowded and, let's be honest, less-than-innovative industry.



In this episode of Creative Control, Quinn traces his journey from actor to executive and explains how he's positioned Neon to be the "anti-algorithm" in a streaming world. He also gives his perspective on what's holding the wider film industry back and what Neon needs now to make their success sustainable. 



For more of the latest business and innovation news, go to https://www.fastcompany.com/news



To listen to the latest episodes of Creative Control on Fast Company:https://www.fastcompany.com/podcasts/creative-control</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Neon couldn't burn any brighter than it is now.</p>
<p><br>The film production and distribution company acquired the rights to six consecutive Palme d'Or winners at the Cannes Film Festival: <em>Parasite</em> (2019), <em>Titane</em> (2021), <em>Triangle of Sadness</em> (2022), <em>Anatomy of a Fall</em> (2023), <em>Anora</em> (2024), and <em>It Was Just an Accident</em> (2025). <em>Parasite</em> was the first foreign language film to win Best Picture at the Academy Awards in 2020. <em>Longlegs</em> became the highest-grossing independent film in 2024. Director Sean Baker won 4 Oscars for his film <em>Anora</em> tying with the one and only Walt Disney for most Oscar wins in a single night. All of this from a studio that's only been around for 8 years.<br></p>
<p>Film industry veteran Tom Quinn cofounded Neon in 2017 and has marked a distinct lane for himself in a crowded and, let's be honest, less-than-innovative industry.</p>
<p><br></p>
<p>In this episode of<em> Creative Control</em>, Quinn traces his journey from actor to executive and explains how he's positioned Neon to be the "anti-algorithm" in a streaming world. He also gives his perspective on what's holding the wider film industry back and what Neon needs now to make their success sustainable. </p>
<p><br></p>
<p>For more of the latest business and innovation news, go to <a href="https://www.fastcompany.com/news"><u>https://www.fastcompany.com/news</u></a></p>
<p><br></p>
<p>To listen to the latest episodes of Creative Control on Fast Company:<a href="https://www.fastcompany.com/podcasts/creative-control"><u>https://www.fastcompany.com/podcasts/creative-control</u></a></p>]]>
      </content:encoded>
      <itunes:duration>2317</itunes:duration>
      <guid isPermaLink="false"><![CDATA[fc00399e-771c-11f0-836f-ff0dce9d6a97]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV1501050989.mp3?updated=1754963812" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How Joy Reid Bounced Back into her Second Act</title>
      <description>For 11 years, Joy Reid was one of the most prominent journalists at MSNBC, spearheading three shows for the network, including The Reid Report, A.M. Joy, and The ReidOut.

Her sharp commentary earned her top ratings, a loyal following, an Emmy nomination, and an NAACP Image Award. However, she was unexpectedly fired in February when MSNBC announced a network shake-up. Just four months after her ouster, Joy launched The Joy Reid Show, an independent podcast from her production company, Image Lab Media Group.

Kc Ifeanyi, the executive director of editorial programming at Fast Company, recently interviewed Joy about her views on the current media landscape, the importance of owning one's content and audience, and what we can learn from a Gen X hustler’s mindset.



For more of the latest business and innovation news, go to https://www.fastcompany.com/news



To listen to the latest episodes of Creative Control on Fast Company:https://www.fastcompany.com/podcasts/creative-control</description>
      <pubDate>Tue, 15 Jul 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>For 11 years, Joy Reid was one of the most prominent journalists at MSNBC, spearheading three shows for the network, including The Reid Report, A.M. Joy, and The ReidOut.

Her sharp commentary earned her top ratings, a loyal following, an Emmy nomination, and an NAACP Image Award. However, she was unexpectedly fired in February when MSNBC announced a network shake-up. Just four months after her ouster, Joy launched The Joy Reid Show, an independent podcast from her production company, Image Lab Media Group.

Kc Ifeanyi, the executive director of editorial programming at Fast Company, recently interviewed Joy about her views on the current media landscape, the importance of owning one's content and audience, and what we can learn from a Gen X hustler’s mindset.



For more of the latest business and innovation news, go to https://www.fastcompany.com/news



To listen to the latest episodes of Creative Control on Fast Company:https://www.fastcompany.com/podcasts/creative-control</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For 11 years, Joy Reid was one of the most prominent journalists at MSNBC, spearheading three shows for the network, including <em>The Reid Report,</em> <em>A.M. Joy,</em> and <em>The ReidOut</em>.<br></p>
<p>Her sharp commentary earned her top ratings, a loyal following, an Emmy nomination, and an NAACP Image Award. However, she was unexpectedly fired in February when MSNBC announced a network shake-up. Just four months after her ouster, Joy launched <em>The Joy Reid Show</em>, an independent podcast from her production company, Image Lab Media Group.<br></p>
<p>Kc Ifeanyi, the executive director of editorial programming at <em>Fast Company,</em> recently interviewed Joy about her views on the current media landscape, the importance of owning one's content and audience, and what we can learn from a Gen X hustler’s mindset.</p>
<p><br></p>
<p>For more of the latest business and innovation news, go to <a href="https://www.fastcompany.com/news"><u>https://www.fastcompany.com/news</u></a></p>
<p><br></p>
<p>To listen to the latest episodes of Creative Control on Fast Company:<a href="https://www.fastcompany.com/podcasts/creative-control"><u>https://www.fastcompany.com/podcasts/creative-control</u></a></p>]]>
      </content:encoded>
      <itunes:duration>2428</itunes:duration>
      <guid isPermaLink="false"><![CDATA[24c0dd8c-60fe-11f0-8cd6-87af054779c4]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV9962936429.mp3?updated=1752697248" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Why Moby keeps giving music away for free</title>
      <description>Moby’s prolific music career spans 35 years, most notably helping to bring electronic music to the mainstream—and perhaps less notably, but still importantly, giving so much of that music away for free. 

Amid consistently putting out albums, Moby launched Mobygratis in 2005, a platform where creatives can download instrumental music made by Moby to use in any number of projects.

 Moby has continued to update and iterate on Mobygratis, but the ethos has remained the same: helping creatives realize their projects with less financial burden and unleashing the “democratic chaos” of seeing what people create with the music.

In this episode, Moby explores his relationship to creativity and commerce, the tsunami of AI, what effective activism looks like, and why as a creative it’s okay (and even better) to not have a plan B. 



For more of the latest business and innovation news, go to https://www.fastcompany.com/news



To listen to the latest episodes of Creative Control on Fast Company:https://www.fastcompany.com/podcasts/creative-control



Visit Mobygraits</description>
      <pubDate>Tue, 10 Jun 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Moby’s prolific music career spans 35 years, most notably helping to bring electronic music to the mainstream—and perhaps less notably, but still importantly, giving so much of that music away for free. 

Amid consistently putting out albums, Moby launched Mobygratis in 2005, a platform where creatives can download instrumental music made by Moby to use in any number of projects.

 Moby has continued to update and iterate on Mobygratis, but the ethos has remained the same: helping creatives realize their projects with less financial burden and unleashing the “democratic chaos” of seeing what people create with the music.

In this episode, Moby explores his relationship to creativity and commerce, the tsunami of AI, what effective activism looks like, and why as a creative it’s okay (and even better) to not have a plan B. 



For more of the latest business and innovation news, go to https://www.fastcompany.com/news



To listen to the latest episodes of Creative Control on Fast Company:https://www.fastcompany.com/podcasts/creative-control



Visit Mobygraits</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Moby’s prolific music career spans 35 years, most notably helping to bring electronic music to the mainstream—and perhaps less notably, but still importantly, giving so much of that music away for free. </p>
<p>Amid consistently putting out albums, Moby launched Mobygratis in 2005, a platform where creatives can download instrumental music made by Moby to use in any number of projects.</p>
<p> Moby has continued to update and iterate on Mobygratis, but the ethos has remained the same: helping creatives realize their projects with less financial burden and unleashing the “democratic chaos” of seeing what people create with the music.</p>
<p>In this episode, Moby explores his relationship to creativity and commerce, the tsunami of AI, what effective activism looks like, and why as a creative it’s okay (and even better) to not have a plan B. </p>
<p><br></p>
<p>For more of the latest business and innovation news, go to <a href="https://www.fastcompany.com/news"><u>https://www.fastcompany.com/news</u></a></p>
<p><br></p>
<p>To listen to the latest episodes of Creative Control on Fast Company:<a href="https://www.fastcompany.com/podcasts/creative-control"><u>https://www.fastcompany.com/podcasts/creative-control</u></a></p>
<p><br></p>
<p>Visit <a href="https://mobygratis.com/"><u>Mobygraits</u></a></p>
<p><br></p>]]>
      </content:encoded>
      <itunes:duration>3197</itunes:duration>
      <guid isPermaLink="false"><![CDATA[d41a6400-457a-11f0-a660-bf48d8d1346a]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV1445077093.mp3?updated=1749506905" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Creative Control is Back!</title>
      <description>The days of celebrities, athletes, and creators relying solely on their talent to build their brands is over. Today, it’s all about partnering with brands, investing in companies, or even launching a business of your own. Join host KC Ifeanyi each episode as he talks to one of the world’s most creative people about how their business endeavors intersect with, and grow, their creativity.</description>
      <pubDate>Tue, 03 Jun 2025 09:00:00 -0000</pubDate>
      <itunes:episodeType>trailer</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The days of celebrities, athletes, and creators relying solely on their talent to build their brands is over. Today, it’s all about partnering with brands, investing in companies, or even launching a business of your own. Join host KC Ifeanyi each episode as he talks to one of the world’s most creative people about how their business endeavors intersect with, and grow, their creativity.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The days of celebrities, athletes, and creators relying solely on their talent to build their brands is over. Today, it’s all about partnering with brands, investing in companies, or even launching a business of your own. Join host KC Ifeanyi each episode as he talks to one of the world’s most creative people about how their business endeavors intersect with, and grow, their creativity. </p>]]>
      </content:encoded>
      <itunes:duration>51</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[76cab570-3bca-11f0-b818-47951eac350f]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV4453266057.mp3?updated=1748440422" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Creative Control series roundup!</title>
      <description></description>
      <pubDate>Mon, 18 Sep 2023 04:00:00 -0000</pubDate>
      <itunes:episodeType>trailer</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary></itunes:summary>
      <content:encoded>
        <![CDATA[]]>
      </content:encoded>
      <itunes:duration>104</itunes:duration>
      <guid isPermaLink="false"><![CDATA[99d8d8da-50bc-11ee-ab96-832b9fc9e11f]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV2784986722.mp3?updated=1695149173" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How Watcher Entertainment is changing the rules of content creation</title>
      <description>Steven Lim used to work at Buzzfeed, cohosting the wildly popular show ‘Worth It.’ But a few years ago, he left to start his own digital studio, Watcher Entertainment, to take a chance on making content a little differently. Being a creator himself, Lim knew the struggle of writers, producers, and talent fighting to keep their own IP and earn what they’re worth, so he decided to take a unique approach that could be a new standard for digital content production—or as Lim puts it, ‘the stupidest decision’ he could ever make.
Steven told us all about his perspective working at a small independent studio after being at a large media company, and his ambitions to raise the bar for digital content in the future.</description>
      <pubDate>Thu, 06 Jul 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>13</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Steven Lim used to work at Buzzfeed, cohosting the wildly popular show ‘Worth It.’ But a few years ago, he left to start his own digital studio, Watcher Entertainment, to take a chance on making content a little differently. Being a creator himself, Lim knew the struggle of writers, producers, and talent fighting to keep their own IP and earn what they’re worth, so he decided to take a unique approach that could be a new standard for digital content production—or as Lim puts it, ‘the stupidest decision’ he could ever make.
Steven told us all about his perspective working at a small independent studio after being at a large media company, and his ambitions to raise the bar for digital content in the future.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Steven Lim used to work at Buzzfeed, cohosting the wildly popular show ‘Worth It.’ But a few years ago, he left to start his own digital studio, Watcher Entertainment, to take a chance on making content a little differently. Being a creator himself, Lim knew the struggle of writers, producers, and talent fighting to keep their own IP and earn what they’re worth, so he decided to take a unique approach that could be a new standard for digital content production—or as Lim puts it, ‘the stupidest decision’ he could ever make.</p><p>Steven told us all about his perspective working at a small independent studio after being at a large media company, and his ambitions to raise the bar for digital content in the future.</p><p><br></p>]]>
      </content:encoded>
      <itunes:duration>1566</itunes:duration>
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    <item>
      <title>How TikTok’s Medical Mythbuster exposes racism in healthcare</title>
      <description>Last week, we took a trip to VidCon in Anaheim, California, to meet up with some of the top creators in the industry. Joel Bervell, a fourth-year medical student at Washington State University, rose to fame on TikTok for calling out racial inequities in the healthcare system. One of his first videos, posted early on in the pandemic, taught people that pulse oximeters can overestimate oxygen saturation on people with darker skin—a fact with serious implications for Black COVID patients who weren’t receiving the necessary care. In our conversation, Joel talked about the myths about race that he’s encountered in medical school and how social media can be a powerful educational tool.</description>
      <pubDate>Thu, 29 Jun 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>12</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Last week, we took a trip to VidCon in Anaheim, California, to meet up with some of the top creators in the industry. Joel Bervell, a fourth-year medical student at Washington State University, rose to fame on TikTok for calling out racial inequities in the healthcare system. One of his first videos, posted early on in the pandemic, taught people that pulse oximeters can overestimate oxygen saturation on people with darker skin—a fact with serious implications for Black COVID patients who weren’t receiving the necessary care. In our conversation, Joel talked about the myths about race that he’s encountered in medical school and how social media can be a powerful educational tool.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Last week, we took a trip to VidCon in Anaheim, California, to meet up with some of the top creators in the industry. Joel Bervell, a fourth-year medical student at Washington State University, rose to fame on TikTok for calling out racial inequities in the healthcare system. One of his first videos, posted early on in the pandemic, taught people that pulse oximeters can overestimate oxygen saturation on people with darker skin—a fact with serious implications for Black COVID patients who weren’t receiving the necessary care. In our conversation, Joel talked about the myths about race that he’s encountered in medical school and how social media can be a powerful educational tool.</p>]]>
      </content:encoded>
      <itunes:duration>1638</itunes:duration>
      <guid isPermaLink="false"><![CDATA[85668602-1603-11ee-af3e-2b6ee7bb4244]]></guid>
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    <item>
      <title>How SuperOrdinary links brands and creators to international markets</title>
      <description>SuperOrdinary launched in 2017 as a way for U.S. brands to reach consumers in China. The company has since expanded to working with creators in other international markets. SuperOrdinary cofounder and CEO Julian Reis explains how his company is further leaning into what he calls the “supporter economy”—and how he’s navigating operations amid geopolitical tensions.</description>
      <pubDate>Thu, 22 Jun 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>11</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>SuperOrdinary launched in 2017 as a way for U.S. brands to reach consumers in China. The company has since expanded to working with creators in other international markets. SuperOrdinary cofounder and CEO Julian Reis explains how his company is further leaning into what he calls the “supporter economy”—and how he’s navigating operations amid geopolitical tensions.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>SuperOrdinary launched in 2017 as a way for U.S. brands to reach consumers in China. The company has since expanded to working with creators in other international markets. SuperOrdinary cofounder and CEO Julian Reis explains how his company is further leaning into what he calls the “supporter economy”—and how he’s navigating operations amid geopolitical tensions.</p>]]>
      </content:encoded>
      <itunes:duration>2003</itunes:duration>
      <guid isPermaLink="false"><![CDATA[96b07528-1084-11ee-a6c2-6f5f8eea1f2b]]></guid>
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    </item>
    <item>
      <title>What if an AI Elvis sent you a birthday Cameo?</title>
      <description>Founded in 2017, Cameo is a platform that allows people to buy custom messages from celebrities to send to their family and friends. The company has expanded the business and created a viable revenue stream for celebrities and creators—even for those who may not be in the traditional Hollywood spotlight. Cofounder and CEO Steven Galanis believes the company amounts to a public utility, connecting celebrities to fans in a direct, accessible way. He shared his perspective on where Cameo is headed, and why its future may or may not involve AI celebrities.</description>
      <pubDate>Thu, 15 Jun 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>10</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Founded in 2017, Cameo is a platform that allows people to buy custom messages from celebrities to send to their family and friends. The company has expanded the business and created a viable revenue stream for celebrities and creators—even for those who may not be in the traditional Hollywood spotlight. Cofounder and CEO Steven Galanis believes the company amounts to a public utility, connecting celebrities to fans in a direct, accessible way. He shared his perspective on where Cameo is headed, and why its future may or may not involve AI celebrities.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Founded in 2017, Cameo is a platform that allows people to buy custom messages from celebrities to send to their family and friends. The company has expanded the business and created a viable revenue stream for celebrities and creators—even for those who may not be in the traditional Hollywood spotlight. Cofounder and CEO Steven Galanis believes the company amounts to a public utility, connecting celebrities to fans in a direct, accessible way. He shared his perspective on where Cameo is headed, and why its future may or may not involve AI celebrities.</p>]]>
      </content:encoded>
      <itunes:duration>2088</itunes:duration>
      <guid isPermaLink="false"><![CDATA[41bc72ea-0aff-11ee-b0fa-9f75ec6d8751]]></guid>
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    </item>
    <item>
      <title>Is AI art innovation or infringement?</title>
      <description>AI art generators such as DALL-E, Midjourney, and Craiyon have gained noticeable attention in the past months. But like so much of what AI touches, there are some big questions that need answers: Who owns the images that feed into these generators? Who owns the images they produce? Entertainment lawyer Wynton Yates shares his perspective on AI art generators, copyright infringement, and the legal questions being debated right now. And transmedia artist Stephanie Dinkins dives into how she uses AI in her work while maintaining her curiosity and excitement for the future of art and technology.</description>
      <pubDate>Thu, 08 Jun 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>9</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>AI art generators such as DALL-E, Midjourney, and Craiyon have gained noticeable attention in the past months. But like so much of what AI touches, there are some big questions that need answers: Who owns the images that feed into these generators? Who owns the images they produce? Entertainment lawyer Wynton Yates shares his perspective on AI art generators, copyright infringement, and the legal questions being debated right now. And transmedia artist Stephanie Dinkins dives into how she uses AI in her work while maintaining her curiosity and excitement for the future of art and technology.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>AI art generators such as DALL-E, Midjourney, and Craiyon have gained noticeable attention in the past months. But like so much of what AI touches, there are some big questions that need answers: Who owns the images that feed into these generators? Who owns the images they produce? Entertainment lawyer Wynton Yates shares his perspective on AI art generators, copyright infringement, and the legal questions being debated right now. And transmedia artist Stephanie Dinkins dives into how she uses AI in her work while maintaining her curiosity and excitement for the future of art and technology.</p>]]>
      </content:encoded>
      <itunes:duration>2340</itunes:duration>
      <guid isPermaLink="false"><![CDATA[d300849a-059f-11ee-b292-6ffad42fd2a5]]></guid>
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    <item>
      <title>The thin line between borrowing and stealing in fandom</title>
      <description>This is the third of our special series about fandom. To start from the beginning, listen to our episodes from the past two weeks!
When it comes to fan creators and making money, copyright law is pretty strict—any unlicensed use of a property that doesn’t fall under fair use (like the characters from Star Wars, for example) is considered copyright violation. But at the same time, plenty of fan merchandise and other creations, both for-profit and not, proliferate online and at conferences. Afterall, fandoms can be their own marketing machines for profitable franchises, so companies don’t always crack down on violations. That is, until they see their profits or trademarks threatened—as was the case recently with Netflix and The Unofficial Bridgerton Musical.
So, is it possible to encourage and protect the inspiration-fueling fandoms while still honoring the original authors? What’s the line between derivative and original? And most importantly, what’s werewolf erotica got to do with this?</description>
      <pubDate>Thu, 01 Jun 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>8</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>This is the third of our special series about fandom. To start from the beginning, listen to our episodes from the past two weeks!
When it comes to fan creators and making money, copyright law is pretty strict—any unlicensed use of a property that doesn’t fall under fair use (like the characters from Star Wars, for example) is considered copyright violation. But at the same time, plenty of fan merchandise and other creations, both for-profit and not, proliferate online and at conferences. Afterall, fandoms can be their own marketing machines for profitable franchises, so companies don’t always crack down on violations. That is, until they see their profits or trademarks threatened—as was the case recently with Netflix and The Unofficial Bridgerton Musical.
So, is it possible to encourage and protect the inspiration-fueling fandoms while still honoring the original authors? What’s the line between derivative and original? And most importantly, what’s werewolf erotica got to do with this?</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This is the third of our special series about fandom. To start from the beginning, listen to our episodes from the past two weeks!</p><p>When it comes to fan creators and making money, copyright law is pretty strict—any unlicensed use of a property that doesn’t fall under fair use (like the characters from <em>Star Wars</em>, for example) is considered copyright violation. But at the same time, plenty of fan merchandise and other creations, both for-profit and not, proliferate online and at conferences. Afterall, fandoms can be their own marketing machines for profitable franchises, so companies don’t always crack down on violations. That is, until they see their profits or trademarks threatened—as was the case recently with Netflix and <em>The Unofficial Bridgerton Musical.</em></p><p>So, is it possible to encourage and protect the inspiration-fueling fandoms while still honoring the original authors? What’s the line between derivative and original? And most importantly, what’s werewolf erotica got to do with this?</p>]]>
      </content:encoded>
      <itunes:duration>1862</itunes:duration>
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    <item>
      <title>The dark side of fandom</title>
      <description>This is the second of our special series about fandom. To start from the beginning, listen to last week’s episode!Being part of an active fandom creates close communities, even families, especially for those who haven’t found any shared interests with friends in other areas. And after several exoduses from various platforms, some of the biggest fandom spaces are fan-operated, like the fanfic archive AO3. But within these communities, people can face discrimination, gatekeeping, and other obstacles around identity, body type, and income. While some fans might find wild success with their writing or artwork, others have experienced rampant harassment and threats—and the difference has a lot to do with who they are.So how do fan creators balance independence from big platform companies with the challenges of moderating inclusive communities?To see some of the fantastic costumes Yalda’s created, check out her Instagram @yaldamn.</description>
      <pubDate>Thu, 25 May 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>7</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>This is the second of our special series about fandom. To start from the beginning, listen to last week’s episode!Being part of an active fandom creates close communities, even families, especially for those who haven’t found any shared interests with friends in other areas. And after several exoduses from various platforms, some of the biggest fandom spaces are fan-operated, like the fanfic archive AO3. But within these communities, people can face discrimination, gatekeeping, and other obstacles around identity, body type, and income. While some fans might find wild success with their writing or artwork, others have experienced rampant harassment and threats—and the difference has a lot to do with who they are.So how do fan creators balance independence from big platform companies with the challenges of moderating inclusive communities?To see some of the fantastic costumes Yalda’s created, check out her Instagram @yaldamn.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This is the second of our special series about fandom. To start from the beginning, listen to last week’s episode!Being part of an active fandom creates close communities, even families, especially for those who haven’t found any shared interests with friends in other areas. And after several exoduses from various platforms, some of the biggest fandom spaces are fan-operated, like the fanfic archive AO3. But within these communities, people can face discrimination, gatekeeping, and other obstacles around identity, body type, and income. While some fans might find wild success with their writing or artwork, others have experienced rampant harassment and threats—and the difference has a lot to do with who they are.So how do fan creators balance independence from big platform companies with the challenges of moderating inclusive communities?To see some of the fantastic costumes Yalda’s created, check out her Instagram <a href="https://www.instagram.com/yaldamn/?hl=en">@yaldamn</a>.</p>]]>
      </content:encoded>
      <itunes:duration>1459</itunes:duration>
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    <item>
      <title>Welcome to the (fandom) dance party!</title>
      <description>‘The Witcher’ TV show might not seem like the most natural inspiration for enthusiastically queer romance writing, but for some fanfic authors, it’s a world rich with creative inspiration. Fanfic writers, especially those missing authentic representation in mainstream media, have long used their own writing to make stories that speak to them. And fandom communities, once niche conventions and now massive online archives and popular forums, offer welcoming spaces to explore and build friendships.

This is the first of our special series about the many worlds of fandom. To see the (explicit!) fanart of Gulliver’s Travels mentioned in the episode, head to the Met Museum’s archives.</description>
      <pubDate>Thu, 18 May 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>6</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>‘The Witcher’ TV show might not seem like the most natural inspiration for enthusiastically queer romance writing, but for some fanfic authors, it’s a world rich with creative inspiration. Fanfic writers, especially those missing authentic representation in mainstream media, have long used their own writing to make stories that speak to them. And fandom communities, once niche conventions and now massive online archives and popular forums, offer welcoming spaces to explore and build friendships.

This is the first of our special series about the many worlds of fandom. To see the (explicit!) fanart of Gulliver’s Travels mentioned in the episode, head to the Met Museum’s archives.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><strong>‘</strong>The Witcher’ TV show might not seem like the most natural inspiration for enthusiastically queer romance writing, but for some fanfic authors, it’s a world rich with creative inspiration. Fanfic writers, especially those missing authentic representation in mainstream media, have long used their own writing to make stories that speak to them. And fandom communities, once niche conventions and now massive online archives and popular forums, offer welcoming spaces to explore and build friendships.</p><p><br></p><p>This is the first of our special series about the many worlds of fandom. To see the (explicit!) fanart of Gulliver’s Travels mentioned in the episode, head to <a href="https://www.metmuseum.org/art/collection/search/392597">the Met Museum’s archives.</a></p>]]>
      </content:encoded>
      <itunes:duration>1650</itunes:duration>
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    <item>
      <title>Coming soon: A deep dive into the world of fandom</title>
      <description>Next week, we’ll be back with a special series of episodes about fandom—covering fanfic, fan art, cosplay, and all the passion that goes into building these communities. We’ll also be unpacking the hurdles fan creators face, from harassment to legal issues, and how these challenges affect the wider creator economy.</description>
      <pubDate>Thu, 11 May 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>trailer</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>5</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Next week, we’ll be back with a special series of episodes about fandom—covering fanfic, fan art, cosplay, and all the passion that goes into building these communities. We’ll also be unpacking the hurdles fan creators face, from harassment to legal issues, and how these challenges affect the wider creator economy.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Next week, we’ll be back with a special series of episodes about fandom—covering fanfic, fan art, cosplay, and all the passion that goes into building these communities. We’ll also be unpacking the hurdles fan creators face, from harassment to legal issues, and how these challenges affect the wider creator economy.</p>]]>
      </content:encoded>
      <itunes:duration>121</itunes:duration>
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    <item>
      <title>Is banning Tiktok “un-American?”</title>
      <description>Since the last time we discussed the efforts to ban Tiktok, we’ve been hearing more about future legal challenges to these restrictions and the international impact they would have.
So to get some different perspectives on Tiktok’s actual security risks and the courtroom sagas already shaping up, we talked with Timothy Edgar and Anupam Chander. Timothy is a professor at both Harvard and Brown, specializing in cybersecurity, and Anupam is a law professor at Georgetown who focuses on global regulation of new technologies. Both experts emphasized how banning Tiktok opens up a lot of new questions about how tech companies, specifically social media platforms, are treated in the U.S. and other countries. Because, while other countries including China and India have banned certain apps in the past, an American ban on Tiktok would send an entirely new message about how we do—or don’t—want to communicate with the rest of the world.</description>
      <pubDate>Thu, 04 May 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Since the last time we discussed the efforts to ban Tiktok, we’ve been hearing more about future legal challenges to these restrictions and the international impact they would have.
So to get some different perspectives on Tiktok’s actual security risks and the courtroom sagas already shaping up, we talked with Timothy Edgar and Anupam Chander. Timothy is a professor at both Harvard and Brown, specializing in cybersecurity, and Anupam is a law professor at Georgetown who focuses on global regulation of new technologies. Both experts emphasized how banning Tiktok opens up a lot of new questions about how tech companies, specifically social media platforms, are treated in the U.S. and other countries. Because, while other countries including China and India have banned certain apps in the past, an American ban on Tiktok would send an entirely new message about how we do—or don’t—want to communicate with the rest of the world.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since the last time we discussed the efforts to ban Tiktok, we’ve been hearing more about future legal challenges to these restrictions and the international impact they would have.</p><p>So to get some different perspectives on Tiktok’s actual security risks and the courtroom sagas already shaping up, we talked with Timothy Edgar and Anupam Chander. Timothy is a professor at both Harvard and Brown, specializing in cybersecurity, and Anupam is a law professor at Georgetown who focuses on global regulation of new technologies. Both experts emphasized how banning Tiktok opens up a lot of new questions about how tech companies, specifically social media platforms, are treated in the U.S. and other countries. Because, while other countries including China and India have banned certain apps in the past, an American ban on Tiktok would send an entirely new message about how we do—or don’t—want to communicate with the rest of the world.</p>]]>
      </content:encoded>
      <itunes:duration>1953</itunes:duration>
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    <item>
      <title>How AI could shape the next 50 years of hip-hop</title>
      <description>This year marks the 50th anniversary of hip-hop, a genre that’s gone from a niche art form to a cultural and financial powerhouse across the world. But with that huge burst of growth, are the true hip-hop creators getting their due? And what role will AI play in hip-hop in the next 50 years?
To help us unpack hip-hop’s history and future, we talked with Sacha Jenkins. Sacha is a filmmaker, musician, and the creative director of the media company, Mass Appeal. He’s also the cocurator of Hip Hop: Conscious Unconscious, a photo exhibit presented by Fotografiska New York and created in partnership with Mass Appeal.</description>
      <pubDate>Thu, 27 Apr 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>This year marks the 50th anniversary of hip-hop, a genre that’s gone from a niche art form to a cultural and financial powerhouse across the world. But with that huge burst of growth, are the true hip-hop creators getting their due? And what role will AI play in hip-hop in the next 50 years?
To help us unpack hip-hop’s history and future, we talked with Sacha Jenkins. Sacha is a filmmaker, musician, and the creative director of the media company, Mass Appeal. He’s also the cocurator of Hip Hop: Conscious Unconscious, a photo exhibit presented by Fotografiska New York and created in partnership with Mass Appeal.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This year marks the 50th anniversary of hip-hop, a genre that’s gone from a niche art form to a cultural and financial powerhouse across the world. But with that huge burst of growth, are the true hip-hop creators getting their due? And what role will AI play in hip-hop in the next 50 years?</p><p>To help us unpack hip-hop’s history and future, we talked with Sacha Jenkins. Sacha is a filmmaker, musician, and the creative director of the media company, Mass Appeal. He’s also the cocurator of <em>Hip Hop: Conscious Unconscious, </em>a photo exhibit presented by Fotografiska New York and created in partnership with Mass Appeal.</p>]]>
      </content:encoded>
      <itunes:duration>1620</itunes:duration>
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      <title>What do politicians not understand about TikTok?</title>
      <description>As Montana becomes the first state to pass a bill banning TikTok on all personal devices, discussions about why and how to restrict the Chinese-owned platform are circulating everywhere. TikTok creator V Spehar, @underthedesknews, has amassed 3 million followers with their clear, brief explanations of current events, and they believe that the communities and conversations on TikTok play a vital role in how we engage with each other across the globe. So when TikTok CEO Shou Zi Chew testified before Congress a few weeks ago, V went to listen in, and see firsthand how politicians are talking about the controversial app.</description>
      <pubDate>Thu, 20 Apr 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>As Montana becomes the first state to pass a bill banning TikTok on all personal devices, discussions about why and how to restrict the Chinese-owned platform are circulating everywhere. TikTok creator V Spehar, @underthedesknews, has amassed 3 million followers with their clear, brief explanations of current events, and they believe that the communities and conversations on TikTok play a vital role in how we engage with each other across the globe. So when TikTok CEO Shou Zi Chew testified before Congress a few weeks ago, V went to listen in, and see firsthand how politicians are talking about the controversial app.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As Montana becomes the first state to pass a bill banning TikTok on all personal devices, discussions about why and how to restrict the Chinese-owned platform are circulating everywhere. TikTok creator V Spehar, @underthedesknews, has amassed 3 million followers with their clear, brief explanations of current events, and they believe that the communities and conversations on TikTok play a vital role in how we engage with each other across the globe. So when TikTok CEO Shou Zi Chew testified before Congress a few weeks ago, V went to listen in, and see firsthand how politicians are talking about the controversial app.</p>]]>
      </content:encoded>
      <itunes:duration>1981</itunes:duration>
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      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV8997548573.mp3?updated=1681945948" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Navigating the creator economy 2.0</title>
      <description>To jumpstart season 3 with an overview of the creator economy, we’re featuring a roundtable conversation with some experts, recorded a few weeks ago at SXSW.
Our panel of experts—Julie Haleluk, global head of video creator program at Amazon Live Shoppable Videos; Adrienne Lahens, global head of operations at TikTok Creator Marketing Solutions; Julian Reis, founder and CEO of SuperOrdinary; and Brent Weinstein, chief development officer at Candle Media—chatted with KC about the ups and downs of the creator economy. Given the huge influx of creators who entered the space in 2020 and the economic concerns that emerged last year, how is the creator economy maturing? And how do political conflicts play out, with so many creators staking their livelihoods on TikTok and other platforms?</description>
      <pubDate>Thu, 13 Apr 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>To jumpstart season 3 with an overview of the creator economy, we’re featuring a roundtable conversation with some experts, recorded a few weeks ago at SXSW.
Our panel of experts—Julie Haleluk, global head of video creator program at Amazon Live Shoppable Videos; Adrienne Lahens, global head of operations at TikTok Creator Marketing Solutions; Julian Reis, founder and CEO of SuperOrdinary; and Brent Weinstein, chief development officer at Candle Media—chatted with KC about the ups and downs of the creator economy. Given the huge influx of creators who entered the space in 2020 and the economic concerns that emerged last year, how is the creator economy maturing? And how do political conflicts play out, with so many creators staking their livelihoods on TikTok and other platforms?</itunes:summary>
      <content:encoded>
        <![CDATA[<p>To jumpstart season 3 with an overview of the creator economy, we’re featuring a roundtable conversation with some experts, recorded a few weeks ago at SXSW.</p><p>Our panel of experts—Julie Haleluk, global head of video creator program at Amazon Live Shoppable Videos; Adrienne Lahens, global head of operations at TikTok Creator Marketing Solutions; Julian Reis, founder and CEO of SuperOrdinary; and Brent Weinstein, chief development officer at Candle Media—chatted with KC about the ups and downs of the creator economy. Given the huge influx of creators who entered the space in 2020 and the economic concerns that emerged last year, how is the creator economy maturing? And how do political conflicts play out, with so many creators staking their livelihoods on TikTok and other platforms?</p>]]>
      </content:encoded>
      <itunes:duration>2521</itunes:duration>
      <guid isPermaLink="false"><![CDATA[3ff0991e-d981-11ed-9d37-0741c6d58c58]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV4205563322.mp3?updated=1681340386" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Announcing Season 3 of Creative Control!</title>
      <description>Next week, Creative Control is back with Season 3! Some of the topics we’re unpacking this season include the push to ban TikTok, how hip-hop has undeniably shaped social media, and why it’s so difficult for adult content creators to monetize their work. Also, we’re diving into how the creator economy is challenging our norms around copyright, ownership, and originality.</description>
      <pubDate>Thu, 06 Apr 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>trailer</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Next week, Creative Control is back with Season 3! Some of the topics we’re unpacking this season include the push to ban TikTok, how hip-hop has undeniably shaped social media, and why it’s so difficult for adult content creators to monetize their work. Also, we’re diving into how the creator economy is challenging our norms around copyright, ownership, and originality.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Next week, <em>Creative Control </em>is back with Season 3! Some of the topics we’re unpacking this season include the push to ban TikTok, how hip-hop has undeniably shaped social media, and why it’s so difficult for adult content creators to monetize their work. Also, we’re diving into how the creator economy is challenging our norms around copyright, ownership, and originality.</p>]]>
      </content:encoded>
      <itunes:duration>127</itunes:duration>
      <guid isPermaLink="false"><![CDATA[1a4cd122-d400-11ed-b5fc-d7795bbacb57]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV8089080652.mp3?updated=1680733586" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>CC Flashback: Brittany Broski live from Fast Company’s Innovation Festival!</title>
      <description>While we’re on break, working on the next season of Creative Control, we’re revisiting this live episode from Fast Company’s Innovation Festival last fall. Content creator and comedian Brittany Broski gave her candid take on the creator economy and how she’s building a career beyond that kombucha meme that made her famous.</description>
      <pubDate>Thu, 30 Mar 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>27</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>While we’re on break, working on the next season of Creative Control, we’re revisiting this live episode from Fast Company’s Innovation Festival last fall. Content creator and comedian Brittany Broski gave her candid take on the creator economy and how she’s building a career beyond that kombucha meme that made her famous.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While we’re on break, working on the next season of <em>Creative Control</em>, we’re revisiting this live episode from Fast Company’s Innovation Festival last fall. Content creator and comedian Brittany Broski gave her candid take on the creator economy and how she’s building a career beyond that kombucha meme that made her famous.</p>]]>
      </content:encoded>
      <itunes:duration>1298</itunes:duration>
      <guid isPermaLink="false"><![CDATA[dc086910-ce7f-11ed-b96d-bfbf1f7f51db]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV3431716405.mp3?updated=1680128911" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>CC Flashback: Emma Chamberlain on taking a coffee break from YouTube</title>
      <description>In between seasons, we’re taking another listen to this interview with Emma Chamberlain, one of YouTube’s undisputed royalty.
Since starting her channel in 2017, Emma has amassed more than 11 million YouTube subscribers, in large part because of her wry comedic tone and signature lo-fi editing style. Her vlogs aren’t overproduced or too slick, instead she’s candid with her fans—which means being honest about needing a break from YouTube.
Emma’s shifted her focus to building out her podcast, Anything Goes, and her coffee company, Chamberlain Coffee. We talked about how she’s redefining her relationship with YouTube and finding her place in the coffee industry—potential haters and all.</description>
      <pubDate>Thu, 23 Mar 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>26</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In between seasons, we’re taking another listen to this interview with Emma Chamberlain, one of YouTube’s undisputed royalty.
Since starting her channel in 2017, Emma has amassed more than 11 million YouTube subscribers, in large part because of her wry comedic tone and signature lo-fi editing style. Her vlogs aren’t overproduced or too slick, instead she’s candid with her fans—which means being honest about needing a break from YouTube.
Emma’s shifted her focus to building out her podcast, Anything Goes, and her coffee company, Chamberlain Coffee. We talked about how she’s redefining her relationship with YouTube and finding her place in the coffee industry—potential haters and all.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In between seasons, we’re taking another listen to this interview with Emma Chamberlain, one of YouTube’s undisputed royalty.</p><p>Since starting her channel in 2017, Emma has amassed more than 11 million YouTube subscribers, in large part because of her wry comedic tone and signature lo-fi editing style. Her vlogs aren’t overproduced or too slick, instead she’s candid with her fans—which means being honest about needing a break from YouTube.</p><p>Emma’s shifted her focus to building out her podcast, <em>Anything Goes,</em> and her coffee company, Chamberlain Coffee. We talked about how she’s redefining her relationship with YouTube and finding her place in the coffee industry—potential haters and all.</p>]]>
      </content:encoded>
      <itunes:duration>2403</itunes:duration>
      <guid isPermaLink="false"><![CDATA[6e12dfbe-c2b6-11ed-be3d-4bcf5b7cb5f1]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV9809906019.mp3?updated=1679521226" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>CC Flashback: Should your doctor be an influencer?</title>
      <description>We’re working on the next season of Creative Control. In the meantime, we’re revisiting this still-relevant topic: doctors on platforms like TikTok and Twitter making medicine less of a mystery for people—and becoming celebrities along the way.
But the ethics of being a medical influencer are a bit hazy. We’ve seen how misinformation can run rampant on social media, and it doesn’t take much for anyone to gain a following, no matter their credentials. So what are the implications of doctors being influencers, and is it actually making us healthier?</description>
      <pubDate>Thu, 16 Mar 2023 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>25</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’re working on the next season of Creative Control. In the meantime, we’re revisiting this still-relevant topic: doctors on platforms like TikTok and Twitter making medicine less of a mystery for people—and becoming celebrities along the way.
But the ethics of being a medical influencer are a bit hazy. We’ve seen how misinformation can run rampant on social media, and it doesn’t take much for anyone to gain a following, no matter their credentials. So what are the implications of doctors being influencers, and is it actually making us healthier?</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’re working on the next season of <em>Creative Control.</em> In the meantime, we’re revisiting this still-relevant topic: doctors on platforms like TikTok and Twitter making medicine less of a mystery for people—and becoming celebrities along the way.</p><p>But the ethics of being a medical influencer are a bit hazy. We’ve seen how misinformation can run rampant on social media, and it doesn’t take much for anyone to gain a following, no matter their credentials. So what are the implications of doctors being influencers, and is it actually making us healthier?</p>]]>
      </content:encoded>
      <itunes:duration>2328</itunes:duration>
      <guid isPermaLink="false"><![CDATA[52cbd6fc-c2b6-11ed-a6aa-9b7564713325]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV2347479521.mp3?updated=1678907679" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>CC Flashback: Why copyright law is out of step with choreographers in the digital age</title>
      <description>While we’re on break, working on the next season of Creative Control, we wanted to revisit this throwback episode about copyright law and dance, and how some choreographers are fighting to get their work protected as intellectual property. It’s part of the wider issue of how popular trends can spread online without proper credit or compensation—something creators of color, in particular, have been calling out.</description>
      <pubDate>Thu, 09 Mar 2023 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>24</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>While we’re on break, working on the next season of Creative Control, we wanted to revisit this throwback episode about copyright law and dance, and how some choreographers are fighting to get their work protected as intellectual property. It’s part of the wider issue of how popular trends can spread online without proper credit or compensation—something creators of color, in particular, have been calling out.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>While we’re on break, working on the next season of <em>Creative Control</em>, we wanted to revisit this throwback episode about copyright law and dance, and how some choreographers are fighting to get their work protected as intellectual property. It’s part of the wider issue of how popular trends can spread online without proper credit or compensation—something creators of color, in particular, have been calling out.</p>]]>
      </content:encoded>
      <itunes:duration>1712</itunes:duration>
      <guid isPermaLink="false"><![CDATA[4c0df170-be0a-11ed-b6a5-ff909df609e9]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV7720479896.mp3?updated=1678319186" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>CC Flashback: How NCAA athletes are navigating the Wild West of NIL deals</title>
      <description>We’re taking a little break right now while we work on the next season. We’ll be back soon with new conversations and stories about what’s changing in the creator economy. In the meantime, in honor of March Madness, we wanted to revisit this throwback episode about the NCAA changing their rules to finally allow college athletes to make money from their own name, image, and likeness.</description>
      <pubDate>Thu, 02 Mar 2023 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>23</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’re taking a little break right now while we work on the next season. We’ll be back soon with new conversations and stories about what’s changing in the creator economy. In the meantime, in honor of March Madness, we wanted to revisit this throwback episode about the NCAA changing their rules to finally allow college athletes to make money from their own name, image, and likeness.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’re taking a little break right now while we work on the next season. We’ll be back soon with new conversations and stories about what’s changing in the creator economy. In the meantime, in honor of March Madness, we wanted to revisit this throwback episode about the NCAA changing their rules to finally allow college athletes to make money from their own name, image, and likeness.</p>]]>
      </content:encoded>
      <itunes:duration>1353</itunes:duration>
      <guid isPermaLink="false"><![CDATA[49ca0d34-b894-11ed-9cd8-7725f8ebafe7]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV8715606756.mp3?updated=1677718767" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Why celebrities are choosing equity over endorsements</title>
      <description>Over the past few years, it seems that celebrities and influencers are increasingly choosing to have their own brand instead of simply endorsing a product. Take Emma Chamberlain, for example. When she was on the podcast, she explained why, as an avid coffee lover, she started her own brand instead of doing a regular endorsement. To dig into this a little more, we spoke to Marian Leitner-Waldman, founder and CEO of canned wine company Archer Roose, about why she chose director/actor Elizabeth Banks as not just a celebrity endorser but a partner in the company and its chief creative officer.</description>
      <pubDate>Thu, 23 Feb 2023 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>22</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Over the past few years, it seems that celebrities and influencers are increasingly choosing to have their own brand instead of simply endorsing a product. Take Emma Chamberlain, for example. When she was on the podcast, she explained why, as an avid coffee lover, she started her own brand instead of doing a regular endorsement. To dig into this a little more, we spoke to Marian Leitner-Waldman, founder and CEO of canned wine company Archer Roose, about why she chose director/actor Elizabeth Banks as not just a celebrity endorser but a partner in the company and its chief creative officer.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Over the past few years, it seems that celebrities and influencers are increasingly choosing to have their own brand instead of simply endorsing a product. Take Emma Chamberlain, for example. When she was on the podcast, she explained why, as an avid coffee lover, she started her own brand instead of doing a regular endorsement. To dig into this a little more, we spoke to Marian Leitner-Waldman, founder and CEO of canned wine company Archer Roose, about why she chose director/actor Elizabeth Banks as not just a celebrity endorser but a partner in the company and its chief creative officer.</p>]]>
      </content:encoded>
      <itunes:duration>1726</itunes:duration>
      <guid isPermaLink="false"><![CDATA[08e5d88c-b2f1-11ed-b9b0-8ba845f3d061]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV2761533855.mp3?updated=1677108084" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Making Sh*t Up: Improvisation and the Art of Making Something out of Nothing</title>
      <description>We’re taking a little break while we work on the next season. In the meantime, we’re sharing an improv workshop from Fast Company’s Innovation Festival last year, led by actor, singer, and improvisor extraordinaire Wayne Brady. He gets into the importance of active listening in improv, and focusing on inclusion in his growing media empire.</description>
      <pubDate>Thu, 16 Feb 2023 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>21</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’re taking a little break while we work on the next season. In the meantime, we’re sharing an improv workshop from Fast Company’s Innovation Festival last year, led by actor, singer, and improvisor extraordinaire Wayne Brady. He gets into the importance of active listening in improv, and focusing on inclusion in his growing media empire.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’re taking a little break while we work on the next season. In the meantime, we’re sharing an improv workshop from Fast Company’s Innovation Festival last year, led by actor, singer, and improvisor extraordinaire Wayne Brady. He gets into the importance of active listening in improv, and focusing on inclusion in his growing media empire.</p>]]>
      </content:encoded>
      <itunes:duration>2421</itunes:duration>
      <guid isPermaLink="false"><![CDATA[a9e90632-ad6a-11ed-a0b1-2f109d7d91e3]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV5331707400.mp3?updated=1676502002" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Monetizing your brand in the creator economy</title>
      <description>We’re taking a little break right now while we work on the next season. But we’ll be back soon with new conversations and stories about what’s changing in the creator economy. In the meantime, we wanted to share a conversation from Fast Company’s Innovation Festival last fall. Associate editor Yaz Gagne moderated the panel, Monetizing Your Brand in the Creator Economy, featuring Tracy Chan from SoundCloud, Ami Gan from OnlyFans, Ritu Khanna from Shopify, and entrepreneur and content creator Jackie Aina.</description>
      <pubDate>Thu, 09 Feb 2023 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>20</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’re taking a little break right now while we work on the next season. But we’ll be back soon with new conversations and stories about what’s changing in the creator economy. In the meantime, we wanted to share a conversation from Fast Company’s Innovation Festival last fall. Associate editor Yaz Gagne moderated the panel, Monetizing Your Brand in the Creator Economy, featuring Tracy Chan from SoundCloud, Ami Gan from OnlyFans, Ritu Khanna from Shopify, and entrepreneur and content creator Jackie Aina.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’re taking a little break right now while we work on the next season. But we’ll be back soon with new conversations and stories about what’s changing in the creator economy. In the meantime, we wanted to share a conversation from Fast Company’s Innovation Festival last fall. Associate editor Yaz Gagne moderated the panel, Monetizing Your Brand in the Creator Economy, featuring Tracy Chan from SoundCloud, Ami Gan from OnlyFans, Ritu Khanna from Shopify, and entrepreneur and content creator Jackie Aina.</p>]]>
      </content:encoded>
      <itunes:duration>1973</itunes:duration>
      <guid isPermaLink="false"><![CDATA[331383e8-a801-11ed-a78e-c309c9e67b5a]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV4387159681.mp3?updated=1675896624" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How brands should elevate (not exploit) Black creators</title>
      <description>Last week we talked to some creators about how they’re approaching Black History Month this year. If you haven’t already listened to that episode, please check it out. And for this episode, I’m keeping the conversation going with Tiffany Hardin, founder and CEO of Gild Creative Group. Tiffany shared her perspective as an influencer marketing agent who has all the do’s and, most importantly, don’ts of how brands should be thinking about Black History Month.</description>
      <pubDate>Thu, 02 Feb 2023 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>19</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Last week we talked to some creators about how they’re approaching Black History Month this year. If you haven’t already listened to that episode, please check it out. And for this episode, I’m keeping the conversation going with Tiffany Hardin, founder and CEO of Gild Creative Group. Tiffany shared her perspective as an influencer marketing agent who has all the do’s and, most importantly, don’ts of how brands should be thinking about Black History Month.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Last week we talked to some creators about how they’re approaching Black History Month this year. If you haven’t already listened to that episode, please check it out. And for this episode, I’m keeping the conversation going with Tiffany Hardin, founder and CEO of Gild Creative Group. Tiffany shared her perspective as an influencer marketing agent who has all the do’s and, most importantly, don’ts of how brands should be thinking about Black History Month.</p>]]>
      </content:encoded>
      <itunes:duration>1527</itunes:duration>
      <guid isPermaLink="false"><![CDATA[db241bce-a289-11ed-80dd-1bd1b7439e66]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV8578426166.mp3?updated=1675296877" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How Black creators are navigating Black History Month</title>
      <description>Black History Month is almost upon us. It’s a time meant to celebrate Black culture, but as we’ve seen year after year, it’s also a time for racist trolls, tone-deaf brand campaigns, and corporate platitudes that amount to little change if any at all. It’s a lot to deal with, so I wanted to explore how Black creators are handling it all. Hear how Tyra Blizzard (@tblizzy), Garrison Hayes (@garrisonhayes), and Millana Snow (@millanasnow) are navigating February this year.</description>
      <pubDate>Thu, 26 Jan 2023 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>18</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Black History Month is almost upon us. It’s a time meant to celebrate Black culture, but as we’ve seen year after year, it’s also a time for racist trolls, tone-deaf brand campaigns, and corporate platitudes that amount to little change if any at all. It’s a lot to deal with, so I wanted to explore how Black creators are handling it all. Hear how Tyra Blizzard (@tblizzy), Garrison Hayes (@garrisonhayes), and Millana Snow (@millanasnow) are navigating February this year.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Black History Month is almost upon us. It’s a time meant to celebrate Black culture, but as we’ve seen year after year, it’s also a time for racist trolls, tone-deaf brand campaigns, and corporate platitudes that amount to little change if any at all. It’s a lot to deal with, so I wanted to explore how Black creators are handling it all. Hear how Tyra Blizzard (@tblizzy), Garrison Hayes (@garrisonhayes), and Millana Snow (@millanasnow) are navigating February this year.</p>]]>
      </content:encoded>
      <itunes:duration>1388</itunes:duration>
      <guid isPermaLink="false"><![CDATA[f7c260ea-9d04-11ed-8335-57bb8980880d]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV1622641605.mp3?updated=1674692009" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Where are we now after the Facebook Papers?</title>
      <description>Back in the fall of 2021, a whistleblower named Frances Haugen dropped a bombshell. She released what would become known as the Facebook Papers, a massive set of internal documents that essentially showed the harmful impact Facebook and Instagram can have on society and politics. Deeper still, the documents showed that Facebook knew of those dangers but seemed to put profits over everything.
It’s easy to forget just how big a story this was, given our relentless news cycle. So, to understand what impact the Facebook Papers really had, I spoke to Hayley Tsukayama, a senior legislative activist from the Electronic Frontier Foundation, and Bill Burton, a political consultant working with Frances Haugen.</description>
      <pubDate>Thu, 19 Jan 2023 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>17</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Back in the fall of 2021, a whistleblower named Frances Haugen dropped a bombshell. She released what would become known as the Facebook Papers, a massive set of internal documents that essentially showed the harmful impact Facebook and Instagram can have on society and politics. Deeper still, the documents showed that Facebook knew of those dangers but seemed to put profits over everything.
It’s easy to forget just how big a story this was, given our relentless news cycle. So, to understand what impact the Facebook Papers really had, I spoke to Hayley Tsukayama, a senior legislative activist from the Electronic Frontier Foundation, and Bill Burton, a political consultant working with Frances Haugen.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Back in the fall of 2021, a whistleblower named Frances Haugen dropped a bombshell. She released what would become known as the Facebook Papers, a massive set of internal documents that essentially showed the harmful impact Facebook and Instagram can have on society and politics. Deeper still, the documents showed that Facebook knew of those dangers but seemed to put profits over everything.</p><p>It’s easy to forget just how big a story this was, given our relentless news cycle. So, to understand what impact the Facebook Papers really had, I spoke to Hayley Tsukayama, a senior legislative activist from the Electronic Frontier Foundation, and Bill Burton, a political consultant working with Frances Haugen.</p>]]>
      </content:encoded>
      <itunes:duration>1231</itunes:duration>
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    </item>
    <item>
      <title>Is the creator economy dead?</title>
      <description>We’ve discussed where the creator economy is headed this year. And there are general trends that I do think will be important to keep in mind in the short term. But what about the long term? The creator economy is still relatively young. So what will it look like once the dust and hype really settle down? Dmitry Shapiro, cofounder and CEO of app platform Koji, has some thoughts that are pretty surprising. For starters, the creator economy as we know it is dying.</description>
      <pubDate>Thu, 12 Jan 2023 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>16</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’ve discussed where the creator economy is headed this year. And there are general trends that I do think will be important to keep in mind in the short term. But what about the long term? The creator economy is still relatively young. So what will it look like once the dust and hype really settle down? Dmitry Shapiro, cofounder and CEO of app platform Koji, has some thoughts that are pretty surprising. For starters, the creator economy as we know it is dying.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’ve discussed where the creator economy is headed this year. And there are general trends that I do think will be important to keep in mind in the short term. But what about the long term? The creator economy is still relatively young. So what will it look like once the dust and hype really settle down? Dmitry Shapiro, cofounder and CEO of app platform Koji, has some thoughts that are pretty surprising. For starters, the creator economy as we know it is dying.</p>]]>
      </content:encoded>
      <itunes:duration>1548</itunes:duration>
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    </item>
    <item>
      <title>How jazz powerhouse Samara Joy went from a viral video to Grammy nominee</title>
      <description>If you haven’t heard of Samara Joy, I’m about to put you on. Samara is a jazz singer whose buttery vocals have earned her some of the top accolades jazz has to offer, including two Grammy nominations for Best New Artist and Best Jazz Vocal album. And I think it’s worth mentioning here that Samara is only 23. She’s being touted as the “first Gen Z jazz singing star.” So it’s no surprise that her career got a massive boost by going viral on social media. But she’ll be the first to tell you, and I think it’s clear from her level of talent, that she’s much more than her age or social media presence. In our conversation, Samara charts her career from honing her talent in the Bronx to becoming an international jazz star. She also explains what her success could mean for jazz, and why she’s treading lightly on social media.</description>
      <pubDate>Thu, 05 Jan 2023 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>15</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>If you haven’t heard of Samara Joy, I’m about to put you on. Samara is a jazz singer whose buttery vocals have earned her some of the top accolades jazz has to offer, including two Grammy nominations for Best New Artist and Best Jazz Vocal album. And I think it’s worth mentioning here that Samara is only 23. She’s being touted as the “first Gen Z jazz singing star.” So it’s no surprise that her career got a massive boost by going viral on social media. But she’ll be the first to tell you, and I think it’s clear from her level of talent, that she’s much more than her age or social media presence. In our conversation, Samara charts her career from honing her talent in the Bronx to becoming an international jazz star. She also explains what her success could mean for jazz, and why she’s treading lightly on social media.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If you haven’t heard of Samara Joy, I’m about to put you on. Samara is a jazz singer whose buttery vocals have earned her some of the top accolades jazz has to offer, including two Grammy nominations for Best New Artist and Best Jazz Vocal album. And I think it’s worth mentioning here that Samara is only 23. She’s being touted as the “first Gen Z jazz singing star.” So it’s no surprise that her career got a massive boost by going viral on social media. But she’ll be the first to tell you, and I think it’s clear from her level of talent, that she’s much more than her age or social media presence. In our conversation, Samara charts her career from honing her talent in the Bronx to becoming an international jazz star. She also explains what her success could mean for jazz, and why she’s treading lightly on social media.</p>]]>
      </content:encoded>
      <itunes:duration>2508</itunes:duration>
      <guid isPermaLink="false"><![CDATA[004804a8-80af-11ed-a0e9-6b6e9daea2fe]]></guid>
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    <item>
      <title>The Fast Company podcast team looks back on 2022</title>
      <description>Kate Davis, KC Ifeanyi, and Amelia Hemphill discuss the biggest stories at Fast Company this past year and share their favorite moments from Fast Company podcasts. Kate highlights The New Way We Work's 4-part miniseries "Ambition Diaries," which examined the effects of the pandemic on women's progress in the workplace. KC reviews some of the biggest trends in the creator economy. Amelia explains some of the most innovative approaches to sustainability, including a toilet that incinerates your bowel movement under water. Finally, Kate, KC, and Amelia share their New Year's resolutions.
Subscribe to The New Way We Work, Creative Control, and World Changing Ideas on Apple Podcasts, Spotify, or wherever you listen.</description>
      <pubDate>Thu, 29 Dec 2022 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>14</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Kate Davis, KC Ifeanyi, and Amelia Hemphill discuss the biggest stories at Fast Company this past year and share their favorite moments from Fast Company podcasts. Kate highlights The New Way We Work's 4-part miniseries "Ambition Diaries," which examined the effects of the pandemic on women's progress in the workplace. KC reviews some of the biggest trends in the creator economy. Amelia explains some of the most innovative approaches to sustainability, including a toilet that incinerates your bowel movement under water. Finally, Kate, KC, and Amelia share their New Year's resolutions.
Subscribe to The New Way We Work, Creative Control, and World Changing Ideas on Apple Podcasts, Spotify, or wherever you listen.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kate Davis, KC Ifeanyi, and Amelia Hemphill discuss the biggest stories at<em> Fast Company</em> this past year and share their favorite moments from <em>Fast Company</em> podcasts. Kate highlights The New Way We Work's 4-part miniseries "Ambition Diaries," which examined the effects of the pandemic on women's progress in the workplace. KC reviews some of the biggest trends in the creator economy. Amelia explains some of the most innovative approaches to sustainability, including a toilet that incinerates your bowel movement under water. Finally, Kate, KC, and Amelia share their New Year's resolutions.</p><p>Subscribe to The New Way We Work, Creative Control, and World Changing Ideas on Apple Podcasts, Spotify, or wherever you listen.</p>]]>
      </content:encoded>
      <itunes:duration>2794</itunes:duration>
      <guid isPermaLink="false"><![CDATA[f71192e0-82ee-11ed-88c4-27c683a91173]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV2255337800.mp3?updated=1671820138" length="0" type="audio/mpeg"/>
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    <item>
      <title>Top predictions for the creator economy in 2023</title>
      <description>It’s been another destabilizing year across the board. But the creator economy has surprisingly held strong—despite a looming recession, increasing pressure from lawmakers to ban TikTok in the U.S., and Elon Musk being Elon Musk at Twitter. The creator economy is currently valued at $16.4 billion, a 19% increase from 2021. So will that energy carry over into 2023? To get a better understanding of where the creator economy is heading next year, I interviewed Stephanie Smith, head of talent strategy at UTA IQ; Zehra Naqvi, senior investment associate at Republic; and Madison Long, cofounder and CEO of Clutch.</description>
      <pubDate>Thu, 22 Dec 2022 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>13</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s been another destabilizing year across the board. But the creator economy has surprisingly held strong—despite a looming recession, increasing pressure from lawmakers to ban TikTok in the U.S., and Elon Musk being Elon Musk at Twitter. The creator economy is currently valued at $16.4 billion, a 19% increase from 2021. So will that energy carry over into 2023? To get a better understanding of where the creator economy is heading next year, I interviewed Stephanie Smith, head of talent strategy at UTA IQ; Zehra Naqvi, senior investment associate at Republic; and Madison Long, cofounder and CEO of Clutch.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s been another destabilizing year across the board. But the creator economy has surprisingly held strong—despite a looming recession, increasing pressure from lawmakers to ban TikTok in the U.S., and Elon Musk being Elon Musk at Twitter. The creator economy is currently valued at $16.4 billion, a 19% increase from 2021. So will that energy carry over into 2023? To get a better understanding of where the creator economy is heading next year, I interviewed Stephanie Smith, head of talent strategy at UTA IQ; Zehra Naqvi, senior investment associate at Republic; and Madison Long, cofounder and CEO of Clutch.</p>]]>
      </content:encoded>
      <itunes:duration>1735</itunes:duration>
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      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV3285553478.mp3?updated=1671664992" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Unpacking the ‘Black Internet Effect’ with Shavone Charles</title>
      <description>This interview has been a long time coming because Shavone Charles is someone I’ve known for quite a few years now. When I met her, she was the head of global music and youth culture communications at Instagram. Prior to that, she held a similar position at Twitter. And last year, she became TikTok’s first head of global diversity and inclusion communications. Shavone is one of those people who has been working tirelessly behind the scenes to help creators of color gain more visibility and recognition, and she lays it all out in her new book, ‘Black Internet Effect.’ In my conversation with Shavone, we talk about her trailblazing career, how she’s developing her personal creative pursuits, and what she sees as the next step for creators of color.</description>
      <pubDate>Thu, 15 Dec 2022 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>12</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>This interview has been a long time coming because Shavone Charles is someone I’ve known for quite a few years now. When I met her, she was the head of global music and youth culture communications at Instagram. Prior to that, she held a similar position at Twitter. And last year, she became TikTok’s first head of global diversity and inclusion communications. Shavone is one of those people who has been working tirelessly behind the scenes to help creators of color gain more visibility and recognition, and she lays it all out in her new book, ‘Black Internet Effect.’ In my conversation with Shavone, we talk about her trailblazing career, how she’s developing her personal creative pursuits, and what she sees as the next step for creators of color.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This interview has been a long time coming because Shavone Charles is someone I’ve known for quite a few years now. When I met her, she was the head of global music and youth culture communications at Instagram. Prior to that, she held a similar position at Twitter. And last year, she became TikTok’s first head of global diversity and inclusion communications. Shavone is one of those people who has been working tirelessly behind the scenes to help creators of color gain more visibility and recognition, and she lays it all out in her new book, ‘Black Internet Effect.’ In my conversation with Shavone, we talk about her trailblazing career, how she’s developing her personal creative pursuits, and what she sees as the next step for creators of color.</p>]]>
      </content:encoded>
      <itunes:duration>2092</itunes:duration>
      <guid isPermaLink="false"><![CDATA[4017b50c-7c03-11ed-869c-d788937a9f01]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV7005743630.mp3?updated=1671059192" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How social media companies should think about paid subscriptions</title>
      <description>You might have noticed that more and more social media platforms are offering paid versions of their services, like Twitter Blue, Snapchat Plus, and Discord Nitro. But what you may not have noticed is that this is nothing new. Social media platforms in China have had a huge head start in getting users to not only pay for features, but in creating features that truly are innovative. In this episode, Connie Chan, general partner at the VC firm Andreessen Horowitz, analyzes what Western companies should be learning from their successes.</description>
      <pubDate>Thu, 08 Dec 2022 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>11</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>You might have noticed that more and more social media platforms are offering paid versions of their services, like Twitter Blue, Snapchat Plus, and Discord Nitro. But what you may not have noticed is that this is nothing new. Social media platforms in China have had a huge head start in getting users to not only pay for features, but in creating features that truly are innovative. In this episode, Connie Chan, general partner at the VC firm Andreessen Horowitz, analyzes what Western companies should be learning from their successes.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>You might have noticed that more and more social media platforms are offering paid versions of their services, like Twitter Blue, Snapchat Plus, and Discord Nitro. But what you may not have noticed is that this is nothing new. Social media platforms in China have had a huge head start in getting users to not only pay for features, but in creating features that truly are innovative. In this episode, Connie Chan, general partner at the VC firm Andreessen Horowitz, analyzes what Western companies should be learning from their successes.</p>]]>
      </content:encoded>
      <itunes:duration>2250</itunes:duration>
      <guid isPermaLink="false"><![CDATA[7f942b00-7679-11ed-a059-b74dbc1c3755]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV6916657341.mp3?updated=1670450272" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>What Tumblr’s new rules on adult content means for creators</title>
      <description>Back in 2018, Tumblr banned all nudity, which, unsurprisingly, led to a massive dip in page views as well as adult creators being forced off the platform. But earlier this month, Tumblr, under new management, announced it would be relaxing its “no porn” rule to allow some adult content back onto the site. In this episode, Tumblr CEO Matt Mullenweg breaks down the fine print of what this means for creators and the future of Tumblr.</description>
      <pubDate>Thu, 01 Dec 2022 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>10</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Back in 2018, Tumblr banned all nudity, which, unsurprisingly, led to a massive dip in page views as well as adult creators being forced off the platform. But earlier this month, Tumblr, under new management, announced it would be relaxing its “no porn” rule to allow some adult content back onto the site. In this episode, Tumblr CEO Matt Mullenweg breaks down the fine print of what this means for creators and the future of Tumblr.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Back in 2018, Tumblr banned all nudity, which, unsurprisingly, led to a massive dip in page views as well as adult creators being forced off the platform. But earlier this month, Tumblr, under new management, announced it would be relaxing its “no porn” rule to allow some adult content back onto the site. In this episode, Tumblr CEO Matt Mullenweg breaks down the fine print of what this means for creators and the future of Tumblr.</p>]]>
      </content:encoded>
      <itunes:duration>1467</itunes:duration>
      <guid isPermaLink="false"><![CDATA[b45b709c-70fb-11ed-9a58-cb9645ab3e65]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV8250648781.mp3?updated=1669849244" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Coming up after Thanksgiving . . .</title>
      <description>We're taking a break this week and wishing everyone a warm holiday! When we come back, we'll be talking about what's changing in content policies at Tumblr and the effect of the Facebook Papers one year later.</description>
      <pubDate>Thu, 24 Nov 2022 10:00:00 -0000</pubDate>
      <itunes:episodeType>trailer</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>9</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We're taking a break this week and wishing everyone a warm holiday! When we come back, we'll be talking about what's changing in content policies at Tumblr and the effect of the Facebook Papers one year later.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We're taking a break this week and wishing everyone a warm holiday! When we come back, we'll be talking about what's changing in content policies at Tumblr and the effect of the Facebook Papers one year later.</p>]]>
      </content:encoded>
      <itunes:duration>80</itunes:duration>
      <guid isPermaLink="false"><![CDATA[191074b6-6a98-11ed-bccb-d3680a01dcf0]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV2622195886.mp3?updated=1669144000" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>If Elon Musk resurrects Vine, can it compete with TikTok?</title>
      <description>A few weeks ago, Elon Musk, Twitter’s new CEO, tweeted a poll asking if he should bring back Vine, the short-form video app Twitter purchased in 2012 but shuttered in 2016. Nearly 5 million votes later, 70% of people had voted to resurrect Vine. There were a number of factors that led to the app’s downfall. So if Vine were to come back, what would it need to do differently? More importantly, could it compete with the reigning short-form video juggernaut that is TikTok? To help me unpack this, I interviewed Lauren Schnipper, VP of corporate development at Jellysmack and co-host of the creator economy podcast Creator Upload.</description>
      <pubDate>Thu, 17 Nov 2022 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>8</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A few weeks ago, Elon Musk, Twitter’s new CEO, tweeted a poll asking if he should bring back Vine, the short-form video app Twitter purchased in 2012 but shuttered in 2016. Nearly 5 million votes later, 70% of people had voted to resurrect Vine. There were a number of factors that led to the app’s downfall. So if Vine were to come back, what would it need to do differently? More importantly, could it compete with the reigning short-form video juggernaut that is TikTok? To help me unpack this, I interviewed Lauren Schnipper, VP of corporate development at Jellysmack and co-host of the creator economy podcast Creator Upload.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A few weeks ago, Elon Musk, Twitter’s new CEO, tweeted a poll asking if he should bring back Vine, the short-form video app Twitter purchased in 2012 but shuttered in 2016. Nearly 5 million votes later, 70% of people had voted to resurrect Vine. There were a number of factors that led to the app’s downfall. So if Vine were to come back, what would it need to do differently? More importantly, could it compete with the reigning short-form video juggernaut that is TikTok? To help me unpack this, I interviewed Lauren Schnipper, VP of corporate development at Jellysmack and co-host of the creator economy podcast Creator Upload.</p>]]>
      </content:encoded>
      <itunes:duration>1623</itunes:duration>
      <guid isPermaLink="false"><![CDATA[1742dcfc-65ff-11ed-a9c5-0b0bf54f278e]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV7644239849.mp3?updated=1668638716" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Will changes at Twitch help or hurt creators' pockets? </title>
      <description>Most creators know they won’t reach the level of getting insanely lucrative brand deals or tens of millions of followers—and that’s perfectly fine. The overall sentiment from creators is that they just want stable and reliable income, i.e. a more robust middle class. It's a reasonable request but one that hasn’t been so easy to attain. A perfect vehicle to explore this right now is Twitch. In case you missed it, there’s been a few changes at Twitch that the company says are in the best interest of creators. But some creators, particularly those in the middle class, aren’t so sure.</description>
      <pubDate>Thu, 10 Nov 2022 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Most creators know they won’t reach the level of getting insanely lucrative brand deals or tens of millions of followers—and that’s perfectly fine. The overall sentiment from creators is that they just want stable and reliable income, i.e. a more robust middle class. It's a reasonable request but one that hasn’t been so easy to attain. A perfect vehicle to explore this right now is Twitch. In case you missed it, there’s been a few changes at Twitch that the company says are in the best interest of creators. But some creators, particularly those in the middle class, aren’t so sure.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Most creators know they won’t reach the level of getting insanely lucrative brand deals or tens of millions of followers—and that’s perfectly fine. The overall sentiment from creators is that they just want stable and reliable income, i.e. a more robust middle class. It's a reasonable request but one that hasn’t been so easy to attain. A perfect vehicle to explore this right now is Twitch. In case you missed it, there’s been a few changes at Twitch that the company says are in the best interest of creators. But some creators, particularly those in the middle class, aren’t so sure.</p>]]>
      </content:encoded>
      <itunes:duration>1714</itunes:duration>
      <guid isPermaLink="false"><![CDATA[39183a16-6082-11ed-a8e7-97accd79160e]]></guid>
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    </item>
    <item>
      <title>How much do you spend on the creators you love?</title>
      <description>When you think about what you’re already shelling out for on-demand entertainment with Netflix, Spotify, Disney+, Apple Music, HBO Max, how do content creators fit within your budget? We conducted a poll to get some answers. And to help me unpack these results, I reached out to Anthony Iaffaldano, VP of sales, marketing, and insights at Fandom.</description>
      <pubDate>Thu, 03 Nov 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>When you think about what you’re already shelling out for on-demand entertainment with Netflix, Spotify, Disney+, Apple Music, HBO Max, how do content creators fit within your budget? We conducted a poll to get some answers. And to help me unpack these results, I reached out to Anthony Iaffaldano, VP of sales, marketing, and insights at Fandom.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When you think about what you’re already shelling out for on-demand entertainment with Netflix, Spotify, Disney+, Apple Music, HBO Max, how do content creators fit within your budget? We conducted a poll to get some answers. And to help me unpack these results, I reached out to Anthony Iaffaldano, VP of sales, marketing, and insights at Fandom.</p>]]>
      </content:encoded>
      <itunes:duration>1653</itunes:duration>
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    <item>
      <title>Decoding what algospeak means for creators</title>
      <description>We’ve explored how algorithms and content moderation can make some creators feel targeted on social platforms. One way creators are getting around being flagged is through algospeak, e.g. using “unalive” instead of dead, “seggs” instead of sex, “corn” instead of porn, etc. Coded internet language has been around for decades, most commonly known as leetspeak. But no matter what you call it, massaging words to sidestep moderation raises some interesting questions we’re exploring in this episode.</description>
      <pubDate>Thu, 27 Oct 2022 14:30:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’ve explored how algorithms and content moderation can make some creators feel targeted on social platforms. One way creators are getting around being flagged is through algospeak, e.g. using “unalive” instead of dead, “seggs” instead of sex, “corn” instead of porn, etc. Coded internet language has been around for decades, most commonly known as leetspeak. But no matter what you call it, massaging words to sidestep moderation raises some interesting questions we’re exploring in this episode.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’ve explored how algorithms and content moderation can make some creators feel targeted on social platforms. One way creators are getting around being flagged is through algospeak, e.g. using “unalive” instead of dead, “seggs” instead of sex, “corn” instead of porn, etc. Coded internet language has been around for decades, most commonly known as leetspeak. But no matter what you call it, massaging words to sidestep moderation raises some interesting questions we’re exploring in this episode.</p>]]>
      </content:encoded>
      <itunes:duration>1343</itunes:duration>
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      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV7674486425.mp3?updated=1668035933" length="0" type="audio/mpeg"/>
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    <item>
      <title>Want 52 million followers on TikTok? Adapt and experiment like Michael Le</title>
      <description>If you’re on TikTok, Michael Le has undoubtedly landed on your For You page at some point with his dance videos, which have earned him 52 million followers and more than 10 billion views. Now Michael is launching Joystick, a gaming ecosystem that aims to empower users and content creators to become business owners. According to Michael, the key to his success has been adapting and experimenting both in the content he creates and in his business pursuits. But how do you translate 52 million followers into a new business—especially a new business that many might not see as part of your core brand?</description>
      <pubDate>Thu, 20 Oct 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>If you’re on TikTok, Michael Le has undoubtedly landed on your For You page at some point with his dance videos, which have earned him 52 million followers and more than 10 billion views. Now Michael is launching Joystick, a gaming ecosystem that aims to empower users and content creators to become business owners. According to Michael, the key to his success has been adapting and experimenting both in the content he creates and in his business pursuits. But how do you translate 52 million followers into a new business—especially a new business that many might not see as part of your core brand?</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If you’re on TikTok, Michael Le has undoubtedly landed on your For You page at some point with his dance videos, which have earned him 52 million followers and more than 10 billion views. Now Michael is launching Joystick, a gaming ecosystem that aims to empower users and content creators to become business owners. According to Michael, the key to his success has been adapting and experimenting both in the content he creates and in his business pursuits. But how do you translate 52 million followers into a new business—especially a new business that many might not see as part of your core brand?</p>]]>
      </content:encoded>
      <itunes:duration>1808</itunes:duration>
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    <item>
      <title>FROM AWS AND FAST CO WORKS: At the Edge of Innovation: A Conversation with AWS’s Jan Hofmeyr</title>
      <description>In this special podcast episode, hear the latest on what’s taking place in edge computing and hybrid cloud from a top industry executive at AWS. Also learn how these innovations can ultimately help you transform your business.</description>
      <pubDate>Tue, 18 Oct 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this special podcast episode, hear the latest on what’s taking place in edge computing and hybrid cloud from a top industry executive at AWS. Also learn how these innovations can ultimately help you transform your business.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this special podcast episode, hear the latest on what’s taking place in edge computing and hybrid cloud from a top industry executive at AWS. Also learn how these innovations can ultimately help you transform your business.</p>]]>
      </content:encoded>
      <itunes:duration>1537</itunes:duration>
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    <item>
      <title>Welcome to the hilariously bizarre world of Tony Talks</title>
      <description> You think you know where a skit from Antonio Baldwin (aka Tony Talks) is headed until the punchlines start hitting you in the most unexpected places. It’s the kind of random comedy that forces you to pay attention—and it’s certainly caught the attention of his growing audience. Tony landed a spot on Fast Company’s inaugural Creator 25 list, and you need only watch his content (and listen to this episode) to understand why.</description>
      <pubDate>Thu, 13 Oct 2022 13:31:59 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary> You think you know where a skit from Antonio Baldwin (aka Tony Talks) is headed until the punchlines start hitting you in the most unexpected places. It’s the kind of random comedy that forces you to pay attention—and it’s certainly caught the attention of his growing audience. Tony landed a spot on Fast Company’s inaugural Creator 25 list, and you need only watch his content (and listen to this episode) to understand why.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><strong> </strong>You think you know where a skit from Antonio Baldwin (aka Tony Talks) is headed until the punchlines start hitting you in the most unexpected places. It’s the kind of random comedy that forces you to pay attention—and it’s certainly caught the attention of his growing audience. Tony landed a spot on Fast Company’s inaugural Creator 25 list, and you need only watch his content (and listen to this episode) to understand why.</p>]]>
      </content:encoded>
      <itunes:duration>1856</itunes:duration>
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      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV7128327965.mp3?updated=1665667091" length="0" type="audio/mpeg"/>
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    <item>
      <title>Why marginalized creators are feeling invisible online</title>
      <description>A lot of people say success in the creator economy is democratized: You put in the work, stay consistent, and you’ll find your audience and revenue. That may be true for some, but for many marginalized creators success feels like a steeper hill to climb than it should be. Discoverability is crucial to any creator’s career online. But what happens when the algorithms powering discoverability seem to be working against you or don’t see you at all? </description>
      <pubDate>Thu, 06 Oct 2022 22:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A lot of people say success in the creator economy is democratized: You put in the work, stay consistent, and you’ll find your audience and revenue. That may be true for some, but for many marginalized creators success feels like a steeper hill to climb than it should be. Discoverability is crucial to any creator’s career online. But what happens when the algorithms powering discoverability seem to be working against you or don’t see you at all? </itunes:summary>
      <content:encoded>
        <![CDATA[<p>A lot of people say success in the creator economy is democratized: You put in the work, stay consistent, and you’ll find your audience and revenue. That may be true for some, but for many marginalized creators success feels like a steeper hill to climb than it should be. Discoverability is crucial to any creator’s career online. But what happens when the algorithms powering discoverability seem to be working against you or don’t see you at all? </p>]]>
      </content:encoded>
      <itunes:duration>1756</itunes:duration>
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      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV5047567497.mp3?updated=1665093356" length="0" type="audio/mpeg"/>
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    <item>
      <title>Brittany Broski live from Fast Company's Innovation Festival!</title>
      <description>Brittany "Broski" Tomlinson turned her 15 seconds of fame as "the Kombucha girl" meme into a full-fledged career. In this live episode of Fast Company's podcast Creative Control, Tomlinson gives her candid take on the creator economy and explains how she's building a name for herself offline.</description>
      <pubDate>Thu, 29 Sep 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Brittany "Broski" Tomlinson turned her 15 seconds of fame as "the Kombucha girl" meme into a full-fledged career. In this live episode of Fast Company's podcast Creative Control, Tomlinson gives her candid take on the creator economy and explains how she's building a name for herself offline.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Brittany "Broski" Tomlinson turned her 15 seconds of fame as "the Kombucha girl" meme into a full-fledged career. In this live episode of Fast Company's podcast Creative Control, Tomlinson gives her candid take on the creator economy and explains how she's building a name for herself offline.</p>]]>
      </content:encoded>
      <itunes:duration>1385</itunes:duration>
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    <item>
      <title>What's On The Horizon For Season 2 of Creative Control</title>
      <description>Here is a sneak peek of Season 2! Creative Control premieres next week, and be sure to subscribe to the podcast so you don’t miss new episodes every Thursday.</description>
      <pubDate>Thu, 22 Sep 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Here is a sneak peek of Season 2! Creative Control premieres next week, and be sure to subscribe to the podcast so you don’t miss new episodes every Thursday.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Here is a sneak peek of Season 2! Creative Control premieres next week, and be sure to subscribe to the podcast so you don’t miss new episodes every Thursday.</p>]]>
      </content:encoded>
      <itunes:duration>80</itunes:duration>
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    <item>
      <title>CC Throwback: How Soman Chainani darker lens creates fairytales</title>
      <description>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</description>
      <pubDate>Thu, 15 Sep 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</p>]]>
      </content:encoded>
      <itunes:duration>1738</itunes:duration>
      <guid isPermaLink="false"><![CDATA[17e74a8c-347f-11ed-be49-c3bdd621fe1c]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV5495231395.mp3?updated=1663196292" length="0" type="audio/mpeg"/>
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    <item>
      <title>CC Throwback: Author Jenny Han on the double-edged sword of representation</title>
      <description>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</description>
      <pubDate>Thu, 08 Sep 2022 13:30:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</p>]]>
      </content:encoded>
      <itunes:duration>2093</itunes:duration>
      <guid isPermaLink="false"><![CDATA[d6a4ea64-2f76-11ed-8f70-8bd45eaccf8f]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV4562877135.mp3?updated=1662642961" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>CC Throwback: Unpacking composer Nicholas Britell’s unusual creative process</title>
      <description>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</description>
      <pubDate>Thu, 01 Sep 2022 13:40:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</p>]]>
      </content:encoded>
      <itunes:duration>2364</itunes:duration>
      <guid isPermaLink="false"><![CDATA[b548e1be-29f8-11ed-b76a-87002e4f40ff]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV8876596169.mp3?updated=1662038959" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>FROM FRESHWORKS AND FAST CO. WORKS: What is the future of the employee experience?</title>
      <description>Every company’s success is tied to its talent - recruiting and retaining the employees needed to deliver high-level customer experiences that support the bottom line. Yet rapid transformation has disrupted many things that organizations used to do to maintain great company cultures. So how can business leaders reimagine their employee experiences to meet the needs of their workforces? How does that translate into better customer experiences? In this thought-provoking podcast episode, FastCo Works will hear from Freshworks CMO Stacey Epstein as she shares some of the latest industry best practices and learnings for companies navigating these work culture shifts.</description>
      <pubDate>Thu, 25 Aug 2022 14:56:46 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Every company’s success is tied to its talent - recruiting and retaining the employees needed to deliver high-level customer experiences that support the bottom line. Yet rapid transformation has disrupted many things that organizations used to do to maintain great company cultures. So how can business leaders reimagine their employee experiences to meet the needs of their workforces? How does that translate into better customer experiences? In this thought-provoking podcast episode, FastCo Works will hear from Freshworks CMO Stacey Epstein as she shares some of the latest industry best practices and learnings for companies navigating these work culture shifts.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Every company’s success is tied to its talent - recruiting and retaining the employees needed to deliver high-level customer experiences that support the bottom line. Yet rapid transformation has disrupted many things that organizations used to do to maintain great company cultures. So how can business leaders reimagine their employee experiences to meet the needs of their workforces? How does that translate into better customer experiences? In this thought-provoking podcast episode, FastCo Works will hear from Freshworks CMO Stacey Epstein as she shares some of the latest industry best practices and learnings for companies navigating these work culture shifts.</p>]]>
      </content:encoded>
      <itunes:duration>1527</itunes:duration>
      <guid isPermaLink="false"><![CDATA[cdedf08a-2483-11ed-af67-e3d8f8150647]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV7596257042.mp3?updated=1661438758" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>CC Throwback: Lessons on leveling up with Danielle Brooks</title>
      <description>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</description>
      <pubDate>Thu, 25 Aug 2022 14:30:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</p>]]>
      </content:encoded>
      <itunes:duration>1820</itunes:duration>
      <guid isPermaLink="false"><![CDATA[54aa574e-247f-11ed-9342-5b503a97a887]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV4160963993.mp3?updated=1661437049" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>CC Throwback: Monet X Change on the power of Blackness in drag</title>
      <description>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</description>
      <pubDate>Thu, 18 Aug 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</p>]]>
      </content:encoded>
      <itunes:duration>2291</itunes:duration>
      <guid isPermaLink="false"><![CDATA[8a7176f2-1e51-11ed-9e19-e73c092ae489]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV6840384042.mp3?updated=1660764500" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>CC Throwback: Minding your mental health with Dr. Jess Clemons</title>
      <description>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</description>
      <pubDate>Thu, 11 Aug 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</p>]]>
      </content:encoded>
      <itunes:duration>2238</itunes:duration>
      <guid isPermaLink="false"><![CDATA[ad943996-138c-11ed-bafb-b76776c98cac]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV2577528852.mp3?updated=1659623348" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>CC Throwback: Ellen Pompeo broke her creative rut and you can too</title>
      <description>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</description>
      <pubDate>Thu, 04 Aug 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</p>]]>
      </content:encoded>
      <itunes:duration>2532</itunes:duration>
      <guid isPermaLink="false"><![CDATA[79077388-138b-11ed-b086-a74a44456163]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV8870040556.mp3?updated=1659573142" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>CC Throwback: Using brainstorming and improv to boost your creativity</title>
      <description>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</description>
      <pubDate>Thu, 28 Jul 2022 15:34:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</p>]]>
      </content:encoded>
      <itunes:duration>1997</itunes:duration>
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      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV8492135630.mp3?updated=1659544631" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>CC Throwback: John Cho’s childlike approach to creativity</title>
      <description>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</description>
      <pubDate>Thu, 21 Jul 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</itunes:summary>
      <content:encoded>
        <![CDATA[<p><br></p><p>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</p>]]>
      </content:encoded>
      <itunes:duration>2689</itunes:duration>
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    </item>
    <item>
      <title>CC Throwback: Janet Mock on trusting other voices in the room</title>
      <description>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</description>
      <pubDate>Thu, 14 Jul 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</p>]]>
      </content:encoded>
      <itunes:duration>2797</itunes:duration>
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    </item>
    <item>
      <title>CC Throwback: How uncertainty and negativity can fuel creativity</title>
      <description>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</description>
      <pubDate>Thu, 07 Jul 2022 14:10:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’re hard at work developing season 2 of Creative Control coming this fall. In the meantime, enjoy this throwback episode to keep your creative juices flowing!</p>]]>
      </content:encoded>
      <itunes:duration>2671</itunes:duration>
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    <item>
      <title> Creative Control's season one finale</title>
      <description>Over the past 15 episodes, we covered a lot of ground within the creator economy. For the season one finale, we're revisiting some of these topics with Kaya Yurieff, a reporter with The Information who's also been sorting through the ups and downs of this space. In this episode, Kaya gives her opinion on burnout, the creator middle class, and government regulation of social media, as well as her forecast for the creator economy’s next chapter.</description>
      <pubDate>Thu, 23 Jun 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Over the past 15 episodes, we covered a lot of ground within the creator economy. For the season one finale, we're revisiting some of these topics with Kaya Yurieff, a reporter with The Information who's also been sorting through the ups and downs of this space. In this episode, Kaya gives her opinion on burnout, the creator middle class, and government regulation of social media, as well as her forecast for the creator economy’s next chapter.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Over the past 15 episodes, we covered a lot of ground within the creator economy. For the season one finale, we're revisiting some of these topics with Kaya Yurieff, a reporter with The Information who's also been sorting through the ups and downs of this space. In this episode, Kaya gives her opinion on burnout, the creator middle class, and government regulation of social media, as well as her forecast for the creator economy’s next chapter.</p>]]>
      </content:encoded>
      <itunes:duration>2324</itunes:duration>
      <guid isPermaLink="false"><![CDATA[b5c0539e-f27f-11ec-88a7-e35775a89982]]></guid>
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    <item>
      <title>How one woman is getting BIPOC creators a seat at the table</title>
      <description>Last week, we profiled a talent agency working specifically with deaf and disabled creators. This week, we're going even further into the space of marginalized creators with Annelise Campbell. Annelise is the founder of the CFG, an influencer marketing agency geared toward BIPOC creators like Monica Veloz, a lifestyle and beauty creator of nine years who, since linking up with CFG, has gained an entirely new perspective on value as an Afro-Latina creator. In this episode with Annelise and Monica, we cover everything from how creators of color should view their work to holding brands accountable for the work that still needs to be done.</description>
      <pubDate>Thu, 16 Jun 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Last week, we profiled a talent agency working specifically with deaf and disabled creators. This week, we're going even further into the space of marginalized creators with Annelise Campbell. Annelise is the founder of the CFG, an influencer marketing agency geared toward BIPOC creators like Monica Veloz, a lifestyle and beauty creator of nine years who, since linking up with CFG, has gained an entirely new perspective on value as an Afro-Latina creator. In this episode with Annelise and Monica, we cover everything from how creators of color should view their work to holding brands accountable for the work that still needs to be done.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Last week, we profiled a talent agency working specifically with deaf and disabled creators. This week, we're going even further into the space of marginalized creators with Annelise Campbell. Annelise is the founder of the CFG, an influencer marketing agency geared toward BIPOC creators like Monica Veloz, a lifestyle and beauty creator of nine years who, since linking up with CFG, has gained an entirely new perspective on value as an Afro-Latina creator. In this episode with Annelise and Monica, we cover everything from how creators of color should view their work to holding brands accountable for the work that still needs to be done.</p>]]>
      </content:encoded>
      <itunes:duration>2846</itunes:duration>
      <guid isPermaLink="false"><![CDATA[274a3036-ecf2-11ec-8802-2f3c03a2b3c1]]></guid>
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    <item>
      <title>This talent agency is making room for deaf and disabled creators</title>
      <description>According to the World Health Organization, 1 billion people around the world are living with a disability. However, it's safe to say that the majority of them still don't feel seen or adequately represented. It’s something Keely Cat-Wells set out to fix with C Talent, a talent management and consultancy agency working exclusively with deaf and disabled entertainers. As someone living with a disability, Keely wanted to make navigating the creator economy and Hollywood more equitable and inclusive. And in this episode, we cover how C Talent is doing just that, where brands are falling short, and how the creators C Talent works with are thinking about the dreaded “inspiration porn.”</description>
      <pubDate>Thu, 09 Jun 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>According to the World Health Organization, 1 billion people around the world are living with a disability. However, it's safe to say that the majority of them still don't feel seen or adequately represented. It’s something Keely Cat-Wells set out to fix with C Talent, a talent management and consultancy agency working exclusively with deaf and disabled entertainers. As someone living with a disability, Keely wanted to make navigating the creator economy and Hollywood more equitable and inclusive. And in this episode, we cover how C Talent is doing just that, where brands are falling short, and how the creators C Talent works with are thinking about the dreaded “inspiration porn.”</itunes:summary>
      <content:encoded>
        <![CDATA[<p>According to the World Health Organization, 1 billion people around the world are living with a disability. However, it's safe to say that the majority of them still don't feel seen or adequately represented. It’s something Keely Cat-Wells set out to fix with C Talent, a talent management and consultancy agency working exclusively with deaf and disabled entertainers. As someone living with a disability, Keely wanted to make navigating the creator economy and Hollywood more equitable and inclusive. And in this episode, we cover how C Talent is doing just that, where brands are falling short, and how the creators C Talent works with are thinking about the dreaded “inspiration porn.”</p>]]>
      </content:encoded>
      <itunes:duration>1958</itunes:duration>
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    <item>
      <title>Why inventor Simone Giertz is making products that actually work now</title>
      <description>One would think an inventor's job should be identifying a problem and building an innovative solution to fix it. Simone Giertz has been great about the first part but intentionally "shitty" about the second. For most of her career as an inventor and content creator, Simone has been the self-proclaimed "Queen of Shitty Robots" with inventions that were never meant to be anything more than a punchline. But a brain tumor forced her to stop hiding behind her shittiness and realize her dream of creating and selling products that actually work.</description>
      <pubDate>Thu, 02 Jun 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>One would think an inventor's job should be identifying a problem and building an innovative solution to fix it. Simone Giertz has been great about the first part but intentionally "shitty" about the second. For most of her career as an inventor and content creator, Simone has been the self-proclaimed "Queen of Shitty Robots" with inventions that were never meant to be anything more than a punchline. But a brain tumor forced her to stop hiding behind her shittiness and realize her dream of creating and selling products that actually work.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>One would think an inventor's job should be identifying a problem and building an innovative solution to fix it. Simone Giertz has been great about the first part but intentionally "shitty" about the second. For most of her career as an inventor and content creator, Simone has been the self-proclaimed "Queen of Shitty Robots" with inventions that were never meant to be anything more than a punchline. But a brain tumor forced her to stop hiding behind her shittiness and realize her dream of creating and selling products that actually work.</p>]]>
      </content:encoded>
      <itunes:duration>2598</itunes:duration>
      <guid isPermaLink="false"><![CDATA[a8b77efc-e1ef-11ec-af8e-f7392accf80e]]></guid>
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    <item>
      <title>Social media regulation needs to happen—but how?</title>
      <description>Rounding out this 3-episode arc of the current state of social media platforms is the question of government regulation. We know social media companies aren't as forthright as they could be about how their platforms work. And we know social media has fundamentally impacted politics and our health. So what's the government doing about social media? Top executives across Meta, Twitter, TikTok, YouTube, and Snap have all been grilled on Capitol Hill. Lawmakers have introduced bills that try to take on issues like addictive algorithms and surveillance advertising. But so far, nothing concrete has taken shape. The European Union is way ahead of the US in regulating social media. So what will it take to catch up? And more importantly what does effective regulation even look like?</description>
      <pubDate>Thu, 26 May 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Rounding out this 3-episode arc of the current state of social media platforms is the question of government regulation. We know social media companies aren't as forthright as they could be about how their platforms work. And we know social media has fundamentally impacted politics and our health. So what's the government doing about social media? Top executives across Meta, Twitter, TikTok, YouTube, and Snap have all been grilled on Capitol Hill. Lawmakers have introduced bills that try to take on issues like addictive algorithms and surveillance advertising. But so far, nothing concrete has taken shape. The European Union is way ahead of the US in regulating social media. So what will it take to catch up? And more importantly what does effective regulation even look like?</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Rounding out this 3-episode arc of the current state of social media platforms is the question of government regulation. We know social media companies aren't as forthright as they could be about how their platforms work. And we know social media has fundamentally impacted politics and our health. So what's the government doing about social media? Top executives across Meta, Twitter, TikTok, YouTube, and Snap have all been grilled on Capitol Hill. Lawmakers have introduced bills that try to take on issues like addictive algorithms and surveillance advertising. But so far, nothing concrete has taken shape. The European Union is way ahead of the US in regulating social media. So what will it take to catch up? And more importantly what does effective regulation even look like?</p>]]>
      </content:encoded>
      <itunes:duration>2708</itunes:duration>
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    <item>
      <title>Inside the push to make social media less addictive</title>
      <description>Does this sound familiar? You open Instagram or TikTok to kill some time, and the next thing you know, your eyes are dried out and your thumb feels like it’s about to fall off. It’s only then you realize how long you’ve been scrolling. For most of us, spending sometimes hours on social media leaves us a little achy but mainly just feeling guilty for having wasted a chunk of our day. But for some people, getting sucked into social media like that can have a major impact on their mental health. In this episode, I’m looking at where we are now at the intersection of social media and mental health—and I'm talking to a psychiatrist and a technologist who are trying to make these platforms a little less harmful.</description>
      <pubDate>Thu, 19 May 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Does this sound familiar? You open Instagram or TikTok to kill some time, and the next thing you know, your eyes are dried out and your thumb feels like it’s about to fall off. It’s only then you realize how long you’ve been scrolling. For most of us, spending sometimes hours on social media leaves us a little achy but mainly just feeling guilty for having wasted a chunk of our day. But for some people, getting sucked into social media like that can have a major impact on their mental health. In this episode, I’m looking at where we are now at the intersection of social media and mental health—and I'm talking to a psychiatrist and a technologist who are trying to make these platforms a little less harmful.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Does this sound familiar? You open Instagram or TikTok to kill some time, and the next thing you know, your eyes are dried out and your thumb feels like it’s about to fall off. It’s only then you realize how long you’ve been scrolling. For most of us, spending sometimes hours on social media leaves us a little achy but mainly just feeling guilty for having wasted a chunk of our day. But for some people, getting sucked into social media like that can have a major impact on their mental health. In this episode, I’m looking at where we are now at the intersection of social media and mental health—and I'm talking to a psychiatrist and a technologist who are trying to make these platforms a little less harmful.</p>]]>
      </content:encoded>
      <itunes:duration>2172</itunes:duration>
      <guid isPermaLink="false"><![CDATA[43c3d0b6-d6f7-11ec-bbe9-db1d24363b7e]]></guid>
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    <item>
      <title>What we know (and don't) about social media algorithms</title>
      <description>It feels strange to think back to a time when we weren’t so concerned with social media algorithms. For years, we accepted this idea that algorithms were there to serve us more of what we love online. Which is true…to a certain degree. Since 2016, that rosier depiction of algorithms has completely disintegrated. Now when we talk about algorithms, we’re talking about issues like mental health, addiction, political interference, and government regulation. I wanted to get a better understanding of where we are now with social media algorithms. And it's a lot to unpack so I'm going to be tackling this topic in three separate episodes. Up first: what we know (and don’t know) about algorithms.</description>
      <pubDate>Thu, 12 May 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It feels strange to think back to a time when we weren’t so concerned with social media algorithms. For years, we accepted this idea that algorithms were there to serve us more of what we love online. Which is true…to a certain degree. Since 2016, that rosier depiction of algorithms has completely disintegrated. Now when we talk about algorithms, we’re talking about issues like mental health, addiction, political interference, and government regulation. I wanted to get a better understanding of where we are now with social media algorithms. And it's a lot to unpack so I'm going to be tackling this topic in three separate episodes. Up first: what we know (and don’t know) about algorithms.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It feels strange to think back to a time when we weren’t so concerned with social media algorithms. For years, we accepted this idea that algorithms were there to serve us more of what we love online. Which is true…to a certain degree. Since 2016, that rosier depiction of algorithms has completely disintegrated. Now when we talk about algorithms, we’re talking about issues like mental health, addiction, political interference, and government regulation. I wanted to get a better understanding of where we are now with social media algorithms. And it's a lot to unpack so I'm going to be tackling this topic in three separate episodes. Up first: what we know (and don’t know) about algorithms.</p>]]>
      </content:encoded>
      <itunes:duration>2241</itunes:duration>
      <guid isPermaLink="false"><![CDATA[ef504490-d17b-11ec-800c-875f12b4a475]]></guid>
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    <item>
      <title>Lilly Singh wants you to be a triangle</title>
      <description>When Lilly Singh started her YouTube channel in 2010, she was all about the hustle, which led to a number of opportunities including acting roles and a late-night talk show. But in that hustling, Lilly admits her value system got out of whack. She was so focused on accolades and awards that she never thought to tie her value to things like mental health or self-growth. But now she's turning it around—and she’s encouraging us all to do the same in her new book “Be a Triangle.” In this episode, Lilly unpacks how her YouTube career and stint in late-night has had a major impact on what she values and how she views content creation today.</description>
      <pubDate>Thu, 05 May 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>When Lilly Singh started her YouTube channel in 2010, she was all about the hustle, which led to a number of opportunities including acting roles and a late-night talk show. But in that hustling, Lilly admits her value system got out of whack. She was so focused on accolades and awards that she never thought to tie her value to things like mental health or self-growth. But now she's turning it around—and she’s encouraging us all to do the same in her new book “Be a Triangle.” In this episode, Lilly unpacks how her YouTube career and stint in late-night has had a major impact on what she values and how she views content creation today.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When Lilly Singh started her YouTube channel in 2010, she was all about the hustle, which led to a number of opportunities including acting roles and a late-night talk show. But in that hustling, Lilly admits her value system got out of whack. She was so focused on accolades and awards that she never thought to tie her value to things like mental health or self-growth. But now she's turning it around—and she’s encouraging us all to do the same in her new book “Be a Triangle.” In this episode, Lilly unpacks how her YouTube career and stint in late-night has had a major impact on what she values and how she views content creation today.</p>]]>
      </content:encoded>
      <itunes:duration>1858</itunes:duration>
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    <item>
      <title>How a Silicon Valley engineer-turned-creator is pushing back against hustle culture</title>
      <description>Last week I discussed burnout with therapist Kati Morton and got into the nuts and bolts of what happens in our brains when we experience burnout and how to recover from it. But I also wanted to get the perspective of a content creator. Mayuko Inoue is a software engineer who's worked for Intuit, Patreon, and Netflix. But she left her stabile career behind to become a full-time creator in 2020. So I wanted to unpack burnout with a creator who jumped out of one fire in working tech and into a completely different fire as a content creator.</description>
      <pubDate>Thu, 21 Apr 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Last week I discussed burnout with therapist Kati Morton and got into the nuts and bolts of what happens in our brains when we experience burnout and how to recover from it. But I also wanted to get the perspective of a content creator. Mayuko Inoue is a software engineer who's worked for Intuit, Patreon, and Netflix. But she left her stabile career behind to become a full-time creator in 2020. So I wanted to unpack burnout with a creator who jumped out of one fire in working tech and into a completely different fire as a content creator.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Last week I discussed burnout with therapist Kati Morton and got into the nuts and bolts of what happens in our brains when we experience burnout and how to recover from it. But I also wanted to get the perspective of a content creator. Mayuko Inoue is a software engineer who's worked for Intuit, Patreon, and Netflix. But she left her stabile career behind to become a full-time creator in 2020. So I wanted to unpack burnout with a creator who jumped out of one fire in working tech and into a completely different fire as a content creator.</p>]]>
      </content:encoded>
      <itunes:duration>1599</itunes:duration>
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    <item>
      <title>Burnout is getting worse—but recovery won't take as long as you think</title>
      <description>Before the World Health Organization officially recognized burnout as a syndrome in 2019, there was already a mounting wave of high-profile creators speaking out against what they felt as pressure from platforms to consistently churn out content or their channels would suffer. And, unsurprisingly, the past two years have only made burnout worse. But therapist and content creator Kati Morton explains the small (and unconventional) changes you can make to put out the fire.</description>
      <pubDate>Thu, 14 Apr 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Before the World Health Organization officially recognized burnout as a syndrome in 2019, there was already a mounting wave of high-profile creators speaking out against what they felt as pressure from platforms to consistently churn out content or their channels would suffer. And, unsurprisingly, the past two years have only made burnout worse. But therapist and content creator Kati Morton explains the small (and unconventional) changes you can make to put out the fire.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Before the World Health Organization officially recognized burnout as a syndrome in 2019, there was already a mounting wave of high-profile creators speaking out against what they felt as pressure from platforms to consistently churn out content or their channels would suffer. And, unsurprisingly, the past two years have only made burnout worse. But therapist and content creator Kati Morton explains the small (and unconventional) changes you can make to put out the fire.</p>]]>
      </content:encoded>
      <itunes:duration>1524</itunes:duration>
      <guid isPermaLink="false"><![CDATA[64504af8-bb6d-11ec-a779-a74c338c4dfa]]></guid>
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    <item>
      <title>Emma Chamberlain on taking a coffee break from YouTube</title>
      <description>Since starting her channel in 2017, Emma Chamberlain has amassed more than 11 million YouTube subscribers, in large part because of her wry comedic tone and signature lo-fi editing style. Not being overproduced in both the look and content of her vlogs made Emma more relatable to an audience that increasingly has favored content creators removing the literal and proverbial filters from their lives. And part of Chamberlain being so candid has been admitting to her audience (and herself) that she needed a break from YouTube. She’s shifted her focus to building out her podcast Anything Goes and her coffee company Chamberlain Coffee. I wanted to talk to Emma to see how she’s redefining her relationship with YouTube and how she’s finding her place in the coffee industry—potential haters and all.</description>
      <pubDate>Thu, 07 Apr 2022 12:55:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Since starting her channel in 2017, Emma Chamberlain has amassed more than 11 million YouTube subscribers, in large part because of her wry comedic tone and signature lo-fi editing style. Not being overproduced in both the look and content of her vlogs made Emma more relatable to an audience that increasingly has favored content creators removing the literal and proverbial filters from their lives. And part of Chamberlain being so candid has been admitting to her audience (and herself) that she needed a break from YouTube. She’s shifted her focus to building out her podcast Anything Goes and her coffee company Chamberlain Coffee. I wanted to talk to Emma to see how she’s redefining her relationship with YouTube and how she’s finding her place in the coffee industry—potential haters and all.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since starting her channel in 2017, Emma Chamberlain has amassed more than 11 million YouTube subscribers, in large part because of her wry comedic tone and signature lo-fi editing style. Not being overproduced in both the look and content of her vlogs made Emma more relatable to an audience that increasingly has favored content creators removing the literal and proverbial filters from their lives. And part of Chamberlain being so candid has been admitting to her audience (and herself) that she needed a break from YouTube. She’s shifted her focus to building out her podcast <em>Anything Goes</em> and her coffee company Chamberlain Coffee. I wanted to talk to Emma to see how she’s redefining her relationship with YouTube and how she’s finding her place in the coffee industry—potential haters and all.</p>]]>
      </content:encoded>
      <itunes:duration>2374</itunes:duration>
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    <item>
      <title>Should your doctor be an influencer?</title>
      <description>Doctors are taking to platforms like TikTok and Twitter to make medicine less of a mystery for people—and becoming celebrities along the way. But the ethics here are in a very grey area. We’ve seen how misinformation can run rampant on social media. And we’ve also seen that it doesn’t take much for anyone to gain a following online. So I wanted to explore this to get a better understanding of what it means when your doctor becomes an influencer.</description>
      <pubDate>Thu, 31 Mar 2022 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Doctors are taking to platforms like TikTok and Twitter to make medicine less of a mystery for people—and becoming celebrities along the way. But the ethics here are in a very grey area. We’ve seen how misinformation can run rampant on social media. And we’ve also seen that it doesn’t take much for anyone to gain a following online. So I wanted to explore this to get a better understanding of what it means when your doctor becomes an influencer.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Doctors are taking to platforms like TikTok and Twitter to make medicine less of a mystery for people—and becoming celebrities along the way. But the ethics here are in a very grey area. We’ve seen how misinformation can run rampant on social media. And we’ve also seen that it doesn’t take much for anyone to gain a following online. So I wanted to explore this to get a better understanding of what it means when your doctor becomes an influencer.</p>]]>
      </content:encoded>
      <itunes:duration>2324</itunes:duration>
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    <item>
      <title>Patreon CEO Jack Conte on the creative middle class</title>
      <description>As the cofounder and CEO of Patreon (and a creator himself), Jack Conte’s whole mission has been helping creators make a stable living. Patreon allows creators to charge monthly or annual subscription fees for access to their content. And since the company started nine years ago, it’s paid out $3.5 billion to more than 250,000 creators. Patreon itself was recently valued at $4 billion, so clearly Jack was on to something. But knowing how much the creator economy has evolved, how is Patreon thinking about features to better serve creators? And are we getting closer to a more robust middle class of creatives?</description>
      <pubDate>Thu, 24 Mar 2022 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>As the cofounder and CEO of Patreon (and a creator himself), Jack Conte’s whole mission has been helping creators make a stable living. Patreon allows creators to charge monthly or annual subscription fees for access to their content. And since the company started nine years ago, it’s paid out $3.5 billion to more than 250,000 creators. Patreon itself was recently valued at $4 billion, so clearly Jack was on to something. But knowing how much the creator economy has evolved, how is Patreon thinking about features to better serve creators? And are we getting closer to a more robust middle class of creatives?</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As the cofounder and CEO of Patreon (and a creator himself), Jack Conte’s whole mission has been helping creators make a stable living. Patreon allows creators to charge monthly or annual subscription fees for access to their content. And since the company started nine years ago, it’s paid out $3.5 billion to more than 250,000 creators. Patreon itself was recently valued at $4 billion, so clearly Jack was on to something. But knowing how much the creator economy has evolved, how is Patreon thinking about features to better serve creators? And are we getting closer to a more robust middle class of creatives?</p>]]>
      </content:encoded>
      <itunes:duration>2213</itunes:duration>
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    </item>
    <item>
      <title>This company is investing $1 billion in your favorite YouTube creators</title>
      <description>Spotter buys YouTubers’s back catalogs in exchange for capital to grow their businesses—and the company recently announced plans to invest $1 billion in creators. CEO Aaron DeBevoise explains who’s getting a cut, the possibility of expanding to TikTok, and how changes to YouTube could impact Spotter.</description>
      <pubDate>Thu, 17 Mar 2022 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Spotter buys YouTubers’s back catalogs in exchange for capital to grow their businesses—and the company recently announced plans to invest $1 billion in creators. CEO Aaron DeBevoise explains who’s getting a cut, the possibility of expanding to TikTok, and how changes to YouTube could impact Spotter.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Spotter buys YouTubers’s back catalogs in exchange for capital to grow their businesses—and the company recently announced plans to invest $1 billion in creators. CEO Aaron DeBevoise explains who’s getting a cut, the possibility of expanding to TikTok, and how changes to YouTube could impact Spotter.</p>]]>
      </content:encoded>
      <itunes:duration>1867</itunes:duration>
      <guid isPermaLink="false"><![CDATA[cbc0f132-a55c-11ec-a5b2-f7116c869499]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV7460013232.mp3?updated=1659544168" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Why copyright law is out of step with dancers in the digital age</title>
      <description>When you think about things having a copyright, what probably comes to mind are movies, music, and books—but what about dance moves? Historically, copyrighting choreography favors artists working in more traditional forms like ballet or modern dance, while choreography in videos games, music videos, and social media have remained in copyright law's blindspot. But, as we explore in this episode, hopefully not for much longer.</description>
      <pubDate>Thu, 10 Mar 2022 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>When you think about things having a copyright, what probably comes to mind are movies, music, and books—but what about dance moves? Historically, copyrighting choreography favors artists working in more traditional forms like ballet or modern dance, while choreography in videos games, music videos, and social media have remained in copyright law's blindspot. But, as we explore in this episode, hopefully not for much longer.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When you think about things having a copyright, what probably comes to mind are movies, music, and books—but what about dance moves? Historically, copyrighting choreography favors artists working in more traditional forms like ballet or modern dance, while choreography in videos games, music videos, and social media have remained in copyright law's blindspot. But, as we explore in this episode, hopefully not for much longer.</p>]]>
      </content:encoded>
      <itunes:duration>1731</itunes:duration>
      <guid isPermaLink="false"><![CDATA[513262c2-a000-11ec-8c4a-bf046e2c04f8]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV8121570925.mp3?updated=1659544135" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How NCAA athletes are navigating the Wild West of "NIL" deals</title>
      <description>In the first episode of Fast Company's new podcast Creative Control, host KC Ifeanyi dives into the tangled history of the NCAA and collegiate athletes being able to earn money from their name, image, and likeness. The new policy has been a long time coming for athletes in the NCAA who can now score brand deals and monetize their social media. But the rules here are still very fragmented. So how are athletes navigating this new era?</description>
      <pubDate>Thu, 03 Mar 2022 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In the first episode of Fast Company's new podcast Creative Control, host KC Ifeanyi dives into the tangled history of the NCAA and collegiate athletes being able to earn money from their name, image, and likeness. The new policy has been a long time coming for athletes in the NCAA who can now score brand deals and monetize their social media. But the rules here are still very fragmented. So how are athletes navigating this new era?</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the first episode of <em>Fast Company</em>'s new podcast <em>Creative Control</em>, host KC Ifeanyi dives into the tangled history of the NCAA and collegiate athletes being able to earn money from their name, image, and likeness. The new policy has been a long time coming for athletes in the NCAA who can now score brand deals and monetize their social media. But the rules here are still very fragmented. So how are athletes navigating this new era?</p>]]>
      </content:encoded>
      <itunes:duration>1347</itunes:duration>
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      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV8289301368.mp3?updated=1659544103" length="0" type="audio/mpeg"/>
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    <item>
      <title>Introducing Creative Control</title>
      <description>Fast Company's new podcast Creative Control is taking a deep dive into the forces shaping the creator economy, and what it means for its future. Creative Control premieres next week, and be sure to subscribe to the podcast so you don’t miss new episodes every Thursday.</description>
      <pubDate>Thu, 24 Feb 2022 10:05:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Fast Company's new podcast Creative Control is taking a deep dive into the forces shaping the creator economy, and what it means for its future. Creative Control premieres next week, and be sure to subscribe to the podcast so you don’t miss new episodes every Thursday.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Fast Company's new podcast Creative Control is taking a deep dive into the forces shaping the creator economy, and what it means for its future. Creative Control premieres next week, and be sure to subscribe to the podcast so you don’t miss new episodes every Thursday.</p>]]>
      </content:encoded>
      <itunes:duration>80</itunes:duration>
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    </item>
    <item>
      <title>CC Flashback: Jackie Aina</title>
      <description>We’re gearing up for a brand new podcast on the creator economy! So in the meantime, check out this past interview from our very first season of Creative Conversation in 2018 with YouTube beauty guru Jackie Aina.</description>
      <pubDate>Thu, 17 Feb 2022 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’re gearing up for a brand new podcast on the creator economy! So in the meantime, check out this past interview from our very first season of Creative Conversation in 2018 with YouTube beauty guru Jackie Aina.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’re gearing up for a brand new podcast on the creator economy! So in the meantime, check out this past interview from our very first season of Creative Conversation in 2018 with YouTube beauty guru Jackie Aina.</p>]]>
      </content:encoded>
      <itunes:duration>1725</itunes:duration>
      <guid isPermaLink="false"><![CDATA[f5541374-8f7e-11ec-a39e-27ca08fd3023]]></guid>
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    </item>
    <item>
      <title> CC Flashback: Wayne Brady</title>
      <description>We’re gearing up for a brand new podcast on the creator economy! So in the meantime, check out this past interview from our forth season of Creative Conversation in 2021 with legendary actor Wayne Brady.</description>
      <pubDate>Thu, 10 Feb 2022 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’re gearing up for a brand new podcast on the creator economy! So in the meantime, check out this past interview from our forth season of Creative Conversation in 2021 with legendary actor Wayne Brady.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’re gearing up for a brand new podcast on the creator economy! So in the meantime, check out this past interview from our forth season of Creative Conversation in 2021 with legendary actor Wayne Brady.</p>]]>
      </content:encoded>
      <itunes:duration>3177</itunes:duration>
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      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV3265821399.mp3?updated=1659544024" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>CC Flashback: Saweetie</title>
      <description>We’re gearing up for a brand new podcast on the creator economy! So in the meantime, check out this past interview from our first season of Creative Conversation in 2020 with viral rapper Saweetie.</description>
      <pubDate>Thu, 03 Feb 2022 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’re gearing up for a brand new podcast on the creator economy! So in the meantime, check out this past interview from our first season of Creative Conversation in 2020 with viral rapper Saweetie.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’re gearing up for a brand new podcast on the creator economy! So in the meantime, check out this past interview from our first season of Creative Conversation in 2020 with viral rapper Saweetie.</p>]]>
      </content:encoded>
      <itunes:duration>2280</itunes:duration>
      <guid isPermaLink="false"><![CDATA[2326be04-8468-11ec-b76b-1b6bfb4a9cd9]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV9647540613.mp3?updated=1659543892" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>CC Flashback: Paul Scheer</title>
      <description>We’re gearing up for a brand new podcast on the creator economy! So in the meantime, check out this past interview from our first season of Creative Conversation in 2018 with celebrated actor Paul Scheer.</description>
      <pubDate>Thu, 27 Jan 2022 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’re gearing up for a brand new podcast on the creator economy! So in the meantime, check out this past interview from our first season of Creative Conversation in 2018 with celebrated actor Paul Scheer.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’re gearing up for a brand new podcast on the creator economy! So in the meantime, check out this past interview from our first season of Creative Conversation in 2018 with celebrated actor Paul Scheer.</p>]]>
      </content:encoded>
      <itunes:duration>2315</itunes:duration>
      <guid isPermaLink="false"><![CDATA[3a5a4ece-7ee1-11ec-be46-7b5943bf763d]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV4736922440.mp3?updated=1659543731" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>CC Flashback: Carrie Coon</title>
      <description>We’re gearing up for a brand new podcast on the creator economy! So in the meantime, check out this past interview from our first season of Creative Conversation in 2018 with powerhouse actor Carrie Coon.</description>
      <pubDate>Thu, 20 Jan 2022 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’re gearing up for a brand new podcast on the creator economy! So in the meantime, check out this past interview from our first season of Creative Conversation in 2018 with powerhouse actor Carrie Coon.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’re gearing up for a brand new podcast on the creator economy! So in the meantime, check out this past interview from our first season of Creative Conversation in 2018 with powerhouse actor Carrie Coon.</p>]]>
      </content:encoded>
      <itunes:duration>2157</itunes:duration>
      <guid isPermaLink="false"><![CDATA[4511ac64-7972-11ec-af64-ab78bb091972]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV1579207731.mp3?updated=1659543960" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>CC Flashback: David Sedaris</title>
      <description>We’re gearing up for a brand new podcast on the creator economy! So in the meantime, check out this past interview from our first season of Creative Conversation in 2018 with celebrated author David Sedaris.</description>
      <pubDate>Thu, 13 Jan 2022 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’re gearing up for a brand new podcast on the creator economy! So in the meantime, check out this past interview from our first season of Creative Conversation in 2018 with celebrated author David Sedaris.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’re gearing up for a brand new podcast on the creator economy! So in the meantime, check out this past interview from our first season of Creative Conversation in 2018 with celebrated author David Sedaris.</p>]]>
      </content:encoded>
      <itunes:duration>1954</itunes:duration>
      <guid isPermaLink="false"><![CDATA[4a6c02c4-73bc-11ec-a2bb-97c889f6d7ea]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV8054388896.mp3?updated=1659543910" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>CC Flashback: Regina Hall</title>
      <description>We’re gearing up for a brand new podcast on the creator economy! So in the meantime, check out this past interview from our first season of Creative Conversation in 2018 with legendary actor Regina Hall.</description>
      <pubDate>Thu, 06 Jan 2022 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’re gearing up for a brand new podcast on the creator economy! So in the meantime, check out this past interview from our first season of Creative Conversation in 2018 with legendary actor Regina Hall.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’re gearing up for a brand new podcast on the creator economy! So in the meantime, check out this past interview from our first season of Creative Conversation in 2018 with legendary actor Regina Hall.</p>]]>
      </content:encoded>
      <itunes:duration>1841</itunes:duration>
      <guid isPermaLink="false"><![CDATA[16425c78-6e76-11ec-b017-1f594b103642]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV7936561733.mp3?updated=1659542961" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>A message on what's to come in the new year.</title>
      <description>A message on what's to come in the new year.</description>
      <pubDate>Thu, 30 Dec 2021 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A message on what's to come in the new year.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A message on what's to come in the new year.</p>]]>
      </content:encoded>
      <itunes:duration>73</itunes:duration>
      <guid isPermaLink="false"><![CDATA[466f498a-61d6-11ec-a987-f70cf631fde8]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV5178149125.mp3?updated=1640033673" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>New Year's Special - Reflecting on 2021</title>
      <description>Today we have a special holiday episode where KC chatted with World Changing Ideas Host Talib Visram and The New Way We Work Host Kate Davis to reflect on the past year here at Fast Company and to share some of their New Year's resolutions. </description>
      <pubDate>Mon, 27 Dec 2021 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Today we have a special holiday episode where KC chatted with World Changing Ideas Host Talib Visram and The New Way We Work Host Kate Davis to reflect on the past year here at Fast Company and to share some of their New Year's resolutions. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>Today we have a special holiday episode where KC chatted with World Changing Ideas Host Talib Visram and The New Way We Work Host Kate Davis to reflect on the past year here at Fast Company and to share some of their New Year's resolutions. </p>]]>
      </content:encoded>
      <itunes:duration>1780</itunes:duration>
      <guid isPermaLink="false"><![CDATA[0fd58de4-6429-11ec-bb8a-1734319315c5]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV3166500034.mp3?updated=1643046387" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How do you define creativity? (Part 3)</title>
      <description>We have another roundup of the best answers to that all-important question: How do you define creativity? Enjoy!</description>
      <pubDate>Thu, 23 Dec 2021 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We have another roundup of the best answers to that all-important question: How do you define creativity? Enjoy!</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We have another roundup of the best answers to that all-important question: How do you define creativity? Enjoy!</p>]]>
      </content:encoded>
      <itunes:duration>359</itunes:duration>
      <guid isPermaLink="false"><![CDATA[b707cf3e-61d4-11ec-820a-57a5185a5375]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV8913858251.mp3?updated=1640032977" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Tracy Oliver's recipe for comedy gold: Big, brash, and Black</title>
      <description>Tracy Oliver has made it a point in her career as a film and TV producer and writer to center her work around Black women—but, most importantly, Black women who are allowed to be more than just savior figures or martyrs of Black trauma. From the box office hit Girls Trip to her latest show Harlem, Tracy creates worlds where Black women can be ridiculous, gross, lighthearted—they can just be human. In our conversation, Tracy explains the importance of basing your work around what you want to see in the world, and how to ask for what you're worth.</description>
      <pubDate>Thu, 16 Dec 2021 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Tracy Oliver has made it a point in her career as a film and TV producer and writer to center her work around Black women—but, most importantly, Black women who are allowed to be more than just savior figures or martyrs of Black trauma. From the box office hit Girls Trip to her latest show Harlem, Tracy creates worlds where Black women can be ridiculous, gross, lighthearted—they can just be human. In our conversation, Tracy explains the importance of basing your work around what you want to see in the world, and how to ask for what you're worth.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Tracy Oliver has made it a point in her career as a film and TV producer and writer to center her work around Black women—but, most importantly, Black women who are allowed to be more than just savior figures or martyrs of Black trauma. From the box office hit <em>Girls Trip</em> to her latest show <em>Harlem</em>, Tracy creates worlds where Black women can be ridiculous, gross, lighthearted—they can just be human. In our conversation, Tracy explains the importance of basing your work around what you want to see in the world, and how to ask for what you're worth.</p>]]>
      </content:encoded>
      <itunes:duration>1700</itunes:duration>
      <guid isPermaLink="false"><![CDATA[53471eaa-5dd3-11ec-b5b8-ef3915d0cc14]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV1352425673.mp3?updated=1639608281" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Adam McKay on creating comedy in chaos</title>
      <description>How can you make satire of reality when reality itself is stranger than fiction? And when reality feels flat-out depressing, is anyone in the mood to laugh? It’s what writer and director Adam McKay was thinking about while making Don’t Look Up. Adam’s latest film stars Leonardo DiCaprio and Jennifer Lawrence as a pair of astronomers who are desperately trying to alert the world that a comet is about to end life on Earth as we know it—“trying” being the operative word here. In our conversation, Adam explains the delicate dance of making comedy and satire today, and the creative freedom in subverting your expectations.</description>
      <pubDate>Thu, 09 Dec 2021 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>How can you make satire of reality when reality itself is stranger than fiction? And when reality feels flat-out depressing, is anyone in the mood to laugh? It’s what writer and director Adam McKay was thinking about while making Don’t Look Up. Adam’s latest film stars Leonardo DiCaprio and Jennifer Lawrence as a pair of astronomers who are desperately trying to alert the world that a comet is about to end life on Earth as we know it—“trying” being the operative word here. In our conversation, Adam explains the delicate dance of making comedy and satire today, and the creative freedom in subverting your expectations.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>How can you make satire of reality when reality itself is stranger than fiction? And when reality feels flat-out depressing, is anyone in the mood to laugh? It’s what writer and director Adam McKay was thinking about while making <em>Don’t Look Up</em>. Adam’s latest film stars Leonardo DiCaprio and Jennifer Lawrence as a pair of astronomers who are desperately trying to alert the world that a comet is about to end life on Earth as we know it—“trying” being the operative word here. In our conversation, Adam explains the delicate dance of making comedy and satire today, and the creative freedom in subverting your expectations.</p>]]>
      </content:encoded>
      <itunes:duration>1820</itunes:duration>
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    </item>
    <item>
      <title>Kenny G's creativity starts with trust (and a lot of practice)</title>
      <description>Kenny G is one of those artists you love, hate, or just allow to quietly exist in the background of your life, like so much of his smooth jazz has done over his 40-year career. Even if you don't like Kenny G's take on jazz, you can't deny he's an incredibly skilled musician who, even after decades of playing the saxophone, stays in the mindset of a neophyte. In our conversation, Kenny explains how trusting his ideas and a relentless pursuit of perfection fuels his creativity and success.</description>
      <pubDate>Thu, 02 Dec 2021 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Kenny G is one of those artists you love, hate, or just allow to quietly exist in the background of your life, like so much of his smooth jazz has done over his 40-year career. Even if you don't like Kenny G's take on jazz, you can't deny he's an incredibly skilled musician who, even after decades of playing the saxophone, stays in the mindset of a neophyte. In our conversation, Kenny explains how trusting his ideas and a relentless pursuit of perfection fuels his creativity and success.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Kenny G is one of those artists you love, hate, or just allow to quietly exist in the background of your life, like so much of his smooth jazz has done over his 40-year career. Even if you don't like Kenny G's take on jazz, you can't deny he's an incredibly skilled musician who, even after decades of playing the saxophone, stays in the mindset of a neophyte. In our conversation, Kenny explains how trusting his ideas and a relentless pursuit of perfection fuels his creativity and success.</p>]]>
      </content:encoded>
      <itunes:duration>1814</itunes:duration>
      <guid isPermaLink="false"><![CDATA[cebb9bfe-52c7-11ec-b194-a3cbebe68686]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV5869629906.mp3?updated=1638390995" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How do you define creativity? (Part 2)</title>
      <description>We have another roundup of the best answers to that all-important question: How do you define creativity? Enjoy!</description>
      <pubDate>Thu, 25 Nov 2021 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We have another roundup of the best answers to that all-important question: How do you define creativity? Enjoy!</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We have another roundup of the best answers to that all-important question: How do you define creativity? Enjoy!</p>]]>
      </content:encoded>
      <itunes:duration>299</itunes:duration>
      <guid isPermaLink="false"><![CDATA[3aa35038-48c2-11ec-8eef-dfa73287bbef]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV1422674522.mp3?updated=1637328655" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>John Cho is simplifying his creativity—and you should too</title>
      <description>John Cho is at a point in his career where he can be intentional with what projects he chooses. And his intention for his latest project was to push himself like no other role has done before. John stars as Spike Spiegel in Netflix's adaptation of the beloved anime Cowboy Bebop—and the role took him to the brink of both his creativity and his body. In our conversation, John explains the clarity he found while nursing an on-set injury, the acting advice that changed his perspective, and how he's returning to the simplicity of creativity.</description>
      <pubDate>Thu, 18 Nov 2021 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>John Cho is at a point in his career where he can be intentional with what projects he chooses. And his intention for his latest project was to push himself like no other role has done before. John stars as Spike Spiegel in Netflix's adaptation of the beloved anime Cowboy Bebop—and the role took him to the brink of both his creativity and his body. In our conversation, John explains the clarity he found while nursing an on-set injury, the acting advice that changed his perspective, and how he's returning to the simplicity of creativity.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>John Cho is at a point in his career where he can be intentional with what projects he chooses. And his intention for his latest project was to push himself like no other role has done before. John stars as Spike Spiegel in Netflix's adaptation of the beloved anime <em>Cowboy Bebop</em>—and the role took him to the brink of both his creativity and his body. In our conversation, John explains the clarity he found while nursing an on-set injury, the acting advice that changed his perspective, and how he's returning to the simplicity of creativity.</p>]]>
      </content:encoded>
      <itunes:duration>1523</itunes:duration>
      <guid isPermaLink="false"><![CDATA[1e2e7288-47dd-11ec-b1aa-dbbdb622c032]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV6940231683.mp3?updated=1637189167" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How to deal with negative emotions in your creative process</title>
      <description>There's little you can do about the inherent stressors in the creative process. But what you can do is learn how to better manage the negative emotions that impede your work flow. In our conversation, Michael Parke, assistant professor of management at the Wharton School, gives key strategies for how we can all better recognize and handle stress to become better creatives and leaders.</description>
      <pubDate>Thu, 11 Nov 2021 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>There's little you can do about the inherent stressors in the creative process. But what you can do is learn how to better manage the negative emotions that impede your work flow. In our conversation, Michael Parke, assistant professor of management at the Wharton School, gives key strategies for how we can all better recognize and handle stress to become better creatives and leaders.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>There's little you can do about the inherent stressors in the creative process. But what you can do is learn how to better manage the negative emotions that impede your work flow. In our conversation, Michael Parke, assistant professor of management at the Wharton School, gives key strategies for how we can all better recognize and handle stress to become better creatives and leaders.</p>]]>
      </content:encoded>
      <itunes:duration>1523</itunes:duration>
      <guid isPermaLink="false"><![CDATA[2f8cac44-4269-11ec-9c66-53ef50ee9708]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV3280560979.mp3?updated=1636583190" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Will the real Nick Kroll please stand up?</title>
      <description>Nick Kroll's career has largely been defined by the cavalcade of memorable characters he's created over the years through his comedy specials, The Kroll Show, and of course his hit Netflix show Big Mouth. While Nick is exceptionally good at slipping into an array voices and personas, he’s pushing himself to step in front of those characters to reveal more of himself—and that's proving to be his greatest creative challenge to date. In our conversation, Nick unpacks how he’s tackling that challenge and where he’s taking the expanding universe of Big Mouth.</description>
      <pubDate>Thu, 04 Nov 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Nick Kroll's career has largely been defined by the cavalcade of memorable characters he's created over the years through his comedy specials, The Kroll Show, and of course his hit Netflix show Big Mouth. While Nick is exceptionally good at slipping into an array voices and personas, he’s pushing himself to step in front of those characters to reveal more of himself—and that's proving to be his greatest creative challenge to date. In our conversation, Nick unpacks how he’s tackling that challenge and where he’s taking the expanding universe of Big Mouth.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Nick Kroll's career has largely been defined by the cavalcade of memorable characters he's created over the years through his comedy specials, <em>The Kroll Show</em>, and of course his hit Netflix show <em>Big Mouth</em>. While Nick is exceptionally good at slipping into an array voices and personas, he’s pushing himself to step in front of those characters to reveal more of himself—and that's proving to be his greatest creative challenge to date. In our conversation, Nick unpacks how he’s tackling that challenge and where he’s taking the expanding universe of <em>Big Mouth</em>.</p>]]>
      </content:encoded>
      <itunes:duration>1662</itunes:duration>
      <guid isPermaLink="false"><![CDATA[f8d21d1e-3cf1-11ec-a14c-17d5dbbf96b4]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV4689735637.mp3?updated=1635977507" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Seth Green's zen, and the art of making "Robot Chicken"</title>
      <description> If you've never wondered about the web of legalities and social landmines Seth Green tumbles through to make Robot Chicken, then he considers his job complete. Since premiering in 2005, Robot Chicken has won 6 Emmys and a die-hard following that's kept the show around for 11 seasons. But creating jokes around popular pop culture characters adds a legal filter to his creativity. On top of that, as the social and political landscapes have become increasingly thorny, Seth is contending with what role a show like Robot Chicken plays in reflecting the world back at itself—he’s also figuring out how to stay calm and carry on through it all.</description>
      <pubDate>Thu, 28 Oct 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary> If you've never wondered about the web of legalities and social landmines Seth Green tumbles through to make Robot Chicken, then he considers his job complete. Since premiering in 2005, Robot Chicken has won 6 Emmys and a die-hard following that's kept the show around for 11 seasons. But creating jokes around popular pop culture characters adds a legal filter to his creativity. On top of that, as the social and political landscapes have become increasingly thorny, Seth is contending with what role a show like Robot Chicken plays in reflecting the world back at itself—he’s also figuring out how to stay calm and carry on through it all.</itunes:summary>
      <content:encoded>
        <![CDATA[<p> If you've never wondered about the web of legalities and social landmines Seth Green tumbles through to make <em>Robot Chicken</em>, then he considers his job complete. Since premiering in 2005, <em>Robot Chicken</em> has won 6 Emmys and a die-hard following that's kept the show around for 11 seasons. But creating jokes around popular pop culture characters adds a legal filter to his creativity. On top of that, as the social and political landscapes have become increasingly thorny, Seth is contending with what role a show like <em>Robot Chicken</em> plays in reflecting the world back at itself—he’s also figuring out how to stay calm and carry on through it all.</p>]]>
      </content:encoded>
      <itunes:duration>1707</itunes:duration>
      <guid isPermaLink="false"><![CDATA[a6824900-3759-11ec-9a85-db78e733d86f]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV5870956542.mp3?updated=1635378947" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How to make boring work feel new again</title>
      <description>Last week, I had Ellen Pompeo on the podcast and the theme of making something old feel new again kept popping up. She's been on Grey's Anatomy for 18 seasons, so who could blame her? I came across research from Ed O'Brien, associate professor of behavioral science at the University of Chicago Booth School of Business, and figured he was the perfect person to help us figure out how to find new ways of tackling something we think is too familiar or boring.</description>
      <pubDate>Thu, 21 Oct 2021 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Last week, I had Ellen Pompeo on the podcast and the theme of making something old feel new again kept popping up. She's been on Grey's Anatomy for 18 seasons, so who could blame her? I came across research from Ed O'Brien, associate professor of behavioral science at the University of Chicago Booth School of Business, and figured he was the perfect person to help us figure out how to find new ways of tackling something we think is too familiar or boring.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Last week, I had Ellen Pompeo on the podcast and the theme of making something old feel new again kept popping up. She's been on <em>Grey's Anatomy</em> for 18 seasons, so who could blame her? I came across research from Ed O'Brien, associate professor of behavioral science at the University of Chicago Booth School of Business, and figured he was the perfect person to help us figure out how to find new ways of tackling something we <em>think</em> is too familiar or boring.</p>]]>
      </content:encoded>
      <itunes:duration>1110</itunes:duration>
      <guid isPermaLink="false"><![CDATA[158294d6-31ce-11ec-95a1-2703cc7e7e21]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV8802116493.mp3?updated=1634765160" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Ellen Pompeo is keeping her creativity fresh and intensity in check</title>
      <description>Ellen Pompeo has spent 18 seasons playing Dr. Meredith Grey on Grey’s Anatomy—and it's fair to say doing something for that long can either make or break your creativity. For Ellen, it’s been a task of finding new ways to keep Grey’s relevant to audiences, as well as exploring new ventures outside of acting such as her new podcast Tell Me. In our conversation, Ellen explains how she keeps her creativity fresh, her struggles with being a perfectionist, and with maybe being a little bit too outspoken at times.</description>
      <pubDate>Thu, 14 Oct 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Ellen Pompeo has spent 18 seasons playing Dr. Meredith Grey on Grey’s Anatomy—and it's fair to say doing something for that long can either make or break your creativity. For Ellen, it’s been a task of finding new ways to keep Grey’s relevant to audiences, as well as exploring new ventures outside of acting such as her new podcast Tell Me. In our conversation, Ellen explains how she keeps her creativity fresh, her struggles with being a perfectionist, and with maybe being a little bit too outspoken at times.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ellen Pompeo has spent 18 seasons playing Dr. Meredith Grey on <em>Grey’s Anatomy</em>—and it's fair to say doing something for that long can either make or break your creativity. For Ellen, it’s been a task of finding new ways to keep <em>Grey’s</em> relevant to audiences, as well as exploring new ventures outside of acting such as her new podcast <em>Tell Me. </em>In our conversation, Ellen explains how she keeps her creativity fresh, her struggles with being a perfectionist, and with maybe being a little bit <em>too</em> outspoken at times.</p>]]>
      </content:encoded>
      <itunes:duration>1369</itunes:duration>
      <guid isPermaLink="false"><![CDATA[78e3045c-2c65-11ec-9f81-5b0104261683]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV8097624671.mp3?updated=1634157979" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How author Soman Chainani gets into a creative flow state</title>
      <description>Author Soman Chainani explains his greatest challenge: getting into a creative flow state. Check out this clip cut for time, as well as Soman's full episode from last week!</description>
      <pubDate>Thu, 07 Oct 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Author Soman Chainani explains his greatest challenge: getting into a creative flow state. Check out this clip cut for time, as well as Soman's full episode from last week!</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Author Soman Chainani explains his greatest challenge: getting into a creative flow state. Check out this clip cut for time, as well as Soman's full episode from last week!</p>]]>
      </content:encoded>
      <itunes:duration>224</itunes:duration>
      <guid isPermaLink="false"><![CDATA[ad873d28-26f6-11ec-8912-7fdc6c58a14c]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV2444319123.mp3?updated=1633560446" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Author Soman Chainani's twisted fantasies are revolutionizing YA fiction</title>
      <description>Soman Chainani is a bestselling author who’s on a mission to revamp the young adult space. His wildly popular series The School for Good and Evil and his latest novel Beasts and Beauty: Dangerous Tales subvert conventional fairy tales for something darker and more complex. Soman isn’t looking to create the sanitized world of Walt Disney. He wants to bring back the real lessons embedded in Grimm’s fairy tales but with a modern twist. In this episode, Soman explains his alt-Walt vision and why it’s not only good for his creativity, but for the kids he’s writing for.</description>
      <pubDate>Thu, 30 Sep 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Soman Chainani is a bestselling author who’s on a mission to revamp the young adult space. His wildly popular series The School for Good and Evil and his latest novel Beasts and Beauty: Dangerous Tales subvert conventional fairy tales for something darker and more complex. Soman isn’t looking to create the sanitized world of Walt Disney. He wants to bring back the real lessons embedded in Grimm’s fairy tales but with a modern twist. In this episode, Soman explains his alt-Walt vision and why it’s not only good for his creativity, but for the kids he’s writing for.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Soman Chainani is a bestselling author who’s on a mission to revamp the young adult space. His wildly popular series <em>The School for Good and Evil</em> and his latest novel <em>Beasts and Beauty: Dangerous Tales</em> subvert conventional fairy tales for something darker and more complex. Soman isn’t looking to create the sanitized world of Walt Disney. He wants to bring back the real lessons embedded in Grimm’s fairy tales but with a modern twist. In this episode, Soman explains his alt-Walt vision and why it’s not only good for his creativity, but for the kids he’s writing for.</p>]]>
      </content:encoded>
      <itunes:duration>1668</itunes:duration>
      <guid isPermaLink="false"><![CDATA[2767a29c-2178-11ec-afd8-f75da0998c2e]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV3213491530.mp3?updated=1633005323" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Why design is more than you think it is</title>
      <description>Fast Company recently released Innovation by Design: Creative Ideas That Transform the Way We Live and Work, a book highlighting the people and companies at the forefront of impactful design. In this episode, Fast Company design editor Suzanne LaBarre shares her top stories from the book and how the events of last year gave this project a sense of urgency.</description>
      <pubDate>Thu, 23 Sep 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Fast Company recently released Innovation by Design: Creative Ideas That Transform the Way We Live and Work, a book highlighting the people and companies at the forefront of impactful design. In this episode, Fast Company design editor Suzanne LaBarre shares her top stories from the book and how the events of last year gave this project a sense of urgency.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Fast Company</em> recently released <em>Innovation by Design: Creative Ideas That Transform the Way We Live and Work</em>, a book highlighting the people and companies at the forefront of impactful design. In this episode, <em>Fast Company</em> design editor Suzanne LaBarre shares her top stories from the book and how the events of last year gave this project a sense of urgency.</p>]]>
      </content:encoded>
      <itunes:duration>1306</itunes:duration>
      <guid isPermaLink="false"><![CDATA[6e1d5a9e-1be5-11ec-b9ac-5b6925bca15b]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV4985471005.mp3?updated=1632345054" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jeff Daniels explains his controlled free fall into creativity</title>
      <description>One thing is certain: Jeff Daniels has the range. From cutting his teeth in traditional American theater to a wide spread of film and TV roles including The Purple Rose of Cairo, Speed, Dumb and Dumber, The Newsroom, 101 Dalmatians, and Godless, Daniels has an air of creative fearlessness about him. But it's not about just jumping off the ledge. It’s recognizing your blindspots in your craft, doing the work to improve, and then when the opportunity to stretch yourself comes up, not shying away from it. In this episode, Daniels explains how he applied that strategy to his latest role in Showtime's American Rust. He also discusses his reprisal of Atticus Finch on Broadway in To Kill a Mockingbird and his music career he doesn’t mind you not knowing about.</description>
      <pubDate>Thu, 09 Sep 2021 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>One thing is certain: Jeff Daniels has the range. From cutting his teeth in traditional American theater to a wide spread of film and TV roles including The Purple Rose of Cairo, Speed, Dumb and Dumber, The Newsroom, 101 Dalmatians, and Godless, Daniels has an air of creative fearlessness about him. But it's not about just jumping off the ledge. It’s recognizing your blindspots in your craft, doing the work to improve, and then when the opportunity to stretch yourself comes up, not shying away from it. In this episode, Daniels explains how he applied that strategy to his latest role in Showtime's American Rust. He also discusses his reprisal of Atticus Finch on Broadway in To Kill a Mockingbird and his music career he doesn’t mind you not knowing about.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>One thing is certain: Jeff Daniels has the range. From cutting his teeth in traditional American theater to a wide spread of film and TV roles including <em>The Purple Rose of Cairo</em>, <em>Speed</em>, <em>Dumb and Dumber</em>, <em>The Newsroom</em>, <em>101 Dalmatians</em>, and <em>Godless</em>, Daniels has an air of creative fearlessness about him. But it's not about just jumping off the ledge. It’s recognizing your blindspots in your craft, doing the work to improve, and then when the opportunity to stretch yourself comes up, not shying away from it. In this episode, Daniels explains how he applied that strategy to his latest role in Showtime's <em>American Rust</em>. He also discusses his reprisal of Atticus Finch on Broadway in <em>To Kill a Mockingbird</em> and his music career he doesn’t mind you not knowing about.</p>]]>
      </content:encoded>
      <itunes:duration>1570</itunes:duration>
      <guid isPermaLink="false"><![CDATA[f7b27a90-10bf-11ec-8b68-4fa02a1940e1]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV8547573931.mp3?updated=1631567920" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Michael Jai White doesn’t let others box in his creativity—and you shouldn’t either</title>
      <description>It's easy to categorize Michael Jai White as the ripped martial arts action star of Spawn, Mortal Kombat, and Black Dynamite. But with a career that stretches over 30 years, he's done more than you think—even with the shackles of being typecast and, let's be frank, racism in the entertainment industry. Let Michael tell it, though, and all of that has led him to where he's at now with his own production company Jaigantic Studios where he’s making the projects he's always wanted to make. In this episode, Michael explains how he's learned to exist outside the boxes people want to put him in and why truth and honesty should factor into your creativity.</description>
      <pubDate>Thu, 26 Aug 2021 09:40:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It's easy to categorize Michael Jai White as the ripped martial arts action star of Spawn, Mortal Kombat, and Black Dynamite. But with a career that stretches over 30 years, he's done more than you think—even with the shackles of being typecast and, let's be frank, racism in the entertainment industry. Let Michael tell it, though, and all of that has led him to where he's at now with his own production company Jaigantic Studios where he’s making the projects he's always wanted to make. In this episode, Michael explains how he's learned to exist outside the boxes people want to put him in and why truth and honesty should factor into your creativity.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It's easy to categorize Michael Jai White as the ripped martial arts action star of <em>Spawn</em>, <em>Mortal Kombat</em>, and <em>Black Dynamite</em>. But with a career that stretches over 30 years, he's done more than you think—even with the shackles of being typecast and, let's be frank, racism in the entertainment industry. Let Michael tell it, though, and all of that has led him to where he's at now with his own production company Jaigantic Studios where he’s making the projects he's always wanted to make. In this episode, Michael explains how he's learned to exist outside the boxes people want to put him in and why truth and honesty should factor into your creativity.</p>]]>
      </content:encoded>
      <itunes:duration>1623</itunes:duration>
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    </item>
    <item>
      <title>Elizabeth Banks and her "quietly revolutionary" creativity</title>
      <description>For Elizabeth Banks, acting was her first passion that really clicked—and she’s certainly had success in that regard with roles in 30 Rock, The 40-Year-Old Virgin, and The Hunger Games franchise. But over the years, Elizabeth has proven she’s just as talented at creating new opportunities for herself in producing (Shrill), directing (Pitch Perfect 2, Charlie's Angels, Cocaine Bear), entrepreneurship (co-owner of Archer Roose wines), and now podcasting. In this episode, Elizabeth talks about owning her ambition; she gets personal about her new podcast with Audible, My Body, My Podcast; and she explains why her creativity is “quietly revolutionary.”</description>
      <pubDate>Thu, 12 Aug 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>For Elizabeth Banks, acting was her first passion that really clicked—and she’s certainly had success in that regard with roles in 30 Rock, The 40-Year-Old Virgin, and The Hunger Games franchise. But over the years, Elizabeth has proven she’s just as talented at creating new opportunities for herself in producing (Shrill), directing (Pitch Perfect 2, Charlie's Angels, Cocaine Bear), entrepreneurship (co-owner of Archer Roose wines), and now podcasting. In this episode, Elizabeth talks about owning her ambition; she gets personal about her new podcast with Audible, My Body, My Podcast; and she explains why her creativity is “quietly revolutionary.”</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For Elizabeth Banks, acting was her first passion that really clicked—and she’s certainly had success in that regard with roles in <em>30 Rock</em>, <em>The 40-Year-Old Virgin</em>, and <em>The Hunger Games</em> franchise. But over the years, Elizabeth has proven she’s just as talented at creating new opportunities for herself in producing (<em>Shrill</em>), directing (<em>Pitch Perfect 2</em>, <em>Charlie's Angels</em>, <em>Cocaine Bear</em>), entrepreneurship (co-owner of Archer Roose wines), and now podcasting. In this episode, Elizabeth talks about owning her ambition; she gets personal about her new podcast with Audible, <em>My Body, My Podcast</em>; and she explains why her creativity is “quietly revolutionary.”</p>]]>
      </content:encoded>
      <itunes:duration>1595</itunes:duration>
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    </item>
    <item>
      <title>Why collaboration really does matter, according to Joseph Gordon-Levitt</title>
      <description>One of the longstanding principles of creativity has always been collaboration. We hear it all the time how thinking in groups and getting feedback from others is essential to the creative process. But how many of us actually do it on a regular basis? Actor and director Joseph Gordon-Levitt would like to remind us all that we should be collaborating more often--and he has some ideas on how to do just that. In this episode, Joseph details how the collaborative process brings out his best work, most notably in his latest project Mr. Corman for Apple TV+, and how you can jumpstart your own collaborative process.</description>
      <pubDate>Thu, 29 Jul 2021 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>One of the longstanding principles of creativity has always been collaboration. We hear it all the time how thinking in groups and getting feedback from others is essential to the creative process. But how many of us actually do it on a regular basis? Actor and director Joseph Gordon-Levitt would like to remind us all that we should be collaborating more often--and he has some ideas on how to do just that. In this episode, Joseph details how the collaborative process brings out his best work, most notably in his latest project Mr. Corman for Apple TV+, and how you can jumpstart your own collaborative process.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>One of the longstanding principles of creativity has always been collaboration. We hear it all the time how thinking in groups and getting feedback from others is essential to the creative process. But how many of us actually do it on a regular basis? Actor and director Joseph Gordon-Levitt would like to remind us all that we should be collaborating more often--and he has some ideas on how to do just that. In this episode, Joseph details how the collaborative process brings out his best work, most notably in his latest project <em>Mr. Corman</em> for Apple TV+, and how you can jumpstart your own collaborative process.</p>]]>
      </content:encoded>
      <itunes:duration>1772</itunes:duration>
      <guid isPermaLink="false"><![CDATA[e6980e62-efd8-11eb-bcb1-2f79a9034321]]></guid>
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    </item>
    <item>
      <title>How do you define creativity?</title>
      <description>We have a bonus episode for you this week! At the end of every Creative Conversation, our host Kc Ifeanyi asks his guests the same question: "How do you define creativity?" In this episode, we've compiled some our favorite answers from this season. Hopefully, these can give you a quick creative boost. Enjoy!</description>
      <pubDate>Thu, 22 Jul 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We have a bonus episode for you this week! At the end of every Creative Conversation, our host Kc Ifeanyi asks his guests the same question: "How do you define creativity?" In this episode, we've compiled some our favorite answers from this season. Hopefully, these can give you a quick creative boost. Enjoy!</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We have a bonus episode for you this week! At the end of every Creative Conversation, our host Kc Ifeanyi asks his guests the same question: "How do you define creativity?" In this episode, we've compiled some our favorite answers from this season. Hopefully, these can give you a quick creative boost. Enjoy!</p>]]>
      </content:encoded>
      <itunes:duration>546</itunes:duration>
      <guid isPermaLink="false"><![CDATA[e694f5c6-ea4a-11eb-8801-eb6ebc5a92ed]]></guid>
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    </item>
    <item>
      <title>Why hearing "no" was exactly what Amber Riley needed</title>
      <description>We all first fell in love with Amber Riley as Mercedes Jones on Glee. But before her breakout role, she was actually rejected from American Idol, which almost made her quit singing altogether. With her mirrorball-winning run on Dancing with the Stars; her roles in TV, film, and Broadway; and her own original recorded music, it’s hard to imagine the entertainment industry without a powerhouse like Amber—but it really almost never was. In this episode, Amber explains how she pushed past that initial rejection and how she’s building a brand on more than just her raw talent.</description>
      <pubDate>Thu, 15 Jul 2021 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We all first fell in love with Amber Riley as Mercedes Jones on Glee. But before her breakout role, she was actually rejected from American Idol, which almost made her quit singing altogether. With her mirrorball-winning run on Dancing with the Stars; her roles in TV, film, and Broadway; and her own original recorded music, it’s hard to imagine the entertainment industry without a powerhouse like Amber—but it really almost never was. In this episode, Amber explains how she pushed past that initial rejection and how she’s building a brand on more than just her raw talent.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We all first fell in love with Amber Riley as Mercedes Jones on <em>Glee</em>. But before her breakout role, she was actually rejected from <em>American Idol,</em> which almost made her quit singing altogether. With her mirrorball-winning run on <em>Dancing with the Stars</em>; her roles in TV, film, and Broadway; and her own original recorded music, it’s hard to imagine the entertainment industry without a powerhouse like Amber—but it really almost never was. In this episode, Amber explains how she pushed past that initial rejection and how she’s building a brand on more than just her raw talent.</p>]]>
      </content:encoded>
      <itunes:duration>1756</itunes:duration>
      <guid isPermaLink="false"><![CDATA[146c5d92-e4e5-11eb-86ef-d7144406d28f]]></guid>
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    </item>
    <item>
      <title>Danielle Brooks is finding the spotlight as a leading lady</title>
      <description>Danielle Brooks got her big break as Taystee, the lovable leader in Netflix's Orange is the New Black. That character was only meant to appear in a few episodes but wound up becoming the anchor for one of the show’s most poignant story arcs. But it shouldn’t be a surprise that Danielle’s talents stretched a bit part into a featured role. She’s always had leading lady potential—and she’s proving just that with her starring role as gospel legend Mahalia Jackson in Lifetime's biopic Robin Roberts Presents: Mahalia. In this episode, Danielle explains how she proved her leading lady abilities both in front of and behind the camera, why she almost turned down Orange is the New Black; and why Hollywood fame was never her goal.</description>
      <pubDate>Thu, 01 Jul 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Danielle Brooks got her big break as Taystee, the lovable leader in Netflix's Orange is the New Black. That character was only meant to appear in a few episodes but wound up becoming the anchor for one of the show’s most poignant story arcs. But it shouldn’t be a surprise that Danielle’s talents stretched a bit part into a featured role. She’s always had leading lady potential—and she’s proving just that with her starring role as gospel legend Mahalia Jackson in Lifetime's biopic Robin Roberts Presents: Mahalia. In this episode, Danielle explains how she proved her leading lady abilities both in front of and behind the camera, why she almost turned down Orange is the New Black; and why Hollywood fame was never her goal.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Danielle Brooks got her big break as Taystee, the lovable leader in Netflix's <em>Orange is the New Black</em>. That character was only meant to appear in a few episodes but wound up becoming the anchor for one of the show’s most poignant story arcs. But it shouldn’t be a surprise that Danielle’s talents stretched a bit part into a featured role. She’s always had leading lady potential—and she’s proving just that with her starring role as gospel legend Mahalia Jackson in Lifetime's biopic <em>Robin Roberts Presents: Mahalia</em>. In this episode, Danielle explains how she proved her leading lady abilities both in front of and behind the camera, why she almost turned down <em>Orange is the New Black</em>; and why Hollywood fame was never her goal.</p>]]>
      </content:encoded>
      <itunes:duration>1731</itunes:duration>
      <guid isPermaLink="false"><![CDATA[28d3cc3a-d9b3-11eb-8d0c-6b10c3646fa2]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV3490245088.mp3?updated=1625097484" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How Danny Elfman is trying to be a less "sh*tty collaborator"</title>
      <description>The celebrated film composer and musician has been trying to be a better collaborator—and 37 years later, he's finally there. In this episode, Danny explains his breakthrough in collaboration with his latest solo album Big Mess, the best advice he's ever gotten from none other than Helena Bonham Carter, and he revisits some of his most well-loved film scores of his career.</description>
      <pubDate>Thu, 17 Jun 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The celebrated film composer and musician has been trying to be a better collaborator—and 37 years later, he's finally there. In this episode, Danny explains his breakthrough in collaboration with his latest solo album Big Mess, the best advice he's ever gotten from none other than Helena Bonham Carter, and he revisits some of his most well-loved film scores of his career.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The celebrated film composer and musician has been trying to be a better collaborator—and 37 years later, he's finally there. In this episode, Danny explains his breakthrough in collaboration with his latest solo album <em>Big Mess</em>, the best advice he's ever gotten from none other than Helena Bonham Carter, and he revisits some of his most well-loved film scores of his career.</p>]]>
      </content:encoded>
      <itunes:duration>1751</itunes:duration>
      <guid isPermaLink="false"><![CDATA[32df3a42-cece-11eb-a15b-83b5ab989b56]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV6091224037.mp3?updated=1623884681" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Quinta Brunson on finding creativity past viral moments</title>
      <description>Quinta Brunson is the perfect example of a creator who was able to turn her 15 minutes of viral fame into a solid career. In 2014, she first gained internet fame with her Instagram skit about a girl who's never been on a nice date. That exposure led to an opportunity to producer content for BuzzFeed. And from there, Quinta has been building her career with even bigger opportunities including HBO's A Black Lady Sketch Show, the upcoming ABC comedy Abbott Elementary that she created and stars in, and her new collection of personal essays She Memes Well. In this episode, Quinta explains how writing her book taught her how to ask for help, why she's rejecting the idea of going viral, and the key to handling rejection.</description>
      <pubDate>Thu, 03 Jun 2021 14:00:41 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Quinta Brunson is the perfect example of a creator who was able to turn her 15 minutes of viral fame into a solid career. In 2014, she first gained internet fame with her Instagram skit about a girl who's never been on a nice date. That exposure led to an opportunity to producer content for BuzzFeed. And from there, Quinta has been building her career with even bigger opportunities including HBO's A Black Lady Sketch Show, the upcoming ABC comedy Abbott Elementary that she created and stars in, and her new collection of personal essays She Memes Well. In this episode, Quinta explains how writing her book taught her how to ask for help, why she's rejecting the idea of going viral, and the key to handling rejection.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Quinta Brunson is the perfect example of a creator who was able to turn her 15 minutes of viral fame into a solid career. In 2014, she first gained internet fame with her Instagram skit about a girl who's never been on a nice date. That exposure led to an opportunity to producer content for BuzzFeed. And from there, Quinta has been building her career with even bigger opportunities including HBO's <em>A Black Lady Sketch Show</em>, the upcoming ABC comedy <em>Abbott Elementary</em> that she created and stars in, and her new collection of personal essays <em>She Memes Well</em>. In this episode, Quinta explains how writing her book taught her how to ask for help, why she's rejecting the idea of going viral, and the key to handling rejection.</p>]]>
      </content:encoded>
      <itunes:duration>1825</itunes:duration>
      <guid isPermaLink="false"><![CDATA[7f60f776-c473-11eb-9468-77adf9caa446]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV7709689892.mp3?updated=1622729112" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How David Oyelowo personalized his passion project</title>
      <description>David Oyelowo’s pedigree of being a classically trained stage actor has largely translated into his career in film with weighty roles in Selma, The Butler, Nightingale, and etc. So when the opportunity to make his directorial debut with the kid-centric fantasy The Water Man came about, his fear was double-fold: stepping behind the camera for his first major film and going left of what people have come to expect from him as a "serious" actor. In this episode, David explains how his extensive acting career was the best kind of film school and how the very personal touches he brought to The Water Man.</description>
      <pubDate>Thu, 20 May 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>David Oyelowo’s pedigree of being a classically trained stage actor has largely translated into his career in film with weighty roles in Selma, The Butler, Nightingale, and etc. So when the opportunity to make his directorial debut with the kid-centric fantasy The Water Man came about, his fear was double-fold: stepping behind the camera for his first major film and going left of what people have come to expect from him as a "serious" actor. In this episode, David explains how his extensive acting career was the best kind of film school and how the very personal touches he brought to The Water Man.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>David Oyelowo’s pedigree of being a classically trained stage actor has largely translated into his career in film with weighty roles in <em>Selma</em>, <em>The Butler</em>, <em>Nightingale</em>, and etc. So when the opportunity to make his directorial debut with the kid-centric fantasy <em>The Water Man</em> came about, his fear was double-fold: stepping behind the camera for his first major film and going left of what people have come to expect from him as a "serious" actor. In this episode, David explains how his extensive acting career was the best kind of film school and how the very personal touches he brought to <em>The Water Man</em>.</p>]]>
      </content:encoded>
      <itunes:duration>1789</itunes:duration>
      <guid isPermaLink="false"><![CDATA[4fd482a2-b8d9-11eb-bc1a-13d5d9936329]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV7961392492.mp3?updated=1622729209" length="0" type="audio/mpeg"/>
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    <item>
      <title>How Julia Michaels pushes past imposter syndrome</title>
      <description>At 19, Julia Michaels entered the music industry as a songwriter for artists including Fifth Harmony, Selena Gomez, Justin Bieber, and many others. But she didn't dare step into the booth herself until she wrote her 2017 hit "Issues," which she felt was too personal to give to anyone else. Three EPs later (and jumping over hurdles of self-doubt), Julia has finally dropped her debut studio album, Not In Chronological Order. And it seems fitting that Julia, now 27, released her first full-length album when she herself is feeling the most fulfilled. In our conversation, Julia explains how she fights imposter syndrome; how being in a functional relationship shaped her creative approach to this album; and how she pushes past writer's block.</description>
      <pubDate>Thu, 06 May 2021 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>At 19, Julia Michaels entered the music industry as a songwriter for artists including Fifth Harmony, Selena Gomez, Justin Bieber, and many others. But she didn't dare step into the booth herself until she wrote her 2017 hit "Issues," which she felt was too personal to give to anyone else. Three EPs later (and jumping over hurdles of self-doubt), Julia has finally dropped her debut studio album, Not In Chronological Order. And it seems fitting that Julia, now 27, released her first full-length album when she herself is feeling the most fulfilled. In our conversation, Julia explains how she fights imposter syndrome; how being in a functional relationship shaped her creative approach to this album; and how she pushes past writer's block.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>At 19, Julia Michaels entered the music industry as a songwriter for artists including Fifth Harmony, Selena Gomez, Justin Bieber, and many others. But she didn't dare step into the booth herself until she wrote her 2017 hit "Issues," which she felt was too personal to give to anyone else. Three EPs later (and jumping over hurdles of self-doubt), Julia has finally dropped her debut studio album, <em>Not In Chronological Order</em>. And it seems fitting that Julia, now 27, released her first full-length album when she herself is feeling the most fulfilled. In our conversation, Julia explains how she fights imposter syndrome; how being in a functional relationship shaped her creative approach to this album; and how she pushes past writer's block.</p>]]>
      </content:encoded>
      <itunes:duration>1775</itunes:duration>
      <guid isPermaLink="false"><![CDATA[e56426ba-ae11-11eb-80c9-07f77bcf37ac]]></guid>
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    <item>
      <title>How author Amy Tan transforms trauma into art</title>
      <description>The author of critically acclaimed novels including The Joy Luck Club and The Kitchen God's Wife is known for beautifully unpacking facets of the Chinese immigrant experience, the complexities of family dynamics, and the trauma that often fuels it. In this episode, Amy breaks down her relationship between trauma and creativity, what she learned from being in a rock band, and the challenges of making something personal universal.</description>
      <pubDate>Thu, 22 Apr 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The author of critically acclaimed novels including The Joy Luck Club and The Kitchen God's Wife is known for beautifully unpacking facets of the Chinese immigrant experience, the complexities of family dynamics, and the trauma that often fuels it. In this episode, Amy breaks down her relationship between trauma and creativity, what she learned from being in a rock band, and the challenges of making something personal universal.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The author of critically acclaimed novels including <em>The Joy Luck Club</em> and <em>The Kitchen God's Wife</em> is known for beautifully unpacking facets of the Chinese immigrant experience, the complexities of family dynamics, and the trauma that often fuels it. In this episode, Amy breaks down her relationship between trauma and creativity, what she learned from being in a rock band, and the challenges of making something personal universal.</p>]]>
      </content:encoded>
      <itunes:duration>1859</itunes:duration>
      <guid isPermaLink="false"><![CDATA[ef980a8c-a2d3-11eb-a177-83611716bb27]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV2218701191.mp3?updated=1619033149" length="0" type="audio/mpeg"/>
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    <item>
      <title>How social media star Zach King builds creative momentum</title>
      <description>Zach King has made a name for himself as a digital illusionist, using seamless editing to create mind-bending videos. He gained popularity on Vine and has translated his brand of "magic" to TikTok where he's one of the platform's most followed creators. It's easy to get caught up in the wow factor of Zach's tricks, but what's truly impressive is how he seems to never run out of new ideas, which, apparently is a fear he's been working on overcoming. In our conversation, Zach explains how he keeps his creative momentum going, why limitations are necessary, and why he started revealing some of his digital magic secrets.</description>
      <pubDate>Thu, 08 Apr 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Zach King has made a name for himself as a digital illusionist, using seamless editing to create mind-bending videos. He gained popularity on Vine and has translated his brand of "magic" to TikTok where he's one of the platform's most followed creators. It's easy to get caught up in the wow factor of Zach's tricks, but what's truly impressive is how he seems to never run out of new ideas, which, apparently is a fear he's been working on overcoming. In our conversation, Zach explains how he keeps his creative momentum going, why limitations are necessary, and why he started revealing some of his digital magic secrets.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Zach King has made a name for himself as a digital illusionist, using seamless editing to create mind-bending videos. He gained popularity on Vine and has translated his brand of "magic" to TikTok where he's one of the platform's most followed creators. It's easy to get caught up in the wow factor of Zach's tricks, but what's truly impressive is how he seems to never run out of new ideas, which, apparently is a fear he's been working on overcoming. In our conversation, Zach explains how he keeps his creative momentum going, why limitations are necessary, and why he started revealing some of his digital magic secrets.</p>]]>
      </content:encoded>
      <itunes:duration>2565</itunes:duration>
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    </item>
    <item>
      <title>Inside the method of Eric Andre’s madness</title>
      <description>No one is doing prank comedy quite like Eric Andre. He got his start in standup but rose to fame/notoriety with Adult Swim's The Eric Andre Show, a psychedelic sendup of late night talk shows where celebrity guests and everyday people on the street are at the mercy of his frenetic whims. It’s hard to tell sometimes, but beneath all the chaos of Andre’s physical comedy and pranks, there’s a craft he’s honed for five seasons of his show and that he’s applied to his Netflix film Bad Trip. In this episode, Andre explains the creative challenges of making a narrative prank comedy film, why he thinks his show has finally hit its stride 5 seasons in, and how Chris Rock talked him off the ledge from the biggest bomb of his career.</description>
      <pubDate>Thu, 25 Mar 2021 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>No one is doing prank comedy quite like Eric Andre. He got his start in standup but rose to fame/notoriety with Adult Swim's The Eric Andre Show, a psychedelic sendup of late night talk shows where celebrity guests and everyday people on the street are at the mercy of his frenetic whims. It’s hard to tell sometimes, but beneath all the chaos of Andre’s physical comedy and pranks, there’s a craft he’s honed for five seasons of his show and that he’s applied to his Netflix film Bad Trip. In this episode, Andre explains the creative challenges of making a narrative prank comedy film, why he thinks his show has finally hit its stride 5 seasons in, and how Chris Rock talked him off the ledge from the biggest bomb of his career.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>No one is doing prank comedy quite like Eric Andre. He got his start in standup but rose to fame/notoriety with Adult Swim's <em>The Eric Andre Show</em>, a psychedelic sendup of late night talk shows where celebrity guests and everyday people on the street are at the mercy of his frenetic whims. It’s hard to tell sometimes, but beneath all the chaos of Andre’s physical comedy and pranks, there’s a craft he’s honed for five seasons of his show and that he’s applied to his Netflix film <em>Bad Trip</em>. In this episode, Andre explains the creative challenges of making a narrative prank comedy film, why he thinks his show has finally hit its stride 5 seasons in, and how Chris Rock talked him off the ledge from the biggest bomb of his career.</p>]]>
      </content:encoded>
      <itunes:duration>2126</itunes:duration>
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    </item>
    <item>
      <title>Wayne Brady on giving yourself permission to own your passion</title>
      <description>Wayne Brady is arguably one of the hardest working performers in show business. From Broadway to TV and film and everything in between, Wayne has done it all—and often simultaneously. In this episode, Wayne explains how he gave himself permission to pursue all of his passions (and why he refuses to pick just one), how he actually does it all without crashing and burning, and the number one thing to remember in unlocking your creative potential.</description>
      <pubDate>Thu, 11 Mar 2021 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Wayne Brady is arguably one of the hardest working performers in show business. From Broadway to TV and film and everything in between, Wayne has done it all—and often simultaneously. In this episode, Wayne explains how he gave himself permission to pursue all of his passions (and why he refuses to pick just one), how he actually does it all without crashing and burning, and the number one thing to remember in unlocking your creative potential.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Wayne Brady is arguably one of the hardest working performers in show business. From Broadway to TV and film and everything in between, Wayne has done it all—and often simultaneously. In this episode, Wayne explains how he gave himself permission to pursue all of his passions (and why he refuses to pick just one), how he actually does it all without crashing and burning, and the number one thing to remember in unlocking your creative potential.</p>]]>
      </content:encoded>
      <itunes:duration>3167</itunes:duration>
      <guid isPermaLink="false"><![CDATA[72f254c6-81ed-11eb-a10b-af84f9db6d55]]></guid>
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    <item>
      <title>The Russo brothers explain the process of their creative "f*ckery"</title>
      <description>It’s easy to get caught up in the staggering commercial success directors Joe and Anthony Russo have had in the Marvel Cinematic universe. But what’s always worth mentioning are creative swings they’ve taken—not just in the MCU but throughout their entire career in TV and film. In this episode, the Russo brothers explain what's at the root of their creative "fuckery," their dynamic as a directing duo, how they're using their massive platform to elevate overlooked stories, and the career changing advice Steven Soderbergh gave them.</description>
      <pubDate>Thu, 25 Feb 2021 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s easy to get caught up in the staggering commercial success directors Joe and Anthony Russo have had in the Marvel Cinematic universe. But what’s always worth mentioning are creative swings they’ve taken—not just in the MCU but throughout their entire career in TV and film. In this episode, the Russo brothers explain what's at the root of their creative "fuckery," their dynamic as a directing duo, how they're using their massive platform to elevate overlooked stories, and the career changing advice Steven Soderbergh gave them.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s easy to get caught up in the staggering commercial success directors Joe and Anthony Russo have had in the Marvel Cinematic universe. But what’s always worth mentioning are creative swings they’ve taken—not just in the MCU but throughout their entire career in TV and film. In this episode, the Russo brothers explain what's at the root of their creative "fuckery," their dynamic as a directing duo, how they're using their massive platform to elevate overlooked stories, and the career changing advice Steven Soderbergh gave them.</p>]]>
      </content:encoded>
      <itunes:duration>2408</itunes:duration>
      <guid isPermaLink="false"><![CDATA[f55e61a0-76f0-11eb-a14f-77252db7b6b3]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV6349058090.mp3?updated=1614207276" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How rapper Kota the Friend conquered burnout</title>
      <description> Even without the machine of a major label behind him, Brooklyn rapper Kota the Friend has managed to release three EPs, three mixtapes, and two studio albums in the span of six years, earning him more than 200 Million global streams and co-signs from everyone from LaKeith Stanfield and Lupita Nyong’o, to SZA and Erykah Badu. Kota is even dropping another studio album as well as a joint album with producer Statik Selektah in the coming months. So how does he get it all done while keeping his sanity? A little structure, unitasking...and watching Pixar's "Soul" no less than 30 times.</description>
      <pubDate>Thu, 11 Feb 2021 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary> Even without the machine of a major label behind him, Brooklyn rapper Kota the Friend has managed to release three EPs, three mixtapes, and two studio albums in the span of six years, earning him more than 200 Million global streams and co-signs from everyone from LaKeith Stanfield and Lupita Nyong’o, to SZA and Erykah Badu. Kota is even dropping another studio album as well as a joint album with producer Statik Selektah in the coming months. So how does he get it all done while keeping his sanity? A little structure, unitasking...and watching Pixar's "Soul" no less than 30 times.</itunes:summary>
      <content:encoded>
        <![CDATA[<p> Even without the machine of a major label behind him, Brooklyn rapper Kota the Friend has managed to release three EPs, three mixtapes, and two studio albums in the span of six years, earning him more than 200 Million global streams and co-signs from everyone from LaKeith Stanfield and Lupita Nyong’o, to SZA and Erykah Badu. Kota is even dropping another studio album as well as a joint album with producer Statik Selektah in the coming months. So how does he get it all done while keeping his sanity? A little structure, unitasking...and watching Pixar's "Soul" no less than 30 times.</p>]]>
      </content:encoded>
      <itunes:duration>2382</itunes:duration>
      <guid isPermaLink="false"><![CDATA[2751ad1e-6be0-11eb-ac45-53d5d576cdfd]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV7750601163.mp3?updated=1612990220" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Viggo Mortensen on the art of memory</title>
      <description>Viggo Mortensen has cemented himself as a powerhouse actor in films including A History of Violence, Eastern Promises, and, of course, The Lord of the Rings trilogy. And now he's stepping behind the camera with his directorial debut "Falling," a beautifully fractured portrait of a complex father/son relationship. In our conversation, Viggo explains his late-stage career pivot and why memory can be such a powerful creative tool.</description>
      <pubDate>Thu, 28 Jan 2021 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Viggo Mortensen has cemented himself as a powerhouse actor in films including A History of Violence, Eastern Promises, and, of course, The Lord of the Rings trilogy. And now he's stepping behind the camera with his directorial debut "Falling," a beautifully fractured portrait of a complex father/son relationship. In our conversation, Viggo explains his late-stage career pivot and why memory can be such a powerful creative tool.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Viggo Mortensen has cemented himself as a powerhouse actor in films including <em>A History of Violence</em>, <em>Eastern Promises</em>, and, of course, <em>The Lord of the Rings</em> trilogy. And now he's stepping behind the camera with his directorial debut "Falling," a beautifully fractured portrait of a complex father/son relationship. In our conversation, Viggo explains his late-stage career pivot and why memory can be such a powerful creative tool.</p>]]>
      </content:encoded>
      <itunes:duration>1282</itunes:duration>
      <guid isPermaLink="false"><![CDATA[178de14c-60d5-11eb-a2e8-3f562bee65d1]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV1208000903.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How the co-CEOs of Glow Recipe found creativity (and heritage) in skincare</title>
      <description>Since launching their first line of products in 2017, Sarah Lee and Christine Chang’s skincare brand Glow Recipe has been a driving force in the Korean beauty wave, particularly in the US—and it’s not hard to see why. From their colorful packaging to alluring scents, Glow Recipe’s products are designed to be a multi-sensory experience, and, at times, a method of storytelling into Korean culture. In this episode, Lee and Change dive into their philosophy of “skintertainment" and the learning curves of growing a top-selling brand in three years.</description>
      <pubDate>Thu, 14 Jan 2021 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Since launching their first line of products in 2017, Sarah Lee and Christine Chang’s skincare brand Glow Recipe has been a driving force in the Korean beauty wave, particularly in the US—and it’s not hard to see why. From their colorful packaging to alluring scents, Glow Recipe’s products are designed to be a multi-sensory experience, and, at times, a method of storytelling into Korean culture. In this episode, Lee and Change dive into their philosophy of “skintertainment" and the learning curves of growing a top-selling brand in three years.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since launching their first line of products in 2017, Sarah Lee and Christine Chang’s skincare brand Glow Recipe has been a driving force in the Korean beauty wave, particularly in the US—and it’s not hard to see why. From their colorful packaging to alluring scents, Glow Recipe’s products are designed to be a multi-sensory experience, and, at times, a method of storytelling into Korean culture. In this episode, Lee and Change dive into their philosophy of “skintertainment" and the learning curves of growing a top-selling brand in three years.</p>]]>
      </content:encoded>
      <itunes:duration>1932</itunes:duration>
      <guid isPermaLink="false"><![CDATA[2fcb6ec8-55cc-11eb-9bae-b3dc8244d200]]></guid>
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    </item>
    <item>
      <title>How Jermaine Fowler is fighting past pain to find his funny again</title>
      <description>Comedian and actor Jermaine Fowler has found great success in TV and film, most recently starring in Coming 2 America. But personal trauma has kept him away from what started his career in entertainment: stand-up comedy. In our conversation, Jermaine explains how he's channeling grief into art (specifically, an upcoming Showtime event he’s calling "hilariously dark and funny as shit"); how he moves past rejection; and what he's learned from working with greats like Eddie Murphy and Whoopi Goldberg.</description>
      <pubDate>Thu, 31 Dec 2020 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Comedian and actor Jermaine Fowler has found great success in TV and film, most recently starring in Coming 2 America. But personal trauma has kept him away from what started his career in entertainment: stand-up comedy. In our conversation, Jermaine explains how he's channeling grief into art (specifically, an upcoming Showtime event he’s calling "hilariously dark and funny as shit"); how he moves past rejection; and what he's learned from working with greats like Eddie Murphy and Whoopi Goldberg.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Comedian and actor Jermaine Fowler has found great success in TV and film, most recently starring in <em>Coming 2 America</em>. But personal trauma has kept him away from what started his career in entertainment: stand-up comedy. In our conversation, Jermaine explains how he's channeling grief into art (specifically, an upcoming Showtime event he’s calling "hilariously dark and funny as shit"); how he moves past rejection; and what he's learned from working with greats like Eddie Murphy and Whoopi Goldberg.</p>]]>
      </content:encoded>
      <itunes:duration>2693</itunes:duration>
      <guid isPermaLink="false"><![CDATA[d7e58428-44aa-11eb-bc45-43dcd6a4d391]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV6261496644.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>LIVE SHOW: The Year That Changed Everything </title>
      <description>On December 16, Fast Company Podcast Network went live on Facebook and Youtube. Creative Conversation host, KC Ifeanyi, was joined by Kate Davis--host of Secrets of the Most Productive People--and Talib Visram--host of Fast Break--to talk about 2020.</description>
      <pubDate>Mon, 21 Dec 2020 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>On December 16, Fast Company Podcast Network went live on Facebook and Youtube. Creative Conversation host, KC Ifeanyi, was joined by Kate Davis--host of Secrets of the Most Productive People--and Talib Visram--host of Fast Break--to talk about 2020.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On December 16, Fast Company Podcast Network went live on Facebook and Youtube. Creative Conversation host, KC Ifeanyi, was joined by Kate Davis--host of Secrets of the Most Productive People--and Talib Visram--host of Fast Break--to talk about 2020.</p>]]>
      </content:encoded>
      <itunes:duration>2599</itunes:duration>
      <guid isPermaLink="false"><![CDATA[76c98832-4221-11eb-8c4c-7f57ac869ff3]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV6484167890.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How supermodel Ashley Graham channels confidence into creativity</title>
      <description>They say "confidence is key," which is true. But in Ashley Graham's case, it's a little more than that: confidence is her brand. From her entrepreneurial endeavors to her career in media with her podcast "Pretty Big Deal," confidence is at the root of everything she does and her main source of creative inspiration. In our conversation, Ashley explains how she found (and maintains) her confidence and what it's done for her creativity.</description>
      <pubDate>Thu, 17 Dec 2020 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>They say "confidence is key," which is true. But in Ashley Graham's case, it's a little more than that: confidence is her brand. From her entrepreneurial endeavors to her career in media with her podcast "Pretty Big Deal," confidence is at the root of everything she does and her main source of creative inspiration. In our conversation, Ashley explains how she found (and maintains) her confidence and what it's done for her creativity.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>They say "confidence is key," which is true. But in Ashley Graham's case, it's a little more than that: confidence is her brand. From her entrepreneurial endeavors to her career in media with her podcast "Pretty Big Deal," confidence is at the root of everything she does and her main source of creative inspiration. In our conversation, Ashley explains how she found (and maintains) her confidence and what it's done for her creativity.</p>]]>
      </content:encoded>
      <itunes:duration>2407</itunes:duration>
      <guid isPermaLink="false"><![CDATA[529ea7e8-3fed-11eb-a22b-0f773cc7c0bb]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV8500819281.mp3?updated=1608208377" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How choreographer JaQuel Knight's obsession with details defines his career (and saved Beyoncé's "Single Ladies")</title>
      <description>Choreographer and creative director JaQuel Knight has become to the go-to creative force behind major artists including Britney Spears, Shakira, Jennifer Lopez, Nicki Minaj, Megan Thee Stallion, and yes, Beyoncé. For Knight, it's not just the big moves he obsesses over—it’s the right flick of the wrist, swing of the hair, or, in the case of the “Single Ladies” music video exact, and I mean EXACT, timing. In our conversation, Knight unpacks how his laser-focused attention to detail fuels his desire to never be complacent (even if that means hiding his own trophies), how he creates and cultivates his own opportunities, and the bigger reason why he’s going through the arduous task of copyrighting his dance moves.</description>
      <pubDate>Thu, 03 Dec 2020 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Choreographer and creative director JaQuel Knight has become to the go-to creative force behind major artists including Britney Spears, Shakira, Jennifer Lopez, Nicki Minaj, Megan Thee Stallion, and yes, Beyoncé. For Knight, it's not just the big moves he obsesses over—it’s the right flick of the wrist, swing of the hair, or, in the case of the “Single Ladies” music video exact, and I mean EXACT, timing. In our conversation, Knight unpacks how his laser-focused attention to detail fuels his desire to never be complacent (even if that means hiding his own trophies), how he creates and cultivates his own opportunities, and the bigger reason why he’s going through the arduous task of copyrighting his dance moves.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Choreographer and creative director JaQuel Knight has become to the go-to creative force behind major artists including Britney Spears, Shakira, Jennifer Lopez, Nicki Minaj, Megan Thee Stallion, and yes, Beyoncé. For Knight, it's not just the big moves he obsesses over—it’s the right flick of the wrist, swing of the hair, or, in the case of the “Single Ladies” music video exact, and I mean EXACT, timing. In our conversation, Knight unpacks how his laser-focused attention to detail fuels his desire to never be complacent (even if that means hiding his own trophies), how he creates and cultivates his own opportunities, and the bigger reason why he’s going through the arduous task of copyrighting his dance moves.</p>]]>
      </content:encoded>
      <itunes:duration>2384</itunes:duration>
      <guid isPermaLink="false"><![CDATA[1f267396-34ee-11eb-881b-b72d66f59815]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV9419664432.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Creativity Equation: Innovation</title>
      <description>A custom series on science, technology, and innovation in partnership with GSK.
In this episode, we hear from GSK's Chief Scientific Officer and President of R&amp;D Hal Barron as he explains how GSK celebrates smart risks in order to build an innovative culture.</description>
      <pubDate>Thu, 29 Oct 2020 15:07:35 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A custom series on science, technology, and innovation in partnership with GSK.
In this episode, we hear from GSK's Chief Scientific Officer and President of R&amp;D Hal Barron as he explains how GSK celebrates smart risks in order to build an innovative culture.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A custom series on science, technology, and innovation in partnership with GSK.</p><p>In this episode, we hear from GSK's Chief Scientific Officer and President of R&amp;D Hal Barron as he explains how GSK celebrates smart risks in order to build an innovative culture.</p>]]>
      </content:encoded>
      <itunes:duration>994</itunes:duration>
      <guid isPermaLink="false"><![CDATA[6e9e9af6-1938-11eb-b49f-c77aa982f729]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV9653106202.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How a former software engineer is changing the future of medicine</title>
      <description>Joel Dudley, chief scientific officer at health startup Tempus and one of Fast Company's Most Creative People in business, has spent the better part of his career using big data and AI to find better solutions in how we treat diseases. In this episode, Joel explains how he's tackling such a lofty goal by thinking outside the parameters of the status quo of medicine.</description>
      <pubDate>Thu, 22 Oct 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Joel Dudley, chief scientific officer at health startup Tempus and one of Fast Company's Most Creative People in business, has spent the better part of his career using big data and AI to find better solutions in how we treat diseases. In this episode, Joel explains how he's tackling such a lofty goal by thinking outside the parameters of the status quo of medicine.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Joel Dudley, chief scientific officer at health startup Tempus and one of Fast Company's Most Creative People in business, has spent the better part of his career using big data and AI to find better solutions in how we treat diseases. In this episode, Joel explains how he's tackling such a lofty goal by thinking outside the parameters of the status quo of medicine.</p>]]>
      </content:encoded>
      <itunes:duration>1666</itunes:duration>
      <guid isPermaLink="false"><![CDATA[4c3ccf12-13e5-11eb-922a-bf6ef7709e87]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV5042252928.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Creativity Equation: Collective Knowledge </title>
      <description>A custom series on science, technology, and innovation in partnership with GSK.
In this episode, we hear from Kim Branson, global head of artificial intelligence and machine learning at GSK. He talks about how AI helps automate the boring and create knowledge for future generations.</description>
      <pubDate>Thu, 15 Oct 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A custom series on science, technology, and innovation in partnership with GSK.
In this episode, we hear from Kim Branson, global head of artificial intelligence and machine learning at GSK. He talks about how AI helps automate the boring and create knowledge for future generations.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A custom series on science, technology, and innovation in partnership with GSK.</p><p>In this episode, we hear from Kim Branson, global head of artificial intelligence and machine learning at GSK. He talks about how AI helps automate the boring and create knowledge for future generations.</p>]]>
      </content:encoded>
      <itunes:duration>948</itunes:duration>
      <guid isPermaLink="false"><![CDATA[eb05d5e8-07e8-11eb-8694-b79271cd698f]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV8804819122.mp3?updated=1602604178" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Dr. Diana Anderson and Healthcare Architecture</title>
      <description>In this episode Kc speaks with Dr. Diana Anderson as she discusses being a board-certified healthcare architect and the impact of innovative hospital design on treatment. </description>
      <pubDate>Thu, 08 Oct 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode Kc speaks with Dr. Diana Anderson as she discusses being a board-certified healthcare architect and the impact of innovative hospital design on treatment. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode Kc speaks with Dr. Diana Anderson as she discusses being a board-certified healthcare architect and the impact of innovative hospital design on treatment. </p>]]>
      </content:encoded>
      <itunes:duration>1932</itunes:duration>
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    <item>
      <title>Creativity Equation: Collaboration </title>
      <description>A custom series on science, technology, and innovation in partnership with GSK.
In this episode, we hear from GSK's Chief Scientific Officer and President of R&amp;D Hal Barron as he explains how GSK collaborates with its competitors to solve the world's biggest problems.</description>
      <pubDate>Thu, 01 Oct 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>A custom series on science, technology, and innovation in partnership with GSK.
In this episode, we hear from GSK's Chief Scientific Officer and President of R&amp;D Hal Barron as he explains how GSK collaborates with its competitors to solve the world's biggest problems.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>A custom series on science, technology, and innovation in partnership with GSK.</p><p>In this episode, we hear from GSK's Chief Scientific Officer and President of R&amp;D Hal Barron as he explains how GSK collaborates with its competitors to solve the world's biggest problems.</p>]]>
      </content:encoded>
      <itunes:duration>942</itunes:duration>
      <guid isPermaLink="false"><![CDATA[5ff5966c-f926-11ea-b1b4-43a57de55890]]></guid>
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    </item>
    <item>
      <title>How this doctor paved his way into Hollywood (While still practicing medicine.)</title>
      <description>For most people, being a doctor is fulfilling enough of a career. But for Dr. Roshan Sethi, he saw no need to pick a passion, which led him down the path to becoming both a screenwriter and a doctor. In this episode, Dr. Sethi explains how his dual careers inform each other and how he’s leveraging his voice for more authentic cultural representation across TV and film</description>
      <pubDate>Thu, 24 Sep 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>For most people, being a doctor is fulfilling enough of a career. But for Dr. Roshan Sethi, he saw no need to pick a passion, which led him down the path to becoming both a screenwriter and a doctor. In this episode, Dr. Sethi explains how his dual careers inform each other and how he’s leveraging his voice for more authentic cultural representation across TV and film</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For most people, being a doctor is fulfilling enough of a career. But for Dr. Roshan Sethi, he saw no need to pick a passion, which led him down the path to becoming both a screenwriter and a doctor. In this episode, Dr. Sethi explains how his dual careers inform each other and how he’s leveraging his voice for more authentic cultural representation across TV and film</p>]]>
      </content:encoded>
      <itunes:duration>1777</itunes:duration>
      <guid isPermaLink="false"><![CDATA[c45bb734-fdeb-11ea-97b5-1334285f9f6e]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV3599915222.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The First Step: How To Build an Effective Narrative When Building a New Company </title>
      <description>In this episode, our host Chris Denson talks to Rene Lammers, Chief Science Officer at PepsiCo, and Erik Roth, Senior Partner at McKinsey and Company. They discuss the importance of messaging when building a new business.</description>
      <pubDate>Fri, 07 Aug 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>bonus</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode, our host Chris Denson talks to Rene Lammers, Chief Science Officer at PepsiCo, and Erik Roth, Senior Partner at McKinsey and Company. They discuss the importance of messaging when building a new business.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, our host Chris Denson talks to Rene Lammers, Chief Science Officer at PepsiCo, and Erik Roth, Senior Partner at McKinsey and Company. They discuss the importance of messaging when building a new business.</p>]]>
      </content:encoded>
      <itunes:duration>1062</itunes:duration>
      <guid isPermaLink="false"><![CDATA[be8c978e-bd35-11ea-a011-2b6737e0fac3]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV9659072398.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Viral rapper Saweetie is ready to show you who she really is</title>
      <description> Rapper Saweetie’s breakout moment came in 2017 with her cocky freestyle “ICY GRL.” Quelling any notions of being a one-hit-wonder, Saweetie scored another viral hit with 2019’s undeniable song of the summer “My Type.”But even with two platinum hits, two well received EPs, and blipping on everyone’s radar as the one to watch, Saweetie didn’t feel successful or that people got a full sense of who she is.But she’s planning to fix that with her first full-length album Pretty Bitch Music.In this conversation, Saweetie explains the deeper meaning behind her project and its title, her rather scholarly approach to writing rhymes, how she’s breaking down misconceptions of what it means to be a woman (let alone a woman who raps), and more.</description>
      <pubDate>Thu, 23 Jul 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary> Rapper Saweetie’s breakout moment came in 2017 with her cocky freestyle “ICY GRL.” Quelling any notions of being a one-hit-wonder, Saweetie scored another viral hit with 2019’s undeniable song of the summer “My Type.”But even with two platinum hits, two well received EPs, and blipping on everyone’s radar as the one to watch, Saweetie didn’t feel successful or that people got a full sense of who she is.But she’s planning to fix that with her first full-length album Pretty Bitch Music.In this conversation, Saweetie explains the deeper meaning behind her project and its title, her rather scholarly approach to writing rhymes, how she’s breaking down misconceptions of what it means to be a woman (let alone a woman who raps), and more.</itunes:summary>
      <content:encoded>
        <![CDATA[<p> Rapper Saweetie’s breakout moment came in 2017 with her cocky freestyle “ICY GRL.” Quelling any notions of being a one-hit-wonder, Saweetie scored another viral hit with 2019’s undeniable song of the summer “My Type.”But even with two platinum hits, two well received EPs, and blipping on everyone’s radar as the one to watch, Saweetie didn’t feel successful or that people got a full sense of who she is.But she’s planning to fix that with her first full-length album <em>Pretty Bitch Music</em>.In this conversation, Saweetie explains the deeper meaning behind her project and its title, her rather scholarly approach to writing rhymes, how she’s breaking down misconceptions of what it means to be a woman (let alone a woman who raps), and more.</p>]]>
      </content:encoded>
      <itunes:duration>2279</itunes:duration>
      <guid isPermaLink="false"><![CDATA[01dc8ab4-cc5c-11ea-b50f-e762f56a18d8]]></guid>
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    <item>
      <title>Inside the no-sleep hustle of Grammy-winning songwriter The-Dream</title>
      <description>In addition to penning hits for the likes of Beyoncé, Mariah Carey, Rihanna, and more, The-Dream has his own prolific R&amp;B career. And he recently enrolled in design school during quarantine. In this episode, he breaks down his non-stop work ethic and why he doesn't believe in writer's block.</description>
      <pubDate>Thu, 09 Jul 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In addition to penning hits for the likes of Beyoncé, Mariah Carey, Rihanna, and more, The-Dream has his own prolific R&amp;B career. And he recently enrolled in design school during quarantine. In this episode, he breaks down his non-stop work ethic and why he doesn't believe in writer's block.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In addition to penning hits for the likes of Beyoncé, Mariah Carey, Rihanna, and more, The-Dream has his own prolific R&amp;B career. And he recently enrolled in design school during quarantine. In this episode, he breaks down his non-stop work ethic and why he doesn't believe in writer's block.</p>]]>
      </content:encoded>
      <itunes:duration>2672</itunes:duration>
      <guid isPermaLink="false"><![CDATA[9a40ff56-c144-11ea-8573-2b6372c6b4ca]]></guid>
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    </item>
    <item>
      <title>This ex-Google employee built a better platform for protesting</title>
      <description>Creative Conversation is doing special three-part series covering specific issues within the ongoing protests for racial equality. Every Thursday this month, we’ll be spotlighting the creatives and professionals using their backgrounds, skills, and platforms to push for lasting change.

Social media has been a natural component in organizing and disseminating information during these recurring protests against racial inequality.However, there's understandable concern in how these platforms may be censoring and suppressing posts, or remaining complicit in fueling misinformation and divisive rhetoric. As valuable as it can be to leverage massive platforms like Facebook, Tik Tok, and Twitter, there is an argument to have a less policed space or, at the very least, one that has activists' best interests in mind.That's exactly what Chloë Cheyenne Rogers set out to build with CommunityX, a platform connecting people locally and globally around causes and movements. In this conversation, Rogers explains the personal family trauma behind CommunityX and why it's important to rethink how we organize.</description>
      <pubDate>Thu, 25 Jun 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Creative Conversation is doing special three-part series covering specific issues within the ongoing protests for racial equality. Every Thursday this month, we’ll be spotlighting the creatives and professionals using their backgrounds, skills, and platforms to push for lasting change.

Social media has been a natural component in organizing and disseminating information during these recurring protests against racial inequality.However, there's understandable concern in how these platforms may be censoring and suppressing posts, or remaining complicit in fueling misinformation and divisive rhetoric. As valuable as it can be to leverage massive platforms like Facebook, Tik Tok, and Twitter, there is an argument to have a less policed space or, at the very least, one that has activists' best interests in mind.That's exactly what Chloë Cheyenne Rogers set out to build with CommunityX, a platform connecting people locally and globally around causes and movements. In this conversation, Rogers explains the personal family trauma behind CommunityX and why it's important to rethink how we organize.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Creative Conversation is doing special three-part series covering specific issues within the ongoing protests for racial equality. Every Thursday this month, we’ll be spotlighting the creatives and professionals using their backgrounds, skills, and platforms to push for lasting change.</em></p><p><br></p><p>Social media has been a natural component in organizing and disseminating information during these recurring protests against racial inequality.However, there's understandable concern in how these platforms may be censoring and suppressing posts, or remaining complicit in fueling misinformation and divisive rhetoric. As valuable as it can be to leverage massive platforms like Facebook, Tik Tok, and Twitter, there is an argument to have a less policed space or, at the very least, one that has activists' best interests in mind.That's exactly what Chloë Cheyenne Rogers set out to build with CommunityX, a platform connecting people locally and globally around causes and movements. In this conversation, Rogers explains the personal family trauma behind CommunityX and why it's important to rethink how we organize.</p>]]>
      </content:encoded>
      <itunes:duration>1556</itunes:duration>
      <guid isPermaLink="false"><![CDATA[8da8b0a2-b66a-11ea-bf0a-f3d9e709c9bd]]></guid>
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    </item>
    <item>
      <title>Black Trans Lives Matter, too—and this activist won’t let you forget it</title>
      <description>Creative Conversation is doing special three-part series covering specific issues within the ongoing protests for racial equality. Every Thursday this month, we’ll be spotlighting the creatives and professionals using their backgrounds, skills, and platforms to push for lasting change.

It's easy for some to push violence against the black trans community squarely into an LGBTQ+ issue—and it certainly is. However, it's also a race issue that can't be ignored. And Ianne Fields Stewart is one of the many voices ready to remind you. Stewart is a New York City-based black transfeminine actor and dancer working at the intersection of art and activism. She's also the founder of The Okra Project, a collective that targets food insecurity within the black trans community. And the confluence of the recent murders and attacks on trans men and women during the larger movement for racial equality—all while COVID-19 is still very much a threat—has given Stewart a new perspective on her activism.</description>
      <pubDate>Thu, 18 Jun 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Creative Conversation is doing special three-part series covering specific issues within the ongoing protests for racial equality. Every Thursday this month, we’ll be spotlighting the creatives and professionals using their backgrounds, skills, and platforms to push for lasting change.

It's easy for some to push violence against the black trans community squarely into an LGBTQ+ issue—and it certainly is. However, it's also a race issue that can't be ignored. And Ianne Fields Stewart is one of the many voices ready to remind you. Stewart is a New York City-based black transfeminine actor and dancer working at the intersection of art and activism. She's also the founder of The Okra Project, a collective that targets food insecurity within the black trans community. And the confluence of the recent murders and attacks on trans men and women during the larger movement for racial equality—all while COVID-19 is still very much a threat—has given Stewart a new perspective on her activism.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Creative Conversation is doing special three-part series covering specific issues within the ongoing protests for racial equality. Every Thursday this month, we’ll be spotlighting the creatives and professionals using their backgrounds, skills, and platforms to push for lasting change.</em></p><p><br></p><p>It's easy for some to push violence against the black trans community squarely into an LGBTQ+ issue—and it certainly is. However, it's also a race issue that can't be ignored. And Ianne Fields Stewart is one of the many voices ready to remind you. Stewart is a New York City-based black transfeminine actor and dancer working at the intersection of art and activism. She's also the founder of The Okra Project, a collective that targets food insecurity within the black trans community. And the confluence of the recent murders and attacks on trans men and women during the larger movement for racial equality—all while COVID-19 is still very much a threat—has given Stewart a new perspective on her activism.</p>]]>
      </content:encoded>
      <itunes:duration>1825</itunes:duration>
      <guid isPermaLink="false"><![CDATA[4a572b7a-b0cb-11ea-92d4-eb7c471de40b]]></guid>
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    <item>
      <title>The First Step: How Affirm CEO Max Levchin handles risk-taking in launching a new business</title>
      <description>In this episode, our host Chris Denson talks to Max Levchin, co-founder and CEO at Affirm and co-founder of PayPal, about how to overcome a fear of failure and embrace risk in bringing forward new ideas. Then Chris dives into how established organizations need to be constantly iterating and incorporating their learnings from failures with Dilip Mistry, Partner at McKinsey and Company.</description>
      <pubDate>Tue, 16 Jun 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/6875f8f0-8a35-11ea-a68a-b79ed3befbc5/image/uploads_2F1588177135443-ggkah7zuw77-6938e57ba874dec9ee0b89a6f9bb58db_2FMcKinsey-1400x1400-FirstStep-v1+copy.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In this episode, our host Chris Denson talks to Max Levchin, co-founder and CEO at Affirm and co-founder of PayPal, about how to overcome a fear of failure and embrace risk in bringing forward new ideas. Then Chris dives into how established organizations need to be constantly iterating and incorporating their learnings from failures with Dilip Mistry, Partner at McKinsey and Company.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, our host Chris Denson talks to Max Levchin, co-founder and CEO at Affirm and co-founder of PayPal, about how to overcome a fear of failure and embrace risk in bringing forward new ideas. Then Chris dives into how established organizations need to be constantly iterating and incorporating their learnings from failures with Dilip Mistry, Partner at McKinsey and Company.</p>]]>
      </content:encoded>
      <itunes:duration>1155</itunes:duration>
      <guid isPermaLink="false"><![CDATA[6875f8f0-8a35-11ea-a68a-b79ed3befbc5]]></guid>
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    <item>
      <title>Dr. Jess, the internet's favorite psychiatrist, has a gameplan for your mental health</title>
      <description>Creative Conversation is doing special three-part series covering specific issues within the ongoing protests for racial equality. Every Thursday this month, we’ll be spotlighting the creatives and professionals using their backgrounds, skills, and platforms to push for lasting change.
The high anxieties surrounding all the political, social, and health-related unrest has pushed the conversation of mental health to the forefront—and the black community should be the most mindful.
From COVID-19 affecting black people at disproportionate rates to the current battle for substantive changes to the mechanisms of racism running the country, the black community continues to face elevated levels of stress which can cause significant and lasting damage to physical and mental health.
But Dr. Jess Clemons has some actionable advice to help you better manage your mental health. In this episode, she breaks down how to look for signs of mental distress, how black people can navigate the current social landscape in a healthy way, pro-tips for self-care, and more.</description>
      <pubDate>Thu, 11 Jun 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Creative Conversation is doing special three-part series covering specific issues within the ongoing protests for racial equality. Every Thursday this month, we’ll be spotlighting the creatives and professionals using their backgrounds, skills, and platforms to push for lasting change.
The high anxieties surrounding all the political, social, and health-related unrest has pushed the conversation of mental health to the forefront—and the black community should be the most mindful.
From COVID-19 affecting black people at disproportionate rates to the current battle for substantive changes to the mechanisms of racism running the country, the black community continues to face elevated levels of stress which can cause significant and lasting damage to physical and mental health.
But Dr. Jess Clemons has some actionable advice to help you better manage your mental health. In this episode, she breaks down how to look for signs of mental distress, how black people can navigate the current social landscape in a healthy way, pro-tips for self-care, and more.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Creative Conversation is doing special three-part series covering specific issues within the ongoing protests for racial equality. Every Thursday this month, we’ll be spotlighting the creatives and professionals using their backgrounds, skills, and platforms to push for lasting change.</em></p><p>The high anxieties surrounding all the political, social, and health-related unrest has pushed the conversation of mental health to the forefront—and the black community should be the most mindful.</p><p>From COVID-19 affecting black people at disproportionate rates to the current battle for substantive changes to the mechanisms of racism running the country, the black community continues to face elevated levels of stress which can cause significant and lasting damage to physical and mental health.</p><p>But Dr. Jess Clemons has some actionable advice to help you better manage your mental health. In this episode, she breaks down how to look for signs of mental distress, how black people can navigate the current social landscape in a healthy way, pro-tips for self-care, and more.</p>]]>
      </content:encoded>
      <itunes:duration>2182</itunes:duration>
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      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV4799624951.mp3?updated=1591836436" length="0" type="audio/mpeg"/>
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    <item>
      <title>Janet Mock on how to build your creative credibility</title>
      <description>As if her career doesn’t already speak for itself, Janet Mock is ready to show you what she can really do. From her early days as an editor for People magazine, Mock has used her skills as a storyteller to springboard into becoming a New York Times bestselling author of two memoirs and, in her most recent pivot, a budding force in TV and film. With mega producer Ryan Murphy as her mentor, Mock has written for, directed, and produced a variety of projects including Pose, The Politician, and Hollywood. But now she's stepping out on her own.In this episode, Mock explains the importance of building those stepping stones toward your ultimate passion projects, how she learned to listen to other voices in the room, and why she chose the story of another, more infamous Janet to be her debut project through Netflix. </description>
      <pubDate>Thu, 28 May 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>As if her career doesn’t already speak for itself, Janet Mock is ready to show you what she can really do. From her early days as an editor for People magazine, Mock has used her skills as a storyteller to springboard into becoming a New York Times bestselling author of two memoirs and, in her most recent pivot, a budding force in TV and film. With mega producer Ryan Murphy as her mentor, Mock has written for, directed, and produced a variety of projects including Pose, The Politician, and Hollywood. But now she's stepping out on her own.In this episode, Mock explains the importance of building those stepping stones toward your ultimate passion projects, how she learned to listen to other voices in the room, and why she chose the story of another, more infamous Janet to be her debut project through Netflix. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>As if her career doesn’t already speak for itself, Janet Mock is ready to show you what she can really do. From her early days as an editor for People magazine, Mock has used her skills as a storyteller to springboard into becoming a New York Times bestselling author of two memoirs and, in her most recent pivot, a budding force in TV and film. With mega producer Ryan Murphy as her mentor, Mock has written for, directed, and produced a variety of projects including Pose, The Politician, and Hollywood. But now she's stepping out on her own.In this episode, Mock explains the importance of building those stepping stones toward your ultimate passion projects, how she learned to listen to other voices in the room, and why she chose the story of another, more infamous Janet to be her debut project through Netflix. </p>]]>
      </content:encoded>
      <itunes:duration>2726</itunes:duration>
      <guid isPermaLink="false"><![CDATA[175b8994-a04c-11ea-9601-4385947194a6]]></guid>
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    <item>
      <title>Inside the subversively creative mind of Mark Mothersbaugh</title>
      <description>You may know Mark Mothersbaugh from his days as the frontman for the art-punk band Devo, but his career scoring film, TV shows, and video games stretches over 200 titles including Thor: Ragnarok, Dawson's Creek, Rugrats, Crash Bandicoot, and, yes, Tiger King. Not only is Mark clearly prolific and versatile, but his creativity also expands into building his own unique instruments, creating subversive visual art (e.g., a giant ruby turd), and more. In this episode, Mark explains how dismantling and rebuilding the tools of your craft can lead to creative breakthroughs, and how he’s learned to reconcile his art with the mainstream, which may or may not include subliminal messaging.</description>
      <pubDate>Thu, 14 May 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>You may know Mark Mothersbaugh from his days as the frontman for the art-punk band Devo, but his career scoring film, TV shows, and video games stretches over 200 titles including Thor: Ragnarok, Dawson's Creek, Rugrats, Crash Bandicoot, and, yes, Tiger King. Not only is Mark clearly prolific and versatile, but his creativity also expands into building his own unique instruments, creating subversive visual art (e.g., a giant ruby turd), and more. In this episode, Mark explains how dismantling and rebuilding the tools of your craft can lead to creative breakthroughs, and how he’s learned to reconcile his art with the mainstream, which may or may not include subliminal messaging.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>You may know Mark Mothersbaugh from his days as the frontman for the art-punk band Devo, but his career scoring film, TV shows, and video games stretches over 200 titles including Thor: Ragnarok, Dawson's Creek, Rugrats, Crash Bandicoot, and, yes, Tiger King. Not only is Mark clearly prolific and versatile, but his creativity also expands into building his own unique instruments, creating subversive visual art (e.g., a giant ruby turd), and more. In this episode, Mark explains how dismantling and rebuilding the tools of your craft can lead to creative breakthroughs, and how he’s learned to reconcile his art with the mainstream, which may or may not include subliminal messaging.</p>]]>
      </content:encoded>
      <itunes:duration>2243</itunes:duration>
      <guid isPermaLink="false"><![CDATA[132463bc-954a-11ea-b2c6-e3fb7563f0d9]]></guid>
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    <item>
      <title>To All the Boys author Jenny Han on the double-edged sword of creativity and inclusion</title>
      <description>When To All the Boys I’ve Loved Before dropped on Netflix back in 2018, it turned its lead actors into overnight stars, as well as the author who wrote the book the film is based on. Jenny Han had success in the YA space with her other series, but it was To All the Boys that truly elevated her career—not to mention discussion around inclusive storytelling, which for creators can sometimes be a double-edged sword. In this episode, Han explains the weight of representation, why having structure can kill her creative process, and the benefits of letting your mind wander (productively, of course).</description>
      <pubDate>Thu, 30 Apr 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>When To All the Boys I’ve Loved Before dropped on Netflix back in 2018, it turned its lead actors into overnight stars, as well as the author who wrote the book the film is based on. Jenny Han had success in the YA space with her other series, but it was To All the Boys that truly elevated her career—not to mention discussion around inclusive storytelling, which for creators can sometimes be a double-edged sword. In this episode, Han explains the weight of representation, why having structure can kill her creative process, and the benefits of letting your mind wander (productively, of course).</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When To All the Boys I’ve Loved Before dropped on Netflix back in 2018, it turned its lead actors into overnight stars, as well as the author who wrote the book the film is based on. Jenny Han had success in the YA space with her other series, but it was To All the Boys that truly elevated her career—not to mention discussion around inclusive storytelling, which for creators can sometimes be a double-edged sword. In this episode, Han explains the weight of representation, why having structure can kill her creative process, and the benefits of letting your mind wander (productively, of course).</p>]]>
      </content:encoded>
      <itunes:duration>2058</itunes:duration>
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    </item>
    <item>
      <title>Alan Yang’s secret to creativity? Push yourself to the point you want to quit</title>
      <description>As a writer, producer, and director, Alan Yang has worked on hit shows including Parks and Rec, The Good Place, Little America, Forever, and Master of None. While the end results have led to an Emmy win and heaps of critical accolades, getting there is always a process that leaves him wondering, “should I just quit this?” But pushing himself to that point is exactly where his most creative ideas come from—and you should be doing the same. In this episode, Yang explains the importance of surprising yourself, how getting rejected by Jay Leno was a necessary wakeup call, and how the opening scene of his new Netflix movie Tigertail became a behind-the-scenes movie in itself—and an invaluable lesson in leadership.</description>
      <pubDate>Thu, 16 Apr 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>As a writer, producer, and director, Alan Yang has worked on hit shows including Parks and Rec, The Good Place, Little America, Forever, and Master of None. While the end results have led to an Emmy win and heaps of critical accolades, getting there is always a process that leaves him wondering, “should I just quit this?” But pushing himself to that point is exactly where his most creative ideas come from—and you should be doing the same. In this episode, Yang explains the importance of surprising yourself, how getting rejected by Jay Leno was a necessary wakeup call, and how the opening scene of his new Netflix movie Tigertail became a behind-the-scenes movie in itself—and an invaluable lesson in leadership.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As a writer, producer, and director, Alan Yang has worked on hit shows including Parks and Rec, The Good Place, Little America, Forever, and Master of None. While the end results have led to an Emmy win and heaps of critical accolades, getting there is always a process that leaves him wondering, “should I just quit this?” But pushing himself to that point is exactly where his most creative ideas come from—and you should be doing the same. In this episode, Yang explains the importance of surprising yourself, how getting rejected by Jay Leno was a necessary wakeup call, and how the opening scene of his new Netflix movie Tigertail became a behind-the-scenes movie in itself—and an invaluable lesson in leadership.</p>]]>
      </content:encoded>
      <itunes:duration>2234</itunes:duration>
      <guid isPermaLink="false"><![CDATA[f8940814-7f59-11ea-9e27-b7be4c12b1c2]]></guid>
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    </item>
    <item>
      <title>Jessie Reyez has a lot to prove—and you have a lot to learn from her process</title>
      <description>Grammy-nominated singer-songwriter Jessie Reyez finally released her debut studio album 'Before Love Came to Kill Us'—and how it came together spotlights creative lessons to live by.</description>
      <pubDate>Thu, 02 Apr 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Grammy-nominated singer-songwriter Jessie Reyez finally released her debut studio album 'Before Love Came to Kill Us'—and how it came together spotlights creative lessons to live by.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Grammy-nominated singer-songwriter Jessie Reyez finally released her debut studio album 'Before Love Came to Kill Us'—and how it came together spotlights creative lessons to live by.</p>]]>
      </content:encoded>
      <itunes:duration>2116</itunes:duration>
      <guid isPermaLink="false"><![CDATA[7415727e-742f-11ea-8f52-57b8a6f9b24d]]></guid>
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    </item>
    <item>
      <title>Creative Conversation Live in Lagos, Nigeria, with Nollywood star Banky W. </title>
      <description>Creative Conversation headed to Lagos, Nigeria for Social Media Week where host Kc Ifeanyi interviewed R&amp;B and Nollywood star Banky W. live on stage. In the conversation, Banky W. details his storied career, including starting his own record label, starring in Nigeria’s highest grossing film of all time, his battle with cancer, and stepping into the political arena to try and galvanize Nigeria’s younger generation disillusioned by politics as usual. Banky W. may not be a name most Western audiences are familiar with, but listening to this episode will definitely make you a fan of his work and activism.</description>
      <pubDate>Thu, 05 Mar 2020 09:00:00 -0000</pubDate>
      <itunes:title>Creative Conversation Live in Lagos, Nigeria, with Nollywood star Banky W. </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/0364842c-5e39-11ea-b460-a3e649e13f06/image/uploads_2F1583341103844-pdhbdpxu8js-64e28c748c29e6b0e5b9d3fb80fcbe46_2FCreative+Convo+Cover.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Creative Conversation headed to Lagos, Nigeria for Social Media Week where host Kc Ifeanyi interviewed R&amp;B and Nollywood star Banky W. live on stage. In the conversation, Banky W. details his storied career, including starting his own record label, starring in Nigeria’s highest grossing film of all time, his battle with cancer, and stepping into the political arena to try and galvanize Nigeria’s younger generation disillusioned by politics as usual. Banky W. may not be a name most Western audiences are familiar with, but listening to this episode will definitely make you a fan of his work and activism.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Creative Conversation headed to Lagos, Nigeria for Social Media Week where host Kc Ifeanyi interviewed R&amp;B and Nollywood star Banky W. live on stage. In the conversation, Banky W. details his storied career, including starting his own record label, starring in Nigeria’s highest grossing film of all time, his battle with cancer, and stepping into the political arena to try and galvanize Nigeria’s younger generation disillusioned by politics as usual. Banky W. may not be a name most Western audiences are familiar with, but listening to this episode will definitely make you a fan of his work and activism.</p>]]>
      </content:encoded>
      <itunes:duration>2350</itunes:duration>
      <guid isPermaLink="false"><![CDATA[0364842c-5e39-11ea-b460-a3e649e13f06]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV9726403529.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>The First Step: How Pizza Hut cooks up collaboration to keep innovating</title>
      <description>On this episode, our host Chris Denson talks to Helen Vaid, Global Chief Customer Officer at Pizza Hut, about collaboration and how to build the right internal team of stakeholders for fast ideation and faster action. Then he dives into how new businesses can best foster that collaboration inside a large organization with Ari Libarikian, global leader of Leap by McKinsey.</description>
      <pubDate>Tue, 18 Feb 2020 10:00:00 -0000</pubDate>
      <itunes:title>The First Step: How Pizza Hut cooks up collaboration to keep innovating</itunes:title>
      <itunes:episodeType>bonus</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>On this episode, our host Chris Denson talks to Helen Vaid, Global Chief Customer Officer at Pizza Hut, about collaboration and how to build the right internal team of stakeholders for fast ideation and faster action. Then he dives into how new businesses can best foster that collaboration inside a large organization with Ari Libarikian, global leader of Leap by McKinsey.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On this episode, our host Chris Denson talks to Helen Vaid, Global Chief Customer Officer at Pizza Hut, about collaboration and how to build the right internal team of stakeholders for fast ideation and faster action. Then he dives into how new businesses can best foster that collaboration inside a large organization with Ari Libarikian, global leader of Leap by McKinsey.</p>]]>
      </content:encoded>
      <itunes:duration>1616</itunes:duration>
      <guid isPermaLink="false"><![CDATA[840f428a-443d-11ea-8b78-2b52582f3496]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV3155743022.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>The creative power of blackness and drag, according to Monet X Change </title>
      <description>Since her time on season 10 of Drag Race and winning All-Stars 4, Drag Queen Monet X Change has appeared in national ad campaigns, released a visual album, and got her own talk show—and that's barley her first act. Listen her to Monet explain how she learned to embrace her blackness for drag, why she's making music and not drag music, and how she’s able to block out criticism on social media and that nagging beast of perfection to focus on her craft.</description>
      <pubDate>Thu, 13 Feb 2020 09:00:00 -0000</pubDate>
      <itunes:title>The creative power of blackness and drag, according to Monet X Change </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>12</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Since her time on season 10 of Drag Race and winning All-Stars 4, Drag Queen Monet X Change has appeared in national ad campaigns, released a visual album, and got her own talk show—and that's barley her first act. Listen her to Monet explain how she learned to embrace her blackness for drag, why she's making music and not drag music, and how she’s able to block out criticism on social media and that nagging beast of perfection to focus on her craft.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Since her time on season 10 of Drag Race and winning All-Stars 4, Drag Queen Monet X Change has appeared in national ad campaigns, released a visual album, and got her own talk show—and that's barley her first act. Listen her to Monet explain how she learned to embrace her blackness for drag, why she's making music and not drag music, and how she’s able to block out criticism on social media and that nagging beast of perfection to focus on her craft.</p>]]>
      </content:encoded>
      <itunes:duration>2246</itunes:duration>
      <guid isPermaLink="false"><![CDATA[73eccd3e-4dd7-11ea-8476-37ae4cde6367]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV7000453151.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>A creativity masterclass, with Reginald Hudlin </title>
      <description>Digging into Reginald Hudlin's résumé is like the most inspiring rabbit hole you could possibly tumble down. Most people know Hudlin as the director of such classic '90s films as House Party and Boomerang. But his career spans wide across the creative, development, and executive corners of the entertainment industry, where he's even dipped his toe into comic creation. In this episode of Fast Company's podcast Creative Conversation, Hudlin explains how creative risk-taking not only led to personal breakthroughs but shaped black culture and pop culture at large.

Listen to the latest episode of Fast Company's podcast Creative Conversation on Apple Podcasts, Spotify, RadioPublic, Google Play, or Stitcher.</description>
      <pubDate>Thu, 30 Jan 2020 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Digging into Reginald Hudlin's résumé is like the most inspiring rabbit hole you could possibly tumble down. Most people know Hudlin as the director of such classic '90s films as House Party and Boomerang. But his career spans wide across the creative, development, and executive corners of the entertainment industry, where he's even dipped his toe into comic creation. In this episode of Fast Company's podcast Creative Conversation, Hudlin explains how creative risk-taking not only led to personal breakthroughs but shaped black culture and pop culture at large.

Listen to the latest episode of Fast Company's podcast Creative Conversation on Apple Podcasts, Spotify, RadioPublic, Google Play, or Stitcher.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Digging into Reginald Hudlin's résumé is like the most inspiring rabbit hole you could possibly tumble down. Most people know Hudlin as the director of such classic '90s films as <em>House Party</em> and <em>Boomerang</em>. But his career spans wide across the creative, development, and executive corners of the entertainment industry, where he's even dipped his toe into comic creation. In this episode of <em>Fast Company</em>'s podcast <em>Creative Conversation</em>, Hudlin explains how creative risk-taking not only led to personal breakthroughs but shaped black culture and pop culture at large.</p><p><br></p><p>Listen to the latest episode of <em>Fast Company'</em>s podcast <em>Creative Conversation</em> on <a href="https://itunes.apple.com/us/podcast/creative-conversation/id1393035409?mt=2">Apple Podcasts</a>, <a href="https://open.spotify.com/show/0YDfXMXCT4yamNLdWBULgm?si=Ms-XhAuQTeC9-0gy6epaMg">Spotify</a>, <a href="https://radiopublic.com/creative-conversation-Wkd07Q">RadioPublic</a>, <a href="https://play.google.com/music/listen?u=0#/ps/Iwgmd65pfvyvnkkr3mrottsjdka">Google Play</a>, or <a href="https://www.stitcher.com/podcast/fast-company/creative-conversation">Stitcher</a>.</p><p><br></p>]]>
      </content:encoded>
      <itunes:duration>2622</itunes:duration>
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    </item>
    <item>
      <title>How Nate Berkus stays inspired in a constantly evolving industry </title>
      <description>Nate Berkus' life has always been surrounded by "decorative turmoil", so it's no surprise that he has grown into the superstar interior designer he is today.
In this episode of Creative Conversation, Berkus travels through his storied career going from being "a terrible assistant," to his big break on The Oprah Winfrey Show, to his own failed show ("…worst job of my life."), and how he's expanding his brand in design and even in Hollywood.
Listen to the latest episode of Fast Company's podcast Creative Conversation on Apple Podcasts, Spotify, RadioPublic, Google Play, or Stitcher.</description>
      <pubDate>Thu, 16 Jan 2020 09:00:00 -0000</pubDate>
      <itunes:title>How Nate Berkus stays inspired in a constantly evolving industry </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Nate Berkus' life has always been surrounded by "decorative turmoil", so it's no surprise that he has grown into the superstar interior designer he is today.
In this episode of Creative Conversation, Berkus travels through his storied career going from being "a terrible assistant," to his big break on The Oprah Winfrey Show, to his own failed show ("…worst job of my life."), and how he's expanding his brand in design and even in Hollywood.
Listen to the latest episode of Fast Company's podcast Creative Conversation on Apple Podcasts, Spotify, RadioPublic, Google Play, or Stitcher.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Nate Berkus' life has always been surrounded by "decorative turmoil", so it's no surprise that he has grown into the superstar interior designer he is today.</p><p>In this episode of <em>Creative Conversation</em>, Berkus travels through his storied career going from being "a terrible assistant," to his big break on <em>The Oprah Winfrey Show</em>, to his own failed show ("…worst job of my life."), and how he's expanding his brand in design and even in Hollywood.</p><p>Listen to the latest episode of <em>Fast Company'</em>s podcast <em>Creative Conversation</em> on <a href="https://itunes.apple.com/us/podcast/creative-conversation/id1393035409?mt=2">Apple Podcasts</a>, <a href="https://open.spotify.com/show/0YDfXMXCT4yamNLdWBULgm?si=Ms-XhAuQTeC9-0gy6epaMg">Spotify</a>, <a href="https://radiopublic.com/creative-conversation-Wkd07Q">RadioPublic</a>, <a href="https://play.google.com/music/listen?u=0#/ps/Iwgmd65pfvyvnkkr3mrottsjdka">Google Play</a>, or <a href="https://www.stitcher.com/podcast/fast-company/creative-conversation">Stitcher</a>.</p>]]>
      </content:encoded>
      <itunes:duration>2101</itunes:duration>
      <guid isPermaLink="false"><![CDATA[cb50358a-370b-11ea-939b-e31d173508b7]]></guid>
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    </item>
    <item>
      <title>How Marques Brownlee uses technology to express his creativity </title>
      <description>Marques Brownlee has been called "the best technology reviewer on the planet" (by a former VP at Google, no less) and his 10 million YouTube subscribers would probably agree. So how does one go from reviewing a remote for an HP Pavilion laptop in his living room to becoming one of the most powerful voices in tech?
In this episode of Creative Conversation, Brownlee breaks down what he sees as true innovation and creativity in the tech industry and what the gadgets and devices of yesteryear can teach us about the future.
Listen to the latest episode of Fast Company's podcast Creative Conversation on Apple Podcasts, Spotify, RadioPublic, Google Play, or Stitcher.</description>
      <pubDate>Thu, 02 Jan 2020 09:00:00 -0000</pubDate>
      <itunes:title>How Marques Brownlee uses technology to express his creativity </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>9</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Marques Brownlee has been called "the best technology reviewer on the planet" (by a former VP at Google, no less) and his 10 million YouTube subscribers would probably agree. So how does one go from reviewing a remote for an HP Pavilion laptop in his living room to becoming one of the most powerful voices in tech?
In this episode of Creative Conversation, Brownlee breaks down what he sees as true innovation and creativity in the tech industry and what the gadgets and devices of yesteryear can teach us about the future.
Listen to the latest episode of Fast Company's podcast Creative Conversation on Apple Podcasts, Spotify, RadioPublic, Google Play, or Stitcher.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Marques Brownlee has been called "the best technology reviewer on the planet" (by a former VP at Google, no less) and his 10 million YouTube subscribers would probably agree. So how does one go from reviewing a remote for an HP Pavilion laptop in his living room to becoming one of the most powerful voices in tech?</p><p>In this episode of <em>Creative Conversation</em>, Brownlee breaks down what he sees as true innovation and creativity in the tech industry and what the gadgets and devices of yesteryear can teach us about the future.</p><p>Listen to the latest episode of <em>Fast Company'</em>s podcast <em>Creative Conversation</em> on <a href="https://itunes.apple.com/us/podcast/creative-conversation/id1393035409?mt=2">Apple Podcasts</a>, <a href="https://open.spotify.com/show/0YDfXMXCT4yamNLdWBULgm?si=Ms-XhAuQTeC9-0gy6epaMg">Spotify</a>, <a href="https://radiopublic.com/creative-conversation-Wkd07Q">RadioPublic</a>, <a href="https://play.google.com/music/listen?u=0#/ps/Iwgmd65pfvyvnkkr3mrottsjdka">Google Play</a>, or <a href="https://www.stitcher.com/podcast/fast-company/creative-conversation">Stitcher</a>.</p>]]>
      </content:encoded>
      <itunes:duration>1833</itunes:duration>
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    <item>
      <title>How Noah Baumbach made a film about love, through a story about divorce </title>
      <description>Noah Baumbach has been making films for 25 years, but none has caught fire quite like his latest. Marriage Story has been racking up awards nominations in advance of the big ones—the Oscars, where, at the very least, costars Scarlett Johansson and Adam Driver are likely to be nominated. In this episode of Creative Conversation, Baumbach dives into the creative choices he made to frame Marriage Story as a film about love, how he barrels through writer's block, why he never yells "Action!" on set, cowriting the upcoming Barbie film—and, of course, Adam Driver's singing.
Listen to the latest episode of Fast Company's podcast Creative Conversation on Apple Podcasts, Spotify, RadioPublic, Google Play, or Stitcher.</description>
      <pubDate>Thu, 19 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>8</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle>How Noah Baumbach made a film about love, through a story about divorce </itunes:subtitle>
      <itunes:summary>Noah Baumbach has been making films for 25 years, but none has caught fire quite like his latest. Marriage Story has been racking up awards nominations in advance of the big ones—the Oscars, where, at the very least, costars Scarlett Johansson and Adam Driver are likely to be nominated. In this episode of Creative Conversation, Baumbach dives into the creative choices he made to frame Marriage Story as a film about love, how he barrels through writer's block, why he never yells "Action!" on set, cowriting the upcoming Barbie film—and, of course, Adam Driver's singing.
Listen to the latest episode of Fast Company's podcast Creative Conversation on Apple Podcasts, Spotify, RadioPublic, Google Play, or Stitcher.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Noah Baumbach has been making films for 25 years, but none has caught fire quite like his latest. <em>Marriage Story</em> has been racking up awards nominations in advance of the big ones—the Oscars, where, at the very least, costars Scarlett Johansson and Adam Driver are likely to be nominated. In this episode of <em>Creative Conversation</em>, Baumbach dives into the creative choices he made to frame <em>Marriage Story</em> as a film about love, how he barrels through writer's block, why he never yells "Action!" on set, cowriting the upcoming Barbie film—and, of course, Adam Driver's singing.</p><p>Listen to the latest episode of <em>Fast Company'</em>s podcast <em>Creative Conversation</em> on <a href="https://itunes.apple.com/us/podcast/creative-conversation/id1393035409?mt=2">Apple Podcasts</a>, <a href="https://open.spotify.com/show/0YDfXMXCT4yamNLdWBULgm?si=Ms-XhAuQTeC9-0gy6epaMg">Spotify</a>, <a href="https://radiopublic.com/creative-conversation-Wkd07Q">RadioPublic</a>, <a href="https://play.google.com/music/listen?u=0#/ps/Iwgmd65pfvyvnkkr3mrottsjdka">Google Play</a>, or <a href="https://www.stitcher.com/podcast/fast-company/creative-conversation">Stitcher</a>.</p>]]>
      </content:encoded>
      <itunes:duration>2184</itunes:duration>
      <guid isPermaLink="false"><![CDATA[f51cde9c-21ec-11ea-bd42-97dcba7e0fa5]]></guid>
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    <item>
      <title>The First Step: How Square conquers fear to bring new ideas to life</title>
      <description>The First Step is a custom podcast from Fast Co. Works in partnership with McKinsey and Company. On this episode, Chris dives into how to take an idea and put it in action with Jesse Dorogusker, Hardware Lead at Square. Then he talks to Ralf Dreischmeier, global leader of Leap by McKinsey.
Whether you are starting a new digital business at your company or just starting a new task at work, the gap between thought and action can often seem cavernous. Often we find ourselves paralyzed, unable to act. In the case of starting a new digital business, taking action is essential to maintaining success and growing your company. Leap by McKinsey was designed to help companies take that first step and launch new digital businesses.  </description>
      <pubDate>Mon, 09 Dec 2019 11:00:00 -0000</pubDate>
      <itunes:title>The First Step: How Square conquers fear to bring new ideas to life</itunes:title>
      <itunes:episodeType>bonus</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/6189b038-16e8-11ea-a04b-336f7baee542/image/uploads_2F1575499690255-kv2hly2dyf-3844098f088064e8ae727e45d287f916_2FMcKinsey-1400x1400-FirstStep-v1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The First Step is a custom podcast from Fast Co. Works in partnership with McKinsey and Company. On this episode, Chris dives into how to take an idea and put it in action with Jesse Dorogusker, Hardware Lead at Square. Then he talks to Ralf Dreischmeier, global leader of Leap by McKinsey.
Whether you are starting a new digital business at your company or just starting a new task at work, the gap between thought and action can often seem cavernous. Often we find ourselves paralyzed, unable to act. In the case of starting a new digital business, taking action is essential to maintaining success and growing your company. Leap by McKinsey was designed to help companies take that first step and launch new digital businesses.  </itunes:summary>
      <content:encoded>
        <![CDATA[<p>The First Step is a custom podcast from Fast Co. Works in partnership with McKinsey and Company. On this episode, Chris dives into how to take an idea and put it in action with Jesse Dorogusker, Hardware Lead at Square. Then he talks to Ralf Dreischmeier, global leader of Leap by McKinsey.</p><p>Whether you are starting a new digital business at your company or just starting a new task at work, the gap between thought and action can often seem cavernous. Often we find ourselves paralyzed, unable to act. In the case of starting a new digital business, taking action is essential to maintaining success and growing your company. Leap by McKinsey was designed to help companies take that first step and launch new digital businesses.  </p>]]>
      </content:encoded>
      <itunes:duration>1215</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>How Piera Geraldi gives her audience permission to be creative  </title>
      <description>Lots of people work in creative industries, but very few have been able to take their art and pivot to build something more impactful than the art itself. That's exactly what Piera Gelardi did when she started Refinery29, a digital media company that in many ways, has helped to shape a more inclusive and interactive modern media landscape.
In this episode, Piera speaks about how she made that pivot from artist to business-leader, why she loves improv exercises, and the reasoning behind developing Refinery29's iconic immersive experience 29Rooms. 
Subscribe to Creative Conversation on Apple Podcasts, Google Play, Stitcher, Spotify, RadioPublic, or wherever you get your podcasts. </description>
      <pubDate>Thu, 05 Dec 2019 09:00:00 -0000</pubDate>
      <itunes:title>How Piera Geraldi gives her audience permission to be creative  </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>7</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Lots of people work in creative industries, but very few have been able to take their art and pivot to build something more impactful than the art itself. That's exactly what Piera Gelardi did when she started Refinery29, a digital media company that in many ways, has helped to shape a more inclusive and interactive modern media landscape.
In this episode, Piera speaks about how she made that pivot from artist to business-leader, why she loves improv exercises, and the reasoning behind developing Refinery29's iconic immersive experience 29Rooms. 
Subscribe to Creative Conversation on Apple Podcasts, Google Play, Stitcher, Spotify, RadioPublic, or wherever you get your podcasts. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>Lots of people work in creative industries, but very few have been able to take their art and pivot to build something more impactful than the art itself. That's exactly what Piera Gelardi did when she started Refinery29, a digital media company that in many ways, has helped to shape a more inclusive and interactive modern media landscape.</p><p>In this episode, Piera speaks about how she made that pivot from artist to business-leader, why she loves improv exercises, and the reasoning behind developing Refinery29's iconic immersive experience 29Rooms. </p><p>Subscribe to Creative Conversation on <a href="https://podcasts.apple.com/podcast/idhttps-podcasts-apple-com-us-podcast-creative-conversation/id1393035409">Apple Podcasts</a>, <a href="https://play.google.com/music/listen?u=0#/ps/Iwgmd65pfvyvnkkr3mrottsjdka">Google Play</a>, <a href="https://www.stitcher.com/podcast/fast-company/creative-conversation">Stitcher</a>, <a href="https://open.spotify.com/show/0YDfXMXCT4yamNLdWBULgm">Spotify</a>, <a href="https://radiopublic.com/creative-conversation-Wkd07Q">RadioPublic</a>, or wherever you get your podcasts. </p>]]>
      </content:encoded>
      <itunes:duration>2403</itunes:duration>
      <guid isPermaLink="false"><![CDATA[e32578ea-16ff-11ea-aaa1-83a2a738a080]]></guid>
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    </item>
    <item>
      <title>How actress Carrie Coon uses fear to fuel her creativity</title>
      <description>Carrie Coon got an unconventionally late start in film and TV at 33, after having long since established herself on the stage. But she's more than made up for lost time with unconventional roles. Her performances as Nora Durst in The Leftovers, Vera Walker in The Sinner, and as Elizabeth in The Keeping Hours have solidified Coon as Hollywood's bona-fide spooky mother.
In this episode of Creative Conversation, Coon explains how she's reframing the archetype of mom characters, why being a good student can be bad for creativity, and what the physical side of creativity taught her (and what it can teach you).
Subscribe to Creative Conversation on Apple Podcasts, Google Play, Stitcher, Spotify, RadioPublic, or wherever you get your podcasts. </description>
      <pubDate>Thu, 21 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:title>How actress Carrie Coon uses fear to fuel her creativity</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Carrie Coon got an unconventionally late start in film and TV at 33, after having long since established herself on the stage. But she's more than made up for lost time with unconventional roles. Her performances as Nora Durst in The Leftovers, Vera Walker in The Sinner, and as Elizabeth in The Keeping Hours have solidified Coon as Hollywood's bona-fide spooky mother.
In this episode of Creative Conversation, Coon explains how she's reframing the archetype of mom characters, why being a good student can be bad for creativity, and what the physical side of creativity taught her (and what it can teach you).
Subscribe to Creative Conversation on Apple Podcasts, Google Play, Stitcher, Spotify, RadioPublic, or wherever you get your podcasts. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>Carrie Coon got an unconventionally late start in film and TV at 33, after having long since established herself on the stage. But she's more than made up for lost time with unconventional roles. Her performances as Nora Durst in <em>The Leftovers, </em>Vera Walker in<em> The Sinner, </em>and as Elizabeth in<em> The Keeping Hours </em>have solidified Coon as Hollywood's bona-fide spooky mother.</p><p>In this episode of <em>Creative Conversation</em>, Coon explains how she's reframing the archetype of mom characters, why being a good student can be bad for creativity, and what the physical side of creativity taught her (and what it can teach you).</p><p>Subscribe to Creative Conversation on <a href="https://podcasts.apple.com/podcast/idhttps-podcasts-apple-com-us-podcast-creative-conversation/id1393035409">Apple Podcasts</a>, <a href="https://play.google.com/music/listen?u=0#/ps/Iwgmd65pfvyvnkkr3mrottsjdka">Google Play</a>, <a href="https://www.stitcher.com/podcast/fast-company/creative-conversation">Stitcher</a>, <a href="https://open.spotify.com/show/0YDfXMXCT4yamNLdWBULgm">Spotify</a>, <a href="https://radiopublic.com/creative-conversation-Wkd07Q">RadioPublic</a>, or wherever you get your podcasts. </p>]]>
      </content:encoded>
      <itunes:duration>2134</itunes:duration>
      <guid isPermaLink="false"><![CDATA[b3153298-0bc5-11ea-a089-9bde28e66bc5]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV4567752049.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>LIVE! with Mo Rocca at the Fast Company Innovation Festival 2019 </title>
      <description>Most people consider themselves lucky to be able to craft a career path within one creative industry. Mo Rocca, acclaimed humorist, journalist, and actor has successfully been able to leave his mark on a few of those paths – even though he believes that we will all be forgotten eventually. He sits down with us at the Fast Company Innovation Festival for this live episode of Creative Conversation to talk about his creative journey that touches on multiple creative outlets. Listen to him dish on why you should lean into your weird interests, why humor and sadness sometimes go hand in hand, and his favorite historical figures highlighted in his new book “Mobituaries: Great Lives Worth Reliving”. 
Subscribe to Creative Conversation on Apple Podcasts, Google Play, Stitcher, Spotify, RadioPublic, or wherever you get your podcasts. </description>
      <pubDate>Thu, 07 Nov 2019 09:00:00 -0000</pubDate>
      <itunes:title>LIVE! with Mo Rocca at the Fast Company Innovation Festival 2019 </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Most people consider themselves lucky to be able to craft a career path within one creative industry. Mo Rocca, acclaimed humorist, journalist, and actor has successfully been able to leave his mark on a few of those paths – even though he believes that we will all be forgotten eventually. He sits down with us at the Fast Company Innovation Festival for this live episode of Creative Conversation to talk about his creative journey that touches on multiple creative outlets. Listen to him dish on why you should lean into your weird interests, why humor and sadness sometimes go hand in hand, and his favorite historical figures highlighted in his new book “Mobituaries: Great Lives Worth Reliving”. 
Subscribe to Creative Conversation on Apple Podcasts, Google Play, Stitcher, Spotify, RadioPublic, or wherever you get your podcasts. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>Most people consider themselves lucky to be able to craft a career path within one creative industry. Mo Rocca, acclaimed humorist, journalist, and actor has successfully been able to leave his mark on a few of those paths – even though he believes that we will all be forgotten eventually. He sits down with us at the Fast Company Innovation Festival for this live episode of Creative Conversation to talk about his creative journey that touches on multiple creative outlets. Listen to him dish on why you should lean into your weird interests, why humor and sadness sometimes go hand in hand, and his favorite historical figures highlighted in his new book “Mobituaries: Great Lives Worth Reliving”. </p><p>Subscribe to Creative Conversation on <a href="https://podcasts.apple.com/podcast/idhttps-podcasts-apple-com-us-podcast-creative-conversation/id1393035409">Apple Podcasts</a>, <a href="https://play.google.com/music/listen?u=0#/ps/Iwgmd65pfvyvnkkr3mrottsjdka">Google Play</a>, <a href="https://www.stitcher.com/podcast/fast-company/creative-conversation">Stitcher</a>, <a href="https://open.spotify.com/show/0YDfXMXCT4yamNLdWBULgm">Spotify</a>, <a href="https://radiopublic.com/creative-conversation-Wkd07Q">RadioPublic</a>, or wherever you get your podcasts. </p>]]>
      </content:encoded>
      <itunes:duration>2649</itunes:duration>
      <guid isPermaLink="false"><![CDATA[e08fe618-0103-11ea-bc6d-a7d26f204291]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV2585742367.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>This is your brain on improvisation </title>
      <description>It’s no surprise that improvisation is seen as a kind of holy grail for creativity. Whether it’s comedians or musicians, the act of creating something novel and interesting out of next to nothing is, indeed, quite remarkable. But what exactly is going on inside an improvising brain? And, most importantly, how can everyday people tap into that kind of creativity?
Subscribe to Creative Conversation on Apple Podcasts, Google Play, Stitcher, Spotify, RadioPublic, or wherever you get your podcasts. </description>
      <pubDate>Thu, 24 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:title>This is your brain on improvisation </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>It’s no surprise that improvisation is seen as a kind of holy grail for creativity. Whether it’s comedians or musicians, the act of creating something novel and interesting out of next to nothing is, indeed, quite remarkable. But what exactly is going on inside an improvising brain? And, most importantly, how can everyday people tap into that kind of creativity?
Subscribe to Creative Conversation on Apple Podcasts, Google Play, Stitcher, Spotify, RadioPublic, or wherever you get your podcasts. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>It’s no surprise that improvisation is seen as a kind of holy grail for creativity. Whether it’s comedians or musicians, the act of creating something novel and interesting out of next to nothing is, indeed, quite remarkable. But what exactly is going on inside an improvising brain? And, most importantly, how can everyday people tap into that kind of creativity?</p><p>Subscribe to Creative Conversation on <a href="https://podcasts.apple.com/podcast/idhttps-podcasts-apple-com-us-podcast-creative-conversation/id1393035409">Apple Podcasts</a>, <a href="https://play.google.com/music/listen?u=0#/ps/Iwgmd65pfvyvnkkr3mrottsjdka">Google Play</a>, <a href="https://www.stitcher.com/podcast/fast-company/creative-conversation">Stitcher</a>, <a href="https://open.spotify.com/show/0YDfXMXCT4yamNLdWBULgm">Spotify</a>, <a href="https://radiopublic.com/creative-conversation-Wkd07Q">RadioPublic</a>, or wherever you get your podcasts. </p>]]>
      </content:encoded>
      <itunes:duration>1085</itunes:duration>
      <guid isPermaLink="false"><![CDATA[4483e3a4-f5dd-11e9-9475-979a970e2b1b]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV8127985114.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How to Boost Your Creativity by Changing Your Environment</title>
      <description>When you hit that afternoon slump at your desk, maybe it’s not an issue of getting another cup of coffee—maybe you need to change your environment. Some of the most frustrating roadblocks to creativity can stem from being in a static environment. Whether you’re at the office or working remotely, being in the same old space for hours at a stretch can drain you of your creative juices. On this episode, we explore why your surroundings play such a crucial role in your creative process, the folly of chasing Silicon Valley-esque playgrounds, and how to make small changes to your environment for a big boost in creativity.
Subscribe to Creative Conversation on Apple Podcasts, Google Play, Stitcher, Spotify, RadioPublic, or wherever you get your podcasts. </description>
      <pubDate>Thu, 10 Oct 2019 08:00:00 -0000</pubDate>
      <itunes:title>How to Boost Your Creativity by Changing Your Environment</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>When you hit that afternoon slump at your desk, maybe it’s not an issue of getting another cup of coffee—maybe you need to change your environment. Some of the most frustrating roadblocks to creativity can stem from being in a static environment. Whether you’re at the office or working remotely, being in the same old space for hours at a stretch can drain you of your creative juices. On this episode, we explore why your surroundings play such a crucial role in your creative process, the folly of chasing Silicon Valley-esque playgrounds, and how to make small changes to your environment for a big boost in creativity.
Subscribe to Creative Conversation on Apple Podcasts, Google Play, Stitcher, Spotify, RadioPublic, or wherever you get your podcasts. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>When you hit that afternoon slump at your desk, maybe it’s not an issue of getting another cup of coffee—maybe you need to change your environment. Some of the most frustrating roadblocks to creativity can stem from being in a static environment. Whether you’re at the office or working remotely, being in the same old space for hours at a stretch can drain you of your creative juices. On this episode, we explore why your surroundings play such a crucial role in your creative process, the folly of chasing Silicon Valley-esque playgrounds, and how to make small changes to your environment for a big boost in creativity.</p><p>Subscribe to Creative Conversation on <a href="https://podcasts.apple.com/podcast/idhttps-podcasts-apple-com-us-podcast-creative-conversation/id1393035409">Apple Podcasts</a>, <a href="https://play.google.com/music/listen?u=0#/ps/Iwgmd65pfvyvnkkr3mrottsjdka">Google Play</a>, <a href="https://www.stitcher.com/podcast/fast-company/creative-conversation">Stitcher</a>, <a href="https://open.spotify.com/show/0YDfXMXCT4yamNLdWBULgm">Spotify</a>, <a href="https://radiopublic.com/creative-conversation-Wkd07Q">RadioPublic</a>, or wherever you get your podcasts. </p>]]>
      </content:encoded>
      <itunes:duration>1350</itunes:duration>
      <guid isPermaLink="false"><![CDATA[1f32cc26-eadb-11e9-ab11-072c5f4ed098]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV3260828642.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>How uncertainty can make us more creative </title>
      <description>Creative geniuses make creativity look easy. But in reality, it’s uncomfortable to dive into uncharted territory to build or think of something new. Words like “innovation” and “disruption” get tossed around all the time, but uncertainty often keeps us from reaching that creative breakthrough. In this episode, creativity expert Dr. Ron Beghetto how we can navigate that uncertainty and turn it into a valuable part of the creative process.
Subscribe to Creative Conversation on Apple Podcasts, Google Play, Stitcher, Spotify, RadioPublic, or wherever you get your podcasts. </description>
      <pubDate>Thu, 26 Sep 2019 08:00:00 -0000</pubDate>
      <itunes:title>How uncertainty can make us more creative </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle>How uncertainty can make us more creative </itunes:subtitle>
      <itunes:summary>Creative geniuses make creativity look easy. But in reality, it’s uncomfortable to dive into uncharted territory to build or think of something new. Words like “innovation” and “disruption” get tossed around all the time, but uncertainty often keeps us from reaching that creative breakthrough. In this episode, creativity expert Dr. Ron Beghetto how we can navigate that uncertainty and turn it into a valuable part of the creative process.
Subscribe to Creative Conversation on Apple Podcasts, Google Play, Stitcher, Spotify, RadioPublic, or wherever you get your podcasts. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>Creative geniuses make creativity look easy. But in reality, it’s uncomfortable to dive into uncharted territory to build or think of something new. Words like “innovation” and “disruption” get tossed around all the time, but uncertainty often keeps us from reaching that creative breakthrough. In this episode, creativity expert Dr. Ron Beghetto how we can navigate that uncertainty and turn it into a valuable part of the creative process.</p><p>Subscribe to Creative Conversation on <a href="https://podcasts.apple.com/podcast/idhttps-podcasts-apple-com-us-podcast-creative-conversation/id1393035409">Apple Podcasts</a>, <a href="https://play.google.com/music/listen?u=0#/ps/Iwgmd65pfvyvnkkr3mrottsjdka">Google Play</a>, <a href="https://www.stitcher.com/podcast/fast-company/creative-conversation">Stitcher</a>, <a href="https://open.spotify.com/show/0YDfXMXCT4yamNLdWBULgm">Spotify</a>, <a href="https://radiopublic.com/creative-conversation-Wkd07Q">RadioPublic</a>, or wherever you get your podcasts. </p>]]>
      </content:encoded>
      <itunes:duration>1198</itunes:duration>
      <guid isPermaLink="false"><![CDATA[ff23a6e4-da5e-11e9-85c3-733c5db5d345]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV9364984823.mp3?updated=1569445299" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>This is the best time to brainstorm </title>
      <description>We all know brainstorming is an essential part of the creative process, but what do you do when your mind is too foggy to welcome the storm? Brain fog, brain farts, mental fatigue...call it what you will, it can be a major roadblock to creativity. But is there a way to use that hazy state of mind to your creative advantage? On this episode of Creative Conversation, KC Ifeanyi unpacks exactly what brain fog is and why you shouldn't be in such a rush to clear your mind.
Subscribe to Creative Conversation on Apple Podcasts, Google Play, Stitcher, Spotify, RadioPublic, or wherever you get your podcasts. </description>
      <pubDate>Thu, 12 Sep 2019 08:39:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We all know brainstorming is an essential part of the creative process, but what do you do when your mind is too foggy to welcome the storm? Brain fog, brain farts, mental fatigue...call it what you will, it can be a major roadblock to creativity. But is there a way to use that hazy state of mind to your creative advantage? On this episode of Creative Conversation, KC Ifeanyi unpacks exactly what brain fog is and why you shouldn't be in such a rush to clear your mind.
Subscribe to Creative Conversation on Apple Podcasts, Google Play, Stitcher, Spotify, RadioPublic, or wherever you get your podcasts. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>We all know brainstorming is an essential part of the creative process, but what do you do when your mind is too foggy to welcome the storm? Brain fog, brain farts, mental fatigue...call it what you will, it can be a major roadblock to creativity. But is there a way to use that hazy state of mind to your creative advantage? On this episode of Creative Conversation, KC Ifeanyi unpacks exactly what brain fog is and why you shouldn't be in such a rush to clear your mind.</p><p>Subscribe to Creative Conversation on <a href="https://podcasts.apple.com/podcast/idhttps-podcasts-apple-com-us-podcast-creative-conversation/id1393035409">Apple Podcasts</a>, <a href="https://play.google.com/music/listen?u=0#/ps/Iwgmd65pfvyvnkkr3mrottsjdka">Google Play</a>, <a href="https://www.stitcher.com/podcast/fast-company/creative-conversation">Stitcher</a>, <a href="https://open.spotify.com/show/0YDfXMXCT4yamNLdWBULgm">Spotify</a>, <a href="https://radiopublic.com/creative-conversation-Wkd07Q">RadioPublic</a>, or wherever you get your podcasts. </p>]]>
      </content:encoded>
      <itunes:duration>922</itunes:duration>
      <guid isPermaLink="false"><![CDATA[b3f64296-d4cb-11e9-8ad1-33dd1816a75e]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV2346206679.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Introducing Season Three of Creative Conversation</title>
      <description>As an editor and writer for Fast Company magazine, Kc Ifeanyi covers some of the most creative minds in film, television, business and beyond. In this podcast, he unpacks the most frustrating parts of the creative process by talking to psychologists, scholars, and experts who are on the forefront of understanding creativity. 
New episodes will be released this month. You can subscribe to Creative Conversation on Apple Podcasts, Spotify, Stitcher, Google Play, Radio Public, and wherever you get your podcasts. </description>
      <pubDate>Thu, 05 Sep 2019 09:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>As an editor and writer for Fast Company magazine, Kc Ifeanyi covers some of the most creative minds in film, television, business and beyond. In this podcast, he unpacks the most frustrating parts of the creative process by talking to psychologists, scholars, and experts who are on the forefront of understanding creativity. 
New episodes will be released this month. You can subscribe to Creative Conversation on Apple Podcasts, Spotify, Stitcher, Google Play, Radio Public, and wherever you get your podcasts. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>As an editor and writer for <a href="https://www.fastcompany.com">Fast Company magazine</a>, Kc Ifeanyi covers some of the most creative minds in film, television, business and beyond. In this podcast, he unpacks the most frustrating parts of the creative process by talking to psychologists, scholars, and experts who are on the forefront of understanding creativity. </p><p>New episodes will be released this month. You can subscribe to Creative Conversation on <a href="https://podcasts.apple.com/podcast/idhttps-podcasts-apple-com-us-podcast-creative-conversation/id1393035409">Apple Podcasts</a>, <a href="https://open.spotify.com/show/0YDfXMXCT4yamNLdWBULgm">Spotify</a>, <a href="https://www.stitcher.com/podcast/fast-company/creative-conversation">Stitcher</a>, <a href="https://play.google.com/music/listen?u=0#/ps/Iwgmd65pfvyvnkkr3mrottsjdka">Google Play</a>, <a href="https://radiopublic.com/creative-conversation-Wkd07Q">Radio Public</a>, and wherever you get your podcasts. </p>]]>
      </content:encoded>
      <itunes:duration>47</itunes:duration>
      <guid isPermaLink="false"><![CDATA[ce57f3ce-cf57-11e9-98fc-a3c04d93954c]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV4036152604.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Camille Yorrick, EVP of creative content at RCA Records</title>
      <description>Any creative content from RCA's roster of artists goes through Camille Yorrick. From music videos to visuals and more, Yorrick has helped shaped the creative visions of everyone from Pink to Childish Gambino. The longtime music industry vet has been nominated for a Grammy for her work on "Beyoncé's I Am...World Tour" documentary and has cut her teeth in music videos with the legendary director Diane Martel. In our conversation, Yorrick explains how she tempers her opinions with an artists' intuition and takes us back to the golden age of music videos (and what we can learn from them today.)</description>
      <pubDate>Thu, 02 May 2019 09:00:00 -0000</pubDate>
      <itunes:title>Camille Yorrick, EVP of creative content at RCA Records</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>21</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/bc619e00-ad87-11e9-9a11-f368074aff64/image/1556764658artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Any creative content from RCA's roster of artists goes through Camille Yorrick. From music videos to visuals and more, Yorrick has helped shaped the creative visions of everyone from Pink to Childish Gambino. The longtime music industry vet has been nominated for a Grammy for her work on "Beyoncé's I Am...World Tour" documentary and has cut her teeth in music videos with the legendary director Diane Martel. In our conversation, Yorrick explains how she tempers her opinions with an artists' intuition and takes us back to the golden age of music videos (and what we can learn from them today.)</itunes:subtitle>
      <itunes:summary>Any creative content from RCA's roster of artists goes through Camille Yorrick. From music videos to visuals and more, Yorrick has helped shaped the creative visions of everyone from Pink to Childish Gambino. The longtime music industry vet has been nominated for a Grammy for her work on "Beyoncé's I Am...World Tour" documentary and has cut her teeth in music videos with the legendary director Diane Martel. In our conversation, Yorrick explains how she tempers her opinions with an artists' intuition and takes us back to the golden age of music videos (and what we can learn from them today.)</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Any creative content from RCA's roster of artists goes through Camille Yorrick. From music videos to visuals and more, Yorrick has helped shaped the creative visions of everyone from Pink to Childish Gambino. The longtime music industry vet has been nominated for a Grammy for her work on "Beyoncé's I Am...World Tour" documentary and has cut her teeth in music videos with the legendary director Diane Martel. In our conversation, Yorrick explains how she tempers her opinions with an artists' intuition and takes us back to the golden age of music videos (and what we can learn from them today.)</p>]]>
      </content:encoded>
      <itunes:duration>1976</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0cf47e18-ca3a-48bf-91f9-407d15c247b9]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV2586686733.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jean Elie, actor and producer</title>
      <description>Jean Elie got his big break playing Issa Rae's younger brother Ahmal on HBO's Insecure. Although landing on a hit show can lead to other more high-profile roles, Jean is wasting no time in creating lanes of his own. In addition to acting, Jean is producing and writing his own projects including several shorts and the series Send Help, which is being co-produced by Rainn Wilson's entertainment company SoulPancake. He's also been getting writing room experience on Netflix's Magic for Humans, which is paving the way for even more projects down the line. But as a young actor still trying to establish himself in that field, is he spreading himself too thin in other areas? In our conversation, Jean explains his stance on straight actors playing gay characters, the power of being the only black voice in a white room, and the rules of being a creative hustler. </description>
      <pubDate>Wed, 17 Apr 2019 11:52:00 -0000</pubDate>
      <itunes:title>Jean Elie, actor and producer</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>20</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/bcb9777e-ad87-11e9-9a11-834e4792f0a8/image/1555502294artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Jean Elie got his big break playing Issa Rae's younger brother Ahmal on HBO's Insecure. Although landing on a hit show can lead to other more high-profile roles, Jean is wasting no time in creating lanes of his own. In addition to acting, Jean is producing and writing his own projects including several shorts and the series Send Help, which is being co-produced by Rainn Wilson's entertainment company SoulPancake. He's also been getting writing room experience on Netflix's *Magic for Humans*, which is paving the way for even more projects down the line. But as a young actor still trying to establish himself in that field, is he spreading himself too thin in other areas? In our conversation, Jean explains his stance on straight actors playing gay characters, the power of being the only black voice in a white room, and the rules of being a creative hustler. </itunes:subtitle>
      <itunes:summary>Jean Elie got his big break playing Issa Rae's younger brother Ahmal on HBO's Insecure. Although landing on a hit show can lead to other more high-profile roles, Jean is wasting no time in creating lanes of his own. In addition to acting, Jean is producing and writing his own projects including several shorts and the series Send Help, which is being co-produced by Rainn Wilson's entertainment company SoulPancake. He's also been getting writing room experience on Netflix's Magic for Humans, which is paving the way for even more projects down the line. But as a young actor still trying to establish himself in that field, is he spreading himself too thin in other areas? In our conversation, Jean explains his stance on straight actors playing gay characters, the power of being the only black voice in a white room, and the rules of being a creative hustler. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jean Elie got his big break playing Issa Rae's younger brother Ahmal on HBO's Insecure. Although landing on a hit show can lead to other more high-profile roles, Jean is wasting no time in creating lanes of his own. In addition to acting, Jean is producing and writing his own projects including several shorts and the series Send Help, which is being co-produced by Rainn Wilson's entertainment company SoulPancake. He's also been getting writing room experience on Netflix's <em>Magic for Humans</em>, which is paving the way for even more projects down the line. But as a young actor still trying to establish himself in that field, is he spreading himself too thin in other areas? In our conversation, Jean explains his stance on straight actors playing gay characters, the power of being the only black voice in a white room, and the rules of being a creative hustler. </p>]]>
      </content:encoded>
      <itunes:duration>1723</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[41423b75-8865-4887-8045-6b290c42269f]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV6720829739.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Paul Scheer, actor and comedian</title>
      <description>Paul Scheer's résumé is a dizzying display of creative output: when he's not acting in shows like Black Monday, Veep, or Fresh Off the Boat, he's busy hosting two wildly successful podcasts (How Did This Get Made? and Unspooled), writing comic books for Marvel, and rebooting the 1999 cult classic Galaxy Quest. But for someone who seems like a wellspring of creativity, Scheer admits his biggest hurdle is still pushing past that first draft. In our conversation, Scheer explains how to accept that you will suck at what you're working on (hopefully, temporarily), how he juggles such a random, career, and why it's ok not to finish your to-do list.</description>
      <pubDate>Wed, 03 Apr 2019 12:00:00 -0000</pubDate>
      <itunes:title>Paul Scheer, actor and comedian</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>19</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/bd09dfde-ad87-11e9-9a11-ab08f93ad9eb/image/1554291865artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Paul Scheer's résumé is a dizzying display of creative output: when he's not acting in shows like Black Monday, Veep, or Fresh Off the Boat, he's busy hosting two wildly successful podcasts (How Did This Get Made? and Unspooled), writing comic books for Marvel, and rebooting the 1999 cult classic Galaxy Quest. But for someone who seems like a wellspring of creativity, Scheer admits his biggest hurdle is still pushing past that first draft. In our conversation, Scheer explains how to accept that you will suck at what you're working on (hopefully, temporarily), how he juggles such a random, career, and why it's ok not to finish your to-do list.</itunes:subtitle>
      <itunes:summary>Paul Scheer's résumé is a dizzying display of creative output: when he's not acting in shows like Black Monday, Veep, or Fresh Off the Boat, he's busy hosting two wildly successful podcasts (How Did This Get Made? and Unspooled), writing comic books for Marvel, and rebooting the 1999 cult classic Galaxy Quest. But for someone who seems like a wellspring of creativity, Scheer admits his biggest hurdle is still pushing past that first draft. In our conversation, Scheer explains how to accept that you will suck at what you're working on (hopefully, temporarily), how he juggles such a random, career, and why it's ok not to finish your to-do list.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Paul Scheer's résumé is a dizzying display of creative output: when he's not acting in shows like Black Monday, Veep, or Fresh Off the Boat, he's busy hosting two wildly successful podcasts (How Did This Get Made? and Unspooled), writing comic books for Marvel, and rebooting the 1999 cult classic Galaxy Quest. But for someone who seems like a wellspring of creativity, Scheer admits his biggest hurdle is still pushing past that first draft. In our conversation, Scheer explains how to accept that you will suck at what you're working on (hopefully, temporarily), how he juggles such a random, career, and why it's ok not to finish your to-do list.</p>]]>
      </content:encoded>
      <itunes:duration>2343</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[232586d7-b616-4b00-a2bf-98fb95a35727]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV7410424530.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Jemaine Clement, actor and musician</title>
      <description>Give Jemaine Clement a platform, and he'll spin it into something comical. The New Zealander is best known as one half of the musical comedy duo Flight of the Conchords but his work in comedy stretches across radio, film, stage, and TV. And his latest project, a TV series adaptation of his 2014 mockumentary What We Do in the Shadows, is an exercise in how to mine your past ideas and make them fresh again. In our conversation, Jemaine also explains how to overcome creative differences (without punching your partner in the face) and the importance of editing improv. </description>
      <pubDate>Wed, 20 Mar 2019 09:00:00 -0000</pubDate>
      <itunes:title>Jemaine Clement, actor and musician</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>18</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/bd5d9ab6-ad87-11e9-9a11-2f5b6c98a436/image/1553054725artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Give Jemaine Clement a platform, and he'll spin it into something comical. The New Zealander is best known as one half of the musical comedy duo Flight of the Conchords but his work in comedy stretches across radio, film, stage, and TV. And his latest project, a TV series adaptation of his 2014 mockumentary What We Do in the Shadows, is an exercise in how to mine your past ideas and make them fresh again. In our conversation, Jemaine also explains how to overcome creative differences (without punching your partner in the face) and the importance of editing improv. </itunes:subtitle>
      <itunes:summary>Give Jemaine Clement a platform, and he'll spin it into something comical. The New Zealander is best known as one half of the musical comedy duo Flight of the Conchords but his work in comedy stretches across radio, film, stage, and TV. And his latest project, a TV series adaptation of his 2014 mockumentary What We Do in the Shadows, is an exercise in how to mine your past ideas and make them fresh again. In our conversation, Jemaine also explains how to overcome creative differences (without punching your partner in the face) and the importance of editing improv. </itunes:summary>
      <content:encoded>
        <![CDATA[<p>Give Jemaine Clement a platform, and he'll spin it into something comical. The New Zealander is best known as one half of the musical comedy duo Flight of the Conchords but his work in comedy stretches across radio, film, stage, and TV. And his latest project, a TV series adaptation of his 2014 mockumentary What We Do in the Shadows, is an exercise in how to mine your past ideas and make them fresh again. In our conversation, Jemaine also explains how to overcome creative differences (without punching your partner in the face) and the importance of editing improv. </p>]]>
      </content:encoded>
      <itunes:duration>1192</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7a826e02-abf4-4489-b376-840349c02355]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV8492189883.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>LIVE with Tarell Alvin McCraney, Phylicia Rashad, and OWN president Tina Perry at the Fast Company Grill </title>
      <description>Greetings from the 9th annual Fast Company Grill! We had some amazing panel discussions down in Austin, but this one in particular was a personal favorite. I had the chance to sit down with Oprah Winfrey Network president Tina Perry, the legendary Phylicia Rashad, and famed playwright Tarell Alvin McCraney to discuss David Makes Man, Tarell’s new show on OWN. David Makes Man explores childhood trauma, the black experience, drug abuse, and much more through a surreal lens. In our discussion, Tarell talks about his first foray into TV and pitching the show directly to Oprah Winfrey herself. Phylicia gives awe-inspiring lessons in creativity. And Tina lays out OWN’s vision for more diverse storytelling.</description>
      <pubDate>Wed, 13 Mar 2019 09:33:00 -0000</pubDate>
      <itunes:title>LIVE with Tarell Alvin McCraney, Phylicia Rashad, and OWN president Tina Perry at the Fast Company Grill </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>17</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/bdba02a6-ad87-11e9-9a11-4f1a9d97b420/image/1552470000artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Greetings from the 9th annual Fast Company Grill! We had some amazing panel discussions down in Austin, but this one in particular was a personal favorite. I had the chance to sit down with Oprah Winfrey Network president Tina Perry, the legendary Phylicia Rashad, and famed playwright Tarell Alvin McCraney to discuss David Makes Man, Tarell’s new show on OWN. David Makes Man explores childhood trauma, the black experience, drug abuse, and much more through a surreal lens. In our discussion, Tarell talks about his first foray into TV and pitching the show directly to Oprah Winfrey herself. Phylicia gives awe-inspiring lessons in creativity. And Tina lays out OWN’s vision for more diverse storytelling.</itunes:subtitle>
      <itunes:summary>Greetings from the 9th annual Fast Company Grill! We had some amazing panel discussions down in Austin, but this one in particular was a personal favorite. I had the chance to sit down with Oprah Winfrey Network president Tina Perry, the legendary Phylicia Rashad, and famed playwright Tarell Alvin McCraney to discuss David Makes Man, Tarell’s new show on OWN. David Makes Man explores childhood trauma, the black experience, drug abuse, and much more through a surreal lens. In our discussion, Tarell talks about his first foray into TV and pitching the show directly to Oprah Winfrey herself. Phylicia gives awe-inspiring lessons in creativity. And Tina lays out OWN’s vision for more diverse storytelling.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Greetings from the 9th annual Fast Company Grill! We had some amazing panel discussions down in Austin, but this one in particular was a personal favorite. I had the chance to sit down with Oprah Winfrey Network president Tina Perry, the legendary Phylicia Rashad, and famed playwright Tarell Alvin McCraney to discuss David Makes Man, Tarell’s new show on OWN. David Makes Man explores childhood trauma, the black experience, drug abuse, and much more through a surreal lens. In our discussion, Tarell talks about his first foray into TV and pitching the show directly to Oprah Winfrey herself. Phylicia gives awe-inspiring lessons in creativity. And Tina lays out OWN’s vision for more diverse storytelling.</p>]]>
      </content:encoded>
      <itunes:duration>2206</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[f3a8eabe-f2c4-400a-acdb-dcf1c7cd5441]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV8661445652.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Sasha Velour, drag queen</title>
      <description>For Sasha Velour, all roads led to drag. Being a Fulbright scholar, Vassar grad, graphic artist, and illustrator, were all primers for the trailblazing work she does now as a performer, public speaker, and advocate for the LGBTQIA+ community. But even after winning season 9 of RuPaul’s Drag Race, landing brand ambassador deals, and selling out shows, Sasha is still riddled with creative self-doubt. In our conversation, she explains how leaning into the fantasy of drag helps to cope with reality, the creative process behind her legendary lip syncs, and how she’s elevating drag by empowering its performers.</description>
      <pubDate>Wed, 06 Mar 2019 12:40:00 -0000</pubDate>
      <itunes:title>Sasha Velour, drag queen</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>16</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/be64527e-ad87-11e9-9a11-27771b183f90/image/1551875718artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>For Sasha Velour, all roads led to drag. Being a Fulbright scholar, Vassar grad, graphic artist, and illustrator, were all primers for the trailblazing work she does now as a performer, public speaker, and advocate for the LGBTQIA+ community. But even after winning season 9 of RuPaul’s Drag Race, landing brand ambassador deals, and selling out shows, Sasha is still riddled with creative self-doubt. In our conversation, she explains how leaning into the fantasy of drag helps to cope with reality, the creative process behind her legendary lip syncs, and how she’s elevating drag by empowering its performers.</itunes:subtitle>
      <itunes:summary>For Sasha Velour, all roads led to drag. Being a Fulbright scholar, Vassar grad, graphic artist, and illustrator, were all primers for the trailblazing work she does now as a performer, public speaker, and advocate for the LGBTQIA+ community. But even after winning season 9 of RuPaul’s Drag Race, landing brand ambassador deals, and selling out shows, Sasha is still riddled with creative self-doubt. In our conversation, she explains how leaning into the fantasy of drag helps to cope with reality, the creative process behind her legendary lip syncs, and how she’s elevating drag by empowering its performers.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For Sasha Velour, all roads led to drag. Being a Fulbright scholar, Vassar grad, graphic artist, and illustrator, were all primers for the trailblazing work she does now as a performer, public speaker, and advocate for the LGBTQIA+ community. But even after winning season 9 of RuPaul’s Drag Race, landing brand ambassador deals, and selling out shows, Sasha is still riddled with creative self-doubt. In our conversation, she explains how leaning into the fantasy of drag helps to cope with reality, the creative process behind her legendary lip syncs, and how she’s elevating drag by empowering its performers.</p>]]>
      </content:encoded>
      <itunes:duration>2198</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[410f40b1-cc8f-465f-8e21-70375717645e]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV8718282234.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>E.G. Daily, actor and singer</title>
      <description>This episode is pretty much going to be a love letter to all the 80s and 90s kids out there. You probably know E.G. Daily best as the voice of Tommy Pickles in Rugrats, Buttercup in The Powerpuff Girls, or as Pee-wee Herman’s love interest in Pee-wee’s Big Adventure. Those iconic roles would be enough for a lifetime of bragging rights, but Daily has been working non stop in film, TV, music, and stage for more than four decades. In our conversation, Daily explains the process behind crafting a voice and why it’s so important to listen to your inner “hell yeahs” and “hell nos.”</description>
      <pubDate>Wed, 27 Feb 2019 09:09:00 -0000</pubDate>
      <itunes:title>E.G. Daily, actor and singer</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>15</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/beb62a40-ad87-11e9-9a11-2fad7a9f98c6/image/1551251814artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>This episode is pretty much going to be a love letter to all the 80s and 90s kids out there. You probably know E.G. Daily best as the voice of Tommy Pickles in Rugrats, Buttercup in The Powerpuff Girls, or as Pee-wee Herman’s love interest in Pee-wee’s Big Adventure. Those iconic roles would be enough for a lifetime of bragging rights, but Daily has been working non stop in film, TV, music, and stage for more than four decades. In our conversation, Daily explains the process behind crafting a voice and why it’s so important to listen to your inner “hell yeahs” and “hell nos.”</itunes:subtitle>
      <itunes:summary>This episode is pretty much going to be a love letter to all the 80s and 90s kids out there. You probably know E.G. Daily best as the voice of Tommy Pickles in Rugrats, Buttercup in The Powerpuff Girls, or as Pee-wee Herman’s love interest in Pee-wee’s Big Adventure. Those iconic roles would be enough for a lifetime of bragging rights, but Daily has been working non stop in film, TV, music, and stage for more than four decades. In our conversation, Daily explains the process behind crafting a voice and why it’s so important to listen to your inner “hell yeahs” and “hell nos.”</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode is pretty much going to be a love letter to all the 80s and 90s kids out there. You probably know E.G. Daily best as the voice of Tommy Pickles in Rugrats, Buttercup in The Powerpuff Girls, or as Pee-wee Herman’s love interest in Pee-wee’s Big Adventure. Those iconic roles would be enough for a lifetime of bragging rights, but Daily has been working non stop in film, TV, music, and stage for more than four decades. In our conversation, Daily explains the process behind crafting a voice and why it’s so important to listen to your inner “hell yeahs” and “hell nos.”</p>]]>
      </content:encoded>
      <itunes:duration>2446</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b04ec9f2-c35e-4009-aa16-9ea000488998]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV2940348993.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nicholas Britell, film composer</title>
      <description>Nicholas Britell has become one of Hollywood’s most sought after composers--and for good reason. His scores for films including Moonlight, The Big Short, Vice, and If Beale Street Could Talk aren’t your average film scores. Nicholas experiments with unconventional techniques in order to capture abstract themes like finance, love...or Dick Cheney’s life. In this episode, Nicholas explains how he went from managing hedge funds on Wall Street to being an Oscar nominated composer, and he explains how "breaking" music led to one of the most powerful scenes in If Beale Street Could Talk.</description>
      <pubDate>Wed, 13 Feb 2019 09:00:00 -0000</pubDate>
      <itunes:title>Nicholas Britell, film composer</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>14</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/bf0b86d4-ad87-11e9-9a11-6f7dd6c5a9ae/image/1550016063artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Nicholas Britell has become one of Hollywood’s most sought after composers--and for good reason. His scores for films including Moonlight, The Big Short, Vice, and If Beale Street Could Talk aren’t your average film scores. Nicholas experiments with unconventional techniques in order to capture abstract themes like finance, love...or Dick Cheney’s life. In this episode, Nicholas explains how he went from managing hedge funds on Wall Street to being an Oscar nominated composer, and he explains how "breaking" music led to one of the most powerful scenes in If Beale Street Could Talk. </itunes:subtitle>
      <itunes:summary>Nicholas Britell has become one of Hollywood’s most sought after composers--and for good reason. His scores for films including Moonlight, The Big Short, Vice, and If Beale Street Could Talk aren’t your average film scores. Nicholas experiments with unconventional techniques in order to capture abstract themes like finance, love...or Dick Cheney’s life. In this episode, Nicholas explains how he went from managing hedge funds on Wall Street to being an Oscar nominated composer, and he explains how "breaking" music led to one of the most powerful scenes in If Beale Street Could Talk.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Nicholas Britell has become one of Hollywood’s most sought after composers--and for good reason. His scores for films including Moonlight, The Big Short, Vice, and If Beale Street Could Talk aren’t your average film scores. Nicholas experiments with unconventional techniques in order to capture abstract themes like finance, love...or Dick Cheney’s life. In this episode, Nicholas explains how he went from managing hedge funds on Wall Street to being an Oscar nominated composer, and he explains how "breaking" music led to one of the most powerful scenes in If Beale Street Could Talk. </p>]]>
      </content:encoded>
      <itunes:duration>2268</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[21a20c40-1c42-449d-bc31-a2a7ce57a952]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV5350063415.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Amanda Seales, comedian and actor</title>
      <description>If you think your multi-hyphenate status is challenging, let’s run down Amanda Seales’ resume real quick. Amanda is a creative powerhouse—and more importantly she’s a creative powerhouse with something to say.</description>
      <pubDate>Wed, 06 Feb 2019 09:30:00 -0000</pubDate>
      <itunes:title>Amanda Seales, comedian and actor</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>13</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/bf76f6ee-ad87-11e9-9a11-172db039d8e7/image/1549408436artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>If you think your multi-hyphenate status is challenging, let’s run down Amanda Seales’ resume real quick. Amanda is a creative powerhouse—and more importantly she’s a creative powerhouse with something to say.</itunes:subtitle>
      <itunes:summary>If you think your multi-hyphenate status is challenging, let’s run down Amanda Seales’ resume real quick. Amanda is a creative powerhouse—and more importantly she’s a creative powerhouse with something to say.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If you think your multi-hyphenate status is challenging, let’s run down Amanda Seales’ resume real quick. Amanda is a creative powerhouse—and more importantly she’s a creative powerhouse with something to say.</p>]]>
      </content:encoded>
      <itunes:duration>2222</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[77e5693e-15d2-4bb0-ba9e-4094576bad29]]></guid>
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    <item>
      <title>Roy Wood Jr, comedian </title>
      <description>It would seem that Roy Wood Jr. is vying for the title of the busiest comic is show business. In addition to being a correspondent for "The Daily Show" and hosting the show "This Is Not Happening," Roy just released his second Comedy Central special "No One Loves You." But for all the work that he’s done over his career, Roy admits he’s not quite where he wants to be with his comedy. In this episode, Roy explains how his approach to comedy has been sharpened to have a social edge and how Solange (of all people) has changed how he performs on stage.</description>
      <pubDate>Wed, 30 Jan 2019 10:00:00 -0000</pubDate>
      <itunes:title>Roy Wood Jr, comedian </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>12</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/bfc5e7f4-ad87-11e9-9a11-e31332ef9265/image/1548800440artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>It would seem that Roy Wood Jr. is vying for the title of the busiest comic is show business. In addition to being a correspondent for "The Daily Show" and hosting the show "This Is Not Happening," Roy just released his second Comedy Central special "No One Loves You." But for all the work that he’s done over his career, Roy admits he’s not quite where he wants to be with his comedy. In this episode, Roy explains how his approach to comedy has been sharpened to have a social edge and how Solange (of all people) has changed how he performs on stage.</itunes:subtitle>
      <itunes:summary>It would seem that Roy Wood Jr. is vying for the title of the busiest comic is show business. In addition to being a correspondent for "The Daily Show" and hosting the show "This Is Not Happening," Roy just released his second Comedy Central special "No One Loves You." But for all the work that he’s done over his career, Roy admits he’s not quite where he wants to be with his comedy. In this episode, Roy explains how his approach to comedy has been sharpened to have a social edge and how Solange (of all people) has changed how he performs on stage.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>It would seem that Roy Wood Jr. is vying for the title of the busiest comic is show business. In addition to being a correspondent for "The Daily Show" and hosting the show "This Is Not Happening," Roy just released his second Comedy Central special "No One Loves You." But for all the work that he’s done over his career, Roy admits he’s not quite where he wants to be with his comedy. In this episode, Roy explains how his approach to comedy has been sharpened to have a social edge and how Solange (of all people) has changed how he performs on stage.</p>]]>
      </content:encoded>
      <itunes:duration>1928</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[fb9409f9-0047-4cef-8e76-bb30e7795b46]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV2030782287.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Killer Mike, rapper and activist</title>
      <description>Killer Mike has never been one to keep his opinions to himself. Whether he’s stumping for politicians or calling out racial inequality, the outspoken rapper and activist has been using his platform and his craft to make change happen. And now he’s got a Netflix show to add to his arsenal. In our conversation, Killer Mike explains why “Trigger Warning” is necessary viewing (even if you’re easily triggered), and how he’s balancing his art and activism.</description>
      <pubDate>Wed, 23 Jan 2019 09:45:00 -0000</pubDate>
      <itunes:title>Killer Mike, rapper and activist</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>11</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/c027fd9a-ad87-11e9-9a11-dfbc4e6c5d49/image/1548197726artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Killer Mike has never been one to keep his opinions to himself. Whether he’s stumping for politicians or calling out racial inequality, the outspoken rapper and activist has been using his platform and his craft to make change happen. And now he’s got a Netflix show to add to his arsenal. In our conversation, Killer Mike explains why “Trigger Warning” is necessary viewing (even if you’re easily triggered), and how he’s balancing his art and activism.</itunes:subtitle>
      <itunes:summary>Killer Mike has never been one to keep his opinions to himself. Whether he’s stumping for politicians or calling out racial inequality, the outspoken rapper and activist has been using his platform and his craft to make change happen. And now he’s got a Netflix show to add to his arsenal. In our conversation, Killer Mike explains why “Trigger Warning” is necessary viewing (even if you’re easily triggered), and how he’s balancing his art and activism.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Killer Mike has never been one to keep his opinions to himself. Whether he’s stumping for politicians or calling out racial inequality, the outspoken rapper and activist has been using his platform and his craft to make change happen. And now he’s got a Netflix show to add to his arsenal. In our conversation, Killer Mike explains why “Trigger Warning” is necessary viewing (even if you’re easily triggered), and how he’s balancing his art and activism.</p>]]>
      </content:encoded>
      <itunes:duration>1688</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[0c3f33a7-913d-43e7-a0d6-cfd13e2c90e2]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV8998144726.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>LIVE with Larry Wilmore</title>
      <description>KC sits down with comedian, writer, and producer Larry Wilmore for a very special and very live episode of Creative Conversation, straight from the Fast Company Innovation Festival.</description>
      <pubDate>Wed, 07 Nov 2018 08:00:00 -0000</pubDate>
      <itunes:title>LIVE with Larry Wilmore</itunes:title>
      <itunes:episodeType>bonus</itunes:episodeType>
      <itunes:author>Fast Company</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/c0b4ebec-ad87-11e9-9a11-2f68a3752bd0/image/1541623721artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>KC sits down with comedian, writer, and producer Larry Wilmore for a very special and very live episode of Creative Conversation, straight from the Fast Company Innovation Festival. </itunes:subtitle>
      <itunes:summary>KC sits down with comedian, writer, and producer Larry Wilmore for a very special and very live episode of Creative Conversation, straight from the Fast Company Innovation Festival.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>KC sits down with comedian, writer, and producer Larry Wilmore for a very special and very live episode of Creative Conversation, straight from the Fast Company Innovation Festival. </p>]]>
      </content:encoded>
      <itunes:duration>2690</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[aaceafa7-1e8e-4f52-9b97-20061d39535f]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV3798332889.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Tracey Ullman, actor</title>
      <description></description>
      <pubDate>Wed, 24 Oct 2018 07:18:00 -0000</pubDate>
      <itunes:title>Tracey Ullman, actor</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>10</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/c10b8b28-ad87-11e9-9a11-3b56620118d2/image/1540322713artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle/>
      <itunes:summary></itunes:summary>
      <content:encoded>
        <![CDATA[]]>
      </content:encoded>
      <itunes:duration>1866</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[56f26238-db73-448a-8acf-8eb9d7f62e85]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV8473639889.mp3" length="0" type="audio/mpeg"/>
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    <item>
      <title>Jackie Aina, YouTube beauty guru</title>
      <description>Long before “diversity” was a buzzword for beauty brands, Jackie was championing dark-skinned women and men who never saw themselves represented in the makeup industry.</description>
      <pubDate>Wed, 10 Oct 2018 08:00:00 -0000</pubDate>
      <itunes:title>Jackie Aina, YouTube beauty guru</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>9</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/c167f0de-ad87-11e9-9a11-a70e95c1931d/image/1539119607artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Long before “diversity” was a buzzword for beauty brands, Jackie was championing dark-skinned women and men who never saw themselves represented in the makeup industry. </itunes:subtitle>
      <itunes:summary>Long before “diversity” was a buzzword for beauty brands, Jackie was championing dark-skinned women and men who never saw themselves represented in the makeup industry.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Long before “diversity” was a buzzword for beauty brands, Jackie was championing dark-skinned women and men who never saw themselves represented in the makeup industry. </p>]]>
      </content:encoded>
      <itunes:duration>1729</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ad4be33a-ef9d-4a68-ab80-16bd6649502f]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV6371191798.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>with director Roman Coppola</title>
      <description>As the son of legendary filmmaker Francis Ford Coppola, Roman's career seemed on track to follow directly in his father's footsteps--but that hasn't been quite the case.</description>
      <pubDate>Wed, 26 Sep 2018 07:00:00 -0000</pubDate>
      <itunes:title>with director Roman Coppola</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>8</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/c1db4c6e-ad87-11e9-9a11-5f4ff1060042/image/1537918273artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>As the son of legendary filmmaker Francis Ford Coppola, Roman's career seemed on track to follow directly in his father's footsteps--but that hasn't been quite the case.</itunes:subtitle>
      <itunes:summary>As the son of legendary filmmaker Francis Ford Coppola, Roman's career seemed on track to follow directly in his father's footsteps--but that hasn't been quite the case.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As the son of legendary filmmaker Francis Ford Coppola, Roman's career seemed on track to follow directly in his father's footsteps--but that hasn't been quite the case.</p>]]>
      </content:encoded>
      <itunes:duration>1737</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[36933f64-fd88-4782-82f8-e8959d801e4f]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV4407070263.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>with fashion director and designer Nicola Formichetti</title>
      <description>From Lady Gaga's famous meat dress to spearheading the creative vision of Mugler, Diesel, and Uniqlo to starting his own label Nicopanda, Nicola Formichetti has cemented himself within the fashion industry as a foremost stylist and artistic director.</description>
      <pubDate>Wed, 12 Sep 2018 07:33:00 -0000</pubDate>
      <itunes:title>with fashion director and designer Nicola Formichetti</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>7</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/c239dbee-ad87-11e9-9a11-b3fc234d55b8/image/1536718664artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>From Lady Gaga's famous meat dress to spearheading the creative vision of Mugler, Diesel, and Uniqlo to starting his own label Nicopanda, Nicola Formichetti has cemented himself within the fashion industry as a foremost stylist and artistic director. </itunes:subtitle>
      <itunes:summary>From Lady Gaga's famous meat dress to spearheading the creative vision of Mugler, Diesel, and Uniqlo to starting his own label Nicopanda, Nicola Formichetti has cemented himself within the fashion industry as a foremost stylist and artistic director.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From Lady Gaga's famous meat dress to spearheading the creative vision of Mugler, Diesel, and Uniqlo to starting his own label Nicopanda, Nicola Formichetti has cemented himself within the fashion industry as a foremost stylist and artistic director. </p>]]>
      </content:encoded>
      <itunes:duration>1799</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[aa5bff6f-cb39-494e-9a91-f3dfe9ffca66]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV8686088332.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>with actor Regina Hall</title>
      <description>We all know and love Regina Hall from her comedic work in films like "Girls Trip" or "Scary Movie." But for her latest role in the indie dramedy "Support the Girls" she’s pushing the boundaries of our expectations and her abilities as an actor. Regina breaks down how she approaches her characters and teases some upcoming projects she's been writing and producing.</description>
      <pubDate>Wed, 29 Aug 2018 14:00:00 -0000</pubDate>
      <itunes:title>with actor Regina Hall</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>6</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/c287410e-ad87-11e9-9a11-2bbc327ab4d8/image/1535509519artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>We all know and love Regina Hall from her comedic work in films like "Girls Trip" or "Scary Movie." But for her latest role in the indie dramedy "Support the Girls" she’s pushing the boundaries of our expectations and her abilities as an actor. Regina breaks down how she approaches her characters and teases some upcoming projects she's been writing and producing. </itunes:subtitle>
      <itunes:summary>We all know and love Regina Hall from her comedic work in films like "Girls Trip" or "Scary Movie." But for her latest role in the indie dramedy "Support the Girls" she’s pushing the boundaries of our expectations and her abilities as an actor. Regina breaks down how she approaches her characters and teases some upcoming projects she's been writing and producing.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We all know and love Regina Hall from her comedic work in films like "Girls Trip" or "Scary Movie." But for her latest role in the indie dramedy "Support the Girls" she’s pushing the boundaries of our expectations and her abilities as an actor. Regina breaks down how she approaches her characters and teases some upcoming projects she's been writing and producing. </p>]]>
      </content:encoded>
      <itunes:duration>1876</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b08d9c52-8022-4358-8f5d-9a986ddc5193]]></guid>
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    <item>
      <title>with photographer and filmmaker Lauren Greenfield </title>
      <description>Excess. Greed. Addiction. The American Dream isn’t what it used to be—and Lauren Greenfield’s new doc “Generation Wealth” takes a closer look to find out why.</description>
      <pubDate>Wed, 15 Aug 2018 07:00:00 -0000</pubDate>
      <itunes:title>with photographer and filmmaker Lauren Greenfield </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>5</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/c2ed8a72-ad87-11e9-9a11-f343a6a9bad2/image/1534286721artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Excess. Greed. Addiction. The American Dream isn’t what it used to be—and Lauren Greenfield’s new doc “Generation Wealth” takes a closer look to find out why. 
</itunes:subtitle>
      <itunes:summary>Excess. Greed. Addiction. The American Dream isn’t what it used to be—and Lauren Greenfield’s new doc “Generation Wealth” takes a closer look to find out why.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Excess. Greed. Addiction. The American Dream isn’t what it used to be—and Lauren Greenfield’s new doc “Generation Wealth” takes a closer look to find out why. 
</p>]]>
      </content:encoded>
      <itunes:duration>1392</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[ec5f70d0-595d-442d-b044-50b640bdcc67]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV7410865663.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>with filmmaker Terence Nance</title>
      <description>Tumble into the mind of visionary filmmaker Terence Nance, whose new HBO show, “Random Acts of Flyness,” is like nothing you’ve seen before—guaranteed.</description>
      <pubDate>Wed, 01 Aug 2018 07:00:00 -0000</pubDate>
      <itunes:title>with filmmaker Terence Nance</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>4</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/c3523ff8-ad87-11e9-9a11-6ffd08f01799/image/1533078661artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>Tumble into the mind of visionary filmmaker Terence Nance, whose new HBO show, “Random Acts of Flyness,” is like nothing you’ve seen before—guaranteed.</itunes:subtitle>
      <itunes:summary>Tumble into the mind of visionary filmmaker Terence Nance, whose new HBO show, “Random Acts of Flyness,” is like nothing you’ve seen before—guaranteed.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Tumble into the mind of visionary filmmaker Terence Nance, whose new HBO show, “Random Acts of Flyness,” is like nothing you’ve seen before—guaranteed.</p>]]>
      </content:encoded>
      <itunes:duration>1749</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[cc1abdaf-0ff4-41f8-beb2-e4e3ad38ac9d]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV1483063312.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>with composer Max Richter</title>
      <description>What makes Max Richter unique is that his creativity is matched only by his ambition, which lends a sense fearlessness to his work that, hopefully, will fuel your own creativity.</description>
      <pubDate>Wed, 18 Jul 2018 07:00:00 -0000</pubDate>
      <itunes:title>with composer Max Richter</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>3</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/c3a2b9ce-ad87-11e9-9a11-5bfd8a2d2e59/image/1531775543artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>What makes Max Richter unique is that his creativity is matched only by his ambition, which lends a sense fearlessness to his work that, hopefully, will fuel your own creativity.</itunes:subtitle>
      <itunes:summary>What makes Max Richter unique is that his creativity is matched only by his ambition, which lends a sense fearlessness to his work that, hopefully, will fuel your own creativity.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What makes Max Richter unique is that his creativity is matched only by his ambition, which lends a sense fearlessness to his work that, hopefully, will fuel your own creativity.</p>]]>
      </content:encoded>
      <itunes:duration>1995</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[b71284d8-21fe-4702-ba28-0bfd73e6cff3]]></guid>
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    </item>
    <item>
      <title>with showrunners Liz Flahive and Carly Mensch </title>
      <description>The creative tag team behind Netflix's "GLOW" is the definition of work spouse goals. In this episode, Flahive and Mensch explain how they've fine-tuned their collaborative dynamic to an art.</description>
      <pubDate>Wed, 27 Jun 2018 19:00:00 -0000</pubDate>
      <itunes:title>with showrunners Liz Flahive and Carly Mensch </itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:episode>2</itunes:episode>
      <itunes:author>Fast Company</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/c3f87f94-ad87-11e9-9a11-5fdeac6a4bee/image/1529949744artwork.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>The creative tag team behind Netflix's "GLOW" is the definition of work spouse goals. In this episode, Flahive and Mensch explain how they've fine-tuned their collaborative dynamic to an art.</itunes:subtitle>
      <itunes:summary>The creative tag team behind Netflix's "GLOW" is the definition of work spouse goals. In this episode, Flahive and Mensch explain how they've fine-tuned their collaborative dynamic to an art.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The creative tag team behind Netflix's "GLOW" is the definition of work spouse goals. In this episode, Flahive and Mensch explain how they've fine-tuned their collaborative dynamic to an art.</p>]]>
      </content:encoded>
      <itunes:duration>1689</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[a7e9a292-d956-47f1-85fb-6c4885b4dd0e]]></guid>
      <enclosure url="https://chrt.fm/track/84686C/traffic.megaphone.fm/MANV5862050577.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>with author David Sedaris</title>
      <description>Where you just see a slice of pizza on the ground, David Sedaris sees an essay in the making.</description>
      <pubDate>Wed, 13 Jun 2018 07:00:00 -0000</pubDate>
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      <pubDate>Fri, 01 Jun 2018 13:00:00 -0000</pubDate>
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