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    <title>Close Readings</title>
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    <language>en</language>
    <copyright>London Review of Books</copyright>
    <description>Close Readings is a new multi-series podcast subscription from the London Review of Books. Two contributors explore areas of literature through a selection of key works, providing an introductory grounding like no other. Listen to some episodes for free here, and extracts from our ongoing subscriber-only series.

How To Subscribe

In Apple Podcasts, click 'subscribe' at the top of this podcast feed to unlock the full episodes.

Or for other podcast apps, sign up here: https://lrb.me/closereadings

RUNNING IN 2026

'Who's afraid of realism?' with James Wood and guests

'Nature in Crisis' with Meehan Crist and Peter Godfrey-Smith

'Narrative Poems' with Seamus Perry and Mark Ford

'London Revisited' with Rosemary Hill and guests

Bonus Series: 'The Man Behind the Curtain' with Tom McCarthy and Thomas Jones

ALSO INCLUDED IN THE CLOSE READINGS SUBSCRIPTION:

'Conversations in Philosophy' with Jonathan Rée and James Wood

'Fiction and the Fantastic' with Marina Warner, Anna Della Subin, Adam Thirlwell and Chloe Aridjis

'Love and Death' with Seamus Perry and Mark Ford

'Novel Approaches' with Clare Bucknell, Thomas Jones and other guests

'Among the Ancients' with Emily Wilson and Thomas Jones

'Medieval Beginnings' with Irina Dumitrescu and Mary Wellesley

'The Long and Short' with Mark Ford and Seamus Perry

'Modern-ish Poets: Series 1' with Mark Ford and Seamus Perry

'Among the Ancients II' with Emily Wilson and Thomas Jones

'On Satire' with Colin Burrow and Clare Bucknell

'Human Conditions' with Adam Shatz, Judith Butler, Pankaj Mishra and Brent Hayes Edwards

'Political Poems' with Mark Ford and Seamus Perry

'Medieval LOLs' with Irina Dumitrescu and Mary Wellesley



Get in touch: podcasts@lrb.co.uk</description>
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    <itunes:author>London Review of Books</itunes:author>
    <itunes:summary>Close Readings is a new multi-series podcast subscription from the London Review of Books. Two contributors explore areas of literature through a selection of key works, providing an introductory grounding like no other. Listen to some episodes for free here, and extracts from our ongoing subscriber-only series.

How To Subscribe

In Apple Podcasts, click 'subscribe' at the top of this podcast feed to unlock the full episodes.

Or for other podcast apps, sign up here: https://lrb.me/closereadings

RUNNING IN 2026

'Who's afraid of realism?' with James Wood and guests

'Nature in Crisis' with Meehan Crist and Peter Godfrey-Smith

'Narrative Poems' with Seamus Perry and Mark Ford

'London Revisited' with Rosemary Hill and guests

Bonus Series: 'The Man Behind the Curtain' with Tom McCarthy and Thomas Jones

ALSO INCLUDED IN THE CLOSE READINGS SUBSCRIPTION:

'Conversations in Philosophy' with Jonathan Rée and James Wood

'Fiction and the Fantastic' with Marina Warner, Anna Della Subin, Adam Thirlwell and Chloe Aridjis

'Love and Death' with Seamus Perry and Mark Ford

'Novel Approaches' with Clare Bucknell, Thomas Jones and other guests

'Among the Ancients' with Emily Wilson and Thomas Jones

'Medieval Beginnings' with Irina Dumitrescu and Mary Wellesley

'The Long and Short' with Mark Ford and Seamus Perry

'Modern-ish Poets: Series 1' with Mark Ford and Seamus Perry

'Among the Ancients II' with Emily Wilson and Thomas Jones

'On Satire' with Colin Burrow and Clare Bucknell

'Human Conditions' with Adam Shatz, Judith Butler, Pankaj Mishra and Brent Hayes Edwards

'Political Poems' with Mark Ford and Seamus Perry

'Medieval LOLs' with Irina Dumitrescu and Mary Wellesley



Get in touch: podcasts@lrb.co.uk</itunes:summary>
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      <![CDATA[<p>Close Readings is a new multi-series podcast subscription from the <em>London Review of Books</em>. Two contributors explore areas of literature through a selection of key works, providing an introductory grounding like no other. Listen to some episodes for free here, and extracts from our ongoing subscriber-only series.</p>
<p><u>How To Subscribe</u></p>
<p>In Apple Podcasts, click 'subscribe' at the top of this podcast feed to unlock the full episodes.</p>
<p>Or for other podcast apps, sign up here: <a href="https://lrb.me/closereadings">https://lrb.me/closereadings</a></p>
<p>RUNNING IN 2026</p>
<p>'Who's afraid of realism?' with James Wood and guests</p>
<p>'Nature in Crisis' with Meehan Crist and Peter Godfrey-Smith</p>
<p>'Narrative Poems' with Seamus Perry and Mark Ford</p>
<p>'London Revisited' with Rosemary Hill and guests</p>
<p>Bonus Series: 'The Man Behind the Curtain' with Tom McCarthy and Thomas Jones</p>
<p>ALSO INCLUDED IN THE CLOSE READINGS SUBSCRIPTION:</p>
<p>'Conversations in Philosophy' with Jonathan Rée and James Wood</p>
<p>'Fiction and the Fantastic' with Marina Warner, Anna Della Subin, Adam Thirlwell and Chloe Aridjis</p>
<p>'Love and Death' with Seamus Perry and Mark Ford</p>
<p>'Novel Approaches' with Clare Bucknell, Thomas Jones and other guests</p>
<p>'Among the Ancients' with Emily Wilson and Thomas Jones</p>
<p>'Medieval Beginnings' with Irina Dumitrescu and Mary Wellesley</p>
<p>'The Long and Short' with Mark Ford and Seamus Perry</p>
<p>'Modern-ish Poets: Series 1' with Mark Ford and Seamus Perry</p>
<p>'Among the Ancients II' with Emily Wilson and Thomas Jones</p>
<p>'On Satire' with Colin Burrow and Clare Bucknell</p>
<p>'Human Conditions' with Adam Shatz, Judith Butler, Pankaj Mishra and Brent Hayes Edwards</p>
<p>'Political Poems' with Mark Ford and Seamus Perry</p>
<p>'Medieval LOLs' with Irina Dumitrescu and Mary Wellesley</p>
<p><br></p>
<p>Get in touch: podcasts@lrb.co.uk</p>]]>
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      <itunes:name>London Review of Books</itunes:name>
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      <title>Narrative Poems: ‘The Rape of the Lock’ by Alexander Pope</title>
      <description>Sometime in 1711, a twenty-year-old aristocrat, Lord Petre, snipped a lock of hair, without permission, from the head of Arabella Fermor, a celebrated beauty. The incident caused an irreconcilable rift between the two families, who were both Catholic. Shortly afterwards, the young poet Alexander Pope, also Catholic, was approached by a friend who suggested he turn the incident into a comic poem. The result was one of the bestselling poems of the age, ‘The Rape of the Lock’ (1712), a mock-epic that fused the grand styles of Homer, Virgil and Milton with an acerbic social satire, in which the gods are reimagined as airy sylphs guarding the honour of the heroine, Belinda.

William Hazlitt wrote of the poem that ‘you hardly know whether to laugh or weep’, and in this episode Seamus and Mark discuss why Pope's masterpiece is at once the funniest poem in the English language and an essay on the seriousness of trivial things.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up:

Apple Podcasts: https://lrb.me/applesignupnp

Other podcast apps: https://lrb.me/scsignupnp

Read more in the LRB:

Claude Rawson on 'The Rape of the Lock': https://lrb.me/nppope01

Colin Burrow on Pope: https://lrb.me/nppope02</description>
      <pubDate>Mon, 13 Apr 2026 09:57:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>19</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
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      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Sometime in 1711, a twenty-year-old aristocrat, Lord Petre, snipped a lock of hair, without permission, from the head of Arabella Fermor, a celebrated beauty. The incident caused an irreconcilable rift between the two families, who were both Catholic. Shortly afterwards, the young poet Alexander Pope, also Catholic, was approached by a friend who suggested he turn the incident into a comic poem. The result was one of the bestselling poems of the age, ‘The Rape of the Lock’ (1712), a mock-epic that fused the grand styles of Homer, Virgil and Milton with an acerbic social satire, in which the gods are reimagined as airy sylphs guarding the honour of the heroine, Belinda.

William Hazlitt wrote of the poem that ‘you hardly know whether to laugh or weep’, and in this episode Seamus and Mark discuss why Pope's masterpiece is at once the funniest poem in the English language and an essay on the seriousness of trivial things.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up:

Apple Podcasts: https://lrb.me/applesignupnp

Other podcast apps: https://lrb.me/scsignupnp

Read more in the LRB:

Claude Rawson on 'The Rape of the Lock': https://lrb.me/nppope01

Colin Burrow on Pope: https://lrb.me/nppope02</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Sometime in 1711, a twenty-year-old aristocrat, Lord Petre, snipped a lock of hair, without permission, from the head of Arabella Fermor, a celebrated beauty. The incident caused an irreconcilable rift between the two families, who were both Catholic. Shortly afterwards, the young poet Alexander Pope, also Catholic, was approached by a friend who suggested he turn the incident into a comic poem. The result was one of the bestselling poems of the age, ‘The Rape of the Lock’ (1712), a mock-epic that fused the grand styles of Homer, Virgil and Milton with an acerbic social satire, in which the gods are reimagined as airy sylphs guarding the honour of the heroine, Belinda.</p>
<p>William Hazlitt wrote of the poem that ‘you hardly know whether to laugh or weep’, and in this episode Seamus and Mark discuss why Pope's masterpiece is at once the funniest poem in the English language and an essay on the seriousness of trivial things.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up:</p>
<p>Apple Podcasts: <a href="https://lrb.me/applesignupnp">https://lrb.me/applesignupnp</a></p>
<p>Other podcast apps: <a href="https://lrb.me/scsignupnp">https://lrb.me/scsignupnp</a></p>
<p>Read more in the LRB:</p>
<p>Claude Rawson on 'The Rape of the Lock': <a href="https://lrb.me/nppope01">https://lrb.me/nppope01</a></p>
<p>Colin Burrow on Pope: <a href="https://lrb.me/nppope02">https://lrb.me/nppope02</a></p>]]>
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    <item>
      <title>Nature in Crisis: ‘The Burning Earth’ by Sunil Amrith</title>
      <description>The ‘great acceleration’ is a term used to describe the dramatic surge in the 1950s of both human and earth systems indicators that marked a shift from a relatively stable planetary state to one that's characterised by increasing environmental instability. Alongside measures of carbon dioxide, nitrous oxide and methane levels, this shift can be tracked in numerous other areas of human activity, such as GDP, financialisation, foreign direct investment and the spread of telecommunications.

In ‘The Burning Earth’ (2024), Sunil Amrith uses history as a way of understanding why we got to this moment, drawing on multiple strands of human activity over more than 500 years to trace the origins of environmental crisis. In this episode, Meehan and Peter interrogate some of Amrith’s major themes and examples, from the damaging impact of 18th-century ideas of freedom on our relationship to the natural world, to his analysis of postwar environmentalism through the figures of Hannah Arendt, Rachel Carson and Indira Gandhi.

Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ture⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠⁠ture

More from the LRB:

⁠https://www.lrb.co.uk/the-paper/v45/n24/alexander-bevilacqua/friend-or-food⁠

⁠https://www.lrb.co.uk/the-paper/v42/n22/pooja-bhatia/the-end-of-the-plantocracy⁠

⁠https://www.lrb.co.uk/the-paper/v39/n05/benjamin-kunkel/the-capitalocene⁠

Meehan Crist and Alison Bashford on Indira Gandhi and the anthropocene:

⁠https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/climate-politics-and-procreation-alison-bashford⁠

Recommendations for the London Review Bookshop from Sunil Amrith: ⁠https://www.londonreviewbookshop.co.uk/blog/2025/october/british-academy-book-prize-2025-sunil-amrith-s-reading-recommendations⁠</description>
      <pubDate>Mon, 06 Apr 2026 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>18</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/fc2491a8-2456-11f1-a2c6-77d92ba41421/image/28b8d03f9d1fe392b43aea78724e7131.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The ‘great acceleration’ is a term used to describe the dramatic surge in the 1950s of both human and earth systems indicators that marked a shift from a relatively stable planetary state to one that's characterised by increasing environmental instability. Alongside measures of carbon dioxide, nitrous oxide and methane levels, this shift can be tracked in numerous other areas of human activity, such as GDP, financialisation, foreign direct investment and the spread of telecommunications.

In ‘The Burning Earth’ (2024), Sunil Amrith uses history as a way of understanding why we got to this moment, drawing on multiple strands of human activity over more than 500 years to trace the origins of environmental crisis. In this episode, Meehan and Peter interrogate some of Amrith’s major themes and examples, from the damaging impact of 18th-century ideas of freedom on our relationship to the natural world, to his analysis of postwar environmentalism through the figures of Hannah Arendt, Rachel Carson and Indira Gandhi.

Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ture⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠⁠ture

More from the LRB:

⁠https://www.lrb.co.uk/the-paper/v45/n24/alexander-bevilacqua/friend-or-food⁠

⁠https://www.lrb.co.uk/the-paper/v42/n22/pooja-bhatia/the-end-of-the-plantocracy⁠

⁠https://www.lrb.co.uk/the-paper/v39/n05/benjamin-kunkel/the-capitalocene⁠

Meehan Crist and Alison Bashford on Indira Gandhi and the anthropocene:

⁠https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/climate-politics-and-procreation-alison-bashford⁠

Recommendations for the London Review Bookshop from Sunil Amrith: ⁠https://www.londonreviewbookshop.co.uk/blog/2025/october/british-academy-book-prize-2025-sunil-amrith-s-reading-recommendations⁠</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The ‘great acceleration’ is a term used to describe the dramatic surge in the 1950s of both human and earth systems indicators that marked a shift from a relatively stable planetary state to one that's characterised by increasing environmental instability. Alongside measures of carbon dioxide, nitrous oxide and methane levels, this shift can be tracked in numerous other areas of human activity, such as GDP, financialisation, foreign direct investment and the spread of telecommunications.</p>
<p>In ‘The Burning Earth’ (2024), Sunil Amrith uses history as a way of understanding why we got to this moment, drawing on multiple strands of human activity over more than 500 years to trace the origins of environmental crisis. In this episode, Meehan and Peter interrogate some of Amrith’s major themes and examples, from the damaging impact of 18th-century ideas of freedom on our relationship to the natural world, to his analysis of postwar environmentalism through the figures of Hannah Arendt, Rachel Carson and Indira Gandhi.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:</p>
<p>Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠<a href="https://lrb.me/applecrna%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0ture">⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ture⁠⁠</a></p>
<p>In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠<a href="https://lrb.me/closereadingsna%E2%81%A0%E2%81%A0%E2%81%A0ture">⁠⁠https://lrb.me/closereadingsna⁠⁠⁠ture</a></p>
<p>More from the LRB:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v45/n24/alexander-bevilacqua/friend-or-food">⁠https://www.lrb.co.uk/the-paper/v45/n24/alexander-bevilacqua/friend-or-food⁠</a></p>
<p><a href="https://www.lrb.co.uk/the-paper/v42/n22/pooja-bhatia/the-end-of-the-plantocracy">⁠https://www.lrb.co.uk/the-paper/v42/n22/pooja-bhatia/the-end-of-the-plantocracy⁠</a></p>
<p><a href="https://www.lrb.co.uk/the-paper/v39/n05/benjamin-kunkel/the-capitalocene">⁠https://www.lrb.co.uk/the-paper/v39/n05/benjamin-kunkel/the-capitalocene⁠</a></p>
<p>Meehan Crist and Alison Bashford on Indira Gandhi and the anthropocene:</p>
<p><a href="https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/climate-politics-and-procreation-alison-bashford">⁠https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/climate-politics-and-procreation-alison-bashford⁠</a></p>
<p>Recommendations for the London Review Bookshop from Sunil Amrith: <a href="https://www.londonreviewbookshop.co.uk/blog/2025/october/british-academy-book-prize-2025-sunil-amrith-s-reading-recommendations">⁠https://www.londonreviewbookshop.co.uk/blog/2025/october/british-academy-book-prize-2025-sunil-amrith-s-reading-recommendations⁠</a></p>]]>
      </content:encoded>
      <itunes:duration>774</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Who’s afraid of realism? Three stories by Anton Chekhov</title>
      <description>‘Instead of sheets – dirty tablecloths.’ The notebooks of Anton Chekhov are full of enigmatic observations such as this, the unexplained details that suggest a whole scene, short story or character. When asked by an actor how he should play the role of Trigorin in The Seagull, Chekhov simply answered: ‘he wears checked trousers’. As James Wood argues, this mastery of the telling detail is central to Chekhov’s radical realism. Unlike Flaubert and Ibsen, Chekhov sought to avoid imposing authorial meaning or irony, instead handing over perception to his characters. In this episode, James looks at three of Chekhov’s stories, ‘Gusev’ (1890), ‘The Bishop’ (1902) and ‘The Lady with the Little Dog’ (1899), and the ways in which each seeks to curb the judgment or expectations of the reader to foreground the experiences of his characters, even beyond death.

Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:

Apple Podcasts: https://lrb.me/applecrwaor

Other podcast apps: https://lrb.me/closereadingswaor

Further reading in the LRB:

John Bayley on Chekhov's stories: https://lrb.me/realismep401

Donald Rayfield on Chekhov's love letters: https://lrb.me/realismep402

Joseph Frank on Chekhov's life: https://lrb.me/realismep403

James Wood on Chekhov's life: https://lrb.me/realismep404</description>
      <pubDate>Mon, 30 Mar 2026 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>17</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/f7593cce-2a72-11f1-961e-139d93843542/image/6fa5596f2a28889bcb04b4b253bbebf1.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>‘Instead of sheets – dirty tablecloths.’ The notebooks of Anton Chekhov are full of enigmatic observations such as this, the unexplained details that suggest a whole scene, short story or character. When asked by an actor how he should play the role of Trigorin in The Seagull, Chekhov simply answered: ‘he wears checked trousers’. As James Wood argues, this mastery of the telling detail is central to Chekhov’s radical realism. Unlike Flaubert and Ibsen, Chekhov sought to avoid imposing authorial meaning or irony, instead handing over perception to his characters. In this episode, James looks at three of Chekhov’s stories, ‘Gusev’ (1890), ‘The Bishop’ (1902) and ‘The Lady with the Little Dog’ (1899), and the ways in which each seeks to curb the judgment or expectations of the reader to foreground the experiences of his characters, even beyond death.

Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:

Apple Podcasts: https://lrb.me/applecrwaor

Other podcast apps: https://lrb.me/closereadingswaor

Further reading in the LRB:

John Bayley on Chekhov's stories: https://lrb.me/realismep401

Donald Rayfield on Chekhov's love letters: https://lrb.me/realismep402

Joseph Frank on Chekhov's life: https://lrb.me/realismep403

James Wood on Chekhov's life: https://lrb.me/realismep404</itunes:summary>
      <content:encoded>
        <![CDATA[<p>‘Instead of sheets – dirty tablecloths.’ The notebooks of Anton Chekhov are full of enigmatic observations such as this, the unexplained details that suggest a whole scene, short story or character. When asked by an actor how he should play the role of Trigorin in <em>The Seagull</em>, Chekhov simply answered: ‘he wears checked trousers’. As James Wood argues, this mastery of the telling detail is central to Chekhov’s radical realism. Unlike Flaubert and Ibsen, Chekhov sought to avoid imposing authorial meaning or irony, instead handing over perception to his characters. In this episode, James looks at three of Chekhov’s stories, ‘Gusev’ (1890), ‘The Bishop’ (1902) and ‘The Lady with the Little Dog’ (1899), and the ways in which each seeks to curb the judgment or expectations of the reader to foreground the experiences of his characters, even beyond death.</p>
<p>Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:</p>
<p>Apple Podcasts: <a href="https://lrb.me/applecrwaor">https://lrb.me/applecrwaor</a></p>
<p>Other podcast apps: <a href="https://lrb.me/closereadingswaor">https://lrb.me/closereadingswaor</a></p>
<p>Further reading in the LRB:</p>
<p>John Bayley on Chekhov's stories: <a href="https://lrb.me/realismep401">https://lrb.me/realismep401</a></p>
<p>Donald Rayfield on Chekhov's love letters: <a href="https://lrb.me/realismep402">https://lrb.me/realismep402</a></p>
<p>Joseph Frank on Chekhov's life: <a href="https://lrb.me/realismep403">https://lrb.me/realismep403</a></p>
<p>James Wood on Chekhov's life: <a href="https://lrb.me/realismep404">https://lrb.me/realismep404</a></p>]]>
      </content:encoded>
      <itunes:duration>1430</itunes:duration>
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    </item>
    <item>
      <title>London Revisited: The Medieval Capital</title>
      <description>When the Angles, Saxons and Jutes began settling across England in the wake of the Roman retreat in the early fifth century, the city they found on the north bank of the Thames was hardly a city at all. Within its walls were the great abandoned ruins of antiquity, ‘the works of giants’ as one Anglo-Saxon poet put it, and little else. For hundreds of years the site was patchily inhabited, but two features indicated its future importance. In 604, the first Bishop of London was appointed, leading to the continuous presence of Christianity and the founding of St Paul’s Cathedral; and down the river, the emergence of the Anglo-Saxon settlement of Lundenwic near where Covent Garden is today confirmed the area’s prime position as a trading centre.

By the time Alfred repelled the Danes in the ninth century, London’s value had been realised, and the symbolic movement of the royal court from Winchester to Westminster under Edward the Confessor set London’s trajectory. In this episode, Rosemary is joined by Matthew Davies, professor of urban history at Birkbeck, to trace this story of London through the multiple invasions, grand projects and power struggles that took it from a field of ruins to a flourishing medieval capital.

Reading by Duncan Wilkins

Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Apple Podcasts: https://lrb.me/applesignuplr

Other podcast apps: https://lrb.me/scsignuplr

Further reading in the LRB:

Eamon Duffy on Westminster: https://lrb.me/lrep301

Ferdinand Mount on Henry III: https://lrb.me/lrep304

Tom Shippey on Alfred: https://lrb.me/lrep302

Ysenda Maxtone Graham on the Strand: https://lrb.me/lrep303

Get in touch: podcasts@lrb.co.uk</description>
      <pubDate>Mon, 23 Mar 2026 11:29:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>20</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/16618f12-26aa-11f1-8616-73c12cc52654/image/abfa7b5271647a874e9ac4dfe6c72aa5.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>When the Angles, Saxons and Jutes began settling across England in the wake of the Roman retreat in the early fifth century, the city they found on the north bank of the Thames was hardly a city at all. Within its walls were the great abandoned ruins of antiquity, ‘the works of giants’ as one Anglo-Saxon poet put it, and little else. For hundreds of years the site was patchily inhabited, but two features indicated its future importance. In 604, the first Bishop of London was appointed, leading to the continuous presence of Christianity and the founding of St Paul’s Cathedral; and down the river, the emergence of the Anglo-Saxon settlement of Lundenwic near where Covent Garden is today confirmed the area’s prime position as a trading centre.

By the time Alfred repelled the Danes in the ninth century, London’s value had been realised, and the symbolic movement of the royal court from Winchester to Westminster under Edward the Confessor set London’s trajectory. In this episode, Rosemary is joined by Matthew Davies, professor of urban history at Birkbeck, to trace this story of London through the multiple invasions, grand projects and power struggles that took it from a field of ruins to a flourishing medieval capital.

Reading by Duncan Wilkins

Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Apple Podcasts: https://lrb.me/applesignuplr

Other podcast apps: https://lrb.me/scsignuplr

Further reading in the LRB:

Eamon Duffy on Westminster: https://lrb.me/lrep301

Ferdinand Mount on Henry III: https://lrb.me/lrep304

Tom Shippey on Alfred: https://lrb.me/lrep302

Ysenda Maxtone Graham on the Strand: https://lrb.me/lrep303

Get in touch: podcasts@lrb.co.uk</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When the Angles, Saxons and Jutes began settling across England in the wake of the Roman retreat in the early fifth century, the city they found on the north bank of the Thames was hardly a city at all. Within its walls were the great abandoned ruins of antiquity, ‘the works of giants’ as one Anglo-Saxon poet put it, and little else. For hundreds of years the site was patchily inhabited, but two features indicated its future importance. In 604, the first Bishop of London was appointed, leading to the continuous presence of Christianity and the founding of St Paul’s Cathedral; and down the river, the emergence of the Anglo-Saxon settlement of Lundenwic near where Covent Garden is today confirmed the area’s prime position as a trading centre.</p>
<p>By the time Alfred repelled the Danes in the ninth century, London’s value had been realised, and the symbolic movement of the royal court from Winchester to Westminster under Edward the Confessor set London’s trajectory. In this episode, Rosemary is joined by Matthew Davies, professor of urban history at Birkbeck, to trace this story of London through the multiple invasions, grand projects and power struggles that took it from a field of ruins to a flourishing medieval capital.</p>
<p>Reading by Duncan Wilkins</p>
<p>Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:</p>
<p>Apple Podcasts: <a href="https://lrb.me/applesignuplr">https://lrb.me/applesignuplr</a></p>
<p>Other podcast apps: <a href="https://lrb.me/scsignuplr">https://lrb.me/scsignuplr</a></p>
<p>Further reading in the LRB:</p>
<p>Eamon Duffy on Westminster: <a href="https://lrb.me/lrep301">https://lrb.me/lrep301</a></p>
<p>Ferdinand Mount on Henry III: <a href="https://lrb.me/lrep304">https://lrb.me/lrep304</a></p>
<p>Tom Shippey on Alfred: <a href="https://lrb.me/lrep302">https://lrb.me/lrep302</a></p>
<p>Ysenda Maxtone Graham on the Strand: <a href="https://lrb.me/lrep303">https://lrb.me/lrep303</a></p>
<p>Get in touch: podcasts@lrb.co.uk</p>]]>
      </content:encoded>
      <itunes:duration>1469</itunes:duration>
      <guid isPermaLink="false"><![CDATA[16618f12-26aa-11f1-8616-73c12cc52654]]></guid>
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    </item>
    <item>
      <title>Narrative Poems: ‘Paradise Lost’ (Book 9) by John Milton</title>
      <description>When Milton came to describe Eve’s tasting of the forbidden fruit, he knew he couldn’t rely on suspense to grip the reader. Instead, he used multiple genres and perspectives to interrogate the moral and emotional significance of ‘man’s first disobedience’, self-consciously drawing on the resources of Renaissance tragedy, pastoral and love poetry to achieve his great innovation, the Christian epic. In this episode, Seamus and Mark look at the ways in which Milton’s study of temptation and free will became an unparalleled expression of poetic brilliance, from its thrillingly ambiguous and seductive depiction of Satan to its vivid dramatisation of the reproachful lovers confronting the consequences of their misdeeds, and ultimately its claim to being the finest love poem in English.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up:

Apple Podcasts: https://lrb.me/applesignupnp

Other podcast apps: https://lrb.me/scsignupnp

Read more in the LRB:

Colin Burrow: Loving Milton https://lrb.me/npmilton01

Tom Paulin: Milton and the Regicides: https://lrb.me/mpmilton02

Tobias Gregory: Milton’s Theology: https://lrb.me/npmilton03

Get in touch: podcasts@lrb.co.uk</description>
      <pubDate>Mon, 16 Mar 2026 13:33:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>19</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/2cf053b4-2130-11f1-aeed-3f12a0c1e043/image/81933e591c007c2aad4dc838d806892f.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>When Milton came to describe Eve’s tasting of the forbidden fruit, he knew he couldn’t rely on suspense to grip the reader. Instead, he used multiple genres and perspectives to interrogate the moral and emotional significance of ‘man’s first disobedience’, self-consciously drawing on the resources of Renaissance tragedy, pastoral and love poetry to achieve his great innovation, the Christian epic. In this episode, Seamus and Mark look at the ways in which Milton’s study of temptation and free will became an unparalleled expression of poetic brilliance, from its thrillingly ambiguous and seductive depiction of Satan to its vivid dramatisation of the reproachful lovers confronting the consequences of their misdeeds, and ultimately its claim to being the finest love poem in English.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up:

Apple Podcasts: https://lrb.me/applesignupnp

Other podcast apps: https://lrb.me/scsignupnp

Read more in the LRB:

Colin Burrow: Loving Milton https://lrb.me/npmilton01

Tom Paulin: Milton and the Regicides: https://lrb.me/mpmilton02

Tobias Gregory: Milton’s Theology: https://lrb.me/npmilton03

Get in touch: podcasts@lrb.co.uk</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When Milton came to describe Eve’s tasting of the forbidden fruit, he knew he couldn’t rely on suspense to grip the reader. Instead, he used multiple genres and perspectives to interrogate the moral and emotional significance of ‘man’s first disobedience’, self-consciously drawing on the resources of Renaissance tragedy, pastoral and love poetry to achieve his great innovation, the Christian epic. In this episode, Seamus and Mark look at the ways in which Milton’s study of temptation and free will became an unparalleled expression of poetic brilliance, from its thrillingly ambiguous and seductive depiction of Satan to its vivid dramatisation of the reproachful lovers confronting the consequences of their misdeeds, and ultimately its claim to being the finest love poem in English.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up:</p>
<p>Apple Podcasts: <a href="https://lrb.me/applesignupnp">https://lrb.me/applesignupnp</a></p>
<p>Other podcast apps: <a href="https://lrb.me/scsignupnp">https://lrb.me/scsignupnp</a></p>
<p>Read more in the LRB:</p>
<p>Colin Burrow: Loving Milton <a href="https://lrb.me/npmilton01">https://lrb.me/npmilton01</a></p>
<p>Tom Paulin: Milton and the Regicides: <a href="https://lrb.me/mpmilton02">https://lrb.me/mpmilton02</a></p>
<p>Tobias Gregory: Milton’s Theology: <a href="https://lrb.me/npmilton03">https://lrb.me/npmilton03</a></p>
<p>Get in touch: podcasts@lrb.co.uk</p>]]>
      </content:encoded>
      <itunes:duration>986</itunes:duration>
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    </item>
    <item>
      <title>Nature in Crisis: ‘Blue Machine’ by Helen Czerski</title>
      <description>In Blue Machine (2024), Helen Czerski refigures the ocean as an enormous planetary engine, converting light and heat into motion. Her book invites us to see the ocean not as an ‘absence’ but an intricate series of operations that makes life as we know it possible.

In this episode, Meehan Crist and Peter Godfrey-Smith reflect on the ways Czerski’s book has altered their thinking about the ocean, and whether new perspectives can ever be enough to change public policy.



Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:



Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ture

In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠⁠ture



Get the book: https://lrb.me/czerskicr



More from the LRB:



Richard Hamblyn on deep-sea exploration:

https://www.lrb.co.uk/the-paper/v27/n21/richard-hamblyn/hurrah-for-the-dredge



Katherine Rundell on the greenland shark:

https://www.lrb.co.uk/the-paper/v42/n09/katherine-rundell/consider-the-greenland-shark



Liam Shaw on coral:

https://www.lrb.co.uk/the-paper/v44/n22/liam-shaw/in-the-photic-zone



Amia Srinivasan reviews Peter’s book on octopus minds:

https://www.lrb.co.uk/the-paper/v39/n17/amia-srinivasan/the-sucker-the-sucker



Film: Forecasting D-Day

https://www.lrb.co.uk/podcasts-and-videos/videos/lrb-films-interviews/forecasting-d-day



Next episode: ‘The Burning Earth’ by Sunil Amrith

https://lrb.me/amrithcr</description>
      <pubDate>Mon, 09 Mar 2026 06:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>18</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/6ebcbcd4-1162-11f1-884d-cf93b1406c8e/image/41af6cc064f42c2fe0ecdd36a8fb5fd0.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In Blue Machine (2024), Helen Czerski refigures the ocean as an enormous planetary engine, converting light and heat into motion. Her book invites us to see the ocean not as an ‘absence’ but an intricate series of operations that makes life as we know it possible.

In this episode, Meehan Crist and Peter Godfrey-Smith reflect on the ways Czerski’s book has altered their thinking about the ocean, and whether new perspectives can ever be enough to change public policy.



Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:



Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ture

In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠⁠ture



Get the book: https://lrb.me/czerskicr



More from the LRB:



Richard Hamblyn on deep-sea exploration:

https://www.lrb.co.uk/the-paper/v27/n21/richard-hamblyn/hurrah-for-the-dredge



Katherine Rundell on the greenland shark:

https://www.lrb.co.uk/the-paper/v42/n09/katherine-rundell/consider-the-greenland-shark



Liam Shaw on coral:

https://www.lrb.co.uk/the-paper/v44/n22/liam-shaw/in-the-photic-zone



Amia Srinivasan reviews Peter’s book on octopus minds:

https://www.lrb.co.uk/the-paper/v39/n17/amia-srinivasan/the-sucker-the-sucker



Film: Forecasting D-Day

https://www.lrb.co.uk/podcasts-and-videos/videos/lrb-films-interviews/forecasting-d-day



Next episode: ‘The Burning Earth’ by Sunil Amrith

https://lrb.me/amrithcr</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <em>Blue Machine</em> (2024), Helen Czerski refigures the ocean as an enormous planetary engine, converting light and heat into motion. Her book invites us to see the ocean not as an ‘absence’ but an intricate series of operations that makes life as we know it possible.</p>
<p>In this episode, Meehan Crist and Peter Godfrey-Smith reflect on the ways Czerski’s book has altered their thinking about the ocean, and whether new perspectives can ever be enough to change public policy.</p>
<p><br></p>
<p>Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:</p>
<p><br></p>
<p>Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠<a href="https://lrb.me/applecrna%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0ture">https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ture</a></p>
<p>In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠<a href="https://lrb.me/closereadingsna%E2%81%A0%E2%81%A0%E2%81%A0ture">https://lrb.me/closereadingsna⁠⁠⁠ture</a></p>
<p><br></p>
<p>Get the book: <a href="https://lrb.me/czerskicr">https://lrb.me/czerskicr</a></p>
<p><br></p>
<p><strong>More from the LRB:</strong></p>
<p><br></p>
<p>Richard Hamblyn on deep-sea exploration:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v27/n21/richard-hamblyn/hurrah-for-the-dredge">https://www.lrb.co.uk/the-paper/v27/n21/richard-hamblyn/hurrah-for-the-dredge</a></p>
<p><br></p>
<p>Katherine Rundell on the greenland shark:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v42/n09/katherine-rundell/consider-the-greenland-shark">https://www.lrb.co.uk/the-paper/v42/n09/katherine-rundell/consider-the-greenland-shark</a></p>
<p><br></p>
<p>Liam Shaw on coral:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v44/n22/liam-shaw/in-the-photic-zone">https://www.lrb.co.uk/the-paper/v44/n22/liam-shaw/in-the-photic-zone</a></p>
<p><br></p>
<p>Amia Srinivasan reviews Peter’s book on octopus minds:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v39/n17/amia-srinivasan/the-sucker-the-sucker">https://www.lrb.co.uk/the-paper/v39/n17/amia-srinivasan/the-sucker-the-sucker</a></p>
<p><br></p>
<p>Film: Forecasting D-Day</p>
<p><a href="https://www.lrb.co.uk/podcasts-and-videos/videos/lrb-films-interviews/forecasting-d-day">https://www.lrb.co.uk/podcasts-and-videos/videos/lrb-films-interviews/forecasting-d-day</a></p>
<p><br></p>
<p>Next episode: ‘The Burning Earth’ by Sunil Amrith</p>
<p><a href="https://lrb.me/amrithcr">https://lrb.me/amrithcr</a></p>]]>
      </content:encoded>
      <itunes:duration>911</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Who’s afraid of realism? ‘Notes from Underground’ by Fyodor Dostoevsky</title>
      <description>Dostoevsky’s 1864 novella doesn’t contain the descriptive detail, impersonal narration or many other features of 19th-century realism established by Flaubert. The book’s two-part structure, which starts with a 40-year-old’s furious rant against rationalism and moves on to present three humiliating episodes from his earlier life, offers no kind of conclusion. Instead, it is the unbearable moments of psychological truth that make ‘Notes from Underground’ a revolutionary development in the history of realism.

In this episode, James Wood is joined by the novelist and critic Adam Thirlwell to consider Dostoevsky’s mastery of the inner life and the experiences that shaped his hostility to rational egoism, from being subjected to a mock execution and four years in a Siberian prison camp to his reading of Hegel and a visit to London’s Crystal Palace.

Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:

Apple Podcasts: https://lrb.me/applecrwaor

Other podcast apps: https://lrb.me/closereadingswaor

Read more in the LRB on Dostoevsky:

John Bayley: https://lrb.me/realismep301

Daniel Soar: https://lrb.me/realismep302

Michael Wood: https://lrb.me/realismep303</description>
      <pubDate>Mon, 02 Mar 2026 11:54:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>17</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e0e3a51e-162d-11f1-9ce8-2f4185bc94d3/image/8e10005e68506f5c2e6286a1d5b4d9ab.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Dostoevsky’s 1864 novella doesn’t contain the descriptive detail, impersonal narration or many other features of 19th-century realism established by Flaubert. The book’s two-part structure, which starts with a 40-year-old’s furious rant against rationalism and moves on to present three humiliating episodes from his earlier life, offers no kind of conclusion. Instead, it is the unbearable moments of psychological truth that make ‘Notes from Underground’ a revolutionary development in the history of realism.

In this episode, James Wood is joined by the novelist and critic Adam Thirlwell to consider Dostoevsky’s mastery of the inner life and the experiences that shaped his hostility to rational egoism, from being subjected to a mock execution and four years in a Siberian prison camp to his reading of Hegel and a visit to London’s Crystal Palace.

Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:

Apple Podcasts: https://lrb.me/applecrwaor

Other podcast apps: https://lrb.me/closereadingswaor

Read more in the LRB on Dostoevsky:

John Bayley: https://lrb.me/realismep301

Daniel Soar: https://lrb.me/realismep302

Michael Wood: https://lrb.me/realismep303</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Dostoevsky’s 1864 novella doesn’t contain the descriptive detail, impersonal narration or many other features of 19th-century realism established by Flaubert. The book’s two-part structure, which starts with a 40-year-old’s furious rant against rationalism and moves on to present three humiliating episodes from his earlier life, offers no kind of conclusion. Instead, it is the unbearable moments of psychological truth that make ‘Notes from Underground’ a revolutionary development in the history of realism.</p>
<p>In this episode, James Wood is joined by the novelist and critic Adam Thirlwell to consider Dostoevsky’s mastery of the inner life and the experiences that shaped his hostility to rational egoism, from being subjected to a mock execution and four years in a Siberian prison camp to his reading of Hegel and a visit to London’s Crystal Palace.</p>
<p>Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:</p>
<p>Apple Podcasts: <a href="https://lrb.me/applecrwaor">https://lrb.me/applecrwaor</a></p>
<p>Other podcast apps: <a href="https://lrb.me/closereadingswaor">https://lrb.me/closereadingswaor</a></p>
<p>Read more in the LRB on Dostoevsky:</p>
<p>John Bayley: <a href="https://lrb.me/realismep301">https://lrb.me/realismep301</a></p>
<p>Daniel Soar: <a href="https://lrb.me/realismep302">https://lrb.me/realismep302</a></p>
<p>Michael Wood: <a href="https://lrb.me/realismep303">https://lrb.me/realismep303</a></p>]]>
      </content:encoded>
      <itunes:duration>1217</itunes:duration>
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    <item>
      <title>London Revisited: Mosaics, Archers and a Walled Garden</title>
      <description>After Roman London was hit by a catastrophic fire in about 125 AD, perhaps the result of another local revolt, it entered a new period of sophistication which saw the emergence of elaborate townhouses for its mercantile and administrative elite, richly embellished with mosaics and wall paintings. But the city had stopped growing, and when a devastating plague arrived in about 165 AD, which may well have been Europe’s first encounter with smallpox, it was probably already on a long slow decline caused by its diminishing importance as a trading hub.

To continue Roman London’s story to its eventual fate as an abandoned walled garden, Rosemary Hill is joined again by Dominic Perring, author of 'London in the Roman World', to consider what objects such as a Greek spell found on the Thames foreshore, and a small bronze archer found in Cheapside, can tell us about the fortunes of the city, and why the construction of the London Wall in the early third century marked a terminal transformation of its role in the Roman Empire.

Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Apple Podcasts: https://lrb.me/applesignuplr

Other podcast apps: https://lrb.me/scsignuplr</description>
      <pubDate>Mon, 23 Feb 2026 11:14:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>20</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/24501d0e-109e-11f1-bae2-cb56a891675d/image/abfa7b5271647a874e9ac4dfe6c72aa5.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>After Roman London was hit by a catastrophic fire in about 125 AD, perhaps the result of another local revolt, it entered a new period of sophistication which saw the emergence of elaborate townhouses for its mercantile and administrative elite, richly embellished with mosaics and wall paintings. But the city had stopped growing, and when a devastating plague arrived in about 165 AD, which may well have been Europe’s first encounter with smallpox, it was probably already on a long slow decline caused by its diminishing importance as a trading hub.

To continue Roman London’s story to its eventual fate as an abandoned walled garden, Rosemary Hill is joined again by Dominic Perring, author of 'London in the Roman World', to consider what objects such as a Greek spell found on the Thames foreshore, and a small bronze archer found in Cheapside, can tell us about the fortunes of the city, and why the construction of the London Wall in the early third century marked a terminal transformation of its role in the Roman Empire.

Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Apple Podcasts: https://lrb.me/applesignuplr

Other podcast apps: https://lrb.me/scsignuplr</itunes:summary>
      <content:encoded>
        <![CDATA[<p>After Roman London was hit by a catastrophic fire in about 125 AD, perhaps the result of another local revolt, it entered a new period of sophistication which saw the emergence of elaborate townhouses for its mercantile and administrative elite, richly embellished with mosaics and wall paintings. But the city had stopped growing, and when a devastating plague arrived in about 165 AD, which may well have been Europe’s first encounter with smallpox, it was probably already on a long slow decline caused by its diminishing importance as a trading hub.</p>
<p>To continue Roman London’s story to its eventual fate as an abandoned walled garden, Rosemary Hill is joined again by Dominic Perring, author of 'London in the Roman World', to consider what objects such as a Greek spell found on the Thames foreshore, and a small bronze archer found in Cheapside, can tell us about the fortunes of the city, and why the construction of the London Wall in the early third century marked a terminal transformation of its role in the Roman Empire.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:</p>
<p>Apple Podcasts: <a href="https://lrb.me/applesignuplr">https://lrb.me/applesignuplr</a></p>
<p>Other podcast apps: <a href="https://lrb.me/scsignuplr">https://lrb.me/scsignuplr</a></p>]]>
      </content:encoded>
      <itunes:duration>1123</itunes:duration>
      <guid isPermaLink="false"><![CDATA[24501d0e-109e-11f1-bae2-cb56a891675d]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB2129891313.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Narrative Poems: 'Venus and Adonis' and 'The Rape of Lucrece' by William Shakespeare</title>
      <description>Like Christopher Marlowe, William Shakespeare made good use of his time off when the theatres were shut for plague in 1593. 'Venus and Adonis' appeared in quarto that year and become by far the most popular work Shakespeare published in his lifetime, running to ten editions before his death (compared to just four for Romeo and Juliet). In this episode, Seamus and Mark consider the many ways in which Shakespeare’s poem displays its author's remarkable originality, from its peculiar reshaping of the Ovidian myth into a tale of comic mismatch, to its surprising diversion into the psychology of grief. They then look at his disturbing follow-up, 'The Rape of Lucrece' (1594), in which a chilling depiction of self-conscious, premeditated evil anticipates characters such as Iago and Macbeth.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up:

Apple Podcasts: https://lrb.me/applesignupnp

Other podcast apps: https://lrb.me/scsignupnp

Further reading in the LRB:

Stephen Orgel on Shakespeare's poems: https://lrb.me/npshakespeare01

Barbara Everett on the sonnets: https://lrb.me/npshakespeare02</description>
      <pubDate>Mon, 16 Feb 2026 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>19</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/3f7f414e-08f7-11f1-81f9-fb989cd00f73/image/81933e591c007c2aad4dc838d806892f.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Like Christopher Marlowe, William Shakespeare made good use of his time off when the theatres were shut for plague in 1593. 'Venus and Adonis' appeared in quarto that year and become by far the most popular work Shakespeare published in his lifetime, running to ten editions before his death (compared to just four for Romeo and Juliet). In this episode, Seamus and Mark consider the many ways in which Shakespeare’s poem displays its author's remarkable originality, from its peculiar reshaping of the Ovidian myth into a tale of comic mismatch, to its surprising diversion into the psychology of grief. They then look at his disturbing follow-up, 'The Rape of Lucrece' (1594), in which a chilling depiction of self-conscious, premeditated evil anticipates characters such as Iago and Macbeth.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up:

Apple Podcasts: https://lrb.me/applesignupnp

Other podcast apps: https://lrb.me/scsignupnp

Further reading in the LRB:

Stephen Orgel on Shakespeare's poems: https://lrb.me/npshakespeare01

Barbara Everett on the sonnets: https://lrb.me/npshakespeare02</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Like Christopher Marlowe, William Shakespeare made good use of his time off when the theatres were shut for plague in 1593. 'Venus and Adonis' appeared in quarto that year and become by far the most popular work Shakespeare published in his lifetime, running to ten editions before his death (compared to just four for Romeo and Juliet). In this episode, Seamus and Mark consider the many ways in which Shakespeare’s poem displays its author's remarkable originality, from its peculiar reshaping of the Ovidian myth into a tale of comic mismatch, to its surprising diversion into the psychology of grief. They then look at his disturbing follow-up, 'The Rape of Lucrece' (1594), in which a chilling depiction of self-conscious, premeditated evil anticipates characters such as Iago and Macbeth.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up:</p>
<p>Apple Podcasts: <a href="https://lrb.me/applesignupnp">https://lrb.me/applesignupnp</a></p>
<p>Other podcast apps: <a href="https://lrb.me/scsignupnp">https://lrb.me/scsignupnp</a></p>
<p>Further reading in the LRB:</p>
<p>Stephen Orgel on Shakespeare's poems: <a href="https://lrb.me/npshakespeare01">https://lrb.me/npshakespeare01</a></p>
<p>Barbara Everett on the sonnets: <a href="https://lrb.me/npshakespeare01">https://lrb.me/npshakespeare02</a></p>]]>
      </content:encoded>
      <itunes:duration>1150</itunes:duration>
      <guid isPermaLink="false"><![CDATA[3f7f414e-08f7-11f1-81f9-fb989cd00f73]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB3491707927.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Nature in Crisis: ‘The Light Eaters’ by Zoë Schlanger</title>
      <description>In The Light Eaters (2024), Zoë Schlanger reports from the frontiers of botany, where researchers are discovering forms of sensing, signalling and responding that challenge our ideas of plants as passive life forms. Meehan Crist and Peter Godfrey-Smith explore Schlanger’s account of new research into plant behaviour. They examine the case for plant agency – and the far more speculative claims for plant consciousness – and attempt to make sense of some astonishing discoveries.

Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ture

In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠⁠ture



Get the book: https://lrb.me/schlangercr



Further reading from the LRB:

Francis Gooding on mushroom brains:

https://www.lrb.co.uk/the-paper/v43/n10/francis-gooding/from-its-myriad-tips

Andrew Sugden on the life of a leaf:

https://www.lrb.co.uk/the-paper/v35/n03/andrew-sugden/hairy-spiny-or-naked

Ian Hacking on human thinking about plants:

https://www.lrb.co.uk/the-paper/v13/n04/ian-hacking/living-things

Francis Gooding on the hidden life of trees:

https://www.lrb.co.uk/the-paper/v39/n04/francis-gooding/thinking-about-how-they-think

Next episode: ‘Blue Machine’ by Helen Czerski

https://lrb.me/czerskicr</description>
      <pubDate>Mon, 09 Feb 2026 06:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>18</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8de2d2d8-0375-11f1-9fa7-2b157a705ae6/image/41af6cc064f42c2fe0ecdd36a8fb5fd0.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In The Light Eaters (2024), Zoë Schlanger reports from the frontiers of botany, where researchers are discovering forms of sensing, signalling and responding that challenge our ideas of plants as passive life forms. Meehan Crist and Peter Godfrey-Smith explore Schlanger’s account of new research into plant behaviour. They examine the case for plant agency – and the far more speculative claims for plant consciousness – and attempt to make sense of some astonishing discoveries.

Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ture

In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠⁠ture



Get the book: https://lrb.me/schlangercr



Further reading from the LRB:

Francis Gooding on mushroom brains:

https://www.lrb.co.uk/the-paper/v43/n10/francis-gooding/from-its-myriad-tips

Andrew Sugden on the life of a leaf:

https://www.lrb.co.uk/the-paper/v35/n03/andrew-sugden/hairy-spiny-or-naked

Ian Hacking on human thinking about plants:

https://www.lrb.co.uk/the-paper/v13/n04/ian-hacking/living-things

Francis Gooding on the hidden life of trees:

https://www.lrb.co.uk/the-paper/v39/n04/francis-gooding/thinking-about-how-they-think

Next episode: ‘Blue Machine’ by Helen Czerski

https://lrb.me/czerskicr</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <em>The Light Eaters</em> (2024), Zoë Schlanger reports from the frontiers of botany, where researchers are discovering forms of sensing, signalling and responding that challenge our ideas of plants as passive life forms. Meehan Crist and Peter Godfrey-Smith explore Schlanger’s account of new research into plant behaviour. They examine the case for plant agency – and the far more speculative claims for plant consciousness – and attempt to make sense of some astonishing discoveries.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:</p>
<p>Directly in Apple Podcasts: <a href="Non-subscribers%20will%20only%20hear%20an%20extract%20from%20this%20episode.%20To%20listen%20in%20full,%20and%20to%20all%20our%20other%20Close%20Readings%20series,%20sign%20up:%20Directly%20in%20Apple%20Podcasts:%20%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0https://lrb.me/applecrna%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0ture%20In%20other%20podcast%20apps:%20%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0https://lrb.me/closereadingsna%E2%81%A0%E2%81%A0%E2%81%A0ture">⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ture</a></p>
<p>In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠<a href="https://lrb.me/closereadingsna%E2%81%A0%E2%81%A0%E2%81%A0ture">https://lrb.me/closereadingsna⁠⁠⁠ture</a></p>
<p><br></p>
<p>Get the book: <a href="https://lrb.me/schlangercr">https://lrb.me/schlangercr</a></p>
<p><br></p>
<p>Further reading from the LRB:</p>
<p>Francis Gooding on mushroom brains:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v43/n10/francis-gooding/from-its-myriad-tips">https://www.lrb.co.uk/the-paper/v43/n10/francis-gooding/from-its-myriad-tips</a></p>
<p>Andrew Sugden on the life of a leaf:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v35/n03/andrew-sugden/hairy-spiny-or-naked">https://www.lrb.co.uk/the-paper/v35/n03/andrew-sugden/hairy-spiny-or-naked</a></p>
<p>Ian Hacking on human thinking about plants:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v13/n04/ian-hacking/living-things">https://www.lrb.co.uk/the-paper/v13/n04/ian-hacking/living-things</a></p>
<p>Francis Gooding on the hidden life of trees:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v39/n04/francis-gooding/thinking-about-how-they-think">https://www.lrb.co.uk/the-paper/v39/n04/francis-gooding/thinking-about-how-they-think</a></p>
<p>Next episode: ‘Blue Machine’ by Helen Czerski</p>
<p><a href="https://lrb.me/czerskicr">https://lrb.me/czerskicr</a></p>]]>
      </content:encoded>
      <itunes:duration>938</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[8de2d2d8-0375-11f1-9fa7-2b157a705ae6]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB9356174872.mp3?updated=1770597157" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Who’s afraid of realism? ‘Madame Bovary’ by Gustave Flaubert (part two)</title>
      <description>‘He opened him up and found nothing.’ These are the doctor’s findings at Charles Bovary’s autopsy near the end of 'Madame Bovary'. Taken on its own, it’s a simple medical observation. In the context of Emma Bovary’s tragic story, it serves as a condemnation not just of Charles’s emptiness but the whole provincial world Flaubert has been describing.

In the second part of his analysis of 'Madame Bovary', James Wood considers the major episodes leading to Emma’s death and argues that what made Flaubert’s realism dangerous was not its depictions of infidelity, but its use of cliché to expose French bourgeois lives constructed entirely of received ideas and second-hand emotions.

Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:

Apple Podcasts: https://lrb.me/applecrwaor

Other podcast apps: https://lrb.me/closereadingswaor

Further reading in the LRB:

Julian Barnes on translations of Madame Bovary: ⁠https://lrb.me/realismep201⁠

Michael Wood on 'Sentimental Education': ⁠https://lrb.me/realismep202⁠</description>
      <pubDate>Mon, 02 Feb 2026 11:05:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>17</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/530599c8-fdf0-11f0-b886-bb6eff08b865/image/8e10005e68506f5c2e6286a1d5b4d9ab.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>‘He opened him up and found nothing.’ These are the doctor’s findings at Charles Bovary’s autopsy near the end of 'Madame Bovary'. Taken on its own, it’s a simple medical observation. In the context of Emma Bovary’s tragic story, it serves as a condemnation not just of Charles’s emptiness but the whole provincial world Flaubert has been describing.

In the second part of his analysis of 'Madame Bovary', James Wood considers the major episodes leading to Emma’s death and argues that what made Flaubert’s realism dangerous was not its depictions of infidelity, but its use of cliché to expose French bourgeois lives constructed entirely of received ideas and second-hand emotions.

Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:

Apple Podcasts: https://lrb.me/applecrwaor

Other podcast apps: https://lrb.me/closereadingswaor

Further reading in the LRB:

Julian Barnes on translations of Madame Bovary: ⁠https://lrb.me/realismep201⁠

Michael Wood on 'Sentimental Education': ⁠https://lrb.me/realismep202⁠</itunes:summary>
      <content:encoded>
        <![CDATA[<p>‘He opened him up and found nothing.’ These are the doctor’s findings at Charles Bovary’s autopsy near the end of 'Madame Bovary'. Taken on its own, it’s a simple medical observation. In the context of Emma Bovary’s tragic story, it serves as a condemnation not just of Charles’s emptiness but the whole provincial world Flaubert has been describing.</p>
<p>In the second part of his analysis of 'Madame Bovary', James Wood considers the major episodes leading to Emma’s death and argues that what made Flaubert’s realism dangerous was not its depictions of infidelity, but its use of cliché to expose French bourgeois lives constructed entirely of received ideas and second-hand emotions.</p>
<p>Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:</p>
<p>Apple Podcasts: <a href="https://lrb.me/applecrwaor">https://lrb.me/applecrwaor</a></p>
<p>Other podcast apps: <a href="https://lrb.me/closereadingswaor">https://lrb.me/closereadingswaor</a></p>
<p>Further reading in the LRB:</p>
<p>Julian Barnes on translations of Madame Bovary: <a href="%E2%81%A0https://lrb.me/realismep201%E2%81%A0">⁠https://lrb.me/realismep201⁠</a></p>
<p>Michael Wood on 'Sentimental Education': ⁠<a href="https://lrb.me/realismep202%E2%81%A0">https://lrb.me/realismep202⁠</a></p>]]>
      </content:encoded>
      <itunes:duration>627</itunes:duration>
      <guid isPermaLink="false"><![CDATA[530599c8-fdf0-11f0-b886-bb6eff08b865]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB6191946595.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>London Revisited: Roman Beginnings</title>
      <description>The year London was founded will always be disputed, but the most recent archaeological evidence suggests the Romans had created the first settlement on the north bank of the Thames by 48 AD, five years after their invasion. That early military encampment expanded to become a busy, cosmopolitan supply base until it was burned down in the Boudican revolt of 60 AD.

In the first episode of her series tracing the history of London, Rosemary Hill is joined by Dominic Perring, archaeologist and author of London in the Roman World, to examine the development of Londinium over its tumultuous first century, during which it grew to a population of 30,000 and it acquired all the recognisable Roman landmarks – forum, basilica, baths, amphitheatre – before facing its second great destructive event around 125 AD.

Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Apple Podcasts: https://lrb.me/applesignuplr

Other podcast apps: https://lrb.me/scsignuplr

In their next episode, Rosemary and Dominic consider Roman London’s second revival and the emergence of new belief systems and monuments before its eventual abandonment by Rome at the start of the fifth century.

Reading by Duncan Wilkins

Read more in the LRB:

Christopher Kelly on Roman London: ⁠https://lrb.me/londonep1roman2⁠

Tom Shippey on Roman Britain: ⁠https://lrb.me/londonep1roman1⁠</description>
      <pubDate>Mon, 26 Jan 2026 11:30:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>20</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8fbd774e-f86b-11f0-8c53-6f75f332ea10/image/abfa7b5271647a874e9ac4dfe6c72aa5.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The year London was founded will always be disputed, but the most recent archaeological evidence suggests the Romans had created the first settlement on the north bank of the Thames by 48 AD, five years after their invasion. That early military encampment expanded to become a busy, cosmopolitan supply base until it was burned down in the Boudican revolt of 60 AD.

In the first episode of her series tracing the history of London, Rosemary Hill is joined by Dominic Perring, archaeologist and author of London in the Roman World, to examine the development of Londinium over its tumultuous first century, during which it grew to a population of 30,000 and it acquired all the recognisable Roman landmarks – forum, basilica, baths, amphitheatre – before facing its second great destructive event around 125 AD.

Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Apple Podcasts: https://lrb.me/applesignuplr

Other podcast apps: https://lrb.me/scsignuplr

In their next episode, Rosemary and Dominic consider Roman London’s second revival and the emergence of new belief systems and monuments before its eventual abandonment by Rome at the start of the fifth century.

Reading by Duncan Wilkins

Read more in the LRB:

Christopher Kelly on Roman London: ⁠https://lrb.me/londonep1roman2⁠

Tom Shippey on Roman Britain: ⁠https://lrb.me/londonep1roman1⁠</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The year London was founded will always be disputed, but the most recent archaeological evidence suggests the Romans had created the first settlement on the north bank of the Thames by 48 AD, five years after their invasion. That early military encampment expanded to become a busy, cosmopolitan supply base until it was burned down in the Boudican revolt of 60 AD.</p>
<p>In the first episode of her series tracing the history of London, Rosemary Hill is joined by Dominic Perring, archaeologist and author of London in the Roman World, to examine the development of Londinium over its tumultuous first century, during which it grew to a population of 30,000 and it acquired all the recognisable Roman landmarks – forum, basilica, baths, amphitheatre – before facing its second great destructive event around 125 AD.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:</p>
<p>Apple Podcasts: <a href="https://lrb.me/applesignuplr">https://lrb.me/applesignuplr</a></p>
<p>Other podcast apps: <a href="https://lrb.me/scsignuplr">https://lrb.me/scsignuplr</a></p>
<p>In their next episode, Rosemary and Dominic consider Roman London’s second revival and the emergence of new belief systems and monuments before its eventual abandonment by Rome at the start of the fifth century.</p>
<p>Reading by Duncan Wilkins</p>
<p>Read more in the LRB:</p>
<p>Christopher Kelly on Roman London: ⁠<a href="https://lrb.me/londonep1roman2">https://lrb.me/londonep1roman2</a>⁠</p>
<p>Tom Shippey on Roman Britain: ⁠<a href="https://lrb.me/londonep1roman1%E2%81%A0">https://lrb.me/londonep1roman1⁠</a></p>]]>
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      <itunes:duration>1361</itunes:duration>
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    </item>
    <item>
      <title>Narrative Poems: 'Hero and Leander' by Christopher Marlowe</title>
      <description>'Hero and Leander' was published in 1598, and anyone who came across it in a stationer’s shop in Elizabethan London would have known that its author was dead, killed in a brawl in Deptford in 1593. Christopher Marlowe’s sensational life as playwright and spy is matched by the wit, sophistication and eroticism of his eccentric retelling of Ovid’s myth, based on a sixth-century version by Musaeus. Seamus and Mark begin their new series by looking at the playful but often troubling treatment of desire in a poem that contains one of the most explicit depictions of sex in English poetry.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up:

Apple Podcasts: https://lrb.me/applesignupnp

Other podcast apps: https://lrb.me/scsignupnp

Further reading in the LRB:

Michael Dobson on the life of Marlowe https://lrb.me/np1marlowe1

Hilary Mantel on the murder of Marlowe: https://lrb.me/np1marlowe2

Charles Nicholl on Faustus: https://lrb.me/np1marlowe3</description>
      <pubDate>Mon, 19 Jan 2026 11:55:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>19</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/682b6792-f526-11f0-8384-4b7d2d0f6ea5/image/81933e591c007c2aad4dc838d806892f.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>'Hero and Leander' was published in 1598, and anyone who came across it in a stationer’s shop in Elizabethan London would have known that its author was dead, killed in a brawl in Deptford in 1593. Christopher Marlowe’s sensational life as playwright and spy is matched by the wit, sophistication and eroticism of his eccentric retelling of Ovid’s myth, based on a sixth-century version by Musaeus. Seamus and Mark begin their new series by looking at the playful but often troubling treatment of desire in a poem that contains one of the most explicit depictions of sex in English poetry.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up:

Apple Podcasts: https://lrb.me/applesignupnp

Other podcast apps: https://lrb.me/scsignupnp

Further reading in the LRB:

Michael Dobson on the life of Marlowe https://lrb.me/np1marlowe1

Hilary Mantel on the murder of Marlowe: https://lrb.me/np1marlowe2

Charles Nicholl on Faustus: https://lrb.me/np1marlowe3</itunes:summary>
      <content:encoded>
        <![CDATA[<p>'Hero and Leander' was published in 1598, and anyone who came across it in a stationer’s shop in Elizabethan London would have known that its author was dead, killed in a brawl in Deptford in 1593. Christopher Marlowe’s sensational life as playwright and spy is matched by the wit, sophistication and eroticism of his eccentric retelling of Ovid’s myth, based on a sixth-century version by Musaeus. Seamus and Mark begin their new series by looking at the playful but often troubling treatment of desire in a poem that contains one of the most explicit depictions of sex in English poetry.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, sign up:</p>
<p>Apple Podcasts: <a href="https://lrb.me/applesignupnp%E2%81%A0">https://lrb.me/applesignupnp</a></p>
<p>Other podcast apps: <a href="https://lrb.me/scsignupnp%E2%81%A0">https://lrb.me/scsignupnp</a></p>
<p>Further reading in the LRB:</p>
<p>Michael Dobson on the life of Marlowe <a href="'Hero%20and%20Leander'%20was%20published%20in%201598,%20and%20anyone%20who%20came%20across%20it%20in%20a%20stationer%E2%80%99s%20shop%20in%20Elizabethan%20London%20would%20have%20known%20that%20its%20author%20was%20dead,%20killed%20in%20a%20brawl%20in%20Deptford%20in%201593.%20Christopher%20Marlowe%E2%80%99s%20sensational%20life%20as%20playwright%20and%20spy%20is%20matched%20by%20the%20wit,%20sophistication%20and%20eroticism%20of%20his%20eccentric%20retelling%20of%20Ovid%E2%80%99s%20myth,%20based%20on%20a%206th-century%20version%20by%20Musaeus.%20Seamus%20and%20Mark%20begin%20their%20new%20series%20by%20looking%20at%20the%20playful%20but%20often%20troubling%20treatment%20of%20desire%20in%20a%20poem%20that%20contains%20one%20of%20the%20most%20explicit%20depictions%20of%20sex%20in%20English%20poetry.%20%20Further%20reading%20in%20the%20LRB:%20%20Michael%20Dobson%20on%20the%20life%20of%20Marlowe%20https://lrb.me/np1marlowe1%20Hilary%20Mantel%20on%20the%20murder%20of%20Marlowe:%20https://lrb.me/np1marlowe2%20Charles%20Nicholl%20on%20Faustus:%20https://lrb.me/np1marlowe3">https://lrb.me/np1marlowe1</a></p>
<p>Hilary Mantel on the murder of Marlowe: <a href="https://lrb.me/np1marlowe2">https://lrb.me/np1marlowe2</a></p>
<p>Charles Nicholl on Faustus: <a href="https://lrb.me/np1marlowe3">https://lrb.me/np1marlowe3</a></p>]]>
      </content:encoded>
      <itunes:duration>1009</itunes:duration>
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    </item>
    <item>
      <title>Nature in Crisis: ‘Silent Spring’ by Rachel Carson</title>
      <description>After following up a lead from a birdwatcher, Rachel Carson drew a web of connections that led to one of the most influential books of the 20th century. Silent Spring (1962) investigated the synthetic pesticides that proliferated after the Second World War, which were assiduously defended by overconfident policymakers, industrial chemists and agribusiness. The book quickly became a bestseller and kickstarted the establishment of the Environmental Protection Agency. 



In the first episode of Nature in Crisis, Meehan Crist and Peter Godfrey-Smith discuss one of the truly great success stories in science writing. Carson was a masterful stylist and gifted scientist who could make abstruse developments in organic chemistry compelling, accessible and alarmingly intimate. 



Meehan and Peter show how Carson wrote at the edge of science, anticipating the study of epigenetics and endocrine disruption. They illustrate why, though some of her proposed solutions fell short, Silent Spring remains ‘both an exhilarating and melancholy pleasure’. 



Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ture

In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠⁠ture



Get the book: https://lrb.me/carsoncr



Further reading from the LRB:



Meehan Crist on Silent Spring

https://www.lrb.co.uk/the-paper/v41/n11/meehan-crist/a-strange-blight



Stephen Mills on Rachel Carson

https://www.lrb.co.uk/the-paper/v20/n08/stephen-mills/chaffinches-with-their-beaks-pushed-into-the-soil-woodpigeons-with-a-froth-of-spittle-at-their-open-mouths



Edmund Gordon on the insect crisis:

https://www.lrb.co.uk/the-paper/v44/n09/edmund-gordon/bye-bye-firefly



Anthony Giddens on chemical contamination:

https://www.lrb.co.uk/the-paper/v18/n17/anthony-giddens/why-sounding-the-alarm-on-chemical-contamination-is-not-necessarily-alarmist</description>
      <pubDate>Mon, 12 Jan 2026 06:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>18</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/6a2fae8e-ed7b-11f0-81ac-bff8a686164e/image/41af6cc064f42c2fe0ecdd36a8fb5fd0.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>After following up a lead from a birdwatcher, Rachel Carson drew a web of connections that led to one of the most influential books of the 20th century. Silent Spring (1962) investigated the synthetic pesticides that proliferated after the Second World War, which were assiduously defended by overconfident policymakers, industrial chemists and agribusiness. The book quickly became a bestseller and kickstarted the establishment of the Environmental Protection Agency. 



In the first episode of Nature in Crisis, Meehan Crist and Peter Godfrey-Smith discuss one of the truly great success stories in science writing. Carson was a masterful stylist and gifted scientist who could make abstruse developments in organic chemistry compelling, accessible and alarmingly intimate. 



Meehan and Peter show how Carson wrote at the edge of science, anticipating the study of epigenetics and endocrine disruption. They illustrate why, though some of her proposed solutions fell short, Silent Spring remains ‘both an exhilarating and melancholy pleasure’. 



Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ture

In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠⁠ture



Get the book: https://lrb.me/carsoncr



Further reading from the LRB:



Meehan Crist on Silent Spring

https://www.lrb.co.uk/the-paper/v41/n11/meehan-crist/a-strange-blight



Stephen Mills on Rachel Carson

https://www.lrb.co.uk/the-paper/v20/n08/stephen-mills/chaffinches-with-their-beaks-pushed-into-the-soil-woodpigeons-with-a-froth-of-spittle-at-their-open-mouths



Edmund Gordon on the insect crisis:

https://www.lrb.co.uk/the-paper/v44/n09/edmund-gordon/bye-bye-firefly



Anthony Giddens on chemical contamination:

https://www.lrb.co.uk/the-paper/v18/n17/anthony-giddens/why-sounding-the-alarm-on-chemical-contamination-is-not-necessarily-alarmist</itunes:summary>
      <content:encoded>
        <![CDATA[<p>After following up a lead from a birdwatcher, Rachel Carson drew a web of connections that led to one of the most influential books of the 20th century. <em>Silent Spring</em> (1962) investigated the synthetic pesticides that proliferated after the Second World War, which were assiduously defended by overconfident policymakers, industrial chemists and agribusiness. The book quickly became a bestseller and kickstarted the establishment of the Environmental Protection Agency. </p>
<p><br></p>
<p>In the first episode of Nature in Crisis, Meehan Crist and Peter Godfrey-Smith discuss one of the truly great success stories in science writing. Carson was a masterful stylist and gifted scientist who could make abstruse developments in organic chemistry compelling, accessible and alarmingly intimate. </p>
<p><br></p>
<p>Meehan and Peter show how Carson wrote at the edge of science, anticipating the study of epigenetics and endocrine disruption. They illustrate why, though some of her proposed solutions fell short, <em>Silent Spring</em> remains ‘both an exhilarating and melancholy pleasure’. </p>
<p><br></p>
<p>Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:</p>
<p>Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠<a href="https://lrb.me/applecrna%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0ture">https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ture</a></p>
<p>In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠<a href="https://lrb.me/closereadingsna%E2%81%A0%E2%81%A0%E2%81%A0ture">https://lrb.me/closereadingsna⁠⁠⁠ture</a></p>
<p><br></p>
<p>Get the book: <a href="https://lrb.me/carsoncr">https://lrb.me/carsoncr</a></p>
<p><br></p>
<p>Further reading from the <em>LRB</em>:</p>
<p><br></p>
<p>Meehan Crist on <em>Silent Spring</em></p>
<p><a href="https://www.lrb.co.uk/the-paper/v41/n11/meehan-crist/a-strange-blight">https://www.lrb.co.uk/the-paper/v41/n11/meehan-crist/a-strange-blight</a></p>
<p><br></p>
<p>Stephen Mills on Rachel Carson</p>
<p><a href="https://www.lrb.co.uk/the-paper/v20/n08/stephen-mills/chaffinches-with-their-beaks-pushed-into-the-soil-woodpigeons-with-a-froth-of-spittle-at-their-open-mouths">https://www.lrb.co.uk/the-paper/v20/n08/stephen-mills/chaffinches-with-their-beaks-pushed-into-the-soil-woodpigeons-with-a-froth-of-spittle-at-their-open-mouths</a></p>
<p><br></p>
<p>Edmund Gordon on the insect crisis:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v44/n09/edmund-gordon/bye-bye-firefly">https://www.lrb.co.uk/the-paper/v44/n09/edmund-gordon/bye-bye-firefly</a></p>
<p><br></p>
<p>Anthony Giddens on chemical contamination:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v18/n17/anthony-giddens/why-sounding-the-alarm-on-chemical-contamination-is-not-necessarily-alarmist">https://www.lrb.co.uk/the-paper/v18/n17/anthony-giddens/why-sounding-the-alarm-on-chemical-contamination-is-not-necessarily-alarmist</a></p>]]>
      </content:encoded>
      <itunes:duration>936</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Who's afraid of realism? 'Madame Bovary' by Gustave Flaubert (part one)</title>
      <description>Gustave Flaubert recalled in a letter that the critic Sainte-Beuve compared his style to a surgeon’s scalpel, an image taken from 'Madame Bovary'. This was not a compliment: Sainte-Beuve was anxious about the ambition of Flaubert’s ‘realism’ to cut to the bone of its characters and society at large. Karl Marx, on the other hand, praised realist writers who ‘issued to the world more political and social truths than have been uttered by all the professional politicians, publicists, and moralists put together’.

In the first episode of his new series, James Wood considers the fears and criticisms that have dogged realism from its emergence in the 19th century through its long history of transformations up to the present day. He examines the ways in which Flaubert used detail (both significant and significantly insignificant), impersonal narration, lifelike dialogue and free indirect style to create realism’s essential grammar.

This is part one of Wood’s analysis of 'Madame Bovary', going up to the moment that Emma meets Rodolphe Boulanger. He uses Geoffrey Wall's translation, published by Penguin Classics.

Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:

Apple Podcasts: https://lrb.me/applecrwaor

Other podcast apps:  https://lrb.me/closereadingswaor

Read more in the LRB:

Julian Barnes: Flaubert at Two Hundred https://lrb.me/realismep101

Two Letters from Flaubert to Colet: https://lrb.me/realismep102

Tim Parks on Flaubert's life: https://lrb.me/realismep103</description>
      <pubDate>Tue, 06 Jan 2026 10:01:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>17</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/91b432e2-ea45-11f0-ac70-5b5d76026a4d/image/8e10005e68506f5c2e6286a1d5b4d9ab.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Gustave Flaubert recalled in a letter that the critic Sainte-Beuve compared his style to a surgeon’s scalpel, an image taken from 'Madame Bovary'. This was not a compliment: Sainte-Beuve was anxious about the ambition of Flaubert’s ‘realism’ to cut to the bone of its characters and society at large. Karl Marx, on the other hand, praised realist writers who ‘issued to the world more political and social truths than have been uttered by all the professional politicians, publicists, and moralists put together’.

In the first episode of his new series, James Wood considers the fears and criticisms that have dogged realism from its emergence in the 19th century through its long history of transformations up to the present day. He examines the ways in which Flaubert used detail (both significant and significantly insignificant), impersonal narration, lifelike dialogue and free indirect style to create realism’s essential grammar.

This is part one of Wood’s analysis of 'Madame Bovary', going up to the moment that Emma meets Rodolphe Boulanger. He uses Geoffrey Wall's translation, published by Penguin Classics.

Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:

Apple Podcasts: https://lrb.me/applecrwaor

Other podcast apps:  https://lrb.me/closereadingswaor

Read more in the LRB:

Julian Barnes: Flaubert at Two Hundred https://lrb.me/realismep101

Two Letters from Flaubert to Colet: https://lrb.me/realismep102

Tim Parks on Flaubert's life: https://lrb.me/realismep103</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Gustave Flaubert recalled in a letter that the critic Sainte-Beuve compared his style to a surgeon’s scalpel, an image taken from 'Madame Bovary'. This was not a compliment: Sainte-Beuve was anxious about the ambition of Flaubert’s ‘realism’ to cut to the bone of its characters and society at large. Karl Marx, on the other hand, praised realist writers who ‘issued to the world more political and social truths than have been uttered by all the professional politicians, publicists, and moralists put together’.</p>
<p>In the first episode of his new series, James Wood considers the fears and criticisms that have dogged realism from its emergence in the 19th century through its long history of transformations up to the present day. He examines the ways in which Flaubert used detail (both significant and significantly insignificant), impersonal narration, lifelike dialogue and free indirect style to create realism’s essential grammar.</p>
<p>This is part one of Wood’s analysis of 'Madame Bovary', going up to the moment that Emma meets Rodolphe Boulanger. He uses Geoffrey Wall's translation, published by Penguin Classics.</p>
<p>Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:</p>
<p>Apple Podcasts: <a href="https://lrb.me/applecrwaor">https://lrb.me/applecrwaor</a></p>
<p>Other podcast apps:  <a href="https://lrb.me/closereadingswaor">https://lrb.me/closereadingswaor</a></p>
<p>Read more in the LRB:</p>
<p>Julian Barnes: Flaubert at Two Hundred <a href="https://lrb.me/realismep101">https://lrb.me/realismep101</a></p>
<p>Two Letters from Flaubert to Colet: <a href="https://lrb.me/realismep102">https://lrb.me/realismep102</a></p>
<p>Tim Parks on Flaubert's life: <a href="https://lrb.me/realismep103">https://lrb.me/realismep103</a></p>]]>
      </content:encoded>
      <itunes:duration>1270</itunes:duration>
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    </item>
    <item>
      <title>The Man Behind the Curtain: ‘Don Quixote’ by Miguel de Cervantes</title>
      <description>In The Man Behind the Curtain, a bonus Close Readings series for 2026, Tom McCarthy and Thomas Jones examine great novels in terms of the systems and infrastructures at work in them. For their first episode, they turn to the book that invented the modern novel. Don Quixote, the ingenious man from La Mancha, is thought to be mad by everyone he meets because he believes he’s living in a book. But from a certain point of view that makes the hero of Cervantes’ novel the only character who has any idea what’s really going on. Tom and Tom discuss the machinery – narrative, theoretical, economic, psychological and literal (those windmills) – which underpins Cervantes’ masterpiece.



This is a bonus episode from the Close Readings series. To listen to all our other Close Readings series, sign up:



Directly in Apple Podcasts: ⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠

In other podcast apps: ⁠⁠⁠https://lrb.me/closereadingsna⁠⁠



Further reading in the LRB:



Karl Miller on ‘Don Quixote’:

⁠https://www.lrb.co.uk/the-paper/v08/n03/karl-miller/andante-capriccioso⁠



Michael Wood: Crazy Don

⁠https://www.lrb.co.uk/the-paper/v17/n15/michael-wood/crazy-don⁠



Gabriel Josipovici on Cervantes’ life:

⁠https://www.lrb.co.uk/the-paper/v01/n05/gabriel-josipovici/the-hard-life-and-poor-best-of-cervantes⁠



Robin Chapman: Cervantics

⁠https://www.lrb.co.uk/the-paper/v08/n16/robin-chapman/cervantics⁠</description>
      <pubDate>Wed, 31 Dec 2025 12:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>16</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In The Man Behind the Curtain, a bonus Close Readings series for 2026, Tom McCarthy and Thomas Jones examine great novels in terms of the systems and infrastructures at work in them. For their first episode, they turn to the book that invented the modern novel. Don Quixote, the ingenious man from La Mancha, is thought to be mad by everyone he meets because he believes he’s living in a book. But from a certain point of view that makes the hero of Cervantes’ novel the only character who has any idea what’s really going on. Tom and Tom discuss the machinery – narrative, theoretical, economic, psychological and literal (those windmills) – which underpins Cervantes’ masterpiece.



This is a bonus episode from the Close Readings series. To listen to all our other Close Readings series, sign up:



Directly in Apple Podcasts: ⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠

In other podcast apps: ⁠⁠⁠https://lrb.me/closereadingsna⁠⁠



Further reading in the LRB:



Karl Miller on ‘Don Quixote’:

⁠https://www.lrb.co.uk/the-paper/v08/n03/karl-miller/andante-capriccioso⁠



Michael Wood: Crazy Don

⁠https://www.lrb.co.uk/the-paper/v17/n15/michael-wood/crazy-don⁠



Gabriel Josipovici on Cervantes’ life:

⁠https://www.lrb.co.uk/the-paper/v01/n05/gabriel-josipovici/the-hard-life-and-poor-best-of-cervantes⁠



Robin Chapman: Cervantics

⁠https://www.lrb.co.uk/the-paper/v08/n16/robin-chapman/cervantics⁠</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In The Man Behind the Curtain, a bonus Close Readings series for 2026, Tom McCarthy and Thomas Jones examine great novels in terms of the systems and infrastructures at work in them. For their first episode, they turn to the book that invented the modern novel. Don Quixote, the ingenious man from La Mancha, is thought to be mad by everyone he meets because he believes he’s living in a book. But from a certain point of view that makes the hero of Cervantes’ novel the only character who has any idea what’s really going on. Tom and Tom discuss the machinery – narrative, theoretical, economic, psychological and literal (those windmills) – which underpins Cervantes’ masterpiece.</p>
<p><br></p>
<p>This is a bonus episode from the Close Readings series. To listen to all our other Close Readings series, sign up:</p>
<p><br></p>
<p>Directly in Apple Podcasts: ⁠⁠<a href="https://lrb.me/applecrna">⁠https://lrb.me/applecrna⁠</a>⁠⁠</p>
<p>In other podcast apps: ⁠⁠<a href="https://lrb.me/closereadingsna%E2%81%A0">⁠https://lrb.me/closereadingsna⁠⁠</a></p>
<p><br></p>
<p>Further reading in the <em>LRB</em>:</p>
<p><br></p>
<p>Karl Miller on ‘Don Quixote’:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v08/n03/karl-miller/andante-capriccioso">⁠https://www.lrb.co.uk/the-paper/v08/n03/karl-miller/andante-capriccioso⁠</a></p>
<p><br></p>
<p>Michael Wood: Crazy Don</p>
<p><a href="https://www.lrb.co.uk/the-paper/v17/n15/michael-wood/crazy-don">⁠https://www.lrb.co.uk/the-paper/v17/n15/michael-wood/crazy-don⁠</a></p>
<p><br></p>
<p>Gabriel Josipovici on Cervantes’ life:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v01/n05/gabriel-josipovici/the-hard-life-and-poor-best-of-cervantes">⁠https://www.lrb.co.uk/the-paper/v01/n05/gabriel-josipovici/the-hard-life-and-poor-best-of-cervantes⁠</a></p>
<p><br></p>
<p>Robin Chapman: Cervantics</p>
<p><a href="https://www.lrb.co.uk/the-paper/v08/n16/robin-chapman/cervantics">⁠https://www.lrb.co.uk/the-paper/v08/n16/robin-chapman/cervantics⁠</a></p>]]>
      </content:encoded>
      <itunes:duration>3850</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[d890e2d2-e5a4-11f0-9ed0-37226f1a458d]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB3993235380.mp3?updated=1767176960" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Novel Approaches: ‘New Grub Street’ by George Gissing</title>
      <description>George Gissing’s novels, Orwell once said, could be described in three words: ‘not enough money’. Writing is a matter of survival for the cast of ‘New Grub Street’ (1891), which follows a handful of literary men and women in London in the early 1880s. All of them have different ideas about success, love and personal fulfilment, and all those ideas – even the most brutally pragmatic – are subverted by the pressures of sexuality and the marketplace.

In the final episode of Novel Approaches, Clare Bucknell and Tom Crewe discuss Gissing’s great portrait of London at its shabbiest. They explore Gissing’s unrelenting realism, his gift for writing nuanced characters, and why, in Tom’s words, if the novel is gloomy, it’s ‘an invigorating gloom’.



Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠⁠



Further reading from the LRB:


Frank Kermode on George Gissing:

⁠https://www.lrb.co.uk/the-paper/v05/n02/frank-kermode/squalor⁠

Rosemarie Bodenheimer on Gissing’s life:

⁠https://www.lrb.co.uk/the-paper/v31/n13/rosemarie-bodenheimer/give-us-a-break⁠

Jane Miller on Gissing’s letters:

⁠https://www.lrb.co.uk/the-paper/v13/n05/jane-miller/gissing-may-damage-your-health⁠

Ian Hamilton on a new ‘New Grub Street’:

⁠https://www.lrb.co.uk/the-paper/v05/n02/ian-hamilton/diary⁠

Patricia Beer on Gissing’s women:

⁠https://www.lrb.co.uk/the-paper/v02/n14/patricia-beer/new-women⁠



AUDIO GIFTS

Close Readings and audiobooks: ⁠https://lrb.me/audiogifts</description>
      <pubDate>Mon, 29 Dec 2025 06:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>15</itunes:season>
      <itunes:episode>15</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e479be30-f52a-11f0-9d35-8778b8a65fb6/image/f8e79f53bd65a087c9395d1f67d608ec.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>George Gissing’s novels, Orwell once said, could be described in three words: ‘not enough money’. Writing is a matter of survival for the cast of ‘New Grub Street’ (1891), which follows a handful of literary men and women in London in the early 1880s. All of them have different ideas about success, love and personal fulfilment, and all those ideas – even the most brutally pragmatic – are subverted by the pressures of sexuality and the marketplace.

In the final episode of Novel Approaches, Clare Bucknell and Tom Crewe discuss Gissing’s great portrait of London at its shabbiest. They explore Gissing’s unrelenting realism, his gift for writing nuanced characters, and why, in Tom’s words, if the novel is gloomy, it’s ‘an invigorating gloom’.



Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠⁠



Further reading from the LRB:


Frank Kermode on George Gissing:

⁠https://www.lrb.co.uk/the-paper/v05/n02/frank-kermode/squalor⁠

Rosemarie Bodenheimer on Gissing’s life:

⁠https://www.lrb.co.uk/the-paper/v31/n13/rosemarie-bodenheimer/give-us-a-break⁠

Jane Miller on Gissing’s letters:

⁠https://www.lrb.co.uk/the-paper/v13/n05/jane-miller/gissing-may-damage-your-health⁠

Ian Hamilton on a new ‘New Grub Street’:

⁠https://www.lrb.co.uk/the-paper/v05/n02/ian-hamilton/diary⁠

Patricia Beer on Gissing’s women:

⁠https://www.lrb.co.uk/the-paper/v02/n14/patricia-beer/new-women⁠



AUDIO GIFTS

Close Readings and audiobooks: ⁠https://lrb.me/audiogifts</itunes:summary>
      <content:encoded>
        <![CDATA[<p>George Gissing’s novels, Orwell once said, could be described in three words: ‘not enough money’. Writing is a matter of survival for the cast of ‘New Grub Street’ (1891), which follows a handful of literary men and women in London in the early 1880s. All of them have different ideas about success, love and personal fulfilment, and all those ideas – even the most brutally pragmatic – are subverted by the pressures of sexuality and the marketplace.</p>
<p>In the final episode of Novel Approaches, Clare Bucknell and Tom Crewe discuss Gissing’s great portrait of London at its shabbiest. They explore Gissing’s unrelenting realism, his gift for writing nuanced characters, and why, in Tom’s words, if the novel is gloomy, it’s ‘an invigorating gloom’.</p>
<p><br></p>
<p>Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrna">⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsna">⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠⁠</a></p>
<p><br></p>
<p><strong>Further reading from the </strong><em><strong>LRB</strong></em><strong>:
</strong></p>
<p>Frank Kermode on George Gissing:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v05/n02/frank-kermode/squalor">⁠https://www.lrb.co.uk/the-paper/v05/n02/frank-kermode/squalor⁠</a></p>
<p>Rosemarie Bodenheimer on Gissing’s life:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v31/n13/rosemarie-bodenheimer/give-us-a-break">⁠https://www.lrb.co.uk/the-paper/v31/n13/rosemarie-bodenheimer/give-us-a-break⁠</a></p>
<p>Jane Miller on Gissing’s letters:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v13/n05/jane-miller/gissing-may-damage-your-health">⁠https://www.lrb.co.uk/the-paper/v13/n05/jane-miller/gissing-may-damage-your-health⁠</a></p>
<p>Ian Hamilton on a new ‘New Grub Street’:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v05/n02/ian-hamilton/diary">⁠https://www.lrb.co.uk/the-paper/v05/n02/ian-hamilton/diary⁠</a></p>
<p>Patricia Beer on Gissing’s women:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v02/n14/patricia-beer/new-women">⁠https://www.lrb.co.uk/the-paper/v02/n14/patricia-beer/new-women⁠</a></p>
<p><br></p>
<p><strong>AUDIO GIFTS</strong></p>
<p>Close Readings and audiobooks: <a href="https://lrb.me/audiogifts">⁠https://lrb.me/audiogifts</a></p>]]>
      </content:encoded>
      <itunes:duration>1043</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e479be30-f52a-11f0-9d35-8778b8a65fb6]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB2542742128.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Novel Approaches: ‘A Christmas Carol’ by Charles Dickens</title>
      <description>Did Dickens ruin Christmas? He was certainly a pioneer in exploiting its commercial potential. A Christmas Carol sold 6,000 copies in five days when it was published on 19 December 1843, and Dickens went on to write four more lucrative Christmas books in the 1840s. But in many ways, this ‘ghost story of Christmas’ couldn’t be less Christmassy. The plot displays Dickens’s typical obsession with extracting maximum sentimentality from the pain and death of his characters, and the narrative voice veers unnervingly from preachy to creepy in its voyeuristic obsessions with physical excess. The book also offers a stiff social critique of the 1834 Poor Law and a satire on Malthusian ideas of population control.

In this bonus episode from ‘Novel Approaches’, part of our Close Readings podcast, Colin Burrow and Clare Bucknell join Tom to consider why Dickens’s dark tale has remained a Christmas staple.



Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠



AUDIO GIFTS

Close Readings and audiobooks: https://lrb.me/audiogifts</description>
      <pubDate>Wed, 24 Dec 2025 06:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>15</itunes:season>
      <itunes:episode>14</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/1bb427e6-f52b-11f0-9db4-cf5098447189/image/f8e79f53bd65a087c9395d1f67d608ec.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Did Dickens ruin Christmas? He was certainly a pioneer in exploiting its commercial potential. A Christmas Carol sold 6,000 copies in five days when it was published on 19 December 1843, and Dickens went on to write four more lucrative Christmas books in the 1840s. But in many ways, this ‘ghost story of Christmas’ couldn’t be less Christmassy. The plot displays Dickens’s typical obsession with extracting maximum sentimentality from the pain and death of his characters, and the narrative voice veers unnervingly from preachy to creepy in its voyeuristic obsessions with physical excess. The book also offers a stiff social critique of the 1834 Poor Law and a satire on Malthusian ideas of population control.

In this bonus episode from ‘Novel Approaches’, part of our Close Readings podcast, Colin Burrow and Clare Bucknell join Tom to consider why Dickens’s dark tale has remained a Christmas staple.



Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠



AUDIO GIFTS

Close Readings and audiobooks: https://lrb.me/audiogifts</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Did Dickens ruin Christmas? He was certainly a pioneer in exploiting its commercial potential. <em>A Christmas Carol</em> sold 6,000 copies in five days when it was published on 19 December 1843, and Dickens went on to write four more lucrative Christmas books in the 1840s. But in many ways, this ‘ghost story of Christmas’ couldn’t be less Christmassy. The plot displays Dickens’s typical obsession with extracting maximum sentimentality from the pain and death of his characters, and the narrative voice veers unnervingly from preachy to creepy in its voyeuristic obsessions with physical excess. The book also offers a stiff social critique of the 1834 Poor Law and a satire on Malthusian ideas of population control.</p>
<p>In this bonus episode from ‘Novel Approaches’, part of our Close Readings podcast, Colin Burrow and Clare Bucknell join Tom to consider why Dickens’s dark tale has remained a Christmas staple.</p>
<p><br></p>
<p>Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrna">⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsna">⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠</a></p>
<p><br></p>
<p><strong>AUDIO GIFTS</strong></p>
<p>Close Readings and audiobooks: <a href="https://lrb.me/audiogifts">https://lrb.me/audiogifts</a></p>]]>
      </content:encoded>
      <itunes:duration>2049</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[1bb427e6-f52b-11f0-9db4-cf5098447189]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB3507841396.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Love and Death: Samuel Johnson, Gerard Manley Hopkins and Mick Imlah</title>
      <description>Samuel Johnson’s doctor, Robert Levet, had piecemeal medical knowledge at best, was described as an ‘an obscure practiser in physick’ by James Boswell and was only paid for his work with gin. Yet for Johnson this eccentric man deserved a poetic tribute for demonstrating ‘the power of the art without show’, a phrase that could as much describe the poem itself. In this episode, Seamus and Mark close their series by looking at the ways in which Johnson’s elegy, 'On the Death of Dr Robert Levet', rejects the pastoral heroism of the poem they started with, Milton’s ‘Lycidas’, and compare it to two poems that offer their own kinds of unsentimental, eccentric portrait: 'Felix Randal' by Gerard Manley Hopkins and 'Stephen Boyd, 1957-99' by Mick Imlah.

Seamus and Mark will be back in January to start their new series, 'Narrative Poems'.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrld⁠⁠⁠⁠⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsld⁠⁠⁠

Find tickets to Seamus's LRB Winter Lecture in London here: https://lrb.me/perrywlpod

Further reading in the LRB:

Freya Johnston on Samuel Johnson:

https://www.lrb.co.uk/the-paper/v41/n09/freya-johnston/i-m-coming-my-tetsie!

Patricia Beer on Hopkins:

https://www.lrb.co.uk/the-paper/v14/n11/patricia-beer/what-he-meant-by-happiness</description>
      <pubDate>Mon, 22 Dec 2025 14:06:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>14</itunes:season>
      <itunes:episode>14</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ff8f557a-df3d-11f0-8d9a-1bfc0be33fc8/image/b5395d7543d1daf15bec0e7794935720.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Samuel Johnson’s doctor, Robert Levet, had piecemeal medical knowledge at best, was described as an ‘an obscure practiser in physick’ by James Boswell and was only paid for his work with gin. Yet for Johnson this eccentric man deserved a poetic tribute for demonstrating ‘the power of the art without show’, a phrase that could as much describe the poem itself. In this episode, Seamus and Mark close their series by looking at the ways in which Johnson’s elegy, 'On the Death of Dr Robert Levet', rejects the pastoral heroism of the poem they started with, Milton’s ‘Lycidas’, and compare it to two poems that offer their own kinds of unsentimental, eccentric portrait: 'Felix Randal' by Gerard Manley Hopkins and 'Stephen Boyd, 1957-99' by Mick Imlah.

Seamus and Mark will be back in January to start their new series, 'Narrative Poems'.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrld⁠⁠⁠⁠⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsld⁠⁠⁠

Find tickets to Seamus's LRB Winter Lecture in London here: https://lrb.me/perrywlpod

Further reading in the LRB:

Freya Johnston on Samuel Johnson:

https://www.lrb.co.uk/the-paper/v41/n09/freya-johnston/i-m-coming-my-tetsie!

Patricia Beer on Hopkins:

https://www.lrb.co.uk/the-paper/v14/n11/patricia-beer/what-he-meant-by-happiness</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Samuel Johnson’s doctor, Robert Levet, had piecemeal medical knowledge at best, was described as an ‘an obscure practiser in physick’ by James Boswell and was only paid for his work with gin. Yet for Johnson this eccentric man deserved a poetic tribute for demonstrating ‘the power of the art without show’, a phrase that could as much describe the poem itself. In this episode, Seamus and Mark close their series by looking at the ways in which Johnson’s elegy, 'On the Death of Dr Robert Levet', rejects the pastoral heroism of the poem they started with, Milton’s ‘Lycidas’, and compare it to two poems that offer their own kinds of unsentimental, eccentric portrait: 'Felix Randal' by Gerard Manley Hopkins and 'Stephen Boyd, 1957-99' by Mick Imlah.</p>
<p>Seamus and Mark will be back in January to start their new series, 'Narrative Poems'.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠<a href="https://lrb.me/applecrld">⁠https://lrb.me/applecrld⁠⁠⁠⁠⁠⁠⁠⁠</a>⁠</p>
<p>In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠<a href="https://lrb.me/closereadingsld">⁠https://lrb.me/closereadingsld⁠⁠⁠</a></p>
<p>Find tickets to Seamus's LRB Winter Lecture in London here: <a href="https://lrb.me/perrywlpod">https://lrb.me/perrywlpod</a></p>
<p>Further reading in the LRB:</p>
<p>Freya Johnston on Samuel Johnson:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v41/n09/freya-johnston/i-m-coming-my-tetsie!">https://www.lrb.co.uk/the-paper/v41/n09/freya-johnston/i-m-coming-my-tetsie!</a></p>
<p>Patricia Beer on Hopkins:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v14/n11/patricia-beer/what-he-meant-by-happiness">https://www.lrb.co.uk/the-paper/v14/n11/patricia-beer/what-he-meant-by-happiness</a></p>]]>
      </content:encoded>
      <itunes:duration>1015</itunes:duration>
      <guid isPermaLink="false"><![CDATA[ff8f557a-df3d-11f0-8d9a-1bfc0be33fc8]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB9988165432.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Fiction and the Fantastic: A Taxonomy</title>
      <description>Though the last twelve episodes have taken Marina Warner and her interlocutors through many worlds and texts, no series could ever encompass the full scope of fantastic literature. This episode, recorded live at Swedenborg House, is an attempt to fill the gaps, or fail heroically. Marina and Adam Thirlwell are joined by Edwin Frank, editorial director of the New York Review Books and author of ‘Stranger than Fiction: Lives of the Twentieth Century Novel’. Together they assess existing canons and definitions, redefine and rediscover categories and exceptions, and consider the pleasures and uses of the fantastic.



Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:



Directly in Apple Podcasts: ⁠⁠⁠⁠⁠https://lrb.me/applecrff⁠⁠⁠⁠⁠



In other podcast apps: ⁠⁠⁠⁠⁠https://lrb.me/closereadingsff⁠⁠⁠⁠



Read more in the LRB:



Colin Burrow: Fiction and the Age of Lies

⁠https://www.lrb.co.uk/the-paper/v42/n04/colin-burrow/fiction-and-the-age-of-lies⁠



Marina Warner on fairytale:

⁠https://www.lrb.co.uk/the-paper/v12/n21/marina-warner/that-which-is-spoken⁠



Jonathan Lethem on Stanisław Lem and Science Fiction:

⁠https://www.lrb.co.uk/the-paper/v44/n03/jonathan-lethem/my-year-of-reading-lemmishly⁠



A.D. Nuttall on the rhetoric of the fantastic:

⁠https://www.lrb.co.uk/the-paper/v04/n21/a.d.-nuttall/really-fantastic</description>
      <pubDate>Thu, 18 Dec 2025 13:49:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>13</itunes:season>
      <itunes:episode>14</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/abf4ef64-d868-11f0-b5d8-c3a2fb21c6f5/image/25610fd2b99f389800662b24f15f5f50.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Though the last twelve episodes have taken Marina Warner and her interlocutors through many worlds and texts, no series could ever encompass the full scope of fantastic literature. This episode, recorded live at Swedenborg House, is an attempt to fill the gaps, or fail heroically. Marina and Adam Thirlwell are joined by Edwin Frank, editorial director of the New York Review Books and author of ‘Stranger than Fiction: Lives of the Twentieth Century Novel’. Together they assess existing canons and definitions, redefine and rediscover categories and exceptions, and consider the pleasures and uses of the fantastic.



Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:



Directly in Apple Podcasts: ⁠⁠⁠⁠⁠https://lrb.me/applecrff⁠⁠⁠⁠⁠



In other podcast apps: ⁠⁠⁠⁠⁠https://lrb.me/closereadingsff⁠⁠⁠⁠



Read more in the LRB:



Colin Burrow: Fiction and the Age of Lies

⁠https://www.lrb.co.uk/the-paper/v42/n04/colin-burrow/fiction-and-the-age-of-lies⁠



Marina Warner on fairytale:

⁠https://www.lrb.co.uk/the-paper/v12/n21/marina-warner/that-which-is-spoken⁠



Jonathan Lethem on Stanisław Lem and Science Fiction:

⁠https://www.lrb.co.uk/the-paper/v44/n03/jonathan-lethem/my-year-of-reading-lemmishly⁠



A.D. Nuttall on the rhetoric of the fantastic:

⁠https://www.lrb.co.uk/the-paper/v04/n21/a.d.-nuttall/really-fantastic</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Though the last twelve episodes have taken Marina Warner and her interlocutors through many worlds and texts, no series could ever encompass the full scope of fantastic literature. This episode, recorded live at Swedenborg House, is an attempt to fill the gaps, or fail heroically. Marina and Adam Thirlwell are joined by Edwin Frank, editorial director of the New York Review Books and author of ‘Stranger than Fiction: Lives of the Twentieth Century Novel’. Together they assess existing canons and definitions, redefine and rediscover categories and exceptions, and consider the pleasures and uses of the fantastic.</p>
<p><br></p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p><br></p>
<p>Directly in Apple Podcasts: ⁠⁠⁠⁠⁠https://lrb.me/applecrff⁠⁠⁠⁠⁠</p>
<p><br></p>
<p>In other podcast apps: ⁠⁠⁠⁠⁠https://lrb.me/closereadingsff⁠⁠⁠⁠</p>
<p><br></p>
<p><strong>Read more in the LRB:</strong></p>
<p><br></p>
<p>Colin Burrow: Fiction and the Age of Lies</p>
<p><a href="https://www.lrb.co.uk/the-paper/v42/n04/colin-burrow/fiction-and-the-age-of-lies">⁠https://www.lrb.co.uk/the-paper/v42/n04/colin-burrow/fiction-and-the-age-of-lies⁠</a></p>
<p><br></p>
<p>Marina Warner on fairytale:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v12/n21/marina-warner/that-which-is-spoken">⁠https://www.lrb.co.uk/the-paper/v12/n21/marina-warner/that-which-is-spoken⁠</a></p>
<p><br></p>
<p>Jonathan Lethem on Stanisław Lem and Science Fiction:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v44/n03/jonathan-lethem/my-year-of-reading-lemmishly">⁠https://www.lrb.co.uk/the-paper/v44/n03/jonathan-lethem/my-year-of-reading-lemmishly⁠</a></p>
<p><br></p>
<p>A.D. Nuttall on the rhetoric of the fantastic:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v04/n21/a.d.-nuttall/really-fantastic">⁠https://www.lrb.co.uk/the-paper/v04/n21/a.d.-nuttall/really-fantastic</a></p>]]>
      </content:encoded>
      <itunes:duration>946</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[abf4ef64-d868-11f0-b5d8-c3a2fb21c6f5]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB1611919654.mp3?updated=1766066110" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Conversations in Philosophy: 'To the Lighthouse' by Virginia Woolf</title>
      <description>In 1908, Virginia Woolf wrote that she hoped to revolutionise the novel and ‘capture multitudes of things at present fugitive’. ‘To the Lighthouse’ (1927) marks perhaps her fullest realisation of the novel as philosophical enterprise, and not simply because one of its central characters is engaged with the problem of ‘subject and object and the nature of reality’. In the final episode of their series, Jonathan and James consider different ways of reading Woolf’s great novel: as a satirical portrait of her father through Mr Ramsay, as a study of creative expression through Lily Briscoe, or as a mystical, Platonic quest in which form and style respond to philosophical propositions, and the truth of human experience is to be found in movement, conversation and laughter.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠https://lrb.me/applecrcip⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠https://lrb.me/closereadingscip⁠

Read more in the LRB:

Jacqueline Rose: Where's Woolf? https://lrb.me/cipep13woolf1

Virgina Woolf: The Symbol https://lrb.me/cipep13woolf2

John Bayley: Superchild https://lrb.me/cipep13woolf3</description>
      <pubDate>Mon, 08 Dec 2025 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>12</itunes:season>
      <itunes:episode>14</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/be996408-d1e5-11f0-809e-33e3fa5eb3aa/image/8157906b59de4e3439b6949f163eef20.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In 1908, Virginia Woolf wrote that she hoped to revolutionise the novel and ‘capture multitudes of things at present fugitive’. ‘To the Lighthouse’ (1927) marks perhaps her fullest realisation of the novel as philosophical enterprise, and not simply because one of its central characters is engaged with the problem of ‘subject and object and the nature of reality’. In the final episode of their series, Jonathan and James consider different ways of reading Woolf’s great novel: as a satirical portrait of her father through Mr Ramsay, as a study of creative expression through Lily Briscoe, or as a mystical, Platonic quest in which form and style respond to philosophical propositions, and the truth of human experience is to be found in movement, conversation and laughter.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠https://lrb.me/applecrcip⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠https://lrb.me/closereadingscip⁠

Read more in the LRB:

Jacqueline Rose: Where's Woolf? https://lrb.me/cipep13woolf1

Virgina Woolf: The Symbol https://lrb.me/cipep13woolf2

John Bayley: Superchild https://lrb.me/cipep13woolf3</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1908, Virginia Woolf wrote that she hoped to revolutionise the novel and ‘capture multitudes of things at present fugitive’. ‘To the Lighthouse’ (1927) marks perhaps her fullest realisation of the novel as philosophical enterprise, and not simply because one of its central characters is engaged with the problem of ‘subject and object and the nature of reality’. In the final episode of their series, Jonathan and James consider different ways of reading Woolf’s great novel: as a satirical portrait of her father through Mr Ramsay, as a study of creative expression through Lily Briscoe, or as a mystical, Platonic quest in which form and style respond to philosophical propositions, and the truth of human experience is to be found in movement, conversation and laughter.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: ⁠⁠⁠⁠⁠<a href="https://lrb.me/applecrcip">https://lrb.me/applecrcip⁠⁠⁠⁠⁠</a></p>
<p>In other podcast apps: ⁠⁠⁠⁠⁠<a href="https://lrb.me/closereadingscip">https://lrb.me/closereadingscip⁠</a></p>
<p>Read more in the LRB:</p>
<p>Jacqueline Rose: Where's Woolf? <a href="https://lrb.me/cipep13woolf1">https://lrb.me/cipep13woolf1</a></p>
<p>Virgina Woolf: The Symbol <a href="https://lrb.me/cipep13woolf2">https://lrb.me/cipep13woolf2</a></p>
<p>John Bayley: Superchild <a href="https://lrb.me/cipep13woolf3">https://lrb.me/cipep13woolf3</a></p>]]>
      </content:encoded>
      <itunes:duration>1138</itunes:duration>
      <guid isPermaLink="false"><![CDATA[be996408-d1e5-11f0-809e-33e3fa5eb3aa]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB9355152429.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Novel Approaches: ‘The Mayor of Casterbridge’ by Thomas Hardy</title>
      <description>After drunkenly selling his wife and child at auction, a young Michael Henchard resolves to live differently – and does so, skyrocketing from impoverished haytrusser to mayor of his adoptive town. Every unexpected disaster and sudden reversal in The Mayor of Casterbridge stems from its opening, in a plot which draws as much from realist fiction as Shakespearean tragedy and the sensation novel. 

Mary Wellesley and Mark Ford join Clare Bucknell to unpick the many strands in Thomas Hardy’s first Wessex novel. They explore how the novel – at once ‘algorithmic’, theatrical and fatalistic – is suffused with Hardy’s class anxieties, affinity with Dorset and fascination with pagan England.

Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠

Further reading and listening from the LRB:

Mary and Mark discuss Hardy’s medievalism on the LRB Podcast: 

⁠⁠https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/thomas-hardy-s-medieval-mind⁠⁠



Mark discusses Poems of 1912-13 with Seamus Perry in Love and Death: 

⁠⁠https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings/love-and-death-poems-of-1912-13-by-thomas-hardy⁠⁠



 James Wood on Hardy’s life:⁠⁠ ⁠

⁠https://www.lrb.co.uk/the-paper/v29/n01/james-wood/anxious-pleasures⁠⁠



Hugh Haughton on Hardy’s ghosts: 

⁠⁠https://www.lrb.co.uk/the-paper/v07/n21/hugh-haughton/ghosts⁠⁠



Next episode: New Grub Street by George Gissing.</description>
      <pubDate>Mon, 01 Dec 2025 06:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>15</itunes:season>
      <itunes:episode>13</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/18980b78-cc80-11f0-b28e-9b1a92d041c0/image/3e54e252055bbcde520a16348b5644bb.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>After drunkenly selling his wife and child at auction, a young Michael Henchard resolves to live differently – and does so, skyrocketing from impoverished haytrusser to mayor of his adoptive town. Every unexpected disaster and sudden reversal in The Mayor of Casterbridge stems from its opening, in a plot which draws as much from realist fiction as Shakespearean tragedy and the sensation novel. 

Mary Wellesley and Mark Ford join Clare Bucknell to unpick the many strands in Thomas Hardy’s first Wessex novel. They explore how the novel – at once ‘algorithmic’, theatrical and fatalistic – is suffused with Hardy’s class anxieties, affinity with Dorset and fascination with pagan England.

Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠

Further reading and listening from the LRB:

Mary and Mark discuss Hardy’s medievalism on the LRB Podcast: 

⁠⁠https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/thomas-hardy-s-medieval-mind⁠⁠



Mark discusses Poems of 1912-13 with Seamus Perry in Love and Death: 

⁠⁠https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings/love-and-death-poems-of-1912-13-by-thomas-hardy⁠⁠



 James Wood on Hardy’s life:⁠⁠ ⁠

⁠https://www.lrb.co.uk/the-paper/v29/n01/james-wood/anxious-pleasures⁠⁠



Hugh Haughton on Hardy’s ghosts: 

⁠⁠https://www.lrb.co.uk/the-paper/v07/n21/hugh-haughton/ghosts⁠⁠



Next episode: New Grub Street by George Gissing.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>After drunkenly selling his wife and child at auction, a young Michael Henchard resolves to live differently – and does so, skyrocketing from impoverished haytrusser to mayor of his adoptive town. Every unexpected disaster and sudden reversal in <em>The Mayor of Casterbridge</em> stems from its opening, in a plot which draws as much from realist fiction as Shakespearean tragedy and the sensation novel. </p>
<p>Mary Wellesley and Mark Ford join Clare Bucknell to unpick the many strands in Thomas Hardy’s first Wessex novel. They explore how the novel – at once ‘algorithmic’, theatrical and fatalistic – is suffused with Hardy’s class anxieties, affinity with Dorset and fascination with pagan England.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrna">⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠⁠⁠⁠</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsna">⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠</a></p>
<p><strong>Further reading and listening from the </strong><em><strong>LRB</strong></em><strong>:</strong></p>
<p>Mary and Mark discuss Hardy’s medievalism on the LRB Podcast: </p>
<p><a href="https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/thomas-hardy-s-medieval-mind">⁠⁠https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/thomas-hardy-s-medieval-mind⁠⁠</a></p>
<p><br></p>
<p>Mark discusses <em>Poems of 1912-13</em> with Seamus Perry in Love and Death: </p>
<p><a href="https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings/love-and-death-poems-of-1912-13-by-thomas-hardy">⁠⁠https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings/love-and-death-poems-of-1912-13-by-thomas-hardy⁠⁠</a></p>
<p><br></p>
<p> James Wood on Hardy’s life:<a href="https://www.lrb.co.uk/the-paper/v29/n01/james-wood/anxious-pleasures">⁠⁠ ⁠</a></p>
<p><a href="https://www.lrb.co.uk/the-paper/v29/n01/james-wood/anxious-pleasures">⁠https://www.lrb.co.uk/the-paper/v29/n01/james-wood/anxious-pleasures⁠⁠</a></p>
<p><br></p>
<p>Hugh Haughton on Hardy’s ghosts: </p>
<p><a href="https://www.lrb.co.uk/the-paper/v07/n21/hugh-haughton/ghosts">⁠⁠https://www.lrb.co.uk/the-paper/v07/n21/hugh-haughton/ghosts⁠⁠</a></p>
<p><br></p>
<p><strong>Next episode:</strong> <em>New Grub Street</em> by George Gissing.</p>]]>
      </content:encoded>
      <itunes:duration>819</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[18980b78-cc80-11f0-b28e-9b1a92d041c0]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB2060585188.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Next Year on Close Readings: Realism, Nature, Narrative Poems and a history of London</title>
      <description>We’re pleased to announce our four new Close Readings series starting in January next year:



‘Who’s Afraid of Realism?’ with James Wood and guests

‘Nature in Crisis’ with Meehan Crist and Peter Godfrey-Smith

‘Narrative Poems’ with Seamus Perry and Mark Ford

‘London Revisited’ with Rosemary Hill and guests

Bonus Series: 'The Man Behind the Curtain’ with Tom McCarthy and Thomas Jones



Episodes will appear on Monday every week, with a new episode from each series appearing every four weeks. Episodes from our bonus series, ‘The Man Behind the Curtain’, will come out every couple of months, either as extra episodes or live events: look out for announcements!



If you're not already a subscriber, sign up for just £4.99/month or £49.99/year to listen to these series plus all our past series in full:



Apple Podcasts: ⁠https://lrb.me/crintro2026apple⁠

Spotify and other podcast apps:  ⁠https://lrb.me/crintro2026sc⁠



Here are the works covered in each series:



‘Who’s Afraid of Realism?’ with James Wood and guests



Flaubert, 'Madame Bovary'

Dostoevsky, 'Notes from Underground'

Stories by Anton Chekhov

Tolstoy, 'The Death of Ivan Ilyich'

Kafka, 'Metamorphosis'

Woolf, 'Mrs Dalloway'

Rhys, 'Voyage in the Dark'

Bellow, 'Seize The Day'

Nabokov, 'Pnin'

Spark, 'The Prime of Miss Jean Brodie'

Sharma, 'Family Life'

Stories by Lydia Davis

Riley, 'My Phantoms'



‘Nature in Crisis’ with Meehan Crist and Peter Godfrey-Smith



Carson, 'Silent Spring'

Schlanger, 'The Light Eaters'

Czerski, 'The Blue Machine'

Lovelock, 'Gaia'

Macfarlane, 'Is a River Alive?'

Kimmerer, 'Braiding Sweetgrass'

Raboteau, 'Lessons for Survival'

Moore and Roberts, 'The Rise of Ecofascism'

Riofrancos, 'Extraction: The Frontiers of Green Capitalism'



And more TBD



‘Narrative Poems’ with Seamus Perry and Mark Ford



Marlowe, ‘Hero and Leander’

Shakespeare, ‘Venus and Adonis’ and ‘The Rape of Lucrece’

Milton, Book 9 of ‘Paradise Lost’

Pope, ‘The Rape of the Lock’

Coleridge ‘The Rime of the Ancient Mariner’

Wordsworth, ‘The Ruined Cottage’ and ‘Michael’

Keats, ‘The Eve of St Agnes’ 

Browning, ‘Childe Roland to the Dark Tower Came’

Clough, ‘Amours de Voyage’

Tennyson, ‘Enoch Arden’

H.D., ‘Helen in Egypt’

Seth, ‘The Golden Gate’

Carson, ‘Autobiography of Red and ‘Red Doc&gt;’



‘London Revisited’  with Rosemary Hill



Each episode will cover a period of London’s history and begin with a piece of writing. The first episode, on Roman London, will start with an extract from Dio Cassius’s account of the Roman conquest from his Roman History.



‘The Man Behind the Curtain’ with Tom McCarthy and Thomas Jones



Cervantes, 'Don Quixote'

Shelley, 'Frankenstein'

Eliot, 'Middlemarch'

Joyce, 'Ulysses'

Ellison, 'Invisible Man'

Pynchon, 'Gravity’s Rainbow'</description>
      <pubDate>Sat, 29 Nov 2025 06:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/5257ee5a-cc71-11f0-bd63-c7c8bc2d5841/image/3009553df14a4fa35bc56cb5d64ea4e9.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>We’re pleased to announce our four new Close Readings series starting in January next year:



‘Who’s Afraid of Realism?’ with James Wood and guests

‘Nature in Crisis’ with Meehan Crist and Peter Godfrey-Smith

‘Narrative Poems’ with Seamus Perry and Mark Ford

‘London Revisited’ with Rosemary Hill and guests

Bonus Series: 'The Man Behind the Curtain’ with Tom McCarthy and Thomas Jones



Episodes will appear on Monday every week, with a new episode from each series appearing every four weeks. Episodes from our bonus series, ‘The Man Behind the Curtain’, will come out every couple of months, either as extra episodes or live events: look out for announcements!



If you're not already a subscriber, sign up for just £4.99/month or £49.99/year to listen to these series plus all our past series in full:



Apple Podcasts: ⁠https://lrb.me/crintro2026apple⁠

Spotify and other podcast apps:  ⁠https://lrb.me/crintro2026sc⁠



Here are the works covered in each series:



‘Who’s Afraid of Realism?’ with James Wood and guests



Flaubert, 'Madame Bovary'

Dostoevsky, 'Notes from Underground'

Stories by Anton Chekhov

Tolstoy, 'The Death of Ivan Ilyich'

Kafka, 'Metamorphosis'

Woolf, 'Mrs Dalloway'

Rhys, 'Voyage in the Dark'

Bellow, 'Seize The Day'

Nabokov, 'Pnin'

Spark, 'The Prime of Miss Jean Brodie'

Sharma, 'Family Life'

Stories by Lydia Davis

Riley, 'My Phantoms'



‘Nature in Crisis’ with Meehan Crist and Peter Godfrey-Smith



Carson, 'Silent Spring'

Schlanger, 'The Light Eaters'

Czerski, 'The Blue Machine'

Lovelock, 'Gaia'

Macfarlane, 'Is a River Alive?'

Kimmerer, 'Braiding Sweetgrass'

Raboteau, 'Lessons for Survival'

Moore and Roberts, 'The Rise of Ecofascism'

Riofrancos, 'Extraction: The Frontiers of Green Capitalism'



And more TBD



‘Narrative Poems’ with Seamus Perry and Mark Ford



Marlowe, ‘Hero and Leander’

Shakespeare, ‘Venus and Adonis’ and ‘The Rape of Lucrece’

Milton, Book 9 of ‘Paradise Lost’

Pope, ‘The Rape of the Lock’

Coleridge ‘The Rime of the Ancient Mariner’

Wordsworth, ‘The Ruined Cottage’ and ‘Michael’

Keats, ‘The Eve of St Agnes’ 

Browning, ‘Childe Roland to the Dark Tower Came’

Clough, ‘Amours de Voyage’

Tennyson, ‘Enoch Arden’

H.D., ‘Helen in Egypt’

Seth, ‘The Golden Gate’

Carson, ‘Autobiography of Red and ‘Red Doc&gt;’



‘London Revisited’  with Rosemary Hill



Each episode will cover a period of London’s history and begin with a piece of writing. The first episode, on Roman London, will start with an extract from Dio Cassius’s account of the Roman conquest from his Roman History.



‘The Man Behind the Curtain’ with Tom McCarthy and Thomas Jones



Cervantes, 'Don Quixote'

Shelley, 'Frankenstein'

Eliot, 'Middlemarch'

Joyce, 'Ulysses'

Ellison, 'Invisible Man'

Pynchon, 'Gravity’s Rainbow'</itunes:summary>
      <content:encoded>
        <![CDATA[<p>We’re pleased to announce our four new Close Readings series starting in January next year:</p>
<p><br></p>
<p>‘Who’s Afraid of Realism?’ with James Wood and guests</p>
<p>‘Nature in Crisis’ with Meehan Crist and Peter Godfrey-Smith</p>
<p>‘Narrative Poems’ with Seamus Perry and Mark Ford</p>
<p>‘London Revisited’ with Rosemary Hill and guests</p>
<p>Bonus Series: 'The Man Behind the Curtain’ with Tom McCarthy and Thomas Jones</p>
<p><br></p>
<p>Episodes will appear on Monday every week, with a new episode from each series appearing every four weeks. Episodes from our bonus series, ‘The Man Behind the Curtain’, will come out every couple of months, either as extra episodes or live events: look out for announcements!</p>
<p><br></p>
<p>If you're not already a subscriber, sign up for just £4.99/month or £49.99/year to listen to these series plus all our past series in full:</p>
<p><br></p>
<p>Apple Podcasts: ⁠https://lrb.me/crintro2026apple⁠</p>
<p>Spotify and other podcast apps:  ⁠https://lrb.me/crintro2026sc⁠</p>
<p><br></p>
<p>Here are the works covered in each series:</p>
<p><br></p>
<p>‘Who’s Afraid of Realism?’ with James Wood and guests</p>
<p><br></p>
<p>Flaubert, 'Madame Bovary'</p>
<p>Dostoevsky, 'Notes from Underground'</p>
<p>Stories by Anton Chekhov</p>
<p>Tolstoy, 'The Death of Ivan Ilyich'</p>
<p>Kafka, 'Metamorphosis'</p>
<p>Woolf, 'Mrs Dalloway'</p>
<p>Rhys, 'Voyage in the Dark'</p>
<p>Bellow, 'Seize The Day'</p>
<p>Nabokov, 'Pnin'</p>
<p>Spark, 'The Prime of Miss Jean Brodie'</p>
<p>Sharma, 'Family Life'</p>
<p>Stories by Lydia Davis</p>
<p>Riley, 'My Phantoms'</p>
<p><br></p>
<p>‘Nature in Crisis’ with Meehan Crist and Peter Godfrey-Smith</p>
<p><br></p>
<p>Carson, 'Silent Spring'</p>
<p>Schlanger, 'The Light Eaters'</p>
<p>Czerski, 'The Blue Machine'</p>
<p>Lovelock, 'Gaia'</p>
<p>Macfarlane, 'Is a River Alive?'</p>
<p>Kimmerer, 'Braiding Sweetgrass'</p>
<p>Raboteau, 'Lessons for Survival'</p>
<p>Moore and Roberts, 'The Rise of Ecofascism'</p>
<p>Riofrancos, 'Extraction: The Frontiers of Green Capitalism'</p>
<p><br></p>
<p>And more TBD</p>
<p><br></p>
<p>‘Narrative Poems’ with Seamus Perry and Mark Ford</p>
<p><br></p>
<p>Marlowe, ‘Hero and Leander’</p>
<p>Shakespeare, ‘Venus and Adonis’ and ‘The Rape of Lucrece’</p>
<p>Milton, Book 9 of ‘Paradise Lost’</p>
<p>Pope, ‘The Rape of the Lock’</p>
<p>Coleridge ‘The Rime of the Ancient Mariner’</p>
<p>Wordsworth, ‘The Ruined Cottage’ and ‘Michael’</p>
<p>Keats, ‘The Eve of St Agnes’ </p>
<p>Browning, ‘Childe Roland to the Dark Tower Came’</p>
<p>Clough, ‘Amours de Voyage’</p>
<p>Tennyson, ‘Enoch Arden’</p>
<p>H.D., ‘Helen in Egypt’</p>
<p>Seth, ‘The Golden Gate’</p>
<p>Carson, ‘Autobiography of Red and ‘Red Doc&gt;’</p>
<p><br></p>
<p>‘London Revisited’  with Rosemary Hill</p>
<p><br></p>
<p>Each episode will cover a period of London’s history and begin with a piece of writing. The first episode, on Roman London, will start with an extract from Dio Cassius’s account of the Roman conquest from his Roman History.</p>
<p><br></p>
<p>‘The Man Behind the Curtain’ with Tom McCarthy and Thomas Jones</p>
<p><br></p>
<p>Cervantes, 'Don Quixote'</p>
<p>Shelley, 'Frankenstein'</p>
<p>Eliot, 'Middlemarch'</p>
<p>Joyce, 'Ulysses'</p>
<p>Ellison, 'Invisible Man'</p>
<p>Pynchon, 'Gravity’s Rainbow'</p>]]>
      </content:encoded>
      <itunes:duration>1001</itunes:duration>
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    <item>
      <title>Love and Death: Thom Gunn and Paul Muldoon</title>
      <description>Thom Gunn’s career as an elegist was tied closely to the onset of the Aids epidemic in the 1980s, during which he saw many of his friends die. Despite loosening his early formalism after absorbing the work of the New American Poets, Gunn’s vision of the poet was not as a confessional diarist but rather a careful stylist of well-wrought verse drawing on the traditions of Fulke Greville and Ben Jonson. In this episode, Seamus and Mark look at elegies including ‘Talbot Road’, ‘The Gas-poker’ and others from his celebrated collection The Man with Night Sweats, where Gunn combined this allusive, rhetorical style with a poignant realism to recreate his subjects. They then turn to the more self-reflexive, oblique elegies of Paul Muldoon, who has reinvented the form in richly-patterned, playful poems such as ‘The Soap Pig’ and ‘Incantata’.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrld⁠⁠⁠⁠⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsld⁠⁠⁠

More in the LRB:

Thom Gunn's 'Lament': ⁠⁠https://lrb.me/ldep12gunn1⁠

Colm Tóibín on Gunn: ⁠https://lrb.me/ldep12gunn2⁠

Michael Nott: Thom Gunn in New York: ⁠https://lrb.me/ldep12gunn3⁠

Markl Ford on Muldoon: ⁠https://lrb.me/ldep12muldoon1

Get in touch: podcasts@lrb.co.uk</description>
      <pubDate>Mon, 24 Nov 2025 11:55:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>14</itunes:season>
      <itunes:episode>13</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/cf9e3684-c92a-11f0-b23a-77b7a6112265/image/b5395d7543d1daf15bec0e7794935720.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Thom Gunn’s career as an elegist was tied closely to the onset of the Aids epidemic in the 1980s, during which he saw many of his friends die. Despite loosening his early formalism after absorbing the work of the New American Poets, Gunn’s vision of the poet was not as a confessional diarist but rather a careful stylist of well-wrought verse drawing on the traditions of Fulke Greville and Ben Jonson. In this episode, Seamus and Mark look at elegies including ‘Talbot Road’, ‘The Gas-poker’ and others from his celebrated collection The Man with Night Sweats, where Gunn combined this allusive, rhetorical style with a poignant realism to recreate his subjects. They then turn to the more self-reflexive, oblique elegies of Paul Muldoon, who has reinvented the form in richly-patterned, playful poems such as ‘The Soap Pig’ and ‘Incantata’.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrld⁠⁠⁠⁠⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsld⁠⁠⁠

More in the LRB:

Thom Gunn's 'Lament': ⁠⁠https://lrb.me/ldep12gunn1⁠

Colm Tóibín on Gunn: ⁠https://lrb.me/ldep12gunn2⁠

Michael Nott: Thom Gunn in New York: ⁠https://lrb.me/ldep12gunn3⁠

Markl Ford on Muldoon: ⁠https://lrb.me/ldep12muldoon1

Get in touch: podcasts@lrb.co.uk</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Thom Gunn’s career as an elegist was tied closely to the onset of the Aids epidemic in the 1980s, during which he saw many of his friends die. Despite loosening his early formalism after absorbing the work of the New American Poets, Gunn’s vision of the poet was not as a confessional diarist but rather a careful stylist of well-wrought verse drawing on the traditions of Fulke Greville and Ben Jonson. In this episode, Seamus and Mark look at elegies including ‘Talbot Road’, ‘The Gas-poker’ and others from his celebrated collection The Man with Night Sweats, where Gunn combined this allusive, rhetorical style with a poignant realism to recreate his subjects. They then turn to the more self-reflexive, oblique elegies of Paul Muldoon, who has reinvented the form in richly-patterned, playful poems such as ‘The Soap Pig’ and ‘Incantata’.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠<a href="https://lrb.me/applecrld">⁠https://lrb.me/applecrld⁠⁠⁠⁠⁠⁠⁠⁠</a>⁠</p>
<p>In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠<a href="https://lrb.me/closereadingsld">⁠https://lrb.me/closereadingsld⁠⁠⁠</a></p>
<p>More in the LRB:</p>
<p>Thom Gunn's 'Lament': <a href="https://lrb.me/ldep12gunn1">⁠⁠https://lrb.me/ldep12gunn1⁠</a></p>
<p>Colm Tóibín on Gunn: <a href="https://lrb.me/ldep12gunn2">⁠https://lrb.me/ldep12gunn2⁠</a></p>
<p>Michael Nott: Thom Gunn in New York: <a href="https://lrb.me/ldep12gunn3">⁠https://lrb.me/ldep12gunn3⁠</a></p>
<p>Markl Ford on Muldoon: <a href="https://lrb.me/ldep12muldoon1">⁠https://lrb.me/ldep12muldoon1</a></p>
<p>Get in touch: podcasts@lrb.co.uk</p>]]>
      </content:encoded>
      <itunes:duration>1056</itunes:duration>
      <guid isPermaLink="false"><![CDATA[cf9e3684-c92a-11f0-b23a-77b7a6112265]]></guid>
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    </item>
    <item>
      <title>Fiction and the Fantastic: Two Novels by Ursula K. Le Guin</title>
      <description>When the polymorphous writer Ursula K. Le Guin died in 2018, she left behind novels, short stories, poetry, essays, manifestos and French and Chinese translations. The huge and loyal readership among children and older readers that she built during her lifetime has only grown since her death, as has recognition of her work as ‘serious’ literature. Chafing against her confinement in genre fiction, she liberated sci-fi, fantasy and YA literature from the condescension to which they had long been subjected. In 2016, she joined the short list of authors to be published in their lifetime by the Library of America.



For the final regular episode of Fiction and the Fantastic (though there will be one more special episode) Marina and Chloe read ‘The Left Hand of Darkness’ and ‘The Dispossessed’: works of exceptional imaginative power and intellectual range, passionate idealism and keen-eyed observation. Is Le Guin’s status in both literary and ‘genre’ canons a testament to the force and clear-sightedness of her radical – even prophetic – political vision? And what does it mean for the fantastic if we accept her self-characterisation as a ‘realist of a larger reality’?



Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:



Directly in Apple Podcasts: ⁠⁠⁠⁠⁠https://lrb.me/applecrff⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠https://lrb.me/closereadingsff⁠⁠⁠⁠



Further reading and listening from the LRB:



Colin Burrow on Ursula K. Le Guin:

https://www.lrb.co.uk/the-paper/v43/n02/colin-burrow/it-s-not-jung-s-it-s-mine



A collection of writing on science fiction from the LRB:

https://www.lrb.co.uk/collections/in-hyperspace



Amia Srinivasan on Le Guin’s experiments with pronouns:

https://www.lrb.co.uk/the-paper/v42/n13/amia-srinivasan/he-she-one-they-ho-hus-hum-ita



Colin Burrow discusses Le Guin with Thomas Jones on the LRB Podcast:

https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/magical-authority



Next episode: A taxonomy of fantastic literature with Marina, Adam Thirlwell and Edwin Frank.</description>
      <pubDate>Mon, 17 Nov 2025 07:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>13</itunes:season>
      <itunes:episode>13</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/74cb0f5c-c31c-11f0-9718-93181603f12f/image/25610fd2b99f389800662b24f15f5f50.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>When the polymorphous writer Ursula K. Le Guin died in 2018, she left behind novels, short stories, poetry, essays, manifestos and French and Chinese translations. The huge and loyal readership among children and older readers that she built during her lifetime has only grown since her death, as has recognition of her work as ‘serious’ literature. Chafing against her confinement in genre fiction, she liberated sci-fi, fantasy and YA literature from the condescension to which they had long been subjected. In 2016, she joined the short list of authors to be published in their lifetime by the Library of America.



For the final regular episode of Fiction and the Fantastic (though there will be one more special episode) Marina and Chloe read ‘The Left Hand of Darkness’ and ‘The Dispossessed’: works of exceptional imaginative power and intellectual range, passionate idealism and keen-eyed observation. Is Le Guin’s status in both literary and ‘genre’ canons a testament to the force and clear-sightedness of her radical – even prophetic – political vision? And what does it mean for the fantastic if we accept her self-characterisation as a ‘realist of a larger reality’?



Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:



Directly in Apple Podcasts: ⁠⁠⁠⁠⁠https://lrb.me/applecrff⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠https://lrb.me/closereadingsff⁠⁠⁠⁠



Further reading and listening from the LRB:



Colin Burrow on Ursula K. Le Guin:

https://www.lrb.co.uk/the-paper/v43/n02/colin-burrow/it-s-not-jung-s-it-s-mine



A collection of writing on science fiction from the LRB:

https://www.lrb.co.uk/collections/in-hyperspace



Amia Srinivasan on Le Guin’s experiments with pronouns:

https://www.lrb.co.uk/the-paper/v42/n13/amia-srinivasan/he-she-one-they-ho-hus-hum-ita



Colin Burrow discusses Le Guin with Thomas Jones on the LRB Podcast:

https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/magical-authority



Next episode: A taxonomy of fantastic literature with Marina, Adam Thirlwell and Edwin Frank.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When the polymorphous writer Ursula K. Le Guin died in 2018, she left behind novels, short stories, poetry, essays, manifestos and French and Chinese translations. The huge and loyal readership among children and older readers that she built during her lifetime has only grown since her death, as has recognition of her work as ‘serious’ literature. Chafing against her confinement in genre fiction, she liberated sci-fi, fantasy and YA literature from the condescension to which they had long been subjected. In 2016, she joined the short list of authors to be published in their lifetime by the Library of America.</p>
<p><br></p>
<p>For the final regular episode of Fiction and the Fantastic (though there will be one more special episode) Marina and Chloe read ‘The Left Hand of Darkness’ and ‘The Dispossessed’: works of exceptional imaginative power and intellectual range, passionate idealism and keen-eyed observation. Is Le Guin’s status in both literary and ‘genre’ canons a testament to the force and clear-sightedness of her radical – even prophetic – political vision? And what does it mean for the fantastic if we accept her self-characterisation as a ‘realist of a larger reality’?</p>
<p><br></p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p><br></p>
<p>Directly in Apple Podcasts: ⁠⁠⁠⁠⁠https://lrb.me/applecrff⁠⁠⁠⁠⁠</p>
<p>In other podcast apps: ⁠⁠⁠⁠⁠https://lrb.me/closereadingsff⁠⁠⁠⁠</p>
<p><br></p>
<p>Further reading and listening from the LRB:</p>
<p><br></p>
<p>Colin Burrow on Ursula K. Le Guin:</p>
<p>https://www.lrb.co.uk/the-paper/v43/n02/colin-burrow/it-s-not-jung-s-it-s-mine</p>
<p><br></p>
<p>A collection of writing on science fiction from the LRB:</p>
<p>https://www.lrb.co.uk/collections/in-hyperspace</p>
<p><br></p>
<p>Amia Srinivasan on Le Guin’s experiments with pronouns:</p>
<p>https://www.lrb.co.uk/the-paper/v42/n13/amia-srinivasan/he-she-one-they-ho-hus-hum-ita</p>
<p><br></p>
<p>Colin Burrow discusses Le Guin with Thomas Jones on the LRB Podcast:</p>
<p>https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/magical-authority</p>
<p><br></p>
<p>Next episode: A taxonomy of fantastic literature with Marina, Adam Thirlwell and Edwin Frank.</p>]]>
      </content:encoded>
      <itunes:duration>843</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Conversations in Philosophy: 'The Sovereignty of Good' by Iris Murdoch</title>
      <description>Imagine a woman setting herself the task of liking her son’s choice of wife. At first she finds her daughter-in-law unbearable, but through the effort of seeing her clearly and justly she comes to accept and even appreciate the younger woman. For Iris Murdoch this is an example of moral labour, the struggle to achieve virtue that is understood intuitively by all of us. In her 1970 book The Sovereignty of Good, a collection of three lectures, Murdoch rejects the unambitious, ‘milk and water’ ethics of her fellow English moralists at Oxford in favour of a Platonic system in which morality has the same objectivity as mathematics. In this episode Jonathan and James discuss Murdoch’s lifelong philosophical project to establish what the rational unity of morality might be like without God. They consider her ideas of ‘unselfing’ and of goodness as a replacement for God, and what she got wrong about Sartre’s distinction between authenticity and sincerity.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠https://lrb.me/applecrcip⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠https://lrb.me/closereadingscip⁠

Further reading in the LRB:

Alexander Nehamas: John Bayley's 'Iris': https://lrb.me/cipep12murdoch1

James Wood: Existentialists and Mystics: https://lrb.me/cipep12murdoch2

Rosemary Hill on Iris Murdoch: https://lrb.me/cipep12murdoch3

Audiobooks from the LRB

Including Jonathan Rée's 'Becoming a Philosopher: Spinoza to Sartre': https://lrb.me/audiobookscip</description>
      <pubDate>Mon, 10 Nov 2025 11:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>12</itunes:season>
      <itunes:episode>13</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/49daf1ce-bbea-11f0-afbc-0b6689265ebc/image/8157906b59de4e3439b6949f163eef20.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Imagine a woman setting herself the task of liking her son’s choice of wife. At first she finds her daughter-in-law unbearable, but through the effort of seeing her clearly and justly she comes to accept and even appreciate the younger woman. For Iris Murdoch this is an example of moral labour, the struggle to achieve virtue that is understood intuitively by all of us. In her 1970 book The Sovereignty of Good, a collection of three lectures, Murdoch rejects the unambitious, ‘milk and water’ ethics of her fellow English moralists at Oxford in favour of a Platonic system in which morality has the same objectivity as mathematics. In this episode Jonathan and James discuss Murdoch’s lifelong philosophical project to establish what the rational unity of morality might be like without God. They consider her ideas of ‘unselfing’ and of goodness as a replacement for God, and what she got wrong about Sartre’s distinction between authenticity and sincerity.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠https://lrb.me/applecrcip⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠https://lrb.me/closereadingscip⁠

Further reading in the LRB:

Alexander Nehamas: John Bayley's 'Iris': https://lrb.me/cipep12murdoch1

James Wood: Existentialists and Mystics: https://lrb.me/cipep12murdoch2

Rosemary Hill on Iris Murdoch: https://lrb.me/cipep12murdoch3

Audiobooks from the LRB

Including Jonathan Rée's 'Becoming a Philosopher: Spinoza to Sartre': https://lrb.me/audiobookscip</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Imagine a woman setting herself the task of liking her son’s choice of wife. At first she finds her daughter-in-law unbearable, but through the effort of seeing her clearly and justly she comes to accept and even appreciate the younger woman. For Iris Murdoch this is an example of moral labour, the struggle to achieve virtue that is understood intuitively by all of us. In her 1970 book <em>The Sovereignty of Good</em>, a collection of three lectures, Murdoch rejects the unambitious, ‘milk and water’ ethics of her fellow English moralists at Oxford in favour of a Platonic system in which morality has the same objectivity as mathematics. In this episode Jonathan and James discuss Murdoch’s lifelong philosophical project to establish what the rational unity of morality might be like without God. They consider her ideas of ‘unselfing’ and of goodness as a replacement for God, and what she got wrong about Sartre’s distinction between authenticity and sincerity.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: ⁠⁠⁠⁠⁠<a href="https://lrb.me/applecrcip">https://lrb.me/applecrcip⁠⁠⁠⁠⁠</a></p>
<p>In other podcast apps: ⁠⁠⁠⁠⁠<a href="https://lrb.me/closereadingscip">https://lrb.me/closereadingscip⁠</a></p>
<p>Further reading in the LRB:</p>
<p>Alexander Nehamas: John Bayley's 'Iris': <a href="https://lrb.me/cipep12murdoch1">https://lrb.me/cipep12murdoch1</a></p>
<p>James Wood: Existentialists and Mystics: <a href="https://lrb.me/cipep12murdoch2">https://lrb.me/cipep12murdoch2</a></p>
<p>Rosemary Hill on Iris Murdoch: <a href="https://lrb.me/cipep12murdoch3">https://lrb.me/cipep12murdoch3</a></p>
<p>Audiobooks from the LRB</p>
<p>Including Jonathan Rée's 'Becoming a Philosopher: Spinoza to Sartre': <a href="https://cms.megaphone.fm/organizations/88b50b64-fb9f-11e7-bd58-1743cd86ef27/podcasts/9d0d2692-463f-11ed-9106-17b91703df3b/episodes/Audiobooks%20from%20the%20LRB%20Including%20Jonathan%20R%C3%A9e's%20'Becoming%20a%20Philosopher:%20Spinoza%20to%20Sartre':%20https://lrb.me/audiobookscip">https://lrb.me/audiobookscip</a></p>]]>
      </content:encoded>
      <itunes:duration>835</itunes:duration>
      <guid isPermaLink="false"><![CDATA[49daf1ce-bbea-11f0-afbc-0b6689265ebc]]></guid>
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    <item>
      <title>Novel Approaches: ‘Kidnapped’ by Robert Louis Stevenson</title>
      <description>Robert Louis Stevenson’s Kidnapped began life serialised in a children’s magazine, but its sophistication and depth won the lifelong admiration of Henry James. Set in the aftermath of the 1745 Jacobite rising, Kidnapped follows young lowlander David Balfour’s flight across the Highlands with the rebel Alan Breck Stewart. In Stevenson’s hands, a straightforward adventure story becomes a vivid exploration of friendship, the body, and social and political division. 

In this episode of Novel Approaches, Clare Bucknell is joined by Stevenson fans Andrew O’Hagan and Tom Crewe. They explore Stevenson’s startlingly modern handling of perspective and pacing, his approach to the art of fiction, and the value of being ‘betwixt and between’.



Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna



Further reading in the LRB:

Andrew O’Hagan on Stevenson’s life:⁠https://www.lrb.co.uk/the-paper/v27/n04/andrew-o-hagan/in-his-hot-head⁠

...his circle:⁠https://www.lrb.co.uk/the-paper/v42/n10/andrew-o-hagan/bournemouth⁠

...and his home in Edinburgh:⁠https://www.lrb.co.uk/the-paper/v46/n01/andrew-o-hagan/diary⁠

P.N. Furbank on R.L.S.’s letters:⁠https://www.lrb.co.uk/the-paper/v16/n16/p.n.-furbank/what-sort-of-man⁠

Matthew Bevis on Treasure Island:⁠https://www.lrb.co.uk/the-paper/v34/n20/matthew-bevis/kids-gone-rotten⁠



Next episode: The Mayor of Casterbridge by Thomas Hardy.</description>
      <pubDate>Mon, 03 Nov 2025 00:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>15</itunes:season>
      <itunes:episode>12</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/6deaadb8-b328-11f0-bf0f-0f5a75f6a1b7/image/f8e79f53bd65a087c9395d1f67d608ec.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Robert Louis Stevenson’s Kidnapped began life serialised in a children’s magazine, but its sophistication and depth won the lifelong admiration of Henry James. Set in the aftermath of the 1745 Jacobite rising, Kidnapped follows young lowlander David Balfour’s flight across the Highlands with the rebel Alan Breck Stewart. In Stevenson’s hands, a straightforward adventure story becomes a vivid exploration of friendship, the body, and social and political division. 

In this episode of Novel Approaches, Clare Bucknell is joined by Stevenson fans Andrew O’Hagan and Tom Crewe. They explore Stevenson’s startlingly modern handling of perspective and pacing, his approach to the art of fiction, and the value of being ‘betwixt and between’.



Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna



Further reading in the LRB:

Andrew O’Hagan on Stevenson’s life:⁠https://www.lrb.co.uk/the-paper/v27/n04/andrew-o-hagan/in-his-hot-head⁠

...his circle:⁠https://www.lrb.co.uk/the-paper/v42/n10/andrew-o-hagan/bournemouth⁠

...and his home in Edinburgh:⁠https://www.lrb.co.uk/the-paper/v46/n01/andrew-o-hagan/diary⁠

P.N. Furbank on R.L.S.’s letters:⁠https://www.lrb.co.uk/the-paper/v16/n16/p.n.-furbank/what-sort-of-man⁠

Matthew Bevis on Treasure Island:⁠https://www.lrb.co.uk/the-paper/v34/n20/matthew-bevis/kids-gone-rotten⁠



Next episode: The Mayor of Casterbridge by Thomas Hardy.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Robert Louis Stevenson’s <em>Kidnapped</em> began life serialised in a children’s magazine, but its sophistication and depth won the lifelong admiration of Henry James. Set in the aftermath of the 1745 Jacobite rising, <em>Kidnapped</em> follows young lowlander David Balfour’s flight across the Highlands with the rebel Alan Breck Stewart. In Stevenson’s hands, a straightforward adventure story becomes a vivid exploration of friendship, the body, and social and political division. </p>
<p>In this episode of Novel Approaches, Clare Bucknell is joined by Stevenson fans Andrew O’Hagan and Tom Crewe. They explore Stevenson’s startlingly modern handling of perspective and pacing, his approach to the art of fiction, and the value of being ‘betwixt and between’.</p>
<p><br></p>
<p>Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrna">⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsna">⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna</a></p>
<p><br></p>
<p><strong>Further reading in the </strong><em><strong>LRB</strong></em><strong>:</strong></p>
<p>Andrew O’Hagan on Stevenson’s life:<a href="https://www.lrb.co.uk/the-paper/v27/n04/andrew-o-hagan/in-his-hot-head">⁠https://www.lrb.co.uk/the-paper/v27/n04/andrew-o-hagan/in-his-hot-head⁠</a></p>
<p>...his circle:<a href="https://www.lrb.co.uk/the-paper/v42/n10/andrew-o-hagan/bournemouth">⁠https://www.lrb.co.uk/the-paper/v42/n10/andrew-o-hagan/bournemouth⁠</a></p>
<p>...and his home in Edinburgh:<a href="https://www.lrb.co.uk/the-paper/v46/n01/andrew-o-hagan/diary">⁠https://www.lrb.co.uk/the-paper/v46/n01/andrew-o-hagan/diary⁠</a></p>
<p>P.N. Furbank on R.L.S.’s letters:<a href="https://www.lrb.co.uk/the-paper/v16/n16/p.n.-furbank/what-sort-of-man">⁠https://www.lrb.co.uk/the-paper/v16/n16/p.n.-furbank/what-sort-of-man⁠</a></p>
<p>Matthew Bevis on <em>Treasure Island</em>:<a href="https://www.lrb.co.uk/the-paper/v34/n20/matthew-bevis/kids-gone-rotten">⁠https://www.lrb.co.uk/the-paper/v34/n20/matthew-bevis/kids-gone-rotten⁠</a></p>
<p><br></p>
<p><strong>Next episode:</strong> <em>The Mayor of Casterbridge</em> by Thomas Hardy.</p>]]>
      </content:encoded>
      <itunes:duration>1026</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6deaadb8-b328-11f0-bf0f-0f5a75f6a1b7]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB9854036827.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Love and Death: Elegies for Poets by Auden, Arnold and Schuyler</title>
      <description>When poets elegise other poets, the results are often more about self-scrutiny and analysis of the nature of poetry than about grief. Matthew Arnold commented on his elegy for Arthur Hugh Clough, ‘Thyrsis’ (1865), that ‘one has the feeling that not enough is said about Clough in it.’ In his elegy for W.B. Yeats (1939), Auden insists that ‘poetry makes nothing happen’. Both poems resist idealisation of their subject and use the elegy’s pastoral tradition as a way of distancing themselves from the poetic sensibility of their subject. In this episode, Seamus and Mark discuss the ways in which Arnold and Auden’s visions of what a poet should be aren’t so far apart, and finish with a look at James Schuyler’s similarly unromantic elegy for Auden, in which he finds ‘so little to say’.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrld⁠⁠⁠⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsld⁠⁠



Arnold's 'Thyrsis': ⁠⁠⁠⁠https://lrb.me/ldep11thyrsis⁠⁠⁠⁠

Auden's 'In Memory of W.B. Yeats': ⁠⁠⁠⁠https://lrb.me/ldep11yeats⁠⁠⁠⁠

More in the LRB:

Seamus Perry on Auden: ⁠⁠⁠⁠https://lrb.me/ldep11auden⁠⁠⁠⁠

Stefan Collini on Arnold: ⁠⁠⁠⁠https://lrb.me/ldep11arnold⁠</description>
      <pubDate>Mon, 27 Oct 2025 11:06:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>14</itunes:season>
      <itunes:episode>12</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/1b032214-b4aa-11f0-a1e6-bb4f657709ae/image/b5395d7543d1daf15bec0e7794935720.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>When poets elegise other poets, the results are often more about self-scrutiny and analysis of the nature of poetry than about grief. Matthew Arnold commented on his elegy for Arthur Hugh Clough, ‘Thyrsis’ (1865), that ‘one has the feeling that not enough is said about Clough in it.’ In his elegy for W.B. Yeats (1939), Auden insists that ‘poetry makes nothing happen’. Both poems resist idealisation of their subject and use the elegy’s pastoral tradition as a way of distancing themselves from the poetic sensibility of their subject. In this episode, Seamus and Mark discuss the ways in which Arnold and Auden’s visions of what a poet should be aren’t so far apart, and finish with a look at James Schuyler’s similarly unromantic elegy for Auden, in which he finds ‘so little to say’.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrld⁠⁠⁠⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsld⁠⁠



Arnold's 'Thyrsis': ⁠⁠⁠⁠https://lrb.me/ldep11thyrsis⁠⁠⁠⁠

Auden's 'In Memory of W.B. Yeats': ⁠⁠⁠⁠https://lrb.me/ldep11yeats⁠⁠⁠⁠

More in the LRB:

Seamus Perry on Auden: ⁠⁠⁠⁠https://lrb.me/ldep11auden⁠⁠⁠⁠

Stefan Collini on Arnold: ⁠⁠⁠⁠https://lrb.me/ldep11arnold⁠</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When poets elegise other poets, the results are often more about self-scrutiny and analysis of the nature of poetry than about grief. Matthew Arnold commented on his elegy for Arthur Hugh Clough, ‘Thyrsis’<em> </em>(1865), that ‘one has the feeling that not enough is said about Clough in it.’ In his elegy for W.B. Yeats (1939), Auden insists that ‘poetry makes nothing happen’. Both poems resist idealisation of their subject and use the elegy’s pastoral tradition as a way of distancing themselves from the poetic sensibility of their subject. In this episode, Seamus and Mark discuss the ways in which Arnold and Auden’s visions of what a poet should be aren’t so far apart, and finish with a look at James Schuyler’s similarly unromantic elegy for Auden, in which he finds ‘so little to say’.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: ⁠<a href="https://lrb.me/applecrld">⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrld⁠⁠⁠⁠⁠⁠⁠</a>⁠</p>
<p>In other podcast apps: ⁠<a href="https://lrb.me/closereadingsld">⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsld⁠⁠</a></p>
<p><br></p>
<p>Arnold's 'Thyrsis': <a href="https://lrb.me/ldep11thyrsis">⁠⁠⁠⁠https://lrb.me/ldep11thyrsis⁠⁠⁠⁠</a></p>
<p>Auden's 'In Memory of W.B. Yeats': <a href="https://lrb.me/ldep11yeats">⁠⁠⁠⁠https://lrb.me/ldep11yeats⁠⁠⁠⁠</a></p>
<p>More in the LRB:</p>
<p>Seamus Perry on Auden: <a href="https://lrb.me/ldep11auden">⁠⁠⁠⁠https://lrb.me/ldep11auden⁠⁠⁠⁠</a></p>
<p>Stefan Collini on Arnold: <a href="https://lrb.me/ldep11arnold">⁠⁠⁠⁠https://lrb.me/ldep11arnold⁠</a></p>]]>
      </content:encoded>
      <itunes:duration>901</itunes:duration>
      <guid isPermaLink="false"><![CDATA[1b032214-b4aa-11f0-a1e6-bb4f657709ae]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB5430240814.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Fiction and the Fantastic: J.G. Ballard and Angela Carter</title>
      <description>J.G. Ballard and Angela Carter were friends and co-conspirators in their witness to the postwar world and the liberation movements of the 1960s. Both were scathing in their antipathy towards the polite novels of manners and empire that still dominated English readers’ appreciation and expectations. Pioneers in the liminal spaces between literary and ‘genre’ fiction, and science fiction in particular, both of them are haunted by the visions of Swift, Shelley, Kafka and Borges. 



Ballard’s ‘The Atrocity Exhibition’ and ’The Passion of New Eve‘, considered together here along with Ballard’s short story ’The Drowned Giant‘, are vivid, fearless, still shocking novels of ideas – if ‘The Atrocity Exhibition’ can be described as a novel at all. Marina and Chloe discuss that question as they consider Ballard’s catalogue of contemporary violence and pop culture transgression. Then they turn to Carter’s own gleeful transgressions, born out of the ferment of 1970s cultural theory, which she explores and interrogates with inimitable style. But do the excesses of these works still speak to the present, and does their lack of restraint risk collapsing the whole category of the fantastic?



Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:



Directly in Apple Podcasts: ⁠⁠⁠⁠⁠https://lrb.me/applecrff⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠https://lrb.me/closereadingsff⁠⁠⁠⁠



Further reading in the LRB:



Susannah Clapp on Angela Carter:

⁠https://www.lrb.co.uk/the-paper/v14/n05/susannah-clapp/diary⁠



Edmund Gordon on J.G. Ballard:

⁠https://www.lrb.co.uk/the-paper/v46/n10/edmund-gordon/his-galactic-centrifuge⁠



Watch ‘If God is a snail...’, a film about Carter’s food writing for the LRB:

⁠https://www.youtube.com/watch?v=yxqr5O2JFvE⁠



Listen to Edmund Gordon discuss Ballard on the LRB Podcast:

⁠https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/on-j.g.-ballard⁠



Next episode: Ursula K. Le Guin.</description>
      <pubDate>Sun, 19 Oct 2025 23:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>13</itunes:season>
      <itunes:episode>12</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9860e9a6-ac32-11f0-851e-37e4486cf96a/image/25610fd2b99f389800662b24f15f5f50.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>J.G. Ballard and Angela Carter were friends and co-conspirators in their witness to the postwar world and the liberation movements of the 1960s. Both were scathing in their antipathy towards the polite novels of manners and empire that still dominated English readers’ appreciation and expectations. Pioneers in the liminal spaces between literary and ‘genre’ fiction, and science fiction in particular, both of them are haunted by the visions of Swift, Shelley, Kafka and Borges. 



Ballard’s ‘The Atrocity Exhibition’ and ’The Passion of New Eve‘, considered together here along with Ballard’s short story ’The Drowned Giant‘, are vivid, fearless, still shocking novels of ideas – if ‘The Atrocity Exhibition’ can be described as a novel at all. Marina and Chloe discuss that question as they consider Ballard’s catalogue of contemporary violence and pop culture transgression. Then they turn to Carter’s own gleeful transgressions, born out of the ferment of 1970s cultural theory, which she explores and interrogates with inimitable style. But do the excesses of these works still speak to the present, and does their lack of restraint risk collapsing the whole category of the fantastic?



Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:



Directly in Apple Podcasts: ⁠⁠⁠⁠⁠https://lrb.me/applecrff⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠https://lrb.me/closereadingsff⁠⁠⁠⁠



Further reading in the LRB:



Susannah Clapp on Angela Carter:

⁠https://www.lrb.co.uk/the-paper/v14/n05/susannah-clapp/diary⁠



Edmund Gordon on J.G. Ballard:

⁠https://www.lrb.co.uk/the-paper/v46/n10/edmund-gordon/his-galactic-centrifuge⁠



Watch ‘If God is a snail...’, a film about Carter’s food writing for the LRB:

⁠https://www.youtube.com/watch?v=yxqr5O2JFvE⁠



Listen to Edmund Gordon discuss Ballard on the LRB Podcast:

⁠https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/on-j.g.-ballard⁠



Next episode: Ursula K. Le Guin.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>J.G. Ballard and Angela Carter were friends and co-conspirators in their witness to the postwar world and the liberation movements of the 1960s. Both were scathing in their antipathy towards the polite novels of manners and empire that still dominated English readers’ appreciation and expectations. Pioneers in the liminal spaces between literary and ‘genre’ fiction, and science fiction in particular, both of them are haunted by the visions of Swift, Shelley, Kafka and Borges. </p>
<p><br></p>
<p>Ballard’s ‘The Atrocity Exhibition’ and ’The Passion of New Eve‘, considered together here along with Ballard’s short story ’The Drowned Giant‘, are vivid, fearless, still shocking novels of ideas – if ‘The Atrocity Exhibition’ can be described as a novel at all. Marina and Chloe discuss that question as they consider Ballard’s catalogue of contemporary violence and pop culture transgression. Then they turn to Carter’s own gleeful transgressions, born out of the ferment of 1970s cultural theory, which she explores and interrogates with inimitable style. But do the excesses of these works still speak to the present, and does their lack of restraint risk collapsing the whole category of the fantastic?</p>
<p><br></p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p><br></p>
<p>Directly in Apple Podcasts: ⁠⁠⁠⁠⁠https://lrb.me/applecrff⁠⁠⁠⁠⁠</p>
<p>In other podcast apps: ⁠⁠⁠⁠⁠https://lrb.me/closereadingsff⁠⁠⁠⁠</p>
<p><br></p>
<p>Further reading in the LRB:</p>
<p><br></p>
<p>Susannah Clapp on Angela Carter:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v14/n05/susannah-clapp/diary">⁠https://www.lrb.co.uk/the-paper/v14/n05/susannah-clapp/diary⁠</a></p>
<p><br></p>
<p>Edmund Gordon on J.G. Ballard:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v46/n10/edmund-gordon/his-galactic-centrifuge%E2%81%A0">⁠https://www.lrb.co.uk/the-paper/v46/n10/edmund-gordon/his-galactic-centrifuge⁠</a></p>
<p><br></p>
<p>Watch ‘If God is a snail...’, a film about Carter’s food writing for the LRB:</p>
<p><a href="https://www.youtube.com/watch?v=yxqr5O2JFvE">⁠https://www.youtube.com/watch?v=yxqr5O2JFvE⁠</a></p>
<p><br></p>
<p>Listen to Edmund Gordon discuss Ballard on the LRB Podcast:</p>
<p><a href="https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/on-j.g.-ballard">⁠https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/on-j.g.-ballard⁠</a></p>
<p><br></p>
<p>Next episode: Ursula K. Le Guin.</p>]]>
      </content:encoded>
      <itunes:duration>899</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[9860e9a6-ac32-11f0-851e-37e4486cf96a]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB5487754721.mp3?updated=1760907968" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Conversations in Philosophy: 'The Fall' by Albert Camus</title>
      <description>Never trust anyone who tries to be ethically pure. This is the message of Albert Camus’s short novel La Chute (The Fall), in which a retired French lawyer tells a stranger in a bar in Amsterdam about a series of incidents that led to a profound personal crisis. The self-described ‘judge-penitent’ had once thought himself to be morally irreproachable, but an encounter with a woman on a bridge and a mysterious laugh left him tormented by a sense of hypocrisy. In this episode, Jonathan and James follow Camus’s slippery hero as he tries and fails to undergo a moral revolution, and look at the ways in which the novel’s lightness of style allows for twisted inversions of conventional morality. They also consider the similarities between Camus’s novels and those of Simone de Beauvoir, and his fractious relationship with Jean-Paul Sartre.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠https://lrb.me/applecrcip⁠⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingscip⁠⁠

Further reading in the LRB:

Jeremy Harding: Algeria's Camus: ⁠⁠https://lrb.me/cip11camus1⁠⁠

Jacqueline Rose: 'The Plague': ⁠⁠https://lrb.me/cip11camus3⁠⁠

Adam Shatz: Camus in the New World: ⁠⁠https://lrb.me/cip11camus2⁠⁠

Audiobooks from the LRB

Including Jonathan Rée's 'Becoming a Philosopher: Spinoza to Sartre': ⁠⁠⁠⁠https://lrb.me/audiobookscip⁠</description>
      <pubDate>Mon, 13 Oct 2025 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>12</itunes:season>
      <itunes:episode>12</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/5b207db6-a5ea-11f0-92ab-279d120e64b3/image/8157906b59de4e3439b6949f163eef20.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Never trust anyone who tries to be ethically pure. This is the message of Albert Camus’s short novel La Chute (The Fall), in which a retired French lawyer tells a stranger in a bar in Amsterdam about a series of incidents that led to a profound personal crisis. The self-described ‘judge-penitent’ had once thought himself to be morally irreproachable, but an encounter with a woman on a bridge and a mysterious laugh left him tormented by a sense of hypocrisy. In this episode, Jonathan and James follow Camus’s slippery hero as he tries and fails to undergo a moral revolution, and look at the ways in which the novel’s lightness of style allows for twisted inversions of conventional morality. They also consider the similarities between Camus’s novels and those of Simone de Beauvoir, and his fractious relationship with Jean-Paul Sartre.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠https://lrb.me/applecrcip⁠⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingscip⁠⁠

Further reading in the LRB:

Jeremy Harding: Algeria's Camus: ⁠⁠https://lrb.me/cip11camus1⁠⁠

Jacqueline Rose: 'The Plague': ⁠⁠https://lrb.me/cip11camus3⁠⁠

Adam Shatz: Camus in the New World: ⁠⁠https://lrb.me/cip11camus2⁠⁠

Audiobooks from the LRB

Including Jonathan Rée's 'Becoming a Philosopher: Spinoza to Sartre': ⁠⁠⁠⁠https://lrb.me/audiobookscip⁠</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Never trust anyone who tries to be ethically pure. This is the message of Albert Camus’s short novel <em>La Chute</em> (<em>The Fall</em>), in which a retired French lawyer tells a stranger in a bar in Amsterdam about a series of incidents that led to a profound personal crisis. The self-described ‘judge-penitent’ had once thought himself to be morally irreproachable, but an encounter with a woman on a bridge and a mysterious laugh left him tormented by a sense of hypocrisy. In this episode, Jonathan and James follow Camus’s slippery hero as he tries and fails to undergo a moral revolution,<strong> </strong>and look at the ways in which the novel’s lightness of style allows for twisted inversions of conventional morality. They also consider the similarities between Camus’s novels and those of Simone de Beauvoir, and his fractious relationship with Jean-Paul Sartre.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrcip">⁠⁠⁠⁠⁠⁠https://lrb.me/applecrcip⁠⁠⁠⁠⁠⁠</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingscip">⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingscip⁠⁠</a></p>
<p>Further reading in the LRB:</p>
<p>Jeremy Harding: Algeria's Camus: <a href="https://lrb.me/cip11camus1">⁠⁠https://lrb.me/cip11camus1⁠⁠</a></p>
<p>Jacqueline Rose: 'The Plague': <a href="https://lrb.me/cip11camus3">⁠⁠https://lrb.me/cip11camus3⁠⁠</a></p>
<p>Adam Shatz: Camus in the New World: <a href="https://lrb.me/cip11camus2">⁠⁠https://lrb.me/cip11camus2⁠⁠</a></p>
<p>Audiobooks from the LRB</p>
<p>Including Jonathan Rée's 'Becoming a Philosopher: Spinoza to Sartre': <a href="%E2%81%A0https://lrb.me/audiobookscip">⁠⁠⁠⁠https://lrb.me/audiobookscip⁠</a></p>]]>
      </content:encoded>
      <itunes:duration>949</itunes:duration>
      <guid isPermaLink="false"><![CDATA[5b207db6-a5ea-11f0-92ab-279d120e64b3]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB6271559759.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Novel Approaches: ‘The Portrait of a Lady’ by Henry James</title>
      <description>In The Portrait of a Lady, Henry James borrows from Eliot, Austen, folktales and potboilers, but ‘the thing that he took from nowhere was Isabel Archer’. James transformed the 19th-century novel through his evocation of Isabel, a woman who wants and suffers in a profoundly new (and American) way. 

Deborah Friedell and Colm Toíbín join Tom to discuss the novel that established Henry James as ‘the Master’. They dissect James’s and his characters’ complicated motivations, the significance of his 1905-6 revisions, and the ways in which a ‘primitive plot’ irrupts in a painstakingly subtle and stylish novel.



Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠



Further reading in the LRB:



Colm Toíbín on Henry James:

⁠https://www.lrb.co.uk/the-paper/v30/n01/colm-toibin/a-man-with-my-trouble⁠



Ruth Bernard Yeazell on Henry James’s life and notebooks:

⁠https://www.lrb.co.uk/the-paper/v10/n01/ruth-bernard-yeazell/the-henry-james-show⁠



James Wood on The Portrait of a Lady:

⁠https://www.lrb.co.uk/the-paper/v34/n19/james-wood/perfuming-the-money-issue⁠



Next time on Novel Approaches: 'Kidnapped!' by Robert Louis Stevenson.



LRB Audiobooks

Discover audiobooks from the LRB: ⁠⁠⁠⁠⁠https://lrb.me/audiobooksna</description>
      <pubDate>Sun, 05 Oct 2025 23:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>15</itunes:season>
      <itunes:episode>11</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/7ef75ed4-a055-11f0-a131-b31005b1a1ce/image/f8e79f53bd65a087c9395d1f67d608ec.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In The Portrait of a Lady, Henry James borrows from Eliot, Austen, folktales and potboilers, but ‘the thing that he took from nowhere was Isabel Archer’. James transformed the 19th-century novel through his evocation of Isabel, a woman who wants and suffers in a profoundly new (and American) way. 

Deborah Friedell and Colm Toíbín join Tom to discuss the novel that established Henry James as ‘the Master’. They dissect James’s and his characters’ complicated motivations, the significance of his 1905-6 revisions, and the ways in which a ‘primitive plot’ irrupts in a painstakingly subtle and stylish novel.



Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠



Further reading in the LRB:



Colm Toíbín on Henry James:

⁠https://www.lrb.co.uk/the-paper/v30/n01/colm-toibin/a-man-with-my-trouble⁠



Ruth Bernard Yeazell on Henry James’s life and notebooks:

⁠https://www.lrb.co.uk/the-paper/v10/n01/ruth-bernard-yeazell/the-henry-james-show⁠



James Wood on The Portrait of a Lady:

⁠https://www.lrb.co.uk/the-paper/v34/n19/james-wood/perfuming-the-money-issue⁠



Next time on Novel Approaches: 'Kidnapped!' by Robert Louis Stevenson.



LRB Audiobooks

Discover audiobooks from the LRB: ⁠⁠⁠⁠⁠https://lrb.me/audiobooksna</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <em>The Portrait of a Lady</em>, Henry James borrows from Eliot, Austen, folktales and potboilers, but ‘the thing that he took from nowhere was Isabel Archer’. James transformed the 19th-century novel through his evocation of Isabel, a woman who wants and suffers in a profoundly new (and American) way. </p>
<p>Deborah Friedell and Colm Toíbín join Tom to discuss the novel that established Henry James as ‘the Master’. They dissect James’s and his characters’ complicated motivations, the significance of his 1905-6 revisions, and the ways in which a ‘primitive plot’ irrupts in a painstakingly subtle and stylish novel.</p>
<p><br></p>
<p>Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrna">⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsna">⁠⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠</a></p>
<p><br></p>
<p><strong>Further reading in the </strong><em><strong>LRB</strong></em><strong>:</strong></p>
<p><br></p>
<p>Colm Toíbín on Henry James:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v30/n01/colm-toibin/a-man-with-my-trouble">⁠https://www.lrb.co.uk/the-paper/v30/n01/colm-toibin/a-man-with-my-trouble⁠</a></p>
<p><br></p>
<p>Ruth Bernard Yeazell on Henry James’s life and notebooks:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v10/n01/ruth-bernard-yeazell/the-henry-james-show">⁠https://www.lrb.co.uk/the-paper/v10/n01/ruth-bernard-yeazell/the-henry-james-show⁠</a></p>
<p><br></p>
<p>James Wood on <em>The Portrait of a Lady</em>:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v34/n19/james-wood/perfuming-the-money-issue">⁠https://www.lrb.co.uk/the-paper/v34/n19/james-wood/perfuming-the-money-issue⁠</a></p>
<p><br></p>
<p>Next time on Novel Approaches: 'Kidnapped!' by Robert Louis Stevenson.</p>
<p><br></p>
<p><strong>LRB Audiobooks</strong></p>
<p>Discover audiobooks from the LRB: <a href="https://lrb.me/audiobooksna">⁠⁠⁠⁠⁠https://lrb.me/audiobooksna</a></p>]]>
      </content:encoded>
      <itunes:duration>878</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[7ef75ed4-a055-11f0-a131-b31005b1a1ce]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB2653625404.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Love and Death: 'Surge' by Jay Bernard and 'In Nearby Bushes' by Kei Miller</title>
      <description>Jay Bernard’s 'Surge' and Kei Miller’s 'In Nearby Bushes', both published in 2019, address acts of violence whose victims were not directly known to the writers: in Surge, the deaths of thirteen Black teenagers in the New Cross Fire of 1981; in Miller’s poem, a series of rapes and murders in Jamaica. Both can be seen as collective elegies, interleaving newspaper and medical reports, and other archival documents, with more lyrical passages, and both can be read as comments on the state of the nation as well as personal expressions of desolation. While Bernard’s poem opens out into an investigation of radical Black history and the marginalisation of Black communities in London, Miller uses blanked-out newspaper items, among other techniques, to search for the ‘understory’, an experience beyond language, which is in turn connected to colonial, and pre-colonial, Jamaica. In this episode, Mark and Seamus consider the different ways these poets respond to the shocking events they depict, while also incorporating them into a broader poetic landscape.

Watch Jay Bernard reading from 'Surge' at the London Review Bookshop: https://youtu.be/XTZKYEimq2Y

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠⁠⁠⁠https://lrb.me/applecrld⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠https://lrb.me/closereadingsld</description>
      <pubDate>Mon, 29 Sep 2025 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>14</itunes:season>
      <itunes:episode>11</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b0856f56-9ae5-11f0-966f-d31fa6588ae6/image/b5395d7543d1daf15bec0e7794935720.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Jay Bernard’s 'Surge' and Kei Miller’s 'In Nearby Bushes', both published in 2019, address acts of violence whose victims were not directly known to the writers: in Surge, the deaths of thirteen Black teenagers in the New Cross Fire of 1981; in Miller’s poem, a series of rapes and murders in Jamaica. Both can be seen as collective elegies, interleaving newspaper and medical reports, and other archival documents, with more lyrical passages, and both can be read as comments on the state of the nation as well as personal expressions of desolation. While Bernard’s poem opens out into an investigation of radical Black history and the marginalisation of Black communities in London, Miller uses blanked-out newspaper items, among other techniques, to search for the ‘understory’, an experience beyond language, which is in turn connected to colonial, and pre-colonial, Jamaica. In this episode, Mark and Seamus consider the different ways these poets respond to the shocking events they depict, while also incorporating them into a broader poetic landscape.

Watch Jay Bernard reading from 'Surge' at the London Review Bookshop: https://youtu.be/XTZKYEimq2Y

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠⁠⁠⁠https://lrb.me/applecrld⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠https://lrb.me/closereadingsld</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jay Bernard’s 'Surge' and Kei Miller’s 'In Nearby Bushes', both published in 2019, address acts of violence whose victims were not directly known to the writers: in Surge, the deaths of thirteen Black teenagers in the New Cross Fire of 1981; in Miller’s poem, a series of rapes and murders in Jamaica. Both can be seen as collective elegies, interleaving newspaper and medical reports, and other archival documents, with more lyrical passages, and both can be read as comments on the state of the nation as well as personal expressions of desolation. While Bernard’s poem opens out into an investigation of radical Black history and the marginalisation of Black communities in London, Miller uses blanked-out newspaper items, among other techniques, to search for the ‘understory’, an experience beyond language, which is in turn connected to colonial, and pre-colonial, Jamaica. In this episode, Mark and Seamus consider the different ways these poets respond to the shocking events they depict, while also incorporating them into a broader poetic landscape.</p>
<p>Watch Jay Bernard reading from 'Surge' at the London Review Bookshop: <a href="https://youtu.be/XTZKYEimq2Y">https://youtu.be/XTZKYEimq2Y</a></p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: ⁠<a href="https://lrb.me/applecrld">⁠⁠⁠https://lrb.me/applecrld⁠⁠⁠</a>⁠</p>
<p>In other podcast apps: ⁠<a href="https://lrb.me/closereadingsld">⁠⁠⁠https://lrb.me/closereadingsld</a></p>]]>
      </content:encoded>
      <itunes:duration>967</itunes:duration>
      <guid isPermaLink="false"><![CDATA[b0856f56-9ae5-11f0-966f-d31fa6588ae6]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB3414306999.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Fiction and the Fantastic: ‘The Hearing Trumpet’ by Leonora Carrington</title>
      <description>Leonora Carrington was a prodigious artist closely associated with major surrealists of the 1930s. Though only sporadically in print until recently, her writing has helped cement her cult status, not least The Hearing Trumpet (1974). 

Before her family consign her to an old-age facility, nonagenarian Marian Leatherby is gifted a hearing trumpet with almost magical capabilities. Her institutionalisation leads to much eavesdropping, a Grail quest, descent into the underworld and an apocalyptic ice age.  

Joyous, disturbing and subversive, The Hearing Trumpet is full of themes and images that populate Carrington’s artwork and other writing. Both Marina and Chloe knew Leonora Carrington, and in this episode they reflect on the ways her personality inflected her work. Their reading of The Hearing Trumpet reveals her humour, her visionary imagination and her attention to the boundaries between inner and outer realities.



Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠⁠⁠⁠https://lrb.me/applecrff⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠https://lrb.me/closereadingsff⁠⁠⁠



Further reading in the LRB:



Chloe Aridjis: A Leonora Carrington A to Z

https://www.lrb.co.uk/blog/2017/april/a-leonora-carrington-a-to-z



Alice Spawls: On Leonora Carrington

https://www.lrb.co.uk/the-paper/v37/n08/alice-spawls/at-tate-liverpool



Edmund Gordon: Save the feet for later

https://www.lrb.co.uk/the-paper/v39/n21/edmund-gordon/save-the-feet-for-later



Next episode: Marina and Chloe discuss J.G. Ballard’s The Atrocity Exhibition and Angela Carter’s The Passion of the New Eve.</description>
      <pubDate>Sun, 21 Sep 2025 23:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>13</itunes:season>
      <itunes:episode>11</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/e9bd3e62-9571-11f0-b41b-6bb9ba946962/image/25610fd2b99f389800662b24f15f5f50.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Leonora Carrington was a prodigious artist closely associated with major surrealists of the 1930s. Though only sporadically in print until recently, her writing has helped cement her cult status, not least The Hearing Trumpet (1974). 

Before her family consign her to an old-age facility, nonagenarian Marian Leatherby is gifted a hearing trumpet with almost magical capabilities. Her institutionalisation leads to much eavesdropping, a Grail quest, descent into the underworld and an apocalyptic ice age.  

Joyous, disturbing and subversive, The Hearing Trumpet is full of themes and images that populate Carrington’s artwork and other writing. Both Marina and Chloe knew Leonora Carrington, and in this episode they reflect on the ways her personality inflected her work. Their reading of The Hearing Trumpet reveals her humour, her visionary imagination and her attention to the boundaries between inner and outer realities.



Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠⁠⁠⁠https://lrb.me/applecrff⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠https://lrb.me/closereadingsff⁠⁠⁠



Further reading in the LRB:



Chloe Aridjis: A Leonora Carrington A to Z

https://www.lrb.co.uk/blog/2017/april/a-leonora-carrington-a-to-z



Alice Spawls: On Leonora Carrington

https://www.lrb.co.uk/the-paper/v37/n08/alice-spawls/at-tate-liverpool



Edmund Gordon: Save the feet for later

https://www.lrb.co.uk/the-paper/v39/n21/edmund-gordon/save-the-feet-for-later



Next episode: Marina and Chloe discuss J.G. Ballard’s The Atrocity Exhibition and Angela Carter’s The Passion of the New Eve.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Leonora Carrington was a prodigious artist closely associated with major surrealists of the 1930s. Though only sporadically in print until recently, her writing has helped cement her cult status, not least <em>The Hearing Trumpet </em>(1974). </p>
<p>Before her family consign her to an old-age facility, nonagenarian Marian Leatherby is gifted a hearing trumpet with almost magical capabilities. Her institutionalisation leads to much eavesdropping, a Grail quest, descent into the underworld and an apocalyptic ice age.  </p>
<p>Joyous, disturbing and subversive, <em>The Hearing Trumpet</em> is full of themes and images that populate Carrington’s artwork and other writing. Both Marina and Chloe knew Leonora Carrington, and in this episode they reflect on the ways her personality inflected her work. Their reading of <em>The Hearing Trumpet</em> reveals her humour, her visionary imagination and her attention to the boundaries between inner and outer realities.</p>
<p><br></p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrff">⁠⁠⁠⁠https://lrb.me/applecrff⁠⁠⁠⁠</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsff">⁠⁠⁠⁠https://lrb.me/closereadingsff⁠⁠⁠</a></p>
<p><br></p>
<p><strong>Further reading in the </strong><em><strong>LRB</strong></em><strong>:</strong></p>
<p><br></p>
<p>Chloe Aridjis: A Leonora Carrington A to Z</p>
<p><a href="https://www.lrb.co.uk/blog/2017/april/a-leonora-carrington-a-to-z">https://www.lrb.co.uk/blog/2017/april/a-leonora-carrington-a-to-z</a></p>
<p><br></p>
<p>Alice Spawls: On Leonora Carrington</p>
<p><a href="https://www.lrb.co.uk/the-paper/v37/n08/alice-spawls/at-tate-liverpool">https://www.lrb.co.uk/the-paper/v37/n08/alice-spawls/at-tate-liverpool</a></p>
<p><br></p>
<p>Edmund Gordon: Save the feet for later</p>
<p><a href="https://www.lrb.co.uk/the-paper/v39/n21/edmund-gordon/save-the-feet-for-later">https://www.lrb.co.uk/the-paper/v39/n21/edmund-gordon/save-the-feet-for-later</a></p>
<p><br></p>
<p>Next episode: Marina and Chloe discuss J.G. Ballard’s <em>The Atrocity Exhibition </em>and Angela Carter’s <em>The Passion of the New Eve</em>. </p>]]>
      </content:encoded>
      <itunes:duration>991</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[e9bd3e62-9571-11f0-b41b-6bb9ba946962]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB5016433250.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Conversations in Philosophy: 'The Ethics of Ambiguity' by Simone de Beauvoir</title>
      <description>At the heart of human existence is a tragic ambiguity: the fact that we experience ourselves both as subject and object, internal and external, at the same time, and can never fully inhabit either state. In her 1947 book, Simone de Beauvoir addresses the ethical implications of this uncertainty and the ‘agonising evidence of freedom’ it presents, along with the opportunity it creates for continual self-definition. In this episode Jonathan and James discuss these arguments and Beauvoir’s warnings against trying to evade the responsibilities imposed upon us by this ambiguity. They also look at the ways in which Beauvoir developed these ideas in The Second Sex and her novels, and her remarkable readings of George Eliot, Virginia Woolf and E.M. Forster.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠⁠⁠https://lrb.me/applecrcip⁠⁠⁠

In other podcast apps: ⁠⁠⁠https://lrb.me/closereadingscip

Read more in the LRB:

Joanna Biggs: ⁠https://lrb.me/cipbeauvoir1⁠

Toril Moi: ⁠https://lrb.me/cipbeauvoir2⁠

Elaine Showalter: ⁠https://lrb.me/cipbeauvoir3⁠

Audiobooks from the LRB

Including Jonathan Rée's 'Becoming a Philosopher: Spinoza to Sartre': ⁠https://lrb.me/audiobookscip</description>
      <pubDate>Mon, 15 Sep 2025 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>12</itunes:season>
      <itunes:episode>11</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9f857db6-909c-11f0-ad15-2f7f5d7d71dd/image/8157906b59de4e3439b6949f163eef20.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>At the heart of human existence is a tragic ambiguity: the fact that we experience ourselves both as subject and object, internal and external, at the same time, and can never fully inhabit either state. In her 1947 book, Simone de Beauvoir addresses the ethical implications of this uncertainty and the ‘agonising evidence of freedom’ it presents, along with the opportunity it creates for continual self-definition. In this episode Jonathan and James discuss these arguments and Beauvoir’s warnings against trying to evade the responsibilities imposed upon us by this ambiguity. They also look at the ways in which Beauvoir developed these ideas in The Second Sex and her novels, and her remarkable readings of George Eliot, Virginia Woolf and E.M. Forster.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠⁠⁠https://lrb.me/applecrcip⁠⁠⁠

In other podcast apps: ⁠⁠⁠https://lrb.me/closereadingscip

Read more in the LRB:

Joanna Biggs: ⁠https://lrb.me/cipbeauvoir1⁠

Toril Moi: ⁠https://lrb.me/cipbeauvoir2⁠

Elaine Showalter: ⁠https://lrb.me/cipbeauvoir3⁠

Audiobooks from the LRB

Including Jonathan Rée's 'Becoming a Philosopher: Spinoza to Sartre': ⁠https://lrb.me/audiobookscip</itunes:summary>
      <content:encoded>
        <![CDATA[<p>At the heart of human existence is a tragic ambiguity: the fact that we experience ourselves both as subject and object, internal and external, at the same time, and can never fully inhabit either state. In her 1947 book, Simone de Beauvoir addresses the ethical implications of this uncertainty and the ‘agonising evidence of freedom’ it presents, along with the opportunity it creates for continual self-definition. In this episode Jonathan and James discuss these arguments and Beauvoir’s warnings against trying to evade the responsibilities imposed upon us by this ambiguity. They also look at the ways in which Beauvoir developed these ideas in The Second Sex and her novels, and her remarkable readings of George Eliot, Virginia Woolf and E.M. Forster.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrcip">⁠⁠⁠https://lrb.me/applecrcip⁠⁠⁠</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingscip">⁠⁠⁠https://lrb.me/closereadingscip</a></p>
<p>Read more in the LRB:</p>
<p>Joanna Biggs: ⁠<a href="https://lrb.me/cipbeauvoir1%E2%81%A0">https://lrb.me/cipbeauvoir1⁠</a></p>
<p>Toril Moi: ⁠<a href="https://lrb.me/cipbeauvoir2%E2%81%A0">https://lrb.me/cipbeauvoir2⁠</a></p>
<p>Elaine Showalter: ⁠<a href="https://lrb.me/cipbeauvoir3%E2%81%A0">https://lrb.me/cipbeauvoir3⁠</a></p>
<p>Audiobooks from the LRB</p>
<p>Including Jonathan Rée's 'Becoming a Philosopher: Spinoza to Sartre': <a href="%E2%81%A0https://lrb.me/audiobookscip">⁠https://lrb.me/audiobookscip</a></p>
<p><br></p>]]>
      </content:encoded>
      <itunes:duration>944</itunes:duration>
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      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB8449226158.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Novel Approaches: ‘The Last Chronicle of Barset’ by Anthony Trollope</title>
      <description>Trollope enthusiasts Tom Crewe and Dinah Birch say they could have chosen any one of his 47 novels for this episode, so it’s no wonder Elizabeth Bowen called him ‘the most sheerly able of the Victorian novelists’. They settled on The Last Chronicle of Barset: a model example of Anthony Trollope’s gift for comedy, pathos, social commentary and masterful dialogue. 

At the heart of Last Chronicle is a mystery: how did the impoverished Reverend Crawley get his hands on a cheque for £20 that no one can account for, and is he capable of theft? The scandal has dire repercussions not only for Reverend Crawley, but the whole county: his ostracision raises broader questions about inequity in the church; it sparks rifts between his daughter, her would-be husband and his parents; and it gives his young relative Johnny Eames an excuse to flee the entanglements of London high society for the continent, in search of the only man who may be able to solve the puzzle. Although it’s the final book in the Barchester series, Last Chronicle can be read as a standalone novel, and Tom and Dinah join Thomas Jones to explore its sensitivities, ambivalences and sheer readability.



Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠



Further reading in the LRB:



John Sutherland: Trollopiad

⁠⁠https://www.lrb.co.uk/the-paper/v14/n01/john-sutherland/trollopiad⁠⁠



Richard Altick: Trollope’s Delight

⁠⁠https://www.lrb.co.uk/the-paper/v06/n08/richard-altick/trollope-s-delight⁠⁠



Next time on Novel Approaches: 'The Portrait of a Lady' by Henry James.



LRB Audiobooks

Discover audiobooks from the LRB: ⁠⁠⁠⁠https://lrb.me/audiobooksna</description>
      <pubDate>Sun, 07 Sep 2025 23:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>15</itunes:season>
      <itunes:episode>10</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/abc7a7f0-8a59-11f0-9e0b-1bb7b7b4826f/image/f8e79f53bd65a087c9395d1f67d608ec.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Trollope enthusiasts Tom Crewe and Dinah Birch say they could have chosen any one of his 47 novels for this episode, so it’s no wonder Elizabeth Bowen called him ‘the most sheerly able of the Victorian novelists’. They settled on The Last Chronicle of Barset: a model example of Anthony Trollope’s gift for comedy, pathos, social commentary and masterful dialogue. 

At the heart of Last Chronicle is a mystery: how did the impoverished Reverend Crawley get his hands on a cheque for £20 that no one can account for, and is he capable of theft? The scandal has dire repercussions not only for Reverend Crawley, but the whole county: his ostracision raises broader questions about inequity in the church; it sparks rifts between his daughter, her would-be husband and his parents; and it gives his young relative Johnny Eames an excuse to flee the entanglements of London high society for the continent, in search of the only man who may be able to solve the puzzle. Although it’s the final book in the Barchester series, Last Chronicle can be read as a standalone novel, and Tom and Dinah join Thomas Jones to explore its sensitivities, ambivalences and sheer readability.



Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠

In other podcast apps: ⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠



Further reading in the LRB:



John Sutherland: Trollopiad

⁠⁠https://www.lrb.co.uk/the-paper/v14/n01/john-sutherland/trollopiad⁠⁠



Richard Altick: Trollope’s Delight

⁠⁠https://www.lrb.co.uk/the-paper/v06/n08/richard-altick/trollope-s-delight⁠⁠



Next time on Novel Approaches: 'The Portrait of a Lady' by Henry James.



LRB Audiobooks

Discover audiobooks from the LRB: ⁠⁠⁠⁠https://lrb.me/audiobooksna</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Trollope enthusiasts Tom Crewe and Dinah Birch say they could have chosen any one of his 47 novels<em> </em>for this episode, so it’s no wonder Elizabeth Bowen called him ‘the most sheerly able of the Victorian novelists’. They settled on <em>The Last Chronicle of Barset</em>: a model example of Anthony Trollope’s gift for comedy, pathos, social commentary and masterful dialogue. </p>
<p>At the heart of <em>Last Chronicle</em> is a mystery: how did the impoverished Reverend Crawley get his hands on a cheque for £20 that no one can account for, and is he capable of theft? The scandal has dire repercussions not only for Reverend Crawley, but the whole county: his ostracision raises broader questions about inequity in the church; it sparks rifts between his daughter, her would-be husband and his parents; and it gives his young relative Johnny Eames an excuse to flee the entanglements of London high society for the continent, in search of the only man who may be able to solve the puzzle. Although it’s the final book in the Barchester series, <em>Last Chronicle</em> can be read as a standalone novel, and Tom and Dinah join Thomas Jones to explore its sensitivities, ambivalences and sheer readability.</p>
<p><br></p>
<p>Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrna">⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsna">⁠⁠⁠⁠https://lrb.me/closereadingsna⁠⁠</a></p>
<p><br></p>
<p><strong>Further reading in the LRB:</strong></p>
<p><br></p>
<p>John Sutherland: Trollopiad</p>
<p><a href="https://www.lrb.co.uk/the-paper/v14/n01/john-sutherland/trollopiad">⁠⁠https://www.lrb.co.uk/the-paper/v14/n01/john-sutherland/trollopiad⁠⁠</a></p>
<p><br></p>
<p>Richard Altick: Trollope’s Delight</p>
<p><a href="https://www.lrb.co.uk/the-paper/v06/n08/richard-altick/trollope-s-delight">⁠⁠https://www.lrb.co.uk/the-paper/v06/n08/richard-altick/trollope-s-delight⁠⁠</a></p>
<p><br></p>
<p>Next time on Novel Approaches: 'The Portrait of a Lady' by Henry James.</p>
<p><br></p>
<p><strong>LRB Audiobooks</strong></p>
<p>Discover audiobooks from the LRB: <a href="https://lrb.me/audiobooksna">⁠⁠⁠⁠https://lrb.me/audiobooksna</a></p>]]>
      </content:encoded>
      <itunes:duration>1027</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB7426110348.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Love and Death: ‘Poems of 1912-13’ by Thomas Hardy</title>
      <description>Without Emma Gifford, we might never have heard of Thomas Hardy. Hardy’s first wife was instrumental in his decision to abandon architecture for a writing career, and a direct influence – possibly collaborator – on his early novels. Their marriage, initially passionate, defied family expectations and class barriers, but by the time of Emma’s death, it had deteriorated into hostility and bitterness. Out of grief, regret and ambivalence, Hardy produced the work Mark Ford considers to be among ‘the greatest poems in any language’: Poems of 1912-13. 

Mark and Seamus discuss the collection in the light of what Hardy called ‘strange necromancy’: the reconfiguring of Emma as ghost, critic, corpse and mythic lover. They pay close attention to the tight structure and novelistic detail in these poems, which exemplify Hardy’s gift for mixing the lyrical with realism.



Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠⁠⁠https://lrb.me/applecrld⁠⁠⁠

In other podcast apps: ⁠⁠⁠https://lrb.me/closereadingsld



Read the poems:

https://www.gutenberg.org/files/2863/2863-h/2863-h.htm



Further reading and listening from the LRB:



On Mark’s book, Woman Much Missed:

⁠https://www.lrb.co.uk/the-paper/v46/n19/matthew-bevis/i-prefer-my-mare⁠



Hugh Haughton on Hardy’s ghosts and Emma’s diary:

⁠https://www.lrb.co.uk/the-paper/v07/n21/hugh-haughton/ghosts⁠



Dinah Birch on the letters of the two Mrs Hardies:

⁠https://www.lrb.co.uk/the-paper/v18/n22/dinah-birch/defence-of-the-housefly⁠



Mark and Seamus on Hardy for Modern-ish Poets:

⁠https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings/modern-ish-poets-thomas-hardy⁠



Mark and Mary Wellesley discuss A Pair of Blue Eyes:

⁠https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/thomas-hardy-s-medieval-mind⁠</description>
      <pubDate>Sun, 31 Aug 2025 23:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>14</itunes:season>
      <itunes:episode>10</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/3d72f8ca-84c5-11f0-95eb-cf23671ffb31/image/b5395d7543d1daf15bec0e7794935720.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Without Emma Gifford, we might never have heard of Thomas Hardy. Hardy’s first wife was instrumental in his decision to abandon architecture for a writing career, and a direct influence – possibly collaborator – on his early novels. Their marriage, initially passionate, defied family expectations and class barriers, but by the time of Emma’s death, it had deteriorated into hostility and bitterness. Out of grief, regret and ambivalence, Hardy produced the work Mark Ford considers to be among ‘the greatest poems in any language’: Poems of 1912-13. 

Mark and Seamus discuss the collection in the light of what Hardy called ‘strange necromancy’: the reconfiguring of Emma as ghost, critic, corpse and mythic lover. They pay close attention to the tight structure and novelistic detail in these poems, which exemplify Hardy’s gift for mixing the lyrical with realism.



Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠⁠⁠https://lrb.me/applecrld⁠⁠⁠

In other podcast apps: ⁠⁠⁠https://lrb.me/closereadingsld



Read the poems:

https://www.gutenberg.org/files/2863/2863-h/2863-h.htm



Further reading and listening from the LRB:



On Mark’s book, Woman Much Missed:

⁠https://www.lrb.co.uk/the-paper/v46/n19/matthew-bevis/i-prefer-my-mare⁠



Hugh Haughton on Hardy’s ghosts and Emma’s diary:

⁠https://www.lrb.co.uk/the-paper/v07/n21/hugh-haughton/ghosts⁠



Dinah Birch on the letters of the two Mrs Hardies:

⁠https://www.lrb.co.uk/the-paper/v18/n22/dinah-birch/defence-of-the-housefly⁠



Mark and Seamus on Hardy for Modern-ish Poets:

⁠https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings/modern-ish-poets-thomas-hardy⁠



Mark and Mary Wellesley discuss A Pair of Blue Eyes:

⁠https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/thomas-hardy-s-medieval-mind⁠</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Without Emma Gifford, we might never have heard of Thomas Hardy. Hardy’s first wife was instrumental in his decision to abandon architecture for a writing career, and a direct influence – possibly collaborator – on his early novels. Their marriage, initially passionate, defied family expectations and class barriers, but by the time of Emma’s death, it had deteriorated into hostility and bitterness. Out of grief, regret and ambivalence, Hardy produced the work Mark Ford considers to be among ‘the greatest poems in any language’: <em>Poems of 1912-13</em>. </p>
<p>Mark and Seamus discuss the collection in the light of what Hardy called ‘strange necromancy’: the reconfiguring of Emma as ghost, critic, corpse and mythic lover. They pay close attention to the tight structure and novelistic detail in these poems, which exemplify Hardy’s gift for mixing the lyrical with realism.</p>
<p><br></p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: ⁠<a href="https://lrb.me/applecrld">⁠⁠https://lrb.me/applecrld⁠⁠</a>⁠</p>
<p>In other podcast apps: ⁠<a href="https://lrb.me/closereadingsld">⁠⁠https://lrb.me/closereadingsld</a></p>
<p><br></p>
<p>Read the poems:</p>
<p><a href="https://www.gutenberg.org/files/2863/2863-h/2863-h.htm">https://www.gutenberg.org/files/2863/2863-h/2863-h.htm</a></p>
<p><br></p>
<p>Further reading and listening from the <em>LRB</em>:</p>
<p><br></p>
<p>On Mark’s book, <em>Woman Much Missed</em>:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v46/n19/matthew-bevis/i-prefer-my-mare">⁠https://www.lrb.co.uk/the-paper/v46/n19/matthew-bevis/i-prefer-my-mare⁠</a></p>
<p><br></p>
<p>Hugh Haughton on Hardy’s ghosts and Emma’s diary:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v07/n21/hugh-haughton/ghosts">⁠https://www.lrb.co.uk/the-paper/v07/n21/hugh-haughton/ghosts⁠</a></p>
<p><br></p>
<p>Dinah Birch on the letters of the two Mrs Hardies:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v18/n22/dinah-birch/defence-of-the-housefly">⁠https://www.lrb.co.uk/the-paper/v18/n22/dinah-birch/defence-of-the-housefly⁠</a></p>
<p><br></p>
<p>Mark and Seamus on Hardy for <em>Modern-ish Poets</em>:</p>
<p><a href="https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings/modern-ish-poets-thomas-hardy">⁠https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings/modern-ish-poets-thomas-hardy⁠</a></p>
<p><br></p>
<p>Mark and Mary Wellesley discuss <em>A Pair of Blue Eyes</em>:</p>
<p><a href="https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/thomas-hardy-s-medieval-mind">⁠https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/thomas-hardy-s-medieval-mind⁠</a></p>]]>
      </content:encoded>
      <itunes:duration>853</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[3d72f8ca-84c5-11f0-95eb-cf23671ffb31]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB7889192683.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Fiction and the Fantastic: Stories by Jorge Luis Borges</title>
      <description>Jorge Luis Borges was a librarian with rock star status, a stimulus for magical realism who was not a magical realist, and a wholly original writer who catalogued and defined his own precursors. It’s fitting that he was fascinated by paradoxes, and his most famous stories are fantasias on themes at the heart of this series: dreams, mirrors, recursion, labyrinths, language and creation.

Marina and Chloe explore Borges’s fiction with particular focus on two stories: ‘The Circular Ruins’ and ‘The Aleph’. They discuss the many contradictions and puzzles in his life and work, and the ways in which he transformed the writing of his contemporaries, successors and distant ancestors.



Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠⁠⁠https://lrb.me/applecrff⁠⁠⁠

In other podcast apps: ⁠⁠⁠https://lrb.me/closereadingsff⁠⁠



Further reading in the LRB:



Michael Wood on Borges’s collected fiction:

⁠⁠⁠https://www.lrb.co.uk/the-paper/v21/n03/michael-wood/productive-mischief⁠⁠⁠



Colm Toíbìn on Borges’s life:

⁠⁠⁠https://www.lrb.co.uk/the-paper/v28/n09/colm-toibin/don-t-abandon-me⁠⁠⁠



Marina Warner on enigmas and riddles:

⁠⁠⁠https://www.lrb.co.uk/the-paper/v29/n03/marina-warner/doubly-damned⁠⁠⁠



Daniel Wassbeim on Sur and Borges’s circle:

⁠⁠⁠https://www.lrb.co.uk/the-paper/v10/n05/daniel-waissbein/dying-for-madame-ocampo⁠⁠⁠



Next episode: Marina and Chloe discuss The Hearing Trumpet by Leonora Carrington.</description>
      <pubDate>Sun, 24 Aug 2025 23:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>13</itunes:season>
      <itunes:episode>10</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/49effc96-84c1-11f0-bc38-6fb6dd6132f4/image/25610fd2b99f389800662b24f15f5f50.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Jorge Luis Borges was a librarian with rock star status, a stimulus for magical realism who was not a magical realist, and a wholly original writer who catalogued and defined his own precursors. It’s fitting that he was fascinated by paradoxes, and his most famous stories are fantasias on themes at the heart of this series: dreams, mirrors, recursion, labyrinths, language and creation.

Marina and Chloe explore Borges’s fiction with particular focus on two stories: ‘The Circular Ruins’ and ‘The Aleph’. They discuss the many contradictions and puzzles in his life and work, and the ways in which he transformed the writing of his contemporaries, successors and distant ancestors.



Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠⁠⁠https://lrb.me/applecrff⁠⁠⁠

In other podcast apps: ⁠⁠⁠https://lrb.me/closereadingsff⁠⁠



Further reading in the LRB:



Michael Wood on Borges’s collected fiction:

⁠⁠⁠https://www.lrb.co.uk/the-paper/v21/n03/michael-wood/productive-mischief⁠⁠⁠



Colm Toíbìn on Borges’s life:

⁠⁠⁠https://www.lrb.co.uk/the-paper/v28/n09/colm-toibin/don-t-abandon-me⁠⁠⁠



Marina Warner on enigmas and riddles:

⁠⁠⁠https://www.lrb.co.uk/the-paper/v29/n03/marina-warner/doubly-damned⁠⁠⁠



Daniel Wassbeim on Sur and Borges’s circle:

⁠⁠⁠https://www.lrb.co.uk/the-paper/v10/n05/daniel-waissbein/dying-for-madame-ocampo⁠⁠⁠



Next episode: Marina and Chloe discuss The Hearing Trumpet by Leonora Carrington.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jorge Luis Borges was a librarian with rock star status, a stimulus for magical realism who was not a magical realist, and a wholly original writer who catalogued and defined his own precursors. It’s fitting that he was fascinated by paradoxes, and his most famous stories are fantasias on themes at the heart of this series: dreams, mirrors, recursion, labyrinths, language and creation.</p>
<p>Marina and Chloe explore Borges’s fiction with particular focus on two stories: ‘The Circular Ruins’ and ‘The Aleph’. They discuss the many contradictions and puzzles in his life and work, and the ways in which he transformed the writing of his contemporaries, successors and distant ancestors.</p>
<p><br></p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrff">⁠⁠⁠https://lrb.me/applecrff⁠⁠⁠</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsff">⁠⁠⁠https://lrb.me/closereadingsff⁠⁠</a></p>
<p><br></p>
<p><strong>Further reading in the </strong><em><strong>LRB</strong></em><strong>:</strong></p>
<p><br></p>
<p>Michael Wood on Borges’s collected fiction:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v21/n03/michael-wood/productive-mischief">⁠⁠⁠https://www.lrb.co.uk/the-paper/v21/n03/michael-wood/productive-mischief⁠⁠⁠</a></p>
<p><br></p>
<p>Colm Toíbìn on Borges’s life:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v28/n09/colm-toibin/don-t-abandon-me">⁠⁠⁠https://www.lrb.co.uk/the-paper/v28/n09/colm-toibin/don-t-abandon-me⁠⁠⁠</a></p>
<p><br></p>
<p>Marina Warner on enigmas and riddles:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v29/n03/marina-warner/doubly-damned">⁠⁠⁠https://www.lrb.co.uk/the-paper/v29/n03/marina-warner/doubly-damned⁠⁠⁠</a></p>
<p><br></p>
<p>Daniel Wassbeim on <em>Sur</em> and Borges’s circle:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v10/n05/daniel-waissbein/dying-for-madame-ocampo">⁠⁠⁠https://www.lrb.co.uk/the-paper/v10/n05/daniel-waissbein/dying-for-madame-ocampo⁠⁠⁠</a></p>
<p><br></p>
<p>Next episode: Marina and Chloe discuss <em>The Hearing Trumpet</em> by Leonora Carrington.</p>]]>
      </content:encoded>
      <itunes:duration>835</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[49effc96-84c1-11f0-bc38-6fb6dd6132f4]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB4506570737.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Conversations in Philosophy: 'Sketch for a Theory of the Emotions' by Jean-Paul Sartre</title>
      <description>What is an emotion? In his Sketch for a Theory of the Emotions (1939), Sartre picks up what William James, Martin Heidegger and others had written about this question to suggest what he believed to be a new thought on human emotion and its relation to consciousness. For Sartre, the emotions are not external forces acting upon consciousness but an action of consciousness as it tries to rearrange the world to suit itself, or as he puts it at the end of his book: a sudden fall of consciousness into magic. In this episode Jonathan and James discuss why Sartre’s rejection of the idea of the subconscious is not as much a departure from Freud’s theories as he thought they were, and the ways in which his attempt to establish a ‘phenomenological psychology’ manifested in other works, including Nausea, Being and Nothingness and The Words.

Note: Readers should use the translation by Philip Mairet. The earlier one by Bernard Frechtman, as Jonathan explains in the episode, contains numerous (often amusing) errors.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠⁠https://lrb.me/applecrcip⁠⁠

In other podcast apps: ⁠⁠https://lrb.me/closereadingscip

Further reading in the LRB:

Jonathan Rée on 'Being and Nothingness': ⁠https://lrb.me/cipsartre1⁠

Sissela Bok on Sartre's life: ⁠https://lrb.me/cipsartre2⁠

Edwards Said's encounter with Sartre: ⁠https://lrb.me/cipsartre3⁠

Audiobooks from the LRB

Including Jonathan Rée's 'Becoming a Philosopher: Spinoza to Sartre':

⁠https://lrb.me/audiobookscip</description>
      <pubDate>Sun, 17 Aug 2025 23:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>12</itunes:season>
      <itunes:episode>10</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/7173634e-79d0-11f0-a09b-cbf213bfc825/image/8157906b59de4e3439b6949f163eef20.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What is an emotion? In his Sketch for a Theory of the Emotions (1939), Sartre picks up what William James, Martin Heidegger and others had written about this question to suggest what he believed to be a new thought on human emotion and its relation to consciousness. For Sartre, the emotions are not external forces acting upon consciousness but an action of consciousness as it tries to rearrange the world to suit itself, or as he puts it at the end of his book: a sudden fall of consciousness into magic. In this episode Jonathan and James discuss why Sartre’s rejection of the idea of the subconscious is not as much a departure from Freud’s theories as he thought they were, and the ways in which his attempt to establish a ‘phenomenological psychology’ manifested in other works, including Nausea, Being and Nothingness and The Words.

Note: Readers should use the translation by Philip Mairet. The earlier one by Bernard Frechtman, as Jonathan explains in the episode, contains numerous (often amusing) errors.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠⁠https://lrb.me/applecrcip⁠⁠

In other podcast apps: ⁠⁠https://lrb.me/closereadingscip

Further reading in the LRB:

Jonathan Rée on 'Being and Nothingness': ⁠https://lrb.me/cipsartre1⁠

Sissela Bok on Sartre's life: ⁠https://lrb.me/cipsartre2⁠

Edwards Said's encounter with Sartre: ⁠https://lrb.me/cipsartre3⁠

Audiobooks from the LRB

Including Jonathan Rée's 'Becoming a Philosopher: Spinoza to Sartre':

⁠https://lrb.me/audiobookscip</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What is an emotion? In his <em>Sketch for a Theory of the Emotions</em> (1939), Sartre picks up what William James, Martin Heidegger and others had written about this question to suggest what he believed to be a new thought on human emotion and its relation to consciousness. For Sartre, the emotions are not external forces acting upon consciousness but an action of consciousness as it tries to rearrange the world to suit itself, or as he puts it at the end of his book: a sudden fall of consciousness into magic. In this episode Jonathan and James discuss why Sartre’s rejection of the idea of the subconscious is not as much a departure from Freud’s theories as he thought they were, and the ways in which his attempt to establish a ‘phenomenological psychology’ manifested in other works, including <em>Nausea</em>, <em>Being and Nothingness</em> and <em>The Words</em>.</p>
<p>Note: Readers should use the translation by Philip Mairet. The earlier one by Bernard Frechtman, as Jonathan explains in the episode, contains numerous (often amusing) errors.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrcip">⁠⁠https://lrb.me/applecrcip⁠⁠</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingscip">⁠⁠https://lrb.me/closereadingscip</a></p>
<p>Further reading in the LRB:</p>
<p>Jonathan Rée on 'Being and Nothingness': <a href="https://lrb.me/cipsartre1">⁠https://lrb.me/cipsartre1⁠</a></p>
<p>Sissela Bok on Sartre's life: <a href="https://lrb.me/cipsartre2">⁠https://lrb.me/cipsartre2⁠</a></p>
<p>Edwards Said's encounter with Sartre: <a href="https://lrb.me/cipsartre3">⁠https://lrb.me/cipsartre3⁠</a></p>
<p><strong>Audiobooks from the LRB</strong></p>
<p>Including Jonathan Rée's 'Becoming a Philosopher: Spinoza to Sartre':</p>
<p><a href="https://lrb.me/audiobookscip%E2%81%A0">⁠https://lrb.me/audiobookscip</a></p>]]>
      </content:encoded>
      <itunes:duration>967</itunes:duration>
      <guid isPermaLink="false"><![CDATA[7173634e-79d0-11f0-a09b-cbf213bfc825]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB9338187187.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Novel Approaches: 'Our Mutual Friend' by Charles Dickens</title>
      <description>'Our Mutual Friend' was Dickens’s last completed novel, published in serial form in 1864-65. The story begins with a body being dredged from the ooze and slime of the Thames, then opens out to follow a wide array of characters through the dust heaps, paper mills, public houses and dining rooms of London and its hinterland. For this episode, Tom is joined by Rosemary Hill and Tom Crewe to make sense of a complex work that was not only the last great social novel of the period but also gestured forwards to the crisp, late-century cynicism of Oscar Wilde. They consider the ways in which the book was responding to the darkening mood of mid-Victorian Britain and the fading of the post-Waterloo generation, as well as the remarkable flexibility of its prose, with its shifting modes, tenses and perspectives, that combine to make 'Our Mutual Friend' one of the most rewarding of Dickens’s novels.

Non-subscribers will only hear an extract from this episode. To listen in full, and all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠https://lrb.me/applecrna⁠

In other podcast apps: ⁠https://lrb.me/closereadingsna

Next time on Novel Approaches: 'The Last Chronicle of Barset' by Anthony Trollope

Further reading in the LRB:

John Sutherland on Peter Ackroyd's Dickens: https://lrb.me/nadickens1

David Trotter on Dickens's tricks: https://lrb.me/nadickens2

Brigid Brophy on Edwin Drood: https://lrb.me/nadickens3

LRB Audiobooks

Discover audiobooks from the LRB: ⁠https://lrb.me/audiobooksna</description>
      <pubDate>Mon, 11 Aug 2025 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>15</itunes:season>
      <itunes:episode>9</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/2acde082-744d-11f0-a268-aba27d83b26e/image/f8e79f53bd65a087c9395d1f67d608ec.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>'Our Mutual Friend' was Dickens’s last completed novel, published in serial form in 1864-65. The story begins with a body being dredged from the ooze and slime of the Thames, then opens out to follow a wide array of characters through the dust heaps, paper mills, public houses and dining rooms of London and its hinterland. For this episode, Tom is joined by Rosemary Hill and Tom Crewe to make sense of a complex work that was not only the last great social novel of the period but also gestured forwards to the crisp, late-century cynicism of Oscar Wilde. They consider the ways in which the book was responding to the darkening mood of mid-Victorian Britain and the fading of the post-Waterloo generation, as well as the remarkable flexibility of its prose, with its shifting modes, tenses and perspectives, that combine to make 'Our Mutual Friend' one of the most rewarding of Dickens’s novels.

Non-subscribers will only hear an extract from this episode. To listen in full, and all our other Close Readings series, sign up:

Directly in Apple Podcasts: ⁠https://lrb.me/applecrna⁠

In other podcast apps: ⁠https://lrb.me/closereadingsna

Next time on Novel Approaches: 'The Last Chronicle of Barset' by Anthony Trollope

Further reading in the LRB:

John Sutherland on Peter Ackroyd's Dickens: https://lrb.me/nadickens1

David Trotter on Dickens's tricks: https://lrb.me/nadickens2

Brigid Brophy on Edwin Drood: https://lrb.me/nadickens3

LRB Audiobooks

Discover audiobooks from the LRB: ⁠https://lrb.me/audiobooksna</itunes:summary>
      <content:encoded>
        <![CDATA[<p>'Our Mutual Friend' was Dickens’s last completed novel, published in serial form in 1864-65. The story begins with a body being dredged from the ooze and slime of the Thames, then opens out to follow a wide array of characters through the dust heaps, paper mills, public houses and dining rooms of London and its hinterland. For this episode, Tom is joined by Rosemary Hill and Tom Crewe to make sense of a complex work that was not only the last great social novel of the period but also gestured forwards to the crisp, late-century cynicism of Oscar Wilde. They consider the ways in which the book was responding to the darkening mood of mid-Victorian Britain and the fading of the post-Waterloo generation, as well as the remarkable flexibility of its prose, with its shifting modes, tenses and perspectives, that combine to make 'Our Mutual Friend' one of the most rewarding of Dickens’s novels.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen in full, and all our other Close Readings series, sign up:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrna">⁠https://lrb.me/applecrna⁠</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsna">⁠https://lrb.me/closereadingsna</a></p>
<p>Next time on Novel Approaches: 'The Last Chronicle of Barset' by Anthony Trollope</p>
<p>Further reading in the LRB:</p>
<p>John Sutherland on Peter Ackroyd's Dickens: <a href="https://lrb.me/nadickens1">https://lrb.me/nadickens1</a></p>
<p>David Trotter on Dickens's tricks: <a href="https://lrb.me/nadickens2">https://lrb.me/nadickens2</a></p>
<p>Brigid Brophy on Edwin Drood: <a href="https://lrb.me/nadickens3">https://lrb.me/nadickens3</a></p>
<p>LRB Audiobooks</p>
<p>Discover audiobooks from the LRB: <a href="https://lrb.me/audiobooksna">⁠https://lrb.me/audiobooksna</a></p>]]>
      </content:encoded>
      <itunes:duration>1092</itunes:duration>
      <guid isPermaLink="false"><![CDATA[2acde082-744d-11f0-a268-aba27d83b26e]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB2885109510.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Love and Death: Family Elegies by Wordsworth, Lowell, Riley and Carson</title>
      <description>Seamus and Mark look at four elegies written for family members, ranging from the romantic period to the 2010s, each of which avoids, deliberately or not, what Freud described as the work of mourning. William Wordsworth’s ‘Elegiac Stanzas Suggested by a View of Peele Castle’ (1807) is an oblique memorial to a brother that seems scarcely able to mention its subject. Like Wordsworth, Denise Riley’s elegy for her son, ‘A Part Song’ (2012), embraces the atemporal nature of poetry as a protest against the destructive power of time, but also uses dramatic shifts in register to openly question the use of ‘song’ as a method of mourning. Robert Lowell’s elegies for his parents, from Life Studies (1959), offer a startling resistance to the traditional elegiac mode by spurning the urge to grandiloquence with a series of prosaic vignettes. Anne Carson’s ‘Nox’ (2010) goes further by challenging the idea of a coherent account of someone’s life entirely, with a sequence of fragments contained within a single sheet of paper, ranging from poems and translations to telephone conversations, photographs and drawings, as a deliberately disordered memory of her relationship with her brother that nonetheless exposes the purest ingredients of elegy.



Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:



Directly in Apple Podcasts: ⁠https://lrb.me/applecrld⁠

In other podcast apps: ⁠https://lrb.me/closereadingsld



Poems discussed in this episode:



William Wordsworth, ‘Elegiac Stanzas Suggested by a View of Peele Castle’

https://www.poetryfoundation.org/poems/45516/elegiac-stanzas-suggested-by-a-picture-of-peele-castle-in-a-storm-painted-by-sir-george-beaumont



Robert Lowell, selections from ’Life Studies’

https://www.londonreviewbookshop.co.uk/stock/life-studies-robert-lowell



Denise Riley, ‘A Part Song’

https://www.lrb.co.uk/the-paper/v34/n03/denise-riley/a-part-song



Anne Carson, Nox

https://www.londonreviewbookshop.co.uk/stock/nox-anne-carson



Next episode: ‘Poems of 1912-1913’ by Thomas Hardy.</description>
      <pubDate>Sun, 03 Aug 2025 23:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>14</itunes:season>
      <itunes:episode>9</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/5f86aa9a-6f00-11f0-a117-03ee8a154068/image/b5395d7543d1daf15bec0e7794935720.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Seamus and Mark look at four elegies written for family members, ranging from the romantic period to the 2010s, each of which avoids, deliberately or not, what Freud described as the work of mourning. William Wordsworth’s ‘Elegiac Stanzas Suggested by a View of Peele Castle’ (1807) is an oblique memorial to a brother that seems scarcely able to mention its subject. Like Wordsworth, Denise Riley’s elegy for her son, ‘A Part Song’ (2012), embraces the atemporal nature of poetry as a protest against the destructive power of time, but also uses dramatic shifts in register to openly question the use of ‘song’ as a method of mourning. Robert Lowell’s elegies for his parents, from Life Studies (1959), offer a startling resistance to the traditional elegiac mode by spurning the urge to grandiloquence with a series of prosaic vignettes. Anne Carson’s ‘Nox’ (2010) goes further by challenging the idea of a coherent account of someone’s life entirely, with a sequence of fragments contained within a single sheet of paper, ranging from poems and translations to telephone conversations, photographs and drawings, as a deliberately disordered memory of her relationship with her brother that nonetheless exposes the purest ingredients of elegy.



Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:



Directly in Apple Podcasts: ⁠https://lrb.me/applecrld⁠

In other podcast apps: ⁠https://lrb.me/closereadingsld



Poems discussed in this episode:



William Wordsworth, ‘Elegiac Stanzas Suggested by a View of Peele Castle’

https://www.poetryfoundation.org/poems/45516/elegiac-stanzas-suggested-by-a-picture-of-peele-castle-in-a-storm-painted-by-sir-george-beaumont



Robert Lowell, selections from ’Life Studies’

https://www.londonreviewbookshop.co.uk/stock/life-studies-robert-lowell



Denise Riley, ‘A Part Song’

https://www.lrb.co.uk/the-paper/v34/n03/denise-riley/a-part-song



Anne Carson, Nox

https://www.londonreviewbookshop.co.uk/stock/nox-anne-carson



Next episode: ‘Poems of 1912-1913’ by Thomas Hardy.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Seamus and Mark look at four elegies written for family members, ranging from the romantic period to the 2010s, each of which avoids, deliberately or not, what Freud described as the work of mourning. William Wordsworth’s ‘Elegiac Stanzas Suggested by a View of Peele Castle’ (1807) is an oblique memorial to a brother that seems scarcely able to mention its subject. Like Wordsworth, Denise Riley’s elegy for her son, ‘A Part Song’ (2012), embraces the atemporal nature of poetry as a protest against the destructive power of time, but also uses dramatic shifts in register to openly question the use of ‘song’ as a method of mourning. Robert Lowell’s elegies for his parents, from <em>Life Studies</em> (1959), offer a startling resistance to the traditional elegiac mode by spurning the urge to grandiloquence with a series of prosaic vignettes. Anne Carson’s ‘Nox’ (2010) goes further by challenging the idea of a coherent account of someone’s life entirely, with a sequence of fragments contained within a single sheet of paper, ranging from poems and translations to telephone conversations, photographs and drawings, as a deliberately disordered memory of her relationship with her brother that nonetheless exposes the purest ingredients of elegy.</p>
<p><br></p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p><br></p>
<p>Directly in Apple Podcasts: ⁠https://lrb.me/applecrld⁠</p>
<p>In other podcast apps: ⁠https://lrb.me/closereadingsld</p>
<p><br></p>
<p>Poems discussed in this episode:</p>
<p><br></p>
<p>William Wordsworth, ‘Elegiac Stanzas Suggested by a View of Peele Castle’</p>
<p>https://www.poetryfoundation.org/poems/45516/elegiac-stanzas-suggested-by-a-picture-of-peele-castle-in-a-storm-painted-by-sir-george-beaumont</p>
<p><br></p>
<p>Robert Lowell, selections from ’Life Studies’</p>
<p>https://www.londonreviewbookshop.co.uk/stock/life-studies-robert-lowell</p>
<p><br></p>
<p>Denise Riley, ‘A Part Song’</p>
<p>https://www.lrb.co.uk/the-paper/v34/n03/denise-riley/a-part-song</p>
<p><br></p>
<p>Anne Carson, Nox</p>
<p>https://www.londonreviewbookshop.co.uk/stock/nox-anne-carson</p>
<p><br></p>
<p>Next episode: ‘Poems of 1912-1913’ by Thomas Hardy.</p>]]>
      </content:encoded>
      <itunes:duration>872</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[5f86aa9a-6f00-11f0-a117-03ee8a154068]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB2672139066.mp3" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Fiction and the Fantastic: ‘Frankenstein’ by Mary Shelley</title>
      <description>Born from grief, exile, intellectual ferment and the ‘year
without a summer’, Frankenstein is a creation myth with its own creation
myth. Mary Shelley’s novel is a foundational work of science fiction, horror
and trauma narrative, and continues to spark reinvention and reinterpretation.

In their fourth conversation together, Adam Thirlwell and Marina Warner explore Shelley’s treatment of birth, death, monstrosity and the limits of science. They discuss Frankenstein’s philosophical and personal undercurrents, and how the creature and his creator have broken free from the book.



Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠https://lrb.me/applecrff⁠

In other podcast apps: ⁠https://lrb.me/closereadingsff⁠

Read more in the LRB:

Claire Tomalin on Mary Shelley’s letters:

⁠https://lrb.me/ffshelley1⁠

Caroline Gonda on the original Frankenstein:

⁠https://lrb.me/ffshelley2⁠

Marilyn Butler on Frankenstein as myth:

⁠⁠⁠https://lrb.me/ffshelley3⁠

Anne Barton on Mary Shelley’s life:

⁠https://lrb.me/ffshelley4⁠

LRB Audiobooks

Discover audiobooks from the LRB: ⁠⁠⁠⁠https://lrb.me/audiobooksff⁠</description>
      <pubDate>Mon, 28 Jul 2025 06:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>13</itunes:season>
      <itunes:episode>9</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/acbd1d3e-536d-11f0-a738-3fbffe02d90f/image/25610fd2b99f389800662b24f15f5f50.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Born from grief, exile, intellectual ferment and the ‘year
without a summer’, Frankenstein is a creation myth with its own creation
myth. Mary Shelley’s novel is a foundational work of science fiction, horror
and trauma narrative, and continues to spark reinvention and reinterpretation.

In their fourth conversation together, Adam Thirlwell and Marina Warner explore Shelley’s treatment of birth, death, monstrosity and the limits of science. They discuss Frankenstein’s philosophical and personal undercurrents, and how the creature and his creator have broken free from the book.



Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠https://lrb.me/applecrff⁠

In other podcast apps: ⁠https://lrb.me/closereadingsff⁠

Read more in the LRB:

Claire Tomalin on Mary Shelley’s letters:

⁠https://lrb.me/ffshelley1⁠

Caroline Gonda on the original Frankenstein:

⁠https://lrb.me/ffshelley2⁠

Marilyn Butler on Frankenstein as myth:

⁠⁠⁠https://lrb.me/ffshelley3⁠

Anne Barton on Mary Shelley’s life:

⁠https://lrb.me/ffshelley4⁠

LRB Audiobooks

Discover audiobooks from the LRB: ⁠⁠⁠⁠https://lrb.me/audiobooksff⁠</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Born from grief, exile, intellectual ferment and the ‘year
without a summer’, <em>Frankenstein</em> is a creation myth with its own creation
myth. Mary Shelley’s novel is a foundational work of science fiction, horror
and trauma narrative, and continues to spark reinvention and reinterpretation.</p>
<p>In their fourth conversation together, Adam Thirlwell and Marina Warner explore Shelley’s treatment of birth, death, monstrosity and the limits of science. They discuss <em>Frankenstein</em>’s philosophical and personal undercurrents, and how the creature and his creator have broken free from the book.</p>
<p><br></p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrff">⁠https://lrb.me/applecrff⁠</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsff">⁠https://lrb.me/closereadingsff⁠</a></p>
<p><strong>Read more in the </strong><em><strong>LRB</strong></em><strong>:</strong></p>
<p>Claire Tomalin on Mary Shelley’s letters:</p>
<p><a href="https://lrb.me/ffshelley1">⁠https://lrb.me/ffshelley1⁠</a></p>
<p>Caroline Gonda on the original <em>Frankenstein</em>:</p>
<p><a href="https://lrb.me/ffshelley2">⁠https://lrb.me/ffshelley2⁠</a></p>
<p>Marilyn Butler on <em>Frankenstein</em> as myth:</p>
<p><a href="https://lrb.me/ffshelley3">⁠⁠⁠https://lrb.me/ffshelley3⁠</a></p>
<p>Anne Barton on Mary Shelley’s life:</p>
<p><a href="https://lrb.me/ffshelley4">⁠https://lrb.me/ffshelley4⁠</a></p>
<p><u><strong>LRB Audiobooks</strong></u></p>
<p>Discover audiobooks from the <em>LRB</em>: <a href="https://lrb.me/audiobooksff">⁠⁠⁠⁠https://lrb.me/audiobooksff⁠</a></p>]]>
      </content:encoded>
      <itunes:duration>1995</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[acbd1d3e-536d-11f0-a738-3fbffe02d90f]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB7350411676.mp3?updated=1753373948" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Conversations in Philosophy: 'The Thing' by Martin Heidegger</title>
      <description>What does it mean for a jug to be a jug? Or for any thing to be called a ‘thing’? In his 1950 lecture ‘Das Ding’, Heidegger attempts to cajole his audience away from their everyday way of seeing the world as consisting of objects that can be represented objectively, and into the kind of thinking that ‘responds and recalls’. For Heidegger, the world we experience is one of dynamic movement between revelation and concealment, where the essential nature of a thing lies in its ‘thinging’, and the ‘jug’s jug character consists in the poured gift of the jug’s pouring out’. In this episode Jonathan and James work through Heidegger’s ideas about both ‘things’ and time, and consider the purpose of his poetic style.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠https://lrb.me/applecrcip⁠

In other podcast apps: ⁠https://lrb.me/closereadingscip

Further reading in the LRB:

Richard Rorty: Heidegger's Worlds

⁠https://www.lrb.co.uk/the-paper/v12/n03/richard-rorty/diary⁠

J.P. Stern: Heil Heidegger

⁠https://www.lrb.co.uk/the-paper/v11/n08/j.p.-stern/heil-heidegger⁠

James Miller: Arendt and Heidegger

⁠https://www.lrb.co.uk/the-paper/v17/n20/james-miller/thinking-without-a-banister

LRB AUDIOBOOKS

Discover audiobooks from the LRB, including Jonathan Rée's Becoming a Philosopher: Spinoza to Sartre:

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/audiobookscip⁠⁠</description>
      <pubDate>Mon, 21 Jul 2025 10:31:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>12</itunes:season>
      <itunes:episode>9</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/fb67df12-63e1-11f0-844e-e3ed82ada5b0/image/8157906b59de4e3439b6949f163eef20.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>What does it mean for a jug to be a jug? Or for any thing to be called a ‘thing’? In his 1950 lecture ‘Das Ding’, Heidegger attempts to cajole his audience away from their everyday way of seeing the world as consisting of objects that can be represented objectively, and into the kind of thinking that ‘responds and recalls’. For Heidegger, the world we experience is one of dynamic movement between revelation and concealment, where the essential nature of a thing lies in its ‘thinging’, and the ‘jug’s jug character consists in the poured gift of the jug’s pouring out’. In this episode Jonathan and James work through Heidegger’s ideas about both ‘things’ and time, and consider the purpose of his poetic style.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠https://lrb.me/applecrcip⁠

In other podcast apps: ⁠https://lrb.me/closereadingscip

Further reading in the LRB:

Richard Rorty: Heidegger's Worlds

⁠https://www.lrb.co.uk/the-paper/v12/n03/richard-rorty/diary⁠

J.P. Stern: Heil Heidegger

⁠https://www.lrb.co.uk/the-paper/v11/n08/j.p.-stern/heil-heidegger⁠

James Miller: Arendt and Heidegger

⁠https://www.lrb.co.uk/the-paper/v17/n20/james-miller/thinking-without-a-banister

LRB AUDIOBOOKS

Discover audiobooks from the LRB, including Jonathan Rée's Becoming a Philosopher: Spinoza to Sartre:

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/audiobookscip⁠⁠</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What does it mean for a jug to be a jug? Or for any thing to be called a ‘thing’? In his 1950 lecture ‘Das Ding’, Heidegger attempts to cajole his audience away from their everyday way of seeing the world as consisting of objects that can be represented objectively, and into the kind of thinking that ‘responds and recalls’. For Heidegger, the world we experience is one of dynamic movement between revelation and concealment, where the essential nature of a thing lies in its ‘thinging’, and the ‘jug’s jug character consists in the poured gift of the jug’s pouring out’. In this episode Jonathan and James work through Heidegger’s ideas about both ‘things’ and time, and consider the purpose of his poetic style.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrcip">⁠https://lrb.me/applecrcip⁠</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingscip">⁠https://lrb.me/closereadingscip</a></p>
<p>Further reading in the LRB:</p>
<p>Richard Rorty: Heidegger's Worlds</p>
<p><a href="%E2%81%A0https://www.lrb.co.uk/the-paper/v12/n03/richard-rorty/diary%E2%81%A0">⁠https://www.lrb.co.uk/the-paper/v12/n03/richard-rorty/diary⁠</a></p>
<p>J.P. Stern: Heil Heidegger</p>
<p>⁠<a href="https://www.lrb.co.uk/the-paper/v11/n08/j.p.-stern/heil-heidegger%E2%81%A0">https://www.lrb.co.uk/the-paper/v11/n08/j.p.-stern/heil-heidegger⁠</a></p>
<p>James Miller: Arendt and Heidegger</p>
<p><a href="%E2%81%A0https://www.lrb.co.uk/the-paper/v17/n20/james-miller/thinking-without-a-banister">⁠https://www.lrb.co.uk/the-paper/v17/n20/james-miller/thinking-without-a-banister</a></p>
<p><strong>LRB AUDIOBOOKS</strong></p>
<p>Discover audiobooks from the <em>LRB</em>, including Jonathan Rée's <em>Becoming a Philosopher: Spinoza to Sartre</em>:</p>
<p><a href="https://lrb.me/audiobookscip">⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/audiobookscip⁠⁠</a></p>]]>
      </content:encoded>
      <itunes:duration>976</itunes:duration>
      <guid isPermaLink="false"><![CDATA[fb67df12-63e1-11f0-844e-e3ed82ada5b0]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB2831810044.mp3?updated=1753111402" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Novel Approaches: ‘The Mill on the Floss’ by George Eliot</title>
      <description>The Mill on the Floss is George Eliot’s most autobiographical novel, and the first she published after her identity as a woman was revealed. A ‘dreamscape’ version of her Warwickshire childhood, the book is both a working-through and a reimagining of her life.

Ruth Yeazell and Deborah Friedell join Tom to discuss the novel and its protagonist Maggie Tullliver, for whom duty – societal, familial, self-imposed – continually conflicts with her personal desires. They explore the book’s submerged sexuality, its questioning of conventional gender roles, and the way Eliot’s satirical impulse is counterbalanced by the complexity of her characters.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrna

In other podcast apps: https://lrb.me/closereadingsna

Further reading in the LRB:

Rachel Bowlby on reading George Eliot: https://lrb.me/naeliot1

Dinah Birch on Eliot’s journals: https://lrb.me/naeliot2

Rosemary Ashton on Eliot and sex: https://lrb.me/naeliot3

Gordon Haight’s speech on Eliot at Westminster Abbey: https://lrb.me/naeliot4

Audiobooks from the LRB:

⁠⁠⁠⁠⁠https://lrb.me/audiobooksna⁠⁠⁠⁠⁠</description>
      <pubDate>Mon, 14 Jul 2025 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>15</itunes:season>
      <itunes:episode>8</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/4dd3d1b4-5e53-11f0-a270-1fe6c3858b79/image/f8e79f53bd65a087c9395d1f67d608ec.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The Mill on the Floss is George Eliot’s most autobiographical novel, and the first she published after her identity as a woman was revealed. A ‘dreamscape’ version of her Warwickshire childhood, the book is both a working-through and a reimagining of her life.

Ruth Yeazell and Deborah Friedell join Tom to discuss the novel and its protagonist Maggie Tullliver, for whom duty – societal, familial, self-imposed – continually conflicts with her personal desires. They explore the book’s submerged sexuality, its questioning of conventional gender roles, and the way Eliot’s satirical impulse is counterbalanced by the complexity of her characters.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrna

In other podcast apps: https://lrb.me/closereadingsna

Further reading in the LRB:

Rachel Bowlby on reading George Eliot: https://lrb.me/naeliot1

Dinah Birch on Eliot’s journals: https://lrb.me/naeliot2

Rosemary Ashton on Eliot and sex: https://lrb.me/naeliot3

Gordon Haight’s speech on Eliot at Westminster Abbey: https://lrb.me/naeliot4

Audiobooks from the LRB:

⁠⁠⁠⁠⁠https://lrb.me/audiobooksna⁠⁠⁠⁠⁠</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>The Mill on the Floss</em> is George Eliot’s most autobiographical novel, and the first she published after her identity as a woman was revealed. A ‘dreamscape’ version of her Warwickshire childhood, the book is both a working-through and a reimagining of her life.</p>
<p>Ruth Yeazell and Deborah Friedell join Tom to discuss the novel and its protagonist Maggie Tullliver, for whom duty – societal, familial, self-imposed – continually conflicts with her personal desires. They explore the book’s submerged sexuality, its questioning of conventional gender roles, and the way Eliot’s satirical impulse is counterbalanced by the complexity of her characters.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrna">https://lrb.me/applecrna</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsna">https://lrb.me/closereadingsna</a></p>
<p><strong>Further reading in the LRB:</strong></p>
<p>Rachel Bowlby on reading George Eliot: <a href="https://lrb.me/naeliot2">https://lrb.me/naeliot1</a></p>
<p>Dinah Birch on Eliot’s journals: <a href="https://lrb.me/naeliot2">https://lrb.me/naeliot2</a></p>
<p>Rosemary Ashton on Eliot and sex: <a href="https://lrb.me/naeliot3">https://lrb.me/naeliot3</a></p>
<p>Gordon Haight’s speech on Eliot at Westminster Abbey: <a href="https://lrb.me/naeliot4">https://lrb.me/naeliot4</a></p>
<p>Audiobooks from the LRB:</p>
<p>⁠⁠⁠⁠⁠<a href="https://lrb.me/audiobooksna%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0">https://lrb.me/audiobooksna⁠⁠⁠⁠⁠</a></p>]]>
      </content:encoded>
      <itunes:duration>1054</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[4dd3d1b4-5e53-11f0-a270-1fe6c3858b79]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB5210911095.mp3?updated=1752237533" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Love and Death: War Elegies by Whitman, Owen, Douglas and more</title>
      <description>As long as there have been poets, they have been writing war elegies. In this episode, Mark and Seamus discuss responses to the American Civil War (Walt Whitman), both world wars (W.B. Yeats, Wilfred Owen, Rudyard Kipling, Keith Douglas) and the conflict in Northern Ireland (Michael Longley) to explore the way these very different poems share an ancient legacy. Spanning 160 years and energised by competing ideas of art and war, these soldiers, carers and civilians are united by a need that Mark and Seamus suggest is at the root of poetry, to memorialise the dead in words.



Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠https://lrb.me/applecrld⁠

In other podcast apps: ⁠https://lrb.me/closereadingsld



Poems discussed in this episode:



Walt Whitman, ‘Vigil Strange I Kept on the Field One Night’

⁠https://⁠⁠w⁠⁠ww.poetryfoundation.org/poems/45478/vigil-strange-i-kept-on-the-field-one-night⁠

Wilfred Owen, ‘Futility’

⁠https://www.poetryfoundation.org/poems/57283/futility-56d23aa2d4b57⁠

Keith Douglas, ‘Vergissmeinnicht’

⁠https://warpoets.org.uk/worldwar2/poem/vergissmeinnicht/⁠

W.B. Yeats, ‘An Irish Airman foresees his Death’

⁠https://www.poetryfoundation.org/poems/57311/an-irish-airman-foresees-his-death⁠

Michael Longley, ‘The Ice-Cream Man’

⁠https://poetryarchive.org/poem/ice-cream-man/⁠

Rudyard Kipling, ‘Epitaphs of the War’

⁠https://www.poetryfoundation.org/poems/57409/epitaphs-of-the-war⁠



Further reading in the LRB:

Ian Hamilton on Keith Douglas’s letters:

⁠https://lrb.me/ldwar1⁠

Jonathan Bate on war poetry:

⁠https://lrb.me/ldwar2⁠

Poems by Michael Longley published in the LRB:

⁠⁠⁠https://lrb.me/ldwar3⁠

LRB Audiobooks

Discover audiobooks from the LRB: ⁠⁠⁠⁠⁠https://lrb.me/audiobooksld</description>
      <pubDate>Mon, 07 Jul 2025 06:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>14</itunes:season>
      <itunes:episode>8</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/120c2a4a-5729-11f0-9e6f-739af4d5e890/image/b5395d7543d1daf15bec0e7794935720.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>As long as there have been poets, they have been writing war elegies. In this episode, Mark and Seamus discuss responses to the American Civil War (Walt Whitman), both world wars (W.B. Yeats, Wilfred Owen, Rudyard Kipling, Keith Douglas) and the conflict in Northern Ireland (Michael Longley) to explore the way these very different poems share an ancient legacy. Spanning 160 years and energised by competing ideas of art and war, these soldiers, carers and civilians are united by a need that Mark and Seamus suggest is at the root of poetry, to memorialise the dead in words.



Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠https://lrb.me/applecrld⁠

In other podcast apps: ⁠https://lrb.me/closereadingsld



Poems discussed in this episode:



Walt Whitman, ‘Vigil Strange I Kept on the Field One Night’

⁠https://⁠⁠w⁠⁠ww.poetryfoundation.org/poems/45478/vigil-strange-i-kept-on-the-field-one-night⁠

Wilfred Owen, ‘Futility’

⁠https://www.poetryfoundation.org/poems/57283/futility-56d23aa2d4b57⁠

Keith Douglas, ‘Vergissmeinnicht’

⁠https://warpoets.org.uk/worldwar2/poem/vergissmeinnicht/⁠

W.B. Yeats, ‘An Irish Airman foresees his Death’

⁠https://www.poetryfoundation.org/poems/57311/an-irish-airman-foresees-his-death⁠

Michael Longley, ‘The Ice-Cream Man’

⁠https://poetryarchive.org/poem/ice-cream-man/⁠

Rudyard Kipling, ‘Epitaphs of the War’

⁠https://www.poetryfoundation.org/poems/57409/epitaphs-of-the-war⁠



Further reading in the LRB:

Ian Hamilton on Keith Douglas’s letters:

⁠https://lrb.me/ldwar1⁠

Jonathan Bate on war poetry:

⁠https://lrb.me/ldwar2⁠

Poems by Michael Longley published in the LRB:

⁠⁠⁠https://lrb.me/ldwar3⁠

LRB Audiobooks

Discover audiobooks from the LRB: ⁠⁠⁠⁠⁠https://lrb.me/audiobooksld</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As long as there have been poets, they have been writing war elegies. In this episode, Mark and Seamus discuss responses to the American Civil War (Walt Whitman), both world wars (W.B. Yeats, Wilfred Owen, Rudyard Kipling, Keith Douglas) and the conflict in Northern Ireland (Michael Longley) to explore the way these very different poems share an ancient legacy. Spanning 160 years and energised by competing ideas of art and war, these soldiers, carers and civilians are united by a need that Mark and Seamus suggest is at the root of poetry, to memorialise the dead in words.</p>
<p><br></p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrld">⁠https://lrb.me/applecrld⁠</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsld">⁠https://lrb.me/closereadingsld</a></p>
<p><br></p>
<p><strong>Poems discussed in this episode:</strong></p>
<p><br></p>
<p>Walt Whitman, ‘Vigil Strange I Kept on the Field One Night’</p>
<p><a href="https://www.poetryfoundation.org/poems/45478/vigil-strange-i-kept-on-the-field-one-night">⁠https://⁠</a><a href="https://www.poetryfoundation.org/poems/45478/vigil-strange-i-kept-on-the-field-one-night">⁠w⁠</a><a href="http://www.poetryfoundation.org/poems/45478/vigil-strange-i-kept-on-the-field-one-night">⁠ww.poetryfoundation.org/poems/45478/vigil-strange-i-kept-on-the-field-one-night⁠</a></p>
<p>Wilfred Owen, ‘Futility’</p>
<p><a href="https://www.poetryfoundation.org/poems/57283/futility-56d23aa2d4b57">⁠https://www.poetryfoundation.org/poems/57283/futility-56d23aa2d4b57⁠</a></p>
<p>Keith Douglas, ‘Vergissmeinnicht’</p>
<p><a href="https://warpoets.org.uk/worldwar2/poem/vergissmeinnicht/">⁠https://warpoets.org.uk/worldwar2/poem/vergissmeinnicht/⁠</a></p>
<p>W.B. Yeats, ‘An Irish Airman foresees his Death’</p>
<p><a href="https://www.poetryfoundation.org/poems/57311/an-irish-airman-foresees-his-death">⁠https://www.poetryfoundation.org/poems/57311/an-irish-airman-foresees-his-death⁠</a></p>
<p>Michael Longley, ‘The Ice-Cream Man’</p>
<p><a href="https://poetryarchive.org/poem/ice-cream-man/">⁠https://poetryarchive.org/poem/ice-cream-man/⁠</a></p>
<p>Rudyard Kipling, ‘Epitaphs of the War’</p>
<p><a href="https://www.poetryfoundation.org/poems/57409/epitaphs-of-the-war">⁠https://www.poetryfoundation.org/poems/57409/epitaphs-of-the-war⁠</a><strong></strong></p>
<p><br></p>
<p><strong>Further reading in the LRB:</strong></p>
<p>Ian Hamilton on Keith Douglas’s letters:</p>
<p><a href="https://lrb.me/ldwar1">⁠https://lrb.me/ldwar1⁠</a></p>
<p>Jonathan Bate on war poetry:</p>
<p><a href="https://lrb.me/ldwar2">⁠https://lrb.me/ldwar2⁠</a></p>
<p>Poems by Michael Longley published in the <em>LRB</em>:</p>
<p><a href="https://www.lrb.co.uk/contributors/michael-longley">⁠⁠⁠https://lrb.me/ldwar3⁠</a></p>
<p><u><strong>LRB Audiobooks</strong></u></p>
<p>Discover audiobooks from the <em>LRB</em>: ⁠⁠⁠⁠<a href="https://lrb.me/audiobooksld">⁠https://lrb.me/audiobooksld</a></p>]]>
      </content:encoded>
      <itunes:duration>774</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[120c2a4a-5729-11f0-9e6f-739af4d5e890]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB6584250860.mp3?updated=1751888935" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Fiction and the Fantastic: Mikhail Bulgakov and James Hogg</title>
      <description>James Hogg’s ghoulish metaphysical crime novel 'The Private Memoirs and Confessions of a Justified Sinner' (1824) was presented as a found documented dating from the 17th century, describing in different voices the path to devilry of an antinomian Calvinist, Robert Wringhim. Mikhail Bulgakov’s 'The Master and Margarita', written between 1928 and 1940, also hinges around a pact with Satan (Woland), who arrives in Moscow to create mayhem among its literary community and helps reunite an outcast writer, the Master, with his lover, Margarita. In this episode, Marina and Adam look at the ways in which these two ferocious works of comic horror tackle the challenge of representing fanaticism, be it Calvinism or Bolshevism, and consider why both writers used the fantastical to test reality.



Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠https://lrb.me/applecrff⁠

In other podcast apps: ⁠https://lrb.me/closereadingsff

Further reading in the LRB:

Liam McIlvanney on James Hogg:

⁠https://lrb.me/ffbulgakov1⁠

Michael Wood on Bulgakov:

⁠https://lrb.me/ffbulgakov2⁠

LRB Audiobooks

Discover audiobooks from the LRB: ⁠⁠⁠https://lrb.me/audiobooksff⁠</description>
      <pubDate>Wed, 02 Jul 2025 05:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>13</itunes:season>
      <itunes:episode>8</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/08515ce0-5662-11f0-b406-6f8dff0d6ae6/image/25610fd2b99f389800662b24f15f5f50.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>James Hogg’s ghoulish metaphysical crime novel 'The Private Memoirs and Confessions of a Justified Sinner' (1824) was presented as a found documented dating from the 17th century, describing in different voices the path to devilry of an antinomian Calvinist, Robert Wringhim. Mikhail Bulgakov’s 'The Master and Margarita', written between 1928 and 1940, also hinges around a pact with Satan (Woland), who arrives in Moscow to create mayhem among its literary community and helps reunite an outcast writer, the Master, with his lover, Margarita. In this episode, Marina and Adam look at the ways in which these two ferocious works of comic horror tackle the challenge of representing fanaticism, be it Calvinism or Bolshevism, and consider why both writers used the fantastical to test reality.



Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: ⁠https://lrb.me/applecrff⁠

In other podcast apps: ⁠https://lrb.me/closereadingsff

Further reading in the LRB:

Liam McIlvanney on James Hogg:

⁠https://lrb.me/ffbulgakov1⁠

Michael Wood on Bulgakov:

⁠https://lrb.me/ffbulgakov2⁠

LRB Audiobooks

Discover audiobooks from the LRB: ⁠⁠⁠https://lrb.me/audiobooksff⁠</itunes:summary>
      <content:encoded>
        <![CDATA[<p>James Hogg’s ghoulish metaphysical crime novel 'The Private Memoirs and Confessions of a Justified Sinner' (1824) was presented as a found documented dating from the 17th century, describing in different voices the path to devilry of an antinomian Calvinist, Robert Wringhim. Mikhail Bulgakov’s 'The Master and Margarita', written between 1928 and 1940, also hinges around a pact with Satan (Woland), who arrives in Moscow to create mayhem among its literary community and helps reunite an outcast writer, the Master, with his lover, Margarita. In this episode, Marina and Adam look at the ways in which these two ferocious works of comic horror tackle the challenge of representing fanaticism, be it Calvinism or Bolshevism, and consider why both writers used the fantastical to test reality.</p>
<p><br></p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrff">⁠https://lrb.me/applecrff⁠</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsff">⁠https://lrb.me/closereadingsff</a></p>
<p><strong>Further reading in the LRB:</strong></p>
<p>Liam McIlvanney on James Hogg:</p>
<p><a href="https://lrb.me/ffbulgakov1">⁠https://lrb.me/ffbulgakov1⁠</a></p>
<p>Michael Wood on Bulgakov:</p>
<p><a href="https://lrb.me/ffbulgakov2">⁠https://lrb.me/ffbulgakov2⁠</a></p>
<p><u><strong>LRB Audiobooks</strong></u></p>
<p>Discover audiobooks from the <em>LRB</em>: <a href="https://lrb.me/audiobooksff">⁠⁠⁠https://lrb.me/audiobooksff⁠</a></p>]]>
      </content:encoded>
      <itunes:duration>1978</itunes:duration>
      <guid isPermaLink="false"><![CDATA[08515ce0-5662-11f0-b406-6f8dff0d6ae6]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB3363124721.mp3?updated=1751364250" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Conversations in Philosophy: 'The Will to Believe' by William James</title>
      <description>Most of what we believe we believe on faith, even those beliefs we hold to be based on scientific fact. This assertion lies at the heart of William James’s essay ‘The Will to Believe’, originally delivered as a lecture and intended not so much as a defence of religion as an attack on anti-religion. James’s target was the ‘rugged and manly school of science’ and the kind of atheism ‘that goes around thumping its chest offering its biceps to be felt’. In this episode Jonathan Rée and James Wood look at the intellectual environment William James was working in, and against, in the second half of the 19th century, and its parallels in the ‘new atheism’ of today. They also discuss the extraordinary upbringing William (and his novelist brother Henry) received and the advice he offered to anyone contemplating suicide in his essay ‘Is life worth living?’



Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:



Directly in Apple Podcasts: https://lrb.me/applecrcip

In other podcast apps: https://lrb.me/closereadingscip

Read more in the LRB:

Helen Thaventhiran: William James's Prescriptions

https://www.lrb.co.uk/the-paper/v46/n20/helen-thaventhiran/no-dose-for-it-at-the-chemist

Michael Wood: William James and modernism

https://www.lrb.co.uk/the-paper/v29/n18/michael-wood/understanding-forwards

Richard Poirier: Williams James's pragmatism

https://www.lrb.co.uk/the-paper/v06/n19/richard-poirier/copying-the-coyote

LRB AUDIOBOOKS

Discover audiobooks from the LRB, including Jonathan Rée's Becoming a Philosopher: Spinoza to Sartre:

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/audiobookscip⁠⁠</description>
      <pubDate>Mon, 23 Jun 2025 16:58:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>12</itunes:season>
      <itunes:episode>8</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/53f3974a-5053-11f0-94b7-8b10ffc76dec/image/8157906b59de4e3439b6949f163eef20.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Most of what we believe we believe on faith, even those beliefs we hold to be based on scientific fact. This assertion lies at the heart of William James’s essay ‘The Will to Believe’, originally delivered as a lecture and intended not so much as a defence of religion as an attack on anti-religion. James’s target was the ‘rugged and manly school of science’ and the kind of atheism ‘that goes around thumping its chest offering its biceps to be felt’. In this episode Jonathan Rée and James Wood look at the intellectual environment William James was working in, and against, in the second half of the 19th century, and its parallels in the ‘new atheism’ of today. They also discuss the extraordinary upbringing William (and his novelist brother Henry) received and the advice he offered to anyone contemplating suicide in his essay ‘Is life worth living?’



Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:



Directly in Apple Podcasts: https://lrb.me/applecrcip

In other podcast apps: https://lrb.me/closereadingscip

Read more in the LRB:

Helen Thaventhiran: William James's Prescriptions

https://www.lrb.co.uk/the-paper/v46/n20/helen-thaventhiran/no-dose-for-it-at-the-chemist

Michael Wood: William James and modernism

https://www.lrb.co.uk/the-paper/v29/n18/michael-wood/understanding-forwards

Richard Poirier: Williams James's pragmatism

https://www.lrb.co.uk/the-paper/v06/n19/richard-poirier/copying-the-coyote

LRB AUDIOBOOKS

Discover audiobooks from the LRB, including Jonathan Rée's Becoming a Philosopher: Spinoza to Sartre:

⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/audiobookscip⁠⁠</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Most of what we believe we believe on faith, even those beliefs we hold to be based on scientific fact. This assertion lies at the heart of William James’s essay ‘The Will to Believe’, originally delivered as a lecture and intended not so much as a defence of religion as an attack on anti-religion. James’s target was the ‘rugged and manly school of science’ and the kind of atheism ‘that goes around thumping its chest offering its biceps to be felt’. In this episode Jonathan Rée and James Wood look at the intellectual environment William James was working in, and against, in the second half of the 19th century, and its parallels in the ‘new atheism’ of today. They also discuss the extraordinary upbringing William (and his novelist brother Henry) received and the advice he offered to anyone contemplating suicide in his essay ‘Is life worth living?’</p>
<p><br></p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p><br></p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrcip">https://lrb.me/applecrcip</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingscip">https://lrb.me/closereadingscip</a></p>
<p>Read more in the LRB:</p>
<p>Helen Thaventhiran: William James's Prescriptions</p>
<p>https://www.lrb.co.uk/the-paper/v46/n20/helen-thaventhiran/no-dose-for-it-at-the-chemist</p>
<p>Michael Wood: William James and modernism</p>
<p>https://www.lrb.co.uk/the-paper/v29/n18/michael-wood/understanding-forwards</p>
<p>Richard Poirier: Williams James's pragmatism</p>
<p>https://www.lrb.co.uk/the-paper/v06/n19/richard-poirier/copying-the-coyote</p>
<p><strong>LRB AUDIOBOOKS</strong></p>
<p>Discover audiobooks from the <em>LRB</em>, including Jonathan Rée's <em>Becoming a Philosopher: Spinoza to Sartre</em>:</p>
<p><a href="https://lrb.me/audiobookscip">⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/audiobookscip⁠⁠</a></p>]]>
      </content:encoded>
      <itunes:duration>1094</itunes:duration>
      <guid isPermaLink="false"><![CDATA[53f3974a-5053-11f0-94b7-8b10ffc76dec]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB7768827055.mp3?updated=1750698227" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Novel Approaches: 'Aurora Leigh' by Elizabeth Barrett Browning</title>
      <description>‘I want to write a poem of a new class — a Don Juan, without the mockery and impurity,’ Elizabeth Barrett Browning wrote to a friend in 1844, ‘and admitting of as much philosophical dreaming and digression (which is in fact a characteristic of the age) as I like to use.’ The poem she had in mind turned out to be her verse novel, Aurora Leigh, published in 1854, and described by Ruskin as the greatest long poem of the 19th century. It tells the story of an aspiring poet, Aurora, born in Florence to an Italian mother and an English father, who loses both her parents as a child and moves to England and the care of her aunt. From there she pursues her poetic ambitions to London, Paris, Italy and back to England while negotiating a traumatic love triangle between the vicious Lady Waldemar, the impoverished seamstress Marian, and the austere social-reformer Romney. In this episode, Clare is joined by Stefanie Markovits and Seamus Perry to discuss the wide range of innovations Barrett Browning deploys to fulfil her commitment to immediacy and narrative drive in the poem, and the ways in which she uses her characters to explore the extent of her own emancipatory politics.

Read the poem: https://www.gutenberg.org/cache/epub/56621/pg56621-images.html

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrna

In other podcast apps: https://lrb.me/closereadingsna

Read more in the LRB:

John Bayley: https://lrb.me/nabrowning1

Ruth Yeazell: https://lrb.me/nabrowning2

Audiobooks from the LRB:

⁠⁠⁠⁠https://lrb.me/audiobooksna⁠⁠⁠⁠</description>
      <pubDate>Mon, 16 Jun 2025 09:23:00 -0000</pubDate>
      <itunes:title>Novel Approaches: 'Aurora Leigh' by Elizabeth Barrett Browning</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>15</itunes:season>
      <itunes:episode>7</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/80f354e4-4c5a-11f0-9640-07f5dab39c0d/image/f8e79f53bd65a087c9395d1f67d608ec.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>‘I want to write a poem of a new class — a Don Juan, without the mockery and impurity,’ Elizabeth Barrett Browning wrote to a friend in 1844, ‘and admitting of as much philosophical dreaming and digression (which is in fact a characteristic of the age) as I like to use.’ The poem she had in mind turned out to be her verse novel, Aurora Leigh, published in 1854, and described by Ruskin as the greatest long poem of the 19th century. It tells the story of an aspiring poet, Aurora, born in Florence to an Italian mother and an English father, who loses both her parents as a child and moves to England and the care of her aunt. From there she pursues her poetic ambitions to London, Paris, Italy and back to England while negotiating a traumatic love triangle between the vicious Lady Waldemar, the impoverished seamstress Marian, and the austere social-reformer Romney. In this episode, Clare is joined by Stefanie Markovits and Seamus Perry to discuss the wide range of innovations Barrett Browning deploys to fulfil her commitment to immediacy and narrative drive in the poem, and the ways in which she uses her characters to explore the extent of her own emancipatory politics.

Read the poem: https://www.gutenberg.org/cache/epub/56621/pg56621-images.html

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrna

In other podcast apps: https://lrb.me/closereadingsna

Read more in the LRB:

John Bayley: https://lrb.me/nabrowning1

Ruth Yeazell: https://lrb.me/nabrowning2

Audiobooks from the LRB:

⁠⁠⁠⁠https://lrb.me/audiobooksna⁠⁠⁠⁠</itunes:summary>
      <content:encoded>
        <![CDATA[<p>‘I want to write a poem of a new class — a Don Juan, without the mockery and impurity,’ Elizabeth Barrett Browning wrote to a friend in 1844, ‘and admitting of as much philosophical dreaming and digression (which is in fact a characteristic of the age) as I like to use.’ The poem she had in mind turned out to be her verse novel, Aurora Leigh, published in 1854, and described by Ruskin as the greatest long poem of the 19th century. It tells the story of an aspiring poet, Aurora, born in Florence to an Italian mother and an English father, who loses both her parents as a child and moves to England and the care of her aunt. From there she pursues her poetic ambitions to London, Paris, Italy and back to England while negotiating a traumatic love triangle between the vicious Lady Waldemar, the impoverished seamstress Marian, and the austere social-reformer Romney. In this episode, Clare is joined by Stefanie Markovits and Seamus Perry to discuss the wide range of innovations Barrett Browning deploys to fulfil her commitment to immediacy and narrative drive in the poem, and the ways in which she uses her characters to explore the extent of her own emancipatory politics.</p>
<p>Read the poem: <a href="https://www.gutenberg.org/cache/epub/56621/pg56621-images.html">https://www.gutenberg.org/cache/epub/56621/pg56621-images.html</a></p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrna">https://lrb.me/applecrna</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsna">https://lrb.me/closereadingsna</a></p>
<p>Read more in the LRB:</p>
<p>John Bayley: <a href="https://lrb.me/nabrowning1">https://lrb.me/nabrowning1</a></p>
<p>Ruth Yeazell: <a href="https://lrb.me/nabrowning2">https://lrb.me/nabrowning2</a></p>
<p>Audiobooks from the LRB:</p>
<p><a href="%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0https://lrb.me/audiobooksna%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0">⁠⁠⁠⁠https://lrb.me/audiobooksna⁠⁠⁠⁠</a></p>]]>
      </content:encoded>
      <itunes:duration>1120</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[684fe2afb903c43b04c2b065]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB9920692432.mp3?updated=1750261505" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Love and Death: ‘In Memoriam’ by Tennyson</title>
      <description>Tennyson described 'In Memoriam' as ‘rather the cry of the whole human race than mine’, and the poem achieved widespread acclaim as soon as it was published in 1850, cited by Queen Victoria as her habitual reading after the death of Prince Albert. Its subject is the death in 1833 of Tennyson’s friend Arthur Hallam at the age of 22, and in its 131 sections it explores the possibilities of elegy more extensively than any English poem before it, not least in its innovative, incantatory rhyme scheme, intended to numb the pain of grief. From its repeated dramatisations of the experience of private loss, 'In Memoriam' opens out to reflect on the intellectual turmoil running through Victorian society amid monumental advances in scientific thought. In this episode, Seamus and Mark discuss the unique emotional power of Tennyson’s style, and why his great elegy came to represent what mourning, and poetry, should be in the public imagination of his time.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrld

In other podcast apps: https://lrb.me/closereadingsld

Read more in the LRB:

Frank Kermode:

⁠https://lrb.me/ldtenn1⁠

Seamus Perry:

⁠https://lrb.me/ldtenn2⁠

LRB Audiobooks

Discover audiobooks from the LRB: ⁠⁠⁠⁠⁠⁠⁠https://lrb.me/audiobooksld⁠</description>
      <pubDate>Mon, 09 Jun 2025 10:38:00 -0000</pubDate>
      <itunes:title>Love and Death: 'In Memoriam' by Tennyson</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>14</itunes:season>
      <itunes:episode>7</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/81752d02-4c5a-11f0-9640-7be315657f98/image/b5395d7543d1daf15bec0e7794935720.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Tennyson described 'In Memoriam' as ‘rather the cry of the whole human race than mine’, and the poem achieved widespread acclaim as soon as it was published in 1850, cited by Queen Victoria as her habitual reading after the death of Prince Albert. Its subject is the death in 1833 of Tennyson’s friend Arthur Hallam at the age of 22, and in its 131 sections it explores the possibilities of elegy more extensively than any English poem before it, not least in its innovative, incantatory rhyme scheme, intended to numb the pain of grief. From its repeated dramatisations of the experience of private loss, 'In Memoriam' opens out to reflect on the intellectual turmoil running through Victorian society amid monumental advances in scientific thought. In this episode, Seamus and Mark discuss the unique emotional power of Tennyson’s style, and why his great elegy came to represent what mourning, and poetry, should be in the public imagination of his time.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrld

In other podcast apps: https://lrb.me/closereadingsld

Read more in the LRB:

Frank Kermode:

⁠https://lrb.me/ldtenn1⁠

Seamus Perry:

⁠https://lrb.me/ldtenn2⁠

LRB Audiobooks

Discover audiobooks from the LRB: ⁠⁠⁠⁠⁠⁠⁠https://lrb.me/audiobooksld⁠</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Tennyson described 'In Memoriam' as ‘rather the cry of the whole human race than mine’, and the poem achieved widespread acclaim as soon as it was published in 1850, cited by Queen Victoria as her habitual reading after the death of Prince Albert. Its subject is the death in 1833 of Tennyson’s friend Arthur Hallam at the age of 22, and in its 131 sections it explores the possibilities of elegy more extensively than any English poem before it, not least in its innovative, incantatory rhyme scheme, intended to numb the pain of grief. From its repeated dramatisations of the experience of private loss, 'In Memoriam' opens out to reflect on the intellectual turmoil running through Victorian society amid monumental advances in scientific thought. In this episode, Seamus and Mark discuss the unique emotional power of Tennyson’s style, and why his great elegy came to represent what mourning, and poetry, should be in the public imagination of his time.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrld">https://lrb.me/applecrld</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsld">https://lrb.me/closereadingsld</a></p>
<p><strong>Read more in the LRB:</strong></p>
<p>Frank Kermode:</p>
<p><a href="https://lrb.me/ldtenn1">⁠https://lrb.me/ldtenn1⁠</a></p>
<p>Seamus Perry:</p>
<p><a href="https://lrb.me/ldtenn2">⁠https://lrb.me/ldtenn2⁠</a></p>
<p><u><strong>LRB Audiobooks</strong></u></p>
<p>Discover audiobooks from the <em>LRB</em>: ⁠⁠⁠⁠<a href="https://lrb.me/audiobooksld">⁠⁠⁠https://lrb.me/audiobooksld⁠</a></p>]]>
      </content:encoded>
      <itunes:duration>793</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6846b98b1dd9d3b33f783604]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB3356843528.mp3?updated=1750261505" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Fiction and the Fantastic: Tales by Jan Potocki and Isak Dinesen</title>
      <description>‘With Potocki,’ Italo Calvino wrote, ‘we can understand that the fantastic is the exploration of the obscure zone where the most unrestrained passions of desire and the terrors of guilt mix together.’ The gothic is a central seam of the fantastic, and in this episode Marina and Adam turn to two writers in that mode who lived over a hundred years apart but drew on the period of the Napoleonic wars: Jan Potocki and Isak Dinesen (the pseudonym of Karen Blixen). Potocki’s The Manuscript Found in Saragossa (1805) is a complex sequence of tales within tales, written from the point of view of the early 19th century but describing events in Spain in the 18th century. It’s a powerful commentary on the preoccupations of the Enlightenment and the repression of historical guilt. In Seven Gothic Tales (1934), Dinesen confronts some of the most unsettling aspect of sexual guilt and desire with psychological astuteness. Adam and Marina discuss the ways in which, in both works, the gothic was able to explore areas of human experience that other genres struggled to accommodate.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrff

In other podcast apps: https://lrb.me/crscfflrbpod

Read more in the LRB:

On Potocki:

⁠⁠⁠⁠https://lrb.me/ffpotocki1⁠

On 'Out of Africa':

⁠https://lrb.me/ffpotocki2⁠

On Dinesen's letters:

⁠https://lrb.me/ffpotocki3⁠

LRB Audiobooks

Discover audiobooks from the LRB: ⁠⁠https://lrb.me/audiobooksff⁠</description>
      <pubDate>Tue, 03 Jun 2025 10:01:00 -0000</pubDate>
      <itunes:title>Tales by Jan Potocki and Isak Dinesen</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>13</itunes:season>
      <itunes:episode>7</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/81c9bbe2-4c5a-11f0-9640-038a0cdf1781/image/25610fd2b99f389800662b24f15f5f50.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>‘With Potocki,’ Italo Calvino wrote, ‘we can understand that the fantastic is the exploration of the obscure zone where the most unrestrained passions of desire and the terrors of guilt mix together.’ The gothic is a central seam of the fantastic, and in this episode Marina and Adam turn to two writers in that mode who lived over a hundred years apart but drew on the period of the Napoleonic wars: Jan Potocki and Isak Dinesen (the pseudonym of Karen Blixen). Potocki’s The Manuscript Found in Saragossa (1805) is a complex sequence of tales within tales, written from the point of view of the early 19th century but describing events in Spain in the 18th century. It’s a powerful commentary on the preoccupations of the Enlightenment and the repression of historical guilt. In Seven Gothic Tales (1934), Dinesen confronts some of the most unsettling aspect of sexual guilt and desire with psychological astuteness. Adam and Marina discuss the ways in which, in both works, the gothic was able to explore areas of human experience that other genres struggled to accommodate.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrff

In other podcast apps: https://lrb.me/crscfflrbpod

Read more in the LRB:

On Potocki:

⁠⁠⁠⁠https://lrb.me/ffpotocki1⁠

On 'Out of Africa':

⁠https://lrb.me/ffpotocki2⁠

On Dinesen's letters:

⁠https://lrb.me/ffpotocki3⁠

LRB Audiobooks

Discover audiobooks from the LRB: ⁠⁠https://lrb.me/audiobooksff⁠</itunes:summary>
      <content:encoded>
        <![CDATA[<p>‘With Potocki,’ Italo Calvino wrote, ‘we can understand that the fantastic is the exploration of the obscure zone where the most unrestrained passions of desire and the terrors of guilt mix together.’ The gothic is a central seam of the fantastic, and in this episode Marina and Adam turn to two writers in that mode who lived over a hundred years apart but drew on the period of the Napoleonic wars: Jan Potocki and Isak Dinesen (the pseudonym of Karen Blixen). Potocki’s The Manuscript Found in Saragossa (1805) is a complex sequence of tales within tales, written from the point of view of the early 19th century but describing events in Spain in the 18th century. It’s a powerful commentary on the preoccupations of the Enlightenment and the repression of historical guilt. In Seven Gothic Tales (1934), Dinesen confronts some of the most unsettling aspect of sexual guilt and desire with psychological astuteness. Adam and Marina discuss the ways in which, in both works, the gothic was able to explore areas of human experience that other genres struggled to accommodate.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrff">https://lrb.me/applecrff</a></p>
<p>In other podcast apps: <a href="https://lrb.me/crscfflrbpod">https://lrb.me/crscfflrbpod</a></p>
<p>Read more in the LRB:</p>
<p>On Potocki:</p>
<p><a href="https://lrb.me/ffpotocki1">⁠⁠⁠⁠https://lrb.me/ffpotocki1⁠</a></p>
<p>On 'Out of Africa':</p>
<p><a href="https://lrb.me/ffpotocki2">⁠https://lrb.me/ffpotocki2⁠</a></p>
<p>On Dinesen's letters:</p>
<p><a href="https://lrb.me/ffpotocki3">⁠https://lrb.me/ffpotocki3⁠</a></p>
<p><u><strong>LRB Audiobooks</strong></u></p>
<p>Discover audiobooks from the <em>LRB</em>: <a href="https://lrb.me/audiobooksff">⁠⁠https://lrb.me/audiobooksff⁠</a></p>]]>
      </content:encoded>
      <itunes:duration>950</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6840702b5de209b54b238910]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB9907994468.mp3?updated=1751369159" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Conversations in Philosophy: 'Schopenhauer as Educator' by Friedrich Nietzsche</title>
      <description>For Nietzsche, Schopenhauer’s genius lay not in his ideas but in his heroic indifference, a thinker whose value to the world is as a liberator rather than a teacher, who shows us what philosophy is really for: to forget what we already know. ‘Schopenhauer as Educator’ was written in 1874, when Nietzsche was 30, and was published in a collection with three other essays – on Wagner, David Strauss and the use of history – that has come to be titled Untimely Meditations. In this episode Jonathan and James consider the essays together and their powerful attack on the ethos of the age, railing against the greed and power of the state, fake art, overweening science, the triviality of universities and, perhaps above all, the deification of success.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrcip

In other podcast apps: https://lrb.me/closereadingscip

Read more in the LRB:

David Hoy on Nietzsche's life:

⁠https://www.lrb.co.uk/the-paper/v09/n01/david-hoy/different-stories⁠

J.P. Stern on 'Unmodern Observations' (or 'Untimely Meditations'):

⁠https://www.lrb.co.uk/the-paper/v12/n16/j.p.-stern/impatience⁠

Jenny Diski on Elisabeth Nietzsche:

⁠https://www.lrb.co.uk/the-paper/v25/n18/jenny-diski/it-wasn-t-him-it-was-her⁠

LRB AUDIOBOOKS

Discover audiobooks from the LRB, including Jonathan Rée's Becoming a Philosopher: Spinoza to Sartre:

⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/audiobookscip⁠⁠</description>
      <pubDate>Mon, 26 May 2025 10:00:00 -0000</pubDate>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>12</itunes:season>
      <itunes:episode>7</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/821edd16-4c5a-11f0-9640-3b899d0e1ffb/image/8157906b59de4e3439b6949f163eef20.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>For Nietzsche, Schopenhauer’s genius lay not in his ideas but in his heroic indifference, a thinker whose value to the world is as a liberator rather than a teacher, who shows us what philosophy is really for: to forget what we already know. ‘Schopenhauer as Educator’ was written in 1874, when Nietzsche was 30, and was published in a collection with three other essays – on Wagner, David Strauss and the use of history – that has come to be titled Untimely Meditations. In this episode Jonathan and James consider the essays together and their powerful attack on the ethos of the age, railing against the greed and power of the state, fake art, overweening science, the triviality of universities and, perhaps above all, the deification of success.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrcip

In other podcast apps: https://lrb.me/closereadingscip

Read more in the LRB:

David Hoy on Nietzsche's life:

⁠https://www.lrb.co.uk/the-paper/v09/n01/david-hoy/different-stories⁠

J.P. Stern on 'Unmodern Observations' (or 'Untimely Meditations'):

⁠https://www.lrb.co.uk/the-paper/v12/n16/j.p.-stern/impatience⁠

Jenny Diski on Elisabeth Nietzsche:

⁠https://www.lrb.co.uk/the-paper/v25/n18/jenny-diski/it-wasn-t-him-it-was-her⁠

LRB AUDIOBOOKS

Discover audiobooks from the LRB, including Jonathan Rée's Becoming a Philosopher: Spinoza to Sartre:

⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/audiobookscip⁠⁠</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For Nietzsche, Schopenhauer’s genius lay not in his ideas but in his heroic indifference, a thinker whose value to the world is as a liberator rather than a teacher, who shows us what philosophy is really for: to forget what we already know. ‘Schopenhauer as Educator’ was written in 1874, when Nietzsche was 30, and was published in a collection with three other essays – on Wagner, David Strauss and the use of history – that has come to be titled Untimely Meditations. In this episode Jonathan and James consider the essays together and their powerful attack on the ethos of the age, railing against the greed and power of the state, fake art, overweening science, the triviality of universities and, perhaps above all, the deification of success.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrcip">https://lrb.me/applecrcip</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingscip">https://lrb.me/closereadingscip</a></p>
<p>Read more in the LRB:</p>
<p>David Hoy on Nietzsche's life:</p>
<p><a href="%E2%81%A0https://www.lrb.co.uk/the-paper/v09/n01/david-hoy/different-stories%E2%81%A0">⁠https://www.lrb.co.uk/the-paper/v09/n01/david-hoy/different-stories⁠</a></p>
<p>J.P. Stern on 'Unmodern Observations' (or 'Untimely Meditations'):</p>
<p><a href="%E2%81%A0https://www.lrb.co.uk/the-paper/v12/n16/j.p.-stern/impatience%E2%81%A0">⁠https://www.lrb.co.uk/the-paper/v12/n16/j.p.-stern/impatience⁠</a></p>
<p>Jenny Diski on Elisabeth Nietzsche:</p>
<p><a href="%E2%81%A0https://www.lrb.co.uk/the-paper/v25/n18/jenny-diski/it-wasn-t-him-it-was-her%E2%81%A0">⁠https://www.lrb.co.uk/the-paper/v25/n18/jenny-diski/it-wasn-t-him-it-was-her⁠</a></p>
<p><u><strong>LRB AUDIOBOOKS</strong></u></p>
<p>Discover audiobooks from the <em>LRB</em>, including Jonathan Rée's <em>Becoming a Philosopher: Spinoza to Sartre</em>:</p>
<p><a href="https://lrb.me/audiobookscip">⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/audiobookscip⁠⁠</a></p>]]>
      </content:encoded>
      <itunes:duration>1826</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[68307de3fc865cdd04ed4188]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB9649613995.mp3?updated=1750261506" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Novel Approaches: ‘North and South’ by Elizabeth Gaskell</title>
      <description>In North and South (1855), Margaret Hale is uprooted from her sleepy New Forest town and must adapt to life in the industrial north. Through her relationships with mill workers and a slow-burn romance with the self-made capitalist John Thornton, she is forced to reassess her assumptions about justice and propriety. At the heart of the novel are a series of righteous rebels: striking workers, mutinous naval officers and religious dissenters.

Dinah Birch joins Clare Bucknell to discuss Gaskell’s rich study of obedience and authority. They explore the Unitarian undercurrent in her work, her eye for domestic and industrial detail, and how her subtle handling of perspective serves her great theme: mutual understanding.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrna

In other podcast apps: https://lrb.me/closereadingsna

Read more in the LRB:

Dinah Birch: The Unwritten Fiction of Dead Brothers

https://www.lrb.co.uk/the-paper/v19/n19/dinah-birch/the-unwritten-fiction-of-dead-brothers

Rosemarie Bodenheimer: Secret-keeping

https://www.lrb.co.uk/the-paper/v29/n16/rosemarie-bodenheimer/secret-keeping

John Bayley: Mrs G

https://www.lrb.co.uk/the-paper/v15/n05/john-bayley/mrs-g</description>
      <pubDate>Mon, 19 May 2025 05:00:00 -0000</pubDate>
      <itunes:title>‘North and South’ by Elizabeth Gaskell</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>15</itunes:season>
      <itunes:episode>6</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/826f7b7c-4c5a-11f0-9640-87e056a71703/image/f8e79f53bd65a087c9395d1f67d608ec.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In North and South (1855), Margaret Hale is uprooted from her sleepy New Forest town and must adapt to life in the industrial north. Through her relationships with mill workers and a slow-burn romance with the self-made capitalist John Thornton, she is forced to reassess her assumptions about justice and propriety. At the heart of the novel are a series of righteous rebels: striking workers, mutinous naval officers and religious dissenters.

Dinah Birch joins Clare Bucknell to discuss Gaskell’s rich study of obedience and authority. They explore the Unitarian undercurrent in her work, her eye for domestic and industrial detail, and how her subtle handling of perspective serves her great theme: mutual understanding.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrna

In other podcast apps: https://lrb.me/closereadingsna

Read more in the LRB:

Dinah Birch: The Unwritten Fiction of Dead Brothers

https://www.lrb.co.uk/the-paper/v19/n19/dinah-birch/the-unwritten-fiction-of-dead-brothers

Rosemarie Bodenheimer: Secret-keeping

https://www.lrb.co.uk/the-paper/v29/n16/rosemarie-bodenheimer/secret-keeping

John Bayley: Mrs G

https://www.lrb.co.uk/the-paper/v15/n05/john-bayley/mrs-g</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <em>North and South</em> (1855), Margaret Hale is uprooted from her sleepy New Forest town and must adapt to life in the industrial north. Through her relationships with mill workers and a slow-burn romance with the self-made capitalist John Thornton, she is forced to reassess her assumptions about justice and propriety. At the heart of the novel are a series of righteous rebels: striking workers, mutinous naval officers and religious dissenters.</p>
<p>Dinah Birch joins Clare Bucknell to discuss Gaskell’s rich study of obedience and authority. They explore the Unitarian undercurrent in her work, her eye for domestic and industrial detail, and how her subtle handling of perspective serves her great theme: mutual understanding.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrna">https://lrb.me/applecrna</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsna">https://lrb.me/closereadingsna</a></p>
<p>Read more in the LRB:</p>
<p>Dinah Birch: The Unwritten Fiction of Dead Brothers</p>
<p><a href="https://www.lrb.co.uk/the-paper/v19/n19/dinah-birch/the-unwritten-fiction-of-dead-brothers">https://www.lrb.co.uk/the-paper/v19/n19/dinah-birch/the-unwritten-fiction-of-dead-brothers</a></p>
<p>Rosemarie Bodenheimer: Secret-keeping</p>
<p><a href="https://www.lrb.co.uk/the-paper/v29/n16/rosemarie-bodenheimer/secret-keeping">https://www.lrb.co.uk/the-paper/v29/n16/rosemarie-bodenheimer/secret-keeping</a></p>
<p>John Bayley: Mrs G</p>
<p><a href="https://www.lrb.co.uk/the-paper/v15/n05/john-bayley/mrs-g">https://www.lrb.co.uk/the-paper/v15/n05/john-bayley/mrs-g</a></p>
<p><br></p>]]>
      </content:encoded>
      <itunes:duration>1549</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[68261b7450cf1b42f4c63c8d]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB7360700020.mp3?updated=1750261507" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Love and Death: Self-Elegies by Plath, Larkin, Hardy and more</title>
      <description>Philip Larkin was terrified of death from an early age; Thomas Hardy contemplated what the neighbours would say after he had gone; and Sylvia Plath imagined her own death in vivid and controversial ways. The genre of self-elegy, in which poets have reflected on their own passing, is a small but eloquent one in the history of English poetry. In this episode, Seamus and Mark consider some of its most striking examples, including Chidiock Tichborne’s laconic lament on the night of his execution in 1586, Jonathan Swift’s breezy anticipation of his posthumous reception, and the more comfortless efforts of 20th-century poets confronting godless extinction.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrld

In other podcast apps: https://lrb.me/closereadingsld

Read more in the LRB:

Jacqueline Rose on Plath:

⁠⁠⁠https://lrb.me/ldself1⁠

David Runciman on Larkin and his father:

⁠https://lrb.me/ldself2⁠

John Bayley on Larkin

⁠⁠⁠https://lrb.me/ldself3⁠

Matthew Bevis on Hardy:

⁠⁠⁠⁠⁠https://lrb.me/ldself4⁠

LRB Audiobooks

Discover audiobooks from the LRB: ⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/audiobooksld⁠⁠⁠</description>
      <pubDate>Mon, 12 May 2025 10:00:00 -0000</pubDate>
      <itunes:title>Love and Death: Self-Elegies by Plath, Larkin, Hardy and more</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>14</itunes:season>
      <itunes:episode>6</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/82bfb772-4c5a-11f0-9640-cf6cf0c4e024/image/b5395d7543d1daf15bec0e7794935720.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Philip Larkin was terrified of death from an early age; Thomas Hardy contemplated what the neighbours would say after he had gone; and Sylvia Plath imagined her own death in vivid and controversial ways. The genre of self-elegy, in which poets have reflected on their own passing, is a small but eloquent one in the history of English poetry. In this episode, Seamus and Mark consider some of its most striking examples, including Chidiock Tichborne’s laconic lament on the night of his execution in 1586, Jonathan Swift’s breezy anticipation of his posthumous reception, and the more comfortless efforts of 20th-century poets confronting godless extinction.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrld

In other podcast apps: https://lrb.me/closereadingsld

Read more in the LRB:

Jacqueline Rose on Plath:

⁠⁠⁠https://lrb.me/ldself1⁠

David Runciman on Larkin and his father:

⁠https://lrb.me/ldself2⁠

John Bayley on Larkin

⁠⁠⁠https://lrb.me/ldself3⁠

Matthew Bevis on Hardy:

⁠⁠⁠⁠⁠https://lrb.me/ldself4⁠

LRB Audiobooks

Discover audiobooks from the LRB: ⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/audiobooksld⁠⁠⁠</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Philip Larkin was terrified of death from an early age; Thomas Hardy contemplated what the neighbours would say after he had gone; and Sylvia Plath imagined her own death in vivid and controversial ways. The genre of self-elegy, in which poets have reflected on their own passing, is a small but eloquent one in the history of English poetry. In this episode, Seamus and Mark consider some of its most striking examples, including Chidiock Tichborne’s laconic lament on the night of his execution in 1586, Jonathan Swift’s breezy anticipation of his posthumous reception, and the more comfortless efforts of 20th-century poets confronting godless extinction.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrld">https://lrb.me/applecrld</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsld">https://lrb.me/closereadingsld</a></p>
<p><strong>Read more in the LRB:</strong></p>
<p>Jacqueline Rose on Plath:</p>
<p><a href="https://lrb.me/ldself1">⁠⁠⁠https://lrb.me/ldself1⁠</a></p>
<p>David Runciman on Larkin and his father:</p>
<p><a href="https://lrb.me/ldself2">⁠https://lrb.me/ldself2⁠</a></p>
<p>John Bayley on Larkin</p>
<p><a href="https://lrb.me/ldself3">⁠⁠⁠https://lrb.me/ldself3⁠</a></p>
<p>Matthew Bevis on Hardy:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v46/n19/matthew-bevis/i-prefer-my-mare">⁠⁠⁠⁠</a><a href="https://lrb.me/ldself4">⁠https://lrb.me/ldself4⁠</a></p>
<p><u><strong>LRB Audiobooks</strong></u></p>
<p>Discover audiobooks from the <em>LRB</em>: ⁠⁠⁠<a href="https://lrb.me/audiobooksld">⁠⁠⁠⁠⁠https://lrb.me/audiobooksld⁠⁠⁠</a></p>]]>
      </content:encoded>
      <itunes:duration>890</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[681e0c8127cd622638f3aaf8]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB3458061136.mp3?updated=1750261507" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Fiction and the Fantastic: Stories by Franz Kafka</title>
      <description>In the stories of Franz Kafka we find the fantastical wearing the most ordinary, realist dress. Though haunted by abjection and failure, Kafka has come to embody the power and potential of literary imagination in the 20th century as it confronts the nightmares of modernity. In this episode, Marina Warner is joined by Adam Thirlwell to discuss the ways in which Kafka extended the realist tradition of the European novel by drawing on ‘simple forms’ – proverbs, wisdom literature and animal fables – to push the boundaries of what literature could explore, with reference to stories including ‘The Judgment’, ‘In the Penal Colony’ and ‘A Report to the Academy’.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrff

In other podcast apps: https://lrb.me/closereadingsff

Further reading in the LRB:

Franz Kafka (trans. Michael Hofmann): Unknown Laws

⁠https://lrb.me/ffkafka1⁠

Rivka Galchen: What Kind of Funny is He?

⁠https://lrb.me/ffkafka2⁠

Judith Butler: Who Owns Kafka?

⁠https://lrb.me/ffkafka3⁠

J.P. Stern: Bad Faith

⁠https://lrb.me/ffkafka4⁠

LRB AUDIOBOOKS

Discover audiobooks from the LRB: ⁠⁠⁠https://lrb.me/audiobooksff⁠</description>
      <pubDate>Sun, 04 May 2025 23:00:00 -0000</pubDate>
      <itunes:title>Stories by Franz Kafka</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>13</itunes:season>
      <itunes:episode>6</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8311b84c-4c5a-11f0-9640-4fc3abdad6eb/image/25610fd2b99f389800662b24f15f5f50.jpg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>In the stories of Franz Kafka we find the fantastical wearing the most ordinary, realist dress. Though haunted by abjection and failure, Kafka has come to embody the power and potential of literary imagination in the 20th century as it confronts the nightmares of modernity. In this episode, Marina Warner is joined by Adam Thirlwell to discuss the ways in which Kafka extended the realist tradition of the European novel by drawing on ‘simple forms’ – proverbs, wisdom literature and animal fables – to push the boundaries of what literature could explore, with reference to stories including ‘The Judgment’, ‘In the Penal Colony’ and ‘A Report to the Academy’.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrff

In other podcast apps: https://lrb.me/closereadingsff

Further reading in the LRB:

Franz Kafka (trans. Michael Hofmann): Unknown Laws

⁠https://lrb.me/ffkafka1⁠

Rivka Galchen: What Kind of Funny is He?

⁠https://lrb.me/ffkafka2⁠

Judith Butler: Who Owns Kafka?

⁠https://lrb.me/ffkafka3⁠

J.P. Stern: Bad Faith

⁠https://lrb.me/ffkafka4⁠

LRB AUDIOBOOKS

Discover audiobooks from the LRB: ⁠⁠⁠https://lrb.me/audiobooksff⁠</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the stories of Franz Kafka we find the fantastical wearing the most ordinary, realist dress. Though haunted by abjection and failure, Kafka has come to embody the power and potential of literary imagination in the 20th century as it confronts the nightmares of modernity. In this episode, Marina Warner is joined by Adam Thirlwell to discuss the ways in which Kafka extended the realist tradition of the European novel by drawing on ‘simple forms’ – proverbs, wisdom literature and animal fables – to push the boundaries of what literature could explore, with reference to stories including ‘The Judgment’, ‘In the Penal Colony’ and ‘A Report to the Academy’.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrff">https://lrb.me/applecrff</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsff">https://lrb.me/closereadingsff</a></p>
<p><strong>Further reading in the LRB</strong>:</p>
<p>Franz Kafka (trans. Michael Hofmann): Unknown Laws</p>
<p><a href="https://lrb.me/ffkafka1">⁠https://lrb.me/ffkafka1⁠</a></p>
<p>Rivka Galchen: What Kind of Funny is He?</p>
<p><a href="https://lrb.me/ffkafka2">⁠https://lrb.me/ffkafka2⁠</a></p>
<p>Judith Butler: Who Owns Kafka?</p>
<p><a href="https://lrb.me/ffkafka3">⁠https://lrb.me/ffkafka3⁠</a></p>
<p>J.P. Stern: Bad Faith</p>
<p><a href="https://lrb.me/ffkafka4">⁠https://lrb.me/ffkafka4⁠</a></p>
<p><u><strong>LRB AUDIOBOOKS</strong></u></p>
<p>Discover audiobooks from the <em>LRB</em>: <a href="https://lrb.me/audiobooksff">⁠⁠⁠https://lrb.me/audiobooksff⁠</a></p>]]>
      </content:encoded>
      <itunes:duration>1011</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[680ba59256dd1f1d17e5a059]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB9973709988.mp3?updated=1750261508" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Conversations in Philosophy: 'My Station and Its Duties' by F.H. Bradley</title>
      <link>https://shows.acast.com/close-readings/episodes/680bbb0350eb102528df3105</link>
      <description>T.S. Eliot claimed that he learned his prose style from reading F.H. Bradley, and the poet wrote his PhD on the English philosopher at Harvard. Bradley’s life was remarkably unremarkable, as he spent his entire career as a fellow of Merton College, Oxford, where his only obligation was not to get married. Yet in over fifty years of slow, meticulous writing he articulated a series of unusual and arresting ideas that attacked Kantian and utilitarian notions of duty and morality. In this episode, Jonathan and James look at Bradley’s polemic against John Stuart Mill, ‘My Station and Its Duties’, and other essays in Ethical Studies, which challenge the idea of morality as a product of calm reasoning arrived at by mature, rational minds. For Bradley, morality is a characteristic of communities, determined by people’s differing needs at various stages in their lives, and the universal need for self-realisation can only be achieved through those communities.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrcip

In other podcast apps: https://lrb.me/closereadingscip

Read more in the LRB:

Frank Kermode on Eliot and Bradley:

https://www.lrb.co.uk/the-paper/v10/n17/frank-kermode/feast-of-st-thomas

LRB AUDIOBOOKS

Discover audiobooks from the LRB, including Jonathan Rée's Becoming a Philosopher: Spinoza to Sartre:

⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/audiobookscip⁠⁠</description>
      <pubDate>Mon, 28 Apr 2025 10:00:00 -0000</pubDate>
      <itunes:title>Conversations in Philosophy: 'My Station and Its Duties' by F.H. Bradley</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>12</itunes:season>
      <itunes:episode>6</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/83625644-4c5a-11f0-9640-d32cd60140a1/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;T.S. Eliot claimed that he learned his prose style from reading F.H. Bradley, and the poet wrote his PhD on the English philosopher at Harvard. Bradley’s life was remarkably unremarkable, as he spent his entire career as a fellow of Merton College, Oxford, where his only obligation was not to get married. Yet in over fifty years of slow, meticulous writing he articulated a series of unusual and arresting ideas that attacked Kantian and utilitarian notions of duty and morality. In this episode, Jonathan and James look at Bradley’s polemic against John Stuart Mill, ‘My Station and Its Duties’, and other essays in Ethical Studies, which challenge the idea of morality as a product of calm reasoning arrived at by mature, rational minds. For Bradley, morality is a characteristic of communities, determined by people’s differing needs at various stages in their lives, and the universal need for self-realisation can only be achieved through those communities.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/applecrcip" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/applecrcip&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/closereadingscip" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/closereadingscip&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Read more in the LRB:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Frank Kermode on Eliot and Bradley:&lt;/p&gt;&lt;p&gt;https://www.lrb.co.uk/the-paper/v10/n17/frank-kermode/feast-of-st-thomas&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>T.S. Eliot claimed that he learned his prose style from reading F.H. Bradley, and the poet wrote his PhD on the English philosopher at Harvard. Bradley’s life was remarkably unremarkable, as he spent his entire career as a fellow of Merton College, Oxford, where his only obligation was not to get married. Yet in over fifty years of slow, meticulous writing he articulated a series of unusual and arresting ideas that attacked Kantian and utilitarian notions of duty and morality. In this episode, Jonathan and James look at Bradley’s polemic against John Stuart Mill, ‘My Station and Its Duties’, and other essays in Ethical Studies, which challenge the idea of morality as a product of calm reasoning arrived at by mature, rational minds. For Bradley, morality is a characteristic of communities, determined by people’s differing needs at various stages in their lives, and the universal need for self-realisation can only be achieved through those communities.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrcip

In other podcast apps: https://lrb.me/closereadingscip

Read more in the LRB:

Frank Kermode on Eliot and Bradley:

https://www.lrb.co.uk/the-paper/v10/n17/frank-kermode/feast-of-st-thomas

LRB AUDIOBOOKS

Discover audiobooks from the LRB, including Jonathan Rée's Becoming a Philosopher: Spinoza to Sartre:

⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/audiobookscip⁠⁠</itunes:summary>
      <content:encoded>
        <![CDATA[<p>T.S. Eliot claimed that he learned his prose style from reading F.H. Bradley, and the poet wrote his PhD on the English philosopher at Harvard. Bradley’s life was remarkably unremarkable, as he spent his entire career as a fellow of Merton College, Oxford, where his only obligation was not to get married. Yet in over fifty years of slow, meticulous writing he articulated a series of unusual and arresting ideas that attacked Kantian and utilitarian notions of duty and morality. In this episode, Jonathan and James look at Bradley’s polemic against John Stuart Mill, ‘My Station and Its Duties’, and other essays in Ethical Studies, which challenge the idea of morality as a product of calm reasoning arrived at by mature, rational minds. For Bradley, morality is a characteristic of communities, determined by people’s differing needs at various stages in their lives, and the universal need for self-realisation can only be achieved through those communities.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrcip">https://lrb.me/applecrcip</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingscip">https://lrb.me/closereadingscip</a></p>
<p>Read more in the LRB:</p>
<p>Frank Kermode on Eliot and Bradley:</p>
<p>https://www.lrb.co.uk/the-paper/v10/n17/frank-kermode/feast-of-st-thomas</p>
<p><u><strong>LRB AUDIOBOOKS</strong></u></p>
<p>Discover audiobooks from the <em>LRB</em>, including Jonathan Rée's <em>Becoming a Philosopher: Spinoza to Sartre</em>:</p>
<p><a href="https://lrb.me/audiobookscip">⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/audiobookscip⁠⁠</a></p>]]>
      </content:encoded>
      <itunes:duration>929</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[680bbb0350eb102528df3105]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB2127281892.mp3?updated=1750261508" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Novel Approaches: 'Vanity Fair' by William Makepeace Thackeray</title>
      <description>Thackeray's comic masterpiece, Vanity Fair, is a Victorian novel looking back to Regency England as an object both of satire and nostalgia. Thackeray’s disdain for the Regency is present throughout the book, not least in the proliferation of hapless characters called George, yet he also draws heavily on his childhood experiences to unfold a complex story of fractured families, bad marriages and the tyranny of debt. In this episode, Colin Burrow and Rosemary Hill join Tom to discuss Thackeray’s use of clothes, curry and the rapidly changing topography of London to construct a turbulent society full of peril and opportunity for his heroine, Becky Sharp, and consider why the Battle of Waterloo was such a recurrent preoccupation in literature of the period.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrna

In other podcast apps: https://lrb.me/closereadingsna

Read more in the LRB:

John Sutherland on Thackeray: https://lrb.me/nathackeray1

Rosemary Hill on 'Frock Consciousness': https://lrb.me/nathackeray2

Audiobooks from the LRB:

⁠⁠⁠https://lrb.me/audiobooksna⁠⁠⁠</description>
      <pubDate>Mon, 21 Apr 2025 10:01:00 -0000</pubDate>
      <itunes:title>Novel Approaches: 'Vanity Fair' by William Makepeace Thackeray</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>15</itunes:season>
      <itunes:episode>5</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/83b26760-4c5a-11f0-9640-7f83979e0742/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Thackeray's comic masterpiece, Vanity Fair, is a Victorian novel looking back to Regency England as an object both of satire and nostalgia. Thackeray’s disdain for the Regency is present throughout the book, not least in the proliferation of hapless characters called George, yet he also draws heavily on his childhood experiences to unfold a complex story of fractured families, bad marriages and the tyranny of debt. In this episode, Colin Burrow and Rosemary Hill join Tom to discuss Thackeray’s use of clothes, curry and the rapidly changing topography of London to construct a turbulent society full of peril and opportunity for his heroine, Becky Sharp, and consider why the Battle of Waterloo was such a recurrent preoccupation in literature of the period.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrna

In other podcast apps: https://lrb.me/closereadingsna

Read more in the LRB:

John Sutherland on Thackeray: https://lrb.me/nathackeray1

Rosemary Hill on 'Frock Consciousness': https://lrb.me/nathackeray2

Audiobooks from the LRB:

⁠⁠⁠https://lrb.me/audiobooksna⁠⁠⁠</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Thackeray's comic masterpiece, <em>Vanity Fair,</em> is a Victorian novel looking back to Regency England as an object both of satire and nostalgia. Thackeray’s disdain for the Regency is present throughout the book, not least in the proliferation of hapless characters called George, yet he also draws heavily on his childhood experiences to unfold a complex story of fractured families, bad marriages and the tyranny of debt. In this episode, Colin Burrow and Rosemary Hill join Tom to discuss Thackeray’s use of clothes, curry and the rapidly changing topography of London to construct a turbulent society full of peril and opportunity for his heroine, Becky Sharp, and consider why the Battle of Waterloo was such a recurrent preoccupation in literature of the period.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrna">https://lrb.me/applecrna</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsna">https://lrb.me/closereadingsna</a></p>
<p>Read more in the LRB:</p>
<p>John Sutherland on Thackeray: <a href="https://lrb.me/nathackeray1">https://lrb.me/nathackeray1</a></p>
<p>Rosemary Hill on 'Frock Consciousness': <a href="https://lrb.me/nathackeray2">https://lrb.me/nathackeray2</a></p>
<p><strong>Audiobooks from the LRB:</strong></p>
<p><a href="https://lrb.me/audiobooksna%E2%81%A0">⁠⁠⁠https://lrb.me/audiobooksna⁠⁠⁠</a></p>]]>
      </content:encoded>
      <itunes:duration>2017</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6801216b45e1f487c1bb27b3]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB8190725442.mp3?updated=1750261509" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Love and Death: Elegies for Poets by Berryman, Lowell and Bishop</title>
      <description>The confessional poets of the mid-20th century considered themselves a ‘doomed’ generation, with a cohesive identity and destiny. Their intertwining personal lives were laid bare in their work, and Robert Lowell, John Berryman and Elizabeth Bishop returned repeatedly to the elegy to commemorate old friends and settle old scores.In this episode, Mark and Seamus turn to elegies for poets by poets, tracing the intricate connections between them. Lowell, Berryman and Bishop’s work was offset by a deep commitment to the literary tradition, and Mark and Seamus identify their shared influences and anxieties.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrld

In other podcast apps: https://lrb.me/closereadingsld

Further reading in the LRB:

Mark Ford: No One Else Can Take a Bath for You

⁠https://lrb.me/ldpoets1⁠

Karl Miller: Some Names for Robert Lowell

⁠https://lrb.me/ldpoets2⁠

Nicholas Everett: Two Americas and a Scotland

⁠https://lrb.me/ldpoets3

Helen Vendler: The Numinous Moose

⁠https://lrb.me/ldpoets4⁠

LRB Audiobooks

Discover audiobooks from the LRB: ⁠⁠⁠⁠⁠⁠https://lrb.me/audiobooksld⁠</description>
      <pubDate>Mon, 14 Apr 2025 05:00:00 -0000</pubDate>
      <itunes:title>Love and Death: Elegies for Poets by Berryman, Lowell and Bishop</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>14</itunes:season>
      <itunes:episode>5</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/840eea1c-4c5a-11f0-9640-4b4130e8b044/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The confessional poets of the mid-20th century considered themselves a ‘doomed’ generation, with a cohesive identity and destiny. Their intertwining personal lives were laid bare in their work, and Robert Lowell, John Berryman and Elizabeth Bishop returned repeatedly to the elegy to commemorate old friends and settle old scores.In this episode, Mark and Seamus turn to elegies for poets by poets, tracing the intricate connections between them. Lowell, Berryman and Bishop’s work was offset by a deep commitment to the literary tradition, and Mark and Seamus identify their shared influences and anxieties.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrld

In other podcast apps: https://lrb.me/closereadingsld

Further reading in the LRB:

Mark Ford: No One Else Can Take a Bath for You

⁠https://lrb.me/ldpoets1⁠

Karl Miller: Some Names for Robert Lowell

⁠https://lrb.me/ldpoets2⁠

Nicholas Everett: Two Americas and a Scotland

⁠https://lrb.me/ldpoets3

Helen Vendler: The Numinous Moose

⁠https://lrb.me/ldpoets4⁠

LRB Audiobooks

Discover audiobooks from the LRB: ⁠⁠⁠⁠⁠⁠https://lrb.me/audiobooksld⁠</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The confessional poets of the mid-20th century considered themselves a ‘doomed’ generation, with a cohesive identity and destiny. Their intertwining personal lives were laid bare in their work, and Robert Lowell, John Berryman and Elizabeth Bishop returned repeatedly to the elegy to commemorate old friends and settle old scores.In this episode, Mark and Seamus turn to elegies for poets by poets, tracing the intricate connections between them. Lowell, Berryman and Bishop’s work was offset by a deep commitment to the literary tradition, and Mark and Seamus identify their shared influences and anxieties.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrld">https://lrb.me/applecrld</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsld">https://lrb.me/closereadingsld</a></p>
<p><strong>Further reading in the LRB:</strong></p>
<p>Mark Ford: No One Else Can Take a Bath for You</p>
<p><a href="https://lrb.me/ldpoets1">⁠https://lrb.me/ldpoets1⁠</a></p>
<p>Karl Miller: Some Names for Robert Lowell</p>
<p><a href="https://lrb.me/ldpoets2">⁠https://lrb.me/ldpoets2⁠</a></p>
<p>Nicholas Everett: Two Americas and a Scotland</p>
<p>⁠<a href="https://lrb.me/ldpoets3">https://lrb.me/ldpoets3</a></p>
<p>Helen Vendler: The Numinous Moose</p>
<p><a href="https://lrb.me/ldpoets4">⁠https://lrb.me/ldpoets4⁠</a></p>
<p><u><strong>LRB Audiobooks</strong></u></p>
<p>Discover audiobooks from the <em>LRB</em>: ⁠⁠⁠<a href="https://lrb.me/audiobooksld">⁠⁠⁠https://lrb.me/audiobooksld⁠</a></p>]]>
      </content:encoded>
      <itunes:duration>776</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[67f9011a6e56bbcda3c1c818]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB8627532821.mp3?updated=1750261509" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Fiction and the Fantastic: ‘Alice in Wonderland’ by Lewis Carroll</title>
      <description>Alice’s Adventures in Wonderland and Through the Looking-Glass are strange books, a testament to their author’s defiant unconventionality. Through them, Lewis Carroll transformed popular culture, our everyday idioms and our ideas of childhood and the fantastic, and they remain enormously popular.

Anna Della Subin joins Marina Warner to explore the many puzzles of the Alice books. They discuss the way Carroll illuminates other questions raised in this series: of dream states, the nature of consciousness, the transformative power of language and the arbitrariness of authority.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrff

In other podcast apps: https://lrb.me/closereadingsff

Further reading in the LRB:

Marina Warner: You Must Not Ask

⁠https://lrb.me/ffcarroll1⁠

Dinah Birch: Never Seen A Violet

⁠https://lrb.me/ffcarroll2⁠

Marina Warner: Doubly Damned

⁠https://lrb.me/ffcarroll3⁠

Marina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.

Anna Della Subin’s study of men who unwittingly became deities, Accidental Gods, was published in 2022. She has been writing for the LRB since 2014.

LRB AUDIOBOOKS

Discover audiobooks from the LRB: ⁠⁠https://lrb.me/audiobooksff⁠</description>
      <pubDate>Mon, 07 Apr 2025 06:00:00 -0000</pubDate>
      <itunes:title>Fiction and the Fantastic: ‘Alice in Wonderland’ by Lewis Carroll</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>13</itunes:season>
      <itunes:episode>5</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8463bb46-4c5a-11f0-9640-6718dc4cbed5/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Alice’s Adventures in Wonderland and Through the Looking-Glass are strange books, a testament to their author’s defiant unconventionality. Through them, Lewis Carroll transformed popular culture, our everyday idioms and our ideas of childhood and the fantastic, and they remain enormously popular.

Anna Della Subin joins Marina Warner to explore the many puzzles of the Alice books. They discuss the way Carroll illuminates other questions raised in this series: of dream states, the nature of consciousness, the transformative power of language and the arbitrariness of authority.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrff

In other podcast apps: https://lrb.me/closereadingsff

Further reading in the LRB:

Marina Warner: You Must Not Ask

⁠https://lrb.me/ffcarroll1⁠

Dinah Birch: Never Seen A Violet

⁠https://lrb.me/ffcarroll2⁠

Marina Warner: Doubly Damned

⁠https://lrb.me/ffcarroll3⁠

Marina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.

Anna Della Subin’s study of men who unwittingly became deities, Accidental Gods, was published in 2022. She has been writing for the LRB since 2014.

LRB AUDIOBOOKS

Discover audiobooks from the LRB: ⁠⁠https://lrb.me/audiobooksff⁠</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>Alice’s Adventures in Wonderland</em> and <em>Through the Looking-Glass</em> are strange books, a testament to their author’s defiant unconventionality. Through them, Lewis Carroll transformed popular culture, our everyday idioms and our ideas of childhood and the fantastic, and they remain enormously popular.</p>
<p>Anna Della Subin joins Marina Warner to explore the many puzzles of the Alice books. They discuss the way Carroll illuminates other questions raised in this series: of dream states, the nature of consciousness, the transformative power of language and the arbitrariness of authority.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrff">https://lrb.me/applecrff</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsff">https://lrb.me/closereadingsff</a></p>
<p><strong>Further reading in the LRB:</strong></p>
<p>Marina Warner: You Must Not Ask</p>
<p><a href="https://lrb.me/ffcarroll1">⁠https://lrb.me/ffcarroll1⁠</a></p>
<p>Dinah Birch: Never Seen A Violet</p>
<p><a href="https://lrb.me/ffcarroll2">⁠https://lrb.me/ffcarroll2⁠</a></p>
<p>Marina Warner: Doubly Damned</p>
<p><a href="https://lrb.me/ffcarroll3">⁠https://lrb.me/ffcarroll3⁠</a></p>
<p>Marina Warner is a writer of history, fiction and criticism whose many books include <em>Stranger Magic</em>, <em>Forms of Enchantment</em> and <em>Once Upon a Time: A Short History of Fairy Tale</em>. She was awarded the Holberg Prize in 2015 and is a contributing editor at the <em>LRB</em>.</p>
<p>Anna Della Subin’s study of men who unwittingly became deities, <em>Accidental Gods</em>, was published in 2022. She has been writing for the <em>LRB</em> since 2014.</p>
<p><u><strong>LRB AUDIOBOOKS</strong></u></p>
<p>Discover audiobooks from the <em>LRB</em>: <a href="https://lrb.me/audiobooksff">⁠⁠https://lrb.me/audiobooksff⁠</a></p>]]>
      </content:encoded>
      <itunes:duration>986</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[67eaa7253ff7e200c0b06bd4]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB5350540920.mp3?updated=1750261510" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Conversations in Philosophy: 'Autobiography' by John Stuart Mill</title>
      <link>https://shows.acast.com/close-readings/episodes/67e404bd84f1e8b70767caf8</link>
      <description>Mill’s 'Autobiography' was considered too shocking to publish while he was alive. Behind his musings on many of the philosophical and political preoccupations of his time lie the confessions of a deeply repressed man who knows that he’s deeply repressed, coming to terms with the uncompromising educational experiment his father subjected him to as a child – described by Isaiah Berlin as ‘an appalling success’. In this episode Jonathan and James discuss Mill’s startlingly honest account of this experience and the breakdown that ensued in his 20s, and the boldness of his life and thought from his views on socialism and the rights of women to his unwavering devotion to his wife, Harriet Taylor, the co-author of 'On Liberty' and other works.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrcip

In other podcast apps: https://lrb.me/closereadingscip

Further reading in the LRB:

Sissela Bok on Mill's 'Autobiography':

https://www.lrb.co.uk/the-paper/v06/n06/sissela-bok/his-father-s-children

Alasdair MacIntyre: Mill's Forgotten Victory

https://www.lrb.co.uk/the-paper/v02/n20/alasdair-macintyre/john-stuart-mill-s-forgotten-victory

Panbkaj Mishra: Bland Fanatics

https://www.lrb.co.uk/the-paper/v37/n23/pankaj-mishra/bland-fanatics

Next Episode

F.H. Bradley's 'My Station and Its Duties' can be found online here:

https://archive.org/details/ethicalstudies0000brad/page/160/mode/2up</description>
      <pubDate>Mon, 31 Mar 2025 10:00:00 -0000</pubDate>
      <itunes:title>Conversations in Philosophy: 'Autobiography' by John Stuart Mill</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>12</itunes:season>
      <itunes:episode>5</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/84b5deee-4c5a-11f0-9640-47ff53bd35b9/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Mill’s 'Autobiography' was considered too shocking to publish while he was alive. Behind his musings on many of the philosophical and political preoccupations of his time lie the confessions of a deeply repressed man who knows that he’s deeply repressed, coming to terms with the uncompromising educational experiment his father subjected him to as a child – described by Isaiah Berlin as ‘an appalling success’. In this episode Jonathan and James discuss Mill’s startlingly honest account of this experience and the breakdown that ensued in his 20s, and the boldness of his life and thought from his views on socialism and the rights of women to his unwavering devotion to his wife, Harriet Taylor, the co-author of 'On Liberty' and other works.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/applecrcip" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/applecrcip&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/closereadingscip" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/closereadingscip&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading in the LRB:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Sissela Bok on Mill's 'Autobiography':&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v06/n06/sissela-bok/his-father-s-children" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v06/n06/sissela-bok/his-father-s-children&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Alasdair MacIntyre: Mill's Forgotten Victory&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v02/n20/alasdair-macintyre/john-stuart-mill-s-forgotten-victory" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v02/n20/alasdair-macintyre/john-stuart-mill-s-forgotten-victory&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Panbkaj Mishra: Bland Fanatics&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v37/n23/pankaj-mishra/bland-fanatics" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v37/n23/pankaj-mishra/bland-fanatics&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Next Episode&lt;/p&gt;&lt;br&gt;&lt;p&gt;F.H. Bradley's 'My Station and Its Duties' can be found online here:&lt;/p&gt;&lt;p&gt;&lt;a href="https://archive.org/details/ethicalstudies0000brad/page/160/mode/2up" rel="noopener noreferrer" target="_blank"&gt;https://archive.org/details/ethicalstudies0000brad/page/160/mode/2up&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Mill’s 'Autobiography' was considered too shocking to publish while he was alive. Behind his musings on many of the philosophical and political preoccupations of his time lie the confessions of a deeply repressed man who knows that he’s deeply repressed, coming to terms with the uncompromising educational experiment his father subjected him to as a child – described by Isaiah Berlin as ‘an appalling success’. In this episode Jonathan and James discuss Mill’s startlingly honest account of this experience and the breakdown that ensued in his 20s, and the boldness of his life and thought from his views on socialism and the rights of women to his unwavering devotion to his wife, Harriet Taylor, the co-author of 'On Liberty' and other works.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrcip

In other podcast apps: https://lrb.me/closereadingscip

Further reading in the LRB:

Sissela Bok on Mill's 'Autobiography':

https://www.lrb.co.uk/the-paper/v06/n06/sissela-bok/his-father-s-children

Alasdair MacIntyre: Mill's Forgotten Victory

https://www.lrb.co.uk/the-paper/v02/n20/alasdair-macintyre/john-stuart-mill-s-forgotten-victory

Panbkaj Mishra: Bland Fanatics

https://www.lrb.co.uk/the-paper/v37/n23/pankaj-mishra/bland-fanatics

Next Episode

F.H. Bradley's 'My Station and Its Duties' can be found online here:

https://archive.org/details/ethicalstudies0000brad/page/160/mode/2up</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Mill’s 'Autobiography' was considered too shocking to publish while he was alive. Behind his musings on many of the philosophical and political preoccupations of his time lie the confessions of a deeply repressed man who knows that he’s deeply repressed, coming to terms with the uncompromising educational experiment his father subjected him to as a child – described by Isaiah Berlin as ‘an appalling success’. In this episode Jonathan and James discuss Mill’s startlingly honest account of this experience and the breakdown that ensued in his 20s, and the boldness of his life and thought from his views on socialism and the rights of women to his unwavering devotion to his wife, Harriet Taylor, the co-author of 'On Liberty' and other works.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrcip">https://lrb.me/applecrcip</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingscip">https://lrb.me/closereadingscip</a></p>
<p>Further reading in the LRB:</p>
<p>Sissela Bok on Mill's 'Autobiography':</p>
<p><a href="https://www.lrb.co.uk/the-paper/v06/n06/sissela-bok/his-father-s-children">https://www.lrb.co.uk/the-paper/v06/n06/sissela-bok/his-father-s-children</a></p>
<p>Alasdair MacIntyre: Mill's Forgotten Victory</p>
<p><a href="https://www.lrb.co.uk/the-paper/v02/n20/alasdair-macintyre/john-stuart-mill-s-forgotten-victory">https://www.lrb.co.uk/the-paper/v02/n20/alasdair-macintyre/john-stuart-mill-s-forgotten-victory</a></p>
<p>Panbkaj Mishra: Bland Fanatics</p>
<p><a href="https://www.lrb.co.uk/the-paper/v37/n23/pankaj-mishra/bland-fanatics">https://www.lrb.co.uk/the-paper/v37/n23/pankaj-mishra/bland-fanatics</a></p>
<p>Next Episode</p>
<p>F.H. Bradley's 'My Station and Its Duties' can be found online here:</p>
<p><a href="https://archive.org/details/ethicalstudies0000brad/page/160/mode/2up">https://archive.org/details/ethicalstudies0000brad/page/160/mode/2up</a></p>]]>
      </content:encoded>
      <itunes:duration>898</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[67e404bd84f1e8b70767caf8]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB6010939205.mp3?updated=1750261511" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Novel Approaches: ‘Wuthering Heights’ by Emily Brontë</title>
      <description>When Wuthering Heights was published in December 1847, many readers didn’t know what to make of it: one reviewer called it ‘a compound of vulgar depravity and unnatural horrors’. In this episode of ‘Novel Approaches’, Patricia Lockwood and David Trotter join Thomas Jones to explore Emily Brontë’s ‘completely amoral’ novel. As well as questions of Heathcliff’s mysterious origins and ‘obscene’ wealth, of Cathy’s ghost, bad weather, gnarled trees, even gnarlier characters and savage dogs, they discuss the book’s intricate structure, Brontë’s inventive use of language and the extraordinary hold that her story continues to exert over the imaginations of readers and non-readers alike.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrna

In other podcast apps: https://lrb.me/closereadingsna

Read more in the LRB:

David Trotter: Heathcliff Redounding https://lrb.me/nabronte1

John Bayley: Kitchen Devil https://lrb.me/nabronte2

Alice Spawls: If It Weren’t for Charlotte https://lrb.me/nabronte3

Patricia Lockwood: What a Bear Wants https://lrb.me/nabronte4

Buy this book from the London Review Bookshop: ⁠https://lrb.me/crbooklist⁠

Audiobooks from the LRB:

⁠⁠https://lrb.me/audiobooksna⁠⁠</description>
      <pubDate>Mon, 24 Mar 2025 06:00:00 -0000</pubDate>
      <itunes:title>Novel Approaches: ‘Wuthering Heights’ by Emily Brontë</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>15</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/85087136-4c5a-11f0-9640-2319eb45f909/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>When Wuthering Heights was published in December 1847, many readers didn’t know what to make of it: one reviewer called it ‘a compound of vulgar depravity and unnatural horrors’. In this episode of ‘Novel Approaches’, Patricia Lockwood and David Trotter join Thomas Jones to explore Emily Brontë’s ‘completely amoral’ novel. As well as questions of Heathcliff’s mysterious origins and ‘obscene’ wealth, of Cathy’s ghost, bad weather, gnarled trees, even gnarlier characters and savage dogs, they discuss the book’s intricate structure, Brontë’s inventive use of language and the extraordinary hold that her story continues to exert over the imaginations of readers and non-readers alike.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrna

In other podcast apps: https://lrb.me/closereadingsna

Read more in the LRB:

David Trotter: Heathcliff Redounding https://lrb.me/nabronte1

John Bayley: Kitchen Devil https://lrb.me/nabronte2

Alice Spawls: If It Weren’t for Charlotte https://lrb.me/nabronte3

Patricia Lockwood: What a Bear Wants https://lrb.me/nabronte4

Buy this book from the London Review Bookshop: ⁠https://lrb.me/crbooklist⁠

Audiobooks from the LRB:

⁠⁠https://lrb.me/audiobooksna⁠⁠</itunes:summary>
      <content:encoded>
        <![CDATA[<p>When <em>Wuthering Heights</em> was published in December 1847, many readers didn’t know what to make of it: one reviewer called it ‘a compound of vulgar depravity and unnatural horrors’. In this episode of ‘Novel Approaches’, Patricia Lockwood and David Trotter join Thomas Jones to explore Emily Brontë’s ‘completely amoral’ novel. As well as questions of Heathcliff’s mysterious origins and ‘obscene’ wealth, of Cathy’s ghost, bad weather, gnarled trees, even gnarlier characters and savage dogs, they discuss the book’s intricate structure, Brontë’s inventive use of language and the extraordinary hold that her story continues to exert over the imaginations of readers and non-readers alike.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrna">https://lrb.me/applecrna</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsna">https://lrb.me/closereadingsna</a></p>
<p>Read more in the LRB:</p>
<p>David Trotter: Heathcliff Redounding <a href="https://lrb.me/nabronte1">https://lrb.me/nabronte1</a></p>
<p>John Bayley: Kitchen Devil <a href="https://lrb.me/nabronte2">https://lrb.me/nabronte2</a></p>
<p>Alice Spawls: If It Weren’t for Charlotte <a href="https://lrb.me/nabronte3">https://lrb.me/nabronte3</a></p>
<p>Patricia Lockwood: What a Bear Wants <a href="https://lrb.me/nabronte4">https://lrb.me/nabronte4</a></p>
<p>Buy this book from the London Review Bookshop: <a href="https://lrb.me/crbooklist">⁠https://lrb.me/crbooklist⁠</a></p>
<p><strong>Audiobooks from the LRB:</strong></p>
<p><a href="https://lrb.me/audiobooksna%E2%81%A0">⁠⁠https://lrb.me/audiobooksna⁠⁠</a></p>]]>
      </content:encoded>
      <itunes:duration>1643</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Love and Death: ‘Elegy Written in a Country Churchyard’ by Thomas Gray</title>
      <description>Situated on the cusp of the Romantic era, Thomas Gray’s work is a mixture of impersonal Augustan abstraction and intense subjectivity. ‘Elegy Written in a Country Churchyard’ is one of the most famous poems in the English language, and continues to exert its influence on contemporary poetry. Mark and Seamus explore three of Gray’s elegiac poems and their peculiar emotional power. They discuss Gray’s ambiguous sexuality, his procrastination and class anxieties, and where his humour shines through – as in his elegy for Horace Walpole’s cat.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrld

In other podcast apps: https://lrb.me/closereadingsld

Further reading in the LRB:

John Mullan: Unpranked Lyre

⁠⁠⁠https://lrb.me/ldgray1⁠

Tony Harrison: ‘V.’

⁠⁠⁠https://lrb.me/ldgray2⁠

Read the texts online:

⁠⁠⁠https://www.thomasgray.org/texts/poems/sorw⁠⁠⁠

⁠⁠⁠https://www.thomasgray.org/texts/poems/elcc⁠⁠⁠

⁠⁠⁠https://www.thomasgray.org/texts/poems/odfc⁠⁠⁠

LRB Audiobooks

Discover audiobooks from the LRB: ⁠⁠⁠⁠⁠⁠https://lrb.me/audiobooksld⁠</description>
      <pubDate>Mon, 17 Mar 2025 07:00:00 -0000</pubDate>
      <itunes:title>Love and Death: ‘Elegy Written in a Country Churchyard’ by Thomas Gray</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>14</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8558b2f4-4c5a-11f0-9640-0793e251fe58/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Situated on the cusp of the Romantic era, Thomas Gray’s work is a mixture of impersonal Augustan abstraction and intense subjectivity. ‘Elegy Written in a Country Churchyard’ is one of the most famous poems in the English language, and continues to exert its influence on contemporary poetry. Mark and Seamus explore three of Gray’s elegiac poems and their peculiar emotional power. They discuss Gray’s ambiguous sexuality, his procrastination and class anxieties, and where his humour shines through – as in his elegy for Horace Walpole’s cat.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrld

In other podcast apps: https://lrb.me/closereadingsld

Further reading in the LRB:

John Mullan: Unpranked Lyre

⁠⁠⁠https://lrb.me/ldgray1⁠

Tony Harrison: ‘V.’

⁠⁠⁠https://lrb.me/ldgray2⁠

Read the texts online:

⁠⁠⁠https://www.thomasgray.org/texts/poems/sorw⁠⁠⁠

⁠⁠⁠https://www.thomasgray.org/texts/poems/elcc⁠⁠⁠

⁠⁠⁠https://www.thomasgray.org/texts/poems/odfc⁠⁠⁠

LRB Audiobooks

Discover audiobooks from the LRB: ⁠⁠⁠⁠⁠⁠https://lrb.me/audiobooksld⁠</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Situated on the cusp of the Romantic era, Thomas Gray’s work is a mixture of impersonal Augustan abstraction and intense subjectivity. ‘Elegy Written in a Country Churchyard’ is one of the most famous poems in the English language, and continues to exert its influence on contemporary poetry. Mark and Seamus explore three of Gray’s elegiac poems and their peculiar emotional power. They discuss Gray’s ambiguous sexuality, his procrastination and class anxieties, and where his humour shines through – as in his elegy for Horace Walpole’s cat.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrld">https://lrb.me/applecrld</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsld">https://lrb.me/closereadingsld</a></p>
<p><strong>Further reading in the LRB:</strong></p>
<p>John Mullan: Unpranked Lyre</p>
<p><a href="https://lrb.me/ldgray1">⁠⁠⁠https://lrb.me/ldgray1⁠</a></p>
<p>Tony Harrison: ‘V.’</p>
<p><a href="https://lrb.me/ldgray2">⁠⁠⁠https://lrb.me/ldgray2⁠</a></p>
<p><strong>Read the texts online:</strong></p>
<p><a href="https://www.thomasgray.org/texts/poems/sorw">⁠⁠⁠https://www.thomasgray.org/texts/poems/sorw⁠⁠⁠</a></p>
<p><a href="https://www.thomasgray.org/texts/poems/elcc">⁠⁠⁠https://www.thomasgray.org/texts/poems/elcc⁠⁠⁠</a></p>
<p><a href="https://www.thomasgray.org/texts/poems/odfc">⁠⁠⁠https://www.thomasgray.org/texts/poems/odfc⁠⁠⁠</a></p>
<p><u><strong>LRB Audiobooks</strong></u></p>
<p>Discover audiobooks from the <em>LRB</em>: ⁠⁠⁠<a href="https://lrb.me/audiobooksld">⁠⁠⁠https://lrb.me/audiobooksld⁠</a></p>]]>
      </content:encoded>
      <itunes:duration>966</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[67d42289df1120216fa6bb02]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB4109157170.mp3?updated=1750261512" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Fiction and the Fantastic: ‘Invisible Cities’ by Italo Calvino</title>
      <link>https://shows.acast.com/close-readings/episodes/67ca0c8c22c74795c31761a1</link>
      <description>Italo Calvino’s novella Invisible Cities is a hypnagogic reimagining of Marco Polo’s time in the court of Kublai Khan. Polo describes 55 impossible places – cities made of plumbing, free-floating, overwhelmed by rubbish, buried underground – that reveal something true about every city. Marina and Anna Della read Invisible Cities alongside the Travels of Marco Polo, and explore how both blur the lines between reality and fantasy, storyteller and audience. They discuss the connections between Calvino’s love of fairytales and his anti-fascist politics, and why he saw the fantastic as a mode of truth-telling.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrff

In other podcast apps: https://lrb.me/closereadingsff

Further reading in the LRB:

Salman Rushdie: Calvino

⁠https://lrb.me/ffcalvino1⁠

James Butler: Infinite Artichoke⁠⁠⁠⁠

⁠https://lrb.me/ffcalvino2⁠

Jonathan Coe: Calvinoism

⁠https://lrb.me/ffcalvino3⁠

Marina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.

Anna Della Subin’s study of men who unwittingly became deities, Accidental Gods, was published in 2022. She has been writing for the LRB since 2014.

 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Mon, 10 Mar 2025 06:00:00 -0000</pubDate>
      <itunes:title>Fiction and the Fantastic: ‘Invisible Cities’ by Italo Calvino</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>13</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/85af7b02-4c5a-11f0-9640-1b4f2a6f111c/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Italo Calvino’s novella&amp;nbsp;&lt;em&gt;Invisible Cities&lt;/em&gt;&amp;nbsp;is a hypnagogic reimagining of Marco Polo’s time in the court of Kublai Khan. Polo describes 55 impossible places – cities made of plumbing, free-floating, overwhelmed by rubbish, buried underground – that reveal something true about every city. Marina and Anna Della read&amp;nbsp;&lt;em&gt;Invisible Cities&lt;/em&gt;&amp;nbsp;alongside the&amp;nbsp;&lt;em&gt;Travels&amp;nbsp;&lt;/em&gt;of Marco Polo, and explore how both blur the lines between reality and fantasy, storyteller and audience. They discuss the connections between Calvino’s love of fairytales and his anti-fascist politics, and why he saw the fantastic as a mode of truth-telling.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/applecrff" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/applecrff&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/closereadingsff" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/closereadingsff&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;strong&gt;Further reading in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/strong&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Salman Rushdie: Calvino&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v03/n17/salman-rushdie/calvino" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v03/n17/salman-rushdie/calvino&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;James Butler: Infinite Artichoke&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v45/n12/james-butler/infinite-artichoke" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v45/n12/james-butler/infinite-artichoke&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Jonathan Coe: Calvinoism&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v14/n06/jonathan-coe/calvinoism" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v14/n06/jonathan-coe/calvinoism&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;strong&gt;Next episode:&lt;/strong&gt; &lt;em&gt;Alice’s Adventures in Wonderland &lt;/em&gt;by Lewis Carroll.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Marina Warner is a writer of history, fiction and criticism whose many books include &lt;em&gt;Stranger Magic&lt;/em&gt;, &lt;em&gt;Forms of Enchantment&lt;/em&gt; and &lt;em&gt;Once Upon a Time: A Short History of Fairy Tale&lt;/em&gt;. She was awarded the Holberg Prize in 2015 and is a contributing editor at the &lt;em&gt;LRB&lt;/em&gt;.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Anna Della Subin’s study of men who unwittingly became deities, &lt;em&gt;Accidental Gods&lt;/em&gt;, was published in 2022. She has been writing for the &lt;em&gt;LRB&lt;/em&gt; since 2014.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Italo Calvino’s novella Invisible Cities is a hypnagogic reimagining of Marco Polo’s time in the court of Kublai Khan. Polo describes 55 impossible places – cities made of plumbing, free-floating, overwhelmed by rubbish, buried underground – that reveal something true about every city. Marina and Anna Della read Invisible Cities alongside the Travels of Marco Polo, and explore how both blur the lines between reality and fantasy, storyteller and audience. They discuss the connections between Calvino’s love of fairytales and his anti-fascist politics, and why he saw the fantastic as a mode of truth-telling.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrff

In other podcast apps: https://lrb.me/closereadingsff

Further reading in the LRB:

Salman Rushdie: Calvino

⁠https://lrb.me/ffcalvino1⁠

James Butler: Infinite Artichoke⁠⁠⁠⁠

⁠https://lrb.me/ffcalvino2⁠

Jonathan Coe: Calvinoism

⁠https://lrb.me/ffcalvino3⁠

Marina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.

Anna Della Subin’s study of men who unwittingly became deities, Accidental Gods, was published in 2022. She has been writing for the LRB since 2014.

 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Italo Calvino’s novella <em>Invisible Cities</em> is a hypnagogic reimagining of Marco Polo’s time in the court of Kublai Khan. Polo describes 55 impossible places – cities made of plumbing, free-floating, overwhelmed by rubbish, buried underground – that reveal something true about every city. Marina and Anna Della read <em>Invisible Cities</em> alongside the <em>Travels </em>of Marco Polo, and explore how both blur the lines between reality and fantasy, storyteller and audience. They discuss the connections between Calvino’s love of fairytales and his anti-fascist politics, and why he saw the fantastic as a mode of truth-telling.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrff">https://lrb.me/applecrff</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsff">https://lrb.me/closereadingsff</a></p>
<p><strong>Further reading in the </strong><em><strong>LRB</strong></em><strong>:</strong></p>
<p>Salman Rushdie: Calvino</p>
<p><a href="https://lrb.me/ffcalvino1">⁠https://lrb.me/ffcalvino1⁠</a></p>
<p>James Butler: Infinite Artichoke<a href="https://www.lrb.co.uk/the-paper/v45/n12/james-butler/infinite-artichoke">⁠⁠⁠⁠</a></p>
<p><a href="https://lrb.me/ffcalvino2">⁠https://lrb.me/ffcalvino2⁠</a></p>
<p>Jonathan Coe: Calvinoism</p>
<p><a href="https://lrb.me/ffcalvino3">⁠https://lrb.me/ffcalvino3⁠</a></p>
<p>Marina Warner is a writer of history, fiction and criticism whose many books include <em>Stranger Magic</em>, <em>Forms of Enchantment</em> and <em>Once Upon a Time: A Short History of Fairy Tale</em>. She was awarded the Holberg Prize in 2015 and is a contributing editor at the <em>LRB</em>.</p>
<p>Anna Della Subin’s study of men who unwittingly became deities, <em>Accidental Gods</em>, was published in 2022. She has been writing for the <em>LRB</em> since 2014.</p>
<p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>980</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[67ca0c8c22c74795c31761a1]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB4897416694.mp3?updated=1750261512" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Conversations in Philosophy: 'Circles' and other essays by Ralph Waldo Emerson</title>
      <link>https://shows.acast.com/close-readings/episodes/67c1a9383782d7c9e5f63163</link>
      <description>Circular reasoning is normally condemned by philosophers, but in his 1841 essay ‘Circles’, Emerson proposes that not getting anywhere is precisely what we need to do to find out where we already are. In this episode, Jonathan and James consider Emerson’s use of the circle to demonstrate an idealistic philosophy rooted in the natural world, in which individuals are bounded by self-created horizons, and the extent to which this fits with Transcendentalist notions of progress and independence. They also discuss what his other essays, including ‘Self-Reliance’, ‘Art’ and ‘Nature’, have to say about the importance of thinking one’s own thoughts, and why Emerson had such a powerful influence on writers as varied as Nietzsche, Saul Bellow and Louisa May Alcott.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrcip

In other podcast apps: https://lrb.me/closereadingscip

Read 'Circles' here:

https://emersoncentral.com/texts/essays-first-series/circles/

Read more in the LRB:

Tony Tanner on the life of Emerson:

https://www.lrb.co.uk/the-paper/v17/n10/tony-tanner/arctic-habits

Colin Burrow on the American canon:

https://www.lrb.co.uk/the-paper/v41/n22/colin-burrow/the-magic-bloomschtick

LRB AUDIOBOOKS

Discover audiobooks from the LRB, including Jonathan Rée's Becoming a Philosopher: Spinoza to Sartre:

⁠⁠⁠https://lrb.me/audiobookscip⁠</description>
      <pubDate>Mon, 03 Mar 2025 12:01:00 -0000</pubDate>
      <itunes:title>Conversations in Philosophy: 'Circles' and other essays by Ralph Waldo Emerson</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>12</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/860430a2-4c5a-11f0-9640-7b1e99b580b9/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Circular reasoning is normally condemned by philosophers, but in his 1841 essay ‘Circles’, Emerson proposes that not getting anywhere is precisely what we need to do to find out where we already are. In this episode, Jonathan and James consider Emerson’s use of the circle to demonstrate an idealistic philosophy rooted in the natural world, in which individuals are bounded by self-created horizons, and the extent to which this fits with Transcendentalist notions of progress and independence. They also discuss what his other essays, including ‘Self-Reliance’, ‘Art’ and ‘Nature’, have to say about the importance of thinking one’s own thoughts, and why Emerson had such a powerful influence on writers as varied as Nietzsche, Saul Bellow and Louisa May Alcott.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/applecrcip" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/applecrcip&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/closereadingscip" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/closereadingscip&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Read 'Circles' here:&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;a href="https://emersoncentral.com/texts/essays-first-series/circles/" rel="noopener noreferrer" target="_blank"&gt;https://emersoncentral.com/texts/essays-first-series/circles/&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Read more in the LRB:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Tony Tanner on the life of Emerson:&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v17/n10/tony-tanner/arctic-habits" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v17/n10/tony-tanner/arctic-habits&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Colin Burrow on the American canon:&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v41/n22/colin-burrow/the-magic-bloomschtick" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v41/n22/colin-burrow/the-magic-bloomschtick&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Next episode: John Stuart Mill's Autobiography&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Circular reasoning is normally condemned by philosophers, but in his 1841 essay ‘Circles’, Emerson proposes that not getting anywhere is precisely what we need to do to find out where we already are. In this episode, Jonathan and James consider Emerson’s use of the circle to demonstrate an idealistic philosophy rooted in the natural world, in which individuals are bounded by self-created horizons, and the extent to which this fits with Transcendentalist notions of progress and independence. They also discuss what his other essays, including ‘Self-Reliance’, ‘Art’ and ‘Nature’, have to say about the importance of thinking one’s own thoughts, and why Emerson had such a powerful influence on writers as varied as Nietzsche, Saul Bellow and Louisa May Alcott.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrcip

In other podcast apps: https://lrb.me/closereadingscip

Read 'Circles' here:

https://emersoncentral.com/texts/essays-first-series/circles/

Read more in the LRB:

Tony Tanner on the life of Emerson:

https://www.lrb.co.uk/the-paper/v17/n10/tony-tanner/arctic-habits

Colin Burrow on the American canon:

https://www.lrb.co.uk/the-paper/v41/n22/colin-burrow/the-magic-bloomschtick

LRB AUDIOBOOKS

Discover audiobooks from the LRB, including Jonathan Rée's Becoming a Philosopher: Spinoza to Sartre:

⁠⁠⁠https://lrb.me/audiobookscip⁠</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Circular reasoning is normally condemned by philosophers, but in his 1841 essay ‘Circles’, Emerson proposes that not getting anywhere is precisely what we need to do to find out where we already are. In this episode, Jonathan and James consider Emerson’s use of the circle to demonstrate an idealistic philosophy rooted in the natural world, in which individuals are bounded by self-created horizons, and the extent to which this fits with Transcendentalist notions of progress and independence. They also discuss what his other essays, including ‘Self-Reliance’, ‘Art’ and ‘Nature’, have to say about the importance of thinking one’s own thoughts, and why Emerson had such a powerful influence on writers as varied as Nietzsche, Saul Bellow and Louisa May Alcott.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrcip">https://lrb.me/applecrcip</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingscip">https://lrb.me/closereadingscip</a></p>
<p>Read 'Circles' here:</p>
<p><a href="https://emersoncentral.com/texts/essays-first-series/circles/">https://emersoncentral.com/texts/essays-first-series/circles/</a></p>
<p>Read more in the LRB:</p>
<p>Tony Tanner on the life of Emerson:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v17/n10/tony-tanner/arctic-habits">https://www.lrb.co.uk/the-paper/v17/n10/tony-tanner/arctic-habits</a></p>
<p>Colin Burrow on the American canon:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v41/n22/colin-burrow/the-magic-bloomschtick">https://www.lrb.co.uk/the-paper/v41/n22/colin-burrow/the-magic-bloomschtick</a></p>
<p><u><strong>LRB AUDIOBOOKS</strong></u></p>
<p>Discover audiobooks from the <em>LRB</em>, including Jonathan Rée's <em>Becoming a Philosopher: Spinoza to Sartre</em>:</p>
<p><a href="https://lrb.me/audiobookscip">⁠⁠⁠https://lrb.me/audiobookscip⁠</a></p>]]>
      </content:encoded>
      <itunes:duration>955</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[67c1a9383782d7c9e5f63163]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB2669150121.mp3?updated=1750261513" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Novel Approaches: 'Crotchet Castle' by Thomas Love Peacock</title>
      <description>Thomas Love Peacock didn’t want to write novels, at least not in the form they had taken in the first half of the 19th century. In Crotchet Castle he rejects the expectation that novelists should reveal the interiority of their characters, instead favouring the testing of opinions and ideas. His ‘novel of talk’, published in 1831, appears largely like a playscript in which disparate characters assemble for a house party next to the Thames before heading up the river to Wales. Their debates cover, among other things, the Captain Swing riots of 1830, the mass dissemination of knowledge, the emerging philosophy of utilitarianism and the relative merits of medieval and contemporary values. In this episode Clare is joined by Freya Johnston and Thomas Keymer to discuss where the book came from and its use of ‘sociable argument’ to offer up-to-date commentary on the economic and political turmoil of its time.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrna

In other podcast apps: https://lrb.me/closereadingsna

Read more in the LRB:

Thomas Keymer on Peacock

https://lrb.me/napeacock1

Paul Foot: The not-so-great Reform Act

https://lrb.me/napeacock2

Audiobooks from the LRB:

https://lrb.me/audiobooksna</description>
      <pubDate>Mon, 24 Feb 2025 10:00:00 -0000</pubDate>
      <itunes:title>Novel Approaches: 'Crotchet Castle' by Thomas Love Peacock</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>15</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8654ee52-4c5a-11f0-9640-3b8e36ccd954/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Thomas Love Peacock didn’t want to write novels, at least not in the form they had taken in the first half of the 19th century. In Crotchet Castle he rejects the expectation that novelists should reveal the interiority of their characters, instead favouring the testing of opinions and ideas. His ‘novel of talk’, published in 1831, appears largely like a playscript in which disparate characters assemble for a house party next to the Thames before heading up the river to Wales. Their debates cover, among other things, the Captain Swing riots of 1830, the mass dissemination of knowledge, the emerging philosophy of utilitarianism and the relative merits of medieval and contemporary values. In this episode Clare is joined by Freya Johnston and Thomas Keymer to discuss where the book came from and its use of ‘sociable argument’ to offer up-to-date commentary on the economic and political turmoil of its time.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrna

In other podcast apps: https://lrb.me/closereadingsna

Read more in the LRB:

Thomas Keymer on Peacock

https://lrb.me/napeacock1

Paul Foot: The not-so-great Reform Act

https://lrb.me/napeacock2

Audiobooks from the LRB:

https://lrb.me/audiobooksna</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Thomas Love Peacock didn’t want to write novels, at least not in the form they had taken in the first half of the 19th century. In <em>Crotchet Castle</em> he rejects the expectation that novelists should reveal the interiority of their characters, instead favouring the testing of opinions and ideas. His ‘novel of talk’, published in 1831, appears largely like a playscript in which disparate characters assemble for a house party next to the Thames<em> </em>before heading up the river to Wales. Their debates cover, among other things, the Captain Swing riots of 1830, the mass dissemination of knowledge, the emerging philosophy of utilitarianism and the relative merits of medieval and contemporary values. In this episode Clare is joined by Freya Johnston and Thomas Keymer to discuss where the book came from and its use of ‘sociable argument’ to offer up-to-date commentary on the economic and political turmoil of its time.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrna">https://lrb.me/applecrna</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsna">https://lrb.me/closereadingsna</a></p>
<p>Read more in the LRB:</p>
<p>Thomas Keymer on Peacock</p>
<p><a href="https://lrb.me/napeacock1">https://lrb.me/napeacock1</a></p>
<p>Paul Foot: The not-so-great Reform Act</p>
<p><a href="https://lrb.me/napeacock2">https://lrb.me/napeacock2</a></p>
<p>Audiobooks from the LRB:</p>
<p><a href="https://%E2%81%A0lrb.me/audiobooksna%E2%81%A0">https://lrb.me/audiobooksna</a></p>]]>
      </content:encoded>
      <itunes:duration>2217</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[67b8635686a56284d05c9c44]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB7026691975.mp3?updated=1750261513" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Love and Death: Elegies for children by Ben Jonson, Anne Bradstreet, Geoffrey Hill and Elizabeth Bishop</title>
      <description>This episode looks at four poems whose subject would seem to lie beyond words: the death of a child. A defining feature of elegy is the struggle between poetic eloquence and inarticulate grief, and in these works by Ben Jonson, Anne Bradstreet, Geoffrey Hill and Elizabeth Bishop we find that tension at its most acute. Mark and Seamus consider the way each poem deals with the traditional demand of the elegy for consolation, and what happens when the form and language of love poetry subverts elegiac conventions.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrld

In other podcast apps: https://lrb.me/closereadingsld

Read the poems here:

Ben Jonson: On My First Son

https://lrb.me/jonsoncrld

Anne Bradstreet:In Memory of My Dear Grandchild Elizabeth Bradstreet

https://lrb.me/bradstreetcrld

Geoffrey Hill: September Song

https://lrb.me/hillcrld

Elizabeth Bishop: First Death in Nova Scotia

https://lrb.me/bishopcrld

Read more in the LRB:

Blair Worden on Ben Jonson

⁠https://lrb.me/ldch1⁠

Blair Worden on puritanism

⁠https://lrb.me/ldch2⁠

Colin Burrow in Geoffrey Hill:

⁠https://lrb.me/ldch3⁠

Helen Vendler on Elizabeth Bishop

⁠https://lrb.me/ldch4

LRB Audiobooks

Discover audiobooks from the LRB: ⁠⁠⁠⁠⁠https://lrb.me/audiobooksld</description>
      <pubDate>Mon, 17 Feb 2025 11:00:00 -0000</pubDate>
      <itunes:title>Love and Death: Elegies for children by Ben Jonson, Anne Bradstreet, Geoffrey Hill and Elizabeth Bishop</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>14</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/86cceef2-4c5a-11f0-9640-63508b57ad6e/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>This episode looks at four poems whose subject would seem to lie beyond words: the death of a child. A defining feature of elegy is the struggle between poetic eloquence and inarticulate grief, and in these works by Ben Jonson, Anne Bradstreet, Geoffrey Hill and Elizabeth Bishop we find that tension at its most acute. Mark and Seamus consider the way each poem deals with the traditional demand of the elegy for consolation, and what happens when the form and language of love poetry subverts elegiac conventions.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrld

In other podcast apps: https://lrb.me/closereadingsld

Read the poems here:

Ben Jonson: On My First Son

https://lrb.me/jonsoncrld

Anne Bradstreet:In Memory of My Dear Grandchild Elizabeth Bradstreet

https://lrb.me/bradstreetcrld

Geoffrey Hill: September Song

https://lrb.me/hillcrld

Elizabeth Bishop: First Death in Nova Scotia

https://lrb.me/bishopcrld

Read more in the LRB:

Blair Worden on Ben Jonson

⁠https://lrb.me/ldch1⁠

Blair Worden on puritanism

⁠https://lrb.me/ldch2⁠

Colin Burrow in Geoffrey Hill:

⁠https://lrb.me/ldch3⁠

Helen Vendler on Elizabeth Bishop

⁠https://lrb.me/ldch4

LRB Audiobooks

Discover audiobooks from the LRB: ⁠⁠⁠⁠⁠https://lrb.me/audiobooksld</itunes:summary>
      <content:encoded>
        <![CDATA[<p>This episode looks at four poems whose subject would seem to lie beyond words: the death of a child. A defining feature of elegy is the struggle between poetic eloquence and inarticulate grief, and in these works by Ben Jonson, Anne Bradstreet, Geoffrey Hill and Elizabeth Bishop we find that tension at its most acute. Mark and Seamus consider the way each poem deals with the traditional demand of the elegy for consolation, and what happens when the form and language of love poetry subverts elegiac conventions.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrld">https://lrb.me/applecrld</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsld">https://lrb.me/closereadingsld</a></p>
<p>Read the poems here:</p>
<p>Ben Jonson: On My First Son</p>
<p><a href="https://lrb.me/jonsoncrld">https://lrb.me/jonsoncrld</a></p>
<p>Anne Bradstreet:In Memory of My Dear Grandchild Elizabeth Bradstreet</p>
<p><a href="https://lrb.me/bradstreetcrld">https://lrb.me/bradstreetcrld</a></p>
<p>Geoffrey Hill: September Song</p>
<p><a href="https://lrb.me/hillcrld">https://lrb.me/hillcrld</a></p>
<p>Elizabeth Bishop: First Death in Nova Scotia</p>
<p><a href="https://lrb.me/bishopcrld">https://lrb.me/bishopcrld</a></p>
<p><strong>Read more in the LRB:</strong></p>
<p>Blair Worden on Ben Jonson</p>
<p><a href="https://lrb.me/ldch1">⁠https://lrb.me/ldch1⁠</a></p>
<p>Blair Worden on puritanism</p>
<p><a href="https://lrb.me/ldch2">⁠https://lrb.me/ldch2⁠</a></p>
<p>Colin Burrow in Geoffrey Hill:</p>
<p><a href="https://lrb.me/ldch3">⁠https://lrb.me/ldch3⁠</a></p>
<p>Helen Vendler on Elizabeth Bishop</p>
<p><a href="https://lrb.me/ldch4">⁠https://lrb.me/ldch4</a></p>
<p><u><strong>LRB Audiobooks</strong></u></p>
<p>Discover audiobooks from the <em>LRB</em>: ⁠⁠⁠<a href="https://lrb.me/audiobooksld">⁠⁠https://lrb.me/audiobooksld</a></p>]]>
      </content:encoded>
      <itunes:duration>862</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[67ae2aa3b859f4e0dbbfd939]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB4995451443.mp3?updated=1750261514" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Fiction and the Fantastic: ‘Gulliver’s Travels’ by Jonathan Swift</title>
      <description>Jonathan Swift’s 1726 tale of Houyhnhnms, Yahoos, Lilliputians and Struldbruggs is normally seen as a satire. But what if it’s read as fantasy, and all its contradictions, inversions and reversals as an echo of the traditional starting point of Arabic fairytale: ‘It was and it was not’? In this episode Marina and Anna Della discuss Gulliver’s Travels as a text in which empiricism and imagination are tightly woven, where fantastical realms are created to give different perspectives on reality and both writer and reader are liberated from having to decide what to think.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrff

In other podcast apps: https://lrb.me/closereadingsff

Further reading in the LRB:

Terry Eagleton: A Spot of Firm Government

⁠https://lrb.me/ffswift1⁠

Clare Bucknell: Oven-Ready Children

⁠https://lrb.me/ffswift2⁠

Thomas Keymer: Carry Up your Coffee Boldly

⁠https://lrb.me/ffswift3

Marina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.

Anna Della Subin’s study of men who unwittingly became deities, Accidental Gods, was published in 2022. She has been writing for the LRB since 2014.

LRB AUDIOBOOKS

Discover audiobooks from the LRB: ⁠⁠⁠⁠⁠https://lrb.me/audiobooksff</description>
      <pubDate>Mon, 10 Feb 2025 07:01:00 -0000</pubDate>
      <itunes:title>Fiction and the Fantastic: ‘Gulliver’s Travels’ by Jonathan Swift</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>13</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/873d0d36-4c5a-11f0-9640-7f59326af454/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Jonathan Swift’s 1726 tale of Houyhnhnms, Yahoos, Lilliputians and Struldbruggs is normally seen as a satire. But what if it’s read as fantasy, and all its contradictions, inversions and reversals as an echo of the traditional starting point of Arabic fairytale: ‘It was and it was not’? In this episode Marina and Anna Della discuss Gulliver’s Travels as a text in which empiricism and imagination are tightly woven, where fantastical realms are created to give different perspectives on reality and both writer and reader are liberated from having to decide what to think.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrff

In other podcast apps: https://lrb.me/closereadingsff

Further reading in the LRB:

Terry Eagleton: A Spot of Firm Government

⁠https://lrb.me/ffswift1⁠

Clare Bucknell: Oven-Ready Children

⁠https://lrb.me/ffswift2⁠

Thomas Keymer: Carry Up your Coffee Boldly

⁠https://lrb.me/ffswift3

Marina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.

Anna Della Subin’s study of men who unwittingly became deities, Accidental Gods, was published in 2022. She has been writing for the LRB since 2014.

LRB AUDIOBOOKS

Discover audiobooks from the LRB: ⁠⁠⁠⁠⁠https://lrb.me/audiobooksff</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Jonathan Swift’s 1726 tale of Houyhnhnms, Yahoos, Lilliputians and Struldbruggs is normally seen as a satire. But what if it’s read as fantasy, and all its contradictions, inversions and reversals as an echo of the traditional starting point of Arabic fairytale: ‘It was and it was not’? In this episode Marina and Anna Della discuss <em>Gulliver’s Travels</em> as a text in which empiricism and imagination are tightly woven, where fantastical realms are created to give different perspectives on reality and both writer and reader are liberated from having to decide what to think.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrff">https://lrb.me/applecrff</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsff">https://lrb.me/closereadingsff</a></p>
<p>Further reading in the LRB:</p>
<p>Terry Eagleton: A Spot of Firm Government</p>
<p><a href="https://lrb.me/ffswift1">⁠https://lrb.me/ffswift1⁠</a></p>
<p>Clare Bucknell: Oven-Ready Children</p>
<p><a href="https://lrb.me/ffswift2">⁠https://lrb.me/ffswift2⁠</a></p>
<p>Thomas Keymer: Carry Up your Coffee Boldly</p>
<p><a href="https://lrb.me/ffswift3">⁠https://lrb.me/ffswift3</a></p>
<p>Marina Warner is a writer of history, fiction and criticism whose many books include <em>Stranger Magic</em>, <em>Forms of Enchantment</em> and <em>Once Upon a Time: A Short History of Fairy Tale</em>. She was awarded the Holberg Prize in 2015 and is a contributing editor at the <em>LRB</em>.</p>
<p>Anna Della Subin’s study of men who unwittingly became deities, <em>Accidental Gods</em>, was published in 2022. She has been writing for the <em>LRB</em> since 2014.</p>
<p><u><strong>LRB AUDIOBOOKS</strong></u></p>
<p>Discover audiobooks from the <em>LRB: </em><a href="%E2%81%A0%E2%81%A0%E2%81%A0%E2%81%A0https://lrb.me/audiobooksff%E2%81%A0">⁠⁠⁠⁠⁠https://lrb.me/audiobooksff</a></p>]]>
      </content:encoded>
      <itunes:duration>986</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[67a629073ef0b176eaf206eb]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB9992590243.mp3?updated=1750261515" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Conversations in Philosophy: 'The Essence of Christianity' by Ludwig Feuerbach</title>
      <link>https://shows.acast.com/close-readings/episodes/678ac5d1fc105e4d3699a78d</link>
      <description>In The Essence of Christianity (1841) Feuerbach works through the theological crisis of his age to articulate the central, radical idea of 19th-century atheism: that the religion of God is really the religion of humanity. In this episode, Jonathan and James discuss the ways in which the book applies this thought to various aspects of Christian doctrine, from sexual relations to the Trinity, and consider why Feuerbach would never have described himself as an atheist. They also look at George Eliot’s remarkable translation of the work, published only thirteen years after the original, which not only ensured Feuerbach’s influence in the Anglophone world but invented a new philosophical vocabulary in English for German thought.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrcip

In other podcast apps: https://lrb.me/closereadingscip

Further reading in the LRB:

James Wood: What next?

https://www.lrb.co.uk/the-paper/v33/n08/james-wood/what-s-next

Terry Eagleton: George Eliot

https://www.lrb.co.uk/the-paper/v17/n18/terry-eagleton/biogspeak

 LRB AUDIOBOOKS

Discover audiobooks from the LRB, including Jonathan Rée's Becoming a Philosopher: Spinoza to Sartre:

⁠⁠https://lrb.me/audiobookscip⁠</description>
      <pubDate>Mon, 03 Feb 2025 10:00:00 -0000</pubDate>
      <itunes:title>Conversations in Philosophy: 'The Essence of Christianity' by Ludwig Feuerbach</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>12</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/87904334-4c5a-11f0-9640-bb6271e28126/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In&amp;nbsp;&lt;em&gt;The Essence of Christianity&lt;/em&gt;&amp;nbsp;(1841) Feuerbach works through the theological crisis of his age to articulate the central, radical idea of 19th-century atheism: that the religion of God is really the religion of humanity. In this episode, Jonathan and James discuss the ways in which the book applies this thought to various aspects of Christian doctrine, from sexual relations to the Trinity, and consider why Feuerbach would never have described himself as an atheist. They also look at George Eliot’s remarkable translation of the work, published only thirteen years after the original, which not only ensured Feuerbach’s influence in the Anglophone world but invented a new philosophical vocabulary in English for German thought.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/applecrcip" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/applecrcip&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/closereadingscip" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/closereadingscip&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading in the LRB:&lt;/p&gt;&lt;br&gt;&lt;p&gt;James Wood: What next?&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v33/n08/james-wood/what-s-next" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v33/n08/james-wood/what-s-next&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Terry Eagleton: George Eliot&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v17/n18/terry-eagleton/biogspeak" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v17/n18/terry-eagleton/biogspeak&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In The Essence of Christianity (1841) Feuerbach works through the theological crisis of his age to articulate the central, radical idea of 19th-century atheism: that the religion of God is really the religion of humanity. In this episode, Jonathan and James discuss the ways in which the book applies this thought to various aspects of Christian doctrine, from sexual relations to the Trinity, and consider why Feuerbach would never have described himself as an atheist. They also look at George Eliot’s remarkable translation of the work, published only thirteen years after the original, which not only ensured Feuerbach’s influence in the Anglophone world but invented a new philosophical vocabulary in English for German thought.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrcip

In other podcast apps: https://lrb.me/closereadingscip

Further reading in the LRB:

James Wood: What next?

https://www.lrb.co.uk/the-paper/v33/n08/james-wood/what-s-next

Terry Eagleton: George Eliot

https://www.lrb.co.uk/the-paper/v17/n18/terry-eagleton/biogspeak

 LRB AUDIOBOOKS

Discover audiobooks from the LRB, including Jonathan Rée's Becoming a Philosopher: Spinoza to Sartre:

⁠⁠https://lrb.me/audiobookscip⁠</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <em>The Essence of Christianity</em> (1841) Feuerbach works through the theological crisis of his age to articulate the central, radical idea of 19th-century atheism: that the religion of God is really the religion of humanity. In this episode, Jonathan and James discuss the ways in which the book applies this thought to various aspects of Christian doctrine, from sexual relations to the Trinity, and consider why Feuerbach would never have described himself as an atheist. They also look at George Eliot’s remarkable translation of the work, published only thirteen years after the original, which not only ensured Feuerbach’s influence in the Anglophone world but invented a new philosophical vocabulary in English for German thought.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrcip">https://lrb.me/applecrcip</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingscip">https://lrb.me/closereadingscip</a></p>
<p>Further reading in the LRB:</p>
<p>James Wood: What next?</p>
<p><a href="https://www.lrb.co.uk/the-paper/v33/n08/james-wood/what-s-next">https://www.lrb.co.uk/the-paper/v33/n08/james-wood/what-s-next</a></p>
<p>Terry Eagleton: George Eliot</p>
<p><a href="https://www.lrb.co.uk/the-paper/v17/n18/terry-eagleton/biogspeak">https://www.lrb.co.uk/the-paper/v17/n18/terry-eagleton/biogspeak</a></p>
<p> <u><strong>LRB AUDIOBOOKS</strong></u></p>
<p>Discover audiobooks from the <em>LRB</em>, including Jonathan Rée's <em>Becoming a Philosopher: Spinoza to Sartre</em>:</p>
<p><a href="https://lrb.me/audiobookscip">⁠⁠https://lrb.me/audiobookscip⁠</a></p>]]>
      </content:encoded>
      <itunes:duration>674</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[678ac5d1fc105e4d3699a78d]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB2818411738.mp3?updated=1750261515" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Novel Approaches: ‘Mansfield Park’ by Jane Austen</title>
      <description>On one level, Mansfield Park is a fairytale transposed to the 19th century: Fanny Price is the archetypal poor relation who, through her virtuousness, wins a wealthy husband. But Jane Austen’s 1814 novel is also a shrewd study of speculation, ‘improvement’ and the transformative power of money.

In the first episode of Novel Approaches, Colin Burrow joins Clare Bucknell and Thomas Jones to discuss Austen’s acute reading of property and precarity, and why Fanny’s moral cautiousness is a strategic approach to the riskiest speculation of all: marriage.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrna

In other podcast apps: https://lrb.me/closereadingsna

Further reading in the LRB:

John Mullan: Noticing and Not Noticing

⁠https://lrb.me/naausten1⁠

Colm Toíbìn: The Importance of Aunts

⁠https://lrb.me/naausten2⁠

W.J.T. Mitchell: In the Wilderness

⁠https://lrb.me/naausten3⁠

Clare Bucknell is a fellow of All Souls College, Oxford, and hosted the Close Readings series On Satire with Colin Burrow. The Treasuries, her social history of poetry anthologies, was published in 2023.

Thomas Jones is a senior editor at the LRB and host of the LRB Podcast. With Emily Wilson, he hosted the Close Readings series Among the Ancients.</description>
      <pubDate>Tue, 28 Jan 2025 17:36:00 -0000</pubDate>
      <itunes:title>Novel Approaches: ‘Mansfield Park’ by Jane Austen</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>15</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/87e2d3ce-4c5a-11f0-9640-a7655f23421b/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>On one level, Mansfield Park is a fairytale transposed to the 19th century: Fanny Price is the archetypal poor relation who, through her virtuousness, wins a wealthy husband. But Jane Austen’s 1814 novel is also a shrewd study of speculation, ‘improvement’ and the transformative power of money.

In the first episode of Novel Approaches, Colin Burrow joins Clare Bucknell and Thomas Jones to discuss Austen’s acute reading of property and precarity, and why Fanny’s moral cautiousness is a strategic approach to the riskiest speculation of all: marriage.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrna

In other podcast apps: https://lrb.me/closereadingsna

Further reading in the LRB:

John Mullan: Noticing and Not Noticing

⁠https://lrb.me/naausten1⁠

Colm Toíbìn: The Importance of Aunts

⁠https://lrb.me/naausten2⁠

W.J.T. Mitchell: In the Wilderness

⁠https://lrb.me/naausten3⁠

Clare Bucknell is a fellow of All Souls College, Oxford, and hosted the Close Readings series On Satire with Colin Burrow. The Treasuries, her social history of poetry anthologies, was published in 2023.

Thomas Jones is a senior editor at the LRB and host of the LRB Podcast. With Emily Wilson, he hosted the Close Readings series Among the Ancients.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On one level, <em>Mansfield Park</em> is a fairytale transposed to the 19th century: Fanny Price is the archetypal poor relation who, through her virtuousness, wins a wealthy husband. But Jane Austen’s 1814 novel is also a shrewd study of speculation, ‘improvement’ and the transformative power of money.</p>
<p>In the first episode of Novel Approaches, Colin Burrow joins Clare Bucknell and Thomas Jones to discuss Austen’s acute reading of property and precarity, and why Fanny’s moral cautiousness is a strategic approach to the riskiest speculation of all: marriage.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrna">https://lrb.me/applecrna</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsna">https://lrb.me/closereadingsna</a></p>
<p>Further reading in the LRB:</p>
<p>John Mullan: Noticing and Not Noticing</p>
<p><a href="https://lrb.me/naausten1">⁠https://lrb.me/naausten1⁠</a></p>
<p>Colm Toíbìn: The Importance of Aunts</p>
<p><a href="https://lrb.me/naausten2">⁠https://lrb.me/naausten2⁠</a></p>
<p>W.J.T. Mitchell: In the Wilderness</p>
<p><a href="https://lrb.me/naausten3">⁠https://lrb.me/naausten3⁠</a></p>
<p>Clare Bucknell is a fellow of All Souls College, Oxford, and hosted the Close Readings series On Satire with Colin Burrow. <em>The Treasuries</em>, her social history of poetry anthologies, was published in 2023.</p>
<p>Thomas Jones is a senior editor at the <em>LRB</em> and host of the LRB Podcast. With Emily Wilson, he hosted the Close Readings series Among the Ancients.</p>]]>
      </content:encoded>
      <itunes:duration>1958</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[679695b564a671b4e14f81da]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB3045958684.mp3?updated=1750261516" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Love and Death: Milton's 'Lycidas'</title>
      <description>Milton wrote ‘Lycidas’ in 1637, at the age of 29, to commemorate the drowning of the poet Edward King. As well as a great pastoral elegy, it is a denunciation of the ecclesiastical condition of England and a rehearsal for Milton’s later role as a writer of national epic. In the first episode of their new series, Seamus and Mark discuss the political backdrop to the poem, Milton’s virtuosic mix of poetic tradition and innovation, and why such a fervent puritan would choose an unfashionable, pre-Christian form to honour his friend.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrld

In other podcast apps: https://lrb.me/closereadingsld

Read more in the LRB:

Colin Burrow (on the 'two-handed engine'):

⁠https://lrb.me/ldmilton1⁠

Freya Johnston (on Samuel Johnson's criticism):

⁠https://lrb.me/ldmilton2⁠

Maggie Kilgour (on the young Milton):

h⁠ttps://lrb.me/ldmilton3⁠

LRB Audiobooks

Discover audiobooks from the LRB: ⁠⁠⁠⁠⁠https://lrb.me/audiobooksld</description>
      <pubDate>Mon, 20 Jan 2025 10:00:00 -0000</pubDate>
      <itunes:title>Love and Death: Milton's 'Lycidas'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>14</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/88375732-4c5a-11f0-9640-df64a50ec3c6/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>Milton wrote ‘Lycidas’ in 1637, at the age of 29, to commemorate the drowning of the poet Edward King. As well as a great pastoral elegy, it is a denunciation of the ecclesiastical condition of England and a rehearsal for Milton’s later role as a writer of national epic. In the first episode of their new series, Seamus and Mark discuss the political backdrop to the poem, Milton’s virtuosic mix of poetic tradition and innovation, and why such a fervent puritan would choose an unfashionable, pre-Christian form to honour his friend.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrld

In other podcast apps: https://lrb.me/closereadingsld

Read more in the LRB:

Colin Burrow (on the 'two-handed engine'):

⁠https://lrb.me/ldmilton1⁠

Freya Johnston (on Samuel Johnson's criticism):

⁠https://lrb.me/ldmilton2⁠

Maggie Kilgour (on the young Milton):

h⁠ttps://lrb.me/ldmilton3⁠

LRB Audiobooks

Discover audiobooks from the LRB: ⁠⁠⁠⁠⁠https://lrb.me/audiobooksld</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Milton wrote ‘Lycidas’ in 1637, at the age of 29, to commemorate the drowning of the poet Edward King. As well as a great pastoral elegy, it is a denunciation of the ecclesiastical condition of England and a rehearsal for Milton’s later role as a writer of national epic. In the first episode of their new series, Seamus and Mark discuss the political backdrop to the poem, Milton’s virtuosic mix of poetic tradition and innovation, and why such a fervent puritan would choose an unfashionable, pre-Christian form to honour his friend.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrld">https://lrb.me/applecrld</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsld">https://lrb.me/closereadingsld</a></p>
<p><strong>Read more in the LRB:</strong></p>
<p>Colin Burrow (on the 'two-handed engine'):</p>
<p><a href="https://lrb.me/ldmilton1">⁠https://lrb.me/ldmilton1⁠</a></p>
<p>Freya Johnston (on Samuel Johnson's criticism):</p>
<p><a href="https://lrb.me/ldmilton2">⁠https://lrb.me/ldmilton2⁠</a></p>
<p>Maggie Kilgour (on the young Milton):</p>
<p>h<a href="https://lrb.me/ldmilton3">⁠ttps://lrb.me/ldmilton3⁠</a></p>
<p><u><strong>LRB Audiobooks</strong></u></p>
<p>Discover audiobooks from the <em>LRB</em>: ⁠⁠⁠⁠<a href="https://lrb.me/audiobooksld">⁠https://lrb.me/audiobooksld</a></p>]]>
      </content:encoded>
      <itunes:duration>796</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[678a94e016bc7a8545195452]]></guid>
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    </item>
    <item>
      <title>Fiction and the Fantastic: ‘The Thousand and One Nights’</title>
      <description>The Thousand and One Nights is an ‘infinite text’: it has no fixed shape or length, no known author and is transformed with each new translation. In this first episode of Fiction and the Fantastic, Marina Warner and Anna Della Subin explore two particularly mysterious stories in the context of the wider mysteries and pleasures of the Nights. ‘The Porter and the Three Ladies of Baghdad’ highlights the pleasures of dreaming, the power of language and the imagination’s essential role in eroticism, while ‘Abdullah of the Sea and Abdullah of the Land’ demonstrates how the fantastic can help us imagine new ways of living.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrff

In other podcast apps: https://lrb.me/closereadingsff

Further reading in the LRB:

Marina Warner: Travelling Text

⁠https://lrb.me/ffnights1⁠

Steven Connor: One’s Thousand One Nightiness

⁠https://lrb.me/ffnights2⁠

William Gass: A Book at Bedtime

⁠https://lrb.me/ffnights3

Get the book: https://lrb.me/sealenightsff

Marina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.

Anna Della Subin’s study of men who unwittingly became deities, Accidental Gods, was published in 2022. She has been writing for the LRB since 2014.</description>
      <pubDate>Mon, 13 Jan 2025 07:00:00 -0000</pubDate>
      <itunes:title>Fiction and the Fantastic: ‘The Thousand and One Nights’</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>13</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/88896eb4-4c5a-11f0-9640-43c91b32f5ce/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle></itunes:subtitle>
      <itunes:summary>The Thousand and One Nights is an ‘infinite text’: it has no fixed shape or length, no known author and is transformed with each new translation. In this first episode of Fiction and the Fantastic, Marina Warner and Anna Della Subin explore two particularly mysterious stories in the context of the wider mysteries and pleasures of the Nights. ‘The Porter and the Three Ladies of Baghdad’ highlights the pleasures of dreaming, the power of language and the imagination’s essential role in eroticism, while ‘Abdullah of the Sea and Abdullah of the Land’ demonstrates how the fantastic can help us imagine new ways of living.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrff

In other podcast apps: https://lrb.me/closereadingsff

Further reading in the LRB:

Marina Warner: Travelling Text

⁠https://lrb.me/ffnights1⁠

Steven Connor: One’s Thousand One Nightiness

⁠https://lrb.me/ffnights2⁠

William Gass: A Book at Bedtime

⁠https://lrb.me/ffnights3

Get the book: https://lrb.me/sealenightsff

Marina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.

Anna Della Subin’s study of men who unwittingly became deities, Accidental Gods, was published in 2022. She has been writing for the LRB since 2014.</itunes:summary>
      <content:encoded>
        <![CDATA[<p><em>The</em> <em>Thousand and One Nights</em> is an ‘infinite text’: it has no fixed shape or length, no known author and is transformed with each new translation. In this first episode of Fiction and the Fantastic, Marina Warner and Anna Della Subin explore two particularly mysterious stories in the context of the wider mysteries and pleasures of the <em>Nights</em>. ‘The Porter and the Three Ladies of Baghdad’ highlights the pleasures of dreaming, the power of language and the imagination’s essential role in eroticism, while ‘Abdullah of the Sea and Abdullah of the Land’ demonstrates how the fantastic can help us imagine new ways of living.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrff">https://lrb.me/applecrff</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingsff">https://lrb.me/closereadingsff</a></p>
<p>Further reading in the LRB:</p>
<p>Marina Warner: Travelling Text</p>
<p><a href="https://lrb.me/ffnights1">⁠https://lrb.me/ffnights1⁠</a></p>
<p>Steven Connor: One’s Thousand One Nightiness</p>
<p><a href="https://lrb.me/ffnights2">⁠https://lrb.me/ffnights2⁠</a></p>
<p>William Gass: A Book at Bedtime</p>
<p><a href="https://lrb.me/ffnights3">⁠https://lrb.me/ffnights3</a></p>
<p>Get the book: <a href="https://lrb.me/sealenightsff">https://lrb.me/sealenightsff</a></p>
<p>Marina Warner is a writer of history, fiction and criticism whose many books include <em>Stranger Magic</em>, <em>Forms of Enchantment</em> and <em>Once Upon a Time: A Short History of Fairy Tale</em>. She was awarded the Holberg Prize in 2015 and is a contributing editor at the <em>LRB</em>.</p>
<p>Anna Della Subin’s study of men who unwittingly became deities, <em>Accidental Gods</em>, was published in 2022. She has been writing for the <em>LRB</em> since 2014.</p>]]>
      </content:encoded>
      <itunes:duration>926</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6782af4b2d4090d8afe2bd87]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB2250833890.mp3?updated=1750261517" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Conversations in Philosophy: 'Fear and Trembling' by Søren Kierkegaard</title>
      <link>https://shows.acast.com/close-readings/episodes/67784626598149a3f9f34849</link>
      <description>The series begins with Søren Kierkegaard’s Fear and Trembling (1843), an exploration of faith through the story of Abraham and Isaac. Like most of Kierkegaard’s published work, Fear and Trembling appeared under a pseudonym, Johannes de Silentio, and its playful relationship to the reader doesn’t stop there. Described as a ‘dialectical lyric’ on the title page, the book works through a variety of formats in its attempt to understand the nature of faith and the apparently unsolvable paradox that the father of the Abrahamic religions was prepared to murder his own son. James and Jonathan consider whether Kierkegaard thinks we can understand anything, and what Fear and Trembling has in common with the works of Dostoevsky and Kafka.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrcip

In other podcast apps: https://lrb.me/closereadingscip

Further reading in the LRB:

Jonathan Rée: Dancing in the Service of Thought https://lrb.me/cipkierkegaard1

James Butler: Reading Genesis https://lrb.me/cipkierkegaard2

Roger Poole: A Walk with Kierkegaard https://lrb.me/cipkierkegaard3

Terry Eagleton: A Long Way from Galilee https://lrb.me/cipkierkegaard4

James Wood teaches literature at Harvard University and is a staff writer for The New Yorker as well as a contributor to the London Review of Books. His books include How Fiction Works, The Broken Estate and The Irresponsible Self.

Jonathan Rée is a frequent contributor to the London Review of Books and a freelance writer and philosopher. His most recent book on philosophy is Witcraft: The Invention of Philosophy in English.

LRB AUDIOBOOKS

Discover audiobooks from the LRB, including Jonathan Rée's Becoming a Philosopher: Spinoza to Sartre:

https://lrb.me/audiobookscip</description>
      <pubDate>Mon, 06 Jan 2025 12:01:00 -0000</pubDate>
      <itunes:title>Conversations in Philosophy: 'Fear and Trembling' by Søren Kierkegaard</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>12</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/88df1a1c-4c5a-11f0-9640-1bfcc802ef57/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;The series begins with Søren Kierkegaard’s&amp;nbsp;&lt;em&gt;Fear and Trembling&amp;nbsp;&lt;/em&gt;(1843), an&lt;em&gt;&amp;nbsp;&lt;/em&gt;exploration of faith through the story of Abraham and Isaac. Like most of Kierkegaard’s published work,&amp;nbsp;&lt;em&gt;Fear and Trembling&amp;nbsp;&lt;/em&gt;appeared under a pseudonym, Johannes de Silentio, and its playful relationship to the reader doesn’t stop there. Described as a ‘dialectical lyric’ on the title page, the book works through a variety of formats in its attempt to understand the nature of faith and the apparently unsolvable paradox that the father of the Abrahamic religions was prepared to murder his own son. James and Jonathan consider whether Kierkegaard thinks we can understand anything, and what&amp;nbsp;&lt;em&gt;Fear and Trembling&lt;/em&gt;&amp;nbsp;has in common with the works of Dostoevsky and Kafka.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/applecrcip" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/applecrcip&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/closereadingscip" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/closereadingscip&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Jonathan Rée: Dancing in the Service of Thought &lt;a href="https://lrb.me/cipkierkegaard1" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/cipkierkegaard1&lt;/a&gt;&lt;/p&gt;&lt;p&gt;James Butler: Reading Genesis &lt;a href="https://lrb.me/cipkierkegaard2" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/cipkierkegaard2&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Roger Poole: A Walk with Kierkegaard &lt;a href="https://lrb.me/cipkierkegaard3" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/cipkierkegaard3&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Terry Eagleton: A Long Way from Galilee &lt;a href="https://lrb.me/cipkierkegaard4" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/cipkierkegaard4&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;James Wood teaches literature at Harvard University and is a staff writer for&amp;nbsp;&lt;em&gt;The&amp;nbsp;New Yorker&lt;/em&gt;&amp;nbsp;as well as a contributor to the&amp;nbsp;&lt;em&gt;London Review of Books&lt;/em&gt;. His books include&amp;nbsp;&lt;em&gt;How Fiction Works, The Broken Estate and The Irresponsible Self&lt;/em&gt;.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Jonathan Rée is a frequent contributor to the&amp;nbsp;&lt;em&gt;London Review of Books&lt;/em&gt;&amp;nbsp;and a freelance writer and philosopher. His most recent book on philosophy is&amp;nbsp;&lt;em&gt;Witcraft: The Invention of Philosophy in English.&lt;/em&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;NEXT EPISODE: 'The Essence of Christianity' by Ludwig Feuerbach, out on Monday 3 February.&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;strong&gt;&lt;u&gt;LRB AUDIOBOOKS&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Discover audiobooks from the &lt;em&gt;LRB&lt;/em&gt;, including Jonathan Rée's &lt;em&gt;Becoming a Philosopher: Spinoza to Sartre&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;&lt;a href="https://lrb.me/audiobookscip" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/audiobookscip&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>The series begins with Søren Kierkegaard’s Fear and Trembling (1843), an exploration of faith through the story of Abraham and Isaac. Like most of Kierkegaard’s published work, Fear and Trembling appeared under a pseudonym, Johannes de Silentio, and its playful relationship to the reader doesn’t stop there. Described as a ‘dialectical lyric’ on the title page, the book works through a variety of formats in its attempt to understand the nature of faith and the apparently unsolvable paradox that the father of the Abrahamic religions was prepared to murder his own son. James and Jonathan consider whether Kierkegaard thinks we can understand anything, and what Fear and Trembling has in common with the works of Dostoevsky and Kafka.

Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:

Directly in Apple Podcasts: https://lrb.me/applecrcip

In other podcast apps: https://lrb.me/closereadingscip

Further reading in the LRB:

Jonathan Rée: Dancing in the Service of Thought https://lrb.me/cipkierkegaard1

James Butler: Reading Genesis https://lrb.me/cipkierkegaard2

Roger Poole: A Walk with Kierkegaard https://lrb.me/cipkierkegaard3

Terry Eagleton: A Long Way from Galilee https://lrb.me/cipkierkegaard4

James Wood teaches literature at Harvard University and is a staff writer for The New Yorker as well as a contributor to the London Review of Books. His books include How Fiction Works, The Broken Estate and The Irresponsible Self.

Jonathan Rée is a frequent contributor to the London Review of Books and a freelance writer and philosopher. His most recent book on philosophy is Witcraft: The Invention of Philosophy in English.

LRB AUDIOBOOKS

Discover audiobooks from the LRB, including Jonathan Rée's Becoming a Philosopher: Spinoza to Sartre:

https://lrb.me/audiobookscip</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The series begins with Søren Kierkegaard’s <em>Fear and Trembling </em>(1843), an<em> </em>exploration of faith through the story of Abraham and Isaac. Like most of Kierkegaard’s published work, <em>Fear and Trembling </em>appeared under a pseudonym, Johannes de Silentio, and its playful relationship to the reader doesn’t stop there. Described as a ‘dialectical lyric’ on the title page, the book works through a variety of formats in its attempt to understand the nature of faith and the apparently unsolvable paradox that the father of the Abrahamic religions was prepared to murder his own son. James and Jonathan consider whether Kierkegaard thinks we can understand anything, and what <em>Fear and Trembling</em> has in common with the works of Dostoevsky and Kafka.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p>
<p>Directly in Apple Podcasts: <a href="https://lrb.me/applecrcip">https://lrb.me/applecrcip</a></p>
<p>In other podcast apps: <a href="https://lrb.me/closereadingscip">https://lrb.me/closereadingscip</a></p>
<p>Further reading in the <em>LRB</em>:</p>
<p>Jonathan Rée: Dancing in the Service of Thought <a href="https://lrb.me/cipkierkegaard1">https://lrb.me/cipkierkegaard1</a></p>
<p>James Butler: Reading Genesis <a href="https://lrb.me/cipkierkegaard2">https://lrb.me/cipkierkegaard2</a></p>
<p>Roger Poole: A Walk with Kierkegaard <a href="https://lrb.me/cipkierkegaard3">https://lrb.me/cipkierkegaard3</a></p>
<p>Terry Eagleton: A Long Way from Galilee <a href="https://lrb.me/cipkierkegaard4">https://lrb.me/cipkierkegaard4</a></p>
<p>James Wood teaches literature at Harvard University and is a staff writer for <em>The New Yorker</em> as well as a contributor to the <em>London Review of Books</em>. His books include <em>How Fiction Works, The Broken Estate and The Irresponsible Self</em>.</p>
<p>Jonathan Rée is a frequent contributor to the <em>London Review of Books</em> and a freelance writer and philosopher. His most recent book on philosophy is <em>Witcraft: The Invention of Philosophy in English.</em></p>
<p><u><strong>LRB AUDIOBOOKS</strong></u></p>
<p>Discover audiobooks from the <em>LRB</em>, including Jonathan Rée's <em>Becoming a Philosopher: Spinoza to Sartre</em>:</p>
<p><a href="https://lrb.me/audiobookscip">https://lrb.me/audiobookscip</a></p>]]>
      </content:encoded>
      <itunes:duration>789</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[67784626598149a3f9f34849]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB4508451409.mp3?updated=1750261518" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Introducing ‘Novel Approaches’</title>
      <link>https://shows.acast.com/close-readings/episodes/677703abd83630b6e3ba52de</link>
      <description>Clare Bucknell and Thomas Jones introduce their new Close Readings series, Novel Approaches. Joined by a variety of contemporary novelists and critics, they'll be exploring a dozen 19th-century British novels from Mansfield Park to New Grub Street, paying particular (though not exclusive) attention to the themes of money and property.
The first episode will come out on Monday 27 January, on Austen’s Mansfield Park.
Clare Bucknell is a fellow of All Souls College, Oxford, and hosted the Close Readings series On Satire with Colin Burrow. The Treasuries, her social history of poetry anthologies, was published in 2023.
Thomas Jones is a senior editor at the LRB and host of the LRB Podcast. With Emily Wilson, he hosted the Close Readings series Among the Ancients.
The full list of texts for the series:
Mansfield Park (1814) by Jane Austen
Crotchet Castle (1831) by Thomas Love Peacock
Wuthering Heights (1847) by Emily Brontë
Vanity Fair (1847) by William Makepeace Thackeray
North and South (1854) by Elizabeth Gaskell
Aurora Leigh (1856) by Elizabeth Barrett Browning
Anthony Trollope (TBD)
Mill on the Floss (1860) by George Eliot
Our Mutual Friend (1864) by Charles Dickens
Washington Square (1880)/Portrait of a Lady (1881) by Henry James
Kidnapped (1886) by Robert Louis Stevenson
The Mayor of Casterbridge (1886) by Thomas Hardy
New Grub Street (1891) by George Gissing 
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sun, 05 Jan 2025 12:00:20 -0000</pubDate>
      <itunes:title>Introducing ‘Novel Approaches’</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>15</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/896431a2-4c5a-11f0-9640-2fcda0d5319b/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Clare Bucknell and Thomas Jones introduce their new Close Readings series, Novel Approaches. Joined by a variety of contemporary novelists and critics, they'll be exploring a dozen 19th-century British novels from Mansfield Park to New Grub Street, paying particular (though not exclusive) attention to the themes of money and property.&lt;/p&gt;&lt;br&gt;&lt;p&gt;The first episode will come out on Monday 27 January, on Austen’s &lt;em&gt;Mansfield Park&lt;/em&gt;.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Clare Bucknell is a fellow of All Souls College, Oxford, and hosted the Close Readings series On Satire with Colin Burrow.&amp;nbsp;&lt;em&gt;The Treasuries&lt;/em&gt;, her social history of poetry anthologies, was published in 2023.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Thomas Jones is a senior editor at the &lt;em&gt;LRB&lt;/em&gt; and host of the LRB Podcast. With Emily Wilson, he hosted the Close Readings series Among the Ancients.&lt;/p&gt;&lt;br&gt;&lt;p&gt;The full list of texts for the series:&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;em&gt;Mansfield Park&lt;/em&gt; (1814) by Jane Austen&lt;/p&gt;&lt;p&gt;&lt;em&gt;Crotchet Castle&lt;/em&gt; (1831) by Thomas Love Peacock&lt;/p&gt;&lt;p&gt;&lt;em&gt;Wuthering Heights&lt;/em&gt; (1847) by Emily Brontë&lt;/p&gt;&lt;p&gt;&lt;em&gt;Vanity Fair&lt;/em&gt; (1847) by William Makepeace Thackeray&lt;/p&gt;&lt;p&gt;&lt;em&gt;North and South&lt;/em&gt; (1854) by Elizabeth Gaskell&lt;/p&gt;&lt;p&gt;&lt;em&gt;Aurora Leigh&lt;/em&gt; (1856) by Elizabeth Barrett Browning&lt;/p&gt;&lt;p&gt;Anthony Trollope (TBD)&lt;/p&gt;&lt;p&gt;&lt;em&gt;Mill on the Floss&lt;/em&gt; (1860) by George Eliot&lt;/p&gt;&lt;p&gt;&lt;em&gt;Our Mutual Friend&lt;/em&gt; (1864) by Charles Dickens&lt;/p&gt;&lt;p&gt;&lt;em&gt;Washington Square&lt;/em&gt; (1880)/&lt;em&gt;Portrait of a Lady&lt;/em&gt; (1881) by Henry James&lt;/p&gt;&lt;p&gt;&lt;em&gt;Kidnapped&lt;/em&gt; (1886) by Robert Louis Stevenson&lt;/p&gt;&lt;p&gt;&lt;em&gt;The Mayor of Casterbridge&lt;/em&gt; (1886) by Thomas Hardy&lt;/p&gt;&lt;p&gt;&lt;em&gt;New Grub Street&lt;/em&gt; (1891) by George Gissing&amp;nbsp;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Clare Bucknell and Thomas Jones introduce their new Close Readings series, Novel Approaches. Joined by a variety of contemporary novelists and critics, they'll be exploring a dozen 19th-century British novels from Mansfield Park to New Grub Street, paying particular (though not exclusive) attention to the themes of money and property.
The first episode will come out on Monday 27 January, on Austen’s Mansfield Park.
Clare Bucknell is a fellow of All Souls College, Oxford, and hosted the Close Readings series On Satire with Colin Burrow. The Treasuries, her social history of poetry anthologies, was published in 2023.
Thomas Jones is a senior editor at the LRB and host of the LRB Podcast. With Emily Wilson, he hosted the Close Readings series Among the Ancients.
The full list of texts for the series:
Mansfield Park (1814) by Jane Austen
Crotchet Castle (1831) by Thomas Love Peacock
Wuthering Heights (1847) by Emily Brontë
Vanity Fair (1847) by William Makepeace Thackeray
North and South (1854) by Elizabeth Gaskell
Aurora Leigh (1856) by Elizabeth Barrett Browning
Anthony Trollope (TBD)
Mill on the Floss (1860) by George Eliot
Our Mutual Friend (1864) by Charles Dickens
Washington Square (1880)/Portrait of a Lady (1881) by Henry James
Kidnapped (1886) by Robert Louis Stevenson
The Mayor of Casterbridge (1886) by Thomas Hardy
New Grub Street (1891) by George Gissing 
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Clare Bucknell and Thomas Jones introduce their new Close Readings series, Novel Approaches. Joined by a variety of contemporary novelists and critics, they'll be exploring a dozen 19th-century British novels from Mansfield Park to New Grub Street, paying particular (though not exclusive) attention to the themes of money and property.</p><br><p>The first episode will come out on Monday 27 January, on Austen’s <em>Mansfield Park</em>.</p><br><p>Clare Bucknell is a fellow of All Souls College, Oxford, and hosted the Close Readings series On Satire with Colin Burrow. <em>The Treasuries</em>, her social history of poetry anthologies, was published in 2023.</p><br><p>Thomas Jones is a senior editor at the <em>LRB</em> and host of the LRB Podcast. With Emily Wilson, he hosted the Close Readings series Among the Ancients.</p><br><p>The full list of texts for the series:</p><br><p><em>Mansfield Park</em> (1814) by Jane Austen</p><p><em>Crotchet Castle</em> (1831) by Thomas Love Peacock</p><p><em>Wuthering Heights</em> (1847) by Emily Brontë</p><p><em>Vanity Fair</em> (1847) by William Makepeace Thackeray</p><p><em>North and South</em> (1854) by Elizabeth Gaskell</p><p><em>Aurora Leigh</em> (1856) by Elizabeth Barrett Browning</p><p>Anthony Trollope (TBD)</p><p><em>Mill on the Floss</em> (1860) by George Eliot</p><p><em>Our Mutual Friend</em> (1864) by Charles Dickens</p><p><em>Washington Square</em> (1880)/<em>Portrait of a Lady</em> (1881) by Henry James</p><p><em>Kidnapped</em> (1886) by Robert Louis Stevenson</p><p><em>The Mayor of Casterbridge</em> (1886) by Thomas Hardy</p><p><em>New Grub Street</em> (1891) by George Gissing </p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>522</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Introducing ‘Love and Death’</title>
      <link>https://shows.acast.com/close-readings/episodes/6776a9ffa1ad7348eb3e83e6</link>
      <description>Mark Ford and Seamus Perry introduce Love and Death, a new Close Readings series on elegy from the Renaissance to the present day. They discuss why the elegy can be a particularly energising form for poets engaging with their craft and the poetic tradition, and how elegy serves an important role in public grieving, remembering and healing.
The first episode will come out on Monday 20 January, on Milton's ‘Lycidas’.
Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.


 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sat, 04 Jan 2025 12:00:49 -0000</pubDate>
      <itunes:title>Introducing ‘Love and Death’</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>14</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/89b8a8b8-4c5a-11f0-9640-439f154702a2/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Mark Ford and Seamus Perry introduce Love and Death, a new Close Readings series on elegy from the Renaissance to the present day. They discuss why the elegy can be a particularly energising form for poets engaging with their craft and the poetic tradition, and how elegy serves an important role in public grieving, remembering and&amp;nbsp;healing.&lt;/p&gt;&lt;br&gt;&lt;p&gt;The first episode will come out on Monday 20 January, on Milton's&lt;em&gt; &lt;/em&gt;‘Lycidas’.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Mark Ford and Seamus Perry introduce Love and Death, a new Close Readings series on elegy from the Renaissance to the present day. They discuss why the elegy can be a particularly energising form for poets engaging with their craft and the poetic tradition, and how elegy serves an important role in public grieving, remembering and healing.
The first episode will come out on Monday 20 January, on Milton's ‘Lycidas’.
Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.


 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Mark Ford and Seamus Perry introduce Love and Death, a new Close Readings series on elegy from the Renaissance to the present day. They discuss why the elegy can be a particularly energising form for poets engaging with their craft and the poetic tradition, and how elegy serves an important role in public grieving, remembering and healing.</p><br><p>The first episode will come out on Monday 20 January, on Milton's<em> </em>‘Lycidas’.</p><br><p>Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.</p><br><p><br></p><br><p><br></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>358</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6776a9ffa1ad7348eb3e83e6]]></guid>
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    <item>
      <title>Introducing ‘Fiction and the Fantastic’</title>
      <link>https://shows.acast.com/close-readings/episodes/6776a9a5e661dca9eb039cc9</link>
      <description>Marina Warner is joined by Anna Della Subin to introduce Fiction and the Fantastic, a new Close Readings series running through 2025. Marina describes the scope of the series, in which she will also be joined by Adam Thirlwell and Chloe Aridjis. Together, Anna Della and Marina discuss the ways the fiction of wonder and astonishment can challenge social conventions and open up new ways of living.
The first episode will come out on Monday 13 January, on The Thousand and One Nights.
Marina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.
Anna Della Subin’s study of men who unwittingly became deities, Accidental Gods, was published in 2022. She has been writing for the LRB since 2014.
Texts for the first four episodes:
The Thousand and One Nights (Yasmine Seale’s translation)
Jonathan Swift, Gulliver’s Travels
The Travels of Marco Polo (no particular translation) and Italo Calvino, Invisible Cities (William Weaver translation)
Lewis Carroll, Alice’s Adventures in Wonderland and Through the Looking-Glass
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Fri, 03 Jan 2025 12:00:10 -0000</pubDate>
      <itunes:title>Introducing ‘Fiction and the Fantastic’</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>13</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8a0bc264-4c5a-11f0-9640-d325b9ab52a0/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Marina Warner is joined by Anna Della Subin to introduce Fiction and the Fantastic, a new Close Readings series running through 2025. Marina describes the scope of the series, in which she will also be joined by Adam Thirlwell and Chloe Aridjis. Together, Anna Della and Marina discuss the ways the fiction of wonder and astonishment can challenge social conventions and open up new ways of living.&lt;/p&gt;&lt;br&gt;&lt;p&gt;The first episode will come out on Monday 13 January, on &lt;em&gt;The Thousand and One Nights&lt;/em&gt;.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Marina Warner is a writer of history, fiction and criticism whose many books include&amp;nbsp;&lt;em&gt;Stranger Magic, Forms of Enchantment&amp;nbsp;&lt;/em&gt;and&amp;nbsp;&lt;em&gt;Once Upon a Time: A Short History of Fairy Tale.&lt;/em&gt;&amp;nbsp;She was awarded the Holberg Prize in 2015 and is a contributing editor at the&amp;nbsp;&lt;em&gt;LRB&lt;/em&gt;.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Anna Della Subin’s study of men who unwittingly became deities,&amp;nbsp;&lt;em&gt;Accidental Gods&lt;/em&gt;, was published in 2022. She has been writing for the &lt;em&gt;LRB&lt;/em&gt; since&amp;nbsp;2014.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Texts for the first four episodes:&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;em&gt;The Thousand and One Nights&lt;/em&gt;&amp;nbsp;(Yasmine Seale’s translation)&lt;/p&gt;&lt;p&gt;Jonathan Swift,&amp;nbsp;&lt;em&gt;Gulliver’s Travels&lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;em&gt;The Travels of Marco Polo&lt;/em&gt;&amp;nbsp;(no particular translation) and Italo Calvino,&amp;nbsp;&lt;em&gt;Invisible Cities&lt;/em&gt;&amp;nbsp;(William Weaver translation)&lt;/p&gt;&lt;p&gt;Lewis Carroll,&amp;nbsp;&lt;em&gt;Alice’s Adventures in Wonderland&lt;/em&gt;&amp;nbsp;and&amp;nbsp;&lt;em&gt;Through the Looking-Glass&lt;/em&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Marina Warner is joined by Anna Della Subin to introduce Fiction and the Fantastic, a new Close Readings series running through 2025. Marina describes the scope of the series, in which she will also be joined by Adam Thirlwell and Chloe Aridjis. Together, Anna Della and Marina discuss the ways the fiction of wonder and astonishment can challenge social conventions and open up new ways of living.
The first episode will come out on Monday 13 January, on The Thousand and One Nights.
Marina Warner is a writer of history, fiction and criticism whose many books include Stranger Magic, Forms of Enchantment and Once Upon a Time: A Short History of Fairy Tale. She was awarded the Holberg Prize in 2015 and is a contributing editor at the LRB.
Anna Della Subin’s study of men who unwittingly became deities, Accidental Gods, was published in 2022. She has been writing for the LRB since 2014.
Texts for the first four episodes:
The Thousand and One Nights (Yasmine Seale’s translation)
Jonathan Swift, Gulliver’s Travels
The Travels of Marco Polo (no particular translation) and Italo Calvino, Invisible Cities (William Weaver translation)
Lewis Carroll, Alice’s Adventures in Wonderland and Through the Looking-Glass
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Marina Warner is joined by Anna Della Subin to introduce Fiction and the Fantastic, a new Close Readings series running through 2025. Marina describes the scope of the series, in which she will also be joined by Adam Thirlwell and Chloe Aridjis. Together, Anna Della and Marina discuss the ways the fiction of wonder and astonishment can challenge social conventions and open up new ways of living.</p><br><p>The first episode will come out on Monday 13 January, on <em>The Thousand and One Nights</em>.</p><br><p>Marina Warner is a writer of history, fiction and criticism whose many books include <em>Stranger Magic, Forms of Enchantment </em>and <em>Once Upon a Time: A Short History of Fairy Tale.</em> She was awarded the Holberg Prize in 2015 and is a contributing editor at the <em>LRB</em>.</p><br><p>Anna Della Subin’s study of men who unwittingly became deities, <em>Accidental Gods</em>, was published in 2022. She has been writing for the <em>LRB</em> since 2014.</p><br><p>Texts for the first four episodes:</p><br><p><em>The Thousand and One Nights</em> (Yasmine Seale’s translation)</p><p>Jonathan Swift, <em>Gulliver’s Travels</em></p><p><em>The Travels of Marco Polo</em> (no particular translation) and Italo Calvino, <em>Invisible Cities</em> (William Weaver translation)</p><p>Lewis Carroll, <em>Alice’s Adventures in Wonderland</em> and <em>Through the Looking-Glass</em></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>531</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Introducing 'Conversations in Philosophy'</title>
      <link>https://shows.acast.com/close-readings/episodes/6775d80ac6c98a57bb8e382c</link>
      <description>James Wood and Jonathan Rée introduce their new Close Readings series, Conversations in Philosophy, running throughout 2025. They explain the title of the series and why they'll be challenging a hundred years of academic convention by reuniting the worlds of literature and philosophy.

James Wood teaches literature at Harvard University and is a staff writer for The New Yorker as well as a contributor to the London Review of Books. His books include How Fiction Works, The Broken Estate and The Irresponsible Self.

Jonathan Rée is a frequent contributor to the London Review of Books and a freelance writer and philosopher. His most recent book on philosophy is Witcraft: The Invention of Philosophy in English.

The full list of texts for the series:

Søren Kierkegaard, Fear and Trembling

Ludwig Feuerbach, Essence of Christianity, translated by George Eliot

Ralph Waldo Emerson, ‘Circles’ and other essays

John Stuart Mill, An Autobiography

F.H. Bradley, ‘My station and its duties’

Friedrich Nietzsche, ‘Schopenhauer as Educator’

William James ‘The Will to Believe’

Martin Heidegger, ‘The Thing’

Jean-Paul Sartre, Theory of the Emotions

Simone de Beauvoir, Ethics of Ambiguity

Albert Camus, The Fall

Iris Murdoch, Sovereignty of Good 

Virginia Woolf, To the Lighthouse </description>
      <pubDate>Thu, 02 Jan 2025 12:00:00 -0000</pubDate>
      <itunes:title>Introducing 'Conversations in Philosophy'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>12</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8a5de102-4c5a-11f0-9640-f7358db1c67b/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;James Wood and Jonathan Rée introduce their new Close Readings series, Conversations in Philosophy, running throughout 2025. They explain the title of the series and why they'll be challenging a hundred years of academic convention by reuniting the worlds of literature and philosophy.&lt;/p&gt;&lt;br&gt;&lt;p&gt;The first episode will come out on Monday 6 January, on Kierkegaard's&lt;em&gt; Fear and Trembling&lt;/em&gt;.&lt;/p&gt;&lt;br&gt;&lt;p&gt;James Wood teaches literature at Harvard University and is a staff writer for &lt;em&gt;The New Yorker&lt;/em&gt; as well as a contributor to the &lt;em&gt;London Review of Books&lt;/em&gt;. His books include &lt;em&gt;How Fiction Works, The Broken Estate and The Irresponsible Self&lt;/em&gt;.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Jonathan Rée is a frequent contributor to the &lt;em&gt;London Review of Books&lt;/em&gt; and a freelance writer and philosopher. His most recent book on philosophy is &lt;em&gt;Witcraft: The Invention of Philosophy in English.&lt;/em&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;The full list of texts for the series:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Søren&amp;nbsp;Kierkegaard,&amp;nbsp;&lt;em&gt;Fear and Trembling&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Ludwig&amp;nbsp;Feuerbach,&amp;nbsp;&lt;em&gt;Essence of Christianity&lt;/em&gt;, translated by George Eliot&lt;/p&gt;&lt;p&gt;Ralph Waldo Emerson, ‘Circles’ and other essays&lt;/p&gt;&lt;p&gt;John Stuart Mill,&amp;nbsp;&lt;em&gt;An Autobiography&lt;/em&gt;&lt;/p&gt;&lt;p&gt;F.H. Bradley, ‘My station and its duties’&lt;/p&gt;&lt;p&gt;Friedrich Nietzsche, ‘Schopenhauer as Educator’&lt;/p&gt;&lt;p&gt;William James ‘The Will to Believe’&lt;/p&gt;&lt;p&gt;Martin Heidegger, ‘The Thing’&lt;/p&gt;&lt;p&gt;Jean-Paul&amp;nbsp;Sartre,&amp;nbsp;&lt;em&gt;Theory of the Emotions&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Simone de Beauvoir,&amp;nbsp;&lt;em&gt;Ethics of Ambiguity&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Albert Camus,&amp;nbsp;&lt;em&gt;The Fall&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Iris Murdoch,&amp;nbsp;&lt;em&gt;Sovereignty of Good&lt;/em&gt;&amp;nbsp;&lt;/p&gt;&lt;p&gt;Virginia Woolf,&amp;nbsp;&lt;em&gt;To the Lighthouse&amp;nbsp;&lt;/em&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>James Wood and Jonathan Rée introduce their new Close Readings series, Conversations in Philosophy, running throughout 2025. They explain the title of the series and why they'll be challenging a hundred years of academic convention by reuniting the worlds of literature and philosophy.

James Wood teaches literature at Harvard University and is a staff writer for The New Yorker as well as a contributor to the London Review of Books. His books include How Fiction Works, The Broken Estate and The Irresponsible Self.

Jonathan Rée is a frequent contributor to the London Review of Books and a freelance writer and philosopher. His most recent book on philosophy is Witcraft: The Invention of Philosophy in English.

The full list of texts for the series:

Søren Kierkegaard, Fear and Trembling

Ludwig Feuerbach, Essence of Christianity, translated by George Eliot

Ralph Waldo Emerson, ‘Circles’ and other essays

John Stuart Mill, An Autobiography

F.H. Bradley, ‘My station and its duties’

Friedrich Nietzsche, ‘Schopenhauer as Educator’

William James ‘The Will to Believe’

Martin Heidegger, ‘The Thing’

Jean-Paul Sartre, Theory of the Emotions

Simone de Beauvoir, Ethics of Ambiguity

Albert Camus, The Fall

Iris Murdoch, Sovereignty of Good 

Virginia Woolf, To the Lighthouse </itunes:summary>
      <content:encoded>
        <![CDATA[<p>James Wood and Jonathan Rée introduce their new Close Readings series, Conversations in Philosophy, running throughout 2025. They explain the title of the series and why they'll be challenging a hundred years of academic convention by reuniting the worlds of literature and philosophy.</p>
<p>James Wood teaches literature at Harvard University and is a staff writer for <em>The New Yorker</em> as well as a contributor to the <em>London Review of Books</em>. His books include <em>How Fiction Works, The Broken Estate and The Irresponsible Self</em>.</p>
<p>Jonathan Rée is a frequent contributor to the <em>London Review of Books</em> and a freelance writer and philosopher. His most recent book on philosophy is <em>Witcraft: The Invention of Philosophy in English.</em></p>
<p>The full list of texts for the series:</p>
<p>Søren Kierkegaard, <em>Fear and Trembling</em></p>
<p>Ludwig Feuerbach, <em>Essence of Christianity</em>, translated by George Eliot</p>
<p>Ralph Waldo Emerson, ‘Circles’ and other essays</p>
<p>John Stuart Mill, <em>An Autobiography</em></p>
<p>F.H. Bradley, ‘My station and its duties’</p>
<p>Friedrich Nietzsche, ‘Schopenhauer as Educator’</p>
<p>William James ‘The Will to Believe’</p>
<p>Martin Heidegger, ‘The Thing’</p>
<p>Jean-Paul Sartre, <em>Theory of the Emotions</em></p>
<p>Simone de Beauvoir, <em>Ethics of Ambiguity</em></p>
<p>Albert Camus, <em>The Fall</em></p>
<p>Iris Murdoch, <em>Sovereignty of Good</em> </p>
<p>Virginia Woolf, <em>To the Lighthouse </em></p>]]>
      </content:encoded>
      <itunes:duration>560</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6775d80ac6c98a57bb8e382c]]></guid>
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    <item>
      <title>Political Poems: ‘Little Gidding’ by T.S. Eliot</title>
      <link>https://shows.acast.com/close-readings/episodes/6768e57740480c1d955a3099</link>
      <description>In the final episode of Political Poems, Mark and Seamus discuss ‘Little Gidding’, the fourth poem of T.S. Eliot’s Four Quartets. Emerging out of Eliot’s experiences of the Blitz, ‘Little Gidding’ presents us with an apocalyptic vision of purifying fire. Suggesting that humanity can survive warfare only through renewed spiritual unity, Eliot finds a model in Little Gidding, a small village that for a time in the 17th century served as an Anglican commune before its closure under Puritan scrutiny. Mark and Seamus explore how Eliot’s poetics heighten our sense of the liminal and mystical, and how, by ‘scrambling our brains’, Eliot’s brilliant rhetoric subsumes his bizarre politics.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/4dbjbjG
In other podcast apps: https://lrb.me/closereadings
Further reading in the LRB:
Frank Kermode: Disintegration
https://www.lrb.co.uk/the-paper/v16/n02/frank-kermode/disintegration
Helen Thaventhiran: Things Ill Done and Undone
https://www.lrb.co.uk/the-paper/v44/n17/helen-thaventhiran/things-ill-done-and-undone
Tobias Gregory: By All Possible Art
https://www.lrb.co.uk/the-paper/v36/n24/tobias-gregory/by-all-possible-art
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sat, 28 Dec 2024 06:00:39 -0000</pubDate>
      <itunes:title>Political Poems: ‘Little Gidding’ by T.S. Eliot</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>11</itunes:season>
      <itunes:episode>12</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8ab19400-4c5a-11f0-9640-c782e78cb183/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the final episode of Political Poems, Mark and Seamus discuss ‘Little Gidding’, the fourth poem of T.S. Eliot’s&amp;nbsp;&lt;em&gt;Four Quartets&lt;/em&gt;. Emerging out of Eliot’s experiences of the Blitz, ‘Little Gidding’ presents us with an apocalyptic vision of purifying fire. Suggesting that humanity can survive warfare only through renewed spiritual unity, Eliot finds a model in Little Gidding, a small village that for a time in the 17th century served as an Anglican commune before its closure under Puritan scrutiny. Mark and Seamus explore how Eliot’s poetics heighten our sense of the liminal and mystical, and how, by ‘scrambling our brains’, Eliot’s brilliant rhetoric subsumes his bizarre politics.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/4dbjbjG" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/4dbjbjG&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/closereadings&amp;nbsp;" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading in the&amp;nbsp;&lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Frank Kermode: Disintegration&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v16/n02/frank-kermode/disintegration" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v16/n02/frank-kermode/disintegration&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Helen Thaventhiran: Things Ill Done and Undone&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v44/n17/helen-thaventhiran/things-ill-done-and-undone" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v44/n17/helen-thaventhiran/things-ill-done-and-undone&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Tobias Gregory: By All Possible Art&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v36/n24/tobias-gregory/by-all-possible-art" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v36/n24/tobias-gregory/by-all-possible-art&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the final episode of Political Poems, Mark and Seamus discuss ‘Little Gidding’, the fourth poem of T.S. Eliot’s Four Quartets. Emerging out of Eliot’s experiences of the Blitz, ‘Little Gidding’ presents us with an apocalyptic vision of purifying fire. Suggesting that humanity can survive warfare only through renewed spiritual unity, Eliot finds a model in Little Gidding, a small village that for a time in the 17th century served as an Anglican commune before its closure under Puritan scrutiny. Mark and Seamus explore how Eliot’s poetics heighten our sense of the liminal and mystical, and how, by ‘scrambling our brains’, Eliot’s brilliant rhetoric subsumes his bizarre politics.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/4dbjbjG
In other podcast apps: https://lrb.me/closereadings
Further reading in the LRB:
Frank Kermode: Disintegration
https://www.lrb.co.uk/the-paper/v16/n02/frank-kermode/disintegration
Helen Thaventhiran: Things Ill Done and Undone
https://www.lrb.co.uk/the-paper/v44/n17/helen-thaventhiran/things-ill-done-and-undone
Tobias Gregory: By All Possible Art
https://www.lrb.co.uk/the-paper/v36/n24/tobias-gregory/by-all-possible-art
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the final episode of Political Poems, Mark and Seamus discuss ‘Little Gidding’, the fourth poem of T.S. Eliot’s <em>Four Quartets</em>. Emerging out of Eliot’s experiences of the Blitz, ‘Little Gidding’ presents us with an apocalyptic vision of purifying fire. Suggesting that humanity can survive warfare only through renewed spiritual unity, Eliot finds a model in Little Gidding, a small village that for a time in the 17th century served as an Anglican commune before its closure under Puritan scrutiny. Mark and Seamus explore how Eliot’s poetics heighten our sense of the liminal and mystical, and how, by ‘scrambling our brains’, Eliot’s brilliant rhetoric subsumes his bizarre politics.</p><br><p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p><br><p>Directly in Apple Podcasts: <a href="https://apple.co/4dbjbjG">https://apple.co/4dbjbjG</a></p><br><p>In other podcast apps: <a href="https://lrb.me/closereadings%C2%A0">https://lrb.me/closereadings</a></p><br><p>Further reading in the <em>LRB</em>:</p><br><p>Frank Kermode: Disintegration</p><p><a href="https://www.lrb.co.uk/the-paper/v16/n02/frank-kermode/disintegration">https://www.lrb.co.uk/the-paper/v16/n02/frank-kermode/disintegration</a></p><br><p>Helen Thaventhiran: Things Ill Done and Undone</p><p><a href="https://www.lrb.co.uk/the-paper/v44/n17/helen-thaventhiran/things-ill-done-and-undone">https://www.lrb.co.uk/the-paper/v44/n17/helen-thaventhiran/things-ill-done-and-undone</a></p><br><p>Tobias Gregory: By All Possible Art</p><p><a href="https://www.lrb.co.uk/the-paper/v36/n24/tobias-gregory/by-all-possible-art">https://www.lrb.co.uk/the-paper/v36/n24/tobias-gregory/by-all-possible-art</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>696</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6768e57740480c1d955a3099]]></guid>
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    <item>
      <title>Among the Ancients II: Marcus Aurelius</title>
      <link>https://shows.acast.com/close-readings/episodes/6768e4f1a5aeb35e7cd7e77f</link>
      <description>For their final conversation Among the Ancients, Emily Wilson and Thomas Jones turn to the contradictions of the Roman emperor and Stoic philosopher Marcus Aurelius. Said by Machiavelli to be the last of the ‘five good emperors’ who ruled Rome for most of the second century CE, Marcus oversaw devastating wars on the frontiers, a deadly plague and economic turmoil. The writings known in English as The Meditations, and in Latin as ‘to himself’, were composed in Greek in the last decade of Marcus’ life. They reveal the emperor’s preoccupations with illness, growing old, death and posthumous reputation, as he urges himself not to be troubled by such transient things.
Non-subscribers can hear the full version of this episode with ads. To listen ad-free and in full to other episodes of Among the Ancients II, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq 
In other podcast apps: https://lrb.me/closereadings
Or purchase a gift subscription: https://lrb.me/audiogifts
Further reading in the LRB:
Mary Beard: Was he quite ordinary?
https://www.lrb.co.uk/the-paper/v31/n14/mary-beard/was-he-quite-ordinary
Emily Wilson: I have gorgeous hair
https://www.lrb.co.uk/the-paper/v45/n11/emily-wilson/i-have-gorgeous-hair
Shadi Bartsch: Dying to Make a Point
https://www.lrb.co.uk/the-paper/v29/n22/shadi-bartsch/dying-to-make-a-point
M.F. Burnyeat: Excuses for Madness
https://www.lrb.co.uk/the-paper/v24/n20/m.f.-burnyeat/excuses-for-madness
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Tue, 24 Dec 2024 15:11:19 -0000</pubDate>
      <itunes:title>Among the Ancients II: Marcus Aurelius</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>10</itunes:season>
      <itunes:episode>12</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8b0689b0-4c5a-11f0-9640-93246d34f684/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;For their final conversation Among the Ancients, Emily Wilson and Thomas Jones turn to the contradictions of the Roman emperor and Stoic philosopher Marcus Aurelius. Said by Machiavelli to be the last of the ‘five good emperors’ who ruled Rome for most of the second century CE, Marcus oversaw devastating wars on the frontiers, a deadly plague and economic turmoil. The writings known in English as&amp;nbsp;&lt;em&gt;The Meditations&lt;/em&gt;, and in Latin as ‘to himself’, were composed in Greek in the last decade of Marcus’ life. They reveal the emperor’s preoccupations with illness, growing old, death and posthumous reputation, as he urges himself not to be troubled by such transient things.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers can hear the full version of this episode with ads. To listen ad-free and in full to other episodes of Among the Ancients II, and to all our other&amp;nbsp;Close Readings&amp;nbsp;series, sign up:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Directly in Apple Podcasts:&amp;nbsp;&lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq &lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;In other podcast apps:&amp;nbsp;&lt;a href="https://lrb.me/closereadings" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Or purchase a gift subscription: &lt;a href="https://lrb.me/audiogifts" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/audiogifts&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading in the&amp;nbsp;&lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Mary Beard: Was he quite ordinary?&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v31/n14/mary-beard/was-he-quite-ordinary" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v31/n14/mary-beard/was-he-quite-ordinary&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Emily Wilson: I have gorgeous hair&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v45/n11/emily-wilson/i-have-gorgeous-hair" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v45/n11/emily-wilson/i-have-gorgeous-hair&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Shadi Bartsch: Dying to Make a Point&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v29/n22/shadi-bartsch/dying-to-make-a-point" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v29/n22/shadi-bartsch/dying-to-make-a-point&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;M.F. Burnyeat: Excuses for Madness&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v24/n20/m.f.-burnyeat/excuses-for-madness" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v24/n20/m.f.-burnyeat/excuses-for-madness&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>For their final conversation Among the Ancients, Emily Wilson and Thomas Jones turn to the contradictions of the Roman emperor and Stoic philosopher Marcus Aurelius. Said by Machiavelli to be the last of the ‘five good emperors’ who ruled Rome for most of the second century CE, Marcus oversaw devastating wars on the frontiers, a deadly plague and economic turmoil. The writings known in English as The Meditations, and in Latin as ‘to himself’, were composed in Greek in the last decade of Marcus’ life. They reveal the emperor’s preoccupations with illness, growing old, death and posthumous reputation, as he urges himself not to be troubled by such transient things.
Non-subscribers can hear the full version of this episode with ads. To listen ad-free and in full to other episodes of Among the Ancients II, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq 
In other podcast apps: https://lrb.me/closereadings
Or purchase a gift subscription: https://lrb.me/audiogifts
Further reading in the LRB:
Mary Beard: Was he quite ordinary?
https://www.lrb.co.uk/the-paper/v31/n14/mary-beard/was-he-quite-ordinary
Emily Wilson: I have gorgeous hair
https://www.lrb.co.uk/the-paper/v45/n11/emily-wilson/i-have-gorgeous-hair
Shadi Bartsch: Dying to Make a Point
https://www.lrb.co.uk/the-paper/v29/n22/shadi-bartsch/dying-to-make-a-point
M.F. Burnyeat: Excuses for Madness
https://www.lrb.co.uk/the-paper/v24/n20/m.f.-burnyeat/excuses-for-madness
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For their final conversation Among the Ancients, Emily Wilson and Thomas Jones turn to the contradictions of the Roman emperor and Stoic philosopher Marcus Aurelius. Said by Machiavelli to be the last of the ‘five good emperors’ who ruled Rome for most of the second century CE, Marcus oversaw devastating wars on the frontiers, a deadly plague and economic turmoil. The writings known in English as <em>The Meditations</em>, and in Latin as ‘to himself’, were composed in Greek in the last decade of Marcus’ life. They reveal the emperor’s preoccupations with illness, growing old, death and posthumous reputation, as he urges himself not to be troubled by such transient things.</p><br><p>Non-subscribers can hear the full version of this episode with ads. To listen ad-free and in full to other episodes of Among the Ancients II, and to all our other Close Readings series, sign up:</p><br><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq </a></p><br><p>In other podcast apps: <a href="https://lrb.me/closereadings">https://lrb.me/closereadings</a></p><br><p>Or purchase a gift subscription: <a href="https://lrb.me/audiogifts">https://lrb.me/audiogifts</a></p><br><p>Further reading in the <em>LRB</em>:</p><br><p>Mary Beard: Was he quite ordinary?</p><p><a href="https://www.lrb.co.uk/the-paper/v31/n14/mary-beard/was-he-quite-ordinary">https://www.lrb.co.uk/the-paper/v31/n14/mary-beard/was-he-quite-ordinary</a></p><br><p>Emily Wilson: I have gorgeous hair</p><p><a href="https://www.lrb.co.uk/the-paper/v45/n11/emily-wilson/i-have-gorgeous-hair">https://www.lrb.co.uk/the-paper/v45/n11/emily-wilson/i-have-gorgeous-hair</a></p><br><p>Shadi Bartsch: Dying to Make a Point</p><p><a href="https://www.lrb.co.uk/the-paper/v29/n22/shadi-bartsch/dying-to-make-a-point">https://www.lrb.co.uk/the-paper/v29/n22/shadi-bartsch/dying-to-make-a-point</a></p><br><p>M.F. Burnyeat: Excuses for Madness</p><p><a href="https://www.lrb.co.uk/the-paper/v24/n20/m.f.-burnyeat/excuses-for-madness">https://www.lrb.co.uk/the-paper/v24/n20/m.f.-burnyeat/excuses-for-madness</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>3635</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6768e4f1a5aeb35e7cd7e77f]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB7076872526.mp3?updated=1750261521" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Medieval LOLs: Gwerful Mechain’s ‘Ode to the Vagina’</title>
      <link>https://shows.acast.com/close-readings/episodes/675c26b7a89833ab77e9e898</link>
      <description>For the final episode of their series in search of the medieval sense of humour Irina and Mary look at one of the most remarkable women authors of the Middle Ages, Gwerful Mechain, who lived in Powys in the 15th century. Mechain was part of a lively literary coterie in northeast Wales and in her poem Cywydd y Cedor (‘Ode to the Vagina’) she challenged the conventional approach of her fellow male poets to praise every part of a woman’s body apart from her genitalia. Her witty, combative verses, intended for public performance, deployed a brilliant mastery of the complex metrical tradition of medieval Welsh poetry to discuss the most intimate physical experiences.
Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series including Mary and Irina's twelve-part series Medieval Beginnings, sign up:
Directly in Apple Podcasts: https://lrb.me/medlolapplesignup
In other podcast apps: https://lrb.me/medlolscsignup
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Wed, 18 Dec 2024 10:02:01 -0000</pubDate>
      <itunes:title>Medieval LOLs: Gwerful Mechain’s ‘Ode to the Vagina’</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>9</itunes:season>
      <itunes:episode>12</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8b541ee6-4c5a-11f0-9640-a3eb86b1036b/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;For the final episode of their series in search of the medieval sense of humour Irina and Mary look at one of the most remarkable women authors of the Middle Ages, Gwerful Mechain, who lived in Powys in the 15th century. Mechain was part of a lively literary coterie in northeast Wales and in her poem&amp;nbsp;&lt;em&gt;Cywydd y Cedor&lt;/em&gt;&amp;nbsp;(‘Ode to the Vagina’) she challenged the conventional approach of her fellow male poets to praise every part of a woman’s body apart from her genitalia. Her witty, combative verses, intended for public performance, deployed a brilliant mastery of the complex metrical tradition of medieval Welsh poetry to discuss the most intimate physical experiences.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series including Mary and Irina's twelve-part series &lt;em&gt;Medieval Beginnings&lt;/em&gt;, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/medlolapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/medlolapplesignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/medlolscsignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/medlolscsignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>For the final episode of their series in search of the medieval sense of humour Irina and Mary look at one of the most remarkable women authors of the Middle Ages, Gwerful Mechain, who lived in Powys in the 15th century. Mechain was part of a lively literary coterie in northeast Wales and in her poem Cywydd y Cedor (‘Ode to the Vagina’) she challenged the conventional approach of her fellow male poets to praise every part of a woman’s body apart from her genitalia. Her witty, combative verses, intended for public performance, deployed a brilliant mastery of the complex metrical tradition of medieval Welsh poetry to discuss the most intimate physical experiences.
Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series including Mary and Irina's twelve-part series Medieval Beginnings, sign up:
Directly in Apple Podcasts: https://lrb.me/medlolapplesignup
In other podcast apps: https://lrb.me/medlolscsignup
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For the final episode of their series in search of the medieval sense of humour Irina and Mary look at one of the most remarkable women authors of the Middle Ages, Gwerful Mechain, who lived in Powys in the 15th century. Mechain was part of a lively literary coterie in northeast Wales and in her poem <em>Cywydd y Cedor</em> (‘Ode to the Vagina’) she challenged the conventional approach of her fellow male poets to praise every part of a woman’s body apart from her genitalia. Her witty, combative verses, intended for public performance, deployed a brilliant mastery of the complex metrical tradition of medieval Welsh poetry to discuss the most intimate physical experiences.</p><br><p>Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series including Mary and Irina's twelve-part series <em>Medieval Beginnings</em>, sign up:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/medlolapplesignup">https://lrb.me/medlolapplesignup</a></p><p>In other podcast apps: <a href="https://lrb.me/medlolscsignup">https://lrb.me/medlolscsignup</a></p><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
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      <itunes:duration>690</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Coming next year on Close Readings</title>
      <link>https://shows.acast.com/close-readings/episodes/675c7a2e27740406d86576f8</link>
      <description>As our Close Readings series come to an end this year, you’re probably wondering what’s coming in 2025. We’re delighted to announce there’ll be four new series starting in January:
‘Conversations in Philosophy’ with Jonathan Rée and James Wood
Jonathan and James challenge a hundred years of academic convention by reuniting the worlds of philosophy and literature, as they consider how style, narrative, and the expression of ideas play through philosophical writers including Kierkegaard, Mill, Nietzsche, Woolf, Beauvoir and Camus.
Reading list here:
https://lrb.supportingcast.fm/posts/conversations-in-philosophy
‘Fiction and the Fantastic’ with Marina Warner, Anna Della Subin, Adam Thirlwell and Chloe Aridjis.
Marina and guests will traverse the great parallel tradition of the literature of astonishment and wonder, dread and hope, from the 1001 Nights to Ursula K. Le Guin.
Reading list here:
https://lrb.supportingcast.fm/posts/fiction-and-the-fantastic
‘Love and Death’ with Seamus Perry and Mark Ford
Mark and Seamus explore the oscillating power of outrage and grief, bitterness and consolation, in poetry in English from the Renaissance to the present day. Their series will consider the elegies of Milton, Hardy, Bishop, Plath and others at their most intimate and expressive.
Reading list here:
https://lrb.supportingcast.fm/posts/love-and-death
‘Novel Approaches’ with Clare Bucknell, Thomas Jones and other guests
Clare, Tom and guests discuss a selection of 19th-century (mostly) English novels from Mansfield Park to New Grub Street, looking in particular at the roles played in the books by money and property.
Reading list here:
https://lrb.supportingcast.fm/posts/novel-approaches
And the subscription will continue to include access to all our past Close Readings series.
If you're not already a subscriber, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
GIFTS
If you enjoy Close Readings, why not give it to another book lover in your life?
Find our audio gifts here: https://lrb.supportingcast.fm/gifts
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Mon, 16 Dec 2024 14:10:46 -0000</pubDate>
      <itunes:title>Coming next year on Close Readings</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8bc85842-4c5a-11f0-9640-ebd4aafc2aa4/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;As our Close Readings series come to an end this year, you’re probably wondering what’s coming in 2025. We’re delighted to announce there’ll be four new series starting in January:&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;u&gt;‘Conversations in Philosophy’ with Jonathan Rée and James Wood&lt;/u&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Jonathan and James challenge a hundred years of academic convention by reuniting the worlds of philosophy and literature, as they consider how style, narrative, and the expression of ideas play through philosophical writers including Kierkegaard, Mill, Nietzsche, Woolf, Beauvoir and Camus.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Reading list here:&lt;/p&gt;&lt;p&gt;&lt;a href="https://lrb.supportingcast.fm/posts/conversations-in-philosophy" rel="noopener noreferrer" target="_blank"&gt;https://lrb.supportingcast.fm/posts/conversations-in-philosophy&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;u&gt;‘Fiction and the Fantastic’ with Marina Warner, Anna Della Subin, Adam Thirlwell and Chloe Aridjis.&lt;/u&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Marina and guests will traverse the great parallel tradition of the literature of astonishment and wonder, dread and hope, from the &lt;em&gt;1001 Nights&lt;/em&gt; to Ursula K. Le Guin.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Reading list here:&lt;/p&gt;&lt;p&gt;&lt;a href="https://lrb.supportingcast.fm/posts/fiction-and-the-fantastic" rel="noopener noreferrer" target="_blank"&gt;https://lrb.supportingcast.fm/posts/fiction-and-the-fantastic&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;u&gt;‘Love and Death’ with Seamus Perry and Mark Ford&lt;/u&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Mark and Seamus explore the oscillating power of outrage and grief, bitterness and consolation, in poetry in English from the Renaissance to the present day. Their series will consider the elegies of Milton, Hardy, Bishop, Plath and others at their most intimate and expressive.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Reading list here:&lt;/p&gt;&lt;p&gt;&lt;a href="https://lrb.supportingcast.fm/posts/love-and-death" rel="noopener noreferrer" target="_blank"&gt;https://lrb.supportingcast.fm/posts/love-and-death&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;u&gt;‘Novel Approaches’ with Clare Bucknell, Thomas Jones and other guests&lt;/u&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Clare, Tom and guests discuss a selection of 19th-century (mostly) English novels from &lt;em&gt;Mansfield Park&lt;/em&gt; to &lt;em&gt;New Grub Street&lt;/em&gt;, looking in particular at the roles played in the books by money and property.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Reading list here:&lt;/p&gt;&lt;p&gt;&lt;a href="https://lrb.supportingcast.fm/posts/novel-approaches" rel="noopener noreferrer" target="_blank"&gt;https://lrb.supportingcast.fm/posts/novel-approaches&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;And the subscription will continue to include access to all our past Close Readings series.&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;strong&gt;&lt;u&gt;If you're not already a subscriber, sign up:&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/closereadings" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;strong&gt;&lt;u&gt;GIFTS&lt;/u&gt;&lt;/strong&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;If you enjoy Close Readings, why not give it to another book lover in your life?&lt;/p&gt;&lt;br&gt;&lt;p&gt;Find our audio gifts here: &lt;a href="https://lrb.supportingcast.fm/gifts" rel="noopener noreferrer" target="_blank"&gt;https://lrb.supportingcast.fm/gifts&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>As our Close Readings series come to an end this year, you’re probably wondering what’s coming in 2025. We’re delighted to announce there’ll be four new series starting in January:
‘Conversations in Philosophy’ with Jonathan Rée and James Wood
Jonathan and James challenge a hundred years of academic convention by reuniting the worlds of philosophy and literature, as they consider how style, narrative, and the expression of ideas play through philosophical writers including Kierkegaard, Mill, Nietzsche, Woolf, Beauvoir and Camus.
Reading list here:
https://lrb.supportingcast.fm/posts/conversations-in-philosophy
‘Fiction and the Fantastic’ with Marina Warner, Anna Della Subin, Adam Thirlwell and Chloe Aridjis.
Marina and guests will traverse the great parallel tradition of the literature of astonishment and wonder, dread and hope, from the 1001 Nights to Ursula K. Le Guin.
Reading list here:
https://lrb.supportingcast.fm/posts/fiction-and-the-fantastic
‘Love and Death’ with Seamus Perry and Mark Ford
Mark and Seamus explore the oscillating power of outrage and grief, bitterness and consolation, in poetry in English from the Renaissance to the present day. Their series will consider the elegies of Milton, Hardy, Bishop, Plath and others at their most intimate and expressive.
Reading list here:
https://lrb.supportingcast.fm/posts/love-and-death
‘Novel Approaches’ with Clare Bucknell, Thomas Jones and other guests
Clare, Tom and guests discuss a selection of 19th-century (mostly) English novels from Mansfield Park to New Grub Street, looking in particular at the roles played in the books by money and property.
Reading list here:
https://lrb.supportingcast.fm/posts/novel-approaches
And the subscription will continue to include access to all our past Close Readings series.
If you're not already a subscriber, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
GIFTS
If you enjoy Close Readings, why not give it to another book lover in your life?
Find our audio gifts here: https://lrb.supportingcast.fm/gifts
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As our Close Readings series come to an end this year, you’re probably wondering what’s coming in 2025. We’re delighted to announce there’ll be four new series starting in January:</p><br><p><u>‘Conversations in Philosophy’ with Jonathan Rée and James Wood</u></p><br><p>Jonathan and James challenge a hundred years of academic convention by reuniting the worlds of philosophy and literature, as they consider how style, narrative, and the expression of ideas play through philosophical writers including Kierkegaard, Mill, Nietzsche, Woolf, Beauvoir and Camus.</p><br><p>Reading list here:</p><p><a href="https://lrb.supportingcast.fm/posts/conversations-in-philosophy">https://lrb.supportingcast.fm/posts/conversations-in-philosophy</a></p><br><p><u>‘Fiction and the Fantastic’ with Marina Warner, Anna Della Subin, Adam Thirlwell and Chloe Aridjis.</u></p><br><p>Marina and guests will traverse the great parallel tradition of the literature of astonishment and wonder, dread and hope, from the <em>1001 Nights</em> to Ursula K. Le Guin.</p><br><p>Reading list here:</p><p><a href="https://lrb.supportingcast.fm/posts/fiction-and-the-fantastic">https://lrb.supportingcast.fm/posts/fiction-and-the-fantastic</a></p><br><p><u>‘Love and Death’ with Seamus Perry and Mark Ford</u></p><br><p>Mark and Seamus explore the oscillating power of outrage and grief, bitterness and consolation, in poetry in English from the Renaissance to the present day. Their series will consider the elegies of Milton, Hardy, Bishop, Plath and others at their most intimate and expressive.</p><br><p>Reading list here:</p><p><a href="https://lrb.supportingcast.fm/posts/love-and-death">https://lrb.supportingcast.fm/posts/love-and-death</a></p><br><p><u>‘Novel Approaches’ with Clare Bucknell, Thomas Jones and other guests</u></p><br><p>Clare, Tom and guests discuss a selection of 19th-century (mostly) English novels from <em>Mansfield Park</em> to <em>New Grub Street</em>, looking in particular at the roles played in the books by money and property.</p><br><p>Reading list here:</p><p><a href="https://lrb.supportingcast.fm/posts/novel-approaches">https://lrb.supportingcast.fm/posts/novel-approaches</a></p><br><p>And the subscription will continue to include access to all our past Close Readings series.</p><br><p><strong><u>If you're not already a subscriber, sign up:</u></strong></p><br><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/closereadings">https://lrb.me/closereadings</a></p><br><p><strong><u>GIFTS</u></strong></p><br><p>If you enjoy Close Readings, why not give it to another book lover in your life?</p><br><p>Find our audio gifts here: <a href="https://lrb.supportingcast.fm/gifts">https://lrb.supportingcast.fm/gifts</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>162</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Human Conditions: ‘Sister Outsider’ by Audre Lorde</title>
      <link>https://shows.acast.com/close-readings/episodes/67571c84d59c6635eea023b7</link>
      <description>In the final episode of Human Conditions, Brent and Adam turn to Audre Lorde’s Sister Outsider, a collection of prose with exceptional relevance to contemporary grassroots politics. Like Du Bois, Césaire and Baraka, Lorde’s work defies genre: as she argues in this collection, ‘poetry is not a luxury’ but an essential tool for liberation. Throughout her work, Lorde sought to find and articulate new ways of living that encompassed her whole self – as a Black woman, poet, essayist, novelist, mother and lesbian. Brent and Adam discuss Lorde’s radical poetics and politics, and the case for poetry, anger, vulnerability, love and desire as the arsenal of revolution.
This podcast was recorded on 21 August 2024.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
Brent Hayes Edwards is a scholar of African American and Francophone literature and of jazz studies at Columbia University.
Get in touch: podcasts@lrb.co.uk
Further reading and listening in the LRB:
Reni Eddo-Lodge &amp; Sarah Shin: On Audre Lorde
https://www.lrb.co.uk/podcasts-and-videos/podcasts/at-the-bookshop/reni-eddo-lodge-and-sarah-shin-on-audre-lorde-your-silence-will-not-protect-you
Jesse McCarthy &amp; Adam Shatz: Blind Spots
https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/blind-spots
Sean Jacobs: Chop-Chop Spirit
https://www.lrb.co.uk/the-paper/v46/n09/sean-jacobs/chop-chop-spirit
Ange Mlinko: Waiting for the Poetry
https://www.lrb.co.uk/the-paper/v43/n14/ange-mlinko/waiting-for-the-poetry
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Tue, 10 Dec 2024 07:00:13 -0000</pubDate>
      <itunes:title>Human Conditions: ‘Sister Outsider’ by Audre Lorde</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>8</itunes:season>
      <itunes:episode>12</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8c16a434-4c5a-11f0-9640-9b1c30f6f050/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the final episode of&amp;nbsp;&lt;em&gt;Human Conditions&lt;/em&gt;, Brent and Adam turn to Audre Lorde’s&amp;nbsp;&lt;em&gt;Sister Outsider&lt;/em&gt;, a collection of prose with exceptional relevance to contemporary grassroots politics. Like Du Bois, Césaire and Baraka, Lorde’s work defies genre: as she argues in this collection, ‘poetry is not a luxury’ but an essential tool for liberation. Throughout her work, Lorde sought to find and articulate new ways of living that encompassed her whole self – as a Black woman, poet, essayist, novelist, mother and lesbian. Brent and Adam discuss Lorde’s radical poetics and politics, and the case for poetry, anger, vulnerability, love and desire as the arsenal of revolution.&lt;/p&gt;&lt;br&gt;&lt;p&gt;This podcast was recorded on 21 August 2024.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/closereadings" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Brent Hayes Edwards is a scholar of African American and Francophone literature and of jazz studies at Columbia University.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Get in touch: &lt;a href="mailto:podcasts@lrb.co.uk" rel="noopener noreferrer" target="_blank"&gt;podcasts@lrb.co.uk&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading and listening in&amp;nbsp;the&amp;nbsp;&lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Reni Eddo-Lodge &amp;amp; Sarah Shin: On Audre Lorde&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/podcasts-and-videos/podcasts/at-the-bookshop/reni-eddo-lodge-and-sarah-shin-on-audre-lorde-your-silence-will-not-protect-you" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/podcasts-and-videos/podcasts/at-the-bookshop/reni-eddo-lodge-and-sarah-shin-on-audre-lorde-your-silence-will-not-protect-you&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Jesse McCarthy &amp;amp; Adam Shatz: Blind Spots&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/blind-spots" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/blind-spots&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Sean Jacobs: Chop-Chop Spirit&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v46/n09/sean-jacobs/chop-chop-spirit" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v46/n09/sean-jacobs/chop-chop-spirit&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Ange Mlinko: Waiting for the Poetry&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v43/n14/ange-mlinko/waiting-for-the-poetry" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v43/n14/ange-mlinko/waiting-for-the-poetry&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the final episode of Human Conditions, Brent and Adam turn to Audre Lorde’s Sister Outsider, a collection of prose with exceptional relevance to contemporary grassroots politics. Like Du Bois, Césaire and Baraka, Lorde’s work defies genre: as she argues in this collection, ‘poetry is not a luxury’ but an essential tool for liberation. Throughout her work, Lorde sought to find and articulate new ways of living that encompassed her whole self – as a Black woman, poet, essayist, novelist, mother and lesbian. Brent and Adam discuss Lorde’s radical poetics and politics, and the case for poetry, anger, vulnerability, love and desire as the arsenal of revolution.
This podcast was recorded on 21 August 2024.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
Brent Hayes Edwards is a scholar of African American and Francophone literature and of jazz studies at Columbia University.
Get in touch: podcasts@lrb.co.uk
Further reading and listening in the LRB:
Reni Eddo-Lodge &amp; Sarah Shin: On Audre Lorde
https://www.lrb.co.uk/podcasts-and-videos/podcasts/at-the-bookshop/reni-eddo-lodge-and-sarah-shin-on-audre-lorde-your-silence-will-not-protect-you
Jesse McCarthy &amp; Adam Shatz: Blind Spots
https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/blind-spots
Sean Jacobs: Chop-Chop Spirit
https://www.lrb.co.uk/the-paper/v46/n09/sean-jacobs/chop-chop-spirit
Ange Mlinko: Waiting for the Poetry
https://www.lrb.co.uk/the-paper/v43/n14/ange-mlinko/waiting-for-the-poetry
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the final episode of <em>Human Conditions</em>, Brent and Adam turn to Audre Lorde’s <em>Sister Outsider</em>, a collection of prose with exceptional relevance to contemporary grassroots politics. Like Du Bois, Césaire and Baraka, Lorde’s work defies genre: as she argues in this collection, ‘poetry is not a luxury’ but an essential tool for liberation. Throughout her work, Lorde sought to find and articulate new ways of living that encompassed her whole self – as a Black woman, poet, essayist, novelist, mother and lesbian. Brent and Adam discuss Lorde’s radical poetics and politics, and the case for poetry, anger, vulnerability, love and desire as the arsenal of revolution.</p><br><p>This podcast was recorded on 21 August 2024.</p><br><p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/closereadings">https://lrb.me/closereadings</a></p><br><p>Brent Hayes Edwards is a scholar of African American and Francophone literature and of jazz studies at Columbia University.</p><br><p>Get in touch: <a href="mailto:podcasts@lrb.co.uk">podcasts@lrb.co.uk</a></p><br><p>Further reading and listening in the <em>LRB</em>:</p><br><p>Reni Eddo-Lodge &amp; Sarah Shin: On Audre Lorde</p><p><a href="https://www.lrb.co.uk/podcasts-and-videos/podcasts/at-the-bookshop/reni-eddo-lodge-and-sarah-shin-on-audre-lorde-your-silence-will-not-protect-you">https://www.lrb.co.uk/podcasts-and-videos/podcasts/at-the-bookshop/reni-eddo-lodge-and-sarah-shin-on-audre-lorde-your-silence-will-not-protect-you</a></p><br><p>Jesse McCarthy &amp; Adam Shatz: Blind Spots</p><p><a href="https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/blind-spots">https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/blind-spots</a></p><br><p>Sean Jacobs: Chop-Chop Spirit</p><p><a href="https://www.lrb.co.uk/the-paper/v46/n09/sean-jacobs/chop-chop-spirit">https://www.lrb.co.uk/the-paper/v46/n09/sean-jacobs/chop-chop-spirit</a></p><br><p>Ange Mlinko: Waiting for the Poetry</p><p><a href="https://www.lrb.co.uk/the-paper/v43/n14/ange-mlinko/waiting-for-the-poetry">https://www.lrb.co.uk/the-paper/v43/n14/ange-mlinko/waiting-for-the-poetry</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>864</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[67571c84d59c6635eea023b7]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB3668108111.mp3?updated=1750261523" length="0" type="audio/mpeg"/>
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    <item>
      <title>On Satire: 'A Far Cry from Kensington' by Muriel Spark</title>
      <link>https://shows.acast.com/close-readings/episodes/674f312722a0cb38bec8a6b4</link>
      <description>In the final episode of their series, Colin and Clare arrive at Muriel Spark, who would never have considered herself a satirist though her writing was as bitingly satirical as any 20th-century novelist's. A Far Cry from Kensington has a deceptively simple plot: Agnes Hawkins, working for a publisher in London in the 1950s, insults Hector Bartlett, a would-be author, by calling him a ‘pisseur de copie’. Bartlett seeks revenge with the help of Hawkins’s fellow lodger, Wanda, with tragic results. Yet the true plot of any Spark novel is difficult to pin down, not least when the word ‘plot’ is deployed so frequently by her characters to imply conspiracy and misinformation. Colin and Clare discuss Spark’s kaleidoscopic view of reality and the ways in which both Catholicism and Calvinism play through her work.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/4dbjbjG
In other podcast apps: lrb.me/closereadings
Read more in the LRB:
Jenny Turner:
https://www.lrb.co.uk/the-paper/v14/n15/jenny-turner/she-who-can-do-no-wrong
Frank Kermode:
https://www.lrb.co.uk/the-paper/v31/n17/frank-kermode/mistress-of-disappearances
Susan Eilenberg:
https://www.lrb.co.uk/the-paper/v27/n24/susan-eilenberg/complacent-bounty
James Wood:
https://www.lrb.co.uk/the-paper/v22/n17/james-wood/can-this-be-what-happened-to-lord-lucan-after-the-night-of-7-november-1974
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Wed, 04 Dec 2024 08:04:02 -0000</pubDate>
      <itunes:title>On Satire: 'A Far Cry from Kensington' by Muriel Spark</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>7</itunes:season>
      <itunes:episode>12</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8c6ae530-4c5a-11f0-9640-071624b2c390/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the final episode of their series&lt;strong&gt;,&lt;/strong&gt;&amp;nbsp;Colin and Clare arrive at Muriel Spark, who would never have considered herself a satirist though her writing was as bitingly satirical as any 20th-century novelist's.&amp;nbsp;&lt;em&gt;A Far Cry from Kensington&lt;/em&gt;&amp;nbsp;has a deceptively simple plot: Agnes Hawkins, working for a publisher in London in the 1950s, insults Hector Bartlett, a would-be author, by calling him a ‘pisseur de copie’. Bartlett seeks revenge with the help of Hawkins’s fellow lodger, Wanda, with tragic results. Yet the true plot of any Spark novel is difficult to pin down, not least when the word ‘plot’ is deployed so frequently by her characters to imply conspiracy and misinformation. Colin and Clare discuss Spark’s kaleidoscopic view of reality and the ways in which both Catholicism and Calvinism play through her work.&lt;/p&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/4dbjbjG" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/4dbjbjG&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/satiresignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Read more in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Jenny Turner:&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v14/n15/jenny-turner/she-who-can-do-no-wrong" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v14/n15/jenny-turner/she-who-can-do-no-wrong&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Frank Kermode:&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v31/n17/frank-kermode/mistress-of-disappearances" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v31/n17/frank-kermode/mistress-of-disappearances&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Susan Eilenberg:&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v27/n24/susan-eilenberg/complacent-bounty" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v27/n24/susan-eilenberg/complacent-bounty&lt;/a&gt;&lt;/p&gt;&lt;p&gt;James Wood:&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v22/n17/james-wood/can-this-be-what-happened-to-lord-lucan-after-the-night-of-7-november-1974" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v22/n17/james-wood/can-this-be-what-happened-to-lord-lucan-after-the-night-of-7-november-1974&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the final episode of their series, Colin and Clare arrive at Muriel Spark, who would never have considered herself a satirist though her writing was as bitingly satirical as any 20th-century novelist's. A Far Cry from Kensington has a deceptively simple plot: Agnes Hawkins, working for a publisher in London in the 1950s, insults Hector Bartlett, a would-be author, by calling him a ‘pisseur de copie’. Bartlett seeks revenge with the help of Hawkins’s fellow lodger, Wanda, with tragic results. Yet the true plot of any Spark novel is difficult to pin down, not least when the word ‘plot’ is deployed so frequently by her characters to imply conspiracy and misinformation. Colin and Clare discuss Spark’s kaleidoscopic view of reality and the ways in which both Catholicism and Calvinism play through her work.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/4dbjbjG
In other podcast apps: lrb.me/closereadings
Read more in the LRB:
Jenny Turner:
https://www.lrb.co.uk/the-paper/v14/n15/jenny-turner/she-who-can-do-no-wrong
Frank Kermode:
https://www.lrb.co.uk/the-paper/v31/n17/frank-kermode/mistress-of-disappearances
Susan Eilenberg:
https://www.lrb.co.uk/the-paper/v27/n24/susan-eilenberg/complacent-bounty
James Wood:
https://www.lrb.co.uk/the-paper/v22/n17/james-wood/can-this-be-what-happened-to-lord-lucan-after-the-night-of-7-november-1974
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the final episode of their series<strong>,</strong> Colin and Clare arrive at Muriel Spark, who would never have considered herself a satirist though her writing was as bitingly satirical as any 20th-century novelist's. <em>A Far Cry from Kensington</em> has a deceptively simple plot: Agnes Hawkins, working for a publisher in London in the 1950s, insults Hector Bartlett, a would-be author, by calling him a ‘pisseur de copie’. Bartlett seeks revenge with the help of Hawkins’s fellow lodger, Wanda, with tragic results. Yet the true plot of any Spark novel is difficult to pin down, not least when the word ‘plot’ is deployed so frequently by her characters to imply conspiracy and misinformation. Colin and Clare discuss Spark’s kaleidoscopic view of reality and the ways in which both Catholicism and Calvinism play through her work.</p><p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/4dbjbjG">https://apple.co/4dbjbjG</a></p><p>In other podcast apps: <a href="https://lrb.me/satiresignuppod">lrb.me/closereadings</a></p><p>Read more in the <em>LRB</em>:</p><p>Jenny Turner:</p><p><a href="https://www.lrb.co.uk/the-paper/v14/n15/jenny-turner/she-who-can-do-no-wrong">https://www.lrb.co.uk/the-paper/v14/n15/jenny-turner/she-who-can-do-no-wrong</a></p><p>Frank Kermode:</p><p><a href="https://www.lrb.co.uk/the-paper/v31/n17/frank-kermode/mistress-of-disappearances">https://www.lrb.co.uk/the-paper/v31/n17/frank-kermode/mistress-of-disappearances</a></p><p>Susan Eilenberg:</p><p><a href="https://www.lrb.co.uk/the-paper/v27/n24/susan-eilenberg/complacent-bounty">https://www.lrb.co.uk/the-paper/v27/n24/susan-eilenberg/complacent-bounty</a></p><p>James Wood:</p><p><a href="https://www.lrb.co.uk/the-paper/v22/n17/james-wood/can-this-be-what-happened-to-lord-lucan-after-the-night-of-7-november-1974">https://www.lrb.co.uk/the-paper/v22/n17/james-wood/can-this-be-what-happened-to-lord-lucan-after-the-night-of-7-november-1974</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>1034</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[674f312722a0cb38bec8a6b4]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB7456458988.mp3?updated=1750261523" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Political Poems: ‘Station Island’ by Seamus Heaney</title>
      <link>https://shows.acast.com/close-readings/episodes/67472a5887df9e7063a1b9ea</link>
      <description>As an undergraduate, Seamus Heaney visited Station Island several times, an ancient pilgrimage site traditionally associated with St Patrick and purgatory. Decades later, Heaney worked through competing calls for political engagement and his long-lapsed Catholicism in ‘Station Island’, a poem he described as an ‘exorcism’.
A dreamlike reworking of Dante’s Purgatorio, ‘Station Island’ describes Heaney’s encounters with the ghosts of childhood acquaintances, literary heroes and victims of the Troubles. Seamus and Mark explore Heaney’s unusually autobiographical poem, which wrestles with the inescapability of politics.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: 
Directly in Apple Podcasts: https://apple.co/4dbjbjG 
In other podcast apps: lrb.me/closereadings 
Further reading in the LRB:
Paul Muldoon: Sweaney Peregraine
https://www.lrb.co.uk/the-paper/v06/n20/paul-muldoon/sweaney-peregraine
Seamus Perry: We Did and We Didn’t
https://www.lrb.co.uk/the-paper/v43/n09/seamus-perry/we-did-and-we-didn-t
John Kerrigan: Hand and Foot
https://www.lrb.co.uk/the-paper/v21/n11/john-kerrigan/hand-and-foot
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Thu, 28 Nov 2024 07:02:27 -0000</pubDate>
      <itunes:title>Political Poems: ‘Station Island’ by Seamus Heaney</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>11</itunes:season>
      <itunes:episode>11</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8cb88664-4c5a-11f0-9640-e3af00598517/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;As an undergraduate, Seamus Heaney visited Station Island several times, an ancient pilgrimage site traditionally&amp;nbsp;associated with St Patrick and purgatory. Decades later, Heaney worked through competing calls for political engagement and his long-lapsed Catholicism in ‘Station Island’, a poem he described as an ‘exorcism’.&lt;/p&gt;&lt;br&gt;&lt;p&gt;A dreamlike reworking of Dante’s &lt;em&gt;Purgatorio&lt;/em&gt;, ‘Station Island’ describes Heaney’s encounters with the ghosts of childhood acquaintances, literary heroes and victims of the Troubles. Seamus and Mark explore Heaney’s unusually autobiographical poem, which wrestles with the inescapability of politics.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: &lt;/p&gt;&lt;br&gt;&lt;p&gt;Directly in Apple Podcasts: https://apple.co/4dbjbjG &lt;/p&gt;&lt;p&gt;In other podcast apps: lrb.me/closereadings&amp;nbsp;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading in the LRB:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Paul Muldoon: Sweaney Peregraine&lt;/p&gt;&lt;p&gt;https://www.lrb.co.uk/the-paper/v06/n20/paul-muldoon/sweaney-peregraine&lt;/p&gt;&lt;br&gt;&lt;p&gt;Seamus Perry: We Did and We Didn’t&lt;/p&gt;&lt;p&gt;https://www.lrb.co.uk/the-paper/v43/n09/seamus-perry/we-did-and-we-didn-t&lt;/p&gt;&lt;br&gt;&lt;p&gt;John Kerrigan: Hand and Foot&lt;/p&gt;&lt;p&gt;https://www.lrb.co.uk/the-paper/v21/n11/john-kerrigan/hand-and-foot&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>As an undergraduate, Seamus Heaney visited Station Island several times, an ancient pilgrimage site traditionally associated with St Patrick and purgatory. Decades later, Heaney worked through competing calls for political engagement and his long-lapsed Catholicism in ‘Station Island’, a poem he described as an ‘exorcism’.
A dreamlike reworking of Dante’s Purgatorio, ‘Station Island’ describes Heaney’s encounters with the ghosts of childhood acquaintances, literary heroes and victims of the Troubles. Seamus and Mark explore Heaney’s unusually autobiographical poem, which wrestles with the inescapability of politics.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: 
Directly in Apple Podcasts: https://apple.co/4dbjbjG 
In other podcast apps: lrb.me/closereadings 
Further reading in the LRB:
Paul Muldoon: Sweaney Peregraine
https://www.lrb.co.uk/the-paper/v06/n20/paul-muldoon/sweaney-peregraine
Seamus Perry: We Did and We Didn’t
https://www.lrb.co.uk/the-paper/v43/n09/seamus-perry/we-did-and-we-didn-t
John Kerrigan: Hand and Foot
https://www.lrb.co.uk/the-paper/v21/n11/john-kerrigan/hand-and-foot
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As an undergraduate, Seamus Heaney visited Station Island several times, an ancient pilgrimage site traditionally associated with St Patrick and purgatory. Decades later, Heaney worked through competing calls for political engagement and his long-lapsed Catholicism in ‘Station Island’, a poem he described as an ‘exorcism’.</p><br><p>A dreamlike reworking of Dante’s <em>Purgatorio</em>, ‘Station Island’ describes Heaney’s encounters with the ghosts of childhood acquaintances, literary heroes and victims of the Troubles. Seamus and Mark explore Heaney’s unusually autobiographical poem, which wrestles with the inescapability of politics.</p><br><p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: </p><br><p>Directly in Apple Podcasts: https://apple.co/4dbjbjG </p><p>In other podcast apps: lrb.me/closereadings </p><br><p>Further reading in the LRB:</p><br><p>Paul Muldoon: Sweaney Peregraine</p><p>https://www.lrb.co.uk/the-paper/v06/n20/paul-muldoon/sweaney-peregraine</p><br><p>Seamus Perry: We Did and We Didn’t</p><p>https://www.lrb.co.uk/the-paper/v43/n09/seamus-perry/we-did-and-we-didn-t</p><br><p>John Kerrigan: Hand and Foot</p><p>https://www.lrb.co.uk/the-paper/v21/n11/john-kerrigan/hand-and-foot</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>786</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[67472a5887df9e7063a1b9ea]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB9388793172.mp3?updated=1750261524" length="0" type="audio/mpeg"/>
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    <item>
      <title>Among the Ancients II: Apuleius</title>
      <link>https://shows.acast.com/close-readings/episodes/6740b925ec59709ba5143d4d</link>
      <description>Apuleius’ ‘Metamorphoses’, better known as ‘The Golden Ass’, is the only ancient Roman novel to have survived in its entirety. Following the story of Lucius, forced to suffer as a donkey until the goddess Isis intervenes, the novel includes frenetic wordplay, filthy humour and the earliest known version of the Psyche and Cupid myth. In this episode, Tom and Emily discuss Apuleius’ anarchic mix of the high and low brow, and his incisive depiction of the lives of impoverished and enslaved people.
Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Peter Parsons: Ancient Greek Romances
https://www.lrb.co.uk/the-paper/v03/n15/peter-parsons/ancient-greek-romances
Leofranc Holford-Strevens: God’s Will
https://www.lrb.co.uk/the-paper/v25/n10/leofranc-holford-strevens/god-s-will
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sun, 24 Nov 2024 07:00:22 -0000</pubDate>
      <itunes:title>Among the Ancients II: Apuleius</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>10</itunes:season>
      <itunes:episode>11</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8d0807de-4c5a-11f0-9640-cb43624d5506/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Apuleius’&amp;nbsp;‘Metamorphoses’, better known as&amp;nbsp;‘The Golden Ass’, is the only ancient Roman novel to have survived in its entirety. Following the story of Lucius, forced to suffer as a donkey until the goddess Isis intervenes, the novel includes frenetic wordplay, filthy humour and the earliest known version of the Psyche and Cupid myth. In this episode, Tom and Emily discuss Apuleius’ anarchic mix of the high and low brow, and his incisive depiction of the lives of impoverished and enslaved people.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen in full and to our other&amp;nbsp;&lt;em&gt;Close Readings&lt;/em&gt;&amp;nbsp;series, sign up:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Directly in Apple Podcasts:&amp;nbsp;&lt;a href="https://lrb.me/ataapple" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps:&amp;nbsp;&lt;a href="https://lrb.me/atasignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading in the LRB:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Peter Parsons: Ancient Greek Romances&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v03/n15/peter-parsons/ancient-greek-romances" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v03/n15/peter-parsons/ancient-greek-romances&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Leofranc Holford-Strevens: God’s Will&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v25/n10/leofranc-holford-strevens/god-s-will" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v25/n10/leofranc-holford-strevens/god-s-will&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Apuleius’ ‘Metamorphoses’, better known as ‘The Golden Ass’, is the only ancient Roman novel to have survived in its entirety. Following the story of Lucius, forced to suffer as a donkey until the goddess Isis intervenes, the novel includes frenetic wordplay, filthy humour and the earliest known version of the Psyche and Cupid myth. In this episode, Tom and Emily discuss Apuleius’ anarchic mix of the high and low brow, and his incisive depiction of the lives of impoverished and enslaved people.
Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Peter Parsons: Ancient Greek Romances
https://www.lrb.co.uk/the-paper/v03/n15/peter-parsons/ancient-greek-romances
Leofranc Holford-Strevens: God’s Will
https://www.lrb.co.uk/the-paper/v25/n10/leofranc-holford-strevens/god-s-will
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Apuleius’ ‘Metamorphoses’, better known as ‘The Golden Ass’, is the only ancient Roman novel to have survived in its entirety. Following the story of Lucius, forced to suffer as a donkey until the goddess Isis intervenes, the novel includes frenetic wordplay, filthy humour and the earliest known version of the Psyche and Cupid myth. In this episode, Tom and Emily discuss Apuleius’ anarchic mix of the high and low brow, and his incisive depiction of the lives of impoverished and enslaved people.</p><br><p>Non-subscribers will only hear an extract from this episode. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><br><p>Directly in Apple Podcasts: <a href="https://lrb.me/ataapple">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/atasignuppod">lrb.me/closereadings</a></p><br><p>Further reading in the LRB:</p><br><p>Peter Parsons: Ancient Greek Romances</p><p><a href="https://www.lrb.co.uk/the-paper/v03/n15/peter-parsons/ancient-greek-romances">https://www.lrb.co.uk/the-paper/v03/n15/peter-parsons/ancient-greek-romances</a></p><br><p>Leofranc Holford-Strevens: God’s Will</p><p><a href="https://www.lrb.co.uk/the-paper/v25/n10/leofranc-holford-strevens/god-s-will">https://www.lrb.co.uk/the-paper/v25/n10/leofranc-holford-strevens/god-s-will</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>717</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Medieval LOLs: 'Tales of Count Lucanor' by Juan Manuel</title>
      <link>https://shows.acast.com/close-readings/episodes/6739094bcb2eb55da6db1396</link>
      <description>If you’re looking for advice on sustaining a marriage, or robbing a grave, or performing liver surgery, then a series of self-help stories by a 14th-century Spanish prince is a good place to start. Tales of Count Lucanor, written between 1328 and 1335 by Prince Juan Manuel of Villena, is one of the earliest works of Castilian prose. The tales follow the familiar shape of many medieval stories, presented as a kind of medicine to improve the lives of its readers by example. Yet in his preface Manuel makes an unusual assertion about the individuality of all people, a philosophy that, as Mary and Irina discuss in this episode, leads to bizarre and opaque moral messages intended more to make the reader think for themselves than reach a universal conclusion.
Find a translation of the Tales here: https://elfinspell.com/CountLucanor1.html
Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series including Mary and Irina's twelve-part series Medieval Beginnings, sign up:
Directly in Apple Podcasts: https://lrb.me/medlolapplesignup
In other podcast apps: https://lrb.me/medlolscsignup
Get in touch: podcasts@lrb.co.uk

 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Mon, 18 Nov 2024 12:04:47 -0000</pubDate>
      <itunes:title>Medieval LOLs: 'Tales of Count Lucanor' by Juan Manuel</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>9</itunes:season>
      <itunes:episode>11</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8d551e0c-4c5a-11f0-9640-971337f74e5a/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;If you’re looking for advice on sustaining a marriage, or robbing a grave, or performing liver surgery, then a series of self-help stories by a 14th-century Spanish prince is a good place to start. Tales of Count Lucanor, written between 1328 and 1335 by Prince Juan Manuel of Villena, is one of the earliest works of Castilian prose. The tales follow the familiar shape of many medieval stories, presented as a kind of medicine to improve the lives of its readers by example. Yet in his preface Manuel makes an unusual assertion about the individuality of all people, a philosophy that, as Mary and Irina discuss in this episode, leads to bizarre and opaque moral messages intended more to make the reader think for themselves than reach a universal conclusion.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Find a translation of the Tales here: &lt;a href="https://elfinspell.com/CountLucanor1.html" rel="noopener noreferrer" target="_blank"&gt;https://elfinspell.com/CountLucanor1.html&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series including Mary and Irina's twelve-part series &lt;em&gt;Medieval Beginnings&lt;/em&gt;, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/medlolapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/medlolapplesignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/medlolscsignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/medlolscsignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>If you’re looking for advice on sustaining a marriage, or robbing a grave, or performing liver surgery, then a series of self-help stories by a 14th-century Spanish prince is a good place to start. Tales of Count Lucanor, written between 1328 and 1335 by Prince Juan Manuel of Villena, is one of the earliest works of Castilian prose. The tales follow the familiar shape of many medieval stories, presented as a kind of medicine to improve the lives of its readers by example. Yet in his preface Manuel makes an unusual assertion about the individuality of all people, a philosophy that, as Mary and Irina discuss in this episode, leads to bizarre and opaque moral messages intended more to make the reader think for themselves than reach a universal conclusion.
Find a translation of the Tales here: https://elfinspell.com/CountLucanor1.html
Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series including Mary and Irina's twelve-part series Medieval Beginnings, sign up:
Directly in Apple Podcasts: https://lrb.me/medlolapplesignup
In other podcast apps: https://lrb.me/medlolscsignup
Get in touch: podcasts@lrb.co.uk

 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If you’re looking for advice on sustaining a marriage, or robbing a grave, or performing liver surgery, then a series of self-help stories by a 14th-century Spanish prince is a good place to start. Tales of Count Lucanor, written between 1328 and 1335 by Prince Juan Manuel of Villena, is one of the earliest works of Castilian prose. The tales follow the familiar shape of many medieval stories, presented as a kind of medicine to improve the lives of its readers by example. Yet in his preface Manuel makes an unusual assertion about the individuality of all people, a philosophy that, as Mary and Irina discuss in this episode, leads to bizarre and opaque moral messages intended more to make the reader think for themselves than reach a universal conclusion.</p><br><p>Find a translation of the Tales here: <a href="https://elfinspell.com/CountLucanor1.html">https://elfinspell.com/CountLucanor1.html</a></p><br><p>Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series including Mary and Irina's twelve-part series <em>Medieval Beginnings</em>, sign up:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/medlolapplesignup">https://lrb.me/medlolapplesignup</a></p><p>In other podcast apps: <a href="https://lrb.me/medlolscsignup">https://lrb.me/medlolscsignup</a></p><p>Get in touch: podcasts@lrb.co.uk</p><p><br></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>897</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6739094bcb2eb55da6db1396]]></guid>
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    <item>
      <title>Human Conditions: ‘Black Music’ by Amiri Baraka</title>
      <link>https://shows.acast.com/close-readings/episodes/6720f36ffab47fdf260e56d8</link>
      <description>In 'Black Music', a collection of essays, liner notes and interviews from 1959 to 1967, Amiri Baraka captures the ferment, energy and excitement of the avant-garde jazz scene. Published while he still went by LeRoi Jones, it provides a composite picture of Baraka’s evolving thought, aesthetic values and literary experimentation. In this episode, Brent and Adam discuss the ways in which Baraka tackled the challenge of writing about music and his intimate connections to the major players in jazz. Whether you’re familiar with the music or totally new to the New Thing, 'Black Music' is an essential guide to a period of political and artistic upheaval.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Subscribe to Close Readings:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Brent Hayes Edwards is a scholar of African American and Francophone literature and of jazz studies at Columbia University.
Get in touch: podcasts@lrb.co.uk
Further reading in the LRB:
Adam Shatz: The Freedom Principle
https://www.lrb.co.uk/blog/2014/may/the-freedom-principle
Adam Shatz: On Ornette Coleman
https://www.lrb.co.uk/the-paper/v37/n14/adam-shatz/diary
Philip Clark: On Cecil Taylor
https://www.lrb.co.uk/blog/2018/april/cecil-taylor-1929-2018
Ian Penman: Birditis
https://www.lrb.co.uk/the-paper/v36/n02/ian-penman/birditis
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sun, 10 Nov 2024 06:00:03 -0000</pubDate>
      <itunes:title>Human Conditions: ‘Black Music’ by Amiri Baraka</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>8</itunes:season>
      <itunes:episode>11</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8da22a1c-4c5a-11f0-9640-1f426fb8ed96/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In 'Black Music', a collection of essays, liner notes and interviews from 1959 to 1967, Amiri Baraka captures the ferment, energy and excitement of the avant-garde jazz scene. Published while he still went by LeRoi Jones, it provides a composite picture of Baraka’s evolving thought, aesthetic values and literary experimentation. In this episode, Brent and Adam discuss the ways in which Baraka tackled the challenge of writing about music and his intimate connections to the major players in jazz. Whether you’re familiar with the music or totally new to the New Thing, 'Black Music' is an essential guide to a period of political and artistic upheaval.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Subscribe to Close Readings:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Directly in Apple Podcasts: https://apple.co/3pJoFPq&lt;/p&gt;&lt;p&gt;In other podcast apps: lrb.me/closereadings&lt;/p&gt;&lt;br&gt;&lt;p&gt;Brent Hayes Edwards is a scholar of African American and Francophone literature and of jazz studies at Columbia University.&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Adam Shatz: The Freedom Principle&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/blog/2014/may/the-freedom-principle" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/blog/2014/may/the-freedom-principle&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Adam Shatz: On Ornette Coleman&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v37/n14/adam-shatz/diary" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v37/n14/adam-shatz/diary&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Philip Clark: On Cecil Taylor&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/blog/2018/april/cecil-taylor-1929-2018" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/blog/2018/april/cecil-taylor-1929-2018&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Ian Penman: Birditis&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v36/n02/ian-penman/birditis" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v36/n02/ian-penman/birditis&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In 'Black Music', a collection of essays, liner notes and interviews from 1959 to 1967, Amiri Baraka captures the ferment, energy and excitement of the avant-garde jazz scene. Published while he still went by LeRoi Jones, it provides a composite picture of Baraka’s evolving thought, aesthetic values and literary experimentation. In this episode, Brent and Adam discuss the ways in which Baraka tackled the challenge of writing about music and his intimate connections to the major players in jazz. Whether you’re familiar with the music or totally new to the New Thing, 'Black Music' is an essential guide to a period of political and artistic upheaval.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Subscribe to Close Readings:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Brent Hayes Edwards is a scholar of African American and Francophone literature and of jazz studies at Columbia University.
Get in touch: podcasts@lrb.co.uk
Further reading in the LRB:
Adam Shatz: The Freedom Principle
https://www.lrb.co.uk/blog/2014/may/the-freedom-principle
Adam Shatz: On Ornette Coleman
https://www.lrb.co.uk/the-paper/v37/n14/adam-shatz/diary
Philip Clark: On Cecil Taylor
https://www.lrb.co.uk/blog/2018/april/cecil-taylor-1929-2018
Ian Penman: Birditis
https://www.lrb.co.uk/the-paper/v36/n02/ian-penman/birditis
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 'Black Music', a collection of essays, liner notes and interviews from 1959 to 1967, Amiri Baraka captures the ferment, energy and excitement of the avant-garde jazz scene. Published while he still went by LeRoi Jones, it provides a composite picture of Baraka’s evolving thought, aesthetic values and literary experimentation. In this episode, Brent and Adam discuss the ways in which Baraka tackled the challenge of writing about music and his intimate connections to the major players in jazz. Whether you’re familiar with the music or totally new to the New Thing, 'Black Music' is an essential guide to a period of political and artistic upheaval.</p><br><p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p><br><p>Subscribe to Close Readings:</p><br><p>Directly in Apple Podcasts: https://apple.co/3pJoFPq</p><p>In other podcast apps: lrb.me/closereadings</p><br><p>Brent Hayes Edwards is a scholar of African American and Francophone literature and of jazz studies at Columbia University.</p><p>Get in touch: podcasts@lrb.co.uk</p><br><p>Further reading in the <em>LRB</em>:</p><p>Adam Shatz: The Freedom Principle</p><p><a href="https://www.lrb.co.uk/blog/2014/may/the-freedom-principle">https://www.lrb.co.uk/blog/2014/may/the-freedom-principle</a></p><br><p>Adam Shatz: On Ornette Coleman</p><p><a href="https://www.lrb.co.uk/the-paper/v37/n14/adam-shatz/diary">https://www.lrb.co.uk/the-paper/v37/n14/adam-shatz/diary</a></p><br><p>Philip Clark: On Cecil Taylor</p><p><a href="https://www.lrb.co.uk/blog/2018/april/cecil-taylor-1929-2018">https://www.lrb.co.uk/blog/2018/april/cecil-taylor-1929-2018</a></p><br><p>Ian Penman: Birditis</p><p><a href="https://www.lrb.co.uk/the-paper/v36/n02/ian-penman/birditis">https://www.lrb.co.uk/the-paper/v36/n02/ian-penman/birditis</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>1077</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>On Satire: 'A Handful of Dust' by Evelyn Waugh</title>
      <link>https://shows.acast.com/close-readings/episodes/6724b8ee2e75ed434ad6544b</link>
      <description>In 1946 Evelyn Waugh declared that 20th-century society – ‘the century of the common man’, as he put it – was so degenerate that satire was no longer possible. But before reaching that conclusion he had written several novels taking aim at his ‘crazy, sterile generation’ with a sparkling, acerbic and increasingly reactionary wit. In this episode, Colin and Clare look at A Handful of Dust (1934), a disturbingly modernist satire divorced from modernist ideas. They discuss the ways in which Waugh was a disciple of Oscar Wilde, with his belief in the artist as an agent of cultural change, and why he’s at his best when describing the fevered dream of a dying civilisation.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/4dbjbjG
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Seamus Perry:
https://www.lrb.co.uk/the-paper/v45/n16/seamus-perry/isn-t-london-hell
John Bayley:
https://www.lrb.co.uk/the-paper/v16/n20/john-bayley/mr-toad
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Mon, 04 Nov 2024 11:02:50 -0000</pubDate>
      <itunes:title>On Satire: 'A Handful of Dust' by Evelyn Waugh</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>7</itunes:season>
      <itunes:episode>11</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8df27cd8-4c5a-11f0-9640-bb2c6a012b4d/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In 1946 Evelyn Waugh declared that 20th-century society – ‘the century of the common man’, as he put it – was so degenerate that satire was no longer possible. But before reaching that conclusion he had written several novels taking aim at his ‘crazy, sterile generation’ with a sparkling, acerbic and increasingly reactionary wit. In this episode, Colin and Clare look at&amp;nbsp;&lt;em&gt;A Handful of Dust&lt;/em&gt;&amp;nbsp;(1934), a disturbingly modernist satire divorced from modernist ideas. They discuss the ways in which Waugh was a disciple of Oscar Wilde, with his belief in the artist as an agent of cultural change, and why he’s at his best when describing the fevered dream of a dying civilisation.&lt;/p&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/4dbjbjG" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/4dbjbjG&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/satiresignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Further reading in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Seamus Perry:&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v45/n16/seamus-perry/isn-t-london-hell" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v45/n16/seamus-perry/isn-t-london-hell&lt;/a&gt;&lt;/p&gt;&lt;p&gt;John Bayley:&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v16/n20/john-bayley/mr-toad" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v16/n20/john-bayley/mr-toad&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In 1946 Evelyn Waugh declared that 20th-century society – ‘the century of the common man’, as he put it – was so degenerate that satire was no longer possible. But before reaching that conclusion he had written several novels taking aim at his ‘crazy, sterile generation’ with a sparkling, acerbic and increasingly reactionary wit. In this episode, Colin and Clare look at A Handful of Dust (1934), a disturbingly modernist satire divorced from modernist ideas. They discuss the ways in which Waugh was a disciple of Oscar Wilde, with his belief in the artist as an agent of cultural change, and why he’s at his best when describing the fevered dream of a dying civilisation.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/4dbjbjG
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Seamus Perry:
https://www.lrb.co.uk/the-paper/v45/n16/seamus-perry/isn-t-london-hell
John Bayley:
https://www.lrb.co.uk/the-paper/v16/n20/john-bayley/mr-toad
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In 1946 Evelyn Waugh declared that 20th-century society – ‘the century of the common man’, as he put it – was so degenerate that satire was no longer possible. But before reaching that conclusion he had written several novels taking aim at his ‘crazy, sterile generation’ with a sparkling, acerbic and increasingly reactionary wit. In this episode, Colin and Clare look at <em>A Handful of Dust</em> (1934), a disturbingly modernist satire divorced from modernist ideas. They discuss the ways in which Waugh was a disciple of Oscar Wilde, with his belief in the artist as an agent of cultural change, and why he’s at his best when describing the fevered dream of a dying civilisation.</p><p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/4dbjbjG">https://apple.co/4dbjbjG</a></p><p>In other podcast apps: <a href="https://lrb.me/satiresignuppod">lrb.me/closereadings</a></p><p>Further reading in the <em>LRB</em>:</p><p>Seamus Perry:</p><p><a href="https://www.lrb.co.uk/the-paper/v45/n16/seamus-perry/isn-t-london-hell">https://www.lrb.co.uk/the-paper/v45/n16/seamus-perry/isn-t-london-hell</a></p><p>John Bayley:</p><p><a href="https://www.lrb.co.uk/the-paper/v16/n20/john-bayley/mr-toad">https://www.lrb.co.uk/the-paper/v16/n20/john-bayley/mr-toad</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>1013</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6724b8ee2e75ed434ad6544b]]></guid>
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    </item>
    <item>
      <title>Political Poems: 'The Prelude' (books 9 and 10) by William Wordsworth</title>
      <link>https://lrb.me/ppsignup</link>
      <description>Wordsworth was not unusual among Romantic poets for his enthusiastic support of the French Revolution, but he stands apart from his contemporaries for actually being there to see it for himself (‘Thou wert there,’ Coleridge wrote). This episode looks at Wordsworth’s retrospective account of his 1791 visit to France, described in books 9 and 10 of The Prelude, and the ways in which it reveals a passionate commitment to republicanism while recoiling from political extremism. Mark and Seamus discuss why, despite Wordsworth’s claim of being innately republican, discussion of the intellectual underpinnings of the revolution is strangely absent from the poem, which is more often preoccupied with romance and the imagination, particularly in their power to soften zealotry.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/4dbjbjG
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Seamus Perry:
https://www.lrb.co.uk/the-paper/v30/n24/seamus-perry/regrets-vexations-lassitudes
E.P. Thompson
https://www.lrb.co.uk/the-paper/v10/n22/e.p.-thompson/wordsworth-s-crisis
Colin Burrow:
https://www.lrb.co.uk/the-paper/v41/n13/colin-burrow/a-solemn-and-unsexual-man
Marilyn Butler
https://www.lrb.co.uk/the-paper/v05/n12/marilyn-butler/three-feet-on-the-ground
Thomas Keymer
https://www.lrb.co.uk/the-paper/v42/n12/thomas-keymer/after-meditation
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Mon, 28 Oct 2024 10:06:46 -0000</pubDate>
      <itunes:title>Political Poems: 'The Prelude' (books 9 and 10) by William Wordsworth</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>11</itunes:season>
      <itunes:episode>10</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8e426d56-4c5a-11f0-9640-1f31b6af0250/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Wordsworth was not unusual among Romantic poets for his enthusiastic support of the French Revolution, but he stands apart from his contemporaries for actually being there to see it for himself (‘Thou wert there,’ Coleridge wrote). This episode looks at Wordsworth’s retrospective account of his 1791 visit to France, described in books 9 and 10 of&amp;nbsp;&lt;em&gt;The Prelude&lt;/em&gt;, and the ways in which it reveals a passionate commitment to republicanism while recoiling from political extremism. Mark and Seamus discuss why, despite&amp;nbsp;Wordsworth’s claim of being innately republican,&amp;nbsp;discussion of the intellectual underpinnings of the revolution is strangely absent from the poem, which is more often preoccupied with romance and the imagination, particularly in their power to soften zealotry.&lt;/p&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/4dbjbjG" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/4dbjbjG&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/ppsignup" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Further reading in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Seamus Perry:&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v30/n24/seamus-perry/regrets-vexations-lassitudes" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v30/n24/seamus-perry/regrets-vexations-lassitudes&lt;/a&gt;&lt;/p&gt;&lt;p&gt;E.P. Thompson&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v10/n22/e.p.-thompson/wordsworth-s-crisis" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v10/n22/e.p.-thompson/wordsworth-s-crisis&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Colin Burrow:&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v41/n13/colin-burrow/a-solemn-and-unsexual-man" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v41/n13/colin-burrow/a-solemn-and-unsexual-man&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Marilyn Butler&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v05/n12/marilyn-butler/three-feet-on-the-ground" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v05/n12/marilyn-butler/three-feet-on-the-ground&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Thomas Keymer&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v42/n12/thomas-keymer/after-meditation" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v42/n12/thomas-keymer/after-meditation&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Wordsworth was not unusual among Romantic poets for his enthusiastic support of the French Revolution, but he stands apart from his contemporaries for actually being there to see it for himself (‘Thou wert there,’ Coleridge wrote). This episode looks at Wordsworth’s retrospective account of his 1791 visit to France, described in books 9 and 10 of The Prelude, and the ways in which it reveals a passionate commitment to republicanism while recoiling from political extremism. Mark and Seamus discuss why, despite Wordsworth’s claim of being innately republican, discussion of the intellectual underpinnings of the revolution is strangely absent from the poem, which is more often preoccupied with romance and the imagination, particularly in their power to soften zealotry.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/4dbjbjG
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Seamus Perry:
https://www.lrb.co.uk/the-paper/v30/n24/seamus-perry/regrets-vexations-lassitudes
E.P. Thompson
https://www.lrb.co.uk/the-paper/v10/n22/e.p.-thompson/wordsworth-s-crisis
Colin Burrow:
https://www.lrb.co.uk/the-paper/v41/n13/colin-burrow/a-solemn-and-unsexual-man
Marilyn Butler
https://www.lrb.co.uk/the-paper/v05/n12/marilyn-butler/three-feet-on-the-ground
Thomas Keymer
https://www.lrb.co.uk/the-paper/v42/n12/thomas-keymer/after-meditation
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Wordsworth was not unusual among Romantic poets for his enthusiastic support of the French Revolution, but he stands apart from his contemporaries for actually being there to see it for himself (‘Thou wert there,’ Coleridge wrote). This episode looks at Wordsworth’s retrospective account of his 1791 visit to France, described in books 9 and 10 of <em>The Prelude</em>, and the ways in which it reveals a passionate commitment to republicanism while recoiling from political extremism. Mark and Seamus discuss why, despite Wordsworth’s claim of being innately republican, discussion of the intellectual underpinnings of the revolution is strangely absent from the poem, which is more often preoccupied with romance and the imagination, particularly in their power to soften zealotry.</p><p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/4dbjbjG">https://apple.co/4dbjbjG</a></p><p>In other podcast apps: <a href="https://lrb.me/ppsignup">lrb.me/closereadings</a></p><p>Further reading in the <em>LRB</em>:</p><p>Seamus Perry:</p><p><a href="https://www.lrb.co.uk/the-paper/v30/n24/seamus-perry/regrets-vexations-lassitudes">https://www.lrb.co.uk/the-paper/v30/n24/seamus-perry/regrets-vexations-lassitudes</a></p><p>E.P. Thompson</p><p><a href="https://www.lrb.co.uk/the-paper/v10/n22/e.p.-thompson/wordsworth-s-crisis">https://www.lrb.co.uk/the-paper/v10/n22/e.p.-thompson/wordsworth-s-crisis</a></p><p>Colin Burrow:</p><p><a href="https://www.lrb.co.uk/the-paper/v41/n13/colin-burrow/a-solemn-and-unsexual-man">https://www.lrb.co.uk/the-paper/v41/n13/colin-burrow/a-solemn-and-unsexual-man</a></p><p>Marilyn Butler</p><p><a href="https://www.lrb.co.uk/the-paper/v05/n12/marilyn-butler/three-feet-on-the-ground">https://www.lrb.co.uk/the-paper/v05/n12/marilyn-butler/three-feet-on-the-ground</a></p><p>Thomas Keymer</p><p><a href="https://www.lrb.co.uk/the-paper/v42/n12/thomas-keymer/after-meditation">https://www.lrb.co.uk/the-paper/v42/n12/thomas-keymer/after-meditation</a></p><br><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>744</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[671d59ef22be238ac9b0d7c8]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB7189900789.mp3?updated=1750261527" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Among the Ancients II: Juvenal</title>
      <link>https://shows.acast.com/close-readings/episodes/6719581bba9ea08cd87fe1c7</link>
      <description>In this episode, we tackle Juvenal, whose sixteen satires influenced libertines, neoclassicists and early Christian moralists alike. Conservative to a fault, Juvenal’s Satires rails against the rapid expansion and transformation of Roman society in the early principate. But where his contemporary Tacitus handled the same material with restraint, Juvenal’s work explodes with vivid and vicious depictions of urban life, including immigration, sexual mores and eating habits. Emily and Tom explore the idiosyncrasies of Juvenal’s verse and its handling in Peter Green’s translation, and how best to parse his over-the-top hostility to everyone and everything.
Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Remembering Peter Green
https://www.lrb.co.uk/blog/2024/september/peter-green-1924-2024
Claude Rawson: Blistering Attacks
https://www.lrb.co.uk/the-paper/v02/n21/claude-rawson/blistering-attacks
Clare Bucknell &amp; Colin Burrow: What is satire?
https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings/on-satire-what-is-satire
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Thu, 24 Oct 2024 11:48:14 -0000</pubDate>
      <itunes:title>Among the Ancients II: Juvenal</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>10</itunes:season>
      <itunes:episode>10</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8e930838-4c5a-11f0-9640-1f421e1e2441/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In this episode, we tackle Juvenal, whose sixteen satires influenced libertines, neoclassicists and early Christian moralists alike. Conservative to a fault, Juvenal’s&amp;nbsp;&lt;em&gt;Satires&lt;/em&gt;&amp;nbsp;rails against the rapid expansion and transformation of Roman society in the early principate. But where his contemporary Tacitus handled the same material with restraint, Juvenal’s work explodes with vivid and vicious depictions of urban life, including immigration, sexual mores and eating habits. Emily and Tom explore the idiosyncrasies of Juvenal’s verse and its handling in Peter Green’s translation, and how best to parse his over-the-top hostility to everyone and everything.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen in full and to our other&amp;nbsp;&lt;em&gt;Close Readings&lt;/em&gt;&amp;nbsp;series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts:&amp;nbsp;&lt;a href="https://lrb.me/ataapple" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps:&amp;nbsp;&lt;a href="https://lrb.me/atasignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading in the LRB:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Remembering Peter Green&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/blog/2024/september/peter-green-1924-2024" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/blog/2024/september/peter-green-1924-2024&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Claude Rawson: Blistering Attacks&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v02/n21/claude-rawson/blistering-attacks" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v02/n21/claude-rawson/blistering-attacks&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Clare Bucknell &amp;amp; Colin&amp;nbsp;Burrow: What is satire?&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings/on-satire-what-is-satire" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings/on-satire-what-is-satire&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In this episode, we tackle Juvenal, whose sixteen satires influenced libertines, neoclassicists and early Christian moralists alike. Conservative to a fault, Juvenal’s Satires rails against the rapid expansion and transformation of Roman society in the early principate. But where his contemporary Tacitus handled the same material with restraint, Juvenal’s work explodes with vivid and vicious depictions of urban life, including immigration, sexual mores and eating habits. Emily and Tom explore the idiosyncrasies of Juvenal’s verse and its handling in Peter Green’s translation, and how best to parse his over-the-top hostility to everyone and everything.
Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Remembering Peter Green
https://www.lrb.co.uk/blog/2024/september/peter-green-1924-2024
Claude Rawson: Blistering Attacks
https://www.lrb.co.uk/the-paper/v02/n21/claude-rawson/blistering-attacks
Clare Bucknell &amp; Colin Burrow: What is satire?
https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings/on-satire-what-is-satire
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode, we tackle Juvenal, whose sixteen satires influenced libertines, neoclassicists and early Christian moralists alike. Conservative to a fault, Juvenal’s <em>Satires</em> rails against the rapid expansion and transformation of Roman society in the early principate. But where his contemporary Tacitus handled the same material with restraint, Juvenal’s work explodes with vivid and vicious depictions of urban life, including immigration, sexual mores and eating habits. Emily and Tom explore the idiosyncrasies of Juvenal’s verse and its handling in Peter Green’s translation, and how best to parse his over-the-top hostility to everyone and everything.</p><br><p>Non-subscribers will only hear an extract from this episode. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ataapple">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/atasignuppod">lrb.me/closereadings</a></p><br><p>Further reading in the LRB:</p><br><p>Remembering Peter Green</p><p><a href="https://www.lrb.co.uk/blog/2024/september/peter-green-1924-2024">https://www.lrb.co.uk/blog/2024/september/peter-green-1924-2024</a></p><br><p>Claude Rawson: Blistering Attacks</p><p><a href="https://www.lrb.co.uk/the-paper/v02/n21/claude-rawson/blistering-attacks">https://www.lrb.co.uk/the-paper/v02/n21/claude-rawson/blistering-attacks</a></p><br><p>Clare Bucknell &amp; Colin Burrow: What is satire?</p><p><a href="https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings/on-satire-what-is-satire">https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings/on-satire-what-is-satire</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>890</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Medieval LOLs: Boccaccio’s ‘Decameron’, Part Two</title>
      <link>https://shows.acast.com/close-readings/episodes/67112a834d9a7db35ef17a06</link>
      <description>Mary and Irina resume their discussion of Boccaccio’s Decameron, focusing on three stories of female agency, deception and desire. Alibech, an aspiring hermitess, is tricked into indulging her powerful sexual urges; Petronella combines business and pleasure at the expense of her husband and lover; while Lydia demonstrates her devotion by killing hawks and pulling teeth. As Mary and Irina discuss, these stories exemplify the ambiguous depiction of women in the Decameron, where the world is powered by rapacious female lusts, sex has no consequences and conventional morality is suspended.
Read more on the Decameron in the LRB: https://lrb.me/decameronpod
Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series including Mary and Irina's twelve-part series Medieval Beginnings, sign up:
Directly in Apple Podcasts: https://lrb.me/medlolapplesignup
In other podcast apps: https://lrb.me/medlolscsignup
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Fri, 18 Oct 2024 05:00:20 -0000</pubDate>
      <itunes:title>Medieval LOLs: Boccaccio’s ‘Decameron’, Part Two</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>9</itunes:season>
      <itunes:episode>10</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8eed5d2e-4c5a-11f0-9640-c7747b93fdeb/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Mary and Irina resume their discussion of Boccaccio’s&lt;em&gt;&amp;nbsp;Decameron&lt;/em&gt;, focusing on three stories of female agency, deception and desire. Alibech, an aspiring hermitess, is tricked into indulging her powerful sexual urges; Petronella combines business and pleasure at the expense of her husband and lover; while Lydia demonstrates her devotion by killing hawks and pulling teeth. As Mary and Irina discuss, these stories exemplify the ambiguous depiction of women in the&amp;nbsp;&lt;em&gt;Decameron&lt;/em&gt;, where the world is powered by rapacious female lusts, sex has no consequences and conventional morality is suspended.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Read more on the &lt;em&gt;Decameron &lt;/em&gt;in the &lt;em&gt;LRB&lt;/em&gt;: &lt;a href="https://lrb.me/decameronpod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/decameronpod&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series including Mary and Irina's twelve-part series &lt;em&gt;Medieval Beginnings&lt;/em&gt;, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/medlolapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/medlolapplesignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/medlolscsignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/medlolscsignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Mary and Irina resume their discussion of Boccaccio’s Decameron, focusing on three stories of female agency, deception and desire. Alibech, an aspiring hermitess, is tricked into indulging her powerful sexual urges; Petronella combines business and pleasure at the expense of her husband and lover; while Lydia demonstrates her devotion by killing hawks and pulling teeth. As Mary and Irina discuss, these stories exemplify the ambiguous depiction of women in the Decameron, where the world is powered by rapacious female lusts, sex has no consequences and conventional morality is suspended.
Read more on the Decameron in the LRB: https://lrb.me/decameronpod
Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series including Mary and Irina's twelve-part series Medieval Beginnings, sign up:
Directly in Apple Podcasts: https://lrb.me/medlolapplesignup
In other podcast apps: https://lrb.me/medlolscsignup
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Mary and Irina resume their discussion of Boccaccio’s<em> Decameron</em>, focusing on three stories of female agency, deception and desire. Alibech, an aspiring hermitess, is tricked into indulging her powerful sexual urges; Petronella combines business and pleasure at the expense of her husband and lover; while Lydia demonstrates her devotion by killing hawks and pulling teeth. As Mary and Irina discuss, these stories exemplify the ambiguous depiction of women in the <em>Decameron</em>, where the world is powered by rapacious female lusts, sex has no consequences and conventional morality is suspended.</p><br><p>Read more on the <em>Decameron </em>in the <em>LRB</em>: <a href="https://lrb.me/decameronpod">https://lrb.me/decameronpod</a></p><br><p>Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series including Mary and Irina's twelve-part series <em>Medieval Beginnings</em>, sign up:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/medlolapplesignup">https://lrb.me/medlolapplesignup</a></p><p>In other podcast apps: <a href="https://lrb.me/medlolscsignup">https://lrb.me/medlolscsignup</a></p><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>929</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Human Conditions: ‘Discourse on Colonialism’ by Aimé Césaire</title>
      <link>https://shows.acast.com/close-readings/episodes/66f5780b337e6a756fd5599e</link>
      <description>Brent Hayes Edwards talks to Adam about Aimé Césaire's 1950 essay Discourse on Colonialism, a groundbreaking work of 20th-century anti-colonial thought and a precursor to the writings of Césaire's protégé, Frantz Fanon. Césaire was Martinique’s most influential poet and one of its most prominent politicians as a deputy in the French National Assembly, and his Discourse is addressed directly at his country’s colonisers. Adam and Brent consider Césaire’s poetry alongside his political arguments and the particular characteristics of his version of négritude, the far-reaching movement of black consciousness he founded with Léopold Sédar Senghor and Léon Damas.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Subscribe to Close Readings:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Brent Hayes Edwards is a scholar of African American and Francophone literature and of jazz studies at Columbia University.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Thu, 10 Oct 2024 06:00:22 -0000</pubDate>
      <itunes:title>Human Conditions: ‘Discourse on Colonialism’ by Aimé Césaire</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>8</itunes:season>
      <itunes:episode>10</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8f43d51e-4c5a-11f0-9640-5feebdf84e1f/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Brent Hayes Edwards talks to Adam about Aimé Césaire's 1950 essay &lt;em&gt;Discourse on Colonialism&lt;/em&gt;, a groundbreaking work of 20th-century anti-colonial thought and a precursor to the writings of Césaire's protégé, Frantz Fanon. Césaire was Martinique’s most influential poet and one of its most prominent politicians as a deputy in the French National Assembly, and his &lt;em&gt;Discourse&lt;/em&gt; is addressed directly at his country’s colonisers. Adam and Brent consider Césaire’s poetry alongside his political arguments and the particular characteristics of his version of négritude, the far-reaching movement of black consciousness he founded with Léopold Sédar Senghor and Léon Damas.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:&lt;/p&gt;&lt;p&gt;Subscribe to Close Readings:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/hcapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/conditionssignup" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Brent Hayes Edwards is a scholar of African American and Francophone literature and of jazz studies at Columbia University.&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Brent Hayes Edwards talks to Adam about Aimé Césaire's 1950 essay Discourse on Colonialism, a groundbreaking work of 20th-century anti-colonial thought and a precursor to the writings of Césaire's protégé, Frantz Fanon. Césaire was Martinique’s most influential poet and one of its most prominent politicians as a deputy in the French National Assembly, and his Discourse is addressed directly at his country’s colonisers. Adam and Brent consider Césaire’s poetry alongside his political arguments and the particular characteristics of his version of négritude, the far-reaching movement of black consciousness he founded with Léopold Sédar Senghor and Léon Damas.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Subscribe to Close Readings:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Brent Hayes Edwards is a scholar of African American and Francophone literature and of jazz studies at Columbia University.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Brent Hayes Edwards talks to Adam about Aimé Césaire's 1950 essay <em>Discourse on Colonialism</em>, a groundbreaking work of 20th-century anti-colonial thought and a precursor to the writings of Césaire's protégé, Frantz Fanon. Césaire was Martinique’s most influential poet and one of its most prominent politicians as a deputy in the French National Assembly, and his <em>Discourse</em> is addressed directly at his country’s colonisers. Adam and Brent consider Césaire’s poetry alongside his political arguments and the particular characteristics of his version of négritude, the far-reaching movement of black consciousness he founded with Léopold Sédar Senghor and Léon Damas.</p><br><p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p><p>Subscribe to Close Readings:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/hcapplesignup">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/conditionssignup">lrb.me/closereadings</a></p><br><p>Brent Hayes Edwards is a scholar of African American and Francophone literature and of jazz studies at Columbia University.</p><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>827</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>On Satire: 'The Importance of Being Earnest' by Oscar Wilde</title>
      <link>https://lrb.me/satiresignuppod</link>
      <description>By the end of 1895 Oscar Wilde’s life was in ruins as he sat in Reading Gaol facing public disgrace, bankruptcy and, two years later, exile. Just ten months earlier the premiere of The Importance of Being Earnest at St James’s Theatre in London had been greeted rapturously by both the audience and critics. In this episode Colin and Clare consider what Wilde was trying do with his comedy, written on the cusp of this dark future. The ‘strange mixture of romance and finance’ Wilde observed in the letters of his lover, Alfred Douglas, could equally be applied to Earnest, and the satire of Jane Austen before it, but is it right to think of Wilde’s play as satirical? His characters are presented in an ethical vacuum, stripped of any good or bad qualities, but ultimately seem to demonstrate the impossibility of living a purely aesthetic life free from conventional morality.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/4dbjbjG
In other podcast apps: lrb.me/closereadings
Read more in the LRB:
Colm Tóibín on Wilde's letters: https://www.lrb.co.uk/the-paper/v23/n08/colm-toibin/love-in-a-dark-time
Colm Tóibín the Wilde family: https://www.lrb.co.uk/the-paper/v39/n23/colm-toibin/the-road-to-reading-gaol
Frank Kermode: https://www.lrb.co.uk/the-paper/v09/n19/frank-kermode/a-little-of-this-honey

 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Fri, 04 Oct 2024 11:01:17 -0000</pubDate>
      <itunes:title>On Satire: 'The Importance of Being Earnest' by Oscar Wilde</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>7</itunes:season>
      <itunes:episode>10</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8f982eac-4c5a-11f0-9640-eba19421a5d7/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;By the end of 1895 Oscar Wilde’s life was in ruins as he sat in Reading Gaol facing public disgrace, bankruptcy and, two years later, exile. Just ten months earlier the premiere of&amp;nbsp;&lt;em&gt;The Importance of Being Earnest&amp;nbsp;&lt;/em&gt;at St James’s Theatre in London had been greeted rapturously by both the audience and critics. In this episode Colin and Clare consider what Wilde was trying do with his comedy, written on the cusp of this dark future. The ‘strange mixture of romance and finance’ Wilde observed in the letters of his lover, Alfred Douglas, could equally be applied to&amp;nbsp;&lt;em&gt;Earnest&lt;/em&gt;, and the satire of Jane Austen before it, but is it right to think of Wilde’s play as satirical? His characters are presented in an ethical vacuum, stripped of any good or bad qualities, but ultimately seem to demonstrate the impossibility of living a purely aesthetic life free from conventional morality.&lt;/p&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/4dbjbjG" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/4dbjbjG&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/satiresignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Read more in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Colm Tóibín on Wilde's letters: &lt;a href="https://www.lrb.co.uk/the-paper/v23/n08/colm-toibin/love-in-a-dark-time" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v23/n08/colm-toibin/love-in-a-dark-time&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Colm Tóibín the Wilde family: &lt;a href="https://www.lrb.co.uk/the-paper/v39/n23/colm-toibin/the-road-to-reading-gaol" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v39/n23/colm-toibin/the-road-to-reading-gaol&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Frank Kermode: &lt;a href="https://www.lrb.co.uk/the-paper/v09/n19/frank-kermode/a-little-of-this-honey" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v09/n19/frank-kermode/a-little-of-this-honey&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>By the end of 1895 Oscar Wilde’s life was in ruins as he sat in Reading Gaol facing public disgrace, bankruptcy and, two years later, exile. Just ten months earlier the premiere of The Importance of Being Earnest at St James’s Theatre in London had been greeted rapturously by both the audience and critics. In this episode Colin and Clare consider what Wilde was trying do with his comedy, written on the cusp of this dark future. The ‘strange mixture of romance and finance’ Wilde observed in the letters of his lover, Alfred Douglas, could equally be applied to Earnest, and the satire of Jane Austen before it, but is it right to think of Wilde’s play as satirical? His characters are presented in an ethical vacuum, stripped of any good or bad qualities, but ultimately seem to demonstrate the impossibility of living a purely aesthetic life free from conventional morality.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/4dbjbjG
In other podcast apps: lrb.me/closereadings
Read more in the LRB:
Colm Tóibín on Wilde's letters: https://www.lrb.co.uk/the-paper/v23/n08/colm-toibin/love-in-a-dark-time
Colm Tóibín the Wilde family: https://www.lrb.co.uk/the-paper/v39/n23/colm-toibin/the-road-to-reading-gaol
Frank Kermode: https://www.lrb.co.uk/the-paper/v09/n19/frank-kermode/a-little-of-this-honey

 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>By the end of 1895 Oscar Wilde’s life was in ruins as he sat in Reading Gaol facing public disgrace, bankruptcy and, two years later, exile. Just ten months earlier the premiere of <em>The Importance of Being Earnest </em>at St James’s Theatre in London had been greeted rapturously by both the audience and critics. In this episode Colin and Clare consider what Wilde was trying do with his comedy, written on the cusp of this dark future. The ‘strange mixture of romance and finance’ Wilde observed in the letters of his lover, Alfred Douglas, could equally be applied to <em>Earnest</em>, and the satire of Jane Austen before it, but is it right to think of Wilde’s play as satirical? His characters are presented in an ethical vacuum, stripped of any good or bad qualities, but ultimately seem to demonstrate the impossibility of living a purely aesthetic life free from conventional morality.</p><p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/4dbjbjG">https://apple.co/4dbjbjG</a></p><p>In other podcast apps: <a href="https://lrb.me/satiresignuppod">lrb.me/closereadings</a></p><p>Read more in the <em>LRB</em>:</p><p>Colm Tóibín on Wilde's letters: <a href="https://www.lrb.co.uk/the-paper/v23/n08/colm-toibin/love-in-a-dark-time">https://www.lrb.co.uk/the-paper/v23/n08/colm-toibin/love-in-a-dark-time</a></p><p>Colm Tóibín the Wilde family: <a href="https://www.lrb.co.uk/the-paper/v39/n23/colm-toibin/the-road-to-reading-gaol">https://www.lrb.co.uk/the-paper/v39/n23/colm-toibin/the-road-to-reading-gaol</a></p><p>Frank Kermode: <a href="https://www.lrb.co.uk/the-paper/v09/n19/frank-kermode/a-little-of-this-honey">https://www.lrb.co.uk/the-paper/v09/n19/frank-kermode/a-little-of-this-honey</a></p><p><br></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>922</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Political Poems: 'Autumn Journal' by Louis MacNeice</title>
      <link>https://lrb.me/ppsignup</link>
      <description>In his long 1938 poem, Louis MacNeice took many of the ideals shared by other young writers of his time – a desire for relevance, responsiveness and, above all, honesty – and applied them in a way that has few equivalents in English poetry. This diary-style work, written from August to December 1938, reflects with ‘documentary vividness’, as Ian Hamilton has described, on the international and personal crises swirling around MacNeice in those months. Seamus and Mark discuss the poem’s lively depiction of the anecdotal abundance of London life and the ways in which its innovative rhyming structure helps to capture the autumnal moment when England was slipping into an unknowable winter.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/4dbjbjG
In other podcast apps: lrb.me/closereadings
Read more in the LRB:
Samuel Hynes: https://www.lrb.co.uk/the-paper/v11/n05/samuel-hynes/like-the-trees-on-primrose-hill
Ian Hamilton: https://www.lrb.co.uk/the-paper/v17/n05/ian-hamilton/smartened-up
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sat, 28 Sep 2024 10:35:47 -0000</pubDate>
      <itunes:title>Political Poems: 'Autumn Journal' by Louis MacNeice</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>11</itunes:season>
      <itunes:episode>9</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/8feacd9c-4c5a-11f0-9640-078536535854/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In his long 1938 poem, Louis MacNeice took many of the ideals shared by other young writers of his time – a desire for relevance, responsiveness and, above all, honesty – and applied them in a way that has few equivalents in English poetry. This diary-style work, written from August to December 1938, reflects with ‘documentary vividness’, as Ian Hamilton has described, on the international and personal crises swirling around MacNeice in those months. Seamus and Mark discuss the poem’s lively depiction of the anecdotal abundance of London life and the ways in which its innovative rhyming structure helps to capture the autumnal moment when England was slipping into an unknowable winter.&lt;/p&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/4dbjbjG" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/4dbjbjG&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/ppsignup" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Read more in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Samuel Hynes: &lt;a href="https://www.lrb.co.uk/the-paper/v11/n05/samuel-hynes/like-the-trees-on-primrose-hill" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v11/n05/samuel-hynes/like-the-trees-on-primrose-hill&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Ian Hamilton: &lt;a href="https://www.lrb.co.uk/the-paper/v17/n05/ian-hamilton/smartened-up" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v17/n05/ian-hamilton/smartened-up&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In his long 1938 poem, Louis MacNeice took many of the ideals shared by other young writers of his time – a desire for relevance, responsiveness and, above all, honesty – and applied them in a way that has few equivalents in English poetry. This diary-style work, written from August to December 1938, reflects with ‘documentary vividness’, as Ian Hamilton has described, on the international and personal crises swirling around MacNeice in those months. Seamus and Mark discuss the poem’s lively depiction of the anecdotal abundance of London life and the ways in which its innovative rhyming structure helps to capture the autumnal moment when England was slipping into an unknowable winter.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/4dbjbjG
In other podcast apps: lrb.me/closereadings
Read more in the LRB:
Samuel Hynes: https://www.lrb.co.uk/the-paper/v11/n05/samuel-hynes/like-the-trees-on-primrose-hill
Ian Hamilton: https://www.lrb.co.uk/the-paper/v17/n05/ian-hamilton/smartened-up
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his long 1938 poem, Louis MacNeice took many of the ideals shared by other young writers of his time – a desire for relevance, responsiveness and, above all, honesty – and applied them in a way that has few equivalents in English poetry. This diary-style work, written from August to December 1938, reflects with ‘documentary vividness’, as Ian Hamilton has described, on the international and personal crises swirling around MacNeice in those months. Seamus and Mark discuss the poem’s lively depiction of the anecdotal abundance of London life and the ways in which its innovative rhyming structure helps to capture the autumnal moment when England was slipping into an unknowable winter.</p><p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/4dbjbjG">https://apple.co/4dbjbjG</a></p><p>In other podcast apps: <a href="https://lrb.me/ppsignup">lrb.me/closereadings</a></p><p>Read more in the <em>LRB</em>:</p><p>Samuel Hynes: <a href="https://www.lrb.co.uk/the-paper/v11/n05/samuel-hynes/like-the-trees-on-primrose-hill">https://www.lrb.co.uk/the-paper/v11/n05/samuel-hynes/like-the-trees-on-primrose-hill</a></p><p>Ian Hamilton: <a href="https://www.lrb.co.uk/the-paper/v17/n05/ian-hamilton/smartened-up">https://www.lrb.co.uk/the-paper/v17/n05/ian-hamilton/smartened-up</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>820</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[66f58d6c995c57f56e43d65f]]></guid>
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    <item>
      <title>Among the Ancients II: Tacitus</title>
      <link>https://shows.acast.com/close-readings/episodes/66ec0423b26c8472efe7e376</link>
      <description>The Annals, Tacitus’ study of the emperors from Tiberius to Nero, covers some of the most vivid and ruthless episodes in Roman history. A masterclass in political intrigue (and how not to do it), the Annals features mutiny, senatorial backstabbing, wars on the imperial frontiers, political purges and enormous egos. Emily and Tom explore the many ambiguities that make the Annals rewarding, as well as difficult, reading and discuss Tacitus’ knotty style and approach to history.
Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Mary Beard: Four-Day Caesar
https://www.lrb.co.uk/the-paper/v26/n02/mary-beard/four-day-caesar
Anthony Grafton: Those Limbs We Admire
https://www.lrb.co.uk/the-paper/v33/n14/anthony-grafton/those-limbs-we-admire
Shadi Bartsch: Fratricide, Matricide and the Philosopher
https://www.lrb.co.uk/the-paper/v37/n12/shadi-bartsch/fratricide-matricide-and-the-philosopher
Mark Ford: The Death of Petronius
https://www.lrb.co.uk/the-paper/v30/n24/mark-ford/the-death-of-petronius
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Tue, 24 Sep 2024 06:00:24 -0000</pubDate>
      <itunes:title>Among the Ancients II: Tacitus</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>10</itunes:season>
      <itunes:episode>9</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/903eb114-4c5a-11f0-9640-e788c7b829b8/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;The &lt;em&gt;Annals&lt;/em&gt;, Tacitus’ study of the emperors from Tiberius to Nero, covers some of the most vivid and ruthless episodes in Roman history. A masterclass in political intrigue (and how not to do it), the &lt;em&gt;Annals&lt;/em&gt; features mutiny, senatorial backstabbing, wars on the imperial frontiers, political purges and enormous egos. Emily and Tom explore the many ambiguities that make the&amp;nbsp;&lt;em&gt;Annals&lt;/em&gt;&amp;nbsp;rewarding, as well as difficult, reading and discuss Tacitus’&amp;nbsp;knotty style and approach to history.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen in full and to our other&amp;nbsp;&lt;em&gt;Close Readings&lt;/em&gt;&amp;nbsp;series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts:&amp;nbsp;&lt;a href="https://lrb.me/ataapple" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps:&amp;nbsp;&lt;a href="https://lrb.me/atasignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading in the LRB:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Mary Beard: Four-Day Caesar&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v26/n02/mary-beard/four-day-caesar" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v26/n02/mary-beard/four-day-caesar&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Anthony Grafton: Those Limbs We Admire&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v33/n14/anthony-grafton/those-limbs-we-admire" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v33/n14/anthony-grafton/those-limbs-we-admire&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Shadi Bartsch: Fratricide, Matricide and the Philosopher&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v37/n12/shadi-bartsch/fratricide-matricide-and-the-philosopher" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v37/n12/shadi-bartsch/fratricide-matricide-and-the-philosopher&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Mark Ford: The Death of Petronius&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v30/n24/mark-ford/the-death-of-petronius" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v30/n24/mark-ford/the-death-of-petronius&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the &lt;em&gt;London Review of Books&lt;/em&gt;.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>The Annals, Tacitus’ study of the emperors from Tiberius to Nero, covers some of the most vivid and ruthless episodes in Roman history. A masterclass in political intrigue (and how not to do it), the Annals features mutiny, senatorial backstabbing, wars on the imperial frontiers, political purges and enormous egos. Emily and Tom explore the many ambiguities that make the Annals rewarding, as well as difficult, reading and discuss Tacitus’ knotty style and approach to history.
Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Mary Beard: Four-Day Caesar
https://www.lrb.co.uk/the-paper/v26/n02/mary-beard/four-day-caesar
Anthony Grafton: Those Limbs We Admire
https://www.lrb.co.uk/the-paper/v33/n14/anthony-grafton/those-limbs-we-admire
Shadi Bartsch: Fratricide, Matricide and the Philosopher
https://www.lrb.co.uk/the-paper/v37/n12/shadi-bartsch/fratricide-matricide-and-the-philosopher
Mark Ford: The Death of Petronius
https://www.lrb.co.uk/the-paper/v30/n24/mark-ford/the-death-of-petronius
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The <em>Annals</em>, Tacitus’ study of the emperors from Tiberius to Nero, covers some of the most vivid and ruthless episodes in Roman history. A masterclass in political intrigue (and how not to do it), the <em>Annals</em> features mutiny, senatorial backstabbing, wars on the imperial frontiers, political purges and enormous egos. Emily and Tom explore the many ambiguities that make the <em>Annals</em> rewarding, as well as difficult, reading and discuss Tacitus’ knotty style and approach to history.</p><br><p>Non-subscribers will only hear an extract from this episode. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ataapple">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/atasignuppod">lrb.me/closereadings</a></p><br><p>Further reading in the LRB:</p><br><p>Mary Beard: Four-Day Caesar</p><p><a href="https://www.lrb.co.uk/the-paper/v26/n02/mary-beard/four-day-caesar">https://www.lrb.co.uk/the-paper/v26/n02/mary-beard/four-day-caesar</a></p><br><p>Anthony Grafton: Those Limbs We Admire</p><p><a href="https://www.lrb.co.uk/the-paper/v33/n14/anthony-grafton/those-limbs-we-admire">https://www.lrb.co.uk/the-paper/v33/n14/anthony-grafton/those-limbs-we-admire</a></p><br><p>Shadi Bartsch: Fratricide, Matricide and the Philosopher</p><p><a href="https://www.lrb.co.uk/the-paper/v37/n12/shadi-bartsch/fratricide-matricide-and-the-philosopher">https://www.lrb.co.uk/the-paper/v37/n12/shadi-bartsch/fratricide-matricide-and-the-philosopher</a></p><br><p>Mark Ford: The Death of Petronius</p><p><a href="https://www.lrb.co.uk/the-paper/v30/n24/mark-ford/the-death-of-petronius">https://www.lrb.co.uk/the-paper/v30/n24/mark-ford/the-death-of-petronius</a></p><br><p>Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the <em>London Review of Books</em>.</p><br><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>816</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[66ec0423b26c8472efe7e376]]></guid>
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    <item>
      <title>Medieval LOLs: Boccaccio's 'Decameron', Part One</title>
      <link>https://shows.acast.com/close-readings/episodes/66e559a8c09a244b8c3fcc21</link>
      <description>In the preface to the Decameron Boccaccio describes Florentine society laid waste by bubonic plague in the mid-14th century. But before he gets to that he has a confession for the reader: he has been hurt by love, a love ‘more fervent than any other love’, and intends his work as a guide to life and love for young women in particular. In the first of two episodes on Boccaccio’s hundred novelle of sex, dishonesty and foolishness, Mary and Irina consider why both the preface and first story – about the disreputable merchant Cepparello – start with a confession, before looking at the later tale of the gardener Masetto and his noble efforts tending to the needs of every nun in a convent in Lamporecchio.
Subscribe to Close Readings:
Directly in Apple Podcasts: https://lrb.me/medlolapplesignup
In other podcast apps: https://lrb.me/medlolscsignup
Read more on Boccaccio the LRB: https://lrb.me/decameronpod
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Wed, 18 Sep 2024 10:38:35 -0000</pubDate>
      <itunes:title>Medieval LOLs: Boccaccio's 'Decameron', Part One</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>9</itunes:season>
      <itunes:episode>9</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/90930c14-4c5a-11f0-9640-73a4d2663332/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the preface to the&amp;nbsp;&lt;em&gt;Decameron&amp;nbsp;&lt;/em&gt;Boccaccio describes Florentine society laid waste by bubonic plague in the mid-14th century. But before he gets to that he has a confession for the reader: he has been hurt by love, a love ‘more fervent than any other love’, and intends his work as a guide to life and love for young women in particular. In the first of two episodes on Boccaccio’s hundred&amp;nbsp;&lt;em&gt;novelle&lt;/em&gt;&amp;nbsp;of sex, dishonesty and foolishness, Mary and Irina consider why both the preface and first story – about the disreputable merchant Cepparello – start with a confession, before looking at the later tale of the gardener Masetto and his noble efforts tending to the needs of every nun in a convent in Lamporecchio.&lt;/p&gt;&lt;p&gt;Subscribe to &lt;em&gt;Close Readings&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/medlolapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/medlolapplesignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/medlolscsignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/medlolscsignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Read more on Boccaccio the &lt;em&gt;LRB&lt;/em&gt;: &lt;a href="https://lrb.me/decameronpod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/decameronpod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the preface to the Decameron Boccaccio describes Florentine society laid waste by bubonic plague in the mid-14th century. But before he gets to that he has a confession for the reader: he has been hurt by love, a love ‘more fervent than any other love’, and intends his work as a guide to life and love for young women in particular. In the first of two episodes on Boccaccio’s hundred novelle of sex, dishonesty and foolishness, Mary and Irina consider why both the preface and first story – about the disreputable merchant Cepparello – start with a confession, before looking at the later tale of the gardener Masetto and his noble efforts tending to the needs of every nun in a convent in Lamporecchio.
Subscribe to Close Readings:
Directly in Apple Podcasts: https://lrb.me/medlolapplesignup
In other podcast apps: https://lrb.me/medlolscsignup
Read more on Boccaccio the LRB: https://lrb.me/decameronpod
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the preface to the <em>Decameron </em>Boccaccio describes Florentine society laid waste by bubonic plague in the mid-14th century. But before he gets to that he has a confession for the reader: he has been hurt by love, a love ‘more fervent than any other love’, and intends his work as a guide to life and love for young women in particular. In the first of two episodes on Boccaccio’s hundred <em>novelle</em> of sex, dishonesty and foolishness, Mary and Irina consider why both the preface and first story – about the disreputable merchant Cepparello – start with a confession, before looking at the later tale of the gardener Masetto and his noble efforts tending to the needs of every nun in a convent in Lamporecchio.</p><p>Subscribe to <em>Close Readings</em>:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/medlolapplesignup">https://lrb.me/medlolapplesignup</a></p><p>In other podcast apps: <a href="https://lrb.me/medlolscsignup">https://lrb.me/medlolscsignup</a></p><p>Read more on Boccaccio the <em>LRB</em>: <a href="https://lrb.me/decameronpod">https://lrb.me/decameronpod</a></p><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>2792</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[66e559a8c09a244b8c3fcc21]]></guid>
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    <item>
      <title>Human Conditions: ‘The Souls of Black Folk’ by W.E.B. Du Bois</title>
      <link>https://shows.acast.com/close-readings/episodes/66def9c3927fbc553092a603</link>
      <description>Brent Hayes Edwards and Adam discuss the ‘ur-text of Black political philosophy’, W.E.B. Du Bois’s The Souls of Black Folk. Spanning autobiography, history, biography, fiction, music criticism and political science, its fourteen essays set the tone for Black literature, political debate and scholarly production for the course of the 20th century. Souls was an immediate bestseller, the subject of furious debate and a foundational work in the new field of sociology.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Subscribe to Close Readings:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Brent Hayes Edwards is a scholar of African American and Francophone literature and of jazz studies at Columbia University.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Tue, 10 Sep 2024 05:40:09 -0000</pubDate>
      <itunes:title>Human Conditions: ‘The Souls of Black Folk’ by W.E.B. Du Bois</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>8</itunes:season>
      <itunes:episode>9</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/90e13b0a-4c5a-11f0-9640-c787e3e57179/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Brent Hayes Edwards and Adam discuss the ‘ur-text of Black political philosophy’, W.E.B. Du Bois’s&amp;nbsp;&lt;em&gt;The Souls of Black Folk&lt;/em&gt;. Spanning autobiography, history, biography, fiction, music criticism and political science, its fourteen essays set the tone for Black literature, political debate and scholarly production for the course of the 20th century.&amp;nbsp;&lt;em&gt;Souls&lt;/em&gt;&amp;nbsp;was an immediate bestseller, the subject of furious debate and a foundational work in the new field of sociology.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:&lt;/p&gt;&lt;p&gt;Subscribe to Close Readings:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/hcapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/conditionssignup" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Brent Hayes Edwards is a scholar of African American and Francophone literature and of jazz studies at Columbia University.&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Brent Hayes Edwards and Adam discuss the ‘ur-text of Black political philosophy’, W.E.B. Du Bois’s The Souls of Black Folk. Spanning autobiography, history, biography, fiction, music criticism and political science, its fourteen essays set the tone for Black literature, political debate and scholarly production for the course of the 20th century. Souls was an immediate bestseller, the subject of furious debate and a foundational work in the new field of sociology.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Subscribe to Close Readings:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Brent Hayes Edwards is a scholar of African American and Francophone literature and of jazz studies at Columbia University.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Brent Hayes Edwards and Adam discuss the ‘ur-text of Black political philosophy’, W.E.B. Du Bois’s <em>The Souls of Black Folk</em>. Spanning autobiography, history, biography, fiction, music criticism and political science, its fourteen essays set the tone for Black literature, political debate and scholarly production for the course of the 20th century. <em>Souls</em> was an immediate bestseller, the subject of furious debate and a foundational work in the new field of sociology.</p><br><p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p><p>Subscribe to Close Readings:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/hcapplesignup">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/conditionssignup">lrb.me/closereadings</a></p><br><p>Brent Hayes Edwards is a scholar of African American and Francophone literature and of jazz studies at Columbia University.</p><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>868</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>On Satire: Byron's 'Don Juan'</title>
      <link>https://shows.acast.com/close-readings/episodes/66d5f27e3895e5a9f8511c7f</link>
      <description>Few poets have had the courage (or inclination) to rhyme ‘Plato’ with ‘potato’, ‘intellectual’ with ‘hen-peck’d you all’ or ‘Acropolis’ with ‘Constantinople is’. Byron does all of these in Don Juan, his 16,000-line unfinished mock epic that presents itself as a grand satire on human vanity in the tradition of Cervantes, Swift and the Stoics, and refuses to take anything seriously for longer than a stanza. But is there more to Don Juan than an attention-seeking poet sustaining a deliberately difficult verse form for longer than Paradise Lost in order ‘to laugh at all things’? In this episode Clare and Colin argue that there is: they see in Don Juan a satire whose radical openness challenges the plague of ‘cant’ in Regency society but drags itself into its own line of fire in the process, leaving the poet caught in a struggle against the sinfulness of his own poetic power, haunted by its own wrongness.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/4dbjbjG
In other podcast apps: lrb.me/closereadings
Read more in the LRB:
Clare Bucknell: Rescuing Lord Byron
https://www.lrb.co.uk/the-paper/v45/n23/clare-bucknell/his-own-dark-mind
Marilyn Butler: Success
https://www.lrb.co.uk/the-paper/v04/n21/marilyn-butler/success
John Mullan: Hidden Consequences
https://www.lrb.co.uk/the-paper/v25/n21/john-mullan/hidden-consequences
Thomas Jones: On Top of Everything
https://www.lrb.co.uk/the-paper/v21/n18/thomas-jones/on-top-of-everything
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Wed, 04 Sep 2024 11:14:31 -0000</pubDate>
      <itunes:title>On Satire: Byron's 'Don Juan'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>7</itunes:season>
      <itunes:episode>9</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/91329fcc-4c5a-11f0-9640-c3f97777022b/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Few poets have had the courage (or inclination) to rhyme ‘Plato’ with ‘potato’, ‘intellectual’ with ‘hen-peck’d you all’ or ‘Acropolis’ with ‘Constantinople is’. Byron does all of these in&amp;nbsp;&lt;em&gt;Don Juan&lt;/em&gt;, his 16,000-line unfinished mock epic that presents itself as a grand satire on human vanity in the tradition of Cervantes, Swift and the Stoics, and refuses to take anything seriously for longer than a stanza. But is there more to&amp;nbsp;&lt;em&gt;Don Juan&lt;/em&gt;&amp;nbsp;than an attention-seeking poet sustaining a deliberately difficult verse form for longer than&amp;nbsp;&lt;em&gt;Paradise Lost&lt;/em&gt;&amp;nbsp;in order ‘to laugh at all things’? In this episode Clare and Colin argue that there is: they see in&amp;nbsp;&lt;em&gt;Don Juan&amp;nbsp;&lt;/em&gt;a satire whose radical openness challenges the plague of ‘cant’ in Regency society but drags itself into its own line of fire in the process, leaving the poet caught in a struggle against the sinfulness of his own poetic power, haunted by its own wrongness.&lt;/p&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/4dbjbjG" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/4dbjbjG&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/satiresignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Read more in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Clare Bucknell: Rescuing Lord Byron&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v45/n23/clare-bucknell/his-own-dark-mind" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v45/n23/clare-bucknell/his-own-dark-mind&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Marilyn Butler: Success&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v04/n21/marilyn-butler/success" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v04/n21/marilyn-butler/success&lt;/a&gt;&lt;/p&gt;&lt;p&gt;John Mullan: Hidden Consequences&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v25/n21/john-mullan/hidden-consequences" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v25/n21/john-mullan/hidden-consequences&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Thomas Jones: On Top of Everything&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v21/n18/thomas-jones/on-top-of-everything" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v21/n18/thomas-jones/on-top-of-everything&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Few poets have had the courage (or inclination) to rhyme ‘Plato’ with ‘potato’, ‘intellectual’ with ‘hen-peck’d you all’ or ‘Acropolis’ with ‘Constantinople is’. Byron does all of these in Don Juan, his 16,000-line unfinished mock epic that presents itself as a grand satire on human vanity in the tradition of Cervantes, Swift and the Stoics, and refuses to take anything seriously for longer than a stanza. But is there more to Don Juan than an attention-seeking poet sustaining a deliberately difficult verse form for longer than Paradise Lost in order ‘to laugh at all things’? In this episode Clare and Colin argue that there is: they see in Don Juan a satire whose radical openness challenges the plague of ‘cant’ in Regency society but drags itself into its own line of fire in the process, leaving the poet caught in a struggle against the sinfulness of his own poetic power, haunted by its own wrongness.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/4dbjbjG
In other podcast apps: lrb.me/closereadings
Read more in the LRB:
Clare Bucknell: Rescuing Lord Byron
https://www.lrb.co.uk/the-paper/v45/n23/clare-bucknell/his-own-dark-mind
Marilyn Butler: Success
https://www.lrb.co.uk/the-paper/v04/n21/marilyn-butler/success
John Mullan: Hidden Consequences
https://www.lrb.co.uk/the-paper/v25/n21/john-mullan/hidden-consequences
Thomas Jones: On Top of Everything
https://www.lrb.co.uk/the-paper/v21/n18/thomas-jones/on-top-of-everything
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Few poets have had the courage (or inclination) to rhyme ‘Plato’ with ‘potato’, ‘intellectual’ with ‘hen-peck’d you all’ or ‘Acropolis’ with ‘Constantinople is’. Byron does all of these in <em>Don Juan</em>, his 16,000-line unfinished mock epic that presents itself as a grand satire on human vanity in the tradition of Cervantes, Swift and the Stoics, and refuses to take anything seriously for longer than a stanza. But is there more to <em>Don Juan</em> than an attention-seeking poet sustaining a deliberately difficult verse form for longer than <em>Paradise Lost</em> in order ‘to laugh at all things’? In this episode Clare and Colin argue that there is: they see in <em>Don Juan </em>a satire whose radical openness challenges the plague of ‘cant’ in Regency society but drags itself into its own line of fire in the process, leaving the poet caught in a struggle against the sinfulness of his own poetic power, haunted by its own wrongness.</p><p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/4dbjbjG">https://apple.co/4dbjbjG</a></p><p>In other podcast apps: <a href="https://lrb.me/satiresignuppod">lrb.me/closereadings</a></p><p>Read more in the <em>LRB</em>:</p><p>Clare Bucknell: Rescuing Lord Byron</p><p><a href="https://www.lrb.co.uk/the-paper/v45/n23/clare-bucknell/his-own-dark-mind">https://www.lrb.co.uk/the-paper/v45/n23/clare-bucknell/his-own-dark-mind</a></p><p>Marilyn Butler: Success</p><p><a href="https://www.lrb.co.uk/the-paper/v04/n21/marilyn-butler/success">https://www.lrb.co.uk/the-paper/v04/n21/marilyn-butler/success</a></p><p>John Mullan: Hidden Consequences</p><p><a href="https://www.lrb.co.uk/the-paper/v25/n21/john-mullan/hidden-consequences">https://www.lrb.co.uk/the-paper/v25/n21/john-mullan/hidden-consequences</a></p><p>Thomas Jones: On Top of Everything</p><p><a href="https://www.lrb.co.uk/the-paper/v21/n18/thomas-jones/on-top-of-everything">https://www.lrb.co.uk/the-paper/v21/n18/thomas-jones/on-top-of-everything</a></p><br><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>1119</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[66d5f27e3895e5a9f8511c7f]]></guid>
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      <title>Political Poems: 'Goblin Market' by Christina Rossetti, feat. Shirley Henderson and Felicity Jones</title>
      <link>https://shows.acast.com/close-readings/episodes/66c8b8f30a2cb050da45d4b0</link>
      <description>‘Goblin Market’ was the title poem of Christina Rossetti’s first collection, published in 1862, and while she disclaimed any allegorical purpose in it, modern readers have found it hard to resist political interpretations. The poem’s most obvious preoccupation seems to be the Victorian notion of the ‘fallen woman’. When she wrote it Rossetti was working at the St Mary Magdalene house of charity in Highgate, a refuge for sex workers and women who had had non-marital sex. Anxieties around ‘fallen women’ were explored by many writers of the day, but Rossetti's treatment is striking both for the rich intensity of its physical descriptions and the unusual vision of redemption it offers, in which the standard Christian imperatives are rethought in sisterly terms. Seamus and Mark discuss how post-Freudian readers might read those descriptions and what the poem says about the place of the ‘market’ in Victorian society.
Read the poem here: https://www.poetryfoundation.org/poems/44996/goblin-market
This episode features a full reading of 'Goblin Market' by Shirley Henderson and Felicity Jones at the Josephine Hart Poetry Hour. Watch the reading here: https://www.youtube.com/watch?v=mMnHW9MevJk
Find more about the Josephine Hart Poetry Foundation here: https://www.thepoetryhour.com/foundation
Subscribe to Close Readings:
In Apple Podcasts, click 'subscribe' at the top of this podcast to unlock all the episodes;
In other podcast apps here: https://lrb.me/ppsignup
Read more in the LRB:
Penelope Fitzgerald: https://www.lrb.co.uk/the-paper/v04/n05/penelope-fitzgerald/christina-and-the-sid
Jacqueline Rose: https://www.lrb.co.uk/the-paper/v17/n20/jacqueline-rose/undone-defiled-defaced
John Bayley: https://www.lrb.co.uk/the-paper/v16/n06/john-bayley/missingness
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Wed, 28 Aug 2024 11:24:39 -0000</pubDate>
      <itunes:title>Political Poems: 'Goblin Market' by Christina Rossetti, feat. Shirley Henderson and Felicity Jones</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>11</itunes:season>
      <itunes:episode>8</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9183fb88-4c5a-11f0-9640-33c6fc5d0e17/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;‘Goblin Market’ was the title poem of Christina Rossetti’s first collection, published in 1862, and while she disclaimed any allegorical purpose in it, modern readers have found it hard to resist political interpretations. The poem’s most obvious preoccupation seems to be the Victorian notion of the ‘fallen woman’. When she wrote it Rossetti was working at the St Mary Magdalene house of charity in Highgate, a refuge for sex workers and women who had had non-marital sex. Anxieties around ‘fallen women’ were explored by many writers of the day, but Rossetti's treatment is striking both for the rich intensity of its physical descriptions and the unusual vision of redemption it offers, in which the standard Christian imperatives are rethought in sisterly terms. Seamus and Mark discuss how post-Freudian readers might read those descriptions and what the poem says about the place of the ‘market’ in Victorian society.&lt;/p&gt;&lt;p&gt;Read the poem here: &lt;a href="https://www.poetryfoundation.org/poems/44996/goblin-market" rel="noopener noreferrer" target="_blank"&gt;https://www.poetryfoundation.org/poems/44996/goblin-market&lt;/a&gt;&lt;/p&gt;&lt;p&gt;This episode features a full reading of 'Goblin Market' by Shirley Henderson and Felicity Jones at the Josephine Hart Poetry Hour. Watch the reading here: &lt;a href="https://url.uk.m.mimecastprotect.com/s/urQwCVOAESx8KZKCGfquVozBG?domain=youtube.com" rel="noopener noreferrer" target="_blank"&gt;https://www.youtube.com/watch?v=mMnHW9MevJk&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Find more about the Josephine Hart Poetry Foundation here: &lt;a href="https://www.thepoetryhour.com/foundation" rel="noopener noreferrer" target="_blank"&gt;https://www.thepoetryhour.com/foundation&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Subscribe to Close Readings:&lt;/p&gt;&lt;p&gt;In Apple Podcasts, click 'subscribe' at the top of this podcast to unlock all the episodes;&lt;/p&gt;&lt;p&gt;In other podcast apps here: &lt;a href="https://lrb.me/ppsignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/ppsignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Read more in the LRB:&lt;/p&gt;&lt;p&gt;Penelope Fitzgerald: &lt;a href="https://www.lrb.co.uk/the-paper/v04/n05/penelope-fitzgerald/christina-and-the-sid" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v04/n05/penelope-fitzgerald/christina-and-the-sid&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Jacqueline Rose: &lt;a href="https://www.lrb.co.uk/the-paper/v17/n20/jacqueline-rose/undone-defiled-defaced" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v17/n20/jacqueline-rose/undone-defiled-defaced&lt;/a&gt;&lt;/p&gt;&lt;p&gt;John Bayley: &lt;a href="https://www.lrb.co.uk/the-paper/v16/n06/john-bayley/missingness" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v16/n06/john-bayley/missingness&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>‘Goblin Market’ was the title poem of Christina Rossetti’s first collection, published in 1862, and while she disclaimed any allegorical purpose in it, modern readers have found it hard to resist political interpretations. The poem’s most obvious preoccupation seems to be the Victorian notion of the ‘fallen woman’. When she wrote it Rossetti was working at the St Mary Magdalene house of charity in Highgate, a refuge for sex workers and women who had had non-marital sex. Anxieties around ‘fallen women’ were explored by many writers of the day, but Rossetti's treatment is striking both for the rich intensity of its physical descriptions and the unusual vision of redemption it offers, in which the standard Christian imperatives are rethought in sisterly terms. Seamus and Mark discuss how post-Freudian readers might read those descriptions and what the poem says about the place of the ‘market’ in Victorian society.
Read the poem here: https://www.poetryfoundation.org/poems/44996/goblin-market
This episode features a full reading of 'Goblin Market' by Shirley Henderson and Felicity Jones at the Josephine Hart Poetry Hour. Watch the reading here: https://www.youtube.com/watch?v=mMnHW9MevJk
Find more about the Josephine Hart Poetry Foundation here: https://www.thepoetryhour.com/foundation
Subscribe to Close Readings:
In Apple Podcasts, click 'subscribe' at the top of this podcast to unlock all the episodes;
In other podcast apps here: https://lrb.me/ppsignup
Read more in the LRB:
Penelope Fitzgerald: https://www.lrb.co.uk/the-paper/v04/n05/penelope-fitzgerald/christina-and-the-sid
Jacqueline Rose: https://www.lrb.co.uk/the-paper/v17/n20/jacqueline-rose/undone-defiled-defaced
John Bayley: https://www.lrb.co.uk/the-paper/v16/n06/john-bayley/missingness
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>‘Goblin Market’ was the title poem of Christina Rossetti’s first collection, published in 1862, and while she disclaimed any allegorical purpose in it, modern readers have found it hard to resist political interpretations. The poem’s most obvious preoccupation seems to be the Victorian notion of the ‘fallen woman’. When she wrote it Rossetti was working at the St Mary Magdalene house of charity in Highgate, a refuge for sex workers and women who had had non-marital sex. Anxieties around ‘fallen women’ were explored by many writers of the day, but Rossetti's treatment is striking both for the rich intensity of its physical descriptions and the unusual vision of redemption it offers, in which the standard Christian imperatives are rethought in sisterly terms. Seamus and Mark discuss how post-Freudian readers might read those descriptions and what the poem says about the place of the ‘market’ in Victorian society.</p><p>Read the poem here: <a href="https://www.poetryfoundation.org/poems/44996/goblin-market">https://www.poetryfoundation.org/poems/44996/goblin-market</a></p><p>This episode features a full reading of 'Goblin Market' by Shirley Henderson and Felicity Jones at the Josephine Hart Poetry Hour. Watch the reading here: <a href="https://url.uk.m.mimecastprotect.com/s/urQwCVOAESx8KZKCGfquVozBG?domain=youtube.com">https://www.youtube.com/watch?v=mMnHW9MevJk</a></p><p>Find more about the Josephine Hart Poetry Foundation here: <a href="https://www.thepoetryhour.com/foundation">https://www.thepoetryhour.com/foundation</a></p><p>Subscribe to Close Readings:</p><p>In Apple Podcasts, click 'subscribe' at the top of this podcast to unlock all the episodes;</p><p>In other podcast apps here: <a href="https://lrb.me/ppsignup">https://lrb.me/ppsignup</a></p><p>Read more in the LRB:</p><p>Penelope Fitzgerald: <a href="https://www.lrb.co.uk/the-paper/v04/n05/penelope-fitzgerald/christina-and-the-sid">https://www.lrb.co.uk/the-paper/v04/n05/penelope-fitzgerald/christina-and-the-sid</a></p><p>Jacqueline Rose: <a href="https://www.lrb.co.uk/the-paper/v17/n20/jacqueline-rose/undone-defiled-defaced">https://www.lrb.co.uk/the-paper/v17/n20/jacqueline-rose/undone-defiled-defaced</a></p><p>John Bayley: <a href="https://www.lrb.co.uk/the-paper/v16/n06/john-bayley/missingness">https://www.lrb.co.uk/the-paper/v16/n06/john-bayley/missingness</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>3487</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Among the Ancients II: Lucan</title>
      <link>https://shows.acast.com/close-readings/episodes/66c8cd5d0a2cb050da4a7b29</link>
      <description>In his prodigious, prolific and very short career, Lucan was at turns championed, disavowed and finally forced into suicide at 25 by the emperor Nero. His only surviving work is Civil War, an account of the bloody and chaotic power struggle between Julius Caesar and Pompey the Great. In their first episode on Latin literature’s so-called ‘Silver Age’, Tom and Emily dive into this brutal and unforgiving epic poem. They explore Lucan’s slippery relationship to power, his rhetorical virtuosity and the influence of Stoicism on his worldview.
Non-subscribers will only hear an extract form this episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
John Henderson: Dead Eyes and Blank Faces
https://www.lrb.co.uk/the-paper/v20/n07/john-henderson/dead-eyes-and-blank-faces
Nora Goldschmidt: Pompeian Group Therapy
https://www.lrb.co.uk/the-paper/v44/n18/nora-goldschmidt/pompeian-group-therapy
Thomas Jones: See you in hell, punk
https://www.lrb.co.uk/the-paper/v40/n23/thomas-jones/see-you-in-hell-punk
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sat, 24 Aug 2024 05:00:36 -0000</pubDate>
      <itunes:title>Among the Ancients II: Lucan</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>10</itunes:season>
      <itunes:episode>8</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/91d4671c-4c5a-11f0-9640-47f45714ed94/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In his prodigious, prolific and very short career, Lucan was at turns championed, disavowed and finally forced into suicide at 25 by the emperor Nero. His only surviving work is&amp;nbsp;&lt;em&gt;Civil War&lt;/em&gt;, an account of the bloody and chaotic power struggle between Julius Caesar and Pompey the Great. In their first episode on Latin literature’s so-called ‘Silver Age’, Tom and Emily dive into this brutal and unforgiving epic poem. They explore Lucan’s slippery relationship to power, his rhetorical virtuosity and the influence of Stoicism on his worldview.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers will only hear an extract form this episode. To listen in full and to our other&amp;nbsp;&lt;em&gt;Close Readings&lt;/em&gt;&amp;nbsp;series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts:&amp;nbsp;&lt;a href="https://lrb.me/ataapple" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps:&amp;nbsp;&lt;a href="https://lrb.me/atasignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;br&gt;&lt;p&gt;John Henderson: Dead Eyes and Blank Faces&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v20/n07/john-henderson/dead-eyes-and-blank-faces" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v20/n07/john-henderson/dead-eyes-and-blank-faces&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Nora Goldschmidt: Pompeian Group Therapy&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v44/n18/nora-goldschmidt/pompeian-group-therapy" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v44/n18/nora-goldschmidt/pompeian-group-therapy&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Thomas Jones: See you in hell, punk&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v40/n23/thomas-jones/see-you-in-hell-punk" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v40/n23/thomas-jones/see-you-in-hell-punk&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the &lt;em&gt;London Review of Books&lt;/em&gt;.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In his prodigious, prolific and very short career, Lucan was at turns championed, disavowed and finally forced into suicide at 25 by the emperor Nero. His only surviving work is Civil War, an account of the bloody and chaotic power struggle between Julius Caesar and Pompey the Great. In their first episode on Latin literature’s so-called ‘Silver Age’, Tom and Emily dive into this brutal and unforgiving epic poem. They explore Lucan’s slippery relationship to power, his rhetorical virtuosity and the influence of Stoicism on his worldview.
Non-subscribers will only hear an extract form this episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
John Henderson: Dead Eyes and Blank Faces
https://www.lrb.co.uk/the-paper/v20/n07/john-henderson/dead-eyes-and-blank-faces
Nora Goldschmidt: Pompeian Group Therapy
https://www.lrb.co.uk/the-paper/v44/n18/nora-goldschmidt/pompeian-group-therapy
Thomas Jones: See you in hell, punk
https://www.lrb.co.uk/the-paper/v40/n23/thomas-jones/see-you-in-hell-punk
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In his prodigious, prolific and very short career, Lucan was at turns championed, disavowed and finally forced into suicide at 25 by the emperor Nero. His only surviving work is <em>Civil War</em>, an account of the bloody and chaotic power struggle between Julius Caesar and Pompey the Great. In their first episode on Latin literature’s so-called ‘Silver Age’, Tom and Emily dive into this brutal and unforgiving epic poem. They explore Lucan’s slippery relationship to power, his rhetorical virtuosity and the influence of Stoicism on his worldview.</p><br><p>Non-subscribers will only hear an extract form this episode. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ataapple">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/atasignuppod">lrb.me/closereadings</a></p><br><p>Further reading in the <em>LRB</em>:</p><br><p>John Henderson: Dead Eyes and Blank Faces</p><p><a href="https://www.lrb.co.uk/the-paper/v20/n07/john-henderson/dead-eyes-and-blank-faces">https://www.lrb.co.uk/the-paper/v20/n07/john-henderson/dead-eyes-and-blank-faces</a></p><br><p>Nora Goldschmidt: Pompeian Group Therapy</p><p><a href="https://www.lrb.co.uk/the-paper/v44/n18/nora-goldschmidt/pompeian-group-therapy">https://www.lrb.co.uk/the-paper/v44/n18/nora-goldschmidt/pompeian-group-therapy</a></p><br><p>Thomas Jones: See you in hell, punk</p><p><a href="https://www.lrb.co.uk/the-paper/v40/n23/thomas-jones/see-you-in-hell-punk">https://www.lrb.co.uk/the-paper/v40/n23/thomas-jones/see-you-in-hell-punk</a></p><br><p>Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the <em>London Review of Books</em>.</p><br><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>842</itunes:duration>
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    <item>
      <title>Medieval LOLs: 'Sir Gawain and the Carle of Carlisle'</title>
      <link>https://shows.acast.com/close-readings/episodes/66bf6262844d445153cd8d5c</link>
      <description>The character of Gawain, one of King Arthur’s leading knights, recurs throughout medieval literature, but the way he’s presented underwent a curious development during the period, moving closer and closer to an impossible and perhaps comical ideal of chivalric perfection. In 'Sir Gawain and the Greene Knight', his most well-known incarnation, Gawain faces a series of peculiar tests and apparently fails them all. 'Sir Gawain and the Carle of Carlisle', a later poem, takes many elements from 'The Greene Knight' and exaggerates them to the extreme: the cups the knights drink from are so large they’re impossible to drink from, and Gawain faces an even more peculiar sequence of tests, but meets them all perfectly. Irina and Mary discuss the degree to which this exaggeration can be taken as a satire on chivalric expectations, and whether by this point the character of Gawain should be considered more monastic than knightly.
Read the text here:
https://d.lib.rochester.edu/teams/text/hahn-sir-gawain-sir-gawain-and-the-carle-of-carlisle
Read some Arthurian background in the LRB here:
https://www.lrb.co.uk/the-paper/v40/n24/tom-shippey/so-much-smoke
Subscribe to Close Readings:
Directly in Apple Podcasts by clicking 'subscribe' at the top of this feed;
In other podcast apps: https://lrb.me/medlolscsignup
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sun, 18 Aug 2024 07:00:20 -0000</pubDate>
      <itunes:title>Medieval LOLs: 'Sir Gawain and the Carle of Carlisle'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>9</itunes:season>
      <itunes:episode>8</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9224e91c-4c5a-11f0-9640-e7acf5104651/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;The character of Gawain, one of King Arthur’s leading knights, recurs throughout medieval literature, but the way he’s presented underwent a curious development during the period, moving closer and closer to an impossible and perhaps comical ideal of chivalric perfection. In 'Sir Gawain and the Greene Knight', his most well-known incarnation, Gawain faces a series of peculiar tests and apparently fails them all. 'Sir Gawain and the Carle of Carlisle', a later poem, takes many elements from 'The Greene Knight' and exaggerates them to the extreme: the cups the knights drink from are so large they’re impossible to drink from, and Gawain faces an even more peculiar sequence of tests, but meets them all perfectly. Irina and Mary discuss the degree to which this exaggeration can be taken as a satire on chivalric expectations, and whether by this point the character of Gawain should be considered more monastic than knightly.&lt;/p&gt;&lt;p&gt;Read the text here:&lt;/p&gt;&lt;p&gt;&lt;a href="https://d.lib.rochester.edu/teams/text/hahn-sir-gawain-sir-gawain-and-the-carle-of-carlisle" rel="noopener noreferrer" target="_blank"&gt;https://d.lib.rochester.edu/teams/text/hahn-sir-gawain-sir-gawain-and-the-carle-of-carlisle&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Read some Arthurian background in the LRB here:&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v40/n24/tom-shippey/so-much-smoke" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v40/n24/tom-shippey/so-much-smoke&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Subscribe to Close Readings:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts by clicking 'subscribe' at the top of this feed;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/medlolscsignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/medlolscsignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>The character of Gawain, one of King Arthur’s leading knights, recurs throughout medieval literature, but the way he’s presented underwent a curious development during the period, moving closer and closer to an impossible and perhaps comical ideal of chivalric perfection. In 'Sir Gawain and the Greene Knight', his most well-known incarnation, Gawain faces a series of peculiar tests and apparently fails them all. 'Sir Gawain and the Carle of Carlisle', a later poem, takes many elements from 'The Greene Knight' and exaggerates them to the extreme: the cups the knights drink from are so large they’re impossible to drink from, and Gawain faces an even more peculiar sequence of tests, but meets them all perfectly. Irina and Mary discuss the degree to which this exaggeration can be taken as a satire on chivalric expectations, and whether by this point the character of Gawain should be considered more monastic than knightly.
Read the text here:
https://d.lib.rochester.edu/teams/text/hahn-sir-gawain-sir-gawain-and-the-carle-of-carlisle
Read some Arthurian background in the LRB here:
https://www.lrb.co.uk/the-paper/v40/n24/tom-shippey/so-much-smoke
Subscribe to Close Readings:
Directly in Apple Podcasts by clicking 'subscribe' at the top of this feed;
In other podcast apps: https://lrb.me/medlolscsignup
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The character of Gawain, one of King Arthur’s leading knights, recurs throughout medieval literature, but the way he’s presented underwent a curious development during the period, moving closer and closer to an impossible and perhaps comical ideal of chivalric perfection. In 'Sir Gawain and the Greene Knight', his most well-known incarnation, Gawain faces a series of peculiar tests and apparently fails them all. 'Sir Gawain and the Carle of Carlisle', a later poem, takes many elements from 'The Greene Knight' and exaggerates them to the extreme: the cups the knights drink from are so large they’re impossible to drink from, and Gawain faces an even more peculiar sequence of tests, but meets them all perfectly. Irina and Mary discuss the degree to which this exaggeration can be taken as a satire on chivalric expectations, and whether by this point the character of Gawain should be considered more monastic than knightly.</p><p>Read the text here:</p><p><a href="https://d.lib.rochester.edu/teams/text/hahn-sir-gawain-sir-gawain-and-the-carle-of-carlisle">https://d.lib.rochester.edu/teams/text/hahn-sir-gawain-sir-gawain-and-the-carle-of-carlisle</a></p><p>Read some Arthurian background in the LRB here:</p><p><a href="https://www.lrb.co.uk/the-paper/v40/n24/tom-shippey/so-much-smoke">https://www.lrb.co.uk/the-paper/v40/n24/tom-shippey/so-much-smoke</a></p><p>Subscribe to Close Readings:</p><p>Directly in Apple Podcasts by clicking 'subscribe' at the top of this feed;</p><p>In other podcast apps: <a href="https://lrb.me/medlolscsignup">https://lrb.me/medlolscsignup</a></p><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>2492</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Human Conditions: ‘Hope against Hope’ by Nadezhda Mandelstam</title>
      <link>https://shows.acast.com/close-readings/episodes/66b4f38d5a08b5991890f92b</link>
      <description>After reciting an unflattering poem about Stalin to a small group of friends, Osip Mandelstam was betrayed to the police and endured five years in exile before dying in transit to the gulag. His wife, Nadezhda, spent the rest of her life dodging arrest, advocating for Osip’s work and writing what came to be known as Hope against Hope.
Hope against Hope is a testimony of life under Stalin, and of the ways in which ordinary people challenge and capitulate to power. It’s also a compendium of gossip, an account of psychological torture, a description of the poet’s craft and a love story.
Pankaj Mishra joins Adam to discuss his final selection for Human Conditions. They explore the qualities that make Hope against Hope so compelling: Nadezhda Mandelstam’s uncompromising honesty, perceptiveness and irrepressible humour.
Subscribe to Close Readings:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Pankaj Mishra is a writer, critic and reporter who regularly contributes to the LRB. His books include Age of Anger: A History of the Present, From the Ruins of Empire: The Intellectuals Who Remade Asia and two novels, most recently Run and Hide.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sat, 10 Aug 2024 07:00:10 -0000</pubDate>
      <itunes:title>Human Conditions: ‘Hope against Hope’ by Nadezhda Mandelstam</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>8</itunes:season>
      <itunes:episode>8</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/927692d0-4c5a-11f0-9640-67d3640f2339/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;After reciting an unflattering poem about Stalin to a small group of friends, Osip Mandelstam&amp;nbsp;was betrayed to the police and&amp;nbsp;endured five years in exile before dying in transit to the gulag. His wife, Nadezhda, spent the rest of her life dodging arrest, advocating for Osip’s work and writing what came to be known as&amp;nbsp;&lt;em&gt;Hope against Hope&lt;/em&gt;.&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;em&gt;Hope&amp;nbsp;against&amp;nbsp;Hope&lt;/em&gt;&amp;nbsp;is a testimony of life under Stalin, and of the ways&amp;nbsp;in which&amp;nbsp;ordinary people challenge and capitulate to power. It’s also a compendium of gossip, an account of psychological torture, a&amp;nbsp;description of the poet’s craft&amp;nbsp;and&amp;nbsp;a love story.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Pankaj Mishra joins Adam to discuss his final selection for Human Conditions. They explore the qualities that make&amp;nbsp;&lt;em&gt;Hope against Hope&lt;/em&gt;&amp;nbsp;so compelling: Nadezhda Mandelstam’s uncompromising honesty, perceptiveness and irrepressible humour.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Subscribe to Close Readings:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/hcapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/conditionssignup" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Pankaj Mishra is a writer, critic and reporter who regularly contributes to the &lt;em&gt;LRB&lt;/em&gt;. His books include &lt;em&gt;Age of Anger: A History of the Present&lt;/em&gt;,&amp;nbsp;&lt;em&gt;From the Ruins of Empire: The Intellectuals Who Remade Asia&lt;/em&gt;&amp;nbsp;and two novels, most recently&amp;nbsp;&lt;em&gt;Run and Hide&lt;/em&gt;.&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>After reciting an unflattering poem about Stalin to a small group of friends, Osip Mandelstam was betrayed to the police and endured five years in exile before dying in transit to the gulag. His wife, Nadezhda, spent the rest of her life dodging arrest, advocating for Osip’s work and writing what came to be known as Hope against Hope.
Hope against Hope is a testimony of life under Stalin, and of the ways in which ordinary people challenge and capitulate to power. It’s also a compendium of gossip, an account of psychological torture, a description of the poet’s craft and a love story.
Pankaj Mishra joins Adam to discuss his final selection for Human Conditions. They explore the qualities that make Hope against Hope so compelling: Nadezhda Mandelstam’s uncompromising honesty, perceptiveness and irrepressible humour.
Subscribe to Close Readings:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Pankaj Mishra is a writer, critic and reporter who regularly contributes to the LRB. His books include Age of Anger: A History of the Present, From the Ruins of Empire: The Intellectuals Who Remade Asia and two novels, most recently Run and Hide.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>After reciting an unflattering poem about Stalin to a small group of friends, Osip Mandelstam was betrayed to the police and endured five years in exile before dying in transit to the gulag. His wife, Nadezhda, spent the rest of her life dodging arrest, advocating for Osip’s work and writing what came to be known as <em>Hope against Hope</em>.</p><br><p><em>Hope against Hope</em> is a testimony of life under Stalin, and of the ways in which ordinary people challenge and capitulate to power. It’s also a compendium of gossip, an account of psychological torture, a description of the poet’s craft and a love story.</p><br><p>Pankaj Mishra joins Adam to discuss his final selection for Human Conditions. They explore the qualities that make <em>Hope against Hope</em> so compelling: Nadezhda Mandelstam’s uncompromising honesty, perceptiveness and irrepressible humour.</p><br><p>Subscribe to Close Readings:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/hcapplesignup">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/conditionssignup">lrb.me/closereadings</a></p><br><p>Pankaj Mishra is a writer, critic and reporter who regularly contributes to the <em>LRB</em>. His books include <em>Age of Anger: A History of the Present</em>, <em>From the Ruins of Empire: The Intellectuals Who Remade Asia</em> and two novels, most recently <em>Run and Hide</em>.</p><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>897</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>On Satire: Jane Austen's 'Emma'</title>
      <link>https://lrb.me/satiresignuppod</link>
      <description>What kind of satirist was Jane Austen? Her earliest writings follow firmly in the footsteps of Tristram Shandy in their deployment of heightened sentiment as a tool for satirising romantic novelistic conventions. But her mature fiction goes far beyond this, taking the fashion for passionate sensibility and confronting it with moneyed realism to depict a complex social satire in which characters are constantly pulled in different directions by romantic and economic forces. In this episode Clare and Colin focus on Emma as the high point of Austen’s satire of character as revealed through conversational style, and consider how the world Austen was born into, of revolutionary thought and new money, shaped the moral and material universe of all her novels.
Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Read more in the LRB:
Barbara Everett
https://www.lrb.co.uk/the-paper/v18/n03/barbara-everett/hard-romance
John Bayley
https://www.lrb.co.uk/the-paper/v09/n03/john-bayley/yawning-and-screaming
Marilyn Butler
https://www.lrb.co.uk/the-paper/v09/n12/marilyn-butler/jane-austen-s-word-process
Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sun, 04 Aug 2024 09:37:43 -0000</pubDate>
      <itunes:title>On Satire: Jane Austen's 'Emma'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>7</itunes:season>
      <itunes:episode>8</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/92c73dd4-4c5a-11f0-9640-9705a7149553/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;What kind of satirist was Jane Austen? Her earliest writings follow firmly in the footsteps of&amp;nbsp;&lt;em&gt;Tristram Shandy&lt;/em&gt;&amp;nbsp;in their deployment of heightened sentiment as a tool for satirising romantic novelistic conventions. But her mature fiction goes far beyond this, taking the fashion for passionate sensibility and confronting it with moneyed realism to depict a complex social satire in which characters are constantly pulled in different directions by romantic and economic forces. In this episode Clare and Colin focus on&amp;nbsp;&lt;em&gt;Emma&lt;/em&gt;&amp;nbsp;as the high point of Austen’s satire of character as revealed through conversational style, and consider how the world Austen was born into, of revolutionary thought and new money, shaped the moral and material universe of all her novels.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/satiresignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Read more in the LRB:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Barbara Everett&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v18/n03/barbara-everett/hard-romance" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v18/n03/barbara-everett/hard-romance&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;John Bayley&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v09/n03/john-bayley/yawning-and-screaming" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v09/n03/john-bayley/yawning-and-screaming&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Marilyn Butler&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v09/n12/marilyn-butler/jane-austen-s-word-process" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v09/n12/marilyn-butler/jane-austen-s-word-process&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>What kind of satirist was Jane Austen? Her earliest writings follow firmly in the footsteps of Tristram Shandy in their deployment of heightened sentiment as a tool for satirising romantic novelistic conventions. But her mature fiction goes far beyond this, taking the fashion for passionate sensibility and confronting it with moneyed realism to depict a complex social satire in which characters are constantly pulled in different directions by romantic and economic forces. In this episode Clare and Colin focus on Emma as the high point of Austen’s satire of character as revealed through conversational style, and consider how the world Austen was born into, of revolutionary thought and new money, shaped the moral and material universe of all her novels.
Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Read more in the LRB:
Barbara Everett
https://www.lrb.co.uk/the-paper/v18/n03/barbara-everett/hard-romance
John Bayley
https://www.lrb.co.uk/the-paper/v09/n03/john-bayley/yawning-and-screaming
Marilyn Butler
https://www.lrb.co.uk/the-paper/v09/n12/marilyn-butler/jane-austen-s-word-process
Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What kind of satirist was Jane Austen? Her earliest writings follow firmly in the footsteps of <em>Tristram Shandy</em> in their deployment of heightened sentiment as a tool for satirising romantic novelistic conventions. But her mature fiction goes far beyond this, taking the fashion for passionate sensibility and confronting it with moneyed realism to depict a complex social satire in which characters are constantly pulled in different directions by romantic and economic forces. In this episode Clare and Colin focus on <em>Emma</em> as the high point of Austen’s satire of character as revealed through conversational style, and consider how the world Austen was born into, of revolutionary thought and new money, shaped the moral and material universe of all her novels.</p><br><p>Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/satiresignuppod">lrb.me/closereadings</a></p><br><p>Read more in the LRB:</p><br><p>Barbara Everett</p><p><a href="https://www.lrb.co.uk/the-paper/v18/n03/barbara-everett/hard-romance">https://www.lrb.co.uk/the-paper/v18/n03/barbara-everett/hard-romance</a></p><br><p>John Bayley</p><p><a href="https://www.lrb.co.uk/the-paper/v09/n03/john-bayley/yawning-and-screaming">https://www.lrb.co.uk/the-paper/v09/n03/john-bayley/yawning-and-screaming</a></p><br><p>Marilyn Butler</p><p><a href="https://www.lrb.co.uk/the-paper/v09/n12/marilyn-butler/jane-austen-s-word-process">https://www.lrb.co.uk/the-paper/v09/n12/marilyn-butler/jane-austen-s-word-process</a></p><br><p>Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.</p><br><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>936</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Political Poems: 'When Lilacs Last in the Dooryard Bloom'd' by Walt Whitman</title>
      <link>https://shows.acast.com/close-readings/episodes/66a3a85d263e103d1792f69b</link>
      <description>Whitman wrote several poetic responses to the assassination of Abraham Lincoln. He came to detest his most famous, ‘O Captain! My Captain!’, and in ‘When Lilacs Last in the Dooryard Bloom'd’ Lincoln is not imagined in presidential terms but contained within a love elegy that attempts to unite his death with the 600,000 deaths of the civil war and reconfigure the assassination as a symbolic birth of the new America. Seamus and Mark discuss Whitman’s cosmic vision, with its grand democratic vistas populated by small observations of rural and urban life, and his use of a thrush as a redemptive poetic voice.
Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://lrb.me/ppapplesignup
In other podcast apps: https://lrb.me/ppsignup
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sun, 28 Jul 2024 05:00:49 -0000</pubDate>
      <itunes:title>Political Poems: 'When Lilacs Last in the Dooryard Bloom'd' by Walt Whitman</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>11</itunes:season>
      <itunes:episode>7</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/93174626-4c5a-11f0-9640-ef1c4db1f146/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Whitman wrote several poetic responses to the assassination of Abraham Lincoln. He came to detest his most famous, ‘O Captain! My Captain!’, and in ‘When Lilacs Last in the Dooryard Bloom'd’ Lincoln is not imagined in presidential terms but contained within a love elegy that attempts to unite his death with the 600,000 deaths of the civil war and reconfigure the assassination as a symbolic birth of the new America. Seamus and Mark discuss Whitman’s cosmic vision, with its grand democratic vistas populated by small observations of rural and urban life, and his use of a thrush as a redemptive poetic voice.&lt;/p&gt;&lt;p&gt;Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.&lt;/p&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/ppapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/ppapplesignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/ppsignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/ppsignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Whitman wrote several poetic responses to the assassination of Abraham Lincoln. He came to detest his most famous, ‘O Captain! My Captain!’, and in ‘When Lilacs Last in the Dooryard Bloom'd’ Lincoln is not imagined in presidential terms but contained within a love elegy that attempts to unite his death with the 600,000 deaths of the civil war and reconfigure the assassination as a symbolic birth of the new America. Seamus and Mark discuss Whitman’s cosmic vision, with its grand democratic vistas populated by small observations of rural and urban life, and his use of a thrush as a redemptive poetic voice.
Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://lrb.me/ppapplesignup
In other podcast apps: https://lrb.me/ppsignup
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Whitman wrote several poetic responses to the assassination of Abraham Lincoln. He came to detest his most famous, ‘O Captain! My Captain!’, and in ‘When Lilacs Last in the Dooryard Bloom'd’ Lincoln is not imagined in presidential terms but contained within a love elegy that attempts to unite his death with the 600,000 deaths of the civil war and reconfigure the assassination as a symbolic birth of the new America. Seamus and Mark discuss Whitman’s cosmic vision, with its grand democratic vistas populated by small observations of rural and urban life, and his use of a thrush as a redemptive poetic voice.</p><p>Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.</p><p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ppapplesignup">https://lrb.me/ppapplesignup</a></p><p>In other podcast apps: <a href="https://lrb.me/ppsignup">https://lrb.me/ppsignup</a></p><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>680</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Among the Ancients II: Plautus and Terence</title>
      <link>https://shows.acast.com/close-readings/episodes/669f8846c3503f86751292a8</link>
      <description>In episode seven, we turn to some of the earliest surviving examples of Roman literature: the raucous, bawdy and sometimes bewildering world of Roman comedy. Plautus and Terence, who would go on to set the tone for centuries of playwrights (and school curricula), came from the margins of Roman society, writing primarily for plebeians and upsetting the conventions they simultaneously established. Plautus’ ‘Menaechmi’ is full of coinages, punning and madcap doubling. Terence’s troubling ‘Hecyra’ tells a much darker story of Roman sexual mores while destabilizing misogynistic stereotypes. Emily and Tom discuss how best to navigate these very early and enormously influential plays, and what they lend to Shakespeare, Sondheim and the modern sitcom.
Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Wed, 24 Jul 2024 07:34:58 -0000</pubDate>
      <itunes:title>Among the Ancients II: Plautus and Terence</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>10</itunes:season>
      <itunes:episode>7</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/93681d9e-4c5a-11f0-9640-df7f3c13e66e/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In episode seven, we turn to some of the earliest surviving examples of Roman literature: the raucous, bawdy and sometimes bewildering world of Roman comedy. Plautus and Terence, who would go on to set the tone for centuries of playwrights (and school curricula), came from the margins of Roman society, writing primarily for plebeians and upsetting the conventions they simultaneously established. Plautus’ ‘Menaechmi’ is full of coinages, punning and madcap doubling. Terence’s troubling ‘Hecyra’ tells a much darker story of Roman sexual mores while destabilizing misogynistic stereotypes. Emily and Tom discuss how best to navigate these very early and enormously influential plays, and what they lend to Shakespeare, Sondheim and the modern sitcom.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/ataapple" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/atasignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the &lt;em&gt;London Review of Books&lt;/em&gt;.&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In episode seven, we turn to some of the earliest surviving examples of Roman literature: the raucous, bawdy and sometimes bewildering world of Roman comedy. Plautus and Terence, who would go on to set the tone for centuries of playwrights (and school curricula), came from the margins of Roman society, writing primarily for plebeians and upsetting the conventions they simultaneously established. Plautus’ ‘Menaechmi’ is full of coinages, punning and madcap doubling. Terence’s troubling ‘Hecyra’ tells a much darker story of Roman sexual mores while destabilizing misogynistic stereotypes. Emily and Tom discuss how best to navigate these very early and enormously influential plays, and what they lend to Shakespeare, Sondheim and the modern sitcom.
Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In episode seven, we turn to some of the earliest surviving examples of Roman literature: the raucous, bawdy and sometimes bewildering world of Roman comedy. Plautus and Terence, who would go on to set the tone for centuries of playwrights (and school curricula), came from the margins of Roman society, writing primarily for plebeians and upsetting the conventions they simultaneously established. Plautus’ ‘Menaechmi’ is full of coinages, punning and madcap doubling. Terence’s troubling ‘Hecyra’ tells a much darker story of Roman sexual mores while destabilizing misogynistic stereotypes. Emily and Tom discuss how best to navigate these very early and enormously influential plays, and what they lend to Shakespeare, Sondheim and the modern sitcom.</p><br><p>Non-subscribers will only hear an extract from this episode. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ataapple">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/atasignuppod">lrb.me/closereadings</a></p><br><p>Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the <em>London Review of Books</em>.</p><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>912</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[669f8846c3503f86751292a8]]></guid>
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    <item>
      <title>Medieval LOLs: Solomon and Marcolf</title>
      <link>https://lrb.me/medlolscsignup</link>
      <description>The foul-mouthed, mean-spirited peasant Marcolf was one of the most well-known literary characters in late medieval Europe. He appears in many poetic works from the 9th century onwards, but it’s in this dialogue with Solomon, printed in Antwerp in 1492, that we find him at his irreverent and scatological best as they engage in a battle of proverbial wisdom. Mary and Irina consider some of the more startling and perplexing of the riddles and discuss how the development of Marcolf’s earthy rejoinders tells a story about justice and political power.
Read the text here:
https://d.lib.rochester.edu/teams/text/bradbury-solomon-and-marcolf
Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series Medieval Beginnings:
Directly in Apple Podcasts: https://lrb.me/medlolapplesignup
In other podcast apps: https://lrb.me/medlolscsignup
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Thu, 18 Jul 2024 06:01:10 -0000</pubDate>
      <itunes:title>Medieval LOLs: Solomon and Marcolf</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>9</itunes:season>
      <itunes:episode>7</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/93b78d8e-4c5a-11f0-9640-db96a4831124/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;The foul-mouthed, mean-spirited peasant Marcolf was one of the most well-known literary characters in late medieval Europe. He appears in many poetic works from the 9th century onwards, but it’s in this dialogue with Solomon, printed in Antwerp in 1492, that we find him at his irreverent and scatological best as they engage in a battle of proverbial wisdom. Mary and Irina consider some of the more startling and perplexing of the riddles and discuss how the development of Marcolf’s earthy rejoinders tells a story about justice and political power.&lt;/p&gt;&lt;p&gt;Read the text here:&lt;/p&gt;&lt;p&gt;&lt;a href="https://d.lib.rochester.edu/teams/text/bradbury-solomon-and-marcolf" rel="noopener noreferrer" target="_blank"&gt;https://d.lib.rochester.edu/teams/text/bradbury-solomon-and-marcolf&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series &lt;em&gt;Medieval Beginnings&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/medlolapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/medlolapplesignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/medlolscsignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/medlolscsignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>The foul-mouthed, mean-spirited peasant Marcolf was one of the most well-known literary characters in late medieval Europe. He appears in many poetic works from the 9th century onwards, but it’s in this dialogue with Solomon, printed in Antwerp in 1492, that we find him at his irreverent and scatological best as they engage in a battle of proverbial wisdom. Mary and Irina consider some of the more startling and perplexing of the riddles and discuss how the development of Marcolf’s earthy rejoinders tells a story about justice and political power.
Read the text here:
https://d.lib.rochester.edu/teams/text/bradbury-solomon-and-marcolf
Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series Medieval Beginnings:
Directly in Apple Podcasts: https://lrb.me/medlolapplesignup
In other podcast apps: https://lrb.me/medlolscsignup
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The foul-mouthed, mean-spirited peasant Marcolf was one of the most well-known literary characters in late medieval Europe. He appears in many poetic works from the 9th century onwards, but it’s in this dialogue with Solomon, printed in Antwerp in 1492, that we find him at his irreverent and scatological best as they engage in a battle of proverbial wisdom. Mary and Irina consider some of the more startling and perplexing of the riddles and discuss how the development of Marcolf’s earthy rejoinders tells a story about justice and political power.</p><p>Read the text here:</p><p><a href="https://d.lib.rochester.edu/teams/text/bradbury-solomon-and-marcolf">https://d.lib.rochester.edu/teams/text/bradbury-solomon-and-marcolf</a></p><p>Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series <em>Medieval Beginnings</em>:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/medlolapplesignup">https://lrb.me/medlolapplesignup</a></p><p>In other podcast apps: <a href="https://lrb.me/medlolscsignup">https://lrb.me/medlolscsignup</a></p><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>3018</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Human Conditions: ‘The Golden Notebook’ by Doris Lessing</title>
      <link>https://shows.acast.com/close-readings/episodes/667e8d0f53198fba30836ef4</link>
      <description>Pankaj Mishra joins Adam Shatz to discuss The Golden Notebook, Doris Lessing’s formally brilliant and startlingly frank 1962 novel. In her portrait of ‘free women’ – unmarried, creatively ambitious, politically engaged – Lessing wrestles with the breakdown of Stalinism, settler colonialism and traditional gender roles. Pankaj and Adam explore the lived experiences that shaped the novel, its feminist reception and why Pankaj considers it to be one of the best representations of ‘the strange uncapturable sensation of living from day to day.’
Non-subscriber will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading:
Anita Brookner: Women Against Men
https://www.lrb.co.uk/the-paper/v04/n16/anita-brookner/women-against-men
Frank Kermode: The Daughter Who Hated Her
https://www.lrb.co.uk/the-paper/v30/n14/frank-kermode/the-daughter-who-hated-her
Jenny Diski: Why can‘t people just be sensible?
https://www.lrb.co.uk/the-paper/v37/n15/jenny-diski/why-can-t-people-just-be-sensible
Pankaj Mishra is a writer, critic and reporter who regularly contributes to the LRB. His books include Age of Anger: A History of the Present, From the Ruins of Empire: The Intellectuals Who Remade Asia and two novels, most recently Run and Hide.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Wed, 10 Jul 2024 06:00:58 -0000</pubDate>
      <itunes:title>Human Conditions: ‘The Golden Notebook’ by Doris Lessing</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>8</itunes:season>
      <itunes:episode>7</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/94056522-4c5a-11f0-9640-b7391b403ba0/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Pankaj Mishra joins Adam Shatz to discuss&amp;nbsp;&lt;em&gt;The Golden Notebook&lt;/em&gt;, Doris Lessing’s formally brilliant and startlingly frank 1962 novel. In her portrait of ‘free women’ – unmarried, creatively ambitious, politically engaged – Lessing wrestles with the breakdown of Stalinism, settler colonialism and traditional gender roles. Pankaj and Adam explore the lived experiences that shaped the novel, its feminist reception and why Pankaj considers it to be one of the best representations of ‘the strange uncapturable sensation of living from day to day.’&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscriber will only hear an extract from this episode.&amp;nbsp;To listen in full, and to all our other Close Readings series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts:&amp;nbsp;&lt;a href="https://lrb.me/hcapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps:&amp;nbsp;&lt;a href="https://lrb.me/conditionssignup" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Anita Brookner: Women Against Men&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v04/n16/anita-brookner/women-against-men" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v04/n16/anita-brookner/women-against-men&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Frank Kermode: The Daughter Who Hated Her&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v30/n14/frank-kermode/the-daughter-who-hated-her" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v30/n14/frank-kermode/the-daughter-who-hated-her&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Jenny Diski: Why can‘t people just be sensible?&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v37/n15/jenny-diski/why-can-t-people-just-be-sensible" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v37/n15/jenny-diski/why-can-t-people-just-be-sensible&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Pankaj Mishra is a writer, critic and reporter who regularly contributes to the &lt;em&gt;LRB&lt;/em&gt;. His books include &lt;em&gt;Age of Anger: A History of the Present&lt;/em&gt;,&amp;nbsp;&lt;em&gt;From the Ruins of Empire: The Intellectuals Who Remade Asia&lt;/em&gt;&amp;nbsp;and two novels, most recently&amp;nbsp;&lt;em&gt;Run and Hide&lt;/em&gt;.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Pankaj Mishra joins Adam Shatz to discuss The Golden Notebook, Doris Lessing’s formally brilliant and startlingly frank 1962 novel. In her portrait of ‘free women’ – unmarried, creatively ambitious, politically engaged – Lessing wrestles with the breakdown of Stalinism, settler colonialism and traditional gender roles. Pankaj and Adam explore the lived experiences that shaped the novel, its feminist reception and why Pankaj considers it to be one of the best representations of ‘the strange uncapturable sensation of living from day to day.’
Non-subscriber will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading:
Anita Brookner: Women Against Men
https://www.lrb.co.uk/the-paper/v04/n16/anita-brookner/women-against-men
Frank Kermode: The Daughter Who Hated Her
https://www.lrb.co.uk/the-paper/v30/n14/frank-kermode/the-daughter-who-hated-her
Jenny Diski: Why can‘t people just be sensible?
https://www.lrb.co.uk/the-paper/v37/n15/jenny-diski/why-can-t-people-just-be-sensible
Pankaj Mishra is a writer, critic and reporter who regularly contributes to the LRB. His books include Age of Anger: A History of the Present, From the Ruins of Empire: The Intellectuals Who Remade Asia and two novels, most recently Run and Hide.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Pankaj Mishra joins Adam Shatz to discuss <em>The Golden Notebook</em>, Doris Lessing’s formally brilliant and startlingly frank 1962 novel. In her portrait of ‘free women’ – unmarried, creatively ambitious, politically engaged – Lessing wrestles with the breakdown of Stalinism, settler colonialism and traditional gender roles. Pankaj and Adam explore the lived experiences that shaped the novel, its feminist reception and why Pankaj considers it to be one of the best representations of ‘the strange uncapturable sensation of living from day to day.’</p><br><p>Non-subscriber will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/hcapplesignup">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/conditionssignup">lrb.me/closereadings</a></p><br><p>Further reading:</p><br><p>Anita Brookner: Women Against Men</p><p><a href="https://www.lrb.co.uk/the-paper/v04/n16/anita-brookner/women-against-men">https://www.lrb.co.uk/the-paper/v04/n16/anita-brookner/women-against-men</a></p><br><p>Frank Kermode: The Daughter Who Hated Her</p><p><a href="https://www.lrb.co.uk/the-paper/v30/n14/frank-kermode/the-daughter-who-hated-her">https://www.lrb.co.uk/the-paper/v30/n14/frank-kermode/the-daughter-who-hated-her</a></p><br><p>Jenny Diski: Why can‘t people just be sensible?</p><p><a href="https://www.lrb.co.uk/the-paper/v37/n15/jenny-diski/why-can-t-people-just-be-sensible">https://www.lrb.co.uk/the-paper/v37/n15/jenny-diski/why-can-t-people-just-be-sensible</a></p><br><p>Pankaj Mishra is a writer, critic and reporter who regularly contributes to the <em>LRB</em>. His books include <em>Age of Anger: A History of the Present</em>, <em>From the Ruins of Empire: The Intellectuals Who Remade Asia</em> and two novels, most recently <em>Run and Hide</em>.</p><br><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>809</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[667e8d0f53198fba30836ef4]]></guid>
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    <item>
      <title>On Satire: 'The Life and Opinions of Tristram Shandy, Gentleman' by Laurence Sterne</title>
      <link>https://lrb.me/satiresignuppod</link>
      <description>'Tristram Shandy' was such a hit in its day that you could buy tea trays, watch cases and cushions decorated with its most famous characters and scenes. If much of the satire covered in this series so far has featured succinct and damning portrayals of recognisable city types, Sterne’s comic masterpiece seems to offer the opposite: a sprawling and irreducible depiction of idiosyncratic country-dwellers that makes a point of never making its point. Yet many of the familiar satirical tricks are there – from radical shifts in scale to the liberal use of innuendo – and in this episode Clare and Colin look at the ways in which the novel stays true to the traditions of satire while drawing on Cervantes, Rabelais, Locke and the fashionable notion of ‘sentiment’ to advance a new kind of nuanced social comedy.
This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Thu, 04 Jul 2024 08:03:48 -0000</pubDate>
      <itunes:title>On Satire: 'The Life and Opinions of Tristram Shandy, Gentleman' by Laurence Sterne</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>7</itunes:season>
      <itunes:episode>7</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/94549980-4c5a-11f0-9640-4b3ecc003822/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;'Tristram Shandy' was such a hit in its day that you could buy tea trays, watch cases and cushions decorated with its most famous characters and scenes. If much of the satire covered in this series so far has featured succinct and damning portrayals of recognisable city types, Sterne’s comic masterpiece seems to offer the opposite: a sprawling and irreducible depiction of idiosyncratic country-dwellers that makes a point of never making its point. Yet many of the familiar satirical tricks are there – from radical shifts in scale to the liberal use of innuendo – and in this episode Clare and Colin look at the ways in which the novel stays true to the traditions of satire while drawing on Cervantes, Rabelais, Locke and the fashionable notion of ‘sentiment’ to advance a new kind of nuanced social comedy.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/satiresignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>'Tristram Shandy' was such a hit in its day that you could buy tea trays, watch cases and cushions decorated with its most famous characters and scenes. If much of the satire covered in this series so far has featured succinct and damning portrayals of recognisable city types, Sterne’s comic masterpiece seems to offer the opposite: a sprawling and irreducible depiction of idiosyncratic country-dwellers that makes a point of never making its point. Yet many of the familiar satirical tricks are there – from radical shifts in scale to the liberal use of innuendo – and in this episode Clare and Colin look at the ways in which the novel stays true to the traditions of satire while drawing on Cervantes, Rabelais, Locke and the fashionable notion of ‘sentiment’ to advance a new kind of nuanced social comedy.
This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>'Tristram Shandy' was such a hit in its day that you could buy tea trays, watch cases and cushions decorated with its most famous characters and scenes. If much of the satire covered in this series so far has featured succinct and damning portrayals of recognisable city types, Sterne’s comic masterpiece seems to offer the opposite: a sprawling and irreducible depiction of idiosyncratic country-dwellers that makes a point of never making its point. Yet many of the familiar satirical tricks are there – from radical shifts in scale to the liberal use of innuendo – and in this episode Clare and Colin look at the ways in which the novel stays true to the traditions of satire while drawing on Cervantes, Rabelais, Locke and the fashionable notion of ‘sentiment’ to advance a new kind of nuanced social comedy.</p><p>This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/satiresignuppod">lrb.me/closereadings</a></p><p>Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.</p><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>938</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6685761e04b201dd343ef0bf]]></guid>
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    <item>
      <title>Political Poems: 'Strange Meeting' by Wilfred Owen</title>
      <link>https://lrb.me/ppsignup</link>
      <description>Wilfred Owen wrote ‘Strange Meeting’ in the early months of 1918, shortly after being treated for shell shock at Craiglockhart hospital in Edinburgh, where he had met the stridently anti-war Siegfried Sassoon. Sassoon's poetry of caustic realism quickly found its way into Owen’s work, where it merged with the high romantic sublime of his other great influences, Keats and Shelley. Mark and Seamus discuss the unstable mixture of these forces and the innovative use of rhyme in a poem where the politics is less about ideology or argument than an intuitive response to the horror of war.
Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://lrb.me/ppapplesignup
In other podcast apps: https://lrb.me/ppsignup
Further reading in the LRB:
Seamus Heaney on Auden (and Wilfred Owen): https://lrb.me/pp6heaney
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Fri, 28 Jun 2024 05:00:33 -0000</pubDate>
      <itunes:title>Political Poems: 'Strange Meeting' by Wilfred Owen</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>11</itunes:season>
      <itunes:episode>6</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/94a83e96-4c5a-11f0-9640-4ff37fc4d014/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Wilfred Owen wrote ‘Strange Meeting’ in the early months of 1918, shortly after being treated for shell shock at Craiglockhart hospital in Edinburgh, where he had met the stridently anti-war Siegfried Sassoon. Sassoon's poetry of caustic realism quickly found its way into Owen’s work, where it merged with the high romantic sublime of his other great influences, Keats and Shelley. Mark and Seamus discuss the unstable mixture of these forces and the innovative use of rhyme in a poem where the politics is less about ideology or argument than an intuitive response to the horror of war.&lt;/p&gt;&lt;p&gt;Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.&lt;/p&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/ppapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/ppapplesignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/ppsignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/ppsignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Further reading in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Seamus Heaney on Auden (and Wilfred Owen): &lt;a href="https://lrb.me/pp6heaney" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/pp6heaney&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Wilfred Owen wrote ‘Strange Meeting’ in the early months of 1918, shortly after being treated for shell shock at Craiglockhart hospital in Edinburgh, where he had met the stridently anti-war Siegfried Sassoon. Sassoon's poetry of caustic realism quickly found its way into Owen’s work, where it merged with the high romantic sublime of his other great influences, Keats and Shelley. Mark and Seamus discuss the unstable mixture of these forces and the innovative use of rhyme in a poem where the politics is less about ideology or argument than an intuitive response to the horror of war.
Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://lrb.me/ppapplesignup
In other podcast apps: https://lrb.me/ppsignup
Further reading in the LRB:
Seamus Heaney on Auden (and Wilfred Owen): https://lrb.me/pp6heaney
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Wilfred Owen wrote ‘Strange Meeting’ in the early months of 1918, shortly after being treated for shell shock at Craiglockhart hospital in Edinburgh, where he had met the stridently anti-war Siegfried Sassoon. Sassoon's poetry of caustic realism quickly found its way into Owen’s work, where it merged with the high romantic sublime of his other great influences, Keats and Shelley. Mark and Seamus discuss the unstable mixture of these forces and the innovative use of rhyme in a poem where the politics is less about ideology or argument than an intuitive response to the horror of war.</p><p>Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.</p><p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ppapplesignup">https://lrb.me/ppapplesignup</a></p><p>In other podcast apps: <a href="https://lrb.me/ppsignup">https://lrb.me/ppsignup</a></p><p>Further reading in the <em>LRB</em>:</p><p>Seamus Heaney on Auden (and Wilfred Owen): <a href="https://lrb.me/pp6heaney">https://lrb.me/pp6heaney</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>681</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Among the Ancients II: Lucian</title>
      <link>https://shows.acast.com/close-readings/episodes/667446e16a132c0011c3aedb</link>
      <description>The broad theme of this series, truth and lies, was a favourite subject of Lucian of Samosata, the last of our Greek-language authors. A cosmopolitan and highly cultured Syrian subject of the Roman Empire in the second century CE, Lucian wrote in the classical Greek of fifth-century Athens. His razor-sharp satire was a model for Erasmus, Voltaire and Swift. Emily and Tom share some of their favourite excerpts from ‘A True History’ and other works – with trips to the moon, boundary-pushing religious scepticism and wildly improbable but not technically untrue readings of Homer – and discuss why they still read as fresh and funny today.
Non-subscriber will only hear extracts from the rest of this series. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Tim Whitmarsh: Target Practice
https://www.lrb.co.uk/the-paper/v32/n04/tim-whitmarsh/target-practice
James Davidson: Stomach-Churning
https://www.lrb.co.uk/the-paper/v19/n02/james-davidson/stomach-churning
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Mon, 24 Jun 2024 05:00:18 -0000</pubDate>
      <itunes:title>Among the Ancients II: Lucian</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>10</itunes:season>
      <itunes:episode>6</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/94fcd0b4-4c5a-11f0-9640-4ff40f70c244/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;The broad theme of this series, truth and lies, was a favourite subject of Lucian of Samosata, the last of our Greek-language authors. A cosmopolitan and highly cultured Syrian subject of the Roman Empire in the second century CE, Lucian wrote in the classical Greek of fifth-century Athens. His razor-sharp satire was a model for Erasmus, Voltaire and Swift. Emily and Tom share some of their favourite excerpts from ‘A True History’ and other works – with trips to the moon, boundary-pushing religious scepticism and wildly improbable but not technically untrue readings of Homer – and discuss why they still read as fresh and funny today.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscriber will only hear extracts from the rest of this series. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/ataapple" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/atasignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading in the LRB:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Tim Whitmarsh: Target Practice&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v32/n04/tim-whitmarsh/target-practice" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v32/n04/tim-whitmarsh/target-practice&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;James Davidson: Stomach-Churning&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v19/n02/james-davidson/stomach-churning" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v19/n02/james-davidson/stomach-churning&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the &lt;em&gt;London Review of Books&lt;/em&gt;.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>The broad theme of this series, truth and lies, was a favourite subject of Lucian of Samosata, the last of our Greek-language authors. A cosmopolitan and highly cultured Syrian subject of the Roman Empire in the second century CE, Lucian wrote in the classical Greek of fifth-century Athens. His razor-sharp satire was a model for Erasmus, Voltaire and Swift. Emily and Tom share some of their favourite excerpts from ‘A True History’ and other works – with trips to the moon, boundary-pushing religious scepticism and wildly improbable but not technically untrue readings of Homer – and discuss why they still read as fresh and funny today.
Non-subscriber will only hear extracts from the rest of this series. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Tim Whitmarsh: Target Practice
https://www.lrb.co.uk/the-paper/v32/n04/tim-whitmarsh/target-practice
James Davidson: Stomach-Churning
https://www.lrb.co.uk/the-paper/v19/n02/james-davidson/stomach-churning
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The broad theme of this series, truth and lies, was a favourite subject of Lucian of Samosata, the last of our Greek-language authors. A cosmopolitan and highly cultured Syrian subject of the Roman Empire in the second century CE, Lucian wrote in the classical Greek of fifth-century Athens. His razor-sharp satire was a model for Erasmus, Voltaire and Swift. Emily and Tom share some of their favourite excerpts from ‘A True History’ and other works – with trips to the moon, boundary-pushing religious scepticism and wildly improbable but not technically untrue readings of Homer – and discuss why they still read as fresh and funny today.</p><br><p>Non-subscriber will only hear extracts from the rest of this series. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ataapple">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/atasignuppod">lrb.me/closereadings</a></p><br><p>Further reading in the LRB:</p><br><p>Tim Whitmarsh: Target Practice</p><p><a href="https://www.lrb.co.uk/the-paper/v32/n04/tim-whitmarsh/target-practice">https://www.lrb.co.uk/the-paper/v32/n04/tim-whitmarsh/target-practice</a></p><br><p>James Davidson: Stomach-Churning</p><p><a href="https://www.lrb.co.uk/the-paper/v19/n02/james-davidson/stomach-churning">https://www.lrb.co.uk/the-paper/v19/n02/james-davidson/stomach-churning</a></p><br><p>Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the <em>London Review of Books</em>.</p><br><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>888</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Medieval LOLs: The Second Shepherds' Pageant</title>
      <link>https://shows.acast.com/close-readings/episodes/66704a913d8df9a86fd991eb</link>
      <description>In their quest for the medieval sense of humour Mary and Irina come to The Second Shepherds’ Pageant, a 15th-century reimagining of the nativity as domestic comedy that’s less about the birth of Jesus and more about sheep rustling, taxes, the weather and the frustrations of daily life. The pageant was part of a mystery cycle, a collection of plays that revealed religious mysteries through performances of the Christian story and were a central part of community life. Mary and Irina discuss the porous relationship between player and audience in medieval theatre, and the expert stage management of this knockabout semi-biblical farce.
Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series Medieval Beginnings:
Directly in Apple Podcasts: https://lrb.me/medlolapplesignup
In other podcast apps: https://lrb.me/medlolscsignup
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Tue, 18 Jun 2024 05:00:30 -0000</pubDate>
      <itunes:title>Medieval LOLs: The Second Shepherds' Pageant</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>9</itunes:season>
      <itunes:episode>6</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/957b1f0a-4c5a-11f0-9640-eb67dee4e7e7/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In their quest for the medieval sense of humour Mary and Irina come to &lt;em&gt;The Second Shepherds’ Pageant&lt;/em&gt;, a 15th-century reimagining of the nativity as domestic comedy that’s less about the birth of Jesus and more about sheep rustling, taxes, the weather and the frustrations of daily life. The pageant was part of a mystery cycle, a collection of plays that revealed religious mysteries through performances of the Christian story and were a central part of community life. Mary and Irina discuss the porous relationship between player and audience in medieval theatre, and the expert stage management of this knockabout semi-biblical farce.&lt;/p&gt;&lt;p&gt;Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series &lt;em&gt;Medieval Beginnings&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/medlolapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/medlolapplesignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/medlolscsignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/medlolscsignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In their quest for the medieval sense of humour Mary and Irina come to The Second Shepherds’ Pageant, a 15th-century reimagining of the nativity as domestic comedy that’s less about the birth of Jesus and more about sheep rustling, taxes, the weather and the frustrations of daily life. The pageant was part of a mystery cycle, a collection of plays that revealed religious mysteries through performances of the Christian story and were a central part of community life. Mary and Irina discuss the porous relationship between player and audience in medieval theatre, and the expert stage management of this knockabout semi-biblical farce.
Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series Medieval Beginnings:
Directly in Apple Podcasts: https://lrb.me/medlolapplesignup
In other podcast apps: https://lrb.me/medlolscsignup
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In their quest for the medieval sense of humour Mary and Irina come to <em>The Second Shepherds’ Pageant</em>, a 15th-century reimagining of the nativity as domestic comedy that’s less about the birth of Jesus and more about sheep rustling, taxes, the weather and the frustrations of daily life. The pageant was part of a mystery cycle, a collection of plays that revealed religious mysteries through performances of the Christian story and were a central part of community life. Mary and Irina discuss the porous relationship between player and audience in medieval theatre, and the expert stage management of this knockabout semi-biblical farce.</p><p>Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series <em>Medieval Beginnings</em>:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/medlolapplesignup">https://lrb.me/medlolapplesignup</a></p><p>In other podcast apps: <a href="https://lrb.me/medlolscsignup">https://lrb.me/medlolscsignup</a></p><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>2164</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Human Conditions: ‘The Intimate Enemy’ by Ashis Nandy</title>
      <link>https://shows.acast.com/close-readings/episodes/66632522eb510700128956ce</link>
      <description>Ashis Nandy’s The Intimate Enemy is a study of the psychological toll of colonialism on both the coloniser and colonised, showing how Western conceptions of masculinity and adulthood served as tools of conquest. Using figures as disparate as Gandhi, Oscar Wilde and Aurobindo Ghosh, Nandy suggests ways in which alternative models of age and gender can provide compelling challenges to colonial authority. Pankaj Mishra joins Adam to unpack Nandy’s subtle and unexpected lines of thought and to explain why The Intimate Enemy remains as innovative today as it did in 1983.
Non-subscriber will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Pankaj Mishra is a writer, critic and reporter who regularly contributes to the LRB. His books include Age of Anger: A History of the Present, From the Ruins of Empire: The Intellectuals Who Remade Asia and two novels, most recently Run and Hide.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Mon, 10 Jun 2024 05:00:49 -0000</pubDate>
      <itunes:title>Human Conditions: ‘The Intimate Enemy’ by Ashis Nandy</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>8</itunes:season>
      <itunes:episode>6</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/95cc1e00-4c5a-11f0-9640-53f7836117e2/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Ashis Nandy’s&amp;nbsp;&lt;em&gt;The Intimate Enemy&amp;nbsp;&lt;/em&gt;is a study of the psychological toll of colonialism on both the coloniser and colonised, showing how Western conceptions of masculinity and adulthood served as tools of conquest. Using figures as disparate as Gandhi, Oscar Wilde and Aurobindo Ghosh, Nandy suggests ways in which alternative models of age and gender can provide compelling challenges to colonial authority. Pankaj Mishra joins Adam to unpack Nandy’s subtle and unexpected lines of thought and to explain why&amp;nbsp;&lt;em&gt;The Intimate Enemy&lt;/em&gt;&amp;nbsp;remains as innovative today as it did in 1983.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscriber will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/hcapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/conditionssignup" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Pankaj Mishra is a writer, critic and reporter who regularly contributes to the &lt;em&gt;LRB&lt;/em&gt;. His books include &lt;em&gt;Age of Anger: A History of the Present&lt;/em&gt;,&amp;nbsp;&lt;em&gt;From the Ruins of Empire: The Intellectuals Who Remade Asia&lt;/em&gt;&amp;nbsp;and two novels, most recently&amp;nbsp;&lt;em&gt;Run and Hide&lt;/em&gt;.&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Ashis Nandy’s The Intimate Enemy is a study of the psychological toll of colonialism on both the coloniser and colonised, showing how Western conceptions of masculinity and adulthood served as tools of conquest. Using figures as disparate as Gandhi, Oscar Wilde and Aurobindo Ghosh, Nandy suggests ways in which alternative models of age and gender can provide compelling challenges to colonial authority. Pankaj Mishra joins Adam to unpack Nandy’s subtle and unexpected lines of thought and to explain why The Intimate Enemy remains as innovative today as it did in 1983.
Non-subscriber will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Pankaj Mishra is a writer, critic and reporter who regularly contributes to the LRB. His books include Age of Anger: A History of the Present, From the Ruins of Empire: The Intellectuals Who Remade Asia and two novels, most recently Run and Hide.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ashis Nandy’s <em>The Intimate Enemy </em>is a study of the psychological toll of colonialism on both the coloniser and colonised, showing how Western conceptions of masculinity and adulthood served as tools of conquest. Using figures as disparate as Gandhi, Oscar Wilde and Aurobindo Ghosh, Nandy suggests ways in which alternative models of age and gender can provide compelling challenges to colonial authority. Pankaj Mishra joins Adam to unpack Nandy’s subtle and unexpected lines of thought and to explain why <em>The Intimate Enemy</em> remains as innovative today as it did in 1983.</p><br><p>Non-subscriber will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/hcapplesignup">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/conditionssignup">lrb.me/closereadings</a></p><br><p>Pankaj Mishra is a writer, critic and reporter who regularly contributes to the <em>LRB</em>. His books include <em>Age of Anger: A History of the Present</em>, <em>From the Ruins of Empire: The Intellectuals Who Remade Asia</em> and two novels, most recently <em>Run and Hide</em>.</p><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>846</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>On Satire: 'The Dunciad' by Alexander Pope</title>
      <link>https://lrb.me/satiresignuppod</link>
      <description>Nobody hated better than Alexander Pope. Despite his reputation as the quintessentially refined versifier of the early 18th century, he was also a class A, ultra-pure, surreal, visionary mega-hater, and The Dunciad is his monument to the hate he felt for almost all the other writers of his time. Written over fifteen years of burning fury, Pope’s mock-epic tells the story of the Empire of Dullness and its lineage of terrible writers, the Dunces. Unlike other satires featured in this series so far, it makes no effort to hide the identities of its targets. Clare and Colin provide an ABC for understanding this vast and knotty fulmination, and explore the feverish, backstabbing and politically turbulent world in which it was created.
Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Tue, 04 Jun 2024 11:13:57 -0000</pubDate>
      <itunes:title>On Satire: 'The Dunciad' by Alexander Pope</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>7</itunes:season>
      <itunes:episode>6</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/963c478e-4c5a-11f0-9640-9f26c213773f/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Nobody hated better than Alexander Pope. Despite his reputation as the quintessentially refined versifier of the early 18th century, he was also a class A, ultra-pure, surreal, visionary mega-hater, and&amp;nbsp;&lt;em&gt;The Dunciad&lt;/em&gt;&amp;nbsp;is his monument to the hate he felt for almost all the other writers of his time. Written over fifteen years of burning fury, Pope’s mock-epic tells the story of the Empire of Dullness and its lineage of terrible writers, the Dunces. Unlike other satires featured in this series so far, it makes no effort to hide the identities of its targets. Clare and Colin provide an ABC for understanding this vast and knotty fulmination, and explore the feverish, backstabbing and politically turbulent world in which it was created.&lt;/p&gt;&lt;p&gt;Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/satiresignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Nobody hated better than Alexander Pope. Despite his reputation as the quintessentially refined versifier of the early 18th century, he was also a class A, ultra-pure, surreal, visionary mega-hater, and The Dunciad is his monument to the hate he felt for almost all the other writers of his time. Written over fifteen years of burning fury, Pope’s mock-epic tells the story of the Empire of Dullness and its lineage of terrible writers, the Dunces. Unlike other satires featured in this series so far, it makes no effort to hide the identities of its targets. Clare and Colin provide an ABC for understanding this vast and knotty fulmination, and explore the feverish, backstabbing and politically turbulent world in which it was created.
Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Nobody hated better than Alexander Pope. Despite his reputation as the quintessentially refined versifier of the early 18th century, he was also a class A, ultra-pure, surreal, visionary mega-hater, and <em>The Dunciad</em> is his monument to the hate he felt for almost all the other writers of his time. Written over fifteen years of burning fury, Pope’s mock-epic tells the story of the Empire of Dullness and its lineage of terrible writers, the Dunces. Unlike other satires featured in this series so far, it makes no effort to hide the identities of its targets. Clare and Colin provide an ABC for understanding this vast and knotty fulmination, and explore the feverish, backstabbing and politically turbulent world in which it was created.</p><p>Non-subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/satiresignuppod">lrb.me/closereadings</a></p><p>Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.</p><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>803</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Political Poems: 'The Masque of Anarchy' by Percy Bysshe Shelley</title>
      <link>https://lrb.me/ppsignup</link>
      <description>Shelley’s angry, violent poem was written in direct response to the Peterloo Massacre in Manchester in 1819, in which a demonstration in favour of parliamentary reform was attacked by local yeomanry, leaving 18 people dead and hundreds injured. The ‘masque’ it describes begins with a procession of abstract figures – Murder, Fraud, Hypocrisy – embodied in members of the government, before eventually unfolding into a vision of England freed from the tyranny and anarchy of its institutions. As Mark and Seamus discuss in this episode, ‘The Masque of Anarchy’, with its incoherence and inconsistencies, amounts to perhaps the purest expression in verse both of Shelley’s political indignation and his belief that, with the right way of thinking, such chains of oppression can be shaken off ‘like dew’.
Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://lrb.me/ppapplesignup
In other podcast apps: https://lrb.me/ppsignup
Read more in the LRB:
Seamus Perry: Wielded by a Wizard https://lrb.me/perrypp
Thomas Jones: Hard Eggs and Radishes https://lrb.me/jonespp
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Tue, 28 May 2024 10:50:15 -0000</pubDate>
      <itunes:title>Political Poems: 'The Masque of Anarchy' by Percy Bysshe Shelley</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>11</itunes:season>
      <itunes:episode>5</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/968d25c8-4c5a-11f0-9640-9f443d13d156/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Shelley’s angry, violent poem was written in direct response to the Peterloo Massacre in Manchester in 1819, in which a demonstration in favour of parliamentary reform was attacked by local yeomanry, leaving 18 people dead and hundreds injured. The ‘masque’ it describes begins with a procession of abstract figures – Murder, Fraud, Hypocrisy – embodied in members of the government, before eventually unfolding into a vision of England freed from the tyranny and anarchy of its institutions. As Mark and Seamus discuss in this episode, ‘The Masque of Anarchy’, with its incoherence and inconsistencies, amounts to perhaps the purest expression in verse both of Shelley’s political indignation and his belief that, with the right way of thinking, such chains of oppression can be shaken off ‘like dew’.&lt;/p&gt;&lt;p&gt;Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.&lt;/p&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/ppapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/ppapplesignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/ppsignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/ppsignup&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Read more in the LRB:&lt;/p&gt;&lt;p&gt;Seamus Perry: Wielded by a Wizard &lt;a href="https://lrb.me/perrypp" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/perrypp&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Thomas Jones: Hard Eggs and Radishes &lt;a href="https://lrb.me/jonespp" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/jonespp&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Shelley’s angry, violent poem was written in direct response to the Peterloo Massacre in Manchester in 1819, in which a demonstration in favour of parliamentary reform was attacked by local yeomanry, leaving 18 people dead and hundreds injured. The ‘masque’ it describes begins with a procession of abstract figures – Murder, Fraud, Hypocrisy – embodied in members of the government, before eventually unfolding into a vision of England freed from the tyranny and anarchy of its institutions. As Mark and Seamus discuss in this episode, ‘The Masque of Anarchy’, with its incoherence and inconsistencies, amounts to perhaps the purest expression in verse both of Shelley’s political indignation and his belief that, with the right way of thinking, such chains of oppression can be shaken off ‘like dew’.
Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://lrb.me/ppapplesignup
In other podcast apps: https://lrb.me/ppsignup
Read more in the LRB:
Seamus Perry: Wielded by a Wizard https://lrb.me/perrypp
Thomas Jones: Hard Eggs and Radishes https://lrb.me/jonespp
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Shelley’s angry, violent poem was written in direct response to the Peterloo Massacre in Manchester in 1819, in which a demonstration in favour of parliamentary reform was attacked by local yeomanry, leaving 18 people dead and hundreds injured. The ‘masque’ it describes begins with a procession of abstract figures – Murder, Fraud, Hypocrisy – embodied in members of the government, before eventually unfolding into a vision of England freed from the tyranny and anarchy of its institutions. As Mark and Seamus discuss in this episode, ‘The Masque of Anarchy’, with its incoherence and inconsistencies, amounts to perhaps the purest expression in verse both of Shelley’s political indignation and his belief that, with the right way of thinking, such chains of oppression can be shaken off ‘like dew’.</p><p>Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.</p><p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ppapplesignup">https://lrb.me/ppapplesignup</a></p><p>In other podcast apps: <a href="https://lrb.me/ppsignup">https://lrb.me/ppsignup</a></p><br><p>Read more in the LRB:</p><p>Seamus Perry: Wielded by a Wizard <a href="https://lrb.me/perrypp">https://lrb.me/perrypp</a></p><p>Thomas Jones: Hard Eggs and Radishes <a href="https://lrb.me/jonespp">https://lrb.me/jonespp</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>837</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Among the Ancients II: Plato</title>
      <link>https://lrb.me/atasignuppod</link>
      <description>Plato’s Symposium, his philosophical dialogue on love, or eros, was probably written around 380 BCE, but it’s set in 416, during the uneasy truce between Athens and Sparta in the middle of the Peloponnesian War. A symposium was a drinking party, though Socrates and his friends, having had a heavy evening the night before, decide to go easy on the wine and instead take turns making speeches in praise of love – at least until Alcibiades turns up, very late and very drunk. In this episode of Among the Ancients, Emily and Tom discuss the dialogue’s philosophical ideas, historical context and narrative form, and why Aristophanes gets the hiccups.
Non-subscriber will only hear extracts from the rest of this series. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading:
Donald Davidson: Plato’s Philosopher
https://www.lrb.co.uk/the-paper/v07/n14/donald-davidson/plato-s-philosopher
Anne Carson: Oh What a Night (Alkibiades)
https://www.lrb.co.uk/the-paper/v42/n22/anne-carson/oh-what-a-night-alkibiades
M.F. Burnyeat: Art and Mimesis in Plato’s Republic
https://www.lrb.co.uk/the-paper/v20/n10/m.f.-burnyeat/art-and-mimesis-in-plato-s-republic
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Fri, 24 May 2024 09:31:06 -0000</pubDate>
      <itunes:title>Among the Ancients II: Plato</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>10</itunes:season>
      <itunes:episode>5</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/96dd6ccc-4c5a-11f0-9640-5b4d7b372cdf/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Plato’s&amp;nbsp;&lt;em&gt;Symposium&lt;/em&gt;, his philosophical dialogue on love, or&amp;nbsp;&lt;em&gt;eros&lt;/em&gt;, was probably written around 380&amp;nbsp;BCE, but it’s set in 416, during the uneasy truce between Athens and Sparta in the middle of the Peloponnesian War. A symposium was a drinking party, though Socrates and his friends, having had a heavy evening the night before, decide to go easy on the wine and instead take turns making speeches in praise of love – at least until Alcibiades turns up, very late and very drunk. In this episode of&amp;nbsp;&lt;em&gt;Among the Ancients&lt;/em&gt;, Emily and Tom discuss the dialogue’s philosophical ideas, historical context and narrative form, and why Aristophanes gets the hiccups.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscriber will only hear extracts from the rest of this series. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/ataapple" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/atasignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Donald Davidson: Plato’s Philosopher&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v07/n14/donald-davidson/plato-s-philosopher" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v07/n14/donald-davidson/plato-s-philosopher&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Anne Carson: Oh What a Night (Alkibiades)&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v42/n22/anne-carson/oh-what-a-night-alkibiades" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v42/n22/anne-carson/oh-what-a-night-alkibiades&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;M.F. Burnyeat: Art and Mimesis in Plato’s Republic&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v20/n10/m.f.-burnyeat/art-and-mimesis-in-plato-s-republic" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v20/n10/m.f.-burnyeat/art-and-mimesis-in-plato-s-republic&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the &lt;em&gt;London Review of Books&lt;/em&gt;.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Plato’s Symposium, his philosophical dialogue on love, or eros, was probably written around 380 BCE, but it’s set in 416, during the uneasy truce between Athens and Sparta in the middle of the Peloponnesian War. A symposium was a drinking party, though Socrates and his friends, having had a heavy evening the night before, decide to go easy on the wine and instead take turns making speeches in praise of love – at least until Alcibiades turns up, very late and very drunk. In this episode of Among the Ancients, Emily and Tom discuss the dialogue’s philosophical ideas, historical context and narrative form, and why Aristophanes gets the hiccups.
Non-subscriber will only hear extracts from the rest of this series. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading:
Donald Davidson: Plato’s Philosopher
https://www.lrb.co.uk/the-paper/v07/n14/donald-davidson/plato-s-philosopher
Anne Carson: Oh What a Night (Alkibiades)
https://www.lrb.co.uk/the-paper/v42/n22/anne-carson/oh-what-a-night-alkibiades
M.F. Burnyeat: Art and Mimesis in Plato’s Republic
https://www.lrb.co.uk/the-paper/v20/n10/m.f.-burnyeat/art-and-mimesis-in-plato-s-republic
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Plato’s <em>Symposium</em>, his philosophical dialogue on love, or <em>eros</em>, was probably written around 380 BCE, but it’s set in 416, during the uneasy truce between Athens and Sparta in the middle of the Peloponnesian War. A symposium was a drinking party, though Socrates and his friends, having had a heavy evening the night before, decide to go easy on the wine and instead take turns making speeches in praise of love – at least until Alcibiades turns up, very late and very drunk. In this episode of <em>Among the Ancients</em>, Emily and Tom discuss the dialogue’s philosophical ideas, historical context and narrative form, and why Aristophanes gets the hiccups.</p><br><p>Non-subscriber will only hear extracts from the rest of this series. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ataapple">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/atasignuppod">lrb.me/closereadings</a></p><br><p>Further reading:</p><br><p>Donald Davidson: Plato’s Philosopher</p><p><a href="https://www.lrb.co.uk/the-paper/v07/n14/donald-davidson/plato-s-philosopher">https://www.lrb.co.uk/the-paper/v07/n14/donald-davidson/plato-s-philosopher</a></p><br><p>Anne Carson: Oh What a Night (Alkibiades)</p><p><a href="https://www.lrb.co.uk/the-paper/v42/n22/anne-carson/oh-what-a-night-alkibiades">https://www.lrb.co.uk/the-paper/v42/n22/anne-carson/oh-what-a-night-alkibiades</a></p><br><p>M.F. Burnyeat: Art and Mimesis in Plato’s Republic</p><p><a href="https://www.lrb.co.uk/the-paper/v20/n10/m.f.-burnyeat/art-and-mimesis-in-plato-s-republic">https://www.lrb.co.uk/the-paper/v20/n10/m.f.-burnyeat/art-and-mimesis-in-plato-s-republic</a></p><br><p>Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the <em>London Review of Books</em>.</p><br><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>736</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Medieval LOLs: Dame Syrith</title>
      <link>https://lrb.me/medlolscsignup</link>
      <description>As Mary and Irina discussed in the previous episode of Medieval LOLs, fabliaux had an enormous influence on Chaucer, but outside of his work, only one survives in Middle English. Dame Syrith, a story of lust, deception and a mustard-eating dog, is medieval humour at its silliest and most troubling. Mary and Irina explore the surprising representations of old women, magic and consent in fabliaux, the poem’s possible role as a pedagogical tool, and medieval audiences’ love for the procuress trope.
Read Dame Syrith here: https://d.lib.rochester.edu/teams/text/salisbury-trials-and-joys-dame-sirth
Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series Medieval Beginnings:
Directly in Apple Podcasts: https://lrb.me/medlolapplesignup
In other podcast apps: https://lrb.me/medlolscsignup
Further reading in the LRB:
Irina Dumitrescu: Making My Moan
https://www.lrb.co.uk/the-paper/v42/n09/irina-dumitrescu/making-my-moan
Tom Shippey: Women Beware Midwives
https://www.lrb.co.uk/the-paper/v12/n09/tom-shippey/women-beware-midwives
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sat, 18 May 2024 07:00:44 -0000</pubDate>
      <itunes:title>Medieval LOLs: Dame Syrith</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>9</itunes:season>
      <itunes:episode>5</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9733b2d0-4c5a-11f0-9640-2b5c55e372f8/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;As Mary and Irina discussed in the previous episode of Medieval LOLs, fabliaux had an enormous influence on Chaucer, but outside of his work, only one survives in Middle English. &lt;em&gt;Dame Syrith&lt;/em&gt;, a story of lust, deception and a mustard-eating dog, is medieval humour at its silliest and most troubling. Mary and Irina explore the surprising representations of old women, magic and consent in fabliaux, the poem’s possible role as a pedagogical tool, and medieval audiences’ love for the procuress trope.&lt;/p&gt;&lt;p&gt;Read Dame Syrith here: &lt;a href="https://d.lib.rochester.edu/teams/text/salisbury-trials-and-joys-dame-sirth" rel="noopener noreferrer" target="_blank"&gt;https://d.lib.rochester.edu/teams/text/salisbury-trials-and-joys-dame-sirth&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series &lt;em&gt;Medieval Beginnings&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/medlolapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/medlolapplesignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/medlolscsignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/medlolscsignup&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;strong&gt;Further reading in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/strong&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Irina Dumitrescu: Making My Moan&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v42/n09/irina-dumitrescu/making-my-moan" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v42/n09/irina-dumitrescu/making-my-moan&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Tom Shippey: Women Beware Midwives&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v12/n09/tom-shippey/women-beware-midwives" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v12/n09/tom-shippey/women-beware-midwives&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>As Mary and Irina discussed in the previous episode of Medieval LOLs, fabliaux had an enormous influence on Chaucer, but outside of his work, only one survives in Middle English. Dame Syrith, a story of lust, deception and a mustard-eating dog, is medieval humour at its silliest and most troubling. Mary and Irina explore the surprising representations of old women, magic and consent in fabliaux, the poem’s possible role as a pedagogical tool, and medieval audiences’ love for the procuress trope.
Read Dame Syrith here: https://d.lib.rochester.edu/teams/text/salisbury-trials-and-joys-dame-sirth
Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series Medieval Beginnings:
Directly in Apple Podcasts: https://lrb.me/medlolapplesignup
In other podcast apps: https://lrb.me/medlolscsignup
Further reading in the LRB:
Irina Dumitrescu: Making My Moan
https://www.lrb.co.uk/the-paper/v42/n09/irina-dumitrescu/making-my-moan
Tom Shippey: Women Beware Midwives
https://www.lrb.co.uk/the-paper/v12/n09/tom-shippey/women-beware-midwives
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>As Mary and Irina discussed in the previous episode of Medieval LOLs, fabliaux had an enormous influence on Chaucer, but outside of his work, only one survives in Middle English. <em>Dame Syrith</em>, a story of lust, deception and a mustard-eating dog, is medieval humour at its silliest and most troubling. Mary and Irina explore the surprising representations of old women, magic and consent in fabliaux, the poem’s possible role as a pedagogical tool, and medieval audiences’ love for the procuress trope.</p><p>Read Dame Syrith here: <a href="https://d.lib.rochester.edu/teams/text/salisbury-trials-and-joys-dame-sirth">https://d.lib.rochester.edu/teams/text/salisbury-trials-and-joys-dame-sirth</a></p><br><p>Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series <em>Medieval Beginnings</em>:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/medlolapplesignup">https://lrb.me/medlolapplesignup</a></p><p>In other podcast apps: <a href="https://lrb.me/medlolscsignup">https://lrb.me/medlolscsignup</a></p><br><p><strong>Further reading in the <em>LRB</em>:</strong></p><br><p>Irina Dumitrescu: Making My Moan</p><p><a href="https://www.lrb.co.uk/the-paper/v42/n09/irina-dumitrescu/making-my-moan">https://www.lrb.co.uk/the-paper/v42/n09/irina-dumitrescu/making-my-moan</a></p><br><p>Tom Shippey: Women Beware Midwives</p><p><a href="https://www.lrb.co.uk/the-paper/v12/n09/tom-shippey/women-beware-midwives">https://www.lrb.co.uk/the-paper/v12/n09/tom-shippey/women-beware-midwives</a></p><br><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>2216</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Human Conditions: ‘A House for Mr Biswas’ by V.S. Naipaul</title>
      <link>https://lrb.me/conditionssignup</link>
      <description>In A House for Mr Biswas, his 1961 comic masterpiece, V.S. Naipaul pays tribute to his father and the vanishing world of his Trinidadian youth. Pankaj Mishra joins Adam Shatz in their first of four episodes to discuss the novel, a pathbreaking work of postcolonial literature and a particularly powerful influence on Pankaj himself. They explore Naipaul’s fraught relationship to modernity, and the tensions between his attachment to individual freedom and his insistence on the constraints imposed by history. 
Non-subscriber will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Read more in the LRB:
D.A.N. Jones: The Enchantment of Vidia Naipaul
https://www.lrb.co.uk/the-paper/v06/n08/d.a.n.-jones/the-enchantment-of-vidia-naipaul
Frank Kermode: What Naipaul Knows
https://www.lrb.co.uk/the-paper/v23/n17/frank-kermode/what-naipaul-knows
Paul Theroux: Out of Sir Vidia’s Shadow
https://www.lrb.co.uk/the-paper/v44/n04/paul-theroux/diary
Sanjay Subramahnyam: Where does he come from? 
https://www.lrb.co.uk/the-paper/v29/n21/sanjay-subrahmanyam/where-does-he-come-from
Pankaj Mishra is a writer, critic and reporter who regularly contributes to the LRB. His books include Age of Anger: A History of the Present, From the Ruins of Empire: The Intellectuals Who Remade Asia and two novels, most recently Run and Hide.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Fri, 10 May 2024 09:05:00 -0000</pubDate>
      <itunes:title>Human Conditions: ‘A House for Mr Biswas’ by V.S. Naipaul</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>8</itunes:season>
      <itunes:episode>5</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/97900120-4c5a-11f0-9640-f3fc3b3f021a/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In&amp;nbsp;&lt;em&gt;A House for Mr Biswas&lt;/em&gt;, his 1961 comic masterpiece, V.S. Naipaul pays tribute to his father and the vanishing world of his Trinidadian youth. Pankaj Mishra joins Adam Shatz in their first of four episodes to discuss the novel, a pathbreaking work&amp;nbsp;of&amp;nbsp;postcolonial literature and a particularly powerful influence on Pankaj himself. They explore Naipaul’s&amp;nbsp;fraught&amp;nbsp;relationship&amp;nbsp;to modernity,&amp;nbsp;and the tensions between his attachment to individual freedom and his insistence on the constraints imposed by history.&amp;nbsp;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscriber will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/hcapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/conditionssignup" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Read more in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;br&gt;&lt;p&gt;D.A.N. Jones: The Enchantment of Vidia Naipaul&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v06/n08/d.a.n.-jones/the-enchantment-of-vidia-naipaul" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v06/n08/d.a.n.-jones/the-enchantment-of-vidia-naipaul&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Frank Kermode: What Naipaul Knows&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v23/n17/frank-kermode/what-naipaul-knows" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v23/n17/frank-kermode/what-naipaul-knows&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Paul Theroux: Out of Sir Vidia’s Shadow&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v44/n04/paul-theroux/diary" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v44/n04/paul-theroux/diary&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Sanjay Subramahnyam: Where does he come from?&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v29/n21/sanjay-subrahmanyam/where-does-he-come-from" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v29/n21/sanjay-subrahmanyam/where-does-he-come-from&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Pankaj Mishra is a writer, critic and reporter who regularly contributes to the &lt;em&gt;LRB&lt;/em&gt;. His books include &lt;em&gt;Age of Anger: A History of the Present&lt;/em&gt;,&amp;nbsp;&lt;em&gt;From the Ruins of Empire: The Intellectuals Who Remade Asia&lt;/em&gt;&amp;nbsp;and two novels, most recently&amp;nbsp;&lt;em&gt;Run and Hide&lt;/em&gt;.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In A House for Mr Biswas, his 1961 comic masterpiece, V.S. Naipaul pays tribute to his father and the vanishing world of his Trinidadian youth. Pankaj Mishra joins Adam Shatz in their first of four episodes to discuss the novel, a pathbreaking work of postcolonial literature and a particularly powerful influence on Pankaj himself. They explore Naipaul’s fraught relationship to modernity, and the tensions between his attachment to individual freedom and his insistence on the constraints imposed by history. 
Non-subscriber will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Read more in the LRB:
D.A.N. Jones: The Enchantment of Vidia Naipaul
https://www.lrb.co.uk/the-paper/v06/n08/d.a.n.-jones/the-enchantment-of-vidia-naipaul
Frank Kermode: What Naipaul Knows
https://www.lrb.co.uk/the-paper/v23/n17/frank-kermode/what-naipaul-knows
Paul Theroux: Out of Sir Vidia’s Shadow
https://www.lrb.co.uk/the-paper/v44/n04/paul-theroux/diary
Sanjay Subramahnyam: Where does he come from? 
https://www.lrb.co.uk/the-paper/v29/n21/sanjay-subrahmanyam/where-does-he-come-from
Pankaj Mishra is a writer, critic and reporter who regularly contributes to the LRB. His books include Age of Anger: A History of the Present, From the Ruins of Empire: The Intellectuals Who Remade Asia and two novels, most recently Run and Hide.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <em>A House for Mr Biswas</em>, his 1961 comic masterpiece, V.S. Naipaul pays tribute to his father and the vanishing world of his Trinidadian youth. Pankaj Mishra joins Adam Shatz in their first of four episodes to discuss the novel, a pathbreaking work of postcolonial literature and a particularly powerful influence on Pankaj himself. They explore Naipaul’s fraught relationship to modernity, and the tensions between his attachment to individual freedom and his insistence on the constraints imposed by history. </p><br><p>Non-subscriber will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/hcapplesignup">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/conditionssignup">lrb.me/closereadings</a></p><br><p>Read more in the <em>LRB</em>:</p><br><p>D.A.N. Jones: The Enchantment of Vidia Naipaul</p><p><a href="https://www.lrb.co.uk/the-paper/v06/n08/d.a.n.-jones/the-enchantment-of-vidia-naipaul">https://www.lrb.co.uk/the-paper/v06/n08/d.a.n.-jones/the-enchantment-of-vidia-naipaul</a></p><br><p>Frank Kermode: What Naipaul Knows</p><p><a href="https://www.lrb.co.uk/the-paper/v23/n17/frank-kermode/what-naipaul-knows">https://www.lrb.co.uk/the-paper/v23/n17/frank-kermode/what-naipaul-knows</a></p><br><p>Paul Theroux: Out of Sir Vidia’s Shadow</p><p><a href="https://www.lrb.co.uk/the-paper/v44/n04/paul-theroux/diary">https://www.lrb.co.uk/the-paper/v44/n04/paul-theroux/diary</a></p><br><p>Sanjay Subramahnyam: Where does he come from? </p><p><a href="https://www.lrb.co.uk/the-paper/v29/n21/sanjay-subrahmanyam/where-does-he-come-from">https://www.lrb.co.uk/the-paper/v29/n21/sanjay-subrahmanyam/where-does-he-come-from</a></p><br><p>Pankaj Mishra is a writer, critic and reporter who regularly contributes to the <em>LRB</em>. His books include <em>Age of Anger: A History of the Present</em>, <em>From the Ruins of Empire: The Intellectuals Who Remade Asia</em> and two novels, most recently <em>Run and Hide</em>.</p><br><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>703</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>On Satire: John Gay's 'The Beggar's Opera'</title>
      <link>https://lrb.me/satiresignuppod</link>
      <description>In The Beggar’s Opera we enter a society turned upside down, where private vices are seen as public virtues, and the best way to survive is to assume the worst of everyone. The only force that can subvert this state of affairs is romantic love – an affection, we discover, that satire finds hard to cope with. John Gay’s 1727 smash hit ‘opera’, which ran for 62 performances in its first run, put the highwaymen, criminal gangs and politicians of the day up on stage, and offered audiences a tuneful but unnerving reflection of their own corruption and mortality. Clare and Colin discuss how this satire on the age of Walpole came about, what it did for its struggling author, and why it’s an infinitely elusive, strangely modernist work.
This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sat, 04 May 2024 09:13:44 -0000</pubDate>
      <itunes:title>On Satire: John Gay's 'The Beggar's Opera'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>7</itunes:season>
      <itunes:episode>5</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/97e76bae-4c5a-11f0-9640-e3cb5a9d0d1c/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In&amp;nbsp;&lt;em&gt;The Beggar’s Opera&lt;/em&gt;&amp;nbsp;we enter a society turned upside down, where private vices are seen as public virtues, and the best way to survive is to assume the worst of everyone. The only force that can subvert this state of affairs is romantic love – an affection, we discover, that satire finds hard to cope with. John Gay’s 1727 smash hit ‘opera’, which ran for 62 performances in its first run, put the highwaymen, criminal gangs and politicians of the day up on stage, and offered audiences a tuneful but unnerving reflection of their own corruption and mortality. Clare and Colin discuss how this satire on the age of Walpole came about, what it did for its struggling author, and why it’s an infinitely elusive, strangely modernist work.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/satiresignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In The Beggar’s Opera we enter a society turned upside down, where private vices are seen as public virtues, and the best way to survive is to assume the worst of everyone. The only force that can subvert this state of affairs is romantic love – an affection, we discover, that satire finds hard to cope with. John Gay’s 1727 smash hit ‘opera’, which ran for 62 performances in its first run, put the highwaymen, criminal gangs and politicians of the day up on stage, and offered audiences a tuneful but unnerving reflection of their own corruption and mortality. Clare and Colin discuss how this satire on the age of Walpole came about, what it did for its struggling author, and why it’s an infinitely elusive, strangely modernist work.
This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In <em>The Beggar’s Opera</em> we enter a society turned upside down, where private vices are seen as public virtues, and the best way to survive is to assume the worst of everyone. The only force that can subvert this state of affairs is romantic love – an affection, we discover, that satire finds hard to cope with. John Gay’s 1727 smash hit ‘opera’, which ran for 62 performances in its first run, put the highwaymen, criminal gangs and politicians of the day up on stage, and offered audiences a tuneful but unnerving reflection of their own corruption and mortality. Clare and Colin discuss how this satire on the age of Walpole came about, what it did for its struggling author, and why it’s an infinitely elusive, strangely modernist work.</p><p>This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/satiresignuppod">lrb.me/closereadings</a></p><p>Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.</p><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>824</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[662243fd74bdfd0012919c5c]]></guid>
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    <item>
      <title>Political Poems: 'The Runaway Slave at Pilgrim's Point' by Elizabeth Barrett Browning</title>
      <link>https://lrb.me/ppsignup</link>
      <description>Elizabeth Barrett Browning’s deeply disturbing 1847 poem about a woman escaping slavery and killing her child was written to shock its intended white female readership to the abolitionist cause. Browning was the direct descendant of slave owners in Jamaica and a fervent anti-slavery campaigner, and her dramatic monologue presents a searing attack on the hypocrisy of ‘liberty’ as enshrined in the United States constitution. Mark and Seamus look at the origins of the poem and its story, and its place among other abolitionist narratives of the time.
Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://lrb.me/ppapplesignup
In other podcast apps: https://lrb.me/ppsignup
Read more in the LRB
Matthew Bevis: Foiled by Pleasure: https://lrb.me/bevispp
Alethea Hayter: Reader, I married you: https://lrb.me/hayterpp
John Bayley: A Question of Breathing: https://lrb.me/bayleypp
Colin Grant: Leave them weeping: https://lrb.me/grantpp
Fara Dabhoiwala: My Runaway Slave, Reward Two Guineas: https://lrb.me/dabhoiwalapp
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sun, 28 Apr 2024 09:52:31 -0000</pubDate>
      <itunes:title>Political Poems: 'The Runaway Slave at Pilgrim's Point' by Elizabeth Barrett Browning</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>11</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/983784c2-4c5a-11f0-9640-0ff56b303cc5/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Elizabeth Barrett Browning’s deeply disturbing 1847 poem about a woman escaping slavery and killing her child was written to shock its intended white female readership to the abolitionist cause. Browning was the direct descendant of slave owners in Jamaica and a fervent anti-slavery campaigner, and her dramatic monologue presents a searing attack on the hypocrisy of ‘liberty’ as enshrined in the United States constitution. Mark and Seamus look at the origins of the poem and its story, and its place among other abolitionist narratives of the time.&lt;/p&gt;&lt;p&gt;Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.&lt;/p&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/ppapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/ppapplesignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/ppsignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/ppsignup&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Read more in the &lt;em&gt;LRB&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Matthew Bevis: Foiled by Pleasure: &lt;a href="https://lrb.me/bevispp" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/bevispp&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Alethea Hayter: Reader, I married you: &lt;a href="https://lrb.me/hayterpp" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/hayterpp&lt;/a&gt;&lt;/p&gt;&lt;p&gt;John Bayley: A Question of Breathing: &lt;a href="https://lrb.me/bayleypp" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/bayleypp&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Colin Grant: Leave them weeping: &lt;a href="https://lrb.me/grantpp" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/grantpp&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Fara Dabhoiwala: My Runaway Slave, Reward Two Guineas: &lt;a href="https://lrb.me/dabhoiwalapp" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/dabhoiwalapp&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Elizabeth Barrett Browning’s deeply disturbing 1847 poem about a woman escaping slavery and killing her child was written to shock its intended white female readership to the abolitionist cause. Browning was the direct descendant of slave owners in Jamaica and a fervent anti-slavery campaigner, and her dramatic monologue presents a searing attack on the hypocrisy of ‘liberty’ as enshrined in the United States constitution. Mark and Seamus look at the origins of the poem and its story, and its place among other abolitionist narratives of the time.
Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.
Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://lrb.me/ppapplesignup
In other podcast apps: https://lrb.me/ppsignup
Read more in the LRB
Matthew Bevis: Foiled by Pleasure: https://lrb.me/bevispp
Alethea Hayter: Reader, I married you: https://lrb.me/hayterpp
John Bayley: A Question of Breathing: https://lrb.me/bayleypp
Colin Grant: Leave them weeping: https://lrb.me/grantpp
Fara Dabhoiwala: My Runaway Slave, Reward Two Guineas: https://lrb.me/dabhoiwalapp
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Elizabeth Barrett Browning’s deeply disturbing 1847 poem about a woman escaping slavery and killing her child was written to shock its intended white female readership to the abolitionist cause. Browning was the direct descendant of slave owners in Jamaica and a fervent anti-slavery campaigner, and her dramatic monologue presents a searing attack on the hypocrisy of ‘liberty’ as enshrined in the United States constitution. Mark and Seamus look at the origins of the poem and its story, and its place among other abolitionist narratives of the time.</p><p>Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.</p><p>Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ppapplesignup">https://lrb.me/ppapplesignup</a></p><p>In other podcast apps: <a href="https://lrb.me/ppsignup">https://lrb.me/ppsignup</a></p><br><p>Read more in the <em>LRB</em></p><p>Matthew Bevis: Foiled by Pleasure: <a href="https://lrb.me/bevispp">https://lrb.me/bevispp</a></p><p>Alethea Hayter: Reader, I married you: <a href="https://lrb.me/hayterpp">https://lrb.me/hayterpp</a></p><p>John Bayley: A Question of Breathing: <a href="https://lrb.me/bayleypp">https://lrb.me/bayleypp</a></p><p>Colin Grant: Leave them weeping: <a href="https://lrb.me/grantpp">https://lrb.me/grantpp</a></p><p>Fara Dabhoiwala: My Runaway Slave, Reward Two Guineas: <a href="https://lrb.me/dabhoiwalapp">https://lrb.me/dabhoiwalapp</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>701</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Among the Ancients II: Pindar and Bacchylides</title>
      <link>https://shows.acast.com/close-readings/episodes/6627dd6d33dbf400127c27a1</link>
      <description>In the fifth episode of Among the Ancients II we turn to Greek lyric, focusing on Pindar’s victory odes, considered a benchmark for the sublime since antiquity, and the vivid, narrative-driven dithyrambs of Bacchylides. Through close reading, Emily and Tom tease out allusions, lexical flourishes and formal experimentation, and explain the highly contextual nature of these tightly choreographed, public-facing poems. They illustrate how precarious work could be for a praise poet in a world driven by competition – striking the right note to please your patron, guarantee the next gig, and stay on good terms with the gods.
Non-subscriber will only hear extracts from the rest of this series. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Leofranc Holford-Strevens: Dithyrambs for Athens
https://www.lrb.co.uk/the-paper/v27/n04/leofranc-holford-strevens/dithyrambs-for-athens
Barbara Graziosi: Flower or Fungus?
https://www.lrb.co.uk/the-paper/v27/n04/leofranc-holford-strevens/dithyrambs-for-athens
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Wed, 24 Apr 2024 08:00:09 -0000</pubDate>
      <itunes:title>Among the Ancients II: Pindar and Bacchylides</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>10</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9888eaf6-4c5a-11f0-9640-3773b3c7d8cc/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the fifth episode of Among the Ancients II we turn to Greek lyric, focusing on Pindar’s victory odes, considered a benchmark for the sublime since antiquity, and the vivid, narrative-driven dithyrambs of Bacchylides. Through close reading, Emily and Tom tease out allusions, lexical flourishes and formal experimentation, and explain the highly contextual nature of these tightly choreographed, public-facing poems. They illustrate how precarious work could be for a praise poet in a world driven by competition – striking the right note to please your patron, guarantee the next gig, and stay on good terms with the gods.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscriber will only hear extracts from the rest of this series. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/ataapple" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/atasignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading in the LRB:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Leofranc Holford-Strevens: Dithyrambs for Athens&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v27/n04/leofranc-holford-strevens/dithyrambs-for-athens" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v27/n04/leofranc-holford-strevens/dithyrambs-for-athens&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Barbara Graziosi: Flower or Fungus?&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v27/n04/leofranc-holford-strevens/dithyrambs-for-athens" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v27/n04/leofranc-holford-strevens/dithyrambs-for-athens&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the &lt;em&gt;London Review of Books&lt;/em&gt;.&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the fifth episode of Among the Ancients II we turn to Greek lyric, focusing on Pindar’s victory odes, considered a benchmark for the sublime since antiquity, and the vivid, narrative-driven dithyrambs of Bacchylides. Through close reading, Emily and Tom tease out allusions, lexical flourishes and formal experimentation, and explain the highly contextual nature of these tightly choreographed, public-facing poems. They illustrate how precarious work could be for a praise poet in a world driven by competition – striking the right note to please your patron, guarantee the next gig, and stay on good terms with the gods.
Non-subscriber will only hear extracts from the rest of this series. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Leofranc Holford-Strevens: Dithyrambs for Athens
https://www.lrb.co.uk/the-paper/v27/n04/leofranc-holford-strevens/dithyrambs-for-athens
Barbara Graziosi: Flower or Fungus?
https://www.lrb.co.uk/the-paper/v27/n04/leofranc-holford-strevens/dithyrambs-for-athens
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the fifth episode of Among the Ancients II we turn to Greek lyric, focusing on Pindar’s victory odes, considered a benchmark for the sublime since antiquity, and the vivid, narrative-driven dithyrambs of Bacchylides. Through close reading, Emily and Tom tease out allusions, lexical flourishes and formal experimentation, and explain the highly contextual nature of these tightly choreographed, public-facing poems. They illustrate how precarious work could be for a praise poet in a world driven by competition – striking the right note to please your patron, guarantee the next gig, and stay on good terms with the gods.</p><br><p>Non-subscriber will only hear extracts from the rest of this series. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ataapple">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/atasignuppod">lrb.me/closereadings</a></p><br><p>Further reading in the LRB:</p><br><p>Leofranc Holford-Strevens: Dithyrambs for Athens</p><p><a href="https://www.lrb.co.uk/the-paper/v27/n04/leofranc-holford-strevens/dithyrambs-for-athens">https://www.lrb.co.uk/the-paper/v27/n04/leofranc-holford-strevens/dithyrambs-for-athens</a></p><br><p>Barbara Graziosi: Flower or Fungus?</p><p><a href="https://www.lrb.co.uk/the-paper/v27/n04/leofranc-holford-strevens/dithyrambs-for-athens">https://www.lrb.co.uk/the-paper/v27/n04/leofranc-holford-strevens/dithyrambs-for-athens</a></p><br><p>Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the <em>London Review of Books</em>.</p><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>724</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Medieval LOLs: Fabliaux</title>
      <link>https://lrb.me/medlolscsignup</link>
      <description>Fabliaux were short, witty tales originating in northern France between the 12th and 14th centuries, often featuring crafty characters in rustic settings and overwhelmingly concerned with money and sex. In this episode Irina and Mary look at two of these comic verses, both containing surprisingly explicit sexual language, and consider the ways in which they influenced Boccaccio, Chaucer and others.
Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series Medieval Beginnings:
Directly in Apple Podcasts: https://lrb.me/medlolapplesignup
In other podcast apps: https://lrb.me/medlolscsignup
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Thu, 18 Apr 2024 09:15:38 -0000</pubDate>
      <itunes:title>Medieval LOLs: Fabliaux</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>9</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/98d96300-4c5a-11f0-9640-83786a9e568f/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Fabliaux were short, witty tales originating in northern France between the 12th and 14th centuries, often featuring crafty characters in rustic settings and overwhelmingly concerned with money and sex. In this episode Irina and Mary look at two of these comic verses, both containing surprisingly explicit sexual language, and consider the ways in which they influenced Boccaccio, Chaucer and others.&lt;/p&gt;&lt;p&gt;Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series &lt;em&gt;Medieval Beginnings&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/medlolapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/medlolapplesignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/medlolscsignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/medlolscsignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Fabliaux were short, witty tales originating in northern France between the 12th and 14th centuries, often featuring crafty characters in rustic settings and overwhelmingly concerned with money and sex. In this episode Irina and Mary look at two of these comic verses, both containing surprisingly explicit sexual language, and consider the ways in which they influenced Boccaccio, Chaucer and others.
Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series Medieval Beginnings:
Directly in Apple Podcasts: https://lrb.me/medlolapplesignup
In other podcast apps: https://lrb.me/medlolscsignup
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Fabliaux were short, witty tales originating in northern France between the 12th and 14th centuries, often featuring crafty characters in rustic settings and overwhelmingly concerned with money and sex. In this episode Irina and Mary look at two of these comic verses, both containing surprisingly explicit sexual language, and consider the ways in which they influenced Boccaccio, Chaucer and others.</p><p>Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series <em>Medieval Beginnings</em>:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/medlolapplesignup">https://lrb.me/medlolapplesignup</a></p><p>In other podcast apps: <a href="https://lrb.me/medlolscsignup">https://lrb.me/medlolscsignup</a></p><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>2130</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
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    <item>
      <title>Human Conditions: ‘The Human Condition’ by Hannah Arendt</title>
      <link>https://shows.acast.com/close-readings/episodes/6613fc85eaef9600162a6228</link>
      <description>In the fourth episode of Human Conditions, the last of the series with Judith Butler, we fittingly turn to The Human Condition (1956). Hannah Arendt defines action as the highest form of human activity: distinct from work and labour, action includes collaborative expression, collective decision-making and, crucially, initiating change. Focusing on the chapter on action, Judith joins Adam to explain why they consider this approach so innovative and incisive. Together, they discuss Arendt’s continued relevance and shortcomings, The Human Condition’s many surprising and baffling turns, and the transformative power of forgiveness.
Non-subscriber will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Read more in the LRB:
Jenny Turner: We must think!
https://www.lrb.co.uk/the-paper/v43/n21/jenny-turner/we-must-think
Judith Butler: 'I merely belong to them'
https://www.lrb.co.uk/the-paper/v29/n09/judith-butler/i-merely-belong-to-them
Judith Butler is Distinguished Professor in the Graduate School at the University of California, Berkeley, and Adam Shatz is the the LRB's US editor and author of, most recently, The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Wed, 10 Apr 2024 08:00:34 -0000</pubDate>
      <itunes:title>Human Conditions: ‘The Human Condition’ by Hannah Arendt</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>8</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/992c151e-4c5a-11f0-9640-e7bcafb67d5d/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the fourth episode of Human Conditions, the last of the series with Judith Butler, we fittingly turn to &lt;em&gt;The Human Condition&lt;/em&gt; (1956). Hannah Arendt defines action as the highest form of human activity: distinct from work and labour, action includes collaborative expression, collective decision-making and, crucially, initiating change. Focusing on the chapter on action, Judith joins Adam to explain why they consider&amp;nbsp;this approach so innovative and incisive. Together, they discuss Arendt’s continued relevance and shortcomings, &lt;em&gt;The Human Condition&lt;/em&gt;’s many surprising and baffling turns, and the transformative power of forgiveness.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscriber will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/hcapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/conditionssignup" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Read more in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Jenny Turner: We must think!&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v43/n21/jenny-turner/we-must-think" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v43/n21/jenny-turner/we-must-think&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Judith Butler: 'I merely belong to them'&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v29/n09/judith-butler/i-merely-belong-to-them" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v29/n09/judith-butler/i-merely-belong-to-them&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Judith Butler is Distinguished Professor in the Graduate School at the University of California, Berkeley, and Adam Shatz is the the &lt;em&gt;LRB&lt;/em&gt;'s US editor and author of, most recently, &lt;em&gt;The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon&lt;/em&gt;.&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the fourth episode of Human Conditions, the last of the series with Judith Butler, we fittingly turn to The Human Condition (1956). Hannah Arendt defines action as the highest form of human activity: distinct from work and labour, action includes collaborative expression, collective decision-making and, crucially, initiating change. Focusing on the chapter on action, Judith joins Adam to explain why they consider this approach so innovative and incisive. Together, they discuss Arendt’s continued relevance and shortcomings, The Human Condition’s many surprising and baffling turns, and the transformative power of forgiveness.
Non-subscriber will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Read more in the LRB:
Jenny Turner: We must think!
https://www.lrb.co.uk/the-paper/v43/n21/jenny-turner/we-must-think
Judith Butler: 'I merely belong to them'
https://www.lrb.co.uk/the-paper/v29/n09/judith-butler/i-merely-belong-to-them
Judith Butler is Distinguished Professor in the Graduate School at the University of California, Berkeley, and Adam Shatz is the the LRB's US editor and author of, most recently, The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the fourth episode of Human Conditions, the last of the series with Judith Butler, we fittingly turn to <em>The Human Condition</em> (1956). Hannah Arendt defines action as the highest form of human activity: distinct from work and labour, action includes collaborative expression, collective decision-making and, crucially, initiating change. Focusing on the chapter on action, Judith joins Adam to explain why they consider this approach so innovative and incisive. Together, they discuss Arendt’s continued relevance and shortcomings, <em>The Human Condition</em>’s many surprising and baffling turns, and the transformative power of forgiveness.</p><br><p>Non-subscriber will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/hcapplesignup">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/conditionssignup">lrb.me/closereadings</a></p><br><p>Read more in the <em>LRB</em>:</p><br><p>Jenny Turner: We must think!</p><p><a href="https://www.lrb.co.uk/the-paper/v43/n21/jenny-turner/we-must-think">https://www.lrb.co.uk/the-paper/v43/n21/jenny-turner/we-must-think</a></p><br><p>Judith Butler: 'I merely belong to them'</p><p><a href="https://www.lrb.co.uk/the-paper/v29/n09/judith-butler/i-merely-belong-to-them">https://www.lrb.co.uk/the-paper/v29/n09/judith-butler/i-merely-belong-to-them</a></p><br><p>Judith Butler is Distinguished Professor in the Graduate School at the University of California, Berkeley, and Adam Shatz is the the <em>LRB</em>'s US editor and author of, most recently, <em>The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon</em>.</p><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
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      <itunes:duration>754</itunes:duration>
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    <item>
      <title>On Satire: The Earl of Rochester</title>
      <link>https://lrb.me/satiresignuppod</link>
      <description>According to one contemporary, the Earl of Rochester was a man who, in life as well is in poetry, ‘could not speak with any warmth, without repeated Oaths, which, upon any sort of provocation, came almost naturally from him.’ It’s certainly hard to miss Rochester's enthusiastic use of obscenities, though their precise meanings can sometimes be obscure. As a courtier to Charles II, his poetic subject was most often the licentiousness and intricate political manoeuvring of the court’s various factions, and he was far from a passive observer. In this episode Clare and Colin consider why Restoration England was such a satirical hotbed, and describe the ways in which Rochester, with a poetry rich in bravado but shot through with anxiety, transformed the persona of the satirist.
This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Thu, 04 Apr 2024 09:00:46 -0000</pubDate>
      <itunes:title>On Satire: The Earl of Rochester</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>7</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/99a32348-4c5a-11f0-9640-1b46e06c7014/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;According to one contemporary, the Earl of Rochester was a man who, in life as well is in poetry, ‘could not speak with any warmth, without repeated Oaths, which, upon any sort of provocation, came almost naturally from him.’ It’s certainly hard to miss Rochester's enthusiastic use of obscenities, though their precise meanings can sometimes be obscure. As a courtier to Charles II, his poetic subject was most often the licentiousness and intricate political manoeuvring of the court’s various factions, and he was far from a passive observer. In this episode Clare and Colin consider why Restoration England was such a satirical hotbed, and describe the ways in which Rochester, with a poetry rich in bravado but shot through with anxiety, transformed the persona of the satirist.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/satiresignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>According to one contemporary, the Earl of Rochester was a man who, in life as well is in poetry, ‘could not speak with any warmth, without repeated Oaths, which, upon any sort of provocation, came almost naturally from him.’ It’s certainly hard to miss Rochester's enthusiastic use of obscenities, though their precise meanings can sometimes be obscure. As a courtier to Charles II, his poetic subject was most often the licentiousness and intricate political manoeuvring of the court’s various factions, and he was far from a passive observer. In this episode Clare and Colin consider why Restoration England was such a satirical hotbed, and describe the ways in which Rochester, with a poetry rich in bravado but shot through with anxiety, transformed the persona of the satirist.
This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>According to one contemporary, the Earl of Rochester was a man who, in life as well is in poetry, ‘could not speak with any warmth, without repeated Oaths, which, upon any sort of provocation, came almost naturally from him.’ It’s certainly hard to miss Rochester's enthusiastic use of obscenities, though their precise meanings can sometimes be obscure. As a courtier to Charles II, his poetic subject was most often the licentiousness and intricate political manoeuvring of the court’s various factions, and he was far from a passive observer. In this episode Clare and Colin consider why Restoration England was such a satirical hotbed, and describe the ways in which Rochester, with a poetry rich in bravado but shot through with anxiety, transformed the persona of the satirist.</p><p>This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/satiresignuppod">lrb.me/closereadings</a></p><p>Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.</p><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>839</itunes:duration>
      <itunes:explicit>yes</itunes:explicit>
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    <item>
      <title>Political Poems: 'Easter 1916' by W.B. Yeats</title>
      <link>https://lrb.me/ppsignup</link>
      <description>Yeats’s great poem about the uprising of Irish republicans against British rule on 24 April 1916 marked a turning point in Ireland’s history and in Yeats's career. Through four stanzas Yeats enacts the transfiguration of the movement’s leaders – executed by the British shortly after the event – from ‘motley’ acquaintances to heroic martyrs, and interrogates his own attitude to nationalist violence. Mark and Seamus discuss Yeats’s reflections on the value of political commitment, his embrace of the role of national bard and the origin of the poem’s most famous line.
Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.
Non-subscribers will only hear an extract from this episode. To listen in full and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://lrb.me/ppapplesignup
In other podcast apps: https://lrb.me/ppsignup
Read more in the LRB:
Terry Eagleton: https://lrb.me/eagletonpp
Colm Tóibín: https://lrb.me/toibinpp
Frank Kermode: https://lrb.me/kermode2pp
Tom Paulin: https://lrb.me/paulinpp
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Thu, 28 Mar 2024 08:07:18 -0000</pubDate>
      <itunes:title>Political Poems: 'Easter 1916' by W.B. Yeats</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>11</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/99f0c792-4c5a-11f0-9640-c3e2b6e987dd/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Yeats’s great poem about the uprising of Irish republicans against British rule on 24 April 1916 marked a turning point in Ireland’s history and in Yeats's career. Through four stanzas Yeats enacts the transfiguration of the movement’s leaders – executed by the British shortly after the event – from ‘motley’ acquaintances to heroic martyrs, and interrogates his own attitude to nationalist violence. Mark and Seamus discuss Yeats’s reflections on the value of political commitment, his embrace of the role of national bard and the origin of the poem’s most famous line.&lt;/p&gt;&lt;p&gt;Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.&lt;/p&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen in full and to all our other Close Readings series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/ppapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/ppapplesignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/ppsignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/ppsignup&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Read more in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Terry Eagleton:&amp;nbsp;&lt;a href="https://lrb.me/eagletonpp" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/eagletonpp&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Colm Tóibín: &lt;a href="https://lrb.me/toibinpp" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/toibinpp&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Frank Kermode: &lt;a href="https://lrb.me/kermode2pp" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/kermode2pp&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Tom Paulin: &lt;a href="https://lrb.me/paulinpp" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/paulinpp&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Yeats’s great poem about the uprising of Irish republicans against British rule on 24 April 1916 marked a turning point in Ireland’s history and in Yeats's career. Through four stanzas Yeats enacts the transfiguration of the movement’s leaders – executed by the British shortly after the event – from ‘motley’ acquaintances to heroic martyrs, and interrogates his own attitude to nationalist violence. Mark and Seamus discuss Yeats’s reflections on the value of political commitment, his embrace of the role of national bard and the origin of the poem’s most famous line.
Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.
Non-subscribers will only hear an extract from this episode. To listen in full and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://lrb.me/ppapplesignup
In other podcast apps: https://lrb.me/ppsignup
Read more in the LRB:
Terry Eagleton: https://lrb.me/eagletonpp
Colm Tóibín: https://lrb.me/toibinpp
Frank Kermode: https://lrb.me/kermode2pp
Tom Paulin: https://lrb.me/paulinpp
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Yeats’s great poem about the uprising of Irish republicans against British rule on 24 April 1916 marked a turning point in Ireland’s history and in Yeats's career. Through four stanzas Yeats enacts the transfiguration of the movement’s leaders – executed by the British shortly after the event – from ‘motley’ acquaintances to heroic martyrs, and interrogates his own attitude to nationalist violence. Mark and Seamus discuss Yeats’s reflections on the value of political commitment, his embrace of the role of national bard and the origin of the poem’s most famous line.</p><p>Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.</p><p>Non-subscribers will only hear an extract from this episode. To listen in full and to all our other Close Readings series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ppapplesignup">https://lrb.me/ppapplesignup</a></p><p>In other podcast apps: <a href="https://lrb.me/ppsignup">https://lrb.me/ppsignup</a></p><br><p>Read more in the <em>LRB</em>:</p><p>Terry Eagleton: <a href="https://lrb.me/eagletonpp">https://lrb.me/eagletonpp</a></p><p>Colm Tóibín: <a href="https://lrb.me/toibinpp">https://lrb.me/toibinpp</a></p><p>Frank Kermode: <a href="https://lrb.me/kermode2pp">https://lrb.me/kermode2pp</a></p><p>Tom Paulin: <a href="https://lrb.me/paulinpp">https://lrb.me/paulinpp</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>762</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Among the Ancients II: Herodotus</title>
      <link>https://shows.acast.com/close-readings/episodes/65fd978fe888210017707630</link>
      <description>Some of the most compelling stories of the Classical world come from Herodotus‘ Histories, an account of the Persian Wars and a thousand things besides. Emily and Tom chart a course through Herodotus‘ history-as-epic, discussing how best to understand his approach to history, ethnography and myth. Exploring a work full of surprising, dramatic and frequently funny digressions, this episode illustrates the artfulness and deep structure underpinning the Histories, and, despite his obvious Greek bias, Herodotus‘ genuine interest in and respect for cultural difference.
Non-subscriber will only hear extracts from the rest of this series. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB: 
Peter Green: On Liking Herodotus
https://www.lrb.co.uk/the-paper/v36/n07/peter-green/on-liking-herodotus
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sun, 24 Mar 2024 09:40:50 -0000</pubDate>
      <itunes:title>Among the Ancients II: Herodotus</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>10</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9a41a25c-4c5a-11f0-9640-8bf975cecf03/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Some of the most compelling stories of the Classical world come from Herodotus‘&amp;nbsp;&lt;em&gt;Histories&lt;/em&gt;, an account of the Persian Wars and a thousand things besides. Emily and Tom chart a course through Herodotus‘&amp;nbsp;history-as-epic, discussing how best to understand his approach to history, ethnography and myth. Exploring a work full of surprising, dramatic and frequently funny digressions, this episode illustrates the artfulness and deep structure underpinning the&amp;nbsp;&lt;em&gt;Histories&lt;/em&gt;, and, despite his obvious Greek bias, Herodotus‘&amp;nbsp;genuine interest in and respect for cultural difference.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscriber will only hear extracts from the rest of this series. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/ataapple" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/atasignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading in the &lt;em&gt;LRB&lt;/em&gt;:&amp;nbsp;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Peter Green: On Liking Herodotus&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v36/n07/peter-green/on-liking-herodotus" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v36/n07/peter-green/on-liking-herodotus&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the &lt;em&gt;London Review of Books&lt;/em&gt;.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Some of the most compelling stories of the Classical world come from Herodotus‘ Histories, an account of the Persian Wars and a thousand things besides. Emily and Tom chart a course through Herodotus‘ history-as-epic, discussing how best to understand his approach to history, ethnography and myth. Exploring a work full of surprising, dramatic and frequently funny digressions, this episode illustrates the artfulness and deep structure underpinning the Histories, and, despite his obvious Greek bias, Herodotus‘ genuine interest in and respect for cultural difference.
Non-subscriber will only hear extracts from the rest of this series. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB: 
Peter Green: On Liking Herodotus
https://www.lrb.co.uk/the-paper/v36/n07/peter-green/on-liking-herodotus
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Some of the most compelling stories of the Classical world come from Herodotus‘ <em>Histories</em>, an account of the Persian Wars and a thousand things besides. Emily and Tom chart a course through Herodotus‘ history-as-epic, discussing how best to understand his approach to history, ethnography and myth. Exploring a work full of surprising, dramatic and frequently funny digressions, this episode illustrates the artfulness and deep structure underpinning the <em>Histories</em>, and, despite his obvious Greek bias, Herodotus‘ genuine interest in and respect for cultural difference.</p><br><p>Non-subscriber will only hear extracts from the rest of this series. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ataapple">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/atasignuppod">lrb.me/closereadings</a></p><br><p>Further reading in the <em>LRB</em>: </p><br><p>Peter Green: On Liking Herodotus</p><p><a href="https://www.lrb.co.uk/the-paper/v36/n07/peter-green/on-liking-herodotus">https://www.lrb.co.uk/the-paper/v36/n07/peter-green/on-liking-herodotus</a></p><br><p>Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the <em>London Review of Books</em>.</p><br><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
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      <itunes:duration>675</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Medieval LOLs: Old English Riddles</title>
      <link>https://lrb.me/medlolscsignup</link>
      <description>Riddles are an ancient and universal form, but few people seem to have enjoyed them more than English Benedictine monks. The Exeter Book, a tenth century monastic collection of Old English verse, builds on the riddle tradition in two striking ways: first, the riddles don’t come with answers; second, they are sexually suggestive. Were they intended to test the moral purity of the reader? Are they simply mischievous rhetorical exercises? Mary and Irina read some of them and consider why Anglo-Saxon culture was so obsessed with the enigmatic.
Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series Medieval Beginnings:
Directly in Apple Podcasts: https://lrb.me/medlolapplesignup
In other podcast apps: https://lrb.me/medlolscsignup
Read more in the LRB:
Marina Warner: Doubly Damned
Mary Wellesley: Marking Parchment
Barbara Everett: Poetry and Soda
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Mon, 18 Mar 2024 12:00:00 -0000</pubDate>
      <itunes:title>Medieval LOLs: Old English Riddles</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>9</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9a915b62-4c5a-11f0-9640-4f7d85bb722d/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Riddles are an ancient and universal form, but few people seem to have enjoyed them more than English Benedictine monks. The Exeter Book, a tenth century monastic collection of Old English verse, builds on the riddle tradition in two striking ways: first, the riddles don’t come with answers; second, they are sexually suggestive. Were they intended to test the moral purity of the reader? Are they simply mischievous rhetorical exercises? Mary and Irina read some of them and consider why Anglo-Saxon culture was so obsessed with the enigmatic.&lt;/p&gt;&lt;p&gt;Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series &lt;em&gt;Medieval Beginnings&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/medlolapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/medlolapplesignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/medlolscsignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/medlolscsignup&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Read more in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v29/n03/marina-warner/doubly-damned" rel="noopener noreferrer" target="_blank"&gt;Marina Warner: Doubly Damned&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v40/n16/mary-wellesley/short-cuts" rel="noopener noreferrer" target="_blank"&gt;Mary Wellesley: Marking Parchment&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v03/n02/barbara-everett/poetry-and-soda" rel="noopener noreferrer" target="_blank"&gt;Barbara Everett: Poetry and Soda&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Riddles are an ancient and universal form, but few people seem to have enjoyed them more than English Benedictine monks. The Exeter Book, a tenth century monastic collection of Old English verse, builds on the riddle tradition in two striking ways: first, the riddles don’t come with answers; second, they are sexually suggestive. Were they intended to test the moral purity of the reader? Are they simply mischievous rhetorical exercises? Mary and Irina read some of them and consider why Anglo-Saxon culture was so obsessed with the enigmatic.
Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series Medieval Beginnings:
Directly in Apple Podcasts: https://lrb.me/medlolapplesignup
In other podcast apps: https://lrb.me/medlolscsignup
Read more in the LRB:
Marina Warner: Doubly Damned
Mary Wellesley: Marking Parchment
Barbara Everett: Poetry and Soda
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Riddles are an ancient and universal form, but few people seem to have enjoyed them more than English Benedictine monks. The Exeter Book, a tenth century monastic collection of Old English verse, builds on the riddle tradition in two striking ways: first, the riddles don’t come with answers; second, they are sexually suggestive. Were they intended to test the moral purity of the reader? Are they simply mischievous rhetorical exercises? Mary and Irina read some of them and consider why Anglo-Saxon culture was so obsessed with the enigmatic.</p><p>Sign up to listen to this series ad free and all our subscriber series in full, including Mary and Irina's twelve-part series <em>Medieval Beginnings</em>:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/medlolapplesignup">https://lrb.me/medlolapplesignup</a></p><p>In other podcast apps: <a href="https://lrb.me/medlolscsignup">https://lrb.me/medlolscsignup</a></p><br><p>Read more in the <em>LRB</em>:</p><p><a href="https://www.lrb.co.uk/the-paper/v29/n03/marina-warner/doubly-damned">Marina Warner: Doubly Damned</a></p><p><a href="https://www.lrb.co.uk/the-paper/v40/n16/mary-wellesley/short-cuts">Mary Wellesley: Marking Parchment</a></p><p><a href="https://www.lrb.co.uk/the-paper/v03/n02/barbara-everett/poetry-and-soda">Barbara Everett: Poetry and Soda</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>2563</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Human Conditions: ‘Black Skin, White Masks’ by Frantz Fanon</title>
      <link>https://shows.acast.com/close-readings/episodes/65ea918404d13d0016b3a789</link>
      <description>Begun as a psychiatric dissertation, Frantz Fanon’s Black Skin, White Masks (1952) became a genre-shattering study of antiblack racism and its effect on the psyche. At turns expressionistic, confessional, clinical, sharply satirical and politically charged, the book is dazzlingly multivocal, sometimes self-contradictory but always compelling. Judith Butler and Adam Shatz, whose biography of Fanon was released in January, chart a course through some of the most explosive and elusive chapters of the book, and show why Fanon is still essential reading.
Non-subscriber will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Read more in the LRB:
Adam Shatz: https://www.lrb.co.uk/the-paper/v39/n02/adam-shatz/where-life-is-seized
Megan Vaughan: https://www.lrb.co.uk/the-paper/v23/n20/megan-vaughan/i-am-my-own-foundation
T.J. Clark: https://www.lrb.co.uk/the-paper/v46/n18/t.j.-clark/knife-at-the-throat
Judith Butler is Distinguished Professor in the Graduate School at the University of California, Berkeley, and Adam Shatz is the the LRB's US editor and author of, most recently, The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sun, 10 Mar 2024 09:00:12 -0000</pubDate>
      <itunes:title>Human Conditions: ‘Black Skin, White Masks’ by Frantz Fanon</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>8</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9ae38572-4c5a-11f0-9640-27ef94bcd6a7/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Begun as a psychiatric dissertation, Frantz Fanon’s&lt;em&gt;&amp;nbsp;Black Skin, White Masks&lt;/em&gt;&amp;nbsp;(1952) became a genre-shattering study of antiblack racism and its effect on the psyche. At turns expressionistic, confessional, clinical, sharply satirical and politically charged, the book is dazzlingly multivocal, sometimes self-contradictory but always compelling. Judith Butler and Adam Shatz, whose biography of Fanon was released in January, chart a course through some of the most explosive and elusive chapters of the book, and show why Fanon&amp;nbsp;is&amp;nbsp;still essential reading.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscriber will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/hcapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/conditionssignup" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Read more in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Adam Shatz: &lt;a href="https://www.lrb.co.uk/the-paper/v39/n02/adam-shatz/where-life-is-seized" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v39/n02/adam-shatz/where-life-is-seized&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Megan Vaughan: &lt;a href="https://www.lrb.co.uk/the-paper/v23/n20/megan-vaughan/i-am-my-own-foundation" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v23/n20/megan-vaughan/i-am-my-own-foundation&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;T.J. Clark: &lt;a href="https://www.lrb.co.uk/the-paper/v46/n18/t.j.-clark/knife-at-the-throat" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v46/n18/t.j.-clark/knife-at-the-throat&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Judith Butler is Distinguished Professor in the Graduate School at the University of California, Berkeley, and Adam Shatz is the the &lt;em&gt;LRB&lt;/em&gt;'s US editor and author of, most recently, &lt;em&gt;The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon&lt;/em&gt;.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Begun as a psychiatric dissertation, Frantz Fanon’s Black Skin, White Masks (1952) became a genre-shattering study of antiblack racism and its effect on the psyche. At turns expressionistic, confessional, clinical, sharply satirical and politically charged, the book is dazzlingly multivocal, sometimes self-contradictory but always compelling. Judith Butler and Adam Shatz, whose biography of Fanon was released in January, chart a course through some of the most explosive and elusive chapters of the book, and show why Fanon is still essential reading.
Non-subscriber will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Read more in the LRB:
Adam Shatz: https://www.lrb.co.uk/the-paper/v39/n02/adam-shatz/where-life-is-seized
Megan Vaughan: https://www.lrb.co.uk/the-paper/v23/n20/megan-vaughan/i-am-my-own-foundation
T.J. Clark: https://www.lrb.co.uk/the-paper/v46/n18/t.j.-clark/knife-at-the-throat
Judith Butler is Distinguished Professor in the Graduate School at the University of California, Berkeley, and Adam Shatz is the the LRB's US editor and author of, most recently, The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Begun as a psychiatric dissertation, Frantz Fanon’s<em> Black Skin, White Masks</em> (1952) became a genre-shattering study of antiblack racism and its effect on the psyche. At turns expressionistic, confessional, clinical, sharply satirical and politically charged, the book is dazzlingly multivocal, sometimes self-contradictory but always compelling. Judith Butler and Adam Shatz, whose biography of Fanon was released in January, chart a course through some of the most explosive and elusive chapters of the book, and show why Fanon is still essential reading.</p><br><p>Non-subscriber will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/hcapplesignup">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/conditionssignup">lrb.me/closereadings</a></p><br><p>Read more in the <em>LRB</em>:</p><br><p>Adam Shatz: <a href="https://www.lrb.co.uk/the-paper/v39/n02/adam-shatz/where-life-is-seized">https://www.lrb.co.uk/the-paper/v39/n02/adam-shatz/where-life-is-seized</a></p><br><p>Megan Vaughan: <a href="https://www.lrb.co.uk/the-paper/v23/n20/megan-vaughan/i-am-my-own-foundation">https://www.lrb.co.uk/the-paper/v23/n20/megan-vaughan/i-am-my-own-foundation</a></p><br><p>T.J. Clark: <a href="https://www.lrb.co.uk/the-paper/v46/n18/t.j.-clark/knife-at-the-throat">https://www.lrb.co.uk/the-paper/v46/n18/t.j.-clark/knife-at-the-throat</a></p><br><p>Judith Butler is Distinguished Professor in the Graduate School at the University of California, Berkeley, and Adam Shatz is the the <em>LRB</em>'s US editor and author of, most recently, <em>The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon</em>.</p><br><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>823</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>On Satire: Ben Jonson's 'Volpone'</title>
      <link>https://lrb.me/satiresignuppod</link>
      <description>What did English satirists do after the archbishop of Canterbury banned the printing of satires in June 1599? They turned to the stage. Within months of the crackdown, the same satirical tricks Elizabethans had read in verse could be enjoyed in theatres. At the heart of the scene was Ben Jonson, who for many centuries has maintained a reputation as the refined, classical alternative to Shakespeare, with his diligent observance of the rules extracted from Roman comedy. In this episode, Colin and Clare argue that this reputation is almost entirely false, that Jonson was as embroiled in the volatile and unruly energies of late Elizabethan London as any other dramatist, and nowhere is this more on display than in his finest play, Volpone.
This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Mon, 04 Mar 2024 12:22:46 -0000</pubDate>
      <itunes:title>On Satire: Ben Jonson's 'Volpone'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>7</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9b3644a6-4c5a-11f0-9640-93fb38eaf2f0/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;What did English satirists do after the archbishop of Canterbury banned the printing of satires in June 1599? They turned to the stage. Within months of the crackdown, the same satirical tricks Elizabethans had read in verse could be enjoyed in theatres. At the heart of the scene was Ben Jonson, who for many centuries has maintained a reputation as the refined, classical alternative to Shakespeare, with his diligent observance of the rules extracted from Roman comedy. In this episode, Colin and Clare argue that this reputation is almost entirely false, that Jonson was as embroiled in the volatile and unruly energies of late Elizabethan London as any other dramatist, and nowhere is this more on display than in his finest play,&amp;nbsp;&lt;em&gt;Volpone&lt;/em&gt;.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/satiresignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>What did English satirists do after the archbishop of Canterbury banned the printing of satires in June 1599? They turned to the stage. Within months of the crackdown, the same satirical tricks Elizabethans had read in verse could be enjoyed in theatres. At the heart of the scene was Ben Jonson, who for many centuries has maintained a reputation as the refined, classical alternative to Shakespeare, with his diligent observance of the rules extracted from Roman comedy. In this episode, Colin and Clare argue that this reputation is almost entirely false, that Jonson was as embroiled in the volatile and unruly energies of late Elizabethan London as any other dramatist, and nowhere is this more on display than in his finest play, Volpone.
This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>What did English satirists do after the archbishop of Canterbury banned the printing of satires in June 1599? They turned to the stage. Within months of the crackdown, the same satirical tricks Elizabethans had read in verse could be enjoyed in theatres. At the heart of the scene was Ben Jonson, who for many centuries has maintained a reputation as the refined, classical alternative to Shakespeare, with his diligent observance of the rules extracted from Roman comedy. In this episode, Colin and Clare argue that this reputation is almost entirely false, that Jonson was as embroiled in the volatile and unruly energies of late Elizabethan London as any other dramatist, and nowhere is this more on display than in his finest play, <em>Volpone</em>.</p><p>This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/satiresignuppod">lrb.me/closereadings</a></p><p>Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.</p><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>756</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Political Poems: W.H. Auden's 'Spain 1937'</title>
      <link>https://lrb.me/ppsignup</link>
      <description>In their second episode, Mark and Seamus look at W.H. Auden's ‘Spain’. Auden travelled to Spain in January 1937 to support the Republican efforts in the civil war, and composed the poem shortly after his return a few months later to raise money for Medical Aid for Spain. It became a rallying cry in the fight against fascism, but was also heavily criticised, not least by George Orwell, for the phrase (in its first version) of ‘necessary murder’. Mark and Seamus discuss the poem’s Marxist presentation of history, its distinctly non-Marxist language, and why Auden ultimately condemned it as ‘a lie’.
Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.
Sign up to the Close Readings subscription to listen ad free and to all our series in full:
Directly in Apple Podcasts: https://lrb.me/ppapplesignup
In other podcast apps: https://lrb.me/ppsignup
Read more in the LRB:
Seamus Heaney: Sounding Auden
Alan Bennett: The Wrong Blond
Seamus Perry: That's what Wystan says
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Wed, 28 Feb 2024 10:02:00 -0000</pubDate>
      <itunes:title>Political Poems: W.H. Auden's 'Spain 1937'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>11</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9b87fdfa-4c5a-11f0-9640-13f847711fe6/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In their second episode, Mark and Seamus look at W.H. Auden's ‘Spain’. Auden travelled to Spain in January 1937 to support the Republican efforts in the civil war, and composed the poem shortly after his return a few months later to raise money for Medical Aid for Spain. It became a rallying cry in the fight against fascism, but was also heavily criticised, not least by George Orwell, for the phrase (in its first version) of ‘necessary murder’. Mark and Seamus discuss the poem’s Marxist presentation of history, its distinctly non-Marxist language, and why Auden ultimately condemned it as ‘a lie’.&lt;/p&gt;&lt;p&gt;Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.&lt;/p&gt;&lt;p&gt;Sign up to the Close Readings subscription to listen ad free and to all our series in full:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/ppapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/ppapplesignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/ppsignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/ppsignup&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Read more in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;&lt;a href="https://lrb.me/heaneyaudencrpod" rel="noopener noreferrer" target="_blank"&gt;Seamus Heaney: Sounding Auden&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="https://lrb.me/bennettaudencrpod" rel="noopener noreferrer" target="_blank"&gt;Alan Bennett: The Wrong Blond&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="https://lrb.me/perryaudencrpod" rel="noopener noreferrer" target="_blank"&gt;Seamus Perry: That's what Wystan says&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In their second episode, Mark and Seamus look at W.H. Auden's ‘Spain’. Auden travelled to Spain in January 1937 to support the Republican efforts in the civil war, and composed the poem shortly after his return a few months later to raise money for Medical Aid for Spain. It became a rallying cry in the fight against fascism, but was also heavily criticised, not least by George Orwell, for the phrase (in its first version) of ‘necessary murder’. Mark and Seamus discuss the poem’s Marxist presentation of history, its distinctly non-Marxist language, and why Auden ultimately condemned it as ‘a lie’.
Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.
Sign up to the Close Readings subscription to listen ad free and to all our series in full:
Directly in Apple Podcasts: https://lrb.me/ppapplesignup
In other podcast apps: https://lrb.me/ppsignup
Read more in the LRB:
Seamus Heaney: Sounding Auden
Alan Bennett: The Wrong Blond
Seamus Perry: That's what Wystan says
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In their second episode, Mark and Seamus look at W.H. Auden's ‘Spain’. Auden travelled to Spain in January 1937 to support the Republican efforts in the civil war, and composed the poem shortly after his return a few months later to raise money for Medical Aid for Spain. It became a rallying cry in the fight against fascism, but was also heavily criticised, not least by George Orwell, for the phrase (in its first version) of ‘necessary murder’. Mark and Seamus discuss the poem’s Marxist presentation of history, its distinctly non-Marxist language, and why Auden ultimately condemned it as ‘a lie’.</p><p>Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.</p><p>Sign up to the Close Readings subscription to listen ad free and to all our series in full:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ppapplesignup">https://lrb.me/ppapplesignup</a></p><p>In other podcast apps: <a href="https://lrb.me/ppsignup">https://lrb.me/ppsignup</a></p><br><p>Read more in the <em>LRB</em>:</p><p><a href="https://lrb.me/heaneyaudencrpod">Seamus Heaney: Sounding Auden</a></p><p><a href="https://lrb.me/bennettaudencrpod">Alan Bennett: The Wrong Blond</a></p><p><a href="https://lrb.me/perryaudencrpod">Seamus Perry: That's what Wystan says</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>2620</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Among the Ancients II: Aesop</title>
      <link>https://shows.acast.com/close-readings/episodes/65cb4165bf8319001643f617</link>
      <description>Supposedly an enslaved man from sixth-century Samos, Aesop might not have ever really existed, but the fables attributed to him remain some of the most widely read examples of classical literature. A fascinating window into the ‘low’ culture of ancient Greece, the Fables and the figure of Aesop appear in the work of authors as diverse as Aristophanes, Plato and Phaedrus, serving new purposes in new contexts. Emily and Tom discuss how Aesop’s fables as we know them came to be, make sense of their moral contradictions and unpack some of the fables that are most opaque to modern readers.
Non-subscriber will only hear extracts from the rest of this series. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB: 
Tim Whitmarsh: Crashing the Delphic Party
https://www.lrb.co.uk/the-paper/v33/n12/tim-whitmarsh/crashing-the-delphic-party
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sat, 24 Feb 2024 09:00:44 -0000</pubDate>
      <itunes:title>Among the Ancients II: Aesop</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>10</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9bdd05ac-4c5a-11f0-9640-5f7ef51d9b92/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Supposedly an enslaved man from sixth-century Samos, Aesop might not have ever really existed, but the fables attributed to him remain some of the most widely read examples of classical literature. A fascinating window into the ‘low’&amp;nbsp;culture of ancient Greece, the Fables and the figure of Aesop appear in the work of authors as diverse as Aristophanes, Plato and Phaedrus, serving new purposes in new contexts. Emily and Tom discuss how Aesop’s fables as we know them came to be, make sense of their moral contradictions and unpack some of the fables that are most opaque to modern readers.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscriber will only hear extracts from the rest of this series. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/ataapple" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/atasignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading in the &lt;em&gt;LRB&lt;/em&gt;:&amp;nbsp;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Tim Whitmarsh: Crashing the Delphic Party&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v33/n12/tim-whitmarsh/crashing-the-delphic-party" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v33/n12/tim-whitmarsh/crashing-the-delphic-party&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Supposedly an enslaved man from sixth-century Samos, Aesop might not have ever really existed, but the fables attributed to him remain some of the most widely read examples of classical literature. A fascinating window into the ‘low’ culture of ancient Greece, the Fables and the figure of Aesop appear in the work of authors as diverse as Aristophanes, Plato and Phaedrus, serving new purposes in new contexts. Emily and Tom discuss how Aesop’s fables as we know them came to be, make sense of their moral contradictions and unpack some of the fables that are most opaque to modern readers.
Non-subscriber will only hear extracts from the rest of this series. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB: 
Tim Whitmarsh: Crashing the Delphic Party
https://www.lrb.co.uk/the-paper/v33/n12/tim-whitmarsh/crashing-the-delphic-party
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Supposedly an enslaved man from sixth-century Samos, Aesop might not have ever really existed, but the fables attributed to him remain some of the most widely read examples of classical literature. A fascinating window into the ‘low’ culture of ancient Greece, the Fables and the figure of Aesop appear in the work of authors as diverse as Aristophanes, Plato and Phaedrus, serving new purposes in new contexts. Emily and Tom discuss how Aesop’s fables as we know them came to be, make sense of their moral contradictions and unpack some of the fables that are most opaque to modern readers.</p><br><p>Non-subscriber will only hear extracts from the rest of this series. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ataapple">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/atasignuppod">lrb.me/closereadings</a></p><br><p>Further reading in the <em>LRB</em>: </p><br><p>Tim Whitmarsh: Crashing the Delphic Party</p><p><a href="https://www.lrb.co.uk/the-paper/v33/n12/tim-whitmarsh/crashing-the-delphic-party">https://www.lrb.co.uk/the-paper/v33/n12/tim-whitmarsh/crashing-the-delphic-party</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>671</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Medieval LOLs: The Colloquies of Aelfric Bata</title>
      <link>https://lrb.me/medlolscsignup</link>
      <description>All teachers know that the best way for students to learn a language is through swear words, and nobody knew this better than Aelfric Bata, a monk from Winchester whose Colloquies, compiled in around the year 1000, instructed pupils to swear in Latin with elaborate and vivid fluency. Mary and Irina work through some of Aelfric’s fruitier dialogues, and ask whether his examples can be taken purely in good humour.
Sign up to listen to this series ad free and all our subscriber series, including Mary and Irina's 12-part series Medieval Beginnings:
Directly in Apple Podcasts: https://lrb.me/medlolapplesignup
In other podcast apps: https://lrb.me/medlolscsignup
Watch a video version of this podcast on our YouTube channel here
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sun, 18 Feb 2024 08:48:20 -0000</pubDate>
      <itunes:title>Medieval LOLs: The Colloquies of Aelfric Bata</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>9</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9c2d84b4-4c5a-11f0-9640-9bf12993646a/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;All teachers know that the best way for students to learn a language is through swear words, and nobody knew this better than Aelfric Bata, a monk from Winchester whose&amp;nbsp;&lt;em&gt;Colloquies&lt;/em&gt;, compiled in around the year 1000, instructed pupils to swear in Latin with elaborate and vivid fluency. Mary and Irina work through some of Aelfric’s fruitier dialogues, and ask whether his examples can be taken purely in good humour.&lt;/p&gt;&lt;p&gt;Sign up to listen to this series ad free and all our subscriber series, including Mary and Irina's 12-part series &lt;em&gt;Medieval Beginnings&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/medlolapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/medlolapplesignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/medlolscsignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/medlolscsignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Watch a video version of this podcast on our YouTube channel &lt;a href="https://youtu.be/KMNxmUpLCw4" rel="noopener noreferrer" target="_blank"&gt;here&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>All teachers know that the best way for students to learn a language is through swear words, and nobody knew this better than Aelfric Bata, a monk from Winchester whose Colloquies, compiled in around the year 1000, instructed pupils to swear in Latin with elaborate and vivid fluency. Mary and Irina work through some of Aelfric’s fruitier dialogues, and ask whether his examples can be taken purely in good humour.
Sign up to listen to this series ad free and all our subscriber series, including Mary and Irina's 12-part series Medieval Beginnings:
Directly in Apple Podcasts: https://lrb.me/medlolapplesignup
In other podcast apps: https://lrb.me/medlolscsignup
Watch a video version of this podcast on our YouTube channel here
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>All teachers know that the best way for students to learn a language is through swear words, and nobody knew this better than Aelfric Bata, a monk from Winchester whose <em>Colloquies</em>, compiled in around the year 1000, instructed pupils to swear in Latin with elaborate and vivid fluency. Mary and Irina work through some of Aelfric’s fruitier dialogues, and ask whether his examples can be taken purely in good humour.</p><p>Sign up to listen to this series ad free and all our subscriber series, including Mary and Irina's 12-part series <em>Medieval Beginnings</em>:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/medlolapplesignup">https://lrb.me/medlolapplesignup</a></p><p>In other podcast apps: <a href="https://lrb.me/medlolscsignup">https://lrb.me/medlolscsignup</a></p><p>Watch a video version of this podcast on our YouTube channel <a href="https://youtu.be/KMNxmUpLCw4">here</a></p><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>2173</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Human Conditions: ‘The Second Sex’ by Simone de Beauvoir</title>
      <link>https://shows.acast.com/close-readings/episodes/65c26ea61e22f90016e6eefe</link>
      <description>Judith Butler joins Adam Shatz to discuss a landmark in feminist thought, Simone de Beauvoir’s The Second Sex (1949). Dazzling in its scope, The Second Sex incorporates anthropology, psychology, historiography, mythology and biology to ask an ‘impossible’ question: what is a woman? Focusing on three key chapters, Adam and Judith navigate this dense and dizzying book, exploring the nuances of Beauvoir’s original French phrasing and drawing on Judith’s own experiences teaching and writing about the text. They discuss the book’s startling relevance as well as its stark limitations for contemporary feminism, Beauvoir’s refusal to call herself a philosopher, and the radical possibilities released by her claim that one is not born, but rather becomes, a woman.
Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Judith Butler is Distinguished Professor in the Graduate School at the University of California, Berkeley, and Adam Shatz is the LRB's US editor and author of, most recently, The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sat, 10 Feb 2024 09:00:36 -0000</pubDate>
      <itunes:title>Human Conditions: ‘The Second Sex’ by Simone de Beauvoir</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>8</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9c7ed3a0-4c5a-11f0-9640-e763d753e553/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Judith Butler joins Adam Shatz to discuss a landmark in feminist thought, Simone de Beauvoir’s &lt;em&gt;The Second Sex&amp;nbsp;&lt;/em&gt;(1949). Dazzling in its scope,&amp;nbsp;&lt;em&gt;The Second Sex&lt;/em&gt;&amp;nbsp;incorporates anthropology, psychology, historiography, mythology and biology to ask an ‘impossible’ question: what is a woman? Focusing on three key chapters, Adam and Judith navigate this dense and dizzying book, exploring the nuances of Beauvoir’s original French phrasing and drawing on Judith’s own experiences teaching and writing about the text. They discuss the book’s startling relevance as well as its stark limitations for contemporary feminism, Beauvoir’s refusal to call herself a philosopher, and the radical possibilities released by her claim that one is not born, but rather becomes, a woman.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts:&lt;strong&gt; &lt;/strong&gt;&lt;a href="https://lrb.me/hcapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps:&lt;strong&gt; &lt;/strong&gt;&lt;a href="https://lrb.me/conditionssignup" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Judith Butler is Distinguished Professor in the Graduate School at the University of California, Berkeley, and Adam Shatz is the &lt;em&gt;LRB&lt;/em&gt;'s US editor and author of, most recently, &lt;em&gt;The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon&lt;/em&gt;.&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Judith Butler joins Adam Shatz to discuss a landmark in feminist thought, Simone de Beauvoir’s The Second Sex (1949). Dazzling in its scope, The Second Sex incorporates anthropology, psychology, historiography, mythology and biology to ask an ‘impossible’ question: what is a woman? Focusing on three key chapters, Adam and Judith navigate this dense and dizzying book, exploring the nuances of Beauvoir’s original French phrasing and drawing on Judith’s own experiences teaching and writing about the text. They discuss the book’s startling relevance as well as its stark limitations for contemporary feminism, Beauvoir’s refusal to call herself a philosopher, and the radical possibilities released by her claim that one is not born, but rather becomes, a woman.
Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Judith Butler is Distinguished Professor in the Graduate School at the University of California, Berkeley, and Adam Shatz is the LRB's US editor and author of, most recently, The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Judith Butler joins Adam Shatz to discuss a landmark in feminist thought, Simone de Beauvoir’s <em>The Second Sex </em>(1949). Dazzling in its scope, <em>The Second Sex</em> incorporates anthropology, psychology, historiography, mythology and biology to ask an ‘impossible’ question: what is a woman? Focusing on three key chapters, Adam and Judith navigate this dense and dizzying book, exploring the nuances of Beauvoir’s original French phrasing and drawing on Judith’s own experiences teaching and writing about the text. They discuss the book’s startling relevance as well as its stark limitations for contemporary feminism, Beauvoir’s refusal to call herself a philosopher, and the radical possibilities released by her claim that one is not born, but rather becomes, a woman.</p><br><p>Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up:</p><p>Directly in Apple Podcasts:<strong> </strong><a href="https://lrb.me/hcapplesignup">https://apple.co/3pJoFPq</a></p><p>In other podcast apps:<strong> </strong><a href="https://lrb.me/conditionssignup">lrb.me/closereadings</a></p><br><p>Judith Butler is Distinguished Professor in the Graduate School at the University of California, Berkeley, and Adam Shatz is the <em>LRB</em>'s US editor and author of, most recently, <em>The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon</em>.</p><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>761</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>On Satire: John Donne's Satires</title>
      <link>https://lrb.me/satiresignuppod</link>
      <description>In their second episode, Colin and Clare look at the dense, digressive and often dangerous satires of John Donne and other poets of the 1590s. It’s likely that Donne was the first Elizabethan author to attempt formal verse satires in the vein of the Roman satirists, and they mark not only the chronological start of his poetic career, but a foundation of his whole way of writing. Colin and Clare place the satires within Donne’s life and times, and explain why the secret to understanding their language lies in the poet's use of the ‘profoundly unruly parenthesis’.
This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sun, 04 Feb 2024 11:00:38 -0000</pubDate>
      <itunes:title>On Satire: John Donne's Satires</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>7</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9cd0336c-4c5a-11f0-9640-cf2f445c3ddd/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In their second episode, Colin and Clare look at the dense, digressive and often dangerous satires of John Donne and other poets of the 1590s. It’s likely that Donne was the first Elizabethan author to attempt formal verse satires in the vein of the Roman satirists, and they mark not only the chronological start of his poetic career, but a foundation of his whole way of writing. Colin and Clare place the satires within Donne’s life and times, and explain why the secret to understanding their language lies in the poet's use of the ‘profoundly unruly parenthesis’.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/satiresignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In their second episode, Colin and Clare look at the dense, digressive and often dangerous satires of John Donne and other poets of the 1590s. It’s likely that Donne was the first Elizabethan author to attempt formal verse satires in the vein of the Roman satirists, and they mark not only the chronological start of his poetic career, but a foundation of his whole way of writing. Colin and Clare place the satires within Donne’s life and times, and explain why the secret to understanding their language lies in the poet's use of the ‘profoundly unruly parenthesis’.
This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In their second episode, Colin and Clare look at the dense, digressive and often dangerous satires of John Donne and other poets of the 1590s. It’s likely that Donne was the first Elizabethan author to attempt formal verse satires in the vein of the Roman satirists, and they mark not only the chronological start of his poetic career, but a foundation of his whole way of writing. Colin and Clare place the satires within Donne’s life and times, and explain why the secret to understanding their language lies in the poet's use of the ‘profoundly unruly parenthesis’.</p><p>This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/satiresignuppod">lrb.me/closereadings</a></p><p>Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.</p><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>814</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Political Poems: Andrew Marvell's 'An Horatian Ode upon Cromwell's Return from Ireland'</title>
      <link>https://lrb.me/ppsignup</link>
      <description>In the first episode of their new Close Readings series on political poetry, Seamus Perry and Mark Ford look at ‘An Horatian Ode upon Cromwell’s Return from Ireland’ by Andrew Marvell, described by Frank Kermode as ‘braced against folly by the power and intelligence that make it possible to think it the greatest political poem in the language’.
Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.
Sign up to the Close Readings subscription to listen ad free and to all our series in full:
Directly in Apple Podcasts: https://lrb.me/ppapplesignup
In other podcast apps: https://lrb.me/ppsignup
Read the poem here
Further reading in the LRB:
Blair Worden: Double Tongued: https://lrb.me/wordenpp
Frank Kermode: Hard Labour: https://lrb.me/kermodepp
David Norbrook: Political Verse: https://lrb.me/norbrookpp
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Wed, 31 Jan 2024 13:20:17 -0000</pubDate>
      <itunes:title>Political Poems: Andrew Marvell's 'An Horatian Ode upon Cromwell's Return from Ireland'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>11</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9d49b87c-4c5a-11f0-9640-9f5e08f433cd/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the first episode of their new&amp;nbsp;&lt;em&gt;Close Readings&lt;/em&gt;&amp;nbsp;series on political poetry, Seamus Perry and Mark Ford look at ‘An Horatian Ode upon Cromwell’s Return from Ireland’ by Andrew Marvell, described by Frank Kermode as ‘braced against folly by the power and intelligence that make it possible to think it the greatest political poem in the language’.&lt;/p&gt;&lt;p&gt;Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.&lt;/p&gt;&lt;p&gt;Sign up to the Close Readings subscription to listen ad free and to all our series in full:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts:&amp;nbsp;&lt;a href="https://lrb.me/ppapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/ppapplesignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps:&amp;nbsp;&lt;a href="https://lrb.me/ppsignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/ppsignup&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;a href="https://www.poetryfoundation.org/poems/44683/an-horatian-ode-upon-cromwells-return-from-ireland" rel="noopener noreferrer" target="_blank"&gt;Read the poem here&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Blair Worden: Double Tongued: &lt;a href="https://lrb.me/wordenpp" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/wordenpp&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Frank Kermode: Hard Labour: &lt;a href="https://lrb.me/kermodepp" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/kermodepp&lt;/a&gt;&lt;/p&gt;&lt;p&gt;David Norbrook: Political Verse: &lt;a href="https://lrb.me/norbrookpp" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/norbrookpp&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the first episode of their new Close Readings series on political poetry, Seamus Perry and Mark Ford look at ‘An Horatian Ode upon Cromwell’s Return from Ireland’ by Andrew Marvell, described by Frank Kermode as ‘braced against folly by the power and intelligence that make it possible to think it the greatest political poem in the language’.
Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.
Sign up to the Close Readings subscription to listen ad free and to all our series in full:
Directly in Apple Podcasts: https://lrb.me/ppapplesignup
In other podcast apps: https://lrb.me/ppsignup
Read the poem here
Further reading in the LRB:
Blair Worden: Double Tongued: https://lrb.me/wordenpp
Frank Kermode: Hard Labour: https://lrb.me/kermodepp
David Norbrook: Political Verse: https://lrb.me/norbrookpp
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the first episode of their new <em>Close Readings</em> series on political poetry, Seamus Perry and Mark Ford look at ‘An Horatian Ode upon Cromwell’s Return from Ireland’ by Andrew Marvell, described by Frank Kermode as ‘braced against folly by the power and intelligence that make it possible to think it the greatest political poem in the language’.</p><p>Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.</p><p>Sign up to the Close Readings subscription to listen ad free and to all our series in full:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ppapplesignup">https://lrb.me/ppapplesignup</a></p><p>In other podcast apps: <a href="https://lrb.me/ppsignup">https://lrb.me/ppsignup</a></p><br><p><a href="https://www.poetryfoundation.org/poems/44683/an-horatian-ode-upon-cromwells-return-from-ireland">Read the poem here</a></p><br><p>Further reading in the <em>LRB</em>:</p><p>Blair Worden: Double Tongued: <a href="https://lrb.me/wordenpp">https://lrb.me/wordenpp</a></p><p>Frank Kermode: Hard Labour: <a href="https://lrb.me/kermodepp">https://lrb.me/kermodepp</a></p><p>David Norbrook: Political Verse: <a href="https://lrb.me/norbrookpp">https://lrb.me/norbrookpp</a></p><br><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>2174</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Among the Ancients II: Hesiod</title>
      <link>https://lrb.me/atasignuppod</link>
      <description>Emily Wilson and Thomas Jones kick off their second season of Among the Ancients with a return to the eighth century BCE, exploring the poems of Homer’s near contemporary, Hesiod, the first western writer to craft a poetic persona. In Works and Days, brilliantly translated by A.E. Stallings, Hesiod weaves his personality into a narrative that encompasses everything from brotherly bickering to cosmic warfare. Emily and Tom unpack this wildly entertaining window into Ancient Greek life, and discuss how Stallings’s translation highlights the humour and linguistic flavour of the original text.
Non-subscriber will only hear extracts from the rest of this series. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Barbara Graziosi
https://www.lrb.co.uk/the-paper/v31/n16/barbara-graziosi/where-s-the-gravy
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Wed, 24 Jan 2024 09:02:53 -0000</pubDate>
      <itunes:title>Among the Ancients II: Hesiod</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>10</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9d99eca2-4c5a-11f0-9640-375a9b1a0138/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Emily Wilson and Thomas Jones kick off their second season of Among the Ancients with a return to the eighth century BCE, exploring the poems of Homer’s near contemporary, Hesiod, the first western writer to craft a poetic persona. In&amp;nbsp;&lt;em&gt;Works and Days&lt;/em&gt;, brilliantly translated by A.E. Stallings, Hesiod weaves his personality into a narrative that encompasses everything from brotherly bickering to cosmic warfare. Emily and Tom unpack this wildly entertaining window into Ancient Greek life, and discuss how Stallings’s translation highlights the humour and linguistic flavour of the original text.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscriber will only hear extracts from the rest of this series. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/ataapple" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/atasignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading in the LRB:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Barbara Graziosi&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v31/n16/barbara-graziosi/where-s-the-gravy" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v31/n16/barbara-graziosi/where-s-the-gravy&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the &lt;em&gt;London Review of Books&lt;/em&gt;.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Emily Wilson and Thomas Jones kick off their second season of Among the Ancients with a return to the eighth century BCE, exploring the poems of Homer’s near contemporary, Hesiod, the first western writer to craft a poetic persona. In Works and Days, brilliantly translated by A.E. Stallings, Hesiod weaves his personality into a narrative that encompasses everything from brotherly bickering to cosmic warfare. Emily and Tom unpack this wildly entertaining window into Ancient Greek life, and discuss how Stallings’s translation highlights the humour and linguistic flavour of the original text.
Non-subscriber will only hear extracts from the rest of this series. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Barbara Graziosi
https://www.lrb.co.uk/the-paper/v31/n16/barbara-graziosi/where-s-the-gravy
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Emily Wilson and Thomas Jones kick off their second season of Among the Ancients with a return to the eighth century BCE, exploring the poems of Homer’s near contemporary, Hesiod, the first western writer to craft a poetic persona. In <em>Works and Days</em>, brilliantly translated by A.E. Stallings, Hesiod weaves his personality into a narrative that encompasses everything from brotherly bickering to cosmic warfare. Emily and Tom unpack this wildly entertaining window into Ancient Greek life, and discuss how Stallings’s translation highlights the humour and linguistic flavour of the original text.</p><br><p>Non-subscriber will only hear extracts from the rest of this series. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ataapple">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/atasignuppod">lrb.me/closereadings</a></p><br><p>Further reading in the LRB:</p><br><p>Barbara Graziosi</p><p><a href="https://www.lrb.co.uk/the-paper/v31/n16/barbara-graziosi/where-s-the-gravy">https://www.lrb.co.uk/the-paper/v31/n16/barbara-graziosi/where-s-the-gravy</a></p><br><p>Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the <em>London Review of Books</em>.</p><br><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>765</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[65aff1e22ba9310017330de4]]></guid>
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    </item>
    <item>
      <title>Medieval LOLs: Chaucer's 'Miller's Tale'</title>
      <link>https://lrb.me/medlolscsignup</link>
      <description>Were the Middle Ages funny? In this bonus Close Readings series running throughout this year, Irina Dumitrescu and Mary Wellesley begin their quest for the medieval sense of humour with Chaucer’s 'Miller’s Tale', a story that is surely still (almost) as funny as when it was written six hundred years ago. But who is the real butt of the joke? Mary and Irina look in detail at the mechanics of the plot and its needless but pleasurable complexity, and consider the social significance of clothes and pubic hair in the tale.
Sign up to the Close Readings subscription to listen ad free and to all our series in full:
Directly in Apple Podcasts: https://lrb.me/medlolapplesignup
In other podcast apps: https://lrb.me/medlolscsignup
Watch a video version of this podcast on our YouTube channel here
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Wed, 17 Jan 2024 14:09:28 -0000</pubDate>
      <itunes:title>Medieval LOLs: Chaucer's 'Miller's Tale'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>9</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9deb9886-4c5a-11f0-9640-3f8777157a9e/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Were the Middle Ages funny? In this bonus Close Readings series running throughout this year, Irina Dumitrescu and Mary Wellesley begin their quest for the medieval sense of humour with Chaucer’s 'Miller’s Tale', a story that is surely still (almost) as funny as when it was written six hundred years ago. But who is the real butt of the joke? Mary and Irina look in detail at the mechanics of the plot and its needless but pleasurable complexity, and consider the social significance of clothes and pubic hair in the tale.&lt;/p&gt;&lt;p&gt;Sign up to the Close Readings subscription to listen ad free and to all our series in full:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/medlolapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/medlolapplesignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/medlolscsignup" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/medlolscsignup&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Watch a video version of this podcast on our YouTube channel &lt;a href="https://youtu.be/_o1GdU5-O8U?si=ca_I-wnwR1HVGMqV" rel="noopener noreferrer" target="_blank"&gt;here&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Were the Middle Ages funny? In this bonus Close Readings series running throughout this year, Irina Dumitrescu and Mary Wellesley begin their quest for the medieval sense of humour with Chaucer’s 'Miller’s Tale', a story that is surely still (almost) as funny as when it was written six hundred years ago. But who is the real butt of the joke? Mary and Irina look in detail at the mechanics of the plot and its needless but pleasurable complexity, and consider the social significance of clothes and pubic hair in the tale.
Sign up to the Close Readings subscription to listen ad free and to all our series in full:
Directly in Apple Podcasts: https://lrb.me/medlolapplesignup
In other podcast apps: https://lrb.me/medlolscsignup
Watch a video version of this podcast on our YouTube channel here
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Were the Middle Ages funny? In this bonus Close Readings series running throughout this year, Irina Dumitrescu and Mary Wellesley begin their quest for the medieval sense of humour with Chaucer’s 'Miller’s Tale', a story that is surely still (almost) as funny as when it was written six hundred years ago. But who is the real butt of the joke? Mary and Irina look in detail at the mechanics of the plot and its needless but pleasurable complexity, and consider the social significance of clothes and pubic hair in the tale.</p><p>Sign up to the Close Readings subscription to listen ad free and to all our series in full:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/medlolapplesignup">https://lrb.me/medlolapplesignup</a></p><p>In other podcast apps: <a href="https://lrb.me/medlolscsignup">https://lrb.me/medlolscsignup</a></p><p>Watch a video version of this podcast on our YouTube channel <a href="https://youtu.be/_o1GdU5-O8U?si=ca_I-wnwR1HVGMqV">here</a></p><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>1848</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Human Conditions: ‘Anti-Semite and Jew’ by Jean-Paul Sartre</title>
      <link>https://lrb.me/conditionssignup</link>
      <description>Judith Butler joins Adam Shatz for the first episode of Human Conditions to look at Jean-Paul Sartre’s 1946 book Anti-Semite and Jew, originally published in French as Réflexions Sur La Question Juive. Sartre’s ‘portraits’ of the ‘anti-Semite’ and the ‘Jew’, as he saw them, caused controversy at the time for directly confronting anti-Jewish bigotry in France and how Jewish people had been treated under the Vichy government and before the war.
Judith and Adam discuss Sartre’s attempt to develop a philosophical understanding of this kind of hatred and the apparent moral satisfaction it brings, and his contentious suggestion that not only does the antisemite owe his identity to the Jew, but that 'the Jew' is a creation of the antisemitic gaze. They also consider some of the criticisms levelled at the book, such as its focus on the bourgeois personality, and Sartre’s definition of Jews in entirely negative terms.
NOTE: This episode was recorded on 5 October 2023.
Subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Read more in the LRB:
Adam Shatz: Sartre in Cairo
https://www.lrb.co.uk/the-paper/v40/n22/adam-shatz/one-day-i-ll-tell-you-what-i-think
Jonathan Rée: Being and Nothingness
https://www.lrb.co.uk/the-paper/v41/n08/jonathan-ree/peas-in-a-matchbox
Judith Butler is Distinguished Professor in the Graduate School at the University of California, Berkeley, and Adam Shatz is the the LRB's US editor and author of, most recently, The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sun, 14 Jan 2024 10:36:37 -0000</pubDate>
      <itunes:title>Human Conditions: ‘Anti-Semite and Jew’ by Jean-Paul Sartre</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>8</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9e3d3fc4-4c5a-11f0-9640-ab75b0d27c38/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Judith Butler joins Adam Shatz for the first episode of &lt;em&gt;Human Conditions&lt;/em&gt; to look at&amp;nbsp;Jean-Paul Sartre’s 1946 book &lt;em&gt;Anti-Semite and Jew&lt;/em&gt;, originally published in French as &lt;em&gt;Réflexions Sur La Question Juive&lt;/em&gt;. Sartre’s ‘portraits’ of the ‘anti-Semite’ and the ‘Jew’, as he saw them, caused controversy at the time for directly confronting anti-Jewish bigotry in France and how Jewish people had been treated under the Vichy government and before the war.&lt;/p&gt;&lt;p&gt;Judith and Adam discuss Sartre’s attempt to develop a philosophical understanding of this kind of hatred and the apparent moral satisfaction it brings, and his contentious suggestion that not only does the antisemite owe his identity to the Jew, but that 'the Jew' is a creation of the antisemitic gaze. They also consider some of the criticisms levelled at the book, such as its focus on the bourgeois personality, and Sartre’s definition of Jews in entirely negative terms.&lt;/p&gt;&lt;p&gt;NOTE: This episode was recorded on 5 October 2023.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/hcapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/conditionssignup" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Read more in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Adam Shatz: Sartre in Cairo&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v40/n22/adam-shatz/one-day-i-ll-tell-you-what-i-think" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v40/n22/adam-shatz/one-day-i-ll-tell-you-what-i-think&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Jonathan Rée: Being and Nothingness&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v41/n08/jonathan-ree/peas-in-a-matchbox" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v41/n08/jonathan-ree/peas-in-a-matchbox&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Judith Butler is Distinguished Professor in the Graduate School at the University of California, Berkeley, and Adam Shatz is the the &lt;em&gt;LRB&lt;/em&gt;'s US editor and author of, most recently, &lt;em&gt;The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon&lt;/em&gt;.&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Judith Butler joins Adam Shatz for the first episode of Human Conditions to look at Jean-Paul Sartre’s 1946 book Anti-Semite and Jew, originally published in French as Réflexions Sur La Question Juive. Sartre’s ‘portraits’ of the ‘anti-Semite’ and the ‘Jew’, as he saw them, caused controversy at the time for directly confronting anti-Jewish bigotry in France and how Jewish people had been treated under the Vichy government and before the war.
Judith and Adam discuss Sartre’s attempt to develop a philosophical understanding of this kind of hatred and the apparent moral satisfaction it brings, and his contentious suggestion that not only does the antisemite owe his identity to the Jew, but that 'the Jew' is a creation of the antisemitic gaze. They also consider some of the criticisms levelled at the book, such as its focus on the bourgeois personality, and Sartre’s definition of Jews in entirely negative terms.
NOTE: This episode was recorded on 5 October 2023.
Subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Read more in the LRB:
Adam Shatz: Sartre in Cairo
https://www.lrb.co.uk/the-paper/v40/n22/adam-shatz/one-day-i-ll-tell-you-what-i-think
Jonathan Rée: Being and Nothingness
https://www.lrb.co.uk/the-paper/v41/n08/jonathan-ree/peas-in-a-matchbox
Judith Butler is Distinguished Professor in the Graduate School at the University of California, Berkeley, and Adam Shatz is the the LRB's US editor and author of, most recently, The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Judith Butler joins Adam Shatz for the first episode of <em>Human Conditions</em> to look at Jean-Paul Sartre’s 1946 book <em>Anti-Semite and Jew</em>, originally published in French as <em>Réflexions Sur La Question Juive</em>. Sartre’s ‘portraits’ of the ‘anti-Semite’ and the ‘Jew’, as he saw them, caused controversy at the time for directly confronting anti-Jewish bigotry in France and how Jewish people had been treated under the Vichy government and before the war.</p><p>Judith and Adam discuss Sartre’s attempt to develop a philosophical understanding of this kind of hatred and the apparent moral satisfaction it brings, and his contentious suggestion that not only does the antisemite owe his identity to the Jew, but that 'the Jew' is a creation of the antisemitic gaze. They also consider some of the criticisms levelled at the book, such as its focus on the bourgeois personality, and Sartre’s definition of Jews in entirely negative terms.</p><p>NOTE: This episode was recorded on 5 October 2023.</p><br><p>Subscribers will only hear an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/hcapplesignup">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/conditionssignup">lrb.me/closereadings</a></p><br><p>Read more in the <em>LRB</em>:</p><br><p>Adam Shatz: Sartre in Cairo</p><p><a href="https://www.lrb.co.uk/the-paper/v40/n22/adam-shatz/one-day-i-ll-tell-you-what-i-think">https://www.lrb.co.uk/the-paper/v40/n22/adam-shatz/one-day-i-ll-tell-you-what-i-think</a></p><br><p>Jonathan Rée: Being and Nothingness</p><p><a href="https://www.lrb.co.uk/the-paper/v41/n08/jonathan-ree/peas-in-a-matchbox">https://www.lrb.co.uk/the-paper/v41/n08/jonathan-ree/peas-in-a-matchbox</a></p><br><p>Judith Butler is Distinguished Professor in the Graduate School at the University of California, Berkeley, and Adam Shatz is the the <em>LRB</em>'s US editor and author of, most recently, <em>The Rebel's Clinic: The Revolutionary Lives of Frantz Fanon</em>.</p><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>3342</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>On Satire: 'The Praise of Folly' by Desiderius Erasmus</title>
      <link>https://lrb.me/satiresignuppod</link>
      <description>Clare and Colin begin their twelve-part series on satire with the big question: what is satire? Where did it come from? Is it a genre, or more of a style, or an attitude? They then plunge into their first text, The Praise of Folly by Desiderius Erasmus, a prose satire from 1511 that lampoons pretty much the whole of sixteenth century life in the voice of Folly herself. 
This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Find out about Close Readings Plus: lrb.me/plus
Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Thu, 04 Jan 2024 11:01:38 -0000</pubDate>
      <itunes:title>On Satire: 'The Praise of Folly' by Desiderius Erasmus</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>7</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9e8db4fe-4c5a-11f0-9640-d7c631d0af3b/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Clare and Colin begin their twelve-part series on satire with the big question: what is satire? Where did it come from? Is it a genre, or more of a style, or an attitude? They then plunge into their first text, &lt;em&gt;The Praise of Folly&lt;/em&gt; by Desiderius Erasmus, a prose satire from 1511 that lampoons pretty much the whole of sixteenth century life in the voice of Folly herself.&amp;nbsp;&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/satiresignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Find out about Close Readings Plus: &lt;a href="https://lrb.me/plus" rel="noopener noreferrer" target="_blank"&gt;lrb.me/plus&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.&lt;/p&gt;&lt;p&gt;Get in touch: podcasts@lrb.co.uk&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Clare and Colin begin their twelve-part series on satire with the big question: what is satire? Where did it come from? Is it a genre, or more of a style, or an attitude? They then plunge into their first text, The Praise of Folly by Desiderius Erasmus, a prose satire from 1511 that lampoons pretty much the whole of sixteenth century life in the voice of Folly herself. 
This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Find out about Close Readings Plus: lrb.me/plus
Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.
Get in touch: podcasts@lrb.co.uk
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Clare and Colin begin their twelve-part series on satire with the big question: what is satire? Where did it come from? Is it a genre, or more of a style, or an attitude? They then plunge into their first text, <em>The Praise of Folly</em> by Desiderius Erasmus, a prose satire from 1511 that lampoons pretty much the whole of sixteenth century life in the voice of Folly herself. </p><p>This is an extract from the episode. To listen in full, and to all our other Close Readings series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/satiresignuppod">lrb.me/closereadings</a></p><p>Find out about Close Readings Plus: <a href="https://lrb.me/plus">lrb.me/plus</a></p><p>Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford.</p><p>Get in touch: podcasts@lrb.co.uk</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>761</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Introducing: Among the Ancients II</title>
      <link>https://lrb.me/ata2signup</link>
      <description>For the final introduction to next year’s full Close Readings programme, Emily Wilson, celebrated classicist and translator of Homer’s Iliad and Odyssey, returns for a second season of Among the Ancients, to take on another twelve vital works of Greek and Roman literature with the LRB’s Thomas Jones, loosely themed around ‘truth and lies’ – from Aesop’s Fables to Marcus Aurelius’s Meditations.
Authors covered: Hesiod, Aesop, Herodotus, Pindar, Plato, Lucian, Plautus, Terence, Lucan, Tacitus, Juvenal, Apuleius, Marcus Aurelius.
First episode released on 24 January 2024, then on the 24th of each month for the rest of the year.
How to Listen
Close Readings subscription
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Close Readings Plus
In addition to the episodes, receive all the books under discussion; access to webinars with Emily, Tom and special guests including Amia Srinivasan; and shownotes and further reading from the LRB archive.
On sale here from 22 November: lrb.me/plus
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Wed, 03 Jan 2024 09:12:00 -0000</pubDate>
      <itunes:title>Introducing: Among the Ancients II</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>10</itunes:season>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9edbb618-4c5a-11f0-9640-73b579c78498/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;For the final introduction to next year’s full &lt;em&gt;Close Readings&lt;/em&gt; programme, Emily Wilson, celebrated classicist and translator of Homer’s &lt;em&gt;Iliad&lt;/em&gt; and &lt;em&gt;Odyssey&lt;/em&gt;, returns for a second season of &lt;em&gt;Among the Ancients&lt;/em&gt;, to take on another twelve vital works of Greek and Roman literature with the &lt;em&gt;LRB&lt;/em&gt;’s Thomas Jones, loosely themed around ‘truth and lies’ – from Aesop’s &lt;em&gt;Fables&lt;/em&gt; to Marcus Aurelius’s &lt;em&gt;Meditations&lt;/em&gt;.&lt;/p&gt;&lt;p&gt;Authors covered: Hesiod, Aesop, Herodotus, Pindar, Plato, Lucian, Plautus, Terence, Lucan, Tacitus, Juvenal, Apuleius, Marcus Aurelius.&lt;/p&gt;&lt;p&gt;First episode released on 24 January 2024, then on the 24th of each month for the rest of the year.&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;u&gt;How to Listen&lt;/u&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;em&gt;Close Readings subscription&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/ata2applesignup" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/ata2signup" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;em&gt;Close Readings Plus&lt;/em&gt;&lt;/p&gt;&lt;p&gt;In addition to the episodes, receive all the books under discussion; access to webinars with Emily, Tom and special guests including Amia Srinivasan; and shownotes and further reading from the&amp;nbsp;&lt;em&gt;LRB&amp;nbsp;&lt;/em&gt;archive.&lt;/p&gt;&lt;p&gt;On sale here from 22 November: &lt;a href="https://lrb.me/plus" rel="noopener noreferrer" target="_blank"&gt;lrb.me/plus&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>For the final introduction to next year’s full Close Readings programme, Emily Wilson, celebrated classicist and translator of Homer’s Iliad and Odyssey, returns for a second season of Among the Ancients, to take on another twelve vital works of Greek and Roman literature with the LRB’s Thomas Jones, loosely themed around ‘truth and lies’ – from Aesop’s Fables to Marcus Aurelius’s Meditations.
Authors covered: Hesiod, Aesop, Herodotus, Pindar, Plato, Lucian, Plautus, Terence, Lucan, Tacitus, Juvenal, Apuleius, Marcus Aurelius.
First episode released on 24 January 2024, then on the 24th of each month for the rest of the year.
How to Listen
Close Readings subscription
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Close Readings Plus
In addition to the episodes, receive all the books under discussion; access to webinars with Emily, Tom and special guests including Amia Srinivasan; and shownotes and further reading from the LRB archive.
On sale here from 22 November: lrb.me/plus
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For the final introduction to next year’s full <em>Close Readings</em> programme, Emily Wilson, celebrated classicist and translator of Homer’s <em>Iliad</em> and <em>Odyssey</em>, returns for a second season of <em>Among the Ancients</em>, to take on another twelve vital works of Greek and Roman literature with the <em>LRB</em>’s Thomas Jones, loosely themed around ‘truth and lies’ – from Aesop’s <em>Fables</em> to Marcus Aurelius’s <em>Meditations</em>.</p><p>Authors covered: Hesiod, Aesop, Herodotus, Pindar, Plato, Lucian, Plautus, Terence, Lucan, Tacitus, Juvenal, Apuleius, Marcus Aurelius.</p><p>First episode released on 24 January 2024, then on the 24th of each month for the rest of the year.</p><br><p><u>How to Listen</u></p><br><p><em>Close Readings subscription</em></p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ata2applesignup">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/ata2signup">lrb.me/closereadings</a></p><br><p><em>Close Readings Plus</em></p><p>In addition to the episodes, receive all the books under discussion; access to webinars with Emily, Tom and special guests including Amia Srinivasan; and shownotes and further reading from the <em>LRB </em>archive.</p><p>On sale here from 22 November: <a href="https://lrb.me/plus">lrb.me/plus</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>746</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Introducing: On Satire</title>
      <link>https://lrb.me/satiresignuppod</link>
      <description>In the first of three introductions to our full 2024 Close Readings programme, starting in January, Colin Burrow and Clare Bucknell present their series, On Satire. Over twelve episodes, Colin and Clare will attempt to chart a stable course through some of the most unruly, vulgar, incoherent, savage and outright hilarious works in English literature, as they ask what satire is, what it’s for and why we seem to like it so much.
Authors covered: Erasmus, John Donne, Ben Jonson, Earl of Rochester, John Gay, Alexander Pope, Laurence Sterne, Jane Austen, Lord Byron, Oscar Wilde, Evelyn Waugh and Muriel Spark.
Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford, and regular contributors to the LRB.
First episode released on 4 January 2024, then on the fourth of each month for the rest of the year.
How to Listen
Close Readings subscription
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Close Readings Plus
In addition to the episodes, receive all the books under discussion; access to webinars with Colin, Clare and special guests including Lucy Prebble and Katherine Rundell; and shownotes and further reading from the LRB archive.
On sale here from 22 November: lrb.me/plus
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Mon, 01 Jan 2024 06:45:23 -0000</pubDate>
      <itunes:title>Introducing: On Satire</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>7</itunes:season>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9f2c032a-4c5a-11f0-9640-73173db1a79f/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the first of three introductions to our full 2024 &lt;em&gt;Close Readings&lt;/em&gt; programme, starting in January, Colin Burrow and Clare Bucknell present their series, &lt;em&gt;On Satire&lt;/em&gt;. Over twelve episodes, Colin and Clare will attempt to chart a stable course through some of the most unruly, vulgar, incoherent, savage and outright hilarious works in English literature, as they ask what satire is, what it’s for and why we seem to like it so much.&lt;/p&gt;&lt;p&gt;Authors covered: Erasmus, John Donne, Ben Jonson, Earl of Rochester, John Gay, Alexander Pope, Laurence Sterne, Jane Austen, Lord Byron, Oscar Wilde, Evelyn Waugh and Muriel Spark.&lt;/p&gt;&lt;p&gt;Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford, and regular contributors to the &lt;em&gt;LRB&lt;/em&gt;.&lt;/p&gt;&lt;p&gt;First episode released on 4 January 2024, then on the fourth of each month for the rest of the year.&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;u&gt;How to Listen&lt;/u&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;em&gt;Close Readings subscription&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/satireapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/satiresignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;em&gt;Close Readings Plus&lt;/em&gt;&lt;/p&gt;&lt;p&gt;In addition to the episodes, receive all the books under discussion; access to webinars with Colin, Clare and special guests including Lucy Prebble and Katherine Rundell; and shownotes and further reading from the&amp;nbsp;&lt;em&gt;LRB&amp;nbsp;&lt;/em&gt;archive.&lt;/p&gt;&lt;p&gt;On sale here from 22 November: &lt;a href="https://lrb.me/plus" rel="noopener noreferrer" target="_blank"&gt;lrb.me/plus&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the first of three introductions to our full 2024 Close Readings programme, starting in January, Colin Burrow and Clare Bucknell present their series, On Satire. Over twelve episodes, Colin and Clare will attempt to chart a stable course through some of the most unruly, vulgar, incoherent, savage and outright hilarious works in English literature, as they ask what satire is, what it’s for and why we seem to like it so much.
Authors covered: Erasmus, John Donne, Ben Jonson, Earl of Rochester, John Gay, Alexander Pope, Laurence Sterne, Jane Austen, Lord Byron, Oscar Wilde, Evelyn Waugh and Muriel Spark.
Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford, and regular contributors to the LRB.
First episode released on 4 January 2024, then on the fourth of each month for the rest of the year.
How to Listen
Close Readings subscription
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Close Readings Plus
In addition to the episodes, receive all the books under discussion; access to webinars with Colin, Clare and special guests including Lucy Prebble and Katherine Rundell; and shownotes and further reading from the LRB archive.
On sale here from 22 November: lrb.me/plus
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the first of three introductions to our full 2024 <em>Close Readings</em> programme, starting in January, Colin Burrow and Clare Bucknell present their series, <em>On Satire</em>. Over twelve episodes, Colin and Clare will attempt to chart a stable course through some of the most unruly, vulgar, incoherent, savage and outright hilarious works in English literature, as they ask what satire is, what it’s for and why we seem to like it so much.</p><p>Authors covered: Erasmus, John Donne, Ben Jonson, Earl of Rochester, John Gay, Alexander Pope, Laurence Sterne, Jane Austen, Lord Byron, Oscar Wilde, Evelyn Waugh and Muriel Spark.</p><p>Colin Burrow and Clare Bucknell are both fellows of All Souls College, Oxford, and regular contributors to the <em>LRB</em>.</p><p>First episode released on 4 January 2024, then on the fourth of each month for the rest of the year.</p><br><p><u>How to Listen</u></p><br><p><em>Close Readings subscription</em></p><p>Directly in Apple Podcasts: <a href="https://lrb.me/satireapplesignup">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/satiresignuppod">lrb.me/closereadings</a></p><br><p><em>Close Readings Plus</em></p><p>In addition to the episodes, receive all the books under discussion; access to webinars with Colin, Clare and special guests including Lucy Prebble and Katherine Rundell; and shownotes and further reading from the <em>LRB </em>archive.</p><p>On sale here from 22 November: <a href="https://lrb.me/plus">lrb.me/plus</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>900</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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      <title>Introducing: Human Conditions</title>
      <link>https://lrb.me/conditionssignup</link>
      <description>In the second of three introductions to our full Close Readings programme for 2024, Adam Shatz presents his series, Human Conditions, in which he’ll be talking separately to three guests – Judith Butler, Pankaj Mishra and Brent Hayes Edwards – about some of the most revolutionary thought of the 20th century.
Judith, Pankaj and Brent will each discuss four texts over four episodes, as they uncover the inner life of the 20th century through works that have sought to find freedom in different ways and remake the world around them. They explore, among other things, the development of arguments against racism and colonialism, the experience of artistic expression in oppressive conditions and how language has been used in politically substantive ways.
Authors covered: Jean-Paul Sartre, Simone de Beauvoir, Frantz Fanon, Hannah Arendt, V. S. Naipaul, Ashis Nandy, Doris Lessing, Nadezhda Mandelstam, W. E. B. Du Bois, Aimé Césaire, Amiri Baraka and Audre Lorde.
Episodes released once a month throughout 2024, on the 4th of each month.
How to Listen
Close Readings subscription
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Mon, 01 Jan 2024 06:14:45 -0000</pubDate>
      <itunes:title>Introducing: Human Conditions</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>8</itunes:season>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9f7b6b86-4c5a-11f0-9640-d77e740246a4/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the second of three introductions to our full&amp;nbsp;&lt;em&gt;Close Readings&lt;/em&gt;&amp;nbsp;programme for 2024, Adam Shatz presents his series,&amp;nbsp;&lt;em&gt;Human Conditions&lt;/em&gt;, in which he’ll be talking separately to three guests – Judith Butler, Pankaj Mishra and Brent Hayes Edwards – about some of the most revolutionary thought of the 20th century.&lt;/p&gt;&lt;p&gt;Judith, Pankaj and Brent will each discuss four texts over four episodes, as they uncover the inner life of the 20th century through works that have sought to find freedom in different ways and remake the world around them. They explore, among other things, the development of arguments against racism and colonialism, the experience of artistic expression in oppressive conditions and how language has been used in politically substantive ways.&lt;/p&gt;&lt;p&gt;Authors covered: Jean-Paul Sartre, Simone de Beauvoir, Frantz Fanon, Hannah Arendt, V. S. Naipaul, Ashis Nandy, Doris Lessing, Nadezhda Mandelstam, W. E. B. Du Bois, Aimé Césaire, Amiri Baraka and Audre Lorde.&lt;/p&gt;&lt;p&gt;Episodes released once a month throughout 2024, on the 4th of each month.&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;u&gt;How to Listen&lt;/u&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;em&gt;Close Readings subscription&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/hcapplesignup" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/conditionssignup" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the second of three introductions to our full Close Readings programme for 2024, Adam Shatz presents his series, Human Conditions, in which he’ll be talking separately to three guests – Judith Butler, Pankaj Mishra and Brent Hayes Edwards – about some of the most revolutionary thought of the 20th century.
Judith, Pankaj and Brent will each discuss four texts over four episodes, as they uncover the inner life of the 20th century through works that have sought to find freedom in different ways and remake the world around them. They explore, among other things, the development of arguments against racism and colonialism, the experience of artistic expression in oppressive conditions and how language has been used in politically substantive ways.
Authors covered: Jean-Paul Sartre, Simone de Beauvoir, Frantz Fanon, Hannah Arendt, V. S. Naipaul, Ashis Nandy, Doris Lessing, Nadezhda Mandelstam, W. E. B. Du Bois, Aimé Césaire, Amiri Baraka and Audre Lorde.
Episodes released once a month throughout 2024, on the 4th of each month.
How to Listen
Close Readings subscription
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the second of three introductions to our full <em>Close Readings</em> programme for 2024, Adam Shatz presents his series, <em>Human Conditions</em>, in which he’ll be talking separately to three guests – Judith Butler, Pankaj Mishra and Brent Hayes Edwards – about some of the most revolutionary thought of the 20th century.</p><p>Judith, Pankaj and Brent will each discuss four texts over four episodes, as they uncover the inner life of the 20th century through works that have sought to find freedom in different ways and remake the world around them. They explore, among other things, the development of arguments against racism and colonialism, the experience of artistic expression in oppressive conditions and how language has been used in politically substantive ways.</p><p>Authors covered: Jean-Paul Sartre, Simone de Beauvoir, Frantz Fanon, Hannah Arendt, V. S. Naipaul, Ashis Nandy, Doris Lessing, Nadezhda Mandelstam, W. E. B. Du Bois, Aimé Césaire, Amiri Baraka and Audre Lorde.</p><p>Episodes released once a month throughout 2024, on the 4th of each month.</p><br><p><u>How to Listen</u></p><br><p><em>Close Readings subscription</em></p><p>Directly in Apple Podcasts: <a href="https://lrb.me/hcapplesignup">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/conditionssignup">lrb.me/closereadings</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>1578</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>The Long and Short: Elizabeth Bowen</title>
      <link>https://lrb.me/tlassignuppod</link>
      <description>In the final episode of The Long and Short, we turn to Elizabeth Bowen, widely considered one of the finest writers of the short story. Mark and Seamus unpack ‘the Bowen effect’ and her singularly haunting style: subtle social commentary cut through with humour, and occasionally outright romanticism. A culmination of the short fiction explored in this series, Bowen’s work proves that life ‘with the lid on’ can be just as exhilarating, moving and funny as any sensationalist story.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
The 2024 series of Close Readings Plus are now on sale: lrb.me/plus
Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sun, 24 Dec 2023 11:44:14 -0000</pubDate>
      <itunes:title>The Long and Short: Elizabeth Bowen</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>12</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/9fccbc8e-4c5a-11f0-9640-af724d699e29/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the final episode of The Long and Short, we turn to Elizabeth Bowen, widely considered one of the finest writers of the short story. Mark and Seamus unpack ‘the Bowen effect’ and her singularly haunting style: subtle social commentary cut through with humour, and occasionally outright romanticism. A culmination of the short fiction explored in this series, Bowen’s work proves that life ‘with the lid on’ can be just as exhilarating, moving and funny as any sensationalist story.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other&amp;nbsp;&lt;em&gt;Close Readings&lt;/em&gt;&amp;nbsp;series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts here:&amp;nbsp;&lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps here:&amp;nbsp;&lt;a href="https://lrb.me/tlassignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;The 2024 series of Close Readings Plus are now on sale: &lt;a href="https://lrb.me/plus" rel="noopener noreferrer" target="_blank"&gt;lrb.me/plus&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the final episode of The Long and Short, we turn to Elizabeth Bowen, widely considered one of the finest writers of the short story. Mark and Seamus unpack ‘the Bowen effect’ and her singularly haunting style: subtle social commentary cut through with humour, and occasionally outright romanticism. A culmination of the short fiction explored in this series, Bowen’s work proves that life ‘with the lid on’ can be just as exhilarating, moving and funny as any sensationalist story.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
The 2024 series of Close Readings Plus are now on sale: lrb.me/plus
Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the final episode of The Long and Short, we turn to Elizabeth Bowen, widely considered one of the finest writers of the short story. Mark and Seamus unpack ‘the Bowen effect’ and her singularly haunting style: subtle social commentary cut through with humour, and occasionally outright romanticism. A culmination of the short fiction explored in this series, Bowen’s work proves that life ‘with the lid on’ can be just as exhilarating, moving and funny as any sensationalist story.</p><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts here: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps here: <a href="https://lrb.me/tlassignuppod">lrb.me/closereadings</a></p><p>The 2024 series of Close Readings Plus are now on sale: <a href="https://lrb.me/plus">lrb.me/plus</a></p><p>Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>732</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6585bcfce475e70016f20453]]></guid>
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    <item>
      <title>Among the Ancients: Seneca</title>
      <link>https://lrb.me/atasignuppod</link>
      <description>For the final episode in Among the Ancients, Emily and Tom look at Seneca, whose life is relatively well known to us. A child of the established Roman Empire, born around the same time as Jesus, Seneca had turbulent relationships with the emperors of his time: exiled by Caligula, he returned to tutor the young Nero, but was eventually forced to commit suicide after being accused of a treasonous plot. For a long time, Seneca the Philosopher was often assumed to be a different person from Seneca the Tragedian, as they seemed such different writers. As a philosopher, he is the main source of what we know about Roman Stoicism, which prioritises virtue and the dispelling of false beliefs. Seneca's dramas, however, are full of extreme emotions and violence. Emily and Tom focus on two of these tragedies, Thyestes and Trojan Women, and consider how the two sides of Seneca fit together.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Find out about Close Readings Plus: lrb.me/plus
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Thu, 14 Dec 2023 14:34:02 -0000</pubDate>
      <itunes:title>Among the Ancients: Seneca</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>12</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a047af8e-4c5a-11f0-9640-83eb4474b848/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;For the final episode in&lt;em&gt;&amp;nbsp;Among the Ancients&lt;/em&gt;, Emily and Tom look at Seneca, whose life is relatively well known to us. A child of the established Roman Empire, born around the same time as Jesus, Seneca had&amp;nbsp;turbulent relationships with the emperors of his time: exiled by Caligula, he returned to tutor the young Nero, but was eventually forced to commit suicide after being accused of a treasonous plot. For a long time, Seneca the Philosopher was often assumed to be a different person from Seneca the Tragedian, as they seemed&amp;nbsp;such different writers. As a philosopher, he is the main source of what we know about Roman Stoicism, which prioritises virtue and the dispelling of false beliefs. Seneca's dramas, however, are full of extreme emotions and violence.&amp;nbsp;Emily and Tom focus on two of these tragedies,&amp;nbsp;&lt;em&gt;Thyestes&lt;/em&gt;&amp;nbsp;and&amp;nbsp;&lt;em&gt;Trojan Women&lt;/em&gt;, and consider how the two sides of Seneca fit together.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/ataapple" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/atasignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Find out about Close Readings Plus: &lt;a href="https://lrb.me/plus" rel="noopener noreferrer" target="_blank"&gt;lrb.me/plus&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the &lt;em&gt;London Review of Books&lt;/em&gt;.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>For the final episode in Among the Ancients, Emily and Tom look at Seneca, whose life is relatively well known to us. A child of the established Roman Empire, born around the same time as Jesus, Seneca had turbulent relationships with the emperors of his time: exiled by Caligula, he returned to tutor the young Nero, but was eventually forced to commit suicide after being accused of a treasonous plot. For a long time, Seneca the Philosopher was often assumed to be a different person from Seneca the Tragedian, as they seemed such different writers. As a philosopher, he is the main source of what we know about Roman Stoicism, which prioritises virtue and the dispelling of false beliefs. Seneca's dramas, however, are full of extreme emotions and violence. Emily and Tom focus on two of these tragedies, Thyestes and Trojan Women, and consider how the two sides of Seneca fit together.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Find out about Close Readings Plus: lrb.me/plus
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For the final episode in<em> Among the Ancients</em>, Emily and Tom look at Seneca, whose life is relatively well known to us. A child of the established Roman Empire, born around the same time as Jesus, Seneca had turbulent relationships with the emperors of his time: exiled by Caligula, he returned to tutor the young Nero, but was eventually forced to commit suicide after being accused of a treasonous plot. For a long time, Seneca the Philosopher was often assumed to be a different person from Seneca the Tragedian, as they seemed such different writers. As a philosopher, he is the main source of what we know about Roman Stoicism, which prioritises virtue and the dispelling of false beliefs. Seneca's dramas, however, are full of extreme emotions and violence. Emily and Tom focus on two of these tragedies, <em>Thyestes</em> and <em>Trojan Women</em>, and consider how the two sides of Seneca fit together.</p><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ataapple">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/atasignuppod">lrb.me/closereadings</a></p><p>Find out about Close Readings Plus: <a href="https://lrb.me/plus">lrb.me/plus</a></p><p>Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the <em>London Review of Books</em>.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>733</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Medieval Beginnings: The Travels of Sir John Mandeville</title>
      <link>https://lrb.supportingcast.fm/</link>
      <description>For the final episode of Medieval Beginnings, Mary and Irina look at by far the most popular text (in its time) of all that have featured in the series: The Travels of Sir John Mandeville. The fictional traveller’s fantastical descriptions of different places, peoples and animals across the Holy Land and Asia are almost certainly drawn mainly from other textual sources, rather than direct experience by the unknown author, and yet the work was often used as a source of reference as well as entertainment or prurient interest. Many of the writer’s observations of different political and religious practices could be taken as radical critiques of his homeland. Yet while it often urges appreciation of other cultures, the book is undoubtedly xenophobic and racist in places, foreshadowing the European quest for colonisation: indeed, Christopher Columbus had a copy with him when the Santa Cruz sighted land on 12th October 1492.
Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts at the top of this feed, or here: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Mon, 04 Dec 2023 11:01:00 -0000</pubDate>
      <itunes:title>Medieval Beginnings: The Travels of Sir John Mandeville</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>12</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a099ea06-4c5a-11f0-9640-1b6432e2fb4a/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;For the final episode of&amp;nbsp;&lt;em&gt;Medieval Beginnings&lt;/em&gt;, Mary and Irina look at by far the most popular text (in its time) of all that have featured in the series:&amp;nbsp;&lt;em&gt;The Travels of Sir John Mandeville&lt;/em&gt;. The fictional traveller’s fantastical descriptions of different places, peoples and animals across the Holy Land and Asia are almost certainly drawn mainly from other textual sources, rather than direct experience by the unknown author, and yet the work was often used as a source of reference as well as entertainment or prurient interest. Many of the writer’s observations of different political and religious practices could be taken as radical critiques of his homeland. Yet while it often urges appreciation of other cultures, the book is undoubtedly xenophobic and racist in places, foreshadowing the European quest for colonisation: indeed, Christopher Columbus had a copy with him when the&amp;nbsp;&lt;em&gt;Santa Cruz&lt;/em&gt;&amp;nbsp;sighted land on 12th October 1492.&lt;/p&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts at the top of this feed, or here: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/mbsignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of &lt;em&gt;Hidden Hands: The Lives of Manuscripts and their Makers.&lt;/em&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>For the final episode of Medieval Beginnings, Mary and Irina look at by far the most popular text (in its time) of all that have featured in the series: The Travels of Sir John Mandeville. The fictional traveller’s fantastical descriptions of different places, peoples and animals across the Holy Land and Asia are almost certainly drawn mainly from other textual sources, rather than direct experience by the unknown author, and yet the work was often used as a source of reference as well as entertainment or prurient interest. Many of the writer’s observations of different political and religious practices could be taken as radical critiques of his homeland. Yet while it often urges appreciation of other cultures, the book is undoubtedly xenophobic and racist in places, foreshadowing the European quest for colonisation: indeed, Christopher Columbus had a copy with him when the Santa Cruz sighted land on 12th October 1492.
Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts at the top of this feed, or here: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For the final episode of <em>Medieval Beginnings</em>, Mary and Irina look at by far the most popular text (in its time) of all that have featured in the series: <em>The Travels of Sir John Mandeville</em>. The fictional traveller’s fantastical descriptions of different places, peoples and animals across the Holy Land and Asia are almost certainly drawn mainly from other textual sources, rather than direct experience by the unknown author, and yet the work was often used as a source of reference as well as entertainment or prurient interest. Many of the writer’s observations of different political and religious practices could be taken as radical critiques of his homeland. Yet while it often urges appreciation of other cultures, the book is undoubtedly xenophobic and racist in places, foreshadowing the European quest for colonisation: indeed, Christopher Columbus had a copy with him when the <em>Santa Cruz</em> sighted land on 12th October 1492.</p><p>Non-subscribers will only hear an extract from this episode. To listen in full and to our other <em>Close Readings</em> series, sign up here:</p><p>Directly in Apple Podcasts at the top of this feed, or here: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/mbsignuppod">lrb.me/closereadings</a></p><p>Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of <em>Hidden Hands: The Lives of Manuscripts and their Makers.</em></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>714</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>The Long and Short: Alice Oswald's ‘Dart’ and ‘Memorial’</title>
      <link>https://lrb.me/tlassignuppod</link>
      <description>The eleventh episode of the Long and Short brings us to the present day and the distant past, as we turn to two multivocal, monumental poems by Alice Oswald. The dazzlingly polyphonic Dart (2002) celebrates the voices of the river Dart, and the people, animals and supernatural forces entwined with it. Memorial (2011) translates and transfigures the Iliad, stripping back the narrative to reveal the epic’s ‘bright unbearable reality’. Mark and Seamus explore the thematic throughlines in Oswald’s work, unpicking allusions and influences at play in these poems.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
The 2024 series of Close Readings Plus are now on sale: lrb.me/plus
Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Fri, 24 Nov 2023 10:01:13 -0000</pubDate>
      <itunes:title>The Long and Short: Alice Oswald's ‘Dart’ and ‘Memorial’</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>11</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a0eaf1a8-4c5a-11f0-9640-a7e3d5ec60b6/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;The eleventh episode of the Long and Short brings us to the present day and the distant past, as we turn to two multivocal, monumental poems by Alice Oswald. The dazzlingly polyphonic&amp;nbsp;&lt;em&gt;Dart&amp;nbsp;&lt;/em&gt;(2002) celebrates the voices of the river Dart, and the people, animals and supernatural forces entwined with it.&amp;nbsp;&lt;em&gt;Memorial&lt;/em&gt;&amp;nbsp;(2011) translates and transfigures the&amp;nbsp;&lt;em&gt;Iliad&lt;/em&gt;, stripping back the narrative to reveal the epic’s ‘bright unbearable reality’. Mark and Seamus explore the thematic throughlines in Oswald’s work, unpicking allusions and influences at play in these poems.&lt;/p&gt;&lt;br&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other&amp;nbsp;&lt;em&gt;Close Readings&lt;/em&gt;&amp;nbsp;series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts here:&amp;nbsp;&lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps here:&amp;nbsp;&lt;a href="https://lrb.me/tlassignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;The 2024 series of Close Readings Plus are now on sale: &lt;a href="https://lrb.me/plus" rel="noopener noreferrer" target="_blank"&gt;lrb.me/plus&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>The eleventh episode of the Long and Short brings us to the present day and the distant past, as we turn to two multivocal, monumental poems by Alice Oswald. The dazzlingly polyphonic Dart (2002) celebrates the voices of the river Dart, and the people, animals and supernatural forces entwined with it. Memorial (2011) translates and transfigures the Iliad, stripping back the narrative to reveal the epic’s ‘bright unbearable reality’. Mark and Seamus explore the thematic throughlines in Oswald’s work, unpicking allusions and influences at play in these poems.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
The 2024 series of Close Readings Plus are now on sale: lrb.me/plus
Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The eleventh episode of the Long and Short brings us to the present day and the distant past, as we turn to two multivocal, monumental poems by Alice Oswald. The dazzlingly polyphonic <em>Dart </em>(2002) celebrates the voices of the river Dart, and the people, animals and supernatural forces entwined with it. <em>Memorial</em> (2011) translates and transfigures the <em>Iliad</em>, stripping back the narrative to reveal the epic’s ‘bright unbearable reality’. Mark and Seamus explore the thematic throughlines in Oswald’s work, unpicking allusions and influences at play in these poems.</p><br><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts here: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps here: <a href="https://lrb.me/tlassignuppod">lrb.me/closereadings</a></p><br><p>The 2024 series of Close Readings Plus are now on sale: <a href="https://lrb.me/plus">lrb.me/plus</a></p><br><p>Mark Ford is Professor of English at University College, London, and Seamus Perry is Professor of English Literature at Balliol College, Oxford.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>755</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Among the Ancients: Ovid</title>
      <link>https://lrb.me/atasignuppod</link>
      <description>Ovid was perhaps the most prolific poet of Ancient Rome, certainly in the amount of his poetry which has survived (around 30,000 lines). This episode focuses on his 15-book epic, the Metamorphoses, a patchwork of hundreds of stories of transformation, including numerous retellings of famous myths from Apollo and Daphne to the Trojan War.
In this episode from Among the Ancients, Emily and Tom consider the poem’s depictions of trauma, redemption and the transformation of gender roles, and the formal practices which shape the poetry, such as declamatio and suasoria. They also ask how Ovid’s writing in the time of Emperor Augustus affected his work, and the circumstances around his later exile from Rome.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Tue, 14 Nov 2023 11:49:01 -0000</pubDate>
      <itunes:title>Among the Ancients: Ovid</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>11</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a13ad70e-4c5a-11f0-9640-47a0c9234069/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Ovid was perhaps the most prolific poet of Ancient Rome, certainly in the amount of his poetry which has survived (around 30,000 lines). This episode focuses on his 15-book epic, the&amp;nbsp;&lt;em&gt;Metamorphoses&lt;/em&gt;, a patchwork of hundreds of stories of transformation, including numerous retellings of famous myths from Apollo and Daphne to the Trojan War.&lt;/p&gt;&lt;p&gt;In this episode from &lt;em&gt;Among the Ancients&lt;/em&gt;, Emily and Tom consider the poem’s depictions of trauma, redemption and the transformation of gender roles, and the formal practices which shape the poetry, such as&amp;nbsp;&lt;em&gt;declamatio&lt;/em&gt;&amp;nbsp;and&amp;nbsp;&lt;em&gt;suasoria&lt;/em&gt;. They also ask how Ovid’s writing in the time of Emperor Augustus affected his work, and the circumstances around his later exile from Rome.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/ataapple" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/atasignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the &lt;em&gt;London Review of Books&lt;/em&gt;.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Ovid was perhaps the most prolific poet of Ancient Rome, certainly in the amount of his poetry which has survived (around 30,000 lines). This episode focuses on his 15-book epic, the Metamorphoses, a patchwork of hundreds of stories of transformation, including numerous retellings of famous myths from Apollo and Daphne to the Trojan War.
In this episode from Among the Ancients, Emily and Tom consider the poem’s depictions of trauma, redemption and the transformation of gender roles, and the formal practices which shape the poetry, such as declamatio and suasoria. They also ask how Ovid’s writing in the time of Emperor Augustus affected his work, and the circumstances around his later exile from Rome.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Ovid was perhaps the most prolific poet of Ancient Rome, certainly in the amount of his poetry which has survived (around 30,000 lines). This episode focuses on his 15-book epic, the <em>Metamorphoses</em>, a patchwork of hundreds of stories of transformation, including numerous retellings of famous myths from Apollo and Daphne to the Trojan War.</p><p>In this episode from <em>Among the Ancients</em>, Emily and Tom consider the poem’s depictions of trauma, redemption and the transformation of gender roles, and the formal practices which shape the poetry, such as <em>declamatio</em> and <em>suasoria</em>. They also ask how Ovid’s writing in the time of Emperor Augustus affected his work, and the circumstances around his later exile from Rome.</p><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ataapple">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/atasignuppod">lrb.me/closereadings</a></p><p>Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the <em>London Review of Books</em>.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>713</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[65535eada1259400127eaba7]]></guid>
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    <item>
      <title>Medieval Beginnings: The Digby Mary Magdalene Play</title>
      <link>https://lrb.me/mbsignuppod</link>
      <description>For sheer scale and spectacle, surely few plays of any period can match The Digby Play of Mary Magdalene. Boasting at least fifty speaking parts, with multiple locations, scaffolds and pyrotechnics, including an ascent into heaven, this wildly ambitious piece of late Medieval theatre mixes traditional hagiographic drama with magical adventure, romance and broad comedy. For audiences of the time this was not just entertainment, but a profound social and religious experience which, despite its fantastical elements and radical departure from the gospel stories, reflected important moments in their daily lives. Irina and Mary try to make sense of the outlandish plot, how it might have been staged, and the complex, composite figure of Mary Magdalene.
Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts at the top of this feed, or here: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sat, 04 Nov 2023 12:31:27 -0000</pubDate>
      <itunes:title>Medieval Beginnings: The Digby Mary Magdalene Play</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>11</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a18b0508-4c5a-11f0-9640-1ba8ba749a26/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;For sheer scale and spectacle, surely few plays of any period can match &lt;em&gt;The Digby&amp;nbsp;Play of Mary Magdalene&lt;/em&gt;. Boasting at least fifty speaking parts, with multiple locations, scaffolds and pyrotechnics, including an ascent into heaven, this wildly ambitious piece of late Medieval theatre mixes traditional hagiographic drama with magical adventure, romance and broad comedy. For audiences of the time this was not just entertainment, but a profound social and religious experience which, despite its fantastical elements and&amp;nbsp;radical departure from the gospel stories, reflected important moments in their daily lives. Irina and Mary try to make sense of the outlandish plot, how it might have been staged, and the complex, composite figure of Mary Magdalene.&lt;/p&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts at the top of this feed, or here: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/mbsignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of &lt;em&gt;Hidden Hands: The Lives of Manuscripts and their Makers.&lt;/em&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>For sheer scale and spectacle, surely few plays of any period can match The Digby Play of Mary Magdalene. Boasting at least fifty speaking parts, with multiple locations, scaffolds and pyrotechnics, including an ascent into heaven, this wildly ambitious piece of late Medieval theatre mixes traditional hagiographic drama with magical adventure, romance and broad comedy. For audiences of the time this was not just entertainment, but a profound social and religious experience which, despite its fantastical elements and radical departure from the gospel stories, reflected important moments in their daily lives. Irina and Mary try to make sense of the outlandish plot, how it might have been staged, and the complex, composite figure of Mary Magdalene.
Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts at the top of this feed, or here: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For sheer scale and spectacle, surely few plays of any period can match <em>The Digby Play of Mary Magdalene</em>. Boasting at least fifty speaking parts, with multiple locations, scaffolds and pyrotechnics, including an ascent into heaven, this wildly ambitious piece of late Medieval theatre mixes traditional hagiographic drama with magical adventure, romance and broad comedy. For audiences of the time this was not just entertainment, but a profound social and religious experience which, despite its fantastical elements and radical departure from the gospel stories, reflected important moments in their daily lives. Irina and Mary try to make sense of the outlandish plot, how it might have been staged, and the complex, composite figure of Mary Magdalene.</p><p>Non-subscribers will only hear an extract from this episode. To listen in full and to our other <em>Close Readings</em> series, sign up here:</p><p>Directly in Apple Podcasts at the top of this feed, or here: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/mbsignuppod">lrb.me/closereadings</a></p><p>Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of <em>Hidden Hands: The Lives of Manuscripts and their Makers.</em></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>760</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6544e8b1c0801f0012fb618a]]></guid>
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    </item>
    <item>
      <title>The Long and Short: Nella Larsen's 'Passing' and Langston Hughes's 'Montage of a Dream Deferred'</title>
      <link>https://lrb.me/tlassignuppod</link>
      <description>In the tenth episode of the series, Seamus and Mark turn to two figures of the Harlem Renaissance. Nella Larsen’s ‘Passing’ is taut, tense and tartly stylish take on the Jamesian short story, redolent with ironies and ambiguities, and feels just as relevant today. Widely considered his masterwork, Langston Hughes’s ‘Montage of a Dream Deferred’ draws on the modernist tradition, a documentarian sensibility and the freedoms of bebop to capture the multiplicity of Harlem voices.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Tue, 24 Oct 2023 08:01:14 -0000</pubDate>
      <itunes:title>The Long and Short: Nella Larsen's 'Passing' and Langston Hughes's 'Montage of a Dream Deferred'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>10</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a1dae80c-4c5a-11f0-9640-3fceee5498ae/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the tenth episode of the series, Seamus and Mark turn to two figures of the Harlem Renaissance. Nella Larsen’s ‘Passing’ is taut, tense and tartly stylish take on the Jamesian short story, redolent with ironies and ambiguities, and feels just as relevant today. Widely considered his masterwork, Langston Hughes’s ‘Montage of a Dream Deferred’ draws on the modernist tradition, a documentarian sensibility and the freedoms of bebop to capture the multiplicity of Harlem voices.&lt;/p&gt;&lt;br&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts here: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps here: &lt;a href="https://lrb.me/tlassignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the tenth episode of the series, Seamus and Mark turn to two figures of the Harlem Renaissance. Nella Larsen’s ‘Passing’ is taut, tense and tartly stylish take on the Jamesian short story, redolent with ironies and ambiguities, and feels just as relevant today. Widely considered his masterwork, Langston Hughes’s ‘Montage of a Dream Deferred’ draws on the modernist tradition, a documentarian sensibility and the freedoms of bebop to capture the multiplicity of Harlem voices.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the tenth episode of the series, Seamus and Mark turn to two figures of the Harlem Renaissance. Nella Larsen’s ‘Passing’ is taut, tense and tartly stylish take on the Jamesian short story, redolent with ironies and ambiguities, and feels just as relevant today. Widely considered his masterwork, Langston Hughes’s ‘Montage of a Dream Deferred’ draws on the modernist tradition, a documentarian sensibility and the freedoms of bebop to capture the multiplicity of Harlem voices.</p><br><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts here: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps here: <a href="https://lrb.me/tlassignuppod">lrb.me/closereadings</a></p><p>Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>745</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6536a69f4702040012b9ee46]]></guid>
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    <item>
      <title>Among the Ancients: Horace</title>
      <link>https://lrb.me/atasignuppod</link>
      <description>Emily and Tom follow Virgil with one of his contemporaries, Horace, whose poetry played an important political role in the early years of Augustan Rome and has had an enormous influence on subsequent European lyric verse. They consider the original meanings of some of Horace’s famous phrases – carpe diem, in medias res, nunc est bibendum – and look at the ways his often complex poetics interrogate the art and value of poetry itself.
Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Nicholas Horsfall:
https://www.lrb.co.uk/the-paper/v27/n12/nicholas-horsfall/ach-so-herr-major
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sun, 15 Oct 2023 09:01:00 -0000</pubDate>
      <itunes:title>Among the Ancients: Horace</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>10</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a22a7c6e-4c5a-11f0-9640-8753d0b932f3/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Emily and Tom follow Virgil with one of his contemporaries, Horace, whose poetry played an important political role in the early years of Augustan Rome and has had an enormous influence on subsequent European lyric verse. They consider the original meanings of some of Horace’s famous phrases –&amp;nbsp;&lt;em&gt;carpe diem&lt;/em&gt;,&lt;em&gt;&amp;nbsp;in medias res&lt;/em&gt;,&lt;em&gt;&amp;nbsp;nunc est bibendum&lt;/em&gt;&amp;nbsp;– and look at the ways his often complex poetics interrogate the art and value of poetry itself.&lt;/p&gt;&lt;p&gt;Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/ataapple" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/atasignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Further reading in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Nicholas Horsfall:&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v27/n12/nicholas-horsfall/ach-so-herr-major" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v27/n12/nicholas-horsfall/ach-so-herr-major&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the &lt;em&gt;London Review of Books&lt;/em&gt;.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Emily and Tom follow Virgil with one of his contemporaries, Horace, whose poetry played an important political role in the early years of Augustan Rome and has had an enormous influence on subsequent European lyric verse. They consider the original meanings of some of Horace’s famous phrases – carpe diem, in medias res, nunc est bibendum – and look at the ways his often complex poetics interrogate the art and value of poetry itself.
Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Nicholas Horsfall:
https://www.lrb.co.uk/the-paper/v27/n12/nicholas-horsfall/ach-so-herr-major
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Emily and Tom follow Virgil with one of his contemporaries, Horace, whose poetry played an important political role in the early years of Augustan Rome and has had an enormous influence on subsequent European lyric verse. They consider the original meanings of some of Horace’s famous phrases – <em>carpe diem</em>,<em> in medias res</em>,<em> nunc est bibendum</em> – and look at the ways his often complex poetics interrogate the art and value of poetry itself.</p><p>Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ataapple">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/atasignuppod">lrb.me/closereadings</a></p><p>Further reading in the <em>LRB</em>:</p><p>Nicholas Horsfall:</p><p><a href="https://www.lrb.co.uk/the-paper/v27/n12/nicholas-horsfall/ach-so-herr-major">https://www.lrb.co.uk/the-paper/v27/n12/nicholas-horsfall/ach-so-herr-major</a></p><p>Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the <em>London Review of Books</em>.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>602</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[652ba2d22681ee0012e51e04]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB6448267057.mp3?updated=1750261560" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Medieval Beginnings: Middle English Lyrics</title>
      <link>https://lrb.me/mbsignuppod</link>
      <description>From the first recorded instance of the word ‘fart’ in English, to nuanced vignettes of sexual power dynamics, the numerous Middle English lyrics that have survived down the centuries, often scribbled in the margins of more ‘serious’ texts, offer a vivid snapshot of everyday medieval life. In the tenth episode of Medieval Beginings, Irina and Mary analyse several of these short, fleeting verses, probably set to music, and consider their possible origins and purpose, their delicious ambiguity, and their equivocal relationship to the sacred manuscripts in which they've been found.
Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts at the top of this feed, or here: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB: https://www.lrb.co.uk/the-paper/v28/n10/barbara-newman/i-was-such-a-lovely-girl
Listen to 'Sumer is icumen in' sung by The Hilliard Ensemble: https://www.youtube.com/watch?v=sMCA9nYnLWo
Some of the lyrics discussed in this episode can be found online:
Sumer is icumen in:
https://www.luminarium.org/medlit/medlyric/cuckou.php
I Have a Yong Suster
https://www.luminarium.org/medlit/medlyric/suster.php
Maiden in the mor
https://www.luminarium.org/medlit/medlyric/maideninthemoor.php
https://en.wikipedia.org/wiki/Maiden_in_the_mor_lay
I have a gentil cock
https://rpo.library.utoronto.ca/content/i-have-gentil-cook
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.

 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Wed, 04 Oct 2023 11:59:28 -0000</pubDate>
      <itunes:title>Medieval Beginnings: Middle English Lyrics</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>10</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a2793d7c-4c5a-11f0-9640-affcc79006e4/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;From the first recorded instance of the word ‘fart’ in English, to nuanced vignettes of sexual power dynamics, the numerous Middle English lyrics that have survived down the centuries, often scribbled in the margins of more ‘serious’ texts, offer a vivid snapshot of everyday medieval life. In the tenth episode of &lt;em&gt;Medieval Beginings&lt;/em&gt;, Irina and Mary analyse several of these short, fleeting verses, probably set to music, and consider their possible origins and purpose, their delicious ambiguity, and their equivocal relationship to the sacred manuscripts in which they've been found.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts at the top of this feed, or here: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/mbsignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading in the &lt;em&gt;LRB&lt;/em&gt;: &lt;a href="https://www.lrb.co.uk/the-paper/v28/n10/barbara-newman/i-was-such-a-lovely-girl" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v28/n10/barbara-newman/i-was-such-a-lovely-girl&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Listen to 'Sumer is icumen in' sung by The Hilliard Ensemble: &lt;a href="https://www.youtube.com/watch?v=sMCA9nYnLWo" rel="noopener noreferrer" target="_blank"&gt;https://www.youtube.com/watch?v=sMCA9nYnLWo&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Some of the lyrics discussed in this episode can be found online:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Sumer is icumen in:&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;a href="https://www.luminarium.org/medlit/medlyric/cuckou.php" rel="noopener noreferrer" target="_blank"&gt;https://www.luminarium.org/medlit/medlyric/cuckou.php&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;I Have a Yong Suster&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;a href="https://www.luminarium.org/medlit/medlyric/suster.php" rel="noopener noreferrer" target="_blank"&gt;https://www.luminarium.org/medlit/medlyric/suster.php&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Maiden in the mor&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;a href="https://www.luminarium.org/medlit/medlyric/maideninthemoor.php" rel="noopener noreferrer" target="_blank"&gt;https://www.luminarium.org/medlit/medlyric/maideninthemoor.php&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;a href="https://en.wikipedia.org/wiki/Maiden_in_the_mor_lay" rel="noopener noreferrer" target="_blank"&gt;https://en.wikipedia.org/wiki/Maiden_in_the_mor_lay&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;I have a gentil cock&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;a href="https://rpo.library.utoronto.ca/content/i-have-gentil-cook" rel="noopener noreferrer" target="_blank"&gt;https://rpo.library.utoronto.ca/content/i-have-gentil-cook&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of &lt;em&gt;Hidden Hands: The Lives of Manuscripts and their Makers.&lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>From the first recorded instance of the word ‘fart’ in English, to nuanced vignettes of sexual power dynamics, the numerous Middle English lyrics that have survived down the centuries, often scribbled in the margins of more ‘serious’ texts, offer a vivid snapshot of everyday medieval life. In the tenth episode of Medieval Beginings, Irina and Mary analyse several of these short, fleeting verses, probably set to music, and consider their possible origins and purpose, their delicious ambiguity, and their equivocal relationship to the sacred manuscripts in which they've been found.
Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts at the top of this feed, or here: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB: https://www.lrb.co.uk/the-paper/v28/n10/barbara-newman/i-was-such-a-lovely-girl
Listen to 'Sumer is icumen in' sung by The Hilliard Ensemble: https://www.youtube.com/watch?v=sMCA9nYnLWo
Some of the lyrics discussed in this episode can be found online:
Sumer is icumen in:
https://www.luminarium.org/medlit/medlyric/cuckou.php
I Have a Yong Suster
https://www.luminarium.org/medlit/medlyric/suster.php
Maiden in the mor
https://www.luminarium.org/medlit/medlyric/maideninthemoor.php
https://en.wikipedia.org/wiki/Maiden_in_the_mor_lay
I have a gentil cock
https://rpo.library.utoronto.ca/content/i-have-gentil-cook
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.

 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>From the first recorded instance of the word ‘fart’ in English, to nuanced vignettes of sexual power dynamics, the numerous Middle English lyrics that have survived down the centuries, often scribbled in the margins of more ‘serious’ texts, offer a vivid snapshot of everyday medieval life. In the tenth episode of <em>Medieval Beginings</em>, Irina and Mary analyse several of these short, fleeting verses, probably set to music, and consider their possible origins and purpose, their delicious ambiguity, and their equivocal relationship to the sacred manuscripts in which they've been found.</p><br><p>Non-subscribers will only hear an extract from this episode. To listen in full and to our other <em>Close Readings</em> series, sign up here:</p><p>Directly in Apple Podcasts at the top of this feed, or here: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/mbsignuppod">lrb.me/closereadings</a></p><br><p>Further reading in the <em>LRB</em>: <a href="https://www.lrb.co.uk/the-paper/v28/n10/barbara-newman/i-was-such-a-lovely-girl">https://www.lrb.co.uk/the-paper/v28/n10/barbara-newman/i-was-such-a-lovely-girl</a></p><br><p>Listen to 'Sumer is icumen in' sung by The Hilliard Ensemble: <a href="https://www.youtube.com/watch?v=sMCA9nYnLWo">https://www.youtube.com/watch?v=sMCA9nYnLWo</a></p><br><p>Some of the lyrics discussed in this episode can be found online:</p><br><p>Sumer is icumen in:</p><br><p><a href="https://www.luminarium.org/medlit/medlyric/cuckou.php">https://www.luminarium.org/medlit/medlyric/cuckou.php</a></p><br><p>I Have a Yong Suster</p><br><p><a href="https://www.luminarium.org/medlit/medlyric/suster.php">https://www.luminarium.org/medlit/medlyric/suster.php</a></p><br><p>Maiden in the mor</p><br><p><a href="https://www.luminarium.org/medlit/medlyric/maideninthemoor.php">https://www.luminarium.org/medlit/medlyric/maideninthemoor.php</a></p><br><p><a href="https://en.wikipedia.org/wiki/Maiden_in_the_mor_lay">https://en.wikipedia.org/wiki/Maiden_in_the_mor_lay</a></p><br><p>I have a gentil cock</p><br><p><a href="https://rpo.library.utoronto.ca/content/i-have-gentil-cook">https://rpo.library.utoronto.ca/content/i-have-gentil-cook</a></p><br><p>Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of <em>Hidden Hands: The Lives of Manuscripts and their Makers.</em></p><p><br></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>723</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>The Long and Short: Ted Hughes's 'Gaudete'</title>
      <link>https://lrb.me/tlassignuppod</link>
      <description>Originally conceived as a film script, 'Gaudete' is Ted Hughes’s apocalyptic vision of an English village in the throes of pagan forces. While it may be ‘the weirdest poem by a very weird poet’, as Mark puts it in this episode, 'Gaudete' shines a light on many Hughesian preoccupations and paved the way for his best-selling collection, Birthday Letters. A strange fusion of Twin Peaks and Midsomer Murders, 'Gaudete' is the former Poet Laureate at his most uninhibited and brilliant.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sun, 24 Sep 2023 09:28:02 -0000</pubDate>
      <itunes:title>The Long and Short: Ted Hughes's 'Gaudete'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>9</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a2cb6098-4c5a-11f0-9640-e308afefefb6/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Originally conceived as a film script, 'Gaudete' is Ted Hughes’s apocalyptic vision of an English village in the throes of pagan forces. While it may be ‘the weirdest poem by a very weird poet’, as Mark puts it in this episode, 'Gaudete' shines a light on many Hughesian preoccupations and paved the way for his best-selling collection, Birthday Letters. A strange fusion of Twin Peaks and Midsomer Murders, 'Gaudete' is the former Poet Laureate at his most uninhibited and brilliant.&lt;/p&gt;&lt;br&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other&amp;nbsp;&lt;em&gt;Close Readings&lt;/em&gt;&amp;nbsp;series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts here:&amp;nbsp;&lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps here:&amp;nbsp;&lt;a href="https://lrb.me/tlassignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Originally conceived as a film script, 'Gaudete' is Ted Hughes’s apocalyptic vision of an English village in the throes of pagan forces. While it may be ‘the weirdest poem by a very weird poet’, as Mark puts it in this episode, 'Gaudete' shines a light on many Hughesian preoccupations and paved the way for his best-selling collection, Birthday Letters. A strange fusion of Twin Peaks and Midsomer Murders, 'Gaudete' is the former Poet Laureate at his most uninhibited and brilliant.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Originally conceived as a film script, 'Gaudete' is Ted Hughes’s apocalyptic vision of an English village in the throes of pagan forces. While it may be ‘the weirdest poem by a very weird poet’, as Mark puts it in this episode, 'Gaudete' shines a light on many Hughesian preoccupations and paved the way for his best-selling collection, Birthday Letters. A strange fusion of Twin Peaks and Midsomer Murders, 'Gaudete' is the former Poet Laureate at his most uninhibited and brilliant.</p><br><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts here: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps here: <a href="https://lrb.me/tlassignuppod">lrb.me/closereadings</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>817</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Among the Ancients: Virgil</title>
      <link>https://lrb.me/atasignuppod</link>
      <description>In the ninth episode of Among the Ancients, Emily and Tom arrive at Virgil, focusing on his 12-book epic the Aeneid, which describes the wanderings of the Trojan prince Aeneas after the fall of Troy. They discuss the political background to Virgil’s life, which saw the fall of the Roman Republic, and the complex, ambiguous space his poetry inhabits, blending the mythical and historical, the geographical and imaginary, while interrogating the costs of empire and triumph in his own time.
Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Denis Feeney:
https://www.lrb.co.uk/the-paper/v29/n01/denis-feeney/simile-world
Rebecca Armstrong
https://www.lrb.co.uk/the-paper/v43/n05/rebecca-armstrong/all-kinds-of-unlucky
Colin Burrow:
https://www.lrb.co.uk/the-paper/v22/n05/colin-burrow/imperiumsinefinism
https://www.lrb.co.uk/the-paper/v38/n08/colin-burrow/you-ve-listened-long-enough
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Thu, 14 Sep 2023 09:32:53 -0000</pubDate>
      <itunes:title>Among the Ancients: Virgil</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>9</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a31d2bc6-4c5a-11f0-9640-1b00d8a2acdc/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the ninth episode of &lt;em&gt;Among the Ancients&lt;/em&gt;, Emily and Tom arrive at Virgil, focusing on his 12-book epic the&amp;nbsp;&lt;em&gt;Aeneid&lt;/em&gt;, which describes the wanderings of the Trojan prince Aeneas after the fall of Troy.&amp;nbsp;They discuss the political background to Virgil’s life, which saw the fall of the Roman Republic, and the complex, ambiguous space his poetry inhabits, blending the mythical and historical, the geographical and imaginary, while interrogating the costs of empire and triumph in his own time.&lt;/p&gt;&lt;p&gt;Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/ataapple" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/atasignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Further reading in the LRB:&lt;/p&gt;&lt;p&gt;Denis Feeney:&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v29/n01/denis-feeney/simile-world" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v29/n01/denis-feeney/simile-world&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Rebecca Armstrong&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v43/n05/rebecca-armstrong/all-kinds-of-unlucky" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v43/n05/rebecca-armstrong/all-kinds-of-unlucky&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Colin Burrow:&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v22/n05/colin-burrow/imperiumsinefinism" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v22/n05/colin-burrow/imperiumsinefinism&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v38/n08/colin-burrow/you-ve-listened-long-enough" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v38/n08/colin-burrow/you-ve-listened-long-enough&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the &lt;em&gt;London Review of Books&lt;/em&gt;.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the ninth episode of Among the Ancients, Emily and Tom arrive at Virgil, focusing on his 12-book epic the Aeneid, which describes the wanderings of the Trojan prince Aeneas after the fall of Troy. They discuss the political background to Virgil’s life, which saw the fall of the Roman Republic, and the complex, ambiguous space his poetry inhabits, blending the mythical and historical, the geographical and imaginary, while interrogating the costs of empire and triumph in his own time.
Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Denis Feeney:
https://www.lrb.co.uk/the-paper/v29/n01/denis-feeney/simile-world
Rebecca Armstrong
https://www.lrb.co.uk/the-paper/v43/n05/rebecca-armstrong/all-kinds-of-unlucky
Colin Burrow:
https://www.lrb.co.uk/the-paper/v22/n05/colin-burrow/imperiumsinefinism
https://www.lrb.co.uk/the-paper/v38/n08/colin-burrow/you-ve-listened-long-enough
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the ninth episode of <em>Among the Ancients</em>, Emily and Tom arrive at Virgil, focusing on his 12-book epic the <em>Aeneid</em>, which describes the wanderings of the Trojan prince Aeneas after the fall of Troy. They discuss the political background to Virgil’s life, which saw the fall of the Roman Republic, and the complex, ambiguous space his poetry inhabits, blending the mythical and historical, the geographical and imaginary, while interrogating the costs of empire and triumph in his own time.</p><p>Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ataapple">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/atasignuppod">lrb.me/closereadings</a></p><p>Further reading in the LRB:</p><p>Denis Feeney:</p><p><a href="https://www.lrb.co.uk/the-paper/v29/n01/denis-feeney/simile-world">https://www.lrb.co.uk/the-paper/v29/n01/denis-feeney/simile-world</a></p><p>Rebecca Armstrong</p><p><a href="https://www.lrb.co.uk/the-paper/v43/n05/rebecca-armstrong/all-kinds-of-unlucky">https://www.lrb.co.uk/the-paper/v43/n05/rebecca-armstrong/all-kinds-of-unlucky</a></p><p>Colin Burrow:</p><p><a href="https://www.lrb.co.uk/the-paper/v22/n05/colin-burrow/imperiumsinefinism">https://www.lrb.co.uk/the-paper/v22/n05/colin-burrow/imperiumsinefinism</a></p><p><a href="https://www.lrb.co.uk/the-paper/v38/n08/colin-burrow/you-ve-listened-long-enough">https://www.lrb.co.uk/the-paper/v38/n08/colin-burrow/you-ve-listened-long-enough</a></p><br><p>Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the <em>London Review of Books</em>.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>768</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Medieval Beginnings: Chaucer's Troilus and Criseyde</title>
      <link>https://lrb.me/mbsignuppod</link>
      <description>Chaucer’s 14th century tale of ‘double sorrow’, Troilus and Criseyde, set during the siege of Troy, is the subject of Irina and Mary’s ninth episode of Medieval Beginnings. Based largely on Boccaccio’s Il Filostrato, Chaucer’s novelistic long poem displays a psychological realism that would make Henry James envious, and, with the matchmaker-uncle Pandarus, introduces a character of startling and often perplexing opacity.
Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts at the top of this feed, or here: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Barbara Newman: https://www.lrb.co.uk/the-paper/v41/n22/barbara-newman/kek-kek!-kokkow!-quek-quek!
Irina Dumitrescu: https://www.lrb.co.uk/the-paper/v42/n17/irina-dumitrescu/how-to-read-aloud
Mary Wellesley: https://www.lrb.co.uk/the-paper/v46/n11/mary-wellesley/on-the-nightingale
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Mon, 04 Sep 2023 11:02:42 -0000</pubDate>
      <itunes:title>Medieval Beginnings: Chaucer's Troilus and Criseyde</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>9</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a371028c-4c5a-11f0-9640-13d17eef213c/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Chaucer’s 14th century tale of ‘double sorrow’, &lt;em&gt;Troilus and Criseyde&lt;/em&gt;, set during the siege of Troy, is the subject of Irina and Mary’s ninth episode of &lt;em&gt;Medieval Beginnings&lt;/em&gt;. Based largely on Boccaccio’s &lt;em&gt;Il Filostrato&lt;/em&gt;, Chaucer’s novelistic long poem displays a psychological realism that would make Henry James envious, and, with the matchmaker-uncle Pandarus, introduces a character of startling and often perplexing opacity.&lt;/p&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts at the top of this feed, or here: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/mbsignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Further reading in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Barbara Newman: &lt;a href="https://www.lrb.co.uk/the-paper/v41/n22/barbara-newman/kek-kek!-kokkow!-quek-quek!" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v41/n22/barbara-newman/kek-kek!-kokkow!-quek-quek!&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Irina Dumitrescu: &lt;a href="https://www.lrb.co.uk/the-paper/v42/n17/irina-dumitrescu/how-to-read-aloud" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v42/n17/irina-dumitrescu/how-to-read-aloud&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Mary Wellesley: &lt;a href="https://www.lrb.co.uk/the-paper/v46/n11/mary-wellesley/on-the-nightingale" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v46/n11/mary-wellesley/on-the-nightingale&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of &lt;em&gt;Hidden Hands: The Lives of Manuscripts and their Makers.&lt;/em&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Chaucer’s 14th century tale of ‘double sorrow’, Troilus and Criseyde, set during the siege of Troy, is the subject of Irina and Mary’s ninth episode of Medieval Beginnings. Based largely on Boccaccio’s Il Filostrato, Chaucer’s novelistic long poem displays a psychological realism that would make Henry James envious, and, with the matchmaker-uncle Pandarus, introduces a character of startling and often perplexing opacity.
Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts at the top of this feed, or here: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Barbara Newman: https://www.lrb.co.uk/the-paper/v41/n22/barbara-newman/kek-kek!-kokkow!-quek-quek!
Irina Dumitrescu: https://www.lrb.co.uk/the-paper/v42/n17/irina-dumitrescu/how-to-read-aloud
Mary Wellesley: https://www.lrb.co.uk/the-paper/v46/n11/mary-wellesley/on-the-nightingale
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Chaucer’s 14th century tale of ‘double sorrow’, <em>Troilus and Criseyde</em>, set during the siege of Troy, is the subject of Irina and Mary’s ninth episode of <em>Medieval Beginnings</em>. Based largely on Boccaccio’s <em>Il Filostrato</em>, Chaucer’s novelistic long poem displays a psychological realism that would make Henry James envious, and, with the matchmaker-uncle Pandarus, introduces a character of startling and often perplexing opacity.</p><p>Non-subscribers will only hear an extract from this episode. To listen in full and to our other <em>Close Readings</em> series, sign up here:</p><p>Directly in Apple Podcasts at the top of this feed, or here: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/mbsignuppod">lrb.me/closereadings</a></p><p>Further reading in the <em>LRB</em>:</p><p>Barbara Newman: <a href="https://www.lrb.co.uk/the-paper/v41/n22/barbara-newman/kek-kek!-kokkow!-quek-quek!">https://www.lrb.co.uk/the-paper/v41/n22/barbara-newman/kek-kek!-kokkow!-quek-quek!</a></p><p>Irina Dumitrescu: <a href="https://www.lrb.co.uk/the-paper/v42/n17/irina-dumitrescu/how-to-read-aloud">https://www.lrb.co.uk/the-paper/v42/n17/irina-dumitrescu/how-to-read-aloud</a></p><p>Mary Wellesley: <a href="https://www.lrb.co.uk/the-paper/v46/n11/mary-wellesley/on-the-nightingale">https://www.lrb.co.uk/the-paper/v46/n11/mary-wellesley/on-the-nightingale</a></p><p>Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of <em>Hidden Hands: The Lives of Manuscripts and their Makers.</em></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>741</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[64ef5a1af585990011028a1a]]></guid>
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    <item>
      <title>The Long and Short: James Joyce's Dubliners</title>
      <link>https://lrb.me/tlassignuppod</link>
      <description>James Joyce wrote most of the short stories in his landmark collection, Dubliners, when he was still in his 20s, but a tortuous publishing history, during which printers refused or pulped them for their profanity, meant they weren’t published until 1914, when Joyce was 33. In their eighth episode, Mark and Seamus discuss the astonishing confidence of Joyce’s early work, which not only launched his literary career, but also initiated the grand project of his writing life. In Dubliners, the reader experiences already the vastness of Joyce’s literary imagination, his harsh criticism of the Catholic Church, his shameless plundering of the lives of his contemporaries, and a writer’s self-conscious vocation to ‘forge the uncreated conscience of his race’.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Thu, 24 Aug 2023 10:49:29 -0000</pubDate>
      <itunes:title>The Long and Short: James Joyce's Dubliners</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>8</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a3bf7a16-4c5a-11f0-9640-7f8f98e12573/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;James Joyce wrote most of the short stories in his landmark collection,&amp;nbsp;&lt;em&gt;Dubliners,&lt;/em&gt;&amp;nbsp;when he was still in his 20s, but a tortuous publishing history, during which printers refused or pulped them for their profanity, meant they weren’t published until 1914, when Joyce was 33. In their eighth episode, Mark and Seamus discuss the astonishing confidence of Joyce’s early work, which not only launched his literary career, but also initiated the grand project of his writing life. In&amp;nbsp;&lt;em&gt;Dubliners&lt;/em&gt;, the reader experiences already the vastness of Joyce’s literary imagination, his harsh criticism of the Catholic Church, his shameless plundering of the lives of his contemporaries, and a writer’s self-conscious vocation to ‘forge the uncreated conscience of his race’.&lt;/p&gt;&lt;br&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts here: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps here: &lt;a href="https://lrb.me/tlassignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>James Joyce wrote most of the short stories in his landmark collection, Dubliners, when he was still in his 20s, but a tortuous publishing history, during which printers refused or pulped them for their profanity, meant they weren’t published until 1914, when Joyce was 33. In their eighth episode, Mark and Seamus discuss the astonishing confidence of Joyce’s early work, which not only launched his literary career, but also initiated the grand project of his writing life. In Dubliners, the reader experiences already the vastness of Joyce’s literary imagination, his harsh criticism of the Catholic Church, his shameless plundering of the lives of his contemporaries, and a writer’s self-conscious vocation to ‘forge the uncreated conscience of his race’.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>James Joyce wrote most of the short stories in his landmark collection, <em>Dubliners,</em> when he was still in his 20s, but a tortuous publishing history, during which printers refused or pulped them for their profanity, meant they weren’t published until 1914, when Joyce was 33. In their eighth episode, Mark and Seamus discuss the astonishing confidence of Joyce’s early work, which not only launched his literary career, but also initiated the grand project of his writing life. In <em>Dubliners</em>, the reader experiences already the vastness of Joyce’s literary imagination, his harsh criticism of the Catholic Church, his shameless plundering of the lives of his contemporaries, and a writer’s self-conscious vocation to ‘forge the uncreated conscience of his race’.</p><br><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts here: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps here: <a href="https://lrb.me/tlassignuppod">lrb.me/closereadings</a></p><p>Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>669</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Among the Ancients: Lucretius</title>
      <link>https://lrb.supportingcast.fm/</link>
      <description>In their eighth episode of Among the Ancients, Emily and Tom look at a contemporary of Catullus, Lucretius, and the only poem we have from him, De rerum natura (The Nature of Things), which sets out ideas about how to live one’s life based on the Epicurean philosophical tradition, embracing friends, gardens, materialism and moderation.
Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Richard Jenkyns: Coaxing and Seducing
https://www.lrb.co.uk/the-paper/v20/n17/richard-jenkyns/coaxing-and-seducing
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.

 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Mon, 14 Aug 2023 12:02:18 -0000</pubDate>
      <itunes:title>Among the Ancients: Lucretius</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>8</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a41037bc-4c5a-11f0-9640-db4a35d4eef8/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In their eighth episode of &lt;em&gt;Among the Ancients&lt;/em&gt;, Emily and Tom look at a contemporary of Catullus, Lucretius, and the only poem we have from him, &lt;em&gt;De rerum natura&lt;/em&gt; (&lt;em&gt;The Nature of Things&lt;/em&gt;), which sets out ideas about how to live one’s life based on the Epicurean philosophical tradition, embracing friends, gardens, materialism and moderation.&lt;/p&gt;&lt;p&gt;Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/ataapple" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/atasignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Further reading in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Richard Jenkyns: Coaxing and Seducing&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v20/n17/richard-jenkyns/coaxing-and-seducing" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v20/n17/richard-jenkyns/coaxing-and-seducing&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the &lt;em&gt;London Review of Books&lt;/em&gt;.&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In their eighth episode of Among the Ancients, Emily and Tom look at a contemporary of Catullus, Lucretius, and the only poem we have from him, De rerum natura (The Nature of Things), which sets out ideas about how to live one’s life based on the Epicurean philosophical tradition, embracing friends, gardens, materialism and moderation.
Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Richard Jenkyns: Coaxing and Seducing
https://www.lrb.co.uk/the-paper/v20/n17/richard-jenkyns/coaxing-and-seducing
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.

 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In their eighth episode of <em>Among the Ancients</em>, Emily and Tom look at a contemporary of Catullus, Lucretius, and the only poem we have from him, <em>De rerum natura</em> (<em>The Nature of Things</em>), which sets out ideas about how to live one’s life based on the Epicurean philosophical tradition, embracing friends, gardens, materialism and moderation.</p><p>Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ataapple">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/atasignuppod">lrb.me/closereadings</a></p><p>Further reading in the <em>LRB</em>:</p><p>Richard Jenkyns: Coaxing and Seducing</p><p><a href="https://www.lrb.co.uk/the-paper/v20/n17/richard-jenkyns/coaxing-and-seducing">https://www.lrb.co.uk/the-paper/v20/n17/richard-jenkyns/coaxing-and-seducing</a></p><p>Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the <em>London Review of Books</em>.</p><br><p><br></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>660</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Medieval Beginnings: Sir Gawain and the Green Knight</title>
      <link>https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings</link>
      <description>In this episode of Medieval Beginnings, Irina and Mary jump to the 14th century for an introspective Arthurian romance about a knight trying to live up to his perfect reputation. The mysterious and intricate Sir Gawain and the Green Knight is perhaps best understood as a series of games within games, in which our hero, a recurring character throughout medieval literature, is never sure what adventure he’s playing.
Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts at the top of this feed, or here: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Read more in the LRB: 
Mary Wellesley: https://www.lrb.co.uk/the-paper/v40/n08/mary-wellesley/diary
Frank Kermode: https://www.lrb.co.uk/the-paper/v29/n05/frank-kermode/who-has-the-gall
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Fri, 04 Aug 2023 11:01:07 -0000</pubDate>
      <itunes:title>Medieval Beginnings: Sir Gawain and the Green Knight</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>8</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a463d6f6-4c5a-11f0-9640-db03e142fc75/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In this episode of &lt;em&gt;Medieval Beginnings&lt;/em&gt;, Irina and Mary jump to the 14th century for an introspective Arthurian romance about a knight trying to live up to his perfect reputation. The mysterious and intricate &lt;em&gt;Sir Gawain and the Green Knight&lt;/em&gt; is perhaps best understood as a series of games within games, in which our hero, a recurring character throughout medieval literature, is never sure what adventure he’s playing.&lt;/p&gt;&lt;p&gt;Non-subscribers will only hear an extract from this episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts at the top of this feed, or here: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/mbsignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Read more in the LRB:&amp;nbsp;&lt;/p&gt;&lt;p&gt;Mary Wellesley: &lt;a href="https://www.lrb.co.uk/the-paper/v40/n08/mary-wellesley/diary" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v40/n08/mary-wellesley/diary&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Frank Kermode: &lt;a href="https://www.lrb.co.uk/the-paper/v29/n05/frank-kermode/who-has-the-gall" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v29/n05/frank-kermode/who-has-the-gall&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of &lt;em&gt;Hidden Hands: The Lives of Manuscripts and their Makers.&lt;/em&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In this episode of Medieval Beginnings, Irina and Mary jump to the 14th century for an introspective Arthurian romance about a knight trying to live up to his perfect reputation. The mysterious and intricate Sir Gawain and the Green Knight is perhaps best understood as a series of games within games, in which our hero, a recurring character throughout medieval literature, is never sure what adventure he’s playing.
Non-subscribers will only hear an extract from this episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts at the top of this feed, or here: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Read more in the LRB: 
Mary Wellesley: https://www.lrb.co.uk/the-paper/v40/n08/mary-wellesley/diary
Frank Kermode: https://www.lrb.co.uk/the-paper/v29/n05/frank-kermode/who-has-the-gall
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In this episode of <em>Medieval Beginnings</em>, Irina and Mary jump to the 14th century for an introspective Arthurian romance about a knight trying to live up to his perfect reputation. The mysterious and intricate <em>Sir Gawain and the Green Knight</em> is perhaps best understood as a series of games within games, in which our hero, a recurring character throughout medieval literature, is never sure what adventure he’s playing.</p><p>Non-subscribers will only hear an extract from this episode. To listen in full and to our other <em>Close Readings</em> series, sign up here:</p><p>Directly in Apple Podcasts at the top of this feed, or here: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/mbsignuppod">lrb.me/closereadings</a></p><p>Read more in the LRB: </p><p>Mary Wellesley: <a href="https://www.lrb.co.uk/the-paper/v40/n08/mary-wellesley/diary">https://www.lrb.co.uk/the-paper/v40/n08/mary-wellesley/diary</a></p><p>Frank Kermode: <a href="https://www.lrb.co.uk/the-paper/v29/n05/frank-kermode/who-has-the-gall">https://www.lrb.co.uk/the-paper/v29/n05/frank-kermode/who-has-the-gall</a></p><p>Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of <em>Hidden Hands: The Lives of Manuscripts and their Makers.</em></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>731</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>The Long and Short: Allen Ginsberg’s ‘Howl’ and ‘Kaddish’</title>
      <link>https://lrb.me/tlassignuppod</link>
      <description>Seamus and Mark step into the counterculture with two long poems, ‘Howl’ and ‘Kaddish’, by Allen Ginsberg, a Beat poet-celebrity with a utopian vision for an America rescued from its corrupted institutions and vested interests. Seamus and Mark discuss some of Ginsberg’s influences – including Whitman, Carlos Williams, O’Hara and Blake – and the far-reaching impact of his work, as well as Mark’s own experiences meeting the poet.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.

 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Mon, 24 Jul 2023 08:03:13 -0000</pubDate>
      <itunes:title>The Long and Short: Allen Ginsberg’s ‘Howl’ and ‘Kaddish’</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>7</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a4b862d4-4c5a-11f0-9640-23886e6a29a2/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Seamus and Mark step into the counterculture with two long poems, ‘Howl’ and ‘Kaddish’, by Allen Ginsberg, a Beat poet-celebrity with a utopian vision for an America rescued from its corrupted institutions and vested interests. Seamus and Mark discuss some of Ginsberg’s influences – including Whitman, Carlos Williams, O’Hara and Blake – and the far-reaching impact of his work, as well as Mark’s own experiences meeting the poet.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts here: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps here: &lt;a href="https://lrb.me/tlassignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Seamus and Mark step into the counterculture with two long poems, ‘Howl’ and ‘Kaddish’, by Allen Ginsberg, a Beat poet-celebrity with a utopian vision for an America rescued from its corrupted institutions and vested interests. Seamus and Mark discuss some of Ginsberg’s influences – including Whitman, Carlos Williams, O’Hara and Blake – and the far-reaching impact of his work, as well as Mark’s own experiences meeting the poet.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.

 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Seamus and Mark step into the counterculture with two long poems, ‘Howl’ and ‘Kaddish’, by Allen Ginsberg, a Beat poet-celebrity with a utopian vision for an America rescued from its corrupted institutions and vested interests. Seamus and Mark discuss some of Ginsberg’s influences – including Whitman, Carlos Williams, O’Hara and Blake – and the far-reaching impact of his work, as well as Mark’s own experiences meeting the poet.</p><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts here: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps here: <a href="https://lrb.me/tlassignuppod">lrb.me/closereadings</a></p><p>Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.</p><p><br></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>740</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[64bac1dee0e7180011636152]]></guid>
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    <item>
      <title>Among the Ancients: Catullus</title>
      <link>https://lrb.me/atasignuppod</link>
      <description>For the second half of their Among the Ancients series, Emily and Tom move to Ancient Rome, starting with the late Republican poet Catullus. Described by Tennyson, somewhat misleadingly, as ‘the tenderest of Roman poets’, Catullus combined a self-conscious technical virtuosity with a broad emotional range and a taste for paradox, often using obscene diction to skirt across the boundaries of gender and aesthetics.
Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further Reading in the LRB:
Elspeth Barker:
https://www.lrb.co.uk/the-paper/v14/n19/elspeth-barker/o-filth-o-beastliness
William Fitzgerald:
https://www.lrb.co.uk/the-paper/v28/n04/william-fitzgerald/badmouthing-city
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and translator of the 'Odysse'y and the 'Iliad'. Thomas Jones is an editor at the London Review of Books and host of the LRB Podcast.

 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Fri, 14 Jul 2023 09:00:09 -0000</pubDate>
      <itunes:title>Among the Ancients: Catullus</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>7</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a50c84c2-4c5a-11f0-9640-3300e339571c/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;For the second half of their &lt;em&gt;Among the Ancients&lt;/em&gt; series, Emily and Tom move to Ancient Rome, starting with the late Republican poet Catullus. Described by Tennyson, somewhat misleadingly, as ‘the tenderest of Roman poets’, Catullus combined a self-conscious technical virtuosity with a broad emotional range and a taste for paradox, often using obscene diction to skirt across the boundaries of gender and aesthetics.&lt;/p&gt;&lt;p&gt;Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/ataapple" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/atasignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Further Reading in the LRB:&lt;/p&gt;&lt;p&gt;Elspeth Barker:&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v14/n19/elspeth-barker/o-filth-o-beastliness" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v14/n19/elspeth-barker/o-filth-o-beastliness&lt;/a&gt;&lt;/p&gt;&lt;p&gt;William Fitzgerald:&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v28/n04/william-fitzgerald/badmouthing-city" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v28/n04/william-fitzgerald/badmouthing-city&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and translator of the 'Odysse'y and the 'Iliad'. Thomas Jones is an editor at the &lt;em&gt;London Review of Books a&lt;/em&gt;nd host of the LRB Podcast.&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>For the second half of their Among the Ancients series, Emily and Tom move to Ancient Rome, starting with the late Republican poet Catullus. Described by Tennyson, somewhat misleadingly, as ‘the tenderest of Roman poets’, Catullus combined a self-conscious technical virtuosity with a broad emotional range and a taste for paradox, often using obscene diction to skirt across the boundaries of gender and aesthetics.
Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further Reading in the LRB:
Elspeth Barker:
https://www.lrb.co.uk/the-paper/v14/n19/elspeth-barker/o-filth-o-beastliness
William Fitzgerald:
https://www.lrb.co.uk/the-paper/v28/n04/william-fitzgerald/badmouthing-city
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and translator of the 'Odysse'y and the 'Iliad'. Thomas Jones is an editor at the London Review of Books and host of the LRB Podcast.

 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For the second half of their <em>Among the Ancients</em> series, Emily and Tom move to Ancient Rome, starting with the late Republican poet Catullus. Described by Tennyson, somewhat misleadingly, as ‘the tenderest of Roman poets’, Catullus combined a self-conscious technical virtuosity with a broad emotional range and a taste for paradox, often using obscene diction to skirt across the boundaries of gender and aesthetics.</p><p>Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ataapple">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/atasignuppod">lrb.me/closereadings</a></p><p>Further Reading in the LRB:</p><p>Elspeth Barker:</p><p><a href="https://www.lrb.co.uk/the-paper/v14/n19/elspeth-barker/o-filth-o-beastliness">https://www.lrb.co.uk/the-paper/v14/n19/elspeth-barker/o-filth-o-beastliness</a></p><p>William Fitzgerald:</p><p><a href="https://www.lrb.co.uk/the-paper/v28/n04/william-fitzgerald/badmouthing-city">https://www.lrb.co.uk/the-paper/v28/n04/william-fitzgerald/badmouthing-city</a></p><p>Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and translator of the 'Odysse'y and the 'Iliad'. Thomas Jones is an editor at the <em>London Review of Books a</em>nd host of the LRB Podcast.</p><p><br></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>705</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[64b0252446405a0011ee8c3a]]></guid>
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    </item>
    <item>
      <title>Medieval Beginnings: Havelok the Dane</title>
      <link>https://lrb.me/mbsignuppod</link>
      <description>In their seventh episode of Medieval Beginnings, Irina and Mary continue their run of Romances with the Middle English Havelok the Dane, a double Cinderella story of sex, fishing and surprisingly graphic violence, written at the end of the 13th century and set in a pre-Conquest, legendary English past.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Tue, 04 Jul 2023 11:23:37 -0000</pubDate>
      <itunes:title>Medieval Beginnings: Havelok the Dane</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>7</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a5618b66-4c5a-11f0-9640-8f08c29ca860/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In their seventh episode of Medieval Beginnings, Irina and Mary continue their run of Romances with the Middle English &lt;em&gt;Havelok the Dane&lt;/em&gt;, a double Cinderella story of sex, fishing and surprisingly graphic violence, written at the end of the 13th century and set in a pre-Conquest, legendary English past.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts here: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps here: &lt;a href="https://lrb.me/mbsignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of &lt;em&gt;Hidden Hands: The Lives of Manuscripts and their Makers.&lt;/em&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In their seventh episode of Medieval Beginnings, Irina and Mary continue their run of Romances with the Middle English Havelok the Dane, a double Cinderella story of sex, fishing and surprisingly graphic violence, written at the end of the 13th century and set in a pre-Conquest, legendary English past.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In their seventh episode of Medieval Beginnings, Irina and Mary continue their run of Romances with the Middle English <em>Havelok the Dane</em>, a double Cinderella story of sex, fishing and surprisingly graphic violence, written at the end of the 13th century and set in a pre-Conquest, legendary English past.</p><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts here: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps here: <a href="https://lrb.me/mbsignuppod">lrb.me/closereadings</a></p><p>Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of <em>Hidden Hands: The Lives of Manuscripts and their Makers.</em></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>651</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[64a2e831843ca900118e88a9]]></guid>
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    </item>
    <item>
      <title>The Long and Short: D.H. Lawrence's short stories</title>
      <link>https://lrb.me/tlassignuppod</link>
      <description>Controversial, compulsive, and overwhelmingly charismatic, D.H. Lawrence continues to exert an undeniable magnetism through his novels and poetry. But, as Mark argues in this episode, the quintessential Lawrence lies in his shorter fiction. Focusing on five stories that span Lawrence’s career, Mark and Seamus discuss the strange mix of uninhibitedness and meticulous detail that make Lawrence’s work essential reading.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Fri, 23 Jun 2023 08:00:31 -0000</pubDate>
      <itunes:title>The Long and Short: D.H. Lawrence's short stories</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>6</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a5b3efdc-4c5a-11f0-9640-d38d4db51c5b/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Controversial, compulsive, and overwhelmingly charismatic, D.H. Lawrence continues to exert an undeniable magnetism through his novels and poetry. But, as Mark argues in this episode, the quintessential Lawrence lies in his shorter fiction. Focusing on five stories that span Lawrence’s career, Mark and Seamus discuss the strange mix of uninhibitedness and meticulous detail that make Lawrence’s work essential reading.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts here: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps here: &lt;a href="https://lrb.me/tlassignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Controversial, compulsive, and overwhelmingly charismatic, D.H. Lawrence continues to exert an undeniable magnetism through his novels and poetry. But, as Mark argues in this episode, the quintessential Lawrence lies in his shorter fiction. Focusing on five stories that span Lawrence’s career, Mark and Seamus discuss the strange mix of uninhibitedness and meticulous detail that make Lawrence’s work essential reading.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Controversial, compulsive, and overwhelmingly charismatic, D.H. Lawrence continues to exert an undeniable magnetism through his novels and poetry. But, as Mark argues in this episode, the quintessential Lawrence lies in his shorter fiction. Focusing on five stories that span Lawrence’s career, Mark and Seamus discuss the strange mix of uninhibitedness and meticulous detail that make Lawrence’s work essential reading.</p><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts here: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps here: <a href="https://lrb.me/tlassignuppod">lrb.me/closereadings</a></p><p>Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>736</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[64946a07786c6c001133e682]]></guid>
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    </item>
    <item>
      <title>Among the Ancients: Aristophanes</title>
      <link>https://lrb.me/atasignuppod</link>
      <description>In their sixth episode of Among the Ancients, Emily and Tom discuss the comedies of Aristophanes, in particular Clouds and Lysistrata. How did an Aristophanes comedy differ from a satyr play? Was he a conservative or a radical? And what happened to comedy after Aristophanes?
Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Emily Wilson:
https://www.lrb.co.uk/the-paper/v43/n20/emily-wilson/punishment-by-radish
Thomas Jones:
https://www.lrb.co.uk/the-paper/v24/n19/thomas-jones/short-cuts
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and translator of the 'Odysse'y and the 'Iliad'. Thomas Jones is an editor at the London Review of Books and host of the LRB Podcast.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Wed, 14 Jun 2023 09:45:37 -0000</pubDate>
      <itunes:title>Among the Ancients: Aristophanes</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>6</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a6098e9c-4c5a-11f0-9640-bf0b810c39e7/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In their sixth episode of &lt;em&gt;Among the Ancients&lt;/em&gt;, Emily and Tom discuss the comedies of Aristophanes, in particular&amp;nbsp;&lt;em&gt;Clouds&lt;/em&gt;&amp;nbsp;and&amp;nbsp;&lt;em&gt;Lysistrata&lt;/em&gt;. How did an Aristophanes comedy differ from a satyr play? Was he a conservative or a radical? And what happened to comedy after Aristophanes?&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/ataapple" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/atasignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading in the LRB:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Emily Wilson:&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v43/n20/emily-wilson/punishment-by-radish" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v43/n20/emily-wilson/punishment-by-radish&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Thomas Jones:&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v24/n19/thomas-jones/short-cuts" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v24/n19/thomas-jones/short-cuts&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and translator of the 'Odysse'y and the 'Iliad'. Thomas Jones is an editor at the &lt;em&gt;London Review of Books a&lt;/em&gt;nd host of the LRB Podcast.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In their sixth episode of Among the Ancients, Emily and Tom discuss the comedies of Aristophanes, in particular Clouds and Lysistrata. How did an Aristophanes comedy differ from a satyr play? Was he a conservative or a radical? And what happened to comedy after Aristophanes?
Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Emily Wilson:
https://www.lrb.co.uk/the-paper/v43/n20/emily-wilson/punishment-by-radish
Thomas Jones:
https://www.lrb.co.uk/the-paper/v24/n19/thomas-jones/short-cuts
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and translator of the 'Odysse'y and the 'Iliad'. Thomas Jones is an editor at the London Review of Books and host of the LRB Podcast.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In their sixth episode of <em>Among the Ancients</em>, Emily and Tom discuss the comedies of Aristophanes, in particular <em>Clouds</em> and <em>Lysistrata</em>. How did an Aristophanes comedy differ from a satyr play? Was he a conservative or a radical? And what happened to comedy after Aristophanes?</p><br><p>Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ataapple">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/atasignuppod">lrb.me/closereadings</a></p><br><p>Further reading in the LRB:</p><br><p>Emily Wilson:</p><p><a href="https://www.lrb.co.uk/the-paper/v43/n20/emily-wilson/punishment-by-radish">https://www.lrb.co.uk/the-paper/v43/n20/emily-wilson/punishment-by-radish</a></p><br><p>Thomas Jones:</p><p><a href="https://www.lrb.co.uk/the-paper/v24/n19/thomas-jones/short-cuts">https://www.lrb.co.uk/the-paper/v24/n19/thomas-jones/short-cuts</a></p><br><p>Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and translator of the 'Odysse'y and the 'Iliad'. Thomas Jones is an editor at the <em>London Review of Books a</em>nd host of the LRB Podcast.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>740</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[64888e848f076900110b6b54]]></guid>
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    </item>
    <item>
      <title>Medieval Beginnings: Le Roman de Silence</title>
      <link>https://lrb.me/mbsignuppod</link>
      <description>For the sixth episode in their Medieval Beginnings series, Mary and Irina go full Romance with one of the most elaborate and surprising narrative poems in medieval literature, Le Roman de Silence, a complex, 13th-century Old French tale about gender, power and transformation.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Mon, 05 Jun 2023 15:07:58 -0000</pubDate>
      <itunes:title>Medieval Beginnings: Le Roman de Silence</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>6</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a65dd678-4c5a-11f0-9640-4372c69cb0ba/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;For the sixth episode in their &lt;em&gt;Medieval Beginnings&lt;/em&gt; series, Mary and Irina go full Romance with one of the most elaborate and surprising narrative poems in medieval literature, &lt;em&gt;Le Roman de Silence&lt;/em&gt;, a complex, 13th-century Old French tale about gender, power and transformation.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/mbsignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of &lt;em&gt;Hidden Hands: The Lives of Manuscripts and their Makers.&lt;/em&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>For the sixth episode in their Medieval Beginnings series, Mary and Irina go full Romance with one of the most elaborate and surprising narrative poems in medieval literature, Le Roman de Silence, a complex, 13th-century Old French tale about gender, power and transformation.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For the sixth episode in their <em>Medieval Beginnings</em> series, Mary and Irina go full Romance with one of the most elaborate and surprising narrative poems in medieval literature, <em>Le Roman de Silence</em>, a complex, 13th-century Old French tale about gender, power and transformation.</p><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up here:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/mbsignuppod">lrb.me/closereadings</a></p><p>Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of <em>Hidden Hands: The Lives of Manuscripts and their Makers.</em></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>622</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>The Long and Short: Hart Crane's 'The Bridge'</title>
      <link>https://lrb.me/tlassignuppod</link>
      <description>In their fifth episode, Mark and Seamus reach their first 20th century poet of the series, the Ohio-born, New York-loving ad man Hart Crane, and his epic 1930 work The Bridge. Directly inspired by The Waste Land, The Bridge sought to address modernity, as Eliot had done, with all its conflicts, contradictions and difficulties, but infuse it with a Whitman-esque expression of American greatness.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Wed, 24 May 2023 11:00:00 -0000</pubDate>
      <itunes:title>The Long and Short: Hart Crane's 'The Bridge'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>5</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a6b67616-4c5a-11f0-9640-e78cb449491e/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In their fifth episode, Mark and Seamus reach their first 20th&amp;nbsp;century poet of the series, the Ohio-born, New York-loving ad man Hart Crane, and his epic 1930 work&amp;nbsp;&lt;em&gt;The Bridge&lt;/em&gt;. Directly inspired by&amp;nbsp;&lt;em&gt;The Waste Land&lt;/em&gt;,&amp;nbsp;&lt;em&gt;The Bridge&lt;/em&gt;&amp;nbsp;sought to address modernity, as Eliot had done, with all its conflicts, contradictions and difficulties, but infuse it&amp;nbsp;with a Whitman-esque expression of American greatness.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts here: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps here: &lt;a href="https://lrb.me/tlassignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In their fifth episode, Mark and Seamus reach their first 20th century poet of the series, the Ohio-born, New York-loving ad man Hart Crane, and his epic 1930 work The Bridge. Directly inspired by The Waste Land, The Bridge sought to address modernity, as Eliot had done, with all its conflicts, contradictions and difficulties, but infuse it with a Whitman-esque expression of American greatness.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In their fifth episode, Mark and Seamus reach their first 20th century poet of the series, the Ohio-born, New York-loving ad man Hart Crane, and his epic 1930 work <em>The Bridge</em>. Directly inspired by <em>The Waste Land</em>, <em>The Bridge</em> sought to address modernity, as Eliot had done, with all its conflicts, contradictions and difficulties, but infuse it with a Whitman-esque expression of American greatness.</p><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts here: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps here: <a href="https://lrb.me/tlassignuppod">lrb.me/closereadings</a></p><p>Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>652</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Among the Ancients: Euripides</title>
      <link>https://shows.acast.com/close-readings/episodes/6464af9bf45b540010cbb18c</link>
      <description>Euripides was the youngest of the fifth-century Athenian tragedians, and is often described as the most radical. But how daring was he? How far did he push the boundaries of dramatic form? Focusing on Medea and Hippolytus, Emily and Tom discuss the ways Euripides sought to shock his audiences, make them laugh, and explore their anxieties in a time of cultural change.
Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Robert Cioffi: Euripides Unbound
https://www.lrb.co.uk/the-paper/v46/n18/robert-cioffi/euripides-unbound
Anne Carson: Euripides to the Audience
https://www.lrb.co.uk/the-paper/v24/n17/anne-carson/euripides-to-the-audience
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and translator of the 'Odysse'y and the 'Iliad'. Thomas Jones is an editor at the London Review of Books and host of the LRB Podcast.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Wed, 17 May 2023 10:42:35 -0000</pubDate>
      <itunes:title>Among the Ancients: Euripides</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>5</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a70c2c64-4c5a-11f0-9640-136017c7c01a/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Euripides was the youngest of the fifth-century Athenian tragedians, and is often described as the most radical. But how daring was he? How far did he push the boundaries of dramatic form? Focusing on&amp;nbsp;&lt;em&gt;Medea&lt;/em&gt;&amp;nbsp;and&amp;nbsp;&lt;em&gt;Hippolytus&lt;/em&gt;, Emily and Tom discuss the ways Euripides sought to shock his audiences, make them laugh, and explore their anxieties in a time of cultural change.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/ataapple" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/atasignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading in the LRB:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Robert Cioffi: Euripides Unbound&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v46/n18/robert-cioffi/euripides-unbound" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v46/n18/robert-cioffi/euripides-unbound&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Anne Carson: Euripides to the Audience&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v24/n17/anne-carson/euripides-to-the-audience" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v24/n17/anne-carson/euripides-to-the-audience&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and translator of the 'Odysse'y and the 'Iliad'. Thomas Jones is an editor at the &lt;em&gt;London Review of Books a&lt;/em&gt;nd host of the LRB Podcast.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Euripides was the youngest of the fifth-century Athenian tragedians, and is often described as the most radical. But how daring was he? How far did he push the boundaries of dramatic form? Focusing on Medea and Hippolytus, Emily and Tom discuss the ways Euripides sought to shock his audiences, make them laugh, and explore their anxieties in a time of cultural change.
Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
Robert Cioffi: Euripides Unbound
https://www.lrb.co.uk/the-paper/v46/n18/robert-cioffi/euripides-unbound
Anne Carson: Euripides to the Audience
https://www.lrb.co.uk/the-paper/v24/n17/anne-carson/euripides-to-the-audience
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and translator of the 'Odysse'y and the 'Iliad'. Thomas Jones is an editor at the London Review of Books and host of the LRB Podcast.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Euripides was the youngest of the fifth-century Athenian tragedians, and is often described as the most radical. But how daring was he? How far did he push the boundaries of dramatic form? Focusing on <em>Medea</em> and <em>Hippolytus</em>, Emily and Tom discuss the ways Euripides sought to shock his audiences, make them laugh, and explore their anxieties in a time of cultural change.</p><br><p>Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ataapple">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/atasignuppod">lrb.me/closereadings</a></p><br><p>Further reading in the LRB:</p><br><p>Robert Cioffi: Euripides Unbound</p><p><a href="https://www.lrb.co.uk/the-paper/v46/n18/robert-cioffi/euripides-unbound">https://www.lrb.co.uk/the-paper/v46/n18/robert-cioffi/euripides-unbound</a></p><br><p>Anne Carson: Euripides to the Audience</p><p><a href="https://www.lrb.co.uk/the-paper/v24/n17/anne-carson/euripides-to-the-audience">https://www.lrb.co.uk/the-paper/v24/n17/anne-carson/euripides-to-the-audience</a></p><br><p>Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and translator of the 'Odysse'y and the 'Iliad'. Thomas Jones is an editor at the <em>London Review of Books a</em>nd host of the LRB Podcast.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>716</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Medieval Beginnings: The Lais of Marie de France</title>
      <link>https://lrb.me/mbsignuppod</link>
      <description>If a Middle Ages full of castles, jousts, hawking, illicit love affairs and playful singing in the meadows is what you’re looking for, then look no further than the Lais of Marie de France. These 12th century love stories, written in Anglo-Norman by a writer who was unusually keen to make her name known, describe noble stories of passion, devotion, betrayal, self-sacrifice and magical transformations played out in enchanted woodlands and richly-draped chambers.
Irina and Mary discuss Marie’s various portrayals of love, her luscious powers of description, and the frequent deployment of animals in her stories to expose and resolve human problems.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Thu, 04 May 2023 09:05:36 -0000</pubDate>
      <itunes:title>Medieval Beginnings: The Lais of Marie de France</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>5</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a763c2ee-4c5a-11f0-9640-2f75cf6d2816/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;If a Middle Ages full of castles, jousts, hawking, illicit love affairs and playful singing in the meadows is what you’re looking for, then look no further than the Lais of Marie de France. These 12th century love stories, written in Anglo-Norman by a writer who was unusually keen to make her name known, describe noble stories of passion, devotion, betrayal, self-sacrifice and magical transformations played out in enchanted woodlands and richly-draped chambers.&lt;/p&gt;&lt;p&gt;Irina and Mary discuss Marie’s various portrayals of love,&amp;nbsp;her luscious powers of description, and the frequent deployment of animals in her stories to expose and resolve human problems.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/mbsignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of &lt;em&gt;Hidden Hands: The Lives of Manuscripts and their Makers.&lt;/em&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>If a Middle Ages full of castles, jousts, hawking, illicit love affairs and playful singing in the meadows is what you’re looking for, then look no further than the Lais of Marie de France. These 12th century love stories, written in Anglo-Norman by a writer who was unusually keen to make her name known, describe noble stories of passion, devotion, betrayal, self-sacrifice and magical transformations played out in enchanted woodlands and richly-draped chambers.
Irina and Mary discuss Marie’s various portrayals of love, her luscious powers of description, and the frequent deployment of animals in her stories to expose and resolve human problems.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>If a Middle Ages full of castles, jousts, hawking, illicit love affairs and playful singing in the meadows is what you’re looking for, then look no further than the Lais of Marie de France. These 12th century love stories, written in Anglo-Norman by a writer who was unusually keen to make her name known, describe noble stories of passion, devotion, betrayal, self-sacrifice and magical transformations played out in enchanted woodlands and richly-draped chambers.</p><p>Irina and Mary discuss Marie’s various portrayals of love, her luscious powers of description, and the frequent deployment of animals in her stories to expose and resolve human problems.</p><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up here:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/mbsignuppod">lrb.me/closereadings</a></p><p>Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of <em>Hidden Hands: The Lives of Manuscripts and their Makers.</em></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>809</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>The Long and Short: Katherine Mansfield's short stories</title>
      <link>https://lrb.me/tlassignuppod</link>
      <description>In episode four of The Long and Short, Mark and Seamus turn to the squarely modernist Katherine Mansfield, whose writing famously attracted the envy of Virginia Woolf. They discuss how in Mansfield's work the modernist story makes a decisive break from its 19th century predecessors. At turns lyrical, ruthless, moving and darkly comic, these stories demonstrate her knack for close observation and mimicry – no wonder one of them is Mark’s ‘desert island’ story.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Mon, 24 Apr 2023 11:28:50 -0000</pubDate>
      <itunes:title>The Long and Short: Katherine Mansfield's short stories</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a7b98a1c-4c5a-11f0-9640-73b0ea75ba6e/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In episode four of &lt;em&gt;The Long and Short&lt;/em&gt;, Mark and Seamus turn to the squarely modernist Katherine Mansfield, whose writing famously attracted the envy of Virginia Woolf. They discuss how in Mansfield's work the modernist story makes a decisive break from its 19th century predecessors. At turns lyrical, ruthless, moving and darkly comic, these stories demonstrate her knack for close observation and mimicry – no wonder one of them is Mark’s ‘desert island’ story.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/tlassignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In episode four of The Long and Short, Mark and Seamus turn to the squarely modernist Katherine Mansfield, whose writing famously attracted the envy of Virginia Woolf. They discuss how in Mansfield's work the modernist story makes a decisive break from its 19th century predecessors. At turns lyrical, ruthless, moving and darkly comic, these stories demonstrate her knack for close observation and mimicry – no wonder one of them is Mark’s ‘desert island’ story.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In episode four of <em>The Long and Short</em>, Mark and Seamus turn to the squarely modernist Katherine Mansfield, whose writing famously attracted the envy of Virginia Woolf. They discuss how in Mansfield's work the modernist story makes a decisive break from its 19th century predecessors. At turns lyrical, ruthless, moving and darkly comic, these stories demonstrate her knack for close observation and mimicry – no wonder one of them is Mark’s ‘desert island’ story.</p><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up here:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/tlassignuppod">lrb.me/closereadings</a></p><p>Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>738</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Among the Ancients: Sophocles</title>
      <link>https://lrb.me/atasignuppod</link>
      <description>In the fourth episode of Among the Ancients, Emily and Tom ask: what was it like to go to the theatre in Athens in 468 BC? And how far do modern ideas about tragedy, derived from Aristotle, apply to Sophocles’ plays? They then look in more detail at Oedipus Tyrannos and Antigone and what the plays have to say about agency and knowledge, and consider issues particular to Sophocles’ time, including civic responsibility and the role of immigrants in Athenian society.
Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
High Lloyd Jones:
https://www.lrb.co.uk/the-paper/v02/n24/hugh-lloyd-jones/gods-and-heroes
James Davidson:
https://www.lrb.co.uk/the-paper/v21/n19/james-davidson/an-easy-lay
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and translator of the 'Odysse'y and the 'Iliad'. Thomas Jones is an editor at the London Review of Books and host of the LRB Podcast.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Fri, 14 Apr 2023 09:19:38 -0000</pubDate>
      <itunes:title>Among the Ancients: Sophocles</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a80f2198-4c5a-11f0-9640-476f0a20f511/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the fourth episode of &lt;em&gt;Among the Ancients&lt;/em&gt;, Emily and Tom ask: what was it like to go to the theatre in Athens in 468&amp;nbsp;BC? And how far do modern ideas about tragedy, derived from Aristotle, apply to Sophocles’ plays? They then look in more detail at&amp;nbsp;&lt;em&gt;Oedipus Tyrannos&lt;/em&gt;&amp;nbsp;and&amp;nbsp;&lt;em&gt;Antigone &lt;/em&gt;and what the plays have to say about agency and knowledge, and&amp;nbsp;consider issues particular to Sophocles’ time, including civic responsibility and the role of immigrants in Athenian society.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/ataapple" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/atasignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading in the LRB:&lt;/p&gt;&lt;br&gt;&lt;p&gt;High Lloyd Jones:&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v02/n24/hugh-lloyd-jones/gods-and-heroes" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v02/n24/hugh-lloyd-jones/gods-and-heroes&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;James Davidson:&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v21/n19/james-davidson/an-easy-lay" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v21/n19/james-davidson/an-easy-lay&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and translator of the 'Odysse'y and the 'Iliad'. Thomas Jones is an editor at the &lt;em&gt;London Review of Books a&lt;/em&gt;nd host of the LRB Podcast.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the fourth episode of Among the Ancients, Emily and Tom ask: what was it like to go to the theatre in Athens in 468 BC? And how far do modern ideas about tragedy, derived from Aristotle, apply to Sophocles’ plays? They then look in more detail at Oedipus Tyrannos and Antigone and what the plays have to say about agency and knowledge, and consider issues particular to Sophocles’ time, including civic responsibility and the role of immigrants in Athenian society.
Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading in the LRB:
High Lloyd Jones:
https://www.lrb.co.uk/the-paper/v02/n24/hugh-lloyd-jones/gods-and-heroes
James Davidson:
https://www.lrb.co.uk/the-paper/v21/n19/james-davidson/an-easy-lay
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and translator of the 'Odysse'y and the 'Iliad'. Thomas Jones is an editor at the London Review of Books and host of the LRB Podcast.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the fourth episode of <em>Among the Ancients</em>, Emily and Tom ask: what was it like to go to the theatre in Athens in 468 BC? And how far do modern ideas about tragedy, derived from Aristotle, apply to Sophocles’ plays? They then look in more detail at <em>Oedipus Tyrannos</em> and <em>Antigone </em>and what the plays have to say about agency and knowledge, and consider issues particular to Sophocles’ time, including civic responsibility and the role of immigrants in Athenian society.</p><br><p>Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ataapple">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/atasignuppod">lrb.me/closereadings</a></p><br><p>Further reading in the LRB:</p><br><p>High Lloyd Jones:</p><p><a href="https://www.lrb.co.uk/the-paper/v02/n24/hugh-lloyd-jones/gods-and-heroes">https://www.lrb.co.uk/the-paper/v02/n24/hugh-lloyd-jones/gods-and-heroes</a></p><br><p>James Davidson:</p><p><a href="https://www.lrb.co.uk/the-paper/v21/n19/james-davidson/an-easy-lay">https://www.lrb.co.uk/the-paper/v21/n19/james-davidson/an-easy-lay</a></p><br><p>Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and translator of the 'Odysse'y and the 'Iliad'. Thomas Jones is an editor at the <em>London Review of Books a</em>nd host of the LRB Podcast.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>815</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Medieval Beginnings: The Ancrene Wisse</title>
      <link>https://lrb.me/mbsignuppod</link>
      <description>In the fourth episode of Medieval Beginnings, Mary and Irina climb inside a tiny cell to explore the Ancrene Wisse, a guidebook written in the early 13th century, originally intended for three anchoresses, but which enjoyed a much wider audience (there was even a copy in Henry VIII’s library).
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Tue, 04 Apr 2023 10:39:54 -0000</pubDate>
      <itunes:title>Medieval Beginnings: The Ancrene Wisse</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a8664a22-4c5a-11f0-9640-9f0883c37162/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the fourth episode of &lt;em&gt;Medieval Beginnings&lt;/em&gt;, Mary and Irina climb inside a tiny cell to explore the &lt;em&gt;Ancrene Wisse&lt;/em&gt;, a guidebook written in the early 13th century, originally intended for three anchoresses, but which enjoyed a much wider audience (there was even a copy in Henry VIII’s library).&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/mbsignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of &lt;em&gt;Hidden Hands: The Lives of Manuscripts and their Makers.&lt;/em&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the fourth episode of Medieval Beginnings, Mary and Irina climb inside a tiny cell to explore the Ancrene Wisse, a guidebook written in the early 13th century, originally intended for three anchoresses, but which enjoyed a much wider audience (there was even a copy in Henry VIII’s library).
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the fourth episode of <em>Medieval Beginnings</em>, Mary and Irina climb inside a tiny cell to explore the <em>Ancrene Wisse</em>, a guidebook written in the early 13th century, originally intended for three anchoresses, but which enjoyed a much wider audience (there was even a copy in Henry VIII’s library).</p><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up here:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/mbsignuppod">lrb.me/closereadings</a></p><p>Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of <em>Hidden Hands: The Lives of Manuscripts and their Makers.</em></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>718</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[642318ebfee80d00114a21f2]]></guid>
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    <item>
      <title>The Long and Short: Henry James's short stories</title>
      <link>https://lrb.me/tlassignuppod</link>
      <description>The third episode of The Long and Short turns to the short stories of Henry James. Mark and Seamus look in particular at ‘The Aspern Papers’, which, like Tennyson’s ‘Maud’, offers a diagnosis of obsession, in this case through a sensuous, excruciating and often comedic Venetian psychodrama. Mark and Seamus discuss the emergence of the short story at the end of the 19th century, and how certain features of the form – its attachment to unresolved endings, its debt to the dramatic monologue – can be found in James’s own stories, along with his other major themes, such as the tortured relationship between the public and private, and the experience of Americans in Europe.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Fri, 24 Mar 2023 12:12:42 -0000</pubDate>
      <itunes:title>The Long and Short: Henry James's short stories</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a8b74e36-4c5a-11f0-9640-7b9463985fbb/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;The third episode of The Long and Short turns to the short stories of Henry James. Mark and Seamus look in particular at ‘The Aspern Papers’, which, like Tennyson’s ‘Maud’, offers a diagnosis of obsession, in this case through a sensuous, excruciating and often comedic Venetian psychodrama. Mark and Seamus discuss the emergence of the short story at the end of the 19th century, and how certain features of the form – its attachment to unresolved endings, its debt to the dramatic monologue – can be found in James’s own stories, along with his other major themes, such as the tortured relationship between the public and private, and the experience of Americans in Europe.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/tlassignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>The third episode of The Long and Short turns to the short stories of Henry James. Mark and Seamus look in particular at ‘The Aspern Papers’, which, like Tennyson’s ‘Maud’, offers a diagnosis of obsession, in this case through a sensuous, excruciating and often comedic Venetian psychodrama. Mark and Seamus discuss the emergence of the short story at the end of the 19th century, and how certain features of the form – its attachment to unresolved endings, its debt to the dramatic monologue – can be found in James’s own stories, along with his other major themes, such as the tortured relationship between the public and private, and the experience of Americans in Europe.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>The third episode of The Long and Short turns to the short stories of Henry James. Mark and Seamus look in particular at ‘The Aspern Papers’, which, like Tennyson’s ‘Maud’, offers a diagnosis of obsession, in this case through a sensuous, excruciating and often comedic Venetian psychodrama. Mark and Seamus discuss the emergence of the short story at the end of the 19th century, and how certain features of the form – its attachment to unresolved endings, its debt to the dramatic monologue – can be found in James’s own stories, along with his other major themes, such as the tortured relationship between the public and private, and the experience of Americans in Europe.</p><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up here:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/tlassignuppod">lrb.me/closereadings</a></p><p>Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>636</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[641d93bbfde461001153fdf1]]></guid>
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    </item>
    <item>
      <title>Among the Ancients: Sappho</title>
      <link>https://lrb.me/atasignuppod</link>
      <description>In the third episode of Among the Ancients, Emily and Tom move from epic to lyric, with the poems of Sappho, or what remains of them. They consider what we know, and don’t know, about her life, and how her poetry challenges the heroic tradition, both in its subversion of Homeric ideas of war and nostos, and in its playful use of language.
Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Emily Wilson:
https://www.lrb.co.uk/the-paper/v26/n01/emily-wilson/tongue-breaks
Terry Castle:
https://www.lrb.co.uk/the-paper/v21/n19/terry-castle/always-the-bridesmaid
Mary Beard:
https://www.lrb.co.uk/the-paper/v12/n19/mary-beard/sappho-speaks
Peter Green:
https://www.lrb.co.uk/the-paper/v37/n22/peter-green/what-we-know
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and translator of the 'Odysse'y and the 'Iliad'. Thomas Jones is an editor at the London Review of Books and host of the LRB Podcast.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Tue, 14 Mar 2023 15:01:11 -0000</pubDate>
      <itunes:title>Among the Ancients: Sappho</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a90acc14-4c5a-11f0-9640-837bf3973bcb/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the third episode of &lt;em&gt;Among the Ancients&lt;/em&gt;, Emily and Tom move from epic to lyric, with the poems of Sappho, or what remains of them. They consider what we know, and don’t know, about her life, and how her poetry challenges the heroic tradition, both in its subversion of Homeric ideas of war and&amp;nbsp;&lt;em&gt;nostos&lt;/em&gt;, and in its playful use of language.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/ataapple" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/atasignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Emily Wilson:&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v26/n01/emily-wilson/tongue-breaks" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v26/n01/emily-wilson/tongue-breaks&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Terry Castle:&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v21/n19/terry-castle/always-the-bridesmaid" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v21/n19/terry-castle/always-the-bridesmaid&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Mary Beard:&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v12/n19/mary-beard/sappho-speaks" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v12/n19/mary-beard/sappho-speaks&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Peter Green:&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v37/n22/peter-green/what-we-know" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v37/n22/peter-green/what-we-know&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and translator of the 'Odysse'y and the 'Iliad'. Thomas Jones is an editor at the &lt;em&gt;London Review of Books a&lt;/em&gt;nd host of the LRB Podcast.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the third episode of Among the Ancients, Emily and Tom move from epic to lyric, with the poems of Sappho, or what remains of them. They consider what we know, and don’t know, about her life, and how her poetry challenges the heroic tradition, both in its subversion of Homeric ideas of war and nostos, and in its playful use of language.
Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Emily Wilson:
https://www.lrb.co.uk/the-paper/v26/n01/emily-wilson/tongue-breaks
Terry Castle:
https://www.lrb.co.uk/the-paper/v21/n19/terry-castle/always-the-bridesmaid
Mary Beard:
https://www.lrb.co.uk/the-paper/v12/n19/mary-beard/sappho-speaks
Peter Green:
https://www.lrb.co.uk/the-paper/v37/n22/peter-green/what-we-know
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and translator of the 'Odysse'y and the 'Iliad'. Thomas Jones is an editor at the London Review of Books and host of the LRB Podcast.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the third episode of <em>Among the Ancients</em>, Emily and Tom move from epic to lyric, with the poems of Sappho, or what remains of them. They consider what we know, and don’t know, about her life, and how her poetry challenges the heroic tradition, both in its subversion of Homeric ideas of war and <em>nostos</em>, and in its playful use of language.</p><br><p>Non-subscribers can only hear extracts from most of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:</p><p>Directly in Apple Podcasts: <a href="https://lrb.me/ataapple">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/atasignuppod">lrb.me/closereadings</a></p><br><p>Emily Wilson:</p><p><a href="https://www.lrb.co.uk/the-paper/v26/n01/emily-wilson/tongue-breaks">https://www.lrb.co.uk/the-paper/v26/n01/emily-wilson/tongue-breaks</a></p><br><p>Terry Castle:</p><p><a href="https://www.lrb.co.uk/the-paper/v21/n19/terry-castle/always-the-bridesmaid">https://www.lrb.co.uk/the-paper/v21/n19/terry-castle/always-the-bridesmaid</a></p><br><p>Mary Beard:</p><p><a href="https://www.lrb.co.uk/the-paper/v12/n19/mary-beard/sappho-speaks">https://www.lrb.co.uk/the-paper/v12/n19/mary-beard/sappho-speaks</a></p><br><p>Peter Green:</p><p><a href="https://www.lrb.co.uk/the-paper/v37/n22/peter-green/what-we-know">https://www.lrb.co.uk/the-paper/v37/n22/peter-green/what-we-know</a></p><br><p>Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and translator of the 'Odysse'y and the 'Iliad'. Thomas Jones is an editor at the <em>London Review of Books a</em>nd host of the LRB Podcast.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>764</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    </item>
    <item>
      <title>Medieval Beginnings: Bede's Life of Cuthbert</title>
      <link>https://lrb.me/mbsignuppod</link>
      <description>In the third episode of Medieval Beginnings, Mary and Irina explore the much-chronicled life of St Cuthbert, as told by the most famous writer of the early medieval period, the so-called Venerable Bede. From Cuthbert’s childhood interest in naked handstands, to his later work as a charismatic preacher who could elicit total confession, and as a hermit who enjoyed the assistance of friendly sea otters, it was a life which, as told by Bede, both challenged and conformed to the expected patterns of hagiography.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Fri, 03 Mar 2023 16:40:26 -0000</pubDate>
      <itunes:title>Medieval Beginnings: Bede's Life of Cuthbert</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a9635410-4c5a-11f0-9640-b31d7c11f143/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the third episode of &lt;em&gt;Medieval Beginnings&lt;/em&gt;, Mary and Irina explore&amp;nbsp;the much-chronicled life of St Cuthbert, as told by the most famous writer of the early medieval period, the so-called Venerable Bede. From Cuthbert’s childhood interest in naked handstands, to his later work as a charismatic preacher who could elicit total confession, and as a hermit who enjoyed the assistance of friendly sea otters, it was a life which, as told by Bede, both challenged and conformed to the expected patterns of hagiography.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/mbsignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of &lt;em&gt;Hidden Hands: The Lives of Manuscripts and their Makers.&lt;/em&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the third episode of Medieval Beginnings, Mary and Irina explore the much-chronicled life of St Cuthbert, as told by the most famous writer of the early medieval period, the so-called Venerable Bede. From Cuthbert’s childhood interest in naked handstands, to his later work as a charismatic preacher who could elicit total confession, and as a hermit who enjoyed the assistance of friendly sea otters, it was a life which, as told by Bede, both challenged and conformed to the expected patterns of hagiography.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the third episode of <em>Medieval Beginnings</em>, Mary and Irina explore the much-chronicled life of St Cuthbert, as told by the most famous writer of the early medieval period, the so-called Venerable Bede. From Cuthbert’s childhood interest in naked handstands, to his later work as a charismatic preacher who could elicit total confession, and as a hermit who enjoyed the assistance of friendly sea otters, it was a life which, as told by Bede, both challenged and conformed to the expected patterns of hagiography.</p><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up here:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/mbsignuppod">lrb.me/closereadings</a></p><p>Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of <em>Hidden Hands: The Lives of Manuscripts and their Makers.</em></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>652</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[640222851d40a90011461586]]></guid>
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    </item>
    <item>
      <title>The Long and Short: Walt Whitman's 'Song of Myself'</title>
      <link>https://lrb.me/tlassignuppod</link>
      <description>In the second episode of The Long and Short, Mark and Seamus turn to Walt Whitman's ‘Song of Myself’, from Leaves of Grass (1855), for Mark ‘one of the most exciting things literature has to offer’. They discuss the extraordinary physicality and exuberance of this seminal American poem, its relationship with urbanism, capitalism and sexuality, and its Johnny Appleseed-spirit, among many other things.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Fri, 24 Feb 2023 11:30:29 -0000</pubDate>
      <itunes:title>The Long and Short: Walt Whitman's 'Song of Myself'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/a9b7fef2-4c5a-11f0-9640-f7fa50d4b005/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the second episode of &lt;em&gt;The Long and Short&lt;/em&gt;, Mark and Seamus turn to Walt Whitman's ‘Song of Myself’, from &lt;em&gt;Leaves of Grass&lt;/em&gt; (1855), for Mark&amp;nbsp;‘one of the most exciting things literature has to offer’. They discuss the extraordinary physicality and exuberance of this seminal American poem,&amp;nbsp;its relationship with urbanism, capitalism and sexuality, and its Johnny Appleseed-spirit, among many other things.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/tlassignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the second episode of The Long and Short, Mark and Seamus turn to Walt Whitman's ‘Song of Myself’, from Leaves of Grass (1855), for Mark ‘one of the most exciting things literature has to offer’. They discuss the extraordinary physicality and exuberance of this seminal American poem, its relationship with urbanism, capitalism and sexuality, and its Johnny Appleseed-spirit, among many other things.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the second episode of <em>The Long and Short</em>, Mark and Seamus turn to Walt Whitman's ‘Song of Myself’, from <em>Leaves of Grass</em> (1855), for Mark ‘one of the most exciting things literature has to offer’. They discuss the extraordinary physicality and exuberance of this seminal American poem, its relationship with urbanism, capitalism and sexuality, and its Johnny Appleseed-spirit, among many other things.</p><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up here:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/tlassignuppod">lrb.me/closereadings</a></p><p>Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>655</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[63f89c3cd6d5970011807ff5]]></guid>
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    </item>
    <item>
      <title>Among the Ancients: The 'Odyssey'</title>
      <link>https://lrb.me/atasignuppod</link>
      <description>In episode two of Among the Ancients, Tom and Emily turn to Homer’s Odyssey. They discuss the twisting, turning nature of both the narrative and its hero, the poem’s complex interrogation of the idea of ‘home’, and the violence Odysseus brings with him on his return from the Trojan War.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Tue, 14 Feb 2023 10:57:39 -0000</pubDate>
      <itunes:title>Among the Ancients: The 'Odyssey'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/aa0a6d9a-4c5a-11f0-9640-6faebf9524ab/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In episode two of &lt;em&gt;Among the Ancients&lt;/em&gt;, Tom and Emily turn to Homer’s&amp;nbsp;&lt;em&gt;Odyssey&lt;/em&gt;. They discuss&lt;em&gt;&amp;nbsp;&lt;/em&gt;the twisting, turning&amp;nbsp;nature of both the narrative and its&amp;nbsp;hero,&amp;nbsp;the poem’s complex interrogation of the idea of ‘home’, and the violence Odysseus brings with him on his return from the Trojan War.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/atasignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the &lt;em&gt;London Review of Books&lt;/em&gt;.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In episode two of Among the Ancients, Tom and Emily turn to Homer’s Odyssey. They discuss the twisting, turning nature of both the narrative and its hero, the poem’s complex interrogation of the idea of ‘home’, and the violence Odysseus brings with him on his return from the Trojan War.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the London Review of Books.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In episode two of <em>Among the Ancients</em>, Tom and Emily turn to Homer’s <em>Odyssey</em>. They discuss<em> </em>the twisting, turning nature of both the narrative and its hero, the poem’s complex interrogation of the idea of ‘home’, and the violence Odysseus brings with him on his return from the Trojan War.</p><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up here:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/atasignuppod">lrb.me/closereadings</a></p><p>Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and Thomas Jones is an editor at the <em>London Review of Books</em>.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>606</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[63eb6923e7cacc0011567b2e]]></guid>
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    <item>
      <title>Medieval Beginnings: Letters and Laments</title>
      <link>https://lrb.me/mbsignuppod</link>
      <description>In episode two of Medieval Beginnings, Mary and Irina turn the pages of the Exeter Book, a remarkable 10th century manuscript containing numerous poems and riddles, some of which are written in the voices of women. They consider in particular the enigmatic and beautiful ‘Wife’s Lament’ and ‘Wulf and Eadwacer’, and their numerous interpretations, and compare them to an extraordinary collection of letters written by influential women to St Boniface in the 8th century.
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.
Subscribe to Close Readings:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Find reading resources for this episode on the LRB website:
https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings/medieval-beginnings-letters-and-laments

 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Fri, 03 Feb 2023 10:42:46 -0000</pubDate>
      <itunes:title>Medieval Beginnings: Letters and Laments</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/aa5e3498-4c5a-11f0-9640-4b5a346147b3/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In episode two of &lt;em&gt;Medieval Beginnings&lt;/em&gt;, Mary and Irina turn the pages of the &lt;em&gt;Exeter Book&lt;/em&gt;, a remarkable 10th century manuscript containing numerous poems and riddles, some of which are written in the voices of women. They consider in particular the enigmatic and beautiful ‘Wife’s Lament’ and ‘Wulf and Eadwacer’, and their numerous interpretations, and compare them to an extraordinary collection of letters written by influential women to St Boniface in the 8th century.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of &lt;em&gt;Hidden Hands: The Lives of Manuscripts and their Makers.&lt;/em&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Subscribe to &lt;em&gt;Close Readings&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/mbsignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Find reading resources for this episode on the &lt;em&gt;LRB&lt;/em&gt; website:&lt;/p&gt;&lt;br&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings/medieval-beginnings-letters-and-laments" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings/medieval-beginnings-letters-and-laments&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In episode two of Medieval Beginnings, Mary and Irina turn the pages of the Exeter Book, a remarkable 10th century manuscript containing numerous poems and riddles, some of which are written in the voices of women. They consider in particular the enigmatic and beautiful ‘Wife’s Lament’ and ‘Wulf and Eadwacer’, and their numerous interpretations, and compare them to an extraordinary collection of letters written by influential women to St Boniface in the 8th century.
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.
Subscribe to Close Readings:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Find reading resources for this episode on the LRB website:
https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings/medieval-beginnings-letters-and-laments

 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In episode two of <em>Medieval Beginnings</em>, Mary and Irina turn the pages of the <em>Exeter Book</em>, a remarkable 10th century manuscript containing numerous poems and riddles, some of which are written in the voices of women. They consider in particular the enigmatic and beautiful ‘Wife’s Lament’ and ‘Wulf and Eadwacer’, and their numerous interpretations, and compare them to an extraordinary collection of letters written by influential women to St Boniface in the 8th century.</p><br><p>Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of <em>Hidden Hands: The Lives of Manuscripts and their Makers.</em></p><br><p>Subscribe to <em>Close Readings</em>:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/mbsignuppod">lrb.me/closereadings</a></p><br><p>Find reading resources for this episode on the <em>LRB</em> website:</p><br><p><a href="https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings/medieval-beginnings-letters-and-laments">https://www.lrb.co.uk/podcasts-and-videos/podcasts/close-readings/medieval-beginnings-letters-and-laments</a></p><p><br></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>652</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>The Long and Short: Tennyson's 'Maud'</title>
      <link>https://lrb.me/tlassignuppod</link>
      <description>Mark Ford and Seamus Perry start their series, The Long and Short, with Tennyson’s ‘Maud’, a weird and disturbing poem about obsession that Tennyson himself was obsessed by. He would recite it in full at the drop of a hat, sometimes more than once, to friends and foes alike – even though it received notoriously bad reviews when it was published. This episode considers why the poem meant so much to him, and what it tells us about the Victorian age.

Non-subscribers will only hear an extract from this episode. To listen in full, and all our other Close Readings series, sign up:

Directly in Apple Podcasts: https://lrb.me/tlasapple

In other podcast apps: https://lrb.me/tlassignuppod

Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.

Read more on Tennyson in the LRB:

Seamus Perry:

https://www.lrb.co.uk/the-paper/v33/n02/seamus-perry/are-we-there-yet

Danny Karlin:

https://www.lrb.co.uk/the-paper/v09/n20/danny-karlin/tennyson-s-text</description>
      <pubDate>Tue, 24 Jan 2023 11:54:00 -0000</pubDate>
      <itunes:title>The Long and Short: Tennyson's 'Maud'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>6</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/aab1bbf4-4c5a-11f0-9640-83022752ed7a/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Mark Ford and Seamus Perry start their series, &lt;em&gt;The Long and Short&lt;/em&gt;, with Tennyson’s&amp;nbsp;‘Maud’, a weird and disturbing poem about obsession that Tennyson himself was obsessed by. He would recite it in full at the drop of a hat, sometimes more than once, to friends and foes alike&amp;nbsp;–&amp;nbsp;even though it received notoriously bad reviews when it was published. This episode considers why the poem meant so much to him, and what it tells us about the Victorian age.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/tlassignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Mark Ford and Seamus Perry start their series, The Long and Short, with Tennyson’s ‘Maud’, a weird and disturbing poem about obsession that Tennyson himself was obsessed by. He would recite it in full at the drop of a hat, sometimes more than once, to friends and foes alike – even though it received notoriously bad reviews when it was published. This episode considers why the poem meant so much to him, and what it tells us about the Victorian age.

Non-subscribers will only hear an extract from this episode. To listen in full, and all our other Close Readings series, sign up:

Directly in Apple Podcasts: https://lrb.me/tlasapple

In other podcast apps: https://lrb.me/tlassignuppod

Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.

Read more on Tennyson in the LRB:

Seamus Perry:

https://www.lrb.co.uk/the-paper/v33/n02/seamus-perry/are-we-there-yet

Danny Karlin:

https://www.lrb.co.uk/the-paper/v09/n20/danny-karlin/tennyson-s-text</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Mark Ford and Seamus Perry start their series, <em>The Long and Short</em>, with Tennyson’s ‘Maud’, a weird and disturbing poem about obsession that Tennyson himself was obsessed by. He would recite it in full at the drop of a hat, sometimes more than once, to friends and foes alike – even though it received notoriously bad reviews when it was published. This episode considers why the poem meant so much to him, and what it tells us about the Victorian age.</p>
<p>Non-subscribers will only hear an extract from this episode. To listen in full, and all our other Close Readings series, sign up:</p>
<p>Directly in Apple Podcasts: <a href="https://%E2%81%A0%E2%81%A0lrb.me/tlasapple%E2%81%A0">https://lrb.me/tlasapple</a></p>
<p>In other podcast apps: <a href="https://%E2%81%A0lrb.me/tlassignuppod%E2%81%A0">https://lrb.me/tlassignuppod</a></p>
<p>Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.</p>
<p>Read more on Tennyson in the LRB:</p>
<p>Seamus Perry:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v33/n02/seamus-perry/are-we-there-yet">https://www.lrb.co.uk/the-paper/v33/n02/seamus-perry/are-we-there-yet</a></p>
<p>Danny Karlin:</p>
<p><a href="https://www.lrb.co.uk/the-paper/v09/n20/danny-karlin/tennyson-s-text">https://www.lrb.co.uk/the-paper/v09/n20/danny-karlin/tennyson-s-text</a></p>]]>
      </content:encoded>
      <itunes:duration>628</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Among the Ancients: The 'Iliad'</title>
      <link>https://lrb.me/atasignuppod</link>
      <description>In their first episode of Among the Ancients, Emily and Tom begin with a beginning, Homer's Iliad: its depictions of anger and grief, of capricious gods and warriors’ bodies, and the sheer narrative force of Homer’s epic of the Trojan War.
Non-subscribers can only hear extracts from the rest of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Read more in the LRB:
James Davidson: Like a Meteorite
https://www.lrb.co.uk/the-paper/v19/n15/james-davidson/like-a-meteorite
Edward Luttwak: Homer Inc.
https://www.lrb.co.uk/the-paper/v34/n04/edward-luttwak/homer-inc
Colin Burrow: The Empty Bath
https://www.lrb.co.uk/the-paper/v37/n12/colin-burrow/the-empty-bath
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and translator of the 'Odysse'y and the 'Iliad'. Thomas Jones is an editor at the London Review of Books and host of the LRB Podcast.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sat, 14 Jan 2023 11:54:16 -0000</pubDate>
      <itunes:title>Among the Ancients: The 'Iliad'</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>5</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ab025e10-4c5a-11f0-9640-6b56e889356d/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In their first episode of Among the Ancients, Emily and Tom begin with a beginning, Homer's Iliad: its depictions of anger and grief, of capricious gods and warriors’ bodies, and the sheer narrative force of Homer’s epic of the Trojan War.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Non-subscribers can only hear extracts from the rest of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:&lt;/p&gt;&lt;br&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://lrb.me/ataapple" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/atasignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Read more in the LRB:&lt;/p&gt;&lt;br&gt;&lt;p&gt;James Davidson: Like a Meteorite&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v19/n15/james-davidson/like-a-meteorite" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v19/n15/james-davidson/like-a-meteorite&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Edward Luttwak: Homer Inc.&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v34/n04/edward-luttwak/homer-inc" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v34/n04/edward-luttwak/homer-inc&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Colin Burrow: The Empty Bath&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.lrb.co.uk/the-paper/v37/n12/colin-burrow/the-empty-bath" rel="noopener noreferrer" target="_blank"&gt;https://www.lrb.co.uk/the-paper/v37/n12/colin-burrow/the-empty-bath&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and translator of the 'Odysse'y and the 'Iliad'. Thomas Jones is an editor at the &lt;em&gt;London Review of Books a&lt;/em&gt;nd host of the LRB Podcast.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In their first episode of Among the Ancients, Emily and Tom begin with a beginning, Homer's Iliad: its depictions of anger and grief, of capricious gods and warriors’ bodies, and the sheer narrative force of Homer’s epic of the Trojan War.
Non-subscribers can only hear extracts from the rest of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Read more in the LRB:
James Davidson: Like a Meteorite
https://www.lrb.co.uk/the-paper/v19/n15/james-davidson/like-a-meteorite
Edward Luttwak: Homer Inc.
https://www.lrb.co.uk/the-paper/v34/n04/edward-luttwak/homer-inc
Colin Burrow: The Empty Bath
https://www.lrb.co.uk/the-paper/v37/n12/colin-burrow/the-empty-bath
Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and translator of the 'Odysse'y and the 'Iliad'. Thomas Jones is an editor at the London Review of Books and host of the LRB Podcast.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In their first episode of Among the Ancients, Emily and Tom begin with a beginning, Homer's Iliad: its depictions of anger and grief, of capricious gods and warriors’ bodies, and the sheer narrative force of Homer’s epic of the Trojan War.</p><br><p>Non-subscribers can only hear extracts from the rest of the episodes in this series. To listen in full, and to all our other Close Readings series, subscribe:</p><br><p>Directly in Apple Podcasts: <a href="https://lrb.me/ataapple">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/atasignuppod">lrb.me/closereadings</a></p><br><p>Read more in the LRB:</p><br><p>James Davidson: Like a Meteorite</p><p><a href="https://www.lrb.co.uk/the-paper/v19/n15/james-davidson/like-a-meteorite">https://www.lrb.co.uk/the-paper/v19/n15/james-davidson/like-a-meteorite</a></p><br><p>Edward Luttwak: Homer Inc.</p><p><a href="https://www.lrb.co.uk/the-paper/v34/n04/edward-luttwak/homer-inc">https://www.lrb.co.uk/the-paper/v34/n04/edward-luttwak/homer-inc</a></p><br><p>Colin Burrow: The Empty Bath</p><p><a href="https://www.lrb.co.uk/the-paper/v37/n12/colin-burrow/the-empty-bath">https://www.lrb.co.uk/the-paper/v37/n12/colin-burrow/the-empty-bath</a></p><br><p>Emily Wilson is Professor of Classical Studies at the University of Pennsylvania and translator of the 'Odysse'y and the 'Iliad'. Thomas Jones is an editor at the <em>London Review of Books a</em>nd host of the LRB Podcast.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>678</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Medieval Beginnings: Beowulf</title>
      <link>https://lrb.me/mbsignuppod</link>
      <description>Mary Wellesley and Irina Dumitrescu start their Medieval Beginnings series with Beowulf, a tale of monsters and heroes that is also a complex collection of interwoven stories about war and the conduct of a warrior society. They consider the poem’s preoccupations with kingship and a pagan past seen through the eyes of a Christian culture, as well as many of the mysteries which still surround its, not least its authorship and many narrative curiosities.
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.
Subscribe to Close Readings:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings

 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Wed, 04 Jan 2023 11:53:46 -0000</pubDate>
      <itunes:title>Medieval Beginnings: Beowulf</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>4</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ab535ed2-4c5a-11f0-9640-6bb8e12aa387/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Mary Wellesley and Irina Dumitrescu start their &lt;em&gt;Medieval Beginnings&lt;/em&gt; series with&amp;nbsp;&lt;em&gt;Beowulf&lt;/em&gt;, a tale of monsters and heroes that is also a complex collection of interwoven stories about war and the conduct of a warrior society. They consider the poem’s preoccupations with kingship and a pagan past seen through the eyes of a Christian culture, as well as many of the mysteries which still surround its, not least its authorship and many narrative curiosities.&lt;/p&gt;&lt;p&gt;Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of &lt;em&gt;Hidden Hands: The Lives of Manuscripts and their Makers.&lt;/em&gt;&lt;/p&gt;&lt;p&gt;Subscribe to &lt;em&gt;Close Readings&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/mbsignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Mary Wellesley and Irina Dumitrescu start their Medieval Beginnings series with Beowulf, a tale of monsters and heroes that is also a complex collection of interwoven stories about war and the conduct of a warrior society. They consider the poem’s preoccupations with kingship and a pagan past seen through the eyes of a Christian culture, as well as many of the mysteries which still surround its, not least its authorship and many narrative curiosities.
Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of Hidden Hands: The Lives of Manuscripts and their Makers.
Subscribe to Close Readings:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings

 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Mary Wellesley and Irina Dumitrescu start their <em>Medieval Beginnings</em> series with <em>Beowulf</em>, a tale of monsters and heroes that is also a complex collection of interwoven stories about war and the conduct of a warrior society. They consider the poem’s preoccupations with kingship and a pagan past seen through the eyes of a Christian culture, as well as many of the mysteries which still surround its, not least its authorship and many narrative curiosities.</p><p>Irina Dumitrescu is Professor of English Medieval Studies at the University of Bonn and Mary Wellesley as a historian and author of <em>Hidden Hands: The Lives of Manuscripts and their Makers.</em></p><p>Subscribe to <em>Close Readings</em>:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/mbsignuppod">lrb.me/closereadings</a></p><p><br></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>721</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Modern-ish Poets Live! T. S. Eliot</title>
      <link>https://lrb.me/mpsignuppod</link>
      <description>On the centenary of the publication of Eliot’s ‘The Waste Land’ in book form, Mark and Seamus finish the second series of Modern-ish Poets by considering how revolutionary the poem was, the numerous meanings that have been drawn out of it, and its lasting influence.
To listen to series one of Modern-ish Poets and all our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
Further reading on Eliot in the LRB:
Frank Kermode: https://lrb.me/kermodeeliotpod
Dan Jacobson: https://lrb.me/jacobsoneliotpod
Barbara Everett: https://lrb.me/everetteliotpod
Mark Ford: https://lrb.me/fordeliotpod
Terry Eagleton: https://lrb.me/eagletoneliotpod
Series one of Modern-ish Poets looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.
This episode was first published on the LRB Podcast in December 2022.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sat, 10 Dec 2022 11:45:32 -0000</pubDate>
      <itunes:title>Modern-ish Poets Live! T. S. Eliot</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>10</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/aba8ac2a-4c5a-11f0-9640-6b3fab00fcab/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;On the centenary of the publication of Eliot’s ‘The Waste Land’ in book form, Mark and Seamus finish the second series of &lt;em&gt;Modern-ish Poets&lt;/em&gt; by considering how revolutionary the poem was, the numerous meanings that have been drawn out of it, and its lasting influence.&lt;/p&gt;&lt;p&gt;To listen to series one of &lt;em&gt;Modern-ish Poets&lt;/em&gt; and all our other Close Readings series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/mpsignuppod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Further reading on Eliot in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Frank Kermode: &lt;a href="https://lrb.me/kermodeeliotpod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/kermodeeliotpod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Dan Jacobson: &lt;a href="https://lrb.me/jacobsoneliotpod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/jacobsoneliotpod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Barbara Everett: &lt;a href="https://lrb.me/everetteliotpod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/everetteliotpod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Mark Ford: &lt;a href="https://lrb.me/fordeliotpod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/fordeliotpod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Terry Eagleton: &lt;a href="https://lrb.me/eagletoneliotpod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/eagletoneliotpod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Series one of &lt;em&gt;Modern-ish Poets&lt;/em&gt; looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.&lt;/p&gt;&lt;p&gt;This episode was first published on the LRB Podcast in December 2022.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>On the centenary of the publication of Eliot’s ‘The Waste Land’ in book form, Mark and Seamus finish the second series of Modern-ish Poets by considering how revolutionary the poem was, the numerous meanings that have been drawn out of it, and its lasting influence.
To listen to series one of Modern-ish Poets and all our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
Further reading on Eliot in the LRB:
Frank Kermode: https://lrb.me/kermodeeliotpod
Dan Jacobson: https://lrb.me/jacobsoneliotpod
Barbara Everett: https://lrb.me/everetteliotpod
Mark Ford: https://lrb.me/fordeliotpod
Terry Eagleton: https://lrb.me/eagletoneliotpod
Series one of Modern-ish Poets looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.
This episode was first published on the LRB Podcast in December 2022.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>On the centenary of the publication of Eliot’s ‘The Waste Land’ in book form, Mark and Seamus finish the second series of <em>Modern-ish Poets</em> by considering how revolutionary the poem was, the numerous meanings that have been drawn out of it, and its lasting influence.</p><p>To listen to series one of <em>Modern-ish Poets</em> and all our other Close Readings series, sign up here:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/mpsignuppod">https://lrb.me/closereadings</a></p><p>Further reading on Eliot in the <em>LRB</em>:</p><p>Frank Kermode: <a href="https://lrb.me/kermodeeliotpod">https://lrb.me/kermodeeliotpod</a></p><p>Dan Jacobson: <a href="https://lrb.me/jacobsoneliotpod">https://lrb.me/jacobsoneliotpod</a></p><p>Barbara Everett: <a href="https://lrb.me/everetteliotpod">https://lrb.me/everetteliotpod</a></p><p>Mark Ford: <a href="https://lrb.me/fordeliotpod">https://lrb.me/fordeliotpod</a></p><p>Terry Eagleton: <a href="https://lrb.me/eagletoneliotpod">https://lrb.me/eagletoneliotpod</a></p><p>Series one of <em>Modern-ish Poets</em> looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.</p><p>This episode was first published on the LRB Podcast in December 2022.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>4175</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Modern-ish Poets Series 2: Frank O'Hara and John Ashbery</title>
      <link>https://lrb.me/mpsignuppod</link>
      <description>Seamus Perry and Mark Ford discuss the lives and works of Frank O’Hara and John Ashbery, close friends and leading lights of the New York School, who sought to create an anti-academic, hedonistic poetry, freeing themselves from the puritan American tradition.
To listen to series one of Modern-ish Poets and all our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
Series one of Modern-ish Poets looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.
Further reading on O'Hara and Ashbery in the LRB:
C.K. Stead: https://lrb.me/steadashberypod
John Bayley: https://lrb.me/bayleyashberypod
Stephanie Burt: https://lrb.me/burtashberypod
John Kerrigan: https://lrb.me/kerriganashberypod
This episode was first published on the LRB Podcast in June 2022.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Fri, 09 Dec 2022 11:44:36 -0000</pubDate>
      <itunes:title>Modern-ish Poets Series 2: Frank O'Hara and John Ashbery</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>9</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/abfa75a0-4c5a-11f0-9640-fb32a23c0169/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Seamus Perry and Mark Ford discuss the lives and works of Frank O’Hara and John Ashbery, close friends and leading lights of the New York School, who sought to create an anti-academic, hedonistic poetry, freeing themselves from the puritan American tradition.&lt;/p&gt;&lt;p&gt;To listen to series one of &lt;em&gt;Modern-ish Poets&lt;/em&gt; and all our other Close Readings series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/mpsignuppod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Series one of &lt;em&gt;Modern-ish Poets&lt;/em&gt; looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading on O'Hara and Ashbery in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;C.K. Stead: &lt;a href="https://lrb.me/steadashberypod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/steadashberypod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;John Bayley: &lt;a href="https://lrb.me/bayleyashberypod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/bayleyashberypod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Stephanie Burt: &lt;a href="https://lrb.me/burtashberypod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/burtashberypod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;John Kerrigan: &lt;a href="https://lrb.me/kerriganashberypod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/kerriganashberypod&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;This episode was first published on the LRB Podcast in June 2022.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Seamus Perry and Mark Ford discuss the lives and works of Frank O’Hara and John Ashbery, close friends and leading lights of the New York School, who sought to create an anti-academic, hedonistic poetry, freeing themselves from the puritan American tradition.
To listen to series one of Modern-ish Poets and all our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
Series one of Modern-ish Poets looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.
Further reading on O'Hara and Ashbery in the LRB:
C.K. Stead: https://lrb.me/steadashberypod
John Bayley: https://lrb.me/bayleyashberypod
Stephanie Burt: https://lrb.me/burtashberypod
John Kerrigan: https://lrb.me/kerriganashberypod
This episode was first published on the LRB Podcast in June 2022.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Seamus Perry and Mark Ford discuss the lives and works of Frank O’Hara and John Ashbery, close friends and leading lights of the New York School, who sought to create an anti-academic, hedonistic poetry, freeing themselves from the puritan American tradition.</p><p>To listen to series one of <em>Modern-ish Poets</em> and all our other Close Readings series, sign up here:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/mpsignuppod">https://lrb.me/closereadings</a></p><p>Series one of <em>Modern-ish Poets</em> looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.</p><br><p>Further reading on O'Hara and Ashbery in the <em>LRB</em>:</p><p>C.K. Stead: <a href="https://lrb.me/steadashberypod">https://lrb.me/steadashberypod</a></p><p>John Bayley: <a href="https://lrb.me/bayleyashberypod">https://lrb.me/bayleyashberypod</a></p><p>Stephanie Burt: <a href="https://lrb.me/burtashberypod">https://lrb.me/burtashberypod</a></p><p>John Kerrigan: <a href="https://lrb.me/kerriganashberypod">https://lrb.me/kerriganashberypod</a></p><br><p>This episode was first published on the LRB Podcast in June 2022.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>3702</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[63d9507d97870600104a5203]]></guid>
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    <item>
      <title>Modern-ish Poets Series 2: Charlotte Mew</title>
      <link>https://lrb.me/mpsignuppod</link>
      <description>Seamus Perry and Mark Ford look at the life and work of Charlotte Mew, who brought the Victorian art of dramatic monologue into the 20th century, and whose difficult experiences are often refracted through her damaged and marginalised characters.
To listen to series one of Modern-ish Poets and all our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading on Mew in the LRB:
Matthew Bevis: https://lrb.me/bevismewpod
Penelope Fitzgerald: https://lrb.me/fitzgeraldmewpod
Susannah Clapp: https://lrb.me/clappmewpod
Series one of Modern-ish Poets looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.
This episode was first published on the LRB Podcast in March 2021.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Thu, 08 Dec 2022 11:43:37 -0000</pubDate>
      <itunes:title>Modern-ish Poets Series 2: Charlotte Mew</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>8</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ac4d5cf2-4c5a-11f0-9640-b38d173d5976/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Seamus Perry and Mark Ford look at the life and work of Charlotte Mew, who brought the Victorian art of dramatic monologue into the 20th&amp;nbsp;century, and whose difficult experiences are often refracted through her damaged and marginalised characters.&lt;/p&gt;&lt;p&gt;To listen to series one of &lt;em&gt;Modern-ish Poets&lt;/em&gt; and all our other Close Readings series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/mpsignuppod" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Further reading on Mew in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Matthew Bevis: &lt;a href="https://lrb.me/bevismewpod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/bevismewpod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Penelope Fitzgerald: &lt;a href="https://lrb.me/fitzgeraldmewpod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/fitzgeraldmewpod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Susannah Clapp: &lt;a href="https://lrb.me/clappmewpod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/clappmewpod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Series one of &lt;em&gt;Modern-ish Poets&lt;/em&gt; looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.&lt;/p&gt;&lt;p&gt;This episode was first published on the LRB Podcast in March 2021.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Seamus Perry and Mark Ford look at the life and work of Charlotte Mew, who brought the Victorian art of dramatic monologue into the 20th century, and whose difficult experiences are often refracted through her damaged and marginalised characters.
To listen to series one of Modern-ish Poets and all our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: lrb.me/closereadings
Further reading on Mew in the LRB:
Matthew Bevis: https://lrb.me/bevismewpod
Penelope Fitzgerald: https://lrb.me/fitzgeraldmewpod
Susannah Clapp: https://lrb.me/clappmewpod
Series one of Modern-ish Poets looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.
This episode was first published on the LRB Podcast in March 2021.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Seamus Perry and Mark Ford look at the life and work of Charlotte Mew, who brought the Victorian art of dramatic monologue into the 20th century, and whose difficult experiences are often refracted through her damaged and marginalised characters.</p><p>To listen to series one of <em>Modern-ish Poets</em> and all our other Close Readings series, sign up here:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/mpsignuppod">lrb.me/closereadings</a></p><p>Further reading on Mew in the <em>LRB</em>:</p><p>Matthew Bevis: <a href="https://lrb.me/bevismewpod">https://lrb.me/bevismewpod</a></p><p>Penelope Fitzgerald: <a href="https://lrb.me/fitzgeraldmewpod">https://lrb.me/fitzgeraldmewpod</a></p><p>Susannah Clapp: <a href="https://lrb.me/clappmewpod">https://lrb.me/clappmewpod</a></p><p>Series one of <em>Modern-ish Poets</em> looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.</p><p>This episode was first published on the LRB Podcast in March 2021.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>2919</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[63d94ede3e56e4001163e71e]]></guid>
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    <item>
      <title>Modern-ish Poets Series 2: W. B. Yeats</title>
      <link>https://lrb.me/mpsignuppod</link>
      <description>Seamus Perry and Mark Ford continue their series with a look at the life and work of W.B. Yeats, from his early quest for a mythological Irish culture, to his shift towards the Modernist experiment, and preoccupation with the ‘murderousness of the world’.
To listen to series one of Modern-ish Poets and all our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
Series one of Modern-ish Poets looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.
Read more in the LRB:
Seamus Deane: https://lrb.me/deaneyeatspod
Michael Wood: https://lrb.me/woodyeatspod
Colm Tóibín: https://lrb.me/toibinyeatspod
This episode was first published on the LRB Podcast in December 2021.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Wed, 07 Dec 2022 11:42:59 -0000</pubDate>
      <itunes:title>Modern-ish Poets Series 2: W. B. Yeats</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>7</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/acc9f2f8-4c5a-11f0-9640-2b5911b78c61/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Seamus Perry and Mark Ford continue their series with a look at the life and work of&amp;nbsp;W.B.&amp;nbsp;Yeats, from his early quest for a mythological Irish culture, to his shift towards the Modernist experiment, and preoccupation with the ‘murderousness of the world’.&lt;/p&gt;&lt;p&gt;To listen to series one of &lt;em&gt;Modern-ish Poets&lt;/em&gt; and all our other Close Readings series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/mpsignuppod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Series one of &lt;em&gt;Modern-ish Poets&lt;/em&gt; looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.&lt;/p&gt;&lt;p&gt;Read more in the LRB:&lt;/p&gt;&lt;p&gt;Seamus Deane: &lt;a href="https://lrb.me/deaneyeatspod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/deaneyeatspod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Michael Wood: &lt;a href="https://lrb.me/woodyeatspod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/woodyeatspod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Colm Tóibín: &lt;a href="https://lrb.me/toibinyeatspod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/toibinyeatspod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;This episode was first published on the LRB Podcast in December 2021.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Seamus Perry and Mark Ford continue their series with a look at the life and work of W.B. Yeats, from his early quest for a mythological Irish culture, to his shift towards the Modernist experiment, and preoccupation with the ‘murderousness of the world’.
To listen to series one of Modern-ish Poets and all our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
Series one of Modern-ish Poets looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.
Read more in the LRB:
Seamus Deane: https://lrb.me/deaneyeatspod
Michael Wood: https://lrb.me/woodyeatspod
Colm Tóibín: https://lrb.me/toibinyeatspod
This episode was first published on the LRB Podcast in December 2021.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Seamus Perry and Mark Ford continue their series with a look at the life and work of W.B. Yeats, from his early quest for a mythological Irish culture, to his shift towards the Modernist experiment, and preoccupation with the ‘murderousness of the world’.</p><p>To listen to series one of <em>Modern-ish Poets</em> and all our other Close Readings series, sign up here:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/mpsignuppod">https://lrb.me/closereadings</a></p><p>Series one of <em>Modern-ish Poets</em> looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.</p><p>Read more in the LRB:</p><p>Seamus Deane: <a href="https://lrb.me/deaneyeatspod">https://lrb.me/deaneyeatspod</a></p><p>Michael Wood: <a href="https://lrb.me/woodyeatspod">https://lrb.me/woodyeatspod</a></p><p>Colm Tóibín: <a href="https://lrb.me/toibinyeatspod">https://lrb.me/toibinyeatspod</a></p><p>This episode was first published on the LRB Podcast in December 2021.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>3782</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Modern-ish Poets Series 2: Emily Dickinson</title>
      <link>https://lrb.me/mpsignuppod</link>
      <description>Seamus Perry, Mark Ford and Joanne O’Leary discuss the life and work of Emily Dickinson—her dashes, death instinct and obliquity.
To listen to series one of Modern-ish Poets and all our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
Series one of Modern-ish Poets looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.
This episode was first published on the LRB Podcast in June 2021.
Further reading on Dickinson in the LRB:
Joanne O'Leary: https://lrb.me/olearydickinsonpod
Mark Ford: https://lrb.me/forddickinsonpod
Danny Karlin: https://lrb.me/karlindickinsonpod
Tom Paulin: https://lrb.me/paulindickinsonpod
Susan Eilenberg: https://lrb.me/eilenbergdickinsonpod
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Tue, 06 Dec 2022 11:42:10 -0000</pubDate>
      <itunes:title>Modern-ish Poets Series 2: Emily Dickinson</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>6</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ad1acc1e-4c5a-11f0-9640-af09c77fcc71/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Seamus Perry, Mark Ford and Joanne O’Leary discuss the life and work of Emily Dickinson&lt;em&gt;—&lt;/em&gt;her dashes, death instinct and obliquity.&lt;/p&gt;&lt;p&gt;To listen to series one of &lt;em&gt;Modern-ish Poets&lt;/em&gt; and all our other Close Readings series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/mpsignuppod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Series one of &lt;em&gt;Modern-ish Poets&lt;/em&gt; looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.&lt;/p&gt;&lt;p&gt;This episode was first published on the LRB Podcast in June 2021.&lt;/p&gt;&lt;p&gt;Further reading on Dickinson in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Joanne O'Leary: &lt;a href="https://lrb.me/olearydickinsonpod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/olearydickinsonpod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Mark Ford: &lt;a href="https://lrb.me/forddickinsonpod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/forddickinsonpod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Danny Karlin: &lt;a href="https://lrb.me/karlindickinsonpod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/karlindickinsonpod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Tom Paulin: &lt;a href="https://lrb.me/paulindickinsonpod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/paulindickinsonpod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Susan Eilenberg: &lt;a href="https://lrb.me/eilenbergdickinsonpod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/eilenbergdickinsonpod&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Seamus Perry, Mark Ford and Joanne O’Leary discuss the life and work of Emily Dickinson—her dashes, death instinct and obliquity.
To listen to series one of Modern-ish Poets and all our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
Series one of Modern-ish Poets looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.
This episode was first published on the LRB Podcast in June 2021.
Further reading on Dickinson in the LRB:
Joanne O'Leary: https://lrb.me/olearydickinsonpod
Mark Ford: https://lrb.me/forddickinsonpod
Danny Karlin: https://lrb.me/karlindickinsonpod
Tom Paulin: https://lrb.me/paulindickinsonpod
Susan Eilenberg: https://lrb.me/eilenbergdickinsonpod
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Seamus Perry, Mark Ford and Joanne O’Leary discuss the life and work of Emily Dickinson<em>—</em>her dashes, death instinct and obliquity.</p><p>To listen to series one of <em>Modern-ish Poets</em> and all our other Close Readings series, sign up here:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/mpsignuppod">https://lrb.me/closereadings</a></p><p>Series one of <em>Modern-ish Poets</em> looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.</p><p>This episode was first published on the LRB Podcast in June 2021.</p><p>Further reading on Dickinson in the <em>LRB</em>:</p><p>Joanne O'Leary: <a href="https://lrb.me/olearydickinsonpod">https://lrb.me/olearydickinsonpod</a></p><p>Mark Ford: <a href="https://lrb.me/forddickinsonpod">https://lrb.me/forddickinsonpod</a></p><p>Danny Karlin: <a href="https://lrb.me/karlindickinsonpod">https://lrb.me/karlindickinsonpod</a></p><p>Tom Paulin: <a href="https://lrb.me/paulindickinsonpod">https://lrb.me/paulindickinsonpod</a></p><p>Susan Eilenberg: <a href="https://lrb.me/eilenbergdickinsonpod">https://lrb.me/eilenbergdickinsonpod</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>3847</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Modern-ish Poets Series 2: Derek Walcott</title>
      <link>https://lrb.me/mpsignuppod</link>
      <description>Seamus Perry and Mark Ford discuss the life and work of the Saint Lucian Nobel laureate Derek Walcott, the island poet and playwright surrounded by an oceanic consciousness, whose writing recognises at once the terrible gulfs between peoples and our common predicament.
To listen to series one of Modern-ish Poets and all our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
Series one of Modern-ish Poets looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.
This episode was first published on the LRB Podcast in March 2021.
Further reading on and by Walcott in the LRB:
'Militia' by Derek Walcott: https://lrb.me/walcottmilitiapod
Ian Sansom: https://lrb.me/sansomwalcottpod
Nicholas Everett: https://lrb.me/everettwalcottpod
Stephen Brook: https://lrb.me/brookwalcottpod
Blake Morrison: https://lrb.me/morrisonwalcottpod
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Mon, 05 Dec 2022 11:41:12 -0000</pubDate>
      <itunes:title>Modern-ish Poets Series 2: Derek Walcott</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>5</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ad6b5e5e-4c5a-11f0-9640-d3820c1e1d83/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Seamus Perry and Mark Ford discuss the life and work of the&amp;nbsp;Saint Lucian Nobel laureate Derek Walcott, the island poet and playwright surrounded by an oceanic consciousness, whose writing recognises at once the terrible gulfs between peoples and our common predicament.&lt;/p&gt;&lt;p&gt;To listen to series one of &lt;em&gt;Modern-ish Poets&lt;/em&gt; and all our other Close Readings series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/mpsignuppod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Series one of &lt;em&gt;Modern-ish Poets&lt;/em&gt; looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.&lt;/p&gt;&lt;p&gt;This episode was first published on the LRB Podcast in March 2021.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading on and by Walcott in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;'Militia' by Derek Walcott: &lt;a href="https://lrb.me/walcottmilitiapod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/walcottmilitiapod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Ian Sansom: &lt;a href="https://lrb.me/sansomwalcottpod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/sansomwalcottpod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Nicholas Everett: &lt;a href="https://lrb.me/everettwalcottpod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/everettwalcottpod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Stephen Brook: &lt;a href="https://lrb.me/brookwalcottpod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/brookwalcottpod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Blake Morrison: &lt;a href="https://lrb.me/morrisonwalcottpod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/morrisonwalcottpod&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Seamus Perry and Mark Ford discuss the life and work of the Saint Lucian Nobel laureate Derek Walcott, the island poet and playwright surrounded by an oceanic consciousness, whose writing recognises at once the terrible gulfs between peoples and our common predicament.
To listen to series one of Modern-ish Poets and all our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
Series one of Modern-ish Poets looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.
This episode was first published on the LRB Podcast in March 2021.
Further reading on and by Walcott in the LRB:
'Militia' by Derek Walcott: https://lrb.me/walcottmilitiapod
Ian Sansom: https://lrb.me/sansomwalcottpod
Nicholas Everett: https://lrb.me/everettwalcottpod
Stephen Brook: https://lrb.me/brookwalcottpod
Blake Morrison: https://lrb.me/morrisonwalcottpod
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Seamus Perry and Mark Ford discuss the life and work of the Saint Lucian Nobel laureate Derek Walcott, the island poet and playwright surrounded by an oceanic consciousness, whose writing recognises at once the terrible gulfs between peoples and our common predicament.</p><p>To listen to series one of <em>Modern-ish Poets</em> and all our other Close Readings series, sign up here:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/mpsignuppod">https://lrb.me/closereadings</a></p><p>Series one of <em>Modern-ish Poets</em> looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.</p><p>This episode was first published on the LRB Podcast in March 2021.</p><br><p>Further reading on and by Walcott in the <em>LRB</em>:</p><p>'Militia' by Derek Walcott: <a href="https://lrb.me/walcottmilitiapod">https://lrb.me/walcottmilitiapod</a></p><p>Ian Sansom: <a href="https://lrb.me/sansomwalcottpod">https://lrb.me/sansomwalcottpod</a></p><p>Nicholas Everett: <a href="https://lrb.me/everettwalcottpod">https://lrb.me/everettwalcottpod</a></p><p>Stephen Brook: <a href="https://lrb.me/brookwalcottpod">https://lrb.me/brookwalcottpod</a></p><p>Blake Morrison: <a href="https://lrb.me/morrisonwalcottpod">https://lrb.me/morrisonwalcottpod</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>3455</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Modern-ish Poets Series 2: Louis MacNeice</title>
      <link>https://lrb.me/mpsignuppod</link>
      <description>Seamus Perry and Mark Ford discuss the life and work of Louis MacNeice, the Irish poet of psychic divisions and authoritative fretfulness, in the fourth episode of series two of Modern-ish Poets.
To listen to series one of Modern-ish Poets and all our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
Series one of Modern-ish Poets looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.
This episode was first published on the LRB Podcast in November 2020.
Further reading on MacNiece in the LRB:
Ian Hamilton: https://lrb.me/hamiltonmacneicepod
John Kerrigan: https://lrb.me/kerriganmacneicepod
Marilyn Butler: https://lrb.me/butlermacneicepod
Nick Laird: https://lrb.me/lairdmacneicepod
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sun, 04 Dec 2022 11:39:17 -0000</pubDate>
      <itunes:title>Modern-ish Poets Series 2: Louis MacNeice</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/adbdbbb8-4c5a-11f0-9640-c758fa498372/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Seamus Perry and Mark Ford discuss the life and work of Louis MacNeice, the Irish poet of psychic divisions and authoritative fretfulness, in the fourth episode of series two of &lt;em&gt;Modern-ish Poets&lt;/em&gt;.&lt;/p&gt;&lt;p&gt;To listen to series one of &lt;em&gt;Modern-ish Poets&lt;/em&gt; and all our other Close Readings series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/mpsignuppod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Series one of &lt;em&gt;Modern-ish Poets&lt;/em&gt; looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.&lt;/p&gt;&lt;p&gt;This episode was first published on the LRB Podcast in November 2020.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading on MacNiece in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Ian Hamilton: &lt;a href="https://lrb.me/hamiltonmacneicepod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/hamiltonmacneicepod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;John Kerrigan: &lt;a href="https://lrb.me/kerriganmacneicepod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/kerriganmacneicepod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Marilyn Butler: &lt;a href="https://lrb.me/butlermacneicepod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/butlermacneicepod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Nick Laird: &lt;a href="https://lrb.me/lairdmacneicepod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/lairdmacneicepod&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Seamus Perry and Mark Ford discuss the life and work of Louis MacNeice, the Irish poet of psychic divisions and authoritative fretfulness, in the fourth episode of series two of Modern-ish Poets.
To listen to series one of Modern-ish Poets and all our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
Series one of Modern-ish Poets looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.
This episode was first published on the LRB Podcast in November 2020.
Further reading on MacNiece in the LRB:
Ian Hamilton: https://lrb.me/hamiltonmacneicepod
John Kerrigan: https://lrb.me/kerriganmacneicepod
Marilyn Butler: https://lrb.me/butlermacneicepod
Nick Laird: https://lrb.me/lairdmacneicepod
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Seamus Perry and Mark Ford discuss the life and work of Louis MacNeice, the Irish poet of psychic divisions and authoritative fretfulness, in the fourth episode of series two of <em>Modern-ish Poets</em>.</p><p>To listen to series one of <em>Modern-ish Poets</em> and all our other Close Readings series, sign up here:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/mpsignuppod">https://lrb.me/closereadings</a></p><p>Series one of <em>Modern-ish Poets</em> looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.</p><p>This episode was first published on the LRB Podcast in November 2020.</p><br><p>Further reading on MacNiece in the <em>LRB</em>:</p><p>Ian Hamilton: <a href="https://lrb.me/hamiltonmacneicepod">https://lrb.me/hamiltonmacneicepod</a></p><p>John Kerrigan: <a href="https://lrb.me/kerriganmacneicepod">https://lrb.me/kerriganmacneicepod</a></p><p>Marilyn Butler: <a href="https://lrb.me/butlermacneicepod">https://lrb.me/butlermacneicepod</a></p><p>Nick Laird: <a href="https://lrb.me/lairdmacneicepod">https://lrb.me/lairdmacneicepod</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>3464</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Modern-ish Poets Series 2: Adrienne Rich</title>
      <link>https://lrb.me/mpsignuppod</link>
      <description>In the third episode of their second series of Modern-ish Poets, Seamus Perry and Mark Ford turn to the life and work of Adrienne Rich, in whose poems the personal becomes not only political, but epic.
To listen to series one of Modern-ish Poets and all our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
Series one of Modern-ish Poets looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.
This episode was first published on the LRB Podcast in September 2020.
Further reading on Rich in the LRB:
Jacqueline Rose
Stephanie Burt
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sat, 03 Dec 2022 11:38:35 -0000</pubDate>
      <itunes:title>Modern-ish Poets Series 2: Adrienne Rich</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ae0f705c-4c5a-11f0-9640-27553f5776ec/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the third episode of their second series of &lt;em&gt;Modern-ish Poets&lt;/em&gt;, Seamus Perry and Mark Ford turn to the life and work of Adrienne Rich, in whose poems the personal becomes not only political, but epic.&lt;/p&gt;&lt;p&gt;To listen to series one of &lt;em&gt;Modern-ish Poets&lt;/em&gt; and all our other Close Readings series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/mpsignuppod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Series one of &lt;em&gt;Modern-ish Poets&lt;/em&gt; looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.&lt;/p&gt;&lt;p&gt;This episode was first published on the LRB Podcast in September 2020.&lt;/p&gt;&lt;br&gt;&lt;p&gt;Further reading on Rich in the LRB:&lt;/p&gt;&lt;p&gt;&lt;a href="https://lrb.me/roserichpod" rel="noopener noreferrer" target="_blank"&gt;Jacqueline Rose&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="https://lrb.me/burtrichpod" rel="noopener noreferrer" target="_blank"&gt;Stephanie Burt&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the third episode of their second series of Modern-ish Poets, Seamus Perry and Mark Ford turn to the life and work of Adrienne Rich, in whose poems the personal becomes not only political, but epic.
To listen to series one of Modern-ish Poets and all our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
Series one of Modern-ish Poets looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.
This episode was first published on the LRB Podcast in September 2020.
Further reading on Rich in the LRB:
Jacqueline Rose
Stephanie Burt
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the third episode of their second series of <em>Modern-ish Poets</em>, Seamus Perry and Mark Ford turn to the life and work of Adrienne Rich, in whose poems the personal becomes not only political, but epic.</p><p>To listen to series one of <em>Modern-ish Poets</em> and all our other Close Readings series, sign up here:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/mpsignuppod">https://lrb.me/closereadings</a></p><p>Series one of <em>Modern-ish Poets</em> looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.</p><p>This episode was first published on the LRB Podcast in September 2020.</p><br><p>Further reading on Rich in the LRB:</p><p><a href="https://lrb.me/roserichpod">Jacqueline Rose</a></p><p><a href="https://lrb.me/burtrichpod">Stephanie Burt</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>3382</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Modern-ish Poets Series 2: Robert Frost</title>
      <link>https://lrb.me/mpsignuppod</link>
      <description>Seamus Perry and Mark Ford look at the life and work of Robert Frost, the great American poet of fences and dark woods. They discuss Frost’s difficult early life as an occasional poultry farmer and teacher, his arrival in England in 1912 amid the flowering of Georgian poetry, and his emergence as the first 20th-century professional poet, whose version of the American wilderness myth, full of mischief and foreboding, took him to packed concert halls and a presidential inauguration.
To listen to series one of Modern-ish Poets and all our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
Series one of Modern-ish Poets looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.
This episode was first published on the LRB Podcast in August 2020.
Further reading on Frost in the LRB:
Leo Marx: https://lrb.me/marxfrostpod
Helen Vendler: https://lrb.me/vendlerfrostpod
Peter Howarth: https://lrb.me/howarthfrostpod
Matthew Bevis: https://lrb.me/bevisfrostpod
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Fri, 02 Dec 2022 11:37:43 -0000</pubDate>
      <itunes:title>Modern-ish Poets Series 2: Robert Frost</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/ae5fe942-4c5a-11f0-9640-4f4c7493819e/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Seamus Perry and Mark Ford look at the life and work of Robert Frost, the great American poet of fences and dark woods. They discuss Frost’s difficult early life as an occasional poultry farmer and teacher, his arrival in England in 1912 amid the flowering of Georgian poetry, and his emergence as the first 20th-century professional poet, whose version of the American wilderness myth, full of mischief and foreboding, took him to packed concert halls and a presidential inauguration.&lt;/p&gt;&lt;p&gt;To listen to series one of &lt;em&gt;Modern-ish Poets&lt;/em&gt; and all our other Close Readings series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/mpsignuppod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Series one of &lt;em&gt;Modern-ish Poets&lt;/em&gt; looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.&lt;/p&gt;&lt;p&gt;This episode was first published on the LRB Podcast in August 2020.&lt;/p&gt;&lt;p&gt;Further reading on Frost in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;Leo Marx: &lt;a href="https://lrb.me/marxfrostpod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/marxfrostpod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Helen Vendler: &lt;a href="https://lrb.me/vendlerfrostpod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/vendlerfrostpod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Peter Howarth: &lt;a href="https://lrb.me/howarthfrostpod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/howarthfrostpod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Matthew Bevis: &lt;a href="https://lrb.me/bevisfrostpod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/bevisfrostpod&lt;/a&gt;&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Seamus Perry and Mark Ford look at the life and work of Robert Frost, the great American poet of fences and dark woods. They discuss Frost’s difficult early life as an occasional poultry farmer and teacher, his arrival in England in 1912 amid the flowering of Georgian poetry, and his emergence as the first 20th-century professional poet, whose version of the American wilderness myth, full of mischief and foreboding, took him to packed concert halls and a presidential inauguration.
To listen to series one of Modern-ish Poets and all our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
Series one of Modern-ish Poets looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.
This episode was first published on the LRB Podcast in August 2020.
Further reading on Frost in the LRB:
Leo Marx: https://lrb.me/marxfrostpod
Helen Vendler: https://lrb.me/vendlerfrostpod
Peter Howarth: https://lrb.me/howarthfrostpod
Matthew Bevis: https://lrb.me/bevisfrostpod
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Seamus Perry and Mark Ford look at the life and work of Robert Frost, the great American poet of fences and dark woods. They discuss Frost’s difficult early life as an occasional poultry farmer and teacher, his arrival in England in 1912 amid the flowering of Georgian poetry, and his emergence as the first 20th-century professional poet, whose version of the American wilderness myth, full of mischief and foreboding, took him to packed concert halls and a presidential inauguration.</p><p>To listen to series one of <em>Modern-ish Poets</em> and all our other Close Readings series, sign up here:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/mpsignuppod">https://lrb.me/closereadings</a></p><p>Series one of <em>Modern-ish Poets</em> looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.</p><p>This episode was first published on the LRB Podcast in August 2020.</p><p>Further reading on Frost in the <em>LRB</em>:</p><p>Leo Marx: <a href="https://lrb.me/marxfrostpod">https://lrb.me/marxfrostpod</a></p><p>Helen Vendler: <a href="https://lrb.me/vendlerfrostpod">https://lrb.me/vendlerfrostpod</a></p><p>Peter Howarth: <a href="https://lrb.me/howarthfrostpod">https://lrb.me/howarthfrostpod</a></p><p>Matthew Bevis: <a href="https://lrb.me/bevisfrostpod">https://lrb.me/bevisfrostpod</a></p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>3483</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Modern-ish Poets Series 2: Gerard Manley Hopkins</title>
      <link>https://lrb.me/mpsignuppod</link>
      <description>In the first episode of their second series of Modern-ish Poets, Seamus Perry and Mark Ford take on Gerard Manley Hopkins: Victorian literature’s only anti-modern proto-modernist queer-ecologist Jesuit priest.
To listen to series one of Modern-ish Poets and to this series ad free, and all our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
Series one of Modern-ish Poets looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.
Further reading on Hopkins in the LRB:
Helen Vendler: https://lrb.me/vendlerhopkinspod
Patricia Beer: https://lrb.me/beerhopkinspod
John Bayley: https://lrb.me/bayleyhopkinspod
This episode was first published on the LRB Podcast in March 2020.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Thu, 01 Dec 2022 11:36:58 -0000</pubDate>
      <itunes:title>Modern-ish Poets Series 2: Gerard Manley Hopkins</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>3</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/aeaf7b24-4c5a-11f0-9640-ab38014ec93c/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the first episode of their second series of Modern-ish Poets, Seamus Perry and Mark Ford take on Gerard Manley Hopkins: Victorian literature’s only anti-modern proto-modernist queer-ecologist Jesuit priest.&lt;/p&gt;&lt;p&gt;To listen to series one of &lt;em&gt;Modern-ish Poets&lt;/em&gt; and to this series ad free, and all our other Close Readings series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/mpsignuppod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Series one of &lt;em&gt;Modern-ish Poets&lt;/em&gt; looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Further reading on Hopkins in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;Helen Vendler: &lt;a href="https://lrb.me/vendlerhopkinspod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/vendlerhopkinspod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Patricia Beer: &lt;a href="https://lrb.me/beerhopkinspod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/beerhopkinspod&lt;/a&gt;&lt;/p&gt;&lt;p&gt;John Bayley: &lt;a href="https://lrb.me/bayleyhopkinspod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/bayleyhopkinspod&lt;/a&gt;&lt;/p&gt;&lt;br&gt;&lt;p&gt;This episode was first published on the LRB Podcast in March 2020.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the first episode of their second series of Modern-ish Poets, Seamus Perry and Mark Ford take on Gerard Manley Hopkins: Victorian literature’s only anti-modern proto-modernist queer-ecologist Jesuit priest.
To listen to series one of Modern-ish Poets and to this series ad free, and all our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
Series one of Modern-ish Poets looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.
Further reading on Hopkins in the LRB:
Helen Vendler: https://lrb.me/vendlerhopkinspod
Patricia Beer: https://lrb.me/beerhopkinspod
John Bayley: https://lrb.me/bayleyhopkinspod
This episode was first published on the LRB Podcast in March 2020.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the first episode of their second series of Modern-ish Poets, Seamus Perry and Mark Ford take on Gerard Manley Hopkins: Victorian literature’s only anti-modern proto-modernist queer-ecologist Jesuit priest.</p><p>To listen to series one of <em>Modern-ish Poets</em> and to this series ad free, and all our other Close Readings series, sign up here:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/mpsignuppod">https://lrb.me/closereadings</a></p><p>Series one of <em>Modern-ish Poets</em> looks at Philip Larkin, W. H. Auden, Elizabeth Bishop, Thomas Hardy, Stevie Smith, A. E. Housman, Wallace Stevens, Sylvia Plath, Seamus Heaney and Robert Lowell.</p><p><strong>Further reading on Hopkins in the <em>LRB</em>:</strong></p><p>Helen Vendler: <a href="https://lrb.me/vendlerhopkinspod">https://lrb.me/vendlerhopkinspod</a></p><p>Patricia Beer: <a href="https://lrb.me/beerhopkinspod">https://lrb.me/beerhopkinspod</a></p><p>John Bayley: <a href="https://lrb.me/bayleyhopkinspod">https://lrb.me/bayleyhopkinspod</a></p><br><p>This episode was first published on the LRB Podcast in March 2020.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>3799</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[63d80f110aa3150010cb05b3]]></guid>
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    </item>
    <item>
      <title>Encounters with Medieval Women: Margery Kempe</title>
      <link>https://lrb.me/ewmwsignuppod</link>
      <description>In the fourth and final episode in their miniseries, Irina Dumitrescu and Mary Wellesley look at the life and work of pilgrim, entrepreneur and visionary mystic Margery Kempe, who dictated what is thought to be the first autobiography in English.
To listen to Mary and Irina's series, Medieval Beginnings, and all our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
Further reading in the LRB:
Barbara Newman
Susan Brigden
Tom Shippey
This episode was first published on the LRB Podcast in November 2021.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Fri, 04 Nov 2022 11:36:01 -0000</pubDate>
      <itunes:title>Encounters with Medieval Women: Margery Kempe</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/af007a1a-4c5a-11f0-9640-c726b765cacd/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the fourth and final episode in their miniseries, Irina Dumitrescu and Mary Wellesley look at the life and work of pilgrim, entrepreneur and visionary mystic Margery Kempe, who dictated what is thought to be the first autobiography in English.&lt;/p&gt;&lt;p&gt;To listen to Mary and Irina's series, &lt;em&gt;Medieval Beginnings&lt;/em&gt;, and all our other Close Readings series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/ewmwsignuppod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Further reading in the &lt;em&gt;LRB:&lt;/em&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="https://lrb.me/newmankempepod" rel="noopener noreferrer" target="_blank"&gt;Barbara Newman&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="https://lrb.me/brigdenkempepod" rel="noopener noreferrer" target="_blank"&gt;Susan Brigden&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="https://lrb.me/shippeykempepod" rel="noopener noreferrer" target="_blank"&gt;Tom Shippey&lt;/a&gt;&lt;/p&gt;&lt;p&gt;This episode was first published on the LRB Podcast in November 2021.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the fourth and final episode in their miniseries, Irina Dumitrescu and Mary Wellesley look at the life and work of pilgrim, entrepreneur and visionary mystic Margery Kempe, who dictated what is thought to be the first autobiography in English.
To listen to Mary and Irina's series, Medieval Beginnings, and all our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
Further reading in the LRB:
Barbara Newman
Susan Brigden
Tom Shippey
This episode was first published on the LRB Podcast in November 2021.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the fourth and final episode in their miniseries, Irina Dumitrescu and Mary Wellesley look at the life and work of pilgrim, entrepreneur and visionary mystic Margery Kempe, who dictated what is thought to be the first autobiography in English.</p><p>To listen to Mary and Irina's series, <em>Medieval Beginnings</em>, and all our other Close Readings series, sign up here:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/ewmwsignuppod">https://lrb.me/closereadings</a></p><p>Further reading in the <em>LRB:</em></p><p><a href="https://lrb.me/newmankempepod">Barbara Newman</a></p><p><a href="https://lrb.me/brigdenkempepod">Susan Brigden</a></p><p><a href="https://lrb.me/shippeykempepod">Tom Shippey</a></p><p>This episode was first published on the LRB Podcast in November 2021.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>3475</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[63d959f4e2a2f90010eff935]]></guid>
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    </item>
    <item>
      <title>Encounters with Medieval Women: The Wife of Bath</title>
      <link>https://lrb.me/ewmwsignuppod</link>
      <description>In the third episode in their series, Irina and Mary discuss Chaucer’s sexually voracious professional widow, stealth preacher, vivid storyteller and teacher of love, the Wife of Bath.
To listen to Mary and Irina's series, Medieval Beginnings, and all our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
Further reading in the LRB:
Tom Shippey
Sally Mapstone
This episode was first published on the LRB Podcast in October 2021.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Thu, 03 Nov 2022 11:35:35 -0000</pubDate>
      <itunes:title>Encounters with Medieval Women: The Wife of Bath</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/af5225b8-4c5a-11f0-9640-23ff1d1dd54b/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the third episode in their series, Irina and Mary discuss Chaucer’s sexually voracious professional widow, stealth preacher, vivid storyteller and teacher of love, the Wife of Bath.&lt;/p&gt;&lt;p&gt;To listen to Mary and Irina's series, &lt;em&gt;Medieval Beginnings&lt;/em&gt;, and all our other Close Readings series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/ewmwsignuppod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Further reading in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;&lt;a href="https://lrb.me/shippeychaucerpod" rel="noopener noreferrer" target="_blank"&gt;Tom Shippey&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;a href="https://lrb.me/mapstonechaucerpod" rel="noopener noreferrer" target="_blank"&gt;Sally Mapstone&lt;/a&gt;&lt;/p&gt;&lt;p&gt;This episode was first published on the LRB Podcast in October 2021.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the third episode in their series, Irina and Mary discuss Chaucer’s sexually voracious professional widow, stealth preacher, vivid storyteller and teacher of love, the Wife of Bath.
To listen to Mary and Irina's series, Medieval Beginnings, and all our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
Further reading in the LRB:
Tom Shippey
Sally Mapstone
This episode was first published on the LRB Podcast in October 2021.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the third episode in their series, Irina and Mary discuss Chaucer’s sexually voracious professional widow, stealth preacher, vivid storyteller and teacher of love, the Wife of Bath.</p><p>To listen to Mary and Irina's series, <em>Medieval Beginnings</em>, and all our other Close Readings series, sign up here:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/ewmwsignuppod">https://lrb.me/closereadings</a></p><p>Further reading in the <em>LRB</em>:</p><p><a href="https://lrb.me/shippeychaucerpod">Tom Shippey</a></p><p><a href="https://lrb.me/mapstonechaucerpod">Sally Mapstone</a></p><p>This episode was first published on the LRB Podcast in October 2021.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>3348</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[63d9567597870600104b5455]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB4916634684.mp3?updated=1750261582" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Encounters with Medieval Women: Julian of Norwich</title>
      <link>https://lrb.me/ewmwsignuppod</link>
      <description>In the second episode in their series, Irina Dumitrescu and Mary Wellesley look at the work of mystic and anchoress Julian of Norwich, who wrote the first book in English that we can be sure was authored by a woman.
To listen to Mary and Irina's series, Medieval Beginnings, and all our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
Further reading in the LRB:
Mary Wellesley: This place is pryson
This episode was first published on the LRB Podcast in October 2021.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Wed, 02 Nov 2022 11:35:12 -0000</pubDate>
      <itunes:title>Encounters with Medieval Women: Julian of Norwich</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/afa3a848-4c5a-11f0-9640-a784f0c0b5a7/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the second episode in their series, Irina Dumitrescu and Mary Wellesley look at the work of mystic and anchoress Julian of Norwich, who wrote the first book in English&amp;nbsp;that we can be sure was authored by a woman.&lt;/p&gt;&lt;p&gt;To listen to Mary and Irina's series, &lt;em&gt;Medieval Beginnings&lt;/em&gt;, and all our other Close Readings series, sign up here:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps: &lt;a href="https://lrb.me/ewmwsignuppod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Further reading in the &lt;em&gt;LRB&lt;/em&gt;:&lt;/p&gt;&lt;p&gt;&lt;a href="https://lrb.me/wellesleyjulianpod" rel="noopener noreferrer" target="_blank"&gt;Mary Wellesley: This place is pryson&lt;/a&gt;&lt;/p&gt;&lt;p&gt;This episode was first published on the LRB Podcast in October 2021.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the second episode in their series, Irina Dumitrescu and Mary Wellesley look at the work of mystic and anchoress Julian of Norwich, who wrote the first book in English that we can be sure was authored by a woman.
To listen to Mary and Irina's series, Medieval Beginnings, and all our other Close Readings series, sign up here:
Directly in Apple Podcasts: https://apple.co/3pJoFPq
In other podcast apps: https://lrb.me/closereadings
Further reading in the LRB:
Mary Wellesley: This place is pryson
This episode was first published on the LRB Podcast in October 2021.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the second episode in their series, Irina Dumitrescu and Mary Wellesley look at the work of mystic and anchoress Julian of Norwich, who wrote the first book in English that we can be sure was authored by a woman.</p><p>To listen to Mary and Irina's series, <em>Medieval Beginnings</em>, and all our other Close Readings series, sign up here:</p><p>Directly in Apple Podcasts: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps: <a href="https://lrb.me/ewmwsignuppod">https://lrb.me/closereadings</a></p><p>Further reading in the <em>LRB</em>:</p><p><a href="https://lrb.me/wellesleyjulianpod">Mary Wellesley: This place is pryson</a></p><p>This episode was first published on the LRB Podcast in October 2021.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>2790</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[63d9556e3e56e4001165116b]]></guid>
      <enclosure url="https://www.podtrac.com/pts/redirect.mp3/traffic.megaphone.fm/LRB5020524553.mp3?updated=1750261583" length="0" type="audio/mpeg"/>
    </item>
    <item>
      <title>Encounters with Medieval Women: Mary of Egypt</title>
      <link>https://lrb.me/ewmwsignuppod</link>
      <description>In the first episode of their miniseries looking at the lives and voices of medieval women, Irina Dumitrescu and Mary Wellesley encounter Saint Mary of Egypt, who (if she existed) lived sometime between the 3rd and 6th centuries. In the stories of Mary’s life she leads a wild and licentious youth before exiling herself to serve penitence in the desert. There she meets Zosimas, an ascetic monk, and teaches him the value of an imperfect life. Several accounts of her life were written in the Middle Ages, including one in Old English that appears in a manuscript with Ælfric’s Lives of the Saints.
Sign up to our Close Readings subscription:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: https://lrb.me/closereadings
This episode was first published on the LRB Podcast in September 2021.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Tue, 01 Nov 2022 11:34:00 -0000</pubDate>
      <itunes:title>Encounters with Medieval Women: Mary of Egypt</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>2</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/aff3a4a6-4c5a-11f0-9640-f715c300f6b3/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the first episode of their miniseries looking at the lives and voices of medieval women, Irina Dumitrescu and Mary Wellesley encounter&amp;nbsp;Saint Mary of Egypt,&amp;nbsp;who (if she existed) lived sometime between the 3rd&amp;nbsp;and 6th&amp;nbsp;centuries. In the stories of Mary’s life she leads a wild and licentious youth&amp;nbsp;before exiling herself to serve penitence in the desert. There she meets Zosimas, an ascetic monk, and&amp;nbsp;teaches him the value of an imperfect life. Several accounts of her life were written in the Middle Ages, including one in Old English that appears in a manuscript with Ælfric’s&amp;nbsp;&lt;em&gt;Lives of the Saints&lt;/em&gt;.&lt;/p&gt;&lt;p&gt;Sign up to our Close Readings subscription:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts here: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps here: &lt;a href="https://lrb.me/ewmwsignuppod" rel="noopener noreferrer" target="_blank"&gt;https://lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;This episode was first published on the LRB Podcast in September 2021.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the first episode of their miniseries looking at the lives and voices of medieval women, Irina Dumitrescu and Mary Wellesley encounter Saint Mary of Egypt, who (if she existed) lived sometime between the 3rd and 6th centuries. In the stories of Mary’s life she leads a wild and licentious youth before exiling herself to serve penitence in the desert. There she meets Zosimas, an ascetic monk, and teaches him the value of an imperfect life. Several accounts of her life were written in the Middle Ages, including one in Old English that appears in a manuscript with Ælfric’s Lives of the Saints.
Sign up to our Close Readings subscription:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: https://lrb.me/closereadings
This episode was first published on the LRB Podcast in September 2021.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the first episode of their miniseries looking at the lives and voices of medieval women, Irina Dumitrescu and Mary Wellesley encounter Saint Mary of Egypt, who (if she existed) lived sometime between the 3rd and 6th centuries. In the stories of Mary’s life she leads a wild and licentious youth before exiling herself to serve penitence in the desert. There she meets Zosimas, an ascetic monk, and teaches him the value of an imperfect life. Several accounts of her life were written in the Middle Ages, including one in Old English that appears in a manuscript with Ælfric’s <em>Lives of the Saints</em>.</p><p>Sign up to our Close Readings subscription:</p><p>Directly in Apple Podcasts here: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps here: <a href="https://lrb.me/ewmwsignuppod">https://lrb.me/closereadings</a></p><p>This episode was first published on the LRB Podcast in September 2021.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>3533</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[63d95466f2393300101692ad]]></guid>
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    </item>
    <item>
      <title>Modern-ish Poets Series 1: Robert Lowell</title>
      <link>https://lrb.me/mponesignup</link>
      <description>In the final episode of series one of Modern-ish Poets, Mark and Seamus confront Robert Lowell: the Boston Brahmin for whom poetry trumped every other consideration, and whose Cold War ‘confessionalism’ came to exemplify a generation of Americans’ collective trauma; the poet who changed everything, but whose star has somehow fallen in recent years.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
This episode was first published on the LRB Podcast in August 2017, and is now available in full exclusively for Close Readings subscribers.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Mon, 10 Oct 2022 12:23:50 -0000</pubDate>
      <itunes:title>Modern-ish Poets Series 1: Robert Lowell</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>10</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b0452eb6-4c5a-11f0-9640-5b8ed0c670ea/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the final episode of series one of &lt;em&gt;Modern-ish Poets&lt;/em&gt;, Mark and Seamus confront Robert Lowell: the Boston Brahmin for whom poetry trumped every other consideration, and whose Cold War ‘confessionalism’ came to exemplify a generation of Americans’ collective trauma; the poet who changed everything, but whose star has somehow fallen in recent years.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts here: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps here: &lt;a href="https://lrb.me/mponesignup" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.&lt;/p&gt;&lt;p&gt;This episode was first published on the LRB Podcast in August 2017, and is now available in full exclusively for Close Readings subscribers.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the final episode of series one of Modern-ish Poets, Mark and Seamus confront Robert Lowell: the Boston Brahmin for whom poetry trumped every other consideration, and whose Cold War ‘confessionalism’ came to exemplify a generation of Americans’ collective trauma; the poet who changed everything, but whose star has somehow fallen in recent years.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
This episode was first published on the LRB Podcast in August 2017, and is now available in full exclusively for Close Readings subscribers.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the final episode of series one of <em>Modern-ish Poets</em>, Mark and Seamus confront Robert Lowell: the Boston Brahmin for whom poetry trumped every other consideration, and whose Cold War ‘confessionalism’ came to exemplify a generation of Americans’ collective trauma; the poet who changed everything, but whose star has somehow fallen in recent years.</p><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts here: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps here: <a href="https://lrb.me/mponesignup">lrb.me/closereadings</a></p><p>Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.</p><p>This episode was first published on the LRB Podcast in August 2017, and is now available in full exclusively for Close Readings subscribers.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>776</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Modern-ish Poets Series 1: Seamus Heaney</title>
      <link>https://lrb.me/mponesignup</link>
      <description>For the ninth episode of their series, Seamus and Mark discuss the life and work of Seamus Heaney, whose first collection, Death of Naturalist, established him immediately as a leading poetic voice in world in which modernism seemed to have run its course. They look at how his work draws extensively on his childhood, its use of poetic sounds to bind him to his native ground, its intricate engagement with myth, and his questioning of what sort of poetry is appropriate for someone in his social and historical moment.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
This episode was first published on the LRB Podcast in May 2019, and is now available in full exclusively for Close Readings subscribers.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sun, 09 Oct 2022 12:17:11 -0000</pubDate>
      <itunes:title>Modern-ish Poets Series 1: Seamus Heaney</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>9</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b0bd93f6-4c5a-11f0-9640-a7fcfae3fc06/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;For the ninth episode of their series, Seamus and Mark discuss the life and work of Seamus Heaney, whose first collection,&amp;nbsp;&lt;em&gt;Death of Naturalist&lt;/em&gt;, established him immediately as a leading poetic voice in world in which modernism seemed to have run its course. They look at how his work draws extensively on his childhood, its use of poetic sounds to bind him to his native ground, its intricate engagement with myth, and his questioning of what sort of poetry is appropriate for someone in his social and historical moment.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts here: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps here: &lt;a href="https://lrb.me/mponesignup" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.&lt;/p&gt;&lt;p&gt;This episode was first published on the LRB Podcast in May 2019, and is now available in full exclusively for Close Readings subscribers.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>For the ninth episode of their series, Seamus and Mark discuss the life and work of Seamus Heaney, whose first collection, Death of Naturalist, established him immediately as a leading poetic voice in world in which modernism seemed to have run its course. They look at how his work draws extensively on his childhood, its use of poetic sounds to bind him to his native ground, its intricate engagement with myth, and his questioning of what sort of poetry is appropriate for someone in his social and historical moment.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
This episode was first published on the LRB Podcast in May 2019, and is now available in full exclusively for Close Readings subscribers.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For the ninth episode of their series, Seamus and Mark discuss the life and work of Seamus Heaney, whose first collection, <em>Death of Naturalist</em>, established him immediately as a leading poetic voice in world in which modernism seemed to have run its course. They look at how his work draws extensively on his childhood, its use of poetic sounds to bind him to his native ground, its intricate engagement with myth, and his questioning of what sort of poetry is appropriate for someone in his social and historical moment.</p><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts here: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps here: <a href="https://lrb.me/mponesignup">lrb.me/closereadings</a></p><p>Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.</p><p>This episode was first published on the LRB Podcast in May 2019, and is now available in full exclusively for Close Readings subscribers.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>759</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6489afce889ad00011d49de7]]></guid>
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    <item>
      <title>Modern-ish Poets Series 1: Sylvia Plath</title>
      <link>https://lrb.me/mponesignup</link>
      <description>Mark and Seamus are joined by Joanna Biggs, an editor at the LRB, to look at Sylvia Plath's life and poetry, for the eighth episode of Modern-ish Poets Series 1. They consider the balance of biography and mythology in Plath’s work, situating her as a transatlantic, expressionist poet of the Cold War, and drawing on the LRB archive to talk about her funniness, ruthlessness, and uninhibited willingness to go anywhere to win the argument.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
This episode was first published on the LRB Podcast in March 2019, and is now available in full exclusively for Close Readings subscribers.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sat, 08 Oct 2022 12:10:17 -0000</pubDate>
      <itunes:title>Modern-ish Poets Series 1: Sylvia Plath</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>8</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b10d1f3e-4c5a-11f0-9640-77d71b7db32b/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;Mark and Seamus are joined by Joanna Biggs, an editor at the LRB, to look at Sylvia Plath's life and poetry, for the eighth episode of &lt;em&gt;Modern-ish Poets Series 1&lt;/em&gt;. They consider the balance of biography and mythology in Plath’s work, situating her as a transatlantic, expressionist poet of the Cold War, and drawing on the LRB archive to talk about her funniness, ruthlessness, and uninhibited willingness to go anywhere to win the argument.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts here: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps here: &lt;a href="https://lrb.me/mponesignup" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.&lt;/p&gt;&lt;p&gt;This episode was first published on the LRB Podcast in March 2019, and is now available in full exclusively for Close Readings subscribers.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>Mark and Seamus are joined by Joanna Biggs, an editor at the LRB, to look at Sylvia Plath's life and poetry, for the eighth episode of Modern-ish Poets Series 1. They consider the balance of biography and mythology in Plath’s work, situating her as a transatlantic, expressionist poet of the Cold War, and drawing on the LRB archive to talk about her funniness, ruthlessness, and uninhibited willingness to go anywhere to win the argument.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
This episode was first published on the LRB Podcast in March 2019, and is now available in full exclusively for Close Readings subscribers.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>Mark and Seamus are joined by Joanna Biggs, an editor at the LRB, to look at Sylvia Plath's life and poetry, for the eighth episode of <em>Modern-ish Poets Series 1</em>. They consider the balance of biography and mythology in Plath’s work, situating her as a transatlantic, expressionist poet of the Cold War, and drawing on the LRB archive to talk about her funniness, ruthlessness, and uninhibited willingness to go anywhere to win the argument.</p><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts here: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps here: <a href="https://lrb.me/mponesignup">lrb.me/closereadings</a></p><p>Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.</p><p>This episode was first published on the LRB Podcast in March 2019, and is now available in full exclusively for Close Readings subscribers.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>687</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6489ae30f7e48c001174767c]]></guid>
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    <item>
      <title>Modern-ish Poets Series 1: Wallace Stevens</title>
      <link>https://lrb.me/mponesignup</link>
      <description>In episode seven of their first series of Modern-ish Poets Mark and Seamus look to that great poet of winter and snow, Wallace Stevens, considering his anecdote-proof life, the capitalist economy of his imagination, and his all-American poetry of precise abstraction.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
This episode was first published on the LRB Podcast in December 2018, and is now available in full exclusively for Close Readings subscribers.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Fri, 07 Oct 2022 12:01:00 -0000</pubDate>
      <itunes:title>Modern-ish Poets Series 1: Wallace Stevens</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>7</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b15ceab4-4c5a-11f0-9640-8f989f65d45e/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In episode seven of their first series of &lt;em&gt;Modern-ish Poets&lt;/em&gt; Mark and Seamus look to that great poet of winter and snow, Wallace Stevens, considering his anecdote-proof life, the capitalist economy of his imagination, and his all-American poetry of precise abstraction.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts here: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps here: &lt;a href="https://lrb.me/mponesignup" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.&lt;/p&gt;&lt;p&gt;This episode was first published on the LRB Podcast in December 2018, and is now available in full exclusively for Close Readings subscribers.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In episode seven of their first series of Modern-ish Poets Mark and Seamus look to that great poet of winter and snow, Wallace Stevens, considering his anecdote-proof life, the capitalist economy of his imagination, and his all-American poetry of precise abstraction.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
This episode was first published on the LRB Podcast in December 2018, and is now available in full exclusively for Close Readings subscribers.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In episode seven of their first series of <em>Modern-ish Poets</em> Mark and Seamus look to that great poet of winter and snow, Wallace Stevens, considering his anecdote-proof life, the capitalist economy of his imagination, and his all-American poetry of precise abstraction.</p><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts here: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps here: <a href="https://lrb.me/mponesignup">lrb.me/closereadings</a></p><p>Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.</p><p>This episode was first published on the LRB Podcast in December 2018, and is now available in full exclusively for Close Readings subscribers.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>735</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6489ac280f6b1c00111b14e1]]></guid>
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    <item>
      <title>Modern-ish Poets Series 1: A.E. Housman</title>
      <link>https://lrb.me/mponesignup</link>
      <description>In the sixth episode of Modern-ish Poets Series 1, Mark and Seamus discuss the life and work of Worcestershire lad A. E. Housman, whose imaginative poetic landscape of a vanishing England in A Shropshire Lad, with its expression of the agony of thwarted love which can find no resolution, became a runaway bestseller during and after the First World War.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
This episode was first published on the LRB Podcast in October 2018, and is now available in full exclusively for Close Readings subscribers.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Thu, 06 Oct 2022 11:54:06 -0000</pubDate>
      <itunes:title>Modern-ish Poets Series 1: A.E. Housman</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>6</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b1ad7880-4c5a-11f0-9640-7331f737483b/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the sixth episode of &lt;em&gt;Modern-ish Poets Series 1&lt;/em&gt;,&lt;em&gt; &lt;/em&gt;Mark and Seamus discuss the life and work of Worcestershire lad A. E. Housman, whose imaginative poetic landscape of a vanishing England in&amp;nbsp;&lt;em&gt;A Shropshire Lad&lt;/em&gt;, with its expression of the agony of thwarted love which can find no resolution,&lt;em&gt;&amp;nbsp;&lt;/em&gt;became a runaway bestseller during and after the First World War.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts here: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps here: &lt;a href="https://lrb.me/mponesignup" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.&lt;/p&gt;&lt;p&gt;This episode was first published on the LRB Podcast in October 2018, and is now available in full exclusively for Close Readings subscribers.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the sixth episode of Modern-ish Poets Series 1, Mark and Seamus discuss the life and work of Worcestershire lad A. E. Housman, whose imaginative poetic landscape of a vanishing England in A Shropshire Lad, with its expression of the agony of thwarted love which can find no resolution, became a runaway bestseller during and after the First World War.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
This episode was first published on the LRB Podcast in October 2018, and is now available in full exclusively for Close Readings subscribers.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the sixth episode of <em>Modern-ish Poets Series 1</em>,<em> </em>Mark and Seamus discuss the life and work of Worcestershire lad A. E. Housman, whose imaginative poetic landscape of a vanishing England in <em>A Shropshire Lad</em>, with its expression of the agony of thwarted love which can find no resolution,<em> </em>became a runaway bestseller during and after the First World War.</p><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts here: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps here: <a href="https://lrb.me/mponesignup">lrb.me/closereadings</a></p><p>Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.</p><p>This episode was first published on the LRB Podcast in October 2018, and is now available in full exclusively for Close Readings subscribers.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>750</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Modern-ish Poets Series 1: Stevie Smith</title>
      <link>https://lrb.me/mponesignup</link>
      <description>In the fifth episode of Modern-ish Poets Series 1 Mark and Seamus discuss the life and work of Stevie Smith, ‘an eccentric poet with a tenacious reputation,’ and a famous performer of her poetry, considering the despair that underlines her best work, its tonal slipperiness, her exceptional facility with rhyme and off-rhyme, and her use of faux-naif personas and perspectives.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
This episode was first published on the LRB Podcast in August 2018, and is now available in full exclusively for Close Readings subscribers.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Wed, 05 Oct 2022 11:36:59 -0000</pubDate>
      <itunes:title>Modern-ish Poets Series 1: Stevie Smith</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>5</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b1feed46-4c5a-11f0-9640-3fab281abe6b/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the fifth episode of &lt;em&gt;Modern-ish Poets Series 1 &lt;/em&gt;Mark and Seamus discuss the life and work of Stevie Smith, ‘an eccentric poet with a tenacious reputation,’ and a famous performer of her poetry, considering the despair that underlines her best work, its tonal slipperiness, her exceptional facility with rhyme and off-rhyme, and her use of faux-naif personas and perspectives.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts here: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps here: &lt;a href="https://lrb.me/mponesignup" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.&lt;/p&gt;&lt;p&gt;This episode was first published on the LRB Podcast in August 2018, and is now available in full exclusively for Close Readings subscribers.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the fifth episode of Modern-ish Poets Series 1 Mark and Seamus discuss the life and work of Stevie Smith, ‘an eccentric poet with a tenacious reputation,’ and a famous performer of her poetry, considering the despair that underlines her best work, its tonal slipperiness, her exceptional facility with rhyme and off-rhyme, and her use of faux-naif personas and perspectives.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
This episode was first published on the LRB Podcast in August 2018, and is now available in full exclusively for Close Readings subscribers.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the fifth episode of <em>Modern-ish Poets Series 1 </em>Mark and Seamus discuss the life and work of Stevie Smith, ‘an eccentric poet with a tenacious reputation,’ and a famous performer of her poetry, considering the despair that underlines her best work, its tonal slipperiness, her exceptional facility with rhyme and off-rhyme, and her use of faux-naif personas and perspectives.</p><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts here: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps here: <a href="https://lrb.me/mponesignup">lrb.me/closereadings</a></p><p>Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.</p><p>This episode was first published on the LRB Podcast in August 2018, and is now available in full exclusively for Close Readings subscribers.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>750</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
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    <item>
      <title>Modern-ish Poets Series 1: Thomas Hardy</title>
      <link>https://lrb.me/mponesignup</link>
      <description>In the fourth episode of Modern-ish Poets, Mark and Seamus discuss the life and work of Thomas Hardy, with its blend of bitterness of tenderness, its intense dramatisations of loss and grief, and its inversion of traditional tropes of love poetry to anticipate the attitudes of later 20th century writers.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
This episode was first published on the LRB Podcast in June 2018, and is now available in full exclusively for Close Readings subscribers.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Tue, 04 Oct 2022 11:31:04 -0000</pubDate>
      <itunes:title>Modern-ish Poets Series 1: Thomas Hardy</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>4</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b24dd41a-4c5a-11f0-9640-eb82b38a325c/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the fourth episode of &lt;em&gt;Modern-ish Poets&lt;/em&gt;, Mark and Seamus discuss the life and work of Thomas Hardy, with its blend of bitterness of tenderness, its intense dramatisations of loss and grief, and its inversion of traditional tropes of love poetry to anticipate the attitudes of later 20th century writers.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts here: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps here: &lt;a href="https://lrb.me/mponesignup" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.&lt;/p&gt;&lt;p&gt;This episode was first published on the LRB Podcast in June 2018, and is now available in full exclusively for Close Readings subscribers.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the fourth episode of Modern-ish Poets, Mark and Seamus discuss the life and work of Thomas Hardy, with its blend of bitterness of tenderness, its intense dramatisations of loss and grief, and its inversion of traditional tropes of love poetry to anticipate the attitudes of later 20th century writers.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
This episode was first published on the LRB Podcast in June 2018, and is now available in full exclusively for Close Readings subscribers.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the fourth episode of <em>Modern-ish Poets</em>, Mark and Seamus discuss the life and work of Thomas Hardy, with its blend of bitterness of tenderness, its intense dramatisations of loss and grief, and its inversion of traditional tropes of love poetry to anticipate the attitudes of later 20th century writers.</p><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts here: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps here: <a href="https://lrb.me/mponesignup">lrb.me/closereadings</a></p><p>Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.</p><p>This episode was first published on the LRB Podcast in June 2018, and is now available in full exclusively for Close Readings subscribers.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>759</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[6489a4fc54af090011febb51]]></guid>
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    <item>
      <title>Modern-ish Poets Series 1: Elizabeth Bishop</title>
      <link>https://lrb.me/mponesignup</link>
      <description>For episode three of Modern-ish Poets Series 1, Mark and Seamus look at the life and work of Elizabeth Bishop, the east-coast American poet who enjoyed a limited audience, and published relatively little, in her lifetime, but whose reputation has grown enormously since her death. They discuss her exploratory approach to form, the way she domesticates what seem like heroic and mythical enterprises, and the dialectic in her work between the emotional disruption inherited from her childhood and her artistic commitment to perfectionism.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
This episode was first published on the LRB Podcast in November 2017, and is now available in full exclusively for Close Readings subscribers.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Mon, 03 Oct 2022 10:30:48 -0000</pubDate>
      <itunes:title>Modern-ish Poets Series 1: Elizabeth Bishop</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>3</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b29e297e-4c5a-11f0-9640-8bef88e529cd/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;For episode three of &lt;em&gt;Modern-ish Poets Series 1&lt;/em&gt;, Mark and Seamus look at the life and work of Elizabeth Bishop, the east-coast American poet who enjoyed a limited audience, and published relatively little, in her lifetime, but whose reputation has grown enormously since her death. They discuss her exploratory approach to form, the way she domesticates what seem like heroic and mythical enterprises, and the dialectic in her work between the emotional disruption inherited from her childhood and her artistic commitment to perfectionism.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts here: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps here: &lt;a href="https://lrb.me/mponesignup" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.&lt;/p&gt;&lt;p&gt;This episode was first published on the LRB Podcast in November 2017, and is now available in full exclusively for Close Readings subscribers.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>For episode three of Modern-ish Poets Series 1, Mark and Seamus look at the life and work of Elizabeth Bishop, the east-coast American poet who enjoyed a limited audience, and published relatively little, in her lifetime, but whose reputation has grown enormously since her death. They discuss her exploratory approach to form, the way she domesticates what seem like heroic and mythical enterprises, and the dialectic in her work between the emotional disruption inherited from her childhood and her artistic commitment to perfectionism.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
This episode was first published on the LRB Podcast in November 2017, and is now available in full exclusively for Close Readings subscribers.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>For episode three of <em>Modern-ish Poets Series 1</em>, Mark and Seamus look at the life and work of Elizabeth Bishop, the east-coast American poet who enjoyed a limited audience, and published relatively little, in her lifetime, but whose reputation has grown enormously since her death. They discuss her exploratory approach to form, the way she domesticates what seem like heroic and mythical enterprises, and the dialectic in her work between the emotional disruption inherited from her childhood and her artistic commitment to perfectionism.</p><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts here: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps here: <a href="https://lrb.me/mponesignup">lrb.me/closereadings</a></p><p>Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.</p><p>This episode was first published on the LRB Podcast in November 2017, and is now available in full exclusively for Close Readings subscribers.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>742</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[648996f7ad74c40011e9be89]]></guid>
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    <item>
      <title>Modern-ish Poets Series 1: W.H. Auden</title>
      <link>https://lrb.me/mponesignup</link>
      <description>In the second episode of Modern-ish Poets Series 1, Mark and Seamus discuss life and work of W. H. Auden, from the influence of his parents and his political development, to how his poetry emerged from a meeting of English tradition with high modernism, and its formal response to the fractured nature of his times.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
This episode was first published on the LRB Podcast in August 2017, and is now available in full exclusively for Close Readings subscribers.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sun, 02 Oct 2022 10:26:29 -0000</pubDate>
      <itunes:title>Modern-ish Poets Series 1: W.H. Auden</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>2</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b2eeda86-4c5a-11f0-9640-130267046668/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;In the second episode of &lt;em&gt;Modern-ish Poets Series 1&lt;/em&gt;, Mark and Seamus discuss life and work of W. H. Auden, from the influence of his parents and his political development, to how his poetry emerged from a meeting of English tradition with high modernism, and its formal response to the fractured nature of his times.&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts here: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps here: &lt;a href="https://lrb.me/mponesignup" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.&lt;/p&gt;&lt;p&gt;This episode was first published on the LRB Podcast in August 2017, and is now available in full exclusively for Close Readings subscribers.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>In the second episode of Modern-ish Poets Series 1, Mark and Seamus discuss life and work of W. H. Auden, from the influence of his parents and his political development, to how his poetry emerged from a meeting of English tradition with high modernism, and its formal response to the fractured nature of his times.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.
This episode was first published on the LRB Podcast in August 2017, and is now available in full exclusively for Close Readings subscribers.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
      <content:encoded>
        <![CDATA[<p>In the second episode of <em>Modern-ish Poets Series 1</em>, Mark and Seamus discuss life and work of W. H. Auden, from the influence of his parents and his political development, to how his poetry emerged from a meeting of English tradition with high modernism, and its formal response to the fractured nature of his times.</p><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts here: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps here: <a href="https://lrb.me/mponesignup">lrb.me/closereadings</a></p><p>Seamus Perry is Professor of English Literature at the University of Oxford and Mark Ford is Professor of English Literature at University College London.</p><p>This episode was first published on the LRB Podcast in August 2017, and is now available in full exclusively for Close Readings subscribers.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
      </content:encoded>
      <itunes:duration>683</itunes:duration>
      <itunes:explicit>no</itunes:explicit>
      <guid isPermaLink="false"><![CDATA[64899597a9d4690011c7c907]]></guid>
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    <item>
      <title>Modern-ish Poets Series 1: Philip Larkin</title>
      <link>https://lrb.me/mponesignup</link>
      <description>For their first episode of Modern-ish Poets Series 1, Mark Ford and Seamus Perry look at the life and work of Philip Larkin, a poet written about extensively in the archive of the London Review of Books.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
This episode was first published on the LRB Podcast in May 2017, and is now available in full exclusively for Close Readings subscribers.
 Hosted on Acast. See acast.com/privacy for more information.</description>
      <pubDate>Sat, 01 Oct 2022 09:00:12 -0000</pubDate>
      <itunes:title>Modern-ish Poets Series 1: Philip Larkin</itunes:title>
      <itunes:episodeType>full</itunes:episodeType>
      <itunes:season>1</itunes:season>
      <itunes:episode>1</itunes:episode>
      <itunes:author>London Review of Books</itunes:author>
      <itunes:image href="https://megaphone.imgix.net/podcasts/b3415cde-4c5a-11f0-9640-cb7011291deb/image/386fd5c01faa541905691dbc18faa9a2.jpeg?ixlib=rails-4.3.1&amp;max-w=3000&amp;max-h=3000&amp;fit=crop&amp;auto=format,compress"/>
      <itunes:subtitle>&lt;p&gt;For their first episode of &lt;em&gt;Modern-ish Poets Series 1&lt;/em&gt;, Mark Ford and Seamus Perry look at the life and work of Philip Larkin, a poet written&amp;nbsp;about extensively in the archive of the &lt;em&gt;London Review of Books.&lt;/em&gt;&lt;/p&gt;&lt;p&gt;This is an extract from the episode. To listen in full and to our other &lt;em&gt;Close Readings&lt;/em&gt; series, sign up:&lt;/p&gt;&lt;p&gt;Directly in Apple Podcasts here: &lt;a href="https://apple.co/3pJoFPq" rel="noopener noreferrer" target="_blank"&gt;https://apple.co/3pJoFPq&lt;/a&gt;&lt;/p&gt;&lt;p&gt;In other podcast apps here: &lt;a href="https://lrb.me/mponesignup" rel="noopener noreferrer" target="_blank"&gt;lrb.me/closereadings&lt;/a&gt;&lt;/p&gt;&lt;p&gt;This episode was first published on the LRB Podcast in May 2017, and is now available in full exclusively for Close Readings subscribers.&lt;/p&gt;&lt;hr&gt;&lt;p style='color:grey; font-size:0.75em;'&gt; Hosted on Acast. See &lt;a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'&gt;acast.com/privacy&lt;/a&gt; for more information.&lt;/p&gt;</itunes:subtitle>
      <itunes:summary>For their first episode of Modern-ish Poets Series 1, Mark Ford and Seamus Perry look at the life and work of Philip Larkin, a poet written about extensively in the archive of the London Review of Books.
This is an extract from the episode. To listen in full and to our other Close Readings series, sign up:
Directly in Apple Podcasts here: https://apple.co/3pJoFPq
In other podcast apps here: lrb.me/closereadings
This episode was first published on the LRB Podcast in May 2017, and is now available in full exclusively for Close Readings subscribers.
 Hosted on Acast. See acast.com/privacy for more information.</itunes:summary>
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        <![CDATA[<p>For their first episode of <em>Modern-ish Poets Series 1</em>, Mark Ford and Seamus Perry look at the life and work of Philip Larkin, a poet written about extensively in the archive of the <em>London Review of Books.</em></p><p>This is an extract from the episode. To listen in full and to our other <em>Close Readings</em> series, sign up:</p><p>Directly in Apple Podcasts here: <a href="https://apple.co/3pJoFPq">https://apple.co/3pJoFPq</a></p><p>In other podcast apps here: <a href="https://lrb.me/mponesignup">lrb.me/closereadings</a></p><p>This episode was first published on the LRB Podcast in May 2017, and is now available in full exclusively for Close Readings subscribers.</p><p> Hosted on Acast. See <a href="https://acast.com/privacy">acast.com/privacy</a> for more information.</p>]]>
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