New Books in Folklore

Jason R. Young, "The Mask of Memory: White Racial Fantasy After the Civil War" (UNC Press, 2026)

Fri, 01 May 2026 08:00:00 -0000

In the early twentieth century, a group of white writers, artists, and performers from the cultural hub of Charleston, South Carolina, created and curated a highly sanitized view of slavery. They imagined a once and future plantation society that would reestablish them as the proper heirs of the slave past. In the process, they crafted a set of dangerously durable and virulent stereotypes about slavery.

Many of the sights and sounds that Americans associate with slavery are rooted in this grandiose historical myth. The image of the Big House, sitting atop carefully manicured rolling green hills, is in large part, a fantasy, as is the idea of the plantation as an expansive family home to chivalrous planters and content slaves. Jason R. Young explores the persistence of these myths and the historical memory of slavery by focusing on the elite white mythmakers who helped shape our understanding of slavery. Examining literature, art, and performance, Young interrogates both the power and the folly of these ideas. In uncovering their origins, The Mask of Memory : White Racial Fantasy After the Civil War (UNC Press, 2026) resists these racial fantasies and challenges their stubborn resurgence in our own time.

You can find Jason Young at the University of Michigan website.

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Constance Bailey et al. "Get It While It's Hot: Gas Station, Roadside, and Convenience Cuisine in the U.S. South" (LSU Press, 2026)

Sat, 25 Apr 2026 08:00:00 -0000

Get It While It’s Hot (LSU Press, 2026) is an innovative collection that examines an increasingly commonplace belief across the U.S. South—that some of the best, most enjoyable food comes from places you would not expect: a gas station, the back of a pickup truck, or a ramshackle building made of plywood.

These essays bring together scholars, food writers, influencers, and even a CEO to discuss the phenomenon of eating by the side of the road. They look at the delicious food that can be found in such spaces, but also at the ways that gas station, roadside, and convenience cuisine contributes to the social and cultural identities of people and communities in the U.S. South. Sometimes these roadside spaces serve goals of equity and food justice as they relate particularly to race, class, and gender, and sometimes they stymy them. Contributors address the importance of roadside vendors to low-income areas and communities of color, while also revealing how gas stations and convenience stores are particularly prone to anti-Black surveillance and community gatekeeping. Several essays examine the appearance of service stations and unconventional food vendors in southern literature. Interviews with photojournalist Kate Medley, social media influencer Stafford Shurden, and Stuckey’s CEO Stephanie Stuckey provide firsthand perspectives on the diverse landscapes of food culture in the South.

By surveying the importance of roadside and convenience cuisine to communities across the region, Get It While It’s Hot illustrates that these spaces do not function like typical restaurants. They mark boundaries of community, establish consistency and familiarity, and invite people, sometimes paradoxically, to pull up a chair and sit a while.

This is Constance’s second time on the podcast. She first appeared on September 24, 2025 alongside author Kiese Laymon, discussing her book, Conversations with Kiese Laymon (University Press of Mississippi, 2025). In this episode, we also mention the Catherine Coleman Literary Arts, Food, and Social Justice Summer Program.

If you are finding this episode in real time, you can attend the virtual launch for Get It While It’s Hot on Facebook, Wednesday, April 29, 2026 at 2:00pm CT.

You can find co-editor Constance Bailey at her website and on Instagram.

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Francis Young, "Fairies: A History" (John Wiley & Sons, 2026)

Tue, 21 Apr 2026 08:00:00 -0000

Many people think they know what fairies are, what a fairy looks like, and how a fairy is expected to behave. Dr. Francis Young's Fairies: A History (Polity, 2026) demonstrates that the truth about belief in fairies is far stranger than clichéd images of tiny figures with wings and wands.
Before the rise of the 'small winged fairy' in the nineteenth century, the category of fairies included a vast range of supernatural human-like creatures, from the elves of Scandinavia and the aos sí of Ireland to the vilas of the Balkans and the fadas of Iberia. Dr. Young traces the ancient origins of belief in such creatures and how it adapted to the rise of Christianity and then flourished in medieval Europe, before being transformed – but not destroyed – by the upheavals of the Reformation, the Enlightenment, and even European colonial expansion, which made fairies a global phenomenon. He concludes this uniquely wide-ranging history by reflecting on the surprising ways in which fairy belief endures in our apparently disenchanted contemporary world.
No one who reads this brilliant tour through the enchanted pathways of fairyland will ever look at the winged creatures of contemporary popular culture – or the woods at the bottom of their garden – in the same way again.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.

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Paul Robichaud, "Stories of the Stones: Imagining Prehistory in Britain, Ireland and Brittany" (Reaktion, 2026)

Mon, 13 Apr 2026 08:10:00 -0000

Stories of the Stones: Imagining Prehistory in Britain, Ireland and Brittany (Reaktion, 2026) by Dr. Paul Robichaud explores how ancient monuments – standing stones, megaliths and earthworks – have been reimagined across the centuries in folklore, literature, art and popular culture. From medieval myths to Romantic fascination and from folk-horror cinema to Julian Cope, the powerful stories inspired by these enigmatic sites reflect the beliefs and anxieties of each era. Spanning Britain, Ireland and Brittany, the book includes iconic places such as Stonehenge and Newgrange, as well as lesser-known sites steeped in local lore. While the monuments' original meanings remain mysterious, our interpretations reveal deep emotional and cultural connections to the ancient landscape. Richly illustrated and wide-ranging, this book is ideal for readers interested in prehistoric monuments, storytelling traditions and the enduring power of place.

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Priyanka Kumar, "Light Between Apple Trees: Rediscovering the Wild Through a Beloved American Fruit" (Island Press, 2025)

Mon, 06 Apr 2026 08:00:00 -0000

As a child in the foothills of the Himalayas, Priyanka Kumar was entranced by forest-like orchards of diverse and luscious fruit--especially apples. These biodiverse orchards seemed worlds away from the cardboard apples that lined supermarket shelves in the United States. Yet on a small patch of woods near her home in Santa Fe, Kumar discovered a wild apple tree--and the seeds of an odyssey were planted. Could the taste of a feral apple offer a doorway to the wild? In The Light Between Apple Trees: Rediscovering the Wild Through a Beloved American Fruit (Island Press, 2026), Kumar takes us on a dazzling and transformative journey to rediscover apples, unearthing a rich and complex history while illuminating how we can reimagine our relationship with nature.

Apples are popular, but in our everyday lives we rarely encounter more than a handful of varieties: of the sixteen thousand apple varieties once celebrated in America, scarcely a fifth remain accessible. Kumar reveals the richness of a hidden world, bringing readers to the vibrant forests and orchards where historic trees still survive. These mature and wild orchards offer more than just fruit: they are havens for creatures from hummingbirds to bears and a living connection to generations past. She brilliantly weaves together science and childhood memories with the apple's storied history, from its roots in Kazakhstan to Spanish orchards in the Southwest and Thomas Jefferson's beloved Monticello fruitery.

The Light Between Apple Trees is a lyric odyssey that will forever change how you look at an "apple a day." Kumar shows how--if we follow untamed paths--the tang and texture of an apple can lead us back to the wild.

Priyanka Kumar is a nationally-acclaimed naturalist and the author. Kumar has taught at the University of California Santa Cruz and the University of Southern California, and serves on the Advisory Council of the Leopold Writing Program.

Caleb Zakarin is the CEO and Publisher of the New Books Network.

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Manchán Magan, "Thirty-Two Words for Field: Lost Words of the Irish Landscape" (Chelsea Green, 2026)

Wed, 11 Feb 2026 09:02:00 -0000

Most people associate Britain and Ireland with the English language, a vast, sprawling linguistic tree with roots in Latin, French, and German, and branches spanning the world, from Australia and India to North America.

But the inhabitants of these islands originally spoke another tongue. Look closely enough and English contains traces of the Celtic soil from which it sprung, found in words like bog, loch, cairn and crag. Today, this heritage can be found nowhere more powerfully than in modern-day Gaelic.

In Thirty-Two Words for Field: Lost Words of the Irish Landscape (Chelsea Green, 2026) Manchán Magan explores the enchantment, sublime beauty and sheer oddness of a 3000-year-old lexicon. Imbuing the natural world with meaning and magic, it evokes a time-honoured way of life, from its 32 separate words for a field, to terms like loisideach (a place with a lot of kneading troughs), bróis (whiskey for a horseman at a wedding), and iarmhaireacht (the loneliness you feel when you are the only person awake at cockcrow).

Told through stories collected from Magan’s own life and travels, Thirty-Two Words for Field is an enthralling celebration of Irish words, and a testament to the indelible relationship between landscape, culture and language.

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Leah Lowthorp, "Deep Cosmopolitanism: Kutiyattam, Dynamic Tradition, and Globalizing Heritage in Kerala, India" (Indiana UP, 2025)

Wed, 14 Jan 2026 09:00:00 -0000

Deep Cosmopolitanism: Kutiyattam, Dynamic Tradition, and Globalizing Heritage in Kerala, India explores the extraordinary past and present of Kutiyattam Sanskrit theater, the world's oldest continuously performed theater. Recognized as India's first UNESCO intangible cultural heritage of humanity, the matrilineal temple art of Kutiyattam has been performed by men and women in Kerala, India, since the tenth century C.E.

This book illustrates how Kutiyattam Sanskrit theater has encountered multiple forms of cosmopolitanism over the course of its thousand-year history. Exploring how Kutiyattam artists create meaning out of their deep past through everyday narratives and reflections, author Leah Lowthorp traces the art's cosmopolitan encounters over time, from the premodern Sanskrit cosmopolis to Muslim sultans, British colonialists, Communist politics, and UNESCO intangible cultural heritage. In so doing, Lowthorp fundamentally rethinks the notion of cosmopolitanism from a non-Western perspective with premodern roots and offers a critique of the colonialist undertones of how international heritage organizations like UNESCO conceptualize peoples and traditions around the world.

Diving into an ethnographic exploration that considers Kutiyattam's multiple cosmopolitanisms over a period of one thousand years, Deep Cosmopolitanism offers a model for decolonizing modernity and challenges us to rethink what it means to be cosmopolitan, traditional, and modern in the world today.

Indiana University Press generiously make this book freely available as an Open Access monograph. To read, please visit here.

Leah Lowthorp is Assistant Professor of Anthropology and Folklore at the University of Oregon. She is a cultural anthropologist and a folklorist. She is editor (with Frank J. Korom) of South Asian Folklore in Transition: Crafting New Horizons (Routledge, 2019). Her email address is lowthorp@uoregon.edu.

Yadong Li is an anthropologist-in-training. He is a PhD candidate of Socio-cultural Anthropology at Tulane University. His research interests lie at the intersection of political ecology, critical development studies, and the anthropology of time. More details about his scholarship and research interests can be found here.

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Tracey Norman and Mark Norman, "Devon's Forgotten Witches: 1860–1910" (The History Press, 2025)

Tue, 23 Dec 2025 10:00:00 -0000

Witchcraft and witches throughout history have long captured the imagination, yet hidden away in archives are records of long forgotten cases. Many of these are tragic, some are unusual – perhaps even inexplicable – but all are fascinating in their own right.

Devon’s Forgotten Witches 1860–1910 (The History Press, 2025) by Mark Norman and Tracey Norman takes a deep dive through these records, bringing to the surface accusations of witchcraft in the county that have languished, unacknowledged, in the British Newspaper Archive for decades. These are the stories of ordinary people whose lives were touched in some way by witchcraft.

Tracey Norman and Mark Norman examine these cases within their historical context, pulling together details from various news reports to explore what might really have happened. This work provides an intriguing snapshot of press coverage in the Victorian and Edwardian eras, showing how the public were urged to view those who still put their faith in ‘incredible superstition’. Most importantly, the retelling of these stories gives a new voice to those whom the historical record has silenced.

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Andrea Kitta, "The Kiss of Death: Contagion, Contamination, and Folklore" (Utah State UP, 2019)

Sat, 08 Nov 2025 09:00:00 -0000

Disease is a social issue and not just a medical one. This is the central tenet underlying The Kiss of Death: Contagion, Contamination, and Folklore (Utah State University Press 2019) by Andrea Kitta, Associate Professor in the English department at East Carolina University, examines the discourses and metaphors of contagion and contamination in vernacular beliefs and practices across a number of media and forms. Using ethnographic, media, and narrative analysis, chapters discuss the changing representations of vampires and zombies in popular culture, the online discussions of Slenderman in relation to adolescent experiences of bullying, the misogyny embedded in legends about kisses that kill, and the racialized nature of patient-zero narratives that surrounding the spread of things like ebola, and the ways in which the HPV vaccine to homophobia. Issues like tellability and the stigmatized vernacular loom large throughout. Although folklorists will already recognize the social importance of vernacular narrative and belief, The Kiss of Death also shows how medical professionals have often failed to take vernacular forms into account. Through attention to narrative and vernacular belief, folklorists can model new forms of engaging with public health professionals and local communities.

Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet.

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Jessica Campbell, "The Brontës and the Fairy Tale" (Ohio UP, 2024)

Sat, 01 Nov 2025 08:00:00 -0000

The Brontës and the Fairy Tale (Ohio UP, 2024) by Dr. Jessica Campbell is the first comprehensive study devoted to the role of fairy tales and folklore in the work of Charlotte, Emily, Anne, and Branwell Brontë. It intervenes in debates on genre, literary realism, the history of the fairy tale, and the position of women in the Victorian period. Building on recent scholarship emphasizing the dynamic relationship between the fairy tale and other genres in the nineteenth century, the book resituates the Brontës’ engagement with fairy tales in the context of twenty-first-century assumptions that the stories primarily evoke childhood and happy endings. Dr. Campbell argues instead that fairy tales and folklore function across the Brontës’ works as plot and character models, commentaries on gender, and signifiers of national identity.
Scholars have long characterized the fairy tale as a form with tremendous power to influence cultures and individuals. The late twentieth century saw important critical work revealing the sinister aspects of that power, particularly its negative effects on female readers. But such an approach can inadvertently reduce the history of the fairy tale to a linear development from the “traditional” tale (pure, straight, patriarchal, and didactic) to the “postmodern” tale (playful, sophisticated, feminist, and radical). Dr. Campbell joins other contemporary scholars in arguing that the fairy tale has always been a remarkably elastic form, allowing writers and storytellers of all types to reshape it according to their purposes.
The Brontës are most famous today for Jane Eyre and Wuthering Heights, haunting novels that clearly repurpose fairy tales and folklore. Dr. Campbell’s book, however, reveals similar repurposing throughout the entire Brontë oeuvre. The Brontës and the Fairy Tale is recursive: in demonstrating the ubiquity and multiplicity of uses of fairy tales in the works of the Brontës, Campbell enhances not only our understanding of the Brontës’ works but also the status of fairy tales in the Victorian period.

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John Blair, "Killing the Dead: Vampire Epidemics from Mesopotamia to the New World" (Princeton UP, 2025)

Thu, 30 Oct 2025 08:00:00 -0000

Killing the Dead: Vampire Epidemics from Mesopotamia to the New World (Princeton UP, 2025) by Professor John Blair provides the first in-depth, global account of one of the world’s most widespread yet misunderstood forms of mass hysteria—the vampire epidemic. In a spellbinding narrative, Dr. Blair takes readers from ancient Mesopotamia to present-day Haiti to explore a macabre frontier of life and death where corpses are believed to wander or do harm from the grave, and where the vampire is a physical expression of society’s inexplicable terrors and anxieties.
In 1732, the British public opened their morning papers to read of lurid happenings in eastern Europe. Serbian villagers had dug up several corpses and had found them to be undecayed and bloated with blood. Recognizing the marks of vampirism, they mutilated and burned them. Centuries earlier, the English themselves engaged in the same behavior. In fact, vampire epidemics have flared up throughout history—in ancient Assyria, China, and Rome, medieval and early modern Europe, and the Americas. Blair blends the latest findings in archaeology, anthropology, and psychology with vampire lore from literature and popular culture to show how these episodes occur at traumatic moments in societies that upend all sense of security, and how the European vampire is just one species in a larger family of predatory supernatural entities that includes the female flying demons of Southeast Asia and the lustful yoginīs of India.
Richly illustrated, Killing the Dead provocatively argues that corpse-killing, far from being pathological or unhealthy, served as a therapeutic and largely harmless outlet for fear, hatred, and paranoia that would otherwise result in violence against marginalized groups and individuals.

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Matthias Egeler, "Elves and Fairies: A Short History of the Otherworld" (Yale UP, 2025)

Sat, 11 Oct 2025 08:00:00 -0000

Originating in Norse and Celtic mythologies, elves and fairies are a firmly established part of Western popular culture. Since the days of the Vikings and Arthurian legend, these sprites have undergone huge transformations. From J. R. R. Tolkien’s warlike elves, based on medieval legend, to little flower fairies whose charms even Sir Arthur Conan Doyle succumbed to, they permeate European art and culture.

In Elves and Fairies: A Short History of the Otherworld (Yale University Press, 2025), Dr. Matthias Egeler explores these mythical creatures of Iceland, Ireland, Scotland, and England, and their continental European cousins. Dr. Egeler goes on a journey through enchanted landscapes and literary worlds. He describes both their friendly and their dangerous, even deadly, sides. We encounter them in the legends of King Arthur’s round table and in Shakespeare’s A Midsummer Night’s Dream, in the terrible era of the witch trials, in magic’s peaceful conquest of Victorian bourgeois salons, in the child-friendly form of Peter Pan, and even as helpers in the contemporary fight against environmental destruction.

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Fiona J. Mackenzie, "The Cadence of a Song: The Life of Margaret Fay Shaw" (Birlinn, 2025)

Thu, 25 Sep 2025 08:00:00 -0000

The American-born folklorist and musician Margaret Fay Shaw’s passion for the Hebrides led her to the island of South Uist in 1929 and then to Canna in 1935 as the wife of the eminent folklorist John Lorne Campbell.

Her extraordinary work in documenting and preserving traditional Gaelic songs and customs remains a vital resource for understanding Hebridean music, and the Campbells’ house on Canna is a unique collection of priceless material celebrating the Hebridean world. This vast archive also includes Margaret's collection of still and film photography, which capture the essence of island life at a time when old traditions were vanishing.

The Cadence of a Song: The Life of Margaret Fay Shaw (Birlinn, 2025) by Fiona J. Mackenzie celebrates the legacy and life of a remarkable woman, who herself wrote with such wit and flair of her travels and adventures and which took her from turn of-the-century Pennsylvania to 1920s New York, Paris, Nova Scotia and the Hebrides, where she lived until her death in 2004.

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Stuart McHardy, "Scotland's Sacred Goddess: Hidden in Plain Sight" (Luath, 2025)

Sun, 21 Sep 2025 08:00:00 -0000

In Scotland’s Sacred Goddess: Hidden in Plain Sight (Luath Press, 2025), Stuart McHardy delves into the rich tapestry of pre-Christian Scottish beliefs, uncovering the enduring presence of ancient mythologies in today’s landscape. Long before the arrival of Christian monks, the Scots revered a pantheon of deities, with the Cailleach Goddess at its heart.

McHardy skillfully weaves together ancient oral traditions, place names, local folklore and the shapes of the land itself to reveal the lingering echoes of these ancient beliefs. He traces how the stories of witches, the Devil and other supernatural beings are rooted in these early mythologies, highlighting a powerful feminine force central to creation and understanding the world.

This book explores how ancient stories, though transformed over millennia, continue to in
Scotland’s cultural and physical landscape, offering a fresh perspective on how ancient myths and the sacred feminine still in the modern world. McHardy’s work is a profound testament to the enduring legacy of Scotland’s sacred goddess.

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Eleanor Conlon and Martin Vaux, "The Three Ravens Folk Tales: New Tellings of Half-forgotten Stories from England's 39 Historic Counties" (The History Press, 2025)

Thu, 18 Sep 2025 08:00:00 -0000

Do you know the legends of the giants who ruled England before the first human kings? What about the demon dog Black Shuck who terrorized sixteenth-century Norfolk? Or the many times the Devil has tried to get his way before being outwitted by everyday people?

England’s historic counties are overflowing with folklore, and this collection of 39 stories from the hit podcast Three Ravens reimagines dozens of classic tales in surprising, spooky, and often hilarious ways. Filled with tales of ghosts, mermaids, half-forgotten heroes, bloody legends and more, The Three Ravens Folk Tales: New tellings of half-forgotten stories from England's 39 Historic Counties (The History Press, 2025) by Eleanor Conlon and Martin Vaux spans centuries, styles, tones and narrators, making it perfect for bedtimes, reading by torchlight, or curling up on the sofa to enjoy with a mug of something hot.

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Spike Bucklow, "The Year: An Ecology of the Zodiac" (Reaktion Books, 2025)

Mon, 15 Sep 2025 08:00:00 -0000

Spike Bucklow joins Jana Byars to talk about The Year: An Ecology of the Zodiac (Reaktion, 2025). This delightful book defies genre. It is a journey through nature’s yearly cycle, blending science, history and poetic reflection.The Year takes us on a journey exploring how nature transforms across twelve months, each chapter focusing on a specific month’s natural events, from spring’s beginning through to winter’s end. It opens with an overview of our evolving understanding of time and nature, from ancient astronomy to the present, and concludes with a chapter on the impact of climate change. Spike Bucklow draws on both modern ecological studies and historical naturalists such as Aristotle, Gilbert White, Thoreau and Aldo Leopold. Poetic reflections from Ovid, Shakespeare, John Clare and William Wordsworth enrich the narrative, giving further insights into nature’s changes. Blending modern science with traditional wisdom, The Year provides a positive perspective on ecological, global and personal change, appealing to those interested in ecology, astrology and the history of science.

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Philip Carr-Gomm, "A Brief History of Nakedness" (Reaktion, 2010)

Wed, 13 Aug 2025 08:00:00 -0000

Philip Carr-Gomm joins Jana Byars to talk about A Brief History of Nakedness (Reaktion, 2010) on the occasion of its newest paperback edition. From the naked sages of India to modern-day witches and Christian nudists, from Lady Godiva to Lady Gaga, Carr-Comm writes a survey of the touching, sometimes tragic, and often bizarre story of our relationships with our naked bodies. As one common story goes, Adam and Eve, the first man and woman, had no idea that there was any shame in their lack of clothes; they were perfectly confident in their birthday suits among the animals of the Garden of Eden. All was well until that day when they ate from the Tree of Knowledge of Good and Evil and went scrambling for fig leaves to cover their bodies. Since then, lucrative businesses have arisen to provide many stylish ways to cover our nakedness, for the naked human body now evokes powerful and often contradictory ideas--it thrills and revolts us, signifies innocence and sexual experience, and often marks the difference between nature and society. In A Brief History of Nakedness psychologist Philip Carr-Gomm traces our inescapable preoccupation with nudity. Rather than studying the history of the nude in art or detailing how the naked body has been denigrated in the media, A Brief History of Nakedness reveals how religious teachers, politicians, protesters, and cultural icons have used nudity to enlighten or empower themselves as well as entertain us. Among his many examples, Carr-Gomm discusses how advertisers and the media employ images of bare skin--or even simply the word "naked"--to garner our attention, how mystics have used nudity to get closer to God, and how political protesters have discovered that baring all is one of the most effective ways to gain publicity for their cause. Carr-Gomm investigates how this use of something as natural as nakedness actually gets under our skin and evokes complicated and complex emotional responses.

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Matthew R. Sparks and Olivia Sizemore, "Haint Country: Dark Folktales from the Hills and Hollers" (UP of Kentucky, 2024)

Tue, 12 Aug 2025 08:00:00 -0000

Matthew Sparks and Oliva Sizemore join Jana Byars for a fun, chilling, and thoughtful discussion about about Haint Country: Dark Tales from the Hills and Hollers (University Press of Kentucky, 2024). The hills of the Appalachia region hold secrets—dark, deep, varied, and mysterious. These secrets are often told in the form of eerie, thrilling, and creepy folk tales that reveal strange sightings, curious oddities, and commonly serve as cautionary tales for eager and curious ears. These spine-tingling stories have been told and retold by family members, neighbors, and "hillfolk" for generations. Haint Country: Dark Folktales from the Hills and Hollers is a collection of weird, otherworldly, and supernatural phenomenon in Eastern Kentucky—tales that have been recorded and documented for the first time. Collected and adapted by Matthew Sparks and Olivia Sizemore, the anthology explores stories of ghosts or "haints," strange creatures or "boogers," haunted locations or "stained earth," uncanny happenings or "high strangeness," and humorous Appalachian ghost stories. Contemporary yarns of black panthers, demons, and sightings of ghostly coal miners are narrated in the first person, reflecting the style and dialect of the collected oral history. Though comprised of a mixture of claimed accounts and fabricated lore, the locations and people woven throughout are very real. Complemented with evocative watercolor illustrations by Olivia Sizemore (who was inspired by the work of Stephen Gammell) and a compendium that provides additional context, Haint Country is a thrilling and bone-chilling excursion to the spooky corner of Appalachia.

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Dom Ford, "Mytholudics: Games and Myth" (de Gruyter, 2025)

Tue, 05 Aug 2025 08:00:00 -0000

Dom Ford joins Jana Byars to talk about Mytholudics: Game and Myth (DeGruyter Brill, 2025). Games create worlds made of many different elements, but also of rules, systems and structures for how we act in them. So how can we make sense of them? Mytholudics: Games and Myth lays out an approach to understanding games using theories from myth and folklore. Myth is taken here not as an object but as a process, a way of expressing meaning. It works to naturalise arbitrary constellations of signs, to connect things in meaning. Behind the phrase ‘just the way it is’ is a process of mythologization that has cemented it.

Mytholudics lays out how this understanding of myth works for the analysis of games. In two sections each analysing five digital games, it then shows how this approach works in practice: one through the lens of heroism and one through monstrosity. These ask questions such as what heroic mythology is constructed in Call of Duty? What do the monsters in The Witcher tell us about the game’s model of the world? How does Hellblade: Senua’s Sacrifice weave a conflict between Norse and Pictish mythology into one between competing models of seeing mental illness? This method helps to see games and their worlds in the whole. Stories, gameplay, systems, rules, spatial configurations and art styles can all be considered together as contributing to the meaning of the game.

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Isabel Toral and Beatrice Gruendler, "An Unruly Classic: Kalīla and Dimna and Its Syriac, Arabic, and Early Persian Versions" (Brill, 2024)

Sun, 03 Aug 2025 08:00:00 -0000

The collection of wisdom fables known as Kalila and Dimna began its long literary life in Sanskrit more than two millennia ago, and was subsequently translated to numerous languages. But it is the Arabic version, adapted from Middle Persian by the eighth-century scholar Ibn al-Muqaffa, that has left the most substantial literary footprint. A foundational text of classical Arabic prose and the basis for translations into Hebrew, Syriac, Castilian, Latin, Persian, and more, versions of Kalila and Dimna exists in hundreds of manuscript copies held in libraries around the world.
Kalila and Dimna is the focus of Isabel Toral and Beatrice Gruendler's new work An Unruly Classic: Kalīla and Dimna and Its Syriac, Arabic, and Early Persian Versions (Brill: 2024). In this collected volume, members of the Kalila and Dimna project discuss, from different perspectives, a core aspect of their work with this textual tradition: the study of variation and mutability. The aim is to shed light on Kalila and Dimna’s so-called mouvance and establish typologies of textual mobility and instability across linguistic traditions and historical periods, as well as to develop analytical tools to describe, classify, represent, and interpret these dynamics. As will be shown, the progressive digitalization of philology in the last decades has offered the unique opportunity of putting the concept of mouvance into practice. Contributors include Theodore S. Beers, Jan J. van Ginkel, Khouloud Khalfallah, Mahmoud Kozae, Rima Redwan, and Johannes Stephan.

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Kirstie Macleod, "The Red Dress: Conversations in Stitch" (Quickthorn, 2025)

Wed, 09 Jul 2025 08:00:00 -0000

The Red Dress: Conversations in Stitch (Quickthorn, 2025), shares the deeper story of The Red Dress, its embroiderers and Kirstie Macleod's own story whilst opening up the wider issues the garment prompts for its audiences through thematic essays by individuals involved in the greater project on subjects such as empowerment, finding voice, feminism, community and healing trauma.

This project offered a platform for people, mostly women, who are vulnerable and live in poverty to share their stories through embroidery. The completed Red Dress traveled for 14.5 years and was embroidered by 367 women/girls, 7 men/boys, and 2 non-binary artists from 51 countries. All 141 commissioned artisans were paid for their work and received annual donations from exhibition fees and merchandise profit. Additional small embroideries were added by participants and audiences at various events.

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Jasper Waugh-Quasebarth, "Finding the Singing Spruce: Musical Instrument Makers and Appalachia's Mountain Forests" (West Virginia UP, 2023)

Wed, 09 Jul 2025 08:00:00 -0000

2023 Weatherford Award Finalist, Nonfiction

How can the craft of musical instrument making help reconnect people to place and reenchant work in Appalachia? How does the sonic search for musical tone change relationships with trees and forests? Following three craftspeople in the mountain forests of Appalachia through their processes of making instruments, Finding the Singing Spruce: Musical Instrument Makers and Appalachia's Mountain Forests (West Virginia UP, 2023) considers the meanings of work, place, and creative expression in drawing music from wood.

Jasper Waugh-Quasebarth explores the complexities and contradictions of instrument-making labor, which is deeply rooted in mountain forests and expressive traditions but also engaged with global processes of production and consumption. Using historical narratives and sensory ethnography, among other approaches, he finds that the craft of lutherie speaks to the past, present, and future of the region’s work and nature.

From West Virginia University Press

Jasper Waugh-Quasebarth PhD is Director and Curator of the Gordon Art Galleries at Old Dominion University in Norfolk, Virginia. He earned a PhD and MA in Anthropology from the University of Kentucky and a BA in Anthropology and History from the University of Virginia. He has held research, teaching, and administrative positions in Anthropology and Folklore Studies through his work with the Smithsonian Institution’s Asian Cultural History Program, the University of Kentucky Department of Anthropology and Appalachian Center, and The Ohio State University Department of Comparative Studies and Center for Folklore Studies.

Rachel Hopkin PhD is a folklorist and audio producer.

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Introducing The Critical Edition of the Works of C. G. Jung

Mon, 16 Jun 2025 08:00:00 -0000

"Princeton University Press is thrilled to share news of a major new initiative: the publication of The Critical Edition of the Works of C. G. Jung. As the longtime publisher of the Collected Works of C. G. Jung in North America, PUP is honored to be global publisher of the Critical Edition, having recently secured world language rights and the support from the Foundation of the Works of C. G. Jung in Zürich, who will be facilitating and guiding access to documents and letters and providing its expertise to this major undertaking based on family archives.

Led by general editor Sonu Shamdasani, an esteemed historian of psychiatry and psychology and a preeminent expert on Jung, this ambitious, multi-year undertaking will result in 26 volumes of material, all newly translated by Caitlin Stephens, that will bring the Swiss psychologist’s formidable work to new life for a new generation of readers. Astrid Freuler, an independent professional translator, will provide proofreading for the translations. Volumes will feature a scholarly apparatus, including historical introductions, contextual annotations that will draw heavily on Jung’s unpublished correspondences, and variorum presentations of works that went through multiple editions, noting revisions. Alongside the general editor, Jung historians Gaia Domenici, Martin Liebscher, and Christopher Wagner will serve as volume editors."

-From Princeton University Press' announcement

Sonu Shamdasani is a professor at University College London, co-director at the health humanities center, and recognized as one of the world’s most renowned scholars of psychologist, Carl Jung.

Caleb Zakarin is editor of the New Books Network.

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Korshi Dosoo and Markéta Preininger, "Papyri Copticae Magicae: Coptic Magical Texts, Volume 1: Formularies" (de Gruyter, 2023)

Fri, 23 May 2025 08:00:00 -0000

Papyri Copticae Magicae: Coptic Magical Texts, Volume 1: Formularies (de Gruyter, 2023) offers an accessible repository of edited Coptic magical texts. The book is a careful and thorough edition and philological study of thirty-seven distinct Coptic manuscripts, covering a wide range of magical applications—from love spells, to curses, to exorcisms, and healing invocations. The volume makes available a rich set of evidence of everyday concerns of love, justice, strife, and health in late ancient Egypt to readers outside of the niche community of scholars of Coptic language. You will discover ancient ritual texts including instructions for healing bowels, a formula for sleep, a spell request for a good singing voice, and a love spell for attracting the attention of a crush in a one-sided romance. You will also find a curious assemblage of divine names and a list of material objects necessary for offerings that suggest need for ingredients like sweat of a bee, foam from the mouth of a horse, frog blood, incense, or different types of plant matter. For scholars interested in history of late ancient Egypt, history of Christianities, Manichaeism, Coptic language, esoterica and magic in late antiquity, material culture, or manuscripts this monograph will provide an important resource for the study and expansion of the vocabularies, grammars, and material practices of ancient rituals.

Korshi Dosoo is is currently co-Principal Investigator of the “Corpus of Coptic Magical Formularies (CoMaF)” project based at the Julius Maximilian University Würzburg.

Dr. Lydia Bremer-McCollum teaches Coptic at the University of Notre Dame and religious studies at Spelman College.

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Korshi Dosoo and Markéta Preininger, "Papyri Copticae Magicae: Coptic Magical Texts, Volume 1: Formularies" (de Gruyter, 2023)

Fri, 23 May 2025 08:00:00 -0000

Korshi Dosoo is is currently co-Principal Investigator of the “Corpus of Coptic Magical Formularies (CoMaF)” project based at the Julius Maximilian University Würzburg.

Dr. Lydia Bremer-McCollum teaches Coptic at the University of Notre Dame and religious studies at Spelman College.

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Dagrún Ósk Jónsdóttir, "Ghosts, Trolls, and the Hidden People: An Anthology of Icelandic Folk Legends" (Reaktion, 2025)

Sat, 17 May 2025 08:00:00 -0000

Dagrún Ósk Jónsdóttir joins Jana Byars to talk about her new book, Ghosts, Trolls, and Hidden People: An Anthology of Icelandic Folk Legends (Reaktion, 2025). This unique and enchanting book opens the door to a captivating world of Icelandic folk legends. The six chapters of this anthology are each based on a different setting: farm, wilderness, darkness, church, ocean and shore. It provides translated tales from the nineteenth and twentieth centuries, as well as introductions by the editor which place these often-supernatural happenings in the context of Icelandic society. The legends include stories of hidden people, trolls, ghosts, sea monsters and even polar bears, exploring themes of love, revenge and conflict. The book highlights the tension between Christianity and paganism, past and present, nature and humanity, and divides within society. Drawing from a wide variety of Icelandic sources, this book makes these colourful, entertaining, lively folk legends available to non-Icelandic speakers, many for the first time.

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James B. Haile III, "The Dark Delight of Being Strange: Black Stories of Freedom" (Columbia UP, 2024)

Tue, 13 May 2025 08:00:00 -0000

An ambitious genre-crossing exploration of Black speculative imagination, The Dark Delight of Being Strange: Black Stories of Freedom (Columbia University Press 2024) combines fiction, historical accounts, and philosophical prose to unveil the extraordinary and the surreal in everyday Black life.
In a series of stories and essays, James B. Haile, III, traces how Black speculative fiction responds to enslavement, racism, colonialism, and capitalism and how it reveals a life beyond social and political alienation. He re-envisions Black technologies of freedom through Henry Box Brown’s famed escape from slavery in a wooden crate, fashions an anticolonial “hollow earth theory” from the works of H. G. Wells and Jules Verne, and considers the octopus and its ability to camouflage itself as a model for Black survival strategies, among others. Looking at Black life through the lens of speculative fiction, this book transports readers to alternative worlds and spaces while remaining squarely rooted in present-day struggles. In so doing, it rethinks historical and contemporary Black experiences as well as figures such as Harriet Tubman, Frederick Douglass, Booker T. Washington, W. E. B. Du Bois, Henry Dumas, and Toni Morrison.
Offering new ways to grasp the meanings and implications of Black freedom, The Dark Delight of Being Strange invites us to reimagine history and memory, time and space, our identities and ourselves.

Winner, 2025 Hugh J. Silverman Book Prize, Association for Philosophy and Literature

Finalist, 2025 PEN America Open Book Award

James B. Haile III is a Professor of English & Philosophy at the University of Rhode Island. You can find him at the University of Rhode Island Philosophy Department website.

You can find the host, Sullivan Summer, online, on Instagram, and at Substack, where she and Dr. Haile continue their conversation.

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Christian Sheppard, "The Ancient Wisdom of Baseball: Lessons for Life from Homer's Odyssey to the World Series" (Greenleaf, 2025)

Thu, 10 Apr 2025 08:00:00 -0000

Who are you, how are you supposed to live, and what about happiness? Answers to age-old questions are offered in classic myths about heroes, gods, and monsters, and at the ballgame.

In The Ancient Wisdom of Baseball (Greenleaf, 2025), author Christian Sheppard interweaves Homer’s epics with glorious stories from the green fields of America’s pastime, celebrating Achilles’ courage and Odysseus’ cunning along with the virtues of Hall of Fame players such as Jackie Robinson and Babe Ruth and of great teams such as the 2004 Red Sox and the 2016 Cubs. Along the way, Sheppard humorously recollects trying to raise his baby daughter true to the teachings of ancient myth and his beloved game. The result is an endearing, insightful, and inspiring guide to cultivating virtue and becoming the hero of your own life’s odyssey.

Christian Sheppard holds a PhD in Religion and Literature from the University of Chicago where he taught the “Great Books” for over a decade. He is presently a professor of liberal arts at the School of the Art Institute of Chicago.

Caleb Zakarin is editor at the New Books Network.

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Nicholas Jubber, "Monsterland: A Journey Around the World’s Dark Imagination" (Scribe, 2025)

Thu, 10 Apr 2025 08:00:00 -0000

Monsters, in all their terrifying glory, have preoccupied humans since we began telling stories. But where did these stories come from?

In Monsterland: A Journey Around the World’s Dark Imagination (Scribe, 2025), award-winning author Nicholas Jubber goes on a journey to discover more about the monsters we’ve invented, lurking in the dark and the wild places of the earth — giants, dragons, ogres, zombies, ghosts, demons — all with one thing in common: their ability to terrify.

His far-ranging adventure takes him across the world. He sits on the thrones of giants in Cornwall, visits the shrine of a beheaded ogre near Kyoto, travels to an eighteenth-century Balkan vampire’s forest dwelling, and paddles among the shapeshifters of the Louisiana bayous. On his travels, he discovers that the stories of the people and places that birthed them are just as fascinating as the creatures themselves.

Artfully written, Monsterland is a spellbinding interrogation into why we need these monsters and what they can tell us about ourselves — how they bind communities together as much as they cruelly cast away outsiders.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Liz William, "Rough Music: Folk Customs, Transgression and Alternative Britain" (Reaktion, 2025)

Sat, 29 Mar 2025 08:00:00 -0000

Rough Music: Folk Customs, Transgression and Alternative Britain (Reaktion, 2025) by Liz Williams explores transgression and shame in British folklore and customs from ancient Britain to the present day. From Bonfire Night to Wassail, Morris dancing, Mari Lwyd and Twelfth Night, along with events like street football and the Cooper’s Hill Cheese-Rolling and Wake, Liz Williams reveals the roots and roles of violence, mockery, protest and public shaming. She also looks at alternative culture and modern protests, such as the Battle of the Beanfield and the Stonehenge Free Festival, as well as interaction between racism and traditions involving blackface, alongside the emergence of all-female Morris sides.This engaging book offers an entertaining and revealing look at British folklore and culture.

This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s episodes on New Books with Miranda Melcher, wherever you get your podcasts.

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Jennifer L. Freeman Marshall, "Ain't I an Anthropologist: Zora Neale Hurston Beyond the Literary Icon" (U Illinois Press, 2023)

Wed, 12 Mar 2025 08:00:00 -0000

Iconic as a novelist and popular cultural figure, Zora Neale Hurston remains underappreciated as an anthropologist. Is it inevitable that Hurston's literary authority should eclipse her anthropological authority? If not, what socio-cultural and institutional values and processes shape the different ways we read her work? Jennifer L. Freeman Marshall considers the polar receptions to Hurston's two areas of achievement by examining the critical response to her work across both fields. Drawing on a wide range of readings, Freeman Marshall explores Hurston's popular appeal as iconography, her elevation into the literary canon, her concurrent marginalization in anthropology despite her significant contributions, and her place within constructions of Black feminist literary traditions. Perceptive and original, Ain't I an Anthropologist (University of Illinois Press, 2023) is an overdue reassessment of Zora Neale Hurston's place in American cultural and intellectual life.

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Daemons, Tantra, and Cultural Exchange with David Gordon White

Tue, 11 Mar 2025 08:00:00 -0000

In this episode, Dr. Pierce Salguero sits down with David Gordon White, a distinguished indologist and scholar of Tantra. Our conversation focuses on David’s most recent project tracing the transregional histories of spirits, gods, demons, and their associated rituals across Eurasia. Along the way, we dive into an intellectual conversation about dog-headed men, angry goddesses, alchemical mercury, body-snatching yogis, the origins of Dracula, and much, much more.

If you want to hear scholars and practitioners engaging in deep conversations about the dark side of Asian religions and medicines, then subscribe to Black Beryl wherever you get your podcasts. You can also check out our members-only benefits on blackberyl.substack.com. Enjoy the show!

Resources mentioned

David Gordon White, Daemons are Forever (2021)
David Gordon White, Myths of the Dog-Man (1991)
David Gordon White, The Alchemical Body (1997)
David Gordon White, Kiss of the Yogini (2006)
David Gordon White, Sinister Yogis (2011)
Michel Strickmann, Chinese Magical Medicine (2002)
Michel Strickmann, Mantras et Mandarins (1996)
David Gordon White, “Three Shades of Tantric Yoga,” in Oxford Handbook of Tantric Studies (2024)
David Gordon White, "Were-Creatures of the Eurasian Ecumene," Journal Asiatique(2020)
David Gordon White, "Dracula’s Family Tree," Gothic Studies (2021)

Pierce Salguero is a transdisciplinary scholar of health humanities who is fascinated by historical and contemporary intersections between Buddhism, medicine, and crosscultural exchange. He has a Ph.D. in History of Medicine from the Johns Hopkins School of Medicine (2010), and teaches Asian history, medicine, and religion at Penn State University’s Abington College, located near Philadelphia. www.piercesalguero.com.

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Audun Kjus et al., "Adventures in the Play-Ritual Continuum" (Utah State UP, 2024)

Fri, 21 Feb 2025 09:00:00 -0000

Audun Kjus joins Jana Byars to talk about Adventures in the Play-Ritual Continuum (Utah State Press, 2025), eds. Audun Kjus, Jakob Löfgren, Cliona O’Carroll, Simon Poole & Ida Tolgensbakk. Utah State Press, 2025).

The junctions between play and ritual are many and complex. Play is for fun and joy, but it also demands a total commitment and serious respect for rules. Rituals involve nearly endless varieties of social arrangements and can truly transform people, but they also include improvisation, testing, and pretending. Adventures in the Play-Ritual Continuum explores the connectivity between the playful and the ritualized through a fresh theoretical perspective, highlighting the creative messiness and the cultural paradoxes such intersections allow. The chapters span topics such as hen parties, marriage proposals, ash scatterings, extreme sports races, football fans, computer game festivals, celebrations of fandom, migration heritages, and antiracist protests. While the case studies are selected to show a range of diversity with various mergings of play, game, ritual, ceremony, rite, and ritualizing, the introductory and concluding discussions offer sharpened perspectives on common aspects. Following these excursions through the play-ritual continuum will be enjoyable for readers interested in how people make sense of their own existence and profitable for scholars in folklore, anthropology, religion, pedagogy, cultural studies, and social sciences and humanities more generally.

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Ann Schmiesing, "The Brothers Grimm: A Biography" (Yale UP, 2024)

Tue, 04 Feb 2025 09:00:00 -0000

Ann Schmiesing, Ph.D. is Professor of German and Scandinavian Studies at the University of Colorado-Boulder, with research interests spanning 18th and 19th-century German and Norwegian literature and culture. In our interview we discuss her new book, The Brothers Grimm: A Biography (Yale UP, 2024), their first biography in over half a century. We talk about what led her to Germanic studies and fairy tales in particular. We discuss the revelations in her book dealing with their lives and work, their antisemitism as reflected in their correspondence and the stories they published and its long-ranging consequences. We talk about some of her favorite fairy tales and what makes them special.

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Sara Burdorff, "Maternity, Monstrosity, and Heroic (Im)mortality from Homer to Shakespeare" (Amsterdam UP, 2025)

Sun, 02 Feb 2025 09:00:00 -0000

Sara Burdorff joins Jana Byars to talk about her new book, Maternity, Monstrosity and Heroic (Im)mortality from Homer to Shakespeare (Amsterdam University Press, 2025). This work uses an adaptation of monster theory to rethink the foundations of epic-heroic immortality. Rather than focusing on a specific monster or monsters, the author identifies the "belly-monstrous" as a crucial point of intersection between mothers and warriors in traditional narratives of the Trojan War. Identifying the gestating/digesting belly as the center of the Iliadic world, this groundbreaking approach disrupts androcentric readings of the Iliadic warrior and his ethos, emphasizing the crucial role of female suffering in the generation and preservation of immortal legacy. The author reconsiders ancient Greek depictions of the Trojan War and its aftermath, including Homeric epic and the tragedies of Aeschylus and Euripides, and illuminates the cohesive patterning of Shakespeare's "mother-warrior" plays, which place inherited Iliadic-belly-monstrous motifs in conversation with cultural anxieties of late Elizabethan England. With meticulous scholarship and captivating analysis, Maternity, Monstrosity, and Heroic (Im)mortality from Homer to Shakespeare redefines the relationship between mothers and warriors in the Iliadic-heroic ideal, paving the way for new interpretations of war, grief, and immortal glory in a broad range of literary and cultural contexts.

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Veronica Strang, "Water Beings: From Nature Worship to the Environmental Crisis" (Reaktion, 2023)

Fri, 20 Dec 2024 09:00:00 -0000

Jana Byars talks to Veronica Strang about her new book Water Beings: From Nature Worship to the Environmental Crisis (Reaktion, 2023). Looking to the vast human history of water worship, a crucial study of our broken relationship with all things aquatic—and how we might mend it. Early human relationships with water were expressed through beliefs in serpentine aquatic deities: rainbow-colored, feathered or horned serpents, giant anacondas, and dragons. Representing the powers of water, these beings were bringers of life and sustenance, world creators, ancestors, guardian spirits, and lawmakers. Worshipped and appeased, they embodied people’s respect for water and its vital role in sustaining all living things. Yet today, though we still recognize that “water is life,” fresh- and saltwater ecosystems have been critically compromised by human activities. This major study of water beings and what has happened to them in different cultural and historical contexts demonstrates how and why some—but not all—societies have moved from worshipping water to wreaking havoc upon it and asks what we can do to turn the tide.

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A. L. McClanan, "Griffinology: The Griffin's Place in Myth, History and Art" (Reaktion, 2024)

Sat, 14 Dec 2024 05:00:00 -0000

A. L. McClanan's Griffinology: The Griffin's Place in Myth, History and Art (Reaktion, 2024) is a fascinating exploration of the mythical creature's many depictions in human culture. Drawing on a wealth of historical and literary sources, this book shows how the griffin has captured the imagination of people for over 5,000 years, representing power, transcendence and even divinity. It explores the history and symbolism of griffins in art, from their appearances in ancient Egyptian magic wands to medieval bestiaries, and from medieval coats of arms to corporate logos today. The use of the griffin as a symbol of power and protection is surveyed throughout history and into modern times. Beautifully illustrated, this book should appeal to all those interested in monsters, magic and the mystical, as well as art and history.

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Vaughn Scribner, "Merpeople: A Human History" (Reaktion Books, 2020)

Wed, 13 Nov 2024 09:00:00 -0000

Vaughn Scribner joins Jana Byars on the occasion of the paperback edition of Merpeople: A Human History (Reaktion, 2024) People have been fascinated by merpeople and merfolk since ancient times. From the sirens of Homer’s Odyssey to Hans Christian Andersen’s The Little Mermaid and the film Splash, myths, stories, and legends of half-human, half-fish creatures abound. In modern times “mermaiding” has gained popularity among cosplayers throughout the world. In Merpeople: A Human History, Vaughn Scribner traces the long history of mermaids and mermen, taking in a wide variety of sources and using 117 striking images. From film to philosophy, church halls to coffee houses, ancient myth to modern science, Scribner shows that mermaids and tritons are—and always have been—everywhere.

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Sharonah Esther Fredrick, "An Unholy Rebellion, Killing the Gods: Political Ideology and Insurrection in the Mayan Popul Vuh and the Andean Huarochiri Manuscript" (U Nebraska Press, 2024)

Sun, 10 Nov 2024 09:00:00 -0000

An Unholy Rebellion, Killing the Gods: Political Ideology and Insurrection in the Mayan Popul Vuh and the Andean Huarochiri Manuscript (University of Nebraska Press, 2024) is the first comprehensive comparison of two of the greatest epics of the Indigenous peoples of Latin America: the Popul Vuh of the Quiché Maya of Guatemala and the Huarochiri Manuscript of Peru's lower Andean regions. The rebellious tone of both epics illuminates a heretofore overlooked aspect in Latin American Indigenous colonial writing: the sense of political injustice and spiritual sedition directed equally at European-imposed religious practice and at aspects of Indigenous belief. The link between spirituality and political upheaval in Native colonial writing has not been sufficiently explored until this work.

Sharonah Esther Fredrick applies a multidisciplinary approach that utilizes history, literature, archaeology, and anthropology in equal measure to situate the Mayan and Andean narratives within the paradigms of their developing civilizations. An Unholy Rebellion, Killing the Gods decolonizes readers' perspective by setting Mayan and Andean authorship center stage and illustrates the schisms and shifts in Native civilizations and literatures of Latin America in a way that other literary studies, which relegate Native literature as a prelude to Spanish-language literature, have not yet done. By demonstrating the power of Native American philosophy within the context of the conquest of Latin America, Fredrick illuminates the profound spiritual dissension and radically conflicting ideologies of the Mesoamerican and Andean worlds before and after the Spanish Conquest.

Books mentioned:

Breaking the Maya Code by Michael Coe
The Huarochiri Manuscript translated by Frank Salomon
Popol Vuh translated by Dennis Tedlock

Sharonah Esther Fredrick teaches in the College of Charleston's Department of Hispanic Studies. She is the Colonial Americas editor for Routledge Resources Online--The Renaissance World.

Caleb Zakarin is editor of the New Books Network.

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Erika Engelhaupt, "Go to Hell: A Traveler's Guide to Earth's Most Otherworldly Destinations" (National Geographic, 2024)

Fri, 01 Nov 2024 08:00:00 -0000

With Go to Hell: A Traveler's Guide to Earth's Most Otherworldly Destinations (National Geographic, 2024) by Erika Engelhaupt, you can go to hell and back with the help of this one-of-a-kind illustrated travel guide to real-life underworld destinations around the globe. Full of intrigue, lore, and plenty of brimstone and fire, each of the 54 destinations—from Antarctica's Blood Falls to a tropical hell on Grand Cayman island—will be worth adding to your devilish bucket list.

The world over, humans have been fascinated by hell in some form or another for thousands of years and across cultures. Now, with this illustrated collection, you can add hell to your travel bucket list with more than 50 one-of-a-kind underworld destinations, from ghost towns where Halloween is always in season, to ancient caves long viewed as entrances to Hades, to volcanoes that brim with fire and legend.

Don’t be scared: Along with the fascinating history of each location, star author Erika Engelhaupt also offers practical tips to make the most of your visit to the underbelly of the world.

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Cami D. Agan, "Cities and Strongholds of Middle-earth: Essays on the Habitations of Tolkien's Legendarium" (Mythopoeic Press, 2024)

Sat, 12 Oct 2024 08:00:00 -0000

The 13 essays collected in Cities and Strongholds of Middle-earth: Essays on the Habitations of Tolkien's Legendarium (Mythopoeic Press, 2024) foreground processes of making and constructing Arda -- either within the Secondary world or for readers/viewers -- and thus continually assert that the habitations form a vital part of the tales within that world. Because they assume a complex arrangement complete with social, familial, artistic, and political relations, cities and strongholds often define their inhabitants as crafting boundaries between themselves and the outside, the visitor, and the unknown. These essays reveal that all cities and strongholds of the legendarium function as makers of meaning, containers of relations, outposts of history, and evocations of the Past.

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Jason Ramsey, "Reckoning with Change in Yucatán: Histories of Care and Threat on a Former Hacienda" (Routledge, 2023)

Tue, 17 Sep 2024 08:00:00 -0000

A perpetual tension exists between history and change, which is an issue long explored by historians and social scientists. Reckoning with Change in Yucatán: Histories of Care and Threat on a Former Hacienda (Routledge, 2023) engages with how best to look upon and respond to change, arguing that this debate is an important arena for negotiating local belonging and a force of transformation in its own right. For residents of Chunchucmil, a historic rural community in Yucatán, Mexico, history is anything but straightforward. Living in what is both a defunct 19th-century hacienda estate and a vibrant Catholic pilgrimage site, Chunchucmileños reckon past, present, and future in radically different ways. For example, while some use the aging estate buildings to weave a history of economic decline and push for revitalization by hotel developers, others highlight the growing fame of the Virgin of the Rosary in the attached church and vow to defend the site from developer interference.

By exploring how past and future are channeled through changing built environments, landscapes, sacred relics, and legal documents, this ethnographic study details how the politics of change provide Chunchucmileños with a common language for debating commitments to place and each another in the present. Against Western notions of ‘History’ as a relatively coherent account of change, Jason Ramsey suggests we reframe it as an ongoing performance that is always fractured, democratic, and morally tinged.

Jason Ramsey is a faculty member in the Department of Anthropology at Kwantlen Polytechnic University, Canada. Based on fieldwork in Yucatan among former plantation laborers, he publishes on topics such as semiotics, ruination, value, and the anthropology of history.

Yadong Li is a PhD student in anthropology at Tulane University. His research interests lie at the intersection of the anthropology of state, the anthropology of time, hope studies, and post-structuralist philosophy. More details about his scholarship and research interests can be found here.

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Greg Eghigian, "After the Flying Saucers Came: A Global History of the UFO Phenomenon" (Oxford UP, 2024)

Wed, 11 Sep 2024 08:00:00 -0000

Roswell, 1947. Washington, DC, 1952. Quarouble, 1954. New Hampshire, 1961. Pascagoula, 1973. Petrozavodsk, 1977. Copley Woods, 1983. Explore how sightings of UFOs and aliens seized the world's attention and discover what the fascination with flying saucers and extraterrestrial visitors says about our changing views on science, technology, and the paranormal.

In the summer of 1947, a private pilot flying over the state of Washington saw what he described as several pie pan-shaped aircraft traveling in formation at remarkably high speed. Within days, journalists began referring to the objects as "flying saucers." Over the course of that summer, Americans reported seeing them in the skies overhead. News quickly spread, and within a few years, flying saucers were being spotted across the world. The question on everyone's mind was, what were they? Some new super weapon in the Cold War? Strange weather patterns? Optical illusions? Or perhaps it was all a case of mass hysteria? Some, however, concluded they could only be one thing: spacecrafts built and piloted by extraterrestrials. The age of the unidentified flying object, the UFO, had arrived.

Greg Eghigian tells the story of the world's fascination with UFOs and the prospect that they were the work of visitors from outer space. While accounts of great wonders in the sky date back to antiquity, reports of UFOs took place against the unique backdrop of the Cold War and space age, giving rise to disputed government inquiries, breathtaking news stories, and single-minded sleuths.

After the Flying Saucers Came: A Global History of the UFO Phenomenon (Oxford UP, 2024) traces how a seemingly isolated incident sparked an international drama involving shady figures, questionable evidence, suspicions of conspiracy, hoaxes, new religions, scandals, unsettling alien encounters, debunkers, and celebrities. It examines how descriptions, theories, and debates about unidentified flying objects and alien abduction changed over time and how they appeared in the United States, Europe, Latin America, Asia, and Russia. And it explores the impact UFOs have had on our understanding of space, science, technology, and ourselves up through the present day.

Replete with stories of the people who have made up the ufology community, the military and defense units that investigate them, the scientists and psychologists who have researched these unexplained encounters, and the many novels, movies, TV shows, and websites that have explored these phenomena, After the Flying Saucers Came speaks to believers and skeptics alike.

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David Zeitlyn, "Mambila Divination: Framing Questions, Constructing Answers" (Routledge, 2021)

Sat, 07 Sep 2024 08:00:00 -0000

Professor David Zeitlyn’s book offers a major contribution to the study and analysis of divination, based on continuing fieldwork with the Mambila in Cameroon. It seeks to return attention to the details of divinatory practice, using the questions asked and life histories to help understand the perspective of the clients rather than that of the diviners.

Drawing on a corpus of more than 600 cases, David Zeitlyn reconsiders theories of divination and compares Mambila spider divination with similar systems in the area. A detailed case study is examined and analysed using conversational analytic principles. The regional comparison considers different kinds of explanation for different features of social organization, leading to a discussion of the continuing utility of moderated functionalism.

Mambila Divination: Framing Questions, Constructing Answers (Routledge, 2021) will be of interest to area specialists and scholars concerned with religion, rationality, and decision-making from disciplines including anthropology, African studies, and philosophy.

Additional links and information mentioned in the recording:

Professor Zietlyn’s old spider divination simulations
Online spider divination site for consultations and additional information

Forthcoming exhibition mentioned in the show: Oracles, Omens and Answers, 6 December 2024 - 27 April 2025, S.T. Lee Gallery, Weston Library, Bodleian Libraries, Oxford.

Related publications from Bodleian Library Publishing

Divination: Oracles and Omens, Edited by Michelle Aroney and David Zeitlyn (5 December)

David Zeitlyn has been working with Mambila people in Cameroon since 1985. He taught at the University of Kent, Canterbury, for fifteen years before moving to Oxford as Professor of Social Anthropology in 2010. His recent books include Mambila Divination: Framing Questions, Constructing Answers (Routledge, 2020) and An Anthropological Toolkit: Sixty Useful Concepts (Berghan Books, 2022)

Gene-George Earle is currently a PhD candidate in Anthropology at East China Normal University in Shanghai.

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Julia Kindt, "The Trojan Horse and Other Stories: Ten Ancient Creatures That Make Us Human" (Cambridge UP, 2024)

Wed, 04 Sep 2024 08:00:00 -0000

What makes us human? What, if anything, sets us apart from all other creatures? Ever since Charles Darwin's theory of evolution, the answer to these questions has pointed to our own intrinsic animal nature. Yet the idea that, in one way or another, our humanity is entangled with the non-human has a much longer and more venerable history. In the West, it goes all the way back to classical antiquity.

The Trojan Horse and Other Stories: Ten Ancient Creatures That Make Us Human (Cambridge UP, 2024) boldly reveals how the ancient world mobilised concepts of 'the animal' and 'animality' to conceive of the human in a variety of illuminating ways. Through ten stories about marvelous mythical beings - from the Trojan Horse to the Cyclops, and from Androcles' lion to the Minotaur - Julia Kindt unlocks fresh ways of thinking about humanity that extend from antiquity to the present and that ultimately challenge our understanding of who we really are.

Julia Kindt is Professor of Ancient History, ARC Future Fellow (2018-22), a member of the Sydney Environment Institute, and elected fellow of the Australian Academy of the Humanities. She is a contributor to TLS, the Australian Book Review, Meanjin, History Today, The Conversation, and other magazines.

Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter.

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Fabio Rambelli, "Spirits and Animism in Contemporary Japan" (Bloomsbury Academic, 2019)

Mon, 02 Sep 2024 08:00:00 -0000

In Japan, a country popularly perceived as highly secularized and technologically advanced, ontological assumptions about spirits (tama or tamashii) seem to be quite deeply ingrained in the cultural fabric. From ancestor cults to anime, spirits, ghosts, and other invisible dimensions of reality appear to be pervasive. In Spirits and Animism in Contemporary Japan (Bloomsbury Academic, 2019), international scholars from various backgrounds consider together this “invisible empire” and highlight the “agency of the intangible.”

The contributors of this edited volume approach spirits and animism in contemporary Japan from diverse perspectives. Satō Hiroo opens the book with a chapter on the transformation in Japanese visions of the afterlife, the status of the dead, and regional traditions of memorialization. Andrea De Antoni looks further into the ontology of spirits via an investigation into recent cases of spirit possession (tsuki, hyōi) that is treated at the Kenmi Shrine in Shikoku.

Jason Josephson-Storm traces both the European and Japanese genealogies of theorizing “primitive” civilizations and their beliefs in spirits, magic, and an animated nature. In Fabio Rambelli’s chapter, a unique type of epistemological system for understanding the existence of spirits is introduced: Minataka Kumagusu’s “Minakata mandala,” which involves Buddhist philosophy, Western science, and an awareness of the Japanese folk tradition all at the same time.

In Ellen Van Goethem’s chapter, she explores how and why there were widespread assumptions about how the city of Kyoto was animated by invisible agencies such as guardian spirits and the flow of qi (Jp. Ki). Carina Roth continues the discussion on enchanted landscapes by drawing our attention to “power spots” (pawā supotto) and “healing” forests as recent developments in contemporary Japanese religiosity.

Focusing on the role of media in the public perceptions of new religious movements (NRMs) and their animistic positions, Ioannis Gaitanidis shows how the media paradoxically both helps to normalize animism as part of “traditional” Japanese culture while chastising animistic NRM’s egregious behaviors. Concerning spirits in modern Japanese fiction, another type of powerful media in contemporary Japanese society, Rebecca Suter identifies in her chapter a “fantastic hesitation” that authors take on, which opens doors to the “undecidability of reality” that seems to be a main gateway to the spirit world. Centering on the media arts scene in Japan, Mauro Arrighi in his chapter highlights how animism serves as one of the main creative sources for contemporary artists. Then, Jolyon Thomas turns our focus to anime and their depictions of humanity’s connection with nature. In doing so, he invites us to reflect on the term “animism” and how the spirits of anime are really rooted in late capitalist modernity with its attendant pleasures and woes. In the closing chapter, Andrea Castiglioni points out a growing tendency in recent Japanese films to focus on violent spirit entities (araburugami), rather than benign figures. He argues that this perhaps is related to the emergence of a new kind of national identity for Japan as a country that is uniquely able to control the unpredictability of nature and malignant invisible agencies.

In this podcast episode, I spoke with the editor of this edited volume, Dr. Fabio Rambelli.

Fabio Rambelli is a professor in the Department of Religious Studies at the University of California, Santa Barbara.

Daigengna Duoer is a PhD student at the Religious Studies Department, University of California, Santa Barbara. Her dissertation researches on transnational and transregional Buddhist networks connecting twentieth-century Inner Mongolia, Manchuria, Republican China, Tibet, and the Japanese Empire.

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James P. Leary, “Folksongs of Another America: Field Recordings from the Upper Midwest, 1937–1946” (U Wisconsin Press, 2015)

Sun, 01 Sep 2024 08:00:00 -0000

Folksongs of Another America: Field Recordings from the Upper Midwest, 1937–1946 (University of Wisconsin Press) first appeared in 2015 when it comprised of a hardback book, five CDs, and one DVD. It went on to win the “Best Historical Research in Folk or World Music” award from the Association for Recorded Sound Collections, was nominated for a Grammy for “Best Album Notes,” received universally superlative reviews, and sold out within a year. The project has now been re-issued as a paperback, albeit without any accompanying discs; instead the related tracks and film footage are now available for online access care of the University of Wisconsin-Madison Library.

It’s not hard to fathom why this monumental work received so much acclaim. A groundbreaking multimedia endeavor, Folksongs of Another America is the product of decades of work by the distinguished folklorist, James P. Leary. Leary is, amongst other things, Professor Emeritus of Folklore and Scandinavian Studies and Cofounder of the Center for the Study of Upper Midwestern Cultures at the University of Wisconsin–Madison, a former editor of the Journal of American Folklore, and a native of rural Wisconsin, which is one of the three states – along with Michigan and Minnesota – whose rich musical bounty is explored in this study.

Leary sifted through over 2,000 field recordings, made by fieldworkers Sidney Robertson, Alan Lomax, and Helene Stratman-Thomas during the 1930s and 40s, to select the 187 tunes and songs that feature here. Together the chosen pieces create the impression of a region populated by immigrants from a host of different lands, as well as by Native Americans, all with their own musical traditions. For every track, Leary offers extensive documentation, information about the performers, and full lyrics (including in the original language with English translation as necessary which, given that the collection includes twenty-five languages, is often the case). The recordings themselves, which have been wonderfully restored and remastered, provide vivid aural experiences.

Folksongs of Another America is, as noted by a reviewer for Deutschlandradio Kultur, “an exceptional achievement that demonstrates for the first time the full worth and cultural wealth of the Upper Midwest for music listeners.”

Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

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The Dragon and the Nguzunguzu

Mon, 19 Aug 2024 08:00:00 -0000

Nguzunguzu is the traditional figurehead which was formerly affixed to canoes in the Solomon Islands. In this episode, Julie Yu-Wen Chen talks to Rodolfo Maggio, a senior researcher at the University of Helsinki about his book project on the dragon and the nguzunguzu, namely the relationship between China and the Soloman Islands.

The dragon and the nguzunguzu are taken as symbols of, respectively, Chinese and Solomon Islands identity. This essentializing maneuver is complicated by the appreciation of the two faces of both the dragon and the nguzunguzu. Nguzunguzu are traditionally used to adorn canoes: they can be either belligerent or peaceful, depending on the relationship between those who paddle and those who see them coming. Similarly, in Chinese folklore, dragons can bring prosperity or destruction, depending on their relationships with the humans who encounter them. Nguzunguzu and dragons are thus similar as symbols of supernatural forces whose potential can concretize as either propitious or nefarious, depending on their relationships with humans.

Maggio encountered a dragon-nguzunguzu hybrid during his fieldwork in 2024. As explicitly phrased by the carver, the hybrid represents his attempt to localize China. This inspires Maggio’s book project, encouraging him to use this hybrid figure as an entry point to offer a grassroot perspective on the interactions between Chinese and Solomon Islanders.

Rodolfo Maggio is a social anthropologist of moral and economic values in the Asia-Pacific region. At the University of Helsinki, he is working on an ERC-funded project “properties of units and standards”. Previously, Maggio had an episode on Kiribati in the Chinese Pacific and an episode on Sino-Pacific Relations with Nordic Asia Podcast that might interest listeners.

Julie Yu-Wen Chen is Professor of Chinese Studies at the Department of Cultures at the University of Helsinki (Finland) and visiting professor at the Research Institute for Languages and Cultures of Asia at Mahidol University (Thailand). Since 2023, she has been involved in the EUVIP: The EU in the Volatile Indo-Pacific Region, a project funded by the European Union’s Horizon Europe coordination and support action 10107906 (HORIZON-WIDERA-2021-ACCESS-03).

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Tabitha Stanmore, "Cunning Folk: Life in the Era of Practical Magic" (Bloombury, 2024)

Sun, 07 Jul 2024 08:00:00 -0000

Imagine: it's the year 1600 and you've lost your precious silver spoons, or maybe they've been stolen. Perhaps your child has a fever. Or you're facing a trial. Maybe you're looking for love or escaping a husband. What do you do?

In medieval and early modern Europe, your first port of call might have been cunning folk: practitioners of “service magic.” Neither feared (like witches), nor venerated (like saints), they were essential to daily life. For people across ages, genders, and social ranks, practical magic was a cherished resource for navigating life's many challenges.

In historian Tabitha Stanmore's beguiling account, we meet lovelorn widows, dissolute nobles, selfless healers, and renegade monks. We listen in on Queen Elizabeth I's astrology readings and track treasure hunters trying to unearth buried gold without upsetting the fairies that guard it. Much like us, premodern people lived in a bewildering world, buffeted by forces beyond their control. As Stanmore reveals, their faith in magic has much to teach about how to accommodate the irrational in our allegedly enlightened lives today.

Charming in every sense, Cunning Folk: Life in the Era of Practical Magic (Bloombury, 2024) is at once an immersive reconstruction of a bygone era and a thought-provoking commentary on the beauty and bafflement of being human.

Tabitha Stanmore, PhD, is a specialist in medieval and early modern magic.

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Aaron Sherraden, "Śambūka's Death Toll: A History of Motives and Motifs in an Evolving Rāmāyaṇa Narrative" (Anthem Press, 2023)

Thu, 04 Jul 2024 08:00:00 -0000

According to Vālmīki's Sanskrit Rāmāyaṇa (early centuries CE), Śambūka was practicing severe acts of austerity to enter heaven. In engaging in these acts as a Śūdra, Śambūka was in violation of class- and caste-based societal norms prescribed exclusively by the ruling and religious elite. Rāma, the hero of the Rāmāyaṇa epic, is dispatched to kill Śambūka, whose transgression is said to be the cause of a young Brahmin's death.

The works surveyed in Śambūka's Death Toll: A History of Motives and Motifs in an Evolving Rāmāyaṇa Narrative (Anthem Press, 2023) this study include numerous works originating in Hindu, Jain, Dalit and non-Brahmin communities while spanning the period from Śambūka's first appearance in the Vālmīki Rāmāyaṇa through to the present day. The book follows the Śambūka episode chronologically across its entire history--approximately two millennia--to illuminate the social, religious, legal, and artistic connections that span the entire range of the Rāmāyaṇa's influence and its place throughout various phases of Indian history and social revolution.

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Thersa Matsuura, "The Book of Japanese Folklore: An Encyclopedia of the Spirits, Monsters, and Yokai of Japanese Myth" (Adams Media, 2024)

Sat, 01 Jun 2024 08:00:00 -0000

Discover everything you’ve ever wondered about the legendary spirits, creatures, and figures of Japanese folklore including how they have found their way into every corner of our pop culture from the creator of the podcast Uncanny Japan.

Welcome to The Book of Japanese Folklore: An Encyclopedia of the Spirits, Monsters, and Yokai of Japanese Myth (Adams Media, 2024): a fascinating journey through Japan’s folklore through profiles of the legendary creatures and beings who continue to live on in pop culture today.

From the sly kitsune to the orgrish oni and mischievous shape-shifting tanuki, learn all about the origins of these fantastical and mythical creatures. This gorgeous package is complete with stained edges and stunning four-color illustrations. With information on their cultural significance, a retelling of a popular tale tied to that particular yokai, and how it’s been spun into today’s popular culture, this handsome tome teaches you about the stories and histories of the beings that inspired characters in your favorite movies, animes, manga, and games.

Thersa Matsuura is an American expat who has lived in Japan for over thirty years. Her fluency in the language allows her to explore her favorite part of Japanese culture: all the myths, legends, folktales, and superstitions. Thersa retells these Japanese folktales and ghost stories on her popular podcast Uncanny Japan. Thersa has also published two short story collections, including A Robe of Feathers and Other Stories and The Carp-Faced Boy and Other Tales, a collection of horror stories inspired by Japanese folktakes, which was nominated for a Bram Stoker Award in 2017.

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Sohini Pillai, "Krishna's Mahabharatas: Devotional Retellings of an Epic Narrative" (Oxford UP, 2024)

Thu, 30 May 2024 08:00:00 -0000

Between 800 and 1700 CE, a plethora of Mahabharatas were created in Assamese, Bengali, Gujarati, Hindi, Kannada, Konkani, Malayalam, Marathi, Oriya, Tamil, Telugu, and several other regional South Asian languages. Sohini Pillai's Krishna's Mahabharatas: Devotional Retellings of an Epic Narrative (Oxford UP, 2024) is a comprehensive study of premodern regional Mahabharata retellings. This book argues that Vaishnavas (devotees of the Hindu god Vishnu and his various forms) throughout South Asia turned this epic about an apocalyptic, bloody war into works of ardent bhakti or "devotion" focused on the beloved Hindu deity Krishna.

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Cathy Yue Wang, "Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy" (Wayne State UP, 2023)

Wed, 17 Apr 2024 08:00:00 -0000

Contemporary Chinese film and literature often draw on time-honored fantastical texts and tales which were founded in the milieu of patriarchy, parental authority, heteronormativity, nationalism, and anthropocentrism. Cathy Yue Wang's Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy (Wayne State University Press, 2023) examines the processes by which modern authors and filmmakers reshape these traditional tales to develop new narratives that interrogate the ingrained patriarchal paradigm. Through a rigorous analysis, Wang delineates changes in both content and narrative that allow contemporary interpretations to reimagine the gender politics and contexts of the tales retold. With a broad transmedia approach and a nuanced understanding of intertextuality, this work contributes to the ongoing negotiation in academic and popular discourse between past and present, traditional and contemporary, and text and reality in a globalized and postmodern world. Snake Sisters and Ghost Daughters offers an engaging interdisciplinary investigation of issues at the heart of these traditional tales such as gender and status hierarchy, marriage and family life, and in-group/out-group distinction. Beyond the content of these individual stories, Wang ties these narratives together across time using cognitive literary criticism, especially affective narratology, to shed new light on the adaptation of literary and cultural texts and their sociopolitical contexts.

Dr. Cathy Yue Wang is a lecturer in Department of Chinese Language and Literature, School of Humanities, Shanghai Normal University in China. She received her PhD from Macquarie University in Australia. She is particularly interested in applying feminist and queer perspectives into examinations of adaptation and retelling, children and young adult literature, as well as boys’ love subculture and fandom in the East Asian context. She is the author of Snake Sisters and Ghost Daughters: Feminist Adaptations of Traditional Tales in Chinese Fantasy (Wayne State University Press, 2023) and editor of Catching Chen Qing Ling: The Untamed and Adaptation, Production, and Reception in Transcultural Contexts (Peter Lang, forthcoming).

Linshan Jiang is a Postdoctoral Associate in the Department of Asian and Middle Eastern Studies at Duke University. She received her Ph.D. in East Asian Languages and Cultural Studies from the University of California, Santa Barbara, where she also obtained a Ph.D. emphasis in Translation Studies. Her research interests include modern and contemporary literature, film, and popular culture in mainland China, Taiwan, and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies.

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Shakuntala Gawde, "Narrative Analysis of Bhagavata Purana: Selected Episodes from the Tenth Skandha" (Dev Publishers, 2023)

Thu, 21 Mar 2024 08:00:00 -0000

Shakuntala Gawde's book Narrative Analysis of Bhagavata Purana: Selected Episodes from the Tenth Skandha (Dev Publishers, 2023) presents an analytical study of selected narratives of the tenth skandha of the Bhāgavata Purāṇa with the framework of Narratology. It checks the possibilities of interpretation of some popular narratives from Kṛṣṇa saga. Book gives an exhaustive introduction dealing with Purāṇas, the growth of Vaiṣṇnavism and Narratology with special reference to Bhāgavata Purāṇa which sets precursor to the further analysis. It undertakes hermeneutic interpretation of episodes – Lord Kṛṣṇa’s birth story, Lifting of Govardhana Mountain, Syamantaka jewel, exploits of Pūtanā and other demons, uprooting of Arjuna trees, the expulsion of Kāliya, Gopīcīraharaṇam, Rāsapaῆcādhyāyī, story of Kubjā, story of Śrīdāman and Rukmiṇī Svayaṁvara.

All these narratives are categorised into three themes – 1) Assimilation and acculturation 2) Exploits of demons and 3) Bhakti Narratives. The Narrative structure of each episode is analysed to derive the meaning from it. Theoretical frameworks developed by K. Ayyappa Paniker, Genette and Roland Barthes are applied to the selected narratives of the tenth skandha of Bhāg. P. to understand the deeper meaning of the narratives. The toolbox approach is taken into consideration while doing textual exegesis and hermeneutic interpretation. It explores socio-historical, psychological and philosophical aspects of the above narratives through textual analysis of the tenth skandha of Bhāgavata Purāṇa using the tools like intertextuality and intratextuality.

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John O’Connor, "The Secret History of Bigfoot: Field Notes on a North American Monster" (Sourcebooks, 2024)

Sat, 16 Mar 2024 08:00:00 -0000

Bigfoot is an instantly recognizable figure. Through the decades, this elusive primate has been featured in movies and books, on coffee mugs, beer koozies, car polish, and CBD oil. Which begs the question: what is it about Bigfoot that's caught hold of our imaginations?

Journalist and self-diagnosed skeptic John O'Connor is fascinated by Sasquatch. In The Secret History of Bigfoot: Field Notes on a North American Monster (Sourcebooks, 2024), he embarks on a quest through the North American wilds in search of Bigfoot, its myth and meaning. Alongside an eccentric cast of characters, he explores the zany and secretive world of "cryptozoology," tracking Bigfoot through ancient folklore to Harry and the Hendersons, while examining the forces behind our ever-widening belief in the supernatural. As O'Connor treks through the shrouded forests of the Pacific Northwest, listens to firsthand accounts, and attends Bigfoot conventions, he's left wondering―what happens when the lines between myth and reality blur?

Perfect for fans of Bill Bryson and Douglas Preston, and with sharp wit and an adventurous spirit, this heartfelt exploration of a cornerstone of American folklore unpacks why we believe in the things that we do, what that says about us, and how it shapes our world.

John O’Connor was born and raised in Kalamazoo, Michigan, and attended the creative writing program at Columbia University, where he wrote his thesis on competitive eating. His writing has appeared in The Believer, Quarterly West and Gastronomica, among other publications.

Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O’Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X.

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Imani D. Owens, "Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean" (Columbia UP, 2023)

Fri, 23 Feb 2024 09:00:00 -0000

In the first half of the twentieth century, Black hemispheric culture grappled with the legacies of colonialism, U.S. empire, and Jim Crow. As writers and performers sought to convey the terror and the beauty of Black life under oppressive conditions, they increasingly turned to the labor, movement, speech, sound, and ritual of everyday “folk.” Many critics have perceived these representations of folk culture as efforts to reclaim an authentic past. Imani D. Owens recasts Black creators’ relationship to folk culture, emphasizing their formal and stylistic innovations and experiments in self-invention that reach beyond the local to the world.

Turn the World Upside Down: Empire and Unruly Forms of Black Folk Culture in the U.S. and Caribbean (Columbia UP, 2023) explores how Black writers and performers reimagined folk forms through the lens of the unruly―that which cannot be easily governed, disciplined, or managed. Drawing on a transnational and multilingual archive―from Harlem to Havana, from the Panama Canal Zone to Port-au-Prince―Owens considers the short stories of Eric Walrond and Jean Toomer; the ethnographies of Zora Neale Hurston and Jean Price-Mars; the recited poetry of Langston Hughes, Nicolás Guillén, and Eusebia Cosme; and the essays, dance work, and radio plays of Sylvia Wynter. Owens shows how these figures depict folk culture―and Blackness itself―as a site of disruption, ambiguity, and flux. Their works reveal how Black people contribute to the stirrings of modernity while being excluded from its promises. Ultimately, these works do not seek to render folk culture more knowable or worthy of assimilation, but instead provide new forms of radical world-making.

Omari Averette-Phillips is a doctoral student in the Department of History at UC Davis. He can be reached at omariaverette@gmail.com.

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Suzanne Oakdale, "Amazonian Cosmopolitans: Navigating a Shamanic Cosmos, Shifting Indigenous Policies, and Other Modern Projects" (U Nebraska Press, 2022)

Sun, 28 Jan 2024 09:00:00 -0000

In Amazonian Cosmopolitans: Navigating a Shamanic Cosmos, Shifting Indigenous Policies, and Other Modern Projects (U Nebraska Press, 2022), Suzanne Oakdale focuses on the autobiographical accounts of two Brazilian Indigenous leaders, Prepori and Sabino, Kawaiwete men whose lives spanned the twentieth century, when Amazonia increasingly became the context of large-scale state projects. Both give accounts of how they worked in a range of interethnic enterprises from the 1920s to the 1960s in central Brazil. Prepori, a shaman, also gives an account of his relations with spirit beings that populate the Kawaiwete cosmos as he participated in these projects.

Like other Indigenous Amazonians, Kawaiwete value engagement with outsiders, particularly for leaders and shamanic healers. These social engagements encourage a careful watching and learning of others’ habits, customs, and sometimes languages, what could be called a kind of cosmopolitanism or an attitude of openness, leading to an expansion of the boundaries of community. The historical consciousness presented by these narrators centers on how transformations in social relations were experienced in bodily terms—how their bodies changed as new relationships formed. Amazonian Cosmopolitans offers Indigenous perspectives on twentieth-century Brazilian history as well as a way to reimagine lowland peoples as living within vast networks, bridging wide social and cosmological divides.

Suzanne Oakdale is Professor of Anthropology at The University of New Mexico. She specializes in Brazil, with research focused on Amazonian indigenous peoples. She explores the dynamics of ritual practice; history; and the social anthropology of the person and personal experience, particularly how these genres reflect and are used to address large scale social shifts. She is the editor of the Journal of Anthropological Research.

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Jakob Norberg, "The Brothers Grimm and the Making of German Nationalism" (Cambridge UP, 2022)

Sun, 21 Jan 2024 09:00:00 -0000

Jacob and Wilhelm Grimm are probably history’s most famous folklorists. Their collection of folk tales – the Children’s and Household Tales – is one of the world’s most translated literary works. Living in a time of upheaval and war, the Grimm brothers were also passionate German nationalists. They insisted that Germans must reject alien regimes and only accept rulers who spoke their language and cherished their traditions.

The Brothers Grimm and the Making of German Nationalism (Cambridge UP, 2022) is the first book-length study of the Grimms’ political attitudes and ideas. It shows how the Grimms believed that their groundbreaking philological knowledge of grammar and folk narratives allowed them to disentangle cultural and linguistic groups from each other, criticize imperial rule, and even counsel kings and princes. The brothers sought to revive a neglected Germanic culture for a contemporary audience, but they also wished to provide the traditional political elite with an understanding of the resurgent national collective. Through detailed analysis, Norberg reconstructs how the Grimms wished to mediate between culture and politics as well as between sovereigns and peoples.

Jakob Norberg is a Professor of German at Duke University. He is the author of Sociability and Its Enemies (Northwestern University Press, 2014), The Brothers Grimm and the Making of German Nationalism (Cambridge University Press, 2022), and Schopenhauer’s Politics (Cambridge University Press, forthcoming). His articles have appeared in venues such as PMLA, Arcadia, Cultural Critique, New German Critique, Textual Practice, Telos, and the Blackwell Encyclopedia of Political Thought. His book on the Grimms won the 2023 Best Book award of the Brothers Grimm Society of North America and a recent article, “Schopenhauer and the Injustice of Slavery,” won the 2023 essay prize of the Schopenhauer Society.

Amir Engel is currently a visiting professor at the faculty of theology at the Humboldt University in berlin. He is also the chair at the German department at the Hebrew University. Engel studied philosophy, literature, and culture studies at the Hebrew University and completed his PhD. in the German Studies department at Stanford University. He is the author of Grshom Scholem: an Intellectual biography that came out in Chicago in 2017. He also published works on, among others, Jacob Taubes, Hannah Arendt, and Hans Jonas. He is currently working on a book titled "The German Spirit from its Jewish Sources: The History of Jewish-GermanOccultism". The project proposes a new approach to German intellectual history by highlighting marginalized connections between German Occultism, its Christian sources notwithstanding, and Jewish sources, especially the Jewish mystical tradition.

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Joseph C. Russo, "Hard Luck and Heavy Rain: The Ecology of Stories in Southeast Texas" (Duke UP, 2022)

Sun, 21 Jan 2024 09:00:00 -0000

In Hard Luck and Heavy Rain: The Ecology of Stories in Southeast Texas (Duke UP, 2022) (Duke UP, 2023), Joseph C. Russo takes readers into the everyday lives of the rural residents of Southeast Texas. He encounters the region as a kind of world enveloped in on itself, existing under a pall of poverty, illness, and oil refinery smoke. His informants’ stories cover a wide swath of experiences, from histories of LGBTQ+ life and the local petrochemical industries to religiosity among health food store employees and the suffering of cancer patients living in the Refinery Belt. Russo frames their hard-luck stories as forms of verbal art and poetic narrative that render the region a mythopoetic landscape that epitomizes the impasse of American late capitalism. He shows that in this severe world, questions of politics and history are not cut and dry, and its denizens are not simply backward victims of circumstances. Russo demonstrates that by challenging classist stereotypes of rural Americans as passive, ignorant, and uneducated, his interlocutors offer significant insight into the contemporary United States.

Joseph C. Russo is Visiting Assistant Professor of Anthropology at Wesleyan University.

Armanc Yildiz is a postdoctoral researcher at Humboldt University. He received his Ph.D. in Social Anthropology at Harvard University, with a secondary degree in Studies of Women, Gender, and Sexuality. He is also the founder of Academics Write, where he supports scholars in their writing projects as a writing coach and developmental editor.

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William G. Pooley, "Body and Tradition in 19th-Century France: Félix Arnaudin and the Moorlands of Gascony, 1870-1914" (Oxford UP, 2019)

Wed, 03 Jan 2024 09:00:00 -0000

The moorlands of Gascony are often considered one of the most dramatic examples of top-down rural modernization in nineteenth-century Europe. From an area of open moors, they were transformed in one generation into the largest man-made forest in Europe.

Body and Tradition in Nineteenth-Century France: Félix Arnaudin and the Moorlands of Gascony, 1870-1914 (Oxford University Press) explores how these changes were experienced and negotiated by the people who lived there, drawing on the immense ethnographic archive of Felix Arnaudin (1844-1921).

The study places the songs, stories, and everyday speech that Arnaudin collected, as well as the photographs he took, in the everyday lives of agricultural workers and artisans. It argues that the changes are were understood as a gradual revolution in bodily experiences, as men and women forged new working habits, new sexual relations, and new ways of conceiving of their own bodies.

Rather than merely presenting a story of top-down reform, this is an account of the flexibility and creativity of the cultural traditions of the working population. William G. Pooley tells the story of the folklorist Arnaudin and the men and women whose cultural traditions he recorded, then uncovers the work carried out by Arnaudin to explore everyday speech about the body, stories of werewolves and shapeshifters, tales of animal cunning and exploitation, and songs about love and courtship.

The volume focuses on the lives of a handful of the most talented storytellers and singers Arnaudin encountered, showing how their cultural choices reflect wider patterns of behaviour in the region, and across rural Europe.

William G. Pooley, Lecturer in Modern European History, University of Bristol is a historian of France in the long nineteenth century, interested in popular and folk cultures.

Rachel Hopkin PhD is a UK born, US based folklorist and radio produce.

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Matthieu Felt, "Meanings of Antiquity: Myth Interpretation in Premodern Japan" (Harvard UP, 2023)

Fri, 29 Dec 2023 09:00:00 -0000

Meanings of Antiquity: Myth Interpretation in Premodern Japan (Harvard UP, 2023) is the first dedicated study of how the oldest Japanese myths, recorded in the eighth-century texts Kojiki and Nihon shoki, changed in meaning and significance between 800 and 1800 CE. Generations of Japanese scholars and students have turned to these two texts and their creation myths to understand what it means to be Japanese and where Japan fits into the world order.

As the shape and scale of the world explained by these myths changed, these myths evolved in turn. Over the course of the millennium covered in this study, Japan transforms from the center of a proud empire to a millet seed at the edge of the Buddhist world, from the last vestige of China’s glorious Zhou Dynasty to an archipelago on a spherical globe. Analyzing historical records, poetry, fiction, religious writings, military epics, political treatises, and textual commentary, Matthieu Felt identifies the geographical, cosmological, epistemological, and semiotic changes that led to new adaptations of Japanese myths. Felt demonstrates that the meanings of Japanese antiquity and of Japan’s most ancient texts were—and are—a work in progress, a collective effort of writers and thinkers over the past 1,300 years.

Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.

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Greg Bailey, "The Brahmavaivarta Purana (Ganesa Khanda): Ancient Indian Tradition and Mythology" (Motilal Banarsidass, 2022)

Thu, 23 Nov 2023 09:00:00 -0000

Greg Bailey discusses his new translation of the Gaṇeśa Khaṇḍa of the Brahmavaivarta Purāṇa, one of the few texts dedicated solely to the popular elephant-headed Indian god Gaṇeśa. About the book:

The first two khaas of the Brahmavaivarta Puraa (BvP) deal with Brahma and Prakti respectively. Both introducing the theology that enables Ka to be treated as identical with the supreme Brahma, and as Viu/ Narayaa in all his forms. Ultimately everything goes back to Ka as the source of power and being even including the mother goddesses who are so prolific in the text, not just in its second khaa. The fourth and final khaa treats the mythology of Ka himself, with focus on his birth, and just before this comes the Gaapatikhaa (GKh).

GKh is one of the few mahapuraas that includes a separate khaa about Gaesa, with the exceptions being the two Gaapatya Puraas the Gaesa and Mudgala Puraas-and the Vinayakamahatmya of the Skanda Puraa. When one reads the other three khaas of the Puraa, it is clearly evident that the GKh fits in perfectly with the principal themes of the entire Puraa, all associated with Ka in his various manifestations and the theology of the mother goddess, especially Radha and Durga. In addition, it continues the practice in many of its chapter of expositing the application of kavacas, dhyanas, mantras and stotras, to the extent that the text is almost a handbook of devotional ritual.

What is striking about the GKh is that it is only incidentally about Gaesa. Only less than ten percent of the entire text deals directly with Gaesa. It touches tangentially on his birth, the loss of his head and the gaining of an elephant head, his status as first to be worshipped in all pujas, his loss of one of his tasks at the hands of parasurama, and his cursing of the Tulasi Plant.

The second half of the GKh is essentially a version of the Parasurama myth. This begins with the intention to tell as well-known episode about Gaesa reflected in his common name Ekadanta. This certainly offers a unique interpretation of its, focusing as it does on the morality of patricide and regicide, and relations between boys and their mothers.

Ka is treated in a manner that can only be called theological. Theologically it is simply stating that all power is located in Viu/ Ka, but in this khaa it is seemingly extended much more than elsewhere. In addition, he is usually depicted as located in Goloka and Vdavana, with the bucolic ka receiving most emphasis in the next. The sakti teachings in this text blend constantly with the Kaite teachings, to the point that both seem to empower each other. That ka looms large is hardly a surprise given the BvP is substantially a Kaite Puraa of 14th – 15th century Bengal and then it could not have omitted existing material on the sakti, given the importance of other goddess worship in Bengal.

There have been two previous translations of the Brahmavaivarta Puraa. The present translation is a fresh translation but the translator has subsequently compared it with the earlier translations to remain transparent to the Sanskrit itself.

Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com.

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Stuart McHardy, "The Nine Maidens: Priestesses of the Ancient World" (Luath Press, 2023)

Thu, 26 Oct 2023 08:00:00 -0000

When King Arthur was conveyed to Avalon they were there. When Odin summoned warriors to Valhalla they were there. When Apollo was worshipped on Greek mountains they were there. When Brendan came to the Island of Women they were there.

They are the Nine Maidens – from the mothers of the Norse God Heimdall, Morgan and her sisters on Avalon, to the nine sisters at the heart of the found myth of the Gikuyu of Kenya or witches battling with the Irish St Patrick, these women stand out in history and mythology.

Triggered by a local story still told in his native Dundee, Stuart McHardy has traced what seems to be memories of groups of nine women across much of Europe and as far as Siberia, Korea, India and Africa. As explored in his book The Nine Maidens: Priestesses of the Ancient World (Luath Press, 2023), McHardy shows that whether as Pictish saints, muses, valkyries, druidesses or witches, the tales of these groups of nine women transcend a vast range of cultural and linguistic boundaries.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.

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Anne Duggan, "The Lost Princess: Women Writers and the History of Classic Fairy Tales" (Reaktion Books, 2023)

Sat, 14 Oct 2023 08:00:00 -0000

In The Lost Princess: Women Writers and the History of Classic Fairy Tales (Reaktion, 2023), Dr. Anne Duggan presents a recovery of the lost, plucky heroines of historic fairy tales.

People often associate fairy tales with Disney films, and with the male authors from whom Disney often drew inspiration – notably Charles Perrault, the Brothers Grimm and Hans Christian Andersen. In these portrayals the princess is a passive, compliant figure. By contrast, The Lost Princess shows that classic fairy tales such as ‘Cinderella’, ‘Rapunzel’ and ‘Beauty and the Beast’ have a much richer, more complex history than Disney’s saccharine depictions. Dr. Duggan recovers the voices of women writers such as Marie-Catherine d’Aulnoy, Marie-Jeanne L’Héritier and Charlotte-Rose de La Force, who penned popular tales about ogre-killing, pregnant, cross-dressing, dynamic heroines who saved the day. This new history will appeal to anyone who wants to know more about the lost, plucky heroines of historic fairy tales.

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Jeffrey S. Debies-Carl, "If You Should Go at Midnight: Legends and Legend Tripping in America" (UP of Mississippi, 2023)

Fri, 13 Oct 2023 08:00:00 -0000

Across today’s America, countless people will embark on an adventure. They will prowl among overgrown headstones in forgotten graveyards, stalk through darkened woods and wildlands, and creep down the crumbling corridors of abandoned buildings. They have set forth in search of a profound paranormal experience and may seem to achieve just that. They are part of the growing cultural phenomenon, which is called legend tripping.

In If You Should Go at Midnight: Legends and Legend Tripping in America (UP of Mississippi, 2023), Jeffrey S. Debies-Carl guides readers through an exploration of legend tripping, drawing on years of scholarship, documentary accounts, and his own extensive fieldwork. Poring over old reports and legends, sleeping in haunted inns, and trekking through wilderness full of cannibal mutants and strange beasts, Debies-Carl provides an in-depth analysis of this practice that has long fascinated scholars yet remains a mystery to many observers. From multiple perspectives, Debies-Carl illustrates the value of legend tripping for social scientists. In brief, legend tripping reflects the modern world, revealing both its problems and its virtues. In society as well as in legend tripping, there is ambiguity, conflict, crisis of meaning, and the substitution of debate for social consensus. Conversely, both emphasize individual agency and values, even in paranormal matters. While people still need meaningful and transformative experiences, authoritative, traditional institutions are less capable of providing them. Instead, legend trippers voluntarily search for individually meaningful experiences and actively participate in shaping and interpreting those experiences for themselves.

Jeffrey S. Debies-Carl is Associate Professor of sociology at the University of New Haven. His research examines the social significance of physical spaces and space-based behaviors and has appeared in various scholarly journals. He is the author of Punk Rock and the Politics of Place (Routledge, 2014).

Yadong Li is a PhD student in socio-cultural anthropology at Tulane University. His research interests lie at the intersection of the anthropology of the paranormal, hope studies, and post-structural philosophy. More details about his scholarship and research interests can be found here.

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Julian Goodare and Martha McGill, "The Supernatural in Early Modern Scotland" (Manchester UP, 2023)

Mon, 09 Oct 2023 08:00:00 -0000

Julian Goodare and Martha McGill's edited volume The Supernatural in Early Modern Scotland (Manchester UP, 2023) is about other worlds and the supernatural beings, from angels to fairies, that inhabited them. It is about divination, prophecy, visions and trances. And it is about the cultural, religious, political and social uses to which people in Scotland put these supernatural themes between 1500 and 1800. The supernatural consistently provided Scots with a way of understanding topics such as the natural environment, physical and emotional wellbeing, political events and visions of past and future. In exploring the early modern supernatural, the book has much to reveal about how men and women in this period thought about, debated and experienced the world around them. Comprising twelve chapters by an international range of scholars, The supernatural in early modern Scotland discusses both popular and elite understandings of the supernatural.

To find the card game Martha and Jana talked click here for Martha's website.

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Michelle Karnes, "Medieval Marvels and Fictions in the Latin West and Islamic World" (U Chicago Press, 2022)

Sat, 30 Sep 2023 08:00:00 -0000

Marvels like enchanted rings and sorcerers’ stones were topics of fascination in the Middle Ages, not only in romance and travel literature but also in the period’s philosophical writing. Rather than constructions of belief accepted only by simple-minded people, Michelle Karnes shows that these spectacular wonders were near impossibilities that demanded scrutiny and investigation.

Medieval Marvels and Fictions in the Latin West and Islamic World (U Chicago Press, 2022) is the first book to analyze a diverse set of writings on such wonders, comparing texts from the Latin West—including those written in English, French, Italian, and Castilian Spanish —with those written in Arabic as it works toward a unifying theory of marvels across different disciplines and cultures. Karnes tells a story about the parallels between Arabic and Latin thought, reminding us that experiences of the strange and the unfamiliar travel across a range of genres, spanning geographical and conceptual space and offering an ideal vantage point from which to understand intercultural exchange. Karnes traverses this diverse archive, showing how imagination imbues marvels with their character and power, making them at once enigmatic, creative, and resonant. Skirting the distinction between the real and unreal, these marvels challenge readers to discover the highest capabilities of both nature and the human intellect. Karnes offers a rare comparative perspective and a new methodology to study a topic long recognized as central to medieval culture.

Michelle Karnes is professor of English and the history of philosophy and science at the University of Notre Dame. She is the author of Imagination, Meditation, and Cognition in the Middle Ages and the coeditor of Studies in the Age of Chaucer.

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A Better Way to Buy Books

Tue, 12 Sep 2023 08:00:00 -0000

Bookshop.org is an online book retailer that donates more than 80% of its profits to independent bookstores. Launched in 2020, Bookshop.org has already raised more than $27,000,000. In this interview, Andy Hunter, founder and CEO discusses his journey to creating one of the most revolutionary new organizations in the book world. Bookshop has found a way to retain the convenience of online book shopping while also supporting independent bookstores that are the backbones of many local communities.

Andy Hunter is CEO and Founder of Bookshop.org. He also co-created Literary Hub.

Caleb Zakarin is the Assistant Editor of the New Books Network.

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Sarah Clegg, "Women's Lore: 4,000 Years of Sirens, Serpents and Succubi" (Apollo, 2023)

Sat, 02 Sep 2023 04:00:00 -0000

Creatures like Lilith, the seductive first wife of Adam, and mermaids, who lured sailors to their death, are familiar figures in the genre of monstrous temptresses who use their charms to entice men to their doom.

But if we go back 4,000 years, the roots of these demons lie in horrific creatures like Lamashtu, a lion-headed Mesopotamian demon who strangled infants and murdered pregnant women, and Gello, a virgin ghost of ancient Greece who killed expectant mothers and babies out of jealousy. Far from enticing men into danger and destruction, these monsters were part of women's ritual practices surrounding childbirth and pregnancy. So how did their mythology evolve into one focused on the seduction of men?

In Women's Lore: 4,000 Years of Sirens, Serpents, and Succubi (Apollo, 2023) Dr. Sarah Clegg takes us on an absorbing and witty journey from ancient Mesopotamia to the present day, encountering a multitude of serpentine succubi, a child-eating wolf-monster of ancient Greece, the Queen of Sheba and a host of vampires. Dr. Clegg shows how these demons were appropriated by male-centred societies, before they were eventually recast as symbols of women's liberation, offering new insights into attitudes towards womanhood, sexuality and women's rights.

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Jeffrey J. Cohen and Julian Yates, "Noah's Arkive" (U Minnesota Press, 2023)

Thu, 24 Aug 2023 08:00:00 -0000

At a moment when the world has tipped over into irreversible violence and corruption, a divinity contacts a righteous man. The man is directed to build a giant ship and bring aboard animals, who will spend an indefinite amount of time living, sleeping, and eating alongside Noah and his family. The rain begins to fall, and these survivors take refuge on the ark. After forty days, the survivors disembark and then have to figure out how to create a new settlement as the waters recede. This cryptic, elliptical ancient story has inspired theological commentary, architecture, and children’s toys, giving us an abundance of metaphors and narratives to understand our past, present, and future climate crises. Our continuing attempts to critically examine the ark narrative and its long afterlife in our imagination is the subject of Jeffrey J. Cohen and Julian Yates’s new book Noah’s Arkive, just published by the University of Minnesota Press in 2023.

Jeffrey Cohen is Dean of Humanities at the College of Liberal Arts and Sciences at Arizona State University. Jeffrey’s previous books include Stone: An Ecology of the Inhuman (University of Minnesota Press, 2015); Hybridity, Identity and Monstrosity in Medieval Britain: Of Difficult Middles (Palgrave, 2006); and Of Giants: Sex, Monsters, and the Middle Ages (University of Minnesota, 1999). Julian Yates is H. Fletcher Brown Professor of English and Material Culture at the University of Delaware. Julian’s previous books include Of Sheep, Oranges, and Yeast: A Multispecies Impression (2017); and Error, Misuse, Failure: Object Lessons from the English Renaissance (2002), both from the University of Minnesota Press.

More about the book:

In Noah's Arkive (U Minnesota Press, 2023), Jeffrey J. Cohen and Julian Yates examine the long history of imagining endurance against climate catastrophe—as well as alternative ways of creating refuge. They trace how the elements of the flood narrative were elaborated in medieval and early modern art, text, and music, and now shape writing and thinking during the current age of anthropogenic climate change. Arguing that the biblical ark may well be the worst possible exemplar of human behavior, the chapters draw on a range of sources, from the Epic of Gilgamesh and Ovid’s tale of Deucalion and Pyrrah, to speculative fiction, climate fiction, and stories and art dealing with environmental catastrophe. Noah’s Arkive uncovers the startling afterlife of the Genesis narrative written from the perspective of Noah’s wife and family, the animals on the ark, and those excluded and left behind to die. This book of recovered stories speaks eloquently to the ethical and political burdens of living through the Anthropocene.

Following a climate change narrative across the millennia, Noah’s Arkive surveys the long history of dwelling with the consequences of choosing only a few to survive in order to start the world over. It is an intriguing meditation on how the story of the ark can frame how we think about environmental catastrophe and refuge, conservation and exclusion, offering hope for a better future by heeding what we know from the past.

John Yargo is Visiting Assistant Professor of Environmental Humanities at Boston College. He earned a PhD in English literature from the University of Massachusetts Amherst, specializing in the environmental humanities and early modern culture. In 2023, his dissertation won the J. Leeds Barroll Prize, given by the Shakespeare Association of America. His peer-reviewed articles have been published or are forthcoming in the Journal for Early Modern Culture Studies, Early Theatre, Studies in Philology, and Shakespeare Studies.

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Shelley Ingram and Willow G. Mullins, "Wait Five Minutes: Weatherlore in the Twenty-First Century" (UP of Mississippi, 2023)

Mon, 21 Aug 2023 08:00:00 -0000

The weather governs our lives. It fills gaps in conversations, determines our dress, and influences our architecture. No matter how much our lives may have moved indoors, no matter how much we may rely on technology, we still monitor the weather. Wait Five Minutes: Weatherlore in the Twenty-First Century (UP of Mississippi, 2023) draws from folkloric, literary, and scientific theory to offer up new ways of thinking about this most ancient of phenomena.

Weatherlore is a concept that describes the folk beliefs and traditions about the weather that are passed down casually among groups of people. Weatherlore can be predictive, such as the belief that more black than brown fuzz on a woolly bear caterpillar signals a harsh winter. It can be the familiar commentary that eases daily social interactions, such as asking, "Is it hot (or cold) enough for you?" Other times, it is simply ubiquitous: "If you don't like the weather, wait five minutes and it will change." From detailing personal experiences at picnics and suburban lawns to critically analyzing storm stories, novels, and flood legends, contributors offer engaging multidisciplinary perspectives on weatherlore.

As we move further into the twenty-first century, an increasing awareness of climate change and its impacts on daily life calls for a folkloristic reckoning with the weather and a rising need to examine vernacular understandings of weather and climate. Weatherlore helps us understand and shape global political conversations about climate change and biopolitics at the same time that it influences individual, group, and regional lives and identities. We use weather, and thus its folklore, to make meaning of ourselves, our groups, and, quite literally, our world.

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Jack Zipes on Life as a Folklorist, Folklore Studies and Publishing Fairy Tales

Wed, 16 Aug 2023 13:21:50 -0000

Today I talked with Jack Zipes about a life in Folklore Studies, about some of his many publications, and about publishing fairy tales.

Jack Zipes is Professor Emeritus of German at the University of Minnesota and has previously held professorships at New York University, the University of Munich, the University of Wisconsin, and the University of Florida. In addition to his scholarly work, he is an active storyteller in public schools and has worked with children's theaters in France, Germany, Canada, and the United States. In 1997 he founded a storytelling and creative drama program, Neighborhood Bridges, in collaboration with the Children's Theatre Company of Minneapolis that is still thriving in the elementary schools of the Twin Cities and in other cities of the United States. Most recently, in 2018, he founded a small publishing house called Little Mole and Honey Bear with the motto to unbury talented and neglected writers and illustrators of fairy-tale books from the interwar years 1919-1940 before he himself is buried.

Rachel Hopkin PhD is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

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Brenda E. F. Beck, "Hidden Paradigms: Comparing Epic Themes, Characters, and Plot Structures" (U Toronto Press, 2022)

Thu, 27 Jul 2023 08:00:00 -0000

Brenda Beck discusses her lifelong work on a Tamil folk legend, resulting in a graphic novel, an English translation and Hidden Paradigms: Comparing Epic Themes, Characters, and Plot Structures (U Toronto Press, 2022) which identifies important symbolic patterns connecting this tale to other epic stories.

Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com.

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Sarah L. Hall, "Sown in the Stars: Planting by the Signs" (UP of Kentucky, 2023)

Mon, 03 Jul 2023 08:00:00 -0000

"To everything there is a season, and a time to every purpose under the heaven: a time to be born, and a time to die; a time to plant, and a time to pluck up that which is planted."—Ecclesiastes 3:1–2

The Appalachian region is deeply rooted in customs that have been handed down for generations. "Planting by the signs," a practice predicated on the belief that moon phases and astrological signs exert a powerful influence on the growth and well-being of crops, is deemed superstitious by some but has been considered essential to gardeners and farmers for centuries and is still in use today.

Sown in the Stars: Planting by the Signs (UP of Kentucky, 2023) brings together the collective knowledge of farmers in central and eastern Kentucky about the custom of planting by the signs. Sarah Hall interviews nearly two dozen contemporary Kentuckians who still follow the signs of the moon and stars to guide planting, harvesting, canning and food preservation, butchering, and general farmwork. Hall explores the roots of this system in both astrology and astronomy and the profound connections felt to the stars, moon, planets, and the earth. Revealed in the personal narratives are the diverse interpretations of the practice. Some farmers and gardeners believe that the moon's impact on crop behavior is purely scientific, while others favor a much wider interpretation of the signs and their impact on our lives. Featuring photographs by Meg Wilson, this timely book bridges the past, present, and future by broadening our understanding of this practice and revealing its potential to increase the resiliency of our current agricultural food systems.

Sarah L. Hall is associate professor of agriculture and natural resources at Berea College. Her scholarly articles on the restoration of native forests and grasslands in Kentucky have been published in a wide range of journals, including Restoration Ecology and New Forests.

Candy Boatwright is currently studying for a M.A. History degree at Clemson University. Her research focus is early South Carolina trade and commerce. She is also interested in material culture and memory. A long-time resident of the upstate she enjoys hiking and exploring the natural beauty as well as the historical places of South Carolina. Her personal website is www.candyrboatwright.net/blog and she is also on Twitter at @CandyBoatwright.

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David Shulman and Heike Oberlin, "Two Masterpieces of Kuttiyattam: Mantrankam and Anguliyankam" (Oxford UP, 2019)

Thu, 27 Apr 2023 08:00:00 -0000

Kūṭiyāṭṭam, India’s only living traditional Sanskrit theatre, has been continually performed in Kerala for at least a thousand years. David Shulman and Heike Oberlin's Two Masterpieces of Kuttiyattam: Mantrankam and Anguliyankam (Oxford UP, 2019) focuses on Mantrāṅkam and Aṅgulīyāṅkam, the two great masterpieces of Kūṭiyāṭṭam. It provides fundamental general remarks and relates them to pan-Indian reflections on aesthetics, philology, ritual studies, and history.

Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com.

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David J. Halperin, "Intimate Alien: The Hidden Story of the UFO" (Stanford UP, 2020)

Fri, 24 Mar 2023 08:00:00 -0000

In his book Intimate Alien: The Hidden Story of the UFO (Stanford University Press, 2020), David J. Halperin explores the phenomena of UFO's through a psychological lense.

UFOs became part of our cultural landscape in 1947, and they've been with us ever since. Debunked innumerable times, they refuse to go away. Made the subject of great expectations by their believers, they invariably disappoint. They've been called a myth, both in disparagement and, more properly, in appreciation of their power and significance.

This book argues that they are actually a mythology, as gripping and profound as the great mythologies of antiquity to which they're linked. The question it asks about them is not, "What are they?" nor "Where do they come from?" but "What do they mean?" Halperin begins his exploration with his own longish teenage foray into the UFOs that he began to believe in as his mother lay dying of cancer. Despite the fact that he was only a high school student, Halperin joined and then became the director of "New Jersey Association on Aerial Phenomena" (NJAAP), an organization of amateur observers with members across the States. He goes on to revisit a range of famous cases of UFO sightings and abductions while introducing his own approach, which is informed by the study of religion, folklore, and Jungian psychology. Ultimately arguing for UFOs as evidence of the inner trauma of individuals as well as entire societies, he posits that the rise of the UFO in post-World War II America coincides with that moment in the nuclear age when we first became capable of imagining our death as a species,

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Juwen Zhang, "Oral Traditions in Contemporary China: Healing a Nation" (Lexington Books, 2022)

Wed, 22 Mar 2023 08:00:00 -0000

Oral Traditions in Contemporary China: Healing a Nation (Lexington Books, 2022) is the newest monograph from Professor Juwen Zhang of Willamette College. Through a historical survey and analyses of oral traditions like fairy tales, proverbs, and ballads, among others, that are still in vigorous practice in China today, this informative and stimulating book proposes a theoretical framework for interpreting how and why traditions continue or discontinue in any culture. Recently winning the prestigious Chicago Book Prize, the work is an excellent distillation of Professor Zhang's recent work.

Timothy Thurston is Associate Professor in the Study of Contemporary China at the University of Leeds.

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Sarah Iles Johnston, "Gods and Mortals: Ancient Greek Myths for Modern Readers" (Princeton UP, 2023)

Wed, 15 Mar 2023 09:00:00 -0000

Gripping tales that abound with fantastic characters and astonishing twists and turns, Greek myths confront what it means to be mortal in a world of powerful forces beyond human control. Little wonder that they continue to fascinate readers thousands of years after they were first told. Gods and Mortals: Ancient Greek Myths for Modern Readers (Princeton UP, 2023) is a major new telling of ancient Greek myths by one of the world's preeminent experts. In a fresh, vibrant, and compelling style that draws readers into the lives of the characters, Sarah Iles Johnston offers new narrations of all the best-known tales as well as others that are seldom told, taking readers on an enthralling journey from the origin of the cosmos to the aftermath of the Trojan War.

Some of the mortals in these stories are cursed by the gods, while luckier ones are blessed with resourcefulness and resilience. Gods transform themselves into animals, humans, and shimmering gold to visit the earth in disguise--where they sometimes transform offending mortals into new forms, too: a wolf, a spider, a craggy rock. Other mortals--both women and men--use their wits and strength to conquer the monsters created by the gods--gorgons, dragons, harpies, fire-breathing bulls.

Featuring captivating original illustrations by Tristan Johnston, Gods and Mortals highlights the rich connections between the different characters and stories, draws attention to the often-overlooked perspectives of female characters, and stays true both to the tales and to the world in which ancient people lived. The result is an engaging and entertaining new take on the Greek myths.

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Charles L. Briggs, "Unlearning: Rethinking Poetics, Pandemics, and the Politics of Knowledge" (Utah State UP, 2021)

Sun, 12 Mar 2023 08:00:00 -0000

A provocative theoretical synthesis by renowned folklorist and anthropologist Charles L. Briggs, Unlearning: Rethinking Poetics, Pandemics, and the Politics of Knowledge (Utah State UP, 2021) questions intellectual foundations and charts new paths forward. Briggs argues, through an expansive look back at his own influential works as well as critical readings of the field, that scholars can disrupt existing social and discourse theories across disciplines when they collaborate with theorists whose insights are not constrained by the bounds of scholarship.

Eschewing narrow Eurocentric modes of explanation and research foci, Briggs brings together colonialism, health, media, and psychoanalysis to rethink classic work on poetics and performance that revolutionized linguistic anthropology, folkloristics, media studies, communication, and other fields. Beginning with a candid memoir that credits the mentors whose disconcerting insights prompted him to upend existing scholarly approaches, Briggs combines his childhood experiences in New Mexico with his work in graduate school, his ethnography in Venezuela working with Indigenous peoples, and his contemporary work—which is heavily weighted in medical folklore.

Unlearning offers students, emerging scholars, and veteran researchers alike a guide for turning ethnographic objects into provocations for transforming time-worn theories and objects of analysis into sources of scholarly creativity, deep personal engagement, and efforts to confront unconscionable racial inequities. It will be of significant interest to folklorists, anthropologists, and social theorists and will stimulate conversations across these disciplines.

Dr. Charles Briggs is co-director of the Medical Anthropology Program, co-director of the Berkeley Center for Social Medicine, and the Alan Dundes Distinguished Professor of Folklore in the Department of Anthropology at the University of California, Berkeley. He is the author of numerous books, including Learning How to Ask, Voices of Modernity, Stories in the Time of Cholera, Making Health Public, and Tell Me Why My Children Died. He has received such honors as the James Mooney Award, the Chicago Folklore Prize, the Edward Sapir Book Prize, the J. I. Staley Prize, the Américo Paredes Prize, the New Millennium Book Award, and the Cultural Horizons Prize.

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Greg Bailey, "The Vinayaka Mahatmya" (Dev Publishers, 2023)

Thu, 09 Mar 2023 09:00:00 -0000

The Vinayaka Mahatmya is a late Puranic text which contains myths of eight of Gaṇeśa’s avatāras. It presents Gaṇeśa as the supreme deity who empowers Brahmā, Viṣṇu and Śiva to perform their traditional activities of creation, preservation and destruction. It offers descriptions of many darśanas of Gaṇeśa and several stotras praising his worship. This book contains the first translation of this text into a modern European language and also includes a transliterated version of the Sanskrit text.

Raj Balkaran is a scholar of Sanskrit narrative texts. He teaches at the Oxford Centre for Hindu Studies and at his own virtual School of Indian Wisdom. For information see rajbalkaran.com.

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Lucy Fraser, "The Pleasures of Metamorphosis: Japanese and English Fairy Tale Transformations of "The Little Mermaid"" (Wayne State UP, 2017)

Sun, 25 Dec 2022 09:00:00 -0000

“The Little Mermaid” has become popular around the world since the Danish author Hans Christian Andersen published it almost two centuries ago. Lucy Fraser’s The Pleasures of Metamorphosis: Japanese and English Fairy Tale Transformations of “The Little Mermaid” (Wayne State University Press, 2017) uses Japanese and American transformations of “The Little Mermaid” to think through the pleasures that the text provides for consumers. Building on Mayako Murai’s From Dog Bridegroom to Wolf Girl: Contemporary Japanese Fairy-Tale Adaptations in Conversation with the West, Fraser tracks transformations from the nineteenth century through 2008, with particular attention to literary and filmic media.

The binary languages of the title are matched by a series of binaries that Fraser identifies within The Little Mermaid and its transformations. Fraser shows how Andersen’s story presents readers with strict binaries – like human-merfolk, sea-land, and soul-soulless – only for the protagonist to transgress them. The Pleasures of Metamorphosis then presents readers with more binaries – between transformations that emphasize the (male, human) prince and those that emphasize the (female, non-human) mermaid, for example – to show the diverse pleasures inherent to the text. In so doing, The Pleasures of Metamorphosis traverses Disney’s classic animated film and Studio Ghibli’s more recent Ponyo (2008) as well as literature by a host of skilled writers, including Yumiko Kurahashi, Banana Yoshimoto, Jun’ichirō Tanizaki, Oscar Wilde, Kōbō Abe, Yōko Ogawa, Shūji Terayama, and Hiromi Kawakami. The book concludes by showing the promise of theories surrounding Japan’s shōjo, or girls’, culture for non-Japanese works.

Lucy Fraser is Senior Lecturer in Japanese at The University of Queensland, Australia, where she teaches Japanese language and literature.

Amanda Kennell is an Assistant Teaching Professor of International Studies at North Carolina State University who researches Japanese culture and contemporary media.

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Catherine Bateson, "Irish American Civil War Songs: Identity, Loyalty, and Nationhood" (Louisiana UP, 2022)

Wed, 14 Dec 2022 09:00:00 -0000

Dr Catherine Bateson is Associate Lecturer of American History at the University of Kent. She researches and writes about the role of song in the American Civil War, the sentiments ballads reveal about conflict experiences (especially for Irish Americans) and the culture of transnational music in mid-nineteenth century America. She has also written about aspects of retreat, enemy encounters, and home-front identity as articulated in American Civil War songs, and the role of music and song in military history more broadly. Dr Bateson is the co-founder of the War Through Other Stuff Society, former Vice-Chair of the Scottish Association for the Study of America and is currently Associate Editor of the Irish in the American Civil War website project.

In this interview she discusses her new book, Irish American Civil War Songs: Identity, Loyalty, and Nationhood (Louisiana State University Press, 2022)

Irish-born and Irish-descended soldiers and sailors were involved in every major engagement of the American Civil War. Throughout the conflict, they shared their wartime experiences through songs and song lyrics, leaving behind a vast trove of ballads in songbooks, letters, newspaper publications, wartime diaries, and other accounts. Taken together, these songs and lyrics offer an underappreciated source of contemporary feelings and opinions about the war. Irish American Civil War Songs provides the first in-depth exploration of Irish Americans’ use of balladry to portray and comment on virtually every aspect of the war as witnessed by the Irish on the front line and home front. Bateson considers the lyrics, themes, and sentiments of wartime songs produced in America but often originating with those born across the Atlantic in Ireland and Britain. Her analysis gives new insight into views held by the Irish migrant diaspora about the conflict and the ways those of Irish descent identified with and fought to defend their adopted homeland. Bateson’s investigation of Irish American song lyrics within the context of broader wartime experiences enhances our understanding of the Irish contribution to the American Civil War. At the same time, it demonstrates how Irish songs shaped many American balladry traditions as they laid the foundation of the Civil War’s musical soundscape.

Aidan Beatty is a historian at the Frederick Honors College of the University of Pittsburgh

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Norm Cohen et al., "An American Singing Heritage: Songs from the British-Irish-American Oral Tradition as Recorded in the Early Twentieth Century" (A-R Editions, 2021)

Thu, 08 Dec 2022 09:00:00 -0000

The Music of the United States of America Series of musical editions is a monumental undertaking funded by the National Endowment for the Humanities with financial and organizational support from the University of Michigan, the American Musicological Society, the Society of American Music, and A-R Editions. The aim of the MUSA series, as it is called, is to provide expertly researched and edited scores of music from a wide variety of musical traditions performed in the United States. The thirty-second volume of the MUSA series is An American Singing Heritage: Songs from the British-Irish-American Oral Tradition as Recorded in the Early Twentieth Century published by A-R Editions in 2021 and edited by the Anne Dhu McLucas, Norm Cohen, and Carson Cohen. Dr. McLucas passed away before the edition was completed and Carson stepped in to complete the project with his father Norm. This collection of one hundred songs is a record of a fundamental repertoire in American music. Brought to this country by colonists, the folk songs became one of the foundations of the genre that early record executives called hillbilly music which was eventually rebranded as country music.

Each entry has extensive notes explaining the piece’s background and text, information about the recording used for the musical transcription, and a list of secondary sources that discuss the song. An American Singing Heritage required the editors to sift through thousands of recordings and songs to pick a representative sample of this large and fascinating repertoire. The editors selected sources for transcriptions in a broad range of singing styles and representing many regions of the United States. The selections attempt to avoid the biases of previous collections and provide a fresh group of examples, many heretofore unseen in print. The sources for the transcriptions are recordings of traditional musicians from the 1920s through the early 1940s drawn from commercial recordings of "hillbilly" musicians, and field recordings in the collection of the Library of Congress’s Archive of American Folk Song, now part of the Archive of Folk Culture. The American Musicological Society awarded the collection the 2022 Claude V. Palisca Award for an Outstanding Edition.

Kristen M. Turner is a lecturer in the music and honors departments at North Carolina State University. Her research centers on race and class in American popular entertainment at the turn of the twentieth century.

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Eugenia Roussou, "Orthodox Christianity, New Age Spirituality and Vernacular Religion: The 'Evil Eye' in Greece" (Bloomsbury, 2021)

Tue, 29 Nov 2022 09:00:00 -0000

Eugenia Roussou's book Orthodox Christianity, New Age Spirituality and Vernacular Religion: The 'Evil Eye' in Greece (Bloomsbury, 2021) thoroughly illustrates the novel synthesis of Christian religion and New Age spirituality in Greece. It challenges the single-faith approach that traditionally ties southern European countries to Christianity and focuses on how processes of globalization influence and transform vernacular religiosity.

Based on long-term anthropological fieldwork in Greece, this book demonstrates how the popular belief in the ‘evil eye’ produces a creative affinity between religion and spirituality in everyday practice. It contributes to current key debates in social sciences concerning globalization and secularization, religious pluralism, contemporary spirituality and the New Age movement, gender, power and the body, health, illness, and alternative therapeutic systems, senses, perception and the supernatural, the spiritual marketplace, creativity and the individualization of religion in a multicultural world.

Tiatemsu Longkumer is a Ph.D. scholar working on ‘Anthropology of Religion’ at North-Eastern Hill University, Shillong: India.

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Kate Christine Moore Koppy, "Fairy Tales in Contemporary American Culture: How We Hate to Love Them" (Lexington, 2021)

Fri, 25 Nov 2022 09:00:00 -0000

In the twenty-first century, American culture is experiencing a profound shift toward pluralism and secularization. In Fairy Tales in Contemporary American Culture: How We Hate to Love Them (Lexington Books, 2021), Kate Christina Moore Koppy argues that the increasing popularity and presence of fairy tales within American culture is both indicative of and contributing to this shift. By analyzing contemporary fairy tale texts as both new versions in a particular tale type and as wholly new fairy-tale pastiches, Koppy shows that fairy tales have become a key part of American secular scripture, a corpus of shared stories that work to maintain a sense of community among diverse audiences in the United States, as much as biblical scripture and associated texts used to.

In this interview with New Books Network, author Kate Koppy and host Carmen Gomez-Galisteo talk about Fairy Tales in Contemporary American Culture: How We Hate to Love Them and how they are relevant in today’s society, despite some parents’ and educators’ misgivings that they may instill traditional, outdated values into children.

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Kedar Arun Kulkarni, "World Literature and the Question of Genre in Colonial India: Poetry, Drama, and Print Culture 1790-1890" (Bloomsbury, 2022)

Mon, 14 Nov 2022 09:00:00 -0000

In 1818, the East India Company defeated the Maratha confederacy, acquiring vast domains in central and western India. Through coercion if not outright violence, the Company transformed many aspects of India's social, economic, and cultural landscape. This book charts one such shifting landscape-Marathi language literary culture-in order to expand the field of world and comparative literature. Kedar A. Kulkarni describes the way Marathi literary culture, entrenched in performative modes of production and reception, especially balladry and epic storytelling, saw the germination of a robust, script-centric dramatic culture, owing to colonial networks of literary exchange and the newfound wide availability of print technology. However, the process was far from a simple mutation of genre. He demonstrates the upheaval that literary culture underwent as a new class of literati emerged: anthologists, critics, theatre makers, publishers, translators, among many others. And, these people also participated in a global conversation that left its mark on theory in the twentieth century.

Ultimately, World Literature and the Question of Genre in Colonial India: Poetry, Drama, and Print Culture 1790-1890 (Bloomsbury, 2022) situates Marathi literature within contemporary world literature studies and critiques “eurochronology”- the perceived backwardness of colonial and postcolonial locales when compared with literatures produced in Euro-American metropoles. Reading through archives and ephemera, it demonstrates that literary cultures in colonized locales converged with and participated fully in key defining moments of world literature, but also diverged from them to create, simultaneously, a unique literary modernity.

Dr. Kedar A. Kulkarni teaches at FLAME University, Pune.

Gargi Binju is a researcher at the University of Tübingen.

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On "Grimms' Fairytales"

Wed, 02 Nov 2022 08:00:00 -0000

You probably already know the story of Snow White—as well as Little Red Riding Hood, Briar Rose, The Frog Prince, and so many others. These tales have a rich history of oral storytelling. They’ve travelled through culture, adapted and readapted in each retelling and reaching as far as the popular Disney movies that our kids watch over and over. Jacob and Wilhelm Grimm saw the power of this folklore and made it their life’s mission to compile and preserve it. But while we tend to think of Grimms’ Fairy Tales as stories for children, the themes found in Jacob and Wilhelm’s book can be pretty mature…and a little dark. Columbia professor Annie Pfeifer discusses how the Grimm brothers ended up creating a whole new literary genre and their stories have been shaped and molded throughout history. Annie Pfeifer is an Assistant Professor of Germanic Languages at Columbia University. She has published articles in The New German Critique, German Life and Letters, and the peer-reviewed volumes Que(e)rying Consent and Iran and the West and edited a collection of essays titled “Walk I absolutely Must” in 2019. See more information on our website, WritLarge.fm. Follow us on Twitter @WritLargePod.

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Ross Cole, "The Folk: Music, Modernity, and the Political Imagination" (U California Press, 2021)

Fri, 28 Oct 2022 08:00:00 -0000

In The Folk: Music, Modernity, and the Political Imagination (U California Press, 2021), Ross Cole revisits the remarkable upswell of interest in folk songs in fin de siècle Britain and America. While the work of folk collectors such as John Lomax, Cecil Sharp and Hubert Parry seems primarily about the preservation of premodern musical cultures, Cole suggests that the anxieties about the disappearance of these traditions were inseparable from – and constitutive of – a critique of industrial modernity. That is, the preoccupation with folk culture in this period was as much about discontent with the present and imagining new visions for the future as it was motivated by a socio-historical interest in the vernacular musics of the past. Cole shows how the desire for ‘folk culture’ actually occluded the messy, hybrid reality of vernacular music making, and the lives of those who made it, as a result.

Cole makes the compelling case that what he calls the ‘folkloric imagination’ is shot through with a twinned politics of nostalgia and utopia, with both radical and reactionary elements lying just beneath the surface. The Folk traces how the invention of folk song by the collectors of the late 19th and early 20th Century was tightly bound up with contentious questions of race, nation, and empire that would come to an ugly head with the advent of fascism. By pursuing these threads into the present day, Cole shows how the same tensions continue to permeate the use and abuse of ‘the folk’ in contemporary political culture.

Dr Ross Cole is Lecturer in Popular Music at the University of Leeds.

Gummo Clare is a PhD researcher in the School of Media and Communications, University of Leeds.

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Patricia A. Turner, "Trash Talk: Anti-Obama Lore and Race in the Twenty-First Century" (U California Press, 2022)

Tue, 18 Oct 2022 08:00:00 -0000

Barack Obama and his family have been the objects of rumors, legends, and conspiracy theories unprecedented in US politics. Outbreaks of anti-Obama lore have occurred in every national election cycle since 2004 and continue to the present day--two elections after his presidency ended. In Trash Talk: Anti-Obama Lore and Race in the Twenty-First Century (U California Press, 2022), folklorist Patricia A. Turner examines how these thought patterns have grown ever more vitriolic and persistent and what this means for American political culture.

Through the lens of attacks on Obama, Trash Talk explores how racist tropes circulate and gain currency. As internet communications expand in reach, rumors and conspiracy theories have become powerful political tools, and new types of lore like the hoax and fake news have taken root. The mainstream press and political establishment dismissed anti-Obama mythology for years, registering concern only when it became difficult to deny how much power those who circulated it could command. Trash Talk demonstrates that the ascendancy of Barack Obama was never a signal of a postracial America.

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Debbie Felton, "Monsters and Monarchs: Serial Killers in Classical Myth and History" (U Texas Press, 2021)

Tue, 11 Oct 2022 08:00:00 -0000

Even if the term "Serial Killer" wasn’t coined until the end of the 20th century, the practice of multiple murder has followed humanity through the ages. In Monsters and Monarchs: Serial Killers in Classical Myth and History (U Texas Press, 2021), professor Debbie Felton digs deep into the sources to demonstrate instances of what we might recognize as serial killers in antiquity, from myth to Imperial Rome to rhetorical exercises and maybe even on our small screens at home. Tracing these gruesome lineages, she exposes examples of these “types” of criminals through history, including more recognizable names like Jack the Ripper and Jeffrey Dahmer. What is mirrored are the characteristics we recognize as multiple homicidal psychopathy within ancient history and myth. This book is a complex and fascinating interweave of classical myth, ancient history, and true crime as manifesting in both our modern imaginations and those of generations past.

Liz Barrett is a History PhD student Lehigh University, a CSA Farmer, mother of 3, and veteran of the USMC. She lives in suburban Philadelphia where she reads and writes a lot, and really, really likes old stuff. On Twitter: @lizcantlose.

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Michael Slouber, "Early Tantric Medicine: Snakebite, Mantras, and Healing in the Garuda Tantras" (Oxford UP, 2016)

Thu, 29 Sep 2022 08:00:00 -0000

Michael Slouber's Early Tantric Medicine: Snakebite, Mantras, and Healing in the Garuda Tantras (Oxford UP, 2016) looks at a traditional medical system that flourished over 1,000 years ago in India. The volume brings to life this rich tradition in which knowledge and faith are harnessed in complex visualizations accompanied by secret mantras to an array of gods and goddesses; this religious system is combined with herbal medicine and a fascinating mixof lore on snakes, astrology, and healing. The book's appendices include an accurate, yet readable translation of ten chapters of the most significant Tantric medical text to be recovered: the Kriyakalagunottara.

Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com.

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"Riding the Wild Horse in Chinese Literature”: Translation and Research on "Jin Ping Mei"

Fri, 23 Sep 2022 04:00:00 -0000

What is the oral tradition of Chinese storytelling about and what is the connection to the great Chinese novels?

How to translate a Chinese classic such as the famed and defamed “Jin Ping Mei”? And how to handle the dilemma of steering one’s boat between enormous amounts of scholarship on the novel without drowning, and keeping up the tempo of translation day after day?

NIAS senior researcher Vibeke Børdahl joined NIAS Press Student Assistant, Julia Heinle, to discuss her upcoming publications “Jin Ping Mei i vers og prosa”, I-X (Vandkunsten, 2011-2022) and “Jin Ping Mei – A Wild Horse in Chinese Literature” (ed. by Vibeke Børdahl and Lintao Qi) (NIAS Press 2022).

Dr. Vibeke Børdahl is a senior researcher at NIAS and is generally recognized as one of the most accomplished scholars in the study of Chinese oral literature. As well as doing much research on the interplay of oral and written traditions in Chinese popular literature and performance culture, over the past decade she has translated the full work of Jin Ping Mei into Danish. The publication is celebrated with a symposium 26-28 October supported by the Royal Danish Academy of Sciences and Letters, the Carlsberg Academy and NIAS.

Find the NIAS Press book here.

Translation editions by Vandkunsten are here.

The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo.

We aim to produce timely, topical and well-edited discussions of new research and developments about Asia.

About NIAS: www.nias.ku.dk

Transcripts of the Nordic Asia Podcasts: http://www.nias.ku.dk/nordic-asia-podcast

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Levi S. Gibbs, "Song King: Connecting People, Places and Past in Contemporary China" (U Hawaii Press, 2018)

Thu, 22 Sep 2022 19:00:00 -0000

How does music link people across time and space? How do singers modulate their repertoires to forge links with audiences both within and across local, regional and national borders? What are the consequences of these developments? In Song King: Connecting People, Places and Past in Contemporary China (University of Hawaii Press 2018), Dartmouth College Assistant Professor Levi S. Gibbs seeks to answer these and other questions through an examination of the life and music of Wang Xiangrong, the Folksong King of Western China. As a folksong king, Wang is both folk and elite, and in this capacity he simultaneously is tasked with representing the local, the regional, and the national both in performances within China, and—in the case of one chapter looking at his performance at the Dow Chemical Plant in Midlands Michigan—around the world. Born and raised in a rural area of Northern Shaanxi Province, Wang grew up listening to shamanic songs and bawdy songs, but grew into other contexts in which he now represents his region and his nation in ways that require him to modulate his repertoire to bring together audiences, performers in the performance event. At the end of the book, Gibbs considers how the concept of song kings and queens might find application to and help understand about folksingers around the world, in doing so, Song King provides new and innovative ways of considering issues of folksong traditions and their performers in contemporary China and beyond. All recordings mentioned in the volume are also available on amazon.

Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet.

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Mary J. Magoulick, "The Goddess Myth in Contemporary Literature and Popular Culture: A Feminist Critique" (UP of Mississippi, 2022)

Wed, 21 Sep 2022 08:00:00 -0000

Goddess characters are revered as feminist heroes in the popular media of many cultures. However, these goddess characters often prove to be less promising and more regressive than most people initially perceive. Goddesses in film, television, and fiction project worldviews and messages that reflect mostly patriarchal culture (including essentialized gender assumptions), in contrast to the feminist, empowering levels many fans and critics observe.

Building on critiques of other skeptical scholars, The Goddess Myth in Contemporary Literature and Popular Culture: A Feminist Critique (University Press of Mississippi, 2022) deepens how our remythologizing of the ancient past reflects a contemporary worldview and rhetoric. Structures of contemporary goddess myths often fit typical extremes as either vilified, destructive, dark, and chaotic (typical in film or television); or romanticized, positive, even utopian (typical in women’s speculative fiction). This goddess spectrum persistently essentializes gender, stereotyping women as emotional, intuitive, sexual, motherly beings (good or bad), precluded from complex potential and fuller natures. Within apparent good-over-evil, pop-culture narrative frames, these goddesses all suffer significantly.

However, a few recent intersectional writers, like N. K. Jemisin, break through these dark reflections of contemporary power dynamics to offer complex characters who evince “hopepunk.” They resist typical simplified, reductionist absolutes to offer messages that resonate with potential for today’s world. Mythic narratives featuring goddesses often do, but need not, serve merely as ideological mirrors of our culture’s still problematically reductionist approach to women and all humanity.

Mary J. Magoulick is professor of English at Georgia College and State University.

Iqra Shagufta Cheema is a writer, researcher, and chronic procrastinator. When they do write, they write in the areas of postmodernist postcolonial literatures, transnational feminisms, gender and sexuality studies, and film studies. They can be reached via email at IqraSCheema@gmail.com or Twitter.

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Caleb Simmons, "Singing the Goddess Into Place: Locality, Myth, and Social Change in Chamundi of the Hill, a Kannada Folk Ballad" (SUNY Press, 2022)

Thu, 18 Aug 2022 08:00:00 -0000

Singing the Goddess Into Place: Locality, Myth, and Social Change in Chamundi of the Hill, a Kannada Folk Ballad (SUNY Press, 2022) demonstrates how folk narratives reflect local context while also actively working to upend social inequities based on caste and ritual/devotional practices. By delving into this world, the book helps us understand how a landscape is transformed through people's relationship with it and how this relationship helps build meaning for the communities that call it home.

Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com.

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Paul Robichaud, "Pan: The Great God’s Modern Return" (Reaktion Books, 2021)

Thu, 18 Aug 2022 08:00:00 -0000

From ancient myth to contemporary art and literature, a beguiling look at the many incarnations of the mischievous—and culturally immortal—god Pan. Pan—he of the cloven hoof and lustful grin, beckoning through the trees. From classical myth to modern literature, film, and music, the god Pan has long fascinated and terrified the western imagination. “Panic” is the name given to the peculiar feeling we experience in his presence. Still, the ways in which Pan has been imagined have varied wildly—fitting for a god whose very name the ancients confused with the Greek word meaning “all.” Part-goat, part-man, Pan bridges the divide between the human and animal worlds. In exquisite prose, Paul Robichaud explores how Pan has been imagined in mythology, art, literature, music, spirituality, and popular culture through the centuries. At times, Pan is a dangerous, destabilizing force; sometimes, a source of fertility and renewal. His portrayals reveal shifting anxieties about our own animal impulses and our relationship to nature. Always the outsider, he has been the god of choice for gay writers, occult practitioners, and New Age mystics. And although ancient sources announced his death, he has lived on through the work of Arthur Machen, Gustav Mahler, Kenneth Grahame, D. H. Lawrence, and countless others. Pan: The Great God’s Modern Return (Reaktion Books, 2021) traces his intoxicating dance.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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Raj Balkaran, "The Stories Behind the Poses: The Indian Mythology That Inspired 50 Yoga Postures" (Leaping Hare, 2022)

Mon, 27 Jun 2022 08:00:00 -0000

Raj Balkaran's 200th podcast episode: Christa Kuberry interviews him on his beautifully written new book The Stories Behind the Poses: The Indian Mythology That Inspired 50 Yoga Postures (Leaping Hare, 2022), and highlighting their significance for practice.

Raj Balkaran is a scholar, online educator, and life coach. For information see rajbalkaran.com.

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Adrienne Mayor, "Flying Snakes and Griffin Claws: And Other Classical Myths, Historical Oddities, and Scientific Curiosities" (Princeton UP, 2022)

Fri, 24 Jun 2022 08:00:00 -0000

Adrienne Mayor is renowned for exploring the borders of history, science, archaeology, anthropology, and popular knowledge to find historical realities and scientific insights--glimmering, long-buried nuggets of truth--embedded in myth, legends, and folklore. Combing through ancient texts and obscure sources, she has spent decades prospecting for intriguing wonders and marvels, historical mysteries, diverting anecdotes, and hidden gems from ancient, medieval, and modern times. Flying Snakes and Griffin Claws: And Other Classical Myths, Historical Oddities, and Scientific Curiosities (Princeton UP, 2022) is a treasury of fifty of her most amazing and amusing discoveries.

The book explores such subjects as how mirages inspired legends of cities in the sky; the true identity of winged serpents in ancient Egypt; how ghost ships led to the discovery of the Gulf Stream; and the beauty secrets of ancient Amazons. Other pieces examine Arthur Conan Doyle's sea serpent and Geronimo's dragon; Flaubert's obsession with ancient Carthage; ancient tattooing practices; and the strange relationship between wine goblets and women's breasts since the times of Helen of Troy and Marie Antoinette. And there's much, much more.

Showcasing Mayor's trademark passion not to demythologize myths, but to uncover the fascinating truths buried beneath them, Flying Snakes and Griffin Claws is a wonder cabinet of delightful curiosities.

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Juwen Zhang, "The Dragon Daughter and Other Lin Lan Fairy Tales" (Princeton UP, 2022)

Thu, 16 Jun 2022 08:00:00 -0000

The Dragon Daughter and Other Lin Lan Fairy Tales (Princeton University Press, 2022) by Dr. Juwen Zhang brings together forty-two magical Chinese tales, most appearing for the first time in English. These stories have been carefully selected from more than a thousand originally published in the early twentieth century under the pseudonyms Lin Lan and Lady Lin Lan—previously unknown in the West, and now acclaimed as the Brothers Grimm of China.

The birth of the tales began in 1924, when one author, Li Xiaofeng, published a set of literary stories under the Lin Lan pen name, an alias that would eventually be shared by an editorial team. Together, this group gathered fairy tales (tonghua) from rural regions across China. Combining traditional oral Chinese narratives with elements from the West, the selections in this collection represent different themes and genres—from folk legends to comic tales. Characters fall for fairies, experience predestined love, and have love/hate relationships with siblings. Garden snails and snakes transform into cooking girls, and dragon daughters construct houses. An introduction offers historical and social context for understanding the role that the Lin Lan stories played in modern China.

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79* Madeline Miller on Circe (GT, JP)

Thu, 21 Apr 2022 08:00:00 -0000

In this rebroadcast, John and Brandeis neuroscientist Gina Turrigiano (an occasional host and perennial friend of Recall this Book) speak with Madeline Miller, author of the critically acclaimed bestseller Circe.

Elizabeth Ferry is Professor of Anthropology at Brandeis University. Email: ferry@brandeis.edu. John Plotz is Barbara Mandel Professor of the Humanities at Brandeis University and co-founder of the Brandeis Educational Justice Initiative. Email: plotz@brandeis.edu.

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78 Fantasy Then, Now, and Forever with Anna Vaninskaya

Thu, 07 Apr 2022 08:00:00 -0000

Elizabeth and John talk about fantasy's power of world-making with Edinburgh professor Anna Vaninskaya, author of William Morris and the Idea of Community: Romance, History and Propaganda, 1880-1914 ( 2010) and Fantasies of Time and Death: Dunsany, Eddison, Tolkien ( 2020). Anna uncovers the melancholy sense of displacement and loss running through Tolkien, and links his notion of "subcreation" to an often concealed theological vision. Not allegory but "application" is praised as a way of reading fantasy.

John asks about hopeful visions of the radical politics of fantasy (Le Guin, but also Graeber and Wengrow's recent work); Elizabeth stresses that fantasy's appeal is at once childish and childlike. E. Nesbit surfaces, as she tends to in RtB conversations. The question of film TV and other visual modes comes up: is textual fantasy on the way out?

Mentioned in the Episode:

David Graeber and David Wengrow, The Dawn of Everything.
In "From Elfland to Poughkeepsie" Ursula Le Guin perhaps surprisingly praises the otherworldly prose style of Anna's beloved E. R. Eddison, best known for The Worm Ouroboros (1922)
J. R. R. Tolkien, "On Fairy Stories"
E. Nesbit The Phoenix and the Carpet
Lord Dunsany, King of Elfland's Daughter
Ursula Le Guin The Books of Earthsea

Recallable Books:

Sylvia Townsend Warner, Kingdoms of Elfin (and read this lovely Ivan Kreilkamp article on her earlier strange great Lolly Willowes)
Lloyd Alexander Chronicles of Prydain
N. K. Jemisin, The Fifth Season

Read transcript here

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Liora Sarfati, "Contemporary Korean Shamanism: From Ritual to Digital" (Indiana UP, 2021)

Fri, 25 Mar 2022 08:00:00 -0000

Once viewed as an embarrassing superstition, the theatrical religious performances of Korean shamans--who communicate with the dead, divine the future, and become possessed--are going mainstream. Attitudes toward Korean shamanism are changing as shamanic traditions appear in staged rituals, museums, films, and television programs, as well as on the internet.

In Contemporary Korean Shamanism: From Ritual to Digital (Indiana University Press, 2021), Liora Sarfati explores this vernacular religion and practice, which includes sensory rituals using laden altars, ecstatic dance, and animal sacrifice, within South Korea's hypertechnologized society, where over 200,000 shamans are listed in professional organizations. In doing so, Sarfati reveals how representations of shamanism in national, commercialized, and screen-mediated settings have transformed opinions of these religious practitioners and their rituals. Applying ethnography and folklore research, Contemporary Korean Shamanism maps this shift in perception about shamanism--from a sign of a backward, undeveloped Korea to a valuable, indigenous cultural asset.

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Deirdre Ní Chonghaile, "Collecting Music in the Aran Islands: A Century of History and Practice" (U Wisconsin Press, 2021)

Fri, 18 Mar 2022 08:00:00 -0000

Deirdre Ní Chonghaile is a writer, musician, broadcaster, and curator from the Aran Islands. Working bilingually in Irish and English, she is drawn to voices, contemporary and historical, especially those that have been marginalized, and to what they have to say or sing. She read Music at St. Hilda's College, Oxford, and worked at the University of Notre Dame and the Library of Congress. Deirdre is currently curating an exhibition for Roinn na Gaeilge at NUI Galway on the first professor of Irish there, Tomás Ó Máille, and also preparing an anthology of over fifty traditional songs composed in the Aran Islands from the nineteenth century to the present day.

In this interview, she discusses her new book Collecting Music in the Aran Islands: A Century of History and Practice (U Wisconsin Press, 2021), which uses interlocking case-studies of traditional music collection to investigate questions of preservation, curation and marginalization.

Collecting Music in the Aran Islands, a critical historiographical study of the practice of documenting traditional music, is the first to focus on the archipelago off the west coast of Ireland. Deirdre Ní Chonghaile argues for a culturally equitable framework that considers negotiation, collaboration, canonization, and marginalization to fully understand the immensely important process of musical curation. In presenting four substantial, historically valuable collections from the nineteenth and twentieth centuries, she illustrates how understanding the motivations and training (or lack thereof) of individual music collectors significantly informs how we should approach their work and contextualize their place in the folk music canon.

Aidan Beatty is a historian at the Honors College of the University of Pittsburgh

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Ra Page, ed., "The Cuckoo Cage" (Comma Press, 2022)

Wed, 16 Mar 2022 08:00:00 -0000

The superhero of comic books and blockbuster movies may be a quintessentially American invention, forever saving the world in skin-tight spandex. But the cultural DNA of the superhero can arguably be traced to a much older, more progressive, British tradition: the larger-than-life folk heroes of historical protests – General Ludd, Captain Swing, Lady Skimmington, and others; semi-fictional identities that ordinary protestors adopted, often dressing up in the process.

The Cuckoo Cage (CommaPress, 2022), edited by Ra Page, is a unique experiment, twelve authors have been tasked with resurrecting that tradition: to spawn a new generation of present-day British superheroes, willing to bring the fight back to British shores and to more progressive causes. From the dimension-jumping statue-toppler, to the shape-shifting single mum raiding supermarkets to stock local foodbanks, these figures offer unlikely new insights into shared, centuries-old political causes, and usher in a new league of proud, British (social justice) warriors.

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Linda LeGarde Grover, "Gichigami Hearts: Stories and Histories from Misaabekong" (U Minnesota Press, 2021)

Thu, 24 Feb 2022 09:00:00 -0000

Stephanie Khattak speaks with Dr. Linda Legarde Grover, an award-winning author whose latest book interweaves family and Ojibwe history with stories from Misaabekong (the place of the giants) on Lake Superior in Duluth, Minnesota: Gichigami Hearts: Stories and Histories from Misaabekong (U Minnesota Press, 2021)

Dr. Grover is an Anishinaabe novelist and short story writer. She is a professor of American Indian Studies at the University of Minnesota Duluth and a member of the Bois Forte Band of Ojibwe. Her work, which spans fiction, nonfiction, and poetry, recounts stories of Ojibwe life in northeastern Minnesota individuals, families and communities set against the backdrop of indigenous tradition and impacts of historical and current events.

In this interview, Dr. Grover shares the importance of stories and folklore traditions; her perspective as a scholar and storyteller, and the intrinsic value of maintaining - and strengthening - connections with people, places and communities beyond ourselves.

Stephanie Khattak is a writer, artist, historian and folklore enthusiast. Visit stephaniekhattak.com to learn more, and connect on Twitter: @steph_khattak, Facebook: @khattakstudios or Instagram: @pinecurtainproject.

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John Fenn and Lisa Gilman, "Handbook for Folklore and Ethnomusicology Fieldwork" (Indiana UP, 2019)

Tue, 22 Feb 2022 09:00:00 -0000

With The Handbook for Folklore and Ethnomusicology Fieldwork (Indiana University Press, 2019), Lisa Gilman and John Fenn offer a comprehensive review of the ethnographic process for developing a project, implementing the plan, and completing and preserving the data collected. Throughout, readers will find a detailed methodology for conducting different types of fieldwork such as digital ethnography or episodic research, tips and tricks for key elements like budgeting and funding, and practical advice and examples gleaned from the authors' own fieldwork experiences. This handbook also helps fieldworkers fully grasp and understand the ways in which power, gender, ethnicity, and other identity categories are ever-present in fieldwork and guides students to think through these dynamics at each stage of research. Written accessibly for lay researchers working in different mediums and on projects of varying sizes, this step-by-step manual will prepare the reader for the excitement, challenges, and rewards of ethnographic research.

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Kevin J. Wetmore, "Eaters of the Dead: Myths and Realities of Cannibal Monsters" (Reaktion Books, 2021)

Wed, 26 Jan 2022 09:00:00 -0000

Spanning myth, history, and contemporary culture, a terrifying and illuminating excavation of the meaning of cannibalism. Every culture has monsters that eat us, and every culture repels in horror when we eat ourselves. From Grendel to medieval Scottish cannibal Sawney Bean, and from the Ghuls of ancient Persia to The Texas Chainsaw Massacre, tales of being consumed are both universal and universally terrifying. In this book, Kevin J. Wetmore Jr. explores the full range of monsters that eat the dead: ghouls, cannibals, wendigos, and other beings that feast on human flesh. Moving from myth through history to contemporary popular culture, Wetmore considers everything from ancient Greek myths of feeding humans to the gods, through sky burial in Tibet and Zoroastrianism, to actual cases of cannibalism in modern societies. By examining these seemingly inhuman acts, Eaters of the Dead: Myths and Realities of Cannibal Monsters (Reaktion Books, 2021) reveals that those who consume corpses can teach us a great deal about human nature—and our deepest human fears.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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Nicholas Jubber, "The Fairy Tellers: A Journey into the Secret History of Fairy Tales" (John Murray, 2022)

Wed, 26 Jan 2022 09:00:00 -0000

In The Fairy Tellers: A Journey into the Secret History of Fairy Tales (John Murray, 2022), Nick Jubber unearths the lives of the dreamers who made our most beloved fairy tales: inventors, thieves, rebels and forgotten geniuses who gave us classic tales such as 'Cinderella', 'Hansel and Gretel', 'Beauty and the Beast' and 'Baba Yaga'. From the Middle Ages to the birth of modern children's literature, they include a German apothecary's daughter, a Syrian youth running away from a career in the souk and a Russian dissident embroiled in a plot to kill the tsar. Following these and other unlikely protagonists, the book travels from the steaming cities of Italy and the Levant, under the dark branches of the Black Forest, deep into the tundra of Siberia and across the snowy fells of Lapland.

“This is how the history of fairy tales operates: stories splintering along zigzagging pathways, carrying long-sounding echoes that turn down narrative alleyways suggested elsewhere or replicate each other with astonishing exactitude.”

In the process, Jubber discovers fresh perspectives on some of our most frequently told stories. Filled with adventure, tragedy and real-world magic, this bewitching book uncovers the stranger lives behind the strangest of tales.

This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, focusing on qualitative analyses of the Angolan and Mozambican civil wars. However, she is also a life-long lover of fairy tales & fantasy; her father continues to be surprised that her PhD did not once mention dragons, elves, or castles.

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Ziying You, "Folk Literati, Contested Tradition, and Heritage in Contemporary China: Incense Is Kept Burning" (Indiana UP, 2020)

Tue, 18 Jan 2022 09:00:00 -0000

In Folk Literati, Contested Tradition, and Heritage in Contemporary China: Incense Is Kept Burning (Indiana UP, 2020), Ziying You explores the role of the "folk literati" in negotiating, defining, and maintaining local cultural heritage. Expanding on the idea of the elite literati―a widely studied pre-modern Chinese social group, influential in cultural production―the folk literati are defined as those who are skilled in classical Chinese, knowledgeable about local traditions, and capable of representing them in writing. The folk literati work to maintain cultural continuity, a concept that is expressed locally through the vernacular phrase: "incense is kept burning."

You's research focuses on a few small villages in Hongtong County, Shanxi Province in contemporary China. Through a careful synthesis of oral interviews, participant observation, and textual analysis, You presents the important role the folk literati play in reproducing local traditions and continuing stigmatized beliefs in a community context. She demonstrates how eight folk literati have reconstructed, shifted, and negotiated local worship traditions around the ancient sage-Kings Yao and Shun as well as Ehuang and Nüying, Yao's two daughters and Shun's two wives. You highlights how these individuals' conflictive relationships have shaped and reflected different local beliefs, myths, legends, and history in the course of tradition preservation. She concludes her study by placing these local traditions in the broader context of Chinese cultural policy and UNESCO's Intangible Cultural Heritage program, documenting how national and international discourses impact actual traditions, and the conversations about them, on the ground.

In this conversations, Ziying You talks with Dr Timothy Thurston. Tim is Lecturer in Chinese Studies at the University of Leeds. His research examines tradition, modernity, and cultural sustainability in Tibetan communities. Follow Tim on twitter @taoyinkui.

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Mark Bender and Aku Wuwu, trans., "The Nuosu Book of Origins: A Creation Epic from Southwest China" (U Washington Press, 2019)

Wed, 29 Dec 2021 09:00:00 -0000

The Nuosu people, who were once overlords of vast tracts of farmland and forest in the uplands of southern Sichuan and neighboring provinces, are the largest division of the Yi ethnic group in southwest China. Their creation epic plots the origins of the cosmos, the sky and earth, and the living beings of land and water. This translation is a rare example in English of Indigenous ethnic literature from China.

Transmitted in oral and written forms for centuries among the Nuosu, The Nuosu Book of Origins: A Creation Epic from Southwest China (U Washington Press, 2019) is performed by bimo priests and other tradition-bearers. Poetic in form, the narrative provides insights into how a clan- and caste-based society organizes itself, dictates ethics, relates to other ethnic groups, and adapts to a harsh environment. A comprehensive introduction to the translation describes the land and people, summarizes the work's themes, and discusses the significance of The Book of Origins for the understanding of folk epics, ethnoecology, and ethnic relations.

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Takashi Saitō, "Ghastly Tales from the Yotsuya Kaidan" (Chisokudo, 2020)

Tue, 28 Dec 2021 09:00:00 -0000

Ghastly Tales from the Yotsuya Kaidan (Chisokudo, 2020) is a newly revised and corrected translation of what is perhaps the most famous and oft told tales of horror in Japan. The legend of Iwa and her curse blurs the lines between fact and fiction as it spins its terrifying tale of ghostly vengeance. For nearly three hundred years in the repertoire of itinerant storytellers, in dramatic performances on stage, and in modern adaptations for anime and film, Iwa’s story has lost none of its intoxicating power over the imagination.

Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.

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"Bambi" isn't about what you think it's about: Jack Zipes explains

Wed, 15 Dec 2021 09:00:00 -0000

Most of us think we know the story of Bambi—but do we? The Original Bambi: The Story of a Life in the Forest (Princeton UP, 2022) is an all-new, illustrated translation of a literary classic that presents the story as it was meant to be told. For decades, readers’ images of Bambi have been shaped by the 1942 Walt Disney film—an idealized look at a fawn who represents nature’s innocence—which was based on a 1928 English translation of a novel by the Austrian Jewish writer Felix Salten. This masterful new translation gives contemporary readers a fresh perspective on this moving allegorical tale and provides important details about its creator.

Originally published in 1923, Salten’s story is more somber than the adaptations that followed it. Life in the forest is dangerous and precarious, and Bambi learns important lessons about survival as he grows to become a strong, heroic stag. Jack Zipes’s introduction traces the history of the book’s reception and explores the tensions that Salten experienced in his own life—as a hunter who also loved animals, and as an Austrian Jew who sought acceptance in Viennese society even as he faced persecution.

With captivating drawings by award-winning artist Alenka Sottler, The Original Bambi captures the emotional impact and rich meanings of a celebrated story.

Marshall Poe is the founder and editor of the New Books Network. He can be reached at marshallpoe@newbooksnetwork.com.

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Annegret Oehme, "The Knight Without Boundaries: Yiddish and German Arthurian Wigalois Adaptations" (Brill, 2021)

Fri, 26 Nov 2021 09:00:00 -0000

This volume explores a core medieval myth, the tale of an Arthurian knight called Wigalois, and the ways it connects the Yiddish-speaking Jews and the German-speaking non-Jews of the Holy Roman Empire. The German Wigalois / Viduvilt adaptations grow from a multistage process: a German text adapted into Yiddish adapted into German, creating adaptations actively shaped by a minority culture within a majority culture. The Knight Without Boundaries: Yiddish and German Arthurian Wigalois Adaptations (Brill, 2021) examines five key moments in the Wigalois / Viduvilt tradition that highlight transitions between narratological and meta-narratological patterns and audiences of different religious-cultural or lingual background.

Lea Greenberg is a scholar of German studies with a particular focus on German Jewish and Yiddish literature and culture; critical gender studies; multilingualism; and literature of the post-Yugoslav diaspora.

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John B. Kachuba, "Shapeshifters: A History" (Reaktion Books, 2019)

Wed, 17 Nov 2021 09:00:00 -0000

There is something about a shapeshifter—a person who can transform into an animal—that captures our imagination; that causes us to want to howl at the moon, or flit through the night like a bat. Werewolves, vampires, demons, and other weird creatures appeal to our animal nature, our “dark side,” our desire to break free of the bonds of society and proper behavior. Real or imaginary, shapeshifters lurk deep in our psyches and remain formidable cultural icons. The myths, magic, and meaning surrounding shapeshifters are brought vividly to life in John B. Kachuba’s Shapeshifters: A History (Reaktion Books, 2019). Rituals in early cultures worldwide seemingly allowed shamans, sorcerers, witches, and wizards to transform at will into animals and back again. Today, there are millions of people who believe that shapeshifters walk among us and may even be world leaders. Featuring a fantastic and ghoulish array of examples from history, literature, film, TV, and computer games, Shapeshifters explores our secret desire to become something other than human.

Jana Byars is the Academic Director of Netherlands: International Perspectives on Sexuality and Gender.

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Rebecca Copeland and Linda C. Ehrlich, "Yamamba: In Search of the Japanese Mountain Witch" (Stone Bridge, 2021)

Mon, 25 Oct 2021 08:00:00 -0000

Alluring, nurturing, dangerous, and vulnerable, the yamamba, or Japanese mountain witch, has intrigued audiences for centuries. What is it about the fusion of mountains with the solitary old woman that produces such an enigmatic figure? And why does she still call to us in this modern, scientific era?

Co-editors Rebecca Copeland and Linda C. Ehrlich first met the yamamba in the powerful short story “The Smile of the Mountain Witch” by acclaimed woman writer Ōba Minako. The story revealed the compelling way creative women can take charge of misogynistic tropes, invert them, and use them to tell new stories of female empowerment.

Yamamba: In Search of the Japanese Mountain Witch (Stone Bridge Press, 2021) represents the creative and surprising ways artists and scholars from North America and Japan have encountered the yamamba.

Matthew Hayes is the Japanese Studies and Asian American Studies Librarian at Duke University and a researcher in the area of early modern Japanese Buddhism. You can find him on Twitter at @_matthewhayes_.

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Cyrus R. K. Patell, "Lucasfilm: Filmmaking, Philosophy, and the Star Wars Universe" (Bloomsbury, 2021)

Mon, 18 Oct 2021 08:00:00 -0000

From A New Hope to The Rise of Skywalker and beyond, this book offers the first complete assessment and philosophical exploration of the Star Wars universe.

Lucasfilm: Filmmaking, Philosophy, and the Star Wars Universe (Bloomsbury, 2021) examines the ways in which these iconic films were shaped by global cultural mythologies and world cinema, as well as philosophical ideas from the fields of aesthetics and political theory, and now serve as a platform for public philosophy. Cyrus R. K. Patell also looks at how this ever-expanding universe of cultural products and enterprises became a global brand and asks: can a corporate entity be considered a "filmmaker and philosopher"?

More than any other film franchise, Lucasfilm's Star Wars has become part of the global cultural imagination. The new generation of Lucasfilm artists is full of passionate fans of the Star Wars universe, who have now been given the chance to build on George Lucas's oeuvre. Within these pages, Patell explores what it means for films and their creators to become part of cultural history in this unprecedented way.

Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. To discuss and propose the book for an interview you can reach her at galina.limorenko@epfl.ch.

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M. E. J. Huff and Carole Ann King, "Alabama Quilts: Wilderness Through World War II, 1682-1950" (UP of Mississippi, 2020)

Tue, 12 Oct 2021 08:00:00 -0000

Stephanie Khattak speaks with Carole Ann King, who, along with Mary Elizabeth “Sunshine” Johnson Huff, wrote Alabama Quilts: Wilderness Through World War II, 1682-1950 (UP of Mississippi, 2020).

Alabama Quilts is a look at quilts of the state from before Alabama was part of the Mississippi Territory through the Second World War—a period of 268 years. The quilts are examined for their cultural context. This lens includes the community and time, the lives of the makers and role of women, and the events for which the quilts were made.

Stephanie Khattak is a writer, artist, historian and folklore enthusiast. Visit stephaniekhattak.com to learn more, and connect on Twitter: @steph_khattak, Facebook: @khattakstudios or Instagram: @pinecurtainproject.

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Wendy Doniger, "Winged Stallions and Wicked Mares: Horses in Indian Myth and History" (U Virginia Press, 2021)

Tue, 05 Oct 2021 08:00:00 -0000

Raj Balkaran speaks with Wendy Doniger about her new book Winged Stallions and Wicked Mares: Horses in Indian Myth and History (University of Virginia Press, 2021), along with her translation of the final four books of the Mahābhārata's Critical Edition translation project, the power of the purāṇas, cultural appropriation, and more!

Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com.

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M. W. Shores, "The Comic Storytelling of Western Japan: Satire and Social Mobility in Kamigata Rakugo" (Cambridge UP, 2021)

Wed, 22 Sep 2021 08:00:00 -0000

Rakugo, a popular form of comic storytelling, has played a major role in Japanese culture and society. Developed during the Edo (1600–1868) and Meiji (1868–1912) periods, it is still popular today, with many contemporary Japanese comedians having originally trained as rakugo artists. Rakugo is divided into two distinct strands, the Tokyo tradition and the Osaka tradition, with the latter having previously been largely overlooked. This pioneering study of the Kamigata (Osaka) rakugo tradition presents the first complete English translation of five classic rakugo stories, and offers a history of comic storytelling in Kamigata (modern Kansai, Kinki) from the seventeenth century to the present day. Considering the art in terms of gender, literature, performance, and society, The Comic Storytelling of Western Japan: Satire and Social Mobility in Kamigata Rakugo (Cambridge UP, 2021) grounds Kamigata rakugo in its distinct cultural context and sheds light on the 'other' rakugo for students and scholars of Japanese culture and history.

Jingyi Li is a PhD Candidate in Japanese History at the University of Arizona. She researches about early modern Japan, literati, and commercial publishing.

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Liang Luo, "The Global White Snake" (U Michigan Press, 2021)

Fri, 17 Sep 2021 08:00:00 -0000

Liang Luo's book The Global White Snake (U Michigan Press, 2021) examines the Chinese White Snake legends and their extensive, multidirectional travels within Asia and across the globe. Such travels across linguistic and cultural boundaries have generated distinctive traditions as the White Snake has been reinvented in the Chinese, Japanese, Korean, and English-speaking worlds, among others. Moreover, the inter-Asian voyages and global circulations of the White Snake legends have enabled them to become repositories of diverse and complex meanings for a great number of people, serving as reservoirs for polyphonic expressions ranging from the attempts to consolidate authoritarian power to the celebrations of minority rights and activism.

The Global White Snake uncovers how the White Snake legend often acts as an unsettling narrative of radical tolerance for hybrid sexualities, loving across traditional boundaries, subverting authority, and valuing the strange and the uncanny. A timely mediation and reflection on our contemporary moment of continued struggle for minority rights and social justice, The Global White Snake revives the radical anti-authoritarian spirit slithering under the tales of monsters and demons, love and lust, and reminds us of the power of the fantastic and the fabulous in inspiring and empowering personal and social transformations.

Huiying Chen is a Ph.D. candidate at University of Illinois at Chicago. She studies the history of travel in eighteenth-century China. She can be reached at hchen87 AT uic.edu

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Paula Richman and Rustom Bharucha, "Performing the Ramayana Tradition: Enactments, Interpretations, and Arguments" (Oxford UP, 2021)

Thu, 16 Sep 2021 08:00:00 -0000

Paula Richman and Rustom Bharucha's book Performing the Ramayana Tradition: Enactments, Interpretations, and Arguments (Oxford UP, 2021) examines diverse retellings of the Ramayana narrative as interpreted and embodied through a spectrum of performances. Unlike previous publications, this book is neither a monograph on a single performance tradition nor a general overview of Indian theatre. Instead, it provides context-specific analyses of selected case studies that explore contemporary enactments of performance traditions and the narratives from which they draw: Kutiyattam, Nangyarkuttu and Kathakali from Kerala; Kattaikkuttu and a "mythological" drama from Tamilnadu; Talamaddale from Karnataka; avant-garde performances from Puducherry and New Delhi; a modern dance-drama from West Bengal; the monastic tradition of Sattriya from Assam; anti-caste plays from North India; and the Ramnagar Ramlila.

Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com.

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Tom Mould, "Overthrowing the Queen: Telling Stories of Welfare in America" (Indiana UP, 2020)

Fri, 20 Aug 2021 08:00:00 -0000

It is a familiar story: A recipient of public assistance funds is caught buying expensive steaks, seafood, or other luxury foods with food stamps at the grocery store. Or they wear designer clothes and drive extravagant cars, belying the need for government assistance. Or they game the system in order to buy drugs or alcohol. Or they continue to bear multiple children in the belief that it will increase the amount of government aid they receive so that they can avoid working. Tinged with racial dog whistles and demonizations of poverty, these stories are often circulated as factual accounts of welfare fraud when they seem to operate more closely as contemporary legends – circulated stories with recurring motifs that seem as if they might have actually happened, but its veracity or falseness can be difficult to verify. Contemporary legends often include the caveat of the story happening to a “friend of a friend” though in the case of welfare legends, they often include first-person accounts. While the specific details of contemporary welfare legends are often not verified, the stories themselves are taken as accurate accounts and can impact public policy.

In Overthrowing The Queen: Telling Stories of Welfare In America (Indiana University Press, 2020), Dr. Tom Mould explores these stories about welfare in the context of contemporary legends and their influence on our perceptions of public assistance. In our conversation, he explains the origins of the “welfare queen” stereotype and its connection to a singular woman who defrauded public assistance programs in the 1970s and whose story was thereafter frequently recounted in racially coded terms by Ronald Reagan during his 1976 presidential campaign. We discuss the deep connection that welfare legends have to the idea of the American Dream, often serving as counternarrative or an embodiment of the fears about its attainability. Stereotypes about welfare recipients are so deeply embedded in the American consciousness that recipients feel as they must recount their stories as exceptions to the stereotype.

Such stories about people who defraud government assistance programs are compelling and memorable because they confirm preconceived biases about recipients. We talk about why such stories spread so easily and how they are spread. While contemporary legends are often told in third person, welfare legends are also told in the first person, but as Dr. Mould explains, the stereotypes are so strong that the tellers may have internalized specific details into eyewitness accounts in a move that makes for a more compelling narrative. However, even genuine eyewitness accounts do not provide the entire story – the circumstances that surround the purchase of what may be perceived come across as luxury items (perhaps a special occasion?) or why someone is driving an expensive car (a remnant from a life before falling upon difficult times?). He suggests that we take a “doubt-centered approach” when we hear such stories where we ask ourselves about the parts that may raise doubt - is it factually true? Is our interpretation true? Can this one story be generalizable to all stories about welfare recipients? Such an approach is an important addition to our understanding of how legend works. As our conversation continues, Dr. Mould suggests ways that we can and should counter the welfare legends, and why it is important to reclaim the terms “welfare” as a positive term rather than one that connotes fraud and laziness.

Dr. Tom Mould is Professor of History and Anthropology at Butler University in Indianapolis, Indiana.

Nancy Yan received her PhD in folklore from The Ohio State University and taught First Year Writing, Comparative Studies, and Asian American studies for several years before returning to organizing work.

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Sharon L. Coggan, "Sacred Disobedience: A Jungian Analysis of the Saga of Pan and the Devil" (Lexington Books, 2020)

Tue, 13 Jul 2021 08:00:00 -0000

Pan plays a central role in European mythology, originating as a figure who represented all that was impossible to tame in the world, something anyone who has ever worked with goats will understand. This primitive origin was slowly assimilated by the Greeks as a celebration of life and vitality, although through Plato’s radical dualism and the moral inflection introduced by Christianity, his transition from goatlike deity to devil leaves us with a complicated relationship today towards everything he represented, giving birth to a collection of complexes and pathologies that demand addressing. Joining me to discuss these ideas is Sharon Coggan, here to discuss her new book Sacred Disobedience: A Jungian Analysis of the Saga of Pan and the Devil (Lexington Books, 2020).

Synthesizing Jungian psychology with the history of mythology and theology, Coggan works her way through the history of Pan as a way of thinking about the development of various forms of consciousness, both individual and social. This is then a history of myth and religion, but with the goal of developing a psychological and sociological diagnosis, and thinking about what sort of cure might be called for.

Sharon Coggan is a recently retired professor who spent much of her career at the University of Colorado in Denver, and founded the Religious Studies Program where she served as director for many years. She can be reached at Sharon.Coggan@ucdenver.edu.

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Deatra Cohen and Adam Siegel, "Ashkenazi Herbalism: Rediscovering the Herbal Traditions of Eastern European Jews" (North Atlantic Books, 2021)

Fri, 09 Jul 2021 08:00:00 -0000

Until now, the herbal traditions of the Ashkenazi people have remained unexplored and shrouded in mystery. Ashkenazi Herbalism: Rediscovering the Herbal Traditions of Eastern European Jews (North Atlantic Books, 2021) rediscovers the forgotten legacy of the Jewish medicinal plant healers who thrived in Eastern Europe’s Pale of Settlement, from their beginnings in the Middle Ages through the modern era. Including the first materia medica of 26 plants and herbs essential to Ashkenazi folk medicine, Ashkenazi Herbalism sheds light on the preparations, medicinal profiles, and applications of a rich but previously unknown herbal tradition–one hidden by language barriers, obscured by cultural misunderstandings, and nearly lost to history. Written for new and established practitioners, it offers illustrations, provides information on comparative medicinal practices, and illuminates the important historical and cultural contexts that gave rise to Eastern European Jewish herbalism.

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Jeanne Pitre Soileau, "Yo' Mama, Mary Mack, and Boudreaux and Thibodeaux: Louisiana Children's Folklore and Play" (UP of Mississippi, 2016)

Tue, 06 Jul 2021 08:00:00 -0000

Children’s folklore is simultaneously a conservator of tradition and a site for creativity and innovation. For over five decades, Dr. Jeanne Pitre Soileau documented and collected the jokes, chants, rhymes, and games that that she observed on school playgrounds throughout her career as a public school teacher in southern Louisiana. From the early days of integration to the first decade of the 21st century, Dr. Soileau has taken note of the evolving forms in which children’s play take and its reflections of contemporary times. Her book, Yo’ Mama, Mary Mack, and Boudreaux and Thibodeaux: Lousiana Children’s Folklore and Play (University Press of Mississippi, 2016), examines forty-four years of children’s folklore and play collected in southern Louisiana schools. The book has won the 2018 Chicago Folklore Prize for excellence in folklore scholarship and the 2018 Opie Prize for the best published scholarly book on children’s folklore.

In this podcast, we hear about Dr. Soileau’s early fascination with the sounds of children chanting and handclapping at Louisiana school playground and her subsequent efforts to collect and document them and mores. She shares the playground jokes she heard, the “dozens,” an African American insult ritual with specific patterns with “clean” and “dirty” versions. We also discuss chants and ring games that were played among girls, some of which had origins from the late 19th century, but still expressed expectations of womanhood. The rhymes and playing that children engaged with were often reflective of current trends and popular culture. While the 21st century saw the rise of electronic media in the play of children, traditional rings games and chants still persisted on the playground. Such inventions did not replace these familiar games, but simply added to them, allowing for a different type of creativity and play for children.

Dr. Jeanne Soileau was born in New Orleans and taught public school and university classes in Louisiana for forty-seven years. Though retired, she continues to collect and study children’s folklore. Her upcoming publication What The Children Said: Child Lore of Southern Louisiana (University Press of Mississippi, 2021) will explore children’s play and its influence on learning about race, history, and sexuality.

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Emily Ng, "A Time of Lost Gods: Mediumship, Madness, and the Ghost after Mao" (U California Press, 2020)

Tue, 22 Jun 2021 08:00:00 -0000

If China’s Mao era is seen by many as a time of great upheaval and chaos, there are also people and places for whom things appear quite different. Writing from one such place in A Time of Lost Gods: Mediumship, Madness, and the Ghost after Mao (U California Press, 2020), Emily Ng foregrounds the perspective of a rural population in Henan province whose cosmological visions frame the Mao period as a time of relative calm, when a powerful sovereign brought order to both human and sprit realms.

Throughout this book, cosmological disturbance, ghosts and psychiatric disorder become lenses through which to understand the upheaval of capital flows, cross-country migrations and intergenerational strife which have coloured social, economic and political relationships in China since Mao. Ng’s extensive fieldwork with spirit mediums themselves, ordinary villagers who consult them and patients in a local hospital is complemented by cosmically ambitious insights into society and history which make this beautifully written book an invaluable resource for understanding China’s past and present, and eras of historical disturbance more generally, through a highly compelling new lens.

Ed Pulford is a Lecturer in Chinese Studies at the University of Manchester. His research focuses on friendships and histories between the Chinese, Korean and Russian worlds, and northeast Asian indigenous groups.

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Brian Collins on Indian Mythology

Wed, 16 Jun 2021 08:00:00 -0000

What insights on the human experience can we find in ancient Indian mythology? Join us as we speak to Dr. Brian Collins (Associate Professor, Chair Department of Classics and Religious Studies, Ohio University) about his work on Paraśu-Rāma, the brahmin who decapitates his own mother and annihilates 21 generations of the warriors.

You can also listen to Brian on the NBN here.

Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com.

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Tae-Yeoun Keum, "Plato and the Mythic Tradition in Political Thought" (Harvard UP, 2020)

Thu, 10 Jun 2021 08:00:00 -0000

Plato and the Mythic Tradition in Political Thought (Harvard UP, 2020) is an ambitious reinterpretation and defense of Plato’s basic enterprise and influence, arguing that the power of his myths was central to the founding of philosophical rationalism.

Plato’s use of myths—the Myth of Metals, the Myth of Er—sits uneasily with his canonical reputation as the inventor of rational philosophy. Since the Enlightenment, interpreters like Hegel have sought to resolve this tension by treating Plato’s myths as mere regrettable embellishments, irrelevant to his main enterprise. Others, such as Karl Popper, have railed against the deceptive power of myth, concluding that a tradition built on Platonic foundations can be neither rational nor desirable.

Tae-Yeoun Keum challenges the premise underlying both of these positions. She argues that myth is neither irrelevant nor inimical to the ideal of rational progress. She tracks the influence of Plato’s dialogues through the early modern period and on to the twentieth century, showing how pivotal figures in the history of political thought—More, Bacon, Leibniz, the German Idealists, Cassirer, and others—have been inspired by Plato’s mythmaking. She finds that Plato’s followers perennially raised the possibility that there is a vital role for myth in rational political thinking.

Tejas Parasher is Junior Research Fellow in Political Thought and Intellectual History at King’s College, University of Cambridge.

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Chitgopekar Nilima, "The Reluctant Family Man: Shiva in Everyday Life" (Penguin, 2019)

Thu, 10 Jun 2021 08:00:00 -0000

He's the destroyer of evil, the pervasive one in whom all things lie. He is brilliant, terrifying, wild and beneficent. He is both an ascetic and a householder, both a yogi and a guru. He encompasses the masculine and the feminine, the powerful and the graceful, the Tandava and the Laasya, the darkness and the light, the divine and the human. What can we learn from this bundle of contradictions, this dreadlocked yogi? How does he manage the devotions and duties of father, husband and man of the house, and the demands and supplications of a clamorous cosmos? In The Reluctant Family Man (Penguin, 2019), Nilima Chitgopekar uses the life and personality of Shiva-his self-awareness, his marriage, his balance, his detachment, his contentment-to derive lessons that readers can practically apply to their own lives. With chapters broken down into distinct frames of analysis, she defines concepts of Shaivism and interprets their application in everyday life.

Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com.

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Martin Shaw, "Smoke Hole: Looking to the Wild in the Time of the Spyglass" (Chelsea Green, 2021)

Tue, 08 Jun 2021 08:00:00 -0000

At a time when we are all confronted by not one, but many crossroads in our modern lives—identity, technology, trust, politics, and a global pandemic—celebrated mythologist and wilderness guide Martin Shaw delivers Smoke Hole: Looking to the Wild in the Time of the Spyglass (Chelsea Green, 2021): three metaphors to help us understand our world, one that is assailed by the seductive promises of social media and shadowed by a health crisis that has brought loneliness and isolation to an all-time high.

Smoke Hole is a passionate call to arms and an invitation to use these stories to face the complexities of contemporary life, from fake news, parenthood, climate crises, addictive technology and more. Shaw urges us to reclaim our imagination and untangle ourselves from modern menace, letting these tales be our guide.

Dr Martin Shaw is a writer and one of the most widely regarded teachers of the mythic imagination. He is the author of the award winning A Branch From The Lightning Tree, Snowy Tower, and Scatterlings: Getting Claimed in the Age of Amnesia (2016). He also directs the Westcountry School of Myth in the UK, and he devised and led the Oral Tradition course at Stanford University. And he has been published in Orion Magazine, Poetry International, Kenyon Review, Poetry Magazine, and Mississippi Review.

Susan Grelock Yusem, PhD, is an independent researcher trained in depth psychology, with an emphasis on community, liberation, and eco-psychologies. Her work centers around interconnection and encompasses regenerative food systems, the arts and conservation.

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Margaret Magat, "Balut: Fertilized Eggs and the Making of Culinary Capital in the Filipino Diaspora" (Bloomsbury, 2019)

Wed, 26 May 2021 08:00:00 -0000

Balut is a fertilized chicken or duck egg that is boiled at the seventeenth day and sold as a common street snack in the Philippines. While it is widely eaten in the Filipino community, balut is frequently used in eating “challenges” on American reality TV shows. At seventeen days, the balut egg already contains a partially developed embryo, and this aspect is sensationalized with exaggerated “performances of disgust” during these challenges.

In her book Balut: Fertilized Eggs and the Making of Culinary Capital in the Filipino Diaspora (Bloomsbury Academic, 2019), Dr. Margaret Magat explores balut as a site of culinary nationalism and identity-making, and its rise in the American consciousness. First, Dr. Magat describes how to eat balut and sip the warm broth inside the egg. In the Philippines, balut vendors sell them in the evening or early morning as snacks at malls, transportation hubs, markets, and just about everywhere. However, Americans were primarily introduced to balut via reality tv shows where contestants were “challenged” to eat it. Dr. Magat explains that like many foods of Asian immigrants, balut was decontextualized and framed through a lens of disgust in these eating “challenges.” But in response, Filipino communities sponsored balut-eating contests that promoted balut with more cultural context and pride in Filipino heritage and identity. More recently, balut has become culinary capital for foodies and celebrity chefs to gain recognition and status as someone with broad tastes. Lastly, we raise the issue of authenticity and its dangers in calling balut an authentic food of the Philippines but as also having an “authenticating” ability to signify membership of a group.

Dr. Margaret Magat an Asian American folklorist based in Sacramento, CA. Her research focuses on the folk practices of the Filipino diaspora.

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Michael D. Nichols, "Religion and Myth in the Marvel Cinematic Universe" (McFarland, 2021)

Fri, 21 May 2021 08:00:00 -0000

Breaking box office records, the Marvel Cinematic Universe has achieved an unparalleled level of success with fans across the world, raising the films to a higher level of narrative: myth. Michael D. Nichols's Religion and Myth in the Marvel Cinematic Universe (McFarland, 2021) is first book to analyze the Marvel output as modern myth, comparing it to epics, symbols, rituals, and stories from world religious traditions.

Nichols places the exploits of Iron Man, Captain America, Black Panther, and the other stars of the Marvel films alongside the legends of Achilles, Gilgamesh, Arjuna, the Buddha, and many others. It examines their origin stories and rites of passage, the monsters, shadow-selves, and familial conflicts they contend with, and the symbols of death and the battle against it that stalk them at every turn. The films deal with timeless human dilemmas and questions, evoking an enduring sense of adventure and wonder common across world mythic traditions.

Raj Balkaran is a scholar, educator, consultant, and life coach. For information see rajbalkaran.com.

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Brenda Beck, "Land of the Golden River: The Medieval Tamil Folk Epic of Poṉṉivaḷa Nāḍu" (Friesen Press, 2021)

Fri, 30 Apr 2021 08:00:00 -0000

This podcast features Brenda Beck’s lifelong work on the Tamil folk epic Ponnivala. In addition to her forthcoming new English translation of the epic (“Land of the Golden River”), we also discuss her 1982 study of the epic The Three Twins (now open-access), her full color graphic novel of the epic (available in Tamil and English), and her 13-hour animated video of the epic. The interview discusses the significance of folks traditions in understanding Indian religions, along with the power of narrative to encapsulate religious themes.

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Sheila E. Jelen, "Salvage Poetics: Post-Holocaust American Jewish Folk Ethnographies" (Wayne State UP, 2020

Mon, 12 Apr 2021 08:00:00 -0000

In Salvage Poetics: Post-Holocaust American Jewish Folk Ethnographies (Wayne State University Press, 2020), Sheila Jelen explores how American Jewish post-Holocaust writers, scholars, and editors adapted pre-Holocaust works, such as Yiddish fiction and documentary photography, for popular consumption by American Jews in the post-Holocaust decades. These texts, Jelen argues, served to help clarify the role of East European Jewish identity in the construction of a post-Holocaust American one. In her analysis of a variety of "hybrid" texts-those that exist on the border between ethnography and art-Jelen traces the gradual shift from verbal to visual Jewish literacy among Jewish Americans after the Holocaust.

S. Ansky's ethnographic expedition (1912-1914) and Martin Buber's adaptation and compilation of Hasidic tales (1906-1935) are presented as a means of contextualizing the role of an ethnographic consciousness in modern Jewish experience and the way in which literary adaptations and mediations create opportunities for the creation of folk ethnographic hybrid texts. Salvage Poetics looks at classical texts of the American Jewish experience in the second half of the twentieth century, such as Maurice Samuel's The World of Sholem Aleichem (1944), Abraham Joshua Heschel's The Earth Is the Lord's (1950), Elizabeth Herzog and Mark Zborowski's Life Is with People (1952), Lucy Dawidowicz's The Golden Tradition (1967), and Roman Vishniac's A Vanished World (1983), alongside other texts that consider the symbiotic relationship between pre-Holocaust aesthetic artifacts and their postwar reframings and reconsiderations.

Salvage Poetics is particularly attentive to how literary scholars deploy the notion of "ethnography" in their readings of literature in languages and/or cultures that are considered "dead" or "dying" and how their definition of an "ethnographic" literary text speaks to and enhance the scientific discipline of ethnography. This book makes a fresh contribution to the fields of American Jewish cultural and literary studies and art history.

Interviewee: Sheila E. Jelen is associate professor of Hebrew and Jewish studies in the Department of Modern and Classical Languages, Literatures, and Cultures at the University of Kentucky, Lexington.

Host: Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com.

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Robert L. Stone, "Can’t Nobody Do Me Like Jesus! Photographs from the Sacred Steel Community" (U of Mississippi Press, 2020)

Tue, 23 Feb 2021 04:00:00 -0000

Folklorist Robert L. Stone presents a rare collection of high-quality documentary photos of the sacred steel guitar musical tradition and the community that supports it. The introductory text and extended photo captions in Can’t Nobody Do Me Like Jesus! Photographs from the Sacred Steel Community (University of Mississippi Press, 2020) offer the reader an intimate view of this unique tradition of passionately played music that is beloved among fans of American roots music and admired by folklorists, ethnomusicologists, and other scholars.

In 1992, a friend in Hollywood, Florida, introduced Stone to African American musicians who played the electric steel guitar in the African American Holiness-Pentecostal churches House of God and Church of the Living God. With the passion, skill, and unique voice they brought to the instruments, these musicians profoundly impressed Stone. He produced an album for the Florida Folklife Program, which Arhoolie Records licensed and released worldwide. It created a roots music sensation.

In 1996, Stone began to document the tradition beyond Florida. He took the photos in this book from 1992 to 2008 in Georgia, the Carolinas, Tennessee, Mississippi, New York, Pennsylvania, Michigan, and Florida, and at concerts in Italy. The images capture musicians as they play for worship services before spirit-filled believers singing, dancing, shouting, praying, and testifying. Stone gives the viewer much to witness, always presenting his passionate subjects with dignity. His sensitive portrayal of this community attests to the ongoing importance of musical traditions in African American life and worship.

Rebekah Buchanan is an Associate Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.

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Rachelle Hope Saltzman, "Pussy Hats, Politics, and Public Protest" (UP of Mississippi, 2020)

Mon, 25 Jan 2021 09:00:00 -0000

On January 21, 2017, the day after Donald Trump’s presidential inauguration, hundreds of cities in the U.S. and across the globe organized Women’s Marches in response to Trump’s misogynistic comments and as a general rebuke of his election. In this collection edited by Dr. Rachelle (Riki) Saltzman, established and emerging scholars contribute essays that examine the folkloric aspects of the Women’s Marches. Hear our conversation as we discuss the symbolic elements of these protests.

First, Dr. Saltzman tells me about her start in folklore with her fascinating adventures in documenting the oral histories of Chesapeake watermen on the Eastern Shore in Maryland as a college student and then later curating thousands of World War II letters written by American soldiers who corresponded with a secretary at a Jewish YMCA.

We begin our discussion of Pussyhats, Politics, and Public Protest (University Press of Mississippi, 2020) by talking about the deliberate timing of its release. While the publication focuses on the Women’s Marches that took place at the beginning of Trump’s presidency, the release of the book takes place as his administration wraps up and a new one begins. Dr. Saltzman characterizes the 2017 Women’s Marches as “carnivalesque” where public events have a number of features of the carnival – the turning of the world upside down, poking fun, and critiquing those in power under the license of festivity with the possibility of transformative change. The protests signs were also a significant part of the marches, engaging in humor and puns to critique the status quo but also as a means to understand the community. Similarly, the pussy hats also carry symbolic meaning of community making and we share our stories of receiving our own pussy hats from friends. From there we discuss a queer art studio that created conversation about the protests through its jewelry and the multiple generations that attended the protests.

Dr. Saltzman is a folklorist at the High Desert Museum and the Oregon Folklife Network where she was also the former Executive Director. She also teaches at the University of Oregon as a lecturer in the Folklore and Public Culture program.

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D. T. Lawrence and E. J. Lawless, "When They Blew the Levee: Race, Politics, and Community in Pinhook, Missouri" (UP of Mississippi, 2018)

Fri, 04 Dec 2020 05:00:00 -0000

The town of Pinhook in Missouri was founded in the 1940s by southern Black farmers who were looking for land that they could purchase and own in the face of limited options. It was low land that was often flooded, but the farmers were able to clear it and successfully farm it for decades to come while building up a small town. However, in 2011, after heavy rains and historic flooding, the U.S. Army Corps of Engineers decided to breach the Birds Point levee. Pinhook, directly in the flood zone, was completely destroyed.

David Todd Lawrence and Elaine Lawless, in their book When They Blew the Levee: Race, Politics, and Community in Pinhook, Missouri (University Press of Mississippi, 2018), document the narratives of the town’s former residents which counter the official story from the U.S. Army Corp of Engineers - that the levee breach was a success story of saved lives and property. Winner of the 2019 Chicago Folklore Prize, the book offers a vivid portrait of the town’s efforts to rebuild and maintain their community ties, and theorizes the destruction and government neglect of this town.

In our conversation, Dr. Lawrence and Dr. Lawless discuss the events that led to the flooding of Pinhook and the question of historical racism in overlooking the town when the decision was made to breach the levee. The authors describe life and community in the town of Pinhook and what happened after the flood. We also talk about the role and responsibilities of the researcher when collaborating with communities. Lastly, we hear about Debra Robinson-Tarver who organized the evacuation of the residents and continued to keep the Pinhook community together as they pursued recompense.

You can learn more about the efforts to rebuild Pinhook here and the documentary film Taking Pinhook can be viewed here.

Dr. David Todd Lawrence is an Associate Professor who teaches folklore and African American literature and culture at the University of St. Thomas in St. Paul, Minnesota. He is currently working with the Urban Art Mapping Project on street art in the Twin Cities. Since the murder of George Floyd in May 2020, they have been collecting images of street art related to the movement for the George Floyd and Anti-Racist Street Art database. If you would like to contribute images, please submit them here or email Dr. Lawrence directly at DTLAWRENCE@stthomas.edu.

Dr. Elaine Lawless is Professor Emerita at the University of Missouri where she taught folklore and Women’s and Gender Studies. She is the author of six books, including Troubling Violence: A Performance Project (University Press of Mississippi, 2010). Dr. Lawless is currently based in North Carolina.

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Michael Slouber, "A Garland of Forgotten Goddesses: Tales of the Feminine Divine from India and Beyond" (U California Press, 2020)

Tue, 13 Oct 2020 08:00:00 -0000

Michael Slouber's new book A Garland of Forgotten Goddesses: Tales of the Feminine Divine from India and Beyond (University of California Press, 2020) surveys the diversity of India's feminine divine tradition by bringing together a fresh array of captivating and largely overlooked Hindu goddess narratives from different regions. As the first such anthology of goddess narratives in translation, it highlights a range of sources from ancient myths to modern lore. The goddesses in this book battle demons, perform miracles, and grant rare Tantric visions to their devotees. Each translation is paired with a short essay that explains the goddessess historical and social context, demonstrating the ways religion changes over time.

Christopher Austen is Associate Professor, Religious Studies at Dalhousie University.

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Rachel V. González, "Quinceañera Style: Social Belonging and Latinx Consumer Identities"

Fri, 18 Sep 2020 08:00:00 -0000

A quinceañera is a traditional fifteenth birthday celebration for young women (though in contemporary times, it can also be for young men) in many Latinx communities. While the celebration has roots in religiosity, it has also become a space for imagining and performing class, identity, and Americanity. With fieldwork conducted in California, Texas, Indiana, and Mexico City, Dr. Rachel Gonzàlez provides a richly nuanced study in her recent book Quinceañera Style: Social Belonging and Latinx Consumer Identities (University of Texas Press, 2019) that examines the quinceañera as a site of possibility where young woman and their families can take ownership of their identity through consumerist actions and challenge narratives of Latinx class status that emphasize poverty and unstable migratory status by presenting an image of middle-class Latinx families

In this podcast, we talk about how Dr. Gonzàlez’s move from studying neurology to studying folklore and why it was so important to study quinceañera with the lens of representation rather than ritual. We also discuss the ways in which aspirations of class mobility and Americanity are articulated through style and consumerist choices. The digital sphere also serves as an important creative space where information about quinceaneras – from clothing, advice, themes, and videos – are shared and allow young women and/or her family to imagine the possibilities for constructing a celebration that reflect their own ideals. Lastly, we discuss the ways in which Lia Garcia, a trans activist based in Mexico, uses the quinceañera in performance art to challenge perceptions of the body.

Dr. Rachel Gonzàlez is an Associate Professor of Mexican American and Latino/a Studies at the University of Texas at Austin.

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Jack Santino, "Public Performances: Studies in the Carnivalesque and Ritualesque" (UP Colorado, 2017)

Thu, 17 Sep 2020 08:00:00 -0000

Public Performances: Studies in the Carnivalesque and Ritualesque (University Press of Colorado) offers a deep and wide-ranging exploration of relationships among genres of public performance and of the underlying political motivations they share. Illustrating the connections among three themes—the political, the carnivalesque, and the ritualesque—the volume provides rich and comprehensive insight into public performance as an assertion of political power.

Dr. Jack Santino is professor of folklore and popular culture and has served as director of the Bowling Green Center for Popular Culture Studies. He was the Alexis de Tocqueville Distinguished Professor at the University of Paris, Sorbonne, 2010–2011. He was a Fulbright Scholar to Northern Ireland and has conducted research in Spain and France. His documentary film on Pullman Porters, Miles of Smiles, Years of Struggle, received four Emmy awards. His research centers on rituals and celebrations, with a particular focus on carnival and political and public ritual as reflective of political, social, and cultural identity. He is the author of numerous books and articles.

Dr. Isabel Machado is a Postdoctoral Fellow in Gender and Sexuality Studies at the Department of History of the University of Memphis.

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Adheesh Sathaye, “Crossing the Lines of Caste" (Oxford UP, 2015)

Fri, 26 Jun 2020 08:00:00 -0000

What does it mean to be a Brahmin, and what could it mean to become one?

The ancient Indian mythological figure Viśvāmitra accomplishes just this, transforming himself from a king into a Brahmin by cultivation of ascetic power.

The book, Crossing the Lines of Caste, examines legends of the irascible Viśvāmitra as occurring in Sanskrit and vernacular texts, oral performances, and visual media to show how the "storyworlds" created by these various retellings have adapted and reinforced Brahmin social identity over the millennia.

Adheesh Sathaye is Associate Professor, Sanskrit Literature And Folklore, University of British Columbia. You can check out his online class "Narrative Literature in Premodern India" here.

For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship

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Kathryn Hume, "The Metamorphoses of Myth in Fiction since 1960" (Bloomsbury Academic, 2020)

Fri, 05 Jun 2020 08:00:00 -0000

Why do contemporary writers use myths from ancient Greece and Rome, Pharaonic Egypt, the Viking north, Africa's west coast, and Hebrew and Christian traditions? What do these stories from premodern cultures have to offer us? In her new book, The Metamorphoses of Myth in Fiction since 1960, Professor Kathryn Hume examines how myth has shaped writings by Kathy Acker, Margaret Atwood, William S. Burroughs, A. S. Byatt, Neil Gaiman, Norman Mailer, Toni Morrison, Thomas Pynchon, Kurt Vonnegut, Jeanette Winterson, and others, and contrasts such canonical texts with fantasy, speculative fiction, post-singularity fiction, pornography, horror, and graphic narratives. She argues that these artistic practices produce a feeling of meaning that doesn't need to be defined in scientific or materialist terms. Myth provides a sense of rightness, a recognition of matching a pattern, a feeling of something missing, a feeling of connection. It not only allows poetic density but also manipulates our moral judgments, or at least stimulates us to exercise them. Working across genres, populations, and critical perspectives, Hume elicits an understanding of the current uses of mythology in fiction.

Kathryn (Kit) Hume started as a medievalist in Old English, Middle English, and Old Norse, but has become a specialist in contemporary fiction. Her books have investigated fantasy, Pynchon’s Gravity’s Rainbow, Italo Calvino’s novels, and a great many contemporary Anglophone writers. She also drew on her experience as a job placement officer to write Surviving your Academic Job Hunt: Advice for Humanities PhDs.

Carrie Lynn Evans is a PhD student at Université Laval in Quebec City.

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Brian Greene, "Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe" (Random House, 2020)

Tue, 02 Jun 2020 08:00:00 -0000

Brian Greene is a Professor of Mathematics and Physics at Columbia University in the City of New York, where he is the Director of the Institute for Strings, Cosmology, and Astroparticle Physics, and co-founder and chair of the World Science Festival. He is well known for his TV mini-series about string theory and the nature of reality, including the Elegant Universe, which tied in with his best-selling 2000 book of the same name. In this episode, we talk about his latest popular book Until the End of Time: Mind, Matter, and Our Search for Meaning in an Evolving Universe (Random House, 2020)

Until the End of Time gives the reader a theory of everything, both in the sense of a “state of the academic union”, covering cosmology and evolution, consciousness and computation, and art and religion, and in the sense of showing us a way to apprehend the often existentially challenging subject matter. Greene uses evocative autobiographical vignettes in the book to personalize his famously lucid and accessible explanations, and we discuss these episodes further in the interview. Greene also reiterates his arguments for embedding a form of spiritual reverie within the multiple naturalistic descriptions of reality that different areas of human knowledge have so far produced.

John Weston is a University Teacher of English in the Language Centre at Aalto University, Finland. His research focuses on academic communication. He can be reached at john.weston@aalto.fi and @johnwphd.

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Éva Guillorel, "Rhythms of Revolt: European Traditions and Memories of Social Conflict in Oral Culture" (Routledge, 2018)

Tue, 26 May 2020 08:00:00 -0000

The culture of insurgents in early modern Europe was primarily an oral one; memories of social conflicts in the communities affected were passed on through oral forms such as songs and legends. This popular history continued to influence political choices and actions through and after the early modern period. The chapters in Rhythms of Revolt: European Traditions and Memories of Social Conflict in Oral Culture (Routledge, 2018), edited by Éva Guillorel, David Hopkin, and William G. Pooley, examine numerous examples from across Europe of how memories of revolt were perpetuated in oral cultures, and they analyse how traditions were used. From the German Peasants’ War of 1525 to the counter-revolutionary guerrillas of the 1790s, oral traditions can offer radically different interpretations of familiar events. This is a ‘history from below’, and a history from song, which challenges existing historiographies of early modern revolts.

Rachel Hopkin PhD is a UK born, US based folklorist and radio producer.

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Steve Zeitlin, "The Poetry of Everyday Life: Storytelling and the Art of Awareness" (Cornell UP, 2016)

Mon, 25 May 2020 08:00:00 -0000

This is a book of encounters. Part memoir, part essay, and partly a guide to maximizing your capacity for fulfillment and expression, The Poetry of Everyday Life: Storytelling and the Art of Awareness (Cornell University Press, 2016) taps into the artistic side of what we often take for granted: the stories we tell, the people we love, the metaphors used by scientists, even our sex lives. A folklorist, writer, and cultural activist, Steve Zeitlin explores how poems serve us in daily life and how they are used in times of personal and national crisis. In the first book to bring together the perspectives of folklore and creative writing, Zeitlin explores meaning and experience, covering topics ranging from poetry in the life cycle to the contemporary uses of ancient myths." This convergence of poetry and folklore," he suggests, "gives birth to something new: a new way of seeing ourselves, and a new way of being in the world."

Written with humor and insight, the book introduces readers to the many eccentric and visionary characters Zeitlin has met in his career as a folklorist. Covering topics from Ping-Pong to cave paintings, from family poetry nights to delectable dishes at his favorite ethnic restaurants, The Poetry of Everyday Life will inspire readers to expand their consciousness of the beauty that resides in everyday things and to use creative expression to engage and animate that beauty toward living a more fulfilling awakened life, full of laughter. To live a creative life is the best way to engage with the beauty of the everyday.

The multiple author It Takes A Pandemic poem can be found here.

To hear Steve Zeitlin and Amanda Dargan’s “Double Coffin” bluegrass song, go here.

Rachel Hopkin PhD is a UK born, US based folklorist and radio producer.

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Kevin McGrath, "Vyāsa Redux: Narrative in Epic Mahābhārata" (Anthem Press, 2019)

Mon, 11 May 2020 08:00:00 -0000

In Vyāsa Redux: Narrative in Epic Mahābhārata (Anthem Press, 2019), Kevin McGrath examines the complex and enigmatic Vyāsa, both the primary creative poet of the Sanskrit epic Mahābhārata and a key character in the very epic he composes. In doing so McGrath focuses on what he considers the late Bronze Age portions of the epic feature prioritizing the concerns if the warrior class. In his discussion, McGrath distinguishes between plot and story and how this distinction comes to bear on the differences between preliterate and literate phases of the epic’s compositional history.

For information on your host Raj Balkaran’s background, see rajbalkaran.com/scholarship.

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Martin Shaw, "Courting the Wild Twin" (Chelsea Green, 2020)

Tue, 05 May 2020 08:00:00 -0000

Today I interview Martin Shaw. In Shaw’s new book, Courting the Wild Twin (Chelsea Green Publishing, 2020), he writes, “Here’s a secret I don’t share very often. Myths are not only to do with a long time ago. They have a promiscuous, curious, weirdly up-to-date quality. They can’t help but grapple their way into what happened on the way to work this morning, that video that appalled you on YouTube. Well, they are meant to; if they didn’t they would have been forgotten centuries ago.”

In our interview, Shaw invites us to consider the power of myth to guide us not only toward new ways of seeing our current moment—one in which we’re witnessing an unprecedented global pandemic—but also new ways of seeing itself. For Shaw, a mythologist who’s designed courses at Stanford University and who directs the Westcountry School of Myth in the U.K, myths reveal unseen possibilities in our own lives and overlooked chances to reunite with our natural world. The old stories can lead us forward if only we learn how to hear them. Shaw shows us what it might mean to listen deeply and profoundly, with our minds, yes, but also with our souls, our spirits, our very bones.

Eric LeMay is on the creative writing faculty at Ohio University. His work ranges from food writing to electronic literature. He is the author of three books, most recently In Praise of Nothing: Essay, Memoir, and Experiments (Emergency Press, 2014). He can be reached at eric@ericlemay.org.

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Leslie M. Harris, "Slavery and the University: Histories and Legacies" (U Georgia Press, 2019)

Tue, 28 Apr 2020 08:00:00 -0000

Slavery and the University: Histories and Legacies (University of Georgia Press, 2019), edited by Leslie M. Harris, James T. Campbell, and Alfred L. Brophy, is the first edited collection of scholarly essays devoted solely to the histories and legacies of this subject on North American campuses and in their Atlantic contexts. Gathering together contributions from scholars, activists, and administrators, the volume combines two broad bodies of work: (1) historically based interdisciplinary research on the presence of slavery at higher education institutions in terms of the development of proslavery and antislavery thought and the use of slave labor; and (2) analysis on the ways in which the legacies of slavery in institutions of higher education continued in the post–Civil War era to the present day.

The collection features broadly themed essays on issues of religion, economy, and the regional slave trade of the Caribbean. It also includes case studies of slavery’s influence on specific institutions, such as Princeton University, Harvard University, Oberlin College, Emory University, and the University of Alabama. Though the roots of Slavery and the University stem from a 2011 conference at Emory University, the collection extends outward to incorporate recent findings. As such, it offers a roadmap to one of the most exciting developments in the field of U.S. slavery studies and to ways of thinking about racial diversity in the history and current practices of higher education.

Today I spoke with Leslie Harris about the book. Dr. Harris is a professor of history at Northwestern University. She is the coeditor, with Ira Berlin, of Slavery in New York and the coeditor, with Daina Ramey Berry, of Slavery and Freedom in Savannah (Georgia).

Adam McNeil is a History PhD student at Rutgers University-New Brunswick.

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Magda Teter, "Blood Libel: On the Trail of an Antisemitic Myth" (Harvard UP, 2020)

Thu, 23 Apr 2020 08:00:00 -0000

The myth of Jews killing Christian children emerged in 1144 CE, with the death of a boy named William in Norwich, England. Over the course of several centuries, this myth gained traction and became firmly rooted throughout medieval and early modern Europe. In Blood Libel: On the Trail of an Antisemitic Myth (Harvard University Press, 2020), Magda Teter traces the history of this myth and analyzes how accusations of ritual murder have followed Jews from the 12th century to the contemporary period.

Magda Teter is Professor of History and Shvidler Chair in Judaic Studies at Fordham University.

Lindsey Jackson is a PhD student at Concordia University in Montreal, Canada.

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Adam H. Domby, "The False Cause: Fraud, Fabrication, and White Supremacy in Confederate Memory" (U Virginia Press, 2020)

Thu, 23 Apr 2020 08:00:00 -0000

Adam H. Domby, an Assistant Professor of History at the University of Charleston, has written a rigorous analysis of American political memory as it connects to the Civil War and long shadow of the Confederacy. The False Cause: Fraud, Fabrication, and White Supremacy in Confederate Memory (University of Virginia Press, 2020) unpacks a variety of threads all connected to the Lost Cause ideology, and all based on falsehoods. These dimensions of the ideology include Domby’s examination of the history of dishonest claims to confederate pensions by white veterans, and also the accusations of fraud associated with claims made by former slaves and free people of color for much smaller pensions.

The False Cause digs into the historical claims made about the heroics demonstrated on the battlefield during the Civil War. In this context, The False Cause unpacks the myth that the Confederate army was one of the best ever, and these heroic claims, many of which were made at least forty years after the war itself, are not the only heroic assertions made in context of the Lost Cause ideology. Domby also explores the “soldiers who weren’t” – the enslaved individuals who were compelled to accompany their masters to war, and were then transformed, within this constructed political memory, into Black Confederates, which is yet another myth within the ideology. The book begins with an extremely topical component of the Lost Cause ideology and political memory, the monuments to confederate soldiers that were built long after the war, and that have become contemporary political lightning rods. Through all of these cases, Domby weaves the thread of how each particular area was used to buttress white supremacy and to re-narrate or re-cast the Civil War itself and those who engaged in it. Issues of white masculinity and grievance are embedded within the mythology and are also unpacked in context of these heroic declarations. This is an important historical examination that leads the reader through the facts and the subsequently created mythologies, which continue to shape and impact American politics and historical understandings.

Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015).

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Matt Cook, "Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy" (MIT Press, 2020)

Mon, 30 Mar 2020 08:00:00 -0000

Paradox is a sophisticated kind of magic trick. A magician's purpose is to create the appearance of impossibility, to pull a rabbit from an empty hat. Yet paradox doesn't require tangibles, like rabbits or hats. Paradox works in the abstract, with words and concepts and symbols, to create the illusion of contradiction. There are no contradictions in reality, but there can appear to be. In Sleight of Mind: 75 Ingenious Paradoxes in Mathematics, Physics, and Philosophy (MIT Press, 2020), Matt Cook and a few collaborators dive deeply into more than 75 paradoxes in mathematics, physics, philosophy, and the social sciences. As each paradox is discussed and resolved, Cook helps readers discover the meaning of knowledge and the proper formation of concepts―and how reason can dispel the illusion of contradiction.

The journey begins with “a most ingenious paradox” from Gilbert and Sullivan's Pirates of Penzance. Readers will then travel from Ancient Greece to cutting-edge laboratories, encounter infinity and its different sizes, and discover mathematical impossibilities inherent in elections. They will tackle conundrums in probability, induction, geometry, and game theory; perform “supertasks”; build apparent perpetual motion machines; meet twins living in different millennia; explore the strange quantum world―and much more.

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Lijun Zhang and Ziying You, "Chinese Folklore Studies Today: Discourse and Practice" (Indiana UP, 2020)

Thu, 27 Feb 2020 09:00:00 -0000

The discipline of folkloristics in the People’s Republic of China is robust and well-funded. With thousands of scholars across the country, it is surprising then that there is relatively little understanding of the research and contributions of Chinese folklorists to the discipline. This despite the fact that Chinese folklorists are well-acquainted with many of the latest advances in folkloristics research globally. As the first English language attempt to discuss the historical development, current situation, and theoretical contributions of Chinese Folklore studies to the discipline of folklore more broadly, Chinese Folklore Studies Today: Discourse and Practice (Indiana University Press, 2020), edited by Lijun Zhang and Ziying You, attempts to rectify this situation. The volume’s five essays point out different issues relevant to folklore studies, including urban folklore studies, studies of women’s folklore, folksong, myth and belief, and intangible cultural heritage. This unique contribution not only introduces folklore of China, but also will certainly prove vital in encouraging and framing future international collaborations.

Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet.

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Phillipa Chong, “Inside the Critics’ Circle: Book Reviewing in Uncertain Times” (Princeton UP, 2020)

Tue, 25 Feb 2020 09:00:00 -0000

How does the world of book reviews work? In Inside the Critics’ Circle: Book Reviewing in Uncertain Times (Princeton University Press, 2020), Phillipa Chong, assistant professor in sociology at McMaster University, provides a unique sociological analysis of how critics confront the different types of uncertainty associated with their practice. The book explores how reviewers get matched to books, the ethics and etiquette of negative reviews and ‘punching up’, along with professional identities and the future of criticism. The book is packed with interview material, coupled with accessible and easy to follow theoretical interventions, creating a text that will be of interest to social sciences, humanities, and general readers alike.

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Charlene Makley, "The Battle for Fortune: State-led Development, Personhood, and Power among Tibetans in China" (Cornell UP, 2018)

Mon, 10 Feb 2020 09:00:00 -0000

Rebgong, in the Northeastern part of the Tibetan Plateau (China’s Qinghai Province), is in the midst of a ‘Battle for Fortune.’ That is, a battle to both accumulate as much fortune, but also a battle to decide which definitions of fortune are going to dominate Tibetan society: a material fortune based in ‘authoritarian capitalism’ or a Buddhist form of ‘counterdevelopment’ based in traditional ideas about language, landscapes, and compassion.

In The Battle for Fortune: State-led Development, Personhood, and Power among Tibetans in China (Cornell University Press, 2018), Charlene Makley, Professor of anthropology at Reed College, intermixes these tensions while also exploring her own experience attempting to conduct fieldwork immediately before and after a series of demonstrations rocked Tibet in the lead-up to the 2008 Beijing Olympics. Using a form of multi-sited, ‘dialogic ethnography’ from linguistic anthropology, Charlene Makley considers Tibetans’ encounters with development projects as a historically situated interpretive politics, in which people negotiate the presence or absence of moral and authoritative persons and their associated jurisdictions and powers. Because most Tibetans view the active presence of deities and other invisible and autochthonous beings as the ground of power, causation, and fertile or fortunate landscapes, Makley also takes divine beings as some of the important interlocutors for Tibetans. The Battle for Fortune, therefore challenges readers to grasp the unique reality of Tibetans’ values and fears in the face of their marginalization in China.

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K. Linder et al., "Going Alt-Ac: A Guide to Alternative Academic Careers" (Stylus Publishing, 2020)

Thu, 30 Jan 2020 09:00:00 -0000

If you’re a grad student facing the ugly reality of finding a tenure-track job, you could easily be forgiven for thinking about a career change. However, if you’ve spent the last several years working on a PhD, or if you’re a faculty member whose career has basically consisted of higher ed, switching isn’t so easy. PhD holders are mostly trained to work as professors, and making easy connections to other careers is no mean feat. Because the people you know were generally trained to do the same sorts of things, an easy source of advice might not be there for you.

Thankfully, for anybody who wishes there was a guidebook that would just break all of this down, that book has now been written. Going Alt-Ac: A Guide to Alternative Academic Careers (Stylus Publishing, 2020) by Kathryn E. Linder, Kevin Kelly, and Thomas J. Tobin offers practical advice and step-by-step instructions on how to decide if you want to leave behind academia and how to start searching for a new career. If a lot of career advice is too vague or too ambiguous, this book corrects that by outlining not just how to figure out what you might want to do, but critically, how you might go about accomplishing that.

Zeb Larson is a recent graduate of The Ohio State University with a PhD in History. His research deals with the anti-apartheid movement in the United States. To suggest a recent title or to contact him, please send an e-mail to zeb.larson@gmail.com.

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Eleanor Parker, "Dragon Lords: The History and Legends of Viking England" (Bloomsbury Academic, 2019)

Thu, 05 Dec 2019 09:00:00 -0000

For all of their prominence in the popular imagination today, the historical record of the Viking presence in England is limited, with much of what we know about them dependent upon the literary accounts attached to it. In Dragon Lords: The History and Legends of Viking England (Bloomsbury Academic, 2019), Eleanor Parker deconstructs these accounts to ascertain what they reveal both about the Vikings and their legacy for medieval England. Focusing on the narratives of Ragnar Lothbrok and his sons, Siward, Guy of Warwick, and Havelok, she draws out similarities that deepen our understanding of who they were. By analyzing these stories, she shows how the interpretations of the Danes changed over time, as their evolution into a more hostile and alien presence gave them a more adversarial role in shaping England’s national identity than was the case.

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Alberto Cairo, "How Charts Lie: Getting Smarter about Visual Information" (Norton, 2019)

Tue, 03 Dec 2019 09:00:00 -0000

We’ve all heard that a picture is worth a thousand words, but what if we don’t understand what we’re looking at? Social media has made charts, infographics, and diagrams ubiquitous―and easier to share than ever. We associate charts with science and reason; the flashy visuals are both appealing and persuasive. Pie charts, maps, bar and line graphs, and scatter plots (to name a few) can better inform us, revealing patterns and trends hidden behind the numbers we encounter in our lives. In short, good charts make us smarter―if we know how to read them.

However, they can also lead us astray. Charts lie in a variety of ways―displaying incomplete or inaccurate data, suggesting misleading patterns, and concealing uncertainty―or are frequently misunderstood, such as the confusing cone of uncertainty maps shown on TV every hurricane season. To make matters worse, many of us are ill-equipped to interpret the visuals that politicians, journalists, advertisers, and even our employers present each day, enabling bad actors to easily manipulate them to promote their own agendas.

In How Charts Lie: Getting Smarter about Visual Information (W. W. Norton, 2019), data visualization expert Alberto Cairo teaches us to not only spot the lies in deceptive visuals, but also to take advantage of good ones to understand complex stories. Public conversations are increasingly propelled by numbers, and to make sense of them we must be able to decode and use visual information. By examining contemporary examples ranging from election-result infographics to global GDP maps and box-office record charts, How Charts Lie demystifies an essential new literacy, one that will make us better equipped to navigate our data-driven world.

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Kathryn Conrad on University Press Publishing

Sun, 03 Nov 2019 09:00:00 -0000

As you may know, university presses publish a lot of good books. In fact, they publish thousands of them every year. They are different from most trade books in that most of them are what you might called "fundamental research." Their authors--dedicated researchers one and all--provide the scholarly stuff upon which many non-fiction trade books are based. So when you are reading, say, a popular history, you are often reading UP books at one remove. Of course, some UP books are also bestsellers, and they are all well written (and, I should say, thoroughly vetted thanks to the peer review system), but the greatest contribution of UPs is to provide a base of fundamental research to the public. And they do a great job of it.

How do they do it? Today I talked to Kathryn Conrad, the president of the Association of University Presses, about the work of UPs, the challenges they face, and some terrific new directions they are going. We also talked about why, if you have a scholarly book in progress, you should talk to UP editors early and often. And she explains how! Listen in.

Marshall Poe is the editor of the New Books Network. He can be reached at marshallpoe@gmail.com.

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J. Neuhaus, "Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers" (West Virginia UP, 2019)

Thu, 24 Oct 2019 08:00:00 -0000

The things that make people academics -- as deep fascination with some arcane subject, often bordering on obsession, and a comfort with the solitude that developing expertise requires -- do not necessarily make us good teachers. Jessamyn Neuhaus’s Geeky Pedagogy: A Guide for Intellectuals, Introverts, and Nerds Who Want to Be Effective Teachers (West Virginia University Press, 2019) helps us to identify and embrace that geekiness in us and then offers practical, step-by-step guidelines for how to turn it to effective pedagogy. It’s a sharp, slim, and entertaining volume that can make better teachers of us all.

Stephen Pimpare is Senior Lecturer in the Politics & Society Program and Faculty Fellow at the Carsey School of Public Policy at the University of New Hampshire. He is the author of The New Victorians (New Press, 2004), A Peoples History of Poverty in America (New Press, 2008), winner of the Michael Harrington Award, and Ghettos, Tramps and Welfare Queens: Down and Out on the Silver Screen (Oxford, 2017).

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Oren Harman, "Evolutions: Fifteen Myths That Explain Our World" (FSG, 2018)

Mon, 14 Oct 2019 08:00:00 -0000

“There are only two ways to live your life,” said Albert Einstein, “One is as though nothing is a miracle; the other is as though everything is a miracle.”

Oren Harman clearly agrees with Einstein’s sentiments. In Evolutions: Fifteen Myths That Explain Our World (Farrar, Straus and Giroux, 2018), Harman takes scientific facts, as we know them today, and weaves them into narratives that have the tone, grace and drama of myth. Harman recognizes that despite the astounding achievements of science we are as humbled as the ancients by the existential mysteries of life. Has science revealed the secrets of fate or immortality? Has it provided protection from jealousy insight into love?

Evolutions brings to life the latest scientific thinking on the birth of the universe, and the journey from a single cell all the way to our human minds. Here are the earth and the moon presenting a cosmological view of motherhood, a panicking mitochondrion introducing sex and death to the world, and the loneliness of consciousness emerging from the memory of an octopus. Reawakening our sense of wonder and terror at the world around us and within us, Oren Harman uses modern science to create new and original mythologies.

Renee Garfinkel is a Jerusalem-based psychologist, writer, and television & radio commentator. Write her at r.garfinkel@yahoo.com or tweet @embracingwisdom.

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Tim Frandy, "Inari Sami Folklore: Stories from Aanaar" (U Wisconsin Press, 2019)

Wed, 25 Sep 2019 08:00:00 -0000

Inari Sámi Folklore: Stories from Aanaar (University of Wisconsin Press, 2019) is rich multivoiced anthology of folktales, legends, joik songs, proverbs, riddles, and other verbal art, this is the most comprehensive collection of Sámi oral tradition available in English to date. Collected by August V. Koskimies and Toivo I. Itkonen in the 1880s from nearly two dozen storytellers from the arctic Aanaar (Inari) region of northeast Finland, the material reveals a complex web of social relations that existed both inside and far beyond the community.

First published in 1918 only in the Aanaar Sámi language and in Finnish, this anthology is now available in a centennial English-language edition for a global readership. Translator Tim Frandy has added biographies of the storytellers, maps and period photos, annotations, and a glossary. In headnotes that contextualize the stories, he explains such underlying themes as Aanaar conflicts with neighboring Sámi and Finnish communities, the collapse of the wild reindeer populations less than a century before, and the pre-Christian past in Aanaar. He introduces us to the bawdy humor of Antti Kitti, the didacticism of Iisakki Mannermaa, and the feminist leanings of Juho Petteri Lusmaniemi, emphasizing that folktales and proverbs are rooted in the experiences of individuals who are links in a living tradition.

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S. Ingram, W. G. Mullins, and T. Richardson, "Implied Nowhere: Absence in Folklore Studies" (UP of Mississippi, 2019)

Tue, 30 Jul 2019 08:00:00 -0000

In Implied Nowhere: Absence in Folklore Studies (University Press of Mississippi, 2019) authors Shelley Ingram, Willow G. Mullins, and Todd Richardson talk about things folklorists don't usually talk about. They ponder the tacit aspects of folklore and folklore studies, looking into the unarticulated expectations placed upon people whenever they talk about folklore and how those expectations necessarily affect the folklore they are talking about.

The book's chapters are wide-ranging in subject and style, yet they all orbit the idea that much of folklore, both as a phenomenon and as a field, hinges upon unspoken or absent assumptions about who people are and what people do. The authors articulate theories and methodologies for making sense of these unexpressed absences, and, in the process, they offer critical new insights into discussions of race, authenticity, community, literature, popular culture, and scholarly authority. Taken as a whole, the book represents a new and challenging way of looking again at the ways groups come together to make meaning.

In addition to the main chapters, the book also includes eight "interstitials," shorter studies that consider underappreciated aspects of folklore. These discussions, which range from a consideration of knitting in public to the ways that invisibility shapes an internet meme, are presented as questions rather than answers, encouraging readers to think about what more folklore and folklore studies might discover if only practitioners chose to look at their subjects from angles more cognizant of these unspoken gaps.

Shelley Ingram is assistant professor of English at the University of Louisiana at Lafayette. Willow G. Mullins teaches English and folklore at Washington University in St. Louis and visual culture, music, and the immanence of the everyday. Todd Richardson is associate professor in the University of Nebraska at Omaha's Goodrich Scholarship Program.

Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

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M. D. Foster and J. A. Tolbert, "The Folkloresque: Reframing Folklore in a Popular Culture World" (Utah State UP, 2015)

Tue, 02 Jul 2019 08:00:00 -0000

This volume introduces a new concept to explore the dynamic relationship between folklore and popular culture: the "folkloresque." With "folkloresque," Foster and Tolbert name the product created when popular culture appropriates or reinvents folkloric themes, characters, and images. Such manufactured tropes are traditionally considered outside the purview of academic folklore study, but the folkloresque offers a frame for understanding them that is grounded in the discourse and theory of the discipline. Fantasy fiction, comic books, anime, video games, literature, professional storytelling and comedy, and even popular science writing all commonly incorporate elements from tradition or draw on basic folklore genres to inform their structure. Through three primary modes--integration, portrayal, and parody--the collection offers a set of heuristic tools for analysis of how folklore is increasingly used in these commercial and mass-market contexts. Michael Dylan Foster and Jeffrey A. Tolbert's edited collection The Folkloresque: Reframing Folklore in a Popular Culture World (Utah State University Press, 2015) challenges disciplinary and genre boundaries; suggests productive new approaches for interpreting folklore, popular culture, literature, film, and contemporary media; and encourages a rethinking of traditional works and older interpretive paradigms.

Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

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Emily Wilcox, "Revolutionary Bodies: Chinese Dance and the Socialist Legacy" (U California Press, 2018)

Tue, 18 Jun 2019 08:00:00 -0000

What is “Chinese dance,” how did it take shape in during China’s socialist period, and how has this socialist form continued to influence Post-Mao expressive cultures in the People’s Republic of China? These are the questions that Emily Wilcox, Assistant Professor of Modern Chinese Studies in the Department of Asian Languages and Cultures at the University of Michigan, Ann Arbor, takes up in Revolutionary Bodies: Chinese Dance and the Socialist Legacy (University of California Press, 2018). Revolutionary Bodies is the first English-language primary source-based history of dance in the People’s Republic of China. Combining over a decade of ethnographic and archival research, Dr Wilcox analyzes major dance works by Chinese choreographers staged over an eighty-year period from 1935 to 2015. Using previously unexamined film footage, photographic documentation, performance programs, and other historical and contemporary sources, Wilcox challenges the commonly accepted view that Soviet-inspired revolutionary ballets are the primary legacy of the socialist era in China’s dance field.

Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet.

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Fernando Orejuela and Stephanie Shonekan, "Black Lives Matter and Music: Protest, Intervention, Reflection" (Indiana UP, 2018)

Tue, 07 May 2019 10:00:00 -0000

Music has always been integral to the Black Lives Matter movement in the United States, with songs such as Kendrick Lamar’s "Alright," J. Cole’s "Be Free," D’Angelo and the Vanguard's "The Charade," The Game’s "Don’t Shoot," Janelle Monae’s "Hell You Talmbout," Usher’s "Chains," and many others serving as unofficial anthems and soundtracks for members and allies of the movement. In Fernando Orejuela and Stephanie Shonekan's collection of essays, Black Lives Matter and Music: Protest, Intervention, Reflection (Indiana University Press, 2018), contributors draw from ethnographic research and personal encounters to illustrate how scholarly research of, approaches to, and teaching about the role of music in the Black Lives Matter movement can contribute to public awareness of the social, economic, political, scientific, and other forms of injustices in our society. Each chapter in Black Lives Matter and Music focuses on a particular case study, with the goal to inspire and facilitate productive dialogues among scholars, students, and the communities we study. From nuanced snapshots of how African American musical genres have flourished in different cities and the role of these genres in local activism, to explorations of musical pedagogy on the American college campus, readers will be challenged to think of how activism and social justice work might appear in American higher education and in academic research. Black Lives Matter and Music provokes us to examine how we teach, how we conduct research, and ultimately, how we should think about the ways that black struggle, liberation, and identity have evolved in the United States and around the world.

Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

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Susan Lepselter, "The Resonance of Unseen Things: Poetics, Power, and UFOs in the American Uncanny" (U Michigan Press, 2016)

Mon, 06 May 2019 10:00:00 -0000

When we talk about stories of alien abduction in the United States, we often do so through a framework of belief vs. disbelief. Do I think this story is true, or do I think it’s false? Anthropologist Susan Lepselter asks what happens when we instead listen to “UFO talk” ethnographically, understanding it as a form of vernacular American poetics that must be made sense of within specific cultural and political contexts. In The Resonance of Unseen Things: Poetics, Power, and UFOs in the American Uncanny (University of Michigan Press, 2016), Lepselter draws on years of interviews with “experiencers,” those who tell of being abducted by aliens, and participant-observation at an experiencers support group in a southern US city. Her wide-ranging book considers abduction stories in relation to other narrative forms—captivity narratives, conspiracy theories, frontier tales—offering new and shifting frameworks for making sense of the weird, uncanny, random, and real.

Carrie Lane is a Professor of American Studies at California State University, Fullerton and author of A Company of One: Insecurity, Independence, and the New World of White-Collar Unemployment (Cornell University Press, 2011). Her research concerns the changing nature of work in the contemporary U.S. She is currently writing a book on the professional organizing industry. To contact her or to suggest a recent title, email clane@fullerton.edu.

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Anand Prahlad, "The Secret Life of a Black Aspie: A Memoir" (U Alaska Press, 2017)

Wed, 17 Apr 2019 10:00:00 -0000

Anand Prahlad was born on a former plantation in Virginia in 1954. This memoir, vividly internal, powerfully lyric, and brilliantly impressionistic, is his story.

For the first four years of his life, Prahlad didn’t speak. But his silence didn’t stop him from communicating—or communing—with the strange, numinous world he found around him. Ordinary household objects came to life; the spirits of long-dead slave children were his best friends. In his magical interior world, sensory experiences blurred, time disappeared, and memory was fluid. Ever so slowly, he emerged, learning to talk and evolving into an artist and educator. His journey takes readers across the United States during one of its most turbulent moments, and Prahlad experiences it all, from the heights of the Civil Rights Movement to West Coast hippie enclaves to a college town that continues to struggle with racism and its border state legacy.

Rooted in black folklore and cultural ambience, and offering new perspectives on autism and more, The Secret Life of a Black Aspie: A Memoir (University of Alaska Press, 2017) will inspire and delight readers and deepen our understanding of the marginal spaces of human existence.

Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

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Discussion of Massive Online Peer Review and Open Access Publishing

Tue, 19 Mar 2019 10:00:00 -0000

In the information age, knowledge is power. Hence, facilitating the access to knowledge to wider publics empowers citizens and makes societies more democratic. How can publishers and authors contribute to this process? This podcast addresses this issue. We interview Professor Austin Choi-Fitzpatrick, whose book, The Good Drone: How Social Movements Democratize Surveillance (forthcoming with MIT Press) is undergoing a Massive Online Peer-Review (MOPR) process, where everyone can make comments on his manuscript. Additionally, his book will be Open Access (OA) since the date of publication. We discuss with him how do MOPR and OA work, how he managed to combine both of them and how these initiatives can contribute to the democratization of knowledge.

You can participate in the MOPR process of The Good Drone through this link: https://thegooddrone.pubpub.org/

Felipe G. Santos is a PhD candidate at the Central European University. His research is focused on how activists care for each other and how care practices within social movements mobilize and radicalize heavily aggrieved collectives.

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Alexander Langlands, "Cræft: An Inquiry into the Origins and True Meaning of Traditional Crafts" (Norton, 2017)

Mon, 04 Mar 2019 05:00:00 -0000

Alexander Langlands is a British archaeologist, historian, writer, and broadcaster. His most recent book, Cræft: An Inquiry into the Origins and True Meaning of Traditional Crafts, was published by Norton to great acclaim in 2017 and has just been reissued as a paperback. Cræft is an antiquated spelling of “craft” and in the book, Langlands explores what the word meant when it first appeared in English over a thousand years ago. Our modern understanding of the term, Langlands argues, is at some remove from its original meaning. When it first began to appear in the writings of Anglo-Saxons, the term referred to “power or skill in the context of knowledge, ability, and a kind of learning” (17). In Cræft, Langlands combines scholarly research with personal anecdotes as he discusses a range of pursuits which he himself has undertaken, including hay-making, hedgerow planting, dry wall building, and roof thatching.

Folklorist Millie Rahn describes Cræft as follows: “This beautifully-written book is basically a cautionary tale about the loss of knowledge, wisdom, power, and skill embedded in tradition, and our ignoring that knowledge at our peril. It's not a treatise; more a paean to the human condition. Not the first to lament our intellectual, spiritual, and physical disconnect with the modern world, or acknowledge the periodic arts and crafts revivals, the writer says we have the power to transform our world and ourselves if we go back to our roots as humans, as ‘makers’. That's where he distinguishes ‘craeft’ from the art and connoisseurship of ‘craft’-- the whole cycle of ‘making’ rooted (all puns intended) in our agricultural processes.”

Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

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David J. Puglia, "Tradition, Urban Identity, and the Baltimore 'Hon': The Folk in the City" (Lexington Books, 2018)

Thu, 31 Jan 2019 14:04:00 -0000

Folklorist David J. Puglia is an assistant professor at the City University of New York and in his latest book - Tradition, Urban Identity, and the Baltimore “Hon": The Folk in the City (Lexington Books, 2018) – he considers the term “hon” and its significance to residents of Baltimore. In that city, the word has a particular salience and is often associated a certain type of blue-collar woman who sports a beehive hairdo and cat-eye glasses. More generally “hon” invokes “a place-based notion of authenticity and community for which Baltimore was supposedly once renowned” (xii).

Following chapters which look at the history of the folkloristic study urban traditions and the history and sociocultural landscape of contemporary Baltimore, Puglia presents a series of case studies that all involve the word “hon”. The first involves “Hon Man” who created placards featuring the word that he then affixed to “Welcome to Baltimore” signs – to the approval of some residents and the dismay of others. The second concerns “Honfest” – an annual event which Puglia likens to a “battleground where city dwellers could negotiate what Baltimore was and what it meant to be a Baltimorean” (91). The last revolves around the outcry – aka the “Hontroversy” - which erupted when the public caught wind Denise Whiting - owner of a popular local diner called Café Hon and a founder of Honfest - appeared to claim ownership of the term as part of a branding campaign; as Puglia details, an intervention by the famously hot-tempered celebrity chef Gordon Ramsay eventually led to peace. Overall Puglia argues that “the folklorist’s challenge in the new century is to address cities as contested social spaces in which folklore, or the creation of practices that appear folkloric, services residents across ethnic lines” (xv).

As noted by Lisa Gabbert, “Puglia expertly traces how in Baltimore, the word 'hon' moved from a stigmatized to an esteemed vernacular for purposes of collective civic representation and the controversies such a move engendered. In doing so he adeptly explores important issues of class, identity, representation, commodification and the privatization of folklore”. In sum, Gabbert states, Tradition, Urban Identity, and the Baltimore “Hon" is “an excellent case study of the processes of the selection and invention of tradition in a city that deserves more attention to its folk traditions”.

Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

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Ben Gatling, "Expressions of Sufi Culture in Tajikistan" (U Wisconsin Press, 2018)

Tue, 22 Jan 2019 11:00:00 -0000

George Mason University professor Ben Gatling’s debut book, Expressions of Sufi Culture in Tajikistan (University of Wisconsin Press, 2018), is a beautifully written ethnography exploring the lives, religious practice, and narratives of Sufi believers near Dushanbe, Tajikistan. Through close examination of historical narratives, nostalgia, material practice, ritual, and more, Ben shows how his interlocutors link their faith and their practice with the religious and expressive traditions of Central Asian Islam. The alternative temporalities and asynchronies present in these narratives provide persuasive counter-narratives to the Tajik state’s ideologies. At the same time, he shows that reading these narratives “simply” as resistance is not accurate, but as a way of shaping their own experiences of the present.

Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet.

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Patrick B. Mullen, "Right to the Juke Joint: A Personal History of American Music" (U Illinois Press, 2018)

Fri, 14 Dec 2018 11:00:00 -0000

On its back cover, Patrick B. Mullen’s Right to the Juke Joint: A Personal History of American Music(University of Illinois Press, 2018) is aptly described as “part scholar's musings and part fan's memoir”. Mullen is professor emeritus of English and folklore at the Ohio State University and across the eight chapters that make up this book, he enthusiastically and engagingly describes his many encounters with a wide range of vernacular musics throughout the north American continent and details his experiences with the musical genres, performers, events, and songs that have shaped the soundscape of his life. As his fellow music scholar, E. Cecilia Conway puts it: this “book lets us ride shotgun with Mullen on his journey from Beaumont, Texas boy to Ohio professor to dancing to 'Don't Be Cruel' and 'The Twist' amidst the diversity of American Music. Read Pat Mullen at his expansive best."

Rachel Hopkin is a UK-born, US-based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

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McKenzie Wark, "General Intellects: Twenty-One Thinkers for the Twenty-First Century" (Verso, 2017)

Thu, 06 Dec 2018 13:04:00 -0000

McKenzie Wark’s new book offers 21 focused studies of thinkers working in a wide range of fields who are worth your attention. The chapters of General Intellects: Twenty-One Thinkers for the Twenty-First Century (Verso, 2017) introduce readers to important work in Anglophone cultural studies, psychoanalysis, political theory, media theory, speculative realism, science studies, Italian and French workerist and autonomist thought, two “imaginative readings of Marx,” and two “unique takes on the body politic.” There are significant implications of these ideas for how we live and work at the contemporary university, and we discussed some of those in our conversation. This is a great book to read and to teach with!

Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here.

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Lee Bidgood, “Czech Bluegrass: Notes from the Heart of Europe” (U Illinois Press, 2017)

Wed, 14 Nov 2018 11:00:19 -0000

Although bluegrass music is typically associated with the bluegrass state of Kentucky and Appalachia, the genre is actually played in many pockets all around the world. In Czech Bluegrass: Notes from the Heart of Europe (University of Illinois Press, 2017), Lee Bidgood explores the popularity of bluegrass in the Czech Republic. Bidgood is an associate professor of bluegrass, old-time, and country music studies in the Department of Appalachian Studies at East Tennessee State University and an accomplished musician himself. He begins his study with a description of the development of the cultural landscape within this central European nation and explains how a confluence of factors within that landscape – not least a fascination with American pop culture and the appeal of the rural – led to the popularity of bluegrass music within certain circles, and also discusses how the genre was able to survive under Communism. In addition, Bidgood’s investigation includes his exploration of some of the identity issues facing these central Europeans who have chosen to play a music more commonly associated with a foreign and distant land.

In a recent review of the book in the Journal of Folklore Research, Philip Nusbaum noted that Bidgood’s music-world credentials include “fiddling with the Steep Canyon Rangers, a leading group from North Carolina; and touring the Czech Republic and other European countries with European bluegrass bands.” Nusbaum goes on to write that in “Czech Bluegrass, Lee combines experience playing bluegrass professionally with his ethnographic abilities and detail-oriented library research. The outcome is a model of reportage on a contemporary musical idiom, bluegrass music in the Czech Republic”.

In Czech Bluegrass, Lee combines experience playing bluegrass professionally with his ethnographic abilities and detail-oriented library research. The outcome is a model of reportage on a contemporary musical idiom, bluegrass music in the Czech Republic.

Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

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Kate Parker Horigan, “Consuming Katrina: Public Disaster and Personal Narrative” (UP of Mississippi, 2018)

Fri, 09 Nov 2018 11:00:30 -0000

Kate Parker Horigan is an Assistant Professor in the Department of Folk Studies and Anthropology at Western Kentucky University, and a co-editor of the Journal of American Folklore. In Consuming Katrina: Public Disaster and Personal Narrative (University of Mississippi Press, 2018), she explores some of the numerous narratives generated by Hurricane Katrina’s devastating effects on residents of New Orleans in 2005.

Her investigation includes personal narratives of those directly affected by the hurricane and which were recorded as part of the “Surviving Katrina and Rita in Houston” project (SKRH). In SKRH – which was set up by folklorists Carl Lindahl and Pat Jasper – survivors were given the training and other resources to interview one another about their experience of the events (see this site for more information). Horigan notes that many of the narratives collected by SKRH counter widespread and pernicious claims which circulated via the media and through other channels during and after the disaster, including allegations that victims threatened those involved in the rescue effort.

Horigan also interrogates survivor narratives as they are re-presented within more mainstream works inspired by the event, including Dave Egger’s Zeitoun; A.D.: New Orleans after the Deluge, a graphic novel by Josh Neufeld; and the documentary film, Trouble the Water. She argues that such re-presentations: “propagate dangerously limited and stereotypical representations, which in turn inform responses to disasters such as Katrina. They also allow audiences to feel sympathy for survivors, without feeling complicit in their conditions of suffering or compelled to act” (5).

Horigan suggests that an alternative and more ethical route in re-presenting narratives is to do so in such a way that the original narrators are able to negotiate the ways in which their stories are reproduced. In other words: When trauma becomes public, as the insatiable appetite for disaster stories demands that it must, the texts that most ethically adapt personal narratives are those that include the survivors’ own crucial engagement with the processes of narrative production” (5). Ultimately, Horigan argues that a “better grasp on the processes of narration and memory is critical for improved disaster response because stories that are widely shared about disaster determine how communities recover” (5).

Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

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Bill Ivey, “Rebuilding an Enlightened World: Folklorizing America” (Indiana UP, 2018)

Tue, 02 Oct 2018 10:00:00 -0000

Bill Ivey’s Rebuilding an Enlightened World: Folklorizing America (Indiana University Press, 2018) advances the idea that we are entering a post-enlightenment world increasingly characterized by alternative facts, fake news, and doubts over the “objective” truths of science. Faced with the failure of data-driven social sciences to explain these phenomena, and to anticipate the behaviors of the American voter in 2016 or the middle-class-teenager-turned-ISIS-fighter, Rebuilding advances folklore as a potential alternative to preserve the Enlightenment’s progress and potentially make good on its promise. Drawing on the work of seminal figures of American folkore’s recent past, including Richard Dorson, Americo Paredes, Archie Green, Ralph Rinzler, and Henry Glassie, rebuilding examines the a range of phenomena including the 2016 presidential election, Black Panther, the rise of fake news, and Story Corps for a way to recognize and value alternative knowledge systems. The path forward is anything but clear, but perhaps folklore, with its focus on myth, legends, festival, vernacular beliefs, and modest listening, can provide tools for this complicated future.

Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet.

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Marsha MacDowell, Clare Luz, and Beth Donaldson, “Quilts and Health” (Indiana UP, 2017)

Wed, 25 Jul 2018 10:00:38 -0000

In Quilts and Health (Indiana University Press, 2017), Marsha MacDowell and her colleagues examine the phenomenon of health-related quilts, of which there are millions around the world. In fact, and as this book documents, almost any illness, disease, or condition is likely to be associated in some way with quiltmaking. Quilts are made to support health education and patient advocacy, to raise funds, to memorialize those passed, to promote personal well-being, and to comfort others in distress. Some quilts even document medical history; for example, Ohio-based quilter Helen Murrell created a piece that serves as a statement of outrage for the unjust treatment of 600 African-American men who, without their knowledge or consent, were subjected to a forty-year medical experiment of the United States government. During the experiment, 399 men were deliberately infected with syphilis and were allowed to go untreated, even after a cure was developed.

Quilts and Health explores the myriad connections that are forged between disease, recovery, and quilt making. As the authors note, systematic study of quilts and the stories they hold has “great potential to help us understand the human experience for illness and health, advance medical knowledge, and, ultimately, enhance the quality of health, outcomes, and life” (2).

McDowell’s co-writers are Clare Luz and Beth Donaldson, both of whom are also based at Michigan State University. Luz is Assistant Professor in the Department of Orthopedic Medicine. Donaldson is Digital Humanities Project Asset Coordinator at the Museum and Coordinator of the Museum’s Quilt Index.

Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

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Robert D. Miller II, “The Dragon, the Mountain, and the Nations: An Old Testament Myth, Its Origins, and Its Afterlives” (Eisenbrauns, 2018)

Thu, 21 Jun 2018 11:13:54 -0000

People have long been captivated by stories of dragons. Myths related to dragon slaying can be found across many civilizations around the world, even among the most ancient cultures including ancient Israel. In his book The Dragon, the Mountain, and the Nations, Robert Miller chronicles the trajectories and transformations of this myth, and brings out the major role of dragon slaying in both the Hebrew Bible and the New Testament. Join us as we talk with Robert Miller about an age-old, fascinating topic: dragons!

Robert D. Miller II earned his Ph.D. in Hebrew Bible from the University of Michigan, and is Associate Professor of Old Testament at The Catholic University of America, and Research Associate with University of Pretoria, South Africa. His other books include Chieftains of the Highland Clans: A History of Israel in the 12th and 11th Centuries BC (2005), Oral Tradition in Ancient Israel (2011), and Covenant and Grace in the Old Testament: Assyrian Propaganda and Israelite Faith (2012). Robert teaches courses in Old Testament, the ancient Near East, and Archaeology.

Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author ofThe Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus (Peeters, 2012), and Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus (IVP Academic, 2015). He can be reached at mmorales@gpts.edu.

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Ann K. Ferrell, “Burley: Kentucky Tobacco in a New Century” (U Press of Kentucky, 2013)

Wed, 30 May 2018 10:00:26 -0000

Ann K. Ferrell is an Associate Professor and the Director of the Folk Studies program at Western Kentucky University, and also Editor-in-Chief of the Journal of American Folklore. Her first book, Burley: Kentucky Tobacco in a New Century (University of Kentucky Press, 2013) is the result of multiple research methodologies including extensive ethnographic fieldwork, archival investigation, and rhetorical analysis.

The book’s introduction includes a history of tobacco production in the United States along with a summary of changes in attitudes towards the product over time – the most significant shift coming in the wake of the 1964 Surgeon General’s report confirming its detrimental health effects. Thereafter, the book is divided into three parts. Part One offers a detailed description of the work involved in raising the eponymous crop as well as how that process has changed over time. Part Two, titled “The Shifting Meanings of Tobacco,” is based upon Ferrell’s study of the representation of tobacco – or its non-representation – in the Kentucky Department of Agriculture newsletters from the 1940s up until the time of her fieldwork (c. 2007); here Ferrell shows how the state’s response to tobacco’s fluctuating fortunes played out in rhetorical decisions made manifest on the page. For example, recent depictions of tobacco farming suggest it has been relegated to part of Kentucky’s heritage rather than its present, despite the state still being home to thousands of tobacco farms. In the third part of the book, Ferrell combines her ethnographic research with her study of rhetoric to consider what it means to be a tobacco farmer in Kentucky in the 21st century; whereas claiming such an identity in the past might well engender pride and respect, it has become stigmatized and therefore more likely to provoke disdain at best. Partly as a result, recent decades have seen the development of the complex concept of tobacco nostalgia, characteristics of which include mourning the “golden age of the tobacco man”. In addition, Ferrell investigates why “just growing something else” is by no means as simple an endeavor as it sounds.

Burley: Kentucky Tobacco in a New Century has been widely-acclaimed. For example, in his review for the Register of the Kentucky Historical Society, Jeffery A. Duvall described Ferrell’s monograph as “an illuminating account of how burley tobacco, once a proud symbol of the economic strength and cultural heritage of the commonwealth, has in recent years been scrubbed from the consciousness and public image of Kentucky, and the impact this has had upon tobacco farmers in the state.” In addition, Burley received the 2014 Wayland D. Hand Award (awarded by the American Folklore Society to the best book to combine historical and folkloristic methods and materials).

Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

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Christina Maags and Marina Svensson, “Chinese Heritage in the Making: Experiences, Negotiations, and Contestations” (Amsterdam UP, 2018)

Fri, 25 May 2018 10:00:55 -0000

In Chinese Heritage in the Making: Experiences, Negotiations, and Contestations (Amsterdam University Press, 2018), edited by Christina Maags and Marina Svensson, gathers authors from a variety of disciplines to examine the growing emphasis on heritage in contemporary China. Since China began its heritage turn in the 1990s, and especially since 2004 when it became the sixth nation to ratify the UNESCO Convention for the Safeguarding of the Intangible Cultural Heritage, the Chinese state’s enthusiastic promotion of safeguarding traditions, objects, and sites has empowered communities to carefully engage with the cultural practices. Using an approach that draws from the young discipline of critical heritage studies and featuring chapters examining festivals, museums, architecture and more, this volume shows how attention to the dynamic engagements between local stakeholders, government representatives, and cultural specialists can provide important perspectives on cultural forms in China and beyond. These questions are particularly important both for understanding both culture work in twenty-first China, and in the field of folklore studies.

Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet.

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Erik Mueggler, “Songs for Dead Parents: Corpse, Text, and World in Southwest China” (U Chicago Press, 2017)

Mon, 21 May 2018 10:00:23 -0000

The Lòlop’ò of Southwest China’s Yunnan Province have a folktale in which they, Han Chinese, and Tibetans were given the technology of writing. The Han man was wealthy, purchased paper, and wrote on paper. And so the Han continue to have writing today. The Tibetan man wrote on an animal hide, and so the Tibetans now have writing as well. The Lòlop’ò man, being poor, wrote on buckwheat pancakes. He ate the pancakes on the way home, and the Lòlop’ò now keep their texts orally among a group of ritual specialists. In Erik Mueggler’s Songs for Dead Parents: Corpse, Text, and World in Southwest China (University of Chicago Press, 2017), Lòlop’ò oral literature and Han Chinese writing feature prominently in local “work on the dead.” For the Lòlop’ò, one’s familial ancestors, and non-familial ancestors are present in the world, and people maintain complex intimate relations with them that are not constrained by death. These relations find expression in rituals in which souls are given material body and then dispersed again, in laments and chants, and in gravestones inscribed with Chinese. In examining these various factors, this book provides new pathways for studying the anthropology of death, and for understanding ethnic minority experience in Southwest China.

Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet.

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Joseph Sciorra, “Built with Faith: Italian American Imagination and Catholic Material Culture in NYC” (U Tennessee Press, 2018)

Tue, 08 May 2018 10:00:10 -0000

Folklore scholar Joseph Sciorra is the Director for Academic and Cultural Programs at the John D. Calandra Italian American Institute in Queens College which is part of the City University of New York. He’s also a Brooklyn-born and -raised Italian American and in this episode of the New Books in Folklore podcast, he talks about his latest book, Built with Faith: Italian American Imagination and Catholic Material Culture in New York City (University of Tennessee Press, 2015) which “offers a place-centric, ethnographic study of the religious material culture of New York City’s Italian American Catholics” (xiv).

A transdisciplinary work, albeit firmly grounded in folklore scholarship and based on ethnographic research conducted over 35 years, this book is a comprehensive study of the myriad ways in which a people express their personal religious faith in tangible, dynamic, and often public forms. The resulting yard shrines, sidewalk altars, elaborate presepi (Nativity scenes), and other manifestations – which also include extravagant Christmas light adornments of domestic exteriors, The Our Lady of Mount Carmel Grotto in Rosebank, Staten Island, and a series of Brooklyn religious processions – usually receive no kind of official sanction. In fact, they are more likely to provoke disdain than approbation in most quarters. Nonetheless, they allow residents to both meaningfully relate to and actively construct the city in a way that is unique to “New York” and also speak to a vernacular Italian-American ethos that sets great store by the concept of lavoro ben fatto, or “work done well”.

In Built with Faith, Sciorra gives prominence to the voices of the creators of this landscape of devotional material culture, voices which he has captured over decades in formal interviews as well as less formal ‘phone conversations, and casual street-side chats. He also takes pains to present the history of the sorts of displays that are his subject. In addition, the volume includes numerous photographs of the sites in question, often taken by the author himself.

As noted by another New Books in Folkore interviewee, Luisa Del Giudice, in her review for the Journal of American Folkore: “Sciorra has vividly demonstrated why the study and practice of such material culture is important and how individual human creativity informed by a spiritual and cultural core becomes an act of both personal and community identity. These art forms may not have much social capital, but Sciorra does. As Director of Academic and Cultural Programs at the John D. Calandra Italian American Institute of New York, editor (Italian American Review), blogger (“Joey Skee,” for i-Italy), noted scholar and cultural activist, Sciorra, through Built with Faith, will make a high impact beyond the disciplines of vernacular culture; art and architecture; migration and ethnic, urban, religious studies; and beyond New York City. This is definitely a carefully crafted work—that is, un lavoro ben fatto.”

Cindy R. Lobel, writing for the Vernacular Architecture Forum’s Buildings and Landscapes journal, is similarly effusive: “Built with Faith makes a fine contribution to the literature on landscape, material culture, immigration, ethnic studies, and urban studies. It offers important information on the kinds of approaches Italian American New Yorkers have taken toward shaping the built environment of New York through their religious and cultural practices. Sciorra documents and offers wonderful thick descriptions of Italian American mat...

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Ruth von Bernuth, “How the Wise Men Got to Chelm: The Life and Times of a Yiddish Folk Tradition” (NYU Press, 2017)

Mon, 02 Apr 2018 10:00:15 -0000

In How the Wise Men Got to Chelm: The Life and Times of a Yiddish Folk Tradition (New York University Press, 2017), Ruth von Bernuth, Associate Professor in the Department of Germanic and Slavic Languages and Literatures and Director of the Carolina Center for Jewish Studies at the University of North Carolina at Chapel Hill, presents the first in-depth study of Chelm literature and its relationship to its literary precursors. The Chelm stories surrounding the ‘wise men’ (fools) of this town constitute the best-known folktale tradition of the Jews of Eastern Europe. Bernuth’s book joins together a historical analysis of early modern and modern German and Yiddish literature to give us a compelling and insightful account of the history of these stories.

Max Kaiser is a PhD candidate at the University of Melbourne. He can be reached at kaiser@student.unimelb.edu.au

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Jo Farb Hernandez, “Singular Spaces: From the Eccentric to the Extraordinary in Spanish Art Environments” (Raw Vision, 2013)

Wed, 28 Mar 2018 10:00:56 -0000

Singular Spaces: From the Eccentric to the Extraordinary in Spanish Art Environments (Raw Vision, 2013) is an audacious tome. A comprehensive survey of 45 art environments on the Spanish mainland, it weighs just over eight and a half pounds and contains over 1300 color photographs (with over 4000 more plus site plans on the accompanying CD). Its author, Jo Farb Hernandez, is the Director of SPACES, a non-profit focused on art environments around the world. She first became interested in place-based creative constructions when she was an undergraduate in Wisconsin. In her introduction to Singular Spaces, she recounts how this particular book began: she and her husband were in the process of renovating an old farmhouse they’d purchased in Catalonia. They took a short road-trip to explore the area around their new home and chanced upon “the enormous roadside construction of Josep Pujiula I Vila, at that time one of the largest and most idiosyncratic art environments found worldwide” (16). Shortly thereafter Farb Hernandez began documenting Pujiula’s work while writing another book. In the process she came across more and more such endeavors that demanded her attention. Singular Spaces is devoted to those sites and like them, the book is the product of years of labor and dedication.

Singular Spaces features the work of 45 artists, all men. Alongside the photographs and descriptions of the art environments, Farb Hernandez also tells the stories of their creators’ lives, and details the history and development of each project. She also describes the challenges that many of the artists have faced, not least those posed by unhappy neighbors and unsympathetic municipal authorities. In fact, helping the men deal with local adversities has led to Farb Hernandez frequently taking on the role of advocate on behalf of her interlocutors.

A recent review in the Journal of American Folklore described Singular Spaces as “incredibly important for those who are interested in architecture, the politics of place and space, folk art and art in general, art and activism, the psychology of creativity, and relationships between tradition and the individual. Jo Farb Hernandez has written more than a survey of eccentric art spaces. She has opened a door to each artist and space so that they may be explored, analyzed, and, in some cases, loved by any who enjoy such contextual art forms.”

Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

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Dorothy Noyes, “Humble Theory: Folklore’s Grasp on Social Life” (Indiana UP, 2016)

Thu, 22 Mar 2018 10:00:45 -0000

Humble Theory: Folklore’s Grasp on Social Life (Indiana University Press, 2016) is an anthology of essays from Dorothy Noyes, professor of English and Comparative Studies at the Ohio State University and president of the American Folklore Society. The collection of essays takes aim at some of the critical questions that the discipline of folklore faces in the twenty-first century. From seminal keyword essays (monsters, she calls them) on group, tradition, and aesthetics that set out the state of the field, to studies of the historical uses of tradition at different moments across Europe, to critiques of present-day slogan-concepts like Intangible Cultural Heritage and resilience, Humble Theory: Folklore’s Grasp on Social Life (Indiana University Press, 2016) sets out to see how the discipline of folklore, with its emphases on vernacular theorization—as opposed to grand or high theories—provides unique insights into society more broadly. Ultimately, it seems, the strength and weaknesses of folklore might simultaneously lie in the fact that the field and its theories are humble: low and close to the ground.

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Jean R. Freedman, “Peggy Seeger: A Life of Music, Love, and Politics” (U Illinois Press, 2017)

Thu, 08 Mar 2018 11:00:10 -0000

When folklorist Jean Freedman first met Peggy Seeger in 1979, Freedman was an undergraduate on her junior year abroad in London, while her American compatriot had been living in the UK for two decades. Their encounter took place in the Singers’ Club, a folk music venue that Seeger and her husband Ewan MacColl founded in the early 1960s and to which Freedman returned many times during her London sojourn. After Freedman returned to the States, the pair kept in touch for a while but their contact became increasingly sporadic. However, it began again in earnest when the folklorist emailed Seeger to check some facts for a writing assignment. During their subsequent exchange, Seeger asked if Freedman might know of anyone who would be interested in writing her biography. Immediately, Freedman volunteered herself. Eight years, many interviews, and much text-based research later, Peggy Seeger: A Life of Music, Love, and Politics (University of Illinois Press, 2017) is the result.

As the book’s subtitle suggests, Freedman covers multiple aspects of her subject’s rich story, including Seeger’s upbringing within a privileged musical family; her relationship with the aforementioned leftwing folksinger and songwriter, actor and playwright Ewan MacColl; her involvement in the production of the groundbreaking BBC Radio Ballads; her musical endeavors, many of which were collaborative; her involvement in the establishment of various initiatives such as the Critics Group, a key aim of which was to help young singers perform folk material in an appropriate manner; and her political activism. Freedman also writes about Seeger’s return to America in the early 1990s following MacColl’s death, then her subsequent relocation to Britain in 2010 where she continues to live and be astonishingly active. Seeger’s most recent album, Everything Changes, was released in 2014, and when this New Books in Folklore interview with Freedman was recorded in March 2018, she already had another one in the works.

Freedman’s Peggy Seeger: A Life of Music, Love, and Politics is the first full length study of an important cultural figure and has been very well received since its publication last year. A recent review in the Journal of Folklore Research described the book as offering a comprehensive overview of Peggy Seeger’s life along with an absorbing history of the folk music revival. It also praises Freedman’s prose for being as approachable and entertaining as Seeger’s lyrics and informal, intimate performance style.

Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

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C. Grant and H. Schippers, “Sustainable Futures for Music Cultures: An Ecological Perspective” (Oxford UP, 2016)

Mon, 19 Feb 2018 11:00:31 -0000

Sustainable Futures for Music Cultures: An Ecological Perspective (Oxford University Press, 2016), a multi-authored volume co-edited by Catherine Grant and Huib Schippers, examines a range of musical traditions from cultures around the world. The book deliberately places endangered musical practices alongside vibrant traditions like western opera and Hindustani music, each assessed along five domains: systems of learning music, musicians and communities, contexts and constructs, regulations and infrastructure, and media and the music industry. Doing so allows for both “vertical reading” (reading chapters in sequential order) and “horizontal reading” (in which one examines one or a handful of domains and focuses on these across different chapters). Beyond the book, information from the project is also available on the website soundfutures.org.

Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet.

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Claire Schmidt, “If You Don’t Laugh, You’ll Cry: The Occupational Humor of White Wisconsin Prison Workers” (U Wisconsin Press, 2017)

Thu, 08 Feb 2018 11:00:30 -0000

Claire Schmidt is not a prison worker, rather she is a folklorist and an Assistant Professor at Missouri Valley College. However, many members of her extended family in her home state of Wisconsin either were or are prison workers and it is their work-related humor that inspired this book.

If You Don’t Laugh, You’ll Cry: The Occupational Humor of White Wisconsin Prison Workers (University of Wisconsin Press, 2017) is based on multiple interviews which Schmidt conducted during a decade or more, and also on her memories of hearing relatives talk about their working lives to great comedic effect at family gatherings over the years. Schmidt’s analysis provides many different examples of the ways in which humor can be deployed by prison workers. For example, it can be a means of acclimatizing recent recruits to their new roles as prison officers; it can alleviate the long stretches of tedium that characterize prison work, as well as offer a way to cope with the periods of extremely high stress which punctuate that tedium; it can help officers negotiate the boundaries between their working and their non-working lives; and it can help them to maintain manageable relationships with—and exercise control over—the inmates under their watch.

In presenting her research, Schmidt engages with a range of previous folkloristic studies of work-placed culture. She also situates her subject within a problematic institutional landscape. She highlights the fact that the Wisconsin prison system has the highest incarceration rate of black men in the United States, describing it as a clear example of ongoing and systematic social injustice at the state level (5) and an oppressive structure of institutionalized racism and class warfare that affects both inmates and prison workers (11). She also attends to popular preconceptions about correctional officers which often depicts them as sadistic bullies. Whilst some could be described as such, Schmidt ultimately argues that casting prison workers in the public role of the bad guys keeps the hostile public focus on the relatively powerless individual prison worker as the source of oppression and racism, which deflects the focus of public critique and outrage from the larger social and political institutions that maintain oppression and racism (13).

Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

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Ray Cashman, “Packy Jim: Folklore and Worldview on the Irish Border” (U Wisconsin Press, 2016)

Wed, 17 Jan 2018 11:00:08 -0000

How do individuals on national or societal peripheries make use of tradition and to what ends? How can narratives discursively construct a complex worldview? These are some of the questions Ray Cashman seeks to answer in his new book Packy Jim: Folklore and Worldview on the Irish Border (University of Wisconsin Press, 2016). Focusing on the singular character of Packy Jim McGrath and the narratives that feature in his repertoire—from personal experience narratives to stories about the supernatural—we are taken into a lifeworld in which Packy Jim struggles with and develops his own answer to questions of authority, power, sacrifice, place, belief, and more, in a world of limited good. As many people told Cashman during his fieldwork (though they mean something slightly different), “If you want real folklore, Packy Jim is your man.”

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Franz Rickaby, et al., “Pinery Boys: Songs and Songcatching in the Lumberjack Era” (U Wisconsin Press, 2017)

Wed, 10 Jan 2018 15:00:05 -0000

Gretchen Dykstra‘s career to date has been both impressive and wide-ranging. She was the founding President of the Times Square Alliance, the former Commissioner of the NYC Department of Consumer Affairs, and the founding President of the 9/11 Memorial Foundation. She is also a writer, and in this New Books in Folklore episode, she is interviewed about her biography of her grandfather, Franz Rickaby, which features in Pinery Boys: Songs and Songcatching in the Lumberjack Era (University of Wisconsin Press, 2017)

Franz Rickaby was a young folk music collector and fiddler and between 1919 and 1923, he travelled extensively around the Upper Midwest, seeking out the songs and stories of logging industry workers. Even as he embarked on his venture, the region’s lumber business was in stark decline. Most of the original pine forests that had covered the area had been clear cut by that time, but although the environment had been depleted, a rich cache of folkloric material remained. Rickaby set about preserving this material—songs, ballads, and stories—in manuscript form and then presented in his seminal work Ballads and Songs of the Shanty-Boy. This tome provided, as folklorist James P. Leary writes in his introduction to Pinery Boys, “the foundation for our understanding of North Americas Anglophone lumberjack folksongs, song-makers, and singers” (3).

Alas, Rickaby himself died aged 35 shortly before Ballads and Songs of the Shanty-Boy appeared in print leaving the prominent Harvard-based folklorist George Kittredge to oversee its publication which took place in 1926. Rickaby’s wife Lillian, who had urged Kittredge to take up the task, wrote elsewhere that although she was sorry that her husband had not lived to see the finished product, “what are books to those who walk among the stars?” (70).

Gretchen Dykstra’s biography of her grandfather forms a significant part of Pinery Boys and offers valuable insight into the life and motivations of a man about whom little was previously known. Pinery Boys also includes the republication of Rickaby’s Ballads and Songs of the Shanty-Boy, along with other material he collected but which fell outside of the purview of his major work. In addition, and as mentioned earlier, the book’s introduction, which provides valuable context, is written by the University of Wisconsin’s James P. Leary. Leary, himself a distinguished scholar of the folk music of the Upper Midwest, also provides illuminating annotations to Rickaby’s work.

Incidentally, during the course of her New Books in Folklore interview, Dykstra mentions a recent recording of songs collected by her grandfather as performed by Brian Miller. More information about this recording, which is entitled Minnesota Lumberjack Songs: Irish and Scottish Music from the North Woods, can be found here.

Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

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David Hopkin, “Voices of the People in Nineteenth-Century France” (Cambridge UP, 2017)

Mon, 25 Dec 2017 17:40:25 -0000

The author of this book, David Hopkin, is Professor of European Social History at Hertford College, Oxford. He is also my brother. However, I’m not featuring him on New Books in Folklore because of some misguided sense of nepotism, but rather because although he is historian by training, he is a folklorist by vocation. This duality is amply evident in his book Voices of the People in Nineteenth-Century France (Cambridge University Press, 2017) in which he explicitly states that he is proselytizing for a folkloric turn within the discipline of history. As he explains in his introduction, this turn essentially makes two demands of historians. Firstly, I want them to consider oral literature such as tales and songs as appropriate sources for historical analysis; secondly I want to acquaint them with those aspects of post-war folklore scholarship that provide powerful methodologies for understanding popular culture.

The bulk of the book is then given over to a series of case studies in which Hopkin practices what he preaches as he mines folklore collections for material which he then examines and interprets in order to shed light on the lives of ordinary people. The chapter titles indicate his chosen subjects: “Storytelling in a Maritime Community: Saint-Cast, 1879-1882,” “The Sailors Tale: Storytelling on Board the North Atlantic Fishing Fleet,” “Love Riddles and Family Strategies in the Dyemans of Lorraine,” “Storytelling and Family Dynamics in an Extended Household: The Briffaults of Montigny-aux-Amognes,” “Work Songs and Peasant Visions of the Social Order” and “The Visionary World of the Vallave Lacemaker.” His interpretations of the archival records offer ideas about how the folk were able to challenge authority figures from a position of safety, negotiate inequalities within their own families, maintain communal bonds despite often trying conditions, and achieve strategic marital alliances. More broadly, he shows how traditional oral forms stories, songs and riddles—provided viable mechanisms through which the poor were able to assert some degree of control over their own destinies.

Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

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Jason Josephson-Storm, “The Myth of Disenchantment: Magic, Modernity, and the Birth of the Human Sciences” (U. Chicago, 2017)

Thu, 21 Dec 2017 11:30:40 -0000

We tend to think of ourselves—our modern selves–as disenchanted. We have traded magic, myth, and spirits for science, reason, and logic. But this is false. Jason Josephson-Storm, in his exciting new book titled The Myth of Disenchantment: Magic, Modernity, and the Birth of the Human Sciences (University of Chicago Press, 2017) challenges this classical story of modernity. Josephson-Storm, associate professor in and chair of the Department of Religion at Williams College, argues that modernity is riddled with magic, and that attempts to curtail it have often failed. Adding a twist to a well-known expression, he writes that we have never been disenchanted. Josephson-Storm investigates the human sciences—philosophy, psychoanalysis, sociology, and folklore studies, to name a few—which were critical to the creation and spread of the myth of a mythless society. But the human sciences were themselves also deeply entangled with magic. They often, Josephson-Storm reveals, emerged from occult origins, flirted with the paranormal, or even produced new enchantments. As can be surmised from this brief description, the audience of The Myth of Disenchantment will be a broad and eclectic one. The book will be of interest to scholars in religious studies, science and technology studies, and historians of philosophy, science, ideas, culture, and Europe.

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Luisa Del Giudice, ed. “On Second Thought: Learned Women Reflect on Profession, Community, and Purpose” (U. Utah Press, 2017)

Fri, 08 Dec 2017 13:39:42 -0000

On Second Thought: Learned Women Reflect on Profession, Community, and Purpose (University of Utah Press, 2017) is a collection of thirteen essays by women, all in the second half of their lives, in which they contemplate the ways in which the different facets of their identities—personal, professional and spiritual—have hitherto unfolded and intertwined. Among their number is the folklorist, ethnographer, oral historian, and prolific independent scholar Luisa Del Giudice, who is also the editor of the volume and the driving force behind it.

The seed for the book began some years ago, when a career crisis led Del Giudice to question many aspects of her life. In the process, she developed an acute awareness of its often fragmented nature, a fragmentation exacerbated, if not caused, by an academic establishment that tends to looks askance on its members bringing any aspect of their personal lives, still less their spiritual beliefs, into their work. Del Giudice decided to push back against the resulting dichotomous state, which effectively pits the pursuit of knowledge (academia) against the pursuit of wisdom (spirituality). She contacted a number of women, most of whom she knew personally, and asked if they would be willing to provide written reflections on their lives to date often complex and multifaceted lives that encompassed a range of personal and professional identities. She encouraged each to describe how their existence has accrued meaning and purpose, as well as any spiritual leanings underpinning that process.

The result is a kind of textual “Wise Women’s Circle.” It includes four folklorists (aside from Del Giudice herself, there is Mary Ellen Brown, Sabina Magliocco, and Christine Zinni) along with contributors whose professional backgrounds embrace a range of other scholarly disciplines, as well as practitioners of law, medicine, public health, and art. The spiritual and cultural leanings expressed are similarly diverse and include Catholicism, Paganism, Episcopalianism, Jungian Psychology, Judaism and Zen Buddhism.

The paths of the women have often been shaped by societal and cultural expectations and institutional constraints. Despite the singular nature of each essay, a number of recurring themes emerge, not least the importance of cultural heritage, the challenges of combining a professional role with that of a domestic caregiver, workplace side-lining, the power of story-telling, and, perhaps most notably, an ongoing experience of existing within a creative, albeit uncomfortable, state of betwixt and betweeness. Del Giudice describes the contributors as “masters of bricolage and diverse resources who find meaning in lonely marginalized places, who struggle to weave together disparate aspects of life to make them meaningful” (23). All can speak to lessons learned, rewards gained, and the critical need for women’s voices to be heard.

Overall, this collection is designed to inspire its readers to examine their own lives, to help them clarify their own sense of purpose, and then commit to fulfilling it, despite the obstacles which will surely arise.

Rachel Hopkin is a UK born, US based folklorist and radio producer and is currently a PhD candidate at the Ohio State University.

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Ian Brodie, “A Vulgar Art: A New Approach to Stand-Up Comedy” (UP of Mississippi, 2014).

Mon, 20 Nov 2017 17:09:09 -0000

In A Vulgar Art: A New Approach to Stand-Up Comedy (The University Press of Mississippi, 2014), Ian Brodie, an associate professor of folklore at Cape Breton University, brings a folkloristic approach to the study of stand-up comedy. By focusing on comedic performance, Brodie shows stand-up comedy to be a collaborative act between comedian and audience similar to folk performance around the world, even as mediatization sees professional comedians transcend the initial performance to reach mass audiences.

Timothy Thurston is Lecturer in Chinese Studies at the University of Leeds. His research examines language at the nexus of tradition and modernity in China’s Tibet.

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Michael Youngblood, “Cultivating Community: Interest, Identity, and Ambiguity in an Indian Social Mobilization” (South Asian Studies Press, 2016)

Fri, 30 Jun 2017 20:16:02 -0000

Cultivating Community: Interest, Identity, and Ambiguity in an Indian Social Mobilization by Michael Youngblood, a cultural anthropologist based in San Francisco, was published in November, 2016 by the South Asian Studies Association Press. The book is a winner of the Joseph W. Elder Book Prize (conferred by the American Institute of Indian Studies), and has been very well received by reviewers. Cultivating Community is based on the author’s two and a half years of field research in 1996-1999 with the Shetkari Sanghatana, a massive and influential anti-statist movement in India’s Maharashtra state. The book explores the creation of political meaning and the construction of collective identity in a mass social movement. In it, the author address fundamental questions in making sense of mass movements anywhere: Where do movement ideologies come from and what makes them compelling? What motivates diverse groups of ordinary people to rise together in common cause? How can we make sense of individual participants in a movement when their participation sometimes appears irrational and against their own interests?

The book argues for a participant-centric view of the Shetkari Sanghatana, digging beneath the movement’s fantastical mythological idiom and the overarching demands that we hear articulated by leadership to see how the Sanghatana is experienced and constructed by individual participants on the ground. An important part of the analysis focuses on ways that participants and leaders together deploy a pool of shared but highly ambiguous spiritual and political symbols in an ongoing competition to define what the movement stands for, whose interests it represents, and what the future should look like. This is an anthropological ethnography that delves into history, political science, economics, cultural geography, folklore, and religion.

Mike Youngblood received his PhD in cultural anthropology from the University of Wisconsin-Madison. He has taught at the School for International Training, the Haas School of Business at the University of California-Berkeley, the Masters in Social Design program at the Maryland Institute College of Art, and the Hasso Plattner Institute of Design at Stanford University. Mike’s interests in social innovation, collaborative change, design thinking, and ethnographic methodology are central to his work both inside and outside of academe. His work has received a number of recognitions, including the Sardar Patel Award for Best American Dissertation on Modern India, the Percy H. Buchannan Prize for Writing on Asian Affairs, the Robert Miller Prize for Innovation in Anthropological Research, and the Joseph W. Elder Book Prize. He has been a Fulbright fellow, a Watson fellow, and an American Institute of Indian Studies fellow.

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Yuval Harari, “Jewish Magic before the Rise of Kabbalah” (Wayne State UP, 2017)

Mon, 27 Mar 2017 10:00:23 -0000

Jewish Magic Before the Rise of Kabbalah (Wayne State University Press, 2017) opens new vistas not only on the history of the practice of magic throughout Jewish history, but on the variety and syncretistic depth of such practices. Its author is Yuval Harari, professor in the Department of Jewish Thought and head of the Program of Folklore Studies at Ben Gurion University. Professor Harari’s work challenges perceptions and categorizations of what Jewish magic is, and what its place in the Judaism of late antiquity was. It thus promises to facilitate a reappraisal of the performative practices, the beliefs and rituals, on which Jewish life as we know it is founded. Professor Harari’s work carefully and systematically examines a wide variety of Jewish texts and artifacts, and reveals the extent to which the practice of magic is woven into Jewish ritual, thought, culture, from Late Antiquity through and beyond the Middle Ages.

David Gottlieb is a PhD Candidate in the History of Judaism at the University of Chicago Divinity School. His research interests center on the influence of rabbinic midrash on the formation of Jewish cultural memory. He can be reached at davidg1@uchicago.edu.

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Laura J. Olson and Svetlana Adonyeva, “The Worlds of Russian Village Women: Tradition, Transgression, Compromise” (U. Wisconsin Press, 2013)

Mon, 09 Jan 2017 20:27:48 -0000

The Worlds of Russian Village Women: Tradition, Transgression, Compromise (University of Wisconsin Press, 2013) by Laura J. Olson and Svetlana Adonyeva casts a new look at the traditional representation of Russian women and village life in scholarship. Grounding the imagery of a Russian woman in the network of her relationship with her family and the larger community, Olson and Adonyeva show how age and gender shape village communities and traditional lifestyle. Previously, Olson and Adonyeva argue, women have been excluded from the folklore tradition mainly because their performances took place in private rather than public setting, and thus were either not accessible for, or discounted in scholarship. The private character of these performances, however, endows women with a larger agency in preserving and negotiating tradition. Through the discussions of aspects and practices of village life as marriage and courtship, death, memory, motherhood, magic, or singing over the course of three generations, the images of Russian village woman arise as very different from their habitual depiction as “victims of oppressive patriarchy.” Olson and Adonyeva employ a broad analytical framework relying on a set of tools of anthropology, folklore studies, linguistics, psychology and literature studies to recover the previously silenced female voices and tell a fascinating story which challenges our understanding of the lives and societal roles of Russian women.

Olga Breininger is a PhD candidate in Slavic and Middle Eastern Studies at Harvard University. Her research interests include post-Soviet culture and geopolitics, with a special focus on Islam, nation-building, and energy politics. Olga is the author of the novel There Was No Adderall in the Soviet Union and columnist at Literratura.

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Peter Gottschalk, “Religion, Science, and Empire: Classifying Hinduism and Islam in British India” (Oxford UP, 2012)

Mon, 13 Apr 2015 18:01:33 -0000

When did religion begin in South Asia? Many would argue that it was not until the colonial encounter that South Asians began to understand themselves as religious. In Religion, Science, and Empire: Classifying Hinduism and Islam in British India (Oxford University Press, 2012), Peter Gottschalk, Professor of Religion at Wesleyan University, outlines the contingent and mutual coalescence of science and religion as they were cultivated within the structures of empire. He demonstrates how the categories of Hindu and Muslim were constructed and applied to the residents of the Chainpur nexus of villages by the British despite the fact that these identities were not always how South Asians described themselves. Throughout this study we are made aware of the consequences of comparison and classification in the study of religion. Gottschalk engages Jonathan Z. Smith’s modes of comparison demonstrating that seemingly neutral categories serve ideological purposes and forms of knowledge are not arbitrary in order. Here, we observe this work through imperial forms of knowledge production in South Asia, including the roles of cartographers, statisticians, artists, ethnographers, and photographers. In the end we witness the social consequences of British scientism and its effects on the construction of the category of religion in South Asia. In our conversation we discuss mapmaking, travel writing, Christian theology, the authority of positioning, the census, folklore studies, ethnographies, royal societies, museums, indigenous identifications, and theories for the study of religion.

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Rebecca Williams, “Muhammad and the Supernatural: Medieval Arab Views” (Routledge, 2013)

Mon, 03 Feb 2014 11:53:33 -0000

Rebecca Williams‘ book Muhammad and the Supernatural: Medieval Arab Views (Routledge, 2013) is one of the newest additions to the Routledge Studies in Classic Islam series. Despite the Qur’anic proclamation that the only “miracle” which served as proof of Muhammad’s propethood was the Qur’an itself, miracles and supernatural events have been ascribed to Muhammad in numerous Islamic literary and intellectual genres. Professor Williams, of the University of South Alabama, delivers a unique and fresh look at the supernatural in Islam.

Restricting her analysis to the works of Qur’anic exegesis and the biography, she focuses on four events in the life of Muhammad. Muhammad’s conception, his first occasion of public preaching, a vignette concerning a warning sent by one of Muhammad’s followers to the residents of Mecca prior to an attack, and a failed assassination attempt upon Muhammad’s life each contain some type of supernatural occurrence. Each of these events is connected to an important theme for Muslims in the medieval era, sex, politics, betrayal, and wrath, respectively. Professor William’s fascinating comparative investigation of the treatment of these supernatural occasions demonstrates important similarities and differences between these two scholars. Moreover, the reader becomes conscious of the milieu in which each scholar constructed their texts. While this is a significant contribution to the field of the study of Islam, the topics addressed are of great benefit to scholars of literature and folklore and its contents are accessible to a wide spectrum of readers.

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Kristin Andrews, “Do Apes Read Minds?: Toward a New Folk Psychology” (MIT Press, 2012)

Sat, 15 Sep 2012 22:14:09 -0000

The ability to figure out the mental lives of others – what they want, what they believe, what they know — is basic to our relationships. Sherlock Holmes exemplified this ability by accurately simulating the thought processes of suspects in order to solve mysterious crimes. But folk psychology is not restricted to genius detectives. We all use it: to predict what a friend will feel when we cancel a date, to explain why a child in a playground is crying, to deceive someone else by saying less than the whole story. Its very ubiquity explains why it is called folk psychology.

But how in fact does folk psychology work? On standard views in philosophy and psychology, folk psychology just is the practice of ascribing or attributing beliefs and desires to people for explaining and predicting their behavior. A folk psychologist is someone who has this “theory of mind”. In her new book, Do Apes Read Minds?: Toward a New Folk Psychology (MIT Press, 2012), Kristin Andrews, associate professor of philosophy at York University in Toronto, argues that the standard view is far too narrow a construal of what’s going on. It leaves out a wide variety of other mechanisms we use to understand the mental lives of others, and a wide variety of other reasons we have for engaging in this social competence. Moreover, what’s necessary to be a folk psychologist is not a sophisticated metacognitive ability for ascribing beliefs, but an ability to sort the world into agents and non-agents – an ability that greatly expands the class of creatures that can be folk psychologists. Andrews draws on empirical work in psychology and ethology, including her own field work observing wild primates, to critique the standard view and ground her alternative pluralistic view.

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